diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:21:42 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:21:42 -0700 |
| commit | 0fdb58e983ca810e001d72e328c0b32f20a5483d (patch) | |
| tree | 5609b286c35541f18adf2b0b902370db24fc1b95 /3350-h | |
Diffstat (limited to '3350-h')
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diff --git a/3350-h/3350-h.htm b/3350-h/3350-h.htm new file mode 100644 index 0000000..9faeb24 --- /dev/null +++ b/3350-h/3350-h.htm @@ -0,0 +1,73912 @@ +<?xml version="1.0" encoding="utf-8"?> + +<!DOCTYPE html + PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" > + +<html xmlns="http://www.w3.org/1999/xhtml" lang="en"> + <head> + <title> + The Wandering Jew, by Eugene Sue + </title> + <link rel="coverpage" href="images/cover.jpg" /> + <style type="text/css"> + <!-- + body { margin:5%; background:#faebd0; text-align:justify} + P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; } + H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; } + hr { width: 50%; text-align: center;} + .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; } + blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;} + .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;} + .toc { margin-left: 10%; margin-bottom: .75em;} + .toc2 { margin-left: 20%;} + .indent5 { margin-left: 5%;} + .indent10 { margin-left: 10%;} + .indent15 { margin-left: 15%;} + .indent20 { margin-left: 20%;} + .indent30 { margin-left: 30%;} + div.fig { display:block; margin:0 auto; text-align:center; } + div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; } + .figleft {float: left; margin-left: 0%; margin-right: 1%;} + .figright {float: right; margin-right: 0%; margin-left: 1%;} + .pagenum {display:inline; font-size: 100%; font-style:normal; + margin: 0; padding: 0; position: absolute; right: 1%; + text-align: right;} + .side { float: left; font-size: 75%; width: 25%; padding-left: 0.8em; + border-left: dashed thin; text-align: left; + text-indent: 0; font-weight: bold; font-style: italic; + font-weight: bold; color: black; background: #eeeeee; border: solid 1px;} + p.pfirst, p.noindent {text-indent: 0} + span.dropcap { float: left; margin: 0 0.1em 0 0; line-height: 1 } + pre { font-style: italic; font-size: 90%; margin-left: 10%;} + --> +</style> + </head> + <body> + <p> + <br /><br /> + </p> +<pre xml:space="preserve"> +The Project Gutenberg EBook of The Wandering Jew, Complete, by Eugene Sue + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Wandering Jew, Complete + +Author: Eugene Sue + +Illustrators: A. Ferdinandus and Gustave Dore + +Release Date: September 2, 2006 [EBook #3350] +Last Updated: August 22, 2016 + +Language: English + +Character set encoding: UTF-8 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE WANDERING JEW, COMPLETE *** + + + +Produced by David Widger + + + + + + +</pre> + + <h1> + THE WANDERING JEW + </h1> + <p> + <br /><br /> + </p> + <h2> + By Eugene Sue + </h2> +<h3> +Illustrations by A. Ferdinandus and Gustave Dore +</h3> +<p> + <br /> + </p> +<div class="mynote"> +The images in this file are of absolute format: they do not reduce in size for Tablets, Smart Phones, PDAs and small computer screens; on small screens the larger images may run off the side and not be completely visible. A different version of this ebook with the images made relative to the screen size is available on <a href="https://www.gutenberg.org/files/3350/old/files/relative.htm"><i>CLICKING HERE</i></a>. +</div> +<p> + <br /> + </p> + <p> + <br /><br /> <br /> + </p> +<div class="fig"> + <img src="images/10007m.jpg" alt="10007m " /><br /> + </div> + <h5> + <a href="images/10007.jpg"><i>Original</i></a> + </h5> + +<div class="fig"> + <img src="images/10009m.jpg" alt="10009m " /><br /> + </div> + <h5> + <a href="images/10009.jpg"><i>Original</i></a> + </h5> + +<div class="fig"> + <img src="images/10011m.jpg" alt="10011m " /><br /> + </div> + <h5> + <a href="images/10011.jpg"><i>Original</i></a> + </h5> + +<div class="fig"> + <img src="images/10023m.jpg" alt="10023m " /><br /> + </div> + <h5> + <a href="images/10023.jpg"><i>Original</i></a> + </h5> + <p> + <br /> <br /> <br /> + </p> + <hr /> + <p> + <br /> <br /> + </p> + <h4> + A NOTE ON THE AUTHOR OF THE WANDERING JEW: EUGENE SUE <br /><br /> + (1804-1857) + </h4> + <p> + Time and again physicians and seamen have made noteworthy reputations as + novelists. But it is rare in the annals of literature that a man trained + in both professions should have gained his greatest fame as a writer of + novels. Eugene Sue began his career as a physician and surgeon, and then + spent six years in the French Navy. In 1830, when he returned to France, + he inherited his father’s rich estate and was free to follow his + inclination to write. His first novel, “Plick et Plock”, met with an + unexpected success, and he at once foreswore the arts of healing and + navigation for the precarious life of a man of letters. With varying + success he produced books from his inexhaustible store of personal + experiences as a doctor and sailor. In 1837, he wrote an authoritative + work on the French Navy, “Histoire de la marine Francaise”. + </p> + <p> + More and more the novel appealed to his imagination and suited his gifts. + His themes ranged from the fabulous to the strictly historical, and he + became popular as a writer of romance and fictionized fact. His plays, + however, were persistent failures. When he published “The Mysteries of + Paris”, his national fame was assured, and with the writing of “The + Wandering Jew” he achieved world-wide renown. Then, at the height of his + literary career, Eugene Sue was driven into exile after Louis Napoleon + overthrew the Constitutional Government in a coup d’etat and had himself + officially proclaimed Emperor Napoleon III. The author of “The Wandering + Jew” died in banishment five years later. + </p> + <p> + <br /> <br /> + </p> + <hr /> + <p> + <br /> <br /> + </p> + <blockquote> + <p class="toc"> + <big><b>CONTENTS</b></big> + </p> + <p> + <br /> <a href="#link2H_4_0001"> <b>THE WANDERING JEW.</b> </a><br /><br /> + <a href="#link2H_4_0002"> <b>BOOK I.</b> </a><b>THE TRANSGRESSION.</b> + <br /><br /> <a href="#link2H_PROL"> PROLOGUE. </a> <br /><br /> + <a href="#link2H_4_0004"> THE LAND’S END </a>OF TWO WORLDS. <br /><br /> + <a href="#link2HCH0001"> CHAPTER I. </a>MOROK. <br /><br /> <a + href="#link2HCH0002"> CHAPTER II. </a>THE TRAVELLERS. <br /><br /> <a + href="#link2HCH0003"> CHAPTER III. </a>THE ARRIVAL. <br /><br /> <a + href="#link2HCH0004"> CHAPTER IV. </a>MOROK and DAGOBERT <br /><br /> <a + href="#link2HCH0005"> CHAPTER V. </a>ROSE AND BLANCHE. <br /><br /> <a + href="#link2HCH0006"> CHAPTER VI. </a>THE SECRET. <br /><br /> <a + href="#link2HCH0007"> CHAPTER VII. </a>THE TRAVELER. <br /><br /> <a + href="#link2HCH0008"> CHAPTER VIII. </a>EXTRACTS FROM GENERAL SIMON’S + DIARY. <br /><br /> <a href="#link2HCH0009"> CHAPTER IX. </a>THE CAGES. + <br /><br /> <a href="#link2HCH0010"> CHAPTER X. </a>THE SURPRISE. <br /><br /> + <a href="#link2HCH0011"> CHAPTER XI. </a>JOVIAL and DEATH. <br /><br /> <a + href="#link2HCH0012"> CHAPTER XII. </a>THE BURGOMASTER. <br /><br /> <a + href="#link2HCH0013"> CHAPTER XIII. </a>THE JUDGEMENT. <br /><br /> <a + href="#link2HCH0014"> CHAPTER XIV. </a>THE DECISION. <br /><br /> <a + href="#link2HCH0015"> CHAPTER XV. </a>THE DESPATCHES. <br /><br /> <a + href="#link2HCH0016"> CHAPTER XVI. </a>THE ORDERS. <br /><br /> <a + href="#link2H_4_0021"> <b>BOOK II.</b> </a><b>INTERVAL—THE + WANDERING JEW’S SENTENCE.</b> <br /><br /> <a href="#link2H_4_0022"> + INTERVAL. </a> <br /><br /> <a href="#link2HCH0017"> CHAPTER + XVII. </a>THE AJOUPA. <br /><br /> <a href="#link2HCH0018"> CHAPTER XVIII. + </a>THE TATTOOING <br /><br /> <a href="#link2HCH0019"> CHAPTER XIX. </a>THE + SMUGGLER <br /><br /> <a href="#link2HCH0020"> CHAPTER XX. </a>M. JOSHUA + VAN DAEL. <br /><br /> <a href="#link2HCH0021"> CHAPTER XXI. </a>THE RUINS + OF TCHANDI. <br /><br /> <a href="#link2HCH0022"> CHAPTER XXII. </a>THE + AMBUSCADE <br /><br /> <a href="#link2HCH0023"> CHAPTER XXIII. </a>M. + RODIN. <br /><br /> <a href="#link2HCH0024"> CHAPTER XXIV. </a>THE TEMPEST + <br /><br /> <a href="#link2HCH0025"> CHAPTER XXV. </a>THE SHIPWRECK. + <br /><br /> <a href="#link2HCH0026"> CHAPTER XXVI. </a>THE DEPARTURE FOR + PARIS. <br /><br /> <a href="#link2HCH0027"> CHAPTER XXVII. </a>DAGOBERT’S + WIFE. <br /><br /> <a href="#link2HCH0028"> CHAPTER XXVIII. </a>THE SISTER + OF THE BACCHANAL QUEEN. <br /><br /> <a href="#link2HCH0029"> CHAPTER + XXIX. </a>AGRICOLA BAUDOIN. <br /><br /> <a href="#link2HCH0030"> CHAPTER + XXX. </a>THE RETURN. <br /><br /> <a href="#link2HCH0031"> CHAPTER XXXI. + </a>AGRICOLA AND MOTHER BUNCH. <br /><br /> <a href="#link2HCH0032"> + CHAPTER XXXII. </a>THE AWAKENING. <br /><br /> <a href="#link2HCH0033"> + CHAPTER XXXIII. </a>THE PAVILION. <br /><br /> <a href="#link2HCH0034"> + CHAPTER XXXIV. </a>ADRIENNE AT HER TOILET. <br /><br /> <a + href="#link2HCH0035"> CHAPTER XXXV. </a>THE INTERVIEW. <br /><br /> <a + href="#link2H_4_0042"> <b>BOOK III.</b> </a> <br /><br /> <a + href="#link2HCH0036"> CHAPTER XXXVI. </a>A FEMALE JESUIT. <br /><br /> <a + href="#link2HCH0037"> CHAPTER XXXVII. </a>THE PLOT. <br /><br /> <a + href="#link2HCH0038"> CHAPTER XXXVIII. </a>ADRIENNE’S ENEMIES. <br /><br /> + <a href="#link2HCH0039"> CHAPTER XXXIX. </a>THE SKIRMISH. <br /><br /> <a + href="#link2HCH0040"> CHAPTER XL. </a>THE REVOLT <br /><br /> <a + href="#link2HCH0041"> CHAPTER XLI. </a>TREACHERY. <br /><br /> <a + href="#link2HCH0042"> CHAPTER XLII. </a>THE SNARE. <br /><br /> <a + href="#link2HCH0043"> CHAPTER XLIII. </a>A FALSE FRIEND. <br /><br /> <a + href="#link2HCH0044"> CHAPTER XLIV. </a>THE MINISTER’S CABINET. <br /><br /> + <a href="#link2HCH0045"> CHAPTER XLV. </a>THE VISIT. <br /><br /> <a + href="#link2HCH0046"> CHAPTER XLVI. </a>PRESENTIMENTS. <br /><br /> <a + href="#link2HCH0047"> CHAPTER XLVII. </a>THE LETTER. <br /><br /> <a + href="#link2HCH0048"> CHAPTER XLVIII. </a>THE CONFESSIONAL <br /><br /> <a + href="#link2HCH0049"> CHAPTER XLIX. </a>MY LORD AND SPOIL-SPORT. <br /><br /> + <a href="#link2HCH0050"> CHAPTER L. </a>APPEARANCES. <br /><br /> <a + href="#link2HCH0051"> CHAPTER LI. </a>THE CONVENT. <br /><br /> <a + href="#link2HCH0052"> CHAPTER LII. </a>THE INFLUENCE OF A CONFESSOR. + <br /><br /> <a href="#link2HCH0053"> CHAPTER LIII. </a>THE EXAMINATION. + <br /><br /> <a href="#link2H_4_0061"> <b>BOOK IV.</b> </a> + <br /><br /> <a href="#link2H_PART2"> PART SECOND. </a>THE CHASTISEMENT. + <br /><br /> <a href="#link2H_PROL2"> PROLOGUE. </a>THE BIRD’S-EYE VIEW OF + TWO WORLDS. <br /><br /> <a href="#link2HCH0054"> CHAPTER I. </a>THE + MASQUERADE. <br /><br /> <a href="#link2HCH0055"> CHAPTER II. </a>THE + CONTRAST. <br /><br /> <a href="#link2HCH0056"> CHAPTER III. </a>THE + CAROUSE. <br /><br /> <a href="#link2HCH0057"> CHAPTER IV. </a>THE + FAREWELL <br /><br /> <a href="#link2HCH0058"> CHAPTER V. </a>FLORINE. + <br /><br /> <a href="#link2HCH0059"> CHAPTER VI. </a>MOTHER + SAINTE-PERPETUE. <br /><br /> <a href="#link2HCH0060"> CHAPTER VII. </a>THE + TEMPTATION. <br /><br /> <a href="#link2HCH0061"> CHAPTER VIII. </a>MOTHER + BUNCH AND MDLLE DE CARDOVILLE. <br /><br /> <a href="#link2HCH0062"> + CHAPTER IX. </a>THE ENCOUNTERS. <br /><br /> <a href="#link2HCH0063"> + CHAPTER X. </a>THE MEETING. <br /><br /> <a href="#link2HCH0064"> CHAPTER + XI. </a>DISCOVERIES. <br /><br /> <a href="#link2HCH0065"> CHAPTER XII. + </a>THE PENAL CODE. <br /><br /> <a href="#link2HCH0066"> CHAPTER XIII. + </a>BURGLARY. <br /><br /> <a href="#link2H_4_0077"> <b>BOOK V.</b> </a> + <br /><br /> <a href="#link2HCH0067"> CHAPTER XIV. </a>THE EVE OF A GREAT + DAY. <br /><br /> <a href="#link2HCH0068"> CHAPTER XV. </a>THE THUG. <br /><br /> + <a href="#link2HCH0069"> CHAPTER XVI. </a>THE TWO BROTHERS OF THE GOOD + WORK. <br /><br /> <a href="#link2HCH0070"> CHAPTER XVII. </a>THE HOUSE IN + THE RUE SAINT-FRANCOIS. <br /><br /> <a href="#link2HCH0071"> CHAPTER + XVIII. </a>DEBIT AND CREDIT. <br /><br /> <a href="#link2HCH0072"> CHAPTER + XIX. </a>THE HEIR <br /><br /> <a href="#link2HCH0073"> CHAPTER XX. </a>THE + RUPTURE. <br /><br /> <a href="#link2HCH0074"> CHAPTER XXI. </a>THE + CHANGE. <br /><br /> <a href="#link2HCH0075"> CHAPTER XXII. </a>THE RED + ROOM. <br /><br /> <a href="#link2HCH0076"> CHAPTER XXIII. </a>THE + TESTAMENT. <br /><br /> <a href="#link2HCH0077"> CHAPTER XXIV. </a>THE + LAST STROKE OF NOON. <br /><br /> <a href="#link2HCH0078"> CHAPTER XXV. + </a>THE DEED OF GIFT. <br /><br /> <a href="#link2H_4_0090"> <b>BOOK VI.</b> + </a> <br /><br /> <a href="#link2H_PART2B"> PART SECOND. </a>THE + CHASTISEMENT. (Concluded.) <br /><br /> <a href="#link2HCH0079"> CHAPTER + XXVI. </a>A GOOD GENIUS. <br /><br /> <a href="#link2HCH0080"> CHAPTER + XXVII. </a>THE FIRST LAST, AND THE LAST FIRST. <br /><br /> <a + href="#link2HCH0081"> CHAPTER XXVIII. </a>THE STRANGER. <br /><br /> <a + href="#link2HCH0082"> CHAPTER XXIX. </a>THE DEN. <br /><br /> <a + href="#link2HCH0083"> CHAPTER XXX. </a>AN UNEXPECTED VISIT. <br /><br /> + <a href="#link2HCH0084"> CHAPTER XXXI. </a>FRIENDLY SERVICES. <br /><br /> + <a href="#link2HCH0085"> CHAPTER XXXII. </a>THE ADVICE. <br /><br /> <a + href="#link2HCH0086"> CHAPTER XXXIII. </a>THE ACCUSER. <br /><br /> <a + href="#link2HCH0087"> CHAPTER XXXIV. </a>FATHER D’AIGRIGNY’S SECRETARY. + <br /><br /> <a href="#link2HCH0088"> CHAPTER XXXV. </a>SYMPATHY. <br /><br /> + <a href="#link2HCH0089"> CHAPTER XXXVI. </a>SUSPICIONS. <br /><br /> <a + href="#link2HCH0090"> CHAPTER XXXVII. </a>EXCUSES. <br /><br /> <a + href="#link2HCH0091"> CHAPTER XXXVIII. </a>REVELATIONS. <br /><br /> <a + href="#link2HCH0092"> CHAPTER XXXIX. </a>PIERRE SIMON. <br /><br /> <a + href="#link2H_4_0106"> <b>BOOK VII.</b> </a> <br /><br /> <a + href="#link2HCH0093"> CHAPTER XL. </a>THE EAST INDIAN IN PARIS. <br /><br /> + <a href="#link2HCH0094"> CHAPTER XLI. </a>RISING. <br /><br /> <a + href="#link2HCH0095"> CHAPTER XLII. </a>DOUBTS. <br /><br /> <a + href="#link2HCH0096"> CHAPTER XLIII. </a>THE LETTER. <br /><br /> <a + href="#link2HCH0097"> CHAPTER XLIV. </a>ADRIENNE AND DJALMA. <br /><br /> + <a href="#link2HCH0098"> CHAPTER XLV. </a>THE CONSULTATION. <br /><br /> + <a href="#link2HCH0099"> CHAPTER XLVI. </a>MOTHER BUNCH’S DIARY. <br /><br /> + <a href="#link2HCH0100"> CHAPTER XLVII. </a>THE DIARY CONTINUED. <br /><br /> + <a href="#link2HCH0101"> CHAPTER XLVIII. </a>THE DISCOVERY. <br /><br /> + <a href="#link2HCH0102"> CHAPTER XLIX. </a>THE TRYSTING-PLACE OF THE + WOLVES. <br /><br /> <a href="#link2HCH0103"> CHAPTER L. </a>THE COMMON + DWELLING-HOUSE <br /><br /> <a href="#link2HCH0104"> CHAPTER LI. </a>THE + SECRET. <br /><br /> <a href="#link2HCH0105"> CHAPTER LII. </a>REVELATIONS. + <br /><br /> <a href="#link2H_4_0120"> <b>BOOK VIII.</b> </a> + <br /><br /> <a href="#link2H_PART3"> PART THIRD.</a>THE REDEMPTION. <br /><br /> + <a href="#link2HCH0106"> CHAPTER I. </a>THE WANDERING JEW’S + CHASTISEMENT. <br /><br /> <a href="#link2HCH0107"> CHAPTER II. </a>THE + DESCENDANTS OF THE WANDERING JEW. <br /><br /> <a href="#link2HCH0108"> + CHAPTER III. </a>THE ATTACK. <br /><br /> <a href="#link2HCH0109"> CHAPTER + IV. </a>THE WOLVES AND THE DEVOURERS. <br /><br /> <a href="#link2HCH0110"> + CHAPTER V. </a>THE RETURN. <br /><br /> <a href="#link2HCH0111"> CHAPTER + VI. </a>THE GO-BETWEEN. <br /><br /> <a href="#link2HCH0112"> CHAPTER VII. + </a>ANOTHER SECRET. <br /><br /> <a href="#link2HCH0113"> CHAPTER VIII. + </a>THE CONFESSION. <br /><br /> <a href="#link2HCH0114"> CHAPTER IX. </a>LOVE. + <br /><br /> <a href="#link2HCH0115"> CHAPTER X. </a>THE EXECUTION. <br /><br /> + <a href="#link2HCH0116"> CHAPTER XI. </a>THE CHAMPS-ELYSEES <br /><br /> + <a href="#link2HCH0117"> CHAPTER XII. </a>BEHIND THE SCENES. <br /><br /> + <a href="#link2HCH0118"> CHAPTER XIII. </a>UP WITH THE CURTAIN. <br /><br /> + <a href="#link2HCH0119"> CHAPTER XIV. </a>DEATH. <br /><br /> <a + href="#link2H_4_0137"> <b>BOOK IX.</b> </a> <br /><br /> <a + href="#link2HCH0120"> CHAPTER XV. </a>THE CONSTANT WANDERER. <br /><br /> + <a href="#link2HCH0121"> CHAPTER XVI. </a>THE LUNCHEON. <br /><br /> <a + href="#link2HCH0122"> CHAPTER XVII. </a>RENDERING THE ACCOUNT. <br /><br /> + <a href="#link2HCH0123"> CHAPTER XVIII. </a>THE SQUARE OF NOTRE DAME. + <br /><br /> <a href="#link2HCH0124"> CHAPTER XIX. </a>THE CHOLERA + MASQUERADE.(39) <br /><br /> <a href="#link2HCH0125"> CHAPTER XX. </a>THE + DEFIANCE. <br /><br /> <a href="#link2HCH0126"> CHAPTER XXI. </a>BRANDY TO + THE RESCUE. <br /><br /> <a href="#link2HCH0127"> CHAPTER XXII. </a>MEMORIES. + <br /><br /> <a href="#link2HCH0128"> CHAPTER XXIII. </a>THE POISONER. + <br /><br /> <a href="#link2HCH0129"> CHAPTER XXIV. </a>IN THE CATHEDRAL. + <br /><br /> <a href="#link2HCH0130"> CHAPTER XXV. </a>THE MURDERERS. + <br /><br /> <a href="#link2HCH0131"> CHAPTER XXVI. </a>THE PATIENT. <br /><br /> + <a href="#link2HCH0132"> CHAPTER XXVII. </a>THE LURE. <br /><br /> <a + href="#link2HCH0133"> CHAPTER XXVIII. </a>GOOD NEWS. <br /><br /> <a + href="#link2HCH0134"> CHAPTER XXIX. </a>THE OPERATION. <br /><br /> <a + href="#link2HCH0135"> CHAPTER XXX. </a>THE TORTURE. <br /><br /> <a + href="#link2HCH0136"> CHAPTER XXXI. </a>VICE AND VIRTUE. <br /><br /> <a + href="#link2HCH0137"> CHAPTER XXXII. </a>SUICIDE. <br /><br /> <a + href="#link2H_4_0156"> <b>BOOK X.</b> </a> <br /><br /> <a + href="#link2HCH0138"> CHAPTER XXXIII. </a>CONFESSIONS. <br /><br /> <a + href="#link2HCH0139"> CHAPTER XXXIV. </a>MORE CONFESSIONS. <br /><br /> <a + href="#link2HCH0140"> CHAPTER XXXV. </a>THE RIVALS. <br /><br /> <a + href="#link2HCH0141"> CHAPTER XXXVI. </a>THE INTERVIEW. <br /><br /> <a + href="#link2HCH0142"> CHAPTER XXXVII. </a>SOOTHING WORDS. <br /><br /> <a + href="#link2HCH0143"> CHAPTER XXXVIII. </a>THE TWO CARRIAGES. <br /><br /> + <a href="#link2HCH0144"> CHAPTER XXXIX. </a>THE APPOINTMENT. <br /><br /> + <a href="#link2HCH0145"> CHAPTER XL. </a>ANXIETY. <br /><br /> <a + href="#link2HCH0146"> CHAPTER XLI. </a>ADRIENNE AND DJALMA. <br /><br /> + <a href="#link2HCH0147"> CHAPTER XLII. </a>"THE IMITATION.” <br /><br /> + <a href="#link2HCH0148"> CHAPTER XLIII. </a>PRAYER. <br /><br /> <a + href="#link2HCH0149"> CHAPTER XLIV. </a>REMEMBRANCES. <br /><br /> <a + href="#link2HCH0150"> CHAPTER XLV. </a>THE BLOCKHEAD <br /><br /> <a + href="#link2HCH0151"> CHAPTER XLVI. </a>THE ANONYMOUS LETTERS. <br /><br /> + <a href="#link2HCH0152"> CHAPTER XLVII. </a>THE GOLDEN CITY. <br /><br /> + <a href="#link2HCH0153"> CHAPTER XLVIII. </a>THE STUNG LION. <br /><br /> + <a href="#link2HCH0154"> CHAPTER XLIX. </a>THE TEST. <br /><br /> <a + href="#link2H_4_0174"> <b>BOOK XI.</b> </a> <br /><br /> <a + href="#link2H_EPIL"> EPILOGUE. </a> <br /><br /> <a + href="#link2HCH0155"> CHAPTER L. </a>THE RUINS OF THE ABBEY OF ST. JOHN + THE BAPTIST. <br /><br /> <a href="#link2HCH0156"> CHAPTER LI. </a>THE + CALVARY. <br /><br /> <a href="#link2HCH0157"> CHAPTER LII. </a>THE + COUNCIL. <br /><br /> <a href="#link2HCH0158"> CHAPTER LIII. </a>HAPPINESS. + <br /><br /> <a href="#link2HCH0159"> CHAPTER LIV. </a>DUTY. <br /><br /> <a + href="#link2HCH0160"> CHAPTER LV. </a>THE IMPROVISED HOSPITAL <br /><br /> + <a href="#link2HCH0161"> CHAPTER LVI. </a>HYDROPHOBIA. <br /><br /> <a + href="#link2HCH0162"> CHAPTER LVII. </a>THE GUARDIAN ANGEL. <br /><br /> + <a href="#link2HCH0163"> CHAPTER LVIII. </a>RUIN. <br /><br /> <a + href="#link2HCH0164"> CHAPTER LIX. </a>MEMORIES. <br /><br /> <a + href="#link2HCH0165"> CHAPTER LX. </a>THE ORDEAL. <br /><br /> <a + href="#link2HCH0166"> CHAPTER LXI. </a>AMBITION. <br /><br /> <a + href="#link2HCH0167"> CHAPTER LXII. </a>TO A SOCIUS, A SOCIUS AND A + HALF. <br /><br /> <a href="#link2HCH0168"> CHAPTER LXIII. </a>FARINGHEA’S + AFFECTION. <br /><br /> <a href="#link2HCH0169"> CHAPTER LXIV. </a>AN + EVENING AT SAINTE-COLOMBE’S. <br /><br /> <a href="#link2HCH0170"> CHAPTER + LXV. </a>THE NUPTIAL BED. <br /><br /> <a href="#link2HCH0171"> CHAPTER + LXVI. </a>A DUEL TO THE DEATH. <br /><br /> <a href="#link2HCH0172"> + CHAPTER LXVII. </a>A MESSAGE. <br /><br /> <a href="#link2HCH0173"> + CHAPTER LXVIII. </a>THE FIRST OF JUNE. <br /><br /> <a href="#link2H_EPIL2"> + <b>EPILOGUE.</b> </a> <br /><br /> <a href="#link2HCH0174"> + CHAPTER I. </a>FOUR YEARS AFTER. <br /><br /> <a href="#link2HCH0175"> + CHAPTER II. </a>THE REDEMPTION. <br /><br /> + </p> + </blockquote> + <p> + <br /> <br /> + </p> + <hr /> + <p> + <br /> <br /> <a name="link2H_4_0001" id="link2H_4_0001"> + <!-- H2 anchor --> </a> + </p> + <h1> + THE WANDERING JEW. + </h1> + <p> + <a name="link2H_4_0002" id="link2H_4_0002"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + First Part.—The Transgression. + </h2> + <p> + <a name="link2H_PROL" id="link2H_PROL"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + Prologue. + </h2> + <p> + <a name="link2H_4_0004" id="link2H_4_0004"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + The Land’s End of Two Worlds. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>he Arctic Ocean encircles with a belt of eternal ice the desert confines + of Siberia and North America—the uttermost limits of the Old and New + worlds, separated by the narrow, channel, known as Behring’s Straits. + </p> + <p> + The last days of September have arrived. + </p> + <p> + The equinox has brought with it darkness and Northern storms, and night + will quickly close the short and dismal polar day. The sky of a dull and + leaden blue is faintly lighted by a sun without warmth, whose white disk, + scarcely seen above the horizon, pales before the dazzling, brilliancy of + the snow that covers, as far as the eyes can reach, the boundless steppes. + </p> + <p> + To the North, this desert is bounded by a ragged coast, bristling with + huge black rocks. + </p> + <p> + At the base of this Titanic mass lied enchained the petrified ocean, whose + spell-bound waves appear fired as vast ranges of ice mountains, their blue + peaks fading away in the far-off frost smoke, or snow vapor. + </p> + <p> + Between the twin-peaks of Cape East, the termination of Siberia, the + sullen sea is seen to drive tall icebergs across a streak of dead green. + There lies Behring’s Straits. + </p> + <p> + Opposite, and towering over the channel, rise the granite masses of Cape + Prince of Wales, the headland of North America. + </p> + <p> + These lonely latitudes do not belong to the habitable world; for the + piercing cold shivers the stones, splits the trees, and causes the earth + to burst asunder, which, throwing forth showers of icy spangles seems + capable of enduring this solitude of frost and tempest, of famine and + death. + </p> + <p> + And yet, strange to say, footprints may be traced on the snow, covering + these headlands on either side of Behring’s Straits. + </p> + <p> + On the American shore, the footprints are small and light, thus betraying + the passage of a woman. + </p> + <p> + She has been hastening up the rocky peak, whence the drifts of Siberia are + visible. + </p> + <p> + On the latter ground, footprints larger and deeper betoken the passing of + a man. He also was on his way to the Straits. + </p> + <p> + It would seem that this man and woman had arrived here from opposite + directions, in hope of catching a glimpse of one another, across the arm + of the sea dividing the two worlds—the Old and the New. + </p> + <p> + More strange still! the man and the woman have crossed the solitudes + during a terrific storm! Black pines, the growth of centuries, pointing + their bent heads in different parts of the solitude like crosses in a + churchyard, have been uprooted, rent, and hurled aside by the blasts! + </p> + <p> + Yet the two travellers face this furious tempest, which has plucked up + trees, and pounded the frozen masses into splinters, with the roar of + thunder. + </p> + <p> + They face it, without for one single instant deviating from the straight + line hitherto followed by them. + </p> + <p> + Who then are these two beings who advance thus calmly amidst the storms + and convulsions of nature? + </p> + <p> + Is it by chance, or design, or destiny, that the seven nails in the sole + of the man’s shoe form a cross—thus: + </p> +<pre xml:space="preserve"> + * + * * * + * + * + * +</pre> + <p> + Everywhere he leaves this impress behind him. + </p> + <p> + On the smooth and polished snow, these footmarks seem imprinted by a foot + of brass on a marble floor. + </p> + <p> + Night without twilight has soon succeeded day—a night of foreboding + gloom. + </p> + <p> + The brilliant reflection of the snow renders the white steppes still + visible beneath the azure darkness of the sky; and the pale stars glimmer + on the obscure and frozen dome. + </p> + <p> + Solemn silence reigns. + </p> + <p> + But, towards the Straits, a faint light appears. + </p> + <p> + At first, a gentle, bluish light, such as precedes moonrise; it increases + in brightness, and assumes a ruddy hue. + </p> + <p> + Darkness thickens in every other direction; the white wilds of the desert + are now scarcely visible under the black vault of the firmament. + </p> + <p> + Strange and confused noises are heard amidst this obscurity. + </p> + <p> + They sound like the flight of large night—birds—now flapping + now-heavily skimming over the steppes-now descending. + </p> + <p> + But no cry is heard. + </p> + <p> + This silent terror heralds the approach of one of those imposing phenomena + that awe alike the most ferocious and the most harmless, of animated + beings. An Aurora Borealis (magnificent sight!) common in the polar + regions, suddenly beams forth. + </p> + <p> + A half circle of dazzling whiteness becomes visible in the horizon. + Immense columns of light stream forth from this dazzling centre, rising to + a great height, illuminating earth, sea, and sky. Then a brilliant + reflection, like the blaze of a conflagration, steals over the snow of the + desert, purples the summits of the mountains of ice, and imparts a dark + red hue to the black rocks of both continents. + </p> + <p> + After attaining this magnificent brilliancy, the Northern Lights fade away + gradually, and their vivid glow is lost in a luminous fog. + </p> + <p> + Just then, by a wondrous mirage an effect very common in high latitudes, + the American Coast, though separated from Siberia by a broad arm of the + sea, loomed so close that a bridge might seemingly be thrown from one + world to other. + </p> + <p> + Then human forms appeared in the transparent azure haze overspreading both + forelands. + </p> + <p> + On the Siberian Cape, a man on his knees, stretched his arms towards + America, with an expression of inconceivable despair. + </p> + <p> + On the American promontory, a young and handsome woman replied to the + man’s despairing gesture by pointing to heaven. + </p> + <p> + For some seconds, these two tall figures stood out, pale and shadowy, in + the farewell gleams of the Aurora. + </p> + <p> + But the fog thickens, and all is lost in the darkness. + </p> + <p> + Whence came the two beings, who met thus amidst polar glaciers, at the + extremities of the Old and New worlds? + </p> + <p> + Who were the two creatures, brought near for a moment by a deceitful + mirage, but who seemed eternally separated? + </p> + <p> + <a name="link2HCH0001" id="link2HCH0001"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER I. MOROK. + </h2> + <h3> + The month of October, 1831, draws to its close. + </h3> + <p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span> + hough it is still day, a brass lamp, with four burners, illumines the + cracked walls of a large loft, whose solitary window is closed against + outer light. A ladder, with its top rungs coming up through an open trap + leads to it. + </p> + <p> + Here and there at random on the floor lie iron chains, spiked collars, + saw-toothed snaffles, muzzles bristling with nails, and long iron rods set + in wooden handles. In one corner stands a portable furnace, such as + tinkers use to melt their spelter; charcoal and dry chips fill it, so that + a spark would suffice to kindle this furnace in a minute. + </p> + <p> + Not far from this collection of ugly instruments, putting one in mind of a + torturer’s kit of tools, there are some articles of defence and offence of + a bygone age. A coat of mail, with links so flexible, close, and light, + that it resembles steel tissue, hangs from a box beside iron cuishes and + arm-pieces, in good condition, even to being properly fitted with straps. + A mace, and two long three-cornered-headed pikes, with ash handles, + strong, and light at the same time; spotted with lately-shed blood, + complete the armory, modernized somewhat by the presence of two Tyrolese + rifles, loaded and primed. + </p> + <p> + Along with this arsenal of murderous weapons and out-of-date instruments, + is strangely mingled a collection of very different objects, being small + glass-lidded boxes, full of rosaries, chaplets, medals, AGNUS DEI, holy + water bottles, framed pictures of saints, etc., not to forget a goodly + number of those chapbooks, struck off in Friburg on coarse bluish paper, + in which you can hear about miracles of our own time, or “Jesus Christ’s + Letter to a true believer,” containing awful predictions, as for the years + 1831 and ‘32, about impious revolutionary France. + </p> + <p> + One of those canvas daubs, with which strolling showmen adorn their + booths, hangs from a rafter, no doubt to prevent its being spoilt by too + long rolling up. It bore the following legend: + </p> +<pre xml:space="preserve"> + “THE DOWNRIGHT TRUE AND MOST MEMORABLE CONVERSION OF IGNATIUS MOROK, + KNOWN AS THE PROPHET, HAPPENING IN FRIBURG, 1828TH YEAR OF GRACE.” + </pre> + <p> + This picture, of a size larger than natural, of gaudy color, and in bad + taste, is divided into three parts, each presenting an important phase in + the life of the convert, surnamed “The Prophet.” In the first, behold a + long-bearded man, the hair almost white, with uncouth face, and clad in + reindeer skin, like the Siberian savage. His black foreskin cap is topped + with a raven’s head; his features express terror. Bent forward in his + sledge, which half-a-dozen huge tawny dogs draw over the snow, he is + fleeing from the pursuit of a pack of foxes, wolves, and big bears, whose + gaping jaws, and formidable teeth, seem quite capable of devouring man, + sledge, and dogs, a hundred times over. Beneath this section, reads: + </p> +<pre xml:space="preserve"> + “IN 1810, MOROK, THE IDOLATER, FLED FROM WILD BEASTS.” + </pre> + <p> + In the second picture, Morok, decently clad in a catechumen’s white gown + kneels, with clasped hands, to a man who wears a white neckcloth, and + flowing black robe. In a corner, a tall angel, of repulsive aspect, holds + a trumpet in one hand, and flourishes a flaming sword with the other, + while the words which follow flow out of his mouth, in red letters on a + black ground: + </p> +<pre xml:space="preserve"> + “MOROK, THE IDOLATER, FLED FROM WILD BEASTS; BUT WILD BEASTS WILL FLEE + FROM IGNATIUS MOROK, CONVERTED AND BAPTIZED IN FRIBURG.” + </pre> + <p> + Thus, in the last compartment, the new convert proudly, boastfully, and + triumphantly parades himself in a flowing robe of blue; head up, left arm + akimbo, right hand outstretched, he seems to scare the wits out of a + multitude of lions, tigers, hyenas, and bears, who, with sheathed claws, + and masked teeth, crouch at his feet, awestricken, and submissive. + </p> + <p> + Under this, is the concluding moral: + </p> +<pre xml:space="preserve"> + “IGNATIUS MOROK BEING CONVERTED, WILD BEASTS CROUCH BEFORE HIM.” + </pre> + <p> + Not far from this canvas are several parcels of halfpenny books, likewise + from the Friburg press, which relate by what an astounding miracle Morok, + the Idolater, acquired a supernatural power almost divine, the moment he + was converted—a power which the wildest animal could not resist, and + which was testified to every day by the lion tamer’s performances, “given + less to display his courage than to show his praise unto the Lord.” + </p> + <p> + Through the trap-door which opens into the loft, reek up puffs of a rank, + sour, penetrating odor. From time to time are heard sonorous growls and + deep breathings, followed by a dull sound, as of great bodies stretching + themselves heavily along the floor. + </p> + <p> + A man is alone in this loft. It is Morok, the tamer of wild beasts, + surnamed the Prophet. + </p> + <p> + He is forty years old, of middle height, with lank limbs, and an + exceedingly spare frame; he is wrapped in a long, blood-red pelisse, lined + with black fur; his complexion, fair by nature is bronzed by the wandering + life he has led from childhood; his hair, of that dead yellow peculiar to + certain races of the Polar countries, falls straight and stiff down his + shoulders; and his thin, sharp, hooked nose, and prominent cheek-bones, + surmount a long beard, bleached almost to whiteness. Peculiarly marking + the physiognomy of this man is the wide open eye, with its tawny pupil + ever encircled by a rim of white. This fixed, extraordinary look, + exercises a real fascination over animals—which, however, does not + prevent the Prophet from also employing, to tame them, the terrible + arsenal around him. + </p> + <p> + Seated at a table, he has just opened the false bottom of a box, filled + with chaplets and other toys, for the use of the devout. Beneath this + false bottom, secured by a secret lock, are several sealed envelopes, with + no other address than a number, combined with a letter of the alphabet. + The Prophet takes one of these packets, conceals it in the pocket of his + pelisse, and, closing the secret fastening of the false bottom, replaces + the box upon a shelf. + </p> + <p> + This scene occurs about four o’clock in the afternoon, in the White + Falcon, the only hostelry in the little village of Mockern, situated near + Leipsic, as you come from the north towards France. + </p> + <p> + After a few moments, the loft is shaken by a hoarse roaring from below. + </p> + <p> + “Judas! be quiet!” exclaims the Prophet, in a menacing tone, as he turns + his head towards the trap door. + </p> + <p> + Another deep growl is heard, formidable as distant thunder. + </p> + <p> + “Lie down, Cain!” cries Morok, starting from his seat. + </p> + <p> + A third roar, of inexpressible ferocity, bursts suddenly on the ear. + </p> + <p> + “Death! Will you have done,” cries the Prophet, rushing towards the trap + door, and addressing a third invisible animal, which bears this ghastly + name. + </p> + <p> + Notwithstanding the habitual authority of his voice—notwithstanding + his reiterated threats—the brute-tamer cannot obtain silence: on the + contrary, the barking of several dogs is soon added to the roaring of the + wild beasts. Morok seizes a pike, and approaches the ladder; he is about + to descend, when he sees some one issuing from the aperture. + </p> + <p> + The new-comer has a brown, sun-burnt face; he wears a gray hat, bell + crowned and broad-brimmed, with a short jacket, and wide trousers of green + cloth; his dusty leathern gaiters show that he has walked some distance; a + game-bag is fastened by straps to his back. + </p> + <p> + “The devil take the brutes!” cried he, as he set foot on the floor; “one + would think they’d forgotten me in three days. Judas thrust his paw + through the bars of his cage, and Death danced like a fury. They don’t + know me any more, it seems?” + </p> + <p> + This was said in German. Morok answered in the same language, but with a + slightly foreign accent. + </p> + <p> + “Good or bad news, Karl?” he inquired, with some uneasiness. + </p> + <p> + “Good news.” + </p> + <p> + “You’ve met them!” + </p> + <p> + “Yesterday; two leagues from Wittenberg.” + </p> + <p> + “Heaven be praised!” cried Morok, clasping his hands with intense + satisfaction. + </p> + <p> + “Oh, of course, ‘tis the direct road from Russia to France, ‘twas a + thousand to one that we should find them somewhere between Wittenberg and + Leipsic.” + </p> + <p> + “And the description?” + </p> + <p> + “Very close: two young girls in mourning; horse, white; the old man has + long moustache, blue forage-cap; gray topcoat and a Siberian dog at his + heels.” + </p> + <p> + “And where did you leave them?” + </p> + <p> + “A league hence. They will be here within the hour.” + </p> + <p> + “And in this inn—since it is the only one in the village,” said + Morok, with a pensive air. + </p> + <p> + “And night drawing on,” added Karl. + </p> + <p> + “Did you get the old man to talk?” + </p> + <p> + “Him!—you don’t suppose it!” + </p> + <p> + “Why not?” + </p> + <p> + “Go, and try yourself.” + </p> + <p> + “And for what reason?” + </p> + <p> + “Impossible.” + </p> + <p> + “Impossible—why?” + </p> + <p> + “You shall know all about it. Yesterday, as if I had fallen in with them + by chance, I followed them to the place where they stopped for the night. + I spoke in German to the tall old man, accosting him, as is usual with + wayfarers, ‘Good-day, and a pleasant journey, comrade!’ But, for an + answer, he looked askant at me, and pointed with, the end of his stick to + the other side of the road.” + </p> + <p> + “He is a Frenchman, and, perhaps, does not understand German.” + </p> + <p> + “He speaks it, at least as well as you; for at the inn I heard him ask the + host for whatever he and the young girls wanted.” + </p> + <p> + “And did you not again attempt to engage him in conversation?” + </p> + <p> + “Once only; but I met with such a rough reception, that for fear of making + mischief, I did not try again. Besides, between ourselves, I can tell you + this man has a devilish ugly look; believe me, in spite of his gray + moustache, he looks so vigorous and resolute, though with no more flesh on + him than a carcass, that I don’t know whether he or my mate Giant Goliath, + would have the best of it in a struggle. I know not your plans: only take + care, master—take care!” + </p> + <p> + “My black panther of Java was also very vigorous and very vicious,” said + Morok, with a grim, disdainful, smile. + </p> + <p> + “What, Death? Yes; in truth; and she is vigorous and vicious as ever. Only + to you she is almost mild.” + </p> + <p> + “And thus I will break this tall old man; notwithstanding his strength and + surliness.” + </p> + <p> + “Humph! humph! be on your guard, master. You are clever, you are as brave + as any one; but, believe me, you will never make a lamb out of the old + wolf that will be here presently.” + </p> + <p> + “Does not my lion, Cain—does not my tiger, Judas, crouch in terror + before me?” + </p> + <p> + “Yes, I believe you there—because you have means—” + </p> + <p> + “Because I have faith: that is all—and it is all,” said Morok, + imperiously interrupting Karl, and accompanying these words with such a + look, that the other hung his head and was silent. + </p> + <p> + “Why should not he whom the Lord upholds in his struggle with wild beasts, + be also upheld in his struggle with men, when those men are perverse and + impious?” added the Prophet, with a triumphant, inspired air. + </p> + <p> + Whether from belief in his master’s conviction, or from inability to + engage in a controversy with him on so delicate a subject, Karl answered + the Prophet, humbly: “you are wiser than I am, master; what you do must be + well done.” + </p> + <p> + “Did you follow this old man and these two young girls all day long?” + resumed the Prophet, after a moment’s silence. + </p> + <p> + “Yes; but at a distance. As I know the country well, I sometimes cut + across a valley, sometimes over a hill, keeping my eye upon the road, + where they were always to be seen. The last time I saw them, I was hid + behind the water-mill by the potteries. As they were on the highway for + this place, and night was drawing on, I quickened my pace to get here + before them, and be the bearer of what you call good news.” + </p> + <p> + “Very good—yes—very good: and you shall be rewarded; for if + these people had escaped me—” + </p> + <p> + The Prophet started, and did not conclude the sentence. The expression of + his face, and the tones of his voice, indicated the importance of the + intelligence which had just been brought him. + </p> + <p> + “In truth,” rejoined Karl, “it may be worth attending to; for that Russian + courier, all plastered with lace, who came, without slacking bridle, from + St. Petersburg to Leipsic, only to see you, rode so fast, perhaps, for the + purpose—” + </p> + <p> + Morok abruptly interrupted Karl, and said: + </p> + <p> + “Who told you that the arrival of the courier had anything to do with + these travellers? You are mistaken; you should only know what I choose to + tell you.” + </p> + <p> + “Well, master, forgive me, and let’s say no more about it. So! I will get + rid of my game-bag, and go help Goliath to feed the brutes, for their + supper time draws near, if it is not already past. Does our big giant grow + lazy, master?” + </p> + <p> + “Goliath is gone out; he must not know that you are returned; above all, + the tall old man and the maidens must not see you here—it would make + them suspect something.” + </p> + <p> + “Where do you wish me to go, then?” + </p> + <p> + “Into the loft, at the end of the stable, and wait my orders; you may this + night have to set out for Leipsic.” + </p> + <p> + “As you please; I have some provisions left in my pouch, and can sup in + the loft whilst I rest myself.” + </p> + <p> + “Go.” + </p> + <p> + “Master, remember what I told you. Beware of that old fellow with the gray + moustache; I think he’s devilish tough; I’m up to these things—he’s + an ugly customer—be on your guard!” + </p> + <p> + “Be quite easy! I am always on my guard,” said Morok. + </p> + <p> + “Then good luck to you, master!”—and Karl, having reached the + ladder, suddenly disappeared. + </p> + <p> + After making a friendly farewell gesture to his servant, the Prophet + walked up and down for some time, with an air of deep meditation; then, + approaching the box which contained the papers, he took out a pretty long + letter, and read it over and over with profound attention. From time to + time he rose and went to the closed window, which looked upon the inner + court of the inn, and appealed to listen anxiously; for he waited with + impatience the arrival of the three persons whose approach had just been + announced to him. + </p> + <p> + <a name="link2HCH0002" id="link2HCH0002"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER II. THE TRAVELLERS. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">W</span>hile the above scene was passing in the White Falcon at Mockern, the + three persons whose arrival Morok was so anxiously expecting, travelled on + leisurely in the midst of smiling meadows, bounded on one side by a river, + the current of which turned a mill; and on the other by the highway + leading to the village, which was situated on an eminence, at about a + league’s distance. + </p> + <p> + The sky was beautifully serene; the bubbling of the river, beaten by the + mill-wheel and sparkling with foam, alone broke upon the silence of an + evening profoundly calm. Thick willows, bending over the river, covered it + with their green transparent shadow; whilst, further on, the stream + reflected so splendidly the blue heavens and the glowing tints of the + west, that, but for the hills which rose between it and the sky, the gold + and azure of the water would have mingled in one dazzling sheet with the + gold and azure of the firmament. The tall reeds on the bank bent their + black velvet heads beneath the light breath of the breeze that rises at + the close of day—for the sun was gradually sinking behind a broad + streak of purple clouds, fringed with fire. The tinkling bells of a flock + of sheep sounded from afar in the clear and sonorous air. + </p> + <p> + Along a path trodden in the grass of the meadow, two girls, almost + children—for they had but just completed their fifteenth year—were + riding on a white horse of medium size, seated upon a large saddle with a + back to it, which easily took them both in, for their figures were slight + and delicate. + </p> + <p> + A man of tall stature, with a sun-burnt face, and long gray moustache, was + leading the horse by the bridle, and ever and anon turned towards the + girls, with an air of solicitude at once respectful and paternal. He + leaned upon a long staff; his still robust shoulders carried a soldier’s + knapsack; his dusty shoes, and step that began to drag a little, showed + that he had walked a long way. + </p> + <p> + One of those dogs which the tribes of Northern Siberia harness to their + sledges—a sturdy animal, nearly of the size, form, and hairy coat of + the wolf—followed closely in the steps of the leader of this little + caravan, never quitting, as it is commonly said, the heels of his master. + </p> +<div class="fig"> + <img src="images/10033m.jpg" alt="10033m " /><br /> + </div> + <h5> + <a href="images/10033.jpg"><i>Original</i></a> + </h5> + <p> + Nothing could be more charming than the group formed by the girls. One + held with her left hand the flowing reins, and with her right encircled + the waist of her sleeping sister, whose head reposed on her shoulder. Each + step of the horse gave a graceful swaying to these pliant forms, and swung + their little feet, which rested on a wooden ledge in lieu of a stirrup. + </p> + <p> + These twin sisters, by a sweet maternal caprice, had been called Rose and + Blanche; they were now orphans, as might be seen by their sad mourning + vestments, already much worn. Extremely, like in feature, and of the same + size, it was necessary to be in the constant habit of seeing them, to + distinguish one from the other. The portrait of her who slept not, might + serve them for both of them; the only difference at the moment being, that + Rose was awake and discharging for that day the duties of elder sister—duties + thus divided between then, according to the fancy of their guide, who, + being an old soldier of the empire, and a martinet, had judged fit thus to + alternate obedience and command between the orphans. + </p> + <p> + Greuze would have been inspired by the sight of those sweet faces, coifed + in close caps of black velvet, from beneath which strayed a profusion of + thick ringlets of a light chestnut color, floating down their necks and + shoulders, and setting, as in a frame, their round, firm, rosy, satin like + cheeks. A carnation, bathed in dew, is of no richer softness than their + blooming lips; the wood violet’s tender blue would appear dark beside the + limpid azure of their large eyes, in which are depicted the sweetness of + their characters, and the innocence of their age; a pure and white + forehead, small nose, dimpled chin, complete these graceful countenances, + which present a delightful blending of candor and gentleness. + </p> + <p> + You should have seen them too, when, on the threatening of rain or storm, + the old soldier carefully wrapped them both in a large pelisse of reindeer + fur, and pulled over their heads the ample hood of this impervious + garment; then nothing could be more lovely than those fresh and smiling + little faces, sheltered beneath the dark-colored cowl. + </p> + <p> + But now the evening was fine and calm; the heavy cloak hung in folds about + the knees of the sisters, and the hood rested on the back of their saddle. + </p> + <p> + Rose, still encircling with her right arm the waist of her sleeping + sister, contemplated her with an expression of ineffable tenderness, akin + to maternal; for Rose was the eldest for the day, and an elder sister is + almost a mother. + </p> + <p> + Not only, did the orphans idolize each other; but, by a psychological + phenomenon, frequent with twins, they were almost always simultaneously + affected; the emotion of one was reflected instantly in the countenance of + the other; the same cause would make both of them start or blush, so + closely did their young hearts beat in unison; all ingenuous joys, all + bitter griefs were mutually felt, and shared in a moment between them. + </p> + <p> + In their infancy, simultaneously attacked by a severe illness, like two + flowers on the same steam, they had drooped, grown pale, and languished + together; but together also had they again found the pure, fresh hues of + health. + </p> + <p> + Need it be said, that those mysterious, indissoluble links which united + the twins, could not have been broken without striking a mortal blow at + the existence of the poor children? + </p> + <p> + Thus the sweet birds called love-birds, only living in pairs, as if + endowed with a common life, pine, despond, and die, when parted by a + barbarous hand. + </p> + <p> + The guide of the orphans, a man of about fifty-five, distinguished by his + military air and gait, preserved the immortal type of the warriors of the + republic and the empire—some heroic of the people, who became, in + one campaign, the first soldiers in the world—to prove what the + people can do, have done, and will renew, when the rulers of their choice + place in them confidence, strength, and their hope. + </p> + <p> + This soldier, guide of the sisters, and formerly a horse-grenadier of the + Imperial Guard, had been nicknamed Dagobert. His grave, stern countenance + was strongly marked; his long, gray, and thick moustache completely + concealed his upper lip, and united with a large imperial, which almost + covered his chin; his meagre cheeks, brick-colored, and tanned as + parchment, were carefully shaven; thick eyebrows, still black, overhung + and shaded his light blue eyes; gold ear-rings reached down to his + white-edged military stock; his topcoat, of coarse gray cloth, was + confined at the waist by a leathern belt; and a blue foraging cap, with a + red tuft falling on his left shoulder, covered his bald head. + </p> + <p> + Once endowed with the strength of Hercules, and having still the heart of + a lion—kind and patient, because he was courageous and strong—Dagobert, + notwithstanding his rough exterior, evinced for his orphan charges an + exquisite solicitude, a watchful kindness, and a tenderness almost + maternal. Yes, motherly; for the heroism of affection dwells alike in the + mother’s heart and the soldiers. + </p> + <p> + Stoically calm, and repressing all emotion, the unchangeable coolness of + Dagobert never failed him; and, though few were less given to drollery, he + was now and then highly comic, by reason of the imperturbable gravity with + which he did everything. + </p> + <p> + From time to time, as they journeyed on, Dagobert would turn to bestow a + caress or friendly word on the good white home upon which the orphans were + mounted. Its furrowed sides and long teeth betrayed a venerable age. Two + deep scars, one on the flank and the other on the chest, proved that his + horse had been present in hot battles; nor was it without an act of pride + that he sometimes shook his old military bridle, the brass stud of which + was still adorned with an embossed eagle. His pace was regular, careful, + and steady; his coat sleek, and his bulk moderate; the abundant foam, + which covered his bit, bore witness to that health which horses acquire by + the constant, but not excessive, labor of a long journey, performed by + short stages. Although he had been more than six months on the road, this + excellent animal carried the orphans, with a tolerably heavy portmanteau + fastened to the saddle, as freely as on the day they started. + </p> + <p> + If we have spoken of the excessive length of the horse’s teeth—the + unquestionable evidence of great age—it is chiefly because he often + displayed them, for the sole purpose of acting up to his name (he was + called Jovial), by playing a mischievous trick, of which the dog was the + victim. + </p> + <p> + This latter, who, doubtless for the sake of contrast, was called + Spoil-sport (Rabat-joie), being always at his master’s heels, found + himself within the reach of Jovial, who from time to time nipped him + delicately by the nape of the neck, lifted him from the ground, and + carried him thus for a moment. The dog, protected by his thick coat, and + no doubt long accustomed to the practical jokes of his companion, + submitted to all this with stoical complacency; save that, when he thought + the jest had lasted long enough, he would turn his head and growl. Jovial + understood him at the first hint, and hastened to set him down again. At + other times, just to avoid monotony, Jovial would gently bite the knapsack + of the soldier, who seemed, as well as the dog, to be perfectly accustomed + to his pleasantries. + </p> + <p> + These details will give a notion of the excellent understanding that + existed between the twin sisters, the old soldier, the horse, and the dog. + </p> + <p> + The little caravan proceeded on its ways anxious to reach, before night, + the village of Mockern, which was now visible on the summit of a hill. + Ever and anon, Dagobert looked around him, and seemed to be gathering up + old recollections; by degrees, his countenance became clouded, and when he + was at a little distance from the mill, the noise of which had arrested + his attention, he stopped, and drew his long moustache several times + between his finger and thumb, the only sign which revealed in him any + strong and concentrated feeling. + </p> + <p> + Jovial, having stopped short behind his master, Blanche, awakened suddenly + by the shock, raised her head; her first look sought her sister, on whom + she smiled sweetly; then both exchanged glances of surprise, on seeing + Dagobert motionless, with his hands clasped and resting on his long staff, + apparently affected by some painful and deep emotion. + </p> + <p> + The orphans just chanced to be at the foot of a little mound, the summit + of which was buried in the thick foliage of a huge oak, planted half way + down the slope. Perceiving that Dagobert continued motionless and absorbed + in thought, Rose leaned over her saddle, and, placing her little white + hand on the shoulder of their guide, whose back was turned towards her, + said to him, in a soft voice, “Whatever is the matter with you, Dagobert?” + </p> + <p> + The veteran turned; to the great astonishment of the sisters, they + perceived a large tear, which traced its humid furrow down his tanned + cheek, and lost itself in his thick moustache. + </p> + <p> + “You weeping—you!” cried Rose and Blanche together, deeply moved. + “Tell us, we beseech, what is the matter?” + </p> + <p> + After a moments hesitation, the soldier brushed his horny hand across his + eyes, and said to the orphans in a faltering voice, whilst he pointed to + the old oak beside them: “I shall make you sad, my poor children: and yet + what I’m going to tell you has something sacred in it. Well, eighteen + years ago, on the eve of the great battle of Leipsic, I carried your + father to this very tree. He had two sabre-cuts on the head, a musket ball + in his shoulder; and it was here that he and I—who had got two + thrust of a lance for my share—were taken prisoners; and by whom, + worse luck?—why, a renegado! By a Frenchman—an emigrant + marquis, then colonel in the service of Russia—and who afterwards—but + one day you shall know all.” + </p> + <p> + The veteran paused; then, pointing with his staff to the village of + Mockern, he added: “Yes, yes, I can recognize the spot. Yonder are the + heights where your brave father—who commanded us, and the Poles of + the Guard—overthrew the Russian Cuirassiers, after having carried + the battery. Ah, my children!” continued the soldier, with the utmost + simplicity, “I wish you had, seen your brave father, at the head of our + brigade of horse, rushing on in a desperate charge in the thick of a + shower of shells!—There was nothing like it—not a soul so + grand as he!” + </p> + <p> + Whilst Dagobert thus expressed, in his own way, his regrets and + recollections, the two orphans—by a spontaneous movement, glided + gently from the horse, and holding each other by the hand, went together + to kneel at the foot of the old oak. And there, closely pressed in each + other’s arms, they began to weep; whilst the soldier, standing behind + them, with his hands crossed on his long staff, rested his bald front upon + it. + </p> + <p> + “Come, come you must not fret,” said he softly, when, after a pause of a + few minutes, he saw tears run down the blooming cheeks of Rose and + Blanche, still on their knees. “Perhaps we may find General Simon in + Paris,” added he; “I will explain all that to you this evening at the inn. + I purposely waited for this day, to tell you many things about your + father; it was an idea of mine, because this day is a sort of + anniversary.” + </p> + <p> + “We weep because we think also of our mother,” said Rose. + </p> + <p> + “Of our mother, whom we shall only see again in heaven,” added Blanche. + </p> + <p> + The soldier raised the orphans, took each by the hand, and gazing from one + to the other with ineffable affection, rendered still the more touching by + the contrast of his rude features, “You must not give way thus, my + children,” said he; “it is true your mother was the best of women. When + she lived in Poland, they called her the Pearl of Warsaw—it ought to + have been the Pearl of the Whole World—for in the whole world you + could not have found her match. No—no!” + </p> + <p> + The voice of Dagobert faltered; he paused, and drew his long gray + moustache between finger and thumb, as was his habit. “Listen, my girls,” + he resumed, when he had mastered his emotion; “your mother could give you + none but the best advice, eh?” + </p> + <p> + “Yes Dagobert.” + </p> + <p> + “Well, what instructions did she give you before she died? To think often + of her, but without grieving?” + </p> + <p> + “It is true; she told us than our Father in heaven, always good to poor + mothers whose children are left on earth, would permit her to hear us from + above,” said Blanche. + </p> + <p> + “And that her eyes would be ever fixed upon us,” added Rose. + </p> + <p> + And the two, by a spontaneous impulse, replete with the most touching + grace, joined hands, raised their innocent looks to heaven, and exclaimed, + with that beautiful faith natural to their age: “Is it not so, mother?—thou + seest us?—thou hearest us?” + </p> + <p> + “Since your mother sees and hears you,” said Dagobert, much moved, “do not + grieve her by fretting. She forbade you to do so.” + </p> + <p> + “You are right, Dagobert. We will not cry any more.”—And the orphans + dried their eyes. + </p> + <p> + Dagobert, in the opinion of the devout, would have passed for a very + heathen. In Spain, he had found pleasure in cutting down those monks of + all orders and colors, who, bearing crucifix in one hand, and poniard in + the other, fought not for liberty—the Inquisition had strangled her + centuries ago—but, for their monstrous privileges. Yet, in forty + years, Dagobert had witnessed so many sublime and awful scenes—he + had been so many times face to face with death—that the instinct of + natural religion, common to every simple, honest heart, had always + remained uppermost in his soul. Therefore, though he did not share in the + consoling faith of the two sisters, he would have held as criminal any + attempt to weaken its influence. + </p> + <p> + Seeing them this downcast, he thus resumed: “That’s right, my pretty ones: + I prefer to hear you chat as you did this morning and yesterday—laughing + at times, and answering me when I speak, instead of being so much + engrossed with your own talk. Yes, yes, my little ladies! you seem to have + had famous secrets together these last two days—so, much the better, + if it amuses you.” + </p> + <p> + The sisters colored, and exchanged a subdued smile, which contrasted with + the tears that yet filled their eyes, and Rose said to the soldier, with a + little embarrassment. “No, I assure you, Dagobert, we talk of nothing in + particular.” + </p> + <p> + “Well, well; I don’t wish to know it. Come, rest yourselves, a few moments + more, and then we must start again; for it grows late, and we have to + reach Mockern before night, so that we may be early on the road + to-morrow.” + </p> + <p> + “Have we still a long, long way to go?” asked Rose. + </p> + <p> + “What, to reach Paris? Yes, my children; some hundred days’ march. We + don’t travel quick, but we get on; and we travel cheap, because we have a + light purse. A closet for you, a straw mattress and a blanket at your door + for me, with Spoil-sport on my feet, and a clean litter for old Jovial, + these are our whole traveling expenses. I say nothing about food, because + you two together don’t eat more than a mouse, and I have learnt in Egypt + and Spain to be hungry only when it suits.” + </p> + <p> + “Not forgetting that, to save still more, you do all the cooking for us, + and will not even let us assist.” + </p> + <p> + “And to think, good Dagobert, that you wash almost every evening at our + resting-place. As if it were not for us to—” + </p> + <p> + “You!” said the soldier, interrupting Blanche, “I, allow you to chap your + pretty little hands in soap-suds! Pooh! don’t a soldier on a campaign + always wash his own linen? Clumsy as you see me, I was the best + washerwoman in my squadron—and what a hand at ironing! Not to make a + brag of it.” + </p> + <p> + “Yes, yes—you can iron well—very well.” + </p> + <p> + “Only sometimes, there will be a little singe,” said Rose, smiling. + </p> + <p> + “Hah! when the iron is too hot. Zounds! I may bring it as near my cheek as + I please; my skin is so tough that I don’t feel the heat,” said Dagobert, + with imperturbable gravity. + </p> + <p> + “We are only jesting, good Dagobert!” + </p> + <p> + “Then, children, if you think that I know my trade as a washerwoman, let + me continue to have your custom: it is cheaper; and, on a journey, poor + people like us should save where we can, for we must, at all events, keep + enough to reach Paris. Once there, our papers and the medal you wear will + do the rest—I hope so, at least.” + </p> + <p> + “This medal is sacred to us; mother gave it to us on her death-bed.” + </p> + <p> + “Therefore, take great care that you do not lose it: see, from time to + time, that you have it safe.” + </p> + <p> + “Here it is,” said Blanche, as she drew from her bosom a small bronze + medal, which she wore suspended from her neck by a chain of the same + material. The medal bore on its faces the following inscriptions: + </p> +<pre xml:space="preserve"> + Victim + of + L. C. D. J. + Pray for me! + —— + Paris + February the, 13th, 1682. + + At Paris. + Rue Saint Francois, No. 3, + In a century and a half + you will be. + February the 13th, 1832. + —— + PRAY FOR ME! +</pre> + <p> + “What does it mean, Dagobert?” resumed Blanche, as she examined the + mournful inscriptions. “Mother was not able to tell us.” + </p> + <p> + “We will discuss all that this evening; at the place where we sleep,” + answered Dagobert. “It grows late, let us be moving. Put up the medal + carefully, and away!—We have yet nearly an hour’s march to arrive at + quarters. Come, my poor pets, once more look at the mound where your brave + father fell—and then—to horse! to horse!” + </p> + <p> + The orphans gave a last pious glance at the spot which had recalled to + their guide such painful recollections, and, with his aid, remounted + Jovial. + </p> + <p> + This venerable animal had not for one moment dreamed of moving; but, with + the consummate forethought of a veteran, he had made the best use of his + time, by taking from that foreign soil a large contribution of green and + tender grass, before the somewhat envious eyes of Spoil-sport, who had + comfortably established himself in the meadow, with his snout protruding + between his fore-paws. On the signal of departure, the dog resumed his + post behind his master, and Dagobert, trying the ground with the end of + his long staff, led the horse carefully along by the bridle, for the + meadow was growing more and more marshy; indeed, after advancing a few + steps, he was obliged to turn off to the left, in order to regain the + high-road. + </p> + <p> + On reaching Mockern, Dagobert asked for the least expensive inn, and was + told there was only one in the village—the White Falcon. + </p> +<div class="fig"> + <img src="images/10041m.jpg" alt="10041m " /><br /> + </div> + <h5> + <a href="images/10041.jpg"><i>Original</i></a> + </h5> + <p> + “Let us go then to the White Falcon,” observed the soldier. + </p> + <p> + <a name="link2HCH0003" id="link2HCH0003"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER III. THE ARRIVAL. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span>lready had Morok several times opened with impatience the window shutters + of the loft, to look out upon the inn-yard, watching for the arrival of + the orphans and the soldier. Not seeing them, he began once more to walk + slowly up and down, with his head bent forward, and his arms folded on his + bosom, meditating on the best means to carry out the plan he had + conceived. The ideas which possessed his mind, were, doubtless, of a + painful character, for his countenance grew even more gloomy than usual. + </p> + <p> + Notwithstanding his ferocious appearance, he was by no means deficient in + intelligence. The courage displayed in his taming exercises (which he + gravely attributed to his recent conversion), a solemn and mystical style + of speech, and a hypocritical affectation of austerity, had given him a + species of influence over the people he visited in his travels. Long + before his conversion, as may well be supposed, Morok had been familiar + with the habits of wild beasts. In fact born in the north of Siberia, he + had been, from his boyhood, one of the boldest hunters of bears and + reindeer; later, in 1810, he had abandoned this profession, to serve as + guide to a Russian engineer, who was charged with an exploring expedition + to the Polar regions. He afterwards followed him to St. Petersburg, and + there, after some vicissitudes of fortune, Morok became one of the + imperial couriers—these iron automata, that the least caprice of the + despot hurls in a frail sledge through the immensity of the empire, from + Persia to the Frozen Sea. For these men, who travel night and day, with + the rapidity of lightning there are neither seasons nor obstacles, + fatigues nor danger; living projectiles, they must either be broken to + pieces, or reach the intended mark. One may conceive the boldness, the + vigor, and the resignation, of men accustomed to such a life. + </p> + <p> + It is useless to relate here, by what series of singular circumstances + Morok was induced to exchange his rough pursuit for another profession, + and at last to enter, as catechumen, a religious house at Friburg; after + which, being duly and properly converted, he began his nomadic excursions, + with his menagerie of unknown origin. + </p> + <p> + Morok continued to walk up and down the loft. Night had come. The three + persons whose arrival he so impatiently expected had not yet made their + appearance. His walk became more and more nervous and irregular. + </p> + <p> + On a sudden he stopped abruptly; leaned his head towards the window; and + listened. His ear was quick as a savage’s. + </p> + <p> + “They are here!” he exclaimed and his fox like eye shone with diabolic + joy. He had caught the sound of footsteps—a man’s and a horse’s. + Hastening to the window-shutter of the loft, he opened it cautiously, and + saw the two young girls on horseback, and the old soldier who served them + as a guide, enter the inn-yard together. + </p> + <p> + The night had set in, dark and cloudy; a high wind made the lights flicker + in the lanterns which were used to receive the new guests. But the + description given to Morok had been so exact, that it was impossible to + mistake them. Sure of his prey, he closed the window. Having remained in + meditation for another quarter of an hour—for the purpose, no doubt, + of thoroughly digesting his projects—he leaned over the aperture, + from which projected the ladder, and called, “Goliath!” + </p> + <p> + “Master!” replied a hoarse voice. + </p> + <p> + “Come up to me.” + </p> + <p> + “Here I am—just come from the slaughter-house with the meat.” + </p> + <p> + The steps of the ladder creaked as an enormous head appeared on a level + with the floor. The new-comer, who was more than six feet high, and gifted + with herculean proportions, had been well-named Goliath. He was hideous. + His squinting eyes were deep set beneath a low and projecting forehead; + his reddish hair and beard, thick and coarse as horse-hair, gave his + features a stamp of bestial ferocity; between his broad jaws, armed with + teeth which resembled fangs, he held by one corner a piece of raw beef + weighing ten or twelve pounds, finding it, no doubt, easier to carry in + that fashion, whilst he used his hands to ascend the ladder, which bent + beneath his weight. + </p> + <p> + At length the whole of this tall and huge body issued from the aperture. + Judging by his bull-neck, the astonishing breadth of his chest and + shoulders, and the vast bulk of his arms and legs, this giant need not + have feared to wrestle single-handed with a bear. He wore an old pair of + blue trousers with red stripes, faced with tanned sheep’s-skin, and a + vest, or rather cuirass, of thick leather, which was here and there + slashed by the sharp claws of the animals. + </p> + <p> + When he was fairly on the floor, Goliath unclasped his fangs, opened his + mouth, and let fall the great piece of beef, licking his blood-stained + lips with greediness. Like many other mountebanks, this species of monster + had began by eating raw meat at the fairs for the amusement of the public. + Thence having gradually acquired a taste for this barbarous food, and + uniting pleasure with profit, he engaged himself to perform the prelude to + the exercises of Morok, by devouring, in the presence of the crowd, + several pounds of raw flesh. + </p> + <p> + “My share and Death’s are below stairs, and here are those of Cain and + Judas,” said Goliath, pointing to the chunk of beef. “Where is the + cleaver, that I may cut it in two?—No preference here—beast or + man—every gullet must have it’s own.” + </p> + <p> + Then, rolling up one of the sleeves of his vest, he exhibited a fore-arm + hairy as skin of a wolf, and knotted with veins as large as one’s thumb. + </p> + <p> + “I say, master, where’s the cleaver?”—He again began, as he cast + round his eyes in search of that instrument. But instead of replying to + this inquiry, the Prophet put many questions to his disciple. + </p> + <p> + “Were you below when just now some new travellers arrived at the inn?” + </p> + <p> + “Yes, master; I was coming from the slaughter-house.” + </p> + <p> + “Who are these travellers?” + </p> + <p> + “Two young lasses mounted on a white horse, and an old fellow with a big + moustache. But the cleaver?—my beasts are hungry and so am I—the + cleaver!” + </p> + <p> + “Do you know where they have lodged these travellers?” + </p> + <p> + “The host took them to the far end of the court-yard.” + </p> + <p> + “The building, which overlooks the fields?” + </p> + <p> + “Yes, master—but the cleaver—” + </p> + <p> + A burst of frightful roaring shook the loft, and interrupted Goliath. + </p> + <p> + “Hark to them!” he exclaimed; “hunger has driven the beasts wild. If I + could roar, I should do as they do. I have never seen Judas and Cain as + they are to-night; they leap in their cages as if they’d knock all to + pieces. As for Death, her eyes shine more than usual like candles—poor + Death!” + </p> + <p> + “So these girls are lodged in the building at the end of the court-yard,” + resumed Morok, without attending to the observations of Goliath. + </p> + <p> + “Yes, yes—but in the devil’s name, where is the cleaver? Since Karl + went away I have to do all the work, and that makes our meals very late.” + </p> + <p> + “Did the old man remain with the young girls?” asked Morok. + </p> + <p> + Goliath, amazed that, notwithstanding his importunities, his master should + still appear to neglect the animals’ supper, regarded the Prophet with an + increase of stupid astonishment. + </p> + <p> + “Answer, you brute!” + </p> + <p> + “If I am a brute, I have a brute’s strength,” said Goliath, in a surly + tone, “and brute against brute, I have not always come the worst off.” + </p> + <p> + “I ask if the old man remained with the girls,” repeated Morok. + </p> + <p> + “Well, then—no!” returned the giant. “The old man, after leading his + horse to the stable, asked for a tub and some water, took his stand under + the porch—and there—by the light of a lantern—he is + washing out clothes. A man with a gray moustache!—paddling in + soap-suds like a washerwoman—it’s as if I were to feed canaries!” + added Goliath, shrugging his shoulders with disdain. “But now I’ve + answered you, master, let me attend to the beasts’ supper,”—and, + looking round for something, he added, “where is the cleaver?” + </p> + <p> + After a moment of thoughtful silence, the Prophet said to Goliath, “You + will give no food to the beasts this evening.” + </p> + <p> + At first the giant could not understand these words, the idea was so + incomprehensible to him. + </p> + <p> + “What is your pleasure, master?” said he. + </p> + <p> + “I forbid you to give any food to the beasts this evening.” + </p> + <p> + Goliath did not answer, but he opened wide his squinting eyes, folded his + hands, and drew back a couple of steps. + </p> + <p> + “Well, dost hear me?” said Morok, with impatience. “Is it plain enough?” + </p> + <p> + “Not feed? when our meat is there, and supper is already three hours after + time!” cried Goliath, with ever-increasing amazement. + </p> + <p> + “Obey, and hold your tongue.” + </p> + <p> + “You must wish something bad to happen this evening. Hunger makes the + beasts furious—and me also.” + </p> + <p> + “So much the better!” + </p> + <p> + “It’ll drive ‘em mad.” + </p> + <p> + “So much the better!” + </p> + <p> + “How, so much the better?—But—” + </p> + <p> + “It is enough!” + </p> + <p> + “But, devil take me, I am as hungry as the beasts!” + </p> + <p> + “Eat then—who prevents it? Your supper is ready, as you devour it + raw.” + </p> + <p> + “I never eat without my beasts, nor they without me.” + </p> + <p> + “I tell you again, that, if you dare give any food to the beasts—I + will turn you away.” + </p> + <p> + Goliath uttered a low growl as hoarse as a bear’s, and looked at the + Prophet with a mixture of anger and stupefaction. + </p> + <p> + Morok, having given his orders, walked up and down the loft, appearing to + reflect. Then, addressing himself to Goliath, who was still plunged in + deep perplexity, he said to him. + </p> + <p> + “Do you remember the burgomaster’s, where I went to get my passport + signed?—To-day his wife bought some books and a chaplet.” + </p> + <p> + “Yes,” answered the giant shortly. + </p> + <p> + “Go and ask his servant if I may be sure to find the burgomaster early + to-morrow morning.” + </p> + <p> + “What for?” + </p> + <p> + “I may, perhaps, have something important to communicate; at all events, + say that I beg him not to leave home without seeing me.” + </p> + <p> + “Good! but may I feed the beasts before I go to the burgomaster’s?—only + the panther, who is most hungry? Come, master; only poor Death? just a + little morsel to satisfy her; Cain and I and Judas can wait.” + </p> + <p> + “It is the panther, above all, that I forbid you to feed. Yes, her, above + all the rest.” + </p> + <p> + “By the horns of the devil!” cried Goliath, “what is the matter with you + to-day? I can make nothing of it. It is a pity that Karl’s not here; he, + being cunning, would help me to understand why you prevent the beasts from + eating when they are hungry.” + </p> + <p> + “You have no need to understand it.” + </p> + <p> + “Will not Karl soon come back?” + </p> + <p> + “He has already come back.” + </p> + <p> + “Where is he, then?” + </p> + <p> + “Off again.” + </p> + <p> + “What can be going on here? There is something in the wind. Karl goes, and + returns, and goes again, and—” + </p> + <p> + “We are not talking of Karl, but of you; though hungry as a wolf you are + cunning as a fox, and, when it suits you, as cunning as Karl.” And, + changing on the sudden his tone and manner, Morok slapped the giant + cordially on the shoulder. + </p> + <p> + “What! am I cunning?” + </p> + <p> + “The proof is, that there are ten florins to earn to-night—and you + will be keen enough to earn them, I am sure.” + </p> + <p> + “Why, on those terms, yes—I am awake,” said the giant, smiling with + a stupid, self-satisfied air. “What must I do for ten florins?” + </p> + <p> + “You shall see.” + </p> + <p> + “Is it hard work?” + </p> + <p> + “You shall see. Begin by going to the burgomaster’s—but first light + the fire in that stove.” He pointed to it with his finger. + </p> + <p> + “Yes, master,” said Goliath, somewhat consoled for the delay of his supper + by the hope of gaining ten florins. + </p> + <p> + “Put that iron bar in the stove,” added the Prophet, “to make it red-hot.” + </p> + <p> + “Yes, master.” + </p> + <p> + “You will leave it there; go to the burgomaster’s, and return here to wait + for me.” + </p> + <p> + “Yes, master. + </p> + <p> + “You will keep the fire up in the stove.” + </p> + <p> + “Yes, master.” + </p> + <p> + Morok took a step away, but recollecting himself, he resumed: “You say the + old man is busy washing under the porch?” + </p> + <p> + “Yes, master.” + </p> + <p> + “Forget nothing: the iron bar in the fire—the burgomaster—and + return here to wait my orders.” So saying, Morok descended by the + trap-door and disappeared. + </p> + <p> + <a name="link2HCH0004" id="link2HCH0004"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER IV. MOROK and DAGOBERT + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">G</span>oliath had not been mistaken, for Dagobert was washing with that + imperturbable gravity with which he did everything else. + </p> + <p> + When we remember the habits of a soldier a-field, we need not be + astonished at this apparent eccentricity. Dagobert only thought of sparing + the scanty purse of the orphans, and of saving them all care and trouble; + so every evening when they came to a halt he devoted himself to all sorts + of feminine occupations. But he was not now serving his apprenticeship in + these matters; many times, during his campaigns, he had industriously + repaired the damage and disorder which a day of battle always brings to + the garments of the soldier; for it is not enough to receive a sabre-cut—the + soldier has also to mend his uniform; for the stroke which grazes the skin + makes likewise a corresponding fissure in the cloth. + </p> + <p> + Therefore, in the evening or on the morrow of a hard-fought engagement, + you will see the best soldiers (always distinguished by their fine + military appearance) take from their cartridge-box or knapsack a + housewife, furnished with needles, thread, scissors, buttons, and other + such gear, and apply themselves to all kinds of mending and darning, with + a zeal that the most industrious workwoman might envy. + </p> + <p> + We could not find a better opportunity to explain the name of Dagobert, + given to Francis Baudoin (the guide of the orphans) at a time when he was + considered one of the handsomest and bravest horse-grenadiers of the + Imperial Guard. + </p> + <p> + They had been fighting hard all day, without any decisive advantage. In + the evening, the company to which our hero belonged was sent as outliers + to occupy the ruins of a deserted village. Videttes being posted, half the + troopers remained in saddle, whilst the others, having picketed their + horses, were able to take a little rest. Our hero had charged valiantly + that day without receiving any wound—for he counted as a mere + memento the deep scratch on his thigh, which a kaiserlitz had inflicted in + awkwardly attempting an upward thrust with the bayonet. + </p> +<div class="fig"> + <img src="images/10049m.jpg" alt="10049m " /><br /> + </div> + <h5> + <a href="images/10049.jpg"><i>Original</i></a> + </h5> + <p> + “You donkey! my new breeches!” the grenadier had exclaimed, when he saw + the wide yawning rent, which he instantly avenged by running the Austrian + through, with a thrust scientifically administered. For, if he showed a + stoical indifference on the subject of injury to his skin, it was not so + with regard to the ripping up of his best parade uniform. + </p> + <p> + He undertook, therefore, the same evening, at the bivouac, to repair this + accident. Selecting his best needle and thread from the stores of his + housewife, and arming his finger with a thimble, he began to play the + tailor by the light of the watch-fire, having first drawn off his + cavalry-boots, and also (if it must be confessed) the injured garment + itself, which he turned the wrong side out the better to conceal the + stitches. + </p> + <p> + This partial undress was certainly a breach of discipline: but the + captain, as he went his round, could not forbear laughing at the sight of + the veteran soldier, who, gravely seated, in a squatting position, with + his grenadier cap on, his regimental coat on his back, his boots by his + side, and his galligaskins in his lap, was sewing with all the coolness of + a tailor upon his own shop-board. + </p> + <p> + Suddenly, a musket-shot is heard, and the videttes fall back upon the + detachment, calling to arms. “To horse!” cries the captain, in a voice of + thunder. + </p> + <p> + In a moment, the troopers are in their saddles, the unfortunate clothes + mender having to lead the first rank; there is no time to turn the unlucky + garment, so he slips it on, as well as he can, wrong side out, and leaps + upon his horse, without even stopping to put on his boots. + </p> + <p> + A party of Cossacks, profiting by the cover of a neighboring wood, had + attempted to surprise the detachment: the fight was bloody, and our hero + foamed with rage, for he set much value on his equipments, and the day had + been fatal to him. Thinking of his torn clothes and lost boots, he hacked + away with more fury than ever; a bright moon illumined the scene of + action, and his comrades were able to appreciate the brilliant valor of + our grenadier, who killed two Cossacks, and took an officer prisoner, with + his own hand. + </p> + <p> + After this skirmish, in which the detachment had maintained its position, + the captain drew up his men to compliment them on their success, and + ordered the clothes-mender to advance from the ranks, that he might thank + him publicly for his gallant behavior. Our hero could have dispensed with + this ovation, but he was not the less obliged to obey. + </p> + <p> + Judge of the surprise of both captain and troopers, when they saw this + tall and stern-looking figure ride forward at a slow pace, with his naked + feet in the stirrups, and naked legs pressing the sides of his charger. + </p> + <p> + The captain drew near in astonishment; but recalling the occupation of the + soldier at the moment when the alarm was given, he understood the whole + mystery. “Ha, my old comrade!” he exclaimed, “thou art like King Dagobert—wearing + thy breeches inside out.” + </p> + <p> + In spite of discipline, this joke of the captain’s was received with peals + of ill-repressed laughter. But our friend, sitting upright in his saddle, + with his left thumb pressing the well adjusted reins, and his sword-hilt + carried close to his right thigh, made a half-wheel, and returned to his + place in the ranks without changing countenance, after he had duly + received the congratulations of his captain. From that day, Francis + Baudoin received and kept the nickname of Dagobert. + </p> + <p> + Now Dagobert was under the porch of the inn, occupied in washing, to the + great amazement of sundry beer-drinkers, who observed him with curious + eyes from the large common room in which they were assembled. + </p> + <p> + In truth, it was a curious spectacle. Dagobert had laid aside his gray + top-coat, and rolled up the sleeves of his shirt; with a vigorous hand, + and good supply of soap, he was rubbing away at a wet handkerchief, spread + out on the board, the end of which rested in a tub full of water. Upon his + right arm, tattooed with warlike emblems in red and blue colors, two + scars, deep enough to admit the finger, were distinctly visible. No wonder + then, that, while smoking their pipes, and emptying their pots of beer, + the Germans should display some surprise at the singular occupation of + this tall, moustached, bald-headed old man, with the forbidding + countenance—for the features of Dagobert assumed a harsh and grim + expression, when he was no longer in presence of the two girls. + </p> + <p> + The sustained attention, of which he saw himself the object, began to put + him out of patience, for his employment appeared to him quite natural. At + this moment, the Prophet entered the porch, and, perceiving the soldier, + eyed him attentively for several seconds; then approaching, he said to him + in French, in a rather sly tone: “It would seem, comrade, that you have + not much confidence in the washerwomen of Mockern?” + </p> + <p> + Dagobert, without discontinuing his work, half turned his head with a + frown, looked askant at the Prophet, and made him no answer. + </p> + <p> + Astonished at this silence, Morok resumed: “If I do not deceive myself, + you are French, my fine fellow. The words on your arm prove it, and your + military air stamps you as an old soldier of the Empire. Therefore I find, + that, for a hero, you have taken rather late to wear petticoats.” + </p> + <p> + Dagobert remained mute, but he gnawed his moustache, and plied the soap, + with which he was rubbing the linen, in a most hurried, not to say angry + style; for the face and words of the beast-tamer displeased him more than + he cared to show. Far from being discouraged, the Prophet continued: “I am + sure, my fine fellow, that you are neither deaf nor dumb; why, then, will + you not answer me?” + </p> + <p> + Losing all patience, Dagobert turned abruptly round, looked Morok full in + the face, and said to him in a rough voice: “I don’t know you: I don’t + wish to know you! Chain up your curb!” And he betook himself again to his + washing. + </p> + <p> + “But we may make acquaintance. We can drink a glass of Rhine-wine + together, and talk of our campaigns. I also have seen some service, I + assure you; and that, perhaps, will induce you to be more civil.” + </p> + <p> + The veins on the bald forehead of Dagobert swelled perceptibly; he saw in + the look and accent of the man, who thus obstinately addressed him, + something designedly provoking; still he contained himself. + </p> + <p> + “I ask you, why should you not drink a glass of wine with me—we + could talk about France. I lived there a long time; it is a fine country; + and when I meet Frenchmen abroad, I feel sociable—particularly when + they know how to use the soap as well as you do. If I had a housewife I’d + send her to your school.” + </p> + <p> + The sarcastic meaning was no longer disguised; impudence and bravado were + legible in the Prophet’s looks. Thinking that, with such an adversary, the + dispute might become serious, Dagobert, who wished to avoid a quarrel at + any price, carried off his tub to the other end of the porch, hoping thus + to put an end to the scene which was a sore trial of his temper. A flash + of joy lighted up the tawny eyes of the brute-tamer. The white circle, + which surrounded the pupil seemed to dilate. He ran his crooked fingers + two or three times through his yellow beard, in token of satisfaction; + then he advanced slowly towards the soldier, accompanied by several idlers + from the common-room. + </p> + <p> + Notwithstanding his coolness, Dagobert, amazed and incensed at the + impudent pertinacity of the Prophet, was at first disposed to break the + washing-board on his head; but, remembering the orphans, he thought better + of it. + </p> + <p> + Folding his arms upon his breast, Morok said to him, in a dry and insolent + tone: “It is very certain you are not civil, my man of suds!” Then, + turning to the spectators, he continued in German: “I tell this Frenchman, + with his long moustache, that he is not civil. We shall see what answer + he’ll make. Perhaps it will be necessary to give him a lesson. Heaven + preserve me from quarrels!” he added, with mock compunction; “but the Lord + has enlightened me—I am his creature, and I ought to make his work + respected.” + </p> + <p> + The mystical effrontery of this peroration was quite to the taste of the + idlers; the fame of the Prophet had reached Mockern, and, as a performance + was expected on the morrow, this prelude much amused the company. On + hearing the insults of his adversary, Dagobert could not help saying in + the German language: “I know German. Speak in German—the rest will + understand you.” + </p> + <p> + New spectators now arrived, and joined the first comers; the adventure had + become exciting, and a ring was formed around the two persons most + concerned. + </p> + <p> + The Prophet resumed in German: “I said that you were not civil, and I now + say you are grossly rude. What do you answer to that?” + </p> + <p> + “Nothing!” said Dagobert, coldly, as he proceeded to rinse out another + piece of linen. + </p> + <p> + “Nothing!” returned Morok; “that is very little. I will be less brief, and + tell you, that, when an honest man offers a glass of wine civilly to a + stranger, that stranger has no right to answer with insolence, and + deserves to be taught manners if he does so.” + </p> + <p> + Great drops of sweat ran down Dagobert’s forehead and cheeks; his large + imperial was incessantly agitated by nervous trembling—but he + restrained himself. Taking, by two of the corners, the handkerchief which + he had just dipped in the water, he shook it, wrung it, and began to hum + to himself the burden of the old camp ditty: + </p> +<pre xml:space="preserve"> + “Out of Tirlemont’s flea-haunted den, + We ride forth next day of the sen, + With sabre in hand, ah! + Good-bye to Amanda,” etc. +</pre> + <p> + The silence to which Dagobert had condemned himself, almost choked him; + this song afforded him some relief. + </p> + <p> + Morok, turning towards the spectators, said to them, with an air of + hypocritical restraint: “We knew that the soldiers of Napoleon were + pagans, who stabled their horses in churches, and offended the Lord a + hundred times a day, and who, for their sins, were justly drowned in the + Beresino, like so many Pharaohs; but we did not know that the Lord, to + punish these miscreants, had deprived them of courage—their single + gift. Here is a man, who has insulted, in me, a creature favored by divine + grace, and who affects not to understand that I require an apology; or + else—” + </p> + <p> + “What?” said Dagobert, without looking at the Prophet. + </p> + <p> + “Or you must give me satisfaction!—I have already told you that I + have seen service. We shall easily find somewhere a couple of swords, and + to morrow morning, at peep of day, we can meet behind a wall, and show the + color of our blood—that is, if you have any in your veins!” + </p> + <p> + This challenge began to frighten the spectators, who were not prepared for + so tragical a conclusion. + </p> + <p> + “What, fight?—a very, fine idea!” said one. “To get yourself both + locked up in prison: the laws against duelling are strict.” + </p> + <p> + “Particularly with relation to strangers or nondescripts,” added another. + “If they were to find you with arms in your hands, the burgomaster would + shut you up in jail, and keep you there two or three months before trial.” + </p> + <p> + “Would you be so mean as to denounce us?” asked Morok. + </p> + <p> + “No, certainly not,” cried several; “do as you like. We are only giving + you a friendly piece of advice, by which you may profit, if you think + fit.” + </p> + <p> + “What care I for prison?” exclaimed the Prophet. “Only give me a couple of + swords, and you shall see to-morrow morning if I heed what the burgomaster + can do or say.” + </p> + <p> + “What would you do with two swords?” asked Dagobert, quietly. + </p> + <p> + “When you have one in your grasp, and I one in mine, you’d see. The Lord + commands us to have a care of his honor!” + </p> + <p> + Dagobert shrugged his shoulders, made a bundle of his linen in his + handkerchief, dried his soap, and put it carefully into a little oil-silk + bag—then, whistling his favorite air of Tirlemont, moved to depart. + </p> + <p> + The Prophet frowned; he began to fear that his challenge would not be + accepted. He advanced a step or so to encounter Dagobert, placed himself + before him, as if to intercept his passage, and, folding his arms, and + scanning him from head to foot with bitter insolence, said to him: “So! an + old soldier of that arch-robber, Napoleon, is only fit for a washerwoman, + and refuses to fight!” + </p> + <p> + “Yes, he refuses to fight,” answered Dagobert, in a firm voice, but + becoming fearfully pale. Never, perhaps, had the soldier given to his + orphan charge such a proof of tenderness and devotion. For a man of his + character to let himself be insulted with impunity, and refuse to fight—the + sacrifice was immense. + </p> + <p> + “So you are a coward—you are afraid of me—and you confess it?” + </p> + <p> + At these words Dagobert made, as it were, a pull upon himself—as if + a sudden thought had restrained him the moment he was about to rush on the + Prophet. Indeed, he had remembered the two maidens, and the fatal + hindrance which a duel, whatever might be the result, would occasion to + their journey. But the impulse of anger, though rapid, had been so + significant—the expression of the stern, pale face, bathed in sweat, + was so daunting, that the Prophet and the spectators drew back a step. + </p> + <p> + Profound silence reigned for some seconds, and then, by a sudden reaction, + Dagobert seemed to have gained the general interest. One of the company + said to those near him; “This man is clearly not a coward.” + </p> + <p> + “Oh, no! certainly not.” + </p> + <p> + “It sometimes requires more courage to refuse a challenge than to accept + one.” + </p> + <p> + “After all the Prophet was wrong to pick a quarrel about nothing—and + with a stranger, too.” + </p> + <p> + “Yes, for a stranger, if he fought and was taken up, would have a good + long imprisonment.” + </p> + <p> + “And then, you see,” added another, “he travels with two young girls. In + such a position, ought a man to fight about trifles? If he should be + killed or put in prison, what would become of them, poor children?” + </p> + <p> + Dagobert turned towards the person who had pronounced these last words. He + saw a stout fellow, with a frank and simple countenance; the soldier + offered him his hand, and said with emotion: + </p> + <p> + “Thank you, sir.” + </p> + <p> + The German shook cordially the hand, which Dagobert had proffered, and, + holding it still in his own, he added: “Do one thing, sir—share a + bowl of punch with us. We will make that mischief-making Prophet + acknowledge that he has been too touchy, and he shall drink to your + health.” + </p> + <p> + Up to this moment the brute-tamer, enraged at the issue of this scene, for + he had hoped that the soldier would accept his challenge, looked on with + savage contempt at those who had thus sided against him. But now his + features gradually relaxed; and, believing it useful to his projects to + hide his disappointment, he walked up to the soldier, and said to him, + with a tolerably good grace: “Well, I give way to these gentlemen. I own I + was wrong. Your frigid air had wounded me, and I was not master of myself. + I repeat, that I was wrong,” he added, with suppressed vexation; “the Lord + commands humility—and—I beg your pardon.” + </p> + <p> + This proof of moderation and regret was highly appreciated and loudly + applauded by the spectators. “He asks your pardon; you cannot expect more, + my brave fellow?” said one of them, addressing Dagobert. “Come, let us all + drink together; we make you this offer frankly—accept it in the same + spirit.” + </p> + <p> + “Yes, yes; accept it, we beg you, in the name of your pretty little + girls,” said the stout man, hoping to decide Dagobert by this argument. + </p> + <p> + “Many thanks, gentlemen,” replied he, touched by the hearty advances of + the Germans; “you are very worthy people. But, when one is treated, he + must offer drink in return.” + </p> + <p> + “Well, we will accept it—that’s understood. Each his turn, and all + fair. We will pay for the first bowl, you for the second.” + </p> + <p> + “Poverty is no crime,” answered Dagobert; “and I must tell you honestly + that I cannot afford to pay for drink. We have still a long journey to go, + and I must not incur any useless expenses.” + </p> + <p> + The soldier spoke these words with such firm, but simple dignity, that the + Germans did not venture to renew their offer, feeling that a man of + Dagobert’s character could not accept it without humiliation. + </p> + <p> + “Well, so much the worse,” said the stout man. “I should have liked to + clink glasses with you. Good-night, my brave trooper!—Good-night—for + it grows late, and mine host of the Falcon will soon turn us out of + doors.” + </p> + <p> + “Good-night, gentlemen,” replied Dagobert, as he directed his steps + towards the stable, to give his horse a second allowance of provender. + </p> + <p> + Morok approached him, and said in a voice even more humble than before: “I + have acknowledged my error, and asked your pardon. You have not answered + me; do you still bear malice?” + </p> + <p> + “If ever I meet you,” said the veteran, in a suppressed and hollow tone, + “when my children have no longer need of me, I will just say two words to + you, and they will not be long ones.” + </p> + <p> + Then he turned his back abruptly on the Prophet, who walked slowly out of + the yard. + </p> + <p> + The inn of the White Falcon formed a parallelogram. At one end rose the + principal dwelling; at the other was a range of buildings, which contained + sundry chambers, let at a low price to the poorer sort of travellers; a + vaulted passage opened a way through this latter into the country; + finally, on either side of the court-yard were sheds and stables, with + lofts and garrets erected over them. + </p> + <p> + Dagobert, entering one of these stables, took from off a chest the portion + of oats destined for his horse, and, pouring it into a winnowing basket, + shook it as he approached Jovial. + </p> + <p> + To his great astonishment, his old travelling companion did not respond + with a joyous neigh to the rustle of the oats rattling on the wicker work. + Alarmed, he called Jovial with a friendly voice; but the animal, instead + of turning towards his master a look of intelligence, and impatiently + striking the ground with his fore-feet, remained perfectly motionless. + </p> + <p> + More and more surprised, the soldier went up to him. By the dubious light + of a stable-lantern, he saw the poor animal in an attitude which implied + terror—his legs half bent, his head stretched forward, his ears + down, his nostrils quivering; he had drawn tight his halter, as if he + wished to break it, in order to get away from the partition that supported + his rack and manger; abundant cold-sweat had speckled his hide with bluish + stains, and his coat altogether looked dull and bristling, instead of + standing out sleek and glossy from the dark background of the stable; + lastly, from time to time, his body shook with convulsive starts. + </p> +<div class="fig"> + <img src="images/10057m.jpg" alt="10057m " /><br /> + </div> + <h5> + <a href="images/10057.jpg"><i>Original</i></a> + </h5> + <p> + “Why, old Jovial!” said the soldier, as he put down the basket, in order + to soothe his horse with more freedom, “you are like thy master—afraid!—Yes,” + he added with bitterness, as he thought of the offence he had himself + endured, “you are afraid—though no coward in general.” + </p> + <p> + Notwithstanding the caresses and the voice of his master, the horse + continued to give signs of terror; he pulled somewhat less violently at + his halter, and approaching his nostrils to the hand of Dagobert, sniffed + audibly, as if he doubted it were he. + </p> + <p> + “You don’t know me!” cried Dagobert. “Something extraordinary must be + passing here.” + </p> + <p> + The soldier looked around him with uneasiness. It was a large stable, + faintly lighted by the lantern suspended from the roof, which was covered + with innumerable cobwebs; at the further end, separated from Jovial by + some stalls with bars between, were the three strong, black, horses of the + brute-tamer—as tranquil as Jovial was frightened. + </p> + <p> + Dagobert, struck with this singular contrast, of which he was soon to have + the explanation, again caressed his horse; and the animal, gradually + reassured by his master’s presence, licked his hands, rubbed his head + against him, uttered a low neigh, and gave him his usual tokens of + affection. + </p> + <p> + “Come, come, this is how I like to see my old Jovial!” said Dagobert, as + he took up the winnowing-basket, and poured its contents into the manger. + “Now eat with a good appetite, for we have a long day’s march tomorrow; + and, above all, no more of these foolish fears about nothing! If thy + comrade, Spoil-sport, was here, he would keep you in heart; but he is + along with the children, and takes care of them in my absence. Come, eat! + Instead of staring at me in that way.” + </p> + <p> + But the horse, having just touched the oats with his mouth, as if in + obedience to his master, returned to them no more, and began to nibble at + the sleeve of Dagobert’s coat. + </p> + <p> + “Come, come, my poor Jovial! there is something the matter with you. You + have generally such a good appetite, and now you leave your corn. ‘Tis the + first time this has happened since our departure,” said the soldier, who + was now growing seriously uneasy, for the issue of his journey greatly + depended on the health and vigor of his horse. + </p> + <p> + Just then a frightful roaring, so near that it seemed to come from the + stable in which they were, gave so violent a shock to Jovial, that with + one effort he broke his halter, leaped over the bar that marked his place, + and rushing at the open door, escaped into the court-yard. + </p> + <p> + Dagobert had himself started at the suddenness of this wild and fearful + sound, which at once explained to him the cause of his horse’s terror. The + adjoining stable was occupied by the itinerant menagerie of the + brute-tamer, and was only separated by the partition, which supported the + mangers. The three horses of the Prophet, accustomed to these howlings, + had remained perfectly quiet. + </p> + <p> + “Good!” said the soldier, recovering himself; “I understand it now. Jovial + has heard another such roar before, and he can scent the animals of that + insolent scoundrel. It is enough to frighten him,” added he, as he + carefully collected the oats from the manger; “once in another stable, and + there must be others in this place, he will no longer leave his peck, and + we shall be able to start early to-morrow morning!” + </p> + <p> + The terrified horse, after running and galloping about the yard, returned + at the voice of the soldier, who easily caught him by the broken halter; + and a hostler, whom Dagobert asked if there was another vacant stable, + having pointed out one that was only intended for a single animal, Jovial + was comfortably installed there. + </p> + <p> + When delivered from his ferocious neighbors, the horse became tranquil as + before, and even amused himself much at the expense of Dagobert’s top + coat, which, thanks to his tricks, might have afforded immediate + occupation for his master’s needle, if the latter had not been fully + engaged in admiring the eagerness with which Jovial dispatched his + provender. Completely reassured on his account, the soldier shut the door + of the stable, and proceeded to get his supper as quickly as possible, in + order to rejoin the orphans, whom he reproached himself with having left + so long. + </p> + <p> + <a name="link2HCH0005" id="link2HCH0005"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER V. ROSE AND BLANCHE. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>he orphans occupied a dilapidated chamber in one of the most remote wings + of the inn, with a single window opening upon the country. A bed without + curtains, a table, and two chairs, composed the more than modest furniture + of this retreat, which was now lighted by a lamp. On the table, which + stood near the window, was deposited the knapsack of the soldier. + </p> + <p> + The great Siberian dog, who was lying close to the door, had already twice + uttered a deep growl, and turned his head towards the window—but + without giving any further affect to this hostile manifestation. + </p> + <p> + The two sisters, half recumbent in their bed, were clad in long white + wrappers, buttoned at the neck and wrists. They wore no caps, but their + beautiful chestnut hair was confined at the temples by a broad piece of + tape, so that it might not get tangled during the night. These white + garments, and the white fillet that like a halo encircled their brows, + gave to their fresh and blooming faces a still more candid expression. + </p> + <p> + The orphans laughed and chatted, for, in spite of some early sorrows, they + still retained the ingenuous gayety of their age. The remembrance of their + mother would sometimes make them sad, but this sorrow had in it nothing + bitter; it was rather a sweet melancholy, to be sought instead of shunned. + For them, this adored mother was not dead—she was only absent. + </p> + <p> + Almost as ignorant as Dagobert, with regard to devotional exercises, for + in the desert where they had lived there was neither church nor priest, + their faith, as was already said, consisted in this—that God, just + and good, had so much pity for the poor mothers whose children were left + on earth, that he allowed them to look down upon them from highest heaven—to + see them always, to hear them always, and sometimes to send fair guardian + angels to protect therein. Thanks to this guileless illusion, the orphans, + persuaded that their mother incessantly watched over them, felt, that to + do wrong would be to afflict her, and to forfeit the protection of the + good angels.—This was the entire theology of Rose and Blanche—a + creed sufficient for such pure and loving souls. + </p> + <p> + Now, on the evening in question, the two sisters chatted together whilst + waiting for Dagobert. Their theme interested them much, for, since some + days, they had a secret, a great secret, which often quickened the + beatings of their innocent hearts, often agitated their budding bosoms, + changed to bright scarlet the roses on their cheeks, and infused a + restless and dreamy langour into the soft blue of their large eyes. + </p> + <p> + Rose, this evening, occupied the edge of the couch, with her rounded arms + crossed behind her head, which was half turned towards her sister; + Blanche, with her elbow resting on the bolster, looked at her smilingly, + and said: “Do you think he will come again to-night?” + </p> + <p> + “Oh, yes! certainly. He promised us yesterday.” + </p> + <p> + “He is so good, he would not break his promise.” + </p> + <p> + “And so handsome, with his long fair curls.” + </p> + <p> + “And his name—what a charming name!—How well it suits his + face.” + </p> + <p> + “And what a sweet smile and soft voice, when he says to us, taking us by + the hand: ‘My children, bless God that he has given you one soul. What + others seek elsewhere, you will find in yourselves.’” + </p> + <p> + “‘Since your two hearts,’ he added, ‘only make one.’” + </p> + <p> + “What pleasure to remember his words, sister!” + </p> + <p> + “We are so attentive! When I see you listening to him, it is as if I saw + myself, my dear little mirror!” said Rose, laughing, and kissing her + sister’s forehead. “Well—when he speaks, your—or rather our + eyes—are wide, wide open, our lips moving as if we repeated every + word after him. It is no wonder we forget nothing that he says.” + </p> + <p> + “And what he says is so grand, so noble, and generous.” + </p> + <p> + “Then, my sister, as he goes on talking, what good thoughts rise within + us! If we could but always keep them in mind.” + </p> + <p> + “Do not be afraid! they will remain in our hearts, like little birds in + their mother’s nests.” + </p> + <p> + “And how lucky it is, Rose, that he loves us both at the same time!” + </p> + <p> + “He could not do otherwise, since we have but one heart between us.” + </p> + <p> + “How could he love Rose, without loving Blanche?” + </p> + <p> + “What would have become of the poor, neglected one?” + </p> + <p> + “And then again he would have found it so difficult to choose.” + </p> + <p> + “We are so much like one another.” + </p> + <p> + “So, to save himself that trouble,” said Rose, laughing, “he has chosen us + both.” + </p> + <p> + “And is it not the best way? He is alone to love us; we are two together + to think of him.” + </p> + <p> + “Only he must not leave us till we reach Paris.” + </p> + <p> + “And in Paris, too—we must see him there also.” + </p> + <p> + “Oh, above all at Paris; it will be good to have him with us—and + Dagobert, too—in that great city. Only think, Blanche, how beautiful + it must be.” + </p> + <p> + “Paris!—it must be like a city all of gold.” + </p> + <p> + “A city, where every one must be happy, since it is so beautiful.” + </p> + <p> + “But ought we, poor orphans, dare so much as to enter it? How people will + look at us!” + </p> + <p> + “Yes—but every one there is happy, every one must be good also.” + </p> + <p> + “They will love us.” + </p> + <p> + “And, besides, we shall be with our friend with the fair hair and blue + eyes.” + </p> + <p> + “He has yet told us nothing of Paris.” + </p> + <p> + “He has not thought of it; we must speak to him about it this very night.” + </p> + <p> + “If he is in the mood for talking. Often you know, he likes best to gaze + on us in silence—his eyes on our eyes.” + </p> + <p> + “Yes. In those moments, his look recalls to me the gaze of our dear + mother.” + </p> + <p> + “And, as she sees it all, how pleased she must be at what has happened to + us!” + </p> + <p> + “Because, when we are so much beloved, we must, I hope, deserve it.” + </p> + <p> + “See what a vain thing it is!” said Blanche, smoothing with her slender + fingers the parting of the hair on her sister’s forehead. + </p> + <p> + After a moment’s reflection, Rose said to her: “Don’t you think we should + relate all this to Dagobert?” + </p> + <p> + “If you think so, let us do it.” + </p> + <p> + “We tell him everything, as we told everything to mother. Why should we + conceal this from him?” + </p> + <p> + “Especially as it is something which gives us so much pleasure.” + </p> + <p> + “Do you not find that, since we have known our friend, our hearts beat + quicker and stronger?” + </p> + <p> + “Yes, they seem to be more full.” + </p> + <p> + “The reason why is plain enough; our friend fills up a good space in + them.” + </p> + <p> + “Well, we will do best to tell Dagobert what a lucky star ours is.” + </p> + <p> + “You are right—” At this moment the dog gave another deep growl. + </p> + <p> + “Sister,” said Rose, as she pressed closer to Blanche, “there is the dog + growling again. What can be the matter with him?” + </p> + <p> + “Spoil-sport, do not growl! Come hither,” said Blanche, striking with her + little hand on the side of the bed. + </p> + <p> + The dog rose, again growled deeply, and came to lay his great, intelligent + looking head on the counterpane, still obstinately casting a sidelong + glance at the window; the sisters bent over him to pat his broad forehead, + in the centre of which was a remarkable bump, the certain sign of extreme + purity of race. + </p> + <p> + “What makes you growl so, Spoil-sport?” said Blanche, pulling him gently + by the ears—“eh, my good dog?” + </p> + <p> + “Poor beast! he is always so uneasy when Dagobert is away.” + </p> + <p> + “It is true; one would think he knows that he then has a double charge + over us.” + </p> + <p> + “Sister, it seems to me, Dagobert is late in coming to say good-night.” + </p> + <p> + “No doubt he is attending to Jovial.” + </p> + <p> + “That makes me think that we did not bid good-night to dear old Jovial. + </p> + <p> + “I am sorry for it.” + </p> + <p> + “Poor beast! he seems so glad when he licks our hands. One would think + that he thanked us for our visit.” + </p> + <p> + “Luckily, Dagobert will have wished him good-night for us.” + </p> + <p> + “Good Dagobert! he is always thinking of us. How he spoils us! We remain + idle, and he has all the trouble.” + </p> + <p> + “How can we prevent it?” + </p> + <p> + “What a pity that we are not rich, to give him a little rest.” + </p> + <p> + “We rich! Alas, my sister! we shall never be anything but poor orphans.” + </p> + <p> + “Oh, there’s the medal!” + </p> + <p> + “Doubtless, there is some hope attached to it, else we should not have + made this long journey.” + </p> + <p> + “Dagobert has promised to tell us all, this evening.” + </p> + <p> + She was prevented from continuing, for two of the windowpanes flew to + pieces with a loud crash. + </p> + <p> + The orphans, with a cry of terror, threw themselves into each other’s + arms, whilst the dog rushed towards the window, barking furiously. + </p> + <p> + Pale, trembling, motionless with affright, clasping each other in a close + embrace, the two sisters held their breath; in their extreme fear, they + durst not even cast their eyes in the direction of the window. The dog, + with his forepaws resting on the sill, continued to bark with violence. + </p> + <p> + “Alas! what can it be?” murmured the orphans. “And Dagobert not here!” + </p> + <p> + “Hark!” cried Rose, suddenly seizing Blanche by the arm; “hark!—some + one coming up the stairs!” + </p> + <p> + “Good heaven! it does not sound like the tread of Dagobert. Do you not + hear what heavy footsteps?” + </p> + <p> + “Quick! come, Spoil-sport, and defend us!” cried the two sisters at once, + in an agony of alarm. + </p> + <p> + The boards of the wooden staircase really creaked beneath the weight of + unusually heavy footsteps, and a singular kind of rustling was heard along + the thin partition that divided the chamber from the landing-place. Then a + ponderous mass, falling against the door of the room, shook it violently; + and the girls, at the very height of terror, looked at each other without + the power of speech. + </p> + <p> + The door opened. It was Dagobert. + </p> + <p> + At the sight of him Rose and Blanche joyfully exchanged a kiss, as if they + had just escaped from a great danger. + </p> + <p> + “What is the matter? why are you afraid?” asked the soldier in surprise. + </p> + <p> + “Oh, if you only knew!” said Rose, panting as she spoke, for both her own + heart and her sister’s beat with violence. + </p> + <p> + “If you knew what has just happened! We did not recognize your footsteps—they + seemed so heavy—and then that noise behind the partition!” + </p> + <p> + “Little frightened doves that you are! I could not run up the stairs like + a boy of fifteen, seeing that I carried my bed upon my back—a straw + mattress that I have just flung down before your door, to sleep there as + usual.” + </p> + <p> + “Bless me! how foolish we must be, sister, not to have thought of that!” + said Rose, looking at Blanche. And their pretty faces, which had together + grown pale, together resumed their natural color. + </p> + <p> + During this scene the dog, still resting against the window, did not cease + barking a moment. + </p> + <p> + “What makes Spoil-sport bark in that direction, my children?” said the + soldier. + </p> + <p> + “We do not know. Two of our windowpanes have just been broken. That is + what first frightened us so much.” + </p> + <p> + Without answering a word Dagobert flew to the window, opened it quickly, + pushed back the shutter, and leaned out. + </p> + <p> + He saw nothing; it was a dark night. He listened; but heard only the + moaning of the wind. + </p> + <p> + “Spoil-sport,” said he to his dog, pointing to the open window, “leap out, + old fellow, and search!” The faithful animal took one mighty spring and + disappeared by the window, raised only about eight feet above the ground. + </p> + <p> + Dagobert, still leaning over, encouraged his dog with voice and gesture: + “Search, old fellow, search! If there is any one there, pin him—your + fangs are strong—and hold him fast till I come.” + </p> +<div class="fig"> + <img src="images/10065m.jpg" alt="10065m " /><br /> + </div> + <h5> + <a href="images/10065.jpg"><i>Original</i></a> + </h5> + <p> + But Spoil-sport found no one. They heard him go backwards and forwards, + snuffing on every side, and now and then uttering a low cry like a hound + at fault. + </p> + <p> + “There is no one, my good dog, that’s clear, or you would have had him by + the throat ere this.” Then, turning to the maidens, who listened to his + words and watched his movements with uneasiness: “My girls,” said he, “how + were these panes broken? Did you not remark?” + </p> + <p> + “No, Dagobert; we were talking together when we heard a great crash, and + then the glass fell into the room.” + </p> + <p> + “It seemed to me,” added Rose, “as if a shutter had struck suddenly + against the window.” + </p> + <p> + Dagobert examined the shutter, and observed a long movable hook, designed + to fasten it on the inside. + </p> + <p> + “It blows hard,” said he; “the wind must have swung round the shutter, and + this hook broke the window. Yes, yes; that is it. What interest could + anybody have to play such a sorry trick?” Then, speaking to Spoil sport, + he asked, “Well, my good fellow, is there no one?” + </p> + <p> + The dog answered by a bark, which the soldier no doubt understood as a + negative, for he continued: “Well, then, come back! Make the round—you + will find some door open—you are never at a loss.” + </p> + <p> + The animal followed this advice. After growling for a few seconds beneath + the window, he set off at a gallop to make the circuit of the buildings, + and come back by the court-yard. + </p> + <p> + “Be quite easy, my children!” said the soldier, as he again drew near the + orphans; “it was only the wind.” + </p> + <p> + “We were a good deal frightened,” said Rose. + </p> + <p> + “I believe you. But now I think of it, this draught is likely to give you + cold.” And seeking to remedy this inconvenience, he took from a chair the + reindeer pelisse, and suspended it from the spring-catch of the + curtainless window, using the skirts to stop up as closely as possible the + two openings made by the breaking of the panes. + </p> + <p> + “Thanks, Dagobert, how good you are! We were very uneasy at not seeing + you.” + </p> + <p> + “Yes, you were absent longer than usual. But what is the matter with you?” + added Rose, only just then perceiving that his countenance was disturbed + and pallid, for he was still under the painful influence of the brawl with + Morok; “how pale you are!” + </p> + <p> + “Me, my pets?—Oh, nothing.” + </p> + <p> + “Yes, I assure you, your countenance is quite changed. Rose is right.” + </p> + <p> + “I tell you there is nothing the matter,” answered the soldier, not + without some embarrassment, for he was little used to deceive; till, + finding an excellent excuse for his emotion, he added: “If I do look at + all uncomfortable, it is your fright that has made me so, for indeed it + was my fault.” + </p> + <p> + “Your fault!” + </p> + <p> + “Yes; for if I had not lost so much time at supper, I should have been + here when the window was broken, and have spared you the fright.” + </p> + <p> + “Anyhow, you are here now, and we think no more of it.” + </p> + <p> + “Why don’t you sit down?” + </p> + <p> + “I will, my children, for we have to talk together,” said Dagobert, as he + drew a chair close to the head of the bed. + </p> + <p> + “Now tell me, are you quite awake?” he added, trying to smile in order to + reassure them. “Are those large eyes properly open?” + </p> + <p> + “Look, Dagobert!” cried the two girls, smiling in their turn, and opening + their blue eyes to the utmost extent. + </p> + <p> + “Well, well,” said the soldier, “they are yet far enough, from shutting; + besides, it is only nine o’clock.” + </p> + <p> + “We also have something to tell, Dagobert,” resumed Rose, after exchanging + glances with her sister. + </p> + <p> + “Indeed!” + </p> + <p> + “A secret to tell you.” + </p> + <p> + “A secret?” + </p> + <p> + “Yes, to be sure.” + </p> + <p> + “Ah, and a very great secret!” added Rose, quite seriously. + </p> + <p> + “A secret which concerns us both,” resumed Blanche. + </p> + <p> + “Faith! I should think so. What concerns the one always concerns the + other. Are you not always, as the saying goes, ‘two faces under one + hood?’” + </p> + <p> + “Truly, how can it be otherwise, when you put our heads under the great + hood of your pelisse?” said Rose, laughing. + </p> + <p> + “There they are again, mocking-birds! One never has the last word with + them. Come, ladies, your secret, since a secret there is.” + </p> + <p> + “Speak, sister,” said Rose. + </p> + <p> + “No, miss, it is for you to speak. You are to-day on duty, as eldest, and + such an important thing as telling a secret like that you talk of belongs + of right to the elder sister. Come, I am listening to you,” added the + soldier, as he forced a smile, the better to conceal from the maidens how + much he still felt the unpunished affronts of the brute tamer. + </p> + <p> + It was Rose (who, as Dagobert said, was doing duty as eldest) that spoke + for herself and for her sister. + </p> + <p> + <a name="link2HCH0006" id="link2HCH0006"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER VI. THE SECRET. + </h2> + <p> + “First of all, good Dagobert,” said Rose, in a gracefully caressing + manner, “as we are going to tell our secret—you must promise not to + scold us.” + </p> + <p> + “You will not scold your darlings, will you?” added Blanche, in a no less + coaxing voice. + </p> + <p> + “Granted!” replied Dagobert gravely; “particularly as I should not well + know how to set about it—but why should I scold you.” + </p> + <p> + “Because we ought perhaps to have told you sooner what we are going to + tell you.” + </p> + <p> + “Listen, my children,” said Dagobert sententiously, after reflecting a + moment on this case of conscience; “one of two things must be. Either you + were right, or else you were wrong, to hide this from me. If you were + right, very well; if you were wrong, it is done: so let’s say no more + about it. Go on—I am all attention.” + </p> + <p> + Completely reassured by this luminous decision, Rose resumed, while she + exchanged a smile with her sister. + </p> + <p> + “Only think, Dagobert; for two successive nights we have had a visitor.” + </p> + <p> + “A visitor!” cried the soldier, drawing himself up suddenly in his chair. + </p> + <p> + “Yes, a charming visitor—he is so very fair.” + </p> + <p> + “Fair—the devil!” cried Dagobert, with a start. + </p> + <p> + “Yes, fair—and with blue eyes,” added Blanche. + </p> + <p> + “Blue eyes—blue devils!” and Dagobert again bounded on his seat. + </p> + <p> + “Yes, blue eyes—as long as that,” resumed Rose, placing the tip of + one forefinger about the middle of the other. + </p> + <p> + “Zounds! they might be as long as that,” said the veteran, indicating the + whole length of his term from the elbow, “they might be as long as that, + and it would have nothing to do with it. Fair, and with blue eyes. Pray + what may this mean, young ladies?” and Dagobert rose from his seat with a + severe and painfully unquiet look. + </p> + <p> + “There now, Dagobert, you have begun to scold us already.” + </p> + <p> + “Just at the very commencement,” added Blanche. + </p> + <p> + “Commencement!—what, is there to be a sequel? a finish?” + </p> + <p> + “A finish? we hope not,” said Rose, laughing like mad. + </p> + <p> + “All we ask is, that it should last forever,” added Blanche, sharing in + the hilarity of her sister. + </p> + <p> + Dagobert looked gravely from one to the other of the two maidens, as if + trying to guess this enigma; but when he saw their sweet, innocent faces + gracefully animated by a frank, ingenuous laugh, he reflected that they + would not be so gay if they had any serious matter for self-reproach, and + he felt pleased at seeing them so merry in the midst of their precarious + position. + </p> + <p> + “Laugh on, my children!” he said. “I like so much to see you laugh.” + </p> + <p> + Then, thinking that was not precisely the way in which he ought to treat + the singular confession of the young girls, he added in a gruff voice: + “Yes, I like to see you laugh—but not when you receive fair visitors + with blue eyes, young ladies!—Come, acknowledge that I’m an old fool + to listen to such nonsense—you are only making game of me.” + </p> + <p> + “Nay, what we tell you is quite true.” + </p> + <p> + “You know we never tell stories,” added Rose. + </p> + <p> + “They are right—they never fib,” said the soldier, in renewed + perplexity. + </p> + <p> + “But how the devil is such a visit possible? I sleep before your door—Spoil-sport + sleeps under your window—and all the blue eyes and fair locks in the + world must come in by one of those two ways—and, if they had tried + it, the dog and I, who have both of us quick ears, would have received + their visits after our fashion. But come, children! pray, speak to the + purpose. Explain yourselves!” + </p> + <p> + The two sisters, who saw, by the expression of Dagobert’s countenance, + that he felt really uneasy, determined no longer to trifle with his + kindness. They exchanged a glance, and Rose, taking in her little hand the + coarse, broad palm of the veteran, said to him: “Come, do not plague + yourself! We will tell you all about the visits of our friend, Gabriel.” + </p> + <p> + “There you are again!—He has a name, then?” + </p> + <p> + “Certainly, he has a name. It is Gabriel.” + </p> + <p> + “Is it not a pretty name, Dagobert? Oh, you will see and love, as we do, + our beautiful Gabriel!” + </p> + <p> + “I’ll love your beautiful Gabriel, will I?” said the veteran, shaking his + head—“Love your beautiful Gabriel?—that’s as it may be. I must + first know—” Then, interrupting himself, he added: “It is queer. + That reminds me of something.” + </p> + <p> + “Of what, Dagobert?” + </p> + <p> + “Fifteen years ago, in the last letter that your father, on his return + from France, brought me from my wife: she told me that, poor as she was, + and with our little growing Agricola on her hands, she had taken in a poor + deserted child, with the face of a cherub, and the name of Gabriel—and + only a short time since I heard of him again.” + </p> + <p> + “And from whom, then?” + </p> + <p> + “You shall know that by and by.” + </p> + <p> + “Well, then—since you have a Gabriel of your own—there is the + more reason that you should love ours.” + </p> + <p> + “Yours! but who is yours? I am on thorns till you tell me.” + </p> + <p> + “You know, Dagobert,” resumed Rose, “that Blanche and I are accustomed to + fall asleep, holding each other by the hand.” + </p> + <p> + “Yes, yes, I have often seen you in your cradle. I was never tired of + looking at you; it was so pretty.” + </p> + <p> + “Well, then—two nights ago, we had just fallen asleep, when we + beheld—” + </p> + <p> + “Oh, it was in a dream!” cried Dagobert. “Since you were asleep, it was in + a dream!” + </p> + <p> + “Certainly, in a dream—how else would you have it?” + </p> + <p> + “Pray let my sister go on with her tale!” + </p> + <p> + “All, well and good!” said the soldier with a sigh of satisfaction; “well + and good! To be sure, I was tranquil enough in any case—because—but + still—I like it better to be a dream. Continue, my little Rose.” + </p> + <p> + “Once asleep, we both dreamt the same thing.” + </p> + <p> + “What! both the same?” + </p> + <p> + “Yes, Dagobert; for the next morning when we awoke we related our two + dreams to each other.” + </p> + <p> + “And they were exactly alike.” + </p> + <p> + “That’s odd enough, my children; and what was this dream all about?” + </p> + <p> + “In our dream, Blanche and I were seated together, when we saw enter a + beautiful angel, with a long white robe, fair locks, blue eyes, and so + handsome and benign a countenance, that we elapsed our hands as if to pray + to him. Then he told us, in a soft voice, that he was called Gabriel; that + our mother had sent him to be our guardian angel, and that he would never + abandon us.” + </p> + <p> + “And, then,” added Blanche, “he took us each by the hand, and, bending his + fair face over us, looked at us for a long time in silence, with so much + goodness—with so much goodness, that we could not withdraw our eyes + from his.” + </p> + <p> + “Yes,” resumed Rose, “and his look seemed, by turns, to attract us, or to + go to our hearts. At length, to our great sorrow, Gabriel quitted us, + having told us that we should see him again the following night.” + </p> + <p> + “And did he make his appearance?” + </p> + <p> + “Certainly. Judge with what impatience we waited the moment of sleep, to + see if our friend would return, and visit us in our slumbers.” + </p> + <p> + “Humph!” said Dagobert, scratching his forehead; “this reminds me, young + ladies, that you kept on rubbing your eyes last evening, and pretending to + be half asleep. I wager, it was all to send me away the sooner, and to get + to your dream as fast as possible.” + </p> + <p> + “Yes, Dagobert.” + </p> + <p> + “The reason being, you could not say to me, as you would to Spoil-sport: + Lie down, Dagobert! Well—so your friend Gabriel came back?” + </p> + <p> + “Yes, and this time he talked to us a great deal, and gave us, in the name + of our mother, such touching, such noble counsels, that the next day, Rose + and I spent our whole time in recalling every word of our guardian angel—and + his face, and his look—” + </p> + <p> + “This reminds me again, young ladies, that you were whispering all along + the road this morning; and that when I spoke of white, you answered + black.” + </p> + <p> + “Yes, Dagobert, we were thinking of Gabriel.” + </p> + <p> + “And, ever since, we love him as well as he loves us.” + </p> + <p> + “But he is only one between both of you!” + </p> + <p> + “Was not our mother one between us?” + </p> + <p> + “And you, Dagobert—are you not also one for us both?” + </p> + <p> + “True, true! And yet, do you know, I shall finish by being jealous of that + Gabriel?” + </p> + <p> + “You are our friend by day—he is our friend by night.” + </p> + <p> + “Let’s understand it clearly. If you talk of him all day, and dream of him + all night, what will there remain for me?” + </p> + <p> + “There will remain for you your two orphans, whom you love so much,” said + Rose. + </p> + <p> + “And who have only you left upon earth,” added Blanche, in a caressing + tongue. + </p> + <p> + “Humph! humph! that’s right, coax the old man over, Nay, believe me, my + children,” added the soldier, tenderly, “I am quite satisfied with my lot. + I can afford to let you have your Gabriel. I felt sure that Spoil sport + and myself could take our rest in quiet. After all, there is nothing so + astonishing in what you tell me; your first dream struck your fancy, and + you talked so much about it that you had a second; nor should I be + surprised if you were to see this fine fellow a third time.” + </p> + <p> + “Oh, Dagobert! do not make a jest of it! They are only dreams, but we + think our mother sends them to us. Did she not tell us that orphan + children were watched over by guardian angels? Well, Gabriel is our + guardian angel; he will protect us, and he will protect you also.” + </p> + <p> + “Very kind of him to think of me; but you see, my dear children, for the + matter of defence, I prefer the dog; he is less fair than your angel, but + he has better teeth, and that is more to be depended on.” + </p> + <p> + “How provoking you are, Dagobert—always jesting!” + </p> + <p> + “It is true; you can laugh at everything.” + </p> + <p> + “Yes, I am astonishingly gay; I laugh with my teeth shut, in the style of + old Jovial. Come, children, don’t scold me: I know I am wrong. The + remembrance of your dear mother is mixed with this dream, and you do well + to speak of it seriously. Besides,” added he, with a grave air, “dreams + will sometimes come true. In Spain, two of the Empress’s dragoons, + comrades of mine, dreamt, the night before their death, that they would be + poisoned by the monks—and so it happened. If you continue to dream + of this fair angel Gabriel, it is—it is—why, it is, because + you are amused by it; and, as you have none too many pleasures in the + daytime, you may as well get an agreeable sleep at night. But, now, my + children, I have also much to tell you; it will concern your mother; + promise me not to be sad.” + </p> + <p> + “Be satisfied! when we think of her we are not sad, though serious.” + </p> + <p> + “That is well. For fear of grieving you, I have always delayed the moment + of telling what your poor mother would have confided to you as soon as you + were no longer children. But she died before she had time to do so, and + that which I have to tell broke her heart—as it nearly did mine. I + put off this communication as long as I could, taking for pretext that I + would say nothing till we came to the field of battle where your father + was made prisoner. That gave me time; but the moment is now come; I can + shuffle it off no longer.” + </p> + <p> + “We listen, Dagobert,” responded the two maidens, with an attentive and + melancholy air. + </p> + <p> + After a moment’s silence, during which he appeared to reflect, the veteran + thus addressed the young girls: + </p> + <p> + “Your father, General Simon, was the son of a workman, who remained a + workman; for, notwithstanding all that the general could say or do, the + old man was obstinate in not quitting his trade. He had a heart of gold + and a head of iron, just like his son. You may suppose, my children, that + when your father, who had enlisted as a private soldier, became a general + and a count of the empire, it was not without toil or without glory.” + </p> + <p> + “A count of the Empire! what is that, Dagobert?” + </p> + <p> + “Flummery—a title, which the Emperor gave over and above the + promotion, just for the sake of saying to the people, whom he loved + because he was one of them: Here, children! You wish to play at nobility! + You shall be nobles. You wish to play at royalty! You shall be kings. Take + what you like—nothing is too good for you—enjoy yourselves!” + </p> + <p> + “Kings!” said the two girls, joining their hands in admiration. + </p> +<div class="fig"> + <img src="images/10073m.jpg" alt="10073m " /><br /> + </div> + <h5> + <a href="images/10073.jpg"><i>Original</i></a> + </h5> + <p> + “Kings of the first water. Oh, he was no niggard of his crowns, our + Emperor! I had a bed-fellow of mine, a brave soldier, who was afterwards + promoted to be king. This flattered us; for, if it was not one, it was the + other. And so, at this game, your father became count; but, count or not, + he was one of the best and bravest generals of the army.” + </p> + <p> + “He was handsome, was he not, Dagobert?—mother always said so.” + </p> + <p> + “Oh, yes! indeed he was—but quite another thing from your fair + guardian angel. Picture to yourself a fine, dark man, who looked splendid + in his full uniform, and could put fire into the soldiers’ hearts. With + him to lead, we would have charged up into Heaven itself—that is, if + Heaven had, permitted it,” added Dagobert, not wishing to wound in any way + the religious beliefs of the orphans. + </p> + <p> + “And father was as good as he was brave, Dagobert.” + </p> + <p> + “Good, my children? Yes, I should say so!—He could bend a horse-shoe + in his hand as you would bend a card, and the day he was taken prisoner he + had cut down the Prussian artillerymen on their very cannon. With strength + and courage like that, how could he be otherwise than good? It is then + about nineteen years ago, not far from this place—on the spot I + showed you before we arrived at the village—that the general, + dangerously wounded, fell from his horse. I was following him at the time, + and ran to his assistance. Five minutes after we were made prisoners—and + by whom think you?—by a Frenchman.” + </p> + <p> + “A Frenchman?” + </p> + <p> + “Yes, an emigrant marquis, a colonel in the service of Russia,” answered + Dagobert, with bitterness. “And so, when this marquis advanced towards us, + and said to the general: ‘Surrender, sir, to a countryman!’—‘A + Frenchman, who fights against France,’ replied the general, ‘is no longer + my countryman; he is a traitor, and I’d never surrender to a traitor!’ + And, wounded though he was, he dragged himself up to a Russian grenadier, + and delivered him his sabre, saying: ‘I surrender to you my brave fellow!’ + The marquis became pale with rage at it.” + </p> + <p> + The orphans looked at each other with pride, and a rich crimson mantled + their cheeks, as they exclaimed: “Oh, our brave father!” + </p> + <p> + “Ah, those children,” said Dagobert, as he proudly twirled his moustache. + “One sees they have soldier’s blood in their veins! Well,” he continued, + “we were now prisoners. The general’s last horse had been killed under + him; and, to perform the journey, he mounted Jovial, who had not been + wounded that day. We arrived at Warsaw, and there it was that the general + first saw your mother. She was called the Pearl of Warsaw; that is saying + everything. Now he, who admired all that is good and beautiful, fell in + love with her almost immediately; and she loved him in return; but her + parents had promised her to another—and that other was the same—” + </p> + <p> + Dagobert was unable to proceed. Rose uttered a piercing cry, and pointed + in terror to the window. + </p> + <p> + <a name="link2HCH0007" id="link2HCH0007"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER VII. THE TRAVELER. + </h2> + <h3> + Upon the cry of the young girl, Dagobert rose abruptly. + </h3> + <p> + “What is the matter, Rose?” + </p> + <p> + “There—there!” she said, pointing to the window. “I thought I saw a + hand move the pelisse.” + </p> + <p> + She had not concluded these words before Dagobert rushed to the window and + opened it, tearing down the mantle, which had been suspended from the + fastening. + </p> + <p> + It was still dark night, and the wind was blowing hard. The soldier + listened, but could hear nothing. + </p> + <p> + Returning to fetch the lamp from the table, he shaded the flame with his + hand, and strove to throw the light outside. Still he saw nothing. + Persuaded that a gust of wind had disturbed and shaken the pelisse: and + that Rose had been deceived by her own fears he again shut the window. + </p> + <p> + “Be satisfied, children! The wind is very high; it is that which lifted + the corner of the pelisse.” + </p> + <p> + “Yet methought I saw plainly the fingers which had hold of it,” said Rose, + still trembling. + </p> + <p> + “I was looking at Dagobert,” said Blanche, “and I saw nothing.” + </p> + <p> + “There was nothing to see, my children; the thing is clear enough. The + window is at least eight feet above the ground; none but a giant could + reach it without a ladder. Now, had any one used a ladder, there would not + have been time to remove it; for, as soon as Rose cried out, I ran to the + window, and, when I held out the light, I could see nothing.” + </p> + <p> + “I must have been deceived,” said Rose. + </p> + <p> + “You may be sure, sister, it was only the wind,” added Blanche. + </p> + <p> + “Then I beg pardon for having disturbed you, my good Dagobert.” + </p> + <p> + “Never mind!” replied the soldier musingly, “I am only sorry that Spoil + sport is not come back. He would have watched the window, and that would + have quite tranquillized you. But he no doubt scented the stable of his + comrade, Jovial, and will have called in to bid him good-night on the + road. I have half a mind to go and fetch him.” + </p> + <p> + “Oh, no, Dagobert! do not leave us alone,” cried the maidens; “we are too + much afraid.” + </p> + <p> + “Well, the dog is not likely to remain away much longer, and I am sure we + shall soon hear him scratching at the door, so we will continue our + story,” said Dagobert, as he again seated himself near the head of the + bed, but this time with his face towards the window. + </p> + <p> + “Now the general was prisoner at Warsaw,” continued he, “and in love with + your mother, whom they wished to marry to another. In 1814, we learned the + finish of the war, the banishment of the Emperor to the Isle of Elba, and + the return of the Bourbons. In concert with the Prussians and Russians, + who had brought them back, they had exiled the Emperor. Learning all this, + your mother said to the general: ‘The war is finished; you are free, but + your Emperor is in trouble. You owe everything to him; go and join him in + his misfortunes. I know not when we shall meet again, but I shall never + marry any one but you, I am yours till death!’—Before he set out the + general called me to him, and said: ‘Dagobert, remain here; Mademoiselle + Eva may have need of you to fly from her family, if they should press too + hard upon her; our correspondence will have to pass through your hands; at + Paris, I shall see your wife and son; I will comfort them, and tell them + you are my friend.’” + </p> + <p> + “Always the same,” said Rose, with emotion, as she looked affectionately + at Dagobert. + </p> + <p> + “As faithful to the father and mother as to their children,” added + Blanche. + </p> + <p> + “To love one was to love them all,” replied the soldier. “Well, the + general joined the Emperor at Elba; I remained at Warsaw, concealed in the + neighborhood of your mother’s house; I received the letters, and conveyed + them to her clandestinely. In one of those letters—I feel proud to + tell you of it my children—the general informed me that the Emperor + himself had remembered me.” + </p> + <p> + “What, did he know you?” + </p> + <p> + “A little, I flatter myself—‘Oh! Dagobert!’ said he to your father, + who was talking to him about me; ‘a horse-grenadier of my old guard—a + soldier of Egypt and Italy, battered with wounds—an old dare-devil, + whom I decorated with my own hand at Wagram—I have not forgotten + him!’—I vow, children, when your mother read that to me, I cried + like a fool.” + </p> + <p> + “The Emperor—what a fine golden face he has on the silver cross with + the red ribbon that you would sometimes show us when we behaved well.” + </p> + <p> + “That cross—given by him—is my relic. It is there in my + knapsack, with whatever we have of value—our little purse and + papers. But, to return to your mother; it was a great consolation to her, + when I took her letters from the general, or talked with her about him—for + she suffered much—oh, so much! In vain her parents tormented and + persecuted her; she always answered: ‘I will never marry any one but + General Simon.’ A spirited woman, I can tell you—resigned, but + wonderfully courageous. One day she received a letter from the general; he + had left the Isle of Elba with the Emperor; the war had again broken out, + a short campaign, but as fierce as ever, and heightened by soldiers’ + devotion. In that campaign of France; my children, especially at + Montmirail, your father fought like a lion, and his division followed his + example it was no longer valor—it was frenzy. He told me that, in + Champagne, the peasants killed so many of those Prussians, that their + fields were manured with them for years. Men, women, children, all rushed + upon them. Pitchforks, stones, mattocks, all served for the slaughter. It + was a true wolf hunt!” + </p> + <p> + The veins swelled on the soldier’s forehead, and his cheeks flushed as he + spoke, for this popular heroism recalled to his memory the sublime + enthusiasm of the wars of the republic—those armed risings of a + whole people, from which dated the first steps of his military career, as + the triumphs of the Empire were the last days of his service. + </p> + <p> + The orphans, too, daughters of a soldier and a brave woman, did not shrink + from the rough energy of these words, but felt their cheeks glow, and + their hearts beat tumultuously. + </p> + <p> + “How happy we are to be the children of so brave a father!” cried Blanche. + </p> + <p> + “It is a happiness and an honor too, my children—for the evening of + the battle of Montmirail, the Emperor, to the joy of the whole army, made + your father Duke of Ligny and Marshal of France.” + </p> + <p> + “Marshal of France!” said Rose in astonishment, without understanding the + exact meaning of the words. + </p> + <p> + “Duke of Ligny!” added Blanche with equal surprise. + </p> + <p> + “Yes; Peter Simon, the son of a workman, became duke and marshal—there + is nothing higher except a king!” resumed Dagobert, proudly. “That’s how + the Emperor treated the sons of the people, and, therefore, the people + were devoted to him. It was all very fine to tell them ‘Your Emperor makes + you food for cannon.’ ‘Stuff!’ replied the people, who are no fools, + ‘another would make us food for misery. We prefer the cannon, with the + chance of becoming captain or colonel, marshal, king—or invalid; + that’s better than to perish with hunger, cold, and age, on straw in a + garret, after toiling forty years for others.’” + </p> + <p> + “Even in France—even in Paris, that beautiful city—do you mean + to say there are poor people who die of hunger and misery, Dagobert?” + </p> + <p> + “Even in Paris? Yes, my children; therefore, I come back to the point, the + cannon is better. With it, one has the chance of becoming, like your + father, duke and marshal: when I say duke and marshal, I am partly right + and partly wrong, for the title and the rank were not recognized in the + end; because, after Montmirail, came a day of gloom, a day of great + mourning, when, as the general has told me, old soldiers like myself wept—yes, + wept!—on the evening of a battle. That day, my children, was + Waterloo!” + </p> + <p> + There was in these simple words of Dagobert an expression of such deep + sorrow, that it thrilled the hearts of the orphans. + </p> + <p> + “Alas!” resumed the soldier, with a sigh, “there are days which seem to + have a curse on them. That same day, at Waterloo, the general fell, + covered with wounds, at the head of a division of the Guards. When he was + nearly cured, which was not for a long time, he solicited permission to go + to St. Helena—another island at the far end of the world, to which + the English had carried the Emperor, to torture him at their leisure; for + if he was very fortunate in the first instance, he had to go through a + deal of hard rubs at last, my poor children.” + </p> + <p> + “If you talk in that way, you will make us cry, Dagobert.” + </p> + <p> + “There is cause enough for it—the Emperor suffered so much! He bled + cruelly at the heart believe me. Unfortunately, the general was not with + him at St. Helena; he would have been one more to console him; but they + would not allow him to go. Then, exasperated, like so many others, against + the Bourbons, the general engaged in a conspiracy to recall the son of the + Emperor. He relied especially on one regiment, nearly all composed of his + old soldiers, and he went down to a place in Picardy, where they were then + in garrison; but the conspiracy had already been divulged. Arrested the + moment of his arrival, the general was taken before the colonel of the + regiment. And this colonel,” said the soldier, after a brief pause, “who + do you think it was again? Bah! it would be too long to tell you all, and + would only make you more sad; but it was a man whom your father had many + reasons to hate. When he found himself face to face with him, he said: ‘if + you are not a coward, you will give me one hour’s liberty, and we will + fight to the death; I hate you for this, I despise you for that’—and + so on. The colonel accepted the challenge, and gave your father his + liberty till the morrow. The duel was a desperate one; the colonel was + left for dead on the spot.” + </p> + <p> + “Merciful heaven!” + </p> + <p> + “The general was yet wiping his sword, when a faithful friend came to him, + and told him he had only just time to save himself. In fact, he happily + succeeded in leaving France—yes, happily—for a fortnight + after, he was condemned to death as a conspirator.” + </p> + <p> + “What misfortunes, good heaven!” + </p> + <p> + “There was some luck, however, in the midst of his troubles. Your mother + had kept her promise bravely, and was still waiting for him. She had + written to him: ‘The Emperor first, and me next!’ both unable to do + anything more for the Emperor, nor even for his son, the general, banished + from France, set out for Warsaw. Your mother had lost her parents, and was + now free; they were married—and I am one of the witnesses to the + marriage.” + </p> + <p> + “You are right, Dagobert; that was great happiness in the midst of great + misfortunes!” + </p> + <p> + “Yes, they were very happy; but, as it happened with all good hearts, the + happier they were themselves, the more they felt for the sorrows of others—and + there was quite enough to grieve them at Warsaw. The Russians had again + begun to treat the Poles as their slaves; your brave mother, though of + French origin, was a Pole in heart and soul; she spoke out boldly what + others did not dare speak in a whisper, and all the unfortunate called her + their protecting angel. That was enough to excite the suspicions of the + Russian governor. One day, a friend of the general’s, formerly a colonel + in the lancers, a brave and worthy man, was condemned to be exiled to + Siberia for a military plot against the Russians. He took refuge in your + father’s house, and lay hid there; but his retreat was discovered. During + the next night, a party of Cossacks, commanded by an officer, and followed + by a travelling-carriage, arrive at our door; they rouse the general from + his sleep and take him away with them.” + </p> + <p> + “Oh, heaven! what did they mean to do with him?” + </p> + <p> + “Conduct him out of the Russian dominions, with a charge never to return, + on pain of perpetual imprisonment. His last words were: ‘Dagobert, I + entrust to thee my wife and child!’—for it wanted yet some months of + the time when you were to be born. Well, notwithstanding that, they exiled + your mother to Siberia; it was an opportunity to get rid of her; she did + too much good at Warsaw, and they feared her accordingly. Not content with + banishing her, they confiscated all her property; the only favor she could + obtain was, that I should accompany her, and, had it not been for Jovial, + whom the general had given to me, she would have had to make the journey + on foot. It was thus, with her on horseback, and I leading her as I lead + you, my children, that we arrived at the poverty-stricken village, where, + three months after, you poor little things were born!” + </p> + <p> + “And our father?” + </p> + <p> + “It was impossible for him to return to Russia; impossible for your mother + to think of flight, with two children; impossible for the general to write + to her, as he knew not where she was.” + </p> + <p> + “So, since that time, you have had no news of him?” + </p> + <p> + “Yes, my children—once we had news.” + </p> + <p> + “And by whom?” + </p> + <p> + After a moment’s silence, Dagobert resumed with a singular expression of + countenance: “By whom?—by one who is not like other men. Yes—that + you may understand me better, I will relate to you an extraordinary + adventure, which happened to your father during his last French campaign. + He had been ordered by the Emperor to carry a battery, which was playing + heavily on our army; after several unsuccessful efforts, the general put + himself at the head of a regiment of cuirassiers, and charged the battery, + intending, as was his custom, to cut down the men at their guns. He was on + horseback, just before the mouth of a cannon, where all the artillerymen + had been either killed or wounded, when one of them still found strength + to raise himself upon one knee, and to apply the lighted match to the + touchhole—and that when your father was about ten paces in front of + the loaded piece.” + </p> + <p> + “Oh! what a peril for our father!” + </p> + <p> + “Never, he told me, had he run such imminent danger for he saw the + artilleryman apply the match, and the gun go off—but, at the very + nick, a man of tall stature, dressed as a peasant, and whom he had not + before remarked, threw himself in front of the cannon.” + </p> + <p> + “Unfortunate creature! what a horrible death!” + </p> + <p> + “Yes,” said Dagobert, thoughtfully; “it should have been so. He ought by + rights to have been blown into a thousand pieces. But no—nothing of + the kind!” + </p> + <p> + “What do you tell us?” + </p> + <p> + “What the general told me. ‘At the moment when the gun went off,’ as he + often repeated to me, ‘I shut my eyes by an involuntary movement, that I + might not see the mutilated body of the poor wretch who had sacrificed + himself in my place. When I again opened them, the first thing I saw in + the midst of the smoke, was the tall figure of this man, standing erect + and calm on the same spot, and casting a sad mild look on the + artilleryman, who, with one knee on the ground, and his body thrown + backward, gazed on him in as much terror as if he had been the devil. + Afterwards, I lost sight of this man in the tumult,’ added your father.” + </p> + <p> + “Bless me Dagobert! how can this be possible?” + </p> + <p> + “That is just what I said to the general. He answered me that he had never + been able to explain to himself this event, which seemed as incredible as + it was true. Moreover, your father must have been greatly struck with the + countenance of this man, who appeared, he said, about thirty years of age—for + he remarked, that his extremely black eyebrows were joined together, and + formed, as it were, one line from temple to temple, so that he seemed to + have a black streak across his forehead. Remember this, my children; you + will soon see why.” + </p> +<div class="fig"> + <img src="images/10081m.jpg" alt="10081m " /><br /> + </div> + <h5> + <a href="images/10081.jpg"><i>Original</i></a> + </h5> + <p> + “Oh, Dagobert! we shall not forget it,” said the orphans, growing more and + more astonished as he proceeded. + </p> + <p> + “Is it not strange—this man with a black seam on his forehead?” + </p> + <p> + “Well, you shall hear. The general had, as I told you, been left for dead + at Waterloo. During the night which he passed on the field of battle, in a + sort of delirium brought on by the fever of his wounds, he saw, or fancied + he saw, this same man bending over him, with a look of great mildness and + deep melancholy, stanching his wounds, and using every effort to revive + him. But as your father, whose senses were still wandering, repulsed his + kindness saying, that after such a defeat, it only remained to die—it + appeared as if this man replied to him; ‘You must live for Eva!’ meaning + your mother, whom the general had left at Warsaw, to join the Emperor, and + make this campaign of France.” + </p> + <p> + “How strange, Dagobert!—And since then, did our father never see + this man?” + </p> + <p> + “Yes, he saw him—for it was he who brought news of the general to + your poor mother.” + </p> + <p> + “When was that? We never heard of it.” + </p> + <p> + “You remember that, on the day your mother died, you went to the pine + forest with old Fedora?” + </p> + <p> + “Yes,” answered Rose, mournfully; “to fetch some heath, of which our + mother was so fond.” + </p> + <p> + “Poor mother!” added Blanche; “she appeared so well that morning, that we + could not dream of the calamity which awaited us before night.” + </p> + <p> + “True, my children; I sang and worked that morning in the garden, + expecting, no more than you did, what was to happen. Well, as I was + singing at my work, on a sudden I heard a voice ask me in French: ‘Is this + the village of Milosk?’—I turned round, and saw before me a + stranger; I looked at him attentively, and, instead of replying, fell back + two steps, quite stupefied.” + </p> + <p> + “Ah, why?” + </p> + <p> + “He was of tall stature, very pale, with a high and open forehead; but his + eyebrows met, and seemed to form one black streak across it.” + </p> + <p> + “Then it was the same man who had twice been with our father in battle?” + </p> + <p> + “Yes—it was he.” + </p> + <p> + “But, Dagobert,” said Rose, thoughtfully, “is it not a long time since + these battles?” + </p> + <p> + “About sixteen years.” + </p> + <p> + “And of what age was this stranger?” + </p> + <p> + “Hardly more than thirty.” + </p> + <p> + “Then how can it be the same man, who sixteen years before, had been with + our father in the wars?” + </p> + <p> + “You are right,” said Dagobert, after a moment’s silence, and shrugging + his shoulders: “I may have been deceived by a chance likeness—and + yet—” + </p> + <p> + “Or, if it were the same, he could not have got older all that while.” + </p> + <p> + “But did you ask him, if he had not formerly relieved our father?” + </p> + <p> + “At first I was so surprised that I did not think of it; and afterwards, + he remained so short a time, that I had no opportunity. Well, he asked me + for the village of Milosk. ‘You are there, sir,’ said I, ‘but how do you + know that I am a Frenchman?’ ‘I heard you singing as I passed,’ replied + he; ‘could you tell me the house of Madame Simon, the general’s wife?’ + ‘She lives here, sir.’ Then looking at me for some seconds in silence, he + took me by the hand and said: ‘You are the friend of General Simon—his + best friend?’ Judge of my astonishment, as I answered: ‘But, sir, how do + you know?’ ‘He has often spoken of you with gratitude.’ ‘You have seen the + general then?’ ‘Yes, some time ago, in India. I am also his friend: I + bring news of him to his wife, whom I knew to be exiled in Siberia. At + Tobolsk, whence I come, I learned that she inhabits this village. Conduct + me to her!’” + </p> + <p> + “The good traveller—I love him already,” said Rose. + </p> + <p> + “Yes, being father’s friend.” + </p> + <p> + “I begged him to wait an instant, whilst I went to inform your mother, so + that the surprise might not do her harm; five minutes after, he was beside + her.” + </p> + <p> + “And what kind of man was this traveller, Dagobert?” + </p> + <p> + “He was very tall; he wore a dark pelisse, and a fur cap, and had long + black hair.” + </p> + <p> + “Was he handsome?” + </p> + <p> + “Yes, my children—very handsome; but with so mild and melancholy an + air, that it pained my heart to see him.” + </p> + <p> + “Poor man! he had doubtless known some great sorrow.” + </p> + <p> + “Your mother had been closeted with him for some minutes, when she called + me to her and said that she had just received good news of the general. + She was in tears, and had before her a large packet of papers; it was a + kind of journal, which your father had written every evening to console + himself; not being able to speak to her, he told the paper all that he + would have told her.” + </p> + <p> + “Oh! where are these papers, Dagobert?” + </p> + <p> + “There, in the knapsack, with my cross and our purse. One day I will give + them to you: but I have picked out a few leaves here and there for you to + read presently. You will see why.” + </p> + <p> + “Had our father been long in India?” + </p> + <p> + “I gathered from the few words which your mother said, that the general + had gone to that country, after fighting for the Greeks against the Turks—for + he always liked to side with the weak against the strong. In India he made + fierce war against the English, they had murdered our prisoners in + pontoons, and tortured the Emperor at St. Helena, and the war was a doubly + good one, for in harming them he served a just cause.” + </p> + <p> + “What cause did he serve then?” + </p> + <p> + “That of one of the poor native princes, whose territories the English, + lay waste, till the day when they can take possession of them against law + and right. You see, my children, it was once more the weak against the + strong, and your father did not miss this opportunity. In a few months he + had so well-trained and disciplined the twelve or fifteen thousand men of + the prince, that, in two encounters, they cut to pieces the English sent + against them, and who, no doubt, had in their reckoning left out your + brave father, my children. But come, you shall read some pages of his + journal, which will tell you more and better than I can. Moreover, you + will find in them a name which you ought always to remember; that’s why I + chose this passage.” + </p> + <p> + “Oh, what happiness! To read the pages written by our father, is almost to + hear him speak,” said Rose. + </p> + <p> + “It is as if he were close beside us,” added Blanche. + </p> + <p> + And the girls stretched out their hands with eagerness, to catch hold of + the leaves that Dagobert had taken from his pocket. Then, by a + simultaneous movement, full of touching grace, they pressed the writing of + their father in silence to their lips. + </p> + <p> + “You will see also, my children, at the end of this letter, why I was + surprised that your guardian angel, as you say, should be called Gabriel. + Read, read,” added the soldier, observing the puzzled air of the orphans. + “Only I ought to tell you that, when he wrote this, the general had not + yet fallen in with the traveller who brought the papers.” + </p> + <p> + Rose, sitting up in her bed, took the leaves, and began to read in a soft + and trembling voice, Blanche, with her head resting on her sister’s + shoulder, followed attentively every word. One could even see, by the + slight motion of her lips, that she too was reading, but only to herself. + </p> + <p> + <a name="link2HCH0008" id="link2HCH0008"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER VIII. EXTRACTS FROM GENERAL SIMON’S DIARY. + </h2> + <h3> + Bivouac on the Mountains of Avers February the 20th, 1830. + </h3> + <p> + “Each time I add some pages to this journal, written now in the heart of + India, where the fortune of my wandering and proscribed existence has + thrown me—a journal which, alas! my beloved Eva, you may never read—I + experience a sweet, yet painful emotion; for, although to converse thus + with you is a consolation, it brings back the bitter thought that I am + unable to see or speak to you. + </p> + <p> + “Still, if these pages should ever meet your eyes, your generous heart + will throb at the name of the intrepid being, to whom I am this day + indebted for my life, and to whom I may thus perhaps owe the happiness of + seeing you again—you and my child—for of course our child + lives. Yes, it must be—for else, poor wife, what an existence would + be yours amid the horrors of exile! Dear soul! he must now be fourteen. + Whom does he resemble? Is he like you? Has he your large and beautiful + blue eyes?—Madman that I am! how many times, in this long day-book, + have I already asked the same idle question, to which you can return no + answer!—How many times shall I continue to ask it?—But you + will teach our child to speak and love the somewhat savage name of + Djalma.” + </p> + <p> + “Djalma!” said Rose, as with moist eyes she left off reading. + </p> + <p> + “Djalma!” repeated Blanche, who shared the emotion of her sister. “Oh, we + shall never forget that name.” + </p> + <p> + “And you will do well, my children; for it seems to be the name of a + famous soldier, though a very young one. But go on, my little Rose!” + </p> + <p> + “I have told you in the preceding pages, my dear Eva, of the two glorious + days we had this month. The troops of my old friend, the prince, which + daily make fresh advances in European discipline, have performed wonders. + We have beaten the English, and obliged them to abandon a portion of this + unhappy country, which they had invaded in contempt of all the rights of + justice, and which they continue to ravage without mercy, for, in these + parts, warfare is another name for treachery, pillage, and massacre. This + morning, after a toilsome march through a rocky and mountainous district, + we received information from our scouts, that the enemy had been + reinforced, and was preparing to act on the offensive; and, as we were + separated from them by a distance of a few leagues only, an engagement + became inevitable. My old friend the prince, the father of my deliverer, + was impatient to march to the attack. The action began about three + o’clock; it was very bloody and furious. Seeing that our men wavered for a + moment, for they were inferior in number, and the English reinforcements + consisted of fresh troops, I charged at the head of our weak reserve of + cavalry. The old prince was in the centre, fighting, as he always fights, + intrepidly; his son, Djalma, scarcely eighteen, as brave as his father, + did not leave my side. In the hottest part of the engagement, my horse was + killed under me, and rolling over into a ravine, along the edge of which I + was riding, I found myself so awkwardly entangled beneath him, that for an + instant I thought my thigh was broken.” + </p> + <p> + “Poor father!” said Blanche. + </p> + <p> + “This time, happily, nothing more dangerous ensued thanks to Djalma! You + see, Dagobert,” added Rose, “that I remember the name.” And she continued + to read, + </p> + <p> + “The English thought—and a very flattering opinion it was—that, + if they could kill me, they would make short work of the prince’s army. So + a Sepoy officer, with five or six irregulars—cowardly, ferocious + plunderers—seeing me roll down the ravine, threw themselves into it + to despatch me. Surrounded by fire and smoke, and carried away by their + ardor, our mountaineers had not seen me fall; but Djalma never left me. He + leaped into the ravine to my assistance, and his cool intrepidity saved my + life. He had held the fire of his double-barrelled carbine; with one load, + he killed the officer on the spot; with the other he broke the arm of an + irregular, who had already pierced my left hand with his bayonet. But do + not be alarmed, dear Eva; it is nothing—only a scratch.” + </p> + <p> + “Wounded—again wounded—alas!” cried Blanche, clasping her + hands together, and interrupting her sister. + </p> + <p> + “Take courage!” said Dagobert: “I dare say it was only a scratch, as the + general calls it. Formerly, he used to call wounds, which did not disable + a man from fighting, blank wounds. There was no one like him for such + sayings.” + </p> + <p> + “Djalma, seeing me wounded,” resumed Rose, wiping her eyes, “made use of + his heavy carbine as a club, and drove back the soldiers. At that instant, + I perceived a new assailant, who, sheltered behind a clump of bamboos + which commanded the ravine, slowly lowered his long gun, placed the barrel + between two branches, and took deliberate aim at Djalma. Before my shouts + could apprise him of his danger, the brave youth had received a ball in + his breast. Feeling himself hit, he fell bark involuntarily two paces, and + dropped upon one knee: but he still remained firm, endeavoring to cover me + with his body. You may conceive my rage and despair, whilst all my efforts + to disengage myself were paralyzed by the excruciating pain in my thigh. + Powerless and disarmed, I witnessed for some moments this unequal + struggle. + </p> + <p> + “Djalma was losing blood rapidly; his strength of arm began to fail him; + already one of the irregulars, inciting his comrades with his voice, drew + from his belt a huge, heavy kind of bill-hook, when a dozen of our + mountaineers made their appearance, borne towards the spot by the + irresistible current of the battle. Djalma was rescued in his turn, I was + released, and, in a quarter of an hour, I was able to mount a horse. The + fortune of the day is ours, though with severe loss; but the fires of the + English camp are still visible, and to-morrow the conflict will be + decisive. Thus, my beloved Eva, I owe my life to this youth. Happily, his + wound occasions us no uneasiness; the ball only glanced along the ribs in + a slanting direction.” + </p> + <p> + “The brave boy might have said: ‘A blank wound,’ like the general,” + observed Dagobert. + </p> + <p> + “Now, my dear Eva,” continued Rose, “you must become acquainted, by means + of this narrative at least, with the intrepid Djalma. He is but just + eighteen. With one word, I will paint for you his noble and valiant + nature; it is a custom of this country to give surnames, and, when only + fifteen, he was called ‘The Generous’—by which was, of course, meant + generous in heart and mind. By another custom, no less touching than + whimsical, this name was reverted to his parent, who is called ‘The Father + of the Generous,’ and who might, with equal propriety, be called ‘The + Just,’ for this old Indian is a rare example of chivalrous honor and proud + independence. He might, like so many other poor princes of this country, + have humbled himself before the execrable despotism of the English, + bargained for the relinquishment of sovereign power, and submitted to + brute force—but it was not in his nature. ‘My whole rights, or a + grave in my native mountains!’—such is his motto. And this is no + empty boast; it springs from the conviction of what is right and just. + ‘But you will be crushed in the struggle,’ I have said to him—‘My + friend,’ he answered, ‘what if, to force you to a disgraceful act, you + were told to yield or die?’—From that day I understood him, and have + devoted myself, mind and body, to the ever sacred cause of the weak + against the strong. You see, my Eva, that Djalma shows himself worthy of + such a father. This young Indian is so proud, so heroic in his bravery, + that, like a young Greek of Leonidas’ age, he fights with his breast bare; + while other warriors of his country (who, indeed, usually have arms, + breast, and shoulders uncovered) wear, in time of battle, a thick, + impenetrable vest. The rash daring of this youth reminds me of Murat, King + of Naples, who, I have so often told you, I have seen a hundred times + leading the most desperate charges with nothing but a riding-whip in his + hand.” + </p> + <p> + “That’s another of those kings I was telling you of, whom the Emperor set + up for his amusement,” said Dagobert. “I once saw a Prussian officer + prisoner, whose face had been cut across by that mad-cap King of Naples’ + riding-whip; the mark was there, a black and blue stripe. The Prussian + swore he was dishonored, and that a sabre-cut would have been preferable. + I should rather think so! That devil of a king; he only had one idea: + ‘Forward, on to the cannon!’ As soon as they began to cannonade, one would + have thought the guns were calling him with all their might, for he was + soon up to them with his ‘Here I am!’ If I speak to you about him, my + children, it’s because he was fond of repeating,—‘No one can break + through a square of infantry, if General Simon or I can’t do it.’” + </p> + <p> + Rose continued: + </p> + <p> + “I have observed with pain, that, notwithstanding his youth, Djalma is + often subject to fits of deep melancholy. At times, I have seen him + exchange with his father looks of singular import. In spite of our mutual + attachment, I believe that both conceal from me some sad family secret, in + so far as I can judge from expressions which have dropped from them by + chance. + </p> + <p> + “It relates to some strange event which their vivid imaginations have + invested with a supernatural character. + </p> + <p> + “And yet, my love, you and I have no longer the right to smile at the + credulity of others. I, since the French campaign, when I met with that + extraordinary adventure, which, to this day, I am quite unable to + understand—” + </p> + <p> + “This refers to the man who threw himself before the mouth of the cannon,” + said Dagobert. + </p> + <p> + “And you,” continued the maiden, still reading, “you, my dear Eva, since + the visits of that young and beautiful woman, whom, as your mother + asserted, she had seen at her mother’s house forty years before.” + </p> + <p> + The orphans, in amazement, looked at the soldier. + </p> + <p> + “Your mother never spoke to me of that, nor the general either, my + children; this is as strange to me as it is to you.” + </p> +<div class="fig"> + <img src="images/10089m.jpg" alt="10089m " /><br /> + </div> + <h5> + <a href="images/10089.jpg"><i>Original</i></a> + </h5> + <p> + With increasing excitement and curiosity, Rose continued: + </p> + <p> + “After all, my dear Eva, things which appear very extraordinary, may often + be explained by a chance resemblance or a freak of nature. Marvels being + always the result of optical illusion or heated fancy, a time must come, + when that which appeared to be superhuman or supernatural, will prove to + be the most simple and natural event in the world. I doubt not, therefore, + that the things, which we denominate our prodigies, will one day receive + this commonplace solution.” + </p> + <p> + “You see, my children—things appear marvelous, which at bottom are + quite simple—though for a long time we understand nothing about + them.” + </p> + <p> + “As our father relates this, we must believe it, and not be astonished—eh, + sister?” + </p> + <p> + “Yes, truly—since it will all be explained one day.” + </p> + <p> + “For example,” said Dagobert, after a moment’s reflection, “you two are so + much alike, that any one, who was not in the habit of seeing you daily, + might easily take one for the other. Well! if they did not know that you + are, so to speak, ‘doubles,’ they might think an imp was at work instead of + such good little angels as you are.” + </p> + <p> + “You are right, Dagobert; in this way many things may be explained, even + as our father says.” And Rose continued to read: + </p> + <p> + “Not without pride, my gentle Eva, have I learned that Djalma has French + blood in his veins. His father married, some years ago, a young girl, + whose family, of French origin, had long been settled at Batavia in the + island of Java. This similarity of circumstances between my old friend and + myself—for your family also, my Eva, is of French origin, and long + settled in a foreign land—has only served to augment my sympathy for + him. Unfortunately, he has long had to mourn the loss of the wife whom he + adored. + </p> + <p> + “See, my beloved Eva! my hand trembles as I write these words. I am weak—I + am foolish—but, alas! my heart sinks within me. If such a misfortune + were to happen to me—Oh, my God!—what would become of our + child without thee—without his father—in that barbarous + country? But no! the very fear is madness; and yet what a horrible torture + is uncertainty! Where may you now be? What are you doing? What has become + of you? Pardon these black thoughts, which are sometimes too much for me. + They are the cause of my worst moments—for, when free from them, I + can at least say to myself: I am proscribed, I am every way unfortunate—but, + at the other end of the world, two hearts still beat for me with affection—yours, + my Eva, and our child’s!” + </p> +<div class="fig"> + <img src="images/10097m.jpg" alt="10097m " /><br /> + </div> + <h5> + <a href="images/10097.jpg"><i>Original</i></a> + </h5> + <p> + Rose could hardly finish this passage; for some seconds her voice was + broken by sobs. There was indeed a fatal coincidence between the fears of + General Simon and the sad reality; and what could be more touching than + these outpourings of the heart, written by the light of a watch fire, on + the eve of battle, by a soldier who thus sought to soothe the pangs of a + separation, which he felt bitterly, but knew not would be eternal? + </p> + <p> + “Poor general! he is unaware of our misfortune,” said Dagobert, after a + moment’s silence; “but neither has he heard that he has two children, + instead of one. That will be at least some consolation. But come, Blanche; + do go on reading: I fear that this dwelling on grief fatigues your sister, + and she is too much affected by it. Besides, after all, it is only just, + that you should take your share of its pleasure and its sorrow.” + </p> + <p> + Blanche took the letter, and Rose, having dried her eyes, laid in her turn + her sweet head on the shoulder of her sister, who thus continued: + </p> + <p> + “I am calmer now, my dear Eva; I left off writing for a moment, and strove + to banish those black presentiments. Let us resume our conversation! After + discoursing so long about India, I will talk to you a little of Europe. + Yesterday evening, one of our people (a trusty fellow) rejoined our + outposts. He brought me a letter, which had arrived from France at + Calcutta; at length, I have news of my father, and am no longer anxious on + his account. This letter is dated in August of last year. I see by its + contents, that several other letters, to which he alludes, have either + been delayed or lost; for I had not received any for two years before, and + was extremely uneasy about him. But my excellent father is the same as + ever! Age has not weakened him; his character is as energetic, his health + as robust, as in times past—still a workman, still proud of his + order, still faithful to his austere republican ideas, still hoping much. + </p> + <p> + “For he says to me, ‘the time is at hand,’ and he underlines those words. + He gives me also, as you will see, good news of the family of old + Dagobert, our friend—for in truth, my dear Eva, it soothes my grief + to think, that this excellent man is with you, that he will have + accompanied you in your exile—for I know him—a kernel of gold + beneath the rude rind of a soldier! How he must love our child!” + </p> + <p> + Here Dagobert coughed two or three times, stooped down, and appeared to be + seeking on the ground the little red and blue check-handkerchief spread + over his knees. He remained thus bent for some seconds, and, when he + raised himself, he drew his hand across his moustache. + </p> + <p> + “How well father knows you!” + </p> + <p> + “How rightly has he guessed that you would love us!” + </p> + <p> + “Well, well, children; pass over that!—Let’s come to the part where + the general speaks of my little Agricola, and of Gabriel, my wife’s + adopted child. Poor woman! when I think that in three months perhaps—but + come, child, read, read,” added the old soldier, wishing to conceal his + emotion. + </p> + <p> + “I still hope against hope, my dear Eva, that these pages will one day + reach you, and therefore I wish to insert in them all that can be + interesting to Dagobert. It will be a consolation to him, to have some + news of his family. My father, who is still foreman at Mr. Hardy’s, tells + me that worthy man has also taken into his house the son of old Dagobert. + Agricola works under my father, who is enchanted with him. He is, he tells + me, a tall and vigorous lad, who wields the heavy forge hammer as if it + were a feather, and is light-spirited as he is intelligent and laborious. + He is the best workman on the establishment; and this does not prevent him + in the evening, after his hard day’s work, when he returns home to his + mother, whom he truly loves, from making songs and writing excellent + patriotic verses. His poetry is full of fire and energy; his + fellow-workmen sing nothing else, and his lays have the power to warm the + coldest and the most timid hearts.” + </p> + <p> + “How proud you must be of your son, Dagobert,” said Rose, in admiration; + “he writes songs.” + </p> + <p> + “Certainly, it is all very fine—but what pleases me best is, that he + is good to his mother, and that he handles the hammer with a will. As for + the songs, before he makes a ‘Rising of the People,’ or a ‘Marseillaise,’ + he will have had to beat a good deal of iron; but where can this rascally + sweet Agricola have learned to make songs at all?—No doubt, it was + at school, where he went, as you will see, with his adopted brother + Gabriel.” + </p> + <p> + At this name of Gabriel, which reminded them of the imaginary being whom + they called their guardian angel, the curiosity of the young girls was + greatly excited. With redoubled attention, Blanche continued in these + words: + </p> + <p> + “The adopted brother of Agricola, the poor deserted child whom the wife of + our good Dagobert so generously took in, forms, my father tells me, a + great contrast with Agricola; not in heart, for they have both excellent + hearts; but Gabriel is as thoughtful and melancholy as Agricola is lively, + joyous, and active. Moreover, adds my father, each of them, so to speak, + has the aspect, which belongs to his character. Agricola is dark, tall, + and strong, with a gay and bold air; Gabriel, on the contrary, is weak, + fair, timid as a girl, and his face wears an expression of angelic + mildness.” + </p> + <p> + The orphans looked at each other in surprise; then, as they turned towards + the soldier their ingenuous countenances, Rose said to him; “Have you + heard, Dagobert? Father says, that your Gabriel is fair, and has the face + of an angel. Why, ‘tis exactly like ours!” + </p> + <p> + “Yes, yes, I heard very well; it is that which surprised me, in your + dream.” + </p> + <p> + “I should like to know, if he has also blue eyes,” said Rose. + </p> + <p> + “As for that, my children, though the general says nothing about it, I + will answer for it: your fair boys have always blue eyes. But, blue or + black, he will not use them to stare at young ladies; go on, and you will + see why.” + </p> + <p> + Blanche resumed: + </p> + <p> + “His face wears an expression of angelic mildness. One of the Brothers of + the Christian Schools, where he went with Agricola and other children of + his quarter, struck with his intelligence and good disposition, spoke of + him to a person of consequence, who, becoming interested in the lad, + placed him in a seminary for the clergy, and, since the last two years, + Gabriel is a priest. He intends devoting himself to foreign missions, and + will soon set out for America.” + </p> + <p> + “Your Gabriel is a priest, it appears?” said Rose, looking at Dagobert. + </p> + <p> + “While ours is an angel,” added Blanche. + </p> + <p> + “Which only proves that yours is a step higher than mine. Well, every one + to his taste; there are good people in all trades; but I prefer that it + should be Gabriel who has chosen the black gown. I’d rather see my boy + with arms bare, hammer in hand, and a leathern apron round him, neither + more nor less than your old grandfather, my children—the father of + Marshal Simon, Duke of Ligny—for, after all, marshal and duke he is + by the grace of the Emperor. Now finish your letter.” + </p> + <p> + “Soon, alas, yes!” said Blanche; “there are only a few lines left.” And + she proceeded: + </p> + <p> + “Thus, my dear, loving Eva, if this journal should ever reach its + destination, you will be able to satisfy Dagobert as to the position of + his wife and son, whom he left for our sakes. How can we ever repay such a + sacrifice? But I feel sure, that your good and generous heart will have + found some means of compensation. + </p> + <p> + “Adieu!—Again adieu, for to-day, my beloved Eva; I left off writing + for a moment, to visit the tent of Djalma. He slept peacefully, and his + father watched beside him; with a smile, he banished my fears. This + intrepid young man is no longer in any danger. May he still be spared in + the combat of to-morrow! Adieu, my gentle Eva! the night is silent and + calm; the fires of the bivouac are slowly dying out, and our poor + mountaineers repose after this bloody day; I can hear, from hour to hour, + the distant all’s well of our sentinels. Those foreign words bring back my + grief; they remind me of what I sometimes forget in writing—that I + am faraway, separated from you and from my child! Poor, beloved beings! + what will be your destiny? Ah! if I could only send you, in time, that + medal, which, by a fatal accident, I carried away with me from Warsaw, you + might, perhaps, obtain leave to visit France, or at least to send our + child there with Dagobert; for you know of what importance—But why + add this sorrow to all the rest? Unfortunately, the years are passing + away, the fatal day will arrive, and this last hope, in which I live for + you, will also be taken from me: but I will not close the evening by so + sad a thought. Adieu, my beloved Eva! Clasp our child to your bosom, and + cover it with all the kisses which I send to both of you from the depths + of exile!” + </p> + <p> + “Till to-morrow—after the battle!” + </p> + <p> + The reading of this touching letter was followed by long silence. The + tears of Rose and Blanche flowed together. Dagobert, with his head resting + on his hand, was absorbed in painful reflections. + </p> + <p> + Without doors, the wind had now augmented in violence; a heavy rain began + to beat on the sounding panes; the most profound silence reigned in the + interior of the inn. But, whilst the daughters of General Simon were + reading with such deep emotion, these fragments of their father’s journal, + a strange and mysterious scene transpired in the menagerie of the + brute-tamer. + </p> + <p> + <a name="link2HCH0009" id="link2HCH0009"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER IX. THE CAGES. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">M</span>orok had prepared himself. Over his deer-skin vest he had drawn the coat + of mail—that steel tissue, as pliable as cloth, as hard as diamonds; + next, clothing his arms and legs in their proper armor, and his feet in + iron-bound buskins, and concealing all this defensive equipment under + loose trousers and an ample pelisse carefully buttoned, he took in his + hand a long bar of iron, white-hot, set in a wooden handle. + </p> + <p> + Though long ago daunted by the skill and energy of the Prophet, his tiger + Cain, his lion Judas, and his black panther Death, had sometimes + attempted, in a moment of rebellion, to try their fangs and claws on his + person; but, thanks to the armor concealed beneath his pelisse, they + blunted their claws upon a skin of steel, and notched their fangs upon + arms or legs of iron, whilst a slight touch of their master’s metallic + wand left a deep furrow in their smoking, shrivelled flesh. + </p> + <p> + Finding the inutility of their efforts, and endowed with strong memory, + the beasts soon learned that their teeth and claws were powerless when + directed against this invulnerable being. Hence, their terrified + submission reached to such a point that, in his public representations, + their master could make them crouch and cower at his feet by the least + movement of a little wand covered with flame-colored paper. + </p> + <p> + The Prophet, thus armed with care, and holding in his hand the iron made + hot by Goliath, descended by the trapdoor of the loft into the large shed + beneath, in which were deposited the cages of his animals. A mere wooden + partition separated this shed from the stable that contained his horses. + </p> + <p> + A lantern, with a reflector, threw a vivid light on the cages. They were + four in number. A wide iron grating formed their sides, turning at one end + upon hinges like a door, so as to give ingress to the animal; the bottom + of each den rested on two axle-trees and four small iron castors, so that + they could easily be removed to the large covered wagon in which they were + placed during a journey. One of them was empty; the other three contained, + as already intimated, a panther, a tiger, and a lion. + </p> + <p> + The panther, originally from Java, seemed to merit the gloomy name of + Death, by her grim, ferocious aspect. Completely black, she lay crouching + and rolled up in the bottom of her cage, and her dark hues mingling with + the obscurity which surrounded her, nothing was distinctly visible but + fixed and glaring eyes—yellow balls of phosphoric light, which only + kindled, as it were, in the night-time; for it is the nature of all the + animals of the feline species to enjoy entire clearness of vision but in + darkness. + </p> + <p> + The Prophet entered the stable in silence: the dark red of his long + pelisse contrasted with the pale yellow of his straight hair and beard; + the lantern, placed at some height above the ground, threw its rays full + upon this man, and the strong light, opposed to the deep shadows around + it, gave effect to the sharp proportions of his bony and savage looking + figure. + </p> + <p> + He approached the cage slowly. The white rim, which encircled his eyeball, + appeared to dilate, and his look rivaled in motionless brilliancy the + steadily sparkling gaze of the panther. Still crouching in the shade, she + felt already the fascination of that glance; two or three times she + dropped her eyelids, with a low, angry howl; then, reopening her eyes, as + if in spite of herself, she kept them fastened immovably on those of the + Prophet. And now her rounded ears clung to her skull, which was flattened + like a viper’s; the skin of her forehead became convulsively wrinkled; she + drew in her bristling, but silky muzzle, and twice silently opened her + jaws, garnished with formidable fangs. From that moment a kind of magnetic + connection seemed to be established between the man and the beast. + </p> + <p> + The Prophet extended his glowing bar towards the cage, and said, in a + sharp, imperious tone: “Death! come here.” + </p> + <p> + The panther rose, but so dragged herself along that her belly and the bend + of her legs touched the ground. She was three feet high, and nearly five + in length; her elastic and fleshy spine, the sinews of her thighs as well + developed as those of a race-horse, her deep chest, her enormous jutting + shoulders, the nerve and muscle in her short, thick paws—all + announced that this terrible animal united vigor with suppleness, and + strength with agility. + </p> + <p> + Morok, with his iron wand still extended in the direction of the cage, + made a step towards the panther. The panther made a stride towards the + Prophet. Morok stopped; Death stopped also. + </p> + <p> + At this moment the tiger, Judas, to whom Morok’s back was turned, bounded + violently in his cage, as if jealous of the attention, which his master + paid to the panther. He growled hoarsely, and, raising his head, showed + the under-part of his redoubtable triangular jaw, and his broad chest of a + dirty white, with which blended the copper color, streaked with black, of + his sides; his tail, like a huge red serpent, with rings of ebony, now + clung to his flanks, now lashed them with a slow and continuous movement: + his eyes, of a transparent, brilliant green, were fixed upon the Prophet. + </p> + <p> + Such was the influence of this man over his animals, that Judas almost + immediately ceased growling, as if frightened at his own temerity; but his + respiration continued loud and deep. Morok turned his face towards him, + and examined him very attentively during some seconds. The panther, no + longer subject to the influence of her master’s look, slunk back to crouch + in the shade. + </p> + <p> + A sharp cracking, in sudden breaks, like that which great animals make in + gnawing hard substances, was now heard from the cage of the lion. It drew + the attention of the Prophet, who, leaving the tiger, advanced towards the + other den. + </p> + <p> + Nothing could be seen of the lion but his monstrous croup of a reddish + yellow. His thighs were gathered under him, and his thick mane served + entirely to conceal his head. But by the tension and movement of the + muscles of his loins, and the curving of his backbone, it was easy to + perceive that he was making violent efforts with his throat and his + forepaws. The Prophet approached the cage with same uneasiness, fearing + that, notwithstanding his orders, Goliath had given the lion some bones to + gnaw. To assure himself of it, he said in a quick and firm voice: “Cain!” + </p> + <p> + The lion did not change his position. + </p> + <p> + “Cain! come here!” repeated Morok in a louder tone. The appeal was + useless; the lion did not move, and the noise continued. + </p> + <p> + “Cain! come here!” said the Prophet a third time; but, as he pronounced + these words, he applied the end of the glowing bar to the haunch of the + lion. + </p> + <p> + Scarcely did the light track of smoke appear on the reddish hide of Cain, + when, with a spring of incredible agility, he turned and threw himself + against the grating, not crouching, but at a single bound—upright, + superb, terrifying. The Prophet being at the angle of the cage, Cain, in + his fury, had raised himself sideways to face his master, and, leaning his + huge flank against the bars, thrust between them his enormous fore leg, + which, with his swollen muscles, was as large as Goliath’s thigh. + </p> + <p> + “Cain! down!” said the Prophet, approaching briskly. + </p> + <p> + The lion did not obey immediately. His lips, curling with rage, displayed + fangs as long, as large, and as pointed as the tusks of a wild boar. But + Morok touched those lips with the end of the burning metal; and, as he + felt the smart, followed by an unexpected summons of his master, the lion, + not daring to roar, uttered a hollow growl, and his great body sank down + at once in an attitude of submission and fear. + </p> + <p> + The Prophet took down the lantern to see what Cain had been gnawing. It + was one of the planks from the floor of his den, which he had succeeded in + tearing up, and was crunching between his teeth in the extremity of his + hunger. For a few moments the most profound silence reigned in the + menagerie. The Prophet, with his hands behind his back, went from one cage + to the other, observing the animals with a restless contemplative look, as + if he hesitated to make between them an important and difficult choice. + </p> + <p> + From time to time he listened at the great door of the shed, which opened + on the court-yard of the inn. At length this door turned on its hinges, + and Goliath appeared, his clothes dripping with water. + </p> + <p> + “Well! is it done?” said the Prophet. + </p> + <p> + “Not without trouble. Luckily, the night is dark, it blows hard, and it + pours with rain.” + </p> + <p> + “Then there is no suspicion?” + </p> + <p> + “None, master. Your information was good. The door of the cellar opens on + the fields, just under the window of the lasses. When you whistled to let + me know it was time, I crept out with a stool I had provided; I put it up + against the wall, and mounted upon it; with my six feet, that made nine, + and I could lean my elbows on the window-ledge; I took the shutter in one + hand, and the haft of my knife in the other, and, whilst I broke two of + the panes, I pushed the shutter with all my might.” + </p> + <p> + “And they thought it was the wind?” + </p> + <p> + “Yes, they thought it was the wind. You see, the ‘brute’ is not such a + brute, after all. That done, I crept back into my cellar, carrying my + stool with me. In a little time, I heard the voice of the old man; it was + well I had made haste.” + </p> + <p> + “Yes, when I whistled to you, he had just entered the supper-room. I + thought he would have been longer.” + </p> + <p> + “That man’s not built to remain long at supper,” said the giant, + contemptuously. “Some moments after the panes had been broken, the old man + opened the window, and called his dog, saying: ‘Jump out!’—I went + and hid myself at the further end of the cellar, or that infernal dog + would have scented me through the door.” + </p> + <p> + “The dog is now shut up in the stable with the old man’s horse.” + </p> + <p> + “Go on!” + </p> + <p> + “When I heard them close shutter and window, I came out of my cellar, + replaced my stool, and again mounted upon it. Unfastening the shutter, I + opened it without noise, but the two broken panes were stopped up with the + skirts of a pelisse. I heard talking, but I could see nothing; so I moved + the pelisse a little, and then I could see the two lasses in bed opposite + to me, and the old man sitting down with his back to where I stood.” + </p> + <p> + “But the knapsack—the knapsack?—That is the most important.” + </p> + <p> + “The knapsack was near the window, on a table, by the side of a lamp; I + could have reached it by stretching out my arm.” + </p> + <p> + “What did you hear said?” + </p> + <p> + “As you told me to think only of the knapsack, I can only remember what + concerns the knapsack. The old man said he had some papers in it—the + letter of a general—his money—his cross.” + </p> + <p> + “Good—what next?” + </p> + <p> + “As it was difficult for me to keep the pelisse away from the hole, it + slipped through my fingers. In trying to get hold of it again, I put my + hand too much forward. One of the lasses saw it, and screamed out, + pointing to the window.” + </p> + <p> + “Dolt!” exclaimed the Prophet, becoming pale with rage, “you have ruined + all.” + </p> + <p> + “Stop a bit! there is nothing broken yet. When I heard the scream, I + jumped down from my stool, and got back into the cellar; as the dog was no + longer about, I left the door ajar, so that I could hear them open the + window, and see, by the light, that the old man was looking out with the + lamp; but he could find no ladder, and the window was too high for any man + of common size to reach it!” + </p> + <p> + “He will have thought, like the first time, that it was the wind. You are + less awkward than I imagined.” + </p> + <p> + “The wolf has become a fox, as you said. Knowing where the knapsack was to + be found with the money and the papers, and not being able to do more for + the moment, I came away—and here I am.” + </p> + <p> + “Go upstairs and fetch me the longest pike.” + </p> + <p> + “Yes, master.” + </p> + <p> + “And the red blanket.” + </p> + <p> + “Yes, master.” + </p> + <p> + “Go!” + </p> + <p> + Goliath began to mount the ladder; half-way up he stopped. “Master,” said + he, “may I not bring down a bit of meat for Death?—you will see that + she’ll bear me malice; she puts it all down to my account; she never + forgets, and on the first occasion—” + </p> + <p> + “The pike and the cloth!” repeated the Prophet, in an imperious tone. And + whilst Goliath, swearing to himself, proceeded to execute his + instructions, Morok opened the great door of the shed, looked out into the + yard, and listened. + </p> + <p> + “Here’s the pike and the cloth,” said the giant, as he descended the + ladder with the articles. “Now what must I do next?” + </p> + <p> + “Return to the cellar, mount once more by the window, and when the old man + leaves the room—” + </p> + <p> + “Who will make him leave the room?” + </p> + <p> + “Never mind! he will leave it.” + </p> + <p> + “What next?” + </p> + <p> + “You say the lamp is near the window?” + </p> + <p> + “Quite near—on the table next to the knapsack.” + </p> + <p> + “Well, then, as soon as the old man leaves the room, push open the window, + throw down the lamp, and if you accomplish cleverly what remains to do—the + ten florins are yours—you remember it all?” + </p> + <p> + “Yes, yes.” + </p> + <p> + “The girls will be so frightened by the noise and darkness, that they will + remain dumb with terror.” + </p> + <p> + “Make yourself easy! The wolf turned into a fox; why not a serpent?” + </p> + <p> + “There is yet something.” + </p> + <p> + “Well, what now?” + </p> + <p> + “The roof of this shed is not very high, the window of the loft is easy of + access, the night is dark—instead of returning by the door—” + </p> + <p> + “I will come in at the window.” + </p> + <p> + “Ay, and without noise.” + </p> + <p> + “Like a regular snake!” and the giant departed. + </p> + <p> + “Yes!” said the Prophet to himself, after a long silence, “these means are + sure. It was not for me to hesitate. A blind and obscure instrument, I + know not the motives of the orders I have received: but from the + recommendations which accompany them—but from the position of him + who sends them—immense interests must be involved—interests + connected with all that is highest and greatest upon earth!—And yet + how can these two girls, almost beggars, how can this wretched soldier + represent such interests?—No matter,” added he, with humility; “I am + the arm which acts—it is for the head, which thinks and orders, to + answer for its work.” + </p> + <p> + Soon after the Prophet left the shed, carrying with him the red cloth, and + directed his steps towards the little stable that contained Jovial. The + crazy door, imperfectly secured by a latch, was easily opened. At sight of + a stranger Spoil-sport threw himself upon him; but his teeth encountered + the iron leggings of the Prophet, who, in spite of the efforts of the dog + took Jovial by his halter, threw the blanket over his head to prevent his + either seeing or smelling, and led him from the stable into the interior + of the menagerie, of which he closed the door. + </p> + <p> + <a name="link2HCH0010" id="link2HCH0010"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER X. THE SURPRISE. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>he orphans, after reading the journal of their father, remained for some + moments silent, sad, and pensive, contemplating the leaves yellowed by + time. Dagobert, also plunged in a reverie, thought of his wife and son, + from whom he had been so long separated, and hoped soon to see again. + </p> + <p> + The soldier was the first to break the silence, which had lasted for + several minutes. Taking the leaves from the hand of Blanche, he folded + them carefully, put them into his pocket, and thus addressed the orphans: + </p> + <p> + “Courage, my children! you see what a brave father you have. Think only of + the pleasure of greeting him, and remember always the name of the gallant + youth, to whom you will owe that pleasure—for without him your + father would have been killed in India.” + </p> + <p> + “Djalma! we shall never forget him,” said Rose. + </p> + <p> + “And if our guardian angel Gabriel should return,” added Blanche, “we will + ask him to watch over Djalma as over ourselves.” + </p> + <p> + “Very well, my children; I am sure that you will forget nothing that + concerns good feeling. But to return to the traveller, who came to visit + your poor mother in Siberia, he had seen the general a month after the + events of which you have read, and at a moment when he was about to enter + on a new campaign against the English. It was then that your father + entrusted him with the papers and medal.” + </p> + <p> + “But of what use will this medal be to us, Dagobert?” + </p> + <p> + “And what is the meaning of these words engraved upon it?” added Rose, as + she drew it from her bosom. + </p> + <p> + “Why it means, my children, that on the 13th of February, 1832, we must be + at No. 3, Rue Saint Francois, Paris.” + </p> + <p> + “But what are we to do there?” + </p> + <p> + “Your poor mother was seized so quickly with her last illness, that she + was unable to tell me. All I know is, that this medal came to her from her + parents, and that it had been a relic preserved in her family for more + than a century.” + </p> + <p> + “And how did our father get it?” + </p> +<div class="fig"> + <img src="images/10105m.jpg" alt="10105m " /><br /> + </div> + <h5> + <a href="images/10105.jpg"><i>Original</i></a> + </h5> + <p> + “Among the articles which had been hastily thrown into the coach, when he + was removed by force from Warsaw, was a dressing-case of your mother’s, in + which was contained this medal. Since that time the general had been + unable to send it back, having no means of communicating with us, and not + even knowing where we were.” + </p> + <p> + “This medal is, then, of great importance to us?” + </p> + <p> + “Unquestionably; for never, during fifteen years, had I seen your mother + so happy, as on the day the traveller brought it back to her. ‘Now,’ said + she to me, in the presence of the stranger, and with tears of joy in her + eyes, ‘now may my children’s future be brilliant as their life has + hitherto been miserable. I will entreat of the governor of Siberia + permission to go to France with my daughters; it will perhaps be thought I + have been sufficiently punished, by fifteen years of exile, and the + confiscation of my property. Should they refuse, I will remain here; but + they will at least allow me to send my children to France, and you must + accompany them, Dagobert. You shall set out immediately, for much time has + been already lost; and, if you were not to arrive before the 13th of next + February, this cruel separation and toilsome journey would have been all + in vain.’” + </p> + <p> + “Suppose we were one day after?” + </p> + <p> + “Your mother told me that if we arrived the 14th instead of the 13th, it + would be too late. She also gave me a thick letter, to put into the post + for France, in the first town we should pass through—which I have + done.” + </p> + <p> + “And do you think we shall be at Paris in time?” + </p> + <p> + “I hope so; still, if you are strong enough, we must sometimes make forced + marches—for, if we only travel our five leagues a day, and that + without accident, we shall scarcely reach Paris until the beginning of + February, and it is better to be a little beforehand.” + </p> + <p> + “But as father is in—India, and condemned to death if he return to + France, when shall we see him?” + </p> + <p> + “And where shall we see him?” + </p> + <p> + “Poor children! there are so many things you have yet to learn. When the + traveller quitted him, the general could not return to France, but now he + can do so.” + </p> + <p> + “And why is that?” + </p> + <p> + “Because the Bourbons, who had banished him, were themselves turned out + last year. The news must reach India, and your father will certainly come + to meet you at Paris, because he expects that you and your mother will be + there on the 13th of next February.” + </p> + <p> + “Ah! now I understand how we may hope to see him,” said Rose with a sigh. + </p> + <p> + “Do you know the name of this traveller, Dagobert?” + </p> + <p> + “No, my children; but whether called Jack or John, he is a good sort. When + he left your mother, she thanked him with tears for all his kindness and + devotion to the general, herself, and the children; but he pressed her + hands in his, and said to her, in so gentle a voice that I could not help + being touched by it: ‘Why do you thank me? Did He not Say—LOVE YE + ONE ANOTHER!’” + </p> + <p> + “Who is that, Dagobert?” + </p> + <p> + “Yes, of whom did the traveller speak?” + </p> + <p> + “I know nothing about it; only the manner in which he pronounced those + words struck me, and they were the last he spoke.” + </p> + <p> + “Love one another!” repeated Rose, thoughtfully. + </p> + <p> + “How beautiful are those words!” added Blanche. + </p> + <p> + “And whither was the traveller going?” + </p> + <p> + “Far, very far into the North, as he told your mother. When she saw him + depart, she said to me: ‘His mild, sad talk has affected me even to tears; + whilst I listened to him, I seemed to be growing better—I seemed to + love my husband and my children more—and yet, to judge by the + expression of his countenance, one would think that this stranger had + never either smiled or wept!’ She and I watched him from the door as long + as we could follow him with our eyes; he carried his head down, and his + walk was slow, calm, and firm; one might fancy that he counted his steps. + And, talking of steps, I remarked yet another thing.” + </p> + <p> + “What was it, Dagobert?” + </p> + <p> + “You know that the road which led to our house way, always damp, because + of the overflowing of the little spring.” + </p> + <p> + “Yes.” + </p> + <p> + “Well, then, the mark of the traveller’s footsteps remained in the clay, + and I saw that he had nails under his shoe in the form of a cross.” + </p> + <p> + “How in the form of a cross?” + </p> + <p> + “Look!” said Dagobert, placing the tip of his finger seven times on the + coverlet of the bed; “they were arrange: thus beneath his heel:” + </p> +<pre xml:space="preserve"> + * + * * * + * + * + * +</pre> + <p> + “You see it forms a cross.” + </p> + <p> + “What could it mean, Dagobert?” + </p> + <p> + “Chance, perhaps—yes, chance—and yet, in spite of myself, this + confounded cross left behind him struck me as a bad omen, for hardly was + he gone when misfortune after misfortune fell upon us.” + </p> + <p> + “Alas! the death of our mother!” + </p> + <p> + “Yes—but, before that, another piece of ill-luck. You had not yet + returned, and she was writing her petition to ask leave to go to France or + to send you there, when I heard the gallop of a horse. It was a courier + from the governor general of Siberia. He brought us orders to change our + residence; within three days we were to join other condemned persons, and + be removed with them four hundred leagues further north. Thus, after + fifteen years of exile, they redoubled in cruelty towards your mother.” + </p> + <p> + “Why did they thus torment her?” + </p> + <p> + “One would think that some evil genius was at work against her. A few days + later, the traveller would no longer have found us at Milosk; and if he + had joined us further on, it would have been too far for the medal and + papers to be of use—since, having set out almost immediately, we + shall hardly arrive in time at Paris. ‘If they had some interest to + prevent me and my children from going to France,’ said your mother, ‘they + would act just as they have done. To banish us four hundred leagues + further, is to render impossible this journey, of which the term is + fixed.’ And the idea overwhelmed her with grief.” + </p> + <p> + “Perhaps it was this unexpected sorrow that was the cause of her sudden + illness.” + </p> + <p> + “Alas! no, my children; it was that infernal cholera, who arrives without + giving you notice—for he too is a great traveller—and strikes + you down like a thunderbolt. Three hours after the traveller had left us, + when you returned quite pleased and gay from the forest, with your large + bunches of wild-flowers for your mother, she was already in the last + agony, and hardly to be recognized. The cholera had broken out in the + village, and that evening five persons died of it. Your mother had only + time to hang the medal about your neck, my dear little Rose, to recommend + you both to my care, and to beg that we should set out immediately. When + she was gone, the new order of exile could not apply to you; and I + obtained permission from the governor to take my departure with you for + France, according to the last wishes—” + </p> + <p> + The soldier could not finish the sentence; he covered his eyes with his + hand, whilst the orphans embraced him sobbing. + </p> + <p> + “Oh! but,” resumed Dagobert, with pride, after a moment of painful + silence, “it was then that you showed yourselves the brave daughters of + the general. Notwithstanding the danger, it was impossible to tear you + from your mother’s bedside; you remained with her to the last, you closed + her eyes, you watched there all night, and you would not leave the village + till you had seen me plant the little wooden cross over the grave I had + dug for her.” + </p> + <p> + Dagobert paused abruptly. A strange, wild neighing, mingled with ferocious + roarings, made the soldier start from his seat. He grew pale, and cried: + “It is Jovial! my horse! What are they doing to my horse?” With that, + opening the door he rushed down the stairs precipitately. + </p> + <p> + The two sisters clung together, so terrified at the sudden departure of + the soldier, that they saw not an enormous hand pass through the broken + panes, unfasten the catch of the window, push it violently open, and throw + down the lamp placed on the little table, on which was the soldiers’s + knapsack. The orphans thus found themselves plunged into complete + darkness. + </p> + <p> + <a name="link2HCH0011" id="link2HCH0011"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XI. JOVIAL and DEATH. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">M</span>orok had led Jovial into the middle of the menagerie, and then removed + the cloth which prevented him from seeing and smelling. Scarcely had the + tiger, lion, and panther caught a glimpse of him than they threw + themselves, half famished, against the bars of their dens. + </p> + <p> + The horse struck with stupor, his neck stretched out, his eye fixed, and + trembling through all his limbs, appeared as if nailed to the ground; an + abundant icy sweat rolled suddenly down his flanks. The lion and the tiger + uttered fearful roarings, and struggled violently in their dens. The + panther did not roar, but her mute rage was terrific. + </p> + <p> + With a tremendous bound, at the risk of breaking her skull, she sprang + from the back of the cage against the bars; then, still mute, still + furious, she crawled back to the extreme corner of the den, and with a new + spring, as impetuous as it was blind, she again strove to force out the + iron grating. Three times had she thus bounded—silent, appalling—when + the horse, passing from the immobility of stupor to the wild agony of + fear, neighed long and loud, and rushed in desperation at the door by + which he had entered. Finding it closed he hung his head, bent his knees a + little, and rubbed his nostrils against the opening left between the + ground and the bottom of the door, as if he wished to inhale the air from + the outside; then, more and more affrighted, he began to neigh with + redoubled force, and struck out violently with his fore-feet. + </p> + <p> + At the moment when Death was about once more to make her spring, the + Prophet approached her cage. The heavy bolt which secured the grating was + pushed from its staple by the pike of the brute-tamer, and, in another + second, Morok was half way up the ladder that communicated with the loft. + </p> + <p> + The roaring of the lion and tiger, mingled with the neighing of Jovial, + now resounded through all parts of the inn. The panther had again thrown + herself furiously on the grating, and this time yielding with one spring, + she was in the middle of the shed. + </p> + <p> + The light of the lantern was reflected from the glossy ebon of her hide, + spotted with stains of a duller black. For an instant she remained + motionless, crouching upon her thick-set limbs, with her head close to the + floor, as if calculating the distance of the leap by which she was to + reach the horse; then suddenly she darted upon him. + </p> + <p> + On seeing her break from her cage Jovial had thrown himself violently + against the door, which was made to open inwards, and leaned against it + with all his might, as though he would force it down. Then, at the moment + when Death took her leap, he reared up in almost an erect position; but + she, rapid as lightning, had fastened upon his throat and hung there, + whilst at the same time she buried the sharp claws of her fore-feet in his + chest. The jugular vein of the horse opened; a torrent of bright red blood + spouted forth beneath the tooth of the panther, who, now supporting + herself on her hind legs, squeezed her victim up against the door, whilst + she dug into his flank with her claws, and laid bare the palpitating + flesh. Then his half-strangled neighing became awful. + </p> + <p> + Suddenly these words resounded: “Courage, Jovial!—I am at hand! + Courage!” + </p> + <p> + It was the voice of Dagobert, who was exhausting himself in desperate + exertions to force open the door that concealed this sanguinary struggle. + “Jovial!” cried the soldier, “I am here. Help! Help!” + </p> + <p> + At the sound of that friendly and well-known voice, the poor animal, + almost at its last gasp, strove to turn its head in the direction whence + came the accents of his master, answered him with a plaintive neigh, and, + sinking beneath the efforts of the panther, fell prostrate, first on its + knees, then upon its flank, so that its backbone lay right across the + door, and still prevented its being opened. And now all was finished. The + panther, squatting down upon the horse, crushed him with all her paws, + and, in spite of some last faint kicks, buried her bloody snout in his + body. + </p> + <p> + “Help! help! my horse!” cried Dagobert, as he vainly shook the door. “And + no arms!” he added with rage; “no arms!” + </p> + <p> + “Take care!” exclaimed the brute-tamer, who appeared at the window of the + loft; “do not attempt to enter it might cost you your life. My panther is + furious.” + </p> + <p> + “But my horse! my horse!” cried Dagobert, in a voice of agony. + </p> + <p> + “He must have strayed from his stable during the night, and pushed open + the door of the shed. At sight of him the panther must have broken out of + her cage and seized him. You are answerable for all the mischief that may + ensue,” added the brute-tamer, with a menacing air; “for I shall have to + run the greatest danger, to make Death return to her den.” + </p> + <p> + “But my horse! only save my horse!” cried Dagobert, in a tone of hopeless + supplication. + </p> + <p> + The Prophet disappeared from the window. + </p> + <p> + The roaring of the animals and the shouts of Dagobert, had roused from + sleep every one in the White Falcon. Here and there lights were seen + moving and windows were thrown open hurriedly. The servants of the inn + soon appeared in the yard with lanterns, and surrounding Dagobert, + inquired of him what had happened. + </p> + <p> + “My horse is there,” cried the soldier, continuing to shake the door, “and + one of that scoundrel’s animals has escaped from its cage.” + </p> + <p> + At these words the people of the inn, already terrified by the frightful + roaring, fled from the spot and ran to inform the host. The soldier’s + anguish may be conceived, as pale, breathless, with his ear close to the + chink of the door, he stood listening. By degrees the roaring had ceased, + and nothing was heard but low growls, accompanied by the stern voice of + the Prophet, repeating in harsh, abrupt accents: “Death! come here! + Death!” + </p> + <p> + The night was profoundly dark, and Dagobert did not perceive Goliath, who, + crawling carefully along the tiled roof entered the loft by the attic + window. + </p> + <p> + And now the gate of the court-yard was again opened, and the landlord of + the inn appeared, followed by a number of men. Armed with a carbine, he + advanced with precaution; his people carried staves and pitchforks. + </p> + <p> + “What is the row here?” said he, as he approached Dagobert. “What a hubbub + in my house! The devil take wild beast showmen, and negligent fellows who + don’t know how to tie a horse to the manger! If your beast is hurt, so + much the worse for you; you should have taken more care of it.” + </p> + <p> + Instead of replying to these reproaches, the soldier, who still listened + attentively to what was going on in the shed, made a sign to entreat + silence. Suddenly a ferocious roar was heard, followed by a loud scream + from the Prophet; and, almost immediately after, the panther howled + piteously. + </p> + <p> + “You are no doubt the cause of some great accident,” said the frightened + host to the soldier; “did you not hear that cry? Morok is, perhaps, + dangerously wounded.” + </p> + <p> + Dagobert was about to answer, when the door opened, and Goliath appeared + on the threshold. + </p> + <p> + “You may enter now,” said he; “the danger is over.” + </p> +<div class="fig"> + <img src="images/10113m.jpg" alt="10113m " /><br /> + </div> + <h5> + <a href="images/10113.jpg"><i>Original</i></a> + </h5> + <p> + The interior of the menagerie presented a singular spectacle. The Prophet, + pale, and scarcely able to conceal his agitation beneath an apparent air + of calmness, was kneeling some paces from the cage of the panther, in the + attitude of one absorbed in himself; the motion of his lips indicating + that he was praying. At sight of the host and the people of the inn, he + rose, and said in a solemn voice: “I thank thee, my Preserver, that I have + been able to conquer, by the strength which Thou hast given me.” + </p> + <p> + Then folding his arms, with haughty brow and imperious glance, he seemed + to enjoy the triumph he had achieved over Death, who, stretched on the + bottom of her den, continued to utter plaintive howlings. The spectators + of this scene, ignorant that the pelisse of the brute-tamer covered a + complete suit of armor, and attributing the cries of the panther solely to + fear, were struck with astonishment and admiration at the intrepidity and + almost supernatural power of this man. A few steps behind him stood + Goliath, leaning upon the ashen pikestaff. Finally, not far from the cage, + in the midst of a pool of blood, lay the dead body of Jovial. + </p> + <p> + At sight of the blood-stained and torn remains, Dagobert stood motionless, + and his rough countenance assumed an expression of the deepest grief: + then, throwing himself on his knees, he lifted the head of Jovial; and + when he saw those dull, glassy, and half-closed eyes, once so bright and + intelligent, as they turned towards a much-loved master, the soldier could + not suppress an exclamation of bitter anguish. Forgetting his anger, + forgetting the deplorable consequences of this accident, so fatal to the + interests of the two maidens, who would thus be prevented from continuing + their journey—he thought only of the horrible death of his poor old + horse, the ancient companion of his fatigues and wars, the faithful + animal, twice wounded like himself, and from whom for so many years he had + never been separated. This poignant emotion was so cruelly, so affectingly + visible in the soldier’s countenance, that the landlord and his people + felt themselves for a moment touched with pity, as they gazed on the tall + veteran kneeling beside his dead horse. + </p> + <p> + But, when following the course of his regrets, he thought how Jovial had + also been the companion of his exile, how the mother of the orphans had + formerly (like her daughters) undertaken a toilsome journey with the aid + of this unfortunate animal, the fatal consequences of his loss presented + themselves on a sudden to his mind. Then, fury succeeding to grief, he + rose, with anger flashing from his eyes, and threw himself on the Prophet; + with one hand he seized him by the throat, and with the other administered + five or six heavy blows, which fell harmlessly on the coat of mail. + </p> + <p> + “Rascal! you shall answer to me for my horse’s death!” said the soldier, + as he continued his correction. Morok, light and sinewy, could not + struggle with advantage against Dagobert, who, aided by his tall stature, + still displayed extraordinary vigor. It needed the intervention of Goliath + and the landlord to rescue the Prophet from the hands of the old + grenadier. After some moments, they succeeded in separating the two + champions. Morok was white with rage. It needed new efforts to prevent his + seizing the pike to attack Dagobert. + </p> + <p> + “It is abominable!” cried the host, addressing the soldier, who pressed + his clinched fists in despair against his bald forehead. “You expose this + good man to be devoured by his beasts, and then you wish to beat him into + the bargain. Is this fitting conduct for a graybeard? Shall we have to + fetch the police? You showed yourself more reasonable in the early part of + the evening.” + </p> + <p> + These words recalled the soldier to himself. He regretted his impetuosity + the more, as the fact of his being a stranger might augment the difficulty + of his position. It was necessary above all to obtain the price of his + horse, so as to be enabled to continue his journey, the success of which + might be compromised by a single day’s delay. With a violent effort, + therefore, he succeeded in restraining his wrath. + </p> + <p> + “You are right—I was too hasty,” said he to the host, in an agitated + voice, which he tried to make as calm as possible. “I had not the same + patience as before. But ought not this man be responsible for the loss of + my horse? I make you judge in the matter.” + </p> + <p> + “Well, then, as judge, I am not of your opinion. All this has been your + own fault. You tied up your horse badly, and he strayed by chance into + this shed, of which no doubt the door was half-open,” said the host, + evidently taking the part of the brute-tamer. + </p> + <p> + “It was just as you say,” answered Goliath. “I can remember it. I left the + door ajar, that the beasts might have some air in the night. The cages + were well shut, and there was no danger.” + </p> + <p> + “Very true,” said one of the standers-by. + </p> + <p> + “It was only the sight of the horse,” added another, “that made the + panther furious, so as to break out of its cage.” + </p> + <p> + “It is the Prophet who has the most right to complain,” observed a third. + </p> + <p> + “No matter what this or that person says,” returned Dagobert, whose + patience was beginning to fail him, “I say, that I must have either money + or a horse on the instant—yes, on the instant—for I wish to + quit this unlucky house.” + </p> + <p> + “And I say, it is you that must indemnify me,” cried Morok, who had kept + this stage-trick for the last, and who now exhibited his left hand all + bloody, having hitherto concealed it beneath the sleeve of his pelisse. “I + shall perhaps be disabled for life,” he added; “see what a wound the + panther has made here!” + </p> + <p> + Without having the serious character that the Prophet ascribed to it, the + wound was a pretty deep one. This last argument gained for him the general + sympathy. Reckoning no doubt upon this incident, to secure the winning of + a cause that he now regarded as his own, the host said to the hostler: + “There is only one way to make a finish. It is to call up the burgomaster, + and beg him to step here. He will decide who is right or wrong.” + </p> + <p> + “I was just going to propose it to you,” said the soldier, “for, after + all, I cannot take the law into my own hands.” + </p> + <p> + “Fritz, run to the burgomaster’s!”—and the hustler started in all + haste. His master, fearing to be compromised by the examination of the + soldier, whose papers he had neglected to ask for on his arrival, said to + him: “The burgomaster will be in a very bad humor, to be disturbed so + late. I have no wish to suffer by it, and I must therefore beg you to go + and fetch me your papers, to see if they are in rule. I ought to have made + you show them, when you arrived here in the evening.” + </p> + <p> + “They are upstairs in my knapsack; you shall have them,” answered the + soldier—and turning away his head, and putting his hand before his + eyes, as he passed the dead body of Jovial, he went out to rejoin the + sisters. + </p> + <p> + The Prophet followed him with a glance of triumph, and said to himself: + “There he goes!—without horse, without money, without papers. I could + not do more—for I was forbidden to do more—I was to act with + as much cunning as possible and preserve appearances. Now every one will + think this soldier in the wrong. I can at least answer for it, that he + will not continue his journey for some days—since such great + interests appear to depend on his arrest, and that of the young girls.” + </p> + <p> + A quarter of an hour after this reflection of the brute-tamer, Karl, + Goliath’s comrade, left the hiding-place where his master had concealed + him during the evening, and set out for Leipsic, with a letter which Morok + had written in haste, and which Karl, on his arrival, was to put + immediately into the post. + </p> + <p> + The address of this letter was as follows: + </p> + <p> + “A Monsieur Rodin, Rue du Milieu-des-Ursins, No, 11, A Paris, France.” + </p> +<div class="fig"> + <img src="images/10139m.jpg" alt="10139m " /><br /> + </div> + <h5> + <a href="images/10139.jpg"><i>Original</i></a> + </h5> + <p> + <a name="link2HCH0012" id="link2HCH0012"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XII. THE BURGOMASTER. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">D</span>agobert’s anxiety increased every moment. Certain that his horse had not + entered the shed of its own accord, he attributed the event which had + taken place to the spite of the brute-tamer; but he sought in vain for the + motive of this wretch’s animosity, and he reflected with dismay, that his + cause, however just, would depend on the good or bad humor of a judge + dragged from his slumbers and who might be ready to condemn upon + fallacious appearances. + </p> + <p> + Fully determined to conceal, as long as possible, from the orphans the + fresh misfortunes, which had befallen them, he was proceeding to open the + door of their chamber, when he stumbled over Spoil-sport—for the dog + had run back to his post, after vainly trying to prevent the Prophet from + leading away Jovial. “Luckily the dog has returned; the poor little things + have been well guarded,” said the soldier, as he opened the door. To his + great surprise, the room was in utter darkness. + </p> + <p> + “My children,” cried he, “why are you without a light?” There was no + answer. In terror he groped his way to the bed, and took the hand of one + of the sisters; the hand was cold as ice. + </p> + <p> + “Rose, my children!” cried he. “Blanche! Give me some answer! you frighten + me.” Still the same silence continued; the hand which he held remained + cold and powerless, and yielded passively to his touch. + </p> + <p> + Just then, the moon emerged from the black clouds that surrounded her, and + threw sufficient light into the little room, and upon the bed, which faced + the window, for the soldier to see that the two sisters had fainted. The + bluish light of the moon added to the paleness of the orphans; they held + each other in a half embrace, and Rose had buried her head on Blanche’s + bosom. + </p> + <p> + “They must have fainted through fear,” exclaimed Dagobert, running to + fetch his gourd. “Poor things! after a day of so much excitement, it is + not surprising.” And moistening the corner of a handkerchief with a few + drops of brandy, the soldier knelt beside the bed, gently chafed the + temples of the two sisters, and held the linen, wet with the spirituous + liquor, to their little pink nostrils. + </p> + <p> + Still on his knees, and bending his dark, anxious face over the orphans, + he waited some moments before again resorting to the only restorative in + his power. A slight shiver of Rose gave him renewed hope; the young girl + turned her head on the pillow with a sigh; then she started, and opened + her eyes with an expression of astonishment and alarm; but, not + immediately recognizing Dagobert, she exclaimed: “Oh, sister!” and threw + herself into the arms of Blanche. + </p> + <p> + The latter also was beginning to experience the effect of the soldier’s + care. The exclamation of Rose completely roused her from her lethargy, and + she clung to her sister, again sharing the fright without knowing its + cause. + </p> + <p> + “They’ve come to—that’s the chief point,” said Dagobert, “now we + shall soon get rid of these foolish fears.” Then softening his voice, he + added: “Well, my children, courage? You are better. It is I who am here—me, + Dagobert!” + </p> + <p> + The orphans made a hasty movement, and, turning towards the soldier their + sweet faces, which were still full of dismay and agitation, they both, by + a graceful impulse, extended their arms to him and cried: “It is you, + Dagobert—then we are safe!” + </p> + <p> + “Yes, my children, it is I,” said the veteran, taking their hands in his, + and pressing them joyfully. “So you have been much frightened during my + absence?” + </p> + <p> + “Oh, frightened to death!” + </p> + <p> + “If you knew—oh, goodness! if you knew—” + </p> + <p> + “But the lamp is extinguished—why is that?” + </p> + <p> + “We did not do it.” + </p> + <p> + “Come—recover yourselves, poor children, and tell me all about it. I + have no good opinion of this inn; but, luckily, we shall soon leave it. It + was an ill wind that blew me hither—though, to be sure, there was no + other in the village. But what has happened?” + </p> + <p> + “You were hardly gone, when the window flew open violently, and the lamp + and table fell together with a loud crash.” + </p> + <p> + “Then our courage failed—we screamed and clasped each other, for we + thought we could hear some one moving in the room.” + </p> + <p> + “And we were so frightened, that we fainted away.” + </p> + <p> + Unfortunately, persuaded that it was the violence of the wind which had + already broken the glass, and shaken the window, Dagobert attributed this + second accident to the same cause as the first, thinking that he had not + properly secured the fastening and that the orphans had been deceived by a + false alarm. “Well, well—it is over now,” said he to them: “Calm + yourselves, and don’t think of it any more.” + </p> + <p> + “But why did you leave us so hastily, Dagobert?” + </p> + <p> + “Yes, now I remember—did we not hear a great noise, sister, and see + Dagobert run to the staircase, crying: ‘My horse! what are they doing to + my horse?’” + </p> + <p> + “It was then Jovial who neighed?” + </p> + <p> + These questions renewed the anguish of the soldier; he feared to answer + them, and said, with a confused air: “Yes—Jovial neighed—but + it was nothing. By the by, we must have a light here. Do you know where I + put my flint and steel last evening? Well, I have lost my senses; it is + here in my pocket. Luckily, too, we have a candle, which I am going to + light; I want to look in my knapsack for some papers I require.” + </p> + <p> + Dagobert struck a few sparks, obtained a light, and saw that the window + was indeed open, the table thrown down, and the lamp lying by the side of + the knapsack. He shut the window, set the little table on its feet again, + placed the knapsack upon it, and began to unbuckle this last in order to + take out his portfolio, which had been deposited along with his cross and + purse, in a kind of pocket between the outside and the lining. The straps + had been readjusted with so much care, that there was no appearance of the + knapsack having been disturbed; but when the soldier plunged his hand into + the pocket above-mentioned, he found it empty. Struck with consternation, + he grew pale, and retreated a step, crying: “How is this?—Nothing!” + </p> + <p> + “What is the matter?” said Blanche. He made her no answer. Motionless, he + leaned against the table, with his hand still buried in the pocket. Then, + yielding to a vague hope—for so cruel a reality did not appear + possible—he hastily emptied the contents of the knapsack on the + table—his poor half-worn clothes—his old uniform-coat of the + horse-grenadiers of the Imperial Guard, a sacred relic for the soldiers—but, + turn and return them as he would, he found neither his purse, nor the + portfolio that contained his papers, the letters of General Simon, and his + cross. + </p> + <p> + In vain, with that serious childishness which always accompanies a + hopeless search, he took the knapsack by the two ends, and shook it + vigorously; nothing came out. The orphans looked on with uneasiness, not + understanding his silence or his movements, for his back was turned to + them. Blanche ventured to say to him in a timid voice: “What ails you—you + don’t answer us.—What is it you are looking for in your knapsack?” + </p> + <p> + Still mute, Dagobert searched his own person, turned out all his pockets—nothing!—For + the first time in his life, perhaps, his two children, as he called them, + had spoken to him without receiving a reply. Blanche and Rose felt the big + tears start into their eyes; thinking that the soldier was angry, they + darst not again address him. + </p> + <p> + “No, no! it is impossible—no!” said the veteran, pressing his hand + to his forehead, and seeking in his memory where he might have put those + precious objects, the loss of which he could not yet bring himself to + believe. A sudden beam of joy flashed from his eyes. He ran to a chair, + and took from it the portmanteau of the orphans; it contained a little + linen, two black dresses, and a small box of white wood, in which were a + silk handkerchief that had belonged to their mother, two locks of her + hair, and a black ribbon she had worn round her neck. The little she + possessed had been seized by the Russian government, in pursuance of the + confiscation. Dagobert searched and researched every article—peeped + into all the corners of the portmanteau—still nothing! + </p> + <p> + This time, completely worn out, leaning against the table, the strong, + energetic man felt himself giving way. His face was burning, yet bathed in + a cold sweat; his knees trembled under him. It is a common saying, that + drowning men will catch at straws; and so it is with the despair that + still clings to some shred of hope. Catching at a last chance—absurd, + insane, impossible—he turned abruptly towards the orphans, and said + to them, without considering the alteration in his voice and features: “I + did not give them to you—to keep for me?—speak?” + </p> + <p> + Instead of answering, Rose and Blanche, terrified at his paleness and the + expression of his countenance, uttered a cry. “Good heavens! what is the + matter with you?” murmured Rose. + </p> + <p> + “Have you got them—yes, or no?” cried in a voice of thunder the + unfortunate, distracted man. “If you have not—I’ll take the first + knife I meet with, and stick it into my body!” + </p> + <p> + “Alas! You are so good: pardon us if we have done anything to afflict you! + You love us so much, you would not do us any harm.” The orphans began to + weep, as they stretched forth their hands in supplication towards the + soldier. + </p> + <p> + He looked at them with haggard eye, without even seeing them; till, as the + delusion passed away, the reality presented itself to his mind with all + its terrible consequences. Then he clasped his hands together, fell on his + knees before the bed of the orphans, leaned his forehead upon it, and amid + his convulsive sobs—for the man of iron sobbed like a child—these + broken words were audible: “Forgive me—forgive!—I do not know + how it can be!—Oh! what a misfortune!—what a misfortune!—Forgive + me!” + </p> +<div class="fig"> + <img src="images/10121m.jpg" alt="10121m " /><br /> + </div> + <h5> + <a href="images/10121.jpg"><i>Original</i></a> + </h5> + <p> + At this outbreak of grief, the cause of which they understood not, but + which in such a man was heart-rending, the two sisters wound their arms + about his old gray head, and exclaimed amid their tears: “Look at us! Only + tell us what is the matter with you?—Is it our fault?” + </p> + <p> + At this instant, the noise of footsteps resounded from the stairs, mingled + with the barking of Spoil-sport, who had remained outside the door. The + nearer the steps approached, the more furious became the barking; it was + no doubt accompanied with hostile demonstrations, for the host was heard + to cry out in an angry tone: “Hollo! you there! Call off your dog, or + speak to him. It is Mr. Burgomaster who is coming up.” + </p> + <p> + “Dagobert—do you hear?—it is the burgomaster,” said Rose. + </p> + <p> + “They are coming upstairs—a number of people,” resumed Blanche. + </p> + <p> + The word burgomaster recalled whatever had happened to the mind of + Dagobert, and completed, so to express it, the picture of his terrible + position. His horse was dead, he had neither papers nor money, and a day, + a single day’s detention, might defeat the last hope of the sisters, and + render useless this long and toilsome journey. + </p> + <p> + Men of strong minds, and the veteran was of the number, prefer great + perils, positions of danger accurately defined, to the vague anxieties + which precede a settled misfortune. Guided by his good sense and admirable + devotion, Dagobert understood at once, that his only resource was now in + the justice of the burgomaster, and that all his efforts should tend to + conciliate the favor of that magistrate. He therefore dried his eyes with + the sheet, rose from the ground, erect, calm, and resolute, and said to + the orphans: “Fear nothing, my children; it is our deliverer who is at + hand.” + </p> + <p> + “Will you call off your dog or no?” cried the host, still detained on the + stairs by Spoil-sport, who, as a vigilant sentinel, continued to dispute + the passage. “Is the animal mad, I say? Why don’t you tie him up? Have you + not caused trouble enough in my house? I tell you, that Mr. Burgomaster is + waiting to examine you in your turn, for he has finished with Morok.” + </p> + <p> + Dagobert drew his fingers through his gray locks and across his moustache, + clasped the collar of his top-coat, and brushed the sleeves with his hand, + in order to give himself the best appearance possible; for he felt that + the fate of the orphans must depend on his interview with the magistrate. + It was not without a violent beating of the heart, that he laid his hand + upon the door-knob, saying to the young girls, who were growing more and + more frightened by such a succession of events: “Hide yourselves in your + bed, my children; if any one must needs enter, it shall be the burgomaster + alone.” + </p> + <p> + Thereupon, opening the door, the soldier stepped out on the landing place, + and said: “Down, Spoil-sport!—Here!” + </p> + <p> + The dog obeyed, but with manifest repugnance. His master had to speak + twice, before he would abstain from all hostile movements towards the + host. This latter, with a lantern in one hand and his cap in the other, + respectfully preceded the burgomaster, whose magisterial proportions were + lost in the half shadows of the staircase. Behind the judge, and a few + steps lower, the inquisitive faces of the people belonging to the inn were + dimly visible by the light of another lantern. + </p> + <p> + Dagobert, having turned the dog into the room, shut the door after him, + and advanced two steps on the landing-place, which was sufficiently + spacious to hold several persons, and had in one corner a wooden bench + with a back to it. The burgomaster, as he ascended the last stair, was + surprised to see Dagobert close the door of the chamber, as though he + wished to forbid his entrance. “Why do you shut that door?” asked he in an + abrupt tone. + </p> + <p> + “First, because two girls, whom I have the charge of, are in bed in that + room; secondly, because your examination would alarm them,” replied + Dagobert. “Sit down upon this bench, Mr. Burgomaster, and examine me here; + it will not make any difference, I should think.” + </p> + <p> + “And by what right,” asked the judge, with a displeased air, “do you + pretend to dictate to me the place of your examination?” + </p> + <p> + “Oh, I have no such pretension, Mr. Burgomaster!” said the soldier + hastily, fearing above all things to prejudice the judge against him: + “only, as the girls are in bed, and already much frightened, it would be a + proof of your good heart to examine me where I am.” + </p> + <p> + “Humph!” said the magistrate, with ill-humor; “a pretty state of things, + truly!—It was much worth while to disturb me in the middle of the + night. But, come, so be it; I will examine you here.” Then, turning to the + landlord, he added: “Put your lantern upon this bench, and leave us.” + </p> + <p> + The innkeeper obeyed, and went down, followed by his people, as + dissatisfied as they were at being excluded from the examination. The + veteran was left alone with the magistrate. + </p> + <p> + <a name="link2HCH0013" id="link2HCH0013"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XIII. THE JUDGEMENT. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>he worthy burgomaster of Mockern wore a cloth cap, and was enveloped in a + cloak. He sat down heavily on the bench. He was a corpulent man, about + sixty, with an arrogant, morose countenance; and he frequently rubbed with + his red, fat fist, eyes that were still swollen and blood shot, from his + having been suddenly roused from sleep. + </p> + <p> + Dagobert stood bareheaded before him, with a submissive, respectful air, + holding his old foraging cap in his hands, and trying to read in the + sullen physiognomy of his judge what chance there might be to interest him + in his favor—that is, in favor of the orphans. + </p> + <p> + In this critical juncture, the poor soldier summoned to his aid all his + presence of mind, reason, eloquence and resolution. He, who had twenty + times braved death with the utmost coolness—who, calm and serene, + because sincere and tried, had never quailed before the eagle-glance of + the Emperor, his hero and idol—now felt himself disconcerted and + trembling before the ill-humored face of a village burgomaster. Even so, a + few hours before, he had submitted, impassive and resigned, to the insults + of the Prophet—that he might not compromise the sacred mission with + which a dying mother had entrusted him—thus showing to what a height + of heroic abnegation it is possible for a simple and honest heart to + attain. + </p> + <p> + “What have you to say in your justification? Come, be quick!” said the + judge roughly, with a yawn of impatience. + </p> + <p> + “I have not got to justify myself—I have to make a complaint, Mr. + Burgomaster,” replied Dagobert in a firm voice. + </p> + <p> + “Do you think you are to teach me in what terms I am to put my questions?” + exclaimed the magistrate, in so sharp a tone that the soldier reproached + himself with having begun the interview so badly. Wishing to pacify his + judge, he made haste to answer with submission: + </p> + <p> + “Pardon me, Mr. Burgomaster, I have ill-explained my meaning. I only + wished to say that I was not wrong in this affair.” + </p> + <p> + “The Prophet says the contrary.” + </p> + <p> + “The Prophet?” repeated the soldier, with an air of doubt. + </p> + <p> + “The Prophet is a pious and honest man,” resumed the judge, “incapable of + falsehood.” + </p> + <p> + “I cannot say anything upon that subject; but you are too just, and have + too good a heart, Mr. Burgomaster, to condemn without hearing me. It is + not a man like you that would do an injustice; oh, one can see that at a + glance!” + </p> + <p> + In resigning himself thus to play the part of a courtier, Dagobert + softened as much as possible his gruff voice, and strove to give to his + austere countenance a smiling, agreeable, and flattering expression. “A + man like you,” he added, with redoubled suavity of manner, “a respectable + judge like you, never shuts his ears to one side or the other.” + </p> + <p> + “Ears are not in question, but eyes; and, though mine smart as if I had + rubbed them with nettles, I have seen the hand of the brute-tamer, with a + frightful wound on it.” + </p> + <p> + “Yes, Mr. Burgomaster, it is very true; but consider, if he had shut his + cages and his door, all this would not have happened.” + </p> + <p> + “Not so; it is your fault. You should have fastened your horse securely to + the manger.” + </p> + <p> + “You are right, Mr. Burgomaster, certainly, you are right,” said the + soldier, in a still more affable and conciliating voice. “It is not for a + poor devil like me to contradict you. But supposing my horse was let loose + out of pure malice, in order that he might stray into the menagerie—you + will then acknowledge that it was not my fault. That is, you will + acknowledge it if you think fit,” hastily added the soldier “I have no + right to dictate to you in anything.” + </p> + <p> + “And why the devil should any one do you this ill-turn?” + </p> + <p> + “I do not know, Mr. Burgomaster—but—” + </p> + <p> + “You do not know—well, nor I either,” said the burgomaster + impatiently. “Zounds! what a many words about the carcass of an old + horse!” + </p> + <p> + The countenance of the soldier, losing on a sudden its expression of + forced suavity, became once more severe; he answered in a grave voice, + full of emotion: “My horse is dead—he is no more than a carcass—that + is true; but an hour ago, though very old, he was full of life and + intelligence. He neighed joyously at my voice—and, every evening, he + licked the hands of the two poor children, whom he had carried all the day—as + formerly he had carried their mother. Now he will never carry any one + again; they will throw him to the dogs, and all will be finished. You need + not have reminded me harshly of it, Mr. Burgomaster—for I loved my + horse!” + </p> + <p> + By these words, pronounced with noble and touching simplicity, the + burgomaster was moved in spite of himself, and regretted his hasty speech. + “It is natural that you should be sorry for your horse,” said he, in a + less impatient tone; “but what is to be done?—It is a misfortune.” + </p> + <p> + “A misfortune?—Yes, Mr. Burgomaster, a very great misfortune. The + girls, who accompany me, were too weak to undertake a long journey on + foot, too poor to travel in a carriage—and yet we have to arrive in + Paris before the month of February. When their mother died, I promised her + to take them to France, for these children have only me to take care of + them.” + </p> + <p> + “You are then their—” + </p> + <p> + “I am their faithful servant, Mr. Burgomaster; and now that my horse has + been killed, what can I do for them? Come, you are good, you have perhaps + children of your own; if, one day, they should find themselves in the + position of my two little orphans—with no wealth, no resources in + the world, but an old soldier who loves them, and an old horse to carry + them along—if, after being very unfortunate from their birth—yes, + very unfortunate, for my orphans are the daughters of exiles—they + should see happiness before them at the end of a journey, and then, by the + death of their horse, that journey become impossible—tell me, Mr. + Burgomaster, if this would not touch your heart? Would you not find, as I + do, that the loss of my horse is irreparable?” + </p> + <p> + “Certainly,” answered the burgomaster, who was not ill natured at bottom, + and who could not help taking part in Dagobert’s emotion; “I now + understand the importance of the loss you have suffered. And then your + orphans interest me: how old are they?” + </p> + <p> + “Fifteen years and two months. They are twins.” + </p> + <p> + “Fifteen years and two months—that is about the age of my + Frederica.” + </p> + <p> + “You have a young lady of that age?” cried Dagobert, once more awaking to + hope; “ah, Mr. Burgomaster! I am really no longer uneasy about my poor + children. You will do us justice.” + </p> + <p> + “To do justice is my duty. After all, in this affair, the faults are about + equal on both sides. You tied up your horse badly, and the brute tamer + left his door open. He says: ‘I am wounded in the hand.’ You answer: ‘My + horse has been killed—and, for a thousand reasons, the loss of my + horse is irreparable.’” + </p> + <p> + “You make me speak better than I could ever speak on my own account, Mr. + Burgomaster,” said the soldier, with a humble, insinuating smile; “but + ‘tis what I meant to express—and, as you say yourself, Mr. + Burgomaster, my horse being my whole fortune, it is only fair—” + </p> + <p> + “Exactly so,” resumed the magistrate, interrupting the soldier; “your + reasons are excellent. The Prophet—who is a good and pious man with + all has related the facts to me in his own way; and then, you see, he is + an old acquaintance. We are nearly all zealous Catholics here, and he + sells to our wives such cheap and edifying little books, with chaplets and + amulets of the best manufacture, at less than the prime cost. All this, + you will say, has nothing to do with the affair; and you will be right in + saying so: still I must needs confess that I came here with the intention—” + </p> + <p> + “Of deciding against me, eh, Mr. Burgomaster?” said Dagobert, gaining more + and more confidence. “You see, you were not quite awake, and your justice + had only one eye open.” + </p> + <p> + “Really, master soldier,” answered the judge with good humor, “it is not + unlikely; for I did not conceal from Morok that I gave it in his favor. + Then he said to me (very generously, by the way): ‘Since you condemn my + adversary, I will not aggravate his position by telling you certain things—‘” + </p> + <p> + “What! against me?” + </p> + <p> + “Apparently so; but, like a generous enemy, when I told him that I should + most likely condemn you to pay him damages, he said no more about it. For + I will not hide from you, that, before I heard your reasons, I fully + intended that you should make compensation for the Prophet’s wound.” + </p> + <p> + “See, Mr. Burgomaster, how the most just and able persons are subject to + be deceived,” said Dagobert, becoming once more the courtier; then, trying + to assume a prodigiously knowing look, he added: “But such persons find + out the truth at last, and are not to be made dupes of, whatever prophets + may say.” + </p> + <p> + This poor attempt at a jest—the first and only one, perhaps, that + Dagobert had ever been guilty of—will show the extremity to which he + was reduced, and the desperate efforts of all kinds he was making to + conciliate the good graces of his judge. The burgomaster did not at first + see the pleasantry; he was only led to perceive it by the self satisfied + mien of Dagobert, and by his inquiring glance, which seemed to say: “Is it + not good, eh?—I am astonished at it myself.” + </p> + <p> + The magistrate began, therefore, to smile with a patronizing air, and, + nodding his head, replied in the same jocular spirit: “Ha! Ha! Ha! You are + right; the Prophet is out in his prophecy. You shall not pay him any + damages. The faults on both sides are equal, and the injuries balance one + another. He has been wounded, your horse has been killed; so you may cry + quits, and have done with it.” + </p> + <p> + “But how much then, do you think he owes me?” asked the soldier, with + singular simplicity. + </p> + <p> + “How much?” + </p> + <p> + “Yes, Mr. Burgomaster, what sum will he have to pay me? Yes—but, + before you decide, I must tell you one thing, Mr. Burgomaster. I think I + shall be entitled to spend only part of the money in buying a horse. I am + sure, that, in the environs of Leipsic, I could get a beast very cheap + from some of the peasants; and, between ourselves, I will own to you, + that, if I could meet with only a nice little donkey—I should not be + over particular—I should even like it just as well; for, after my + poor Jovial, the company of another horse would be painful to me. I must + also tell you—” + </p> + <p> + “Hey-day!” cried the burgomaster, interrupting Dagobert, “of what money, + what donkey, and what other horse are you talking? I tell you, that you + owe nothing to the Prophet, and that he owes you nothing!” + </p> + <p> + “He owes me nothing?” + </p> + <p> + “You are very dull of comprehension, my good man. I repeat, that, if the + Prophet’s animals have killed your horse, the Prophet himself has been + badly wounded; so you may cry quits. In other words, you owe him nothing, + and he owes you nothing. Now do you understand?” + </p> + <p> + Dagobert, confounded, remained for some moments without answering, whilst + he looked at the burgomaster with an expression of deep anguish. He saw + that his judgment would again destroy all his hopes. + </p> + <p> + “But, Mr. Burgomaster,” resumed he, in an agitated voice, “you are too + just not to pay attention to one thing: the wound of the brute-tamer does + not prevent him from continuing his trade; the death of my horse prevents + me from continuing my journey; therefore, he ought to indemnify me.” + </p> + <p> + The judge considered he had already done a good deal for Dagobert, in not + making him responsible for the wound of the Prophet, who, as we have + already said, exercised a certain influence over the Catholics of the + country by the sale of his devotional treasures, and also from its being + known that he was supported by some persons of eminence. The soldier’s + pertinacity, therefore, offended the magistrate, who, reassuming his lofty + air, replied, in a chilling tone: “You will make me repent my + impartiality. How is this? Instead of thanking me, you ask for more.” + </p> + <p> + “But, Mr. Burgomaster, I ask only for what is just. I wish I were wounded + in the hand, like the Prophet, so that I could but continue my journey.” + </p> + <p> + “We are not talking of what you wish. I have pronounced sentence—there + is no more to say.” + </p> + <p> + “But, Mr. Burgomaster—” + </p> + <p> + “Enough, enough. Let us go to the next subject. Your papers?” + </p> + <p> + “Yes, we will speak about my papers; but I beg of you, Mr. Burgomaster, to + have pity on those two children. Let us have the means to continue our + journey, and—” + </p> + <p> + “I have done all I could for you—perhaps, more than I ought. Once + again, your papers!” + </p> + <p> + “I must first explain to you—” + </p> + <p> + “No! No explanation—your papers!—Or would you like me to have + you arrested as a vagabond?” + </p> + <p> + “Me—-arrested!” + </p> + <p> + “I tell you that, if you refuse to show me your papers, it will be as if + you had none. Now, those people who have no papers we take into custody + till the authorities can dispose of them. Let me see your papers, and make + haste!—I am in a hurry to get home.” + </p> + <p> + Dagobert’s position was the more distressing, as for a moment he had + indulged in sanguine hope. The last blow was now added to all the veteran + had suffered since the commencement of this scene, which was a cruel as + well as dangerous trial, for a man of his character—upright, but + obstinate—faithful, but rough and absolute—a man who, for a + long time a soldier, and a victorious one, had acquired a certain despotic + mariner of treating with civilians. + </p> + <p> + At these words—“your papers,” Dagobert became very pale; but he + tried to conceal his anguish beneath an air of assurance, which he thought + best calculated to gain the magistrate’s good opinion. “I will tell you + all about it, Mr. Burgomaster,” said he. “Nothing can be clearer. Such a + thing might happen to any one. I do not look like a beggar and a vagabond, + do I? And yet—you will understand, that an honest man who travels + with two young girls—” + </p> + <p> + “No more words! Your papers!” + </p> + <p> + At this juncture two powerful auxiliaries arrived to the soldier’s aid. + The orphans, growing more and more uneasy, and hearing Dagobert still + talking upon the landing-place, had risen and dressed themselves; so that + just at the instant, when the magistrate said in a rough voice—“No + more words! Your papers!”—Rose and Blanche holding each other by the + hand, came forth from the chamber. + </p> + <p> + At sight of those charming faces, which their poor mourning vestments only + rendered more interesting, the burgomaster rose from his seat, struck with + surprise and admiration. By a spontaneous movement, each sister took a + hand of Dagobert, and pressed close to him, whilst they regarded the + magistrate with looks of mingled anxiety and candor. + </p> + <p> + It was so touching a picture, this of the old soldier presenting as it + were to his judge the graceful children, with countenances full of + innocence and beauty, that the burgomaster, by a sudden reaction, found + himself once more disposed to sentiments of pity. Dagobert perceived it; + and, still holding the orphans by the hand, he advanced towards him, and + said in a feeling voice: “Look at these poor children, Mr. Burgomaster! + Could I show you a better passport?” And, overcome by so many painful + sensations—restrained, yet following each other in quick succession—Dagobert + felt, in spite of himself, that the tears were starting to his eyes. + </p> + <p> + Though naturally rough, and rendered still more testy by the interruption + of his sleep, the burgomaster was not quite deficient in sense of feeling. + He perceived at once, that a man thus accompanied, ought not to inspire + any great distrust. “Poor dear children!” said he, as he examined them + with growing interest; “orphans so young, and they come from far—” + </p> + <p> + “From the heart of Siberia, Mr. Burgomaster, where their mother was an + exile before their birth. It is now more than five months that we have + been travelling on by short stages—hard enough, you will say, for + children of their age. It is for them that I ask your favor and support + for them against whom everything seems to combine to-day for, only just + now, when I went to look for my papers, I could not find in my knapsack + the portfolio in which they were, along with my purse and cross—for + you must know, Mr. Burgomaster—pardon me, if I say it—‘tis not + from vain glory—but I was decorated by the hand of the Emperor; and + a man whom he decorated with his own hand, you see, could not be so bad a + fellow, though he may have had the misfortune to lose his papers—and + his purse. That’s what has happened to me, and made me so pressing about + the damages.” + </p> + <p> + “How and where did you suffer this loss?” + </p> + <p> + “I do not know, Mr. Burgomaster; I am sure that the evening before last, + at bed-time, I took a little money out of the purse, and saw the portfolio + in its place; yesterday I had small change sufficient, and did not undo + the knapsack.” + </p> + <p> + “And where then has the knapsack been kept?” + </p> + <p> + “In the room occupied by the children: but this night—” + </p> + <p> + Dagobert was here interrupted by the tread of some one mounting the + stairs: it was the Prophet. Concealed in the shadow of the staircase, he + had listened to this conversation, and he dreaded lest the weakness of the + burgomaster should mar the complete success of his projects. + </p> + <p> + <a name="link2HCH0014" id="link2HCH0014"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XIV. THE DECISION. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">M</span>orok, who wore his left arm in a sling, having slowly ascended the + staircase, saluted the burgomaster respectfully. At sight of the repulsive + countenance of the lion-tamer, Rose and Blanche, affrighted, drew back a + step nearer to the soldier. The brow of the latter grew dark, for he felt + his blood boil against Morok, the cause of all his difficulties—though + he was yet ignorant that Goliath, at the instigation of the Prophet, had + stolen his portfolio and papers. + </p> + <p> + “What did you want, Morok?” said the burgomaster, with an air half + friendly and half displeased. “I told the landlord that I did not wish to + be interrupted.” + </p> + <p> + “I have come to render you a service, Mr. Burgomaster.” + </p> + <p> + “A service?” + </p> + <p> + “Yes, a great service; or I should not have ventured to disturb you. My + conscience reproaches me.” + </p> + <p> + “Your conscience.” + </p> + <p> + “Yes, Mr. Burgomaster, it reproaches me for not having told you all that I + had to tell about this man; a false pity led me astray.” + </p> + <p> + “Yell, but what have you to tell?” + </p> + <p> + Morok approached the judge, and spoke to him for sometime in a low voice. + </p> + <p> + At first apparently much astonished, the burgomaster became by degrees + deeply attentive and anxious; every now and then be allowed some + exclamation of surprise or doubt to escape him, whilst he glanced covertly + at the group formed by Dagobert and the two young girls. By the expression + of his countenance, which grew every moment more unquiet, severe, and + searching, it was easy to perceive that the interest which the magistrate + had felt for the orphans and for the soldier, was gradually changed, by + the secret communications of the Prophet, into a sentiment of distrust and + hostility. + </p> + <p> + Dagobert saw this sudden revolution, and his fears, which had been + appeased for an instant, returned with redoubled force; Rose and Blanche, + confused, and not understanding the object of this mute scene, looked at + the soldier with increased perplexity. + </p> + <p> + “The devil!” said the burgomaster, rising abruptly; “all of this never + occurred to me. What could I have been thinking of?—But you see, + Morok, when one is roused up in the middle of the night, one has not + always presence of mind. You said well: it is a great service you came to + render me.” + </p> + <p> + “I assert nothing positively, but—” + </p> + <p> + “No matter; ‘tis a thousand to one that you are right.” + </p> + <p> + “It is only a suspicion founded upon divers circumstances; but even a + suspicion—” + </p> + <p> + “May give you scent of the truth. And here was I, going like a gull into + the snare!—Once more, what could I have been thinking of?” + </p> + <p> + “It is so difficult to be on guard against certain appearances.” + </p> + <p> + “You need not tell me so, my dear Morok, you need not tell me so.” + </p> + <p> + During this mysterious conversation, Dagobert was on thorns; he saw + vaguely that a violent storm was about to burst. He thought only of how he + should still keep his anger within bounds. + </p> + <p> + Morok again approached the judge, and glancing at the orphans, recommenced + speaking in a low voice. “Oh” cried the burgomaster, with, indignation, + “you go too far now.” + </p> + <p> + “I affirm nothing,” said Morok, hastily; “it is a mere supposition founded + on—” and he again brought his lips close to the ear of the judge. + </p> + <p> + “After all, why not?” resumed the magistrate, lifting up his hands; “such + people are capable of anything. He says that he brings them from the heart + of Siberia: why may not all this prove to be a tissue of impudent + falsehoods?—But I am not to be made a dupe twice,” cried the + burgomaster, in an angry tone, for, like all persons of a weak and + shifting character, he was without pity for those whom he thought capable + of having beguiled his compassion. + </p> + <p> + “Do not be in a hurry to decide—don’t give to my words more weight + than they deserve,” resumed Morok with a hypocritical affectation of + humility. “I am unhappily placed in so false a position with regard to + this man,”—pointing to Dagober—“that I might be thought to + have acted from private resentment for the injury he has done me; perhaps + I may so act without knowing it, while I fancy that I am only influenced + by love of justice, horror of falsehood, and respect for our holy + religion. Well—who lives long enough will know—and may heaven + forgive me if I am deceived!—In any case, the law will pronounce + upon it; and if they should prove innocent, they will be released in a + month or two.” + </p> + <p> + “And, for that reason, I need not hesitate. It is a mere measure of + precaution; they will not die of it. Besides, the more I think of it, the + more it seems probable. Yes this man is doubtless a French spy or + agitator, especially when I compare these suspicions with the late + demonstration of the students at Frankfort.” + </p> + <p> + “And, upon that theory, nothing is better fitted to excite and stir up + those hot-headed youths than—” He glanced significantly at the two + sisters; then, after a pause, he added with a sigh, “Satan does not care + by what means he works out his ends!” + </p> + <p> + “Certainly, it would be odious, but well-devised.” + </p> + <p> + “And then, Mr Burgomaster, look at him attentively: you will see that this + man has a dangerous face. You will see—” + </p> + <p> + In continuing thus to speak in a low tone, Morok had evidently pointed to + Dagobert. The latter, notwithstanding his self-command, felt that the + restraint he had imposed upon himself, since his arrival at this unlucky + inn, and above all wince the commencement of the conversation between + Morok and the burgomaster, was becoming no longer bearable; besides, he + saw clearly that all his efforts to conciliate the favor of the judge were + rendered completely null by the fatal influence of the brute-tamer; so, + losing patience, he advanced towards him with his arms folded on his + breast, and said to him in a subdued voice: “Was it of me that you were + whispering to Mr. Burgomaster?” + </p> + <p> + “Yes,” said Morok, looking fixedly at him. + </p> + <p> + “Why did you not speak out loud?” Having said this, the almost convulsive + movement of his thick moustache, as he stood looping Morok full in the + face, gave evidence of a severe internal conflict. Seeing that his + adversary preserved a contemptuous silence, he repeated in a sterner + voice: “I ask you, why you did not speak out loud to Mr. Burgomaster, when + you were talking of me?” + </p> + <p> + “Because there are some things so shameful, that one would blush to utter + them aloud,” answered Morok insolently. + </p> + <p> + Till then Dagobert had kept his arms folded; he now extended them + violently, clenching his fists. This sudden movement was so expressive + that the two sisters uttered a cry of terror, and drew closer to him. + </p> + <p> + “Hark ye, Mr. Burgomaster!” said the soldier, grinding his teeth with + rage: “bid that man go down, or I will not answer for myself!” + </p> + <p> + “What!” said the burgomaster, haughtily; “do you dare to give orders to + me?” + </p> + <p> + “I tell you to make that man go down,” resumed Dagobert, quite beside + himself, “or there will be mischief!” + </p> + <p> + “Dagobert!—good heaven!—be calm,” cried the children, grasping + his hands. + </p> + <p> + “It becomes you, certainly—miserable vagabond that you are—not + to say worse,” returned the burgomaster, in a rage: “it becomes you to + give orders to me!—Oh! you think to impose upon me, by telling me + you have lost your papers!—It will not serve your turn, for which + you carry about with you these two girls, who, in spite of their innocent + looks, are perhaps after all—” + </p> + <p> + “Wretch!” cried Dagobert, with so terrible a voice and gesture that the + official did not dare to finish. Taking the children by the arm before + they could speak a word, the soldier pushed them back into the chamber; + then, locking the door, and putting the key into his pocket, he returned + precipitately towards the burgomaster, who, frightened at the menacing air + and attitude of the veteran, retreated a couple of steps, and held by one + hand to the rail of the staircase. + </p> + <p> + “Listen to me!” said the soldier, seizing the judge by the arm. “Just now, + that scoundrel insulted me—I bore with it—for it only + concerned myself. I have heard patiently all your idle talk, because you + seemed for a moment to interest yourself in those poor children. But since + you have neither soul, nor pity, nor justice—I tell you that, + burgomaster though you are—I will spurn you as I would spurn that + dog,” pointing again to the Prophet, “if you have the misfortune to + mention those two young girls, in any other way than you would speak of + your own child!—Now, do you mark me?” + </p> + <p> + “What!—you dare to say,” cried the burgomaster, stammering with + rage, “that if I happen to mention two adventuresses—” + </p> + <p> + “Hats off!—when you speak of the daughters of the Duke of Ligny,” + cried the soldier, snatching the cap of the burgomaster and flinging it on + the ground. On this act of aggression, Morok could not restrain his joy. + Exasperated and losing all hope, Dagobert had at length yielded to the + violence of his anger, after struggling so painfully against it for some + hours. + </p> + <p> + When the burgomaster saw his cap at his feet, he looked at the brute tamer + with an air of stupefaction, as if he hesitated to believe so great an + enormity. Dagobert, regretting, his violence, and feeling that no means of + conciliation note remained, threw a rapid glance around him, and, + retreating several paces, gained the topmost steps of the staircase. The + burgomaster stood near the bench, in a corner of the landing-place, whilst + Morok, with his arm in the sling, to give the more serious appearance to + his wound, was close beside him. “So!” cried the magistrate, deceived by + the backward movement of Dagobert, “you think to escape, after daring to + lift hand against me!—Old villain!” + </p> + <p> + “Forgive me, Mr. Burgomaster! It was a burst of rashness that I was not + able to control. I am sorry for it,” said Dagobert in a repentant voice, + and hanging his head humbly. + </p> + <p> + “No pity for thee, rascal! You would begin again to smooth me over with + your coaxing ways, but I have penetrated your secret designs. You are not + what you appear to be, and there is perhaps an affair of state at the + bottom of all this,” added the magistrate, in a very diplomatic tone. “All + means are alike to those who wish to set Europe in flames.” + </p> + <p> + “I am only a poor devil, Mr. Burgomaster; you, that have a good heart, + will show me some mercy.” + </p> + <p> + “What! when you have pulled off my cap?” + </p> + <p> + “And you,” added the soldier, turning towards Morok, “you, that have been + the cause of all this—have same pity upon me—do not bear + malice!—You, a holy man, speak a word in my favor to Mr. + Burgomaster.” + </p> + <p> + “I have spoken to him what I was bound to speak,” answered the Prophet + ironically. + </p> + <p> + “Oho! you can look foolish enough now, you old vagabond! Did you think to + impose on me with lamentations?” resumed the burgomaster, advancing + towards Dagobert. “Thanks be, I am no longer your dupe!—You shall + see that we have good dungeons at Leipsic for French agitators and female + vagrants, for your damsels are no better than you are. Come,” added he, + puffing out his cheeks with an important air, “go down before me—and + as for you, Morok—” + </p> + <p> + The burgomaster was unable to finish. For some minutes Dagobert had only + sought to gain time, and had cast many a side-glance at a half-open door + on the landing-place, just opposite to the chamber occupied by the + orphans: finding the moment favorable, he now rushed quick as lightning on + the burgomaster, seized him by the throat, and dashed him with such + violence against the door in question, that the magistrate, stupefied by + this sudden attack, and unable to speak a word or utter a cry, rolled over + to the further end of the room, which was completely dark. Then, turning + towards Morok, who, with his arm encumbered by the sling, made a rush for + the staircase, the soldier caught him by his long, streaming hair, pulled + him back, clasped him with hands of iron, clapped his hand over his mouth + to stifle his outcries, and notwithstanding his desperate resistance, + dragged him into the chamber, on the floor of which the burgomaster lay + bruised and stunned. + </p> + <p> + Having double-locked the door, and put the key in his pocket, Dagobert + descended the stairs at two bounds, and found himself in a passage, that + opened on the court-yard. The gate of the inn was shut, and there was no + possibility of escape on that side. The rain fell in torrents. He could + see through the window of a parlor, in which a fire was burning, the host + and his people waiting for the decision of the burgomaster. To bolt the + door of the passage, and thus intercept all communication with the yard, + was for the soldier the affair of an instant, and he hastened upstairs + again to rejoin the orphans. + </p> + <p> + Morok, recovering from his surprise, was calling for help with all his + might; but, even if the distance had permitted him to be heard, the noise + of the wind and rain would have drowned his outcries. Dagobert had about + an hour before him, for it would require some time to elapse before the + length of his interview with the magistrate would excite astonishment; + and, suspicion or fear once awakened, it would be necessary to break open + two doors—that which separated the passage from the court-yard, and + that of the room in which the burgomaster and the Prophet were confined. + </p> + <p> + “My children, it is now time to prove that you have a soldier’s blood in + your veins,” said Dagobert, as he entered abruptly the chamber of the + young girls, who were terrified at the racket they had heard for some + minutes. + </p> + <p> + “Good heaven, Dagobert! what has happened?” cried Blanche. + </p> + <p> + “What do you wish us to do?” added Rose. + </p> + <p> + Without answering, the soldier ran to the bed, tore off the sheets, tied + them strongly together, made a knot at one end, passed it over the top of + the left half of the casement, and so shut it in. Thus made fast by the + size of the knot, which could not slip through, the sheets, floating on + the outside, touched the ground. The second half of the window was left + open, to afford a passage to the fugitives. + </p> + <p> + The veteran next took his knapsack, the children’s portmanteau, and the + reindeer pelisse, and threw them all out of the window, making a sign to + Spoil-sport to follow, to watch over them. The dog did not hesitate, but + disappeared at a single bound. Rose and Blanche looked at Dagobert in + amazement, without uttering a word. + </p> + <p> + “Now, children,” said he to them, “the doors of the inn are shut, and it + is by this way,” pointing to the window, “that we must pass—if we + would not be arrested, put in prison—you in one place, and I in the + other—and have our journey altogether knocked on the head.” + </p> + <p> + “Arrested! put in prison!” cried Rose. + </p> + <p> + “Separated from you!” exclaimed Blanche. + </p> + <p> + “Yes, my poor children!—They have killed Jovial—we must make + our escape on foot, and try to reach Leipsic—when you are tired, I + will carry you, and, though I have to beg my way, we will go through with + it. But a quarter of an hour later, and all will be lost. Come, children, + have trust in me—show that the daughters of General Simon are no + cowards—and there is yet hope.” + </p> + <p> + By a sympathetic movement, the sisters joined hands, as though they would + meet the danger united. Their sweet faces, pale from the effect of so many + painful emotions, were now expressive of simple resolve, founded on the + blind faith they reposed in the devotion of the soldier. + </p> + <p> + “Be satisfied, Dagobert! we’ll not be frightened,” said Rose, in a firm + voice. + </p> + <p> + “We will do what must be done,” added Blanche, in a no less resolute tone. + </p> + <p> + “I was sure of it,” cried Dagobert; “good blood is ever thicker than + water. Come! you are light as feathers, the sheet is strong, it is hardly + eight feet to the ground, and the pup is waiting for you.” + </p> + <p> + “It is for me to go first—I am the eldest for to-day,” cried Rose, + when she had tenderly embraced Blanche; and she ran to the window, in + order, if there were any danger, to expose herself to it before her + sister. + </p> + <p> + Dagobert easily guessed the cause of this eagerness. “Dear children!” said + he, “I understand you. But fear nothing for one another—there is no + danger. I have myself fastened the sheet. Quick, my little Rose!” + </p> + <p> + As light as a bird, the young girl mounted the ledge of the window, and + assisted by Dagobert, took hold of the sheet, and slid gently down + according to the recommendation of the soldier, who, leaning out his whole + body, encouraged her with his voice. + </p> + <p> + “Don’t be afraid, sister!” said she, as soon as she touched the ground, + “it is very easy to come down this way. And Spoil-sport is here, licking + my hands.” Blanche did not long keep her waiting; as courageous as her + sister, she descended with the same success. + </p> + <p> + “Dear little creatures! what have they done to be so unfortunate?—Thousand + thunders! there must be a curse upon the family,” cried Dagobert, as, with + heavy heart, he saw the pale, sweet face of the young girl disappear amid + the gloom of the dark night, which violent squalls of wind and torrents of + rain rendered still more dismal. + </p> + <p> + “Dagobert, we are waiting for you; come quickly!” said the orphans in a + low voice, from beneath the window. Thanks to his tall stature, the + soldier rather leaped than glided to the ground. + </p> + <p> + Dagobert and the two young girls had not fled from the inn of the White + Falcon more than a quarter of an hour, when a long crash resounded through + the house. The door had yielded to the efforts of the burgomaster and + Morok, who had made use of a heavy table as a battering ram. Guided by the + light, they ran to the chamber of the orphans, now deserted. Morok saw the + sheets floating from the casement, and cried: “Mr. Burgomaster, they have + escaped by the window—they are on foot—in this dark and stormy + night, they cannot be far.” + </p> + <p> + “No doubt, we shall catch them, the miserable tramps! Oh, I will be + revenged! Quick, Morok; your honor is concerned as well as mine.” + </p> + <p> + “My honor?—Much more is concerned than that, Mr. Burgomaster,” + answered the Prophet, in a tone of great irritation. Then, rapidly + descending the stairs, he opened the door of the court-yard, and shouted + in a voice of thunder: + </p> + <p> + “Goliath! unchain the dogs!—and, landlord! bring us lanterns, + torches—arm your people—open the doors!—We must pursue + the fugitives; they cannot escape us; we must have them—alive or + dead!” + </p> + <p> + <a name="link2HCH0015" id="link2HCH0015"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XV. THE DESPATCHES. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">W</span>hen we read, in the rules of the order of the Jesuits, under the title De + formula scribendi (Institut. 2, 11, p. 125, 129), the development of the + 8th part of the constitutions, we are appalled by the number of letters, + narratives, registers, and writings of all kinds, preserved in the + archives of the society. + </p> + <p> + It is a police infinitely more exact and better informed than has ever + been that of any state. Even the government of Venice found itself + surpassed by the Jesuits: when it drove them out in 1606, it seized all + their papers, and reproached them for their great and laborious curiosity. + This police, this secret inquisition, carried to such a degree of + perfection, may give some idea of the strength of a government, so + well-informed so persevering in its projects, so powerful by its unity, + and, as the constitutions have it, by the union of its members. It is not + hard to understand, what immense force must belong to the heads of this + society, and how the general of the Jesuits could say to the Duke de + Brissac: “From this room, your grace, I govern not only Paris, but China—not + only China, but the whole world—and all without any one knowing how + it is done:” (Constitution of the Jesuits, edited by Paulin, Paris, 1843.) + </p> + <p> + Morok, the lion-tamer, seeing Dagobert deprived of his horse, and stripped + of his money and papers, and thinking it was thus out of his power to + continue his journey, had, previous to the arrival of the burgomaster, + despatched Karl to Leipsic, as the bearer of a letter which he was to put + immediately into the post. The address of this letter was as follows: “A + Monsieur Rodin, Rue du Milieu des Ursins, Paris.” + </p> + <p> + About the middle of this obscure and solitary street, situate below the + level of the Quai Napoleon, which it joins not far from the Rue Saint + Landry, there stood a house of unpretentious appearance, at the bottom of + a dark and narrow court-yard, separated from the street by a low building + in front, with arched doorway, and two windows protected by thick iron + bars. Nothing could be more simple than the interior of this quiet + dwelling, as was sufficiently shown by the furniture of a pretty large + room on the ground floor. The walls of this apartment were lined with old + gray wainscot; the tiled floor was painted red, and carefully polished; + curtains of white calico shaded the windows. + </p> + <p> + A sphere of about four feet in diameter, raised on a pedestal of massive + oak, stood at one end of the room, opposite to the fireplace. Upon this + globe, which was painted on a large scale, a host of little red crosses + appeared scattered over all parts of the world—from the North to the + South, from the rising to the setting sun, from the most barbarous + countries, from the most distant isles, to the centres of civilization, to + France itself. There was not a single country which did not present some + spots marked with these red crosses, evidently indicative of stations, or + serving as points of reference. + </p> + <p> + Before a table of black wood, loaded with papers, and resting against the + wall near the chimney, a chair stood empty. Further on, between the two + windows, was a large walnut-wood desk, surmounted by shelves full of + pasteboard boxes. + </p> + <p> + At the end of the month of October, 1831, about eight o’clock in the + morning, a man sat writing at this desk. This was M. Rodin, the + correspondent of Morok, the brute-tamer. + </p> + <p> + About fifty years of age, he wore an old, shabby, olive greatcoat, with a + greasy collar, a snuff-powdered cotton handkerchief for a cravat, and + waistcoat and trousers of threadbare black cloth. His feet, buried in + loose varnished shoes, rested on a petty piece of green baize upon the + red, polished floor. His gray hair lay flat on his temples, and encircled + his bald forehead; his eyebrows were scarcely marked; his upper eyelid, + flabby and overhanging, like the membrane which shades the eyes of + reptiles, half concealed his small, sharp, black eye. His thin lips, + absolutely colorless, were hardly distinguishable from the wan hue of his + lean visage, with its pointed nose and chin; and this livid mask (deprived + as it were of lips) appeared only the more singular, from its maintaining + a death-like immobility. Had it not been for the rapid movement of his + fingers, as, bending over the desk, he scratched along with his pen, M. + Rodin might have been mistaken for a corpse. + </p> + <p> + By the aid of a cipher (or secret alphabet) placed before him he was + copying certain passages from a long sheet full of writing, in a manner + quite unintelligible to those who did not possess the key to the system. + Whilst the darkness of the day increased the gloom of the large, cold, + naked-looking apartment, there was something awful in the chilling aspect + of this man, tracing his mysterious characters in the midst of profound + silence. + </p> + <p> + The clock struck eight. The dull sound of the knocker at the outer door + was heard, then a bell tinkled twice, several doors opened and shut, and a + new personage entered the chamber. On seeing him, M. Rodin rose from the + desk, stuck his pen between his teeth, bowed with a deeply submissive air, + and sat down again to his work without uttering a word. + </p> + <p> + The two formed a striking contrast to one another. The newcomer, though + really older than he seemed, would have passed for thirty-six or thirty + eight years of age at most. His figure was tall and shapely, and few could + have encountered the brightness of his large gray eye, brilliant as + polished steel. His nose, broad at the commencement, formed a well-cut + square at its termination; his chin was prominent, and the bluish tints of + his close-shaved beard were contrasted with the bright carnation of his + lips, and the whiteness of his fine teeth. When he took off his hat to + change it for a black velvet cap which he found on the small table, he + displayed a quantity of light chestnut hair, not yet silvered by time. He + was dressed in a long frock-coat, buttoned up to the neck in military + fashion. + </p> + <p> + The piercing glance and broad forehead of this man revealed a powerful + intellect, even as the development of his chest and shoulders announced a + vigorous physical organization; whilst his gentlemanly appearance, the + perfection of his gloves and boots, the light perfume which hung about his + hair and person, the grace and ease of his least movements, betrayed what + is called the man of the world, and left the impression that he had sought + or might still seek every kind of success, from the most frivolous to the + most serious. This rare combination of strength of mind, strength of body, + and extreme elegance of manners, was in this instance rendered still more + striking by the circumstance, that whatever there might be of haughtiness + or command in the upper part of that energetic countenance, was softened + down, and tempered by a constant but not uniform smile—for, as + occasion served, this smile became either kind or sly, cordial or gay, + discreet or prepossessing, and thus augmented the insinuating charm of + this man, who, once seen, was never again forgotten. But, in yielding to + this involuntary sympathy, the doubt occurred if the influence was for + good—or for evil. + </p> + <p> + M. Rodin, the secretary of the newcomer, continued to write. + </p> + <p> + “Are there any letters from Dunkirk, Rodin?” inquired his master. + </p> + <p> + “Post not yet in.” + </p> + <p> + “Without being positively uneasy as to my mother’s health, since she was + already convalescent,” resumed the other, “I shall only be quite reassured + by a letter from my excellent friend, the Princess de Saint Dizier. I + shall have good news this morning, I hope.” + </p> + <p> + “It is to be desired,” said the secretary, as humble and submissive as he + was laconic and impassible. + </p> + <p> + “Certainly it is to be desired,” resumed his master; “for one of the + brightest days of my life was when the Princess de Saint-Dizier announced + to me that this sudden and dangerous illness had yielded to the care and + attention with which she surrounds my mother. Had it not been for that I + must have gone down to her instantly, though my presence here is very + necessary.” + </p> + <p> + Then, approaching the desk, he added: “Is the summary of the foreign + correspondence complete?” + </p> + <p> + “Here is the analysis.” + </p> + <p> + “The letters are still sent under envelope to the places named, and are + then brought here as I directed?” + </p> + <p> + “Always.” + </p> + <p> + “Read to me the notes of this correspondence; if there are any letters for + me to answer, I will tell you.” And Rodin’s master began to walk up and + down the room, with his hands crossed behind his back, dictating + observations of which Rodin took careful note. + </p> + <p> + The secretary turned to a pretty large pile of papers, and thus began: + </p> + <p> + “Don Raymond Olivarez acknowledges from Cadiz receipt of letter No.19; he + will conform to it, and deny all share in the abduction.” + </p> + <p> + “Very well; file it.” + </p> + <p> + “Count Romanoff, of Riga, finds himself in a position of pecuniary + embarrassment.” + </p> + <p> + “Let Duplessis send him fifty louis; I formerly served as captain in his + regiment, and he has since given us good information.” + </p> + <p> + “They have received at Philadelphia the last cargo of Histories of France, + expurgated for the use of the faithful they require some more of the same + sort.” + </p> + <p> + “Take note of it, and write to Duplessis. Go on.” + </p> + <p> + “M. Spindler sends from Namur the secret report on M. Ardouin.” + </p> + <p> + “To be examined.” + </p> + <p> + “M. Ardouin sends from the same town the secret report on M. Spindler.” + </p> + <p> + “To be examined.” + </p> + <p> + “Doctor Van Ostadt, of the same town, sends a confidential note on the + subject of Messrs. Spindler and Ardouin.” + </p> + <p> + “To be compared. Go on!” + </p> + <p> + “Count Malipierri, of Turin, announces that the donation of 300,000 francs + is signed.” + </p> + <p> + “Inform Duplessis. What next?” + </p> + <p> + “Don Stanislaus has just quitted the waters of Baden with Queen Marie + Ernestine. He informs us that her majesty will receive with gratitude the + promised advices, and will answer them with her own hand.” + </p> + <p> + “Make a note of it. I will myself write to the queen.” + </p> + <p> + Whilst Rodin was inscribing a few remarks on the margin of the paper, his + master, continuing to walk up and down the room, found himself opposite to + the globe marked with little red crosses, and stood contemplating it for a + moment with a pensive air. + </p> + <p> + Rodin continued: “In consequence of the state of the public mind in + certain parts of Italy, where sundry agitators have turned their eyes in + the direction of France, Father Arsenio writes from Milan, that it would + be of importance to distribute profusely in that country, some little + book, in which the French would be represented as impious and debauched, + rapacious and bloody.” + </p> + <p> + “The idea is excellent. We might turn to good account the excesses + committed by our troops in Italy during the wars of the Republic. You must + employ Jacques Dumoulin to write it. He is full of gall, spite, and venom: + the pamphlet will be scorching. Besides, I may furnish a few notes; but + you must not pay Dumoulin till after delivery of the manuscript.” + </p> + <p> + “That is well understood: for, if we were to pay him beforehand, he would + be drunk for a week in some low den. It was thus we had to pay him twice + over for his virulent attack on the pantheistic tendencies of Professor + Martin’s philosophy.” + </p> + <p> + “Take note of it—and go on!” + </p> + <p> + “The merchant announces that the clerk is about to send the banker to give + in his accounts. You understand?’ added Rodin, after pronouncing these + words with a marked emphasis. + </p> + <p> + “Perfectly,” said the other, with a start; “they are but the expressions + agreed on. What next?” + </p> + <p> + “But the clerk,” continued the secretary, “is restrained by a last + scruple.” + </p> + <p> + After a moment’s silence, during which the features of Rodin’s master + worked strongly, he thus resumed: “They must continue to act on the + clerk’s mind by silence and solitude; then, let him read once more the + list of cases in which regicide is authorized and absolved. Go on!” + </p> + <p> + “The woman Sydney writes from Dresden, that she waits for instructions. + Violent scenes of jealousy on her account have again taken place between + the father and son; but neither from these new bursts of mutual hatred, + nor from the confidential communications which each has made to her + against his rival, has she yet been able to glean the information + required. Hitherto, she has avoided giving the preference to one or the + other; but, should this situation be prolonged, she fears it may rouse + their suspicion. Which ought she then to choose—the father or the + son?” + </p> + <p> + “The son—for jealous resentment will be much more violent and cruel + in the old man, and, to revenge himself for the preference bestowed upon + his son, he will perhaps tell what they have both such an interest to + conceal. The next?” + </p> + <p> + “Within the last three years, two maid-servants of Ambrosius whom we + placed in that little parish in the mountains of the Valais, have + disappeared, without any one knowing what has become of them. A third has + just met with the same fate. The Protestants of the country are roused—talk + of murder with frightful attendant circumstances—” + </p> + <p> + “Until there is proof positive and complete of the fact, Ambrosius must be + defended against these infamous calumnies, the work of a party that never + shrinks from; monstrous inventions. Go on!” + </p> + <p> + “Thompson, of Liverpool, has at length succeeded in procuring for Justin + the place of agent or manager to Lord Stewart, a rich Irish Catholic, + whose head grows daily weaker.” + </p> + <p> + “Let the fact be once verified, and Thompson shall have a premium of fifty + louis. Make a note of it for Duplessis. Proceed.” + </p> + <p> + “Frantz Dichstein, of Vienna,” resumed Rodin, “announces that his father + has just died of the cholera, in a little village at some leagues from + that city: for the epidemic continues to advance slowly, coming from the + north of Russia by way of Poland.” + </p> + <p> + “It is true,” said Rodin’s master, interrupting him; “may its terrible + march be stayed, and France be spared.” + </p> + <p> + “Frantz Dichstein,” resumed Rodin, “says that his two brothers are + determined to contest the donation made by his father, but that he is of + an opposite opinion.” + </p> + <p> + “Consult the two persons that are charged with all matters of litigation. + What next?” + </p> + <p> + “The Cardinal Prince d’Amalfi will conform to the three first points of + the proposal: he demands to make a reservation upon the fourth point.” + </p> + <p> + “No reserve!—Either full and absolute acceptance—or else war—and + (mark me well) war without mercy—on him and his creatures. Go on!” + </p> + <p> + “Fra Paolo announces that the Prince Boccari, chief of a redoubtable + secret society, in despair at seeing his friends accuse him of treachery, + in consequence of suspicions excited in their minds by Fra Paolo himself, + has committed suicide.” + </p> + <p> + “Boccari! is it possible?” cried Rodin’s master. “Boccari! the patriot + Boccari! so dangerous a person!” + </p> + <p> + “The patriot Boccari,” repeated the impassible secretary. + </p> + <p> + “Tell Duplessis to send an order for five-and-twenty louis to Fra Paolo. + Make a note of it.” + </p> + <p> + “Hausman informs us that the French dancer, Albertine Ducornet, is the + mistress of the reigning prince; she has the most complete influence over + him, and it would be easy through her means to arrive at the end proposed, + but that she is herself governed by her lover (condemned in France as a + forger), and that she does nothing without consulting him.” + </p> + <p> + “Let Hausman get hold of this man—if his claims are reasonable, + accede to them—and learn if the girl has any relations in Paris.” + </p> + <p> + “The Duke d’Orbano announces, that the king his master will authorize the + new establishment, but on the conditions previously stated.” + </p> + <p> + “No condition!—either a frank adhesion or a positive refusal. Let us + know our friends from our enemies. The more unfavorable the circumstances, + the more we must show firmness, and overbear opposition by confidence in + ourselves.” + </p> + <p> + “The same also announces, that the whole of the corps diplomatique + continues to support the claims of the father of that young Protestant + girl, who refuses to quit the convent where she has taken refuge, unless + it be to marry her lover against her father’s will.” + </p> + <p> + “Ah! the corps diplomatique continues to remonstrate in the father’s + name?” + </p> + <p> + “Yes.” + </p> + <p> + “Then, continue to answer, that the spiritual power has nothing to do with + the temporal.” + </p> + <p> + At this moment, the bell of the outer door again sounded twice. “See who + it is,” said Rodin’s master; and the secretary rose and left the room. The + other continued to walk thoughtfully up and down, till, coming near to the + huge globe, he stopped short before it. + </p> + <p> + For some time he contemplated, in profound silence, the innumerable little + red crosses, which appeared to cover, as with an immense net, all the + countries of the earth. Reflecting doubtless on the invisible action of + his power, which seemed to extend over the whole world, the features of + this man became animated, his large gray eye sparkled, his nostrils + swelled, and his manly countenance assumed an indescribable expression of + pride, energy, and daring. With haughty brow and scornful lip, he drew + still nearer to the globe, and leaned his strong hand upon the pole. + </p> + <p> + This powerful pressure, an imperious movement, as of one taking + possession, seemed to indicate, that he felt sure of governing this globe, + on which he looked down from the height of his tall figure, and on which + he rested his hand with so lofty and audacious an air of sovereignty. + </p> + <p> + But now he no longer smiled. His eye threatened, and his large forehead + was clad with a formidable scowl. The artist, who had wished to paint the + demon of craft and pride, the infernal genius of insatiable domination, + could not have chosen a more suitable model. + </p> + <p> + When Rodin returned, the face of his master had recovered its ordinary + expression. “It is the postman,” said Rodin, showing the letters which he + held in his hand; “there is nothing from Dunkirk.” + </p> + <p> + “Nothing?” cried his master—and his painful emotion formed a strange + contrast to his late haughty and implacable expression of countenance—“nothing? + no news of my mother?—Thirty-six hours more, then, of anxiety.” + </p> + <p> + “It seems to me, that, if the princess had bad news to give, she would + have written. Probably the improvement goes on.” + </p> + <p> + “You are doubtless right, Rodin—but no matter—I am far from + easy. If, to-morrow, the news should not be completely satisfactory, I set + out for the estate of the princess. Why would my mother pass the autumn in + that part of the country? The environs of Dunkirk do not, I fear, agree + with her.” + </p> + <p> + After a few moments’ silence, he added, as he continued to walk: “Well—these + letters—whence are they?” + </p> + <p> + Rodin looked at the post-marks, and replied: “Out of the four there are + three relative to the great and important affairs of the medals.” + </p> + <p> + “Thank heaven!—provided the news be favorable,” cried his master, + with an expression of uneasiness, which showed how much importance he + attached to this affair. + </p> + <p> + “One is from Charlestown, and no doubt relative to Gabriel, the + missionary,” answered Rodin; “this other from Batavia, and no doubt + concerns the Indian, Djalma. The third is from Leipsic, and will probably + confirm that received yesterday, in which the lion-tamer, Morok, informed + us, that, in accordance with his orders, and without his being compromised + in any way, the daughters of General Simon would not be able to continue + their journey.” + </p> + <p> + At the name of General Simon, a cloud passed over the features of Rodin’s + master. + </p> + <p> + <a name="link2HCH0016" id="link2HCH0016"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XVI. THE ORDERS. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>he principal houses correspond with that in Paris; they are also in + direct communication with the General, who resides at Rome. The + correspondence of the Jesuits so active, various, and organized in so + wonderful a manner, has for its object to supply the heads with all the + information they can require. Every day, the General receives a host of + reports, which serve to check one another. In the central house, at Rome, + are immense registers, in which are inscribed the names of all the + Jesuits, of their adherents, and of all the considerable persons, whether + friends or enemies, with whom they have any connection. In these registers + are reported, without alteration, hatred or passion the facts relating to + the life of each individual. It is the most gigantic biographical + collection that has ever been formed. The frailties of a woman, the secret + errors of a statesman, are chronicled in this book with the same cold + impartiality. Drawn up for the purpose of being useful, these biographies + are necessarily exact. When the Jesuits wish to influence an individual, + they have but to turn to this book, and they know immediately his life, + his character, his parts, his faults, his projects, his family, his + friends, his most sacred ties. Conceive, what a superior facility of + action this immense police-register, which includes the whole world, must + give to any one society! It is not lightly that I speak of these + registers; I have my facts from a person who has seen this collection, and + who is perfectly well acquainted with the Jesuits. Here then, is matter to + reflect on for all those families, who admit freely into their houses the + members of a community that carries its biographical researches to such a + point. (Libri, Member of the Institute. Letters on the Clergy.) + </p> + <p> + When he had conquered the involuntary emotion which the name or + remembrance of General Simon had occasioned, Rodin’s master said to the + secretary: “Do not yet open the letters from Leipsic, Charlestown, and + Batavia; the information they contain will doubtless find its place + presently. It will save our going over the same ground twice.” + </p> + <p> + The secretary looked inquiringly at his master. + </p> + <p> + The latter continued—“Have you finished the note relating to the + medals?” + </p> + <p> + “Here it is,” replied the secretary; “I was just finishing my + interpretation of the cipher.” + </p> + <p> + “Read it to me, in the order of the facts. You can append to it the news + contained in those three letters.” + </p> + <p> + “True,” said Rodin; “in that way the letters will find their right place.” + </p> + <p> + “I wish to see,” rejoined the other, “whether this note is clear and fully + explanatory; you did not forget that the person it is intended for ought + not to know all?” + </p> + <p> + “I bore it in mind, and drew up the paper accordingly.” + </p> +<div class="fig"> + <img src="images/10153m.jpg" alt="10153m " /><br /> + </div> + <h5> + <a href="images/10153.jpg"><i>Original</i></a> + </h5> + <p> + “Read,” said the master. + </p> + <p> + M. Rodin read as follows, slowly and deliberately: + </p> + <p> + “‘A hundred and fifty years ago, a French Protestant family, foreseeing + the speedy—revocation of the edict of Nantes, went into voluntary + exile, in order to avoid the just and rigorous decrees already issued + against the members of the reformed church—those indomitable foes of + our holy religion. + </p> + <p> + “‘Some members of this family sought refuge in Holland, and afterwards in + the Dutch colonies; others in Poland, others in Germany; some in England, + and some in America. + </p> + <p> + “‘It is supposed that only seven descendants remain of this family, which + underwent strange vicissitudes since; its present representatives are + found in all ranks of society, from the sovereign to the mechanic. + </p> + <p> + “‘These descendants, direct or indirect, are: + </p> + <p> + “‘On the mother’s side, + </p> + <p> + “‘Rose and Blanche Simon—minors. + </p> + <p> + “‘General Simon married, at Warsaw, a descendant of the said family. + </p> + <p> + “‘Francois Hardy, manufacturer at Plessis, near Paris. + </p> + <p> + “‘Prince Djalma, son of Kadja-sing, King of Mondi. + </p> + <p> + “‘Kadja-sing, married, in 1802, a descendant of the said family, then + settled at Batavia, in the Island of Java, a Dutch colony. + </p> + <p> + “‘On the father’s side—Jacques Rennepont, surnamed Sleepinbuff, + mechanic. + </p> + <p> + “‘Adrienne de Cardoville, daughter of the Count of Rennepont, Duke of + Cardoville. + </p> + <p> + “‘Gabriel Rennepont, priest of the foreign missions. + </p> + <p> + “‘All the members of this family possess, or should possess, a bronze + medal bearing the following inscriptions: + </p> +<pre xml:space="preserve"> + Victim + of + L. C. D. J. + Pray for me! + Paris + February the 13th, 1682. + + At Paris, + Rue Saint Francois, No. 3, + In a century and a half + you will be. + February the 13th, 1832. + Pray For Me! +</pre> + <p> + “‘These words and dates show that all of them have a great interest to be + at Paris on the 13th of February, 1832; and that, not by proxy, but in + person, whether they are minors, married or single. + </p> + <p> + “‘But other persons have an immense interest that none of the descendants + of this family be at Paris on the 13th February, except Gabriel Rennepont, + priest of the foreign missions. + </p> + <p> + “‘At all hazards, therefore, Gabriel must be the only person present at + the appointment made with the descendants of this family, a century and a + half ago. + </p> + <p> + “‘To prevent the other six persons from reaching Paris on the said day, or + to render their presence of no effect, much has been already done; but + much remains to be done to ensure the success of this affair, which is + considered as the most vital and most important of the age, on account of + its probable results.’” + </p> + <p> + “‘Tis but too true,” observed Rodin’s master, interrupting him, and + shaking his head pensively. “And, moreover, that the consequences of + success are incalculable, and there is no forseeing what may follow + failure. In a word, it almost involves a question of existence or non + existence during several years. To succeed, therefore, ‘all possible means + must be employed. Nothing must be shunned,’ except, however, that + appearances must be skillfully maintained.” + </p> + <p> + “I have written it,” said Rodin, having added the words his master had + just dictated, who then said, + </p> + <p> + “Continue.” + </p> + <p> + Rodin read on: + </p> + <p> + “‘To forward or secure the affair in question, it is necessary to give + some private and secret particulars respecting the seven persons who + represent this family. + </p> + <p> + “‘The truth of these particulars may be relied on. In case of need they + might be completed in the most minute degree for contradictory information + having been given, very lengthened evidence has been obtained. The order + in which the names of the persons stand will be observed, and events that + have happened up to the present time will only be mentioned. + </p> + <p> + “‘NOTE, No. I. “‘Rose and Blanche Simon, twin sisters, about fifteen years + of age; very pretty, so much alike, one might be taken for the other; mild + and timid disposition, but capable of enthusiasm. Brought up in Siberia by + their mother, a woman of strong mind and deistical sentiments, they are + wholly ignorant of our holy religion. + </p> + <p> + “‘General Simon, separated from his wife before they were born, is not + aware, even now, that he has two daughters. + </p> + <p> + “‘It was hoped that their presence in Paris, on the 13th of February, + would be prevented, by sending their mother to a place of exile, much more + distant than the one first allotted her; but their mother dying, the + Governor of Siberia, who is wholly ours, supposing, by a deplorable + mistake, that the measure only affected the wife of General Simon + personally, unfortunately allowed the girls to return to France, under the + guidance of an old soldier. + </p> + <p> + “‘This man is enterprising, faithful, and determined. He is noted down as + dangerous. + </p> + <p> + “‘The Simon girls are inoffensive. It is hoped, on fair grounds, that they + are now detained in the neighborhood of Leipsic.’” + </p> + <p> + Rodin’s master interrupted him, saying: + </p> + <p> + “Now, read the letter just received from Leipsic; it may complete the + information.” + </p> + <p> + Rodin read it, and exclaimed: + </p> + <p> + “Excellent news! The maidens and their guide had succeeded in escaping + during the night from the White Falcon Tavern, but all three were + overtaken and seized about a league from Mockern. They have been + transferred to Leipsic, where they are imprisoned as vagabonds; their + guide, the soldier, is accused and condemned of resisting the authorities, + and using violence to a magistrate.” + </p> + <p> + “It is almost certain, then, considering the tedious mode of proceeding in + Germany (otherwise we would see to it), that the girls will not be able to + be here on the 13th February,” added Rodin’s master. “Append this to the + note on the back.” + </p> + <p> + The secretary obeyed, and endorsed “An abstract of Morok’s letter.” + </p> + <p> + “It is written,” he then added. + </p> + <p> + “Go on,” resumed his master. + </p> + <p> + Rodin continued reading. + </p> + <p> + “‘NOTE, No. II. “‘Francois Hardy, manufacturer at Plessis, near Paris, + forty years old; a steady, rich, intelligent, active, honest, + well-informed man, idolized by his workmen—thanks to numberless + innovations to promote their welfare. Never attending to the duties of our + holy religion. Noted down as a very dangerous man: but the hatred and envy + he excites among other manufacturers, especially in M. le Baron Tripeaud, + his competitor, may easily be turned against him. If other means of action + on his account, and against him, are necessary, the evidence may be + consulted; it is very voluminous. This man has been marked and watched for + a long time. + </p> + <p> + “‘He has been so effectually misguided with respect to the medal, that he + is completely deceived as to the interests it represents. He is, however, + constantly watched, surrounded, and governed, without suspecting it; one + of his dearest friends deceives him, and through his means we know his + secret thoughts. + </p> + <p> + “‘NOTE, No. III. “‘Prince Djalma; eighteen; energetic and generous, + haughty, independent and wild; favorite of General Simon, who commanded + the troops of his father, Kadja-sing, in the struggle maintained by the + latter against the English in India. Djalma is mentioned only by way of + reminder, for his mother died young, while her parents were living. They + resided at Batavia. On the death of the latter, neither Djalma nor the + king, his father, claimed their little property. It is, therefore, certain + that they are ignorant of the grave interests connected with the + possession of the medal in question, which formed part of the property of + Djalma’s mother.”’” + </p> + <p> + Rodin’s master interrupted him. + </p> + <p> + “Now read the letter from Batavia, and complete the information respecting + Djalma.” + </p> + <p> + Rodin read, and then observed: + </p> + <p> + “Good news again. Joshua Van Dael, merchant at Batavia (he was educated in + our Pondicherry establishment), learns from his correspondent at Calcutta + that the old Indian king was killed in the last battle with the English. + His son, Djalma, deprived of the paternal throne, is provisionally + detained as a prisoner of state in an Indian fortress.” + </p> + <p> + “We are at the end of October,” said Rodin’s master. “If Prince Djalma + were to leave India now, he could scarcely reach Paris by the month of + February.” + </p> + <p> + “Van Dael,” continued Rodin, “regrets that he has not been able to prove + his zeal in this case. Supposing Prince Djalma set at liberty, or having + effected his escape, it is certain he would come to Batavia to claim his + inheritance from his mother, since he has nothing else left him in the + world. In that case, you may rely on Van Dael’s devotedness. In return, he + solicits very precise information, by the next post, respecting the + fortune of M. le Baron Tripeaud, banker and manufacturer, with whom he has + business transactions.” + </p> + <p> + “Answer that point evasively. Van Dael as yet has only shown zeal; + complete the information respecting Djalma from these new tidings.” + </p> + <p> + Rodin wrote. + </p> + <p> + But in a few minutes his master said to him with a singular expression: + </p> + <p> + “Does not Van Dael mention General Simon in connection with Djalma’s + imprisonment and his father’s death?” + </p> + <p> + “He does not allude to him,” said the secretary, continuing his task. + </p> + <p> + Rodin’s master was silent, and paced the room. + </p> + <p> + In a few moments Rodin said to him: “I have done it.” + </p> + <p> + “Go on, then.” + </p> + <p> + “‘NOTE, No. IV. “‘Jacques Rennepont, surnamed “Sleepinbuff,” i.e. Lie + naked, workman in Baron Tripeaud’s factory. This artisan is drunken, idle, + noisy, and prodigal; he is not without sense, but idleness and debauch + have ruined him. A clever agent, on whom we rely, has become acquainted + with his mistress, Cephyse Soliveau, nicknamed the Bacchanal Queen. + Through her means, the agent has formed such ties with him that he may + even now be considered beyond the reach of the interests that ought to + insure his presence in Paris on the 13th of February. + </p> + <p> + “‘NOTE, No. V. “‘Gabriel Rennepont, priest of foreign missions, distant + relation of the above, but he is alike ignorant of the existence of his + relative and the relationship. An orphan foundling, he was adopted by + Frances Baudoin, the wife of a soldier going by the name Dagobert. + </p> + <p> + “‘Should this soldier, contrary to expectation, reach Paris, his wife + would be a powerful means of influencing him. She is an excellent + creature, ignorant and credulous, of exemplary piety, over whom we have + long had unlimited control. She prevailed on Gabriel to take orders, + notwithstanding his repugnance. + </p> + <p> + “‘Gabriel is five-and-twenty; disposition as angelic as his countenance; + rare and solid virtues; unfortunately he was brought up with his adopted + brother, Agricola, Dagobert’s son. This Agricola is a poet and workman—but + an excellent workman; he is employed by M. Hardy; has imbibed the most + detestable doctrines; fond of his mother; honest, laborious, but without + religious feeling. Marked as very dangerous. This causes his intimacy with + Gabriel to be feared. + </p> + <p> + “‘The latter, notwithstanding his excellent qualities, sometimes causes + uneasiness. We have even delayed confiding in him fully. A false step + might make him, too, one of the most dangerous. Much precaution must be + used then, especially till the 13th of February; since, we repeat it, on + him, on his presence in Paris at that time, depend immense hopes and + equally important interests. + </p> + <p> + “‘Among other precautions, we have consented to his taking part in the + American mission, for he unites with angelic sweetness of character a calm + intrepidity and adventurous spirit which could only be satisfied by + allowing him to engage in the perilous existence of the missionaries. + Luckily, his superiors at Charlestown have received the strictest orders + not to endanger, on any account, so precious a life. They are to send him + to Paris, at least a month or two before February 13th.”’ + </p> + <p> + Rodin’s master again interrupted him, and said: “Read the letter from + Charlestown, and see what it tells you in order to complete the + information upon this point also.” + </p> + <p> + When he had read the letter, Rodin went on: “Gabriel is expected every day + from the Rocky Mountains, whither he had absolutely insisted on going + alone upon a mission.” + </p> + <p> + “What imprudence!” + </p> + <p> + “He has no doubt escaped all danger, as he himself announces his speedy + return to Charlestown. As soon as he arrives, which cannot (they write) be + later than the middle of this month, he will be shipped off for France.” + </p> + <p> + “Add this to the note which concerns him,” said Rodin’s master. + </p> + <p> + “It is written,” replied the secretary, a few moments later. + </p> + <p> + “Proceed, then,” said his master. Rodin continued + </p> + <p> + “‘NOTE, No. VI. “‘ADRIENNE RENNEPONT DE CARDOVILLE. + </p> + <p> + “‘Distantly related (without knowing it) to Jacques Rennepont, alias + Sleepinbuff, and Gabriel Rennepont, missionary priest. She will soon be + twenty-one years of age, the most attractive person in the world—extraordinary + beauty, though red-haired—a mind remarkable for its originality—immense + fortune—all the animal instincts. The incredible independence of her + character makes one tremble for the future fate of this young person. + Happily, her appointed guardian, Baron Tripeaud (a baron of 1829 creation, + formerly agent to the late Count of Rennepont, Duke of Cardoville), is + quite in the interest, and almost in the dependence, of the young lady’s + aunt. We count, with reason, upon this worthy and respectable relative, + and on the Baron Tripeaud, to oppose and repress the singular, unheard-of + designs which this young person, as resolute as independent, does not fear + to avow—and which, unfortunately, cannot be turned to account in the + interest of the affair in question—for—” + </p> + <p> + Rodin was here interrupted by two discreet taps at the door. The secretary + rose, went to see who knocked, remained a moment without, and then + returned with two letters in his hand, saying: “The princess has profited + by the departure of a courier to—” + </p> + <p> + “Give me the letter!” cried his master, without leaving him time to + finish. “At length,” he added, “I shall have news of my mother—” + </p> + <p> + He had scarcely read the first few lines of the letter, when he grew + deadly pale, and his features took an expression of painful astonishment + and poignant grief. “My mother!” he cried, “oh, heavens! my mother!” + </p> + <p> + “What misfortune has happened!” asked Rodin, with a look of alarm, as he + rose at the exclamation of his master. + </p> + <p> + “The symptoms of improvement were fallacious,” replied the other, + dejectedly; “she has now relapsed into a nearly hopeless state. And yet + the doctor thinks my presence might save her, for she calls for me without + ceasing. She wishes to see me for the last time, that she may die in + peace. Oh, that wish is sacred! Not to grant it would be matricide. If I + can but arrive in time! Travelling day and night, it will take nearly two + days.” + </p> + <p> + “Alas! what a misfortune!” said Rodin, wringing his hands, and raising his + eyes to heaven. + </p> + <p> + His master rang the bell violently, and said to the old servant that + opened the door: “Just put what is indispensable into the portmanteau of + my travelling-carriage. Let the porter take a cab, and go for post horses + instantly. Within an hour, I must be on the road. Mother! mother!” cried + he, as the servant departed in haste. “Not to see her again—oh, it + would be frightful!” And sinking upon a chair, overwhelmed with sorrow, he + covered his face with his hands. + </p> + <p> + This great grief was sincere—he loved tenderly his mother that + divine sentiment had accompanied him, unalterable and pure, through all + the phases of a too often guilty life. + </p> + <p> + After a few minutes, Rodin ventured to say to his master, as he showed him + the second letter: “This, also, has just been brought from M. Duplessis. + It is very important—very pressing—” + </p> + <p> + “See what it is, and answer it. I have no head for business.” + </p> + <p> + “The letter is confidential,” said Rodin, presenting it to his master. “I + dare not open it, as you may see by the mark on the cover.” + </p> + <p> + At sight of this mark, the countenance of Rodin’s master assumed an + indefinable expression of respect and fear. With a trembling hand he broke + the seal. The note contained only the following words: “Leave all + business, and without losing a minute, set out and come. M. Duplessis will + replace you. He has orders.” + </p> + <p> + “Great God!” cried this man in despair. “Set out before I have seen my + mother! It is frightful, impossible—it would perhaps kill her—yes, + it would be matricide!” + </p> +<div class="fig"> + <img src="images/10161m.jpg" alt="10161m " /><br /> + </div> + <h5> + <a href="images/10161.jpg"><i>Original</i></a> + </h5> + <p> + Whilst he uttered these words, his eyes rested on the huge globe, marked + with red crosses. A sudden revolution seemed to take place within him; he + appeared to repent of the violence of his regrets; his face, though still + sad, became once more calm and grave. He handed the fatal letter to his + secretary, and said to him, whilst he stifled a sigh: “To be classed under + its proper number.” + </p> + <p> + Rodin took the letter, wrote a number upon it, and placed it in a + particular box. After a moment’s silence, his master resumed: “You will + take orders from M. Duplessis, and work with him. You will deliver to him + the note on the affair of the medals; he knows to whom to address it. You + will write to Batavia, Leipsic, and Charlestown, in the sense agreed. + Prevent, at any price, the daughters of General Simon from quitting + Leipsic; hasten the arrival of Gabriel in Paris; and should Prince Djalma + come to Batavia, tell M. Joshua Van Dael, that we count on his zeal and + obedience to keep him there.” + </p> + <p> + And this man, who, while his dying mother called to him in vain, could + thus preserve his presence of mind, entered his own apartments; whilst + Rodin busied himself with the answers he had been ordered to write, and + transcribed them in cipher. + </p> + <p> + In about three quarters of an hour, the bells of the post-horses were + heard jingling without. The old servant again entered, after discreetly + knocking at the door, and said: + </p> + <p> + “The carriage is ready.” + </p> + <p> + Rodin nodded, and the servant withdrew. The secretary, in his turn, went + to knock at the door of the inner room. His master appeared, still grave + and cold, but fearfully pale, and holding a letter in his hand. + </p> + <p> + “This for my mother,” said he to Rodin; “you will send a courier on the + instant.” + </p> + <p> + “On the instant,” replied the secretary. + </p> + <p> + “Let the three letters for Leipsic, Batavia and Charlestown, leave to-day + by the ordinary channel. They are of the last importance. You know it.” + </p> + <p> + Those were his last words. Executing merciless orders with a merciless + obedience, he departed without even attempting to see his mother. His + secretary accompanied him respectfully to his carriage. + </p> + <p> + “What road, sir?” asked the postilion, turning round on his saddle. + </p> + <p> + “The road to ITALY!” answered Rodin’s master, with so deep a sigh that it + almost resembled a sob. + </p> + <p> + As the horses started at full gallop, Rodin made a low bow; then he + returned to the large, cold, bare apartment. The attitude, countenance, + and gait of this personage seemed to have undergone a sudden change. He + appeared to have increased in dimensions. He was no longer an automaton, + moved by the mechanism of humble obedience. His features, till now + impassible, his glance, hitherto subdued, became suddenly animated with an + expression of diabolical craft; a sardonic smile curled his thin, pale + lips, and a look of grim satisfaction relaxed his cadaverous face. + </p> + <p> + In turn, he stopped before the huge globe. In turn, he contemplated it in + silence, even as his master had done. Then, bending over it, and embracing + it, as it were, in his arms, he gloated with his reptile-eye on it for + some moments, drew his coarse finger along its polished surface, and + tapped his flat, dirty nail on three of the places dotted with red + crosses. And, whilst he thus pointed to three towns, in very different + parts of the world, he named them aloud, with a sneer. + </p> + <p> + “Leipsic—Charlestown—Batavia.” + </p> + <p> + “In each of these three places,” he added, “distant as they are from one + another, there exist persons who little think that here, in this obscure + street, from the recesses of this chamber, wakeful eyes are upon them—that + all their movements are followed, all their actions known—and that + hence will issue new instructions, which deeply concern them, and which + will be inexorably executed; for an interest is at stake, which may have a + powerful influence on Europe—on the world. Luckily, we have friends + at Leipsic, Charlestown, and Batavia.” + </p> + <p> + This funny, old, sordid, ill-dressed man, with his livid and death-like + countenance, thus crawling over the sphere before him, appeared still more + awful than his master, when the latter, erect and haughty, had imperiously + laid his hand upon that globe, which he seemed desirous of subjecting by + the strength of his pride and courage. The one resembled the eagle, that + hovers above his prey—the other the reptile, that envelops its + victim in its inextricable folds. + </p> + <p> + After some minutes, Rodin approached his desk, rubbing his hands briskly + together, and wrote the following epistle in a cipher unknown even to his + master: + </p> + <p> + “Paris, 3/4 past 9 A.M. + </p> + <p> + “He is gone—but he hesitated! + </p> + <p> + “When he received the order, his dying mother had just summoned him to + her. He might, they told him, save her by his presence; and he exclaimed: + ‘Not to go to my mother would be matricide!’ + </p> + <p> + “Still, he is gone—but he hesitated. I keep my eye upon him + continually. These lines will reach Rome at the same time as himself. + </p> + <p> + “P.S.—Tell the Cardinal-Prince that he may rely on me, but I hope + for his active aid in return.” + </p> + <p> + When he had folded and sealed this letter, Rodin put it into his pocket. + The clock struck ten, M. Rodin’s hour for breakfast. He arranged and + locked up his papers in a drawer, of which he carried away the key, + brushed his old greasy hat with his sleeve, took a patched umbrella in his + hand, and went out. (1) + </p> + <p> + Whilst these two men, in the depths of their obscure retreat, were thus + framing a plot, which was to involve the seven descendants of a race + formerly proscribed—a strange mysterious defender was planning how + to protect this family, which was also his own. + </p> + <p> + 1 Having cited the excellent, courageous letters of M. Libri, and the + curious work edited by M. Paulin, it is our duty likewise to mention many + bold and conscientious writings on the subject of the “Society of Jesus,” + recently published by the elder Dupin, Michelet, Quinet, Genin, and the + Count de Saint Priest—works of high and impartial intellects, in + which the fatal theories of the order are admirably exposed and condemned. + We esteem ourselves happy, if we can bring one stone towards the erection + of the strong, and, we hope, durable embankment which these generous + hearts and noble minds are raising against the encroachments of an impure + and always menacing flood.—E. S. + </p> + <p> + <a name="link2H_4_0021" id="link2H_4_0021"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + BOOK II. INTERVAL.—THE WANDERING JEW’S SENTENCE. + </h2> +<pre xml:space="preserve"> + XVII. The Ajoupa XVIII. The Tattooing XIX. The Smuggler XX. + M. Joshua Van Dael XXI. The Ruins of Tchandi XXII. The + Ambuscade XXIII. M. Rodin XXIV. The Tempest XXV. The + Shipwreck XXVI. The Departure for Paris XXVII. Dagobert’s + Wife XXVIII. The Sister of the Bacchanal Queen XXIX. + Agricola Baudoin XXX. The Return XXXI. Agricola and Mother + Bunch XXXII. The Awakening XXXIII. The Pavilion XXXIV. + Adrienne at her Toilet XXXV. The Interview +</pre> + <p> + <a name="link2H_4_0022" id="link2H_4_0022"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + INTERVAL. + </h2> + <h3> + THE WANDERING JEW’S SENTENCE. + </h3> + <p> + The site is wild and rugged. It is a lofty eminence covered with huge + boulders of sandstone, between which rise birch trees and oaks, their + foliage already yellowed by autumn. These tall trees stand out from the + background of red light, which the sun has left in the west, resembling + the reflection of a great fire. + </p> + <p> + From this eminence the eye looks down into a deep valley, shady, fertile, + and half-veiled in light vapor by the evening mist. The rich meadows, the + tufts of bushy trees the fields from which the ripe corn has been gathered + in, all blend together in one dark, uniform tint, which contrasts with the + limpid azure of the heavens. Steeples of gray stone or slate lift their + pointed spires, at intervals, from the midst of this valley; for many + villages are spread about it, bordering a high-road which leads from the + north to the west. + </p> + <p> + It is the hour of repose—the hour when, for the most part, every + cottage window brightens to the joyous crackling of the rustic hearth, and + shines afar through shade and foliage, whilst clouds of smoke issue from + the chimneys, and curl up slowly towards the sky. But now, strange to say, + every hearth in the country seems cold and deserted. Stranger and more + fatal still, every steeple rings out a funeral knell. Whatever there is of + activity, movement, or life, appears concentrated in that lugubrious and + far-sounding vibration. + </p> + <p> + Lights begin to show themselves in the dark villages, but they rise not + from the cheerful and pleasant rustic hearth. They are as red as the fires + of the herdsmen, seen at night through the midst of the fog. And then + these lights do not remain motionless. They creep slowly towards the + churchyard of every village. Louder sounds the death-knell, the air + trembles beneath the strokes of so many bells, and, at rare intervals, the + funeral chant rises faintly to the summit of the hill. + </p> + <p> + Why so many interments? What valley of desolation is this, where the + peaceful songs which follow the hard labors of the day are replaced by the + death dirge? where the repose of evening is exchanged for the repose of + eternity? What is this valley of the shadow, where every village mourns + for its many dead, and buries them at the same hour of the same night? + </p> + <p> + Alas! the deaths are so sudden and numerous and frightful that there is + hardly time to bury the dead. During day the survivors are chained to the + earth by hard but necessary toil; and only in the evening, when they + return from the fields, are they able, though sinking with fatigue, to dig + those other furrows, in which their brethren are to lie heaped like grains + of corn. + </p> + <p> + And this valley is not the only one that has seen the desolation. During a + series of fatal years, many villages, many towns, many cities, many great + countries, have seen, like this valley, their hearths deserted and cold—have + seen, like this valley, mourning take the place of joy, and the + death-knell substituted for the noise of festival—have wept in the + same day for their many dead, and buried them at night by the lurid glare + of torches. + </p> + <p> + For, during those fatal years, an awful wayfarer had slowly journeyed over + the earth, from one pole to the other—from the depths of India and + Asia to the ice of Siberia—from the ice of Siberia to the borders of + the seas of France. + </p> + <p> + This traveller, mysterious as death, slow as eternity, implacable as fate, + terrible as the hand of heaven, was the CHOLERA! + </p> + <p> + The tolling of bells and the funeral chants still rose from the depths of + the valley to the summit of the hill, like the complaining of a mighty + voice; the glare of the funeral torches was still seen afar through the + mist of evening; it was the hour of twilight—that strange hour, + which gives to the most solid forms a vague, indefinite fantastic + appearance—when the sound of firm and regular footsteps was heard on + the stony soil of the rising ground, and, between the black trunks of the + trees, a man passed slowly onward. + </p> + <p> + His figure was tall, his head was bowed upon his breast; his countenance + was noble, gentle, and sad; his eyebrows, uniting in the midst, extended + from one temple to the other, like a fatal mark on his forehead. + </p> + <p> + This man did not seem to hear the distant tolling of so many funeral bells—and + yet, a few days before, repose and happiness, health and joy, had reigned + in those villages through which he had slowly passed, and which he now + left behind him, mourning and desolate. But the traveller continued on his + way, absorbed in his own reflections. + </p> + <p> + “The 13th of February approaches,” thought he; “the day approaches, in + which the descendants of my beloved sister, the last scions of our race, + should meet in Paris. Alas! it is now a hundred and fifty years since, for + the third time, persecution scattered this family over all the earth—this + family, that I have watched over with tenderness for eighteen centuries, + through all its migrations and exiles, its changes of religion, fortune, + and name! + </p> + <p> + “Oh! for this family, descended from the sister of the poor shoemaker,(2) + what grandeur and what abasement, what obscurity and what splendor, what + misery and what glory! By how many crimes has it been sullied, by how many + virtues honored! The history of this single family is the history of the + human race! + </p> + <p> + “Passing, in the course of so many generations, through the veins of the + poor and the rich, of the sovereign and the bandit, of the wise man and + the fool, of the coward and the brave, of the saint and the atheist, the + blood of my sister has transmitted itself to this hour. + </p> + <p> + “What scions of this family are now remaining? Seven only. + </p> + <p> + “Two orphans, the daughters of proscribed parents—a dethroned prince—a + poor missionary priest—a man of the middle class—a young girl + of a great name and large fortune—a mechanic. + </p> + <p> + “Together, they comprise in themselves the virtues, the courage, the + degradation, the splendor, the miseries of our species! + </p> + <p> + “Siberia—India—America—France—behold the divers + places where fate has thrown them! + </p> + <p> + “My instinct teaches me when one of them is in peril. Then, from the North + to the South, from the East to the West, I go to seek them. Yesterday amid + the polar frosts—to-day in the temperate zone—to-morrow + beneath the fires of the tropics—but often, alas! at the moment when + my presence might save them, the invisible hand impels me, the whirlwind + carries me away, and the voice speaks in my ear: ‘GO ON! GO ON!’ + </p> + <p> + “Oh, that I might only finish my task!—‘GO ON!’—A single hour—only + a single hour of repose!—‘GO ON!’—Alas! I leave those I love + on the brink of the abyss!—‘GO ON! GO ON!’ + </p> + <p> + “Such is my punishment. If it is great, my crime was greater still! An + artisan, devoted to privations and misery, my misfortunes had made me + cruel. + </p> + <p> + “Oh, cursed, cursed be the day, when, as I bent over my work, sullen with + hate and despair, because, in spite of my incessant labor, I and mine + wanted for everything, the Saviour passed before my door. + </p> + <p> + “Reviled, insulted, covered with blows, hardly able to sustain the weight + of his heavy cross, He asked me to let Him rest a moment on my stone + bench. The sweat poured from His forehead, His feet were bleeding, He was + well-nigh sinking with fatigue, and He said to me, in a mild, heart + piercing voice: ‘I suffer!’ ‘And I too suffer,’ I replied, as with harsh + anger I pushed Him from the place; ‘I suffer, and no one comes to help me! + I find no pity, and will give none. Go on! go on!’ Then, with a deep sigh + of pain, He answered, and spake this sentence: ‘Verily, thou shalt go on + till the day of thy redemption, for so wills the Father which art in + heaven!’ + </p> + <p> + “And so my punishment began. Too late I opened these eyes to the light, + too late I learned repentance and charity, too late I understood those + divine words of Him I had outraged, words which should be the law of the + whole human race. ‘LOVE YE ONE ANOTHER.’ + </p> + <p> + “In vain through successive ages, gathering strength and eloquence from + those celestial words, have I labored to earn my pardon, by filling with + commiseration and love hearts that were overflowing with envy and + bitterness, by inspiring many a soul with a sacred horror of oppression + and injustice. For me the day of mercy has not yet dawned! + </p> + <p> + “And even as the first man, by his fall, devoted his posterity to + misfortune, it would seem as if I, the workman, had consigned the whole + race of artisans to endless sorrows, and as if they were expiating my + crime: for they alone, during these eighteen centuries, have not yet been + delivered. + </p> + <p> + “For eighteen centuries, the powerful and the happy of this world have + said to the toiling people what I said to the imploring and suffering + Saviour: ‘Go on! go on!’ And the people, sinking with fatigue, bearing + their heavy cross, have answered in the bitterness of their grief: ‘Oh, + for pity’s sake! a few moments of repose; we are worn out with toil.’—Go + on!’—‘And if we perish in our pain, what will become of our little + children and our aged mothers?’—‘Go on! go on!’ And, for eighteen + centuries, they and I have continued to struggle forward and to suffer, + and no charitable voice has yet pronounced the word ‘Enough!’ + </p> + <p> + “Alas! such is my punishment. It is immense, it is two-fold. I suffer in + the name of humanity, when I see these wretched multitudes consigned + without respite to profitless and oppressive toil. I suffer in the name of + my family, when, poor and wandering, I am unable to bring aid to the + descendants of my dear sister. But, when the sorrow is above my strength, + when I foresee some danger from which I cannot preserve my own, then my + thoughts, travelling over the world, go in search of that woman like me + accursed, that daughter of a queen, who, like me, the son of a laborer, + wanders, and will wander on, till the day of her redemption.(3) + </p> + <p> + “Once in a century, as two planets draw nigh to each other in their + revolutions, I am permitted to meet this woman during the dread week of + the Passion. And after this interview, filled with terrible remembrances + and boundless griefs, wandering stars of eternity, we pursue our infinite + course. + </p> + <p> + “And this woman, the only one upon earth who, like me, sees the end of + every century, and exclaims: ‘What another?’ this woman responds to my + thought, from the furthest extremity of the world. She, who alone shares + my terrible destiny, has chosen to share also the only interest that has + consoled me for so many ages. Those descendants of my dear sister, she too + loves, she too protects them. For them she journeys likewise from East to + West and from North to South. + </p> + <p> + “But alas! the invisible hand impels her, the whirlwind carries her away, + and the voice speaks in her ear: ‘Go on!’—‘Oh that I might finish my + sentence!’ repeats she also,—‘Go on!’—‘A single hour—only + a single hour of repose!’—Go on!’—‘I leave those I love on the + brink of the abyss.’—‘Go on! Go on!—‘” + </p> + <p> + Whilst this man thus went over the hill absorbed in his thoughts, the + light evening breeze increased almost to a gale, a vivid flash streamed + across the sky, and long, deep whistlings announced the coming of a + tempest. + </p> +<div class="fig"> + <img src="images/10169m.jpg" alt="10169m " /><br /> + </div> + <h5> + <a href="images/10169.jpg"><i>Original</i></a> + </h5> + <p> + On a sudden this doomed man, who could no longer weep or smile, started + with a shudder. No physical pain could reach him, and yet he pressed his + hand hastily to his heart, as though he had experienced a cruel pang. + “Oh!” cried he; “I feel it. This hour, many of those whom I love—the + descendants of my dear sister—suffer, and are in great peril. Some + in the centre of India—some in America—some here in Germany. + The struggle recommences, the detestable passions are again awake. Oh, + thou that hearest me—thou, like myself wandering and accursed—Herodias! + help me to protect them! May my invocation reach thee, in those American + solitudes where thou now lingerest—and may we arrive in time!” + </p> + <p> + Thereon an extraordinary event happened. Night was come. The man made a + movement; precipitately, to retrace his steps—but an invisible force + prevented him, and carried him forward in the opposite direction. + </p> + <p> + At this moment, the storm burst forth in its murky majesty. One of those + whirlwinds, which tear up trees by the roots and shake the foundations of + the rocks, rushed over the hill rapid and loud as thunder. + </p> + <p> + In the midst of the roaring of the hurricane, by the glare of the fiery + flashes, the man with the black mark on his brow was seen descending the + hill, stalking with huge strides among the rocks, and between trees bent + beneath the efforts of the storm. + </p> + <p> + The tread of this man was no longer slow, firm, and steady—but + painfully irregular, like that of one impelled by an irresistible power, + or carried along by the whirl of a frightful wind. In vain he extended his + supplicating hands to heaven. Soon he disappeared in the shades of night, + and amid the roar of the tempest. + </p> + <p> + (2) It is known that, according to the legend, the Wandering Jew was a + shoemaker at Jerusalem. The Saviour, carrying his cross, passed before the + house of the artisan, and asked him to be allowed to rest an instant on + the stone bench at his door. “Go on! go on!” said the Jew harshly, pushing + him away. “Thou shalt go on till the end of time,” answered the Saviour, + in a stern though sorrowful tone. For further details, see the eloquent + and learned notice by Charles Magnin, appended to the magnificent poem + “Ahasuerus,” by Ed. Quinet.—E. S. + </p> + <p> + (3) According to a legend very little known, for we are indebted to the + kindness of M. Maury, the learned sub-librarian of the Institute, Herodias + was condemned to wander till the day of judgement, for having asked for + the death of John the Baptist—E. S. + </p> + <p> + <a name="link2HCH0017" id="link2HCH0017"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XVII. THE AJOUPA. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">W</span>hile Rodin despatched his cosmopolite correspondence, from his retreat in + the Rue du Milieu des Ursins, in Paris—while the daughters of + General Simon, after quitting as fugitives the White Falcon, were detained + prisoners at Leipsic along with Dagobert—other scenes, deeply + interesting to these different personages, were passing, almost as it were + at the same moment, at the other extremity of the world, in the + furthermost parts of Asia—that is to say, in the island of Java, not + far from the city of Batavia, the residence of M. Joshua Van Dael, one of + the correspondents of Rodin. + </p> + <p> + Java! magnificent and fatal country, where the most admirable flowers + conceal hideous reptiles, where the brightest fruits contain subtle + poisons, where grow splendid trees, whose very shadow is death—where + the gigantic vampire bat sucks the blood of its victims whilst it prolongs + their sleep, by surrounding them with a fresh and balmy air, no fan moving + so rapidly as the great perfumed wings of this monster! + </p> + <p> + The month of October, 1831, draws near its close. It is noon—an hour + well nigh mortal to him who encounters the fiery heat of the sun, which + spreads a sheet of dazzling light over the deep blue enamel of the sky. + </p> + <p> + An ajoupa, or hut, made of cane mats, suspended from long bamboos, which + are driven far into the ground, rises in the midst of the bluish shadows + cast by a tuft of trees, whose glittering verdure resembles green + porcelain. These quaintly formed trees, rounded into arches, pointing like + spires, overspreading like parasols, are so thick in foliage, so entangled + one with the other, that their dome is impenetrable to the rain. + </p> + <p> + The soil, ever marshy, notwithstanding the insupportable heat, disappears + beneath an inextricable mass of creepers, ferns, and tufted reeds, of a + freshness and vigor of vegetation almost incredible, reaching nearly to + the top of the ajoupa, which lies hid like a nest among the grass. + </p> + <p> + Nothing can be more suffocating than the atmosphere, heavily laden with + moist exhalations like the steam of hot water, and impregnated with the + strongest and sharpest scents; for the cinnamon-tree, ginger-plant, + stephanotis and Cape jasmine, mixed with these trees and creepers, spread + around in puffs their penetrating odors. A roof, formed of large Indian + fig-leaves, covers the cabin; at one end is a square opening, which serves + for a window, shut in with a fine lattice-work of vegetable fibres, so as + to prevent the reptiles and venomous insects from creeping into the + ajoupa. The huge trunk of a dead tree, still standing, but much bent, and + with its summit reaching to the roof of the ajoupa, rises from the midst + of the brushwood. From every crevice in its black, rugged, mossy bark, + springs a strange, almost fantastic flower; the wing of a butterfly is not + of a finer tissue, of a more brilliant purple, of a more glossy black: + those unknown birds we see in our dreams, have no more grotesque forms + than these specimens of the orchis—winged flowers, that seem always + ready to fly from their frail and leafless stalks. The long, flexible + stems of the cactus, which might be taken for reptiles, encircle also this + trunk, and clothe it with their bunches of silvery white, shaded inside + with bright orange. These flowers emit a strong scent of vanilla. + </p> + <p> + A serpent, of a brick-red, about the thickness of a large quill, and five + or six inches long, half protrudes its flat head from one of those + enormous, perfumed calyces, in which it lies closely curled up. + </p> + <p> + Within the ajoupa, a young man is extended on a mat in a profound sleep. + His complexion of a clear golden yellow, gives him the appearance of a + statue of pale bronze, on which a ray of sun is playing. His attitude is + simple and graceful; his right arm sustains his head, a little raised and + turned on one side; his ample robe of white muslin, with hanging sleeves, + leaves uncovered his chest and arms worthy of the Antoinous. Marble is not + more firm, more polished than his skin, the golden hue of which contracts + strongly with the whiteness of his garments. Upon his broad manly chest a + deep scar is visible—the mark of the musket-ball he received in + defending the life of General Simon, the father of Rose and Blanche. + </p> + <p> + Suspended from his neck, he wears a medal similar to that in the + possession of the two sisters. This Indian is Djalma. + </p> + <p> + His features are at once very noble and very beautiful. His hair of a blue + black, parted upon his forehead, falls waving, but not curled over his + shoulders; whilst his eyebrows, boldly and yet delicately defined, are of + as deep a jet as the long eyelashes, that cast their shadow upon his + beardless cheek. His bright, red lips are slightly apart, and he breathes + uneasily; his sleep is heavy and troubled, for the heat becomes every + moment more and more suffocating. + </p> + <p> + Without, the silence is profound. Not a breath of air is stirring. Yet now + the tall ferns, which cover the soil, begin to move almost imperceptibly, + as though their stems were shaken by the slow progress of some crawling + body. From time to time, this trifling oscillation suddenly ceases, and + all is again motionless. But, after several of these alternations of + rustling and deep silence, a human head appears in the midst of the + jungle, a little distance from the trunk of the dead tree. + </p> + <p> + The man to whom it belonged was possessed of a grim countenance, with a + complexion the color of greenish bronze, long black hair bound about his + temples, eyes brilliant with savage fire, and an expression remarkable for + its intelligence and ferocity. Holding his breath, he remained quite still + for a moment; then, advancing upon his hands and knees, pushing aside the + leaves so gently, that not the slightest noise could be heard, he arrived + cautiously and slowly at the trunk of the dead tree, the summit of which + nearly touched the roof of the ajoupa. + </p> + <p> + This man, of Malay origin, belonging to the sect of the Lughardars + (Stranglers), after having again listened, rose almost entirely from + amongst the brushwood. With the exception of white cotton drawers, + fastened around his middle by a parti-colored sash, he was completely + naked. His bronze, supple, and nervous limbs were overlaid with a thick + coat of oil. Stretching himself along the huge trunk on the side furthest + from the cabin, and thus sheltered by the whole breadth of the tree with + its surrounding creepers, he began to climb silently, with as much + patience as caution. In the undulations of his form, in the flexibility of + his movements, in the restrained vigor, which fully put forth would have + been alarming, there was some resemblance to the stealthy and treacherous + advance of the tiger upon its prey. + </p> + <p> + Having reached, completely unperceived, the inclined portion of the tree, + which almost touched the roof of the cabin, he was only separated from the + window by a distance of about a foot. Cautiously advancing his head, he + looked down into the interior, to see how he might best find an entrance. + </p> + <p> + At sight of Djalma in his deep sleep, the Thug’s bright eyes glittered + with increased brilliancy; a nervous contraction, or rather a mute, + ferocious laugh, curling the corners of his mouth, drew them up towards + the cheekbones, and exposed rows of teeth, filed sharp like the points of + a saw, and dyed of a shining black. + </p> + <p> + Djalma was lying in such a manner and so near the door of the ajoupa, + which opened inwards, that, were it moved in the least, he must be + instantly awakened. The Strangler, with his body still sheltered by the + tree, wishing to examine more attentively the interior of the cabin, + leaned very forward, and in order to maintain his balance, lightly rested + his hand on the ledge of the opening that served for a window. This + movement shook the large cactus-flowers, within which the little serpent + lay curled, and, darting forth it twisted itself rapidly round the wrist + of the Strangler. Whether from pain or surprise, the man uttered a low + cry; and as he drew back swiftly, still holding by the trunk of the tree, + he perceived that Djalma had moved. + </p> + <p> + The young Indian, though retaining his supine posture, had half opened his + eyes, and turned his head towards the window, whilst his breast heaved + with a deep-drawn sigh, for, beneath that thick dome of moist verdure, the + concentrated heat was intolerable. + </p> + <p> + Hardly had he moved, when, from behind the tree, was heard the shrill, + brief, sonorous note, which the bird of paradise titters when it takes its + flight—a cry which resembles that of the pheasant. This note was + soon repeated, but more faintly, as though the brilliant bird were already + at a distance. Djalma, thinking he had discovered the cause of the noise + which had aroused him for an instant, stretched out the arm upon which his + head had rested, and went to sleep again, with scarcely any change of + position. + </p> + <p> + For some minutes, the most profound silence once more reigned in this + solitude, and everything remained motionless. + </p> + <p> + The Strangler, by his skillful imitation of the bird, had repaired the + imprudence of that exclamation of surprise and pain, which the reptile + bite had forced from him. When he thought all was safe, he again advanced + his head, and saw the young Indian once more plunged in sleep. Then he + descended the tree with the same precautions, though his left hand was + somewhat swollen from the sting of the serpent, and disappeared in the + jungle. + </p> + <p> + At that instant a song of monotonous and melancholy cadence was heard in + the distance. The Strangler raised himself, and listened attentively, and + his face took an expression of surprise and deadly anger. The song came + nearer and nearer to the cabin, and, in a few seconds, an Indian, passing + through an open space in the jungle, approached the spot where the Thug + lay concealed. + </p> + <p> + The latter unwound from his waist a long thin cord, to one of the ends of + which was attached a leaden ball, of the form and size of an egg; having + fastened the other end of this cord to his right wrist, the Strangler + again listened, and then disappeared, crawling through the tall grass in + the direction of the Indian, who still advanced slowly, without + interrupting his soft and plaintive song. + </p> + <p> + He was a young fellow scarcely twenty, with a bronzed complexion, the + slave of Djalma, his vest of blue cotton was confined at the waist by a + parti-colored sash; he wore a red turban, and silver rings in his ears and + about his wrists. He was bringing a message to his master, who, during the + great heat of the day was reposing in the ajoupa, which stood at some + distance from the house he inhabited. + </p> + <p> + Arriving at a place where two paths separated, the slave, without + hesitation took that which led to the cabin, from which he was now scarce + forty paces distant. + </p> + <p> + One of those enormous Java butterflies, whose wings extend six or eight + inches in length, and offer to the eye two streaks of gold on a ground of + ultramarine, fluttering from leaf to leaf, alighted on a bush of Cape + jasmine, within the reach of the young Indian. The slave stopped in his + song, stood still, advanced first a foot, then a hand, and seized the + butterfly. + </p> + <p> + Suddenly he sees a dark figure rise before him; he hears a whizzing noise + like that of a sling; he feels a cord, thrown with as much rapidity as + force, encircle his neck with a triple band; and, almost in the same + instant, the leaden ball strikes violently against the back of his head. + </p> + <p> + This attack was so abrupt and unforseen, that Djalma’s servant could not + even utter a single cry, a single groan. He tottered—the Strangler + gave a vigorous pull at the cord—the bronzed countenance of the + slave became purple, and he fell upon his knees, convulsively moving his + arms. Then the Strangler threw him quite down, and pulled the cord so + violently, that the blood spurted from the skin. The victim struggled for + a moment—and all was over. + </p> + <p> + During his short but intense agony, the murderer, kneeling before his + victim, and watching with ardent eye his least convulsions, seemed plunged + into an ecstasy of ferocious joy. His nostrils dilated, the veins of his + neck and temples were swollen, and the same savage laugh, which had curled + his lips at the aspect of the sleeping Djalma, again displayed his pointed + black teeth, which a nervous trembling of the jaws made to chatter. But + soon he crossed his arms upon his heaving breast, bowed his forehead, and + murmured some mysterious words, which sounded like an invocation or a + prayer. Immediately after, he returned to the contemplation of the dead + body. The hyena and the tiger-cat, who, before devouring, crouch beside + the prey that they have surprised or hunted down, have not a wilder or + more sanguinary look than this man. + </p> + <p> + But, remembering that his task was not yet accomplished tearing himself + unwillingly from the hideous spectacle, he unbound the cord from the neck + of his victim, fastened it round his own body, dragged the corpse out of + the path, and, without attempting to rob it of its silver rings, concealed + it in a thick part of the jungle. + </p> + <p> + Then the Strangler again began to creep on his knees and belly, till he + arrived at the cabin of Djalma—that cabin constructed of mats + suspended from bamboos. After listening attentively, he drew from his + girdle a knife, the sharp-pointed blade of which was wrapped in a + fig-leaf, and made in the matting an incision of three feet in length. + This was done with such quickness, and with so fine a blade, that the + light touch of the diamond cutting glass would have made more noise. + Seeing, by means of this opening, which was to serve him for a passage, + that Djalma was still fast asleep, the Thug, with incredible temerity, + glided into the cabin. + </p> + <p> + <a name="link2HCH0018" id="link2HCH0018"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XVIII. THE TATTOOING + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>he heavens, which had been till now of transparent blue, became gradually + of a greenish tint, and the sun was veiled in red, lurid vapor. This + strange light gave to every object a weird appearance, of which one might + form an idea, by looking at a landscape through a piece of copper colored + glass. In those climates, this phenomenon, when united with an increase of + burning heat, always announces the approach of a storm. + </p> + <p> + From time to time there was a passing odor of sulphur; then the leaves, + slightly shaken by electric currents, would tremble upon their stalks; + till again all would return to the former motionless silence. The weight + of the burning atmosphere, saturated with sharp perfumes, became almost + intolerable. Large drops of sweat stood in pearls on the forehead of + Djalma, still plunged in enervating sleep—for it no longer resembled + rest, but a painful stupor. + </p> + <p> + The Strangler glided like a reptile along the sides of the ajoupa, and, + crawling on his belly, arrived at the sleeping-mat of Djalma, beside which + he squatted himself, so as to occupy as little space as possible. Then + began a fearful scene, by reason of the mystery and silence which + surrounded it. + </p> + <p> + Djalma’s life was at the mercy of the Strangler. The latter, resting upon + his hands and knees, with his neck stretched forward, his eye fixed and + dilated, continued motionless as a wild beast about to spring. Only a + slight nervous trembling of the jaws agitated that mask of bronze. + </p> + <p> + But soon his hideous features revealed a violent struggle that was passing + within him—a struggle between the thirst, the craving for the + enjoyment of murder, which the recent assassination of the slave had made + still more active, and the orders he had received not to attempt the life + of Djalma, though the design, which brought him to the ajoupa, might + perhaps be as fatal to the young Indian as death itself. Twice did the + Strangler, with look of flame, resting only on his left hand, seize with + his right the rope’s end; and twice his hand fell—the instinct of + murder yielding to a powerful will, of which the Malay acknowledged the + irresistible empire. + </p> + <p> + In him, the homicidal craving must have amounted to madness, for, in these + hesitations, he lost much precious time: at any moment, Djalma, whose + vigor, skill, and courage were known and feared, might awake from his + sleep, and, though unarmed, he would prove a terrible adversary. At length + the Thug made up his mind; with a suppressed sigh of regret, he set about + accomplishing his task. + </p> + <p> + This task would have appeared impossible to any one else. The reader may + judge. + </p> + <p> + Djalma, with his face turned towards the left, leaned his head upon his + curved arm. It was first necessary, without waking him, to oblige him to + turn his face towards the right (that is, towards the door), so that, in + case of his being half-roused, his first glance might not fall upon the + Strangler. The latter, to accomplish his projects, would have to remain + many minutes in the cabin. + </p> + <p> + The heavens became darker; the heat arrived at its last degree of + intensity; everything combined to increase the torpor of the sleeper, and + so favor the Strangler’s designs. Kneeling down close to Djalma, he began, + with the tips of his supple, well-oiled fingers, to stroke the brow, + temples, and eyelids of the young Indian, but with such extreme lightness, + that the contact of the two skins was hardly sensible. When this kind of + magnetic incantation had lasted for some seconds, the sweat, which bathed + the forehead of Djalma, became more abundant: he heaved a smothered sigh, + and the muscles of his face gave several twitches, for the strokings, + although too light to rouse him, yet caused in him a feeling of + indefinable uneasiness. + </p> + <p> + Watching him with his restless and burning eye, the Strangler continued + his maneuvers with so much patience, that Djalma, still sleeping, but no + longer able to bear this vague, annoying sensation, raised his right hand + mechanically to his face, as if he would have brushed away an importunate + insect. But he had not strength to do it; almost immediately after, his + hand, inert and heavy, fell back upon his chest. The Strangler saw, by + this symptom, that he was attaining his object, and continued to stroke, + with the same address, the eyelids, brow, and temples. + </p> + <p> + Whereupon Djalma, more and more oppressed by heavy sleep, and having + neither strength nor will to raise his hand to his face, mechanically + turned round his head, which fell languidly upon his right shoulder, + seeking by this change of attitude, to escape from the disagreeable + sensation which pursued him. The first point gained, the Strangler could + act more freely. + </p> +<div class="fig"> + <img src="images/10179m.jpg" alt="10179m " /><br /> + </div> + <h5> + <a href="images/10179.jpg"><i>Original</i></a> + </h5> + <p> + To render as profound as possible the sleep he had half interrupted, he + now strove to imitate the vampire, and, feigning the action of a fan, he + rapidly moved his extended hands about the burning face of the young + Indian. Alive to a feeling of such sudden and delicious coolness, in the + height of suffocating heat, the countenance of Djalma brightened, his + bosom heaved, his half-opened lips drank in the grateful air, and he fell + into a sleep only the more invincible, because it had been at first + disturbed, and was now yielded to under the influence of a pleasing + sensation. + </p> + <p> + A sudden flash of lightning illumined the shady dome that sheltered the + ajoupa: fearing that the first clap of thunder might rouse the young + Indian, the Strangler hastened to complete his Task. Djalma lay on his + back, with his head resting on his right shoulder, and his left arm + extended; the Thug, crouching at his left side, ceased by degrees the + process of fanning; then, with incredible dexterity, he succeeded in + rolling up, above the elbow, the long wide sleeve of white muslin that + covered the left arm of the sleeper. + </p> + <p> + He next drew from the pocket of his drawers a copper box, from which he + took a very fine, sharp-pointed needle, and a piece of a black-looking + root. He pricked this root several times with the needle, and on each + occasion there issued from it a white, glutinous liquid. + </p> + <p> + When the Strangler thought the needle sufficiently impregnated with this + juice, he bent down, and began to blow gently over the inner surface of + Djalma’s arm, so as to cause a fresh sensation of coolness; then, with the + point of his needle, he traced almost imperceptibly on the skin of the + sleeping youth some mysterious and symbolical signs. All this was + performed so cleverly and the point of the needle was so fine and keen, + that Djalma did not feel the action of the acid upon the skin. + </p> + <p> + The signs, which the Strangler had traced, soon appeared on the surface, + at first in characters of a pale rose-color, as fine as a hair; but such + was the slowly corrosive power of the juice, that, as it worked and spread + beneath the skin, they would become in a few hours of a violet red, and as + apparent as they were now almost invisible. + </p> + <p> + The Strangler, having so perfectly succeeded in his project, threw a last + look of ferocious longing on the slumbering Indian, and creeping away from + the mat, regained the opening by which he had entered the cabin; next, + closely uniting the edges of the incision, so as to obviate all suspicion, + he disappeared just as the thunder began to rumble hoarsely in the + distance.(4) + </p> + <p> + (4) We read in the letters of the late Victor Jacquemont upon India, with + regard to the incredible dexterity of these men: “They crawl on the + ground, ditches, in the furrows of fields, imitate a hundred different + voices, and dissipate the effect of any accidental noise by raising the + yelp of the jackal or note of some bird—then are silent, and another + imitates the call of the same animal in the distance. They can molest a + sleeper by all sorts of noises and slight touches, and make his body and + limbs take any position which suits their purpose.” Count Edward de + Warren, in his excellent work on English India, which we shall have again + occasion to quote, expresses himself in the same manner as to the + inconceivable address of the Indians: “They have the art,” says he, “to + rob you, without interrupting your sleep, of the very sheet in which you + are enveloped. This is not ‘a traveller’s tale.’ but a fact. The movements + of the bheel are those of the serpent. If you sleep in your tent, with a + servant lying across each entrance, the bheel will come and crouch on the + outside, in some shady corner, where he can hear the breathing of those + within. As soon as the European sleeps, he feels sure of success, for the + Asiatic will not long resist the attraction of repose. At the proper + moment, he makes a vertical incision in the cloth of the tent, on the spot + where he happens to be, and just large enough to admit him. He glides + through like a phantom, without making the least grain of sand creak + beneath his tread. He is perfectly naked, and all his body is rubbed over + with oil; a two-edged knife is suspended from his neck. He will squat down + close to your couch, and, with incredible coolness and dexterity, will + gather up the sheet in very little folds, so as to occupy the least + surface possible; then, passing to the other side, he will lightly tickle + the sleeper, whom he seems to magnetize, till the latter shrinks back + involuntarily, and ends by turning round, and leaving the sheet folded + behind him. Should he awake, and strive to seize the robber, he catches at + a slippery form, which slides through his hands like an eel; should he + even succeed in seizing him, it would be fatal—the dagger strikes + him to the heart, he falls bathed in his blood, and the assassin + disappears.”—E. S. + </p> + <p> + <a name="link2HCH0019" id="link2HCH0019"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XIX. THE SMUGGLER + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>he tempest of the morning has long been over. The sun is verging towards + the horizon. Some hours have elapsed, since the Strangler introduced + himself into Djalma’s cabin, and tattooed him with a mysterious sign + during his sleep. + </p> + <p> + A horseman advances rapidly down a long avenue of spreading trees. + Sheltered by the thick and verdant arch, a thousand birds salute the + splendid evening with songs and circlings; red and green parrots climb, by + help of their hooked beaks, to the top of pink-blossomed acacias; large + Morea birds of the finest and richest blue, whose throats and long tails + change in the light to a golden brown, are chasing the prince oriels, + clothed in their glossy feathers of black and orange; Kolo doves, of a + changeable violet hue, are gently cooing by the side of the birds of + paradise, in whose brilliant plumage are mingled the prismatic colors of + the emerald and ruby, the topaz and sapphire. + </p> + <p> + This avenue, a little raised, commanded a view of a small pond, which + reflected at intervals the green shade of tamarind trees. In the calm, + limpid waters, many fish were visible, some with silver scales and purple + fins, others gleaming with azure and vermilion; so still were they that + they looked as if set in a mass of bluish crystal, and, as they dwelt + motionless near the surface of the pool, on which played a dazzling ray of + the sun, they revelled in the enjoyment of the light and heat. A thousand + insects—living gems, with wings of flame—glided, fluttered and + buzzed over the transparent wave, in which, at an extraordinary depth, + were mirrored the variegated tints of the aquatic plants on the bank. + </p> + <p> + It is impossible to give an adequate idea of the exuberant nature of this + scene, luxuriant in the sunlight, colors, and perfumes, which served, so + to speak, as a frame to the young and brilliant rider, who was advancing + along the avenue. It was Djalma. He had not yet perceived the indelible + marks, which the Strangler had traced upon his left arm. + </p> + <p> + His Japanese mare, of slender make, full of fire and vigor, is black as + night. A narrow red cloth serves instead of saddle. To moderate the + impetuous bounds of the animal, Djalma uses a small steel bit, with + headstall and reins of twisted scarlet silk, fine as a thread. + </p> + <p> + Not one of those admirable riders, sculptured so masterly on the frieze of + the Parthenon, sits his horse more gracefully and proudly than this young + Indian, whose fine face, illumined by the setting sun, is radiant with + serene happiness; his eyes sparkle with joy, and his dilated nostrils and + unclosed lips inhale with delight the balmy breeze, that brings to him the + perfume of flowers and the scent of fresh leaves, for the trees are still + moist from the abundant rain that fell after the storm. + </p> + <p> + A red cap, similar to that worn by the Greeks, surmounting the black locks + of Djalma, sets off to advantage the golden tint of his complexion; his + throat is bare; he is clad in his robe of white muslin with large sleeves, + confined at the waist by a scarlet sash; very full drawers, in white + cotton stuff, leave half uncovered his tawny and polished legs; their + classic curve stands out from the dark sides of the horse, which he + presses tightly between his muscular calves. He has no stirrups; his foot, + small and narrow, is shod with a sandal of morocco leather. + </p> + <p> + The rush of his thoughts, by turns impetuous and restrained, was expressed + in some degree by the pace he imparted to his horse—now bold and + precipitate, like the flight of unbridled imagination—now calm and + measured, like the reflection which succeeds an idle dream. But, in all + this fantastic course, his least movements were distinguished by a proud, + independent and somewhat savage grace. + </p> + <p> + Dispossessed of his paternal territory by the English, and at first + detained by them as a state-prisoner after the death of his father—who + (as M. Joshua Van Dael had written to M. Rodin) had fallen sword in hand—Djalma + had at length been restored to liberty. Abandoning the continent of India, + and still accompanied by General Simon, who had lingered hard by the + prison of his old friend’s son, the young Indian came next to Batavia, the + birthplace of his mother, to collect the modest inheritance of his + maternal ancestors. And amongst this property, so long despised or + forgotten by his father, he found some important papers, and a medal + exactly similar to that worn by Rose and Blanche. + </p> + <p> + General Simon was not more surprised than pleased at this discovery, which + not only established a tie of kindred between his wife and Djalma’s + mother, but which also seemed to promise great advantages for the future. + Leaving Djalma at Batavia, to terminate some business there, he had gone + to the neighboring island of Sumatra, in the hope of finding a vessel that + would make the passage to Europe directly and rapidly; for it was now + necessary that, cost what it might, the young Indian also should be at + Paris on the 13th February, 1832. Should General Simon find a vessel ready + to sail for Europe, he was to return immediately, to fetch Djalma; and the + latter, expecting him daily, was now going to the pier of Batavia, hoping + to see the father of Rose and Blanche arrive by the mail boat from + Sumatra. + </p> + <p> + A few words are here necessary on the early life of the son of Kadja sing. + </p> + <p> + Having lost his mother very young, and brought up with rude simplicity, he + had accompanied his father, whilst yet a child, to the great tiger hunts, + as dangerous as battles; and, in the first dawn of youth, he had followed + him to the stern bloody war, which he waged in defence of his country. + Thus living, from the time of his mother’s death, in the midst of forests + and mountains and continual combats, his vigorous and ingenuous nature had + preserved itself pure, and he well merited the name of “The Generous” + bestowed on him. Born a prince, he was—which by no means follows—a + prince indeed. During the period of his captivity, the silent dignity of + his bearing had overawed his jailers. Never a reproach, never a complaint—a + proud and melancholy calm was all that he opposed to a treatment as unjust + as it was barbarous, until he was restored to freedom. + </p> + <p> + Having thus been always accustomed to a patriarchal life, or to a war of + mountaineers, which he had only quitted to pass a few months in prison, + Djalma knew nothing, so to speak, of civilized society. Without its + exactly amounting to a defect, he certainly carried his good qualities to + their extreme limits. Obstinately faithful to his pledged word, devoted to + the death, confiding to blindness, good almost to a complete forgetfulness + of himself, he was inflexible towards ingratitude, falsehood, or perfidy. + He would have felt no compunction to sacrifice a traitor, because, could + he himself have committed a treason, he would have thought it only just to + expiate it with his life. + </p> + <p> + He was, in a word, the man of natural feelings, absolute and entire. Such + a man, brought into contact with the temperaments, calculations, + falsehoods, deceptions, tricks, restrictions, and hollowness of a refined + society, such as Paris, for example, would, without doubt, form a very + curious subject for speculation. We raise this hypothesis, because, since + his journey to France had been determined on, Djalma had one fixed, ardent + desire—to be in Paris. + </p> + <p> + In Paris—that enchanted city—of which, even in Asia, the land + of enchantment, so many marvelous tales were told. + </p> + <p> + What chiefly inflamed the fresh, vivid imagination of the young Indian, + was the thought of French women—those attractive Parisian beauties, + miracles of elegance and grace, who eclipsed, he was informed, even the + magnificence of the capitals of the civilized world. And at this very + moment, in the brightness of that warm and splendid evening, surrounded by + the intoxication of flowers and perfumes, which accelerated the pulses of + his young fiery heart, Djalma was dreaming of those exquisite creatures, + whom his fancy loved to clothe in the most ideal garbs. + </p> + <p> + It seemed to him as if, at the end of the avenue, in the midst of that + sheet of golden light, which the trees encompassed with their full, green + arch, he could see pass and repass, white and sylph-like, a host of + adorable and voluptuous phantoms, that threw him kisses from the tips of + their rosy fingers. Unable to restrain his burning emotions, carried away + by a strange enthusiasm, Djalma uttered exclamations of joy, deep, manly, + and sonorous, and made his vigorous courser bound under him in the + excitement of a mad delight. Just then a sunbeam, piercing the dark vault + of the avenue, shone full upon him. + </p> + <p> + For several minutes, a man had been advancing rapidly along a path, which, + at its termination, intersected the avenue diagonally. He stopped a moment + in the shade, looking at Djalma with astonishment. It was indeed a + charming sight, to behold, in the midst of a blaze of dazzling lustre, + this youth, so handsome, joyous, and ardent, clad in his white and flowing + vestments, gayly and lightly seated on his proud black mare, who covered + her red bridle with her foam, and whose long tail and thick mane floated + on the evening breeze. + </p> + <p> + But, with that reaction which takes place in all human desires, Djalma + soon felt stealing over him a sentiment of soft, undefinable melancholy. + He raised his hand to his eyes, now dimmed with moisture, and allowed the + reins to fall on the mane of his docile steed, which, instantly stopping, + stretched out its long neck, and turned its head in the direction of the + personage, whom it could see approaching through the coppice. + </p> + <p> + This man, Mahal the Smuggler, was dressed nearly like European sailors. He + wore jacket and trousers of white duck, a broad red sash, and a very + low-crowned straw hat. His face was brown, with strongly-marked features, + and, though forty years of age, he was quite beardless. + </p> + <p> + In another moment, Mahal was close to the young Indian. “You are Prince + Djalma?” said he, in not very good French, raising his hand respectfully + to his hat. + </p> + <p> + “What would you?” said the Indian. + </p> + <p> + “You are the son of Kadja-sing?” + </p> + <p> + “Once again, what would you?” + </p> + <p> + “The friend of General Simon?” + </p> + <p> + “General Simon?” cried Djalma. + </p> + <p> + “You are going to meet him, as you have gone every evening, since you + expect his return from Sumatra?” + </p> + <p> + “Yes, but how do you know all this?” said the Indian looking at the + Smuggler with as much surprise as curiosity. + </p> + <p> + “Is he not to land at Batavia, to-day or to-morrow?” + </p> + <p> + “Are you sent by him?” + </p> + <p> + “Perhaps,” said Mahal, with a distrustful air. “But are you really the son + of Kadja-sing?” + </p> + <p> + “Yes, I tell you—but where have you seen General Simon?” + </p> + <p> + “If you are the son of Kadja-sing,” resumed Mahal, continuing to regard + Djalma with a suspicious eye, “what is your surname?” + </p> + <p> + “My sire was called the ‘Father of the Generous,’” answered the young + Indian, as a shade of sorrow passed over his fine countenance. + </p> + <p> + These words appeared in part to convince Mahal of the identity of Djalma; + but, wishing doubtless to be still more certain, he resumed: “You must + have received, two days ago, a letter from General Simon, written from + Sumatra?” + </p> + <p> + “Yes; but why so many questions?” + </p> + <p> + “To assure myself that you are really the son of Kadja-sing, and to + execute the orders I have received.” + </p> + <p> + “From whom?” + </p> + <p> + “From General Simon.” + </p> + <p> + “But where is he?” + </p> + <p> + “When I have proof that you are Prince Djalma, I will tell you. I was + informed that you would be mounted on a black mare, with a red bridle. But—” + </p> + <p> + “By the soul of my mother! speak what you have to say!” + </p> + <p> + “I will tell you all—if you can tell me what was the printed paper, + contained in the last letter that General Simon wrote you from Sumatra.” + </p> + <p> + “It was a cutting from a French newspaper.” + </p> + <p> + “Did it announce good or bad news for the general?” + </p> + <p> + “Good news—for it related that, during his absence, they had + acknowledged the last rank and title bestowed on him by the Emperor, as + they had done for others of his brothers in arms, exiled like him.” + </p> + <p> + “You are indeed Prince Djalma,” said the Smuggler, after a moment’s + reflection. “I may speak. General Simon landed last night in Java, but on + a desert part of the coast.” + </p> + <p> + “On a desert part?” + </p> + <p> + “Because he has to hide himself.” + </p> + <p> + “Hide himself!” exclaimed Djalma, in amazement; “why?” + </p> + <p> + “That I don’t know.” + </p> + <p> + “But where is he?” asked Djalma, growing pale with alarm. + </p> + <p> + “He is three leagues hence—near the sea-shore—in the ruins of + Tchandi.” + </p> + <p> + “Obliged to hide himself!” repeated Djalma, and his countenance expressed + increasing surprise and anxiety. + </p> + <p> + “Without being certain, I think it is because of a duel he fought in + Sumatra,” said the Smuggler, mysteriously. + </p> + <p> + “A duel—with whom?” + </p> + <p> + “I don’t know—I am not at all certain on the subject. But do you + know the ruins of Tchandi?” + </p> + <p> + “Yes.” + </p> + <p> + “The general expects you there; that is what he ordered me to tell you.” + </p> + <p> + “So you came with him from Sumatra?” + </p> + <p> + “I was pilot of the little smuggling coaster, that landed him in the night + on a lonely beach. He knew that you went every day to the mole, to wait + for him; I was almost sure that I should meet you. He gave me details + about the letter you received from him as a proof that he had sent me. If + he could have found the means of writing, he would have written.” + </p> + <p> + “But he did not tell you why he was obliged to hide himself?” + </p> + <p> + “He told me nothing. Certain words made me suspect what I told you—a + duel.” + </p> + <p> + Knowing the mettle of General Simon, Djalma thought the suspicions of the + Smuggler not unfounded. After a moment’s silence he said to him: “Can you + undertake to lead home my horse? My dwelling is without the town—there, + in the midst of those trees—by the side of the new mosque. In + ascending the mountain of Tchandi, my horse would be in my way; I shall go + much faster on foot.” + </p> + <p> + “I know where you live; General Simon told me. I should have gone there if + I had not met you. Give me your horse.” + </p> + <p> + Djalma sprang lightly to the ground, threw the bridle to Mahal, unrolled + one end of his sash, took out a silk purse, and gave it to the Smuggler, + saying: “You have been faithful and obedient. Here!—it is a trifle—but + I have no more.” + </p> + <p> + “Kadja-sing was rightly called the ‘Father of the Generous,’” said the + Smuggler, bowing with respect and gratitude. He took the road to Batavia, + leading Djalma’s horse. The young Indian, on the contrary, plunged into + the coppice, and, walking with great strides, he directed his course + towards the mountain, on which were the ruins of Tchandi, where he could + not arrive before night. + </p> + <p> + <a name="link2HCH0020" id="link2HCH0020"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XX. M. JOSHUA VAN DAEL. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">M</span>. Joshua Van Dael a Dutch merchant, and correspondent of M. Rodin, was + born at Batavia, the capital of the island of Java; his parents had sent + him to be educated at Pondicherry, in a celebrated religious house, long + established in that place, and belonging to the “Society of Jesus.” It was + there that he was initiated into the order as “professor of the three + vows,” or lay member, commonly called “temporal coadjutor.” + </p> + <p> + Joshua was a man of probity that passed for stainless; of strict accuracy + in business, cold, careful, reserved, and remarkably skillful and + sagacious; his financial operations were almost always successful, for a + protecting power gave him ever in time, knowledge of events which might + advantageously influence his commercial transactions. The religious house + of Pondicherry was interested in his affairs, having charged him with the + exportation and exchange of the produce of its large possessions in this + colony. + </p> + <p> + Speaking little, hearing much, never disputing, polite in the extreme—giving + seldom, but with choice and purpose—Joshua, without inspiring + sympathy, commanded generally that cold respect, which is always paid to + the rigid moralist; for instead of yielding to the influence of lax and + dissolute colonial manners, he appeared to live with great regularity, and + his exterior had something of austerity about it, which tended to overawe. + </p> + <p> + The following scene took place at Batavia, while Djalma was on his way to + the ruins of Tchandi in the hope of meeting General Simon. + </p> + <p> + M. Joshua had just retired into his cabinet, in which were many shelves + filled with paper boxes, and huge ledgers and cash boxes lying open upon + desks. The only window of this apartment, which was on the ground floor, + looked out upon a narrow empty court, and was protected externally by + strong iron bars; instead of glass, it was fitted with a Venetian blind, + because of the extreme heat of the climate. + </p> + <p> + M. Joshua, having placed upon his desk a taper in a glass globe, looked at + the clock. “Half-past nine,” said he. “Mahal ought soon to be here.” + </p> + <p> + Saying this, he went out, passing through an antechamber, opened a second + thick door, studded with nail-heads, in the Dutch fashion, cautiously + entered the court (so as not to be heard by the people in the house), and + drew back the secret bolt of a gate six feet high, formidably garnished + with iron spikes. Leaving this gate unfastened, he regained his cabinet, + after he had successively and carefully closed the two other doors behind + him. + </p> + <p> + M. Joshua next seated himself at his desk, and took from a drawer a long + letter, or rather statement, commenced some time before, and continued day + by day. It is superfluous to observe, that the letter already mentioned, + as addressed to M. Rodin, was anterior to the liberation of Djalma and his + arrival at Batavia. + </p> + <p> + The present statement was also addressed to M. Rodin, and Van Dael thus + went on with it: + </p> + <p> + “Fearing the return of General Simon, of which I had been informed by + intercepting his letters—I have already told you, that I had + succeeded in being employed by him as his agent here; having then read his + letters, and sent them on as if untouched to Djalma, I felt myself + obliged, from the pressure of the circumstances, to have recourse to + extreme measures—taking care always to preserve appearances, and + rendering at the same time a signal service to humanity, which last reason + chiefly decided me. + </p> + <p> + “A new danger imperiously commanded these measures. The steamship ‘Ruyter’ + came in yesterday, and sails tomorrow in the course of the day. She is to + make the voyage to Europe via the Arabian Gulf; her passengers will + disembark at Suez, cross the Isthmus, and go on board another vessel at + Alexandria, which will bring them to France. This voyage, as rapid as it + is direct, will not take more than seven or eight weeks. We are now at the + end of October; Prince Djalma might then be in France by the commencement + of the month of January; and according to your instructions, of which I + know not the motive, but which I execute with zeal and submission, his + departure must be prevented at all hazards, because, you tell me, some of + the gravest interests of the Society would be compromised, by the arrival + of this young Indian in Paris before the 13th of February. Now, if I + succeed, as I hope, in making him miss this opportunity of the ‘Ruyter’ it + will be materially impossible for him to arrive in France before the month + of April; for the ‘Ruyter’ is the only vessel which makes the direct + passage, the others taking at least four or five months to reach Europe. + </p> + <p> + “Before telling you the means which I have thought right to employ, to + detain Prince Djalma—of the success of which means I am yet + uncertain—it is well that you should be acquainted with the + following facts. + </p> + <p> + “They have just discovered, in British India, a community whose members + call themselves ‘Brothers of the Good Work,’ or ‘Phansegars,’ which + signifies simply ‘Thugs’ or ‘Stranglers;’ these murderers do not shed + blood, but strangle their victims, less for the purpose of robbing them, + than in obedience to a homicidal vocation, and to the laws of an infernal + divinity named by them ‘Bowanee.’ + </p> + <p> + “I cannot better give you an idea of this horrible sect, than by + transcribing here some lines from the introduction of a report by Colonel + Sleeman, who has hunted out this dark association with indefatigable zeal. + The report in question was published about two months ago. Here is the + extract; it is the colonel who speaks: + </p> + <p> + “‘From 1822 to 1824, when I was charged with the magistracy and civil + administration of the district of Nersingpore, not a murder, not the least + robbery was committed by an ordinary criminal, without my being + immediately informed of it; but if any one had come and told me at this + period, that a band of hereditary assassins by profession lived in the + village of Kundelie, within about four hundred yards of my court of + justice—that the beautiful groves of the village of Mundesoor, + within a day’s march of my residence, formed one of the most frightful + marts of assassination in all India—that numerous bands of ‘Brothers + of the Good Work,’ coming from Hindostan and the Deccan, met annually + beneath these shades, as at a solemn festival, to exercise their dreadful + vocation upon all the roads which cross each other in this locality—I + should have taken such a person for a madman, or one who had been imposed + upon by idle tales. And yet nothing could be truer; hundreds of travellers + had been buried every year in the groves of Mundesoor; a whole tribe of + assassins lived close to my door, at the very time I was supreme + magistrate of the province, and extended their devastations to the cities + of Poonah and Hyderabad. I shall never forget, when, to convince me of the + fact, one of the chiefs of the Stranglers, who had turned informer against + them, caused thirteen bodies to be dug up from the ground beneath my tent, + and offered to produce any number from the soil in the immediate + vicinity.‘(5) + </p> + <p> + “These few words of Colonel Sleeman will give some idea of this dread + society, which has its laws, duties, customs, opposed to all other laws, + human and divine. Devoted to each other, even to heroism, blindly obedient + to their chiefs, who profess themselves the immediate representatives of + their dark divinity, regarding as enemies all who do not belong to them, + gaining recruits everywhere by a frightful system of proselytising—these + apostles of a religion of murder go preaching their abominable doctrines + in the shade, and spreading their immense net over the whole of India. + </p> + <p> + “Three of their principal chiefs, and one of their adepts, flying from the + determined pursuit of the English governor-general, having succeeded in + making their escape, had arrived at the Straits of Malacca, at no great + distance from our island; a smuggler, who is also something of a pirate, + attached to their association, and by name Mahal, took them on board his + coasting vessel, and brought them hither, where they think themselves for + some time in safety—as, following the advice of the smuggler, they + lie concealed in a thick forest, in which are many ruined temples and + numerous subterranean retreats. + </p> + <p> + “Amongst these chiefs, all three remarkably intelligent, there is one in + particular, named Faringhea, whose extraordinary energy and eminent + qualities make him every way redoubtable. He is of the mixed race, half + white and Hindoo, has long inhabited towns in which are European factories + and speaks English and French very well. The other two chiefs are a Negro + and a Hindoo; the adept is a Malay. + </p> + <p> + “The smuggler, Mahal, considering that he could obtain a large reward by + giving up these three chiefs and their adept, came to me, knowing, as all + the world knows, my intimate relations with a person who has great + influence with our governor. Two days ago, he offered me, on certain + conditions, to deliver up the Negro, the half-caste, the Hindoo, and the + Malay. These conditions are—a considerable sum of money, and a free + passage on board a vessel sailing for Europe or America, in order to + escape the implacable vengeance of the Thugs. + </p> + <p> + “I joyfully seized the occasion to hand over three such murderers to human + justice, and I promised Mahal to arrange matters for him with the + governor, but also on certain conditions, innocent in themselves, and + which concerned Djalma. Should my project succeed, I will explain myself + more at length; I shall soon know the result, for I expect Mahal every + minute. + </p> + <p> + “But before I close these despatches, which are to go tomorrow by the + ‘Ruyter’—in which vessel I have also engaged a passage for Mahal the + Smuggler, in the event of the success of my plans—I must include in + parentheses a subject of some importance. + </p> + <p> + “In my last letter, in which I announced to you the death of Djalma’s + father, and his own imprisonment by the English, I asked for some + information as to the solvency of Baron Tripeaud, banker and manufacturer + at Paris, who has also an agency at Calcutta. This information will now be + useless, if what I have just learned should, unfortunately, turn out to be + correct, and it will be for you to act according to circumstances. + </p> + <p> + “This house at Calcutta owes considerable sums both to me and our + colleague at Pondicherry, and it is said that M. Tripeaud has involved + himself to a dangerous extent in attempting to ruin, by opposition, a very + flourishing establishment, founded some time ago by M. Francois Hardy, an + eminent manufacturer. I am assured that M. Tripeaud has already sunk and + lost a large capital in this enterprise: he has no doubt done a great deal + of harm to M. Francois Hardy; but he has also, they say, seriously + compromised his own fortune—and, were he to fail, the effects of his + disaster would be very fatal to us, seeing that he owes a large sum of + money to me and to us. + </p> + <p> + “In this state of things it would be very desirable if, by the employment + of the powerful means of every kind at our disposal, we could completely + discredit and break down the house of M. Francois Hardy, already shaken by + M. Tripeaud’s violent opposition. In that case, the latter would soon + regain all he has lost; the ruin of his rival would insure his prosperity, + and our demands would be securely covered. + </p> + <p> + “Doubtless, it is painful, it is sad, to be obliged to have recourse to + these extreme measures, only to get back our own; but, in these days, are + we not surely justified in sometimes using the arms that are incessantly + turned against us? If we are reduced to such steps by the injustice and + wickedness of men, we may console ourselves with the reflection that we + only seek to preserve our worldly possessions, in order to devote them to + the greater glory of God; whilst, in the hands of our enemies, those very + goods are the dangerous instruments of perdition and scandal. + </p> + <p> + “After all it is merely a humble proposition that I submit to you. Were it + in my power to take an active part in the matter, I should do nothing of + myself. My will is not my own. It belongs, with all I possess, to those + whom I have sworn absolute obedience.” + </p> + <p> + Here a slight noise interrupted M. Joshua, and drew his attention from his + work. He rose abruptly, and went straight to the window. Three gentle taps + were given on the outside of one of the slats of the blind. + </p> + <p> + “Is it you, Mahal?” asked M. Joshua, in a low voice. + </p> + <p> + “It is I,” was answered from without, also in a low tone. + </p> + <p> + “And the Malay?” + </p> + <p> + “He has succeeded.” + </p> + <p> + “Really!” cried M. Joshua, with an expression of great satisfaction; “are + you sure of it?” + </p> + <p> + “Quite sure: there is no devil more clever and intrepid.” + </p> + <p> + “And Djalma?” + </p> + <p> + “The parts of the letter, which I quoted, convinced him that I came from + General Simon, and that he would find him at the ruins of Tchandi.” + </p> + <p> + “Therefore, at this moment—” + </p> + <p> + “Djalma goes to the ruins, where he will encounter the black, the half + blood, and the Indian. It is there they have appointed to meet the Malay, + who tattooed the prince during his sleep.” + </p> + <p> + “Have you been to examine the subterraneous passage?” + </p> + <p> + “I went there yesterday. One of the stones of the pedestal of the statue + turns upon itself; the stairs are large; it will do.” + </p> +<div class="fig"> + <img src="images/10193m.jpg" alt="10193m " /><br /> + </div> + <h5> + <a href="images/10193.jpg"><i>Original</i></a> + </h5> + <p> + “And the three chiefs have no suspicion?” + </p> + <p> + “None—I saw them in the morning—and this evening the Malay + came to tell me all, before he went to join them at the ruins of Tchandi—for + he had remained hidden amongst the bushes, not daring to go there in the + daytime.” + </p> + <p> + “Mahal—if you have told the truth, and if all succeed—your + pardon and ample reward are assured to you. Your berth has been taken on + board the ‘Ruyter;’ you will sail to-morrow; you will thus be safe from + the malice of the Stranglers, who would follow you hither to revenge the + death of their chiefs, Providence having chosen you to deliver those three + great criminals to justice. Heaven will bless you!—Go and wait for + me at the door of the governor’s house; I will introduce you. The matter + is so important that I do not hesitate to disturb him thus late in the + night. Go quickly!—I will follow on my side.” + </p> + <p> + The steps of Mahal were distinctly audible, as he withdrew precipitately, + and then silence reigned once more in the house. Joshua returned to his + desk, and hastily added these words to the despatch, which he had before + commenced: + </p> + <p> + “Whatever may now happen, it will be impossible for Djalma to leave + Batavia at present. You may rest quite satisfied; he will not be at Paris + by the 13th of next February. As I foresaw, I shall have to be up all + night.—I am just going to the governor’s. To-morrow I will add a few + lines to this long statement, which the steamship ‘Ruyter’ will convey to + Europe.” + </p> + <p> + Having locked up his papers, Joshua rang the bell loudly, and, to the + great astonishment of his servants, not accustomed to see him leave home + in the middle of the night, went in all haste to the residence of the + governor of the island. + </p> + <p> + We now conduct the reader to the ruins of Tchandi. + </p> + <p> + (5) This report is extracted from Count Edward de Warren’s excellent work, + “British India in 1831.”—E. S. + </p> + <p> + <a name="link2HCH0021" id="link2HCH0021"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXI. THE RUINS OF TCHANDI. To the storm in the middle of the + </h2> + <p> + day, the approach of which so well served the Strangler’s designs upon + Djalma, has succeeded a calm and serene night. The disk of the moon rises + slowly behind a mass of lofty ruins, situated on a hill, in the midst of a + thick wood, about three leagues from Batavia. + </p> + <p> + Long ranges of stone, high walls of brick, fretted away by time, porticoes + covered with parasitical vegetation, stand out boldly from the sheet of + silver light which blends the horizon with the limpid blue of the heavens. + Some rays of the moon, gliding through the opening on one of these + porticoes, fall upon two colossal statues at the foot of an immense + staircase, the loose stones of which are almost entirely concealed by + grass, moss, and brambles. + </p> + <p> + The fragments of one of these statues, broken in the middle, lie strewed + upon the ground; the other, which remains whole and standing, is frightful + to behold. It represents a man of gigantic proportions, with a head three + feet high; the expression of the countenance is ferocious, eyes of + brilliant slaty black are set beneath gray brows, the large, deep mouth + gapes immoderately, and reptiles have made their nest between the lips of + stone; by the light of the moon, a hideous swarm is there dimly visible. A + broad girdle, adorned with symbolic ornaments, encircles the body of this + statue, and fastens a long sword to its right side. The giant has four + extended arms, and, in his great hands, he bears an elephant’s head, a + twisted serpent, a human skull, and a bird resembling a heron. The moon, + shedding her light on the profile of this statue, serves to augment the + weirdness of its aspect. + </p> + <p> + Here and there, enclosed in the half-crumbling walls of brick, are + fragments of stone bas-reliefs, very boldly cut; one of those in the best + preservation represents a man with the head of an elephant, and the wings + of a bat, devouring a child. Nothing can be more gloomy than these ruins, + buried among thick trees of a dark green, covered with frightful emblems, + and seen by the moonlight, in the midst of the deep silence of night. + </p> + <p> + Against one of the walls of this ancient temple, dedicated to some + mysterious and bloody Javanese divinity, leans a kind of hut, rudely + constructed of fragments of brick and stone; the door, made of woven + rushes, is open, and a red light streams from it, which throws its rays on + the tall grass that covers the ground. Three men are assembled in this + hovel, around a clay-lamp, with a wick of cocoanut fibre steeped in + palm-oil. + </p> + <p> + The first of these three, about forty years of age, is poorly clad in the + European fashion; his pale, almost white, complexion, announces that he + belongs to the mixed race, being offspring of a white father and Indian + mother. + </p> + <p> + The second is a robust African negro, with thick lips, vigorous shoulders, + and lank legs; his woolly hair is beginning to turn gray; he is covered + with rags, and stands close beside the Indian. The third personage is + asleep, and stretched on a mat in the corner of the hovel. + </p> + <p> + These three men are the three Thuggee chiefs, who, obliged to fly from the + continent of India, have taken refuge in Java, under the guidance of Mahal + the Smuggler. + </p> + <p> + “The Malay does not return,” said the half-blood, named Faringhea, the + most redoubtable chief of this homicidal sect: “in executing our orders, + he has perhaps been killed by Djalma.” + </p> + <p> + “The storm of this morning brought every reptile out of the earth,” said + the negro; “the Malay must have been bitten, and his body ere now a nest + of serpents.” + </p> + <p> + “To serve the good work,” proceeded Faringhea, with a gloomy air, “one + must know how to brave death.” + </p> + <p> + “And to inflict it,” added the negro. + </p> + <p> + A stifled cry, followed by some inarticulate words, here drew the + attention of these two men, who hastily turned their heads in the + direction of the sleeper. This latter was thirty years old at most. His + beardless face, of a bright copper color, his robe of coarse stuff, his + turban striped brown and yellow, showed that he belonged to the pure + Hindoo race. His sleep appeared agitated by some painful vision; an + abundant sweat streamed over his countenance, contracted by terror; he + spoke in his dream, but his words were brief and broken, and accompanied + with convulsive starts. + </p> + <p> + “Again that dream!” said Faringhea to the negro. “Always the remembrance + of that man.” + </p> + <p> + “What man?” + </p> + <p> + “Do you not remember, how, five years ago, that savage, Colonel Kennedy, + butcher of the Indians, came to the banks of the Ganges, to hunt the + tiger, with twenty horses, four elephants, and fifty servants?” + </p> + <p> + “Yes, yes,” said the negro; “and we three, hunters of men, made a better + day’s sport than he did. Kennedy, his horses, his elephants, and his + numerous servants did not get their tiger—but we got ours,” he + added, with grim irony. “Yes; Kennedy, that tiger with a human face, fell + into our ambush, and the brothers of the good work offered up their fine + prey to our goddess Bowanee.” + </p> + <p> + “If you remember, it was just at the moment when we gave the last tug to + the cord round Kennedy’s neck, that we perceived on a sudden a traveller + close at hand. He had seen us, and it was necessary to make away with him. + Now, since that time,” added Faringhea, “the remembrance of the murder of + that man pursues our brother in his dreams,” and he pointed to the + sleeping Indian. + </p> + <p> + “And even when he is awake,” said the negro, looking at Faringhea with a + significant air. + </p> + <p> + “Listen!” said the other, again pointing to the Indian, who, in the + agitation of his dream, recommenced talking in abrupt sentences; “listen! + he is repeating the answers of the traveller, when we told him he must + die, or serve with us on Thuggee. His mind is still impressed—deeply + impressed—with those words.” + </p> + <p> + And, in fact, the Indian repeated aloud in his sleep, a sort of mysterious + dialogue, of which he himself supplied both questions and answers. + </p> + <p> + “‘Traveller,’ said he, in a voice broken by sudden pauses, ‘why that black + mark on your forehead, stretching from one temple to the other? It is a + mark of doom and your look is sad as death. Have you been a victim? Come + with us; Kallee will avenge you. You have suffered?’—‘Yes, I have + greatly suffered.’—‘For a long time?’—‘Yes, for a very long + time.’—‘You suffer even now?’—‘Yes, even now.’—What do + you reserve for those who injure you?’—‘My pity.’—‘Will you + not render blow for blow?’—‘I will return love for hate.’—‘Who + are you, then, that render good for evil?’—‘I am one who loves, and + suffers, and forgives.’” + </p> + <p> + “Brother, do you hear?” said the negro to Faringhea; “he has not forgotten + the words of the traveller before his death.” + </p> + <p> + “The vision follows him. Listen! he will speak again. How pale he is!” + Still under the influence of his dream, the Indian continued: + </p> + <p> + “‘Traveller, we are three; we are brave; we have your life in our hands—you + have seen us sacrifice to the good work. Be one of us, or die—die—die! + Oh, that look! Not thus—do not look at me thus!’” As he uttered + these last words, the Indian made a sudden movement, as if to keep off + some approaching object, and awoke with a start. Then, passing his hand + over his moist forehead, he looked round him with a bewildered eye. + </p> + <p> + “What! again this dream, brother?” said Faringhea. “For a bold hunter of + men, you have a weak head. Luckily, you have a strong heart and arm.” + </p> + <p> + The other remained a moment silent, his face buried in his hands; then he + replied: “It is long since I last dreamed of that traveller.” + </p> + <p> + “Is he not dead?” said Faringhea, shrugging his shoulders. “Did you not + yourself throw the cord around his neck?” + </p> + <p> + “Yes,” replied the Indian shuddering. + </p> + <p> + “Did we not dig his grave by the side of Colonel Kennedy’s? Did we not + bury him with the English butcher, under the sand and the rushes?” said + the negro. + </p> + <p> + “Yes, we dug his grave,” said the Indian, trembling; “and yet, only a year + ago, I was seated one evening at the gate of Bombay, waiting for one of + our brothers—the sun was setting behind the pagoda, to the right of + the little hill—the scene is all before me now—I was seated + under a figtree—when I heard a slow, firm, even step, and, as I + turned round my head—I saw him—coming out of the town.” + </p> + <p> + “A vision,” said the negro; “always the same vision!” + </p> + <p> + “A vision,” added Faringhea, “or a vague resemblance.” + </p> + <p> + “I knew him by the black mark on his forehead; it was none but he. I + remained motionless with fear, gazing at him with eyes aghast. He stopped, + bending upon me his calm, sad look. In spite of myself, I could not help + exclaiming: ‘It is he!’—‘Yes,’ he replied, in his gentle voice, ‘it + is I. Since all whom thou killest must needs live again,’ and he pointed + to heaven as he spoke, ‘why shouldst thou kill?—Hear me! I have just + come from Java; I am going to the other end of the world, to a country of + never-melting snow; but, here or there, on plains of fire or plains of + ice, I shall still be the same. Even so is it with the souls of those who + fall beneath thy kalleepra; in this world or up above, in this garb or in + another, the soul must still be a soul; thou canst not smite it. Why then + kill?’—and shaking his head sorrowfully, he went on his way, walking + slowly, with downcast eyes; he ascended the hill of the pagoda; I watched + him as he went, without being able to move: at the moment the sun set, he + was standing on the summit of the hill, his tall figure thrown out against + the sky—and so he disappeared. Oh! it was he!” added the Indian with + a shudder, after a long pause: “it was none but he.” + </p> + <p> + In this story the Indian had never varied, though he had often entertained + his companions with the same mysterious adventure. This persistency on his + part had the effect of shaking their incredulity, or at least of inducing + them to seek some natural cause for this apparently superhuman event. + </p> + <p> + “Perhaps,” said Faringhea, after a moment’s reflection, “the knot round + the traveller’s neck got jammed, and some breath was left him, the air may + have penetrated the rushes with which we covered his grave, and so life + have returned to him.” + </p> + <p> + “No, no,” said the Indian, shaking his head, “this man is not of our + race.” + </p> + <p> + “Explain.” + </p> + <p> + “Now I know it!” + </p> + <p> + “What do you know?” + </p> + <p> + “Listen!” said the Indian, in a solemn voice; “the number of victims that + the children of Bowanee have sacrificed since the commencement of ages, is + nothing compared to the immense heap of dead and dying, whom this terrible + traveller leaves behind him in his murderous march.” + </p> + <p> + “He?” cried the negro and Faringhea. + </p> + <p> + “Yes, he!” repeated the Hindoo, with a convinced accent, that made its + impression upon his companions. “Hear me and tremble!—When I met + this traveller at the gates of Bombay, he came from Java, and was going + towards the north, he said. The very next day, the town was a prey to the + cholera, and we learned sometime after, that this plague had first broken + out here, in Java.” + </p> + <p> + “That is true,” said the negro. + </p> + <p> + “Hear me still further!” resumed the other. “‘I am going towards the + north, to a country of eternal snow,’ said the traveller to me. The + cholera also went towards the north, passing through Muscat—Ispahan—Tauris—Tiflis—till + it overwhelmed Siberia.” + </p> + <p> + “True,” said Faringhea, becoming thoughtful: + </p> + <p> + “And the cholera,” resumed the Indian, “only travelled its five or six + leagues a day—a man’s tramp—never appeared in two places at + once—but swept on slowly, steadily,—even as a man proceeds.” + </p> + <p> + At the mention of this strange coincidence, the Hindoo’s companions looked + at each other in amazement. After a silence of some minutes, the + awe-struck negro said to the last speaker: “So you think that this man—” + </p> + <p> + “I think that this man, whom we killed, restored to life by some infernal + divinity, has been commissioned to bear this terrible scourge over the + earth, and to scatter round his steps that death, from which he is himself + secure. Remember!” added the Indian, with gloomy enthusiasm, “this awful + wayfarer passed through Java—the cholera wasted Java. He passed + through Bombay—the cholera wasted Bombay. He went towards the north—the + cholera wasted the north.” + </p> + <p> + So saying, the Indian fell into a profound reverie. The negro and + Faringhea were seized with gloomy astonishment. + </p> + <p> + The Indian spoke the truth as to the mysterious march (still unexplained) + of that fearful malady, which has never been known to travel more than + five or six leagues a day, or to appear simultaneously in two spots. + Nothing can be more curious, than to trace out, on the maps prepared at + the period in question, the slow, progressive course of this travelling + pestilence, which offers to the astonished eye all the capricious + incidents of a tourist’s journey. Passing this way rather than that—selecting + provinces in a country—towns in a province—one quarter in a + town—one street in a quarter—one house in a street—having + its place of residence and repose, and then continuing its slow, + mysterious, fear inspiring march. + </p> + <p> + The words of the Hindoo, by drawing attention to these dreadful + eccentricities, made a strong impression upon the minds of the negro and + Faringhea—wild natures, brought by horrible doctrines to the + monomania of murder. + </p> + <p> + Yes—for this also is an established fact—there have been in + India members of an abominable community, who killed without motive, + without passion—killed for the sake of killing—for the + pleasure of murder—to substitute death for life—to make of a + living man a corpse, as they have themselves declared in one of their + examinations. + </p> + <p> + The mind loses itself in the attempt to penetrate the causes of these + monstrous phenomena. By what incredible series of events, have men been + induced to devote themselves to this priesthood of destruction? Without + doubt, such a religion could only flourish in countries given up, like + India, to the most atrocious slavery, and to the most merciless iniquity + of man to man. + </p> + <p> + Such a creed!—is it not the hate of exasperated humanity, wound up + to its highest pitch by oppression?—May not this homicidal sect, + whose origin is lost in the night of ages, have been perpetuated in these + regions, as the only possible protest of slavery against despotism? May + not an inscrutable wisdom have here made Phansegars, even as are made + tigers and serpents? + </p> + <p> + What is most remarkable in this awful sect, is the mysterious bond, which, + uniting its members amongst themselves, separates them from all other men. + They have laws and customs of their own, they support and help each other, + but for them there is neither country nor family; they owe no allegiance + save to a dark, invisible power, whose decrees they obey with blind + submission, and in whose name they spread themselves abroad, to make + corpses, according to their own savage expression.(6) + </p> + <p> + For some moments the three Stranglers had maintained a profound silence. + </p> +<div class="fig"> + <img src="images/10201m.jpg" alt="10201m " /><br /> + </div> + <h5> + <a href="images/10201.jpg"><i>Original</i></a> + </h5> + <p> + Outside the hut, the moon continued to throw great masses of white + radiance, and tall bluish shadows, over the imposing fabric of the ruins; + the stars sparkled in the heavens; from time to time, a faint breeze + rustled through the thick and varnished leaves of the bananas and the + palms. + </p> + <p> + The pedestal of the gigantic statue, which, still entire, stood on the + left side of the portico, rested upon large flagstones, half hidden with + brambles. Suddenly, one of these stones appeared to fall in; and from the + aperture, which thus formed itself without noise, a man, dressed in + uniform, half protruded his body, looked carefully around him, and + listened. + </p> + <p> + Seeing the rays of the lamp, which lighted the interior of the hovel, + tremble upon the tall grass, he turned round to make a signal, and soon, + accompanied by two other soldiers, he ascended, with the greatest silence + and precaution, the last steps of the subterranean staircase, and went + gliding amongst the ruins. For a few moments, their moving shadows were + thrown upon the moonlit ground; then they disappeared behind some + fragments of broken wall. + </p> + <p> + At the instant when the large stone resumed its place and level, the heads + of many other soldiers might have been seen lying close in the excavation. + The half-caste, the Indian, and the negro, still seated thoughtfully in + the hut, did not perceive what was passing. + </p> + <p> + (6) The following are some passages from the Count de Warren’s very + curious book, “British India in 1831:” “Besides the robbers, who kill for + the sake of the booty they hope to find upon travellers, there is a class + of assassins, forming an organized society, with chiefs of their own, a + slang-language, a science, a free-masonry, and even a religion, which has + its fanaticism and its devotion, its agents, emissaries, allies, its + militant forces, and its passive adherents, who contribute their money to + the good work. This is the community of the Thugs or Phansegars (deceivers + or stranglers, from thugna, to deceive, and phansna, to strangle), a + religious and economical society, which speculates with the human race by + exterminating men; its origin is lost in the night of ages. + </p> + <p> + “Until 1810 their existence was unknown, not only to the European + conquerors, but even to the native governments. Between the years 1816 and + 1830, several of their bands were taken in the act, and punished: but + until this last epoch, all the revelations made on the subject by officers + of great experience, had appeared too monstrous to obtain the attention or + belief of the public; they had been rejected and despised as the dreams of + a heated imagination. And yet for many years, at the very least for half a + century, this social wound had been frightfully on the increase, devouring + the population from the Himalayas to Cape Comorin and from Cutch to Assam. + </p> + <p> + “It was in the year 1830 that the revelations of a celebrated chief, whose + life was spared on condition of his denouncing his accomplices, laid bare + the whole system. The basis of the Thuggee Society is a religious belief—the + worship of Bowanee, a gloomy divinity, who is only pleased with carnage, + and detests above all things the human race. Her most agreeable sacrifices + are human victims, and the more of these her disciple may have offered up + in this world the more he will be recompensed in the next by all the + delights of soul and sense, by women always beautiful, and joys eternally + renewed. If the assassin meets the scaffold in his career, he dies with + the enthusiasm of a martyr, because he expects his reward. To obey his + divine mistress, he murders, without anger and without remorse, the old + man, woman and child; whilst, to his fellow-religionists, he may be + charitable, humane, generous, devoted, and may share all in common with + them, because, like himself, they are the ministers and adopted children + of Bowanee. The destruction of his fellow-creatures, not belonging to his + community—the diminution of the human race—that is the primary + object of his pursuit; it is not as a means of gain, for though plunder + may be a frequent, and doubtless an agreeable accessory, it is only + secondary in his estimation. Destruction is his end, his celestial + mission, his calling; it is also a delicious passion, the most captivating + of all sports—this hunting of men!—‘You find great pleasure,’ + said one of those that were condemned, ‘in tracking the wild beast to his + den, in attacking the boar, the tiger, because there is danger to brave, + energy and courage to display. Think how this attraction must be + redoubled, when the contest is with man, when it is man that is to be + destroyed. Instead of the single faculty of courage, all must be called + into action—courage, cunning, foresight, eloquence, intrigue. What + springs to put in motion! what plans to develop! To sport with all the + passions, to touch the chords of love and friendship, and so draw the prey + into one’s net—that is a glorious chase—it is a delight, a + rapture, I tell you!’ + </p> + <p> + “Whoever was in India in the years 1831 and 1832, must remember the stupor + and affright, which the discovery of this vast infernal machine spread + through all classes of society. A great number of magistrates and + administrators of provinces refused to believe in it, and could not be + brought to comprehend that such a system had so long preyed on the body + politic, under their eyes as it were, silently, and without betraying + itself.”—See “British India in 183,” by Count Edward de Warren, 2 + vols. in 8vo. Paris, 1844.—E. S. + </p> + <p> + <a name="link2HCH0022" id="link2HCH0022"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXII. THE AMBUSCADE + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>he half-blood Faringhea, wishing doubtless to escape from the dark + thoughts which the words of the Indian on the mysterious course of the + Cholera had raised within him, abruptly changed the subject of + conversation. His eye shone with lurid fire, and his countenance took an + expression of savage enthusiasm, as he cried: “Bowanee will always watch + over us, intrepid hunters of men! Courage, brothers, courage! The world is + large; our prey is everywhere. The English may force us to quit India, + three chiefs of the good work—but what matter? We leave there our + brethren, secret, numerous, and terrible, as black scorpions, whose + presence is only known by their mortal sting. Exiles will widen our + domains. Brother, you shall have America!” said he to the Hindoo, with an + inspired air. “Brother, you shall have Africa!” said he to the negro. + “Brothers, I will take Europe! Wherever men are to be found, there must be + oppressors and victims—wherever there are victims, there must be + hearts swollen with hate—it is for us to inflame that hate with all + the ardor of vengeance! It is for us, servants of Bowanee, to draw towards + us, by seducing wiles, all whose zeal, courage, and audacity may be useful + to the cause. Let us rival each other in devotion and sacrifices; let us + lend each other strength, help, support! That all who are not with us may + be our prey, let us stand alone in the midst of all, against all, and in + spite of all. For us, there must be neither country nor family. Our family + is composed of our brethren; our country is the world.” + </p> + <p> + This kind of savage eloquence made a deep impression on the negro and the + Indian, over whom Faringhea generally exercised considerable influence, + his intellectual powers being very superior to theirs, though they were + themselves two of the most eminent chiefs of this bloody association. + “Yes, you are right, brother!” cried the Indian, sharing the enthusiasm of + Faringhea; “the world is ours. Even here, in Java, let us leave some trace + of our passage. Before we depart, let us establish the good work in this + island; it will increase quickly, for here also is great misery, and the + Dutch are rapacious as the English. Brother, I have seen in the marshy + rice-fields of this island, always fatal to those who cultivate them, men + whom absolute want forced to the deadly task—they were livid as + corpses—some of them worn out with sickness, fatigue, and hunger, + fell—never to rise again. Brothers, the good work will prosper in + this country!” + </p> + <p> + “The other evening,” said the half-caste, “I was on the banks of the lake, + behind a rock; a young woman came there—a few rags hardly covered + her lean and sun-scorched body—in her arms she held a little child, + which she pressed weeping to her milkless breast. She kissed it three + times, and said to it: ‘You, at least, shall not be so unhappy as your + father’—and she threw it into the lake. It uttered one wail, and + disappeared. On this cry, the alligators, hidden amongst the reeds, leaped + joyfully into the water. There are mothers here who kill their children + out of pity.—Brothers, the good work will prosper in this country!” + </p> + <p> + “This morning,” said the negro, “whilst they tore the flesh of one of his + black slaves with whips, a withered old merchant of Batavia left his + country-house to come to the town. Lolling in his palanquin, he received, + with languid indolence, the sad caresses of two of those girls, whom he + had bought, to people his harem, from parents too poor to give them food. + The palanquin, which held this little old man, and the girls, was carried + by twelve young and robust men. There are here, you see, mothers who in + their misery sell their own daughters—slaves that are scourged—men + that carry other men, like beasts of burden.—Brothers, the good work + will prosper in this country!” + </p> + <p> + “Yes, in this country—and in every land of oppression, distress, + corruption, and slavery.” + </p> + <p> + “Could we but induce Djalma to join us, as Mahal the Smuggler advised,” + said the Indian, “our voyage to Java would doubly profit us; for we should + then number among our band this brave and enterprising youth, who has so + many motives to hate mankind.” + </p> + <p> + “He will soon be here; let us envenom his resentments.” + </p> + <p> + “Remind him of his father’s death!” + </p> + <p> + “Of the massacre of his people!” + </p> + <p> + “His own captivity!” + </p> + <p> + “Only let hatred inflame his heart, and he will be ours.” + </p> + <p> + The negro, who had remained for some time lost in thought, said suddenly: + “Brothers, suppose Mahal the Smuggler were to betray us?” + </p> + <p> + “He” cried the Hindoo, almost with indignation; “he gave us an asylum on + board his bark; he secured our flight from the Continent; he is again to + take us with him to Bombay, where we shall find vessels for America, + Europe, Africa.” + </p> + <p> + “What interest would Mahal have to betray us?” said Faringhea. “Nothing + could save him from the vengeance of the sons of Bowanee, and that he + knows.” + </p> + <p> + “Well,” said the black, “he promised to get Djalma to come hither this + evening, and, once amongst us, he must needs be our own.” + </p> + <p> + “Was it not the Smuggler who told us to order the Malay to enter the + ajoupa of Djalma, to surprise him during his sleep, and, instead of + killing him as he might have done, to trace the name of Bowanee upon his + arm? Djalma will thus learn to judge of the resolution, the cunning and + obedience of our brethren, and he will understand what he has to hope or + fear from such men. Be it through admiration or through terror, he must + become one of us.” + </p> + <p> + “But if he refuses to join us, notwithstanding the reasons he has to hate + mankind?” + </p> + <p> + “Then—Bowanee will decide his fate,” said Faringhea, with a gloomy + look; “I have my plan.” + </p> + <p> + “But will the Malay succeed in surprising Djalma during his sleep?” said + the negro. + </p> + <p> + “There is none nobler, more agile, more dexterous, than the Malay,” said + Faringhea. “He once had the daring to surprise in her den a black panther, + as she suckled her cub. He killed the dam, and took away the young one, + which he afterwards sold to some European ship’s captain.” + </p> + <p> + “The Malay has succeeded!” exclaimed the Indian, listening to a singular + kind of hoot, which sounded through the profound silence of the night and + of the woods. + </p> + <p> + “Yes, it is the scream of the vulture seizing its prey,” said the negro, + listening in his turn; “it is also the signal of our brethren, after they + have seized their prey.” + </p> + <p> + In a few minutes, the Malay appeared at the door of the hut. He had wound + around him a broad length of cotton, adorned with bright colored stripes. + </p> + <p> + “Well,” said the negro, anxiously; “have you succeeded?” + </p> + <p> + “Djalma must bear all his life the mark of the good work,” said the Malay, + proudly. “To reach him, I was forced to offer up to Bowanee a man who + crossed my path—I have left his body under the brambles, near the + ajoupa. But Djalma is marked with the sign. Mahal the Smuggler was the + first to know it.” + </p> + <p> + “And Djalma did not awake?” said the Indian, confounded by the Malay’s + adroitness. + </p> + <p> + “Had he awoke,” replied the other, calmly, “I should have been a dead man—as + I was charged to spare his life.” + </p> + <p> + “Because his life may be more useful to us than his death,” said the + half-caste. Then, addressing the Malay, he added: “Brother, in risking + life for the good work, you have done to-day what we did yesterday, what + we may do again to-morrow. This time, you obey; another you will command.” + </p> + <p> + “We all belong to Bowanee,” answered the Malay. “What is there yet to do?—I + am ready.” Whilst he thus spoke, his face was turned towards the door of + the hut; on a sudden, he said in a low voice: “Here is Djalma. He + approaches the cabin. Mahal has not deceived us.” + </p> + <p> + “He must not see me yet,” said Faringhea, retiring to an obscure corner of + the cabin, and hiding himself under a mat; “try to persuade him. If he + resists—I have my project.” + </p> + <p> + Hardly had Faringhea disappeared, saying these words, when Djalma arrived + at the door of the hovel. At sight of those three personages with their + forbidding aspect, Djalma started in surprise. But ignorant that these men + belonged to the Phansegars, and knowing that, in a country where there are + no inns, travellers often pass the night under a tent, or beneath the + shelter of some ruins, he continued to advance towards them. After the + first moment, he perceived by the complexion and the dress of one of these + men, that he was an Indian, and he accosted him in the Hindoo language: “I + thought to have found here a European—a Frenchman—” + </p> + <p> + “The Frenchman is not yet come,” replied the Indian; “but he will not be + long.” + </p> + <p> + Guessing by Djalma’s question the means which Mahal had employed to draw + him into the snare, the Indian hoped to gain time by prolonging his error. + </p> + <p> + “You knew this Frenchman?” asked Djalma of the Phansegar. + </p> + <p> + “He appointed us to meet here, as he did you,” answered the Indian. + </p> + <p> + “For what?” inquired Djalma, more and more astonished. + </p> + <p> + “You will know when he arrives.” + </p> + <p> + “General Simon told you to be at this place?” + </p> + <p> + “Yes, General Simon,” replied the Indian. + </p> + <p> + There was a moment’s pause, during which Djalma sought in vain to explain + to himself this mysterious adventure. “And who are you?” asked he, with a + look of suspicion; for the gloomy silence of the Phansegar’s two + companions, who stared fixedly at each other, began to give him some + uneasiness. + </p> + <p> + “We are yours, if you will be ours,” answered the Indian. + </p> + <p> + “I have no need of you—nor you of me.” + </p> + <p> + “Who knows?” + </p> + <p> + “I know it.” + </p> + <p> + “You are deceived. The English killed your father, a king; made you a + captive; proscribed you, you have lost all your possessions.” + </p> + <p> + At this cruel reminder, the countenance of Djalma darkened. He started, + and a bitter smile curled his lip. The Phansegar continued: + </p> + <p> + “Your father was just and brave—beloved by his subjects—they + called him ‘Father of the Generous,’ and he was well named. Will you leave + his death unavenged? Will the hate, which gnaws at your heart, be without + fruit?” + </p> + <p> + “My father died with arms in his hand. I revenged his death on the English + whom I killed in war. He, who has since been a father to me, and who + fought also in the same cause, told me, that it would now be madness to + attempt to recover my territory from the English. When they gave me my + liberty, I swore never again to set foot in India—and I keep the + oaths I make.” + </p> + <p> + “Those who despoiled you, who took you captive, who killed your father—were + men. Are there not other men, on whom you can avenge yourself! Let your + hate fall upon them!” + </p> + <p> + “You, who speak thus of men, are not a man!” + </p> + <p> + “I, and those who resemble me, are more than men. We are, to the rest of + the human race, what the bold hunter is to the wild beasts, which they run + down in the forest. Will you be, like us, more than a man? Will you glut + surely, largely, safely—the hate which devours your heart, for all + the evil done you?” + </p> + <p> + “Your words become more and more obscure: I have no hatred in my heart,” + said Djalma. “When an enemy is worthy of me, I fight with him; when he is + unworthy, I despise him. So that I have no hate—either for brave men + or cowards.” + </p> + <p> + “Treachery!” cried the negro on a sudden, pointing with rapid gesture to + the door, for Djalma and the Indian had now withdrawn a little from it, + and were standing in one corner of the hovel. + </p> + <p> + At the shout of the negro, Faringhea, who had not been perceived by + Djalma, threw off abruptly the mat which covered him, drew his crease, + started up like a tiger, and with one bound was out of the cabin. Then, + seeing a body of soldiers advancing cautiously in a circle, he dealt one + of them a mortal stroke, threw down two others, and disappeared in the + midst of the ruins. All this passed so instantaneously, that, when Djalma + turned round, to ascertain the cause of the negro’s cry of alarm, + Faringhea had already disappeared. + </p> + <p> + The muskets of several soldiers, crowding to the door, were immediately + pointed at Djalma and the three Stranglers, whilst others went in pursuit + of Faringhea. The negro, the Malay, and the Indian, seeing the + impossibility of resistance, exchanged a few rapid words, and offered + their hands to the cords, with which some of the soldiers had provided + themselves. + </p> + <p> + The Dutch captain, who commanded the squad, entered the cabin at this + moment. “And this other one?” said he, pointing out Djalma to the + soldiers, who were occupied in binding the three Phansegars. + </p> + <p> + “Each in his turn, captain!” said an old sergeant. “We come to him next.” + </p> + <p> + Djalma had remained petrified with surprise, not understanding what was + passing round him; but, when he saw the sergeant and two soldiers approach + with ropes to bind him, he repulsed them with violent indignation, and + rushed towards the door where stood the officer. The soldiers, who had + supposed that Djalma would submit to his fate with the same impassibility + as his companions, were astounded by this resistance, and recoiled some + paces, being struck in spite of themselves, with the noble and dignified + air of the son of Kadja-sing. + </p> + <p> + “Why would you bind me like these men?” cried Djalma, addressing himself + in Hindostanee to the officer, who understood that language from his long + service in the Dutch colonies. + </p> + <p> + “Why would we bind you, wretch?—because you form part of this band + of assassins. What?” added the officer in Dutch, speaking to the soldiers, + “are you afraid of him?—Tie the cord tight about his wrists; there + will soon be another about his neck.” + </p> + <p> + “You are mistaken,” said Djalma, with a dignity and calmness which + astonished the officer; “I have hardly been in this place a quarter of an + hour—I do not know these men. I came here to meet a Frenchman.” + </p> + <p> + “Not a Phansegar like them?—Who will believe the falsehood?” + </p> + <p> + “Them!” cried Djalma, with so natural a movement and expression of horror, + that with a sign the officer stopped the soldiers, who were again + advancing to bind the son of Kadja-sing; “these men form part of that + horrible band of murderers! and you accuse me of being their accomplice!—Oh, + in this case, sir! I am perfectly at ease,” said the young man, with a + smile of disdain. + </p> + <p> + “It will not be sufficient to say that you are tranquil,” replied the + officer; “thanks to their confessions, we now know by what mysterious + signs to recognize the Thugs.” + </p> +<div class="fig"> + <img src="images/10209m.jpg" alt="10209m " /><br /> + </div> + <h5> + <a href="images/10209.jpg"><i>Original</i></a> + </h5> + <p> + “I repeat, sir, that I hold these murderers in the greatest horror, and + that I came here—” + </p> + <p> + The negro, interrupting Djalma, said to the officer with a ferocious joy: + “You have hit it; the sons of the good work do know each other by marks + tattooed on their skin. For us, the hour has come—we give our necks + to the cord. Often enough have we twined it round the necks of those who + served not with us the good work. Now, look at our arms, and look at the + arms of this youth!” + </p> + <p> + The officer, misinterpreting the words of the negro, said to Djalma: “It + is quite clear, that if, as this negro tells us, you do not bear on your + arm the mysterious symbol—(we are going to assure ourselves of the + fact), and if you can explain your presence here in a satisfactory manner, + you may be at liberty within two hours.” + </p> + <p> + “You do not understand me,” said the negro to the officer; “Prince Djalma + is one of us, for he bears on his left arm the name of Bowanee.” + </p> + <p> + “Yes! he is like us, a son of Kale!” added the Malay. + </p> + <p> + “He is like us, a Phansegar,” said the Indian. + </p> + <p> + The three men, irritated at the horror which Djalma had manifested on + learning that they were Phansegars, took a savage pride in making it + believed that the son of Kadja-sing belonged to their frightful + association. + </p> + <p> + “What have you to answer?” said the officer to Djalma. The latter again + gave a look of disdainful pity, raised with his right hand his long, wide + left sleeve, and displayed his naked arm. + </p> + <p> + “What audacity!” cried the officer, for on the inner part of the fore arm, + a little below the bend, the name of the Bowanee, in bright red Hindoo + characters, was distinctly visible. The officer ran to the Malay, and + uncovered his arm; he saw the same word, the same signs. Not yet + satisfied, he assured himself that the negro and the Indian were likewise + so marked. + </p> + <p> + “Wretch!” cried he, turning furiously towards Djalma; “you inspire even + more horror than your accomplices. Bind him like a cowardly assassin,” + added he to the soldiers; “like a cowardly assassin, who lies upon the + brink of the grave, for his execution will not be long delayed.” + </p> + <p> + Struck with stupor, Djalma, who for some moments had kept his eye riveted + on the fatal mark, was unable to pronounce a word, or make the least + movement: his powers of thought seemed to fail him, in presence of this + incomprehensible fact. + </p> + <p> + “Would you dare deny this sign?” said the officer to him, with + indignation. + </p> + <p> + “I cannot deny what I see—what is,” said Djalma, quite overcome. + </p> + <p> + “It is lucky that you confess at last,” replied the officer. “Soldiers, + keep watch over him and his accomplices—you answer for them.” + </p> + <p> + Almost believing himself the sport of some wild dream. Djalma offered no + resistance, but allowed himself to be bound and removed with mechanical + passiveness. The officer, with part of his soldiers, hoped still to + discover Faringhea amongst the ruins; but his search was vain, and, after + spending an hour in fruitless endeavors, he set out for Batavia, where the + escort of the prisoners had arrived before him. + </p> + <p> + Some hours after these events, M. Joshua van Dael thus finished his long + despatch, addressed to M. Rodin, of Paris: + </p> + <p> + “Circumstances were such, that I could not act otherwise; and, taking all + into consideration, it is a very small evil for a great good. Three + murderers are delivered over to justice, and the temporary arrest of + Djalma will only serve to make his innocence shine forth with redoubled + luster. + </p> + <p> + “Already this morning I went to the governor, to protest in favor of our + young prince. ‘As it was through me,’ I said, ‘that those three great + criminals fell into the hands of the authorities, let them at least show + me some gratitude, by doing everything to render clear as day the + innocence of Prince Djalma, so interesting by reason of his misfortunes + and noble qualities. Most certainly,’ I added, ‘when I came yesterday to + inform the governor, that the Phansegars would be found assembled in the + ruins of Tchandi, I was far from anticipating that any one would confound + with those wretches the adopted son of General Simon, an excellent man, + with whom I have had for some time the most honorable relations. We must, + then, at any cost, discover the inconceivable mystery that has placed + Djalma in this dangerous position;’ and, I continued, ‘so convinced am I + of his innocence, that, for his own sake, I would not ask for any favor on + his behalf. He will have sufficient courage and dignity to wait patiently + in prison for the day of justice.’ In all this, you see, I spoke nothing + but the truth, and had not to reproach myself with the least deception, + for nobody in the world is more convinced than I am of Djalma’s innocence. + </p> + <p> + “The governor answered me as I expected, that morally he felt as certain + as I did of the innocence of the young prince, and would treat him with + all possible consideration; but that it was necessary for justice to have + its course, because it would be the only way of demonstrating the + falsehood of the accusation, and discovering by what unaccountable + fatality that mysterious sign was tattooed upon Djalma’s arm. + </p> + <p> + “Mahal the Smuggler, who alone could enlighten justice on this subject, + will in another hour have quitted Batavia, to go on board the ‘Ruyter,’ + which will take him to Egypt; for he has a note from me to the captain, to + certify that he is the person for whom I engaged and paid the passage. At + the same time, he will be the bearer of this long despatch, for the + ‘Ruyter’ is to sail in an hour, and the last letter-bag for Europe was + made up yesterday evening. But I wished to see the governor this morning, + before closing the present. + </p> + <p> + “Thus, then, is Prince Djalma enforced detained for a month, and, this + opportunity of the ‘Ruyter’ once lost, it is materially impossible that + the young Indian can be in France by the 13th of next February. You see, + therefore, that, even as you ordered, so have I acted according to the + means at my disposal—considering only the end which justifies them—for + you tell me a great interest of the society is concerned. + </p> + <p> + “In your hands, I have been what we all ought to be in the hands of our + superiors—a mere instrument: since, for the greater glory of God, we + become corpses with regard to the will.(7) Men may deny our unity and + power, and the times appear opposed to us; but circumstances only change; + we are ever the same. + </p> + <p> + “Obedience and courage, secrecy and patience, craft and audacity, union + and devotion—these become us, who have the world for our country, + our brethren for family, Rome for our Queen! + </p> +<pre xml:space="preserve"> + “J. V.” + </pre> + <p> + About ten o’clock in the morning, Mahal the Smuggler set out with this + despatch (sealed) in his possession, to board the “Ruyter.” An hour later, + the dead body of this same Mahal, strangled by Thuggee, lay concealed + beneath some reeds on the edge of a desert strand, whither he had gone to + take boat to join the vessel. + </p> + <p> + When at a subsequent period, after the departure of the steamship, they + found the corpse of the smuggler, M. Joshua sought in vain for the + voluminous packet, which he had entrusted to his care. Neither was there + any trace of the note which Mahal was to have delivered to the captain of + the “Ruyter,” in order to be received as passenger. + </p> + <p> + Finally, the searches and bushwhacking ordered throughout the country for + the purpose of discovering Faringhea, were of no avail. The dangerous + chief of the Stranglers was never seen again in Java. + </p> + <p> + (7) It is known that the doctrine of passive and absolute obedience, the + main-spring of the Society of Jesus, is summed up in those terrible words + of the dying Loyola: “Every member of the Order shall be, in the hands of + his superiors, even as a corpse (Perinde ac Cadaver).”—E. S. + </p> + <p> + <a name="link2HCH0023" id="link2HCH0023"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXIII. M. RODIN. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>hree months have elapsed since Djalma was thrown into Batavia Prison + accused of belonging to the murderous gang of Megpunnas. The following + scene takes place in France, at the commencement of the month of February, + 1832, in Cardoville Manor House, an old feudal habitation standing upon + the tall cliffs of Picardy, not far from Saint Valery, a dangerous coast + on which almost every year many ships are totally wrecked, being driven on + shore by the northwesters, which render the navigation of the Channel so + perilous. + </p> + <p> + From the interior of the Castle is heard the howling of a violent tempest, + which has arisen during the night; a frequent formidable noise, like the + discharge of artillery, thunders in the distance, and is repeated by the + echoes of the shore; it is the sea breaking with fury against the high + rocks which are overlooked by the ancient Manor House. + </p> + <p> + It is about seven o’clock in the morning. Daylight is not yet visible + through the windows of a large room situated on the ground-floor. In this + apartment, in which a lamp is burning, a woman of about sixty years of + age, with a simple and honest countenance, dressed as a rich farmer’s wife + of Picardy, is already occupied with her needle-work, notwithstanding the + early hour. Close by, the husband of this woman, about the same age as + herself, is seated at a large table, sorting and putting up in bags divers + samples of wheat and oats. The face of this white-haired man is + intelligent and open, announcing good sense and honesty, enlivened by a + touch of rustic humor; he wears a shooting-jacket of green cloth, and long + gaiters of tan-colored leather, which half conceal his black velveteen + breeches. + </p> + <p> + The terrible storm which rages without renders still more agreeable the + picture of this peaceful interior. A rousing fire burns in a broad + chimney-place faced with white marble, and throws its joyous light on the + carefully polished floor; nothing can be more cheerful than the old + fashioned chintz hangings and curtains with red Chinese figures upon a + white ground, and the panels over the door painted with pastoral scenes in + the style of Watteau. A clock of Sevres china, and rosewood furniture + inlaid with green—quaint and portly furniture, twisted into all + sorts of grotesque shapes—complete the decorations of this + apartment. + </p> + <p> + Out-doors, the gale continued to howl furiously, and sometimes a gust of + wind would rush down the chimney, or shake the fastenings of the windows. + The man who was occupied in sorting the samples of grain was M. Dupont, + bailiff of Cardoville manor. + </p> + <p> + “Holy Virgin!” said his wife; “what dreadful weather, my dear! This M. + Rodin, who is to come here this morning, as the Princess de Saint Dizier’s + steward announced to us, picked out a very bad day for it.” + </p> + <p> + “Why, in truth, I have rarely heard such a hurricane. If M. Rodin has + never seen the sea in its fury, he may feast his eyes to-day with the + sight.” + </p> + <p> + “What can it be that brings this M. Rodin, my dear?” + </p> + <p> + “Faith! I know nothing about it. The steward tells me in his letter to + show M. Rodin the greatest attention, and to obey him as if he were my + master. It will be for him to explain himself, and for me to execute his + orders, since he comes on the part of the princess.” + </p> + <p> + “By rights he should come from Mademoiselle Adrienne, as the land belongs + to her since the death of the duke her father.” + </p> + <p> + “Yes; but the princess being aunt to the young lady, her steward manages + Mademoiselle Adrienne’s affairs—so whether one or the other, it + amounts to the same thing.” + </p> + <p> + “May be M. Rodin means to buy the estate. Though, to be sure, that stout + lady who came from Paris last week on purpose to see the chateau appeared + to have a great wish for it.” + </p> + <p> + At these words the bailiff began to laugh with a sly look. + </p> + <p> + “What is there to laugh at, Dupont?” asked his wife, a very good creature, + but not famous for intelligence or penetration. + </p> + <p> + “I laugh,” answered Dupont, “to think of the face and figure of that + enormous woman: with such a look, who the devil would call themselves + Madame de la Sainte-Colombe—Mrs. Holy Dove? A pretty saint, and a + pretty dove, truly! She is round as a hogshead, with the voice of a + town-crier; has gray moustachios like an old grenadier, and without her + knowing it, I heard her say to her servant: ‘Stir your stumps, my hearty!’—and + yet she calls herself Sainte-Colombe!” + </p> + <p> + “How hard on her you are, Dupont; a body don’t choose one’s name. And, if + she has a beard, it is not the lady’s fault.” + </p> + <p> + “No—but it is her fault to call herself Sainte-Colombe. Do you + imagine it her true name? Ah, my poor Catherine, you are yet very green in + some things.” + </p> + <p> + “While you, my poor Dupont, are well read in slander! This lady seems very + respectable. The first thing she asked for on arriving was the chapel of + the Castle, of which she had heard speak. She even said that she would + make some embellishments in it; and, when I told her we had no church in + this little place, she appeared quite vexed not to have a curate in the + village.” + </p> + <p> + “Oh, to be sure! that’s the first thought of your upstarts—to play + the great lady of the parish, like your titled people.” + </p> + <p> + “Madame de la Sainte-Colombe need not play the great lady, because she is + one.” + </p> + <p> + “She! a great lady? Oh, lor’!” + </p> + <p> + “Yes—only see how she was dressed, in scarlet gown, and violet + gloves like a bishop’s; and, when she took off her bonnet, she had a + diamond band round her head-dress of false, light hair, and diamond + ear-drops as large as my thumb, and diamond rings on every finger! None of + your tuppenny beauties would wear so many diamonds in the middle of the + day.” + </p> + <p> + “You are a pretty judge!” + </p> + <p> + “That is not all.” + </p> + <p> + “Do you mean to say there’s more?” + </p> + <p> + “She talked of nothing but dukes, and marquises, and counts, and very rich + gentlemen, who visit at her house, and are her most intimate friends; and + then, when she saw the summer house in the park, half-burnt by the + Prussians, which our late master never rebuilt, she asked, ‘What are those + ruins there?’ and I answered: ‘Madame, it was in the time of the Allies + that the pavilion was burnt.’—‘Oh, my clear,’ cried she; ‘our + allies, good, dear allies! they and the Restoration began my fortune!’ So + you see, Dupont, I said to myself directly: ‘She was no doubt one of the + noble women who fled abroad—‘” + </p> + <p> + “Madame de la Sainte-Colombe!” cried the bailiff, laughing heartily. “Oh, + my poor, poor wife!” + </p> + <p> + “Oh, it is all very well; but because you have been three years at Paris, + don’t think yourself a conjurer!” + </p> + <p> + “Catherine, let’s drop it: you will make me say some folly, and there are + certain things which dear, good creatures like you need never know.” + </p> + <p> + “I cannot tell what you are driving at, only try to be less slanderous—for, + after all, should Madame de la Sainte-Colombe buy the estate, will you be + sorry to remain as her bailiff, eh?” + </p> + <p> + “Not I—for we are getting old, my good Catherine; we have lived here + twenty years, and we have been too honest to provide for our old days by + pilfering—and truly, at our age, it would be hard to seek another + place, which perhaps we should not find. What I regret is, that + Mademoiselle Adrienne should not keep the land; it seems that she wished + to sell it, against the will of the princess.” + </p> + <p> + “Good gracious, Dupont! is it not very extraordinary that Mademoiselle + Adrienne should have the disposal of her large fortune so early in life?” + </p> + <p> + “Faith! simple enough. Our young lady, having no father or mother, is + mistress of her property, besides having a famous little will of her own. + Dost remember, ten years ago, when the count brought her down here one + summer?—what an imp of mischief! and then what eyes! eh?—how + they sparkled, even then!” + </p> + <p> + “It is true that Mademoiselle Adrienne had in her look—an expression—a + very uncommon expression for her age.” + </p> + <p> + “If she has kept what her witching, luring face promised, she must be very + pretty by this time, notwithstanding the peculiar color of her hair—for, + between ourselves, if she had been a tradesman’s daughter, instead of a + young lady of high birth, they would have called it red.” + </p> + <p> + “There again! more slander.” + </p> + <p> + “What! against Mademoiselle Adrienne? Heaven forbid—I always thought + that she would be as good as pretty, and it is not speaking ill of her to + say she has red hair. On the contrary, it always appears to me so fine, so + bright, so sunny, and to suit so well her snowy complexion and black eyes, + that in truth I would not have had it other than it was; and I am sure, + that now this very color of her hair, which would be a blemish in any one + else, must only add to the charm of Mademoiselle Adrienne’s face. She must + have such a sweet vixen look!” + </p> + <p> + “Oh! to be candid, she really was a vixen—always running about the + park, aggravating her governess, climbing the trees—in fact, playing + all manner of naughty tricks.” + </p> + <p> + “I grant you, Mademoiselle Adrienne was a chip of the old block; but then + what wit, what engaging ways, and above all, what a good heart!” + </p> + <p> + “Yes—that she certainly had. Once I remember she gave her shawl and + her new merino frock to a poor little beggar girl, and came back to the + house in her petticoat, and bare arms.” + </p> + <p> + “Oh, an excellent heart—but headstrong—terribly headstrong!” + </p> +<div class="fig"> + <img src="images/10217m.jpg" alt="10217m " /><br /> + </div> + <h5> + <a href="images/10217.jpg"><i>Original</i></a> + </h5> + <p> + “Yes—that she was; and ‘tis likely to finish badly, for it seems + that she does things at Paris—oh! such things—” + </p> + <p> + “What things?” + </p> + <p> + “Oh, my dear; I can hardly venture—” + </p> + <p> + “Fell, but what are they?” + </p> + <p> + “Why,” said the worthy dame, with a sort of embarrassment and confusion, + which showed how much she was shocked by such enormities, “they say, that + Mademoiselle Adrienne never sets foot in a church, but lives in a kind of + heathen temple in her aunt’s garden, where she has masked women to dress + her up like a goddess, and scratches them very often, because she gets + tipsy—without mentioning, that every night she plays on a hunting + horn of massive gold—all which causes the utmost grief and despair + to her poor aunt the princess.” + </p> + <p> + Here the bailiff burst into a fit of laughter, which interrupted his wife. + </p> + <p> + “Now tell me,” said he, when this first access of hilarity was over, + “where did you get these fine stories about Mademoiselle Adrienne?” + </p> + <p> + “From Rene’s wife, who went to Paris to look for a child to nurse; she + called at Saint-Dizier House, to see Madame Grivois, her godmother.—Now + Madame Grivois is first bedchamber woman to the princess—and she it + was who told her all this—and surely she ought to know, being in the + house.” + </p> + <p> + “Yes, a fine piece of goods that Grivois! once she was a regular bad ‘un, + but now she professes to be as over-nice as her mistress; like master like + man, they say. The princess herself, who is now so stiff and starched, + knew how to carry on a lively game in her time. Fifteen years ago, she was + no such prude: do you remember that handsome colonel of hussars, who was + in garrison at Abbeville? an exiled noble who had served in Russia, whom + the Bourbons gave a regiment on the Restoration?” + </p> + <p> + “Yes, yes—I remember him; but you are really too backbiting.” + </p> + <p> + “Not a bit—I only speak the truth. The colonel spent his whole time + here, and every one said he was very warm with this same princess, who is + now such a saint. Oh! those were the jolly times. Every evening, some new + entertainment at the chateau. What a fellow that colonel was, to set + things going; how well he could act a play!—I remember—” + </p> + <p> + The bailiff was unable to proceed. A stout maid-servant, wearing the + costume and cap of Picardy, entered in haste, and thus addressed her + mistress: “Madame, there is a person here that wants to speak to master; + he has come in the postmaster’s calash from Saint-Valery, and he says that + he is M. Rodin.” + </p> + <p> + “M. Rodin?” said the bailiff rising. “Show him in directly!” + </p> + <p> + A moment after, M. Rodin made his appearance. According to his custom, he + was dressed even more than plainly. With an air of great humility, he + saluted the bailiff and his wife, and at a sign from her husband, the + latter withdrew. The cadaverous countenance of M. Rodin, his almost + invisible lips, his little reptile eyes, half concealed by their flabby + lids, and the sordid style of his dress, rendered his general aspect far + from prepossessing; yet this man knew how, when it was necessary, to + affect, with diabolical art, so much sincerity and good-nature—his + words were so affectionate and subtly penetrating—that the + disagreeable feeling of repugnance, which the first sight of him generally + inspired, wore off little by little, and he almost always finished by + involving his dupe or victim in the tortuous windings of an eloquence as + pliant as it was honeyed and perfidious; for ugliness and evil have their + fascination, as well as what is good and fair. + </p> + <p> + The honest bailiff looked at this man with surprise, when he thought of + the pressing recommendation of the steward of the Princess de Saint + Dizier; he had expected to see quite another sort of personage, and, + hardly able to dissemble his astonishment, he said to him: “Is it to M. + Rodin that I have the honor to speak?” + </p> + <p> + “Yes, sir; and here is another letter from the steward of the Princess de + Saint-Dizier.” + </p> + <p> + “Pray, sir, draw near the fire, whilst I just see what is in this letter. + The weather is so bad,” continued the bailiff, obligingly, “may I not + offer you some refreshment?” + </p> + <p> + “A thousand thanks, my dear sir; I am off again in an hour.” + </p> + <p> + Whilst M. Dupont read, M. Rodin threw inquisitive glances round the + chamber; like a man of skill and experience, he had frequently drawn just + and useful inductions from those little appearances, which, revealing a + taste or habit, give at the same time some notion of a character; on this + occasion, however, his curiosity was at fault. + </p> + <p> + “Very good, sir,” said the bailiff, when he had finished reading; “the + steward renews his recommendation, and tells me to attend implicitly to + your commands.” + </p> + <p> + “Well, sir, they will amount to very little, and I shall not trouble you + long.” + </p> + <p> + “It will be no trouble, but an honor.” + </p> + <p> + “Nay, I know how much your time must be occupied, for, as soon as one + enters this chateau, one is struck with the good order and perfect keeping + of everything in it—which proves, my dear sir, what excellent care + you take of it.” + </p> + <p> + “Oh, sir, you flatter me.” + </p> + <p> + “Flatter you?—a poor old man like myself has something else to think + of. But to come to business: there is a room here which is called the + Green Chamber?” + </p> + <p> + “Yes, sir; the room which the late Count-Duke de Cardoville used for a + study.” + </p> + <p> + “You will have the goodness to take me there.” + </p> + <p> + “Unfortunately, it is not in my power to do so. After the death of the + Count-Duke, and when the seals were removed, a number of papers were shut + up in a cabinet in that room, and the lawyers took the keys with them to + Paris.” + </p> + <p> + “Here are those keys,” said M. Rodin, showing to the bailiff a large and a + small key tied together. + </p> + <p> + “Oh, sir! that is different. You come to look for papers?” + </p> + <p> + “Yes—for certain papers—and also far a small mahogany casket, + with silver clasps—do you happen to know it?” + </p> + <p> + “Yes, sir; I have often seen it on the count’s writing-table. It must be + in the large, lacquered cabinet, of which you have the key.” + </p> + <p> + “You will conduct me to this chamber, as authorized by the Princess de + Saint-Dizier?” + </p> + <p> + “Yes, sir; the princess continues in good health?” + </p> + <p> + “Perfectly so. She lives altogether above worldly things.” + </p> + <p> + “And Mademoiselle Adrienne?” + </p> + <p> + “Alas, my dear sir!” said M. Rodin, with a sigh of deep contrition and + grief. + </p> + <p> + “Good heaven, sir! has any calamity happened to Mademoiselle Adrienne?” + </p> + <p> + “In what sense do you mean it?” + </p> + <p> + “Is she ill?” + </p> + <p> + “No, no—she is, unfortunately, as well as she is beautiful.” + </p> + <p> + “Unfortunately!” cried the bailiff, in surprise. + </p> + <p> + “Alas, yes! for when beauty, youth, and health are joined to an evil + spirit of revolt and perversity—to a character which certainly has + not its equal upon earth—it would be far better to be deprived of + those dangerous advantages, which only become so many causes of perdition. + But I conjure you, my dear sir, let us talk of something else: this + subject is too painful,” said M. Rodin, with a voice of deep emotion, + lifting the tip of his little finger to the corner of his right eye, as if + to stop a rising tear. + </p> + <p> + The bailiff did not see the tear, but he saw the gesture, and he was + struck with the change in M. Rodin’s voice. He answered him, therefore, + with much sympathy: “Pardon my indiscretion, sir; I really did not know—” + </p> + <p> + “It is I who should ask pardon for this involuntary display of feeling—tears + are so rare with old men—but if you had seen, as I have, the despair + of that excellent princess, whose only fault has been too much kindness, + too much weakness, with regard to her niece—by which she has + encouraged her—but, once more, let us talk of something else, my + dear sir!” + </p> + <p> + After a moment’s pause, during which M. Rodin seemed to recover from his + emotion, he said to Dupont: “One part of my mission, my dear sir—that + which relates to the Green Chamber—I have now told you; but there is + yet another. Before coming to it, however, I must remind you of a + circumstance you have perhaps forgotten—namely, that some fifteen or + sixteen years ago, the Marquis d’Aigrigny, then colonel of the hussars in + garrison at Abbeville, spent some time in this house.” + </p> + <p> + “Oh, sir! what a dashing officer was there! It was only just now, that I + was talking about him to my wife. He was the life of the house!—how + well he could perform plays—particularly the character of a + scapegrace. In the Two Edmonds, for instance, he would make you die with + laughing, in that part of a drunken soldier—and then, with what a + charming voice he sang Joconde, sir—better than they could sing it + at Paris!” + </p> + <p> + Rodin, having listened complacently to the bailiff, said to him: “You + doubtless know that, after a fierce duel he had with a furious + Bonapartist, one General Simon, the Marquis d’Aigrigny (whose private + secretary I have now the honor to be) left the world for the church.” + </p> +<div class="fig"> + <img src="images/10145m.jpg" alt="10145m " /><br /> + </div> + <h5> + <a href="images/10145.jpg"><i>Original</i></a> + </h5> + <p> + “No, sir! is it possible? That fine officer!” + </p> + <p> + “That fine officer—brave, noble, rich, esteemed, and flattered—abandoned + all those advantages for the sorry black gown; and, notwithstanding his + name, position, high connections, his reputation as a great preacher, he + is still what he was fourteen years ago—a plain abbe—whilst so + many, who have neither his merit nor his virtues, are archbishops and + cardinals.” + </p> + <p> + M. Rodin expressed himself with so much goodness, with such an air of + conviction, and the facts he cited appeared to be so incontestable, that + M. Dupont could not help exclaiming: “Well, sir, that is splendid + conduct!” + </p> + <p> + “Splendid? Oh, no!” said M. Rodin, with an inimitable expression of + simplicity; “it is quite a matter of course when one has a heart like M. + d’Aigrigny’s. But amongst all his good qualities, he has particularly that + of never forgetting worthy people—people of integrity, honor, + conscience—and therefore, my dear M. Dupont, he has not forgotten + you.” + </p> + <p> + “What, the most noble marquis deigns to remember—” + </p> + <p> + “Three days ago, I received a letter from him, in which he mentions your + name.” + </p> + <p> + “Is he then at Paris?” + </p> + <p> + “He will be there soon, if not there now. He went to Italy about three + months ago, and, during his absence, he received a very sad piece of news—the + death of his mother, who was passing the autumn on one of the estates of + the Princess de Saint-Dizier.” + </p> + <p> + “Oh, indeed! I was not aware of it.” + </p> + <p> + “Yes, it was a cruel grief to him; but we must all resign ourselves to the + will of Providence!” + </p> + <p> + “And with regard to what subject did the marquis do me the honor to + mention my name?” + </p> + <p> + “I am going to tell you. First of all, you must know that this house is + sold. The bill of sale was signed the day before my departure from Paris.” + </p> + <p> + “Oh, sir! that renews all my uneasiness.” + </p> + <p> + “Pray, why?” + </p> + <p> + “I am afraid that the new proprietors may not choose to keep me as their + bailiff.” + </p> + <p> + “Now see what a lucky chance! It is just on that subject that I am going + to speak to you.” + </p> + <p> + “Is it possible?” + </p> + <p> + “Certainly. Knowing the interest which the marquis feels for you, I am + particularly desirous that you should keep this place, and I will do all + in my power to serve you, if—” + </p> + <p> + “Ah, sir!” cried Dupont, interrupting Rodin; “what gratitude do I not owe + you! It is Heaven that sends you to me!’ + </p> + <p> + “Now, my dear sir, you flatter me in your turn; but I ought to tell you, + that I’m obliged to annex a small condition to my support.” + </p> + <p> + “Oh, by all means! Only name it, sir—name it!” + </p> + <p> + “The person who is about to inhabit this mansion, is an old lady in every + way worthy of veneration; Madame de la Sainte-Colombe is the name of this + respectable—” + </p> + <p> + “What, sir?” said the bailiff, interrupting Rodin; “Madame de la Sainte + Colombe the lady who has bought us out?” + </p> + <p> + “Do you know her?” + </p> + <p> + “Yes, sir, she came last week to see the estate. My wife persists that she + is a great lady; but—between ourselves—judging by certain + words that I heard her speak—” + </p> + <p> + “You are full of penetration, my dear M. Dupont. Madame de la Sainte + Colombe is far from being a great lady. I believe she was neither more nor + less than a milliner, under one of the wooden porticoes of the Palais + Royal. You see, that I deal openly with you.” + </p> + <p> + “And she boasted of all the noblemen, French and foreign, who used to + visit her!” + </p> + <p> + “No doubt, they came to buy bonnets for their wives! However, the fact is, + that, having gained a large fortune and, after being in youth and middle + age—indifferent—alas! more than indifferent to the salvation + of her soul—Madame de la Sainte-Colombe is now in a likely way to + experience grace—which renders her, as I told you, worthy of + veneration, because nothing is so respectable as a sincere repentance—always + providing it to be lasting. Now to make the good work sure and effectual, + we shall need your assistance, my dear M. Dupont.” + </p> + <p> + “Mine, sir! what can I do in it?” + </p> + <p> + “A great deal; and I will explain to you how. There is no church in this + village, which stands at an equal distance from either of two parishes. + Madame de la Sainte-Colombe, wishing to make choice of one of the two + clergymen, will naturally apply to you and Madame Dupont, who have long + lived in these parts, for information respecting them.” + </p> + <p> + “Oh! in that case the choice will soon be made. The incumbent of Danicourt + is one of the best of men.” + </p> + <p> + “Now that is precisely what you must not say to Madame de la Sainte + Colombe.” + </p> + <p> + “How so?” + </p> + <p> + “You must, on the contrary, much praise, without ceasing, the curate of + Roiville, the other parish, so as to decide this good lady to trust + herself to his care.” + </p> + <p> + “And why, sir, to him rather than to the other?” + </p> + <p> + “Why?—because, if you and Madame Dupont succeed in persuading Madame + de la Sainte-Colombe to make the choice I wish, you will be certain to + keep your place as bailiff. I give you my word of it, and what I promise I + perform.” + </p> + <p> + “I do not doubt, sir, that you have this power,” said Dupont, convinced by + Rodin’s manner, and the authority of his words; “but I should like to know—” + </p> + <p> + “One word more,” said Rodin, interrupting him; “I will deal openly with + you, and tell you why I insist on the preference which I beg you to + support. I should be grieved if you saw in all this the shadow of an + intrigue. It is only for the purpose of doing a good action. The curate of + Roiville, for whom I ask your influence, is a man for whom M. d’Aigrigny + feels a deep interest. Though very poor, he has to support an aged mother. + Now, if he had the spiritual care of Madame de la Sainte Colombe, he would + do more good than any one else, because he is full of zeal and patience; + and then it is clear he would reap some little advantages, by which his + old mother might profit—there you see is the secret of this mighty + scheme. When I knew that this lady was disposed to buy an estate in the + neighborhood of our friend’s parish, I wrote about it to the marquis; and + he, remembering you, desired me to ask you to render him this small + service, which, as you see, will not remain without a recompense. For I + tell you once more, and I will prove it, that I have the power to keep you + in your place as bailiff.” + </p> + <p> + “Well, sir,” replied Dupont, after a moment’s reflection, “you are so + frank and obliging, that I will imitate your sincerity. In the same degree + that the curate of Danicourt is respected and loved in this country, the + curate of Roiville, whom you wish me to prefer to him, is dreaded for his + intolerance—and, moreover—” + </p> + <p> + “Well, and what more?” + </p> + <p> + “Why, then, they say—” + </p> + <p> + “Come, what do they say?” + </p> + <p> + “They say—he is a Jesuit.” + </p> + <p> + Upon these words, M. Rodin burst into so hearty a laugh that the bailiff + was quite struck dumb with amazement—for the countenance of M. Rodin + took a singular expression when he laughed. “A Jesuit!” he repeated, with + redoubled hilarity; “a Jesuit!—Now really, my dear M. Dupont, for a + man of sense, experience, and intelligence, how can you believe such idle + stories?—A Jesuit—are there such people as Jesuits?—in + our time, above all, can you believe such romance of the Jacobins, + hobgoblins of the old freedom lovers?—Come, come; I wager, you have + read about them in the Constitutionnel!” + </p> + <p> + “And yet, sir, they say—” + </p> + <p> + “Good heavens! what will they not say?—But wise men, prudent men + like you, do not meddle with what is said—they manage their own + little matters, without doing injury to any one, and they never sacrifice, + for the sake of nonsense, a good place, which secures them a comfortable + provision for the rest of their days. I tell you frankly, however much I + may regret it, that should you not succeed in getting the preference for + my man, you will not remain bailiff here. + </p> + <p> + “But, sir,” said poor Dupont, “it will not be my fault, if this lady, + hearing a great deal in praise of the other curate, should prefer him to + your friend.” + </p> + <p> + “Ah! but if, on the other hand, persons who have long lived in the + neighborhood—persons worthy of confidence, whom she will see every + day—tell Madame de la Sainte-Colombe a great deal of good of my + friend, and a great deal of harm of the other curate, she will prefer the + former, and you will continue bailiff.” + </p> + <p> + “But, sir—that would be calumny!” cried Dupont. + </p> + <p> + “Pshaw, my dear M. Dupont!” said Rodin, with an air of sorrowful and + affectionate reproach, “how can you think me capable of giving you evil + counsel?—I was only making a supposition. You wish to remain bailiff + on this estate. I offer you the certainty of doing so—it is for you + to consider and decide.” + </p> + <p> + “But, sir—” + </p> + <p> + “One word more—or rather one more condition—as important as + the other. Unfortunately, we have seen clergymen take advantage of the age + and weakness of their penitents, unfairly to benefit either themselves or + others: I believe our protege incapable of any such baseness—but, in + order to discharge my responsibility—and yours also, as you will + have contributed to his appointment—I must request that you will + write to me twice a week, giving the most exact detail of all that you + have remarked in the character, habits, connections, pursuits, of Madame + de la Sainte Colombe—for the influence of a confessor, you see, + reveals itself in the whole conduct of life, and I should wish to be fully + edified by the proceedings of my friend, without his being aware of it—or, + if anything blameable were to strike you, I should be immediately informed + of it by this weekly correspondence.” + </p> + <p> + “But, sir—that would be to act as a spy?” exclaimed the unfortunate + bailiff. + </p> + <p> + “Now, my dear M. Dupont! how can you thus brand the sweetest, most + wholesome of human desires—mutual confidence?—I ask of you + nothing else—I ask of you to write to me confidentially the details + of all that goes on here. On these two conditions, inseparable one from + the other, you remain bailiff; otherwise, I shall be forced, with grief + and regret, to recommend some one else to Madame de la Sainte-Colombe.” + </p> + <p> + “I beg you, sir,” said Dupont, with emotion, “Be generous without any + conditions!—I and my wife have only this place to give us bread, and + we are too old to find another. Do not expose our probity of forty years’ + standing to be tempted by the fear of want, which is so bad a counsellor!” + </p> + <p> + “My dear M. Dupont, you are really a great child: you must reflect upon + this, and give me your answer in the course of a week.” + </p> + <p> + “Oh, sir! I implore you—” The conversation was here interrupted by a + loud report, which was almost instantaneously repeated by the echoes of + the cliffs. “What is that?” said M. Rodin. Hardly had he spoken, when the + same noise was again heard more distinctly than before. + </p> + <p> + “It is the sound of cannon,” cried Dupont, rising; “no doubt a ship in + distress, or signaling for a pilot.” + </p> + <p> + “My dear,” said the bailiffs wife, entering abruptly, “from the terrace, + we can see a steamer and a large ship nearly dismasted—they are + drifting right upon the shore—the ship is firing minute gulls—it + will be lost.” + </p> + <p> + “Oh, it is terrible!” cried the bailiff, taking his hat and preparing to + go out, “to look on at a shipwreck, and be able to do nothing!” + </p> + <p> + “Can no help be given to these vessels?” asked M. Rodin. + </p> + <p> + “If they are driven upon the reefs, no human power can save them; since + the last equinox two ships have been lost on this coast.” + </p> + <p> + “Lost with all on board?—Oh, very frightful,” said M. Rodin. + </p> + <p> + “In such a storm, there is but little chance for the crew; no matter,” + said the bailiff, addressing his wife, “I will run down to the rocks with + the people of the farm, and try to save some of them, poor creatures!—Light + large fires in several rooms—get ready linen, clothes, cordials—I + scarcely dare hope to save any, but we must do our best. Will you come + with me, M. Rodin?” + </p> + <p> + “I should think it a duty, if I could be at all useful, but I am too old + and feeble to be of any service,” said M. Rodin, who was by no means + anxious to encounter the storm. “Your good lady will be kind enough to + show me the Green Chamber, and when I have found the articles I require, I + will set out immediately for Paris, for I am in great haste.” + </p> + <p> + “Very well, sir. Catherine will show you. Ring the big bell,” said the + bailiff to his servant; “let all the people of the farm meet me at the + foot of the cliff, with ropes and levers.” + </p> + <p> + “Yes, my dear,” replied Catherine; “but do not expose yourself.” + </p> + <p> + “Kiss me—it will bring me luck,” said the bailiff; and he started at + a full run, crying: “Quick! quick; by this time not a plank may remain of + the vessels.” + </p> + <p> + “My dear madam,” said Rodin, always impassible, “will you be obliging + enough to show me the Green Chamber?” + </p> + <p> + “Please to follow me, sir,” answered Catherine, drying her tears—for + she trembled on account of her husband, whose courage she well knew. + </p> + <p> + <a name="link2HCH0024" id="link2HCH0024"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXIV. THE TEMPEST + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>he sea is raging. Mountainous waves of dark green, marbled with white + foam, stand out, in high, deep undulations, from the broad streak of red + light, which extends along the horizon. Above are piled heavy masses of + black and sulphurous vapor, whilst a few lighter clouds of a reddish gray, + driven by the violence of the wind, rush across the murky sky. + </p> + <p> + The pale winter sun, before he quite disappears in the great clouds, + behind which he is slowly mounting, casts here and there some oblique rays + upon the troubled sea, and gilds the transparent crest of some of the + tallest waves. A band of snow-white foam boils and rages as far as the eye + can reach, along the line of the reefs that bristle on this dangerous + coast. + </p> + <p> + Half-way up a rugged promontory, which juts pretty far into the sea, rises + Cardoville Castle; a ray of the sun glitters upon its windows; its brick + walls and pointed roofs of slate are visible in the midst of this sky + loaded with vapors. + </p> + <p> + A large, disabled ship, with mere shreds of sail still fluttering from the + stumps of broken masts, drives dead upon the coast. Now she rolls her + monstrous hull upon the waves—now plunges into their trough. A flash + is seen, followed by a dull sound, scarcely perceptible in the midst of + the roar of the tempest. That gun is the last signal of distress from this + lost vessel, which is fast forging on the breakers. + </p> + <p> + At the same moment, a steamer, with its long plume of black smoke, is + working her way from east to west, making every effort to keep at a + distance from the shore, leaving the breakers on her left. The dismasted + ship, drifting towards the rocks, at the mercy of the wind and tide, must + some time pass right ahead of the steamer. + </p> + <p> + Suddenly, the rush of a heavy sea laid the steamer upon her side; the + enormous wave broke furiously on her deck; in a second the chimney was + carried away, the paddle box stove in, one of the wheels rendered useless. + A second white-cap, following the first, again struck the vessel + amidships, and so increased the damage that, no longer answering to the + helm, she also drifted towards the shore, in the same direction as the + ship. But the latter, though further from the breakers, presented a + greater surface to the wind and sea, and so gained upon the steamer in + swiftness that a collision between the two vessels became imminent—a + new clanger added to all the horrors of the now certain wreck. + </p> + <p> + The ship was an English vessel, the “Black Eagle,” homeward bound from + Alexandria, with passengers, who arriving from India and Java, via the Red + Sea, had disembarked at the Isthmus of Suez, from on board the steamship + “Ruyter.” The “Black Eagle,” quitting the Straits of Gibraltar, had gone + to touch at the Azores. She headed thence for Portsmouth, when she was + overtaken in the Channel by the northwester. The steamer was the “William + Tell,” coming from Germany, by way of the Elbe, and bound, in the last + place, for Hamburg to Havre. + </p> + <p> + These two vessels, the sport of enormous rollers, driven along by tide and + tempest, were now rushing upon the breakers with frightful speed. The deck + of each offered a terrible spectacle; the loss of crew and passengers + appeared almost certain, for before them a tremendous sea broke on jagged + rocks, at the foot of a perpendicular cliff. + </p> + <p> + The captain of the “Black Eagle,” standing on the poop, holding by the + remnant of a spar, issued his last orders in this fearful extremity with + courageous coolness. The smaller boats had been carried away by the waves; + it was in vain to think of launching the long-boat; the only chance of + escape in case the ship should not be immediately dashed to pieces on + touching the rocks, was to establish a communication with the land by + means of a life-line—almost the last resort for passing between the + shore and a stranded vessel. + </p> + <p> + The deck was covered with passengers, whose cries and terror augmented the + general confusion. Some, struck with a kind of stupor, and clinging + convulsively to the shrouds, awaited their doom in a state of stupid + insensibility. Others wrung their hands in despair, or rolled upon the + deck uttering horrible imprecations. Here, women knelt down to pray; + there, others hid their faces in their hands, that they might not see the + awful approach of death. A young mother, pale as a specter, holding her + child clasped tightly to her bosom, went supplicating from sailor to + sailor, and offering a purse full of gold and jewels to any one that would + take charge of her son. + </p> + <p> + These cries, and tears, and terror contrasted with the stern and silent + resignation of the sailors. Knowing the imminence of the inevitable + danger, some of them stripped themselves of part of their clothes, waiting + for the moment to make a last effort, to dispute their lives with the fury + of the waves; others renouncing all hope, prepared to meet death with + stoical indifference. + </p> + <p> + Here and there, touching or awful episodes rose in relief, if one may so + express it, from this dark and gloomy background of despair. + </p> + <p> + A young man of about eighteen or twenty, with shiny black hair, copper + colored complexion, and perfectly regular and handsome features, + contemplated this scene of dismay and horror with that sad calmness + peculiar to those who have often braved great perils; wrapped in a cloak, + he leaned his back against the bulwarks, with his feet resting against one + of the bulkheads. Suddenly, the unhappy mother, who, with her child in her + arms, and gold in her hand, had in vain addressed herself to several of + the mariners, to beg them to save her boy, perceiving the young man with + the copper-colored complexion, threw herself on her knees before him, and + lifted her child towards him with a burst of inexpressible agony. The + young man took it, mournfully shook his head, and pointed to the furious + waves—but, with a meaning gesture, he appeared to promise that he + would at least try to save it. Then the young mother, in a mad transport + of hope, seized the hand of the youth, and bathed it with her tears. + </p> + <p> + Further on, another passenger of the “Black Eagle,” seemed animated by + sentiments of the most active pity. One would hardly have given him + five-and-twenty years of age. His long, fair locks fell in curls on either + side of his angelic countenance. He wore a black cassock and white + neck-band. Applying himself to comfort the most desponding, he went from + one to the other, and spoke to them pious words of hope and resignation; + to hear him console some, and encourage others, in language full of + unction, tenderness, and ineffable charity, one would have supposed him + unaware or indifferent to the perils that he shared. + </p> + <p> + On his fine, mild features, was impressed a calm and sacred intrepidity, a + religious abstraction from every terrestrial thought; from time to time, + he raised to heaven his large blue eyes, beaming with gratitude, love, and + serenity, as if to thank God for having called him to one of those + formidable trials in which the man of humanity and courage may devote + himself for his brethren, and, if not able to rescue them at all, at least + die with them, pointing to the sky. One might almost have taken him for an + angel, sent down to render less cruel the strokes of inexorable fate. + </p> + <p> + Strange contrast! not far from this young man’s angelic beauty, there was + another being, who resembled an evil spirit! + </p> + <p> + Boldly mounted on what was left of the bowsprit, to which he held on by + means of some remaining cordage, this man looked down upon the terrible + scene that was passing on the deck. A grim, wild joy lighted up his + countenance of a dead yellow, that tint peculiar to those who spring from + the union of the white race with the East. He wore only a shirt and linen + drawers; from his neck was suspended, by a cord, a cylindrical tin box, + similar to that in which soldiers carry their leave of absence. + </p> + <p> + The more the danger augmented, the nearer the ship came to the breakers, + or to a collision with the steamer, which she was now rapidly approaching—a + terrible collision, which would probably cause the two vessels to founder + before even they touched the rocks—the more did the infernal joy of + this passenger reveal itself in frightful transports. He seemed to long, + with ferocious impatience, for the moment when the work of destruction + should be accomplished. To see him thus feasting with avidity on all the + agony, the terror, and the despair of those around him, one might have + taken him for the apostle of one of those sanguinary deities, who, in + barbarous countries, preside over murder and carnage. + </p> + <p> + By this time the “Black Eagle,” driven by the wind and waves, came so near + the “William Tell” that the passengers on the deck of the nearly + dismantled steamer were visible from the first-named vessel. + </p> + <p> + These passengers were no longer numerous. The heavy sea, which stove in + the paddle-box and broke one of the paddles, had also carried away nearly + the whole of the bulwarks on that side; the waves, entering every instant + by this large opening, swept the decks with irresistible violence, and + every time bore away with them some fresh victims. + </p> + <p> + Amongst the passengers, who seemed only to have escaped this danger to be + hurled against the rocks, or crushed in the encounter of the two vessels, + one group was especially worthy of the most tender and painful interest. + Taking refuge abaft, a tall old man, with bald forehead and gray + moustache, had lashed himself to a stanchion, by winding a piece of rope + round his body, whilst he clasped in his arms, and held fast to his + breast, two girls of fifteen or sixteen, half enveloped in a pelisse of + reindeer-skin. A large, fallow, Siberian dog, dripping with water, and + barking furiously at the waves, stood close to their feet. + </p> + <p> + These girls, clasped in the arms of the old man, also pressed close to + each other; but, far from being lost in terror, they raised their eyes to + heaven, full of confidence and ingenuous hope, as though they expected to + be saved by the intervention of some supernatural power. + </p> + <p> + A frightful shriek of horror and despair, raised by the passengers of both + vessels, was heard suddenly above the roar of the tempest. At the moment + when, plunging deeply between two waves, the broadside of the steamer was + turned towards the bows of the ship, the latter, lifted to a prodigious + height on a mountain of water, remained, as it were, suspended over the + “William Tell,” during the second which preceded the shock of the two + vessels. + </p> + <p> + There are sights of so sublime a horror, that it is impossible to describe + them. Yet, in the midst of these catastrophes, swift as thought, one + catches sometimes a momentary glimpse of a picture, rapid and fleeting, as + if illumined by a flash of lightning. + </p> +<div class="fig"> + <img src="images/10233m.jpg" alt="10233m " /><br /> + </div> + <h5> + <a href="images/10233.jpg"><i>Original</i></a> + </h5> + <p> + Thus, when the “Black Eagle,” poised aloft by the flood, was about to + crash down upon the “William Tell,” the young man with the angelic + countenance and fair, waving locks bent over the prow of the ship, ready + to cast himself into the sea to save some victim. Suddenly, he perceived + on board the steamer, on which he looked down from the summit of the + immense wave, the two girls extending their arms towards him in + supplication. They appeared to recognize him, and gazed on him with a sort + of ecstacy and religious homage! + </p> + <p> + For a second, in spite of the horrors of the tempest, in spite of the + approaching shipwreck, the looks of those three beings met. The features + of the young man were expressive of sudden and profound pity; for the + maidens with their hands clasped in prayer, seemed to invoke him as their + expected Saviour. The old man, struck down by the fall of a plank, lay + helpless on the deck. Soon all disappeared together. + </p> + <p> + A fearful mass of water dashed the “Black Eagle” down upon the “William + Tell,” in the midst of a cloud of boiling foam. To the dreadful crash of + the two great bodies of wood and iron, which splintering against one + another, instantly foundered, one loud cry was added—a cry of agony + and death—the cry of a hundred human creatures swallowed up at once + by the waves! + </p> + <p> + And then—nothing more was visible! + </p> + <p> + A few moments after, the fragments of the two vessels appeared in the + trough of the sea, and on the caps of the waves—with here and there + the contracted arms, the livid and despairing faces of some unhappy + wretches, striving to make their way to the reefs along the shore, at the + risk of being crushed to death by the shock of the furious breakers. + </p> + <p> + <a name="link2HCH0025" id="link2HCH0025"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXV. THE SHIPWRECK. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">W</span>hile the bailiff was gone to the sea-shore, to render help to those of + the passengers who might escape from the inevitable shipwreck, M. Rodin, + conducted by Catherine to the Green Chamber, had there found the articles + that he was to take with him to Paris. + </p> + <p> + After passing two hours in this apartment, very indifferent to the fate of + the shipwrecked persons, which alone absorbed the attention of the + inhabitants of the Castle, Rodin returned to the chamber commonly occupied + by the bailiff, a room which opened upon a long gallery. When he entered + it he found nobody there. Under his arm he held a casket, with silver + fastenings, almost black from age, whilst one end of a large red morocco + portfolio projected from the breast-pocket of his half buttoned great + coat. + </p> + <p> + Had the cold and livid countenance of the Abbe d’Aigrigny’s secretary been + able to express joy otherwise than by a sarcastic smile, his features + would have been radiant with delight; for, just then, he was under the + influence of the most agreeable thoughts. Having placed the casket upon a + table, it was with marked satisfaction that he thus communed with himself: + </p> +<pre xml:space="preserve"> +“All goes well. It was prudent to keep these papers here till this +moment, for one must always be on guard against the diabolical spirit of +that Adrienne de Cardoville, who appears to guess instinctively what it +is impossible she should know. Fortunately, the time approaches when we +shall have no more need to fear her. Her fate will be a cruel one; it +must be so. Those proud, independent characters are at all times our +natural enemies—they are so by their very essence—how much more when +they show themselves peculiarly hurtful and dangerous! As for La Sainte +Colombe, the bailiff is sure to act for us; between what the fool +calls his conscience, and the dread of being at his age deprived of a +livelihood, he will not hesitate. I wish to have him because he will +serve us better than a stranger; his having been here twenty years will +prevent all suspicion on the part of that dull and narrow-minded woman. +Once in the hands of our man at Roiville, I will answer for the result. +The course of all such gross and stupid women is traced beforehand: +in their youth, they serve the devil; in riper years, they make others +serve him; in their old age, they are horribly afraid of him; and this +fear must continue till she has left us the Chateau de Cardoville, +which, from its isolated position, will make us an excellent college. +All then goes well. As for the affair of the medals, the 13th of +February approaches, without news from Joshua—evidently, Prince Djalma +is still kept prisoner by the English in the heart of India, or I must +have received letters from Batavia. The daughters of General Simon will +be detained at Leipsic for at least a month longer. All our foreign +relations are in the best condition. As for our internal affairs—” + + Here M. Rodin was interrupted in the current of his reflections by the +entrance of Madame Dupont, who was zealously engaged in preparations to +give assistance in case of need. +</pre> + <p> + “Now,” said she to the servant, “light a fire in the next room; put this + warm wine there; your master may be in every minute.” + </p> + <p> + “Well, my dear madam,” said Rodin to her, “do they hope to save any of + these poor creatures?” + </p> + <p> + “Alas! I do not know, sir. My husband has been gone nearly two hours. I am + terribly uneasy on his account. He is so courageous, so imprudent, if once + he thinks he can be of any service.” + </p> + <p> + “Courageous even to imprudence,” said Rodin to himself, impatiently; “I do + not like that.” + </p> + <p> + “Well,” resumed Catherine, “I have here at hand my hot linen, my cordials—heaven + grant it may all be of use!” + </p> + <p> + “We may at least hope so, my dear madam. I very much regretted that my age + and weakness did not permit me to assist your excellent husband. I also + regret not being able to wait for the issue of his exertions, and to wish + him joy if successful—for I am unfortunately compelled to depart, my + moments are precious. I shall be much obliged if you will have the + carriage got ready.” + </p> + <p> + “Yes, Sir; I will see about it directly.” + </p> + <p> + “One word, my dear, good Madame Dupont. You are a woman of sense, and + excellent judgment. Now I have put your husband in the way to keep, if he + will, his situation as bailiff of the estate—” + </p> + <p> + “Is it possible? What gratitude do we not owe you! Without this place what + would become of us at our time of life?” + </p> + <p> + “I have only saddled my promise with two conditions—mere trifles—he + will explain all that to you.” + </p> + <p> + “Ah, sir! we shall regard you as our deliverer.” + </p> + <p> + “You are too good. Only, on two little conditions—” + </p> + <p> + “If there were a hundred, sir we should gladly accept them. Think what we + should be without this place—penniless—absolutely penniless!” + </p> + <p> + “I reckon upon you then; for the interest of your husband, you will try to + persuade him.” + </p> + <p> + “Missus! I say, missus! here’s master come back,” cried a servant, rushing + into the chamber. + </p> + <p> + “Has he many with him?” + </p> + <p> + “No, missus; he is alone.” + </p> + <p> + “Alone! alone?” + </p> + <p> + “Quite alone, missus.” + </p> + <p> + A few moments after, M. Dupont entered the room; his clothes were + streaming with water; to keep his hat on in the midst of the storm, he had + tied it down to his head by means of his cravat, which was knotted under + his chin; his gaiters were covered with chalky stains. + </p> + <p> + “There I have thee, my dear love!” cried his wife, tenderly embracing him. + “I have been so uneasy!” + </p> + <p> + “Up to the present moment—THREE SAVED.” + </p> + <p> + “God be praised, my dear M. Dupont!” said Rodin; “at least your efforts + will not have been all in vain.” + </p> + <p> + “Three, only three?” said Catherine. “Gracious heaven!” + </p> + <p> + “I only speak of those I saw myself, near the little creek of Goelands. + Let us hope there may be more saved on other parts of the coast.” + </p> + <p> + “Yes, indeed; happily, the shore is not equally steep in all parts.” + </p> + <p> + “And where are these interesting sufferers, my dear sir?” asked Rodin, who + could not avoid remaining a few instants longer. + </p> + <p> + “They are mounting the cliffs, supported by our people. As they cannot + walk very fast, I ran on before to console my wife, and to take the + necessary measures for their reception. First of all, my dear, you must + get ready some women’s clothes.” + </p> + <p> + “There is then a woman amongst the persons saved?” + </p> + <p> + “There are two girls—fifteen or sixteen years of age at the most—mere + children—and so pretty!” + </p> + <p> + “Poor little things!” said Rodin, with an affectation of interest. + </p> + <p> + “The person to whom they owe their lives is with them. He is a real hero!” + </p> + <p> + “A hero?” + </p> + <p> + “Yes; only fancy—” + </p> + <p> + “You can tell me all this by and by. Just slip on this dry warm + dressing-gown, and take some of this hot wine. You are wet through.” + </p> + <p> + “I’ll not refuse, for I am almost frozen to death. I was telling you that + the person who saved these young girls was a hero; and certainly his + courage was beyond anything one could have imagined. When I left here with + the men of the farm, we descended the little winding path, and arrived at + the foot of the cliff—near the little creek of Goelands, fortunately + somewhat sheltered from the waves by five or six enormous masses of rock + stretching out into the sea. Well, what should we find there? Why, the two + young girls I spoke of, in a swoon, with their feet still in the water, + and their bodies resting against a rock, as though they had been placed + there by some one, after being withdrawn from the sea.” + </p> + <p> + “Dear children! it is quite touching!” said M. Rodin, raising, as usual, + the tip of his little finger to the corner of his right eye, as though to + dry a tear, which was very seldom visible. + </p> + <p> + “What struck me was their great resemblance to each other,” resumed the + bailiff; “only one in the habit of seeing them could tell the difference.” + </p> + <p> + “Twin—sisters, no doubt,” said Madame Dupont. + </p> + <p> + “One of the poor things,” continued the bailiff, “held between her clasped + hands a little bronze medal, which was suspended from her neck by a chain + of the same material.” + </p> + <p> + Rodin generally maintained a very stooping posture; but at these last + words of the bailiff, he drew himself up suddenly, whilst a faint color + spread itself over his livid cheeks. In any other person, these symptoms + would have appeared of little consequence; but in Rodin, accustomed for + long years to control and dissimulate his emotions, they announced no + ordinary excitement. Approaching the bailiff, he said to him in a slightly + agitated voice, but still with an air of indifference: “It was doubtless a + pious relic. Did you see what was inscribed on this medal?” + </p> + <p> + “No, sir; I did not think of it.” + </p> + <p> + “And the two young girls were like one another—very much like, you + say?” + </p> + <p> + “So like, that one would hardly know which was which. Probably they are + orphans, for they are dressed in mourning.” + </p> + <p> + “Oh! dressed in mourning?” said M. Rodin, with another start. + </p> + <p> + “Alas! orphans so young!” said Madame Dupont, wiping her eyes. + </p> + <p> + “As they had fainted away, we carried them further on to a place where the + sand was quite dry. While we were busy about this, we saw the head of a + man appear from behind one of the rocks, which he was trying to climb, + clinging to it by one hand; we ran to him, and luckily in the nick of + time, for he was clean worn out, and fell exhausted into the arms of our + men. It was of him I spoke when I talked of a hero; for, not content with + having saved the two young girls by his admirable courage, he had + attempted to rescue a third person, and had actually gone back amongst the + rocks and breakers—but his strength failed him, and, without the aid + of our men, he would certainly have been washed away from the ridge to + which he clung.” + </p> + <p> + “He must indeed be a fine fellow!” said Catherine. + </p> + <p> + Rodin, with his head bowed upon his breast, seemed quite indifferent to + this conversation. The dismay and stupor, in which he had been plunged, + only increased upon reflection. The two girls, who had just been saved, + were fifteen years of age; were dressed in mourning; were so like, that + one might be taken for the other; one of them wore round her neck a chain + with a bronze medal; he could scarcely doubt that they were the daughters + of General Simon. But how could those sisters be amongst the number of + shipwrecked passengers? How could they have escaped from the prison at + Leipsic? How did it happen, that he had not been informed of it? Could + they have fled, or had they been set at liberty? How was it possible that + he should not be apprise of such an event? But these secondary thoughts, + which offered themselves in crowds to the mind of M. Rodin, were swallowed + up in the one fact: “the daughters of General Simon are here!”—His + plan, so laboriously laid, was thus entirely destroyed. + </p> + <p> + “When I speak of the deliverer of these young girls,” resumed the bailiff, + addressing his wife, and without remarking M. Rodin’s absence of mind, + “you are expecting no doubt to see a Hercules?—well, he is + altogether the reverse. He is almost a boy in look, with fair, sweet face, + and light, curling locks. I left him a cloak to cover him, for he had + nothing on but his shirt, black knee-breeches, and a pair of black worsted + stockings—which struck me as singular.” + </p> + <p> + “Why, it was certainly not a sailor’s dress.” + </p> + <p> + “Besides, though the ship was English, I believe my hero is a Frenchman, + for he speaks our language as well as we do. What brought the tears to my + eyes, was to see the young girls, when they came to themselves. As soon as + they saw him, they threw themselves at his feet, and seemed to look up to + him and thank him, as one would pray. Then they cast their eyes around + them, as if in search of some other person, and, having exchanged a few + words, they fell sobbing into each other’s arms.” + </p> + <p> + “What a dreadful thing it is! How many poor creatures must have perished!” + </p> + <p> + “When we quitted the rocks, the sea had already cast ashore seven dead + bodies, besides fragments of the wrecks, and packages. I spoke to some of + the coast-guard, and they will remain all day on the look-out; and if, as + I hope, any more should escape with life, they are to be brought here. But + surely that is the sound of voices!—yes, it is our shipwrecked + guests!” + </p> + <p> + The bailiff and his wife ran to the door of the room—that door, + which opened on the long gallery—whilst Rodin, biting convulsively + his flat nails, awaited with angry impatience the arrival of the + strangers. A touching picture soon presented itself to his view. + </p> + <p> + From the end of the dark some gallery, only lighted on one side by several + windows, three persons, conducted by a peasant, advanced slowly. This + group consisted of the two maidens, and the intrepid young man to whom + they owed their lives. Rose and Blanche were on either side of their + deliverer, who, walking with great difficulty, supported himself lightly + on their arms. + </p> + <p> + Though he was full twenty-five years of age, the juvenile countenance of + this man made him appear younger. His long, fair hair, parted on the + forehead, streamed wet and smooth over the collar of a large brown cloak, + with which he had been covered. It would be difficult to describe the + adorable expression of goodness in his pale, mild face, as pure as the + most ideal creations of Raphael’s pencil—for that divine artist + alone could have caught the melancholy grace of those exquisite features, + the serenity of that celestial look, from eyes limpid and blue as those of + an archangel, or of a martyr ascended to the skies. + </p> + <p> + Yes, of a martyr! for a blood-red halo already encircled that beauteous + head. Piteous sight to see! just above his light eyebrows, and rendered + still more visible by the effect of the cold, a narrow cicatrix, from a + wound inflicted many months before, appeared to encompass his fair + forehead with a purple band; and (still more sad!) his hands had been + cruelly pierced by a crucifixion—his feet had suffered the same + injury—and, if he now walked with so much difficulty, it was that + his wounds had reopened, as he struggled over the sharp rocks. + </p> + <p> + This young man was Gabriel, the priest attached to the foreign mission, + the adopted son of Dagobert’s wife. He was a priest and martyr—for, + in our days, there are still martyrs, as in the time when the Caesars + flung the early Christians to the lions and tigers of the circus. + </p> + <p> + Yes, in our days, the children of the people—for it is almost always + amongst them that heroic and disinterested devotion may still be found—the + children of the people, led by an honorable conviction, because it is + courageous and sincere, go to all parts of the world, to try and propagate + their faith, and brave both torture and death with the most unpretending + valor. + </p> + <p> + How many of them, victims of some barbarous tribe, have perished, obscure + and unknown, in the midst of the solitudes of the two worlds!—And + for these humble soldiers of the cross, who have nothing but their faith + and their intrepidity, there is never reserved on their return (and they + seldom do return) the rich and sumptuous dignities of the church. Never + does the purple or the mitre conceal their scarred brows and mutilated + limbs; like the great majority of other soldiers, they die forgotten.(8) + </p> + <p> + In their ingenuous gratitude, the daughters of General Simon, as soon as + they recovered their senses after the shipwreck, and felt themselves able + to ascend the cliffs, would not leave to any other person the care of + sustaining the faltering steps of him who had rescued them from certain + death. + </p> + <p> + The black garments of Rose and Blanche streamed with water; their faces + were deadly pale, and expressive of deep grief; the marks of recent tears + were on their cheeks, and, with sad, downcast eyes, they trembled both + from agitation and cold, as the agonizing thought recurred to them, that + they should never again see Dagobert, their friend and guide; for it was + to him that Gabriel had stretched forth a helping hand, to assist him to + climb the rocks. Unfortunately the strength of both had failed, and the + soldier had been carried away by a retreating wave. + </p> + <p> + The sight of Gabriel was a fresh surprise for Rodin, who had retired on + one side, in order to observe all; but this surprise was of so pleasant a + nature, and he felt so much joy in beholding the missionary safe after + such imminent peril, that the painful impression, caused by the view of + General Simon’s daughters, was a little softened. It must not be + forgotten, that the presence of Gabriel in Paris, on the 13th of February, + was essential to the success of Rodin’s projects. + </p> +<div class="fig"> + <img src="images/10241m.jpg" alt="10241m " /><br /> + </div> + <h5> + <a href="images/10241.jpg"><i>Original</i></a> + </h5> + <p> + The bailiff and his wife, who were greatly moved at sight of the orphans, + approached them with eagerness. Just then a farm-boy entered the room, + crying: “Sir! sir! good news—two more saved from the wreck!” + </p> + <p> + “Blessing and praise to God for it!” said the missionary. + </p> + <p> + “Where are they?” asked the bailiff, hastening towards the door. + </p> + <p> + “There is one who can walk, and is following behind me with Justin; the + other was wounded against the rocks, and they are carrying him on a litter + made of branches.” + </p> + <p> + “I will run and have him placed in the room below,” said the bailiff, as + he went out. “Catherine, you can look to the young ladies.” + </p> + <p> + “And the shipwrecked man who can walk—where is he?” asked the + bailiff’s wife. + </p> + <p> + “Here he is,” said the peasant, pointing to some one who came rapidly + along the gallery; “when he heard that the two young ladies were safe in + the chateau—though he is old, and wounded in the head, he took such + great strides, that it was all I could do to get here before him.” + </p> + <p> + Hardly had the peasant pronounced these words, when Rose and Blanche, + springing up by a common impulse, flew to the door. They arrived there at + the same moment as Dagobert. + </p> + <p> + The soldier, unable to utter a syllable, fell on his knees at the + threshold, and extended his arms to the daughters of General Simon; while + Spoil-sport, running to them licked their hands. + </p> + <p> + But the emotion was too much for Dagobert; and, when he had clasped the + orphans in his arms, his head fell backward, and he would have sunk down + altogether, but for the care of the peasants. In spite of the observations + of the bailiff’s wife, on their state of weakness and agitation, the two + young girls insisted on accompanying Dagobert, who was carried fainting + into an adjoining apartment. + </p> + <p> + At sight of the soldier, Rodin’s face was again violently contracted, for + he had till then believed that the guide of General Simon’s daughters was + dead. The missionary, worn out with fatigue, was leaning upon a chair, and + had not yet perceived Rodin. + </p> + <p> + A new personage, a man with a dead yellow complexion, now entered the + room, accompanied by another peasant, who pointed out Gabriel to him. This + man, who had just borrowed a smock-frock and a pair of trousers, + approached the missionary, and said to him in French but with a foreign + accent: “Prince Djalma has just been brought in here. His first word was + to ask for you.” + </p> + <p> + “What does that man say?” cried Rodin, in a voice of thunder; for, at the + name of Djalma, he had sprung with one bound to Gabriel’s side. + </p> + <p> + “M. Rodin!” exclaimed the missionary, falling back in surprise. + </p> + <p> + “M. Rodin,” cried the other shipwrecked person; and from that moment, he + kept his eye fixed on the correspondent of M. Van Dael. + </p> + <p> + “You here, sir?” said Gabriel, approaching Rodin with an air of deference, + not unmixed with fear. + </p> + <p> + “What did that man say to you?” repeated Rodin, in an excited tone. “Did + he not utter the name of Prince Djalma?” + </p> + <p> + “Yes, sir; Prince Djalma was one of the passengers on board the English + ship, which came from Alexandria, and in which we have just been wrecked. + This vessel touched at the Azores, where I then was; the ship that brought + me from Charlestown having been obliged to put in there, and being likely + to remain for some time, on account of serious damage, I embarked on board + the ‘Black Eagle,’ where I met Prince Djalma. We were bound to Portsmouth, + and from thence my intention was to proceed to France.” + </p> + <p> + Rodin did not care to interrupt Gabriel. This new shock had completely + paralyzed his thoughts. At length, like a man who catches at a last hope, + which he knows beforehand to be vain, he said to Gabriel: “Can you tell me + who this Prince Djalma is?” + </p> + <p> + “A young man as good as brave—the son of an East Indian king, + dispossessed of his territory by the English.” + </p> + <p> + Then, turning towards the other shipwrecked man, the missionary said to + him with anxious interest: “How is the Prince? are his wounds dangerous?” + </p> + <p> + “They are serious contusions, but they will not be mortal,” answered the + other. + </p> + <p> + “Heaven be praised!” said the missionary, addressing Rodin; “here, you + see, is another saved.” + </p> + <p> + “So much the better,” observed Rodin, in a quick, imperious tone. + </p> + <p> + “I will go see him,” said Gabriel, submissively. “You have no orders to + give me?” + </p> + <p> + “Will you be able to leave this place in two or three hours, + notwithstanding your fatigue?” + </p> + <p> + “If it be necessary—yes.” + </p> + <p> + “It is necessary. You will go with me.” + </p> + <p> + Gabriel only bowed in reply, and Rodin sank confounded into a chair, while + the missionary went out with the peasant. The man with the sallow + complexion still lingered in a corner of the room, unperceived by Rodin. + </p> + <p> + This man was Faringhea, the half-caste, one of the three chiefs of the + Stranglers. Having escaped the pursuit of the soldiers in the ruins of + Tchandi, he had killed Mahal the Smuggler, and robbed him of the + despatches written by M. Joshua Van Dael to Rodin, as also of the letter + by which the smuggler was to have been received as passenger on board the + “Ruyter.” When Faringhea left the hut in the ruins of Tchandi, he had not + been seen by Djalma; and the latter, when he met him on shipboard, after + his escape (which we shall explain by and by), not knowing that he + belonged to the sect of Phansegars, treated him during the voyage as a + fellow-countryman. + </p> + <p> + Rodin, with his eye fixed and haggard, his countenance of a livid hue, + biting his nails to the quick in silent rage, did not perceive the half + caste, who quietly approached him and laying his hand familiarly on his + shoulder, said to him: “Your name is Rodin?” + </p> + <p> + “What now?” asked the other, starting, and raising his head abruptly. + </p> + <p> + “Your name is Rodin?” repeated Faringhea. + </p> + <p> + “Yes. What do you want?” + </p> + <p> + “You live in the Rue du Milieu-des-Ursins, Paris?” + </p> + <p> + “Yes. But, once more, what do you want?” + </p> + <p> + “Nothing now, brother: hereafter, much!” + </p> + <p> + And Faringhea, retiring, with slow steps, left Rodin alarmed at what had + passed; for this man, who scarcely trembled at anything, had quailed + before the dark look and grim visage of the Strangler. + </p> + <p> + (8) We always remember with emotion the end of a letter written, two or + three years ago, by one of these young and valiant missionaries, the son + of poor parents in Beauce. He was writing to his mother from the heart of + Japan, and thus concluded his letter: “Adieu, my dear mother! they say + there is much danger where I am now sent to. Pray for me, and tell all our + good neighbors that I think of them very often.” These few words, + addressed from the centre of Asia to poor peasants in a hamlet of France, + are only the more touching from their very simplicity—E. S. + </p> + <p> + <a name="link2HCH0026" id="link2HCH0026"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXVI. THE DEPARTURE FOR PARIS. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>he most profound silence reigns throughout Cardoville House. The tempest + has lulled by degrees, and nothing is heard from afar but the hoarse + murmur of the waves, as they wash heavily the shore. + </p> + <p> + Dagobert and the orphans have been lodged in warm and comfortable + apartments on the first-floor of the chateau. Djalma, too severely hurt to + be carried upstairs, has remained in a room below. At the moment of the + shipwreck, a weeping mother had placed her child in his arms. He had + failed in the attempt to snatch this unfortunate infant from certain + death, but his generous devotion had hampered his movements, and when + thrown upon the rocks, he was almost dashed to pieces. Faringhea, who has + been able to convince him of his affection, remains to watch over him. + </p> + <p> + Gabriel, after administering consolation to Djalma, has rescinded to the + chamber allotted to him; faithful to the promise he made to Rodin, to be + ready to set out in two hours, he has not gone to bed; but, having dried + his clothes, he has fallen asleep in a large, high-backed arm-chair, + placed in front of a bright coal-fire. His apartment is situated near + those occupied by Dagobert and the two sisters. + </p> + <p> + Spoil-sport, probably quite at his ease in so respectable a dwelling, has + quitted the door of Rose and Blanche’s chamber, to lie down and warm + himself at the hearth, by the side of which the missionary is sleeping. + There, with his nose resting on his outstretched paws, he enjoys a feeling + of perfect comfort and repose, after so many perils by land and sea. We + will not venture to affirm, that he thinks habitually of poor old Jovial; + unless we recognize as a token of remembrance on his part, his + irresistible propensity to bite all the white horses he has met with, ever + since the death of his venerable companion, though before, he was the most + inoffensive of dogs with regard to horses of every color. + </p> + <p> + Presently one of the doors of the chamber opened, and the two sisters + entered timidly. Awake for some minutes, they had risen and dressed + themselves, feeling still some uneasiness with respect to Dagobert; though + the bailiff’s wife, after showing them to their room, had returned again + to tell them that the village doctor found nothing serious in the hurt of + the old soldier, still they hoped to meet some one belonging to the + chateau, of whom they could make further inquiries about him. + </p> + <p> + The high back of the old-fashioned arm-chair, in which Gabriel was + sleeping, completely screened him from view; but the orphans, seeing their + canine friend lying quietly at his feet, thought it was Dagobert reposing + there, and hastened towards him on tip-toe. To their great astonishment, + they saw Gabriel fast asleep, and stood still in confusion, not daring to + advance or recede, for fear of waking him. + </p> + <p> + The long, light hair of the missionary was no longer wet, and now curled + naturally round his neck and shoulders; the paleness of his complexion was + the more striking, from the contrast afforded by the deep purple of the + damask covering of the arm-chair. His beautiful countenance expressed a + profound melancholy, either caused by the influence of some painful dream, + or else that he was in the habit of keeping down, when awake, some sad + regrets, which revealed themselves without his knowledge when he was + sleeping. Notwithstanding this appearance of bitter grief, his features + preserved their character of angelic sweetness, and seemed endowed with an + inexpressible charm, for nothing is more touching than suffering goodness. + The two young girls cast down their eyes, blushed simultaneously, and + exchanged anxious glances, as if to point out to each other the slumbering + missionary. + </p> + <p> + “He sleeps, sister,” said Rose in a low voice. + </p> + <p> + “So much the better,” replied Blanche, also in a whisper, making a sign of + caution; “we shall now be able to observe him well.” + </p> + <p> + “Yes, for we durst not do so, in coming from the sea hither.” + </p> + <p> + “Look! what a sweet countenance!” + </p> + <p> + “He is just the same as we saw him in our dreams.” + </p> + <p> + “When he promised he would protect us.” + </p> + <p> + “And he has not failed us.” + </p> + <p> + “But here, at least, he is visible.” + </p> + <p> + “Not as it was in the prison at Leipsic, during that dark night.” + </p> + <p> + “And so—he has again rescued us.” + </p> + <p> + “Without him, we should have perished this morning.” + </p> + <p> + “And yet, sister, it seems to me, that in our dreams his countenance shone + with light.” + </p> + <p> + “Yes, you know it dazzled us to look at him.” + </p> + <p> + “And then he had not so sad a mien.” + </p> + <p> + “That was because he came then from heaven; now he is upon earth.” + </p> + <p> + “But, sister, had he then that bright red scar round his forehead?” + </p> + <p> + “Oh, no! we should have certainly perceived it.” + </p> + <p> + “And these other marks on his hands?” + </p> + <p> + “If he has been wounded, how can he be an archangel?” + </p> + <p> + “Why not, sister? If he received those wounds in preventing evil, or in + helping the unfortunate, who, like us, were about to perish?” + </p> + <p> + “You are right. If he did not run any danger for those he protects, it + would be less noble.” + </p> + <p> + “What a pity that he does not open his eye!” + </p> + <p> + “Their expression is so good, so tender!” + </p> + <p> + “Why did he not speak of our mother, by the way?” + </p> + <p> + “We were not alone with him; he did not like to do so.” + </p> + <p> + “But now we are alone.” + </p> + <p> + “If we were to pray to him to speak to us?” + </p> + <p> + The orphans looked doubtingly at each other, with charming simplicity; a + bright glow suffused their cheeks, and their young bosoms heaved gently + beneath their black dresses. + </p> + <p> + “You are right. Let us kneel down to him.” + </p> + <p> + “Oh, sister! our hearts beat so!” said Blanche, believing rightly, that + Rose felt exactly as she did. “And yet it seems to do us good. It is as if + some happiness were going to befall us.” + </p> + <p> + The sisters, having approached the arm-chair on tip-toe, knelt down with + clasped hands, one to the right the other to the left of the young priest. + It was a charming picture. Turning their lovely faces towards him, they + said in a low whisper, with a soft, sweet voice, well suited to their + youthful appearance: “Gabriel! speak to us of our mother!” + </p> + <p> + On this appeal, the missionary gave a slight start, half-opened his eyes, + and, still in a state of semi-consciousness, between sleep and waking, + beheld those two beauteous faces turned towards him, and heard two gentle + voices repeat his name. + </p> + <p> + “Who calls me?” said he, rousing himself, and raising his head. + </p> + <p> + “It is Blanche and Rose.” + </p> + <p> + It was now Gabriel’s turn to blush, for he recognized the young girls he + had saved. “Rise, my sisters!” said he to them; “you should kneel only + unto God.” + </p> + <p> + The orphans obeyed, and were soon beside him, holding each other by the + hand. “You know my name, it seems,” said the missionary with a smile. + </p> + <p> + “Oh, we have not forgotten it!” + </p> + <p> + “Who told it you?” + </p> + <p> + “Yourself.” “I?” + </p> + <p> + “Yes—when you came from our mother.” + </p> + <p> + “I, my sisters?” said the missionary, unable to comprehend the words of + the orphans. “You are mistaken. I saw you to-day for the first time.” + </p> + <p> + “But in our dreams?” + </p> + <p> + “Yes—do you not remember?—in our dreams.” + </p> + <p> + “In Germany—three months ago, for the first time. Look at us well.” + </p> + <p> + Gabriel could not help smiling at the simplicity of Rose and Blanche, who + expected him to remember a dream of theirs; growing more and more + perplexed, he repeated: “In your dreams?” + </p> + <p> + “Certainly; when you gave us such good advice.” + </p> + <p> + “And when we were so sorrowful in prison, your words, which we remembered, + consoled us, and gave us courage.” + </p> + <p> + “Was it not you, who delivered us from the prison at Leipsic, in that dark + night, when we were not able to see you?” + </p> + <p> + “I!” + </p> + <p> + “What other but you would thus have come to our help, and to that of our + old friend?” + </p> + <p> + “We told him, that you would love him, because he loved us, although he + would not believe in angels.” + </p> + <p> + “And this morning, during the tempest, we had hardly any fear.” + </p> + <p> + “Because we expected you.” + </p> + <p> + “This morning—yes, my sisters—it pleased heaven to send me to + your assistance. I was coming from America, but I have never been in + Leipsic. I could not, therefore, have let you out of prison. Tell me, my + sisters,” added he, with a benevolent smile, “for whom do you take me?” + </p> + <p> + “For a good angel whom we have seen already in dreams, sent by our mother + from heaven to protect us.” + </p> + <p> + “My dear sisters, I am only a poor priest. It is by mere chance, no doubt, + that I bear some resemblance to the angel you have seen in your dreams, + and whom you could not see in any other manner—for angels are not + visible to mortal eye. + </p> + <p> + “Angels are not visible?” said the orphans, looking sorrowfully at each + other. + </p> + <p> + “No matter, my dear sisters,” said Gabriel, taking them affectionately by + the hand; “dreams, like everything else, come from above. Since the + remembrance of your mother was mixed up with this dream, it is twice + blessed.” + </p> +<div class="fig"> + <img src="images/10249m.jpg" alt="10249m " /><br /> + </div> + <h5> + <a href="images/10249.jpg"><i>Original</i></a> + </h5> + <p> + At this moment a door opened, and Dagobert made his appearance. Up to this + time, the orphans, in their innocent ambition to be protected by an + archangel, had quite forgotten the circumstance that Dagobert’s wife had + adopted a forsaken child, who was called Gabriel, and who was now a priest + and missionary. + </p> + <p> + The soldier, though obstinate in maintaining that his hurt was only a + blank wound (to use a term of General Simon’s), had allowed it to be + carefully dressed by the surgeon of the village, and now wore a black + bandage, which concealed one half of his forehead, and added to the + natural grimness of his features. On entering the room, he was not a + little surprised to see a stranger holding the hands of Rose and Blanche + familiarly in his own. This surprise was natural, for Dagobert did not + know that the missionary had saved the lives of the orphans, and had + attempted to save his also. + </p> + <p> + In the midst of the storm, tossed about by the waves, and vainly striving + to cling to the rocks, the soldier had only seen Gabriel very imperfectly, + at the moment when, having snatched the sisters from certain death, the + young priest had fruitlessly endeavored to come to his aid. And when, + after the shipwreck, Dagobert had found the orphans in safety beneath the + roof of the Manor House, he fell, as we have already stated, into a swoon, + caused by fatigue, emotion, and the effects of his wound—so that he + had again no opportunity of observing the features of the missionary. + </p> + <p> + The veteran began to frown from beneath his black bandage and thick, gray + brows, at beholding a stranger so familiar with Rose and Blanche; but the + sisters ran to throw themselves into his arms, and to cover him with + filial caresses. His anger was soon dissipated by these marks of + affection, though he continued, from time to time, to cast a suspicious + glance at the missionary, who had risen from his seat, but whose + countenance he could not well distinguish. + </p> + <p> + “How is your wound?” asked Rose, anxiously. “They told us it was not + dangerous.” + </p> + <p> + “Does it still pain?” added Blanche. + </p> + <p> + “No, children; the surgeon of the village would bandage me up in this + manner. If my head was carbonadoes with sabre cuts, I could not have more + wrappings. They will take me for an old milksop; it is only a blank wound, + and I have a good mind to—” And therewith the soldier raised one of + his hands to the bandage. + </p> + <p> + “Will you leave that alone?” cried Rose catching his arm. “How can you be + so unreasonable—at your age?” + </p> + <p> + “Well, well! don’t scold! I will do what you wish, and keep it on.” Then, + drawing the sisters to one end of the room, he said to them in a low + voice, whilst he looked at the young priest from the corner of his eye: + “Who is that gentleman who was holding your hands when I came in? He has + very much the look of a curate. You see, my children, you must be on your + guard; because—” + </p> + <p> + “He?” cried both sisters at once, turning towards Gabriel. “Without him, + we should not now be here to kiss you.” + </p> + <p> + “What’s that?” cried the soldier, suddenly drawing up his tall figure, and + gazing full at the missionary. + </p> + <p> + “It is our guardian angel,” resumed Blanche. + </p> + <p> + “Without him,” said Rose, “we must have perished this morning in the + shipwreck.” + </p> + <p> + “Ah! it is he, who—” Dagobert could say no more. With swelling + heart, and tears in his eyes, he ran to the missionary, offered him both + his hands, and exclaimed in a tone of gratitude impossible to describe: + “Sir, I owe you the lives of these two children. I feel what a debt that + service lays upon me. I will not say more—because it includes + everything!” + </p> + <p> + Then, as if struck with a sudden recollection, he cried: “Stop! when I was + trying to cling to a rock, so as not to be carried away by the waves, was + it not you that held out your hand to me? Yes—that light hair—that + youthful countenance—yes—it was certainly you—now I am + sure of it!” + </p> + <p> + “Unhappily, sir, my strength failed me, and I had the anguish to see you + fall back into the sea.” + </p> + <p> + “I can say nothing more in the way of thanks than what I have already + said,” answered Dagobert, with touching simplicity: “in preserving these + children you have done more for me than if you had saved my own life. But + what heart and courage!” added the soldier, with admiration; “and so + young, with such a girlish look!” + </p> + <p> + “And so,” cried Blanche, joyfully, “our Gabriel came to your aid also?” + </p> + <p> + “Gabriel!” said Dagobert interrupting Blanche, and addressing himself to + the priest. “Is your name Gabriel?” + </p> + <p> + “Yes, sir.” + </p> + <p> + “Gabriel!” repeated the soldier, more and more surprised. “And a priest!” + added he. + </p> + <p> + “A priest of the foreign missions.” + </p> + <p> + “Who—who brought you up?” asked the soldier, with increasing + astonishment. + </p> + <p> + “An excellent and generous woman, whom I revere as the best of mothers: + for she had pity on me, a deserted infant, and treated me ever as her + son.” + </p> + <p> + “Frances Baudoin—was it not?” said the soldier, with deep emotion. + </p> + <p> + “It was, sir,” answered Gabriel, astonished in his turn. “But how do you + know this?” + </p> + <p> + “The wife of a soldier, eh?” continued Dagobert. + </p> + <p> + “Yes, of a brave soldier—who, from the most admirable devotion, is + even now passing his life in exile—far from his wife—far from + his son, my dear brother—for I am proud to call him by that name—” + </p> + <p> + “My Agricola!—my wife!—when did you leave them?” + </p> + <p> + “What! is it possible! You the father of Agricola?—Oh! I knew not, + until now,” cried Gabriel, clasping his hands together, “I knew not all + the gratitude that I owed to heaven!” + </p> + <p> + “And my wife! my child!” resumed Dagobert, in a trembling voice; “how are + they? have you news of them?” + </p> + <p> + “The accounts I received, three months ago, were excellent.” + </p> + <p> + “No; it is too much,” cried Dagobert; “it is too much!” The veteran was + unable to proceed; his feelings stifled his words, and fell back exhausted + in a chair. + </p> + <p> + And now Rose and Blanche recalled to mind that portion of their father’s + letter which related to the child named Gabriel, whom the wife of Dagobert + had adopted; then they also yielded to transports of innocent joy. + </p> + <p> + “Our Gabriel is the same as yours—what happiness!” cried Rose. + </p> + <p> + “Yes, my children! he belongs to you as well as to me. We have all our + part in him.” Then, addressing Gabriel, the soldier added with + affectionate warmth: “Your hand, my brave boy! give me your hand!” + </p> + <p> + “Oh, sir! you are too good to me.” + </p> + <p> + “Yes—that’s it—thank me!—after all thou has done for + us!” + </p> + <p> + “Does my adopted mother know of your return?” asked Gabriel, anxious to + escape from the praises of the soldier. + </p> + <p> + “I wrote to her five months since, but said that I should come alone; + there was a reason for it, which I will explain by and by. Does she still + live in the Rue Brise-Miche? It was there Agricola was born.” + </p> + <p> + “She still lives there.” + </p> + <p> + “In that case, she must have received my letter. I wished to write to her + from the prison at Leipsic, but it was impossible.” + </p> + <p> + “From prison! Have you just come out of prison?” + </p> + <p> + “Yes; I come straight from Germany, by the Elbe and Hamburg, and I should + be still at Leipsic, but for an event which the Devil must have had a hand + in—a good sort of devil, though.” + </p> + <p> + “What do you mean? Pray explain to me.” + </p> + <p> + “That would be difficult, for I cannot explain it to myself. These little + ladies,” he added, pointing with a smile to Rose and Blanche, “pretended + to know more about it than I did, and were continually repeating: ‘It was + the angel that came to our assistance, Dagobert—the good angel we + told thee of—though you said you would rather have Spoil sport to + defend us—‘” + </p> + <p> + “Gabriel, I am waiting for you,” said a stern voice, which made the + missionary start. They all turned round instantly, whilst the dog uttered + a deep growl. + </p> + <p> + It was Rodin. He stood in the doorway leading to the corridor. His + features were calm and impassive, but he darted a rapid, piercing glance + at the soldier and sisters. + </p> + <p> + “Who is that man?” said Dagobert, very little prepossessed in favor of + Rodin, whose countenance he found singularly repulsive. “What the mischief + does he want?” + </p> + <p> + “I must go with him,” answered Gabriel, in a tone of sorrowful constraint. + Then, turning to Rodin, he added: “A thousand pardons! I shall be ready in + a moment.” + </p> + <p> + “What!” cried Dagobert, stupefied with amazement, “going the very instant + we have just met? No, by my faith! you shall not go. I have too much to + tell you, and to ask in return. We will make the journey together. It will + be a real treat for me.” + </p> + <p> + “It is impossible. He is my superior, and I must obey him.” + </p> + <p> + “Your superior?—why, he’s in citizen’s dress.” + </p> + <p> + “He is not obliged to wear the ecclesiastical garb.” + </p> + <p> + “Rubbish! since he is not in uniform, and there is no provost-marshal in + your troop, send him to the—” + </p> + <p> + “Believe me, I would not hesitate a minute, if it were possible to + remain.” + </p> + <p> + “I was right in disliking the phi of that man,” muttered Dagobert between + his teeth. Then he added, with an air of impatience and vexation: “Shall I + tell him that he will much oblige us by marching off by himself?” + </p> + <p> + “I beg you not to do so,” said Gabriel; “it would be useless; I know my + duty, and have no will but my superior’s. As soon as you arrive in Paris, + I will come and see you, as also my adopted mother, and my dear brother, + Agricola.” + </p> + <p> + “Well—if it must be. I have been a soldier, and know what + subordination is,” said Dagobert, much annoyed. “One must put a good face + on bad fortune. So, the day after to-morrow, in the Rue Brise-Miche, my + boy; for they tell me I can be in Paris by to-morrow evening, and we set + out almost immediately. But I say—there seems to be a strict + discipline with you fellows!” + </p> + <p> + “Yes, it is strict and severe,” answered Gabriel, with a shudder, and a + stifled sigh. + </p> + <p> + “Come, shake hands—and let’s say farewell for the present. After + all, twenty-four hours will soon pass away.” + </p> + <p> + “Adieu! adieu!” replied the missionary, much moved, whilst he returned the + friendly pressure of the veteran’s hand. + </p> + <p> + “Adieu, Gabriel!” added the orphans, sighing also, and with tears in their + eyes. + </p> + <p> + “Adieu, my sisters!” said Gabriel—and he left the room with Rodin, + who had not lost a word or an incident of this scene. + </p> + <p> + Two hours after, Dagobert and the orphans had quitted the Castle for + Paris, not knowing that Djalma was left at Cardoville, being still too + much injured to proceed on his journey. The half-caste, Faringhea, + remained with the young prince, not wishing, he said, to desert a fellow + countryman. + </p> + <p> + We now conduct the reader to the Rue Brise-Miche, the residence of + Dagobert’s wife. + </p> + <p> + <a name="link2HCH0027" id="link2HCH0027"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXVII. DAGOBERT’S WIFE. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>he following scenes occur in Paris, on the morrow of the day when the + shipwrecked travellers were received in Cardoville House. + </p> + <p> + Nothing can be more gloomy than the aspect of the Rue Brise-Miche, one end + of which leads into the Rue Saint-Merry, and the other into the little + square of the Cloister, near the church. At this end, the street, or + rather alley—for it is not more than eight feet wide—is shut + in between immense black, muddy dilapidated walls, the excessive height of + which excludes both air and light; hardly, during the longest days of the + year, is the sun able to throw into it a few straggling beams; whilst, + during the cold damps of winter, a chilling fog, which seems to penetrate + everything, hangs constantly above the miry pavement of this species of + oblong well. + </p> + <p> + It was about eight o’clock in the evening; by the faint, reddish light of + the street lamp, hardly visible through the haze, two men, stopping at the + angle of one of those enormous walls, exchanged a few words together. + </p> + <p> + “So,” said one, “you understand all about it. You are to watch in the + street, till you see them enter No. 5.” + </p> + <p> + “All right!” answered the other. + </p> + <p> + “And when you see ‘em enter so as to make quite sure of the game, go up to + Frances Baudoin’s room—” + </p> + <p> + “Under the cloak of asking where the little humpbacked workwoman lives—the + sister of that gay girl, the Queen of the Bacchanals.” + </p> + <p> + “Yes—and you must try and find out her address also—from her + humpbacked sister, if possible—for it is very important. Women of + her feather change their nests like birds, and we have lost track of her.” + </p> + <p> + “Make yourself easy; I will do my best with Hump, to learn where her + sister hangs out.” + </p> + <p> + “And, to give you steam, I’ll wait for you at the tavern opposite the + Cloister, and we’ll have a go of hot wine on your return.” + </p> + <p> + “I’ll not refuse, for the night is deucedly cold.” + </p> + <p> + “Don’t mention it! This morning the water friz on my sprinkling-brush, and + I turned as stiff as a mummy in my chair at the church-door. Ah, my boy! a + distributor of holy water is not always upon roses!” + </p> + <p> + “Luckily, you have the pickings—” + </p> + <p> + “Well, well—good luck to you! Don’t forget the Fiver, the little + passage next to the dyer’s shop.” + </p> + <p> + “Yes, yes—all right!” and the two men separated. + </p> + <p> + One proceeded to the Cloister Square; the other towards the further end of + the street, where it led into the Rue Saint-Merry. This latter soon found + the number of the house he sought—a tall, narrow building, having, + like all the other houses in the street, a poor and wretched appearance. + When he saw he was right, the man commenced walking backwards and forwards + in front of the door of No. 5. + </p> + <p> + If the exterior of these buildings was uninviting, the gloom and squalor + of the interior cannot be described. The house No. 5 was, in a special + degree, dirty and dilapidated. The water, which oozed from the wall, + trickled down the dark and filthy staircase. On the second floor, a wisp + of straw had been laid on the narrow landing-place, for wiping the feet + on; but this straw, being now quite rotten, only served to augment the + sickening odor, which arose from want of air, from damp, and from the + putrid exhalations of the drains. The few openings, cut at rare intervals + in the walls of the staircase, could hardly admit more than some faint + rays of glimmering light. + </p> + <p> + In this quarter, one of the most populous in Paris, such houses as these, + poor, cheerless, and unhealthy, are generally inhabited by the working + classes. The house in question was of the number. A dyer occupied the + ground floor; the deleterious vapors arising from his vats added to the + stench of the whole building. On the upper stories, several artisans + lodged with their families, or carried on their different trades. Up four + flights of stairs was the lodging of Frances Baudoin, wife of Dagobert. It + consisted of one room, with a closet adjoining, and was now lighted by a + single candle. Agricola occupied a garret in the roof. + </p> +<div class="fig"> + <img src="images/10257m.jpg" alt="10257m " /><br /> + </div> + <h5> + <a href="images/10257.jpg"><i>Original</i></a> + </h5> + <p> + Old grayish paper, broken here and there by the cracks covered the crazy + wall, against which rested the bed; scanty curtains, running upon an iron + rod, concealed the windows; the brick floor, not polished, but often + washed, had preserved its natural color. At one end of this room was a + round iron stove, with a large pot for culinary purposes. On the wooden + table, painted yellow, marbled with brown, stood a miniature house made of + iron—a masterpiece of patience and skill, the work of Agricola + Baudoin, Dagobert’s son. + </p> + <p> + A plaster crucifix hung up against the wall, surrounded by several + branches of consecrated box-tree, and various images of saints, very + coarsely colored, bore witness to the habits of the soldier’s wife. + Between the windows stood one of those old walnut-wood presses, curiously + fashioned, and almost black with time; an old arm-chair, covered with + green cotton velvet (Agricola’s first present to his mother), a few rush + bottomed chairs, and a worktable on which lay several bags of coarse, + brown cloth, completed the furniture of this room, badly secured by a + worm-eaten door. The adjoining closet contained a few kitchen and + household utensils. + </p> + <p> + Mean and poor as this interior may perhaps appear, it would not seem so to + the greater number of artisans; for the bed was supplied with two + mattresses, clean sheets, and a warm counterpane; the old-fashioned press + contained linen; and, moreover, Dagobert’s wife occupied all to herself a + room as large as those in which numerous families, belonging to honest and + laborious workmen, often live and sleep huddled together—only too + happy if the boys and girls can have separate beds, or if the sheets and + blankets are not pledged at the pawnbroker’s. + </p> + <p> + Frances Baudoin, seated beside the small stove, which, in the cold and + damp weather, yielded but little warmth, was busied in preparing her son + Agricola’s evening meal. + </p> + <p> + Dagobert’s wife was about fifty years of age; she wore a close jacket of + blue cotton, with white flowers on it, and a stuff petticoat; a white + handkerchief was tied round her head, and fastened under the chin. Her + countenance was pale and meagre, the features regular, and expressive of + resignation and great kindness. It would have been difficult to find a + better, a more courageous mother. With no resource but her labor, she had + succeeded, by unwearied energy, in bringing up not only her own son + Agricola, but also Gabriel, the poor deserted child, of whom, with + admirable devotion, she had ventured to take charge. + </p> + <p> + In her youth, she had, as it were, anticipated the strength of later life, + by twelve years of incessant toil, rendered lucrative by the most violent + exertions, and accompanied by such privations as made it almost suicidal. + Then (for it was a time of splendid wages, compared to the present), by + sleepless nights and constant labor, she contrived to earn about two + shillings (fifty sous) a day, and with this she managed to educate her son + and her adopted child. + </p> + <p> + At the end of these twelve years, her health was ruined, and her strength + nearly exhausted; but, at all events, her boys had wanted for nothing, and + had received such an education as children of the people can obtain. About + this time, M. Francois Hardy took Agricola as an apprentice, and Gabriel + prepared to enter the priest’s seminary, under the active patronage of M. + Rodin, whose communications with the confessor of Frances Baudoin had + become very frequent about the year 1820. + </p> + <p> + This woman (whose piety had always been excessive) was one of those simple + natures, endowed with extreme goodness, whose self-denial approaches to + heroism, and who devote themselves in obscurity to a life of martyrdom—pure + and heavenly minds, in whom the instincts of the heart supply the place of + the intellect! + </p> + <p> + The only defect, or rather the necessary consequence of this extreme + simplicity of character, was the invincible determination she displayed in + yielding to the commands of her confessor, to whose influence she had now + for many years been accustomed to submit. She regarded this influence as + most venerable and sacred; no mortal power, no human consideration, could + have prevented her from obeying it. Did any dispute arise on the subject, + nothing could move her on this point; she opposed to every argument a + resistance entirely free from passion—mild as her disposition, calm + as her conscience—but, like the latter, not to be shaken. In a word, + Frances Baudoin was one of those pure, but uninstructed and credulous + beings, who may sometimes, in skillful and dangerous hands, become, + without knowing it, the instruments of much evil. + </p> + <p> + For some time past, the bad state of her health, and particularly the + increasing weakness of her sight, had condemned her to a forced repose; + unable to work more than two or three hours a day, she consumed the rest + of her time at church. + </p> + <p> + Frances rose from her seat, pushed the coarse bags at which she had been + working to the further end of the table, and proceeded to lay the cloth + for her son’s supper, with maternal care and solicitude. She took from the + press a small leathern bag, containing an old silver cup, very much + battered, and a fork and spoon, so worn and thin, that the latter cut like + a knife. These, her only plate (the wedding present of Dagobert) she + rubbed and polished as well as she was able, and laid by the side of her + son’s plate. They were the most precious of her possessions, not so much + for what little intrinsic value might attach to them, as for the + associations they recalled; and she had often shed bitter tears, when, + under the pressure of illness or want of employment, she had been + compelled to carry these sacred treasures to the pawnbroker’s. + </p> + <p> + Frances next took, from the lower shelf of the press, a bottle of water, + and one of wine about three-quarters full, which she also placed near her + son’s plate; she then returned to the stove, to watch the cooking of the + supper. + </p> + <p> + Though Agricola was not much later than usual, the countenance of his + mother expressed both uneasiness and grief; one might have seen, by the + redness of her eyes, that she had been weeping a good deal. After long and + painful uncertainty, the poor woman had just arrived at the conviction + that her eyesight, which had been growing weaker and weaker, would soon be + so much impaired as to prevent her working even the two or three hours a + day which had lately been the extent of her labors. + </p> + <p> + Originally an excellent hand at her needle, she had been obliged, as her + eyesight gradually failed her, to abandon the finer for the coarser sorts + of work, and her earnings had necessarily diminished in proportion; she + had at length been reduced to the necessity of making those coarse bags + for the army, which took about four yards of sewing, and were paid at the + rate of two sous each, she having to find her own thread. This work, being + very hard, she could at most complete three such bags in a day, and her + gains thus amounted to threepence (six sous)! + </p> + <p> + It makes one shudder to think of the great number of unhappy females, + whose strength has been so much exhausted by privations, old age, or + sickness, that all the labor of which they are capable, hardly suffices to + bring them in daily this miserable pittance. Thus do their gains diminish + in exact proportion to the increasing wants which age and infirmity must + occasion. + </p> + <p> + Happily, Frances had an efficient support in her son. A first-rate + workman, profiting by the just scale of wages adopted by M. Hardy, his + labor brought him from four to five shillings a day—more than double + what was gained by the workmen of many other establishments. Admitting + therefore that his mother were to gain nothing, he could easily maintain + both her and himself. + </p> + <p> + But the poor woman, so wonderfully economical that she denied herself even + some of the necessaries of life, had of late become ruinously liberal on + the score of the sacristy, since she had adopted the habit of visiting + daily the parish church. Scarcely a day passed but she had masses sung, or + tapers burnt, either for Dagobert, from whom she had been so long + separated, or for the salvation of her son Agricola, whom she considered + on the high-road to perdition. Agricola had so excellent a heart, so loved + and revered his mother, and considered her actions in this respect + inspired by so touching a sentiment, that he never complained when he saw + a great part of his week’s wages (which he paid regularly over to his + mother every Saturday) disappear in pious forms. + </p> + <p> + Yet now and then he ventured to remark to Frances, with as much respect as + tenderness, that it pained him to see her enduring privations injurious at + her age, because she preferred incurring these devotional expenses. But + what answer could he make to this excellent mother, when she replied with + tears: “My child, ‘tis for the salvation of your father and yours too.” + </p> + <p> + To dispute the efficacy of masses, would have been venturing on a subject + which Agricola, through respect for his mother’s religious faith, never + discussed. He contented himself, therefore, with seeing her dispense with + comforts she might have enjoyed. + </p> + <p> + A discreet tap was heard at the door. “Come in,” said Frances. The person + came in. + </p> + <p> + <a name="link2HCH0028" id="link2HCH0028"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXVIII. THE SISTER OF THE BACCHANAL QUEEN. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>he person who now entered was a girl of about eighteen, short, and very + much deformed. Though not exactly a hunchback, her spine was curved; her + breast was sunken, and her head deeply set in the shoulders. Her face was + regular, but long, thin, very pale, and pitted with the small pox; yet it + expressed great sweetness and melancholy. Her blue eyes beamed with + kindness and intelligence. By a strange freak of nature, the handsomest + woman would have been proud of the magnificent hair twisted in a coarse + net at the back of her head. She held an old basket in her hand. Though + miserably clad, the care and neatness of her dress revealed a powerful + struggle with her poverty. Notwithstanding the cold, she wore a scanty + frock made of print of an indefinable color, spotted with white; but it + had been so often washed, that its primitive design and color had long + since disappeared. In her resigned, yet suffering face, might be read a + long familiarity with every form of suffering, every description of + taunting. From her birth, ridicule had ever pursued her. We have said that + she was very deformed, and she was vulgarly called “Mother Bunch.” Indeed + it was so usual to give her this grotesque name, which every moment + reminded her of her infirmity, that Frances and Agricola, though they felt + as much compassion as other people showed contempt for her, never called + her, however, by any other name. + </p> +<div class="fig"> + <img src="images/10265m.jpg" alt="10265m " /><br /> + </div> + <h5> + <a href="images/10265.jpg"><i>Original</i></a> + </h5> + <p> + Mother Bunch, as we shall therefore call her in future, was born in the + house in which Dagobert’s wife had resided for more than twenty years; and + she had, as it were, been brought up with Agricola and Gabriel. + </p> + <p> + There are wretches fatally doomed to misery. Mother Bunch had a very + pretty sister, on whom Perrine Soliveau, their common mother, the widow of + a ruined tradesman, had concentrated all her affection, while she treated + her deformed child with contempt and unkindness. The latter would often + come, weeping, to Frances, on this account, who tried to console her, and + in the long evenings amused her by teaching her to read and sew. + Accustomed to pity her by their mother’s example, instead of imitating + other children, who always taunted and sometimes even beat her, Agricola + and Gabriel liked her, and used to protect and defend her. + </p> + <p> + She was about fifteen, and her sister Cephyse was about seventeen, when + their mother died, leaving them both in utter poverty. Cephyse was + intelligent, active, clever, but different to her sister; she had the + lively, alert, hoydenish character which requires air, exercise and + pleasures—a good girl enough, but foolishly spoiled by her mother. + Cephyse, listening at first to Frances’s good advice, resigned herself to + her lot; and, having learnt to sew, worked like her sister, for about a + year. But, unable to endure any longer the bitter privations her + insignificant earnings, notwithstanding her incessant toil, exposed her to—privations + which often bordered on starvation—Cephyse, young, pretty, of warm + temperament, and surrounded by brilliant offers and seductions—brilliant, + indeed, for her, since they offered food to satisfy her hunger, shelter + from the cold, and decent raiment, without being obliged to work fifteen + hours a day in an obscure and unwholesome hovel—Cephyse listened to + the vows of a young lawyer’s clerk, who forsook her soon after. She formed + a connection with another clerk, whom she (instructed by the examples set + her), forsook in turn for a bagman, whom she afterwards cast off for other + favorites. In a word, what with changing and being forsaken, Cephyse, in + the course of one or two years, was the idol of a set of grisettes, + students and clerks; and acquired such a reputation at the balls on the + Hampstead Heaths of Paris, by her decision of character, original turn of + mind, and unwearied ardor in all kinds of pleasures, and especially her + wild, noisy gayety, that she was termed the Bacchanal Queen, and proved + herself in every way worthy of this bewildering royalty. + </p> + <p> + From that time poor Mother Bunch only heard of her sister at rare + intervals. She still mourned for her, and continued to toil hard to gain + her three-and-six a week. The unfortunate girl, having been taught sewing + by Frances, made coarse shirts for the common people and the army. For + these she received half-a-crown a dozen. They had to be hemmed, stitched, + provided with collars and wristbands, buttons, and button holes; and at + the most, when at work twelve and fifteen hours a day, she rarely + succeeded in turning out more than fourteen or sixteen shirts a week—an + excessive amount of toil that brought her in about three shillings and + fourpence a week. And the case of this poor girl was neither accidental + nor uncommon. And this, because the remuneration given for women’s work is + an example of revolting injustice and savage barbarism. They are paid not + half as much as men who are employed at the needle: such as tailors, and + makers of gloves, or waistcoats, etc.—no doubt because women can + work as well as men—because they are more weak and delicate—and + because their need may be twofold as great when they become mothers. + </p> + <p> + Well, Mother Bunch fagged on, with three-and-four a week. That is to say, + toiling hard for twelve or fifteen hours every day; she succeeded in + keeping herself alive, in spite of exposure to hunger, cold, and poverty—so + numerous were her privations. Privations? No! The word privation expresses + but weakly that constant and terrible want of all that is necessary to + preserve the existence God gives; namely, wholesome air and shelter, + sufficient and nourishing food and warm clothing. Mortification would be a + better word to describe that total want of all that is essentially vital, + which a justly organized state of society ought—yes—ought + necessarily to bestow on every active, honest workman and workwoman, since + civilization has dispossessed them of all territorial right, and left them + no other patrimony than their hands. + </p> + <p> + The savage does not enjoy the advantage of civilization; but he has, at + least, the beasts of the field, the fowls of the air, the fish of the sea, + and the fruits of the earth, to feed him, and his native woods for shelter + and for fuel. The civilized man, disinherited of these gifts, considering + the rights of property as sacred, may, in return for his hard daily labor, + which enriches his country, demand wages that will enable him to live in + the enjoyment of health: nothing more, and nothing less. For is it living, + to drag along on the extreme edge which separates life from the grave, and + even there continually struggle against cold, hunger, and disease? And to + show how far the mortification which society imposes thus inexorably on + its millions of honest, industrious laborers (by its careless disregard of + all the questions which concern the just remuneration of labor), may + extend, we will describe how this poor girl contrived to live on three + shillings and sixpence a week. + </p> + <p> + Society, perhaps, may then feel its obligation to so many unfortunate + wretches for supporting, with resignation, the horrible existence which + leaves them just sufficient life to feel the worst pangs of humanity. Yes: + to live at such a price is virtue! Yes, society thus organized, whether it + tolerates or imposes so much misery, loses all right to blame the poor + wretches who sell themselves not through debauchery, but because they are + cold and famishing. This poor girl spent her wages as follows: + </p> +<pre xml:space="preserve"> + Six pounds of bread, second quality........0 8 1/2 + Four pails of water................0 2 + Lard or dripping (butter being out of the question)0 5 + Coarse salt....................0 0 3/4 + A bushel of charcoal...............0 4 + A quart of dried vegetables............0 3 + Three quarts of potatoes..............0 2 + Dips........................0 3 1/4 + Thread and needles.................0 2 1/2 + ______ + 2 7 +</pre> + <p> + To save charcoal, Mother Bunch prepared soup only two or three times a + week at most, on a stove that stood on the landing of the fourth story. On + other days she ate it cold. There remained nine or ten pence a week for + clothes and lodging. By rare good fortune, her situation was in one + respect an exception to the lot of many others. Agricola, that he might + not wound her delicacy, had come to a secret arrangement with the + housekeeper, and hired a garret for her, just large enough to hold a small + bed, a chair, and a table; for which the sempstress had to pay five + shillings a year. But Agricola, in fulfilment of his agreement with the + porter, paid the balance, to make up the actual rent of the garret, which + was twelve and sixpence. The poor girl had thus about eighteenpence a + month left for her other expenses. But many workwomen, whose position is + less fortunate than hers, since they have neither home nor family, buy a + piece of bread and some other food to keep them through the day; and at + night patronize the “twopenny rope,” one with another, in a wretched room + containing five or six beds, some of which are always engaged by men, as + male lodgers are by far the most abundant. Yes; and in spite of the + disgust that a poor and virtuous girl must feel at this arrangement, she + must submit to it; for a lodging-house keeper cannot have separate rooms + for females. To furnish a room, however meanly, the poor workwoman must + possess three or four shillings in ready money. But how save this sum, out + of weekly earnings of a couple of florins, which are scarcely sufficient + to keep her from starving, and are still less sufficient to clothe her? + No! no! The poor wretch must resign herself to this repugnant + cohabitation; and so, gradually, the instinct of modesty becomes weakened; + the natural sentiment of chastity, that saved her from the “gay life,” + becomes extinct; vice appears to be the only means of improving her + intolerable condition; she yields; and the first “man made of money,” who + can afford a governess for his children, cries out against the depravity + of the lower orders! And yet, painful as the condition of the working + woman is, it is relatively fortunate. Should work fail her for one day, + two days, what then? Should sickness come—sickness almost always + occasioned by unwholesome food, want of fresh air, necessary attention, + and good rest; sickness, often so enervating as to render work impossible; + though not so dangerous as to procure the sufferer a bed in an hospital—what + becomes of the hapless wretches then? The mind hesitates, and shrinks from + dwelling on such gloomy pictures. + </p> + <p> + This inadequacy of wages, one terrible source only of so many evils, and + often of so many vices, is general, especially among women; and, again + this is not private wretchedness, but the wretchedness which afflicts + whole classes, the type of which we endeavor to develop in Mother Bunch. + It exhibits the moral and physical condition of thousands of human + creatures in Paris, obliged to subsist on a scanty four shillings a week. + This poor workwoman, then, notwithstanding the advantages she unknowingly + enjoyed through Agricola’s generosity, lived very miserably; and her + health, already shattered, was now wholly undermined by these constant + hardships. Yet, with extreme delicacy, though ignorant of the little + sacrifice already made for her by Agricola, Mother Bunch pretended she + earned more than she really did, in order to avoid offers of service which + it would have pained her to accept, because she knew the limited means of + Frances and her son, and because it would have wounded her natural + delicacy, rendered still more sensitive by so many sorrows and + humiliations. + </p> + <p> + But, singular as it may appear, this deformed body contained a loving and + generous soul—a mind cultivated even to poetry; and let us add, that + this was owing to the example of Agricola Baudoin, with whom she had been + brought up, and who had naturally the gift. This poor girl was the first + confidant to whom our young mechanic imparted his literary essays; and + when he told her of the charm and extreme relief he found in poetic + reverie, after a day of hard toil, the workwoman, gifted with strong + natural intelligence, felt, in her turn, how great a resource this would + be to her in her lonely and despised condition. + </p> + <p> + One day, to Agricola’s great surprise, who had just read some verses to + her, the sewing-girl, with smiles and blushes, timidly communicated to him + also a poetic composition. Her verses wanted rhythm and harmony, perhaps; + but they were simple and affecting, as a non-envenomed complaint entrusted + to a friendly hearer. From that day Agricola and she held frequent + consultations; they gave each other mutual encouragement: but with this + exception, no one else knew anything of the girl’s poetical essays, whose + mild timidity made her often pass for a person of weak intellect. This + soul must have been great and beautiful, for in all her unlettered strains + there was not a word of murmuring respecting her hard lot: her note was + sad, but gentle—desponding, but resigned; it was especially the + language of deep tenderness—of mournful sympathy—of angelic + charity for all poor creatures consigned, like her, to bear the double + burden of poverty and deformity. Yet she often expressed a sincere + free-spoken admiration of beauty, free from all envy or bitterness; she + admired beauty as she admired the sun. But, alas! many were the verses of + hers that Agricola had never seen, and which he was never to see. + </p> + <p> + The young mechanic, though not strictly handsome, had an open masculine + face; was as courageous as kind; possessed a noble, glowing, generous + heart, a superior mind, and a frank, pleasing gayety of spirits. The young + girl, brought up with him, loved him as an unfortunate creature can love, + who, dreading cruel ridicule, is obliged to hide her affection in the + depths of her heart, and adopt reserve and deep dissimulation. She did not + seek to combat her love; to what purpose should she do so? No one would + ever know it. Her well known sisterly affection for Agricola explained the + interest she took in all that concerned him; so that no one was surprised + at the extreme grief of the young workwoman, when, in 1830, Agricola, + after fighting intrepidly for the people’s flag, was brought bleeding home + to his mother. Dagobert’s son, deceived, like others, on this point, had + never suspected, and was destined never to suspect, this love for him. + </p> + <p> + Such was the poorly-clad girl who entered the room in which Frances was + preparing her son’s supper. + </p> + <p> + “Is it you, my poor love,” said she; “I have not seen you since morning: + have you been ill? Come and kiss me.” + </p> + <p> + The young girl kissed Agricola’s mother, and replied: “I was very busy + about some work, mother; I did not wish to lose a moment; I have only just + finished it. I am going down to fetch some charcoal—do you want + anything while I’m out?” + </p> + <p> + “No, no, my child, thank you. But I am very uneasy. It is half-past eight, + and Agricola is not come home.” Then she added, after a sigh: “He kills + himself with work for me. Ah, I am very unhappy, my girl; my sight is + quite going. In a quarter of an hour after I begin working, I cannot see + at all—not even to sew sacks. The idea of being a burden to my son + drives me distracted.” + </p> + <p> + “Oh, don’t, ma’am, if Agricola heard you say that—” + </p> + <p> + “I know the poor boy thinks of nothing but me, and that augments my + vexation. Only I think that rather than leave me, he gives up the + advantages that his fellow-workmen enjoy at Hardy’s, his good and worthy + master—instead of living in this dull garret, where it is scarcely + light at noon, he would enjoy, like the other workmen, at very little + expense, a good light room, warm in winter, airy in summer, with a view of + the garden. And he is so fond of trees! not to mention that this place is + so far from his work, that it is quite a toil to him to get to it.” + </p> + <p> + “Oh, when he embraces you he forgets his fatigue, Mrs. Baudoin,” said + Mother Bunch; “besides, he knows how you cling to the house in which he + was born. M. Hardy offered to settle you at Plessy with Agricola, in the + building put up for the workmen.” + </p> + <p> + “Yes, my child; but then I must give up church. I can’t do that.” + </p> + <p> + “But—be easy, I hear him,” said the hunchback, blushing. + </p> + <p> + A sonorous, joyous voice was heard singing on the stairs. + </p> + <p> + “At least, I’ll not let him see that I have been crying,” said the good + mother, drying her tears. “This is the only moment of rest and ease from + toil he has—I must not make it sad to him.” + </p> + <p> + <a name="link2HCH0029" id="link2HCH0029"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXIX. AGRICOLA BAUDOIN. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">O</span>ur blacksmith poet, a tall young man, about four-and-twenty years of age, + was alert and robust, with ruddy complexion, dark hair and eyes, and + aquiline nose, and an open, expressive countenance. His resemblance to + Dagobert was rendered more striking by the thick brown moustache which he + wore according to the fashion; and a sharp-pointed imperial covered his + chin. His cheeks, however, were shaven, Olive color velveteen trousers, a + blue blouse, bronzed by the forge smoke, a black cravat, tied carelessly + round his muscular neck, a cloth cap with a narrow vizor, composed his + dress. The only thing which contrasted singularly with his working + habiliments was a handsome purple flower, with silvery pistils, which he + held in his hand. + </p> + <p> + “Good-evening, mother,” said he, as he came to kiss Frances immediately. + </p> + <p> + Then, with a friendly nod, he added, “Good-evening, Mother Bunch.” + </p> + <p> + “You are very late, my child,” said Frances, approaching the little stove + on which her son’s simple meal was simmering; “I was getting very + anxious.” + </p> + <p> + “Anxious about me, or about my supper, dear mother?” said Agricola, gayly. + “The deuce! you won’t excuse me for keeping the nice little supper waiting + that you get ready for me, for fear it should be spoilt, eh?” + </p> + <p> + So saying, the blacksmith tried to kiss his mother again. + </p> + <p> + “Have done, you naughty boy; you’ll make me upset the pan.” + </p> + <p> + “That would be a pity, mother; for it smells delightfully. Let’s see what + it is.” + </p> + <p> + “Wait half a moment.” + </p> + <p> + “I’ll swear, now, you have some of the fried potatoes and bacon I’m so + fond of.” + </p> + <p> + “Being Saturday, of course!” said Frances, in a tone of mild reproach. + </p> + <p> + “True,” rejoined Agricola, exchanging a smile of innocent cunning with + Mother Bunch; “but, talking of Saturday, mother, here are my wages.” + </p> + <p> + “Thank ye, child; put the money in the cupboard.” + </p> + <p> + “Yes, mother!” + </p> + <p> + “Oh, dear!” cried the young sempstress, just as Agricola was about to put + away the money, “what a handsome flower you have in your hand, Agricola. I + never saw a finer. In winter, too! Do look at it, Mrs. Baudoin.” + </p> + <p> + “See there, mother,” said Agricola, taking the flower to her; “look at it, + admire it, and especially smell it. You can’t have a sweeter perfume; a + blending of vanilla and orange blossom.” + </p> + <p> + “Indeed, it does smell nice, child. Goodness! how handsome!” said Frances, + admiringly; “where did you find it?” + </p> + <p> + “Find it, my good mother!” repeated Agricola, smilingly: “do you think + folks pick up such things between the Barriere du Maine and the Rue + Brise-Miche?” + </p> + <p> + “How did you get it then?” inquired the sewing girl, sharing in Frances’s + curiosity. + </p> + <p> + “Oh! you would like to know? Well, I’ll satisfy you, and explain why I + came home so late; for something else detained me. It has been an evening + of adventures, I promise you. I was hurrying home, when I heard a low, + gentle barking at the corner of the Rue de Babylone; it was just about + dusk, and I could see a very pretty little dog, scarce bigger than my + fist, black and tan, with long, silky hair, and ears that covered its + paws.” + </p> + <p> + “Lost, poor thing, I warrant,” said Frances. + </p> + <p> + “You’ve hit it. I took up the poor thing, and it began to lick my hands. + Round its neck was a red satin ribbon, tied in a large bow; but as that + did not bear the master’s name, I looked beneath it, and saw a small + collar, made of a gold plate and small gold chains. So I took a Lucifer + match from my ‘bacco-box, and striking a light, I read, ‘FRISKY belongs to + Hon. Miss Adrienne de Cardoville, No. 7, Rue de Babylone.’” + </p> + <p> + “Why, you were just in the street,” said Mother Bunch. + </p> + <p> + “Just so. Taking the little animal under my arm, I looked about me till I + came to a long garden wall, which seemed to have no end, and found a small + door of a summer-house, belonging no doubt to the large mansion at the + other end of the park; for this garden looked just like a park. So, + looking up I saw ‘No. 7,’ newly painted over a little door with a grated + slide. I rang; and in a few minutes, spent, no doubt, in observing me + through the bars (for I am sure I saw a pair of eyes peeping through), the + gate opened. And now, you’ll not believe a word I have to say.” + </p> + <p> + “Why not, my child?” + </p> + <p> + “Because it seems like a fairy tale.” + </p> +<div class="fig"> + <img src="images/10273m.jpg" alt="10273m " /><br /> + </div> + <h5> + <a href="images/10273.jpg"><i>Original</i></a> + </h5> + <p> + “A fairy tale?” said Mother Bunch, as if she was really her namesake of + elfish history. + </p> + <p> + “For, all the world it does. I am quite astounded, even now, at my + adventure; it is like the remembrance of a dream.” + </p> + <p> + “Well, let us have it,” said the worthy mother, so deeply interested that + she did not perceive her son’s supper was beginning to burn. + </p> + <p> + “First,” said the blacksmith, smiling at the curiosity he had excited, “a + young lady opened the door to me, but so lovely, so beautifully and + gracefully dressed, that you would have taken her for a beautiful portrait + of past times. Before I could say a word, she exclaimed, ‘Ah! dear me, + sir, you have brought back Frisky; how happy Miss Adrienne will be! Come, + pray come in instantly; she would so regret not having an opportunity to + thank you in person!’ And without giving me time to reply, she beckoned me + to follow her. Oh, dear mother, it is quite out of my power to tell you, + the magnificence I saw, as I passed through a small saloon, partially + lighted, and full of perfume! It would be impossible. The young woman + walked too quickly. A door opened,—Oh, such a sight! I was so + dazzled I can remember nothing but a great glare of gold and light, + crystal and flowers; and, amidst all this brilliancy, a young lady of + extreme beauty—ideal beauty; but she had red hair, or rather hair + shining like gold! Oh! it was charming to look at! I never saw such hair + before. She had black eyes, ruddy lips, and her skin seemed white as snow. + This is all I can recollect: for, as I said before, I was so dazzled, I + seemed to be looking through a veil. ‘Madame,’ said the young woman, whom + I never should have taken for a lady’s-maid, she was dressed so elegantly, + ‘here is Frisky. This gentleman found him, and brought him back.’ ‘Oh, + sir,’ said the young lady with the golden hair, in a sweet silvery voice, + ‘what thanks I owe you! I am foolishly attached to Frisky.’ Then, no + doubt, concluding from my dress that she ought to thank me in some other + way than by words, she took up a silk purse, and said to me, though I must + confess with some hesitation—‘No doubt, sir, it gave you some + trouble to bring my pet back. You have, perhaps, lost some valuable time—allow + me—’ She held forth her purse.” + </p> + <p> + “Oh, Agricola,” said Mother Bunch, sadly; “how people may be deceived!” + </p> + <p> + “Hear the end, and you will perhaps forgive the young lady. Seeing by my + looks that the offer of the purse hurt me, she took a magnificent + porcelain vase that contained this flower, and, addressing me in a tone + full of grace and kindness, that left me room to guess that she was vexed + at having wounded me, she said—‘At least, sir, you will accept this + flower.’” + </p> + <p> + “You are right, Agricola,” said the girl, smiling sadly; “an involuntary + error could not be repaired in a nicer way. + </p> + <p> + “Worthy young lady,” said Frances, wiping her eyes; “how well she + understood my Agricola!” + </p> + <p> + “Did she not, mother? But just as I was taking the flower, without daring + to raise my eyes (for, notwithstanding the young lady’s kind manner, there + was something very imposing about her) another handsome girl, tall and + dark, and dressed to the top of fashion, came in and said to the + red-haired young lady, ‘He is here, Madame.’ She immediately rose and said + to me, ‘A thousand pardons, sir. I shall never forget that I am indebted + to you for a moment of much pleasure. Pray remember, on all occasions, my + address and name—Adrienne de Cardoville.’ Thereupon she disappeared. + I could not find a word to say in reply. The same young woman showed me to + the door, and curtseyed to me very politely. And there I stood in the Rue + de Babylone, as dazzled and astonished as if I had come out of an + enchanted palace.” + </p> + <p> + “Indeed, my child, it is like a fairy tale. Is it not, my poor girl?” + </p> + <p> + “Yes, ma’am,” said Mother Bunch, in an absent manner that Agricola did not + observe. + </p> + <p> + “What affected me most,” rejoined Agricola, “was, that the young lady, on + seeing her little dog, did not forget me for it, as many would have done + in her place, and took no notice of it before me. That shows delicacy and + feeling, does it not? Indeed, I believe this young lady to be so kind and + generous, that I should not hesitate to have recourse to her in any + important case.” + </p> + <p> + “Yes, you are right,” replied the sempstress, more and more absent. + </p> + <p> + The poor girl suffered extremely. She felt no jealousy, no hatred, towards + this young stranger, who, from her beauty, wealth, and delicacy, seemed to + belong to a sphere too splendid and elevated to be even within the reach + of a work, girl’s vision; but, making an involuntary comparison of this + fortunate condition with her own, the poor thing had never felt more + cruelly her deformity and poverty. Yet such were the humility and gentle + resignation of this noble creature, that the only thing which made her + feel ill-disposed towards Adrienne de Cardoville was the offer of the + purse to Agricola; but then the charming way in which the young lady had + atoned for her error, affected the sempstress deeply. Yet her heart was + ready to break. She could not restrain her tears as she contemplated the + magnificent flower—so rich in color and perfume, which, given by a + charming hand, was doubtless very precious to Agricola. + </p> + <p> + “Now, mother,” resumed the young man smilingly, and unaware of the painful + emotion of the other bystander, “you have had the cream of my adventures + first. I have told you one of the causes of my delay; and now for the + other. Just now, as I was coming in, I met the dyer at the foot of the + stairs, his arms a beautiful pea-green. Stopping me he said, with an air + full of importance, that he thought he had seen a chap sneaking about the + house like a spy, ‘Well, what is that to you, Daddy Loriot?’ said I: ‘are + you afraid he will nose out the way to make the beautiful green, with + which you are dyed up to the very elbows?’” + </p> + <p> + “But who could that man be, Agricola?” said Frances. + </p> + <p> + “On my word, mother, I don’t know and scarcely care; I tried to persuade + Daddy Loriot, who chatters like a magpie, to return to his cellar, since + it could signify as little to him as to me, whether a spy watched him or + not.” So saying, Agricola went and placed the little leathern sack, + containing his wages, on a shelf, in the cupboard. + </p> + <p> + As Frances put down the saucepan on the end of the table, Mother Bunch, + recovering from her reverie, filled a basin with water, and, taking it to + the blacksmith, said to him in a gentle tone-“Agricola—for your + hands.” + </p> + <p> + “Thank you, little sister. How kind you are!” Then with a most unaffected + gesture and tone, he added, “There is my fine flower for your trouble.” + </p> + <p> + “Do you give it me?” cried the sempstress, with emotion, while a vivid + blush colored her pale and interesting face. “Do you give me this handsome + flower, which a lovely rich young lady so kindly and graciously gave you?” + And the poor thing repeated, with growing astonishment, “Do you give it to + me?” + </p> + <p> + “What the deuce should I do with it? Wear it on my heart, have it set as a + pin?” said Agricola, smiling. “It is true I was very much impressed by the + charming way in which the young lady thanked me. I am delighted to think I + found her little dog, and very happy to be able to give you this flower, + since it pleases you. You see the day has been a happy one.” + </p> + <p> + While Mother Bunch, trembling with pleasure, emotion, and surprise, took + the flower, the young blacksmith washed his hands, so black with smoke and + steel filings that the water became dark in an instant. Agricola, pointing + out this change to the sempstress, said to her in a whisper, + laughing,-“Here’s cheap ink for us paper-stainers! I finished some verses + yesterday, which I am rather satisfied with. I will read them to you.” + </p> + <p> + With this, Agricola wiped his hands naturally on the front of his blouse, + while Mother Bunch replaced the basin on the chest of drawers, and laid + the flower against the side of it. + </p> + <p> + “Can’t you ask for a towel,” said Frances, shrugging her shoulders, + “instead of wiping your hands on your blouse?” + </p> + <p> + “After being scorched all day long at the forge, it will be all the better + for a little cooling to-night, won’t it? Am I disobedient, mother? Scold + me, then, if you dare! Come, let us see you.” + </p> + <p> + Frances made no reply; but, placing her hands on either side of her son’s + head, so beautiful in its candor, resolution and intelligence, she + surveyed him for a moment with maternal pride, and kissed him repeatedly + on the forehead. + </p> + <p> + “Come,” said she, “sit down: you stand all day at your forge, and it is + late.” + </p> + <p> + “So,—your arm-chair again!” said Agricola.—“Our usual quarrel + every evening—take it away, I shall be quite as much at ease on + another.” + </p> + <p> + “No, no! You ought at least to rest after your hard toil.” + </p> + <p> + “What tyranny!” said Agricola gayly, sitting down. “Well, I preach like a + good apostle; but I am quite at ease in your arm-chair, after all. Since I + sat down on the throne in the Tuileries, I have never had a better seat.” + </p> + <p> + Frances Baudoin, standing on one side of the table, cut a slice of bread + for her son, while Mother Bunch, on the other, filled his silver mug. + There was something affecting in the attentive eagerness of the two + excellent creatures, for him whom they loved so tenderly. + </p> + <p> + “Won’t you sup with me?” said Agricola to the girl. + </p> + <p> + “Thank you, Agricola,” replied the sempstress, looking down, “I have only + just dined.” + </p> + <p> + “Oh, I only ask you for form’s sake—you have your whims—we can + never prevail on you to eat with us—just like mother; she prefers + dining all alone; and in that way she deprives herself without my knowing + it.” + </p> + <p> + “Goodness, child! It is better for my health to dine early. Well, do you + find it nice?” + </p> + <p> + “Nice!—call it excellent! Stockfish and parsnips. Oh, I am very fond + of stockfish; I should have been born a Newfoundland fisherman.” + </p> + <p> + This worthy lad, on the contrary, was but poorly refreshed, after a hard + day’s toil, with this paltry stew,—a little burnt as it had been, + too, during his story; but he knew he pleased his mother by observing the + fast without complaining. He affected to enjoy his meal; and the good + woman accordingly observed with satisfaction: + </p> + <p> + “Oh, I see you like it, my dear boy; Friday and Saturday next we’ll have + some more.” + </p> + <p> + “Thank you, mother,—only not two days together. One gets tired of + luxuries, you know! And now, let us talk of what we shall do to-morrow—Sunday. + We must be very merry, for the last few days you seem very sad, dear + mother, and I can’t make it out—I fancy you are not satisfied with + me.” + </p> + <p> + “Oh, my dear child!—you—the pattern of—” + </p> + <p> + “Well, well! Prove to me that you are happy, then, by taking a little + amusement. Perhaps you will do us the honor of accompanying us, as you did + last time,” added Agricola, bowing to Mother Bunch. + </p> + <p> + The latter blushed and looked down; her face assumed an expression of + bitter grief, and she made no reply. + </p> + <p> + “I have the prayers to attend all day, you know, my dear child,” said + Frances to her son. + </p> + <p> + “Well, in the evening, then? I don’t propose the theatre; but they say + there is a conjurer to be seen whose tricks are very amusing. + </p> + <p> + “I am obliged to you, my son; but that is a kind of theatre.” + </p> + <p> + “Dear mother, this is unreasonable!” + </p> + <p> + “My dear child, do I ever hinder others from doing what they like?” + </p> + <p> + “True, dear mother; forgive me. Well, then, if it should be fine, we will + simply take a walk with Mother Bunch on the Boulevards. It is nearly three + months since she went out with us; and she never goes out without us.” + </p> + <p> + “No, no; go alone, my child. Enjoy your Sunday, ‘tis little enough.” + </p> + <p> + “You know very well, Agricola,” said the sempstress, blushing up to the + eyes, “that I ought not to go out with you and your mother again.” + </p> + <p> + “Why not, madame? May I ask, without impropriety, the cause of this + refusal?” said Agricola gayly. + </p> + <p> + The poor girl smiled sadly, and replied, “Because I will not expose you to + a quarrel on my account, Agricola.” + </p> + <p> + “Forgive me,” said Agricola, in a tone of sincere grief, and he struck his + forehead vexedly. + </p> + <p> + To this Mother Bunch alluded sometimes, but very rarely, for she observed + punctilious discretion. The girl had gone out with Agricola and his + mother. Such occasions were, indeed, holidays for her. Many days and + nights had she toiled hard to procure a decent bonnet and shawl, that she + might not do discredit to her friends. The five or six days of holidays, + thus spent arm in arm with him whom she adored in secret, formed the sum + of her happy days. + </p> + <p> + Taking their last walk, a coarse, vulgar man elbowed her so rudely that + the poor girl could not refrain from a cry of terror, and the man retorted + it by saying,-“What are you rolling your hump in my way for, stoopid?” + </p> + <p> + Agricola, like his father, had the patience which force and courage give + to the truly brave; but he was extremely quick when it became necessary to + avenge an insult. Irritated at the vulgarity of this man, Agricola left + his mother’s arm to inflict on the brute, who was of his own age, size, + and force, two vigorous blows, such as the powerful arm and huge fist of a + blacksmith never before inflicted on human face. The villain attempted to + return it, and Agricola repeated the correction, to the amusement of the + crowd, and the fellow slunk away amidst a deluge of hisses. This adventure + made Mother Bunch say she would not go out with Agricola again, in order + to save him any occasion of quarrel. We may conceive the blacksmith’s + regret at having thus unwittingly revived the memory of this circumstance,—more + painful, alas! for Mother Bunch than Agricola could imagine, for she loved + him passionately, and her infirmity had been the cause of that quarrel. + Notwithstanding his strength and resolution, Agricola was childishly + sensitive; and, thinking how painful that thought must be to the poor + girl, a large tear filled his eyes, and, holding out his hands, he said, + in a brotherly tone, “Forgive my heedlessness! Come, kiss me.” And he gave + her thin, pale cheeks two hearty kisses. + </p> + <p> + The poor girl’s lips turned pale at this cordial caress; and her heart + beat so violently that she was obliged to lean against the corner of the + table. + </p> + <p> + “Come, you forgive me, do you not?” said Agricola. + </p> + <p> + “Yes! yes!” she said, trying to subdue her emotion; “but the recollection + of that quarrel pains me—I was so alarmed on your account; if the + crowd had sided with that man!” + </p> + <p> + “Alas!” said Frances, coming to the sewing-girl’s relief, without knowing + it, “I was never so afraid in all my life!” + </p> + <p> + “Oh, mother,” rejoined Agricola, trying to change a conversation which had + now become disagreeable for the sempstress, “for the wife of a horse + grenadier of the Imperial Guard, you have not much courage. Oh, my brave + father; I can’t believe he is really coming! The very thought turns me + topsy-turvy!” + </p> + <p> + “Heaven grant he may come,” said Frances, with a sigh. + </p> + <p> + “God grant it, mother. He will grant it, I should think. Lord knows, you + have had masses enough said for his return.” + </p> + <p> + “Agricola, my child,” said Frances, interrupting her son, and shaking her + head sadly, “do not speak in that way. Besides, you are talking of your + father.” + </p> + <p> + “Well, I’m in for it this evening. ‘Tis your turn now; positively, I am + growing stupid, or going crazy. Forgive me, mother! forgive! That’s the + only word I can get out to-night. You know that, when I do let out on + certain subjects, it is because I can’t help it; for I know well the pain + it gives you.” + </p> + <p> + “You do not offend me, my poor, dear, misguided boy.” + </p> + <p> + “It comes to the same thing; and there is nothing so bad as to offend + one’s mother; and, with respect to what I said about father’s return, I do + not see that we have any cause to doubt it.” + </p> + <p> + “But we have not heard from him for four months.” + </p> + <p> + “You know, mother, in his letter—that is, in the letter which he + dictated (for you remember that, with the candor of an old soldier, he + told us that, if he could read tolerably well, he could not write); well, + in that letter he said we were not to be anxious about him; that he + expected to be in Paris about the end of January, and would send us word, + three or four days before, by what road he expected to arrive, that I + might go and meet him.” + </p> + <p> + “True, my child; and February is come, and no news yet.” + </p> + <p> + “The greater reason why we should wait patiently. But I’ll tell you more: + I should not be surprised if our good Gabriel were to come back about the + same time. His last letter from America makes me hope so. What pleasure, + mother, should all the family be together!” + </p> + <p> + “Oh, yes, my child! It would be a happy day for me.” + </p> + <p> + “And that day will soon come, trust me.” + </p> + <p> + “Do you remember your father, Agricola?” inquired Mother Bunch. + </p> + <p> + “To tell the truth, I remember most his great grenadier’s shako and + moustache, which used to frighten me so, that nothing but the red ribbon + of his cross of honor, on the white facings of his uniform, and the + shining handle of his sabre, could pacify me; could it, mother? But what + is the matter? You are weeping!” + </p> + <p> + “Alas! poor Baudoin! What he must suffer at being separated from us at his + age—sixty and past! Alas! my child, my heart breaks, when I think + that he comes home only to change one kind of poverty for another.” + </p> + <p> + “What do you mean?” + </p> + <p> + “Alas! I earn nothing now.” + </p> + <p> + “Why, what’s become of me? Isn’t there a room here for you and for him; + and a table for you too? Only, my good mother, since we are talking of + domestic affairs,” added the blacksmith, imparting increased tenderness to + his tone, that he might not shock his mother, “when he and Gabriel come + home, you won’t want to have any more masses said, and tapers burned for + them, will you? Well, that saving will enable father to have tobacco to + smoke, and his bottle of wine every day. Then, on Sundays, we will take a + nice dinner at the eating-house.” + </p> + <p> + A knocking at the door disturbed Agricola. + </p> + <p> + “Come in,” said he. Instead of doing so, some one half-opened the door, + and, thrusting in an arm of a pea-green color, made signs to the + blacksmith. + </p> +<div class="fig"> + <img src="images/10281m.jpg" alt="10281m " /><br /> + </div> + <h5> + <a href="images/10281.jpg"><i>Original</i></a> + </h5> + <p> + “‘Tis old Loriot, the pattern of dyers,” said Agricola; “come in, Daddy, + no ceremony.” + </p> + <p> + “Impossible, my lad; I am dripping with dye from head to foot; I should + cover missus’s floor with green.” + </p> + <p> + “So much the better. It will remind me of the fields I like so much.” + </p> + <p> + “Without joking, Agricola, I must speak to you immediately.” + </p> + <p> + “About the spy, eh? Oh, be easy; what’s he to us?” + </p> + <p> + “No; I think he’s gone; at any rate, the fog is so thick I can’t see him. + But that’s not it—come, come quickly! It is very important,” said + the dyer, with a mysterious look; “and only concerns you.” + </p> + <p> + “Me, only?” said Agricola, with surprise. “What can it be. + </p> + <p> + “Go and see, my child,” said Frances. + </p> + <p> + “Yes, mother; but the deuce take me if I can make it out.” + </p> + <p> + And the blacksmith left the room, leaving his mother with Mother Bunch. + </p> + <p> + <a name="link2HCH0030" id="link2HCH0030"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXX. THE RETURN. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">I</span>n five minutes Agricola returned; his face was pale and agitated—his + eyes glistened with tears, and his hands trembled; but his countenance + expressed extraordinary happiness and emotion. He stood at the door for a + moment, as if too much affected to accost his mother. + </p> + <p> + Frances’s sight was so bad that she did not immediately perceive the + change her son’s countenance had undergone. + </p> + <p> + “Well, my child—what is it?” she inquired. + </p> + <p> + Before the blacksmith could reply, Mother Bunch, who had more discernment, + exclaimed: “Goodness, Agricola—how pale you are! Whatever is the + matter?” + </p> + <p> + “Mother,” said the artisan, hastening to Frances, without replying to the + sempstress,—“mother, expect news that will astonish you; but promise + me you will be calm.” + </p> + <p> + “What do you mean? How you tremble! Look at me! Mother Bunch was right—you + are quite pale.” + </p> + <p> + “My kind mother!” and Agricola, kneeling before Frances, took both her + hands in his—“you must—you do not know,—but—” + </p> + <p> + The blacksmith could not go on. Tears of joy interrupted his speech. + </p> + <p> + “You weep, my dear child! Your tears alarm me. ‘What is the matter?—you + terrify me!” + </p> + <p> + “Oh, no, I would not terrify you; on the contrary,” said Agricola, drying + his eyes—“you will be so happy. But, again, you must try and command + your feelings, for too much joy is as hurtful as too much grief.” + </p> + <p> + “What?” + </p> + <p> + “Did I not say true, when I said he would come?” + </p> + <p> + “Father!” cried Frances. She rose from her seat; but her surprise and + emotion were so great that she put one hand to her heart to still its + beating, and then she felt her strength fail. Her son sustained her, and + assisted her to sit down. + </p> + <p> + Mother Bunch, till now, had stood discreetly apart, witnessing from a + distance the scene which completely engrossed Agricola and his mother. But + she now drew near timidly, thinking she might be useful; for Frances + changed color more and more. + </p> + <p> + “Come, courage, mother,” said the blacksmith; “now the shock is over, you + have only to enjoy the pleasure of seeing my father.” + </p> + <p> + “My poor man! after eighteen years’ absence. Oh, I cannot believe it,” + said Frances, bursting into tears. “Is it true? Is it, indeed, true?” + </p> + <p> + “So true, that if you will promise me to keep as calm as you can, I will + tell you when you may see him.” + </p> + <p> + “Soon—may I not?” + </p> + <p> + “Yes; soon.” + </p> + <p> + “But when will he arrive?” + </p> + <p> + “He may arrive any minute—to-morrow—perhaps to-day.” + </p> + <p> + “To-day!” + </p> + <p> + “Yes, mother! Well, I must tell you all—he has arrived.” + </p> + <p> + “He—he is—” Frances could not articulate the word. + </p> + <p> + “He was downstairs just now. Before coming up, he sent the dyer to apprise + me that I might prepare you; for my brave father feared the surprise might + hurt you.” + </p> + <p> + “Oh, heaven!” + </p> + <p> + “And now,” cried the blacksmith, in an accent of indescribable joy—“he + is there, waiting! Oh, mother! for the last ten minutes I have scarcely + been able to contain myself—my heart is bursting with joy.” And + running to the door, he threw it open. + </p> + <p> + Dagobert, holding Rose and Blanche by the hand, stood on the threshold. + Instead of rushing to her husband’s arms, Frances fell on her knees in + prayer. She thanked heaven with profound gratitude for hearing her + prayers, and thus accepting her offerings. During a second, the actors of + this scene stood silent and motionless. Agricola, by a sentiment of + respect and delicacy, which struggled violently with his affection, did + not dare to fall on his father’s neck. He waited with constrained + impatience till his mother had finished her prayer. + </p> + <p> + The soldier experienced the same feeling as the blacksmith; they + understood each other. The first glance exchanged by father and son + expressed their affection—their veneration for that excellent woman, + who in the fulness of her religious fervor, forgot, perhaps, too much the + creature for the Creator. + </p> + <p> + Rose and Blanche, confused and affected, looked with interest on the + kneeling woman; while Mother Bunch, shedding in silence tears of joy at + the thought of Agricola’s happiness, withdrew into the most obscure corner + of the room, feeling that she was a stranger, and necessarily out of place + in that family meeting. Frances rose, and took a step towards her husband, + who received her in his arms. There was a moment of solemn silence. + Dagobert and Frances said not a word. Nothing could be heard but a few + sighs, mingled with sighs of joy. And, when the aged couple looked up, + their expression was calm, radiant, serene; for the full and complete + enjoyment of simple and pure sentiments never leaves behind a feverish and + violent agitation. + </p> + <p> + “My children,” said the soldier, in tones of emotion, presenting the + orphans to Frances, who, after her first agitation, had surveyed them with + astonishment, “this is my good and worthy wife; she will be to the + daughters of General Simon what I have been to them.” + </p> + <p> + “Then, madame, you will treat us as your children,” said Rose, approaching + Frances with her sister. + </p> + <p> + “The daughters of General Simon!” cried Dagobert’s wife, more and more + astonished. + </p> + <p> + “Yes, my dear Frances; I have brought them from afar not without some + difficulty; but I will tell you that by and by.” + </p> + <p> + “Poor little things! One would take them for two angels, exactly alike!” + said Frances, contemplating the orphans with as much interest as + admiration. + </p> + <p> + “Now—for us,” cried Dagobert, turning to his son. + </p> + <p> + “At last,” rejoined the latter. + </p> + <p> + We must renounce all attempts to describe the wild joy of Dagobert and his + son, and the crushing grip of their hands, which Dagobert interrupted only + to look in Agricola’s face; while he rested his hands on the young + blacksmith’s broad shoulders that he might see to more advantage his frank + masculine countenance, and robust frame. Then he shook his hand again, + exclaiming, “He’s a fine fellow—well built—what a good-hearted + look he has!” + </p> + <p> + From a corner of the room Mother Bunch enjoyed Agricola’s happiness; but + she feared that her presence, till then unheeded, would be an intrusion. + She wished to withdraw unnoticed, but could not do so. Dagobert and his + son were between her and the door; and she stood unable to take her eyes + from the charming faces of Rose and Blanche. She had never seen anything + so winsome; and the extraordinary resemblance of the sisters increased her + surprise. Then, their humble mourning revealing that they were poor, + Mother Bunch involuntarily felt more sympathy towards them. + </p> + <p> + “Dear children! They are cold; their little hands are frozen, and, + unfortunately, the fire is out,” said Frances, She tried to warm the + orphans’ hands in hers, while Dagobert and his son gave themselves up to + the feelings of affection, so long restrained. + </p> + <p> + As soon as Frances said that the fire was out, Mother Bunch hastened to + make herself useful, as an excuse for her presence; and, going to the + cupboard, where the charcoal and wood were kept, she took some small + pieces, and, kneeling before the stove, succeeded, by the aid of a few + embers that remained, in relighting the fire, which soon began to draw and + blaze. Filling a coffee-pot with water, she placed it on the stove, + presuming that the orphans required some warm drink. The sempstress did + all this with so much dexterity and so little noise—she was + naturally so forgotten amidst the emotions of the scene—that + Frances, entirely occupied with Rose and Blanche, only perceived the fire + when she felt its warmth diffusing round, and heard the boiling water + singing in the coffee-pot. This phenomenon—fire rekindling of itself—did + not astonish Dagobert’s wife then, so wholly was she taken up in devising + how she could lodge the maidens; for Dagobert as we have seen, had not + given her notice of their arrival. + </p> + <p> + Suddenly a loud bark was heard three or four times at the door. + </p> + <p> + “Hallo! there’s Spoil-sport,” said Dagobert, letting in his dog; “he wants + to come in to brush acquaintance with the family too.” + </p> + <p> + The dog came in with a bound, and in a second was quite at home. After + having rubbed Dagobert’s hand with his muzzle, he went in turns to greet + Rose and Blanche, and also Frances and Agricola; but seeing that they took + but little notice of him, he perceived Mother Bunch, who stood apart, in + an obscure corner of the room, and carrying out the popular saying, “the + friends of our friends are our friends,” he went and licked the hands of + the young workwoman, who was just then forgotten by all. By a singular + impulse, this action affected the girl to tears; she patted her long, + thin, white hand several times on the head of the intelligent dog. Then, + finding that she could be no longer useful (for she had done all the + little services she deemed in her power), she took the handsome flower + Agricola had given her, opened the door gently, and went away so + discreetly that no one noticed her departure. After this exchange of + mutual affection, Dagobert, his wife, and son, began to think of the + realities of life. + </p> + <p> + “Poor Frances,” said the soldier, glancing at Rose and Blanche, “you did + not expect such a pretty surprise!” + </p> + <p> + “I am only sorry, my friend,” replied Frances, “that the daughters of + General Simon will not have a better lodging than this poor room; for with + Agricola’s garret—” + </p> + <p> + “It composes our mansion,” interrupted Dagobert; “there are handsomer, it + must be confessed. But be at ease; these young ladies are drilled into not + being hard to suit on that score. To-morrow, I and my boy will go arm and + arm, and I’ll answer for it he won’t walk the more upright and straight of + the two, and find out General Simon’s father, at M. Hardy’s factory, to + talk about business.” + </p> + <p> + “To-morrow,” said Agricola to Dagobert, “you will not find at the factory + either M. Hardy or Marshall Simon’s father.” + </p> + <p> + “What is that you say, my lad?” cried Dagobert, hastily, “the Marshal!” + </p> + <p> + “To be sure; since 1830, General Simon’s friends have secured him the + title and rank which the emperor gave him at the battle of Ligny.” + </p> + <p> + “Indeed!” cried Dagobert, with emotion, “but that ought not to surprise + me; for, after all, it is just; and when the emperor said a thing, the + least they can do is to let it abide. But it goes all the same to my + heart; it makes me jump again.” + </p> + <p> + Addressing the sisters, he said: “Do you hear that, my children? You + arrive in Paris the daughters of a Duke and Marshal of France. One would + hardly think it, indeed, to see you in this room, my poor little + duchesses! But patience; all will go well. Ah, father Simon must have been + very glad to hear that his son was restored to his rank! eh, my lad?” + </p> + <p> + “He told us he would renounce all kinds of ranks and titles to see his son + again; for it was during the general’s absence that his friends obtained + this act of justice. But they expect Marshal Simon every moment, for the + last letter from India announced his departure.” + </p> + <p> + At these words Rose and Blanche looked at each other; and their eyes + filled with tears. + </p> + <p> + “Heaven be praised! These children rely on his return; but why shall we + not find M. Hardy and father Simon at the factory to-morrow?” + </p> + <p> + “Ten days ago, they went to examine and study an English mill established + in the south; but we expect them back every day.” + </p> + <p> + “The deuce! that’s vexing; I relied on seeing the general’s father, to + talk over some important matters with him. At any rate, they know where to + write to him. So to-morrow you will let him know, my lad, that his + granddaughters are arrived. In the mean time, children,” added the + soldier, to Rose and Blanche, “my good wife will give you her bed and you + must put up with the chances of war. Poor things! they will not be worse + off here than they were on the journey.” + </p> + <p> + “You know we shall always be well off with you and madame,” said Rose. + </p> + <p> + “Besides, we only think of the pleasure of being at length in Paris, since + here we are to find our father,” added Blanche. + </p> + <p> + “That hope gives you patience, I know,” said Dagobert, “but no matter! + After all you have heard about it, you ought to be finely surprised, my + children. As yet, you have not found it the golden city of your dreams, by + any means. But, patience, patience; you’ll find Paris not so bad as it + looks.” + </p> + <p> + “Besides,” said Agricola, “I am sure the arrival of Marshal Simon in Paris + will change it for you into a golden city.” + </p> + <p> + “You are right, Agricola,” said Rose, with a smile, “you have, indeed, + guessed us.” + </p> + <p> + “What! do you know my name?” + </p> + <p> + “Certainly, Agricola, we often talked about you with Dagobert; and + latterly, too, with Gabriel,” added Blanche. + </p> + <p> + “Gabriel!” cried Agricola and his mother, at the same time. + </p> + <p> + “Yes,” replied Dagobert, making a sign of intelligence to the orphans, “we + have lots to tell you for a fortnight to come; and among other things, how + we chanced to meet with Gabriel. All I can now say is that, in his way, he + is quite as good as my boy (I shall never be tired of saying ‘my boy’); + and they ought to love each other like brothers. Oh, my brave, brave + wife!” said Dagobert, with emotion, “you did a good thing, poor as you + were, taking the unfortunate child—and bringing him up with your + own.” + </p> + <p> + “Don’t talk so much about it, my dear; it was such a simple thing.” + </p> + <p> + “You are right; but I’ll make you amends for it by and by. ‘Tis down to + your account; in the mean time, you will be sure to see him to-morrow + morning.” + </p> + <p> + “My dear brother arrived too!” cried the blacksmith; “who’ll say, after + this, that there are not days set apart for happiness? How came you to + meet him, father?” + </p> + <p> + “I’ll tell you all, by and by, about when and how we met Gabriel; for if + you expect to sleep, you are mistaken. You’ll give me half your room, and + a fine chat we’ll have. Spoil-sport will stay outside of this door; he is + accustomed to sleep at the children’s door.” + </p> + <p> + “Dear me, love, I think of nothing. But, at such a moment, if you and the + young ladies wish to sup, Agricola will fetch something from the + cook-shop.” + </p> + <p> + “What do you say, children?” + </p> + <p> + “No, thank you, Dagobert, we are not hungry; we are too happy.” + </p> + <p> + “You will take a little wine and water, sweetened, nice and hot, to warm + you a little, my dear young ladies,” said Frances; “unfortunately, I have + nothing else to offer you.” + </p> + <p> + “You are right, Frances; the dear children are tired, and want to go to + bed; while they do so, I’ll go to my boy’s room, and, before Rose and + Blanche are awake, I will come down and converse with you, just to give + Agricola a respite.” + </p> +<div class="fig"> + <img src="images/10289m.jpg" alt="10289m " /><br /> + </div> + <h5> + <a href="images/10289.jpg"><i>Original</i></a> + </h5> + <p> + A knock was now heard at the door. + </p> + <p> + “It is good Mother Bunch come to see if we want her,” said Agricola. + </p> + <p> + “But I think she was here when my husband came in,” added Frances. + </p> + <p> + “Right, mother; and the good girl left lest she should be an intruder: she + is so thoughtful. But no—no—it is not she who knocks so loud.” + </p> + <p> + “Go and see who it is, then, Agricola.” + </p> + <p> + Before the blacksmith could reach the door, a man decently dressed, with a + respectable air, entered the room, and glanced rapidly round, looking for + a moment at Rose and Blanche. + </p> + <p> + “Allow me to observe, sir,” said Agricola, “that after knocking, you might + have waited till the door was opened, before you entered. Pray, what is + your business?” + </p> + <p> + “Pray excuse me, sir,” said the man, very politely, and speaking slowly, + perhaps to prolong his stay in the room: “I beg a thousand pardons—I + regret my intrusion—I am ashamed—” + </p> + <p> + “Well, you ought to be, sir,” said Agricola, with impatience, “what do you + want?” + </p> + <p> + “Pray, sir, does not Miss Soliveau, a deformed needlewoman, live here?” + </p> + <p> + “No, sir; upstairs,” said Agricola. + </p> + <p> + “Really, sir,” cried the polite man, with low bows, “I am quite abroad at + my blunder: I thought this was the room of that young person. I brought + her proposals for work from a very respectable party.” + </p> + <p> + “It is very late, sir,” said Agricola, with surprise. “But that young + person is as one of our family. Call to-morrow; you cannot see her to + night; she is gone to bed.” + </p> + <p> + “Then, sir, I again beg you to excuse—” + </p> + <p> + “Enough, sir,” said Agricola, taking a step towards the door. + </p> + <p> + “I hope, madame and the young ladies, as well as this gent, will be + assured that—” + </p> + <p> + “If you go on much longer making excuses, sir, you will have to excuse the + length of your excuses; and it is time this came to an end!” + </p> + <p> + Rose and Blanche smiled at these words of Agricola; while Dagobert rubbed + his moustache with pride. + </p> + <p> + “What wit the boy has!” said he aside to his wife. “But that does not + astonish you—you are used to it.” + </p> + <p> + During this speech, the ceremonious person withdrew, having again directed + a long inquiring glance to the sisters, and to Agricola and Dagobert. + </p> + <p> + In a few minutes after, Frances having spread a mattress on the ground for + herself, and put the whitest sheets on her bed for the orphans, assisted + them to undress with maternal solicitude, Dagobert and Agricola having + previously withdrawn to their garret. Just as the blacksmith, who preceded + his father with a light, passed before the door of Mother Bunch’s room, + the latter, half concealed in the shade, said to him rapidly, in a low + tone: + </p> + <p> + “Agricola, great danger threatens you: I must speak to you.” + </p> + <p> + These words were uttered in so hasty and low a voice that Dagobert did not + hear them; but as Agricola stopped suddenly, with a start, the old soldier + said to him, + </p> + <p> + “Well, boy, what is it?” + </p> + <p> + “Nothing, father,” said the blacksmith, turning round; “I feared I did not + light you well.” + </p> + <p> + “Oh, stand at ease about that; I have the legs and eyes of fifteen to + night;” and the soldier, not noticing his son’s surprise, went into the + little room where they were both to pass the night. + </p> + <p> + On leaving the house, after his inquiries about Mother Bunch, the over + polite Paul Pry slunk along to the end of Brise-Miche Street. He advanced + towards a hackney-coach drawn up on the Cloitre Saint-Merry Square. + </p> + <p> + In this carriage lounged Rodin, wrapped in a cloak. + </p> + <p> + “Well?” said he, in an inquiring tone. + </p> + <p> + “The two girls and the man with gray moustache went directly to Frances + Baudoin’s; by listening at the door, I learnt that the sisters will sleep + with her, in that room, to-night; the old man with gray moustache will + share the young blacksmith’s room.” + </p> + <p> + “Very well,” said Rodin. + </p> + <p> + “I did not dare insist on seeing the deformed workwoman this evening on + the subject of the Bacchanal Queen; I intend returning to-morrow, to learn + the effect of the letter she must have received this evening by the post + about the young blacksmith.” + </p> + <p> + “Do not fail! And now you will call, for me, on Frances Baudoin’s + confessor, late as it is; you will tell him that I am waiting for him at + Rue du Milieu des Ursins—he must not lose a moment. Do you come with + him. Should I not be returned, he will wait for me. You will tell him it + is on a matter of great moment.” + </p> + <p> + “All shall be faithfully executed,” said the ceremonious man, cringing to + Rodin, as the coach drove quickly away. + </p> + <p> + <a name="link2HCH0031" id="link2HCH0031"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXXI. AGRICOLA AND MOTHER BUNCH. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">W</span>ithin one hour after the different scenes which have just been described + the most profound silence reigned in the soldier’s humble dwelling. A + flickering light, which played through two panes of glass in a door, + betrayed that Mother Bunch had not yet gone to sleep; for her gloomy + recess, without air or light, was impenetrable to the rays of day, except + by this door, opening upon a narrow and obscure passage, connected with + the roof. A sorry bed, a table, an old portmanteau, and a chair, so nearly + filled this chilling abode, that two persons could not possibly be seated + within it, unless one of them sat upon the side of the bed. + </p> + <p> + The magnificent and precious flower that Agricola had given to the girl + was carefully stood up in a vessel of water, placed upon the table on a + linen cloth, diffusing its sweet odor around, and expanding its purple + calix in the very closet, whose plastered walls, gray and damp, were + feebly lighted by the rays of an attenuated candle. The sempstress, who + had taken off no part of her dress, was seated upon her bed—her + looks were downcast, and her eyes full of tears. She supported herself + with one hand resting on the bolster; and, inclining towards the door, + listened with painful eagerness, every instant hoping to hear the + footsteps of Agricola. The heart of the young sempstress beat violently; + her face, usually very pale, was now partially flushed—so exciting + was the emotion by which she was agitated. Sometimes she cast her eyes + with terror upon a letter which she held in her hand, a letter that had + been delivered by post in the course of the evening, and which had been + placed by the housekeeper (the dyer) upon the table, while she was + rendering some trivial domestic services during the recognitions of + Dagobert and his family. + </p> + <p> + After some seconds, Mother Bunch heard a door, very near her own, softly + opened. + </p> + <p> + “There he is at last!” she exclaimed, and Agricola immediately entered. + </p> + <p> + “I waited till my father went to sleep,” said the blacksmith, in a low + voice, his physiognomy evincing much more curiosity than uneasiness. “But + what is the matter, my good sister? How your countenance is changed! You + weep! What has happened? About what danger would you speak to me?” + </p> + <p> + “Hush! Read this!” said she, her voice trembling with emotion, while she + hastily presented to him the open letter. Agricola held it towards the + light, and read what follows: + </p> + <p> + “A person who has reasons for concealing himself, but who knows the + sisterly interest you take in the welfare of Agricola Baudoin, warns you. + That young and worthy workman will probably be arrested in the course of + to-morrow.” + </p> + <p> + “I!” exclaimed Agricola, looking at Mother Bunch with an air of stupefied + amazement. “What is the meaning of all this?” + </p> + <p> + “Read on!” quickly replied the sempstress, clasping her hands. + </p> + <p> + Agricola resumed reading, scarcely believing the evidence of his + eyes:-“The song, entitled ‘Working-men Freed,’ has been declared + libellous. Numerous copies of it have been found among the papers of a + secret society, the leaders of which are about to be incarcerated, as + being concerned in the Rue des Prouvaires conspiracy.” + </p> + <p> + “Alas!” said the girl, melting into tears, “now I see it all. The man who + was lurking about below, this evening, who was observed by the dyer, was, + doubtless, a spy, lying in wait for you coming home.” + </p> + <p> + “Nonsense!” exclaimed Agricola. “This accusation is quite ridiculous! Do + not torment yourself. I never trouble myself with politics. My verses + breathe nothing but philanthropy. Am I to blame, if they have been found + among the papers of a secret society?” Agricola disdainfully threw the + letter upon the table. + </p> + <p> + “Read! pray read!” said the other; “read on.” + </p> + <p> + “If you wish it,” said Agricola, “I will; no time is lost.” + </p> + <p> + He resumed the reading of the letter: + </p> + <p> + “A warrant is about to be issued against Agricola Baudoin. There is mo + doubt of his innocence being sooner or later made clear; but it will be + well if he screen himself for a time as much as possible from pursuit, in + order that he may escape a confinement of two or three months previous to + trial—an imprisonment which would be a terrible blow for his mother, + whose sole support he is. + </p> + <p> + “A SINCERE FRIEND, who is compelled to remain unknown.” + </p> + <p> + After a moment’s silence, the blacksmith raised his head; his countenance + resumed its serenity; and laughing, he said: “Reassure yourself, good + Mother Bunch, these jokers have made a mistake by trying their games on + me. It is plainly an attempt at making an April-fool of me before the + time.” + </p> + <p> + “Agricola, for the love of heaven!” said the girl, in a supplicating tone; + “treat not the warning thus lightly. Believe in my forebodings, and listen + to my advice.” + </p> + <p> + “I tell you again, my good girl,” replied Agricola, “that it is two months + since my song was published. It is not in any way political; indeed, if it + were, they would not have waited till now before coming down on me.” + </p> + <p> + “But,” said the other, “you forget that new events have arisen. It is + scarcely two days since the conspiracy was discovered, in this very + neighborhood, in the Rue des Prouvaires. And,” continued she, “if the + verses, though perhaps hitherto unnoticed, have now been found in the + possession of the persons apprehended for this conspiracy, nothing more is + necessary to compromise you in the plot.” + </p> + <p> + “Compromise me!” said Agricola; “my verses! in which I only praise the + love of labor and of goodness! To arrest me for that! If so, justice would + be but a blind noodle. That she might grope her way, it would be necessary + to furnish her with a dog and a pilgrim’s staff to guide her steps.” + </p> + <p> + “Agricola,” resumed Mother Bunch; overwhelmed with anxiety and terror on + hearing the blacksmith jest at such a moment, “I conjure you to listen to + me! No doubt you uphold in the verses the sacred love of labor; but you do + also grievously deplore and deprecate the unjust lot of the poor laborers, + devoted as they are, without hope, to all the miseries of life; you + recommend, indeed, only fraternity among men; but your good and noble + heart vents its indignation, at the same time, against the selfish and the + wicked. In fine, you fervently hasten on, with the ardor of your wishes, + the emancipation of all the artisans who, less fortunate than you, have + not generous M. Hardy for employer. Say, Agricola, in these times of + trouble, is there anything more necessary to compromise you than that + numerous copies of your song have been found in possession of the persons + who have been apprehended?” + </p> + <p> + Agricola was moved by these affectionate and judicious expressions of an + excellent creature, who reasoned from her heart; and he began to view with + more seriousness the advice which she had given him. + </p> + <p> + Perceiving that she had shaken him, the sewing-girl went on to say: “And + then, bear your fellow-workman, Remi, in recollection.” + </p> + <p> + “Remi!” said Agricola, anxiously. + </p> + <p> + “Yes,” resumed the sempstress; “a letter of his, a letter in itself quite + insignificant, was found in the house of a person arrested last year for + conspiracy; and Remi, in consequence, remained a month in prison.” + </p> + <p> + “That is true, but the injustice of his implication was easily shown, and + he was set at liberty.” + </p> + <p> + “Yes, Agricola: but not till he had lain a month in prison; and that has + furnished the motive of the person who advised you to conceal yourself! A + month in prison! Good heavens! Agricola, think of that! and your mother.” + </p> + <p> + These words made a powerful impression upon Agricola. He took up the + letter and again read it attentively. + </p> + <p> + “And the man who has been lurking all this evening about the house?” + proceeded she. “I constantly recall that circumstance, which cannot be + naturally accounted for. Alas! what a blow it would be for your father, + and poor mother, who is incapable of earning anything. Are you not now + their only resource? Oh! consider, then, what would become of them without + you—without your labor!” + </p> + <p> + “It would indeed be terrible,” said Agricola, impatiently casting the + letter upon the table. “What you have said concerning Remi is too true. He + was as innocent as I am: yet an error of justice, an involuntary error + though it be, is not the less cruel. But they don’t commit a man without + hearing him.” + </p> + <p> + “But they arrest him first, and hear him afterwards,” said Mother Bunch, + bitterly; “and then, after a month or two, they restore him his liberty. + And if he have a wife and children, whose only means of living is his + daily labor, what becomes of them while their only supporter is in prison? + They suffer hunger, they endure cold, and they weep!” + </p> + <p> + At these simple and pathetic words, Agricola trembled. + </p> + <p> + “A month without work,” he said, with a sad and thoughtful air. “And my + mother, and father, and the two young ladies who make part of our family + until the arrival in Paris of their father, Marshal Simon. Oh! you are + right. That thought, in spite of myself, affrights me!” + </p> + <p> + “Agricola!” exclaimed the girl impetuously; “suppose you apply to M. + Hardy; he is so good, and his character is so much esteemed and honored, + that, if he offered bail for you, perhaps they would give up their + persecution?” + </p> + <p> + “Unfortunately,” replied Agricola, “M. Hardy is absent; he is on a journey + with Marshal Simon.” + </p> + <p> + After a silence of some time, Agricola, striving to surmount his fear, + added: “But no! I cannot give credence to this letter. After all, I had + rather await what may come. I’ll at least have the chance of proving my + innocence on my first examination: for indeed, my good sister, whether it + be that I am in prison or that I fly to conceal myself, my working for my + family will be equally prevented.” + </p> + <p> + “Alas! that is true,” said the poor girl; “what is to be done! Oh, what is + to be done?” + </p> + <p> + “My brave father,” said Agricola to himself, “if this misfortune happen + to-morrow, what an awakening it will be for him, who came here to sleep so + joyously!” The blacksmith buried his face in his hands. + </p> + <p> + Unhappily Mother Bunch’s fears were too well-founded, for it will be + recollected that at that epoch of the year 1832, before and after the Rue + des Prouvaires conspiracy, a very great number of arrests had been made + among the working classes, in consequence of a violent reaction against + democratical ideas. + </p> + <p> + Suddenly, the girl broke the silence which had been maintained for some + seconds. A blush colored her features, which bore the impressions of an + indefinable expression of constraint, grief, and hope. + </p> + <p> + “Agricola, you are saved!” + </p> + <p> + “What say you?” he asked. + </p> + <p> + “The young lady, so beautiful, so good, who gave you this flower” (she + showed it to the blacksmith) “who has known how to make reparation with so + much delicacy for having made a painful offer, cannot but have a generous + heart. You must apply to her—” + </p> + <p> + With these words which seemed to be wrung from her by a violent effort + over herself, great tears rolled down her cheeks. For the first time in + her life she experienced a feeling of grievous jealousy. Another woman was + so happy as to have the power of coming to the relief of him whom she + idolized; while she herself, poor creature, was powerless and wretched. + </p> + <p> + “Do you think so?” exclaimed Agricola surprised. “But what could be done + with this young lady?” + </p> + <p> + “Did she not say to you,” answered Mother Bunch, “‘Remember my name; and + in all circumstances address yourself to me?’” + </p> + <p> + “She did indeed!” replied Agricola. + </p> + <p> + “This young lady, in her exalted position, ought to have powerful + connections who will be able to protect and defend you. Go to her to + morrow morning; tell her frankly what has happened, and request her + support.” + </p> + <p> + “But tell me, my good sister, what it is you wish me to do?” + </p> + <p> + “Listen. I remember that, in former times, my father told us that he had + saved one of his friends from being put in prison, by becoming surety for + him. It will be easy for you so to convince this young lady of your + innocence, that she will be induced to become surety; and after that, you + will have nothing more to fear.” + </p> + <p> + “My poor child!” said Agricola, “to ask so great a service from a person + to whom one is almost unknown is hard.” + </p> + <p> + “Believe me, Agricola,” said the other sadly, “I would never counsel what + could possibly lower you in the eyes of any one, and above all—do + you understand?—above all, in the eyes of this young lady. I do not + propose that you should ask money from her; but only that she should give + surety for you, in order that you may have the liberty of continuing at + your employment, so that the family may not be without resources. Believe + me, Agricola, that such a request is in no respect inconsistent with what + is noble and becoming upon your part. The heart of the young lady is + generous. She will comprehend your position. The required surety will be + as nothing to her; while to you it will be everything, and will even be + the very life to those who depend upon you.” + </p> + <p> + “You are right, my good sister,” said Agricola, with sadness and + dejection. “It is perhaps worth while to risk taking this step. If the + young lady consent to render me this service, and if giving surety will + indeed preserve me from prison, I shall be prepared for every event. But + no, no!” added he, rising, “I’d never dare to make the request to her! + What right have I to do so? What is the insignificant service that I + rendered her, when compared with that which I should solicit from her?” + </p> + <p> + “Do you imagine then, Agricola, that a generous spirit measures the + services which ought to be rendered, by those previously received? Trust + to me respecting a matter which is an affair of the heart. I am, it is + true, but a lowly creature, and ought not to compare myself with any other + person. I am nothing, and I can do nothing. Nevertheless, I am sure—yes, + Agricola, I am sure—that this young lady, who is so very far above + me, will experience the same feelings that I do in this affair; yes, like + me, she will at once comprehend that your position is a cruel one; and she + will do with joy, with happiness, with thankfulness, that which I would + do, if, alas! I could do anything more than uselessly consume myself with + regrets.” + </p> + <p> + In spite of herself, she pronounced the last words with an expression so + heart-breaking—there was something so moving in the comparison which + this unfortunate creature, obscure and disdained, infirm and miserable, + made of herself with Adrienne de Cardoville, the very type of resplendent + youth, beauty, and opulence—that Agricola was moved even to tears; + and, holding out one of his hands to the speaker, he said to her, + tenderly, “How very good you are; how full of nobleness, good feeling, and + delicacy!” + </p> + <p> + “Unhappily,” said the weeping girl, “I can do nothing more than advise.” + </p> + <p> + “And your counsels shall be followed out, my sister dear. They are those + of a soul the most elevated I have ever known. Yes, you have won me over + into making this experiment, by persuading me that the heart of Miss de + Cardoville is perhaps equal in value to your own!” + </p> + <p> + At this charming and sincere assimilation of herself to Miss Adrienne, the + sempstress forgot almost everything she had suffered, so exquisitely sweet + and consoling were her emotions. If some poor creatures, fatally devoted + to sufferings, experience griefs of which the world knows naught, they + sometimes, too, are cheered by humble and timid joys, of which the world + is equally ignorant. The least word of true tenderness and affection, + which elevates them in their own estimation, is ineffably blissful for + these unfortunate beings, habitually consigned, not only to hardships and + to disdain, but even to desolating doubts, and distrust of themselves. + </p> + <p> + “Then it is agreed that you will go, to-morrow morning to this young + lady’s house?” exclaimed Mother Bunch, trembling with a new-born hope. + “And,” she quickly added, “at break of day I’ll go down to watch at the + street-door, to see if there be anything suspicious, and to apprise you of + what I perceive.” + </p> + <p> + “Good, excellent girl!” exclaimed Agricola, with increasing emotion. + </p> + <p> + “It will be necessary to endeavor to set off before the wakening of your + father,” said the hunchback. “The quarter in which the young lady dwells, + is so deserted, that the mere going there will almost serve for your + present concealment.” + </p> + <p> + “I think I hear the voice of my father,” said Agricola suddenly. + </p> + <p> + In truth, the little apartment was so near Agricola’s garret, that he and + the sempstress, listening, heard Dagobert say in the dark: + </p> + <p> + “Agricola, is it thus that you sleep, my boy? Why, my first sleep is over; + and my tongue itches deucedly.” + </p> + <p> + “Go quick, Agricola!” said Mother Bunch; “your absence would disquiet him. + On no account go out to-morrow morning, before I inform you whether or not + I shall have seen anything suspicious.” + </p> + <p> + “Why, Agricola, you are not here?” resumed Dagobert, in a louder voice. + </p> + <p> + “Here I am, father,” said the smith, while going out of the sempstress’s + apartment, and entering the garret, to his father. + </p> + <p> + “I have been to fasten the shutter of a loft that the wind agitated, lest + its noise should disturb you.” + </p> + <p> + “Thanks, my boy; but it is not noise that wakes me,” said Dagobert, gayly; + “it is an appetite, quite furious, for a chat with you. Oh, my dear boy, + it is the hungering of a proud old man of a father, who has not seen his + son for eighteen years.” + </p> + <p> + “Shall I light a candle, father?” + </p> + <p> + “No, no; that would be luxurious; let us chat in the dark. It will be a + new pleasure for me to see you to-morrow morning at daybreak. It will be + like seeing you for the first time twice.” The door of Agricola’s garret + being now closed, Mother Bunch heard nothing more. + </p> + <p> + The poor girl, without undressing, threw herself upon the bed, and closed + not an eye during the night, painfully awaiting the appearance of day, in + order that she might watch over the safety of Agricola. However, in spite + of her vivid anxieties for the morrow, she sometimes allowed herself to + sink into the reveries of a bitter melancholy. She compared the + conversation she had just had in the silence of night, with the man whom + she secretly adored, with what that conversation might have been, had she + possessed some share of charms and beauty—had she been loved as she + loved, with a chaste and devoted flame! But soon sinking into belief that + she should never know the ravishing sweets of a mutual passion, she found + consolation in the hope of being useful to Agricola. At the dawn of day, + she rose softly, and descended the staircase with little noise, in order + to see if anything menaced Agricola from without. + </p> + <p> + <a name="link2HCH0032" id="link2HCH0032"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXXII. THE AWAKENING. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>he weather, damp and foggy during a portion of the night, became clear + and cold towards morning. Through the glazed skylight of Agricola’s + garret, where he lay with his father, a corner of the blue sky could be + seen. + </p> + <p> + The apartment of the young blacksmith had an aspect as poor as the + sewing-girl’s. For its sole ornament, over the deal table upon which + Agricola wrote his poetical inspirations, there hung suspended from a nail + in the wall a portrait of Beranger—that immortal poet whom the + people revere and cherish, because his rare and transcendent genius has + delighted to enlighten the people, and to sing their glories and their + reverses. + </p> + <p> + Although the day had only begun to dawn, Dagobert and Agricola had already + risen. The latter had sufficient self command to conceal his inquietude, + for renewed reflection had again increased his fears. + </p> + <p> + The recent outbreak in the Rue des Prouvaires had caused a great number of + precautionary arrests; and the discovery of numerous copies of Agricola’s + song, in the possession of one of the chiefs of the disconcerted plot, + was, in truth, calculated slightly to compromise the young blacksmith. His + father, however, as we have already mentioned, suspected not his secret + anguish. Seated by the side of his son, upon the edge of their mean little + bed, the old soldier, by break of day, had dressed and shaved with + military care; he now held between his hands both those of Agricola, his + countenance radiant with joy, and unable to discontinue the contemplation + of his boy. + </p> + <p> + “You will laugh at me, my dear boy,” said Dagobert to his son; “but I + wished the night to the devil, in order that I might gaze upon you in full + day, as I now see you. But all in good time; I have lost nothing. Here is + another silliness of mine; it delights me to see you wear moustaches. What + a splendid horse-grenadier you would have made! Tell me; have you never + had a wish to be a soldier?” + </p> + <p> + “I thought of mother!” + </p> + <p> + “That’s right,” said Dagobert: “and besides, I believe, after all, look + ye, that the time of the sword has gone by. We old fellows are now good + for nothing, but to be put in a corner of the chimney. Like rusty old + carbines, we have had our day.” + </p> + <p> + “Yes; your days of heroism and of glory,” said Agricola with excitement; + and then he added, with a voice profoundly softened and agitated, “it is + something good and cheering to be your son!” + </p> + <p> + “As to the good, I know nothing of that,” replied Dagobert; “but as for + the cheering, it ought to be so; for I love you proudly. And I think this + is but the beginning! What say you, Agricola? I am like the famished + wretches who have been some days without food. It is but by little and + little that they recover themselves, and can eat. Now, you may expect to + be tasted, my boy, morning and evening, and devoured during the day. No, I + wish not to think that—not all the day—no, that thought + dazzles and perplexes me; and I am no longer myself.” + </p> + <p> + These words of Dagobert caused a painful feeling to Agricola. He believed + that they sprang from a presentiment of the separation with which he was + menaced. + </p> + <p> + “Well,” continued Dagobert; “you are quite happy; M. Hardy is always good + to you.” + </p> + <p> + “Oh!” replied Agricola: “there is none in the world better, or more + equitable and generous! If you knew what wonders he has brought about in + his factory! Compared to all others, it is a paradise beside the stithies + of Lucifer!” + </p> + <p> + “Indeed!” said Dagobert. + </p> + <p> + “You shall see,” resumed Agricola, “what welfare, what joy, what + affection, are displayed upon the countenances of all whom he employs; who + work with an ardent pleasure. + </p> + <p> + “This M. Hardy of yours must be an out-and-out magician,” said Dagobert. + </p> + <p> + “He is, father, a very great magician. He has known how to render labor + pleasant and attractive. As for the pleasure, over and above good wages, + he accords to us a portion of his profits according to our deserts; whence + you may judge of the eagerness with which we go to work. And that is not + all: he has caused large, handsome buildings to be erected, in which all + his workpeople find, at less expense than elsewhere, cheerful and + salubrious lodgings, in which they enjoy all the advantages of an + association. But you shall see—I repeat—you shall see!” + </p> + <p> + “They have good reason to say, that Paris is the region of wonders,” + observed Dagobert. + </p> + <p> + “Well, behold me here again at last, never more to quit you, nor good + mother!” + </p> + <p> + “No, father, we will never separate again,” said Agricola, stifling a + sigh. “My mother and I will both try to make you forget all that you have + suffered.” + </p> + <p> + “Suffered!” exclaimed Dagobert, “who the deuce has suffered? Look me well + in the face; and see if I have a look of suffering! Bombs and bayonets! + Since I have put my foot here, I feel myself quite a young man again! You + shall see me march soon: I bet that I tire you out! You must rig yourself + up something extra! Lord, how they will stare at us! I wager that in + beholding your black moustache and my gray one, folks will say, behold + father and son! But let us settle what we are to do with the day. You will + write to the father of Marshal Simon, informing him the his + grand-daughters have arrived, and that it is necessary that he should + hasten his return to Paris; for he has charged himself with matters which + are of great importance for them. While you are writing, I will go down to + say good-morning to my wife, and to the dear little ones. We will then eat + a morsel. Your mother will go to mass; for I perceive that she likes to be + regular at that: the good soul! no great harm, if it amuse her! and during + her absence, we will make a raid together.” + </p> + <p> + “Father,” said Agricola, with embarrassment, “this morning it is out of my + power to accompany you.” + </p> + <p> + “How! out of your power?” said Dagobert; “recollect this is Monday!” + </p> + <p> + “Yes, father,” said Agricola, hesitatingly; “but I have promised to attend + all the morning in the workshop, to finish a job that is required in a + hurry. If I fail to do so, I shall inflict some injury upon M. Hardy. But + I’ll soon be at liberty.” + </p> + <p> + “That alters the case,” said Dagobert, with a sigh of regret. “I thought + to make my first parade through Paris with you this morning; but it must + be deferred in favor of your work. It is sacred: since it is that which + sustains your mother. Nevertheless, it is vexatious, devilish vexatious. + And yet no—I am unjust. See how quickly one gets habituated to and + spoilt by happiness. I growl like a true grumbler, at a walk being put off + for a few hours! I do this! I who, during eighteen years, have only hoped + to see you once more, without daring to reckon very much upon it! Oh! I am + but a silly old fool! Vive l’amour et cogni—I mean—my + Agricola!” And, to console himself, the old soldier gayly slapped his + son’s shoulder. + </p> + <p> + This seemed another omen of evil to the blacksmith; for he dreaded one + moment to another lest the fears of Mother Bunch should be realized. “Now + that I have recovered myself,” said Dagobert, laughing, “let us speak of + business. Know you where I find the addresses of all the notaries in + Paris?” + </p> + <p> + “I don’t know; but nothing is more easy than to discover it.” + </p> + <p> + “My reason is,” resumed Dagobert, “that I sent from Russia by post, and by + order of the mother of the two children that I have brought here, some + important papers to a Parisian notary. As it was my duty to see this + notary immediately upon my arrival, I had written his name and his address + in a portfolio, of which however, I have been robbed during my journey; + and as I have forgotten his devil of a name, it seems to me, that if I + should see it again in the list of notaries, I might recollect it.” + </p> + <p> + Two knocks at the door of the garret made Agricola start. He involuntarily + thought of a warrant for his apprehension. + </p> + <p> + His father, who, at the sound of the knocking turned round his head, had + not perceived his emotion, and said with a loud voice: “Come in!” The door + opened. It was Gabriel. He wore a black cassock and a broad brimmed hat. + </p> + <p> + To recognize his brother by adoption, and to throw himself into his arms, + were two movements performed at once by Agricola—as quick as + thought.—“My brother!” exclaimed Agricola. + </p> + <p> + “Agricola!” cried Gabriel. + </p> + <p> + “Gabriel!” responded the blacksmith. + </p> + <p> + “After so long an absence!” said the one. + </p> + <p> + “To behold you again!” rejoined the other. + </p> + <p> + Such were the words exchanged between the blacksmith and the missionary, + while they were locked in a close embrace. + </p> + <p> + Dagobert, moved and charmed by these fraternal endearments, felt his eyes + become moist. There was something truly touching in the affection of the + young men—in their hearts so much alike, and yet of characters and + aspects so very different—for the manly countenance of Agricola + contrasted strongly with the delicacy and angelic physiognomy of Gabriel. + </p> + <p> + “I was forewarned by my father of your arrival,” said the blacksmith at + length. “I have been expecting to see you; and my happiness has been a + hundred times the greater, because I have had all the pleasures of hoping + for it.” + </p> + <p> + “And my good mother?” asked Gabriel, in affectionately grasping the hands + of Dagobert. “I trust that you have found her in good health.” + </p> + <p> + “Yes, my brave boy!” replied Dagobert; “and her health will have become a + hundred times better, now that we are all together. Nothing is so + healthful as joy.” Then addressing himself to Agricola, who, forgetting + his fear of being arrested, regarded the missionary with an expression of + ineffable affection, Dagobert added: + </p> + <p> + “Let it be remembered, that, with the soft cheek of a young girl, Gabriel + has the courage of a lion; I have already told with what intrepidity he + saved the lives of Marshal Simon’s daughters, and tried to save mine + also.” + </p> + <p> + “But, Gabriel! what has happened to your forehead?” suddenly exclaimed + Agricola, who for a few seconds had been attentively examining the + missionary. + </p> + <p> + Gabriel, having thrown aside his hat on entering, was now directly beneath + the skylight of the garret apartment, the bright light through which shone + upon his sweet, pale countenance: and the round scar, which extended from + one eyebrow to the other, was therefore distinctly visible. + </p> + <p> + In the midst of the powerful and diversified emotion, and of the exciting + events which so rapidly followed the shipwreck on the rocky coast near + Cardoville House, Dagobert, during the short interview he then had with + Gabriel, had not perceived the scar which seamed the forehead of the young + missionary. Now, partaking, however, of the surprise of his son, Dagobert + said: + </p> + <p> + “Aye, indeed! how came this scar upon your brow?” + </p> + <p> + “And on his hands, too; see, dear father!” exclaimed the blacksmith, with + renewed surprise, while he seized one of the hands which the young priest + held out towards him in order to tranquillize his fears. + </p> + <p> + “Gabriel, my brave boy, explain this to us!” added Dagobert; “who has + wounded you thus?” and in his turn, taking the other hand of the + missionary, he examined the scar upon it with the eye of a judge of + wounds, and then added, “In Spain, one of my comrades was found and taken + down alive from a cross, erected at the junction of several roads, upon + which the monks had crucified, and left him to die of hunger, thirst, and + agony. Ever afterwards he bore scars upon his hands, exactly similar to + this upon your hand.” + </p> + <p> + “My father is right!” exclaimed Agricola. “It is evident that your hands + have been pierced through! My poor brother!” and Agricola became + grievously agitated. + </p> + <p> + “Do not think about it,” said Gabriel, reddening with the embarrassment of + modesty. “Having gone as a missionary amongst the savages of the Rocky + Mountains, they crucified me, and they had begun to scalp me, when + Providence snatched me from their hands.” + </p> + <p> + “Unfortunate youth,” said Dagobert; “without arms then? You had not a + sufficient escort for your protection?” + </p> +<div class="fig"> + <img src="images/10305m.jpg" alt="10305m " /><br /> + </div> + <h5> + <a href="images/10305.jpg"><i>Original</i></a> + </h5> + <p> + “It is not for such as me to carry arms.” said Gabriel, sweetly smiling; + “and we are never accompanied by any escort.” + </p> + <p> + “Well, but your companions, those who were along with you, how came it + that they did not defend you?” impetuously asked Agricola. + </p> + <p> + “I was alone, my dear brother.” + </p> + <p> + “Alone!” + </p> + <p> + “Yes, alone; without even a guide.” + </p> + <p> + “You alone! unarmed! in a barbarous country!” exclaimed Dagobert, scarcely + crediting a step so unmilitary, and almost distrusting his own sense of + hearing. + </p> + <p> + “It was sublime!” said the young blacksmith and poet. + </p> + <p> + “The Christian faith,” said Gabriel, with mild simplicity, “cannot be + implanted by force or violence. It is only by the power of persuasion that + the gospel can be spread amongst poor savages.” + </p> + <p> + “But when persuasions fail!” said Agricola. + </p> + <p> + “Why, then, dear brother, one has but to die for the belief that is in + him, pitying those who have rejected it, and who have refused the + blessings it offers to mankind.” + </p> + <p> + There was a period of profound silence after the reply of Gabriel, which + was uttered with simple and touching pathos. + </p> + <p> + Dagobert was in his own nature too courageous not to comprehend a heroism + thus calm and resigned; and the old soldier, as well as his son, now + contemplated Gabriel with the most earnest feelings of mingled admiration + and respect. + </p> + <p> + Gabriel, entirely free from the affection of false modesty, seemed quite + unconscious of the emotions which he had excited in the breasts of his two + friends; and he therefore said to Dagobert, “What ails you?” + </p> + <p> + “What ails me!” exclaimed the brave old soldier, with great emotion: + “After having been for thirty years in the wars, I had imagined myself to + be about as courageous as any man. And now I find I have a master! And + that master is yourself!” + </p> + <p> + “I!” said Gabriel; “what do you mean? What have I done?” + </p> + <p> + “Thunder, don’t you know that the brave wounds there” (the veteran took + with transport both of Gabriel’s hands), “that these wounds are as + glorious—are more glorious than our—than all ours, as warriors + by profession!” + </p> + <p> + “Yes! yes, my father speaks truth!” exclaimed Agricola; and he added, with + enthusiasm, “Oh, for such priests! How I love them! How I venerate them! + How I am elevated by their charity, their courage, their resignation!” + </p> + <p> + “I entreat you not to extol me thus,” said Gabriel with embarrassment. + </p> + <p> + “Not extol you!” replied Dagobert. “Hanged if I shouldn’t. When I have + gone into the heat of action, did I rush into it alone? Was I not under + the eyes of my commanding officer? Were not my comrades there along with + me? In default of true courage, had I not the instinct of self + preservation to spur me on, without reckoning the excitement of the shouts + and tumult of battle, the smell of the gunpowder, the flourishes of the + trumpets, the thundering of the cannon, the ardor of my horse, which + bounded beneath me as if the devil were at his tail? Need I state that I + also knew that the emperor was present, with his eye upon every one—the + emperor, who, in recompense for a hole being made in my tough hide, would + give me a bit of lace or a ribbon, as plaster for the wound. Thanks to all + these causes, I passed for game. Fair enough! But are you not a thousand + times more game than I, my brave boy; going alone, unarmed, to confront + enemies a hundred times more ferocious than those whom we attacked—we, + who fought in whole squadrons, supported by artillery, bomb-shells, and + case-shot?” + </p> + <p> + “Excellent father!” cried Agricola, “how noble of you to render to Gabriel + this justice!” + </p> + <p> + “Oh, dear brother,” said Gabriel, “his kindness to me makes him magnify + what was quite natural and simple!” + </p> + <p> + “Natural!” said the veteran soldier; “yes, natural for gallants who have + hearts of the true temper: but that temper is rare.” + </p> + <p> + “Oh, yes, very rare,” said Agricola; “for that kind of courage is the most + admirable of all. Most bravely did you seek almost certain death, alone, + bearing the cross in hand as your only weapon, to preach charity and + Christian brotherhood. They seized you, tortured you; and you await death + and partly endure it, without complaint, without remonstrance, without + hatred, without anger, without a wish for vengeance; forgiveness issuing + from your mouth, and a smile of pity beaming upon your lips; and this in + the depths of forests, where no one could witness your magnanimity,—none + could behold you—and without other desire, after you were rescued + than modestly to conceal blessed wounds under your black robe! My father + is right, by Jove! can you still contend that you are not as brave as he?” + </p> + <p> + “And besides, too,” resumed Dagobert, “the dear boy did all that for a + thankless paymaster; for it is true, Agricola, that his wounds will never + change his humble black robe of a priest into the rich robe of a bishop!” + </p> + <p> + “I am not so disinterested as I may seem to be,” said Gabriel to Dagobert, + smiling meekly. “If I am deemed worthy, a great recompense awaits me on + high.” + </p> + <p> + “As to all that, my boy,” said Dagobert, “I do not understand it; and I + will not argue about it. I maintain it, that my old cross of honor would + be at least as deservedly affixed to your cassock as upon my uniform.” + </p> + <p> + “But these recompenses are never conferred upon humble priests like + Gabriel,” said Agricola, “and if you did know, dear father, how much + virtue and valor is among those whom the highest orders in the priesthood + insolently call the inferior clergy,—the unseen merit and the blind + devotedness to be found amongst worthy, but obscure, country curates, who + are inhumanly treated and subjugated to a pitiless yoke by the lordly + lawnsleeves! Like us, those poor priests are worthy laborers in their + vocation; and for them, also, all generous hearts ought to demand + enfranchisement! Sons of common people, like ourselves, and useful as we + are, justice ought to be rendered both to them and to us. Do I say right, + Gabriel? You will not contradict it; for you have told me, that your + ambition would have been to obtain a small country curacy; because you + understand the good that you could work within it.” + </p> + <p> + “My desire is still the same,” said Gabriel sadly: “but unfortunately—” + and then, as if he wished to escape from a painful thought, and to change + the conversation, he, addressing himself to Dagobert, added: “Believe me: + be more just than to undervalue your own courage by exalting mine. Your + courage must be very great—very great; for, after a battle, the + spectacle of the carnage must be truly terrible to a generous and feeling + heart. We, at least, though we may be killed, do not kill.” + </p> + <p> + At these words of the missionary, the soldier drew himself up erect, + looked upon Gabriel with astonishment, and said, “This is most + surprising!” + </p> + <p> + “What is?” inquired Agricola. + </p> + <p> + “What Gabriel has just told us,” replied Dagobert, “brings to my mind what + I experienced in warfare on the battlefield in proportion as I advanced in + years. Listen, my children: more than once, on the night after a general + engagement, I have been mounted as a vidette,—alone,—by night,—amid + the moonlight, on the field of battle which remained in our possession, + and upon which lay the bodies of seven or eight thousand of the slain, + amongst whom were mingled the slaughtered remains of some of my old + comrades: and then this sad scene, when the profound silence has restored + me to my senses from the thirst for bloodshed and the delirious whirling + of my sword (intoxicated like the rest), I have said to myself, ‘for what + have these men been killed?—FOR WHAT—FOR WHAT?’ But this + feeling, well understood as it was, hindered me not, on the following + morning, when the trumpets again sounded the charge, from rushing once + more to the slaughter. But the same thought always recurred when my arm + became weary with carnage; and after wiping my sabre upon the mane of my + horse, I have said to myself, ‘I have killed!—killed!!—killed!!! + and, FOR WHAT!!!’” + </p> + <p> + The missionary and the blacksmith exchanged looks on hearing the old + soldier give utterance to this singular retrospection of the past. + </p> + <p> + “Alas!” said Gabriel to him, “all generous hearts feel as you did during + the solemn moments, when the intoxication of glory has subsided, and man + is left alone to the influence of the good instincts planted in his + bosom.” + </p> + <p> + “And that should prove, my brave boy,” rejoined Dagobert, “that you are + greatly better than I; for those noble instincts, as you call them, have + never abandoned you. * * * * But how the deuce did you escape from the + claws of the infuriated savages who had already crucified you?” + </p> + <p> + At this question of Dagobert, Gabriel started and reddened so visibly, + that the soldier said to him: “If you ought not or cannot answer my + request, let us say no more about it.” + </p> + <p> + “I have nothing to conceal, either from you or from my brother,” replied + the missionary with altered voice. “Only; it will be difficult for me to + make you comprehend what I cannot comprehend myself.” + </p> + <p> + “How is that?” asked Agricola with surprise. + </p> + <p> + “Surely,” said Gabriel, reddening more deeply, “I must have been deceived + by a fallacy of my senses, during that abstracted moment in which I + awaited death with resignation. My enfeebled mind, in spite of me, must + have been cheated by an illusion; or that, which to the present hour has + remained inexplicable, would have been more slowly developed; and I should + have known with greater certainty that it was the strange woman—” + </p> + <p> + Dagobert, while listening to the missionary, was perfectly amazed; for he + also had vainly tried to account for the unexpected succor which had freed + him and the two orphans from the prison at Leipsic. + </p> + <p> + “Of what woman do you speak?” asked Agricola. + </p> + <p> + “Of her who saved me,” was the reply. + </p> + <p> + “A woman saved you from the hands of the savages?” said Dagobert. + </p> + <p> + “Yes,” replied Gabriel, though absorbed in his reflections, “a woman, + young and beautiful!” + </p> + <p> + “And who was this woman?” asked Agricola. + </p> + <p> + “I know not. When I asked her, she replied, ‘I am the sister of the + distressed!’” + </p> + <p> + “And whence came she? Whither went she?” asked Dagobert, singularly + interested. + </p> + <p> + “‘I go wheresoever there is suffering,’ she replied,” answered the + missionary; “and she departed, going towards the north of America—towards + those desolate regions in which there is eternal snow, where the nights + are without end.” + </p> + <p> + “As in Siberia,” said Dagobert, who had become very thoughtful. + </p> + <p> + “But,” resumed Agricola, addressing himself to Gabriel, who seemed also to + have become more and more absorbed, “in what manner or by what means did + this woman come to your assistance?” + </p> + <p> + The missionary was about to reply to the last question, when there was + heard a gentle tap at the door of the garret apartment, which renewed the + fears that Agricola had forgotten since the arrival of his adopted + brother. “Agricola,” said a sweet voice outside the door, “I wish to speak + with you as soon as possible.” + </p> + <p> + The blacksmith recognized Mother Bunch’s voice, and opened the door. But + the young sempstress, instead of entering, drew back into the dark + passage, and said, with a voice of anxiety: “Agricola, it is an hour since + broad day, and you have not yet departed! How imprudent! I have been + watching below, in the street, until now, and have seen nothing alarming; + but they may come any instant to arrest you. Hasten, I conjure you, your + departure for the abode of Miss de Cardoville. Not a minute should be + lost.” + </p> + <p> + “Had it not been for the arrival of Gabriel, I should have been gone. But + I could not resist the happiness of remaining some little time with him.” + </p> + <p> + “Gabriel here!” said Mother Bunch, with sweet surprise; for, as has been + stated, she had been brought up with him and Agricola. + </p> + <p> + “Yes,” answered Agricola, “for half an hour he has been with my father and + me.” + </p> + <p> + “What happiness I shall have in seeing him again,” said the sewing-girl. + “He doubtless came upstairs while I had gone for a brief space to your + mother, to ask if I could be useful in any way on account of the young + ladies; but they have been so fatigued that they still sleep. Your mother + has requested me to give you this letter for your father. She has just + received it.” + </p> + <p> + “Thanks.” + </p> + <p> + “Well,” resumed Mother Bunch, “now that you have seen Gabriel, do not + delay long. Think what a blow it would be for your father, if they came to + arrest you in his very presence mon Dieu!” + </p> + <p> + “You are right,” said Agricola; “it is indispensable that I should depart—while + near Gabriel in spite of my anxiety, my fears were forgotten.” + </p> + <p> + “Go quickly, then; and if Miss de Cardoville should grant this favor, + perhaps in a couple of hours you will return, quite at ease both as to + yourself and us.” + </p> + <p> + “True! a very few minutes more; and I’ll come down.” + </p> + <p> + “I return to watch at the door. If I perceive anything. I’ll come up again + to apprise you. But pray, do not delay.” + </p> + <p> + “Be easy, good sister.” Mother Bunch hurriedly descended the staircase, to + resume her watch at the street door, and Agricola re-entered his garret. + “Dear father,” he said to Dagobert, “my mother has just received this + letter, and she requests you to read it.” + </p> + <p> + “Very well; read it for me, my boy.” And Agricola read as follows: + </p> + <p> + “MADAME.—I understand that your husband has been charged by General + Simon with an affair of very great importance. Will you, as soon as your + husband arrives in Paris, request him to come to my office at Chartres + without a moment’s delay. I am instructed to deliver to himself, and to no + other person, some documents indispensable to the interests of General + Simon. + </p> +<pre xml:space="preserve"> + “DURAND, Notary at Chartres.” + </pre> + <p> + Dagobert looked at his son with astonishment, and said to him, “Who can + have told this gentleman already of my arrival in Paris?” + </p> + <p> + “Perhaps, father,” said Agricola, “this is the notary to whom you + transmitted some papers, and whose address you have lost.” + </p> + <p> + “But his name was not Durand; and I distinctly recollect that his address + was Paris, not Chartres. And, besides,” said the soldier, thoughtfully, + “if he has some important documents, why didn’t he transmit them to me?” + </p> + <p> + “It seems to me that you ought not to neglect going to him as soon as + possible,” said Agricola, secretly rejoiced that this circumstance would + withdraw his father for about two days, during which time his (Agricola’s) + fate would be decided in one way or other. + </p> + <p> + “Your counsel is good,” replied his father. + </p> + <p> + “This thwarts your intentions in some degree?” asked Gabriel. + </p> + <p> + “Rather, my lads; for I counted upon passing the day with you. However, + ‘duty before everything.’ Having come happily from Siberia to Paris, it is + not for me to fear a journey from Paris to Chartres, when it is required + on an affair of importance. In twice twenty-four hours I shall be back + again. But the deuce take me if I expected to leave Paris for Chartres + to-day. Luckily, I leave Rose and Blanche with my good wife; and Gabriel, + their angel, as they call him, will be here to keep them company.” + </p> + <p> + “That is, unfortunately, impossible,” said the missionary, sadly. “This + visit on my arrival is also a farewell visit.” + </p> + <p> + “A farewell visit! Now!” exclaimed Dagobert and Agricola both at once. + </p> + <p> + “Alas, yes!” + </p> + <p> + “You start already on another mission?” said Dagobert; “surely it is not + possible?” + </p> + <p> + “I must answer no question upon this subject,” said Gabriel, suppressing a + sigh: “but from now, for some time, I cannot, and ought not, come again + into this house.” + </p> + <p> + “Why, my brave boy,” resumed Dagobert with emotion, “there is something in + thy conduct that savors of constraint, of oppression. I know something of + men. He you call superior, whom I saw for some moments after the shipwreck + at Cardoville Castle, has a bad look; and I am sorry to see you enrolled + under such a commander.” + </p> + <p> + “At Cardoville Castle!” exclaimed Agricola, struck with the identity of + the name with that of the young lady of the golden hair; “was it in + Cardoville Castle that you were received after your shipwreck?” + </p> + <p> + “Yes, my boy; why, does that astonish you?” asked Dagobert. + </p> + <p> + “Nothing father; but were the owners of the castle there at the time?” + </p> + <p> + “No; for the steward, when I applied to him for an opportunity to return + thanks for the kind hospitality we had experienced, informed me that the + person to whom the house belonged was resident at Paris.” + </p> + <p> + “What a singular coincidence,” thought Agricola, “if the young lady should + be the proprietor of the dwelling which bears her name!” + </p> + <p> + This reflection having recalled to Agricola the promise which he had made + to Mother Bunch, he said to Dagobert; “Dear father, excuse me; but it is + already late, and I ought to be in the workshop by eight o’clock.” + </p> + <p> + “That is too true, my boy. Let us go. This party is adjourned till my + return from Chartres. Embrace me once more, and take care of yourself.” + </p> + <p> + Since Dagobert had spoken of constraint and oppression to Gabriel, the + latter had continued pensive. At the moment when Agricola approached him + to shake hands, and to bid him adieu, the missionary said to him solemnly, + with a grave voice, and in a tone of decision that astonished both the + blacksmith and the soldier: “My dear brother, one word more. I have come + here to say to you also that within a few days hence I shall have need of + you; and of you also, my father (permit me so to call you),” added + Gabriel, with emotion, as he turned round to Dagobert. + </p> + <p> + “How! you speak thus to us!” exclaimed Agricola; “what is the matter?” + </p> + <p> + “Yes,” replied Gabriel, “I need the advice and assistance of two men of + honor—of two men of resolution;—and I can reckon upon you two—can + I not? At any hour, on whatever day it may be, upon a word from me, will + you come?” + </p> + <p> + Dagobert and his son regarded each other in silence, astonished at the + accents of the missionary. Agricola felt an oppression of the heart. If he + should be a prisoner when his brother should require his assistance, what + could be done? + </p> + <p> + “At every hour, by night or by day, my brave boy, you may depend upon us,” + said Dagobert, as much surprised as interested—“You have a father + and a brother; make your own use of them.” + </p> + <p> + “Thanks, thanks,” said Gabriel, “you set me quite at ease.” + </p> + <p> + “I’ll tell you what,” resumed the soldier, “were it not for your priest’s + robe, I should believe, from the manner in which you have spoken to us, + that you are about to be engaged in a duel—in a mortal combat.” + </p> + <p> + “In a duel?” said Gabriel, starting. “Yes; it may be a duel—uncommon + and fearful—at which it is necessary to have two witnesses such as + you—A FATHER and A BROTHER!” + </p> + <p> + Some instants afterwards, Agricola, whose anxiety was continually + increasing, set off in haste for the dwelling of Mademoiselle de + Cardoville, to which we now beg leave to take the reader. + </p> + <p> + <a name="link2HCH0033" id="link2HCH0033"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXXIII. THE PAVILION. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">D</span>izier House was one of the largest and handsomest in the Rue Babylone, in + Paris. Nothing could be more severe, more imposing, or more depressing + than the aspect of this old mansion. Several immense windows, filled with + small squares of glass, painted a grayish white, increased the sombre + effect of the massive layers of huge stones, blackened by time, of which + the fabric was composed. + </p> + <p> + This dwelling bore a resemblance to all the others that had been erected + in the same quarter towards the middle of the last century. It was + surmounted in front by a pediment; it had an elevated ground floor, which + was reached from the outside by a circular flight of broad stone steps. + One of the fronts looked on an immense court-yard, on each side of which + an arcade led to the vast interior departments. The other front overlooked + the garden, or rather park, of twelve or fifteen roods; and, on this side, + wings, approaching the principal part of the structure, formed a couple of + lateral galleries. Like nearly all the other great habitations of this + quarter, there might be seen at the extremity of the garden, what the + owners and occupiers of each called the lesser mansion. + </p> + <p> + This extension was a Pompadour summer-house, built in the form of a + rotunda, with the charming though incorrect taste of the era of its + erection. It presented, in every part where it was possible for the stones + to be cut, a profusion of endives, knots of ribbons, garlands of flowers, + and chubby cupids. This pavilion, inhabited by Adrienne de Cardoville was + composed of a ground floor, which was reached by a peristyle of several + steps. A small vestibule led to a circular hall, lighted from the roof. + Four principal apartments met here; and ranges of smaller rooms, concealed + in the upper story, served for minor purposes. + </p> +<div class="fig"> + <img src="images/10315m.jpg" alt="10315m " /><br /> + </div> + <h5> + <a href="images/10315.jpg"><i>Original</i></a> + </h5> + <p> + These dependencies of great habitations are in our days disused, or + transformed into irregular conservatories; but by an uncommon exception, + the black exterior of the pavilion had been scraped and renewed, and the + entire structure repaired. The white stones of which it was built + glistened like Parian marble; and its renovated, coquettish aspect + contrasted singularly with the gloomy mansion seen at the other extremity + of an extensive lawn, on which were planted here and there gigantic clumps + of verdant trees. + </p> + <p> + The following scene occurred at this residence on the morning following + that of the arrival of Dagobert, with the daughters of Marshal Simon, in + the Rue Brise-Miche. The hour of eight had sounded from the steeple of a + neighboring church; a brilliant winter sun arose to brighten a pure blue + sky behind the tall leafless trees, which in summer formed a dome of + verdure over the summer-house. The door in the vestibule opened, and the + rays of the morning sun beamed upon a charming creature, or rather upon + two charming creatures, for the second one, though filling a modest place + in the scale of creation, was not less distinguished by beauty of its own, + which was very striking. In plain terms two individuals, one of them a + young girl, and the other a tiny English dog, of great beauty, of that + breed of spaniels called King Charles’s, made their appearance under the + peristyle of the rotunda. The name of the young girl was Georgette; the + beautiful little spaniel’s was Frisky. Georgette was in her eighteenth + year. Never had Florine or Manton, never had a lady’s maid of Marivaux, a + more mischievous face, an eye more quick, a smile more roguish, teeth more + white, cheeks more roseate, figure more coquettish, feet smaller, or form + smarter, attractive, and enticing. Though it was yet very early, Georgette + was carefully and tastefully dressed. A tiny Valenciennes cap, with flaps + and flap-band, of half peasant fashion, decked with rose-colored ribbons, + and stuck a little backward upon bands of beautiful fair hair, surrounded + her fresh and piquant face; a robe of gray levantine, and a cambric + neck-kerchief, fastened to her bosom by a large tuft of rose-colored + ribbons, displayed her figure elegantly rounded; a hollands apron, white + as snow, trimmed below by three large hems, surmounted by a Vandyke-row, + encircled her waist, which was as round and flexible as a reed; her short, + plain sleeves, edged with bone lace, allowed her plump arms to be seen, + which her long Swedish gloves, reaching to the elbow, defended from the + rigor of the cold. When Georgette raised the bottom of her dress, in order + to descend more quickly the steps, she exhibited to Frisky’s indifferent + eyes a beautiful ankle, and the beginning of the plump calf of a fine leg, + encased in white silk, and a charming little foot, in a laced half-boot of + Turkish satin. When a blonde like Georgette sets herself to be ensnaring; + when vivid glances sparkle from her eyes of bright yet tender blue; when a + joyous excitement suffuses her transparent skin, she is more resistless + for the conquest of everything before her than a brunette. + </p> +<div class="fig"> + <img src="images/10319m.jpg" alt="10319m " /><br /> + </div> + <h5> + <a href="images/10319.jpg"><i>Original</i></a> + </h5> + <p> + This bewitching and nimble lady’s-maid, who on the previous evening had + introduced Agricola to the pavilion, was first waiting woman to the + Honorable Miss Adrienne de Cardoville, niece of the Princess Saint Dizier. + </p> + <p> + Frisky, so happily found and brought back by the blacksmith, uttered weak + but joyful barks, and bounded, ran, and frolicked upon the turf. She was + not much bigger than one’s fist; her curled hair, of lustrous black, shone + like ebony, under the broad, red satin ribbon which encircled her neck; + her paws, fringed with long silken fur, were of a bright and fiery tan, as + well as her muzzle, the nose of which was inconceivably pug; her large + eyes were full of intelligence; and her curly ears so long that they + trailed upon the ground. Georgette seemed to be as brisk and petulant as + Frisky, and shared her sportiveness,—now scampering after the happy + little spaniel, and now retreating, in order to be pursued upon the + greensward in her turn. All at once, at the sight of a second person, who + advanced with deliberate gravity, Georgette and Frisky were suddenly + stopped in their diversion. The little King Charles, some steps in advance + of Georgette, faithful to her name, and bold as the devil, held herself + firmly upon her nervous paws, and fiercely awaited the coming up of the + enemy, displaying at the same time rows of little teeth, which, though of + ivory, were none the less pointed and sharp. The enemy consisted of a + woman of mature age, accompanied by a very fat dog, of the color of coffee + and milk; his tail was twisted like a corkscrew; he was pot-bellied; his + skin was sleek; his neck was turned little to one side; he walked with his + legs inordinately spread out, and stepped with the air of a doctor. His + black muzzle, quarrelsome and scowling showed two fangs sallying forth, + and turning up from the left side of the mouth, and altogether he had an + expression singularly forbidding and vindictive. This disagreeable animal, + a perfect type of what might be called a “church-goer’s pug,” answered to + the name of “My Lord.” His mistress, a woman of about fifty years of age, + corpulent and of middle size, was dressed in a costume as gloomy and + severe as that of Georgette was gay and showy. It consisted of a brown + robe, a black silk mantle, and a hat of the same dye. The features of this + woman might have been agreeable in her youth; and her florid cheeks, her + correct eyebrows, her black eyes, which were still very lively, scarcely + accorded with the peevish and austere physiognomy which she tried to + assume. This matron, of slow and discreet gait, was Madame Augustine + Grivois, first woman to the Princess Saint-Dizier. Not only did the age, + the face, and the dress of these two women present a striking contrast; + but the contrast extended itself even to the animals which attended them. + There were similar differences between Frisky and My Lord, as between + Georgette and Mrs. Grivois. When the latter perceived the little King + Charles, she could not restrain a movement of surprise and repugnance, + which escaped not the notice of the young lady’s maid. Frisky, who had not + retreated one inch, since the apparition of My Lord, regarded him + valiantly, with a look of defiance, and even advanced towards him with an + air so decidedly hostile, that the cur, though thrice as big as the little + King Charles, uttered a howl of distress and terror, and sought refuge + behind Mrs. Grivois, who bitterly said to Georgette: + </p> + <p> + “It seems to me, miss, that you might dispense with exciting your dog + thus, and setting him upon mine.” + </p> + <p> + “It was doubtless for the purpose of protecting this respectable but ugly + animal from similar alarms, that you tried to make us lose Frisky + yesterday, by driving her into the street through the little garden gate. + But fortunately an honest young man found Frisky in the Rue de Babylone, + and brought her back to my mistress. However,” continued Georgette, “to + what, madame, do I owe the pleasure of seeing you this morning?” + </p> + <p> + “I am commanded by the Princess,” replied Mrs. Grivois, unable to conceal + a smile of triumphant satisfaction, “immediately to see Miss Adrienne. It + regards a very important affair, which I am to communicate only to + herself.” + </p> + <p> + At these words Georgette became purple, and could not repress a slight + start of disquietude, which happily escaped Grivois, who was occupied with + watching over the safety of her pet, whom Frisky continued to snarl at + with a very menacing aspect; and Georgette, having quickly overcome her + temporary emotion, firmly answered: “Miss Adrienne went to rest very late + last night. She has forbidden me to enter her apartment before mid day.” + </p> + <p> + “That is very possible: but as the present business is to obey an order of + the Princess her aunt, you will do well if you please, miss, to awaken + your mistress immediately.” + </p> + <p> + “My mistress is subject to no one’s orders in her own house; and I will + not disturb her till mid-day, in pursuance of her commands,” replied + Georgette. + </p> + <p> + “Then I shall go myself,” said Mrs. Grivois. + </p> + <p> + “Florine and Hebe will not admit you. Indeed, here is the key of the + saloon; and through the saloon only can the apartments of Miss Adrienne be + entered.” + </p> + <p> + “How! do you dare refuse me permission to execute the orders of the + Princess?” + </p> + <p> + “Yes; I dare to commit the great crime of being unwilling to awaken my + mistress!” + </p> + <p> + “Ah! such are the results of the blind affection of the Princess for her + niece,” said the matron, with affected grief: “Miss Adrienne no longer + respects her aunt’s orders; and she is surrounded by young hare-brained + persons, who, from the first dawn of morning, dress themselves out as if + for ball-going.” + </p> + <p> + “Oh, madame! how came you to revile dress, who were formerly the greatest + coquette and the most frisky and fluttering of all the Princess’s women. + At least, that is what is still spoken of you in the hotel, as having been + handed down from time out of mind, by generation to generation, even unto + ours!” + </p> + <p> + “How! from generation to generation! do you mean to insinuate that I am a + hundred years old, Miss Impertinence?” + </p> + <p> + “I speak of the generations of waiting-women; for, except you, it is the + utmost if they remain two or three years in the Princess’s house, who has + too many tempers for the poor girls!” + </p> + <p> + “I forbid you to speak thus of my mistress, whose name some people ought + not to pronounce but on their knees.” + </p> + <p> + “However,” said Georgette, “if one wished to speak ill of—” + </p> + <p> + “Do you dare!” + </p> + <p> + “No longer ago than last night, at half past eleven o’clock—” + </p> + <p> + “Last night?” + </p> + <p> + “A four-wheeler,” continued Georgette, “stopped at a few paces from the + house. A mysterious personage, wrapped up in a cloak, alighted from it, + and directly tapped, not at the door, but on the glass of the porter’s + lodge window; and at one o’clock in the morning, the cab was still + stationed in the street, waiting for the mysterious personage in the + cloak, who, doubtless, during all that time, was, as you say, pronouncing + the name of her Highness the Princess on his knees.” + </p> + <p> + Whether Mrs. Grivois had not been instructed as to a visit made to the + Princess Saint-Dizier by Rodin (for he was the man in the cloak), in the + middle of the night, after he had become certain of the arrival in Paris + of General Simon’s daughters; or whether Mrs. Grivois thought it necessary + to appear ignorant of the visit, she replied, shrugging her shoulders + disdainfully: “I know not what you, mean, madame. I have not come here to + listen to your impertinent stuff. Once again I ask you—will you, or + will you not, introduce me to the presence of Miss Adrienne?” + </p> + <p> + “I repeat, madame, that my mistress sleeps, and that she has forbidden me + to enter her bed-chamber before mid-day.” + </p> + <p> + This conversation took place at some distance from the summer-house, at a + spot from which the peristyle could be seen at the end of a grand avenue, + terminating in trees arranged in form of a V. All at once Mrs. Grivois, + extending her hand in that direction, exclaimed: “Great heavens! is it + possible? what have I seen?” + </p> + <p> + “What have you seen?” said Georgette, turning round. + </p> + <p> + “What have I seen?” repeated Mrs. Grivois, with amazement. + </p> + <p> + “Yes: what was it?” + </p> + <p> + “Miss Adrienne.” + </p> + <p> + “Where?” asked Georgette. + </p> + <p> + “I saw her run up the porch steps. I perfectly recognized her by her gait, + by her hat, and by her mantle. To come home at eight o’clock in the + morning!” cried Mrs. Grivois: “it is perfectly incredible!” + </p> + <p> + “See my lady? Why, you came to see her!” and Georgette burst out into fits + of laughter: and then said: “Oh! I understand! you wish to out-do my story + of the four-wheeler last night! It is very neat of you!” + </p> + <p> + “I repeat,” said Mrs. Grivois, “that I have this moment seen—” + </p> + <p> + “Oh! adone, Mrs. Grivois: if you speak seriously, you are mad!” + </p> + <p> + “I am mad, am I? because I have a pair of good eyes! The little gate that + open’s on the street lets one into the quincunx near the pavilion. It is + by that door, doubtless, that mademoiselle has re-entered. Oh, what + shameful conduct! what will the Princess say to it! Ah! her presentiments + have not yet been mistaken. See to what her weak indulgence of her niece’s + caprices has led her! It is monstrous!—so monstrous, that, though I + have seen her with my own eyes, still I can scarcely believe it!” + </p> + <p> + “Since you’ve gone so far, ma’am, I now insist upon conducting you into + the apartment of my lady, in order that you may convince yourself, by your + own senses, that your eyes have deceived you!” + </p> + <p> + “Oh, you are very cunning, my dear, but not more cunning than I! You + propose my going now! Yes, yes, I believe you: you are certain that by + this time I shall find her in her apartment!” + </p> + <p> + “But, madame, I assure you—” + </p> + <p> + “All that I can say to you is this: that neither you, nor Florine, nor + Hebe, shall remain here twenty-four hours. The Princess will put an end to + this horrible scandal; for I shall immediately inform her of what has + passed. To go out in the night! Re-enter at eight o’clock in the morning! + Why, I am all in a whirl! Certainly, if I had not seen it with my own + eyes, I could not have believed it! Still, it is only what was to be + expected. It will astonish nobody. Assuredly not! All those to whom I am + going to relate it, will say, I am quite sure, that it is not at all + astonishing! Oh! what a blow to our respectable Princess! What a blow for + her!” + </p> + <p> + Mrs. Grivois returned precipitately towards the mansion, followed by her + fat pug, who appeared to be as embittered as herself. + </p> + <p> + Georgette, active and light, ran, on her part, towards the pavilion, in + order to apprise Miss de Cardoville that Mrs. Grivois had seen her, or + fancied she had seen her, furtively enter by the little garden gate. + </p> + <p> + <a name="link2HCH0034" id="link2HCH0034"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXXIV. ADRIENNE AT HER TOILET. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span>bout an hour had elapsed since Mrs. Grivois had seen or pretended to have + seen Adrienne de Cardoville re-enter in the morning the extension of + Saint-Dizier House. + </p> + <p> + It is for the purpose, not of excusing, but of rendering intelligible, the + following scenes, that it is deemed necessary to bring out into the light + some striking peculiarities in the truly original character of Miss de + Cardoville. + </p> + <p> + This originality consisted in an excessive independence of mind, joined to + a natural horror of whatsoever is repulsive or deformed, and to an + insatiable desire of being surrounded by everything attractive and + beautiful. The painter most delighted with coloring and beauty, the + sculptor most charmed by proportions of form, feel not more than Adrienne + did the noble enthusiasm which the view of perfect beauty always excites + in the chosen favorites of nature. + </p> + <p> + And it was not only the pleasures of sight which this young lady loved to + gratify: the harmonious modulations of song, the melody of instruments, + the cadences of poetry, afforded her infinite pleasures; while a harsh + voice or a discordant noise made her feel the same painful impression, or + one nearly as painful as that which she involuntarily experienced from the + sight of a hideous object. Passionately fond of flowers, too, and of their + sweet scents, there are some perfumes which she enjoyed equally with the + delights of music or those of plastic beauty. It is necessary, alas, to + acknowledge one enormity: Adrienne was dainty in her food! She valued more + than any one else the fresh pulp of handsome fruit, the delicate savor of + a golden pheasant, cooked to a turn, and the odorous cluster of a generous + vine. + </p> + <p> + But Adrienne enjoyed all these pleasures with an exquisite reserve. She + sought religiously to cultivate and refine the senses given her. She would + have deemed it black ingratitude to blunt those divine gifts by excesses, + or to debase them by unworthy selections of objects upon which to exercise + them; a fault from which, indeed, she was preserved by the excessive and + imperious delicacy of her taste. + </p> + <p> + The BEAUTIFUL and the UGLY occupied for her the places which GOOD and EVIL + holds for others. + </p> + <p> + Her devotion to grace, elegance, and physical beauty, had led her also to + the adoration of moral beauty; for if the expression of a low and bad + passion render uncomely the most beautiful countenances, those which are + in themselves the most ugly are ennobled, on the contrary, by the + expression of good feelings and generous sentiments. + </p> + <p> + In a word, Adrienne was the most complete, the most ideal personification + of SENSUALITY—not of vulgar, ignorant, non intelligent, mistaken + sensuousness which is always deceit ful and corrupted by habit or by the + necessity for gross and ill-regulated enjoyments, but that exquisite + sensuality which is to the senses what intelligence is to the soul. + </p> + <p> + The independence of this young lady’s character was extreme. Certain + humiliating subjections imposed upon her success by its social position, + above all things were revolting to her, and she had the hardihood to + resolve to withdraw herself from them. She was a woman, the most womanish + that it is possible to imagine—a woman in her timidity as well as in + her audacity—a woman in her hatred of the brutal despotism of men, + as well as in her intense disposition to self-devoting herself, madly even + and blindly, to him who should merit such a devotion from her—a + woman whose piquant wit was occasionally paradoxical—a superior + woman, in brief, who entertained a well-grounded disdain and contempt for + certain men either placed very high or greatly adulated, whom she had from + time to time met in the drawing-room of her aunt, the Princess + Saint-Dizier, when she resided with her. + </p> + <p> + These indispensable explanations being given, we usher, the reader into + the presence of Adrienne de Cardoville, who had just come out of the bath. + </p> + <p> + It would require all the brilliant colorings of the Venetian school to + represent that charming scene, which would rather seem to have occurred in + the sixteenth century, in some palace of Florence or Bologna, than in + Paris, in the Faubourg Saint-Germain, in the month of February, 1832. + </p> + <p> + Adrienne’s dressing-room was a kind of miniature temple seemingly one + erected and dedicated to the worship of beauty, in gratitude to the Maker + who has lavished so many charms upon woman, not to be neglected by her, or + to cover and conceal them with ashes, or to destroy them by the contact of + her person with sordid and harsh haircloth; but in order that, with + fervent gratitude for the divine gifts wherewith she is endowed, she may + enhance her charms with all the illusions of grace and all the splendors + of apparel, so as to glorify the divine work of her own perfections in the + eyes of all. Daylight was admitted into this semicircular apartment, + through one of those double windows, contrived for the preservation of + heat, so happily imported from Germany. The walls of the pavilion being + constructed of stone of great thickness, the depth of the aperture for the + windows was therefore very great. That of Adrienne’s dressing-room was + closed on the outside by a sash containing a single large pane of plate + glass, and within, by another large plate of ground glass. In the interval + or space of about three feet left between these two transparent + enclosures, there was a case or box filled with furze mould, whence sprung + forth climbing plants, which, directed round the ground glass, formed a + rich garland of leaves and flowers. A garnet damask tapestry, rich with + harmoniously blended arabesques, in the purest style, covered the walls + and a thick carpet of similar color was extended over the floor: and this + sombre ground, presented by the floor and walls, marvellously enhanced the + effects of all the harmonious ornaments and decorations of the chamber. + </p> +<div class="fig"> + <img src="images/10327m.jpg" alt="10327m " /><br /> + </div> + <h5> + <a href="images/10327.jpg"><i>Original</i></a> + </h5> + <p> + Under the window, opposite to the south, was placed Adrienne’s dressing + case, a real masterpiece of the skill of the goldsmith. Upon a large + tablet of lapis-lazuli, there were scattered boxes of jewels, their lids + precisely enamelled; several scent boxes of rock crystal, and other + implements and utensils of the toilet, some formed of shells, some of + mother-of-pearl, and others of ivory, covered with ornaments of gold in + extraordinary taste. Two large figures, modelled in silver with antique + purity; supported an oval swing mirror, which had for its rim, in place of + a frame curiously carved, a fresh garland of natural flowers, renewed + every day like a nosegay for a ball. + </p> + <p> + Two enormous Japanese vases, of purple and gold, three feet each in + diameter, were placed upon the carpet on each side of the toilet, and, + filled with camellias, ibiscures, and cape jasmine, in full flower formed + a sort of grove, diversified with the most brilliant colors. At the + farther end of the apartment, opposite the casement, was to be seen, + surrounded by another mass of flowers, a reduction in white marble of the + enchanting group of Daphnis and Chloe, the more chaste ideal of graceful + modesty and youthful beauty. + </p> + <p> + Two golden lamps burned perfumes upon the same pedestal which supported + those two charming figures. A coffer of frosted silver, set off with small + figures in jewelry and precious stones, and supported on four feet of gilt + bronze, contained various necessaries for the toilette; two frosted + Psyches, decorated with diamond ear-rings; some excellent drawings from + Raphael and Titian, painted by Adrienne herself, consisting of portraits + of both men and women of exquisite beauty; several consoles of oriental + jasper, supporting ewers and basins of silver and of silver gilt, richly + chased and filled with scented waters; a voluptuously rich divan, some + seats, and an illuminated gilt fable, completed the furniture of this + chamber, the atmosphere of which was impregnated with the sweetest + perfumes. + </p> + <p> + Adrienne, whom her attendants had just helped from the bath, was seated + before her toilette, her three women surrounding her. By a caprice, or + rather by a necessary and logical impulse of her soul, filled as it was + with the love of beauty and of harmony in all things, Adrienne had wished + the young women who served her to be very pretty, and be dressed with + attention and with a charming originality. We have already seen Georgette, + a piquante blonde, attired in her attractive costume of an intriguing + lady’s maid of Marivaux; and her two companions were quite equal to her + both in gracefulness and gentility. + </p> + <p> + One of them, named Florine, a tall, delicately slender, and elegant girl, + with the air and form of Diana Huntress, was of a pale brown complexion. + Her thick black hair was turned up behind, where it was fastened with a + long golden pin. Like the two other girls, her arms were uncovered to + facilitate the performance of her duties about and upon the person of her + charming mistress. She wore a dress of that gay green so familiar to the + Venetian painters. Her petticoat was very ample. Her slender waist curved + in from under the plaits of a tucker of white cambric, plaited in five + minute folds, and fastened by five gold buttons. The third of Adrienne’s + women had a face so fresh and ingenuous, a waist so delicate, so pleasing, + and so finished, that her mistress had given her the name of Hebe. Her + dress of a delicate rose color, and Grecian cut, displayed her charming + neck, and her beautiful arms up to the very shoulders. The physiognomy of + these three young women was laughter loving and happy. On their features + there was no expression of that bitter sullenness, willing and hated + obedience, or offensive familiarity, or base and degraded deference, which + are the ordinary results of a state of servitude. In the zealous eagerness + of the cares and attentions which they lavished upon Adrienne, there + seemed to be at least as much of affection as of deference and respect. + They appeared to derive an ardent pleasure from the services which they + rendered to their lovely mistress. One would have thought that they + attached to the dressing and embellishment of her person all the merits + and the enjoyment arising from the execution of a work of art, in the + accomplishing of which, fruitful of delights, they were stimulated by the + passions of love, of pride, and of joy. + </p> + <p> + The sun beamed brightly upon the toilet-case, placed in front of the + window. Adrienne was seated on a chair, its back elevated a little more + than usual. She was enveloped in a long morning-gown of blue silk, + embroidered with a leaf of the same color, which was fitted close to her + waist, as exquisitely slender and delicate as that of a child of twelve + years, by a girdle with floating tags. Her neck, delicately slender and + flexible as a bird’s, was uncovered, as were also her shoulders and arms, + and all were of incomparable beauty. Despite the vulgarity of the + comparison, the purest ivory alone can give an idea of the dazzling + whiteness of her polished satin skin, of a texture so fresh and so firm, + that some drops of water, collected and still remaining about the roots of + her hair from the bath, rolled in serpentine lines over her shoulders, + like pearls, or beads, of crystal, over white marble. + </p> + <p> + And what gave enhanced lustre to this wondrous carnation, known but to + auburn-headed beauties, was the deep purple of her, humid lips,—the + roseate transparency of her small ears, of her dilated nostrils, and her + nails, as bright and glossy, as if they had been varnished. In every spot, + indeed, where her pure arterial blood, full of animation and heat, could + make its way to the skin and shine through the surface, it proclaimed her + high health and the vivid life and joyous buoyancy of her glorious youth. + Her eyes were very large, and of a velvet softness. Now they glanced, + sparkling and shining with comic humor or intelligence and wit; and now + they widened and extended themselves, languishing and swimming between + their double fringes of long crisp eyelashes, of as deep a black as her + finely-drawn and exquisitely arched eyebrows; for, by a delightful freak + of nature, she had black eyebrows and eyelashes to contrast with the + golden red of her hair. Her forehead, small like those of ancient Grecian + statues, formed with the rest of her face a perfect oval. Her nose, + delicately curved, was slightly aquiline; the enamel of her teeth + glistened when the light fell upon them; and her vermeil mouth + voluptuously sensual, seemed to call for sweet kisses, and the gay smiles + and delectations of dainty and delicious pleasure. It is impossible to + behold or to conceive a carriage of the head freer, more noble, or more + elegant than hers; thanks to the great distance which separated the neck + and the ear from their attachment to her outspread and dimpled shoulders. + We have already said that Adrienne was red-haired; but it was the redness + of many of the admirable portraits of women by Titian and Leonardo da + Vinci,—that is to say, molten gold presents not reflections more + delightfully agreeable or more glittering, than the naturally undulating + mass of her very long hair, as soft and fine as silk, so long, that, when + let loose, it reached the floor; in it, she could wholly envelop herself, + like another Venus arising from the sea. At the present moment, Adrienne’s + tresses were ravishing to behold; Georgette, her arms bare, stood behind + her mistress, and had carefully collected into one of her small white + hands, those splendid threads whose naturally ardent brightness was + doubled in the sunshine. When the pretty lady’s-maid pulled a comb of + ivory into the midst of the undulating and golden waves of that enormously + magnificent skein of silk, one might have said that a thousand sparks of + fire darted forth and coruscated away from it in all directions. The + sunshine, too, reflected not less golden and fiery rays from numerous + clusters of spiral ringlets, which, divided upon Adrienne’s forehead, fell + over her cheeks, and in their elastic flexibility caressed the risings of + her snowy bosom, to whose charming undulations they adapted and applied + themselves. Whilst Georgette, standing, combed the beautiful locks of her + mistress, Hebe, with one knee upon the floor, and having upon the other + the sweet little foot of Miss Cardoville, busied herself in fitting it + with a remarkably small shoe of black satin, and crossed its slender ties + over a silk stocking of a pale yet rosy flesh color, which imprisoned the + smallest and finest ankle in the world. Florine, a little farther back, + presented to her mistress, in a jeweled box, a perfumed paste, with which + Adrienne slightly rubbed her dazzling hands and outspread fingers, which + seemed tinted with carmine to their extremities. Let us not forget Frisky, + who, couched in the lap of her mistress, opened her great eyes with all + her might, and seemed to observe the different operations of Adrienne’s + toilette with grave and reflective attention. A silver bell being sounded + from without, Florine, at a sign from her mistress, went out and presently + returned, bearing a letter upon a small silver-gilt salve. Adrienne, while + her women continued fitting on her shoes, dressing her hair, and arranging + her in her habiliments, took the letter, which was written by the steward + of the estate of Cardoville, and read aloud as follows: + </p> + <p> + “HONORED MADAME, + </p> + <p> + “Knowing your goodness of heart and generosity, I venture to address you + with respectful confidence. During twenty years I served the late Count + and Duke of Cardoville, your noble father, I believe I may truly say, with + probity and zeal. The castle is now sold; so that I and my wife, in our + old age, behold ourselves about to be dismissed, and left destitute of all + resources: which, alas! is very hard at our time of life.” + </p> + <p> + “Poor creature!” said Adrienne, interrupting herself in reading: “my + father, certainly, always prided himself upon their devotion to him, and + their probity.” She continued: + </p> + <p> + “There does, indeed, remain to us a means of retaining our place here; but + it would constrain us to be guilty of baseness; and, be the consequences + to us what they may, neither I nor my wife wish to purchase our bread at + such a price.” + </p> + <p> + “Good, very good,” said Adrienne, “always the same—dignity even in + poverty—it is the sweet perfume of a flower, not the less sweet + because it has bloomed in a meadow.” + </p> + <p> + “In order to explain to you, honored madame, the unworthy task exacted + from us, it is necessary to inform you, in the first place, that M. Rodin + came here from Paris two days ago.” + </p> + <p> + “Ah! M. Rodin!” said Mademoiselle de Cardoville, interrupting herself + anew; “the secretary of Abbe d’Aigrigny! I am not at all surprised at him + being engaged in a perfidious or black intrigue. But let us see.” + </p> + <p> + “M. Rodin came from Paris to announce to us that the estate was sold, and + that he was sure of being able to obtain our continuance in our place, if + we would assist him in imposing a priest not of good character upon the + new proprietress as her future confessor; and if, the better to attain + this end, we would consent to calumniate another priest, a deserving and + excellent man, much loved and much respected in the country. Even that is + not all. I was required to write twice or thrice a week to M. Rodin, and + to relate to him everything that should occur in the house. I ought to + acknowledge, honored madame, that these infamous proposals were as much as + possible disguised and dissimulated under sufficiently specious pretexts; + but, notwithstanding the aspect which with more or less skill it was + attempted to give to the affair, it was precisely and substantially what I + have now had the honor of stating to you.” + </p> + <p> + “Corruption, calumny, and false and treacherous impeachment!” said + Adrienne, with disgust: “I cannot think of such wretches without + involuntarily feeling my mind shocked by dismal ideas of black, venomous, + and vile reptiles, of aspects most hideous indeed. How much more do I love + to dwell upon the consoling thought of honest Dupont and his wife!” + Adrienne proceeded: + </p> + <p> + “Believe me, we hesitated not an instant. We quit Cardoville, which has + been our home for the last twenty years;—but we shall quit it like + honest people, and with the consciousness of our integrity. And now, + honored madame, if, in the brilliant circle in which you move—you, + who are so benevolent and amiable—could find a place for us by your + recommendation, then, with endless gratitude to you, we shall escape from + a position of most cruel embarrassment.” + </p> + <p> + “Surely, surely,” said Adrienne, “they shall not in vain appeal to me. To + wrest excellent persons from the grip of M. Rodin, is not only a duty but + a pleasure: for it is at once a righteous and a dangerous enterprise; and + dearly do I love to brave powerful oppressors!” Adrienne again went on + reading: + </p> + <p> + “After having thus spoken to you of ourselves, honored madame, permit us + to implore your protection for other unfortunates; for it would be wicked + to think only of one’s self. Three days ago, two shipwrecks took place + upon our ironbound coast. A few passengers only were saved, and were + conducted hither, where I and my wife gave them all necessary attentions. + All these passengers have departed for Paris, except one, who still + remains, his wounds having hitherto prevented him from leaving the house, + and, indeed, they will constrain him to remain for some days to come. He + is a young East Indian prince, of about twenty years of age, and he + appears to be as amiable and good as he is handsome, which is not a little + to say, though he has a tawny skin, like the rest of his countrymen, as I + understand.” + </p> + <p> + “An Indian prince! twenty years of age! young, amiable, and handsome!” + exclaimed Adrienne, gayly; “this is quite delightful, and not at all of an + ordinary or vulgar nature! Oh! this Indian prince has already awakened all + my sympathies! But what can I do with this Adonis from the banks of the + Ganges, who has come to wreck himself upon the Picardy coast?” + </p> + <p> + Adrienne’s three women looked at her with much astonishment, though they + were accustomed to the singular eccentricities of her character. + </p> + <p> + Georgette and Hebe even indulged in discreet and restrained smiles. + Florine, the tall and beautiful pale brown girl, also smiled like her + pretty companions; but it was after a short pause of seeming reflection, + as if she had previously been entirely engrossed in listening to and + recollecting the minutest words of her mistress, who, though powerfully + interested by the situation of the “Adonis from Ganges banks,” as she had + called him, continued to read Dupont’s letter: + </p> + <p> + “One of the countrymen of the Indian prince, who has also remained to + attend upon him, has given me to understand that the youthful prince has + lost in the shipwreck all he possessed, and knows not how to get to Paris, + where his speedy presence is required by some affairs of the very greatest + importance. It is not from the prince himself that I have obtained this + information: no; he appears to be too dignified and proud to proclaim of + his fate: but his countryman, more communicative, confidentially told me + what I have stated, adding, that his young compatriot has already been + subjected to great calamities, and that his father, who was the sovereign + of an Indian kingdom, has been killed by the English, who have also + dispossessed his son of his crown.” + </p> + <p> + “This is very singular,” said Adrienne, thoughtfully. “These circumstances + recall to my mind that my father often mentioned that one of our relations + was espoused in India by a native monarch; and that General Simon: (whom + they have created a marshal) had entered into his service.” Then + interrupting herself to indulge in a smile, she added, “Gracious! this + affair will be quite odd and fantastical! Such things happen to nobody but + me; and then people say that I am the uncommon creature! But it seems to + me that it is not I, but Providence, which, in truth, sometimes shows + itself very eccentric! But let us see if worthy Dupont gives the name of + this handsome prince?” + </p> + <p> + “We trust, honored madame, that you will pardon our boldness: but we + should have thought ourselves very selfish, if, while stating to you our + own griefs, we had not also informed you that there is with us a brave and + estimable prince involved in so much distress. In fine, lady, trust to me; + I am old; and I have had much experience of men; and it was only necessary + to see the nobleness of expression and the sweetness of countenance of + this young Indian, to enable me to judge that he is worthy of the interest + which I have taken the liberty to request in his behalf. It would be + sufficient to transmit to him a small sum of money for the purchase of + some European clothing; for he has lost all his Indian vestments in the + shipwreck.” + </p> + <p> + “Good heavens! European clothing!” exclaimed Adrienne, gayly. “Poor young + prince! Heaven preserve him from that; and me also! Chance has sent hither + from the heart of India, a mortal so far favored as never to have worn the + abominable European costume—those hideous habits, and frightful + hats, which render the men so ridiculous, so ugly, that in truth there is + not a single good quality to be discovered in them, nor one spark of what + can either captivate or attract! There comes to me at last a handsome + young prince from the East, where the men are clothed in silk and + cashmere. Most assuredly I’ll not miss this rare and unique opportunity of + exposing myself to a very serious and formidable temptation! No, no! not a + European dress for me, though poor Dupont requests it! But the name—the + name of this dear prince! Once more, what a singular event is this! If it + should turn out to be that cousin from beyond the Ganges! During my + childhood, I have heard so much in praise of his royal father! Oh! I shall + be quite ravished to give his son the kind reception which he merits!” And + then she read on: + </p> + <p> + “If, besides this small sum, honored madame, you are so kind as to give + him, and also his companion, the means of reaching Paris, you will confer + a very great service upon this poor young prince, who is at present so + unfortunate. + </p> + <p> + “To conclude, I know enough of your delicacy to be aware that it would + perhaps be agreeable to you to afford this succor to the prince without + being known as his benefactress; in which case, I beg that you will be + pleased to command me; and you may rely upon my discretion. If, on the + contrary, you wish to address it directly to himself, his name is, as it + has been written for me by his countrymen, Prince Djalma, son of Radja + sing, King of Mundi.” + </p> + <p> + “Djalma!” said Adrienne, quickly, and appearing to call up her + recollections, “Radja-sing! Yes—that is it! These are the very names + that my father so often repeated, while telling me that there was nothing + more chivalric or heroic in the world than the old king, our relation by + marriage; and the son has not derogated, it would seem, from that + character. Yes, Djalma, Radja-sing—once more, that is it—such + names are not so common,” she added, smiling, “that one should either + forget or confound them with others. This Djalma is my cousin! Brave and + good—young and charming! above all, he has never worn the horrid + European dress! And destitute of every resource! This is quite ravishing! + It is too much happiness at once! Quick, quick let us improvise a pretty + fairy tale, of which the handsome and beloved prince shall be the hero! + The poor bird of the golden and azure plumage has wandered into our dismal + climate; but he will find here, at least, something to remind him of his + native region of sunshine and perfumes!” Then, addressing one of her + women, she said: “Georgette, take paper and write, my child!” The young + girl went to the gilt, illuminated table, which contained materials for + writing; and, having seated herself, she said to her mistress: “I await + orders.” + </p> +<div class="fig"> + <img src="images/10335m.jpg" alt="10335m " /><br /> + </div> + <h5> + <a href="images/10335.jpg"><i>Original</i></a> + </h5> + <p> + Adrienne de Cardoville, whose charming countenance was radiant with the + gayety of happiness and joy, proceeded to dictate the following letter to + a meritorious old painter, who had long since taught her the arts of + drawing and designing; in which arts she excelled, as indeed she did in + all others: + </p> + <p> + “MY DEAR TITIAN, MY GOOD VERONESE, MY WORTHY RAPHAEL. + </p> + <p> + “You can render me a very great service,—and you will do it, I am + sure, with that perfect and obliging complaisance by which you are ever + distinguished. + </p> + <p> + “It is to go immediately and apply yourself to the skillful hand who + designed my last costumes of the fifteenth century. But the present affair + is to procure modern East Indian dresses for a young man—yes, sir—for + a young man,—and according to what I imagine of him, I fancy that + you can cause his measure to be taken from the Antinous, or rather, from + the Indian Bacchus; yes—that will be more likely. + </p> + <p> + “It is necessary that these vestments be at once of perfect propriety and + correctness, magnificently rich, and of the greatest elegance. You will + choose the most beautiful stuffs possible; and endeavor, above all things, + that they be, or resemble, tissues of Indian manufacture; and you will add + to them, for turbans and sashes, six splendid long cashmere shawls, two of + them white, two red, and two orange; as nothing suits brown complexions + better than those colors. + </p> + <p> + “This done (and I allow you at the utmost only two or three days), you + will depart post in my carriage for Cardoville Manor House, which you know + so well. The steward, the excellent Dupont, one of your old friends, will + there introduce you to a young Indian Prince, named Djalma; and you will + tell that most potent grave, and reverend signior, of another quarter of + the globe, that you have come on the part of an unknown friend, who, + taking upon himself the duty of a brother, sends him what is necessary to + preserve him from the odious fashions of Europe. You will add, that his + friend expects him with so much impatience that he conjures him to come to + Paris immediately. If he objects that he is suffering, you will tell him + that my carriage is an excellent bed-closet; and you will cause the + bedding, etc., which it contains, to be fitted up, till he finds it quite + commodious. Remember to make very humble excuses for the unknown friend + not sending to the prince either rich palanquins, or even, modestly, a + single elephant; for alas! palanquins are only to be seen at the opera; + and there are no elephants but those in the menagerie,—though this + must make us seem strangely barbarous in his eyes. + </p> + <p> + “As soon as you shall have decided on your departure, perform the journey + as rapidly as possible, and bring here, into my house, in the Rue de + Babylone (what predestination! that I should dwell in the street of + BABYLON,—a name which must at least accord with the ear of an + Oriental),—you will bring hither, I say, this dear prince, who is so + happy as to have been born in a country of flowers, diamonds, and sun! + </p> + <p> + “Above all, you will have the kindness, my old and worthy friend, not to + be at all astonished at this new freak, and refrain from indulging in + extravagant conjectures. Seriously, the choice which I have made of you in + this affair,—of you, whom I esteem and most sincerely honor,—is + because it is sufficient to say to you that, at the bottom of all this, + there is something more than a seeming act of folly.” + </p> + <p> + In uttering these last words, the tone of Adrienne was as serious and + dignified as it had been previously comic and jocose. But she quickly + resumed, more gayly, dictating to Georgette. + </p> + <p> + “Adieu, my old friend. I am something like that commander of ancient days, + whose heroic nose and conquering chin you have so often made me draw: I + jest with the utmost freedom of spirit even in the moment of battle: yes, + for within an hour I shall give battle, a pitched battle—to my dear + pew-dwelling aunt. Fortunately, audacity and courage never failed me, and + I burn with impatience for the engagement with my austere princess. + </p> + <p> + “A kiss, and a thousand heartfelt recollections to your excellent wife. If + I speak of her here, who is so justly respected, you will please to + understand, it is to make you quite at ease as to the consequences of this + running away with, for my sake, a charming young prince,—for it is + proper to finish well where I should have begun, by avowing to you that he + is charming indeed! + </p> + <p> + “Once more, adieu!” + </p> + <p> + Then, addressing Georgette, said she, “Have you done writing, chit?” + </p> + <p> + “Yes, madame.” + </p> + <p> + “Oh, add this postscript.” + </p> + <p> + “P.S.—I send you draft on sight on my banker for all expenses. Spare + nothing. You know I am quite a grand seigneur. I must use this masculine + expression, since your sex have exclusively appropriated to yourselves + (tyrants as you are) a term, so significant as it is of noble generosity.” + </p> + <p> + “Now, Georgette,” said Adrienne; “bring me an envelope, and the letter, + that I may sign it.” Mademoiselle de Cardoville took the pen that + Georgette presented to her, signed the letter, and enclosed in it an order + upon her banker, which was expressed thus: + </p> + <p> + “Please pay M. Norval, on demand without grace, the sum of money he may + require for expenses incurred on my account. + </p> +<pre xml:space="preserve"> + “ADRIENNE DE CARDOVILLE.” + </pre> + <p> + During all this scene, while Georgette wrote, Florine and Hebe had + continued to busy themselves with the duties of their mistress’s toilette, + who had put off her morning gown, and was now in full dress, in order to + wait upon the princess, her aunt. From the sustained and immovably fixed + attention with which Florine had listened to Adrienne’s dictating to + Georgette her letter to M. Norval, it might easily have been seen that, as + was her habit indeed, she endeavored to retain in her memory even the + slightest words of her mistress. + </p> + <p> + “Now, chit,” said Adrienne to Hebe, “send this letter immediately to M. + Norval.” + </p> + <p> + The same silver bell was again rung from without. Hebe moved towards the + door of the dressing-room, to go and inquire what it was, and also to + execute the order of her mistress as to the letter. But Florine + precipitated herself, so to speak, before her, and so as to prevent her + leaving the apartment; and said to Adrienne: + </p> + <p> + “Will it please my lady for me to send this letter? I have occasion to go + to the mansion.” + </p> + <p> + “Go, Florine, then,” said Adrienne, “seeing that you wish it. Georgette, + seal the letter.” + </p> + <p> + At the end of a second or two, during which Georgette had sealed the + letter, Hebe returned. + </p> + <p> + “Madame,” said she, re-entering, “the working-man who brought back Frisky + yesterday, entreats you to admit him for an instant. He is very pale, and + he appears quite sad.” + </p> + <p> + “Would that he may already have need of me! I should be too happy!” said + Adrienne gayly. “Show the excellent young man into the little saloon. And, + Florine, despatch this letter immediately.” + </p> + <p> + Florine went out. Miss de Cardoville, followed by Frisky, entered the + little reception-room, where Agricola awaited her. + </p> + <p> + <a name="link2HCH0035" id="link2HCH0035"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXXV. THE INTERVIEW. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">W</span>hen Adrienne de Cardoville entered the saloon where Agricola expected + her, she was dressed with extremely elegant simplicity. A robe of deep + blue, perfectly fitted to her shape, embroidered in front with + interlacings of black silk, according to the then fashion, outlined her + nymph-like figure, and her rounded bosom. A French cambric collar, + fastened by a large Scotch pebble, set as a brooch, served her for a + necklace. Her magnificent golden hair formed a framework for her fair + countenance, with an incredible profusion of long and light spiral + tresses, which reached nearly to her waist. + </p> + <p> + Agricola, in order to save explanations with his father, and to make him + believe that he had indeed gone to the workshop of M. Hardy, had been + obliged to array himself in his working dress; he had put on a new blouse + though, and the collar of his shirt, of stout linen, very white, fell over + upon a black cravat, negligently tied; his gray trousers allowed his well + polished boots to be seen; and he held between his muscular hands a cap of + fine woolen cloth, quite new. To sum up, his blue blouse, embroidered with + red, showing off the nervous chest of the young blacksmith, and indicating + his robust shoulders, falling down in graceful folds, put not the least + constraint upon his free and easy gait, and became him much better than + either frock-coat or dress-coat would have done. While awaiting Miss de + Cardoville, Agricola mechanically examined a magnificent silver vase, + admirably graven. A small tablet, of the same metal, fitted into a cavity + of its antique stand, bore the words—“Chased by JEAN MARIE, working + chaser, 1831.” + </p> + <p> + Adrienne had stepped so lightly upon the carpet of her saloon, only + separated from another apartment by the doors, that Agricola had not + perceived the young lady’s entrance. He started, and turned quickly round, + upon hearing a silver and brilliant voice say to him-“That is a beautiful + vase, is it not, sir?” + </p> + <p> + “Very beautiful, madame,” answered Agricola greatly embarrassed. + </p> + <p> + “You may see from it that I like what is equitable.” added Miss de + Cardoville, pointing with her finger to the little silver tablet;—“an + artist puts his name upon his painting; an author publishes his on the + title-page of his book; and I contend that an artisan ought also to have + his name connected with his workmanship.” + </p> + <p> + “Oh, madame, so this name?” + </p> + <p> + “Is that of the poor chaser who executed this masterpiece, at the order of + a rich goldsmith. When the latter sold me the vase, he was amazed at my + eccentricity, he would have almost said at my injustice, when, after + having made him tell me the name of the author of this production, I + ordered his name to be inscribed upon it, instead of that of the + goldsmith, which had already been affixed to the stand. In the absence of + the rich profits, let the artisan enjoy the fame of his skill. Is it not + just, sir?” + </p> + <p> + It would have been impossible for Adrienne to commence the conversation + more graciously: so that the blacksmith, already beginning to feel a + little more at ease, answered: + </p> + <p> + “Being a mechanic myself, madame, I cannot but be doubly affected by such + a proof of your sense of equity and justice.” + </p> + <p> + “Since you are a mechanic, sir,” resumed Adrienne, “I cannot but + felicitate myself on having so suitable a hearer. But please to be + seated.” + </p> + <p> + With a gesture full of affability, she pointed to an armchair of purple + silk embroidered with gold, sitting down herself upon a tete-a-tete of the + same materials. + </p> + <p> + Seeing Agricola’s hesitation, who again cast down his eyes with + embarrassment, Adrienne, to encourage him, showed him Frisky, and said to + him gayly: “This poor little animal, to which I am very much attached, + will always afford me a lively remembrance of your obliging complaisance, + sir. And this visit seems to me to be of happy augury; I know not what + good presentiment whispers to me, that perhaps I shall have the pleasure + of being useful to you in some affair.” + </p> + <p> + “Madame,” said Agricola, resolutely, “my name is Baudoin: a blacksmith in + the employment of M. Hardy, at Pressy, near the city. Yesterday you + offered me your purse and I refused it: to-day, I have come to request of + you perhaps ten or twenty times the sum that you had generously proposed. + I have said thus much all at once, madame, because it causes me the + greatest effort. The words blistered my lips, but now I shall be more at + ease.” + </p> + <p> + “I appreciate the delicacy of your scruples, sir,” said Adrienne; “but if + you knew me, you would address me without fear. How much do you require?” + </p> + <p> + “I do not know, madame,” answered Agricola. + </p> + <p> + “I beg your pardon. You don’t know what sum?” + </p> +<div class="fig"> + <img src="images/10341m.jpg" alt="10341m " /><br /> + </div> + <h5> + <a href="images/10341.jpg"><i>Original</i></a> + </h5> + <p> + “No madame; and I come to you to request, not only the sum necessary to + me, but also information as to what that sum is.” + </p> + <p> + “Let us see, sir,” said Adrienne, smiling, “explain this to me. In spite + of my good will, you feel that I cannot divine, all at once, what it is + that is required.” + </p> + <p> + “Madame, in two words, I can state the truth. I have a food old mother, + who in her youth, broke her health by excessive labor, to enable her to + bring me up; and not only me, but a poor abandoned child whom she had + picked up. It is my turn now to maintain her; and that I have the + happiness of doing. But in order to do so, I have only my labor. If I am + dragged from my employment, my mother will be without support.” + </p> + <p> + “Your mother cannot want for anything now, sir, since I interest myself + for her.” + </p> + <p> + “You will interest yourself for her, madame?” said Agricola. + </p> + <p> + “Certainly,” replied Adrienne. + </p> + <p> + “But you don’t know her,” exclaimed the blacksmith. + </p> + <p> + “Now I do; yes.” + </p> + <p> + “Oh, madame!” said Agricola, with emotion, after a moment’s silence. “I + understand you. But indeed you have a noble heart. Mother Bunch was + right.” + </p> + <p> + “Mother Bunch?” said Adrienne, looking at Agricola with a very surprised + air; for what he said to her was an enigma. + </p> + <p> + The blacksmith, who blushed not for his friends, replied frankly. + </p> + <p> + “Madame, permit me to explain, to you. Mother Bunch is a poor and very + industrious young workwoman, with whom I have been brought up. She is + deformed, which is the reason why she is called Mother Bunch. But though, + on the one hand, she is sunk, as low as you are highly elevated on the + other, yet as regards the heart—as to delicacy—oh, lady, I am + certain that your heart is of equal worth with hers! That was at once her + own thought, after I had related to her in what manner, yesterday, you had + presented me with that beautiful flower.” + </p> + <p> + “I can assure you, sir,” said Adrienne, sincerely touched, “that this + comparison flatters and honors me more than anything else that you could + say to me,—a heart that remains good and delicate, in spite of cruel + misfortunes, is so rare a treasure; while it is very easy to be good, when + we have youth and beauty, and to be delicate and generous, when we are + rich. I accept, then, your comparison; but on condition that you will + quickly put me in a situation to deserve it. Pray go on, therefore.” + </p> + <p> + In spite of the gracious cordiality of Miss de Cardoville, there was + always observable in her so much of that natural dignity which arises from + independence of character, so much elevation of soul and nobleness of + sentiment that Agricola, forgetting the ideal physical beauty of his + protectress, rather experienced for her the emotions of an affectionate + and kindly, though profound respect, which offered a singular and striking + contrast with the youth and gayety of the lovely being who inspired him + with this sentiment. + </p> + <p> + “If my mother alone, madame, were exposed to the rigor which I dread. I + should not be so greatly disquieted with the fear of a compulsory + suspension of my employment. Among poor people, the poor help one another; + and my mother is worshipped by all the inmates of our house, our excellent + neighbors, who would willingly succor her. But, they themselves are far + from being well off; and as they would incur privations by assisting her, + their little benefit would still be more painful to my mother than the + endurance even of misery by herself. And besides, it is not only for my + mother that my exertions are required, but for my father, whom we have not + seen for eighteen years, and who has just arrived from Siberia, where he + remained during all that time, from zealous devotion to his former + general, now Marshal Simon.” + </p> + <p> + “Marshal Simon!” said Adrienne, quickly, with an expression of much + surprise. + </p> + <p> + “Do you know the marshal, madame?” + </p> + <p> + “I do not personally know him, but he married a lady of our family.” + </p> + <p> + “What joy!” exclaimed the blacksmith, “then the two young ladies, his + daughters, whom my father has brought from Russia, are your relations!” + </p> + <p> + “Has Marshal Simon two daughters?” asked Adrienne, more and more + astonished and interested. + </p> + <p> + “Yes, madame, two little angels of fifteen or sixteen, and so pretty, so + sweet; they are twins so very much alike, as to be mistaken for one + another. Their mother died in exile; and the little she possessed having + been confiscated, they have come hither with my father, from the depths of + Siberia, travelling very wretchedly; but he tried to make them forget so + many privations by the fervency of his devotion and his tenderness. My + excellent father! you will not believe, madame, that, with the courage of + a lion, he has all the love and tenderness of a mother.” + </p> + <p> + “And where are the dear children, sir?” asked Adrienne. + </p> + <p> + “At our home, madame. It is that which renders my position so very hard; + that which has given me courage to come to you; it is not but that my + labor would be sufficient for our little household, even thus augmented; + but that I am about to be arrested.” + </p> + <p> + “About to be arrested? For what?” + </p> + <p> + “Pray, madame, have the goodness to read this letter, which has been sent + by some one to Mother Bunch.” + </p> + <p> + Agricola gave to Miss de Cardoville the anonymous letter which had been + received by the workwoman. + </p> + <p> + After having read the letter, Adrienne said to the blacksmith, with + surprise, “It appears, sir, you are a poet!” + </p> + <p> + “I have neither the ambition nor the pretension to be one, madame. Only, + when I return to my mother after a day’s toil, and often, even while + forging my iron, in order to divert and relax my attention, I amuse myself + with rhymes, sometimes composing an ode, sometimes a song.” + </p> + <p> + “And your song of the Freed Workman, which is mentioned in this letter, + is, therefore, very disaffected—very dangerous?” + </p> + <p> + “Oh, no, madame; quite the contrary. For myself, I have the good fortune + to be employed in the factory of M. Hardy, who renders the condition of + his workpeople as happy as that of their less fortunate comrades is the + reverse; and I had limited myself to attempt, in favor of the great mass + of the working classes, an equitable, sincere, warm, and earnest claim—nothing + more. But you are aware, perhaps, Madame, that in times of conspiracy, and + commotion, people are often incriminated and imprisoned on very slight + grounds. Should such a misfortune befall me, what will become of my + mother, my father, and the two orphans whom we are bound to regard as part + of our family until the return of their father, Marshal Simon? It is on + this account, madame, that, if I remain, I run the risk of being arrested. + I have come to you to request you to provide surety for me; so that I + should not be compelled to exchange the workshop for the prison, in which + case I can answer for it that the fruits of my labor will suffice for + all.” + </p> + <p> + “Thank the stars!” said Adrienne, gayly, “this affair will arrange itself + quite easily. Henceforth, Mr. Poet, you shall draw your inspirations in + the midst of good fortune instead of adversity. Sad muse! But first of + all, bonds shall be given for you.” + </p> + <p> + “Oh, madame, you have saved us!” + </p> + <p> + “To continue,” said Adrienne, “the physician of our family is intimately + connected with a very important minister (understand that, as you like,” + said she, smiling, “you will not deceive yourself much). The doctor + exercises very great influence over this great statesman; for he has + always had the happiness of recommending to him, on account of his health; + the sweets and repose of private life, to the very eve of the day on which + his portfolio was taken from him. Keep yourself, then, perfectly at ease. + If the surety be insufficient, we shall be able to devise some other + means. + </p> + <p> + “Madame,” said Agricola, with great emotion, “I am indebted to you for the + repose, perhaps for the life of my mother. Believe that I shall ever be + grateful.” + </p> + <p> + “That is all quite simple. Now for another thing. It is proper that those + who have too much should have the right of coming to the aid of those who + have too little. Marshal Simon’s daughters are members of my family, and + they will reside here with me, which will be more suitable. You will + apprise your worthy mother of this; and in the evening, besides going to + thank her for the hospitality which she has shown to my young relations, I + shall fetch them home.” + </p> + <p> + At this moment Georgette, throwing open the door which separated the room + from an adjacent apartment, hurriedly entered, with an affrighted look, + exclaiming: + </p> + <p> + “Oh, madame, something extraordinary is going on in the street.” + </p> + <p> + “How so? Explain yourself,” said Adrienne. + </p> + <p> + “I went to conduct my dressmaker to the little garden-gate,” said + Georgette; “where I saw some ill-looking men, attentively examining the + walls and windows of the little out-building belonging to the pavilion, as + if they wished to spy out some one.” + </p> + <p> + “Madame,” said Agricola, with chagrin, “I have not been deceived. They are + after me.” + </p> + <p> + “What say you?” + </p> + <p> + “I thought I was followed, from the moment when I left the Rue St. Merry: + and now it is beyond doubt. They must have seen me enter your house; and + are on the watch to arrest me. Well, now that your interest has been + acquired for my mother,—now that I have no farther uneasiness for + Marshal Simon’s daughters,—rather than hazard your exposure to + anything the least unpleasant, I run to deliver myself up.” + </p> + <p> + “Beware of that sir,” said Adrienne, quickly. “Liberty is too precious to + be voluntarily sacrificed. Besides, Georgette may have been mistaken. But + in any case, I entreat you not to surrender yourself. Take my advice, and + escape being arrested. That, I think, will greatly facilitate my measures; + for I am of opinion that justice evinces a great desire to keep possession + of those upon whom she has once pounced.” + </p> + <p> + “Madame,” said Hebe, now also entering with a terrified look, “a man + knocked at the little door, and inquired if a young man in a blue blouse + has not entered here. He added, that the person whom he seeks is named + Agricola Baudoin, and that he has something to tell him of great + importance.” + </p> + <p> + “That’s my name,” said Agricola; “but the important information is a trick + to draw me out.” + </p> + <p> + “Evidently,” said Adrienne; “and therefore we must play off trick for + trick. What did you answer, child?” added she, addressing herself to Hebe. + </p> + <p> + “I answered, that I didn’t know what he was talking about.” + </p> + <p> + “Quite right,” said Adrienne: “and the man who put the question?” + </p> + <p> + “He went away, madame.” + </p> + <p> + “Without doubt to come back again, soon,” said Agricola. + </p> + <p> + “That is very probable,” said Adrienne, “and therefore, sir, it is + necessary for you to remain here some hours with resignation. I am + unfortunately obliged to go immediately to the Princess Saint-Dizier, my + aunt, for an important interview, which can no longer be delayed, and is + rendered more pressing still by what you have told me concerning the + daughters of Marshal Simon. Remain here, then, sir; since if you go out, + you will certainly be arrested.” + </p> + <p> + “Madame, pardon my refusal; but I must say once more that I ought not to + accept this generous offer.” + </p> + <p> + “Why?” + </p> + <p> + “They have tried to draw me out, in order to avoid penetrating with the + power of the law into your dwelling but if I go not out, they will come + in; and never will I expose you to anything so disagreeable. Now that I am + no longer uneasy about my mother, what signifies prison?” + </p> + <p> + “And the grief that your mother will feel, her uneasiness, and her fears,—nothing? + Think of your father; and that poor work-woman who loves you as a brother, + and whom I value as a sister;—say, sir, do you forget them also? + Believe me, it is better to spare those torments to your family. Remain + here; and before the evening I am certain, either by giving surety, or + some other means, of delivering you from these annoyances.” + </p> + <p> + “But, madame, supposing that I do accept your generous offer, they will + come and find me here.” + </p> + <p> + “Not at all. There is in this pavilion, which was formerly the abode of a + nobleman’s left-handed wife,—you see, sir,” said Adrienne, smiling, + “that live in a very profane place—there is here a secret place of + concealment, so wonderfully well-contrived, that it can defy all searches. + Georgette will conduct you to it. You will be very well accommodated. You + will even be able to write some verses for me, if the place inspire you.” + </p> + <p> + “Oh, madame! how great is your goodness! how have I merited it?” + </p> + <p> + “Oh, sir, I will tell you. Admitting that your character and your position + do not entitle you to any interest;—admitting that I may not owe a + sacred debt to your father for the touching regards and cares he has + bestowed upon the daughters of Marshal Simon, my relations—do you + forget Frisky, sir?” asked Adrienne, laughing,—“Frisky, there, whom + you have restored to my fondles? Seriously, if I laugh,” continued this + singular and extravagant creature, “it is because I know that you are + entirely out of danger, and that I feel an increase of happiness. + Therefore, sir, write for me quickly your address, and your mother’s, in + this pocket-book; follow Georgette; and spin me some pretty verses, if you + do not bore yourself too much in that prison to which you fly.” + </p> + <p> + While Georgette conducted the blacksmith to the hiding-place, Hebe brought + her mistress a small gray beaver hat with a gray feather; for Adrienne had + to cross the park to reach the house occupied by the Princess + Saint-Dizier. + </p> + <p> + A quarter of an hour after this scene, Florine entered mysteriously the + apartment of Mrs. Grivois, the first woman of the princess. + </p> + <p> + “Well?” demanded Mrs. Grivois of the young woman. + </p> + <p> + “Here are the notes which I have taken this morning,” said Florine, + putting a paper into the duenna’s hand. “Happily, I have a good memory.” + </p> + <p> + “At what time exactly did she return home this morning?” asked the duenna, + quickly. + </p> + <p> + “Who, madame?” + </p> + <p> + “Miss Adrienne.” + </p> + <p> + “She did not go out, madame. We put her in the bath at nine o’clock.” + </p> + <p> + “But before nine o’clock she came home, after having passed the night out + of her house. Eight o’clock was the time at which she returned, however.” + </p> + <p> + Florine looked at Mrs. Grivois with profound astonishment, and said-“I do + not understand you, madame.” + </p> + <p> + “What’s that? Madame did not come home this morning at eight o’clock? Dare + you lie?” + </p> + <p> + “I was ill yesterday, and did not come down till nine this morning, in + order to assist Georgette and Hebe help our young lady from the bath. I + know nothing of what passed previously, I swear to you, madame.” + </p> + <p> + “That alters the case. You must ferret out what I allude to from your + companions. They don’t distrust you, and will tell you all.” + </p> + <p> + “Yes, madame.” + </p> + <p> + “What has your mistress done this morning since you saw her?” + </p> + <p> + “Madame dictated a letter to Georgette for M. Norval, I requested + permission to send it off, as a pretext for going out, and for writing + down all I recollected.” + </p> + <p> + “Very well. And this letter?” + </p> + <p> + “Jerome had to go out, and I gave it him to put in the post-office.” + </p> + <p> + “Idiot!” exclaimed Mrs. Grivois: “couldn’t you bring it to me?” + </p> + <p> + “But, as madame dictated it aloud to Georgette, as is her custom, I knew + the contents of the letter; and I have written it in my notes.” + </p> + <p> + “That’s not the same thing. It is likely there was need to delay sending + off this letter; the princess will be very much displeased.” + </p> + <p> + “I thought I did right, madame.” + </p> + <p> + “I know that it is not good will that fails you. For these six months I + have been satisfied with you. But this time you have committed a very + great mistake.” + </p> + <p> + “Be indulgent, madame! what I do is sufficiently painful!” The girl + stifled a sigh. + </p> + <p> + Mrs. Grivois looked fixedly at her, and said in a sardonic tone: + </p> + <p> + “Very well, my dear, do not continue it. If you have scruples, you are + free. Go your way.” + </p> + <p> + “You well know that I am not free, madame,” said Florine, reddening; and + with tears in her eyes she added: “I am dependent upon M. Rodin, who + placed me here.” + </p> + <p> + “Wherefore these regrets, then?” + </p> + <p> + “In spite of one’s self, one feels remorse. Madame is so good, and so + confiding.” + </p> + <p> + “She is all perfection, certainly! But you are not here to sing her + praises. What occurred afterwards?” + </p> + <p> + “The working-man who yesterday found and brought back Frisky, came early + this morning and requested permission to speak with my young lady.” + </p> + <p> + “And is this working-man still in her house?” + </p> + <p> + “I don’t know. He came in when I was going out with the letter.” + </p> + <p> + “You must contrive to learn what it was this workingman came about.” + </p> + <p> + “Yes, madame.” + </p> + <p> + “Has your mistress seemed preoccupied, uneasy, or afraid of the interview + which she is to have to-day with the princess? She conceals so little of + what she thinks, that you ought to know.” + </p> + <p> + “She has been as gay as usual. She has even jested about the interview!” + </p> + <p> + “Oh! jested, has she?” said the tire-woman, muttering between her teeth, + without Florine being able to hear her: “‘They laugh most who laugh last.’ + In spite of her audacious and diabolical character, she would tremble, and + would pray for mercy, if she knew what awaits her this day.” Then + addressing Florine, she continued-“Return, and keep yourself, I advise + you, from those fine scruples, which will be quite enough to do you a bad + turn. Do not forget!” + </p> + <p> + “I cannot forget that I belong not to myself, madame.” + </p> + <p> + “Anyway, let it be so. Farewell.” + </p> + <p> + Florine quitted the mansion and crossed the park to regain the summer + house, while Mrs Grivois went immediately to the Princess Saint-Dizier. + </p> + <p> + <a name="link2H_4_0042" id="link2H_4_0042"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + BOOK III. + </h2> +<pre xml:space="preserve"> + XXXVI. A Female Jesuit XXXVII. The Plot XXXVIII. Adrienne’s + Enemies XXXIX. The Skirmish XL. The Revolt XLI. Treachery + XLII. The Snare XLIII. A False Friend XLIV. The Minister’s + Cabinet XLV. The Visit XLVI. Presentiments XLVII. The Letter + XLVIII. The Confessional XLIX. My Lord and Spoil-sport L. + Appearances LI. The Convent LII. The Influence of a + Confessor LIII. The Examination +</pre> + <p> + <a name="link2HCH0036" id="link2HCH0036"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXXVI. A FEMALE JESUIT. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">D</span>uring the preceding scenes which occurred in the Pompadour rotunda, + occupied by Miss de Cardoville, other events took place in the residence + of the Princess Saint-Dizier. The elegance and sumptuousness of the former + dwelling presented a strong contrast to the gloomy interior of the latter, + the first floor of which was inhabited by the princess, for the plan of + the ground floor rendered it only fit for giving parties; and, for a long + time past, Madame de Saint-Dizier had renounced all worldly splendors. The + gravity of her domestics, all aged and dressed in black; the profound + silence which reigned in her abode, where everything was spoken, if it + could be called speaking, in an undertone; and the almost monastic + regularity and order of this immense mansion, communicated to everything + around the princess a sad and chilling character. A man of the world, who + joined great courage to rare independence of spirit, speaking of the + princess (to whom Adrienne de Cardoville went, according to her + expression, to fight a pitched battle), said of her as follows: “In order + to avoid having Madame de Saint-Dizier for an enemy, I, who am neither + bashful nor cowardly, have, for the first time in my life, been both a + noodle and a coward.” This man spoke sincerely. But Madame de Saint-Dizier + had not all at once arrived at this high degree of importance. + </p> + <p> + Some words are necessary for the purpose of exhibiting distinctly some + phases in the life of this dangerous and implacable woman who, by her + affiliation with the Order of Jesuits, had acquired an occult and + formidable power. For there is something even more menacing than a Jesuit: + it is a Jesuits; and, when one has seen certain circles, it becomes + evident that there exist, unhappily, many of those affiliated, who, more + or less, uniformly dress (for the lay members of the Order call themselves + “Jesuits of the short robe”). + </p> + <p> + Madame de Saint-Dizier, once very beautiful, had been, during the last + years of the Empire, and the early years of the Restoration, one of the + most fashionable women of Paris, of a stirring, active, adventurous, and + commanding spirit, of cold heart, but lively imagination. She was greatly + given to amorous adventures, not from tenderness of heart, but from a + passion for intrigue, which she loved as men love play—for the sake + of the emotions it excites. Unhappily, such had always been the blindness + or the carelessness of her husband, the Prince of Saint-Dizier (eldest + brother of the Count of Rennepont and Duke of Cardoville, father of + Adrienne), that during his life he had never said one word that could make + it be thought that he suspected the actions of his wife. Attaching herself + to Napoleon, to dig a mine under the feet of the Colossus, that design at + least afforded emotions sufficient to gratify the humor of the most + insatiable. During some time, all went well. The princess was beautiful + and spirited, dexterous and false, perfidious and seductive. She was + surrounded by fanatical adorers, upon whom she played off a kind of + ferocious coquetry, to induce them to run their heads into grave + conspiracies. They hoped to resuscitate the Fonder party, and carried on a + very active secret correspondence with some influential personages abroad, + well known for their hatred against the emperor and France. Hence arose + her first epistolary relations with the Marquis d’Aigrigny, then colonel + in the Russian service and aide-de-camp to General Moreau. But one day all + these petty intrigues were discovered. Many knights of Madame de + Saint-Dizier were sent to Vincennes; but the emperor, who might have + punished her terribly, contented himself with exiling the princess to one + of her estates near Dunkirk. + </p> + <p> + Upon the Restoration, the persecutions which Madame de Saint-Dizier had + suffered for the Good Cause were entered to her credit, and she acquired + even then very considerable influence, in spite of the lightness of her + behavior. The Marquis d’Aigrigny, having entered the military service of + France, remained there. He was handsome, and of fashionable manners and + address. He had corresponded and conspired with the princess, without + knowing her; and these circumstances necessarily led to a close connection + between them. + </p> + <p> + Excessive self-love, a taste for exciting pleasures, aspirations of + hatred, pride, and lordliness, a species of evil sympathy, the perfidious + attraction of which brings together perverse natures without mingling + them, had made of the princess and the Marquis accomplices rather than + lovers. This connection, based upon selfish and bitter feelings, and upon + the support which two characters of this dangerous temper could lend to + each other against a world in which their spirit of intrigue, of + gallantry, and of contempt had made them many enemies, this connection + endured till the moment when, after his duel with General Simon, the + Marquis entered a religious house, without any one understanding the cause + of his unexpected and sudden resolution. + </p> + <p> + The princess, having not yet heard the hour of her conversion strike, + continued to whirl round the vortex of the world with a greedy, jealous, + and hateful ardor, for she saw that the last years of her beauty were + dying out. + </p> + <p> + An estimate of the character of this woman may be formed from the + following fact: + </p> + <p> + Still very agreeable, she wished to close her worldly and volatile career + with some brilliant and final triumph, as a great actress knows the proper + time to withdraw from the stage so as to leave regrets behind. Desirous of + offering up this final incense to her own vanity, the princess skillfully + selected her victims. She spied out in the world a young couple who + idolized each other; and, by dint of cunning and address, she succeeded in + taking away the lover from his mistress, a charming woman of eighteen, by + whom he was adored. This triumph being achieved, Madame Saint-Dizier + retired from the fashionable world in the full blaze of her exploit. After + many long conversations with the Abbe Marquis d’Aigrigny, who had become a + renowned preacher, she departed suddenly from Paris, and spent two years + upon her estate near Dunkirk, to which she took only one of her female + attendants, viz., Mrs. Grivois. + </p> + <p> + When the princess afterwards returned to Paris, it was impossible to + recognize the frivolous, intriguing, and dissipated woman she had formerly + been. The metamorphosis was as complete as it was extraordinary and even + startling. Saint-Dizier House, heretofore open to the banquets and + festivals of every kind of pleasure, became gloomily silent and austere. + Instead of the world of elegance and fashion, the princess now received in + her mansion only women of ostentatious piety, and men of consequence, who + were remarkably exemplary by the extravagant rigor of their religious and + monarchial principles. Above all, she drew around her several noted + members of the higher orders of the clergy. She was appointed patroness of + a body of religious females. She had her own confessor, chaplin, almoner, + and even spiritual director; but this last performed his functions in + partibus. The Marquis-Abbe d’Aigrigny continued in reality to be her + spiritual guide; and it is almost unnecessary to say that for a long time + past their mutual relations as to flirting had entirely ceased. + </p> + <p> + This sudden and complete conversion of a gay and distinguished woman, + especially as it was loudly trumpeted forth, struck the greater number of + persons with wonder and respect. Others, more discerning, only smiled. + </p> + <p> + A single anecdote, from amongst a thousand, will suffice to show the + alarming influence and power which the princess had acquired since her + affiliation with the Jesuits. This anecdote will also exhibit the deep, + vindictive, and pitiless character of this woman, whom Adrienne de + Cardoville had so imprudently made herself ready to brave. + </p> + <p> + Amongst the persons who smiled more or less at the conversion of Madame de + Saint-Dizier were the young and charming couple whom she had so cruelly + disunited before she quitted forever the scenes of revelry in which she + had lived. The young couple became more impassioned and devoted to each + other than ever; they were reconciled and married, after the passing storm + which had hurled them asunder; and they indulged in no other vengeance + against the author of their temporary infelicity than that of mildly + jesting at the pious conversion of the woman who had done them so much + injury. + </p> + <p> + Some time after, a terrible fatality overtook the loving pair. The + husband, until then blindly unsuspicious, was suddenly inflamed by + anonymous communications. A dreadful rupture ensued, and the young wife + perished. + </p> + <p> + As for the husband, certain vague rumors, far from distinct, yet pregnant + with secret meanings, perfidiously contrived, and a thousand times more + detestable than formal accusations, which can, at least, be met and + destroyed, were strewn about him with so much perseverance, with a skill + so diabolical, and by means and ways so very various, that his best + friends, by little and little, withdrew themselves from him, thus yielding + to the slow, irresistible influence of that incessant whispering and + buzzing, confused as indistinct, amounting to some such results as + this-“Well! you know!” says one. + </p> + <p> + “No!” replies another. + </p> + <p> + “People say very vile things about him.” + </p> + <p> + “Do they? really! What then?” + </p> + <p> + “I don’t know! Bad reports! Rumors grievously affecting his honor!” + </p> + <p> + “The deuce! That’s very serious. It accounts for the coldness with which + he is now everywhere received!” + </p> + <p> + “I shall avoid him in future!” + </p> + <p> + “So will I,” etc. + </p> + <p> + Such is the world, that very often nothing more than groundless surmises + are necessary to brand a man whose very, happiness may have incurred envy. + So it was with the gentleman of whom we speak. The unfortunate man, seeing + the void around him extending itself,—feeling (so to speak) the + earth crumbling from beneath his feet, knew not where to find or grasp the + impalpable enemy whose blows he felt; for not once had the idea occurred + to him of suspecting the princess, whom he had not seen since his + adventure with her. Anxiously desiring to learn why he was so much shunned + and despised, he at length sought an explanation from an old friend; but + he received only a disdainfully evasive answer; at which, being + exasperated, he demanded satisfaction. His adversary replied—“If you + can find two persons of our acquaintance, I will fight you!” The unhappy + man could not find one! + </p> + <p> + Finally, forsaken by all, without having ever obtained an explanation of + the reason for forsaking him—suffering keenly for the fate of the + wife whom he had lost, he became mad with grief, rage, and despair, and + killed himself. + </p> + <p> + On the day of his death, Madame de Saint-Dizier remarked that it was fit + and necessary that one who had lived so shamefully should come to an + equally shameful end, and that he who had so long jested at all laws, + human and divine, could not seemly otherwise terminate his wretched life + than by perpetrating a last crime—suicide! And the friends of Madame + de Saint-Dizier hawked about and everywhere repeated these terrible words + with a contrite air, as if beatified and convinced! But this was not all. + Along with chastisements there were rewards. + </p> + <p> + Observant people remarked that the favorites of the religious clan of + Madame de Saint-Dizier rose to high distinction with singular rapidity. + The virtuous young men, such as were religiously attentive to tiresome + sermons, were married to rich orphans of the Sacred Heart Convents, who + were held in reserve for the purpose; poor young girls, who, learning too + late what it is to have a pious husband selected and imposed upon them by + a set of devotees, often expiated by very bitter tears the deceitful favor + of thus being admitted into a world of hypocrisy and falsehood, in which + they found themselves strangers without support, crushed by it if they + dared to complain of the marriages to which they had been condemned. + </p> + <p> + In the parlor of Madame de Saint-Dizier were appointed prefects, colonels, + treasurers, deputies, academicians, bishops and peers of the realm, from + whom nothing more was required in return for the all-powerful support + bestowed upon them, but to wear a pious gloss, sometimes publicly take the + communion, swear furious war against everything impious or revolutionary,—and + above all, correspond confidentially upon “different subjects of his + choosing” with the Abbe d’Aigrigny,—an amusement, moreover, which + was very agreeable; for the abbe was the most amiable man in the world, + the most witty, and above all, the most obliging. The following is an + historical fact, which requires the bitter and vengeful irony of Moliere + or Pascal to do it justice. + </p> + <p> + During the last year of the Restoration, there was one of the mighty + dignitaries of the court a firm and independent man, who did not make + profession (as the holy fathers call it), that is, who did not communicate + at the altar. The splendor amid which he moved was calculated to give the + weight of a very injurious example to his indifference. The Abbe-Marquis + d’Aigrigny was therefore despatched to him; and he knowing the honorable + and elevated character of the non communicant, thought that if he could + only bring him to profess by any means (whatever the means might be) the + effect would be what was desired. Like a man of intellect, the abbe prized + the dogma but cheaply himself. He only spoke of the suitableness of the + step, and of the highly salutary example which the resolution to adopt it + would afford to the public. + </p> + <p> + “M. Abbe,” replied the person sought to be influenced, “I have a greater + respect for religion than you have. I should consider it an infamous + mockery to go to the communion table without feeling the proper + conviction.” + </p> + <p> + “Nonsense! you inflexible man! you frowning Alcestes,” said the Marquis + Abbe, smiling slyly. “Your profits and your scruples will go together, + believe me, by listening to me. In short, we shall manage to make it a + BLANK COMMUNION for you; for after all, what is it that we ask?—only + the APPEARANCE!” + </p> + <p> + Now, a BLANK COMMUNION means breaking an unconsecrated wafer! + </p> + <p> + The Abbe-Marquis retired with his offers, which were rejected with + indignation;—but then, the refractory man was dismissed from his + place at court. This was but a single isolated fact. Woe to all who found + themselves opposed to the interest and principles of Madame de Saint + Dizier or her friends! Sooner or later, directly or indirectly, they felt + themselves cruelly stabbed, generally immediately—some in their + dearest connections, others in their credit, some in their honor; others + in their official functions; and all by secret action, noiseless, + continuous, and latent, in time becoming a terrible and mysterious + dissolvent, which invisibly undermined reputations, fortunes, positions + the most solidly established, until the moment when all sunk forever into + the abyss, amid the surprise and terror of the beholders. + </p> + <p> + It will now be conceived how under the Restoration the Princess de Saint + Dizier had become singularly influential and formidable. At the time of + the Revolution of July (1830) she had “rallied,” and, strangely enough, by + preserving some relation of family and of society with persons faithful to + the worship of decayed monarchy, people still attributed to the princess + much influence and power. Let us mention, at last, that the Prince of + Saint-Dizier, having died many years since, his very large personal + fortune had descended to his younger brother, the father of Adrienne de + Cardoville; and he, having died eighteen months ago, that young lady found + herself to be the last and only representative of that branch of the + family of the Renneponts. + </p> +<div class="fig"> + <img src="images/10357m.jpg" alt="10357m " /><br /> + </div> + <h5> + <a href="images/10357.jpg"><i>Original</i></a> + </h5> + <p> + The Princess of Saint-Dizier awaited her niece in a very large room, + rendered dismal by its gloomy green damask. The chairs, etc., covered with + similar stuff, were of carved ebony. Paintings of scriptural and other + religious subjects, and an ivory crucifix thrown up from a background of + black velvet, contributed to give the apartment a lugubrious and austere + aspect. + </p> + <p> + Madame de Saint-Dizier, seated before a large desk, has just finished + putting the seals on numerous letters; for she had a very extensive and + very diversified correspondence. Though then aged about forty-five she was + still fair. Advancing years had somewhat thickened her shape, which + formerly of distinguished elegance, was still sufficiently handsome to be + seen to advantage under the straight folds of her black dress. Her + headdress, very simple, decorated with gray ribbons, allowed her fair + sleek hair to be seen arranged in broad bands. At first look, people were + struck with her dignified though unassuming appearance; and would have + vainly tried to discover in her physiognomy, now marked with repentant + calmness, any trace of the agitations of her past life. So naturally grave + and reserved was she, that people could not believe her the heroine of so + many intrigues and adventures and gallantry. Moreover, if by chance she + ever heard any lightness of conversation, her countenance, since she had + come to believe herself a kind of “mother in the Church,” immediately + expressed candid but grieved astonishment, which soon changed into an air + of offended chastity and disdainful pity. + </p> + <p> + For the rest, her smile, when requisite, was still full of grace, and even + of the seducing and resistless sweetness of seeming good-nature. Her large + blue eyes, on fit occasions, became affectionate and caressing. But if any + one dared to wound or ruffle her pride, gainsay her orders or harm her + interests, her countenance, usually placid and serene, betrayed a cold but + implacable malignity. Mrs. Grivois entered the cabinet, holding in her + hand Florine’s report of the manner in which Adrienne de Cardoville had + spent the morning. + </p> + <p> + Mrs. Grivois had been about twenty years in the service of Madame de + Saint-Dizier. She knew everything that a lady’s-maid could or ought to + have known of her mistress in the days of her sowing of wild (being a + lady) flowers. Was it from choice that the princess had still retained + about her person this so-well-informed witness of the numerous follies of + her youth? The world was kept in ignorance of the motive; but one thing + was evident, viz., that Mrs. Grivois enjoyed great privileges under the + princess, and was treated by her rather as a companion than as a tiring + woman. + </p> + <p> + “Here are Florine’s notes, madame,” said Mrs. Grivois, giving the paper to + the princess. + </p> + <p> + “I will examine them presently,” said the princess; “but tell me, is my + niece coming? Pending the conference at which she is to be present, you + will conduct into her house a person who will soon be here, to inquire for + you by my desire.” + </p> + <p> + “Well, madame?” + </p> + <p> + “This man will make an exact inventory of everything contained in + Adrienne’s residence. You will take care that nothing is omitted; for that + is of very great importance.” + </p> + <p> + “Yes, madame. But should Georgette or Hebe make any opposition?” + </p> + <p> + “There is no fear; the man charged with taking the inventory is of such a + stamp, that when they know him, they will not dare to oppose either his + making the inventory, or his other steps. It will be necessary not to + fail, as you go along with him, to be careful to obtain certain + peculiarities destined to confirm the reports which you have spread for + some time past.” + </p> + <p> + “Do not have the slightest doubt, madame. The reports have all the + consistency of truth.” + </p> + <p> + “Very soon, then, this Adrienne, so insolent and so haughty, will be + crushed and compelled to pray for pardon; and from me!” + </p> + <p> + An old footman opened both of the folding doors, and announced the + Marquis-Abbe d’Aigrigny. + </p> + <p> + “If Miss de Cardoville present herself,” said the princess to Mrs. + Grivois, “you will request her to wait an instant.” + </p> + <p> + “Yes, madame,” said the duenna, going out with the servant. + </p> + <p> + Madame de Saint-Dizier and D’Aigrigny remained alone. + </p> + <p> + <a name="link2HCH0037" id="link2HCH0037"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXXVII. THE PLOT. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>he Abbe-Marquis d’Aigrigny, as the reader has easily divined, was the + person already seen in the Rue du Milieu-des-Ursins; whence he had + departed from Rome, in which city he had remained about three months. The + marquis was dressed in deep mourning, but with his usual elegance. His was + not a priestly robe; his black coat, and his waistcoat, tightly gathered + in at the waist, set off to great advantage the elegance of his figure: + his black cassimere pantaloons disguised his feet, exactly fitted with + lace boots, brilliantly polished. And all traces of his tonsure + disappeared in the midst of the slight baldness which whitened slightly + the back part of his head. There was nothing in his entire costume, or + aspect, that revealed the priest, except, perhaps, the entire absence of + beard, the more remarkable upon so manly a countenance. His chin, newly + shaved, rested on a large and elevated black cravat, tied with a military + ostentation which reminded the beholder, that this abbe-marquis this + celebrated preacher—now one of the most active and influential + chiefs of his order, had commanded a regiment of hussars upon the + Restoration, and had fought in aid of the Russians against France. + </p> + <p> + Returned to Paris only this morning, the marquis had not seen the princess + since his mother, the Dowager Marchioness d’Aigrigny, had died near + Dunkirk, upon an estate belonging to Madame de Saint-Dizier, while vainly + calling for her son to alleviate her last moments; but the order to which + M. d’Aigrigny had thought fit to sacrifice the most sacred feeling and + duties of nature, having been suddenly transmitted to him from Rome, he + had immediately set out for that city; though not without hesitation, + which was remarked and denounced by Rodin; for the love of M. d’Aigrigny + for his mother had been the only pure feeling that had invariably + distinguished his life. + </p> + <p> + When the servant had discreetly withdrawn with Mrs. Grivois, the marquis + quickly approached the princess, held out his hand to her, and said with a + voice of emotion: + </p> + <p> + “Herminia, have you not concealed something in your letters. In her last + moments did not my mother curse me?” + </p> + <p> + “No, no, Frederick, compose yourself. She had anxiously desired your + presence. Her ideas soon became confused. But in her delirium it was still + for you that she called.” + </p> + <p> + “Yes,” said the marquis, bitterly; “her maternal instinct doubtless + assured her that my presence could have saved her life.” + </p> + <p> + “I entreat you to banish these sad recollections,” said the princess, + “this misfortune is irreparable.” + </p> + <p> + “Tell me for the last time, truly, did not my absence cruelly affect my + mother? Had she no suspicion that a more imperious duty called me + elsewhere?” + </p> + <p> + “No, no, I assure you. Even when her reason was shaken, she believed that + you had not yet had time to come to her. All the sad details which I wrote + to you upon this painful subject are strictly true. Again, I beg of you to + compose yourself.” + </p> + <p> + “Yes, my conscience ought to be easy; for I have fulfilled my duty in + sacrificing my mother. Yet I have never been able to arrive at that + complete detachment from natural affection, which is commanded to us by + those awful words: ‘He who hates not his father and his mother, even with + the soul, cannot be my disciple.’”(9) + </p> + <p> + “Doubtless, Frederick,” said the princess, “these renunciations are + painful. But, in return, what influence, what power!” + </p> + <p> + “It is true,” said the marquis, after a moment’s silence. “What ought not + to be sacrificed in order to reign in secret over the all-powerful of the + earth, who lord it in full day? This journey to Rome, from which I have + just returned, has given me a new idea of our formidable power. For, + Herminia, it is Rome which is the culminating point, overlooking the + fairest and broadest quarters of the globe, made so by custom, by + tradition, or by faith. Thence can our workings be embraced in their full + extent. It is an uncommon view to see from its height the myriad tools, + whose personality is continually absorbed into the immovable personality + of our Order. What a might we possess! Verily, I am always swayed with + admiration, aye, almost frightened, that man once thinks, wishes, + believes, and acts as he alone lists, until, soon ours, he becomes but a + human shell; its kernel of intelligence, mind, reason, conscience, and + free will, shrivelled within him, dry and withered by the habit of mutely, + fearingly bowing under mysterious tasks, which shatter and slay everything + spontaneous in the human soul! Then do we infuse in such spiritless clay, + speechless, cold, and motionless as corpses, the breath of our Order, and, + lo! the dry bones stand up and walk, acting and executing, though only + within the limits which are circled round them evermore. Thus do they + become mere limbs of the gigantic trunk, whose impulses they mechanically + carry out, while ignorant of the design, like the stonecutter who shapes + out a stone, unaware if it be for cathedral or bagnio.” + </p> + <p> + In so speaking, the marquis’s features wore an incredible air of proud and + domineering haughtiness. + </p> + <p> + “Oh, yes! this power is great, most great,” observed the princess; “and + the more formidable because it moves in a mysterious way over minds and + consciences.” + </p> + <p> + “Aye, Herminia,” said the marquis: “I have had under my command a + magnificent regiment. Very often have I experienced the energetic and + exquisite enjoyment of command! At my word my squadrons put themselves in + action; bugles blared, my officers, glittering in golden embroidery, + galloped everywhere to repeat my orders: all my brave soldiers, burning + with courage, and cicatrized by battles, obeyed my signal; and I felt + proud and strong, holding as I did (so to speak) in my hands, the force + and valor of each and all combined into one being of resistless strength + and invincible intrepidity,—of all of which I was as much the + master, as I mastered the rage and fire of my war-horse! Aye! that was + greatness. But now, in spite of the misfortunes which have befallen our + Order, I feel myself a thousand times more ready for action, more + authoritative, more strong and more daring, at the head of our mute and + black-robed militia, who only think and wish, or move and obey, + mechanically, according to my will. On a sign they scatter over the + surface of the globe, gliding stealthily into households under the guise + of confessing the wife or teaching the children, into family affairs by + hearing the dying avowals,—up to the throne through the quaking + conscience of a credulous crowned coward;—aye, even to the chair of + the Pope himself, living manifesto of the Godhead though he is, by the + services rendered him or imposed by him. Is not this secret rule, made to + kindle or glut the wildest ambition, as it reaches from the cradle to the + grave, from the laborer’s hovel to the royal palace, from palace to the + papal chair? What career in all the world presents such splendid openings? + what unutterable scorn ought I not feel for the bright butterfly life of + early days, when we made so many envy us? Don’t you remember, Herminia?” + he added, with a bitter smile. + </p> + <p> + “You are right, perfectly right, Frederick!” replied the princess quickly. + “How little soever we may reflect, with what contempt do we not think upon + the past! I, like you, often compare it with the present; and then what + satisfaction I feel at having followed your counsels! For, indeed, without + you, I should have played the miserable and ridiculous part which a woman + always plays in her decline from having been beautiful and surrounded by + admirers. What could I have done at this hour? I should have vainly + striven to retain around me a selfish and ungrateful world of gross and + shameful men, who court women only that they may turn them to the service + of their passions, or to the gratification of their vanity. It is true + that there would have remained to me the resource of what is called + keeping an agreeable house for all others,—yes, in order to + entertain them, be visited by a crowd of the indifferent, to afford + opportunities of meeting to amorous young couples, who, following each + other from parlor to parlor, come not to your house but for the purpose of + being together; a very pretty pleasure, truly, that of harboring those + blooming, laughing, amorous youths, who look upon the luxury and + brilliancy with which one surrounds them, as if they were their due upon + bonds to minister to their pleasure, and to their impudent amours!” + </p> + <p> + Her words were so stinging, and such hateful envy sat upon her face, that + she betrayed the intense bitterness of her regrets in spite of herself. + </p> + <p> + “NO, no; thanks to you, Frederick,” she continued, “After a last and + brilliant triumph, I broke forever with the world, which would soon have + abandoned me, though I was so long its idol and its queen. And I have only + changed my queendom. Instead of the dissipated men whom I ruled with a + frivolity superior to their own, I now find myself surrounded by men of + high consideration, of redoubtable character, and all-powerful, many of + whom have governed the state; to them I have devoted myself, as they have + devoted themselves to me! It is now only that I really enjoy that + happiness, of which I ever dreamt. I have taken an active part and have + exercised a powerful influence over the greatest interests of the world; I + have been initiated into the most important secrets; I have been able to + strike, surely, whosoever scoffed at or hated me; and I have been able to + elevate beyond their hopes those who have served or respected and obeyed + me.” + </p> + <p> + “There are some madmen, and some so blind, that they imagine that we are + struck down, because we ourselves have had to struggle against some + misfortunes,” said M. d’Aigrigny, disdainfully, “as if we were not, above + all others, securely founded, organized for every struggle, and drew not + from our very struggles a new and more vigorous activity. Doubtless the + times are bad. But they will become better; and, as you know, it is nearly + certain that in a few days (the 13th of February), we shall have at our + disposal a means of action sufficiently powerful for re establishing our + influence which has been temporarily shaken.” + </p> + <p> + “Yes, doubtless this affair of the medals is most important,” said the + princess. + </p> + <p> + “I should not have made so much haste to return hither,” resumed the abbe, + “were it not to act in what will be, perhaps, for us, a very great event.” + </p> + <p> + “But you are aware of the fatality which has once again overthrown + projects the most laboriously conceived and matured?” + </p> + <p> + “Yes; immediately on arriving I saw Rodin.” + </p> + <p> + “And he told you—?” + </p> + <p> + “The inconceivable arrival of the Indian, and of General Simon’s daughters + at Cardoville Castle, after a double shipwreck, which threw them upon the + coast of Picardy; though it was deemed certain that the young girls were + at Leipsic, and the Indian in Java. Precautions were so well taken, + indeed,” added the marquis in vexation, “that one would think an invisible + power protects this family.” + </p> + <p> + “Happily, Rodin is a man of resources and activity,” resumed the princess. + “He came here last night, and we had a long conversation.” + </p> + <p> + “And the result of your consultation is excellent,” added the marquis: + “the old soldier is to be kept out of the way for two days; and his wife’s + confessor has been posted; the rest will proceed of itself. To morrow, the + girls need no longer be feared; and the Indian remains at Cardoville, + wounded dangerously. We have plenty of time for action.” + </p> + <p> + “But that is not all,” continued the princess: “there are still, without + reckoning my niece, two persons, who, for our interests, ought not to be + found in Paris on the 13th of February.” + </p> + <p> + “Yes, M. Hardy: but his most dear and intimate friend has betrayed him; + for, by means of that friend, we have drawn M. Hardy into the South, + whence it is impossible for him to return before a month. As for that + miserable vagabond workman, surnamed ‘Sleepinbuff!’” + </p> + <p> + “Fie!” exclaimed the princess, with an expression of outraged modesty. + </p> + <p> + “That man,” resumed the marquis, “is no longer an object of inquietude. + Lastly, Gabriel, upon whom our vast and certain hope reposes, will not be + left by himself for a single minute until the great day. Everything seems, + you see, to promise success; indeed, more so than ever; and it is + necessary to obtain this success at any price. It is for us a question of + life or death; for, in returning, I stopped at Forli, and there saw the + Duke d’Orbano. His influence over the mind of the king is all powerful—indeed, + absolute; and he has completely prepossessed the royal mind. It is with + the duke alone, then, that it is possible to treat.” + </p> + <p> + “Well?” + </p> +<div class="fig"> + <img src="images/10365m.jpg" alt="10365m " /><br /> + </div> + <h5> + <a href="images/10365.jpg"><i>Original</i></a> + </h5> + <p> + “D’Orbano has gained strength; and he can, I know it, assure to us a legal + existence, highly protected, in the dominions of his master, with full + charge of popular education. Thanks to such advantages, after two or three + years in that country we shall become so deeply rooted, that this very + Duke d’Orbano, in his turn, will have to solicit support and protection + from us. But at present he has everything in his power; and he puts an + absolute condition upon his services.” + </p> + <p> + “What is the condition?” + </p> + <p> + “Five millions down; and an annual pension of a hundred thousand francs.” + </p> + <p> + “It is very much.” + </p> + <p> + “Nay, but little if it be considered that our foot once planted in that + country, we shall promptly repossess ourselves of that sum, which, after + all, is scarcely an eighth part of what the affair of the medals, if + happily brought to an issue, ought to assure to the Order.” + </p> + <p> + “Yes, nearly forty millions,” said the princess, thoughtfully. + </p> + <p> + “And again: these five millions that Orbano demands will be but an + advance. They will be returned to us in voluntary gifts, by reason even of + the increase of influence that we shall acquire from the education of + children; through whom we have their families. And yet, the fools + hesitate! those who govern see not, that in doing our own business, we do + theirs also;—that in abandoning education to us (which is what we + wish for above all things) we mold the people into that mute and quiet + obedience, that servile and brutal submission, which assures the repose of + states by the immobility of the mind. They don’t reflect that most of the + upper and middle classes fear and hate us; don’t understand that (when we + have persuaded the mass that their wretchedness is an eternal law, that + sufferers must give up hope of relief, that it is a crime to sigh for + welfare in this world, since the crown of glory on high is the only reward + for misery here), then the stupefied people will resignedly wallow in the + mire, all their impatient aspirations for better days smothered, and the + volcano-blasts blown aside, which made the future of rulers so horrid and + so dark? They see not, in truth, that this blind and passive faith which + we demand from the mass, furnishes their rulers with a bridle with which + both to conduct and curb them; whilst we ask from the happy of the world + only some appearances which ought, if they had only the knowledge of their + own corruption, to give an increased stimulant to their pleasures. + </p> + <p> + “It signifies not,” resumed the princess; “since, as you say, a great day + is at hand, bringing nearly forty millions, of which the Order can become + possessed by the happy success of the affair of the medals. We certainly + can attempt very great things. Like a lever in your hands, such a means of + action would be of incalculable power, in times during which all men buy + and sell one another.” + </p> + <p> + “And then,” resumed M. d’Aigrigny, with a thoughtful air, “here the + reaction continues: the example of France is everything. In Austria and + Holland we can rarely maintain ourselves; while the resources of the Order + diminish from day to day. We have arrived at a crisis; but it can be made + to prolong itself. Thus, thanks to the immense resource of the affair of + the medals, we can not only brave all eventualities, but we can again + powerfully establish ourselves, thanks to the offer of the Duke d’Orbano, + which we accept; and then, from that inassailable centre, our radiations + will be incalculable. Ah! the 13th of February!” added M. d’Aigrigny, + after a moment of silence, and shaking his head: “the 13th of February, a + date perhaps fortunate and famous for our power as that of the council + which gave to us (so to say) a new life!” + </p> + <p> + “And nothing must be spared.” resumed the princess, “in order to succeed + at any price. Of the six persons whom we have to fear, five are or will be + out of any condition to hurt us. There remains then only my niece; and you + know that I have waited but for your arrival in order to take my last + resolution. All my preparations are completed; and this very morning we + will begin to act.” + </p> + <p> + “Have your suspicions increased since your last letter?” + </p> + <p> + “Yes, I am certain that she is more instructed than she wishes to appear; + and if so, we shall not have a more dangerous enemy.” + </p> + <p> + “Such has always been my opinion. Thus it is six month: since I advised + you to take in all cases the measures which you have adopted, in order to + provoke, on her part, that demand of emancipation, the consequences of + which now render quite easy that which would have been impossible without + it.” + </p> + <p> + “At last,” said the princess, with an expression of joy, hateful and + bitter, “this indomitable spirit will be broken. I am at length about to + be avenged of the many insolent sarcasms which I have been compelled to + swallow, lest I should awaken her suspicions. I! I to have borne so much + till now! for this Adrienne has made it her business (imprudent as she + is!) to irritate me against herself!” + </p> + <p> + “Whosoever offends you, offends me; you know it,” said D’Aigrigny, “my + hatreds are yours.” + </p> + <p> + “And you yourself!” said the princess, “how many times have you been the + butt of her poignant irony!” + </p> + <p> + “My instincts seldom deceive me. I am certain that this young girl may + become a dangerous enemy for us,” said the marquis, with a voice painfully + broken into short monosyllables. + </p> + <p> + “And, therefore, it is necessary that she may be rendered incapable of + exciting further fear,” responded Madame de Saint-Dizier, fixedly + regarding the marquis. + </p> + <p> + “Have you seen Dr. Baleinier, and the sub-guardian, M. Tripeaud?” asked + he. + </p> + <p> + “They will be here this morning. I have informed them of everything.” + </p> + <p> + “Did you find them well disposed to act against her?” + </p> + <p> + “Perfectly so—and the best is, Adrienne does not at all suspect the + doctor, who has known how, up to a certain point, to preserve her + confidence. Moreover, a circumstance which appears to me inexplicable has + come to our aid.” + </p> + <p> + “What do you allude to?” + </p> + <p> + “This morning, Mrs. Grivois went, according to my orders, to remind + Adrienne that I expected her at noon, upon important business. As she + approached the pavilion, Mrs. Grivois saw, or thought she saw, Adrienne + come in by the little garden-gate.” + </p> + <p> + “What do you tell me? Is it possible? Is there any positive proof of it?” + cried the marquis. + </p> + <p> + “Till now, there is no other proof than the spontaneous declaration of + Mrs. Grivois: but whilst I think of it,” said the Princess, taking up a + paper that lay before her, “here is the report, which, every day, one of + Adrienne’s women makes to me.” + </p> + <p> + “The one that Rodin succeeded in introducing into your niece’s service?” + </p> + <p> + “The same; as this creature is entirely in Rodin’s hands, she has hitherto + answered our purpose very well. In this report, we shall perhaps find the + confirmation of what Mrs. Grivois affirms she saw.” + </p> + <p> + Hardly had the Princess glanced at the note, than she exclaimed almost in + terror: “What do I see? Why, Adrienne is a very demon!” + </p> + <p> + “What now?” + </p> + <p> + “The bailiff at Cardoville, having written to my niece to ask her + recommendation, informed her at the same time of the stay of the Indian + prince at the castle. She knows that he is her relation, and has just + written to her old drawing-master, Norval, to set out post with Eastern + dresses, and bring Prince Djalma hither—the man that must be kept + away from Paris at any cost.” + </p> + <p> + The marquis grew pale, and said to Mme. de Saint-Dizier: “If this be not + merely one of her whims, the eagerness she displays in sending for this + relation hither, proves that she knows more than you even suspected. She + is ‘posted’ on the affair of the medals. Have a care—she may ruin + all.” + </p> + <p> + “In that case,” said the princess, resolutely, “there is no room to + hesitate. We must carry things further than we thought, and make an end + this very morning.” + </p> + <p> + “Yes, though it is almost impossible.” + </p> + <p> + “Nay, all is possible. The doctor and M. Tripeaud are ours,” said the + princess, hastily. + </p> + <p> + “Though I am as sure as you are of the doctor, or of M. Tripeaud, under + present circumstances, we must not touch on the question of acting—which + will be sure to frighten them at first—until after our interview + with your niece. It will be easy, notwithstanding her cleverness, to find + out her armor’s defect. If our suspicions should be realized—if she + is really informed of what it would be so dangerous for her to know—then + we must have no scruples, and above all no delay. This very day must see + all set at rest. The time for wavering is past.” + </p> + <p> + “Have you been able to send for the person agreed on?” asked the princess, + after a moment’s silence. + </p> + <p> + “He was to be here at noon. He cannot be long.” + </p> + <p> + “I thought this room would do very well for our purpose. It is separated + from the smaller parlor by a curtain only behind which your man may be + stationed.” + </p> + <p> + “Capital!” + </p> + <p> + “Is he a man to be depended on?” + </p> + <p> + “Quite so—we have often employed him in similar matters. He is as + skillful as discreet.” + </p> + <p> + At this moment a low knock was heard at the door. + </p> + <p> + “Come in,” said the princess. + </p> +<div class="fig"> + <img src="images/10349m.jpg" alt="10349m " /><br /> + </div> + <h5> + <a href="images/10349.jpg"><i>Original</i></a> + </h5> + <p> + “Dr. Baleinier wishes to know if her Highness the Princess can receive + him,” asked the valet-de-chambre. + </p> + <p> + “Certainly. Beg him to walk in.” + </p> + <p> + “There is also a gentleman that M. l’Abbe appointed to be here at noon, by + whose orders I have left him waiting in the oratory.” + </p> + <p> + “‘Tis the person in question,” said the marquis to the princess. “We must + have him in first. ‘Twould be useless for Dr. Baleinier to see him at + present.” + </p> + <p> + “Show this person in first,” said the princess; “next when I ring the + bell, you will beg Dr. Baleinier to walk this way: and, if Baron Tripeaud + should call, you will bring him here also. After that, I am at home to no + one, except Mdlle. Adrienne.” The servant went out. + </p> + <p> + (9) With regard to this text, a commentary upon it will be found in the + Constitutions of the Jesuits, as follows: “In order that the habit of + language may come to the help of the sentiments, it is wise not to say, ‘I + have parents, or I have brothers;’ but to say, ‘I had parents; I had + brothers.’”—General Examination, p. 29; Constitutions.—Paulin; + 1843. Paris. + </p> + <p> + <a name="link2HCH0038" id="link2HCH0038"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXXVIII. ADRIENNE’S ENEMIES. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>he Princess de Saint-Dizier’s valet soon returned, showing in a little, + pale man, dressed in black, and wearing spectacles. He carried under his + left arm a long black morocco writing-case. + </p> + <p> + The princess said to this man: “M. l’Abbe, I suppose, has already informed + you of what is to be done?” + </p> + <p> + “Yes, your highness,” said the man in a faint, shrill, piping voice, + making at the same time a low bow. + </p> + <p> + “Shall you be conveniently placed in this room?” asked the princess, + conducting him to the adjoining apartment, which was only separated from + the other by a curtain hung before a doorway. + </p> + <p> + “I shall do nicely here, your highness,” answered the man in spectacles, + with a second and still lower bow. + </p> + <p> + “In that case, sir, please to step in here; I will let you know when it is + time.” + </p> + <p> + “I shall wait your highness’s order.” + </p> + <p> + “And pray remember my instructions,” added the marquis, as he unfastened + the loops of the curtain. + </p> + <p> + “You may be perfectly tranquil, M. l’Abbe.” The heavy drapery, as it fell, + completely concealed the man in spectacles. + </p> + <p> + The princess touched the bell; some moments after, the door opened, and + the servant announced a very important personage in this work. + </p> + <p> + Dr. Baleinier was about fifty years of age, middling size, rather plump, + with a full shining, ruddy countenance. His gray hair, very smooth and + rather long, parted by a straight line in the middle, fell flat over his + temples. He had retained the fashion of wearing short, black silk + breeches, perhaps because he had a well-formed leg; his garters were + fastened with small, golden buckles, as were his shoes of polished morocco + leather; his coat, waistcoat, and cravat were black, which gave him rather + a clerical appearance; his sleek, white hand was half hidden beneath a + cambric ruffle, very closely plaited; on the whole, the gravity of his + costume did not seem to exclude a shade of foppery. + </p> + <p> + His face was acute and smiling; his small gray eye announced rare + penetration and sagacity. A man of the world and a man of pleasure, a + delicate epicure, witty in conversation, polite to obsequiousness, supple, + adroit, insinuating, Baleinier was one of the oldest favorites of the + congregational set of the Princess de Saint-Dizier. Thanks to this + powerful support, its cause unknown, the doctor, who had been long + neglected, in spite of real skill and incontestable merit, found himself, + under the Restoration, suddenly provided with two medical sinecures most + valuable, and soon after with numerous patients. We must add, that, once + under the patronage of the princess, the doctor began scrupulously to + observe his religious duties; he communicated once a week, with great + publicity, at the high mass in Saint Thomas Aquinas Church. + </p> + <p> + At the year’s end, a certain class of patients, led by the example and + enthusiasm of Madame de Saint-Dizier’s followers, would have no other + physician than Doctor Baleinier, and his practice was now increased to an + extraordinary degree. It may be conceived how important it was for the + order, to have amongst its “plain clothes members” one of the most popular + practitioners of Paris. + </p> + <p> + A doctor has in some sort a priesthood of his own. Admitted at all hours + to the most secret intimacy of families, he knows, guesses, and is able to + effect much. Like the priest, in short, he has the ear of the sick and the + dying. Now, when he who cares for the health of the body, and he who takes + charge of the health of the soul, understands each other, and render + mutual aid for the advancement of a common interest, there is nothing + (with certain exceptions), which they may not extract from the weakness + and fears of a sick man at the last gasp—not for themselves (the + laws forbid it)—but for third parties belonging more or less to the + very convenient class of men of straw. Doctor Baleinier was therefore one + of the most active and valuable assistant members of the Paris Jesuits. + </p> + <p> + When he entered the room, he hastened to kiss the princess’s hand with the + most finished gallantry. + </p> + <p> + “Always punctual, my dear M. Baleinier.” + </p> + <p> + “Always eager and happy to attend to your highness’s orders.” Then turning + towards the marquis, whose hand he pressed cordially, he added: “Here we + have you then at last. Do you know, that three months’ absence appears + very long to your friends?” + </p> + <p> + “The time is as long to the absent as to those who remain, my dear doctor. + Well! here is the great day, Mdlle. de Cardoville is coming.” + </p> + <p> + “I am not quite easy,” said the princess; “suppose she had any suspicion?” + </p> + <p> + “That’s impossible,” said M. Baleinier; “we are the best friends in the + world. You know, that Mdlle. Adrienne has always had great confidence in + me. The day before yesterday, we laughed a good deal, and as I made some + observations to her, as usual, on her eccentric mode of life, and on the + singular state of excitement in which I sometimes found her—” + </p> + <p> + “M. Baleinier never fails to insist on these circumstances, in appearance + so insignificant,” said Madame de Saint-Dizier to the marquis with a + meaning look. + </p> + <p> + “They are indeed very essential,” replied the other. + </p> + <p> + “Mdlle. Adrienne answered my observations,” resumed the doctor, “by + laughing at me in the gayest and most witty manner; for I must confess, + that this young lady has one of the aptest and most accomplished minds I + know.” + </p> + <p> + “Doctor, doctor!” said Madame de Saint-Dizier, “no weakness!” + </p> + <p> + Instead of answering immediately, M. Baleinier drew his gold snuff-box + from his waistcoat pocket, opened it, and took slowly a pinch of snuff, + looking all the time at the princess with so significant an air, that she + appeared quite reassured. “Weakness, madame?” observed he at last, + brushing some grains of snuff from his shirt-front with his plump white + hand; “did I not have the honor of volunteering to extricate you from this + embarrassment?” + </p> + <p> + “And you are the only person in the world that could render us this + important service,” said D’Aigrigny. + </p> + <p> + “Your highness sees, therefore,” resumed the doctor, “that I am not likely + to show any weakness. I perfectly understand the responsibility of what I + undertake; but such immense interests, you told me, were at stake—” + </p> + <p> + “Yes,” said D’Aigrigny, “interests of the first consequence.” + </p> + <p> + “Therefore I did not hesitate,” proceeded M. Baleinier; “and you need not + be at all uneasy. As a man of taste, accustomed to good society, allow me + to render homage to the charming qualities of Mdlle. Adrienne; when the + time for action comes, you will find me quite as willing to do my work.” + </p> + <p> + “Perhaps, that moment may be nearer than we thought,” said Madame de + Saint-Dizier, exchanging a glance with D’Aigrigny. + </p> + <p> + “I am, and will be, always ready,” said the doctor. “I answer for + everything that concerns myself. I wish I could be as tranquil on every + other point.” + </p> + <p> + “Is not your asylum still as fashionable—as an asylum can well be?” + asked Madame de Saint-Dizier, with a half smile. + </p> +<div class="fig"> + <img src="images/10373m.jpg" alt="10373m " /><br /> + </div> + <h5> + <a href="images/10373.jpg"><i>Original</i></a> + </h5> + <p> + “On the contrary. I might almost complain of having too many boarders. It + is not that. But, whilst we are waiting for Mdlle. Adrienne, I will + mention another subject, which only relates to her indirectly, for it + concerns the person who, bought Cardoville Manor, one Madame de la + Sainte-Colombe, who has taken me for a doctor, thanks to Rodin’s able + management.” + </p> + <p> + “True,” said D’Aigrigny; “Rodin wrote to me on the subject—but + without entering into details.” + </p> + <p> + “These are the facts,” resumed the doctor. “This Madame de la Sainte + Colombe, who was at first considered easy enough to lead, has shown + herself very refractory on the head of her conversion. Two spiritual + directors have already renounced the task of saving her soul. In despair, + Rodin unslipped little Philippon on her. He is adroit, tenacious, and + above all patient in the extreme—the very man that was wanted. When + I got Madame de la Sainte-Colombe for a patient, Philippon asked my aid, + which he was naturally entitled to. We agreed upon our plan. I was not to + appear to know him the least in the world; and he was to keep me informed + of the variations in the moral state of his penitent, so that I might be + able, by the use of very inoffensive medicines—for there was nothing + dangerous in the illness—to keep my patient in alternate states of + improvement or the reverse, according as her director had reason to be + satisfied or displeased—so that he might say to her: ‘You see, + madame, you are in the good way! Spiritual grace acts upon your bodily + health, and you are already better. If, on the contrary, you fall back + into evil courses, you feel immediately some physical ail, which is a + certain proof of the powerful influence of faith, not only on the soul, + but on the body also?’” + </p> + <p> + “It is doubtless painful,” said D’Aigrigny, with perfect coolness, “to be + obliged to have recourse to such means, to rescue perverse souls from + perdition—but we must needs proportion our modes of action to the + intelligence and the character of the individual.” + </p> + <p> + “By-the-bye, the princess knows,” resumed the doctor, “that I have often + pursued this plan at St. Mary’s Convent, to the great advantage of the + soul’s peace and health of some of our patients, being extremely innocent. + These alternations never exceed the difference between ‘pretty well,’ and + ‘not quite so well.’ Yet small as are the variations, they act most + efficaciously on certain minds. It was thus with Madame de la + Sainte-Colombe. She was in such a fair way of recovery, both moral and + physical, that Rodin thought he might get Philippon to advise the country + for his penitent, fearing that Paris air might occasion a relapse. This + advice, added to the desire the woman had to play ‘lady of the parish,’ + induced her to buy Cardoville Manor, a good investment in any respect. But + yesterday, unfortunate Philippon came to tell me, that Madame de la + Sainte-Colombe was about to have an awful relapse—moral, of course—for + her physical health is now desperately good. The said relapse appears to + have been occasioned by an interview she has had with one Jacques + Dumoulin, whom they tell me you know, my dear abbe; he has introduced + himself to her, nobody can guess how.” + </p> + <p> + “This Jacques Dumoulin,” said the marquis, with disgust, “is one of those + men, that we employ while we despise. He is a writer full of gall, envy, + and hate, qualities that give him a certain unmercifully cutting + eloquence. We pay him largely to attack our enemies, though it is often + painful to see principles we respect defended by such a pen. For this + wretch lives like a vagabond—is constantly in taverns—almost + always intoxicated—but, I must own, his power of abuse is + inexhaustible, and he is well versed in the most abstruse theological + controversies, so that he is sometimes very useful to us.” + </p> + <p> + “Well! though Madame de la Sainte-Colombe is hard upon sixty, it appears + that Dumoulin has matrimonial views on her large fortune. You will do well + to inform Rodin, so that he may be on his guard against the dark designs + of this rascal. I really beg a thousand pardons for having so long + occupied you with such a paltry affair—but, talking of St. Mary’s + Convent,” added the doctor, addressing the princess, “may I take the + liberty of asking if your highness has been there lately?” + </p> + <p> + The princess exchanged a rapid glance with D’Aigrigny, and answered: “Oh, + let me see! Yes, I was there about a week ago.” + </p> + <p> + “You will find great changes then. The wall that was next to my asylum has + been taken down, for they are going to build anew wing and a chapel, the + old one being too small. I must say in praise of Mdlle. Adrienne” + continued the doctor with a singular smile aside, “that she promised me a + copy of one of Raphael’s Madonnas for this chapel.” + </p> + <p> + “Really? very appropriate!” said the princess. “But here it is almost + noon, and M. Tripeaud has not come.” + </p> + <p> + “He is the deputy-guardian of Mdlle. de Cardoville, whose property he has + managed, as former agent of the count-duke,” said the marquis, with + evident anxiety, “and his presence here is absolutely indispensable. It is + greatly to be desired that his coming should precede that of Mdlle. de + Cardoville, who may be here at any moment.” + </p> + <p> + “It is unlucky that his portrait will not do as well,” said the doctor, + smiling maliciously, and drawing a small pamphlet from his pocket. + </p> + <p> + “What is that, doctor?” asked the princess. + </p> + <p> + “One of those anonymous sheets, which are published from time to time. It + is called the ‘Scourge,’ and Baron Tripeaud’s portrait is drawn with such + faithfulness, that it ceases to be satire. It is really quite life like; + you have only to listen. The sketch is entitled: ‘TYPE OF THE LYNX + SPECIES.’ + </p> + <p> + “‘The Baron Tripeaud.—This man, who is as basely humble towards his + social superiors, as he is insolent and coarse to those who depend upon + him—is the living, frightful incarnation of the worst pardon of the + moneyed and commercial aristocracy—one of the rich and cynical + speculators, without heart, faith or conscience, who would speculate for a + rise or fall on the death of his mother, if the death of his mother could + influence the price of stocks. + </p> + <p> + “‘Such persons have all the odious vices of men suddenly elevated, not + like those whom honest and patient labor has nobly enriched, but like + those who owe their wealth to some blind caprice of fortune, or some lucky + cast of the net in the miry waters of stock-jobbing. + </p> + <p> + “‘Once up in the world, they hate the people—because the people + remind them of a mushroom origin of which they are ashamed. Without pity + for the dreadful misery of the masses, they ascribe it wholly to idleness + or debauchery because this calumny forms an excuse for their barbarous + selfishness. + </p> + <p> + “‘And this is not all. On the strength of his well-filled safe, mounted on + his right of the candidate, Baron Tripeaud insults the poverty and + political disfranchisement—of the officer, who, after forty years of + wars and hard service, is just able to live on a scanty pension—Of + the magistrate, who has consumed his strength in the discharge of stern + and sad duties, and who is not better remunerated in his litter days—Of + the learned man who has made his country illustrious by useful labors; or + the professor who has initiated entire generations in the various branches + of human knowledge—Of the modest and virtuous country curate, the + pure representative of the gospel, in its charitable, fraternal, and + democratic tendencies, etc. + </p> + <p> + “‘In such a state of things, how should our shoddy baron of in-dust-ry not + feel the most sovereign contempt for all that stupid mob of honest folk, + who, having given to their country their youth, their mature age, their + blood, their intelligence, their learning, see themselves deprived of the + rights which he enjoys, because he has gained a million by unfair and + illegal transactions? + </p> + <p> + “‘It is true, that your optimists say to these pariahs of civilization, + whose proud and noble poverty cannot be too much revered and honored: “Buy + an estate and you too may be electors and candidates!”’ + </p> + <p> + “‘But to come to the biography of our worthy baron—Andrew Tripeaud, + the son of an ostler, at a roadside inn.’” + </p> + <p> + At this instant the folding-doors were thrown open, and the valet + announced: “The Baron Tripeaud!” + </p> + <p> + Dr. Baleinier put his pamphlet into his pocket, made the most cordial bow + to the financier, and even rose to give him his hand. The baron entered + the room, overwhelming every one with salutations. “I have the honor to + attend the orders of your highness the princess. She knows that she may + always count upon me.” + </p> + <p> + “I do indeed rely upon you, M. Tripeaud, and particularly under present + circumstances.” + </p> + <p> + “If the intentions of your highness the princess are still the same with + regard to Mdlle. de Cardoville—” + </p> + <p> + “They are still the same, M. Tripeaud, and we meet to-day on that + subject.” + </p> + <p> + “Your highness may be assured of my concurrence, as, indeed, I have + already promised. I think that the greatest severity must at length be + employed, and that even if it were necessary.” + </p> + <p> + “That is also our opinion,” said the marquis, hastily making a sign to the + princess, and glancing at the place where the man in spectacles was + hidden; “we are all perfectly in harmony. Still, we must not leave any + point doubtful, for the sake of the young lady herself, whose interests + alone guides us in this affair. We must draw out her sincerity by every + possible means.” + </p> + <p> + “Mademoiselle has just arrived from the summer-house and wishes to see + your highness,” said the valet, again entering, after having knocked at + the door. + </p> + <p> + “Say that I wait for her,” answered the princess; “and now I am at home to + no one—without exception. You understand me; absolutely to no one.” + </p> + <p> + Thereupon, approaching the curtain behind which the man was concealed, + Mme. de Saint-Dizier gave him the cue—after which she returned to + her seat. + </p> + <p> + It is singular, but during the short space which preceded Adrienne’s + arrival, the different actors in this scene appeared uneasy and + embarrassed, as if they had a vague fear of her coming. In about a minute, + Mdlle. de Cardoville entered the presence of her aunt. + </p> + <p> + <a name="link2HCH0039" id="link2HCH0039"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXXIX. THE SKIRMISH. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">O</span>n entering, Mdlle. de Cardoville threw down upon a chair the gray beaver + hat she had worn to cross the garden, and displayed her fine golden hair, + falling on either side of her face in long, light ringlets, and twisted in + a broad knot behind her head. She presented herself without boldness, but + with perfect ease: her countenance was gay and smiling; her large black + eyes appeared even more brilliant than usual. When she perceived Abbe + d’Aigrigny, she started in surprise, and her rosy lips were just touched + with a mocking smile. + </p> + <p> + After nodding graciously to the doctor, she passed Baron Tripeaud by + without looking at him, and saluted the princess with stately obeisance, + in the most fashionable style. + </p> + <p> + Though the walk and bearing of Mdlle. de Cardoville were extremely + elegant, and full of propriety and truly feminine grace, there was about + her an air of resolution and independence by no means common in women, and + particularly in girls of her age. Her movements, without being abrupt, + bore no traces of restraint, stiffness, or formality. They were frank and + free as her character, full of life, youth, and freshness; and one could + easily divine that so buoyant, straightforward, and decided a nature had + never been able to conform itself to the rules of an affected rigor. + </p> + <p> + Strangely enough, though he was a man of the world, a man of great talent, + a churchman distinguished for his eloquence, and, above all, a person of + influence and authority. Marquis d’Aigrigny experienced an involuntary, + incredible, almost painful uneasiness, in presence of Adrienne de + Cardoville. He—generally so much the master of himself, so + accustomed to exercise great power—who (in the name of his Order) + had often treated with crowned heads on the footing of an equal, felt + himself abashed and lowered in the presence of this girl, as remarkable + for her frankness as for her biting irony. Now, as men who are accustomed + to impose their will upon others generally hate those who, far from + submitting to their influence, hamper it and make sport of them, it was no + great degree of affection that the marquis bore towards the Princess de + Saint-Dizier’s niece. + </p> + <p> + For a long time past, contrary to his usual habit, he had ceased to try + upon Adrienne that fascinating address to which he had often owed an + irresistible charm; towards her he had become dry, curt, serious, taking + refuge in that icy sphere of haughty dignity and rigid austerity which + completely hid all those amiable qualities with which he was endowed and + of which, in general, he made such efficient use. Adrienne was much amused + at all this, and thereby showed her imprudence—for the most vulgar + motives often engender the most implacable hatreds. + </p> + <p> + From these preliminary observations, the reader will understand the divers + sentiments and interests which animated the different actors in the + following scene. + </p> + <p> + Madame de Saint-Dizier was seated in a large arm-chair by one side of the + hearth. Marquis d’Aigrigny was standing before the fire. Dr. Baleinier + seated near a bureau, was again turning over the leaves of Baron + Tripeaud’s biography, whilst the baron appeared to be very attentively + examining one of the pictures of sacred subjects suspended from the wall. + </p> + <p> + “You sent for me, aunt, to talk upon matters of importance?” said + Adrienne, breaking the silence which had reigned in the reception-room + since her entrance. + </p> + <p> + “Yes, madame,” answered the princess, with a cold and severe mien; “upon + matters of the gravest importance.” + </p> + <p> + “I am at your service, aunt. Perhaps we had better walk into your + library?” + </p> + <p> + “It is not necessary. We can talk here.” Then, addressing the marquis, the + doctor, and the baron, she said to them, “Pray, be seated, gentlemen,” and + they all took their places round the table. + </p> + <p> + “How can the subject of our interview interest these gentlemen, aunt?” + asked Mdlle. de Cardoville, with surprise. + </p> + <p> + “These gentlemen are old family friends; all that concerns you must + interest them, and their advice ought to be heard and accepted by you with + respect.” + </p> + <p> + “I have no doubt, aunt, of the bosom friendship of M. d’Aigrigny for our + family: I have still less of the profound and disinterested devotion of M. + Tripeaud; M. Baleinier is one of my old friends; still, before accepting + these gentlemen as spectators, or, if you will, as confidants of our + interview, I wish to know what we are going to talk of before them.” + </p> + <p> + “I thought that, among your many singular pretensions, you had at least + those of frankness and courage.” + </p> + <p> + “Really, aunt,” said Adrienne, smiling with mock humility, “I have no more + pretensions to frankness and courage than you have to sincerity and + goodness. Let us admit, once for all, that we are what we are—without + pretension.” + </p> + <p> + “Be it so,” said Madame de Saint-Dizier, in a dry tone; “I have long been + accustomed to the freaks of your independent spirit. I suppose, then, + that, courageous and frank as you say you are, you will not be afraid to + speak before such grave and respectable persons as these gentlemen what + you would speak to me alone?” + </p> + <p> + “Is it a formal examination that I am to submit to? if so, upon what + subject?” + </p> + <p> + “It is not an examination: but, as I have a right to watch over you, and + as you take advantage of my weak compliance with your caprices, I mean to + put an end to what has lasted too long, and tell you my irrevocable + resolutions for the future, in presence of friends of the family. And, + first, you have hitherto had a very false and imperfect notion of my power + over you.” + </p> + <p> + “I assure you, aunt, that I have never had any notion, true or false, on + the subject—for I have never even dreamt about it.” + </p> + <p> + “That is my own fault; for, instead of yielding to your fancies, I should + have made you sooner feel my authority; but the moment has come to submit + yourself; the severe censures of my friends have enlightened me in time. + Your character is self-willed, independent, stubborn; it must change—either + by fair means or by force, understand me, it shall change.” + </p> + <p> + At these words, pronounced harshly before strangers, with a severity which + did not seem at all justified by circumstances, Adrienne tossed her head + proudly; but, restraining herself, she answered with a smile: “You say, + aunt, that I shall change. I should not be astonished at it. We hear of + such odd conversions.” + </p> + <p> + The princess bit her lips. + </p> + <p> + “A sincere conversion can never be called odd, as you term it, madame,” + said Abbe d’Aigrigny, coldly. “It is, on the contrary, meritorious, and + forms an excellent example.” + </p> + <p> + “Excellent?” answered Adrienne: “that depends! For instance, what if one + converts defects into vices?” + </p> + <p> + “What do you mean, madame?” cried the princess. + </p> + <p> + “I am speaking of myself, aunt; you reproach me of being independent and + resolute—suppose I were to become hypocritical and wicked? In truth, + I prefer keeping my dear little faults, which I love like spoiled + children. I know what I am; I do not know what I might be.” + </p> + <p> + “But you must acknowledge, Mdlle. Adrienne,” said Baron Tripeaud, with a + self-conceited and sententious air, “that a conversion—” + </p> +<div class="fig"> + <img src="images/10381m.jpg" alt="10381m " /><br /> + </div> + <h5> + <a href="images/10381.jpg"><i>Original</i></a> + </h5> + <p> + “I believe,” said Adrienne, disdainfully, “that M. Tripeaud is well versed + in the conversion of all sorts of property into all sorts of profit, by + all sorts of means—but he knows nothing of this matter.” + </p> + <p> + “But, madame,” resumed the financier, gathering courage from a glance of + the princess, “you forget that I have the honor to be your deputy + guardian, and that—” + </p> + <p> + “It is true that M. Tripeaud has that honor,” said Adrienne, with still + more haughtiness, and not even looking at the baron; “I could never tell + exactly why. But as it is not now the time to guess enigmas, I wish to + know, aunt, the object and the end of this meeting?” + </p> + <p> + “You shall be satisfied, madame. I will explain myself in a very clear and + precise manner. You shall know the plan of conduct that you will have + henceforth to pursue; and if you refuse to submit thereto, with the + obedience and respect that is due to my orders, I shall at once see what + course to take.” + </p> + <p> + It is impossible to give an idea of the imperious tone and stern look of + the princess, as she pronounced these words which were calculated to + startle a girl, until now accustomed to live in a great measure as she + pleased: yet, contrary perhaps to the expectation of Madame de Saint + Dizier, instead of answering impetuously, Adrienne looked her full in the + face, and said, laughing: “This is a perfect declaration of war. It’s + becoming very amusing.” + </p> + <p> + “We are not talking of declarations of war,” said the Abbe d’Aigrigny, + harshly, as if offended by the expressions of Mdlle. de Cardoville. + </p> + <p> + “Now, M. l’Abbe!” returned Adrienne, “for an old colonel, you are really + too severe upon a jest!—you are so much indebted to ‘war,’ which + gave you a French regiment after fighting so long against France—in + order to learn, of course, the strength and the weakness of her enemies.” + </p> + <p> + On these words, which recalled painful remembrances, the marquis colored; + he was going to answer, but the princess exclaimed: “Really, madame, your + behavior is quite intolerable!” + </p> + <p> + “Well, aunt, I acknowledge I was wrong. I ought not to have said this is + very amusing—for it is not so, at all; but it is at least very + curious—and perhaps,” added the young girl, after a moment’s + silence, “perhaps very audacious and audacity pleases me. As we are upon + this subject, and you talk of a plan of conduct to which I must conform + myself, under pain of (interrupting herself)—under pain of what, I + should like to know, aunt?” + </p> + <p> + “You shall know. Proceed.” + </p> + <p> + “I will, in the presence of these gentlemen, also declare, in a very plain + and precise manner, the determination that I have come to. As it required + some time to prepare for its execution, I have not spoken of it sooner, + for you know I am not in the habit of saying, ‘I will do so and so!’ but I + do it.” + </p> + <p> + “Certainly; and it is just this habit of culpable independence of which + you must break yourself.” + </p> + <p> + “Well, I had intended only to inform you of my determination at a later + period; but I cannot resist the pleasure of doing so to-day, you seem so + well disposed to hear and receive it. Still, I would beg of you to speak + first: it may just so happen, that our views are precisely the same.” + </p> + <p> + “I like better to see you thus,” said the princess. “I acknowledge at + least the courage of your pride, and your defiance of all authority. You + speak of audacity—yours is indeed great.” + </p> + <p> + “I am at least decided to do that which others in their weakness dare not—but + which I dare. This, I hope, is clear and precise.” + </p> + <p> + “Very clear, very precise,” said the princess, exchanging a glance of + satisfaction with the other actors in this scene. “The positions being + thus established, matters will be much simplified. I have only to give you + notice, in your own interest, that this is a very serious affair—much + more so than you imagine—and that the only way to dispose me to + indulgence, is to substitute, for the habitual arrogance and irony of your + language, the modesty and respect becoming a young lady.” + </p> + <p> + Adrienne smiled, but made no reply. Some moments of silence, and some + rapid glances exchanged between the princess and her three friends, showed + that these encounters, more or less brilliant in themselves, were to be + followed by a serious combat. + </p> + <p> + Mdlle. de Cardoville had too much penetration and sagacity, not to remark, + that the Princess de Saint-Dizier attached the greatest importance to this + decisive interview. But she could not understand how her aunt could hope + to impose her absolute will upon her: the threat of coercive measures + appearing with reason a mere ridiculous menace. Yet, knowing the + vindictive character of her aunt, the secret power at her disposal, and + the terrible vengeance she had sometimes exacted—reflecting, + moreover, that men in the position of the marquis and the doctor would not + have come to attend this interview without some weighty motive—the + young lady paused for a moment before she plunged into the strife. + </p> + <p> + But soon, the very presentiment of some vague danger, far from weakening + her, gave her new courage to brave the worst, to exaggerate, if that were + possible, the independence of her ideas, and uphold, come what might, the + determination that she was about to signify to the Princess de Saint + Dizier. + </p> + <p> + <a name="link2HCH0040" id="link2HCH0040"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XL. THE REVOLT + </h2> + <p> + “Madame,” said the princess to Adrienne de Cardoville, in a cold, severe + tone, “I owe it to myself, as well as to these gentlemen, to recapitulate, + in a few words, the events that have taken place for some time past. Six + months ago, at the end of the mourning for your father, you, being + eighteen years old, asked for the management of your fortune, and for + emancipation from control. Unfortunately, I had the weakness to consent. + You quitted the house, and established yourself in the extension, far from + all superintendence. Then began a train of expenditures, each one more + extravagant than the last. Instead of being satisfied with one or two + waiting-women, taken from that class from which they are generally + selected, you chose governesses for lady-companions, whom you dressed in + the most ridiculous and costly fashion. It is true, that, in the solitude + of your pavilion, you yourself chose to wear, one after another, costumes + of different ages. Your foolish fancies and unreasonable whims have been + without end and without limit: not only have you never fulfilled your + religious duties, but you have actually had the audacity to profane one of + your rooms, by rearing in the centre of it a species of pagan altar, on + which is a group in marble representing a youth and a girl”—the + princess uttered these words as if they would burn her lips—“a work + of art, if you will, but a work in the highest degree unsuitable to a + person of your age. You pass whole days entirely secluded in your + pavilion, refusing to see any one; and Dr. Baleinier, the only one of my + friends in whom you seem to have retained some confidence, having + succeeded by much persuasion in gaining admittance, has frequently found + you in so very excited a state, that he has felt seriously uneasy with + regard to your health. You have always insisted on going out alone, + without rendering any account of your actions to any one. You have taken + delight in opposing, in every possible way, your will to my authority. Is + all this true?” + </p> + <p> + “The picture of my past is not much flattered,” said Adrienne; smiling, + “but it is not altogether unlike.” + </p> + <p> + “So you admit, madame,” said Abbe d’Aigrigny, laying stress on his words, + “that all the facts stated by your aunt are scrupulously true?” + </p> + <p> + Every eye was turned towards Adrienne, as if her answer would be of + extreme importance. + </p> + <p> + “Yes, M. l’Abbe,” said she; “I live openly enough to render this question + superfluous.” + </p> + <p> + “These facts are therefore admitted,” said Abbe d’Aigrigny, turning + towards the doctor and the baron. + </p> + <p> + “These facts are completely established,” said M. Tripeaud, in a pompous + voice. + </p> + <p> + “Will you tell me, aunt,” asked Adrienne, “what is the good of this long + preamble?” + </p> + <p> + “This long preamble, madame,” resumed the princess with dignity, “exposes + the past in order to justify the future.” + </p> + <p> + “Really, aunt, such mysterious proceedings are a little in the style of + the answers of the Cumaean Sybil. They must be intended to cover something + formidable.” + </p> + <p> + “Perhaps, mademoiselle—for to certain characters nothing is so + formidable as duty and obedience. Your character is one of those inclined + to revolt—” + </p> + <p> + “I freely acknowledge it, aunt—and it will always be so, until duty + and obedience come to me in a shape that I can respect and love.” + </p> + <p> + “Whether you respect and love my orders or not, madame,” said the + princess, in a curt, harsh voice, “you will, from to-day, from this + moment, learn to submit blindly and absolutely to my will. In one word, + you will do nothing without my permission: it is necessary, I insist upon + it, and so I am determined it shall be.” + </p> + <p> + Adrienne looked at her aunt for a second, and then burst into so free and + sonorous a laugh, that it rang for quite a time through the vast + apartment. D’Aigrigny and Baron Tripeaud started in indignation. The + princess looked angrily at her niece. The doctor raised his eyes to + heaven, and clasped his hands over his waistcoat with a sanctimonious + sigh. + </p> + <p> + “Madame,” said Abbe d’Aigrigny, “such fits of laughter are highly + unbecoming. Your aunt’s words are serious, and deserve a different + reception.” + </p> + <p> + “Oh, sir!” said Adrienne, recovering herself, “it is not my fault if I + laugh. How can I maintain my gravity, when I hear my aunt talking of blind + submission to her orders? Is the swallow, accustomed to fly upwards and + enjoy the sunshine, fledged to live with the mole in darkness?” + </p> + <p> + At this answer, D’Aigrigny affected to stare at the other members of this + kind of family council with blank astonishment. + </p> + <p> + “A swallow? what does she mean?” asked the abbe of the baron making a + sign, which the latter understood. + </p> + <p> + “I do not know,” answered Tripeaud, staring in his turn at the doctor. + “She spoke too of a mole. It ‘is quite unheard-of—incomprehensible.” + </p> + <p> + “And so, madame,” said the princess, appearing to share in the surprise of + the others, “this is the reply that you make to me?” + </p> + <p> + “Certainly,” answered Adrienne, astonished herself that they should + pretend not to understand the simile of which she had made use, accustomed + as she was to speak in figurative language. + </p> + <p> + “Come, come, madame,” said Dr. Baleinier, smiling good-humoredly, “we must + be indulgent. My dear Mdlle. Adrienne has naturally so uncommon and + excitable a nature! She is really the most charming mad woman I know; I + have told her so a hundred times, in my position of an old friend, which + allows such freedom.” + </p> + <p> + “I can conceive that your attachment makes you indulgent—but it is + not the less true, doctor,” said D’Aigrigny, as if reproaching him for + taking the part of Mdlle. de Cardoville, “that such answers to serious + questions are most extravagant.” + </p> + <p> + “The evil is, that mademoiselle does not seem to comprehend the serious + nature of this conference,” said the princess, harshly. “She will perhaps + understand it better when I have given her my orders.” + </p> + <p> + “Let us hear these orders, aunt,” replied Adrienne as, seated on the other + side of the table, opposite to the princess, she leaned her small, dimpled + chin in the hollow of her pretty hand, with an air of graceful mockery, + charming to behold. + </p> + <p> + “From to-morrow forward,” resumed the princess, “you will quit the + summer-house which you at present inhabit, you will discharge your women, + and come and occupy two rooms in this house, to which there will be no + access except through my apartment. You will never go out alone. You will + accompany me to the services of the church. Your emancipation terminates, + in consequence of your prodigality duly proven. I will take charge of all + your expenses, even to the ordering of your clothes, so that you may be + properly and modestly dressed. Until your majority (which will be + indefinitely postponed, by means of the intervention of a family-council), + you will have no money at your own disposal. Such is my resolution.” + </p> + <p> + “And certainly your resolution can only be applauded, madame,” said Baron + Tripeaud; “we can but encourage you to show the greatest firmness, for + such disorders must have an end.” + </p> + <p> + “It is more than time to put a stop to such scandal,” added the abbe. + </p> + <p> + “Eccentricity and exaltation of temperament—may excuse many things,” + ventured to observe the smooth-tongued doctor. + </p> + <p> + “No doubt,” replied the princess dryly to Baleinier, who played his part + to perfection; “but then, doctor, the requisite measures must be taken + with such characters.” + </p> + <p> + Madame de Saint-Dizier had expressed herself in a firm and precise manner; + she appeared convinced of the possibility of putting her threats into + execution. M. Tripeaud and D’Aigrigny had just now given their full + consent to the words of the princess. Adrienne began to perceive that + something very serious was in contemplation, and her gayety was at once + replaced by an air of bitter irony and offended independence. + </p> + <p> + She rose abruptly, and colored a little; her rosy nostrils dilated, her + eyes flashed fire, and, as she raised her head, she gently shook the fine, + wavy golden hair, with a movement of pride that was natural to her. After + a moment’s silence, she said to her aunt in a cutting tone: “You have + spoken of the past, madame; I also will speak a few words concerning it, + since you force me to do so, though I may regret the necessity. I quitted + your dwelling, because it was impossible for me to live longer in this + atmosphere of dark hypocrisy and black treachery.” + </p> + <p> + “Madame,” said D’Aigrigny, “such words are as violent as they are + unreasonable.” + </p> + <p> + “Since you interrupt me, sir,” said Adrienne, hastily, as she fixed her + eyes on the abbe, “tell me what examples did I meet with in my aunt’s + house?” + </p> + <p> + “Excellent, examples, madame.” + </p> + <p> + “Excellent, sir? Was it because I saw there, every day, her conversion + keep pace with your own?” + </p> + <p> + “Madame, you forget yourself!” cried the princess, becoming pale with + rage. + </p> + <p> + “Madame, I do not forget—I remember, like other people; that is all. + I had no relation of whom I could ask an asylum. I wished to live alone. I + wished to enjoy my revenues—because I chose rather to spend them + myself, than to see them wasted by M. Tripeaud.” + </p> + <p> + “Madame,” cried the baron, “I cannot imagine how you can presume—” + </p> + <p> + “Sir!” said Adrienne, reducing him to silence by a gesture of overwhelming + lordliness, “I speak of you—not to you. I wished to spend my + income,” she continued, “according to my own tastes. I embellished the + retreat that I had chosen. Instead of ugly, ill-taught servants, I + selected girls, pretty and well brought up, though poor. Their education + forbade their being subjected to any humiliating servitude, though I have + endeavored to make their situation easy and agreeable. They do not serve + me, but render me service—I pay them, but I am obliged to them—nice + distinctions that your highness will not understand, I know. Instead of + seeing them badly or ungracefully dressed, I have given them clothes that + suit their charming faces well, because I like whatever is young and fair. + Whether I dress myself one way or the other, concerns only my + looking-glass. I go out alone, because I like to follow my fancy. I do not + go to mass—but, if I had still a mother, I would explain to her my + devotions, and she would kiss me none the less tenderly. It is true, that + I have raised a pagan altar to youth and beauty, because I adore God in + all that He has made fair and good, noble and grand—because, morn + and evening, my heart repeats the fervent and sincere prayer: ‘Thanks, my + Creator! thanks!’—Your highness says that M. Baleinier has often + found me in my solitude, a prey to a strange excitement: yes, it is true; + for it is then that, escaping in thought from all that renders the present + odious and painful to me, I find refuge in the future—it is then + that magical horizons spread far before me—it is then that such + splendid visions appear to me, as make me feel myself rapt in a sublime + and heavenly ecstasy, as if I no longer appertained to earth!” + </p> + <p> + As Adrienne pronounced these last words with enthusiasm, her countenance + appeared transfigured, so resplendent did it become. In that moment, she + had lost sight of all that surrounded her. + </p> + <p> + “It is then,” she resumed, with spirit soaring higher and higher, “that I + breathe a pure air, reviving and free—yes, free—above all, + free—and so salubrious, so grateful to the soul!—Yes, instead + of seeing my sisters painfully submit to a selfish, humiliating, brutal + dominion, which entails upon them the seductive vices of slavery, the + graceful fraud, the enchanting perfidy, the caressing falsehood, the + contemptuous resignation, the hateful obedience—I behold them, my + noble sisters! worthy and sincere because they are free, faithful and + devoted because they have liberty to choose—neither imperious not + base, because they have no master to govern or to flatter—cherished + and respected, because they can withdraw from a disloyal hand their hand, + loyally bestowed. Oh, my sisters! my sisters! I feel it. These are not + merely consoling visions—they are sacred hopes.” + </p> + <p> + Carried away, in spite of herself, by the excitement of her feelings, + Adrienne paused for a moment, in order to return to earth; she did not + perceive that the other actors in this scene were looking at each other + with an air of delight. + </p> + <p> + “What she says there is excellent,” murmured the doctor in the princess’s + ear, next to whom he was seated; “were she in league with us, she would + not speak differently.” + </p> + <p> + “It is only by excessive harshness,” added D’Aigrigny, “that we shall + bring her to the desired point.” + </p> + <p> + But it seemed as if the vexed emotion of Adrienne had been dissipated by + the contact of the generous sentiments she had just uttered. Addressing + Baleinier with a smile, she said: “I must own, doctor, that there is + nothing more ridiculous, than to yield to the current of certain thoughts, + in the presence of persons incapable of understanding them. This would + give you a fine opportunity to make game of that exaltation of mind for + which you sometimes reproach me. To let myself be carried away by + transports at so serious a moment!—for, verily, the matter in hand + seems to be serious. But you see, good M. Baleinier, when an idea comes + into my head, I can no more help following it out, than I could refrain + from running after butterflies when I was a little girl.” + </p> + <p> + “And heaven only knows whither these brilliant butterflies of all colors,” + said M. Baleinier, smiling with an air of paternal indulgence, “that are + passing through your brain, are likely to lead you. Oh, madcap, when will + she be as reasonable as she is charming?” + </p> + <p> + “This very instant, my good doctor,” replied Adrienne. “I am about to cast + off my reveries for realities, and speak plain and positive language, as + you shall hear.” + </p> + <p> + Upon which, addressing her aunt, she continued: “You have imparted to me + your resolution, madame; I will now tell you mine. Within a week, I shall + quit the pavilion that I inhabit, for a house which I have arranged to my + taste, where I shall live after my own fashion. I have neither father nor + mother, and I owe no account of my actions to any but myself.” + </p> + <p> + “Upon my word, mademoiselle,” said the princess, shrugging her shoulders, + “you talk nonsense. You forget that society has inalienable moral rights, + which we are bound to enforce. And we shall not neglect them, depend upon + it.” + </p> + <p> + “So madame, it is you, and M. d’Aigrigny, and M. Tripeaud, that represent + the morality of society! This appears to me very fine. Is it because M. + Tripeaud has considered (I must acknowledge it) my fortune as his own? Is + it because—” + </p> + <p> + “Now, really, madame,” began Tripeaud. + </p> + <p> + “In good time, madame,” said Adrienne to her aunt, without noticing the + baron, “as the occasion offers, I shall have to ask you for explanations + with regard to certain interests, which have hitherto, I think, been + concealed from me.” + </p> + <p> + These words of Adrienne made D’Aigrigny and the princess start, and then + rapidly exchange a glance of uneasiness and anxiety. Adrienne did not seem + to perceive it, but thus continued: “To have done with your demands, + madame, here is my final resolve. I shall live where and how I please. I + think that, if I were a man, no one would impose on me, at my age, the + harsh and humiliating guardianship you have in view, for living as I have + lived till now—honestly, freely, and generously, in the sight of + all.” + </p> + <p> + “This idea is absurd! is madness!” cried the princess. “To wish to live + thus alone, is to carry immorality and immodesty to their utmost limits.” + </p> + <p> + “If so, madame,” said Adrienne, “what opinion must you entertain of so + many poor girls, orphans like myself, who live alone and free, as I wish + to live? They have not received, as I have, a refined education, + calculated to raise the soul, and purify the heart. They have not wealth, + as I have, to protect them from the evil temptations of misery; and yet + they live honestly and proudly in their distress.” + </p> + <p> + “Vice and virtue do not exist for such tag-rag vermin!” cried Baron + Tripeaud, with an expression of anger and hideous disdain. + </p> + <p> + “Madame, you would turn away a lackey, that would venture to speak thus + before you,” said Adrienne to her aunt, unable to conceal her disgust, + “and yet you oblige me to listen to such speeches!” + </p> + <p> + The Marquis d’Aigrigny touched M. Tripeaud with his knee under the table, + to remind him that he must not express himself in the princess’s parlors + in the same manner as he would in the lobbies of the Exchange. To repair + the baron’s coarseness, the abbe thus continued: “There is no comparison, + mademoiselle, between people of the class you name, and a young lady of + your rank.” + </p> + <p> + “For a Catholic priest, M. l’Abbe, that distinction is not very + Christian,” replied Adrienne. + </p> + <p> + “I know the purport of my words, madame,” answered the abbe, dryly; + “besides the independent life that you wish to lead, in opposition to all + reason, may tend to very serious consequences for you. Your family may one + day wish to see you married—” + </p> + <p> + “I will spare my family that trouble, sir, if I marry at all, I will + choose for myself, which also appears to me reasonable enough. But, in + truth, I am very little tempted by that heavy chain, which selfishness and + brutality rivet for ever about our necks.” + </p> + <p> + “It is indecent, madame,” said the princess, “to speak so lightly of such + an institution.” + </p> + <p> + “Before you, especially, madame, I beg pardon for having shocked your + highness! You fear that my independent planner of living will frighten + away all wooers; but that is another reason for persisting in my + independence, for I detest wooers. I only hope that they may have the very + worst opinion of me, and there is no better means of effecting that + object, than to appear to live as they live themselves. I rely upon my + whims, my follies, my sweet faults, to preserve me from the annoyance of + any matrimonial hunting.” + </p> + <p> + “You will be quite satisfied on that head,” resumed Madame de Saint + Dizier, “if unfortunately the report should gain credit, that you have + carried the forgetfulness of all duty and decency, to such a height, as to + return home at eight o’clock in the morning. So I am told is the case but + I cannot bring myself to believe such an enormity.” + </p> + <p> + “You are wrong, madame, for it is quite true.” + </p> + <p> + “So you confess it?” cried the princess. + </p> + <p> + “I confess all that I do, madame. I came home this morning at eight + o’clock.” + </p> + <p> + “You hear Gentlemen?” ejaculated the princess. + </p> + <p> + “Oh!” said M. d’Aigrigny, in a bass voice. + </p> + <p> + “Ah!” said the baron, in a treble key. + </p> + <p> + “Oh!” muttered the doctor, with a deep sigh. + </p> + <p> + On hearing these lamentable exclamations, Adrienne seemed about to speak, + perhaps to justify herself; but her lip speedily assumed a curl of + contempt, which showed that she disdained to stoop to any explanation. + </p> + <p> + “So it is true,” said the princess. “Oh, wretched girl, you had accustomed + me to be astonished at nothing; but, nevertheless, I doubted the + possibility of such conduct. It required your impudent and audacious reply + to convince the of the fact.” + </p> + <p> + “Madame, lying has always appeared to be more impudent than to speak the + truth.” + </p> + <p> + “And where had you been, madame? and for what?” + </p> + <p> + “Madame,” said Adrienne, interrupting her aunt, “I never speak false—but + neither do I speak more than I choose; and then again, it were cowardice + to defend myself from a revolting accusation. Let us say no more about it: + your importunities on this head will be altogether vain. To resume: you + wish to impose upon me a harsh and humiliating restraint; I wish to quit + the house I inhabit, to go and live where I please, at my own fancy. Which + of us two will yield, remains to be seen. Now for another matter: this + mansion belongs to me! As I am about to leave it, I am indifferent whether + you continue to live here or not; but the ground floor is uninhabited. It + contains, besides the reception-rooms, two complete sets of apartments; I + have let them for some time.” + </p> + <p> + “Indeed!” said the princess, looking at D’Aigrigny with intense surprise. + “And to whom,” she added ironically, “have you disposed of them?” + </p> + <p> + “To three members of my family.” + </p> + <p> + “What does all this mean?” said Mme. de Saint-Dizier, more and more + astonished. + </p> + <p> + “It means, madame, that I wish to offer a generous hospitality to a young + Indian prince, my kinsman on my mother’s side. He will arrive in two or + three days, and I wish to have the rooms ready to receive him.” + </p> + <p> + “You hear, gentlemen?” said D’Aigrigny to the doctor and Tripeaud, with an + affectation of profound stupor. + </p> + <p> + “It surpasses all one could imagine!” exclaimed the baron. + </p> + <p> + “Alas!” observed the doctor, benignantly, “the impulse is generous in + itself—but the mad little head crops out?” + </p> + <p> + “Excellent!” said the princes. “I cannot prevent you madame, from + announcing the most extravagant designs but it is presumable that you will + not stop short in so fair a path. Is that all?” + </p> + <p> + “Not quite, your highness. I learned this morning, that two of my female + relations, also on my mother’s side—poor children of fifteen—orphan + daughters of Marshal Simon arrived yesterday from a long journey, and are + now with the wife of the brave soldier who brought them to France from the + depths of Siberia.” + </p> + <p> + At these words from Adrienne, D’Aigrigny and the princess could not help + starting suddenly, and staring at each other with affright, so far were + they from expecting that Mdlle. de Cardoville was informed of the coming + of Marshal Simon’s daughters. This discovery was like a thunder-clap to + them. + </p> + <p> + “You are no doubt astonished at seeing me so well informed,” said + Adrienne; “fortunately, before I have done, I hope to astonish you still + more. But to return to these daughters of Marshal Simon: your highness + will understand, that it is impossible for me to leave them in charge of + the good people who have afforded them a temporary asylum. Though this + family is honest, and hard-working, it is not the place for them. I shall + go and fetch them hither, and lodge them in apartments on the + ground-floor, along with the soldier’s wife, who will do very well to take + care of them.” + </p> + <p> + Upon these words, D’Aigrigny and the baron looked at each other, and the + baron exclaimed: “Decidedly, she’s out of her head.” + </p> + <p> + Without a word to Tripeaud, Adrienne continued: “Marshal Simon cannot fail + to arrive at Paris shortly. Your highness perceives how pleasant it will + he, to be able to present his daughters to him, and prove that they have + been treated as they deserve. To-morrow morning I shall send for milliners + and mantua makers, so that they may want for nothing. I desire their + surprised father, on his return, to find them every way beautiful. They + are pretty, I am told, as angels—but I will endeavor to make little + Cupids of them.” + </p> +<div class="fig"> + <img src="images/10395m.jpg" alt="10395m " /><br /> + </div> + <h5> + <a href="images/10395.jpg"><i>Original</i></a> + </h5> + <p> + “At last, madame, you must have finished?” said the princess, in a + sardonic and deeply irritated tone, whilst D’Aigrigny, calm and cold in + appearance, could hardly dissemble his mental anguish. + </p> + <p> + “Try again!” continued the princess, addressing Adrienne. “Are there no + more relations that you wish to add to this interesting family-group? + Really a queen could not act with more magnificence.” + </p> + <p> + “Right! I wish to give my family a royal reception—such as is due to + the son of a king, and the daughters of the Duke de Ligny. It is well to + unite other luxuries of life with the luxury of the hospitable heart.” + </p> + <p> + “The maxim is assuredly generous,” said the princess, becoming more and + more agitated; “it is only a pity that you do not possess the mines of El + Dorado to make it practicable.” + </p> + <p> + “It was on the subject of a mine, said to be a rich one, that I also + wished to speak to your highness. Could I find a better opportunity? + Though my fortune is already considerable, it is nothing to what may come + to our family at any moment. You will perhaps excuse, therefore, what you + are pleased to call my royal prodigalities.” + </p> + <p> + D’Aigrigny’s dilemma became momentarily more and more thorny. The affair + of the medals was so important, that he had concealed it even from Dr. + Baleinier, though he had called in his services to forward immense + interests. Neither had Tripeaud been informed of it, for the princess + believed that she had destroyed every vestige of those papers of + Adrienne’s father, which might have put him on the scent of this + discovery. The abbe, therefore was not only greatly alarmed that Mdlle. de + Cardoville might be informed of this secret, but he trembled lest she + should divulge it. + </p> + <p> + The princess, sharing the alarms of D’Aigrigny, interrupted her niece by + exclaiming: “Madame, there are certain family affairs which ought to be + kept secret, and, without exactly understanding to what you allude, I must + request you to change the subject.” + </p> + <p> + “What, madame! are we not here a family party? Is that not sufficiently + evident by the somewhat ungracious things that have been here said?” + </p> + <p> + “No matter, madame! when affairs of interest are concerned, which are more + or less disputable, it is perfectly useless to speak of them without the + documents laid before every one.” + </p> + <p> + “And of what have we been speaking this hour, madame, if not of affairs of + interest? I really do not understand your surprise and embarrassment.” + </p> + <p> + “I am neither surprised nor embarrassed, madame; but for the last two + hours, you have obliged me to listen to so many new and extravagant + things, that a little amaze is very permissible.” + </p> + <p> + “I beg your highness’s pardon, but you are very much embarrassed,” said + Adrienne, looking fixedly at her aunt, “and M. d’Aigrigny also—which + confirms certain suspicions that I have not had the time to clear up. Have + I then guessed rightly?” she added, after a pause. “We will see—” + </p> + <p> + “Madame, I command you to be silent,” cried the princess, no longer + mistress of herself. + </p> + <p> + “Oh, madame!” said Adrienne, “for a person who has in general so much + command of her feelings, you compromise yourself strangely.” + </p> + <p> + Providence (as some will have it) came to the aid of the princess and the + Abbe d’Aigrigny at this critical juncture. A valet entered the room; his + countenance bore such marks of fright and agitation, that the princess + exclaimed as soon as she saw him: “Why, Dubois! what is the matter?” + </p> + <p> + “I have to beg pardon, your highness, for interrupting you against your + express orders, but a police inspector demands to speak with you + instantly. He is below stairs, and the yard is full of policemen and + soldiers.” + </p> + <p> + Notwithstanding the profound surprise which this new incident occasioned + her, the princess, determining to profit by the opportunity thus afforded, + to concert prompt measures with D’Aigrigny on the subject of Adrienne’s + threatened revelations, rose, and said to the abbe: “Will you be so + obliging as to accompany me, M. d’Aigrigny, for I do not know what the + presence of this commissary of police may signify.” + </p> + <p> + D’Aigrigny followed the speaker into the next room. + </p> + <p> + <a name="link2HCH0041" id="link2HCH0041"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XLI. TREACHERY. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>he Princess de Saint-Dizier, accompanied by D’Aigrigny, and followed by + the servants, stopped short in the next room to that in which had remained + Adrienne, Tripeaud and the doctor. + </p> + <p> + “Where is the commissary?” asked the princess of the servant, who had just + before announced to her the arrival of that magistrate. + </p> + <p> + “In the blue saloon, madame.” + </p> + <p> + “My compliments, and beg him to wait for me a few moments.” + </p> + <p> + The man bowed and withdrew. As soon as he was gone Madame de Saint Dizier + approached hastily M. d’Aigrigny, whose countenance, usually firm and + haughty, was now pale and agitated. + </p> + <p> + “You see,” cried the princess in a hurried voice, “Adrienne knows all. + What shall we do?—what?” + </p> + <p> + “I cannot tell,” said the abbe, with a fixed and absent look. “This + disclosure is a terrible blow to us.” + </p> + <p> + “Is all, then, lost?” + </p> + <p> + “There is only one means of safety,” said M. d’Aigrigny;—“the + doctor.” + </p> + <p> + “But how?” cried the princess. “So, sudden? this very day?” + </p> + <p> + “Two hours hence, it will be too late; ere then, this infernal girl will + have seen Marshal Simon’s daughters.” + </p> + <p> + “But—Frederick!—it is impossible! M. Baleinier will never + consent. I ought to have been prepared before hand as we intended, after + to-day’s examination.” + </p> + <p> + “No matter,” replied the abbe, quickly; “the doctor must try at any + hazard.” + </p> + <p> + “But under what pretext?” + </p> + <p> + “I will try and find one.” + </p> + <p> + “Suppose you were to find a pretext, Frederick, and we could act + immediately—nothing would be ready down there.” + </p> + <p> + “Be satisfied: they are always ready there, by habitual foresight.” + </p> + <p> + “How instruct the doctor on the instant?” resumed the princess. + </p> + <p> + “To send for him would be to rouse the suspicions of your niece,” said M. + d’Aigrigny, thoughtfully; “and we must avoid that before everything.” + </p> + <p> + “Of course,” answered the princess; “her confidence in the doctor is one + of our greatest resources.” + </p> + <p> + “There is a way,” said the abbe quickly; “I will write a few words in + haste to Baleinier: one of your people can take the note to him, as if it + came from without—from a patient dangerously ill.” + </p> + <p> + “An excellent idea!” cried the princess. “You are right. Here—upon + this table—there is everything necessary for writing. Quick! quick—But + will the doctor succeed?” + </p> + <p> + “In truth, I scarcely dare to hope it,” said the marquis, sitting down at + the table with repressed rage. “Thanks to this examination, going beyond + our hopes, which our man, hidden behind the curtain, has faithfully taken + down in shorthand—thanks to the violent scenes, which would + necessarily have occurred to-morrow and the day after—the doctor, by + fencing himself round with all sorts of clever precautions, would have + been able to act with the most complete certainty. But to ask this of him + to-day, on the instant!—Herminia—it is folly to think of!”—The + marquis threw down the pen which he held in his hand; then he added, in a + tone of bitter and profound irritation: “At the very moment of success—to + see all our hopes destroyed!—Oh, the consequences of all this are + incalculable. Your niece will be the cause of the greatest mischief—oh! + the greatest injury to us.” + </p> + <p> + It is impossible to describe the expression of deep rage and implacable + hatred with which D’Aigrigny uttered these last words. + </p> + <p> + “Frederick,” cried the princess with anxiety, as she clasped her hands + strongly around the abbe’s, “I conjure you, do not despair!—The + doctor is fertile in resources, and he is so devoted to us. Let us at + least, make the attempt.” + </p> + <p> + “Well—it is at least a chance,” said the abbe, taking up the pen + again. + </p> + <p> + “Should it come to the worst.” said the princess, “and Adrienne go this + evening to fetch General Simon’s daughters, she may perhaps no longer find + them. + </p> + <p> + “We cannot hope for that. It is impossible that Rodin’s orders should have + been so quickly executed. We should have been informed of it.” + </p> + <p> + “It is true. Write then to the doctor; I will send you Dubois, to carry + your letter. Courage, Frederick! we shall yet be too much for that + ungovernable girl.” Madame de Saint-Dizier added, with concentrated rage: + “Oh, Adrienne! Adrienne! you shall pay dearly for your insolent sarcasms, + and the anxiety you have caused us.” + </p> + <p> + As she went out, the princess turned towards M. d’Aigrigny, and said to + him: “Wait for me here. I will tell you the meaning of this visit of the + police, and we will go in together.” + </p> + <p> + The princess disappeared. D’Aigrigny dashed off a few words, with a + trembling hand. + </p> + <p> + <a name="link2HCH0042" id="link2HCH0042"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XLII. THE SNARE. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span>fter the departure of Madame de Saint-Dizier and the marquis, Adrienne + had remained in her aunt’s apartment with M. Baleinier and Baron Tripeaud. + </p> + <p> + On hearing of the commissary’s arrival, Mdlle. de Cardoville had felt + considerable uneasiness; for there could be no doubt that, as Agricola had + apprehended, this magistrate was come to search the hotel and extension, + in order to find the smith, whom he believed to be concealed there. + </p> + <p> + Though she looked upon Agricola’s hiding-place as a very safe one, + Adrienne was not quite tranquil on his account; so in the event of any + unfortunate accident, she thought it a good opportunity to recommend the + refugee to the doctor, an intimate friend, as we have said, of one of the + most influential ministers of the day. So, drawing near to the physician, + who was conversing in a low voice with the baron, she said to him in her + softest and most coaxing manner: “My good M. Baleinier, I wish to speak a + few words with you.” She pointed to the deep recess of one of the windows. + </p> + <p> + “I am at your orders, madame,” answered the doctor, as he rose to follow + Adrienne to the recess. + </p> + <p> + M. Tripeaud, who, no longer sustained by the abbe’s presence, dreaded the + young lady as he did fire, was not sorry for this diversion. To keep up + appearances, he stationed himself before one of the sacred pictures, and + began again to contemplate it, as if there were no bounds to his + admiration. + </p> + <p> + When Mdlle. de Cardoville was far enough from the baron, not to be + overheard by him, she said to the physician, who, all smiles and + benevolence, waited for her to explain: “My good doctor, you are my + friend, as you were my father’s. Just now, notwithstanding the difficulty + of your position, you had the courage to show yourself my only partisan.” + </p> + <p> + “Not at all, madame; do not go and say such things!” cried the doctor, + affecting a pleasant kind of anger. “Plague on’t! you would get me into a + pretty scrape; so pray be silent on that subject. Vade retro Satanas!—which + means: Get thee behind me, charming little demon that you are!” + </p> + <p> + “Do not be afraid,” answered Adrienne, with a smile; “I will not + compromise you. Only allow me to remind you, that you have often made me + offers of service, and spoken to me of your devotion.” + </p> + <p> + “Put me to the test—and you will see if I do not keep my promises.” + </p> + <p> + “Well, then! give me a proof on the instant,” said Adrienne, quickly. + </p> + <p> + “Capital! this is how I like to be taken at my word. What can I do for + you?” + </p> + <p> + “Are you still very intimate with your friend the minister?” + </p> + <p> + “Yes; I am just treating him for a loss of voice, which he always has, the + day they put questions to him in the house. He likes it better.” + </p> + <p> + “I want you to obtain from him something very important for me.” + </p> + <p> + “For you? pray, what is it?” + </p> + <p> + At this instant, the valet entered the room, delivered a letter to M. + Baleinier, and said to him: “A footman has just brought this letter for + you, sir; it is very pressing.” + </p> + <p> + The physician took the letter, and the servant went out. + </p> + <p> + “This is one of the inconveniences of merit,” said Adrienne, smiling; + “they do not leave you a moment’s rest, my poor doctor.” + </p> + <p> + “Do not speak of it, madame,” said the physician, who could not conceal a + start of amazement, as he recognized the writing of D’Aigrigny; “these + patients think we are made of iron, and have monopolized the health which + they so much need. They have really no mercy. With your permission, + madame,” added M. Baleinier, looking at Adrienne before he unsealed the + letter. + </p> + <p> + Mdlle. de Cardoville answered by a graceful nod. Marquis d’Aigrigny’s + letter was not long; the doctor read it at a single glance, and, + notwithstanding his habitual prudence, he shrugged his shoulders, and said + hastily: “Today! why, it’s impossible. He is mad.” + </p> + <p> + “You speak no doubt of some poor patient, who has placed all his hopes in + you—who waits and calls for you at this moment. Come, my dear M. + Baleinier, do not reject his prayer. It is so sweet to justify the + confidence we inspire.” + </p> + <p> + There was at once so much analogy, and such contradiction, between the + object of this letter, written just before by Adrienne’s most implacable + enemy, and these words of commiseration which she spoke in a touching + voice, that Dr. Baleinier himself could not help being struck with it. He + looked at Mdlle. de Cardoville with an almost embarrassed air, as he + replied: “I am indeed speaking of one of my patients, who counts much upon + me—a great deal too much—for he asks me to do an + impossibility. But why do you feel so interested in an unknown person?” + </p> + <p> + “If he is unfortunate, I know enough to interest me. The person for whom I + ask your assistance with the minister, was quite as little known to me; + and now I take the deepest interest in him. I must tell you, that he is + the son of the worthy soldier who brought Marshal Simon’s daughters from + the heart of Siberia.” + </p> + <p> + “What! he is—” + </p> + <p> + “An honest workman, the support of his family; but I must tell you all + about it—this is how the affair took place.” + </p> + <p> + The confidential communication which Adrienne was going to make to the + doctor, was cut short by Madame Saint-Dizier, who, followed by M. + d’Aigrigny, opened abruptly the door. An expression of infernal joy, + hardly concealed beneath a semblance of extreme indignation, was visible + in her countenance. + </p> + <p> + M. d’Aigrigny threw rapidly, as he entered the apartment, an inquiring and + anxious glance at M. Baleinier. The doctor answered by a shake of the + head. The abbe bit his lips with silent rage; he had built his last hopes + upon the doctor, and his projects seemed now forever annihilated, + notwithstanding the new blow which the princess had in reserve for + Adrienne. + </p> + <p> + “Gentlemen,” said Madame de Saint-Dizier, in a sharp, hurried voice, for + she was nearly choking with wicked pleasure, “gentlemen, pray be seated! I + have some new and curious things to tell you, on the subject of this young + lady.” She pointed to her niece, with a look of ineffable hatred and + disdain. + </p> + <p> + “My poor child, what is the matter now?” said M. Baleinier, in a soft, + wheedling tone, before he left the window where he was standing with + Adrienne. “Whatever happens, count upon me!”—And the physician went + to seat himself between M. d’Aigrigny and M. Tripeaud. + </p> + <p> + At her aunt’s insolent address, Mdlle. de Cardoville had proudly lined her + head. The blood rushed to her face, and irritated at the new attacks with + which she was menaced, she advanced to the table where the princess was + seated, and said in an agitated voice to M. Baleinier: “I shall expect you + to call on me as soon as possible, my dear doctor. You know that I wish + particularly to speak with you.” + </p> + <p> + Adrienne made one step towards the arm-chair, on which she had left her + hat. The princess rose abruptly, and exclaimed: “What are you doing, + madame?” + </p> + <p> + “I am about to retire. Your highness has expressed to me your will, and I + have told you mine. It is enough.” + </p> + <p> + She took her hat. Madame de Saint-Dizier, seeing her prey about to escape, + hastened towards her niece, and, in defiance of all propriety, seized her + violently by the arm with a convulsive grasp, and bade her, “Remain!” + </p> + <p> + “Fie, madame!” exclaimed Adrienne, with an accent of painful contempt, + “have we sunk so low?” + </p> + <p> + “You wish to escape—you are afraid!” resumed Madame de Saint-Dizier, + looking at her disdainfully from head to foot. + </p> + <p> + With these words “you are afraid,” you could have made Adrienne de + Cardoville walk into a fiery furnace. Disengaging her arm from her aunt’s + grasp, with a gesture full of nobleness and pride, she threw down the hat + upon the chair, and returning to the table, said imperiously to the + princess: “There is something even stronger than the disgust with which + all this inspires me—the fear of being accused of cowardice. Go on, + madame! I am listening!” + </p> + <p> + With her head raised, her color somewhat heightened, her glance half + veiled by a tear of indignation, her arms folded over her bosom, which + heaved in spite of herself with deep emotion, and her little foot beating + convulsively on the carpet, Adrienne looked steadily at her aunt. The + princess wished to infuse drop by drop, the poison with which she was + swelling, and make her victim suffer as long as possible, feeling certain + that she could not escape. “Gentlemen,” said Madame de Saint-Dizier, in a + forced voice, “this has occurred: I was told that the commissary of police + wished to speak with me: I went to receive this magistrate; he excused + himself, with a troubled air, for the nature of the duty he had to + perform. A man, against whom a warrant was out, had been seen to enter the + garden-house.” + </p> + <p> + Adrienne started, there could be no doubt that Agricola was meant. But she + recovered her tranquillity, when she thought of the security of the + hiding-place she had given him. + </p> + <p> + “The magistrate,” continued the princess, “asked my consent to search the + hotel and extension, to discover this man. It was his right. I begged him + to commence with the garden-house, and accompanied him. Notwithstanding + the improper conduct of Mademoiselle, it never, I confess, entered my head + for a moment, that she was in any way mixed up with this police business. + I was deceived.” + </p> + <p> + “What do you mean, madame?” cried Adrienne. + </p> + <p> + “You shall know all, madame,” said the princess, with a triumphant air, + “in good time. You were in rather too great a hurry just now, to show + yourself so proud and satirical. Well! I accompanied the commissary in his + search; we came to the summer-house; I leave you to imagine the stupor and + astonishment of the magistrate, on seeing three creatures dressed up like + actresses. At my request, the fact was noted in the official report; for + it is well to reveal such extravagances to all whom it may concern.” + </p> +<div class="fig"> + <img src="images/10405m.jpg" alt="10305m " /><br /> + </div> + <h5> + <a href="images/10405.jpg"><i>Original</i></a> + </h5> + <p> + “The princess acted very wisely,” said Tripeaud, bowing; “it is well that + the authorities should be informed of such matters.” + </p> + <p> + Adrienne, too much interested in the fate of the workman to think of + answering Tripeaud or the princess, listened in silence, and strove to + conceal her uneasiness. + </p> + <p> + “The magistrate,” resumed Madame de Saint-Dizier, “began by a severe + examination of these young girls; to learn if any man had, with their + knowledge, been introduced into the house; with incredible effrontery, + they answered that they had seen nobody enter.” + </p> + <p> + “The true-hearted, honest girls!” thought Mademoiselle de Cardoville, full + of joy; “the poor workman is safe! the protection of Dr. Baleinier will do + the rest.” + </p> + <p> + “Fortunately,” continued the princess, “one of my women, Mrs. Grivois, had + accompanied me. This excellent person, remembering to have seen + Mademoiselle return home at eight o’clock in the morning, remarked with + much simplicity to the magistrate, that the man, whom they sought, might + probably have entered by the little garden gate, left open, accidentally, + by Mademoiselle.” + </p> + <p> + “It would have been well, madame,” said Tripeaud, “to have caused to be + noted also in the report, that Mademoiselle had returned home at eight + o’clock in the morning.” + </p> + <p> + “I do not see the necessity for this,” said the doctor, faithful to his + part: “it would have been quite foreign to the search carried on by the + commissary.” + </p> + <p> + “But, doctor,” said Tripeaud. + </p> + <p> + “But, baron,” resumed M. Baleinier, in a firm voice, “that is my opinion.” + </p> + <p> + “It was not mine, doctor,” said the princess; “like M. Tripeaud, I + considered it important to establish the fact by an entry in the report, + and I saw, by the confused and troubled countenance of the magistrate, how + painful it was to register the scandalous conduct of a young person placed + in so high a position in society.” + </p> + <p> + “Certainly, madame,” said Adrienne, losing patience, “I believe your + modesty to be about equal to that of this candid commissary of police; but + it seems to me, that your mutual innocence was alarmed a little too soon. + You might, and ought to have reflected, that there was nothing + extraordinary in my coming home at eight o’clock, if I had gone out at + six.” + </p> + <p> + “The excuse, though somewhat tardy, is at least cunning,” said the + princess, spitefully. + </p> + <p> + “I do not excuse myself, madame,” said Adrienne; “but as M. Baleinier has + been kind enough to speak a word in my favor, I give the possible + interpretation of a fact, which it would not become me to explain in your + presence.” + </p> + <p> + “The fact will stand, however, in the report,” said Tripeaud, “until the + explanation is given.” + </p> + <p> + Abbe d’Aigrigny, his forehead resting on his hand, remained as if a + stranger to this scene; he was too much occupied with his fears at the + consequences of the approaching interview between Mdlle. de Cardoville and + Marshal Simon’s daughters—for there seemed no possibility of using + force to prevent Adrienne from going out that evening. + </p> + <p> + Madame de Saint-Dizier went on: “The fact which so greatly scandalized the + commissary is nothing compared to what I yet have to tell you, gentlemen. + We had searched all parts of the pavilion without finding any one, and + were just about to quit the bed-chamber, for we had taken this room the + last, when Mrs. Grivois pointed out to us that one of the golden mouldings + of a panel did not appear to come quite home to the wall. We drew the + attention of the magistrate to this circumstance; his men examined, + touched, felt—the panel flew open!—and then—can you + guess what we discovered? But, no! it is too odious, too revolting; I dare + not even—” + </p> + <p> + “Then I dare, madame,” said Adrienne, resolutely, though she saw with the + utmost grief the retreat of Agricola was discovered; “I will spare your + highness’s candor the recital of this new scandal, and yet what I am about + to say is in nowise intended as a justification.” + </p> + <p> + “It requires one, however,” said Madame de Saint-Dizier, with a disdainful + smile; “a man concealed by you in your own bedroom.” + </p> + <p> + “A man concealed in her bedroom!” cried the Marquis d’Aigrigny, raising + his head with apparent indignation, which only covered a cruel joy. + </p> + <p> + “A man! in the bedroom of Mademoiselle!” added Baron Tripeaud. “I hope + this also was inserted in the report.” + </p> + <p> + “Yes, yes, baron,” said the princess with a triumphant air. + </p> + <p> + “But this man,” said the doctor, in a hypocritical tone, “must have been a + robber? Any other supposition would be in the highest degree improbable. + This explains itself.” + </p> + <p> + “Your indulgence deceives you, M. Baleinier,” answered the princess, + dryly. + </p> + <p> + “We knew the sort of thieves,” said Tripeaud; “they are generally young + men, handsome, and very rich.” + </p> + <p> + “You are wrong, sir,” resumed Madame de Saint-Dizier. “Mademoiselle does + not raise her views so high. She proves that a dereliction from duty may + be ignoble as well as criminal. I am no longer astonished at the sympathy + which was just now professed for the lower orders. It is the more touching + and affecting, as the man concealed by her was dressed in a blouse.” + </p> + <p> + “A blouse!” cried the baron, with an air of extreme disgust; “then he is + one of the common people? It really makes one’s hair stand on end.” + </p> + <p> + “The man is a working smith—he confessed it,” said the princess; + “but not to be unjust—he is really a good-looking fellow. It was + doubtless that singular worship which Mademoiselle pays to the beautiful—” + </p> + <p> + “Enough, madame, enough!” said Adrienne suddenly, for, hitherto disdaining + to answer, she had listened to her aunt with growing and painful + indignation; “I was just now on the point of defending myself against one + of your odious insinuations—but I will not a second time descend to + any such weakness. One word only, madame; has this honest and worthy + artisan been arrested?” + </p> + <p> + “To be sure, he has been arrested and taken to prison, under a strong + escort. Does not that pierce your heart?” sneered the princess, with a + triumphant air. “Your tender pity for this interesting smith must indeed + be very great, since it deprives you of your sarcastic assurance.” + </p> + <p> + “Yes, madame; for I have something better to do than to satirize that + which is utterly odious and ridiculous,” replied Adrienne, whose eyes grew + dim with tears at the thought of the cruel hurt to Agricola’s family. + Then, putting her hat on, and tying the strings, she said to the doctor: + “M. Baleinier, I asked you just now for your interest with the minister.” + </p> + <p> + “Yes, madame; and it will give me great pleasure to act on your behalf.” + </p> + <p> + “Is your carriage below?” + </p> + <p> + “Yes, madame,” said the doctor, much surprised. + </p> + <p> + “You will be good enough to accompany me immediately to the minister’s. + Introduced by you, he will not refuse me the favor, or rather the act of + justice, that I have to solicit.” + </p> + <p> + “What, mademoiselle,” said the princess; “do you dare take such a course, + without my orders, after what has just passed? It is really quite + unheard-of.” + </p> + <p> + “It confounds one,” added Tripeaud; “but we must not be surprised at + anything.” + </p> + <p> + The moment Adrienne asked the doctor if his carriage was below, D’Aigrigny + started. A look of intense satisfaction flashed across his countenance, + and he could hardly repress the violence of his delight, when, darting, a + rapid and significant glance at the doctor, he saw the latter respond to + it by trace closing his eyelids in token of comprehension and assent. + </p> + <p> + When therefore the princess resumed, in an angry tone, addressing herself + to Adrienne: “Madame, I forbid you leaving the house!”—D’Aigrigny + said to the speaker, with a peculiar inflection of the voice: “I think, + your highness, we may trust the lady to the doctor’s care.” + </p> +<div class="fig"> + <img src="images/10389m.jpg" alt="10389m " /><br /> + </div> + <h5> + <a href="images/10389.jpg"><i>Original</i></a> + </h5> + <p> + The marquis pronounced these words in so significant a manner, that the + princess, having looked by turns at the physician and D’Aigrigny, + understood it all, and her countenance grew radiant with joy. + </p> + <p> + Not only did this pass with extreme rapidity, but the night was already + almost come, so that Adrienne, absorbed in painful thoughts with regard to + Agricola, did not perceive the different signals exchanged between the + princess, the doctor, and the abbe. Even had she done so, they would have + been incomprehensible to her. + </p> + <p> + Not wishing to have the appearance of yielding too readily, to the + suggestion of the marquis, Madame de Saint-Dizier resumed: “Though the + doctor seems to me to be far too indulgent to mademoiselle, I might not + see any great objection to trusting her with him; but that I do not wish + to establish such a precedent, for hence forward she must have no will but + mine.” + </p> + <p> + “Madame,” said the physician gravely, feigning to be somewhat shocked by + the words of the Princess de Saint-Dizier, “I do not think I have been too + indulgent to mademoiselle—but only just. I am at her orders, to take + her to the minister if she wishes it. I do not know what she intends to + solicit, but I believe her incapable of abusing the confidence I repose in + her, or making me support a recommendation undeserved.” + </p> + <p> + Adrienne, much moved, extended her hand cordially to the doctor, and said + to him: “Rest assured, my excellent friend, that you will thank me for the + step I am taking, for you will assist in a noble action.” + </p> + <p> + Tripeaud, who was not in the secret of the new plans of the doctor and the + abbe in a low voice faltered to the latter, with a stupefied air, “What! + will you let her go?” + </p> + <p> + “Yes, yes,” answered D’Aigrigny abruptly, making a sign that he should + listen to the princess, who was about to speak. Advancing towards her + niece, she said to her in a slow and measured tone, laying a peculiar + emphasis on every word: “One moment more, mademoiselle—one last word + in presence of these gentlemen. Answer me! Notwithstanding the heavy + charges impending over you, are you still determined to resist my formal + commands?” + </p> + <p> + “Yes, madame.” + </p> + <p> + “Notwithstanding the scandalous exposure which has just taken place, you + still persist in withdrawing yourself from my authority?” + </p> + <p> + “Yes, madame.” + </p> + <p> + “You refuse positively to submit to the regular and decent mode of life + which I would impose upon you?” + </p> + <p> + “I have already told you, madame, that I am about to quit this dwelling in + order to live alone and after my own fashion.” + </p> + <p> + “Is that your final decision?” + </p> + <p> + “It is my last word.” + </p> + <p> + “Reflect! the matter is serious. Beware!” + </p> + <p> + “I have given your highness my last word, and I never speak it twice.” + </p> + <p> + “Gentlemen, you hear all this?” resumed the princess; “I have tried in + vain all that was possible to conciliate. Mademoiselle will have only + herself to thank for the measures to which this audacious revolt will + oblige me to have recourse.” + </p> + <p> + “Be it so, madame,” replied Adrienne. Then, addressing M. Baleinier, she + said quickly to him: “Come, my dear doctor; I am dying with impatience. + Let us set out immediately. Every minute lost may occasion bitter tears to + an honest family.” + </p> + <p> + So saying, Adrienne left the room precipitately with the physician. One of + the servants called for M. Baleinier’s carriage. Assisted by the doctor, + Adrienne mounted the step, without perceiving that he said something in a + low whisper to the footman that opened the coach-door. + </p> + <p> + When, however, he was seated by the side of Mdlle. de Cardoville, and the + door was closed upon them, he waited for about a second, and then called + out in a loud voice to the coachman: “To the house of the minister, by the + private entrance!” The horses started at a gallop. + </p> + <p> + <a name="link2HCH0043" id="link2HCH0043"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XLIII. A FALSE FRIEND. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">N</span>ight had set in dark and cold. The sky, which had been clear till the sun + went down, was now covered with gray and lurid clouds; a strong wind + raised here and there, in circling eddies, the snow that was beginning to + fall thick and fast. + </p> + <p> + The lamps threw a dubious light into the interior of Dr. Baleinier’s + carriage, in which he was seated alone with Adrienne de Cardoville. The + charming countenance of the latter, faintly illumined by the lamps beneath + the shade of her little gray hat, looked doubly white and pure in contrast + with the dark lining of the carriage, which was now filled with that, + sweet, delicious, and almost voluptuous perfume which hangs about the + garments of young women of taste. The attitude of the girl, seated next to + the doctor, was full of grace. Her slight and elegant figure, imprisoned + in her high-necked dress of blue cloth, imprinted its wavy outline on the + soft cushion against which she leaned; her little feet, crossed one upon + the other, and stretched rather forward, rested upon a thick bear-skin, + which carpeted the bottom of the carriage. In her hand, which was ungloved + and dazzlingly white, she held a magnificently embroidered handkerchief, + with which, to the great astonishment of M. Baleinier, she dried her eyes, + now filled with tears. + </p> + <p> + Yes; Adrienne wept, for she now felt the reaction from the painful scenes + through which she had passed at Saint-Dizier House; to the feverish and + nervous excitement, which had till then sustained her, had succeeded a + sorrowful dejection. Resolute in her independence, proud in her disdain, + implacable in her irony, audacious in her resistance to unjust oppression, + Adrienne was yet endowed with the most acute sensibility, which she always + dissembled, however, in the presence of her aunt and those who surrounded + her. + </p> + <p> + Notwithstanding her courage, no one could have been less masculine, less + of a virago, than Mdlle. Cardoville. She was essentially womanly, but as a + woman, she knew how to exercise great empire over herself, the moment that + the least mark of weakness on her part would have rejoiced or emboldened + her enemies. + </p> + <p> + The carriage had rolled onwards for some minutes; but Adrienne, drying her + tears in silence, to the doctor’s great astonishment, had not yet uttered + a word. + </p> + <p> + “What, my dear Mdlle. Adrienne?” said M. Baleinier, truly surprised at her + emotion; “what! you, that were just now so courageous, weeping?” + </p> + <p> + “Yes,” answered Adrienne, in an agitated voice; “I weep in presence of a + friend; but, before my aunt—oh! never.” + </p> + <p> + “And yet, in that long interview, your stinging replies—” + </p> + <p> + “Ah me! do you think that I resigned myself with pleasure to that war of + sarcasm? Nothing is more painful to me than such combats of bitter irony, + to which I am forced by the necessity of defending myself from this woman + and her friends. You speak of my courage: it does not consist, I assure + you, in the display of wicked feelings—but in the power to repress + and hide all that I suffer, when I hear myself treated so grossly—in + the presence, too, of people that I hate and despise—when, after + all, I have never done them any harm, and have only asked to be allowed to + live alone, freely and quietly, and see those about me happy.” + </p> + <p> + “That’s where it is: they envy your happiness, and that which you bestow + upon others.” + </p> + <p> + “And it is my aunt,” cried Adrienne, with indignation, “my aunt, whose + whole life has been one long scandal that accuses me in this revolting + manner!—as if she did not know me proud and honest enough never to + make a choice of which I should be ashamed! Oh! if I ever love, I shall + proclaim it, I shall be proud of it: for love, as I understand it, is the + most glorious feeling in the world. But, alas!” continued Adrienne, with + redoubled bitterness, “of what use are truth and honor, if they do not + secure you from suspicions, which are as absurd as they are odious?” So + saying, she again pressed her handkerchief to her eyes. + </p> + <p> + “Come, my dear Mdlle. Adrienne,” said M. Baleinier, in a voice full of the + softest unction, “becalm—it is all over now. You have in me a + devoted friend.” As he pronounced these last words, he blushed in spite of + his diabolical craft. + </p> +<div class="fig"> + <img src="images/10413m.jpg" alt="10413m " /><br /> + </div> + <h5> + <a href="images/10413.jpg"><i>Original</i></a> + </h5> + <p> + “I know you are my friend,” said Adrienne: “I shall never forget that, by + taking my part to-day, you exposed yourself to the resentment of my aunt—for + I am not ignorant of her power, which is very great, alas! for evil.” + </p> + <p> + “As for that,” said the doctor, affecting a profound indifference, “we + medical men are pretty safe from personal enmities.” + </p> + <p> + “Nay, my dear M. Baleinier! Mme. de Saint-Dizier and her friends never + forgive,” said the young girl, with a shudder. “It needed all my + invincible aversion, my innate horror for all that is base, cowardly, and + perfidious, to induce me to break so openly with her. But if death itself + were the penalty, I could not hesitate and yet,” she added, with one of + those graceful smiles which gave such a charm to her beautiful + countenance, “yet I am fond of life: if I have to reproach myself with + anything, it is that I would have it too bright, too fair, too harmonious; + but then, you know, I am resigned to my faults.” + </p> + <p> + “Well, come, I am more tranquil,” said the doctor, gayly; “for you smile—that + is a good sign.” + </p> + <p> + “It is often the wisest course; and yet, ought I smile, after the threats + that my aunt has held out to me? Still, what can she do? what is the + meaning of this kind of family council? Did she seriously think that the + advice of a M. D’Aigrigny or a M. Tripeaud could have influenced me? And + then she talked of rigorous measures. What measures can she take; do you + know?” + </p> + <p> + “I think, between ourselves, that the princess only wished to frighten + you, and hopes to succeed by persuasion. She has the misfortune to fancy + herself a mother of the Church, and dreams of your conversion,” said the + doctor, maliciously, for he now wished to tranquillize Adrienne at any + cost; “but let us think no more about it. Your fire eyes must shine with + all their lustre, to fascinate the minister that we are going to see.” + </p> + <p> + “You are right, dear doctor; we ought always avoid grief, for it has the + disadvantage of making us forget the sorrows of others. But here am I, + availing myself of your kindness, without even telling you what I + require.” + </p> + <p> + “Luckily, we shall have plenty of time to talk over it, for our statesman + lives at some distance.” + </p> + <p> + “In two words, here’s the mystery,” answered Adrienne. “I told you what + reasons I had to interest myself in that honest workman. This morning he + came to me in great grief, to inform me that he was compromised by some + songs he had written (for he is a poet), and that, though innocent, he was + threatened with an arrest; and if they put him into prison, his family, + whose sole support he is, would die of hunger. Therefore he came to beg me + to procure bail for him, so that he might be left at liberty to work: I + promised immediately, thinking of your interest with the minister; for, as + they were already in pursuit of the poor lad, I chose to conceal him in my + residence, and you know how my aunt has twisted that action. Now tell me, + do you think, that, by means of your recommendation, the minister will + grant me the freedom of this workman, bail being given for the same?” + </p> + <p> + “No doubt of it. There will not be the shadow of a difficulty—especially + when you have explained the facts to him, with that eloquence of the heart + which you possess in perfection.” + </p> + <p> + “Do you know, my dear Dr. Baleinier, why I have taken the resolution + (which is perhaps a strange one) to ask you to accompany me to the + minister’s?” + </p> + <p> + “Why, doubtless, to recommend your friend in a more effective manner.” + </p> + <p> + “Yes—but also to put an end, by a decisive step, to the calumnies + which my aunt will be sure to spread with regard to me, and which she has + already, you know, had inserted in the report of the commissary of police. + I have preferred to address myself at once, frankly and openly, to a man + placed in a high social position. I will explain all to him, who will + believe me, because truth has an accent of its own.” + </p> + <p> + “All this, my dear Mdlle. Adrienne, is wisely planned. You will, as the + saw says, kill two birds with one stone—or rather, you will obtain + by one act of kindness two acts of justice; you will destroy a dangerous + calumny, and restore a worthy youth to liberty.” + </p> + <p> + “Come,” said Adrienne, laughing, “thanks to this pleasing prospect, my + light heart has returned.” + </p> + <p> + “How true that in life,” said the doctor, philosophically, “everything + depends on the point of view.” + </p> + <p> + Adrienne was so completely ignorant of the forms of a constitutional + government, and had so blind a confidence in the doctor, that she did not + doubt for an instant what he told her. She therefore resumed with joy: + “What happiness it will be! when I go to fetch the daughters of Marshal + Simon, to be able to console this workman’s mother, who is now perhaps in + a state of cruel anxiety, at not seeing her son return home!” + </p> + <p> + “Yes, you will have this pleasure,” said M. Baleinier, with a smile; “for + we will solicit and intrigue to such purpose, that the good, mother may + learn from you the release of her son before she even knows that he has + been arrested.” + </p> + <p> + “How kind, how obliging you are!” said Adrienne. “Really, if the motive + were not so serious, I should be ashamed of making you lose so much + precious time, my dear M. Baleinier. But I know your heart.” + </p> + <p> + “I have no other wish, than to prove to you my profound devotion, my + sincere attachment,” said the doctor inhaling a pinch of snuff. But at the + same time, he cast an uneasy glance through the window, for the carriage + was just crossing the Place de l’Odeon, and in spite of the snow, he could + see the front of the Odeon theatre brilliantly illuminated. Now Adrienne, + who had just turned her head towards that side, might perhaps be + astonished at the singular road they were taking. + </p> + <p> + In order to draw off her attention by a skillful diversion, the doctor + exclaimed suddenly: “Bless me! I had almost forgotten.” + </p> + <p> + “What is the matter, M. Baleinier?” said Adrienne, turning hastily towards + him. + </p> + <p> + “I had forgotten a thing of the highest importance, in regard to the + success of our petition.” + </p> + <p> + “What is it, please?” asked the young girl, anxiously. + </p> + <p> + M. Baleinier gave a cunning smile. “Every man,” said he, “has his weakness—ministers + even more than others. The one we are going to visit has the folly to + attach the utmost importance to his title, and the first impression would + be unfavorable, if you did not lay great stress on the Minister.” + </p> + <p> + “Is that all, my dear M. Baleinier?” said Adrienne, smiling in her turn. + “I will even go so far as Your Excellency, which is, I believe, one of his + adopted titles.” + </p> + <p> + “Not now—but that is no matter; if you could even slide in a My Lord + or two, our business would be done at once.” + </p> + <p> + “Be satisfied! since there are upstart ministers as well as City-turned + gentlemen, I will remember Moliere’s M. Jourdain, and feed full the + gluttonous vanity of your friend.” + </p> + <p> + “I give him up to you, for I know he will be in good hands,” replied the + physician, who rejoiced to see that the carriage had now entered those + dark streets which lead from the Place de l’Odeon to the Pantheon + district; “I do not wish to find fault with the minister for being proud, + since his pride may be of service to us on this occasion.” + </p> + <p> + “These petty devices are innocent enough,” said Mdlle. de Cardoville, “and + I confess that I do not scruple to have recourse to them.” Then, leaning + towards the door-sash, she added: “Gracious! how sad and dark are these + streets. What wind! what snow! In which quarter are we?” + </p> + <p> + “What! are you so ungrateful, that you do not recognize by the absence of + shops, your dear quarter of the Faubourg Saint Germain?” + </p> + <p> + “I imagine we had quitted it long ago.” + </p> + <p> + “I thought so too,” said the physician, leaning forward as if to ascertain + where they were, “but we are still there. My poor coachman, blinded by the + snow, which is beating against his face, must have gone wrong just now—but + we are all right again. Yes, I perceive we are in the Rue Saint Guillaume—not + the gayest of streets by the way—but, in ten minutes, we shall + arrive at the minister’s private entrance, for intimate friends like + myself enjoy the privilege of escaping the honors of a grand reception.” + </p> + <p> + Mdlle. de Cardoville, like most carriage-people, was so little acquainted + with certain streets of Paris, as well as with the customs of men in + office, that she did not doubt for a moment the statements of Baleinier, + in whom she reposed the utmost confidence. + </p> + <p> + When they left the Saint-Dizier House, the doctor had upon his lips a + question which he hesitated to put, for fear of endangering himself in the + eyes of Adrienne. The latter had spoken of important interests, the + existence of which had been concealed from her. The doctor, who was an + acute and skillful observer, had quite clearly remarked the embarrassment + and anxiety of the princess and D’Aigrigny. He no longer doubted, that the + plot directed against Adrienne—one in which he was the blind agent, + in submission to the will of the Order—related to interests which + had been concealed from him, and which, for that very reason, he burned to + discover; for every member of the dark conspiracy to which he belonged had + necessarily acquired the odious vices inherent to spies and informers—envy, + suspicion, and jealous curiosity. + </p> + <p> + It is easy to understand, therefore, that Dr. Baleinier, though quite + determined to serve the projects of D’Aigrigny, was yet very anxious to + learn what had been kept from him. Conquering his irresolution, and + finding the opportunity favorable, and no time to be lost, he said to + Adrienne, after a moment’s silence: “I am going perhaps to ask you a very + indiscreet question. If you think it such, pray do not answer.” + </p> + <p> + “Nay—go on, I entreat you.” + </p> + <p> + “Just now—a few minutes before the arrival of the commissary of + police was announced to your aunt—you spoke, I think, of some great + interests, which had hitherto been concealed from you.” + </p> + <p> + “Yes, I did so.” + </p> + <p> + “These words,” continued M. Baleinier, speaking slowly and emphatically, + “appeared to make a deep impression on the princess.” + </p> + <p> + “An impression so deep,” said Adrienne, “that sundry suspicions of mine + were changed to certainty.” + </p> + <p> + “I need not tell you, my charming friend,” resumed M. Baleinier, in a + bland tone, “that if I remind you of this circumstance, it is only to + offer you my services, in case they should be required. If not—and + there is the shadow of impropriety in letting me know more—forget + that I have said a word.” + </p> + <p> + Adrienne became serious and pensive, and, after a silence of some moments, + she thus answered Dr. Baleinier: “On this subject, there are some things + that I do not know—others that I may tell you—others again + that I must keep from you: but you are so kind to-day, that I am happy to + be able to give you a new mark of confidence.” + </p> + <p> + “Then I wish to know nothing,” said the doctor, with an air of humble + deprecation, “for I should have the appearance of accepting a kind of + reward; whilst I am paid a thousand times over, by the pleasure I feel in + serving you.” + </p> + <p> + “Listen,” said Adrienne, without attending to the delicate scruples of Dr. + Baleinier; “I have powerful reasons for believing that an immense + inheritance must, at no very distant period, be divided between the + members of my family, all of whom I do not know—for, after the + Revocation of the Edict of Nantes, those from whom we are descended were + dispersed in foreign countries, and experienced a great variety of + fortunes.” + </p> + <p> + “Really!” cried the doctor, becoming extremely interested. “Where is this + inheritance, in whose hands?” + </p> + <p> + “I do not know.” + </p> + <p> + “Now how will you assert your rights?” + </p> + <p> + “That I shall learn soon.” + </p> + <p> + “Who will inform you of it?” + </p> + <p> + “That I may not tell you.” + </p> + <p> + “But how did you find out the existence of this inheritance?” + </p> + <p> + “That also I may not tell you,” returned Adrienne, in a soft and + melancholy tone, which remarkably contrasted with the habitual vivacity of + her conversation. “It is a secret—a strange secret—and in + those moments of excitement, in which you have sometimes surprised me, I + have been thinking of extraordinary circumstances connected with this + secret, which awakened within me lofty and magnificent ideas.” + </p> + <p> + Adrienne paused and was silent, absorbed in her own reflections. Baleinier + did not seek to disturb her. In the first place, Mdlle. de Cardoville did + not perceive the direction the coach was taking; secondly, the doctor was + not sorry to ponder over what he had just heard. With his usual + perspicuity, he saw that the Abbe d’Aigrigny was concerned in this + inheritance, and he resolved instantly to make a secret report on the + subject; either M. d’Aigrigny was acting under the instructions of the + Order, or by his own impulse; in the one event, the report of the doctor + would confirm a fact; in the other, it would reveal one. + </p> + <p> + For some time, therefore, the lady and Dr. Baleinier remained perfectly + silent, no longer even disturbed by the noise of the wheels, for the + carriage now rolled over a thick carpet of snow, and the streets had + become more and more deserted. Notwithstanding his crafty treachery, + notwithstanding his audacity and the blindness of his dupe, the doctor was + not quite tranquil as to the result of his machinations. The critical + moment approached, and the least suspicion roused in the mind of Adrienne + by any inadvertence on his part, might ruin all his projects. + </p> + <p> + Adrienne, already fatigued by the painful emotions of the day, shuddered + from time to time, as the cold became more and more piercing; in her haste + to accompany Dr. Baleinier, she had neglected to take either shawl or + mantle. + </p> + <p> + For some minutes the coach had followed the line of a very high wall, + which, seen through the snow, looked white against a black sky. The + silence was deep and mournful. Suddenly the carriage stopped, and the + footman went to knock at a large gateway; he first gave two rapid knocks, + and then one other at a long interval. Adrienne did not notice the + circumstance, for the noise was not loud, and the doctor had immediately + begun to speak, to drown with his voice this species of signal. + </p> + <p> + “Here we are at last,” said he gayly to Adrienne; “you must be very + winning—that is, you must be yourself.” + </p> + <p> + “Be sure I will do my best,” replied Adrienne, with a smile; then she + added, shivering in spite of herself: “How dreadfully cold it is! I must + confess, my dear Dr. Baleinier, that when I have been to fetch my poor + little relations from the house of our workman’s mother, I shall be truly + glad to find myself once more in the warmth and light of my own cheerful + rooms, for you know my aversion to cold and darkness.” + </p> + <p> + “It is quite natural,” said the doctor, gallantly; “the most charming + flowers require the most light and heat.” + </p> + <p> + Whilst the doctor and Mdlle. de Cardoville exchanged these few words, a + heavy gate had turned creaking upon its hinges, and the carriage had + entered a court-yard. The physician got down first, to offer his arm to + Adrienne. + </p> + <p> + <a name="link2HCH0044" id="link2HCH0044"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XLIV. THE MINISTER’S CABINET. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>he carriage had stopped before some steps covered with snow, which led to + a vestibule lighted by a lamp. The better to ascend the steps, which were + somewhat slippery, Adrienne leaned upon the doctor’s arm. + </p> + <p> + “Dear me! how you tremble,” said he. + </p> + <p> + “Yes,” replied she, shuddering, “I feel deadly cold. In my haste, I came + out without a shawl. But how gloomy this house appears,” she added, + pointing to the entrance. + </p> + <p> + “It is what you call the minister’s private house, the sanctum sanctorum, + whither our statesman retires far from the sound of the profane,” said Dr. + Baleinier, with a smile. “Pray come in!” and he pushed open the door of a + large hall, completely empty. + </p> + <p> + “They are right in saying,” resumed Dr. Baleinier, who covered his secret + agitation with an appearance of gayety, “that a minister’s house is like + nobody else’s. Not a footman—not a page, I should say—to be + found in the antechamber. Luckily,” added he, opening the door of a room + which communicated with the vestibule, + </p> + <p> + “‘In this seraglio reared, I know the secret ways.’” + </p> + <p> + Mdlle. de Cardoville was now introduced into an apartment hung with green + embossed paper, and very simply furnished with mahogany chairs, covered + with yellow velvet; the floor was carefully polished, and a globe lamp, + which gave at most a third of its proper light, was suspended (at a much + greater height than usual) from the ceiling. Finding the appearance of + this habitation singularly plain for the dwelling of a minister, Adrienne, + though she had no suspicion, could not suppress a movement of surprise and + paused a moment on the threshold of the door. M. Baleinier, by whose arm + she held, guessed the cause of her astonishment, and said to her with a + smile: + </p> + <p> + “This place appears to you very paltry for ‘his excellency,’ does it not? + If you knew what a thing constitutional economy is!—Moreover, you + will see a ‘my lord,’ who has almost as little pretension as his + furniture. But please to wait for me an instant. I will go and inform the + minister you are here, and return immediately.” + </p> + <p> + Gently disengaging himself from the grasp of Adrienne, who had + involuntarily pressed close to him, the physician opened a small side + door, by which he instantly disappeared. Adrienne de Cardoville was left + alone. + </p> + <p> + Though she could not have explained the cause of her impression, there was + something awe-inspiring to the young lady in this large, cold, naked, + curtainless room; and as, by degrees, she noticed certain peculiarities in + the furniture, which she had not at first perceived, she was seized with + an indefinable feeling of uneasiness. + </p> + <p> + Approaching the cheerless hearth, she perceived with surprise that an iron + grating completely enclosed the opening of the chimney, and that the tongs + and shovel were fastened with iron chains. Already astonished by this + singularity, she was about mechanically to draw towards her an armchair + placed against the wall, when she found that it remained motionless. She + then discovered that the back of this piece of furniture, as well as that + of all the other chairs, was fastened to the wainscoting by iron clamps. + Unable to repress a smile, she exclaimed: “Have they so little confidence + in the statesman in whose house I am, that they are obliged to fasten the + furniture to the walls?” + </p> + <p> + Adrienne had recourse to this somewhat forced pleasantry as a kind of + effort to resist the painful feeling of apprehension that was gradually + creeping over her; for the most profound and mournful silence reigned in + this habitation, where nothing indicated the life, the movement and the + activity, which usually surround a great centre of business. Only, from + time to time, the young lady heard the violent gusts of wind from without. + </p> + <p> + More than a quarter of an hour had elapsed, and M. Baleinier did not + return. In her impatient anxiety, Adrienne wished to call some one to + inquire about the doctor and the minister. She raised her eyes to look for + a bell-rope by the side of the chimney-glass; she found none, but she + perceived, that what she had hitherto taken for a glass, thanks to the + half obscurity of the room, was in reality a large sheet of shining tin. + Drawing nearer to it, she accidentally touched a bronzed candlestick; and + this, as well as a clock, was fixed to the marble of the chimney-piece. + </p> + <p> + In certain dispositions of mind, the most insignificant circumstances + often assume terrific proportions. This immovable candlestick, this + furniture fastened to the wainscot, this glass replaced by a tin sheet, + this profound silence, and the prolonged absence of M. Baleinier, had such + an effect upon Adrienne, that she was struck with a vague terror. Yet such + was her implicit confidence in the doctor, that she reproached herself + with her own fears, persuading herself that the causes of them were after + all of no real importance, and that it was unreasonable to feel uneasy at + such trifles. + </p> + <p> + Still, though she thus strove to regain courage, her anxiety induced her + to do what otherwise she would never have attempted. She approached the + little door by which the doctor had disappeared, and applied her ear to + it. She held her breath, and listened, but heard nothing. + </p> + <p> + Suddenly, a dull, heavy sound, like that of a falling body, was audible + just above her head; she thought she could even distinguish a stifled + moaning. Raising her eyes, hastily, she saw some particles of the plaster + fall from the ceiling, loosened, no doubt, by the shaking of the floor + above. + </p> + <p> + No longer able to resist the feeling of terror, Adrienne ran to the door + by which she had entered with the doctor, in order to call some one. To + her great surprise, she found it was fastened on the outside. Yet, since + her arrival, she had heard no sound of a key turning in the lock. + </p> + <p> + More and more alarmed, the young girl flew to the little door by which the + physician had disappeared, and at which she had just been listening. This + door also was fastened on the outside. + </p> + <p> + Still, wishing to struggle with the terror which was gaining invincibly + upon her, Adrienne called to her aid all the firmness of her character, + and tried to argue away her fears. + </p> + <p> + “I must have been deceived.” she said; “it was only a fall that I heard. + The moaning had no existence, except in my imagination. There are a + thousand reasons for believing that it was not a person who fell down. + But, then, these locked doors? They, perhaps, do not know that I am here; + they may have thought that there was nobody in this room.” + </p> + <p> + As she uttered these words, Adrienne looked round with anxiety; then she + added, in a firm voice: “No weakness! it is useless to try to blind myself + to my real situation. On the contrary, I must look it well in the face. It + is evident that I am not here at a minister’s house; no end of reasons + prove it beyond a doubt; M. Baleinier has therefore deceived me. But for + what end? Why has he brought me hither? Where am I?” + </p> + <p> + The last two questions appeared to Adrienne both equally insoluble. It + only remained clear, that she was the victim of M. Baleinier’s perfidy. + But this certainly seemed so horrible to the young girl’s truthful and + generous soul, that she still tried to combat the idea by the recollection + of the confiding friendship which she had always shown this man. She said + to herself with bitterness: “See how weakness and fear may lead one to + unjust and odious suspicions! Yes; for until the last extremity, it is not + justifiable to believe in so infernal a deception—and then only upon + the clearest evidence. I will call some one: it is the only way of + completely satisfying these doubts.” Then, remembering that there was no + bell, she added: “No matter; I will knock, and some one will doubtless + answer.” With her little, delicate hand, Adrienne struck the door several + times. + </p> + <p> + The dull, heavy sound which came from the door showed that it was very + thick. No answer was returned to the young girl. She ran to the other + door. There was the same appeal on her part, the same profound silence + without—only interrupted from time to time by the howling of the + wind. + </p> + <p> + “I am not more timid than other people,” said Adrienne, shuddering; “I do + not know if it is the excessive cold, but I tremble in spite of myself. I + endeavor to guard against all weakness; yet I think that any one in my + position would find all this very strange and frightful.” + </p> + <p> + At this instant, loud cries, or rather savage and dreadful howls, burst + furiously from the room just above, and soon after a sort of stamping of + feet, like the noise of a violent struggle, shook the ceiling of the + apartment. Struck with consternation, Adrienne uttered a loud cry of + terror became deadly pale, stood for a moment motionless with affright, + and then rushed to one of the windows, and abruptly threw it open. + </p> + <p> + A violent gust of wind, mixed with melted snow, beat against Adrienne’s + face, swept roughly into the room, and soon extinguished the flickering + and smoky light of the lamp. Thus, plunged in profound darkness, with her + hands clinging to the bars that were placed across the window, Mdlle. de + Cardoville yielded at length to the full influence of her fears, so long + restrained, and was about to call aloud for help, when an unexpected + apparition rendered her for some minutes absolutely mute with terror. + </p> + <p> + Another wing of the building, opposite to that in which she was, stood at + no great distance. Through the midst of the black darkness, which filled + the space between, one large, lighted window was distinctly visible. + Through the curtainless panes, Adrienne perceived a white figure, gaunt + and ghastly, dragging after it a sort of shroud, and passing and repassing + continually before the window, with an abrupt and restless motion. Her + eyes fixed upon this window, shining through the darkness, Adrienne + remained as if fascinated by that fatal vision: and, as the spectacle + filled up the measure of her fears, she called for help with all her + might, without quitting the bars of the window to which she clung. After a + few seconds, whilst she was thus crying out, two tall women entered the + room in silence, unperceived by Mdlle. de Cardoville, who was still + clinging to the window. + </p> + <p> + These women, of about forty to fifty years of age, robust and masculine, + were negligently and shabbily dressed, like chambermaids of the lower + sort; over their clothes they wore large aprons of blue cotton, cut + sloping from their necks, and reaching down to their feet. One of them, + who held a lamp in her hand, had a broad, red, shining face, a large + pimpled nose, small green eyes, and tow hair, which straggled rough and + shaggy from beneath her dirty white cap. The other, sallow, withered, and + bony, wore a mourning-cap over a parchment visage, pitted with the + small-pox, and rendered still more repulsive by the thick black eyebrows, + and some long gray hairs that overshadowed the upper lip. This woman + carried, half unfolded in her hand, a garment of strange form, made of + thick gray stuff. + </p> + <p> + They both entered silently by the little door, at the moment when + Adrienne, in the excess of her terror, was grasping the bars of the + window, and crying out: “Help! help!” + </p> + <p> + Pointing out the young lady to each other, one of them went to place the + lamp on the chimney-piece, whilst the other (she who wore the mourning + cap) approached the window, and laid her great bony hand upon Mdlle. de + Cardoville’s shoulder. + </p> + <p> + Turning round, Adrienne uttered a new cry of terror at the sight of this + grim figure. Then, the first moment of stupor over, she began to feel less + afraid; hideous as was this woman, it was at least some one to speak to; + she exclaimed, therefore, in an agitated voice: “Where is M. Baleinier?” + </p> + <p> + The two women looked at each other, exchanged a leer of mutual + intelligence, but did not answer. + </p> + <p> + “I ask you, madame,” resumed Adrienne, “where is M. Baleinier, who brought + me hither? I wish to see him instantly.” + </p> + <p> + “He is gone,” said the big woman. + </p> + <p> + “Gone!” cried Adrienne; “gone without me!—Gracious heaven! what can + be the meaning of all this?” Then, after a moment’s reflection, she + resumed, “Please to fetch me a coach.” + </p> + <p> + The two women looked at each other, and shrugged their shoulders. “I + entreat you, madame,” continued Adrienne, with forced calmness in her + voice, “to fetch me a coach since M. Baleinier is gone without me. I wish + to leave this place.” + </p> + <p> + “Come, come, madame,” said the tall woman, who was called “Tomboy,” + without appearing to listen to what Adrienne asked, “it is time for you to + go to bed.” + </p> + <p> + “To go to bed!” cried Mdlle. Cardoville, in alarm. “This is really enough + to drive one mad.” Then, addressing the two women, she added: “What is + this house? where am I? answer!” + </p> + <p> + “You are in a house,” said Tomboy, in a rough voice, “where you must not + make a row from the window, as you did just now.” + </p> + <p> + “And where you must not put out the lamp as you have done,” added the + other woman, who was called Gervaise, “or else we shall have a crow to + pick with you.” + </p> + <p> + Adrienne, unable to utter a word, and trembling with fear, looked in a + kind of stupor from one to the other of these horrible women; her reason + strove in vain to comprehend what was passing around her. Suddenly she + thought she had guessed it, and exclaimed: “I see there is a mistake here. + I do not understand how, but there is a mistake. You take me for some one + else. Do you know who I am? My name is Adrienne de Cardoville You see, + therefore, that I am at liberty to leave this house; no one in the world + has the right to detain me. I command you, then, to fetch me a coach + immediately. If there are none in this quarter, let me have some one to + accompany me home to the Rue de Babylone, Saint-Dizier House. I will + reward such a person liberally, and you also.” + </p> + <p> + “Well, have you finished?” said Tomboy. “What is the use of telling us all + this rubbish?” + </p> + <p> + “Take care,” resumed Adrienne, who wished to try every means; “if you + detain me here by force, it will be very serious. You do not know to what + you expose yourselves.” + </p> + <p> + “Will you come to bed; yes or no?” said Gervaise, in a tone of harsh + impatience. + </p> + <p> + “Listen to me, madame,” resumed Adrienne, precipitately, “let me out this + place, and I will give each of you two thousand francs. It is not enough? + I will give you ten—twenty—whatever you ask. I am rich—only + let me out for heaven’s sake, let me out!—I cannot remain here—I + am afraid.” As she said this, the tone of the poor girl’s voice was + heartrending. + </p> + <p> + “Twenty thousand francs!—that’s the usual figure, ain’t it, Tomboy?” + </p> + <p> + “Let be, Gervaise! they all sing the same song.” + </p> + <p> + “Well, then? since reasons, prayers, and menaces are all in vain,” said + Adrienne gathering energy from her desperate position, “I declare to you + that I will go out and that instantly. We will see if you are bold enough + to employ force against me.” + </p> + <p> + So saying, Adrienne advanced resolutely towards the door. But, at this + moment, the wild hoarse cries, which had preceded the noise of the + struggle that had so frightened her, again resounded; only, this time they + were not accompanied by the movement of feet. + </p> + <p> + “Oh! what screams!” said Adrienne, stopping short, and in her terror + drawing nigh to the two women. “Do you not hear those cries? What, then, + is this house, in which one hears such things? And over there, too,” added + she almost beside herself, as she pointed to the other wing where the + lighted windows shone through the darkness, and the white figure continued + to pass and repass before it; “over there! do you see? What is it?” + </p> + <p> + “Oh! that ‘un,” said Tomboy; “one of the folks who, like you, have not + behaved well.” + </p> + <p> + “What do you say?” cried Mdlle. de Cardoville, clasping her hands in + terror. “Heavens! what is this house? What do they do to them?” + </p> + <p> + “What will be done to you, if you are naughty, and refuse to come to bed,” + answered Gervaise. + </p> + <p> + “They put this on them,” said Tomboy, showing the garment that she had + held under her arm, “they clap ‘em into the strait-waistcoast.” + </p> + <p> + “Oh!” cried Adrienne, hiding her face in her hands with horror. A terrible + discovery had flashed suddenly upon her. She understood it all. + </p> + <p> + Capping the violent emotions of the day, the effect of this last blow was + dreadful. The young girl felt her strength give way. Her hands fell + powerless, her face became fearfully pale, all her limbs trembled, and + sinking upon her knees, and casting a terrified glance at the strait + waistcoat she was just able to falter in a feeble voice, “Oh, no:—not + that—for pity’s sake, madame. I will do—whatever you wish.” + And, her strength quite failing, she would have fallen upon the ground if + the two women had not run towards her, and received her fainting into + their arms. + </p> + <p> + “A fainting fit,” said Tomboy; “that’s not dangerous. Let us carry her to + bed. We can undress her, and this will be all nothing.” + </p> + <p> + “Carry her, then,” said Gervaise. “I will take the lamp.” + </p> + <p> + The tall and robust Tomboy took up Mdlle. de Cardoville as if she had been + a sleeping child, carried her in her arms, and followed her companion into + the chamber through which M. Baleinier had made his exit. + </p> + <p> + This chamber, though perfectly clean, was cold and bare. A greenish paper + covered the walls, and a low, little iron bedstead, the head of which + formed a kind of shelf, stood in one corner; a stove, fixed in the + chimney-place, was surrounded by an iron grating, which forbade a near + approach; a table fastened to the wall, a chair placed before this table, + and also clamped to the floor, a mahogany chest of drawers, and a rush + bottomed armchair completed the scanty furniture. The curtainless window + was furnished on the inside with an iron grating, which served to protect + the panes from being broken. + </p> + <p> + It was into this gloomy retreat, which formed so painful a contrast with + the charming little summer-house in the Rue de Babylone, that Adrienne was + carried by Tomboy, who, with the assistance of Gervaise, placed the + inanimate form on the bed. The lamp was deposited on the shelf at the head + of the couch. Whilst one of the nurses held her up, the other unfastened + and took off the cloth dress of the young girl, whose head drooped + languidly on her bosom. Though in a swoon, large tears trickled slowly + from her closed eyes, whose long black lashes threw their shadows on the + transparent whiteness of her cheeks. Over her neck and breast of ivory + flowed the golden waves of her magnificent hair, which had come down at + the time of her fall. When, as they unlaced her satin corset, less soft, + less fresh, less white than the virgin form beneath, which lay like a + statue of alabaster in its covering of lace and lawn, one of the horrible + hags felt the arms and shoulders of the young girl with her large, red, + horny, and chapped hands. Though she did not completely recover the use of + her senses, she started involuntarily from the rude and brutal touch. + </p> + <p> + “Hasn’t she little feet?” said the nurse, who, kneeling down, was employed + in drawing off Adrienne’s stockings. “I could hold them both in the hollow + of my hand.” In fact, a small, rosy foot, smooth as a child’s, here and + there veined with azure, was soon exposed to view, as was also a leg with + pink knee and ankle, of as pure and exquisite a form as that of Diana + Huntress. + </p> + <p> + “And what hair!” said Tomboy; “so long and soft!—She might almost + walk upon it. ‘Twould be a pity to cut it off, to put ice upon her skull!” + As she spoke, she gathered up Adrienne’s magnificent hair, and twisted it + as well as she could behind her head. Alas! it was no longer the fair, + light hand of Georgette, Florine, or Hebe that arranged the beauteous + locks of their mistress with so much love and pride! + </p> + <p> + And as she again felt the rude touch of the nurse’s hand, the young girl + was once more seized with the same nervous trembling, only more frequently + and strongly than before. And soon, whether by a sort of instinctive + repulsion, magnetically excited during her swoon, or from the effect of + the cold night air, Adrienne again started and slowly came to herself. + </p> + <p> + It is impossible to describe her alarm, horror, and chaste indignation, + as, thrusting aside with both her hands the numerous curls that covered + her face, bathed in tears, she saw herself half-naked between these filthy + hags. At first, she uttered a cry of shame and terror; then to escape from + the looks of the women, by a movement, rapid as thought, she drew down the + lamp placed on the shelf at the head of her bed, so that it was + extinguished and broken to pieces on the floor. After which, in the midst + of the darkness, the unfortunate girl, covering herself with the + bed-clothes, burst into passionate sobs. + </p> + <p> + The nurses attributed Adrienne’s cry and violent actions to a fit of + furious madness. “Oh! you begin again to break the lamps—that’s your + partickler fancy, is it?” cried Tomboy, angrily, as she felt her way in + the dark. “Well! I gave you fair warning. You shall have the strait + waistcoat on this very night, like the mad gal upstairs.” + </p> + <p> + “That’s it,” said the other; “hold her fast, Tommy, while I go and fetch a + light. Between us, we’ll soon master her.” + </p> + <p> + “Make haste, for, in spite of her soft look, she must be a regular fury. + We shall have to sit up all night with her, I suppose.” + </p> + <p> + Sad and painful contrast! That morning, Adrienne had risen free, smiling, + happy, in the midst of all the wonders of luxury and art, and surrounded + by the delicate attentions of the three charming girls whom she had chosen + to serve her. In her generous and fantastic mood, she had prepared a + magnificent and fairy-like surprise for the young Indian prince, her + relation; she had also taken a noble resolution with regard to the two + orphans brought home by Dagobert; in her interview with Mme. de + Saint-Dizier, she had shown herself by turns proud and sensitive, + melancholy and gay, ironical and serious, loyal and courageous; finally, + she had come to this accursed house to plead in favor of an honest and + laborious artisan. + </p> + <p> + And now, in the evening delivered over by an atrocious piece of treachery + to the ignoble hands of two coarse-minded muses in a madhouse—Mdlle. + de Cardoville felt her delicate limbs imprisoned in that abominable + garment, which is called a strait-waistcoat. + </p> + <p> + Mdlle. de Cardoville passed a horrible night in company with the two hags. + The next morning, at nine o’clock, what was the young lady’s stupor to see + Dr. Baleinier enter the room, still smiling with an air at once benevolent + and paternal. + </p> + <p> + “Well, my dear child?” said he, in a bland, affectionate voice; “how have + we spent the night?” + </p> + <p> + <a name="link2HCH0045" id="link2HCH0045"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XLV. THE VISIT. + </h2> +<div class="fig"> + <img src="images/10421m.jpg" alt="10421m " /><br /> + </div> + <h5> + <a href="images/10421.jpg"><i>Original</i></a> + </h5> + <p> + The keepers, yielding to Mdlle. de Cardoville’s prayers, and, above all, + to her promises of good behavior, had only left on the canvas jacket a + portion of the time. Towards morning, they had allowed her to rise and + dress herself, without interfering. + </p> + <p> + Adrienne was seated on the edge of her bed. The alteration in her + features, her dreadful paleness, the lurid fire of fever shining in her + eyes, the convulsive trembling which ever and anon shook her frame, showed + already the fatal effects of this terrible night upon a susceptible and + high-strung organization. At sight of Dr. Baleinier, who, with a sign, + made Gervaise and her mate leave the room, Adrienne remained petrified. + </p> + <p> + She felt a kind of giddiness at the thought of the audacity of the man, + who dared to present himself to her! But when the physician repeated, in + the softest tone of affectionate interest: “Well, my poor child! how have + we spent the night?” she pressed her hands to her burning forehead, as if + in doubt whether she was awake or sleeping. Then, staring at the doctor, + she half opened her lips; but they trembled so much that it was impossible + for her to utter a word. Anger, indignation, contempt, and, above all, the + bitter and acutely painful feeling of a generous heart, whose confidence + has been basely betrayed, so overpowered Adrienne that she was unable to + break the silence. + </p> + <p> + “Come, come! I see how it is,” said the doctor, shaking his head + sorrowfully; “you are very much displeased with me—is it not so? + Well! I expected it, my dear child.” + </p> + <p> + These words, pronounced with the most hypocritical effrontery, made + Adrienne start up. Her pale cheek flushed, her large eyes sparkled, she + lifted proudly her beautiful head, whilst her upper lip curled slightly + with a smile of disdainful bitterness; then, passing in angry silence + before M. Baleinier, who retained his seat, she directed her swift and + firm steps towards the door. This door, in which was a little wicket, was + fastened on the outside. Adrienne turned towards the doctor, and said to + him, with an imperious gesture; “Open that door for me!” + </p> + <p> + “Come, my dear Mdlle. Adrienne,” said the physician, “be calm. Let us talk + like good friends—for you know I am your friend.” And he inhaled + slowly a pinch of snuff. + </p> + <p> + “It appears, sir,” said Adrienne, in a voice trembling with indignation, + “I am not to leave this place to-day?” + </p> + <p> + “Alas! no. In such a state of excitement—if you knew how inflamed + your face is, and your eyes so feverish, your pulse must be at least + eighty to the minute—I conjure you, my dear child, not to aggravate + your symptoms by this fatal agitation.” + </p> + <p> + After looking fixedly at the doctor, Adrienne returned with a slow step, + and again took her seat on the edge of the bed. “That is right,” resumed + M. Baleinier: “only be reasonable; and, as I said before, let us talk + together like good friends.” + </p> + <p> + “You say well, sir,” replied Adrienne, in a collected and perfectly calm + voice; “let us talk like friends. You wish to make me pass for mad—is + it not so?” + </p> + <p> + “I wish, my dear child, that one day you may feel towards me as much + gratitude as you now do aversion. The latter I had fully foreseen—but, + however painful may be the performance of certain duties, we must resign + ourselves to it.” + </p> + <p> + M. Baleinier sighed, as he said this, with such a natural air of + conviction, that for a moment Adrienne could not repress a movement of + surprise; then, while her lip curled with a bitter laugh, she answered: + “Oh, it’s very clear, you have done all this for my good?” + </p> + <p> + “Really, my dear young lady—have I ever had any other design than to + be useful to you?” + </p> + <p> + “I do not know, sir, if your impudence be not still more odious than your + cowardly treachery!” + </p> + <p> + “Treachery!” said M. Baleinier, shrugging his shoulders with a grieved + air; “treachery, indeed! Only reflect, my poor child—do you think, + if I were not acting with good faith, conscientiously, in your interest, I + should return this morning to meet your indignation, for which I was fully + prepared? I am the head physician of this asylum, which belongs to me—but + I have two of my pupils here, doctors, like myself—and might have + left them to take care of you but, no—I could not consent to it—I + knew your character, your nature, your previous history, and (leaving out + of the question the interest I feel for you) I can treat your case better + than any one.” + </p> + <p> + Adrienne had heard M. Baleinier without interrupting him; she now looked + at him fixedly, and said: “Pray, sir, how much do they pay you to make me + pass for mad?” + </p> + <p> + “Madame!” cried M. Baleinier, who felt stung in spite of, himself. + </p> + <p> + “You know I am rich,” continued Adrienne, with overwhelming disdain; “I + will double the sum that they give you. Come, sir—in the name of + friendship, as you call it, let me have the pleasure of outbidding them.” + </p> + <p> + “Your keepers,” said M. Baleinier, recovering all his coolness, “have + informed me, in their report of the night’s proceedings, that you made + similar propositions to them.” + </p> + <p> + “Pardon me, sir; I offered them what might be acceptable to poor women, + without education, whom misfortune has forced to undertake a painful + employment—but to you, sir a man of the world, a man of science, a + man of great abilities—that is quite different—the pay must be + a great deal higher. There is treachery at all prices; so do not found + your refusal on the smallness of my offer to those wretched women. Tell me—how + much do you want?” + </p> + <p> + “Your keepers, in their report of the night, have also spoken of threats,” + resumed M. Baleinier, with the same coolness; “have you any of those + likewise to address me? Believe me, my poor child, you will do well to + exhaust at once your attempts at corruption, and your vain threats of + vengeance. We shall then come to the true state of the case.” + </p> + <p> + “So you deem my threats vain!” cried Mdlle. de Cardoville, at length + giving way to the full tide of her indignation, till then restrained. “Do + you think, sir, that when I leave this place—for this outrage must + have an end—that I will not proclaim aloud your infamous treachery? + Do you think chat I will not denounce to the contempt and horror of all, + your base conspiracy with Madame de Saint-Dizier? Oh! do you think that I + will conceal the frightful treatment I have received! But, mad as I may + be, I know that there are laws in this country, by which I will demand a + full reparation for myself, and shame, disgrace, and punishment, for you, + and for those who have employed you! Henceforth, between you and me will + be hate and war to the death; and all my strength, all my intelligence—” + </p> + <p> + “Permit me to interrupt you, my dear Mdlle. Adrienne,” said the doctor, + still perfectly calm and affectionate: “nothing can be more unfavorable to + your cure, than to cherish idle hopes: they will only tend to keep up a + state of deplorable excitement: it is best to put the facts fairly before + you, that you may understand clearly your position. + </p> + <p> + “1. It is impossible for you to leave this house. 2. You can have no + communication with any one beyond its walls. 3. No one enters here that I + cannot perfectly depend upon. 4. I am completely indifferent to your + threats of vengeance because law and reason are both in my favor.” + </p> + <p> + “What! have you the right to shut me up here?” + </p> + <p> + “We should never have come to that determination, without a number of + reasons of the most serious kind.” + </p> + <p> + “Oh! there are reasons for it, it seems.” + </p> + <p> + “Unfortunately, too many.” + </p> + <p> + “You will perhaps inform me of them?” + </p> + <p> + “Alas! they are only too conclusive; and if you should ever apply to the + protection of the laws, as you threatened me just now, we should be + obliged to state them. The fantastical eccentricity of your manner of + living, your whimsical mode of dressing up your maids, your extravagant + expenditure, the story of the Indian prince, to whom you offered a royal + hospitality, your unprecedented resolution of going to live by yourself, + like a young bachelor, the adventure of the man found concealed in your + bed-chamber; finally, the report of your yesterday’s conversation, which + was faithfully taken down in shorthand, by a person employed for that + purpose.” + </p> +<div class="fig"> + <img src="images/10429m.jpg" alt="10429m " /><br /> + </div> + <h5> + <a href="images/10429.jpg"><i>Original</i></a> + </h5> + <p> + “Yesterday?” cried Adrienne, with as much indignation as surprise. + </p> + <p> + “Oh, yes! to be prepared for every event, in case you should misinterpret + the interest we take in you, we had all your answers reported by a man who + was concealed behind a curtain in the next room; and really, one day, in a + calmer state of mind, when you come to read over quietly the particulars + of what took place, you will no longer be astonished at the resolution we + have been forced to adopt.” + </p> + <p> + “Go on, sir,” said Adrienne, with contempt. + </p> + <p> + “The facts I have cited being thus confirmed and acknowledged, you will + understand, my dear Mdlle. Adrienne, that your friends are perfectly free + from responsibility. It was their duty to endeavor to cure this + derangement of mind, which at present only shows itself in idle whims, but + which, were it to increase, might seriously compromise the happiness of + your future life. Now, in my opinion, we may hope to see a radical cure, + by means of a treatment at once physical and moral; but the first + condition of this attempt was to remove you from the scenes which so + dangerously excited your imagination; whilst a calm retreat, the repose of + a simple and solitary life combined with my anxious, I may say, paternal + care, will gradually bring about a complete recovery—” + </p> + <p> + “So, sir,” said Adrienne, with a bitter laugh, “the love of a noble + independence, generosity, the worship of the beautiful, detestation of + what is base and odious, such are the maladies of which you wish to cure + me; I fear that my case is desperate, for my aunt has long ago tried to + effect that benevolent purpose.” + </p> + <p> + “Well, we may perhaps not succeed; but at least we will attempt it. You + see, then, there is a mass of serious facts, quite enough to justify the + determination come to by the family-council, which puts me completely at + my ease with regard to your menaces. It is to that I wish to return; a man + of my age and condition never acts lightly—in such circumstances, + and you can readily understand what I was saying to you just now. In a + word, do not hope to leave this place before your complete recovery, and + rest assured, that I am and shall ever be safe from your resentment. This + being once admitted, let us talk of your actual state with all the + interest that you naturally inspire.” + </p> + <p> + “I think, sir, that, considering I am mad, you speak to me very + reasonably.” + </p> + <p> + “Mad! no, thank heaven, my poor child, you are not mad yet—and I + hope that, by my care, you will never be so. It is to prevent your + becoming mad, that one must take it in time; and believe me, it is full + time. You look at me with such an air of surprise—now tell me, what + interest can I have in talking to you thus? Is it the hatred of your aunt + that I wish to favor? To what end, I would ask? What can she do for me or + against me? I think of her at this moment neither more nor less than I + thought yesterday. Is it a new language that I hold to yourself? Did I not + speak to you yesterday many times, of the dangerous excitement of mind in + which you were, and of your singular whims and fancies? It is true, I made + use of stratagem to bring you hither. No doubt, I did so. I hastened to + avail myself of the opportunity, which you yourself offered, my poor, dear + child; for you would never have come hither with your own good will. One + day or the other, we must have found some pretext to get you here: and I + said to myself; ‘Her interest before all! Do your duty, let whatever will + betide!’—” + </p> + <p> + Whilst M. Baleinier was speaking, Adrienne’s countenance, which had + hitherto expressed alternately indignation and disdain, assumed an + indefinable look of anguish and horror. On hearing this man talk in such a + natural manner, and with such an appearance of sincerity, justice and + reason, she felt herself more alarmed than ever. An atrocious deception, + clothed in such forms, frightened her a hundred times more than the avowed + hatred of Madame de Saint-Dizier. This audacious hypocrisy seemed to her + so monstrous, that she believed it almost impossible. + </p> +<div class="fig"> + <img src="images/10437m.jpg" alt="10437m " /><br /> + </div> + <h5> + <a href="images/10437.jpg"><i>Original</i></a> + </h5> + <p> + Adrienne had so little the art of hiding her emotions, that the doctor, a + skillful and profound physiognomist, instantly perceived the impression he + had produced. “Come,” said he to himself, “that is a great step. Fright + has succeeded to disdain and anger. Doubt will come next. I shall not + leave this place, till she has said to me: ‘Return soon, my good M. + Baleinier!’” With a voice of sorrowful emotion, which seemed to come from + the very depths of his heart, the doctor thus continued: “I see, you are + still suspicious of me. All I can say to you is falsehood, fraud, + hypocrisy, hate—is it not so?—Hate you? why, in heaven’s name, + should I hate you? What have you done to me? or rather—you will + perhaps attach more value to this reason from a man of my sort,” added M. + Baleinier, bitterly, “or rather, what interest have I to hate you?—You, + that have only been reduced to the state in which you are by an over + abundance of the most generous instincts—you, that are suffering, as + it were, from an excess of good qualities—you can bring yourself + coolly and deliberately to accuse an honest man, who has never given you + any but marks of affection, of the basest, the blackest, the most + abominable crime, of which a human being could be guilty. Yes, I call it a + crime; because the audacious deception of which you accuse me would not + deserve any other name. Really, my poor child, it is hard—very hard—and + I now see, that an independent spirit may sometimes exhibit as much + injustice and intolerance as the most narrow mind. It does not incense me—no—it + only pains me: yes, I assure you—it pains me cruelly.” And the + doctor drew his hand across his moist eyes. + </p> + <p> + It is impossible to give the accent, the look, the gesture of M. + Baleinier, as he thus expressed himself. The most able and practiced + lawyer, or the greatest actor in the world, could not have played this + scene with more effect than the doctor—or rather, no one could have + played it so well—M. Baleinier, carried away by the influence of the + situations, was himself half convinced of what he said. + </p> + <p> + In few words, he felt all the horror of his own perfidy but he felt also + that Adrienne could not believe it; for there are combinations of such + nefarious character, that pure and upright minds are unable to comprehend + them as possible. If a lofty spirit looks down into the abyss of evil, + beyond a certain depth it is seized with giddiness, and no longer able to + distinguish one object from the other. + </p> + <p> + And then the most perverse of men have a day, an hour, a moment, in which + the good instincts, planted in the heart of every creature, appear in + spite of themselves. Adrienne was too interesting, was in too cruel a + position, for the doctor mot to feel some pity for her in his heart; the + tone of sympathy, which for some time past he had been obliged to assume + towards her, and the sweet confidence of the young girl in return, had + become for this man habitual and necessary ratifications. But sympathy and + habit were now to yield to implacable necessity. + </p> + <p> + Thus the Marquis d’Aigrigny had idolized his mother; dying, she called him + to her—and he turned away from the last prayer of a parent in the + agony of death. After such an example, how could M. Baleinier hesitate to + sacrifice Adrienne? The members of the Order, of which he formed a part, + were bound to him—but he was perhaps still more strongly bound to + them, for a long partnership in evil creates terrible and indissoluble + ties. + </p> + <p> + The moment M. Baleinier finished his fervid address to Mdlle. de + Cardoville, the slide of the wicket in the door was softly pushed back, + and a pair of eyes peered attentively into the chamber, unperceived by the + doctor. + </p> + <p> + Adrienne could not withdraw her gaze from the physician’s, which seemed to + fascinate her. Mute, overpowered, seized with a vague terror, unable to + penetrate the dark depths of this man’s soul, moved in spite of herself by + the accent of sorrow, half feigned and half real—the young lady had + a momentary feeling of doubt. For the first time, it came into her mind, + that M. Baleinier might perhaps be committing a frightful error—committing + it in good faith. + </p> + <p> + Besides, the anguish of the past night, the dangers of her position, her + feverish agitation, all concurred to fill her mind with trouble and + indecision. She looked at the physician with ever increasing surprise, and + making a violent effort not to yield to a weakness, of which she partly + foresaw the dreadful consequences, she exclaimed: “No, no, sir; I will + not, I cannot believe it. You have too much skill, too much experience, to + commit such an error.” + </p> + <p> + “An error!” said M. Baleinier, in a grave and sorrowful tone. “Let me + speak to you in the name of that skill and experience, which you are + pleased to ascribe to me. Hear me but for a moment, my dear child; and + then I will appeal to yourself.” + </p> + <p> + “To me!” replied the young girl, in a kind of stupor; “you wish to + persuade me, that—” Then, interrupting herself, she added, with a + convulsive laugh: “This only is wanting to your triumph—to bring me + to confess that I am mad—that my proper place is here—that I + owe you—” + </p> + <p> + “Gratitude. Yes, you do owe it me, even as I told you at the commencement + of this conversation. Listen to me then; my words may be cruel, but there + are wounds which can only be cured with steel and fire. I conjure you, my + dear child—reflect—throw back one impartial glance at your + past life—weigh your own thoughts—and you will be afraid of + yourself. Remember those moments of strange excitement, during which, as + you have told me, you seemed to soar above the earth—and, above all, + while it is yet time—while you preserve enough clearness of mind to + compare and judge—compare, I entreat, your manner of living with + that of other ladies of your age? Is there a single one who acts as you + act? who thinks as you think? unless, indeed, you imagine yourself so + superior to other women, that, in virtue of that supremacy, you can + justify a life and habits that have no parallel in the world.” + </p> + <p> + “I have never had such stupid pride, you know it well,” said Adrienne, + looking at the doctor with growing terror. + </p> + <p> + “Then, my dear child, to what are we to attribute your strange and + inexplicable mode of life? Can you even persuade yourself that it is + founded on reason? Oh, my child! take care?—As yet, you only indulge + in charming originalities of conduct, poetical eccentricities, sweet and + vague reveries—but the tendency is fatal, the downward course + irresistible. Take care, take care!—the healthful, graceful, + spiritual portion of your intelligence has yet the upper hand, and + imprints its stamp upon all your extravagances; but you do not know, + believe me, with what frightful force the insane portion of the mind, at a + given moment, develops itself and strangles up the rest. Then we have no + longer graceful eccentricities, like yours, but ridiculous, sordid, + hideous delusions.” + </p> + <p> + “Oh! you frighten me,” said the unfortunate girl, as she passed her + trembling hands across her burning brow. + </p> + <p> + “Then,” continued M. Baleinier, in an agitated voice, “then the last rays + of intelligence are extinguished; then madness—for we must pronounce + the dreaded word—gets the upper hand, and displays itself in furious + and savage transports.” + </p> + <p> + “Like the woman upstairs,” murmured Adrienne, as, with fixed and eager + look, she raised her finger towards the ceiling. + </p> + <p> + “Sometimes,” continued the doctor, alarmed himself at the terrible + consequences of his own words, but yielding to the inexorable fatality of + his situation, “sometimes madness takes a stupid and brutal form; the + unfortunate creature, who is attacked by it, preserves nothing human but + the shape—has only the instincts of the lower animals—eats + with voracity, and moves ever backwards and forwards in the cell, in which + such a being is obliged to be confined. That is all its life—all.” + </p> + <p> + “Like the woman yonder.” cried Adrienne, with a still wilder look, as she + slowly raised her arm towards the window that was visible on the other + side of the building. + </p> + <p> + “Why—yes,” said M. Baleinier. “Like you, unhappy child, those women + were young, fair, and sensible, but like you, alas! they had in them the + fatal germ of insanity, which, not having been destroyed in time, grew, + and grew, larger and ever larger, until it overspread and destroyed their + reason.” + </p> + <p> + “Oh, mercy!” cried Mdlle. de Cardoville, whose head was getting confused + with terror; “mercy! do not tell me such things!—I am afraid. Take + me from this place—oh! take me from this place!” she added, with a + heartrending accent; “for, if I remain here, I shall end by going mad! + No,” added she, struggling with the terrible agony which assailed her, + “no, do not hope it! I shall not become mad. I have all my reason. I am + not blind enough to believe what you tell me. Doubtless, I live + differently from others; think differently from others; am shocked by + things that do not offend others; but what does all this prove? Only that + I am different from others. Have I a bad heart? Am I envious or selfish? + My ideas are singular, I knew—yes, I confess it—but then, M. + Baleinier, is not their tendency good, generous, noble!—Oh!” cried + Adrienne’s supplicating voice, while her tears flowed abundantly, “I have + never in my life done one malicious action; my worst errors have arisen + from excess of generosity. Is it madness to wish to see everybody about + one too happy? And again, if you are mad, you must feel it yourself—and + I do not feel it—and yet—I scarcely know—you tell me + such terrible things of those two women! You ought to know these things + better than I. But then,” added Mdlle, de Cardoville, with an accent of + the deepest despair, “something ought to have been done. Why, if you felt + an interest for me, did you wait so long? Why did you not take pity on me + sooner? But the most frightful fact is, that I do not know whether I ought + to believe you—for all this may be a snare—but no, no! you + weep—it is true, then!—you weep!” She looked anxiously at M. + Baleinier, who, notwithstanding his cynical philosophy, could not restrain + his tears at the sight of these nameless tortures. + </p> + <p> + “You weep over me,” she continued; “so it is true! But (good heaven!) must + there not be something done? I will do all that you wish—all—so + that I may not be like those women. But if it should be too late? no, it + is not too late—say it is not too late, my good M. Baleinier! Oh, + now I ask your pardon for what I said when you came in—but then I + did not know, you see—I did not know!” + </p> + <p> + To these few broken words, interrupted by sobs, and rushing forth in a + sort of feverish excitement, succeeded a silence of some minutes, during + which the deeply affected physician dried his tears. His resolution had + almost failed him. Adrienne hid her face in her hands. Suddenly she again + lifted her head; her countenance was calmer than before, though agitated + by a nervous trembling. + </p> + <p> + “M. Baleinier,” she resumed, with touching dignity, “I hardly know what I + said to you just now. Terror, I think, made me wander; I have again + collected myself. Hear me! I know that I am in your power; I know that + nothing can deliver me from it. Are you an implacable enemy? or are you a + friend? I am not able to determine. Do you really apprehend, as you assure + me, that what is now eccentricity will hereafter become madness—or + are you rather the accomplice in some infernal machination? You alone can + answer. In spite of my boasted courage, I confess myself conquered. + Whatever is required of me—you understand, whatever it may be, I + will subscribe to, I give you my word and you know that I hold it sacred—you + have therefore no longer any interest to keep me here. If, on the + contrary, you really think my reason in danger—and I own that you + have awakened in my mind vague, but frightful doubts—tell it me, and + I will believe you. I am alone, at your mercy, without friends, without + counsel. I trust myself blindly to you. I know not whether I address + myself to a deliverer or a destroyer—but I say to you—here is + my happiness—here is my life—take it—I have no strength + to dispute it with you!” + </p> + <p> + These touching words, full of mournful resignation and almost hopeless + reliance, gave the finishing stroke to the indecision of M. Baleinier. + Already deeply moved by this scene, and without reflecting on the + consequences of what he was about to do, he determined at all events to + dissipate the terrible and unjust fears with which he had inspired + Adrienne. Sentiments of remorse and pity, which now animated the + physician, were visible in his countenance. + </p> + <p> + Alas! they were too visible. The moment he approached to take the hand of + Mdlle. de Cardoville, a low but sharp voice exclaimed from behind the + wicket: “M. Baleinier!” + </p> + <p> + “Rodin!” muttered the startled doctor to himself; “he’s been spying on + me!” + </p> + <p> + “Who calls you?” asked the lady of the physician. + </p> + <p> + “A person that I promised to meet here this morning.” replied he, with the + utmost depression, “to go with him to St. Mary’s Convent, which is close + at hand.” + </p> + <p> + “And what answer have you to give me?” said Adrienne with mortal anguish. + </p> + <p> + After a moment’s solemn silence, during which he turned his face towards + the wicket, the doctor replied, in a voice of deep emotion: “I am—what + I have always been—a friend incapable of deceiving you.” + </p> + <p> + Adrienne became deadly pale. Then, extending her hand to M. Baleinier, she + said to him in a voice that she endeavored to render calm: “Thank you—I + will have courage—but will it be very long?” + </p> + <p> + “Perhaps a month. Solitude, reflection, a proper regimen, my attentive + care, may do much. You will be allowed everything that is compatible with + your situation. Every attention will be paid you. If this room displeases + you, I will see you have another.” + </p> + <p> + “No—this or another—it is of little consequence,” answered + Adrienne, with an air of the deepest dejection. + </p> + <p> + “Come, come! be of good courage. There is no reason to despair.” + </p> + <p> + “Perhaps you flatter me,” said Adrienne with the shadow of a smile. + “Return soon,” she added, “my dear M. Baleinier! my only hope rests in you + now.” + </p> + <p> + Her head fell upon her bosom, her hands upon her knees and she remained + sitting on the edge of the bed, pale, motionless, overwhelmed with woe. + </p> + <p> + “Mad!” she said when M. Baleinier had disappeared. “Perhaps mad!” + </p> + <p> + We have enlarged upon this episode much less romantic than it may appear. + Many times have motives of interest or vengeance or perfidious machination + led to the abuse of the imprudent facility with which inmates are received + in certain private lunatic asylums from the hands of their families or + friends. + </p> + <p> + We shall subsequently explain our views, as to the establishment of a + system of inspection, by the crown or the civil magistrates, for the + periodical survey of these institutions, and others of no less importance, + at present placed beyond the reach of all superintendence. These latter + are the nunneries of which we will presently have an example. + </p> + <p> + <a name="link2HCH0046" id="link2HCH0046"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XLVI. PRESENTIMENTS. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">W</span>hilst the preceding events took place in Dr. Baleinier’s asylum, other + scenes were passing about the same hour, at Frances Baudoin’s, in the Rue + Brise-Miche. + </p> + <p> + Seven o’clock in the morning had just struck at St. Mary church; the day + was dark and gloomy, and the sleet rattled against the windows of the + joyless chamber of Dagobert’s wife. + </p> + <p> + As yet ignorant of her son’s arrest, Frances had waited for him the whole + of the preceding evening, and a good part of the night, with the most + anxious uneasiness; yielding at length to fatigue and sleep, about three + o’clock in the morning, she had thrown herself on a mattress beside the + bed of Rose and Blanche. But she rose with the first dawn of day, to + ascend to Agricola’s garret, in the very faint hope that he might have + returned home some hours before. + </p> + <p> + Rose and Blanche had just risen, and dressed themselves. They were alone + in the sad, chilly apartment. Spoil-sport, whom Dagobert had left in + Paris, was stretched at full length near the cold stove; with his long + muzzle resting on his forepaws, he kept his eye fixed on the sisters. + </p> + <p> + Having slept but little during the night, they had perceived the agitation + and anguish of Dagobert’s wife. They had seen her walk up and down, now + talking to herself, now listening to the least noise that came up the + staircase, and now kneeling before the crucifix placed at one extremity of + the room. The orphans were not aware, that, whilst she brayed with fervor + on behalf of her son, this excellent woman was praying for them also. For + the state of their souls filled her with anxiety and alarm. + </p> + <p> + The day before, when Dagobert had set out for Chartres, Frances, having + assisted Rose and Blanche to rise, had invited them to say their morning + prayer: they answered with the utmost simplicity, that they did not know + any, and that they never more than addressed their mother, who was in + heaven. When Frances, struck with painful surprise, spoke to them of + catechism, confirmation, communion, the sisters opened widely their large + eyes with astonishment, understanding nothing of such talk. + </p> + <p> + According to her simple faith, terrified at the ignorance of the young + girls in matters of religion, Dagobert’s wife believed their souls to be + in the greatest peril, the more so as, having asked them if they had ever + been baptized (at the same time explaining to them the nature of that + sacrament), the orphans answered they did not think they had, since there + was neither church nor priest in the village where they were born, during + their mother’s exile in Siberia. + </p> + <p> + Placing one’s self in the position of Frances, you understand how much she + was grieved and alarmed; for, in her eyes, these young girls, whom she + already loved tenderly, so charmed was she with their sweet disposition, + were nothing but poor heathens, innocently doomed to eternal damnation. + So, unable to restrain her tears, or conceal her horrors, she had clasped + them in her arms, promising immediately to attend to their salvation, and + regretting that Dagobert had not thought of having them baptized by the + way. Now, it must be confessed, that this notion had never once occurred + to the ex-grenadier. + </p> + <p> + When she went to her usual Sunday devotions, Frances had not dared to take + Rose and Blanche with her, as their complete ignorance of sacred things + would have rendered their presence at church, if not useless, scandalous; + but, in her own fervent prayers she implored celestial mercy for these + orphans, who did not themselves know the desperate position of their + souls. + </p> + <p> + Rose and Blanche were now left alone, in the absence of Dagobert’s wife. + They were still dressed in mourning, their charming faces seeming even + more pensive than usual. Though they were accustomed to a life of + misfortune, they had been struck, since their arrival in the Rue Brise + Miche, with the painful contrast between the poor dwelling which they had + come to inhabit, and the wonders which their young imagination had + conceived of Paris, that golden city of their dreams. But, soon this + natural astonishment was replaced by thoughts of singular gravity for + their age. The contemplation of such honest and laborious poverty made the + orphans have reflections no longer those of children, but of young women. + Assisted by their admirable spirit of justice and of sympathy for all that + is good, by their noble heart, by a character at once delicate and + courageous, they had observed and meditated much during the last + twenty-four hours. + </p> +<div class="fig"> + <img src="images/10447m.jpg" alt="10447m " /><br /> + </div> + <h5> + <a href="images/10447.jpg"><i>Original</i></a> + </h5> + <p> + “Sister,” said Rose to Blanche, when Frances had quitted the room, + “Dagobert’s poor wife is very uneasy. Did you remark in the night, how + agitated she was? how she wept and prayed?” + </p> + <p> + “I was grieved to see it, sister, and wondered what could be the cause.” + </p> + <p> + “I am almost afraid to guess. Perhaps we may be the cause of her + uneasiness?” + </p> + <p> + “Why so, sister? Because we cannot say prayers, nor tell if we have ever + been baptized?” + </p> + <p> + “That seemed to give her a good deal of pain, it is true. I was quite + touched by it, for it proves that she loves us tenderly. But I could not + understand how we ran such terrible danger as she said we did.” + </p> + <p> + “Nor I either, sister. We have always tried not to displease our mother, + who sees and hears us.” + </p> + <p> + “We love those who love us; we are resigned to whatever may happen to us. + So, who can reproach us with any harm?” + </p> + <p> + “No one. But, perhaps, we may do some without meaning it.” + </p> + <p> + “We?” + </p> + <p> + “Yes, and therefore I thought: We may perhaps be the cause of her + uneasiness.” + </p> + <p> + “How so?” + </p> + <p> + “Listen, sister! yesterday Madame Baudoin tried to work at those sacks of + coarse cloth there on the table.” + </p> + <p> + “Yes; but in about an half-hour, she told us sorrowfully, that she could + not go on, because her eyes failed her, and she could not see clearly.” + </p> + <p> + “So that she is not able to earn her living.” + </p> + <p> + “No—but her son, M. Agricola, works for her. He looks so good, so + gay, so frank, and so happy to devote himself for his mother. Oh, indeed! + he is the worthy brother of our angel Gabriel!” + </p> + <p> + “You will see my reason for speaking of this. Our good old Dagobert told + us, that, when we arrived here, he had only a few pieces of money left.” + </p> + <p> + “That is true.” + </p> + <p> + “Now both he and his wife are unable to earn their living; what can a poor + old soldier like him do?” + </p> + <p> + “You are right; he only knows how to love us, and take care of us, like + his children.” + </p> + <p> + “It must then be M. Agricola who will have to support his father; for + Gabriel is a poor priest, who possesses nothing, and can render no + assistance to those who have brought him up. So M. Agricola will have to + support the whole family by himself.” + </p> + <p> + “Doubtless—he owes it to father and mother—it is his duty, and + he will do it with a good will.” + </p> + <p> + “Yes, sister—but he owes us nothing.” + </p> + <p> + “What do you say, Blanche?” + </p> + <p> + “He is obliged to work for us also, as we possess nothing in the world.” + </p> + <p> + “I had not thought of that. True.” + </p> + <p> + “It is all very well, sister, for our father to be Duke and Marshal of + France, as Dagobert tells us, it is all very well for us to hope great + things from this medal, but as long as father is not here, and our hopes + are not realized, we shall be merely poor orphans, obliged to remain a + burden to this honest family, to whom we already owe so much, and who find + it so hard to live, that—” + </p> + <p> + “Why do you pause, sister?” + </p> + <p> + “What I am about to say would make other people laugh; but you will + understand it. Yesterday, when Dagobert’s wife saw poor Spoil-sport at his + dinner, she said, sorrowfully: ‘Alas! he eats as much as a man!’—so + that I could almost have cried to hear her. They must be very poor, and + yet we have come to increase their poverty.” + </p> + <p> + The sisters looked sadly at each other, while Spoil-sport pretended not to + know they were talking of his voracity. + </p> + <p> + “Sister, I understand,” said Rose, after a moment’s silence. “Well, we + must not be at the charge of any one. We are young, and have courage. Till + our fate is decided, let us fancy ourselves daughters of workmen. After + all, is not our grandfather a workman? Let us find some employment, and + earn our own living. It must be so proud and happy to earn one’s living!” + </p> + <p> + “Good little sister,” said Blanche, kissing Rose. “What happiness! You + have forestalled my thought; kiss me!” + </p> + <p> + “How so?” + </p> + <p> + “Your project is mine exactly. Yesterday, when I heard Dagobert’s wife + complain so sadly that she had lost her sight. I looked into your large + eyes, which reminded me of my own, and said to myself: ‘Well! this poor + old woman may have lost her sight, but Rose and Blanche Simon can see + pretty clearly’—which is a compensation,” added Blanche, with a + smile. + </p> + <p> + “And, after all,” resumed Rose, smiling in her turn, “the young ladies in + question are not so very awkward, as not to be able to sew up great sacks + of coarse cloth—though it may chafe their fingers a little.” + </p> + <p> + “So we had both the same thought, as usual; only I wished to surprise you, + and waited till we were alone, to tell you my plan.” + </p> + <p> + “Yes, but there is something teases me.” + </p> + <p> + “What is that?” + </p> + <p> + “First of all, Dagobert and his wife will be sure to say to us: ‘Young + ladies, you are not fitted for such work. What, daughters of a Marshal of + France sewing up great ugly bags!’ And then, if we insist upon it, they + will add: ‘Well, we have no work to give you. If you want any, you must + hunt for it.’ What would Misses Simon do then?” + </p> + <p> + “The fact is, that when Dagobert has made up his mind to anything—” + </p> + <p> + “Oh! even then, if we coax him well—” + </p> + <p> + “Yes, in certain things; but in others he is immovable. It is just as when + upon the journey, we wished to prevent his doing so much for us.” + </p> + <p> + “Sister, an idea strikes me,” cried Rose, “an excellent idea!” + </p> + <p> + “What is it? quick!” + </p> + <p> + “You know the young woman they call Mother Bunch, who appears to be so + serviceable and persevering?” + </p> + <p> + “Oh yes! and so timid and discreet. She seems always to be afraid of + giving offence, even if she looks at one. Yesterday, she did not perceive + that I saw her; but her eyes were fixed on you with so good and sweet an + expression, that tears came into mine at the very sight of it.” + </p> + <p> + “Well, we must ask her how she gets work, for certainly she lives by her + labor.” + </p> + <p> + “You are right. She will tell us all about it; and when we know, Dagobert + may scold us, or try to make great ladies of us, but we will be as + obstinate as he is.” + </p> + <p> + “That is it; we must show some spirit! We will prove to him, as he says + himself, that we have soldier’s blood in our veins.” + </p> + <p> + “We will say to him: ‘Suppose, as you say, we should one day be rich, my + good Dagobert, we shall only remember this time with the more pleasure.” + </p> + <p> + “It is agreed then, is it not, Rose? The first time we are alone with + Mother Bunch, we must make her our confidant, and ask her for information. + She is so good a person, that she will not refuse us.” + </p> + <p> + “And when father comes home, he will be pleased, I am sure, with our + courage.” + </p> + <p> + “And will approve our wish to support ourselves, as if we were alone in + the world.” + </p> + <p> + On these words of her sister, Rose started. A cloud of sadness, almost of + alarm, passed over her charming countenance, as she exclaimed: “Oh, + sister, what a horrible idea!” + </p> + <p> + “What is the matter? your look frightens me.” + </p> + <p> + “At the moment I heard you say, that our father would approve our wish to + support ourselves, as if we were alone in the world—a frightful + thought struck me—I know not why—but feel how my heart beats—just + as if some misfortune were about to happen us.” + </p> + <p> + “It is true; your poor heart beats violently. But what was this thought? + You alarm me.” + </p> + <p> + “When we were prisoners, they did not at least separate us, and, besides, + the prison was a kind of shelter—” + </p> + <p> + “A sad one, though shared with you.” + </p> + <p> + “But if, when arrived here, any accident had parted us from Dagobert—if + we had been left alone, without help, in this great town?” + </p> + <p> + “Oh, sister! do not speak of that. It would indeed be terrible. What would + become of us, kind heaven?” + </p> + <p> + This cruel thought made the girls remain for a moment speechless with + emotion. Their sweet faces, which had just before glowed with a noble + hope, grew pale and sad. After a pretty long silence, Rose uplifted her + eyes, now filled with tears, “Why does this thought,” she said, trembling, + “affect us so deeply, sister? My heart sinks within me, as if it were + really to happen to us.” + </p> + <p> + “I feel as frightened as you yourself. Alas! were we both to be lost in + this immense city, what would become of us?” + </p> + <p> + “Do not let us give way to such ideas, Blanche! Are we not here in + Dagobert’s house, in the midst of good people?” + </p> + <p> + “And yet, sister,” said Rose, with a pensive air, “it is perhaps good for + us to have had this thought.” + </p> + <p> + “Why so?” + </p> + <p> + “Because we shall now find this poor lodging all the better, as it affords + a shelter from all our fears. And when, thanks to our labor, we are no + longer a burden to any one, what more can we need until the arrival of our + father?” + </p> + <p> + “We shall want for nothing—there you are right—but still, why + did this thought occur to us, and why does it weigh so heavily on our + minds?” + </p> + <p> + “Yes, indeed—why? Are we not here in the midst of friends that love + us? How could we suppose that we should ever be left alone in Paris? It is + impossible that such a misfortune should happen to us—is it not, my + dear sister?” + </p> + <p> + “Impossible!” said Rose, shuddering. “If the day before we reached that + village in Germany, where poor Jovial was killed, any one had said to us: + ‘To-morrow, you will be in prison’—we should have answered as now: + ‘It is impossible. Is not Dagobert here to protect us; what have we to + fear?’ And yet, sister, the day after we were in prison at Leipsic.” + </p> + <p> + “Oh! do not speak thus, my dear sister! It frightens me.” + </p> + <p> + By a sympathetic impulse, the orphans took one another by the hand, while + they pressed close together, and looked around with involuntary fear. The + sensation they felt was in fact deep, strange, inexplicable, and yet + lowering—one of those dark presentiments which come over us, in + spite of ourselves—those fatal gleams of prescience, which throw a + lurid light on the mysterious profundities of the future. + </p> + <p> + Unaccountable glimpses of divination! often no sooner perceived than + forgotten—but, when justified by the event, appearing with all the + attributes of an awful fatality! + </p> + <p> + The daughters of Marshal Simon were still absorbed in the mournful reverie + which these singular thoughts had awakened, when Dagobert’s wife, + returning from her son’s chamber, entered the room with a painfully + agitated countenance. + </p> + <p> + <a name="link2HCH0047" id="link2HCH0047"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XLVII. THE LETTER. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">F</span>rances’ agitation was so perceptible that Rose could not help exclaiming: + “Good gracious, what is the matter?” + </p> + <p> + “Alas, my dear young ladies! I can no longer conceal it from you,” said + Frances, bursting into tears. “Since yesterday I have not seen him. I + expected my son to supper as usual, and he never came; but I would not let + you see how much I suffered. I continued to expect him, minute after + minute; for ten years he has never gone up to bed without coming to kiss + me; so I spent a good part of the night close to the door, listening if I + could hear his step. But he did not come; and, at last, about three + o’clock in the morning, I threw myself down upon the mattress. I have just + been to see (for I still had a faint hope), if my son had come in this + morning—” + </p> + <p> + “Well, madame!” + </p> + <p> + “There is no sign of him!” said the poor mother, drying her eyes. + </p> + <p> + Rose and Blanche looked at each other with emotion; the same thought + filled the minds of both; if Agricola should not return, how would this + family live? would they not, in such an event, become doubly burdensome? + </p> + <p> + “But, perhaps, madame,” said Blanche, “M. Agricola remained too late at + his work to return home last night.” + </p> + <p> + “Oh! no, no! he would have returned in the middle of the night, because he + knew what uneasiness he would cause me by stopping out. Alas! some + misfortune must have happened to him! Perhaps he has been injured at the + forge, he is so persevering at his work. Oh, my poor boy! and, as if I did + not feel enough anxiety about him, I am also uneasy about the poor young + woman who lives upstairs.” + </p> + <p> + “Why so, madame?” + </p> + <p> + “When I left my son’s room, I went into hers, to tell her my grief, for + she is almost a daughter to me; but I did not find her in the little + closet where she lives, and the bed had not even been slept in. Where can + she have gone so early—she, that never goes out?” + </p> + <p> + Rose and Blanche looked at each other with fresh uneasiness, for they + counted much upon Mother Bunch to help them in the resolution they had + taken. Fortunately, both they and Frances were soon to be satisfied on + this head, for they heard two low knocks at the door, and the sempstress’s + voice, saying: “Can I come in, Mrs. Baudoin?” + </p> + <p> + By a spontaneous impulse, Rose and Blanche ran to the door, and opened it + to the young girl. Sleet and snow had been falling incessantly since the + evening before; the gingham dress of the young sempstress, her scanty + cotton shawl, and the black net cap, which, leaving uncovered two thick + bands of chestnut hair, encircled her pale and interesting countenance, + were all dripping wet; the cold had given a livid appearance to her thin, + white hands; it was only in the fire of her blue eyes, generally so soft + and timid, that one perceived the extraordinary energy which this frail + and fearful creature had gathered from the emergency of the occasion. + </p> + <p> + “Dear me! where do you come from, my good Mother Bunch?” said Frances. + “Just now, in going to see if my son had returned, I opened your door, and + was quite astonished to find you gone out so early.” + </p> + <p> + “I bring you news of Agricola.” + </p> + <p> + “Of my son!” cried Frances, trembling all over. “What has happened to him? + Did you see him?—Did you speak to him?—Where is he?” + </p> + <p> + “I did not see him, but I know where he is.” Then, perceiving that Frances + grew very pale, the girl added: “He is well; he is in no danger.” + </p> + <p> + “Blessed be God, who has pity on a poor sinner!—who yesterday + restored me my husband, and to-day, after a night of cruel anguish, + assures me of the safety of my child!” So saying, Frances knelt down upon + the floor, and crossed herself with fervor. + </p> + <p> + During the moment of silence, caused by this pious action, Rose and + Blanche approached Mother Bunch, and said to her in a low voice, with an + expression of touching interest: “How wet you are! you must be very cold. + Take care you do not get ill. We did not venture to ask Madame Frances to + light the fire in the stove, but now we will do so.” + </p> + <p> + Surprised and affected by the kindness of Marshal Simon’s daughters, the + hunchback, who was more sensible than others to the least mark of + kindness, answered them with a look of ineffable gratitude: “I am much + obliged to you, young ladies; but I am accustomed to the cold, and am + moreover so anxious that I do not feel it.” + </p> + <p> + “And my son?” said Frances, rising after she had remained some moments on + her knees; “why did he stay out all night? And could you tell me where to + find him, my good girl? Will he soon come? why is he so long?” + </p> +<div class="fig"> + <img src="images/10455m.jpg" alt="10455m " /><br /> + </div> + <h5> + <a href="images/10455.jpg"><i>Original</i></a> + </h5> + <p> + “I assure you, Agricola is well; but I must inform you, that for some time—” + </p> + <p> + “Well?” + </p> + <p> + “You must have courage, mother.” + </p> + <p> + “Oh! the blood runs cold in my veins. What has happened? why shall I not + see him?” + </p> + <p> + “Alas, he is arrested.” + </p> + <p> + “Arrested!” cried Rose and Blanche, with affright. + </p> + <p> + “Father! Thy will be done!” said Frances; “but it is a great misfortune. + Arrested! for what? He is so good and honest, that there must be some + mistake.” + </p> + <p> + “The day before yesterday,” resumed Mother Bunch, “I received an anonymous + letter, by which I was informed that Agricola might be arrested at any + moment, on account of his song. We agreed together that he should go to + the rich young lady in the Rue de Babylone, who had offered him her + services, and ask her to procure bail for him; to prevent his going to + prison. Yesterday morning he set out to go to the young lady’s.” + </p> + <p> + “And neither of you told me anything of all this—why did you hide it + from me?” + </p> + <p> + “That we might not make you uneasy, mother; for, counting on the + generosity of that young lady, I expected Agricola back every moment. When + he did not come yesterday evening. I said to myself: ‘Perhaps the + necessary formalities with regard to the bail have detained him.’ But the + time passed on, and he did not make his appearance. So, I watched all + night, expecting him.” + </p> + <p> + “So you did not go to bed either, my good girl?” + </p> + <p> + “No, I was too uneasy. This morning, not being able to conquer my fears, I + went out before dawn. I remembered the address of the young lady in the + Rue de Babylone, and I ran thither.” + </p> + <p> + “Oh, well!” said Frances, with anxiety; “you were in the right. According + to what my son told us, that young lady appeared very good and generous.” + </p> + <p> + Mother Bunch shook her head sorrowfully; a tear glittered in her eyes, as + she continued: “It was still dark when I arrived at the Rue de Babylone; I + waited till daylight was come.” + </p> + <p> + “Poor child! you, who are so weak and timid,” said Frances, with deep + feeling, “to go so far, and in this dreadful weather!—Oh, you have + been a real daughter to me!” + </p> + <p> + “Has not Agricola been like a brother to me!” said Mother Bunch, softly, + with a slight blush. + </p> + <p> + “When it was daylight,” she resumed: “I ventured to ring at the door of + the little summer-house; a charming young girl, but with a sad, pale + countenance, opened the door to me. ‘I come in the name of an unfortunate + mother in despair,’ said I to her immediately, for I was so poorly dressed + that I feared to be sent away as a beggar; but seeing, on the contrary, + that the young girl listened to me with kindness, I asked her if, the day + before, a young workman had not come to solicit a great favor of her + mistress. ‘Alas! yes,’ answered the young girl; ‘my mistress was going to + interest herself for him, and, hearing that he was in danger of being + arrested, she concealed him here; unfortunately, his retreat was + discovered, and yesterday afternoon, at four o’clock, he was arrested and + taken to prison.’” + </p> + <p> + Though the orphans took no part in this melancholy conversation, the + sorrow and anxiety depicted in their countenances, showed how much they + felt for the sufferings of Dagobert’s wife. + </p> + <p> + “But the young lady?” cried Frances. “You should have tried to see her, my + good Mother Bunch, and begged her not to abandon my son. She is so rich + that she must have influence, and her protection might save us from great + calamities.” + </p> + <p> + “Alas!” said Mother Bunch, with bitter grief, “we must renounce this last + hope.” + </p> + <p> + “Why?” said Frances. “If this young lady is so good, she will have pity + upon us, when she knows that my son is the only support of a whole family, + and that for him to go to prison is worse than for another, because it + will reduce us all to the greatest misery.” + </p> + <p> + “But this young lady,” replied the girl, “according to what I learned from + her weeping maid, was taken last evening to a lunatic asylum: it appears + she is mad.” + </p> + <p> + “Mad! Oh! it is horrible for her, and for us also—for now there is + no hope. What will become of us without my son? Oh, merciful heaven!” The + unfortunate woman hid her face in her hands. + </p> + <p> + A profound silence followed this heart-rending outburst. Rose and Blanche + exchanged mournful glances, for they perceived that their presence + augmented the weighty embarrassments of this family. Mother Bunch, worn + out with fatigue, a prey to painful emotions, and trembling with cold in + her wet clothes, sank exhausted on a chair, and reflected on their + desperate position. + </p> + <p> + That position was indeed a cruel one! + </p> + <p> + Often, in times of political disturbances, or of agitation amongst the + laboring classes, caused by want of work, or by the unjust reduction of + wages (the result of the powerful coalition of the capitalists)—often + are whole families reduced, by a measure of preventive imprisonment, to as + deplorable a position as that of Dagobert’s household by Agricola’s arrest—an + arrest, which, as will afterwards appear, was entirely owing to Rodin’s + arts. + </p> + <p> + Now, with regard to this “precautionary imprisonment,” of which the + victims are almost always honest and industrious mechanics, driven to the + necessity of combining together by the In organization of Labor and the + Insufficiency of Wages, it is painful to see the law, which ought to be + equal for all, refuse to strikers what it grants to masters—because + the latter can dispose of a certain sum of money. Thus, under many + circumstances, the rich man, by giving bail, can escape the annoyance and + inconveniences of a preventive incarceration; he deposits a sum of money, + pledges his word to appear on a certain day, and goes back to his + pleasures, his occupations, and the sweet delights of his family. Nothing + can be better; an accused person is innocent till he is proved guilty; we + cannot be too much impressed with that indulgent maxim. It is well for the + rich man that he can avail himself of the mercy of the law. But how is it + with the poor? + </p> + <p> + Not only has he no bail to give, for his whole capital consists of his + daily labor; but it is upon him chiefly that the rigors of preventive + measures must fall with a terrible and fatal force. + </p> + <p> + For the rich man, imprisonment is merely the privation of ease and + comfort, tedious hours, and the pain of separation from his family—distresses + not unworthy of interest, for all suffering deserves pity, and the tears + of the rich man separated from his children are as bitter as those of the + poor. But the absence of the rich man does not condemn his family to + hunger and cold, and the incurable maladies caused by exhaustion and + misery. + </p> + <p> + For the workman, on the contrary, imprisonment means want, misery, + sometimes death, to those most dear to him. Possessing nothing, he is + unable to find bail, and he goes to prison. But if he have, as it often + happens, an old, infirm father or mother, a sick wife, or children in the + cradle? What will become of this unfortunate family? They could hardly + manage to live from day to day upon the wages of this man, wages almost + always insufficient, and suddenly this only resource will be wanting for + three or four months together. + </p> + <p> + What will this family do? To whom will they have recourse? + </p> + <p> + What will become of these infirm old men, these sickly wives, these little + children, unable to gain their daily bread? If they chance to have a + little linen and a few spare clothes, these will be carried to the + pawnbroker’s, and thus they will exist for a week or so—but + afterwards? + </p> + <p> + And if winter adds the rigors of the season to this frightful and + inevitable misery? + </p> + <p> + Then will the imprisoned artisan see in his mind’s eyes, during the long + and sleepless nights, those who are dear to him, wan, gaunt, haggard, + exhausted, stretched almost naked upon filthy straw, or huddled close + together to warm their frozen limbs. And, should he afterwards be + acquitted, it is ruin and desolation that he finds on his return to his + poor dwelling. + </p> + <p> + And then, after that long cessation from labor, he will find it difficult + to return to his old employers. How many days will be lost in seeking for + work! and a day without employment is a day without bread! + </p> + <p> + Let us repeat our opinion, that if, under various circumstances, the law + did not afford to the rich the facility of giving bail, we could only + lament over all such victims of individual and inevitable misfortune. But + since the law does provide the means of setting provisionally at liberty + those who possess a certain sum of money, why should it deprive of this + advantage those very persons, for whom liberty is indeed indispensable, as + it involves the existence of themselves and families? + </p> + <p> + Is there any remedy for this deplorable state of things? We believe there + is. + </p> + <p> + The law has fixed the minimum of bail at five hundred francs. Now five + hundred francs represent, upon the average, six months’ labor of an + industrious workman. + </p> + <p> + If he have a wife and two children (which is also about the average), it + is evidently quite impossible for him to have saved any such sum. + </p> + <p> + So, to ask of such a man five hundred francs, to enable him to continue to + support his family, is in fact to put him beyond the pale of the law, + though, more than any one else, he requires its protection, because of the + disastrous consequences which his imprisonment entails upon others. + </p> + <p> + Would it not be equitable and humane, a noble and salutary example, to + accept, in every case where bail is allowed (and where the good character + of the accused could be honorably established), moral guarantees, in the + absence of material ones, from those who have no capital but their labor + and their integrity—to accept the word of an honest man to appear + upon the day of trial? Would it not be great and moral, in these days to + raise the value of the lighted word, and exalt man in his own eyes, by + showing him that his promise was held to be sufficient security? + </p> + <p> + Will you so degrade the dignity of man, as to treat this proposition as an + impossible and Utopian dream? We ask, how many prisoners of war have ever + broken their parole, and if officers and soldiers are not brothers of the + workingman? + </p> + <p> + Without exaggerating the virtue of promise-keeping in the honest and + laborious poor, we feel certain, that an engagement taken by the accused + to appear on the day of trial would be always fulfilled, not only with + fidelity, but with the warmest gratitude—for his family would not + have suffered by his absence, thanks to the indulgence of the law. + </p> + <p> + There is also another fact, of which France may well be proud. It is, that + her magistrates (although miserably paid as the army itself) are generally + wise, upright, humane, and independent; they have the true feeling of + their own useful and sacred mission; they know how to appreciate the wants + and distresses of the working classes, with whom they are so often brought + in contact; to them might be safely granted the power of fixing those + cases in which a moral security, the only one that can be given by the + honest and necessitous man, should be received as sufficient.(10) + </p> + <p> + Finally, if those who make the laws have so low an opinion of the people + as to reject with disdain the suggestions we have ventured to throw out, + let them at least so reduce the minimum of bail, as to render it available + for those who have most need to escape the fruitless rigors of + imprisonment. Let them take as their lowest limit, the month’s wages of an + artisan—say eighty francs. + </p> + <p> + This sum would still be exorbitant; but, with the aid of friends, the + pawnbroker’s, and some little advances, eighty francs might perhaps be + found—not always, it is true—but still sometimes—and, at + all events, many families would be rescued from frightful misery. + </p> + <p> + Having made these observations, let us return to Dagobert’s family, who, + in consequence of the preventive arrest of Agricola, were now reduced to + an almost hopeless state. + </p> + <p> + The anguish of Dagobert’s wife increased, the more she reflected on her + situation, for, including the marshal’s daughters, four persons were left + absolutely without resource. It must be confessed, however, that the + excellent mother thought less of herself, than of the grief which her son + must feel in thinking over her deplorable position. + </p> + <p> + At this moment there was a knock at the door. + </p> + <p> + “Who is there?” said Frances. + </p> + <p> + “It is me—Father Loriot.” + </p> + <p> + “Come in,” said Dagobert’s wife. + </p> + <p> + The dyer, who also performed the functions of a porter, appeared at the + door of the room. This time, his arms were no longer of a bright apple + green, but of a magnificent violet. + </p> + <p> + “Mrs. Baudoin,” said Father Loriot, “here is a letter that the giver of + holy water at Saint Merely’s has just brought from Abbe Dubois, with a + request that I would bring it up to you immediately, as it is very + pressing.” + </p> + <p> + “A letter from my confessor?” said Frances, in astonishment; and, as she + took it, added: “Thank you, Father Loriot.” + </p> + <p> + “You do not want anything?” + </p> + <p> + “No, Father Loriot.” + </p> + <p> + “My respects to the ladies!” and the dyer went out. + </p> + <p> + “Mother Bunch, will you read this letter for me?” said Frances, anxious to + learn the contents of the missive in question. + </p> + <p> + “Yes, mother,”—and the young girl read as follows: + </p> + <p> + “‘MY DEAR MADAME BAUDOIN,—I am in the habit of hearing you Tuesday + and Saturday, but I shall not be at liberty either to-morrow or the last + day of the week; you must then come to me this morning, unless you wish to + remain a whole week without approaching the tribunal of penance.’” + </p> + <p> + “Good heavens! a week!” cried Dagobert’s wife. “Alas! I am only too + conscious of the necessity of going there today, notwithstanding the + trouble and grief in which I am plunged.” + </p> + <p> + Then, addressing herself to the orphans, she continued: “Heaven has heard + the prayers that I made for you, my dear young ladies; this very day I + shall be able to consult a good and holy man with regard to the great + dangers to which you are exposed. Poor dear souls, that are so innocent, + and yet so guilty, without any fault of your own! Heaven is my witness, + that my heart bleeds for you as much as for my son.” + </p> + <p> + Rose and Blanche looked at each other in confusion; they could not + understand the fears with which the state of their souls inspired the wife + of Dagobert. The latter soon resumed, addressing the young sempstress: + </p> + <p> + “My good girl, will you render me yet another service?” + </p> + <p> + “Certainly.” + </p> + <p> + “My husband took Agricola’s week’s wages with him to pay his journey to + Chartres. It was all the money I had in the house; I am sure that my poor + child had none about him, and in prison he will perhaps want some. + Therefore take my silver cup, fork, and spoon, the two pair of sheets that + remain over, and my wadded silk shawl, that Agricola gave me on my + birthday, and carry them all to the pawnbroker’s. I will try and find out + in which prison my son is confined, and will send him half of the little + sum we get upon the things; the rest will serve us till my husband comes + home. And then, what shall we do? What a blow for him—and only more + misery in prospect—since my son is in prison, and I have lost my + sight. Almighty Father!” cried the unfortunate mother, with an expression + of impatient and bitter grief, “why am I thus afflicted? Have I not done + enough to deserve some pity, if not for myself, at least for those + belonging to me?” But immediately reproaching herself for this outburst, + she added, “No, no! I ought to accept with thankfulness all that Thou + sandiest me. Forgive me for these complaints, or punish only myself!” + </p> + <p> + “Be of good courage, mother!” said Mother Bunch. “Agricola is innocent, + and will not remain long in prison.” + </p> + <p> + “But now I think of it,” resumed Dagobert’s wife, “to go to the + pawnbroker’s will make you lose much time, my poor girl.” + </p> + <p> + “I can make up that in the night, Madame Frances; I could not sleep, + knowing you in such trouble. Work will amuse me.” + </p> + <p> + “Yes, but the candles—” + </p> + <p> + “Never mind, I am a little beforehand with my work,” said the poor girl, + telling a falsehood. + </p> + <p> + “Kiss me, at least,” said Frances, with moist eyes, “for you are the very + best creature in the world.” So saying, she hastened cut of the room. + </p> + <p> + Rose and Blanche were left alone with Mother Bunch; at length had arrived + the moment for which they had waited with so much impatience. Dagobert’s + wife proceeded to St. Merely Church, where her confessor was expecting to + see her. + </p> + <p> + <a name="link2HCH0048" id="link2HCH0048"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XLVIII. THE CONFESSIONAL + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">N</span>othing could be more gloomy than the appearance of St. Merely Church, on + this dark and snowy winter’s day. Frances stopped a moment beneath the + porch, to behold a lugubrious spectacle. + </p> + <p> + While a priest was mumbling some words in a low voice, two or three dirty + choristers, in soiled surplices, were charting the prayers for the dead, + with an absent and sullen air, round a plain deal coffin, followed only by + a sobbing old man and a child, miserably clad. The beadle and the + sacristan, very much displeased at being disturbed for so wretched a + funeral, had not deigned to put on their liveries, but, yawning with + impatience, waited for the end of the ceremony, so useless to the + interests of the establishment. At length, a few drops of holy water being + sprinkled on the coffin, the priest handed the brush to the beadle, and + retired. + </p> + <p> + Then took place one of those shameful scenes, the necessary consequence of + an ignoble and sacrilegious traffic, so frequent with regard to the + burials of the poor, who cannot afford to pay for tapers, high mass, or + violins—for now St. Thomas Aquinas’ Church has violins even for the + dead. + </p> + <p> + The old man stretched forth his hand to the sacristan to receive the + brush. “Come, look sharp!” said that official, blowing on his fingers. + </p> + <p> + The emotion of the old man was profound, and his weakness extreme; he + remained for a moment without stirring, while the brush was clasped + tightly in his trembling hand. In that coffin was his daughter, the mother + of the ragged child who wept by his side—his heart was breaking at + the thought of that last farewell; he stood motionless, and his bosom + heaved with convulsive sobs. + </p> + <p> + “Now, will you make haste?” said the brutal beadle. “Do you think we are + going to sleep here?” + </p> + <p> + The old man quickened his movements. He made the sign of the cross over + the corpse, and, stooping down, was about to place the brush in the hand + of his grandson, when the sacristan, thinking the affair had lasted long + enough, snatched the sprinkling-brush from the child, and made a sign to + the bearers to carry away the coffin—which was immediately done. + </p> + <p> + “Wasn’t that old beggar a slow coach?” said the beadle to his companion, + as they went back to the sacristy. “We shall hardly have time to get + breakfast, and to dress ourselves for the bang-up funeral of this morning. + That will be something like a dead man, that’s worth the trouble. I shall + shoulder my halberd in style!” + </p> + <p> + “And mount your colonel’s epaulets, to throw dust in the eyes of the women + that let out the chairs—eh, you old rascal!” said the other, with a + sly look. + </p> + <p> + “What can I do, Capillare? When one has a fine figure, it must be seen,” + answered the beadle, with a triumphant air. “I cannot blind the women to + prevent their losing their hearts!” + </p> + <p> + Thus conversing; the two men reached the sacristy. The sight of the + funeral had only increased the gloom of Frances. When she entered the + church, seven or eight persons, scattered about upon chairs, alone + occupied the damp and icy building. One of the distributors of holy water, + an old fellow with a rubicund, joyous, wine-bibbing face, seeing Frances + approach the little font, said to her in a low voice: “Abbe Dubois is not + yet in his box. Be quick, and you will have the first wag of his beard.” + </p> + <p> + Though shocked at this pleasantry, Frances thanked the irreverent speaker, + made devoutly the sign of the cross, advanced some steps into the church, + and knelt down upon the stones to repeat the prayer, which she always + offered up before approaching the tribunal of penance. Having said this + prayer, she went towards a dark corner of the church, in which was an + oaken confessional, with a black curtain drawn across the grated door. The + places on each side were vacant; so Frances knelt down in that upon the + right hand, and remained there for some time absorbed in bitter + reflections. + </p> + <p> + In a few minutes, a priest of tall stature, with gray hair and a stern + countenance, clad in a long black cassock, stalked slowly along one of the + aisles of the church. A short, old, misshapen man, badly dressed, leaning + upon an umbrella, accompanied him, and from time to time whispered in his + ear, when the priest would stop to listen with a profound and respectful + deference. + </p> + <p> + As they approached the confessional, the short old man, perceiving Frances + on her knees, looked at the priest with an air of interrogation. “It is + she,” said the clergyman. + </p> + <p> + “Well, in two or three hours, they will expect the two girls at St. Mary’s + Convent. I count upon it,” said the old man. + </p> + <p> + “I hope so, for the sake of their souls,” answered the priest; and, bowing + gravely, he entered the confessional. The short old man quitted the + church. + </p> +<div class="fig"> + <img src="images/10465m.jpg" alt="10465m " /><br /> + </div> + <h5> + <a href="images/10465.jpg"><i>Original</i></a> + </h5> + <p> + This old man was Rodin. It was on leaving Saint Merely’s that he went to + the lunatic asylum, to assure himself that Dr. Baleinier had faithfully + executed his instructions with regard to Adrienne de Cardoville. + </p> + <p> + Frances was still kneeling in the interior of the confessional. One of the + slides opened, and a voice began to speak. It was that of the priest, who, + for the last twenty years had been the confessor of Dagobert’s wife, and + exercised over her an irresistible and all-powerful influence. + </p> + <p> + “You received my letter?” said the voice. + </p> + <p> + “Yes, father. + </p> + <p> + “Very well—I listen to you.” + </p> + <p> + “Bless me, father—for I have sinned!” said Frances. + </p> + <p> + The voice pronounced the formula of the benediction. Dagobert’s wife + answered “amen,” as was proper, said her confider to “It is my fault,” + gave an account of the manner in which she had performed her last penance, + and then proceeded to the enumeration of the new sins, committed since she + had received absolution. + </p> + <p> + For this excellent woman, a glorious martyr of industry and maternal love, + always fancied herself sinning: her conscience was incessantly tormented + by the fear that she had committed some incomprehensible offence. This + mild and courageous creature, who, after a whole life of devotion, ought + to have passed what time remained to her in calm serenity of soul, looked + upon herself as a great sinner, and lived in continual anxiety, doubting + much her ultimate salvation. + </p> + <p> + “Father,” said Frances, in a trembling voice, “I accuse myself of omitting + my evening prayer the day before yesterday. My husband, from whom I had + been separated for many years, returned home. The joy and the agitation + caused by his arrival, made me commit this great sin.” + </p> + <p> + “What next?” said the voice, in a severe tone, which redoubled the poor + woman’s uneasiness. + </p> + <p> + “Father, I accuse myself of falling into the same sin yesterday evening. I + was in a state of mortal anxiety, for my son did not come home as usual, + and I waited for him minute after minute, till the hour had passed over.” + </p> + <p> + “What next?” said the voice. + </p> + <p> + “Father, I accuse myself of having told a falsehood all this week to my + son, by letting him think that on account of his reproaching me for + neglecting my health, I had taken a little wine for my dinner—whereas + I had left it for him, who has more need of it, because he works so much.” + </p> + <p> + “Go on!” said the voice. + </p> + <p> + “Father, I accuse myself of a momentary want of resignation this morning, + when I learned that my poor son was arrested; instead of submitting with + respect and gratitude to this new trial which the Lord hath sent me—alas! + I rebelled against it in my grief—and of this I accuse myself.” + </p> + <p> + “A bad week,” said the priest, in a tone of still greater severity, “a bad + week—for you have always put the creature before the Creator. But + proceed!” + </p> + <p> + “Alas, father!” resumed Frances, much dejected, “I know that I am a great + sinner; and I fear that I am on the road to sins of a still graver kind.” + </p> + <p> + “Speak!” + </p> + <p> + “My husband brought with him from Siberia two young orphans, daughters of + Marshal Simon. Yesterday morning, I asked them to say their prayers, and I + learned from them, with as much fright as sorrow, that they know none of + the mysteries of our holy faith, though they are fifteen years old. They + have never received the sacrament, nor are they even baptized, father—not + even baptized!” + </p> + <p> + “They must be heathens!” cried the voice, in a tone of angry surprise. + </p> + <p> + “That is what so much grieves me, father; for, as I and my husband are in + the room of parents to these young orphans, we should be guilty of the + sins which they might commit—should we not, father?” + </p> + <p> + “Certainly,—since you take the place of those who ought to watch + over their souls. The shepherd must answer for his flock,” said the voice. + </p> + <p> + “And if they should happen to be in mortal sin, father, I and my husband + would be in mortal sin?” + </p> + <p> + “Yes,” said the voice; “you take the place of their parents; and fathers + and mothers are guilty of all the sins which their children commit when + those sins arise from the want of a Christian education.” + </p> + <p> + “Alas, father! what am I to do? I address myself to you as I would to + heaven itself. Every day, every hour, that these poor young girls remain + heathens, may contribute to bring about their eternal damnation, may it + not, father?” said Frances, in a tone of the deepest emotion. + </p> + <p> + “Yes,” answered the voice; “and the weight of this terrible responsibility + rests upon you and your husband; you have the charge of souls!” + </p> + <p> + “Lord, have mercy upon me!” said Frances weeping. + </p> + <p> + “You must not grieve yourself thus,” answered the voice, in a softer tone; + “happily for these unfortunates, they have met you upon the way. They, + will have in you and your husband good and pious examples—for I + suppose that your husband, though formerly an ungodly person, now + practices his religious duties!” + </p> + <p> + “We must pray for him, father,” said Frances, sorrowfully; “grace has not + yet touched his heart. He is like my poor child, who has also not been + called to holiness. Ah, father!” said Frances, drying her tears, “these + thoughts are my heaviest cross.” + </p> + <p> + “So neither your husband nor your son practises,” resumed the voice, in a + tone of reflection; “this is serious—very serious. The religious + education of these two unfortunate girls has yet to begin. In your house, + they will have ever before them the most deplorable examples. Take care! I + have warned you. You have the charge of souls—your responsibility is + immense!” + </p> + <p> + “Father, it is that which makes me wretched—I am at a loss what to + do. Help me, and give me your counsels: for twenty years your voice has + been to me as the voice of the Lord.” + </p> + <p> + “Well! you must agree with your husband to send these unfortunate girls to + some religious house where they may be instructed.” + </p> + <p> + “We are too poor, father, to pay for their schooling, and unfortunately my + son has just been put in prison for songs that he wrote.” + </p> + <p> + “Behold the fruit of impiety,” said the voice, severely; “look at Gabriel! + he has followed my counsels, and is now the model of every Christian + virtue.” + </p> + <p> + “My son, Agricola, has had good qualities, father; he is so kind, so + devoted!” + </p> + <p> + “Without religion,” said the voice, with redoubled severity, “what you + call good qualities are only vain appearances; at the least breath of the + devil they will disappear—for the devil lurks in every soul that has + no religion.” + </p> + <p> + “Oh! my poor son!” said Frances, weeping; “I pray for him every day, that + faith may enlighten him.” + </p> + <p> + “I have always told you,” resumed the voice, “that you have been too weak + with him. God now punishes you for it. You should have parted from this + irreligious son, and not sanctioned his impiety by loving him as you do. + ‘If thy right hand offend thee, cut it off,’ saith the Scripture.” + </p> + <p> + “Alas, father! you know it is the only time I have disobeyed you; but I + could not bring myself to part from my son.” + </p> + <p> + “Therefore is your salvation uncertain—but God is merciful. Do not + fall into the same fault with regard to these young girls, whom Providence + has sent you, that you might save them from eternal damnation. Do not + plunge them into it by your own culpable indifference.” + </p> + <p> + “Oh, father! I have wept and prayed for them.” + </p> + <p> + “That is not sufficient. These unfortunate children cannot have any notion + of good or evil. Their souls must be an abyss of scandal and impurity—brought + up as they have been, by an impious mother, and a soldier devoid of + religion.” + </p> + <p> + “As for that, father,” said Frances, with simplicity, “they are gentle as + angels, and my husband, who has not quitted them since their birth, + declares they have the best hearts in the world.” + </p> + <p> + “Your husband has dwelt all his life in mortal sin,” said the voice, + harshly; “how can he judge of the state of souls? I repeat to you, that as + you represent the parents of these unfortunates, it is not to-morrow, but + it is today, and on the instant, that you must labor for their salvation, + if you would not incur a terrible responsibility.” + </p> + <p> + “It is true—I know it well, father—and I suffer as much from + this fear as from grief at my son’s arrest. But what is to be done? I + could not instruct these young girls at home—for I have not the + knowledge—I have only faith—and then my poor husband, in his + blindness, makes game of sacred things, which my son, at least, respects + in my presence, out of regard for me. Then, once more, father, come to my + aid, I conjure you! Advise me: what is to be done?” + </p> + <p> + “We cannot abandon these two young souls to frightful perdition,” said the + voice, after a moment’s silence: “there are not two ways of saving them: + there is only one, and that is to place them in a religious house, where + they may be surrounded by good and pious examples.” + </p> + <p> + “Oh, father! if we were not so poor, or if I could still work, I would try + to gain sufficient to pay for their board, and do for them as I did for + Gabriel. Unfortunately, I have quite lost my sight; but you, father, know + some charitable souls, and if you could get any of them to interest them, + selves for these poor orphans—” + </p> + <p> + “Where is their father?” + </p> + <p> + “He was in India; but, my husband tells me, he will soon be in France. + That, however, is uncertain. Besides, it would make my heart bleed to see + those poor children share our misery—which will soon be extreme—for + we only live by my son’s labor.” + </p> + <p> + “Have these girls no relation here?” asked the voice. + </p> + <p> + “I believe not, father.” + </p> + <p> + “It was their mother who entrusted them to your husband, to bring them to + France?” + </p> + <p> + “Yes, father; he was obliged to set out yesterday for Chartres, on some + very pressing business, as he told me.” + </p> + <p> + It will be remembered that Dagobert had not thought fit to inform his wife + of the hopes which the daughters of Marshall Simon founded on the + possession of the medal, and that he had particularly charged them not to + mention these hopes, even to Frances. + </p> + <p> + “So,” resumed the voice, after a pause of some moments’ duration, “your + husband is not in Paris.” + </p> + <p> + “No, father; but he will doubtless return this evening or to-morrow + morning.” + </p> + <p> + “Listen to me,” said the voice, after another pause. “Every minute lost + for those two young girls is a new step on the road to perdition. At any + moment the hand of God may smite them, for He alone knows the hour of our + death; and were they to die in the state in which they now are, they would + most probably be lost to all eternity. This very day, therefore, you must + open their eyes to the divine light, and place them in a religious house. + It is your duty—it should be your desire!” + </p> + <p> + “Oh, yes, father; but, unfortunately, I am too poor, as I have already + told you.” + </p> + <p> + “I know it—you do not want for zeal or faith—but even were you + capable of directing these young girls, the impious examples of your + husband and son would daily destroy your work. Others must do for these + orphans, in the name of Christian charity, that which you cannot do, + though you are answerable for them before heaven.” + </p> + <p> + “Oh, father! if, thanks to you, this good work could be accomplished, how + grateful I should be!” + </p> + <p> + “It is not impossible. I know the superior of a convent, where these young + girls would be instructed as they ought. The charge for their board would + be diminished in consideration of their poverty; but, however small, it + must be paid and there would be also an outfit to furnish. All that would + be too dear for you.” + </p> + <p> + “Alas! yes, father.” + </p> + <p> + “But, by taking a little from my poor-box, and by applying to one or two + generous persons, I think I shall be able to complete the necessary sum, + and so get the young girls received at the convent.” + </p> + <p> + “Ah, father! you are my deliverer, and these children’s.” + </p> + <p> + “I wish to be so—but, in the interest of their salvation, and to + make these measures really efficacious, I must attach some conditions to + the support I offer you.” + </p> + <p> + “Name them, father; they are accepted beforehand. Your commands shall be + obeyed in everything.” + </p> + <p> + “First of all, the children must be taken this very morning to the + convent, by my housekeeper, to whom you must bring them almost + immediately.” + </p> + <p> + “Nay, father; that is impossible!” cried Frances. + </p> + <p> + “Impossible? why?” + </p> + <p> + “In the absence of my husband—” + </p> + <p> + “Well?” + </p> + <p> + “I dare not take a such a step without consulting him.” + </p> + <p> + “Not only must you abstain from consulting him, but the thing must be done + during his absence.” + </p> + <p> + “What, father? should I not wait for his return?” + </p> + <p> + “No, for two reasons,” answered the priest, sternly: “first, because his + hardened impiety would certainly lead him to oppose your pious resolution; + secondly, because it is indispensable that these young girls should break + off all connection with your husband, who, therefore, must be left in + ignorance of the place of their retreat.” + </p> + <p> + “But, father,” said Frances, a prey to cruel doubt and embarrassment, “it + is to my husband that these children were entrusted—and to dispose + of them without his consent would be—” + </p> + <p> + “Can you instruct these children at your house—yes or no?” + interrupted the voice. + </p> + <p> + “No, father, I cannot.” + </p> + <p> + “Are they exposed to fall into a state of final impenitence by remaining + with you—yes or no?” + </p> + <p> + “Yes, father, they are so exposed.” + </p> + <p> + “Are you responsible, as you take the place of their parents, for the + mortal sins they may commit—yes or no?” + </p> + <p> + “Alas, father! I am responsible before God.” + </p> + <p> + “Is it in the interest of their eternal salvation that I enjoin you to + place them this very day in a convent?” + </p> + <p> + “It is for their salvation, father.” + </p> + <p> + “Well, then, choose!” + </p> + <p> + “But tell me, I entreat you, father if I have the right to dispose of them + without the consent of my husband?” + </p> + <p> + “The right! you have not only the right, but it is your sacred duty. Would + you not be bound, I ask you, to rescue these unfortunate creatures from a + fire, against the will of your husband, or during his absence? Well! you + must now rescue them, not from a fire that will only consume the body, but + from one in which their souls would burn to all eternity.” + </p> + <p> + “Forgive me, I implore you, father,” said the poor woman, whose indecision + and anguish increased every minute; “satisfy my doubts!—How can I + act thus, when I have sworn obedience to my husband?” + </p> + <p> + “Obedience for good—yes—but never for evil. You confess, that, + were it left to him, the salvation of these orphans would be doubtful, and + perhaps impossible.” + </p> + <p> + “But, father,” said Frances, trembling, “when my husband returns, he will + ask me where are these children? Must I tell him a falsehood?” + </p> + <p> + “Silence is not falsehood; you will tell him that you cannot answer his + question.” + </p> + <p> + “My husband is the kindest of men; but such an answer will drive him + almost mad. He has been a soldier, and his anger will be terrible, + father,” said Frances, shuddering at the thought. + </p> + <p> + “And were his anger a hundred times more terrible, you should be proud to + brave it in so sacred a cause!” cried the voice, with indignation. “Do you + think that salvation is to be so easily gained on earth? Since when does + the sinner, that would walk in the way of the Lord, turn aside for the + stones and briars that may bruise and tear him?” + </p> + <p> + “Pardon, father, pardon!” said Frances, with the resignation of despair. + “Permit me to ask one more question, one only. Alas! if you do not guide + me, how shall I find the way?” + </p> + <p> + “Speak!” + </p> + <p> + “When Marshal Simon arrives, he will ask his children of my husband. What + answer can he then give to their father?” + </p> + <p> + “When Marshal Simon arrives, you will let me know immediately, and then—I + will see what is to be done. The rights of a father are only sacred in so + far as he make use of them for the salvation of his children. Before and + above the father on earth, is the Father in heaven, whom we must first + serve. Reflect upon all this. By accepting what I propose to you, these + young girls will be saved from perdition; they will not be at your charge; + they will not partake of your misery; they will be brought up in a sacred + institution, as, after all, the daughters of a Marshal of France ought to + be—and, when their father arrives at Paris, if he be found worthy of + seeing them again, instead of finding poor, ignorant, half savage + heathens, he will behold two girls, pious, modest, and well informed, who, + being acceptable with the Almighty, may invoke His mercy for their father, + who, it must be owned, has great need of it—being a man of violence, + war, and battle. Now decide! Will you, on peril of your soul, sacrifice + the welfare of these girls in this world and the next, because of an + impious dread of your husband’s anger?” + </p> + <p> + Though rude and fettered by intolerance, the confessor’s language was + (taking his view of the case) reasonable and just, because the honest + priest was himself convinced of what he said; a blind instrument of Rodin, + ignorant of the end in view, he believed firmly, that, in forcing Frances + to place these young girls in a convent, he was performing a pious duty. + Such was, and is, one of the most wonderful resources of the order to + which Rodin belonged—to have for accomplices good and sincere + people, who are ignorant of the nature of the plots in which they are the + principal actors. + </p> + <p> + Frances, long accustomed to submit to the influence of her confessor, + could find nothing to object to his last words. She resigned herself to + follow his directions, though she trembled to think of the furious anger + of Dagobert, when he should no longer find the children that a dying + mother had confided to his care. But, according to the priest’s opinion, + the more terrible this anger might appear to her, the more she would show + her pious humility by exposing herself to it. + </p> + <p> + “God’s will be done, father!” said she, in reply to her confessor. + “Whatever may happen, I wilt do my duty as a Christian—in obedience + to your commands.” + </p> + <p> + “And the Lord will reward you for what you may have to suffer in the + accomplishment of this meritorious act. You promise then, before God, that + you will not answer any of your husband’s questions, when he asks you for + the daughters of Marshal Simon?” + </p> + <p> + “Yes, father, I promise!” said Frances, with a shudder. + </p> + <p> + “And will preserve the same silence towards Marshal Simon himself, in case + he should return, before his daughters appear to me sufficiently grounded + in the faith to be restored to him?” + </p> + <p> + “Yes, father,” said Frances, in a still fainter voice. + </p> + <p> + “You will come and give me an account of the scene that takes place + between you and your husband, upon his return?” + </p> + <p> + “Yes, father; when must I bring the orphans to your house?” + </p> + <p> + “In an hour. I will write to the superior, and leave the letter with my + housekeeper. She is a trusty person, and will conduct the young girls to + the convent.” + </p> + <p> + After she had listened to the exhortations of her confessor, and received + absolution for her late sins, on condition of performing penance, + Dagobert’s wife left the confessional. + </p> + <p> + The church was no longer deserted. An immense crowd pressed into it, drawn + thither by the pomp of the grand funeral of which the beadle had spoken to + the sacristan two hours before. It was with the greatest difficulty that + Frances could reach the door of the church, now hung with sumptuous + drapery. + </p> + <p> + What a contrast to the poor and humble train, which had that morning so + timidly presented themselves beneath the porch! + </p> + <p> + The numerous clergy of the parish, in full procession, advanced + majestically to receive the coffin covered with a velvet pall; the watered + silks and stuffs of their copes and stoles, their splendid silvered + embroideries, sparkled in the light of a thousand tapers. The beadle + strutted in all the glory of his brilliant uniform and flashing epaulets; + on the opposite side walked in high glee the sacristan, carrying his + whalebone staff with a magisterial air; the voice of the choristers, now + clad in fresh, white surplices, rolled out in bursts of thunder; the + trumpets’ blare shook the windows; and upon the countenances of all those + who were to have a share in the spoils of this rich corpse, this excellent + corpse, this first-class corpse, a look of satisfaction was visible, + intense and yet subdued, which suited admirably with the air and attitude + of the two heirs, tall, vigorous fellows with florid complexions, who, + without overstepping the limits of a charming modesty of enjoyment, seemed + to cuddle and hug themselves most comfortably in their mourning cloaks. + </p> + <p> + Notwithstanding her simplicity and pious faith, Dagobert’s wife was + painfully impressed with this revolting difference between the reception + of the rich and the poor man’s coffin at the door of the house of God—for + surely, if equality be ever real, it is in the presence of death and + eternity! + </p> + <p> + The two sad spectacles she had witnessed, tended still further to depress + the spirits of Frances. Having succeeded with no small trouble in making + her way out of the church, she hastened to return to the Rue Brise-Miche, + in order to fetch the orphans and conduct them to the housekeeper of her + confessor, who was in her turn to take them to St. Mary’s Convent, + situated, as we know, next door to Dr. Baleinier’s lunatic-asylum, in + which—Adrienne de Cardoville was confined. + </p> + <p> + <a name="link2HCH0049" id="link2HCH0049"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XLIX. MY LORD AND SPOIL-SPORT. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>he wife of Dagobert, having quitted the church, arrived at the corner of + the Rue Brise-Miche, when she was accosted by the distributor of holy + water; he came running out of breath, to beg her to return to Saint + Mery’s, where the Abbe Dubois had yet something of importance to say to + her. + </p> + <p> + The moment Frances turned to go back, a hackney-coach stopped in front of + the house she inhabited. The coachman quitted his box to open the door. + </p> + <p> + “Driver,” said a stout woman dressed in black, who was seated in the + carriage, and held a pug-dog upon her knees, “ask if Mrs. Frances Baudoin + lives in this house.” + </p> + <p> + “Yes, ma’am,” said the coachman. + </p> + <p> + The reader will no doubt have recognized Mrs. Grivois, head waiting-woman + to the Princess de Saint-Dizier, accompanied by My Lord, who exercised a + real tyranny over his mistress. The dyer, whom we have already seen + performing the duties of a porter, being questioned by the coachman as to + the dwelling of Frances, came out of his workshop, and advanced gallantly + to the coach-door, to inform Mrs. Grivois, that Frances Baudoin did in + fact live in the house, but that she was at present from home. + </p> + <p> + The arms, hands, and part of the face of Father Loriot were now of a + superb gold-color. The sight of this yellow personage singularly provoked + My Lord, and at the moment the dyer rested his hand upon the edge of the + coach-window, the cur began to yelp frightfully, and bit him in the wrist. + </p> + <p> + “Oh! gracious heaven!” cried Mrs. Grivois, in an agony, whilst Father + Loriot, withdrew his hand with precipitation; “I hope there is nothing + poisonous in the dye that you have about you—my dog is so delicate!” + </p> + <p> + So saying, she carefully wiped the pug-nose, spotted with yellow. Father + Loriot, not at all satisfied with this speech, when he had expected to + receive some apology from Mrs. Grivois on account of her dog’s behavior, + said to her, as with difficulty he restrained his anger: “If you did not + belong to the fair sex, which obliges me to respect you in the person of + that wretched animal I would have the pleasure of taking him by the tail, + and making him in one minute a dog of the brightest orange color, by + plunging him into my cauldron, which is already on the fire.” + </p> + <p> + “Dye my pet yellow!” cried Mrs. Grivois, in great wrath, as she descended + from the hackney-coach, clasping My Lord tenderly to her bosom, and + surveying Father Loriot with a savage look. + </p> + <p> + “I told you, Mrs. Baudoin is not at home,” said the dyer, as he saw the + pug-dog’s mistress advance in the direction of the dark staircase. + </p> + <p> + “Never mind; I will wait for her,” said Mrs. Grivois tartly. “On which + story does she live?” + </p> + <p> + “Up four pair!” answered Father Loriot, returning abruptly to his shop. + And he added to himself, with a chuckle at the anticipation: “I hope + Father Dagobert’s big prowler will be in a bad humor, and give that + villainous pug a shaking by the skin of his neck.” + </p> +<div class="fig"> + <img src="images/20117m.jpg" alt="20117m" /><br /> + </div> + <h5> + <a href="images/20117.jpg"><i>Original</i></a> + </h5> + <p> + Mrs. Grivois mounted the steep staircase with some difficulty, stopping at + every landing-place to take breath, and looking about her with profound + disgust. At length she reached the fourth story, and paused an instant at + the door of the humble chamber, in which the two sisters and Mother Bunch + then were. + </p> + <p> + The young sempstress was occupied in collecting the different articles + that she was about to carry to the pawnbroker’s. Rose and Blanche seemed + happier, and somewhat less uneasy about the future; for they had learned + from Mother Bunch, that, when they knew how to sew, they might between + them earn eight francs a week, which would at least afford some assistance + to the family. + </p> + <p> + The presence of Mrs. Grivois in Baudoin’s dwelling was occasioned by a new + resolution of Abbe d’Aigrigny and the Princess de Saint-Dizier; they had + thought it more prudent to send Mrs. Grivois, on whom they could blindly + depend, to fetch the young girls, and the confessor was charged to inform + Frances that it was not to his housekeeper, but to a lady that would call + on her with a note from him, that she was to deliver the orphans, to be + taken to a religious establishment. + </p> + <p> + Having knocked at the door, the waiting-woman of the Princess de Saint + Dizier entered the room, and asked for Frances Baudoin. + </p> + <p> + “She is not at home, madame,” said Mother Bunch timidly, not a little + astonished at so unexpected a visit, and casting down her eyes before the + gaze of this woman. + </p> + <p> + “Then I will wait for her, as I have important affairs to speak of,” + answered Mrs. Grivois, examining with curiosity and attention the faces of + the two orphans, who also cast down their eyes with an air of confusion. + </p> + <p> + So saying, Madame Grivois sat down, not without some repugnance, in the + old arm-chair of Dagobert’s wife, and believing that she might now leave + her favorite at liberty, she laid him carefully on the floor. Immediately, + a low growl, deep and hollow, sounding from behind the armchair, made Mrs. + Grivois jump from her seat, and sent the pug-dog, yelping with affright, + and trembling through his fat, to take refuge close to his mistress, with + all the symptoms of angry alarm. + </p> + <p> + “What! is there a dog here?” cried Mrs. Grivois, stooping precipitately to + catch up My Lord, whilst, as if he wished himself to answer the question, + Spoil-sport rose leisurely from his place behind the arm-chair, and + appeared suddenly, yawning and stretching himself. + </p> + <p> + At sight of this powerful animal, with his double row of formidable + pointed fangs, which he seemed to take delight in displaying as he opened + his large jaws, Mrs. Grivois could not help giving utterance to a cry of + terror. The snappish pug had at first trembled in all his limbs at the + Siberian’s approach; but, finding himself in safety on the lap of his + mistress, he began to growl insolently, and to throw the most provoking + glances at Spoil-sport. These the worthy companion of the deceased Jovial + answered disdainfully by gaping anew; after which he went smelling round + Mrs. Grivois with a sort of uneasiness, turned his back upon My Lord, and + stretched himself at the feet of Rose and Blanche, keeping his large, + intelligent eyes fixed upon them, as if he foresaw that they were menaced + with some danger. + </p> + <p> + “Turn out that beast,” said Mrs. Grivois, imperiously; “he frightens my + dog, and may do him some harm.” + </p> + <p> + “Do not be afraid, madame,” replied Rose, with a smile; “Spoil-sport will + do no harm, if he is not attacked.” + </p> +<div class="fig"> + <img src="images/10473m.jpg" alt="10473m " /><br /> + </div> + <h5> + <a href="images/10473.jpg"><i>Original</i></a> + </h5> + <p> + “Never mind!” cried Mrs. Grivois; “an accident soon happens. The very + sight of that enormous dog, with his wolf’s head and terrible teeth, is + enough to make one tremble at the injuries he might do one. I tell you to + turn him out.” + </p> + <p> + Mrs. Grivois had pronounced these last words in a tone of irritation, + which did not sound at all satisfactory in Spoil-sport’s ears; so he + growled and showed his teeth, turning his head in the direction of the + stranger. + </p> + <p> + “Be quiet, Spoilsport!” said Blanche sternly. + </p> + <p> + A new personage here entered the room, and put an end to this situation, + which was embarrassing enough for the two young girls. It was a + commissionaire, with a letter in his hand. + </p> + <p> + “What is it, sir?” asked Mother Bunch. + </p> + <p> + “A very pressing letter from the good man of the house; the dyer below + stairs told me to bring it up here.” + </p> + <p> + “A letter from Dagobert!” cried Rose and Blanche, with a lively expression + of pleasure. “He is returned then? where is he?” + </p> + <p> + “I do not know whether the good man is called Dagobert or not,” said the + porter; “but he is an old trooper, with a gray moustache, and may be found + close by, at the office of the Chartres coaches.” + </p> + <p> + “That is he!” cried Blanche. “Give me the letter.” + </p> + <p> + The porter handed it to the young girl, who opened it in all haste. + </p> + <p> + Mrs. Grivois was struck dumb with dismay; she knew that Dagobert had been + decoyed from Paris, that the Abbe Dubois might have an opportunity to act + with safety upon Frances. Hitherto, all had succeeded; the good woman had + consented to place the young girls in the hands of a religious community—and + now arrives this soldier, who was thought to be absent from Paris for two + or three days at least, and whose sudden return might easily ruin this + laborious machination, at the moment when it seemed to promise success. + </p> + <p> + “Oh!” said Blanche, when she had read the letter. “What a misfortune!” + </p> + <p> + “What is it, then, sister?” cried Rose. + </p> + <p> + “Yesterday, half way to Chartres, Dagobert perceived that he had lost his + purse. He was unable to continue his journey; he took a place upon credit, + to return, and he asks his wife to send him some money to the office, to + pay what he owes.” + </p> + <p> + “That’s it,” said the porter; “for the good man told me to make haste, + because he was there in pledge.” + </p> + <p> + “And nothing in the house!” cried Blanche. “Dear me! what is to be done?” + </p> + <p> + At these words, Mrs. Grivois felt her hopes revive for a moment, they were + soon, however, dispelled by Mother Bunch, who exclaimed, as she pointed to + the parcel she had just made up: “Be satisfied, dear young ladies! here is + a resource. The pawnbroker’s, to which I am going, is not far off, and I + will take the money direct to M. Dagobert: in half an hour, at latest, he + will be here.” + </p> + <p> + “Oh, my dear friend! you are right,” said Rose. “How good you are! you + think of everything.” + </p> + <p> + “And here,” said Blanche, “is the letter, with the address upon it. Take + that with you.” + </p> + <p> + “Thank you,” answered Mother Bunch: then, addressing the porter, she + added: “Return to the person who sent you, and tell him I shall be at the + coach-office very shortly.” + </p> +<div class="fig"> + <img src="images/10481m.jpg" alt="10481m " /><br /> + </div> + <h5> + <a href="images/10481.jpg"><i>Original</i></a> + </h5> + <p> + “Infernal hunchback!” thought Mrs. Grivois, with suppressed rage, “she + thinks of everything. Without her, we should have escaped the plague of + this man’s return. What is to be done now? The girls would not go with me, + before the arrival of the soldier’s wife; to propose it to them would + expose me to a refusal, and might compromise all. Once more, what is to be + done?” + </p> + <p> + “Do not be uneasy, ladies,” said the porter as he went out; “I will go and + assure the good man, that he will not have to remain long in pledge.” + </p> + <p> + Whilst Mother Bunch was occupied in tying her parcel, in which she had + placed the silver cup, fork, and spoon, Mrs. Grivois seemed to reflect + deeply. Suddenly she started. Her countenance, which had been for some + moments expressive of anxiety and rage, brightened up on the instant. She + rose, still holding My Lord in her arms, and said to the young girls: “As + Mrs. Baudoin does not come in, I am going to pay a visit in the + neighborhood, and will return immediately. Pray tell her so!” + </p> + <p> + With these words Mr. Grivois took her departure, a few minutes before + Mother Bunch left. + </p> + <p> + <a name="link2HCH0050" id="link2HCH0050"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER L. APPEARANCES. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span>fter she had again endeavored to cheer up the orphans, the sewing-girl + descended the stairs, not without difficulty, for, in addition to the + parcel, which was already heavy, she had fetched down from her own room + the only blanket she possessed—thus leaving herself without + protection from the cold of her icy garret. + </p> + <p> + The evening before, tortured with anxiety as to Agricola’s fate, the girl + had been unable to work; the miseries of expectation and hope delayed had + prevented her from doing so; now another day would be lost, and yet it was + necessary to live. Those overwhelming sorrows, which deprive the poor of + the faculty of labor, are doubly dreaded; they paralyze the strength, and, + with that forced cessation from toil, want and destitution are often added + to grief. + </p> + <p> + But Mother Bunch, that complete incarnation of holiest duty, had yet + strength enough to devote herself for the service of others. Some of the + most frail and feeble creatures are endowed with extraordinary vigor of + soul; it would seem as if, in these weak, infirm organizations, the spirit + reigned absolutely over the body, and knew how to inspire it with a + factitious energy. + </p> + <p> + Thus, for the last twenty-four hours, Mother Bunch had neither slept nor + eaten; she had suffered from the cold, through the whole of a frosty + night. In the morning she had endured great fatigue, in going, amid rain + and snow, to the Rue de Babylone and back, twice crossing Paris and yet + her strength was not exhausted—so immense is the power of the human + heart! + </p> + <p> + She had just arrived at the corner of the Rue Saint Mery. Since the recent + Rue des Prouvaires conspiracy, there were stationed in this populous + quarter of the town a much larger number of police-officers than usual. + Now the young sempstress, though bending beneath the weight of her parcel, + had quickened her pace almost to a run, when, just as she passed in front + of one of the police, two five-franc pieces fell on the ground behind her, + thrown there by a stout woman in black, who followed her closely. + </p> + <p> + Immediately after the stout woman pointed out the two pieces to the + policeman, and said something hastily to him with regard to Mother Bunch. + Then she withdrew at all speed in the direction of the Rue Brise-Miche. + </p> + <p> + The policeman, struck with what Mrs. Grivois had said to him ( for it was + that person), picked up the money, and, running after the humpback, cried + out to her: “Hi, there! young woman, I say—stop! stop!” + </p> + <p> + On this outcry, several persons turned round suddenly and, as always + happens in those quarters of the town, a nucleus of five or six persons + soon grew to a considerable crowd. + </p> + <p> + Not knowing that the policeman was calling to her, Mother Bunch only + quickened her speed, wishing to get to the pawnbroker’s as soon as + possible, and trying to avoid touching any of the passers-by, so much did + she dread the brutal and cruel railleries, to which her infirmity so often + exposed her. + </p> + <p> + Suddenly, she heard many persons running after her, and at the same + instant a hand was laid rudely on her shoulder. It was the policeman, + followed by another officer, who had been drawn to the spot by the noise. + Mother Bunch turned round, struck with as much surprise as fear. + </p> + <p> + She found herself in the centre of a crowd, composed chiefly of that + hideous scum, idle and in rags, insolent and malicious, besotted with + ignorance, brutalized by want, and always loafing about the corners. + Workmen are scarcely ever met with in these mobs, for they are for the + most part engaged in their daily labors. + </p> + <p> + “Come, can’t you hear? you are deaf as Punch’s dog,” said the policeman, + seizing Mother Bunch so rudely by the arm, that she let her parcel fall at + her feet. + </p> + <p> + When the unfortunate girl, looking round in terror, saw herself exposed to + all those insolent, mocking, malicious glances, when she beheld the + cynical and coarse grimace on so many ignoble and filthy countenances, she + trembled in all her limbs, and became fearfully pale. No doubt the + policeman had spoken roughly to her; but how could he speak otherwise to a + poor deformed girl, pale and trembling, with her features agitated by + grief and fear—to a wretched creature, miserably clad, who wore in + winter a thin cotton gown, soiled with mud, and wet with melted snow—for + the poor sempstress had walked much and far that morning. So the policeman + resumed, with great severity, following that supreme law of appearances + which makes poverty always suspected: “Stop a bit, young woman! it seems + you are in a mighty hurry, to let your money fall without picking it up.” + </p> + <p> + “Was her blunt hid in her hump?” said the hoarse voice of a match-boy, a + hideous and repulsive specimen of precocious depravity. + </p> + <p> + This sally was received with laughter, shouts, and hooting, which served + to complete the sewing-girl’s dismay and terror. She was hardly able to + answer, in a feeble voice, as the policeman handed her the two pieces of + silver: “This money, sir, is not mine.” + </p> + <p> + “You lie,” said the other officer, approaching; “a respectable lady saw it + drop from your pocket.” + </p> + <p> + “I assure you, sir, it is not so,” answered Mother Bunch, trembling. + </p> + <p> + “I tell you that you lie,” resumed the officer; “for the lady, struck with + your guilty and frightened air, said to me: ‘Look at yonder little + hunchback, running away with that large parcel, and letting her money fall + without even stopping to pick it up—it is not natural.’” + </p> + <p> + “Bobby,” resumed the match-vendor in his hoarse voice, “be on your guard! + Feel her hump, for that is her luggage-van. I’m sure that you’ll find + boots, and cloaks, and umbrellas, and clocks in it—for I just heard + the hour strike in the bend of her back.” + </p> + <p> + Then came fresh bursts of laughter and shouts and hooting, for this + horrible mob has no pity for those who implore and suffer. The crowd + increased more and more, and now they indulged in hoarse cries, piercing + whistles, and all kinds of horse play. + </p> + <p> + “Let a fellow see her; it’s free gratis.” + </p> + <p> + “Don’t push so; I’ve paid for my place!” + </p> + <p> + “Make her stand up on something, that all may have a look.” + </p> + <p> + “My corns are being ground: it was not worth coming.” + </p> + <p> + “Show her properly—or return the money.” + </p> + <p> + “That’s fair, ain’t it?” + </p> + <p> + “Give it us in the ‘garden’ style.” + </p> + <p> + “Trot her out in all her paces! Kim up!” + </p> + <p> + Fancy the feelings of this unfortunate creature, with her delicate mind, + good heart, and lofty soul, and yet with so timid and nervous a character, + as she stood alone with the two policemen in the thick of the crowd, and + was forced to listen to all these coarse and savage insults. + </p> + <p> + But the young sempstress did not yet understand of what crime she was + accused. She soon discovered it, however, for the policeman, seizing the + parcel which she had picked up and now held in her trembling hands, said + to her rudely: “What is there in that bundle?” + </p> + <p> + “Sir—it is—I am going—” The unfortunate girl hesitated—unable, + in her terror, to find the word. + </p> + <p> + “If that’s all you have to answer,” said the policeman, “it’s no great + shakes. Come, make haste! turn your bundle inside out.” + </p> + <p> + So saying, the policeman snatched the parcel from her, half opened it, and + repeated, as he enumerated the divers articles it contained: “The devil!—sheets—a + spoon and fork—a silver mug—a shawl—a blanket—you’re + a downy mot! it was not so bad a move. Dressed like a beggar, and with + silver plate about you. Oh, yes! you’re a deep ‘un.” + </p> + <p> + “Those articles do not belong to you,” said the other officer. + </p> + <p> + “No, sir,” replied Mother Bunch, whose strength was failing her; “but—” + </p> + <p> + “Oh, vile hunchback! you have stolen more than you are big!” + </p> + <p> + “Stolen!” cried Mother Bunch, clasping her hands in horror, for she now + understood it all. “Stolen!” + </p> + <p> + “The guard! make way for the lobsters!” cried several persons at once. + </p> + <p> + “Oh, ho! here’s the lobsters!” + </p> + <p> + “The fire-eaters!” + </p> + <p> + “The Arab devourers!” + </p> + <p> + “Come for their dromedary!” + </p> + <p> + In the midst of these noisy jests, two soldiers and a corporal advanced + with much difficulty. Their bayonets and the barrels of their guns were + alone visible above the heads of this hideous and compact crowd. Some + officious person had been to inform the officer at the nearest guard + house, that a considerable crowd obstructed the public way. + </p> + <p> + “Come, here is the guard—so march to the guard-house!” said the + policeman, taking Mother Bunch by the arm. + </p> + <p> + “Sir,” said the poor girl, in a voice stifled by sobs, clasping her hands + in terror, and sinking upon her knees on the pavement; “sir,—have + pity—let me explain—” + </p> + <p> + “You will explain at the guard-house; so come on!” + </p> + <p> + “But, sir—I am not a thief,” cried Mother Bunch, in a heart-rending + tone; “have pity upon me—do not take me away like a thief, before + all this crowd. Oh! mercy! mercy!” + </p> + <p> + “I tell you, there will be time to explain at the guard-house. The street + is blocked up; so come along!” Grasping the unfortunate creature by both + her hands, he set her, as it were, on her feet again. + </p> + <p> + At this instant, the corporal and his two soldiers, having succeeded in + making their way through the crowd, approached the policeman. “Corporal,” + said the latter, “take this girl to the guard-house. I am an officer of + the police.” + </p> + <p> + “Oh, gentlemen!” cried the girl, weeping hot tears, and wringing her + hands, “do not take me away, before you let me explain myself. I am not a + thief—indeed, indeed, I am not a thief! I will tell you—it was + to render service to others—only let me tell you—” + </p> + <p> + “I tell you, you should give your explanations at the guard-house; if you + will not walk, we must drag you along,” said the policeman. + </p> + <p> + We must renounce the attempt to paint this scene, at once ignoble and + terrible. + </p> + <p> + Weak, overpowered, filled with alarm, the unfortunate girl was dragged + along by the soldiers, her knees sinking under her at every step. The two + police-officers had each to lend an arm to support her, and mechanically + she accepted their assistance. Then the vociferations and hootings burst + forth with redoubled fury. Half-swooning between the two men, the hapless + creature seemed to drain the cup of bitterness to the dregs. + </p> + <p> + Beneath that foggy sky, in that dirty street, under the shadow of the tall + black houses, those hideous masses of people reminded one of the wildest + fancies of Callot and of Goya: children in rags, drunken women, grim and + blighted figures of men, rushed against each other, pushed, fought, + struggled, to follow with howls and hisses an almost inanimate victim—the + victim of a deplorable mistake. + </p> + <p> + Of a mistake! How one shudders to think, that such arrests may often take + place, founded upon nothing but the suspicion caused by the appearance of + misery, or by some inaccurate description. Can we forget the case of that + young girl, who, wrongfully accused of participating in a shameful + traffic, found means to escape from the persons who were leading her to + prison, and, rushing up the stairs of a house, threw herself from a + window, in her despair, and was crushed to death upon the paving-stones? + </p> + <p> + Meanwhile, after the abominable denunciation of which Mother Bunch was the + victim, Mrs. Grivois had returned precipitately to the Rue Brise Miche. + She ascended in haste to the fourth story, opened the door of Frances + Baudoin’s room, and saw—Dagobert in company with his wife and the + two orphans! + </p> + <p> + <a name="link2HCH0051" id="link2HCH0051"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER LI. THE CONVENT. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">L</span>et us explain in a few words the presence of Dagobert. His countenance + was impressed with such an air of military frankness that the manager of + the coach-office would have been satisfied with his promise to return and + pay the money; but the soldier had obstinately insisted on remaining in + pledge, as he called it, till his wife had answered his letter. When, + however, on the return of the porter, he found that the money was coming, + his scruples were satisfied, and he hastened to run home. + </p> + <p> + We may imagine the stupor of Mrs. Grivois, when, upon entering the + chamber, she perceived Dagobert (whom she easily recognized by the + description she had heard of him) seated beside his wife and the orphans. + The anxiety of Frances at sight of Mrs. Grivois was equally striking. Rose + and Blanche had told her of the visit of a lady, during her absence, upon + important business; and, judging by the information received from her + confessor, Frances had no doubt that this was the person charged to + conduct the orphans to a religious establishment. + </p> + <p> + Her anxiety was terrible. Resolved to follow the counsels of Abbe Dubois, + she dreaded lest a word from Mrs. Grivois should put Dagobert on the scent—in + which case all would be lost, and the orphans would remain in their + present state of ignorance and mortal sin, for which she believed herself + responsible. + </p> + <p> + Dagobert, who held the hands of Rose and Blanche, left his seat as the + Princess de Saint-Dizier’s waiting-woman entered the room and cast an + inquiring glance on Frances. + </p> + <p> + The moment was critical—nay, decisive; but Mrs. Grivois had profited + by the example of the Princess de Saint-Dizier. So, taking her resolution + at once, and turning to account the precipitation with which she had + mounted the stairs, after the odious charge she had brought against poor + Mother Bunch, and even the emotion caused by the unexpected sight of + Dagobert, which gave to her features an expression of uneasiness and alarm—she + exclaimed, in an agitated voice, after the moment’s silence necessary to + collect her thoughts: “Oh, madame! I have just been the spectator of a + great misfortune. Excuse my agitation! but I am so excited—” + </p> + <p> + “Dear me! what is the matter?” said Frances, in a trembling voice, for she + dreaded every moment some indiscretion on the part of Mrs. Grivois. + </p> + <p> + “I called just now,” resumed the other, “to speak to you on some important + business; whilst I was waiting for you, a poor young woman, rather + deformed, put up sundry articles in a parcel—” + </p> + <p> + “Yes,” said Frances; “it was Mother Bunch, an excellent, worthy creature.” + </p> + <p> + “I thought as much, madame; well, you shall hear what has happened. As you + did not come in, I resolved to pay a visit in the neighborhood. I go out, + and get as far as the Rue St. Mery, when—Oh, madame!” + </p> + <p> + “Well?” said Dagobert, “what then?” + </p> + <p> + “I see a crowd—I inquire what is the matter—I learn that a + policeman has just arrested a young girl as a thief, because she had been + seen carrying a bundle, composed of different articles which did not + appear to belong to her—I approached—what do I behold?—the + same young woman that I had met just before in this room.” + </p> + <p> + “Oh! the poor child!” exclaimed Frances, growing pale, and clasping her + hands together. “What a dreadful thing!” + </p> + <p> + “Explain, then,” said Dagobert to his wife. “What was in this bundle?” + </p> + <p> + “Well, my dear—to confess the truth—I was a little short, and + I asked our poor friend to take some things for me to the pawnbroker’s—” + </p> + <p> + “What! and they thought she had robbed us!” cried Dagobert; “she, the most + honest girl in the world! it is dreadful—you ought to have + interfered, madame; you ought to have said that you knew her.” + </p> + <p> + “I tried to do so, sir; but, unfortunately, they would not hear me. The + crowd increased every moment, till the guard came up, and carried her + off.” + </p> + <p> + “She might die of it, she is so sensitive and timid!” exclaimed Frances. + </p> + <p> + “Ah, good Mother Bunch! so gentle! so considerate!” said Blanche, turning + with tearful eyes towards her sister. + </p> + <p> + “Not being able to help her,” resumed Mrs. Grivois “I hastened hither to + inform you of this misadventure—which may, indeed, easily be + repaired—as it will only be necessary to go and claim the young girl + as soon as possible.” + </p> + <p> + At these words, Dagobert hastily seized his hat, and said abruptly to Mrs. + Grivois: “Zounds, madame! you should have begun by telling us that. Where + is the poor child? Do you know?” + </p> + <p> + “I do not, sir; but there are still so many excited people in the street + that, if you will have the kindness to step out, you will be sure to + learn.” + </p> + <p> + “Why the devil do you talk of kindness? It is my duty, madame. Poor + child!” repeated Dagobert. “Taken up as a thief!—it is really + horrible. I will go to the guard-house, and to the commissary of police + for this neighborhood, and, by hook or crook, I will find her, and have + her out, and bring her home with me.” + </p> + <p> + So saying, Dagobert hastily departed. Frances, now that she felt more + tranquil as to the fate of Mother Bunch, thanked the Lord that this + circumstance had obliged her husband to go out, for his presence at this + juncture caused her a terrible embarrassment. + </p> + <p> + Mrs. Grivois had left My Lord in the coach below, for the moments were + precious. Casting a significant glance at Frances she handed her Abbe + Dubois’ letter, and said to her, with strong emphasis on every word: “You + will see by this letter, madame, what was the object of my visit, which I + have not before been able to explain to you, but on which I truly + congratulate myself, as it brings me into connection with these two + charming young ladies.” Rose and Blanche looked at each other in surprise. + Frances took the letter with a trembling hand. It required all the + pressing and threatening injunctions of her confessor to conquer the last + scruples of the poor woman, for she shuddered at the thought of Dagobert’s + terrible indignation. Moreover, in her simplicity, she knew not how to + announce to the young girls that they were to accompany this lady. + </p> + <p> + Mrs. Grivois guessed her embarrassment, made a sign to her to be at her + ease, and said to Rose, whilst Frances was reading the letter of her + confessor: “How happy your relation will be to see you, my dear young + lady!’ + </p> + <p> + “Our relation, madame?” said Rose, more and more astonished. + </p> + <p> + “Certainly. She knew of your arrival here, but, as she is still suffering + from the effects of a long illness, she was not able to come herself + to-day, and has sent me to fetch you to her. Unfortunately,” added Mrs. + Grivois, perceiving a movement of uneasiness on the part of the two + sisters, “it will not be in her power, as she tells Mrs. Baudoin in her + letter, to see you for more than a very short time—so you may be + back here in about an hour. But to-morrow or the next day after, she will + be well enough to leave home, and then she will come and make arrangements + with Mrs. Baudoin and her husband, to take you into her house—for + she could not bear to leave you at the charge of the worthy people who + have been so kind to you.” + </p> + <p> + These last words of Mrs. Grivois made a favorable impression upon the two + sisters, and banished their fears of becoming a heavy burden to Dagobert’s + family. If it had been proposed to them to quit altogether the house in + the Rue Bris-Miche, without first asking the consent of their old friend, + they would certainly have hesitated; but Mrs. Grivois had only spoken of + an hour’s visit. They felt no suspicion, therefore, and Rose said to + Frances: “We may go and see our relation, I suppose, madame, without + waiting for Dagobert’s return?” + </p> + <p> + “Certainly,” said Frances, in a feeble voice, “since you are to be back + almost directly.” + </p> + <p> + “Then, madame, I would beg these dear young ladies to come with me as soon + as possible, as I should like to bring them back before noon. + </p> + <p> + “We are ready, madame,” said Rose. + </p> + <p> + “Well then, young ladies, embrace your second mother, and come,” said Mrs. + Grivois, who was hardly able to control her uneasiness, for she trembled + lest Dagobert should return from one moment to the other. + </p> + <p> + Rose and Blanche embraced Frances, who, clasping in her arms the two + charming and innocent creatures that she was about to deliver up, could + with difficulty restrain her tears, though she was fully convinced that + she was acting for their salvation. + </p> + <p> + “Come, young ladies,” said Mrs. Grivois, in the most affable tone, “let us + make haste—you will excuse my impatience, I am sure—but it is + in the name of your relation that I speak.” + </p> + <p> + Having once more tenderly kissed the wife of Dagobert, the sisters quitted + the room hand in hand, and descended the staircase close behind Mrs. + Grivois, followed (without their being aware of it), by Spoil-sport. The + intelligent animal cautiously watched their movements, for, in the absence + of his master, he never let them out of his sight. + </p> + <p> + For greater security, no doubt, the waiting-woman of Madame de Saint + Dizier had ordered the hackney-coach to wait for her at a little distance + from the Rue Brise-Miche, in the cloister square. In a few seconds, the + orphans and their conductress reached the carriage. + </p> + <p> + “Oh, missus!” said the coachman, opening the door; “no offence, I hope—but + you have the most ill-tempered rascal of a dog! Since you put him into my + coach, he has never ceased howling like a roasted cat, and looks as if he + would eat us all up alive!” In fact, My Lord, who detested solitude, was + yelling in the most deplorable manner. + </p> + <p> + “Be quiet, My Lord! here I am,” said Mrs. Grivois; then addressing the two + sisters, she added: “Pray, get in, my dear young ladies.” + </p> + <p> + Rose and Blanche got into the coach. Before she followed them, Mrs. + Grivois was giving to the coachman in a low voice the direction to St. + Mary’s Convent, and was adding other instructions, when suddenly the pug + dog, who had growled savagely when the sisters took their seats in the + coach, began to bark with fury. The cause of this anger was clear enough; + Spoil-sport, until now unperceived, had with one bound entered the + carriage. + </p> + <p> + The pug, exasperated by this boldness, forgetting his ordinary prudence, + and excited to the utmost by rage and ugliness of temper, sprang at his + muzzle, and bit him so cruelly, that, in his turn, the brave Siberian dog, + maddened by the pain, threw himself upon the teaser, seized him by the + throat, and fairly strangled him with two grips of his powerful jaws—as + appeared by one stifled groan of the pug, previously half suffocated with + fat. + </p> + <p> + All this took place in less time than is occupied by the description. Rose + and Blanche had hardly opportunity to exclaim twice: “Here, Spoil sport! + down!” + </p> + <p> + “Oh, good gracious!” said Mrs. Grivois, turning round at the noise. “There + again is that monster of a dog—he will certainly hurt my love. Send + him away, young ladies—make him get down—it is impossible to + take him with us.” + </p> + <p> + Ignorant of the degree of Spoil-sport’s criminality, for his paltry foe + was stretched lifeless under a seat, the young girls yet felt that it + would be improper to take the dog with them, and they therefore said to + him in an angry tone, at the same time slightly touching him with their + feet: “Get down, Spoil-sport! go away!” + </p> + <p> + The faithful animal hesitated at first to obey this order. Sad and + supplicatingly looked he at the orphans, and with an air of mild reproach, + as if blaming them for sending away their only defender. But, upon the + stern repetition of the command, he got down from the coach, with his tail + between his legs, feeling perhaps that he had been somewhat over-hasty + with regard to the pug. + </p> + <p> + Mrs. Grivois, who was in a great hurry to leave that quarter of the town, + seated herself with precipitation in the carriage; the coachman closed the + door, and mounted his box; and then the coach started at a rapid rate, + whilst Mrs. Grivois prudently let down the blinds, for fear of meeting + Dagobert by the way. + </p> + <p> + Having taken these indispensable precautions, she was able to turn her + attention to her pet, whom she loved with all that deep, exaggerated + affection, which people of a bad disposition sometimes entertain for + animals, as if then concentrated and lavished upon them all those feelings + in which they are deficient with regard to their fellow creatures. In a + word. Mrs. Grivois was passionately attached to this peevish, cowardly, + spiteful dog, partly perhaps from a secret sympathy with his vices. This + attachment had lasted for six years, and only seemed to increase as My + Lord advanced in age. + </p> + <p> + We have laid some stress on this apparently puerile detail, because the + most trifling causes have often disastrous effects, and because we wish + the reader to understand what must have been the despair, fury, and + exasperation of this woman, when she discovered the death of her dog—a + despair, a fury, and an exasperation, of which the orphans might yet feel + the cruel consequences. + </p> + <p> + The hackney-coach had proceeded rapidly for some seconds, when Mrs. + Grivois, who was seated with her back to the horses, called My Lord. The + dog had very good reasons for not replying. + </p> + <p> + “Well, you sulky beauty!” said Mrs. Grivois, soothingly; “you have taken + offence, have you? It was not my fault if that great ugly dog came into + the coach, was it, young ladies? Come and kiss your mistress, and let us + make peace, old obstinate!” + </p> + <p> + The same obstinate silence continued on the part of the canine noble. Rose + and Blanche began to look anxiously at each other, for they knew that + Spoil-sport was somewhat rough in his ways, though they were far from + suspecting what had really happened. But Mrs. Grivois, rather surprised + than uneasy at her pug-log’s insensibility to her affectionate appeals, + and believing him to be sullenly crouching beneath the seat, stooped clown + to take him up, and feeling one of his paws, drew it impatiently towards + her whilst she said to him in a half-jesting, half angry tone: “Come, + naughty fellow! you will give a pretty notion of your temper to these + young ladies.” + </p> + <p> + So saying, she took up the dog, much astonished at his unresisting torpor; + but what was her fright, when, having placed him upon her lap, she saw + that he was quite motionless. + </p> + <p> + “An apoplexy!” cried she. “The dear creature ate too much—I was + always afraid of it.” + </p> + <p> + Turning round hastily, she exclaimed: “Stop, coachman! stop!” without + reflecting that the coachman could not hear her. Then raising the cur’s + head, still thinking that he was only in a fit, she perceived with horror + the bloody holes imprinted by five or six sharp fangs, which left no doubt + of the cause of his deplorable end. + </p> + <p> + Her first impulse was one of grief and despair. “Dead!” she exclaimed; + “dead! and already cold! Oh, goodness!” And this woman burst into tears. + </p> + <p> + The tears of the wicked are ominous. For a bad man to weep, he must have + suffered much; and, with him, the reaction of suffering, instead of + softening the soul, inflames it to a dangerous anger. + </p> + <p> + Thus, after yielding to that first painful emotion, the mistress of My + Lord felt herself transported with rage and hate—yes, hate—violent + hate for the young girls, who had been the involuntary cause of the dog’s + death. Her countenance so plainly betrayed her resentment, that Blanche + and Rose were frightened at the expression of her face, which had now + grown purple with fury, as with agitated voice and wrathful glance she + exclaimed: “It was your dog that killed him!” + </p> + <p> + “Oh, madame!” said Rose; “we had nothing to do with it.” + </p> + <p> + “It was your dog that bit Spoil-sport first,” added Blanche, in a + plaintive voice. + </p> + <p> + The look of terror impressed on the features of the orphans recalled Mrs. + Grivois to herself. She saw the fatal consequences that might arise from + yielding imprudently to her anger. For the very sake of vengeance, she had + to restrain herself, in order not to awaken suspicion in the minds of + Marshal Simon’s daughters. But not to appear to recover too soon from her + first impression, she continued for some minutes to cast irritated glances + at the young girls; then, little by little, her anger seemed to give way + to violent grief; she covered her face with her hands, heaved a long sigh, + and appeared to weep bitterly. + </p> + <p> + “Poor lady!” whispered Rose to Blanche. “How she weeps!—No doubt, + she loved her dog as much as we love Spoil-sport.” + </p> + <p> + “Alas! yes,” replied Blanche. “We also wept when our old Jovial was + killed.” + </p> + <p> + After a few minutes, Mrs. Grivois raised her head, dried her eyes + definitively, and said in a gentle, and almost affectionate voice: + “Forgive me, young ladies! I was unable to repress the first movement of + irritation, or rather of deep sorrow—for I was tenderly attached to + this poor dog he has never left me for six years.” + </p> + <p> + “We are very sorry for this misfortune, madame,” resumed Rose; “and we + regret it the more, that it seems to be irreparable.” + </p> + <p> + “I was just saying to my sister, that we can the better fancy your grief, + as we have had to mourn the death of our old horse, that carried us all + the way from Siberia.” + </p> + <p> + “Well, my dear young ladies, let us think no more about it. It was my + fault; I should not have brought him with me; but he was always so + miserable, whenever I left him. You will make allowance for my weakness. A + good heart feels for animals as well as people; so I must trust to your + sensibility to excuse my hastiness.” + </p> + <p> + “Do not think of it, madame; it is only your grief that afflicts us.” + </p> + <p> + “I shall get over it, my dear young ladies—I shall get over it. The + joy of the meeting between you and your relation will help to console me. + She will be so happy. You are so charming! and then the singular + circumstance of your exact likeness to each other adds to the interest you + inspire.” + </p> + <p> + “You are too kind to us, madame.” + </p> + <p> + “Oh, no—I am sure you resemble each other as much in disposition as + in face.” + </p> + <p> + “That is quite natural, madame,” said Rose, “for since our birth we have + never left each other a minute, whether by night or day. It would be + strange, if we were not like in character.” + </p> + <p> + “Really, my dear young ladies! you have never left each other a minute?” + </p> + <p> + “Never, madame.” The sisters joined hands with an expressive smile. + </p> + <p> + “Then, how unhappy you would be, and how much to be pitied, if ever you + were separated.” + </p> + <p> + “Oh, madame! it is impossible,” said Blanche, smiling. + </p> + <p> + “How impossible?” + </p> + <p> + “Who would have the heart to separate us?” + </p> + <p> + “No doubt, my dear young ladies, it would be very cruel.” + </p> + <p> + “Oh, madame,” resumed Blanche, “even very wicked people would not think of + separating us.” + </p> + <p> + “So much the better, my dear young ladies—pray, why?” + </p> + <p> + “Because it would cause us too much grief.” + </p> + <p> + “Because it would kill us.” + </p> + <p> + “Poor little dears!” + </p> + <p> + “Three months ago, we were shut up in prison. Well when the governor of + the prison saw us, though he looked a very stern man, he could not help + saying: ‘It would be killing these children to separate them;’ and so we + remained together, and were as happy as one can be in prison.” + </p> + <p> + “It shows your excellent heart, and also that of the persons who knew how + to appreciate it.” + </p> + <p> + The carriage stopped, and they heard the coachman call out “Any one at the + gate there?” + </p> + <p> + “Oh! here we are at your relation’s,” said Mrs. Grivois. Two wings of a + gate flew open, and the carriage rolled over the gravel of a court-yard. + </p> + <p> + Mrs. Grivois having drawn up one of the blinds, they found themselves in a + vast court, across the centre of which ran a high wall, with a kind of + porch upon columns, under which was a little door. Behind this wall, they + could see the upper part of a very large building in freestone. Compared + with the house in the Rue Brise-Miche, this building appeared a palace; so + Blanche said to Mrs. Grivois, with an expression of artless admiration: + “Dear me, madame, what a fine residence!” + </p> + <p> + “That is nothing,” replied Madame Grivois; “wait till you see the + interior, which is much finer.” + </p> + <p> + When the coachman opened the door of the carriage, what was the rage of + Mrs. Grivois, and the surprise of the girls, to see Spoil-sport, who had + been clever enough to follow the coach. Pricking up his ears, and wagging + his tail, he seemed to have forgotten his late offences, and to expect to + be praised for his intelligent fidelity. + </p> + <p> + “What!” cried Mrs. Grivois, whose sorrows were renewed at the sight; “has + that abominable dog followed the coach?” + </p> + <p> + “A famous dog, mum,” answered the coachman “he never once left the heels + of my horses. He must have been trained to it. He’s a powerful beast, and + two men couldn’t scare him. Look at the throat of him now!” + </p> + <p> + The mistress of the deceased pug, enraged at the somewhat unseasonable + praises bestowed upon the Siberian, said to the orphans, “I will announce + your arrival, wait for me an instant in the coach.” + </p> + <p> + So saying, she went with a rapid step towards the porch, and rang the + bell. A woman, clad in a monastic garb, appeared at the door, and bowed + respectfully to Mrs. Grivois, who addressed her in these few words, “I + have brought you the two young girls; the orders of Abbe d’Aigrigny and + the princess are, that they be instantly separated, and kept apart in + solitary cells—you understand, sister—and subjected to the + rule for impenitents.” + </p> + <p> + “I will go and inform the superior, and it will be done,” said the + portress, with another bend. + </p> + <p> + “Now, will you come, my dear young ladies?” resumed Mrs. Grivois, + addressing the two girls, who had secretly bestowed a few caresses upon + Spoil sport, so deeply were they touched by his instinctive attachment; + “you will be introduced to your relation, and I will return and fetch you + in half an hour. Coachman keep that dog back.” + </p> + <p> + Rose and Blanche, in getting out of the coach, were so much occupied with + Spoil-sport, that they did not perceive the portress, who was half hidden + behind the little door. Neither did they remark, that the person who was + to introduce them was dressed as a nun, till, taking them by the hand, she + had led them across the threshold, when the door was immediately closed + behind them. + </p> + <p> + As soon as Mrs. Grivois had seen the orphans safe into the convent, she + told the coachman to leave the court-yard, and wait for her at the outer + gate. The coachman obeyed; but Spoil-sport, who had seen Rose and Blanche + enter by the little door, ran to it, and remained there. + </p> + <p> + Mrs. Grivois then called the porter of the main entrance, a tall, vigorous + fellow and said to him: “Here are ten francs for you, Nicholas, if you + will beat out the brains of that great dog, who is crouching under the + porch.” + </p> + <p> + Nicholas shook his head, as he observed Spoil-sport’s size and strength. + “Devil take me, madame!” said he; “‘tis not so easy to tackle a dog of + that build.” + </p> + <p> + “I will give you twenty francs; only kill him before me.” + </p> + <p> + “One ought to have a gun, and I have only an iron hammer.” + </p> + <p> + “That will do; you can knock him down at a blow.” + </p> + <p> + “Well, madame—I will try—but I have my doubts.” And Nicholas + went to fetch his mallet. + </p> + <p> + “Oh! if I had the strength!” said Mrs. Grivois. + </p> + <p> + The porter returned with his weapon, and advanced slowly and treacherously + towards Spoil-sport, who was still crouching beneath the porch. “Here, old + fellow! here, my good dog!” said Nicholas striking his left hand on his + thigh, and keeping his right behind him, with the crowbar grasped in it. + </p> + <p> + Spoil-sport rose, examined Nicholas attentively, and no doubt perceiving + by his manner that the porter meditated some evil design, bounded away + from him, outflanked the enemy, saw clearly what was intended, and kept + himself at a respectful distance. + </p> + <p> + “He smells a rat,” said Nicholas; “the rascal’s on his guard. He will not + let me come near him. It’s no go.” + </p> + <p> + “You are an awkward fellow,” said Mrs. Grivois in a passion, as she threw + a five-franc piece to Nicholas: “at all events, drive him away.” + </p> + <p> + “That will be easier than to kill him, madame,” said the porter. Indeed, + finding himself pursued, and conscious probably that it would be useless + to attempt an open resistance, Spoil-sport fled from the court-yard into + the street; but once there, he felt himself, as it were, upon neutral + ground, and notwithstanding all the threats of Nicholas, refused to + withdraw an inch further than just sufficient to keep out of reach of the + sledge-hammer. So that when Mrs. Grivois, pale with rage, again stepped + into her hackney-coach, in which were My Lord’s lifeless remains, she saw + with the utmost vexation that Spoil-sport was lying at a few steps from + the gate, which Nicholas had just closed, having given up the chase in + despair. + </p> + <p> + The Siberian dog, sure of finding his way back to the Rue Brise-Miche, had + determined, with the sagacity peculiar to his race, to wait for the + orphans on the spot where he then was. + </p> + <p> + Thus were the two sisters confined in St. Mary’s Convent, which, as we + have already said, was next door to the lunatic asylum in which Adrienne + de Cardoville was immured. + </p> + <p> + We now conduct the reader to the dwelling of Dagobert’s wife, who was + waiting with dreadful anxiety for the return of her husband, knowing that + he would call her to account for the disappearance of Marshal Simon’s + daughters. + </p> + <p> + <a name="link2HCH0052" id="link2HCH0052"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER LII. THE INFLUENCE OF A CONFESSOR. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">H</span>ardly had the orphans quitted Dagobert’s wife, when the poor woman, + kneeling down, began to pray with fervor. Her tears, long restrained, now + flowed abundantly; notwithstanding her sincere conviction that she had + performed a religious duty in delivering up the girl’s she waited with + extreme fear her husband’s return. Though blinded by her pious zeal, she + could not hide from herself, that Dagobert would have good reason to be + angry; and then this poor mother had also, under these untoward + circumstances, to tell him of Agricola’s arrest. + </p> + <p> + Every noise upon the stairs made Frances start with trembling anxiety; + after which, she would resume her fervent prayers, supplicating strength + to support this new and arduous trial. At length, she heard a step upon + the landing-place below, and, feeling sure this time that it was Dagobert, + she hastily seated herself, dried her tears, and taking a sack of coarse + cloth upon her lap, appeared to be occupied with sewing—though her + aged hands trembled so much, that she could hardly hold the needle. + </p> + <p> + After some minutes the door opened, and Dagobert appeared. The soldier’s + rough countenance was stern and sad; as he entered, he flung his hat + violently upon the table, so full of painful thought, that he did not at + first perceive the absence of the orphans. + </p> + <p> + “Poor girl!” cried he. “It is really terrible!” + </p> + <p> + “Didst see Mother Bunch? didst claim her?” said Frances hastily, + forgetting for a moment her own fears. + </p> + <p> + “Yes, I have seen her—but in what a state—twas enough to break + one’s heart. I claimed her, and pretty loud too, I can tell you; but they + said to me, that the commissary must first come to our place in order—” + here Dagobert paused, threw a glance of surprise round the room, and + exclaimed abruptly: “Where are the children?” + </p> + <p> + Frances felt herself seized with an icy shudder. “My dear,” she began in a + feeble voice—but she was unable to continue. + </p> + <p> + “Where are Rose and Blanche! Answer me then! And Spoil-sport, who is not + here either!” + </p> + <p> + “Do not be angry.” + </p> + <p> + “Come,” said Dagobert, abruptly, “I see you have let them go out with a + neighbor—why not have accompanied them yourself, or let them wait + for me, if they wished to take a walk; which is natural enough, this room + being so dull. But I am astonished that they should have gone out before + they had news of good Mother Bunch—they have such kind hearts. But + how pale you are?” added the soldier looking nearer at Frances; “what is + the matter, my poor wife? Are you ill?” + </p> + <p> + Dagobert took Frances’s hand affectionately in his own but the latter, + painfully agitated by these words, pronounced with touching goodness, + bowed her head and wept as she kissed her husband’s hand. The soldier, + growing more and more uneasy as he felt the scalding tears of his wife, + exclaimed: “You weep, you do not answer—tell me, then, the cause of + your grief, poor wife! Is it because I spoke a little loud, in asking you + how you could let the dear children go out with a neighbor? Remember their + dying mother entrusted them to my care—‘tis sacred, you see—and + with them, I am like an old hen after her chickens,” added he, laughing to + enliven Frances. + </p> + <p> + “Yes, you are right in loving them!” + </p> + <p> + “Come, then—becalm—you know me of old. With my great, hoarse + voice, I am not so bad a fellow at bottom. As you can trust to this + neighbor, there is no great harm done; but, in future, my good Frances, do + not take any step with regard to the children without consulting me. They + asked, I suppose, to go out for a little stroll with Spoil-sport?” + </p> + <p> + “No, my dear!” + </p> + <p> + “No! Who is this neighbor, to whom you have entrusted them? Where has she + taken them? What time will she bring them back?” + </p> + <p> + “I do not know,” murmured Frances, in a failing voice. + </p> + <p> + “You do not know!” cried Dagobert, with indignation; but restraining + himself, he added, in a tone of friendly reproach: “You do not know? You + cannot even fix an hour, or, better still, not entrust them to any one? + The children must have been very anxious to go out. They knew that I + should return at any moment, so why not wait for me—eh, Frances? I + ask you, why did they not wait for me? Answer me, will you!—Zounds! + you would make a saint swear!” cried Dagobert, stamping his foot; “answer + me, I say!” + </p> + <p> + The courage of Frances was fast failing. These pressing and reiterated + questions, which might end by the discovery of the truth, made her endure + a thousand slow and poignant tortures. She preferred coming at once to the + point, and determined to bear the full weight of her husband’s anger, like + a humble and resigned victim, obstinately faithful to the promise she had + sworn to her confessor. + </p> + <p> + Not having the strength to rise, she bowed her head, allowed her arms to + fall on either side of the chair, and said to her husband in a tone of the + deepest despondency: “Do with me what you will—but do not ask what + is become of the children—I cannot answer you.” + </p> + <p> + If a thunderbolt had fallen at the feet of the soldier, he would not have + been more violently, more deeply moved; he became deadly pale; his bald + forehead was covered with cold sweat; with fixed and staring look, he + remained for some moments motionless, mute, and petrified. Then, as if + roused with a start from this momentary torpor, and filled with a terrific + energy, he seized his wife by the shoulders, lifted her like a feather, + placed her on her feet before him, and, leaning over her, exclaimed in a + tone of mingled fury and despair: “The children!” + </p> + <p> + “Mercy! mercy!” gasped Frances, in a faint voice. + </p> + <p> + “Where are the children?” repeated Dagobert, as he shook with his powerful + hands that poor frail body, and added in a voice of thunder: “Will you + answer? the children!” + </p> + <p> + “Kill me, or forgive me, I cannot answer you,” replied the unhappy woman, + with that inflexible, yet mild obstinacy, peculiar to timid characters, + when they act from convictions of doing right. + </p> + <p> + “Wretch!” cried the soldier; wild with rage, grief, despair, he lifted up + his wife as if he would have dashed her upon the floor—but he was + too brave a man to commit such cowardly cruelty, and, after that first + burst of involuntary fury, he let her go. + </p> + <p> + Overpowered, Frances sank upon her knees, clasped her hands, and, by the + faint motion of her lips, it was clear that she was praying. Dagobert had + then a moment of stunning giddiness; his thoughts wandered; what had just + happened was so sudden, so incomprehensible that it required some minutes + to convince himself that his wife (that angel of goodness, whose life had + been one course of heroic self-devotion, and who knew what the daughters + of Marshal Simon were to him) should say to him: “Do not ask me about them—I + cannot answer you.” + </p> + <p> + The firmest, the strongest mind would have been shaken by this + inexplicable fact. But, when the soldier had a little recovered himself, + he began to look coolly at the circumstances, and reasoned thus sensibly + with himself: “My wife alone can explain to me this inconceivable mystery—I + do not mean either to beat or kill her—let us try every possibly + method, therefore, to induce her to speak, and above all, let me try to + control myself.” + </p> + <p> + He took a chair, handed another to his wife, who was still on her knees, + and said to her: “Sit down.” With an air of the utmost dejection, Frances + obeyed. + </p> + <p> + “Listen to me, wife,” resumed Dagobert in a broken voice, interrupted by + involuntary starts, which betrayed the boiling impatience he could hardly + restrain. “Understand me—this cannot pass over in this manner—you + know. I will never use violence towards you—just now, I gave way to + a first moment of hastiness—I am sorry for it. Be sure, I shall not + do so again: but, after all, I must know what has become of these + children. Their mother entrusted them to my care, and I did not bring them + all the way from Siberia, for you to say to me: ‘Do not ask me—I + cannot tell you what I have done with them.’ There is no reason in that. + Suppose Marshal Simon were to arrive, and say to me, ‘Dagobert, my + children?’ what answer am I to give him? See, I am calm—judge for + yourself—I am calm—but just put yourself in my place, and tell + me—what answer am I to give to the marshal? Well—what say you! + Will you speak!” + </p> + <p> + “Alas! my dear—” + </p> + <p> + “It is of no use crying alas!” said the soldier wiping his forehead, on + which the veins were swollen as if they would burst; “what am I to answer + to the marshal?” + </p> + <p> + “Accuse me to him—I will bear it all—I will say—” + </p> + <p> + “What will you say?” + </p> + <p> + “That, on going out, you entrusted the two girls to me, and that not + finding them on return you asked be about them—and that my answer + was, that I could not tell you what had become of them.” + </p> + <p> + “And you think the marshal will be satisfied with such reasons?” cried + Dagobert, clinching his fists convulsively upon his knees. + </p> + <p> + “Unfortunately, I can give no other—either to him or you—no—not + if I were to die for it.” + </p> + <p> + Dagobert bounded from his chair at this answer, which was given with + hopeless resignation. His patience was exhausted; but determined not to + yield to new bursts of anger, or to spend his breath in useless menaces, + he abruptly opened one of the windows, and exposed his burning forehead to + the cool air. A little calmer, he walked up and down for a few moments, + and then returned to seat himself beside his wife. She, with her eyes + bathed in tears, fixed her gaze upon the crucifix, thinking that she also + had to bear a heavy cross. + </p> + <p> + Dagobert resumed: “By the manner in which you speak, I see that no + accident has happened, which might endanger the health of the children.” + </p> + <p> + “No, oh no! thank God, they are quite well—that is all I can say to + you.” + </p> + <p> + “Did they go out alone?” + </p> + <p> + “I cannot answer you.” + </p> + <p> + “Has any one taken them away?” + </p> + <p> + “Alas, my dear! why ask me these questions? I cannot answer you.” + </p> + <p> + “Will they come back here?” + </p> + <p> + “I do not know.” + </p> + <p> + Dagobert started up; his patience was once more exhausted. But, after + taking a few turns in the room, he again seated himself as before. + </p> + <p> + “After all,” said he to his wife, “you have no interest to conceal from me + what is become of the children. Why refuse to let me know?” + </p> + <p> + “I cannot do otherwise.” + </p> + <p> + “I think you will change your opinion, when you know something that I am + now forced to tell you. Listen to me well!” added Dagobert, in an agitated + voice; “if these children are not restored to me before the 13th of + February—a day close at hand—I am in the position of a man + that would rob the daughters of Marshal Simon—rob them, d’ye + understand?” said the soldier, becoming more and more agitated. Then, with + an accent of despair which pierced Frances’s heart, he continued: “And yet + I have done all that an honest man could do for those poor children—you + cannot tell what I have had to suffer on the road—my cares, my + anxieties—I, a soldier, with the charge of two girls. It was only by + strength of heart, by devotion, that I could go through with it—and + when, for my reward, I hoped to be able to say to their father: ‘Here are + your children!—‘” The soldier paused. To the violence of his first + emotions had succeeded a mournful tenderness; he wept. + </p> + <p> + At sight of the tears rolling slowly down Dagobert’s gray moustache, + Frances felt for a moment her resolution give way; but, recalling the oath + which she had made to her confessor, and reflecting that the eternal + salvation of the orphans was at stake, she reproached herself inwardly + with this evil temptation, which would no doubt be severely blamed by Abbe + Dubois. She answered, therefore, in a trembling voice: “How can they + accuse you of robbing these children?” + </p> + <p> + “Know,” resumed Dagobert, drawing his hand across his eyes, “that if these + young girls have braved so many dangers, to come hither, all the way from + Siberia, it is that great interests are concerned—perhaps an immense + fortune—and that, if they are not present on the 13th February—here, + in Paris, Rue Saint Francois—all will be lost—and through my + fault—for I am responsible for your actions.” + </p> + <p> + “The 13th February? Rue Saint Francois?” cried Frances, looking at her + husband with surprise. “Like Gabriel!” + </p> + <p> + “What do you say about Gabriel?” + </p> + <p> + “When I took him in (poor deserted child!), he wore a bronze medal about + his neck.” + </p> + <p> + “A bronze medal!” cried the soldier, struck with amazement; “a bronze + medal with these words, ‘At Paris you will be, the 13th of February, 1832, + Rue Saint Francois?” + </p> + <p> + “Yes—how do you know?” + </p> + <p> + “Gabriel, too!” said the soldier speaking to himself. Then he added + hastily: “Does Gabriel know that this medal was found upon him?” + </p> + <p> + “I spoke to him of it at some time. He had also about him a portfolio, + filled with papers in a foreign tongue. I gave them to Abbe Dubois, my + confessor, to look over. He told me afterwards, that they were of little + consequence; and, at a later period, when a charitable person named M. + Rodin, undertook the education of Gabriel, and to get him into the + seminary, Abbe Dubois handed both papers and medal to him. Since then, I + have heard nothing of them.” + </p> + <p> + When Frances spoke of her confessor a sudden light flashed across the mind + of the soldier, though he was far from suspecting the machinations which + had so long been at work with regard to Gabriel and the orphans. But he + had a vague feeling that his wife was acting in obedience to some secret + influence of the confessional—an influence of which he could not + understand the aim or object, but which explained, in part at least, + Frances’s inconceivable obstinacy with regard to the disappearance of the + orphans. + </p> + <p> + After a moment’s reflection, he rose, and said sternly to his wife, + looking fixedly at her: “There is a priest at the bottom of all this.” + </p> + <p> + “What do you mean, my dear?” + </p> + <p> + “You have no interest to conceal these children. You are one of the best + of women. You see that I suffer; if you only were concerned, you would + have pity upon me.” + </p> + <p> + “My dear—” + </p> + <p> + “I tell you, all this smacks of the confessional,” resumed Dagobert. “You + would sacrifice me and these children to your confessor; but take care—I + shall find out where he lives—and a thousand thunders! I will go and + ask him who is master in my house, he or I—and if he does not + answer,” added the soldier, with a threatening expression of countenance, + “I shall know how to make him speak.” + </p> + <p> + “Gracious heaven!” cried Frances, clasping her hands in horror at these + sacrilegious words; “remember he is a priest!” + </p> + <p> + “A priest, who causes discord, treachery, and misfortune in my house, is + as much of a wretch as any other; whom I have a right to call to account + for the evil he does to me and mine. Therefore, tell me immediately where + are the children—or else, I give you fair warning, I will go and + demand them of the confessor. Some crime is here hatching, of which you + are an accomplice without knowing it, unhappy woman! Well, I prefer having + to do with another than you.” + </p> + <p> + “My dear,” said Frances, in a mild, firm voice, “you cannot think to + impose by violence on a venerable man, who for twenty years has had the + care of my soul. His age alone should be respected.” + </p> + <p> + “No age shall prevent me!” + </p> + <p> + “Heavens! where are you going? You alarm me!” + </p> + <p> + “I am going to your church. They must know you there—I will ask for + your confessor—and we shall see!” + </p> + <p> + “I entreat you, my dear,” cried Frances, throwing herself in a fright + before Dagobert, who was hastening towards the door; “only think, to what + you will expose yourself! Heavens! insult a priest? Why, it is one of the + reserved cases!” + </p> + <p> + These last words, which appeared most alarming to the simplicity of + Dagobert’s wife, did not make any impression upon the soldier. He + disengaged himself from her grasp, and was going to rush out bareheaded, + so high was his exasperation, when the door opened, and the commissary of + police entered, followed by Mother Bunch and a policeman, carrying the + bundle which he had taken from the young girl. + </p> + <p> + “The commissary!” cried Dagobert, who recognized him by his official + scarf. “Ah! so much the better—he could not have come at a fitter + moment.” + </p> + <p> + <a name="link2HCH0053" id="link2HCH0053"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER LIII. THE EXAMINATION. + </h2> + <h3> + “Mistress Frances Baudoin?” asked the magistrate. + </h3> + <p> + “Yes, sir—it is I,” said Frances. Then, perceiving the pale and + trembling sewing-girl, who did not dare to come forward, she stretched out + her arms to her. “Oh, my poor child!” she exclaimed, bursting into tears; + “forgive—forgive us—since it is for our sake you have suffered + this humiliation!” + </p> + <p> + When Dagobert’s wife had tenderly embraced the young sempstress, the + latter, turning towards the commissary, said to him with an expression of + sad and touching dignity: “You see, sir, that I am not a thief.” + </p> + <p> + “Madame,” said the magistrate, addressing Frances, “am I to understand + that the silver mug, the shawl, the sheets contained in this bundle—” + </p> + <p> + “Belong to me, sir. It was to render me a service that this dear girl, who + is the best and most honest creature in the world, undertook to carry + these articles to the pawnbroker’s.” + </p> + <p> + “Sir,” said the magistrate sternly to the policeman, “you have committed a + deplorable error. I shall take care to report you, and see that you are + punished. You may go, sir.” Then, addressing Mother Bunch, with an air of + real regret, he added: “I can only express my sorrow for what has + happened. Believe me, I deeply feel for the cruel position in which you + have been placed.” + </p> + <p> + “I believe it, sir,” said Mother Bunch, “and I thank you.” Overcome by so + many emotions, she sank upon a chair. + </p> + <p> + The magistrate was about to retire, when Dagobert, who had been seriously + reflecting for some minutes, said to him in a firm voice: “Please to hear + me, Sir; I have a deposition to make.” + </p> + <p> + “Speak, Sir.” + </p> + <p> + “What I am about to say is very important; it is to you, in your quality + of a magistrate, that I make this declaration.” + </p> + <p> + “And as a magistrate I will hear you, sir.” + </p> + <p> + “I arrived here two days ago, bringing with me from Russia two girls who + had been entrusted to me by their mother—the wife of Marshal Simon.” + </p> + <p> + “Of Marshal Simon, Duke de Ligny?” said the commissary, very much + surprised. + </p> + <p> + “Yes, Sir. Well, I left them here, being obliged to get out on pressing + business. This morning, during my absence, they disappeared—and I am + certain I know the man who has been the cause of it.” + </p> + <p> + “Now, my dear,” said Frances, much alarmed. + </p> + <p> + “Sir,” said the magistrate, “your declaration is a very serious one. + Disappearance of persons—sequestration, perhaps. But are you quite + sure?” + </p> + <p> + “These young ladies were here an hour ago; I repeat, sir, that during my + absence, they have been taken away.” + </p> + <p> + “I do not doubt the sincerity of your declaration, sir; but still it is + difficult to explain so strange an abduction. Who tells you that these + young girls will not return? Besides, whom do you suspect? One word, + before you make your accusation. Remember, it is the magistrate who hears + you. On leaving this place, the law will take its course in this affair.” + </p> + <p> + “That is what I wish, Sir; I am responsible for those young ladies to + their father. He may arrive at any moment, and I must be prepared to + justify myself.” + </p> + <p> + “I understand all these reasons, sir; but still have a care you are not + deceived by unfounded suspicions. Your denunciation once made, I may have + to act provisionally against the person accused. Now, if you should be + under a mistake, the consequences would be very serious for you; and, + without going further,” said the magistrate, pointing to Mother Bunch, + with emotion, “you see what are the results of a false accusation.” + </p> + <p> + “You hear, my dear,” cried Frances, terrified at the resolution of + Dagobert to accuse Abbe Dubois; “do not say a word more, I entreat you.” + </p> + <p> + But the more the soldier reflected, the more he felt convinced that + nothing but the influence of her confessor could have induced Frances to + act as she had done; so he resumed, with assurance: “I accuse my wife’s + confessor of being the principal or the accomplice in the abduction of + Marshal Simon’s daughters.” + </p> + <p> + Frances uttered a deep groan, and hid her face in her hands; while Mother + Bunch, who had drawn nigh, endeavored to console her. The magistrate had + listened to Dagobert with extreme astonishment, and he now said to him + with some severity: “Pray, sir, do not accuse unjustly a man whose + position is in the highest degree respectable—a priest, sir?—yes, + a priest? I warned you beforehand to reflect upon what you advanced. All + this becomes very serious, and, at your age, any levity in such matters + would be unpardonable.” + </p> + <p> + “Bless me, sir!” said Dagobert, with impatience; “at my age, one has + common sense. These are the facts. My wife is one of the best and most + honorable of human creatures—ask any one in the neighborhood, and + they will tell you so—but she is a devotee; and, for twenty years, + she has always seen with her confessor’s eyes. She adores her son, she + loves me also; but she puts the confessor before us both.” + </p> + <p> + “Sir,” said the commissary, “these family details—” + </p> + <p> + “Are indispensable, as you shall see. I go out an hour ago, to look after + this poor girl here. When I come back, the young ladies have disappeared. + I ask my wife to whom she has entrusted them, and where they are; she + falls at my feet weeping, and says: ‘Do what you will with me, but do not + ask me what has become of the children. I cannot answer you.’” + </p> + <p> + “Is thus true, madame?” cried the commissary, looking at Frances with + surprise. + </p> + <p> + “Anger, threats, entreaties, had no effect,” resumed Dagobert; “to + everything she answered as mildly as a saint: ‘I can tell you nothing!’ + Now, sir, I maintain that my wife has no interest to take away these + children; she is under the absolute dominion of her confessor; she has + acted by his orders and for his purposes; he is the guilty party.” + </p> + <p> + Whilst Dagobert spoke, the commissary looked more and more attentively at + Frances, who, supported by the hunchback, continued to weep bitterly. + After a moment’s reflection, the magistrate advanced towards Dagobert’s + wife, and said to her: “Madame, you have heard what your husband has just + declared.” + </p> + <p> + “Yes, sir.” + </p> + <p> + “What have you to say in your justification?” + </p> + <p> + “But, sir,” cried Dagobert, “it is not my wife that I accuse—I do + not mean that; it is her confessor.” + </p> + <p> + “Sir, you have applied to a magistrate; and the magistrate must act as he + thinks best for the discovery of the truth. Once more, madame,” he + resumed, addressing Frances, “what have you to say in your justification?” + </p> + <p> + “Alas! nothing, sir.” + </p> + <p> + “Is it true that your husband left these young girls in your charge when + he went out?” + </p> + <p> + “Yes, sir.” + </p> + <p> + “Is it true that, on his return, they were no longer to be found?” + </p> + <p> + “Yes, sir.” + </p> + <p> + “Is it true that, when he asked you where they were, you told him that you + could give him no information on the subject?” + </p> + <p> + The commissary appeared to wait for Frances’ reply with kind of anxious + curiosity. + </p> + <p> + “Yes, sir,” said she, with the utmost simplicity, “that was the answer I + made my husband.” + </p> + <p> + “What, madame!” said the magistrate, with an air of painful astonishment; + “that was your only answer to all the prayers and commands of your + husband? What! you refused to give him the least information? It is + neither probable nor possible.” + </p> + <p> + “It is the truth, sir.” + </p> + <p> + “Well, but, after all, madame, what have you done with the young ladies + that were entrusted to your care?” + </p> + <p> + “I can tell you nothing about it, sir. If I would not answer my poor + husband, I certainly will not answer any one else.” + </p> + <p> + “Well, sir,” resumed Dagobert, “was I wrong? An honest, excellent woman + like that, who was always full of good sense and affection, to talk in + this way—is it natural? I repeat to you, sir that it is the work of + her confessor; act against him promptly and decidedly, we shall soon know + all, and my poor children will be restored to me.” + </p> + <p> + “Madame,” continued the commissary, without being able to repress a + certain degree of emotion, “I am about to speak to you very severely. My + duty obliges me to do so. This affair becomes so serious and complicated, + that I must instantly commence judicial proceedings on the subject. You + acknowledge that these young ladies have been left in your charge, and + that you cannot produce them. Now, listen to me: if you refuse to give any + explanation in the matter, it is you alone that will be accused of their + disappearance. I shall be obliged, though with great regret, to take you + into custody.” + </p> + <p> + “Me!” cried Frances, with the utmost alarm. + </p> + <p> + “Her!” exclaimed Dagobert; “never! It is her confessor that I accuse, not + my poor wife. Take her into custody, indeed!” He ran towards her, as if he + would protect her. + </p> + <p> + “It is too late, sir,” said the commissary. “You have made your charge for + the abduction of these two young ladies. According to your wife’s own + declaration, she alone is compromised up to this point. I must take her + before the Public Prosecutor, who will decide what course to pursue.” + </p> + <p> + “And I say, sir,” cried Dagobert, in a menacing tone, “that my wife shall + not stir from this room.” + </p> + <p> + “Sir,” said the commissary coolly, “I can appreciate your feelings; but, + in the interest of justice, I would beg you not to oppose a necessary + measure—a measure which, moreover, in ten minutes it would be quite + impossible for you to prevent.” + </p> + <p> + These words, spoken with calmness, recalled the soldier to himself. “But, + sir,” said he, “I do not accuse my wife.”’ + </p> + <p> + “Never mind, my dear—do not think of me!” said Frances, with the + angelic resignation of a martyr. “The Lord is still pleased to try me + sorely; but I am His unworthy servant, and must gratefully resign myself + to His will. Let them arrest me, if they choose; I will say no more in + prison than I have said already on the subject of those poor children.” + </p> + <p> + “But, sir,” cried Dagobert, “you see that my wife is out of her head. You + cannot arrest her.” + </p> + <p> + “There is no charge, proof, or indication against the other person whom + you accuse, and whose character should be his protection. If I take your + wife, she may perhaps be restored to you after a preliminary examination. + I regret,” added the commissary, in a tone of pity, “to have to execute + such a mission, at the very moment when your son’s arrest—” + </p> + <p> + “What!” cried Dagobert, looking with speechless astonishment at his wife + and Mother Bunch; “what does he say? my son?” + </p> + <p> + “You were not then aware of it? Oh, sir, a thousand pardons!” said the + magistrate, with painful emotion. “It is distressing to make you such a + communication.” + </p> + <p> + “My son!” repeated Dagobert, pressing his two hands to his forehead. “My + son! arrested!” + </p> + <p> + “For a political offence of no great moment,” said the commissary. + </p> + <p> + “Oh! this is too much. All comes on me at once!” cried the soldier, + falling overpowered into a chair, and hiding his face with his hands. + </p> + <p> + After a touching farewell, during which, in spite of her terror, Frances + remained faithful to the vow she had made to the Abbe Dubois—Dagobert, + who had refused to give evidence against his wife, was left leaning upon a + table, exhausted by contending emotions, and could not help explaining: + “Yesterday, I had with me my wife, my son, my two poor orphans—and + now—I am alone—alone!” + </p> + <p> + The moment he pronounced these words, in a despairing tone, a mild sad + voice was heard close behind him, saying timidly: “M. Dagobert, I am here; + if you will allow me, I will remain and wait upon you.” + </p> + <p> + It was Mother Bunch! + </p> + <p> + Trusting that the reader’s sympathy is with the old soldier thus left + desolate, with Agricola in his prison, Adrienne in hers, the madhouse, and + Rose and Blanche Simon in theirs, the nunnery; we hasten to assure him (or + her, as the case may be), that not only will their future steps be traced, + but the dark machinations of the Jesuits, and the thrilling scenes in + which new characters will perform their varied parts, pervaded by the + watching spirit of the Wandering Jew, will be revealed in Part Second of + this work, entitled: THE CHASTISEMENT. + </p> + <p> + <a name="link2H_4_0061" id="link2H_4_0061"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + BOOK IV. + </h2> + <p> + <a name="link2H_PART2" id="link2H_PART2"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + PART SECOND.—THE CHASTISEMENT. + </h2> + <p> + <a name="link2H_PROL2" id="link2H_PROL2"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + PROLOGUE.—THE BIRD’S-EYE VIEW OF TWO WORLDS. + </h2> +<pre xml:space="preserve"> + I. The Masquerade II. The Contrast III. The Carouse IV. The + Farewell V. The Florine VI. Mother Sainte-Perpetue VII. The + Temptation VIII. Mother Bunch and Mdlle. De Cardoville IX. + The Encounters—The Meeting XI. Discoveries XII. The Penal + Code XIII. Burglary +</pre> + <p> + As the eagle, perched upon the cliff, commands an all-comprehensive view—not + only of what happens on the plains and in the woodlands, but of matters + occurring upon the heights, which its aerie overlooks, so may the reader + have sights pointed out to him, which lie below the level of the + unassisted eye. + </p> + <p> + In the year 1831, the powerful Order of the Jesuits saw fit to begin to + act upon information which had for some time been digesting in their + hands. + </p> + <p> + As it related to a sum estimated at no less than thirty or forty millions + of francs, it is no wonder that they should redouble all exertions to + obtain it from the rightful owners. + </p> + <p> + These were, presumably, the descendants of Marius, Count of Rennepont, in + the reign of Louis XIV. of France. + </p> + <p> + They were distinguished from other men by a simple token, which all, in + the year above named, had in their hands. + </p> + <p> + It was a bronze medal, bearing these legends on reverse and obverse: + </p> +<pre xml:space="preserve"> + VICTIM + of + L. C. D. J. + Pray for me! + + PARIS, + February the 13th, 1682. + + IN PARIS + Rue St Francois, No. 3, + In a century and a half + you will be. + + February the 13th, 1832. + PRAY FOR ME! +</pre> + <p> + Those who had this token were descendants of a family whom, a hundred and + fifty years ago, persecution scattered through the world, in emigration + and exile; in changes of religion, fortune and name. For this family—what + grandeur, what reverses, what obscurity, what lustre, what penury, what + glory! How many crimes sullied, how many virtues honored it! The history + of this single family is the history of humanity! Passing through many + generations, throbbing in the veins of the poor and the rich, the + sovereign and the bandit, the wise and the simple, the coward and the + brave, the saint and the atheist, the blood flowed on to the year we have + named. + </p> + <p> + Seven representatives summed up the virtue, courage, degradation, + splendor, and poverty of the race. Seven: two orphan twin daughters of + exiled parents, a dethroned prince, a humble missionary priest, a man of + the middle class, a young lady of high name and large fortune, and a + working man. + </p> + <p> + Fate scattered them in Russia, India, France, and America. + </p> + <p> + The orphans, Rose and Blanche Simon, had left their dead mother’s grave in + Siberia, under charge of a trooper named Francis Baudoin, alias Dagobert, + who was as much attached to them as he had been devoted to their father, + his commanding general. + </p> + <p> + On the road to France, this little party had met the first check, in the + only tavern of Mockern village. Not only had a wild beast showman, known + as Morok the lion-tamer, sought to pick a quarrel with the inoffensive + veteran, but that failing, had let a panther of his menagerie loose upon + the soldier’s horse. That horse had carried Dagobert, under General + Simon’s and the Great Napoleon’s eyes, through many battles; had borne the + General’s wife (a Polish lady under the Czar’s ban) to her home of exile + in Siberia, and their children now across Russia and Germany, but only to + perish thus cruelly. An unseen hand appeared in a manifestation of spite + otherwise unaccountable. Dagobert, denounced as a French spy, and his fair + young companions accused of being adventuresses to help his designs, had + so kindled at the insult, not less to him than to his old commander’s + daughters, that he had taught the pompous burgomaster of Mockern a lesson, + which, however, resulted in the imprisonment of the three in Leipsic jail. + </p> + <p> + General Simon, who had vainly sought to share his master’s St. Helena + captivity, had gone to fight the English in India. But notwithstanding his + drilling of Radja-sings sepoys, they had been beaten by the troops taught + by Clive, and not only was the old king of Mundi slain, and the realm + added to the Company’s land, but his son, Prince Djalma, taken prisoner. + However, at length released, he had gone to Batavia, with General Simon. + The prince’s mother was a Frenchwoman, and among the property she left him + in the capital of Java, the general was delighted to find just such + another medal as he knew was in his wife’s possession. + </p> + <p> + The unseen hand of enmity had reached to him, for letters miscarried, and + he did not know either his wife’s decease or that he had twin daughters. + </p> + <p> + By a trick, on the eve of the steamship leaving Batavia for the Isthmus of + Suez, Djalma was separated from his friend, and sailing for Europe alone, + the latter had to follow in another vessel. + </p> + <p> + The missionary priest trod the war trails of the wilderness, with that + faith and fearlessness which true soldiers of the cross should evince. In + one of these heroic undertakings, Indians had captured him, and dragging + him to their village under the shadow of the Rocky Mountains, they had + nailed him in derision to a cross, and prepared to scalp him. + </p> + <p> + But if an unseen hand of a foe smote or stabbed at the sons of Rennepont, + a visible interpositor had often shielded them, in various parts of the + globe. + </p> + <p> + A man, seeming of thirty years of age, very tall, with a countenance as + lofty as mournful, marked by the black eyebrows meeting, had thrown + himself—during a battle’s height—between a gun of a park which + General Simon was charging and that officer. The cannon vomited its hail + of death, but when the flame and smoke had passed, the tall man stood + erect as before, smiling pityingly on the gunner, who fell on his knees as + frightened as if he beheld Satan himself. Again, as General Simon lay upon + the lost field of Waterloo, raging with his wounds, eager to die after + such a defeat, this same man staunched his hurts, and bade him live for + his wife’s sake. + </p> + <p> + Years after, wearing the same unalterable look, this man accosted Dagobert + in Siberia, and gave him for General Simon’s wife, the diary and letters + of her husband, written in India, in little hope of them ever reaching her + hands. And at the year our story opens, this man unbarred the cell-door of + Leipsic jail, and let Dagobert and the orphans out, free to continue their + way into France. + </p> + <p> + On the other hand, when the scalping-knife had traced its mark around the + head of Gabriel the missionary, and when only the dexterous turn and tug + would have removed the trophy, a sudden apparition had terrified the + superstitious savages. It was a woman of thirty, whose brown tresses + formed a rich frame around a royal face, toned down by endless sorrowing. + The red-skins shrank from her steady advance, and when her hand was + stretched out between them and their young victim, they uttered a howl of + alarm, and fled as if a host of their foemen were on their track. Gabriel + was saved, but all his life he was doomed to bear that halo of martyrdom, + the circling sweep of the scalper’s knife. + </p> + <p> + He was a Jesuit. By the orders of his society he embarked for Europe. We + should say here, that he, though owning a medal of the seven described, + was unaware that he should have worn it. His vessel was driven by storms + to refit at the Azores, where he had changed ship into the same as was + bearing Prince Djalma to France, via Portsmouth. + </p> + <p> + But the gales followed him, and sated their fury by wrecking the “Black + Eagle” on the Picardy coast. This was at the same point as were a disabled + Hamburg steamer, among whose passengers where Dagobert and his two + charges, was destroyed the same night. Happily the tempest did not + annihilate them all. There were saved, Prince Djalma and a countryman of + his, one Faringhea, a Thuggee chief, hunted out of British India; + Dagobert, and Rose and Blanche Simon, whom Gabriel had rescued. These + survivors had recovered, thanks to the care they had received in + Cardoville House, a country mansion which had sheltered them, and except + the prince and the Strangler chief, the others were speedily able to go on + to Paris. + </p> + <p> + The old grenadier and the orphans—until General Simon should be + heard from—dwelt in the former’s house. His son had kept it, from + his mother’s love for the life-long home. It was such a mean habitation as + a workman like Agricola Baudoin could afford to pay the rent of, and far + from the fit abode of the daughters of the Duke de Ligny and Marshal of + France, which Napoleon had created General Simon, though the rank had only + recently been approved by the restoration. + </p> + <p> + But in Paris the unknown hostile hand showed itself more malignant than + ever. + </p> + <p> + The young lady of high name and large fortune was Adrienne de Cardoville, + whose aunt, the Princess de Saint-Dizier, was a Jesuit. Through her and + her accomplices’ machinations, the young lady’s forward yet virtuous, + wildly aspiring but sensible, romantic but just, character was twisted + into a passable reason for her immurement in a mad-house. + </p> + <p> + This asylum adjoined St. Mary’s Convent, into which Rose and Blanche Simon + were deceitfully conducted. To secure their removal, Dagobert had been + decoyed into the country, under pretence of showing some of General + Simon’s document’s to a lawyer; his son Agricola arrested for treason, on + account of some idle verses the blacksmith poet was guilty of, and his + wife rendered powerless, or, rather, a passive assistant, by the influence + of the confessional! When Dagobert hurried back from his wild goose chase, + he found the orphans gone: Mother Bunch (a fellow-tenant of the house, who + had been brought up in the family) ignorant, and his wife stubbornly + refusing to break the promise she had given her confessor, and acquaint a + single soul where she had permitted the girls to be taken. In his rage, + the soldier rashly accused that confessor, but instead of arresting the + Abbe Dubois, it was Mrs. Baudoin whom the magistrate felt compelled to + arrest, as the person whom alone he ventured to commit for examination in + regard to the orphans’ disappearance. Thus triumphs, for the time being, + the unseen foe. + </p> + <p> + The orphans in a nunnery; the dethroned prince a poor castaway in a + foreign land; the noble young lady in a madhouse; the missionary priest + under the thumb of his superiors. + </p> + <p> + As for the man of the middle class, and the working man, who concluded the + list of this family, we are to read of them, as well as of the others, in + the pages which now succeed these. + </p> + <p> + <a name="link2HCH0054" id="link2HCH0054"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + +<div class="fig"> + <img src="images/20009m.jpg" alt="20009m" /><br /> + </div> + <h5> + <a href="images/20009.jpg"><i>Original</i></a> + </h5> + +<div class="fig"> + <img src="images/20013m.jpg" alt="20013m" /><br /> + </div> + <h5> + <a href="images/20013.jpg"><i>Original</i></a> + </h5> + +<div class="fig"> + <img src="images/20019m.jpg" alt="20019m" /><br /> + </div> + <h5> + <a href="images/20019.jpg"><i>Original</i></a> + </h5> + <h2> + CHAPTER I. THE MASQUERADE. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>he following day to that on which Dagobert’s wife (arrested for not + accounting for the disappearance of General Simon’s daughters) was led + away before a magistrate, a noisy and animated scene was transpiring on + the Place du Chatelet, in front of a building whose first floor and + basement were used as the tap-rooms of the “Sucking Calf” public-house. + </p> + <p> + A carnival night was dying out. + </p> + <p> + Quite a number of maskers, grotesquely and shabbily bedecked, had rushed + out of the low dance-houses in the Guildhall Ward, and were roaring out + staves of songs as they crossed the square. But on catching sight of a + second troop of mummers running about the water-side, the first party + stopped to wait for the others to come up, rejoicing, with many a shout, + in hopes of one of those verbal battles of slang and smutty talk which + made Vade so illustrious. + </p> + <p> + This mob—nearly all its members half seas over, soon swollen by the + many people who have to be up early to follow their crafts—suddenly + concentrated in one of the corners of the square, so that a pale, deformed + girl, who was going that way, was caught in the human tide. This was + Mother Bunch. Up with the lark, she was hurrying to receive some work from + her employer. Remembering how a mob had treated her when she had been + arrested in the streets only the day before, by mistake, the poor + work-girl’s fears may be imagined when she was now surrounded by the + revellers against her will. But, spite of all her efforts—very + feeble, alas!—she could not stir a step, for the band of + merry-makers, newly arriving, had rushed in among the others, shoving some + of them aside, pushing far into the mass, and sweeping Mother Bunch—who + was in their way—clear over to the crowd around the public-house. + </p> + <p> + The new-comers were much finer rigged out than the others, for they + belonged to the gay, turbulent class which goes frequently to the + Chaumiere, the Prado, the Colisee, and other more or less rowdyish haunts + of waltzers, made up generally of students, shop-girls, and counter + skippers, clerks, unfortunates, etc., etc. + </p> + <p> + This set, while retorting to the chaff of the other party, seemed to be + very impatiently expecting some singularly desired person to put in her + appearance. + </p> + <p> + The following snatches of conversation, passing between clowns and + columbines, pantaloons and fairies, Turks and sultans, debardeurs and + debardeuses, paired off more or less properly, will give an idea of the + importance of the wished-for personage. + </p> + <p> + “They ordered the spread to be for seven in the morning, so their + carriages ought to have come up afore now.” + </p> + <p> + “Werry like, but the Bacchanal Queen has got to lead off the last dance in + the Prado.” + </p> + <p> + “I wish to thunder I’d ‘a known that, and I’d ‘a stayed there to see her—my + beloved Queen!” + </p> + <p> + “Gobinet; if you call her your beloved Queen again, I’ll scratch you! + Here’s a pinch for you, anyhow!” + </p> + <p> + “Ow, wow, Celeste! hands off! You are black-spotting the be-yutiful white + satin jacket my mamma gave me when I first came out as Don Pasqually!” + </p> + <p> + “Why did you call the Bacchanal Queen your beloved, then? What am I, I’d + like to know?” + </p> + <p> + “You are my beloved, but not my Queen, for there is only one moon in the + nights of nature, and only one Bacchanal Queen in the nights at the + Prado.” + </p> + <p> + “That’s a bit from a valentine! You can’t come over me with such rubbish.” + </p> + <p> + “Gobinet’s right! the Queen was an out-and-outer tonight!” + </p> + <p> + “In prime feather!” + </p> + <p> + “I never saw her more on the go!” + </p> + <p> + “And, my eyes! wasn’t her dress stunning?” + </p> + <p> + “Took your breath away!” + </p> + <p> + “Crushing!” + </p> + <p> + “Heavy!” + </p> + <p> + “Im-mense!” + </p> + <p> + “The last kick!” + </p> + <p> + “No one but she can get up such dresses.” + </p> + <p> + “And, then, the dance!” + </p> + <p> + “Oh, yes! it was at once bounding waving, twisting! There is not such + another bayadere under the night-cap of the sky!” + </p> + <p> + “Gobinet, give me back my shawl directly. You have already spoilt it by + rolling it round your great body. I don’t choose to have my things ruined + for hulking beasts who call other women bayaderes!” + </p> + <p> + “Celeste, simmer down. I am disguised as a Turk, and, when I talk of + bayaderes, I am only in character.” + </p> + <p> + “Your Celeste is like them all, Gobinet; she’s jealous of the Bacchanal + Queen.” + </p> + <p> + “Jealous!—do you think me jealous? Well now! that’s too bad. If I + chose to be as showy as she is they would talk of me as much. After all, + it’s only a nickname that makes her reputation! nickname!” + </p> + <p> + “In that you have nothing to envy her—since you are called Celeste!” + </p> + <p> + “You know well enough, Gobinet, that Celeste is my real name.” + </p> + <p> + “Yes; but it’s fancied a nickname—when one looks in your face.” + </p> + <p> + “Gobinet, I will put that down to your account.” + </p> + <p> + “And Oscar will help you to add it up, eh?” + </p> + <p> + “Yes; and you shall see the total. When I carry one, the remainder will + not be you.” + </p> + <p> + “Celeste, you make me cry! I only meant to say that your celestial name + does not go well with your charming little face, which is still more + mischievous than that of the Bacchanal Queen.” + </p> + <p> + “That’s right; wheedle me now, wretch!” + </p> + <p> + “I swear by the accursed head of my landlord, that, if you liked, you + could spread yourself as much as the Bacchanal Queen—which is saying + a great deal.” + </p> + <p> + “The fact is, that the Bacchanal had cheek enough, in all conscience.” + </p> + <p> + “Not to speak of her fascinating the bobbies!” + </p> + <p> + “And magnetizing the beaks.” + </p> + <p> + “They may get as angry as they please; she always finishes by making them + laugh.” + </p> + <p> + “And they all call her: Queen!” + </p> + <p> + “Last night she charmed a slop (as modest as a country girl) whose purity + took up arms against the famous dance of the Storm-blown Tulip.” + </p> + <p> + “What a quadrille! Sleepinbuff and the Bacchanal Queen, having opposite to + them Rose-Pompon and Ninny Moulin!” + </p> + <p> + “And all four making tulips as full-blown as could be!” + </p> + <p> + “By-the-bye, is it true what they say of Ninny Moulin?” + </p> + <p> + “What?” + </p> + <p> + “Why that he is a writer, and scribbles pamphlets on religion.” + </p> + <p> + “Yes, it is true. I have often seen him at my employer’s, with whom he + deals; a bad paymaster, but a jolly fellow!” + </p> + <p> + “And pretends to be devout, eh?” + </p> + <p> + “I believe you, my boy—when it is necessary; then he is my Lord + Dumoulin, as large as life. He rolls his eyes, walks with his head on one + side, and his toes turned in; but, when the piece is played out, he slips + away to the balls of which he is so fond. The girls christened him Ninny + Moulin. Add, that he drinks like a fish, and you have the photo of the + cove. All this doesn’t prevent his writing for the religious newspapers; + and the saints, whom he lets in even oftener than himself, are ready to + swear by him. You should see his articles and his tracts—only see, + not read!—every page is full of the devil and his horns, and the + desperate fryings which await your impious revolutionists—and then + the authority of the bishops, the power of the Pope—hang it! how + could I know it all? This toper, Ninny Moulin, gives good measure enough + for their money!” + </p> + <p> + “The fact is, that he is both a heavy drinker and a heavy swell. How he + rattled on with little Rose-Pompon in the dance and the full-blown tulip!” + </p> + <p> + “And what a rum chap he looked in his Roman helmet and top-boots.” + </p> + <p> + “Rose-Pompon dances divinely, too; she has the poetic twist.” + </p> + <p> + “And don’t show her heels a bit!” + </p> + <p> + “Yes; but the Bacchanal Queen is six thousand feet above the level of any + common leg-shaker. I always come back to her step last night in the + full-blown tulip.” + </p> + <p> + “It was huge!” + </p> + <p> + “It was serene!” + </p> + <p> + “If I were father of a family, I would entrust her with the education of + my sons!” + </p> + <p> + “It was that step, however, which offended the bobby’s modesty.” + </p> + <p> + “The fact is, it was a little free.” + </p> + <p> + “Free as air—so the policeman comes up to her, and says: ‘Well, my + Queen, is your foot to keep on a-goin’ up forever?’ ‘No, modest warrior!’ + replies the Queen; ‘I practice the step only once every evening, to be + able to dance it when I am old. I made a vow of it, that you might become + an inspector.’” + </p> + <p> + “What a comic card!” + </p> + <p> + “I don’t believe she will remain always with Sleepinbuff.” + </p> + <p> + “Because he has been a workman?” + </p> + <p> + “What nonsense! it would preciously become us, students and shop-boys, to + give ourselves airs! No; but I am astonished at the Queen’s fidelity.” + </p> + <p> + “Yes—they’ve been a team for three or four good months.” + </p> + <p> + “She’s wild upon him, and he on her.” + </p> + <p> + “They must lead a gay life.” + </p> + <p> + “Sometimes I ask myself where the devil Sleepinbuff gets all the money he + spends. It appears that he pays all last night’s expenses, three + coaches-and-four, and a breakfast this morning for twenty, at ten francs + a-head.” + </p> + <p> + “They say he has come into some property. That’s why Ninny Moulin, who has + a good nose for eating and drinking, made acquaintance with him last night—leaving + out of the question that he may have some designs on the Bacchanal Queen.” + </p> + <p> + “He! In a lot! He’s rather too ugly. The girls like to dance with him + because he makes people laugh—but that’s all. Little Rose-Pompon, + who is such a pretty creature, has taken him as a harmless chap-her-own, + in the absence of her student.” + </p> + <p> + “The coaches! the coaches!” exclaimed the crowd, all with one voice. + </p> + <p> + Forced to stop in the midst of the maskers, Mother Bunch had not lost a + word of this conversation, which was deeply painful to her, as it + concerned her sister, whom she had not seen for a long time. Not that the + Bacchanal Queen had a bad heart; but the sight of the wretched poverty of + Mother Bunch—a poverty which she had herself shared, but which she + had not had the strength of mind to bear any longer—caused such + bitter grief to the gay, thoughtless girl, that she would no more expose + herself to it, after she had in vain tried to induce her sister to accept + assistance, which the latter always refused, knowing that its source could + not be honorable. + </p> + <p> + “The coaches! the coaches!” once more exclaimed the crowd, as they pressed + forward with enthusiasm, so that Mother Bunch, carried on against her + will, was thrust into the foremost rank of the people assembled to see the + show. + </p> + <p> + It was, indeed, a curious sight. A man on horseback, disguised as a + postilion, his blue jacket embroidered with silver, and enormous tail from + which the powder escaped in puffs, and a hat adorned with long ribbons, + preceded the first carriage, cracking his whip, and crying with all his + might: “Make way for the Bacchanal Queen and her court!” + </p> + <p> + In an open carriage, drawn by four lean horses, on which rode two old + postilions dressed as devils, was raised a downright pyramid of men and + women, sitting, standing, leaning, in every possible variety of odd, + extravagant, and grotesque costume; altogether an indescribable mass of + bright colors, flowers, ribbons, tinsel and spangles. Amid this heap of + strange forms and dresses appeared wild or graceful countenances, ugly or + handsome features—but all animated by the feverish excitement of a + jovial frenzy—all turned with an expression of fanatical admiration + towards the second carriage, in which the Queen was enthroned, whilst they + united with the multitude in reiterated shouts of “Long live the Bacchanal + Queen.” + </p> + <p> + This second carriage, open like the first, contained only the four dancers + of the famous step of the Storm-blown Tulip—Ninny Moulin, Rose + Pompon, Sleepinbuff, and the Bacchanal Queen. + </p> + <p> + Dumoulin, the religious writer, who wished to dispute possession of Mme. + de la Sainte-Colombe with his patron, M. Rodin—Dumoulin, surnamed + Ninny Moulin, standing on the front cushions, would have presented a + magnificent study for Callot or Gavarni, that eminent artist, who unites + with the biting strength and marvellous fancy of an illustrious + caricaturist, the grace, the poetry, and the depth of Hogarth. + </p> + <p> + Ninny Moulin, who was about thirty-five years of age, wore very much back + upon his head a Roman helmet of silver paper. A voluminous plume of black + feathers, rising from a red wood holder, was stuck on one side of this + headgear, breaking the too classic regularity of its outline. Beneath this + casque, shone forth the most rubicund and jovial face, that ever was + purpled by the fumes of generous wine. A prominent nose, with its + primitive shape modestly concealed beneath a luxuriant growth of pimples, + half red, half violet, gave a funny expression to a perfectly beardless + face; while a large mouth, with thick lips turning their insides outwards, + added to the air of mirth and jollity which beamed from his large gray + eyes, set flat in his head. + </p> + <p> + On seeing this joyous fellow, with a paunch like Silenus, one could not + help asking how it was, that he had not drowned in wine, a hundred times + over, the gall, bile, and venom which flowed from his pamphlets against + the enemies of Ultramontanism, and how his Catholic beliefs could float + upwards in the midst of these mad excesses of drink and dancing. The + question would have appeared insoluble, if one had not remembered how many + actors, who play the blackest and most hateful first robbers on the stage, + are, when off it, the best fellow in the world. + </p> + <p> + The weather being cold, Ninny Moulin wore a kind of box-coat, which, being + half-open, displayed his cuirass of scales, and his flesh-colored + pantaloons, finishing just below the calf in a pair of yellow tops to his + boots. Leaning forward in front of the carriage, he uttered wild shouts of + delight, mingled with the words: “Long live the Bacchanal Queen!”—after + which, he shook and whirled the enormous rattle he held in his hand. + Standing beside him, Sleepinbuff waved on high a banner of white silk, on + which were the words: “Love and joy to the Bacchanal Queen!” + </p> + <p> + Sleepinbuff was about twenty-five years of age. His countenance was gay + and intelligent, surrounded by a collar of chestnut-colored whiskers; but + worn with late hours and excesses, it expressed a singular mixture of + carelessness and hardihood, recklessness and mockery; still, no base or + wicked passion had yet stamped there its fatal impress. He was the perfect + type of the Parisian, as the term is generally applied, whether in the + army, in the provinces, on board a king’s ship, or a merchantman. It is + not a compliment, and yet it is far from being an insult; it is an epithet + which partakes at once of blame, admiration, and fear; for if, in this + sense, the Parisian is often idle and rebellious, he is also quick at his + work, resolute in danger, and always terribly satirical and fond of + practical jokes. + </p> + <p> + He was dressed in a very flashy style. He wore a black velvet jacket with + silver buttons, a scarlet waistcoat, trousers with broad blue stripes, a + Cashmere shawl for a girdle with ends loosely floating, and a chimney-pot + hat covered with flowers and streamers. This disguise set off his light, + easy figure to great advantage. + </p> + <p> + At the back of the carriage, standing up on the cushions, were Rose Pompon + and the Bacchanal Queen. + </p> + <p> + Rose-Pompon, formerly a fringe-maker, was about seventeen years old, and + had the prettiest and most winning little face imaginable. She was gayly + dressed in debardeur costume. Her powdered wig, over which was smartly + cocked on one side an orange and green cap laced with silver, increased + the effect of her bright black eyes, and of her round, carnation cheeks. + She wore about her neck an orange-colored cravat, of the same material as + her loose sash. Her tight jacket and narrow vest of light green velvet, + with silver ornaments, displayed to the best advantage a charming figure, + the pliancy of which must have well suited the evolutions of the Storm + blown Tulip. Her large trousers, of the same stuff and color as the + jacket, were not calculated to hide any of her attractions. + </p> + <p> + The Bacchanal Queen, being at the least a head taller, leaned with one + hand on the shoulder of Rose-Pompon. Mother Bunch’s sister ruled, like a + true monarch, over this mad revelry, which her very presence seemed to + inspire, such influence had her own mirth and animation over all that + surrounded her. + </p> + <p> + She was a tall girl of about twenty years of age, light and graceful, with + regular features, and a merry, racketing air. Like her sister, she had + magnificent chestnut hair, and large blue eyes; but instead of being soft + and timid, like those of the young sempstress, the latter shone with + indefatigable ardor in the pursuit of pleasure. Such was the energy of her + vivacious constitution, that, notwithstanding many nights and days passed + in one continued revel, her complexion was as pure, her cheeks as rosy, + her neck as fresh and fair, as if she had that morning issued from some + peaceful home. Her costume, though singular and fantastic, suited her + admirably. It was composed of a tight, long-waisted bodice in cloth of + gold, trimmed with great bunches of scarlet ribbon, the ends of which + streamed over her naked arms, and a short petticoat of scarlet velvet, + ornamented with golden beads and spangles. This petticoat reached half way + down a leg, at once trim and strong, in a white silk stocking, and red + buskin with brass heel. + </p> + <p> + Never had any Spanish dancer a more supple, elastic, and tempting form, + than this singular girl, who seemed possessed with the spirit of dancing + and perpetual motion, for, almost every moment, a slight undulation of + head, hips, and shoulders seemed to follow the music of an invisible + orchestra; while the tip of her right foot, placed on the carriage door in + the most alluring manner, continued to beat time—for the Bacchanal + Queen stood proudly erect upon the cushions. + </p> + <p> + A sort of gilt diadem, the emblem of her noisy sovereignty, hung with + little bells, adorned her forehead. Her long hair, in two thick braids, + was drawn back from her rosy cheeks, and twisted behind her head. Her left + hand rested on little Rose-Pompon’s shoulder, and in her right she held an + enormous nosegay, which she waved to the crowd, accompanying each salute + with bursts of laughter. + </p> + <p> + It would be difficult to give a complete idea of this noisily animated and + fantastic scene, which included also a third carriage, filled, like the + first, with a pyramid of grotesque and extravagant masks. Amongst the + delighted crowd, one person alone contemplated the picture with deep + sorrow. It was Mother Bunch, who was still kept, in spite of herself, in + the first rank of spectators. + </p> +<div class="fig"> + <img src="images/20029m.jpg" alt="20029m" /><br /> + </div> + <h5> + <a href="images/20029.jpg"><i>Original</i></a> + </h5> + <p> + Separated from her sister for a long time, she now beheld her in all the + pomp of her singular triumph, in the midst of the cries of joy, and the + applause of her companions in pleasure. Yet the eyes of the young + sempstress grew dim with tears; for, though the Bacchanal Queen seemed to + share in the stunning gayety of all around her—though her face was + radiant with smiles, and she appeared fully to enjoy the splendors of her + temporary elevation—yet she had the sincere pity of the poor + workwoman, almost in rags, who was seeking, with the first dawn of + morning, the means of earning her daily bread. + </p> + <p> + Mother Bunch had forgotten the crowd, to look only at her sister, whom she + tenderly loved—only the more tenderly, that she thought her + situation to be pitied. With her eyes fixed on the joyous and beautiful + girl, her pale and gentle countenance expressed the most touching and + painful interest. + </p> + <p> + All at once, as the brilliant glance of the Bacchanal Queen travelled + along the crowd, it lighted on the sad features of Mother Bunch. + </p> + <p> + “My sister!” exclaimed Cephyse—such was the name of the Bacchanal + Queen—“My sister!”—and with one bound, light as a + ballet-dancer, she sprang from her movable throne (which fortunately just + happened to be stopping), and, rushing up to the hunchback, embraced her + affectionately. + </p> + <p> + All this had passed so rapidly, that the companions of the Bacchanal + Queen, still stupefied by the boldness of her perilous leap, knew not how + to account for it; whilst the masks who surrounded Mother Bunch drew back + in surprise, and the latter, absorbed in the delight of embracing her + sister, whose caresses she returned, did not even think of the singular + contrast between them, which was sure to soon excite the astonishment and + hilarity of the crowd. + </p> + <p> + Cephyse was the first to think of this, and wishing to save her sister at + least one humiliation, she turned towards the carriage, and said: “Rose + Pompon, throw me down my cloak; and, Ninny Moulin, open the door + directly!” + </p> + <p> + Having received the cloak, the Bacchanal Queen hastily wrapped it round + her sister, before the latter could speak or move. Then, taking her by the + hand, she said to her: “Come! come!” + </p> + <p> + “I!” cried Mother Bunch, in alarm. “Do not think of it!” + </p> + <p> + “I must speak with you. I will get a private room, where we shall be + alone. So make haste, dear little sister! Do not resist before all these + people—but come!” + </p> + <p> + The fear of becoming a public sight decided Mother Bunch, who, confused + moreover with the adventure, trembling and frightened, followed her sister + almost mechanically, and was dragged by her into the carriage, of which + Ninny Moulin had just opened the door. And so, with the cloak of the + Bacchanal Queen covering Mother Bunch’s poor garments and deformed figure, + the crowd had nothing to laugh at, and only wondered what this meeting + could mean, while the coaches pursued their way to the eating house in the + Place du Chatelet. + </p> + <p> + <a name="link2HCH0055" id="link2HCH0055"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER II. THE CONTRAST. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">S</span>ome minutes after the meeting of Mother Bunch with the Bacchanal Queen, + the two sisters were alone together in a small room in the tavern. + </p> + <p> + “Let me kiss you again,” said Cephyse to the young sempstress; “at least + now we are alone, you will not be afraid?” + </p> + <p> + In the effort of the Bacchanal Queen to clasp Mother Bunch in her arms, + the cloak fell from the form of the latter. At sight of those miserable + garments, which she had hardly had time to observe on the Place du + Chatelet, in the midst of the crowd, Cephyse clasped her hands, and could + not repress an exclamation of painful surprise. Then, approaching her + sister, that she might contemplate her more closely, she took her thin, + icy palms between her own plump hands, and examined for some minutes, with + increasing grief, the suffering, pale, unhappy creature, ground down by + watching and privations, and half-clothed in a poor, patched cotton gown. + </p> + <p> + “Oh, sister! to see you thus!” Unable to articulate another word, the + Bacchanal Queen threw herself on the other’s neck, and burst into tears. + Then, in the midst of her sobs, she added: “Pardon! pardon!” + </p> + <p> + “What is the matter, my dear Cephyse?” said the young sewing-girl, deeply + moved, and gently disengaging herself from the embrace of her sister. “Why + do you ask my pardon?” + </p> + <p> + “Why?” resumed Cephyse, raising her countenance, bathed in tears, and + purple with shame; “is it not shameful of me to be dressed in all this + frippery, and throwing away so much money in follies, while you are thus + miserably clad, and in need of everything—perhaps dying of want, for + I have never seen your poor face look so pale and worn.” + </p> + <p> + “Be at ease, dear sister! I am not ill. I was up rather late last night, + and that makes me a little pale—but pray do not cry—it grieves + me.” + </p> + <p> + The Bacchanal Queen had but just arrived, radiant in the midst of the + intoxicated crowd, and yet it was Mother Bunch who was now employed in + consoling her! + </p> + <p> + An incident occurred, which made the contrast still more striking. Joyous + cries were heard suddenly in the next apartment, and these words were + repeated with enthusiasm: “Long live the Bacchanal Queen!” + </p> + <p> + Mother Bunch trembled, and her eyes filled with tears, as she saw her + sister with her face buried in her hands, as if overwhelmed with shame. + “Cephyse,” she said, “I entreat you not to grieve so. You will make me + regret the delight of this meeting, which is indeed happiness to me! It is + so long since I saw you! But tell me—what ails you?” + </p> + <p> + “You despise me perhaps—you are right,” said the Bacchanal Queen, + drying her tears. + </p> + <p> + “Despise you? for what?” + </p> + <p> + “Because I lead the life I do, instead of having the courage to support + misery along with you.” + </p> + <p> + The grief of Cephyse was so heart-breaking, that Mother Bunch, always good + and indulgent, wishing to console her, and raise her a little in her own + estimation, said to her tenderly: “In supporting it bravely for a whole + year, my good Cephyse, you have had more merit and courage than I should + have in bearing with it my whole life.” + </p> + <p> + “Oh, sister! do not say that.” + </p> + <p> + “In simple truth,” returned Mother Bunch, “to what temptations is a + creature like me exposed? Do I not naturally seek solitude, even as you + seek a noisy life of pleasure? What wants have I? A very little suffices.” + </p> + <p> + “But you have not always that little?” + </p> + <p> + “No—but, weak and sickly as I seem, I can endure some privations + better than you could. Thus hunger produces in me a sort of numbness, + which leaves me very feeble—but for you, robust and full of life, + hunger is fury, is madness. Alas! you must remember how many times I have + seen you suffering from those painful attacks, when work failed us in our + wretched garret, and we could not even earn our four francs a week—so + that we had nothing—absolutely nothing to eat—for our pride + prevented us from applying to the neighbors.” + </p> + <p> + “You have preserved the right to that honest pride.” + </p> + <p> + “And you as well! Did you not struggle as much as a human creature could? + But strength fails at last—I know you well, Cephyse—it was + hunger that conquered you; and the painful necessity of constant labor, + which was yet insufficient to supply our common wants.” + </p> + <p> + “But you could endure those privations—you endure them still.” + </p> + <p> + “Can you compare me with yourself? Look,” said Mother Bunch, taking her + sister by the hand, and leading her to a mirror placed above a couch, + “look!—Dost think that God made you so beautiful, endowed you with + such quick and ardent blood, with so joyous, animated, grasping a nature + and with such taste and fondness for pleasure, that your youth might be + spent in a freezing garret, hid from the sun, nailed constantly to your + chair, clad almost in rags, and working without rest and without hope? No! + for He has given us other wants than those of eating and drinking. Even in + our humble condition, does not beauty require some little ornament? Does + not youth require some movement, pleasure, gayety? Do not all ages call + for relaxation and rest? Had you gained sufficient wages to satisfy + hunger, to have a day or so’s amusement in the week, after working every + other day for twelve or fifteen hours, and to procure the neat and modest + dress which so charming a face might naturally claim—you would never + have asked for more, I am sure of it—you have told me as much a + hundred times. You have yielded, therefore, to an irresistible necessity, + because your wants are greater than mine.” + </p> + <p> + “It is true,” replied the Bacchanal Queen, with a pensive air; “if I could + but have gained eighteenpence a day, my life would have been quite + different; for, in the beginning, sister, I felt cruelly humiliated to + live at a man’s expense.” + </p> + <p> + “Yes, yes—it was inevitable, my dear Cephyse; I must pity, but + cannot blame you. You did not choose your destiny; but, like me, you have + submitted to it.” + </p> + <p> + “Poor sister!” said Cephyse, embracing the speaker tenderly; “you can + encourage and console me in the midst of your own misfortunes, when I + ought to be pitying you.” + </p> + <p> + “Be satisfied!” said Mother Bunch; “God is just and good. If He has denied + me many advantages, He has given me my joys, as you have yours.” + </p> + <p> + “Joys?” + </p> + <p> + “Yes, and great ones—without which life would be too burdensome, and + I should not have the courage to go through with it.” + </p> + <p> + “I understand you,” said Cephyse, with emotion; “you still know how to + devote yourself for others, and that lightens your own sorrows.” + </p> + <p> + “I do what I can, but, alas! it is very little; yet when I succeed,” added + Mother Bunch, with a faint smile, “I am as proud and happy as a poor + little ant, who, after a great deal of trouble, has brought a big straw to + the common nest. But do not let us talk any more of me.” + </p> + <p> + “Yes, but I must, even at the risk of making you angry,” resumed the + Bacchanal Queen, timidly; “I have something to propose to you which you + once before refused. Jacques Rennepont has still, I think, some money left—we + are spending it in follies—now and then giving a little to poor + people we may happen to meet—I beg of you, let me come to your + assistance—I see in your poor face, you cannot conceal it from me, + that you are wearing yourself out with toil.” + </p> + <p> + “Thanks, my dear Cephyse, I know your good heart; but I am not in want of + anything. The little I gain is sufficient for me.” + </p> + <p> + “You refuse me,” said the Bacchanal Queen, sadly, “because you know that + my claim to this money is not honorable—be it so—I respect + your scruples. But you will not refuse a service from Jacques; he has been + a workman, like ourselves, and comrades should help each other. Accept it + I beseech you, or I shall think you despise me.” + </p> + <p> + “And I shall think you despise me, if you insist any more upon it, my dear + Cephyse,” said Mother Bunch, in a tone at once so mild and firm that the + Bacchanal Queen saw that all persuasion would be in vain. She hung her + head sorrowfully, and a tear again trickled down her cheek. + </p> + <p> + “My refusal grieves you,” said the other, taking her hand; “I am truly + sorry—but reflect—and you will understand me.” + </p> + <p> + “You are right,” said the Bacchanal Queen, bitterly, after a moment’s + silence; “you cannot accept assistance from my lover—it was an + insult to propose it to you. There are positions in life so humiliating, + that they soil even the good one wishes to do.” + </p> + <p> + “Cephyse, I did not mean to hurt you—you know it well.” + </p> + <p> + “Oh! believe me,” replied the Bacchanal Queen, “gay and giddy as I am, I + have sometimes moments of reflection, even in the midst of my maddest joy. + Happily, such moments are rare.” + </p> + <p> + “And what do you think of, then?” + </p> + <p> + “Why, that the life I lead is hardly the thing; then resolve to ask + Jacques for a small sum of money, just enough to subsist on for a year, + and form the plan of joining you, and gradually getting to work again.” + </p> + <p> + “The idea is a good one; why not act upon it?” + </p> + <p> + “Because, when about to execute this project, I examined myself sincerely, + and my courage failed. I feel that I could never resume the habit of + labor, and renounce this mode of life, sometimes rich, as to day, + sometimes precarious,—but at least free and full of leisure, joyous + and without care, and at worst a thousand times preferable to living upon + four francs a week. Not that interest has guided me. Many times have I + refused to exchange a lover, who had little or nothing, for a rich man, + that I did not like. Nor have I ever asked anything for myself. Jacques + has spent perhaps ten thousand francs the last three or four months, yet + we only occupy two half-furnished rooms, because we always live out of + doors, like the birds: fortunately, when I first loved him, he had nothing + at all, and I had just sold some jewels that had been given me, for a + hundred francs, and put this sum in the lottery. As mad people and fools + are always lucky, I gained a prize of four thousand francs. Jacques was as + gay, and light-headed, and full of fun as myself, so we said: ‘We love + each other very much, and, as long as this money lasts, we will keep up + the racket; when we have no more, one of two things will happen—either + we shall be tired of one another, and so part—or else we shall love + each other still, and then, to remain together, we shall try and get work + again; and, if we cannot do so, and yet will not part—a bushel of + charcoal will do our business!’” + </p> + <p> + “Good heaven!” cried Mother Bunch, turning pale. + </p> + <p> + “Be satisfied! we have not come to that. We had still something left, when + a kind of agent, who had paid court to me, but who was so ugly that I + could not bear him for all his riches, knowing that I was living with + Jacques asked me to—But why should I trouble you with all these + details? In one word, he lent Jacques money, on some sort of a doubtful + claim he had, as was thought, to inherit some property. It is with this + money that we are amusing ourselves—as long as its lasts.” + </p> + <p> + “But, my dear Cephyse, instead of spending this money so foolishly, why + not put it out to interest, and marry Jacques, since you love him?” + </p> + <p> + “Oh! in the first place,” replied the Bacchanal Queen, laughing, as her + gay and thoughtless character resumed its ascendancy, “to put money out to + interest gives one no pleasure. All the amusement one has is to look at a + little bit of paper, which one gets in exchange for the nice little pieces + of gold, with which one can purchase a thousand pleasures. As for + marrying, I certainly like Jacques better than I ever liked any one; but + it seems to me, that, if we were married, all our happiness would end—for + while he is only my lover, he cannot reproach me with what has passed—but, + as my husband, he would be stare to upbraid me, sooner or later, and if my + conduct deserves blame, I prefer giving it to myself, because I shall do + it more tenderly.” + </p> + <p> + “Mad girl that you are! But this money will not last forever. What is to + be done next?” + </p> + <p> + “Afterwards!—Oh! that’s all in the moon. To-morrow seems to me as if + it would not come for a hundred years. If we were always saying: ‘We must + die one day or the other’—would life be worth having?” + </p> + <p> + The conversation between Cephyse and her sister was here again interrupted + by a terrible uproar, above which sounded the sharp, shrill noise of Ninny + Moulin’s rattle. To this tumult succeeded a chorus of barbarous cries, in + the midst of which were distinguishable these words, which shook the very + windows: “The Queen! the Bacchanal Queen!” + </p> + <p> + Mother Bunch started at this sudden noise. + </p> + <p> + “It is only my court, who are getting impatient,” said Cephyse—and + this time she could laugh. + </p> + <p> + “Heavens!” cried the sewing-girl, in alarm; “if they were to come here in + search of you?” + </p> + <p> + “No, no—never fear.” + </p> + <p> + “But listen! do you not hear those steps? they are coming along the + passage—they are approaching. Pray, sister, let me go out alone, + without being seen by all these people.” + </p> + <p> + That moment the door was opened, and Cephyse, ran towards it. She saw in + the passage a deputation headed by Ninny Moulin, who was armed with his + formidable rattle, and followed by Rose-Pompon and Sleepinbuff. + </p> + <p> + “The Bacchanal Queen! or I poison myself with a glass of water;” cried + Ninny Moulin. + </p> + <p> + “The Bacchanal Queen! or I publish my banns of marriage with Ninny + Moulin!” cried little Rose-Pompon, with a determined air. + </p> + <p> + “The Bacchanal Queen! or the court will rise in arms, and carry her off by + force!” said another voice. + </p> + <p> + “Yes, yes—let us carry her off!” repeated a formidable chorus. + </p> + <p> + “Jacques, enter alone!” said the Bacchanal Queen, notwithstanding these + pressing summonses; then, addressing her court in a majestic tone, she + added: “In ten minutes, I shall be at your service—and then for a—of + a time!” + </p> + <p> + “Long live the Bacchanal Queen,” cried Dumoulin, shaking his rattle as he + retired, followed by the deputation, whilst Sleepinbuff entered the room + alone. + </p> + <p> + “Jacques,” said Cephyse, “this is my good sister.” + </p> + <p> + “Enchanted to see you,” said Jacques, cordially; “the more so as you will + give me some news of my friend Agricola. Since I began to play the rich + man, we have not seen each other, but I like him as much as ever, and + think him a good and worthy fellow. You live in the same house. How is + he?” + </p> + <p> + “Alas, sir! he and his family have had many misfortunes. He is in prison.” + </p> + <p> + “In prison!” cried Cephyse. + </p> +<div class="fig"> + <img src="images/20037m.jpg" alt="20037m" /><br /> + </div> + <h5> + <a href="images/20037.jpg"><i>Original</i></a> + </h5> + <p> + “Agricola in prison! what for?” said Sleepinbuff. + </p> + <p> + “For a trifling political offence. We had hoped to get him out on bail.” + </p> + <p> + “Certainly; for five hundred francs it could be done,” said Sleepinbuff. + </p> + <p> + “Unfortunately, we have not been able; the person upon whom we relied—” + </p> + <p> + The Bacchanal Queen interrupted the speaker by saying to her lover: “Do + you hear, Jacques? Agricola in prison, for want of five hundred francs!” + </p> + <p> + “To be sure! I hear and understand all about it. No need of your winking. + Poor fellow! he was the support of his mother.” + </p> + <p> + “Alas! yes, sir—and it is the more distressing, as his father has + but just returned from Russia, and his mother—” + </p> + <p> + “Here,” said Sleepinbuff, interrupting, and giving Mother Bunch a purse; + “take this—all the expenses here have been paid beforehand—this + is what remains of my last bag. You will find here some twenty-five or + thirty Napoleons, and I cannot make a better use of them than to serve a + comrade in distress. Give them to Agricola’s father; he will take the + necessary steps, and to-morrow Agricola will be at his forge, where I had + much rather he should be than myself.” + </p> + <p> + “Jacques, give me a kiss!” said the Bacchanal Queen. + </p> + <p> + “Now, and afterwards, and again and again!” said Jacques, joyously + embracing the queen. + </p> + <p> + Mother Bunch hesitated for a moment; but reflecting that, after all, this + sum of money, which was about to be spent in follies, would restore life + and happiness to the family of Agricola, and that hereafter these very + five hundred francs, when returned to Jacques, might be of the greatest + use to him, she resolved to accept this offer. She took the purse, and + with tearful eyes, said to him: “I will not refuse your kindness M. + Jacques; you are so good and generous, Agricola’s father will thus at + least have one consolation, in the midst of heavy sorrows. Thanks! many + thanks!” + </p> + <p> + “There is no need to thank me; money was made for others as well as + ourselves.” + </p> + <p> + Here, without, the noise recommenced more furiously than ever, and Ninny + Moulin’s rattle sent forth the most doleful sounds. + </p> + <p> + “Cephyse,” said Sleepinbuff, “they will break everything to pieces, if you + do not return to them, and I have nothing left to pay for the damage. + Excuse us,” added he, laughing, “but you see that royalty has its duties.” + </p> + <p> + Cephyse deeply moved, extended her arms to Mother Bunch, who threw herself + into them, shedding sweet tears. + </p> + <p> + “And now,” said she, to her sister, “when shall I see you again?” + </p> + <p> + “Soon—though nothing grieves me more than to see you in want, out of + which I am not allowed to help you.” + </p> + <p> + “You will come, then, to see me? It is a promise?” + </p> + <p> + “I promise you in her name,” said Jacques; “we will pay a visit to you and + your neighbor Agricola.” + </p> + <p> + “Return to the company, Cephyse, and amuse yourself with a light heart, + for M. Jacques has made a whole family happy.” + </p> + <p> + So saying, and after Sleepinbuff had ascertained that she could go down + without being seen by his noisy and joyous companions, Mother Bunch + quietly withdrew, eager to carry one piece of good news at least to + Dagobert; but intending, first of all, to go to the Rue de Babylone, to + the garden-house formerly occupied by Adrienne de Cardoville. We shall + explain hereafter the cause of this determination. + </p> + <p> + As the girl quitted the eating-house, three men plainly and comfortably + dressed, were watching before it, and talking in a low voice. Soon after, + they were joined by a fourth person, who rapidly descended the stairs of + the tavern. + </p> + <p> + “Well?” said the three first, with anxiety. + </p> + <p> + “He is there.” + </p> + <p> + “Are you sure of it?” + </p> + <p> + “Are there two Sleepers-in-buff on earth?” replied the other. “I have just + seen him; he is togged out like one of the swell mob. They will be at + table for three hours at least.” + </p> + <p> + “Then wait for me, you others. Keep as quiet as possible. I will go and + fetch the captain, and the game is bagged.” So saying, one of the three + men walked off quickly, and disappeared in a street leading from the + square. + </p> + <p> + At this same instant the Bacchanal Queen entered the banqueting-room, + accompanied by Jacques, and was received with the most frenzied + acclamations from all sides. + </p> + <p> + “Now then,” cried Cephyse, with a sort of feverish excitement, as if she + wished to stun herself; “now then, friends—noise and tumult, + hurricane and tempest, thunder and earthquake—as much as you + please!” Then, holding out her glass to Ninny Moulin, she added: “Pour + out! pour out!” + </p> + <p> + “Long live the Queen!” cried they all, with one voice. + </p> + <p> + <a name="link2HCH0056" id="link2HCH0056"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER III. THE CAROUSE. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>he Bacchanal Queen, having Sleepinbuff and Rose-Pompon opposite her, and + Ninny Moulin on her right hand, presided at the repast, called a + reveille-matin (wake-morning), generously offered by Jacques to his + companions in pleasure. + </p> + <p> + Both young men and girls seemed to have forgotten the fatigues of a ball, + begun at eleven o’clock in the evening, and finished at six in the + morning; and all these couples, joyous as they were amorous and + indefatigable, laughed, ate, and drank, with youthful and Pantagruelian + ardor, so that, during the first part of the feast, there was less chatter + than clatter of plates and glasses. + </p> + <p> + The Bacchanal Queen’s countenance was less gay, but much more animated + than usual; her flushed cheeks and sparkling eyes announced a feverish + excitement; she wished to drown reflection, cost what it might. Her + conversation with her sister often recurred to her, and she tried to + escape from such sad remembrances. + </p> + <p> + Jacques regarded Cephyse from time to time with passionate adoration; for, + thanks to the singular conformity of character, mind, and taste between + him and the Bacchanal Queen, their attachment had deeper and stronger + roots than generally belong to ephemeral connections founded upon + pleasure. Cephyse and Jacques were themselves not aware of all the power + of a passion which till now had been surrounded only by joys and + festivities, and not yet been tried by any untoward event. + </p> + <p> + Little Rose-Pompon, left a widow a few days before by a student, who, in + order to end the carnival in style, had gone into the country to raise + supplies from his family, under one of those fabulous pretences which + tradition carefully preserves in colleges of law and medicine—Rose + Pompon, we repeat, an example of rare fidelity, determined not to + compromise herself, had taken for a chaperon the inoffensive Ninny Moulin. + </p> + <p> + This latter, having doffed his helmet, exhibited a bald head, encircled by + a border of black, curling hair, pretty long at the back of the head. By a + remarkable Bacchic phenomenon, in proportion as intoxication gained upon + him, a sort of zone, as purple as his jovial face, crept by degrees over + his brow, till it obscured even the shining whiteness of his crown. + Rose-Pompon, who knew the meaning of this symptom, pointed it out to the + company, and exclaimed with a loud burst of laughter: “Take care, Ninny + Moulin! the tide of the wine is coming in.” + </p> + <p> + “When it rises above his head he will be drowned,” added the Bacchanal + Queen. + </p> + <p> + “Oh, Queen! don’t disturb me; I am meditating, answered Dumoulin, who was + getting tipsy. He held in his hand, in the fashion of an antique goblet, a + punch-bowl filled with wine, for he despised the ordinary glasses, because + of their small size. + </p> + <p> + “Meditating,” echoed Rose-Pompon, “Ninny Moulin is meditating. Be + attentive!” + </p> + <p> + “He is meditating; he must be ill then!” + </p> + <p> + “What is he meditating? an illegal dance?” + </p> + <p> + “A forbidden Anacreontic attitude?” + </p> + <p> + “Yes, I am meditating,” returned Dumoulin, gravely; “I am meditating upon + wine, generally and in particular—wine, of which the immortal + Bossuet”—Dumoulin had the very bad habit of quoting Bossuet when he + was drunk—“of which the immortal Bossuet says (and he was a judge of + good liquor): ‘In wine is courage, strength joy, and spiritual fervor’—when + one has any brains,” added Ninny Moulin, by way of parenthesis. + </p> + <p> + “Oh, my! how I adore your Bossuet!” said Rose-Pompon. + </p> + <p> + “As for my particular meditation, it concerns the question, whether the + wine at the marriage of Cana was red or white. Sometimes I incline to one + side, sometimes to the other—and sometimes to both at once.” + </p> + <p> + “That is going to the bottom of the question,” said Sleepinbuff. + </p> + <p> + “And, above all, to the bottom of the bottles,” added the Bacchanal Queen. + </p> + <p> + “As your majesty is pleased to observe; and already, by dint of reflection + and research, I have made a great discovery—namely, that, if the + wine at the marriage of Cana was red—” + </p> + <p> + “It couldn’t ‘a’ been white,” said Rose-Pompon, judiciously. + </p> + <p> + “And if I had arrived at the conviction that it was neither white nor + red?” asked Dumoulin, with a magisterial air. + </p> + <p> + “That could only be when you had drunk till all was blue,” observed + Sleepinbuff. + </p> + <p> + “The partner of the Queen says well. One may be too athirst for science; + but never mind! From all my studies on this question, to which I have + devoted my life—I shall await the end of my respectable career with + the sense of having emptied tuns with a historical—theological—and + archeological tone!” + </p> + <p> + It is impossible to describe the jovial grimace and tone with which + Dumoulin pronounced and accentuated these last words, which provoked a + general laugh. + </p> + <p> + “Archieolopically?” said Rose-Pompon. “What sawnee is that? Has he a tail? + does he live in the water?” + </p> + <p> + “Never mind,” observed the Bacchanal Queen; “these are words of wise men + and conjurers; they are like horsehair bustles—they serve for + filling out—that’s all. I like better to drink; so fill the glasses, + Ninny Moulin; some champagne, Rose-Pompon; here’s to the health of your + Philemon and his speedy return!” + </p> + <p> + “And to the success of his plant upon his stupid and stingy family!” added + Rose-Pompon. + </p> + <p> + The toast was received with unanimous applause. + </p> + <p> + “With the permission of her majesty and her court,” said Dumoulin, “I + propose a toast to the success of a project which greatly interests me, + and has some resemblance to Philemon’s jockeying. I fancy that the toast + will bring me luck.” + </p> + <p> + “Let’s have it, by all means!” + </p> + <p> + “Well, then—success to my marriage!” said Dumoulin, rising. + </p> + <p> + These words provoked an explosion of shouts, applause, and laughter. Ninny + Moulin shouted, applauded, laughed even louder than the rest, opening wide + his enormous mouth, and adding to the stunning noise the harsh springing + of his rattle, which he had taken up from under his chair. + </p> + <p> + When the storm had somewhat subsided, the Bacchanal Queen rose and said: + “I drink to the health of the future Madame Ninny Moulin.” + </p> + <p> + “Oh, Queen! your courtesy touches me so sensibly that I must allow you to + read in the depths of my heart the name of my future spouse,” exclaimed + Dumoulin. “She is called Madame Honoree-Modeste-Messaline-Angele de la + Sainte-Colombe, widow.” + </p> + <p> + “Bravo! bravo!” + </p> + <p> + “She is sixty years old, and has more thousands of francs-a-year than she + has hair in her gray moustache or wrinkles on her face; she is so superbly + fat that one of her gowns would serve as a tent for this honorable + company. I hope to present my future spouse to you on Shrove Tuesday, in + the costume of a shepherdess that has just devoured her flock. Some of + them wish to convert her—but I have undertaken to divert her, which + she will like better. You must help me to plunge her headlong into all + sorts of skylarking jollity.” + </p> + <p> + “We will plunge her into anything you please.” + </p> + <p> + “She shall dance like sixty!” said Rose-Pompon, humming a popular tune. + </p> + <p> + “She will overawe the police.” + </p> + <p> + “We can say to them: ‘Respect this lady; your mother will perhaps be as + old some day!’” + </p> + <p> + Suddenly, the Bacchanal Queen rose; her countenance wore a singular + expression of bitter and sardonic delight. In one hand she held a glass + full to the brim. “I hear the Cholera is approaching in his seven-league + boots,” she cried. “I drink luck to the Cholera!” And she emptied the + bumper. + </p> + <p> + Notwithstanding the general gayety, these words made a gloomy impression; + a sort of electric shudder ran through the assemblage, and nearly every + countenance became suddenly serious. + </p> + <p> + “Oh, Cephyse!” said Jacques, in a tone of reproach. + </p> + <p> + “Luck to the Cholera,” repeated the Queen, fearlessly. “Let him spare + those who wish to live, and kill together those who dread to part!” + </p> + <p> + Jacques and Cephyse exchanged a rapid glance, unnoticed by their joyous + companions, and for some time the Bacchanal Queen remained silent and + thoughtful. + </p> + <p> + “If you put it that way, it is different,” cried Rose-Pompon, boldly. “To + the Cholera! may none but good fellows be left on earth!” + </p> + <p> + In spite of this variation, the impression was still painfully impressive. + Dumoulin, wishing to cut short this gloomy subject, exclaimed: “Devil take + the dead, and long live the living! And, talking of chaps who both live + and live well, I ask you to drink a health most dear to our joyous queen, + the health of our Amphitryon. Unfortunately, I do not know his respectable + name, having only had the advantage of making his acquaintance this night; + he will excuse me, then, if I confine myself to proposing the health of + Sleepinbuff—a name by no means offensive to my modesty, as Adam + never slept in any other manner. I drink to Sleepinbuff.” + </p> + <p> + “Thanks, old son!” said Jacques, gayly; “were I to forget your name, I + should call you ‘Have-a-sip?’ and I am sure that you would answer: ‘I + will.’” + </p> + <p> + “I will directly!” said Dumoulin, making the military salute with one + hand, and holding out the bowl with the other. + </p> + <p> + “As we have drunk together,” resumed Sleepinbuff, cordially, “we ought to + know each other thoroughly. I am Jacques Rennepont?” + </p> + <p> + “Rennepont!” cried Dumoulin, who appeared struck by the name, in spite of + his half-drunkenness; “you are Rennepont?” + </p> + <p> + “Rennepont in the fullest sense of the word. Does that astonish you?” + </p> + <p> + “There is a very ancient family of that name—the Counts of + Rennepont.” + </p> + <p> + “The deuce there is!” said the other, laughing. + </p> + <p> + “The Counts of Rennepont are also Dukes of Cardoville,” added Dumoulin. + </p> + <p> + “Now, come, old fellow! do I look as if I belonged to such a family?—I, + a workman out for a spree?” + </p> + <p> + “You a workman? why, we are getting into the Arabian Nights!” cried + Dumoulin, more and more surprised. “You give us a Belshazzar’s banquet, + with accompaniment of carriages and four, and yet are a workman? Only tell + me your trade, and I will join you, leaving the Vine of the Divine to take + care of itself.” + </p> + <p> + “Come, I say! don’t think that I am a printer of flimsies, and a smasher!” + replied Jacques, laughing. + </p> + <p> + “Oh, comrade! no such suspicion—” + </p> + <p> + “It would be excusable, seeing the rigs I run. But I’ll make you easy on + that point. I am spending an inheritance.” + </p> + <p> + “Eating and drinking an uncle, no doubt?” said Dumoulin, benevolently. + </p> + <p> + “Faith, I don’t know.” + </p> + <p> + “What! you don’t know whom you are eating and drinking?” + </p> + <p> + “Why, you see, in the first place, my father was a bone-grubber.” + </p> + <p> + “The devil he was!” said Dumoulin, somewhat out of countenance, though in + general not over-scrupulous in the choice of his bottle-companions: but, + after the first surprise, he resumed, with the most charming amenity: + “There are some rag-pickers very high by scent—I mean descent!” + </p> + <p> + “To be sure! you may think to laugh at me,” said Jacques, “but you are + right in this respect, for my father was a man of very great merit. He + spoke Greek and Latin like a scholar, and often told me that he had not + his equal in mathematics; besides, he had travelled a good deal.” + </p> + <p> + “Well, then,” resumed Dumoulin, whom surprise had partly sobered, “you may + belong to the family of the Counts of Rennepont, after all.” + </p> + <p> + “In which case,” said Rose-Pompon, laughing, “your father was not a + gutter-snipe by trade, but only for the honor of the thing.” + </p> +<div class="fig"> + <img src="images/20045m.jpg" alt="20045m" /><br /> + </div> + <h5> + <a href="images/20045.jpg"><i>Original</i></a> + </h5> + <p> + “No, no—worse luck! it was to earn his living,” replied Jacques; + “but, in his youth, he had been well off. By what appeared, or rather by + what did not appear, he had applied to some rich relation, and the rich + relation had said to him: ‘Much obliged! try the work’us.’ Then he wished + to make use of his Greek, and Latin, and mathematics. Impossible to do + anything—Paris, it seems, being choke-full of learned men—so + my father had to look for his bread at the end of a hooked stick, and + there, too, he must have found it, for I ate of it during two years, when + I came to live with him after the death of an aunt, with whom I had been + staying in the country.” + </p> + <p> + “Your respectable father must have been a sort of philosopher,” said + Dumoulin; “but, unless he found an inheritance in a dustbin, I don’t see + how you came into your property.” + </p> + <p> + “Wait for the end of the song. At twelve years of age I was an apprentice + at the factory of M. Tripeaud; two years afterwards, my father died of an + accident, leaving me the furniture of our garret—a mattress, a + chair, and a table—and, moreover, in an old Eau de Cologne box, some + papers (written, it seems, in English), and a bronze medal, worth about + ten sous, chain and all. He had never spoken to me of these papers, so, + not knowing if they were good for anything, I left them at the bottom of + an old trunk, instead of burning them—which was well for me, since + it is upon these papers that I have had money advanced.” + </p> + <p> + “What a godsend!” said Dumoulin. “But somebody must have known that you + had them?” + </p> + <p> + “Yes; one of those people that are always looking out for old debts came + to Cephyse, who told me all about it; and, after he had read the papers, + he said that the affair was doubtful, but that he would lend me ten + thousand francs on it, if I liked. Ten thousand francs was a large sum, so + I snapped him up!” + </p> + <p> + “But you must have supposed that these old papers were of great value.” + </p> + <p> + “Faith, no! since my father, who ought to have known their value, had + never realized on them—and then, you see, ten thousand francs in + good, bright coin, falling as it were from the clouds, are not to be + sneezed at—so I took them—only the man made me do a bit of + stiff as guarantee, or something of that kind.” + </p> + <p> + “Did you sign it?” + </p> + <p> + “Of course—what did I care about it? The man told me it was only a + matter of form. He spoke the truth, for the bill fell due a fortnight ago, + and I have heard nothing of it. I have still about a thousand francs in + his hands, for I have taken him for my banker. And that’s the way, old + pal, that I’m able to flourish and be jolly all day long, as pleased as + Punch to have left my old grinder of a master, M. Tripeaud.” + </p> + <p> + As he pronounced this name, the joyous countenance of Jacques became + suddenly overcast. Cephyse, no longer under the influence of the painful + impression she had felt for a moment, looked uneasily at Jacques, for she + knew the irritation which the name of M. Tripeaud produced within him. + </p> + <p> + “M. Tripeaud,” resumed Sleepinbuff, “is one that would make the good bad, + and the bad worse. They say that a good rider makes a good horse; they + ought to say that a good master makes a good workman. Zounds! when I think + of that fellow!” cried Sleepinbuff, striking his hand violently on the + table. + </p> + <p> + “Come, Jacques—think of something else!” said the Bacchanal Queen. + “Make him laugh, Rose-Pompon.” + </p> + <p> + “I am not in a humor to laugh,” replied Jacques, abruptly, for he was + getting excited from the effects of the wine; “it is more than I can bear + to think of that man. It exasperates me! it drives me mad! You should have + heard him saying: ‘Beggarly workmen! rascally workmen! they grumble that + they have no food in their bellies; well, then, we’ll give them bayonets + to stop their hunger.‘(11) And there’s the children in his factory—you + should see them, poor little creatures!—working as long as the men—wasting + away, and dying by the dozen—what odds? as soon as they were dead + plenty of others came to take their places—not like horses, which + can only be replaced with money.” + </p> + <p> + “Well, it is clear, that you do not like your old master,” said Dumoulin, + more and more surprised at his Amphitryon’s gloomy and thoughtful air, + and, regretting that the conversation had taken this serious turn, he + whispered a few words in the ear of the Bacchanal Queen, who answered by a + sign of intelligence. + </p> + <p> + “I don’t like M. Tripeaud!” exclaimed Jacques. “I hate him—and shall + I tell you why? Because it is as much his fault as mine, that I have + become a good-for-nothing loafer. I don’t say it to screen myself; but it + is the truth. When I was ‘prenticed to him as a lad, I was all heart and + ardor, and so bent upon work, that I used to take my shirt off to my task, + which, by the way, was the reason that I was first called Sleepinbuff. + Well! I might have toiled myself to death; not one word of encouragement + did I receive. I came first to my work, and was the last to leave off; + what matter? it was not even noticed. One day, I was injured by the + machinery. I was taken to the hospital. When I came out, weak as I was, I + went straight to my work; I was not to be frightened; the others, who knew + their master well, would often say to me: ‘What a muff you must be, little + one! What good will you get by working so hard?’—still I went on. + But, one day, a worthy old man, called Father Arsene, who had worked in + the house many years, and was a model of good conduct, was suddenly turned + away, because he was getting too feeble. It was a death-blow to him; his + wife was infirm, and, at his age, he could not get another place. When the + foreman told him he was dismissed, he could not believe it, and he began + to cry for grief. At that moment, M. Tripeaud passes; Father Arsene begs + him with clasped hands to keep him at half-wages. ‘What!’ says M. + Tripeaud, shrugging his shoulders; ‘do you think that I will turn my + factory into a house of invalids? You are no longer able to work—so + be off!’ ‘But I have worked forty years of my life; what is to become of + me?’ cried poor Father Arsene. ‘That is not my business,’ answered M. + Tripeaud; and, addressing his clerk, he added: ‘Pay what is due for the + week, and let him cut his stick.’ Father Arsene did cut his stick; that + evening, he and his old wife suffocated themselves with charcoal. Now, you + see, I was then a lad; but that story of Father Arsene taught me, that, + however hard you might work, it would only profit your master, who would + not even thank you for it, and leave you to die on the flags in your old + age. So all my fire was damped, and I said to myself: ‘What’s the use of + doing more than I just need? If I gain heaps of gold for M. Tripeaud, + shall I get an atom of it?’ Therefore, finding neither pride nor profit in + my work, I took a disgust for it—just did barely enough to earn my + wages—became an idler and a rake—and said to myself: ‘When I + get too tired of labor, I can always follow the example of Father Arsene + and his wife.”’ + </p> + <p> + Whilst Jacques resigned himself to the current of these bitter thoughts, + the other guests, incited by the expressive pantomime of Dumoulin and the + Bacchanal Queen, had tacitly agreed together; and, on a signal from the + Queen, who leaped upon the table, and threw down the bottles and glasses + with her foot, all rose and shouted, with the accompaniment of Ninny + Moulin’s rattle “The storm blown Tulip! the quadrille of the Storm-blown + Tulip!” + </p> + <p> + At these joyous cries, which burst suddenly, like shell, Jacques started; + then gazing with astonishment at his guests, he drew his hand across his + brow, as if to chase away the painful ideas that oppressed him, and + exclaimed: “You are right. Forward the first couple! Let us be merry!” + </p> + <p> + In a moment, the table, lifted by vigorous arms, was removed to the + extremity of the banqueting-room; the spectators, mounted upon chairs, + benches, and window-ledges, began to sing in chorus the well-known air of + les Etudiants, so as to serve instead of orchestra, and accompany the + quadrille formed by Sleepinbuff, the Queen, Ninny Moulin, and Rose Pompon. + </p> + <p> + Dumoulin, having entrusted his rattle to one of the guests, resumed his + extravagant Roman helmet and plume; he had taken off his great-coat at the + commencement of the feast, so that he now appeared in all the splendor of + his costume. His cuirass of bright scales ended in a tunic of feathers, + not unlike those worn by the savages, who form the oxen’s escort on Mardi + Gras. Ninny Moulin had a huge paunch and thin legs, so that the latter + moved about at pleasure in the gaping mouths of his large top boots. + </p> + <p> + Little Rose-Pompon, with her pinched-up cocked-hat stuck on one side, her + hands in the pockets of her trousers, her bust a little inclined forward, + and undulating from right to left, advanced to meet Ninny-Moulin; the + latter danced, or rather leaped towards her, his left leg bent under him, + his right leg stretched forward, with the toe raised, and the heel gliding + on the floor; moreover, he struck his neck with his left hand, and by a + simultaneous movement, stretched forth his right, as if he would have + thrown dust in the eyes of his opposite partner. + </p> + <p> + This first figure met with great success, and the applause was vociferous, + though it was only the innocent prelude to the step of the Storm-blown + Tulip—when suddenly the door opened, and one of the waiters, after + looking about for an instant, in search of Sleepinbuff, ran to him, and + whispered some words in his ear. + </p> + <p> + “Me!” cried Jacques, laughing; “here’s a go!” + </p> + <p> + The waiter added a few more words, when Sleepinbuff’s face assumed an + expression of uneasiness, as he answered. “Very well! I come directly,”—and + he made a step towards the door. + </p> + <p> + “What’s the matter, Jacques?” asked the Bacchanal Queen, in some surprise. + </p> + <p> + “I’ll be back immediately. Some one take my place. Go on with the dance,” + said Sleepinbuff, as he hastily left the room. + </p> + <p> + “Something, that was not put down in the bill,” said Dumoulin; “he will + soon be back.” + </p> + <p> + “That’s it,” said Cephyse. “Now cavalier suel!” she added, as she took + Jacques’s place, and the dance continued. + </p> + <p> + Ninny Moulin had just taken hold of Rose Pompon with his right hand, and + of the Queen with his left, in order to advance between the two, in which + figure he showed off his buffoonery to the utmost extent, when the door + again opened, and the same waiter, who had called out Jacques, approached + Cephyse with an air of consternation, and whispered in her ear, as he had + before done to Sleepinbuff. + </p> + <p> + The Bacchanal Queen grew pale, uttered a piercing scream, and rushed out + of the room without a word, leaving her guests in stupefaction. + </p> + <p> + (11) These atrocious words were actually spoken during the Lyons Riots. + </p> + <p> + <a name="link2HCH0057" id="link2HCH0057"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER IV. THE FAREWELL + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>he Bacchanal Queen, following the waiter, arrived at the bottom of the + staircase. A coach was standing before the door of the house. In it she + saw Sleepinbuff, with one of the men who, two hours before, had been + waiting on the Place du Chatelet. + </p> + <p> + On the arrival of Cephyse, the man got down, and said to Jacques, as he + drew out his watch: “I give you a quarter of an hour; it is all that I can + do for you, my good fellow; after that we must start. Do not try to + escape, for we’ll be watching at the coach doors.” + </p> + <p> + With one spring, Cephyse was in the coach. Too much overcome to speak + before, she now exclaimed, as she took her seat by Jacques, and remarked + the paleness of his countenance: “What is it? What do they want with you?” + </p> + <p> + “I am arrested for debt,” said Jacques, in a mournful voice. + </p> + <p> + “You!” exclaimed Cephyse, with a heart-rending sob. + </p> + <p> + “Yes, for that bill, or guarantee, they made me sign. And yet the man said + it was only a form—the rascal!” + </p> + <p> + “But you have money in his hands; let him take that on account.” + </p> + <p> + “I have not a copper; he sends me word by the bailiff, that not having + paid the bill, I shall not have the last thousand francs.” + </p> + <p> + “Then let us go to him, and entreat him to leave you at liberty. It was he + who came to propose to lend you this money. I know it well, as he first + addressed himself to me. He will have pity on you.” + </p> + <p> + “Pity?—a money broker pity? No! no!” + </p> + <p> + “Is there then no hope? none?” cried Cephyse clasping her hands in + anguish. “But there must be something done,” she resumed. “He promised + you!” + </p> + <p> + “You can see how he keeps his promises,” answered Jacques, with + bitterness. “I signed, without even knowing what I signed. The bill is + over-due; everything is in order, it would be vain to resist. They have + just explained all that to me.” + </p> + <p> + “But they cannot keep you long in prison. It is impossible.” + </p> + <p> + “Five years, if I do not pay. As I’ll never be able to do so, my fate is + certain.” + </p> + <p> + “Oh! what a misfortune! and not to be able to do anything!” said Cephyse, + hiding her face in her hands. + </p> + <p> + “Listen to me, Cephyse,” resumed Jacques, in a voice of mournful emotion; + “since I am here, I have thought only of one thing—what is to become + of you?” + </p> + <p> + “Never mind me!” + </p> + <p> + “Not mind you?—art mad? What will you do? The furniture of our two + rooms is not worth two hundred francs. We have squandered our money so + foolishly, that we have not even paid our rent. We owe three quarters, and + we must not therefore count upon the furniture. I leave you without a + coin. At least I shall be fed in prison—but how will you manage to + live? + </p> + <p> + “What is the use of grieving beforehand?” + </p> + <p> + “I ask you how you will live to-morrow?” cried Jacques. + </p> + <p> + “I will sell my costume, and some other clothes. I will send you half the + money, and keep the rest. That will last some days.” + </p> + <p> + “And afterwards?—afterwards?” + </p> + <p> + “Afterwards?—why, then—I don’t know—how can I tell you! + Afterwards—I’ll look about me.” + </p> + <p> + “Hear me, Cephyse,” resumed Jacques, with bitter agony. “It is now that I + first know how mach I love you. My heart is pressed as in a vise at the + thought of leaving you and I shudder to thinly what is to become of you.” + Then—drawing his hand across his forehead, Jacques added: “You see + we have been ruined by saying—‘To-morrow will never come!’—for + to morrow has come. When I am no longer with you, and you have spent the + last penny of the money gained by the sale of your clothes—unfit for + work as you have become—what will you do next? Must I tell you what + you will do!—you will forget me and—” Then, as if he recoiled + from his own thoughts, Jacques exclaimed, with a burst of rage and despair—“Great + Heaven! if that were to happen, I should dash my brains out against the + stones!” + </p> + <p> + Cephyse guessed the half-told meaning of Jacques, and throwing her arms + around his neck, she said to him: “I take another lover?—never! I am + like you, for I now first know how much I love you.” + </p> + <p> + “But, my poor Cephyse—how will you live?” + </p> + <p> + “Well, I shall take courage. I will go back and dwell, with my sister, as + in old times; we will work together, and so earn our bread. I’ll never go + out, except to visit you. In a few days your creditor will reflect, that, + as you can’t pay him ten thousand francs, he may as well set you free. By + that time I shall have once more acquired the habit of working. You shall + see, you shall see!—and you also will again acquire this habit. We + shall live poor, but content. After all, we have had plenty of amusement + for six month, while so many others have never known pleasure all their + lives. And believe me, my dear Jacques, when I say to you—I shall + profit by this lesson. If you love me, do not feel the least uneasiness; I + tell you, that I would rather die a hundred times, than have another + lover.” + </p> + <p> + “Kiss me,” said Jacques, with eyes full of tears. “I believe you—yes, + I believe you—and you give me back my courage, both for now and + hereafter. You are right; we must try and get to work again, or else + nothing remains but Father Arsene’s bushel of charcoal; for, my girl,” + added Jacques, in a low and trembling voice, “I have been like a drunken + man these six months, and now I am getting sober, and see whither we are + going. Our means once exhausted, I might perhaps have become a robber, and + you—” + </p> + <p> + “Oh, Jacques! don’t talk so—it is frightful,” interrupted Cephyse; + “I swear to you that I will return to my sister—that I will work—that + I will have courage!” + </p> + <p> + Thus saying, the Bacchanal Queen was very sincere; she fully intended to + keep her word, for her heart was not yet completely corrupted. Misery and + want had been with her, as with so many others, the cause and the excuse + of her worst errors. Until now, she had at least followed the instincts of + her heart, without regard to any base or venal motive. The cruel position + in which she beheld Jacques had so far exalted her love, that she believed + herself capable of resuming, along with Mother Bunch, that life of sterile + and incessant toil, full of painful sacrifices and privations, which once + had been impossible for her to bear, and which the habits of a life of + leisure and dissipation would now render still more difficult. + </p> + <p> + Still, the assurances which she had just given Jacques calmed his grief + and anxiety a little; he had sense and feeling enough to perceive that the + fatal track which he had hitherto so blindly followed was leading both him + and Cephyse directly to infamy. + </p> + <p> + One of the bailiffs, having knocked at the coach-door, said to Jacques: + “My lad, you have only five minutes left—so make haste.” + </p> + <p> + “So, courage, my girl—courage!” said Jacques. + </p> + <p> + “I will; you may rely upon me.” + </p> + <p> + “Are you going upstairs again?” + </p> + <p> + “No—oh no!” said Cephyse. “I have now a horror of this festivity.” + </p> + <p> + “Everything is paid for, and the waiter will tell them not to expect us + back. They will be much astonished,” continued Jacques, “but it’s all the + same now.” + </p> +<div class="fig"> + <img src="images/20053m.jpg" alt="20053m" /><br /> + </div> + <h5> + <a href="images/20053.jpg"><i>Original</i></a> + </h5> + <p> + “If you could only go with me to our lodging,” said Cephyse, “this man + would perhaps permit it, so as not to enter Sainte-Pelagie in that dress.” + </p> + <p> + “Oh! he will not forbid you to accompany me; but, as he will be with us in + the coach, we shall not be able to talk freely in his presence. Therefore, + let me speak reason to you for the first time in my life. Remember what I + say, my dear Cephyse—and the counsel will apply to me as well as to + yourself,” continued Jacques, in a grave and feeling tone—“resume + from to-day the habit of labor. It may be painful, unprofitable—never + mind—do not hesitate, for too soon will the influence of this lesson + be forgotten. By-and-bye it will be too late, and then you will end like + so many unfortunate creatures—” + </p> + <p> + “I understand,” said Cephyse, blushing; “but I will rather die than lead + such a life.” + </p> + <p> + “And there you will do well—for in that case,” added Jacques, in a + deep and hollow voice, “I will myself show you how to die.” + </p> + <p> + “I count upon you, Jacques,” answered Cephyse, embracing her lover with + excited feeling; then she added, sorrowfully: “It was a kind of + presentiment, when just now I felt so sad, without knowing why, in the + midst of all our gayety—and drank to the Cholera, so that we might + die together.” + </p> + <p> + “Well! perhaps the Cholera will come,” resumed Jacques, with a gloomy air; + “that would save us the charcoal, which we may not even be able to buy.” + </p> + <p> + “I can only tell you one thing, Jacques, that to live and die together, + you will always find me ready.” + </p> + <p> + “Come, dry your eyes,” said he, with profound emotion. “Do not let us play + the children before these men.” + </p> + <p> + Some minutes after, the coach took the direction to Jacques’s lodging, + where he was to change his clothes, before proceeding to the debtors’ + prison. + </p> + <p> + Let us repeat, with regard to the hunchback’s sister—for there are + things which cannot be too often repeated—that one of the most fatal + consequences of the Inorganization of Labor is the Insufficiency of Wages. + </p> + <p> + The insufficiency of wages forces inevitably the greater number of young + girls, thus badly paid, to seek their means of subsistence in connections + which deprave them. + </p> + <p> + Sometimes they receive a small allowance from their lovers, which, joined + to the produce of their labor, enables them to live. Sometimes like the + sempstress’s sister, they throw aside their work altogether, and take up + their abode with the man of their choice, should he be able to support the + expense. It is during this season of pleasure and idleness that the + incurable leprosy of sloth takes lasting possession of these unfortunate + creatures. + </p> + <p> + This is the first phase of degradation that the guilty carelessness of + Society imposes on an immense number of workwomen, born with instincts of + modesty, and honesty, and uprightness. + </p> + <p> + After a certain time they are deserted by their seducers—perhaps + when they are mothers. Or, it may be, that foolish extravagance consigns + the imprudent lover to prison, and the young girl finds herself alone, + abandoned, without the means of subsistence. + </p> + <p> + Those who have still preserved courage and energy go back to their work—but + the examples are very rare. The others, impelled by misery, and by habits + of indolence, fall into the lowest depths. + </p> + <p> + And yet we must pity, rather than blame them, for the first and virtual + cause of their fall has been the insufficient remuneration of labor and + sudden reduction of pay. + </p> + <p> + Another deplorable consequence of this inorganization is the disgust which + workmen feel for their employment, in addition to the insufficiency of + their wages. And this is quite conceivable, for nothing is done to render + their labor attractive, either by variety of occupations, or by honorary + rewards, or by proper care, or by remuneration proportionate to the + benefits which their toil provides, or by the hope of rest after long + years of industry. No—the country thinks not, cares not, either for + their wants or their rights. + </p> + <p> + And yet, to take only one example, machinists and workers in foundries, + exposed to boiler explosions, and the contact of formidable engines, run + every day greater dangers than soldiers in time of war, display rare + practical sagacity, and render to industry—and, consequently, to + their country—the most incontestable service, during a long and + honorable career, if they do not perish by the bursting of a boiler, or + have not their limbs crushed by the iron teeth of a machine. + </p> + <p> + In this last case, does the workman receive a recompense equal to that + which awaits the soldier’s praiseworthy, but sterile courage—a place + in an asylum for invalids? No. + </p> + <p> + What does the country care about it? And if the master should happen to be + ungrateful, the mutilated workman, incapable of further service, may die + of want in some corner. + </p> + <p> + Finally, in our pompous festivals of commerce, do we ever assemble any of + the skillful workmen who alone have woven those admirable stuffs, forged + and damascened those shining weapons, chiselled those goblets of gold and + silver, carved the wood and ivory of that costly furniture, and set those + dazzling jewels with such exquisite art? No. + </p> + <p> + In the obscurity of their garrets, in the midst of a miserable and + starving family, hardly able to subsist on their scanty wages, these + workmen have contributed, at least, one half to bestow those wonders upon + their country, which make its wealth, its glory, and its pride. + </p> + <p> + A minister of commerce, who had the least intelligence of his high + functions and duties, would require of every factory that exhibits on + these occasions, the selection by vote of a certain number of candidates, + amongst whom the manufacturer would point out the one that appeared most + worthy to represent the working classes in these great industrial + solemnities. + </p> + <p> + Would it not be a noble and encouraging example to see the master propose + for public recompense and distinction the workman, deputed by his peers, + as amongst the most honest, laborious, and intelligent of his profession? + Then one most grievous injustice would disappear, and the virtues of the + workman would be stimulated by a generous and noble ambition—he + would have an interest in doing well. + </p> + <p> + Doubtless, the manufacturer himself, because of the intelligence he + displays, the capital he risks, the establishment he founds, and the good + he sometimes does, has a legitimate right to the prizes bestowed upon him. + But why is the workman to be rigorously excluded from these rewards, which + have so powerful an influence upon the people? Are generals and officers + the only ones that receive rewards in the army? And when we have + remunerated the captains of this great and powerful army of industry, why + should we neglect the privates? + </p> + <p> + Why for them is there no sign of public gratitude? no kind or consoling + word from august lips? Why do we not see in France, a single workman + wearing a medal as a reward for his courageous industry, his long and + laborious career? The token and the little pension attached to it, would + be to him a double recompense, justly deserved. But, no! for humble labor + that sustains the State, there is only forgetfulness, injustice, + indifference, and disdain! + </p> + <p> + By this neglect of the public, often aggravated by individual selfishness + and ingratitude, our workmen are placed in a deplorable situation. + </p> + <p> + Some of them, notwithstanding their incessant toil, lead a life of + privations, and die before their time cursing the social system that rides + over them. Others find a temporary oblivion of their ills in destructive + intoxication. Others again—in great number—having no interest, + no advantage, no moral or physical inducement to do more or better, + confine themselves strictly to just that amount of labor which will + suffice to earn their wages. Nothing attaches them to their work, because + nothing elevates, honors, glorifies it in their eyes. They have no defence + against the reductions of indolence; and if, by some chance, they find + means of living awhile in repose, they give way by degrees to habits of + laziness and debauchery, and sometimes the worst passions soil forever + natures originally willing, healthy and honest—and all for want of + that protecting and equitable superintendence which should have sustained, + encouraged, and recompensed their first worthy and laborious tendencies. + </p> + <p> + We now follow Mother Bunch, who after seeking for work from the person + that usually employed her, went to the Rue de Babylone, to the lodge + lately occupied by Adrienne de Cardoville. + </p> +<div class="fig"> + <img src="images/20057m.jpg" alt="20057m" /><br /> + </div> + <h5> + <a href="images/20057.jpg"><i>Original</i></a> + </h5> + <p> + <a name="link2HCH0058" id="link2HCH0058"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER V. FLORINE. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">W</span>hile the Bacchanal Queen and Sleepinbuff terminated so sadly the most + joyous portion of their existence, the sempstress arrived at the door of + the summer-house in the Rue de Babylone. + </p> + <p> + Before ringing she dried her tears; a new grief weighed upon her spirits. + On quitting the tavern, she had gone to the house of the person who + usually found her in work; but she was told that she could not have any + because it could be done a third more cheaply by women in prison. Mother + Bunch, rather than lose her last resource, offered to take it at the third + less; but the linen had been already sent out; and the girl could not hope + for employment for a fortnight to come, even if submitting to this + reduction of wages. One may conceive the anguish of the poor creature; the + prospect before her was to die of hunger, if she would not beg or steal. + As for her visit to the lodge in the Rue de Babylone, it will be explained + presently. + </p> + <p> + She rang the bell timidly; a few minutes after, Florine opened the door to + her. The waiting-maid was no longer adorned after the charming taste of + Adrienne; on the contrary, she was dressed with an affectation of austere + simplicity. She wore a high-necked dress of a dark color, made full enough + to conceal the light elegance of her figure. Her bands of jet-black hair + were hardly visible beneath the flat border of a starched white cap, very + much resembling the head-dress of a nun. Yet, in spite of this + unornamental costume, Florine’s pale countenance was still admirably + beautiful. + </p> + <p> + We have said that, placed by former misconduct at the mercy of Rodin and + M. d’Aigrigny, Florine had served them as a spy upon her mistress, + notwithstanding the marks of kindness and confidence she had received from + her. Yet Florine was not entirely corrupted; and she often suffered + painful, but vain, remorse at the thought of the infamous part she was + thus obliged to perform. + </p> + <p> + At the sight of Mother Bunch, whom she recognized—for she had told + her, the day before, of Agricola’s arrest and Mdlle. de Cardoville’s + madness—Florine recoiled a step, so much was she moved with pity at + the appearance of the young sempstress. In fact, the idea of being thrown + out of work, in the midst of so many other painful circumstances, had made + a terrible impression upon the young workwoman, the traces of recent tears + furrowed her cheeks—without her knowing it, her features expressed + the deepest despair—and she appeared so exhausted, so weak, so + overcome, that Florine offered her arm to support her, and said to her + kindly: “Pray walk in and rest yourself; you are very pale, and seem to be + ill and fatigued.” + </p> + <p> + So saying, Florine led her into a small room; with fireplace and carpet, + and made her sit down in a tapestried armchair by the side of a good fire. + Georgette and Hebe had been dismissed, and Florine was left alone in care + of the house. + </p> + <p> + When her guest was seated, Florine said to her with an air of interest: + “Will you not take anything? A little orange flower-water and sugar, + warm.” + </p> + <p> + “I thank you, mademoiselle,” said Mother Bunch, with emotion, so easily + was her gratitude excited by the least mark of kindness; she felt, too, a + pleasing surprise, that her poor garments had not been the cause of + repugnance or disdain on the part of Florine. + </p> + <p> + “I thank you, mademoiselle,” said she, “but I only require a little rest, + for I come from a great distance. If you will permit me—” + </p> + <p> + “Pray rest yourself as long as you like, mademoiselle; I am alone in this + pavilion since the departure of my poor mistress,”—here Florine + blushed and sighed;—“so, pray make yourself quite at home. Draw near + the fire—you wilt be more comfortable—and, gracious! how wet + your feet are!—place them upon this stool.” + </p> + <p> + The cordial reception given by Florine, her handsome face and agreeable + manners, which were not those of an ordinary waiting-maid, forcibly struck + Mother Bunch, who, notwithstanding her humble condition, was peculiarly + susceptible to the influence of everything graceful and delicate. + Yielding, therefore, to these attractions, the young sempstress, generally + so timid and sensitive, felt herself almost at her ease with Florine. + </p> + <p> + “How obliging you are, mademoiselle!” said she in a grateful tone. “I am + quite confused with your kindness.” + </p> +<div class="fig"> + <img src="images/20061m.jpg" alt="20061m" /><br /> + </div> + <h5> + <a href="images/20061.jpg"><i>Original</i></a> + </h5> + <p> + “I wish I could do you some greater service than offer you a place at the + fire, mademoiselle. Your appearance is so good and interesting.” + </p> + <p> + “Oh, mademoiselle!” said the other, with simplicity, almost in spite of + herself; “it does one so much good to sit by a warm fire!” Then, fearing, + in her extreme delicacy, that she might be thought capable of abusing the + hospitality of her entertainer, by unreasonably prolonging her visit, she + added: “the motive that has brought me here is this. Yesterday, you + informed me that a young workman, named Agricola Baudoin, had been + arrested in this house.” + </p> + <p> + “Alas! yes, mademoiselle. At the moment, too, when my poor mistress was + about to render him assistance.” + </p> + <p> + “I am Agricola’s adopted sister,” resumed Mother Bunch, with a slight + blush; “he wrote to me yesterday evening from prison. He begged me to tell + his father to come here as soon as possible, in order to inform Mdlle. de + Cardoville that he, Agricola, had important matters to communicate to her, + or to any person that she might send; but that he could not venture to + mention them in a letter, as he did not know if the correspondence of + prisoners might not be read by the governor of the prison.” + </p> + <p> + “What!” said Florine, with surprise; “to my mistress, M. Agricola has + something of importance to communicate?” + </p> + <p> + “Yes, mademoiselle; for, up to this time, Agricola is ignorant of the + great calamity that has befallen Mdlle. de Cardoville.” + </p> + <p> + “True; the attack was indeed so sudden,” said Florine, casting down her + eyes, “that no one could have foreseen it.” + </p> + <p> + “It must have been so,” answered Mother Bunch; “for, when Agricola saw + Mdlle. de Cardoville for the first time, he returned home, struck with her + grace, and delicacy, and goodness.” + </p> + <p> + “As were all who approached my mistress,” said Florine, sorrowfully. + </p> + <p> + “This morning,” resumed the sewing-girl, “when, according to Agricola’s + instructions, I wished to speak to his father on the subject, I found him + already gone out, for he also is a prey to great anxieties; but my adopted + brother’s letter appeared to me so pressing, and to involve something of + such consequence to Mdlle. de Cardoville, who had shown herself so + generous towards him, that I came here immediately.” + </p> + <p> + “Unfortunately, as you already know, my mistress is no longer here.” + </p> + <p> + “But is there no member of her family to whom, if I could not speak + myself, I might at least send word by you, that Agricola has something to + communicate of importance to this young lady?” + </p> + <p> + “It is strange!” said Florine, reflecting, and without replying. Then, + turning towards the sempstress, she added: “You are quite ignorant of the + nature of these revelations?” + </p> + <p> + “Completely so, mademoiselle; but I know Agricola. He is all honor and + truth, and you may believe whatever he affirms. Besides, he would have no + interest—” + </p> + <p> + “Good gracious!” interrupted Florine, suddenly, as if struck with a sadden + light; “I have just remembered something. When he was arrested in a + hiding-place where my mistress had concealed him, I happened to be close + at hand, and M. Agricola said to me, in a quick whisper: ‘Tell your + generous mistress that her goodness to me will not go unrewarded, and that + my stay in that hiding-place may not be useless to her.’ That was all he + could say to me, for they hurried him off instantly. I confess that I saw + in those words only the expression of his gratitude, and his hope of + proving it one day to my mistress; but now that I connect them with the + letter he has written you—” said Florine, reflecting. + </p> + <p> + “Indeed!” remarked Mother Bunch, “there is certainly some connection + between his hiding-place here and the important secrets which he wishes to + communicate to your mistress, or one of her family.” + </p> + <p> + “The hiding-place had neither been inhabited nor visited for some time,” + said Florine, with a thoughtful air; “M. Agricola may have found therein + something of interest to my mistress.” + </p> + <p> + “If his letter had not appeared to me so pressing,” resumed the other, “I + should not have come hither; but have left him to do so himself, on his + release from prison, which now, thanks to the generosity of one of his old + fellow-workmen, cannot be very distant. But, not knowing if bail would be + accepted to-day, I have wished faithfully to perform his instructions. The + generous kindness of your mistress made it my first duty.” + </p> + <p> + Like all persons whose better instincts are still roused from time to + time, Florine felt a sort of consolation in doing good whenever she could + with impunity—that is to say, without exposing herself to the + inexorable resentments of those on whom she depended. Thanks to Mother + Bunch, she might now have an opportunity of rendering a great service to + her mistress. She knew enough of the Princess de Saint-Dizier’s hatred of + her niece, to feel certain that Agricola’s communication could not, from + its very importance, be made with safety to any but Mdlle. de Cardoville + herself. She therefore said very gravely: “Listen to me, mademoiselle! I + will give you a piece of advice which will, I think, be useful to my poor + mistress—but which would be very fatal to me if you did not attend + to my recommendations.” + </p> + <p> + “How so, mademoiselle?” said the hunchback, looking at Florine with + extreme surprise. + </p> + <p> + “For the sake of my mistress, M. Agricola must confide to no one, except + herself, the important things he has to communicate.” + </p> + <p> + “But, if he cannot see Mdlle. Adrienne, may he not address himself to some + of her family?” + </p> + <p> + “It is from her family, above all, that he must conceal whatever he knows. + Mdlle. Adrienne may recover, and then M. Agricola can speak to her. But + should she never get well again, tell your adopted brother that it is + better for him to keep his secret than to place it (which would infallibly + happen) at the disposal of the enemies of my mistress.” + </p> + <p> + “I understand you, mademoiselle,” said Mother Bunch, sadly. “The family of + your generous mistress do not love her, and perhaps persecute her?” + </p> + <p> + “I cannot tell you more on this subject now; and, as regards myself, let + me conjure you to obtain M. Agricola’s promise that he will not mention to + any one in the world the step you have taken, or the advice I have given + you. The happiness—no, not the happiness,” resumed Florine bitterly, + as if that were a lost hope, “not the happiness—but the peace of my + life depends upon your discretion.” + </p> + <p> + “Oh! be satisfied!” said the sewing-girl, both affected and amazed by the + sorrowful expression of Florine’s countenance; “I will not be ungrateful. + No one in the world but Agricola shall know that I have seen you.” + </p> + <p> + “Thank you—thank you, mademoiselle,” cried Florine, with emotion. + </p> + <p> + “Do you thank me?” said the other, astonished to see the large tears roll + down her cheeks. + </p> + <p> + “Yes! I am indebted to you for a moment of pure, unmixed happiness; for I + have perhaps rendered a service to my dear mistress, without risking the + increase of the troubles that already overwhelm me.” + </p> + <p> + “You are not happy, then?” + </p> + <p> + “That astonishes you; but, believe me, whatever may be, your fate, I would + gladly change with you.” + </p> + <p> + “Alas, mademoiselle!” said the sempstress: “you appear to have too good a + heart, for me to let you entertain such a wish—particularly now.” + </p> + <p> + “What do you mean?” + </p> + <p> + “I hope sincerely, mademoiselle,” proceeded Mother Bunch, with deep + sadness, “that you may never know what it is to want work, when labor is + your only resource.” + </p> + <p> + “Are you reduced to that extremity?” cried Florine, looking anxiously at + the young sempstress, who hung her head, and made no answer. She + reproached herself, in her excessive delicacy, with having made a + communication which resembled a complaint, though it had only been wrung + from her by the thought of her dreadful situation. + </p> + <p> + “If it is so,” went on Florine, “I pity you with all my heart; and yet I + know not, if my misfortunes are not still greater than yours.” + </p> + <p> + Then, after a moment’s reflection, Florine exclaimed, suddenly: “But let + me see! If you are really in that position, I think I can procure you some + work.” + </p> + <p> + “Is it possible, mademoiselle?” cried Mother Bunch. “I should never have + dared to ask you such a service; but your generous offer commands my + confidence, and may save me from destruction. I will confess to you, that, + only this morning, I was thrown out of an employment which enabled me to + earn four francs a week.” + </p> + <p> + “Four francs a week!” exclaimed Florine, hardly able to believe what she + heard. + </p> + <p> + “It was little, doubtless,” replied the other; “but enough for me. + Unfortunately, the person who employed me, has found out where it can be + done still cheaper.” + </p> + <p> + “Four francs a week!” repeated Florine, deeply touched by so much misery + and resignation. “Well! I think I can introduce you to persons, who will + secure you wages of at least two francs a day.” + </p> + <p> + “I could earn two francs a day? Is it possible?” + </p> + <p> + “Yes, there is no doubt of it; only, you will have to go out by the day, + unless you chose to take a pace as servant.” + </p> + <p> + “In my position,” said Mother Bunch, with a mixture of timidity and pride, + “one has no right, I know, to be overnice; yet I should prefer to go out + by the day, and still more to remain at home, if possible, even though I + were to gain less.” + </p> + <p> + “To go out is unfortunately an indispensable condition,” said Florine. + </p> + <p> + “Then I must renounce this hope,” answered Mother Bunch, timidly; “not + that I refuse to go out to work—but those who do so, are expected to + be decently clad—and I confess without shame, because there is no + disgrace in honest poverty, that I have no better clothes than these.” + </p> + <p> + “If that be all,” said Florine, hastily, “they will find you the means of + dressing yourself properly.” + </p> + <p> + Mother Bunch looked at Florine with increasing surprise. These offers were + so much above what she could have hoped, and what indeed was generally + earned by needlewomen, that she could hardly credit them. + </p> + <p> + “But,” resumed she, with hesitation, “why should any one be so generous to + me, mademoiselle? How should I deserve such high wages?” + </p> + <p> + Florine started. A natural impulse of the heart, a desire to be useful to + the sempstress, whose mildness and resignation greatly interested her, had + led her to make a hasty proposition; she knew at what price would have to + be purchased the advantages she proposed, and she now asked herself, if + the hunchback would ever accept them on such terms. But Florine had gone + too far to recede, and she durst not tell all. She resolved, therefore, to + leave the future to chance and as those, who have themselves fallen, are + little disposed to believe in the infallibility of others, Florine said to + herself, that perhaps in the desperate position in which she was, Mother + Bunch would not be so scrupulous after all. Therefore she said: “I see, + mademoiselle, that you are astonished at offers so much above what you + usually gain; but I must tell you, that I am now speaking of a pious + institution, founded to procure work for deserving young women. This + establishment, which is called St. Mary’s Society, undertakes to place + them out as servants, or by the day as needlewomen. Now this institution + is managed by such charitable persons, that they themselves undertake to + supply an outfit, when the young women, received under their protection + are not sufficiently well clothed to accept the places destined for them.” + </p> + <p> + This plausible explanation of Florine’s magnificent offers appeared to + satisfy the hearer. “I can now understand the high wages of which you + speak, mademoiselle,” resumed she; “only I have no claim to be patronized + by the charitable persons who direct this establishment.” + </p> + <p> + “You suffer—you are laborious and honest—those are sufficient + claims; only, I must tell you, they will ask if you perform regularly your + religious duties.” + </p> + <p> + “No one loves and blesses God more fervently than I do, mademoiselle,” + said the hunchback, with mild firmness; “but certain duties are an affair + of conscience, and I would rather renounce this patronage, than be + compelled—” + </p> + <p> + “Not the least in the world. Only, as I told you, there are very pious + persons at the head of this institution, and you must not be astonished at + their questions on such a subject. Make the trial, at all events; what do + you risk? If the propositions are suitable—accept them; if, on the + contrary, they should appear to touch your liberty of conscience, you can + always refuse—your position will not be the worse for it.” + </p> + <p> + Mother Bunch had nothing to object to this reasoning which left her at + perfect freedom, and disarmed her of all suspicion. “On these terms, + mademoiselle,” said she, “I accept your offer, and thank you with all my + heart. But who will introduce me?” + </p> + <p> + “I will—to-morrow, if you please.” + </p> + <p> + “But they will perhaps desire to make some inquiries about me.” + </p> + <p> + “The venerable Mother Sainte-Perpetue, Superior of St, Mary’s Convent, + where the institution is established, will, I am sure, appreciate your + good qualities without inquiry; but if otherwise, she will tell you, and + you can easily satisfy her. It is then agreed—to-morrow.” + </p> + <p> + “Shall I call upon you here, mademoiselle?” + </p> + <p> + “No; as I told you before, they must not know that you came here on the + part of M. Agricola, and a second visit might be discovered, and excite + suspicion. I will come and fetch you in a coach; where do you live?” + </p> + <p> + “At No. 3, Rue Brise-Miche; as you are pleased to give yourself so much + trouble, mademoiselle, you have only to ask the dyer, who acts as porter, + to call down Mother Bunch.” + </p> + <p> + “Mother Bunch?” said Florine, with surprise. + </p> + <p> + “Yes, mademoiselle,” answered the sempstress, with a sad smile; “it is the + name every one gives me. And you see,” added the hunchback, unable to + restrain a tear, “it is because of my ridiculous infirmity, to which this + name alludes, that I dread going out to work among strangers, because + there are so many people who laugh at one, without knowing the pain they + occasion. But,” continued she, drying her eyes, “I have no choice, and + must make up my mind to it.” + </p> + <p> + Florine, deeply affected, took the speaker’s hand, and said to her: “Do + not fear. Misfortunes like yours must inspire compassion, not ridicule. + May I not inquire for you by your real name?” + </p> + <p> + “It is Magdalen Soliveau; but I repeat, mademoiselle, that you had better + ask for Mother Bunch, as I am hardly known by any other name.” + </p> + <p> + “I will, then, be in the Rue Brise-Miche to-morrow, at twelve o’clock.” + </p> + <p> + “Oh, mademoiselle! How can I ever requite your goodness?” + </p> + <p> + “Don’t speak of it: I only hope my interference may be of use to you. But + of this you must judge for yourself. As for M. Agricola, do not answer his + letter; wait till he is out of prison, and then tell him to keep his + secret till he can see my poor mistress.” + </p> + <p> + “And where is the dear young lady now?” + </p> + <p> + “I cannot tell you. I do not know where they took her, when she was + attacked with this frenzy. You will expect me to-morrow?” + </p> + <p> + “Yes—to-morrow,” said Mother Bunch. + </p> + <p> + The convent whither Florine was to conduct the hunchback contained the + daughters of Marshal Simon, and was next door to the lunatic asylum of Dr. + Baleinier, in which Adrienne de Cardoville was confined. + </p> + <p> + <a name="link2HCH0059" id="link2HCH0059"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER VI. MOTHER SAINTE-PERPETUE. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">S</span>t. Mary’s Convent, whither the daughters of Marshal Simon had been + conveyed, was a large old building, the vast garden of which was on the + Boulevard de l’Hopital, one of the most retired places in Paris, + particularly at this period. The following scenes took place on the 12th + February, the eve of the fatal day, on which the members of the family of + Rennepont, the last descendants of the sister of the Wandering Jew, were + to meet together in the Rue St. Francois. St. Mary’s Convent was a model + of perfect regularity. A superior council, composed of influential + ecclesiastics, with Father d’Aigrigny for president, and of women of great + reputed piety, at the head of whom was the Princess de Saint Dizier, + frequently assembled in deliberation, to consult on the means of extending + and strengthening the secret and powerful influence of this establishment, + which had already made remarkable progress. + </p> + <p> + Skillful combinations and deep foresight had presided at the foundation of + St. Mary’s Convent, which, in consequence of numerous donations, possessed + already real estate to a great extent, and was daily augmenting its + acquisitions. The religious community was only a pretext; but, thanks to + an extensive connection, kept up by means of the most decided members of + the ultramontane (i. e. high-church) party, a great number of rich orphans + were placed in the convent, there to receive a solid, austere, religious + education, very preferable, it was said, to the frivolous instruction + which might be had in the fashionable boarding schools, infected by the + corruption of the age. To widows also, and lone women who happened + moreover to be rich, the convent offered a sure asylum from the dangers + and temptations of the world; in this peaceful retreat, they enjoyed a + delightful calm, and secured their salvation, whilst surrounded by the + most tender and affectionate attentions. Nor was this all. Mother + Sainte-Perpetue, the superior of the convent, undertook in the name of the + institution to procure for the faithful, who wished to preserve the + interior of their houses from the depravity of the age, companions for + aged ladies, domestic servants, or needlewomen working by the day, all + selected persons whose morality could be warranted. Nothing would seem + more worthy of sympathy and encouragement than such an institution; but we + shall presently unveil the vast and dangerous network of intrigue + concealed under these charitable and holy appearances. The lady Superior, + Mother Sainte-Perpetue, was a tall woman of about forty years of age, clad + in a stuff dress of the Carmelite tan color, and wearing a long rosary at + her waist; a white cap tied under the chin, and a long black veil, closely + encircled her thin, sallow face. A number of deep wrinkles had impressed + their transverse furrows in her forehead of yellow ivory; her marked and + prominent nose was bent like the beak of a bird of prey; her black eye was + knowing and piercing; the expression of her countenance was at once + intelligent, cold and firm. + </p> +<div class="fig"> + <img src="images/20069m.jpg" alt="20069m" /><br /> + </div> + <h5> + <a href="images/20069.jpg"><i>Original</i></a> + </h5> + <p> + In the general management of the pecuniary affairs of the community, + Mother Sainte-Perpetue would have been a match for the most cunning + attorney. When women are possessed of what is called a talent for + business, and apply to it their keen penetration, their indefatigable + perseverance, their prudent dissimulation, and, above all, that quick and + exact insight, which is natural to them, the results are often prodigious. + To Mother Sainte-Perpetue, a woman of the coolest and strongest intellect, + the management of the vast transactions of the community was mere child’s + play. No one knew better how to purchase a depreciated property, to + restore it to its former value, and then sell it with advantage; the price + of stock, the rate of exchange, the current value of the shares in the + different companies, were all familiar to her; she had yet never been + known to make bad speculation, when the question was to invest any of the + funds which were given by pious souls for the purposes of the convent. She + had established in the house the utmost order and discipline, and, above + all, an extreme economy. The constant aim of all her efforts was to + enrich, not herself, but the community she directed; for the spirit of + association, when become a collective egotism, gives to corporations the + faults and vices of an individual. Thus a congregation may dote upon power + and money, just as a miser loves them for their own sake. But it is + chiefly with regard to estates that congregations act like a single man. + They dream of landed property; it is their fixed idea, their fruitful + monomania. They pursue it with their most sincere, and warm, and tender + wishes. + </p> + <p> + The first estate is to a rising little community what the wedding + trousseau is to a young bride, his first horse to a youth, his first + success to a poet, to a gay girl her first fifty-guinea shawl; because, + after all, in this material age, an estate gives a certain rank to a + society on the Religious Exchange, and has so much the more effect upon + the simple-minded, that all these partnerships in the work of salvation, + which end by becoming immensely rich, begin with modest poverty as social + stock-in-trade, and charity towards their neighbors as security reserve + fund. We may therefore imagine what bitter and ardent rivalry must exist + between the different congregations with regard to the various estates + that each can lay claim to; with what ineffable satisfaction the richer + society crushes the poorer beneath its inventory of houses, and farms and + paper securities! Envy and hateful jealousy, rendered still more irritable + by the leisure of a cloistered life, are the necessary consequences of + such a comparison; and yet nothing is less Christian—in the adorable + acceptation of that divine word—nothing has less in common with the + true, essential, and religiously social spirit of the gospel, than this + insatiable ardor to acquire wealth by every possible means—this + dangerous avidity, which is far from being atoned for, in the eyes of + public opinion, by a few paltry alms, bestowed in the narrow spirit of + exclusion and intolerance. + </p> + <p> + Mother Sainte-Perpetue was seated before a large cylindrical-fronted desk + in the centre of an apartment simply but comfortably furnished. An + excellent fire burned within the marble chimney, and a soft carpet covered + the floor. The superior, to whom all letters addressed to the sisters or + the boarders were every day delivered, had just been opening she first, + according to her acknowledged right, and carefully unsealing the second, + without their knowing it, according to a right that she ascribed to + herself, of course, with a view to the salvation of those dear creatures; + and partly, perhaps, a little to make herself acquainted with their + correspondence, for she also had imposed on herself the duty of reading + all letters that were sent from the convent, before they were put into the + post. The traces of this pious and innocent inquisition were easily + effaced, for the good mother possessed a whole arsenal of steel tools, + some very sharp, to cut the pager imperceptibly round the seal—others, + pretty little rods, to be slightly heated and rolled round the edge of the + seal, when the letter had been read and replaced in its envelope, so that + the wax, spreading as it melted, might cover the first incision. Moreover, + from a praiseworthy feeling of justice and equality, there was in the + arsenal of the good mother a little fumigator of the most ingenious + construction, the damp and dissolving vapor of which was reserved for the + letters humbly and modestly secured with wafers, thus softened, they + yielded to the least efforts, without any tearing of the paper. According + to the importance of the revelations, which she thus gleaned from the + writers of the letters, the superior took notes more or less extensive. + She was interrupted in this investigation by two gentle taps at the bolted + door. Mother Sainte-Perpetue immediately let down the sliding cylinder of + her cabinet, so as to cover the secret arsenal, and went to open the door + with a grave and solemn air. A lay sister came to announce to her that the + Princess de Saint-Dizier was waiting for her in the parlor, and that + Mdlle. Florine, accompanied by a young girl, deformed and badly dressed, + was waiting at the door of the little corridor. + </p> + <p> + “Introduce the princess first,” said Mother Sainte Perpetue. And, with + charming forethought, she drew an armchair to the fire. Mme. de Saint + Dizier entered. + </p> + <p> + Without pretensions to juvenile coquetry, still the princess was + tastefully and elegantly dressed. She wore a black velvet bonnet of the + most fashionable make, a large blue cashmere shawl, and a black satin + dress, trimmed with sable, to match the fur of her muff. + </p> + <p> + “To what good fortune am I again to-day indebted for the honor of your + visit, my dear daughter?” said the superior, graciously. + </p> + <p> + “A very important recommendation, my dear mother, though I am in a great + hurry. I am expected at the house of his Eminence, and have, + unfortunately, only a few minutes to spare. I have again to speak of the + two orphans who occupied our attention so long yesterday.” + </p> + <p> + “They continue to be kept separate, according to your wish; and this + separation has had such an effect upon them that I have been obliged to + send this morning for Dr. Baleinier, from his asylum. He found much fever + joined to great depression, and, singular enough, absolutely the same + symptoms in both cases. I have again questioned these unfortunate + creatures, and have been quite confounded and terrified to find them + perfect heathens.” + </p> + <p> + “It was, you see, very urgent to place them in your care. But to the + subject of my visit, my dear mother: we have just learned the unexpected + return of the soldier who brought these girls to France, and was thought + to be absent for some days; but he is in Paris, and, notwithstanding his + age, a man of extraordinary boldness, enterprise and energy. Should he + discover that the girls are here (which, however, is fortunately almost + impossible), in his rage at seeing them removed from his impious + influence, he would be capable of anything. Therefore let me entreat you, + my dear mother, to redouble your precautions, that no one may effect an + entrance by night. This quarter of the town is so deserted!” + </p> + <p> + “Be satisfied, my dear daughter; we are sufficiently guarded. Our porter + and gardeners, all well armed, make a round every night on the side of the + Boulevard de l’Hopital. The walls are high, and furnished with spikes at + the more accessible places. But I thank you, my dear daughter, for having + warned me. We will redouble our precautions.” + </p> + <p> + “Particularly this night, my dear mother.” + </p> + <p> + “Why so?” + </p> + <p> + “Because if this infernal soldier has the audacity to attempt such a + thing, it will be this very night.” + </p> + <p> + “How do you know, my dear daughter?” + </p> + <p> + “We have information which makes us certain of it,” replied the princess, + with a slight embarrassment, which did not escape the notice of the + Superior, though she was too crafty and reserved to appear to see it; only + she suspected that many things were concealed from her. + </p> + <p> + “This night, then,” resumed Mother Sainte-Perpetue, “we will be more than + ever on our guard. But as I have the pleasure of seeing you, my dear + daughter, I will take the opportunity to say a word or two on the subject + of that marriage we mentioned.” + </p> + <p> + “Yes, my dear mother,” said the princess, hastily, “for it is very + important. The young Baron de Brisville is a man full of ardent devotion + in these times of revolutionary impiety; he practises openly, and is able + to render us great services. He is listened to in the Chamber, and does + not want for a sort of aggressive and provoking eloquence; I know not any + one whose tone is more insolent with regard to his faith, and the plan is + a good one, for this cavalier and open manner of speaking of sacred things + raises and excites the curiosity of the indifferent. Circumstances are + happily such that he may show the most audacious violence towards our + enemies, without the least danger to himself, which, of course, redoubles + his ardor as a would-be martyr. In a word, he is altogether ours, and we, + in return, must bring about this marriage. You know, besides, my dear + mother, that he proposes to offer a donation of a hundred thousand francs + to St. Mary’s the day he gains possession of the fortune of Mdlle. + Baudricourt.” + </p> + <p> + “I have never doubted the excellent intentions of M. de Brisville with + regard to an institution which merits the sympathy of all pious persons,” + answered the superior, discreetly; “but I did not expect to meet with so + many obstacles on the part of the young lady.” + </p> + <p> + “How is that?” + </p> + <p> + “This girl, whom I always believed a most simple, submissive, timid, + almost idiotic person—instead of being delighted with this proposal + of marriage, asks time to consider!” + </p> + <p> + “It is really pitiable!” + </p> + <p> + “She opposes to me an inert resistance. It is in vain for me to speak + severely, and tell her that, having no parents or friends, and being + absolutely confided to my care, she ought to see with my eyes, hear with + my ears, and when I affirm that this union is suitable in all respects, + give her adhesion to it without delay or reflection.” + </p> + <p> + “No doubt. It would be impossible to speak more sensibly.” + </p> + <p> + “She answers that she wishes to see M. de Brisville, and know his + character before being engaged.” + </p> + <p> + “It is absurd—since you undertake to answer for his morality, and + esteem this a proper marriage.” + </p> + <p> + “Therefore, I remarked to Mdlle. Baudricourt, this morning, that till now + I had only employed gentle persuasion, but that, if she forced me to it, I + should be obliged, in her own interest, to act with rigor, to conquer so + much obstinacy that I should have to separate her from her companions, and + to confine her closely in a cell, until she made up her mind, after all, + to consult her own happiness, and—marry an honorable man.” + </p> + <p> + “And these menaces, my dear mother?” + </p> + <p> + “Will, I hope, have a good effect. She kept up a correspondence with an + old school-friend in the country. I have put a stop to this, for it + appeared to me dangerous. She is now under my sole influence, and I hope + we shall attain our ends; but you see, my dear daughter, it is never + without crosses and difficulties that we succeed in doing good!” + </p> + <p> + “And I feel certain that M. de Brisville will even go beyond his first + promise, and I will pledge myself for him, that, should he marry Mdlle. + Baudricourt—” + </p> + <p> + “You know, my dear daughter,” said the superior, interrupting the + princess, “that if I were myself concerned, I would refuse everything; but + to give to this institution is to give to Heaven, and I cannot prevent M. + de Brisville from augmenting the amount of his good works. Then, you see, + we are exposed to a sad disappointment.” + </p> + <p> + “What is that, my dear mother?” + </p> + <p> + “The Sacred Heart Convent disputes an estate with us that would have + suited us exactly. Really, some people are quite insatiable! I gave the + lady superior my opinion upon it pretty freely.” + </p> + <p> + “She told me as much,” answered Madame de Saint-Dizier, “and laid the + blame on the steward.” + </p> + <p> + “Oh! so you see her, my dear daughter?” exclaimed the superior, with an + air of great surprise. + </p> + <p> + “I met her at the bishop’s,” answered Madame de Saint-Dizier, with a + slight degree of hesitation, that Mother Sainte-Perpetue did not appear to + notice. + </p> + <p> + “I really do not know,” resumed the latter, “why our establishment should + excite so violently the jealousy of the Sacred Heart. There is not an evil + report that they have not spread with regard to St. Mary’s Convent. + Certain persons are always offended by the success of their neighbors!” + </p> + <p> + “Come, my dear mother,” said the princess, in a conciliating tone, “we + must hope that the donation of M. de Brisville will enable you to outbid + the Sacred Heart. This marriage will have a double advantage, you see, my + dear mother; it will place a large fortune at the disposal of a man who is + devoted to us, and who will employ it as we wish; and it will also greatly + increase the importance of his position as our defender, by the addition + to his income of 100,000 francs a year. We shall have at length an organ + worthy of our cause, and shall no longer be obliged to look for defenders + amongst such people as that Dumoulin.” + </p> + <p> + “There is great power and much learning in the writings of the man you + name. It is the style of a Saint Bernard, in wrath at the impiety of the + age.” + </p> + <p> + “Alas, my dear mother! if you only knew what a strange Saint Bernard this + Dumoulin is! But I will not offend your ears; all I can tell you is, that + such defenders would compromise the most sacred cause. Adieu, my dear + mother! pray redouble your precautions to-night—the return of this + soldier is alarming.” + </p> + <p> + “Be quite satisfied, my dear daughter! Oh! I forgot. Mdlle. Florine begged + me to ask you a favor. It is to let her enter your service. You know the + fidelity she displayed in watching your unfortunate niece; I think that, + by rewarding her in this way, you will attach her to you completely, and I + shall feel grateful on her account.” + </p> + <p> + “If you interest yourself the least in the world in Florine, my dear + mother, the thing is done. I will take her into my service. And now it + strikes me, she may be more useful to me than I thought.” + </p> + <p> + “A thousand thanks, my dear daughter, for such obliging attention to my + request. I hope we shall soon meet again. The day after to-morrow, at two + o’clock, we have a long conference with his Eminence and the Bishop; do + not forget!” + </p> + <p> + “No, my dear mother; I shall take care to be exact. Only, pray, redouble + your precautions to-night for fear of a great scandal!” + </p> + <p> + After respectfully kissing the hand of the superior, the princess went out + by the great door, which led to an apartment opening on the principal + staircase. Some minutes after, Florine entered the room by another way. + The superior was seated and Florine approached her with timid humility. + </p> + <p> + “Did you meet the Princess de Saint-Dizier?” asked Mother Sainte Perpetue. + </p> + <p> + “No, mother; I was waiting in the passage, where the windows look out on + the garden.” + </p> + <p> + “The princess takes you into her service from to-day,” said the superior. + </p> + <p> + Florine made a movement of sorrowful surprise, and exclaimed: “Me, mother! + but—” + </p> + <p> + “I asked her in your name, and you have only to accept,” answered the + other imperiously. + </p> + <p> + “But, mother, I had entreated you—” + </p> + <p> + “I tell you, that you accept the offer,” said the superior, in so firm and + positive a tone that Florine cast down her eyes, and replied in a low + voice: “I accept.” + </p> + <p> + “It is in M. Rodin’s name that I give you this order.” + </p> + <p> + “I thought so, mother,” replied Florine, sadly; “on what conditions am I + to serve the princess?” + </p> + <p> + “On the same conditions as those on which you served her niece.” + </p> + <p> + Florine shuddered and said: “I am, then, to make frequent secret reports + with regard to the princess?” + </p> + <p> + “You will observe, you will remember, and you will give an account.” + </p> + <p> + “Yes, my mother.” + </p> + <p> + “You will above all direct your attention to the visits that the princess + may receive from the lady superior of the Sacred Heart. You must try and + listen—for we have to preserve the princess from evil influences.” + </p> + <p> + “I will obey, my mother.” + </p> + <p> + “You will also try and discover why two young orphans have been brought + hither, and recommended to be severely treated, by Madame Grivois, the + confidential waiting-woman of the princess.” + </p> + <p> + “Yes, mother.” + </p> + <p> + “Which must not prevent you from remembering anything else that may be + worthy of remark. To-morrow I will give you particular instructions upon + another subject.” + </p> + <p> + “It is well, mother.” + </p> + <p> + “If you conduct yourself in a satisfactory manner, and execute faithfully + the instructions of which I speak, you will soon leave the princess to + enter the service of a young bride; it will be an excellent and lasting + situation always on the same conditions. It is, therefore, perfectly + understood that you have asked me to recommend you to Madame de Saint + Dizier.” + </p> + <p> + “Yes, mother; I shall remember.” + </p> + <p> + “Who is this deformed young girl that accompanies you?” + </p> + <p> + “A poor creature without any resources, very intelligent, and with an + education above her class; she works at her needle, but is at present + without employment, and reduced to the last extremity. I have made + inquiries about her this morning; she has an excellent character.” + </p> + <p> + “She is ugly and deformed, you say?” + </p> + <p> + “She has an interesting countenance, but she is deformed.” + </p> + <p> + The superior appeared pleased at this information, and added, after a + moment’s reflection: “She appears intelligent?” + </p> + <p> + “Very intelligent.” + </p> + <p> + “And is absolutely without resources?” + </p> + <p> + “Yes, without any.” + </p> + <p> + “Is she pious?” + </p> + <p> + “She does not practice.” + </p> + <p> + “No matter,” said the superior to herself; “if she be intelligent, that + will suffice.” Then she resumed aloud. “Do you know if she is a good + workwoman?” + </p> + <p> + “I believe so, mother.” + </p> + <p> + The superior rose, took a register from a shelf, appeared to be looking + into it attentively for some time, and then said, as she replaced it: + “Fetch in this young girl, and go and wait for me in the press-room.” + </p> + <p> + “Deformed—intelligent—clever at her needle,” said the + superior, reflecting; “she will excite no suspicion. We must see.” + </p> + <p> + In about a minute, Florine returned with Mother Bunch, whom she introduced + to the superior, and then discreetly withdrew. The young sempstress was + agitated, trembling, and much troubled, for she could, as it were, hardly + believe a discovery which she had chanced to make during Florine’s + absence. It was not without a vague sense of terror that the hunchback + remained alone with the lady superior. + </p> +<div class="fig"> + <img src="images/20077m.jpg" alt="20077m" /><br /> + </div> + <h5> + <a href="images/20077.jpg"><i>Original</i></a> + </h5> + <p> + <a name="link2HCH0060" id="link2HCH0060"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER VII. THE TEMPTATION. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>his was the cause of Mother Bunch’s emotion. Florine, when she went to + see the superior, had left the young sempstress in a passage supplied with + benches, and forming a sort of ante-chamber on the first story. Being + alone, the girl had mechanically approached a window which looked upon the + convent garden, shut in by a half demolished wall, and terminating at one + end in an open paling. This wall was connected with a chapel that was + still building, and bordered on the garden of a neighboring house. The + sewing-girl, at one of the windows on the ground floor of this house—a + grated window, still more remarkable by the sort of tent-like awning above + it—beheld a young female, with her eyes fixed upon the convent, + making signs with her hand, at once encouraging and affectionate. From the + window where she stood, Mother Bunch could not see to whom these signs + were addressed; but she admired the rare beauty of the telegrapher, the + brilliancy of her complexion, the shining blackness of her large eyes, the + sweet and benevolent smile which lingered on her lips. There was, no + doubt, some answer to her graceful and expressive pantomime, for, by a + movement full of elegance, the girl laid her left hand on her bosom, and + waved her right, which seemed to indicate that her heart flew towards the + place on which she kept her eyes. One faint sunbeam, piercing the clouds, + came at this moment to play with the tresses of the pale countenance, + which, now held close to the bars of the window, was suddenly, as it were, + illuminated by the dazzling reflection of her splendid golden hair. At + sight of that charming face, set in its admirable frame of red curls, + Mother Bunch started involuntarily; the thought of Mdlle. de Cardoville + crossed her mind, and she felt persuaded (nor was she, indeed, mistaken), + that the protectress of Agricola was before her. On thus beholding, in + that gloomy asylum, this young lady, so marvellously beautiful, and + remembering the delicate kindness with which a few days before she had + received Agricola in her luxurious little palace of dazzling splendor, the + work-girl felt her heart sink within her. She believed Adrienne insane; + and yet, as she looked attentively at her, it seemed as if intelligence + and grace animated that adorable countenance. Suddenly, Mdlle. de + Cardoville laid her fingers upon her lips, blew a couple of kisses in the + direction towards which she had been looking, and all at once disappeared. + Reflecting upon the important revelations which Agricola had to make to + Mdlle. de Cardoville, Mother Bunch regretted bitterly that she had no + means of approaching her; for she felt sure that, if the young lady were + mad, the present was a lucid interval. She was yet absorbed in these + uneasy reflections, when she saw Florine return, accompanied by one of the + nuns. Mother Bunch was obliged, therefore, to keep silence with regard to + the discovery she had made, and soon after she found herself in the + superior’s presence. This latter, after a rapid and searching examination + of the countenance of the young workwoman, judged her appearance so timid, + gentle and honest, that she thought she might repose full confidence in + the information given by Florine. + </p> + <p> + “My dear daughter,” said Mother Sainte-Perpetue, in an affectionate voice, + “Florine has told me in what a cruel situation you are placed. Is it true + that you are entirely without work?” + </p> + <p> + “Alas! yes, madame.” + </p> + <p> + “Call me mother, my dear daughter; that name is dearer to me, and it is + the rule of our house. I need not ask you what are your principles?” + </p> + <p> + “I have always lived honestly by my labor, mother,” answered the girl, + with a simplicity at once dignified and modest. + </p> + <p> + “I believe you, my dear daughter, and I have good reasons for so doing. We + must thank the Lord, who has delivered you from temptation; but tell me—are + you clever at your trade?” + </p> + <p> + “I do my best, mother, and have always satisfied my employers. If you + please to try me, you will be able to judge.” + </p> + <p> + “Your affirmation is sufficient, my dear daughter. You prefer, I think, to + go out by the day?” + </p> + <p> + “Mdlle. Florine told me, mother, that I could not have work at home.” + </p> + <p> + “Why, no—not for the present, my child. If hereafter an opportunity + should offer, I will think of it. Just now I have this to propose to you. + A very respectable old lady has asked me to recommend to her a + needle-woman by the day; introduced by me, you will certainly suit her. + The institution will undertake to clothe you becomingly, and this advance + we shall retain by degrees out of your wages, for you will look to us for + payment. We propose to give you two francs a day; does that appear to you + sufficient?” + </p> + <p> + “Oh, mother! it is much more than I could have expected.” + </p> + <p> + “You will, moreover, only be occupied from nine o’clock in the morning + till six in the evening; you will thus have still some off hours, of which + you might make use. You see, the situation is not a hard one.” + </p> + <p> + “Oh! quite the contrary, mother.” + </p> + <p> + “I must tell you, first of all, with whom the institution intends to place + you. It is a widow lady, named Mme. de Bremant, a person of the most + steadfast piety. In her house, I hope, you will meet with none but + excellent examples. If it should be otherwise, you can come and inform + me.” + </p> + <p> + “How so, mother?” said the sewing-girl, with surprise. + </p> + <p> + “Listen to me, my dear daughter,” said Mother Sainte-Perpetue, in a tone + ever more and more affectionate; “the institution of St. Mary has a double + end in view. You will perfectly understand that, if it is our duty to give + to masters and mistresses every possible security as to the morality of + the persons that we place in their families, we are likewise bound to give + to the persons that we so place out every possible security as to the + morality of their employers.” + </p> + <p> + “Nothing can be more just and of a wiser foresight, mother.” + </p> + <p> + “Naturally, my dear daughter; for even as a servant of bad morals may + cause the utmost trouble in a respectable family, so the bad conduct of a + master or mistress may have the most baneful influence on the persons who + serve them, or who come to work in their houses. Now, it is to offer a + mutual guarantee to good masters and honest servants, that we have founded + this institution.” + </p> + <p> + “Oh, madame!” cried Mother Bunch, with simplicity; “such designs merit the + thanks and blessings of every one.” + </p> + <p> + “And blessings do not fail us, my dear daughter, because we perform our + promises. Thus, an interesting workwoman—such as you, for example—is + placed with persons that we suppose irreproachable. Should she, however, + perceive, on the part of her employers, or on that of the persons who + frequent the house, any irregularity of morals, any tendency to what would + offend her modesty, or shock her religious principles, she should + immediately give us a detailed account of the circumstances that have + caused her alarm. Nothing can be more proper—don’t you think so?” + </p> + <p> + “Yes, mother,” answered Mother Bunch, timidly, for she began to find this + provision somewhat singular. + </p> + <p> + “Then,” resumed the superior, “if the case appears a serious one, we + exhort our befriended one to observe what passes more attentively, so as + to convince herself whether she had really reason to be alarmed. She makes + a new report to us, and should it confirm our first fears, faithful to our + pious guardianship, we withdraw her instantly from the house. Moreover, as + the majority of our young people, notwithstanding their innocence and + virtue, have not always sufficient experience to distinguish what may be + injurious to their soul’s health, we think it greatly to their interest + that they should confide to us once a week, as a child would to her + mother, either in person or by letter, whatever has chanced to occur in + the house in which we have placed them. Then we can judge for them, + whether to withdraw them or not. We have already about a hundred persons, + companions to ladies, young women in shops, servants, and needlewomen by + the day, whom we have placed in a great number of families, and, for the + interest of all, we have every reason to congratulate ourselves on this + mode of proceeding. You understand me, do you not, my dear daughter?” + </p> + <p> + “Yes-yes, mother,” said the sempstress, more and more embarrassed. She had + too much uprightness and sagacity not to perceive that this plan of + mutually insuring the morality of masters and servants resembled a vast + spy system, brought home to the domestic hearth, and carried on by the + members of the institution almost without their knowledge, for it would + have been difficult to disguise more skillfully the employment for which + they were trained. + </p> + <p> + “If I have entered into these long details my dear daughter,” resumed + Mother Sainte-Perpetue, taking the hearer’s silence for consent, “it is + that you may not suppose yourself obliged to remain in the house in + question, if, against our expectation, you should not find there holy and + pious examples. I believe Mme. de Bremont’s house to be a pure and godly + place; only I have heard (though I will not believe it) that Mme. de + Bremont’s daughter, Mme. de Noisy, who has lately come to reside with her, + is not so exemplary in her conduct as could be desired, that she does not + fulfil regularly her religious duties, and that, during the absence of her + husband, who is now in America, she receives visits, unfortunately too + frequent, from one M. Hardy, a rich manufacturer.” + </p> + <p> + At the name of Agricola’s master, Mother Bunch could not suppress a + movement of surprise, and also blushed slightly. The superior naturally + mistook this surprise and confusion for a proof of the modest + susceptibility of the young sempstress, and added: “I have told you all + this, my dear daughter, that you might be on your guard. I have even + mentioned reports that I believe to be completely erroneous, for the + daughter of Mme. de Bremont has always had such good examples before her + that she cannot have so forgotten them. But, being in the house from + morning to night, you will be able, better than any one, to discover if + these reports have any foundation in truth. Should it unfortunately so + turn out, my dear daughter, you would come and confide to me all the + circumstances that have led you to such a conclusion; and, should I then + agree in your opinion, I would withdraw you instantly from the house—for + the piety of the mother would not compensate sufficiently for the + deplorable example of the daughter’s conduct. For, as soon as you form + part of the institution, I am responsible for your salvation, and, in case + your delicacy should oblige you to leave Mme. de Bremont’s, as you might + be some time without employment, the institution will allow you, if + satisfied with your zeal and conduct, one franc a day till we could find + you another place. You see, my dear daughter, that you have everything to + gain with us. It is therefore agreed that the day after to-morrow you go + to Mme. de Bremont’s.” Mother Bunch found herself in a very hard position. + Sometimes she thought that her first suspicions were confirmed, and, + notwithstanding her timidity, her pride felt hurt at the supposition, + that, because they knew her poor, they should believe her capable of + selling herself as a spy for the sake of high wages. Sometimes, on the + contrary, her natural delicacy revolted at the idea that a woman of the + age and condition of the superior could descend to make a proposition so + disgraceful both to the accepter and the proposer, and she reproached + herself with her first doubts and asked herself if the superior had not + wished to try her, before employing her, to see if her probity would + enable her to resist a comparatively brilliant offer. Mother Bunch was + naturally so inclined to think well of every one, that she made up her + mind to this last conclusion, saying to herself, that if, after all, she + were deceived, it would be the least offensive mode of refusing these + unworthy offers. With a movement, exempt from all haughtiness, but + expressive of natural dignity, the young workman raised her head, which + she had hitherto held humbly cast down, looked the superior full in the + face, that the latter might read in her countenance the sincerity of her + words, and said to her in a slightly agitated voice, forgetting this time + to call her “mother”: “Ah, madame! I cannot blame you for exposing me to + such a trial. You see that I am very poor, and I have yet done nothing to + command your confidence. But, believe me, poor as I am, I would never + stoop to so despicable an action as that which you have thought fit to + propose to me, no doubt to assure yourself, by my refusal, that I am + worthy of your kindness. No, no, madame—I could never bring myself + to be a spy at any price.” + </p> + +<div class="fig"> + <img src="images/20085m.jpg" alt="20085m" /><br /> + </div> + <h5> + <a href="images/20085.jpg"><i>Original</i></a> + </h5> + <p> + She pronounced these last words with so much animation that her cheeks + became slightly flushed. The superior had too much tact and experience not + to perceive the sincerity of the words. Thinking herself lucky that the + young girl should put this construction upon the affair, she smiled upon + her affectionately, and stretched out her arms to her, saying: “It is + well, my dear daughter. Come and embrace me!” + </p> + <p> + “Mother—I am really confused—with so much kindness—” + </p> + <p> + “No—you deserve it—your words are so full of truth and + honesty. Only be persuaded that I have not put you to any trial, because + there is no resemblance between the act of a spy and the marks of filial + confidence that we require of our members for the sake of watching over + their morals. But certain persons—I see you are of the number, my + dear daughter—have such fixed principles, and so mature a judgment, + that they can do without our advice and guardianship, and can appreciate + themselves whatever might be dangerous to their salvation. I will + therefore leave the entire responsibility to yourself, and only ask you + for such communications as you may think proper to make.” + </p> + <p> + “Oh, madame! how good you are!” said poor Mother Bunch, for she was not + aware of the thousand devices of the monastic spirit, and thought herself + already sure of gaining just wages honorably. + </p> + <p> + “It is not goodness—but justice!” answered Mother Sainte-Perpetue, + whose tone was becoming more and more affectionate. “Too much tenderness + cannot be shown to pious young women like you, whom poverty has only + purified because they have always faithfully observed the divine laws.” + </p> + <p> + “Mother—” + </p> + <p> + “One last question, my child! how many times a month do you approach the + Lord’s table?” + </p> + <p> + “Madame,” replied the hunchback, “I have not taken the sacrament since my + first communion, eight years ago. I am hardly able, by working every day, + and all day long, to earn my bread. I have no time—” + </p> + <p> + “Gracious heaven!” cried the superior, interrupting, and clasping her + hands with all the signs of painful astonishment. “Is it possible? you do + not practise?” + </p> + <p> + “Alas, madame! I tell you that I have no time,” answered Mother Bunch, + looking disconcertedly at Mother Saint-Perpetue. + </p> + <p> + “I am grieved, my dear daughter,” said the latter sorrowfully, after a + moment’s silence, “but I told you that, as we place our friends in none + but pious houses, so we are asked to recommend none but pious persons, who + practise their religious duties. It is one of the indispensable conditions + of our institution. It will, therefore, to my great regret, be impossible + for me to employ you as I had hoped. If, hereafter, you should renounce + your present indifference to those duties, we will then see.” + </p> + <p> + “Madame,” said Mother Bunch, her heart swollen with tears, for she was + thus forced to abandon a cheering hope, “I beg pardon for having detained + you so long—for nothing.” + </p> + <p> + “It is I, my dear daughter, who regret not to be able to attach you to the + institution; but I am not altogether hopeless, that a person, already so + worthy of interest, will one day deserve by her piety the lasting support + of religious people. Adieu, my dear daughter! go in peace, and may God be + merciful to you, until the day that you return with your whole heart to + Him!” + </p> + <p> + So saying, the superior rose, and conducted her visitor to the door, with + all the forms of the most maternal kindness. At the moment she crossed the + threshold, she said to her: “Follow the passage, go down a few steps, and + knock at the second door on the right hand. It is the press-room, and + there you will find Florine. She will show you the way out. Adieu, my dear + daughter!” + </p> + <p> + As soon as Mother Bunch had left the presence of the superior, her tears, + until now restrained, gushed forth abundantly. Not wishing to appear + before Florine and the nuns in this state, she stopped a moment at one of + the windows to dry her eyes. As she looked mechanically towards the + windows of the next house, where she fancied she had seen Adrienne de + Cardoville, she beheld the latter come from a door in the building, and + advance rapidly towards the open paling that separated the two gardens. At + the same instant, and to her great astonishment, Mother Bunch saw one of + the two sisters whose disappearance had caused the despair of Dagobert, + with pale and dejected countenance, approach the fence that separated her + from Mdlle. de Cardoville, trembling with fear and anxiety, as though she + dreaded to be discovered. + </p> + <p> + <a name="link2HCH0061" id="link2HCH0061"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER VIII. MOTHER BUNCH AND MDLLE. DE CARDOVILLE. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span>gitated, attentive, uneasy, leaning from one of the convent-windows, the + work-girl followed with her eyes the movements of Mdlle. de Cardoville and + Rose Simon, whom she so little expected to find together in such a place. + The orphan, approaching close to the fence, which separated the + nunnery-garden from that of Dr. Baleinier’s asylum, spoke a few words to + Adrienne, whose features at once expressed astonishment, indignation, and + pity. At this juncture, a nun came running, and looking right and left, as + though anxiously seeking for some one; then, perceiving Rose, who timidly + pressed close to the paling, she seized her by the arm, and seemed to + scold her severely, and notwithstanding some energetic words addressed to + her by Mdlle. de Cardoville, she hastily carried off the orphan, who with + weeping eyes, turned several times to look back at Adrienne; whilst the + latter, after showing the interest she took in her by expressive gestures, + turned away suddenly, as if to conceal her tears. + </p> + <p> + The passage in which the witness stood, during this touching scene, was + situated on the first story. The thought immediately occurred to the + sempstress, to go down to the ground-floor, and try to get into the + garden, so that she might have an opportunity of speaking to the fair girl + with the golden hair, and ascertaining if it were really Mdlle. de + Cardoville, to whom; if she found her in a lucid interval, she might say + that Agricola had things of the greatest importance to communicate, but + that he did not know how to inform her of them. The day was advancing, the + sun was on its decline, and fearing that Florine would be tired of waiting + for her, Mother Bunch made haste to act; with a light step, listening + anxiously as she went, she reached the end of the passage, where three or + four stairs led down to the landing-place of the press room, and then + formed a spiral descent to the ground-floor. Hearing voices in the + pressroom, the sempstress hastened down the stairs, and found herself in a + long passage, in the centre of which was a glass door, opening on that + part of the garden reserved for the superior. A path, bordered by a high + box-hedge, sheltered her from the gaze of curious eyes, and she crept + along it, till she reached the open paling; which, at this spot, separated + the convent-garden from that of Dr. Baleinier’s asylum. She saw Mdlle. de + Cardoville a few steps from her, seated, and with her arm resting upon a + rustic bench. The firmness of Adrienne’s character had for a moment been + shaken by fatigue, astonishment, fright, despair, on the terrible night + when she had been taken to the asylum by Dr. Baleinier; and the latter, + taking a diabolical advantage of her weakness and despondency, had + succeeded for a moment in making her doubt of her own sanity. But the + calm, which necessarily follows the most painful and violent emotions, + combined with the reflection and reasoning of a clear and subtle + intellect, soon convinced Adrienne of the groundlessness of the fears + inspired by the crafty doctor. She no longer believed that it could even + be a mistake on the part of the man of science. She saw clearly in the + conduct of this man, in which detestable hypocrisy was united with rare + audacity, and both served by a skill no less remarkable, that M. Baleinier + was, in fact, the blind instrument of the Princess de Saint-Dizier. From + that moment, she remained silent and calm, but full of dignity; not a + complaint, not a reproach was allowed to pass her lips. She waited. Yet, + though they left her at liberty to walk about (carefully depriving her of + all means of communicating with any one beyond the walls), Adrienne’s + situation was harsh and painful, particularly for her, who so loved to be + surrounded by pleasant and harmonious objects. She felt, however, that + this situation could not last long. She did not thoroughly understand the + penetration and action of the laws; but her good sense taught her, that a + confinement of a few days under the plea of some appearances of insanity, + more or less plausible in themselves, might be attempted, and even + executed with impunity; but that it could not be prolonged beyond certain + limits, because, after all, a young lady of her rank in society could not + disappear suddenly from the world, without inquiries being made on the + subject—and the pretence of a sudden attack of madness would lead to + a serious investigation. Whether true or false, this conviction had + restored Adrienne to her accustomed elasticity and energy of character. + And yet she sometimes in vain asked herself the cause of this attempt on + her liberty. She knew too well the Princess de Saint-Dizier, to believe + her capable of acting in this way, without a certain end in view, and + merely for the purpose of inflicting a momentary pang. In this, Mdlle. de + Cardoville was not deceived: Father d’Aigrigny and the princess were both + persuaded, that Adrienne, better informed than she wished to acknowledge, + knew how important it was for her to find herself in the house in the Rue + Saint-Francois on the 13th of February, and was determined to maintain her + rights. In shutting up Adrienne as mad, it was intended to strike a fatal + blow at her future prospects; but this last precaution was useless, for + Adrienne, though upon the true scent of the family-secret they lead wished + to conceal from her, had not yet entirely penetrated its meaning, for want + of certain documents, which had been lost or hidden. + </p> + <p> + Whatever had been the motives for the odious conduct of Mdlle. de + Cardoville’s enemies, she was not the less disgusted at it. No one could + be more free from hatred or revenge, than was this generous young girl, + but when she thought of all the sufferings which the Princess de Saint + Dizier, Abbe d’Aigrigny, and Dr. Baleinier had occasioned her, she + promised herself, not reprisals, but a striking reparation. If it were + refused her, she was resolved to combat—without truce or rest—this + combination of craft, hypocrisy, and cruelty, not from resentment for what + she had endured, but to preserve from the same torments other innocent + victims, who might not, like her, be able to struggle and defend + themselves. Adrienne, still under the painful impression which had been + caused by her interview with Rose Simon, was leaning against one of the + sides of the rustic bench on which she was seated, and held her left hand + over her eyes. She had laid down her bonnet beside her, and the inclined + position of her head brought the long golden curls over her fair, shining + cheeks. In this recumbent attitude, so full of careless grace, the + charming proportions of her figure were seen to advantage beneath a + watered green dress, while a broad collar, fastened with a rose-colored + satin bow, and fine lace cuffs, prevented too strong a contrast between + the hue of her dress and the dazzling whiteness of the swan-like neck and + Raphaelesque hands, imperceptibly veined with tiny azure lines. Over the + high and well-formed instep, were crossed the delicate strings of a + little, black satin shoe—for Dr. Baleinier had allowed her to dress + herself with her usual taste, and elegance of costume was not with + Adrienne a mark of coquetry, but of duty towards herself, because she had + been made so beautiful. At sight of this young lady, whose dress and + appearance she admired in all simplicity, without any envious or bitter + comparison with her own poor clothes and deformity of person, Mother Bunch + said immediately to herself, with the good sense and sagacity peculiar to + her, that it was strange a mad woman should dress so sanely and + gracefully. It was therefore with a mixture of surprise and emotion that + she approached the fence which separated her from Adrienne—reflecting, + however, that the unfortunate girl might still be insane, and that this + might turn out to be merely a lucid interval. And now, with a timid voice, + but loud enough to be heard, Mother Bunch, in order to assure herself of + Adrienne’s identity, said, whilst her heart beat fast: “Mdlle. de + Cardoville!” + </p> + <p> + “Who calls me?” said Adrienne. On hastily raising her head, and perceiving + the hunchback, she could not suppress a slight cry of surprise, almost + fright. For indeed this poor creature, pale, deformed, miserably clad, + thus appearing suddenly before her, must have inspired Mdlle, de + Cardoville, so passionately fond of grace and beauty, with a feeling of + repugnance, if not of terror—and these two sentiments were both + visible in her expressive countenance. + </p> + <p> + The other did not perceive the impression she had made. Motionless, with + her eyes fixed, and her hands clasped in a sort of adoring admiration, she + gazed on the dazzling beauty of Adrienne, whom she had only half seen + through the grated window. All that Agricola had told her of the charms of + his protectress, appeared to her a thousand times below the reality; and + never, even in her secret poetic visions, had she dreamed of such rare + perfection. Thus, by a singular contrast, a feeling of mutual surprise + came over these two girls—extreme types of deformity and beauty, + wealth and wretchedness. After rendering, as it were, this involuntary + homage to Adrienne, Mother Bunch advanced another step towards the fence. + </p> + <p> + “What do you want?” cried Mdlle. de Cardoville, rising with a sentiment of + repugnance, which could not escape the work-girl’s notice; accordingly, + she held down her head timidly, and said in a soft voice: “I beg your + pardon, madame, to appear so suddenly before you. But moments are + precious, I come from Agricola.” + </p> + <p> + As she pronounced these words, the sempstress raised her eyes anxiously, + fearing that Mdlle. de Cardoville might have forgotten the name of the + workman. But, to her great surprise and joy, the fears of Adrienne seemed + to diminish at the name of Agricola, and approaching the fence, she looked + at the speaker with benevolent curiosity. + </p> + <p> + “You come from M. Agricola Baudoin?” said she. “Who are you?” + </p> + <p> + “His adopted sister, madame—a poor needlewoman, who lives in the + same house.” + </p> + <p> + Adrienne appeared to collect her thoughts, and said, smiling kindly, after + a moment’s silence: “It was you then, who persuaded M. Agricola to apply + to me to procure him bail?” + </p> + <p> + “Oh, madame, do you remember—” + </p> + <p> + “I never forget anything that is generous and noble. M. Agricola was much + affected when he spoke of your devotion. I remember it well; it would be + strange if I did not. But how came you here, in this convent?” + </p> + <p> + “They told me that I should perhaps be able to get some occupation here, + as I am out of work. Unfortunately, I have been refused by the lady + superior.” + </p> + <p> + “And how did you recognize me?” + </p> + <p> + “By your great beauty, madame, of which Agricola had told me.” + </p> + <p> + “Or rather by this,” said Adrienne, smiling as she lifted, with the tips + of her rosy fingers, one end of a long, silky ringlet of golden hair. + </p> + <p> + “You must pardon Agricola, madame,” said the sewing girl, with one of + those half smiles, which rarely settled on her lips: “he is a poet, and + omitted no single perfection in the respectful and admiring description + which he gave of his protectress.” + </p> + <p> + “And what induced you to come and speak to me?” + </p> + <p> + “The hope of being useful to you, madame. You received Agricola with so + much goodness, that I have ventured to go shares in his gratitude.” + </p> + <p> + “You may well venture to do so, my dear girl,” said Adrienne, with + ineffable grace; “until now, unfortunately, I have only been able to serve + your adopted brother by intention.” + </p> + <p> + As they exchanged these words, Adrienne and Mother Bunch looked at each + other with increasing surprise. The latter was, first of all, astonished + that a person who passed for mad should express herself as Adrienne did; + next, she was amazed at the ease and freedom with which she herself + answered the questions of Mdlle. de Cardoville—not knowing that the + latter was endowed with the precious privilege of lofty and benevolent + natures, to draw out from those who approached her whatever sympathized + with herself. On her side, Mdlle. de Cardoville was deeply moved and + astonished to hear this young, low-born girl, dressed almost like a + beggar, express herself in terms selected with so much propriety. The more + she looked at her, the more the feeling of repugnance she at first + experienced wore off, and was at length converted into quite the opposite + sentiment. With that rapid and minute power of observation natural to + women, she remarked beneath the black crape of Mother Bunch’s cap, the + smoothness and brilliancy of the fair, chestnut hair. She remarked, too, + the whiteness of the long, thin hand, though it displayed itself at the + end of a patched and tattered sleeve—an infallible proof that care, + and cleanliness, and self-respect were at least struggling against + symptoms of fearful distress. Adrienne discovered, also, in the pale and + melancholy features, in the expression of the blue eyes, at once + intelligent, mild and timid, a soft and modest dignity, which made one + forget the deformed figure. Adrienne loved physical beauty, and admired it + passionately, but she had too superior a mind, too noble a soul, too + sensitive a heart, not to know how to appreciate moral beauty, even when + it beamed from a humble and suffering countenance. Only, this kind of + appreciation was new to Mdlle. de Cardoville; until now, her large fortune + and elegant habits had kept her at a distance from persons of Mother + Bunch’s class. After a short silence, during which the fair patrician and + the poor work-girl had closely examined each other, Adrienne said to the + other: “It is easy, I think, to explain the cause of our mutual + astonishment. You have, no doubt, discovered that I speak pretty + reasonably for a mad woman—if they have told you I am one. And I,” + added Mdlle. de Cardoville, in a tone of respectful commiseration, “find + that the delicacy of your language and manners so singularly contrast with + the position in which you appear to be, that my surprise must be even + greater than yours.” + </p> +<div class="fig"> + <img src="images/20093m.jpg" alt="20093m" /><br /> + </div> + <h5> + <a href="images/20093.jpg"><i>Original</i></a> + </h5> + <p> + “Ah, madame!” cried Mother Bunch, with a welling forth of such deep and + sincere joy that the tears started to her eyes; “is it true?—they + have deceived me—you are not mad! Just now, when I beheld you so + kind and beautiful, when I heard the sweet tone of your voice, I could not + believe that such a misfortune had happened to you. But, alas! how is it + then, madame, that you are in this place?” + </p> + <p> + “Poor child!” said Adrienne, touched by the affectionate interest of this + excellent creature; “and how is it that you, with such a heart and head, + should be in such distress? But be satisfied! I shall not always be here—and + that will suffice to tell you, that we shall both resume the place which + becomes us. Believe me, I shall never forget how, in spite of the painful + ideas which must needs occupy your mind, on seeing yourself deprived of + work—your only resource—you have still thought of coming to + me, and of trying to serve me. You may, indeed, be eminently useful to me, + and I am delighted at it, for then I shall owe you much—and you + shall see how I will take advantage of my gratitude!” said Adrienne, with + a sweet smile. “But,” resumed she, “before talking of myself, let us think + of others. Is your adopted brother still in prison?” + </p> + <p> + “By this time, madame, I hope he has obtained his freedom; thanks to the + generosity of one of his comrades. His father went yesterday to offer bail + for him, and they promised that he should be released to-day. But, from + his prison, he wrote to me, that he had something of importance to reveal + to you.” + </p> + <p> + “To me?” + </p> + <p> + “Yes, madame. Should Agricola be released immediately by what means can he + communicate with you?” + </p> + <p> + “He has secrets to tell me!” resumed Mdlle. de Cardoville, with an air of + thoughtful surprise. “I seek in vain to imagine what they can be; but so + long as I am confined in this house, and secluded from every one, M. + Agricola must not think of addressing himself directly or indirectly to + me. He must wait till I am at liberty; but that is not all, he must + deliver from that convent two poor children, who are much more to be + pitied than I am. The daughters of Marshal Simon are detained there + against their will.” + </p> + <p> + “You know their name, madame?” + </p> + <p> + “When M. Agricola informed me of their arrival in Paris, he told me they + were fifteen years old, and that they resembled each other exactly—so + that, the day before yesterday, when I took my accustomed walk, and + observed two poor little weeping faces come close to the windows of their + separate cells, one on the ground floor, the other on the first story, a + secret presentiment told me that I saw in them the orphans of whom M. + Agricola had spoken, and in whom I already took a lively interest, as + being my relations.” + </p> + <p> + “They are your relations, madame, then?” + </p> + <p> + “Yes, certainly. So, not being able to do more, I tried to express by + signs how much I felt for them. Their tears, and the sadness of their + charming faces, sufficiently told me that they were prisoners in the + convent, as I am myself in this house.” + </p> + <p> + “Oh! I understand, madame—the victim of the animosity of your + family?” + </p> + <p> + “Whatever may be my fate, I am much less to be pitied than these two + children, whose despair is really alarming. Their separation is what + chiefly oppresses them. By some words that one of them just now said to + me, I see that they are, like me, the victims of an odious machination. + But thanks to you, it will be possible to save them: Since I have been in + this house I have had no communication with any one; they have not allowed + me pen or paper, so it is impossible to write. Now listen to me + attentively, and we shall be able to defeat an odious persecution.” + </p> + <p> + “Oh, speak! speak, madame!” + </p> + <p> + “The soldier, who brought these orphans to France, the father of M. + Agricola, is still in town?” + </p> + <p> + “Yes, madame. Oh! if you only knew his fury, his despair, when, on his + return home, he no longer found the children that a dying mother had + confided to him!” + </p> + <p> + “He must take care not to act with the least violence. It would ruin all. + Take this ring,” said Adrienne, drawing it from her finger, “and give it + to him. He must go instantly—are you sure that you can remember a + name and address?” + </p> + <p> + “Oh! yes, madame. Be satisfied on that point. Agricola only mentioned your + name once, and I have not forgotten it. There is a memory of the heart.” + </p> + <p> + “I perceive it, my dear girl. Remember, then, the name of the Count de + Montbron.” + </p> + <p> + “The Count de Montbron—I shall not forget.” + </p> + <p> + “He is one of my good old friends, and lives on the Place Vendome, No. 7.” + </p> + <p> + “Place Vendome, No. 7—I shall remember.” + </p> + <p> + “M. Agricola’s father must go to him this evening, and, if he is not at + home, wait for his coming in. He must ask to speak to him, as if from me, + and send him this ring as a proof of what he says. Once with him, he must + tell him all—the abduction of the girls, the name of the convent + where they are confined, and my own detention as a lunatic in the asylum + of Dr. Baleinier. Truth has an accent of its own, which M. de Montbron + will recognize. He is a man of much experience and judgment, and possessed + of great influence. He will immediately take the necessary steps, and + to-morrow, or the day after, these poor orphans and myself will be + restored to liberty—all thanks to you! But moments are precious; we + might be discovered; make haste, dear child!” + </p> + <p> + At the moment of drawing back, Adrienne said to Mother Bunch, with so + sweet a smile and affectionate a tone, that it was impossible not to + believe her sincere: “M. Agricola told me that I had a heart like yours. I + now understand how honorable, how flattering those words were for me. + Pray, give me your hand!” added Mdlle. de Cardoville, whose eyes were + filling with tears; and, passing her beautiful hand through an opening in + the fence, she offered it to the other. The words and the gesture of the + fair patrician were full of so much real cordiality, that the sempstress, + with no false shame, placed tremblingly her own poor thin hand in + Adrienne’s, while the latter, with a feeling of pious respect, lifted it + spontaneously to her lips, and said: “Since I cannot embrace you as my + sister, let me at least kiss this hand, ennobled by labor!” + </p> + <p> + Suddenly, footsteps were heard in the garden of Dr. Baleinier; Adrienne + withdrew abruptly, and disappeared behind some trees, saying: “Courage, + memory, and hope!” + </p> + <p> + All this had passed so rapidly that the young workwoman had no time to + speak or move; tears, sweet tears, flowed abundantly down her pale cheeks. + For a young lady, like Adrienne de Cardoville, to treat her as a sister, + to kiss her hand, to tell her that she was proud to resemble her in heart—her, + a poor creature, vegetating in the lowest abyss of misery—was to + show a spirit of fraternal equality, divine, as the gospel words. + </p> + <p> + There are words and impressions which make a noble soul forget years of + suffering, and which, as by a sudden flash, reveal to it something of its + own worth and grandeur. Thus it was with the hunchback. Thanks to this + generous speech, she was for a moment conscious of her own value. And + though this feeling was rapid as it was ineffable, she clasped her hands + and raised her eyes to heaven with an expression of fervent gratitude; + for, if the poor sempstress did not practise, to use the jargon of + ultramontane cant, no one was more richly endowed with that deep religious + sentiment, which is to mere dogmas what the immensity of the starry heaven + is to the vaulted roof of a church. + </p> + <p> + Five minutes after quitting Mdlle. de Cardoville, Mother Bunch, having + left the garden without being perceived, reascended to the first story, + and knocked gently at the door of the press-room. A sister came to open + the door to her. + </p> + <p> + “Is not Mdlle. Florine, with whom I came, still here, sister?” asked the + needlewoman. + </p> + <p> + “She could not wait for you any longer. No doubt, you have come from our + mother the superior?” + </p> + <p> + “Yes, yes, sister,” answered the sempstress, casting down her eyes; “would + you have the goodness to show me the way out?” + </p> + <p> + “Come with me.” + </p> + <p> + The sewing-girl followed the nun, trembling at every step lest she should + meet the superior, who would naturally have inquired the cause of her long + stay in the convent. + </p> + <p> + At length the inner gate closed upon Mother Bunch. Passing rapidly across + the vast court-yard and approaching the porter’s lodge, to ask him to let + her out, she heard these words pronounced in a gruff voice: “It seems, old + Jerome, that we are to be doubly on our guard to-night. Well, I shall put + two extra balls in my gun. The superior says we are to make two rounds + instead of one.” + </p> + <p> + “I want no gun, Nicholas,” said the other voice; “I have my sharp scythe, + a true gardener’s weapon—and none the worse for that.” + </p> + <p> + Feeling an involuntary uneasiness at these words, which she had heard by + mere chance, Mother Bunch approached the porter’s lodge, and asked him to + open the outer gate. + </p> + <p> + “Where do you come from?” challenged the porter, leaning half way out of + his lodge, with a double barrelled gun, which he was occupied in loading, + in his hand, and at the same time examining the sempstress with a + suspicious air. + </p> + <p> + “I come from speaking to the superior,” answered Mother Bunch timidly. + </p> + <p> + “Is that true?” said Nicholas roughly. “You look like a sanctified + scarecrow. Never mind. Make haste and cut!” + </p> + <p> + The gate opened, and Mother Bunch went out. Hardly had she gone a few + steps in the sweet, when, to her great surprise, she saw the dog Spoil + sport run up to her, and his master, Dagobert, a little way behind him, + arriving also with precipitation. She was hastening to meet the soldier, + when a full, sonorous voice exclaimed from a little distance: “Oh my good + sister!” which caused the girl to turn round. From the opposite side to + that whence Dagobert was coming, she saw Agricola hurrying towards the + spot. + </p> + <p> + <a name="link2HCH0062" id="link2HCH0062"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER IX. THE ENCOUNTERS. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span>t the sight of Dagobert and Agricola, Mother Bunch remained motionless + with surprise, a few steps from the convent-gate. The soldier had not yet + perceived the sempstress. He advanced rapidly, following the dog, who + though lean, half-starved, rough-coated, and dirty, seemed to frisk with + pleasure, as he turned his intelligent face towards his master, to whom he + had gone back, after caressing Mother Bunch. + </p> + <p> + “Yes, yes; I understand you, old fellow!” said the soldier, with emotion. + “You are more faithful than I was; you did not leave the dear children for + a minute. Yes, you followed them, and watched day and night, without food, + at the door of the house to which they were taken—and, at length, + weary of waiting to see them come forth, ran home to fetch me. Yes; whilst + I was giving way to despair, like a furious madman, you were doing what I + ought to have done—discovering their retreat. What does it all + prove? Why, that beasts are better than men—which is well known. + Well, at length I shall see them again. When I think that tomorrow is the + 13th, and that without you, my did Spoil-sport, all would be lost—it + makes me shudder. But I say, shall we soon be there? What a deserted + quarter! and night coming on!” + </p> + <p> + Dagobert had held this discourse to Spoil-sport, as he walked along + following the good dog, who kept on at a rapid pace. Suddenly, seeing the + faithful animal start aside with a bound, he raised his eyes, and + perceived the dog frisking about the hunchback and Agricola, who had just + met at a little distance from the convent-gate. + </p> + <p> + “Mother Bunch?” exclaimed both father and son, as they approached the + young workwoman, and looked at her with extreme surprise. + </p> + <p> + “There is good hope, M. Dagobert,” said she with inexpressible joy. “Rose + and Blanche are found!” Then, turning towards the smith, she added, “There + is good hope, Agricola: Mdlle. de Cardoville is not mad. I have just seen + her.” + </p> + <p> + “She is not mad? what happiness!” exclaimed the smith. + </p> + <p> + “The children!” cried Dagobert, trembling with emotion, as he took the + work-girl’s hands in his own. “You have seen them?” + </p> + <p> + “Yes; just now—very sad—very unhappy—but I was not able + to speak to them.” + </p> + <p> + “Oh!” said Dagobert, stopping as if suffocated by the news, and pressing + his hands on his bosom; “I never thought that my old heart could beat so!—And + yet, thanks to my dog, I almost expected what has taken place. Anyhow, I + am quite dizzy with joy.” + </p> + <p> + “Well, father, it’s a good day,” said Agricola, looking gratefully at the + girl. + </p> + <p> + “Kiss me, my dear child!” added the soldier, as he pressed Mother Bunch + affectionately in his arms; then, full of impatience, he added: “Come, let + us go and fetch the children.” + </p> + <p> + “Ah, my good sister!” said Agricola, deeply moved; “you will restore + peace, perhaps life, to my father—and Mdlle. de Cardoville—but + how do you know?” + </p> + <p> + “A mere chance. And how did you come here?” + </p> + <p> + “Spoil-sport stops and barks,” cried Dagobert, who had already made + several steps in advance. + </p> + <p> + Indeed the dog, who was as impatient as his master to see the orphans, and + far better informed as to the place of their retreat, had posted himself + at the convent gate, and was beginning to bark, to attract the attention + of Dagobert. Understanding his dog, the latter said to the hunchback, as + he pointed in that direction with his finger: “The children are there?” + </p> + <p> + “Yes, M. Dagobert.” + </p> + <p> + “I was sure of it. Good dog!—Oh, yes! beasts are better than men—except + you, my dear girl, who are better than either man or beast. But my poor + children! I shall see them, I shall have them once more!” + </p> + <p> + So saying, Dagobert, in spite of his age, began to run very fast towards + Spoil-sport. “Agricola,” cried Mother Bunch, “prevent thy father from + knocking at that door. He would ruin all.” + </p> + <p> + In two strides, the smith had reached his father, just as the latter was + raising his hand to the knocker. “Stop, father!” cried the smith, as he + seized Dagobert by the arm. + </p> + <p> + “What the devil is it now?” + </p> + <p> + “Mother Bunch says that to knock would ruin all.” + </p> + <p> + “How so?” + </p> + <p> + “She will explain it to you.” Although not so nimble as Agricola, Mother + Bunch soon came up, and said to the soldier: “M. Dagobert, do not let us + remain before this gate. They might open it, and see us; and that would + excite suspicion. Let us rather go away—” + </p> +<div class="fig"> + <img src="images/20101m.jpg" alt="20101m" /><br /> + </div> + <h5> + <a href="images/20101.jpg"><i>Original</i></a> + </h5> + <p> + “Suspicion!” cried the veteran, much surprised, but without moving from + the gate; “what suspicion?” + </p> + <p> + “I conjure you, do not remain there!” said Mother Bunch, with so much + earnestness, that Agricola joined her, and said to his father: “Since + sister rashes it, father, she has some reason for it. The Boulevard de + l’Hopital is a few steps from here; nobody passes that way; we can talk + there without being interrupted.” + </p> + <p> + “Devil take me if I understand a word of all this!” cried Dagobert, + without moving from his post. “The children are here, and I will fetch + them away with me. It is an affair of ten minutes.” + </p> + <p> + “Do not think that, M. Dagobert,” said Mother Bunch. “It is much more + difficult than you imagine. But come! come!—I can hear them talk in + the court-yard.” + </p> + <p> + In fact, the sound of voices was now distinctly audible. “Come father!” + said Agricola, forcing away the soldier, almost in spite of himself. + Spoil-sport, who appeared much astonished at these hesitations, barked two + or three times without quitting his post, as if to protest against this + humiliating retreat; but, being called by Dagobert, he hastened to rejoin + the main body. + </p> + <p> + It was now about five o’clock in the evening. A high wind swept thick + masses of grayish, rainy cloud rapidly across the sky. The Boulevard de + l’Hopital, which bordered on this portion of the convent-garden, was, as + we before said, almost deserted. Dagobert, Agricola, and the serving girl + could hold a private conference in this solitary place. + </p> + <p> + The soldier did not disguise the extreme impatience that these delays + occasioned in him. Hardly had they turned the corner of the street, when + he said to Mother Bunch: “Come, my child, explain yourself. I am upon hot + coals.” + </p> + <p> + “The house in which the daughters of Marshal Simon are confined is a + convent, M. Dagobert.” + </p> + <p> + “A convent!” cried the soldier: “I might have suspected it.” Then he + added: “Well, what then? I will fetch them from a convent as soon as from + any other place. Once is not always.” + </p> + <p> + “But, M. Dagobert, they are confined against their will and against yours. + They will not give them up.” + </p> + <p> + “They will not give them up? Zounds! we will see about that.” And he made + a step towards the street. + </p> + <p> + “Father,” said Agricola, holding him back, “one moment’s patience; let us + hear all.” + </p> + <p> + “I will hear nothing. What! the children are there—two steps from me—I + know it—and I shall not have them, either by fair means or foul? Oh! + that would indeed be curious. Let me go.” + </p> + <p> + “Listen to me, I beseech you, M. Dagobert,” said Mother Bunch, taking his + hand: “there is another way to deliver these poor children. And that + without violence—for violence, as Mdlle. de Cardoville told me, + would ruin all.” + </p> + <p> + “If there is any other way—quick—let me know it!” + </p> + <p> + “Here is a ring of Mdlle. de Cardoville’s.” + </p> + <p> + “And who is this Mdlle. de Cardoville?” + </p> + <p> + “Father,” said Agricola, “it is the generous young lady, who offered to be + my bail, and to whom I have very important matters to communicate.” + </p> + <p> + “Good, good,” replied Dagobert; “we will talk of that presently. Well, my + dear girl—this ring?” + </p> + <p> + “You must take it directly, M. Dagobert, to the Count de Montbron, No. 7, + Place Vendome. He appears to be a person of influence, and is a friend of + Mdlle. de Cardoville’s. This ring will prove that you come on her behalf, + and you will tell him, that she is confined as a lunatic in the asylum + next door to this convent, in which the daughters of Marshal Simon are + detained against their will.” + </p> + <p> + “Well, well—what next?” + </p> + <p> + “Then the Count de Montbron will take the proper steps with persons in + authority, to restore both Mdlle. de Cardoville and the daughters of + Marshal Simon to liberty—and perhaps, to-morrow, or the day after—” + </p> + <p> + “To-morrow or the day after!” cried Dagobert; “perhaps?—It is + to-day, on the instant, that I must have them. The day after to-morrow + would be of much use! Thanks, my good girl, but keep your ring: I will + manage my own business. Wait for me here, my boy.” + </p> + <p> + “What are you going to do, father?” cried Agricola, still holding back the + soldier. “It is a convent, remember.” + </p> + <p> + “You are only a raw recruit; I have my theory of convents at my fingers’ + end. In Spain, I have put it in practice a hundred times. Here is what + will happen. I knock; a portress opens the door to me; she asks me what I + want, but I make no answer; she tries to stop me, but I pass on; once in + the convent, I walk over it from top to bottom, calling my children with + all my might.” + </p> + <p> + “But, M. Dagobert, the nuns?” said Mother Bunch, still trying to detain + the soldier. + </p> + <p> + “The nuns run after me, screaming like so many magpies. I know them. At + Seville I fetched out an Andalusian girl, whom they were trying to keep by + force. Well, I walk about the convent calling for Rose and Blanche. They + hear me, and answer. If they are shut in, I take the first piece of + furniture that comes to hand, and break open the door.” + </p> + <p> + “But, M. Dagobert—the nuns—the nuns?” + </p> + <p> + “The nuns, with all their squalling, will not prevent my breaking open the + door, seizing my children in my arms, and carrying them off. Should the + outer door be shut, there will be a second smash—that’s all. So,” + added Dagobert, disengaging himself from the grasp, “wait for me here. In + ten minutes I shall be back again. Go and get a hackney-coach ready, my + boy.” + </p> + <p> + More calm than Dagobert, and, above all, better informed as to the + provisions of the Penal Code, Agricola was alarmed at the consequences + that might attend the veteran’s strange mode of proceeding. So, throwing + himself before him, he exclaimed: “One word more, I entreat you.” + </p> + <p> + “Zounds! make haste!” + </p> + <p> + “If you attempt to enter the convent by force, you will ruin all.” + </p> + <p> + “How so?” + </p> + <p> + “First of all, M. Dagobert,” said Mother Bunch, “there are men in the + convent. As I came out just now, I saw the porter loading his gun, and + heard the gardener talking of his sharp scythe, and the rounds he was to + make at night.” + </p> + <p> + “Much I care for a porter’s gun and a gardener’s scythe!” + </p> + <p> + “Well, father; but listen to me a moment, I conjure you. Suppose you + knock, and the door is opened—the porter will ask you what you + want.’ + </p> + <p> + “I tell him that I wish to speak to the superior, and so walk into the + convent.” + </p> + <p> + “But, M. Dagobert,” said Mother Bunch, “when once you have crossed the + court-yard, you reach a second door, with a wicket. A nun comes to it, to + see who rings, and does not open the door till she knows the object of the + visit.” + </p> + <p> + “I will tell her that I wish to see the lady superior.” + </p> + <p> + “Then, father, as you are not known in the convent, they will go and + inform the superior.” + </p> + <p> + “Well, what then?” + </p> + <p> + “She will come down.” + </p> + <p> + “What next?” + </p> + <p> + “She will ask you what you want, M. Dagobert.” + </p> + <p> + “What I want?—the devil! my children!” + </p> + <p> + “One minute’s patience, father. You cannot doubt, from the precautions + they have taken, that they wish to detain these young ladies against their + will, and against yours.” + </p> + <p> + “Doubt! I am sure of it. To come to that point, they began by turning the + head of my poor wife.” + </p> + <p> + “Then, father, the superior will reply to you that she does not know what + you mean, and that the young ladies are not in the convent.” + </p> + <p> + “And I will reply to her, that they are in the convent witness—Mother + Bunch and Spoil-sport.” + </p> + <p> + “The superior will answer, that she does not know you; that she has no + explanations to give you; and will close the wicket.” + </p> + <p> + “Then I break it open—since one must come to that in the end—so + leave me alone, I tell you! ‘sblood! leave me alone!” + </p> + <p> + “And, on this noise and violence, the porter will run and fetch the guard, + and they will begin by arresting you.” + </p> + <p> + “And what will become of your poor children, then, M. Dagobert?” said + Mother Bunch. + </p> + <p> + Agricola’s father had too much good sense not to feel the truth of these + observations of the girl and his son; but he knew also, that, cost what it + might, the orphans must be delivered before the morrow. The alternative + was terrible—so terrible, that, pressing his two hands to his + burning forehead, Dagobert sunk back upon a stone bench, as if struck down + by the inexorable fatality of the dilemma. + </p> + <p> + Agricola and the workwoman, deeply moved by this mute despair, exchanged a + sad look. The smith, seating himself beside the soldier, said to him: “Do + not be down-hearted, father. Remember what’s been told you. By going with + this ring of Mdlle. de Cardoville’s to the influential gentleman she + named, the young ladies may be free by to-morrow, or, at worst, by the day + after.” + </p> + <p> + “Blood and thunder! you want to drive me mad!” exclaimed Dagobert, + starting up from the bench, and looking at Mother Bunch and his son with + so savage an expression that Agricola and the sempstress drew back, with + an air of surprise and uneasiness. + </p> + <p> + “Pardon me, my children!” said Dagobert, recovering himself after a long + silence. “I am wrong to get in a passion, for we do not understand one + another. What you say is true; and yet I am right to speak as I do. Listen + to me. You are an honest man, Agricola; you an honest girl; what I tell + you is meant for you alone. I have brought these children from the depths + of Siberia—do you know why? That they may be to-morrow morning in + the Rue Saint-Francois. If they are not there, I have failed to execute + the last wish of their dying mother.” + </p> + <p> + “No. 3, Rue Saint Francois?” cried Agricola, interrupting his father. + </p> + <p> + “Yes; how do you know the number?” said Dagobert. + </p> + <p> + “Is not the date inscribed on a bronze medal?” + </p> + <p> + “Yes,” replied Dagobert, more end more surprised; “who told you?” + </p> + <p> + “One instant, father!” exclaimed Agricola; “let me reflect. I think I + guess it. Did you not tell me, my good sister, that Mdlle. de Cardoville + was not mad?” + </p> + <p> + “Not mad. They detain her in this asylum to prevent her communicating with + any one. She believes herself, like the daughters of Marshal Simon, the + victim of an odious machination.” + </p> + <p> + “No doubt of it,” cried the smith. “I understand all now, Mdlle. de + Cardoville has the same interest as the orphans to appear to-morrow at the + Rue Saint-Francois. But she does not perhaps know it.” + </p> + <p> + “How so?” + </p> + <p> + “One word more, my good girl. Did Mdlle. de Cardoville tell you that she + had a powerful motive to obtain her freedom by to-morrow?” + </p> + <p> + “No; for when she gave me this ring for the Count de Montbron, she said to + me: ‘By this means both I and Marshal Simon’s daughters will be at liberty + either to-morrow or the day after—‘” + </p> + <p> + “But explain yourself, then,” said Dagobert to his son, with impatience. + </p> + <p> + “Just now,” replied the smith, “when you came to seek me in prison, I told + you, father, that I had a sacred duty to perform, and that I would rejoin + you at home.” + </p> + <p> + “Yes; and I went, on my side, to take some measures, of which I will speak + to you presently.” + </p> + <p> + “I ran instantly to the house in the Rue de Babylone, not knowing that + Mdlle. de Cardoville was mad, or passed for mad. A servant, who opened the + door to me, informed me that the young lady had been seized with a sudden + attack of madness. You may conceive, father, what a blow that was to me! I + asked where she was: they answered, that they did not know. I asked if I + could speak to any of the family; as my jacket did not inspire any great + confidence, they replied that none of her family were at present there. I + was in despair, but an idea occurred to me. I said to myself: ‘If she is + mad, her family physician must know where they have taken her; if she is + in a state to hear me, he will take me to her; if not, I will speak to her + doctor, as I would to her relations. A doctor is often a friend.’ I asked + the servant, therefore, to give me the doctor’s address. I obtained it + without difficulty—Dr. Baleinier, No. 12, Rue Taranne. I ran + thither, but he had gone out; they told me that I should find him about + five o’clock at his asylum, which is next door to the convent. That is how + we have met.” + </p> + <p> + “But the medal—the medal?” said Dagobert, impatiently; “where did + you see it?” + </p> + <p> + “It is with regard to this and other things that I wished to make + important communications to Mdlle. de Cardoville.” + </p> + <p> + “And what are these communications?” + </p> + <p> + “The fact is, father, I had gone to her the day of your departure, to beg + her to get me bail. I was followed; and when she learned this from her + waiting-woman, she concealed me in a hiding-place. It was a sort of little + vaulted room, in which no light was admitted, except through a tunnel, + made like a chimney; yet in a few minutes, I could see pretty clearly. + Having nothing better to do, I looked all about me and saw that the walls + were covered with wainscoting. The entrance to this room was composed of a + sliding panel, moving by means of weights and wheels admirably contrived. + As these concern my trade, I was interested in them, so I examined the + springs, spite of my emotion, with curiosity, and understood the nature of + their play; but there was one brass knob, of which I could not discover + the use. It was in vain to pull and move it from right to left, none of + the springs were touched. I said to myself: ‘This knob, no doubt, belongs + to another piece of mechanism’—and the idea occurred to me, instead + of drawing it towards me, to push it with force. Directly after, I heard a + grating sound, and perceived, just above the entrance to the hiding-place, + one of the panels, about two feet square, fly open like the door of a + secretary. As I had, no doubt, pushed the spring rather too hard, a bronze + medal and chain fell out with a shock.” + </p> + <p> + “And you saw the address—Rue Saint-Francois?” cried Dagobert. + </p> + <p> + “Yes, father; and with this medal, a sealed letter fell to the ground. On + picking it up, I saw that it was addressed, in large letters: ‘For Mdlle. + de Cardoville. To be opened by her the moment it is delivered.’ Under + these words, I saw the initials ‘R.’ and ‘C.,’ accompanied by a flourish, + and this date: ‘Paris, November the 13th, 1830.’ On the other side of the + envelope I perceived two seals, with the letters ‘R.’ and ‘C.,’ surmounted + by a coronet.” + </p> + <p> + “And the seals were unbroken?” asked Mother Bunch. + </p> + <p> + “Perfectly whole.” + </p> + <p> + “No doubt, then, Mdlle. de Cardoville was ignorant of the existence of + these papers,” said the sempstress. + </p> + <p> + “That was my first idea, since she was recommended to open the letter + immediately, and, notwithstanding this recommendation, which bore date two + years back, the seals remained untouched.” + </p> + <p> + “It is evident,” said Dagobert. “What did you do?” + </p> + <p> + “I replaced the whole where it was before, promising myself to inform + Mdlle. de Cardoville of it. But, a few minutes after, they entered my + hiding-place, which had been discovered, and I did not see her again. I + was only able to whisper a few words of doubtful meaning to one of her + waiting-women, on the subject of what I had found, hoping thereby to + arouse the attention of her mistress; and, as soon as I was able to write + to you, my good sister, I begged you to go and call upon Mdlle. de + Cardoville.” + </p> + <p> + “But this medal,” said Dagobert, “is exactly like that possessed by the + daughter of Marshal Simon. How can you account for that?” + </p> + <p> + “Nothing so plain, father. Mdlle. de Cardoville is their relation. I + remember now, that she told me so.” + </p> + <p> + “A relation of Rose and Blanche?” + </p> + <p> + “Yes,” added Mother Bunch; “she told that also to me just now.” + </p> + <p> + “Well, then,” resumed Dagobert, looking anxiously at his son, “do you now + understand why I must have my children this very day? Do you now + understand, as their poor mother told me on her death-bed, that one day’s + delay might ruin all? Do you now see that I cannot be satisfied with a + perhaps to-morrow, when I have come all the way from Siberia, only, that + those children might be to-morrow in the Rue Saint-Francois? Do you at + last perceive that I must have them this night, even if I have to set fire + to the convent?” + </p> + <p> + “But, father, if you employ violence—” + </p> + <p> + “Zounds! do you know what the commissary of police answered me this + morning, when I went to renew my charge against your mother’s confessor? + He said to me that there was no proof, and that they could do nothing.” + </p> + <p> + “But now there is proof, father, for at least we know where the young + girls are. With that certainty we shall be strong. The law is more + powerful than all the superiors of convents in the world.” + </p> + <p> + “And the Count de Montbron, to whom Mdlle. de Cardoville begs you to + apply,” said Mother Bunch, “is a man of influence. Tell him the reasons + that make it so important for these young ladies, as well as Mdlle. de + Cardoville, to be at liberty this evening and he will certainly hasten the + course of justice, and to-night your children will be restored to you.” + </p> + <p> + “Sister is in the right, father. Go to the Count. Meanwhile, I will run to + the commissary, and tell him that we now know where the young girls are + confined. Do you go home, and wait for us, my good girl. We will meet at + our own house!” + </p> + <p> + Dagobert had remained plunged in thought; suddenly, he said to Agricola: + “Be it so. I will follow your counsel. But suppose the commissary says to + you: ‘We cannot act before to-morrow’—suppose the Count de Montbron + says to me the same thing—do not think I shall stand with my arms + folded until the morning.” + </p> + <p> + “But, father—” + </p> + <p> + “It is enough,” resumed the soldier in an abrupt voice: “I have made up my + mind. Run to the commissary, my boy; wait for us at home, my good girl; I + will go to the Count. Give me the ring. Now for the address!” + </p> +<div class="fig"> + <img src="images/20109m.jpg" alt="20109m" /><br /> + </div> + <h5> + <a href="images/20109.jpg"><i>Original</i></a> + </h5> + <p> + “The Count de Montbron, No. 7, Place Vendome,” said she; “you come on + behalf of Mdlle. de Cardoville.” + </p> + <p> + “I have a good memory,” answered the soldier. “We will meet as soon as + possible in the Rue Brise-Miche.” + </p> + <p> + “Yes, father; have good courage. You will see that the law protects and + defends honest people.” + </p> + <p> + “So much the better,” said the soldier; “because, otherwise, honest people + would be obliged to protect and defend themselves. Farewell, my children! + we will meet soon in the Rue Brise-Miche.” + </p> + <p> + When Dagobert, Agricola, and Mother Bunch separated, it was already dark + night. + </p> + <p> + <a name="link2HCH0063" id="link2HCH0063"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER X. THE MEETING. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">I</span>t is eight o’clock in the evening, the rain dashes against the windows of + Frances Baudoin’s apartment in the Rue Brise-Miche, while violent squalls + of wind shake the badly dosed doors and casements. The disorder and + confusion of this humble abode, usually kept with so much care and + neatness, bore testimony to the serious nature of the sad events which had + thus disturbed existences hitherto peaceful in their obscurity. + </p> + <p> + The paved floor was soiled with mud, and a thick layer of dust covered the + furniture, once so bright and clean. Since Frances was taken away by the + commissary, the bed had not been made; at night Dagobert had thrown + himself upon it for a few hours in his clothes, when, worn out with + fatigue, and crushed by despair, he had returned from new and vain + attempts to discover Rose and Blanche’s prison-house. Upon the drawers + stood a bottle, a glass, and some fragments of dry bread, proving the + frugality of the soldier, whose means of subsistence were reduced to the + money lent by the pawnbroker upon the things pledged by Mother Bunch, + after the arrest of Frances. + </p> + <p> + By the faint glimmer of a candle, placed upon the little stove, now cold + as marble, for the stock of wood had long been exhausted, one might have + seen the hunchback sleeping upon a chair, her head resting on her bosom, + her hands concealed beneath her cotton apron, and her feet resting on the + lowest rung of the chair; from time to time, she shivered in her damp, + chill garments. + </p> + <p> + After that long day of fatigue and diverse emotions, the poor creature had + eaten nothing. Had she even thought of it, she would have been at a loss + for bread. Waiting for the return of Dagobert and Agricola, she had sunk + into an agitated sleep—very different, alas! from calm and + refreshing slumber. From time to time, she half opened her eyes uneasily, + and looked around her. Then, again, overcome by irresistible heaviness, + her head fell upon her bosom. + </p> + <p> + After some minutes of silence, only interrupted by the noise of the wind, + a slow and heavy step was heard on the landing-place. The door opened, and + Dagobert entered, followed by Spoil-sport. + </p> + <p> + Waking with a start, Mother Bunch raised her head hastily, sprang from her + chair, and, advancing rapidly to meet Agricola’s father, said to him: + “Well, M. Dagobert! have you good news? Have you—” + </p> + <p> + She could not continue, she was so struck with the gloomy expression of + the soldier’s features. Absorbed in his reflections, he did not at first + appear to perceive the speaker, but threw himself despondingly on a chair, + rested his elbows upon the table, and hid his face in his hands. After a + long meditation, he rose, and said in a low voice: “It must—yes, it + must be done!” + </p> + <p> + Taking a few steps up and down the room, Dagobert looked around him, as if + in search of something. At length, after about a minute’s examination, he + perceived near the stove, a bar of iron, perhaps two feet long, serving to + lift the covers, when too hot for the fingers. Taking this in his hand, he + looked at it closely, poised it to judge of its weight, and then laid it + down upon the drawers with an air of satisfaction. Surprised at the long + silence of Dagobert, the needlewoman followed his movements with timid and + uneasy curiosity. But soon her surprise gave way to fright, when she saw + the soldier take down his knapsack, place it upon a chair, open it, and + draw from it a pair of pocket-pistols, the locks of which he tried with + the utmost caution. + </p> + <p> + Seized with terror, the sempstress could not forbear exclaiming: “Good + gracious, M. Dagobert! what are you going to do?” + </p> + <p> + The soldier looked at her as if he only now perceived her for the first + time, and said to her in a cordial, but abrupt voice: “Good-evening, my + good girl! What is the time?” + </p> + <p> + “Eight o’clock has just struck at Saint-Mery’s, M. Dagobert.” + </p> + <p> + “Eight o’clock,” said the soldier, speaking to himself; “only eight!” + </p> + <p> + Placing the pistols by the side of the iron bar, he appeared again to + reflect, while he cast his eyes around him. + </p> + <p> + “M. Dagobert,” ventured the girl, “you have not, then, good news?” + </p> + <p> + “No.” + </p> + <p> + That single word was uttered by the soldier in so sharp a tone, that, not + daring to question him further, Mother Bunch sat down in silence. Spoil + sport came to lean his head on the knees of the girl, and followed the + movements of Dagobert with as much curiosity as herself. + </p> + <p> + After remaining for some moments pensive and silent, the soldier + approached the bed, took a sheet from it, appeared to measure its length, + and then said, turning towards Mother Bunch: “The scissors!” + </p> + <p> + “But, M. Dagobert—” + </p> + <p> + “Come, my good girl! the scissors!” replied Dagobert, in a kind tone, but + one that commanded obedience. The sempstress took the scissors from + Frances’ work-basket, and presented them to the soldier. + </p> + <p> + “Now, hold the other end of the sheet, my girl, and draw it out tight.” + </p> + <p> + In a few minutes, Dagobert had cut the sheet into four strips, which he + twisted in the fashion of cords, fastening them here and there with bits + of tape, so as to preserve the twist, and tying them strongly together, so + as to make a rope of about twenty feet long. This, however, did not + suffice him, for he said to himself: “Now I must have a hook.” + </p> + <p> + Again he looked around him, and Mother Bunch, more and more frightened, + for she now no longer doubted Dagobert’s designs, said to him timidly: “M. + Dagobert, Agricola has not yet come in. It may be some good news that + makes him so late.” + </p> + <p> + “Yes,” said the soldier, bitterly, as he continued to cast round his eyes + in search of something he wanted; “good news like mine! But I must have a + strong iron hook.” + </p> + <p> + Still looking about, he found one of the coarse, gray sacks, that Frances + was accustomed to make. He took it, opened it, and said to the work girl: + “Put me the iron bar and the cord into this bag, my girl. It will be + easier to carry.” + </p> + <p> + “Heavens!” cried she, obeying his directions; “you will not go without + seeing Agricola, M. Dagobert? He may perhaps have some good news to tell + you.” + </p> + <p> + “Be satisfied! I shall wait for my boy. I need not start before ten + o’clock—so I have time.” + </p> + <p> + “Alas, M. Dagobert! have you last all hope?” + </p> + <p> + “On the contrary. I have good hope—but in myself.” + </p> + <p> + So saying, Dagobert twisted the upper end of the sack, for the purpose of + closing it, and placed it on the drawers, by the side of his pistols. + </p> + <p> + “At all events, you will wait for Agricola, M. Dagobert?” + </p> + <p> + “Yes, if he arrives before ten o’clock.” + </p> + <p> + “Alas; you have then quite made up your mind?” + </p> + <p> + “Quite. And yet, if I were weak enough to believe in bad omens—” + </p> + <p> + “Sometimes, M. Dagobert, omens do not deceive one,” said the girl, hoping + to induce the soldier to abandon his dangerous resolution. + </p> + <p> + “Yes,” resumed Dagobert; “old women say so—and, although I am not an + old woman, what I saw just now weighed heavily on my heart. After all, I + may have taken a feeling of anger for a presentiment.” + </p> + <p> + “What have you seen?” + </p> + <p> + “I will tell it you, my good girl; it may help to pass the time, which + appears long enough.” Then, interrupting himself, he exclaimed: “Was it + the half hour that just struck?” + </p> + <p> + “Yes, M. Dagobert; it is half-past eight.” + </p> + <p> + “Still an hour and a half,” said Dagobert, in a hollow voice. “This,” he + added, “is what I saw. As I came along the street, my notice was attracted + by a large red placard, at the head of which was a black panther devouring + a white horse. That sight gave me a turn, for you must know, my good girl, + that a black panther destroyed a poor old white horse that I had, + Spoil-sport’s companion, whose name was Jovial.” + </p> + <p> + At the sound of this name, once so familiar, Spoil-sport, who was + crouching at the workwoman’s feet, raised his head hastily, and looked at + Dagobert. + </p> + <p> + “You see that beasts have memory—he recollects,” said the soldier, + sighing himself at the remembrance. Then, addressing his dog he added: + “Dost remember Jovial?” + </p> + <p> + On hearing this name a second time pronounced by his master, in a voice of + emotion, Spoil-sport gave a low whine, as if to indicate that he had not + forgotten his old travelling companion. + </p> + <p> + “It was, indeed, a melancholy incident, M. Dagobert,” said Mother Bunch, + “to find upon this placard a panther devouring a horse.” + </p> + <p> + “That is nothing to what’s to come; you shall hear the rest. I drew near + the bill, and read in it, that one Morok, just arrived from Germany, is + about to exhibit in a theatre different wild beasts that he tamed, among + others a splendid lion, a tiger, and a black Java panther named Death.” + </p> + <p> + “What an awful name!” said the hearer. + </p> + <p> + “You will think it more awful, my child, when I tell you, that this is the + very panther which strangled my horse at Leipsic, four months ago.” + </p> + <p> + “Good Heaven! you are right, M. Dagobert,” said the girl, “it is awful.” + </p> + <p> + “Wait a little,” said Dagobert, whose countenance was growing more and + more gloomy, “that is not all. It was by means of this very Morok, the + owner of the panther, that I and my poor children were imprisoned in + Leipsic.” + </p> + <p> + “And this wicked man is in Paris, and wishes you evil?” said Mother Bunch. + “Oh! you are right, M. Dagobert; you must take care of yourself; it is a + bad omen.” + </p> + <p> + “For him, if I catch him,” said Dagobert, in a hollow tone. “We have old + accounts to settle.” + </p> + <p> + “M. Dagobert,” cried Mother Bunch, listening; “some one is running up the + stairs. It is Agricola’s footsteps. I am sure he has good news.” + </p> + <p> + “That will just do,” said the soldier, hastily, without answering. + “Agricola is a smith. He will be able to find me the iron hook.” + </p> + <p> + A few moments after, Agricola entered the room; but, alas! the sempstress + perceived at the first glance, in the dejected countenance of the workman, + the ruin of her cherished hopes. + </p> + <p> + “Well!” said Dagobert to his son, in a tone which clearly announced the + little faith he attached to the steps taken by Agricola; “well, what + news?” + </p> + <p> + “Father, it is enough to drive one mad—to make one dash one’s brains + out against the wall!” cried the smith in a rage. + </p> + <p> + Dagobert turned towards Mother Bunch, and said: “You see, my poor child—I + was sure of it.” + </p> + <p> + “Well, father,” cried Agricola; “have you seen the Court de Montbron?” + </p> + <p> + “The Count de Montbron set out for Lorraine three days ago. That is my + good news,” continued the soldier, with bitter irony; “let us have yours—I + long to know all. I need to know, if, on appealing to the laws, which, as + you told me, protect and defend honest people, it ever happens that the + rogues get the best of it. I want to know this, and then I want an iron + hook—so I count upon you for both.” + </p> + <p> + “What do you mean, father?” + </p> + <p> + “First, tell me what you have done. We have time. It is not much more than + half-past eight. On leaving me, where did you go first?” + </p> + <p> + “To the commissary, who had already received your depositions.” + </p> + <p> + “What did he say to you?” + </p> + <p> + “After having very kindly listened to all I had to state, he answered, + that these young girls were placed in a respectable house, a convent—so + that there did not appear any urgent necessity for their immediate removal—and + besides, he could not take upon himself to violate the sanctity of a + religious dwelling upon your simple testimony; to-morrow, he will make his + report to the proper authorities, and steps will be taken accordingly.” + </p> + <p> + “Yes, yes—plenty of put offs,” said the soldier. + </p> + <p> + “‘But, sir,’ answered I to him,” resumed Agricola, “‘it is now, this very + night, that you ought to act, for if these young girls should not be + present to-morrow morning in the Rue Saint Francois, their interests may + suffer incalculable damage. ‘I am very sorry for it,’ replied he, ‘but I + cannot, upon your simple declaration, or that of your father, who—like + yourself—is no relation or connection of these young persons, act in + direct opposition to forms, which could not be set aside, even on the + demand of a family. The law has its delays and its formalities, to which + we are obliged to submit.’” + </p> + <p> + “Certainly!” said Dagobert. “We must submit to them, at the risk of + becoming cowardly, ungrateful traitors!” + </p> + <p> + “Didst speak also of Mdlle. de Cardoville to him?” asked the work-girl. + </p> + <p> + “Yes—but he: answered me on this subject in much the same manner: + ‘It was very serious; there was no proof in support of my deposition. A + third party had told me that Mdlle. de Cardoville affirms she was not mad; + but all mad people pretend to be sane. He could not, therefore, upon my + sole testimony, take upon himself to enter the house of a respectable + physician. But he would report upon it, and the law would have its course—‘” + </p> + <p> + “When I wished to act just now for myself,” said Dagobert, “did I not + forsee all this? And yet I was weak enough to listen to you.” + </p> + <p> + “But, father, what you wished to attempt was impossible, and you agreed + that it would expose you to far too dangerous consequences.” + </p> + <p> + “So,” resumed the soldier, without answering his son, “they told you in + plain terms, that we must not think of obtaining legally the release of + Rose and Blanche this evening or even to-morrow morning?” + </p> + <p> + “Yes, father. In the eyes of the law, there is no special urgency. The + question may not be decided for two or three days.” + </p> + <p> + “That is all I wished to know,” said Dagobert, rising and walking up and + down the room. + </p> + <p> + “And yet,” resumed his son, “I did not consider myself beaten. In despair, + but believing that justice could not remain deaf to such equitable claims, + I ran to the Palais de Justice, hoping to find there a judge, a magistrate + who would receive my complaint, and act upon it.” + </p> + <p> + “Well?” said the soldier, stopping him. + </p> + <p> + “I was told that the courts shut every day at five o’clock, and do not + open again til ten in the morning. Thinking of your despair, and of the + position of poor Mdlle. de Cardoville, I determined to make one more + attempt. I entered a guard-house of troops of the line, commanded by a + lieutenant. I told him all. He saw that I was so much moved, and I spoke + with such warmth and conviction, that he became interested.—‘Lieutenant,’ + said I to him, ‘grant me one favor; let a petty officer and two soldiers + go to the convent to obtain a legal entrance. Let them ask to see the + daughters of Marshal Simon, and learn whether it is their choice to + remain, or return to my father, who brought them from Russia. You will + then see if they are not detained against their will—‘” + </p> + <p> + “And what answer did he give you, Agricola?” asked Mother Bunch, while + Dagobert shrugged his shoulders, and continued to walk up and down. + </p> + <p> + “‘My good fellow,’ said he, ‘what you ask me is impossible. I understand + your motives, but I cannot take upon myself so serious a measure. I should + be broke were I to enter a convent by force.—‘Then, sir, what am I + to do? It is enough to turn one’s head.’—‘Faith, I don’t know,’ said + the lieutenant; ‘it will be safest, I think, to wait.’—Then, + believing I had done all that was possible, father, I resolved to come + back, in the hope that you might have been more fortunate than I—but, + alas! I was deceived!” + </p> + <p> + So saying, the smith sank upon a chair, for he was worn out with anxiety + and fatigue. There was a moment of profound silence after these words of + Agricola, which destroyed the last hopes of the three, mute and crushed + beneath the strokes of inexorable fatality. + </p> + <p> + A new incident came to deepen the sad and painful character of this scene. + </p> + <p> + <a name="link2HCH0064" id="link2HCH0064"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XI. DISCOVERIES. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>he door which Agricola had not thought of fastening opened, as it were, + timidly, and Frances Baudoin, Dagobert’s wife, pale, sinking, hardly able + to support herself, appeared on the threshold. + </p> + <p> + The soldier, Agricola, and Mother Bunch, were plunged in such deep + dejection, that neither of them at first perceived the entrance. Frances + advanced two steps into the room, fell upon her knees, clasped her hands + together, and said in a weak and humble voice; “My poor husband—pardon!” + </p> + <p> + At these words, Agricola and the work-girl—whose backs were towards + the door—turned round suddenly, and Dagobert hastily raised his + head. + </p> + <p> + “My mother!” cried Agricola, running to Frances. + </p> + <p> + “My wife!” cried Dagobert, as he also rose, and advanced to meet the + unfortunate woman. + </p> + <p> + “On your knees, dear mother!” said Agricola, stooping down to embrace her + affectionately. “Get up, I entreat you!” + </p> + <p> + “No, my child,” said Frances, in her mild, firm accents, “I will not rise, + till your father has forgiven me. I have wronged him much—now I know + it.” + </p> + <p> + “Forgive you, my poor wife?” said the soldier, as he drew near with + emotion. “Have I ever accused you, except in my first transport of + despair? No, no; it was the bad priests that I accused, and there I was + right. Well! I have you again,” added he, assisting his son to raise + Frances; “one grief the less. They have then restored you to liberty? + Yesterday, I could not even learn in what prison they had put you. I have + so many cares that I could not think of you only. But come, dear wife: sit + down!” + </p> + <p> + “How feeble you are, dear mother!—how cold—how pale!” said + Agricola with anguish, his eyes filling with tears. + </p> + <p> + “Why did you not let us know?” added he. “We would have gone to fetch you. + But how you tremble! Your hands are frozen!” continued the smith, as he + knelt down before Frances. Then, turning towards Mother Bunch: “Pray, make + a little fire directly.” + </p> + <p> + “I thought of it, as soon as your father came in, Agricola, but there is + no wood nor charcoal left.” + </p> + <p> + “Then pray borrow some of Father Loriot, my dear sister. He is too good a + fellow to refuse. My poor mother trembles so—she might fall ill.” + </p> + <p> + Hardly had he said the words, than Mother Bunch went out. The smith rose + from the ground, took the blanket from the bed, and carefully wrapped it + about the knees and feet of his mother. Then, again kneeling down, he said + to her: “Your hands, dear mother!” and, taking those feeble palms in his + own, he tried to warm them with his breath. + </p> + <p> + Nothing could be more touching than this picture: the robust young man, + with his energetic and resolute countenance, expressing by his looks the + greatest tenderness, and paying the most delicate attentions to his poor, + pale, trembling old mother. + </p> + <p> + Dagobert, kind-hearted as his son, went to fetch a pillow, and brought it + to his wife, saying: “Lean forward a little, and I will put this pillow + behind you; you will be more comfortable and warmer.” + </p> + <p> + “How you both spoil me!” said Frances, trying to smile. “And you to be so + kind, after all the ill I have done!” added she to Dagobert, as, + disengaging one of her hands from those of her son, she took the soldier’s + hand and pressed it to her tearful eyes. “In prison,” said she in a low + voice, “I had time to repent.” + </p> + <p> + Agricola’s heart was near breaking at the thought that his pious and good + mother, with her angelic purity, should for a moment have been confined in + prison with so many miserable creatures. He would have made some attempt + to console her on the subject of the painful past, but he feared to give a + new shock to Dagobert, and was silent. + </p> + <p> + “Where is Gabriel, dear mother?” inquired he. “How is he? As you have seen + him, tell us all about him.” + </p> + <p> + “I have seen Gabriel,” said Frances, drying her tears; “he is confined at + home. His superiors have rigorously forbidden his going out. Luckily, they + did not prevent his receiving me, for his words and counsels have opened + my eyes to many things. It is from him that I learned how guilty I had + been to you, my poor husband.” + </p> + <p> + “How so?” asked Dagobert. + </p> + <p> + “Why, you know that if I caused you so much grief, it was not from + wickedness. When I saw you in such despair, I suffered almost as much + myself; but I durst not tell you so, for fear of breaking my oath. I had + resolved to keep it, believing that I did well, believing that it was my + duty. And yet something told me that it could not be my duty to cause you + so much pain. ‘Alas, my God! enlighten me!’ I exclaimed in my prison, as I + knelt down and prayed, in spite of the mockeries of the other women. ‘Why + should a just and pious work, commanded by my confessor, the most + respectable of men, overwhelm me and mine with so much misery? ‘Have mercy + on me, my God, and teach me if I have done wrong without knowing it!’ As I + prayed with fervor, God heard me, and inspired me with the idea of + applying to Gabriel. ‘I thank Thee, Father! I will obey!’ said I within + myself. ‘Gabriel is like my own child; but he is also a priest, a martyr—almost + a saint. If any one in the world imitates the charity of our blessed + Saviour, it is surely he. When I leave this prison, I will go and consult + him and he will clear up my doubts.’” + </p> + <p> + “You are right, dear mother,” cried Agricola; “it was a thought from + heaven. Gabriel is an angel of purity, courage, nobleness—the type + of the true and good priest!” + </p> + <p> + “Ah, poor wife!” said Dagobert, with bitterness; “if you had never had any + confessor but Gabriel!” + </p> + <p> + “I thought of it before he went on his journey,” said Frances, with + simplicity. “I should have liked to confess to the dear boy—but I + fancied Abbe Dubois would be offended, and that Gabriel would be too + indulgent with regard to my sins. + </p> + <p> + “Your sins, poor dear mother?” said Agricola. “As if you ever committed + any!” + </p> + <p> + “And what did Gabriel tell you?” asked the soldier. + </p> + <p> + “Alas, my dear! had I but had such an interview with him sooner! What I + told him of Abbe Dubois roused his suspicions, and he questioned me, dear + child, as to many things of which he had never spoken to me before. Then I + opened to him my whole heart, and he did the same to me, and we both made + sad discoveries with regard to persons whom we had always thought very + respectable, and who yet had deceived each of us, unknown to the other.” + </p> + <p> + “How so?” + </p> + <p> + “Why, they used to tell him, under the seal of secrecy, things that were + supposed to come from me; and they used to tell me, under the same seal of + secrecy, things that were supposed to come from him. Thus, he confessed to + me, that he did not feel at first any vocation for the priesthood; but + they told him that I should not believe myself safe in this world or in + the next, if he did not take orders, because I felt persuaded that I could + best serve the Lord by giving Him so good a servant; and that yet I had + never dared to ask Gabriel himself to give me this proof of his + attachment, though I had taken him from the street, a deserted orphan, and + brought him up as my own son, at the cost of labor and privations. Then, + how could it be otherwise? The poor dear child, thinking he could please + me, sacrificed himself. He entered the seminary.” + </p> + <p> + “Horrible,” said Agricola; “‘tis an infamous snare, and, for the priests + who were guilty of it, a sacrilegious lie!” + </p> + <p> + “During all that time,” resumed Frances, “they were holding very different + language to me. I was told that Gabriel felt his vocation, but that he + durst not avow it to me, for fear of my being jealous on account of + Agricola, who, being brought up as a workman, would not enjoy the same + advantages as those which the priesthood would secure to Gabriel. So when + he asked my permission to enter the seminary dear child! he entered it + with regret, but he thought he was making me so happy!—instead of + discouraging this idea, I did all in my power to persuade him to follow + it, assuring him that he could not do better, and that it would occasion + me great joy. You understand, I exaggerated, for fear he should think me + jealous on account of Agricola.” + </p> + <p> + “What an odious machination!” said Agricola, in amazement. “They were + speculating in this unworthy manner upon your mutual devotion. Thus + Gabriel saw the expression of your dearest wish in the almost forced + encouragement given to his resolution.” + </p> + <p> + “Little by little, however, as Gabriel has the best heart in the world, + the vocation really came to him. That was natural enough—he was born + to console those who suffer, and devote himself for the unfortunate. He + would never have spoken to me of the past, had it not been for this + morning’s interview. But then I beheld him, who is usually so mild and + gentle, become indignant, exasperated, against M. Rodin and another person + whom he accuses. He had serious complaints against them already, but these + discoveries, he says, will make up the measure.” + </p> + <p> + At these words of Frances, Dagobert pressed his hand to his forehead, as + if to recall something to his memory. For some minutes he had listened + with surprise, and almost terror, to the account of these secret plots, + conducted with such deep and crafty dissimulation. + </p> + <p> + Frances continued: “When at last I acknowledged to Gabriel, that by the + advice of Abbe Dubois, my confessor, I had delivered to a stranger the + children confined to my husband—General Simon’s daughters—the + dear boy blamed me, though with great regret, not for having wished to + instruct the poor orphans in the truths of our holy religion, but for + having acted without the consent of my husband, who alone was answerable + before God and man for the charge entrusted to him. Gabriel severely + censured Abbe Dubois’ conduct, who had given me, he said, bad and + perfidious counsels; and then, with the sweetness of an angel, the dear + boy consoled me, and exhorted me to come and tell you all. My poor + husband! he would fain have accompanied me, for I had scarcely courage to + come hither, so strongly did I feel the wrong I had done you; but, + unfortunately, Gabriel is confined at the seminary by the strict order of + his superiors; he could not come with me, and—” + </p> + <p> + Here Dagobert, who seemed much agitated, abruptly interrupted his wife. + “One word, Frances,” said he; “for, in truth, in the midst of so many + cares, and black, diabolical plots, one loses one’s memory, and the head + begins to wander. Didst not tell me, the day the children disappeared, + that Gabriel, when taken in by you, had round his neck a bronze medal, and + in his pocket a book filled with papers in a foreign language?” + </p> + <p> + “Yes, my dear.” + </p> + <p> + “And this medal and these papers were afterwards delivered to your + confessor?” + </p> + <p> + “Yes, my dear.” + </p> + <p> + “And Gabriel never spoke of them since?” + </p> + <p> + “Never.” + </p> + <p> + Agricola, hearing this from his mother, looked at her with surprise, and + exclaimed: “Then Gabriel has the same interest as the daughters of General + Simon, or Mdlle. de Cardoville, to be in the Rue Saint-Francois + to-morrow?” + </p> + <p> + “Certainly,” said Dagobert. “And now do you remember what he said to us, + just after my arrival—that, in a few days, he would need our support + in a serious matter?” + </p> + <p> + “Yes, father.” + </p> + <p> + “And he is kept a prisoner at his seminary! And he tells your mother that + he has to complain of his superiors! and he asked us for our support with + so sad and grave an air, that I said to him—” + </p> + <p> + “He would speak so, if about to engage in a deadly duel,” interrupted + Agricola. “True, father! and yet you, who are a good judge of valor, + acknowledged that Gabriel’s courage was equal to yours. For him so to fear + his superiors, the danger must be great indeed.” + </p> + <p> + “Now that I have heard your mother, I understand it all,” said Dagobert. + “Gabriel is like Rose and Blanche, like Mdlle. de Cardoville, like your + mother, like all of us, perhaps—the victim of a secret conspiracy of + wicked priests. Now that I know their dark machinations, their infernal + perseverance, I see,” added the soldier, in a whisper, “that it requires + strength to struggle against them. I had not the least idea of their + power.” + </p> + <p> + “You are right, father; for those who are hypocritical and wicked do as + much harm as those who are good and charitable, like Gabriel, do good. + There is no more implacable enemy than a bad priest.” + </p> +<div class="fig"> + <img src="images/20125m.jpg" alt="20125m" /><br /> + </div> + <h5> + <a href="images/20125.jpg"><i>Original</i></a> + </h5> + <p> + “I know it, and that’s what frightens me; for my poor children are in + their hands. But is all lost? Shall I bring myself to give them up without + an effort? Oh, no, no! I will not show any weakness—and yet, since + your mother told us of these diabolical plots, I do not know how it is but + I seem less strong, less resolute. What is passing around me appears so + terrible. The spiriting away of these children is no longer an isolated + fact—it is one of the ramifications of a vast conspiracy, which + surrounds and threatens us all. It seems to me as if I and those I love + walked together in darkness, in the midst of serpents, in the midst of + snares that we can neither see nor struggle against. Well! I’ll speak out! + I have never feared death—I am not a coward and yet I confess—yes, + I confess it—these black robes frighten me—” + </p> + <p> + Dagobert pronounced these words in so sincere a tone, that his son + started, for he shared the same impression. And it was quite natural. + Frank, energetic, resolute characters, accustomed to act and fight in the + light of day, never feel but one fear—and that is, to be ensnared + and struck in the dark by enemies that escape their grasp. Thus, Dagobert + had encountered death twenty times; and yet, on hearing his wife’s simple + revelation of this dark tissue of lies, and treachery, and crime, the + soldier felt a vague sense of fear; and, though nothing was changed in the + conditions of his nocturnal enterprise against the convent, it now + appeared to him in a darker and more dangerous light. + </p> + <p> + The silence, which had reigned for some moments, was interrupted by Mother + Bunch’s return. The latter, knowing that the interview between Dagobert, + his wife, and Agricola, ought not have any importunate witness, knocked + lightly at the door, and remained in the passage with Father Loriot. + </p> + <p> + “Can we come in, Mme. Frances?” asked the sempstress. “Here is Father + Loriot, bringing some wood.” + </p> + <p> + “Yes, yes; come in, my good girl,” said Agricola, whilst his father wiped + the cold sweat from his forehead. + </p> + <p> + The door opened, and the worthy dyer appeared, with his hands and arms of + an amaranthine color; on one side, he carried a basket of wood, and on the + other some live coal in a shovel. + </p> + <p> + “Good-evening to the company!” said Daddy Loriot. “Thank you for having + thought of me, Mme. Frances. You know that my shop and everything in it + are at your service. Neighbors should help one another; that’s my motto! + You were kind enough, I should think, to my late wife!” + </p> + <p> + Then, placing the wood in a corner, and giving the shovel to Agricola, the + worthy dyer, guessing from the sorrowful appearance of the different + actors in this scene, that it would be impolite to prolong his visit, + added: “You don’t want anything else, Mme. Frances?” + </p> + <p> + “No, thank you, Father Loriot.” + </p> + <p> + “Then, good-evening to the company!” said the dyer; and, addressing Mother + Bunch, he added: “Don’t forget the letter for M. Dagobert. I durstn’t + touch it for fear of leaving the marks of my four fingers and thumb in + amaranthine! But, good evening to the company!” and Father Loriot went + out. + </p> + <p> + “M. Dagobert, here is a letter,” said Mother Bunch. She set herself to + light the fire in the stove, while Agricola drew his mother’s arm-chair to + the hearth. + </p> + <p> + “See what it is, my boy,” said Dagobert to his son; “my head is so heavy + that I cannot see clear.” Agricola took the letter, which contained only a + few lines, and read it before he looked at the signature. + </p> +<pre xml:space="preserve"> + “At Sea, December 25th, 1831. + + “I avail myself of a few minutes’ communication with a ship bound + direct for Europe, to write to you, my old comrade, a few hasty + lines, which will reach you probably by way of Havre, before the + arrival of my last letters from India. You must by this time be at + Paris, with my wife and child—tell them—I am unable to say more + —the boat is departing. Only one word; I shall soon be in France. + Do not forget the 13th February; the future of my wife and child + depends upon it. + + “Adieu, my friend! Believe in my eternal gratitude. + + “SIMON.” + </pre> + <p> + “Agricola—quick! look to your father!” cried the hunchback. + </p> + <p> + From the first words of this letter, which present circumstances made so + cruelly applicable, Dagobert had become deadly pale. Emotion, fatigue, + exhaustion, joined to this last blow, made him stagger. + </p> + <p> + His son hastened to him, and supported him in his arms. But soon the + momentary weakness passed away, and Dagobert, drawing his hand across his + brow, raised his tall figure to its full height. Then, whilst his eye + sparkled, his rough countenance took an expression of determined + resolution, and he exclaimed, in wild excitement: “No, no! I will not be a + traitor; I will not be a coward. The black robes shall not frighten me; + and, this night, Rose and Blanche Simon shall be free!” + </p> + <p> + <a name="link2HCH0065" id="link2HCH0065"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XII. THE PENAL CODE. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">S</span>tartled for a moment by the dark and secret machinations of the black + robes, as he called them, against the persons he most loved, Dagobert + might have hesitated an instant to attempt the deliverance of Rose and + Blanche; but his indecision ceased directly on the reading of Marshal + Simon’s letter, which came so timely to remind him of his sacred duties. + </p> + <p> + To the soldier’s passing dejection had succeeded a resolution full of calm + and collected energy. + </p> + <p> + “Agricola, what o’clock is it?” asked he of his son. + </p> + <p> + “Just struck nine, father.” + </p> + <p> + “You must make me, directly, an iron hook—strong enough to support + my weight, and wide enough to hold on the coping of a wall. This stove + will be forge and anvil; you will find a hammer in the house; and, for + iron,” said the soldier, hesitating, and looking around him, “as for iron—here + is some!” + </p> + <p> + So saying, the soldier took from the hearth a strong pair of tongs, and + presented them to his son, adding: “Come, my boy! blow up the fire, blow + it to a white heat, and forge me this iron!” + </p> + <p> + On these words, Frances and Agricola looked at each other with surprise; + the smith remained mute and confounded, not knowing the resolution of his + father, and the preparations he had already commenced with the + needlewoman’s aid. + </p> + <p> + “Don’t you hear me, Agricola,” repeated Dagobert, still holding the pair + of tongs in his hand; “you must make me a hook directly.” + </p> + <p> + “A hook, father?—for what purpose?” + </p> + <p> + “To tie to the end of a cord that I have here. There must be a loop at one + end large enough to fix it securely.” + </p> + <p> + “But this cord—this hook—for what purpose are they?” + </p> + <p> + “To scale the walls of the convent, if I cannot get in by the door.” + </p> + <p> + “What convent?” asked Frances of her son. + </p> + <p> + “How, father?” cried the latter, rising abruptly. “You still think of + that?” + </p> + <p> + “Why! what else should I think of?” + </p> + <p> + “But, father, it is impossible; you will never attempt such an + enterprise.” + </p> + <p> + “What is it, my child?” asked Frances, with anxiety. “Where is father + going?” + </p> + <p> + “He is going to break into the convent where Marshal Simon’s daughters are + confined, and carry them off.” + </p> + <p> + “Great God! my poor husband—a sacrilege!” cried Frances, faithful to + her pious traditions, and, clasping her hands together, she endeavored to + rise and approach Dagobert. + </p> + <p> + The soldier, forseeing that he would have to contend with observations and + prayers of all sorts, and resolved not to yield, determined to cut short + all useless supplications, which would only make him lose precious time. + He said, therefore, with a grave, severe, and almost solemn air, which + showed the inflexibility of his determination: “Listen to me, wife—and + you also, my son—when, at my age, a man makes up his mind to do + anything, he knows the reason why. And when a man has once made up his + mind, neither wife nor child can alter it. I have resolved to do my duty; + so spare yourselves useless words. It may be your duty to talk to me as + you have done; but it is over now, and we will say no more about it. This + evening I must be master in my own house.” + </p> + <p> + Timid and alarmed, Frances did not dare to utter a word, but she turned a + supplicating glance towards her son. + </p> + <p> + “Father,” said the latter, “one word more—only one.” + </p> + <p> + “Let us hear,” replied Dagobert, impatiently. + </p> + <p> + “I will not combat your resolution; but I will prove to you that you do + not know to what you expose yourself.” + </p> + <p> + “I know it all,” replied the soldier, in an abrupt tone. “The undertaking + is a serious one; but it shall not be said that I neglected any means to + accomplish what I promised to do.” + </p> + <p> + “But father, you do not know to what danger you expose yourself,” said the + smith, much alarmed. + </p> + <p> + “Talk of danger! talk of the porter’s gun and the gardener’s scythe!” said + Dagobert, shrugging his shoulders contemptuously. “Talk of them, and have + done with it for, after all, suppose I were to leave my carcass in the + convent, would not you remain to your mother? For twenty years, you were + accustomed to do without me. It will be all the less trying to you.” + </p> + <p> + “And I, alas! am the cause of these misfortunes!” cried the poor mother. + “Ah! Gabriel had good reason to blame me.” + </p> + <p> + “Mme. Frances, be comforted,” whispered the sempstress, who had drawn near + to Dagobert’s wife. “Agricola will not suffer his father to expose himself + thus.” + </p> + <p> + After a moment’s hesitation, the smith resumed, in an agitated voice: “I + know you too well, father, to think of stopping you by the fear of death.” + </p> + <p> + “Of what danger, then, do you speak?” + </p> + <p> + “Of a danger from which even you will shrink, brave as you are,” said the + young man, in a voice of emotion, that forcibly struck his father. + </p> + <p> + “Agricola,” said the soldier, roughly and severely, “that remark is + cowardly, you are insulting.” + </p> + <p> + “Father—” + </p> + <p> + “Cowardly!” resumed the soldier, angrily; “because it is cowardice to wish + to frighten a man from his duty—insulting! because you think me + capable of being so frightened.” + </p> + <p> + “Oh, M. Dagobert!” exclaimed the sewing-girl, “you do not understand + Agricola.” + </p> + <p> + “I understand him too well,” answered the soldier harshly. + </p> + <p> + Painfully affected by the severity of his father, but firm in his + resolution, which sprang from love and respect, Agricola resumed, whilst + his heart beat violently. “Forgive me, if I disobey you, father; but, were + you to hate me for it, I must tell you to what you expose yourself by + scaling at night the walls of a convent—” + </p> + <p> + “My son! do you dare?” cried Dagobert, his countenance inflamed with + rage-“Agricola!” exclaimed Frances, in tears. “My husband!” + </p> + <p> + “M. Dagobert, listen to Agricola!” exclaimed Mother Bunch. “It is only in + your interest that he speaks.” + </p> + <p> + “Not one word more!” replied the soldier, stamping his foot with anger. + </p> + <p> + “I tell you, father,” exclaimed the smith, growing fearfully pale as he + spoke, “that you risk being sent to the galleys!” + </p> + <p> + “Unhappy boy!” cried Dagobert, seizing his son by the arm; “could you not + keep that from me—rather than expose me to become a traitor and a + coward?” And the soldier shuddered, as he repeated: “The galleys!”—and, + bending down his head, remained mute, pensive, withered, as it were, by + those blasting words. + </p> + <p> + “Yes, to enter an inhabited place by night, in such a manner, is what the + law calls burglary, and punishes with the galleys,” cried Agricola, at + once grieved and rejoicing at his father’s depression of mind—“yes, + father, the galleys, if you are taken in the act; and there are ten + chances to one that you would be so. Mother Bunch has told you, the + convent is guarded. This morning, had you attempted to carry off the two + young ladies in broad daylight, you would have been arrested; but, at + least, the attempt would have been an open one, with a character of honest + audacity about it, that hereafter might have procured your acquittal. But + to enter by night, and by scaling the walls—I tell you, the galleys + would be the consequence. Now, father, decide. Whatever you do, I will do + also—for you shall not go alone. Say but the word, and I will forge + the hook for you—I have here hammer and pincers—and in an hour + we will set out.” + </p> + <p> + A profound silence followed these words—a silence that was only + interrupted by the stifled sobs of Frances, who muttered to herself in + despair: “Alas! this is the consequence of listening to Abbe Dubois!” + </p> + <p> + It was in vain that Mother Bunch tried to console Frances. She was herself + alarmed, for the soldier was capable of braving even infamy, and Agricola + had determined to share the perils of his father. + </p> + <p> + In spite of his energetic and resolute character, Dagobert remained for + some time in a kind of stupor. According to his military habits, he had + looked at this nocturnal enterprise only as a ruse de guerre, authorized + by his good cause, and by the inexorable fatality of his position; but the + words of his son brought him back to the fearful reality, and left him the + choice of a terrible alternative—either to betray the confidence of + Marshal Simon, and set at naught the last wishes of the mother of the + orphan—or else to expose himself, and above all his son, to lasting + disgrace—without even the certainty of delivering the orphans after + all. + </p> + <p> + Drying her eyes, bathed in tears, Frances exclaimed, as if by a sudden + inspiration: “Dear me! I have just thought of it. There is perhaps a way + of getting these dear children from the convent without violence.” + </p> + <p> + “How so, mother?” said Agricola, hastily. + </p> + <p> + “It is Abbe Dubois, who had them conveyed thither; but Gabriel supposes, + that he probably acted by the advice of M. Rodin. + </p> + <p> + “And if that were so, mother, it would be in vain to apply to M. Rodin. We + should get nothing from him.” + </p> + <p> + “Not from him—but perhaps from that powerful abbe, who is Gabriel’s + superior, and has always patronized him since his first entrance at the + seminary.” + </p> + <p> + “What abbe, mother?” + </p> + <p> + “Abbe d’Aigrigny.” + </p> + <p> + “True mother; before being a priest, he was a soldier he may be more + accessible than others—and yet—” + </p> + <p> + “D’Aigrigny!” cried Dagobert, with an expression of hate and horror. + “There is then mixed up with these treasons, a man who was a soldier + before being a priest, and whose name is D’Aigrigny?” + </p> + <p> + “Yes, father; the Marquis d’Aigrigny—before the Restoration, in the + service of Russia—but, in 1815, the Bourbons gave him a regiment.” + </p> + <p> + “It is he!” said Dagobert, in a hollow voice. “Always the same! like an + evil spirit—to the mother, father, children.” + </p> + <p> + “What do you mean, father?” + </p> + <p> + “The Marquis d’Aigrigny!” replied Dagobert. “Do you know what is this man? + Before he was a priest, he was the murderer of Rose and Blanche’s mother, + because she despised his love. Before he was a priest, he fought against + his country, and twice met General Simon face to face in war. Yes; while + the general was prisoner at Leipsic, covered with wounds at Waterloo, the + turncoat marquis triumphed with the Russians and English!—Under the + Bourbons, this same renegade, loaded with honors, found himself once more + face to face with the persecuted soldier of the empire. Between them, this + time, there was a mortal duel—the marquis was wounded—General + Simon was proscribed, condemned, driven into exile. The renegade, you say, + has become a priest. Well! I am now certain, that it is he who has carried + off Rose and Blanche, in order to wreak on them his hatred of their father + and mother. It is the infamous D’Aigrigny, who holds them in his power. It + is no longer the fortune of these children that I have to defend; it is + their life—do you hear what I say?—their very life?” + </p> + <p> + “What, father! do you think this man capable—” + </p> + <p> + “A traitor to his country, who finishes by becoming a mock priest, is + capable of anything. I tell you, that, perhaps at this moment he may be + killing those children by a slow-fire!” exclaimed the soldier, in a voice + of agony. “To separate them from one another was to begin to kill them. + Yes!” added Dagobert, with an exasperation impossible to describe; “the + daughters of Marshal Simon are in the power of the Marquis d’Aigrigny and + his band, and I hesitate to attempt their rescue, for fear of the galleys! + The galleys!” added he, with a convulsive burst of laughter; “what do I + care for the galleys? Can they send a corpse there? If this last attempt + fail, shall I not have the right to blow my brains out?—Put the iron + in the fire, my boy—quick! time presses—and strike while the + iron’s hot!” + </p> + <p> + “But your son goes with you!” exclaimed Frances, with a cry of maternal + despair. Then rising, she threw herself at the feet of Dagobert, and said: + “If you are arrested, he will be arrested also.” + </p> + <p> + “To escape the galleys, he will do as I do. I have two pistols.” + </p> +<div class="fig"> + <img src="images/20133m.jpg" alt="20133m" /><br /> + </div> + <h5> + <a href="images/20133.jpg"><i>Original</i></a> + </h5> + <p> + “And without you—without him,” cried the unhappy mother, extending + her hands in supplication, “what will become of me?” + </p> + <p> + “You are right—I was too selfish,” said Dagobert. “I will go alone.” + </p> + <p> + “You shall not go alone, father,” replied Agricola. + </p> + <p> + “But your mother?” + </p> + <p> + “Mother Bunch sees what is passing; she will go to Mr. Hardy, my master, + and tell him all. He is the most generous of men, and my mother will have + food and shelter for the rest of her days.” + </p> + <p> + “And I am the cause of all!” cried Frances, wringing her hands in despair. + “Punish me, oh, heaven! for it is my fault. I gave up those children. I + shall be punished by the death of my child!” + </p> + <p> + “Agricola, you shall not go with me—I forbid it!” said Dagobert, + clasping his son closely to his breast. + </p> + <p> + “What! when I have pointed out the danger, am I to be the first to shrink + from it? you cannot think thus lowly of me, father! Have I not also some + one to deliver? The good, the generous Mdlle. de Cardoville, who tried to + save me from a prison, is a captive in her turn. I will follow you, + father. It is my right, my duty, my determination.” + </p> + <p> + So saying, Agricola put into the heated stove the tongs that were intended + to form the hook. “Alas! may heaven have pity upon us!” cried his poor + mother, sobbing as she still knelt, whilst the soldier seemed a prey to + the most violent internal struggle. + </p> + <p> + “Do not cry so, dear mother; you will break my heart,” said Agricola, as + he raised her with the sempstress’s help. “Be comforted! I have + exaggerated the danger of my father. By acting prudently, we two may + succeed in our enterprise; without much risk—eh, father?” added he, + with a significant glance at Dagobert. “Once more, be comforted, dear + mother. I will answer for everything. We will deliver Marshal Simon’s + daughters, and Mdlle. de Cardoville too. Sister, give me the hammer and + pincers, there in the press.” + </p> + <p> + The sempstress, drying her tears, did as desired, while Agricola, by the + help of bellows, revived the fire in which the tongs were heating. + </p> + <p> + “Here are your tools, Agricola,” said the hunchback, in a deeply-agitated + voice, as she presented them with trembling hands to the smith, who, with + the aid of the pincers, soon drew from the fire the white-hot tongs, and, + with vigorous blows of the hammer, formed them into a hook, taking the + stove for his anvil. + </p> + <p> + Dagobert had remained silent and pensive. Suddenly he said to Frances, + taking her by the hand: “You know what metal your son is. To prevent his + following me would now be impossible. But do not be afraid, dear wife; we + shall succeed—at least, I hope so. And if we should not succeed—if + Agricola and me should be arrested—well! we are not cowards; we + shall not commit suicide; but father and son will go arm in arm to prison, + with heads high and proud, look like two brave men who have done their + duty. The day of trial must come, and we will explain all, honestly, + openly—we will say, that, driven to the last extremity, finding no + support, no protection in the law, we were forced to have recourse to + violence. So hammer away, my boy!” added Dagobert, addressing his son, + pounding the hot iron; “forge, forge, without fear. Honest judges will + absolve honest men.” + </p> + <p> + “Yes, father, you are right, be at ease dear mother! The judges will see + the difference between rascals who scale walls in order to rob, and an old + soldier and his son who, at peril of their liberty, their life, their + honor, have sought only to deliver unhappy victims.” + </p> + <p> + “And if this language should not be heard,” resumed Dagobert, “so much the + worse for them! It will not be your son, or husband, who will be + dishonored in the eyes of honest people. If they send us to the galleys, + and we have courage to survive—the young and the old convict will + wear their chains proudly—and the renegade marquis, the traitor + priest, will bear more shame than we. So, forge without fear, my boy! + There are things which the galleys themselves cannot disgrace—our + good conscience and our honor! But now,” he added, “two words with my good + Mother Bunch. It grows late, and time presses. On entering the garden, did + you remark if the windows of the convent were far from the ground?” + </p> + <p> + “No, not very far, M. Dagobert—particularly on that side which is + opposite to the madhouse, where Mdlle. de Cardoville is confined.” + </p> + <p> + “How did you manage to speak to that young lady?” + </p> + <p> + “She was on the other side of an open paling, which separates the two + gardens.” + </p> + <p> + “Excellent!” said Agricola, as he continued to hammer the iron: “we can + easily pass from one garden to the other. The madhouse may perhaps be the + readier way out. Unfortunately, you do not know, Mdlle. de Cardoville’s + chamber.” + </p> + <p> + “Yes, I do,” returned the work-girl, recollecting herself. “She is lodged + in one of the wings, and there is a shade over her window, painted like + canvas, with blue and white stripes.” + </p> + <p> + “Good! I shall not forget that.” + </p> + <p> + “And can you form no guess as to where are the rooms of my poor children?” + said Dagobert. + </p> + <p> + After a moment’s reflection, Mother Bunch answered, “They are opposite to + the chamber occupied by Mdlle. de Cardoville, for she makes signs to them + from her window: and I now remember she told me, that their two rooms are + on different stories, one on the ground-floor, and the other up one pair + of stairs.” + </p> + <p> + “Are these windows grated?” asked the smith. + </p> + <p> + “I do not know.” + </p> + <p> + “Never mind, my good girl: with these indications we shall do very well,” + said Dagobert. “For the rest, I have my plans.” + </p> + <p> + “Some water, my little sister,” said Agricola, “that I may cool my iron.” + Then addressing his father: “Will this hook do?” + </p> + <p> + “Yes, my boy; as soon as it is cold we will fasten the cord.” + </p> + <p> + For some time, Frances Baudoin had remained upon her knees, praying with + fervor. She implored Heaven to have pity on Agricola and Dagobert, who, in + their ignorance, were about to commit a great crime; and she entreated + that the celestial vengeance might fall upon her only, as she alone had + been the cause of the fatal resolution of her son and husband. + </p> + <p> + Dagobert and Agricola finished their preparations in silence. They were + both very pale, and solemnly grave. They felt all the danger of so + desperate an enterprise. + </p> + <p> + The clock at Saint-Mery’s struck ten. The sound of the bell was faint, and + almost drowned by the lashing of the wind and rain, which had not ceased + for a moment. + </p> + <p> + “Ten o’clock!” said Dagobert, with a start. “There is not a minute to + lose. Take the sack, Agricola.” + </p> + <p> + “Yes, father.” + </p> + <p> + As he went to fetch the sack, Agricola approached Mother Bunch, who was + hardly able to sustain herself, and said to her in a rapid whisper: “If we + are not here to-morrow, take care of my mother. Go to M. Hardy, who will + perhaps have returned from his journey. Courage, my sister! embrace me. I + leave poor mother to you.” The smith, deeply affected, pressed the almost + fainting girl in his arms. + </p> + <p> + “Come, old Spoil-sport,” said Dagobert: “you shall be our scout.” + Approaching his wife, who, just risen from the ground, was clasping her + son’s head to her bosom, and covering it with tears and kisses, he said to + her, with a semblance of calmness and serenity: “Come, my dear wife, be + reasonable! Make us a good fire. In two or three hours we will bring home + the two poor children, and a fine young lady. Kiss me! that will bring me + luck.” + </p> + <p> + Frances threw herself on her husband’s neck, without uttering a word. This + mute despair, mingled with convulsive sobs, was heart-rending. Dagobert + was obliged to tear himself from his wife’s arms, and striving to conceal + his emotion, he said to his son, in an agitated voice: “Let us go—she + unmans me. Take care of her, my good Mother Bunch. Agricola—come!” + </p> + <p> + The soldier slipped the pistols into the pocket of his great coat, and + rushed towards the door, followed by Spoil-sport. + </p> + <p> + “My son, let me embrace you once more—alas! it is perhaps for the + last time!” cried the unfortunate mother, incapable of rising, but + stretching out her arms to Agricola. “Forgive me! it is all my fault.” + </p> + <p> + The smith turned back, mingled his tears with those of his mother—for + he also wept—and murmured, in a stifled voice: “Adieu, dear mother! + Be comforted. We shall soon meet again.” + </p> + <p> + Then, escaping from the embrace, he joined his father upon the stairs. + </p> + <p> + Frances Baudoin heaved a long sigh, and fell almost lifeless into the + needlewoman’s arms. + </p> + <p> + Dagobert and Agricola left the Rue Brise-Miche in the height of the storm, + and hastened with great strides towards the Boulevard de l’Hopital, + followed by the dog. + </p> + <p> + <a name="link2HCH0066" id="link2HCH0066"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XIII. BURGLARY. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">H</span>alf-past eleven had just struck, when Dagobert and his son arrived on the + Boulevard de l’Hopital. + </p> + <p> + The wind blew violently, and the rain fell down in torrents, but + notwithstanding the thickness of the watery clouds, it was tolerably + light, thanks to the late rising of the moon. The tall, dark trees, and + the white walls of the convent garden, were distinguishable in the midst + of the pale glimmer. Afar off, a street lamp, acted on by the wind, with + its red lights hardly visible through the mist and rain, swung backwards + and forwards over the dirty causeway of the solitary boulevard. + </p> + <p> + At rare intervals, they heard, at a very great distance, the rattle and + rumble of a coach, returning home late; then all was again silent. + </p> + <p> + Since their departure from the Rue Brise-Miche, Dagobert and his son had + hardly exchanged a word. The design of these two brave men was noble and + generous, and yet, resolute but pensive, they glided through the darkness + like bandits, at the hour of nocturnal crimes. + </p> + <p> + Agricola carried on his shoulders the sack containing the cord, the hook, + and the iron bar; Dagobert leaned upon the arm of his son, and Spoil sport + followed his master. + </p> + <p> + “The bench, where we sat down, must be close by,” said Dagobert, stopping. + </p> + <p> + “Yes,” said Agricola, looking around; “here it is, father.” + </p> + <p> + “It is oily half-past eleven—we must wait for midnight,” resumed + Dagobert. “Let us be seated for an instant, to rest ourselves, and decide + upon our plan.” + </p> + <p> + After a moment’s silence, the soldier took his son’s hands between his + own, and thus continued: “Agricola, my child—it is yet time. Let me + go alone, I entreat you. I shall know very well how to get through the + business; but the nearer the moment comes, the more I fear to drag you + into this dangerous enterprise.” + </p> + <p> + “And the nearer the moment comes, father, the more I feel I may be of some + use; but, be it good or bad, I will share the fortune of your adventure. + Our object is praiseworthy; it is a debt of honor that you have to pay, + and I will take one half of it. Do not fancy that I will now draw back. + And so, dear father, let us think of our plan of action.” + </p> + <p> + “Then you will come?” said Dagobert, stifling a sigh. + </p> + <p> + “We must do everything,” proceeded Agricola, “to secure success. You have + already noticed the little garden-door, near the angle of the wall—that + is excellent.” + </p> + <p> + “We shall get by that way into the garden, and look immediately for the + open paling.” + </p> + <p> + “Yes; for on one side of this paling is the wing inhabited by Mdlle. de + Cardoville, and on the other that part of the convent in which the + general’s daughters are confined.” + </p> + <p> + At this moment, Spoil-sport, who was crouching at Dagobert’s feet, rose + suddenly, and pricked up his ears, as if to listen. + </p> + <p> + “One would think that Spoil-sport heard something,” said Agricola. They + listened—but heard only the wind, sounding through the tall trees of + the boulevard. + </p> + <p> + “Now I think of it, father—when the garden-door is once open, shall + we take Spoil-sport with us?” + </p> + <p> + “Yes; for if there is a watch-dog, he will settle him. And then he will + give us notice of the approach of those who go the rounds. Besides, he is + so intelligent, so attached to Rose and Blanche, that (who knows?) he may + help to discover the place where they are. Twenty times I have seen him + find them in the woods, by the most extraordinary instinct.” + </p> + <p> + A slow and solemn knell here rose above the noise of the wind: it was the + first stroke of twelve. + </p> + <p> + That note seemed to echo mournfully through the souls of Agricola and his + father. Mute with emotion, they shuddered, and by a spontaneous movement, + each grasped the hand of the other. In spite of themselves, their hearts + kept time to every stroke of the clock, as each successive vibration was + prolonged through the gloomy silence of the night. + </p> + <p> + At the last strobe, Dagobert said to his son, in a firm voice: “It is + midnight. Shake hands, and let us forward!” + </p> + <p> + The moment was decisive and solemn. “Now, father,” said Agricola, “we will + act with as much craft and daring as thieves going to pillage a strong + box.” + </p> + <p> + So saying, the smith took from the sack the cord and hook; Dagobert armed + himself with the iron bar, and both advanced cautiously, following the + wall in the direction of the little door, situated not far from the angle + formed by the street and the boulevard. They stopped from time to time, to + listen attentively, trying to distinguish those noises which were not + caused either by the high wind or the rain. + </p> + <p> + It continued light enough for them to be able to see surrounding objects, + and the smith and the soldier soon gained the little door, which appeared + much decayed, and not very strong. + </p> + <p> + “Good!” said Agricola to his father. “It will yield at one blow.” + </p> + <p> + The smith was about to apply his shoulder vigorously to the door, when + Spoil-sport growled hoarsely, and made a “point.” Dagobert silenced the + dog with a word, and grasping his son’s arm, said to him in a whisper: “Do + not stir. The dog has scented some one in the garden.” + </p> + <p> + Agricola and his father remained for some minutes motionless, holding + their breath and listening. The dog, in obedience to his master, no longer + growled, but his uneasiness and agitation were displayed more and more. + Yet they heard nothing. + </p> + <p> + “The dog must have been deceived, father,” whispered Agricola. + </p> + <p> + “I am sure of the contrary. Do not move.” + </p> + <p> + After some seconds of expectation, Spoil-sport crouched down abruptly, and + pushed his nose as far as possible under the door, snuffling up the air. + </p> + <p> + “They are coming,” said Dagobert hastily, to his son. + </p> + <p> + “Let us draw off a little distance,” replied Agricola. + </p> + <p> + “No,” said his father; “we must listen. It will be time to retire, if they + open the door. Here, Spoil-sport! down!” + </p> + <p> + The dog obeyed, and withdrawing from the door, crouched down at the feet + of his master. Some seconds after, they heard a sort of splashing on the + damp ground, caused by heavy footsteps in puddles of water, and then the + sound of words, which carried away by the wind, did not reach distinctly + the ears of the soldier and the smith. + </p> + <p> + “They are the people of whom Mother Bunch told us, going their round,” + said Agricola to his father. + </p> + <p> + “So much the better. There will be an interval before they come round + again, and we shall have some two hours before us, without interruption. + Our affair is all right now.” + </p> + <p> + By degrees, the sound of the footsteps became less and less distinct, and + at last died away altogether. + </p> + <p> + “Now, quick! we must not lose any time,” said Dagobert to his son, after + waiting about ten minutes; “they are far enough. Let us try to open the + door.” + </p> + <p> + Agricola leaned his powerful shoulder against it, and pushed vigorously; + but the door did not give way, notwithstanding its age. + </p> + <p> + “Confound it!” said Agricola; “there is a bar on the inside. I am sure of + it, or these old planks would not have resisted my weight.” + </p> +<div class="fig"> + <img src="images/20141m.jpg" alt="20141m" /><br /> + </div> + <h5> + <a href="images/20141.jpg"><i>Original</i></a> + </h5> + <p> + “What is to be done?” + </p> + <p> + “I will scale the wall by means of the cord and hook, and open the door + from the other side.” + </p> + <p> + So saying, Agricola took the cord, and after several attempts, succeeded + in fixing the hook on the coping of the wall. + </p> + <p> + “Now, father, give me a leg up; I will help myself up with the cord; once + astride on the wall, I can easily turn the hook and get down into the + garden.” + </p> + <p> + The soldier leaned against the wall, and joined his two hands, in the + hollow of which his son placed one of his feet, then mounting upon the + robust shoulders of his father, he was able, by help of the cord, and some + irregularities in the wall, to reach the top. Unfortunately, the smith had + not perceived that the coping of the wall was strewed with broken bottles, + so that he wounded his knees and hands; but, for fear of alarming + Dagobert, he repressed every exclamation of pain, and replacing the hook, + he glided down the cord to the ground. The door was close by, and he + hastened to it; a strong wooden bar had indeed secured it on the inside. + This was removed, and the lock was in so bad a state, that it offered no + resistance to a violent effort from Agricola. + </p> + <p> + The door was opened, and Dagobert entered the garden with Spoil-sport. + </p> + <p> + “Now,” said the soldier to his son, “thanks to you, the worst is over. + Here is a means of escape for the poor children, and Mdlle. de Cardoville. + The thing is now to find them, without accident or delay. Spoil-sport will + go before as a scout. Come, my good dog!” added Dagobert, “above all—fair + and softly!” + </p> + <p> + Immediately, the intelligent animal advanced a few steps, sniffing and + listening with the care and caution of a hound searching for the game. + </p> + <p> + By the half-light of the clouded moon, Dagobert and his son perceived + round them a V-shaped grove of tall trees, at which several paths met. + Uncertain which to choose, Agricola said to his father: “Let us take the + path that runs alongside the wall. It will surely lead to some building.” + </p> + <p> + “Right! Let us walk on the strips of grass, instead of through the mud. It + will make less noise.” + </p> + <p> + The father and son, preceded by the Siberian dog, kept for some time in a + winding path, at no great distance from the wall. They stopped now and + then to listen, or to satisfy themselves, before continuing their advance, + with regard to the changing aspects of the trees and bushes, which, shaken + by the wind, and faintly illumined by the pale light of the moon, often + took strange and doubtful forms. + </p> + <p> + Half-past twelve struck as Agricola and his father reached a large iron + gate which shut in that part of the garden reserved for the Superior—the + same into which Mother Bunch had intruded herself, after seeing Rose Simon + converse with Adrienne de Cardoville. + </p> + <p> + Through the bars of this gate, Agricola and his father perceived at a + little distance an open paling, which joined a half-finished chapel, and + beyond it a little square building. + </p> + <p> + “That is no doubt the building occupied by Mdlle. de Cardoville,” said + Agricola. + </p> + <p> + “And the building which contains the chambers of Rose and Blanche, but + which we cannot see from here, is no doubt opposite it,” said Dagobert. + “Poor children! they are there, weeping tears of despair,” added he, with + profound emotion. + </p> + <p> + “Provided the gate be but open,” said Agricola. + </p> + <p> + “It will probably be so—being within the walls.” + </p> + <p> + “Let us go on gently.” + </p> + <p> + The gate was only fastened by the catch of the lock. Dagobert was about to + open it, when Agricola said to him: “Take care! do not make it creak on + its hinges.” + </p> + <p> + “Shall I push it slowly or suddenly?” + </p> + <p> + “Let me manage it,” said Agricola; and he opened the gate so quickly, that + it creaked very little; still the noise might have been plainly heard, in + the silence of the night, during one of the lulls between the squalls of + wind. + </p> + <p> + Agricola and his father remained motionless for a moment, listening + uneasily, before they ventured to pass through the gate. Nothing stirred, + however; all remained calm and still. With fresh courage, they entered the + reserved garden. + </p> + <p> + Hardly had the dog arrived on this spot, when he exhibited tokens of + extraordinary delight. Picking up his ears, wagging his tail, bounding + rather than running, he had soon reached the paling where, in the morning, + Rose Simon had for a moment conversed with Mdlle. de Cardoville. He + stopped an instant at this place, as if at fault, and turned round and + round like a dog seeking the scent. + </p> + <p> + Dagobert and his son, leaving Spoil-sport to his instinct, followed his + least movements with intense interest, hoping everything from his + intelligence and his attachment to the orphans. + </p> + <p> + “It was no doubt near this paling that Rose stood when Mother Bunch saw + her,” said Dagobert. “Spoil-sport is on her track. Let him alone.” + </p> + <p> + After a few seconds, the dog turned his head towards Dagobert, and started + at full trot in the direction of a door on the ground-floor of a building, + opposite to that occupied by Adrienne. Arrived at this door, the dog lay + down, seemingly waiting for Dagobert. + </p> + <p> + “No doubt of it! the children are there!” said Dagobert, hastening to + rejoin Spoil-sport; “it was by this door that they took Rose into the + house.” + </p> + <p> + “We must see if the windows are grated,” said Agricola, following his + father. + </p> + <p> + “Well, old fellow!” whispered the soldier, as he came up to the dog and + pointed to the building, “are Rose and Blanche there?” + </p> + <p> + The dog lifted his head, and answered by a joyful bark. Dagobert had just + time to seize the mouth of the animal with his hands. + </p> + <p> + “He will ruin all!” exclaimed the smith. “They have, perhaps, heard him.” + </p> + <p> + “No,” said Dagobert. “But there is no longer any doubt—the children + are here.” + </p> + <p> + At this instant, the iron gate, by which the soldier and his son had + entered the reserved garden, and which they had left open, fell to with a + loud noise. + </p> + <p> + “They’ve shut us in,” said Agricola, hastily; “and there is no other + issue.” + </p> + <p> + For a moment, the father and son looked in dismay at each other; but + Agricola instantly resumed: “The gate has perhaps shut of itself. I will + make haste to assure myself of this, and to open it again if possible.” + </p> + <p> + “Go quickly; I will examine the windows.” + </p> + <p> + Agricola flew towards the gate, whilst Dagobert, gliding along the wall, + soon reached the windows on the ground floor. They were four in number, + and two of them were not grated. He looked up at the first story; it was + not very far from the ground, and none of the windows had bars. It would + then be easy for that one of the two sisters, who inhabited this story, + once informed of their presence, to let herself down by means of a sheet, + as the orphans had already done to escape from the inn of the White + Falcon. But the difficult thing was to know which room she occupied. + Dagobert thought they might learn this from the sister on the ground + floor; but then there was another difficulty—at which of the four + windows should they knock? + </p> + <p> + Agricola returned precipitately. “It was the wind, no doubt, which shut + the gate,” said he. “I have opened it again, and made it fast with a + stone. But we have no time to lose.” + </p> + <p> + “And how shall we know the windows of the poor children?” said Dagobert, + anxiously. + </p> + <p> + “That is true,” said Agricola, with uneasiness. “What is to be done?” + </p> + <p> + “To call them at hap-hazard,” continued Dagobert, “would be to give the + alarm.” + </p> + <p> + “Oh, heavens!” cried Agricola, with increasing anguish. “To have arrived + here, under their windows, and yet not to know!” + </p> + <p> + “Time presses,” said Dagobert, hastily, interrupting his son; “we must run + all risks.” + </p> + <p> + “But how, father?” + </p> + <p> + “I will call out loud, ‘Rose and Blanche’—in their state of despair, + I am sure they do not sleep. They will be stirring at my first summons. By + means of a sheet, fastened to the window, she who is on the first story + will in five minutes be in our arms. As for the one on the ground floor—if + her window is not grated, we can have her in a second. If it is, we shall + soon loosen one of the bars.” + </p> + <p> + “But, father—this calling out aloud?” + </p> + <p> + “Will not perhaps be heard.” + </p> + <p> + “But if it is heard—all will be lost.” + </p> + <p> + “Who knows? Before they have time to call the watch, and open several + doors, the children may be delivered. Once at the entrance of the + boulevard, and we shall be safe.” + </p> + <p> + “It is a dangerous course; but I see no other.” + </p> + <p> + “If there are only two men, I and Spoil-sport will keep them in check, + while you will have time to carry off the children.” + </p> + <p> + “Father, there is a better way—a surer one,” cried Agricola, + suddenly. “From what Mother Bunch told us, Mdlle. de Cardoville has + corresponded by signs with Rose and Blanche.” + </p> + <p> + “Yes.” + </p> + <p> + “Hence she knows where they are lodged, as the poor children answered her + from their windows.” + </p> + <p> + “You are right. There is only that course to take. But how find her room?” + </p> + <p> + “Mother Bunch told me there was a shade over the window.” + </p> + <p> + “Quick! we have only to break through a wooden fence. Have you the iron + bar?” + </p> + <p> + “Here it is.” + </p> + <p> + “Then, quick!” + </p> + <p> + In a few steps, Dagobert and his son had reached the paling. Three planks, + torn away by Agricola, opened an easy passage. + </p> + <p> + “Remain here, father, and keep watch,” said he to Dagobert, as he entered + Dr. Baleinier’s garden. + </p> + <p> + The indicated window was easily recognized. It was high and broad; a sort + of shade surmounted it, for this window had once been a door, since walled + in to the third of its height. It was protected by bars of iron, pretty + far apart. Since some minutes, the rain had ceased. The moon, breaking + through the clouds, shone full upon the building. Agricola, approaching + the window, saw that the room was perfectly dark; but light came from a + room beyond, through a door left half open. The smith, hoping that Mdlle. + de Cardoville might be still awake, tapped lightly at the window. Soon + after, the door in the background opened entirely, and Mdlle. de + Cardoville, who had not yet gone to bed, came from the other chamber, + dressed as she had been at her interview with Mother Bunch. Her charming + features were visible by the light of the taper she held in her hand. + Their present expression was that of surprise and anxiety. The young girl + set down the candlestick on the table, and appeared to listen attentively + as she approached the window. Suddenly she started and stopped abruptly. + She had just discerned the face of a man, looking at her through the + window. Agricola, fearing that Mdlle. de Cardoville would retire in terror + to the next room, again tapped on the glass, and running the risk of being + heard by others, said in a pretty loud voice: “It is Agricola Baudoin.” + </p> + <p> + These words reached the ears of Adrienne. Instantly remembering her + interview with Mother Bunch, she thought that Agricola and Dagobert must + have entered the convent for the purpose of carrying off Rose and Blanche. + She ran to the window, recognized Agricola in the clear moonlight, and + cautiously opened the casement. + </p> + <p> + “Madame,” said the smith, hastily; “there is not an instant to lose. The + Count de Montbron is not in Paris. My father and myself have come to + deliver you.” + </p> + <p> + “Thanks, thanks, M. Agricola!” said Mdlle. de Cardoville, in a tone + expressive of the most touching gratitude; “but think first of the + daughters of General Simon.” + </p> + <p> + “We do think of them, madame, I have come to ask you which are their + windows.” + </p> + <p> + “One is on the ground floor, the last on the garden-side; the other is + exactly over it, on the first story.” + </p> + <p> + “Then they are saved!” cried the smith. + </p> + <p> + “But let me see!” resumed Adrienne, hastily; “the first story is pretty + high. You will find, near the chapel they are building, some long poles + belonging to the scaffolding. They may be of use to you.” + </p> + <p> + “They will be as good as a ladder, to reach the upstairs window. But now + to think of you madame.” + </p> + <p> + “Think only of the dear orphans. Time presses. Provided they are delivered + to-night, it makes little difference to me to remain a day or two longer + in this house.” + </p> + <p> + “No, mademoiselle,” cried the smith, “it is of the first importance that + you should leave this place to-night. Interests are concerned, of which + you know nothing. I am now sure of it.” + </p> + <p> + “What do you mean?” + </p> + <p> + “I have not time to explain myself further; but I conjure you madame, to + come. I can wrench out two of these bars; I will fetch a piece of iron.” + </p> + <p> + “It is not necessary. They are satisfied with locking the outer door of + this building, which I inhabit alone. You can easily break open the lock.” + </p> + <p> + “And, in ten minutes, we shall be on the boulevard,” said the smith. “Make + yourself ready, madame; take a shawl, a bonnet, for the night is cold. I + will return instantly.” + </p> + <p> + “M. Agricola,” said Adrienne, with tears in her eyes, “I know what you + risk for my sake. I shall prove to you, I hope, that I have as good a + memory as you have. You and your adopted sister are noble and valiant + creatures, and I am proud to be indebted to you. But do not return for me + till the daughters of Marshal Simon are in safety.” + </p> + <p> + “Thanks to your directions, the thing will be done directly, madame. I fly + to rejoin my father, and we will come together to fetch you.” + </p> + <p> + Following the excellent advice of Mdlle. de Cardoville, Agricola took one + of the long, strong poles that rested against the wall of the chapel, and, + bearing it on his robust shoulders, hastened to rejoin his father. Hardly + had Agricola passed the fence, to direct his steps towards the chapel, + obscured in shadow, than Mdlle. de Cardoville thought she perceived a + human form issue from one of the clumps of trees in the convent-garden, + cross the path hastily, and disappear behind a high hedge of box. Alarmed + at the sight, Adrienne in vain called to Agricola in a low voice, to bid + him beware. He could not hear her; he had already rejoined his father, + who, devoured by impatience, went from window to window with + ever-increasing anguish. + </p> + <p> + “We are saved,” whispered Agricola. “Those are the windows of the poor + children—one on the ground floor, the other on the first story.” + </p> + <p> + “At last!” said Dagobert, with a burst of joy impossible to describe. He + ran to examine the windows. “They are not grated!” he exclaimed. + </p> + <p> + “Let us make sure, that one of them is there,” said Agricola; “then, by + placing this pole against the wall, I will climb up to the first story, + which is not so very high.” + </p> + <p> + “Right, my boy!—once there, tap at the window, and call Rose or + Blanche. When she answers, come down. We will rest the pole against the + window, and the poor child will slide along it. They are bold and active. + Quick, quick! to work!” + </p> + <p> + “And then we will deliver Mdlle. de Cardoville.” + </p> + <p> + Whilst Agricola placed his pole against the wall, and prepares to mount, + Dagobert tapped at the panes of the last window on the ground floor, and + said aloud: “It is I—Dagobert.” + </p> + <p> + Rose Simon indeed occupied the chamber. The unhappy child, in despair at + being separated from her sister, was a prey to a burning fever, and, + unable to sleep, watered her pillow with her tears. At the sound of the + tapping on the glass, she started up affrighted, then, hearing the voice + of the soldier—that voice so familiar and so dear—she sat up + in bed, pressed her hands across her forehead, to assure herself that she + was not the plaything of a dream, and, wrapped in her long night-dress, + ran to the window with a cry of joy. But suddenly—and before she + could open the casement—two reports of fire-arms were heard, + accompanied by loud cries of “Help! thieves!” + </p> + <p> + The orphan stood petrified with terror, her eyes mechanically fixed upon + the window, through which she saw confusedly, by the light of the moon, + several men engaged in a mortal struggle, whilst the furious barking of + Spoil-sport was heard above all the incessant cries of “Help! Help! + Thieves! Murder!” + </p> + <p> + <a name="link2H_4_0077" id="link2H_4_0077"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + BOOK V. + </h2> +<pre xml:space="preserve"> + XIV. The Eve of a Great Day XV. The Thug XVI. The Two + Brothers of the Good Work XVII. The House in the Rue Saint- + Francois XVIII. Debit and Credit XIX. The Heir XX. The + Rupture XXI. The Change XXII. The Red Room XXIII. The + Testament XXIV. The Last Stroke of Noon XXV. The Deed of + Gift +</pre> + <p> + <a name="link2HCH0067" id="link2HCH0067"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XIV. THE EVE OF A GREAT DAY. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span>bout two hours before the event last related took place at St. Mary’s + Convent, Rodin and Abbe d’Aigrigny met in the room where we have already + seen them, in the Rue du Milieu-des-Ursins. Since the Revolution of July, + Father d’Aigrigny had thought proper to remove for the moment to this + temporary habitation all the secret archives and correspondence of his + Order—a prudent measure, since he had every reason to fear that the + reverend fathers would be expelled by the state from that magnificent + establishment, with which the restoration had so liberally endowed their + society. (11) + </p> + <p> + Rodin, dressed in his usual sordid style, mean and dirty as ever, was + writing modestly at his desk, faithful to his humble part of secretary, + which concealed, as we have already seen a far more important office—that + of Socius—a function which, according to the constitutions of the + Order, consists in never quitting his superior, watching his least + actions, spying into his very thoughts, and reporting all to Rome. + </p> + <p> + In spite of his usual impassibility, Rodin appeared visibly uneasy and + absent in mind; he answered even more briefly than usual to the commands + and questions of Father d’Aigrigny, who had but just entered the room. + </p> +<div class="fig"> + <img src="images/20151m.jpg" alt="20151m" /><br /> + </div> + <h5> + <a href="images/20151.jpg"><i>Original</i></a> + </h5> + <p> + “Has anything new occurred during my absence?” asked he. “Are the reports + still favorable?” + </p> + <p> + “Very favorable.” + </p> + <p> + “Read them to me.” + </p> + <p> + “Before giving this account to your reverence,” said Rodin, “I must inform + you that Morok has been two days in Paris.” + </p> + <p> + “Morok?” said Abbe d’Aigrigny, with surprise. “I thought, on leaving + Germany and Switzerland, he had received from Friburg the order to proceed + southward. At Nismes, or Avignon, he would at this moment be useful as an + agent; for the Protestants begin to move, and we fear a reaction against + the Catholics.” + </p> + <p> + “I do not know,” said Rodin, “if Morok may not have had private reasons + for changing his route. His ostensible reasons are, that he comes here to + give performances.” + </p> + <p> + “How so?” + </p> + <p> + “A dramatic agent, passing through Lyons, engaged him and his menagerie + for the Port Saint-Martin Theatre at a very high price. He says that he + did not like to refuse such an offer.” + </p> + <p> + “Well,” said Father d’Aigrigny, shrugging his shoulders, “but by + distributing his little books, and selling prints and chaplets, as well as + by the influence he would certainly exercise over the pious and ignorant + people of the South or of Brittany, he might render services, such as he + can never perform in Paris.” + </p> + <p> + “He is now below, with a kind of giant, who travels about with him. In his + capacity of your reverence’s old servant, Morok hoped to have the honor of + kissing your hand this evening.” + </p> + <p> + “Impossible—impossible—you know how much I am occupied. Have + you sent to the Rue Saint-Francois?” + </p> + <p> + “Yes, I have. The old Jew guardian has had notice from the notary. To + morrow, at six in the morning, the masons will unwall the door, and, for + the first time since one hundred and fifty years, the house will be + opened.” + </p> + <p> + Father d’Aigrigny remained in thought for a moment, and then said to + Rodin: “On the eve of such a decisive day, we must neglect nothing, and + call every circumstance to memory. Read me the copy of the note, inserted + in the archives of the society, a century and a half ago, on the subject + of Rennepont.” + </p> + <p> + The secretary took the note from the case, and read as follows: + </p> + <p> + “‘This 19th day of February, 1682, the Reverend Father-Provincial + Alexander Bourdon sent the following advice, with these words in the + margin: Of extreme importance for the future. + </p> + <p> + “‘We have just discovered, by the confession of a dying person to one of + our fathers, a very close secret. + </p> + <p> + “‘Marius de Rennepont, one of the most active and redoubtable partisans of + the Reformed Religion, and one of the most determined enemies of our Holy + Society, had apparently re-entered the pale of our Mother Church, but with + the sole design of saving his worldly goods, threatened with confiscation + because of his irreligious and damnable errors. Evidence having been + furnished by different persons of our company to prove that the conversion + of Rennepont was not sincere, and in reality covered a sacrilegious lure, + the possessions of the said gentleman, now considered a relapsed heretic, + were confiscated by our gracious sovereign, his Majesty King Louis XIV, + and the said Rennepont was condemned to the galleys for life.(12) He + escaped his doom by a voluntary death; in consequence of which abominable + crime, his body was dragged upon a hurdle, and flung to the dogs on the + highway. + </p> + <p> + “‘From these preliminaries, we come to the great secret, which is of such + importance to the future interests of our Society. + </p> + <p> + “‘His Majesty Louis XIV., in his paternal and Catholic goodness towards + the Church in general, and our Order in particular, had granted to us the + profit of this confiscation, in acknowledgment of our services in + discovering the infamous and sacrilegious relapse of the said Rennepont. + </p> + <p> + “‘But we have just learned, for certain, that a house situated in Paris, + No. 3, Rue Saint-Francois, and a sum of fifty thousand gold crowns, have + escaped this confiscation, and have consequently been stolen from our + Society. + </p> + <p> + “‘The house was conveyed, before the confiscation, by means of a feigned + purchase, to a friend of Rennepont’s a good Catholic, unfortunately, as + against him we cannot take any severe measures. Thanks to the culpable, + but secure connivance of his friend, the house has been walled up, and is + only to be opened in a century and a half, according to the last will of + Rennepont. As for the fifty thousand gold crowns, they have been placed in + hands which, unfortunately, are hitherto unknown to us, in order to be + invested and put out to use for one hundred and fifty years, at the + expiration of which time they are to be divided between the then existing + descendants of the said Rennepont; and it is calculated that this sum, + increased by so many accumulations, will by then have become enormous, and + will amount to at least forty or fifty millions of livres tournois. From + motives which are not known, but which are duly stated in a testamentary + document, the said Rennepont has concealed from his family, whom the + edicts against the Protestants have driven out of France, the investment + of these fifty thousand crowns; and has only desired his relations to + preserve in their line from generation to generation, the charge to the + last survivors, to meet in Paris, Rue Saint-Francois, a hundred and fifty + years hence, on February the 13th, 1832. And that this charge might not be + forgotten, he employed a person, whose description is known, but not his + real occupation, to cause to be manufactured sundry bronze medals, on + which the request and date are engraved, and to deliver one to each member + of the family—a measure the more necessary, as, from some other + motive equally unknown, but probably explained in the testament, the heirs + are to present themselves on the day in question, before noon, in person, + and not by any attorney, or representative, or to forfeit all claim to the + inheritance. The stranger who undertook to distribute the medals to the + different members of the family of Rennepont is a man of thirty to + thirty-six years of age, of tall stature, and with a proud and sad + expression of countenance. He has black eyebrows, very thick, and + singularly joined together. He is known as JOSEPH, and is much suspected + of being an active and dangerous emissary of the wretched republicans and + heretics of the Seven United Provinces. It results from these premises, + that this sum, surreptitiously confided by a relapsed heretic to unknown + hands, has escaped the confiscation decreed in our favor by our + well-beloved king. A serious fraud and injury has therefore been + committed, and we are bound to take every means to recover this our right, + if not immediately, at least in some future time. Our Society being (for + the greater glory of God and our Holy Father) imperishable, it will be + easy, thanks to the connections we keep up with all parts of the world, by + means of missions and other establishments, to follow the line of this + family of Rennepont from generation to generation, without ever losing + sight of it—so that a hundred and fifty years hence, at the moment + of the division of this immense accumulation of property, our Company may + claim the inheritance of which it has been so treacherously deprived, and + recover it by any means in its power, fas aut nefas, even by craft or + violence—our Company not being bound to act tenderly with the future + detainers of our goods, of which we have been maliciously deprived by an + infamous and sacrilegious heretic—and because it is right to defend, + preserve, and recover one’s own property by every means which the Lord may + place within one’s reach. Until, therefore, the complete restitution of + this wealth, the family of Rennepont must be considered as reprobate and + damnable, as the cursed seed of a Cain, and always to be watched with the + utmost caution. And it is to be recommended, that, every year from this + present date, a sort of inquisition should be held as to the situation of + the successive members of this family.’” + </p> + <p> + Rodin paused, and said to Father d’Aigrigny: “Here follows the account, + year by year, of the history of this family, from the year 1682, to our + own day. It will be useless to read this to your reverence.” + </p> + <p> + “Quite useless,” said Abbe d’Aigrigny. “The note contains all the + important facts.” Then, after a moment’s silence, he exclaimed, with an + expression of triumphant pride: “How great is the power of the + Association, when founded upon tradition and perpetuity! Thanks to this + note, inserted in our archives a century and a half ago, this family has + been watched from generation to generation—our Order has always had + its eyes upon them, following them to all points of the globe, to which + exile had distributed them—and at last, to-morrow, we shall obtain + possession of this property, at first inconsiderable, but which a hundred + and fifty years have raised to a royal fortune. Yes, we shall succeed, for + we have foreseen every eventuality. One thing only troubles me.” + </p> + <p> + “What is that?” asked Rodin. + </p> + <p> + “The information that we have in vain tried to obtain from the guardian of + the house in the Rue Saint-Francois. Has the attempt been once more made, + as I directed?” + </p> + <p> + “It has been made.” + </p> + <p> + “Well?” + </p> + <p> + “This time, as always before, the old Jew has remained impenetrable. + Besides he is almost in his second childhood, and his wife not much + better.” + </p> + <p> + “When I think,” resumed Father d’Aigrigny, “that for a century and a half, + this house in the Rue Saint-Francois has remained walled up, and that the + care of it has been transmitted from generation to generation in this + family of the Samuels—I cannot suppose that they have all been + ignorant as to who were and are the successive holders of these funds, now + become immense by accumulation.” + </p> + <p> + “You have seen,” said Rodin, “by the notes upon this affair, that the + Order has always carefully followed it up ever since 1682. At different + periods attempts have been made to obtain information upon subjects not + fully explained in the note of Father Bourdon. But this race of Jew + guardians has ever remained dumb, and we must therefore conclude that they + know nothing about it.” + </p> + <p> + “That has always struck me as impossible; for the ancestor of these + Samuels was present at the closing of the house, a hundred and fifty years + ago. He was according to the file, a servant or confidential clerk of De + Rennepont. It is impossible that he should not have known many things, the + tradition of which must have been preserved in the family.” + </p> + <p> + “If I were allowed to hazard a brief observation,” began Rodin, humbly. + </p> + <p> + “Speak.” + </p> + <p> + “A few years ago we obtained certain information through the confessional, + that the funds were in existence, and that they had risen to an enormous + amount.” + </p> + <p> + “Doubtless; and it was that which called the attention of the Reverend + Father-General so strongly to this affair.” + </p> + <p> + “We know, then, what probably the descendants of the family do not—the + immense value of this inheritance?” + </p> + <p> + “Yes,” answered Father d’Aigrigny, “the person who certified this fact in + confession is worthy of all belief. Only lately, the same declaration was + renewed; but all the efforts of the confessor could not obtain the name of + the trustee, or anything beyond the assertion, that the money could not be + in more honest hands.” + </p> + <p> + “It seems to me, then,” resumed Rodin, “that we are certain of what is + most important.” + </p> + <p> + “And who knows if the holder of this enormous sum will appear to-morrow, + in spite of the honesty ascribed to him? The nearer the moment the more my + anxiety increases. Ah!” continued Father d’Aigrigny, after a moment’s + silence, “the interests concerned are so immense that the consequences of + success are quite incalculable. However, all that it was possible to do, + has been at least tried.” + </p> + <p> + To these words, which Father d’Aigrigny addressed to Rodin, as if asking + for his assent, the socius returned no answer. + </p> + <p> + The abbe looked at him with surprise, and said: “Are you not of my opinion—could + more have been attempted? Have we not gone to the extreme limit of the + possible?” + </p> + <p> + Rodin bowed respectfully, but remained mute. + </p> + <p> + “If you think we have omitted some precaution,” cried Father d’Aigrigny, + with a sort of uneasy impatience, “speak out! We have still time. Once + more, do you think it is possible to do more than I have done? All the + other descendants being removed, when Gabriel appears to-morrow in the Rue + Saint-Francois, will he not be the only representative of this family, and + consequently the rightful possessor of this immense fortune? Now, + according to his act of renunciation, and the provisions of our statutes, + it is not to him, but to the Order, that these possessions must fall. + Could I have acted better, or in any other manner? Speak frankly!” + </p> + <p> + “I cannot permit myself to offer an opinion on this subject,” replied + Rodin, humbly, and again bowing; “the success of the measures taken must + answer your reverence.” + </p> + <p> + Father d’Aigrigny shrugged his shoulders, and reproached himself for + having asked advice of this writing-machine, that served him for a + secretary, and to whom he only ascribed three qualities—memory, + discretion, and exactness. + </p> + <p> + (11) This was an idle fear, for we read in the Constitutionnel, Feb. 1st + 1832, as follows: “When in 1822, M. de Corbiere abruptly abolished that + splendid Normal School, which, during its few years’ existence, had called + forth or developed such a variety of talent, it was decided, as some + compensation, that a house in the Rue des Postes should be purchased, + where the congregation of the Holy Ghost should be located and endowed. + The Minister of Marine supplied the funds for this purpose, and its + management was placed at the disposal of the Society, which then reigned + over France. From that period it has held quiet possession of the place, + which at once became a sort of house of entertainment, where Jesuitism + sheltered, and provided for, the numerous novitiates that flocked from all + parts of the country, to receive instructions from Father Ronsin. Matters + were in this state when the Revolution of July broke out, which threatened + to deprive the Society of this establishment. But it will hardly be + believed; this was not done. It is true that they suppressed their + practice, but they left them in possession of the house in the Rue des + Postes; and to this very day, the 31st of January, 1832, the members of + the Sacred Heart are housed at the expense of government, during the whole + of which time the Normal School has been without a shelter—and on + its reorganization, thrust into a dirty hole, in a narrow corner of the + College of Louis the Great.” + </p> + <p> + The above appeared in the Constitutionnel, respecting the house in the Rue + des Posses. We are certainly ignorant as to the nature of the + transactions, since that period, that have taken place between the + reverend fathers and the government; but we read further, in a recently + published article that appeared in a journal, in reference to the Society + of Jesus, that the house in the Rue des Postes, still forms a part of + their landed property. We will here give some portions of the article in + question. + </p> + <p> + “The following is a list of the property belonging to this branch of + </p> +<pre xml:space="preserve"> + Jesuits: Fr. + House in the Rue de Postes, worth about 500,000 + One in the Rue de Sevres, estimated at 300,000 + Farm, two leagues from Paris.....150,000 + House and church at Bourges..... 100,000 + Notre Dame de Liesse, donation in 1843 60,000 + Saint Acheul, House for Novitiates.. 400,000 + Nantes, a house...........100,000 + Quimper, ditto........... 40,000 + Laval, house and church...... 150,000 + Rennes, a house.......... 20,000 + Vannes, ditto........... 20,000 + Metz, ditto............ 40,000 + Strasbourg............ 60,000 + Rouen, ditto........... 15,000 +</pre> + <p> + “By this it appears that these various items amount to little less than + two millions. Teaching, moreover, is another important source of revenue + to the Jesuits. The college at Broyclette alone brings in 200,000 francs. + The two provinces in France (for the general of the Jesuits at Rome has + divided France into two provinces, Lyons and Paris) possess, besides a + large sum in ready money, Austrian bonds of more than 260,000 francs. + Their Propagation of Faith furnishes annually some 50,000 francs; and the + harvest which the priests collect by their sermons amounts to 150,000 + francs. The alms given for charity may be estimated at the same figure, + producing together a revenue of 540,000 francs. Now, to this revenue may + be added the produce of the sale of the Society’s works, and the profit + obtained by hawking pictures. Each plate costs, design and engraving + included, about 600 francs, off which are struck about 10,000 copies, at + 40 francs per thousand, and there is a further expense of 250 francs to + their publisher; and they obtain a net profit of 210 francs on every + thousand. This, indeed, is working to advantage. And it can easily be + imagined with what rapidity all these are sold. The fathers themselves are + the travellers for the Society, and it would be difficult to find more + zealous or persevering ones. They are always well received, and do not + know what it is to meet with a refusal. They always take care that the + publisher should be one of their own body. The first person whom they + selected for this occupation was one of their members, possessing some + money; but they were obliged, notwithstanding, to make certain advances to + enable him to defray the expenses of its first establishment. But, when + they became fully convinced of the success of their undertaking, they + suddenly called in these advances, which the publisher was not in a + condition to pay. They were perfectly aware of this, and superseded him by + a wealthy successor, with whom they could make a better bargain; and thus, + without remorse, they ruined the man, by thrusting him from an appointment + of which they had morally guaranteed the continuance.” + </p> + <p> + (12) Louis XIV., the great King, punished with the Galleys those + Protestants who, once converted, often by force, afterwards returned to + their first belief. As for those Protestants who remained in France, + notwithstanding the rigor of the edicts against them, they were deprived + of burial, dragged upon a hurdle, and given to the dogs.—E. S. + </p> + <p> + <a name="link2HCH0068" id="link2HCH0068"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XV. THE THUG. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span>fter a moment’s silence, Father d’Aigrigny resumed “Read me to-day’s + report on the situation of each of the persons designated.” + </p> + <p> + “Here is that of this evening; it has just come.” + </p> + <p> + “Let us hear.” + </p> + <p> + Rodin read as follows: “Jacques Rennepont, alias Sleepinbuff, was seen in + the interior of the debtors’ prison at eight o’clock this evening.” + </p> + <p> + “He will not disturb us to-morrow. One; go on.” + </p> + <p> + “The lady superior of St. Mary’s Convent, warned by the Princess de + Saint-Dizier, has thought fit to confine still more strictly the + Demoiselles Rose and Blanche Simon. This evening, at nine o’clock, they + have been carefully locked in their cells, and armed men will make their + round in the convent garden during the night.” + </p> + <p> + “Thanks to these precautions, there is nothing to fear from that side,” + said Father d’Aigrigny. “Go on.” + </p> + <p> + “Dr. Baleinier, also warned by the Princess de Saint-Dizier, continues to + have Mdlle. de Cardoville very closely watched. At a quarter to nine the + door of the building in which she is lodged was locked and bolted.” + </p> + <p> + “That is still another cause the less for uneasiness.” + </p> + <p> + “As for M. Hardy,” resumed Rodin “I have received this morning, from + Toulouse, a letter from his intimate friend, M. de Bressac, who has been + of such service to us in keeping the manufacturer away for some days + longer. This letter contains a note, addressed by M. Hardy to a + confidential person, which M. de Bressac has thought fit to intercept, and + send to us as another proof of the success of the steps he has taken, and + for which he hopes we shall give him credit—as to serve us, he adds, + he betrays his friend in the most shameful manner, and acts a part in an + odious comedy. M. de Bressac trusts that, in return for these good + offices, we will deliver up to him those papers, which place him in our + absolute dependence, as they might ruin for ever a woman he loves with an + adulterous passion. He says that we ought to have pity on the horrible + alternative in which he is placed—either to dishonor and ruin the + woman he adores, or infamously to betray the confidence of his bosom + friend.” + </p> + <p> + “These adulterous lamentations are not deserving of pity,” answered Father + d’Aigrigny, with contempt. “We will see about that; M. de Bressac may + still be useful to us. But let us hear this letter of M. Hardy, that + impious and republican manufacturer, worthy descendant of an accursed + race, whom it is of the first importance to keep away.” + </p> + <p> + “Here is M. Hardy’s letter,” resumed Rodin. “To-morrow, we will send it to + the person to whom it is addressed.” Rodin read as follows: + </p> + <p> + “TOULOUSE, February the 10th. + </p> + <p> + “At length I find a moment to write to you, and to explain the cause of + the sudden departure which, without alarming, must at least have + astonished you. I write also to ask you a service; the facts may be stated + in a few words. I have often spoken to you of Felix de Bressac, one of my + boyhood mates, though not nearly so old as myself. We have always loved + each other tenderly, and have shown too many proofs of mutual affection + not to count upon one another. He is a brother to me. You know all I mean + by that expression. Well—a few days ago, he wrote to me from + Toulouse, where he was to spend some time: ‘If you love me, come; I have + the greatest need of you. At once! Your consolations may perhaps give me + the courage to live. If you arrive too late—why, forgive me—and + think sometimes of him who will be yours to the last.’ Judge of my grief + and fear on receipt of the above. I seat instantly for post-horses. My old + foreman, whom I esteem and revere (the father of General Simon), hearing + that I was going to the south, begged me to take him with me, and to leave + him for some days in the department of the Creuse, to examine some + ironworks recently founded there. I consented willingly to this + proposition, as I should thus at least have some one to whom I could pour + out the grief and anxiety which had been caused by this letter from + Bressac. I arrive at Toulouse; they tell me that he left the evening + before, taking arms with him, a prey to the most violent despair. It was + impossible at first to tell whither he had gone; after two days, some + indications, collected with great trouble, put me upon his track. At last, + after a thousand adventures, I found him in a miserable village. Never—no, + never, have I seen despair like this. No violence, but a dreadful + dejection, a savage silence. At first, he almost repulsed me; then, this + horrible agony having reached its height, he softened by degrees, and, in + about a quarter of an hour, threw himself into my arms, bathed in tears. + Beside him were his loaded pistols: one day later, and all would have been + over. I cannot tell you the reason of his despair; I am not at liberty to + do so; but it did not greatly astonish me. Now there is a complete cure to + effect. We must calm, and soothe, and heal this poor soul, which has been + cruelly wounded. The hand of friendship is alone equal to this delicate + task, and I have good hope of success. I have therefore persuaded him to + travel for some time; movement and change of scene will be favorable to + him. I shall take him first to Nice; we set out tomorrow. If he wishes to + prolong this excursion. I shall do so too, for my affairs do not + imperiously demand my presence in Paris before the end of March. As for + the service I have to ask of you, it is conditional. These are the facts. + According to some family papers that belonged to my mother, it seems I + have a certain interest to present myself at No. 3, Rue Saint-Francois, in + Paris, on the 13th of February. I had inquired about it, and could learn + nothing, except that this house of very antique appearance, has been shut + up for the last hundred and fifty years, through a whim of one of my + maternal ancestors, and that it is to be opened on the 13th of this month, + in presence of the co-heirs who, if I have any, are quite unknown to me. + Not being able to attend myself, I have written to my foreman, the father + of General Simon, in whom I have the greatest confidence, and whom I had + left behind in the department of the Creuse, to set out for Paris, and to + be present at the opening of this house, not as an agent (which would be + useless), but as a spectator, and inform me at Nice what has been the + result of this romantic notion of my ancestor’s. As it is possible that my + foreman may arrive too late to accomplish this mission, I should be much + obliged if you would inquire at my house at Plessy, if he has yet come, + and, in case of his still being absent, if you would take his place at the + opening of the house in the Rue Saint-Francois. I believe that I have made + a very small sacrifice for my friend Bressac, in not being in Paris on + that day. But had the sacrifice been immense, I should have made it with + pleasure, for my care and friendship are at present most necessary to the + man whom I look upon as a brother. I count upon your compliance with my + request, and, begging you to be kind enough to write me, ‘to be called + for,’ at Nice, the result of your visit of inquiry, I remain, etc., etc. + </p> + <p> + “FRANCIS HARDY.” + </p> + <p> + “Though his presence cannot be of any great importance, it would be + preferable that Marshal Simon’s father should not attend at the opening of + this house to-morrow,” said Father d’Aigrigny. “But no matter. M. Hardy + himself is out of the way. There only remains the young Indian.” + </p> + <p> + “As for him,” continued the abbe, with a thoughtful air, “we acted wisely + in letting M. Norval set out with the presents of Mdlle. de Cardoville. + The doctor who accompanies M. Norval, and who was chosen by M. Baleinier, + will inspire no suspicion?” + </p> + <p> + “None,” answered Rodin. “His letter of yesterday is completely + satisfactory.” + </p> + <p> + “There is nothing, then, to fear from the Indian prince,” said D’Aigrigny. + “All goes well.” + </p> + <p> + “As for Gabriel,” resumed Rodin, “he has again written this morning, to + obtain from your reverence the interview that he has vainly solicited for + the last three days. He is affected by the rigor exercised towards him, in + forbidding him to leave the house for these five days past.” + </p> + <p> + “To-morrow, when we take him to the Rue Saint-Francois, I will hear what + he has to say. It will be time enough. Thus, at this hour,” said Father + d’Aigrigny, with an air of triumphant satisfaction, “all the descendants + of this family, whose presence might ruin our projects, are so placed that + it is absolutely impossible for them to be at the Rue Saint-Francois + to-morrow before noon, while Gabriel will be sure to be there. At last our + end is gained.” + </p> + <p> + Two cautious knocks at the door interrupted Father d’Aigrigny. “Come in,” + said he. + </p> + <p> + An old servant in black presented himself, and said: “There is a man + downstairs who wishes to speak instantly to M. Rodin on very urgent + business.” + </p> + <p> + “His name?” asked Father d’Aigrigny. + </p> + <p> + “He would not tell his name; but he says that he comes from M. Van Dael, a + merchant in Java.” + </p> + <p> + Father d’Aigrigny and Rodin exchanged a glance of surprise, almost of + alarm. + </p> + <p> + “See what this man is,” said D’Aigrigny to Rodin, unable to conceal his + uneasiness, “and then come and give me an account of it.” Then, addressing + the servant, he added: “Show him in”—and exchanging another + expressive sign with Rodin, Father d’Aigrigny disappeared by a side-door. + </p> + <p> + A minute after, Faringhea, the ex-chief of the Stranglers, appeared before + Rodin, who instantly remembered having seen him at Cardoville Castle. + </p> + <p> + The socius started, but he did not wish to appear to recollect his + visitor. Still bending over his desk, he seemed not to seen Faringhea, but + wrote hastily some words on a sheet of paper that lay before him. + </p> + <p> + “Sir,” said the servant, astonished at the silence of Rodin, “here is the + person.” + </p> + <p> + Rodin folded the note that he had so precipitately written, and said to + the servant: “Let this be taken to its address. Wait for an answer.” + </p> + <p> + The servant bowed, and went out. Then Rodin, without rising, fixed his + little reptile-eyes on Faringhea, and said to him courteously: “To whom, + sir, have I the honor of speaking?” + </p> +<div class="fig"> + <img src="images/20157m.jpg" alt="20157m" /><br /> + </div> + <h5> + <a href="images/20157.jpg"><i>Original</i></a> + </h5> + <p> + <a name="link2HCH0069" id="link2HCH0069"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XVI. THE TWO BROTHERS OF THE GOOD WORK. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">F</span>aringhea, as we have before stated, though born in India, had travelled a + good deal, and frequented the European factories in different parts of + Asia. Speaking well both English and French, and full of intelligence and + sagacity, he was perfectly civilized. + </p> + <p> + Instead of answering Rodin’s question, he turned upon him a fixed and + searching look. The socius, provoked by this silence, and forseeing + vaguely that Faringhea’s arrival had some connection—direct or + indirect—with Djalma, repeated, though still with the greatest + coolness: “To whom, sir, have I the honor of speaking?” + </p> + <p> + “Do you not recognize me,” said Faringhea, advancing two steps nearer to + Rodin’s chair. + </p> + <p> + “I do not think I have ever had the honor of seeing you,” answered the + other, coldly. + </p> + <p> + “But I recognize you,” said Faringhea; “I saw you at Cardoville Castle the + day that a ship and a steamer were wrecked together.” + </p> + <p> + “At Cardoville Castle? It is very possible, sir. I was there when a + shipwreck took place.” + </p> + <p> + “And that day I called you by your name, and you asked me what I wanted. I + replied: ‘Nothing now, brother—hereafter, much.’ The time has + arrived. I have come to ask for much.” + </p> + <p> + “My dear sir,” said Rodin, still impassible, “before we continue this + conversation, which appears hitherto tolerably obscure, I must repeat my + wish to be informed to whom I have the advantage of speaking. You have + introduced yourself here under pretext of a commission from Mynheer Joshua + Van Dael, a respectable merchant of Batavia, and—” + </p> + <p> + “You know the writing of M. Van Dael?” said Faringhea, interrupting Rodin. + </p> + <p> + “I know it perfectly.” + </p> + <p> + “Look!” The half-caste drew from his pocket (he was shabbily dressed in + European clothes) a long dispatch, which he had taken from one Mahal the + Smuggler, after strangling him on the beach near Batavia. These papers he + placed before Rodin’s eyes, but without quitting his hold of them. + </p> + <p> + “It is, indeed, M. Van Dael’s writing,” said Rodin, and he stretched out + his hard towards the letter, which Faringhea quickly and prudently + returned to his pocket. + </p> + <p> + “Allow me to observe, my dear sir, that you have a singular manner of + executing a commission,” said Rodin. “This letter, being to my address, + and having been entrusted to you by M. Van Dael, you ought—” + </p> + <p> + “This letter was not entrusted to me by M. Van Dael,” said Faringhea, + interrupting Rodin. + </p> + <p> + “How, then, is it in your possession?” + </p> + <p> + “A Javanese smuggler betrayed me. Van Dael had secured a passage to + Alexandria for this man, and had given him this letter to carry with him + for the European mail. I strangled the smuggler, took the letter, made the + passage—and here I am.” + </p> + <p> + The Thug had pronounced these words with an air of savage boasting; his + wild, intrepid glance did not quail before the piercing look of Rodin, + who, at this strange confession, had hastily raised his head to observe + the speaker. + </p> + <p> + Faringhea thought to astonish or intimidate Rodin by these ferocious + words; but, to his great surprise, the socius, impassible as a corpse, + said to him, quite simply: “Oh! they strangle people in Java?” + </p> + <p> + “Yes, there and elsewhere,” answered Faringhea, with a bitter smile. + </p> + <p> + “I would prefer to disbelieve you; but I am surprised at your sincerity M.—, + what is your name?” + </p> + <p> + “Faringhea.” + </p> + <p> + “Well, then, M. Faringhea, what do you wish to come to? You have obtained + by an abominable crime, a letter addressed to me, and now you hesitate to + deliver it.” + </p> + <p> + “Because I have read it, and it may be useful to me.” + </p> + <p> + “Oh! you have read it?” said Rodin, disconcerted for a moment. Then he + resumed: “It is true, that judging by your mode of possessing yourself of + other people’s correspondence, we cannot expect any great amount of + honesty on your part. And pray what have you found so useful to you in + this letter?” + </p> + <p> + “I have found, brother, that you are, like myself, a son of the Good + Work.” + </p> + <p> + “Of what good work do you speak” asked Rodin not a little surprised. + </p> +<div class="fig"> + <img src="images/20165m.jpg" alt="20165m" /><br /> + </div> + <h5> + <a href="images/20165.jpg"><i>Original</i></a> + </h5> + <p> + Faringhea replied with an expression of bitter irony. “Joshua says to you + in his letter—‘Obedience and courage, secrecy and patience, craft + and audacity, union between us, who have the world for our country, the + brethren for our family, Rome for our queen.’” + </p> + <p> + “It is possible that M. Van Dael has written thus to me Pray, sir, what do + you conclude from it?” + </p> + <p> + “We, too, have the world for our country, brother, our accomplices for our + family, and for our queen Bowanee.” + </p> + <p> + “I do not know that saint,” said Rodin, humbly. + </p> + <p> + “It is our Rome,” answered the Strangler. “Van Dael speaks to you of those + of your Order, who, scattered over all the earth, labor for the glory of + Rome, your queen. Those of our band labor also in divers countries, for + the glory of Bowanee.” + </p> + <p> + “And who are these sons of Bowanee, M. Faringhea?” + </p> + <p> + “Men of resolution, audacious, patient, crafty, obstinate, who, to make + the Good Work succeed, would sacrifice country and parents, and sister and + brother, and who regard as enemies all not of their band!” + </p> + <p> + “There seems to be much that is good in the persevering and exclusively + religious spirit of such an order,” said Rodin, with a modest and + sanctified air; “only, one must know your ends and objects.” + </p> + <p> + “The same as your own, brother—we make corpses.”(13) + </p> + <p> + “Corpses!” cried Rodin. + </p> + <p> + “In this letter,” resumed Faringhea, “Van Dael tells you that the greatest + glory of your Order is to make ‘a corpse of man.’ Our work also is to make + corpses of men. Man’s death is sweet to Bowanee.” + </p> + <p> + “But sir,” cried Rodin, “M. Van Dael speaks of the soul, of the will, of + the mind, which are to be brought down by discipline.” + </p> + <p> + “It is true—you kill the soul, and we the body. Give me your hand, + brother, for you also are hunters of men.” + </p> + <p> + “But once more, sir,—understand, that we only meddle with the will, + the mind,” said Rodin. + </p> + <p> + “And what are bodies deprived of soul, will, thought, but mere corpses? + Come—come, brother; the dead we make by the cord are not more icy + and inanimate than those you make by your discipline. Take my hand, + brother; Rome and Bowanee are sisters.” + </p> + <p> + Notwithstanding his apparent calmness, Rodin could not behold, without + some secret alarm, a wretch like Faringhea in possession of a long letter + from Van Dael, wherein mention must necessarily have been made of Djalma. + Rodin believed, indeed, that he had rendered it impossible for the young + Indian to be at Paris on the morrow, but not knowing what connection might + have been formed, since the shipwreck, between the prince and the + half-caste, he looked upon Faringhea as a man who might probably be very + dangerous. But the more uneasy the socius felt in himself, the more he + affected to appear calm and disdainful. He replied, therefore: “This + comparison between Rome and Bowanee is no doubt very amusing; but what, + sir, do you deduce from it?” + </p> + <p> + “I wish to show you, brother, what I am, and of what I am capable, to + convince you that it is better to have me for a friend than an enemy.” + </p> + <p> + “In other terms, sir,” said Rodin, with contemptuous irony, “you belong to + a murderous sect in India, and, you wish, by a transparent allegory, to + lead me to reflect on the fate of the man from whom you have stolen the + letter addressed to me. In my turn, I will take the freedom just to + observe to you, in all humility, M. Faringhea, that here it is not + permitted to strangle anybody, and that if you were to think fit to make + any corpses for the love of Bowanee, your goddess, we should make you a + head shorter, for the love of another divinity commonly called justice.” + </p> + <p> + “And what would they do to me, if I tried to poison any one?” + </p> + <p> + “I will again humbly observe to you, M. Faringhea, that I have no time to + give you a course of criminal jurisprudence; but, believe me, you had + better resist the temptation to strangle or poison any one. One word more: + will you deliver up to me the letters of M. Van Dael, or not?” + </p> + <p> + “The letters relative to Prince Djalma?” said the half-caste, looking + fixedly at Rodin, who, notwithstanding a sharp and sudden twinge, remained + impenetrable, and answered with the utmost simplicity: “Not knowing what + the letters which you, sir, are pleased to keep from me, may contain, it + is impossible for me to answer your question. I beg, and if necessary, I + demand, that you will hand me those letters—or that you will + retire.” + </p> + <p> + “In a few minutes, brother, you will entreat me to remain.” + </p> + <p> + “I doubt it.” + </p> + <p> + “A few words will operate—this miracle. If just now I spoke to you + about poisoning, brother, it was because you sent a doctor to Cardoville + Castle, to poison (at least for a time) Prince Djalma.” + </p> + <p> + In spite of himself, Rodin started almost imperceptibly, as he replied: “I + do not understand you.” + </p> + <p> + “It is true, that I am a poor foreigner, and doubtless speak with an + accent; I will try and explain myself better. I know, by Van Dael’s + letters, the interest you have that Prince Djalma should not be here to + morrow, and all that you have done with this view. Do you understand me + now?” + </p> + <p> + “I have no answer for you.” + </p> + <p> + Two cautious taps at the door here interrupted the conversation. “Come + in,” said Rodin. + </p> + <p> + “The letter has been taken to its address, sir,” said the old servant, + bowing, “and here is the answer.” + </p> + <p> + Rodin took the paper, and, before he opened it, said courteously to + Faringhea: “With your permission, sir?” + </p> + <p> + “Make no ceremonies,” said the half-caste. + </p> + <p> + “You are very kind,” replied Rodin, as, having read the letter he + received, he wrote hastily some words at the bottom, saying: “Send this + back to the same address.” + </p> + <p> + The servant bowed respectfully, and withdrew. + </p> + <p> + “Now can I continue”’ asked the half-caste, of Rodin. + </p> + <p> + “Certainly.” + </p> + <p> + “I will continue, then,” resumed Faringhea: + </p> + <p> + “The day before yesterday, just as the prince, all wounded as he was, was + about, by my advice, to take his departure for Paris, a fine carriage + arrived, with superb presents for Djalma, from an unknown friend. In this + carriage were two men—one sent by the unknown friend—the other + a doctor, sent by you to attend upon Djalma, and accompany him to Paris. + It was a charitable act, brother—was it not so?” + </p> + <p> + “Go on with your story, sir.” + </p> + <p> + “Djalma set out yesterday. By declaring that the prince’s wound would grow + seriously worse, if he did not lie down in the carriage during all the + journey, the doctor got rid of the envoy of the unknown friend, who went + away by himself. The doctor wished to get rid of me too; but Djalma so + strongly insisted upon it, that I accompanied the prince and doctor. + Yesterday evening, we had come about half the distance. The doctor + proposed we should pass the night at an inn. ‘We have plenty of time,’ + said he, ‘to reach Paris by to-morrow evening’—the prince having + told him, that he must absolutely be in Paris by the evening of the 12th. + The doctor had been very pressing to set out alone with the prince. I knew + by Van Dael’s letter, that it was of great importance to you for Djalma + not to be here on the 13th; I had my suspicions, and I asked the doctor if + he knew you; he answered with an embarrassed air, and then my suspicion + became certainty. When we reached the inn, whilst the doctor was occupied + with Djalma, I went up to the room of the former, and examined a box full + of phials that he had brought with him. One of them contained opium—and + then I guessed—” + </p> + <p> + “What did you guess, sir?” + </p> + <p> + “You shall know. The doctor said to Djalma, before he left him: ‘Your + wound is doing well, but the fatigue of the journey might bring on + inflammation; it will be good for you, in the course of to-morrow, to take + a soothing potion, that I will make ready this evening, to have with us in + the carriage.’ The doctor’s plan was a simple one,” added Faringhea; + “to-day the prince was to take the potion at four or five o’clock in the + afternoon—and fall into a deep sleep—the doctor to grow + uneasy, and stop the carriage—to declare that it would be dangerous + to continue the journey—to pass the night at an inn, and keep close + watch over the prince, whose stupor was only, to cease when it suited your + purposes. That was your design—it was cleverly planned—I chose + to make use of it myself, and I have succeeded.” + </p> + <p> + “All that you are talking about, my dear sir,” said Rodin, biting his + nails, “is pure Hebrew to me.” + </p> + <p> + “No doubt, because of my accent. But tell me, have you heard speak of + array—mow?” + </p> + <p> + “No.” + </p> + <p> + “Your loss! It is an admirable production of the Island of Java, so + fertile in poisons.” + </p> + <p> + “What is that to me?” said Rodin, in a sharp voice, but hardly able to + dissemble his growing anxiety. + </p> + <p> + “It concerns you nearly. We sons of Bowanee have a horror of shedding + blood,” resumed Faringhea; “to pass the cord round the neck of our + victims, we wait till they are asleep. When their sleep is not deep + enough, we know how to make it deeper. We are skillful at our work; the + serpent is not more cunning, or the lion more valiant, Djalma himself + bears our mark. The array-mow is an impalpable powder, and, by letting the + sleeper inhale a few grains of it, or by mixing it with the tobacco to be + smoked by a waking man, we can throw our victim into a stupor, from which + nothing will rouse him. If we fear to administer too strong a dose at + once, we let the sleeper inhale a little at different times, and we can + thus prolong the trance at pleasure, and without any danger, as long as a + man does not require meat and drink—say, thirty or forty hours. You + see, that opium is mere trash compared to this divine narcotic. I had + brought some of this with me from Java—as a mere curiosity, you know—without + forgetting the counter poison.” + </p> + <p> + “Oh! there is a counter-poison, then?” said Rodin, mechanically. + </p> + <p> + “Just as there are people quite contrary to what we are, brother of the + good work. The Javanese call the juice of this root tooboe; it dissipates + the stupor caused by the array-mow, as the sun disperses the clouds. Now, + yesterday evening, being certain of the projects of your emissary against + Djalma, I waited till the doctor was in bed and asleep. I crept into his + room, and made him inhale such a dose of array-mow—that he is + probably sleeping still.” + </p> + <p> + “Miscreant!” cried Rodin, more and more alarmed by this narrative, for + Faringhea had dealt a terrible blow at the machinations of the socius and + his friends. “You risk poisoning the doctor.” + </p> + <p> + “Yes, brother; just as he ran the risk of poisoning Djalma. This morning + we set out, leaving your doctor at the inn, plunged in a deep sleep. I was + alone in the carriage with Djalma. He smoked like a true Indian; some + grains of array-mow, mixed with the tobacco in his long pipe, first made + him drowsy; a second dose, that he inhaled, sent him to sleep; and so I + left him at the inn where we stopped. Now, brother, it depends upon me, to + leave Djalma in his trance, which will last till to-morrow evening or to + rouse him from it on the instant. Exactly as you comply with my demands or + not, Djalma will or will not be in the Rue Saint-Francois to morrow.” + </p> + <p> + So saying, Faringhea drew from his pocket the medal belonging to Djalma, + and observed, as he showed it to Rodin: “You see that I tell you the + truth. During Djalma’s sleep, took from him this medal, the only + indication he has of the place where he ought to be to-morrow. I finish, + then as I began: Brother, I have come to ask you for a great deal.” + </p> + <p> + For some minutes, Rodin had been biting his nails to the quick, as was his + custom when seized with a fit of dumb and concentrated rage. Just then, + the bell of the porter’s lodge rang three times in a particular manner. + Rodin did not appear to notice it, and yet a sudden light sparkled in his + small reptile eyes; while Faringhea, with his arms folded, looked at him + with an expression of triumph and disdainful superiority. The socius bent + down his head, remained silent for some seconds, took mechanically a pen + from his desk, and began to gnaw the feather, as if in deep reflection + upon what Faringhea had just said. Then, throwing down the pen upon the + desk, he turned suddenly towards the half-caste, and addressed him with an + air of profound contempt “Now, really, M. Faringhea—do you think to + make game of us with your cock-and bull stories?” + </p> + <p> + Amazed, in spite of his audacity, the half-caste recoiled a step. + </p> + <p> + “What, sir!” resumed Rodin. “You come here into a respectable house, to + boast that you have stolen letters, strangled this man, drugged that + other?—Why, sir, it is downright madness. I wished to hear you to + the end, to see to what extent you would carry your audacity—for + none but a monstrous rascal would venture to plume himself on such + infamous crimes. But I prefer believing, that they exist only in your + imagination.” + </p> + <p> + As he barked out these words, with a degree of animation not usual in him, + Rodin rose from his seat, and approached the chimney, while Faringhea, who + had not yet recovered from his surprise, looked at him in silence. In a + few seconds, however, the half-caste returned, with a gloomy and savage + mien: “Take care, brother; do not force me to prove to you that I have + told the truth.” + </p> + <p> + “Come, come, sir; you must be fresh from the Antipodes, to believe us + Frenchmen such easy dupes. You have, you say, the prudence of a serpent, + and the courage of a lion. I do not know if you are a courageous lion, but + you are certainly not a prudent serpent. What! you have about you a letter + from M. Van Dael, by which I might be compromised—supposing all this + not to be a fable—you have left Prince Djalma in a stupor, which + would serve my projects, and from which you alone can rouse him—you + are able, you say, to strike a terrible blow at my interests—and yet + you do not consider (bold lion! crafty serpent as you are!) that I only + want to gain twenty-four hours upon you. Now, you come from the end of + India to Paris, an unknown stranger—you believe me to be as great a + scoundrel as yourself,—since you call me brother—and do not + once consider, that you are here in my power—that this street and + house are solitary, and that I could have three or four persons to bind + you in a second, savage Strangler though you are!—and that just by + pulling this bell-rope,” said Rodin, as he took it in his hand. “Do not be + alarmed,” added he, with a diabolical smile, as he saw Faringhea make an + abrupt movement of surprise and fright; “would I give you notice, if I + meant to act in this manner?—But just answer me. Once bound and put + in confinement for twenty-four hours, how could you injure me? Would it + not be easy for me to possess myself of Van Dael’s letter, and Djalma’s + medal? and the latter, plunged in a stupor till to-morrow evening, need + not trouble me at all. You see, therefore, that your threats are vain + because they rest upon falsehood—because it is not true, that Prince + Djalma is here and in your power. Begone, sir—leave the house; and + when next you wish to make dupes, show more judgment in the selection.” + </p> + <p> + Faringhea seemed struck with astonishment. All that he had just heard + seemed very probable. Rodin might seize upon him, the letter, and the + medal, and, by keeping him prisoner, prevent Djalma from being awakened. + And yet Rodin ordered him to leave the house, at the moment when Faringhea + had imagined himself so formidable. As he thought for the motives of this + inexplicable conduct, it struck him that Rodin, notwithstanding the proofs + he had brought him, did not yet believe that Djalma was in his power. On + that theory, the contempt of Van Dael’s correspondent admitted of a + natural explanation. But Rodin was playing a bold and skillful game; and, + while he appeared to mutter to himself, as in anger, he was observing, + with intense anxiety, the Strangler’s countenance. + </p> + <p> + The latter, almost certain that he had divined the secret motive of Rodin, + replied: “I am going—but one word more. You think I deceive you?” + </p> + <p> + “I am certain of it. You have told me nothing but a tissue of fables, and + I have lost much time in listening to them. Spare me the rest; it is late—and + I should like to be alone.” + </p> + <p> + “One minute more: you are a man, I see, from whom nothing should be hid,” + said Faringhea, “from Djalma, I could now only expect alms and disdain—for, + with a character like this, to say to him, ‘Pay me, because I might have + betrayed you and did not,’ would be to provoke his anger and contempt. I + could have killed him twenty times over, but his day is not yet come,” + said the Thug, with a gloomy air; “and to wait for that and other fatal + days, I must have gold, much gold. You alone can pay me for the betrayal + of Djalma, for you alone profit by it. You refuse to hear me, because you + think I am deceiving you. But I took the direction of the inn where we + stopped—and here it is. Send some one to ascertain the truth of what + I tell you, and then you will believe me. But the price of my services + will be high; for I told you that I wanted much.” + </p> + <p> + So saying, Faringhea offered a printed card to Rodin: the socius, who, out + of the corner of his eye, followed all the half-caste’s movements, + appeared to be absorbed in thought, and taking no heed of anything. + </p> + <p> + “Here is the address,” repeated Faringhea, as he held out the card to + Rodin; “assure yourself that I do not lie.” + </p> + <p> + “Eh? what is it?” said the other, casting a rapid but stolen glance at the + address, which he read greedily, without touching the card. + </p> + <p> + “Take this address,” repeated the half-caste, “and you may then assure + yourself—” + </p> + <p> + “Really, sir,” cried Rodin, pushing back the card with his hand, “your + impudence confounds me. I repeat that I wish to have nothing in common + with you. For the last time, I tell you to leave the house. I know nothing + about your Prince Djalma. You say you can injure me—do so—make + no ceremonies—but, in heaven’s name, leave me to myself.” + </p> + <p> + So saying, Rodin rang the bell violently. Faringhea made a movement as if + to stand upon the defensive; but only the old servant, with his quiet and + placid mien, appeared at the door. + </p> + <p> + “Lapierre, light the gentleman out,” said Rodin, pointing to Faringhea. + </p> + <p> + Terrified at Rodin’s calmness, the half-caste hesitated to leave the room. + </p> + <p> + “Why do you wait, sir?” said Rodin, remarking his hesitation. “I wish to + be alone.” + </p> + <p> + “So, sir,” said Faringhea, as he withdrew, slowly, “you refuse my offers? + Take care! to-morrow it will be too late.” + </p> + <p> + “I have the honor to be your most humble servant, sir,” said Rodin, bowing + courteously. The Strangler went out, and the door closed upon him. + </p> + <p> + Immediately, Father d’Aigrigny entered from the next room. His countenance + was pale and agitated. + </p> + <p> + “What have you done?” exclaimed he addressing Rodin. + </p> + <p> + “I have heard all. I am unfortunately too sure that this wretch spoke the + truth. The Indian is in his power, and he goes to rejoin him.” + </p> + <p> + “I think not,” said Rodin, humbly, as bowing, he reassumed his dull and + submissive countenance. + </p> + <p> + “What will prevent this man from rejoining the prince?” + </p> + <p> + “Allow me. As soon as the rascal was shown in, I knew him; and so, before + speaking a word to him, I wrote a few lines to Morok, who was waiting + below with Goliath till your reverence should be at leisure. Afterwards, + in the course of the conversation, when they brought me Morok’s answer, I + added some fresh instructions, seeing the turn that affairs were taking.” + </p> + <p> + “And what was the use of all this, since you have let the man leave the + house?” + </p> + <p> + “Your reverence will perhaps deign to observe that he did not leave it; + till he had given me the direction of the hotel where the Indian now is, + thanks to my innocent stratagem of appearing to despise him. But, if it + had failed, Faringhea would still have fallen into the hands of Goliath + and Morok, who are waiting for him in the street, a few steps from the + door. Only we should have been rather embarrassed, as we should not have + known where to find Prince Djalma.” + </p> + <p> + “More violence!” said Father d’Aigrigny, with repugnance. + </p> + <p> + “It is to be regretted, very much regretted,” replied Rodin; “but it was + necessary to follow out the system already adopted.” + </p> + <p> + “Is that meant for a reproach?” said Father d’Aigrigny, who began to think + that Rodin was something more than a mere writing-machine. + </p> + <p> + “I could not permit myself to blame your reverence,” said Rodin, cringing + almost to the ground. “But all that will be required is to confine this + man for twenty-four hours.” + </p> + <p> + “And afterwards—his complaints?” + </p> + <p> + “Such a scoundrel as he is will not dare to complain. Besides, he left + this house in freedom. Morok and Goliath will bandage his eyes when they + seize him. The house has another entrance in the Rue Vieille-des-Ursins. + At this hour, and in such a storm, no one will be passing through this + deserted quarter of the town. The knave will be confused by the change of + place; they will put him into a cellar, of the new building, and to morrow + night, about the same hour, they will restore him to liberty with the like + precautions. As for the East Indian, we now know where to find him; we + must send to him a confidential person, and, if he recovers from his + trance, there would be, in my humble opinion,” said Rodin, modestly, “a + very simple and quiet manner of keeping him away from the Rue Saint + Francois all day to-morrow.” + </p> + <p> + The same servant with the mild countenance, who had introduced and shown + out Faringhea, here entered the room, after knocking discreetly at the + door. He held in his hand a sort of game-bag, which he gave to Rodin, + saying: “Here is what M. Morok has just brought; he came in by the Rue + Vieille.” + </p> + <p> + The servant withdrew, and Rodin, opening the bag, said to Father + d’Aigrigny, as he showed him the contents: “The medal, and Van Dael’s + letter. Morok has been quick at his work.” + </p> + <p> + “One more danger avoided,” said the marquis; “it is a pity to be forced to + such measures.” + </p> + <p> + “We must only blame the rascal who has obliged us to have recourse to + them. I will send instantly to the hotel where the Indian lodges.” + </p> + <p> + “And, at seven in the morning, you will conduct Gabriel to the Rue Saint + Francois. It is there that I must have with him the interview which he has + so earnestly demanded these three days.” + </p> + <p> + “I informed him of it this evening, and he awaits your orders.” + </p> + <p> + “At last, then,” said Father d’Aigrigny, “after so many struggles, and + fears, and crosses, only a few hours separate us from the moment which we + have so long desired.” + </p> + <p> + We now conduct the reader to the house in the Rue Saint-Francois. + </p> + <p> + (13) The doctrine of passive and absolute obedience, the principal tool in + the hands of the Jesuits, as summed up in these terrible words of the + dying Loyola—that every member of the order should be in the hands + of his superiors as a dead body—‘perinde ad cadaver’. + </p> + <p> + <a name="link2HCH0070" id="link2HCH0070"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XVII. THE HOUSE IN THE RUE SAINT-FRANCOIS. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">O</span>n entering the Rue Saint-Gervais, by the Rue Dore (in the Marais), you + would have found yourself, at the epoch of this narrative, directly + opposite to an enormously high wall, the stones of which were black and + worm-eaten with age. This wall, which extended nearly the whole length of + that solitary street, served to support a terrace shaded by trees of some + hundred years old, which thus grew about forty feet above the causeway. + Through their thick branches appeared the stone front, peaked roof and + tall brick chimneys of an antique house, the entrance of which was + situated in the Rue Saint-Francois, not far from the Rue Saint Gervais + corner. Nothing could be more gloomy than the exterior of this abode. On + the entrance-side also was a very high wall, pierced with two or three + loop-holes, strongly grated. A carriage gateway in massive oak, barred + with iron, and studded with large nail-heads, whose primitive color + disappeared beneath a thick layer of mud, dust, and rust, fitted close + into the arch of a deep recess, forming the swell of a bay window above. + In one of these massive gates was a smaller door, which served for ingress + and egress to Samuel the Jew, the guardian of this dreary abode. On + passing the threshold, you came to a passage, formed in the building which + faced in the street. In this building was the lodging of Samuel, with its + windows opening upon the rather spacious inner court yard, through the + railing of which you perceived the garden. In the middle of this garden + stood a two-storied stone house, so strangely built, that you had to mount + a flight of steps, or rather a double-flight of at least twenty steps, to + reach the door, which had been walled up a hundred and fifty years before. + The window-blinds of this habitation had been replaced by large thick + plates of lead, hermetically soldered and kept in by frames of iron + clamped in the stone. Moreover, completely to intercept air and light, and + thus to guard against decay within and without, the roof had been covered + with thick sheets of lead, as well as the vents of the tall chimneys, + which had previously been bricked up. The same precautions had been taken + with respect to a small square belvedere, situated on the top of the + house; this glass cage was covered with a sort of dome, soldered to the + roof. Only, in consequence of some singular fancy, in every one of the + leaden plates, which concealed the four sides of the belvedere, + corresponding to the cardinal points, seven little round holes had been + bored in the form of a cross, and were easily distinguishable from the + outside. Everywhere else the plates of lead were completely unpierced. + Thanks to these precautions, and to the substantial structure of the + building, nothing but a few outward repairs had been necessary; and the + apartments, entirely removed from the influence of the external air, no + doubt remained, during a century and a half, exactly in the same state as + at the time of their being shut up. The aspect of walls in crevices, of + broken, worm-eaten shutters, of a roof half fallen in, and windows covered + with wall-flowers, would perhaps have been less sad than the appearance of + this stone house, plated with iron and lead, and preserved like a + mausoleum. The garden, completely deserted, and only regularly visited + once a week by Samuel, presented to the view, particularly in summer, an + incredible confusion of parasites and brambles. The trees, left to + themselves, had shot forth and mingled their branches in all directions; + some straggling vines, reproduced from offshoots, had crept along the + ground to the foot of the trees, and, climbing up their trunks, had twined + themselves about them, and encircled their highest branches with their + inextricable net. You could only pass through this virgin forest by + following the path made by the guardian, to go from the grating to the + house, the approaches to which were a little sloped to let the water run + off, and carefully paved to the width of about ten feet. Another narrow + path which extended all around the enclosure, was every night perambulated + by two or three Pyrenees dogs—a faithful race, which had been + perpetuated in the house during a century and a half. Such was the + habitation destined for the meeting of the descendants of the family of + Rennepont. The night which separated the 12th from the 13th day of + February was near its close. A calm had succeeded the storm, and the rain + had ceased; the sky was clear and full of stars; the moon, on its decline, + shone with a mild lustre, and threw a melancholy light over that deserted, + silent house, whose threshold for so many years no human footstep had + crossed. + </p> +<div class="fig"> + <img src="images/20177m.jpg" alt="20177m" /><br /> + </div> + <h5> + <a href="images/20177.jpg"><i>Original</i></a> + </h5> + <p> + A bright gleam of light, issuing from one of the windows of the guardian’s + dwelling, announced that Samuel was awake. Figure to yourself a tolerably + large room, lined from top to bottom with old walnut wainscoting browned + to an almost black, with age. Two half-extinguished brands are smoking + amid the cinders on the hearth. On the stone mantelpiece, painted to + resemble gray granite, stands an old iron candlestick, furnished with a + meagre candle, capped by an extinguisher. Near it one sees a pair of + double-barrelled pistols, and a sharp cutlass, with a hilt of carved + bronze, belonging to the seventeenth century. Moreover, a heavy rifle + rests against one of the chimney jambs. Four stools, an old oak press, and + a square table with twisted legs, formed the sole furniture of this + apartment. Against the wall were systematically suspended a number of keys + of different sizes, the shape of which bore evidence to their antiquity, + whilst to their rings were affixed divers labels. The back of the old + press, which moved by a secret spring, had been pushed aside, and + discovered, built in the wall, a large and deep iron chest, the lid of + which, being open, displayed the wondrous mechanism of one of those + Florentine locks of the sixteenth century, which, better than any modern + invention, set all picklocks at defiance; and, moreover, according to the + notions of that age, are supplied with a thick lining of asbestos cloth, + suspended by gold wire at a distance from the sides of the chest, for the + purpose of rendering incombustible the articles contained in it. A large + cedar-wood box had been taken from the chest, and placed upon a stool; it + contained numerous papers, carefully arranged and docketed. By the light + of a brass lamp, the old keeper Samuel, was writing in a small register, + whilst Bathsheba, his wife, was dictating to him from an account. Samuel + was about eighty two years old, and, notwithstanding his advanced age, a + mass of gray curling hair covered his head. He was short, thin, nervous, + and the involuntary petulance of his movements proved that years had not + weakened his energy and activity; though, out of doors, where, however, he + made his appearance very seldom, he affected a sort of second childhood, + as had been remarked by Rodin to Father d’Aigrigny. An old dressing-gown, + of maroon-colored camlet, with large sleeves, completely enveloped the old + man, and reached to his feet. + </p> + <p> + Samuel’s features were cast in the pure, Eastern mould of his race. His + complexion was of a dead yellow, his nose aquiline, his chin shaded by a + little tuft of white beard, while projecting cheek-bones threw a harsh + shadow upon the hollow and wrinkled cheeks. His countenance was full of + intelligence, fine sharpness, and sagacity. On his broad, high forehead + one might read frankness, honesty, and firmness; his eyes, black and + brilliant as an Arab’s, were at once mild and piercing. + </p> + <p> + His wife, Bathsheba, some fifteen years younger than himself, was of tall + stature, and dressed entirely in black. A low cap, of starched lawn, which + reminded one of the grave head-dresses of Dutch matrons, encircled a pale + and austere countenance, formerly of a rare and haughty beauty, and + impressed with the Scriptural character. Some lines in the forehead, + caused by the almost continual knitting of her gray brows, showed that + this woman had often suffered from the pressure of intense grief. + </p> + <p> + At this very moment her countenance betrayed inexpressible sorrow. Her + look was fixed, her head resting on her bosom. She had let her right hand, + which held a small account-book, fall upon her lap, while the other hand + grasped convulsively a long tress of jet-black hair, which she bore about + her neck. It was fastened by a golden clasp, about an inch square, in + which, under a plate of crystal, that shut in one side of it like a + relic-case, could be seen a piece of linen, folded square, and almost + entirely covered with dark red spots that resembled blood a long time + dried. + </p> + <p> + After a short silence, during which Samuel was occupied with his register, + he read aloud what he had just been writing: “Per contra, 5,000 Austrian + Metallics of 1,000 florins, under date of October 19th, 1826.” + </p> + <p> + After which enumeration, Samuel raised his head, and said to his wife: + “Well, is it right, Bathsheba? Have you compared it with the account + book?” + </p> + <p> + Bathsheba did not answer. Samuel looked at her, and, seeing that she was + absorbed in grief, said to her, with an expression of tender anxiety: + “What is the matter? Good heaven! what is the matter with you?” + </p> + <p> + “The 19th of October, 1826,” said she, slowly, with her eyes still fixed, + and pressing yet more closely the lock of black hair which she wore about + her neck; “It was a fatal day—for, Samuel, it was the date of the + last letter which we received from—” + </p> + <p> + Bathsheba was unable to proceed. She uttered a long sigh, and concealed + her face in her hands. + </p> + <p> + “Oh! I understand you,” observed the old man, in a tremulous voice; “a + father may be taken up by the thought of other cares; but the heart of a + mother is ever wakeful.” Throwing his pen down upon the table, Samuel + leaned his forehead upon his hands in sorrow. + </p> + <p> + Bathsheba resumed, as if she found a melancholy pleasure in these cruel + remembrances: “Yes; that was the last day on which our son, Abel, wrote to + us from Germany, to announce to us that he had invested the funds + according to your desire and was going thence into Poland, to effect + another operation.” + </p> + <p> + “And in Poland he met the death of a martyr,” added Samuel. “With no + motive and no proof, they accused him falsely of coming to organize + smuggling, and the Russian governor, treating him as they treat our + brothers in that land of cruel tyranny, condemned him to the dreadful + punishment of the knout, without even hearing him in his defence. Why + should they hear a Jew? What is a Jew? A creature below a serf, whom they + reproach for all the vices that a degrading slavery has engendered. A Jew + beaten to death? Who would trouble themselves about it?” + </p> + <p> + “And poor Abel, so good, so faithful, died beneath their stripes, partly + from shame, partly from the wounds,” said Bathsheba, shuddering. “One of + our Polish brethren obtained with great difficulty permission to bury him. + He cut off this lock of beautiful black hair—which, with this scrap + of linen, bathed in the blood of our dear son, is all that now remains to + us of him.” Bathsheba covered the hair and clasp with convulsive kisses. + </p> + <p> + “Alas!” said Samuel, drying his tears, which had burst forth at these sad + recollections, “the Lord did not at last remove our child, until the task + which our family has accomplished faithfully for a century and a half was + nearly at an end. Of what use will our race be henceforth upon earth?” + added Samuel, most bitterly. “Our duty is performed. This casket contains + a royal fortune—and yonder house, walled up for a hundred and fifty + years, will be opened to-morrow to the descendants of my ancestor’s + benefactor.” So saying, Samuel turned his face sorrowfully towards the + house, which he could see through the window. The dawn was just about to + appear. The moon had set; belvedere, roof, and chimneys formed a black + mass upon the dark blue of the starry firmament. + </p> + <p> + Suddenly, Samuel grew pale, and, rising abruptly, said to his wife in a + tremulous tone, whilst he still pointed to the house: “Bathsheba! the + seven points of light—just as it was thirty years ago. Look! look:” + </p> + <p> + Indeed, the seven round holes, bored in the form of a cross in the leaden + plates which covered the window of the belvedere, sparkled like so many + luminous points, as if some one in the house ascended with a light to the + roof. + </p> + <p> + <a name="link2HCH0071" id="link2HCH0071"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XVIII. DEBIT AND CREDIT. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">F</span>or some seconds, Samuel and Bathsheba remained motionless, with their + eyes fixed in fear and uneasiness on the seven luminous points, which + shone through the darkness of the night from the summit of the belvedere; + while, on the horizon, behind the house, a pale, rosy hue announced the + dawn of day. + </p> + <p> + Samuel was the first to break silence, and he said to his wife, as he drew + his hand across his brow: “The grief caused by the remembrance of our poor + child has prevented us from reflecting that, after all, there should be + nothing to alarm us in what we see.” + </p> + <p> + “How so, Samuel?” + </p> + <p> + “My father always told me that he, and my grandfather before him, had seen + such lights at long intervals.” + </p> + <p> + “Yes, Samuel—but without being able, any more than ourselves, to + explain the cause.” + </p> + <p> + “Like my father and grandfather, we can only suppose that some secret + passage gives admittance to persons who, like us, have some mysterious + duty to fulfil in this dwelling. Besides, my father warned me not to be + uneasy at these appearances, foretold by him, and now visible for the + second time in thirty years.” + </p> + <p> + “No matter for that, Samuel, it does strike one as if it was something + supernatural.” + </p> + <p> + “The days of miracles are over.” said the Jew, shaking his head + sorrowfully: “many of the old houses in this quarter have subterraneous + communications with distant places—some extending even to the Seine + and the Catacombs. Doubtless, this house is so situated, and the persons + who make these rare visits enter by some such means.” + </p> + <p> + “But that the belvedere should be thus lighted up?” + </p> + <p> + “According to the plan of the building, you know that the belvedere forms + a kind of skylight to the apartment called the Great Hall of Mourning, + situated on the upper story. As it is completely dark, in consequence of + the closing of all the windows, they must use a light to visit this Hall + of Mourning—a room which is said to contain some very strange and + gloomy things,” added the Jew, with a shudder. + </p> + <p> + Bathsheba, as well as her husband, gazed attentively on the seven luminous + points, which diminished in brightness as the daylight gradually + increased. + </p> + <p> + “As you say, Samuel, the mystery may be thus explained,” resumed the + Hebrew’s wife. “Besides, the day is so important a one for the family of + Rennepont, that this apparition: ought not to astonish us under the + circumstances.” + </p> + <p> + “Only to think,” remarked Samuel, “that these lights have appeared at + several different times throughout a century and a half! There must, + therefore, be another family that, like ours, has devoted itself, from + generation to generation, to accomplish a pious duty.” + </p> + <p> + “But what is this duty? It will perhaps be explained today.” + </p> + <p> + “Come, come, Bathsheba,” suddenly exclaimed Samuel, as if roused from his + reverie, and reproaching himself with idleness; this is the day, and, + before eight o’clock, our cash account must be in order, and these titles + to immense property arranged, so that they may be delivered to the + rightful owners”—and he pointed to the cedar-wood box. + </p> + <p> + “You are right, Samuel; this day does not belong to us. It is a solemn day—one + that would have been sweet, oh! very sweet to you and me—if now any + days could be sweet to us,” said Bathsheba bitterly, for she was thinking + of her son. + </p> + <p> + “Bathsheba,” said Samuel, mournfully, as he laid his hand on his wife’s; + “we shall at least have the stern satisfaction of having done our duty. + And has not the Lord been very favorable to us, though He has thus + severely tried us by the death of our son? Is it not thanks to His + providence that three generations of my family have been able to commence, + continue, and finish this great work?” + </p> + <p> + “Yes, Samuel,” said the Jewess, affectionately, “and for you at least this + satisfaction will be combined with calm and quietness, for on the stroke + of noon you will be delivered from a very terrible responsibility.” + </p> + <p> + So saying, Bathsheba pointed to the box. + </p> + <p> + “It is true,” replied the old man; “I had rather these immense riches were + in the hands of those to whom they belong, than in mine; but, to day, I + shall cease to be their trustee. Once more then, I will check the account + for the last time, and compare the register with the cash-book that you + hold in your hand.” + </p> + <p> + Bathsheba bowed her head affirmatively, and Samuel, taking up his pen, + occupied himself once more with his calculations. His wife, in spite of + herself, again yielded to the sad thoughts which that fatal date had + awakened, by reminding her of the death of her son. + </p> + <p> + Let us now trace rapidly the history, in appearance so romantic and + marvellous, in reality so simple, of the fifty thousand crowns, which, + thanks to the law of accumulation, and to a prudent, intelligent and + faithful investment, had naturally, and necessarily, been transformed, in + the space of a century and a half, into a sum far more important than the + forty millions estimated by Father d’Aigrigny—who, partially + informed on this subject, and reckoning the disastrous accidents, losses, + and bankruptcies which might have occurred during so long a period, + believed that forty millions might well b e considered enormous. + </p> + <p> + The history of this fortune being closely connected with that of the + Samuel family, by whom it had been managed for three generations, we shall + give it again in a few words. + </p> + <p> + About the period 1670, some years before his death, Marius de Rennepont, + then travelling in Portugal, had been enabled, by means of powerful + interest, to save the life of an unfortunate Jew, condemned to be burnt + alive by the Inquisition, because of his religion. This Jew was Isaac + Samuel, grandfather of the present guardian of the house in the Rue + Saint-Francois. + </p> + <p> + Generous men often attach themselves to those they have served, as much, + at least, as the obliged parties are attached to their benefactors. Having + ascertained that Isaac, who at that time carried on a petty broker’s + business at Lisbon, was industrious, honest, active, laborious, and + intelligent, M. de Rennepont, who then possessed large property in France, + proposed to the Jew to accompany him, and undertake the management of his + affairs. The same hatred and suspicion with which the Israelites have + always been followed, was then at its height. Isaac was therefore doubly + grateful for this mark of confidence on the part of M. de Rennepont. He + accepted the offer, and promised from that day to devote his existence to + the service of him who had first saved his life, and then trusted + implicitly to his good faith and uprightness, although he was a Jew, and + belonged to a race generally suspected and despised. M. de Rennepont, a + man of great soul, endowed with a good spirit, was not deceived in his + choice. Until he was deprived of his fortune, it prospered wonderfully in + the hands of Isaac Samuel, who, gifted with an admirable aptitude for + business, applied himself exclusively to advance the interests of his + benefactor. + </p> + <p> + Then came the persecution and ruin of M. de Rennepont, whose property was + confiscated and given up to the reverend fathers of the Company of Jesus + only a few days before his death. Concealed in the retreat he had chosen, + therein to put a violent end to his life, he sent secretly for Isaac + Samuel, and delivered to him fifty thousand crowns in gold, the last + remains of his fortune. This faithful servant was to invest the money to + the best advantage, and, if he should have a son, transmit to him the same + obligation; or, should he have no child, he was to seek out some relation + worthy of continuing this trust, to which would moreover be annexed a fair + reward. It was thus to be transmitted and perpetuated from relative to + relative, until the expiration of a century and a half. M. de Rennepont + also begged Isaac to take charge, during his life, of the house in the Rue + Saint-Francois, where he would be lodged gratis, and to leave this + function likewise to his descendants, if it were possible. + </p> + <p> + If even Isaac Samuel had not had children, the powerful bond of union + which exists between certain Jewish families, would have rendered + practicable the last will of De Rennepont. The relations of Isaac would + have become partner; in his gratitude to his benefactor, and they, and + their succeeding generations, would have religiously accomplished the task + imposed upon one of their race. But, several years after the death of De + Rennepont, Isaac had a son. + </p> + <p> + This son, Levy Samuel, born in 1689, not having had any children by his + first wife, married again at nearly sixty years of age, and, in 1750, he + also had a son—David Samuel, the guardian of the house in the Rue + Saint Francois, who, in 1832 (the date of this narrative), was eighty-two + years old, and seemed likely to live as long as his father, who had died + at the age of ninety-three. Finally, Abel Samuel, the son whom Bathsheba + so bitterly regretted, born in 1790, had perished under the Russian knout, + at the age of thirty-six. + </p> + <p> + Having established this humble genealogy, we easily understand how this + successive longevity of three members of the Samuel family, all of whom + had been guardians of the walled house, by uniting, as it were, the + nineteenth with the seventeenth century, simplified and facilitated the + execution of M. de Rennepont’s will; the latter having declared his desire + to the grandfather of the Samuels, that the capital should only be + augmented by interest at five per cent.—so that the fortune might + come to his descendants free from all taint of usurious speculation. + </p> + <p> + The fellow men of the Samuel family, the first inventors of the bill of + exchange, which served them in the Middle Ages to transport mysteriously + considerable amounts from one end of the world to the other, to conceal + their fortune, and to shield it from the rapacity of their enemies—the + Jews, we say, having almost the monopoly of the trade in money and + exchanges, until the end of the eighteenth century, aided the secret + transactions and financial operations of this family, which, up to about + 1820, placed their different securities, which had become progressively + immense, in the hands of the principal Israelitish bankers and merchants + of Europe. This sure and secret manner of acting had enabled the present + guardian of the house in the Rue Saint-Francois, to effect enormous + investments, unknown to all; and it was more especially during the period + of his management, that the capital sum had acquired, by the mere fact of + compound interest, an almost incalculable development. Compared with him, + his father and grandfather had only small amounts to manage. Though it had + only been necessary to find successively sure and immediate investments, + so that the money might not remain as it were one day without bearing + interest, it had acquired financial capacity to attain this result, when + so many millions were in question. The last of the Samuels, brought up in + the school of his father, had exhibited this capacity in a very high + degree, as will be seen immediately by the results. Nothing could be more + touching, noble, and respectable, than the conduct of the members of this + Jewish family, who, partners in the engagement of gratitude taken by their + ancestor, devote themselves for long years, with as much disinterestedness + as intelligence and honesty, to the slow acquisition of a kingly fortune, + of which they expect no part themselves, but which, thanks to them, would + come pure, as immense, to the hands of the descendants of their + benefactor! Nor could anything be more honorable to him who made, and him + who received this deposit, than the simple promise by word of mouth, + unaccompanied by any security save mutual confidence and reciprocal + esteem, when the result was only to be produced at the end of a century + and a half! + </p> + <p> + After once more reading his inventory with attention, Samuel said to his + wife: “I am certain of the correctness of my additions. Now please to + compare with the account-book in your hand the summary of the investments + that I have just entered in the register. I will assure myself, at the + same time, that the bonds and vouchers are properly arranged in this + casket, that, on the opening of the will, they may be delivered in order + to the notary.” + </p> + <p> + “Begin, my dear, and I will check you,” said Bathsheba. + </p> + <p> + Samuel read as follows, examining as he went on, the contents of his + casket: + </p> + <p> + Statement of the account of the heirs of M. DE RENNEPONT, delivered by + DAVID SAMUELS. + </p> + <p> + DEBIT. + </p> +<pre xml:space="preserve"> + 2,000,000 francs per annum, + in the French 5 P. C., + bought from 1825 to 1832, + at an average price of 99f. + 50c............ 39,800,000 + 900,000 francs, ditto, in + the French 3 P. C., + bought during the + same years, at an average + of 74f 25c........ 22,275,000 + 5;000 shares in the Bank + of France, bought at 1,900 9,500,000 + 3,000 shares in the Four + Canals, in a certificate + from the Company, + bought at 1,115f..... 3,345,000 + 125,000 ducats of + Neapolitans, at an average + of 82. 2,050,000 ducats, + at 4f. 400....... 9,020,000 + 5,000 Austrian Metallics, + of 1,000 florins, at 93 + —say 4,650,000 florins, + at 2f. 50c........ 11,625,000 + 75,000 pounds sterling + per annum, English + Consolidated 3 P. C., + at 88 3/4—say 2,218,750, + at 25f......... 55,468,750 + 1,200,000 florins, Dutch + 2 1/2 P. C., at 60-28, + 860,000 florins, at 2f. + 100........... 60,606,000 + Cash in banknotes, gold + and silver........ 535,250 + ——— + Francs 212,175,000 + + Paris, 12th February, 1832. + CREDIT. + + 150,000 francs + received from M. + de Rennepont, + in 1682, by Isaac + Samuel my grandfather; + and invested by him, + my father, and myself, + in different securities, + at Five per Cent. + Interest, with a + settlement of account + and Investment of + interest every six + months, producing, + as by annexed vouchers, 225,950,000 + + Less losses sustained + by failures, expenses of + commission and + brokerage, and + salary of three + generations of + trustees, as per + statement annexed 13,775,000 + ————— + 212,175,000 + + Francs 212,175,000 +</pre> + <p> + “It is quite right,” said Samuel, after examining the papers, contained in + the cedar-wood box. “There remains in hand, at the absolute disposal of + the heirs of the Rennepont family, the Sum Of TWO HUNDRED AND TWELVE + MILLIONS, ONE HUNDRED AND SEVENTY-FIVE THOUSAND FRANCS.” And the old man + looked at his wife with an expression of legitimate pride. “It is hardly + credible!” cried Bathsheba, struck with surprise. “I knew that you had + immense property in your hands; but I could never have believed, that one + hundred and fifty thousand francs, left a century and a half ago, should + be the only source of this immense fortune.” + </p> +<div class="fig"> + <img src="images/20187m.jpg" alt="20187m" /><br /> + </div> + <h5> + <a href="images/20187.jpg"><i>Original</i></a> + </h5> + <p> + “It is even so, Bathsheba,” answered the old man, proudly. “Doubtless, my + grandfather, my father, and myself, have all been exact and faithful in + the management of these funds; doubtless, we have required some sagacity + in the choice of investments, in times of revolution and commercial + panics; but all this was easy to us, thanks to our relations with our + brethren in all countries—and never have I, or any of mine, made an + usurious investment, or even taken the full advantage of the legal rate of + interest. Such were the positive demands of M. de Rennepont, given to my + grandfather; nor is there in the world a fortune that has been obtained by + purer means. Had it not been for this disinterestedness, we might have + much augmented this two hundred and twelve millions, only by taking + advantage of a few favorable circumstances.” + </p> + <p> + “Dear me! is it possible?” + </p> + <p> + “Nothing is more simple, Bathsheba. Every one knows, that in fourteen + years a capital will be doubled, by the mere accumulation of interest and + compound interest at five per cent. Now reflect, that in a century and a + half there are ten times fourteen years, and that these one hundred and + fifty thousands francs have thus been doubled and redoubled, over and over + again. All that astonishes you will then appear plain enough. In 1682, M. + de Rennepont entrusted my grandfather with a hundred and fifty thousand + francs; this sum, invested as I have told you, would have produced in + 1696, fourteen years after, three hundred thousand francs. These last, + doubled in 1710, would produce six hundred thousand. On the death of my + grandfather in 1719, the amount was already near a million; in 1724, it + would be twelve hundred thousand francs; in 1738, two millions four + hundred thousand; in 1752, about two years after my birth, four millions + eight hundred thousand; in 1766, nine millions six hundred thousand; in + 1780, nineteen millions two hundred thousand; in 1794, twelve years after + the death of my father, thirty-eight millions four hundred thousand; in + 1808, seventy-six millions eight hundred thousand; in 1822, one hundred + and fifty-three millions six hundred thousand; and, at this time, taking + the compound interest for ten years, it should be at least two hundred and + twenty-five millions. But losses and inevitable charges, of which the + account has been strictly kept, have reduced the sum to two hundred and + twelve millions one hundred and seventy-five thousand francs, the + securities for which are in this box.” + </p> + <p> + “I now understand you, my dear,” answered Bathsheba, thoughtfully; “but + how wonderful is this power of accumulation! and what admirable provision + may be made for the future, with the smallest present resources!” + </p> + <p> + “Such, no doubt, was the idea of M. de Rennepont; for my father has often + told me, and he derived it from his father, that M. de Rennepont was one + of the soundest intellects of his time,” said Samuel, as he closed the + cedar-box. + </p> + <p> + “God grant his descendants may be worthy of this kingly fortune, and make + a noble use of it!” said Bathsheba, rising. + </p> + <p> + It was now broad day, and the clock had just struck seven. + </p> + <p> + “The masons will soon be here,” said Samuel, as he replaced the cedar-box + in the iron safe, concealed behind the antique press. “Like you, + Bathsheba, I am curious and anxious to know, what descendants of M. de + Rennepont will now present themselves.” + </p> + <p> + Two or three loud knocks on the outer gate resounded through the house. + The barking of the watch-dogs responded to this summons. + </p> + <p> + Samuel said to his wife: “It is no doubt the masons, whom the notary has + sent with his clerk. Tie all the keys and their labels together; I will + come back and fetch them.” + </p> + <p> + So saying, Samuel went down to the door with much nimbleness, considering + his age, prudently opened a small wicket, and saw three workmen, in the + garb of masons, accompanied by a young man dressed in black. + </p> + <p> + “What may you want, gentlemen?” said the Jew, before opening the door, as + he wished first to make sure of the identity of the personages. + </p> + <p> + “I am sent by M. Dumesnil, the notary,” answered the clerk, “to be present + at the unwalling of a door. Here is a letter from my master, addressed to + M. Samuel, guardian of the house.” + </p> + <p> + “I am he, sir,” said the Jew; “please to put the letter through the slide, + and I will take it.” + </p> + <p> + The clerk did as Samuel desired, but shrugged his shoulders at what he + considered the ridiculous precautions of a suspicious old man. The + housekeeper opened the box, took the letter, went to the end of the + vaulted passage in order to read it, and carefully compared the signature + with that of another letter which he drew from the pocket of his long + coat; then, after all these precautions, he chained up his dogs, and + returned to open the gate to the clerk and masons. + </p> + <p> + “What the devil, my good man!” said the clerk, as he entered; “there would + not be more formalities in opening the gates of a fortress!” + </p> + <p> + The Jew bowed, but without answering. + </p> + <p> + “Are you deaf, my good fellow?” cried the clerk, close to his ears. + </p> + <p> + “No, sir,” said Samuel, with a quiet smile, as he advanced several steps + beyond the passage. Then pointing to the old house, he added: “That, sir, + is the door which you will have to open; you will also have to remove the + lead and iron from the second window to the right.” + </p> + <p> + “Why not open all the windows?” asked the clerk. + </p> + <p> + “Because, sir, as guardian of this house, I have received particular + orders on the subject.” + </p> + <p> + “Who gave you these orders?” + </p> + <p> + “My father, sir, who received them from his father, who transmitted them + from the master of this house. When I cease to have the care of it, the + new proprietor will do as he pleases.” + </p> + <p> + “Oh! very well,” said the clerk, not a little surprised. Then, addressing + himself to the masons, he added: “This is your business, my fine fellows; + you are to unwall the door, and remove the iron frame-work of the second + window to the right.” + </p> + <p> + Whilst the masons set to work, under the inspection of the notary’s clerk, + a coach stopped before the outer gate, and Rodin, accompanied by Gabriel, + entered the house in the Rue Saint-Francois. + </p> + <p> + <a name="link2HCH0072" id="link2HCH0072"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XIX. THE HEIR + </h2> + <h3> + Samuel opened the door to Gabriel and Rodin. + </h3> + <p> + The latter said to the Jew, “You, sir, are the keeper of this house?” + </p> + <p> + “Yes, sir,” replied Samuel. + </p> + <p> + “This is Abbe Gabriel de Rennepont,” said Rodin, as he introduced his + companion, “one of the descendants of the family of the Renneponts.” + </p> + <p> + “Happy to hear it, sir,” said the Jew, almost involuntarily, struck with + the angelic countenance of Gabriel—for nobleness and serenity of + soul were visible in the glance of the young priest, and were written upon + his pure, white brow, already crowned with the halo of martyrdom. Samuel + looked at Gabriel with curiosity and benevolent interest; but feeling that + this silent contemplation must cause some embarrassment to his guest, he + said to him, “M. Abbe, the notary will not be here before ten o’clock.” + </p> + <p> + Gabriel looked at him in turn, with an air of surprise, and answered, + “What notary, sir?” + </p> + <p> + “Father d’Aigrigny will explain all this to you,” said Rodin, hastily. + Then addressing Samuel, he added, “We are a little before the time. Will + you allow us to wait for the arrival of the notary?” + </p> + <p> + “Certainly,” said Samuel, “if you please to walk into my house.” + </p> + <p> + “I thank you, sir,” answered Rodin, “and accept your offer.” + </p> + <p> + “Follow me, then, gentlemen,” said the old man. + </p> + <p> + A few moments after, the young priest and the socius, preceded by Samuel, + entered one of the rooms occupied by the latter, on the ground-floor of + the building, looking out upon the court-yard. + </p> + <p> + “The Abbe d’Aigrigny, who has been the guardian of M. Gabriel, will soon + be coming to ask for us,” added Rodin; “will you have the kindness, sir to + show him into this room?” + </p> + <p> + “I will not fail to do so, sir,” said Samuel, as he went out. + </p> + <p> + The socius and Gabriel were left alone. To the adorable gentleness which + usually gave to the fine features of the missionary so touching a charm, + there had succeeded in this moment a remarkable expression of sadness, + resolution, and severity. Rodin not having seen Gabriel for some days, was + greatly struck by the change he remarked in him. He had watched him + silently all the way from the Rue des Postes to the Rue Saint-Francois. + The young priest wore, as usual, a long black cassock, which made still + more visible the transparent paleness of his countenance. When the Jew had + left the room, Gabriel said to Rodin, in a firm voice, “Will you at length + inform me, sir, why, for some days past, I have been prevented from + speaking to his reverence Father d’Aigrigny? Why has he chosen this house + to grant me an interview?” + </p> + <p> + “It is impossible for me to answer these questions,” replied Rodin, + coldly. “His reverence will soon arrive, and will listen to you. All I can + tell you is, that the reverend father lays as much stress upon this + meeting as you do. If he has chosen this house for the interview, it is + because you have an interest to be here. You know it well—though you + affected astonishment on hearing the guardian speak of a notary.” + </p> + <p> + So saying, Rodin fixed a scrutinizing, anxious look upon Gabriel, whose + countenance expressed only surprise. + </p> + <p> + “I do not understand you,” said he, in reply to Rodin. “What have I to do + with this house?” + </p> + <p> + “It is impossible that you should not know it,” answered Rodin, still + looking at him with attention. + </p> + <p> + “I have told you, sir, that I do not know it,” replied the other, almost + offended by the pertinacity of the socius. + </p> + <p> + “What, then, did your adopted mother come to tell you yesterday? Why did + you presume to receive her without permission from Father d’Aigrigny, as I + have heard this morning? Did she not speak with you of certain family + papers, found upon you when she took you in?” + </p> + <p> + “No, sir,” said Gabriel; “those papers were delivered at the time to my + adopted mother’s confessor, and they afterwards passed into Father + d’Aigrigny’s hands. This is the first I hear for a long time of these + papers.” + </p> + <p> + “So you affirm that Frances Baudoin did not come to speak to you on this + subject?” resumed Rodin, obstinately, laying great emphasis on his words. + </p> + <p> + “This is the second time, sir, that you seem to doubt my affirmation,” + said the young priest, mildly, while he repressed a movement of + impatience, “I assure you that I speak the truth.” + </p> + <p> + “He knows nothing,” thought Rodin; for he was too well convinced of + Gabriel’s sincerity to retain the least doubt after so positive a + declaration. “I believe you,” went on he. “The idea only occurred to me in + reflecting what could be the reason of sufficient weight to induce you to + transgress Father d’Aigrigny’s orders with regard to the absolute + retirement he had commanded, which was to exclude all communication with + those without. Much more, contrary to all the rules of our house, you + ventured to shut the door of your room, whereas it ought to remain half + open, that the mutual inspection enjoined us might be the more easily + practiced. I could only explain these sins against discipline, by the + necessity of some very important conversation with your adopted mother.” + </p> + <p> + “It was to a priest, and not to her adopted son, that Madame Baudoin + wished to speak,” replied Gabriel, in a tone of deep seriousness. “I + closed my door because I was to hear a confession.” + </p> + <p> + “And what had Frances Baudoin of such importance to confess?” + </p> + <p> + “You will know that by-and-bye, when I speak to his reverence—if it + be his pleasure that you should hear me.” + </p> + <p> + These words were so firmly spoken, that a long silence ensued. Let us + remind the reader that Gabriel had hitherto been kept by his superiors in + the most complete ignorance of the importance of the family interests + which required his presence in the Rue Saint-Francois. The day before, + Frances Baudoin, absorbed in her own grief, had forgotten to tell him that + the two orphans also should be present at this meeting, and had she even + thought of it, Dagobert would have prevented her mentioning this + circumstance to the young priest. + </p> + <p> + Gabriel was therefore quite ignorant of the family ties which united him + with the daughters of Marshal Simon, with Mdlle. de Cardoville, with M. + Hardy, Prince Djalma, and Sleepinbuff. In a word, if it had then been + revealed to him that he was the heir of Marius de Rennepont, he would have + believed himself the only descendant of the family. During the moment’s + silence which succeeded his conversation with Rodin, Gabriel observed + through the windows the mason’s at their work of unwalling the door. + Having finished this first operation, they set about removing the bars of + iron by which a plate of lead was fixed over the same entrance. + </p> + <p> + At this juncture, Father d’Aigrigny, conducted by Samuel, entered the + room. Before Gabriel could turn around, Rodin had time to whisper to the + reverend father, “He knows nothing—and we have no longer anything to + fear from the Indian.” + </p> + <p> + Notwithstanding his affected calmness, Father d’Aigrigny’s countenance was + pale and contracted, like that of a player who is about to stake all on a + last, decisive game. Hitherto, all had favored the designs of the Society; + but he could not think without alarm of the four hours which still + remained before they should reach the fatal moment. Gabriel having turned + towards him, Father d’Aigrigny offered him his hand with a smile, and said + to him in an affectionate and cordial tone, “My dear son, it has pained me + a good deal to have been obliged to refuse you till now the interview that + you so much desired. It has been no less distressing to me to impose on + you a confinement of some days. Though I cannot give any explanation of + what I may think fit to order, I will just observe to you that I have + acted only for your interest.” + </p> + <p> + “I am bound to believe your reverence,” answered Gabriel, bowing his head. + </p> + <p> + In spite of himself, the young priest felt a vague sense of fear, for + until his departure for his American mission, Father d’Aigrigny, at whose + feet he had pronounced the formidable vows which bound him irrevocably to + the Society of Jesus, had exercised over him that frightful species of + influence which, acting only by despotism, suppression, and intimidation, + breaks down all the living forces of the soul, and leaves it inert, + trembling, and terrified. Impressions of early youth are indelible, and + this was the first time, since his return from America, that Gabriel found + himself in presence of Father d’Aigrigny; and although he did not shrink + from the resolution he had taken, he regretted not to have been able, as + he had hoped, to gather new strength and courage from an interview with + Agricola and Dagobert. Father d’Aigrigny knew mankind too well not to have + remarked the emotion of the young priest, and to have endeavored to + explain its cause. This emotion appeared to him a favorable omen; he + redoubled, therefore, his seductive arts, his air of tenderness and + amenity, reserving to himself, if necessary, the choice of assuming + another mask. He sat down, while Gabriel and Rodin remained standing in a + respectful position, and said to the former: “You desire, my dear son, to + have an important interview with me?” + </p> + <p> + “Yes, father,” said Gabriel, involuntarily casting down his eyes before + the large, glittering gray pupil of his superior. + </p> + <p> + “And I also have matters of great importance to communicate to you. Listen + to me first; you can speak afterwards.” + </p> + <p> + “I listen, father.” + </p> + <p> + “It is about twelve years ago, my dear son,” said Father d’Aigrigny, + affectionately, “that the confessor of your adopted mother, addressing + himself to me through M. Rodin, called my attention to yourself, by + reporting the astonishing progress you had made at the school of the + Brothers. I soon found, indeed, that your excellent conduct, your gentle, + modest character, and your precocious intelligence, were worthy of the + most tender interest. From that moment I kept my eyes upon you, and at the + end of some time, seeing that you did not fall off, it appeared to me that + there was something more in you than the stuff that makes a workman. We + agreed with your adopted mother, and through my intervention, you were + admitted gratuitously to one of the schools of our Company. Thus one + burden the less weighed upon the excellent woman who had taken charge of + you, and you received from our paternal care all the benefits of a + religious education. Is not this true, my dear son?” + </p> + <p> + “It is true, father,” answered Gabriel, casting down his eyes. + </p> + <p> + “As you grew up, excellent and rare virtues displayed themselves in your + character. Your obedience and mildness were above all exemplary. You made + rapid progress in your studies. I knew not then to what career you wished + to devote yourself, but I felt certain that, in every station of life, you + would remain a faithful son of the Church. I was not deceived in my hopes, + or rather, my dear son, you surpassed them all. Learning, by a friendly + communication, that your adopted mother ardently desired to see you take + orders, you acceded generously and religiously to the wish of the + excellent woman to whom you owed so much. But as the Lord is always just + in His recompenses, He willed that the most touching work of gratitude you + could show to your adopted mother, should at the same time be divinely + profitable by making you one of the militant members of our holy Church.” + </p> + <p> + At these words, Gabriel could not repress a significant start, as he + remembered Frances’ sad confidences. But he restrained himself, whilst + Rodin stood leaning with his elbow on the corner of the chimney-piece, + continuing to examine him with singular and obstinate attention. + </p> + <p> + Father d’Aigrigny resumed: “I do not conceal from you, my dear son, that + your resolution filled me with joy. I saw in you one of the future lights + of the Church, and I was anxious to see it shine in the midst of our + Company. You submitted courageously to our painful and difficult tests; + you were judged worthy of belonging to us, and, after taking in my + presence the irrevocable and sacred oath, which binds you for ever to our + Company for the greater glory of God, you answered the appeal of our Holy + Father(14) to willing souls, and offered yourself as a missionary, to + preach to savages the one Catholic faith. Though it was painful to us to + part with our dear son, we could not refuse to accede to such pious + wishes. You set out a humble missionary you return a glorious martyr—and + we are justly proud to reckon you amongst our number. This rapid sketch of + the past was necessary, my dear son to arrive at what follows, for we wish + now, if it be possible, to draw still closer the bonds that unite us. + Listen to me, my dear son; what I am about to say is confidential and of + the highest importance, not only for you, but the whole Company.” + </p> + <p> + “Then, father,” cried Gabriel hastily, interrupting the Abbe d’Aigrigny, + “I cannot—I ought not to hear you.” + </p> + <p> + The young priest became deadly pale; one saw, by the alteration of his + features, that a violent struggle was taking place within him, but + recovering his first resolution, he raised his head, and casting an + assured look on Father d’Aigrigny and Rodin, who glanced at each other in + mute surprise, he resumed: “I repeat to you, father, that if it concerns + confidential matters of the Company, I must not hear you.” + </p> + <p> + “Really, my dear son, you occasion me the greatest astonishment. What is + the matter?—Your countenance changes, your emotion is visible. Speak + without fear; why can you not hear me?” + </p> + <p> + “I cannot tell you, father, until I also have, in my turn, rapidly + sketched the past—such as I have learned to judge it of late. You + will then understand, father, that I am no longer entitled to your + confidence, for an abyss will doubtlessly soon separate us.” + </p> + <p> + At these words, it is impossible to paint the look rapidly exchanged + between Rodin and Father d’Aigrigny. The socius began to bite his nails, + fixing his reptile eye angrily upon Gabriel; Father d’Aigrigny grew livid, + and his brow was bathed in cold sweat. He asked himself with terror, if, + at the moment of reaching the goal, the obstacle was going to come from + Gabriel, in favor of whom all other obstacles had been removed. This + thought filled him with despair. Yet the reverend father contained himself + admirably, remained calm, and answered with affectionate unction: “It is + impossible to believe, my dear son, that you and I can ever be separated + by an abyss—unless by the abyss of grief, which would be caused by + any serious danger to your salvation. But speak; I listen to you.” + </p> + <p> + “It is true, that, twelve years ago, father,” proceeded Gabriel, in a firm + voice, growing more animated as he proceeded, “I entered, through your + intervention, a college of the Company of Jesus. I entered it loving, + truthful, confiding. How did they encourage those precious instincts of + childhood? I will tell you. The day of my entrance, the Superior said to + me, as he pointed out two children a little older than myself: ‘These are + the companions that you will prefer. You will always walk three together. + The rules of the house forbid all intercourse between two persons only. + They also require, that you should listen attentively to what your + companions say, so that you may report it to me; for these dear children + may have, without knowing it, bad thoughts or evil projects. Now, if you + love your comrades, you must inform me of these evil tendencies, that my + paternal remonstrances may save them from punishment; it is better to + prevent evil than to punish it.’” + </p> +<div class="fig"> + <img src="images/20197m.jpg" alt="20197m" /><br /> + </div> + <h5> + <a href="images/20197.jpg"><i>Original</i></a> + </h5> + <p> + “Such are, indeed, my dear son,” said Father d’Aigrigny, “the rules of our + house, and the language we hold to all our pupils on their entrance.” + </p> + <p> + “I know it, father,” answered Gabriel, bitterly; “three days after, a + poor, submissive, and credulous child, I was already a spy upon my + comrades, hearing and remembering their conversation, and reporting it to + the superior, who congratulated me on my zeal. What they thus made me do + was shameful, and yet, God knows! I thought I was accomplishing a + charitable duty. I was happy in obeying the commands of a superior whom I + respected, and to whose words I listened, in my childish faith, as I + should have listened to those of Heaven. One day, that I had broken some + rule of the house, the superior said to me: ‘My child, you have deserved a + severe punishment; but you will be pardoned, if you succeed in surprising + one of your comrades in the same fault that you have committed.’ And for + that, notwithstanding my faith and blind obedience, this encouragement to + turn informer, from the motive of personal interest, might appear odious + to me, the superior added. ‘I speak to you, my child, for the sake of your + comrade’s salvation. Were he to escape punishment, his evil habits would + become habitual. But by detecting him in a fault, and exposing him to + salutary correction, you will have the double advantage of aiding in his + salvation, and escaping yourself a merited punishment, which will have + been remitted because of your zeal for your neighbor—” + </p> + <p> + “Doubtless,” answered Father d’Aigrigny, more and more terrified by + Gabriel’s language; “and in truth, my dear son, all this is conformable to + the rule followed in our colleges, and to the habits of the members of our + Company, ‘who may denounce each other without prejudice to mutual love and + charity, and only for their greater spiritual advancement, particularly + when questioned by their superior, or commanded for the greater glory of + God,’ as our Constitution has it.” + </p> + <p> + “I know it,” cried Gabriel; “I know it. ‘Tis in the name of all that is + most sacred amongst men, that we are encouraged to do evil.” + </p> + <p> + “My dear son,” said Father d’Aigrigny, trying to conceal his secret and + growing terror beneath an appearance of wounded dignity, “from you to me + these words are at least strange.” + </p> + <p> + At this, Rodin quitted the mantelpiece, on which he had been leaning, + begin to walk up and down the room, with a meditative air, and without + ceasing to bite his nails. + </p> + <p> + “It is cruel to be obliged to remind you, my dear son, that your are + indebted to us for the education you have received,” added Father + d’Aigrigny. + </p> + <p> + “Such were its fruits, father,” replied Gabriel. “Until then I had been a + spy on the other children, from a sort of disinterestedness; but the + orders of the superior made me advance another step on that shameful road. + I had become an informer, to escape a merited punishment. And yet, such + was my faith, my humility, my confidence, that I performed with innocence + and candor this doubly odious part. Once, indeed, tormented by vague + scruples, the last remains of generous aspirations that they were stifling + within me, I asked myself if the charitable and religious end could + justify the means, and I communicated my doubts to the superior. He + replied, that I had not to judge, but to obey, and that to him alone + belonged the responsibility of my acts.” + </p> + <p> + “Go on, my dear son,” said Father d’Aigrigny, gelding, in spite of + himself, to the deepest dejection. “Alas! I was right in opposing your + travel to America.” + </p> + <p> + “And yet it was the will of Providence, in that new, productive, and free + country, that, enlightened by a singular chance, on past and present, my + eyes were at length opened. Yes!” cried Gabriel, “it was in America that, + released from the gloomy abode where I had spent so many years of my + youth, and finding myself for the first time face to face with the divine + majesty of Nature, in the heart of immense solitudes through which I + journeyed—it was there that, overcome by so much magnificence and + grandeur, I made a vow—” Here Gabriel interrupted himself, to + continue: “Presently, father, I will explain to you that vow; but believe + me,” added the missionary, with an accent of deep sorrow, “it was a fatal + day to me when I first learned to fear and condemn all that I had hitherto + most revered and blessed. Oh! I assure you father,” added Gabriel, with + moist eyes, “it was not for myself alone, that I then wept.” + </p> + <p> + “I know the goodness of your heart, my dear son,” replied Father + d’Aigrigny, catching a glimpse of hope, on seeing Gabriel’s emotion; “I + fear that you have been led astray. But trust yourself to us, as to your + spiritual fathers, and I doubt not we shall confirm your faith, so + unfortunately shaken, and disperse the darkness which at present obscures + your sight. Alas, my dear son, in your vain illusions, you have mistaken + some false glimmer for the pure light of day. But go on.” + </p> + <p> + Whilst Father d’Aigrigny was thus speaking, Rodin stopped, took a pocket + book from his coat, and wrote down several notes. Gabriel was becoming + more and more pale and agitated. It required no small courage in him, to + speak as he was speaking, for, since his journey to America, he had + learned to estimate the formidable power of the Company. But this + revelation of the past, looked at from the vantage-ground of a more + enlightened present, was for the young priest the excuse, or rather the + cause of the determination he had just signified to his superior, and he + wished to explain all faithfully, notwithstanding the danger he knowingly + encountered. He continued therefore, in an agitated voice: + </p> + <p> + “You know, father, that the last days of my childhood, that happy age of + frankness and innocent joy, were spent in an atmosphere of terror, + suspicion, and restraint. Alas! how could I resign myself to the least + impulse of confiding trust, when I was recommended to shun the looks of + him who spoke with me, in order to hide the impression that his words + might cause—to conceal whatever I felt, and to observe and listen to + everything? Thus I reached the age of fifteen; by degrees, the rare visits + that I was allowed to pay, but always in presence of one of our fathers, + to my adopted mother and brother, were quite suppressed, so as to shut my + heart against all soft and tender emotions. Sad and fearful in that large, + old noiseless, gloomy house, I felt that I became more and more isolated + from the affections and the freedom of the world. My time was divided + between mutilated studies, without connection and without object, and long + hours of minute devotional exercises. I ask you, father, did they ever + seek to warm our young souls by words of tenderness or evangelic love? + Alas, no! For the words of the divine Saviour—Love ye one another, + they had substituted the command: Suspect ye one another. Did they ever, + father, speak to us of our country or of liberty?—No! ah, no! for + those words make the heart beat high; and with them, the heart must not + beat at all. To our long hours of study and devotion, there only succeeded + a few walks, three by three—never two and two—because by + threes, the spy-system is more practicable, and because intimacies are + more easily formed by two alone; and thus might have arisen some of those + generous friendships, which also make the heart beat more than it + should.15 And so, by the habitual repression of every feeling, there came + a time when I could not feel at all. For six months, I had not seen my + adopted mother and brother; they came to visit me at the college; a few + years before, I should have received them with transports and tears; this + time my eyes were dry, my heart was cold. My mother and brother quitted me + weeping. The sight of this grief struck me and I became conscious of the + icy insensibility which had been creeping upon me since I inhabited this + tomb. Frightened at myself, I wished to leave it, while I had still + strength to do so. Then, father, I spoke to you of the choice of a + profession; for sometimes, in waking moments, I seemed to catch from afar + the sound of an active and useful life, laborious and free, surrounded by + family affections. Oh! then I felt the want of movement and liberty, of + noble and warm emotions—of that life of the soul, which fled before + me. I told it you, father on my knees, bathing your hands with my tears. + The life of a workman or a soldier—anything would have suited me. It + was then you informed me, that my adopted mother, to whom I owed my life—for + she had taken me in, dying of want, and, poor herself, had shared with me + the scanty bread of her child—admirable sacrifice for a mother!—that + she,” continued Gabriel, hesitating and casting down his eyes, for noble + natures blush for the guilt of others, and are ashamed of the infamies of + which they are themselves victims, “that she, that my adopted mother, had + but one wish, one desire—” + </p> + <p> + “That of seeing you takes orders, my dear son,” replied Father d’Aigrigny; + “for this pious and perfect creature hoped, that, in securing your + salvation, she would provide for her own: but she did not venture to + inform you of this thought, for fear you might ascribe it to an interested + motive.” + </p> + <p> + “Enough, father!” said Gabriel, interrupting the Abbe d’Aigrigny, with a + movement of involuntary indignation; “it is painful for me to hear you + assert an error. Frances Baudoin never had such a thought.” + </p> + <p> + “My dear son, you are too hasty in your judgments,” replied Father + d’Aigrigny, mildly. “I tell you, that such was the one, sole thought of + your adopted mother.” + </p> + <p> + “Yesterday, father, she told me all. She and I were equally deceived.” + </p> + <p> + “Then, my dear son,” said Father d’Aigrigny, sternly, “you take the word + of your adopted mother before mine?” + </p> + <p> + “Spare me an answer painful for both of us, father,” said Gabriel, casting + down his eyes. + </p> + <p> + “Will you now tell me,” resumed Father d’Aigrigny, with anxiety, “what you + mean to—” + </p> + <p> + The reverend father was unable to finish. Samuel entered the room, and + said: “A rather old man wishes to speak to M. Rodin.” + </p> + <p> + “That is my name, sir,” answered the socius, in surprise; “I am much + obliged to you.” But, before following the Jew, he gave to Father + d’Aigrigny a few words written with a pencil upon one of the leaves of his + packet-book. + </p> + <p> + Rodin went out in very uneasy mood, to learn who could have come to seek + him in the Rue Saint-Francois. Father d’Aigrigny and Gabriel were left + alone together. + </p> + <p> + (14) It is only in respect to Missions that the Jesuits acknowledge the + papal supremacy. + </p> + <p> + (15) This rule is so strict in Jesuit Colleges, that if one of three + pupils leaves the other two, they separate out of earshot till the first + comes back. + </p> +<div class="fig"> + <img src="images/20205m.jpg" alt="20205m" /><br /> + </div> + <h5> + <a href="images/20205.jpg"><i>Original</i></a> + </h5> + <p> + <a name="link2HCH0073" id="link2HCH0073"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XX. THE RUPTURE. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">P</span>lunged into a state of mortal anxiety, Father d’Aigrigny had taken + mechanically the note written by Rodin, and held it in his hand without + thinking of opening it. The reverend father asked himself in alarm, what + conclusion Gabriel would draw from these recriminations upon the past; and + he durst not make any answer to his reproaches, for fear of irritating the + young priest, upon whose head such immense interests now reposed. Gabriel + could possess nothing for himself, according to the constitutions of the + Society of Jesus. Moreover, the reverend father had obtained from him, in + favor of the Order, an express renunciation of all property that might + ever come to him. But the commencement of his conversation seemed to + announce so serious a change in Gabriel’s views with regard to the + Company, that he might choose to break through the ties which attached him + to it; and in that case, he would not be legally bound to fulfil any of + his engagements.(16) The donation would thus be cancelled de facto, just + at the moment of being so marvellously realized by the possession of the + immense fortune of the Rennepont family, and d’Aigrigny’s hopes would thus + be completely and for ever frustrated. Of all these perplexities which the + reverend father had experienced for some time past, with regard to this + inheritance, none had been more unexpected and terrible than this. Fearing + to interrupt or question Gabriel, Father d’Aigrigny waited, in mute + terror, the end of this interview, which already bore so threatening an + aspect. + </p> + <p> + The missionary resumed: “It is my duty, father, to continue this sketch of + my past life, until the moment of my departure for America. You will + understand, presently, why I have imposed on myself this obligation.” + </p> + <p> + Father d’Aigrigny nodded for him to proceed. + </p> + <p> + “Once informed of the pretended wishes of my adopted mother, I resigned + myself to them, though at some cost of feeling. I left the gloomy abode, + in which I had passed my childhood and part of my youth, to enter one of + the seminaries of the Company. My resolution was not caused by an + irresistible religious vocation, but by a wish to discharge the sacred + debt I owed my adopted mother. Yet the true spirit of the religion of + Christ is so vivifying, that I felt myself animated and warmed by the idea + of carrying out the adorable precepts of our Blessed Saviour. To my + imagination, a seminary, instead of resembling the college where I had + lived in painful restraint, appeared like a holy place, where all that was + pure and warm in the fraternity of the Gospel would be applied to common + life—where, for example, the lessons most frequently taught would be + the ardent love of humanity, and the ineffable sweets of commiseration and + tolerance—where the everlasting words of Christ would be interpreted + in their broadest sense—and where, in fine, by the habitual exercise + and expansion of the most generous sentiments, men were prepared for the + magnificent apostolic mission of making the rich and happy sympathize with + the sufferings of their brethren, by unveiling the frightful miseries of + humanity—a sublime and sacred morality, which none are able to + withstand, when it is preached with eyes full of tears, and hearts + overflowing with tenderness and charity!” + </p> + <p> + As he delivered these last words with profound emotion, Gabriel’s eyes + became moist, and his countenance shone with angelic beauty. + </p> + <p> + “Such is, indeed, my dear son, the spirit of Christianity; but one must + also study and explain the letter,” answered Father d’Aigrigny, coldly. + “It is to this study that the seminaries of our Company are specially + destined. Now the interpretation of the letter is a work of analysis, + discipline, and submission—and not one of heart and sentiment.” + </p> + <p> + “I perceive that only too well, father. On entering this new house, I + found, alas! all my hopes defeated. Dilating for a moment, my heart soon + sunk within me. Instead of this centre of life, affection, youth, of which + I had dreamed. I found, in the silent and ice-cold seminary, the same + suppression of every generous emotion, the same inexorable discipline, the + same system of mutual prying, the same suspicion, the same invincible + obstacles to all ties of friendship. The ardor which had warmed my soul + for an instant soon died out; little by little, I fell back into the + habits of a stagnant, passive, mechanical life, governed by a pitiless + power with mechanical precision, just like the inanimate works of a + watch.” + </p> + <p> + “But order, submission and regularity are the first foundations of our + Company, my dear son.” + </p> + <p> + “Alas, father! it was death, not life, that I found thus organized. In the + midst of this destruction of every generous principle, I devoted myself to + scholastic and theological studies—gloomy studies—a wily, + menacing, and hostile science which, always awake to ideas of peril, + contest, and war, is opposed to all those of peace, progress, and + liberty.” + </p> + <p> + “Theology, my dear son,” said Father d’Aigrigny, sternly, “is at once a + buckler and a sword; a buckler, to protect and cover the Catholic faith—a + sword, to attack and combat heresy.” + </p> + <p> + “And yet, father, Christ and His apostles knew not this subtle science: + their simple and touching words regenerated mankind, and set freedom over + slavery. Does not the divine code of the Gospel suffice to teach men to + love one another? But, alas! far from speaking to us this language, our + attention was too often occupied with wars of religion, and the rivers of + blood that had flowed in honor of the Lord, and for the destruction of + heresy. These terrible lessons made our life still more melancholy. As we + grew near to manhood, our relations at the seminary assumed a growing + character of bitterness, jealousy and suspicion. The habit of tale bearing + against each other, applied to more serious subjects, engendered silent + hate and profound resentments. I was neither better nor worse than the + others. All of us, bowed down for years beneath the iron yoke of passive + obedience, unaccustomed to reflection or free-will, humble and trembling + before our superiors, had the same pale, dull, colorless disposition. At + last I took orders; once a priest, you invited me, father, to enter the + Company of Jesus, or rather I found myself insensibly brought to this + determination. How, I do not know. For a long time before, my will was not + my own. I went through all my proofs; the most terrible was decisive; for + some months, I lived in the silence of my cell, practicing with + resignation the strange and mechanical exercises that you ordered me. With + the exception of your reverence, nobody approached me during that long + space of time; no human voice but yours sounded in my ear. Sometimes, in + the night, I felt vague terrors; my mind, weakened by fasting, austerity, + and solitude, was impressed with frightful visions. At other times, on the + contrary, I felt a sort of quiescence, in the idea that, having once + pronounced my vows, I should be delivered for ever from the burden of + thought and will. Then I abandoned myself to an insurmountable torpor, + like those unfortunate wretches, who, surprised by a snow-storm, yield to + a suicidal repose. Thus I awaited the fatal moment. At last, according to + the rule of discipline, choking with the death rattle,(17) I hastened the + moment of accomplishing the final act of my expiring will—the vow to + renounce it for ever.” + </p> + <p> + “Remember, my dear son,” replied Father d’Aigrigny, pale and tortured by + increasing anguish, “remember, that, on the eve of the day fixed for the + completion of your vows; I offered, according to the rule of our Company, + to absolve you from joining us—leaving you completely free, for we + accept none but voluntary vocations.” + </p> + <p> + “It is true, father,” answered Gabriel, with sorrowful bitterness; “when, + worn out and broken by three months of solitude and trial, I was + completely exhausted, and unable to move a step, you opened the door of my + cell, and said to me: ‘If you like, rise and walk; you are free; Alas! I + had no more strength. The only desire of my soul, inert and paralyzed for + so long a period, was the repose of the grave; and pronouncing those + irrevocable vows, I fell, like a corpse, into your hands.” + </p> + <p> + “And, till now, my dear son, you have never failed in this corpse—like + obedience,—to use the expression of our glorious founder—because, + the more absolute this obedience, the more meritorious it must be.” + </p> + <p> + After a moment’s silence, Gabriel resumed: “You had always concealed from + me, father, the true ends of the Society into which I entered. I was asked + to abandon my free-will to my superiors, in the name of the Greater Glory + of God. My vows once pronounced, I was to be in your hands a docile and + obedient instrument; but I was to be employed, you told me, in a holy, + great and beauteous work. I believed you, father—how should I not + have believed you? but a fatal event changed my destiny—a painful + malady caused by—” + </p> + <p> + “My son,” cried Father d’Aigrigny, interrupting Gabriel, “it is useless to + recall these circumstances.” + </p> + <p> + “Pardon me, father, I must recall them. I have the right to be heard. I + cannot pass over in silence any of the facts, which have led me to take + the immutable resolution that I am about to announce to you.” + </p> + <p> + “Speak on, my son,” said Father d’Aigrigny, frowning; for he was much + alarmed at the words of the young priest, whose cheeks, until now pale, + were covered with a deep blush. + </p> + <p> + “Six months before my departure for America,” resumed Gabriel, casting + down his eyes, “you informed me, that I was destined to confess penitents; + and to prepare then for that sacred ministry, you gave me a book.” + </p> + <p> + Gabriel again hesitated. His blushes increased. Father d’Aigrigny could + scarcely restrain a start of impatience and anger. + </p> + <p> + “You gave me a book,” resumed the young priest, with a great effort to + control himself, “a book containing questions to be addressed by a + confessor to youths, and young girls, and married women, when they present + themselves at the tribunal of penance. My God!” added Gabriel, shuddering + at the remembrance. “I shall never forget that awful moment. It was night. + I had retired to my chamber, taking with me this book, composed, you told + me, by one of our fathers, and completed by a holy bishop.(18) Full of + respect, faith, and confidence, I opened those pages. At first, I did not + understand them—afterwards I understood—and then I was seized + with shame and horror—struck with stupor—and had hardly + strength to close, with trembling hand, this abominable volume. I ran to + you, father, to accuse myself of having involuntarily cast my eyes on + those nameless pages, which, by mistake, you had placed in my hands.” + </p> + <p> + “Remember, also, my dear son,” said Father d’Aigrigny, gravely, “that I + calmed your scruples, and told you that a priest, who is bound to hear + everything under the seal of confession, must be able to know and + appreciate everything; and that our Company imposes the task of reading + this Compendium, as a classical work, upon young deacons seminarists, and + priests, who are destined to be confessors.” + </p> + <p> + “I believed you, father. In me the habit of inert obedience was so + powerful, and I was so unaccustomed to independent reflection, that, + notwithstanding my horror (with which I now reproached myself as with a + crime), I took the volume back into my chamber, and read. Oh, father! what + a dreadful revelation of criminal fancies, guilty of guiltiest in their + refinement!” + </p> + <p> + “You speak of this book in blamable terms,” skid Father d’Aigrigny, + severely; “you were the victim of a too lively imagination. It is to it + that you must attribute this fatal impression, and not to an excellent + work, irreproachable for its special purpose, and duly authorized by the + Church. You are not able to judge of such a production.” + </p> + <p> + “I will speak of it no more, father,” said Gabriel: and he thus resumed: + “A long illness followed that terrible night. Many times, they feared for + my reason. When I recovered, the past appeared to me like a painful dream. + You told me, then, father, that I was not yet ripe for certain functions; + and it was then that I earnestly entreated you to be allowed to go on the + American missions. After having long refused my prayer, you at length + consented. From my childhood, I had always lived in the college or + seminary, to a state of continual restraint and subjection. By constantly + holding down my head and eyes, I had lost the habit of contemplating the + heavens and the splendors of nature. But, oh! what deep, religious + happiness I felt, when I found myself suddenly transported to the centre + of the imposing grandeur of the seas-half-way between the ocean and the + sky!—I seemed to come forth from a place of thick darkness; for the + first time, for many years, I felt my heart beat freely in my bosom; for + the first time, I felt myself master of my own thoughts, and ventured to + examine my past life, as from the summit of a mountain, one looks down + into a gloomy vale. Then strange doubts rose within me. I asked myself by + what right, and for what end, any beings had so long repressed, almost + annihilated, the exercise of my will, of my liberty, of my reason, since + God had endowed me with these gifts. But I said to myself, that perhaps, + one day, the great, beauteous, and holy work, in which I was to have my + share, would be revealed to me, and would recompense my obedience and + resignation.” + </p> + <p> + At this moment, Rodin re-entered the room. Father d’Aigrigny questioned + him with a significant look. The socius approached, and said to him in a + low voice, so, that Gabriel could not hear: “Nothing serious. It was only + to inform me, that Marshal Simon’s father is arrived at M. Hardy’s + factory.” + </p> + <p> + Then, glancing at Gabriel, Rodin appeared to interrogate Father + d’Aigrigny, who hung his head with a desponding air. Yet he resumed, again + addressing Gabriel, whilst Rodin took his old place, with his elbow on the + chimney-piece: “Go on, my dear son. I am anxious to learn what resolution + you have adopted.” + </p> + <p> + “I will tell you in a moment, father. I arrived at Charleston. The + superior of our establishment in that place, to whom I imparted my doubts + as to the object of our Society, took upon himself to clear them up, and + unveiled it all to me with alarming frankness. He told me the tendency not + perhaps of all the members of the Company, for a great number must have + shared my ignorance—but the objects which our leaders have + pertinaciously kept in view, ever since the foundation of the Order. I was + terrified. I read the casuists. Oh, father! that was a new and dreadful + revelation, when, at every page, I read the excuse and justification of + robbery, slander, adultery, perjury, murder, regicide. When I considered + that I, the priest of a God of charity, justice, pardon, and love, was to + belong henceforth to a Company, whose chiefs professed and glorified in + such doctrines, I made a solemn oath to break for ever the ties which + bound me to it!”(19) + </p> + <p> + On these words of Gabriel, Father d’Aigrigny and Rodin exchanged a look of + terror. All was lost; their prey had escaped them. Deeply moved by the + remembrances he recalled, Gabriel did not perceive the action of the + reverend father and the socius, and thus continued: “In spite of my + resolution, father, to quit the Company, the discovery I had made was very + painful to me. Oh! believe me, for the honest and loving soul, nothing is + more frightful than to have to renounce what it has long respected!—I + suffered so much, that, when I thought of the dangers of my mission, I + hoped, with a secret joy, that God would perhaps take me to Himself under + these circumstances: but, on the contrary, He watched over me with + providential solicitude.” + </p> + <p> + As he said this, Gabriel felt a thrill, for he remembered a Mysterious + Woman who had saved his life in America. After a moment’s silence, he + resumed: “My mission terminated, I returned hither to beg, father, that + you would release me from my vows. Many times but in vain, I solicited an + interview. Yesterday, it pleased Providence that I should have a long + conversation with my adopted mother; from her I learned the trick by which + my vocation had been forced upon me—and the sacrilegious abuse of + the confessional, by which she had been induced to entrust to other + persons the orphans that a dying mother had confided to the care of an + honest soldier. You understand, father, that, if even I had before + hesitated to break these bonds, what I have heard yesterday must have + rendered my decision irrevocable. But at this solemn moment, father, I am + bound to tell you, that I do not accuse the whole Society; many simple, + credulous, and confiding men, like myself, must no doubt form part of it. + Docile instruments, they see not in their blindness the work to which they + are destined. I pity them, and pray God to enlighten them, as he has + enlightened me.” + </p> + <p> + “So, my son,” said Father d’Aigrigny, rising with livid and despairing + look, “you come to ask of me to break the ties which attach you to the + Society?” + </p> + <p> + “Yes, father; you received my vows—it is for you to release me from + them.” + </p> + <p> + “So, my son, you understand that engagements once freely taken by you, are + now to be considered as null and void?” + </p> + <p> + “Yes, father.” + </p> + <p> + “So, my son, there is to be henceforth nothing in common between you and + our Company?” + </p> + <p> + “No, father—since I request you to absolve me of my vows.” + </p> + <p> + “But, you know, my son, that the Society may release you—but that + you cannot release yourself.” + </p> + <p> + “The step I take proves to you, father, the importance I attach to an + oath, since I come to you to release me from it. Nevertheless, were you to + refuse me, I should not think myself bound in the eyes of God or man.” + </p> + <p> + “It is perfectly clear,” said Father d’Aigrigny to Rodin, his voice + expiring upon his lips, so deep was his despair. + </p> + <p> + Suddenly, whilst Gabriel, with downcast eyes, waited for the answer of + Father d’Aigrigny, who remained mute and motionless, Rodin appeared struck + with a new idea, on perceiving that the reverend father still held in his + hand the note written in pencil. The socius hastily approached Father + d’Aigrigny, and said to him in a whisper, with a look of doubt and alarm: + “Have you not read my note?” + </p> + <p> + “I did not think of it,” answered the reverend father, mechanically. + </p> + <p> + Rodin appeared to make a great effort to repress a movement of violent + rage. Then he said to Father d’Aigrigny, in a calm voice: “Read it now.” + </p> + <p> + Hardly had the reverend father cast his eyes upon this note, than a sudden + ray of hope illumined his hitherto despairing countenance. Pressing the + hand of the socius with an expression of deep gratitude, he said to him in + a low voice: “You are right. Gabriel is ours.” + </p> + <p> + (16) The statutes formally state that the Company can expel all drones and + wasps, but that no man can break his ties, if the Order wishes to retain + him. + </p> + <p> + (17) This is their own command. The constitution expressly bids the novice + wait for this decisive climax of the ordeal before taking the vows of God. + </p> + <p> + (18) It is impossible, even in Latin, to give our readers an idea of this + infamous work. + </p> + <p> + (19) This is true. See the extracts from the Compendium for the use of + Schools, published under the title of “Discoveries by a Bibliophilist.” + Strasburg, 1843. For regicide, see Sanchez and others. + </p> + <p> + <a name="link2HCH0074" id="link2HCH0074"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXI. THE CHANGE. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">B</span>efore again addressing Gabriel, Father d’Aigrigny carefully reflected; + and his countenance, lately so disturbed, became gradually once more + serene. He appeared to meditate and calculate the effects of the eloquence + he was about to employ, upon an excellent and safe theme, which the socius + struck with the danger of the situation, had suggested in a few lines + rapidly written with a pencil, and which, in his despair, the reverend + father had at first neglected. Rodin resumed his post of observation near + the mantelpiece, on which he leaned his elbow, after casting at Father + d’Aigrigny a glance of disdainful and angry superiority, accompanied by a + significant shrug of the shoulders. + </p> + <p> + After this involuntary manifestation, which was luckily not perceived by + Father d’Aigrigny, the cadaverous face of the socius resumed its icy + calmness, and his flabby eyelids, raised a moment with anger and + impatience, fell, and half-veiled his little, dull eyes. It must be + confessed that Father d’Aigrigny, notwithstanding the ease and elegance of + his speech, notwithstanding the seduction of his exquisite manners, his + agreeable features, and the exterior of an accomplished and refined man of + the world, was often subdued and governed by the unpitying firmness, the + diabolical craft and depth of Rodin, the old, repulsive, dirty, miserably + dressed man, who seldom abandoned his humble part of secretary and mute + auditor. The influence of education is so powerful, that Gabriel, + notwithstanding the formal rupture he had just provoked, felt himself + still intimidated in presence of Father d’Aigrigny, and waited with + painful anxiety for the answer of the reverend father to his express + demand to be released from his old vows. His reverence having, doubtless, + regularly laid his plan of attack, at length broke silence, heaved a deep + sigh, gave to his countenance, lately so severe and irritated, a touching + expression of kindness, and said to Gabriel, in an affectionate voice: + “Forgive me, my dear son, for having kept silence so long; but your abrupt + determination has so stunned me, and has raised within me so many painful + thoughts, that I have had to reflect for some moments, to try and + penetrate the cause of this rupture, and I think I have succeeded. You + have well considered, my dear son, the serious nature of the step you are + taking?” + </p> +<div class="fig"> + <img src="images/20213m.jpg" alt="20213m" /><br /> + </div> + <h5> + <a href="images/20213.jpg"><i>Original</i></a> + </h5> + <p> + “Yes, father.” + </p> + <p> + “And you have absolutely decided to abandon the Society, even against my + will?” + </p> + <p> + “It would be painful to me, father—but I must resign myself to it.” + </p> + <p> + “It should be very painful to you, indeed, my dear son; for you took the + irrevocable vow freely, and this vow, according to our statutes, binds you + not to quit the Society, unless with the consent of your superiors.” + </p> + <p> + “I did not then know, father, the nature of the engagement I took. More + enlightened now, I ask to withdraw myself; my only desire is to obtain a + curacy in some village far from Paris. I feel an irresistible vocation for + such humble and useful functions. In the country, there is so much misery, + and such ignorance of all that could contribute to ameliorate the + condition of the agricultural laborer, that his existence is as unhappy as + that of a negro slave; for what liberty has he? and what instruction? Oh! + it seems to me, that, with God’s help, I might, as a village curate, + render some services to humanity. It would therefore be painful to me, + father, to see you refuse—” + </p> + <p> + “Be satisfied, my son,” answered Father d’Aigrigny; “I will no longer seek + to combat your desire to separate yourself from us.” + </p> + <p> + “Then, father, you release me from my vows?” + </p> + <p> + “I have not the power to do so, my dear son; but I will write immediately + to Rome, to ask the necessary authority from our general.” + </p> + <p> + “I thank you, father.” + </p> + <p> + “Soon, my dear son, you will be delivered from these bonds, which you deem + so heavy; and the men you abandon will not the less continue to pray for + you, that God may preserve you from still greater wanderings. You think + yourself released with regard to us, my dear son; but we do not think + ourselves released with regard to you. It is not thus that we can get rid + of the habit of paternal attachment. What would you have? We look upon + ourselves as bound to our children, by the very benefits with which we + have loaded them. You were poor, and an orphan; we stretched out our arms + to you, as much from the interest which you deserved, my dear son, as to + spare your excellent adopted mother too great a burden.” + </p> + <p> + “Father,” said Gabriel, with suppressed emotion, “I am not ungrateful.” + </p> + <p> + “I wish to believe so, my dear son. For long years, we gave to you, as to + our beloved child, food for the body and the soul. It pleases you now to + renounce and abandon us. Not only do we consent to it—but now that I + have penetrated the true motives of your rupture with us, it is my duty to + release you from your vow.” + </p> + <p> + “Of what motives do you speak, Father?” + </p> + <p> + “Alas! my dear son, I understand your fears. Dangers menace us—you + know it well.” + </p> + <p> + “Dangers, father?” cried Gabriel. + </p> + <p> + “It is impossible, my dear son, that you should not be aware that, since + the fall of our legitimate sovereigns, our natural protectors, + revolutionary impiety becomes daily more and more threatening. We are + oppressed with persecutions. I can, therefore, comprehend and appreciate, + my dear son, the motive which under such circumstances, induces you to + separate from us.” + </p> + <p> + “Father!” cried Gabriel, with as much indignation as grief, “you do not + think that of me—you cannot think it.” + </p> + <p> + Without noticing the protestations of Gabriel, Father d’Aigrigny continued + his imaginary picture of the dangers of the Company, which, far from being + really in peril, was already beginning secretly to recover its influence. + </p> + <p> + “Oh! if our Company were now as powerful as it was some years ago,” + resumed the reverend father; “if it were still surrounded by the respect + and homage which are due to it from all true believers—in spite of + the abominable calumnies with which we are assailed—then, my dear + son, we should perhaps have hesitated to release you from your vows, and + have rather endeavored to open your eyes to the light, and save you from + the fatal delusion to which you are a prey. But now that we are weak, + oppressed, threatened on every side, it is our duty, it is an act of + charity, not to force you to share in perils from which you have the + prudence to wish to withdraw yourself.” + </p> + <p> + So, saying, Father d’Aigrigny cast a rapid glance at his socius, who + answered with a nod of approbation, accompanied by a movement of + impatience that seemed to say: “Go on! go on!” + </p> + <p> + Gabriel was quite overcome. There was not in the whole world a heart more + generous, loyal, and brave than his. We may judge of what he must have + suffered, on hearing the resolution he had come to thus misinterpreted. + </p> + <p> + “Father,” he resumed, in an agitated voice, whilst his eyes filled with + tears, “your words are cruel and unjust. You know that I am not a coward.” + </p> + <p> + “No,” said Rodin, in his sharp, cutting voice, addressing Father + d’Aigrigny, and pointing to Gabriel with a disdainful look; “your dear son + is only prudent.” + </p> + <p> + These words from Rodin made Gabriel start; a slight blush colored his pale + cheeks; his large and blue eyes sparkled with a generous anger; then, + faithful to the precepts of Christian humility and resignation, he + conquered this irritable impulse, hung down his head, and, too much + agitated to reply, remained silent, and brushed away an unseen tear. This + tear did not escape the notice of the socius. He saw in it no doubt, a + favorable symptom, for he exchanged a glance of satisfaction with Father + d’Aigrigny. The latter was about to touch on a question of great interest, + so, notwithstanding his self-command, his voice trembled slightly; but + encouraged, or rather pushed on by a look from Rodin, who had become + extremely attentive, he said to Gabriel: “Another motive obliges us not to + hesitate in releasing you from your vow, my dear son. It is a question of + pure delicacy. You probably learned yesterday from your adopted mother, + that you will perhaps be called upon to take possession of an inheritance, + of which the value is unknown.” + </p> + <p> + Gabriel raised his head hastily and said to Father d’Aigrigny: “As I have + already stated to M. Rodin, my adopted mother only talked of her scruples + of conscience, and I was completely ignorant of the existence of the + inheritance of which you speak.” + </p> + <p> + The expression of indifference with which the young priest pronounced + these last words, was remarked by Rodin. + </p> + <p> + “Be it so,” replied Father d’Aigrigny. “You were not aware of it—I + believe you—though all appearances would tend to prove the contrary—to + prove, indeed, that the knowledge of this inheritance was not unconnected + with your resolution to separate from us.” + </p> + <p> + “I do not understand you, Father.” + </p> + <p> + “It is very simple. Your rupture with us would then have two motives. + First, we are in danger, and you think it prudent to leave us—” + </p> + <p> + “Father!” + </p> + <p> + “Allow me to finish, my dear son, and come to the second motive. If I am + deceived, you can tell me so. These are the facts. Formerly, on the + hypothesis that your family, of which you knew nothing, might one day + leave you some property, you made, in return for the care bestowed on you + by the Company, a free gift of all you might hereafter possess, not to us—but + to the poor, of whom we are the born shepherds.” + </p> + <p> + “Well, father?” asked Gabriel, not seeing to what this preamble tended. + </p> + <p> + “Well, my dear son—now that you are sure of enjoying a competence, + you wish, no doubt, by separating from us, to annul this donation made + under other circumstances.” + </p> + <p> + “To speak plainly, you violate your oath, because we are persecuted, and + because you wish to take back your gifts,” added Rodin, in a sharp voice, + as if to describe in the clearest and plainest manner the situation of + Gabriel with regard to the Society. + </p> + <p> + At this infamous accusation, Gabriel could only raise his hands and eyes + to heaven, and exclaim, with an expression of despair, “Oh, heaven!” + </p> + <p> + Once more exchanging a look of intelligence with Rodin, Father d’Aigrigny + said to him, in a severe tone, as if reproaching him for his too savage + frankness: “I think you go too far. Our dear son could only have acted in + the base and cowardly manner you suggest, had he known his position as an + heir; but, since he affirms the contrary, we are bound to believe him—in + spite of appearances.” + </p> + <p> + “Father,” said Gabriel, pale, agitated trembling, and with half suppressed + grief and indignation, “I thank you, at least, for having suspended your + judgment. No, I am not a coward; for heaven is my witness, that I knew of + no danger to which the Society was exposed. Nor am I base and avaricious; + for heaven is also my witness, that only at this moment I learn from you, + father, that I may be destined to inherit property, and—” + </p> + <p> + “One word, my dear son. It is quite lately that I became informed of this + circumstance, by the greatest chance in the world,” said Father + d’Aigrigny, interrupting Gabriel; “and that was thanks to some family + papers which your adopted mother had given to her confessor, and which + were entrusted to us when you entered our college. A little before your + return from America, in arranging the archives of the Company, your file + of papers fell into the hands of our father-attorney. It was examined, and + we thus learned that one of your paternal ancestors, to whom the house in + which we now are belonged, left a will which is to be opened to day at + noon. Yesterday, we believed you one of us; our statutes command that we + should possess nothing of our own; you had corroborated those statutes, by + a donation in favor of the patrimony of the poor—which we + administer. It was no longer you, therefore, but the Company, which, in my + person, presented itself as the inheritor in your place, furnished with + your titles, which I have here ready in order. But now, my clear son, that + you separate from us, you must present yourself in your own name. We came + here as the representatives of the poor, to whom in former days you + piously abandoned whatever goods might fall to your share. Now, on the + contrary, the hope of a fortune changes your sentiments. You are free to + resume your gifts.” + </p> + <p> + Gabriel had listened to Father d’Aigrigny with painful impatience. At + length he exclaimed. “Do you mean to say, father, that you think me + capable of canceling a donation freely made, in favor of the Company, to + which I am indebted for my education? You believe me infamous enough to + break my word, in the hope of possessing a modest patrimony?” + </p> + <p> + “This patrimony, my dear, son, may be small; but it may also be + considerable.” + </p> + <p> + “Well, father! if it were a king’s fortune,” cried Gabriel, with proud and + noble indifference, “I should not speak otherwise—and I have, I + think, the right to be believed listen to my fixed resolution. The Company + to which I belong runs, you say, great dangers. I will inquire into these + dangers. Should they prove threatening—strong in the determination + which morally separates me from you—I will not leave you till I see + the end of your perils. As for the inheritance, of which you believe me so + desirous, I resign it to you formally, father, as I once freely promised. + My only wish is, that this property may be employed for the relief of the + poor. I do not know what may be the amount of this fortune, but large or + small, it belongs to the Company, because I have thereto pledged my word. + I have told you, father, that my chief desire is to obtain a humble curacy + in some poor village—poor, above all—because there my services + will be most useful. Thus, father, when a man, who never spoke falsehood + in his life, affirms to you, that he only sighs for so humble an + existence, you ought, I think, to believe him incapable of snatching back, + from motives of avarice, gifts already made.” + </p> + <p> + Father d’Aigrigny had now as much trouble to restrain his joy, as he + before had to conceal his terror. He appeared, however, tolerably calm, + and said to Gabriel: “I did not expect less from you, my dear son.” + </p> + <p> + Then he made a sign to Rodin, to invite him to interpose. The latter + perfectly understood his superior. He left the chimney, drew near to + Gabriel, and leaned against the table, upon which stood paper and + inkstand. Then, beginning mechanically to beat the tattoo with the tips of + his coarse fingers, in all their array of flat and dirty nails, he said to + Father d’Aigrigny: “All this is very fine! but your dear son gives you no + security for the fulfilment of his promise except an oath—and that, + we know, is of little value.” + </p> + <p> + “Sir!” cried Gabriel + </p> + <p> + “Allow me,” said Rodin, coldly. “The law does not acknowledge our + existence and therefore can take no cognizance of donations made in favor + of the Company. You might resume to-morrow what you are pleased to give us + to-day.” + </p> + <p> + “But my oath, sir!” cried Gabriel. + </p> + <p> + Rodin looked at him fixedly, as he answered: “Your oath? Did you not swear + eternal obedience to the Company, and never to separate from us?—and + of what weight now are these oaths?” + </p> + <p> + For a moment Gabriel was embarrassed; but, feeling how false was this + logic, he rose, calm and dignified, went to seat himself at the desk, took + up a pen, and wrote as follows: + </p> + <p> + “Before God, who sees and hears me, and in the presence of you, Father + d’Aigrigny and M. Rodin, I renew and confirm, freely and voluntarily, the + absolute donation made by me to the Society of Jesus, in the person of the + said Father d’Aigrigny, of all the property which may hereafter belong to + me, whatever may be its value. I swear, on pain of infamy, to perform tis + irrevocable promise, whose accomplishment I regard, in my soul and + conscience, as the discharge of a debt, and the fulfilment of a pious + duty. + </p> + <p> + “This donation having for its object the acknowledgment of past services, + and the relief of the poor, no future occurrences can at all modify it. + For the very reason that I know I could one day legally cancel the present + free and deliberate act, I declare, that if ever I were to attempt such a + thing, under any possible circumstances, I should deserve the contempt and + horror of all honest people. + </p> + <p> + “In witness whereof I have written this paper, on the 13th of February, + 1832, in Paris, immediately before the opening of the testament of one of + my paternal ancestors. + </p> +<div class="fig"> + <img src="images/10225m.jpg" alt="10225m " /><br /> + </div> + <h5> + <a href="images/10225.jpg"><i>Original</i></a> + </h5> + <p> + “GABRIEL DE RENNEPONT.” + </p> + <p> + As he rose, the young priest delivered this document to Rodin, without + uttering a word. The socius read it attentively, and, still impassible, + answered, as he looked at Gabriel: “Well, it is a written oath—that + is all.” + </p> + <p> + Gabriel dwelt stupefied at the audacity of Rodin, who ventured to tell + him, that this document, in which he renewed his donation in so noble, + generous, and spontaneous a manner, was not all sufficient. The socius was + the first again to break the silence, and he said to Father d’Aigrigny, + with his usual cool impudence. “One of two things must be. Either your + dear son means to render his donation absolutely valuable and irrevocable,—or—” + </p> + <p> + “Sir,” exclaimed Gabriel, interrupting him, and hardly able to restrain + himself, “spare yourself and me such a shameful supposition.” + </p> + <p> + “Well, then,” resumed Rodin, impassible as ever, “as you are perfectly + decided to make this donation a serious reality, what objection can you + have to secure it legally?” + </p> + <p> + “None, sir,” said Gabriel, bitterly, “since my written and sworn promise + will not suffice you.” + </p> + <p> + “My dear son,” said Father d’Aigrigny, affectionately, “if this were a + donation for my own advantage, believe me I should require no better + security than your word. But here I am, as it were, the agent of the + Society, or rather the trustee of the poor, who will profit by your + generosity. For the sake of humanity, therefore, we cannot secure this + gift by too many legal precautions, so that the unfortunate objects of our + care may have certainty instead of vague hopes to depend upon. God may + call you to him at any moment, and who shall say that your heirs will be + so ready to keep the oath you have taken?” + </p> + <p> + “You are right, father,” said Gabriel, sadly; “I had not thought of the + case of death, which is yet so probable.” + </p> + <p> + Hereupon, Samuel opened the door of the room, and said: “Gentlemen, the + notary has just arrived. Shall I show him in? At ten o’clock precisely, + the door of the house will be opened.” + </p> + <p> + “We are the more glad to see the notary,” said Rodin, “as we just happen + to have some business with him. Pray ask him to walk in.” + </p> + <p> + “I will bring him to you instantly,” replied Samuel, as he went out. + </p> + <p> + “Here is a notary,” said Rodin to Gabriel. “If you have still the same + intentions, you can legalize your donation in presence of this public + officer, and thus save yourself from a great burden for the future.” + </p> + <p> + “Sir,” said Gabriel, “happen what may, I am as irrevocably engaged by this + written promise, which I beg you to keep, father”—and he handed the + paper to Father d’Aigrigny “as by the legal document, which I am about to + sign,” he added, turning to Rodin. + </p> + <p> + “Silence, my dear son,” said Father d’Aigrigny; “here is the notary,” just + as the latter entered the room. + </p> + <p> + During the interview of the administrative officer with Rodin, Gabriel, + and Father d’Aigrigny, we shall conduct the reader to the interior of the + walled-up house. + </p> + <p> + <a name="link2HCH0075" id="link2HCH0075"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXII. THE RED ROOM. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span>s Samuel had said, the door of the walled-up house had just been + disencumbered of the bricks, lead, and iron, which had kept it from view, + and its panels of carved oak appeared as fresh and sound, as on the day + when they had first been withdrawn from the influence of the air and time. + The laborers, having completed their work, stood waiting upon the steps, + as impatient and curious as the notary’s clerk, who had superintended the + operation, when they saw Samuel slowly advancing across the garden, with a + great bunch of keys in his hand. + </p> + <p> + “Now, my friends,” said the old man, when he had reached the steps, “your + work is finished. The master of this gentleman will pay you, and I have + only to show you out by the street door.” + </p> + <p> + “Come, come, my good fellow,” cried the clerk, “you don’t think. We are + just at the most interesting and curious moment; I and these honest masons + are burning to see the interior of this mysterious house, and you would be + cruel enough to send us away? Impossible!” + </p> + <p> + “I regret the necessity, sir, but so it must he. I must be the first to + enter this dwelling, absolutely alone, before introducing the heirs, in + order to read the testament.” + </p> + <p> + “And who gave you such ridiculous and barbarous orders?” cried the clerk, + singularly disappointed. + </p> + <p> + “My father, sir.” + </p> + <p> + “A most respectable authority, no doubt; but come, my worthy guardian, my + excellent guardian,” resumed the clerk, “be a good fellow, and let us just + take a peep in at the door.” + </p> + <p> + “Yes, yes, sir, only a peep!” cried the heroes of the trowel, with a + supplicating air. + </p> + <p> + “It is disagreeable to have to refuse you, gentlemen,” answered Samuel; + “but I cannot open this door, until I am alone.” + </p> + <p> + The masons, seeing the inflexibility of the old man, unwillingly descended + the steps; but the clerk had resolved to dispute the ground inch by inch, + and exclaimed: “I shall wait for my master. I do not leave the house + without him. He may want me—and whether I remain on these steps or + elsewhere, can be of little consequence to you my worthy keeper.” + </p> + <p> + The clerk was interrupted in his appeal by his master himself, who called + out from the further side of the courtyard, with an air of business: “M. + Piston! quick, M. Piston—come directly!” + </p> + <p> + “What the devil does he want with me?” cried the clerk, in a passion. “He + calls me just at the moment when I might have seen something.” + </p> + <p> + “M. Piston,” resumed the voice, approaching, “do you not hear?” + </p> + <p> + While Samuel let out the masons, the clerk saw, through a clump of trees, + his master running towards him bareheaded, and with an air of singular + haste and importance. The clerk was therefore obliged to leave the steps, + to answer the notary’s summons, towards whom he went with a very bad + grace. + </p> + <p> + “Sir, sir,” said M. Dumesnil, “I have been calling you this hour with all + my might.” + </p> + <p> + “I did not hear you sir,” said M. Piston. + </p> + <p> + “You must be deaf, then. Have you any change about you?” + </p> + <p> + “Yes sir,” answered the clerk, with some surprise. + </p> + <p> + “Well, then, you must go instantly to the nearest stamp-office, and fetch + me three or four large sheets of stamped paper, to draw up a deed. Run! it + is wanted directly.” + </p> + <p> + “Yes, sir,” said the clerk, casting a rueful and regretful glance at the + door of the walled-up house. + </p> + <p> + “But make haste, will you, M. Piston,” said the notary. + </p> + <p> + “I do not know, sir, where to get any stamped paper.” + </p> + <p> + “Here is the guardian,” replied M. Dumesnil. “He will no doubt be able to + tell you.” + </p> + <p> + At this instant, Samuel was returning, after showing the masons out by the + street-door. + </p> + <p> + “Sir,” said the notary to him, “will you please to tell me where we can + get stamped paper?” + </p> + <p> + “Close by, sir,” answered Samuel; “in the tobacconist’s, No. 17, Rue + Vieille-du-Temple.” + </p> + <p> + “You hear, M. Piston?” said the notary to his clerk. “You can get the + stamps at the tobacconist’s, No. 17, Rue Vieille-du-Temple. Be quick! for + this deed must be executed immediately before the opening of the will. + Time presses.” + </p> + <p> + “Very well, sir; I will make haste,” answered the clerk, discontentedly, + as he followed his master, who hurried back into the room where he had + left Rodin, Gabriel, and Father d’Aigrigny. + </p> + <p> + During this time, Samuel, ascending the steps, had reached the door, now + disencumbered of the stone, iron, and lead with which it had been blocked + up. It was with deep emotion that the old man having selected from his + bunch of keys the one he wanted, inserted it in the keyhole, and made the + door turn upon its hinges. Immediately he felt on his face a current of + damp, cold air, like that which exhales from a cellar suddenly opened. + Having carefully re-closed and double-locked the door, the Jew advanced + along the hall, lighted by a glass trefoil over the arch of the door. The + panes had lost their transparency by the effect of time, and now had the + appearance of ground-glass. This hall, paved with alternate squares of + black and white marble, was vast, sonorous, and contained a broad + staircase leading to the first story. The walls of smooth stone offered + not the least appearance of decay or dampness; the stair-rail of wrought + iron presented no traces of rust; it was inserted, just above the bottom + step, into a column of gray granite, which sustained a statue of black + marble, representing a negro bearing a flambeau. This statue had a strange + countenance, the pupils of the eyes being made of white marble. + </p> +<div class="fig"> + <img src="images/20223m.jpg" alt="20223m" /><br /> + </div> + <h5> + <a href="images/20223.jpg"><i>Original</i></a> + </h5> + <p> + The Jew’s heavy tread echoed beneath the lofty dome of the hall. The + grandson of Isaac Samuel experienced a melancholy feeling, as he reflected + that the footsteps of his ancestor had probably been the last which had + resounded through this dwelling, of which he had closed the doors a + hundred and fifty years before; for the faithful friend, in favor of whom + M. de Rennepont had made a feigned transfer of the property, had + afterwards parted with the same, to place it in the name of Samuel’s + grandfather, who had transmitted it to his descendants, as if it had been + his own inheritance. + </p> + <p> + To these thoughts, in which Samuel was wholly absorbed, was joined the + remembrance of the light seen that morning through the seven openings in + the leaden cover of the belvedere; and, in spite of the firmness of his + character, the old man could not repress a shudder, as, taking a second + key from his bunch, and reading upon the label, The Key of the Red Room, + he opened a pair of large folding doors, leading to the inner apartments. + The window which, of all those in the house, had alone been opened, + lighted this large room, hung with damask, the deep purple of which had + undergone no alteration. A thick Turkey carpet covered the floor, and + large arm-chairs of gilded wood, in the severe Louis XIV. style, were + symmetrically arranged along the wall. A second door, leading to the next + room, was just opposite the entrance. The wainscoting and the cornice were + white, relieved with fillets and mouldings of burnished gold. On each side + of this door was a large piece of buhl-furniture, inlaid with brass and + porcelain, supporting ornamental sets of sea crackle vases. The window was + hung with heavy deep-fringed damask curtains, surmounted by scalloped + drapery, with silk tassels, directly opposite the chimney-piece of + dark-gray marble, adorned with carved brass-work. Rich chandeliers, and a + clock in the same style as the furniture, were reflected in a large Venice + glass, with basiled edges. A round table, covered with a cloth of crimson + velvet, was placed in the centre of this saloon. + </p> + <p> + As he approached this table, Samuel perceived a piece of white vellum, on + which were inscribed these words: “My testament is to be opened in this + saloon. The other apartments are to remain closed, until after the reading + of my last will—M. De R.” + </p> + <p> + “Yes,” said the Jew, as he perused with emotion these lines traced so long + ago; “this is the same recommendation as that which I received from my + father; for it would seem that the other apartments of this house are + filled with objects, on which M. de Rennepont set a high value, not for + their intrinsic worth, but because of their origin. The Hall of Mourning + must be a strange and mysterious chamber. Well,” added Samuel, as he drew + from his pocket a register bound in black shagreen, with a brass lock, + from which he drew the key, after placing it upon the table, “here is the + statement of the property in hand, which I have been ordered to bring + hither, before the arrival of the heirs.” + </p> + <p> + The deepest silence reigned in the room, at the moment when Samuel placed + the register on the table. Suddenly a simple and yet most startling + occurrence roused him from his reverie. In the next apartment was heard + the clear, silvery tone of a clock, striking slowly ten. And the hour was + ten! Samuel had too much sense to believe in perpetual motion, or in the + possibility of constructing a clock to go far one hundred and fifty years. + He asked himself, therefore, with surprise and alarm, how this clock could + still be going, and how it could mark so exactly the hour of the day. + Urged with restless curiosity, the old man was about to enter the room; + but recollecting the recommendation of his father, which had now been + confirmed by the few lines he had just read from De Rennepont’s pen, he + stopped at the door, and listened with extreme attention. + </p> + <p> + He heard nothing—absolutely nothing, but the last dying vibration of + the clock. After having long reflected upon this strange fact, Samuel, + comparing it with the no less extraordinary circumstance of the light + perceived that morning through the apertures in the belvedere, concluded + that there must be some connection between these two incidents. If the old + man could not penetrate the true cause of these extraordinary appearances, + he at least explained them to himself, by remembering the subterraneous + communications, which, according to tradition, were said to exist between + the cellars of this house and distant places; and he conjectured that + unknown and mysterious personages thus gained access to it two or three + times in a century. Absorbed in these thoughts Samuel approached the + fireplace, which, as we have said, was directly opposite the window. Just + then, a bright ray of sunlight, piercing the clouds, shone full upon two + large portraits, hung upon either side of the fireplace, and not before + remarked by the Jew. They were painted life size, and represented one a + woman, the other a man. By the sober yet powerful coloring of these + paintings, by the large and vigorous style, it was easy to recognize a + master’s hand. It would have been difficult to find models more fitted to + inspire a great painter. The woman appeared to be from five-and-twenty to + thirty years of age. Magnificent brown hair, with golden tints, crooned a + forehead, white, noble, and lofty. Her head-dress, far from recalling the + fashion, which Madame de Sevigne brought in during the age of Louis XIV., + reminded one rather of some of the portraits of Paul Veronese, in which + the hair encircles the face in broad, undulating bands, surmounted by a + thick plait, like a crown, at the back of the head. The eyebrows, finely + pencilled, were arched over large eyes of bright, sapphire blue. Their + gaze at once proud and mournful, had something fatal about it. The nose, + finely formed, terminated in slight dilated nostrils: a half smile, almost + of pain, contracted the mouth; the face was a long oval, and the + complexion, extremely pale, was hardly shaded on the cheek by a light + rose-color. The position of the head and neck announced a rare mixture of + grace and dignity. A sort of tunic or robe, of glossy black material, came + as high as the commencement of her shoulders, and just marking her lithe + and tall figure, reached down to her feet, which were almost entirely + concealed by the folds of this garment. + </p> + <p> + The attitude was full of nobleness and simplicity. The head looked white + and luminous, standing out from a dark gray sky, marbled at the horizon by + purple clouds, upon which were visible the bluish summits of distant + hills, in deep shadow. The arrangement of the picture, as well as the warm + tints of the foreground, contrasting strongly with these distant objects, + showed that the woman was placed upon an eminence, from which she could + view the whole horizon. The countenance was deeply pensive and desponding. + There was an expression of supplicating and resigned grief, particularly + in her look, half raised to heaven, which one would have thought + impossible to picture. On the left side of the fireplace was the other + portrait, painted with like vigor. It represented a man, between thirty + and thirty-five years of age, of tall stature. A large brown cloak, which + hung round him in graceful folds, did not quite conceal a black doublet, + buttoned up to the neck, over which fell a square white collar. The + handsome and expressive head was marked with stern powerful lines, which + did not exclude an admirable air of suffering, resignation, and ineffable + goodness. The hair, as well as the beard and eyebrows, was black; and the + latter, by some singular caprice of nature, instead of being separated and + forming two distinct arches, extended from one temple to the other, in a + single bow, and seemed to mark the forehead of this man with a black line. + </p> + <p> + The background of this picture also represented a stormy sky; but, beyond + some rocks in the distance, the sea was visible, and appeared to mingle + with the dark clouds. The sun, just now shining upon these two remarkable + figures (which it appeared impossible to forget, after once seeing them), + augmented their brilliancy. + </p> + <p> + Starting from his reverie, and casting his eyes by chance upon these + portraits, Samuel was greatly struck with them. They appeared almost + alive. “What noble and handsome faces!” he exclaimed, as he approached to + examine them more closely. “Whose are these portraits? They are not those + of any of the Rennepont family, for my father told me that they are all in + the Hall of Mourning. Alas!” added the old man, “one might think, from the + great sorrow expressed in their countenances, that they ought to have a + place in that mourning-chamber.” + </p> + <p> + After a moment’s silence, Samuel resumed: “Let me prepare everything for + this solemn assembly, for it has struck ten.” So saying, he placed the + gilded arm-chairs round the table, and then continued, with a pensive air: + “The hour approaches, and of the descendants of my grandfather’s + benefactor, we have seen only this young priest, with the angelic + countenance. Can he be the sole representative of the Rennepont family? He + is a priest, and this family will finish with him! Well! the moment is + come when I must open this door, that the will may be read. Bathsheba is + bringing hither the notary. They knock at the door; it is time!” And + Samuel, after casting a last glance towards the place where the clock had + struck ten, hastened to the outer door, behind which voices were now + audible. + </p> + <p> + He turned the key twice in the lock, and threw the portals open. To his + great regret, he saw only Gabriel on the steps, between Rodin and Father + d’Aigrigny. The notary, and Bathsheba, who had served them as a guide, + waited a little behind the principal group. + </p> + <p> + Samuel could not repress a sigh, as he stood bowing on the threshold, and + said to them: “All is ready, gentlemen. You may walk in.” + </p> + <p> + <a name="link2HCH0076" id="link2HCH0076"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXIII. THE TESTAMENT. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">W</span>hen Gabriel, Rodin, and Father d’Aigrigny entered the Red Room, they were + differently affected. Gabriel, pale and sad, felt a kind of painful + impatience. He was anxious to quit this house, though he had already + relieved himself of a great weight, by executing before the notary, + secured by every legal formality, a deed making over all his rights of + inheritance to Father d’Aigrigny. Until now it had not occurred to the + young priest, that in bestowing the care upon him, which he was about to + reward so generously, and in forcing his vocation by a sacrilegious + falsehood, the only object of Father d’Aigrigny might have been to secure + the success of a dark intrigue. In acting as he did, Gabriel was not + yielding, in his view of the question, to a sentiment of exaggerated + delicacy. He had made this donation freely, many years before. He would + have looked upon it as infamy now to withdraw it. It was hard enough to be + suspected of cowardice: for nothing in the world would he have incurred + the least reproach of cupidity. + </p> + <p> + The missionary must have been endowed with a very rare and excellent + nature, or this flower of scrupulous probity would have withered beneath + the deleterious and demoralizing influence of his education; but happily, + as cold sometimes preserves from corruption, the icy atmosphere in which + he had passed a portion of his childhood and youth had benumbed, but not + vitiated, his generous qualities, which had indeed soon revived in the + warm air of liberty. Father d’Aigrigny, much paler and more agitated than + Gabriel, strove to excuse and explain his anxiety by attributing it to the + sorrow he experienced at the rupture of his dear son with the Order. + Rodin, calm, and perfectly master of himself, saw with secret rage the + strong emotion of Father d’Aigrigny, which might have inspired a man less + confiding than Gabriel with strange suspicions. Yet, notwithstanding his + apparent indifference, the socius was perhaps still more ardently + impatient than his superior for the success of this important affair. + Samuel appeared quite desponding, no other heir but Gabriel having + presented himself. No doubt the old man felt a lively sympathy for the + young priest; but then he was a priest, and with him would finish the line + of Rennepont; and this immense fortune, accumulated with so much labor, + would either be again distributed, or employed otherwise than the testator + had desired. The different actors in this scene were standing around the + table. As they were about to seat themselves, at the invitation of the + notary, Samuel pointed to the register bound in black shagreen, and said: + “I was ordered, sir, to deposit here this register. It is locked. I will + deliver up the key, immediately after the reading of the will.” + </p> + <p> + “This course is, in fact, directed by the note which accompanies the + will,” said M. Dumesnil, “as it was deposited, in the year 1682, in the + hands of Master Thomas Le Semelier, king’s counsel, and notary of the + Chatelet of Paris, then living at No. 13, Place Royale.” + </p> + <p> + So saying, M. Dumesnil drew from a portfolio of red morocco a large + parchment envelope, grown yellow with time; to this envelope was annexed, + by a silken thread, a note also upon vellum. + </p> + <p> + “Gentlemen,” said the notary, “if you please to sit down, I will read the + subjoined note, to regulate the formalities at the opening of the will.” + </p> + <p> + The notary, Rodin, Father d’Aigrigny, and Gabriel, took seats. The young + priest, having his back turned to the fireplace, could not see the two + portraits. In spite of the notary’s invitation, Samuel remained standing + behind the chair of that functionary, who read as follows: + </p> + <p> + “‘On the 13th February, 1832, my will shall be carried to No. 3, in the + Rue Saint-Francois. + </p> + <p> + “‘At ten o’clock precisely, the door of the Red Room shall be opened to my + heirs, who will no doubt have arrived long before at Paris, in + anticipation of this day, and will have had time to establish their line + of descent. + </p> + <p> + “‘As soon as they are assembled, the will shall be read, and, at the last + stroke of noon, the inheritance shall be finally settled in favor of those + of my kindred, who according to my recommendation (preserved, I hope, by + tradition in my family, during a century and a half); shall present + themselves in person, and not by agents, before twelve o’clock, on the + 13th of February, in the Rue Saint-Francois.’” + </p> + <p> + Having read these words in a sonorous voice, the notary stopped an + instant, and resumed, in a solemn tone: “M. Gabriel Francois Marie de + Rennepont, priest, having established, by legal documents, his descent on + the father’s side, and his relationship to the testator, and being at this + hour the only one of the descendants of the Rennepont family here present, + I open the testament in his presence, as it has been ordered.” + </p> + <p> + So saying, the notary drew from its envelope the will, which had been + previously opened by the President of the Tribunal, with the formalities + required by law. Father d’Aigrigny leaned forward, and resting his elbow + on the table, seemed to pant for breath. Gabriel prepared himself to + listen with more curiosity than interest. Rodin was seated at some + distance from the table, with his old hat between his knees, in the bottom + of which, half hidden by the folds of a shabby blue cotton handkerchief, + he had placed his watch. The attention of the socius was divided between + the least noise from without, and the slow evolution of the hands of the + watch, which he followed with his little, wrathful eye, as if hastening + their progress, so great was his impatience for the hour of noon. + </p> + <p> + The notary, unfolding the sheet of parchment, read what follows, in the + midst of profound attention: + </p> + <p> + Hameau de Villetaneuse, + </p> + <p> + “‘February 13th, 1682. + </p> + <p> + “‘I am about to escape, by death, from the disgrace of the galleys, to + which the implacable enemies of my family have caused me to be condemned + as a relapsed heretic. + </p> + <p> + “‘Moreover, life is too bitter for me since the death of my son, the + victim of a mysterious crime. + </p> + <p> + “‘At nineteen years of age—poor henry!—and his murderers + unknown—no, not unknown—if I may trust my presentiments. + </p> + <p> + “‘To preserve my fortune for my son, I had feigned to abjure the + Protestant faith. As long as that beloved boy lived, I scrupulously kept + up Catholic appearances. The imposture revolted me, but the interest of my + son was concerned. + </p> + <p> + “‘When they killed him, this deceit became insupportable to me. I was + watched, accused, and condemned as relapsed. My property has been + confiscated, and I am sentenced to the galleys. + </p> + <p> + “‘Tis a terrible time we live in! Misery and servitude! sanguinary + despotism and religious intolerance! Oh, it is sweet to abandon life! + sweet to rest and see no more such evils and such sorrows! + </p> + <p> + “‘In a few hours, I shall enjoy that rest. I shall die. Let me think of + those who will survive—or rather, of those who will live perhaps in + better times. + </p> + <p> + “‘Out of all my fortune, there remains to me a sum of fifty thousand + crowns, deposited in a friend’s hands. + </p> + <p> + “‘I have no longer a son; but I have numerous relations, exiled in various + parts of Europe. This sum of fifty thousand crowns, divided between them, + would profit each of them very little. I have disposed of it differently. + </p> + <p> + “‘In this I have followed the wise counsels of a man, whom I venerate as + the image of God on earth, for his intelligence, wisdom, and goodness are + almost divine. + </p> + <p> + “‘Twice in the course of my life have I seen this man, under very fatal + circumstances—twice have I owed him safety, once of the soul, once + of the body. + </p> + <p> + “‘Alas! he might perhaps have saved my poor child, but he came too late—too + late. + </p> + <p> + “‘Before he left me, he wished to divert me from the intention of dying—for + he knew all. But his voice was powerless. My grief, my regret, my + discouragement, were too much for him. + </p> + <p> + “‘It is strange! when he was convinced of my resolution to finish my days + by violence, some words of terrible bitterness escaped him, making me + believe that he envied me—my fate—my death! + </p> +<div class="fig"> + <img src="images/20231m.jpg" alt="20231m" /><br /> + </div> + <h5> + <a href="images/20231.jpg"><i>Original</i></a> + </h5> + <p> + “‘Is he perhaps condemned to live? + </p> + <p> + “‘Yes; he has, no doubt, condemned himself to be useful to humanity, and + yet life is heavy on him, for I heard him repeat one day, with an + expression of despair and weariness that I have never forgotten: “Life! + life! who will deliver me from it?” + </p> + <p> + “‘Is life then so very burdensome to him? + </p> + <p> + “‘He is gone. His last words have made me look for my departure with + serenity. Thanks to him, my death shall not be without fruit. + </p> + <p> + “‘Thanks to him, these lines, written at this moment by a man who, in a + few hours, will have ceased to live, may perhaps be the parents of great + things a century and a half hence—yes! great and noble things, if my + last will is piously followed by my descendants, for it is to them that I + here address myself. + </p> + <p> + “‘That they may understand and appreciate this last will—which I + commend to the care of the unborn, who dwell in the future whither I am + hastening—they must know the persecutors of my family and avenge + their ancestor, but by a noble vengeance. + </p> + <p> + “‘My grandfather was a Catholic. Induced by perfidious counsels rather + than religious zeal, he attached himself, though a layman, to a Society + whose power has always been terrible and mysterious—the Society of + Jesus—‘” + </p> + <p> + At these words of the testament, Father d’Aigrigny, Rodin, and Gabriel + looked involuntarily at each other: The notary, who had not perceived this + action, continued to read: + </p> + <p> + “‘After some years, during which he had never ceased to profess the most + absolute devotion to this Society, he was suddenly enlightened by fearful + revelations as to the secret ends it pursued, and the means it employed. + </p> + <p> + “‘This was in 1510, a month before the assassination of Henry IV. “‘My + grandfather, terrified at the secret of which he had become the unwilling + depositary, and which was to be fully explained by the death of the best + of kings, not only broke with the Society, but, as if Catholicism itself + had been answerable for the crimes of its members, he abandoned the Romish + religion, in which he had hitherto lived, and became a Protestant. + </p> + <p> + “‘Undeniable proofs, attesting the connivance of two members of the + Company with Ravaillac, a connivance also proved in the case of Jean + Chatel, the regicide, were in my grandfather’s possession. + </p> + <p> + “‘This was the first cause of the violent hatred of the Society for our + family. Thank Heaven, these papers have been placed in safety, and if my + last will is executed, will be found marked A. M.C. D. G., in the ebony + casket in the Hall of Mourning, in the house in the Rue Saint-Francois. + </p> + <p> + “‘My father was also exposed to these secret persecutions. His ruin, and + perhaps his death, would have been the consequence, had it not been for + the intervention of an angelic woman, towards whom he felt an almost + religious veneration. + </p> + <p> + “‘The portrait of this woman, whom I saw a few years ago, as well as that + of the man whom I hold in the greatest reverence, were painted by me from + memory, and have been placed in the Red Room in the Rue Saint-Francois—to + be gratefully valued, I hope, by the descendants of my family.’” + </p> + <p> + For some moments Gabriel had become more and more attentive to the reading + of this testament. He thought within himself by how strange a coincidence + one of his ancestors had, two centuries before, broken with the Society of + Jesus, as he himself had just done; and that from this rupture, two + centuries old, dated also that species of hatred with which the Society of + Jesus had always pursued his family. Nor did the young priest find it less + strange that this inheritance, transmitted to him after a lapse of a + hundred and fifty years, from one of his kindred (the victim of the + Society of Jesus), should return by a voluntary act to the coffers of this + same society. When the notary read the passage relative to the two + portraits, Gabriel, who, like Father d’Aigrigny, sat with his back towards + the pictures, turned round to look at them. Hardly had the missionary cast + his eyes on the portrait of the woman, than he uttered a loud cry of + surprise, and almost terror. The notary paused in his reading, and looked + uneasily at the young priest. + </p> + <p> + <a name="link2HCH0077" id="link2HCH0077"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXIV. THE LAST STROKE OF NOON. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span>t the cry uttered by Gabriel, the notary had stopped reading the + testament, and Father d’Aigrigny hastily drew near the young priest. The + latter rose trembling from his seat and gazed with increasing stupor at + the female portrait. + </p> + <p> + Then he said in a low voice, as if speaking to himself. “Good Heaven! is + it possible that nature can produce such resemblances? Those eyes—so + proud and yet so sad—that forehead—that pale complexion—yes, + all her features, are the same—all of them!” + </p> + <p> + “My dear son, what is the matter?” said Father d’Aigrigny, as astonished + as Samuel and the notary. + </p> + <p> + “Eight months ago,” replied the missionary, in a voice of deep emotion, + without once taking his eyes from the picture, “I was in the power of the + Indians, in the heart of the Rocky Mountains. They had crucified, and were + beginning to scalp me; I was on the point of death, when Divine Providence + sent me unexpected aid—sent me this woman for a deliverer.” + </p> + <p> + “That woman!” cried Samuel, Father d’Aigrigny, and the notary, all + together. + </p> + <p> + Rodin alone appeared completely indifferent to this episode of the + picture. His face contracted with angry impatience, he bit his nails to + the quick, as he contemplated with agony the slow progress of the hands of + his watch. + </p> + <p> + “What! that woman saved your life?” resumed Father d’Aigrigny. + </p> + <p> + “Yes, this woman,” replied Gabriel, in a still lower and more trembling + voice; “this woman—or rather a woman so much resembling her, that if + this picture had not been here for a century and a half, I should have + felt sure it was the same—nor can I explain to myself that so + striking a resemblance could be the effect of chance. Well,” added he, + after a moment’s silence, as he heaved a profound sigh, “the mysteries of + Nature, and the will of God, are impenetrable.” + </p> + <p> + Gabriel fell back into his chair, in the midst of a general silence, which + was broken by Father d’Aigrigny saying, “It is a case of extraordinary + resemblance; that is all, my dear son. Only, the natural gratitude which + you feel towards your benefactress, makes you take a deep interest in this + singular coincidence.” + </p> + <p> + Rodin, bursting with impatience, here said to the notary, by whose side he + stood, “It seems to me, sir, that all this little romance has nothing to + do with the testament.” + </p> + <p> + “You are right,” answered the notary, resuming his seat; “but the fact is + so extraordinary, and as you say, romantic, that one cannot help sharing + in this gentleman’s astonishment.” + </p> + <p> + He pointed to Gabriel, who, with his elbow resting on the arms of the + chair, leaned his forehead upon his hand, apparently quite absorbed in + thought. The notary continued the reading of the will, as follows: + </p> + <p> + “‘Such are the persecutions to which my family has been exposed on the + part of the Society of Jesus. + </p> + <p> + “‘The Society possesses at this hour the whole of my confiscated property. + I am about to die. May its hatred perish with me, and spare my kindred, + whose fate at this solemn moment is my last and only thought. + </p> + <p> + “‘This morning I sent for a man of long tried probity Isaac Samuel. He + owes his life to me, and every day I congratulate myself on having been + able to preserve to the world so honest and excellent a creature. + </p> + <p> + “‘Before the confiscation of my property, Isaac Samuel had long managed it + with as much intelligence as uprightness. I have entrusted him with the + fifty thousand crowns, returned to me by a faithful friend. Isaac Samuel, + and his descendants after him, to whom he will leave this debt of + gratitude, will invest the above sum, and allow it to accumulate, until + the expiration of the hundred and fiftieth year from this time. + </p> + <p> + “‘The amount thus accumulated may become enormous, and constitute a royal + fortune, if no unfavorable event should occur. May my descendants attend + to my wishes, as to the division and employment of this immense sum! + </p> + <p> + “‘In a century and a half, there happen so many changes, so many varieties + of fortunes, such a rise and fall in the condition of the successive + generations of a family, that probably, a hundred and fifty years hence, + my descendants will belong to various classes of society, and thus + represent the divers social elements of their time. + </p> + <p> + “‘There may, perhaps, be among them men of great intelligence great + courage, or great virtue—learned men, or names illustrious in arts + and arms. There may, perhaps, also be obscure workmen, or humble citizens—perhaps, + also, alas! great criminals. + </p> + <p> + “‘However, this may be, my most earnest desire is that my descendants + should combine together, and, reconstituting one family, by a close and + sincere union, put into practice the divine words of Christ, “Love ye one + another.” + </p> + <p> + “‘This union would have a salutary tendency; for it seems to me that upon + union, upon the association of men together, must depend the future + happiness of mankind. + </p> + <p> + “‘The Company, which so long persecuted my family, is one of the most + striking examples of the power of association, even when applied to evil. + </p> + <p> + “‘There is something so fruitful and divine in this principle, that it + sometimes forces to good the worst and most dangerous combinations. + </p> + <p> + “‘Thus, the missions have thrown a scanty but pure and generous light on + the darkness of this Company of Jesus—founded with the detestable + and impious aim of destroying, by a homicidal education, all will, + thought, liberty, and intelligence, in the people, so as to deliver them, + trembling, superstitious, brutal, and helpless, to the despotism of kings, + governed in their turn by confessors belonging to the Society.’” + </p> + <p> + At this passage of the will, there was another strange look exchanged + between Gabriel and Father d’Aigrigny. The notary continued: + </p> + <p> + “‘If a perverse association, based upon the degradation of humanity, upon + fear and despotism, and followed by the maledictions of the people, has + survived for centuries, and often governed the world by craft and terror—how + would it be with an association, which, taking fraternity and evangelic + love for its means, had for its end to deliver man and woman from all + degrading slavery, to invite to the enjoyment of terrestrial happiness + those who have hitherto known nothing of life but its sorrows and + miseries, and to glorify and enrich the labor that feeds the state?—to + enlighten those whom ignorance has depraved?—to favor the free + expansion of all the passions, which God, in His infinite wisdom, and + inexhaustible goodness, gave to man as so many powerful levers?—to + sanctify all the gifts of Heaven: love, maternity, strength, intelligence, + beauty, genius?—to make men truly religious, and deeply grateful to + their Creator, by making them understand the splendors of Nature, and + bestowing on them their rightful share in the treasures which have been + poured upon us? + </p> + <p> + “‘Oh! if it be Heaven’s will that, in a century and a half, the + descendants of my family, faithful to the last wishes of a heart that + loved humanity, meet in this sacred union!—if it be Heaven’s will + that amongst them be found charitable and passionate souls, full of + commiseration for those who suffer, and lofty minds, ardent for liberty! + warm and eloquent natures! resolute characters! women, who unite beauty + and wit with goodness—oh! then, how fruitful, how powerful will be + the harmonious union of all these ideas, and influences, and forces—of + all these attractions grouped round that princely fortune, which, + concentrated by association, and wisely managed, would render practicable + the most admirable Utopias! + </p> + <p> + “‘What a wondrous centre of fertile and generous thoughts! What precious + and life-giving rays would stream incessantly from this focus of charity, + emancipation, and love! What great things might be attempted what + magnificent examples given to the world! What a divine mission! What an + irresistible tendency towards good might be impressed on the whole human + race by a family thus situated, and in possession of such means! + </p> + <p> + “‘And, then, such a beneficent association would be able to combat the + fatal conspiracy of which I am the victim, and which, in a century and a + half, may have lost none of its formidable power. + </p> + <p> + “‘So, to this work of darkness, restraint, and despotism, which weighs + heavily on the Christian world, my family would oppose their work of + light, expansion, and liberty! + </p> + <p> + “‘The genii of good and evil would stand face to face. The struggle would + commence, and God would protect the right. + </p> + <p> + “‘And that these immense pecuniary resources, which will give so much + power to my family, may not be exhausted by the course of years, my heirs, + following my last will, are to place out, upon the same conditions, double + the sum that I have invested—so that, a century and a half later, a + new source of power and action will be at the disposal of their + descendants. What a perpetuity of good! + </p> + <p> + “‘In the ebony cabinet of the Hall of Mourning will be found some + practical suggestions on the subject of this association. + </p> + <p> + “‘Such is my last will—or rather, such are my last hopes. + </p> + <p> + “‘When I require absolutely that the members of my family should appear in + person in the Rue Saint-Francois, on the day of the opening of this + testament, it is so that, united in that solemn moment, they may see and + know each other. My words may then, perhaps, have some effect upon them; + and, instead of living divided, they will combine together. It will be for + their own interest, and my wishes will thus be accomplished. + </p> + <p> + “‘When I sent, a few days ago, to those of my family whom exile has + dispersed over Europe, a medal on which is engravers the date of the + convocation of my heirs, a century and a half from this time, I was forced + to keep secret my true motive, and only to tell them, that my descendants + would find it greatly to their interest to attend this meeting. + </p> + <p> + “‘I have acted thus, because I know the craft and perseverance of the + society of which I have been the victim. If they could guess that my + descendants would hereafter have to divide immense sums between them, my + family would run the risk of much fraud and malice, through the fatal + recommendations handed down from age to age in the Society of Jesus. + </p> + <p> + “‘May these precautions be successful! May the wish, expressed upon these + medals, be faithfully transmitted from generation to generation! + </p> + <p> + “‘If I fix a day and hour, in which my inheritance shall irrevocably fall + to those of my descendants who shall appear in the Rue Saint-Francois on + the 13th February, in 1832, it is that all delays must have a term, and + that my heirs will have been sufficiently informed years before of the + great importance of this meeting. + </p> + <p> + “‘After the reading of my testament, the person who shall then be the + trustee of the accumulated funds, shall make known their amount, so that, + with the last stroke of noon, they may be divided between my heirs then + and there present. + </p> + <p> + “‘The different apartments of the house shall then be opened to them. They + will see in them divers objects, well worthy of interest, pity, and + respect—particularly in the Hall of Mourning. + </p> + <p> + “‘My desire is, that the house may not be sold, but that it may remain + furnished as it is, and serve as a place of meeting for my descendants, + if, as I hope, they attend to my last wishes. + </p> + <p> + “‘If, on the contrary, they are divided amongst themselves—if, + instead of uniting for one of the most generous enterprises that ever + signalized an age, they yield to the influence of selfish passions—if + they prefer a sterile individuality to a fruitful association—if, in + this immense fortune, they see only an opportunity for frivolous + dissipation, or sordid interest—may they be accursed by all those + whom they might have loved, succored, and disfettered!—and then let + this house be utterly demolished and destroyed, and the papers, of which + Isaac Samuel possesses the inventory, as well as the two portraits in the + Red Room, be burnt by the guardian of the property. + </p> + <p> + “‘I have spoken. My duty is accomplished. In all this, I have followed the + counsels of the man whom I revere and love as the image of God upon earth. + </p> + <p> + “‘The faithful friend, who preserved for me the fifty thousand crowns, the + wreck of my fortune, knows the use I mean to make of them. I could not + refuse his friendship this mark of confidence. But I have concealed from + him the name of Isaac Samuel—for to have mentioned it might have + exposed this latter and his descendants to great dangers. + </p> + <p> + “‘In a short time, this friend, who knows not that my resolution to die is + so near its accomplishment, will come hither with my notary. Into their + hands, after the usual formalities, I shall deliver my sealed testament. + </p> + <p> + “‘Such is my last will. I leave its execution to the superintending care + of Providence. God will protect the cause of love, peace, union, and + liberty. + </p> + <p> + “‘This mystic testament,(20) having been freely made by me, and written + entirely with my own hand, I intend and will its scrupulous execution both + in spirit and the letter. + </p> + <p> + “‘This 13th day of February, 1682, at one o’clock in the afternoon. + </p> +<pre xml:space="preserve"> + “‘MARIUS DE RENNEPONT.’” + </pre> + <p> + As the notary had proceeded with the reading of the testament, Gabriel was + successively agitated by divers painful impressions. At first, as we have + before said, he was struck with the singular fatality which restored this + immense fortune, derived from a victim of the Society of Jesus, to the + hands of that very association, by the renewal of his deed of gift. Then, + as his charitable and lofty soul began fully to comprehend the admirable + tendency of the association so earnestly recommended by Marius de + Rennepont, he reflected with bitter remorse, that, in consequence of his + act of renunciation, and of the absence of any other heir, this great idea + would never be realized, and a fortune, far more considerable than had + even been expected, would fall to the share of an ill-omened society, in + whose hands it would become a terrible means of action. At the same time, + it must be said that the soul of Gabriel was too pure and noble to feel + the slightest personal regret, on hearing the great probable value of the + property he had renounced. He rejoiced rather in withdrawing his mind, by + a touching contrast, from the thought of the wealth he had abandoned, to + the humble parsonage, where he hoped to pass the remainder of his life, in + the practice of most evangelical virtue. + </p> + <p> + These ideas passed confusedly through his brain. The sight of that woman’s + portrait, the dark revelations contained in the testament, the grandeur of + the views exhibited in this last will of M. de Rennepont, all these + extraordinary incidents had thrown Gabriel into a sort of stupor, in which + he was still plunged, when Samuel offered the key of the register to the + notary, saying: “You will find, sir, in this register, the exact statement + of the sums in my possession, derived from the investment and accumulation + of the one hundred and fifty thousand francs, entrusted to my grandfather + by M. Marius de Rennepont.” + </p> + <p> + “Your grandfather!” cried Father d’Aigrigny, with the utmost surprise; “it + is then your family that has always had the management of this property.” + </p> + <p> + “Yes, sir; and, in a few minutes, my wife will bring hither the casket + which contains the vouchers.” + </p> + <p> + “And to what sum does this property amount?” asked Rodin, with an air of + the most complete indifference. + </p> + <p> + “As M. Notary may convince himself by this statement,” replied Samuel, + with perfect frankness, and as if he were only talking of the original one + hundred and fifty thousand francs, “I have in my possession various + current securities to the amount of two hundred and twelve millions, one + hundred and seventy—” + </p> + <p> + “You say, sir’” cried Father d’Aigrigny, without giving Samuel time to + finish, for the odd money did not at all interest his reverence. + </p> + <p> + “Yes, the sum!” added Rodin, in an agitated voice, and, for the first + time, perhaps, in his life losing his presence of mind; “the sum—the + sum—the sum!” + </p> + <p> + “I say, sir,” resumed the old man, “that I hold securities for two hundred + and twelve millions, one hundred and seventy-five thousand francs, payable + to self or bearer—as you may soon convince yourself, M. Notary, for + here is my wife with the casket.” + </p> + + <p> + Indeed, at this moment, Bathsheba entered, holding in her arms the cedar + wood chest, which contained the securities in question; she placed it upon + the table, and withdrew, after exchanging an affectionate glance with + Samuel. When the latter declared the enormous amount of the sum in hand, + his words were received with silent stupor. All the actors in this scene, + except himself, believed that they were the sport of some delusion. Father + d’Aigrigny and Rodin had counted upon forty millions. This sum, in itself + enormous, was more than quintupled. Gabriel, when he heard the notary read + those passages in the testament, which spoke of a princely fortune, being + quite ignorant of the prodigious effects of eligible investments, had + valued the property at some three or four millions. He was, therefore, + struck dumb with amazement at the exorbitant amount named. Notwithstanding + his admirable disinterestedness and scrupulous honor, he felt dazzled and + giddy at the thought, that all these immense riches might have belonged to + him—alone. The notary, almost as much amazed as Gabriel, examined + the statement, and could hardly believe his eyes. The Jew also remained + mute, and seemed painfully absorbed in thought, that no other heir made + his appearance. + </p> + <p> + In the depth of this profound silence, the clock in the next room began + slowly to strike twelve. Samuel started, and heaved a deep sigh. A few + seconds more, and the fatal term would be at an end. Rodin, Father + d’Aigrigny, Gabriel, and the notary, were all under the influence of such + complete surprise, that not one of them even remarked how strange it was + to hear the sound of this clock. + </p> + <p> + “Noon!” cried Rodin, as, by an involuntary movement, he hastily placed his + two hands upon the casket, as if to take possession of it. + </p> + <p> + “At last!” cried Father d’Aigrigny, with an expression of joy, triumph + transport, which it is impossible to describe. Then he added, as he threw + himself into Gabriel’s arms, whom he embraced warmly: “Oh, my dear son! + how the poor will bless you! You will be a second Vincent de Paul. You + will be canonized, I promise you.” + </p> + <p> + “Let us first thank Providence,” said Rodin, in a grave and solemn tone, + as he fell upon his knees, “let us thank Providence, that He has permitted + so much wealth to be employed for His glory!”’ + </p> + <p> + Father d’Aigrigny, having again embraced Gabriel, took him by the hand, + and said: “Rodin is right. Let us kneel, my dear son, and render thanks to + Providence!” + </p> + <p> + So saying, Father d’Aigrigny knelt down, dragging Gabriel with him, and + the latter, confused and giddy with so many precipitate events, yielded + mechanically to the impulse. It was the last stroke of twelve when they + all rose together. + </p> + <p> + Then said the notary, in a slightly agitated voice, for there was + something extraordinary and solemn in this scene— + </p> + <p> + “No other heir of M. Marius de Rennepont having presented himself, before + noon on this day, I execute the will of the testator, by declaring, in the + name of law and justice, that M. Francois Marie Gabriel de Rennepont, here + present, is the sole heir and possessor of all the estate, real and + personal, bequeathed under the said will; all which estate the said + Gabriel de Rennepont, priest, has freely and voluntarily made over by deed + of gift to Frederic Emanuel de Bordeville, Marquis d’Aigrigny, priest, who + has accepted the same, and is, therefore, the only legal holder of such + property, in the room of the said Gabriel de Rennepont, by virtue of the + said deed, drawn up and engrossed by me this morning, and signed in my + presence by the said Gabriel de Rennepont and Frederic d’Aigrigny.” + </p> + <p> + At this moment, the sound of loud voices was heard from the garden. + Bathsheba entered hastily, and said to her husband with an agitated air: + “Samuel—a soldier—who insists—” + </p> + <p> + She had not time to finish. Dagobert appeared at the door of the Red Room. + The soldier was fearfully pale. He seemed almost fainting; his left arm + was in a sling, and he leaned upon Agricola. At sight of Dagobert, the + pale and flabby eyelids of Rodin were suddenly distended, as if all the + blood in his body had flowed towards the head. Then the socius threw + himself upon the casket, with the haste of ferocious rage and avidity, as + if he were resolved to cover it with his body, and defend it at the peril + of his life. + </p> + <p> + (20) This term is sanctioned by legal usage. + </p> + <p> + <a name="link2HCH0078" id="link2HCH0078"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXV. THE DEED OF GIFT. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">F</span>ather d’Aigrigny did not recognize Dagobert, and had never seen Agricola. + He could not therefore, at first explain the kind of angry alarm exhibited + by Rodin. But the reverend father understood it all, when he heard Gabriel + utter a cry of joy, and saw him rush into the arms of the smith, + exclaiming: “My brother! my second father—oh! it is heaven that + sends you to me.” + </p> + <p> + Having pressed Gabriel’s hand, Dagobert advanced towards Father + d’Aigrigny, with a rapid but unsteady step. As he remarked the soldier’s + threatening countenance, the reverend father, strong in his acquired + rights, and feeling that, since noon, he was at home here; drew back a + little, and said imperiously to the veteran: “Who are you, sir!—What + do you want here?” + </p> + <p> + Instead of answering, the soldier continued to advance, then, stopping + just facing Father d’Aigrigny, he looked at him for a second with such an + astounding mixture of curiosity, disdain, aversion, and audacity, that the + ex-colonel of hussars quailed before the pale face and glowing eye of the + veteran. The notary and Samuel, struck with surprise, remained mute + spectators of this scene, while Agricola and Gabriel followed with anxiety + Dagobert’s least movements. As for Rodin, he pretended to be leaning on + the casket, in order still to cover it with his body. + </p> + <p> + Surmounting at length the embarrassment caused by the steadfast look of + the soldier, Father d’Aigrigny raised his head, and repeated. “I ask you, + sir, who you are, and what you want?” + </p> + <p> + “Do you not recognize me?” said Dagobert, hardly able to restrain himself. + </p> + <p> + “No, sir—” + </p> + <p> + “In truth,” returned the soldier, with profound contempt, “You cast down + your eyes for shame when, at Leipsic, you fought for the Russians against + the French, and when General Simon, covered with wounds, answered you, + renegade that you were, when you asked him for his sword, ‘I do not + surrender to a traitor!’—and dragged himself along to one of the + Russian grenadiers, to whom he yielded up his weapon. Well! there was then + a wounded soldier by the side of General Simon—I am he.” + </p> + <p> + “In brief, sir, what do you want?” said Father d’Aigrigny, hardly, able to + control himself. + </p> + <p> + “I have come to unmask you—you, that are as false and hateful a + priest, as Gabriel is admirable and beloved by all.” + </p> + <p> + “Sir!” cried the marquis, becoming livid with rage and emotion. + </p> + <p> + “I tell you, that you are infamous,” resumed the soldier, with still + greater force. “To rob Marshal Simon’s daughters, and Gabriel, and Mdlle. + de Cardoville of their inheritance, you have had recourse to the most + shameful means.” + </p> + <p> + “What do you say?” cried Gabriel. “The daughters of Marshal Simon?” + </p> + <p> + “Are your relations, my dear boy, as is also that worthy Mdlle. de + Cardoville, the benefactress of Agricola. Now, this priest,” he added, + pointing to Father d’Aigrigny, “has had them shut up—the one as mad, + in a lunatic asylum—the others in a convent. As for you, my dear + boy, I did not hope to find you here, believing that they would have + prevented you, like the others, from coming hither this morning. But, + thank God, you are here, and I arrive in time. I should have been sooner, + but for my wound. I have lost so much blood, that I have done nothing but + faint all the morning.” + </p> + <p> + “Truly!” cried Gabriel, with uneasiness. “I had not remarked your arm in a + sling. What is the wound?” + </p> + <p> + At a sign from Agricola, Dagobert answered: “Nothing; the consequence of a + fall. But here I am, to unveil many infamies.” + </p> + <p> + It is impossible to paint the curiosity, anguish, surprise, or fear, of + the different actors in this scene, as they listened to Dagobert’s + threatening words. But the most overcome was Gabriel. His angelic + countenance was distorted, his knees trembled under him. Struck by the + communication of Dagobert which revealed the existence of other heirs, he + was unable to speak for some time; at length, he cried out, in a tone of + despair: “And it is I—oh, God! I—who am the cause of the + spoliation of this family!” + </p> + <p> + “You, brother?” exclaimed Agricola. + </p> + <p> + “Did they not wish to rob you also?” added Dagobert. + </p> + <p> + “The will,” cried Gabriel, with increasing agony, “gave the property to + those of the heirs that should appear before noon.” + </p> + <p> + “Well?” said Dagobert, alarmed at the emotion of the young priest. + </p> + <p> + “Twelve o’clock has struck,” resumed the latter. “Of all the family, I + alone was present. Do you understand it now? The term is expired. The + heirs have been thrust aside by me!” + </p> + <p> + “By you!” said Dagobert, stammering with joy. “By you, my brave boy! then + all is well.” + </p> + <p> + “But—” + </p> + <p> + “All is well,” resumed Dagobert, radiant with delight. “You will share + with the others—I know you.” + </p> + <p> + “But all this property I have irrevocably, made over to another,” cried + Gabriel, in despair. + </p> + <p> + “Made over the property!” cried Dagobert, quite petrified. “To whom, then?—to + whom?” + </p> + <p> + “To this gentleman,” said Gabriel, pointing to Father d’Aigrigny. + </p> + <p> + “To him!” exclaimed Dagobert, overwhelmed by the news; “to him—the + renegade—who has always been the evil genius of this family!” + </p> + <p> + “But, brother,” cried Agricola, “did you then know your claim to this + inheritance?” + </p> + <p> + “No,” answered the young priest, with deep dejection; “no—I only + learned it this morning, from Father d’Aigrigny. He told me, that he had + only recently been informed of my rights, by family papers long ago found + upon me, and sent by our mother to her confessor.” + </p> + <p> + A sudden light seemed to dawn upon the mind of the smith, as he exclaimed: + “I understand it all now. They discovered in these papers, that you would + one day have a chance of becoming rich. Therefore, they interested + themselves about you—therefore, they took you into their college, + where we could never see you—therefore, they deceived you in your + vocation by shameful falsehoods, to force you to become a priest, and to + lead you to make this deed of gift. Oh, sir!” resumed Agricola, turning + towards Father d’Aigrigny, with indignation, “my father is right—such + machinations are indeed infamous!” + </p> + <p> + During this scene, the reverend father and his socius, at first alarmed + and shaken in their audacity, had by degrees recovered all their coolness. + Rodin, still leaning upon the casket, had said a few words in a low voice + to Father d’Aigrigny. So that when Agricola, carried away by his + indignation, reproached the latter with his infamous machinations, he + bowed his head humbly, and answered: “We are bound to forgive injuries, + and offer them to the Lord as a mark of our humility.” + </p> + <p> + Dagobert, confounded at all he had just heard, felt his reason begin to + wander. After so much anxiety, his strength failed beneath this new and + terrible blow. Agricola’s just and sensible words, in connection with + certain passages of the testament, at once enlightened Gabriel as to the + views of Father d’Aigrigny, in taking charge of his education, and leading + him to join the Society of Jesus. For the first time in his life, Gabriel + was able to take in at a glance all the secret springs of the dark + intrigue, of which he had been the victim. Then, indignation and despair + surmounting his natural timidity, the missionary, with flashing eye, and + cheeks inflamed with noble wrath, exclaimed, as he addressed Father + d’Aigrigny: “So, father, when you placed me in one of your colleges, it + was not from any feeling of kindness or commiseration, but only in the + hope of bringing me one day to renounce in favor of your Order my share in + this inheritance; and it did not even suffice you to sacrifice me to your + cupidity, but I must also be rendered the involuntary instrument of a + shameful spoliation! If only I were concerned—if you only coveted my + claim to all this wealth, I should not complain. I am the minister of a + religion which honors and sanctifies poverty; I have consented to the + donation in your favor, and I have not, I could never have any claim upon + it. But property is concerned which belong to poor orphans, brought from a + distant exile by my adopted father, and I will not see them wronged. But + the benefactress of my adopted brother is concerned, and I will not see + her wronged. But the last will of a dying man is concerned, who, in his + ardent love of humanity, bequeathed to his descendants an evangelic + mission—an admirable mission of progress, love, union, liberty—and + I will not see this mission blighted in its bud. No, no; I tell you, that + this his mission shall be accomplished, though I have to cancel the + donation I have made.” + </p> + <p> + On these words, Father d’Aigrigny and Rodin looked at each other with a + slight shrug of the shoulders. At a sign from the socius, the reverend + father began to speak with immovable calmness, in a slow and sanctified + voice, keeping eyes constantly cast down: “There are many incidents + connected with this inheritance of M. de Rennepont, which appear very + complicated—many phantoms, which seem un usually menacing—and + yet, nothing could be really more simple and natural. Let us proceed in + regular order. Let us put aside all these calumnious imputations; we will + return to them afterwards. M. Gabriel de Rennepont—and I humbly beg + him to contradict me, if I depart in the least instance from the exact + truth—M. Gabriel de Rennepont, in acknowledgment of the care + formerly bestowed on him by the society to which I have the honor to + belong, made over to me, as its representative, freely and voluntarily, + all the property that might come to him one day, the value of which was + unknown to him, as well as to myself.” + </p> + <p> + Father d’Aigrigny here looked at Gabriel, as if appealing to him for the + truth of this statement. + </p> + <p> + “It is true,” said the young priest: “I made this donation freely.” + </p> + <p> + “This morning, in consequence of a private conversation, which I will not + repeat—and in this, I am certain beforehand, of the Abbe Gabriel—” + </p> + <p> + “True,” replied Gabriel, generously; “the subject of this conversation is + of little importance.” + </p> + <p> + “It was then, in consequence of this conversation that the Abbe Gabriel + manifested the desire to confirm this donation—not in my favor, for + I have little to do with earthly wealth—but in favor of the sacred + and charitable works of which our Company is the trustee. I appeal to the + honor of M. Gabriel to declare if he have not engaged himself towards us, + not only by a solemn oath, but by a perfectly legal act, executed in + presence of M. Dumesnil, here present?” + </p> + <p> + “It is all true,” answered Gabriel. + </p> + <p> + “The deed was prepared by me,” added the notary. + </p> + <p> + “But Gabriel could only give you what belonged to him,” cried Dagobert. + “The dear boy never supposed that you were making use of him to rob other + people.” + </p> + <p> + “Do me the favor, sir, to allow me to explain myself,” replied Father + d’Aigrigny, courteously; “you can afterwards make answer.” + </p> + <p> + Dagobert repressed with difficulty his painful impatience. The reverend + father continued: “The Abbe Gabriel has therefore, by the double + engagement of an oath and a legal act, confirmed his donation. Much more,” + resumed Father d’Aigrigny: “when to his great astonishment and to ours, + the enormous amount of the inheritance became known, the Abbe Gabriel, + faithful to his own admirable generosity, far from repenting of his gifts, + consecrated them once more by a pious movement of gratitude to Providence—for + M. Notary will doubtless remember, that, after embracing the Abbe Gabriel + with transport, and telling him that he was a second Vincent de Paul in + charity, I took him by the hand, and we both knelt down together to thank + heaven for having inspired him with the thought too offer these immense + riches to the Greater Glory of the Lord.” + </p> + <p> + “That is true, also,” said Gabriel, honestly; “so long as myself was + concerned, though I might be astounded for a moment by the revelation of + so enormous a fortune, I did not think for an instant of cancelling the + donation I had freely made.” + </p> + <p> + “Under these circumstances,” resumed Father d’Aigrigny, “the hour fixed + for the settlement of the inheritance having struck, and Abbe Gabriel + being the only heir that presented himself, he became necessarily the only + legitimate possessor of this immense wealth—enormous, no doubt—and + charity makes me rejoice that it is enormous, for, thanks to it, many + miseries will be relieved and many tears wiped away. But, all on a sudden, + here comes this gentleman,” said Father d’Aigrigny, pointing to Dagobert; + “and, under some delusion, which I forgive from the bottom of my soul, and + which I am sure he will himself regret, accuses me, with insults and + threats, with having carried off (I know not where) some persons (I know + not whom), in order to prevent their being here at the proper time—” + </p> + <p> + “Yes, I accuse you of this infamy!” cried the soldier exasperated by the + calmness and audacity of the reverend father: “yes—and I will—” + </p> + <p> + “Once again, sir, I conjure you to be so good as to let me finish; you can + reply afterwards,” said Father d’Aigrigny, humbly, in the softest and most + honeyed accents. + </p> + <p> + “Yes, I will reply, and confound you!” cried Dagobert. + </p> + <p> + “Let him finish, father. You can speak presently,” said Agricola. + </p> + <p> + The soldier was silent as Father d’Aigrigny continued with new assurance: + “Doubtless, if there should really be any other heirs, besides the Abbe + Gabriel, it is unfortunate for them that they have not appeared in proper + time. And if, instead of defending the cause of the poor and needy, I had + only to look to my own interest, I should be far from availing myself of + this advantage, due only to chance; but, as a trustee for the great family + of the poor, I am obliged to maintain my absolute right to this + inheritance; and I do not doubt that M. Notary will acknowledge the + validity of my claim, and deliver to me these securities, which are now my + legitimate property.” + </p> + <p> + “My only mission,” replied the notary, in an agitated voice, “is + faithfully to execute the will of the testator. The Abbe Gabriel de + Rennepont alone presented himself, within the term fixed by the testament. + The deed of gift is in due form; I cannot refuse, therefore, to deliver to + the person named in the deed the amount of the heritage—” + </p> + <p> + On these words Samuel hid his face in his hands, and heaved a deep sigh; + he was obliged to acknowledge the rigorous justice of the notary’s + observations. + </p> + <p> + “But, sir,” cried Dagobert, addressing the man of law, “this cannot be. + You will not allow two poor orphans to be despoiled. It is in the name of + their father and mother that I speak to you. I give you my honor—the + honor of a soldier!—that they took advantage of the weakness of my + wife to carry the daughters of Marshal Simon to a convent, and thus + prevent me bringing them here this morning. It is so true, that I have + already laid my charge before a magistrate.” + </p> + <p> + “And what answer did you receive?” said the notary. + </p> + <p> + “That my deposition was not sufficient for the law to remove these young + girls from the convent in which they were, and that inquiries would be + made—” + </p> + <p> + “Yes, sir,” added Agricola, “and it was the same with regard to Mdlle. de + Cardoville, detained as mad in a lunatic asylum, though in the full + enjoyment of her reason. Like Marshal Simon’s daughters, she too has a + claim to this inheritance. I took the same steps for her, as my father + took for Marshal Simon’s daughters.” + </p> + <p> + “Well?” asked the notary. + </p> + <p> + “Unfortunately, sir,” answered Agricola, “they told me; as they did my + father, that my deposition would not suffice, and that they must make + inquiries.” + </p> + <p> + At this moment, Bathsheba, having heard the street-bell ring, left the Red + Room at a sign from Samuel. The notary resumed, addressing Agricola and + his father: “Far be it from me, gentlemen, to call in question your good + faith; but I cannot, to my great regret, attach such importance to your + accusations, which are not supported by proof, as to suspend the regular + legal course. According to your own confession, gentlemen, the + authorities, to whom you addressed yourselves, did not see fit to + interfere on your depositions, and told you they would inquire further. + Now, really, gentlemen, I appeal to you: how can I, in so serious a + matter, take upon myself a responsibility, which the magistrates + themselves have refused to take?” + </p> + <p> + “Yes, you should do so, in the name of justice and honor?” cried Dagobert. + </p> + <p> + “It may be so, sir, in your opinion; but in my view of the case, I remain + faithful to justice and honor, by executing with exactness the last will + of the dead. For the rest you have no occasion to despair. If the persons, + whose interests you represent, consider themselves injured, they may + hereafter have recourse to an action at law, against the person receiving + as donee of the Abbe Gabriel—but in the meanwhile, it is my duty to + put him in immediate possession of the securities. I should be gravely + injured, were I to act in any, other manner.” + </p> + <p> + The notary’s observations seemed so reasonable, that Samuel, Dagobert and + Agricola were quite confounded. After a moment’s thought, Gabriel appeared + to take a desperate resolution, and said to the notary, in a firm voice— + </p> + <p> + “Since, under these circumstances, the law is powerless to obtain the + right, I must adopt, sir, an extreme course. Before doing so, I will ask + M. l’Abbe d’Aigrigny, for the last time, if he will content himself with + that portion of the property which falls justly to me, on condition that + the rest shall be placed in safe hands, till the heirs, whose names have + been brought forward, shall prove their claim.” + </p> + <p> + “To this proposition I must answer as I have done already,” replied Father + d’Aigrigny; “it is not I who am concerned, but an immense work of charity. + I am, therefore, obliged to refuse the part-offer of the Abbe Gabriel, and + to remind him of his engagements of every kind.” + </p> + <p> + “Then you refuse this arrangement?” asked Gabriel, in an agitated voice. + </p> + <p> + “Charity commands me to do so.” + </p> + <p> + “You refuse it—absolutely?” + </p> + <p> + “I think of all the good and pious institutions that these treasures will + enable us to establish for the Greater Glory of the Lord, and I have + neither the courage nor the desire to make the least concession.” + </p> + <p> + “Then, sir,” resumed the good priest, in a still more agitated manner, + “since you force me to do it, I revoke my donation. I only intended to + dispose of my own property, and not of that which did not belong to me.” + </p> + <p> + “Take care M. l’Abbe,” said rather d’Aigrigny; “I would observe that I + hold in my hand a written, formal promise.” + </p> + <p> + “I know it, sir; you have a written paper, in which I take an oath never + to revoke this donation, upon any pretext whatever, and on pain of + incurring the aversion and contempt of all honest men. Well, sir! be it + so,” said Gabriel, with deep bitterness; “I will expose myself to all the + consequences of perjury; you may proclaim it everywhere. I may be hated + and despised by all—but God will judge me!” The young priest dried a + tear, which trickled from his eye. + </p> + <p> + “Oh! do not be afraid, my dear boy!” cried Dagobert, with reviving hope. + “All honest men will be on your side!” + </p> + <p> + “Well done, brother!” said Agricola. + </p> + <p> + “M. Notary,” said Rodin, in his little sharp voice, “please to explain to + Abbe Gabriel, that he may perjure himself as much as he thinks fit, but + that the Civil Code is much less easy to violate than a mere promise, + which is only—sacred!” + </p> + <p> + “Speak, sir,” said Gabriel. + </p> + <p> + “Please to inform Abbe Gabriel,” resumed Rodin, “that a deed of gift, like + that made in favor of Father d’Aigrigny, can only be cancelled for one of + three reasons—is it not so?” + </p> + <p> + “Yes, sir, for three reasons,” said the notary. + </p> + <p> + “The first is in case of the birth of a child,” said Rodin, “and I should + blush to mention such a contingency to the Abbe Gabriel. The second is the + ingratitude of the donee—and the Abbe Gabriel may be certain of our + deep and lasting gratitude. The last case is the non-fulfilment of the + wishes of the donor, with regard to the employment of his gifts. + </p> + <p> + “Now, although the Abbe Gabriel may have suddenly conceived a very bad + opinion of us, he will at least give us some time to show that his gifts + have been disposed of according to his wishes, and applied to the Greater + Glory of the Lord.” + </p> + <p> + “Now, M. Notary,” added Father d’Aigrigny, “it is for you to decide and + say, if Abbe Gabriel can revoke the donation he has made.” + </p> + <p> + Just as the notary was going to answer, Bathsheba reentered the room, + followed by two more personages, who appeared in the Red Room at a little + distance from each other. + </p> + <p> + <a name="link2H_4_0090" id="link2H_4_0090"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + BOOK VI. + </h2> + <p> + <a name="link2H_PART2B" id="link2H_PART2B"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + PART SECOND.—THE CHASTISEMENT. (Concluded.) + </h2> +<pre xml:space="preserve"> + XXVI. A Good Genius XXVII. The First Last, And the Last + First XXVIII. The Stranger XXIX. The Den XXX. An Unexpected + Visit XXXI. Friendly Services XXXII. The Advice XXXIII. The + Accuser XXXIV. Father d’Aigrigny’s Secretary XXXV. Sympathy + XXXVI. Suspicions XXXVII. Excuses XXXVIII. Revelations + XXXIX. Pierre Simon +</pre> + <p> + <a name="link2HCH0079" id="link2HCH0079"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXVI. A GOOD GENIUS. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>he first of the two, whose arrival had interrupted the answer of the + notary, was Faringhea. At sight of this man’s forbidding countenance, + Samuel approached, and said to him: “Who are you, sir?” + </p> + <p> + After casting a piercing glance at Rodin, who started but soon recovered + his habitual coolness, Faringhea replied to Samuel: “Prince Djalma arrived + lately from India, in order to be present here this day, as it was + recommended to him by an inscription on a medal, which he wore about his + neck.” + </p> + <p> + “He, also!” cried Gabriel, who had been the shipmate of the Indian Prince + from the Azores, where the vessel in which he came from Alexandria had + been driven into port: “he also one of the heirs! In fact, the prince told + me during the voyage that his mother was of French origin. But, doubtless, + he thought it right to conceal from me the object of his journey. Oh! that + Indian is a noble and courageous young man. Where is he?” + </p> + <p> + The Strangler again looked at Rodin, and said, laying strong emphasis upon + his words: “I left the prince yesterday evening. He informed me that, + although he had a great interest to be here, he might possibly sacrifice + that interest to other motives. I passed the night in the same hotel, and + this morning, when I went to call on him, they told me he was already gone + out. My friendship for him led me to come hither, hoping the information I + should be able to give might be of use to the prince.” + </p> + <p> + In making no mention of the snare into which he had fallen the day before, + in concealing Rodin’s machinations with regard to Djalma, and in + attributing the absence of this latter to a voluntary cause, the Strangler + evidently wished to serve the socius, trusting that Rodin would know how + to recompense his discretion. It is useless to observe, that all this + story was impudently false. Having succeeded that morning in escaping from + his prison by a prodigious effort of cunning, audacity, and skill, he had + run to the hotel where he had left Djalma; there he had learned that a man + and woman, of an advanced age, and most respectable appearance, calling + themselves relations of the young Indian, had asked to see him—and + that, alarmed at the dangerous state of somnolency in which he seemed to + be plunged, they had taken him home in their carriage, in order to pay him + the necessary attention. + </p> + <p> + “It is unfortunate,” said the notary, “that this heir also did not make + his appearance—but he has, unhappily, forfeited his right to the + immense inheritance that is in question.” + </p> + <p> + “Oh! an immense inheritance is in question,” said Faringhea, looking + fixedly at Rodin, who prudently turned away his eyes. + </p> + <p> + The second of the two personages we have mentioned entered at this moment. + It was the father of Marshal Simon, an old man of tall stature, still + active and vigorous for his age. His hair was white and thin. His + countenance, rather fresh-colored, was expressive at once of quickness, + mildness and energy. + </p> + <p> + Agricola advanced hastily to meet him. “You here, M. Simon!” he exclaimed. + </p> + <p> + “Yes, my boy,” said the marshal’s father, cordially pressing Agricola’s + hand “I have just arrived from my journey. M. Hardy was to have been here, + about some matter of inheritance, as he supposed: but, as he will still be + absent from Paris for some time, he has charged me—” + </p> + <p> + “He also an heir!—M. Francis Hardy!” cried Agricola, interrupting + the old workman. + </p> + <p> + “But how pale and agitated you are, my boy!” said the marshal’s father, + looking round with astonishment. “What is the matter?” + </p> + <p> + “What is the matter?” cried Dagobert, in despair, as he approached the + foreman. “The matter is that they would rob your granddaughters, and that + I have brought them from the depths of Siberia only to witness this + shameful deed!” + </p> + <p> + “Eh?” cried the old workman, trying to recognize the soldiers face, “you + are then—” + </p> + <p> + “Dagobert.” + </p> + <p> + “You—the generous, devoted friend of my son!” cried the marshal’s + father, pressing the hands of Dagobert in his own with strong emotion; + “but did you not speak of Simon’s daughter?” + </p> + <p> + “Of his daughters; for he is more fortunate than he imagines,” said + Dagobert. “The poor children are twins.” + </p> + <p> + “And where are they?” asked the old man. + </p> + <p> + “In a convent.” + </p> + <p> + “In a convent?” + </p> + <p> + “Yes; by the treachery of this man, who keeps them there in order to + disinherit them.” + </p> +<div class="fig"> + <img src="images/20255m.jpg" alt="20255m" /><br /> + </div> + <h5> + <a href="images/20255.jpg"><i>Original</i></a> + </h5> + <p> + “What man?” + </p> + <p> + “The Marquis d’Aigrigny.” + </p> + <p> + “My son’s mortal enemy!” cried the old workman, as he threw a glance of + aversion at Father d’Aigrigny, whose audacity did not fail him. + </p> + <p> + “And that is not all,” added Agricola. “M. Hardy, my worthy and excellent + master, has also lost his right to this immense inheritance.” + </p> + <p> + “What?” cried Marshal Simon’s father; “but M. Hardy did not know that such + important interests were concerned. He set out hastily to join one of his + friends who was in want of him.” + </p> +<div class="fig"> + <img src="images/20335m.jpg" alt="20335m" /><br /> + </div> + <h5> + <a href="images/20335.jpg"><i>Original</i></a> + </h5> + <p> + At each of these successive revelations, Samuel felt his trouble increase: + but he could only sigh over it, for the will of the testator was couched, + unhappily, in precise and positive terms. + </p> + <p> + Father d’Aigrigny, impatient to end this scene, which caused him cruel + embarrassment, in spite of his apparent calmness, said to the notary, in a + grave and expressive voice: “It is necessary, sir, that all this should + have an end. If calumny could reach me, I would answer victoriously by the + facts that have just come to light. Why attribute to odious conspiracies + the absence of the heirs, in whose names this soldier and his son have so + uncourteously urged their demands? Why should such absence be less + explicable than the young Indian’s, or than M. Hardy’s, who, as his + confidential man has just told us, did not even know the importance of the + interests that called him hither? Is it not probable, that the daughters + of Marshal Simon, and Mdlle. de Cardoville have been prevented from coming + here to-day by some very natural reasons? But, once again, this has lasted + too long. I think M. Notary will agree with me, that this discovery of new + heirs does not at all affect the question, which I had the honor to + propose to him just now; namely whether, as trustee for the poor, to whom + Abbe Gabriel made a free gift of all he possessed, I remain + notwithstanding his tardy and illegal opposition, the only possessor of + this property, which I have promised, and which I now again promise, in + presence of all here assembled, to employ for the Greater Glory of the + Lord? Please to answer me plainly, M. Notary; and thus terminate the scene + which must needs be painful to us all.” + </p> + <p> + “Sir,” replied the notary, in a solemn tone, “on my soul and conscience, + and in the name of law and justice—as a faithful and impartial + executor of the last will of M. Marius de Rennepont, I declare that, by + virtue of the deed of gift of Abbe Gabriel de Rennepont, you, M. l’Abbe + d’Aigrigny, are the only possessor of this property, which I place at your + immediate disposal, that you may employ the same according to the + intention of the donor.” + </p> + <p> + These words pronounced with conviction and gravity, destroyed the last + vague hopes that the representatives of the heirs might till then have + entertained. Samuel became paler than usual, and pressed convulsively the + hand of Bathsheba, who had drawn near to him. Large tears rolled down the + cheeks of the two old people. Dagobert and Agricola were plunged into the + deepest dejection. Struck with the reasoning of the notary, who refused to + give more credence and authority to their remonstrances than the + magistrates had done before him, they saw themselves forced to abandon + every hope. But Gabriel suffered more than any one; he felt the most + terrible remorse, in reflecting that, by his blindness, he had been the + involuntary cause and instrument of this abominable theft. + </p> + <p> + So, when the notary, after having examined and verified the amount of + securities contained in the cedar box, said to Father d’Aigrigny: “Take + possession, sir, of this casket—” Gabriel exclaimed, with bitter + disappointment and profound despair: “Alas! one would fancy, under these + circumstances, that an inexorable fatality pursues all those who are + worthy of interest, affection or respect. Oh, my God!” added the young + priest, clasping his hands with fervor, “Thy sovereign justice will never + permit the triumph of such iniquity.” + </p> + <p> + It was as if heaven had listened to the prayer of the missionary. Hardly + had he spoken, when a strange event took place. + </p> + <p> + Without waiting for the end of Gabriel’s invocation, Rodin, profiting by + the decision of the notary, had seized the casket in his arms, unable to + repress a deep aspiration of joy and triumph. At the very moment when + Father d’Aigrigny and his socius thought themselves at last in safe + possession of the treasure, the door of the apartment in which the clock + had been heard striking was suddenly opened. + </p> + <p> + A woman appeared upon the threshold. + </p> + <p> + At sight of her, Gabriel uttered a loud cry, and remained as if + thunderstruck. Samuel and Bathsheba fell on their knees together, and + raised their clasped hands. The Jew and Jewess felt inexplicable hopes + reviving within them. + </p> + <p> + All the other actors in this scene appeared struck with stupor. Rodin—Rodin + himself—recoiled two steps, and replaced the casket on the table + with a trembling hand. Though the incident might appear natural enough—a + woman appearing on the threshold of a door, which she had just thrown open—there + was a pause of deep and solemn silence. Every bosom seemed oppressed, and + as if struggling for breath. All experienced, at sight of this woman, + surprise mingled with fear, and indefinable anxiety—for this woman + was the living original of the portrait, which had been placed in the room + a hundred and fifty years ago. The same head-dress, the same flowing robe, + the same countenance, so full of poignant and resigned grief! She advanced + slowly, and without appearing to perceive the deep impression she had + caused. She approached one of the pieces of furniture, inlaid with brass, + touched a spring concealed in the moulding of gilded bronze, so that an + upper drawer flew open, and taking from it a sealed parchment envelope, + she walked up to the table, and placed this packet before the notary, who, + hitherto silent and motionless, received it mechanically from her. + </p> + <p> + Then, casting upon Gabriel, who seemed fascinated by her presence, a long, + mild, melancholy look, this woman directed her steps towards the hall, the + door of which had remained open. As she passed near Samuel and Bathsheba, + who were still kneeling, she stopped an instant, bowed her fair head + towards them, and looked at them with tender solicitude. Then, giving them + her hands to kiss, she glided away as slowly as she had entered—throwing + a last glance upon Gabriel. The departure of this woman seemed to break + the spell under which all present had remained for the last few minutes. + Gabriel was the first to speak, exclaiming, in an agitated voice. “It is + she—again—here—in this house!” + </p> + <p> + “Who, brother?” said Agricola, uneasy at the pale and almost wild looks of + the missionary; for the smith had not yet remarked the strange resemblance + of the woman to the portrait, though he shared in the general feeling of + amazement, without being able to explain it to himself. Dagobert and + Faringhea were in a similar state of mind. + </p> + <p> + “Who is this woman?” resumed Agricola, as he took the hand of Gabriel, + which felt damp and icy cold. + </p> + <p> + “Look!” said the young priest. “Those portraits have been there for more + than a century and a half.” + </p> + <p> + He pointed to the paintings before which he was now seated, and Agricola, + Dagobert, and Faringhea raised their eyes to either side of the fireplace. + Three exclamations were now heard at once. + </p> + <p> + “It is she—it is the same woman!” cried the smith, in amazement, + “and her portrait has been here for a hundred and fifty years!” + </p> + <p> + “What do I see?” cried Dagobert, as he gazed at the portrait of the man. + “The friend and emissary of Marshal Simon. Yes! it is the same face that I + saw last year in Siberia. Oh, yes! I recognize that wild and sorrowful air—those + black eyebrows, which make only one!” + </p> + <p> + “My eyes do not deceive me,” muttered Faringhea to himself, shuddering + with horror. “It is the same man, with the black mark on his forehead, + that we strangled and buried on the banks of the Ganges—the same + man, that one of the sons of Bowanee told me, in the ruins of Tchandi, had + been met by him afterwards at one of the gates of Bombay—the man of + the fatal curse, who scatters death upon his passage—and his picture + has existed for a hundred and fifty years!” + </p> + <p> + And, like Dagobert and Agricola, the stranger could not withdraw his eyes + from that strange portrait. + </p> + <p> + “What a mysterious resemblance!” thought Father d’Aigrigny. Then, as if + struck with a sudden idea, he said to Gabriel: “But this woman is the same + that saved your life in America?” + </p> + <p> + “It is the same,” answered Gabriel, with emotion; “and yet she told me she + was going towards the North,” added the young priest, speaking to himself. + </p> + <p> + “But how came she in this house?” said Father d’Aigrigny, addressing + Samuel. “Answer me! did this woman come in with you, or before you?” + </p> + <p> + “I came in first, and alone, when this door was first opened since a + century and half,” said Samuel, gravely. + </p> + <p> + “Then how can you explain the presence of this woman here?” said Father + d’Aigrigny. + </p> + <p> + “I do not try to explain it,” said the Jew. “I see, I believe, and now I + hope.” added he, looking at Bathsheba with an indefinable expression. + </p> + <p> + “But you ought to explain the presence of this woman!” said Father + d’Aigrigny, with vague uneasiness. “Who is she? How came she hither?” + </p> + <p> + “All I know is, sir, that my father has often told me; there are + subterraneous communications between this house and distant parts of the + quarter.” + </p> + <p> + “Oh! then nothing can be clearer,” said Father d’Aigrigny; “it only + remains to be known what this woman intends by coming hither. As for her + singular resemblance to this portrait, it is one of the freaks of nature.” + </p> + <p> + Rodin had shared in the general emotion, at the apparition of this + mysterious woman. But when he saw that she had delivered a sealed packet + to the notary, the socius, instead of thinking of the strangeness of this + unexpected vision, was only occupied with a violent desire to quit the + house with the treasure which had just fallen to the Company. He felt a + vague anxiety at sight of the envelope with the black seal, which the + protectress of Gabriel had delivered to the notary, and was still held + mechanically in his hands. The socius, therefore, judging this a very good + opportunity to walk off with the casket, during the general silence and + stupor which still continued, slightly touched Father d’Aigrigny’s elbow, + made him a sign of intelligence, and, tucking the cedar-wood chest under + his arm, was hastening towards the door. + </p> + <p> + “One moment, sir,” said Samuel, rising, and standing in his path; “I + request M. Notary to examine the envelope, that has just been delivered to + him. You may then go out.” + </p> + <p> + “But, sir,” said Rodin, trying to force a passage, “the question is + definitively decided in favor of Father d’Aigrigny. Therefore, with your + permission—” + </p> + <p> + “I tell you, sir,” answered the old man, in a loud voice, “that this + casket shall not leave the house, until M. Notary has examined the + envelope just delivered to him!” + </p> + <p> + These words drew the attention of all, Rodin was forced to retrace his + steps. Notwithstanding the firmness of his character, the Jew shuddered at + the look of implacable hate which Rodin turned upon him at this moment. + </p> + <p> + Yielding to the wish of Samuel, the notary examined the envelope with + attention. “Good Heaven!” he cried suddenly; “what do I see?—Ah! so + much the better!” + </p> + <p> + At this exclamation all eyes turned upon the notary. “Oh! read, read, + sir!” cried Samuel, clasping his hands together. “My presentiments have + not then deceived me!” + </p> + <p> + “But, sir,” said Father d’Aigrigny to the notary, for he began to share in + the anxiety of Rodin, “what is this paper?” + </p> + <p> + “A codicil,” answered the notary; “a codicil, which reopens the whole + question.” + </p> +<div class="fig"> + <img src="images/20247m.jpg" alt="20247m" /><br /> + </div> + <h5> + <a href="images/20247.jpg"><i>Original</i></a> + </h5> + <p> + “How, sir?” cried Father d’Aigrigny, in a fury, as he hastily drew nearer + to the notary, “reopens the whole question! By what right?” + </p> + <p> + “It is impossible,” added Rodin. “We protest against it. + </p> + <p> + “Gabriel! father! listen,” cried Agricola, “all is not lost. There is yet + hope. Do you hear, Gabriel? There is yet hope.” + </p> + <p> + “What do you say?” exclaimed the young priest, rising, and hardly + believing the words of his adopted brother. + </p> + <p> + “Gentlemen,” said the notary; “I will read to you the superscription of + this envelope. It changes, or rather, it adjourns, the whole of the + testamentary provisions.” + </p> + <p> + “Gabriel!” cried Agricola, throwing himself on the neck of the missionary, + “all is adjourned, nothing is lost!” + </p> + <p> + “Listen, gentlemen,” said the notary; and he read as follows: + </p> + <p> + “‘This is a Codicil, which for reasons herein stated, adjourns and + prorogues to the 1st day of June, 1832, though without any other change, + all the provisions contained in the testament made by me, at one o’clock + this afternoon. The house shall be reclosed, and the funds left in the + hands of the same trustee, to be distributed to the rightful claimants on + the 1st of June, 1832. + </p> + <p> + “‘Villetaneuse, this 13th of February, 1682, eleven o’clock at night. + “‘MARIUS DE RENNEPONT.’” + </p> + <p> + “I protest against this codicil as a forgery!” cried Father d’Aigrigny + livid with rage and despair. + </p> + <p> + “The woman who delivered it to the notary is a suspicious character,” + added Rodin. “The codicil has been forged.” + </p> + <p> + “No, sir,” said the notary, severely; “I have just compared the two + signatures, and they are absolutely alike. For the rest—what I said + this morning, with regard to the absent heirs, is now applicable to you—the + law is open; you may dispute the authenticity of this codicil. Meanwhile, + everything will remain suspended—since the term for the adjustment + of the inheritance is prolonged for three months and a half.” + </p> + <p> + When the notary had uttered these last words, Rodin’s nails dripped blood; + for the first time, his wan lips became red. + </p> + <p> + “Oh, God! Thou hast heard and granted my prayer!” cried Gabriel, kneeling + down with religious fervor, and turning his angelic face towards heaven. + “Thy sovereign justice has not let iniquity triumph!” + </p> + <p> + “What do you say, my brave boy?” cried Dagobert, who, in the first tumult + of joy, had not exactly understood the meaning of the codicil. + </p> + <p> + “All is put off, father!” exclaimed the smith; “the heirs will have three + months and a half more to make their claim. And now that these people are + unmasked,” added Agricola, pointing to Rodin and Father d’Aigrigny, “we + have nothing more to fear from them. We shall be on our guard; and the + orphans, Mdlle. de Cardoville, my worthy master, M. Hardy, and this young + Indian, will all recover their own.” + </p> + <p> + We must renounce the attempt to paint the delight, the transport of + Gabriel and Agricola, of Dagobert, and Marshal Simon’s father, of Samuel + and Bathsheba. Faringhea alone remained in gloomy silence, before the + portrait of the man with the black-barred forehead. As for the fury of + Father d’Aigrigny and Rodin, when they saw Samuel retake possession of the + casket, we must also renounce any attempt to describe it. On the notary’s + suggestion, who took with him the codicil, to have it opened according to + the formalities of the law, Samuel agreed that it would be more prudent to + deposit in the Bank of France the securities of immense value that were + now known to be in his possession. + </p> + <p> + While all the generous hearts, which had for a moment suffered so much, + were overflowing with happiness, hope, and joy, Father d’Aigrigny and + Rodin quitted the house with rage and death in their souls. The reverend + father got into his carriage, and said to his servants: “To Saint-Dizier + House!”—Then, worn out and crushed, he fell back upon the seat, and + hid his face in his hands, while he uttered a deep groan. Rodin sat next + to him, and looked with a mixture of anger and disdain at this so dejected + and broken-spirited man. + </p> + <p> + “The coward!” said he to himself. “He despairs—and yet—” + </p> + <p> + A quarter of an hour later, the carriage stopped in the Rue de Babylone, + in the court-yard of Saint-Dizier House. + </p> + <p> + <a name="link2HCH0080" id="link2HCH0080"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXVII. THE FIRST LAST, AND THE LAST FIRST. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>he carriage had travelled rapidly to Saint-Dizier House. During all the + way, Rodin remained mute, contenting himself with observing Father + d’Aigrigny, and listening to him, as he poured forth his grief and fury in + a long monologue, interrupted by exclamations, lamentations, and bursts of + rage, directed against the strokes of that inexorable destiny, which had + ruined in a moment the best founded hopes. When the carriage entered the + courtyard, and stopped before the portico, the princess’s face could be + seen through one of the windows, half hidden by the folds of a curtain; in + her burning anxiety, she came to see if it was really Father d’Aigrigny + who arrived at the house. Still more, in defiance of all ordinary rules, + this great lady, generally so scrupulous as to appearances, hurried from + her apartment, and descended several steps of the staircase, to meet + Father d’Aigrigny, who was coming up with a dejected air. At sight of the + livid and agitated countenance of the reverend father, the princess + stopped suddenly, and grew pale. She suspected that all was lost. A look + rapidly exchanged with her old lover left her no doubt of the issue she so + much feared. Rodin humbly followed the reverend father, and both, preceded + by the princess, entered the room. The door once closed, the princess, + addressing Father d’Aigrigny, exclaimed with unspeakable anguish: “What + has happened?” + </p> + <p> + Instead of answering this question, the reverend father, his eyes + sparkling with rage, his lips white, his features contracted, looked + fixedly at the princess, and said to her: “Do you know the amount of this + inheritance, that we estimated at forty millions?” + </p> + <p> + “I understand,” cried the princess; “we have been deceived. The + inheritance amounts to nothing, and all you have dare has been in vain.” + </p> + <p> + “Yes, it has indeed been in vain,” answered the reverend father, grinding + his teeth with rage; “it was no question of forty millions, but of two + hundred and twelve millions. + </p> + <p> + “Two hundred and twelve millions!” repeated the princess in amazement, as + she drew back a step. “It is impossible!” + </p> + <p> + “I tell you I saw the vouchers, which were examined by the notary.” + </p> +<div class="fig"> + <img src="images/20263m.jpg" alt="20263m" /><br /> + </div> + <h5> + <a href="images/20263.jpg"><i>Original</i></a> + </h5> + <p> + “Two hundred and twelve millions?” resumed the princess, with deep + dejection. “It is an immense and sovereign power—and you have + renounced—you have not struggled for it, by every possible means, + and till the last moment?” + </p> + <p> + “Madame, I have done all that I could!—notwithstanding the treachery + of Gabriel, who this very morning declared that he renounced us, and + separated from the Society.” + </p> + <p> + “Ungrateful!” said the princess, unaffectedly. + </p> + <p> + “The deed of gift, which I had the precaution to have prepared by the + notary, was in such good, legal form, that in spite of the objections of + that accursed soldier and his son, the notary had put me in possession of + the treasure.” + </p> + <p> + “Two hundred and twelve millions!” repeated the princess clasping her + hands. “Verily it is like a dream!” + </p> + <p> + “Yes,” replied Father d’Aigrigny, bitterly, “for us, this possession is + indeed a dream, for a codicil has been discovered, which puts off for + three months and a half all the testamentary provisions. Now that our very + precautions have roused the suspicion of all these heirs—now that + they know the enormous amount at stake—they will be upon their + guard; and all is lost.” + </p> + <p> + “But who is the wretch that produced this codicil?” + </p> + <p> + “A woman.” + </p> + <p> + “What woman?” + </p> + <p> + “Some wandering creature, that Gabriel says he met in America, where she + saved his life.” + </p> + <p> + “And how could this woman be there—how could she know the existence + of this codicil?” + </p> + <p> + “I think it was all arranged with a miserable Jew, the guardian of the + house, whose family has had charge of the funds for three generations; he + had no doubt some secret instructions, in case he suspected the detention + of any of the heirs, for this Marius de Rennepont had foreseen that our + Company would keep their eyes upon his race.” + </p> + <p> + “But can you not dispute the validity of this codicil?” + </p> + <p> + “What, go to law in these times—litigate about a will—incur + the certainty of a thousand clamors, with no security for success?—It + is bad enough, that even this should get wind. Alas! it is terrible. So + near the goal! after so much care and trouble. An affair that had been + followed up with so much perseverance during a century and a half!” + </p> + <p> + “Two hundred and twelve millions!” said the princess. “The Order would + have had no need to look for establishments in foreign countries; with + such resources, it would have been able to impose itself upon France.” + </p> + <p> + “Yes,” resumed Father d’Aigrigny, with bitterness; “by means of education, + we might have possessed ourselves of the rising generation. The power is + altogether incalculable.” Then, stamping with his foot, he resumed: “I + tell you, that it is enough to drive one mad with rage! an affair so + wisely, ably, patiently conducted!” + </p> + <p> + “Is there no hope?” + </p> + <p> + “Only that Gabriel may not revoke his donation, in as far as concerns + himself. That alone would be a considerable sum—not less than thirty + millions.” + </p> + <p> + “It is enormous—it is almost what you hoped,” said the princess; + “then why despair?” + </p> + <p> + “Because it is evident that Gabriel will dispute this donation. However + legal it may be, he will find means to annul it, now that he is free, + informed as to our designs, and surrounded by his adopted family. I tell + you, that all is lost. There is no hope left. I think it will be even + prudent to write to Rome, to obtain permission to leave Paris for a while. + This town is odious to me!” + </p> + <p> + “Oh, yes! I see that no hope is left—since you, my friend, have + decided almost to fly.” + </p> + <p> + Father d’Aigrigny was completely discouraged and broken down; this + terrible blow had destroyed all life and energy within him. He threw + himself back in an arm-chair, quite overcome. During the preceding + dialogue, Rodin was standing humbly near the door, with his old hat in his + hand. Two or three times, at certain passages in the conversation between + Father d’Aigrigny and the princess, the cadaverous face of the socius, + whose wrath appeared to be concentrated, was slightly flushed, and his + flappy eyelids were tinged with red, as if the blood mounted in + consequence of an interior struggle; but, immediately after, his dull + countenance resumed its pallid blue. + </p> + <p> + “I must write instantly to Rome, to announce this defeat, which has become + an event of the first importance, because it overthrows immense hopes,” + said Father d’Aigrigny, much depressed. + </p> + <p> + The reverend father had remained seated; pointing to a table, he said to + Rodin, with an abrupt and haughty air: + </p> + <p> + “Write!” + </p> + <p> + The socius placed his hat on the ground, answered with a respectful bow + the command, and with stooping head and slanting walk, went to seat + himself on a chair, that stood before a desk. Then, taking pen and paper, + he waited, silent and motionless, for the dictation of his superior. + </p> + <p> + “With your permission, princess?” said Father d’Aigrigny to Madame de + Saint-Dizier. The latter answered by an impatient wave of the hand, as if + she reproached him for the formal demand at such a time. The reverend + father bowed, and dictated these words in a hoarse and hollow voice: “All + our hopes, which of late had become almost certainties, have been suddenly + defeated. The affair of the Rennepont inheritance, in spite of all the + care and skill employed upon it, has completely and finally failed. At the + point to which matters had been brought, it is unfortunately worse than a + failure; it is a most disastrous event for the Society, which was clearly + entitled to this property, fraudulently withdrawn from a confiscation made + in our favor. My conscience at least bears witness, that, to the last + moment, I did all that was possible to defend and secure our rights. But I + repeat, we must consider this important affair as lost absolutely and + forever, and think no more about it.” + </p> + <p> + Thus dictating, Father d’Aigrigny’s back was turned towards Rodin. At a + sudden movement made by the socius, in rising and throwing his pen upon + the table, instead of continuing to write, the reverend father turned + round, and, looking at Rodin with profound astonishment, said to him: + “Well! what are you doing?” + </p> + <p> + “It is time to end this—the man is mad!” said Rodin to himself, as + he advanced slowly towards the fireplace. + </p> + <p> + “What! you quit your place—you cease writing?” said the reverend + father, in amazement. Then, addressing the princess, who shared in his + astonishment, he added, as he glanced contemptuously at the socius, “He is + losing his senses.” + </p> + <p> + “Forgive him,” replied Mme. de Saint-Dizier; “it is, no doubt, the emotion + caused by the ruin of this affair.” + </p> + <p> + “Thank the princess, return to your place, and continue to write,” said + Father d’Aigrigny to Rodin, in a tone of disdainful compassion, as, with + imperious finger, he pointed to the table. + </p> + <p> + The socius, perfectly indifferent to this new order, approached the + fireplace, drew himself up to his full height as he turned his arched + back, planted himself firmly on his legs, stamped on the carpet with the + heel of his clumsy, greasy shoes, crossed his hands beneath the flaps of + his old, spotted coat, and, lifting his head, looked fixedly at Father + d’Aigrigny. The socius had not spoken a word, but his hideous countenance, + now flushed, suddenly revealed such a sense of his superiority, and such + sovereign contempt for Father d’Aigrigny, mingled with so calm and serene + a daring, that the reverend father and the princess were quite confounded + by it. They felt themselves overawed by this little old man, so sordid and + so ugly. Father d’Aigrigny knew too well the customs of the Company, to + believe his humble secretary capable of assuming so suddenly these airs of + transcendent superiority without a motive, or rather, without a positive + right. Late, too late, the reverend father perceived, that this + subordinate agent might be partly a spy, partly an experienced assistant, + who, according to the constitutions of the Order, had the power and + mission to depose and provisionally replace, in certain urgent cases, the + incapable person over whom he was stationed as a guard. The reverend + father was not deceived. From the general to the provincials, and to the + rectors of the colleges, all the superior members of the Order have + stationed near them, often without their knowledge, and in apparently the + lowest capacities, men able to assume their functions at any given moment, + and who, with this view, constantly keep up a direct correspondence with + Rome. + </p> + <p> + From the moment Rodin had assumed this position, the manners of Father + d’Aigrigny, generally so haughty, underwent a change. Though it cost him a + good deal, he said with hesitation, mingled with deference: “You have, no + doubt, the right to command me—who hitherto have commanded.” Rodin, + without answering, drew from his well-rubbed and greasy pocket-book a slip + of paper, stamped upon both sides, on which were written several lines in + Latin. When he had read it, Father d’Aigrigny pressed this paper + respectfully, even religiously, to his lips: then returned it to Rodin, + with a low bow. When he again raised his head, he was purple with shame + and vexation. Notwithstanding his habits of passive obedience and + immutable respect for the will of the Order, he felt a bitter and violent + rage at seeing himself thus abruptly deposed from power. That was not all. + Though, for a long time past, all relations in gallantry had ceased + between him and Mme. de Saint-Dizier, the latter was not the less a woman; + and for him to suffer this humiliation in presence of a woman was, + undoubtedly, cruel, as, notwithstanding his entrance into the Order, he + had not wholly laid aside the character of man of the world. Moreover, the + princess, instead of appearing hurt and offended by this sudden + transformation of the superior into a subaltern, and of the subaltern into + a superior, looked at Rodin with a sort of curiosity mingled with + interest. As a woman—as a woman, intensely ambitious, seeking to + connect herself with every powerful influence—the princess loved + this strange species of contrast. She found it curious and interesting to + see this man, almost in rags, mean in appearance, and ignobly ugly, and + but lately the most humble of subordinates look down from the height of + his superior intelligence upon the nobleman by birth, distinguished for + the elegance of his manners, and just before so considerable a personage + in the Society. From that moment, as the more important personage of the + two, Rodin completely took the place of Father d’Aigrigny in the + princess’s mind. The first pang of humiliation over, the reverend father, + though his pride bled inwardly, applied all his knowledge of the world to + behave with redoubled courtesy towards Rodin, who had become his superior + by this abrupt change of fortune. But the ex-socius, incapable of + appreciating, or rather of acknowledging, such delicate shades of manner, + established himself at once, firmly, imperiously, brutally, in his new + position, not from any reaction of offended pride, but from a + consciousness of what he was really worth. A long acquaintance with Father + d’Aigrigny had revealed to him the inferiority of the latter. + </p> + <p> + “You threw away your pen,” said Father d’Aigrigny to Rodin with extreme + deference, “while I was dictating a note for Rome. Will you do me the + favor to tell me how I have acted wrong?” + </p> + <p> + “Directly,” replied Rodin, in his sharp, cutting voice. “For a long time + this affair appeared to me above your strength; but I abstained from + interfering. And yet what mistakes! what poverty of invention; what + coarseness in the means employed to bring it to bear!” + </p> + <p> + “I can hardly understand your reproaches,” answered Father d’Aigrigny, + mildly, though a secret bitterness made its way through his apparent + submission. “Was not the success certain, had it not been for this + codicil? Did you not yourself assist in the measures that you now blame?” + </p> + <p> + “You commanded, then, and it was my duty to obey. Besides, you were just + on the point of succeeding—not because of the means you had taken—but + in spite of those means, with all their awkward and revolting brutality.” + </p> + <p> + “Sir—you are severe,” said Father d’Aigrigny. + </p> + <p> + “I am just. One has to be prodigiously clever, truly, to shut up any one + in a room, and then lock the door! And yet, what else have you done? The + daughters of General Simon?—imprisoned at Leipsic, shut up in a + convent at Paris! Adrienne de Cardoville?—placed in confinement. + Sleepinbuff—put in prison. Djalma?—quieted by a narcotic. One + only ingenious method, and a thousand times safer, because it acted + morally, not materially, was employed to remove M. Hardy. As for your + other proceedings—they were all bad, uncertain, dangerous. Why? + Because they were violent, and violence provokes violence. Then it is no + longer a struggle of keen, skillful, persevering men, seeing through the + darkness in which they walk, but a match of fisticuffs in broad day. + Though we should be always in action, we should always shrink from view; + and yet you could find no better plan than to draw universal attention to + us by proceedings at once open and deplorably notorious. To make them more + secret, you call in the guard, the commissary of police, the jailers, for + your accomplices. It is pitiable, sir; nothing but the most brilliant + success could cover such wretched folly; and this success has been + wanting.” + </p> + <p> + “Sir,” said Father d’Aigrigny, deeply hurt, for the Princess de Saint + Dizier, unable to conceal the sort of admiration caused in her by the + plain, decisive words of Rodin, looked at her old lover, with an air that + seemed to say, “He is right;”—“sir, you are more than severe in your + judgment; and, notwithstanding the deference I owe to you, I must observe, + that I am not accustomed—” + </p> + <p> + “There are many other things to which you are not accustomed,” said Rodin, + harshly interrupting the reverend father; “but you will accustom yourself + to them. You have hitherto had a false idea of your own value. There is + the old leaven of the soldier and the worlding fermenting within you, + which deprives your reason of the coolness, lucidity, and penetration that + it ought to possess. You have been a fine military officer, brisk and gay, + foremost in wars and festivals, with pleasures and women. These things + have half worn you out. You will never be anything but a subaltern; you + have been thoroughly tested. You will always want that vigor and + concentration of mind which governs men and events. That vigor and + concentration of mind I have—and do you know why? It is because, + solely devoted to the service of the Company, I have always been ugly, + dirty, unloved, unloving—I have all my manhood about me!” + </p> + <p> + In pronouncing these words, full of cynical pride, Rodin was truly + fearful. The princess de Saint-Dizier thought him almost handsome by his + energy and audacity. + </p> + <p> + Father d’Aigrigny, feeling himself overawed, invincibly and inexorably, by + this diabolical being, made a last effort to resist and exclaimed, “Oh! + sir, these boastings are no proofs of valor and power. We must see you at + work.” + </p> + <p> + “Yes,” replied Rodin, coldly; “do you know at what work?” Rodin was fond + of this interrogative mode of expression. “Why, at the work that you so + basely abandon.” + </p> + <p> + “What!” cried the Princess de Saint-Dizier; for Father d’Aigrigny, + stupefied at Rodin’s audacity, was unable to utter a word. + </p> + <p> + “I say,” resumed Rodin, slowly, “that I undertake to bring to a good issue + this affair of the Rennepont inheritance, which appears to you so + desperate.” + </p> + <p> + “You?” cried Father d’Aigrigny. “You?” “I.” + </p> + <p> + “But they have unmasked our maneuvers.” + </p> + <p> + “So much the better; we shall be obliged to invent others.” + </p> + <p> + “But they; will suspect us in everything.” + </p> + <p> + “So much the better; the success that is difficult is the most certain.” + </p> + <p> + “What! do you hope to make Gabriel consent not to revoke his donation, + which is perhaps illegal?” + </p> + <p> + “I mean to bring in to the coffers of the Company the whole of the two + hundred and twelve millions, of which they wish to cheat us. Is that + clear?” + </p> + <p> + “It is clear—but impossible.” + </p> + <p> + “And I tell you that it is, and must be possible. Do you not understand, + short-sighted as you are!” cried Rodin, animated to such a degree that his + cadaverous face became slightly flushed; “do you not understand that it is + no longer in our choice to hesitate? Either these two hundred and twelve + millions must be ours—and then the re-establishment of our sovereign + influence in France is sure—for, in these venal times, with such a + sum at command, you may bribe or overthrow a government, or light up the + flame of civil war, and restore legitimacy, which is our natural ally, + and, owing all to us, would give us all in return—” + </p> + <p> + “That is clear,” cried the princess, clasping her hands in admiration. + </p> + <p> + “If, on the contrary,” resumed Rodin, “these two hundred and twelve + millions fall into the hands of the family of the Renneponts, it will be + our ruin and our destruction. We shall create a stock of bitter and + implacable enemies. Have you not heard the execrable designs of that + Rennepont, with regard to the association he recommends, and which, by an + accursed fatality, his race are just in a condition to realize? Think of + the forces that would rally round these millions. There would be Marshal + Simon, acting in the name of his daughters—that is, the man of the + people become a duke, without being the vainer for it, which secures his + influence with the mob, because military spirit and Bonapartism still + represent, in the eyes of the French populace, the traditions of national + honor and glory. There would be Francis Hardy, the liberal, independent, + enlightened citizen, the type of the great manufacturer, the friend of + progress, the benefactor of his workmen. There would be Gabriel—the + good priest, as they say!—the apostle of the primitive gospel, the + representative of the democracy of the church, of the poor country curate + as opposed to the rich bishop, the tiller of the vine as opposed to him + who sits in the shade of it; the propagator of all the ideas of + fraternity, emancipation, progress—to use their own jargon—and + that, not in the name of revolutionary and incendiary politics, but in the + name of a religion of charity, love, and peace—to speak as they + speak. There, too, would be Adrienne de Cardoville, the type of elegance, + grace, and beauty, the priestess of the senses, which she deifies by + refining and cultivating them. I need not tell you of her wit and + audacity; you know them but too well. No one could be more dangerous to us + than this creature, a patrician in blood, a plebeian in heart, a poet in + imagination. Then, too, there would be Prince Djalma, chivalrous, bold, + ready for adventure, knowing nothing of civilized life, implacable in his + hate as in his affection, a terrible instrument for whoever can make use + of him. In this detestable family, even such a wretch as Sleepinbuff, who + in himself is of no value, raised and purified by the contact of these + generous and far from narrow natures (as they call them), might represent + the working class, and take a large share in the influence of that + association. Now do you not think that if all these people, already + exasperated against us, because (as they say) we have wished to rob them, + should follow the detestable counsels of this Rennepont—should unite + their forces around this immense fortune, which would strengthen them a + hundred-fold—do you not think that, if they declare a deadly war + against us, they will be the most dangerous enemies that we have ever had? + I tell you that the Company has never been in such serious peril; yes, it + is now a question of life and death. We must no longer defend ourselves, + but lead the attack, so as to annihilate this accursed race of Rennepont, + and obtain possession of these millions.” + </p> + <p> + At this picture, drawn by Rodin with a feverish animation, which had only + the more influence from its unexpectedness, the princess and Father + d’Aigrigny looked at each other in confusion. + </p> + <p> + “I confess,” said the reverend father to Rodin, “I had not considered all + the dangerous consequences of this association, recommended by M. de + Rennepont. I believe that the heir, from the characters we know them to be + possessed of, would wish to realize this Utopia. The peril is great and + pressing; what is to be done?” + </p> + <p> + “What, sir? You have to act upon ignorant, heroic, enthusiastic natures + like Djalma’s—sensual and eccentric characters like Adrienne de + Cardoville’s—simple and ingenuous minds like Rose and Blanche + Simon’s—honest and frank dispositions like Francis Hardy’s—angelic + and pure souls like Gabriel’s—brutal and stupid instincts like + Jacques—and can you ask, ‘What is to be done?’” + </p> + <p> + “In truth, I do not understand you,” said Father d’Aigrigny. + </p> + <p> + “I believe it. Your past conduct shows as much,” replied Rodin, + contemptuously. “You have had recourse to the lowest and most mechanical + contrivances, instead of acting upon the noble and generous passions, + which, once united, would constitute so formidable a bond; but which, now + divided and isolated, are open to every surprise, every seduction, every + attack! Do you, at length understand me? Not yet?” added Rodin, shrugging + his shoulders. “Answer me—do people die of despair?” + </p> + <p> + “Yes.” + </p> + <p> + “May not the gratitude of successful love reach the last limits of insane + generosity?” + </p> + <p> + “Yes.” + </p> + <p> + “May there not be such horrible deceptions, that suicide is the only + refuge from frightful realities?” + </p> + <p> + “Yes.” + </p> + <p> + “May not the excess of sensuality lead to the grave by a slow and + voluptuous agony?” + </p> + <p> + “Yes.” + </p> + <p> + “Are there not in life such terrible circumstances that the most worldly, + the firmest, the most impious characters, throw themselves blindly, + overwhelmed with despair, into the arms of religion, and abandon all + earthly greatness for sackcloth, and prayers, and solitude?” + </p> + <p> + “Yes.” + </p> + <p> + “Are there not a thousand occasions in which the reaction of the passions + works the most extraordinary changes, and brings about the most tragic + catastrophes in the life of man and woman?” + </p> + <p> + “No doubt.” + </p> + <p> + “Well, then! why ask me, ‘What is to be done?’ What would you say, for + example, if before three months are over, the most dangerous members of + this family of the Renneponts should come to implore, upon their knees, + admission to that very Society which they now hold in horror, and from + which Gabriel has just separated?” + </p> + <p> + “Such a conversion is impossible,” cried Father d’Aigrigny. + </p> + <p> + “Impossible? What were you, sir, fifteen years ago?” said Rodin. “An + impious and debauched man of the world. And yet you came to us, and your + wealth became ours. What! we have conquered princes, kings, popes; we have + absorbed and extinguished in our unity magnificent intelligences, which, + from afar, shone with too dazzling a light; we have all but governed two + worlds; we have perpetuated our Society, full of life, rich and + formidable, even to this day, through all the hate, and all the + persecutions that have assailed us; and yet we shall not be able to get + the better of a single family, which threatens our Company, and has + despoiled us of a large fortune? What! we are not skillful enough to + obtain this result without having recourse to awkward and dangerous + violence? You do not know, then, the immense field that is thrown open by + the mutually destructive power of human passions, skillfully combined, + opposed, restrained, excited?—particularly,” added Rodin, with a + strange smile, “when, thanks to a powerful ally, these passions are sure + to be redoubled in ardor and energy.” + </p> + <p> + “What ally?” asked Father d’Aigrigny, who, as well as the Princess de + Saint-Dizier, felt a sort of admiration mixed with terror. + </p> + <p> + “Yes,” resumed Rodin, without answering the reverend father; “this + formidable ally, who comes to our assistance, may bring about the most + astonishing transformations—make the coward brave, and the impious + credulous, and the gentle ferocious—” + </p> + <p> + “But this ally!” cried the Princess, oppressed with a vague sense of fear. + “This great and formidable ally—who is he?” + </p> + <p> + “If he comes,” resumed Rodin, still impassible, “the youngest and most + vigorous, every moment in danger of death, will have no advantage over the + sick man at his last gasp.” + </p> + <p> + “But who is this ally?” exclaimed Father d’Aigrigny, more and more + alarmed, for as the picture became darker, Rodin’s face become more + cadaverous. + </p> + <p> + “This ally, who can decimate a population, may carry away with him in the + shroud that he drags at his heels, the whole of an accursed race; but even + he must respect the life of that great intangible body, which does not + perish with the death of its members—for the spirit of the Society + of Jesus is immortal!” + </p> + <p> + “And this ally?” + </p> + <p> + “Oh, this ally,” resumed Rodin, “who advances with slow steps, and whose + terrible coming is announced by mournful presentiments—” + </p> + <p> + “Is—” + </p> + <p> + “The Cholera!” + </p> + <p> + These words, pronounced by Rodin in an abrupt voice, made the Princess and + Father d’Aigrigny grow pale and tremble. Rodin’s look was gloomy and + chilling, like a spectre’s. For some moments, the silence of the tomb + reigned in the saloon. Rodin was the first to break it. Still impassible, + he pointed with imperious gesture to the table, where a few minutes before + he had himself been humbly seated, and said in a sharp voice to Father + d’Aigrigny, “Write!” + </p> + <p> + The reverend father started at first with surprise; then, remembering that + from a superior he had become an inferior, he rose, bowed lowly to Rodin, + as he passed before him, seated himself at the table, took the pen, and + said, “I am ready.” + </p> + <p> + Rodin dictated, and the reverend Father wrote as follows: “By the + mismanagement of the Reverend Father d’Aigrigny, the affair of the + inheritance of the Rennepont family has been seriously compromised. The + sum amounts to two hundred and twelve millions. Notwithstanding the check + we have received, we believe we may safely promise to prevent these + Renneponts from injuring the Society, and to restore the two hundred and + twelve millions to their legitimate possessors. We only ask for the most + complete and extensive powers.” + </p> + <p> + A quarter of an hour after this scene, Rodin left Saint Dizier House, + brushing with his sleeve the old greasy hat, I which he had pulled off to + return the salute of the porter by a very low bow. + </p> + <p> + <a name="link2HCH0081" id="link2HCH0081"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXVIII. THE STRANGER. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>he following scene took place on the morrow of the day in which Father + d’Aigrigny had been so rudely degraded by Rodin to the subaltern position + formerly occupied by the socius. + </p> + <p> + It is well known that the Rue Clovis is one of the most solitary streets + in the Montagne St. Genevieve district. At the epoch of this narrative, + the house No. 4, in this street, was composed of one principal building, + through which ran a dark passage, leading to a little, gloomy court, at + the end of which was a second building, in a singularly miserable and + dilapidated condition. On the ground-floor, in front of the house, was a + half-subterraneous shop, in which was sold charcoal, fagots, vegetables, + and milk. Nine o’clock in the morning had just struck. The mistress of the + shop, one Mother Arsene, an old woman of a mild, sickly countenance, clad + in a brown stuff dress, with a red bandanna round her head, was mounted on + the top step of the stairs which led down to her door, and was employed in + setting out her goods—that is, on one side of her door she placed a + tin milk-can, and on the other some bunches of stale vegetables, flanked + with yellowed cabbages. At the bottom of the steps, in the shadowy depths + of the cellar, one could see the light of the burning charcoal in a little + stove. This shop situated at the side of the passage, served as a porter’s + lodge, and the old woman acted as portress. On a sudden, a pretty little + creature, coming from the house, entered lightly and merrily the shop. + This young girl was Rose-Pompon, the intimate friend of the Bacchanal + Queen.—Rose-Pompon, a widow for the moment, whose bacchanalian + cicisbeo was Ninny Moulin, the orthodox scapegrace, who, on occasion, + after drinking his fill, could transform himself into Jacques Dumoulin, + the religious writer, and pass gayly from dishevelled dances to + ultramontane polemics, from Storm-blown Tulips to Catholic pamphlets. + </p> + <p> + Rose-Pompon had just quitted her bed, as appeared by the negligence of her + strange morning costume; no doubt, for want of any other head-dress, on + her beautiful light hair, smooth and well-combed, was stuck jauntily a + foraging-cap, borrowed from her masquerading costume. Nothing could be + more sprightly than that face, seventeen years old, rosy, fresh, dimpled, + and brilliantly lighted up by a pair of gay, sparkling blue eyes. Rose + Pompon was so closely enveloped from the neck to the feet in a red and + green plaid cloak, rather faded, that one could guess the cause of her + modest embarrassment. Her naked feet, so white that one could not tell if + she wore stockings or not, were slipped into little morocco shoes, with + plated buckles. It was easy to perceive that her cloak concealed some + article which she held in her hand. + </p> + <p> + “Good-day, Rose-Pompon,” said Mother Arsene with a kindly air; “you are + early this morning. Had you no dance last night?” + </p> + <p> + “Don’t talk of it, Mother Arsene; I had no heart to dance. Poor Cephyse—the + Bacchanal Queen—has done nothing but cry all night. She cannot + console herself, that her lover should be in prison.” + </p> + <p> + “Now, look here, my girl,” said the old woman, “I must speak to you about + your friend Cephyse. You won’t be angry?” + </p> + <p> + “Am I ever angry?” said Rose-Pompon, shrugging her shoulders. + </p> + <p> + “Don’t you think that M. Philemon will scold me on his return?” + </p> + <p> + “Scold you! what for?” + </p> + <p> + “Because of his rooms, that you occupy.” + </p> + <p> + “Why, Mother Arsene, did not Philemon tell you, that, in his absence, I + was to be as much mistress of his two rooms as I am of himself?” + </p> + <p> + “I do not speak of you, but of your friend Cephyse, whom you have also + brought to occupy M. Philemon’s lodgings.” + </p> + <p> + “And where would she have gone without me, my good Mother Arsene? Since + her lover was arrested, she has not dared to return home, because she owes + ever so many quarters. Seeing her troubles. I said to her: ‘Come, lodge at + Philemon’s. When he returns, we must find another place for you.’” + </p> + <p> + “Well, little lovey—if you only assure me that M. Philemon will not + be angry—” + </p> + <p> + “Angry! for what? That we spoil his things? A fine set of things he has to + spoil! I broke his last cup yesterday—and am forced to fetch the + milk in this comic concern.” + </p> +<div class="fig"> + <img src="images/20277m.jpg" alt="20277m" /><br /> + </div> + <h5> + <a href="images/20277.jpg"><i>Original</i></a> + </h5> + <p> + So saying, laughing with all her might, Rose-Pompon drew her pretty little + white arm from under her cloak, and presented to Mother Arsene one of + those champagne glasses of colossal capacity, which hold about a bottle. + </p> + <p> + “Oh, dear!” said the greengrocer in amazement; “it is like a glass + trumpet.” + </p> + <p> + “It is Philemon’s grand gala-glass, which they gave him when he took his + degrees in boating,” said Rose-Pompon, gravely. + </p> + <p> + “And to think you must put your milk in it—I am really ashamed,” + said Mother Arsene. + </p> + <p> + “So am I! If I were to meet any one on the stairs, holding this glass in + my hand like a Roman candlestick, I should burst out laughing, and break + the last remnant of Philemon’s bazaar, and he would give me his + malediction.” + </p> + <p> + “There is no danger that you will meet any one. The first-floor is gone + out, and the second gets up very late.” + </p> + <p> + “Talking of lodgers,” said Rose-Pompon, “is there not a room to let on the + second-floor in the rear house? It might do for Cephyse, when Philemon + comes back.” + </p> + <p> + “Yes, there is a little closet in the roof—just over the two rooms + of the mysterious old fellow,” said Mother Arsene. + </p> + <p> + “Oh, yes! Father Charlemagne. Have you found out anything more about him?” + </p> + <p> + “Dear me, no, my girl! only that he came this morning at break of day, and + knocked at my shutters. ‘Have you received a letter for me, my good lady?’ + said he—for he is always so polite, the dear man!—‘No, sir,’ + said I.’—‘Well, then, pray don’t disturb yourself, my good lady!’ + said he; ‘I will call again.’ And so he went away.” + </p> + <p> + “Does he never sleep in the house?” + </p> + <p> + “Never. No doubt, he lodges somewhere else—but he passes some hours + here, once every four or five days.” + </p> + <p> + “And always comes alone?” + </p> + <p> + “Always.” + </p> + <p> + “Are you quite sure? Does he never manage to slip in some little puss of a + woman? Take care, or Philemon will give you notice to quit,” said + Rose-Pompon, with an air of mock-modesty. + </p> + <p> + “M. Charlemagne with a woman! Oh, poor dear man!” said the greengrocer, + raising her hands to heaven; “if you saw him, with his greasy hat, his old + gray coat, his patched umbrella, and his simple face, he looks more like a + saint than anything else.” + </p> + <p> + “But then, Mother Arsene, what does the saint do here, all alone for + hours, in that hole at the bottom of the court, where one can hardly see + at noon-day?” + </p> + <p> + “That’s what I ask myself, my dovey, what can he be doing? It can’t be + that he comes to look at his furniture, for he has nothing but a flock + bed, a table, a stove, a chair, and an old trunk.” + </p> + <p> + “Somewhat in the style of Philemon’s establishment,” said Rose-Pompon. + </p> + <p> + “Well, notwithstanding that, Rosey, he is as much afraid that any one + should come into his room, as if we were all thieves, and his furniture + was made of massy gold. He has had a patent lock put on the door, at his + own expense; he never leaves me his key; and he lights his fire himself, + rather than let anybody into his room.” + </p> + <p> + “And you say he is old?” + </p> + <p> + “Yes, fifty or sixty.” + </p> + <p> + “And ugly?” + </p> + <p> + “Just fancy, little viper’s eyes, looking as if they had been bored with a + gimlet, in a face as pale as death—so pale, that the lips are white. + That’s for his appearance. As for his character, the good old man’s so + polite!—he pulls off his hat so often, and makes you such low bows, + that it is quite embarrassing.” + </p> + <p> + “But, to come back to the point,” resumed Rose-Pompon, “what can he do all + alone in those two rooms? If Cephyse should take the closet, on Philemon’s + return, we may amuse ourselves by finding out something about it. How much + do they want for the little room?” + </p> + <p> + “Why, it is in such bad condition, that I think the landlord would let it + go for fifty or fifty-five francs a-year, for there is no room for a + stove, and the only light comes through a small pane in the roof.” + </p> + <p> + “Poor Cephyse!” said Rose, sighing, and shaking her head sorrowfully. + “After having amused herself so well, and flung away so much money with + Jacques Rennepont, to live in such a place, and support herself by hard + work! She must have courage!” + </p> + <p> + “Why, indeed, there is a great difference between that closet and the + coach-and-four in which Cephyse came to fetch you the other day, with all + the fine masks, that looked so gay—particularly the fat man in the + silver paper helmet, with the plume and the top boots. What a jolly + fellow!” + </p> + <p> + “Yes, Ninny Moulin. There is no one like him to dance the forbidden fruit. + You should see him with Cephyse, the Bacchanal Queen. Poor laughing, noisy + thing!—the only noise she makes now is crying.” + </p> + <p> + “Oh! these young people—these young people!” said the greengrocer. + </p> + <p> + “Easy, Mother Arsene; you were young once.” + </p> + <p> + “I hardly know. I have always thought myself much the same as I am now.” + </p> + <p> + “And your lovers, Mother Arsene?” + </p> + <p> + “Lovers! Oh, yes! I was too ugly for that—and too well taken care + of.” + </p> + <p> + “Your mother looked after you, then?” + </p> + <p> + “No, my girl; but I was harnessed.” + </p> + <p> + “Harnessed!” cried Rose-Pompon, in amazement, interrupting the dealer. + </p> + <p> + “Yes,—harnessed to a water-cart, along with my brother. So, you see, + when we had drawn like a pair of horses for eight or ten hours a day, I + had no heart to think of nonsense.” + </p> + <p> + “Poor Mother Arsene, what a hard life,” said Rose-Pompon with interest. + </p> + <p> + “In the winter, when it froze, it was hard enough. I and my brother were + obliged to be rough-shod, for fear of slipping.” + </p> + <p> + “What a trade for a woman! It breaks one’s heart. And they forbid people + to harness dogs!” added Rose-Pompon, sententiously.(21) + </p> + <p> + “Why, ‘tis true,” resumed Mother Arsene. “Animals are sometimes better off + than people. But what would you have? One must live, you know. As you make + your bed, you must lie. It was hard enough, and I got a disease of the + lungs by it—which was not my fault. The strap, with which I was + harnessed, pressed so hard against my chest, that I could scarcely + breathe: so I left the trade, and took to a shop, which is just to tell + you, that if I had had a pretty face and opportunity, I might have done + like so many other young people, who begin with laughter and finish—” + </p> + <p> + “With a laugh t’other side of the mouth—you would say; it is true, + Mother Arsene. But, you see, every one has not the courage to go into + harness, in order to remain virtuous. A body says to herself, you must + have some amusement while you are young and pretty—you will not + always be seventeen years old—and then—and then—the + world will end, or you will get married.” + </p> + <p> + “But, perhaps, it would have been better to begin by that.” + </p> + <p> + “Yes, but one is too stupid; one does not know how to catch the men, or to + frighten them. One is simple, confiding, and they only laugh at us. Why, + Mother Arsene, I am myself an example that would make you shudder; but + ‘tis quite enough to have had one’s sorrows, without fretting one’s self + at the remembrance.” + </p> + <p> + “What, my beauty! you, so young and gay, have had sorrows?” + </p> + <p> + “Ah, Mother Arsene! I believe you. At fifteen and a half I began to cry, + and never left off till I was sixteen. That was enough, I think.” + </p> + <p> + “They deceived you, mademoiselle?” + </p> + <p> + “They did worse. They treated me as they have treated many a poor girl, + who had no more wish to go wrong than I had. My story is not a three + volume one. My father and mother are peasants near Saint-Valery, but so + poor—so poor, that having five children to provide for, they were + obliged to send me, at eight years old, to my aunt, who was a charwoman + here in Paris. The good woman took me out of charity, and very kind it was + of her, for I earned but little. At eleven years of age she sent me to + work in one of the factories of the Faubourg Saint-Antoine. I don’t wish + to speak, ill of the masters of these factories; but what do they care, if + little boys and girls are mixed up pell-mell with young men and women of + eighteen to twenty? Now you see, there, as everywhere, some are no better + than they should be; they are not particular in word or deed, and I ask + you, what art example for the children, who hear and see more than you + think for. Then, what happens? They get accustomed as they grow older, to + hear and see things, that afterwards will not shock them at all.” + </p> + <p> + “What you say there is true, Rose-Pompon. Poor children! who takes any + trouble about them?—not their father or mother, for they are at + their daily work.” + </p> + <p> + “Yes, yes, Mother Arsene, it is all very well; it is easy to cry down a + young girl that has gone wrong; but if they knew all the ins and outs, + they would perhaps pity rather than blame her. To come back to myself—at + fifteen years old I was tolerably pretty. One day I had something to ask + of the head clerk. I went to him in his private room. He told me he would + grant what I wanted, and even take me under his patronage, if I would + listen to him; and he began by trying to kiss me. I resisted. Then he said + to me:—‘You refuse my offer? You shall have no more work; I + discharge you from the factory.’” + </p> + <p> + “Oh, the wicked man!” said Mother Arsene. + </p> + <p> + “I went home all in tears, and my poor aunt encouraged me not to yield, + and she would try to place me elsewhere. Yes—but it was impossible; + the factories were all full. Misfortunes never come single; my aunt fell + ill, and there was not a sou in the house; I plucked up my courage, and + returned to entreat the mercy of the clerk at the factory. Nothing would + do. ‘So much the worse,’ said he; ‘you are throwing away your luck. If you + had been more complying, I should perhaps have married you.’ What could I + do, Mother Arsene?—misery was staring me in the face; I had no work; + my aunt was ill; the clerk said he would marry me—I did like so many + others.” + </p> + <p> + “And when, afterwards, you spoke to him about marriage?” + </p> + <p> + “Of course he laughed at me, and in six months left me. Then I wept all + the tears in my body, till none remained—then I was very ill—and + then—I console myself, as one may console one’s self for anything. + After some changes, I met with Philemon. It is upon him that I revenge + myself for what others have done to me. I am his tyrant,” added + Rose-Pompon, with a tragic air, as the cloud passed away which had + darkened her pretty face during her recital to Mother Arsene. + </p> + <p> + “It is true,” said the latter thoughtfully. “They deceive a poor girl—who + is there to protect or defend her? Oh! the evil we do does not always come + from ourselves, and then—” + </p> + <p> + “I spy Ninny Moulin!” cried Rose-Pompon, interrupting the greengrocer, and + pointing to the other side of the street. “How early abroad! What can he + want with me?” and Rose wrapped herself still more closely and modestly in + her cloak. + </p> + <p> + It was indeed Jacques Dumoulin, who advanced with his hat stuck on one + side, with rubicund nose and sparkling eye, dressed in a loose coat, which + displayed the rotundity of his abdomen. His hands, one of which held a + huge cane shouldered like a musket, were plunged into the vast pockets of + his outer garment. + </p> + <p> + Just as he reached the threshold of the door, no doubt with the intention + of speaking to the portress, he perceived Rose-Pompon. “What!” he + exclaimed, “my pupil already stirring? That is fortunate. I came on + purpose to bless her at the rise of morn!” + </p> + <p> + So saying, Ninny Moulin advanced with open arms towards Rose-Pompon who + drew back a step. + </p> + <p> + “What, ungrateful child!” resumed the writer on divinity. “Will you refuse + me the morning’s paternal kiss?” + </p> + <p> + “I accept paternal kisses from none but Philemon. I had a letter from him + yesterday, with a jar of preserves, two geese, a bottle of home-made + brandy, and an eel. What ridiculous presents! I kept the drink, and + changed the rest for two darling live pigeons, which I have installed in + Philemon’s cabinet, and a very pretty dove-cote it makes me. For the rest, + my husband is coming back with seven hundred francs, which he got from his + respectable family, under pretence of learning the bass viol, the + cornet-a-piston, and the speaking trumpet, so as to make his way in + society, and a slap-up marriage—to use your expression—my good + child.” + </p> + <p> + “Well, my dear pupil, we will taste the family brandy, and enjoy ourselves + in expectation of Philemon and his seven hundred francs.” + </p> + <p> + So saying, Ninny Moulin slapped the pockets of his waistcoat, which gave + forth a metallic sound, and added: “I come to propose to you to embellish + my life, to-day and to-morrow, and even the day after, if your heart is + willing.” + </p> + <p> + “If the announcements are decent and fraternal, my heart does not say no.” + </p> + <p> + “Be satisfied; I will act by you as your grandfather, your great + grandfather, your family portrait. We will have a ride, a dinner, the + play, a fancy dress ball, and a supper afterwards. Will that suit you?” + </p> + <p> + “On condition that poor Cephyse is to go with us. It will raise her + spirits.” + </p> + <p> + “Well, Cephyse shall be of the party.” + </p> + <p> + “Have you come into a fortune, great apostle?” + </p> + <p> + “Better than that, most rosy and pompous of all Rose-Pom, pons! I am head + editor of a religious journal; and as I must make some appearance in so + respectable a concern, I ask every month for four weeks in advance, and + three days of liberty. On this condition, I consent to play the saint for + twenty-seven days out of thirty, and to be always as grave and heavy as + the paper itself.” + </p> + <p> + “A journal! that will be something droll, and dance forbidden steps all + alone on the tables of the cafes.” + </p> + <p> + “Yes, it will be droll enough; but not for everybody. They are rich + sacristans, who pay the expenses. They don’t look to money, provided the + journal bites, tears, burns, pounds, exterminates and destroys. On my word + of honor, I shall never have been in such a fury!” added Ninny Moulin, + with a loud, hoarse laugh. “I shall wash the wounds of my adversaries with + venom of the finest vintage, and gall of the first quality.” + </p> + <p> + For his peroration, Ninny Moulin imitated the pop of uncorking a bottle of + champagne—which made Rose-Pompon laugh heartily. + </p> + <p> + “And what,” resumed she, “will be the name of your journal of sacristans?” + </p> + <p> + “It will be called ‘Neighborly Love.’” + </p> + <p> + “Come! that is a very pretty name.” + </p> + <p> + “Wait a little! there is a second title.” + </p> + <p> + “Let us hear it.” + </p> + <p> + “‘Neighborly Love; or, the Exterminator of the Incredulous, the + Indifferent, the Lukewarm, and Others,’ with this motto from the great + Bossuet: ‘Those who are not for us are against us.’” + </p> + <p> + “That is what Philemon says in the battles at the Chaumiere, when he + shakes his cane.” + </p> + <p> + “Which proves, that the genius of the Eagle of Meaux is universal. I only + reproach him for having been jealous of Moliere.” + </p> + <p> + “Bah! actor’s jealousy,” said Rose-Pompon. + </p> + <p> + “Naughty girl!” cried Ninny Moulin, threatening her with his finger. + </p> + <p> + “But if you are going to exterminate Madame de la Sainte-Colombo, who is + somewhat lukewarm—how about your marriage?” + </p> + <p> + “My journal will advance it, on the contrary. Only think! editor-In chief + is a superb position; the sacristans will praise, and push, and support, + and bless me; I shall get La-Sainte-Colombe—and then, what a life + I’ll lead!” + </p> + <p> + At this moment, a postman entered the shop, and delivered a letter to the + greengrocer, saying: “For M. Charlemagne, post-paid!” + </p> + <p> + “My!” said Rose-Pompon; “it is for the little mysterious old man, who has + such extraordinary ways. Does it come from far?” + </p> + <p> + “I believe you; it comes from Italy, from Rome,” said Ninny Moulin, + looking in his turn at the letter, which the greengrocer held in her hand. + “Who is the astonishing little old man of whom you speak?” + </p> + <p> + “Just imagine to yourself, my great apostle,” said Rose-Pompon, “a little + old man, who has two rooms at the bottom of that court. He never sleeps + there, but comes from time to time, and shuts himself up for hours, + without ever allowing any one to enter his lodging, and without any one + knowing what he does there.” + </p> + <p> + “He is a conspirator,” said Ninny Moulin, laughing, “or else a comer.” + </p> + <p> + “Poor dear man,” said Mother Arsene, “what has he done with his false + money? He pays me always in sous for the bit of bread and the radish I + furnish him for his breakfast.” + </p> + <p> + “And what is the name of this mysterious chap?” asked Dumoulin. + </p> + <p> + “M. Charlemagne,” said the greengrocer. “But look, surely one speaks of + the devil, one is sure to see his horns.” + </p> + <p> + “Where’s the horns?” + </p> + <p> + “There, by the side of the house—that little old man, who walks with + his neck awry, and his umbrella under his arm.” + </p> + <p> + “M. Rodin!” ejaculated Ninny Moulin, retreating hastily, and descending + three steps into the shop, in order not to be seen. Then he added. “You + say, that this gentleman calls himself—” + </p> + <p> + “M. Charlemagne—do you know him?” asked the greengrocer. + </p> + <p> + “What the devil does he do here, under a false name?” said Jacques + Dumoulin to himself. + </p> + <p> + “You know him?” said Rose-Pompon, with impatience. “You are quite + confused.” + </p> + <p> + “And this gentleman has two rooms in this house, and comes here + mysteriously,” said Jacques Dumoulin, more and more surprised. + </p> + <p> + “Yes,” resumed Rose-Pompon; “you can see his windows from Philemon’s + dove-cote.” + </p> + <p> + “Quick! quick! let me go into the passage, that I may not meet him,” said + Dumoulin. + </p> + <p> + And, without having been perceived by Rodin, he glided from the shop into + the passage, and thence mounted to the stairs, which led to the apartment + occupied by Rose-Pompon. + </p> + <p> + “Good-morning, M. Charlemagne,” said Mother Arsene to Rodin, who made his + appearance on the threshold. “You come twice in a day; that is right, for + your visits are extremely rare.” + </p> + <p> + “You are too polite, my good lady,” said Rodin, with a very courteous bow; + and he entered the shop of the greengrocer. + </p> + <p> + (21) There are, really, ordinances, full of a touching interest for the + canine race, which forbid the harnessing of dogs. + </p> + <p> + <a name="link2HCH0082" id="link2HCH0082"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXIX. THE DEN. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">R</span>odin’s countenance, when he entered Mother Arsene’s shop, was expressive + of the most simple candor. He leaned his hands on the knob of his + umbrella, and said: “I much regret, my good lady, that I roused you so + early this morning.” + </p> + <p> + “You do not come often enough, my dear sir, for me to find fault with + you.” + </p> + <p> + “How can I help it, my good lady? I live in the country, and only come + hither from time to time to settle my little affairs.” + </p> + <p> + “Talking of that sir, the letter you expected yesterday has arrived this + morning. It is large, and comes from far. Here it is,” said the + greengrocer, drawing it from her pocket; “it cost nothing for postage.” + </p> + <p> + “Thank you, my dear lady,” said Rodin, taking the letter with apparent + indifference, and putting it into the side-pocket of his great-coat, which + he carefully buttoned over. + </p> + <p> + “Are you going up to your rooms, sir?” + </p> + <p> + “Yes, my good, lady.” + </p> + <p> + “Then I will get ready your little provisions,” said Mother Arsene; “as + usual, I suppose, my dear sir?” + </p> + <p> + “Just as usual.” + </p> + <p> + “It shall be ready in the twinkling of an eye, sir.” + </p> + <p> + So saying, the greengrocer took down an old basket; after throwing into it + three or four pieces of turf, a little bundle of wood, and some charcoal, + she covered all this fuel with a cabbage leaf; then, going to the further + end of the shop, she took from a chest a large round loaf, cut off a + slice, and selecting a magnificent radish with the eye of a connoisseur, + divided it in two, made a hole in it, which she filled with gray salt + joined the two pieces together again, and placed it carefully by the side + of the bread, on the cabbage leaf which separated the eatables from the + combustibles. Finally, taking some embers from the stove, she put them + into a little earthen pot, containing ashes, which she placed also in the + basket. + </p> + <p> + Then, reascending to her top step, Mother Arsene said to Rodin: “Here is + your basket, sir.” + </p> + <p> + “A thousand thanks, my good lady,” answered Rodin, and plunging his hand + into the pocket of his trousers, he drew forth eight sous, which he + counted out only one by one to the greengrocer, and said to her, as he + carried off his store: “Presently, when I come down again, I will return + your basket as usual.” + </p> + <p> + “Quite at your service, my dear sir, quite at your service,” said Mother + Arsene. + </p> + <p> + Rodin tucked his umbrella under his left arm, took up the greengrocer’s + basket with his right hand, entered the dark passage, crossed the little + court and mounted with light step to the second story of a dilapidated + building; there, drawing a key from his pocket, he opened a door, which he + locked carefully after him. The first of the two rooms which he occupied + was completely unfurnished, as for the second, it is impossible to imagine + a more gloomy and miserable den. Papering so much worn, torn and faded, + that no one could recognize its primitive color, bedecked the walls. A + wretched flock-bed, covered with a moth-fretted blanket; a stool, and a + little table of worm-eaten wood; an earthenware stove, as cracked as old + china; a trunk with a padlock, placed under the bed—such was the + furniture of this desolate hole. A narrow window, with dirty panes, hardly + gave any light to this room, which was almost deprived of air by the + height of the building in front; two old cotton pocket handkerchiefs, + fastened together with pins, and made to slide upon a string stretched + across the window, served for curtains. The plaster of the roof, coming + through the broken and disjointed tiles, showed the extreme neglect of the + inhabitant of this abode. After locking his door, Rodin threw his hat and + umbrella on the bed, placed his basket on the ground, set the radish and + bread on the table, and kneeling down before his stove, stuffed it with + fuel, and lighted it by blowing with vigorous lungs on the embers + contained in his earthen pot. + </p> + <p> + When, to use the consecrated expression, the stove began to draw, Rodin + spread out the handkerchiefs, which served him for curtains; then, + thinking himself quite safe from every eye, he took from the side-pocket + of his great-coat the letter that Mother Arsene had given him. In doing + so, he brought out several papers and different articles; one of these + papers, folded into a thick and rumpled packet, fell upon the table, and + flew open. It contained a silver cross of the Legion of Honor, black with + time. The red ribbon of this cross had almost entirely lost its original + color. At sight of this cross, which he replaced in his pocket with the + medal of which Faringhea had despoiled Djalma, Rodin shrugged his + shoulders with a contemptuous and sardonic air; then, producing his large + silver watch, he laid it on the table by the side of the letter from Rome. + He looked at this letter with a singular mixture of suspicion and hope, of + fear, and impatient curiosity. After a moment’s reflection, he prepared to + unseal the envelope; but suddenly he threw it down again upon the table, + as if, by a strange caprice, he had wished to prolong for a few minutes + that agony of uncertainty, as poignant and irritating as the emotion of + the gambler. + </p> +<div class="fig"> + <img src="images/20287m.jpg" alt="20287m" /><br /> + </div> + <h5> + <a href="images/20287.jpg"><i>Original</i></a> + </h5> + <p> + Looking at his watch, Rodin resolved not to open the letter, until the + hand should mark half-past nine, of which it still wanted seven minutes. + In one of those whims of puerile fatalism, from which great minds have not + been exempt, Rodin said to himself: “I burn with impatience to open this + letter. If I do not open it till half-past nine, the news will be + favorable.” To employ these minutes, Rodin took several turns up and down + the room, and stood in admiring contemplation before two old prints, + stained with damp and age, and fastened to the wall by rusty nails. The + first of these works of art—the only ornaments with which Rodin had + decorated this hole—was one of those coarse pictures, illuminated + with red, yellow, green, and blue, such as are sold at fairs; an Italian + inscription announced that this print had been manufactured at Rome. It + represented a woman covered with rags, bearing a wallet, and having a + little child upon her knees; a horrible hag of a fortune-teller held in + her hands the hand of the little child, and seemed to read there his + future fate, for these words in large blue letters issued from her mouth: + “Sara Papa” (he shall be Pope). + </p> + <p> + The second of these works of art, which appeared to inspire Rodin with + deep meditations, was an excellent etching, whose careful finish and bold, + correct drawing, contrasted singularly with the coarse coloring of the + other picture. This rare and splendid engraving, which had cost Rodin six + louis (an enormous expense for him), represented a young boy dressed in + rags. The ugliness of his features was compensated by the intellectual + expression of his strongly marked countenance. Seated on a stone, + surrounded by a herd of swine, that he seemed employed in keeping, he was + seen in front, with his elbow resting on his knee, and his chin in the + palm of his hand. The pensive and reflective attitude of this young man, + dressed as a beggar, the power expressed in his large forehead, the + acuteness of his penetrating glance, and the firm lines of the mouth, + seemed to reveal indomitable resolution, combined with superior + intelligence and ready craft. Beneath this figure, the emblems of the + papacy encircled a medallion, in the centre of which was the head of an + old man, the lines of which, strongly marked, recalled in a striking + manner, notwithstanding their look of advanced age, the features of the + young swineherd. This engraving was entitled THE YOUTH of SIXTUS V.; the + color print was entitled The Prediction.(22) + </p> + <p> + In contemplating these prints more and more nearly, with ardent and + inquiring eye, as though he had asked for hopes or inspirations from them, + Rodin had come so close that, still standing, with his right arm bent + behind his head, he rested, as it were, against the wall, whilst, hiding + his left hand in the pocket of his black trousers, he thus held back one + of the flaps of his olive great-coat. For some minutes, he remained in + this meditative attitude. + </p> + <p> + Rodin, as we have said, came seldom to this lodging; according to the + rules of his Order, he had till now lived with Father d’Aigrigny, whom he + was specially charged to watch. No member of the Society, particularly in + the subaltern position which Rodin had hitherto held, could either shut + himself in, or possess an article of furniture made to lock. By this means + nothing interferes with the mutual spy-system, incessantly carried on, + which forms one of the most powerful resources of the Company of Jesus. It + was on account of certain combinations, purely personal to himself, though + connected on some points with the interests of the Order, that Rodin, + unknown to all, had taken these rooms in the Rue Clovis. And it was from + the depths of this obscure den that the socius corresponded directly with + the most eminent and influential personages of the sacred college. On one + occasion, when Rodin wrote to Rome, that Father d’Aigrigny, having + received orders to quit France without seeing his dying mother, had + hesitated to set out, the socius had added, in form of postscriptum, at + the bottom of the letter denouncing to the General of the Order the + hesitation of Father d’Aigrigny: + </p> + <p> + “Tell the Prince Cardinal that he may rely upon me, but I hope for his + active aid in return.” + </p> + <p> + This familiar manner of corresponding with the most powerful dignitary of + the Order, the almost patronizing tone of the recommendation that Rodin + addressed to the Prince Cardinal, proved that the socius, notwithstanding + his apparently subaltern position, was looked upon, at that epoch, as a + very important personage, by many of the Princes of the Church, who wrote + to him at Paris under a false name, making use of a cipher and other + customary precautions. After some moments passed in contemplation, before + the portrait of Sixtus V., Rodin returned slowly to the table, on which + lay the letter, which, by a sort of superstitious delay, he had deferred + opening, notwithstanding his extreme curiosity. As it still wanted some + minutes of half-past nine, Rodin, in order not to lose time, set about + making preparations for his frugal breakfast. He placed on the table, by + the side of an inkstand, furnished with pens, the slice of bread and the + radish; then seating himself on his stool, with the stove, as it were, + between his legs, he drew a horn-handled knife from his pocket, and + cutting alternately a morsel of bread and a morsel of radish, with a + sharp, well-worn blade, he began his temperate repast with a vigorous + appetite, keeping his eye fixed on the hand of his watch. When it reached + the momentous hour, he unsealed the envelope with a trembling hand. + </p> + <p> + It contained two letters. The first appeared to give him little + satisfaction; for, after some minutes, he shrugged his shoulders, struck + the table impatiently with the handle of his knife, disdainfully pushed + aside the letter with the back of his dirty hand, and perused the second + epistle, holding his bread in one hand, and with the other mechanically + dipping a slice of radish into the gray salt spilt on a corner of the + table. Suddenly, Rodin’s hand remained motionless. As he progressed in his + reading, he appeared more and more interested, surprised, and struck. + Rising abruptly, he ran to the window, as if to assure himself, by a + second examination of the cipher, that he was not deceived. The news + announced to him in the letter seemed to be unexpected. No doubt, Rodin + found that he had deciphered correctly, for, letting fall his arms, not in + dejection, but with the stupor of a satisfaction as unforeseen as + extraordinary, he remained for some time with his head down, and his eyes + fixed—the only mark of joy that he gave being manifested by a loud, + frequent, and prolonged respiration. Men who are as audacious in their + ambition, as they are patient and obstinate in their mining and + countermining, are surprised at their own success, when this latter + precedes and surpasses their wise and prudent expectations. Rodin was now + in this case. Thanks to prodigies of craft, address, and dissimulation, + thanks to mighty promises of corruption, thanks to the singular mixture of + admiration, fear, and confidence, with which his genius inspired many + influential persons, Rodin now learned from members of the pontifical + government, that, in case of a possible and probable occurrence, he might, + within a given time, aspire, with a good chance of success, to a position + which has too often excited the fear, the hate, or the envy of many + sovereigns, and which has in turn, been occupied by great, good men, by + abominable scoundrels, and by persons risen from the lowest grades of + society. But for Rodin to attain this end with certainty, it was + absolutely necessary for him to succeed in that project, which he had + undertaken to accomplish without violence, and only by the play and the + rebound of passions skillfully managed. The project was: To secure for the + Society of Jesus the fortune of the Rennepont family. + </p> + <p> + This possession would thus have a double and immense result; for Rodin, + acting in accordance with his personal views, intended to make of his + Order (whose chief was at his discretion) a stepping-stone and a means of + intimidation. When his first impression of surprise had passed away—an + impression that was only a sort of modesty of ambition and self + diffidence, not uncommon with men of really superior powers—Rodin + looked more coldly and logically on the matter, and almost reproached + himself for his surprise. But soon after, by a singular contradiction, + yielding to one of those puerile and absurd ideas, by which men are often + carried away when they think themselves alone and unobserved, Rodin rose + abruptly, took the letter which had caused him such glad surprise, and + went to display it, as it were, before the eyes of the young swineherd in + the picture: then, shaking his head proudly and triumphantly, casting his + reptile-glance on the portrait, he muttered between his teeth, as he + placed his dirty finger on the pontifical emblem: “Eh, brother? and I also—perhaps!” + </p> + <p> + After this ridiculous interpolation, Rodin returned to his seat, and, as + if the happy news he had just received had increased his appetite, he + placed the letter before him, to read it once more, whilst he exercised + his teeth, with a sort of joyous fury, on his hard bread and radish, + chanting an old Litany. + </p> + <p> + There was something strange, great, and, above all, frightful, in the + contrast afforded by this immense ambition, already almost justified by + events, and contained, as it were, in so miserable an abode. Father + d’Aigrigny (who, if not a very superior man, had at least some real value, + was a person of high birth, very haughty, and placed in the best society) + would never have ventured to aspire to what Rodin thus looked to from the + first. The only aim of Father d’Aigrigny, and even this he thought + presumptuous, was to be one day elected General of his Order—that + Order which embraced the world. The difference of the ambitious aptitudes + of these two personages is conceivable. When a man of eminent abilities, + of a healthy and vivacious nature, concentrates all the strength of his + mind and body upon a single point, remaining, like Rodin, obstinately + chaste and frugal, and renouncing every gratification of the heart and the + senses—the man, who revolts against the sacred designs of his + Creator, does so almost always in favor of some monstrous and devouring + passion—some infernal divinity, which, by a sacrilegious pact, asks + of him, in return for the bestowal of formidable power, the destruction of + every noble sentiment, and of all those ineffable attractions and tender + instincts with which the Maker, in His eternal wisdom and inexhaustible + munificence, has so paternally endowed His creatures. + </p> + <p> + During the scene that we have just described, Rodin had not perceived that + the curtain of a window on the third story of the building opposite had + been partially drawn aside, and had half-revealed the sprightly face of + Rose-Pompon, and the Silenus-like countenance of Ninny Moulin. It ensued + that Rodin, notwithstanding his barricade of cotton handkerchiefs, had not + been completely sheltered from the indiscreet and curious examination of + the two dancers of the Storm-blown Tulip. + </p> + <p> + (22) According to the tradition, it was predicted to the mother of Sixtus + V., that he would be pope; and, in his youth, he is said to have kept + swine. + </p> + <p> + <a name="link2HCH0083" id="link2HCH0083"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXX. AN UNEXPECTED VISIT. + </h2> +<div class="fig"> + <img src="images/20295m.jpg" alt="20295m" /><br /> + </div> + <h5> + <a href="images/20295.jpg"><i>Original</i></a> + </h5> + <p> + Though Rodin had experienced much surprise on reading the second letter + from Rome, he did not choose that his answer should betray any such + amazement. Having finished his frugal breakfast, he took a sheet of paper, + and rapidly wrote in cipher the following note, in the short, abrupt style + that was natural to him when not obliged to restrain himself: + </p> + <p> + “The information does not surprise me. I had foreseen it all. Indecision + and cowardice always bear such fruit. This is not enough. Heretical Russia + murders Catholic Poland. Rome blesses the murderers, and curses the + victims.(23) + </p> + <p> + “Let it pass. + </p> + <p> + “In return, Russia guarantees to Rome, by Austria, the bloody suppression + of the patriots of Romagna. + </p> + <p> + “That, too, is well. + </p> + <p> + “The cut-throat band of good Cardinal Albani is not sufficient for the + massacre of the impious liberals. They are weary of the task. + </p> + <p> + “Not so well. They must go on.” + </p> + <p> + When Rodin had written these last words, his attention was suddenly + attracted by the clear and sonorous voice of Rose-Pompon, who, knowing her + Beranger by heart, had opened Philemon’s window, and, seated on the sill, + sang with much grace and prettiness this verse of the immortal + song-writer: + </p> +<pre xml:space="preserve"> + “How wrong you are! Is’t you dare say + That heaven ever scowls on earth? + The earth that laughs up to its blue, + The earth that owes it joy and birth? + Oh, may the wine from vines it warms, + May holy love thence fluttering down, + Lend my philosophy their charms, + To drive away care’s direful frown! + So, firm let’s stand, + Full glass in hand, + And all evoke + The God of honest folk!” + </pre> + <p> + This song, in its divine gentleness, contrasted so strangely with the cold + cruelty of the few lines written by Rodin, that he started and bit his + lips with rage, as he recognized the words of the great poet, truly + Christian, who had dealt such rude blows to the false Church. Rodin waited + for some moments with angry impatience, thinking the voice would continue; + but Rose-Pompon was silent, or only continued to hum, and soon changed to + another air, that of the Good Pope, which she entoned, but without words. + Rodin, not venturing to look out of his window to see who was this + troublesome warbler, shrugged his shoulders, resumed his pen, and + continued: + </p> + <p> + “To it again. We must exasperate the independent spirits in all countries—excite + philosophic rage all over Europe make liberalism foam at the mouth—raise + all that is wild and noisy against Rome. To effect this, we must proclaim + in the face of the world these three propositions. 1. It is abominable to + assert that a man may be saved in any faith whatever, provided his morals + be pure. 2. It is odious and absurd to grant liberty of conscience to the + people. 3. The liberty of the press cannot be held in too much horror.24 + </p> + <p> + “We must bring the Pap-fed man to declare these propositions in every + respect orthodox—show him their good effect upon despotic + governments—upon true Catholics, the muzzlers of the people. He will + fall into the snare. The propositions once published, the storm will burst + forth. A general rising against Rome—a wide schism—the sacred + college divided into three parties. One approves—the other blames—the + third trembles. The Sick Man, still more frightened than he is now at + having allowed the destruction of Poland, will shrink from the clamors, + reproaches, threats, and violent ruptures that he has occasioned. + </p> + <p> + “That is well—and goes far. + </p> + <p> + “Then, set the Pope to shaking the conscience of the Sick Man, to disturb + his mind, and terrify his soul. + </p> + <p> + “To sum up. Make everything bitter to him—divide his council—isolate + him—frighten him—redouble the ferocious ardor of good Albini—revive + the appetite of the Sanfedists(25)—give them a gulf of liberals—let + there be pillage, rape, massacre, as at Cesena—a downright river of + Carbonaro blood—the Sick Man will have a surfeit of it. So many + butcheries in his name—he will shrink, be sure he will shrink—every + day will have its remorse, every night its terror, every minute its + anguish; and the abdication he already threatens will come at last—perhaps + too soon. That is now the only danger; you must provide against it. + </p> + <p> + “In case of an abdication, the grand penitentiary has understood me. + Instead of confiding to a general the direction of our Order, the best + militia of the Holy See, I should command it myself. Thenceforward this + militia would give me no uneasiness. For instance: the Janissaries and the + Praetorian Guards were always fatal to authority—why?—because + they were able to organize themselves as defenders of the government, + independently of the government; hence their power of intimidation. + </p> + <p> + “Clement XIV. was a fool. To brand and abolish our Company was an absurd + fault. To protect and make it harmless, by declaring himself the General + of the Order, is what he should have done. The Company, then at his mercy, + would have consented to anything. He would have absorbed us, made us + vassals of the Holy See, and would no longer have had to fear our + services. Clement XIV. died of the cholic. Let him heed who hears. In a + similar case, I should not die the same death.” + </p> + <p> + Just then, the clear and liquid voice of Rose-Pompon was again heard. + Rodin bounded with rage upon his seat; but soon, as he listened to the + following verse, new to him (for, unlike Philemon’s widow, he had not his + Beranger at his fingers’ ends), the Jesuit, accessible to certain odd, + superstitious notions, was confused and almost frightened at so singular a + coincidence. It is Beranger’s Good Pope who speaks— + </p> +<pre xml:space="preserve"> + “What are monarchs? sheepish sots! + Or they’re robbers, puffed with pride, + Wearing badges of crime blots, + Till their certain graves gape wide. + If they’ll pour out coin for me, + I’ll absolve them—skin and bone! + If they haggle—they shall see, + My nieces dancing on their throne! + So laugh away! + Leap, my fay! + Only watch one hurt the thunder + First of all by Zeus under, + I’m the Pope, the whole world’s wonder!” + </pre> + <p> + Rodin, half-risen from his chair, with outstretched neck and attentive + eye, was still listening, when Rose-Pompon, flitting like a bee from + flower to flower of her repertoire, had already begun the delightful air + of Colibri. Hearing no more, the Jesuit reseated himself, in a sort of + stupor; but, after some minutes’ reflection, his countenance again + brightened up, and he seemed to see a lucky omen in this singular + incident. He resumed his pen, and the first words he wrote partook, as it + were, of this strange confidence in fate. + </p> + <p> + “I have never had more hope of success than at this moment. Another reason + to neglect nothing. Every presentiment demands redoubled zeal. A new + thought occurred to me yesterday. + </p> + <p> + “We shall act here in concert. I have founded an ultra-Catholic paper + called Neighborly Love. From its ultramontane, tyrannical, liberticidal + fury, it will be thought the organ of Rome. I will confirm these reports. + They will cause new terrors. + </p> + <p> + “That will be well. + </p> + <p> + “I shall raise the question of the liberty of instruction. The raw + liberals will support us. Like fools, they admit us to equal rights; when + our privileges, our influence of the confessional, our obedience to Rome, + all place us beyond the circle of equal rights, by the advantages which we + enjoy. Double fools! they think us disarmed, because they have disarmed + themselves towards us. + </p> + <p> + “A burning question—irritating clamors—new cause of disgust + for the Weak Man. Every little makes a mickle. + </p> + <p> + “That also is very well. + </p> + <p> + “To sum up all in two words. The end is abdication—the means, + vexation, incessant torture. The Rennepont inheritance wilt pay for the + election. The price agreed, the merchandise will be sold.” + </p> + <p> + Rodin here paused abruptly, thinking he had heard some noise at that door + of his, which opened on the staircase; therefore he listened with + suspended breath; but all remaining silent, he thought he must have been + deceived, and took up his pen: + </p> + <p> + “I will take care of the Rennepont business—the hinge on which will + turn our temporal operations. We must begin from the foundation—substitute + the play of interests, and the springs of passion, for the stupid club law + of Father d’Aigrigny. He nearly compromised everything—and yet he + has good parts, knows the world, has powers of seduction, quick insight—but + plays ever in a single key, and is not great enough to make himself + little. In his stead, I shall know how to make use of him. There is good + stuff in the man. I availed myself in time of the full powers given by the + R. F. G.; I may inform Father d’Aigrigny, in case of need, of the secret + engagements taken by the General towards myself. Until now, I have let him + invent for this inheritance the destination that you know of. A good + thought, but unseasonable. The same end, by other means. + </p> + <p> + “The information was false. There are over two hundred millions. Should + the eventuality occur, what was doubtful must become certain. An immense + latitude is left us. The Rennepont business is now doubly mine, and within + three months, the two hundred millions will be ours, by the free will of + the heirs themselves. It must be so; for this failing, the temporal part + would escape me, and my chances be diminished by one half. I have asked + for full powers; time presses, and I act as if I had them. One piece of + information is indispensable for the success of my projects. I expect it + from you, and I must have it; do you understand me? The powerful influence + of your brother at the Court of Vienna will serve you in this. I wish to + have the most precise details as to the present position of the Duke de + Reichstadt—the Napoleon II. of the Imperialists. Is it possible, by + means of your brother, to open a secret correspondence with the prince, + unknown to his attendants? + </p> + <p> + “Look to this promptly. It is urgent. This note will be sent off to day. I + shall complete it to-morrow. It will reach you, as usual, by the hands of + the petty shopkeeper.” + </p> + <p> + At the moment when Rodin was sealing this letter within a double envelope, + he thought that he again heard a noise at the door. He listened. After + some silence, several knocks were distinctly audible. Rodin started. It + was the first time any one had knocked at his door, since nearly a + twelve-month that he occupied this room. Hastily placing the letter in his + great-coat pocket, the Jesuit opened the old trunk under his bed, took + from it a packet of papers wrapped in a tattered cotton handkerchief, + added to them the two letters in cipher he had just received, and + carefully relocked the trunk. The knocking continued without, and seemed + to show more and more impatience. Rodin took the greengrocer’s basket in + his hand, tucked his umbrella under his arm, and went with some uneasiness + to ascertain who was this unexpected visitor. He opened the door, and + found himself face to face with Rose-Pompon, the troublesome singer, and + who now, with a light and pretty courtesy, said to him in the most + guileless manner in the world, “M. Rodin, if you please?” + </p> + <p> + (23) On page 110 of Lamennais’ Affaires de Rome, will be seen the + following admirable scathing of Rome by the most truly evangelical spirit + of our age: “So long as the issue of the conflict between Poland and her + oppressors remained in the balances, the papal official organ contained + not one word to offend the so long victorious nation; but hardly had she + gone down under the Czar’s atrocious vengeance, and the long torture of a + whole land doomed to rack, and exile, and servitude began, than this same + journal found no language black enough to stain those whom fortune had + fled. Yet it is wrong to charge this unworthy insult to papal power; it + only cringes to the law which Russia lays down to it, when it says: + </p> + <p> + “‘If you want to keep your own bones unbroken, bide where you are, beside + the scaffold, and, as the victims pass, hoot at them!’” + </p> + <p> + (24) See Pope Gregory XVI.‘s Encyclical Letter to the Bishops in France, + 1832. + </p> + <p> + (25) Hardly had the Sixteenth Gregory ascended the pontifical throne, than + news came of the rising in Bologna. His first idea was to call the + Austrians, and incite the Sanfedist volunteer bands of fanatics. Cardinal + Albini defeated the liberals at Cesena, where his followers pillaged + churches, sacked the town, and ill-treated women. At Forli, cold-blooded + murders were committed. In 1832 the Sanfedists (Holy Faithites) openly + paraded their medals, bearing the heads of the Duke of Modena and the + Pope; letters issued by the apostolic confederation; privileges and + indulgences. They took the following oath: “I. A. B., vow to rear the + throne and altar over the bones of infamous freedom shriekers, and + exterminate these latter without pity for children’s cries and women’s + tears.” The disorders perpetrated by these marauders went beyond all + bounds; the Romish Court regularized anarchy and organized the Sanfedists + into volunteer corps, to which fresh privileges were granted. (Revue deux + Mondes, Nov. 15th, 1844.—“La Revolution en Italie.”) + </p> + <p> + <a name="link2HCH0084" id="link2HCH0084"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXXI. FRIENDLY SERVICES. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">N</span>otwithstanding his surprise and uneasiness, Rodin did not frown. He began + by locking his door after him, as he noticed the young girl’s inquisitive + glance. Then he said to her good-naturedly, “Who do you want, my dear?” + </p> + <p> + “M. Rodin,” repeated Rose-Pompon, stoutly, opening her bright blue eyes to + their full extent, and looking Rodin full in the face. + </p> + <p> + “It’s not here,” said he, moving towards the stairs. “I do not know him. + Inquire above or below.” + </p> + <p> + “No, you don’t! giving yourself airs at your age!” said Rose-Pompon, + shrugging her shoulders. “As if we did not know that you are M. Rodin.” + </p> + <p> + “Charlemagne,” said the socius, bowing; “Charlemagne, to serve you—if + I am able.” + </p> + <p> + “You are not able,” answered Rose-Pompon, majestically; then she added + with a mocking air, “So, we have our little pussy-cat hiding-places; we + change our name; we are afraid Mamma Rodin will find us out.” + </p> + <p> + “Come, my dear child,” said the socius, with a paternal smile; “you have + come to the right quarter. I am an old man, but I love youth—happy, + joyous youth! Amuse yourself, pray, at my expense. Only let me pass, for I + am in a hurry.” And Rodin again advanced towards the stairs. + </p> + <p> + “M. Rodin,” said Rose-Pompon, in a solemn voice, “I have very important + things to say to you, and advice to ask about a love affair.” + </p> + <p> + “Why, little madcap that you are! have you nobody to tease in your own + house, that you must come here?” + </p> + <p> + “I lodge in this house, M. Rodin,” answered Rose-Pompon, laying a + malicious stress on the name of her victim. + </p> + <p> + “You? Oh, dear, only to think I did not know I had such a pretty + neighbor.” + </p> + <p> + “Yes, I have lodged here six months, M. Rodin.” + </p> + <p> + “Really! where?” + </p> + <p> + “On the third story, front, M. Rodin.” + </p> + <p> + “It was you, then, that sang so well just now?” + </p> + <p> + “Rather.” + </p> + <p> + “You gave me great pleasure, I must say.” + </p> + <p> + “You are very polite, M. Rodin.” + </p> + <p> + “You lodge, I suppose, with your respectable family?” + </p> + <p> + “I believe you, M. Rodin,” said Rose-Pompon, casting down her eyes with a + timid air. “I lodge with Grandpapa Philemon, and Grandmamma Bacchanal—who + is a queen and no mistake.” + </p> + <p> + Rodin had hitherto been seriously uneasy, not knowing in what manner Rose + had discovered his real name. But on hearing her mention the Bacchanal + queen, with the information that she lodged in the house, he found + something to compensate for the disagreeable incident of Rose-Pompon’s + appearance. It was, indeed, important to Rodin to find out the Bacchanal + Queen, the mistress of Sleepinbuff, and the sister of Mother Bunch, who + had been noted as dangerous since her interview with the superior of the + convent, and the part she had taken in the projected escape of Mdlle. de + Cardoville. Moreover, Rodin hoped—thanks to what he had just heard—to + bring Rose-Pompon to confess to him the name of the person from whom she + had learned that “Charlemagne” masked “Rodin.” + </p> + <p> + Hardly had the young girl pronounced the name of the Bacchanal queen, than + Rodin clasped his hands, and appeared as much surprised as interested. + </p> + <p> + “Oh, my dear child,” he exclaimed, “I conjure you not to jest on this + subject. Are you speaking of a young girl who bears that nickname, the + sister of a deformed needlewoman.” + </p> + <p> + “Yes, sir, the Bacchanal Queen is her nickname,” said Rose-Pompon, + astonished in her turn; “she is really Cephyse Soliveau, and she is my + friend.” + </p> + <p> + “Oh! she is your friend?” said Rodin, reflecting. + </p> + <p> + “Yes, sir, my bosom friend.” + </p> + <p> + “So you love her?” + </p> + <p> + “Like a sister. Poor girl! I do what I can for her, and that’s not much. + But how comes it that a respectable man of your age should know the + Bacchanal Queen?—Ah! that shows you have a false name!” + </p> + <p> + “My dear child, I am no longer inclined to laugh,” said Rodin, with so + sorrowful an air, that Rose-Pompon, reproaching herself with her + pleasantry, said to him: “But how comes it that you know Cephyse?” + </p> + <p> + “Alas! I do not know her—but a young fellow, that I like excessively—” + </p> + <p> + “Jacques Rennepont?” + </p> + <p> + “Otherwise called Sleepinbuff. He is now in prison for debt,” sighed + Rodin. “I saw him yesterday.” + </p> + <p> + “You saw him yesterday?—how strange!” said Rose-Pompon, clapping her + hands. “Quick! quick!—come over to Philemon’s, to give Cephyse news + of her lover. She is so uneasy about him.” + </p> + <p> + “My dear child, I should like to give her good news of that worthy fellow, + whom I like in spite of his follies, for who has not been guilty of + follies?” added Rodin, with indulgent good-nature. + </p> + <p> + “To be sure,” said Rose-Pompon, twisting about as if she still wore the + costume of a debardeur. + </p> + <p> + “I will say more,” added Rodin: “I love him because of his follies; for, + talk as we may, my dear child, there is always something good at bottom, a + good heart, or something, in those who spend generously their money for + other people.” + </p> + <p> + “Well, come! you are a very good sort of a man,” said Rose-Pompon, + enchanted with Rodin’s philosophy. “But why will you not come and see + Cephyse, and talk to her of Jacques?” + </p> + <p> + “Of what use would it be to tell her what she knows already—that + Jacques is in prison? What I should like, would be to get the worthy + fellow out of his scrape.” + </p> + <p> + “Oh, sir! only do that, only get Jacques out of prison,” cried Rose + Pompon, warmly, “and we will both give you a kiss—me and Cephyse!” + </p> + <p> + “It would be throwing kisses away, dear little madcap!” said Rodin, + smiling. “But be satisfied, I want no reward to induce me to do good when + I can.” + </p> + <p> + “Then you hope to get Jacques out of prison?” + </p> + <p> + Rodin shook his head, and answered with a grieved and disappointed air. “I + did hope it. Certainly, I did hope it; but now all is changed.” + </p> + <p> + “How’s that?” asked Rose-Pompon, with surprise. + </p> + <p> + “That foolish joke of calling me M. Rodin may appear very amusing to you, + my dear child. I understand it, you being only an echo. Some one has said + to you: ‘Go and tell M. Charlemagne that he is one M. Rodin. That will be + very funny.’” + </p> + <p> + “Certainly, I should never myself have thought of calling you M. Rodin. + One does not invent such names,” answered Rose-Pompon. + </p> + <p> + “Well! that person with his foolish jokes, has done, without knowing it, a + great injury to Jacques Rennepont.” + </p> + <p> + “What! because I called you Rodin instead of Charlemagne?” cried Rose + Pompon, much regretting the pleasantry which she had carried on at the + instigation of Ninny Moulin. “But really, sir,” she added, “what can this + joke have to do with the service that you were, about to render Jacques?” + </p> + <p> + “I am not at liberty to tell you, my child. In truth, I am very sorry for + poor Jacques. Believe me, I am; but do let me pass. + </p> + <p> + “Listen to me, sir, I beg,” said Rose-Pompon; “if I told you the name of + the person who told me to call you Rodin, would you interest yourself + again for Jacques?” + </p> + <p> + “I do not wish to know any one’s secrets, my dear child. In all this, you + have been the echo of persons who are, perhaps, very dangerous; and, + notwithstanding the interest I feel for Jacques Rennepont, I do not wish, + you understand, to make myself enemies. Heaven forbid!” + </p> + <p> + Rose-Pompon did not at all comprehend Rodin’s fears, and upon this he had + counted; for after a second’s reflection, the young girl resumed: “Well, + sir—this is too deep for me; I do not understand it. All I know is, + that I am truly sorry if I have injured a good young man by a mere joke. I + will tell you exactly how it happened. My frankness may be of some use.” + </p> + <p> + “Frankness will often clear up the most obscure matters,” said Rodin, + sententiously. + </p> + <p> + “After all,” said Rose-Pompon, “it’s Ninny’s fault. Why does he tell me + nonsense, that might injure poor Cephyse’s lover? You see, sir, it + happened in this way. Ninny Moulin who is fond of a joke, saw you just now + in the street. The portress told him that your name was Charlemagne. He + said to me: ‘No; his name is Rodin. We must play him a trick. Go to his + room, Rose-Pompon, knock at the door, and call him M. Rodin. You will see + what a rum face he will make.’ I promised Ninny Moulin not to name him; + but I do it, rather than run the risk of injuring Jacques.” + </p> + <p> + At Ninny Moulin’s name Rodin had not been able to repress a movement of + surprise. This pamphleteer, whom he had employed to edit the “Neighborly + Love,” was not personally formidable; but, being fond of talking in his + drink, he might become troublesome, particularly if Rodin, as was + probable, had often to visit this house, to execute his project upon + Sleepinbuff, through the medium of the Bacchanal Queen. The socius + resolved, therefore, to provide against this inconvenience. + </p> + <p> + “So, my dear child,” said he to Rose-Pompon, “it is a M. Desmoulins that + persuaded you to play off this silly joke?” + </p> + <p> + “Not Desmoulins, but Dumoulin,” corrected Rose. “He writes in the + pewholders’ papers, and defends the saints for money; for, if Ninny Moulin + is a saint, his patrons are Saint Drinkard and Saint Flashette, as he + himself declares.” + </p> + <p> + “This gentleman appears to be very gay.” + </p> + <p> + “Oh! a very good fellow.” + </p> + <p> + “But stop,” resumed Rodin, appearing to recollect himself; “ain’t he a man + about thirty-six or forty, fat, with a ruddy complexion?” + </p> +<div class="fig"> + <img src="images/20303m.jpg" alt="20303m" /><br /> + </div> + <h5> + <a href="images/20303.jpg"><i>Original</i></a> + </h5> + <p> + “Ruddy as a glass of red wine,” said Rose-Pompon, “and with a pimpled nose + like a mulberry.” + </p> + <p> + “That’s the man—M. Dumoulin. Oh! in that case, I am quite satisfied, + my dear child. The jest no longer makes me uneasy; for M. Dumoulin is a + very worthy man—only perhaps a little too fond of his joke.” + </p> + <p> + “Then, sir, you will try to be useful to Jacques? The stupid pleasantry of + Ninny Moulin will not prevent you?” + </p> + <p> + “I hope not.” + </p> + <p> + “But I must not tell Ninny Moulin that you know it was he who sent me to + call you M. Rodin—eh, sir?” + </p> + <p> + “Why not? In every case, my dear child, it is always better to speak + frankly the truth.” + </p> + <p> + “But, sir, Ninny Moulin so strongly recommended me not to name him to you—” + </p> + <p> + “If you have named him, it is from a very good motive; why not avow it? + However, my dear child, this concerns you, not me. Do as you think best.” + </p> + <p> + “And may I tell Cephyse of your good intentions towards Jacques?” + </p> + <p> + “The truth, my dear child, always the truth. One need never hesitate to + say what is.” + </p> + <p> + “Poor Cephyse! how happy she will be!” cried Rose-Pompon, cheerfully; “and + the news will come just in time.” + </p> + <p> + “Only you must not exaggerate; I do not promise positively to get this + good fellow out of prison; I say, that I will do what I can. But what I + promise positively is—for, since the imprisonment of poor Jacques, + your friend must be very much straitened—” + </p> + <p> + “Alas, sir!” + </p> + <p> + “What I promise positively is some little assistance which your friend + will receive to-day, to enable her to live honestly; and if she behaves + well—hereafter—why, hereafter, we shall see.” + </p> + <p> + “Oh, sir! you do not know how welcome will be your assistance to poor + Cephyse! One might fancy you were her actual good angel. Faith! you may + call yourself Rodin, or Charlemagne; all I know is, that you are a nice, + sweet—” + </p> + <p> + “Come, come, do not exaggerate,” said Rodin; “say a good sort of old + fellow; nothing more, my dear child. But see how things fall out, + sometimes! Who could have told me, when I heard you knock at my door—which, + I must say, vexed me a great deal—that it was a pretty little + neighbor of mine, who under the pretext of playing off a joke, was to put + me in the way of doing a good action? Go and comfort your friend; this + evening she will receive some assistance; and let us have hope and + confidence. Thanks be, there are still some good people in the world!” + </p> + <p> + “Oh, sir! you prove it yourself.” + </p> + <p> + “Not at all! The happiness of the old is to see the young happy.” + </p> + <p> + This was said by Rodin with so much apparent kindness, that Rose-Pompon + felt the tears well up to her eyes, and answered with much emotion: “Sir, + Cephyse and me are only poor girls; there are many more virtuous in the + world; but I venture to say, we have good hearts. Now, if ever you should + be ill, only send for us; there are no Sisters of Charity that will take + better care of you. It is all that we can offer you, without reckoning + Philemon, who shall go through fire and water for you, I give you my word + for it—and Cephyse, I am sure, will answer for Jacques also, that he + will be yours in life and death.” + </p> + <p> + “You see, my dear child, that I was right in saying—a fitful head + and a good heart. Adieu, till we meet again.” + </p> + <p> + Thereupon Rodin, taking up the basket, which he had placed on the ground + by the side of his umbrella, prepared to descend the stairs. + </p> + <p> + “First of all, you must give me this basket; it will be in your way going + down,” said Rose-Pompon, taking the basket from the hands of Rodin, + notwithstanding his resistance. Then she added: “Lean upon my arm. The + stairs are so dark. You might slip.” + </p> + <p> + “I will accept your offer, my dear child, for I am not very courageous.” + Leaning paternally on the right arm of Rose-Pompon, who held the basket in + her left hand, Rodin descended the stairs, and crossed the court-yard. + </p> + <p> + “Up there, on the third story, do you see that big face close to the + window-frame?” said Rose-Pompon suddenly to Rodin, stopping in the centre + of the little court. “That is my Ninny Moulin. Do you know him? Is he the + same as yours?” + </p> + <p> + “The same as mine,” said Rodin, raising his head, and waving his hand very + affectionately to Jacques Dumoulin, who, stupefied thereat, retired + abruptly from the window. + </p> + <p> + “The poor fellow! I am sure he is afraid of me since his foolish joke,” + said Rodin, smiling. “He is very wrong.” + </p> + <p> + And he accompanied these last words with a sinister nipping of the lips, + not perceived by Rose-Pompon. + </p> + <p> + “And now, my dear child,” said he, as they both entered the passage, “I no + longer need you assistance; return to your friend, and tell her the good + news you have heard.” + </p> + <p> + “Yes, sir, you are right. I burn with impatience to tell her what a good + man you are.” And Rose-Pompon sprung towards the stairs. + </p> + <p> + “Stop, stop! how about my basket that the little madcap carries off with + her?” said Rodin. + </p> + <p> + “Oh true! I beg your pardon, sir. Poor Cephyse! how pleased she will be. + Adieu, sir!” And Rose-Pompon’s pretty figure disappeared in the darkness + of the staircase, which she mounted with an alert and impatient step. + </p> + <p> + Rodin issued from the entry. “Here is your basket, my good lady,” said he, + stopping at the threshold of Mother Arsene’s shop. “I give you my humble + thanks for your kindness.” + </p> + <p> + “For nothing, my dear sir, for nothing. It is all at your service. Well, + was the radish good?” + </p> + <p> + “Succulent, my dear madame, and excellent.” + </p> + <p> + “Oh! I am glad of it. Shall we soon see you again?” + </p> + <p> + “I hope so. But could you tell me where is the nearest post-office?” + </p> + <p> + “Turn to the left, the third house, at the grocer’s.” + </p> + <p> + “A thousand thanks.” + </p> + <p> + “I wager it’s a love letter for your sweetheart,” said Mother Arsene, + enlivened probably by Rose Pompon’s and Ninny Moulin’s proximity. + </p> + <p> + “Ha! ha! ha! the good lady!” said Rodin, with a titter. Then, suddenly + resuming his serious aspect, he made a low bow to the greengrocer, adding: + “Your most obedient humble servant!” and walked out into the street. + </p> + <p> + We now usher the reader into Dr. Baleinier’s asylum, in which Mdlle. de + Cardoville was confined. + </p> + <p> + <a name="link2HCH0085" id="link2HCH0085"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXXII. THE ADVICE. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span>drienne de Cardoville had been still more strictly confined in Dr. + Baleinier’s house, since the double nocturnal attempt of Agricola and + Dagobert, in which the soldier, though severely wounded, had succeeded, + thanks to the intrepid devotion of his son, seconded by the heroic Spoil + sport, in gaining the little garden gate of the convent, and escaping by + way of the boulevard, along with the young smith. Four o’clock had just + struck. Adrienne, since the previous day, had been removed to a chamber on + the second story of the asylum. The grated window, with closed shutters, + only admitted a faint light to this apartment. The young lady, since her + interview with Mother Bunch, expected to be delivered any day by the + intervention of her friends. But she felt painful uneasiness on the + subject of Agricola and Dagobert, being absolutely ignorant of the issue + of the struggle in which her intended liberators had been engaged with the + people of the asylum and convent. She had in vain questioned her keepers + on the subject; they had remained perfectly mute. These new incidents had + augmented the bitter resentment of Adrienne against the Princess de Saint + Dizier, Father d’Aigrigny, and their creatures. The slight paleness of + Mdlle. de Cardoville’s charming face, and her fine eyes a little drooping, + betrayed her recent sufferings; seated before a little table, with her + forehead resting upon one of her hands, half veiled by the long curls of + her golden hair, she was turning over the leaves of a book. Suddenly, the + door opened, and M. Baleinier entered. The doctor, a Jesuit, in lay + attire, a docile and passive instrument of the will of his Order, was only + half in the confidence of Father d’Aigrigny and the Princess de + Saint-Dizier. He was ignorant of the object of the imprisonment of Mdlle. + de Cardoville; he was ignorant also of the sudden change which had taken + place in the relative position of Father d’Aigrigny and Rodin, after the + reading of the testament of Marius de Rennepont. The doctor had, only the + day before, received orders from Father d’Aigrigny (now acting under the + directions of Rodin) to confine Mdlle. de Cardoville still more strictly, + to act towards her with redoubled severity, and to endeavor to force her, + it will be seen by what expedients, to renounce the judicial proceedings, + which she promised herself to take hereafter against her persecutors. At + sight of the doctor, Mdlle. de Cardoville could not hide the aversion and + disdain with which this man inspired her. M. Baleinier, on the contrary, + always smiling, always courteous, approached Adrienne with perfect ease + and confidence, stopped a few steps from her, as if to study her features + more attentively, and then added like a man who is satisfied with the + observations he had made: “Come! the unfortunate events of the night + before last have had a less injurious influence than I feared. There is + some improvement; the complexion is less flushed, the look calmer, the + eyes still somewhat too bright, but no longer shining with such unnatural + fire. You are getting on so well! Now the cure must be prolonged—for + this unfortunate night affair threw you into a state of excitement, that + was only the more dangerous from your not being conscious of it. Happily, + with care, your recovery will not, I hope, be very much delayed.” + Accustomed though she was to the audacity of this tool of the + Congregation, Mdlle. de Cardoville could not forbear saying to him, with a + smile of bitter disdain: “What impudence, sir, there is in your probity! + What effrontery in your zeal to earn your hire! Never for a moment do you + lay aside your mask; craft and falsehood are ever on your lips. Really, if + this shameful comedy causes you as much fatigue as it does me disgust and + contempt, they can never pay you enough.” + </p> + <p> + “Alas!” said the doctor, in a sorrowful tone; “always this unfortunate + delusion, that you are not in want of our care!—that I am playing a + part, when I talk to you of the sad state in which you were when we were + obliged to bring you hither by stratagem. Still, with the exception of + this little sign of rebellious insanity, your condition has marvellously + improved. You are on the high-road to a complete cure. By-and-by, your + excellent heart will render me the justice that is due to me; and, one + day, I shall be judged as I deserve.” + </p> + <p> + “I, believe it, sir; the day approaches, in which you will be judged as + you deserve,” said Adrienne, laying great stress upon the two words. + </p> + <p> + “Always that other fixed idea,” said the doctor with a sort of + commiseration. “Come, be reasonable. Do not think of this childishness.” + </p> + <p> + “What! renounce my intention to demand at the hands of justice reparation + for myself, and disgrace for you and your accomplices? Never, sir—never!” + </p> + <p> + “Well!” said the doctor, shrugging his shoulders; “once at liberty, thank + heaven, you will have many other things to think of, my fair enemy.” + </p> + <p> + “You forget piously the evil that you do; but I, sir, have a better + memory.” + </p> + <p> + “Let us talk seriously. Have you really the intention of applying to the + courts?” inquired Dr. Baleinier, in a grave tone. + </p> + <p> + “Yes, sir, and you know that what I intend, I firmly carry out.” + </p> + <p> + “Well! I can only conjure you not to follow out this idea,” replied the + doctor, in a still more solemn tone; “I ask it as a favor, in the name of + your own interest.” + </p> + <p> + “I think, sir, that you are a little too ready to confound your interest + with mine.” + </p> + <p> + “Now come,” said Dr. Baleinier, with a feigned impatience, as if quite + certain of convincing Mdlle. de Cardoville on the instant; “would you have + the melancholy courage to plunge into despair two persons full of goodness + and generosity?” + </p> + <p> + “Only two? The jest would be complete, if you were to reckon three: you, + sir, and my aunt, and Abbe d’Aigrigny; for these are no doubt the generous + persons in whose name you implore my pity.” + </p> + <p> + “No, madame; I speak neither of myself, nor of your aunt, nor of Abbe + d’Aigrigny.” + </p> + <p> + “Of whom, then, sir?” asked Mdlle. de Cardoville with surprise. + </p> + <p> + “Of two poor fellows, who, no doubt sent by those whom you call your + friends, got into the neighboring convent the other night, and thence into + this garden. The guns which you heard go off were fired at them.” + </p> + <p> + “Alas! I thought so. They refused to tell me if either of them was + wounded,” said Adrienne, with painful emotion. + </p> + <p> + “One of them received a wound, but not very serious, since he was able to + fly and escape pursuit.” + </p> + <p> + “Thank God!” cried Mdlle. de Cardoville, clasping her hands with fervor. + </p> + <p> + “It is quite natural that you should rejoice at their escape, but by what + strange contradiction do you now wish to put the officers of justice on + their track? A singular manner, truly, of rewarding their devotion!” + </p> + <p> + “What do you say, sir?” asked Mdlle. de Cardoville. + </p> + <p> + “For if they should be arrested,” resumed Dr. Baleinier, without answering + her, “as they have been guilty of housebreaking and attempted burglary, + they would be sent to the galleys.” + </p> + <p> + “Heavens! and for my sake!” + </p> + <p> + “Yes; it would be for you, and what is worse, by you, that they would be + condemned.” + </p> + <p> + “By me, sir?” + </p> + <p> + “Certainly; that is, if you follow up your vengeance against your aunt and + Abbe d’Aigrigny—I do not speak of myself, for I am quite safe; in a + word, if you persist in laying your complaint before the magistrates, that + you have been unjustly confined in this house.” + </p> + <p> + “I do not understand you, sir. Explain yourself,” said Adrienne, with + growing uneasiness. + </p> + <p> + “Child that you are!” cried the Jesuit of the short robe, with an air of + conviction; “do you think that if the law once takes cognizance of this + affair, you can stop short its action where and when you please? When you + leave this house, you lodge a complaint against me and against your + family; well, what happens? The law interferes, inquires, calls witnesses, + enters into the most minute investigations. Then, what follows? Why, that + this nocturnal escalade, which the superior of the convent has some + interest in hushing up, for fear of scandal—that this nocturnal + attempt, I say, which I also would keep quiet, is necessarily divulged, + and as it involves a serious crime, to which a heavy penalty is attached, + the law will ferret into it, and find out these unfortunate men, and if, + as is probable, they are detained in Paris by their duties or occupations, + or even by a false security, arising from the honorable motives which they + know to have actuated them, they will be arrested. And who will be the + cause of this arrest? You, by your deposition against us.” + </p> + <p> + “Oh, sir! that would be horrible; but it is impossible.” + </p> + <p> + “It is very possible, on the contrary,” returned M. Baleinier: “so that, + while I and the superior of the convent, who alone are really entitled to + complain, only wish to keep quiet this unpleasant affair, it is you—you, + for whom these unfortunate men have risked the galleys—that will + deliver them up to justice.” + </p> + <p> + Though Mdlle. de Cardoville was not completely duped by the lay Jesuit, + she guessed that the merciful intentions which he expressed with regard to + Dagobert and his son, would be absolutely subordinate to the course she + might take in pressing or abandoning the legitimate vengeance which she + meant to claim of authority. Indeed, Rodin, whose instructions the doctor + was following without knowing it, was too cunning to have it said to + Mdlle. de Cardoville: “If you attempt any proceedings, we denounce + Dagobert and his son;” but he attained the same end, by inspiring Adrienne + with fears on the subject of her two liberators, so as to prevent her + taking any hostile measures. Without knowing the exact law on the subject, + Mdlle. de Cardoville had too much good sense not to understand that + Dagobert and Agricola might be very seriously involved in consequence of + their nocturnal adventure, and might even find themselves in a terrible + position. And yet, when she thought of all she had suffered in that house, + and of all the just resentment she entertained in the bottom of her heart, + Adrienne felt unwilling to renounce the stern pleasure of exposing such + odious machinations to the light of day. Dr. Baleinier watched with sullen + attention her whom he considered his dupe, for he thought he could divine + the cause of the silence and hesitation of Mdlle. de Cardoville. + </p> +<div class="fig"> + <img src="images/20311m.jpg" alt="20311m" /><br /> + </div> + <h5> + <a href="images/20311.jpg"><i>Original</i></a> + </h5> + <p> + “But, sir,” resumed the latter, unable to conceal her anxiety, “if I were + disposed, for whatever reason, to make no complaint, and to forget the + wrongs I have suffered, when should I leave this place?” + </p> + <p> + “I cannot tell; for I do not know when you will be radically cured,” said + the doctor, benignantly. “You are in a very good way, but—” + </p> + <p> + “Still this insolent and stupid acting!” broke forth Mdlle. de Cardoville, + interrupting the doctor with indignation. “I ask, and if it must be, I + entreat you to tell me how long I am to be shut up in this dreadful house, + for I shall leave it some day, I suppose?” + </p> + <p> + “I hope so, certainly,” said the Jesuit of the short robe, with unction; + “but when, I am unable to say. Moreover, I must tell you frankly, that + every precaution is taken against such attempts as those of the other + night; and the most vigorous watch will be maintained, to prevent your + communicating with any one. And all this in your own interest, that your + poor head may not again be dangerously excited.” + </p> + <p> + “So, sir,” said Adrienne, almost terrified, “compared with what awaits me, + the last few days have been days of liberty.” + </p> + <p> + “Your interest before everything,” answered the doctor, in a fervent tone. + </p> + <p> + Mdlle. de Cardoville, feeling the impotence of her indignation and + despair, heaved a deep sigh, and hid her face in her hands. + </p> + <p> + At this moment, quick footsteps were heard in the passage, and one of the + nurses entered, after having knocked at the door. + </p> + <p> + “Sir,” said she to the doctor, with a frightened air, “there are two + gentlemen below, who wish to see you instantly, and the lady also.” + </p> + <p> + Adrienne raised her head hastily; her eyes were bathed in tears. + </p> + <p> + “What are the names of these persons?” said M. Baleinier, much astonished. + </p> + <p> + “One of them said to me,” answered the nurse: “‘Go and inform Dr. + Baleinier that I am a magistrate, and that I come on a duty regarding + Mdlle. de Cardoville.’” + </p> + <p> + “A magistrate!” exclaimed the Jesuit of the short robe, growing purple in + the face, and unable to hide his surprise and uneasiness. + </p> + <p> + “Heaven be praised!” cried Adrienne, rising with vivacity, her countenance + beaming through her tears with hope and joy; “my friends have been + informed in time, and the hour of justice is arrived!” + </p> + <p> + “Ask these persons to walk up,” said Dr. Baleinier, after a moment’s + reflection. Then, with a still more agitated expression of countenance, he + approached Adrienne with a harsh, and almost menacing air, which + contrasted with the habitual placidity of his hypocritical smile, and said + to her in a low voice: “Take care, madame! do not rejoice too soon.” + </p> + <p> + “I no longer fear you,” answered Mdlle. de Cardoville, with a bright, + flashing eye. “M. de Montbron is no doubt returned to Paris, and has been + informed in time. He accompanies the magistrate, and comes to deliver me. + I pity you, sir—both you and yours,” added Adrienne, with an accent + of bitter irony. + </p> + <p> + “Madame,” cried M. Baleinier, no longer able to dissemble his growing + alarm, “I repeat to you, take care! Remember what I have told you. Your + accusations would necessarily involve the discovery of what took place the + other night. Beware! the fate of the soldier and his son is in your hands. + Recollect they are in danger of the convict’s chains.” + </p> + <p> + “Oh! I am not your dupe, sir. You are holding out a covert menace. Have at + least the courage to say to me, that, if I complain to the magistrates, + you will denounce the soldier and his son.” + </p> + <p> + “I repeat, that, if you make any complaint, those two people are lost,” + answered the doctor, ambiguously. + </p> + <p> + Startled by what was really dangerous in the doctor’s threats, Adrienne + asked: “Sir, if this magistrate questions me, do you think I will tell him + a falsehood?” + </p> + <p> + “You will answer what is true,” said M. Baleinier, hastily, in the hope of + still attaining his end. “You will answer that you were in so excited a + state of mind a few days ago, that it was thought advisable, for your own + sake, to bring you hither, without your knowing it. But you are now so + much better, that you acknowledge the utility of the measures taken with + regard to you. I will confirm these words for, after all, it is the + truth.” + </p> + <p> + “Never!” cried Mdlle. de Cardoville, with indignation, “never will I be + the accomplice of so infamous a falsehood; never will I be base enough to + justify the indignities that I have suffered!” + </p> + <p> + “Here is the magistrate,” said M. Baleinier, as he caught the sound of + approaching footsteps. “Beware!” + </p> + <p> + The door opened, and, to the indescribable amazement of the doctor, Rodin + appeared on the threshold, accompanied by a man dressed in black, with a + dignified and severe countenance. In the interest of his projects, and + from motives of craft and prudence that will hereafter be known, Rodin had + not informed Father d’Aigrigny, and consequently the doctor, of the + unexpected visit he intended to pay to the asylum, accompanied by a + magistrate. On the contrary, he had only the day before given orders to M. + Baleinier to confine Mdlle. de Cardoville still more strictly. Therefore, + imagine the stupor of the doctor when he saw the judicial officer, whose + unexpected presence and imposing aspect were otherwise sufficiently + alarming, enter the room, accompanied by Rodin, Abbe d’Aigrigny’s humble + and obscure secretary. From the door, Rodin, who was very shabbily + dressed, as usual, pointed out Mdlle. de Cardoville to the magistrate, by + a gesture at once respectful and compassionate. Then, while the latter, + who had not been able to repress a movement of admiration at sight of the + rare beauty of Adrienne, seemed to examine her with as much surprise as + interest, the Jesuit modestly receded several steps. + </p> + <p> + Dr. Baleinier in his extreme astonishment, hoping to be understood by + Rodin, made suddenly several private signals, as if to interrogate him on + the cause of the magistrate’s visit. But this was only productive of fresh + amazement to M. Baleinier; for Rodin did not appear to recognize him, or + to understand his expressive pantomime, and looked at him with affected + bewilderment. At length, as the doctor, growing impatient, redoubled his + mute questionings, Rodin advanced with a stride, stretched forward his + crooked neck, and said, in a loud voice: “What is your pleasure, doctor?” + </p> + <p> + These words, which completely disconcerted Baleinier, broke the silence + which had reigned for some seconds, and the magistrate turned round. Rodin + added, with imperturbable coolness: “Since our arrival, the doctor has + been making all sorts of mysterious signs to me. I suppose he has + something private to communicate, but, as I have no secrets, I must beg + him to speak out loud.” + </p> + <p> + This reply, so embarrassing for M. Baleinier, uttered in a tone of + aggression, and with an air of icy coldness, plunged the doctor into such + new and deep amazement, that he remained for some moments without + answering. No doubt the magistrate was struck with this incident, and with + the silence which followed it, for he cast a look of great severity on the + doctor. Mdlle. de Cardoville, who had expected to have seen M. de + Montbron, was also singularly surprised. + </p> + <p> + <a name="link2HCH0086" id="link2HCH0086"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXXIII. THE ACCUSER. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">B</span>aleinier, disconcerted for a moment by the unexpected presence of a + magistrate, and by Rodin’s inexplicable attitude, soon recovered his + presence of mind, and addressing his colleague of the longer robe, said to + him: “If I make signs to you, sir, it was that, while I wished to respect + the silence which this gentleman”—glancing at the magistrate—“has + preserved since his entrance, I desired to express my surprise at the + unexpected honor of this visit.” + </p> + <p> + “It is to the lady that I will explain the reason for my silence, and beg + her to excuse it,” replied the magistrate, as he made a half-bow to + Adrienne, whom he thus continued to address: “I have just received so + serious a declaration with regard to you, madame, that I could not forbear + looking at you for a moment in silence, to see if I could read in your + countenance or in your attitude, the truth or falsehood of the accusation + that has been placed in my hands; and I have every reason to believe that + it is but too well founded.” + </p> + <p> + “May I at length be informed, sir,” said Dr. Baleinier, in a polite but + firm tone, “to whom I have the honor of speaking?” + </p> + <p> + “Sir, I am juge d’instruction, and I have come to inform myself as to a + fact which has been pointed out to me—” + </p> + <p> + “Will you do me the honor to explain yourself, sir?” said the doctor, + bowing. + </p> + <p> + “Sir,” resumed the magistrate, M. de Gernande, a man of about fifty years + of age, full of firmness and straightforwardness, and knowing how to unite + the austere duties of his position with benevolent politeness, “you are + accused of having committed—a very great error, not to use a harsher + expression. As for the nature of that error, I prefer believing, sir, that + you (a first rate man of science) may have been deceived in the + calculation of a medical case, rather than suspect you of having forgotten + all that is sacred in the exercise of a profession that is almost a + priesthood.” + </p> + <p> + “When you specify the facts, sir,” answered the Jesuit of the short robe, + with a degree of haughtiness, “it will be easy for me to prove that my + reputation as a man of science is no less free from reproach, than my + conscience as a man of honor.” + </p> + <p> + “Madame,” said M. de Gernande, addressing Adrienne, “is it true that you + were conveyed to this house by stratagem?” + </p> + <p> + “Sir,” cried M. Baleinier, “permit me to observe, that the manner in which + you open this question is an insult to me.” + </p> + <p> + “Sir, it is to the lady that I have the honor of addressing myself,” + replied M. de Gernande, sternly; “and I am the sole judge of the propriety + of my questions.” + </p> + <p> + Adrienne was about to answer affirmatively to the magistrate, when an + expressive took from Dr. Baleinier reminded her that she would perhaps + expose Dagobert and his son to cruel dangers. It was no base and vulgar + feeling of vengeance by which Adrienne was animated, but a legitimate + indignation, inspired by odious hypocrisy. She would have thought it + cowardly not to unmask the criminals; but wishing to avoid compromising + others, she said to the magistrate, with an accent full of mildness and + dignity: “Permit me, sir, in my turn, rather to ask you a question.” + </p> + <p> + “Speak, madame.” + </p> + <p> + “Will the answer I make be considered a formal accusation?” + </p> + <p> + “I have come hither, madame, to ascertain the truth, and no consideration + should induce you to dissemble it.” + </p> + <p> + “So be it, sir,” resumed Adrienne; “but suppose, having just causes of + complaint, I lay them before you, in order to be allowed to leave this + house, shall I afterwards be at liberty not to press the accusations I + have made?” + </p> + <p> + “You may abandon proceedings, madame, but the law will take up your case + in the name of society, if its rights have been inured in your person.” + </p> + <p> + “Shall I then not be allowed to pardon? Should I not be sufficiently + avenged by a contemptuous forgetfulness of the wrongs I have suffered?” + </p> + <p> + “Personally, madame, you may forgive and forget; but I have the honor to + repeat to you, that society cannot show the same indulgence, if it should + turn out that you have been the victim of a criminal machination—and + I have every reason to fear it is so. The manner in which you express + yourself, the generosity of your sentiments, the calmness and dignity of + your attitude, convince me that I have been well informed.” + </p> + <p> + “I hope, sir,” said Dr. Baleinier, recovering his coolness, “that you will + at least communicate the declaration that has been made to you.” + </p> + <p> + “It has been declared to me, sir,” said the magistrate, in a stern voice, + “that Mdlle. de Cardoville was brought here by stratagem.” + </p> + <p> + “By stratagem?” + </p> + <p> + “Yes, sir.” + </p> + <p> + “It is true. The lady was brought here by stratagem,” answered the Jesuit + of the short robe, after a moment’s silence. + </p> + <p> + “You confess it, then?” said M. de Gernande. + </p> + <p> + “Certainly I do, sir. I admit that I had recourse to means which we are + unfortunately too often obliged to employ, when persons who most need our + assistance are unconscious of their own sad state.” + </p> + <p> + “But, sir,” replied the magistrate, “it has also been declared to me, that + Mdlle. de Cardoville never required such aid.” + </p> + <p> + “That, sir, is a question of medical jurisprudence, which has to be + examined and discussed,” said M. Baleinier, recovering his assurance. + </p> + <p> + “It will, indeed, sir, be seriously discussed; for you are accused of + confining Mdlle. De Cardoville, while in the full possession of all her + faculties.” + </p> + <p> + “And may I ask you for what purpose?” said M. de Baleinier, with a slight + shrug of the shoulders, and in a tone of irony. “What interest had I to + commit such a crime, even admitting that my reputation did not place me + above so odious and absurd a charge?” + </p> + <p> + “You are said to have acted, sir, in furtherance of a family plot, devised + against Mdlle. de Cardoville for a pecuniary motive.” + </p> + <p> + “And who has dared, sir, to make so calumnious a charge?” cried Dr. + Baleinier, with indignant warmth. “Who has had the audacity to accuse a + respectable, and I dare to say, respected man, of having been the + accomplice in such infamy?” + </p> + <p> + “I,” said Rodin, coldly. + </p> + <p> + “You!” cried Dr. Baleinier, falling back two steps, as if thunderstruck. + </p> + <p> + “Yes, I accuse you,” repeated Rodin, in a clear sharp voice. + </p> + <p> + “Yes, it was this gentleman who came to me this morning, with ample + proofs, to demand my interference in favor of Mdlle. de Cardoville,” said + the magistrate, drawing back a little, to give Adrienne the opportunity of + seeing her defender. + </p> +<div class="fig"> + <img src="images/20343m.jpg" alt="20343m" /><br /> + </div> + <h5> + <a href="images/20343.jpg"><i>Original</i></a> + </h5> + <p> + Throughout this scene, Rodin’s name had not hitherto been mentioned. + Mdlle. de Cardoville had often heard speak of the Abbe d’Aigrigny’s + secretary in no very favorable terms; but, never having seen him, she did + not know that her liberator was this very Jesuit. She therefore looked + towards him, with a glance in which were mingled curiosity, interest, + surprise and gratitude. Rodin’s cadaverous countenance, his repulsive + ugliness, his sordid dress, would a few days before have occasioned + Adrienne a perhaps invincible feeling of disgust. But the young lady, + remembering how the sempstress, poor, feeble, deformed, and dressed almost + in rags was endowed notwithstanding her wretched exterior, with one of the + noblest and most admirable hearts, recalled this recollection in favor of + the Jesuit. She forgot that he was ugly and sordid, only to remember that + he was old, that he seemed poor, and that he had come to her assistance. + Dr. Baleinier, notwithstanding his craft, notwithstanding his audacious + hypocrisy, in spite even of his presence of mind, could not conceal how + much he was disturbed by Rodin’s denunciation. His head became troubled as + he remembered how, on the first day of Adrienne’s confinement in this + house, the implacable appeal of Rodin, through the hole in the door, had + prevented him (Baleinier) from yielding to emotions of pity, inspired by + the despair of this unfortunate young girl, driven almost to doubt of her + own reason. And yet it was this very Rodin, so cruel, so inexorable, the + devoted agent of Father d’Aigrigny, who denounced him (Baleinier), and + brought a magistrate to set Adrienne at liberty—when, only the day + before, Father d’Aigrigny had ordered an increase of severity towards her! + </p> + <p> + The lay Jesuit felt persuaded that Rodin was betraying Father d’Aigrigny + in the most shameful manner, and that Mdlle. de Cardoville’s friends had + bribed and bought over this scoundrelly secretary. Exasperated by what he + considered a monstrous piece of treachery, the doctor exclaimed, in a + voice broken with rage: “And it is you, sir, that have the impudence to + accuse me—you, who only a few days ago—” + </p> + <p> + Then, reflecting that the retort upon Rodin would be self-accusation, he + appeared to give way to an excess of emotion, and resumed with bitterness: + “Ah, sir, you are the last person that I should have thought capable of + this odious denunciation. It is shameful!” + </p> + <p> + “And who had a better right than I to denounce this infamy?” answered + Rodin, in a rude, overbearing tone. “Was I not in a position to learn—unfortunately, + too late—the nature of the conspiracy of which Mdlle. de Cardoville + and others have been the victims? Then, what was my duty as an honest man? + Why, to inform the magistrate, to prove what I set forth, and to accompany + him hither. That is what I have done.” + </p> + <p> + “So, sir,” said the doctor, addressing the magistrate, “it is not only + myself that this man accuses, but he dares also—” + </p> + <p> + “I accuse the Abbe d’Aigrigny,” resumed Rodin, in a still louder and more + imperative tone, interrupting the doctor, “I accuse the Princess de + Saint-Dizier, I accuse you, sir—of having, from a vile motive of + self interest, confined Mdlle. de Cardoville in this house, and the two + daughters of Marshal Simon in the neighboring convent. Is that clear?” + </p> + <p> + “Alas! it is only too true,” said Adrienne, hastily. “I have seen those + poor children all in tears, making signs of distress to me.” + </p> +<div class="fig"> + <img src="images/20319m.jpg" alt="20319m" /><br /> + </div> + <h5> + <a href="images/20319.jpg"><i>Original</i></a> + </h5> + <p> + The accusation of Rodin, with regard to the orphans, was a new and fearful + blow for Dr. Baleinier. He felt perfectly convinced that the traitor had + passed clear over to the enemy’s camp. Wishing therefore to put an end to + this embarrassing scene, he tried to put a good face on the matter, in + spite of his emotion, and said to the magistrate: + </p> + <p> + “I might confine myself, sir, to silence—disdaining to answer such + accusations, till a judicial decision had given them some kind of + authority. But, strong in a good conscience I address myself to Mdlle. de + Cardoville, and I beg her to say if this very morning I did not inform + her, that her health would soon be sufficiently restored to allow her to + leave this house. I conjure her, in the name of her well-known love of + truth to state if such was not my language, when I was alone with her—” + </p> + <p> + “Come, sir!” said Rodin, interrupting Baleinier with an insolent air; + “suppose that, from pure generosity, this dear young lady were to admit as + much—what will it prove in your favor?—why, nothing at all.” + </p> + <p> + “What, sir,” cried the doctor, “do you presume—” + </p> + <p> + “I presume to unmask you, without asking your leave. What have you just + told us? Why, that being alone with Mdlle. de Cardoville, you talked to + her as if she were really mad. How very conclusive!” + </p> + <p> + “But, sir—” cried the doctor. + </p> + <p> + “But, sir,” resumed Rodin, without allowing him to continue, “it is + evident that, foreseeing the possibility of what has occurred to-day, and, + to provide yourself with a hole to creep out at, you have pretended to + believe your own execrable falsehood, in presence of this poor young lady, + that you might afterwards call in aid the evidence of your own assumed + conviction. Come, sir! such stories will not go down with people of common + sense or common humanity.” + </p> + <p> + “Come now, sir!” exclaimed Baleinier, angrily. + </p> + <p> + “Well, sir,” resumed Rodin, in a still louder voice, which completely + drowned that of the doctor; “is it true, or is it not, that you have + recourse to the mean evasion of ascribing this odious imprisonment to a + scientific error? I affirm that you do so, and that you think yourself + safe, because you can now say: ‘Thanks to my care, the young lady has + recovered her reason. What more would you have?’” + </p> + <p> + “Yes, I do say that, sir, and I maintain it.” + </p> + <p> + “You maintain a falsehood; for it is proven that the lady never lost her + reason for a moment.” + </p> + <p> + “But I, sir, maintain that she did lose it.” + </p> + <p> + “And I, sir, will prove the contrary,” said Rodin. + </p> + <p> + “You? How will you do that?” cried the doctor. + </p> + <p> + “That I shall take care not to tell you at present, as you may well + suppose,” answered Rodin, with an ironical smile, adding with indignation: + “But, really, sir, you ought to die for shame, to dare to raise such a + question in presence of the lady. You should at least have spared her this + discussion.” + </p> + <p> + “Sir!” + </p> + <p> + “Oh, fie, sir! I say, fie! It is odious to maintain this argument before + her—odious if you speak truth, doubly odious if you lie,” said + Rodin, with disgust. + </p> + <p> + “This violence is inconceivable!” cried the Jesuit of the short robe, + exasperated; “and I think the magistrate shows great partiality in + allowing such gross calumnies to be heaped upon me!” + </p> + <p> + “Sir,” answered M. de Gernande, severely, “I am entitled not only to hear, + but to provoke any contradictory discussion that may enlighten me in the + execution of my duty; it results from all this, that, even in your + opinion, sir, Mdlle. de Cardoville’s health is sufficiently good to allow + her to return home immediately.” + </p> + <p> + “At least, I do not see any very serious inconvenience likely to arise + from it, sir,” said the doctor: “only I maintain that the cure is not so + complete as it might have been, and, on this subject, I decline all + responsibility for the future.” + </p> + <p> + “You can do so, safely,” said Rodin; “it is not likely that the young lady + will ever again have recourse to your honest assistance.” + </p> + <p> + “It is useless, therefore, to employ my official authority, to demand the + immediate liberation of Mdlle. de Cardoville,” said the magistrate. + </p> + <p> + “She is free,” said Baleinier, “perfectly free.” + </p> + <p> + “As for the question whether you have imprisoned her on the plea of a + suppositious madness, the law will inquire into it, sir, and you will be + heard.” + </p> + <p> + “I am quite easy, sir,” answered M. Baleinier, trying to look so; “my + conscience reproaches me with nothing.” + </p> + <p> + “I hope it may turn out well, sir,” said M. de Gernande. “However bad + appearances may be, more especially when persons of your station in + society are concerned, we should always wish to be convinced of their + innocence.” Then, turning to Adrienne, he added: “I understand, madame, + how painful this scene must be to all your feelings of delicacy and + generosity; hereafter, it will depend upon yourself, either to proceed for + damages against M. Baleinier, or to let the law take its course. One word + more. The bold and upright man”—here the magistrate pointed to Rodin—“who + has taken up your cause in so frank and disinterested a manner, expressed + a belief that you would, perhaps, take charge for the present of Marshal + Simon’s daughters, whose liberation I am about to demand from the convent + where they also are confined by stratagem.” + </p> + <p> + “The fact is, sir,” replied Adrienne, “that, as soon as I learned the + arrival of Marshal Simon’s daughters in Paris, my intention was to offer + them apartments in my house. These young ladies are my near relations. It + is at once a duty and a pleasure for me to treat them as sisters. I shall, + therefore, be doubly grateful to you, sir, if you will trust them to my + care.” + </p> + <p> + “I think that I cannot serve them better,” answered M. de Gernande. Then, + addressing Baleinier, he added, “Will you consent, sir, to my bringing + these two ladies hither? I will go and fetch them, while Mdlle. de + Cardoville prepares for her departure. They will then be able to leave + this house with their relation.” + </p> + <p> + “I entreat the lady to make use of this house as her own, until she leaves + it,” replied M. Baleinier. “My carriage shall be at her orders to take her + home.” + </p> + <p> + “Madame,” said the magistrate, approaching Adrienne, “without prejudging + the question, which must soon be decided by, a court of law, I may at + least regret that I was not called in sooner. Your situation must have + been a very cruel one.” + </p> + <p> + “There will at least remain to me, sir, from this mournful time,” said + Adrienne, with graceful dignity, “one precious and touching remembrance—that + of the interest which you have shown me. I hope that you will one day + permit me to thank you, at my own home, not for the justice you have done + me, but for the benevolent and paternal manner in which you have done it. + And moreover, sir,” added Mdlle. de Cardoville, with a sweet smile, “I + should like to prove to you, that what they call my cure is complete.” + </p> + <p> + M. de Gernande bowed respectfully in reply. During the abort dialogue of + the magistrate with Adrienne, their backs were both turned to Baleinier + and Rodin. The latter, profiting by this moment’s opportunity, hastily + slipped into the doctor’s hand a note just written with a pencil in the + bottom of his hat. Baleinier looked at Rodin in stupefied amazement. But + the latter made a peculiar sign, by raising his thumb to his forehead, and + drawing it twice across his brow. Then he remained impassible. This had + passed so rapidly, that when M. de Gernande turned round, Rodin was at a + distance of several steps from Dr. Baleinier, and looking at Mdlle. de + Cardoville with respectful interest. + </p> + <p> + “Permit me to accompany you, sir,” said the doctor, preceding the + magistrate, whom Mdlle. de Cardoville saluted with much affability. Then + both went out, and Rodin remained alone with the young lady. + </p> + <p> + After conducting M. de Gernande to the outer door of the house, M. + Baleinier made haste to read the pencil-note written by Rodin; it ran as + follows: “The magistrate is going to the convent, by way of the street. + Run round by the garden, and tell the Superior to obey the order I have + given with regard to the two young girls. It is of the utmost importance.” + </p> + <p> + The peculiar sign which Rodin had made, and the tenor of this note, proved + to Dr. Baleinier, who was passing from surprise to amazement, that the + secretary, far from betraying the reverend father, was still acting for + the Greater Glory of the Lord. However, whilst he obeyed the orders, M. + Baleinier sought in vain to penetrate the motives of Rodin’s inexplicable + conduct, who had himself informed the authorities of an affair that was to + have been hushed up, and that might have the most disastrous consequences + for Father d’Aigrigny, Madame de Saint-Dizier, and Baleinier himself. But + let us return to Rodin, left alone with Mdlle, de Cardoville. + </p> + <p> + <a name="link2HCH0087" id="link2HCH0087"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXXIV. FATHER D’AIGRIGNY’S SECRETARY. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">H</span>ardly had the magistrate and Dr. Baleinier disappeared, than Mdlle. de + Cardoville, whose countenance was beaming with joy, exclaimed, as she + looked at Rodin with a mixture of respect and gratitude, “At length, + thanks to you, sir, I am free—free! Oh, I had never before felt how + much happiness, expansion, delight, there is in that adorable word—liberty!” + </p> + <p> + Her bosom rose and fell, her rosy nostrils dilated, her vermilion lips + were half open, as if she again inhaled with rapture pure and vivifying + air. + </p> + <p> + “I have been only a few days in this horrible place,” she resumed, “but I + have suffered enough from my captivity to make me resolve never to let a + year pass without restoring to liberty some poor prisoners for debt. This + vow no doubt appears to belong a little to the Middle Ages,” added she, + with a smile; “but I would fain borrow from that noble epoch something + more than its old windows and furniture. So, doubly thanks, sir!—for + I take you as a partner in that project of deliverance, which has just + (you see) unfolded itself in the midst of the happiness I owe to you, and + by which you seem so much affected. Oh! let my joy speak my gratitude, and + pay you for your generous aid!” exclaimed the young girl with enthusiasm. + </p> + <p> + Mdlle. de Cardoville had truly remarked a complete transfiguration in the + countenance of Rodin. This man, lately so harsh, severe, inflexible, with + regard to Dr. Baleinier, appeared now under the influence of the mildest + and most tender sentiments. His little, half-veiled eyes were fixed upon + Adrienne with an expression of ineffable interest. Then, as if he wished + to tear himself from these impressions, he said, speaking to himself, + “Come, come, no weakness. Time is too precious; my mission is not + fulfilled. My dear young lady,” added he, addressing himself to Adrienne, + “believe what I say—we will talk hereafter of gratitude—but we + have now to talk of the present so important for you and your family. Do + you know what is taking place?” + </p> + <p> + Adrienne looked at the Jesuit with surprise, and said, “What is taking + place, sir?” + </p> + <p> + “Do you know the real motive of your imprisonment in this house? Do you + know what influenced the Princess de Saint-Dizier and Abbe d’Aigrigny?” + </p> + <p> + At the sound of those detested names, Mdlle. de Cardoville’s face, now so + full of happiness, became suddenly sad, and she answered with bitterness, + “It is hatred, sir, that no doubt animated Madame de Saint-Dizier against + me.” + </p> + <p> + “Yes, hatred; and, moreover, the desire to rob you with impunity of an + immense fortune.” + </p> + <p> + “Me, sir! how?” + </p> + <p> + “You must be ignorant, my dear young lady, of the interest you had to be + in the Rue Saint-Francois on the 13th February, for an inheritance?” + </p> + <p> + “I was ignorant, sir, of the date and details: but I knew by some family + papers, and thanks to an extraordinary circumstance, that one of our + ancestors—” + </p> + <p> + “Had left an enormous sum to be divided between his descendants; is it not + so?” + </p> + <p> + “Yes, sir.” + </p> + <p> + “But what unfortunately you did not know, my dear young lady, was that the + heirs were all bound to be present at a certain hour on the 13th February. + This day and hour once past, the absent would forfeit their claim. Do you + now understand why you have been imprisoned here, my dear young lady?” + </p> + <p> + “Yes, yes; I understand it,” cried Mdlle. de Cardoville; “cupidity was + added to the hatred which my aunt felt for me. All is explained. Marshal + Simon’s daughters, having the same right as I had have, like me, been + imprisoned.” + </p> + <p> + “And yet,” cried Rodin, “you and they were not the only victims.” + </p> + <p> + “Who, then, are the others, sir?” + </p> + <p> + “A young East Indian.” + </p> + <p> + “Prince Djalma?” said Adrienne, hastily. + </p> + <p> + “For the same reason he has been nearly poisoned with a narcotic.” + </p> + <p> + “Great God!” cried the young girl, clasping her hands in horror. “It is + fearful. That young prince, who was said to have so noble and generous a + character! But I had sent to Cardoville Castle—” + </p> + <p> + “A confidential person, to fetch the prince to Paris—I know it, my + dear young lady; but, by means of a trick, your friend was got out of the + way, and the young Oriental delivered to his enemies.” + </p> + <p> + “And where is he now?” + </p> + <p> + “I have only vague information on the subject. I know that he is in Paris, + and do not despair of finding him. I shall pursue my researches with an + almost paternal ardor, for we cannot too much love the rare qualities of + that poor king’s son. What a heart, my dear young lady! what a heart! Oh, + it is a heart of gold, pure and bright as the gold of his country!” + </p> + <p> + “We must find the prince, sir,” said Adrienne with emotion; “let me + entreat you to neglect nothing for that end. He is my relation—alone + here—without support—without assistance.” + </p> + <p> + “Certainly,” replied Rodin, with commiseration. “Poor boy!—for he is + almost a boy—eighteen or nineteen years of age—thrown into the + heart of Paris, of this hell—with his fresh, ardent, half-savage + passions—with his simplicity and confidence—to what perils may + he not be exposed?” + </p> + <p> + “Well, we must first find him, sir,” said Adrienne, hastily; “and then we + will save him from these dangers. Before I was confined here, I learned + his arrival in France, and sent a confidential person to offer him the + services of an unknown friend. I now see that this mad idea, with which I + have been so much reproached, was a very sensible one. I am more convinced + of it than ever. The prince belongs to my family, and I owe him a generous + hospitality. I had destined for him the lodge I occupied at my aunt’s.” + </p> + <p> + “And you, my dear young lady?” + </p> + <p> + “To-day, I shall remove to a house, which I had prepared some time ago, + with the determination of quitting Madame de Saint-Dizier, and living + alone as I pleased. Then, sir, as you seem bent upon being the good genius + of our family, be as generous with regard to Prince Djalma, as you have + been to me and Marshal Simon’s daughters. I entreat you to discover the + hiding-place of this poor king’s son, as you call him; keep my secret for + me, and conduct him to the house offered by the unknown friend. Let him + not disquiet himself about anything; all his wants shall be provided for; + he shall live—like a prince.” + </p> + <p> + “Yes; he will indeed live like a prince, thanks to your royal munificence. + But never was such kind interest better deserved. It is enough to see (as + I have seen) his fine, melancholy countenance—” + </p> + <p> + “You have seen him, then, sir?” said Adrienne, interrupting Rodin. + </p> + <p> + “Yes, my dear young lady; I was with him for about two hours. It was quite + enough to judge of him. His charming features are the mirror of his soul.” + </p> + <p> + “And where did you see him, sir?” + </p> +<div class="fig"> + <img src="images/20327m.jpg" alt="20327m" /><br /> + </div> + <h5> + <a href="images/20327.jpg"><i>Original</i></a> + </h5> + <p> + “At your old Chateau de Cardoville, my dear young lady, near which he had + been shipwrecked in a storm, and whither I had gone to—” Rodin + hesitated for a moment, and then, as if yielding to the frankness of his + disposition, added: “Whither I had gone to commit a bad action—a + shameful, miserable action, I must confess!” + </p> + <p> + “You, sir?—at Cardoville House—to commit a bad action?” cried + Adrienne, much surprised. + </p> + <p> + “Alas! yes, my dear young lady,” answered Rodin with simplicity. “In one + word, I had orders from Abbe d’Aigrigny, to place your former bailiff in + the alternative either of losing his situation or lending himself to a + mean action—something, in fact, that resembled spying and calumny; + but the honest, worthy man refused.” + </p> + <p> + “Why, who are you, sir?” said Mdlle. de Cardoville, more and more + astonished. + </p> + <p> + “I am Rodin, lately secretary of the Abbe d’Aigrigny—a person of + very little importance, as you see.” + </p> + <p> + It is impossible to describe the accent, at once humble and ingenuous, of + the Jesuit, as he pronounced these words, which he accompanied with a + respectful bow. On this revelation, Mdlle. de Cardoville drew back + abruptly. We have said that Adrienne had sometimes heard talk of Rodin, + the humble secretary of the Abbe d’Aigrigny, as a sort of obedient and + passive machine. That was not all; the bailiff of Cardoville Manor, + writing to Adrienne on the subject of Prince Djalma, had complained of the + perfidious and dishonest propositions of Rodin. She felt, therefore, a + vague suspicion, when she heard that her liberator was the man who had + played so odious a part. Yet this unfavorable feeling was balanced by the + sense of what she owed to Rodin, and by his frank denunciation of Abbe + d’Aigrigny before the magistrate. And then the Jesuit, by his own + confession, had anticipated, as it were, the reproaches that might have + been addressed to him. Still, it was with a kind of cold reserve that + Mdlle. de Cardoville resumed this dialogue, which she had commenced with + as much frankness as warmth and sympathy. + </p> + <p> + Rodin perceived the impression he had made. He expected it. He was not the + least disconcerted when Mdlle. de Cardoville said to him, as she fixed + upon him a piercing glance, “Ah! you are M. Rodin—secretary to the + Abbe d’Aigrigny?” + </p> + <p> + “Say ex-secretary, if you please, my dear young lady,” answered the + Jesuit; “for you see clearly that I can never again enter the house of the + Abbe d’Aigrigny. I have made of him an implacable enemy, and I am now + without employment—but no matter—nay, so much the better—since, + at this price, the wicked are unmasked, and honest people rescued.” + </p> + <p> + These words, spoken with much simplicity, and dignity, revived a feeling + of pity in Adrienne’s heart. She thought within herself that, after all, + the poor old man spoke the truth. Abbe d’Aigrigny’s hate, after this + exposure, would be inexorable, and Rodin had braved it for the sake of a + generous action. + </p> + <p> + Still Mdlle. de Cardoville answered coldly, “Since you knew, sir, that the + propositions you were charged to make to the bailiff of Cardoville were + shameful and perfidious, how could you undertake the mission?” + </p> + <p> + “How?” replied Rodin, with a sort of painful impatience; “why, because I + was completely under Abbe d’Aigrigny’s charm, one of the most prodigiously + clever men I have ever known, and, as I only discovered the day before + yesterday, one of the most prodigiously dangerous men there is in the + world. He had conquered my scruples, by persuading me that the End + justifies the Means. I must confess that the end he seemed to propose to + himself was great and beautiful; but the day before yesterday I was + cruelly undeceived. I was awakened, as it were, by a thunder-peal. Oh, my + dear young lady!” added Rodin, with a sort of embarrassment and confusion, + “let us talk no more of my fatal journey to Cardoville. Though I was only + an ignorant and blind instrument, I feel as ashamed and grieved at it as + if I had acted for myself. It weighs upon me, it oppresses me. I entreat + you, let us speak rather of yourself, and of what interests you—for + the soul expands with generous thoughts, even as the breast is dilated in + pure and healthful air.” + </p> + <p> + Rodin had confessed his fault so spontaneously, he explained it so + naturally, he appeared to regret it so sincerely, that Adrienne, whose + suspicions had no other grounds, felt her distrust a good deal diminished. + </p> + <p> + “So,” she resumed, still looking attentively at Rodin, “it was at + Cardoville that you saw Prince Djalma?” + </p> + <p> + “Yes, madame; and my affection for him dates from that interview. + Therefore I will accomplish my task. Be satisfied, my dear young lady; + like you, like Marshal Simon’s daughters, the prince shall avoid being the + victim of this detestable plot, which unhappily does not stop there.” + </p> + <p> + “And who besides, then, is threatened?” + </p> + <p> + “M. Hardy, a man full of honor and probity, who is also your relation, and + interested in this inheritance, but kept away from Paris by infamous + treachery. And another heir, an unfortunate artisan, who falling into a + trap cleverly baited, has been thrown into a prison for debt.” + </p> + <p> + “But, sir,” said Adrienne, suddenly, “for whose advantage was this + abominable plot, which really alarms me, first devised?” + </p> + <p> + “For the advantage of Abbe d’Aigrigny,” answered Rodin. + </p> + <p> + “How, and by what right! Was he also an heir?” + </p> + <p> + “It would take too long to explain it to you, my dear young lady. You will + know all one day. Only be convinced that your family has no more bitter + enemy that Abbe d’Aigrigny.” + </p> + <p> + “Sir,” said Adrienne, giving way to one last suspicion, “I will speak + frankly to you. How can I have deserved the interest that you seem to take + in me, and that you even extend to all the members of my family?” + </p> + <p> + “My dear young lady,” answered Rodin, with a smile, “were I to tell you + the cause, you would only laugh at, or misapprehend me.” + </p> + <p> + “Speak, I beg of you, sir. Do not mistrust me or yourself.” + </p> + <p> + “Well, then, I became interested in you—devoted to you—because + your heart is generous, your mind lofty, your character independent and + proud. Once attached to you, those of your race, who are indeed themselves + worthy of interest, were no longer indifferent to me. To serve them was to + serve you also.” + </p> + <p> + “But, sir—admitting that you suppose me worthy of the too flattering + praises you bestow upon me—how could you judge of my heart, my mind, + my character?” + </p> + <p> + “I will tell you, my dear young lady; but first I must make another + confession, that fills me with shame. If you were not even so wonderfully + endowed, what you have suffered in this house should suffice to command + the interest of every honest man—don’t you think so?” + </p> + <p> + “I do think it should, sir.” + </p> + <p> + “I might thus explain the interest I feel in you. But no—I confess + it—that would not have sufficed with me. Had you been only Mdlle. de + Cardoville—a rich, noble, beautiful young lady—I should + doubtless have pitied your misfortune; but I should have said to myself, + ‘This poor young lady is certainly much to be pitied; but what can I, poor + man, do in it? My only resource is my post of secretary to the Abbe + d’Aigrigny, and he would be the first that must be attacked. He is + all-powerful, and I am nothing. To engage in a struggle with him would be + to ruin myself, without the hope of saving this unfortunate person.’ But + when I learnt what you were, my dear young lady, I revolted, in spite of + my inferiority. ‘No,’ I said, ‘a thousand times, no! So fine an intellect, + so great a heart, shall not be the victims of an abominable plot. I may + perish in the struggle, but I will at least make the attempt.’” + </p> + <p> + No words can paint the mixture of delicacy, energy, and sensibility with + which Rodin uttered these sentiments. As it often happens with people + singularly repulsive and ill-favored, if they can once bring you to forget + their ugliness, their very deformity becomes a source of interest and + commiseration, and you say to yourself, “What a pity that such a mind, + such a soul, should inhabit so poor a body!”—and you are touched and + softened by the contrast. + </p> + <p> + It was thus that Mdlle. de Cardoville began to look upon Rodin. He had + shown himself as simple and affectionate towards her as he had been brutal + and insolent to Dr. Baleinier. One thing only excited the lively curiosity + of Mdlle. de Cardoville—she wished to know how Rodin had conceived + the devotion and admiration which she seemed to inspire. + </p> + <p> + “Forgive my indiscreet and obstinate curiosity, sir, but I wish to know—” + </p> + <p> + “How you were morally revealed to me—is it not so? Oh, my dear young + lady! nothing is more simple. I will explain it to you in two words. The + Abbe d’Aigrigny saw in me nothing but a writing-machine, an obtuse, mute, + blind instrument—” + </p> + <p> + “I thought M. d’Aigrigny had more penetration.” + </p> + <p> + “And you are right, my dear young lady; he is a man of unparalleled + sagacity; but I deceived him by affecting more than simplicity. Do not, + therefore, think me false. No; I am proud in my manner—and my pride + consists in never appearing above my position, however subaltern it may + be! Do you know why? It is that, however haughty may be my superiors, I + can say to myself, ‘They do not know my value. It is the inferiority of my + condition, not me, that they humiliate.’ By this I gain doubly—my + self-love is spared, and I hate no one.” + </p> + <p> + “Yes, I understand that sort of pride,” said Adrienne, more and more + struck with Rodin’s original turn of mind. + </p> + <p> + “But let us return to what concerns you, my dear young lady. On the eve of + the 13th of February, the Abbe d’Aigrigny delivered to me a paper in + shorthand, and said to me, ‘Transcribe this examination; you may add that + it is to support the decision of a family council, which has declared, in + accordance with the report of Dr. Baleinier, the state of mind of Mdlle. + de Cardoville to be sufficiently alarming to render it necessary to + confine her in a lunatic asylum.’” + </p> + <p> + “Yes,” said Adrienne, with bitterness; “it related to a long interview, + which I had with the Princess de Saint-Dizier, my aunt, and which was + taken down without my knowledge.” + </p> + <p> + “Behold me, then, poring over my shorthand report, and beginning to + transcribe it. At the end of the first ten lines, I was struck with + stupor. I knew not if I were awake or dreaming. ‘What! mad?’ They must be + themselves insane who dare assert so monstrous a proposition!—More + and more interested, I continued my reading—I finished it—Oh! + then, what shall I say? What I felt, my dear young lady, it is impossible + to express. It was sympathy, delight, enthusiasm!” + </p> + <p> + “Sir,” said Adrienne. + </p> + <p> + “Yes, my dear young lady, enthusiasm! Let not the words shock your + modesty. Know that these ideas, so new, so independent, so courageous + which you expressed to your aunt with so much brilliancy, are, without + your being aware of it, common to you and another person, for whom you + will one day feel the most tender and religious respect.” + </p> + <p> + “Of whom do you speak, sir?” cried Mdlle. de Cardoville, more and more + interested. + </p> + <p> + After a moment’s apparent hesitation, Rodin resumed, “No, no—it is + useless now to inform you of it. All I can tell you, my dear young lady, + is that, when I had finished my reading, I ran to Abbe d’Aigrigny’s, to + convince him of the error into which he had fallen with regard to you. It + was impossible then to find him; but yesterday morning I told him plainly + what I thought. He only appeared surprised to find that I could think at + all. He received my communications with contemptuous silence. I thought + him deceived; I continued my remonstrances, but quite in vain. He ordered + me to follow him to the house, where the testament of your ancestor was to + be opened. I was so blind with regard to the Abbe d’Aigrigny, that it + required the successive arrivals of the soldier, of his son, and of + Marshal Simon’s father, to open my eyes thoroughly. Their indignation + unveiled to me the extent of a conspiracy, plotted long ago, and carried + on with terrible ability. Then, I understood why you were confined here as + a lunatic; why the daughters of Marshal Simon were imprisoned in a + convent. Then a thousand recollections returned to my mind; fragments of + letters and statements, which had been given me to copy or decipher, and + of which I had never been able to find the explanation, put me on the + track of this odious machination. To express then and there the sudden + horror I felt at these crimes, would have been to ruin all. I did not make + this mistake. I opposed cunning to cunning; I appeared even more eager + than Abbe d’Aigrigny. Had this immense inheritance been destined for me + alone, I could not have shown myself more grasping and merciless. Thanks + to this stratagem, Abbe d’Aigrigny had no suspicion. A providential + accident having rescued the inheritance from his hands, he left the house + in a state of profound consternation. For my part, I felt indescribable + joy; for I had now the means of saving and avenging you, my dear young + lady. As usual, I went yesterday evening to my place of business. During + the absence of the abbe, it was easy for me to peruse the correspondence + relative to the inheritance. In this way I was able to unite all the + threads of this immense plot. Oh! then, my dear young lady, I remained, + struck with horror, in presence of the discoveries that I made, and that I + never should have made under any other circumstances.” + </p> + <p> + “What discoveries, sir?” + </p> + <p> + “There are some secrets which are terrible to those who possess them. Do + not ask me to explain, my dear young lady; but, in this examination, the + league formed against you and your relations, from motives of insatiable + cupidity, appeared to me in all its dark audacity. Thereupon, the lively + and deep interest which I already felt for you, my dear young lady, was + augmented greatly, and extended itself to the other innocent victims of + this infernal conspiracy. In spite of my weakness, I determined to risk + all, to unmask the Abbe d’Aigrigny. I collected the necessary proofs, to + give my declaration before the magistrate the needful authority; and, this + morning, I left the abbe’s house without revealing to him my projects. He + might have employed some violent method to detain me; yet it would have + been cowardly to attack him without warning. Once out of his house, I + wrote to him, that I had in my hands proof enough of his crimes, to attack + him openly in the face of day. I would accuse, and he must defend himself. + I went directly to a magistrate, and you know the rest.” + </p> + <p> + At this juncture, the door opened, and one of the nurses appeared, and + said to Rodin: “Sir, the messenger that you and the magistrate sent to the + Rue Brise-Miche has just come back.” + </p> + <p> + “Has he left the letter?” + </p> + <p> + “Yes, sir; and it was taken upstairs directly.” + </p> + <p> + “Very well. Leave us!” The nurse went out. + </p> + <p> + <a name="link2HCH0088" id="link2HCH0088"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXXV. SYMPATHY. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">I</span>f it had been possible for Mdlle. de Cardoville to harbor any suspicion + of the sincerity of Rodin’s devotion, it must have given way before this + reasoning, unfortunately so simple and undeniable. How could she suppose + the faintest complicity between the Abbe d’Aigrigny and his secretary, + when it was the latter who completely unveiled the machinations of his + master, and exposed them to the tribunals? when in this, Rodin went even + further than Mdlle. de Cardoville would herself have gone? Of what secret + design could she suspect the Jesuit? At worst, of a desire to earn by his + services the profitable patronage of the young lady. + </p> + <p> + And then, had he not just now protested against this supposition, by + declaring his devotion, not to Mdlle. de Cardoville—not to the fair, + rich, noble lady—but to the high-souled and generous girl? Finally, + as Rodin had said himself, could any but a miserable wretch fail to be + interested in Adrienne’s fate? A strange mixture of curiosity, surprise, + and interest, was joined with Mdlle. de Cardoville’s feelings of gratitude + towards Rodin. Yet, as she recognized the superior mind under that humble + exterior, she was suddenly struck with a grave suspicion. “Sir,” said she + to Rodin, “I always confess to the persons I esteem the doubts they may + have inspired, so that they may justify themselves, and excuse me, if I am + wrong.” + </p> + <p> + Rodin looked at Mdlle. de Cardoville with surprise, as if mentally + calculating the suspicions than she might entertain, and replied, after a + moment’s silence: “You are perhaps thinking of my journey to Cardoville, + of my base proposals to your good and worthy bailiff? Oh! if you—” + </p> + <p> + “No, no, sir,” said Adrienne, interrupting him; “you made that confession + spontaneously, and I quite understand, that, blinded with regard to M. + d’Aigrigny, you passively executed instructions repugnant to your + delicacy. But how comes it, that, with your incontestable merits, you have + so long; occupied so mean a position in his service?” + </p> + <p> + “It is true,” said Rodin, with a smile; “that must impress you + unfavorably, my dear young lady; for a man of any capacity, who remains + long in an inferior condition, has evidently some radical vice, some bad + or base passion—” + </p> + <p> + “It is generally true, sir.” + </p> + <p> + “And personally true—with regard to myself.” + </p> + <p> + “What, sir! do you make this avowal?” + </p> + <p> + “Alas! I confess that I have a bad passion, to which, for forty years, I + have sacrificed all chances of attaining to a better position.” + </p> + <p> + “And this passion, sir?” + </p> + <p> + “Since I must make the unpleasant avowal, this passion is indolence—yes, + indolence—the horror of all activity of mind, of all moral + responsibility, of taking the lead in anything. With the twelve hundred + francs that Abbe d’Aigrigny gave me, I was the happiest man in the world; + I trusted to the nobleness of his views; his thoughts became mine, his + wishes mine. My work once finished, I returned to my poor little chamber, + I lighted my fire, I dined on vegetables—then, taking up some book + of philosophy, little known, and dreaming over it, I gave free course to + my imagination, which, restrained all the day long, carried me through + numberless theories to a delicious Utopia. Then, from the eminences of my + intelligence, lifted up Lord knows whither, by the audacity of my + thoughts, I seemed to look down upon my master, and upon the great men of + the earth. This fever lasted for three or four hours, after which I had a + good sleep; and, the next morning, I went lightly to my work, secure of my + daily bread, without cares for the future, living content with little, + waiting with impatience for the delights of my solitary evening, and + saying to myself as I went on writing like a stupid machine: ‘And yet—and + yet—if I chose!’—” + </p> + <p> + “Doubtless, you could, like others, surer than others, have reached a + higher position,” said Adrienne, greatly struck with Rodin’s practical + philosophy. + </p> + <p> + “Yes, I think I could have done so; but for what purpose?—You see, + my dear young lady, what often renders people of some merit puzzles to the + vulgar, is that they are frequently content to say: ‘If I chose!’” + </p> + <p> + “But, sir, without attaching much importance to the luxuries of life, + there is a certain degree of comfort, which age renders almost + indispensable, and which you seem to have utterly renounced.” + </p> + <p> + “Undeceive yourself, if you please, my dear young lady,” said Rodin, with + a playful smile. “I am a true Sybarite; I require absolutely warm clothes, + a good stove, a soft mattress, a good piece of bread, a fresh radish, + flavored with good cheap salt, and some good, clear water; and, + notwithstanding this complication of wants, my twelve hundred francs have + always more than sufficed, for I have been able to make some little + savings.” + </p> + <p> + “But now that you are without employment, how will you manage to live, + sir?” said Adrienne, more and more interested by the singularities of this + man, and wishing to put his disinterestedness to the proof. + </p> + <p> + “I have laid by a little, which will serve me till I have unravelled the + last thread of Father d’Aigrigny’s dark designs. I owe myself this + reparation, for having been his dupe; three or four days, I hope, will + complete the work. After that, I have the certainty of meeting with a + situation, in my native province, under a collector of taxes: some time + ago, the offer was made me by a friend; but then I would not leave Father + d’Aigrigny, notwithstanding the advantages proposed. Fancy, my dear young + lady—eight hundred francs, with board and lodging! As I am a little + of the roughest, I should have preferred lodging apart; but, as they give + me so much, I must submit to this little inconvenience.” + </p> + <p> + Nothing could exceed Rodin’s ingenuity, in making these little household + confidences (so abominably false) to Mdlle. de Cardoville, who felt her + last suspicions give way. + </p> + <p> + “What, sir?” said she to the Jesuit, with interest; “in three or four + days, you mean to quit Paris?” + </p> + <p> + “I hope to do so, my dear young lady; and that,” added he, in a mysterious + tone, “and that for many reasons. But what would be very precious to me,” + he resumed, in a serious voice, as he looked at Adrienne with emotion, + “would be to carry with me the conviction, that you did me the justice to + believe, that, on merely reading your interview with the Princess de + Saint-Dizier, I recognized at once qualities quite unexampled in our day, + in a young person of your age and condition.” + </p> + <p> + “Ah, sir!” said Adrienne, with a smile, “do not think yourself obliged to + return so soon the sincere praises that I bestowed on your superiority of + mind. I should be better pleased with ingratitude.” + </p> + <p> + “Oh, no! I do not flatter you, my dear young lady. Why should I? We may + probably never meet again. I do not flatter you; I understand you—that’s + all—and what will seem strange to you, is, that your appearance + complete, the idea which I had already formed of you, my dear young lady, + in reading your interview with your aunt: and some parts of your + character, hitherto obscure to me, are now fully displayed.” + </p> + <p> + “Really, sir, you astonish me more and more.” + </p> + <p> + “I can’t help it! I merely describe my impressions. I can now explain + perfectly, for example, your passionate love of the beautiful, your eager + worship of the refinements of the senses, your ardent aspirations for a + better state of things, your courageous contempt of many degrading and + servile customs, to which woman is condemned; yes, now I understand the + noble pride with which you contemplate the mob of vain, self-sufficient, + ridiculous men, who look upon woman as a creature destined for their + service, according to the laws made after their own not very handsome + image. In the eyes of these hedge-tyrants, woman, a kind of inferior being + to whom a council of cardinals deigned to grant a soul by a majority of + two voices, ought to think herself supremely happy in being the servant of + these petty pachas, old at thirty, worn-out, used up, weary with excesses, + wishing only for repose, and seeking, as they say, to make an end of it, + which they set about by marrying some poor girl, who is on her side + desirous to make a beginning.” + </p> + <p> + Mdlle. de Cardoville would certainly have smiled at these satirical + remarks, if she had not been greatly struck by hearing Rodin express in + such appropriate terms her own ideas, though it was the first time in her + life that she saw this dangerous man. Adrienne forgot, or rather, she was + not aware, that she had to deal with a Jesuit of rare intelligence, + uniting the information and the mysterious resources of the police-spy + with the profound sagacity of the confessor; one of those diabolic + priests, who, by the help of a few hints, avowals, letters, reconstruct a + character, as Cuvier could reconstruct a body from zoological fragments. + Far from interrupting Rodin, Adrienne listened to him with growing + curiosity. Sure of the effect he produced, he continued, in a tone of + indignation: “And your aunt and the Abbe d’Aigrigny treated you as mad, + because you revolted against the yoke of such tyrants! because, hating the + shameful vices of slavery, you chose to be independent with the suitable + qualities of independence, free with the proud virtues of liberty!” + </p> + <p> + “But, sir,” said Adrienne, more and more surprised, “how can my thoughts + be so familiar to you?” + </p> + <p> + “First, I know you perfectly, thanks to your interview with the Princess + de Saint-Dizier: and next, if it should happen that we both pursue the + same end, though by different means,” resumed Rodin, artfully, as he + looked at Mdlle. de Cardoville with an air of intelligence, “why should + not our convictions be the same?” + </p> + <p> + “I do not understand you, sir. Of what end do you speak?” + </p> + <p> + “The end pursued incessantly by all lofty, generous, independent spirits—some + acting, like you, my dear young lady, from passion, from instinct, without + perhaps explaining to themselves the high mission they are called on to + ful, fil. Thus, for example, when you take pleasure in the most refined + delights, when you surround yourself with all that charms the senses, do + you think that you only yield to the attractions of the beautiful, to the + desire of exquisite enjoyments? No! ah, no! for then you would be + incomplete, odiously selfish, a dry egotist, with a fine taste—nothing + more—and at your age, it would be hideous, my dear young lady, it + would be hideous!” + </p> + <p> + “And do you really think thus severely of me?” said Adrienne, with + uneasiness, so much influence had this man irresistibly attained over her. + </p> + <p> + “Certainly, I should think thus of you, if you loved luxury for luxury’s + sake; but, no—quite another sentiment animates you,” resumed the + Jesuit. “Let us reason a little. Feeling a passionate desire for all these + enjoyments, you know their value and their need more than any one—is + it not so?” + </p> + <p> + “It is so,” replied Adrienne, deeply interested. + </p> + <p> + “Your gratitude and favor are then necessarily acquired by those who, + poor, laborious, and unknown, have procured for you these marvels of + luxury, which you could not do without?” + </p> + <p> + “This feeling of gratitude is so strong in me, sir,” replied Adrienne, + more and more pleased to find herself so well understood, “that I once had + inscribed on a masterpiece of goldsmith’s work, instead of the name of the + seller, that of the poor unknown artist who designed it, and who has since + risen to his true place.” + </p> + <p> + “There you see, I was not deceived,” went on Rodin; “the taste for + enjoyment renders you grateful to those who procure it for you; and that + is not all; here am I, an example, neither better nor worse than my + neighbors, but accustomed to privations, which cause me no suffering—so + that the privations of others necessarily touch me less nearly than they + do you, my dear young lady; for your habits of comfort must needs render + you more compassionate towards misfortune. You would yourself suffer too + much from poverty, not to pity and succor those who are its victims.” + </p> + <p> + “Really, sir,” said Adrienne, who began to feel herself under the fatal + charm of Rodin, “the more I listen to you, the more I am convinced that + you would defend a thousand times better than I could those ideas for + which I was so harshly reproached by Madame de Saint-Dizier and Abbe + d’Aigrigny. Oh! speak, speak, sir! I cannot tell you with what happiness, + with what pride I listen.” + </p> + <p> + Attentive and moved, her eyes fixed on the Jesuit with as much interest as + sympathy and curiosity, Adrienne, by a graceful toss of the head that was + habitual to her, threw hack her long, golden curls, the better to + contemplate Rodin, who thus resumed: “You are astonished, my dear young + lady, that you were not understood by your aunt or by Abbe d’Aigrigny! + What point of contact had you with these hypocritical, jealous, crafty + minds, such as I can judge them to be now? Do you wish a new proof of + their hateful blindness? Among what they called your monstrous follies, + which was the worst, the most damnable? Why, your resolution to live alone + and in your own way, to dispose freely of the present and the future. They + declared this to be odious, detestable, immoral. And yet—was this + resolution dictated by a mad love of liberty? no!—by a disordered + aversion to all restraint? no!—by the desire of singularity?—no!—for + then I, too, should have blamed you severely.” + </p> + <p> + “Other reasons have indeed guided me, sir, I assure you,” said Adrienne + eagerly, for she had become very eager for the esteem with which her + character might inspire Rodin. + </p> + <p> + “Oh! I know it well; your motives could only be excellent ones,” replied + the Jesuit. “Why then did you take this resolution, so much called in + question? Was it to brave established etiquette? no! for you respected + them until the hate of Mme. de Saint-Dizier forced you to withdraw + yourself from her unbearable guardianship. Was it to live alone, to escape + the eyes of the world? no! you would be a hundred times more open to + observation in this than any other condition. Was it to make a bad use of + your liberty? no, ah, no! those who design evil seek for darkness and + solitude; while you place yourself right before the jealous anal envious + eyes of the vulgar crowd. Why then do you take this determination, so + courageous and rare, unexampled in a young person of your age? Shall I + tell you, my dear young lady? It is, that you wish to prove, by your + example, that a woman of pure heart and honest mind, with a firm character + and independence of soul, may nobly and proudly throw off the humiliating + guardianship that custom has imposed upon her. Yes, instead of accepting + the fate of a revolted slave, a life only destined to hypocrisy or vice, + you wish to live freely in presence of all the world, independent, + honorable, and respected. You wish to have, like man, the exercise of your + own free will, the entire responsibility of all your actions, so as to + establish the fact, that a woman left completely to herself, may equal man + in reason, wisdom, uprightness, and surpass him indelicacy and dignity. + That is your design, my dear young lady. It is noble and great. Will your + example be imitated? I hope it may; but whether it be so or not, your + generous attempt, believe me, will place you in a high and worthy + position.” + </p> + <p> + Mdlle. de Cardoville’s eyes shone with a proud and gentle brightness, her + cheeks were slightly colored, her bosom heaved, she raised her charming + head with a movement of involuntary pride; at length completely under the + charm of that diabolical man she exclaimed: “But, sir, who are you that + can thus know and analyze my most secret thoughts, and read my soul more + clearly than myself, so as to give new life and action to those ideas of + independence which have long stirred within me? Who are you, that can thus + elevate me in my own eyes, for now I am conscious of accomplishing a + mission, honorable to myself, and perhaps useful to my sisters immersed in + slavery? Once again, sir, who are you?” + </p> + <p> + “Who am I, madame?” answered Rodin, with a smile of the greatest good + nature; “I have already told you that I am a poor old man, who for the + last forty years, having served in the day time as a writing machine to + record the ideas of others, went home every evening to work out ideas of + his own—a good kind of man who, from his garret, watches and even + takes some little share in the movement of generous spirits, advancing + towards an end that is nearer than is commonly thought. And thus, my dear + young lady, as I told you just now, you and I are both tending towards the + same objects, though you may do the same without reflection, and merely in + obedience to your rare and divine instincts. So continue so to live, fair, + free, and happy!—it is your mission—more providential than you + may think it. Yes; continue to surround yourself with all the marvels of + luxury and art; refine your senses, purify your tastes, by the exquisite + choice of your enjoyments; by genius, grace, and purity raise yourself + above the stupid and ill-favored mob of men, that will instantly surround + you, when they behold you alone and free; they will consider you an easy + prey, destined to please their cupidity, their egotism, their folly. + </p> + <p> + “Laugh at them, and mock these idiotic and sordid pretensions. Be the + queen of your own world, and make yourself respected as a queen. Love—shine—enjoy—it + is your part upon earth. All the flowers, with which you are whelmed in + profusion, will one day bear fruit. You think that you have lived only for + pleasure; in reality, you will have lived for the noblest aims that could + tempt a great and lofty soul. And so—some years hence—we may + meet again, perhaps; you, fairer and more followed than ever; I, older and + more obscure. But, no matter—a secret voice, I am sure, says to you + at this moment, that between us two, however different, there exists an + invisible bond, a mysterious communion, which nothing hereafter will ever + be able to destroy!” + </p> + <p> + He uttered these final words in a tone of such profound emotion, that + Adrienne started. Rodin had approached without her perceiving it, and + without, as it were, walking at all, for he dragged his steps along the + floor, with a sort of serpent motion; and he had spoken with so much + warmth and enthusiasm, that his pale face had become slightly tinged, and + his repulsive ugliness had almost disappeared before the brilliancy of his + small sharp eyes, now wide open, and fixed full upon Adrienne. The latter + leaned forward, with half-open lips and deep-drawn breath, nor could she + take her eyes from the Jesuit’s; he had ceased to speak, and yet she was + still listening. The feelings of the fair young lady, in presence of this + little old man, dirty, ugly, and poor, were inexplicable. That comparison + so common, and yet so true, of the frightful fascination of the bird by + the serpent, might give some idea of the singular impression made upon + her. Rodin’s tactics were skillful and sure. Until now, Mdlle. de + Cardoville had never analyzed her tastes or instincts. She had followed + them, because they were inoffensive and charming. How happy and proud she + then was sure to be to hear a man of superior mind not only praise these + tendencies, for which she had been heretofore so severely blamed, but + congratulate her upon them, as upon something great, noble, and divine! If + Rodin had only addressed himself to Adrienne’s self-conceit, he would have + failed in his perfidious designs, for she had not the least spark of + vanity. But he addressed himself to all that was enthusiastic and generous + in her heart; that which he appeared to encourage and admire in her was + really worthy of encouragement and admiration. How could she fail to be + the dupe of such language, concealing though it did such dark and fatal + projects? + </p> + <p> + Struck with the Jesuit’s rare intelligence, feeling her curiosity greatly + excited by some mysterious words that he had purposely uttered, hardly + explaining to herself the strange influence which this pernicious + counsellor already exercised over her, and animated by respectful + compassion for a man of his age and talents placed in so precarious a + position, Adrienne said to him, with all her natural cordiality, “A man of + your merit and character, sir, ought not to be at the mercy of the caprice + of circumstances. Some of your words have opened a new horizon before me; + I feel that, on many points, your counsels may be of the greatest use to + me. Moreover, in coming to fetch me from this house, and in devoting + yourself to the service of other persons of my family, you have shown me + marks of interest which I cannot forget without ingratitude. You have lost + a humble but secure situation. Permit me—” + </p> + <p> + “Not a word more, my dear young lady,” said Rodin, interrupting Mdlle. de + Cardoville, with an air of chagrin. “I feel for you the deepest sympathy; + I am honored by having ideas in common with you; I believe firmly that + some day you will have to ask advice of the poor old philosopher; and, + precisely because of all that, I must and ought to maintain towards you + the most complete independence.” + </p> + <p> + “But, sir, it is I that would be the obliged party, if you deigned to + accept what I offer.” + </p> + <p> + “Oh, my dear young lady,” said Rodin, with a smile: “I know that your + generosity would always know how to make gratitude light and easy; but, + once more, I cannot accept anything from you. One day, perhaps, you will + know why.” + </p> + <p> + “One day?” + </p> + <p> + “It is impossible for me to tell you more. And then, supposing I were + under an obligation to you, how could I tell you all that was good and + beautiful in your actions? Hereafter, if you are somewhat indebted to me + for my advice, so much the better; I shall be the more ready to blame you, + if I find anything to blame.” + </p> + <p> + “In this way, sir, you would forbid me to be grateful to you.” + </p> + <p> + “No, no,” said Rodin, with apparent emotion. “Oh, believe me! there will + come a solemn moment, in which you may repay all, in a manner worthy of + yourself and me.” + </p> + <p> + This conversation was here interrupted by the nurse, who said to Adrienne + as she entered: “Madame, there is a little humpback workwoman downstairs, + who wishes to speak to you. As, according to the doctor’s new orders, you + are to do as you like, I have come to ask, if I am to bring her up to you. + She is so badly dressed, that I did not venture.” + </p> + <p> + “Bring her up, by all means,” said Adrienne, hastily, for she had + recognized Mother Bunch by the nurse’s description. “Bring her up + directly.” + </p> + <p> + “The doctor has also left word, that his carriage is to be at your orders, + madame; are the horses to be put to?” + </p> + <p> + “Yes, in a quarter of an hour,” answered Adrienne to the nurse, who went + out; then, addressing Rodin, she continued: “I do not think the magistrate + can now be long, before he returns with Marshal Simon’s daughters?” + </p> + <p> + “I think not, my dear young lady; but who is this deformed workwoman?” + asked Rodin, with an air of indifference. + </p> + <p> + “The adopted sister of a gallant fellow, who risked all in endeavoring to + rescue me from this house. And, sir,” said Adrienne, with emotion, “this + young workwoman is a rare and excellent creature. Never was a nobler mind, + a more generous heart, concealed beneath an exterior less—” + </p> + <p> + But reflecting, that Rodin seemed to unite in his own person the same + moral and physical contrasts as the sewing-girl, Adrienne stopped short, + and then added, with inimitable grace, as she looked at the Jesuit, who + was somewhat astonished at the sudden pause: “No; this noble girl is not + the only person who proves how loftiness of soul, and superiority of mind, + can make us indifferent to the vain advantages which belong only to the + accidents of birth or fortune.” At the moment of Adrienne speaking these + last words, Mother Bunch entered the room. + </p> + <p> + <a name="link2HCH0089" id="link2HCH0089"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXXVI. SUSPICIONS. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">M</span>dlle. de Cardoville sprang hastily to meet the visitor, and said to her, + in a voice of emotion, as she extended her arms towards her: “Come—come—there + is no grating to separate us now!” + </p> + <p> + On this allusion, which reminded her how her poor, laborious hand had been + respectfully kissed by the fair and rich patrician, the young workwoman + felt a sentiment of gratitude, which was at once ineffable and proud. But, + as she hesitated to respond to the cordial reception, Adrienne embraced + her with touching affection. When Mother Bunch found herself clasped in + the fair arms of Mdlle. de Cardoville, when she felt the fresh and rosy + lips of the young lady fraternally pressed to her own pale and sickly + cheek, she burst into tears without being able to utter a word. Rodin, + retired in a corner of the chamber, locked on this scene with secret + uneasiness. Informed of the refusal, so full of dignity, which Mother + Bunch had opposed to the perfidious temptations of the superior of St. + Mary’s Convent, and knowing the deep devotion of this generous creature + for Agricola—a devotion which for some days she had so bravely + extended to Mdlle. de Cardoville—the Jesuit did not like to see the + latter thus laboring to increase that affection. He thought, wisely, that + one should never despise friend or enemy, however small they may appear. + Now, devotion to Mdlle. de Cardoville constituted an enemy in his eyes; + and we know, moreover, that Rodin combined in his character rare firmness, + with a certain degree of superstitious weakness, and he now felt uneasy at + the singular impression of fear which Mother Bunch inspired in him. He + determined to recollect this presentiment. + </p> + <p> + Delicate natures sometimes display in the smallest things the most + charming instincts of grace and goodness. Thus, when the sewing-girl was + shedding abundant and sweet tears of gratitude, Adrienne took a richly + embroidered handkerchief, and dried the pale and melancholy face. This + action, so simple and spontaneous, spared the work-girl one humiliation; + for, alas! humiliation and suffering are the two gulfs, along the edge of + which misfortune continually passes. Therefore, the least kindness is in + general a double benefit to the unfortunate. Perhaps the reader may smile + in disdain at the puerile circumstance we mention. But poor Mother Bunch, + not venturing to take from her pocket her old ragged handkerchief, would + long have remained blinded by her tears, if Mdlle. de Cardoville had not + come to her aid. + </p> + <p> + “Oh! you are so good—so nobly charitable, lady!” was all that the + sempstress could say, in a tone of deep emotion; for she was still more + touched by the attention of the young lady, than she would perhaps have + been by a service rendered. + </p> + <p> + “Look there, sir,” said Adrienne to Rodin, who drew near hastily. “Yes,” + added the young patrician, proudly, “I have indeed discovered a treasure. + Look at her, sir; and love her as I love her, honor as I honor. She has + one of those hearts for which we are seeking.” + </p> + <p> + “And which, thank heaven, we are still able to find, my dear young lady!” + said Rodin, as he bowed to the needle-woman. + </p> + <p> + The latter raised her eyes slowly, and locked at the Jesuit. At sight of + that cadaverous countenance, which was smiling benignantly upon her, the + young girl started. It was strange! she had never seen this man, and yet + she felt instantly the same fear and repulsion that he had felt with + regard to her. Generally timid and confused, the work-girl could not + withdraw her eyes from Rodin’s; her heart beat violently, as at the coming + of some great danger, and, as the excellent creature feared only for those + she loved, she approached Adrienne involuntarily, keeping her eyes fixed + on Rodin. The Jesuit was too good a physiognomist not to perceive the + formidable impression he had made, and he felt an increase of his + instinctive aversion for the sempstress. Instead of casting down his eyes, + he appeared to examine her with such sustained attention, that Mdlle. de + Cardoville was astonished at it. + </p> + <p> + “I beg your pardon, my dear girl,” said Rodin, as if recalling his + recollections, and addressing himself to Mother Bunch, “I beg your pardon—but + I think—if I am not deceived—did you not go a few days since + to St. Mary’s Convent, hard by?” + </p> + <p> + “Yes, sir.” + </p> + <p> + “No doubt, it was you. Where then was my head?” cried Rodin. “It was you—I + should have guessed it sooner.” + </p> + <p> + “Of what do you speak, sir?” asked Adrienne. + </p> + <p> + “Oh! you are right, my dear young lady,” said Rodin, pointing to the + hunchback. “She has indeed a noble heart, such as we seek. If you knew + with what dignity, with what courage this poor girl, who was out of work + and, for her, to want work is to want everything—if you knew, I say, + with what dignity she rejected the shameful wages that the superior of the + convent was unprincipled enough to offer, on condition of her acting as a + spy in a family where it was proposed to place her.” + </p> + <p> + “Oh, that is infamous!” cried Mdlle. de Cardoville, with disgust. “Such a + proposal to this poor girl—to her!” + </p> + <p> + “Madame,” said Mother Bunch, bitterly, “I had no work, I was poor, they + did not know me—and they thought they might propose anything to the + likes of me.” + </p> + <p> + “And I tell you,” said Rodin, “that it was a double baseness on the part + of the superior, to offer such temptation to misery, and it was doubly + noble in you to refuse.” + </p> + <p> + “Sir,” said the sewing-girl, with modest embarrassment. + </p> + <p> + “Oh! I am not to be intimidated,” resumed Rod in. “Praise or blame, I + speak out roughly what I think. Ask this dear young lady,” he added, with + a glance at Adrienne. “I tell you plainly, that I think as well of you as + she does herself.” + </p> + <p> + “Believe me, dear,” said Adrienne, “there are some sorts of praise which + honor, recompense, and encourage; and M. Rodin’s is of the number. I know + it,—yes, I know it.” + </p> + <p> + “Nay, my dear young lady, you must not ascribe to me all the honor of this + judgment.” + </p> + <p> + “How so, sir?” + </p> + <p> + “Is not this dear girl the adopted sister of Agricola Baudoin, the gallant + workman, the energetic and popular poet? Is not the affection of such a + man the best of guarantees, and does it not enable us to judge, as it + were, by the label?” added Rodin, with a smile. + </p> + <p> + “You are right, sir,” said Adrienne; “for, before knowing this dear girl, + I began to feel deeply interested in her, from the day that her adopted + brother spoke to me about her. He expressed himself with so much warmth, + so much enthusiasm, that I at once conceived an esteem for the person + capable of inspiring so noble an attachment.” + </p> + <p> + These words of Adrienne, joined to another circumstance, had such an + effect upon their hearer, that her pale face became crimson. The + unfortunate hunchback loved Agricola, with love as passionate as it was + secret and painful: the most indirect allusion to this fatal sentiment + occasioned her the most cruel embarrassment. Now, the moment Mdlle. de + Cardoville spoke of Agricola’s attachment for Mother Bunch, the latter had + encountered Rodin’s observing and penetrating look fixed upon her. Alone + with Adrienne, the sempstress would have felt only a momentary confusion + on hearing the name of the smith; but unfortunately she fancied that the + Jesuit, who already filled her with involuntary fear, had seen into her + heart, and read the secrets of that fatal love, of which she was the + victim. Thence the deep blushes of the poor girl, and the embarrassment so + painfully visible, that Adrienne was struck with it. + </p> + <p> + A subtle and prompt mind, like Rodin’s on perceiving the smallest effect, + immediately seeks the cause. Proceeding by comparison, the Jesuit saw on + one side a deformed, but intelligent young girl, capable of passionate + devotion; on the other, a young workman, handsome, bold, frank, and full + of talent. “Brought up together, sympathizing with each other on many + points, there must be some fraternal affection between them,” said he to + himself; “but fraternal affection does not blush, and the hunchback + blushed and grew troubled beneath my look; does she, then, Love Agricola?” + </p> + <p> + Once on the scent of this discovery, Rodin wished to pursue the + investigation. Remarking the surprise and visible uneasiness that Mother + Bunch had caused in Adrienne, he said to the latter, with a smile, looking + significantly at the needlewoman: “You see, my dear young lady, how she + blushes. The good girl is troubled by what we said of the attachment of + this gallant workman.” + </p> + <p> + The needlewoman hung down her head, overcome with confusion. After the + pause of a second, during which Rodin preserved silence, so as to give + time for his cruel remark to pierce the heart of the victim, the savage + resumed: “Look at the dear girl! how embarrassed she appears!” + </p> + <p> + Again, after another silence, perceiving that Mother Bunch from crimson + had become deadly pale, and was trembling in all her limbs, the Jesuit + feared he had gone too far, whilst Adrienne said to her friend, with + anxiety: “Why, dear child, are you so agitated?” + </p> + <p> + “Oh! it is clear enough,” resumed Rodin, with an air of perfect + simplicity; for having discovered what he wished to know, he now chose to + appear unconscious. “It is quite clear and plain. This good girl has the + modesty of a kind and tender sister for a brother. When you praise him, + she fancies that she is herself praised.” + </p> +<div class="fig"> + <img src="images/20351m.jpg" alt="20351m" /><br /> + </div> + <h5> + <a href="images/20351.jpg"><i>Original</i></a> + </h5> + <p> + “And she is as modest as she is excellent,” added Adrienne, taking bath of + the girl’s hands, “the least praise, either of her adopted brother or of + herself, troubles her in this way. But it is mere childishness, and I must + scold her for it.” + </p> + <p> + Mdlle. de Cardoville spoke sincerely, for the explanation given by Rodin + appeared to her very plausible. Like all other persons who, dreading every + moment the discovery of some painful secret have their courage as easily + restored as shaken, Mother Bunch persuaded herself (and she needed to do + so, to escape dying of shame), that the last words of Rodin were sincere, + and that he had no idea of the love she felt for Agricola. So her agony + diminished, and she found words to reply to Mdlle. de Cardoville. + </p> + <p> + “Excuse me, madame,” she said timidly, “I am so little accustomed to such + kindness as that with which you overwhelm me, that I make a sorry return + for all your goodness.” + </p> + <p> + “Kindness, my poor girl?” said Adrienne. “I have done nothing for you yet. + But, thank heaven! from this day I shall be able to keep my promise, and + reward your devotion to me, your courageous resignation, your sacred love + of labor, and the dignity of which you have given so many proofs, under + the most cruel privations. In a word, from this day, if you do not object + to it, we will part no more.” + </p> + <p> + “Madame, you are too kind,” said Mother Bunch, in a trembling voice; “but + I—” + </p> + <p> + “Oh! be satisfied,” said Adrienne, anticipating her meaning. “If you + accept my offer, I shall know how to reconcile with my desire (not a + little selfish) of having you near me, the independence of your character, + your habits of labor, your taste for retirement, and your anxiety to + devote yourself to those who deserve commiseration; it is, I confess, by + affording you the means of satisfying these generous tendencies, that I + hope to seduce and keep you by me.” + </p> + <p> + “But what have I done?” asked the other, simply, “to merit any gratitude + from you? Did you not begin, on the contrary, by acting so generously to + my adopted brother?” + </p> + <p> + “Oh! I do not speak of gratitude,” said Adrienne; “we are quits. I speak + of friendship and sincere affection, which I now offer you.” + </p> + <p> + “Friendship to me, madame?” + </p> + <p> + “Come, come,” said Adrienne, with a charming smile, “do not be proud + because your position gives you the advantage. I have set my heart on + having you for a friend, and you will see that it shall be so. But now + that I think of it (a little late, you will say), what good wind brings + you hither?” + </p> + <p> + “This morning M. Dagobert received a letter, in which he was requested to + come to this place, to learn some news that would be of the greatest + interest to him. Thinking it concerned Marshal Simon’s daughters, he said + to me: ‘Mother Bunch, you have taken so much interest in those dear + children, that you must come with me: you shall witness my joy on finding + them, and that will be your reward.’” + </p> + <p> + Adrienne glanced at Rodin. The latter made an affirmative movement of the + head, and answered: “Yes, yes, my dear young lady: it was I who wrote to + the brave soldier, but without signing the letter, or giving any + explanation. You shall know why.” + </p> + <p> + “Then, my dear girl, why did you come alone?” said Adrienne. + </p> + <p> + “Alas, madame! on arriving here, it was your kind reception that made me + forget my fears.” + </p> + <p> + “What fears?” asked Rodin. + </p> + <p> + “Knowing that you lived here, madame, I supposed the letter was from you; + I told M. Dagobert so, and he thought the same. When we arrived, his + impatience was so great, that he asked at the door if the orphans were in + this house, and he gave their description. They told him no. Then, in + spite of my supplications, he insisted on going to the convent to inquire + about them.” + </p> + <p> + “What imprudence!” cried Adrienne. + </p> + <p> + “After what took place the other night, when he broke in,” added Rodin, + shrugging his shoulders. + </p> + <p> + “It was in vain to tell him,” returned Mother Bunch, “that the letter did + not announce positively, that the orphans would be delivered up to him; + but that, no doubt, he would gain some information about them. He refused + to hear anything, but said to me: ‘If I cannot find them, I will rejoin + you. But they were at the convent the day before yesterday, and now that + all is discovered, they cannot refuse to give them up—” + </p> + <p> + “And with such a man there is no disputing!” said Rodin, with a smile. + </p> + <p> + “I hope they will not recognize him!” said Adrienne, remembering + Baleinier’s threats. + </p> + <p> + “It is not likely,” replied Rodin; “they will only refuse him admittance. + That will be, I hope, the worst misfortune that will happen. Besides, the + magistrate will soon be here with the girls. I am no longer wanted: other + cares require my attention. I must seek out Prince Djalma. Only tell me, + my dear young lady, where I shall find you, to keep you informed of my + discoveries, and to take measures with regard to the young prince, if my + inquiries, as I hope, shall be attended with success.” + </p> + <p> + “You will find me in my new house, Rue d’Anjou, formerly Beaulieu House. + But now I think of it,” said Adrienne, suddenly, after some moments of + reflection, “it would not be prudent or proper, on many accounts, to lodge + the Prince Djalma in the pavilion I occupied at Saint-Dizier House. I saw, + some time ago, a charming little house, all furnished and ready; it only + requires some embellishments, that could be completed in twenty four + hours, to make it a delightful residence. Yes, that will be a thousand + times preferable,” added Mdlle. de Cardoville, after a new interval of + silence; “and I shall thus be able to preserve the strictest incognito.” + </p> + <p> + “What!” cried Rodin, whose projects would be much impeded by this new + resolution of the young lady; “you do not wish him to know who you are?” + </p> + <p> + “I wish Prince Djalma to know absolutely nothing of the anonymous friend + who comes to his aid; I desire that my name should not be pronounced + before him, and that he should not even know of my existence—at + least, for the present. Hereafter—in a month, perhaps—I will + see; circumstances will guide me.” + </p> + <p> + “But this incognito,” said Rodin, hiding his disappointment, “will be + difficult to preserve.” + </p> + <p> + “If the prince had inhabited the lodge, I agree with you; the neighborhood + of my aunt would have enlightened him, and this fear is one of the reasons + that have induced me to renounce my first project. But the prince will + inhabit a distant quarter—the Rue Blanche. Who will inform him of my + secret? One of my old friends, M. Norval—you, sir—and this + dear girl,” pointing to Mother Bunch, “on whose discretion I can depend as + on your own, will be my only confidants. My secret will then be quite + safe. Besides, we will talk further on this subject to-morrow. You must + begin by discovering the retreat of this unfortunate young prince.” + </p> + <p> + Rodin, though much vexed at Adrienne’s subtle determination with regard to + Djalma, put the best face on the matter, and replied: “Your intentions + shall be scrupulously fulfilled, my dear young lady; and to-morrow, with + your leave, I hope to give you a good account of what you are pleased to + call my providential mission.” + </p> + <p> + “To-morrow, then, I shall expect you with impatience,” said Adrienne, to + Rodin, affectionately. “Permit me always to rely upon you, as from this + day you may count upon me. You must be indulgent with me, sir; for I see + that I shall yet have many counsels, many services to ask of you—though + I already owe you so much.” + </p> + <p> + “You will never owe me enough, my dear young lady, never enough,” said + Rodin, as he moved discreetly towards the door, after bowing to Adrienne. + At the very moment he was going out, he found himself face to face with + Dagobert. + </p> + <p> + “Holloa! at last I have caught one!” shouted the soldier, as he seized the + Jesuit by the collar with a vigorous hand. + </p> +<div class="fig"> + <img src="images/20359m.jpg" alt="20359m" /><br /> + </div> + <h5> + <a href="images/20359.jpg"><i>Original</i></a> + </h5> + <p> + <a name="link2HCH0090" id="link2HCH0090"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXXVII. EXCUSES. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">O</span>n seeing Dagobert grasp Rodin so roughly by the collar, Mdlle. de + Cardoville exclaimed in terror, as she advanced several steps towards the + soldier: “In the name of Heaven, sir! what are you doing?” + </p> + <p> + “What am I doing?” echoed the soldier, harshly, without relaxing his hold + on Rodin, and turning his head towards Adrienne, whom he did not know; “I + take this opportunity to squeeze the throat of one of the wretches in the + band of that renegade, until he tells me where my poor children are.” + </p> + <p> + “You strangle me,” said the Jesuit, in a stifled voice, as he tried to + escape from the soldier. + </p> + <p> + “Where are the orphans, since they are not here, and the convent door has + been closed against me?” cried Dagobert, in a voice of thunder. + </p> + <p> + “Help! help!” gasped Rodin. + </p> + <p> + “Oh! it is dreadful!” said Adrienne, as, pale and trembling, she held up + her clasped hands to Dagobert. “Have mercy, sir! listen to me! listen to + him!” + </p> + <p> + “M. Dagobert!” cried Mother Bunch, seizing with her weak hands the + soldier’s arm, and showing him Adrienne, “this is Mdlle. de Cardoville. + What violence in her presence! and then, you are deceived doubtless!” + </p> + <p> + At the name of Mdlle. de Cardoville, the benefactress of his son, the + soldier turned round suddenly, and loosened his hold on Rodin. The latter, + crimson with rage and suffocation, set about adjusting his collar and his + cravat. + </p> + <p> + “I beg your pardon, madame,” said Dagobert, going towards Adrienne, who + was still pale with fright; “I did not known who you were, and the first + impulse of anger quite carried me away.” + </p> + <p> + “But what has this gentleman done to you?” said Adrienne. “If you had + listened to me, you would have learned—” + </p> + <p> + “Excuse me if I interrupt you, madame,” said the soldier to Adrienne, in a + hollow voice. Then addressing himself to Rodin, who had recovered his + coolness, he added: “Thank the lady, and begone!—If you remain here, + I will not answer for myself.” + </p> + <p> + “One word only, my dear sir,” said Rodin. + </p> + <p> + “I tell you that if you remain, I will not answer for myself!” cried + Dagobert, stamping his foot. + </p> + <p> + “But, for heaven’s sake, tell me the cause of this anger,” resumed + Adrienne; “above all, do not trust to appearances. Calm yourself, and + listen.” + </p> + <p> + “Calm myself, madame!” cried Dagobert, in despair; “I can think only of + one thing, ma dame—of the arrival of Marshal Simon—he will be + in Paris to-day or to-morrow.” + </p> + <p> + “Is it possible?” said Adrienne. Rodin started with surprise and joy. + </p> + <p> + “Yesterday evening,” proceeded Dagobert, “I received a letter from the + marshal: he has landed at Havre. For three days I have taken step after + step, hoping that the orphans would be restored to me, as the machinations + of those wretches have failed.” He pointed to Rodin with a new gesture of + impatience. “Well! it is not so. They are conspiring some new infamy. I am + prepared for anything.” + </p> + <p> + “But, sir,” said Rodin advancing, “permit me—” + </p> + <p> + “Begone!” cried Dagobert, whose irritation and anxiety redoubled, as he + thought how at any moment Marshal Simon might arrive in Paris. “Begone! + Were it not for this lady, I would at least be revenged on some one.” + </p> + <p> + Rodin made a nod of intelligence to Adrienne, whom he approached + prudently, and, pointing to Dagobert with a gesture of affectionate + commiseration, he said to the latter: “I will leave you, sir, and the more + willingly, as I was about to withdraw when you entered.” Then, coming + still closer to Mdlle. de Cardoville, the Jesuit whispered to her, “Poor + soldier! he is beside himself with grief, and would be incapable of + hearing me. Explain it all to him, my dear young lady; he will be nicely + caught,” added he, with a cunning air. “But in the meantime,” resumed + Rodin, feeling in the side-pocket of his great-coat and taking out a small + parcel, “let me beg you to give him this, my dear young lady. It is my + revenge, and a very good one.” + </p> + <p> + And while Adrienne, holding the little parcel in her hand looked at the + Jesuit with astonishment, the latter laying his forefinger upon his lip, + as if recommending silence, drew backward on tiptoe to the door, and went + out after again pointing to Dagobert with a gesture of pity; while the + soldier, in sullen dejection, with his head drooping, and his arms crossed + upon his bosom, remained deaf to the sewing-girl’s earnest consolations. + When Rodin had left the room, Adrienne, approaching the soldier, said to + him, in her mild voice, with an expression of deep interest, “Your sudden + entry prevented my asking you a question that greatly concerns me. How is + your wound?” + </p> + <p> + “Thank you, madame,” said Dagobert, starting from his painful lethargy, + “it is of no consequence, but I have not time to think of it. I am sorry + to have been so rough in your presence, and to have driven away that + wretch; but ‘tis more than I could master. At sight of those people, my + blood is all up.” + </p> + <p> + “And yet, believe me, you have been too hasty in your judgment. The person + who was just now here—” + </p> + <p> + “Too hasty, madame! I do not see him to-day for the first time. He was + with that renegade the Abbe d’Aigrigny—” + </p> + <p> + “No doubt!—and yet he is an honest and excellent man.” + </p> + <p> + “He!” cried Dagobert. + </p> + <p> + “Yes; for at this moment he is busy about only one thing restoring to you + those dear children!” + </p> + <p> + “He!” repeated Dagobert, as if he could not believe what he heard. “He + restore me my children?” + </p> + <p> + “Yes; and sooner, perhaps, than you think for.” + </p> + <p> + “Madame,” said Dagobert, abruptly, “he deceives you. You are the dupe of + that old rascal.” + </p> + <p> + “No,” said Adrienne, shaking her head, with a smile. “I have proofs of his + good faith. First of all, it is he who delivers me from this house.” + </p> + <p> + “Is it true?” said Dagobert, quite confounded. + </p> + <p> + “Very true; and here is, perhaps, something that will reconcile you to + him,” said Adrienne, as she delivered the small parcel which Rodin had + given her as he went out. “Not wishing to exasperate you by his presence, + he said to me: ‘Give this to that brave soldier; it is my revenge.’” + </p> + <p> + Dagobert looked at Mdlle. de Cardoville with surprise, as he mechanically + opened the little parcel. When he had unfolded it, and discovered his own + silver cross, black with age, and the old red, faded ribbon, treasures + taken from him at the White Falcon Inn, at the same time as his papers, he + exclaimed in a broken voice: “My cross! my cross! It is my cross!” In the + excitement of his joy, he pressed the silver star to his gray moustache. + </p> + <p> + Adrienne and the other were deeply affected by the emotion of the old + soldier, who continued, as he ran towards the door by which Rodin had gone + out: “Next to a service rendered to Marshal Simon, my wife, or son, + nothing could be more precious to me. And you answer for this worthy man, + madame, and I have ill used him in your presence! Oh! he is entitled to + reparation, and he shall have it.” + </p> + <p> + So saying, Dagobert left the room precipitately, hastened through two + other apartments, gained the staircase, and descending it rapidly, + overtook Rodin on the lowest step. + </p> + <p> + “Sir,” said the soldier to him, in an agitated voice, as he seized him by + the arm, “you must come upstairs directly.” + </p> + <p> + “You should make up your mind to one thing or the other, my dear sir,” + said Rodin, stopping good-naturedly; “one moment you tell me to begone, + and the next to return. How are we to decide?” + </p> + <p> + “Just now, sir, I was wrong; and when I am wrong, I acknowledge it. I + abused and ill-treated you before witnesses; I will make you my apologies + before witnesses.” + </p> + <p> + “But, my dear sir—I am much obliged to you—I am in a hurry.” + </p> + <p> + “I cannot help your being in a hurry. I tell you, I must have you come + upstairs, directly—or else—or else,” resumed Dagobert, taking + the hand of the Jesuit, and pressing it with as much cordiality as + emotion, “or else the happiness you have caused the in returning my cross + will not be complete.” + </p> + <p> + “Well, then, my good friend, let us go up.” + </p> + <p> + “And not only have you restored me my cross, for which I have wept many + tears, believe me, unknown to any one,” cried Dagobert, much affected; + “but the young lady told me, that, thanks to you, those poor children but + tell me—no false joy-is it really true?—My God! is it really + true?” + </p> + <p> + “Ah! ah! Mr. Inquisitive,” said Rodin, with a cunning smile. Then he + added: “Be perfectly tranquil, my growler; you shall have your two angels + back again.” And the Jesuit began to ascend the stairs. + </p> + <p> + “Will they be restored to me to-day?” cried Dagobert, stopping Rodin + abruptly, by catching hold of his sleeve. + </p> + <p> + “Now, really, my good friend,” said the Jesuit, “let us come to the point. + Are we to go up or down? I do not find fault, but you turn me about like a + teetotum.” + </p> + <p> + “You are right. We shall be better able to explain things upstairs. Come + with me—quick! quick!” said Dagobert, as, taking the Jesuit by the + arm, he hurried him along, and brought him triumphantly into the room, + where Adrienne and Mother Bunch had remained in much surprise at the + soldier’s sudden disappearance. + </p> + <p> + “Here he is! here he is!” cried Dagobert, as he entered. “Luckily, I + caught him at the bottom of the stairs.” + </p> + <p> + “And you have made me come up at a fine pace!” added Rodin, pretty well + out of breath. + </p> + <p> + “Now, sir,” said Dagobert, in a grave voice, “I declare, in presence of + all, that I was wrong to abuse and ill-treat you. I make you my apology + for it, sir; and I acknowledge, with joy, that I owe you—much—oh! + very much and when I owe, I pay.” + </p> + <p> + So saying, Dagobert held out his honest hand to Rodin, who pressed it in a + very affable manner, and replied: “Now, really—what is all this + about? What great service do you speak of?” + </p> + <p> + “This!” said Dagobert, holding up the cross before Rodin’s eyes. “You do + not know, then, what this cross is to me?” + </p> + <p> + “On the contrary, supposing you would set great store by it, I intended to + have the pleasure of delivering it myself. I had brought it for that + purpose; but, between ourselves, you gave me so warm a reception, that I + had not the time—” + </p> + <p> + “Sir,” said Dagobert, in confusion, “I assure you that I sincerely repent + of what I have done.” + </p> + <p> + “I know it, my good friend; do not say another word about it. You were + then much attached to this cross?” + </p> + <p> + “Attached to it, sir!” cried Dagobert. “Why, this cross,” and he kissed it + as he spoke, “is my relic. He from whom it came was my saint—my hero—and + he had touched it with his hand!” + </p> + <p> + “Oh!” said Rodin, feigning to regard the cross with as much curiosity as + respectful admiration; “did Napoleon—the Great Napoleon—indeed + touch with his own hand—that victorious hand!—this noble star + of honor?” + </p> + <p> + “Yes, sir, with his own hand. He placed it there upon my bleeding breast, + as a cure for my fifth wound. So that, you see, were I dying of hunger, I + think I should not hesitate betwixt bread and my cross—that I might, + in any case, have it on my heart in death. But, enough—enough! let + us talk of something else. It is foolish in an old soldier, is it not?” + added Dagobert, drawing his hand across his eyes, and then, as if ashamed + to deny what he really felt: “Well, then! yes,” he resumed, raising his + head proudly, and no longer seeking to conceal the tears that rolled down + his cheek; “yes, I weep for joy, to have found my cross—my cross, + that the Emperor gave me with his victorious hand, as this worthy man has + called it.” + </p> + <p> + “Then blessed be my poor old hand for having restored you the glorious + treasure!” said Rodin, with emotion. “In truth,” he added, “the day will + be a good one for everybody—as I announced to you this morning in my + letter.” + </p> + <p> + “That letter without a signature?” asked the soldier, more and more + astonished. “Was it from you?” + </p> + <p> + “It was I who wrote it. Only, fearing some new snare of the Abbe + d’Aigrigny, I did not choose, you understand, to explain myself more + clearly.” + </p> + <p> + “Then—I shall see—my orphans?” + </p> + <p> + Rodin nodded affirmatively, with an expression of great good-nature. + </p> + <p> + “Presently—perhaps immediately,” said Adrienne, with smile. “Well! + was I right in telling you that you had not judged this gentleman fairly?” + </p> + <p> + “Why did he not tell me this when I came in?” cried Dagobert, almost + beside himself with joy. + </p> + <p> + “There was one difficulty in the way, my good friend,” said Rodin; “it + was, that when you came in, you nearly throttled me.” + </p> + <p> + “True; I was too hasty. Once more, I ask your pardon. But was I to blame? + I had only seen you with that Abbe d’Aigrigny, and in the first moment—” + </p> + <p> + “This dear young lady,” said Rodin, bowing to Adrienne, “will tell you + that I have been, without knowing it, the accomplice IN many perfidious + actions; but as soon as I began to see my way through the darkness, I + quitted the evil course on which I had entered, and returned to that which + is honest, just and true.” + </p> + <p> + Adrienne nodded affirmatively to Dagobert, who appeared to consult her + look. + </p> + <p> + “If I did not sign the letter that I wrote to you, my good friend, it was + partly from fear that my name might inspire suspicion; and if I asked you + to come hither, instead of to the convent, it was that I had some dread—like + this dear young lady—lest you might be recognized by the porter or + by the gardener, your affair of the other night rendering such a + recognition somewhat dangerous.” + </p> + <p> + “But M. Baleinier knows all; I forgot that,” said Adrienne, with + uneasiness. “He threatened to denounce M. Dagobert and his son, if I made + any complaint.” + </p> + <p> + “Do not be alarmed, my dear young lady; it will soon be for you to dictate + conditions,” replied Rodin. “Leave that to me; and as for you, my good + friend, your torments are now finished.” + </p> + <p> + “Yes,” said Adrienne, “an upright and worthy magistrate has gone to the + convent, to fetch Marshal Simon’s daughters. He will bring them hither; + but he thought with me, that it would be most proper for them to take up + their abode in my house. I cannot, however, come to this decision without + your consent, for it is to you that these orphans were entrusted by their + mother.” + </p> + <p> + “You wish to take her place with regard to them, madame?” replied + Dagobert. “I can only thank you with all my heart, for myself and for the + children. But, as the lesson has been a sharp one, I must beg to remain at + the door of their chamber, night and day. If they go out with you, I must + be allowed to follow them at a little distance, so as to keep them in + view, just like Spoil-sport, who has proved himself a better guardian than + myself. When the marshal is once here—it will be in a day or two—my + post will be relieved. Heaven grant it may be soon!” + </p> + <p> + “Yes,” replied Rodin, in a firm voice, “heaven grant he may arrive soon, + for he will have to demand a terrible reckoning of the Abbe d’Aigrigny, + for the persecution of his daughters; and yet the marshal does not know + all.” + </p> + <p> + “And don’t you tremble for the renegade?” asked Dagobert, as he thought + how the marquis would soon find himself face to face with the marshal. + </p> + <p> + “I never care for cowards and traitors,” answered Rodin; “and when Marshal + Simon returns—” Then, after a pause of some seconds, he continued: + “If he will do me the honor to hear me, he shall be edified as to the + conduct of the Abbe d’Aigrigny. The marshal knows that his dearest + friends, as well as himself, have been victims of the hatred of that + dangerous man.” + </p> + <p> + “How so?” said Dagobert. + </p> + <p> + “Why, yourself, for instance,” replied Rodin; “you are an example of what + I advance.” + </p> + <p> + “Do you think it was mere chance, that brought about the scene at the + White Falcon Inn, near Leipsic?” + </p> + <p> + “Who told you of that scene?” said Dagobert in astonishment. + </p> + <p> + “Where you accepted the challenge of Morok,” continued the Jesuit, without + answering Dagobert’s question, “and so fell into a trap, or else refused + it, and were then arrested for want of papers, and thrown into prison as a + vagabond, with these poor children. Now, do you know the object of this + violence? It was to prevent your being here on the 13th of February.” + </p> + <p> + “But the more I hear, sir,” said Adrienne, “the more I am alarmed at the + audacity of the Abbe d’Aigrigny, and the extent of the means he has at his + command. Really,” she resumed, with increasing surprise, “if your words + were not entitled to absolute belief—” + </p> + <p> + “You would doubt their truth, madame?” said Dagobert. “It is like me. Bad + as he is. I cannot think that this renegade had relations with a + wild-beast showman as far off as Saxony; and then, how could he know that + I and the children were to pass through Leipsic? It is impossible, my good + man.” + </p> + <p> + “In fact, sir,” resumed Adrienne, “I fear that you are deceived by your + dislike (a very legitimate one) of Abbe d’Aigrigny, and that you ascribe + to him an almost fabulous degree of power and extent of influence.” + </p> + <p> + After a moment’s silence, during which Rodin looked first at Adrienne and + then at Dagobert, with a kind of pity, he resumed. “How could the Abbe + d’Aigrigny have your cross in his possession, if he had no connection with + Morok?” + </p> + <p> + “That is true, sir,” said Dagobert; “joy prevented me from reflecting. But + how indeed, did my cross come into your hands?” + </p> + <p> + “By means of the Abbe d’Aigrigny’s having precisely those relations with + Leipsic, of which you and the young lady seem to doubt.” + </p> + <p> + “But how did my cross get to Paris?” + </p> + <p> + “Tell me; you were arrested at Leipsic for want of papers—is it not + so?” + </p> + <p> + “Yes; but I could never understand how my passports and money disappeared + from my knapsack. I thought I must have had the misfortune to lose them.” + </p> + <p> + Rodin shrugged his shoulders, and replied: “You were robbed of them at the + White Falcon Inn, by Goliath, one of Morok’s servants, and the latter sent + the papers and the cross to the Abbe d’Aigrigny, to prove that he had + succeeded in executing his orders with respect to the orphans and + yourself. It was the day before yesterday, that I obtained the key of that + dark machination. Cross and papers were amongst the stores of Abbe + d’Aigrigny; the papers formed a considerable bundle, and he might have + missed them; but, hoping to see you this morning, and knowing how a + soldier of the Empire values his cross, his sacred relic, as you call it, + my good friend—I did not hesitate. I put the relic into my pocket. + ‘After all,’ said I, ‘it is only restitution, and my delicacy perhaps + exaggerates this breach of trust.’” + </p> + <p> + “You could not have done a better action,” said Adrienne; “and, for my + part, because of the interest I feel for M. Dagobert—I take it as a + personal favor. But, sir,” after a moment’s silence, she resumed with + anxiety: “What terrible power must be at the command of M. d’Aigrigny, for + him to have such extensive and formidable relations in a foreign country!” + </p> + <p> + “Silence!” said Rodin, in a low voice, and looking round him with an air + of alarm. “Silence! In heaven’s name do not ask me about it!” + </p> + <p> + <a name="link2HCH0091" id="link2HCH0091"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXXVIII. REVELATIONS. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">M</span>dlle. de Cardoville, much astonished at the alarm displayed by Rodin, + when she had asked him for some explanation of the formidable and far + reaching power of the Abby d’Aigrigny, said to him: “Why, sir, what is + there so strange in the question that I have just asked you?” + </p> + <p> + After a moment’s silence, Rodin cast his looks all around, with well + feigned uneasiness, and replied in a whisper: “Once more, madame, do not + question me on so fearful a subject. The walls of this house may have + ears.” + </p> + <p> + Adrienne and Dagobert looked at each other with growing surprise. Mother + Bunch, by an instinct of incredible force, continued to regard Rodin with + invincible suspicion. Sometimes she stole a glance at him, as if trying to + penetrate the mask of this man, who filled her with fear. At one moment, + the Jesuit encountered her anxious gaze, obstinately fixed upon him; + immediately he nodded to her with the greatest amenity. The young girl, + alarmed at finding herself observed, turned away with a shudder. + </p> + <p> + “No, no, my dear young lady,” resumed Rodin, with a sigh, as he saw Mdlle. + de Cardoville astonished at his silence; “do not question me on the + subject of the Abbe d’Aigrigny’s power!” + </p> + <p> + “But, to persist, sir,” said Adrienne; “why this hesitation to answer? + What do you fear?” + </p> + <p> + “Ah, my dear young lady,” said Rodin, shuddering, “those people are so + powerful! their animosity is so terrible!” + </p> + <p> + “Be satisfied, sir; I owe you too much, for my support ever to fail you.” + </p> + <p> + “Ah, my dear young lady,” cried Rodin, as if hurt by the supposition; + “think better of me, I entreat you. Is it for myself that I fear?—No, + no; I am too obscure, too inoffensive; but it is for you, for Marshal + Simon, for the other members of your family, that all is to be feared. Oh, + my dear young lady! let me beg you to ask no questions. There are secrets + which are fatal to those who possess them.” + </p> + <p> + “But, sir, is it not better to know the perils with which one is + threatened?” + </p> + <p> + “When you know the manoeuvres of your enemy, you may at least defend + yourself,” said Dagobert. “I prefer an attack in broad daylight to an + ambuscade.” + </p> + <p> + “And I assure you,” resumed Adrienne, “the few words you have spoken cause + me a vague uneasiness.” + </p> + <p> + “Well, if I must, my dear young lady,” replied the Jesuit, appearing to + make a great effort, “since you do not understand my hints, I will be more + explicit; but remember,” added he, in a deeply serious tone, “that you + have persevered in forcing me to tell you what you had perhaps better not + have known.” + </p> + <p> + “Speak, Sir, I pray you speak,” said Adrienne. + </p> + <p> + Drawing about him Adrienne, Dagobert, and Mother Bunch, Rodin said to them + in a low voce, and with a mysterious air: “Have you never heard of a + powerful association, which extends its net over all the earth, and counts + its disciples, agents, and fanatics in every class of society which has + had, and often has still, the ear of kings and nobles—which, in a + word, can raise its creatures to the highest positions, and with a word + can reduce them again to the nothingness from which it alone could uplift + them?” + </p> + <p> + “Good heaven, sir!” said Adrienne, “what formidable association? Until now + I never heard of it.” + </p> + <p> + “I believe you; and yet your ignorance on this subject greatly astonishes + me, my dear young lady.” + </p> + <p> + “And why should it astonish you?” + </p> + <p> + “Because you lived some time with your aunt, and must have often seen the + Abbe d’Aigrigny.” + </p> + <p> + “I lived at the princess’s, but not with her; for a thousand reasons she + had inspired me with warrantable aversion.” + </p> + <p> + “In truth, my dear young lady, my remark was ill-judged. It was there, + above all, and particularly in your presence, that they would keep silence + with regard to this association—and yet to it alone did the Princess + de Saint-Dizier owe her formidable influence in the world, during the last + reign. Well, then; know this—it is the aid of that association which + renders the Abbe d’Aigrigny so dangerous a man. + </p> + <p> + “By it he was enabled to follow and to reach divers members of your + family, some in Siberia, some in India, others on the heights of the + American mountains; but, as I have told you, it was only the day before + yesterday, and by chance, that, examining the papers of Abbe d’Aigrigny, I + found the trace of his connection with this Company, of which he is the + most active and able chief.” + </p> + <p> + “But the name, sir, the name of this Company?” said Adrienne. + </p> +<div class="fig"> + <img src="images/20367m.jpg" alt="20367m" /><br /> + </div> + <h5> + <a href="images/20367.jpg"><i>Original</i></a> + </h5> + <p> + “Well! it is—” but Rodin stopped short. + </p> + <p> + “It is,” repeated Adrienne, who was now as much interested as Dagobert and + the sempstress; “it is—” + </p> + <p> + Rodin looked round him, beckoned all the actors in this scene to draw + nearer, and said in a whisper, laying great stress upon the words: “It is—the + Society of Jesus!” and he again shuddered. + </p> + <p> + “The Jesuits!” cried Mdlle. de Cardoville, unable to restrain a burst of + laughter, which was the more buoyant, as, from the mysterious precautions + of Rodin, she had expected some very different revelation. “The Jesuits!” + she resumed, still laughing. “They have no existence, except in books; + they are frightful historical personages, certainly; but why should you + put forward Madame de Saint-Dizier and M. d’Aigrigny in that character? + Such as they are, they have done quite enough to justify my aversion and + disdain.” + </p> + <p> + After listening in silence to Mdlle. de Cardoville Rodin continued, with a + grave and agitated air: “Your blindness frightens me, my dear, young lady; + the past should have given you some anxiety for the future, since, more + than any one, you have already suffered from the fatal influence of this + Company, whose existence you regard as a dream!” + </p> + <p> + “I, sir?” said Adrienne, with a smile, although a little surprised. + </p> + <p> + “You.” + </p> + <p> + “Under what circumstances?” + </p> + <p> + “You ask me this question! my dear young lady! you ask me this question!—and + yet you have been confined here as a mad person! Is it not enough to tell + you that the master of this house is one of the most devoted lay members + of the Company, and therefore the blind instrument of the Abbe + d’Aigrigny?” + </p> + <p> + “So,” said Adrienne, this time without smiling, “Dr. Baleinier” + </p> + <p> + “Obeyed the Abbe d’Aigrigny, the most formidable chief of that formidable + society. He employs his genius for evil; but I must confess he is a man of + genius. Therefore, it is upon him that you and yours must fix all your + doubts and suspicions; it is against him that you must be upon your guard. + For, believe me, I know him, and he does not look upon the game as lost. + You must be prepared for new attacks, doubtless of another kind, but only + the more dangerous on that account—” + </p> + <p> + “Luckily, you give us notice,” said Dagobert, “and you will be on our + side.” + </p> + <p> + “I can do very little, my good friends; but that little is at the service + of honest people,” said Rodin. + </p> + <p> + “Now,” said Adrienne, with a thoughtful air, completely persuaded by + Rodin’s air of conviction, “I can explain the inconceivable influence that + my aunt exercised in the world. I ascribed it chiefly to her relations + with persons in power; I thought that she, like the Abbe d’Aigrigny, was + concerned in dark intrigues, for which religion served as a veil—but + I was far from believing what you tell me.” + </p> + <p> + “How many things you have got to learn!” resumed Rodin. “If you knew, my + dear young lady, with what art these people surround you, without your + being aware of it, by agents devoted to themselves! Every one of your + steps is known to them, when they have any interest in such knowledge. + Thus, little by little, they act upon you—slowly, cautiously, + darkly. They circumvent you by every possible means, from flattery to + terror—seduce or frighten, in order at last to rule you, without + your being conscious of their authority. Such is their object, and I must + confess they pursue it with detestable ability.” + </p> + <p> + Rodin had spoken with so much sincerity, that Adrienne trembled; then, + reproaching herself with these fears, she resumed: “And yet, no—I + can never believe in so infernal a power; the might of priestly ambition + belongs to another age. Heaven be praised, it has disappeared forever!” + </p> + <p> + “Yes, certainly, it is out of sight; for they now know how to disperse and + disappear, when circumstances require it. But then are they the most + dangerous; for suspicion is laid asleep, and they keep watch in the dark. + Oh! my dear young lady, if you knew their frightful ability! In my hatred + of all that is oppressive, cowardly, and hypocritical, I had studied the + history of that terrible society, before I knew that the Abbe d’Aigrigny + belonged to it. Oh! it is dreadful. If you knew what means they employ! + When I tell you that, thanks to their diabolical devices, the most pure + and devoted appearances often conceal the most horrible snares.” Rodin’s + eye rested, as if by chance, on the hunchback; but, seeing that Adrienne + did not take the hint, the Jesuit continued: “In a word—are you not + exposed to their pursuits?—have they any interest in gaining you + over?—oh! from that moment, suspect all that surround you, suspect + the most noble attachments, the most tender affections, for these monsters + sometimes succeed in corrupting your best friends, and making a terrible + use of them, in proportion to the blindness of your confidence.” + </p> + <p> + “Oh! it is impossible,” cried Adrienne, in horror. “You must exaggerate. + No! hell itself never dreamed of more frightful treachery!” + </p> + <p> + “Alas, my dear young lady! one of your relations, M. Hardy—the most + loyal and generous-hearted man that could be—has been the victim of + some such infamous treachery. Do you know what we learned from the reading + of your ancestor’s will? Why, that he died the victim of the malevolence + of these people; and now, at the lapse of a hundred and fifty years, his + descendants are still exposed to the hate of that indestructible society.” + </p> + <p> + “Oh, sir! it terrifies me,” said Adrienne, feeling her heart sink within + her. “But are there no weapons against such attacks?” + </p> + <p> + “Prudence, my dear young lady—the most watchful caution—the + most incessant study and suspicion of all that approach you.” + </p> + <p> + “But such a life would be frightful! It is a torture to be the victim of + continual suspicions, doubts, and fears.” + </p> + <p> + “Without doubt! They know it well, the wretches! That constitutes their + strength. They often triumph by the very excess of the precautions taken + against them. Thus, my dear young lady, and you, brave and worthy soldier, + in the name of all that is dear to you, be on your guard, and do not + lightly impart your confidence. Be on your guard, for you have nearly + fallen the victims of those people. They will always be your implacable + enemies. And you, also, poor, interesting girl!” added the Jesuit, + speaking to Mother Bunch, “follow my advice—fear these people. + Sleep, as the proverb says, with one eye open.” + </p> + <p> + “I, sir!” said the work-girl. “What have I done? what have I to fear?” + </p> + <p> + “What have you done? Dear me! Do not you tenderly love this young lady, + your protectress? have you not attempted to assist her? Are you not the + adopted sister of the son of this intrepid soldier, the brave Agricola! + Alas, poor, girl! are not these sufficient claims to their hatred, in + spite of your obscurity? Nay, my dear young lady! do not think that I + exaggerate. Reflect! only reflect! Think what I have just said to the + faithful companion-in-arms of Marshal Simon, with regard to his + imprisonment at Leipsic. Think what happened to yourself, when, against + all law and reason, you were brought hither. Then you will see, that there + is nothing exaggerated in the picture I have drawn of the secret power of + this Company. Be always on your guard, and, in doubtful cases, do not fear + to apply to me. In three days, I have learned enough by my own experience, + with regard to their manner of acting, to be able to point out to you many + a snare, device, and danger, and to protect you from them.” + </p> + <p> + “In any such case, sir,” replied Mdlle. de Cardoville, “my interests, as + well as gratitude, would point to you as my best counsellor.” + </p> + <p> + According to the skillful tactics of the sons of Loyola, who sometimes + deny their own existence, in order to escape from an adversary—and + sometimes proclaim with audacity the living power of their organization, + in order to intimidate the feeble-R-odin had laughed in the face of the + bailiff of Cardoville, when the latter had spoken of the existence of the + Jesuits; while now, at this moment, picturing their means of action, he + endeavored, and he succeeded in the endeavor, to impregnate the mind of + Mdlle. de Cardoville with some germs of doubt, which were gradually to + develop themselves by reflection, and serve hereafter the dark projects + that he meditated. Mother Bunch still felt considerable alarm with regard + to Rodin. Yet, since she had heard the fatal powers of the formidable + Order revealed to Adrienne, the young sempstress, far from suspecting the + Jesuit of having the audacity to speak thus of a society of which he was + himself a member, felt grateful to him, in spite of herself, for the + important advice that he had just given her patroness. The side-glance + which she now cast upon him (which Rodin also detected, for he watched the + young girl with sustained attention), was full of gratitude, mingled with + surprise. Guessing the nature of this impression, and wishing entirely to + remove her unfavorable opinion, and also to anticipate a revelation which + would be made sooner or later, the Jesuit appeared to have forgotten + something of great importance, and exclaimed, striking his forehead: “What + was I thinking of?” Then, speaking to Mother Bunch, he added: “Do you know + where your sister is, my dear girl?” Disconcerted and saddened by this + unexpected question, the workwoman answered with a blush, for she + remembered her last interview with the brilliant Bacchanal Queen: “I have + not seen my sister for some days, sir.” + </p> + <p> + “Well, my dear girl, she is not very comfortable,” said Rodin; “I promised + one of her friends to send her some little assistance. I have applied to a + charitable person, and that is what I received for her.” So saying, he + drew from his pocket a sealed roll of coin, which he delivered to Mother + Bunch, who was now both surprised and affected. + </p> + <p> + “You have a sister in trouble, and I know nothing of it?” said Adrienne, + hastily. “This is not right of you, my child!” + </p> + <p> + “Do not blame her,” said Rodin. “First of all, she did not know that her + sister was in distress, and, secondly, she could not ask you, my dear + young lady, to interest yourself about her.” + </p> + <p> + As Mdlle. de Cardoville looked at Rodin with astonishment, he added, again + speaking to the hunchback: “Is not that true, my dear girl!” + </p> + <p> + “Yes, sir,” said the sempstress, casting down her eyes and blushing. Then + she added, hastily and anxiously: “But when did you see my sister, sir? + where is she? how did she fall into distress?” + </p> + <p> + “All that would take too long to tell you, my dear girl; but go as soon as + possible to the greengrocer’s in the Rue Clovis, and ask to speak to your + sister as from M. Charlemagne or M. Rodin, which you please, for I am + equally well known in that house by my Christian name as by my surname, + and then you will learn all about it. Only tell your sister, that, if she + behaves well, and keeps to her good resolutions, there are some who will + continue to look after her.” + </p> + <p> + More and more surprised, Mother Bunch was about to answer Rodin, when the + door opened, and M. de Gernande entered. The countenance of the magistrate + was grave and sad. + </p> + <p> + “Marshal Simon’s daughters!” cried Mdlle. de Cardoville. + </p> + <p> + “Unfortunately, they are not with me,” answered the judge. + </p> + <p> + “Then, where are they, sir? What have they done with them? The day before + yesterday, they were in the convent!” cried Dagobert, overwhelmed by this + complete destruction of his hopes. + </p> + <p> + Hardly had the soldier pronounced these words, when, profiting by the + impulse which gathered all the actors in this scene about the magistrate, + Rodin withdrew discreetly towards the door, and disappeared without any + one perceiving his absence. Whilst the soldier, thus suddenly thrown back + to the depths of his despair, looked at M. de Gernande, waiting with + anxiety for the answer, Adrienne said to the magistrate: “But, sir, when + you applied at the convent, what explanation did the superior give on the + subject of these young girls?” + </p> + <p> + “The lady superior refused to give any explanation, madame. ‘You pretend,’ + said she, ‘that the young persons of whom you speak are detained here + against their will. Since the law gives you the right of entering this + house, make your search.’ ‘But, madame, please to answer me positively,’ + said I to the superior; ‘do you declare, that you know nothing of the + young girls, whom I have come to claim?’ ‘I have nothing to say on this + subject, sir. You assert, that you are authorized to make a search: make + it.’ Not being able to get any other explanation,” continued the + magistrate, “I searched all parts of the convent, and had every door + opened—but, unfortunately, I could find no trace of these young + ladies.” + </p> + <p> + “They must have sent them elsewhere,” cried Dagobert; “who knows?—perhaps, + ill. They will kill them—O God! they will kill them!” cried he, in a + heart-rending tone. + </p> + <p> + “After such a refusal, what is to be done? Pray, sir, give us your advice; + you are our providence,” said Adrienne, turning to speak to Rodin, who she + fancied was behind her. “What is your—” + </p> + <p> + Then, perceiving that the Jesuit had suddenly disappeared, she said to + Mother Bunch, with uneasiness: “Where is M. Rodin?” + </p> + <p> + “I do not know, madame,” answered the girl, looking round her; “he is no + longer here.” + </p> + <p> + “It is strange,” said Adrienne, “to disappear so abruptly!” + </p> + <p> + “I told you he was a traitor!” cried Dagobert, stamping with rage; “they + are all in a plot together.” + </p> + <p> + “No, no,” said Mdlle. de Cardoville; “do not think that. But the absence + is not the less to be regretted, for, under these difficult circumstances, + he might have given us very useful information, thanks to the position he + occupied at M. d’Aigrigny’s.” + </p> + <p> + “I confess, madame, that I rather reckoned upon it,” said M. de Gernande; + “and I returned hither, not only to inform you of the fruitless result of + my search, but also to seek from the upright and honorable roan, who so + courageously unveiled these odious machinations, the aid of his counsels + in this contingency.” + </p> + <p> + Strangely enough, for the last few moments Dagobert was so completely + absorbed in thought, that he paid no attention to the words of the + magistrate, however important to him. He did not even perceive the + departure of M. de Gernande, who retired after promising Adrienne that he + would neglect no means to arrive at the truth, in regard to the + disappearance of the orphans. Uneasy at this silence, wishing to quit the + house immediately, and induce Dagobert to accompany her, Adrienne, after + exchanging a rapid glance with Mother Bunch, was advancing towards the + soldier, when hasty steps were heard from without the chamber, and a manly + sonorous voice, exclaiming with impatience, “Where is he—where is + he?” + </p> + <p> + At the sound of this voice, Dagobert seemed to rouse himself with a start, + made a sudden bound, and with a loud cry, rushed towards the door. It + opened. Marshal Simon appeared on the threshold! + </p> + <p> + <a name="link2HCH0092" id="link2HCH0092"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXXIX. PIERRE SIMON. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">M</span>arshal Pierre Simon, Duke de Ligny, was a man of tall stature, plainly + dressed in a blue frock-coat, buttoned up to the throat, with a red ribbon + tied to the top buttonhole. You could not have wished to see a more frank, + honest, and chivalrous cast of countenance than the marshal’s. He had a + broad forehead, an aquiline nose, a well formed chin, and a complexion + bronzed by exposure to the Indian sun. His hair, cut very short, was + inclined to gray about the temples; but his eyebrows were still as black + as his large, hanging moustache. His walk was free and bold, and his + decided movements showed his military impetuosity. A man of the people, a + man of war and action, the frank cordiality of his address invited + friendliness and sympathy. As enlightened as he was intrepid as generous + as he was sincere, his manly, plebeian pride was the most remarkable part + of his character. As others are proud of their high birth, so was he of + his obscure origin, because it was ennobled by the fine qualities of his + father, the rigid republican, the intelligent and laborious artisan, who, + for the space of forty years, had been the example and the glory of his + fellow-workmen. In accepting with gratitude the aristocratic title which + the Emperor had bestowed upon him, Pierre Simon acted with that delicacy + which receives from a friendly hand a perfectly useless gift, and + estimates it according to the intention of the giver. The religious + veneration of Pierre Simon for the Emperor had never been blind; in + proportion as his devotion and love for his idol were instructive and + necessary, his admiration was serious, and founded upon reason. Far from + resembling those swashbucklers who love fighting for its own sake, Marshal + Simon not only admired his hero as the greatest captain in the world, but + he admired him, above all, because he knew that the Emperor had only + accepted war in the hope of one day being able to dictate universal peace; + for if peace obtained by glory and strength is great, fruitful, and + magnificent, peace yielded by weakness and cowardice is sterile, + disastrous, and dishonoring. The son of a workman, Pierre Simon still + further admired the Emperor, because that imperial parvenu had always + known how to make that popular heart beat nobly, and, remembering the + people, from the masses of whom he first arose, had invited them + fraternally to share in regal and aristocratic pomp. + </p> +<div class="fig"> + <img src="images/20375m.jpg" alt="20375m" /><br /> + </div> + <h5> + <a href="images/20375.jpg"><i>Original</i></a> + </h5> + <p> + When Marshal Simon entered the room, his countenance was much agitated. At + sight of Dagobert, a flash of joy illumined his features; he rushed + towards the soldier, extending his arms, and exclaimed, “My friend! my old + friend!” + </p> + <p> + Dagobert answered this affectionate salute with silent emotion. Then the + marshal, disengaging himself from his arms, and fixing his moist eyes upon + him, said to him in so agitated a voice that his lips trembled, “Well, + didst arrive in time for the 13th of February?” + </p> + <p> + “Yes, general; but everything is postponed for four months.” + </p> + <p> + “And—my wife?—my child?” At this question Dagobert shuddered, + hung down his head, and was silent. + </p> + <p> + “They are not, then, here?” asked Simon, with more surprise than + uneasiness. “They told me they were not at your house, but that I should + find you here—and I came immediately. Are they not with you?” + </p> + <p> + “General,” said Dagobert, becoming deadly pale; “general—” Drying + the drops of cold sweat that stood upon his forehead, he was unable to + articulate a word, for his voice was checked in his parched throat. + </p> + <p> + “You frighten me!” exclaimed Pierre Simon, becoming pale as the soldier, + and seizing him by the arm. + </p> + <p> + At this, Adrienne advanced, with a countenance full of grief and sympathy; + seeing the cruel embarrassment of Dagobert, she wished to come to his + assistance, and she said to Pierre Simon, in a mild but agitated voice, + “Marshal, I am Mdlle. de Cardoville—a relation of your dear + children.” + </p> + <p> + Pierre Simon turned around suddenly, as much struck with the dazzling + beauty of Adrienne as with the words she had just pronounced. He stammered + out in his surprise, “You, madame—a relation—of my children!” + </p> + <p> + He laid a stress on the last words, and looked at Dagobert in a kind of + stupor. + </p> + <p> + “Yes, marshal your children,” hastily replied Adrienne; “and the love of + those charming twin sisters—” + </p> + <p> + “Twin sisters!” cried Pierre Simon, interrupting Mdlle. de Cardoville, + with an outburst of joy impossible to describe. “Two daughters instead of + one! Oh! what happiness for their mother! Pardon me, madame, for being so + impolite,” he continued; “and so little grateful for what you tell me. But + you will understand it; I have been seventeen years without seeing my + wife; I come, and I find three loved beings, instead of two. Thanks, + madame: would I could express all the gratitude I owe you! You are our + relation; this is no doubt your house; my wife and children are with you. + Is it so? You think that my sudden appearance might be prejudicial to + them? I will wait—but madame, you, that I am certain are good as + fair—pity my impatience—will make haste to prepare them to + receive me—” + </p> + <p> + More and more agitated, Dagobert avoided the marshal’s gaze, and trembled + like a leaf. Adrienne cast down her eyes without answering. Her heart sunk + within her, at thought of dealing the terrible blow to Marshal Simon. + </p> + <p> + The latter, astonished at this silence, looking at Adrienne, then at the + soldier, became first uneasy, and at last alarmed. “Dagobert!” he + exclaimed, “something is concealed from me!” + </p> + <p> + “General!” stammered the soldier, “I assure you—I—I—.” + </p> + <p> + “Madame!” cried Pierre Simon, “I conjure you, in pity, speak to me + frankly!—my anxiety is horrible. My first fears return upon me. What + is it? Are my wife and daughters ill? Are they in danger? Oh! speak! + speak!” + </p> + <p> + “Your daughters, marshal,” said Adrienne “have been rather unwell, since + their long journey—but they are in no danger.” + </p> + <p> + “Oh, heaven! it is my wife!” + </p> + <p> + “Have courage, sir!” said Mdlle. de Cardoville, sadly. “Alas! you must + seek consolation in the affection of the two angels that remain to you.” + </p> + <p> + “General!” said Dagobert, in a firm grave tone, “I returned from Siberia—alone + with your two daughters.” + </p> + <p> + “And their mother! their mother!” cried Simon, in a voice of despair. + </p> + <p> + “I set out with the two orphans the day after her death,” said the + soldier. + </p> + <p> + “Dead?” exclaimed Pierre Simon, overwhelmed by the stroke; “dead?” A + mournful silence was the only answer. The marshal staggered beneath this + unexpected shock, leaned on the back of a chair for support, and then, + sinking into the seat, concealed his face with his hands. For same minutes + nothing was heard but stifled sobs, for not only had Pierre Simon idolized + his wife, but by one of those singular compromises, that a man long + cruelly tried sometimes makes with destiny, Pierre Simon, with the + fatalism of loving souls, thought he had a right to reckon upon happiness + after so many years of suffering, and had not for a moment doubted that he + should find his wife and child—a double consolation reserved to him + after going through so much. Very different from certain people, whom the + habit of misfortune renders less exacting, Simon had reckoned upon + happiness as complete as had been his misery. His wife and child were the + sole, indispensable conditions of this felicity, and, had the mother + survived her daughters, she would have no more replaced them in his eyes + than they did her. Weakness or avarice of the heart, so it was; we insist + upon this singularity, because the consequences of these incessant and + painful regrets exercised a great influence on the future life of Marshal + Simon. Adrienne and Dagobert had respected the overwhelming grief of this + unfortunate man. When he had given a free course to his tears, he raised + his manly countenance, now of marble paleness, drew his hand across his + blood-shot eyes, rose, and said to Adrienne, “Pardon me, madame; I could + not conquer my first emotion. Permit me to retire. I have cruel details to + ask of the worthy friend who only quitted my wife at the last moment. Have + the kindness to let me see my children—my poor orphans!—” And + the marshal’s voice again broke. + </p> + <p> + “Marshal,” said Mdlle. de Cardoville, “just now we were expecting your + dear children: unfortunately, we have been deceived in our hopes.” Pierre + Simon first looked at Adrienne without answering, as if he had not heard + or understood.—“But console yourself,” resumed the young girl; “we + have yet no reason to despair.” + </p> + <p> + “To despair?” repeated the marshaling by turns at Mdlle. de Cardoville + despair?—“of what, in heaven’s name?” + </p> + <p> + “Of seeing your children, marshal,” said Adrienne; “the presence of their + father will facilitate the search.” + </p> + <p> + “The search!” cried Pierre Simon. “Then, my daughters are not here?” + </p> + <p> + “No, sir,” said Adrienne, at length; “they have been taken from the + affectionate care of the excellent man who brought them from Russia, to be + removed to a convent.” + </p> + <p> + “Wretch!” cried Pierre Simon, advancing towards Dagobert, with a menacing + and terrible aspect; “you shall answer to me for all!” + </p> + <p> + “Oh, sir, do not blame him!” cried Mdlle. de Cardoville. + </p> + <p> + “General,” said Dagobert, in a tone of mournful resignation, “I merit your + anger. It is my fault. Forced to absent myself from Paris, I entrusted the + children to my wife; her confessor turned her head, and persuaded her that + your daughters would be better in a convent than at our house. She + believed him, and let them be conveyed there. Now they say at the convent, + that they do not know where they are. This is the truth: do what you will + with me; I have only to silently endure.” + </p> + <p> + “This is infamous!” cried Pierre Simon, pointing to Dagobert, with a + gesture of despairing indignation. “In whom can a man confide, if he has + deceived me? Oh, my God!” + </p> + <p> + “Stay, marshal! do not blame him,” repeated Mdlle. de Cardoville; “do not + think so! He has risked life and honor to rescue your children from the + convent. He is not the only one who has failed in this attempt. Just now, + a magistrate—despite his character and authority—was not more + successful. His firmness towards the superior, his minute search of the + convent, were all in vain. Up to this time it has been impossible to find + these unfortunate children.” + </p> + <p> + “But where’s this convent!” cried Marshal Simon, raising his head, his + face all pale and agitated with grief and rage. “Where is it? Do these + vermin know what a father is, deprived of his children?” At the moment + when Marshal Simon, turning towards Dagobert, pronounced these words, + Rodin, holding Rose and Blanche by the hand, appeared at the open door of + the chamber. On hearing the marshal’s exclamation, he started with + surprise, and a flash of diabolical joy lit up his grim countenance—for + he had not expected to meet Pierre Simon so opportunely. + </p> + <p> + Mdlle. de Cardoville was the first to perceive the presence of Rodin. She + exclaimed, as she hastened towards him: “Oh! I was not deceived. He is + still our providence.” + </p> + <p> + “My poor children!” said Rodin, in a low voice, to the young girls, as he + pointed to Pierre Simon, “this is your father!” + </p> + <p> + “Sir!” cried Adrienne, following close upon Rose and Blanche. “Your + children are here!” + </p> + <p> + As Simon turned round abruptly, his two daughters threw themselves into + his arms. Here was a long silence, broken only by sobs, and kisses, and + exclamations of joy. + </p> + <p> + “Come forward, at least, and enjoy the good you have done!” said Mdlle. de + Cardoville, drying her eyes, and turning towards Rodin, who, leaning + against the door, seemed to contemplate this scene with deep emotion. + </p> + <p> + Dagobert, at sight of Rodin bringing back the children, was at first + struck with stupor, and unable to move a step; but hearing the words of + Adrienne, and yielding to a burst of almost insane gratitude, he threw + himself on his knees before the Jesuit, joined his hands together, and + exclaimed in a broken voice: “You have saved me, by bringing back these + children.” + </p> + <p> + “Oh, bless you, sir!” said Mother Bunch, yielding to the general current. + </p> + <p> + “My good friends, this is too much,” said Rodin, as if his emotions were + beyond his strength; “this is really too much for me. Excuse me to the + marshal, and tell him that I am repaid by the sight of his happiness.” + </p> + <p> + “Pray, sir,” said Adrienne, “let the marshal at least have the opportunity + to see and know you.” + </p> + <p> + “Oh, remain! you that have saved us all!” cried Dagobert, trying to stop + Rodin. + </p> + <p> + “Providence, you know, my dear young lady, does not trouble itself about + the good that is done, but the good that remains to do,” said Rodin, with + an accent of playful kindness. “Must I not think of Prince Djalma? My task + is not finished, and moments are precious. Come,” he added, disengaging + himself gently from Dagobert’s hold, “come the day has been as good a one + as I had hoped.. The Abbe d’Aigrigny is unmasked; you are free, my dear + young lady; you have recovered your cross, my brave soldier; Mother Bunch + is sure of a protectress; the marshal has found his children. I have my + share in all these joys, it is a full share—my heart is satisfied. + Adieu, my friends, till we meet again.” So saying, Rodin waved his hand + affectionately to Adrienne, Dagobert, and the hunchback, and withdrew, + waving his hand with a look of delight on Marshal Simon, who, seated + between his daughters, held them in his arms, and covered them with tears + and kisses, remaining quite indifferent to all that was passing around + him. + </p> + <p> + An hour after this scene, Mdlle. de Cardoville and the sempstress, Marshal + Simon, his two daughters and Dagobert quitted Dr. Beleinier’s asylum. + </p> + <p> + In terminating this episode, a few words by way of moral, with regard to + lunatic asylums and convents may not be out of place. We have said, and we + repeat, that the laws which apply to the superintendence of lunatic + asylums appear to us insufficient. Facts that have recently transpired + before the courts, and other facts that have been privately communicated + to us, evidently prove this insufficiency. Doubtless, magistrates have + full power to visit lunatic asylums. They are even required to make such + visits. But we know, from the best authority, that the numerous and + pressing occupations of magistrates, whose number is often out of + proportion with the labor imposed upon them, render these inspections so + rare, that they are, so to speak, illusory. It appears, therefore, to us + advisable to institute a system of inspections, at least twice a month, + especially designed for lunatic asylums, and entrusted to a physician and + a magistrate, so that every complaint may be submitted to a double + examination. Doubtless, the law is sufficient when its ministers are fully + informed; but how many formalities, how many difficulties must be gone + through, before they can be so, particularly when the unfortunate creature + who needs their assistance, already suspected, isolated, and imprisoned, + has no friend to come forward in defence, and demand, in his or her name, + the protection of the authorities! Is it not imperative, therefore, on the + civil power, to meet these necessities by a periodical and well-organized + system of inspection? + </p> + <p> + What we here say of lunatic asylums will apply with still greater force to + convents for women, seminaries, and houses inhabited by religious bodies. + Recent and notorious facts, with which all France has rung, have, + unfortunately, proved that violence, forcible detention, barbarous usage, + abduction of minors, and illegal imprisonment, accompanied by torture, are + occurrences which, if not frequent, are at least possible in religious + houses. It required singular accidents, audacious and cynical brutalities; + to bring these detestable actions to public knowledge. How many other + victims have been, and, perhaps still are, entombed in those large silent + mansions, where no profane look may penetrate, and which, through the + privileges of the clergy, escape the superintendence of the civil power. + Is it not deplorable that these dwellings should not also be subject to + periodical inspection, by visitors consisting, if it be desired, of a + priest, a magistrate, and some delegate of the municipal authorities? If + nothing takes place, but what is legal, human, and charitable, in these + establishments, which have all the character, and incur all the + responsibility, of public institutions, why this resistance, this furious + indignation of the church party, when any mention is made of touching what + they call their privileges? There is something higher than the + constitutions devised at Rome. We mean the Law of France—the common + law—which grants to all protection, but which, in return, exacts + from all respect and obedience. + </p> + <p> + <a name="link2H_4_0106" id="link2H_4_0106"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + BOOK VII. + </h2> +<pre xml:space="preserve"> + XL. The East Indian in Paris XLI. Rising XLII. Doubts XLIII. + The Letter XLIV. Adrienne and Djalma XLV. The Consultation + XLVI. Mother Bunch’s Diary XLVII. The Diary Continued + XLVIII. The Discovery XLIX. The Trysting-Place of the Wolves + L. The Common Dwelling-House LI. The Secret LII. Revelations +</pre> + <p> + <a name="link2HCH0093" id="link2HCH0093"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XL. THE EAST INDIAN IN PARIS. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">S</span>ince three days, Mdlle. de Cardoville had left Dr. Baleinier’s. The + following scene took place in a little dwelling in the Rue Blanche, to + which Djalma had been conducted in the name of his unknown protector. + Fancy to yourself a pretty, circular apartment, hung with Indian drapery, + with purple figures on a gray ground, just relieved by a few threads of + gold. The ceiling, towards the centre, is concealed by similar hangings, + tied together by a thick, silken cord; the two ends of this cord, unequal + in length, terminated, instead of tassels, in two tiny Indian lamps of + gold filigreed-work, marvellously finished. By one of those ingenious + combinations, so common in barbarous countries, these lamps served also to + burn perfumes. Plates of blue crystal, let in between the openings of the + arabesque, and illumined by the interior light, shone with so limpid an + azure, that the golden lamps seemed starred with transparent sapphires. + Light clouds, of whitish vapor rose incessantly from these lamps, and + spread all around their balmy odor. + </p> +<div class="fig"> + <img src="images/20383m.jpg" alt="20383m" /><br /> + </div> + <h5> + <a href="images/20383.jpg"><i>Original</i></a> + </h5> + <p> + Daylight was only admitted to this room (it was about two o’clock in the + afternoon) through a little greenhouse, on the other side of a door of + plate-glass, made to slide into the thickness of the wall, by means of a + groove. A Chinese shade was arranged so as to hide or replace this glass + at pleasure. Some dwarf palm tress, plantains, and other Indian + productions, with thick leaves of a metallic green, arranged in clusters + in this conservatory, formed, as it were, the background to two large + variegated bushes of exotic flowers, which were separated by a narrow + path, paved with yellow and blue Japanese tiles, running to the foot of + the glass. The daylight, already much dimmed by the leaves through which + it passed, took a hue of singular mildness as it mingled with the azure + lustre of the perfumed lamps, and the crimson brightness of the fire in + the tall chimney of oriental porphyry. In the obscurity of this apartment, + impregnated with sweet odors and the aromatic vapor of Persian tobacco, a + man with brown, hanging locks, dressed in a long robe of dark green, + fastened round the waist by a parti-colored sash, was kneeling upon a + magnificent Turkey carpet, filling the golden bowl of a hookah; the long, + flexible tube of this pipe, after rolling its folds upon the carpet, like + a scarlet serpent with silver scales, rested between the slender fingers + of Djalma, who was reclining negligently on a divan. The young prince was + bareheaded; his jet-black hair, parted on the middle of his forehead, + streamed waving about his face and neck of antique beauty—their warm + transparent colors resembling amber or topaz. Leaning his elbow on a + cushion, he supported his chin with the palm of his right hand. The + flowing sleeve of his robe, falling back from his arm, which was round as + that of a woman, revealed mysterious signs formerly tattooed there in + India by a Thug’s needle. The son of Radja-sing held in his left hand the + amber mouthpiece of his pipe. His robe of magnificent cashmere, with a + border of a thousand hues, reaching to his knee, was fastened about his + slim and well-formed figure by the large folds of an orange-colored shawl. + This robe was half withdrawn from one of the elegant legs of this Asiatic + Antinous, clad in a kind of very close fitting gaiter of crimson velvet, + embroidered with silver, and terminating in a small white morocco slipper, + with a scarlet heel. At once mild and manly, the countenance of Djalma was + expressive of that melancholy and contemplative calmness habitual to the + Indian and the Arab, who possess the happy privilege of uniting, by a rare + combination, the meditative indolence of the dreamer with the fiery energy + of the man of action—now delicate, nervous, impressionable as women—now + determined, ferocious, and sanguinary as bandits. + </p> + <p> + And this semi-feminine comparison, applicable to the moral nature of the + Arab and the Indian, so long as they are not carried away by the ardor of + battle and the excitement of carnage, is almost equally applicable to + their physical constitution; for if, like women of good blood, they have + small extremities, slender limbs, fine and supple forms, this delicate and + often charming exterior always covers muscles of steel, full of an + elasticity, and vigor truly masculine. Djalma’s oblong eyes, like black + diamonds set in bluish mother-of-pearl, wandered mechanically from the + exotic flowers to the ceiling; from time to time he raised the amber + mouthpiece of the hookah to his lips; then, after a slow aspiration, half + opening his rosy lips, strongly contrasted with the shining enamel of his + teeth, he sent forth a little spiral line of smoke, freshly scented by the + rose-water through which it had passed. + </p> + <p> + “Shall I put more tobacco in the hookah?” said the kneeling figure, + turning towards Djalma, and revealing the marked and sinister features of + Faringhea the Strangler. + </p> + <p> + The young prince remained dumb, either that, from an oriental contempt for + certain races, he disdained to answer the half-caste, or that, absorbed in + his reverie, he did not even hear him. The Strangler became again silent; + crouching cross-legged upon the carpet, with his elbows resting on his + knees, and his chin upon his hands, he kept his eyes fixed on Djalma, and + seemed to await the reply or the orders of him whose sire had been + surnamed the Father of the Generous. How had Faringhea, the sanguinary + worshipper of Bowanee, the Divinity of Murder, been brought to seek or to + accept such humble functions? How came this man, possessed of no vulgar + talents, whose passionate eloquence and ferocious energy had recruited + many assassins for the service of the Good Work, to resign himself to so + base a condition? Why, too, had this man, who, profiting by the young + prince’s blindness with regard to himself, might have so easily sacrificed + him as an offering to Bowanee—why had he spared the life of + Radja-sings son? Why, in fine, did he expose himself to such frequent + encounters with Rodin, whom he had only known under the most unfavorable + auspices? The sequel of this story will answer all these questions. We can + only say at present, that, after a long interview with Rodin, two nights + before, the Thug had quitted him with downcast eyes and cautious bearing. + </p> + <p> + After having remained silent for some time, Djalma, following with his eye + the cloud of whitish smoke that he had just sent forth into space, + addressed Faringhea, without looking at him, and said to him in the + language, as hyperbolical as concise, of Orientals: “Time passes. The old + man with the good heart does not come. But he will come. His word is his + word.” + </p> + <p> + “His word is his word, my lord,” repeated Faringhea, in an affirmative + tone. “When he came to fetch you, three days ago, from the house whither + those wretches, in furtherance of their wicked designs, had conveyed you + in a deep sleep—after throwing me, your watchful and devoted + servant, into a similar state—he said to you: ‘The unknown friend, + who sent for you to Cardoville Castle, bids me come to you, prince. Have + confidence, and follow me. A worthy abode is prepared for you.’—And + again, he said to you, my lord: ‘Consent not to leave the house, until my + return. Your interest requires it. In three days you will see me again, + and then be restored to perfect freedom.’ You consented to those terms, my + lord, and for three days you have not left the house.” + </p> + <p> + “And I wait for the old man with impatience,” said Djalma, “for this + solitude is heavy with me. There must be so many things to admire in + Paris. Above all.” + </p> + <p> + Djalma did not finish the sentence, but relapsed into a reverie. After + some moments’ silence, the son of Radja-sing said suddenly to Faringhea, + in the tone of an impatient yet indolent sultan: “Speak to me!” + </p> + <p> + “Of what shall I speak, my lord?” + </p> + <p> + “Of what you will,” said Djalma, with careless contempt, as he fixed on + the ceiling his eyes, half-veiled with languor. “One thought pursues me—I + wish to be diverted from it. Speak to me.” + </p> + <p> + Faringhea threw a piercing glance on the countenance of the young Indian, + and saw that his cheeks were colored with a slight blush. “My lord,” said + the half-caste, “I can guess your thought.” + </p> + <p> + Djalma shook his head, without looking at the Strangler. The latter + resumed: “You are thinking of the women of Paris, my lord.” + </p> + <p> + “Be silent, slave!” said Djalma, turning abruptly on the sofa, as if some + painful wound had been touched to the quick. Faringhea obeyed. + </p> + <p> + After the lapse of some moments. Djalma broke forth again with impatience, + throwing aside the tube of the hookah, and veiling both eyes with his + hands: “Your words are better than silence. Cursed be my thoughts, and the + spirit which calls up these phantoms!” + </p> + <p> + “Why should you fly these thoughts, my lord? You are nineteen years of + age, and hitherto all your youth has been spent in war and captivity. Up + to this time, you have remained as chaste as Gabriel, that young Christian + priest, who accompanied us on our voyage.” + </p> + <p> + Though Faringhea did not at all depart from his respectful deference for + the prince, the latter felt that there was something of irony in the tone + of the half-caste, as he pronounced the word “chaste.” + </p> + <p> + Djalma said to him with a mixture of pride and severity: “I do not wish to + pass for a barbarian, as they call us, with these civilized people; + therefore I glory in my chastity.” + </p> + <p> + “I do not understand, my lord.” + </p> + <p> + “I may perhaps love some woman, pure as was my mother when she married my + father; and to ask for purity from a woman, a man must be chaste as she.” + </p> + <p> + At this, Faringhea could not refrain from a sardonic smile. + </p> + <p> + “Why do you laugh, slave?” said the young prince, imperiously. + </p> + <p> + “Among civilized people, as you call them, my lord, the man who married in + the flower of his innocence would be mortally wounded with ridicule.” + </p> + <p> + “It is false, slave! He would only be ridiculous if he married one that + was not pure as himself.” + </p> + <p> + “Then, my lord, he would not only be wounded—he would be killed + outright, for he would be doubly and unmercifully laughed at.” + </p> + <p> + “It is false! it is false. Where did you learn all this?” + </p> + <p> + “I have seen Parisian women at the Isle of France, and at Pondicherry, my + lord. Moreover, I learned a good deal during our voyage; I talked with a + young officer, while you conversed with the young priest.” + </p> + <p> + “So, like the sultans of our harems, civilized men require of women the + innocence they have themselves lost.” + </p> + <p> + “They require it the more, the less they have of it, my lord.” + </p> + <p> + “To require without any return, is to act as a master to his slave; by + what right?” + </p> + <p> + “By the right of the strongest—as it is among us, my lord.” + </p> + <p> + “And what do the women do?” + </p> + <p> + “They prevent the men from being too ridiculous, when they marry, in the + eyes of the world.” + </p> + <p> + “But they kill a woman that is false?” said Djalma, raising himself + abruptly, and fixing upon Faringhea a savage look, that sparkled with + lurid fire. + </p> + <p> + “They kill her, my lord, as with us—when they find her out.” + </p> + <p> + “Despots like ourselves! Why then do these civilized men not shut up their + women, to force them to a fidelity which they do not practise?” + </p> + <p> + “Because their civilization is barbarous, and their barbarism civilized, + my lord.” + </p> + <p> + “All this is sad enough, if true,” observed Djalma, with a pensive air, + adding, with a species of enthusiasm, employing, as usual, the mystic and + figurative language familiar to the people of his country; “yes, your talk + afflicts me, slave—for two drops of dew blending in the cup of a + flower are as hearts that mingle in a pure and virgin love; and two rays + of light united in one inextinguishable flame, are as the burning and + eternal joys of lovers joined in wedlock.” + </p> + <p> + Djalma spoke of the pure enjoyments of the soul with inexpressible grace, + yet it was when he painted less ideal happiness, that his eyes shone like + stars; he shuddered slightly, his nostrils swelled, the pale gold of his + complexion became vermilion, and the young prince sank into a deep + reverie. + </p> + <p> + Faringhea, having remarked this emotion, thus spoke: “If, like the proud + and brilliant king-bird of our woods, you prefer numerous and varied + pleasures to solitary and monotonous amours—handsome, young, rich as + you are, my lord, were you to seek out the seductive Parisians—voluptuous + phantoms of your nights—charming tormentors of your dreams—were + you to cast upon them looks bold as a challenge, supplicating as prayers, + ardent as desires—do you not think that many a half-veiled eye would + borrow fire from your glance? Then it would no longer be the monotonous + delights of a single love, the heavy chain of our life—no, it would + be the thousand pleasures of the harem—a harem peopled with free and + proud beauties, whom happy love would make your slaves. So long + constrained, there is no such thing as excess to you. Believe me, it would + then be you, the ardent, the magnificent son of our country, that would + become the love and pride of these women—the most seductive in the + world, who would soon have for you no looks but those of languor and + passion.” + </p> + <p> + Djalma had listened to Faringhea with silent eagerness. The expression of + his features had completely changed; it was no longer the melancholy and + dreaming youth, invoking the sacred remembrance of his mother, and finding + only in the dew of heaven, in the calyx of flowers, images sufficiently + pure to paint the chastity of the love he dreamed of; it was no longer + even the young man, blushing with a modest ardor at the thought of the + permitted joys of a legitimate union. No! the incitements of Faringhea had + kindled a subterraneous fire; the inflamed countenance of Djalma, his eyes + now sparkling and now veiled, his manly and sonorous respiration, + announced the heat of his blood, the boiling up of the passions, only the + more energetic, that they had been hitherto restrained. + </p> + <p> + So, springing suddenly from the divan, supple, vigorous, and light as a + young tiger, Djalma clutched Faringhea by the throat exclaiming: “Thy + words are burning poison!” + </p> + <p> + “My lord,” said Faringhea, without opposing the least resistance, “your + slave is your slave.” This submission disarmed the prince. + </p> + <p> + “My life belongs to you,” repeated the half-caste. + </p> + <p> + “I belong to you, slave!” cried Djalma, repulsing him. “Just now, I hung + upon your lips, devouring your dangerous lies.” + </p> + <p> + “Lies, my lord? Only appear before these women, and their looks will + confirm my words.” + </p> + <p> + “These women love me!—me, who have only lived in war and in the + woods?” + </p> + <p> + “The thought that you, so young, have already waged bloody war on men and + tigers, will make them adore, my lord.” + </p> + <p> + “You lie!” + </p> + <p> + “I tell you, my lord, on seeing your hand, as delicate as theirs, but + which has been so often bathed in hostile blood, they will wish to caress + it; and they will kiss it again, when they think that, in our forests, + with loaded rifle, and a poniard between your teeth, you smiled at the + roaring of a lion or panther for whom you lay in wait.” + </p> + <p> + “But I am a savage—a barbarian.” + </p> +<div class="fig"> + <img src="images/20389m.jpg" alt="20389m" /><br /> + </div> + <h5> + <a href="images/20389.jpg"><i>Original</i></a> + </h5> + <p> + “And for that very reason you will have them at your feet. They will feel + themselves both terrified and charmed by all the violence and fury, the + rage of jealousy, the passion and the love, to which a man of your blood, + your youth, your ardor must be subject. To-day mild and tender, to-morrow + fierce and suspicious, another time ardent and passionate, such you will + be—and such you ought to be, if you wish to win them. Yes; let a + kiss of rage be heard between two kisses: let a dagger glitter in the + midst of caresses, and they will fall before you, palpitating with + pleasure, love, and fear—and you will be to them, not a man, but a + god.” + </p> + <p> + “Dost think so?” cried Djalma, carried away in spite of himself by the + Thug’s wild eloquence. + </p> + <p> + “You know, you feel, that I speak the truth,” cried the latter, extending + his arm towards the young Indian. + </p> + <p> + “Why, yes!” exclaimed Djalma, his eyes sparkling, his nostrils swelling, + as he moved about the apartment with savage bounds. “I know not if I + possess my reason, or if I am intoxicated, but it seems to me that you + speak truth. Yes, I feel that they will love me with madness and fury, + because my love will be mad and furious they will tremble with pleasure + and fear, because the very thought of it makes me tremble with delight and + terror. Slave, it is true; there is something exciting and fearful in such + a love!” As he spoke forth these words, Djalma was superb in his impetuous + sensuality. It is a rare thing to see a young man arrive in his native + purity, at the age in which are developed, in all their powerful energy, + those admirable instincts of love, which God has implanted in the heart of + his creatures, and which, repressed, disguised, or perverted, may unseat + the reason, or generate mad excesses and frightful crimes—but which, + directed towards a great and noble passion, may and must, by their very + violence, elevate man, through devotion and tenderness, to the limits of + the ideal. + </p> + <p> + “Oh! this woman—this woman, before whom I am to tremble—and + who, in turn, must tremble before me—where is she?” cried Djalma, + with redoubled excitement. “Shall I ever find her?” + </p> + <p> + “One is a good deal, my lord,” replied Faringhea, with his sardonic + coolness; “he who looks for one woman, will rarely succeed in this + country; he who seeks women, is only at a loss to choose.” + </p> + <p> + As the half-caste made this impertinent answer to Djalma, a very elegant + blue-and-white carriage stopped before the garden-gate of the house, which + opened upon a deserted street. It was drawn by a pair of beautiful + blood-horses, of a cream color, with black manes and tails. The scutcheons + on the harness were of silver, as were also the buttons of the servants’ + livery, which was blue with white collars. On the blue hammercloth, also + laced with white, as well as on the panels of the doors, were + lozenge-shaped coats of arms, without crest or coronet, as usually borne + by unmarried daughters of noble families. Two women were in this carriage—Mdlle. + de Cardoville and Florine. + </p> + <p> + <a name="link2HCH0094" id="link2HCH0094"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XLI. RISING. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>o explain the arrival of Mdlle. de Cardoville at the garden-door of the + house occupied by Djalma, we must cast a retrospective glance at previous + events. On leaving Doctor Baleinier’s, Mdlle. de Cardoville had gone to + take up her residence in the Rue d’Anjou. During the last few months of + her stay with her aunt, Adrienne had secretly caused this handsome + dwelling to be repaired and furnished, and its luxury and elegance were + now increased by all the wonders of the lodge of Saint-Dizier House. The + world found it very strange, that a lady of the age and condition of + Mdlle. de Cardoville should take the resolution of living completely alone + and free, and, in fact, of keeping house exactly like a bachelor, a young + widow, or an emancipated minor. The world pretended not to know that + Mdlle. de Cardoville possessed what is often wanting in men, whether of + age or twice of age—a firm character, a lofty mind, a generous + heart, strong and vigorous good sense. + </p> + <p> + Judging that she would require faithful assistance in the internal + management of her house, Adrienne had written to the bailiff of + Cardoville, and his wife, old family servants, to come immediately to + Paris: M. Dupont thus filled the office of steward, and Mme. Dupont that + of housekeeper. An old friend of Adrienne’s father, the Count de Montbron, + an accomplished old man, once very much in fashion, and still a + connoisseur in all sorts of elegances, had advised Adrienne to act like a + princess, and take an equerry; recommended for this office a man of good + rearing and ripe age, who, himself an amateur in horses, had been ruined + in England, at Newmarket, the Derby, and Tattersall’s, and reduced, as + sometimes happened to gentlemen in that country, to drive the stage + coaches, thus finding an honest method of earning his bread, and at the + same time gratifying his taste for horses. Such was M. de Bonneville, M. + de Montbron’s choice. Both from age and habits, this equerry could + accompany Mdlle. de Cardoville on horseback, and better than any one else, + superintend the stable. He accepted, therefore, the employment with + gratitude, and, thanks to his skill and attention, the equipages of Mdlle. + de Cardoville were not eclipsed in style by anything of the kind in Paris. + Mdlle. de Cardoville had taken back her women, Hebe, Georgette, and + Florine. The latter was at first to have re-entered the service of the + Princess de Saint-Dizier, to continue her part of spy for the superior of + St. Mary’s Convent; but, in consequence of the new direction given by + Rodin to the Rennepont affair, it was decided that Florine, if possible, + should return to the service of Mdlle. de Cardoville. This confidential + place, enabling this unfortunate creature to render important and + mysterious services to the people who held her fate in their hands, forced + her to infamous treachery. Unfortunately, all things favored this + machination. We know that Florine, in her interview with Mother Bunch, a + few days after Mdlle. de Cardoville was imprisoned at Dr. Baleinier’s, had + yielded to a twinge of remorse, and given to the sempstress advice likely + to be of use to Adrienne’s interests—sending word to Agricola not to + deliver to Madame de Saint Dizier the papers found in the hiding-place of + the pavilion, but only to entrust them to Mdlle. de Cardoville herself. + The latter, afterwards informed of these details by Mother Bunch, felt a + double degree of confidence and interest in Florine, took her back into + her service with gratitude, and almost immediately charged her with a + confidential mission—that of superintending the arrangements of the + house hired for Djalma’s habitation. As for Mother Bunch (yielding to the + solicitations of Mdlle. de Cardoville, and finding she was no longer of + use to Dagobert’s wife, of whom we shall speak hereafter), she had + consented to take up her abode in the hotel on the Rue d’Anjou, along with + Adrienne, who with that rare sagacity of the heart peculiar to her, + entrusted the young sempstress, who served her also as a secretary, with + the department of alms-giving. + </p> + <p> + Mdlle. de Cardoville had at first thought of entertaining her merely as a + friend, wishing to pay homage in her person to probity with labor, + resignation in sorrow, and intelligence in poverty; but knowing the + workgirl’s natural dignity, she feared, with reason that, notwithstanding + the delicate circumspection with which the hospitality would be offered, + Mother Bunch might perceive in it alms in disguise. Adrienne preferred, + therefore, whilst she treated her as a friend, to give her a confidential + employment. In this manner the great delicacy of the needlewoman would be + spared, since she could earn her livelihood by performing duties which + would at the same time satisfy her praiseworthy instincts of charity. In + fact, she could fulfil, better than any one, the sacred mission confided + to her by Adrienne. Her cruel experience in misfortune, the goodness of + her angelic soul, the elevation of her mind, her rare activity, her + penetration with regard to the painful secrets of poverty, her perfect + knowledge of the industrial classes, were sufficient security for the tact + and intelligence with which the excellent creature would second the + generous intentions of Mdlle. de Cardoville. + </p> + <p> + Let us now speak of the divers events which, on that day, preceded the + coming of Mdlle. de Cardoville to the garden-gate of the house in the Rue + Blanche. About ten o’clock in the morning, the blinds of Adrienne’s + bedchamber, closely shut, admitted no ray of daylight to this apartment, + which was only lighted by a spherical lamp of oriental alabaster, + suspended from the ceiling by three long silver chains. This apartment, + terminating in a dome, was in the form of a tent with eight sides. From + the ceiling to the floor, it was hung with white silk, covered with long + draperies of muslin, fastened in large puffs to the wall, by bands caught + in at regular distances by plates of ivory. Two doors, also of ivory, + admirably encrusted with mother-of-pearl, led, one to the bath-room, the + other to the toilet-chamber, a sort of little temple dedicated to the + worship of beauty, and furnished as it had been at the pavilion of Saint + Dizier House. Two other compartments of the wall were occupied by windows, + completely veiled with drapery. Opposite the bed, enclosing splendid + fire-dogs of chased silver, was a chimney-piece of white marble, like + crystallized snow, on which were sculptured two magnificent caryatides, + and a frieze representing birds and flowers. Above this frieze, carved in + openwork with extreme delicacy, was a marble basket, filled with red + camellias. Their leaves of shining green their flowers of a delicate rosy + hue, were the only colors that disturbed the harmonious whiteness of this + virgin retreat. Finally, half surrounded by waves of white muslin, which + poured down from the dome like a mass of light clouds, the bed was visible—very + low, and resting on feet of carved ivory, which stood upon the ermine + carpet that covered the floor. With the exception of a plinth, also in + ivory, admirably inlaid with mother-of-pearl, the bed was entirely covered + with white satin, wadded and quilted like an immense scent-bag. The + cambric sheets, trimmed with lace, being a little disturbed on one side, + discovered the corner of a white taffety mattress, and a light counterpane + of watered stuff—for an equal temperature always reigned in this + apartment, warm as a fine spring day. + </p> + <p> + From a singular scruple, arising from the same sentiment which had caused + Adrienne to have inscribed on a masterpiece of goldsmith’s work the name + of the maker instead of that of the seller, she had wished all these + articles, so costly and sumptuous, to be manufactured by workmen chosen + amongst the most intelligent, honest, and industrious of their class, whom + she had supplied with the necessary materials. In this manner she had been + able to add to the price of the work the profit usually gained by the + middle man, who speculates in such labor; this notable augmentation of + wages had spread happiness and comfort through a hundred necessitous + families, who, blessing the munificence of Adrienne, gave her, as she + said, the right to enjoy her luxury as a good action. Nothing could be + fresher or more charming than the interior of this bedchamber. Mdlle. de + Cardoville had just awoke; she reposed in the middle of this flood of + muslin, lace, cambric, and white silk, in a position full of sweet grace. + Never during the night did she cover that beautiful golden hair (a certain + recipe, said the Greeks, for preserving it for a long while in + magnificence). Every evening, her women arranged her long silky curls in + flat tresses, forming two broad bands, which, descending sufficiently low + almost entirely to conceal the small ear, the rosy lobe of which was alone + visible, were joined to the large plait behind the head. + </p> + <p> + This head-dress, borrowed from Greek antiquity, set off to admiration the + pure, fine features of Mdlle. de Cardoville, and made her look so much + younger, that, instead of eighteen, one would hardly have given her + fifteen years of age. Gathered thus closely about the temples, the hair + lost its transparent and brilliant hues, and would have appeared almost + brown, but for the golden tints which played here and there, amid the + undulations of the tresses. Lulled in that morning torpor, the warm + languor of which is so favorable to soft reveries, Adrienne leaned with + her elbow on the pillow, and her head a little on one side, which + displayed to advantage the ideal contour of her bared neck and shoulders; + her smiling lips, moist and rosy, were, like her cheeks, cold as if they + had just been bathed in ice-water; her snow-white lids half veiled the + large, dark, soft eyes, which now gazed languidly upon vacancy, and now + fixed themselves with pleasure upon the rosy flowers and green leaves in + the basket of camellias. Who can paint the matchless serenity of + Adrienne’s awaking—when the fair and chaste soul roused itself in + the fair and chaste body? It was the awakening of a heart as pure as the + fresh and balmy breath of youth, that made her bosom rise and fall in its + white, immaculate purity. What creed, what dogma, what formula, what + religious symbol, oh! paternal and divine Creator! can ever give a more + complete idea of Thy harmonious and ineffable power, than the image of a + young maiden awaking in the bloom of her beauty, and in all the grace of + that modesty with which Thou hast endowed her, seeking, in her dreamy + innocence, for the secret of that celestial instinct of love, which Thou + hast placed in the bosom of all Thy creatures—oh! Thou whose love is + eternal, and goodness infinite! + </p> + <p> + The confused thoughts which, since her sleep, had appeared gently to + agitate Adrienne, absorbed her more and more; her head resting on her + bosom, her beautiful arm upon the couch, her features without becoming + precisely sad, assumed an expression of touching melancholy. Her dearest + desire was accomplished; she was about to live independent and alone. But + this affectionate, delicate, expansive, and marvellously complete nature, + felt that God had not given her such rare treasures, to bury them in a + cold and selfish solitude. She felt how much that was great and beautiful + might be inspired by love, both in herself, and in him that should be + worthy of her. Confiding in her courage, and the nobleness of her + character, proud of the example that she wished to give to other women, + knowing that all eyes would be fixed enviously upon her, she felt, as it + were, only too sure of herself; far from fearing that she should make a + bad choice, she rather feared, that she should not find any from whom to + choose, so pure and perfect was her taste. And, even had she met with her + own ideal, she had views so singular and so just, so extraordinary and yet + so sensible, with regard to the independence and dignity of woman, that, + inexorably determined to make no concession upon this head, she asked + herself if the man of her choice would ever accept the hitherto unheard-of + conditions that she meant to impose. In recalling to her remembrance the + possible suitors that she had met in the world, she remembered also the + dark, but true picture, which Rodin had drawn with so much caustic + bitterness. She remembered, too, not without a certain pride, the + encouragement this man had given her, not by flattery, but by advising her + to follow out and accomplish a great, generous, and beautiful design. The + current or the caprice of fancy soon brought Adrienne to think of Djalma. + Whilst she congratulated herself on having paid to her royal kinsman the + duties of a kingly hospitality, the young lady was far from regarding the + prince as the hero of her future. + </p> + <p> + And first she said to herself, not unreasonably, that this half-savage + boy, with passions, if not untamable, yet untamed, transported on a sudden + into the midst of a refined civilization, would be inevitably destined to + fiery trials and violent transformations. Now Mdlle. de Cardoville, having + nothing masculine or despotic in her character, had no wish to civilize + the young savage. Therefore, notwithstanding the interest, or rather + because of the interest, which she felt for the young Indian, she was + firmly resolved, not to make herself known to him, till after the lapse of + two or three months; and she determined also, that, even if Djalma should + learn by chance that she was his relation, she would not receive his + visit. She desired, if not to try him, at least to leave him free in all + his acts, so that he might expend the first fire of his passions, good or + bad. But not wishing to abandon him quite without defence to the perils of + Parisian life, she requested the Count de Montbron, in confidence, to + introduce Prince Djalma to the best company in Paris, and to enlighten him + by the counsels of his long experience. M. de Montbron had received the + request of Mdlle. de Cardoville with the greatest pleasure, taking + delight, he said, in starting his royal tiger in drawing-rooms, and + bringing him into contact with the flower of the fine ladies and gentlemen + of Paris, offering at the same time to wager any amount in favor of his + half-savage pupil. + </p> + <p> + “As for myself, my dear Count,” said Adrienne to M. de Montbron, with her + usual frankness, “my resolution is not to be shaken. You have told me the + effect that will be produced in the fashionable world, by the first + appearance of Prince Djalma, an Indian nineteen years of age, of + surprising beauty, proud and wild as a young lion arriving from his + forest; it is new, it is extraordinary, you added; and, therefore, all the + coquetries of civilized life will pursue him with an eagerness which makes + me tremble for him. Now, seriously, my dear count it will not suit me to + appear as the rival of so many fine ladies, who are about to expose + themselves intrepidly to the claws of the young tiger. I take great + interest in him, because he is my cousin, because he is handsome, because + he is brave, and above all because he does not wear that horrible European + dress. No doubt these are rare qualities—but not sufficient to make + me change my mind. Besides, the good old philosopher, my new friend, has + given me advice about this Indian, which you, my dear Count, who are not a + philosopher, will yet approve. It is, for some time, to receive visits at + home, but not to visit other people—which will spare me the + awkwardness of meeting my royal cousin, and allow me to make a careful + choice, even amongst my usual society. As my house will be an excellent + one, my position most unusual, and as I shall be suspected of all sorts of + naughty secrets, I shall be in no want of inquisitive visitors, who will + amuse me a good deal, I assure you.” + </p> + <p> + And as M. de Montbron asked, if the exile of the poor young Indian tiger + was to last long, Adrienne answered: “As I shall see most of the persons, + to whom you will introduce him, I shall be pleased to hear different + opinions about him. If certain men speak well of him, and certain women + ill, I shall have good hope of him. In a word, the opinion that I come to, + in sifting the true from the false (you may leave that to my sagacity), + will shorten or prolong the exile of my royal cousin.” + </p> + <p> + Such were the formal intentions of Mdlle. de Cardoville with regard to + Djalma, even on the day she went with Florine to the house he occupied. In + a word, she had positively resolved not to be known to him for some months + to come. + </p> + <p> + After long reflecting that morning, on the chances that might yet offer + themselves to satisfy the wants of her heart, Adrienne fell into a new, + deep reverie. This charming creature, so full of life and youth, heaved a + low sigh, raised her arms above her head, turned her profile towards the + pillow, and remained for some moments as if powerless and vanquished. + Motionless beneath the white tissues that wrapped her round, she looked + like a fair, marble statue, visible beneath a light layer of snow. + Suddenly, Adrienne raised herself up, drew her hand across her brow, and + rang for her women. At the first silver tone of the bell, the two ivory + doors opened. Georgette appeared on the threshold of the dressing-room, + from which Frisky, a little black and-tan dog, with his golden collar, + escaped with a joyful barking. Hebe appeared at the same time on the + threshold of the bath-room. At the further end of this apartment, lighted + from above, might be seen upon a green mat of Spanish leather, with golden + ornaments, a crystal bath in the form of a long shell. The three only + divisions in this masterpiece of glass work, were concealed by the elegant + device of several large reeds in silver, which rose from the wide base of + the bath, also of wrought silver, representing children and dolphins + playing, among branches of natural coral, and azure shells. Nothing could + be more pleasing than the effect of these purple reeds and ultramarine + shells, upon a dull ground of silver; the balsamic vapor, which rose from + the warm, limpid, and perfumed water, that filled the crystal shell, + spread through the bath-room, and floated like a light cloud into the + sleeping-chamber. + </p> + <p> + Seeing Hebe in her fresh and pretty costume, bringing her a long bathing + gown, hanging upon a bare and dimpled arm, Adrienne said to her: “Where is + Florine, my child?” + </p> + <p> + “Madame, she went downstairs two hours ago; she was wanted for something + very pressing.” + </p> + <p> + “Who wanted her?” + </p> + <p> + “The young person who serves Madame as secretary. She went out this + morning very early; and, as soon as she returned, she sent for Florine, + who has not come back since.” + </p> + <p> + “This absence no doubt relates to some important affair of my angelic + minister of succor,” said Adrienne, smiling, and thinking of the + hunchback. Then she made a sign to Hebe to approach her bed. + </p> + <p> + About two hours after rising, Adrienne, having had herself dressed, as + usual, with rare elegance, dismissed her women, and sent for Mother Bunch, + whom she treated with marked deference, always receiving her alone. The + young sempstress entered hastily, with a pale, agitated countenance, and + said, in a trembling voice: “Oh, madame! my presentiments were justified. + You are betrayed.” + </p> + <p> + “Of what presentiments do you speak, my dear child!” said Adrienne, with + surprise. “Who betrays me?” + </p> + <p> + “M. Rodin!” answered the workgirl. + </p> + <p> + <a name="link2HCH0095" id="link2HCH0095"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XLII. DOUBTS. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">O</span>n hearing the accusation brought against Rodin, Mdlle. de Cardoville + looked at the denunciator with new astonishment. Before continuing this + scene, we may say that Mother Bunch was no longer clad in her poor, old + clothes, but was dressed in black, with as much simplicity as taste. The + sad color seemed to indicate her renunciation of all human vanity, the + eternal mourning of her heart, and the austere duties imposed upon her by + her devotion to misfortune. With her black gown, she wore a large falling + collar, white and neat as her little gauze cap, with its gray ribbons, + which, revealing her bands of fine brown hair, set off to advantage her + pale and melancholy countenance, with its soft blue eyes. Her long, + delicate hands, preserved from the cold by gloves, were no longer, as + formerly, of a violet hue, but of an almost transparent whiteness. + </p> + <p> + Her agitated features expressed a lively uneasiness. Extremely surprised, + Mdlle. de Cardoville exclaimed: “What do you say?” + </p> + <p> + “M. Rodin betrays you, madame.” + </p> + <p> + “M. Rodin? Impossible!” + </p> + <p> + “Oh, madame! my presentiments did not deceive me.” + </p> + <p> + “Your presentiments?” + </p> + <p> + “The first time I saw M. Rodin, I was frightened in spite of myself. My + heart sank within me, and I trembled—for you, madame.” + </p> + <p> + “For me?” said Adrienne. “Why did you not tremble for yourself, my poor + friend?” + </p> + <p> + “I do not know, madame; but such was my first impression. And this fear + was so invincible, that, notwithstanding the kindness that M. Rodin showed + my sister, he frightened me, none the less.” + </p> + <p> + “That is strange. I can understand as well as any one the almost + irresistible influence of sympathies or aversions; but, in this instance—However,” + resumed Adrienne, after a moment’s reflection, “no matter for that; how + have these suspicions been changed to certainty?” + </p> + <p> + “Yesterday, I went to take to my sister Cephyse, the assistance that M. + Rodin had given me, in the name of a charitable person. I did not find + Cephyse at the friend’s who had taken care of her; I therefore begged the + portress, to inform my sister that I would call again this morning. That + is what I did; but you must excuse me, madame, some necessary details.” + </p> + <p> + “Speak, speak, my dear.” + </p> + <p> + “The young girl who had received my sister,” said Mother Bunch, with + embarrassment, casting down her eyes and blushing, “does not lead a very + regular life. A person, with whom she has gone on several parties of + pleasure, one M. Dumoulin, had informed her of the real name of M. Rodin, + who has a kind of lodging in that house, and there goes by the name of + Charlemagne.” + </p> + <p> + “That is just what he told us at Dr. Baleinier’s; and, the day before + yesterday, when I again alluded to the circumstance, he explained to me + the necessity in which he was, for certain reasons, to have a humble + retreat in that remote quarter—and I could not but approve of his + motives.” + </p> + <p> + “Well, then! yesterday, M. Rodin received a visit from the Abbe + d’Aigrigny.” + </p> + <p> + “The Abbe d’Aigrigny!” exclaimed Mdlle. de Cardoville. + </p> + <p> + “Yes, madame; he remained for two hours shut up with M. Rodin.” + </p> + <p> + “My child, you must have been deceived.” + </p> + <p> + “I was told, madame, that the Abbe d’Aigrigny had called in the morning to + see M. Rodin; not finding him at home, he had left with the portress his + name written on a slip of paper, with the words, ‘I shall return in two + hours.’ The girl of whom I spoke, madame, had seen this slip of paper. As + all that concerns M. Rodin appears mysterious enough, she had the + curiosity to wait for M. d’Aigrigny in the porter’s lodge, and, about two + hours afterwards, he indeed returned, and saw M. Rodin.” + </p> + <p> + “No, no,” said Adrienne, shuddering; “it is impossible. There must be some + mistake.” + </p> + <p> + “I think not, madame; for, knowing how serious such a discovery would be, + I begged the young girl to describe to me the appearance of M. + d’Aigrigny.” + </p> + <p> + “Well?” + </p> + <p> + “The Abbe d’Aigrigny, she told me, is about forty years of age. He is tall + and upright, dresses plainly, but with care; has gray eyes, very large and + piercing, thick eyebrows, chestnut-colored hair, a face closely shaved, + and a very decided aspect.” + </p> + <p> + “It is true,” said Adrienne, hardly able to believe what she heard. “The + description is exact.” + </p> + <p> + “Wishing to have all possible details,” resumed Mother Bunch, “I asked the + portress if M. Rodin and the Abbe d’Aigrigny appeared to be at variance + when they quitted the house? She replied no, but that the Abbe said to M. + Rodin, as they parted at the door: ‘I will write to you tomorrow, as + agreed.’” + </p> + <p> + “Is it a dream? Good heaven!” said Adrienne, drawing her hands across her + forehead in a sort of stupor. “I cannot doubt your word, my poor friend; + and yet it is M. Rodin who himself sent you to that house, to give + assistance to your sister: would he have wilfully laid open to you his + secret interviews with the Abbe d’Aigrigny? It would have been bad policy + in a traitor.” + </p> + <p> + “That is true, and the same reflection occurred to me. And yet the meeting + of these two men appeared so dangerous to you, madame, that I returned + home full of terror.” + </p> + <p> + Characters of extreme honesty are very hard to convince of the treachery + of others: the more infamous the deception, the more they are inclined to + doubt it. Adrienne was one of these characters, rectitude being a prime + quality of her mind. Though deeply impressed by the communication, she + remarked: “Come, my dear, do not let us frighten ourselves too soon, or be + over-hasty in believing evil. Let us try to enlighten ourselves by + reasoning, and first of all remember facts. M. Rodin opened for me the + doors of Dr. Baleinier’s asylum; in my presence, he brought, his charge + against the Abbe d’Aigrigny; he forced the superior of the convent to + restore Marshal Simon’s daughters, he succeeded in discovering the retreat + of Prince Djalma—he faithfully executed my intentions with regard to + my young cousin; only yesterday, he gave me the most useful advice. All + this is true—is it not?” + </p> + <p> + “Certainly, madame.” + </p> + <p> + “Now suppose that M. Rodin, putting things in their worst light, had some + after-thought—that he hopes to be liberally rewarded, for instance; + hitherto, at least, he has shown complete disinterestedness.” + </p> + <p> + “That also is true, madame,” said poor Mother Bunch, obliged, like + Adrienne, to admit the evidence of fixed facts. + </p> + <p> + “Now let us look to the possibility of treachery. Unite with the Abbe + d’Aigrigny to betray me! Betray me?—how? and for what purpose? What + have I to fear? Is it not the Abbe d’Aigrigny, on the contrary, is it not + Madame de Saint-Dizier, who have to render an account for the injuries + they have done me?” + </p> + <p> + “But, then, madame, how do you explain the meeting of these two men, who + have so many motives for mutual aversion? May there not be some dark + project still behind? Besides, madame, I am not the only one to think so.” + </p> + <p> + “How is that?” + </p> + <p> + “This morning, on my return, I was so much agitated, that Mdlle. Florine + asked me the cause of my trouble. I know, madame, how much she is devoted + to you.” + </p> + <p> + “Nobody could be more so; only recently, you yourself informed me of the + signal service she rendered, during my confinement at Dr. Baleinier’s.” + </p> + <p> + “Well, madame, this morning, on my return, thinking it necessary to have + you informed as soon as possible, I told all to Mdlle. Florine. Like me—even + more, perhaps—she was terrified at the meeting of Rodin and M. + d’Aigrigny. + </p> + <p> + “After a moment’s reflection, she said to me: ‘It is, I think, useless to + disturb my mistress at present; it can be of no importance whether she is + informed of this treachery two or three hours sooner or later; during that + time I may be able to discover something more. I have an idea, which I + think a good one. Make my excuses to my mistress; I shall soon be back.’ + Then Florine sent for a hackney-coach, and went out.” + </p> + <p> + “Florine is an excellent girl,” said Mdlle. de Cardoville, with a smile, + for further reflection had quite reassured her: “but, on this occasion, I + think that her zeal and good heart have deceived her, as they have you, my + poor friend. Do you know, that we are two madcaps, you and I, not to have + thought of one thing, which would have put us quite at our ease?” + </p> + <p> + “How so, madame?” + </p> + <p> + “The Abbe d’Aigrigny fears M. Rodin; he may have sought him out, to + entreat his forbearance. Do you not find this explanation both + satisfactory and reasonable?” + </p> + <p> + “Perhaps so, madame,” said Mother Bunch, after a moment’s reflection; + “yes, it is probable.” But after another silence, and as if yielding to a + conviction superior to every possible argument, she exclaimed: “And yet, + no; believe me, madame, you are deceived. I feel it. All appearances may + be against what I affirm; yet, believe me, these presentiments are too + strong not to be true. And have you not guessed the most secret instincts + of my heart? Why should I not be able to guess the dangers with which you + are menaced?” + </p> + <p> + “What do you say? what have I guessed?” replied Mdlle. de Cardoville, + involuntarily impressed by the other’s tone of conviction and alarm. + </p> + <p> + “What have you guessed?” resumed the latter. “All the troublesome + susceptibility of an unfortunate creature, to whom destiny has decreed a + life apart. If I have hitherto been silent, it is not from ignorance of + what I owe you. Who told you, madame, that the only way to make me accept + your favors without blushing, was to give me some employment, that would + enable me to soothe the misfortunes I had so long shared? Who told you, + when you wished me to have a seat at your table, and to treat as your + friend the poor needlewoman, in whose person you sought to honor, + resignation and honest industry—who told you, when I answered with + tears of gratitude and regret, that it was not false modesty, but a + consciousness of my own ridiculous deformity, that made me refuse your + offer? Who told you that, but for this, I should have accepted it proudly, + in the name of all my low-born sisters? But you replied to me with the + touching words: ‘I understand your refusal, my friend; it is not + occasioned by false modesty, but by a sentiment of dignity that I love and + respect.’ Who told you,” continued the workgirl, with increasing + animation, “that I should be so happy to find a little solitary retreat in + this magnificent house, which dazzles me with its splendor? Who guided you + in the choice of the apartment (still far too good) that you have provided + for me? Who taught you, that, without envying the beauty of the charming + creatures that surround you, and whom I love because they love you, I + should always feel, by an involuntary comparison, embarrassed and ashamed + before them? Who told you therefore to send them away, whenever you wished + to speak with me? Yes! who has revealed to you all the painful and secret + susceptibilities of a position like mine! Who has revealed them to you? + God, no doubt! who in His infinite majesty creates worlds, and yet cares + for the poor little insect hidden beneath the grass. And you think, that + the gratitude of a heart you have understood so well, cannot rise in its + turn to the knowledge of what may be hurtful to you? No, no, lady; some + people have the instinct of self preservation; others have the still more + precious instinct that enables them to preserve those they love. God has + given me this instinct. I tell you that you are betrayed!” And with + animated look, and cheeks slightly colored with emotion, the speaker laid + such stress upon the last words, and accompanied them with such energetic + gesture, that Mdlle. de Cardoville already shaken by the girl’s warmth, + began almost to share in her apprehensions. Then, although she had before + learned to appreciate the superior intelligence of this poor child of the + people, Mdlle. de Cardoville had never till now heard her friend express + herself with so much eloquence—an eloquence, too, that was inspired + by the noblest sentiments. This circumstance added to the impression made + upon Adrienne. But at the moment she was about to answer, a knock was + heard at the door of the room, and Florine entered. + </p> + <p> + On seeing the alarmed countenance of her waiting-maid, Mdlle. de + Cardoville said hastily: “Well, Florine! what news? Whence come you, my + child?” + </p> +<div class="fig"> + <img src="images/20405m.jpg" alt="20405m" /><br /> + </div> + <h5> + <a href="images/20405.jpg"><i>Original</i></a> + </h5> + <p> + “From Saint-Dizier House, madame.” + </p> + <p> + “And why did you go there?” asked Mdlle. de Cardoville, with surprise. + </p> + <p> + “This morning,” said Florine, glancing at the workgirl, “madame, there, + confided to me her suspicions and uneasiness. I shared in them. The visit + of the Abbe d’Aigrigny to M. Rodin appeared to me very serious. I thought, + if it should turn out that M. Rodin had been during the last few days to + Saint-Dizier House, there would be no longer any doubt of his treachery.” + </p> + <p> + “True,” said Adrienne, more and more uneasy. “Well?” + </p> + <p> + “As I had been charged to superintend the removal from the lodge, I knew + that several things had remained there. To obtain admittance, I had to + apply to Mrs. Grivois. I had thus a pretext for returning to the hotel.” + </p> + <p> + “What next, Florine, what next?” + </p> + <p> + “I endeavored to get Mrs. Grivois to talk of M. Rodin; but it was in + vain.” + </p> + <p> + “She suspected you,” said the workgirl. “It was to be anticipated.” + </p> + <p> + “I asked her,” continued Florine, “if they had seen M. Rodin at the hotel + lately. She answered evasively. Then despairing of getting anything out of + her,” continued Florine, “I left Mrs. Grivois, and that my visit might + excite no suspicion, I went to the pavilion—when, as I turn down the + avenue—whom do I see? why, M. Rodin himself, hastening towards the + little garden-door, wishing no doubt to depart unnoticed by that way.” + </p> + <p> + “Madame, you hear,” cried Mother Bunch, clasping her hands with a + supplicating air; “such evidence should convince you.” + </p> + <p> + “M. Rodin at the Princess de Saint-Dizier’s!” cried Mdlle. de Cardoville, + whose glance, generally so mild, now suddenly flashed with vehement + indignation. Then she added, in a tone of considerable emotion, “Continue, + Florine.” + </p> + <p> + “At sight of M. Rodin, I stopped,” proceeded Florine, “and keeping a + little on one side, I gained the pavilion without being seen. I looked out + into the street, through the closed blinds, and perceived a hackney coach. + It was waiting for M. Rodin, for, a minute after, he got into it, saying + to the coachman, ‘No. 39, Rue Blanche.’ + </p> + <p> + “The prince’s!” exclaimed Mdlle. de Cardoville. + </p> + <p> + “Yes, madame.” + </p> + <p> + “Yes, M. Rodin was to see him to-day,” said Adrienne, reflecting. + </p> + <p> + “No doubt he betrays you, madame, and the prince also; the latter will be + made his victim more easily than you.” + </p> + <p> + “Shame! shame!” cried Mdlle. de Cardoville, on a sudden, as she rose, all + her features contracted with painful anger. “After such a piece of + treachery, it is enough to make us doubt of everything—even of + ourselves.” + </p> + <p> + “Oh, madame! is it not dreadful?” said Mother Bunch, shuddering. + </p> + <p> + “But, then, why did he rescue me and mine, and accuse the Abbe + d’Aigrigny?” wondered Mdlle. de Cardoville. “Of a truth, it is enough to + make one lose one’s reason. It is an abyss—but, oh! how frightful is + doubt!” + </p> + <p> + “As I returned,” said Florine, casting a look of affectionate devotion on + her mistress, “I thought of a way to make all clear; but there is not a + minute to lose.” + </p> + <p> + “What do you mean?” said Adrienne, looking at Florine with surprise. + </p> + <p> + “M. Rodin will soon be alone with the prince,” said Florine. + </p> + <p> + “No doubt,” replied Adrienne. + </p> + <p> + “The prince always sits in a little room that opens upon a greenhouse. It + is there that he will receive M. Rodin.” + </p> + <p> + “What then?” resumed Adrienne. + </p> + <p> + “This greenhouse, which I had arranged according to your orders, has only + one issue—by a door leading into a little lane. The gardener gets in + that way every morning, so as not to have to pass through the apartments. + Having finished his work, he does not return thither during the day.” + </p> + <p> + “What do you mean? what is your project?” said Adrienne, looking at + Florine with growing surprise. + </p> + <p> + “The plants are so disposed, that, I think, if even the shade were not + there, which screens the glass that separates the saloon from the + greenhouse, one might get near enough to hear what was passing in the + room, without being seen. When I was superintending the arrangements, I + always entered by this greenhouse door. The gardener had one key, and I + another. Luckily, I have not yet parted with mine. Within an hour, you may + know how far to trust M. Rodin. If he betrays the prince, he betrays you + also.” + </p> + <p> + “What say you?” cried Mdlle. de Cardoville. + </p> + <p> + “Set out instantly with me; we reach the side door; I enter alone, for + precaution sake—if all is right, I return—” + </p> + <p> + “You would have me turn spy?” said Mdlle. de Cardoville, haughtily, + interrupting Florine. “You cannot think it. + </p> + <p> + “I beg your pardon, madame,” said the girl, casting down her eyes, with + confused and sorrowful air; “you had suspicions, and me seems ‘tis the + only way to confirm or destroy them.” + </p> + <p> + “Stoop to listen to a conversation—never!” replied Adrienne. + </p> + <p> + “Madame,” said Mother Bunch, suddenly, after same moments’ thought, + “permit me to tell you that Mdlle. Florine is right. The plan proposed is + a painful one, but it is the only way in which you can clear up, perhaps, + for ever, your doubts as to M. Rodin. Notwithstanding the evidence of + facts, in spite of the almost certainty of my presentiments, appearances + may deceive us. I was the first who accused M. Rodin to you. I should not + forgive myself all the rest of my life, did I accuse him wrongfully. + Beyond doubt, it is painful, as you say, madame, to listen to a + conversation—” Then, with a violent effort to console herself, she + added, as she strove to repress her tears, “Yet, as your safety is at + stake, madame—for, if this be treachery, the future prospect is + dreadful—I will go in your place—to—” + </p> + <p> + “Not a word more, I entreat you,” cried Mdlle. de Cardoville, + interrupting. “Let you, my poor friend, do for me what I thought degrading + to do myself? Never!” + </p> + <p> + Then, turning to Florine, she added, “Tell M. de Bonneville to have the + carriage got ready on the instant.” + </p> + <p> + “You consent, then!” cried Florine, clasping her hands, and not seeking to + conceal her joy; and her eyes also became full of tears. + </p> + <p> + “Yes, I consent,” answered Adrienne, with emotion. “If it is to be war—war + to the knife, that they would wage with me—I must be prepared for + it; and, come to think of it, it would only be weakness and folly not to + put myself on my guard. No doubt this step costs me much, and is very + repugnant to me, but it is the only way to put an end to suspicions that + would be a continual torment to me, and perhaps to prevent still greater + evils. Yes! for many important reasons, this interview of M. Rodin with + Prince Djalma may be doubly decisive to me—as to the confidence, or + the inexorable hate, that I must henceforth feel for M. Rodin. So, + Florine, quick!—my cloak and bonnet, and the carriage. You will go + with me. As for you, my dear, pray wait for me here,” she added, turning + to the work girl. + </p> + <p> + Half an hour after this conversation, Adrienne’s carriage stopped, as we + have before seen, at the little garden-gate of the house in the Rue + Blanche. Florine entered the greenhouse and soon returned to her mistress. + “The shade is down, madame. M. Rodin has just entered the prince’s room.” + Mdlle. de Cardoville was, therefore, present, though invisible, at the + following scene, which took place between Rodin and Djalma. + </p> + <p> + <a name="link2HCH0096" id="link2HCH0096"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XLIII. THE LETTER. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">S</span>ome minutes before the entrance of Mdlle. de Cardoville into the + greenhouse, Rodin had been introduced by Faringhea into the presence of + the prince, who, still under the influence of the burning excitement into + which he had been plunged by the words of the half-caste, did not appear + to perceive the Jesuit. The latter, surprised at the animated expression + of Djalma’s countenance, and his almost frantic air, made a sign of + interrogation to Faringhea, who answered him privately in the following + symbolical manner:—After laying his forefinger on his head and + heart, he pointed to the fire burning in the chimney, signifying by his + pantomimic action that the head and heart of Djalma were both in flames. + No doubt Rodin understood him, for an imperceptible smile of satisfaction + played upon his wan lips; then he said aloud to Faringhea, “I wish to be + alone with the prince. Let down the shade and see that we are not + interrupted.” The half-caste bowed, and touched a spring near the sheet of + plate-glass, which slid into the wall as the blind descended; then, again + bowing, Faringhea left the room. It was shortly after that Mdlle. de + Cardoville and Florine entered the greenhouse, which was now only + separated from the room in which was Djalma, by the transparent thickness + of a shade of white silk, embroidered with large colored birds. The noise + of the door, which Faringhea closed as he went out, seemed to recall the + young Indian to himself; his features, though still animated, recovered + their habitual expression of mildness and gentleness; he started, drew his + hand across his brow, looked around him, as if waking up from a deep + reverie, and then, advancing towards Rodin, with an air as respectful as + confused, he said to him, using the expression commonly applied to old men + in his country, “Pardon me, father.” Still following the customs of his + nation, so full of deference towards age, he took Rodin’s hand to raise it + to his lips, but the Jesuit drew back a step, and refused his homage. + </p> + <p> + “For what do you ask pardon, my dear prince?” said he to Djalma. + </p> + <p> + “When you entered, I was in a dream; I did not come to meet you. Once + more, pardon me, father!” + </p> + <p> + “Once more, I forgive you with all my heart, my dear prince. But let us + have some talk. Pray resume your place on the couch, and your pipe, too, + if you like it.” + </p> + <p> + But Djalma, instead of adopting the suggestion, and throwing himself on + the divan, according to his custom, insisted on seating himself in a + chair, notwithstanding all the persuasions of “the Old Man with the Good + Heart,” as he always called the Jesuit. + </p> + <p> + “Really, your politeness troubles me, my dear prince,” said Rodin; “you + are here at home in India; at least, we wish you to think so.” + </p> + <p> + “Many things remind me of my country,” said Djalma, in a mild grave tone. + “Your goodness reminds me of my father, and of him who was a father to + me,” added the Indian, as he thought of Marshal Simon, whose arrival in + Paris had been purposely concealed from him. + </p> + <p> + After a moment’s silence, he resumed in a tone full of affectionate + warmth, as he stretched out his hand to Rodin, “You are come, and I am + happy!” + </p> + <p> + “I understand your joy, my dear prince, for I come to take you out of + prison—to open your cage for you. I had begged you to submit to a + brief seclusion, entirely for your own interest.” + </p> + <p> + “Can I go out to-morrow?” + </p> + <p> + “To-day, my dear prince, if you please.” + </p> + <p> + The young Indian reflected for a moment, and then resumed, “I must have + friends, since I am here in a palace that does not belong to me.” + </p> + <p> + “Certainly you have friends—excellent friends,” answered Rodin. At + these words, Djalma’s countenance seemed to acquire fresh beauty. The most + noble sentiments were expressed in his fine features; his large black eyes + became slightly humid, and, after another interval of silence, he rose and + said to Rodin with emotion: “Come!” + </p> + <p> + “Whither, dear prince?” said the other, much surprised. + </p> + <p> + “To thank my friends. I have waited three days. It is long.” + </p> + <p> + “Permit me dear prince—I have much to tell you on this subject—please + to be seated.” + </p> + <p> + Djalma resumed his seat with docility. Rodin continued: “It is true that + you have friends; or rather, you have a friend. Friends are rare.” + </p> + <p> + “What are you?” + </p> + <p> + “Well, then, you have two friends, my dear prince—myself, whom you + know, and one other, whom you do not know, and who desires to remain + unknown to you.” + </p> + <p> + “Why?” + </p> + <p> + “Why?” answered Rodin, after a moment’s embarrassment. “Because the + happiness he feels in giving you these proofs of his friendship and even + his own tranquillity, depend upon preserving this mystery.” + </p> + <p> + “Why should there be concealment when we do good?” + </p> + <p> + “Sometimes, to conceal the good we do, my dear prince.” + </p> + <p> + “I profit by this friendship; why should he conceal himself from one?” + These repeated questions of the young Indian appeared to puzzle Rodin, + who, however, replied: “I have told you, my dear prince, that your secret + friend would perhaps have his tranquillity compromised, if he were known.” + </p> + <p> + “If he were known—as my friend?” + </p> + <p> + “Exactly so, dear prince.” + </p> + <p> + The countenance of Djalma immediately assumed an appearance of sorrowful + dignity; he raised his head proudly, and said in a stern and haughty + voice: “Since this friend hides himself from me, he must either be ashamed + of me, or there is reason for me to be ashamed of him. I only accept + hospitality from those who are worthy of me, and who think me worthy of + them. I leave this house.” So saying, Djalma rose with such an air of + determination, that Rodin exclaimed: “Listen to me, my dear prince. Allow + me to tell you, that your petulance and touchiness are almost incredible. + Though we have endeavored to remind you of your beautiful country, we are + here in Europe, in France, in the centre of Paris. This consideration may + perhaps a little modify your views. Listen to me, I conjure you.” + </p> + <p> + Notwithstanding his complete ignorance of certain social conventionalisms, + Djalma had too much good sense and uprightness, not to appreciate reason, + when it appeared reasonable. The words of Rodin calmed him. With that + ingenuous modesty, with which natures full of strength and generosity are + almost always endowed, he answered mildly: “You are right, father. I am no + longer in my own country. Here the customs are different. I will reflect + upon it.” + </p> + <p> + Notwithstanding his craft and suppleness, Rodin sometimes found himself + perplexed by the wild and unforseen ideas of the young Indian. Thus he + saw, to his great surprise, that Djalma now remained pensive for some + minutes, after which he resumed in a calm but firm tone: “I have obeyed + you, father: I have reflected.” + </p> + <p> + “Well, my dear prince?” + </p> + <p> + “In no country in the world, under no pretext, should a man of honor + conceal his friendship for another man of honor.” + </p> + <p> + “But suppose there should be danger in avowing this friendship?” said + Rodin, very uneasy at the turn the conversation was taking. Djalma eyed + the Jesuit with contemptuous astonishment, and made no reply. + </p> + <p> + “I understand your silence, my dear prince: a brave man ought to defy + danger. True; but if it should be you that the danger threatens, in case + this friendship were discovered, would not your man of honor be excusable, + even praiseworthy, to persist in remaining unknown?” + </p> + <p> + “I accept nothing from a friend, who thinks me capable of denying him from + cowardice.” + </p> + <p> + “Dear prince—listen to me.” + </p> + <p> + “Adieu, father.” + </p> + <p> + “Yet reflect!” + </p> + <p> + “I have said it,” replied Djalma, in an abrupt and almost sovereign tone, + as he walked towards the door. + </p> + <p> + “But suppose a woman were concerned,” cried Rodin, driven to extremity, + and hastening after the young Indian, for he really feared that Djalma + might rush from the house, and thus overthrow all his projects. + </p> + <p> + At the last words of Rodin the Indian stopped abruptly. “A woman!” said + he, with a start, and turning red. “A woman is concerned?” + </p> + <p> + “Why, yes! suppose it were a woman,” resumed Rodin, “would you not then + understand her reserve, and the secrecy with which she is obliged to + surround the marks of affection she wishes to give you?” + </p> + <p> + “A woman!” repeated Djalma, in a trembling voice, clasping his hands in + adoration; and his beautiful countenance was expressive of the deepest + emotion. “A woman!” said he again. “A Parisian?” + </p> + <p> + “Yes, my dear prince, as you force me to this indiscretion, I will confess + to you that your friend is a real Parisian—a noble matron, endowed + with the highest virtues—whose age alone merits all your respect.” + </p> + <p> + “She is very old, then?” cried poor Djalma, whose charming dream was thus + abruptly dispelled. + </p> + <p> + “She may be a few years older than I am,” answered Rodin, with an ironical + smile, expecting to see the young man express a sort of comical + disappointment or angry regret. + </p> + <p> + But it was not so. To the passionate enthusiasm of love, which had for a + moment lighted up the prince’s features, there now succeeded a respectful + and touching expression. He looked at Rodin with emotion, and said to him + in a broken voice: “This woman, is then, a mother to me?” + </p> + <p> + It is impossible to describe with what a pious, melancholy, and tender + charm the Indian uttered the word mother. + </p> + <p> + “You have it, my dear prince; this respectable lady wishes to be a mother + to you. But I may not reveal to you the cause of the affection she feels + for you. Only, believe me—this affection is sincere, and the cause + honorable. If I do not tell you her secret, it is that, with us, the + secrets of women, young or old, are equally sacred.” + </p> + <p> + “That is right, and I will respect it. Without seeing her, I will love her—as + I love God, without seeing Him.” + </p> + <p> + “And now, my dear prince, let me tell you what are the intentions of your + maternal friend. This house will remain at your disposal, as long as you + like it; French servants, a carriage, and horses, will be at your orders; + the charges of your housekeeping will be paid for you. Then, as the son of + a king should live royalty, I have left in the next room a casket + containing five hundred Louis; every month a similar sum will be provided: + if it should not be found sufficient for your little amusements, you will + tell me, and it shall be augmented.” + </p> + <p> + At a movement of Djalma, Rodin hastened to add: “I must tell you at once, + my dear prince, that your delicacy may be quite at ease. First of all, you + may accept anything from a mother; next, as in about three months you will + come into possession of an immense inheritance, it will be easy for you, + if you feel the obligation a burden—and the sum cannot exceed, at + the most, four or five thousand Louis—to repay these advances. Spare + nothing, then, but satisfy all your fancies. You are expected to appear in + the great world of Paris, in a style becoming the son of a king who was + called the Father of the Generous. So once again I conjure you not to be + restrained by a false delicacy; if this sum should not be sufficient—” + </p> + <p> + “I will ask for more. My mother is right; the son of a monarch ought to + live royally.” + </p> + <p> + Such was the answer of the Indian, made with perfect simplicity, and + without any appearance of astonishment at these magnificent offers. This + was natural. Djalma would have done for others what they were doing for + him, for the traditions of the prodigal magnificence and splendid + hospitality of Indian princes are well known. Djalma had been as moved as + grateful, on hearing that a woman loved him with maternal affection. As + for the luxury with which she nought to surround him, he accepted it + without astonishment and without scruple. This resignation, again, + somewhat disconcerted Rodin, who had prepared many excellent arguments to + persuade the Indian to accept his offers. + </p> + <p> + “Well, then, it’s all agreed, my dear prince,” resumed the Jesuit. “Now, + as you must see the world, it’s just as well to enter by the best door, as + we say. One of the friends of your maternal protectress, the Count de + Montbron, an old nobleman of the greatest experience, and belonging to the + first society, will introduce you in some of the best houses in Paris.” + </p> + <p> + “Will you not introduce me, father?” + </p> + <p> + “Alas! my dear prince, look at me. Tell me, if you think I am fitted for + such an office. No! no; I live alone and retired from the world. And + then,” added Rodin, after a short silence, fixing a penetrating, + attentive, and curious look upon the prince, as if he would have subjected + him to a sort of experiment by what follows; “and then, you see, M. de + Montbron will be better able than I should, in the world you are about to + enter, to enlighten you as to the snares that will be laid for you. For if + you have friends, you have also enemies—cowardly enemies, as you + know, who have abused your confidence in an infamous manner, and have made + sport of you. And as, unfortunately, their power is equal to their + wickedness, it would perhaps be more prudent in you to try to avoid them—to + fly, instead of resisting them openly.” + </p> + <p> + At the remembrance of his enemies, at the thought of flying from them, + Djalma trembled in every limb; his features became of a lurid paleness; + his eyes wide open, so that the pupil was encircled with white, sparkled + with lurid fire; never had scorn, hatred, and the desire of vengeance, + expressed themselves so terribly on a human face. His upper lip, blood + red, was curled convulsively, exposing a row of small, white, and close + set teeth, and giving to his countenance lately so charming, an air of + such animal ferocity, that Rodin started from his seat, and exclaimed: + “What is the matter, prince? You frighten me.” + </p> + <p> + Djalma did not answer. Half leaning forward, with his hands clinched in + rage, he seemed to cling to one of the arms of the chair, for fear of + yielding to a burst of terrific fury. At this moment, the amber mouthpiece + of his pipe rolled, by chance, under one of his feet; the violent tension, + which contracted all the muscles of the young Indian, was so powerful, and + notwithstanding his youth and his light figure, he was endowed with such + vigor, that with one abrupt stamp he powdered to dust the piece of amber, + in spite of its extreme hardness. + </p> + <p> + “In the name of heaven, what is the matter, prince?” cried Rodin. + </p> +<div class="fig"> + <img src="images/20413m.jpg" alt="20413m" /><br /> + </div> + <h5> + <a href="images/20413.jpg"><i>Original</i></a> + </h5> + <p> + “Thus would I crush my cowardly enemies!” exclaimed Djalma, with menacing + and excited look. Then, as if these words had brought his rage to a + climax, he bounded from his seat, and, with haggard eyes, strode about the + room for some seconds in all directions, as if he sought for some weapon, + and uttered from time to time a hoarse cry, which he endeavored to stifle + by thrusting his clinched fist against his mouth, whilst his jaws moved + convulsively. It was the impotent rage of a wild beast, thirsting for + blood. Yet, in all this, the young Indian preserved a great and savage + beauty; it was evident that these instincts of sanguinary ardor and blind + intrepidity, now excited to this pitch by horror of treachery and + cowardice, when applied to war, or to those gigantic Indian hunts, which + are even more bloody than a battle, must make of Djalma what he really was + a hero. + </p> + <p> + Rodin admired, with deep and ominous joy, the fiery impetuosity of passion + in the young Indian, for, under various conceivable circumstances, the + effect must be terrible. Suddenly, to the Jesuit’s great surprise, the + tempest was appeased. Djalma’s fury was calmed thus instantaneously, + because refection showed him how vain it was: ashamed of his childish + violence, he cast down his eyes. His countenance remained pale and gloomy; + and, with a cold tranquillity, far more formidable than the violence to + which he had yielded, he said to Rodin: “Father, you will this day lead me + to meet my enemies.” + </p> + <p> + “In what end, my dear prince? What would you do?” + </p> + <p> + “Kill the cowards!” + </p> + <p> + “Kill them! you must not think of it.” + </p> + <p> + “Faringhea will aid me.” + </p> + <p> + “Remember, you are not on the banks of the Ganges, and here one does not + kill an enemy like a hunted tiger.” + </p> + <p> + “One fights with a loyal enemy, but one kills a traitor like an accursed + dog,” replied Djalma, with as much conviction as tranquillity. + </p> + <p> + “Ah, prince, whose father was the Father of the Generous,” said Rodin, in + a grave voice; “what pleasure can you find in striking down creatures as + cowardly as they are wicked?” + </p> + <p> + “To destroy what is dangerous, is a duty.” + </p> + <p> + “So prince, you seek for revenge.” + </p> + <p> + “I do not revenge myself on a serpent,” said the Indian, with haughty + bitterness; “I crush it.” + </p> + <p> + “But, my dear prince, here we cannot get rid of our enemies in that + manner. If we have cause of complaint—” + </p> + <p> + “Women and children complain,” said Djalma, interrupting Rodin: “men + strike.” + </p> + <p> + “Still on the banks of the Ganges, my dear prince. Here society takes your + cause into its own hands, examines, judges, and if there be good reason, + punishes.” + </p> + <p> + “In my own quarrel, I am both judge and executioner.” + </p> + <p> + “Pray listen to me; you have escaped the odious snares of your enemies, + have you not?—Well! suppose it were thanks to the devotion of the + venerable woman who has for you the tenderness of a mother, and that she + were to ask you to forgive them—she, who saved you from their hands—what + would you do then?” + </p> + <p> + The Indian hung his head, and was silent. Profiting by his hesitation, + Rodin continued: “I might say to you that I know your enemies, but that in + the dread of seeing you commit some terrible imprudence, I would conceal + their names from you forever. But no! I swear to you, that if the + respectable person, who loves you as her son, should find it either right + or useful that I should tell you their names, I will do so—until she + has pronounced, I must be silent.” + </p> + <p> + Djalma looked at Rodin with a dark and wrathful air. At this moment, + Faringhea entered, and said to Rodin: “A man with a letter, not finding + you at home, has been sent on here. Am I to receive it? He says it comes + from the Abbe d’Aigrigny. + </p> + <p> + “Certainly,” answered Rodin. “That is,” he added, “with the prince’s + permission.” + </p> + <p> + Djalma nodded in reply; Faringhea went out. + </p> + <p> + “You will excuse what I have done, dear prince. I expected this morning a + very important letter. As it was late in coming to hand, I ordered it to + be sent on.” + </p> + <p> + A few minutes after, Faringhea returned with the letter, which he + delivered to Rodin—and the half-caste again withdrew. + </p> + <p> + <a name="link2HCH0097" id="link2HCH0097"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XLIV. ADRIENNE AND DJALMA. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">W</span>hen Faringhea had quitted the room, Rodin took the letter from Abbe + d’Aigrigny with one hand, and with the other appeared to be looking for + something, first in the side pocket of his great-coat, then in the pocket + behind, then in that of his trousers; and, not finding what he sought, he + laid the letter on his knee, and felt himself all over with both hands, + with an air of regret and uneasiness. The divers movements of this + pantomime, performed in the most natural manner, were crowned by the + exclamations. + </p> + <p> + “Oh! dear me! how vexatious!” + </p> + <p> + “What is the matter?” asked Djalma, starting from the gloomy silence in + which he had been plunged for some minutes. + </p> + <p> + “Alas! my dear prince!” replied Rodin, “the most vulgar and puerile + accident may sometimes cause the greatest inconvenience. I have forgotten + or lost my spectacles. Now, in this twilight, with the very poor eyesight + that years of labor have left me, it will be absolutely impossible for me + to read this most important letter—and an immediate answer is + expected—most simple and categorical—a yes or a no. Times + presses; it is really most annoying. If,” added Rodin, laying great stress + on his words, without looking at Djalma, but so as the prince might remark + it; “if only some one would render me the service to read it for me; but + there is no one—no—one!” + </p> + <p> + “Father,” said Djalma, obligingly, “shall I read it for you. When I have + finished it, I shall forget what I have read.” + </p> + <p> + “You?” cried Rodin, as if the proposition of the Indian had appeared to + him extravagant and dangerous; “it is impossible, prince, for you to read + this letter.” + </p> + <p> + “Then excuse my having offered,” said Djalma mildly. + </p> + <p> + “And yet,” resumed Rodin, after a moment’s reflection, and as if speaking + to himself, “why not?” + </p> + <p> + And he added, addressing Djalma: “Would you really be so obliging, my dear + prince? I should not have ventured to ask you this service.” + </p> + <p> + So saying, Rodin delivered the letter to Djalma, who read aloud as + follows: “‘Your visit this morning to Saint-Dizier House can only be + considered, from what I hear, as a new act of aggression on your part. + </p> + <p> + “‘Here is the last proposition I have to make. It may be as fruitless as + the step I took yesterday, when I called upon you in the Rue Clovis. + </p> + <p> + “‘After that long and painful explanation, I told you that I would write + to you. I keep my promise, and here is my ultimatum. + </p> + <p> + “‘First of all, a piece of advice. Beware! If you are determined to + maintain so unequal a struggle, you will be exposed even to the hatred of + those whom you so foolishly seek to protect. There are a thousand ways to + ruin you with them, by enlightening them as to your protects. It will be + proved to them, that you have shared in the plat, which you now pretend to + reveal, not from generosity, but from cupidity.’” Though Djalma had the + delicacy to feel that the least question on the subject of this letter + would be a serious indiscretion, he could not forbear turning his head + suddenly towards the Jesuit, as he read the last passage. + </p> + <p> + “Oh, yes! it relates to me. Such as you see me, my dear prince,” added he, + glancing at his shabby clothes, “I am accused of cupidity.” + </p> + <p> + “And who are these people that you protect?” + </p> + <p> + “Those I protect?” said Rodin feigning some hesitation, as if he had been + embarrassed to find an answer; “who are those I protect? Hem—hem—I + will tell you. They are poor devils without resources; good people without + a penny, having only a just cause on their side, in a lawsuit in which + they are engaged. They are threatened with destruction by powerful parties—very + powerful parties; but, happily, these latter are known to me, and I am + able to unmask them. What else could have been? Being myself poor and + weak, I range myself naturally on the side of the poor and weak. But + continue, I beg of you.” + </p> + <p> + Djalma resumed: “‘You have therefore every-thing to fear if you persist in + your hostility, and nothing to gain by taking the side of those whom you + call your friends. They might more justly be termed your dupes, for your + disinterestedness would be inexplicable, were it sincere. It must + therefore conceal some after-thought of cupidity. + </p> + <p> + “‘Well! in that view of the case, we can offer you ample compensation—with + this difference, that your hopes are now entirely founded on the probable + gratitude of your friends, a very doubtful chance at the best, whereas our + offers will be realized on the instant. To speak clearly, this is what we + ask, what we exact of you. This very night, before twelve, you must have + left Paris, and engage not to return for six months.’” Djalma could not + repress a movement of surprise, and looked at Rodin. + </p> + <p> + “Quite natural,” said the latter; “the cause of my poor friends would be + judged by that time, and I should be unable to watch over them. You see + how it is, my dear prince,” added Rodin, with bitter indignation. “But + please continue, and excuse me for having interrupted you; though, indeed, + such impudence disgusts me.” + </p> +<div class="fig"> + <img src="images/20421m.jpg" alt="20421m" /><br /> + </div> + <h5> + <a href="images/20421.jpg"><i>Original</i></a> + </h5> + <p> + Djalma continued: “‘That we may be certain of your removal from Paris for + six months, you will go to the house of one of our friends in Germany. You + will there be received with generous hospitality, but forcibly detained + until the expiration of the term.’” + </p> + <p> + “Yes, yes! a voluntary prison,” said Rodin. + </p> + <p> + “‘On these conditions, you will receive a pension of one thousand francs a + month, to begin from your departure from Paris, ten thousand francs down, + and twenty thousand at the end of the six months—the whole to be + completely secured to you. Finally, at the end of the six months, we will + place you in a position both honorable and independent.’” + </p> + <p> + Djalma having stopped short, with involuntary indignation, Rodin said to + him: “Let me beg you to continue, my dear prince. Read to the end, and it + will give you some idea of what passes in the midst of our civilization.” + </p> + <p> + Djalma resumed: “‘You know well enough the course of affairs, and what we + are, to feel that in providing for your absence, we only wish to get rid + of an enemy, not very dangerous, but rather troublesome. Do not be blinded + by your first success. The results of your denunciation will be stifled, + because they are calumnious. The judge who received your evidence will + soon repent his odious partiality. You may make what use you please of + this letter. We know what we write, to whom we write, and how we write. + You will receive this letter at three o’clock; if by four o’clock we have + not your full and complete acceptance, written with your own hand at the + bottom of this letter, war must commence between us—and not from + to-morrow, but on the instant.’” + </p> + <p> + Having finished reading the letter, Djalma looked at Rodin, who said to + him: “Permit me to summon Faringhea.” + </p> + <p> + He rang the bell, and the half-caste appeared. Rodin took the letter from + the hands of Djalma, tore it into halves, rubbed it between his palms, so + as to make a sort of a ball, and said to the half-caste, as he returned it + to him: “Give this palter to the person who waits for it, and tell him + that is my only answer to his shameless and insolent letter; you + understand me—this shameless and insolent letter.” + </p> + <p> + “I understand.” said the half-caste; and he went out. + </p> + <p> + “This will perhaps be a dangerous war for you, father, said the Indian, + with interest. + </p> + <p> + “Yes, dear prince, it may be dangerous, but I am not like you; I have no + wish to kill my enemies, because they are cowardly and wicked. I fight + them under the shield of the law. Imitate me in this.” Then, seeing that + the countenance of Djalma darkened, he added: “I am wrong. I will advise + you no more on this subject. Only, let us defer the decision to the + judgment of your noble and motherly protectress. I shall see her to + morrow; if she consents, I will tell you the names of your enemies. If not—not.” + </p> + <p> + “And this woman, this second mother,” said Djalma, “is her character such, + that I can rely on her judgment?” + </p> + <p> + “She!” cried Rodin, clasping his hands, and speaking with increased + excitement. “Why, she is the most noble, the most generous, the most + valiant being upon earth!—why, if you were really her son, and she + loved you with all the strength of maternal affection, and a case arose in + which you had to choose between an act of baseness and death, she would + say to you: ‘Die!’ though she might herself die with you.” + </p> + <p> + “Oh, noble woman! so was my mother!” cried Djalma, with enthusiasm. + </p> + <p> + “Yes,” resumed Rodin, with growing energy, as he approached the window + concealed by the shade, towards which he threw an oblique and anxious + glance, “if you would imagine your protectress, think only of courage, + uprightness, and loyalty personified. Oh! she has the chivalrous frankness + of the brave man, joined with the high-souled dignity of the woman, who + not only never in her life told a falsehood, never concealed a single + thought, but who would rather die than give way to the least of those + sentiments of craft and dissimulation, which are almost forced upon + ordinary women by the situation in which they are placed.” + </p> + <p> + It is difficult to express the admiration which shone upon the countenance + of Djalma, as he listened to this description. His eyes sparkled, his + cheeks glowed, his heart palpitated with enthusiasm. + </p> + <p> + “That is well, noble heart!” said Rodin to him, drawing still nearer to + the blind; “I love to see your soul sparkle through your eyes, on hearing + me speak thus of your unknown protectress. Oh! but she is worthy of the + pious adoration which noble hearts and great characters inspire!” + </p> + <p> + “Oh! I believe you,” cried Djalma, with enthusiasm; “my heart is full of + admiration and also of astonishment, for my mother is no more, and yet + such a woman exists!” + </p> + <p> + “Yes, she exists. For the consolation of the afflicted, for the glory of + her sex, she exists. For the honor of truth, and the shame of falsehood, + she exists. No lie, no disguise, has ever tainted her loyalty, brilliant + and heroic as the sword of a knight. It is but a few days ago that this + noble woman spoke to me these admirable words, which, in all my life, I + shall not forget: ‘Sir,’ she said, ‘if ever I suspect any one that I love + or esteem—‘” + </p> + <p> + Rodin did not finish. The shade, so violently shaken that the spring + broke, was drawn up abruptly, and, to the great astonishment of Djalma, + Mdlle. de Cardoville appeared before him. Adrienne’s cloak had fallen from + her shoulders, and in the violence of the movement with which she had + approached the blind, her bonnet, the strings of which were untied, had + also fallen. Having left home suddenly, with only just time to throw a + mantle over the picturesque and charming costume which she often chose to + wear when alone, she appeared so radiant with beauty to Djalma’s dazzled + eyes, in the centre of those leaves and flowers, that the Indian believed + himself under the influence of a dream. + </p> + <p> + With clasped hands, eyes wide open, the body slightly bent forward, as if + in the act of prayer, he stood petrified with admiration, Mdlle. de + Cardoville, much agitated, and her countenance glowing with emotion, + remained on the threshold of the greenhouse, without entering the room. + All this had passed in less time than it takes to describe it. Hardly had + the blind been raised, than Rodin, feigning surprise, exclaimed: “You + here, madame?” + </p> + <p> + “Oh, sir!” said Adrienne, in an agitated voice, “I come to terminate the + phrase which you have commenced. I told you, that when a suspicion crossed + my mind, I uttered it aloud to the person by whom it was inspired. Well! I + confess it: I have failed in this honesty. I came here as a spy upon you, + when your answer to the Abbe d’Aigrigny was giving me a new pledge of your + devotion and sincerity. I doubted your uprightness at the moment when you + were bearing testimony to my frankness. For the first time in my life, I + stooped to deceit; this weakness merits punishment, and I submit to it—demands + reparation, and I make it—calls for apologies, and I tender them to + you.” Then turning towards Djalma, she added: “Now, prince, I am no longer + mistress of my secret. I am your relation, Mdlle. de Cardoville; and I + hope you will accept from a sister the hospitality that you did not refuse + from a mother.” + </p> + <p> + Djalma made no reply. Plunged in ecstatic contemplation of this sudden + apparition, which surpassed his wildest and most dazzling visions, he felt + a sort of intoxication, which, paralyzing the power of thought, + concentrated all his faculties in the one sense of sight; and just as we + sometimes seek in vain to satisfy unquenchable thirst, the burning look of + the Indian sought, as it were, with devouring avidity, to take in all the + rare perfections of the young lady. Verily, never had two more divine + types of beauty met face to face. Adrienne and Djalma were the very ideal + of a handsome youth and maiden. There seemed to be something providential + in the meeting of these two natures, so young and so vivacious, so + generous and so full of passion, so heroic and so proud, who, before + coming into contact, had, singularly enough, each learned the moral worth + of the other; for if, at the words of Rodin, Djalma had felt arise in his + heart an admiration, as lively as it was sudden, for the valiant and + generous qualities of that unknown benefactress, whom he now discovered in + Mdlle. de Cardoville, the latter had, in her turn, been moved, affected, + almost terrified, by the interview she had just overheard, in which Djalma + had displayed the nobleness of his soul, the delicate goodness of his + heart, and the terrible transports of his temper. Then she had not been + able to repress a movement of astonishment, almost admiration, at sight of + the surprising beauty of the prince; and soon after, a strange, painful + sentiment, a sort of electric shock, seemed to penetrate all her being, as + her eyes encountered Djalma’s. + </p> + <p> + Cruelly agitated, and suffering deeply from this agitation, she tried to + dissemble the impression she had received, by addressing Rodin, to + apologize for having suspected him. But the obstinate silence of the + Indian redoubled the lady’s painful embarrassment. Again raising her eyes + towards the prince, to invite him to respond to her fraternal offer, she + met his ardent gaze wildly fixed upon her, and she looked once more with a + mixture of fear, sadness, and wounded pride; then she congratulated + herself on having foreseen the inexorable necessity of keeping Djalma at a + distance from her, such apprehension did this ardent and impetuous nature + already inspire. Wishing to put an end to her present painful situation, + she said to Rodin, in a low and trembling voice, “Pray, sir, speak to the + prince; repeat to him my offers. I cannot remain longer.” So saying, + Adrienne turned, as if to rejoin Florine. But, at the first step, Djalma + sprang towards her with the bound of a tiger, about to be deprived of his + prey. Terrified by the expression of wild excitement which inflamed the + Indian’s countenance, the young lady drew back with a loud scream. + </p> + <p> + At this, Djalma remembered himself, and all that had passed. Pale with + regret and shame, trembling, dismayed, his eyes streaming with tears, and + all his features marked with an expression of the most touching despair, + he fell at Adrienne’s feet, and lifting his clasped hands towards her, + said in a soft, supplicating, timid voice: “Oh, remain! remain! do not + leave me. I have waited for you so long!” To this prayer, uttered with the + timid simplicity of a child, and a resignation which contrasted strangely + with the savage violence that had so frightened Adrienne, she replied, as + she made a sign to Florine to prepare for their departure: “Prince, it is + impossible for me to remain longer here.” + </p> + <p> + “But you will return?” said Djalma, striving to restrain his tears. “I + shall see you again?” + </p> + <p> + “Oh, no! never—never!” said Mdlle. de Cardoville, in a failing + voice. Then, profiting by the stupor into which her answer had thrown + Djalma, Adrienne disappeared rapidly behind the plants in the greenhouse. + </p> + <p> + Florine was hastening to rejoin her mistress, when, just at the moment she + passed before Rodin, he said to her in a low, quick voice: “To-morrow we + must finish with the hunchback.” Florine trembled in every limb, and, + without answering Rodin, disappeared, like her mistress, behind the + plants. Broken, overpowered, Djalma remained upon his knees, with his head + resting on his breast. His countenance expressed neither rage nor + excitement, but a painful stupor; he wept silently. Seeing Rodin approach + him, he rose, but with so tremulous a step, that he could hardly reach the + divan, on which he sank down, hiding his face in his hands. + </p> + <p> + Then Rodin, advancing, said to him in a mild and insinuating tone: “Alas! + I feared what has happened. I did not wish you to see your benefactress; + and if I told you she was old, do you know why, dear prince?” + </p> + <p> + Djalma, without answering, let his hands fall upon his knees, and turned + towards Rodin a countenance still bathed in tears. + </p> + <p> + “I knew that Mdlle. de Cardoville was charming, and at your age it is so + easy to fall in love,” continued Rodin; “I wished to spare you that + misfortune, my dear prince, for your beautiful protectress passionately + loves a handsome young man of this town.” + </p> + <p> + Upon these words, Djalma suddenly pressed both hands to his heart, as if + he felt a piercing stab, uttered a cry of savage grief, threw back his + head, and fell fainting upon the divan. + </p> + <p> + Rodin looked at him coldly for some seconds, and then said as he went + away, brushing his old hat with his elbow, + </p> + <p> + “Come! it works—it works!” + </p> + <p> + <a name="link2HCH0098" id="link2HCH0098"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XLV. THE CONSULTATION. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">I</span>t is night. It has just struck nine. It is the evening of that day on + which Mdlle. de Cardoville first found herself in the presence of Djalma. + Florine, pale, agitated, trembling, with a candle in her hand, had just + entered a bedroom, plainly but comfortably furnished. This room was one of + the apartments occupied by Mother Bunch, in Adrienne’s house. They were + situated on the ground-floor, and had two entrances. One opened on the + garden, and the other on the court-yard. From this side came the persons + who applied to the workgirl for succor; an ante-chamber in which they + waited, a parlor in which they were received, constituted Mother Bunch’s + apartments, along with the bedroom, which Florine had just entered, + looking about her with an anxious and alarmed air, scarcely touching the + carpet with the tips of her satin shoes, holding her breath, and listening + at the least noise. + </p> + <p> + Placing the candle upon the chimney-piece, she took a rapid survey of the + chamber, and approached the mahogany desk, surmounted by a well-filled + bookcase. The key had been left in the drawers of this piece of furniture, + and they were all three examined by Florine. They contained different + petitions from persons in distress, and various, notes in the girl’s + handwriting. This was not what Florine wanted. Three cardboard boxes were + placed in pigeon-holes beneath the bookcase. These also were vainly + explored, and Florine, with a gesture of vexation, looked and listened + anxiously; then, seeing a chest of drawers, she made therein a fresh and + useless search. Near the foot of the bed was a little door, leading to a + dressing-room. Florine entered it, and looked—at first without + success—into a large wardrobe, in which were suspended several black + dresses, recently made for Mother Bunch, by order of Mdlle. de Cardoville. + Perceiving, at the bottom of this wardrobe, half hidden beneath a cloak, a + very shabby little trunk, Florine opened it hastily, and found there, + carefully folded up, the poor old garments in which the work-girl had been + clad when she first entered this opulent mansion. + </p> + <p> + Florine started—an involuntary emotion contracted her features; but + considering that she had not liberty to indulge her feelings, but only to + obey Rodin’s implacable orders, she hastily closed both trunk and + wardrobe, and leaving the dressing-room, returned into the bed-chamber. + After having again examined the writing-stand, a sudden idea occurred to + her. Not content with once more searching the cardboard boxes, she drew + out one of them from the pigeon-hole, hoping to find what she sought + behind the box: her first attempt failed, but the second was more + successful. She found behind the middle box a copy-book of considerable + thickness. She started in surprise, for she had expected something else; + yet she took the manuscript, opened it, and rapidly turned over the + leaves. After having perused several pages, she manifested her + satisfaction, and seemed as if about to put the book in her pocket; but + after a moment’s reflection, she replaced it where she had found it, + arranged everything in order, took her candle, and quitted the apartment + without being discovered—of which, indeed, she had felt pretty sure, + knowing that Mother Bunch would be occupied with Mdlle. de Cardoville for + some hours. + </p> + <p> + The day after Florine’s researches, Mother Bunch, alone in her bed + chamber, was seated in an arm-chair, close to a good fire. A thick carpet + covered the floor; through the window-curtains could be seen the lawn of a + large garden; the deep silence was only interrupted by the regular ticking + of a clock, and the crackling of the wood. Her hands resting on the arms + of the chair, she gave way to a feeling of happiness, such as she had + never so completely enjoyed since she took up her residence at the hotel. + For her, accustomed so long to cruel privations, there was a kind of + inexpressible charm in the calm silence of this retreat—in the + cheerful aspect of the garden, and above all, in the consciousness that + she was indebted for this comfortable position, to the resignation and + energy she had displayed, in the thick of the many severe trials which now + ended so happily. An old woman, with a mild and friendly countenance, who + had been, by express desire of Adrienne, attached to the hunchback’s + service, entered the room and said to her: “Mademoiselle, a young man + wishes to speak to you on pressing business. He gives his name as Agricola + Baudoin.” + </p> + <p> + At this name, Mother Bunch uttered an exclamation of surprise and joy, + blushed slightly, rose and ran to the door which led to the parlor in + which was Agricola. + </p> + <p> + “Good-morning, dear sister,” said the smith, cordially embracing the young + girl, whose cheeks burned crimson beneath those fraternal kisses. + </p> + <p> + “Ah, me!” cried the sempstress on a sudden, as she looked anxiously at + Agricola; “what is that black band on your forehead? You have been + wounded!” + </p> +<div class="fig"> + <img src="images/20429m.jpg" alt="20429m" /><br /> + </div> + <h5> + <a href="images/20429.jpg"><i>Original</i></a> + </h5> + <p> + “A mere nothing,” said the smith, “really nothing. Do not think of it. I + will tell you all about that presently. But first, I have things of + importance to communicate.” + </p> + <p> + “Come into my room, then; we shall be alone,” Mother Bunch, as she went + before Agricola. + </p> + <p> + Notwithstanding the expression of uneasiness which was visible on the + countenance of Agricola, he could not forbear smiling with pleasure as he + entered the room and looked around him. + </p> + <p> + “Excellent, my poor sister! this is how I would always have you lodged. I + recognize here the hand of Mdlle. de Cardoville. What a heart! what a + noble mind!—Dost know, she wrote to me the day before yesterday, to + thank me for what I had done for her, and sent me a gold pin (very plain), + which she said I need not hesitate to accept, as it had no other value but + that of having been worn by her mother! You can’t tell how much I was + affected by the delicacy of this gift!” + </p> + <p> + “Nothing must astonish you from a heart like hers,” answered the + hunchback. “But the wound—the wound?” + </p> + <p> + “Presently, my good sister; I have so many things to tell you. Let us + begin by what is most pressing, for I want you to give me some good advice + in a very serious case. You know how much confidence I have in your + excellent heart and judgment. And then, I have to ask of you a service—oh! + a great service,” added the smith, in an earnest, and almost solemn tone, + which astonished his hearer. “Let us begin with what is not personal to + myself.” + </p> + <p> + “Speak quickly.” + </p> + <p> + “Since my mother went with Gabriel to the little country curacy he has + obtained, and since my father lodges with Marshal Simon and the young + ladies, I have resided, you know, with my mates, at M. Hardy’s factory, in + the common dwelling-house. Now, this morning but first, I must tell you + that M. Hardy, who has lately returned from a journey, is again absent for + a few days on business. This morning, then, at the hour of breakfast, I + remained at work a little after the last stroke of the bell; I was leaving + the workshop to go to our eating-room, when I saw entering the courtyard, + a lady who had just got out of a hackney-coach. I remarked that she was + fair, though her veil was half down; she had a mild and pretty + countenance, and her dress was that of a fashionable lady. Struck with her + paleness, and her anxious, frightened air, I asked her if she wanted + anything. ‘Sir,’ said she to me, in a trembling voice, and as if with a + great effort, ‘do you belong to this factory?’—‘Yes, madame.’—‘M. + Hardy is then in clanger?’ she exclaimed.—‘M. Hardy, madame? He has + not yet returned home.’—‘What!’ she went on, ‘M. Hardy did not come + hither yesterday evening? Was he not dangerously wounded by some of the + machinery?’ As she said these words, the poor young lady’s lips trembled, + and I saw large tears standing in her eyes. ‘Thank God, madame! all this + is entirely false,’ said I, ‘for M. Hardy has not returned, and indeed is + only expected by to-morrow or the day after.’—‘You are quite sure + that he has not returned! quite sure that he is not hurt?’ resumed the + pretty young lady, drying her eyes.—‘Quite sure, madame; if M. Hardy + were in danger, I should not be so quiet in talking to you about him.’—‘Oh! + thank God! thank God!’ cried the young lady. Then she expressed to me her + gratitude, with so happy, so feeling an air, that I was quite touched by + it. But suddenly, as if then only she felt ashamed of the step she had + taken, she let down her veil, left me precipitately, went out of the + court-yard, and got once more into the hackney-coach that had brought her. + I said to myself: ‘This is a lady who takes great interest in M. Hardy, + and has been alarmed by a false report.”’ + </p> + <p> + “She loves him, doubtless,” said Mother Bunch, much moved, “and, in her + anxiety, she perhaps committed an act of imprudence, in coming to inquire + after him.” + </p> + <p> + “It is only too true. I saw her get into the coach with interests, for her + emotion had infected me. The coach started—and what did I see a few + seconds after? A cab, which the young lady could not have perceived, for + it had been hidden by an angle of the wall; and, as it turned round the + corner, I distinguished perfectly a man seated by the driver’s side, and + making signs to him to take the same road as the hackney-coach.” + </p> + <p> + “The poor young lady was followed,” said Mother Bunch, anxiously. + </p> + <p> + “No doubt of it; so I instantly hastened after the coach, reached it, and + through the blinds that were let down, I said to the young lady, whilst I + kept running by the side of the coach door: ‘Take care, madame; you are + followed by a cab. + </p> + <p> + “Well, Agricola! and what did she answer?” + </p> + <p> + “I heard her exclaim, ‘Great Heaven!’ with an accent of despair. The coach + continued its course. The cab soon came up with me; I saw, by the side of + the driver, a great, fat, ruddy man, who, having watched me running after + the coach, no doubt suspected something, for he looked at me somewhat + uneasily.” + </p> + <p> + “And when does M. Hardy return?” asked the hunchback. + </p> + <p> + “To-morrow, or the day after. Now, my good sister, advise me. It is + evident that this young lady loves M. Hardy. She is probably married, for + she looked so embarrassed when she spoke to me, and she uttered a cry of + terror on learning that she was followed. What shall I do? I wished to ask + advice of Father Simon, but he is so very strict in such matters—and + then a love affair, at his age!—while you are so delicate and + sensible, my good sister, that you will understand it all.” + </p> + <p> + The girl started, and smiled bitterly; Agricola did not perceive it, and + thus continued: “So I said to myself, ‘There is only Mother Bunch, who can + give me good advice.’ Suppose M. Hardy returns to-morrow, shall I tell him + what has passed or not?” + </p> + <p> + “Wait a moment,” cried the other, suddenly interrupting Agricola, and + appearing to recollect something; “when I went to St. Mary’s Convent, to + ask for work of the superior, she proposed that I should be employed by + the day, in a house in which I was to watch or, in other words, to act as + a spy—” + </p> + <p> + “What a wretch!” + </p> + <p> + “And do you know,” said the girl, “with whom I was to begin this odious + trade? Why, with a Madame de-Fremont, or de Bremont, I do not remember + which, a very religious woman, whose daughter, a young married lady, + received visits a great deal too frequent (according to the superior) from + a certain manufacturer.” + </p> + <p> + “What do you say?” cried Agricola. “This manufacturer must be—” + </p> + <p> + “M. Hardy. I had too many reasons to remember that name, when it was + pronounced by the superior. Since that day, so many other events have + taken place, that I had almost forgotten the circumstance. But it is + probable that this young lady is the one of whom I heard speak at the + convent.” + </p> + <p> + “And what interest had the superior of the convent to set a spy upon her?” + asked the smith. + </p> + <p> + “I do not know; but it is clear that the same interest still exists, since + the young lady was followed, and perhaps, at this hour, is discovered and + dishonored. Oh! it is dreadful!” Then, seeing Agricola start suddenly, + Mother Bunch added: “What, then, is the matter?” + </p> + <p> + “Yes—why not?” said the smith, speaking to himself; “why may not all + this be the work of the same hand? The superior of a convent may have a + private understanding with an abbe—but, then, for what end?” + </p> + <p> + “Explain yourself, Agricola,” said the girl. “And then,—where did + you get your wound? Tell me that, I conjure you.” + </p> + <p> + “It is of my wound that I am just going to speak; for in truth, the more I + think of it, the more this adventure of the young lady seems to connect + itself with other facts.” + </p> + <p> + “How so?” + </p> + <p> + “You must know that, for the last few days, singular things are passing in + the neighborhood of our factory. First, as we are in Lent, an abbe from + Paris (a tall, fine-looking man, they say) has come to preach in the + little village of Villiers, which is only a quarter of a league from our + works. The abbe has found occasion to slander and attack M. Hardy in his + sermons.” + </p> + <p> + “How is that?” + </p> + <p> + “M. Hardy has printed certain rules with regard to our work, and the + rights and benefits he grants us. These rules are followed by various + maxims as noble as they are simple; with precepts of brotherly love such + as all the world can understand, extracted from different philosophies and + different religions. But because M. Hardy has chosen what is best in all + religions, the abbe concludes that M. Hardy has no religion at all, and he + has therefore not only attacked him for this in the pulpit, but has + denounced our factory as a centre of perdition and damnable corruption, + because, on Sundays, instead of going to listen to his sermons, or to + drink at a tavern, our comrades, with their wives and children, pass their + time in cultivating their little gardens, in reading, singing in chorus, + or dancing together in the common dwelling house. The abbe has even gone + so far as to say, that the neighborhood of such an assemblage of atheists, + as he calls us, might draw down the anger of Heaven upon the country—that + the hovering of Cholera was much talked of, and that very possibly, thanks + to our impious presence, the plague might fall upon all our neighborhood.” + </p> + <p> + “But to tell such things to ignorant people,” exclaimed Mother Bunch, “is + likely to excite them to fatal actions.” + </p> + <p> + “That is just what the abbe wants.” + </p> + <p> + “What do you tell me?” + </p> + <p> + “The people of the environs, still more excited, no doubt by other + agitators, show themselves hostile to the workmen of our factory. Their + hatred, or at least their envy, has been turned to account. Seeing us live + all together, well lodged, well warmed, and comfortably clad, active, gay, + and laborious, their jealousy has been embittered by the sermons, and by + the secret manoeuvres of some depraved characters, who are known to be bad + workmen, in the employment of M. Tripeaud, our opposition. All this + excitement is beginning to bear fruit; there have been already two or + three fights between us and our neighbors. It was in one of these + skirmishes that I received a blow with a stone on my head.” + </p> + <p> + “Is it not serious, Agricola?—are you quite sure?” said Mother + Bunch, anxiously. + </p> + <p> + “It is nothing at all, I tell you. But the enemies of M. Hardy have not + confined themselves to preaching. They have brought into play something + far more dangerous.” + </p> + <p> + “What is that?” + </p> + <p> + “I, and nearly all my comrades, did our part in the three Revolutionary + days of July; but we are not eager at present, for good reasons, to take + up arms again. That is not everybody’s opinion; well, we do not blame + others, but we have our own ideas; and Father Simon, who is as brave as + his son, and as good a patriot as any one, approves and directs us. Now, + for some days past, we find all about the factory, in the garden, in the + courts, printed papers to this effect: ‘You are selfish cowards; because + chance has given you a good master, you remain indifferent to the + misfortunes of your brothers, and to the means of freeing them; material + comforts have enervated your hearts.’” + </p> + <p> + “Dear me, Agricola! what frightful perseverance in wickedness!” + </p> + <p> + “Yes! and unfortunately these devices have their effect on some of our + younger mates. As the appeal was, after all, to proud and generous + sentiments, it has had some influence. Already, seeds of division have + shown themselves in our workshops, where, before, all were united as + brothers. A secret agitation now reigns there. Cold suspicion takes the + place, with some, of our accustomed cordiality. Now, if I tell you that I + am nearly sure these printed papers, thrown over the walls of our factory, + to raise these little sparks of discord amongst us, have been scattered + about by the emissaries of this same preaching abbe—would it not + seem from all this, taken in conjunction with what happened this morning + to the young lady, that M. Hardy has of late numerous enemies?” + </p> + <p> + “Like you, I think it very fearful, Agricola,” said the girl; “and it is + so serious, that M. Hardy alone can take a proper decision on the subject. + As for what happened this morning to the young lady, it appears to me, + that, immediately on M. Hardy’s return, you should ask for an interview + with him, and, however delicate such a communication may be, tell him all + that passed.” + </p> + <p> + “There is the difficulty. Shall I not seem as if wishing to pry into his + secrets?” + </p> + <p> + “If the young lady had not been followed, I should have shared your + scruples. But she was watched, and is evidently in danger. It is + therefore, in my opinion, your duty to warn M. Hardy. Suppose (which is + not improbable) that the lady is married; would it not be better, for a + thousand reasons, that M. Hardy should know all?” + </p> + <p> + “You are right, my good sister; I will follow your advice. M. Hardy shall + know everything. But now that we have spoken of others, I have to speak of + myself—yes, of myself—for it concerns a matter, on which may + depend the happiness of my whole life,” added the smith, in a tone of + seriousness, which struck his hearer. “You know,” proceeded Agricola, + after a moment’s silence, “that, from my childhood, I have never concealed + anything from you—that I have told you everything—absolutely + everything?” + </p> + <p> + “I know it, Agricola, I know it,” said the hunchback, stretching out her + white and slender hand to the smith, who grasped it cordially, and thus + continued: “When I say everything, I am not quite exact—for I have + always concealed from you my little love-affairs—because, though we + may tell almost anything to a sister, there are subjects of which we ought + not to speak to a good and virtuous girl, such as you are.” + </p> + <p> + “I thank you, Agricola. I had remarked this reserve on your part,” + observed the other, casting down her eyes, and heroically repressing the + grief she felt; “I thank you.” + </p> + <p> + “But for the very reason, that I made it a duty never to speak to you of + such love affairs, I said to myself, if ever it should happen that I have + a serious passion—such a love as makes one think of marriage—oh! + then, just as we tell our sister even before our father and mother, my + good sister shall be the first to be informed of it.” + </p> + <p> + “You are very kind, Agricola.” + </p> + <p> + “Well then! the serious passion has come at last. I am over head and ears + in love, and I think of marriage.” + </p> + <p> + At these words of Agricola, poor Mother Bunch felt herself for an instant + paralyzed. It seemed as if all her blood was suddenly frozen in her veins. + For some seconds, she thought she was going to die. Her heart ceased to + beat; she felt it, not breaking, but melting away to nothing. Then, the + first blasting emotion over, like those martyrs who found, in the very + excitement of pain, the terrible power to smile in the midst of tortures, + the unfortunate girl found, in the fear of betraying the secret of her + fatal and ridiculous love, almost incredible energy. She raised her head, + looked at the smith calmly, almost serenely, and said to him in a firm + voice: “Ah! so, you truly love?” + </p> + <p> + “That is to say, my good sister, that, for the last four days, I scarcely + live at all—or live only upon this passion.” + </p> + <p> + “It is only since four days that you have been in love?” + </p> + <p> + “Not more—but time has nothing to do with it.” + </p> + <p> + “And is she very pretty?” + </p> + <p> + “Dark hair—the figure of a nymph—fair as a lily—blue + eyes, as large as that—and as mild, as good as your own.” + </p> + <p> + “You flatter me, Agricola.” + </p> + <p> + “No, no, it is Angela that I flatter—for that’s her name. What a + pretty one! Is it not, my good Mother Bunch?” + </p> + <p> + “A charming name,” said the poor girl, contrasting bitterly that graceful + appellation with her own nickname, which the thoughtless Agricola applied + to her without thinking of it. Then she resumed, with fearful calmness: + “Angela? yes, it is a charming name!” + </p> + <p> + “Well, then! imagine to yourself, that this name is not only suited to her + face, but to her heart. In a word, I believe her heart to be almost equal + to yours.” + </p> + <p> + “She has my eyes—she has my heart,” said Mother Bunch, smiling. “It + is singular, how like we are.” + </p> + <p> + Agricola did not perceive the irony of despair contained in these words. + He resumed, with a tenderness as sincere as it was inexorable: “Do you + think, my good girl, that I could ever have fallen seriously in love with + any one, who had not in character, heart, and mind, much of you?” + </p> + <p> + “Come, brother,” said the girl, smiling—yes, the unfortunate + creature had the strength to smile; “come, brother, you are in a gallant + vein to day. Where did you make the acquaintance of this beautiful young + person?” + </p> + <p> + “She is only the sister of one of my mates. Her mother is the head + laundress in our common dwelling, and as she was in want of assistance, + and we always take in preference the relations of members of the + association, Mrs. Bertin (that’s the mother’s name) sent for her daughter + from Lille, where she had been stopping with one of her aunts, and, for + the last five days, she has been in the laundry. The first evening I saw + her, I passed three hours, after work was over, in talking with her, and + her mother and brother; and the next day, I felt that my heart was gone; + the day after that, the feeling was only stronger—and now I am quite + mad about her, and resolved on marriage—according as you shall + decide. Do not be surprised at this; everything depends upon you. I shall + only ask my father and mother’s leave, after I have yours.” + </p> + <p> + “I do not understand you, Agricola.” + </p> + <p> + “You know the utter confidence I have in the incredible instinct of your + heart. Many times, you have said to me: ‘Agricola, love this person, love + that person, have confidence in that other’—and never yet were you + deceived. Well! you must now render me the same service. You will ask + permission of Mdlle. de Cardoville to absent yourself; I will take you to + the factory: I have spoken of you to Mrs. Benin and her daughter, as of a + beloved sister; and, according to your impression at sight of Angela, I + will declare myself or not. This may be childishness, or superstition, on + my part; but I am so made.” + </p> +<div class="fig"> + <img src="images/20437m.jpg" alt="20437m" /><br /> + </div> + <h5> + <a href="images/20437.jpg"><i>Original</i></a> + </h5> + <p> + “Be it so,” answered Mother Bunch, with heroic courage; “I will see Mdlle. + Angela; I will tell you what I think of her—and that, mind you, + sincerely.” + </p> + <p> + “I know it. When will you come?” + </p> + <p> + “I must ask Mdlle. de Cardoville what day she can spare sue. I will let + you know.” + </p> + <p> + “Thanks, my good sister!” said Agricola warmly; then he added, with a + smile: “Bring your best judgment with you—your full dress judgment.” + </p> + <p> + “Do not make a jest of it, brother,” said Mother Bunch, in a mild, sad + voice; “it is a serious matter, for it concerns the happiness of your + whole life.” + </p> + <p> + At this moment, a modest knock was heard at the door. “Come in,” said + Mother Bunch. Florine appeared. + </p> + <p> + “My mistress begs that you will come to her, if you are not engaged,” said + Florine to Mother Bunch. + </p> + <p> + The latter rose, and, addressing the smith, said to him: “Please wait a + moment, Agricola. I will ask Mdlle. de Cardoville what day I can dispose + of, and I will come and tell you.” So saying, the girl went out, leaving + Agricola with Florine. + </p> + <p> + “I should have much wished to pay my respects to Mdlle. de Cardoville,” + said Agricola; “but I feared to intrude.” + </p> + <p> + “My lady is not quite well, sir,” said Florine, “and receives no one to + day. I am sure, that as soon as she is better, she will be quite pleased + to see you.” + </p> + <p> + Here Mother Bunch returned, and said to Agricola: “If you can come for me + to-morrow, about three o’clock, so as not to lose the whole day, we will + go to the factory, and you can bring me back in the evening.” + </p> + <p> + “Then, at three o’clock to-morrow, my good sister.” + </p> + <p> + “At three to-morrow, Agricola.” + </p> + <p> + The evening of that same day, when all was quiet in the hotel, Mother + Bunch, who had remained till ten o’clock with Mdlle. de Cardoville, re + entered her bedchamber, locked the door after her, and finding herself at + length free and unrestrained, threw herself on her knees before a chair, + and burst into tears. She wept long—very long. When her tears at + length ceased to flow, she dried her eyes, approached the writing-desk, + drew out one of the boxes from the pigeonhole, and, taking from this + hiding-place the manuscript which Florine had so rapidly glanced over the + evening before, she wrote in it during a portion of the night. + </p> + <p> + <a name="link2HCH0099" id="link2HCH0099"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XLVI. MOTHER BUNCH’S DIARY. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">W</span>e have said that the hunchback wrote during a portion of the night, in + the book discovered the previous evening by Florine, who had not ventured + to take it away, until she had informed the persons who employed her of + its contents, and until she had received their final orders on the + subject. Let us explain the existence of this manuscript, before opening + it to the reader. The day on which Mother Bunch first became aware of her + love for Agricola, the first word of this manuscript had been written. + Endowed with an essentially trusting character, yet always feeling herself + restrained by the dread of ridicule—a dread which, in its painful + exaggeration, was the workgirl’s only weakness—to whom could the + unfortunate creature have confided the secret of that fatal passion, if + not to paper—that mute confidant of timid and suffering souls, that + patient friend, silent and cold, who, if it makes no reply to heart + rending complaints, at least always listens, and never forgets? + </p> + <p> + When her heart was overflowing with emotion, sometimes mild and sad, + sometimes harsh and bitter, the poor workgirl, finding a melancholy charm + in these dumb and solitary outpourings of the soul, now clothed in the + form of simple and touching poetry, and now in unaffected prose, had + accustomed herself by degrees not to confine her confidences to what + immediately related to Agricola, for though he might be mixed up with all + her thoughts, for reflections, which the sight of beauty, of happy love, + of maternity, of wealth, of misfortune, called up within her, were so + impressed with the influence of her unfortunate personal position, that + she would not even have dared to communicate them to him. Such, then, was + this journal of a poor daughter of the people, weak, deformed, and + miserable, but endowed with an angelic soul, and a fine intellect, + improved by reading, meditation, and solitude; pages quite unknown, which + yet contained many deep and striking views, both as regard men and things, + taken from the peculiar standpoint in which fate had placed this + unfortunate creature. The following lines, here and there abruptly + interrupted or stained with tears, according to the current of her various + emotions, on hearing of Agricola’s deep love for Angela, formed the last + pages of this journal: + </p> + <p> + “Friday, March 3d, 1832. + </p> + <p> + “I spent the night without any painful dreams. This morning, I rose with + no sorrowful presentiment. I was calm and tranquil when Agricola came. He + did not appear to me agitated. He was simple and affectionate as he always + is. He spoke to me of events relating to M. Hardy, and then, without + transition, without hesitation, he said to me: ‘The last four days I have + been desperately in love. The sentiment is so serious, that I think of + marriage. I have come to consult you about it.’ That was how this + overwhelming revelation was made to me—naturally and cordially—I + on one side of the hearth, and Agricola an the other, as if we had talked + of indifferent things. And yet no more is needed to break one’s heart. + Some one enters, embraces you like a brother, sits down, talks—and + then—Oh! Merciful heaven! my head wanders. + </p> + <p> + “I feel calmer now. Courage, my poor heart, courage!—Should a day of + misfortune again overwhelm me, I will read these lines written under the + impression of the most cruel grief I can ever feel, and I will say to + myself: ‘What is the present woe compared to that past?’ My grief is + indeed cruel! it is illegitimate, ridiculous, shameful: I should not dare + to confess it, even to the most indulgent of mothers. Alas! there are some + fearful sorrows, which yet rightly make men shrug their shoulders in pity + or contempt. Alas! these are forbidden misfortunes. Agricola has asked me + to go to-morrow, to see this young girl to whom he is so passionately + attached, and whom he will marry, if the instinct of my heart should + approve the marriage. This thought is the most painful of all those which + have tortured me since he so pitilessly announced this love. Pitilessly? + No, Agricola—no, my brother—forgive me this unjust cry of + pain! Is it that you know, can even suspect, that I love you better than + you love, better than you can ever love, this charming creature? + </p> + <p> + “‘Dark-haired—the figure of a nymph—fair as a lily—with + blue eyes—as large as that—and almost as mild as your own.’ + </p> + <p> + “That is the portrait he drew of her. Poor Agricola! how would he have + suffered, had he known that every one of his words was tearing my heart. + Never did I so strongly feel the deep commiseration and tender pity, + inspired by a good, affectionate being, who, in the sincerity of his + ignorance, gives you your death-wound with a smile. We do not blame him—no—we + pity him to the full extent of the grief that he would feel on learning + the pain he had caused me. It is strange! but never did Agricola appear to + me more handsome than this morning. His manly countenance was slightly + agitated, as he spoke of the uneasiness of that pretty young lady. As I + listened to him describing the agony of a woman who runs the risk of ruin + for the man she loves, I felt my heart beat violently, my hands were + burning, a soft languor floated over me—Ridiculous folly! As if I + had any right to feel thus! + </p> + <p> + “I remember that, while he spoke, I cast a rapid glance at the glass. I + felt proud that I was so well dressed; he had not even remarked it; but no + matter—it seemed to me that my cap became me, that my hair shone + finely, my gaze beamed mild—I found Agricola so handsome, that I + almost began to think myself less ugly—no doubt, to excuse myself in + my own eyes for daring to love him. After all, what happened to-day would + have happened one day or another! Yes, that is consoling—like the + thoughts that death is nothing, because it must come at last—to + those who are in love with life! I have been always preserved from suicide—the + last resource of the unfortunate, who prefer trusting in God to remaining + amongst his creatures—by the sense of duty. One must not only think + of self. And I reflected also’God is good—always good—since + the most wretched beings find opportunities for love and devotion.’ How is + it that I, so weak and poor, have always found means to be helpful and + useful to some one? + </p> + <p> + “This very day I felt tempted to make an end with life—Agricola and + his mother had no longer need of me.—Yes, but the unfortunate + creatures whom Mdlle. de Cardoville has commissioned me to watch over?—but + my benefactress herself, though she has affectionately reproached me with + the tenacity of my suspicions in regard to that man? I am more than ever + alarmed for her—I feel that she is more than ever in danger—more + than ever—I have faith in the value of my presence near her. Hence, + I must live. Live—to go to-morrow to see this girl, whom Agricola + passionately loves? Good heaven! why have I always known grief, and never + hate? There must be a bitter pleasure in hating. So many people hate!—Perhaps + I may hate this girl—Angela, as he called her, when he said, with so + much simplicity: ‘A charming name, is it not, Mother Bunch?’ Compare this + name, which recalls an idea so full of grace, with the ironical symbol of + my witch’s deformity! Poor Agricola! poor brother! goodness is sometimes + as blind as malice, I see. Should I hate this young girl?—Why? Did + she deprive me of the beauty which charms Agricola? Can I find fault with + her for being beautiful? When I was not yet accustomed to the consequences + of my ugliness, I asked myself, with bitter curiosity, why the Creator had + endowed his creatures so unequally. The habit of pain has allowed me to + reflect calmly, and I have finished by persuading myself, that to beauty + and ugliness are attached the two most noble emotions of the soul—admiration + and compassion. Those who are like me admire beautiful persons—such + as Angela, such as Agricola—and these in their turn feel a couching + pity for such as I am. Sometimes, in spite of one’s self, one has very + foolish hopes. Because Agricola, from a feeling of propriety had never + spoken to me of his love affairs, I sometimes persuaded myself that he had + none—that he loved me, and that the fear of ridicule alone was with + him, as with me, an obstacle in the way of confessing it. Yes, I have even + made verses on that subject—and those, I think, not the worst I have + written. + </p> + <p> + “Mine is a singular position! If I love, I am ridiculous; if any love me, + he is still more ridiculous. How did I come so to forget that, as to have + suffered and to suffer what I do?—But blessed be that suffering, + since it has not engendered hate—no; for I will not hate this girl—I + will Perform a sister’s part to the last; I will follow the guidance of my + heart; I have the instinct of preserving others—my heart will lead + and enlighten me. My only fear is, that I shall burst into tears when I + see her, and not be able to conquer my emotion. Oh, then! what a + revelation to Agricola—a discovery of the mad love he has inspired!—Oh, + never! the day in which he knew that would be the last of my life. There + would then be within me something stronger than duty—the longing to + escape from shame—that incurable shame, that burns me like a hot + iron. No, no; I will be calm. Besides, did I not just now, when with him + bear courageously a terrible trial? I will be calm. My personal feelings + must not darken the second sight, so clear for those I love. Oh! painful—painful + task! for the fear of yielding involuntarily to evil sentiments must not + render me too indulgent toward this girl. I might compromise Agricola’s + happiness, since my decision is to guide his choice. Poor creature that I + am. How I deceive myself! Agricola asks my advice, because he thinks that + I shall have not the melancholy courage to oppose his passion; or else he + would say to me: ‘No matter—I love; and I brave the future!’ + </p> + <p> + “But then, if my advice, if the instincts of my heart, are not to guide + him—if his resolution is taken beforehand—of what use will be + to morrow’s painful mission? Of what use? To obey him. Did he not say—‘Come!’ + In thinking of my devotion for him, how many times, in the secret depths + of my heart, I have asked myself if the thought had ever occurred to him + to love me otherwise than as a sister; if it had ever struck him, what a + devoted wife he would have in me! And why should it have occurred to him? + As long as he wished, as long as he may still wish, I have been, and I + shall be, as devoted to him, as if I were his wife, sister, or mother. Why + should he desire what he already possesses? + </p> + <p> + “Married to him—oh, God!—the dream is mad as ineffable. Are + not such thoughts of celestial sweetness—which include all + sentiments from sisterly to maternal love—forbidden to me, on pain + of ridicule as distressing as if I wore dresses and ornaments, that my + ugliness and deformity would render absurd? I wonder, if I were now + plunged into the most cruel distress, whether I should suffer as much as I + do, on hearing of Agricola’s intended marriage? Would hunger, cold, or + misery diminish this dreadful dolor?—or is it the dread pain that + would make me forget hunger, cold, and misery? + </p> + <p> + “No, no; this irony is bitter. It is not well in me to speak thus. Why + such deep grief? In what way have the affection, the esteem, the respect + of Agricola, changed towards me? I complain—but how would it be, + kind heaven! if, as, alas! too often happens, I were beautiful, loving, + devoted, and he had chosen another, less beautiful, less loving, less + devoted?—Should I not be a thousand times more unhappy? for then I + might, I would have to blame him—whilst now I can find no fault with + him, for never having thought of a union which was impossible, because + ridiculous. And had he wished it, could I ever have had the selfishness to + consent to it? I began to write the first pages of this diary as I began + these last, with my heart steeped in bitterness—and as I went on, + committing to paper what I could have intrusted to no one, my soul grew + calm, till resignation came—Resignation, my chosen saint, who, + smiling through her tears, suffers and loves, but hopes—never!” + </p> + <p> + These word’s were the last in the journal. It was clear, from the blots of + abundant tears, that the unfortunate creature had often paused to weep. + </p> + <p> + In truth, worn out by so many emotions, Mother Bunch late in the night, + had replaced the book behind the cardboard box, not that she thought it + safer there than elsewhere (she had no suspicion of the slightest need for + such precaution), but because it was more out of the way there than in any + of the drawers, which she frequently opened in presence of other people. + Determined to perform her courageous promise, and worthily accomplish her + task to the end, she waited the next day for Agricola, and firm in her + heroic resolution, went with the smith to M. Hardy’s factory. Florine, + informed of her departure, but detained a portion of the day in attendance + on Mdlle. de Cardoville preferred waiting for night to perform the new + orders she had asked and received, since she had communicated by letter + the contents of Mother Bunch’s journal. Certain not to be surprised, she + entered the workgirls’ chamber, as soon as the night was come. + </p> + <p> + Knowing the place where she should find the manuscript, she went straight + to the desk, took out the box, and then, drawing from her pocket a sealed + letter, prepared to leave it in the place of the manuscript, which she was + to carry away with her. So doing, she trembled so much, that she was + obliged to support herself an instant by the table. Every good sentiment + was not extinct in Florine’s heart; she obeyed passively the orders she + received, but she felt painfully how horrible and infamous was her + conduct. If only herself had been concerned, she would no doubt have had + the courage to risk all, rather than submit to this odious despotism; but + unfortunately, it was not so, and her ruin would have caused the mortal + despair of another person whom she loved better than life itself. She + resigned herself, therefore, not without cruel anguish, to abominable + treachery. + </p> + <p> + Though she hardly ever knew for what end she acted, and this was + particularly the case with regard to the abstraction of the journal, she + foresaw vaguely, that the substitution of this sealed letter for the + manuscript would have fatal consequences for Mother Bunch, for she + remembered Rodin’s declaration, that “it was time to finish with the young + sempstress.” + </p> +<div class="fig"> + <img src="images/20445m.jpg" alt="20445m" /><br /> + </div> + <h5> + <a href="images/20445.jpg"><i>Original</i></a> + </h5> + <p> + What did he mean by those words? How would the letter that she was charged + to put in the place of the diary, contribute to bring about this result? + she did not know—but she understood that the clear-sighted devotion + of the hunchback justly alarmed the enemies of Mdlle. de Cardoville, and + that she (Florine) herself daily risked having her perfidy detected by the + young needlewoman. This last fear put an end to the hesitations of + Florine; she placed the letter behind the box, and, hiding the manuscript + under her apron, cautiously withdrew from the chamber. + </p> + <p> + <a name="link2HCH0100" id="link2HCH0100"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XLVII. THE DIARY CONTINUED. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">R</span>eturned into her own room, some hours after she had concealed there the + manuscript abstracted from Mother Bunch’s apartment, Florine yielded to + her curiosity, and determined to look through it. She soon felt a growing + interest, an involuntary emotion, as she read more of these private + thoughts of the young sempstress. Among many pieces of verse, which all + breathed a passionate love for Agricola—a love so deep, simple, and + sincere, that Florine was touched by it, and forgot the author’s deformity—among + many pieces of verse, we say, were divers other fragments, thoughts, and + narratives, relating to a variety of facts. We shall quote some of them, + in order to explain the profound impression that their perusal made upon + Florine. + </p> + <p> + Fragments from the Diary. + </p> + <p> + “This is my birthday. Until this evening, I had cherished a foolish hope. + Yesterday, I went down to Mrs. Baudoin’s, to dress a little wound she had + on her leg. When I entered the room, Agricola was there. No doubt he was + talking of me to his mother, for they stopped when I came in, and + exchanged a meaning smile. In passing by the drawers, I saw a pasteboard + box, with a pincushion-lid, and I felt myself blushing with joy, as I + thought this little present was destined for me, but I pretended not to + see it. While I was on my knees before his mother, Agricola went out. I + remarked that he took the little box with him. Never has Mrs. Baudoin been + more tender and motherly than she was that morning. It appeared to me that + she went to bed earlier than usual. ‘It is to send me away sooner,’ said I + to myself, ‘that I may enjoy the surprise Agricola has prepared for me.’ + How my heart beat, as I ran fast, very fast, up to my closet! I stopped a + moment before opening the door, that my happiness might last the longer. + At last I entered the room, my eyes swimming with tears of joy. I looked + upon my table, my chair, my bed—there was nothing. The little box + was not to be found. My heart sank within me. Then I said to myself: ‘It + will be to-morrow—this is only the eve of my birthday.’ The day is + gone. Evening is come. Nothing. The pretty box was not for me. It had a + pincushion-cover. It was only suited for a woman. To whom has Agricola + given it? + </p> + <p> + “I suffer a good deal just now. It was a childish idea that I connected + with Agricola’s wishing me many happy returns of the day. I am ashamed to + confess it; but it might have proved to me, that he has not forgotten I + have another name besides that of Mother Bunch, which they always apply to + me. My susceptibility on this head is unfortunately so stubborn, that I + cannot help feeling a momentary pang of mingled shame and sorrow, every + time that I am called by that fairy-tale name, and yet I have had no other + from infancy. It is for that very reason that I should have been so happy + if Agricola had taken this opportunity to call me for once by my own + humble name—Magdalen. Happily, he will never know these wishes and + regrets!” + </p> + <p> + Deeper and deeper touched by this page of simple grief, Florine turned + over several leaves, and continued: + </p> + <p> + “I have just been to the funeral of poor little Victorine Herbin, our + neighbor. Her father, a journeyman upholsterer, is gone to work by the + month, far from Paris. She died at nineteen, without a relation near her. + Her agony was not long. The good woman who attended her to the last, told + us that she only pronounced these words: ‘At last, oh at last!’ and that + with an air of satisfaction, added the nurse. Dear child! she had become + so pitiful. At fifteen, she was a rosebud—so pretty, so + fresh-looking, with her light hair as soft as silk; but she wasted away by + degrees—her trade of renovating mattresses killed her. She was + slowly poisoned by the emanations from the wool.(26) They were all the + worse, that she worked almost entirely for the poor, who have cheap stuff + to lie upon. + </p> + <p> + “She had the courage of a lion, and an angel’s resignation, She always + said to me, in her low, faint voice, broken by a dry and frequent cough: + ‘I have not long to live, breathing, as I do, lime and vitriol all day + long. I spit blood, and have spasms that make me faint.’ + </p> + <p> + “‘Why not change your trade?’ have I said to her. + </p> + <p> + “‘Where will I find the time to make another apprenticeship?’ she would + answer; ‘and it is now too late. I feel that I am done for. It is not my + fault,’ added the good creature, ‘for I did not choose my employment. My + father would have it so; luckily he can do without me. And then, you see, + when one is dead, one cares for nothing, and has no fear of “slop wages.”’ + </p> + <p> + “Victorine uttered that sad, common phrase very sincerely, and with a sort + of satisfaction. Therefore she died repeating: ‘At last!’ + </p> + <p> + “It is painful to think that the labor by which the poor man earns his + daily bread, often becomes a long suicide! I said this the other day to + Agricola; he answered me that there were many other fatal employments; + those who prepare aquafortis, white lead, or minium, for instance, are + sure to take incurable maladies of which they die. + </p> + <p> + “‘Do you know,’ added Agricola, ‘what they say when they start for those + fatal works?’—Why, ‘We are going to the slaughter-house.’ + </p> + <p> + “That made me tremble with its terrible truth. + </p> + <p> + “‘And all this takes place in our day,’ said I to him, with an aching + heart; ‘and it is well-known. And, out of so many of the rich and + powerful, no one thinks of the mortality which decimates his brothers, + thus forced to eat homicidal bread!’ + </p> + <p> + “‘What can you expect, my poor sister,’ answered Agricola. ‘When men are + to be incorporated, that they may get killed in war, all pains are taken + with them. But when they are to be organized, so as to live in peace, no + one cares about it, except M. Hardy, my master. People say, ‘Pooh! hunger, + misery, and suffering of the laboring classes—what is that to us? + that is not politics.’ ‘They are wrong,’ added Agricola; ‘IT IS MORE THAN + POLITICS.’ + </p> + <p> + “As Victorine had not left anything to pay for the church service, there + was only the presentation of the body under the porch; for there is not + even a plain mass for the poor. Besides, as they could not give eighteen + francs to the curate, no priest accompanied the pauper’s coffin to the + common grave. If funerals, thus abridged and cut short, are sufficient in + a religious point of view, why invent other and longer forms? Is it from + cupidity?—If, on the other hand, they are not sufficient, why make + the poor man the only victim of this insufficiency? But why trouble + ourselves about the pomp, the incense, the chants, of which they are + either too sparing or too liberal? Of what use? and for what purpose? They + are vain, terrestrial things, for which the soul recks nothing, when, + radiant, it ascends towards its Creator. Yesterday, Agricola made me read + an article in a newspaper, in which violent blame and bitter irony are by + turns employed, to attack what they call the baneful tendencies of some of + the lower orders, to improve themselves, to write, to read the poets, and + sometimes to make verses. Material enjoyments are forbidden us by poverty. + Is it humane to reproach us for seeking the enjoyments of the mind? What + harm can it do any one if every evening, after a day’s toil, remote from + all pleasure, I amuse myself, unknown to all, in making a few verses, or + in writing in this journal the good or bad impressions I have received? Is + Agricola the worse workman, because, on returning home to his mother, he + employs Sunday in composing some of those popular songs, which glorify the + fruitful labors of the artisan, and say to all, Hope and brotherhood! Does + he not make a more worthy use of his time than if he spent it in a tavern? + Ah! those who blame us for these innocent and noble diversions, which + relieve our painful toils and sufferings, deceive themselves when they + think, that, in proportion as the intellect is raised and refined, it is + more difficult to bear with privations and misery, and that so the + irritation increases against the luckier few. + </p> + <p> + “Admitting even this to be the case—and it is not so—is it not + better to have an intelligent, enlightened enemy, to whose heart and + reason you may address yourself, than a stupid, ferocious, implacable foe? + But no; enmities disappear as the mind becomes enlightened, and the + horizon of compassion extends itself. We thus learn to understand moral + afflictions. We discover that the rich also have to suffer intense pains, + and that brotherhood in misfortune is already a link of sympathy. Alas! + they also have to mourn bitterly for idolized children, beloved + mistresses, reverend mothers; with them, also, especially amongst the + women, there are, in the height of luxury and grandeur, many broken + hearts, many suffering souls, many tears shed in secret. Let them not be + alarmed. By becoming their equals in intelligence, the people will learn + to pity the rich, if good and unhappy—and to pity them still more if + rejoicing in wickedness. + </p> + <p> + “What happiness! what a joyful day! I am giddy with delight. Oh, truly, + man is good, humane, charitable. Oh, yes! the Creator has implanted within + him every generous instinct—and, unless he be a monstrous exception, + he never does evil willingly. Here is what I saw just now. I will not wait + for the evening to write it down, for my heart would, as it were, have + time to cool. I had gone to carry home some work that was wanted in a + hurry. I was passing the Place du Temple. A few steps from me I saw a + child, about twelve years old at most, with bare head, and feet, in spite + of the severe weather, dressed in a shabby, ragged smock frock and + trousers, leading by the bridle a large cart-horse, with his harness still + on. From time to time the horse stopped short, and refused to advance. The + child, who had no whip, tugged in vain at the bridle. The horse remained + motionless. Then the poor little fellow cried out: ‘O dear, O dear!’ and + began to weep bitterly, looking round him as if to implore the assistance + of the passers-by. His dear little face was impressed with so heart + piercing a sorrow, that, without reflecting, I made an attempt at which I + can now only smile, I must have presented so grotesque a figure. I am + horribly afraid of horses, and I am still more afraid of exposing myself + to public gaze. Nevertheless, I took courage, and, having an umbrella in + my hand, I approached the horse, and with the impetuosity of an ant that + strives to move a large stone with a little piece of straw, I struck with + all my strength on the croup of the rebellious animal. ‘Oh, thanks, my + good lady!’ exclaimed the child, drying his eyes: ‘hit him again, if you + please. Perhaps he will get up.’ + </p> + <p> + “I began again, heroically; but, alas! either from obstinacy or laziness, + the horse bent his knees, and stretched himself out upon the ground; then, + getting entangled with his harness, he tore it, and broke his great wooden + collar. I had drawn back quickly, for fear of receiving a kick. Upon this + new disaster, the child could only throw himself on his knees in the + middle of the street, clasping his hands and sobbing, and exclaiming in a + voice of despair: ‘Help! help!’ + </p> + <p> + “The call was heard; several of the passers-by gathered round, and a more + efficacious correction than mine was administered to the restive horse, + who rose in a vile state, and without harness. + </p> + <p> + “‘My master will beat me,’ cried the poor child, as his tears redoubled; + ‘I am already two hours after time, for the horse would not go, and now he + has broken his harness. My master will beat me, and turn me away. Oh dear! + what will become of me! I have no father nor mother.’ + </p> + <p> + “At these words, uttered with a heart-rending accent, a worthy old + clothes-dealer of the Temple, who was amongst the spectators, exclaimed, + with a kindly air: ‘No father nor mother! Do not grieve so, my poor little + fellow; the Temple can supply everything. We will mend the harness, and, + if my gossips are like me, you shall not go away bareheaded or barefooted + in such weather as this.’ + </p> + <p> + “This proposition was greeted with acclamation; they led away both horse + and child; some were occupied in mending the harness, then one supplied a + cap, another a pair of stockings, another some shoes, and another a good + jacket; in a quarter of an hour the child was warmly clad, the harness + repaired, and a tall lad of eighteen, brandishing a whip, which he cracked + close to the horse’s ears, by way of warning, said to the little boy, who, + gazing first at his new clothes, and then at the good woman, believed + himself the hero of a fairy-tale. ‘Where does your governor live, little + ‘un?’ + </p> + <p> + “‘On the Quai du Canal-Saint-Martin, sir,’ answered he, in a voice + trembling with joy. + </p> + <p> + “‘Very good,’ said the young man, ‘I will help you take home the horse, + who will go well enough with me, and I will tell the master that the delay + was no fault of your’n. A balky horse ought not to be trusted to a child + of your age.’ + </p> + <p> + “At the moment of setting out, the poor little fellow said timidly to the + good dame, as he took off his cap to her: ‘Will you let me kiss you, + ma’am?’ + </p> + <p> + “His eyes were full of tears of gratitude. There was heart in that child. + This scene of popular charity gave me delightful emotions. As long as I + could, I followed with my eyes the tall young man and the child, who now + could hardly keep up with the pace of the horse, rendered suddenly docile + by fear of the whip. + </p> + <p> + “Yes! I repeat it with pride; man is naturally good and helpful. Nothing + could have been more spontaneous than this movement of pity and tenderness + in the crowd, when the poor little fellow exclaimed: ‘What will become of + me? I have no father or mother!’ + </p> + <p> + “‘Unfortunate child!’ said I to myself. ‘No father nor mother. In the + hands of a brutal master, who hardly covers him with a few rags, and ill + treats him into the bargain. Sleeping, no doubt in the corner of a stable. + Poor little, fellow! and yet so mild and good, in spite of misery and + misfortune. I saw it—he was even more grateful than pleased at the + service done him. But perhaps this good natural disposition, abandoned + without support or counsel, or help, and exasperated by bad treatment, may + become changed and embittered—and then will come the age of the + passions—the bad temptations—’ + </p> + <p> + “Oh! in the deserted poor, virtue is doubly saintly and respectable! + </p> + <p> + “This morning, after having (as usual) gently reproached me for not going + to mass, Agricola’s mother said to me these words, so touching in her + simple and believing mouth, ‘Luckily, I pray for you and myself too, my + poor girl; the good God will hear me, and you will only go, I hope, to + Purgatory.’ + </p> + <p> + “Good mother; angelic soul! she spoke those words in so grave and mild a + tone, with so strong a faith in the happy result of her pious + intercession, that I felt my eyes become moist, and I threw myself on her + neck, as sincerely grateful as if I had believed in Purgatory. This day + has been a lucky one for me. I hope I have found work, which luck I shall + owe to a young person full of heart and goodness, she is to take me + to-morrow to St. Mary’s Convent, where she thinks she can find me + employment.” + </p> + <p> + Florine, already much moved by the reading, started at this passage in + which Mother Bunch alluded to her, ere she continued as follows: + </p> + <p> + “Never shall I forget with what touching interest, what delicate + benevolence, this handsome young girl received me, so poor, and so + unfortunate. It does not astonish me, for she is attached to the person of + Mdlle. de Cardoville. She must be worthy to reside with Agricola’s + benefactress. It will always be dear and pleasant to me to remember her + name. It is graceful and pretty as her face; it is Florine. I am nothing, + I have nothing—but if the fervent prayers of a grateful heart might + be heard, Mdlle. Florine would be happy, very happy. Alas! I am reduced to + say prayers for her—only prayers—for I can do nothing but + remember and love her!” + </p> + <p> + These lines, expressing so simply the sincere gratitude of the hunchback, + gave the last blow to Florine’s hesitations. She could no longer resist + the generous temptation she felt. As she read these last fragments of the + journal, her affection and respect for Mother Bunch made new progress. + More than ever she felt how infamous it was in her to expose to sarcasms + and contempt the most secret thoughts of this unfortunate creature. + Happily, good is often as contagious as evil. Electrified by all that was + warm, noble, and magnanimous in the pages she had just read, Florine + bathed her failing virtue in that pure and vivifying source, and, + yielding, at last to one of those good impulses which sometimes carried + her away, she left the room with the manuscript in her hand, determined, + if Mother Bunch had not yet returned, to replace it—resolved to tell + Rodin that, this second time, her search for the journal had been vain, + the sempstress having no doubt discovered the first attempt. + </p> + <p> + (26) In the Ruche Populaire, a working man’s organ, are the following + particulars: + </p> + <p> + “Carding Mattresses.—The dust which flies out of the wool makes + carding destructive to health in any case, but trade adulterations enhance + the danger. In sticking sheep, the skin gets blood-spotted; it has to be + bleached to make it salable. Lime is the main whitener, and some of it + clings to the wool after the process. The dresser (female, most often) + breathes in the fine dust, and, by lung and other complaints, is far from + seldom deplorably situated; the majority sicken of it and give up the + trade, while those who keep to it, at the very least, suffer with a + catarrh or asthma that torments them until death. + </p> + <p> + “As for horsehair, the very best is not pure. You can judge what the + inferior quality is, from the workgirls calling it vitriol hair, because + it is the refuse or clippings from goats and swine, washed in vitriol, + boiled in dyes, etc., to burn and disguise such foreign bodies as straw. + thorns, splinters, and even bits of skin, not worth picking out. The dust + rising when a mass of this is beaten, makes as many ravages as the + lime-wool.” + </p> + <p> + <a name="link2HCH0101" id="link2HCH0101"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XLVIII. THE DISCOVERY. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span> little while before Florine made up her mind to atone for her shameful + breach of confidence, Mother Bunch had returned from the factory, after + accomplishing to the end her painful task. After a long interview with + Angela, struck, like Agricola, with the ingenuous grace, sense, and + goodness, with which the young girl was endowed, Mother Bunch had the + courageous frankness to advise the smith to enter into this marriage. The + following scene took place whilst Florine, still occupied in reading the + journal, had not yet taken the praiseworthy resolution of replacing it. It + was ten o’clock at night. The workgirl, returned to Cardoville House, had + just entered her chamber. Worn out by so many emotions, she had thrown + herself into a chair. The deepest silence reigned in the house. It was now + and then interrupted by the soughing of a high wind, which raged without + and shook the trees in the garden. A single candle lighted the room, which + was papered with dark green. That peculiar tint, and the hunchback’s black + dress, increased her apparent paleness. Seated in an arm-chair by the side + of the fire, with her head resting upon her bosom, her hands crossed upon + her knees, the work-girl’s countenance was melancholy and resigned; on it + was visible the austere satisfaction which is felt by the consciousness of + a duty well performed. + </p> + <p> + Like all those who, brought up in the merciless school of misfortune, no + longer exaggerate the sentiment of sorrow, too familiar and assiduous a + guest to be treated as a stranger, Mother Bunch was incapable of long + yielding to idle regrets and vain despair, with regard to what was already + past. Beyond doubt, the blow had been sudden, dreadful; doubtless it must + leave a long and painful remembrance in the sufferer’s soul; but it was + soon to pass, as it were, into that chronic state of pain-durance, which + had become almost an integral part of her life. And then this noble + creature, so indulgent to fate, found still some consolations in the + intensity of her bitter pain. She had been deeply touched by the marks of + affection shown her by Angela, Agricola’s intended: and she had felt a + species of pride of the heart, in perceiving with what blind confidence, + with what ineffable joy, the smith accepted the favorable presentiments + which seemed to consecrate his happiness. Mother Bunch also said to + herself: “At least, henceforth I shall not be agitated by hopes, or rather + by suppositions as ridiculous as they were senseless. Agricola’s marriage + puts a term to all the miserable reveries of my poor head.” + </p> + <p> + Finally, she found a real and deep consolation in the certainty that she + had been able to go through this terrible trial, and conceal from Agricola + the love she felt for him. We know how formidable to this unfortunate + being were those ideas of ridicule and shame, which she believed would + attach to the discovery of her mad passion. After having remained for some + time absorbed in thought, Mother Bunch rose, and advanced slowly towards + the desk. + </p> + <p> + “My only recompense,” said she, as she prepared the materials for writing, + “will be to entrust the mute witness of my pains with this new grief. I + shall at least have kept the promise that I made to myself. Believing, + from the bottom of my soul, that this girl is able to make Agricola happy, + I told him so with the utmost sincerity. One day, a long time hence, when + I shall read over these pages, I shall perhaps find in that a compensation + for all that I now suffer.” + </p> + <p> + So saying, she drew the box from the pigeon-hole. Not finding her + manuscript, she uttered a cry of surprise; but, what was her alarm, when + she perceived a letter to her address in the place of the journal! She + became deadly pale; her knees trembled; she almost fainted away. But her + increasing terror gave her a fictitious energy, and she had the strength + to break the seal. A bank-note for five hundred francs fell from the + letter on the table, and Mother Bunch read as follows: + </p> + <p> + “Mademoiselle,—There is something so original and amusing in reading + in your memoirs the story of your love for Agricola, that it is impossible + to resist the pleasure of acquainting him with the extent of it, of which + he is doubtless ignorant, but to which he cannot fail to show himself + sensible. Advantage will be taken to forward it to a multitude of other + persons, who might, perhaps, otherwise be unfortunately deprived of the + amusing contents of your diary. Should copies and extracts not be + sufficient, we will have it printed, as one cannot too much diffuse such + things. Some will weep—others will laugh—what appears superb + to one set of people, will seem ridiculous to another, such is life—but + your journal will surely make a great sensation. As you are capable of + wishing to avoid your triumph, and as you were only covered with rags when + you were received, out of charity into this house, where you wish to + figure as the great lady, which does not suit your shape for more reasons + than one, we enclose in the present five hundred francs to pay for your + day-book, and prevent your being without resources, in case you should be + modest enough to shrink from the congratulations which await you, certain + to overwhelm you by to-morrow, for, at this hour, your journal is already + in circulation. + </p> + <p> + “One of your brethren, + </p> + <p> + “A REAL MOTHER BUNCH.” + </p> + <p> + The vulgar, mocking, and insolent tone of this letter, which was purposely + written in the character of a jealous lackey, dissatisfied with the + admission of the unfortunate creature into the house, had been calculated + with infernal skill and was sure to produce the effect intended. + </p> + <p> + “Oh, good heaven!” were the only words the unfortunate girl could + pronounce, in her stupor and alarm. + </p> + <p> + Now, if we remember in what passionate terms she had expressed her love + for her adopted brother, if we recall many passages of this manuscript, in + which she revealed the painful wounds often inflicted on her by Agricola + without knowing it, and if we consider how great was her terror of + ridicule, we shall understand her mad despair on reading this infamous + letter. Mother Bunch did not think for a moment of all the noble words and + touching narratives contained in her journal. The one horrible idea which + weighed down the troubled spirit of the unfortunate creature, was, that on + the morrow Agricola, Mdlle. de Cardoville, and an insolent and mocking + crowd, would be informed of this ridiculous love, which would, she + imagined, crush her with shame and confusion. This new blow was so + stunning, that the recipient staggered a moment beneath the unexpected + shock. For some minutes, she remained completely inert and helpless; then, + upon reflection, she suddenly felt conscious of a terrible necessity. + </p> + <p> + This hospitable mansion, where she had found a sure refuge after so many + misfortunes, must be left for ever. The trembling timidity and sensitive + delicacy of the poor creature did not permit her to remain a minute more + in this dwelling, where the most secret recesses of her soul had been laid + open, profaned, and exposed no doubt to sarcasm and contempt. She did not + think of demanding justice and revenge from Mdlle. de Cardoville. To cause + a ferment of trouble and irritation in this house, at the moment of + quitting it, would have appeared to her ingratitude towards her + benefactress. She did not seek to discover the author or the motive of + this odious robbery and insulting letter. Why should she, resolved, as she + was, to fly from the humiliations with which she was threatened? She had a + vague notion (as indeed was intended), that this infamy might be the work + of some of the servants, jealous of the affectionate deference shown her + by Mdlle. de Cardoville—and this thought filled her with despair. + Those pages—so painfully confidential, which she would not have + ventured to impart to the most tender and indulgent mother, because, + written as it were with her heart’s blood, they painted with too cruel a + fidelity the thousand secret wounds of her soul—those pages were to + serve, perhaps served even now, for the jest and laughing-stock of the + lackeys of the mansion. + </p> + <p> + The money which accompanied this letter, and the insulting way in which it + was offered, rather tended to confirm her suspicions. It was intended that + the fear of misery should not be the obstacle of her leaving the house. + The workgirl’s resolution was soon taken, with that calm and firm + resignation which was familiar to her. She rose, with somewhat bright and + haggard eyes, but without a tear in them. Since the day before, she had + wept too much. With a trembling, icy hand, she wrote these words on a + paper, which she left by the side of the bank-note: “May Mdlle. de + Cardoville be blessed for all that she has done for me, and forgive me for + having left her house, where I can remain no longer.” + </p> + <p> + Having written this, Mother Bunch threw into the fire the infamous letter, + which seemed to burn her hands. Then, taking a last look at her chamber, + furnished so comfortably, she shuddered involuntarily as she thought of + the misery that awaited her—a misery more frightful than that of + which she had already been the victim, for Agricola’s mother had departed + with Gabriel, and the unfortunate girl could no longer, as formerly, be + consoled in her distress by the almost maternal affection of Dagobert’s + wife. To live alone—quite alone—with the thought that her + fatal passion for Agricola was laughed at by everybody, perhaps even by + himself—such were the future prospects of the hunchback. This future + terrified her—a dark desire crossed her mind—she shuddered, + and an expression of bitter joy contracted her features. Resolved to go, + she made some steps towards the door, when, in passing before the + fireplace, she saw her own image in the glass, pale as death, and clothed + in black; then it struck her that she wore a dress which did not belong to + her, and she remembered a passage in the letter, which alluded to the rags + she had on before she entered that house. “True!” said she, with a heart + breaking smile, as she looked at her black garments; “they would call me a + thief.” + </p> + <p> + And, taking her candle, she entered the little dressing room, and put on + again the poor, old clothes, which she had preserved as a sort of pious + remembrance of her misfortunes. Only at this instant did her tears flow + abundantly. She wept—not in sorrow at resuming the garb of misery, + but in gratitude; for all the comforts around her, to which she was about + to bid an eternal adieu, recalled to her mind at every step the delicacy + and goodness of Mdlle. de Cardoville: therefore, yielding to an almost + involuntary impulse, after she had put on her poor, old clothes, she fell + on her knees in the middle of the room, and, addressing herself in thought + to Mdlle. de Cardoville, she exclaimed, in a voice broken by convulsive + sobs: “Adieu! oh, for ever, adieu!—You, that deigned to call me + friend—and sister!” + </p> + <p> + Suddenly, she rose in alarm; she heard steps in the corridor, which led + from the garden to one of the doors of her apartment, the other door + opening into the parlor. It was Florine, who (alas! too late) was bringing + back the manuscript. Alarmed at this noise of footsteps, and believing + herself already the laughing-stock of the house. Mother Bunch rushed from + the room, hastened across the parlor, gained the court-yard, and knocked + at the window of the porter’s lodge. The house-door opened, and + immediately closed upon her. And so the workgirl left Cardoville House. + </p> + <p> + Adrienne was thus deprived of a devoted, faithful, and vigilant guardian. + Rodin was delivered from an active and sagacious antagonist, whom he had + always, with good reason, feared. Having, as we have seen, guessed Mother + Bunch’s love for Agricola, and knowing her to be a poet, the Jesuit + supposed, logically enough that she must have written secretly some verses + inspired by this fatal and concealed passion. Hence the order given to + Florine, to try and discover some written evidence of this love; hence + this letter, so horribly effective in its coarse ribaldry, of which, it + must be observed, Florine did not know the contents, having received it + after communicating a summary of the contents of the manuscript, which, + the first time, she had only glanced through without taking it away. We + have said, that Florine, yielding too late to a generous repentance, had + reached Mother Bunch’s apartment, just as the latter quitted the house in + consternation. + </p> + <p> + Perceiving a light in the dressing-room, the waiting-maid hastened + thither. She saw upon a chair the black dress that Mother Bunch had just + taken off, and, a few steps further, the shabby little trunk, open and + empty, in which she had hitherto preserved her poor garments. Florine’s + heart sank within her; she ran to the secretary; the disorder of the + card-board boxes, the note for five hundred francs left by the side of the + two lines written to Mdlle. de Cardoville, all proved that her obedience + to Rodin’s orders had borne fatal fruit, and that Mother Bunch had quitted + the house for ever. Finding the uselessness of her tardy resolution, + Florine resigned herself with a sigh to the necessity of delivering the + manuscript to Rodin. Then, forced by the fatality of her miserable + position to console herself for evil by evil, she considered that the + hunchback’s departure would at least make her treachery less dangerous. + </p> + <p> + Two days after these events, Adrienne received the following note from + Rodin, in answer to a letter she had written him, to inform him of the + work-girl’s inexplicable departure: + </p> + <p> + “MY DEAR YOUNG LADY;—Obliged to set out this morning for the factory + of the excellent M. Hardy, whither I am called by an affair of importance, + it is impossible for me to pay you my humble respects. You ask me what I + think of the disappearance of this poor girl? I really do not know. The + future will, I doubt not, explain all to her advantage. Only, remember + what I told you at Dr. Baleinier’s, with regard to a certain society and + its secret emissaries, with whom it has the art of surrounding those it + wishes to keep a watch on. I accuse no one; but let us only recall facts. + This poor girl accused me; and I am, as you know, the most faithful of + your servants. She possessed nothing; and yet five hundred francs were + found in her secretary. You loaded her with favors; and she leaves your + house without even explaining the cause of this extraordinary flight. I + draw no conclusion, my dear young lady; I am always unwilling to condemn + without evidence; but reflect upon all this, and be on your guard, for you + have perhaps escaped a great danger. Be more circumspect and suspicious + than ever; such at least is the respectful advice of your most obedient, + humble servant, + </p> + <p> + “Rodin.” + </p> + <p> + <a name="link2HCH0102" id="link2HCH0102"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XLIX. THE TRYSTING-PLACE OF THE WOLVES. + </h2> +<div class="fig"> + <img src="images/20453m.jpg" alt="20453m" /><br /> + </div> + <h5> + <a href="images/20453.jpg"><i>Original</i></a> + </h5> + <p> + It was a Sunday morning the very day on which Mdlle. de Cardoville had + received Rodin’s letter with regard to Mother Bunch’s disappearance. Two + men were talking to together, seated at a table in one of the public + houses in the little village of Villiers, situated at no great distance + from Hardy’s factory. The village was for the most part inhabited by + quarrymen and stonecutters, employed in working the neighboring quarries. + Nothing can be ruder and more laborious, and at the same time less + adequately paid, than the work of this class of people. Therefore, as + Agricola had told Mother Bunch, they drew painful comparisons between + their condition, almost always miserable, and the comfort and comparative + ease enjoyed by M. Hardy’s workmen, thanks to his generous and intelligent + management, and to the principles of association and community which he + had put in practice amongst them. Misery and ignorance are always the + cause of great evils. Misery is easily excited to anger, and ignorance + soon yields to perfidious counsels. For a long time, the happiness of M. + Hardy’s workmen had been naturally envied, but not with a jealousy + amounting to hatred. As soon, however, as the secret enemies of the + manufacturer, uniting with his rival Baron Tripeaud, had an interest in + changing this peaceful state of things—it changed accordingly. + </p> + <p> + With diabolical skill and perseverance they succeeded in kindling the most + evil passions. By means of chosen emissaries, they applied to those + quarrymen and stonecutters of the neighborhood, whose bad conduct had + aggravated their misery. Notorious for their turbulence, audacity, and + energy, these men might exercise a dangerous influence on the majority of + their companions, who were peaceful, laborious, and honest, but easily + intimidated by violence. These turbulent leaders, previously embittered by + misfortune, were soon impressed with an exaggerated idea of the happiness + of M. Hardy’s workmen, and excited to a jealous hatred of them. They went + still further; the incendiary sermons of an abbe, a member of the Jesuits, + who had come expressly from Paris to preach during Lent against M. Hardy, + acted powerfully on the minds of the women, who filled the church, whilst + their husbands were haunting the taverns. Profiting by the growing fear, + which the approach of the Cholera then inspired, the preacher struck with + terror these weak and credulous imaginations by pointing to M. Hardy’s + factory as a centre of corruption and damnation, capable of drawing down + the vengeance of Heaven, and bringing the fatal scourge upon the country. + Thus the men, already inflamed with envy, were still more excited by the + incessant urgency of their wives, who, maddened by the abbe’s sermons, + poured their curses on that band of atheists, who might bring down so many + misfortunes upon them and their children. Some bad characters, belonging + to the factory of Baron Tripeaud, and paid by him (for it was a great + interest the honorable manufacturer had in the ruin of M. Hardy), came to + augment the general irritation, and to complete it by raising one of those + alarming union-questions, which in our day have unfortunately caused so + much bloodshed. Many of M. Hardy’s workmen, before they entered his + employ, had belonged to a society or union, called the Devourers; while + many of the stonecutters in the neighboring quarries belonged to a society + called the Wolves. Now, for a long time, an implacable rivalry had existed + between the Wolves and Devourers, and brought about many sanguinary + struggles, which are the more to be deplored, as, in some respects, the + idea of these unions is excellent, being founded on the fruitful and + mighty principle of association. But unfortunately, instead of embracing + all trades in one fraternal communion, these unions break up the + working-class into distinct and hostile societies, whose rivalry often + leads to bloody collisions.(27) For the last week, the Wolves, excited by + so many different importunities, burned to discover an occasion or a + pretext to come to blows with the Devourers; but the latter, not + frequenting the public-houses, and hardly leaving the factory during the + week, had hitherto rendered such a meeting impossible, and the Wolves had + been forced to wait for the Sunday with ferocious impatience. + </p> +<div class="fig"> + <img src="images/20463m.jpg" alt="20463m" /><br /> + </div> + <h5> + <a href="images/20463.jpg"><i>Original</i></a> + </h5> + <p> + Moreover, a great number of the quarrymen and stonecutters, being + peaceable and hard-working people, had refused, though Wolves themselves + to join this hostile manifestation against the Devourers of M. Hardy’s + factory; the leaders had been obliged to recruit their forces from the + vagabonds and idlers of the barriers, whom the attraction of tumult and + disorder had easily enlisted under the flag of the warlike Wolves. Such + then was the dull fermentation, which agitated the little village of + Villiers, whilst the two men of whom we have spoken were at table in the + public-house. + </p> + <p> + These men had asked for a private room, that they might be alone. One of + them was still young, and pretty well dressed. But the disorder in his + clothes, his loose cravat, his shirt spotted with wine, his dishevelled + hair, his look of fatigue, his marble complexion, his bloodshot eyes, + announced that a night of debauch had preceded this morning; whilst his + abrupt and heavy gesture, his hoarse voice, his look, sometimes brilliant, + and sometimes stupid, proved that to the last fumes of the intoxication of + the night before, were joined the first attacks of a new state of + drunkenness. The companion of this man said to him, as he touched his + glass with his own: “Your health, my boy!” + </p> + <p> + “Yours!” answered the young man; “though you look to me like the devil.” + </p> + <p> + “I!—the devil?” + </p> + <p> + “Yes.” + </p> + <p> + “Why?” + </p> + <p> + “How did you come to know me?” + </p> + <p> + “Do you repent that you ever knew me?” + </p> + <p> + “Who told you that I was a prisoner at Sainte-Pelagie?” + </p> + <p> + “Didn’t I take you out of prison?” + </p> + <p> + “Why did you take me out?” + </p> + <p> + “Because I have a good heart.” + </p> + <p> + “You are very fond of me, perhaps—just as the butcher likes the ox + that he drives to the slaughter-house.” + </p> + <p> + “Are you mad?” + </p> + <p> + “A man does not pay a hundred thousand francs for another without a + motive.” + </p> + <p> + “I have a motive.” + </p> + <p> + “What is it? what do you want to do with me?” + </p> + <p> + “A jolly companion that will spend his money like a man, and pass every + night like the last. Good wine, good cheer, pretty girls, and gay songs. + Is that such a bad trade?” + </p> + <p> + After he had remained a moment without answering, the young man replied + with a gloomy air: “Why, on the eve of my leaving prison, did you attach + this condition to my freedom, that I should write to my mistress to tell + her that I would never see her again! Why did you exact this letter from + me?” + </p> + <p> + “A sigh! what, are you still thinking of her?” + </p> + <p> + “Always.” + </p> + <p> + “You are wrong. Your mistress is far from Paris by this time. I saw her + get into the stage-coach, before I came to take you out of Sainte + Pelagie.” + </p> + <p> + “Yes, I was stifled in that prison. To get out, I would have given my soul + to the devil. You thought so, and therefore you came to me; only, instead + of my soul, you took Cephyse from me. Poor Bacchanal-Queen! And why did + you do it? Thousand thunders! Will you tell me!” + </p> + <p> + “A man as much attached to his mistress as you are is no longer a man. He + wants energy, when the occasion requires.” + </p> + <p> + “What occasion?” + </p> + <p> + “Let us drink!” + </p> + <p> + “You make me drink too much brandy.” + </p> + <p> + “Bah! look at me!” + </p> + <p> + “That’s what frightens me. It seems something devilish. A bottle of brandy + does not even make you wink. You must have a stomach of iron and a head of + marble.” + </p> + <p> + “I have long travelled in Russia. There we drink to roast ourselves.” + </p> + <p> + “And here to only warm. So—let’s drink—but wine.” + </p> + <p> + “Nonsense! wine is fit for children. Brandy for men like us!” + </p> + <p> + “Well, then, brandy; but it burns, and sets the head on fire, and then we + see all the flames of hell!” + </p> + <p> + “That’s how I like to see you, hang it!” + </p> + <p> + “But when you told me that I was too much attached to my mistress, and + that I should want energy when the occasion required, of what occasion did + you speak?” + </p> + <p> + “Let us drink!” + </p> + <p> + “Stop a moment, comrade. I am no more of a fool than others. Your half + words have taught me something. + </p> + <p> + “Well, what?” + </p> + <p> + “You know that I have been a workman, that I have many companions, and + that, being a good fellow, I am much liked amongst them. You want me for a + catspaw, to catch other chestnuts?” + </p> + <p> + “What then?” + </p> + <p> + “You must be some getter-up of riots—some speculator in revolts.” + </p> + <p> + “What next?” + </p> + <p> + “You are travelling for some anonymous society, that trades in musket + shots.” + </p> + <p> + “Are you a coward?” + </p> + <p> + “I burned powder in July, I can tell you—make no mistakes!” + </p> + <p> + “You would not mind burning some again?” + </p> + <p> + “Just as well that sort of fireworks as any other. Only I find revolutions + more agreeable than useful; all that I got from the barricades of the + three days was burnt breeches and a lost jacket. All the cause won by me, + with its ‘Forward! March!’ says.” + </p> + <p> + “You know many of Hardy’s workmen?” + </p> + <p> + “Oh! that’s why you have brought me down here?” + </p> + <p> + “Yes—you will meet with many of the workmen from the factory.” + </p> + <p> + “Men from Hardy’s take part in a row? No, no; they are too well off for + that. You have been sold.” + </p> + <p> + “You will see presently.” + </p> + <p> + “I tell you they are well off. What have they to complain of?” + </p> + <p> + “What of their brethren—those who have not so good a master, and die + of hunger and misery, and call on them for assistance? Do you think they + will remain deaf to such a summons? Hardy is only an exception. Let the + people but give a good pull all together, and the exception will become + the rule, and all the world be happy.” + </p> + <p> + “What you say there is true, but it would be a devil of a pull that would + make an honest man out of my old master, Baron Tripeaud, who made me what + I am—an out-and-out rip.” + </p> + <p> + “Hardy’s workmen are coming; you are their comrade, and have no interest + in deceiving them. They will believe you. Join with me in persuading them—” + </p> + <p> + “To what?” + </p> + <p> + “To leave this factory, in which they grow effeminate and selfish, and + forget their brothers.” + </p> + <p> + “But if they leave the factory, how are they to live?” + </p> + <p> + “We will provide for that—on the great day.” + </p> + <p> + “And what’s to be done till then?” + </p> + <p> + “What you have done last night—drink, laugh, sing, and, by way of + work, exercise themselves privately in the use of arms.’ + </p> + <p> + “Who will bring these workmen here?” + </p> + <p> + “Some one has already spoken to them. They have had printed papers, + reproaching them with indifference to their brothers. Come, will you + support me?” + </p> + <p> + “I’ll support you—the more readily as I cannot very well support + myself. I only cared for Cephyse in the world; I know that I am on a bad + road; you are pushing me on further; let the ball roll!—Whether we + go to the devil one way or the other is not of much consequence. Let’s + drink.” + </p> + <p> + “Drink to our next night’s fun; the last was only apprenticeship.” + </p> + <p> + “Of what then are you made? I looked at you, and never saw you either + blush or smile, or change countenance. You are like a man of iron.” + </p> + <p> + “I am not a lad of fifteen. It would take something more to make me laugh. + I shall laugh to-night.” + </p> + <p> + “I don’t know if it’s the brandy; but, devil take me, if you don’t + frighten me when you say you shall laugh tonight!” + </p> + <p> + So saying, the young man rose, staggering; he began to be once more + intoxicated. + </p> + <p> + There was a knock at the door. “Come in!” The host made his appearance. + </p> + <p> + “What’s the matter?” + </p> + <p> + “There’s a young man below, who calls himself Olivier. He asks for M. + Morok.” + </p> + <p> + “That’s right. Let him came up.” The host went out. + </p> + <p> + “It is one of our men, but he is alone,” said Morok, whose savage + countenance expressed disappointment. “It astonishes me, for I expected a + good number. Do you know him?” + </p> + <p> + “Olivier? Yes—a fair chap, I think.” + </p> + <p> + “We shall see him directly. Here he is.” A young man, with an open, bold, + intelligent countenance, at this moment entered the room. + </p> + <p> + “What! old Sleepinbuff!” he exclaimed, at sight of Morok’s companion. + </p> + <p> + “Myself. I have not seen you for an age, Olivier.” + </p> + <p> + “Simple enough, my boy. We do not work at the same place.” + </p> + <p> + “But you are alone!” cried Morok; and pointing to Sleepinbuff, he added: + “You may speak before him—he is one of us. But why are you alone?” + </p> + <p> + “I come alone, but in the name of my comrades.” + </p> + <p> + “Oh!” said Morok, with a sigh of satisfaction, “they consent.” + </p> + <p> + “They refuse—just as I do!” + </p> + <p> + “What, the devil! they refuse? Have they no more courage than women?” + cried Morok, grinding his teeth with rage. + </p> + <p> + “Hark ye,” answered Olivier, coolly. “We have received your letters, and + seen your agent. We have had proof that he is really connected with great + societies, many members of which are known to us.” + </p> + <p> + “Well! why do you hesitate?” + </p> + <p> + “First of all, nothing proves that these societies are ready to make a + movement.” + </p> + <p> + “I tell you they are.” + </p> + <p> + “He—tells you—they are,” said Sleepinbuff, stammering “and I + (hic!) affirm it. Forward! March!” + </p> + <p> + “That’s not enough,” replied Olivier. “Besides, we have reflected upon it. + For a week the factory was divided. Even yesterday the discussion was too + warm to be pleasant. But this morning Father Simon called to him; we + explained ourselves fully before him, and he brought us all to one mind. + We mean to wait, and if any disturbance breaks out, we shall see.” + </p> + <p> + “Is that your final word?” + </p> + <p> + “It is our last word.” + </p> + <p> + “Silence!” cried Sleepinbuff, suddenly, as he listened, balancing himself + on his tottering legs. “It is like the noise of a crowd not far off.” A + dull sound was indeed audible, which became every moment more and more + distinct, and at length grew formidable. + </p> + <p> + “What is that?” said Olivier, in surprise. + </p> + <p> + “Now,” replied Morok, smiling with a sinister air, “I remember the host + told me there was a great ferment in the village against the factory. If + you and your other comrades had separated from Hardy’s other workmen, as I + hoped, these people who are beginning to howl would have been for you, + instead of against you.” + </p> + <p> + “This was a trap, then, to set one half of M. Hardy’s workmen against the + other!” cried Olivier; “you hoped that we should make common cause with + these people against the factory, and that—” + </p> + <p> + The young man had not time to finish. A terrible outburst of shouts, + howls, and hisses shook the tavern. At the same instant the door was + abruptly opened, and the host, pale and trembling, hurried into the + chamber, exclaiming: “Gentlemen! do any of you work at M. Hardy’s + factory?” + </p> + <p> + “I do,” said Olivier. + </p> + <p> + “Then you are lost. Here are the Wolves in a body, saying there are + Devourers here from M. Hardy’s, and offering them battle—unless the + Devourers will give up the factory, and range themselves on their side.” + </p> + <p> + “It was a trap, there can be no doubt of it!” cried Olivier, looking at + Morok and Sleepinbuff, with a threatening air; “if my mates had come, we + were all to be let in.” + </p> + <p> + “I lay a trap, Olivier?” stammered Jacques Rennepont. “Never!” + </p> + <p> + “Battle to the Devourers! or let them join the Wolves!” cried the angry + crowd with one voice, as they appeared to invade the house. + </p> + <p> + “Come!” exclaimed the host. Without giving Olivier time to answer, he + seized him by the arm, and opening a window which led to a roof at no very + great height from the ground, he said to him: “Make your escape by this + window, let yourself slide down, and gain the fields; it is time.” + </p> +<div class="fig"> + <img src="images/20469m.jpg" alt="20469m" /><br /> + </div> + <h5> + <a href="images/20469.jpg"><i>Original</i></a> + </h5> + <p> + As the young workman hesitated, the host added, with a look of terror: + </p> + <p> + “Alone, against a couple of hundred, what can you do? A minute more, and + you are lost. Do you not hear them? They have entered the yard; they are + coming up.” + </p> + <p> + Indeed, at this moment, the groans, the hisses, and cheers redoubled in + violence; the wooden staircase which led to the first story shook beneath + the quick steps of many persons, and the shout arose, loud and piercing: + “Battle to the Devourers!” + </p> + <p> + “Fly, Olivier!” cried Sleepinbuff, almost sobered by the danger. + </p> + <p> + Hardly had he pronounced the words when the door of the large room, which + communicated with the small one in which they were, was burst open with a + frightful crash. + </p> + <p> + “Here they are!” cried the host, clasping his hands in alarm. Then, + running to Olivier, he pushed him, as it were, out of the window; for, + with one foot on the sill, the workman still hesitated. + </p> + <p> + The window once closed, the publican returned towards Morok the instant + the latter entered the large room, into which the leaders of the Wolves + had just forced an entry, whilst their companions were vociferating in the + yard and on the staircase. Eight or ten of these madmen, urged by others + to take part in these scenes of disorder, had rushed first into the room, + with countenances inflamed by wine and anger; most of them were armed with + long sticks. A blaster, of Herculean strength and stature, with an old red + handkerchief about his head, its ragged ends streaming over his shoulders, + miserably dressed in a half-worn goat-skin, brandished an iron + drilling-rod, and appeared to direct the movements. With bloodshot eyes, + threatening and ferocious countenance, he advanced towards the small room, + as if to drive back Morok, and exclaimed, in a voice of thunder: + </p> + <p> + “Where are the Devourers?—the Wolves will eat ‘em up!” + </p> + <p> + The host hastened to open the door of the small room, saying: “There is no + one here, my friends—no one. Look for yourselves.” + </p> + <p> + “It is true,” said the quarryman, surprised, after peeping into the room; + “where are they, then? We were told there were a dozen of them here. They + should have marched with us against the factory, or there’d ‘a been a + battle, and the Wolves would have tried their teeth!” + </p> + <p> + “If they have not come,” said another, “they will come. Let’s wait.” + </p> + <p> + “Yes, yes; we will wait for them.” + </p> + <p> + “We will look close at each other.” + </p> + <p> + “If the Wolves want to see the Devourers,” said Morok, “why not go and + howl round the factory of the miscreant atheists? At the first howl of the + Wolves they will come out, and give you battle.” + </p> + <p> + “They will give you—battle,” repeated Sleepinbuff, mechanically. + </p> + <p> + “Unless the Wolves are afraid of the Devourers,” added Morok. + </p> + <p> + “Since you talk of fear, you shall go with us, and see who’s afraid!” + cried the formidable blaster, and in a thundering voice, he advanced + towards Morok. + </p> + <p> + A number of voices joined in with, “Who says the Wolves are afraid of the + Devourers?” + </p> + <p> + “It would be the first time!” + </p> + <p> + “Battle! battle! and make an end of it!” + </p> + <p> + “We are tired of all this. Why should we be so miserable, and they so well + off?” + </p> + <p> + “They have said that quarrymen are brutes, only fit to torn wheels in a + shaft, like dogs to turn spits,” cried an emissary of Baron Tripeaud’s. + </p> + <p> + “And that the Devourers would make themselves caps with wolf-skin,” added + another. + </p> + <p> + “Neither they nor their wives ever go to mass. They are pagans and dogs!” + cried an emissary of the preaching abbe. + </p> + <p> + “The men might keep their Sunday as they pleased; but their wives not to + go to mass!—it is abominable. + </p> + <p> + “And, therefore, the curate has said that their factory, because of its + abominations, might bring down the cholera to the country.” + </p> + <p> + “True? he said that in his sermon.” + </p> + <p> + “Our wives heard it.” + </p> + <p> + “Yes, yes; down with the Devourers, who want to bring the cholera on the + country!” + </p> + <p> + “Hooray, for a fight!” cried the crowd in chorus. + </p> + <p> + “To the factory, my brave Wolves!” cried Morok, with the voice of a + Stentor; “on to the factory!” + </p> + <p> + “Yes! to the factory! to the factory!” repeated the crowd, with furious + stamping; for, little by little, all who could force their way into the + room, or up the stairs, had there collected together. + </p> + <p> + These furious cries recalling Jacques for a moment to his senses, he + whispered to Morok: “It is slaughter you would provoke? I wash my hands of + it.” + </p> + <p> + “We shall have time to let them know at the factory. We can give these + fellows the slip on the road,” answered Morok. Then he cried aloud, + addressing the host, who was terrified at this disorder: “Brandy!—let + us drink to the health of the brave Wolves! I will stand treat.” He threw + some money to the host, who disappeared, and soon returned with several + bottles of brandy, and some glasses. + </p> + <p> + “What! glasses?” cried Morok. “Do jolly companions, like we are, drink out + of glasses?” So saying, he forced out one of the corks, raised the neck of + the bottle to his lips, and, having drunk a deep draught, passed it to the + gigantic quarryman. + </p> + <p> + “That’s the thing!” said the latter. “Here’s in honor of the treat!—None + but a sneak will refuse, for this stuff will sharpen the Wolves’ teeth!” + </p> + <p> + “Here’s to your health, mates!” said Morok, distributing the bottles. + </p> + <p> + “There will be blood at the end of all this,” muttered Sleepinbuff, who, + in spite of his intoxication, perceived all the danger of these fatal + incitements. Indeed, a large portion of the crowd was already quitting the + yard of the public-house, and advancing rapidly towards M. Hardy’s + factory. + </p> + <p> + Those of the workmen and inhabitants of the village, who had not chosen to + take any part in this movement of hostility (they were the majority), did + not make their appearance, as this threatening troop passed along the + principal street; but a good number of women, excited to fanaticism by the + sermons of the abbe, encouraged the warlike assemblage with their cries. + At the head of the troop advanced the gigantic blaster, brandishing his + formidable bar, followed by a motley mass, armed with sticks and stones. + Their heads still warmed by their recent libations of brandy, they had now + attained a frightful state of frenzy. Their countenances were ferocious, + inflamed, terrible. This unchaining of the worst passions seemed to + forbode the most deplorable consequences. Holding each other arm-in-arm, + and walking four or five together, the Wolves gave vent to their + excitement in war-songs, which closed with the following verse: + </p> + <p> + “Forward! full of assurance! Let us try our vigorous arms! They have + wearied out our prudence; Let us show we’ve no alarms. Sprung from a + monarch glorious,(28) To-day we’ll not grow pale, Whether we win the + fight, or fail, Whether we die, or are victorious! Children of Solomon, + mighty king, All your efforts together bring, Till in triumph we shall + sing!” + </p> + <p> + Morok and Jacques had disappeared whilst the tumultuous troop were leaving + the tavern to hasten to the factory. + </p> + <p> + (27) Let it be noted, to the working-man’s credit, that such outrageous + scenes become more and more rare as he is enlightened to the full + consciousness of his worth. Such better tendencies are to be attributed to + the just influence of an excellent tract on trades’ union written by M. + Agricole Perdignier, and published in 1841, Paris. This author, a joiner, + founded at his own expense an establishment in the Faubourg St. Antoine, + where some forty or fifty of his trade lodged, and were given, after the + day’s work, a course of geometry, etc., applied to wood carving. We went + to one of the lectures, and found as much clearness in the professor as + attention and intelligence in the audience. At ten, after reading + selections, all the lodgers retire, forced by their scanty wages to sleep, + perhaps, four in a room. M. Perdignier informed us that study and + instruction were such powerful ameliorators, that, during six years, he + had only one of his lodgers to expel. “In a few days,” he remarked, “the + bad eggs find out, this is no place for them to addle sound ones!” We are + happy to hear, reader, public homage to a learned and upright man, devoted + to his fellow-workmen. + </p> + <p> + (28) The Wolves (among others) ascribe the institution of their company to + King Solomon. See the curious work by M. Agricole Perdignier, from which + the war-song is extracted. + </p> + <p> + <a name="link2HCH0103" id="link2HCH0103"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER L. THE COMMON DWELLING-HOUSE + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">W</span>hilst the Wolves, as we have just seen, prepared a savage attack on the + Devourers, the factory of M. Hardy had that morning a festal air, + perfectly in accordance with the serenity of the sky; for the wind was + from the north, and pretty sharp for a fine day in March. The clock had + just struck nine in the Common Dwelling-house of the workmen, separated + from the workshops by a broad path planted with trees. The rising sun + bathed in light this imposing mass of buildings, situated a league from + Paris, in a gay and salubrious locality, from which were visible the woody + and picturesque hills, that on this side overlook the great city. Nothing + could be plainer, and yet more cheerful than the aspect of the Common + Dwelling-house of the workmen. Its slanting roof of red tiles projected + over white walls, divided here and there by broad rows of bricks, which + contrasted agreeably with the green color of the blinds on the first and + second stories. + </p> + <p> + These buildings, open to the south and east, were surrounded by a large + garden of about ten acres, partly planted with trees, and partly laid out + in fruit and kitchen-garden. Before continuing this description, which + perhaps will appear a little like a fairy-tale, let us begin by saying, + that the wonders, of which we are about to present the sketch, must not to + be considered Utopian dreams; nothing, on the contrary, could be of a more + positive character, and we are able to assert, and even to prove (what in + our time is of great weight and interest), that these wonders were the + result of an excellent speculation, and represented an investment as + lucrative as it was secure. To undertake a vast, noble, and most useful + enterprise; to bestow on a considerable number of human creatures an ideal + prosperity, compared with the frightful, almost homicidal doom, to which + they are generally condemned; to instruct them, and elevate them in their + own esteem; to make them prefer to the coarse pleasures of the tavern, or + rather to the fatal oblivion which they find there, as an escape from the + consciousness of their deplorable destiny, the pleasures, of the intellect + and the enjoyments of art; in a word, to make men moral by making them + happy, and finally, thanks to this generous example, so easy of imitation, + to take a place amongst the benefactors of humanity—and yet, at the + same time to do, as it were, without knowing it, an excellent stroke of + business—may appear fabulous. And yet this was the secret of the + wonders of which we speak. + </p> + <p> + Let us enter the interior of the factory. Ignorant of Mother Bunch’s cruel + disappearance, Agricola gave himself up to the most happy, thoughts as he + recalled Angela’s image, and, having finished dressing with unusual care, + went in search of his betrothed. + </p> + <p> + Let us say two words on the subject of the lodging, which the smith + occupied in the Common Dwelling-house, at the incredibly low rate of + seventy-five francs per annum like the other bachelors on the + establishment. This lodging, situated on the second story, was comprised + of a capital chamber and bedroom, with a southern aspect, and looking on + the garden; the pine floor was perfectly white and clean; the iron + bedstead was supplied with a good mattress and warm coverings; a gas + burner and a warm-air pipe were also introduced into the rooms, to furnish + light and heat as required; the walls were hung with pretty fancy + papering, and had curtains to match; a chest of drawers, a walnut table, a + few chairs, a small library, comprised Agricola’s furniture. Finally, in + the large and light closet, was a place for his clothes, a dressing table, + and large zinc basin, with an ample supply of water. If we compare this + agreeable, salubrious, comfortable lodging, with the dark, icy, + dilapidated garret, for which the worthy fellow paid ninety francs at his + mother’s, and to get to which he had more than a league and a half to go + every evening, we shall understand the sacrifice he made to his affection + for that excellent woman. + </p> + <p> + Agricola, after casting a last glance of tolerable satisfaction at his + looking-glass, while he combed his moustache and imperial, quitted his + chamber, to go and join Angela in the women’s workroom. The corridor, + along which he had to pass, was broad, well-lighted from above, floored + with pine, and extremely clean. Notwithstanding some seeds of discord + which had been lately sown by M. Hardy’s enemies amongst his workmen, + until now so fraternally united, joyous songs were heard in almost all the + apartments which skirted the corridor, and, as Agricola passed before + several open doors, he exchanged a cordial good-morrow with many of his + comrades. The smith hastily descended the stairs, crossed the court yard, + in which was a grass-plot planted with trees, with a fountain in the + centre, and gained the other wing of the building. There was the workroom, + in which a portion of the wives and daughters of the associated artisans, + who happened not to be employed in the factory, occupied themselves in + making up the linen. This labor, joined to the enormous saving effected by + the purchase of the materials wholesale, reduced to an incredible extent + the price of each article. After passing through this workroom, a vast + apartment looking on the garden, well-aired in summer,(29) and well-warmed + in winter, Agricola knocked at the door of the rooms occupied by Angela’s + mother. + </p> + <p> + If we say a few words with regard to this lodging, situated on the first + story, with an eastern aspect, and also looking on the garden, it is that + we may tape it as a specimen of the habitation of a family in this + association, supplied at the incredibly small price of one hundred and + twenty-five francs per annum. + </p> + <p> + A small entrance, opening on the corridor, led to a large room, on each + side of which was a smaller chamber, destined for the family, when the + boys and girls were too big to continue to sleep in the two dormitories, + arranged after the fashion of a large school, and reserved for the + children of both sexes. Every night the superintendence of these + dormitories was entrusted to a father and mother of a family, belonging to + the association. The lodging of which we speak, being, like all the + others, disencumbered of the paraphernalia of a kitchen—for the + cooking was done in common, and on a large scale, in another part of the + building—was kept extremely clean. A pretty large piece of carpet, a + comfortable arm-chair, some pretty-looking china on a stand of well + polished wood, some prints hung against the walls, a clock of gilt bronze, + a bed, a chest of drawers, and a mahogany secretary, announced that the + inhabitants of this apartment enjoyed not only the necessaries, but some + of the luxuries of life. Angela, who, from this time, might be called + Agricola’s betrothed, justified in every point the flattering portrait + which the smith had drawn of her in his interview with poor Mother Bunch. + The charming girl, seventeen years of age at most, dressed with as much + simplicity as neatness, was seated by the side of her mother. When + Agricola entered, she blushed slightly at seeing him. + </p> + <p> + “Mademoiselle,” said Agricola, “I have come to keep my promise, if your + mother has no objection.” + </p> + <p> + “Certainly, M. Agricola,” answered the mother of the young girl cordially. + “She would not go over the Common Dwelling-house with her father, her + brother, or me, because she wished to have that pleasure with you today. + It is quite right that you, who can talk so well, should do the honors of + the house to the new-comer. She has been waiting for you an hour, and with + such impatience!” + </p> + <p> + “Pray excuse me, mademoiselle,” said Agricola, gayly; “in thinking of the + pleasure of seeing you, I forgot the hour. That is my only excuse.” + </p> + <p> + “Oh, mother!” said the young girl, in a tone of mild reproach, and + becoming red as a cherry, “why did you say that?” + </p> + <p> + “Is it true, yes or no? I do not blame you for it; on the contrary. Go + with M. Agricola, child, and he will tell you, better than I can, what all + the workmen of the factory owe to M, Hardy.” + </p> + <p> + “M. Agricola,” said Angela, tying the ribbons of her pretty cap, “what a + pity that your good little adopted sister is not with us.” + </p> + <p> + “Mother Bunch?—yes, you are right, mademoiselle; but that is only a + pleasure put off, and the visit she paid us yesterday will not be the + last.” + </p> + <p> + Having embraced her mother, the girl took Agricola’s arm, and they went + out together. + </p> + <p> + “Dear me, M. Agricola,” said Angela; “if you knew how much I was surprised + on entering this fine house, after being accustomed to see so much misery + amongst the poor workmen in our country, and in which I too have had my + share, whilst here everybody seems happy and contented. It is really like + fairy-land; I think I am in a dream, and when I ask my mother the + explanation of these wonders, she tells me, ‘M. Agricola will explain it + all to you.’” + </p> + <p> + “Do you know why I am so happy to undertake that delightful task, + mademoiselle?” said Agricola, with an accent at once grave and tender. + “Nothing could be more in season.” + </p> + <p> + “Why so, M. Agricola?” + </p> + <p> + “Because, to show you this house, to make you acquainted with all the + resources of our association, is to be able to say to you: ‘Here, the + workman, sure of the present, sure of the future, is not, like so many of + his poor brothers, obliged to renounce the sweetest want of the heart—the + desire of choosing a companion for life—in the fear of uniting + misery to misery.”’ + </p> + <p> + Angela cast down her eyes, and blushed. + </p> + <p> + “Here the workman may safely yield to the hope of knowing the sweet joys + of a family, sure of not having his heart torn hereafter by the sight of + the horrible privations of those who are dear to him; here, thanks to + order and industry, and the wise employment of the strength of all, men, + women, and children live happy and contented. In a ward, to explain all + this to you, mademoiselle,” added Agricola, smiling with a still more + tender air, “is to prove, that here we can do nothing more reasonable than + love, nothing wiser than marry.” + </p> + <p> + “M. Agricola,” answered Angela, in a slightly agitated voice, and blushing + still more as she spoke, “suppose we were to begin our walk.” + </p> + <p> + “Directly, mademoiselle,” replied the smith, pleased at the trouble he had + excited in that ingenuous soul. “But, come; we are near the dormitory of + the little girls. The chirping birds have long left their nests. Let us go + there.” + </p> + <p> + “Willingly, M. Agricola.” + </p> +<div class="fig"> + <img src="images/20477m.jpg" alt="20477m" /><br /> + </div> + <h5> + <a href="images/20477.jpg"><i>Original</i></a> + </h5> + <p> + The young smith and Angela soon entered a spacious dormitory, resembling + that of a first-rate boarding school. The little iron bedsteads were + arranged in symmetrical order; at each end were the beds of the two + mothers of families, who took the superintendence by turns. + </p> + <p> + “Dear me! how well it is arranged, M. Agricola, and how neat and clean! + Who is it that takes such good care of it?” + </p> + <p> + “The children themselves; we have no servants here. There is an + extraordinary emulation between these urchins—as to who shall make + her bed most neatly, and it amuses them quite as much as making a bed for + their dolls. Little girls, you know, delight in playing at keeping house. + Well, here they play at it in good earnest, and the house is admirably + kept in consequence.” + </p> + <p> + “Oh! I understand. They turn to account their natural taste for all such + kinds of amusement.” + </p> + <p> + “That is the whole secret. You will see them everywhere usefully occupied, + and delighted at the importance of the employments given them.” + </p> + <p> + “Oh, M. Agricola!” said Angela, timidly, “only compare these fine + dormitories, so warm and healthy, with the horrible icy garrets, where + children are heaped pell-mell on a wretched straw-mattress, shivering with + cold, as in the case with almost all the workmen’s families in our + country!” + </p> + <p> + “And in Paris, mademoiselle, it is even worse.” + </p> + <p> + “Oh! how kind, generous, and rich must M. Hardy be, to spend so much money + in doing good!” + </p> + <p> + “I am going to astonish you, mademoiselle!” said Agricola, with a smile; + “to astonish you so much, that perhaps you will not believe me.” + </p> + <p> + “Why so, M. Agricola?” + </p> + <p> + “There is not certainly in the world a man with a better and more generous + heart than M. Hardy; he does good for its own sake and without thinking of + his personal interest. And yet, Mdlle. Angela, were he the most selfish + and avaricious of men, he would still find it greatly to his advantage to + put us in a position to be as comfortable as we are.” + </p> + <p> + “Is it possible, M. Agricola? You tell me so, and I believe it; but if + good can so easily be done, if there is even an advantage in doing it, why + is it not more commonly attempted?” + </p> + <p> + “Ah! mademoiselle, it requires three gifts very rarely met with in the + same person—knowledge, power and will.” + </p> + <p> + “Alas! yes. Those who have the knowledge, have not the power.” + </p> + <p> + “And those who have the power, have neither the knowledge nor the will.” + </p> + <p> + “But how does M. Hardy find any advantage in the good he does for you?” + </p> + <p> + “I will explain that presently, mademoiselle.” + </p> + <p> + “Oh, what a nice, sweet smell of fruit!” said Angela, suddenly. + </p> + <p> + “Our common fruit-store is close at hand. I wager we shall find there some + of the little birds from the dormitory—not occupied in picking and + stealing, but hard at work.” + </p> + <p> + Opening a door, Agricola led Angela into a large room, furnished with + shelves, on which the winter fruits were arranged in order. A number of + children, from seven to eight years old, neatly and warmly clad, and + glowing with health, exerted themselves cheerfully, under the + superintendence of a woman, in separating and sorting the spoiled fruit. + </p> + <p> + “You see,” said Agricola, “wherever it is possible, we make use of the + children. These occupations are amusements for them, answering to the need + of movement and activity natural to their age; and, in this way, we can + employ the grown girls and the women to much better advantage.” + </p> + <p> + “True, M. Agricola; how well it is all arranged.” + </p> + <p> + “And if you saw what services the urchins in the kitchen render! Directed + by one or two women, they do the work of eight or ten servants.” + </p> + <p> + “In fact,” said Angela, smiling, “at their age, we like so much to play at + cooking dinner. They must be delighted.” + </p> + <p> + “And, in the same way, under pretext of playing at gardening, they weed + the ground, gather the fruit and vegetables, water the flowers, roll the + paths, and so on. In a word, this army of infant-workers, who generally + remain till ten or twelve years of age without being of any service, are + here very useful. Except three hours of school, which is quite sufficient + for them, from the age of six or seven their recreations are turned to + good account, and the dear little creatures, by the saving of full-grown + arms which they effect, actually gain more than they cost; and then, + mademoiselle, do you not think there is something in the presence of + childhood thus mixed up with every labor—something mild, pure, + almost sacred, which has its influence on our words and actions, and + imposes a salutary reserve? The coarsest man will respect the presence of + children.” + </p> + <p> + “The more one reflects, the more one sees that everything here is really + designed for the happiness of all!” said Angela, in admiration. + </p> + <p> + “It has not been done without trouble. It was necessary to conquer + prejudices, and break through customs. But see, Mdlle. Angela! here we are + at the kitchen,” added the smith, smiling; “is it not as imposing as that + of a barrack or a public school?” + </p> + <p> + Indeed, the culinary department of the Common Dwelling-house was immense. + All its utensils were bright and clean; and thanks to the marvellous and + economical inventions of modern science (which are always beyond the reach + of the poorer classes, to whom they are most necessary, because they can + only be practised on a large scale), not only the fire on the hearth, and + in the stoves, was fed with half the quantity of fuel that would have been + consumed by each family individually, but the excess of the caloric + sufficed, with the aid of well-constructed tubes, to spread a mild and + equal warmth through all parts of the house. And here also children, under + the direction of two women, rendered numerous services. Nothing could be + more comic than the serious manner in which they performed their culinary + functions; it was the same with the assistance they gave in the bakehouse, + where, at an extraordinary saving in the price (for they bought flour + wholesale), they made an excellent household bread, composed of pure wheat + and rye, so preferable to that whiter bread, which too often owes its + apparent qualities to some deleterious substance. + </p> + <p> + “Good-day, Dame Bertrand,” said Agricola, gayly, to a worthy matron, who + was gravely contemplating the slow evolution of several spits, worthy of + Gamache’s Wedding so heavily were they laden with pieces of beef, mutton, + and veal, which began to assume a fine golden brown color of the most + attractive kind; “good-day, Dame Bertrand. According to the rule, I do not + pass the threshold of the kitchen. I only wish it to be admired by this + young lady, who is a new-comer amongst us.” + </p> + <p> + “Admire, my lad, pray admire—and above all take notice, how good + these brats are, and how well they work!” So saying, the matron pointed + with the long ladle, which served her as a sceptre, to some fifteen + children of both sexes, seated round a table, and deeply absorbed in the + exercise of their functions, which consisted in peeling potatoes and + picking herbs. + </p> + <p> + “We are, I see, to have a downright Belshazzar’s feast, Dame Bertrand?” + said Agricola, laughing. + </p> + <p> + “Faith, a feast like we have always, my lad. Here is our bill of fare for + to-day. A good vegetable soup, roast beef with potatoes, salad, fruit, + cheese; and for extras, it being Sunday, some currant tarts made by Mother + Denis at the bakehouse, where the oven is heating now.” + </p> + <p> + “What you tell me, Dame Bertrand, gives me a furious appetite,” said + Agricola, gayly. “One soon knows when it is your turn in the kitchen,” + added he, with a flattering air. + </p> + <p> + “Get along, do!” said the female Soyer on service, merrily. + </p> + <p> + “What astonishes me, so much, M. Agricola,” said Angela, as they continued + their walk, “is the comparison of the insufficient, unwholesome food of + the workmen in our country, with that which is provided here.” + </p> + <p> + “And yet we do not spend more than twenty-five sous a day, for much better + food than we should get for three francs in Paris.” + </p> + <p> + “But really it is hard to believe, M. Agricola. How is it possible?” + </p> + <p> + “It is thanks to the magic wand of M. Hardy. I will explain it all + presently.” + </p> + <p> + “Oh! how impatient I am to see M. Hardy!” + </p> + <p> + “You will soon see him—perhaps to-day; for he is expected every + moment. But here is the refectory, which you do not yet know, as your + family, like many others, prefer dining at home. See what a fine room, + looking out on the garden, just opposite the fountain!” + </p> + <p> + It was indeed a vast hall, built in the form of a gallery, with ten + windows opening on the garden. Tables, covered with shining oil-cloth, + were ranged along the walls, so that, in winter, this apartment served in + the evening, after work, as a place of meeting for those who preferred to + pass an hour together, instead of remaining alone or with their families. + Then, in this large hall, well warmed and brilliantly lighted with gas, + some read, some played cards, some talked, and some occupied themselves + with easy work. + </p> + <p> + “That is not all,” said Agricola to the young girl; “I am sure you will + like this apartment still better when I tell you, that on Thursdays and + Sundays we make a ball-room of it, and on Tuesdays and Saturdays a + concert-room.” + </p> + <p> + “Really!” + </p> + <p> + “Yes,” continued the smith, proudly, “we have amongst us musicians, quite + capable of tempting us to dance. Moreover, twice a week, nearly all of us + sing in chorus—men, women, and children. Unfortunately, this week, + some disputes that have arisen in the factory have prevented our + concerts.” + </p> + <p> + “So many voices! that must be superb.” + </p> + <p> + “It is very fine, I assure you. M. Hardy has always encouraged this + amusement amongst us, which has, he says—and he is right—so + powerful an effect on the mind and the manners. One winter, he sent for + two pupils of the celebrated Wilhelm, and, since then, our school has made + great progress. I assure you, Mdlle. Angela, that, without flattering + ourselves, there is something truly exciting in the sound of two hundred + voices, singing in chorus some hymn to Labor or Freedom. You shall hear + it, and you will, I think, acknowledge that there is something great and + elevating in the heart of man, in this fraternal harmony of voices, + blending in one grave, sonorous, imposing sound.” + </p> + <p> + “Oh! I believe it. But what happiness to inhabit here. It is a life of + joy; for labor, mixed with recreation, becomes itself a pleasure.” + </p> + <p> + “Alas! here, as everywhere, there are tears and sorrows,” replied + Agricola, sadly. “Do you see that isolated building, in a very exposed + situation?” + </p> + <p> + “Yes; what is it?” + </p> + <p> + “That is our hospital for the sick. Happily, thanks to our healthy mode of + life, it is not often full; an annual subscription enables us to have a + good doctor. Moreover, a mutual benefit society is arranged in such a + manner amongst us, that any one of us, in case of illness, receives two + thirds of what he would have gained in health.” + </p> + <p> + “How well it is all managed! And there, M. Agricola, on the other side of + the grass-plot?” + </p> + <p> + “That is the wash-house, with water laid on, cold and hot; and under + yonder shed is the drying-place: further on, you see the stables, and the + lofts and granaries for the provender of the factory horses.” + </p> + <p> + “But M. Agricola, will you tell me the secret of all these wonders?” + </p> + <p> + “In ten minutes you shall understand it all, mademoiselle.” + </p> + <p> + Unfortunately, Angela’s curiosity was for a while disappointed. The girl + was now standing with Agricola close to the iron gate, which shut in the + garden from the broad avenue that separated the factory from the Common + Dwelling-house. Suddenly, the wind brought from the distance the sound of + trumpets and military music; then was heard the gallop of two horses, + approaching rapidly, and soon after a general officer made his appearance, + mounted on a fine black charger, with a long flowing tail and crimson + housings; he wore cavalry boots and white breeches, after the fashion of + the empire; his uniform glittered with gold embroidery, the red ribbon of + the Legion of Honor was passed over his right epaulet, with its four + silver stars, and his hat had a broad gold border, and was crowned with a + white plume, the distinctive sign reserved for the marshals of France. No + warrior could have had a more martial and chivalrous air, or have sat more + proudly on his war-horse. At the moment Marshal Simon (for it was he) + arrived opposite the place where Angela and Agricola were standing, he + drew up his horse suddenly, sprang lightly to the ground, and threw the + golden reins to a servant in livery, who followed also on horseback. + </p> + <p> + “Where shall I wait for your grace?” asked the groom. + </p> + <p> + “At the end of the avenue,” said the marshal. + </p> + <p> + And, uncovering his head respectfully, he advanced hastily with his hat in + his hand, to meet a person whom Angela and Agricola had not previously + perceived. This person soon appeared at a turn of the avenue; he was an + old man, with an energetic, intelligent countenance. He wore a very neat + blouse, and a cloth cap over his long, white hair. With his hands in his + pocket, he was quietly smoking an old meerschaum pipe. + </p> + <p> + “Good-morning, father,” said the marshal, respectfully, as he + affectionately embraced the old workman, who, having tenderly returned the + pressure, said to him: “Put on your hat, my boy. But how gay we are!” + added he, with a smile. + </p> + <p> + “I have just been to a review, father, close by; and I took the + opportunity to call on you as soon as possible.” + </p> + <p> + “But shall I then not see my granddaughters to-day, as I do every Sunday?” + </p> + <p> + “They are coming in a carriage, father, and Dagobert accompanies them.” + </p> + <p> + “But what is the matter? you appear full of thought.” + </p> + <p> + “Indeed, father,” said the marshal, with a somewhat agitated air, “I have + serious things to talk about.” + </p> + <p> + “Come in, then,” said the old man, with some anxiety. The marshal and his + father disappeared at the turn of the avenue. + </p> + <p> + Angela had been struck with amazement at seeing this brilliant General, + who was entitled “your grace,” salute an old workman in a blouse as his + father; and, looking at Agricola with a confused air she said to him: + “What, M. Agricola! this old workman—” + </p> + <p> + “Is the father of Marshal Duke de Ligny—the friend—yes, I may + say the friend,” added Agricola, with emotion, “of my father, who for + twenty years served under him in war.’ + </p> + <p> + “To be placed so high, and yet to be so respectful and tender to his + father!” said Angela. “The marshal must have a very noble heart; but why + does he let his father remain a workman?” + </p> + <p> + “Because Father Simon will not quit his trade and the factory for anything + in the world. He was born a workman, and he will die a workman, though he + is the father of a duke and marshal of France.” + </p> + <p> + (29) See Adolphe Bobierre “On Air and Health,” Paris, 1844. + </p> + <p> + <a name="link2HCH0104" id="link2HCH0104"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER LI. THE SECRET. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">W</span>hen the very natural astonishment which the arrival of Marshal Simon had + caused in Angela had passed away, Agricola said to her with a smile: “I do + not wish to take advantage of this circumstance, Mdlle. Angela, to spare + you the account of the secret, by which all the wonders of our Common + Dwelling-house are brought to pass.” + </p> + <p> + “Oh! I should not have let you forget your promise, M. Agricola,” answered + Angela, “what you have already told me interests me too much for that.” + </p> + <p> + “Listen, then. M. Hardy, like a true magician, has pronounced three + cabalistic words: ASSOCIATION—COMMUNITY—FRATERNITY. We have + understood the sense of these words, and the wonders you have seen have + sprung from them, to our great advantage; and also, I repeat, to the great + advantage of M. Hardy.” + </p> + <p> + “It is that which appears so extraordinary, M. Agricola.” + </p> + <p> + “Suppose, mademoiselle, that M. Hardy, instead of being what he is, had + only been a cold-hearted speculator, looking merely to the profit, and + saying to himself: ‘To make the most of my factory, what is needed? Good + work—great economy in the raw material—full employment of the + workman’s time; in a word, cheapness of manufacture, in order to produce + cheaply—excellence of the thing produced, in order to sell dear.’” + </p> + <p> + “Truly, M. Agricola, no manufacturer could desire more.” + </p> + <p> + “Well, mademoiselle, these conditions might have been fulfilled, as they + have been, but how? Had M. Hardy only been a speculator, he might have + said: ‘At a distance from my factory, my workmen might have trouble to get + there: rising earlier, they will sleep less; it is a bad economy to take + from the sleep so necessary to those who toil. When they get feeble, the + work suffers for it; then the inclemency of the seasons makes it worse; + the workman arrives wet, trembling with cold, enervated before he begins + to work—and then, what work!’” + </p> + <p> + “It is unfortunately but too true, M. Agricola. At Lille, when I reached + the factory, wet through with a cold rain, I used sometimes to shiver all + day long at my work.” + </p> +<div class="fig"> + <img src="images/20485m.jpg" alt="20485m" /><br /> + </div> + <h5> + <a href="images/20485.jpg"><i>Original</i></a> + </h5> + <p> + “Therefore, Mdlle. Angela, the speculator might say: ‘To lodge my workmen + close to the door of my factory would obviate this inconvenience. Let us + make the calculation. In Paris the married workman pays about two hundred + and fifty francs a-year,(30) for one or two wretched rooms and a closet, + dark, small, unhealthy, in a narrow, miserable street; there he lives + pell-mell with his family. What ruined constitutions are the consequence! + and what sort of work can you expect from a feverish and diseased + creature? As for the single men, they pay for a smaller, and quite as + unwholesome lodging, about one hundred and fifty francs a-year. Now, let + us make the addition. I employ one hundred and forty-six married workmen, + who pay together, for their wretched holes, thirty-six thousand five + hundred francs; I employ also one hundred and fifteen bachelors, who pay + at the rate of seventeen thousand two hundred and eighty francs; the total + will amount to about fifty thousand francs per annum, the interest on a + million.”’ + </p> + <p> + “Dear me, M. Agricola! what a sum to be produced by uniting all these + little rents together!” + </p> + <p> + “You see, mademoiselle, that fifty thousand francs a-year is a + millionaire’s rent. Now, what says our speculator: To induce our workmen + to leave Paris, I will offer them, enormous advantages. I will reduce + their rent one-half, and, instead of small, unwholesome rooms, they shall + have large, airy apartments, well-warmed and lighted, at a trifling + charge. Thus, one hundred and forty-six families, paying me only one + hundred and twenty-five francs a-year, and one hundred and fifteen + bachelors, seventy-five francs, I shall have a total of twenty-six to + twenty-seven thousand francs. Now, a building large enough to hold all + these people would cost me at most five hundred thousand francs.(31) I + shall then have invested my money at five per cent at the least, and with + perfect security, since the wages is a guarantee for the payment of the + rent.’” + </p> + <p> + “Ah, M. Agricola! I begin to understand how it may sometimes be + advantageous to do good, even in a pecuniary sense.” + </p> + <p> + “And I am almost certain, mademoiselle, that, in the long run, affairs + conducted with uprightness and honesty turn out well. But to return to our + speculator. ‘Here,’ will he say, ‘are my workmen, living close to my + factory, well lodged, well warmed, and arriving always fresh at their + work. That is not all; the English workman who eats good beef, and drinks + good beer, does twice as much, in the same time, as the French + workman,(32) reduced to a detestable kind of food, rather weakening than + the reverse, thanks to the poisonous adulteration of the articles he + consumes. My workmen will then labor much better, if they eat much better. + How shall I manage it without loss? Now I think of it, what is the food in + barracks, schools, even prisons? Is it not the union of individual + resources which procures an amount of comfort impossible to realize + without such an association? Now, if my two hundred and sixty workmen, + instead of cooking two hundred and sixty detestable dinners, were to unite + to prepare one good dinner for all of them, which might be done, thanks to + the savings of all sorts that would ensue, what an advantage for me and + them! Two or three women, aided by children, would suffice to make ready + the daily repasts; instead of buying wood and charcoal in fractions,(33) + and so paying for it double its value, the association of my workmen + would, upon my security (their wages would be an efficient security for me + in return), lay in their own stock of wood, flour, butter, oil, wine, + etc., all which they would procure directly from the producers. Thus, they + would pay three or four sous for a bottle of pure wholesome wine, instead + of paying twelve or fifteen sous for poison. Every week the association + would buy a whole ox, and some sheep, and the women would make bread, as + in the country. Finally, with these resources, and order, and economy, my + workmen may have wholesome, agreeable, and sufficient food, for from + twenty to twenty-five sous a day.’” + </p> + <p> + “Ah! this explains it, M. Agricola.” + </p> + <p> + “It is not all, mademoiselle. Our cool-headed speculator would continue: + ‘Here are my workmen well lodged, well warmed, well fed, with a saving of + at least half; why should they not also be warmly clad? Their health will + then have every chance of being good, and health is labor. The association + will buy wholesale, and at the manufacturing price (still upon my + security, secured to me by their wages), warm, good, strong materials, + which a portion of the workmen’s wives will be able to make into clothes + as well as any tailor. Finally, the consumption of caps and shoes being + considerable, the association will obtain them at a great reduction in + price.’ Well, Mdlle. Angela! what do you say to our speculator?” + </p> + <p> + “I say, M. Agricola,” answered the young girl; with ingenuous admiration, + “that it is almost incredible, and yet so simple!” + </p> + <p> + “No doubt, nothing is more simple than the good and beautiful, and yet we + think of it so seldom. Observe, that our man has only been speaking with a + view to his own interest—only considering the material side of the + question—reckoning for nothing the habit of fraternity and mutual + aid, which inevitably springs from living together in common—not + reflecting that a better mode of life improves and softens the character + of man—not thinking of the support and instruction which the strong + owe to the weak—not acknowledging, in fine, that the honest, active, + and industrious man has a positive right to demand employment from + society, and wages proportionate to the wants of his condition. No, our + speculator only thinks of the gross profits; and yet, you see, he invests + his money in buildings at five per cent., and finds the greatest + advantages in the material comfort of his workmen.” + </p> + <p> + “It is true, M. Agricola.” + </p> + <p> + “And what will you say, mademoiselle, when I prove to you that our + speculator finds also a great advantage in giving to his workmen, in + addition to their regular wages, a proportionate share of his profits?” + </p> + <p> + “That appears to me more difficult to prove, M. Agricola.” + </p> + <p> + “Yet I will convince you of it in a few minutes.” + </p> + <p> + Thus conversing, Angela and Agricola had reached the garden-gate of the + Common Dwelling-house. An elderly woman, dressed plainly, but with care + and neatness, approached Agricola, and asked him: “Has M. Hardy returned + to the factory, sir?” + </p> + <p> + “No, madame; but we expect him hourly.” + </p> + <p> + “To-day, perhaps?” + </p> + <p> + “To-day or to-morrow, madame.” + </p> + <p> + “You cannot tell me at what hour he will be here?” + </p> + <p> + “I do not think it is known, madame, but the porter of the factory, who + also belongs to M. Hardy’s private house, may, perhaps, be able to inform + you.” + </p> + <p> + “I thank you, sir.” + </p> + <p> + “Quite welcome, madame.” + </p> + <p> + “M. Agricola,” said Angela, when the woman who had just questioned him was + gone, “did you remark that this lady was very pale and agitated?” + </p> + <p> + “I noticed it as you did, mademoiselle; I thought I saw tears standing in + her eyes.” + </p> + <p> + “Yes, she seemed to have been crying. Poor woman! perhaps she came to ask + assistance of M. Hardy. But what ails you, M. Agricola? You appear quite + pensive.” + </p> + <p> + Agricola had a vague presentiment that the visit of this elderly woman + with so sad a countenance, had some connection with the adventure of the + young and pretty lady, who, three days before had come all agitated and in + tears to inquire after M. Hardy, and who had learned—perhaps too + late—that she was watched and followed. + </p> + <p> + “Forgive me, mademoiselle,” said Agricola to Angela; “but the presence of + this old lady reminded me of a circumstance, which, unfortunately, I + cannot tell you, for it is a secret that does not belong to me alone.” + </p> + <p> + “Oh! do not trouble yourself, M. Agricola,” answered the young girl, with + a smile; “I am not inquisitive, and what we were talking of before + interests me so much, that I do not wish to hear you speak of anything + else.” + </p> + <p> + “Well, then mademoiselle, I will say a few words more, and you will be as + well informed as I am of the secrets of our association.” + </p> + <p> + “I am listening, M. Agricola.” + </p> + <p> + “Let us still keep in view the speculator from mere interest. ‘Here are my + workmen, says he, ‘in the best possible condition to do a great deal of + work. Now what is to be done to obtain large profits? Produce cheaply, and + sell dear. But there will be no cheapness, without economy in the use of + the raw material, perfection of the manufacturing process, and celerity of + labor. Now, in spite of all my vigilance, how am I to prevent my workmen + from wasting the materials? How am I to induce them, each in his own + province, to seek for the most simple and least irksome processes?” + </p> + <p> + “True, M. Agricola; how is that to be done?” + </p> + <p> + “‘And that is not all,’ says our man; ‘to sell my produce at high prices, + it should be irreproachable, excellent. My workmen do pretty well; but + that is not enough. I want them to produce masterpieces.’” + </p> + <p> + “But, M. Agricola, when they have once performed the task set them what + interest have workmen to give themselves a great deal of trouble to + produce masterpieces?” + </p> + <p> + “There it is, Mdlle. Angela; what interest have they? Therefore, our + speculator soon says to himself: ‘That my workmen may have an interest to + be economical in the use of the materials, an interest to employ their + time well, an interest to invent new and better manufacturing processes, + an interest to send out of their hands nothing but masterpieces—I + must give them an interest in the profits earned by their economy, + activity, zeal and skill. The better they manufacture, the better I shall + sell, and the larger will be their gain and mine also.’” + </p> + <p> + “Oh! now I understand, M. Agricola.” + </p> + <p> + “And our speculator would make a good speculation. Before he was + interested, the workman said: ‘What does it matter to me, that I do more + or do better in the course of the day? What shall I gain by it? Nothing. + Well, then, little work for little wages. But now, on the contrary (he + says), I have an interest in displaying zeal and economy. All is changed. + I redouble my activity, and strive to excel the others. If a comrade is + lazy, and likely to do harm to the factory, I have the right to say to + him: ‘Mate, we all suffer more or less from your laziness, and from the + injury you are doing the common weal.’” + </p> + <p> + “And then, M. Agricola, with what ardor, courage, and hope, you must set + to work!” + </p> + <p> + “That is what our speculator counts on; and he may say to himself, + further: ‘Treasures of experience and practical wisdom are often buried in + workshops, for want of goodwill, opportunity, or encouragement. Excellent + workmen, instead of making all the improvements in their power, follow + with indifference the old jog-trot. What a pity! for an intelligent man, + occupied all his life with some special employment, must discover, in the + long run, a thousand ways of doing his work better and quicker. I will + form, therefore, a sort of consulting committee; I will summon to it my + foremen and my most skillful workmen. Our interest is now the same. Light + will necessarily spring from this centre of practical intelligence.’ Now, + the speculator is not deceived in this, and soon struck with the + incredible resources, the thousand new, ingenious, perfect inventions + suddenly revealed by his workmen, ‘Why’ he exclaims, ‘if you knew this, + did you not tell it before? What for the last ten years has cost me a + hundred francs to make, would have cost me only fifty, without reckoning + an enormous saving of time.’ ‘Sir,’ answers the workman, who is not more + stupid than others, ‘what interest had I, that you should effect a saving + of fifty per cent? None. But now it is different. You give me, besides my + wages, a share in your profits; you raise me in my own esteem, by + consulting my experience and knowledge. Instead of treating me as an + inferior being, you enter into communion with me. It is my interest, it is + my duty, to tell you all I know, and to try to acquire more.’ And thus it + is, Mdlle. Angela, that the speculator can organize his establishment, so + as to shame his oppositionists, and provoke their envy. Now if, instead of + a cold hearted calculator, we tape a man who unites with the knowledge of + these facts the tender and generous sympathies of an evangelical heart, + and the elevation of a superior mind, he will extend his ardent + solicitude; not only to the material comfort, but to the moral + emancipation, of his workmen. Seeking everywhere every possible means to + develop their intelligence, to improve their hearts, and strong in the + authority acquired by his beneficence, feeling that he on whom depends the + happiness or the misery of three hundred human creatures has also the care + of souls, he will be the guide of those whom he no longer calls his + workmen, but his brothers, in a straightforward and noble path, and will + try to create in them the taste for knowledge and art, which will render + them happy and proud of a condition of life that is often accepted by + others with tears and curses of despair. Well, Mdlle. Angela, such a man + is—but, see! he could not arrive amongst us except in the middle of + a blessing. There he is—there is M. Hardy!” + </p> + <p> + “Oh, M. Agricola!” said Angela, deeply moved, and drying her tears; “we + should receive him with our hands clasped in gratitude.” + </p> + <p> + “Look if that mild and noble countenance is not the image of his admirable + soul!” + </p> + <p> + A carriage with post horses, in which was M. Hardy, with M. de Blessac, + the unworthy friend who was betraying him in so infamous a manner, entered + at this moment the courtyard of the factory. + </p> + <p> + A little while after, a humble hackney-coach was seen advancing also + towards the factory, from the direction of Paris. In this coach was Rodin. + </p> + <p> + (30) The average price of a workman’s lodging, composed of two small rooms + and a closet at most, on the third or fourth story. + </p> + <p> + (31) This calculation is amply sufficient, if not excessive. A similar + building, at one league from Paris, on the side of Montrouge, with all the + necessary offices, kitchen, wash-houses, etc., with gas and water laid on, + apparatus for warming, etc., and a garden of ten acres, cost, at the + period of this narrative, hardly five hundred thousand francs. An + experienced builder less obliged us with an estimate, which confirms what + we advance. It is, therefore, evident, that, even at the same price which + workmen are in the habit of paying, it would be possible to provide them + with perfectly healthy lodgings, and yet invest one’s money at ten per + cent. + </p> + <p> + (32) The fact was proved in the works connected with the Rouen Railway. + Those French workmen who, having no families, were able to live like the + English, did at least as much work as the latter, being strengthened by + wholesome and sufficient nourishment. + </p> + <p> + (33) Buying penny-worths, like all other purchases at minute retail, are + greatly to the poor man’s disadvantage. + </p> + <p> + <a name="link2HCH0105" id="link2HCH0105"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER LII. REVELATIONS. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">D</span>uring the visit of Angela and Agricola to the Common Dwelling-house, the + band of Wolves, joined upon the road by many of the haunters of taverns, + continued to march towards the factory, which the hackney-coach, that + brought Rodin from Paris, was also fast approaching. M. Hardy, on getting + out of the carriage with his friend, M. de Blessac, had entered the parlor + of the house that he occupied next the factory. M. Hardy was of middle + size, with an elegant and slight figure, which announced a nature + essentially nervous and impressionable. His forehead was broad and open, + his complexion pale, his eyes black, full at once of mildness and + penetration, his countenance honest, intelligent, and attractive. + </p> + <p> + One word will paint the character of M. Hardy. His mother had called him + her Sensitive Plant. His was indeed one of those fine and exquisitely + delicate organizations, which are trusting, loving, noble, generous, but + so susceptible, that the least touch makes them shrink into themselves. If + we join to this excessive sensibility a passionate love for art, a + first-rate intellect, tastes essentially refined, and then think of the + thousand deceptions, and numberless infamies of which M. Hardy must have + been the victim in his career as a manufacturer, we shall wonder how this + heart, so delicate and tender, had not been broken a thousand times, in + its incessant struggle with merciless self-interest. M. Hardy had indeed + suffered much. Forced to follow the career of productive industry, to + honor the engagements of his father, a model of uprightness and probity, + who had yet left his affairs somewhat embarrassed, in consequence of the + events of 1815, he had succeeded, by perseverance and capacity, in + attaining one of the most honorable positions in the commercial world. + But, to arrive at this point, what ignoble annoyances had he to bear with, + what perfidious opposition to combat, what hateful rivalries to tire out! + </p> + <p> + Sensitive as he was, M. Hardy would a thousand times have fallen a victim + to his emotions of painful indignation against baseness, of bitter disgust + at dishonesty, but for the wise and firm support of his mother. When he + returned to her, after a day of painful struggles with odious deceptions, + he found himself suddenly transported into an atmosphere of such + beneficent purity, of such radiant serenity, that he lost almost on the + instant the remembrance of the base things by which he had been so cruelly + tortured during the day; the pangs of his heart were appeased at the mere + contact of her great and lofty soul; and therefore his love for her + resembled idolatry. When he lost her, he experienced one of those calm, + deep sorrows which have no end—which become, as it were, part of + life, and have even sometimes their days of melancholy sweetness. A little + while after this great misfortune, M. Hardy became more closely connected + with his workmen. He had always been a just and good master; but, although + the place that his mother left in his heart would ever remain void, he + felt as it were a redoubled overflowing of the affections, and the more he + suffered, the more he craved to see happy faces around him. The wonderful + ameliorations, which he now produced in the physical and moral condition + of all about him, served, not to divert, but to occupy his grief. Little + by little, he withdrew from the world, and concentrated his life in three + affections: a tender and devoted friendship, which seemed to include all + past friendships—a love ardent and sincere, like a last passion—and + a paternal attachment to his workmen. His days therefore passed in the + heart of that little world, so full of respect and gratitude towards him—a + world, which he had, as it were, created after the image of his mind, that + he might find there a refuge from the painful realities he dreaded, + surrounded with good, intelligent, happy beings, capable of responding to + the noble thoughts which had become more and more necessary to his + existence. Thus, after many sorrows, M. Hardy, arrived at the maturity of + age, possessing a sincere friend, a mistress worthy of his love, and + knowing himself certain of the passionate devotion of his workmen, had + attained, at the period of this history, all the happiness he could hope + for since his mother’s death. + </p> + <p> + M. de Blessac, his bosom friend, had long been worthy of his touching and + fraternal affection; but we have seen by what diabolical means Father + d’Aigrigny and Rodin had succeeded in making M. de Blessac, until then + upright and sincere, the instrument of their machinations. The two + friends, who had felt on their journey a little of the sharp influence of + the north wind, were warming themselves at a good fire lighted in M. + Hardy’s parlor. + </p> + <p> + “Oh! my dear Marcel, I begin really to get old,” said M. Hardy, with a + smile, addressing M. de Blessac; “I feel more and more the want of being + at home. To depart from my usual habits has become painful to me, and I + execrate whatever obliges me to leave this happy little spot of ground.” + </p> + <p> + “And when I think,” answered M. de Blessac, unable to forbear blushing, + “when I think, my friend, that you undertook this long journey only for my + sake!—” + </p> + <p> + “Well, my dear Marcel! have you not just accompanied me in your turn, in + an excursion which, without you, would have been as tiresome as it has + been charming?” + </p> + <p> + “What a difference, my friend! I have contracted towards you a debt that I + can never repay.” + </p> + <p> + “Nonsense, my dear Marcel! Between us, there are no distinctions of meum + and tuum. Besides, in matters of friendship, it is as sweet to give as to + receive.” + </p> + <p> + “Noble heart! noble heart!” + </p> + <p> + “Say, happy heart!—most happy, in the last affections for which it + beats.” + </p> + <p> + “And who, gracious heaven! could deserve happiness on earth, if it be not + you, my friend?” + </p> + <p> + “And to what do I owe that happiness? To the affections which I found + here, ready to sustain me, when deprived of the support of my mother, who + was all my strength, I felt myself (I confess my weakness) almost + incapable of standing up against adversity.” + </p> + <p> + “You, my friend—with so firm and resolute a character in doing good—you, + that I have seen struggle with so much energy and courage, to secure the + triumph of some great and noble idea?” + </p> + <p> + “Yes; but the farther I advance in my career, the more am I disgusted with + all base and shameful actions, and the less strength I feel to encounter + them—” + </p> + <p> + “Were it necessary, you would have the courage, my friend.” + </p> + <p> + “My dear Marcel,” replied M. Hardy, with mild and restrained emotion, “I + have often said to you: My courage was my mother. You see, my friend, when + I went to her, with my heart torn by some horrible ingratitude, or + disgusted by some base deceit, she, taking my hands between her own + venerable palms, would say to me in her grave and tender voice: ‘My dear + child, it is for the ungrateful and dishonest to suffer; let us pity the + wicked, let us forget evil, and only think of good.’—Then, my + friend, this heart, painfully contracted, expanded beneath the sacred + influence of the maternal words, and every day I gathered strength from + her, to recommence on the morrow a cruel struggle with the sad necessities + of my condition. Happily, it has pleased God, that, after losing that + beloved mother, I have been able to bind up my life with affections, + deprived of which, I confess, I should find myself feeble and disarmed for + you cannot tell, Marcel, the support, the strength that I have found in + your friendship.” + </p> + <p> + “Do not speak of me, my dear friend,” replied M. de Blessac, dissembling + his embarrassment. “Let us talk of another affection, almost as sweet and + tender as that of a mother.” + </p> + <p> + “I understand you, my good Marcel,” replied M. Hardy: “I have concealed + nothing from you since, under such serious circumstances, I had recourse + to the counsels of your friendship. Well! yes; I think that every day I + live augment my adoration for this woman, the only one that I have ever + passionately loved, the only one that I shall now ever love. And then I + must tell you, that my mother, not knowing what Margaret was to me, as + often loud in her praise, and that circumstance renders this love almost + sacred in my eyes.” + </p> + <p> + “And then there are such strange resemblances between Mme. de Noisy’s + character and yours, my friend; above all, in her worship of her mother.” + </p> + <p> + “It is true, Marcel; that affection has often caused me both admiration + and torment. How often she has said to me, with her habitual frankness: ‘I + have sacrificed all for you, but I would sacrifice you for my mother.’” + </p> + <p> + “Thank heaven, my friend, you will never see Mme. de Noisy exposed to that + cruel choice. Her mother, you say, has long renounced her intention of + returning to America, where M. de Noisy, perfectly careless of his wife, + appears to have settled himself permanently. Thanks to the discreet + devotion of the excellent woman by whom Margaret was brought up, your love + is concealed in the deepest mystery. What could disturb it now?” + </p> + <p> + “Nothing—oh! nothing,” cried M. Hardy. “I have almost security for + its duration.” + </p> + <p> + “What do you mean, my friend?” + </p> + <p> + “I do not know if I ought to tell you.” + </p> + <p> + “Have you ever found me indiscreet, my friend?” + </p> + <p> + “You, good Marcel! how can you suppose such a thing?” said M. Hardy, in a + tone of friendly reproach; “no! but I do not like to tell you of my + happiness, till it is complete; and I am not yet quite certain—” + </p> + <p> + A servant entered at this moment and said to M. Hardy: “Sir, there is an + old gentleman who wishes to speak to you on very pressing business.” + </p> + <p> + “So soon!” said M. Hardy, with a slight movement of impatience. “With your + permission, my friend.” Then, as M. de Blessac seemed about to withdraw + into the next room, M. Hardy added with a smile: “No, no; do not stir. + Your presence will shorten the interview.” + </p> + <p> + “But if it be a matter of business, my friend?” + </p> + <p> + “I do everything openly, as you know.” Then, addressing the servant, M. + Hardy bade him: “Ask the gentleman to walk in.” + </p> + <p> + “The postilion wishes to know if he is to wait?” + </p> + <p> + “Certainly: he will take M. de Blessac back to Paris.” + </p> + <p> + The servant withdrew, and presently returned, introducing Rodin, with whom + M. de Blessac was not acquainted, his treacherous bargain having been + negotiated through another agent. + </p> + <p> + “M. Hardy?” said Rodin, bowing respectfully to the two friends, and + looking from one to the other with an air of inquiry. + </p> + <p> + “That is my name, sir; what can I do to serve you?” answered the + manufacturer, kindly; for, at first sight of the humble and ill-dressed + old man, he expected an application for assistance. + </p> + <p> + “M. Francois Hardy,” repeated Rodin, as if he wished to make sure of the + identity of the person. + </p> + <p> + “I have had the honor to tell you that I am he.” + </p> + <p> + “I have a private communication to make to you, sir,” said Rodin. + </p> + <p> + “You may speak, sir. This gentleman is my friend,” said M. Hardy, pointing + to M. de Blessac. + </p> + <p> + “But I wish to speak to you alone, sir,” resumed Rodin. + </p> + <p> + M. de Blessac was again about to withdraw, when M. Hardy retained him with + a glance, and said to Rodin kindly, for he thought his feelings might be + hurt by asking a favor in presence of a third party: “Permit me to inquire + if it is on your account or on mine, that you wish this interview to be + secret?” + </p> + <p> + “On your account entirely, sir,” answered Rodin. + </p> + <p> + “Then, sir,” said M. Hardy, with some surprise, “you may speak out. I have + no secrets from this gentleman.” + </p> + <p> + After a moment’s silence, Rodin resumed, addressing himself to M. Hardy: + “Sir, you deserve, I know, all the good that is said of you; and you + therefore command the sympathy of every honest man.” + </p> + <p> + “I hope so, sir.” + </p> + <p> + “Now, as an honest man, I come to render you a service.” + </p> + <p> + “And this service, sir—” + </p> + <p> + “To reveal to you an infamous piece of treachery, of which you have been + the victim.” + </p> + <p> + “I think, sir, you must be deceived.” + </p> + <p> + “I have the proofs of what I assert.” + </p> + <p> + “Proofs?” + </p> + <p> + “The written proofs of the treachery that I come to reveal: I have them + here,” answered Rodin “In a word, a man whom you believed your friend, has + shamefully deceived you, sir.” + </p> + <p> + “And the name of this man?” + </p> + <p> + “M. Marcel de Blessac,” replied Rodin. + </p> + <p> + On these words, M. de Blessac started, and became pale as death. He could + hardly murmur: “Sir—” + </p> + <p> + But, without looking at his friend, or perceiving his agitation, M. Hardy + seized his hand, and exclaimed hastily: “Silence, my friend!” Then, whilst + his eye flashed with indignation, he turned towards Rodin, who had not + ceased to look him full in the face, and said to him, with an air of lofty + disdain: “What! do you accuse M. de Blessac?” + </p> + <p> + “Yes, I accuse him,” replied Rodin, briefly. + </p> + <p> + “Do you know him?” + </p> + <p> + “I have never seen him.” + </p> + <p> + “Of what do you accuse him? And how dare you say that he has betrayed me?” + </p> + <p> + “Two words, if you please,” said Rodin, with an emotion which he appeared + hardly able to restrain. “If one man of honor sees another about to be + slain by an assassin, ought he not give the alarm of murder?” + </p> + <p> + “Yes, sir; but what has that to do—” + </p> + <p> + “In my eyes, sir, certain treasons are as criminal as murders: I have come + to place myself between the assassin and his victim.” + </p> + <p> + “The assassin? the victim?” said M. Hardy more and more astonished. + </p> + <p> + “You doubtless know M. de Blessac’s writing?” said Rodin. + </p> + <p> + “Yes, sir.” + </p> + <p> + “Then read this,” said Rodin, drawing from his pocket a letter, which he + handed to M. Hardy. + </p> + <p> + Casting now for the first time a glance at M. de Blessac, the manufacturer + drew back a step, terrified at the death-like paleness of this man, who, + struck dumb with shame, could not find a word to justify himself; for he + was far from possessing the audacious effrontery necessary to carry him + through his treachery. + </p> + <p> + “Marcel!” cried M. Hardy, in alarm, and deeply agitated by this unexpected + blow. “Marcel! how pale you are! you do not answer!” + </p> + <p> + “Marcel! this, then, is M. de Blessac?” cried Rodin, feigning the most + painful surprise. “Oh, sir, if I had known—” + </p> + <p> + “But don’t you hear this man, Marcel?” cried M. Hardy. “He says that you + have betrayed me infamously.” He seized the hand of M. de Blessac. That + hand was cold as ice. “Oh, God! Oh God!” said M. Hardy, drawing back in + horror: “he makes no answer!” + </p> +<div class="fig"> + <img src="images/20493m.jpg" alt="20493m" /><br /> + </div> + <h5> + <a href="images/20493.jpg"><i>Original</i></a> + </h5> + <p> + “Since I am in presence of M. de Blessac,” resumed Rodin, “I am forced to + ask him, if he can deny having addressed many letters to the Rue du Milieu + des Ursins, at Paris under cover of M. Rodin.” + </p> + <p> + M. de Blessac remained dumb. M. Hardy, still unwilling to believe what he + saw and heard, convulsively tore open the letter, which Rodin had just + delivered to him, and read the first few lines—interrupting the + perusal with exclamations of grief and amazement. He did not require to + finish the letter, to convince himself of the black treachery of M. de + Blessac. He staggered; for a moment his senses seemed to abandon him. The + horrible discovery made him giddy, and his head swam on his first look + down into that abyss of infamy. The loathsome letter dropped from his + trembling hands. But soon indignation, rage, and scorn succeeded this + moment of despair, and rushing, pale and terrible, upon M. de Blessac: + “Wretch!” he exclaimed, with a threatening gesture. But, pausing as in the + act to strike: “No!” he added, with fearful calmness. “It would be to soil + my hands.” + </p> + <p> + He turned towards Rodin, who had approached hastily, as if to interpose. + “It is not worth while chastising a wretch,” said M. Hardy; “But I will + press your honest hand, sir—for you have had the courage to unmask a + traitor and a coward.” + </p> + <p> + “Sir!” cried M. de Blessac, overcome with shame; “I am at your orders—and—” + </p> + <p> + He could not finish. The sound of voices was heard behind the door, which + opened violently, and an aged woman entered, in spite of the efforts of + the servant, exclaiming in an agitated voice: “I tell you, I must speak + instantly to your master.” + </p> + <p> + On hearing this voice, and at sight of the pale, weeping woman, M. Hardy, + forgetting M. de Blessac, Rodin, the infamous treachery, and all, fell + back a step, and exclaimed: “Madame Duparc! you here! What is the matter?” + </p> + <p> + “Oh, sir! a great misfortune—” + </p> + <p> + “Margaret!” cried M. Hardy, in a tone of despair. + </p> + <p> + “She is gone, sir!” + </p> + <p> + “Gone!” repeated M. Hardy, as horror-struck as if a thunderbolt had fallen + at his feet. “Margaret gone!” + </p> +<div class="fig"> + <img src="images/20501m.jpg" alt="20501m" /><br /> + </div> + <h5> + <a href="images/20501.jpg"><i>Original</i></a> + </h5> + <p> + “All is discovered. Her mother took her away—three days ago!” said + the unhappy woman, in a failing voice. + </p> + <p> + “Gone! Margaret! It is not true. You deceive me,” cried M. Hardy. Refusing + to hear more, wild, despairing, he rushed out of the house, threw himself + into his carriage, to which the post-horses were still harnessed, waiting + for M. de Blessac, and said to the postilion: “To Paris! as fast as you + can go!” + </p> + <p> + As the carriage, rapid as lightning, started upon the road to Paris, the + wind brought nearer the distant sound of the war-song of the Wolves, who + were rushing towards the factory. In this impending destruction, see + Rodin’s subtle hand, administering his fatal blows to clear his way up to + the chair of St. Peter to which he aspired. His tireless, wily course can + hardly be darker shadowed by aught save that dread coming horror the + Cholera, whose aid he evoked, and whose health the Bacchanal Queen wildly + drank. + </p> + <p> + That once gay girl, and her poor famished sister; the fair patrician and + her Oriental lover; Agricola, the workman, and his veteran father; the + smiling Rose-Pompon, and the prematurely withered Jacques Rennepont; + Father d’Aigrigny, the mock priest; and Gabriel, the true disciple; with + the rest that have been named and others yet to be pictured, in the blaze + of the bolts of their life’s paths, will be seen in the third and + concluding part of this romance entitled, + </p> + <p> + “THE WANDERING JEW: REDEMPTION.” <a name="link2H_4_0120" id="link2H_4_0120"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + BOOK VIII. + </h2> + <p> + <a name="link2H_PART3" id="link2H_PART3"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + PART THIRD.—THE REDEMPTION. + </h2> +<pre xml:space="preserve"> + I. The Wandering Jew’s Chastisement II. The Descendants of + the Wandering Jew III. The Attack IV. The Wolves and the + Devourers V. The Return VI. The Go-Between VII. Another + Secret VIII. The Confession IX. Love X. The Execution XI. + The Champs-Elysees XII. Behind the Scenes XIII. Up with the + Curtain XIV. Death +</pre> + <p> + <a name="link2HCH0106" id="link2HCH0106"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER I. THE WANDERING JEW’S CHASTISEMENT. + </h2> + <p> + ‘Tis night—the moon is brightly shining, the brilliant stars are + sparkling in a sky of melancholy calmness, the shrill whistlings of a + northerly wind—cold, bleak, and evil-bearing—are increasing: + winding about, and bursting into violent blasts, with their harsh and + hissing gusts, they are sweeping the heights of Montmartre. A man is + standing on the very summit of the hill; his lengthened shadow, thrown out + by the moon’s pale beams, darkens the rocky ground in the distance. The + traveller is surveying the huge city lying at his feet—the City of + Paris—from whose profundities are cast up its towers, cupolas, + domes, and steeples, in the bluish moisture of the horizon; while from the + very centre of this sea of stones is rising a luminous vapor, reddening + the starry azure of the sky above. It is the distant light of a myriad + lamps which at night, the season for pleasure, is illuminating the noisy + capital. + </p> + <p> + “No!” said the traveller, “it will not be. The Lord surely will not suffer + it. Twice is quite enough. Five centuries ago, the avenging hand of the + Almighty drove me hither from the depths of Asia. A solitary wanderer, I + left in my track more mourning, despair, disaster, and death, than the + innumerable armies of a hundred devastating conquerors could have + produced. I then entered this city, and it was decimated. Two centuries + ago that inexorable hand which led me through the world again conducted me + here; and on that occasion, as on the previous one, that scourge, which at + intervals the Almighty binds to my footsteps, ravaged this city, attacking + first my brethren, already wearied by wretchedness and toil. My brethren! + through me—the laborer of Jerusalem, cursed by the Lord, who in my + person cursed the race of laborers—a race always suffering, always + disinherited, always slaves, who like me, go on, on, on, without rest or + intermission, without recompense, or hope; until at length, women, men, + children, and old men, die under their iron yoke of self-murder, that + others in their turn then take up, borne from age to age on their willing + but aching shoulders. And here again, for the third time, in the course of + five centuries, I have arrived at the summit of one of the hills which + overlooks the city; and perhaps I bring again with me terror, desolation, + and death. And this unhappy city, intoxicated in a whirl of joys, and + nocturnal revelries, knows nothing about it—oh! it knows not that I + am at its very gate. But no! no! my presence will not be a source of fresh + calamity to it. The Lord, in His unsearchable wisdom, has brought me + hither across France, making me avoid on my route all but the humblest + villages, so that no increase of the funeral knell has, marked my journey. + And then, moreover, the spectre has left me—that spectre, livid and + green, with its deep bloodshot eyes. When I touched the soil of France, + its moist and icy hand abandoned mine—it disappeared. And yet I feel + the atmosphere of death surrounding me still. There is no cessation; the + biting gusts of this sinister wind, which envelop me in their breath, seem + by their envenomed breath to propagate the scourge. Doubtless the anger of + the Lord is appeased. Maybe, my presence here is meant only as a threat, + intending to bring those to their senses whom it ought to intimidate. It + must be so; for were it otherwise, it would, on the contrary, strike a + loud-sounding blow of greater terror, casting at once dread and death into + the very heart of the country, into the bosom of this immense city. Oh, + no! no! the Lord will have mercy; He will not condemn me to this new + affliction. Alas! in this city my brethren are more numerous and more + wretched than in any other. And must I bring death to them? No! the Lord + will have mercy; for, alas! the seven descendants of my sister are at last + all united in this city. And must I bring death to them? Death! instead of + that immediate assistance they stand so much in need of? For that woman + who, like myself, wanders from one end of the world into the other, has + gone now on her everlasting journey, after having confounded their + enemies’ plots. In vain did she foretell that great evils still threatened + those who are akin to me through my sister’s blood. The unseen hand by + which I am led, drives that woman away from me, even as though it were a + whirlwind that swept her on. In vain she entreated and implored at the + moment she was leaving those who are so dear to me.—At least, 0 + Lord, permit me to stay until I shall have finished my task! Onward! A few + days, for mercy’s sake, only a few days! Onward! I leave these whom I am + protecting on the very brink of an abyss! Onward! Onward!! And the + wandering star is launched afresh on its perpetual course. But her voice + traversed through space, calling me to the assistance of my own! When her + voice reached me I felt that the offspring of my sister were still exposed + to fearful dangers: those dangers are still increasing. Oh, say, say, + Lord! shall the descendants of my sister escape those woes which for so + many centuries have oppressed my race? Wilt Thou pardon me in them? Wilt + Thou punish me in them? Oh! lead them, that they may obey the last wishes + of their ancestor. Guide them, that they may join their charitable hearts, + their powerful strength, their best wisdom, and their immense wealth, and + work together for the future happiness of mankind, thereby, perhaps, + enabled to ransom me from my eternal penalties. Let those divine words of + the Son of Man, ‘Love ye one another!’ be their only aim; and by the + assistance of their all-powerful words, let them contend against and + vanquish those false priests who have trampled on the precepts of love, of + peace, and hope commanded by the Saviour, setting up in their stead the + precepts of hatred, violence, and despair. Those false shepherds, + supported ay the powerful and wealthy of the world, who in all times have + been their accomplices, instead of asking here below a little happiness + for my brethren, who have been suffering and groaning for centuries, dare + to utter, in Thy name, O Lord! that the poor must always be doomed to the + tortures of this world, and that it is criminal in Thine eyes that they + should either wish for or hope a mitigation of their sufferings on earth, + because the happiness of the few and the wretchedness of nearly all + mankind is Thine almighty will. Blasphemies! is it not the contrary of + these homicidal words that is more worthy of the name of Divine will? + Hear, me, O Lord! for mercy’s sake. Snatch from their enemies the + descendants of my sister, from the artisan up to the king’s son. Do not + permit them to crush the germ of a mighty and fruitful association, which, + perhaps, under Thy protection, may take its place among the records of the + happiness of mankind. Suffer me, O Lord! to unite those whom they are + endeavoring to divide—to defend those whom they are attacking. + Suffer me to bring hope to those from whom hope has fled, to give courage + to those who are weak, to uphold those whom evil threatens, and to sustain + those who would persevere in well-doing. And then, perhaps, their + struggles, their devotedness, their virtues, this miseries might expiate + my sin. Yes, mine—misfortune, misfortune alone, made me unjust and + wicked. O Lord! since Thine almighty hand hath brought me hither, for some + end unknown to me, disarm Thyself, I implore Thee, of Thine anger, and let + not me be the instrument of Thy vengeance! There is enough of mourning in + the earth these two years past—Thy creatures have fallen by millions + in my footsteps. The world is decimated. A veil of mourning extends from + one end of the globe to the other. I have traveled from Asia even to the + Frozen Pole, and death has followed in my wake. Dost Thou not hear, O + Lord! the universal wailings that mount up to Thee? Have mercy upon all, + and upon me. One day, grant me but a single day, that I may collect the + descendants of my sister together, and save them!” And uttering these + words, the wanderer fell upon his knees, and raised his hands to heaven in + a suppliant attitude. + </p> + <p> + Suddenly, the wind howled with redoubled violence; its sharp whistlings + changed to a tempest. The Wanderer trembled, and exclaimed in a voice of + terror, “O Lord! the blast of death is howling in its rage. It appears as + though a whirlwind were lifting me up. Lord, wilt Thou not, then, hear my + prayer? The spectre! O! do I behold the spectre? Yes, there it is; its + cadaverous countenance is agitated by convulsive throes, its red eyes are + rolling in their orbits. Begone! begone! Oh! its hand—its icy hand + has seized on mine! Mercy, Lord, have mercy! ‘Onward!’ Oh, Lord! this + scourge, this terrible avenging scourge! Must I, then, again carry it into + this city, must my poor wretched brethren be the first to fall under it—though + already so miserable? Mercy, mercy! ‘Onward!’ And the descendants of my + sister—oh, pray, have mercy, mercy! ‘Onward!’ O Lord, have pity on + me! I can no longer keep my footing on the ground, the spectre is dragging + me over the brow of the hill; my course is as rapid as the death-bearing + wind that whistles in my track; I already approach the walls of the city. + Oh, mercy, Lord, mercy on the descendants of my sister—spare them! + do not compel me to be their executioner, and let them triumph over their + enemies. Onward, onward! The ground is fleeing from under me; I am already + at the city gate; oh, yet, Lord, yet there is time; oh, have mercy on this + slumbering city, that it may not even now awaken with the lamentations of + terror, of despair and death! O Lord, I touch the threshold of the gate; + verily Thou willest it so then. ‘Tis done—Paris! the scourge is in + thy bosom! oh, cursed, cursed evermore am I. Onward! on! on!”(34) + </p> + <p> + (34) In 1346, the celebrated Black Death ravaged the earth, presenting the + same symptoms as the cholera, and the same inexplicable phenomena as to + its progress and the results in its route. In 1660 a similar epidemic + decimated the world. It is well known that when the cholera first broke + out in Paris, it had taken a wide and unaccountable leap; and, also + memorable, a north-east wind prevailed during its utmost fierceness. + </p> + <p> + <a name="link2HCH0107" id="link2HCH0107"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER II. THE DESCENDANTS OF THE WANDERING JEW. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>hat lonely wayfarer whom we have heard so plaintively urging to be + relieved of his gigantic burden of misery, spoke of “his sister’s + descendants” being of all ranks, from the working man to the king’s son. + They were seven in number, who had, in the year 1832, been led to Paris, + directly or indirectly, by a bronze medal which distinguished them from + others, bearing these words:-VICTIM of L. C. D. J. Pray for me! + </p> + <p> + ——-PARIS, February the 13th, 1682. + </p> + <p> + IN PARIS, Rue St. Francois, No. 3, In a century and a half you will be. + February the 13th, 1832. + </p> +<pre xml:space="preserve"> + ——-PRAY FOR ME! +</pre> + <p> + The son of the King of Mundi had lost his father and his domains in India + by the irresistible march of the English, and was but in title Prince + Djalma. Spite of attempts to make his departure from the East delayed + until after the period when he could have obeyed his medal’s command, he + had reached France by the second month of 1832. Nevertheless, the results + of shipwreck had detained him from Paris till after that date. A second + possessor of this token had remained unaware of its existence, only + discovered by accident. But an enemy who sought to thwart the union of + these seven members, had shut her up in a mad-house, from which she was + released only after that day. Not alone was she in imprisonment. An old + Bonapartist, General Simon, Marshal of France, and Duke de Ligny, had left + a wife in Russian exile, while he (unable to follow Napoleon to St. + Helena) continued to fight the English in India by means of Prince + Djalma’s Sepoys, whom he drilled. On the latter’s defeat, he had meant to + accompany his young friend to Europe, induced the more by finding that the + latter’s mother, a Frenchwoman, had left him such another bronze medal as + he knew his wife to have had. + </p> + <p> + Unhappily, his wife had perished in Siberia, without his knowing it, any + more than he did, that she had left twin daughters, Rose and Blanche. + Fortunately for them, one who had served their father in the Grenadiers of + the Guard. Francis Baudoin, nicknamed Dagobert, undertook to fulfil the + dying mother’s wishes, inspired by the medal. Saving a check at Leipsic, + where one Morok the lion-tamer’s panther had escaped from its cage and + killed Dagobert’s horse, and a subsequent imprisonment (which the + Wandering Jew’s succoring hand had terminated) the soldier and his orphan + charges had reached Paris in safety and in time. But there, a renewal of + the foe’s attempt had gained its end. By skillful devices, Dagobert and + his son Agricola were drawn out of the way while Rose and Blanche Simon + were decoyed into a nunnery, under the eyes of Dagobert’s wife. But she + had been bound against interfering by the influence of the Jesuit + confessional. The fourth was M. Hardy, a manufacturer, and the fifth, + Jacques Rennepont, a drunken scamp of a workman, who were more easily + fended off, the latter in a sponging house, the former by a friend’s lure. + Adrienne de Cardoville, daughter of the Count of Rennepont, who had also + been Duke of Cardoville, was the lady who had been unwarrantably placed in + the lunatic asylum. The fifth, unaware of the medal, was Gabriel, a youth, + who had been brought up, though a foundling, in Dagobert’s family, as a + brother to Agricola. He had entered holy orders, and more, was a Jesuit, + in name though not in heart. Unlike the others, his return from abroad had + been smoothed. He had signed away all his future prospects, for the + benefit of the order of Loyola, and, moreover, executed a more complete + deed of transfer on the day, the 13th of February, 1832, when he, alone of + the heirs, stood in the room of the house, No. 3, Rue St. Francois, + claiming what was a vast surprise for the Jesuits, who, a hundred and + fifty years before, had discovered that Count Marius de Rennepont had + secreted a considerable amount of his wealth, all of which had been + confiscated to them, in those painful days of dragoonings, and the + revocation of the Edict of Nantes. They had bargained for some thirty or + forty millions of francs to be theirs, by educating Gabriel into resigning + his inheritance to them, but it was two hundred and twelve millions which + the Jesuit representatives (Father d’Aigrigny and his secretary, Rodin) + were amazed to hear their nursling placed in possession of. They had the + treasure in their hands, in fact, when a woman of strangely sad beauty had + mysteriously entered the room where the will had been read, and laid a + paper before the notary. It was a codicil, duly drawn up and signed, + deferring the carrying out of the testament until the first day of June + the same year. The Jesuits fled from the house, in rage and intense + disappointment. Father d’Aigrigny was so stupor-stricken at the defeat, + that he bade his secretary at once write off to Rome that the Rennepont + inheritance had escaped them, and hopes to seize it again were utterly at + an end. Upon this, Rodin had revolted, and shown that he had authority to + command where he had, so far, most humbly obeyed. Many such spies hang + about their superior’s heels, with full powers to become the governor in + turn, at a moment’s notice. Thenceforward, he, Rodin, had taken the + business into his own hands. He had let Rose and Blanche Simon out of the + convent into their father’s arms. He had gone in person to release + Adrienne de Cardoville from the asylum. More, having led her to sigh for + Prince Djalma, he prompted the latter to burn for her. + </p> + <p> + He let not M. Hardy escape. A friend whom the latter treated as a brother, + had been shown up to him as a mere spy of the Jesuits; the woman whom he + adored, a wedded woman, alas! who had loved him in spite of her vows, had + been betrayed. Her mother had compelled her to hide her shame in America, + and, as she had often said—“Much as you are endeared to me, I cannot + waver between you and my mother!” so she had obeyed, without one farewell + word to him. Confess, Rodin was a more dextrous man than his late master! + In the pages that ensue farther proofs of his superiority in baseness and + satanic heartlessness will not be wanting. + </p> + <p> + <a name="link2HCH0108" id="link2HCH0108"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER III. THE ATTACK. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">O</span>n M. Hardy’s learning from the confidential go-between of the lovers, + that his mistress had been taken away by her mother, he turned from Rodin + and dashed away in a post carriage. At the same moment, as loud as the + rattle of the wheels, there arose the shouts of a band of workmen and + rioters, hired by the Jesuit’s emissaries, coming to attack Hardy’s + operatives. An old grudge long existing between them and a rival + manufacturer’s—Baron Tripeaud—laborers, fanned the flames. + When M. Hardy had left the factory, Rodin, who was not prepared for this + sudden departure, returned slowly to his hackney-coach; but he stopped + suddenly, and started with pleasure and surprise, when he saw, at some + distance, Marshall Simon and his father advancing towards one of the wings + of the Common Dwelling-house; for an accidental circumstance had so far + delayed the interview of the father and son. + </p> + <p> + “Very well!” said Rodin. “Better and better! Now, only let my man have + found out and persuaded little Rose-Pompon!” + </p> + <p> + And Rodin hastened towards his hackney-coach. At this moment, the wind, + which continued to rise, brought to the ear of the Jesuit the war song of + the approaching Wolves. + </p> + <p> + The workman was in the garden. The marshal said to him, in a voice of such + deep emotion that the old man started; “Father, I am very unhappy.” + </p> + <p> + A painful expression, until then concealed, suddenly darkened the + countenance of the marshal. + </p> + <p> + “You unhappy?” cried father Simon, anxiously, as he pressed nearer to the + marshal. + </p> + <p> + “For some days, my daughters have appeared constrained in manner, and lost + in thought. During the first moments of our re-union, they were mad with + joy and happiness. Suddenly, all has changed; they are becoming more and + more sad. Yesterday, I detected tears in their eyes; then deeply moved, I + clasped them in my arms, and implored them to tell me the cause of their + sorrow. Without answering, they threw themselves on my neck, and covered + my face with their tears.” + </p> + <p> + “It is strange. To what do you attribute this alteration?” + </p> + <p> + “Sometimes, I think I have not sufficiently concealed from them the grief + occasioned me by the loss of their mother, and they are perhaps miserable + that they do not suffice for my happiness. And yet (inexplicable as it is) + they seem not only to understand, but to share my sorrow. Yesterday, + Blanche said to me: ‘How much happier still should we be, if our mother + were with us!—‘” + </p> + <p> + “Sharing your sorrow, they cannot reproach you with it. There must be some + other cause for their grief.” + </p> + <p> + “Yes,” said the marshal, looking fixedly at his father; “yes—but to + penetrate this secret—it would be necessary not to leave them.” + </p> + <p> + “What do you mean?” + </p> + <p> + “First learn, father, what are the duties which would keep me here; then + you shall know those which may take me away from you, from my daughters, + and from my other child.” + </p> + <p> + “What other child?” + </p> + <p> + “The son of my old friend, the Indian Prince.” + </p> + <p> + “Djalma? Is there anything the matter with him?” + </p> + <p> + “Father, he frightens me. I told you, father, of his mad and unhappy + passion for Mdlle. de Cardoville.” + </p> + <p> + “Does that frighten you, my son?” said the old man, looking at the marshal + with surprise. “Djalma is only eighteen, and, at that age, one love drives + away another.” + </p> + <p> + “You have no idea of the ravages which the passion has already made in the + ardent, indomitable boy; sometimes, fits of savage ferocity follow the + most painful dejection. Yesterday, I came suddenly upon him; his eyes were + bloodshot, his features contracted with rage; yielding to an impulse of + mad furry, he was piercing with his poinard a cushion of red cloth, whilst + he exclaimed, panting for breath, ‘Ha blood!—I will have blood!’ + ‘Unhappy boy!’ I said to him, ‘what means this insane passion?’ ‘I’m + killing the man!’ replied he, in a hollow and savage voice: it is thus he + designates his supposed rival.” + </p> + <p> + “There is indeed something terrible,” said the old man, “in such a + passion, in such a heart.” + </p> + <p> + “At other times,” resumed the marshal, “it is against Mdlle. de Cardoville + that his rage bursts forth; and at others, against himself. I have been + obliged to remove his weapons, for a man who came with him from Java, and + who appears much attached to him, has informed me that he suspected him of + entertaining some thoughts of suicide.” + </p> + <p> + “Unfortunate boy!” + </p> + <p> + “Well, father,” said Marshal Simon, with profound bitterness; “it is at + the moment when my daughters and my adopted son require all my solicitude, + that I am perhaps on the eve of quitting them.” + </p> + <p> + “Of quitting them?” + </p> + <p> + “Yes, to fulfil a still more sacred duty than that imposed by friendship + or family,” said the marshal, in so grave and solemn a tone, that his + father exclaimed, with deep emotion: “What can this duty be?” + </p> + <p> + “Father,” said the marshal, after remaining a moment in thoughtful + silence, “who made me what I am? Who gave me the ducal title, and the + marshal’s baton?” + </p> + <p> + “Napoleon.” + </p> + <p> + “For you, the stern republican, I know that he lost all his value, when + from the first citizen of a Republic he became an emperor. + </p> + <p> + “I cursed his weakness,” said Father Simon, sadly; “the demi-god sank into + a man.” + </p> + <p> + “But for me, father—for me, the soldier, who have always fought + beside him, or under his eye—for me, whom he raised from the lowest + rank in the army to the highest—for me, whom he loaded with benefits + and marks of affection—for me, he was more than a hero, he was a + friend—and there was as much gratitude as admiration in my idolatry + for him. When he was exiled, I would fain have shared his exile; they + refused me that favor; then I conspired, then I drew my sword against + those who had robbed his son of the crown which France had given him.” + </p> + <p> + “And, in your position, you did well, Pierre; without sharing your + admiration, I understood your gratitude. The projects of exile, the + conspiracies—I approved them all—you know it.” + </p> + <p> + “Well, then, that disinherited child, in whose name I conspired seventeen + years ago, is now of an age to wield his father’s sword.” + </p> + <p> + “Napoleon II!” exclaimed the old man, looking at his son with surprise and + extreme anxiety; “the king of Rome!” + </p> + <p> + “King? no; he is no longer king. Napoleon? no; he is no longer Napoleon. + They have given him some Austrian name, because the other frightened them. + Everything frightens them. Do you know what they are doing with the son of + the Emperor?” resumed the marshal, with painful excitement. “They are + torturing him—killing him by inches!” + </p> + <p> + “Who told you this?” + </p> + <p> + “Somebody who knows, whose words are but too true. Yes; the son of the + Emperor struggles with all his strength against a premature death. With + his eyes turned towards France, he waits—he waits—and no one + comes—no one—out of all the men that his father made as great + as they once were little, not one thinks of that crowned child, whom they + are stifling, till he dies.” + </p> + <p> + “But you think of him?” + </p> + <p> + “Yes; but I had first to learn—oh! there is no doubt of it, for I + have not derived all my information from the same source—I had first + to learn the cruel fate of this youth, to whom I also swore allegiance; + for one day, as I have told you, the Emperor, proud and loving father as + he was, showed him to me in his cradle, and said: ‘My old friend, you will + be to the son what you have been to the father; who loves us, loves our + France.’” + </p> + <p> + “Yes, I know it. Many times you have repeated those words to me, and, like + yourself, I have been moved by them.” + </p> + <p> + “Well, father! suppose, informed of the sufferings of the son of the + Emperor, I had seen—with the positive certainty that I was not + deceived—a letter from a person of high rank in the court of Vienna, + offering to a man that was still faithful to the Emperor’s memory, the + means of communicating with the king of Rome, and perhaps of saving him + from his tormentors—” + </p> + <p> + “What next?” said the workman, looking fixedly at his son. “Suppose + Napoleon II. once at liberty—” + </p> + <p> + “What next?” exclaimed the marshal. Then he added, in a suppressed voice: + “Do you think, father, that France is insensible to the humiliations she + endures? Do you think that the memory of the Emperor is extinct? No, no; + it is, above all, in the days of our country’s degredation, that she + whispers that sacred name. How would it be, then, were that name to rise + glorious on the frontier, reviving in his son? Do you not think that the + heart of all France would beat for him?” + </p> + <p> + “This implies a conspiracy—against the present government—with + Napoleon II. for a watchword,” said the workman. “This is very serious.” + </p> + <p> + “I told you, father, that I was very unhappy; judge if it be not so,” + cried the marshal. “Not only I ask myself, if I ought to abandon my + children and you, to run the risk of so daring an enterprise, but I ask + myself if I am not bound to the present government, which, in + acknowledging my rank and title, if it bestowed no favor, at least did me + an act of justice. How shall I decide?—abandon all that I love, or + remain insensible to the tortures of Emperor—of that Emperor to the + son of the whom I owe everything—to whom I have sworn fidelity, both + to himself and child? Shall I lose this only opportunity, perhaps, of + saving him, or shall I conspire in his favor? Tell me, if I exaggerate + what I owe to the memory of the Emperor? Decide for me, father! During a + whole sleepless night, I strove to discover, in the midst of this chaos, + the line prescribed by honor; but I only wandered from indecision to + indecision. You alone, father—you alone, I repeat, can direct me.” + </p> + <p> + After remaining for some moments in deep thought, the old man was about to + answer, when some person, running across the little garden, opened the + door hastily, and entered the room in which were the marshal and his + father. It was Olivier, the young workman, who had been able to effect his + escape from the village in which the Wolves had assembled. + </p> + <p> + “M. Simon! M. Simon!” cried he, pale, and panting for breath. “They are + here—close at hand. They have come to attack the factory.” + </p> + <p> + “Who?” cried the old man, rising hastily. + </p> + <p> + “The Wolves, quarrymen, and stone-cutters, joined on the road by a crowd + of people from the neighborhood, and vagabonds from town. Do you not hear + them? They are shouting, ‘Death to the Devourers!’” + </p> + <p> + The clamor was indeed approaching, and grew more and more distinct. + </p> + <p> + “It is the same noise that I heard just now,” said the marshal, rising in + his turn. + </p> + <p> + “There are more than two hundred of them, M. Simon,” said Olivier; “they + are armed with clubs and stones, and unfortunately the greater part of our + workmen are in Paris. We are not above forty here in all; the women and + children are already flying to their chambers, screaming for terror. Do + you not hear them?” + </p> + <p> + The ceiling shook beneath the tread of many hasty feet. + </p> + <p> + “Will this attack be a serious one?” said the marshal to his father, who + appeared more and more dejected. + </p> + <p> + “Very serious,” said the old man; “there is nothing more fierce than these + combats between different unions; and everything has been done lately to + excite the people of the neighborhood against the factory.” + </p> + <p> + “If you are so inferior in number,” said the marshal, “you must begin by + barricading all the doors—and then—” + </p> + <p> + He was unable to conclude. A burst of ferocious cries shook the windows of + the room, and seemed so near and loud, that the marshal, his father, and + the young workman, rushed out into the little garden, which was bounded on + one side by a wall that separated it from the fields. Suddenly whilst the + shouts redoubled in violence, a shower of large stones, intended to break + the windows of the house, smashed some of the panes on the first story, + struck against the wall, and fell into the garden, all around the marshal + and his father. By a fatal chance, one of these large stones struck the + old man on the head. He staggered, bent forward, and fell bleeding into + the arms of Marshal Simon, just as arose from without, with increased + fury, the savage cries of, “Death to the Devourers!” + </p> + <p> + <a name="link2HCH0109" id="link2HCH0109"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER IV. THE WOLVES AND THE DEVOURERS. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">I</span>t was a frightful thing to view the approach of the lawless crowd, whose + first act of hostility had been so fatal to Marshal Simon’s father. One + wing of the Common Dwelling-house, which joined the garden-wall on that + side, was next to the fields. It was there that the Wolves began their + attack. The precipitation of their march, the halt they had made at two + public-houses on the road, their ardent impatience for the approaching + struggle, had inflamed these men to a high pitch of savage excitement. + Having discharged their first shower of stones, most of the assailants + stooped down to look for more ammunition. Some of them, to do so with + greater ease, held their bludgeons between their teeth; others had placed + them against the wall; here and there, groups had formed tumultuously + round the principal leaders of the band; the most neatly dressed of these + men wore frocks, with caps, whilst others were almost in rags, for, as we + have already said, many of the hangers-on at the barriers, and people + without any profession, had joined the troop of the Wolves, whether + welcome or not. Some hideous women, with tattered garments, who always + seem to follow in the track of such people, accompanied them on this + occasion, and, by their cries and fury, inflamed still more the general + excitement. One of them, tall, robust, with purple complexion, blood shot + eyes, and toothless jaws, had a handkerchief over her head, from beneath + which escaped her yellow, frowsy hair. Over her ragged gown, she wore an + old plaid shawl, crossed over her bosom, and tied behind her back. This + hag seemed possessed with a demon. She had tucked up her half-torn + sleeves; in one hand she brandished a stick, in the other she grasped a + huge stone; her companions called her Ciboule (scullion). + </p> + <p> + This horrible hag exclaimed, in a hoarse voice: “I’ll bite the women of + the factory; I’ll make them bleed.” + </p> + <p> + The ferocious words were received with applause by her companions, and + with savage cries of “Ciboule forever!” which excited her to frenzy. + </p> + <p> + Amongst the other leaders, was a small, dry pale man, with the face of a + ferret, and a black beard all round the chin; he wore a scarlet Greek cap, + and beneath his long blouse, perfectly new, appeared a pair of neat cloth + trousers, strapped over thin boots. This man was evidently of a different + condition of life from that of the other persons in the troop; it was he, + in particular, who ascribed the most irritating and insulting language to + the workmen of the factory, with regard to the inhabitants of the + neighborhood. He howled a great deal, but he carried neither stick nor + stone. A full-faced, fresh-colored man, with a formidable bass voice, like + a chorister’s, asked him: “Will you not have a shot at those impious dogs, + who might bring down the Cholera on the country, as the curate told us?” + </p> + <p> + “I will have a better shot than you,” said the little man, with a + singular, sinister smile. + </p> + <p> + “And with what, I’d like to see?” + </p> + <p> + “Probably, with this,” said the little man, stooping to pick up a large + stone; but, as he bent, a well-filled though light bag, which he appeared + to carry under his blouse, fell to the ground. + </p> + <p> + “Look, you are losing both bag and baggage,” said the other; “it does not + seem very heavy.” + </p> + <p> + “They are samples of wool,” answered the man with the ferret’s face, as he + hastily picked up the bag, and replaced it under his blouse; then he + added: “Attention! the big blaster is going to speak.” + </p> + <p> + And, in fact, he who exercised the most complete ascendency over this + irritated crowd was the terrible quarryman. His gigantic form towered so + much above the multitude, that his great head, bound in its ragged + handkerchief, and his Herculean shoulders, covered with a fallow goat + skin, were always visible above the level of that dark and swarming crowd, + only relieved here and there by a few women’s caps, like so many white + points. Seeing to what a degree of exasperation the minds of the crowd had + reached, the small number of honest, but misguided workmen, who had + allowed themselves to be drawn into this dangerous enterprise, under the + pretext of a quarrel between rival unions, now fearing for the + consequences of the struggle, tried, but too late, to abandon the main + body. Pressed close, and as it were, girt in with the more hostile groups, + dreading to pass for cowards, or to expose themselves to the bad treatment + of the majority, they were forced to wait for a more favorable moment to + effect their escape. To the savage cheers, which had accompanied the first + discharge of stones, succeeded a deep silence commanded by the stentorian + voice of the quarryman. + </p> + <p> + “The Wolves have howled,” he exclaimed; “let us wait and see how the + Devourers will answer, and when they will begin the fight.” + </p> + <p> + “We must draw them out of their factory, and fight them on neutral + ground,” said the little man with the ferret’s face, who appeared to be + the thieves’ advocate; “otherwise there would be trespass.” + </p> +<div class="fig"> + <img src="images/20511m.jpg" alt="20511m" /><br /> + </div> + <h5> + <a href="images/20511.jpg"><i>Original</i></a> + </h5> + <p> + “What do we care about trespass?” cried the horrible hag, Ciboule; “in or + out, I will tear the chits of the factory.” + </p> + <p> + “Yes, yes,” cried other hideous creatures, as ragged as Ciboule herself; + “we must not leave all to the men.” + </p> + <p> + “We must have our fun, too!” + </p> + <p> + “The women of the factory say that all the women of the neighborhood are + drunken drabs,” cried the little man with the ferret’s face. + </p> + <p> + “Good! we’ll pay them for it.” + </p> + <p> + “The women shall have their share.” + </p> + <p> + “That’s our business.” + </p> + <p> + “They like to sing in their Common House,” cried Ciboule; “we will make + them sing the wrong side of their mouths, in the key of ‘Oh, dear me!’” + </p> + <p> + This pleasantry was received with shouts, hootings, and furious stamping + of feet, to which the stentorian voice of the quarryman put a term by + roaring: “Silence!” + </p> + <p> + “Silence! silence!” repeated the crowd. “Hear the blaster!” + </p> + <p> + “If the Devourers are cowards enough not to dare to show themselves, after + a second volley of stones, there is a door down there which we can break + open, and we will soon hunt them from their holes.” + </p> + <p> + “It would be better to draw them out, so that none might remain in the + factory,” said the little old man with the ferret’s face, who appeared to + have some secret motive. + </p> + <p> + “A man fights where he can,” cried the quarryman, in a voice of thunder; + “all, right, if we can but once catch hold. We could fight on a sloping + roof, or on the top of a wall—couldn’t we, my Wolves?” + </p> + <p> + “Yes, yes!” cried the crowd, still more excited by those savage words; “if + they don’t come out, we will break in.” + </p> + <p> + “We will see their fine palace!” + </p> + <p> + “The pagans haven’t even a chapel,” said the bass voice. “The curate has + damned them all!” + </p> + <p> + “Why should they have a palace, and we nothing but dog-kennels?” + </p> + <p> + “Hardy’s workmen say that kennels are good enough for such as you.” said + the little man with the ferret’s face. + </p> + <p> + “Yes, yes! they said so.” + </p> + <p> + “We’ll break all their traps.” + </p> + <p> + “We’ll pull down their bazaar.” + </p> + <p> + “We’ll throw the house out of the windows.” + </p> + <p> + “When we have made the mealy-mouthed chits sing,” cried Ciboule, “we will + make them dance to the clatter of stones on their heads.” + </p> + <p> + “Come, my Wolves! attention!” cried the quarryman, still in the same + stentorian voice; “one more volley, and if the Devourers do not come out, + down with the door!” + </p> + <p> + This proposition was received with cheers of savage ardor, and the + quarryman, whose voice rose above the tumult, cried with all the strength + of his herculean lungs: “Attention, my Wolves. Make ready! all together. + Now, are you ready?” + </p> + <p> + “Yes, yes—all ready!” + </p> + <p> + “Then, present!—fire!” And, for the second time, a shower of + enormous stones poured upon that side of the Common Dwelling-house which + was turned towards the fields. A part of these projectiles broke such of + the windows as had been spared by the first volley. To the sharp smashing + and cracking of glass were joined the ferocious cries uttered in chorus by + this formidable mob, drunk with its own excesses: “Death to the + Devourers!” + </p> + <p> + Soon these outcries became perfectly frantic, when, through the broken + windows, the assailants perceived women running in terror, some with + children in their arms, and others raising their hands to heaven, calling + aloud for help; whilst a few, bolder than the rest, leaned out of the + windows, and tried to fasten the outside blinds. + </p> + <p> + “There come the ants out of their holes!” cried Ciboule, stooping to pick + up a stone. “We must have a fling at them for luck!” The stone, hurled by + the steady, masculine hand of the virago, went straight to its mark, and + struck an unfortunate woman who was trying to close one of the shutters. + </p> + <p> + “Hit in the white!” cried the hideous creature. + </p> + <p> + “Well done, Ciboule!—you’ve rapped her coker-nut!” cried a voice. + </p> + <p> + “Ciboule forever!” + </p> + <p> + “Come out, you Devourers, if you dare!” + </p> + <p> + “They have said a hundred times, that the neighbors were too cowardly even + to come and look at their house,” squealed the little man with the + ferret’s face. + </p> + <p> + “And now they show the white feather!” + </p> + <p> + “If they will not come out,” cried the quarryman, in voice of thunder, + “let us smoke them out!” + </p> + <p> + “Yes, yes!” + </p> + <p> + “Let’s break open the door!” + </p> + <p> + “We are sure to find them!” + </p> + <p> + “Come on! come on!” + </p> + <p> + The crowd, with the quarryman at their head, and Ciboule not far from him, + brandishing a stick, advanced tumultously towards one of the great doors. + The ground shook beneath the rapid tread of the mob, which had now ceased + shouting; but the confused, and, as it were, subterraneous noise, sounded + even more ominous than those savage outcries. The Wolves soon arrived + opposite the massive oaken door. At the moment the blaster raised a + sledgehammer, the door opened suddenly. Some of the most determined of the + assailants were about to rush in at this entrance; but the quarryman + stepped back, extending his arm as if to moderate their ardor and impose + silence. Then his followers gathered round him. + </p> + <p> + The half-open door discovered a party of workmen, unfortunately by no + means numerous, but with countenances full of resolution. They had armed + themselves hastily with forks, iron bars, and clubs. Agricola, who was + their leader, held in his hand a heavy sledge-hammer. The young workman + was very pale; but the fire of his eye, his menacing look, and the + intrepid assurance of his bearing, showed that his father’s blood boiled + in his veins, and that in such a struggle he might become fear-inspiring. + Yet he succeeded in restraining himself, and challenged the quarryman, in + a firm voice: “What do you want?” + </p> + <p> + “A fight!” thundered the blaster. + </p> + <p> + “Yes, yes! a fight!” repeated the crowd. + </p> + <p> + “Silence, my Wolves!” cried the quarryman, as he turned round, and + stretched forth his large hand towards the multitude. Then addressing + Agricola, he said: “The Wolves have come to ask for a fight.” + </p> + <p> + “With whom?” + </p> + <p> + “With the Devourers.” + </p> + <p> + “There are no Devourers here,” replied Agricola; “we are only peaceable + workmen. So begone.” + </p> + <p> + “Well! here are the Wolves, that will eat your quiet workmen.” + </p> + <p> + “The Wolves will eat no one here,” said Agricola, looking full at the + quarryman, who approached him with a threatening air; “they can only + frighten little children.” + </p> + <p> + “Oh! you think so,” said the quarryman, with a savage sneer. Then raising + his weapon, he shook it in Agricola’s face, exclaiming: “Is that any + laughing matter? + </p> + <p> + “Is that?” answered Agricola, with a rapid movement, parrying the stone + sledge with his own hammer. + </p> + <p> + “Iron against iron—hammer against hammer—that suits me,” said + the quarryman. + </p> + <p> + “It does not matter what suits you,” answered Agricola, hardly able to + restrain himself. “You have broken our windows, frightened our women, and + wounded—perhaps killed—the oldest workman in the factory, who + at this moment lies bleeding in the arms of his son.” Here Agricola’s + voice trembled in spite of himself. “It is, I think, enough.” + </p> + <p> + “No; the Wolves are hungry for more,” answered the blaster; “you must come + out (cowards that you are!), and fight us on the plain.” + </p> + <p> + “Yes! yes! battle!—let them come out!” cried the crowd, howling, + hissing, waving their sticks and pushing further into the small space + which separated them from the door. + </p> + <p> + “We will have no battle,” answered Agricola: “we will not leave our home; + but if you have the misfortune to pass this,” said Agricola, throwing his + cap upon the threshold, and setting his foot on it with an intrepid air, + “if you pass this, you attack us in our own house, and you will be + answerable for all that may happen.” + </p> + <p> + “There or elsewhere we will have the fight! the Wolves must eat the + Devourers. Now for the attack!” cried the fierce quarryman, raising his + hammer to strike Agricola. + </p> + <p> + But the latter, throwing himself on one side by a sudden leap, avoided the + blow, and struck with his hammer full at the chest of the quarryman, who + staggered for a moment, but instantly recovering his legs, rushed + furiously on Agricola, crying: “Follow me, Wolves!” + </p> + <p> + <a name="link2HCH0110" id="link2HCH0110"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER V. THE RETURN. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span>s soon as the combat had begun between Agricola and the blaster, the + general fight became terrible, ardent, implacable. A flood of assailants, + following the quarryman’s steps, rushed into the house with irresistible + fury; others, unable to force their way through this dreadful crowd, where + the more impetuous squeezed, stifled, and crushed these who were less so, + went round in another direction, broke through some lattice work, and thus + placed the people of the factory, as it were, between two fires. Some + resisted courageously; others, seeing Ciboule, followed by some of her + horrible companions, and by several of the most ill-looking ruffians, + hastily enter that part of the Common-Dwelling house in which the women + had taken refuge, hurried in pursuit of this band; but some of the hag’s + companions, having faced about, and vigorously defended the entrance of + the staircase against the workmen, Ciboule, with three or four like + herself, and about the same number of no less ignoble men, rushed through + the rooms, with the intention of robbing or destroying all that came in + their way. A door, which at first resisted their efforts, was soon broken + through; Ciboule rushed into the apartment with a stick in her hand, her + hair dishevelled, furious, and, as it were, maddened with the noise and + tumult. A beautiful young girl (it was Angela), who appeared anxious to + defend the entrance to a second chamber, threw herself on her knees, pale + and supplicating, and raising her clasped hands, exclaimed: “Do not hurt + my mother!” + </p> + <p> + “I’ll serve you out first, and your mother afterwards,” replied the + horrible woman, throwing herself on the poor girl, and endeavoring to tear + her face with her nails, whilst the rest of the ruffianly band broke the + glass and the clock with their sticks, and possessed themselves of some + articles of wearing apparel. + </p> +<div class="fig"> + <img src="images/20517m.jpg" alt="20517m" /><br /> + </div> + <h5> + <a href="images/20517.jpg"><i>Original</i></a> + </h5> + <p> + Angela, struggling with Ciboule, uttered loud cries of distress, and still + attempted to guard the room in which her mother had taken refuge; whilst + the latter, leaning from the window, called Agricola to their assistance. + The smith was now engaged with the huge blaster. In a close struggle, + their hammers had become useless, and with bloodshot eyes and clinched + teeth, chest to chest, and limbs twined together like two serpents, they + made the most violent efforts to overthrow each other. Agricola, bent + forward, held under his right arm the left leg of the quarryman, which he + had seized in parrying a violent kick; but such was the Herculean strength + of the leader of the Wolves, that he remained firm as a tower, though + resting only on one leg. With the hand that was still free (for the other + was gripped by Agricola as in a vise), he endeavored with violent blows to + break the jaws of the smith, who, leaning his head forward, pressed his + forehead hard against the breast of his adversary. + </p> + <p> + “The Wolf will break the Devourer’s teeth, and he shall devour no more,” + said the quarryman. + </p> + <p> + “You are no true Wolf,” answered the smith, redoubling his efforts; “the + true Wolves are honest fellows, and do not come ten against one.” + </p> + <p> + “True or false, I will break your teeth.” + </p> + <p> + “And I your paw,” said the smith, giving so violent a wrench to the leg of + the quarryman, that the latter uttered a cry of acute pain, and, with the + rage of a wild beast, butting suddenly forward with his head, succeeded in + biting Agricola in the side of the neck. + </p> + <p> + The pang of this bite forced Agricola to make a movement, which enabled + the quarryman to disengage his leg. Then, with a superhuman effort, he + threw himself with his whole weight on Agricola, and brought him to the + ground, falling himself upon him. + </p> + <p> + At this juncture, Angela’s mother, leaning from one of the windows of the + Common Dwelling-house, exclaimed in a heart-rending voice: “Help, + Agricola!—they are killing my child!” + </p> + <p> + “Let me go—and on, my honor—I will fight you tomorrow, or when + you will,” said Agricola, panting for breath. + </p> + <p> + “No warmed-up food for me; I eat all hot,” answered the quarryman, seizing + the smith by the throat, whilst he tried to place one of his knees upon + his chest. + </p> + <p> + “Help!—they are killing my child!” cried Angela’s mother, in a voice + of despair. + </p> + <p> + “Mercy! I ask mercy! Let me go!”’ said Agricola, making the most violent + efforts to escape. + </p> + <p> + “I am too hungry,” answered the quarryman. + </p> + <p> + Exasperated by the terror which Angela’s danger occasioned him, Agricola + redoubled his efforts, when the quarryman suddenly felt his thigh seized + by the sharp teeth of a dog, and at the same instant received from a + vigorous hand three or four heavy blows with a stick upon his head. He + relaxed his grasp, and fell stunned upon his hand and knee, whilst he + mechanically raised his other arm to parry the blows, which ceased as soon + as Agricola was delivered. + </p> + <p> + “Father, you have saved me!” cried the smith, springing up. “If only I am + in time to rescue Angela!” + </p> + <p> + “Run!—never mind me!” answered Dagobert; and Agricola rushed into + the house. + </p> + <p> + Dogabert, accompanied by Spoil-sport, had come, as we have already said, + to bring Marshal Simon’s daughters to their grandfather. Arriving in the + midst of the tumult, the soldier had collected a few workmen to defend the + entrance of the chamber, to which the marshal’s father had been carried in + a dying state. It was from this post that the soldier had seen Agricola’s + danger. Soon after, the rush of the conflict separated Dagobert from the + quarryman, who remained for some moments insensible. Arrived in two bounds + at the Common Dwelling-house, Agricola succeeded in forcing his way + through the men who defended the staircase, and rushed into the corridor + that led to Angela’s chamber. At the moment he reached it, the unfortunate + girl was mechanically guarding her face with both hands against Ciboule, + who, furious as the hyena over its prey, was trying to scratch and + disfigure her. + </p> + <p> + To spring upon the horrible hag, seize her by her yellow hair with + irresistible hand, drag her backwards, and then with one cuff, stretch her + full length upon the ground, was for Agricola an achievement as rapid as + thought. Furious with rage, Ciboule rose again almost instantly; but at + this moment, several workmen, who had followed close upon Agricola, were + able to attack with advantage, and whilst the smith lifted the fainting + form of Angela, and carried her into the next room, Ciboule and her band + were driven from that part of the house. + </p> + <p> + After the first fire of the assault, the small number of real Wolves, who, + as Agricola said, were in the main honest fellows, but had the weakness to + let themselves be drawn into this enterprise, under the pretext of a + quarrel between rival unions, seeing the excesses committed by the rabble + who accompanied them, turned suddenly round, and ranged themselves on the + side of the Devourers. + </p> + <p> + “There are no longer here either Wolves or Devourers,” said one of the + most determined Wolves to Olivier, with whom he had been fighting roughly + and fairly; “there are none here but honest workmen, who must unite to + drive out a set of scoundrels, that have come only to break and pillage.” + </p> + <p> + “Yes,” added another; “it was against our will that they began by breaking + your windows.” + </p> + <p> + “The big blaster did it all,” said another; “the true Wolves wash their + hands of him. We shall soon settle his account.” + </p> + <p> + “We may fight every day—but we ought to esteem each other.”(35) + </p> + <p> + This defection of a portion of the assailants (unfortunately but a small + portion) gave new spirit to the workmen of the factory, and all together, + Wolves and Devourers, though very inferior in number, opposed themselves + to the band of vagabonds, who were proceeding to new excesses. Some of + these wretches, still further excited by the little man with the ferret’s + face, a secret emissary of Baron Tripeaud, now rushed in a mass towards + the workshops of M. Hardy. Then began a lamentable devastation. These + people, seized with the mania of destruction, broke without remorse + machines of the greatest value, and most delicate construction; half + manufactured articles were pitilessly destroyed; a savage emulation seemed + to inspire these barbarians, and those workshops, so lately the model of + order and well-regulated economy, were soon nothing but a wreck; the + courts were strewed with fragments of all kinds of wares, which were + thrown from the windows with ferocious outcries, or savage bursts of + laughter. Then, still thanks to the incitements of the little man with the + ferret’s face, the books of M. Hardy, archives of commercial industry, so + indispensable to the trader, were scattered to the wind, torn, trampled + under foot, in a sort of infernal dance, composed of all that was most + impure in this assembly of low, filthy, and ragged men and women, who held + each other by the hand, and whirled round and round with horrible clamor. + Strange and painful contrasts! At the height of the stunning noise of + these horrid deeds of tumult and devastation, a scene of imposing and + mournful calm was taking place in the chamber of Marshal Simon’s father, + the door of which was guarded by a few devoted men. The old workman was + stretched on his bed, with a bandage across his blood stained white hair. + His countenance was livid, his breathing oppressed, his look fixed and + glazed. + </p> + <p> + Marshal Simon, standing at the head of the bed, bending over his father, + watched in despairing anguish the least sign of consciousness on the part + of the dying man, near whom was a physician, with his finger on the + failing pulse. Rose and Blanche, brought hither by Dagobert, were kneeling + beside the bed, their hands clasped, and their eyes bathed in tears; a + little further, half hidden in the shadows of the room, for the hours had + passed quickly, and the night was at hand, stood Dagobert himself, with + his arms crossed upon his breast, and his features painfully contracted. A + profound and solemn silence reigned in this chamber, only interrupted by + the broken sobs of Rose and Blanche, or by Father Simon’s hard breathing. + The eyes of the marshal were dry, gloomy, and full of fire. He only + withdrew them from his father’s face, to interrogate the physician by a + look. There are strange coincidences in life. That physician was Dr. + Baleinier. The asylum of the doctor being close to the barrier that was + nearest to the factory, and his fame being widely spread in the + neighborhood, they had run to fetch him on the first call for medical + assistance. + </p> + <p> + Suddenly, Dr. Baleinier made a movement; the marshal, who had not taken + his eyes off him, exclaimed: “Is there any hope?” + </p> + <p> + “At least, my lord duke, the pulse revives a little.” + </p> + <p> + “He is saved!” said the marshal. + </p> + <p> + “Do not cherish false hopes, my lord duke,” answered the doctor, gravely: + “the pulse revives, owing to the powerful applications to the feet, but I + know not what will be the issue of the crisis.” + </p> + <p> + “Father! father! do you hear me?” cried the marshal, seeing the old man + slightly move his head, and feebly raise his eyelids. He soon opened his + eyes, and this time their intelligence had returned. + </p> + <p> + “Father! you live—you know me!” cried the marshal, giddy with joy + and hope. + </p> + <p> + “Pierre! are you there?” said the old man, in a weak voice. “Your hand—give—it—” + and he made a feeble movement. + </p> + <p> + “Here, father!” cried the marshal, as he pressed the hands of the old man + in his own. + </p> + <p> + Then, yielding to an impulse of delight, he bent over his father, covered + his hands, face, and hair with kisses, and repeated: “He lives! kind + heaven, he lives! he is saved!” + </p> + <p> + At this instant, the noise of the struggle which had recommenced between + the rabble, the Wolves, and the Devourers, reached the ears of the dying + man. + </p> + <p> + “That noise! that noise!” said he: “they are fighting.” + </p> + <p> + “It is growing less, I think,” said the marshal, in order not to agitate + his father. + </p> + <p> + “Pierre,” said the old man, in a weak and broken voice, “I have not long + to live.” + </p> + <p> + “Father—” + </p> + <p> + “Let me speak, child; if I can but tell you all.” + </p> + <p> + “Sir,” said Baleinier piously to the old workman, “heaven may perhaps work + a miracle in your favor; show yourself grateful, and allow a priest—” + </p> + <p> + “A priest! Thank you, sir—I have my son,” said the old man; “in his + arms, I will render up my soul—which has always been true and + honest.” + </p> + <p> + “You die?” exclaimed the marshal; “no! no!” + </p> + <p> + “Pierre,” said the old man, in a voice which, firm at first, gradually + grew fainter, “just now—you ask my advice in a very serious matter. + I think, that the wish to tell you of your duty—has recalled me—for + a moment—to life—for I should die miserable—if I thought + you in a road unworthy of yourself and me. Listen to me, my son—my + noble son—at this last hour, a father cannot deceive himself. You + have a great duty to perform—-under pain—of not acting like a + man of honor—under pain of neglecting my last will. You ought, + without hesitation—” + </p> + <p> + Here the voice failed the old man. When he had pronounced the last + sentence, he became quite unintelligible. The only words that Marshal + Simon could distinguish, were these: “Napoleon II.—oath—dishonor—my + son!” + </p> + <p> + Then the old workman again moved his lips mechanically—and all was + over. At the moment he expired, the night was quite come, and terrible + shouts were heard from without, of “Fire! Fire!” The conflagration had + broken out in one of the workshops, filled with inflammable stuff, into + which had glided the little man with the ferret’s face. At the same time, + the roll of drums was heard in the distance, announcing the arrival of a + detachment of troops from town. + </p> + <p> + During an hour, in spite of every effort, the fire had been spreading + through the factory. The night is clear, cold, starlight; the wind blows + keenly from the north, with a moaning sound. A man, walking across the + fields, where the rising ground conceals the fire from him, advances with + slow and unsteady steps. It is M. Hardy. He had chosen to return home on + foot, across the country, hoping that a walk would calm the fever in his + blood—an icy fever, more like the chill of death. He had not been + deceived. His adored mistress—the noble woman, with whom he might + have found refuge from the consequences of the fearful deception which had + just been revealed to him—had quitted France. He could have no doubt + of it. Margaret was gone to America. Her mother had exacted from her, in + expiation of her fault, that she should not even write to him one word of + farewell—to him, for whom she had sacrificed her duty as a wife. + Margaret had obeyed. + </p> + <p> + Besides, she had often said to him: “Between my mother and you, I should + not hesitate.” + </p> + <p> + She had not hesitated. There was therefore no hope, not the slightest; + even if an ocean had not separated him from Margaret, he knew enough of + her blind submission to her mother, to be certain that all relations + between them were broken off forever. It is well. He will no longer reckon + upon this heart—his last refuge. The two roots of his life have been + torn up and broken, with the same blow, the same day, almost at the same + moment. What then remains for thee, poor sensitive plant, as thy tender + mother used to call thee? What remains to console thee for the loss of + this last love—this last friendship, so infamously crushed? Oh! + there remains for thee that one corner of the earth, created after the + image of thy mind that little colony, so peaceful and flourishing, where, + thanks to thee, labor brings with it joy and recompense. These worthy + artisans, whom thou hast made happy, good, and grateful, will not fail + thee. That also is a great and holy affection; let it be thy shelter in + the midst of this frightful wreck of all thy most sacred convictions! The + calm of that cheerful and pleasant retreat, the sight of the unequalled + happiness of thy dependents, will soothe thy poor, suffering soul, which + now seems to live only for suffering. Come! you will soon reach the top of + the hill, from which you can see afar, in the plain below, that paradise + of workmen, of which you are the presiding divinity. + </p> + <p> + M. Hardy had reached the summit of the hill. At that moment the + conflagration, repressed for a short time, burst forth with redoubled fury + from the Common Dwelling-house, which it had now reached. A bright streak, + at first white, then red, then copper-colored, illuminated the distant + horizon. M. Hardy looked at it with a sort of incredulous, almost idiotic + stupor. Suddenly, an immense column of flame shot up in the thick of a + cloud of smoke, accompanied by a shower of sparks, and streamed towards + the sky, casting a bright reflection over all the country, even to M. + Hardy’s feet. The violence of the north wind, driving the flames in waves + before it, soon brought to the ears of M. Hardy the hurried clanging of + the alarm-bell of the burning factory. + </p> + <p> + (35) We wish it to be understood, that the necessities of our story alone + have made the Wolves the assailants. While endeavoring to paint the evils + arising the abuse of the spirit of association, we do not wish to ascribe + a character of savage hostility to one sect rather than to the other to + the Wolves more than to the Devourers. The Wolves, a club of united + stone-cutters, are generally industrious, intelligent workmen, whose + situation is the more worthy of interest, as not only their labors, + conducted with mathematical precision, are of the rudest and most + wearisome kind, but they are likewise out of work during three or four + months of the year, their profession being, unfortunately, one of those + which winter condemns to a forced cessation. A number of Wolves, in order + to perfect themselves in their trade, attend every evening a course of + linear geometry, applied to the cutting of stone, analogous to that given + by M. Agricole Perdignier, for the benefit of carpenters. Several working + stone-cutters sent an architectural model in plaster to the last + exhibition. + </p> + <p> + <a name="link2HCH0111" id="link2HCH0111"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER VI. THE GO-BETWEEN. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span> few days have elapsed since the conflagration of M. Hardy’s factory. The + following scene takes place in the Rue Clovis, in the house where Rodin + had lodged, and which was still inhabited by Rose-Pompon, who, without the + least scruple, availed herself of the household arrangements of her friend + Philemon. It was about noon, and Rose-Pompon, alone in the chamber of the + student, who was still absent, was breakfasting very gayly by the + fireside; but how singular a breakfast! what a queer fire! how strange an + apartment! + </p> + <p> + Imagine a large room, lighted by two windows without curtains—for as + they looked on empty space, the lodger had fear of being overlooked. One + side of this apartment served as a wardrobe, for there was suspended + Rose-Pompon’s flashy costume of debardeur, not far from the boat-man’s + jacket of Philemon, with his large trousers of coarse, gray stuff, covered + with pitch (shiver my timbers!), just as if this intrepid mariner had + bunked in the forecastle of a frigate, during a voyage round the globe. A + gown of Rose Pompon’s hung gracefully over a pair of pantaloons, the legs + of which seemed to come from beneath the petticoat. On the lowest of + several book-shelves, very dusty and neglected, by the side of three old + boots (wherefore three boots?) and a number of empty bottles, stood a + skull, a scientific and friendly souvenir, left to Philemon by one of his + comrades, a medical student. With a species of pleasantry, very much to + the taste of the student-world, a clay pipe with a very black bowl was + placed between the magnificently white teeth of this skull; moreover, its + shining top was half hidden beneath an old hat, set knowingly on one side, + and adorned with faded flowers and ribbons. When Philemon was drunk, he + used to contemplate this bony emblem of mortality, and break out into the + most poetical monologues, with regard to this philosophical contrast + between death and the mad pleasures of life. Two or three plaster casts, + with their noses and chins more or less injured, were fastened to the + wall, and bore witness to the temporary curiosity which Philemon had felt + with regard to phrenological science, from the patient and serious study + of which he had drawn the following logical conclusion:—That, having + to an alarming extent the bump of getting into debt, he ought to resign + himself to the fatality of this organization, and accept the inconvenience + of creditors as a vital necessity. On the chimney-piece, stood uninjured, + in all its majesty, the magnificent rowing-club drinking-glass, a china + teapot without a spout, and an inkstand of black wood, the glass mouth of + which was covered by a coat of greenish and mossy mould. From time to + time, the silence of this retreat was interrupted by the cooing of + pigeons, which Rose-Pompon had established with cordial hospitality in the + little study. Chilly as a quail, Rose-Pompon crept close to the fire, and + at the same time seemed to enjoy the warmth of a bright ray of sunshine, + which enveloped her in its golden light. This droll little creature was + dressed in the oddest costume, which, however, displayed to advantage the + freshness of her piquant and pretty countenance, crowned with its fine, + fair hair, always neatly combed and arranged the first thing in the + morning. By way of dressing-gown, Rose-Pompon had ingeniously drawn over + her linen, the ample scarlet flannel shirt which belonged to Philemon’s + official garb in the rowing-club; the collar, open and turned down, + displayed the whiteness of the young girl’s under garment, as also of her + neck and shoulders, on whose firm and polished surface the scarlet shirt + seemed to cast a rosy light. The grisette’s fresh and dimpled arms half + protruded from the large, turned-up sleeves; and her charming legs were + also half visible, crossed one over the other, and clothed in neat white + stockings, and boots. A black silk cravat formed the girdle which fastened + the shirt round the wasp-like waist of Rose-Pompon, just above those hips, + worthy of the enthusiasm of a modern Phidias, and which gave to this style + of dress a grace very original. + </p> +<div class="fig"> + <img src="images/20527m.jpg" alt="20527m" /><br /> + </div> + <h5> + <a href="images/20527.jpg"><i>Original</i></a> + </h5> + <p> + We have said, that the breakfast of Rose-Pompon was singular. You shall + judge. On a little table placed before her, was a wash-hand-basin, into + which she had recently plunged her fresh face, bathing it in pure water. + From the bottom of this basin, now transformed into a salad-bowl, Rose + Pompon took with the tips of her fingers large green leaves, dripping with + vinegar, and crunched them between her tiny white teeth, whose enamel was + too hard to allow them to be set on edge. Her drink was a glass of water + and syrup of gooseberries, which she stirred with a wooden mustard-spoon. + Finally, as an extra dish, she had a dozen olives in one of those blue + glass trinket-dishes sold for twenty-five sous. Her dessert was composed + of nuts, which she prepared to roast on a red-hot shovel. That + Rose-Pompon, with such an unaccountable savage choice of food, should + retain a freshness of complexion worthy of her name, is one of those + miracles, which reveal the mighty power of youth and health. When she had + eaten her salad, Rose-Pompon was about to begin upon her olives, when a + low knock was heard at the door, which was modestly bolted on the inside. + </p> + <p> + “Who is there?” said Rose-Pompon. + </p> + <p> + “A friend—the oldest of the old,” replied a sonorous, jovial voice. + “Why do you lock yourself in?” + </p> + <p> + “What! is it you, Ninny Moulin?” + </p> + <p> + “Yes, my beloved pupil. Open quickly. Time presses.” + </p> + <p> + “Open to you? Oh, I dare say!—that would be pretty, the figure I + am!” + </p> + <p> + “I believe you! what does it matter what figure you are? It would be very + pretty, thou rosiest of all the roses with which Cupid ever adorned his + quiver!” + </p> + <p> + “Go and preach fasting and morality in your journal, fat apostle!” said + Rose—Pompon, as she restored the scarlet shirt to its place, with + Philemon’s other garments. + </p> + <p> + “I say! are we to talk much longer through the door, for the greater + edification of our neighbors?” cried Ninny Moulin. “I have something of + importance to tell you—something that will astonish you—” + </p> + <p> + “Give me time to put on my gown, great plague that you are!” + </p> + <p> + “If it is because of my modesty, do not think of it. I am not over nice. I + should like you very well as you are!” + </p> + <p> + “Only to think that such a monster is the favorite of all the + churchgoers!” said Rose-Pompon, opening the door as she finished fastening + her dress. + </p> + <p> + “So! you have at last returned to the dovecot, you stray girl!” said Ninny + Moulin, folding his arms, and looking at Rose-Pompon with comic + seriousness. “And where may you have been, I pray? For three days the + naughty little bird has left its nest.” + </p> + <p> + “True; I only returned home last night. You must have called during my + absence?” + </p> + <p> + “I came, every day, and even twice a day, young lady, for I have very + serious matters to communicate.” + </p> + <p> + “Very serious matters? Then we shall have a good laugh at them.” + </p> + <p> + “Not at all—they are really serious,” said Ninny Moulin, seating + himself. “But, first of all, what did you do during the three days that + you left your conjugal and Philemonic home? I must know all about it, + before I tell you more.” + </p> + <p> + “Will you have some olives?” said Rose-Pompon, as she nibbled one of them + herself. + </p> + <p> + “Is that your answer?—I understand!—Unfortunate Philemon!” + </p> + <p> + “There is no unfortunate Philemon in the case, slanderer. Clara had a + death in her house, and, for the first few days after the funeral she was + afraid to sleep alone.” + </p> + <p> + “I thought Clara sufficiently provided against such fears.” + </p> + <p> + “There you are deceived, you great viper! I was obliged to go and keep the + poor girl company.” + </p> + <p> + At this assertion, the religious pamphleteer hummed a tune, with an + incredulous and mocking air. + </p> + <p> + “You think I have played Philemon tricks?” cried Rose-Pompon, cracking a + nut with the indignation of injured innocence. + </p> + <p> + “I do not say tricks; but one little rose-colored trick.” + </p> + <p> + “I tell you, that it was not for my pleasure I went out. On the contrary—for, + during my absence, poor Cephyse disappeared.” + </p> + <p> + “Yes, Mother Arsene told me that the Bacchanal-Queen was gone on a + journey. But when I talk of Philemon, you talk of Cephyse; we don’t + progress.” + </p> + <p> + “May I be eaten by the black panther that they are showing at the Porte + Saint-Martin if I do not tell you the truth. And, talking of that, you + must get tickets to take me to see those animals, my little Ninny Moulin! + They tell me there never were such darling wild beasts.” + </p> + <p> + “Now really, are you mad?” + </p> + <p> + “Why so?” + </p> + <p> + “That I should guide your youth, like a venerable patriarch, through the + dangers of the Storm-blown Tulip, all well and good—I ran no risk of + meeting my pastors and masters; but were I to take you to a Lent Spectacle + (since there are only beasts to be seen), I might just run against my + sacristans—and how pretty I should look with you on my arm!” + </p> + <p> + “You can put on a false nose, and straps to your trousers, my big Ninny; + they will never know you.” + </p> + <p> + “We must not think of false noses, but of what I have to tell you, since + you assure me that you have no intrigue in hand.” + </p> + <p> + “I swear it!” said Rose-Pompon, solemnly, extending her left hand + horizontally, whilst with her right she put a nut into her mouth. Then she + added, with surprise, as she looked at the outside coat of Ninny Moulin, + “Goodness gracious! what full pockets you have got! What is there in + them?” + </p> + <p> + “Something that concerns you, Rose-Pompon,” said Dumoulin, gravely. + </p> + <p> + “Me?” + </p> + <p> + “Rose-Pompon!” said Ninny Moulin, suddenly, with a majestic air; “will you + have a carriage? Will you inhabit a charming apartment, instead of living + in this dreadful hole? Will you be dressed like a duchess?” + </p> + <p> + “Now for some more nonsense! Come, will you eat the olives? If not, I + shall eat them all up. There is only one left.” + </p> + <p> + Without answering this gastronomic offer, Ninny Moulin felt in one of his + pockets, and drew from it a case containing a very pretty bracelet, which + he held up sparkling before the eyes of the young girl. + </p> + <p> + “Oh! what a sumptuous bracelet!” cried she, clapping her hands. “A + green-eyed serpent biting his tail—the emblem of my love for + Philemon.” + </p> + <p> + “Do not talk of Philemon; it annoys me,” said Ninny Moulin, as he clasped + the bracelet round the wrist of Rose-Pompon, who allowed him to do it, + laughing all the while like mad, and saying to him, “So you’ve been + employed to make a purchase, big apostle, and wish to see the effect of + it. Well! it is charming!” + </p> + <p> + “Rose-Pompon,” resumed Ninny Moulin, “would you like to have a servant, a + box at the Opera, and a thousand francs a month for your pin-money?” + </p> + <p> + “Always the same nonsense. Get along!” said the young girl, as she held up + the bracelet to the light, still continuing to eat her nuts. “Why always + the same farce, and no change of bills?” + </p> + <p> + Ninny Moulin again plunged his hand into his pocket, and this time drew + forth an elegant chain, which he hung round Rose-Pompon’s neck. + </p> + <p> + “Oh! what a beautiful chain!” cried the young girl, as she looked by turns + at the sparkling ornament and the religious writer. “If you chose that + also, you have a very good taste. But am I not a good natured girl to be + your dummy, just to show off your jewels?” + </p> + <p> + “Rose-Pompon,” returned Ninny Moulin, with a still more majestic air, + “these trifles are nothing to what you may obtain, if you will but follow + the advice of your old friend.” + </p> + <p> + Rose began to look at Dumoulin with surprise, and said to him, “What does + all this mean, Ninny Moulin? Explain yourself; what advice have you to + give?” + </p> + <p> + Dumoulin did not answer, but replunging his hand into his inexhaustible + pocket, he fished up a parcel, which he carefully unfolded, and in which + was a magnificent mantilla of black lace. Rose-Pompon started up, full of + new admiration, and Dumoulin threw the rich mantilla over the young girl’s + shoulders. + </p> + <p> + “It is superb! I have never seen anything like it! What patterns! what + work!” said Rose-Pompon, as she examined all with simple and perfectly + disinterested curiosity. Then she added, “Your pocket is like a shop; + where did you get all these pretty things?” Then, bursting into a fit of + laughter, which brought the blood to her cheeks, she exclaimed, “Oh, I + have it! These are the wedding-presents for Madame de la Sainte-Colombe. I + congratulate you; they are very choice.” + </p> + <p> + “And where do you suppose I should find money to buy these wonders?” said + Ninny Moulin. “I repeat to you, all this is yours if you will but listen + to me!” + </p> + <p> + “How is this?” said Rose-Pompon, with the utmost amazement; “is what you + tell me in downright earnest?” + </p> + <p> + “In downright earnest.” + </p> + <p> + “This offer to make me a great lady?” + </p> + <p> + “The jewels might convince you of the reality of my offers.” + </p> + <p> + “And you propose all this to me for some one else, my poor Ninny Moulin?” + </p> + <p> + “One moment,” said the religious writer, with a comical air of modesty, + “you must know me well enough, my beloved pupil, to feel certain that I + should be incapable of inducing you to commit an improper action. I + respect myself too much for that—leaving out the consideration that + it would be unfair to Philemon, who confided to me the guardianship of + your virtue.” + </p> + <p> + “Then, Ninny Moulin,” said Rose-Pompon, more and more astonished, “on my + word of honor, I can make nothing of it. + </p> + <p> + “Yet, ‘tis all very simple, and I—” + </p> + <p> + “Oh! I’ve found it,” cried Rose-Pompon, interrupting Ninny Moulin; “it is + some gentleman who offers me his hand, his heart, and all the rest of it. + Could you not tell me that directly?” + </p> + <p> + “A marriage? oh, laws, yes!” said Dumoulin, shrugging his shoulders. + </p> + <p> + “What! is it not a marriage?” said Rose-Pompon, again much surprised. + </p> + <p> + “No.” + </p> + <p> + “And the offers you make me are honest ones, my big apostle?” + </p> + <p> + “They could not be more so.” Here Dumoulin spoke the truth. + </p> + <p> + “I shall not have to be unfaithful to Philemon?” + </p> + <p> + “No.” + </p> + <p> + “Or faithful to any one else?” + </p> + <p> + “No.” + </p> + <p> + Rose-Pompon looked confounded. Then she rattled on: “Come, do not let us + have any joking! I am not foolish enough to imagine that I am to live just + like a duchess, just for nothing. What, therefore, must I give in return?” + </p> + <p> + “Nothing at all.” + </p> + <p> + “Nothing?” + </p> + <p> + “Not even that,” said Ninny Moulin, biting his nail-tip. + </p> + <p> + “But what am I to do, then?” + </p> + <p> + “Dress yourself as handsomely as possible, take your ease, amuse yourself, + ride about in a carriage. You see, it is not very fatiguing—and you + will, moreover, help to do a good action.” + </p> + <p> + “What! by living like a duchess?” + </p> + <p> + “Yes! so make up your mind. Do not ask me for any more details, for I + cannot give them to you. For the rest, you will not be detained against + your will. Just try the life I propose to you. If it suits you, go on with + it; if not, return to your Philemonic household.” + </p> + <p> + “In fact—” + </p> + <p> + “Only try it. What can you risk?” + </p> + <p> + “Nothing; but I can hardly believe that all you say is true. And then,” + added she, with hesitation, “I do not know if I ought—” + </p> + <p> + Ninny Moulin went to the window, opened it, and said to Rose-Pompon, who + ran up to it, “Look there! before the door of the house.” + </p> + <p> + “What a pretty carriage! How comfortable a body’d be inside of it!” + </p> + <p> + “That carriage is yours. It is waiting for you.” + </p> + <p> + “Waiting for me!” exclaimed Rose-Pompon; “am I to decide as short as + that?” + </p> + <p> + “Or not at all.” + </p> + <p> + “To-day?” + </p> + <p> + “On the instant.” + </p> + <p> + “But where will they take me?” + </p> + <p> + “How should I know?” + </p> + <p> + “You do not know where they will take me?” + </p> + <p> + “Not I,”—and Dumoulin still spoke the truth—“the coachman has + his orders.” + </p> + <p> + “Do you know all this is very funny, Ninny Moulin?” + </p> + <p> + “I believe you. If it were not funny, where would be the pleasure?” + </p> + <p> + “You are right.” + </p> + <p> + “Then you accept the offer? That is well. I am delighted both for you and + myself.” + </p> + <p> + “For yourself?” + </p> + <p> + “Yes; because, in accepting, you render me a great service.” + </p> + <p> + “You? How so?” + </p> + <p> + “It matters little, as long as I feel obliged to you.” + </p> + <p> + “True.” + </p> + <p> + “Come, then; let us set out!” + </p> + <p> + “Bah! after all, they cannot eat me,” said Rose-Pompon, resolutely. + </p> + <p> + With a skip and a jump, she went to fetch a rose-colored cap, and, going + up to a broken looking-glass, placed the cap very much cocked on one side + on her bands of light hair. This left uncovered her snowy neck, with the + silky roots of the hair behind, and gave to her pretty face a very + mischievous, not to say licentious expression. + </p> + <p> + “My cloak!” said she to Ninny Moulin, who seemed to be relieved from a + considerable amount of uneasiness, since she had accepted his offer. + </p> + <p> + “Fie! a cloak will not do,” answered her companion, feeling once more in + his pocket and drawing out a fine Cashmere shawl, which he threw over + Rose-Pompon’s shoulders. + </p> + <p> + “A Cashmere!” cried the young girl, trembling with pleasure and joyous + surprise. Then she added, with an air of heroism: “It is settled! I will + run the gauntlet.” And with a light step she descended the stairs, + followed by Ninny Moulin. + </p> + <p> + The worthy greengrocer was at her post. “Good-morning, mademoiselle; you + are early to-day,” said she to the young girl. + </p> + <p> + “Yes, Mother Arsene; there is my key.” + </p> + <p> + “Thank you, mademoiselle.” + </p> + <p> + “Oh! now I think of it,” said Rose Pompon, suddenly, in a whisper, as she + turned towards Ninny Moulin, and withdrew further from the portress, “what + is to became of Philemon?” + </p> + <p> + “Philemon?” + </p> + <p> + “If he should arrive—” + </p> + <p> + “Oh! the devil!” said Ninny Moulin, scratching his ear. + </p> + <p> + “Yes; if Philemon should arrive, what will they say to him? for I may be a + long time absent.” + </p> + <p> + “Three or four months, I suppose.” + </p> + <p> + “Not more?” + </p> + <p> + “I should think not.” + </p> + <p> + “Oh! very good!” said Rose-Pompon. Then, turning towards the greengrocer, + she said to her, after a moment’s reflection: “Mother Arsene, if Philemon + should come home, you will tell him I have gone out—on business.” + </p> + <p> + “Yes, mademoiselle.” + </p> + <p> + “And that he must not forget to feed my pigeons, which are in his study.” + </p> + <p> + “Yes, mademoiselle.” + </p> + <p> + “Good-bye, Mother Arsene.” + </p> + <p> + “Good-bye, mademoiselle.” And Rose-Pompon entered the carriage in triumph, + along with Ninny Moulin. + </p> + <p> + “The devil take me if I know what is to come of all this,” said Jacques + Dumoulin to himself, as the carriage drove rapidly down the Rue Clovis. “I + have repaired my error—and now I laugh at the rest.” + </p> + <p> + <a name="link2HCH0112" id="link2HCH0112"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER VII. ANOTHER SECRET. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>he following scene took place a few days after the abduction of Rose + Pompon by Ninny Moulin. Mdlle. de Cardoville was seated in a dreamy mood, + in her cabinet, which was hung with green silk, and furnished with an + ebony library, ornamented with large bronze caryatides. By some + significant signs, one could perceive that Mdlle. de Cardoville had sought + in the fine airs some relief from sad and serious thoughts. Near an open + piano, was a harp, placed before a music-stand. A little further, on a + table covered with boxes of oil and water-color, were several brilliant + sketches. Most of them represented Asiatic scenes, lighted by the fires of + an oriental sun. Faithful to her fancy of dressing herself at home in a + picturesque style, Mademoiselle de Cardoville resembled that day one of + those proud portraits of Velasquez, with stern and noble aspect. Her gown + was of black moire, with wide swelling petticoat, long waist, and sleeve + slashed with rose-colored satin, fastened together with jet bugles. A very + stiff, Spanish ruff reached almost to her chin, and was secured round her + neck by a broad rose-colored ribbon. This frill, slightly heaving, sloped + down as far as the graceful swell of the rose-colored stomacher, laced + with strings of jet beads, and terminating in a point at the waist. It is + impossible to express how well this black garment, with its ample and + shining folds, relieved with rose-color and brilliant jet, skin, + harmonized with the shining whiteness of Adrienne’s and the golden flood + of her beautiful hair, whose long, silky ringlets descended to her bosom. + </p> + <p> + The young lady was in a half-recumbent posture, with her elbow resting on + a couch covered with green silk. The back of this piece of furniture, + which was pretty high towards the fireplace, sloped down insensibly + towards the foot. A sort of light, semicircular trellis-work, in gilded + bronze, raised about five feet from the ground, covered with flowering + plants (the admirable passiflores quadrangulatoe, planted in a deep ebony + box, from the centre of which rose the trellis-work), surrounded this + couch with a sort of screen of foliage enamelled with large flowers, green + without, purple within, and as brilliant as those flowers of porcelain, + which we receive from Saxony. A sweet, faint perfume, like a faint mixture + of jasmine with violet, rose from the cup of these admirable passiflores. + Strange enough, a large quantity of new books (Adrienne having bought them + since the last two or three days) and quite fresh-cut, were scattered + around her on the couch, and on a little table; whilst other larger + volumes, amongst which were several atlases full of engravings, were piled + on the sumptuous fur, which formed the carpet beneath the divan. Stranger + still, these books, though of different forms, and by different authors, + alt treated of the same subject. The posture of Adrienne revealed a sort + of melancholy dejection. Her cheeks were pale; a light blue circle + surrounded her large, black eyes, now half-closed, and gave to them an + expression of profound grief. Many causes contributed to this sorrow—amongst + others, the disappearance of Mother Bunch. Without absolutely believing + the perfidious insinuations of Rodin, who gave her to understand that, in + the fear of being unmasked by him, the hunchback had not dared to remain + in the house, Adrienne felt a cruel sinking of the heart, when she thought + how this young girl, in whom she had had so much confidence, had fled from + her almost sisterly hospitality, without even uttering a word of + gratitude; for care had been taken not to show her the few lines written + by the poor needlewoman to her benefactress, just before her departure. + </p> + <p> + She had only been told of the note of five hundred francs found on her + desk; and this last inexplicable circumstance had contributed to awaken + cruel suspicions in the breast of Mdlle. de Cardoville. She already felt + the fatal effects of that mistrust of everything and everybody, which + Rodin had recommended to her; and this sentiment of suspicion and reserve + had the more tendency to become powerful, that, for the first time in her + life, Mdlle. de Cardoville, until then a stranger to all deception, had a + secret to conceal—a secret, which was equally her happiness, her + shame, and her torment. Half-recumbent on her divan, pensive and + depressed, Adrienne pursued, with a mind often absent, one of her newly + purchased books. Suddenly, she uttered an exclamation of surprise; the + hand which held the book trembled like a leaf, and from that moment she + appeared to read with passionate attention and devouring curiosity. Soon, + her eyes sparkled with enthusiasm, her smile assumed ineffable sweetness, + and she seemed at once proud, happy, delighted—but, as she turned + over the last page, her countenance expressed disappointment and chagrin. + Then she recommenced this reading, which had occasioned her such sweet + emotion, and this time she read with the most deliberate slowness, going + over each page twice, and spelling, as it were, every line, every word. + From time to time, she paused, and in a pensive mood, with her forehead + leaning on her fair hand, she seemed to reflect, in a deep reverie, on the + passages she had read with such tender and religious love. Arriving at a + passage which so affected her, that a tear started in her eye, she + suddenly turned the volume, to see on the cover the name of the author. + For a few seconds, she contemplated this name with a singular expression + of gratitude, and could not forbear raising to her rosy lips the page on + which it was printed. After reading many times over the lines with which + she had been so much struck, forgetting, no doubt, the letter in the + spirit, she began to reflect so deeply, that the book glided from her + hand, and fell upon the carpet. During the course of this reverie, the + eyes of the young girl rested, at first mechanically, upon an admirable + bas-relief, placed on an ebony stand, near one of the windows. This + magnificent bronze, recently cast after a plaster copy from the antique, + represented the triumph of the Indian Bacchus. Never, perhaps, had Grecian + art attained such rare perfection. The youthful conqueror, half clad in a + lion’s skin, which displayed his juvenile grace and charming purity of + form shone with divine beauty. Standing up in a car, drawn by two tigers, + with an air at once gentle and proud, he leaned with one hand upon a + thyrsus, and with the other guided his savage steeds in tranquil majesty. + By this rare mixture of grace, vigor, and serenity, it was easy to + recognize the hero who had waged such desperate combats with men and with + monsters of the forest. Thanks to the brownish tone of the figure, the + light, falling from one side of the sculpture, admirably displayed the + form of the youthful god, which, carved in relievo, and thus illumined, + shone like a magnificent statue of pale gold upon the dark fretted + background of the bronze. + </p> + <p> + When Adrienne’s look first rested on this rare assemblage of divine + perfections, her countenance was calm and thoughtful. But this + contemplation, at first mechanical, became gradually more and more + attentive and conscious, and the young lady, rising suddenly from her + seat, slowly approached the bas-relief, as if yielding to the invincible + attraction of an extraordinary resemblance. Then a slight blush appeared + on the cheeks of Mdlle. de Cardoville, stole across her face, and spread + rapidly to her neck and forehead. She approached still closer, threw round + a hasty glance, as if half-ashamed, or as if she had feared to be + surprised in a blamable action, and twice stretched forth her hand, + trembling with emotion, to touch with the tips of her charming fingers the + bronze forehead of the Indian Bacchus. And twice she stopped short, with a + kind of modest hesitation. At last, the temptation became too strong for + her. She yielded to it; and her alabaster finger, after delicately + caressing the features of pale gold, was pressed more boldly for an + instant on the pure and noble brow of the youthful god. At this pressure, + though so slight, Adrienne seemed to feel a sort of electric shock; she + trembled in every limb, her eyes languished, and, after swimming for an + instant in their humid and brilliant crystal, were raised, half-closed, to + heaven. Then her head was thrown a little way back, her knees bent + insensibly, her rosy lips were half opened, as if to give a passage to her + heated breath, for her bosom heaved violently, as thought youth and life + had accelerated the pulsations of her heart, and made her blood boil in + her veins. Finally, the burning cheeks of Adrienne betrayed a species of + ecstasy, timid and passionate, chaste and sensual, the expression of which + was ineffably touching. + </p> + <p> + An affecting spectacle indeed is that of a young maiden, whose modest brow + flushes with the first fires of a secret passion. Does not the Creator of + all things animate the body as well as the soul, with a spark of divine + energy? Should He not be religiously glorified in the intellect as in the + senses, with which He has so paternally endowed His creatures? They are + impious blasphemers who seek to stifle the celestial senses, instead of + guiding and harmonizing them in their divine flight. Suddenly, Mdlle. de + Cardoville started, raised her head, opened her eyes as if awakening from + a dream, withdrew abruptly from the sculptures, and walked several times + up and down the room in an agitated manner, pressing her burning hands to + her forehead. Then, falling, as it were, exhausted on her seat, her tears + flowed in abundance. The most bitter grief was visible in her features, + which revealed the fatal struggle that was passing within her. By degrees, + her tears ceased. To this crisis of painful dejection succeeded a species + of violent scorn and indignation against herself, which were expressed by + these words that escaped her: “For the first time in my life, I feel weak + and cowardly. Oh yes! cowardly—very cowardly!” + </p> + <p> + The sound of a door opening and closing, roused Mdlle. de Cardoville from + her bitter reflections. Georgette entered the room, and said to her + mistress: “Madame, can you receive the Count de Montbron?” + </p> +<div class="fig"> + <img src="images/20533m.jpg" alt="20533m" /><br /> + </div> + <h5> + <a href="images/20533.jpg"><i>Original</i></a> + </h5> + <p> + Adrienne, too well-bred to exhibit before her women the sort of impatience + occasioned by this unseasonable visit, said to Georgette: “You told M. de + Montbron that I was at home?” + </p> + <p> + “Yes, Madame.” + </p> + <p> + “Then beg him to walk in.” Though Mdlle. de Cardoville felt at that moment + much vexed at the arrival of Montbron, let us hasten to say, that she + entertained for him an almost filial affection, and a profound esteem, + though, by a not unfrequent contrast, she almost always differed from him + in opinion. Hence arose, when Mdlle. de Cardoville had nothing to disturb + her mind, the most gay and animated discussions, in which M. de Montbron, + notwithstanding his mocking and sceptical humor, his long experience, his + rare knowledge of men and things, his fashionable training, in a word, had + not always the advantage, and even acknowledged his defeat gayly enough. + Thus, to give an idea of the differences of the count and Adrienne, + before, as he would say laughingly, he had made himself her accomplice, he + had always opposed (from other motives than those alleged by Madame de + Saint-Dizier) Adrienne’s wish to live alone and in her own way; whilst + Rodin, on the contrary, by investing the young girl’s resolve on this + subject with an ideal grandeur of intention, had acquired a species of + influence over her. M. de Montbron, now upwards of sixty years of age, had + been a most prominent character during the Directory, Consulate, and the + Empire. His prodigal style of living, his wit, his gayety, his duels, his + amours, and his losses at play, had given him a leading influence in the + best society of his day; while his character, his kind-heartedness, and + liberality, secured him the lasting friendship of nearly all his female + friends. At the time we now present him to the reader, he was still a + great gambler; and, moreover, a very lucky gambler. He had, as we have + stated, a very lordly style; his manners were decided, but polished and + lively; his habits were such as belong to the higher classes of society, + though he could be excessively sharp towards people whom he did not like. + He was tall and thin, and his slim figure gave him an almost youthful + appearance; his forehead was high, and a little bald; his hair was gray + and short, his countenance long, his nose aquiline, his eyes blue and + piercing, and his teeth white, and still very good. + </p> + <p> + “The Count de Montbron,” said Georgette, opening the door. The count entered, + and hastened to kiss Adrienne’s hand, with a sort of paternal familiarity. + </p> + <p> + “Come!” said M. de Montbron to himself; “let us try to discover the truth + I am in search of, that we may escape a great misfortune.” + </p> + <p> + <a name="link2HCH0113" id="link2HCH0113"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER VIII. THE CONFESSION. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">M</span>dlle. de Cardoville, not wishing to betray the cause of the violent + feelings which agitated her, received M. de Montbron with a feigned and + forced gayety. On the other hand, notwithstanding his tact and knowledge + of the world, the count was much embarrassed how to enter upon the subject + on which he wished to confer with Adrienne, and he resolved to feel his + way, before seriously commencing the conversation. After looking at the + young lady for some seconds, M. de Montbron shook his head, and said, with + a sigh of regret: “My dear child, I am not pleased.” + </p> + <p> + “Some affair of the heart, or of hearts, my dear count?” returned + Adrienne, smiling. + </p> + <p> + “Of the heart,” said M. de Montbron. + </p> + <p> + “What! you, so great a player, think more of a woman’s whim than a throw + of the dice?” + </p> + <p> + “I have a heavy heart, and you are the cause of it, my dear child.” + </p> + <p> + “M. de Montbron, you will make me very proud,” said Adrienne, with a + smile. + </p> + <p> + “You would be wrong, for I tell you plainly, my trouble is caused by your + neglect of your beauty. Yes, your countenance is pale, dejected, + sorrowful; you have been low-spirited for the last few days; you have + something on your mind, I am sure of it.” + </p> + <p> + “My dear M. de Montbron, you have so much penetration, that you may be + allowed to fall for once, as now. I am not sad, I have nothing on my mind, + and—I am about to utter a very silly piece of impertinence—I + have never thought myself so pretty.” + </p> + <p> + “On the contrary, nothing could be more modest than such an assertion. Who + told you that falsehood? a woman?” + </p> + <p> + “No; it was my heart, and it spoke the truth,” answered Adrienne, with a + slight degree of emotion. “Understand it, if you can,” she added. + </p> + <p> + “Do you mean that you are proud of the alteration in your features, + because you are proud of the sufferings of your heart?” said M. de + Montbron, looking at Adrienne with attention. “Be it so; I am then right. + You have some sorrow. I persist in it,” added the count, speaking with a + tone of real feeling, “because it is painful to me.” + </p> +<div class="fig"> + <img src="images/20543m.jpg" alt="20543m" /><br /> + </div> + <h5> + <a href="images/20543.jpg"><i>Original</i></a> + </h5> + <p> + “Be satisfied; I am as happy as possible—for every instant I take + delight in repeating, how, at my age, I am free—absolutely free!” + </p> + <p> + “Yes; free to torment yourself, free to be miserable.” + </p> + <p> + “Come, come, my dear count!” said Adrienne, “you are recommencing our old + quarrel. I still find in you the ally of my aunt and the Abbe d’Aigrigny.” + </p> + <p> + “Yes; as the republicans are the allies of the legitimists—to + destroy each other in their turn. Talking of your abominable aunt, they + say that she holds a sort of council at her house these last few days, a + regular mitred conspiracy. She is certainly in a good way.” + </p> + <p> + “Why not? Formerly, she would have wished to be Goddess of Reason, now, we + shall perhaps see her canonized. She has already performed the first part + of the life of Mary Magdalen.” + </p> + <p> + “You can never speak worse of her than she deserves, my dear child. Still, + though for quite opposite reasons, I agreed with her on the subject of + your wish to reside alone.” + </p> + <p> + “I know it.” + </p> + <p> + “Yes; and because I wished to see you a thousand times freer than you + really are, I advised you—” + </p> + <p> + “To marry.” + </p> + <p> + “No doubt; you would have had your dear liberty, with its consequences, + only, instead of Mdlle. de Cardoville, we should have called you Madame + Somebody, having found an excellent husband to be responsible for your + independence.” + </p> + <p> + “And who would have been responsible for this ridiculous husband? And who + would bear a mocked and degraded name? I, perhaps?” said Adrienne, with + animation. “No, no, my dear count, good or ill, I will answer for my own + actions; to my name shall attach the reputation, which I alone have + formed. I am as incapable of basely dishonoring a name which is not mine, + as of continually bearing it myself, if it were not held in, esteem. And, + as one can only answer for one’s own actions, I prefer to keep my name.” + </p> + <p> + “You are the only person in the world that has such ideas.” + </p> + <p> + “Why?” said Adrienne, laughing. “Because it appears to me horrible, to see + a poor girl lost and buried in some ugly and selfish man, and become, as + they say seriously, the better half of the monster—yes! a fresh and + blooming rose to become part of a frightful thistle!—Come, my dear + count; confess there is something odious in this conjugal metempsychosis,” + added Adrienne, with a burst of laughter. + </p> + <p> + The forced and somewhat feverish gayety of Adrienne contrasted painfully + with her pale and suffering countenance; it was so easy to see that she + strove to stifle with laughter some deep sorrow, that M. de Montbron was + much affected by it; but, dissembling his emotion, he appeared to reflect + a moment, and took up mechanically one of the new, fresh-cut books, by + which Adrienne was surrounded. After casting a careless glance at this + volume, he continued, still dissembling his feelings: “Come, my dear + madcap: this is another folly. Suppose I were twenty years old, and that + you did me the honor to marry me—you would be called Lady de + Montbron, I imagine?” + </p> + <p> + “Perhaps.” + </p> + <p> + “How perhaps? Would you not bear my name, if you married me?” + </p> + <p> + “My dear count,” said Adrienne, with a smile, “do not let us pursue this + hypothesis, which can only leave us—regrets.” + </p> + <p> + Suddenly, M. de Montbron started, and looked at Mdlle, de Cardoville with + an expression of surprise. For some moments, whilst talking to Adrienne, + he had mechanically—taken up two or three of the volumes scattered + over the couch, and had glanced at their titles in the same careless + manner. The first was the “Modern History of India.” The second, “Travels + in India.” The third, “Letters on India.” Much surprised, M. de Montbron + had continued his investigation, and found that the fourth volume + continued this Indian nomenclature, being “Rambles in India.” The fifth + was, “Recollections of Hindostan.” The sixth, “Notes of a Traveller in the + East Indies.” + </p> + <p> + Hence the astonishment, which, for many serious reasons, M. de Montbron + had no longer been able to conceal, and which his looks betrayed to + Adrienne. The latter, having completely forgotten the presence of the + accusing volumes by which she was surrounded, yielded to a movement of + involuntary confusion, and blushed slightly; but, her firm and resolute + character again coming to her aid, she looked full at M. de Montbron, and + said to him: “Well, my dear count! what surprises you?” + </p> + <p> + Instead of answering, M. de Montbron appeared still more absorbed in + thought, and contemplating the young girl, he could not forbear saying to + himself: “No, no—it is impossible—and yet—” + </p> + <p> + “It would, perhaps, be indiscreet in me to listen to your soliloquy, my + dear count,” said Adrienne. + </p> + <p> + “Excuse me, my dear child; but what I see surprises me so much—” + </p> + <p> + “And pray what do you see?” + </p> + <p> + “The traces of so great and novel an interest in all that relates to + India,” said M. de Montbron, laying a slight stress on his words, and + fixing a piercing look upon the young girl. + </p> + <p> + “Well!” said Adrienne, stoutly. + </p> + <p> + “Well! I seek the cause of this sudden passion—” + </p> + <p> + “Geographical?” said Mdlle. de Cardoville, interrupting M. de Montbron: + “you may find this taste somewhat serious for my age my dear count—but + one must find occupation for leisure hours—and then, having a + cousin, who is both an Indian and a prince, I should like to know + something of the fortunate country from which I derive this savage + relationship.” + </p> + <p> + These last words were pronounced with a bitterness that was not lost on M. + de Montbron: watching Adrienne attentively, he observed: “Meseems, you + speak of the prince with some harshness.” + </p> + <p> + “No; I speak of him with indifference.” + </p> + <p> + “Yet he deserves a very different feeling.” + </p> + <p> + “On the part of some other person, perhaps,” replied Adrienne, dryly. + </p> + <p> + “He is so unhappy!” said M, de Montbron, in a tone of sincere pity. “When + I saw him the other day, he made my heart ache.” + </p> + <p> + “What have I to do with it?” exclaimed Adrienne, with an accent of painful + and almost angry impatience. + </p> + <p> + “I should have thought that his cruel torments at least deserved your + pity,” answered the count gravely. + </p> + <p> + “Pity—from me!” cried Adrienne, with an air of offended pride. Then + restraining herself, she added coldly: “You are jesting, M. de Montbron. + It is not in sober seriousness that you ask me to take interest in the + amorous torments of your prince.” + </p> + <p> + There was so much cold disdain in these last words of Adrienne, her pale + and agitated countenance betrayed such haughty bitterness, that M. de + Montbron said, sorrowfully: “It is then true; I have not been deceived. I, + who thought, from our old and constant friendship, that I had some claim + to your confidence have known nothing of it—while you told all to + another. It is painful, very painful to me.” + </p> + <p> + “I do not understand you, M. de Montbron.” + </p> + <p> + “Well then, since I must speak plainly,” cried the count, “there is, I + see, no hope for this unhappy boy—you love another.” + </p> + <p> + As Adrienne started—“Oh! you cannot deny it,” resumed the count; + “your paleness and melancholy for the last few days, your implacable + indifference to the prince—all prove to me that you are in love.” + </p> + <p> + Hurt by the manner in which the count spoke of the sentiment he attributed + to her, Mdlle. de Cardoville answered with dignified stateliness: “You + must know, M. de Montbron, that a secret discovered is not a confidence. + Your language surprises me. + </p> + <p> + “Oh, my dear friend, if I use the poor privilege of experience—if I + guess that you are in love—if I tell you so, and even go so far as + to reproach you with it—it is because the life or death of this poor + prince is concerned; and I feel for him as if he were my son, for it is + impossible to know him without taking the warmest interest in him.” + </p> + <p> + “It would be singular,” returned Adrienne, with redoubled coldness, and + still more bitter irony, “if my love—admitting I were in love—could + have any such strange influence on Prince Djalma. What can it matter to + him?” added she, with almost agonizing disdain. + </p> + <p> + “What can it matter to him? Now really, my dear friend, permit me to tell + you, that it is you who are jesting cruelly. What! this unfortunate youth + loves you with all the blind ardor of a first love—twice has + attempted to terminate by suicide the horrible tortures of his passion—and + you think it strange that your love for another should be with him a + question of life or death!” + </p> + <p> + “He loves me then?” cried the young girl, with an accent impossible to + describe. + </p> + <p> + “He loves you to madness, I tell you; I have seen it.” + </p> + <p> + Adrienne seemed overcome with amazement. From pale, she became crimson; as + the redness disappeared, her lips grew white, and trembled. Her emotion + was so strong, that she remained for some moments unable to speak, and + pressed her hand to her heart, as if to moderate its pulsations. + </p> + <p> + M. de Montbron, almost frightened at the sudden change in Adrienne’s + countenance, hastily approached her, exclaiming: “Good heaven, my poor + child! what is the matter?” + </p> + <p> + Instead of answering, Adrienne waved her hand to him, in sign that he + should not be alarmed; and, in fact, the count was speedily tranquillized, + for the beautiful face, which had so lately been contracted with pain, + irony, and scorn, seemed now expressive of the sweetest and most ineffable + emotions; Adrienne appeared to luxuriate in delight, and to fear losing + the least particle of it; then, as reflection told her, that she was, + perhaps, the dupe of illusion or falsehood, she exclaimed suddenly, with + anguish, addressing herself to M. de Montbron: “But is what you tell me + true?” + </p> + <p> + “What I tell you!” + </p> + <p> + “Yes—that Prince Djalma—” + </p> + <p> + “Loves you to madness?—Alas! it is only too true.” + </p> + <p> + “No, no,” cried Adrienne, with a charming expression of simplicity; “that + could never be too true.” + </p> + <p> + “What do you say?” cried the count. + </p> + <p> + “But that woman?” asked Adrienne, as if the word scorched her lips. + </p> + <p> + “What woman?” + </p> + <p> + “She who has been the cause of all these painful struggles.” + </p> + <p> + “That woman—why, who should it be but you?” + </p> + <p> + “What, I? Oh! tell me, was it I?” + </p> + <p> + “On my word of honor. I trust my experience. I have never seen so ardent + and sincere a passion.” + </p> + <p> + “Oh! is it really so? Has he never had any other love?” + </p> + <p> + “Never.” + </p> + <p> + “Yet I was told so.” + </p> + <p> + “By whom?” + </p> + <p> + “M. Rodin.” + </p> + <p> + “That Djalma—” + </p> + <p> + “Had fallen violently in love, two days after I saw him.” + </p> + <p> + “M. Rodin told you that!” cried M. de Montbron, as if struck with a sudden + idea. “Why, it is he who told Djalma that you were in love with some one + else.” + </p> + <p> + “I!” + </p> + <p> + “And this it was which occasioned the poor youth’s dreadful despair.” + </p> + <p> + “It was this which occasioned my despair.” + </p> + <p> + “You love him, then, just as he loves you!” exclaimed M. de Montbron, + transported with joy. + </p> + <p> + “Love him!” said Mdlle. de Cardoville. A discreet knock at the door + interrupted Adrienne. + </p> + <p> + “One of your servants, no doubt. Be calm,” said the count. + </p> + <p> + “Come in,” said Adrienne, in an agitated voice. + </p> + <p> + “What is it?” said Mdlle. de Cardoville. Florine entered the room. + </p> + <p> + “M. Rodin has just been here. Fearing to disturb mademoiselle, he would + not come in; but he will return in half an hour. Will mademoiselle receive + him?” + </p> + <p> + “Yes, yes,” said the count to Florine; “even if I am still here, show him + in by all means. Is not that your opinion?” asked M. de Montbron of + Adrienne. + </p> + <p> + “Quite so,” answered the young girl; and a flash of indignation darted + from her eyes, as she thought of Rodin’s perfidy. + </p> + <p> + “Oho! the old knave!” said M. de Montbron, “I always had my doubts of that + crooked neck!” Florine withdrew, leaving the count with her mistress. + </p> + <p> + <a name="link2HCH0114" id="link2HCH0114"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER IX. LOVE. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">M</span>dlle. de Cardoville was transfigured. For the first time her beauty shone + forth in all its lustre. Until now overshadowed by indifference, or + darkened by grief, she appeared suddenly illumined by a brilliant ray of + sunshine. The slight irritation caused by Rodin’s perfidy passed like an + imperceptible shade from her brow. What cared she now for falsehood and + perfidy? Had they not failed? And, for the future, what human power could + interpose between her and Djalma, so sure of each other? Who would dare to + cross the path of those two things, resolute and strong with the + irresistible power of youth, love, and liberty? Who would dare to follow + them into that blazing sphere, whither they went, so beautiful and happy, + to blend together in their inextinguishable love, protected by the proof + armor of their own happiness? Hardly had Florine left the room, when + Adrienne approached M. de Montbron with a rapid step. She seemed to have + become taller; and to watch her advancing, light, radiant, and triumphant, + one might have fancied her a goddess walking upon clouds. + </p> + <p> + “When shall I see him?” was her first word to M. de Montbron. + </p> + <p> + “Well—say to-morrow; he must be prepared for so much happiness; in + so ardent a nature, such sudden, unexpected joy might be terrible.” + </p> + <p> + Adrienne remained pensive for a moment, and then said rapidly: “To morrow—yes—not + before to-morrow. I have a superstition of the heart.” + </p> + <p> + “What is it?” + </p> + <p> + “You shall know. HE LOVES ME—that word says all, contains all, + comprehends all, is all—and yet I have a thousand questions to ask + with regard to him—but I will ask none before to-morrow, because, by + a mysterious fatality, to-morrow is with me a sacred anniversary. It will + be an age till then; but happily, I can wait. Look here!” + </p> + <p> + Beckoning M. de Montbron, she led him to the Indian Bacchus. “How much it + is like him!” said she to the count. + </p> + <p> + “Indeed,” exclaimed the latter, “it is strange!” + </p> + <p> + “Strange?” returned Adrienne, with a smile of gentle pride; “strange, that + a hero, a demi-god, an ideal of beauty, should resemble Djalma?” + </p> + <p> + “How you love him!” said M. de Montbron, deeply touched, and almost + dazzled by the felicity which beamed from the countenance of Adrienne. + </p> + <p> + “I must have suffered a good deal, do you not think so?” said she, after a + moment’s silence. + </p> + <p> + “If I had not made up my mind to come here to-day, almost in despair, what + would have happened?” + </p> + <p> + “I cannot tell; I should perhaps have died, for I am wounded mortally + here”—she pressed her hand to her heart. “But what might have been + death to me, will now be life.” + </p> + <p> + “It was horrible,” said the count, shuddering. “Such a passion, buried in + your own breast, proud as you are—” + </p> + <p> + “Yes, proud—but not self-conceited. When I learned his love for + another, and that the impression which I fancied I had made on him at our + first interview had been immediately effaced, I renounced all hope, + without being able to renounce my love. Instead of shunning his image, I + surrounded myself with all that could remind me of him. In default of + happiness, there is a bitter pleasure in suffering through what we love.” + </p> + <p> + “I can now understand your Indian library.” + </p> + <p> + Instead of answering the count, Adrienne took from the stand one of the + freshly-cut volumes, and, bringing it to M. de Montbron, said to him, with + a smile and a celestial expression of joy and happiness: “I was wrong—I + am vain. Just read this—aloud, if you please. I tell you that I can + wait for to-morrow.” Presenting the book to the count, she pointed out one + passage with the tip of her charming finger. Then she sank down upon the + couch, and, in an attitude of deep attention, with her body bent forward, + her hands crossed upon the cushion, her chin resting upon her hands, her + large eyes fixed with a sort of adoration on the Indian Bacchus, that was + just opposite to her, she appeared by this impassioned contemplation to + prepare herself to listen to M. de Montbron. + </p> + <p> + The latter, much astonished, began to read, after again looking at + Adrienne, who said to him, in her most coaxing voice, “Very slowly, I beg + of you.” + </p> + <p> + M. de Montbron then read the following passage from the journal of a + traveller in India: “‘When I was at Bombay, in 1829, I constantly heard + amongst the English there, of a young hero, the son of—‘” + </p> + <p> + The count having paused a second, by reason of the barbarous spelling of + the name of Djalma’s father, Adrienne immediately said to him, in her soft + voice: “The son of Kadja-sing.” + </p> +<div class="fig"> + <img src="images/20551m.jpg" alt="20551m" /><br /> + </div> + <h5> + <a href="images/20551.jpg"><i>Original</i></a> + </h5> + <p> + “What a memory!” said the count, with a smile. And he resumed: “‘A young + hero, the son of Kadja-sing, king of Mundi. On his return from a distant + and sanguinary expedition amongst the mountains against this Indian king, + Colonel Drake was filled with enthusiasm for this son of Kadja-sing, known + as Djalma. Hardly beyond the age of childhood, this young prince has in + the course of this implacable war given proofs of such chivalrous + intrepidity, and of so noble a character, that his father has been + surnamed the Father of the Generous.’” + </p> + <p> + “That is a touching custom,” said the count. “To recompense the father, as + it were, by giving him a surname in honor of his son, is a great idea. But + how strange you should have met with this book!” added the count, in + surprise. “I can understand; there is matter here to inflame the coolest + head.” + </p> + <p> + “Oh! you will see, you will see,” said Adrienne. + </p> + <p> + The count continued to read: “‘Colonel Drake, one of the bravest and best + officers of the English army, said yesterday, in my presence, that having + been dangerously wounded, and taken prisoner by Prince Djalma, after an + energetic resistance, he had been conveyed to the camp established in the + village of—” + </p> + <p> + Here there was the same hesitation on the part of the count, on seeing a + still more barbarous name than the first; so, not wishing to try the + adventure, he paused, and said to Adrienne, “Now really, I give this up.” + </p> + <p> + “And yet it is so easy!” replied Adrienne; and she pronounced with + inexpressible softness, a name in itself soft, “The village of + Shumshabad.” + </p> + <p> + “You appear to have an infallible process for remembering geographical + names,” said the count, continuing: “‘Once arrived at the camp, Colonel + Drake received the kindest hospitality, and Prince Djalma treated him with + the respect of a son. It was there that the colonel became acquainted with + some facts, which carried to the highest pitch his enthusiasm for prince + Djalma. I heard him relate the two following. + </p> + <p> + “‘In one of the battles, the prince was accompanied by a young Indian of + about twelve years of age, whom he loved tenderly, and who served him as a + page, following him on horseback to carry his spare weapons. This child + was idolized by its mother; just as they set out on the expedition, she + had entrusted her son to Prince Djalma’s care, saying, with a stoicism + worthy of antiquity, “Let him be your brother.” “He shall be my brother,” + had replied the prince. In the height of a disastrous defeat, the child is + severely wounded, and his horse killed; the prince, at peril of his life, + notwithstanding the perception of a forced retreat, disengages him, and + places him on the croup of his own horse; they are pursued; a musket-ball + strikes their steed, who is just able to reach a jungle, in the midst of + which, after some vain efforts, he falls exhausted. The child is unable to + walk, but the prince carries him in his arms, and hides with him in the + thickest part of the jungle. The English arrive, and begin their search; + but the two victims escape. After a night and a day of marches, + counter-marches, stratagems, fatigues, unheard-of perils, the prince, + still, carrying the child, one of whose legs is broken, arrives at his + father’s camp, and says, with the utmost simplicity, “I had promised his + mother that I would act a brother’s part by him—and I have done + so.”’ + </p> + <p> + “That is admirable!” cried the count. + </p> + <p> + “Go on—pray go on!” said Adrienne, drying a tear, without removing + her eyes from the bas-relief, which she continued to contemplate with + growing adoration. + </p> + <p> + The count continued: “‘Another time, Prince Djalma, followed by two black + slaves, went, before sunrise, to a very wild spot, to seize a couple of + tiger cubs only a few days old. The den had been previously discovered. + The two old tigers were still abroad. One of the blacks entered the den by + a narrow aperture; the other, aided by Djalma, cut down a tolerably large + tree, to prepare a trap for one of the old tigers. On the side of the + aperture, the cavern was exceedingly steep. The prince mounted to the top + of it with agility, to set his trap, with the aid of the other black. + Suddenly, a dreadful roar was heard; and, in a few bounds, the tigress, + returning from the chase, reached the opening of the den. The black who + was laying the trap with the prince had his skull fractured by her bite; + the tree, falling across the entrance, prevented the female from + penetrating the cavern, and at the same time stopped the exit of the black + who had seized the cubs. + </p> + <p> + “‘About twenty feet higher, upon a ledge of rock, the prince lay flat on + the ground, looking down upon this frightful spectacle. The tigress, + rendered furious by the cries of her little ones, gnawed the hands of the + black, who, from the interior of the den, strove to support the trunk of + the tree, his only rampart, whilst he uttered the most lamentable + outcries.’ + </p> + <p> + “It is horrible!” said the count. + </p> + <p> + “Oh! go on! pray go on!” exclaimed Adrienne, with excitement; “you will + see what can be achieved by the heroism of goodness.” + </p> + <p> + The count pursued: “‘Suddenly the prince seized his dagger between his + teeth, fastened his sash to a block of stone, took his axe in one hand, + and with the other slid down this substitute for a rope; falling a few + steps from the wild beast, he sprang upon her, and, swift as lightning, + dealt her two mortal strokes, just as the black, losing his strength, was + about to drop the trunk of the tree, sure to have been torn to pieces.’” + </p> + <p> + “And you are astonished at his resemblance with the demi-god, to whom + fable itself ascribes no more generous devotion!” cried the young lady, + with still increasing excitement. + </p> + <p> + “I am astonished no longer, I only admire,” said the count, in a voice of + emotion; “and, at these two noble instances of heroism, my heart beats + with enthusiasm, as if I were still twenty.” + </p> + <p> + “And the noble heart of this traveller beat like yours at the recital,” + said Adrienne; “you will see.” + </p> + <p> + “‘What renders so admirable the intrepidity of the prince, is, that, + according to the principle of Indian castes, the life of a slave is of no + importance; thus a king’s son, risking his life for the safety of a poor + creature, so generally despised, obeyed an heroic and truly Christian + instinct of charity, until then unheard of in this country.” + </p> + <p> + “‘Two such actions,’ said Colonel Drake, with good reason, ‘are sufficient + to paint the man; it is with a feeling of profound respect and admiration, + therefore, that I, an obscure traveller, have written the name of Prince + Djalma in my book; and at the same time, I have experienced a kind of + sorrow, when I have asked myself what would be the future fate of this + prince, buried in the depths of a savage country, always devastated by + war. However humble may be the homage that I pay to this character, worthy + of the heroic age, his name will at least be repeated with generous + enthusiasm by all those who have hearts that beat in sympathy with what is + great and noble.’” + </p> + <p> + “And just now, when I read those simple and touching lines,” resumed + Adrienne, “I could not forbear pressing my lips to the name of the + traveller.” + </p> + <p> + “Yes; he is such as I thought him,” cried the count, with still more + emotion, as he returned the book to Adrienne, who rose, with a grave and + touching air, and said to him: “It was thus I wished you to know him, that + you might understand my adoration; for this courage, this heroic goodness, + I had guessed beforehand, when I was an involuntary listener to his + conversation. From that moment, I knew him to be generous as intrepid, + tender and sensitive as energetic and resolute; and when I saw him so + marvellously beautiful—so different, in the noble character of his + countenance, and even in the style of his garments, from all I had + hitherto met with—when I saw the impression that I made upon him, + and which I perhaps felt still more violently—I knew that my whole + life was bound up with his love.” + </p> + <p> + “And now, what are your plans?” + </p> + <p> + “Divine, radiant as my heart. When he learns his happiness, I wish that + Djalma should feel dazzled as I do, so as to prevent my gazing on my sun; + for I repeat, that until tomorrow will be a century to me. Yes, it is + strange! I should have thought that after such a discovery, I should feel + the want of being left alone, plunged in an ocean of delicious dreams. But + no! from this time till to-morrow—I dread solitude—I feel a + kind of feverish impatience—uneasy—ardent—Oh! where is + the beneficent fairy, that, touching me with her wand, will lull me into + slumber till to-morrow!” + </p> + <p> + “I will be that beneficent fairy,” said the count, smiling. + </p> + <p> + “You?” + </p> + <p> + “Yes, I.” + </p> + <p> + “And how so?” + </p> + <p> + “The power of my wand is this: I will relieve you from a portion of your + thoughts by making them materially visible.” + </p> + <p> + “Pray explain yourself.” + </p> + <p> + “And my plan will have another advantage for you. Listen to me; you are so + happy now that you can hear anything. Your odious aunt, and her equally + odious friends, are spreading the report that your residence with Dr. + Baleinier—” + </p> + <p> + “Was rendered necessary by the derangement of my mind,” said Adrienne, + with a smile; “I expected that.” + </p> + <p> + “It is stupid enough; but, as your resolution to live alone makes many + envious of you, and many hostile, you must feel that there will be no want + of persons ready to believe the most absurd calumny possible.” + </p> + <p> + “I hope as much. To pass for mad in the eyes of fools is very flattering.” + </p> + <p> + “Yes; but to prove to fools that they are fools, and that in the face of + all Paris, is much more amusing. Now, people begin to talk of your + absence; you have given up your daily rides; for some time my niece has + appeared alone in our box at the Opera; you wish to kill the time till + to-morrow—well! here is an excellent opportunity. It is two o’clock; + at halfpast three, my niece will come in the carriage; the weather is + splendid; there is sure to be a crowd in the Bois de Boulogne. You can + take a delightful ride, and be seen by everybody. Then, as the air and + movement will have calmed your fever of happiness, I will commence my + magic this evening, and take you to India.” + </p> + <p> + “To India?” + </p> + <p> + “Into the midst of one of those wild forests, in which roar the lion, the + panther, and the tiger. We will have this heroic combat, which so moved + you just now, under our own eyes, in all its terrible reality.” + </p> + <p> + “Really, my dear count, you must be joking.” + </p> + <p> + “Not at all; I promise to show you real wild beasts, formidable tenants of + the country of our demigod—growling tigers—roaring lions—do + you not think that will be better than books?” + </p> + <p> + “But how?” + </p> + <p> + “Come! I must give you the secret of my supernatural power. On returning + from your ride, you shall dine with my niece, and we will go together to a + very curious spectacle now exhibiting at the Porte-Saint-Martin Theatre. A + most extraordinary lion-tamer there shows you a number of wild beasts, in + a state of nature, in the midst of a forest (here only commences the + illusion), and has fierce combats with them all—tigers, lions, and + panthers. All Paris is crowding to these representations, and all Paris + will see you there, more charming than ever.” + </p> + <p> + “I accept your offer,” said Adrienne, with childish delight. “Yes, you are + right. I feel a strange pleasure in beholding these ferocious monsters, + who will remind me of those that my demi-god so heroically overcame. I + accept also, because, for the first time in my life, I am anxious to be + admired—even by everybody. I accept finally because—” Here + Mdlle. de Cardoville was interrupted by a low knock at the door, and by + the entrance of Florine, who announced M. Rodin. + </p> + <p> + <a name="link2HCH0115" id="link2HCH0115"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER X. THE EXECUTION. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">R</span>odin entered. A rapid glance at Mdlle. de Cardoville and M. de Montbron + told him at once that he was in a dilemma. In fact, nothing could be less + encouraging than the faces of Adrienne and the count. The latter, when he + disliked people, exhibited his antipathy, as we have already said, by an + impertinently aggressive manner, which had before now occasioned a good + number of duels. At sight of Rodin, his countenance at once assumed a + harsh and insolent expression; resting his elbow on the chimney-piece, and + conversing with Adrienne, he looked disdainfully over his shoulder, + without taking the least notice of the Jesuit’s low bow. On the other + hand, at sight of this man, Mdlle. de Cardoville almost felt surprise, + that she should experience no movement of anger or hatred. The brilliant + flame which burned in her heart, purified it from every vindictive + sentiment. She smiled, on the contrary; for, glancing with gentle pride at + the Indian Bacchus, and then at herself, she asked herself what two + beings, so young, and fair, and free, and loving, could have to fear from + this old, sordid man, with his ignoble and base countenance, now advancing + towards her with the writhing of a reptile. In a word, far from feeling + anger or aversion with regard to Rodin, the young lady seemed full of the + spirit of mocking gayety, and her large eyes, already lighted up with + happiness, now sparkled with irony and mischief. Rodin felt himself ill at + ease. People of his stamp greatly prefer violent to mocking enemies. They + can encounter bursts of rage—sometimes by falling on their knees, + weeping, groaning, and beating their breasts—sometimes by turning on + their adversary, armed and implacable. But they are easily disconcerted by + biting raillery; and thus it was with Rodin. He saw that between Adrienne + de Cardoville and M. de Montbron, he was about to be placed in what is + vulgarly termed a “regular fix.” + </p> + <p> + The count opened the fire; still glancing over his shoulder, he said to + Rodin: “Ah! you are here, my benevolent gentleman!” + </p> + <p> + “Pray, sir, draw a little nearer,” said Adrienne, with a mocking smile. + “Best of friends and model of philosophers—as well as declared enemy + of all fraud and falsehood—I have to pay you a thousand + compliments.” + </p> + <p> + “I accent anything from you, my dear young lady, even though undeserved,” + said the Jesuit, trying to smile, and thus exposing his vile yellow teeth; + “but may I be informed how I have earned these compliments?” + </p> + <p> + “Your penetration, sir, which is rare—” replied Adrienne. + </p> + <p> + “And your veracity, sir,” said the count, “which is perhaps no less rare—” + </p> + <p> + “In what have I exhibited my penetration, my dear young lady?” said Rodin, + coldly. “In what my veracity?” added he, turning towards M. de Montbron. + </p> + <p> + “In what, sir?” said Adrienne. “Why, you have guessed a secret surrounded + by difficulties and mystery. In a word, you have known how to read the + depths of a woman’s heart.” + </p> + <p> + “I, my dear young lady?” + </p> + <p> + “You, sir! rejoice at it, for your penetration has had the most fortunate + results.” + </p> + <p> + “And your veracity has worked wonders,” added the count. + </p> + <p> + “It is pleasant to do good, even without knowing it,” said Rodin, still + acting on the defensive, and throwing side glances by turns on the count + and Adrienne; “but will you inform me what it is that deserves this praise—” + </p> + <p> + “Gratitude obliges me to inform you of it,” said Adrienne, maliciously; + “you have discovered, and told Prince Djalma, that I was passionately in + love. Well! I admire your penetration; it was true.” + </p> + <p> + “You have also discovered, and told this lady, that Prince Djalma was + passionately in love,” resumed the count. “Well! I admire your + penetration, my dear sir; it was true.” + </p> + <p> + Rodin looked confused, and at a loss for a reply. + </p> + <p> + “The person that I loved so passionately,” said Adrienne, “was the + prince.” + </p> + <p> + “The person that the prince loved so passionately,” resumed the count, + “was this lady.” + </p> + <p> + These revelations, so sudden and alarming, almost stunned Rodin; he + remained mute and terrified, thinking of the future. + </p> + <p> + “Do you understand now, sir, the extent of our gratitude towards you?” + resumed Adrienne, in a still more mocking tone. “Thanks to your sagacity, + thanks to the touching interest you take in us, the prince and I are + indebted to you for the knowledge of our mutual sentiments.” + </p> + <p> + The Jesuit had now gradually recovered his presence of mind, and his + apparent calmness greatly irritated M. de Montbron, who, but for + Adrienne’s presence, would have assumed another tone than jests. + </p> + <p> + “There is some mistake,” said Rodin, “in what you have done me the honor + to tell me, my dear young lady. I have never in my life spoken of the + sentiments, however worthy and respectable, that you may entertain for + Prince Djalma—” + </p> + <p> + “That is true,” replied Adrienne; “with scrupulous and exquisite + discretion, whenever you spoke to me of the deep love felt by Prince + Djalma, you carried your reserve and delicacy so far as to inform me that + it was not I whom he loved.” + </p> + <p> + “And the same scruple induced you to tell the prince that Mdlle. de + Cardoville loved some one passionately—but that he was not the + person,” added the count. + </p> + <p> + “Sir,” answered Rodin, dryly, “I need hardly tell you that I have no + desire to mix myself up with amorous intrigues.” + </p> + <p> + “Come! this is either pride or modesty,” said the count, insolently. “For + your own interest, pray do not advance such things; for, if we took you at + your word, and it became known, it might injure some of the nice little + trades that you carry on.” + </p> + <p> + “There is one at least,” said Rodin, drawing himself up as proudly as M. + de Montbron, “whose rude apprenticeship I shall owe to you. It is the + wearisome one of listening to your discourse.” + </p> + <p> + “I tell you what, my good sir!” replied the count, disdainfully: “you + force me to remind you that there are more ways than one of chastising + impudent rogues.” + </p> + <p> + “My dear count!” said Adrienne to M. de Montbron, with an air of reproach. + </p> + <p> + With perfect coolness, Rodin replied: “I do not exactly see, sir, first, + what courage is shown by threatening a poor old man like myself, and, + secondly—” + </p> + <p> + “M. Rodin,” said the count, interrupting the Jesuit, “first, a poor old + man like you, who does evil under the shelter of the age he dishonors, is + both cowardly and wicked, and deserves a double chastisement; secondly, + with regard to this question of age, I am not aware that gamekeepers and + policemen bow down respectfully to the gray coats of old wolves, and the + gray hairs of old thieves. What do you think, my good sir?” + </p> + <p> + Still impassible, Rodin raised his flabby eyelids, fixed for hardly a + second his little reptile eye upon the count, and darted at him one of his + rapid, cold, and piercing glances—and then the livid eyelid again + covered the dull eye of that corpse-like face. + </p> +<div class="fig"> + <img src="images/20559m.jpg" alt="20559m" /><br /> + </div> + <h5> + <a href="images/20559.jpg"><i>Original</i></a> + </h5> + <p> + “Not having the disadvantage of being an old wolf, and still less an old + thief,” said Rodin, quietly, “you will permit me, sir, to take no account + of the pursuit of hunters and police. As for the reproaches made me, I + have a very simple method of answering—I do not say of justifying + myself—I never justify myself—” + </p> + <p> + “You don’t say!” said the count. + </p> + <p> + “Never,” resumed Rodin coolly; “my acts are sufficient for that. I will + then simply answer that seeing the deep, violent, almost fearful + impression made by this lady on the prince—” + </p> + <p> + “Let this assurance which you give me of the prince’s love,” said Adrienne + interrupting Rodin with an enchanting smile, “absolve you of all the evil + you wished to do me. The sight of our happiness be your only punishment!” + </p> + <p> + “It may be that I need neither absolution nor punishment, for, as I have + already had the honor to observe to the count, my dear young lady, the + future will justify my acts. Yes; it was my duty to tell the prince that + you loved another than himself, and to tell you that he loved another than + yourself—all in your mutual interest. That my attachment for you may + have misled me, is possible—I am not infallible; but, after my past + conduct towards you, my dear young lady, I have, perhaps, some right to be + astonished at seeing myself thus treated. This is not a complaint. If I + never justify myself, I never complain either.” + </p> + <p> + “Now really, there is something heroic in all this, my good sir,” said the + count. “You do not condescend to complain or justify yourself, with regard + to the evil you have done.” + </p> + <p> + “The evil I have done?” said Rodin, looking fixedly at the count. “Are we + playing at enigmas?” + </p> + <p> + “What, sir!” cried the count, with indignation: “is it nothing, by your + falsehoods, to have plunged the prince into so frightful a state of + despair, that he has twice attempted his life? Is it nothing, by similar + falsehoods, to have induced this lady to believe so cruel and complete an + error, that but for the resolution I have to-day taken, it might have led + to the most fatal consequences?” + </p> + <p> + “And will you do me the honor to tell me, sir, what interest I could have + in all this despair and error, admitting even that I had wished to produce + them?” + </p> + <p> + “Some great interest no doubt,” said the count, bluntly; “the more + dangerous that it is concealed. You are one of those, I see, to whom the + woes of others are pleasure and profit.” + </p> + <p> + “That is really too much, sir,” said Rodin, bowing; “I should be quite + contented with the profit.” + </p> + <p> + “Your impudent coolness will not deceive me; this is a serious matter,” + said the count. “It is impossible that so perfidious a piece of roguery + can be an isolated act. Who knows but this may still be one of the fruits + of Madame de Saint-Dizier’s hatred for Mdlle. de Cardoville?” + </p> + <p> + Adrienne had listened to the preceding discussion with deep attention. + Suddenly she started, as if struck by a sudden revelation. + </p> + <p> + After a moment’s silence, she said to Rodin, without anger, without + bitterness, but with an expression of gentle and serene calmness: “We are + told, sir, that happy love works miracles. I should be tempted to believe + it; for, after some minutes’ reflection, and when I recall certain + circumstances, your conduct appears to me in quite a new light.” + </p> + <p> + “And what may this new perspective be, my dear young lady?” + </p> + <p> + “That you may see it from my point of view, sir, allow me to remind you of + a few facts. That sewing-girl was generously devoted to me; she had given + me unquestionable proofs of her attachment. Her mind was equal to her + noble heart; but she had an invincible dislike to you. All on a sudden she + disappears mysteriously from my house, and you do your best to cast upon + her odious suspicions. M. de Montbron has a paternal affection for me; + but, as I must confess, little sympathy for you; and you have always tried + to produce a coldness between us. Finally, Prince Djalma has a deep + affection for me, and you employ the most perfidious treachery to kill + that sentiment within him. For what end do you act thus? I do not know; + but certainly with some hostile design.” + </p> + <p> + “It appears to me, madame,” said Rodin, severely, “that you have forgotten + services performed.” + </p> + <p> + “I do not deny, sir, that you took me from the house of Dr. Baleinier; + but, a few days sooner or later, I must infallibly have been released by + M. de Montbron.” + </p> + <p> + “You are right, my dear child,” said the count; “it may be that your + enemies wished to claim the merit of what must necessarily have happened + through the exertions of your friends.” + </p> + <p> + “You are drowning, and I save you—it is all a mistake to feel + grateful,” said Rodin, bitterly; “some one else would no doubt have saved + you a little later.” + </p> + <p> + “The comparison is wanting in exactness,” said Adrienne, with a smile; “a + lunatic asylum is not a river, and though, from what I see, I think you + quite capable of diving, you have had no occasion to swim on this + occasion. You merely opened a door for me, which would have opened of + itself a little later.” + </p> + <p> + “Very good, my dear child!” said the count, laughing heartily at + Adrienne’s reply. + </p> + <p> + “I know, sir, that your care did not extend to me only. The daughters of + Marshal Simon were brought back by you; but we may imagine that the claim + of the Duke de Ligny to the possession of his daughters would not have + been in vain. You returned to an old soldier his imperial cross, which he + held to be a sacred relic; it is a very touching incident. Finally, you + unmasked the Abbe d’Aigrigny and Dr. Baleinier: but I had already made up + my mind to unmask then. However, all this proves that you are a very + clever man—” + </p> + <p> + “Oh, madame!” said Rodin, humbly. + </p> + <p> + “Full of resources and invention—” + </p> + <p> + “Oh, madame!” + </p> + <p> + “It is not my fault if, in our long interview at Dr. Baleinier’s, you + betrayed that superiority of mind which struck me so forcibly, and which + seems to embarrass you so much at present. What would you have, sir?—great + minds like yours find it difficult to maintain their incognito. Yet, as by + different ways—oh! very different,” added the young lady, + maliciously, “we are tending to the same end (still keeping in view our + conversation at Dr. Baleinier’s), I wish, for the sake of our future + communion, as you call it, to give you a piece of advice, and speak + frankly to you.” + </p> + <p> + Rodin had listened to Mdlle. de Cardoville with apparent impassibility, + holding his hat under his arm, and twirling his thumbs, whilst his hands + were crossed upon his waistcoat. The only external mark of the intense + agitation into which he was thrown by the calm words of Adrienne, was that + the livid eyelids of the Jesuit, which had been hypocritically closed, + became gradually red, as the blood flowed into them. Nevertheless, he + answered Mdlle. de Cardoville in a firm voice, and with a low bow: “Good + advice and frankness are always excellent things.” + </p> + <p> + “You see, sir,” resumed Adrienne, with some excitement, “happy love + bestows such penetration, such energy, such courage, as enables one to + laugh at perils, to detect stratagems, and to defy hatred. Believe me, the + divine light which surrounds two loving hearts will be sufficient to + disperse all darkness, and reveal every snare. You see, in India—excuse + my weakness, but I like to talk of India,” added the young girl, with a + smile of indescribable grace and meaning—“in India, when travellers + sleep at night, they kindle great fires round their ajoupa (excuse this + touch of local coloring), and far as extends the luminous circle, it puts + to flight by its mere brilliancy, all the impure and venomous reptiles + that shun the day and live only in darkness.” + </p> + <p> + “The meaning of this comparison has quite escaped me,” said Rodin, + continuing to twirl his thumbs, and half raising his eyelids, which were + getting redder and redder. + </p> + <p> + “I will speak more plainly,” said Adrienne, with a smile. “Suppose, sir, + that the last is a service which you have rendered me and the prince—for + you only proceed by way of services—that, I acknowledge, is novel + and ingenious.” + </p> + <p> + “Bravo, my dear child!” said the count, joyfully. “The execution will be + complete.” + </p> + <p> + “Oh! this is meant for an execution?” said Rodin, still impassible. + </p> + <p> + “No, sir,” answered Adrienne, with a smile; “it is a simple conversation + between a poor young girl and an old philosopher, the friend of humanity. + Suppose, then, that these frequent services that you have rendered to me + and mine have suddenly opened my eyes; or, rather,” added the young girl, + in a serious tone, “suppose that heaven, who gives to the mother the + instinct to defend her child, has given me, along with happiness, the + instinct to preserve my happiness, and that a vague presentiment, by + throwing light on a thousand circumstances until now obscure, has suddenly + revealed to me that, instead of being the friend, you are perhaps, the + most dangerous enemy of myself and family.” + </p> + <p> + “So we pass from the execution to suppositions,” said Rodin, still + immovable. + </p> + <p> + “And from suppositions, sir, if you must have it, to certainty,” resumed + Adrienne, with dignified firmness; “yes, now I believe that I was for + awhile your dupe, and I tell you, without hate, without anger, but with + regret—that it is painful to see a man of your sense and + intelligence stoop to such machinations, and, after having recourse to so + many diabolical manoeuvres, finish at last by being ridiculous; for, + believe me, there is nothing more ridiculous for a man like you, than to + be vanquished by a young girl, who has no weapon, no defence, no + instructor, but her love. In a word, sir, I look upon you from to-day as + an implacable and dangerous enemy; for I half perceive your aim, without + guessing by what means you will seek to accomplish it, No doubt your + future means will be worthy of the past. Well! in spite of all this, I do + not fear you. From tomorrow, my family will be informed of everything, and + an active, intelligent, resolute union will keep us all upon our guard, + for it doubtless concerns this enormous inheritance, of which they wish to + deprive us. Now, what connection can there be between the wrongs I + reproach you with and the pecuniary end proposed? I do not at all know—but + you have told me yourself that our enemies are so dangerously skillful, + and their craft so far-reaching, that we must expect all, be prepared for + all. I will remember the lesson. I have promised you frankness, sir, and + now I suppose you have it.” + </p> + <p> + “It would be an imprudent frankness if I were your enemy,” said Rodin, + still impassible; “but you also promised me some advice, my dear young + lady.” + </p> + <p> + “My advice will be short; do not attempt to continue the struggle, + because, you see, there is something stronger than you and yours—it + is a woman’s resolve, defending her happiness.” + </p> + <p> + Adrienne pronounced these last words with so sovereign a confidence; her + beautiful countenance shone, as is it were, with such intrepid joy, that + Rodin, notwithstanding his phlegmatic audacity, was for a moment + frightened. Yet he did not appear in the least disconcerted; and, after a + moment’s silence, he resumed, with an air of almost contemptuous + compassion: “My dear young lady, we may perhaps never meet again; it is + probable. Only remember one thing, which I now repeat to you: I never + justify myself. The future will provide for that. Notwithstanding which, + my dear young lady, I am your humble servant;” and he made her a low bow. + </p> + <p> + “Count, I beg to salute you most respectfully,” he added, bowing still + more humbly to M. de Montbron; and he went out. + </p> + <p> + Hardly had Rodin left the room than Adrienne ran to her desk, and writing + a few hasty lines, sealed the note, and said to M. de Montbron: “I shall + not see the prince before to-morrow—as much from superstition of the + heart as because it is necessary for my plans that this interview should + be attended with some little solemnity. You shall know all; but I write to + him on the instant, for, with an enemy like M. Rodin, one must be prepared + for all.” + </p> + <p> + “You are right, my dear child; quick! the letter.” Adrienne gave it to + him. + </p> + <p> + “I tell him enough,” said she, “to calm his grief; and not enough to + deprive me of the delicious happiness of the surprise I reserve for to + morrow.” + </p> + <p> + “All this has as much sense as heart in it: I will hasten to the prince’s + abode, to deliver your letter. I shall not see him, for I could not answer + for myself. But come! our proposed drive, our evening’s amusement, are + still to hold good.” + </p> + <p> + “Certainly. I have more need than ever to divert my thoughts till to + morrow. I feel, too, that the fresh air will do me good, for this + interview with M. Rodin has warmed me a little.” + </p> + <p> + “The old wretch! but we will talk further of him. I will hasten to the + prince’s and return with Madame de Morinval, to fetch you to the Champs + Elysees.” + </p> + <p> + The Count de Montbron withdrew precipitately, as joyful at his departure + as he had been sad on his arrival. + </p> + <p> + <a name="link2HCH0116" id="link2HCH0116"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XI. THE CHAMPS-ELYSEES + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">I</span>t was about two hours after the interview of Rodin with Mdlle. de + Cardoville. Numerous loungers, attracted to the Champs-Elysees by the + serenity of a fine spring day (it was towards the end of the month of + March) stopped to admire a very handsome equipage. A bright-blue open + carriage, with white-and-blue wheels, drawn by four superb horses, of + cream color, with black manes, and harness glittering with silver + ornaments, mounted by two boy postilions of equal size, with black velvet + caps, light-blue cassimere jackets with white collars, buckskin breeches, + and top-boots; two tall, powdered footmen, also in light-blue livery, with + white collars and facings, being seated in the rumble behind. + </p> + <p> + No equipage could have been turned out in better style. The horses, full + of blood, spirit, and vigor, were skillfully managed by the postilions, + and stepped with singular regularity, gracefully keeping time in their + movements, champing their bits covered with foam, and ever and anon + shaking their cockades of blue and white silk, with long floating ends, + and a bright rose blooming in the midst. + </p> + <p> + A man on horseback, dressed with elegant simplicity, keeping at the other + side of the avenue, contemplated with proud satisfaction this equipage + which he had, as it were, created. It was M. de Bonneville—Adrienne’s + equerry, as M. de Montbron called him—for the carriage belonged to + that young lady. A change had taken place in the plan for this magic day’s + amusement. M. de Montbron had not been able to deliver Mdlle. de + Cardoville’s note to Prince Djalma. Faringhea had told him that the prince + had gone that morning into the country with Marshal Simon, and would not + be back before evening. The letter should be given him on his arrival. + Completely satisfied as to Djalma, knowing that he could find these few + lines, which, without informing him of the happiness that awaited him, + would at least give him some idea of it, Adrienne had followed the advice + of M. de Montbron, and gone to the drive in her own carriage, to show all + the world that she had quite made up her mind, in spite of the perfidious + reports circulated by the Princess de Saint Dizier, to keep to her + resolution of living by herself in her own way. Adrienne wore a small + white bonnet, with a fall of blonde, which well became her rosy face and + golden hair; her high dress of garnet-colored velvet was almost hidden + beneath a large green cashmere shawl. The young Marchioness de Morinval, + who was also very pretty and elegant, was seated at her right. M. de + Montbron occupied the front seat of the carriage. + </p> + <p> + Those who know the Parisian world, or rather, that imperceptible fraction + of the world of Paris which goes every fine, sunny day to the Champs + Elysees, to see and be seen, will understand that the presence of Mdlle. + de Cardoville on that brilliant promenade was an extraordinary and + interesting event. + </p> + <p> + The world (as it is called) could hardly believe its eyes, on seeing this + lady of eighteen, possessed of princely wealth, and belonging to the + highest nobility, thus prove to every one, by this appearance in public, + that she was living completely free and independent, contrary to all + custom and received notions of propriety. This kind of emancipation + appeared something monstrous, and people were almost astonished that the + graceful and dignified bearing of the young lady should belie so + completely the calumnies circulated by Madame de Saint-Dizier and her + friends, with regard to the pretended madness of her niece. Many beaux, + profiting by their acquaintance with the Marchioness de Morinval or M. de + Montbron, came by turns to pay their respects, and rode for a few minutes + by the side of the carriage, so as to have an opportunity of seeing, + admiring, and perhaps hearing, Mdlle. de Cardoville; she surpassed their + expectations, by talking with her usual grace and spirit. Then surprise + and enthusiasm knew no bounds. What had at first been blamed as an almost + insane caprice, was now voted a charming originality, and it only depended + on Mdlle. de Cardoville herself, to be declared from that day the queen of + elegance and fashion. The young lady understood very well the impression + she had made; she felt proud and happy, for she thought of Djalma; when + she compared him to all these men of fashion, her happiness was the more + increased. And, verily, these young men, most of whom had never quitted + Paris, or had ventured at most as far as Naples or Baden, looked + insignificant enough by the side of Djalma, who, at his age, had so many + times commanded and combated in bloody wars, and whose reputation far + courage and generosity, mentioned by travellers with admiration, had + already reached from India to Paris. And then, how could these charming + exquisites, with their small hats, their scanty frock-coats, and their + huge cravats, compare with the Indian prince, whose graceful and manly + beauty was still heightened by the splendor of a costume, at once so rich + and so picturesque? + </p> +<div class="fig"> + <img src="images/20567m.jpg" alt="20567m" /><br /> + </div> + <h5> + <a href="images/20567.jpg"><i>Original</i></a> + </h5> + <p> + On this happy day, all was joy and love for Adrienne. The sun, setting in + a splendidly serene sky, flooded the promenade with its golden light. The + air was warm. Carriages and horsemen passed and repassed in rapid + succession; a light breeze played with the scarfs of the women, and the + plumes in their bonnets; all around was noise, movement, sunshine. + Adrienne, leaning back in her carriage, amused herself with watching this + busy scene, sparkling with Parisian luxury; but, in the vortex of this + brilliant chaos, she saw in thought the mild, melancholy countenance of + Djalma—when suddenly something fell into her lap, and she started. + It was a bunch of half-faded violets. At the same instant she heard a + child’s voice following the carriage, and saying: “For the love of heaven, + my good lady, one little sou!” Adrienne turned her head, and saw a poor + little girl, pale and wan, with mild, sorrowful features, scarcely covered + with rags, holding out her hand, and raising her eyes in supplication. + Though the striking contrast of extreme misery, side by side with extreme + luxury, is so common, that it no longer excites attention, Adrienne was + deeply affected by it. She thought of Mother Bunch, now, perhaps, the + victim of frightful destitution. + </p> + <p> + “Ah! at least,” thought the young lady, “let not this day be one of + happiness for me alone!” + </p> + <p> + She leaned from the carriage-window, and said to the poor child: “Have you + a mother, my dear?” + </p> + <p> + “No, my lady, I have neither father nor mother.” + </p> + <p> + “Who takes care of you?” + </p> + <p> + “No one, my lady. They give me nosegays to sell, and I must bring home + money—or they beat me.” + </p> + <p> + “Poor little thing!” + </p> + <p> + “A sou, my good lady—a sou, for the love of heaven!” said the child, + continuing to follow the carriage, which was then moving slowly. + </p> + <p> + “My dear count,” said Adrienne, smiling, and addressing M. de Montbron, + “you are, unfortunately, no novice at an elopement. Please to stretch + forth your arms, take up that child with both hands, and lift her into the + carriage. We can hide her between Lady de Morinval and myself; and we can + drive away before any one perceives this audacious abduction.” + </p> + <p> + “What!” said the count, in surprise. “You wish—” + </p> + <p> + “Yes; I beg you to do it.” + </p> + <p> + “What a folly!” + </p> + <p> + “Yesterday, you might, perhaps, have treated this caprice as a folly; but + to-day,” said Adrienne, laying great stress upon the word, and glancing at + M. de Montbron with a significant air, “to-day, you should understand that + it is almost a duty.” + </p> + <p> + “Yes, I understand you, good and noble heart!” said the count, with + emotion; while Lady de Morinval, who knew nothing of Mdlle. de + Cardoville’s love for Djalma, looked with as much surprise as curiosity at + the count and the young lady. + </p> + <p> + M. de Montbron, leaning from the carriage, stretched out his arms towards + the child, and said to her: “Give me your hands, little girl.” + </p> + <p> + Though much astonished, the child obeyed mechanically, and held out both + her little arms; then the count took her by the wrists, and lifted her + lightly from the ground, which he did the more easily, as the carnage was + very low, and its progress by no means rapid. More stupefied than + frightened, the child said not a word. Adrienne and Lady de Morinval made + room for her to crouch down between them, and the little girl was soon + hidden beneath the shawls of the two young women. All this was executed so + quickly, that it was hardly perceived by a few persons passing in the + side-avenues. + </p> + <p> + “Now, my dear count,” said Adrienne, radiant with pleasure, “let us make + off at once with our prey.” + </p> + <p> + M. de Montbron half rose, and called to the postilions. “Home!” and the + four horses started at once into a rapid and regular trot. + </p> + <p> + “This day of happiness now seems consecrated, and my luxury is excused,” + thought Adrienne; “till I can again meet with that poor Mother Bunch, and + from this day I will make every exertion to find her out, her place will + at least not be quite empty.” + </p> + <p> + There are often strange coincidences in life. At the moment when this + thought of the hunchback crossed the mind of Adrienne, a crowd had + collected in one of the side-avenues, and other persons soon ran to join + the group. + </p> + <p> + “Look, uncle!” said Lady de Morinval; “how many people are assembled + yonder. What can it be? Shall we stop, and send to inquire?” + </p> + <p> + “I am sorry, my dear, but your curiosity cannot be satisfied,” said the + count, drawing out his watch; “it will soon be six o’clock, and the + exhibition of the wild beasts begin at eight. We shall only just have time + to go home and dine. Is not that your opinion, my dear child?” said he to + Adrienne. + </p> + <p> + “And yours, Julia?” said Mdlle. de Cardoville to the marchioness. + </p> + <p> + “Oh, certainly!” answered her friend. + </p> + <p> + “I am the less inclined to delay,” resumed the count, “as when I have + taken you to the Porte-Saint-Martin, I shall be obliged to go for half + an-hour to my club, to ballot for Lord Campbell, whom I propose.” + </p> + <p> + “Then, Adrienne and I will be left alone at the play, uncle?” + </p> + <p> + “Your husband will go with you, I suppose.” + </p> + <p> + “True, dear uncle; but do not quite leave us, because of that.” + </p> + <p> + “Be sure I shall not: for I am curious as you are to see these terrible + animals, and the famous Morok, the incomparable lion-tamer.” + </p> + <p> + A few minutes after, Mdlle. de Cardoville’s carriage had left the Champs + Elysees, carrying with it the little girl, and directing its course + towards the Rue d’Anjou. As the brilliant equipage disappeared from the + scene, the crowd, of which we before have spoken, greatly increased about + one of the large trees in the Champs-Elysees, and expressions of pity were + heard here and there amongst the groups. A lounger approached a young man + on the skirts of the crowd, and said to him: “What is the matter, sir?” + </p> + <p> + “I hear it is a poor young girl, a hunchback, that has fallen from + exhaustion.” + </p> + <p> + “A hunchback! is that all? There will always be enough hunchbacks,” said + the lounger, brutally, with a coarse laugh. + </p> + <p> + “Hunchback or not, if she dies of hunger,” answered the young man, + scarcely able to restrain his indignation, “it will be no less sad—and + there is really nothing to laugh at, sir.” + </p> + <p> + “Die of hunger! pooh!” said the lounger, shrugging his shoulders. “It is + only lazy scoundrels, that will not work, who die of hunger. And it serves + them right.” + </p> + <p> + “I wager, sir, there is one death you will never die of,” cried the young + man, incensed at the cruel insolence of the lounger. + </p> + <p> + “What do you mean?” answered the other, haughtily. + </p> + <p> + “I mean, sir, that your heart is not likely to kill you.” + </p> + <p> + “Sir!” cried the lounger in an angry tone. + </p> + <p> + “Well! what, sir?” replied the young man, looking full in his face. + </p> + <p> + “Nothing,” said the lounger, turning abruptly on his heel, and grumbling + as he sauntered towards an orange-colored cabriolet, on which was + emblazoned an enormous coat-of-arms, surmounted by a baron’s crest. A + servant in green livery, ridiculously laced with gold, was standing beside + the horse, and did not perceive his master. + </p> + <p> + “Are you catching flies, fool?” said the latter, pushing him with his + cane. The servant turned round in confusion. “Sir,” said he. + </p> + <p> + “Will you never learn to call me Monsieur le Baron, rascal?” cried his + master, in a rage—“Open the door directly!” + </p> + <p> + The lounger was Baron Tripeaud, the manufacturing baron the stock-jobber. + The poor hunchback was Mother Bunch, who had, indeed fallen with hunger + and fatigue, whilst on her way to Mdlle. de Cardoville’s. The unfortunate + creature had found courage to brave the shame of the ridicule she so much + feared, by returning to that house from which she was a voluntary exile; + but this time, it was not for herself, but for her sister Cephyse—the + Bacchanal Queen, who had returned to Paris the previous day, and whom + Mother Bunch now sought, through the means of Adrienne, to rescue from a + most dreadful fate. + </p> + <p> + Two hours after these different scenes, an enormous crowd pressed round + the doors of the Porte-Saint-Martin, to witness the exercises of Morok, + who was about to perform a mock combat with the famous black panther of + Java, named Death. Adrienne, accompanied by Lord and Lady de Morinval, now + stepped from a carriage at the entrance of the theatre. They were to be + joined in the course of the evening by M. de Montbron, whom they had + dropped, in passing, at his club. + </p> + <p> + <a name="link2HCH0117" id="link2HCH0117"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XII. BEHIND THE SCENES. + </h2> +<div class="fig"> + <img src="images/20575m.jpg" alt="20575m" /><br /> + </div> + <h5> + <a href="images/20575.jpg"><i>Original</i></a> + </h5> + <p> + The large theatre of the Porte-Saint-Martin was crowded by an impatient + multitude. All Paris had hurried with eager and burning curiosity to + Morok’s exhibition. It is quite unnecessary to say that the lion-tamer had + completely abandoned his small taste in religious baubles, which he had so + successfully carried on at the White Falcon Inn at Leipsic. There were, + moreover, numerous tokens by which the surprising effects of Morok’s + sudden conversion had been blazoned in the most extraordinary pictures: + the antiquated baubles in which he had formerly dealt would have found no + sale in Paris. Morok had nearly finished dressing himself, in one of the + actor’s rooms, which had been lent to him. Over a coat of mail, with + cuishes and brassarts, he wore an ample pair of red trousers, fastened + round his ankles by broad rings of gilt brass. His long caftan of black + cloth, embroidered with scarlet and gold, was bound round his waist and + wrist by other large rings of gilt metal. This sombre costume imparted to + him an aspect still more ferocious. His thick and red-haired beard fell in + large quantities down to his chest, and a long piece of white muslin was + folded round his red head. A devout missionary in Germany and an actor in + Paris, Morok knew as well as his employers, the Jesuits, how to + accommodate himself to circumstances. + </p> + <p> + Seated in one corner of the room, and contemplating with a sort of stupid + admiration, was Jacques Rennepont, better known as “Sleepinbuff” (from the + likelihood that he would end his days in rags, or his present antipathy to + great care in dress). Since the day Hardy’s factory had been destroyed by + fire, Jacques had not quitted Morok, passing the nights in excesses, which + had no baneful effects on the iron constitution of the lion-tamer. On the + other’s features, on the contrary, a great alteration was perceptible; his + hollow cheeks, marble pallor, his eyes, by turns dull and heavy, or + gleaming with lurid fire, betrayed the ravages of debauchery, his parched + lips were almost constantly curled by a bitter and sardonic smile. His + spirit, once gay and sanguine, still struggled against the besotting + influence of habitual intoxication. Unfitted for labor, no longer able to + forego gross pleasures, Jacques sought to drown in wine a few virtuous + impulses which he still possessed, and had sunk so low as to accept + without shame the large dole of sensual gratification proffered him by + Morok, who paid all the expenses of their orgies, but never gave him + money, in order that he might be completely dependent on him. After gazing + at Morok for some time in amazement, Jacques said to him, in a familiar + tone: “Well, yours is a famous trade; you may boast that, at this moment, + there are not two men like you in the whole world That’s flattering. It’s + a pity you don’t stick to this fine trade.” + </p> + <p> + “What do you mean?” + </p> + <p> + “Why, how is the conspiracy going on, in whose honor you make me keep it + up all day and all night?” + </p> + <p> + “It is working, but the time is not yet come; that is why I wish to have + you always at hand, till the great day. Do you complain?” + </p> + <p> + “Hang it, no!” said Jacques. “What could I do? Burnt up with brandy as I + am, if I wanted to work, I’ve no longer the strength to do so. I have not, + like you, a head of marble, and a body of iron; but as for fuddling myself + with gunpowder, instead of anything else, that’ll do for me; I’m only fit + for that work now—and then, it will drive away thought.” + </p> + <p> + “Oh what kind?” + </p> + <p> + “You know that when I do think, I think only of one thing,” said Jacques, + gloomily. + </p> + <p> + “The Bacchanal queen?—still?” said Morok, in a disdainful tone. + </p> + <p> + “Still! rather: when I shall think of her no longer, I shall be dead—or + stupefied. Fiend!” + </p> + <p> + “You were never better or more intelligent, you fool!” replied Morok, + fastening his turban. The conversation was here interrupted. Morok’s aider + entered hastily. + </p> + <p> + The gigantic form of this Hercules had increased in width. He was habited + like Alcides; his enormous limbs, furrowed with veins as thick as + whipcord, were covered with a close-fitting flesh-colored garment, to + which a pair of red drawers formed a strong contrast. + </p> + <p> + “Why do you rush in like a storm, Goliath?” said Morok. + </p> + <p> + “There’s a pretty storm in the house; they are beginning to get impatient, + and are calling out like madmen. But if that were all!” + </p> + <p> + “Well, what else?” + </p> + <p> + “Death will not be able to play this evening.” + </p> + <p> + Morok turned quickly around. He seemed uneasy. “Why so?” he exclaimed. + </p> + <p> + “I have just seen her! she’s crouching at the bottom of her cage; her ears + lie so close to her head, she looks as if they had been cut off. You know + what that means.” + </p> + <p> + “Is that all?” said Morok, turning to the glass to complete his head + dress. + </p> + <p> + “It’s quite enough; she’s in one of her tearing fits. Since that night in + Germany, when she ripped up that old hack of a white horse, I’ve not seen + her look so savage! her eyes shine like burning candles.” + </p> + <p> + “Then she must have her fine collar on,” said Morok, quietly. + </p> + <p> + “Her fine collar?” + </p> + <p> + “Yes; her spring-collar.” + </p> + <p> + “And I must be lady’s-maid,” said the giant. “A nice toilet to attend to!” + </p> + <p> + “Hold your tongue!” + </p> + <p> + “That’s not all—” continued Goliath, hesitating. + </p> + <p> + “What more?” + </p> + <p> + “I might as well tell you at once.” + </p> + <p> + “Will you speak?” + </p> + <p> + “Well! he is here.” + </p> + <p> + “Who, you stupid brute?” + </p> + <p> + “The Englishman!” + </p> + <p> + Morok started; his arms fell powerless by his side. Jacques was struck + with the lion-tamer’s paleness and troubled countenance. + </p> + <p> + “The Englishman!—you have seen him?” cried Morok, addressing + Goliath. “You are quite sure?” + </p> + <p> + “Quite sure. I was looking through the peep-hole in the curtain; I saw him + in one of the stage-boxes—he wishes to see things close; he’s easy + to recognize, with his pointed forehead, big nose, and goggle eyes.” + </p> + <p> + Morok shuddered again; usually fierce and unmoved, he appeared to be more + and more agitated, and so alarmed, that Jacques said to him: “Who is this + Englishman?” + </p> + <p> + “He has followed me from Strasburg, where he fell in with me,” said Morok, + with visible dejection. “He travelled with his own horses, by short + stages, as I did; stopping where I stopped, so as never to miss one of my + exhibitions. But two days before I arrived at Paris, he left me—I + thought I was rid of him,” said Morok, with a sigh. + </p> + <p> + “Rid of him!—how you talk!” replied Jacques, surprised; “such a good + customer, such an admirer!” + </p> + <p> + “Aye!” said Morok, becoming more and more agitated; “this wretch has + wagered an enormous sum, that I will be devoured in his presence, during + one of my performances: he hopes to win his wager—that is why he + follows me about.” + </p> + <p> + Sleepinbuff found the John Bull’s idea so amusingly eccentric, that, for + the first time since a very long period, he burst into a peal of hearty + laughter. Morok, pale with rage, rushed towards him with so menacing an + air, that Goliath was obliged to interpose. + </p> + <p> + “Come, come,” said Jacques, “don’t be angry; if it is serious, I will not + laugh any more.” + </p> + <p> + Morok was appeased, and said to Sleepinbuff in a hoarse voice: “Do you + think me a coward?” + </p> + <p> + “No, by heaven!” + </p> + <p> + “Well! And yet this Englishman, with his grotesque face, frightens me more + than any tiger or my panther!” + </p> + <p> + “You say so, and I believe it,” replied Jacques; “but I cannot understand + why the presence of this man should alarm you.” + </p> + <p> + “But consider, you dull knave!” cried Morok, “that, obliged to watch + incessantly the least movement of the ferocious beast, whom I keep in + subjection by my action and my looks, there is something terrible in + knowing that two eyes are there—always there—fixed—waiting + till the least absence of mind shall expose me to be torn in pieces by the + animals.” + </p> + <p> + “Now, I understand,” said Jacques, shuddering in his turn. “It is + terrible.” + </p> + <p> + “Yes; for once there, though I may not see this cursed Englishman, I fancy + I have his two round eyes, fixed and wide open, always before me. My tiger + Cain once nearly mutilated my arm, when my attention was drawn away by + this Englishman, whom the devil take! Blood and thunder!” cried Morok: + “this man will be fatal to me.” And Morok paced the room in great + agitation. + </p> + <p> + “Besides, Death lays her ears close to her skull,” said Goliath, brutally. + “If you persist—mind, I tell you—the Englishman will win his + wager this evening.” + </p> + <p> + “Go away, you brute!—don’t vex my head with your confounded + predictions,” cried Morok: “go and prepare Death’s collar.” + </p> + <p> + “Well, every one to his taste; you wish the panther to taste you,” said + the giant, stalking heavily away, after this joke. + </p> + <p> + “But if you feel these fears,” said Jacques, “why do you not say that the + panther is ill?” + </p> + <p> + Morok shrugged his shoulders, and replied with a sort of feverish + ferocity, “Have you ever heard of the fierce pleasure of the gamester, who + stakes his honor, his life, upon a card? Well! I too—in these daily + exhibitions where my life is at stake—find a wild, fierce pleasure + in braving death, before a crowded assembly, shuddering and terrified at + my audacity. Yes, even in the fear with which this Englishman inspires me, + I find, in spite of myself, a terrible excitement, which I abhor, and + which yet subjugates me.” + </p> + <p> + At this moment, the stage-manager entered the room, and interrupted the + beast-tamer. “May we give the signal, M. Morok?” said the stage-manager. + “The overture will not last above ten minutes.” + </p> + <p> + “I am ready,” said Morok. + </p> + <p> + “The police-inspector has just now given orders, that the double chain of + the panther, and the iron ring riveted to the floor of the stage, at the + end of the cavern in the foreground, shall be again examined; and + everything has been reported quite secure.” + </p> + <p> + “Yes—secure—except for me,” murmured the beast-tamer. + </p> + <p> + “So, M. Morok, the signal may be given?” + </p> + <p> + “The signal may—be given,” replied Morok. And the manager went out. + </p> + <p> + <a name="link2HCH0118" id="link2HCH0118"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XIII. UP WITH THE CURTAIN. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>he usual bell sounded with solemnity behind the scenes the overture + began, and, to say the truth, but little attention was paid to it. The + interior of the theatre offered a very animated view. With the exception + of two stage-boxes even with the dress circle, one to the left, the other + to the right of the audience, every seat was occupied. A great number of + very fashionable ladies, attracted, as is always the case, by the strange + wildness of the spectacle, filled the boxes. The stalls were crowded by + most of the young men who; in the morning, had walked their horses on the + Champs-Elysees. The observations which passed from one stall to another, + will give some idea of their conversation. + </p> + <p> + “Do you know, my dear boy, there would not be so crowded or fashionable an + audience to witness Racine’s Athalia?” + </p> + <p> + “Undoubtedly. What is the beggarly howling of an actor, compared to the + roaring of the lion?” + </p> + <p> + “I cannot understand how the authorities permit this Morok to fasten his + panther with a chain to an iron ring in the corner of the stage. If the + chain were to break?” + </p> + <p> + “Talking of broken chains—there’s little Mme. de Blinville, who is + no tigress. Do you see her in the second tier, opposite?” + </p> + <p> + “It becomes her very well to have broken, as you say, the marriage chain; + she looks very well this season.” + </p> + <p> + “Oh! there is the beautiful Duchess de Saint-Prix; all the world is here + to-night—I don’t speak of ourselves.” + </p> + <p> + “It is a regular opera night—what a festive scene!” + </p> + <p> + “Well, after all, people do well to amuse themselves, perhaps it will not + be for long.” + </p> + <p> + “Why so?” + </p> + <p> + “Suppose the cholera were to come to Paris?” + </p> + <p> + “Oh! nonsense!” + </p> + <p> + “Do you believe in the cholera?” + </p> + <p> + “To be sure I do! He’s coming from the North, with his walking-stick under + his arm.” + </p> + <p> + “The devil take him on the road! don’t let us see his green visage here.” + </p> + <p> + “They say he’s at London.” + </p> + <p> + “A pleasant journey to him.” + </p> + <p> + “Come, let us talk of something else; it may be a weakness, if you please, + but I call this a dull subject.” + </p> + <p> + “I believe you.” + </p> + <p> + “Oh! gentlemen—I am not mistaken—no—it is she!” + </p> + <p> + “Who, then?” + </p> + <p> + “Mdlle. de Cardoville! She is coming into the stage-box with Morinval and + his wife. It is a complete resuscitation: this morning on the + Champs-Elysees; in the evening here.” + </p> + <p> + “Faith, you are right! It is Mdlle. de Cardoville.” + </p> + <p> + “Good heaven! how lovely she is!” + </p> + <p> + “Lend me your eyeglass.” + </p> + <p> + “Well, what do you think of her?” + </p> + <p> + “Exquisite—dazzling.” + </p> + <p> + “And in addition to her beauty, an inexhaustible flow of wit, three + hundred thousand francs a year, high birth, eighteen years of age, and—free + as air.” + </p> + <p> + “Yes, that is to say, that, provided it pleased her, I might be to morrow—or + even to-day—the happiest of men.” + </p> + <p> + “It is enough to turn one’s brain.” + </p> + <p> + “I am told that her mansion, Rue d’Anjou, is like an enchanted palace; a + great deal is said about a bath-room and bedroom, worthy of the Arabian + Nights.” + </p> + <p> + “And free as air—I come back to that.” + </p> + <p> + “Ah! if I were in her place!” + </p> + <p> + “My levity would be quite shocking.” + </p> + <p> + “Oh! gentlemen, what a happy man will he be who is loved first!” + </p> + <p> + “You think, then, that she will have many lovers?” + </p> + <p> + “Being as free as air—” + </p> + <p> + “All the boxes are full, except the stage-box opposite to that in which + Mdlle. de Cardoville is seated. Happy the occupiers of that box!” + </p> + <p> + “Did you see the English ambassador’s lady in the dress circle?” + </p> + <p> + “And the Princess d’Alvimar—what an enormous bouquet!” + </p> + <p> + “I should like to know the name—of that nosegay.” + </p> + <p> + “Oh!—it’s Germigny.” + </p> + <p> + “How flattering for the lions and tigers, to attract so fashionable an + audience.” + </p> + <p> + “Do you notice, gentlemen, how all the women are eye-glassing Mdlle. de + Cardoville?” + </p> + <p> + “She makes a sensation.” + </p> + <p> + “She is right to show herself; they gave her out as mad.” + </p> + <p> + “Oh! gentlemen, what a capital phiz!” + </p> + <p> + “Where—where?” + </p> + <p> + “There—in the omnibus-box beneath Mdlle. de Cardoville’s.” + </p> + <p> + “It’s a Nuremburg nutcracker.” + </p> + <p> + “An ourang-outang!” + </p> + <p> + “Did you ever see such round, staring eyes?” + </p> + <p> + “And the nose!” + </p> + <p> + “And the forehead!” + </p> + <p> + “It’s a caricature.” + </p> + <p> + “Order, order! the curtain rises.” + </p> + <p> + And, in fact, the curtain rose. Some explanation is necessary for the + clear understanding of what follows. In the lower stage-box, to the left + of the audience, were several persons, who had been referred to by the + young men in the stalls. The omnibus-box was occupied by the Englishman, + the eccentric and portentous bettor, whose presence inspired Morok with so + much dread. + </p> + <p> + It would require Hoffman’s rare and fantastic genius to describe worthily + that countenance, at once grotesque and frightful, as it stood out from + the dark background of the box. This Englishman was about fifty years old; + his forehead was quite bald, and of a conical shape; beneath this + forehead, surmounted by eyebrows like parenthesis marks, glittered large, + green eyes, remarkably round and staring, and set very close to a hooked + nose, extremely sharp and prominent; a chin like that on the old fashioned + nutcrackers was half-hidden in a broad and ample white cravat, as + stiffly-starched as the round-cornered shirt-collar, which nearly touched + his ears. The face was exceedingly thin and bony, and yet the complexion + was high-colored, approaching to purple, which made the bright green of + the pupils, and the white of the other part of the eyes, still more + conspicuous. The mouth, which was very wide, sometimes whistled inaudibly + the tune of a Scotch jig (always the same tune), sometimes was slightly + curled with a sardonic smite. The Englishman was dressed with extreme + care; his blue coat, with brass buttons, displayed his spotless waistcoat, + snowy, white as his ample cravat; his shirt was fastened with two + magnificent ruby studs, and his patrician hands were carefully kid gloved. + </p> + <p> + To any one who knew the eccentric and cruel desire which attracted this + man to every representation, his grotesque face became almost terrific, + instead of exciting ridicule; and it was easy to understand the dread + experience by Morok at sight of those great, staring round eyes, which + appeared to watch for the death of the lion-tamer (what a horrible death!) + with unshaken confidence. Above the dark box of the Englishman, affording + a graceful contrast, were seated the Morinvals and Mdlle. de Cardoville. + The latter was placed nearest the stage. Her head was uncovered, and she + wore a dress of sky-blue China crepe, ornamented at the bosom with a + brooch of the finest Oriental pearls—nothing more; yet Adrienne, + thus attired, was charming. She held in her hand an enormous bouquet, + composed of the rarest flowers of India: the stephanotis and the gardenia + mingled the dead white of their blossoms with the purple hibiscus and Java + amaryllis. + </p> + <p> + Madame de Morinval, seated on the opposite side of the box, was dressed + with equal taste and simplicity; Morinval, a fair and very handsome young + man, of elegant appearance, was behind the two ladies. M. de Montbron was + expected to arrive every moment. The reader will please to recollect that + the stage-box to the right of the audience, opposite Adrienne’s, had + remained till then quite empty. The stage represented one of the gigantic + forests of India. In the background, tall exotic trees rose in spiral or + spreading forms, among rugged masses of perpendicular rocks, with here and + there glimpses of a tropical sky. The side-scenes formed tufts of trees, + interspersed with rocks; and at the side which was immediately beneath + Adrienne’s box appeared the irregular opening of a deep and gloomy cavern, + round which were heaped huge blocks of granite, as if thrown together by + some convulsion of nature. This scenery, full of a wild and savage + grandeur, was wonderfully “built up,” so as to make the illusion as + complete as possible; the footlights were lowered, and being covered with + a purple shade, threw over this landscape a subdued reddish light, which + increased the gloomy and startling effect of the whole. Adrienne, leaning + forward from the box, with cheeks slightly flushed, sparkling eyes, and + throbbing heart, sought to trace in this scene the solitary forest + described by the traveller who had eulogized Djalma’s generosity and + courage, when he threw himself upon a ferocious tigress to save the life + of a poor black slave. Chance coincided wonderfully indeed with her + recollections. Absorbed in the contemplation of the scenery and the + thoughts it awakened in her heart, she paid no attention to what was + passing in the house. And yet something calculated to excite curiosity was + taking place in the opposite stage-box. + </p> +<div class="fig"> + <img src="images/20583m.jpg" alt="20583m" /><br /> + </div> + <h5> + <a href="images/20583.jpg"><i>Original</i></a> + </h5> + <p> + The door of this box opened. A man about forty years of age, of a yellow + complexion, entered; he was clothed after the East Indian fashion, in a + long robe of orange silk, bound round the waist with a green sash, and he + wore a small white turban. He placed two chairs at the front of the box; + and, having glanced round the house for a moment, he started, his black + eyes sparkled, and he went out quickly. That man was Faringhea. His + apparition caused surprise and curiosity in the theatre; the majority of + the spectators not having, like Adrienne, a thousand reasons for being + absorbed in the contemplation of a picturesque set scene. The public + attention was still more excited when they saw the box which Faringhea had + just left, entered by a youth of rare beauty, also dressed Oriental + fashion, in a long robe of white Cashmere with flowing sleeves, with a + scarlet turban striped with gold on his head, and a sash to correspond, in + which was stuck a long dagger, glittering with precious stones. This young + man was Prince Djalma. For an instant he remained standing at the door, + and cast a look of indifference upon the immense theatre, crowded with + people; then, stepping forward with a majestic and tranquil air, the + prince seated himself negligently on one of the chairs, and, turning his + head in a few moments towards the entrance, appeared surprised at not + seeing some person whom he doubtless expected. This person appeared at + length; the boxkeeper had been assisting her to take off her cloak. She + was a charming, fair-haired girl, attired with more show than taste, in a + dress of white silk, with broad cherry-colored stripes, made ultra + fashionably low, and with short sleeves; a large bow of cherry-colored + ribbon was placed on each side of her light hair, and set off the + prettiest, sprightliest, most wilful little face in the world. + </p> + <p> + It was Rose-Pompon. Her pretty arms were partly covered by long white + gloves, and ridiculously loaded with bracelets: in her hand she carried an + enormous bouquet of roses. + </p> + <p> + Far from imitating the calm demeanor of Djalma, Rose-Pompon skipped into + the box, moved the chairs about noisily, and fidgeted on her seat for some + time, to display her fine dress; then, without being in the least + intimidated by the presence of the brilliant assembly, she, with a little + coquettish air, held her bouquet towards Djalma, that he might smell it, + and appeared finally to establish herself on her seat. Faringhea came in, + shut the door of the box, and seated himself behind the prince. Adrienne, + still completely absorbed in the contemplation of the Indian forest, and + in her own sweet thoughts, had not observed the newcomers. As she was + turning her head completely towards the stage, and Djalma could not, for + the moment, see even her profile, he, on his side, had not recognized + Mdlle. de Cardoville. + </p> + <p> + <a name="link2HCH0119" id="link2HCH0119"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XIV. DEATH. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>he pantomime opening, by which was introduced the combat of Morok with + the black panther, was so unmeaning, that the majority of the audience + paid no attention to it, reserving all their interest for the scene in + which the lion-tamer was to make his appearance. + </p> + <p> + This indifference of the public explains the curiosity excited in the + theatre by the arrival of Faringhea and Djalma—a curiosity which + expressed itself (as at this day, when uncommon foreigners appear in + public) by a slight murmur and general movement amongst the crowd. The + sprightly, pretty face of Rose-Pompon, always charming, in spite of her + singularly staring dress, in style so ridiculous for such a theatre, and + her light and familiar manner towards the handsome Indian who accompanied + her, increased and animated the general surprise; for, at this moment, + Rose-Pompon, yielding without reserve to a movement of teasing coquetry, + had held up, as we have already stated, her large bunch of roses to + Djalma. But the prince, at sight of the landscape which reminded him of + his country, instead of appearing sensible to this pretty, provocation, + remained for some minutes as in a dream, with his eyes fixed upon the + stage. Then Rose-Pompon began to beat time on the front of the box with + her bouquet, whilst the somewhat too visible movement of her pretty + shoulders showed that this devoted dancer was thinking of fast-life + dances, as the orchestra struck up a more lively strain. + </p> + <p> + Placed directly opposite the box in which Faringhea, Djalma, and Rose + Pompon had just taken their seats, Lady Morinval soon perceived the + arrival of these two personages, and particularly the eccentric coquetries + of Rose-Pompon. Immediately, the young marchioness, leaning over towards + Mdlle. de Cardoville, who was still absorbed in memories ineffable, said + to her, laughing: “My dear, the most amusing part of the performance is + not upon the stage. Look just opposite.” + </p> + <p> + “Just opposite?” repeated Adrienne, mechanically: and, turning towards + Lady Morinval with an air of surprise, she glanced in the direction + pointed out. + </p> + <p> + She looked—what did she see?—Djalma seated by the side of a + young woman, who was familiarly offering to his sense of smell the perfume + of her bouquet. Amazed, struck almost literally to the heart, as by an + electric shock, swift, sharp, and painful, Adrienne became deadly pale. + From instinct, she shut her eyes for a second, in order not to see—as + men try to ward off the dagger, which, having once dealt the blow, + threatens to strike again. Then suddenly, to this feeling of grief + succeeded a reflection, terrible both to her love and to her wounded + pride. + </p> + <p> + “Djalma is present with this woman, though he must have received my + letter,” she said to herself,—“wherein he was informed of the + happiness that awaited him.” + </p> + <p> + At the idea of so cruel an insult, a blush of shame and indignation + displaced Adrienne’s paleness, who overwhelmed by this sad reality, said + to herself: “Rodin did not deceive me.” + </p> + <p> + We abandon all idea of picturing the lightning-like rapidity of certain + emotions which in a moment may torture—may kill you in the space of + a minute. Thus Adrienne was precipitated from the most radiant happiness + to the lowest depths of an abyss of the most heart-rending grief, in less + than a second; for a second had hardly elapsed before she replied to Lady + Morinval: “What is there, then, so curious, opposite to us, my dear + Julia?” + </p> + <p> + This evasive question gave Adrienne time to recover her self-possession. + Fortunately, thanks to the thick folds of hair which almost entirely + concealed her cheeks, the rapid and sudden changes from pallor to blush + escaped the notice of Lady Morinval, who gayly replied: “What, my dear, do + you not perceive those East Indians, who have just entered the box + immediately opposite to ours? There, just before us!” + </p> + <p> + “Yes, I see them; but what then?” replied Adrienne, in a firm tone. + </p> + <p> + “And don’t you observe anything remarkable?” said the marchioness. + </p> + <p> + “Don’t be too hard, ladies,” laughingly interposed the marquis; “we ought + to allow the poor foreigners some little indulgence. They are ignorant of + our manners and customs; were it not for that, they would never appear in + the face of all Paris in such dubious company.” + </p> + <p> + “Indeed,” said Adrienne, with a bitter smile, “their simplicity is + touching; we must pity them.” + </p> + <p> + “And, unfortunately, the girl is charming, spite of her low dress and bare + arms,” said the marchioness; “she cannot be more than sixteen or seventeen + at most. Look at her, my dear Adrienne; what a pity!” + </p> + <p> + “It is one of your charitable days, my dear Julia,” answered Adrienne; “we + are to pity the Indians, to pity this creature, and—pray, whom else + are we to pity?” + </p> + <p> + “We will not pity that handsome Indian, in his red-and-gold turban,” said + the marquis, laughing, “for, if this goes on, the girl with the cherry + colored ribbons will be giving him a kiss. See how she leans towards her + sultan.” + </p> + <p> + “They are very amusing,” said the marchioness, sharing the hilarity of her + husband, and looking at Rose-Pompom through her glass; then she resumed, + in about a minute, addressing herself to Adrienne: “I am quite certain of + one thing. Notwithstanding her giddy airs, that girl is very fond of her + Indian. I just saw a look that expresses a great deal.” + </p> + <p> + “Why so much penetration, my dear Julia?” said Adrienne, mildly; “what + interest have we to read the heart of that girl?” + </p> + <p> + “Why, if she loves her sultan, she is quite in the right,” said the + marquis, looking through his opera-glass in turn; “for, in my whole life, + I never saw a more handsome fellow than that Indian. I can only catch his + side-face, but the profile is pure and fine as an antique cameo. Do you + not think so?” added the marquis, leaning towards Adrienne. “Of course, it + is only as a matter of art, that I permit myself to ask you the question.” + </p> + <p> + “As a work of art,” answered Adrienne, “it is certainly very fine.” + </p> + <p> + “But see!” said the marchioness; “how impertinent the little creature is!—She + is actually staring at us.” + </p> + <p> + “Well!” said the marquis; “and she is actually laying her hand quite + unceremoniously on her sultan’s shoulder, to make him share, no doubt, in + her admiration of you ladies.” + </p> + <p> + In fact, Djalma, until now occupied with the contemplation of the scene + which reminded him of his country, had remained insensible to the + enticements of Rose-Pompon, and had not yet perceived Adrienne. + </p> + <p> + “Well, now!” said Rose-Pompon, bustling herself about in front of the box, + and continuing to stare at Mdlle. de Cardoville, for it was she, and not + the marchioness, who now drew her attention; “that is something quite out + of the common way—a pretty woman, with red hair; but such sweet red, + it must be owned. Look, Prince Charming!” + </p> + <p> + And so saying, she tapped Djalma lightly on the shoulder; he started at + these words, turned round, and for the first time perceived Mdlle. de + Cardoville. + </p> + <p> + Though he had been almost prepared for this meeting, the prince was so + violently affected by it, that he was about involuntarily to rise, in a + state of the utmost confusion; but he felt the iron hand of Faringhea laid + heavily on his shoulder, and heard him whisper in Hindostanee: “Courage! + and by to-morrow she will be at your feet.” + </p> + <p> + As Djalma still struggled to rise, the half-caste added to restrain him: + “Just now, she grew pale and red with jealousy. No weakness, or all is + lost!” + </p> + <p> + “So! there you are again, talking your dreadful gibberish,” said Rose + Pompon, turning round towards Faringhea. “First of all, it is not polite; + and then the language is so odd, that one might suppose you were cracking + nuts.” + </p> + <p> + “I spoke of you to my master,” said the half-caste; “he is preparing a + surprise for you.” + </p> + <p> + “A surprise? oh! that is different. Only make haste—do you hear, + Prince Charming!” added she, looking tenderly at Djalma. + </p> + <p> + “My heart is breaking,” said Djalma, in a hollow voice to Faringhea, still + using the language of India. + </p> + <p> + “But to-morrow it will bound with joy and love,” answered the half-caste. + “It is only by disdain that you can conquer a proud woman. To-morrow, I + tell you, she will be trembling, confused, supplicating, at your feet!” + </p> + <p> + “To-morrow, she will hate me like death!” replied the prince, mournfully. + </p> + <p> + “Yes, were she now to see you weak and cowardly. It is now too late to + draw back; look full at her, take the nosegay from this girl, and raise it + to your lips. Instantly, you will see yonder woman, proud as she is, grow + pale and red, as just now. Then will you believe me?” + </p> + <p> + Reduced by despair to make almost any attempt, and fascinated, in spite of + himself, by the diabolical hints of Faringhea, Djalma looked for a second + full at Mdlle. de Cardoville; then, with a trembling hand he took the + bouquet from Rose-Pompon, and, again looking at Adrienne, pressed it to + his lips. + </p> + <p> + Upon this insolent bravado, Mdlle. de Cardoville could not restrain so + sudden and visible a pang, that the prince was struck by it. + </p> + <p> + “She is yours,” said the half-caste, to him. “Did you see, my lord, how + she trembled with jealousy?—Only have courage! and she is yours. She + will soon prefer you to that handsome young man behind her—for it is + he whom she has hitherto fancied herself in love with.” + </p> + <p> + As if the half-caste had guessed the movement of rage and hatred, which + this revelation would excite in the heart of the prince, he hastily added: + “Calmness and disdain! Is it not his turn now to hate you?” + </p> + <p> + The prince restrained himself, and drew his hand across his forehead which + glowed with anger. + </p> + <p> + “There now! what are you telling him, that vexes him so?” said Rose Pompon + to Faringhea, with pouting lip. Then, addressing Djalma, she continued: + “Come, Prince Charming, as they say in the fairy-tale, give me back my + flowers.” + </p> + <p> + As she took it again, she added: “You have kissed it, and I could almost + eat it.” Then, with a sigh, and a passionate glance at Djalma, she said + softly to herself: “That monster Ninny Moulin did not deceive me. All this + is quite proper; I have not even that to reproach myself with.” And with + her little white teeth, she bit at a rosy nail of her right hand, from + which she had just drawn the glove. + </p> + <p> + It is hardly necessary to say, that Adrienne’s letter had not been + delivered to the prince, and that he had not gone to pass the day in the + country with Marshal Simon. During the three days in which Montbron had + not seen Djalma, Faringhea had persuaded him, that, by affecting another + passion, he would bring Mdlle. de Cardoville to terms. With regard to + Djalma’s presence at the theatre, Rodin had learned from her maid, + Florine, that her mistress was to go in the evening to the Porte-Saint + Martin. Before Djalma had recognized her, Adrienne, who felt her strength + failing her, was on the point of quitting the theatre; the man, whom she + had hitherto placed so high, whom she had regarded as a hero and a + demi-god and whom she had imagined plunged in such dreadful despair, that, + led by the most tender pity, she had written to him with simple frankness, + that a sweet hope might calm his grief—replied to a generous mark of + sincerity and love, by making himself a ridiculous spectacle with a + creature unworthy of him. What incurable wounds for Adrienne’s pride! It + mattered little, whether Djalma knew or not, that she would be a spectator + of the indignity. But when she saw herself recognized by the prince, when + he carried the insult so far as to look full at her, and, at the same + time, raise to his lips the creature’s bouquet who accompanied him, + Adrienne was seized with noble indignation, and felt sufficient courage to + remain: instead of closing her eyes to evidence, she found a sort of + barbarous pleasure in assisting at the agony and death of her pure and + divine love. With head erect, proud and flashing eye, flushed cheek, and + curling lip, she looked in her turn at the prince with disdainful + steadiness. It was with a sardonic smile that she said to the marchioness, + who, like many others of the spectators was occupied with what was passing + in the stage-box: “This revolting exhibition of savage manners is at least + in accordance with the rest of the performance.” + </p> + <p> + “Certainly,” said the marchioness; “and my dear uncle will have lost, + perhaps, the most amusing part.” + </p> + <p> + “Montbron?” said Adrienne, hastily, with hardly repressed bitterness; + “yes, he will regret not having seen all. I am impatient for his arrival. + Is it not to him that I am indebted for his charming evening?” + </p> + <p> + Perhaps Madame de Morinval would have remarked the expression of bitter + irony, that Adrienne could not altogether dissemble, if suddenly a hoarse + and prolonged roar had net attracted her attention, as well as that of the + rest of the audience, who had hitherto been quite indifferent to the + scenes intended for an introduction to the appearance of Morok. Every eye + was now turned instinctively towards the cavern situated to the left of + the stage, just below Mdlle. de Cardoville’s box; a thrill of curiosity + ran through the house. A second roar, deeper and more sonorous, and + apparently expressive of more irritation than the first, now rose from the + cave, the mouth of which was half-hidden by artificial brambles, made so + as to be easily put on one side. At this sound, the Englishman stood up in + his little box, leaned half over the front, and began to rub his hands + with great energy; then, remaining perfectly motionless, he fixed his + large, green, glittering eyes on the mouth of the cavern. + </p> + <p> + At these ferocious howlings, Djalma also had started, notwithstanding the + frenzy of love, hate, and jealousy, to which he was a prey. The sight of + this forest, and the roarings of the panther, filled him with deep + emotion, for they recalled the remembrance of his country, and of those + great hunts which, like war, have their own terrible excitement. Had he + suddenly heard the horns and gongs of his father’s army sounding to the + charge, he could not have been transported with more savage ardor. And now + deep growls, like distant thunder, almost drowned the roar of the panther. + The lion and tiger, Judas and Cain answered her from their dens at the + back of the stage. On this frightful concert, with which his ears had been + familiar in the midst of the solitudes of India, when he lay encamped, for + the purposes of the chase or of war, Djalma’s blood boiled in his veins. + His eyes sparkled with a wild ardor. Leaning a little forward, with both + hands pressed on the front of the box, his whole body trembled with a + convulsive shudder. The audience, the theatre, Adrienne herself no longer + existed for him; he was in a forest of his own lands, tracking the tiger. + </p> + <p> + Then there mingled with his beauty so intrepid and ferocious an + expression, that Rose-Pompon looked at him with a sort of terror and + passionate admiration. For the first time in her life, perhaps, her pretty + blue eyes, generally so gay and mischievous; expressed a serious emotion. + She could not explain what she felt; but her heart seemed frightened, and + beat violently, as though some calamity were at hand. + </p> + <p> + Yielding to a movement of involuntary fear, she seized Djalma by the arm, + and said to him: “Do not stare so into that cavern; you frighten me.” + </p> +<div class="fig"> + <img src="images/20591m.jpg" alt="20501m" /><br /> + </div> + <h5> + <a href="images/20591.jpg"><i>Original</i></a> + </h5> + <p> + Djalma did not hear what she said. + </p> + <p> + “Here he is! here he is!” murmured the crowd, almost with one voice, as + Morok appeared at the back of the stage. + </p> + <p> + Dressed as we have described, Morok now carried in addition a bow and a + long quiver full of arrows. He slowly descended the line of painted rocks, + which came sloping down towards the centre of the stage. From time to + time, he stopped as if to listen, and appeared to advance with caution. + Looking from one side to the other, his eyes involuntarily encountered the + large, green eyes of the Englishman, whose box was close to the cavern. + Instantly the lion-tamer’s countenance was contracted in so frightful a + manner, that Lady Morinval, who was examining him closely with the aid of + an excellent glass, said hastily to Adrienne: “My dear, the man is afraid. + Some misfortune will happen.” + </p> + <p> + “How can accidents happen,” said Adrienne, with a sardonic smile, “in the + midst of this brilliant crowd, so well dressed and full of animation! + Misfortunes here, this evening! why, dear Julia, you do not think it. It + is in darkness and solitude that misfortunes come—never in the midst + of a joyous crowd, and in all this blaze of light.” + </p> + <p> + “Good gracious, Adrienne! take care!” cried the marchioness, unable to + repress an exclamation of alarm, and seizing her arm, as if to draw her + closer; “do you not see it?” And with a trembling hand, she pointed to the + cavern’s mouth. Adrienne hastily bent forward, and looked in that + direction. “Take care, do not lean so forward!” exclaimed Lady Morinval. + </p> + <p> + “Your terrors are nonsensical, my dear,” said the marquis to his wife. + “The panther is securely chained; and even were it to break its chains + (which is impossible), we are here beyond its reach.” + </p> + <p> + A long murmur of trembling curiosity here ran through the house, and every + eye was intently fixed on the cavern. From amongst the artificial + brambles, which she abruptly pushed aside with her broad chest, the black + panther suddenly appeared. Twice she stretched forth her flat head, + illumined by yellow, flaming eyes; then, half-opening her blood-red jaws, + she uttered another roar, and exhibited two rows of formidable fangs. A + double iron chain, and a collar also of iron, painted black, blended with + the ebon shades of her hide, and with the darkness of the cavern. The + illusion was complete, and the terrible animal seemed to be at liberty in + her den. + </p> + <p> + “Ladies,” said the marquis, suddenly, “look at those Indians. Their + emotion makes them superb!” + </p> + <p> + In fact, the sight of the panther had raised the wild ardor of Djalma to + its utmost pitch. His eyes sparkled in their pearly orbits like two black + diamonds; his upper lip was curled convulsively with an expression of + animal ferocity, as if he were in a violent paroxysm of rage. + </p> + <p> + Faringhea, now leaning on the front of the box, was also greatly excited, + by reason of a strange coincidence. “That black panther of so rare a + breed,” thought he, “which I see here at Paris, upon the stage, must be + the very one that the Malay”—the Thug who had tatooed Djalma at Java + during his sleep—“took quite young from his den, and sold to a + European captain. Bowanee’s power is everywhere!” added the Thug, in his + sanguinary superstition. + </p> + <p> + “Do you not think,” resumed the marquis, addressing Adrienne, “that those + Indians are really splendid in their present attitude?” + </p> + <p> + “Perhaps they may have seen such a hunt in their own country,” said + Adrienne, as if she would recall and brave the most cruel remembrances. + </p> + <p> + “Adrienne,” said the marchioness, suddenly, in an agitated voice, “the + lion-tamer has now come nearer—is not his countenance fearful to + look at?—I tell you he is afraid.” + </p> + <p> + “In truth,” observed the marquis, this time very seriously, “he is + dreadfully pale, and seems to grow worse every minute, the nearer he + approaches this side. It is said that, were he to lose his presence of + mind for a single moment, he would run the greatest danger.” + </p> + <p> + “O! it would be horrible!” cried the marchioness, addressing Adrienne, “if + he were wounded—there—under our eyes!” + </p> + <p> + “Every wound does not kill,” replied her friend, with an accent of such + cold indifference, that the marchioness looked at her with surprise, and + said to her: “My dear girl, what you say there is cruel!” + </p> + <p> + “It is the air of the place that acts on me,” answered Adrienne, with an + icy smile. + </p> + <p> + “Look! look! the lion-tamer is about to shoot his arrow at the panther,” + said the marquis, suddenly. “No doubt, he will next perform the hand to + hand grapple.” + </p> + <p> + Morok was at this moment in front of the stage, but he had yet to traverse + its entire breadth to reach the cavern’s mouth. He stopped an instant, + adjusted an arrow to the string, knelt down behind a mass of rock, took + deliberate aim—and then the arrow hissed across the stage, and was + lost in the depths of the cavern, into which the panther had retired, + after showing for a moment her threatening head to the audience. Hardly + had the arrow disappeared, than Death, purposely irritated by Goliath (who + was invisible) sent forth a howl of rage, as if she had been really + wounded. Morok’s actions became so expressive, he evinced so naturally his + joy at having hit the wild beast, that a tempest of applause burst from + every quarter of the house. Then, throwing away his bow, he drew a dagger + from his girdle, took it between his teeth, and began to crawl forward on + hands and knees, as though he meant to surprise the wounded panther in his + den. To render the illusion perfect, Death, again excited by Goliath, who + struck him with an iron bar, sent forth frightful howlings from the depths + of the cavern. + </p> + <p> + The gloomy aspect of the forest, only half-lighted with a reddish glare, + was so effective—the howlings of the panther were so furious—the + gestures, attitude, and countenance of Morok were so expressive of terror, + that the audience, attentive and trembling, now maintained a profound + silence. Every one held his breath, and a kind of shudder came over the + spectators, as though they expected some horrible event. What gave such a + fearful air of truth to the pantomime of Morok, was that, as he approached + the cavern step by step, he approached also the Englishman’s box. In spite + of himself, the lion-tamer, fascinated by terror, could not take his eyes + from the large green eyes of this man, and it seemed as if every one of + the abrupt movements which he made in crawling along, was produced by a + species of magnetic attraction, caused by the fixed gaze of the fatal + wagerer. Therefore, the nearer Morok approached, the more ghastly and + livid he became. At sight of this pantomime, which was no longer acting, + but the real expression of intense fear, the deep and trembling silence + which had reigned in the theatre was once more interrupted by + acclamations, with which were mingled the roarings of the panther, and the + distant growls of the lion and tiger. + </p> + <p> + The Englishman leaned almost out of his box, with a frightful sardonic + smile on his lip, and with his large eyes still fixed, panted for breath. + The perspiration ran down his bald red forehead, as if he had really + expended an incredible amount of magnetic power in attracting Morok, whom + he now saw close to the cavern entrance. The moment was decisive. + Crouching down with his dagger in his hand, following with eye and gesture + Death’s every movement, who, roaring furiously, and opening wide her + enormous jaws, seemed determined to guard the entrance of her den, Morok + waited for the moment to rush upon her. There is such fascination in + danger, that Adrienne shared, in spite of herself, the feeling of painful + curiosity, mixed with terror, that thrilled through all the spectators. + Leaning forward like the marchioness, and gazing upon this scene of + fearful interest, the lady still held mechanically in her hand the Indian + bouquet preserved since the morning. Suddenly, Morok raised a wild shout, + as he rushed towards Death, who answered this exclamation by a dreadful + roar, and threw herself upon her master with so much fury, that Adrienne, + in alarm, believing the man lost, drew herself back, and covered her fact + with her hands. Her flowers slipped from her grasp, and, falling upon the + stage, rolled into the cavern in which Morok was struggling with the + panther. + </p> + <p> + Quick as lightning, supple and agile as a tiger, yielding to the + intoxication of his love, and to the wild ardor excited in him by the + roaring of the panther, Djalma sprang at one bound upon the stage, drew + his dagger, and rushed into the cavern to recover Adrienne’s nosegay. At + that instant, Morok, being wounded, uttered a dreadful cry for help; the + panther, rendered still more furious at sight of Djalma, make the most + desperate efforts to break her chain. Unable to succeed in doing so, she + rose upon her hind legs, in order to seize Djalma, then within reach of + her sharp claws. It was only by bending down his head, throwing himself on + his knees, and twice plunging his dagger into her belly with the rapidity + of lightning, that Djalma escaped certain death. The panther gave a howl, + and fell with her whole weight upon the prince. For a second, during which + lasted her terrible agony, nothing was seen but a confused and convulsive + mass of black limbs, and white garments stained with blood—and then + Djalma rose, pale, bleeding, for he was wounded—and standing erect, + his eye flashing with savage pride, his foot on the body of the panther, + he held in his hand Adrienne’s bouquet, and cast towards her a glance + which told the intensity of his love. Then only did Adrienne feel her + strength fail her—for only superhuman courage had enabled her to + watch all the terrible incidents of the struggle. + </p> + <p> + <a name="link2H_4_0137" id="link2H_4_0137"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + BOOK IX. + </h2> +<div class="fig"> + <img src="images/30009m.jpg" alt="30009m" /><br /> + </div> + <h5> + <a href="images/30009.jpg"><i>Original</i></a> + </h5> + +<div class="fig"> + <img src="images/30013m.jpg" alt="30013m" /><br /> + </div> + <h5> + <a href="images/30013.jpg"><i>Original</i></a> + </h5> + +<div class="fig"> + <img src="images/30019m.jpg" alt="30019m" /><br /> + </div> + <h5> + <a href="images/30019.jpg"><i>Original</i></a> + </h5> + +<pre xml:space="preserve"> + XV. The Constant Wanderer XVI. The Luncheon XVII. Rendering + the Account XVIII. The Square of Notre Dame XIX. The Cholera + Masquerade XX. The Defiance XXI. Brandy to the Rescue XXII. + Memories XXIII. The Poisoner XXIV. In the Cathedral XXV. The + Murderers XXVI. The Patient XXVII. The Lure XXVIII. Good + News XXIX. The Operation XXX. The Torture XXXI. Vice and + Virtue XXXII. Suicide +</pre> + <p> + <a name="link2HCH0120" id="link2HCH0120"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XV. THE CONSTANT WANDERER. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">I</span>t is night. The moon shines and the stars glimmer in the midst of a + serene but cheerless sky; the sharp whistlings of the north wind, that + fatal, dry, and icy breeze, ever and anon burst forth in violent gusts. + With its harsh and cutting breath, it sweeps Montmartre’s Heights. On the + highest point of the hills, a man is standing. His long shadow is cast + upon the stony, moon-lit ground. He gazes on the immense city, which lies + outspread beneath his feet. PARIS—with the dark outline of its + towers, cupolas, domes, and steeples, standing out from the limpid blue of + the horizon, while from the midst of the ocean of masonry, rises a + luminous vapor, that reddens the starry azure of the sky. It is the + distant reflection of the thousand fires, which at night, the hour of + pleasures, light up so joyously the noisy capital. + </p> + <p> + “No,” said the wayfarer; “it is not to be. The Lord will not exact it. Is + not twice enough? + </p> + <p> + “Five centuries ago, the avenging hand of the Almighty drove me hither + from the uttermost confines of Asia. A solitary traveller, I had left + behind me more grief, despair, disaster, and death, than the innumerable + armies of a hundred devastating conquerors. I entered this town, and it + too was decimated. + </p> + <p> + “Again, two centuries ago, the inexorable hand, which leads me through the + world, brought me once more hither; and then, as the time before, the + plague, which the Almighty attaches to my steps, again ravaged this city, + and fell first on my brethren, already worn out with labor and misery. + </p> + <p> + “My brethren—mine?—the cobbler of Jerusalem, the artisan + accursed by the Lord, who, in my person, condemned the whole race of + workmen, ever suffering, ever disinherited, ever in slavery, toiling on + like me without rest or pause, without recompense or hope, till men, + women, and children, young and old, all die beneath the same iron yoke—that + murderous yoke, which others take in their turn, thus to be borne from age + to age on the submissive and bruised shoulders of the masses. + </p> + <p> + “And now, for the third time in five centuries, I reach the summit of one + of the hills that overlook the city. And perhaps I again bring with me + fear, desolation, and death. + </p> + <p> + “Yet this city, intoxicated with the sounds of its joys and its nocturnal + revelries, does not know—oh! does not know that I am at its gates. + </p> + <p> + “But no, no! my presence will not be a new calamity. The Lord, in his + impenetrable views, has hitherto led me through France, so as to avoid the + humblest hamlet; and the sound of the funeral knell has not accompanied my + passage. + </p> + <p> + “And, moreover, the spectre has left me—the green, livid spectre, + with its hollow, bloodshot eyes. When I touched the soil of France, its + damp and icy hands was no longer clasped in mine—and it disappeared. + </p> + <p> + “And yet—I feel that the atmosphere of death is around me. + </p> + <p> + “The sharp whistlings of that fatal wind cease not, which, catching me in + their whirl, seem to propagate blasting and mildew as they blow. + </p> + <p> + “But perhaps the wrath of the Lord is appeased, and my presence here is + only a threat—to be communicated in some way to those whom it should + intimidate. + </p> + <p> + “Yes; for otherwise he would smite with a fearful blow, by first + scattering terror and death here in the heart of the country, in the bosom + of this immense city! + </p> + <p> + “Oh! no, no! the Lord will be merciful. No! he will not condemn me to this + new torture. + </p> + <p> + “Alas! in this city, my brethren are more numerous and miserable than + elsewhere. And should I be their messenger of death?” + </p> + <p> + “No! the Lord will have pity. For, alas! the seven descendants of my + sister have at length met in this town. And to them likewise should I be + the messenger of death, instead of the help they so much need? + </p> + <p> + “For that woman, who like me wanders from one border of the earth to the + other, after having once more rent asunder the nets of their enemies, has + gone forth upon her endless journey. + </p> + <p> + “In vain she foresaw that new misfortunes threatened my sister’s family. + The invisible hand, that drives me on, drives her on also. + </p> + <p> + “Carried away, as of old, by the irresistible whirlwind, at the moment of + leaving my kindred to their fate, she in vain cried with supplicating + tone: ‘Let me at least, O Lord, complete my task!’—‘GO ON!—‘A + few days, in mercy, only a few poor days!’—‘GO ON’—‘I leave + those I love on the brink of the abyss!’—‘GO ON! GO ON!’ + </p> + <p> + “And the wandering star—again started on its eternal round. And her + voice, passing through space, called me to the assistance of mine own. + </p> + <p> + “When that voice readied me, I knew that the descendants of my sister were + still exposed to frightful perils. Those perils are even now on the + increase. + </p> + <p> + “Tell me, O Lord! will they escape the scourge, which for so many + centuries has weighed down our race? + </p> + <p> + “Wilt thou pardon me in them? wilt thou punish me in them? Oh, that they + might obey the last will of their ancestor! + </p> + <p> + “Oh, that they might join together their charitable hearts, their valor + and their strength, their noble intelligence, and their great riches! + </p> + <p> + “They would then labor for the future happiness of humanity—they + would thus, perhaps, redeem me from my eternal punishment! + </p> + <p> + “The words of the Son of Man, LOVE YE ONE ANOTHER, will be their only end, + their only means. + </p> + <p> + “By the help of those all-powerful words, they will fight and conquer the + false priests, who have renounced the precepts of love, peace, and hope, + for lessons of hatred, violence, and despair. + </p> + <p> + “Those false priests, who, kept in pay by the powerful and happy of this + world, their accomplices in every age, instead of asking here below for + some slight share of well-being for my unfortunate brethren, dare in thy + name, O Lord God, to assert that the poor are condemned to endless + suffering in this world—and that the desire or the hope to suffer + less is a crime in thine eyes—because the happiness of the few, and + the misery of nearly the whole human race, is (O blasphemy!) according to + thy will. Is not the very contrary of those murderous words alone worthy + of divinity! + </p> + <p> + “In mercy, hear me, Lord! Rescue from their enemies the descendants of my + sister—the artisan as the king’s son. Do not let them destroy the + germ of so mighty and fruitful an association, which, with thy blessing, + would make an epoch in the annals of human happiness! + </p> + <p> + “Let me unite them, O Lord, since others would divide them—defend + them, since others attack; let me give hope to those who have ceased to + hope, courage to those who are brought low with fear—let me raise up + the falling, and sustain those who persevere in the way of the righteous! + </p> + <p> + “And, peradventure, their struggles, devotion, virtue, and grief, may + expiate my fault—that of a man, whom misfortune alone rendered + unjust and wicked. + </p> + <p> + “Oh! since Thy Almighty hand hath led me hither—to what end I know + not—lay aside Thy wrath, I beseech Thee—let me be no longer + the instrument of Thy vengeance! + </p> + <p> + “Enough of woe upon the earth! for the last two years, Thy creatures have + fallen by thousands upon my track. The world is decimated. A veil of + mourning extends over all the globe. + </p> + <p> + “From Asia to the icy Pole, they died upon the path of the wanderer. Dost + Thou not hear the long-drawn sigh that rises from the earth unto Thee, O + Lord? + </p> + <p> + “Mercy for all! mercy for me!—Let me but unite the descendants of my + sister for a single day, and they will be saved!” + </p> + <p> + As he pronounced these words, the wayfarer sank upon his knees, and raised + to heaven, his supplicating hands. Suddenly, the wind blew with redoubled + violence; its sharp whistlings were changed into the roar of a tempest. + </p> + <p> + The traveller shuddered; in a voice of terror he exclaimed: “The blast of + death rises in its fury—the whirlwind carries me on—Lord! Thou + art then deaf to my prayer?” + </p> + <p> + “The spectre! oh, the spectre! it is again here! its green face twitching + with convulsive spasms—its red eyes rolling in their orbits. Begone! + begone!—its hand, oh! its icy hand has again laid hold of mine. Have + mercy, heaven!” + </p> + <p> + “GO ON!” + </p> + <p> + “Oh, Lord! the pestilence—the terrible plague—must I carry it + into this city?—And my brethren will perish the first—they, + who are so sorely smitten even now! Mercy!” + </p> + <p> + “GO ON!” + </p> + <p> + “And the descendants of my sister. Mercy! Mercy!” + </p> + <p> + “GO ON!” + </p> + <p> + “Oh, Lord, have pity!—I can no longer keep my ground; the spectre + drags me to the slope of the hill; my walk is rapid as the deadly blast + that rages behind me; already do I behold the city gates. Have mercy, + Lord, on the descendants of my sister! Spare them; do not make me their + executioner; let them triumph over their enemies!” + </p> + <p> + “GO ON! GO ON!” + </p> + <p> + “The ground flies beneath my feet; there is the city gate. Lord, it is yet + time! Oh, mercy for that sleeping town! Let it not waken to cries of + terror, despair, and death! Lord, I am on the threshold. Must it be?—Yes, + it is done. Paris, the plague is in thy bosom. The curse—oh, the + eternal curse!” + </p> + <p> + “GO ON! GO ON! GO ON!” <a name="link2HCH0121" id="link2HCH0121"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XVI. THE LUNCHEON. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>he morning after the doomed traveller, descending the heights of + Montmartre, had entered the walls of Paris, great activity reigned in St. + Dizier House. Though it was hardly noon, the Princess de St. Dizier, + without being exactly in full dress (she had too much taste for that), was + yet arrayed with more care than usual. Her light hair, instead of being + merely banded, was arranged in two bunches of curls, which suited very + well with her full and florid cheeks. Her cap was trimmed with bright + rose-colored ribbon, and whoever had seen the lady in her tight fitting + dress of gray-watered silk would have easily guessed that Mrs. Grivois, + her tirewoman, must have required the assistance and the efforts of + another of the princess’s women to achieve so remarkable a reduction in + the ample figure of their mistress. + </p> + <p> + We shall explain the edifying cause of this partial return to the vanities + of the world. The princess, attended by Mrs. Grivois, who acted as + housekeeper, was giving her final orders with regard to some preparations + that were going on in a vast parlor. In the midst of this room was a large + round table, covered with crimson velvet, and near it stood several + chairs, amongst which, in the place of honor, was an arm chair of gilded + wood. In one corner, not far from the chimney, in which burned an + excellent fire, was a buffet. On it were the divers materials for a most + dainty and exquisite collation. Upon silver dishes were piled pyramids of + sandwiches composed of the roes of carp and anchovy paste, with slices of + pickled tunny-fish and Lenigord truffles (it was in Lent); on silver + dishes, placed over burning spirits of wine, so as to keep them very hot, + tails of Meuse crawfish boiled in cream, smoked in golden colored pastry, + and seemed to challenge comparison with delicious little Marennes + oyster-patties, stewed in Madeira, and flavored with a seasoning of spiced + sturgeon. By the side of these substantial dishes were some of a lighter + character, such as pineapple tarts, strawberry-creams (it was early for + such fruit), and orange-jelly served in the peel, which had been + artistically emptied for that purpose. Bordeaux, Madeira, and Alicant + sparkled like rubies and topazes in large glass decanters, while two + Sevres ewers were filled, one with coffee a la creme, the other with + vanilla chocolate, almost in the state of sherbet, from being plunged in a + large cooler of chiselled silver, containing ice. + </p> + <p> + But what gave to this dainty collation a singularly apostolic and papal + character were sundry symbols of religious worship carefully represented. + Thus there were charming little Calvaries in apricot paste, sacerdotal + mitres in burnt almonds, episcopal croziers in sweet cake, to which the + princess added, as a mark of delicate attention, a little cardinal’s hat + in cherry sweetmeat, ornamented with bands in burnt sugar. The most + important, however, of these Catholic delicacies, the masterpiece of the + cook, was a superb crucifix in angelica, with a crown of candied berries. + These are strange profanations, which scandalize even the least devout. + But, from the impudent juggle of the coat of Triers, down to the shameless + jest of the shrine at Argenteuil, people, who are pious after the fashion + of the princess, seem to take delight in bringing ridicule upon the most + respectable traditions. + </p> + <p> + After glancing with an air of satisfaction at these preparations for the + collation, the lady said to Mrs. Grivois, as she pointed to the gilded + arm-chair, which seemed destined for the president of the meeting: “Is + there a cushion under the table, for his Eminence to rest his feet on? He + always complains of cold.” + </p> + <p> + “Yes, your highness,” said Mrs. Grivois, when she had looked under the + table; “the cushion is there.” + </p> + <p> + “Let also a pewter bottle be filled with boiling water, in case his + Eminence should not find the cushion enough to keep his feet warm.” + </p> + <p> + “Yes, my lady.” + </p> + <p> + “And put some more wood on the fire.” + </p> + <p> + “But, my lady, it is already a very furnace. And if his Eminence is always + too cold, my lord the Bishop of Halfagen is always too hot. He perspires + dreadfully.” + </p> + <p> + The princess shrugged her shoulders, and said to Mrs. Grivois: “Is not his + Eminence Cardinal Malipieri the superior of his Lordship the Bishop of + Halfagen?” + </p> + <p> + “Yes, your highness.” + </p> + <p> + “Then, according to the rules of the hierarchy, it is for his Lordship to + suffer from the heat, rather than his Eminence from the cold. Therefore, + do as I tell you, and put more wood on the fire. Nothing is more natural; + his Eminence being an Italian, and his Lordship coming from the north of + Belgium, they are accustomed to different temperatures.” + </p> + <p> + “Just as your highness pleases,” said Mrs. Grivois, as she placed two + enormous logs on the fire; “but in such a heat as there is here his + Lordship might really be suffocated.” + </p> + <p> + “I also find it too warm; but does not our holy religion teach us lessons + of self-sacrifice and mortification?” said the princess, with a touching + expression of devotion. + </p> + <p> + We have now explained the cause of the rather gay attire of the princess. + She was preparing for a reception of prelates, who, along with Father + d’Aigrigny and other dignitaries of the Church, had already held at the + princely house a sort of council on a small scale. A young bride who gives + her first ball, an emancipated minor who gives his first bachelor’s + dinner, a woman of talent who reads aloud for the first time her first + unpublished work, are not more joyous and proud, and, at the same time, + more attentive to their guests, than was this lady with her prelates. To + behold great interests discussed in her house, and in her presence, to + hear men of acknowledged ability ask her advice upon certain practical + matters relating to the influence of female congregations, filled the + princess with pride, as her claims to consideration were thus sanctioned + by Lordships and Eminences, and she took the position, as it were, of a + mother of the Church. Therefore, to win these prelates, whether native or + foreign, she had recourse to no end of saintly flatteries and sanctified + coaxing. Nor could anything be more logical than these successive + transfigurations of this heartless woman, who only loved sincerely and + passionately the pursuit of intrigue and domination. With the progress of + age, she passed naturally from the intrigues of love to those of politics, + and from the latter to those of religion. + </p> + <p> + At the moment she finished inspecting her preparations, the sound of + coaches was heard in the courtyard, apprising her of the arrival of the + persons she had been expecting. Doubtless, these persons were of the + highest rank, for contrary to all custom, she went to receive them at the + door of her outer saloon. It was, indeed, Cardinal Malipieri, who was + always cold, with the Belgian Bishop of Halfagen, who was always hot. They + were accompanied by Father d’Aigrigny. The Roman cardinal was a tall man, + rather bony than thin, with a yellowish puffy countenance, haughty and + full of craft; he squinted a good deal, and his black eyes were surrounded + by a deep brown circle. The Belgian Bishop was short, thick, and fat, with + a prominent abdomen, an apoplectic complexion, a slow, deliberate look, + and a soft, dimpled, delicate hand. + </p> +<div class="fig"> + <img src="images/30029m.jpg" alt="30029m" /><br /> + </div> + <h5> + <a href="images/30029.jpg"><i>Original</i></a> + </h5> + <p> + The company soon assembled in the great saloon. The cardinal instantly + crept close to the fire, whilst the bishop, beginning to sweat and blow, + cast longing glances at the iced chocolate and coffee, which were to aid + him in sustaining the oppressive heat of the artificial dog-day. Father + d’Aigrigny, approaching the princess, said to her in a low voice: “Will + you give orders for the admittance of Abbe Gabriel de Rennepont, when he + arrives?” + </p> + <p> + “Is that young priest then here?” asked the princess, with extreme + surprise. + </p> + <p> + “Since the day before yesterday. We had him sent for to Paris, by his + superiors. You shall know all. As for Father Rodin, let Mrs. Grivois admit + him, as the other day, by the little door of the back stairs.” + </p> + <p> + “He will come to-day?” + </p> + <p> + “He has very important matters to communicate. He desires that both the + cardinal and the bishop should be present for they have been informed of + everything at Rome by the Superior General, in their quality of + associates.” + </p> + <p> + The princess rang the bell, gave the necessary orders, and, returning + towards the cardinal, said to him, in a tone of the most earnest + solicitude: “Does your Eminence begin to feel a little warmer? Would your + Eminence like a bottle of hot water to your feet? Shall we make a larger + fire for your Eminence?” + </p> + <p> + At this proposition, the Belgian bishop, who was wiping the perspiration + from his forehead, heaved a despairing sigh. + </p> + <p> + “A thousand thanks, princess,” answered the cardinal to her, in very good + French, but with an intolerable Italian accent; “I am really overcome with + so much kindness.” + </p> + <p> + “Will not your Lordship take some refreshment?” said the princess to the + bishop, as she turned towards the sideboard. + </p> + <p> + “With your permission, madame, I will take a little iced coffee,” said the + prelate, making a prudent circuit to approach the dishes without passing + before the fire. + </p> + <p> + “And will not your Eminence try one of these little oyster-patties? They + are quite hot,” said the princess. + </p> + <p> + “I know them already, princess,” said the cardinal, with the air and look + of an epicure; “they are delicious, and I cannot resist the temptation.” + </p> + <p> + “What wine shall I have the honor to offer your Eminence?” resumed the + princess, graciously. + </p> + <p> + “A little claret, if you please, madame;” and as Father d’Aigrigny + prepared to fill the cardinal’s glass, the princess disputed with him that + pleasure. + </p> + <p> + “Your Eminence will doubtless approve what I have done,” said Father + d’Aigrigny to the cardinal, whilst the latter was gravely despatching the + oyster-patties, “in not summoning for to-day the Bishop of Mogador, the + Archbishop of Nanterre, and our holy Mother Perpetue, the lady-superior of + St. Mary Convent, the interview we are about to have with his Reverence + Father Rodin and Abbe Gabriel being altogether private and confidential.” + </p> + <p> + “Our good father was perfectly right,” said the cardinal; “for, though the + possible consequences of this Rennepont affair may interest the whole + Church, there are some things that are as well kept secret.” + </p> + <p> + “Then I must seize this opportunity to thank your Eminence for having + deigned to make an exception in favor of a very obscure and humble servant + of the Church,” said the princess to the cardinal, with a very deep and + respectful curtsey. + </p> + <p> + “It is only just and right, madame,” replied the cardinal, bowing as he + replaced his empty glass upon the table; “we know how much the Church is + indebted to you for the salutary direction you give to the religious + institutions of which you are the patroness.” + </p> + <p> + “With regard to that, your Eminence may be assured that I always refuse + assistance to any poor person who cannot produce a certificate from the + confessional.” + </p> + <p> + “And it is only thus, madame,” resumed the cardinal, this time allowing + himself to be tempted by the attractions of the crawfish’s tails, “it is + only thus that charity has any meaning. I care little that the irreligious + should feel hunger, but with the pious it is different;” and the prelate + gayly swallowed a mouthful. “Moreover,” resumed he, “it is well known with + what ardent zeal you pursue the impious, and those who are rebels against + the authority of our Holy Father.” + </p> + <p> + “Your Eminence may feel convinced that I am Roman in heart and soul; I see + no difference between a Gallican and a Turk,” said the princess, bravely. + </p> + <p> + “The princess is right,” said the Belgian bishop: “I will go further, and + assert that a Gallican should be more odious to the church than a pagan. + In this respect I am of the opinion of Louis XIV. They asked him a favor + for a man about the court. ‘Never,’ said the great king; ‘this person is a + Jansenist.’—‘No, sire; he is an atheist.’—‘Oh! that is + different; I will grant what he asks,’ said the King.” + </p> + <p> + This little episcopal jest made them all laugh. After which Father + d’Aigrigny resumed seriously, addressing the cardinal: “Unfortunately, as + I was about to observe to your Eminence with regard to the Abbe Gabriel, + unless they are very narrowly watched, the lower clergy have a tendency to + become infected with dissenting views, and with ideas of rebellion against + what they call the despotism of the bishops.” + </p> + <p> + “This young man must be a Catholic Luther!” said the bishop. And, walking + on tip-toe, he went to pour himself out a glorious glass of Madeira, in + which he soaked some sweet cake, made in the form of a crozier. + </p> + <p> + Led by his example, the Cardinal, under pretence of warming his feet by + drawing still closer to the fire, helped himself to an excellent glass of + old Malaga, which he swallowed by mouthfuls, with an air of profound + meditation; after which he resumed: “So this Abbe Gabriel starts as a + reformer. He must be an ambitious man. Is he dangerous?” + </p> + <p> + “By our advice his superiors have judged him to be so. They have ordered + him to come hither. He will soon be here, and I will tell your Eminence + why I have sent for him. But first, I have a note on the dangerous + tendencies of the Abbe Gabriel. Certain questions were addressed to him, + with regard to some of his acts, and it was in consequence of his answers + that his superiors recalled him.” + </p> + <p> + So saying, Father d’Aigrigny, took from his pocket-book a paper, which he + read as follows: + </p> + <p> + “‘Question.—Is it true that you performed religious rites for an + inhabitant of your parish who died in final impenitence of the most + detestable kind, since he had committed suicide? + </p> + <p> + “‘Answer of Abbe Gabriel.—I paid him the last duties, because, more + than any one else, because of his guilty end, he required the prayers of + the church. During the night which followed his interment I continually + implored for him the divine mercy. + </p> + <p> + “‘Q.—Is it true that you refused a set of silver-gilt sacramental + vessels, and other ornaments, with which one of the faithful, in pious + zeal, wished to endow your parish? + </p> + <p> + “‘A.—I refused the vessels and embellishments, because the house of + the Lord should be plain and without ornament, so as to remind the + faithful that the divine Saviour was born in a stable. I advised the + person who wished to make these useless presents to my parish to employ + the money in judicious almsgiving, assuring him it would be more agreeable + to the Lord.’” + </p> + <p> + “What a bitter and violent declamation against the adorning of our + temples!” cried the cardinal. “This young priest is most dangerous. + Continue, my good father.” + </p> + <p> + And, in his indignation, his Eminence swallowed several mouthfuls of + strawberry-cream. Father d’Aigrigny continued. + </p> + <p> + “‘Q.—Is it true that you received in your parsonage, and kept there + for some days, an inhabitant of the village, by birth a Swiss, belonging + to the Protestant communion? Is it true that not only you did not attempt + to convert him to the one Catholic and Apostolic faith, but that you + carried so far the neglect of your sacred duties as to inter this heretic + in the ground consecrated for the repose of true believers? + </p> + <p> + “‘A.—One of my brethren was houseless. His life had been honest and + laborious. In his old age his strength had failed him, and sickness had + come at the back of it; almost in a dying state, he had been driven from + his humble dwelling by a pitiless landlord, to whom he owed a year’s rent. + I received the old man in my house, and soothed his last days. The poor + creature had toiled and suffered all his life; dying, he uttered no word + of bitterness at his hard fate; he recommended his soul to God and piously + kissed the crucifix. His pure and simple spirit returned to the bosom of + its Creator. I closed his eyes with respect, I buried him, I prayed for + him; and, though he died in the Protestant faith, I thought him worthy of + a place in consecrated ground.’” + </p> + <p> + “Worse and worse!” said the cardinal. “This tolerance is monstrous. It is + a horrible attack on that maxim of Catholicism: ‘Out of the pale of the + Church there is no salvation.’” + </p> + <p> + “And all this is the more serious, my lord,” resumed Father d’Aigrigny, + “because the mildness, charity, and Christian devotion of Abbe Gabriel + have excited, not only in his parish, but in all the surrounding + districts, the greatest enthusiasm. The priests of the neighboring + parishes have yielded to the general impulse, and it must be confessed + that but for his moderation a wide-spread schism would have commenced.” + </p> + <p> + “But what do you hope will result from bringing him here?” said the + prelate. + </p> + <p> + “The position of Abbe Gabriel is complicated; first of all, he is the heir + of the Rennepont family.” + </p> + <p> + “But has he not ceded his rights?” asked the cardinal. + </p> + <p> + “Yes, my lord; and this cession, which was at first informal, has lately, + with his free consent, been made perfectly regular in law; for he had + sworn, happen what might, to renounce his part of the inheritance in favor + of the Society of Jesus. Nevertheless, his Reverence Father Rodin thinks, + that if your Eminence, after explaining to Abbe Gabriel that he was about + to be recalled by his superiors, were to propose to him some eminent + position at Rome, he might be induced to leave France, and we might + succeed in arousing within him those sentiments of ambition which are + doubtless only sleeping for the present; your Eminence, having observed, + very judiciously, that every reformer must be ambitious.” + </p> + <p> + “I approve of this idea,” said the cardinal, after a moment’s reflection; + “with his merit and power of acting on other men, Abbe Gabriel may rise + very high, if he is docile; and if he should not be so, it is better for + the safety of the Church that he should be at Rome than here—for you + know, my good father, we have securities that are unfortunately wanting in + France.”(36) + </p> + <p> + After some moments of silence, the cardinal said suddenly to Father + d’Aigrigny: “As we were talking of Father Rodin, tell me frankly what you + think of him.” + </p> + <p> + “Your Eminence knows his capacity,” said Father d’Aigrigny, with a + constrained and suspicious air; “our reverend Father-General—” + </p> + <p> + “Commissioned him to take your place,” said the cardinal; “I know that. He + told me so at Rome. But what do you think of the character of Father + Rodin? Can one have full confidence in him?” + </p> + <p> + “He has so complete, so original, so secret, and so impenetrable a mind,” + said Father d’Aigrigny, with hesitation, “that it is difficult to form any + certain judgment with respect to him.” + </p> + <p> + “Do you think him ambitious?” said the cardinal, after another moment’s + pause. “Do you not suppose him capable of having other views than those of + the greater glory of his Order?—Come, I have reasons for speaking + thus,” added the prelate, with emphasis. + </p> + <p> + “Why,” resumed Father d’Aigrigny, not without suspicion, for the game is + played cautiously between people of the same craft, “what should your + Eminence think of him, either from your own observation, or from the + report of the Father-General?” + </p> + <p> + “I think—that if his apparent devotion to his Order really concealed + some after-thought—it would be well to discover it—for, with + the influence that he has obtained at Rome (as I have found out), he might + one day, and that shortly, become very formidable.” + </p> + <p> + “Well!” cried Father d’Aigrigny, impelled by his jealousy of Rodin; “I am, + in this respect, of the same opinion as your Eminence; for I have + sometimes perceived in him flashes of ambition, that were as alarming as + they were extraordinary—and since I must tell all to your Eminence—” + </p> + <p> + Father d’Aigrigny was unable to continue; at this moment Mrs. Grivois, who + had been knocking at the door, half-opened it, and made a sign to her + mistress. The princess answered by bowing her head, and Mrs. Grivois again + withdrew. A second afterwards Rodin entered the room. + </p> + <p> + (36) It is known that, in 1845, the Inquisition, solitary confinement, + etc., still existed at Rome. + </p> + <p> + <a name="link2HCH0122" id="link2HCH0122"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XVII. RENDERING THE ACCOUNT. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span>t sight of Rodin, the two prelates and Father d’Aigrigny rose + spontaneously, so much were they overawed by the real superiority of this + man; their faces, just before contracted with suspicion and jealousy, + suddenly brightened up, and seemed to smile on the reverend father with + affectionate deference. The princess advanced some steps to meet him. + </p> + <p> + Rodin, badly dressed as ever, leaving on the soft carpet the muddy track + of his clumsy shoes, put his umbrella into one corner, and advanced + towards the table—not with his accustomed humility, but with slow + step, uplifted head, and steady glance; not only did he feel himself in + the midst of his partisans, but he knew that he could rule them all by the + power of his intellect. + </p> + <p> + “We were speaking of your reverence, my dear, good father,” said the + cardinal, with charming affability. + </p> + <p> + “Ah!” said Rodin, looking fixedly at the prelate; “and what were you + saying?” + </p> + <p> + “Why,” replied the Belgian bishop, wiping his forehead, “all the good that + can be said of your reverence.” + </p> + <p> + “Will you not take something, my good father?” said the princess to Rodin, + as she pointed to the splendid sideboard. + </p> + <p> + “Thank you, madame, I have eaten my radish already this morning.” + </p> + <p> + “My secretary, Abbe Berlini, who was present at your repast, was, indeed, + much astonished at your reverence’s frugality,” said the prelate: “it is + worthy of an anchorite.” + </p> + <p> + “Suppose we talk of business,” said Rodin, abruptly, like a man accustomed + to lead and control the discussion. + </p> + <p> + “We shall always be most happy to hear you,” said the prelate. “Your + reverence yourself fixed to-day to talk over this great Rennepont affair. + It is of such importance, that it was partly the cause of my journey to + France; for to support the interests of the glorious Company of Jesus, + with which I have the honor of being associated, is to support the + interests of Rome itself, and I promised the reverend Father-General that + I would place myself entirely at your orders.” + </p> + <p> + “I can only repeat what his Eminence has just said,” added the bishop. “We + set out from Rome together, and our ideas are just the same.” + </p> + <p> + “Certainly,” said Rodin, addressing the cardinal, “your Eminence may serve + our cause, and that materially. I will tell you how presently.” + </p> + <p> + Then, addressing the princess, he continued: “I have desired Dr. Baleinier + to come here, madame, for it will be well to inform him of certain + things.” + </p> + <p> + “He will be admitted as usual,” said the princess. + </p> + <p> + Since Rodin’s arrival Father d’Aigrigny had remained silent; he seemed + occupied with bitter thoughts, and with some violent internal struggle. At + last, half rising, he said to the prelate, in a forced tone of voice: “I + will not ask your Eminence to judge between the reverend Father Rodin and + myself. Our General has pronounced, and I have obeyed. But, as your + Eminence will soon see our superior, I should wish that you would grant me + the favor to report faithfully the answers of Father Rodin to one or two + questions I am about to put to him.” + </p> + <p> + The prelate bowed. Rodin looked at Father d’Aigrigny with an air of + surprise, and said to him, dryly: “The thing is decided. What is the use + of questions?” + </p> + <p> + “Not to justify myself,” answered Father d’Aigrigny, “but to place matters + in their true light before his Eminence.” + </p> + <p> + “Speak, then; but let us have no useless speeches,” said Rodin, drawing + out his large silver watch, and looking at it. “By two o’clock I must be + at Saint-Sulpice.” + </p> + <p> + “I will be as brief as possible,” said Father d’Aigrigny, with repressed + resentment. Then, addressing Rodin, he resumed: “When your reverence + thought fit to take my place, and to blame, very severely perhaps, the + manner in which I had managed the interests confided to my care, I confess + honestly that these interests were gravely compromised.” + </p> + <p> + “Compromised?” said Rodin, ironically; “you mean lost. Did you not order + me to write to Rome, to bid them renounce all hope?” + </p> + <p> + “That is true,” said Father d’Aigrigny. + </p> + <p> + “It was then a desperate case, given up by the best doctors,” continued + Rodin, with irony, “and yet I have undertaken to restore it to life. Go + on.” + </p> + <p> + And, plunging both hands into the pockets of his trousers, he looked + Father d’Aigrigny full in the face. + </p> +<div class="fig"> + <img src="images/30037m.jpg" alt="30037m" /><br /> + </div> + <h5> + <a href="images/30037.jpg"><i>Original</i></a> + </h5> + <p> + “Your reverence blamed me harshly,” resumed Father d’Aigrigny, “not for + having sought, by every possible means, to recover the property odiously + diverted from our society—” + </p> + <p> + “All your casuists authorize you to do so,” said the cardinal; “the texts + are clear and positive; you have a right to recover; per fas aut nefas + what has been treacherously taken from you.” + </p> + <p> + “And therefore,” resumed Father d’Aigrigny, “Father Rodin only reproached + me with the military roughness of my means. ‘Their violence,’ he said, + ‘was in dangerous opposition to the manners of the age.’ Be it so; but + first of all, I could not be exposed to any legal proceedings, and, but + for one fatal circumstance, success would have crowned the course I had + taken, however rough and brutal it may appear. Now, may I ask your + reverence what—” + </p> + <p> + “What I have done more than you?” said Rodin to Father d’Aigrigny, giving + way to his impertinent habit of interrupting people; “what I have done + better than you?—what step I have taken in the Rennepont affair, + since I received it from you in a desperate condition? Is that what you + wish to know?” + </p> + <p> + “Precisely,” said Father d’Aigrigny, dryly. + </p> + <p> + “Well, I confess,” resumed Rodin, in a sardonic tone, “just as you did + great things, coarse things, turbulent things, I have been doing little, + puerile, secret things. Oh, heaven! you cannot imagine what a foolish part + I, who passed for a man of enlarged views, have been acting for the last + six weeks.” + </p> + <p> + “I should never have allowed myself to address such a reproach to your + reverence, however deserved it may appear,” said Father d’Aigrigny, with a + bitter smile. + </p> + <p> + “A reproach?” said Rodin, shrugging his shoulders; “a reproach? You shall + be the judge. Do you know what I wrote about you, some six weeks ago? Here + it is: ‘Father d’Aigrigny has excellent qualities. He will be of much + service to me’—and from to-morrow I shall employ you very actively, + added Rodin, by way of parenthesis—‘but he is not great enough to + know how to make himself little on occasion.’ Do you understand?” + </p> + <p> + “Not very well,” said Father d’Aigrigny, blushing. + </p> + <p> + “So much the worse for you,” answered Rodin; “it only proves that I was + right. Well, since I must tell you, I have been wise enough to play the + most foolish part for six whole weeks. Yes, I have chatted nonsense with a + grisette—have talked of liberty, progress, humanity, emancipation of + women, with a young, excited girl; of Napoleon the Great, and all sorts of + Bonapartist idolatry, with an old, imbecile soldier; of imperial glory, + humiliation of France, hopes in the King of Rome, with a certain marshal + of France, who, with a heart full of adoration for the robber of thrones, + that was transported to Saint-Helena, has a head as hollow and sonorous as + a trumpet, into which you have only to blow some warlike or patriotic + notes, and it will flourish away of itself, without knowing why or how. + More than all this, I have talked of love affairs with a young tiger. When + I told you it was lamentable to see a man of any intelligence descend, as + I have done, to all such petty ways of connecting the thousand threads of + this dark web, was I not right? Is it not a fine spectacle to see the + spider obstinately weaving its net?—to see the ugly little black + animal crossing thread upon thread, fastening it here, strengthening it + there, and again lengthening it in some other place? You shrug your + shoulders in pity; but return two hours after—what will you find? + The little black animal eating its fill, and in its web a dozen of the + foolish flies, bound so securely, that the little black animal has only to + choose the moment of its repast.” + </p> + <p> + As he uttered those words, Rodin smiled strangely; his eyes, gradually + half closed, opened to their full width, and seemed to shine more than + usual. The Jesuit felt a sort of feverish excitement, which he attributed + to the contest in which he had engaged before these eminent personages, + who already felt the influence of his original and cutting speech. + </p> + <p> + Father d’Aigrigny began to regret having entered on the contest. He + resumed, however, with ill-repressed irony: “I do not dispute the + smallness of your means. I agree with you, they are very puerile—they + are even very vulgar. But that is not quite sufficient to give an exalted + notion of your merit. May I be allowed to ask—” + </p> + <p> + “What these means have produced?” resumed Rodin, with an excitement that + was not usual with him. “Look into my spider’s web, and you will see there + the beautiful and insolent young girl, so proud, six weeks ago, of her + grace, mind, and audacity—now pale, trembling, mortally wounded at + the heart.” + </p> + <p> + “But the act of chivalrous intrepidity of the Indian prince, with which + all Paris is ringing,” said the princess, “must surely have touched Mdlle. + de Cardoville.” + </p> + <p> + “Yes; but I have paralyzed the effect of that stupid and savage devotion, + by demonstrating to the young lady that it is not sufficient to kill black + panthers to prove one’s self a susceptible, delicate, and faithful lover.” + </p> + <p> + “Be it so,” said Father d’Aigrigny; “we will admit the fact that Mdlle. de + Cardoville is wounded to the heart.” + </p> + <p> + “But what does this prove with regard to the Rennepont affair?” asked the + cardinal, with curiosity, as he leaned his elbows on the table. + </p> + <p> + “There results from it,” said Rodin, “that when our most dangerous enemy + is mortally wounded, she abandons the battlefield. That is something, I + should imagine.” + </p> + <p> + “Indeed,” said the princess, “the talents and audacity of Mdlle. de + Cardoville would make her the soul of the coalition formed against us.” + </p> + <p> + “Be it so,” replied Father d’Aigrigny, obstinately; “she may be no longer + formidable in that respect. But the wound in her heart will not prevent + her from inheriting.” + </p> + <p> + “Who tells you so?” asked Rodin, coldly, and with assurance. “Do you know + why I have taken such pains, first to bring her in contact with Djalma, + and then to separate her from him?” + </p> + <p> + “That is what I ask you,” said Father D’Aigrigny; “how can this storm of + passion prevent Mdlle. de Cardoville and the prince from inheriting?” + </p> + <p> + “Is it from the serene, or from the stormy sky, that darts the destroying + thunderbolt?” said Rodin, disdainfully. “Be satisfied; I shall know where + to place the conductor. As for M. Hardy, the man lived for three things: + his workmen, his friend, his mistress. He has been thrice wounded in the + heart. I always take aim at the heart; it is legal and sure.” + </p> + <p> + “It is legal, and sure, and praiseworthy,” said the bishop; “for, if I + understand you rightly, this manufacturer had a concubine; now it is well + to make use of an evil passion for the punishment of the wicked.” + </p> + <p> + “True, quite true,” added the cardinal; “if they have evil passion for us + to make use of it, it is their own fault.” + </p> + <p> + “Our holy Mother Perpetue,” said the princess, “took every means to + discover this abominable adultery.” + </p> + <p> + “Well, then, M. Hardy is wounded in his dearest affections, I admit,” said + Father d’Aigrigny, still disputing every inch of ground; “ruined too in + his fortune, which will only make him the more eager after this + inheritance.” + </p> + <p> + The argument appeared of weight to the two prelates and the princess; all + looked at Rodin with anxious curiosity. Instead of answering he walked up + to the sideboard, and, contrary to his habits of stoical sobriety, and in + spite of his repugnance for wine, he examined the decanters, and said: + “What is there in them?” + </p> + <p> + “Claret and sherry,” said the hostess, much astonished at the sudden taste + of Rodin, “and—” + </p> + <p> + The latter took a decanter at hazard, and poured out a glass of Madeira, + which he drank off at a draught. Just be fore he had felt a strange kind + of shivering; to this had succeeded a sort of weakness. He hoped the wine + would revive him. + </p> + <p> + After wiping his mouth with the back of his dirty hand, he returned to the + table, and said to Father d’Aigrigny: “What did you tell me about M. + Hardy?” + </p> + <p> + “That being ruined in fortune, he would be the more eager to obtain this + immense inheritance,” answered Father d’Aigrigny, inwardly much offended + at the imperious tone. + </p> + <p> + “M. Hardy think of money?” said Rodin, shrugging his shoulders. “He is + indifferent to life, plunged in a stupor from which he only starts to + burst into tears. Then he speaks with mechanical kindness to those about + him. I have placed him in good hands. He begins, however, to be sensible + to the attentions shown him, for he is good, excellent, weak; and ii is to + this excellence, Father d’Aigrigny, that you must appeal to finish the + work in hand.” + </p> + <p> + “I?” said Father d’Aigrigny, much surprised. + </p> + <p> + “Yes; and then you will find that the result I have obtained is + considerable, and—” + </p> + <p> + Rodin paused, and, pressing his hand to his forehead, said to himself: “It + is strange!” + </p> + <p> + “What is the matter?” said the princess, with interest. + </p> + <p> + “Nothing, madame,” answered Rodin, with a shiver; “it is doubtless the + wine I drank; I am not accustomed to it. I feel a slight headache; but it + will pass.” + </p> + <p> + “Your eyes are very bloodshot, my good father, said the princess. + </p> + <p> + “I have looked too closely into my web,” answered the Jesuit, with a + sinister smile; “and I must look again, to make Father d’Aigrigny, who + pretends to be blind, catch a glimpse of my other flies. The two daughters + of Marshal Simon, for instance, growing sadder and more dejected every + day, at the icy barrier raised between them and their father; and the + latter thinking himself one day dishonored if he does this, another if he + does that; so that the hero of the Empire has become weaker and more + irresolute than a child. What more remains of this impious family? Jacques + Rennepont? Ask Morok, to what a state of debasement intemperance has + reduced him, and towards what an abyss he is rushing!—There is my + occurrence-sheet; you see to what are reduced all the members of this + family, who, six weeks ago, had each elements of strength and union! + Behold these Renneponts, who, by the will of their heretical ancestor, + were to unite their forces to combat and crush our Society!—There + was good reason to fear them; but what did I say? That I would act upon + their passions. What have I done? I have acted upon their passions. At + this hour they are vainly struggling in my web—they are mine—they + are mine—” + </p> + <p> + As he was speaking, Rodin’s countenance and voice had undergone a singular + alteration; his complexion, generally so cadaverous, had become flushed, + but unequally, and in patches; then, strange phenomenon! his eyes grew + both more brilliant and more sunken, and his voice sharper and louder. The + change in the countenance of Rodin, of which he did not appear to be + conscious, was so remarkable, that the other actors in this scene looked + at him with a sort of terror. + </p> + <p> + Deceived as to the cause of this impression, Rodin exclaimed with + indignation, in a voice interrupted by deep gaspings for breath: “It is + pity for this impious race, that I read upon your faces? Pity for the + young girl, who never enters a church, and erects pagan altars in her + habitation? Pity for Hardy, the sentimental blasphemer, the philanthropic + atheist, who had no chapel in his factory, and dared to blend the names of + Socrates, Marcus, Aurelius, and Plato, with our Savior’s? Pity for the + Indian worshipper of Brahma? Pity for the two sisters, who have never even + been baptized? Pity for that brute, Jacques Rennepont? Pity for the stupid + imperial soldier, who has Napoleon for his god, and the bulletins of the + Grand Army for his gospel? Pity for this family of renegades, whose + ancestor, a relapsed heretic, not content with robbing us of our property, + excites from his tomb, at the end of a century and a half, his cursed race + to lift their heads against us? What! to defend ourselves from these + vipers, we shall not have the right to crush them in their own venom?—I + tell you, that it is to serve heaven, and to give a salutary example to + the world, to devote, by unchaining their own passions, this impious + family to grief and despair and death!” + </p> + <p> + As he spoke thus, Rodin was dreadful in his ferocity; the fire of his eyes + became still more brilliant; his lips were dry and burning, a cold sweat + bathed his temples, which could be seen throbbing; an icy shudder ran + through his frame. Attributing these symptoms to fatigue from writing + through a portion of the night, and wishing to avoid fainting, he went to + the sideboard, filled another glass with wine, which he drank off at a + draught, and returned as the cardinal said to him: “If your course with + regard to this family needed justification, my good father, your last word + would have victoriously justified it. Not only are you right, according to + your own casuists, but there is nothing in your proceedings contrary to + human laws. As for the divine law, it is pleasing to the Lord to destroy + impiety with its own weapons.” + </p> + <p> + Conquered, as well as the others, by Rodin’s diabolical assurance, and + brought back to a kind of fearful admiration, Father d’Aigrigny said to + him: “I confess I was wrong in doubting the judgment of your reverence. + Deceived by the appearance of the means employed, I could not judge of + their connection, and above all, of their results. I now see, that, thanks + to you, success is no longer doubtful.” + </p> + <p> + “This is an exaggeration,” replied Rodin, with feverish impatience; “all + these passions are at work, but the moment is critical. As the alchemist + bends over the crucible, which may give him either treasures or sudden + death—I alone at this moment—” + </p> + <p> + Rodin did not finish the sentence. He pressed both his hands to his + forehead, with a stifled cry of pain. + </p> + <p> + “What is the matter?” said Father d’Aigrigny. “For some moments you have + been growing fearfully pale.” + </p> + <p> + “I do not know ‘what is the matter,” said Rodin, in an altered voice; “my + headache increases—I am seized with a sort of giddiness.” + </p> + <p> + “Sit down,” said the princess, with interest. + </p> + <p> + “Take something,” said the bishop. + </p> + <p> + “It will be nothing,” said Rodin, with an effort; “I am no milksop, thank + heaven!—I had little sleep last night; it is fatigue—nothing + more. I was saying, that I alone could now direct this affair: but I + cannot execute the plan myself. I must keep out of the way, and watch in + the shade: I must hold the threads, which I alone can manage,” added + Rodin, in a faint voice. + </p> + <p> + “My good father,” said the cardinal uneasily, “I assure you that you are + very unwell. Your paleness is becoming livid.” + </p> + <p> + “It is possible,” answered Rodin, courageously; “but I am not to be so + soon conquered. To return to our affair—this is the time, in which + your qualities, Father d’Aigrigny, will turn to good account. I have never + denied them, and they may now be of the greatest use. You have the power + of charming—grace—eloquence—you must—” + </p> + <p> + Rodin paused again. A cold sweat poured from his forehead. He felt his + legs give way under him, notwithstanding his obstinate energy. + </p> + <p> + “I confess, I am not well,” he said; “yet, this morning, I was as well as + ever. I shiver. I am icy cold.” + </p> + <p> + “Draw near the fire—it is a sudden indisposition,” said the bishop, + offering his arm with heroic devotion; “it will not be anything of + consequence.” + </p> + <p> + “If you were to take something warm, a cup of tea,” said the princess; + “Dr. Baleinier will be here directly—he will reassure us as to this—indisposition.” + </p> + <p> + “It is really inexplicable,” said the prelate. + </p> + <p> + At these words of the cardinal, Rodin, who had advanced with difficulty + towards the fire, turned his eyes upon the prelate, and looked at him + fixedly in a strange manner, for about a second; then, strong in his + unconquerable energy, notwithstanding the change in his features, which + were now visibly disfigured, Rodin said, in a broken voice, which he tried + to make firm: “The fire has warmed me; it will be nothing. I have no time + to coddle myself. It would be a pretty thing to fall ill just as the + Rennepont affair can only succeed by my exertions! Let us return to + business. I told you, Father d’Aigrigny, that you might serve us a good + deal; and you also, princess, who have espoused this cause as if it were + your own—” + </p> +<div class="fig"> + <img src="images/30045m.jpg" alt="30045m" /><br /> + </div> + <h5> + <a href="images/30045.jpg"><i>Original</i></a> + </h5> + <p> + Rodin again paused. This time he uttered a piercing cry, sank upon a chair + placed near him, and throwing himself back convulsively, he pressed his + hands to his chest, and exclaimed: “Oh! what pain!” + </p> + <p> + Then (dreadful sight!) a cadaverous decomposition, rapid as thought, took + place in Rodin’s features. His hollow eyes were filled with blood, and + seemed to shrink back in their orbits, which formed, as it were, two dark + holes, in the centre of which blazed points of fire; nervous convulsions + drew the flabby, damp, and icy skin tight over the bony prominences of the + face, which was becoming rapidly green. From the lips, writhing with pain, + issued the struggling breath, mingled with the words: “Oh! I suffer! I + burn!” + </p> + <p> + Then, yielding to a transport of fury. Rodin tore with his nails his naked + chest, for he had twisted off the buttons of his waistcoat, and rent his + black and filthy shirt-front, as if the pressure of those garments + augmented the violence of the pain under which he was writhing. The + bishop, the cardinal, and Father d’Aigrigny, hastily approached Rodin, to + try and hold him; he was seized with horrible convulsions; but, suddenly, + collecting all his strength, he rose upon his feet stiff as a corpse. + Then, with his garments in disorder, his thin, gray hair standing up all + around his greenish face, fixing his red and flaming eyes upon the + cardinal, he seized him with convulsive grasp, and exclaimed in a terrible + voice, half stifled in his throat: “Cardinal Malipieri—this illness + is too sudden—they suspect me at Rome—you are of the race of + the Borgias—and your secretary was with me this morning!” + </p> + <p> + “Unhappy man! what does he dare insinuate?” cried the prelate, as amazed + as he was indignant at the accusation. So saying, the cardinal strove to + free himself from the grasp of Rodin, whose fingers were now as stiff as + iron. + </p> + <p> + “I am poisoned!” muttered Rodin, and sinking back, he fell into the arms + of Father d’Aigrigny. + </p> + <p> + Notwithstanding his alarm, the cardinal had time to whisper to the latter: + “He thinks himself poisoned. He must therefore be plotting something very + dangerous.” + </p> + <p> + The door of the room opened. It was Dr. Baleinier. + </p> + <p> + “Oh, doctor!” cried the princess, as she ran pale and frightened towards + him; “Father Rodin has been suddenly attacked with terrible convulsions. + Quick! quick!” + </p> + <p> + “Convulsions? oh! it will be nothing, madame,” said the doctor, throwing + down his hat upon a chair, and hastily approaching the group which + surrounded the sick man. + </p> + <p> + “Here is the doctor!” cried the princess. All stepped aside, except Father + d’Aigrigny, who continued to support Rodin, leaning against a chair. + </p> + <p> + “Heavens! what symptoms!” cried Dr. Baleinier, examining with growing + terror the countenance of Rodin, which from green was turning blue. + </p> + <p> + “What is it?” asked all the spectators, with one voice. + </p> + <p> + “What is it?” repeated the doctor, drawing back as if he had trodden upon + a serpent. “It is the cholera! and contagious!” + </p> + <p> + On this frightful, magic word, Father d’Aigrigny abandoned his hold of + Rodin, who rolled upon the floor. + </p> + <p> + “He is lost!” cried Dr. Baleinier. “But I will run to fetch the means for + a last effort.” And he rushed towards the door. + </p> + <p> + The Princess de Saint-Dizier, Father d’Aigrigny, the bishop, and the + cardinal followed in terror the flight of Dr. Baleinier. They all pressed + to the door, which, in their consternation, they could not open. It opened + at last but from without—and Gabriel appeared upon the threshold. + Gabriel, the type of the true priest, the holy, the evangelical minister, + to whom we can never pay enough of respect and ardent sympathy, and tender + admiration. His angelic countenance, in its mild serenity, offered a + striking contrast of these faces, all disturbed and contracted with + terror. + </p> + <p> + The young priest was nearly thrown down by the fugitives, who rushed + through the now open doorway, exclaiming: “Do not go in! he is dying of + the cholera. Fly!” + </p> + <p> + On these words, pushing back the bishop, who, being the last, was trying + to force a passage, Gabriel ran towards Rodin, while the prelate succeeded + in making his escape. Rodin, stretched upon the carpet, his limbs twisted + with fearful cramps, was writhing in the extremity of pain. The violence + of his fall had, no doubt, roused him to consciousness, for he moaned, in + a sepulchral voice: “They leave me to die—like a dog—the + cowards!—Help!—no one—” + </p> + <p> + And the dying man, rolling on his back with a convulsive movement, turned + towards the ceiling a face on which was branded the infernal despair of + the damned, as he once more repeated: “No one!—not one!” + </p> + <p> + His eyes, which suddenly flamed with fury, just then met the large blue + eyes of the angelic and mild countenance of Gabriel who, kneeling beside + him, said to him, in his soft, grave tones: “I am here, father—to + help you, if help be possible—to pray for you, if God calls you to + him.” + </p> + <p> + “Gabriel!” murmured Rodin, with failing voice; “forgive me for the evil I + have done you—do not leave me—do not—” + </p> + <p> + Rodin could not finish; he had succeeded in raising himself into a sitting + posture; he now uttered a loud cry, and fell back without sense or motion. + </p> + <p> + The same day it was announced in the evening papers: “The cholera has + broken out in Paris. The first case declared itself this day, at half past + three, P.M. in the Rue de Babylone, at Saint-Dizier House.” + </p> + <p> + <a name="link2HCH0123" id="link2HCH0123"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XVIII. THE SQUARE OF NOTRE DAME. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span> week had passed since Rodin was seized with the cholera, and its ravages + had continually increased. That was an awful time! A funeral pall was + spread over Paris, once so gay. And yet, never had the sky been of a more + settled, purer blue; never had the sun shone more brilliantly. The + inexorable serenity of nature, during the ravages of the deadly scourge, + offered a strange and mysterious contrast. The flaunting light of the + dazzling sunshine fell full upon the features, contracted by a thousand + agonizing fears. Each trembled for himself, or for those dear to him; + every countenance was stamped with an expression of feverish astonishment + and dread. People walked with rapid steps, as if they would escape from + the fate which threatened them; besides, they were in haste to return to + their homes, for often they left life, health, happiness, and, two hours + later, they found agony, death, and despair. + </p> + <p> + At every moment, new dismal objects met the view. Sometimes carts passed + along, filled with coffins, symmetrically piled; they stopped before every + house. Men in black and gray garments were in waiting before the door; + they held out their hands, and to some, one coffin was thrown, to some + two, frequently three or four, from the same house. It sometimes happened + that the store was quickly exhausted, and the cart, which had arrived + full, went away empty, whilst many of the dead in the street were still + unserved. In nearly every dwelling, upstairs and down, from the roof to + the cellar, there was a stunning tapping of hammers: coffins were being + nailed down, and so many, so very many were nailed, that sometimes those + who worked stopped from sheer fatigue. Then broke forth laments, + heart-rending moans, despairing imprecations. They were uttered by those + from whom the men in black and gray had taken some one to fill the + coffins. + </p> + <p> + Unceasingly were the coffins filled, and day and night did those men work, + but by day more than by night, for, as soon as it was dusk, came a gloomy + file of vehicles of all kinds—the usual hearses were not sufficient; + but cars, carts, drays, hackney-coaches, and such like, swelled the + funeral procession; different to the other conveyances, which entered the + streets full and went away empty—these came empty but soon returned + full. During that period, the windows of many houses were illuminated, and + often the lights remained burning till the morning. It was “the season.” + These illuminations resembled the gleaming rays which shine in the gay + haunts of pleasure; but there were tapers instead of wax candles, and the + chanting of prayers for the dead replaced the murmur of the ball-room. In + the streets, instead of the facetious transparencies which indicate the + costumers, there swung at intervals huge lanterns of a blood-red color, + with these words in black letters: “Assistance for those attacked with the + cholera.” The true places for revelry, during the night, were the + churchyards; they ran riot—they, usually so desolate and silent, + during the dark, quiet hours, when the cypress trees rustle in the breeze, + so lonely, that no human step dared to disturb the solemn silence which + reigned there at night, became on a sudden, animated, noisy, riotous, and + resplendent with light. By the smoky flames of torches, which threw a red + glare upon the dark fir-trees, and the white tombstones, many + grave-diggers worked merrily, humming snatches of some favorite tune. + Their laborious and hazardous industry then commanded a very high price; + they were in such request that it was necessary to humor them. They drank + often and much; they sang long and loud; and this to keep up their + strength and spirits good, absolute requisites in such an employment. If, + by chance, any did not finish the grave they had begun, some obliging + comrade finished it for them (fitting expression!), and placed them in it + with friendly care. + </p> + <p> + Other distant sounds responded to the joyous strains of the grave diggers; + public-houses had sprung up in the neighborhood of the churchyards, and + the drivers of the dead, when they had “set down their customers,” as they + jocosely expressed themselves, enriched with their unusual gratuities, + feasted and made merry like lords; dawn often found them with a glass in + their hands, and a jest on their lips; and, strange to say, among these + funeral satellites, who breathed the very atmosphere of the disease, the + mortality was scarcely perceptible. In the dark, squalid quarters of the + town, where, surrounded by infectious exhalations, the indigent population + was crowded together, and miserable beings, exhausted by severe privation, + were “bespoke” by the cholera, as it was energetically said at the time, + not only individuals, but whole families, were carried off in a few hours; + and yet, sometimes, oh, merciful Providence! one or two little children + were left in the cold and empty room, after the father and mother, brother + and sister, had been taken away in their shells. + </p> + <p> + Frequently, houses which had swarmed with hard working laborers, were + obliged to be shut up for want of tenants; in one day, they had been + completely cleared by this terrible visitation, from the cellars, where + little chimney-sweepers slept upon straw, to the garret, on whose cold + brick floor lay stretched some wan and half-naked being, without work and + without bread. But, of all the wards of Paris, that which perhaps + presented the most frightful spectacle during the progress of the cholera, + was the City; and in the City, the square before the cathedral of + Notre-Dame was almost every day the theatre of dreadful scenes: for this + locality was frequently thronged with those who conveyed the sick from the + neighboring streets to the Great Hospital. The cholera had not one aspect, + but a thousand. So that one week after Rodin had been suddenly attacked, + several events combining the horrible and the grotesque occurred in the + square of Notre Dame. + </p> + <p> + Instead of the Rue d’Arcole, which now leads directly to the square, it + was then approached on one side, by a mean, narrow lane, like all the + other streets of the City, and terminating in a dark, low archway. Upon + entering the square the principal door of the huge Cathedral was to the + left of the spectator, and facing him were the Hospital buildings. A + little beyond, was an opening which gave to view a portion of the parapet + of the Quay Notre-Dame. A placard had been recently stuck on the + discolored and sunken wail of the archway; it contained these words, + traced in large characters.(37) + </p> + <p> + “VENGEANCE! VENGEANCE! + </p> + <p> + “The Working-men carried to the hospitals are poisoned, because the number + of patients is too great; every night, Boats filled with corpses, drop + down the Seine. + </p> + <p> + “Vengeance and Death to the murderers of the People!” + </p> + <p> + Two men, enveloped in cloaks, and half-hidden in the deep shadow of the + vault, were listening with anxious curiosity to the threatening murmur, + which rose with increasing force from among a tumultuous assembly, grouped + around the Hospital. Soon, cries of “Death to the doctors!—Vengeance!” + reached the ears of the persons who were in ambush under the arch. + </p> + <p> + “The posters are working,” said one; “the train is on fire. When once the + populace is roused, we can set them on whom we please.” + </p> + <p> + “I say,” replied the other man, “look over there. That Hercules, whose + athletic form towers above the mob, was cue of the most frantic leaders + when M. Hardy’s factory was destroyed.” + </p> + <p> + “To be sure he was; I know him again. Wherever mischief is to be done, you + are sure to find those vagabonds. + </p> + <p> + “Now, take my advice, do not let us remain under this archway,” said the + other man; “the wind is as cold as ice, and though I am cased in flannel—” + </p> + <p> + “You are right, the cholera is confoundedly impolite. Besides, everything + is going on well here; I am likewise assured that the whole of the + Faubourg Saint-Antoine is ready to rise in the republican cause; that will + serve our ends, and our holy religion will triumph over revolutionary + impiety. Let us rejoin Father d’Aigrigny.” + </p> + <p> + “Where shall we find him?” + </p> + <p> + “Near here, come—come.” + </p> + <p> + The two hastily disappeared. + </p> + <p> + The sun, beginning to decline, shed its golden rays upon the blackened + sculptures of the porch of Notre-Dame, and upon its two massy towers, + rising in imposing majesty against a perfectly blue sky, for during the + fast few days, a north-east wind, dry and cold, had driven away the + lightest cloud. A considerable number of people, as we have already + stated, obstructed the approach to the Hospital; they crowded round the + iron railings that protect the front of the building, behind which was + stationed a detachment of infantry, the cries of “Death to the doctors!” + becoming every moment more threatening. The people who thus vociferated. + belonged to an idle, vagabond, and depraved populace—the dregs of + the Paris mob; and (terrible spectacle!) the unfortunate beings who were + forcibly carried through the midst of these hideous groups entered the + Hospital, whilst the air resounded with hoarse clamors, and cries of + “Death.” Every moment, fresh victims were brought along in litters, and on + stretchers; the litters were frequently furnished with coarse curtains, + and thus the sick occupants were concealed from the public gaze; but the + stretchers, having no covering, the convulsive movements of the dying + patients often thrust aside the sheet, and exposed to view their faces, + livid as corpses. Far from inspiring with terror the wretches assembled + round the Hospital, such spectacles became to them the signal for savage + jests, and atrocious predictions upon the fate of these poor creatures, + when once in the power of the doctors. + </p> +<div class="fig"> + <img src="images/30053m.jpg" alt="30053m" /><br /> + </div> + <h5> + <a href="images/30053.jpg"><i>Original</i></a> + </h5> + <p> + The big blaster and Ciboule, with a good many of their adherents, were + among the mob. After the destruction of Hardy’s factory, the quarryman was + formally expelled from the union of the Wolves, who would have nothing + more to do with this wretch; since then, he had plunged into the grossest + debauchery, and speculating on his herculean strength, had hired himself + as the officious champion of Ciboule and her compeers. With the exception + therefore of some chance passengers, the square of Notre-Dame was filled + with a ragged crowd, composed of the refuse of the Parisian populace—wretches + who call for pity as well as blame; for misery, ignorance, and + destitution, beget but too fatally vice and crime. These savages of + civilization felt neither pity, improvement, nor terror, at the shocking + sights with which they were surrounded; careless of a life which was a + daily struggle against hunger, or the allurements of guilt, they braved + the pestilence with infernal audacity, or sank under it with blasphemy on + their lips. + </p> + <p> + The tall form of the quarryman was conspicuous amongst the rest; with + inflamed eyes and swollen features, he yelled at the top of his voice: + “Death to the body-snatchers! they poison the people.” + </p> + <p> + “That is easier than to feed them,” added Ciboule. Then, addressing + herself to an old man, who was being carried with great difficulty through + the dense crowd, upon a chair, by two men, the hag continued: “Hey? don’t + go in there, old croaker; die here in the open air instead of dying in + that den, where you’ll be doctored like an old rat.” + </p> + <p> + “Yes,” added the quarryman; “and then they’ll throw you into the water to + feast the fishes, which you won’t swallow any more.” + </p> + <p> + At these atrocious cries, the old man looked wildly around, and uttered + faint groans. Ciboule wished to stop the persons who were carrying him, + and they had much difficulty in getting rid of the hag. The number of + cholera-patients arriving increased every moment, and soon neither litters + nor stretchers could be obtained, so that they were borne along in the + arms of the attendants. Several awful episodes bore witness to the + startling rapidity of the infection. Two men were carrying a stretcher + covered with a blood-stained sheet; one of them suddenly felt himself + attacked with the complaint; he stopped short, his powerless arms let go + the stretcher; he turned pale, staggered, fell upon the patient, becoming + as livid as him; the other man, struck with terror, fled precipitately, + leaving his companion and the dying man in the midst of the crowd. Some + drew back in horror, others burst into a savage laugh. + </p> + <p> + “The horses have taken fright,” said the quarryman, “and have left the + turn-out in the lurch.” + </p> + <p> + “Help!” cried the dying man, with a despairing accent; “for pity’s sake + take me in.” + </p> + <p> + “There’s no more room in the pit,” said one, in a jeering tone. + </p> + <p> + “And you’ve no legs left to reach the gallery,” added another. + </p> + <p> + The sick man made an effort to rise; but his strength failed him; he fell + back exhausted on the mattress. A sudden movement took place among the + crowd, the stretcher was overturned, the old man and his companion were + trodden underfoot, and their groans were drowned in the cries of “Death to + the body-snatchers!” The yells were renewed with fresh fury, but the + ferocious band, who respected nothing in their savage fury, were soon + after obliged to open their ranks to several workmen, who vigorously + cleared the way for two of their friends carrying in their arms a poor + artisan. He was still young, but his heavy and already livid head hung + down upon the shoulder of one of them. A little child followed, sobbing, + and holding by one of the workmen’s coats. The measured and sonorous sound + of several drums was now heard at a distance in the winding streets of the + city: they were beating the call to arms, for sedition was rife in the + Faubourg Saint-Antoine. The drummers emerged from under the archway, and + were traversing the square, when one of them, a gray-haired veteran, + suddenly slackened the rolling of his drum, and stood still: his + companions turned round in surprise—he had turned green; his legs + gave way, he stammered some unintelligible words, and had fallen upon the + pavement before those in the front rank had time to pause. The + overwhelming rapidity of this attack startled for a moment the most + hardened among the surrounding spectators; for, wondering at the + interruption, a part of the crowd had rushed towards the soldiers. + </p> + <p> + At sight of the dying man, supported in the arms of two of his comrades, + one of the individuals, who, concealed under the arch, had watched the + beginning of the popular excitement, said to the drummers: “Your comrade + drank, perhaps, at some fountain on the road?” + </p> + <p> + “Yes, sir,” replied one; “he was very thirsty; he drank two mouthfuls of + water on the Place du Chatelet.” + </p> + <p> + “Then he is poisoned,” said the man. + </p> + <p> + “Poisoned?” cried several voices. + </p> + <p> + “It is not surprising,” replied the man, in a mysterious tone; “poison is + thrown into the public fountains; and this very morning a man was + massacred in the Rue Beaubourg who was discovered emptying a paper of + arsenic into a pot of wine at a public-house.”(38) + </p> + <p> + Having said these words, the man disappeared in the crowd. This report, no + less absurd than the tales about the poisoning of the Hospital patients, + was received with a general burst of indignation. Five or six ragged + beings, regular ruffians, seized the body of the expiring drummer, hoisted + it upon their shoulders, in spite of all the efforts of his comrades to + prevent them, and paraded the square exhibiting the dismal trophy. Ciboule + and the quarryman went before, crying: “Wake way for the corpse! This is + how they poison the people!” + </p> + <p> + A fresh incident now attracted the attention of the crowd. A travelling + carriage, which had not been able to pass along the Quai-Napoleon, the + pavement of which was up, had ventured among the intricate streets of the + city, and now arrived in the square of Notre-Dame on its way to the other + side of the Seine. Like many others, its owners were flying from Paris, to + escape the pestilence which decimated it. A man-servant and a lady’s maid + were in the rumble, and they exchanged a glance of alarm as they passed + the Hospital, whilst a young man seated in the front part of the carriage + let down the glass, and called to the postilions to go slowly, for fear of + accident, as the crowd was very dense at that part of the square. This + young man was Lord Morinval, and on the back seat were Lord Montbron and + his niece, Lady Morinval. The pale and anxious countenance of the young + lady showed the alarm which she felt; and Montbron, notwithstanding his + firmness of mind, appeared to be very uneasy; he, as well as his niece, + frequently had recourse to a smelling-bottle filled with camphor. + </p> + <p> + During the last few minutes, the carriage had advanced very slowly, the + postilions managing their horses with great caution, when a sudden hubbub, + at first distant and undefined, but soon more distinct, arose among the + throng, as it drew near, the ringing sound of chains and metal, peculiar + to the artillery-wagons, was plainly audible, and presently one of these + vehicles came towards the travelling-carriage, from the direction of the + Quai Notre-Dame. It seemed strange, that though the crowd was so compact, + yet at the rapid approach of this wagon, the close ranks of human beings + opened as if by enchantment, but the following words which were passed + from mouth to mouth soon accounted for the prodigy: “A wagon full of dead! + the wagon of the dead!” As we have already stated, the usual funeral + conveyances were no longer sufficient for the removal of the corpses; a + number of artillery wagons had been put into requisition, and the coffins + were hastily piled in these novel hearses. + </p> + <p> + Many of the spectators regarded this gloomy vehicle with dismay, but the + quarryman and his band redoubled their horrible jokes. + </p> + <p> + “Make way for the omnibus of the departed!” cried Ciboule. + </p> + <p> + “No danger of having one’s toes crushed in that omnibus,” said the + quarryman. + </p> + <p> + “Doubtless they’re easy to please, the stiff-uns in there.” + </p> + <p> + “They never want to be set down, at all events.” + </p> + <p> + “I say, there’s only one reg’lar on duty as postilion!” + </p> + <p> + “That’s true, the leaders are driven by a man in a smock-frock.” + </p> + <p> + “Oh! I daresay the other soldier was tired, lazy fellow! and got into the + omnibus with the others—they’ll all get out at the same big hole.” + </p> + <p> + “Head foremost, you know.” + </p> + <p> + “Yes, they pitch them head first into a bed of lime.” + </p> + <p> + “Why, one might follow the dead-cart blind-fold, and no mistake. It’s + worse than Montfaucon knacker-yards!” + </p> + <p> + “Ha! ha! ha!—it’s rather gamey!” said the quarryman, alluding to the + infectious and cadaverous odor which this funeral conveyance left behind + it. + </p> + <p> + “Here’s sport!” exclaimed Ciboule: “the omnibus of the dead will run + against the fine coach. Hurrah! the rich folks will smell death.” + </p> + <p> + Indeed, the wagon was now directly in front of the carriage, and at a very + little distance from it. A man in a smock-frock and wooden shoes drove the + two leaders, and an artilleryman the other horses. The coffins were so + piled up within this wagon, that its semicircular top did not shut down + closely, so that, as it jolted heavily over the uneven pavement, the biers + could be seen chafing against each other. The fiery eyes and inflamed + countenance of the man in the smock-frock showed that he was half + intoxicated; urging on the horses with his voice, his heels, and his whip, + he paid no attention to the remonstrances of the soldier, who had great + difficulty in restraining his own animals, and was obliged to follow the + irregular movements of the carman. Advancing in this disorderly manner, + the wagon deviated from its course just as it should have passed the + travelling-carriage, and ran against it. The shock forced open the top, + one of the coffins was thrown out, and, after damaging the panels of the + carriage, fell upon the pavement with a dull and heavy sound. The deal + planks had been hastily nailed together, and were shivered in the fall, + and from the wreck of the coffin rolled a livid corpse, half enveloped in + a shroud. + </p> + <p> + At this horrible spectacle, Lady Morinval, who had mechanically leaned + forward, gave a loud scream, and fainted. The crowd fell back in dismay; + the postilions, no less alarmed, took advantage of the space left open to + them by the retreat of the multitude; they whipped their horses, and the + carriage dashed on towards the quay. As it disappeared behind the + furthermost buildings of the Hospital, the shrill joyous notes of distant + trumpets were heard, and repeated shouts proclaimed: “The Cholera + Masquerade!” The words announced one of those episodes combining + buffoonery with terror, which marked the period when the pestilence was on + the increase, though now they can with difficulty be credited. If the + evidence of eyewitnesses did not agree in every particular with the + accounts given in the public papers of this masquerade, they might be + regarded as the ravings of some diseased brain, and not as the notice of a + fact which really occurred. + </p> + <p> + “The Masquerade of the Cholera” appeared, we say, in the square of Notre + Dame, just as Morinval’s carriage gained the quay, after disengaging + itself from the death-wagon. + </p> + <p> + (37) It is well-known that at the time of the cholera, such placards were + numerous in Paris, and were alternately attributed to opposite parties. + Among others, to the priests, many of the bishops having published + mandatory letters, or stated openly in the churches of their diocese, that + the Almighty had sent the cholera as a punishment to France for having + driven away its lawful sovereign, and assimilated the Catholic to other + forms of worship. + </p> + <p> + (38) It is notorious, that at this unhappy period several persons were + massacred, under a false accusation of poisoning the fountains, etc. + </p> + <p> + <a name="link2HCH0124" id="link2HCH0124"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XIX. THE CHOLERA MASQUERADE.(39) + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span> stream of people, who preceded the masquerade, made a sudden irruption + through the arch into the square, uttering loud cheers as they advanced. + Children were also there, blowing horns, whilst some hooted and others + hissed. + </p> + <p> + The quarryman, Ciboule, and their band, attracted by this new spectacle, + rushed tumultuously towards the arch. Instead of the two eating-houses, + which now (1845) stand on either side of the Rue d’Arcole, there was then + only one, situated to the left of the vaulted passage, and much celebrated + amongst the joyous community of students, for the excellence both of its + cookery and its wines. At the first blare of the trumpets, sounded by the + outriders in livery who preceded the masquerade, the windows of the great + room of the eating-house were thrown open, and several waiters, with their + napkins under their arms, leaned forward, impatient to witness the arrival + of the singular guests they were expecting. + </p> + <p> + At length, the grotesque procession made its appearance in the thick of an + immense uproar. The train comprised a chariot, escorted by men and women + on horseback, clad in rich and elegant fancy dresses. Most of these + maskers belonged to the middle and easy classes of society. The report had + spread that masquerade was in preparation, for the purpose of daring the + cholera, and, by this joyous demonstration, to revive the courage of the + affrighted populace. Immediately, artists, young men about town, students, + and so on, responded to the appeal, and though till now unknown one to the + other, they easily fraternized together. Many brought their mistresses, to + complete the show. A subscription had been opened to defray the expenses, + and, that morning, after a splendid breakfast at the other end of Paris, + the joyous troop had started bravely on their march, to finish the day by + a dinner in the square of Notre Dame. + </p> + <p> + We say bravely, for it required a singular turn of mind, a rare firmness + of character, in young women, to traverse, in this fashion, a great city + plunged in consternation and terror—to fall in at every step with + litters loaded with the dying, and carriages filled with the dead—to + defy, as it were, in a spirit of strange pleasantry, the plague that was + detonating the Parisians. It is certain that, in Paris alone, and there + only amongst a peculiar class, could such an idea have ever been conceived + or realized. Two men, grotesquely disguised as postilions at a funeral, + with formidable false noses, rose-colored crape hat-bands and large favors + of roses and crape bows at their buttonholes, rode before the vehicle. + Upon the platform of the car were groups of allegorical personages, + representing WINE, PLEASURE, LOVE, PLAY. The mission of these symbolical + beings was, by means of jokes, sarcasms, and mockeries, to plague the life + out of Goodman Cholera, a sort of funeral and burlesque Cassander, whom + they ridiculed and made game of in a hundred ways. The moral of the play + was this: “To brave Cholera in security, let us drink, laugh, game, and + make love!” + </p> + <p> + WINE was represented by a huge, lusty Silenus, thick-set, and with swollen + paunch, a crown of ivy on his brow, a panther’s skin across his shoulder, + and in his hand a large gilt goblet, wreathed with flowers. None other + than Ninny Moulin, the famous moral and religious writer, could have + exhibited to the astonished and delighted spectators an ear of so deep a + scarlet, so majestic an abdomen, and a face of such triumphant and + majestic fulness. Every moment, Ninny Moulin appeared to empty his cup—after + which he burst out laughing in the face of Goodman Cholera. Goodman + Cholera, a cadaverous pantaloon, was half-enveloped in a shroud; his mask + of greenish cardboard, with red, hollow eyes, seemed every moment to grin + as in mockery of death; from beneath his powdered peruke, surmounted by a + pyramidical cotton night-cap, appeared his neck and arm, dyed of a bright + green color; his lean hand, which shook almost always with a feverish + trembling (not feigned, but natural), rested upon a crutch-handled cane; + finally, as was becoming in a pantaloon, he wore red stockings, with + buckles at the knees, and high slippers of black beaver. This grotesque + representative of the cholera was Sleepinbuff. + </p> + <p> + Notwithstanding a slow and dangerous fever, caused by the excessive use of + brandy, and by constant debauchery, that was silently undermining his + constitution, Jacques Rennepont had been induced by Morok to join the + masquerade. The brute-tamer himself, dressed as the King of Diamonds, + represented PLAY. His forehead was adorned with a diadem of gilded paper, + his face was pale and impassible, and as his long, yellow beard fell down + the front of his parti-colored robe, Morok looked exactly the character he + personated. From time to time, with an air of grave mockery, he shook + close to the eyes of Goodman Cholera a large bag full of sounding + counters, and on this bag were painted all sorts of playing cards. A + certain stiffness in the right arm showed that the lion-tamer had not yet + quite recovered from the effects of the wound which the panther had + inflicted before being stabbed by Djalma. + </p> + <p> + PLEASURE, who also represented Laughter, classically shook her rattle, + with its sonorous gilded bells, close to the ears of Goodman Cholera. She + was a quick, lively young girl, and her fine black hair was crowned with a + scarlet cap of liberty. For Sleepinbuff’s sake, she had taken the place of + the poor Bacchanal queen, who would not have failed to attend on such an + occasion—she, who had been so valiant and gay, when she bore her + part in a less philosophical, but not less amusing masquerade. Another + pretty creature, Modeste Bornichoux, who served as a model to a painter of + renown (one of the cavaliers of the procession), was eminently successful + in her representation of LOVE. He could not have had a more charming face, + and more graceful form. Clad in a light blue spangled tunic, with a blue + and silver band across her chestnut hair, and little transparent wings + affixed to her white shoulders, she placed one forefinger upon the other, + and pointed with the prettiest impertinence at Goodman Cholera. Around the + principal group, other maskers, more or less grotesque in appearance, + waved each a banner, an which were inscriptions of a very anacreontic + character, considering the circumstances: + </p> + <p> + “Down with the Cholera!” “Short and sweet!” “Laugh away, laugh always!” + “We’ll collar the Cholera!” “Love forever!” “Wine forever!” “Come if you + dare, old terror!” + </p> + <p> + There was really such audacious gayety in this masquerade, that the + greater number of the spectators, at the moment when it crossed the + square, in the direction of the eating-house, where dinner was waiting, + applauded it loudly and repeatedly. This sort of admiration, which + courage, however mad and blind, almost always inspires, appeared to others + (a small number, it must be confessed) a kind of defiance to the wrath of + heaven; and these received the procession with angry murmurs. This + extraordinary spectacle, and the different impressions it produced, were + too remote from all customary facts to admit of a just appreciation. We + hardly know if this daring bravado was deserving of praise or blame. + </p> +<div class="fig"> + <img src="images/30061m.jpg" alt="30061m" /><br /> + </div> + <h5> + <a href="images/30061.jpg"><i>Original</i></a> + </h5> + <p> + Besides, the appearance of those plagues, which from age to age decimate + the population of whole countries, has almost always been accompanied by a + sort of mental excitement, which none of those who have been spared by the + contagion can hope to escape. It is a strange fever of the mind, which + sometimes rouses the most stupid prejudices and the most ferocious + passions, and sometimes inspires, on the contrary, the most magnificent + devotion, the most courageous actions—with some, driving the fear of + death to a point of the wildest terror—with others, exciting the + contempt of life to express itself in the most audacious bravadoes. Caring + little for the praise or blame it might deserve, the masquerade arrived + before the eating-house, and made its entry in the midst of universal + acclamations. Everything seemed to combine to give full effect to this + strange scene, by the opposition of the most singular contrasts. Thus the + tavern, in which was to be held this extraordinary feast, being situated + at no great distance from the antique cathedral, and the gloomy hospital, + the religious anthems of the ancient temple, the cries of the dying, and + the bacchanalian songs of the banqueteers, must needs mingle, and by turns + drown one another. The maskers now got down from their chariot, and from + their horses, and went to take their places at the repast, which was + waiting for them. The actors in the masquerade are at table in the great + room of the tavern. They are joyous, noisy, even riotous. Yet their gayety + has a strange tone, peculiar to itself. + </p> + <p> + Sometimes, the most resolute involuntarily remember that their life is at + stake in this mad and audacious game with destiny. That fatal thought is + rapid as the icy fever-shudder, which chills you in an instant; therefore, + from time to time, an abrupt silence, lasting indeed only for a second, + betrays these passing emotions which are almost immediately effaced by new + bursts of joyful acclamation, for each one says to himself: “No weakness! + my chum and my girl are looking at me!” + </p> + <p> + And all laugh, and knock glasses together, and challenge the next man, and + drink out of the glass of the nearest woman. Jacques had taken off the + mask and peruke of Goodman Cholera. His thin, leaden features, his deadly + paleness, the lurid brilliancy of his hollow eyes, showed the incessant + progress of the slow malady which was consuming this unfortunate man, + brought by excesses to the last extremity of weakness. Though he felt the + slow fire devouring his entrails, he concealed his pain beneath a forced + and nervous smile. + </p> + <p> + To the left of Jacques was Morok, whose fatal influence was ever on the + increase, and to his right the girl disguised as PLEASURE. She was named + Mariette. By her side sat Ninny Moulin, in all his majestic bulk, who + often pretended to be looking for his napkin under the table, in order to + have the opportunity of pressing the knees of his other neighbor, Modeste, + the representative of LOVE. Most of the guests were grouped according to + their several tastes, each tender pair together, and the bachelors where + they could. They had reached the second course, and the excellence of the + wine, the good cheer, the gay speeches, and even the singularity of the + occasion, had raised their spirits to a high degree of excitement, as may + be gathered from the extraordinary incidents of the following scene. + </p> + <p> + (39) We read in the Constitutionnel, Saturday March 31st, 1832: “The + Parisians readily conform to that part of the official instructions with + regard to the cholera, which prescribes, as a preservation from the + disease, not to be afraid, to amuse one’s self, etc. The pleasures of + Mid-Lent have been as brilliant and as mad as those of the carnival + itself. For a long time past there had not been so many balls at this + period of the year. Even the cholera has been made the subject of an + itinerant caricature.” + </p> + <p> + <a name="link2HCH0125" id="link2HCH0125"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XX. THE DEFIANCE. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>wo or three times, without being remarked by the guests, one of the + waiters had come to whisper to his fellows, and point with expressive + gesture to the ceiling. But his comrades had taken small account of his + observations or fears, not wishing, doubtless, to disturb the guests, + whose mad gayety seemed ever on the increase. + </p> + <p> + “Who can doubt now of the superiority of our manner of treating this + impertinent Cholera? Has he dared even to touch our sacred battalion?” + said a magnificent mountebank-Turk, one of the standard-bearers of the + masquerade. + </p> + <p> + “Here is all the mystery,” answered another. “It is very simple. Only + laugh in the face of the plague, and it will run away from you.” + </p> + <p> + “And right enough too, for very stupid work it does,” added a pretty + little Columbine, emptying her glass. + </p> + <p> + “You are right, my darling; it is intolerably stupid work,” answered the + Clown belonging to the Columbine; “here you are very quiet, enjoying life, + and all on a sudden you die with an atrocious grimace. Well! what then? + Clever, isn’t it? I ask you, what does it prove?” + </p> + <p> + “It proves,” replied an illustrious painter of the romantic school, + disguised like a Roman out of one of David’s pictures, “it proves that the + Cholera is a wretched colorist, for he has nothing but a dirty green on + his pallet. Evidently he is a pupil of Jacobus, that king of classical + painters, who are another species of plagues.” + </p> + <p> + “And yet, master,” added respectfully a pupil of the great painter, “I + have seen some cholera patients whose convulsions were rather fine, and + their dying looks first-rate!” + </p> + <p> + “Gentlemen,” cried a sculptor of no less celebrity, “the question lies in + a nutshell. The Cholera is a detestable colorist, but a good draughtsman. + He shows you the skeleton in no time. By heaven! how he strips off the + flesh!—Michael Angelo would be nothing to him.” + </p> + <p> + “True,” cried they all, with one voice; “the Cholera is a bad colorist, + but a good draughtsman.” + </p> + <p> + “Moreover, gentlemen,” added Ninny Moulin, with comic gravity, “this + plague brings with it a providential lesson, as the great Bossuet would + have said.” + </p> + <p> + “The lesson! the lesson!” + </p> + <p> + “Yes, gentlemen; I seem to hear a voice from above, proclaiming: ‘Drink of + the best, empty your purse, and kiss your neighbor’s wife; for your hours + are perhaps numbered, unhappy wretch!’” + </p> + <p> + So saying, the orthodox Silenus took advantage of a momentary absence of + mind on the part of Modeste, his neighbor, to imprint on the blooming + cheek of LOVE a long, loud kiss. The example was contagious, and a storm + of kisses was mingled with bursts of laughter. + </p> + <p> + “Ha! blood and thunder!” cried the great painter as he gayly threatened + Ninny Moulin; “you are very lucky that to-morrow will perhaps be the end + of the world, or else I should pick a quarrel with you for having kissed + my lovely LOVE.” + </p> + <p> + “Which proves to you, O Rubens! O Raphael! the thousand advantages of the + Cholera, whom I declare to be essentially sociable and caressing.” + </p> + <p> + “And philanthropic,” said one of the guests; “thanks to him, creditors + take care of the health of their debtors. This morning a usurer, who feels + a particular interest in my existence, brought me all sorts of + anti-choleraic drugs, and begged me to make use of them.” + </p> + <p> + “And I!” said the pupil of the great painter. “My tailor wished to force + me to wear a flannel band next to the skin, because I owe him a thousand + crowns. But I answered ‘Oh, tailor, give me a receipt in full, and I will + wrap myself up in flannel, to preserve you my custom!’” + </p> + <p> + “O Cholera, I drink to thee!” said Ninny Moulin, by way of grotesque + invocation. “You are not Despair; on the contrary, you are the emblem of + Hope—yes, of hope. How many husbands, how many wives, longed for a + number (alas! too uncertain chance) in the lottery of widowhood! You + appear, and their hearts are gladdened. Thanks to you, benevolent pest! + their chances of liberty are increased a hundredfold.” + </p> + <p> + “And how grateful heirs ought to be! A cold—a heat—a trifle—and + there, in an hour, some old uncle becomes a revered benefactor!” + </p> + <p> + “And those who are always looking out for other people’s places—what + an ally they must find in the Cholera!” + </p> + <p> + “And how true it will make many vows of constancy!” said Modeste, + sentimentally. “How many villains have sworn to a poor, weak woman, to + love her all their lives, who never meant (the wretches!) to keep their + word so well!” + </p> + <p> + “Gentlemen,” cried Ninny Moulin, “since we are now, perhaps, at the eve of + the end of the world, as yonder celebrated painter has expressed it, I + propose to play the world topsy-turvy: I beg these ladies to make advances + to us, to tease us, to excite us, to steal kisses from us, to take all + sorts of liberties with us, and (we shall not die of it) even to insult + us. Yes, I declare that I will allow myself to be insulted. So, LOVE, you + may offer me the greatest insult that can be offered to a virtuous and + modest bachelor,” added the religious writer, leaning over towards his + neighbor, who repulsed him with peals of laughter; and the proposal of + Ninny Moulin being received with general hilarity, a new impulse was given + to the mirth and riot. + </p> + <p> + In the midst of the uproar, the waiter, who had before entered the room + several times, to whisper uneasily to his comrades, whilst he pointed to + the ceiling, again appeared with a pale and agitated countenance; + approaching the man who performed the office of butler, he said to him, in + a low voice, tremulous with emotion: “They are come!” + </p> + <p> + “Who?” + </p> + <p> + “You know—up there”; and he pointed to the ceiling. + </p> + <p> + “Oh!” said the butler, becoming thoughtful; “where are they?” + </p> + <p> + “They have just gone upstairs; they are there now,” answered the waiter, + shaking his head with an air of alarm; “yes, they are there!” + </p> + <p> + “What does master say?” + </p> + <p> + “He is very vexed, because—” and the waiter glanced round at the + guests. “He does not know what to do; he has sent me to you.” + </p> + <p> + “What the devil have I to do with it?” said the other; wiping his + forehead. “It was to be expected, and cannot be helped.” + </p> + <p> + “I will not remain here till they begin.” + </p> + <p> + “You may as well go, for your long face already attracts attention. Tell + master we must wait for the upshot.” + </p> + <p> + The above incident was scarcely perceived in the midst of the growing + tumult of the joyous feast. But, among the guests, one alone laughed not, + drank not. This was Jacques. With fixed and lurid eye, he gazed upon + vacancy. A stranger to what was passing around him, the unhappy man + thought of the Bacchanal Queen, who had been so gay and brilliant in the + midst of similar saturnalia. The remembrance of that one being, whom he + still loved with an extravagant love, was the only thought that from time + to time roused him from his besotted state. + </p> + <p> + It is strange, but Jacques had only consented to join this masquerade + because the mad scene reminded him of the merry day he had spent with + Cephyse—that famous breakfast, after a night of dancing, in which + the Bacchanal Queen, from some extraordinary presentiment, had proposed a + lugubrious toast with regard to this very pestilence, which was then + reported to be approaching France. “To the Cholera!” had she said. “Let + him spare those who wish to live, and kill at the same moment those who + dread to part!” + </p> + <p> + And now, at this time, remembering those mournful words, Jacques was + absorbed in painful thought. Morok perceived his absence of mind, and said + aloud to him, “You have given over drinking, Jacques. Have you had enough + wine? Then you will want brandy. I will send for some.” + </p> + <p> + “I want neither wine nor brandy,” answered Jacques, abruptly, and he fell + back into a sombre reverie. + </p> + <p> + “Well, you may be right,” resumed Morok, in a sardonic tone, and raising + his voice still higher. “You do well to take care of yourself. I was wrong + to name brandy in these times. There would be as much temerity in facing a + bottle of brandy as the barrel of a loaded pistol.” + </p> + <p> + On hearing his courage as a toper called in question, Sleepinbuff looked + angrily at Morok. “You think it is from cowardice that I will not drink + brandy!” cried the unfortunate man, whose half-extinguished intellect was + roused to defend what he called his dignity. “Is it from cowardice that I + refuse, d’ye think, Morok? Answer me!” + </p> + <p> + “Come, my good fellow, we have all shown our pluck today,” said one of the + guests to Jacques; “you, above all, who, being rather indisposed, yet had + the courage to take the part of Goodman Cholera.” + </p> + <p> + “Gentlemen,” resumed Morok, seeing the general attention fixed upon + himself and Sleepinbuff, “I was only joking; for if my comrade (pointing + to Jacques) had the imprudence to accept my offer, it would be an act, not + of courage, but of foolhardiness. Luckily, he has sense enough to renounce + a piece of boasting so dangerous at this time, and I—” + </p> + <p> + “Waiter!” cried Jacques, interrupting Morok with angry impatience, “two + bottles of brandy, and two glasses!” + </p> + <p> + “What are you going to do?” said Morok, with pretended uneasiness. “Why do + you order two bottles of brandy?” + </p> + <p> + “For a duel,” said Jacques, in a cool, resolute tone. + </p> + <p> + “A duel!” cried the spectators, in surprise. + </p> + <p> + “Yes,” resumed Jacques, “a duel with brandy. You pretend there is as much + danger in facing a bottle of brandy as a loaded pistol; let us each take a + full bottle, and see who will be the first to cry quarter.” + </p> + <p> + This strange proposition was received by some with shouts of joy, and by + others with genuine uneasiness. + </p> + <p> + “Bravo! the champions of the bottle!” cried the first. + </p> + <p> + “No, no; there would be too much danger in such a contest,” said the + others. + </p> + <p> + “Just now,” added one of the guests; “this challenge is as serious as an + invitation to fight to the death.” + </p> + <p> + “You hear,” said Morok, with a diabolical smile, “you hear, Jacques? Will + you now retreat before the danger?” + </p> + <p> + At these words, which reminded him of the peril to which he was about to + expose himself, Jacques started, as if a sudden idea had occurred to him. + He raised his head proudly, his cheeks were slightly flushed, his eye + shone with a kind of gloomy satisfaction, and he exclaimed in a firm + voice: “Hang it, waiter! are you deaf? I asked you for two bottles of + brandy.” + </p> + <p> + “Yes, sir,” said the waiter, going to fetch them, although himself + frightened at what might be the result of this bacchanalian struggle. But + the mad and perilous resolution of Jacques was applauded by the majority. + </p> + <p> + Ninny Moulin moved about on his chair, stamped his feet, and shouted with + all his might: “Bacchus and drink! bottles and glasses! the throats are + dry! brandy to the rescue! Largess! largess!” + </p> + <p> + And, like a true champion of the tournament, he embraced Modeste, adding, + to excuse the liberty: “Love, you shall be the Queen of Beauty, and I am + only anticipating the victor’s happiness!” + </p> + <p> + “Brandy to the rescue!” repeated they all, in chorus. “Largess!” + </p> + <p> + “Gentlemen,” added Ninny Moulin, with enthusiasm, “shall we remain + indifferent to the noble example set us by Goodman Cholera? He said in his + pride, ‘brandy!’ Let us gloriously answer, ‘punch!’” + </p> + <p> + “Yes, yes! punch!” + </p> + <p> + “Punch to the rescue!” + </p> + <p> + “Waiter!” shouted the religious writer, with the voice of a Stentor, + “waiter! have you a pan, a caldron, a hogshead, or any other immensity, in + which we can brew a monster punch?” + </p> + <p> + “A Babylonian punch!” + </p> + <p> + “A lake of punch!” + </p> + <p> + “An ocean of punch!” + </p> + <p> + Such was the ambitious crescendo that followed the proposition of Ninny + Moulin. + </p> + <p> + “Sir,” answered the waiter, with an air of triumph, “we just happen to + have a large copper caldron, quite new. It has been used, and would hold + at least thirty bottles.” + </p> + <p> + “Bring the caldron!” said Ninny Moulin, majestically. + </p> + <p> + “The caldron forever!” shouted the chorus. + </p> + <p> + “Put in twenty bottles of brandy, six loaves of sugar, a dozen lemons, a + pound of cinnamon, and then—fire! fire!” shouted the religious + writer, with the most vociferous exclamations. + </p> + <p> + “Yes, yes! fire!” repeated the chorus! + </p> + <p> + The proposition of Ninny Moulin gave a new impetus to the general gayety; + the most extravagant remarks were mingled with the sound of kisses, taken + or given under the pretext that perhaps there would be no to-morrow, that + one must make the most of the present, etc., etc. Suddenly, in one of the + moments of silence which sometimes occur in the midst of the greatest + tumult, a succession of slow and measured taps sounded above the ceiling + of the banqueting-room. All remained silent, and listened. + </p> + <p> + <a name="link2HCH0126" id="link2HCH0126"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXI. BRANDY TO THE RESCUE. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span>fter the lapse of some seconds, the singular rapping which had so much + surprised the guests, was again heard, but this time louder and longer. + </p> + <p> + “Waiter!” cried one of the party, “what in the devil’s name is knocking?” + </p> + <p> + The waiter, exchanging with his comrades a look of uneasiness and alarm, + stammered Out in reply: “Sir—it is—it is—” + </p> + <p> + “Well! I suppose it is some crabbed, cross-grained lodger, some animal, + the enemy of joy, who is pounding on the floor of his room to warn us to + sing less loud,” said Ninny Moulin. + </p> + <p> + “Then, by a general rule,” answered sententiously the pupil of the great + painter, “if lodger or landlord ask for silence, tradition bids us reply + by an infernal uproar, destined to drown all his remonstrances. Such, at + least,” added the scapegrace, modestly, “are the foreign relations that I + have always seen observed between neighboring powers.” + </p> + <p> + This remark was received with general laughter and applause. During the + tumult, Morok questioned one of the waiters, and then exclaimed in a + shrill tone, which rose above the clamor: “I demand a hearing!” + </p> + <p> + “Granted!” cried the others, gayly. During the silence which followed the + exclamation of Morok, the noise was again heard; it was this time quicker + than before. + </p> + <p> + “The lodger is innocent,” said Morok, with a strange smile, “and would be + quite incapable of interfering with your enjoyment.” + </p> + <p> + “Then why does he keep up that knocking?” said Ninny Moulin, emptying his + glass. + </p> + <p> + “Like a deaf man who has lost his ear-horn?” added the young artist. + </p> + <p> + “It is not the lodger who is knocking” said Morok, in a sharp, quick tone; + “for they are nailing him down in his coffin.” A sudden and mournful + silence followed these words. + </p> + <p> + “His coffin no, I am wrong,” resumed Morok; “her coffin, I should say, or + more properly their coffin; for, in these pressing times, they put mother + and child together.” + </p> + <p> + “A woman!” cried PLEASURE, addressing the writer; “is it a woman that is + dead?” + </p> + <p> + “Yes, ma’am; a poor young woman about twenty years of age,” answered the + waiter in a sorrowful tone. “Her little girl, that she was nursing, died + soon after—all in less than two hours. My master is very sorry that + you ladies and gents should be disturbed in this way; but he could not + foresee this misfortune, as yesterday morning the young woman was quite + well, and singing with all her might—no one could have been gayer + than she was.” + </p> + <p> + Upon these words, it was as if a funeral pall had been suddenly thrown + over a scene lately so full of joy; all the rubicund and jovial faces took + an expression of sadness; no one had the hardihood to make a jest of + mother and child, nailed down together in the same coffin. The silence + became so profound, that one could hear each breath oppressed by terror: + the last blows of the hammer seemed to strike painfully on every heart; it + appeared as if each sad feeling, until now repressed, was about to replace + that animation and gayety, which had been more factitious than sincere. + The moment was decisive. It was necessary to strike an immediate blow, and + to raise the spirits of the guests, for many pretty rosy faces began to + grow pale, many scarlet ears became suddenly white; Ninny Moulin’s were of + the number. + </p> + <p> + On the contrary, Sleepinbuff exhibited an increase of audacity; he drew up + his figure, bent down from the effects of exhaustion, and, with a cheek + slightly flushed, he exclaimed: “Well, waiter? are those bottles of brandy + coming? And the punch? Devil and all! are the dead to frighten the + living?” + </p> + <p> + “He’s right! Down with sorrow, and let’s have the punch!” cried several of + the guests, who felt the necessity of reviving their courage. + </p> + <p> + “Forward, punch!” + </p> + <p> + “Begone, dull care!” + </p> + <p> + “Jollity forever!” + </p> + <p> + “Gentlemen, here is the punch,” said a waiter, opening the door. At sight + of the flaming beverage, which was to reanimate their enfeebled spirits, + the room rang with the loudest applause. + </p> + <p> + The sun had just set. The room was large, being capable of dining a + hundred guests; and the windows were few, narrow, and half veiled by red + cotton curtains. Though it was not yet night, some portions of this vast + saloon were almost entirely dark. Two waiters brought the monster-punch, + in an immense brass kettle, brilliant as gold, suspended from an iron bar, + and crowned with flames of changing color. The burning beverage was then + placed upon the table, to the great joy of the guests, who began to forget + their past alarms. + </p> +<div class="fig"> + <img src="images/30071m.jpg" alt="30071m" /><br /> + </div> + <h5> + <a href="images/30071.jpg"><i>Original</i></a> + </h5> + <p> + “Now,” said Jacques to Morok, in a taunting tone, “while the punch is + burning, we will have our duel. The company shall judge.” Then, pointing + to the two bottles of brandy, which the waiter had brought, Jacques added: + “Choose your weapon!” + </p> + <p> + “Do you choose,” answered Morok. + </p> + <p> + “Well! here’s your bottle—and here’s your glass. Ninny Moulin shall + be umpire.” + </p> + <p> + “I do not refuse to be judge of the field,” answered the religious writer, + “only I must warn you, comrade, that you are playing a desperate game, and + that just now, as one of these gentlemen has said, the neck of a bottle of + brandy in one’s mouth, is perhaps more dangerous than the barrel of a + loaded pistol.” + </p> + <p> + “Give the word, old fellow!” said Jacques, interrupting Ninny Moulin, “or + I will give it myself.” + </p> + <p> + “Since you will have it so—so be it!” + </p> + <p> + “The first who gives in is conquered,” said Jacques. + </p> + <p> + “Agreed!” answered Morok. + </p> + <p> + “Come, gentlemen, attention! we must follow every movement,” resumed Ninny + Moulin. “Let us first see if the bottles are of the same size—equality + of weapons being the foremost condition.” + </p> + <p> + During these preparations, profound silence reigned in the room. The + courage of the majority of those present, animated for a moment by the + arrival of the punch, was soon again depressed by gloomy thoughts, as they + vaguely foresaw the danger of the contest between Morok and Jacques. This + impression joined to the sad thoughts occasioned by the incident of the + coffin, darkened by degrees many a countenance. Some of the guests, + indeed, continued to make a show of rejoicing, but their gayety appeared + forced. Under certain circumstances, the smallest things will have the + most powerful effect. We have said that, after sunset, a portion of this + large room was plunged in obscurity; therefore, the guests who sat in the + remote corners of the apartment, had no other light than the reflection of + the flaming punch. Now it is well known, that the flame of burning spirit + throws a livid, bluish tint over the countenance; it was therefore a + strange, almost frightful spectacle, to see a number of the guests, who + happened to be at a distance from the windows, in this ghastly and + fantastic light. + </p> + <p> + The painter, more struck than all the rest by this effect of color, + exclaimed: “Look! at this end of the table, we might fancy ourselves + feasting with cholera-patients, we are such fine blues and greens.” + </p> + <p> + This jest was not much relished. Fortunately, the loud voice of Ninny + Moulin demanded attention, and for a moment turned the thoughts of the + company. + </p> + <p> + “The lists are open,” cried the religious writer, really more frightened + than he chose to appear. “Are you ready, brave champions?” he added. + </p> + <p> + “We are ready,” said Morok and Jacques. + </p> + <p> + “Present! fire!” cried Ninny Moulin, clapping his hands. And the two + drinkers each emptied a tumbler full of brandy at a draught. + </p> + <p> + Morok did not even knit his brow; his marble face remained impassible; + with a steady hand he replaced his glass upon the table. But Jacques, as + he put down his glass, could not conceal a slight convulsive trembling, + caused by internal suffering. + </p> + <p> + “Bravely done!” cried Ninny Moulin. “The quarter of a bottle of brandy at + a draught—it is glorious! No one else here would be capable of such + prowess. And now, worthy champions, if you believe me, you will stop where + you are.” + </p> + <p> + “Give the word!” answered Jacques, intrepidly. And, with feverish and + shaking hand, he seized the bottle; then suddenly, instead of filling his + glass, he said to Morok: “Bah! we want no glasses. It is braver to drink + from the bottle. I dare you to it!” + </p> + <p> + Morok’s only answer was to shrug his shoulders, and raise the neck of the + bottle to his lips. Jacques hastened to imitate him. The thin, yellowish, + transparent glass gave a perfect view of the progressive diminution of the + liquor. The stony countenance of Morok, and the pale thin face of Jacques, + on which already stood large drops of cold sweat, were now, as well as the + features of the other guests, illuminated by the bluish light of the + punch; every eye was fixed upon Morok and Jacques, with that barbarous + curiosity which cruel spectacles seem involuntarily to inspire. + </p> + <p> + Jacques continued to drink, holding the bottle in his left hand; suddenly, + he closed and tightened the fingers of his right hand with a convulsive + movement; his hair clung to his icy forehead, and his countenance revealed + an agony of pain. Yet he continued to drink; only, without removing his + lips from the neck of the bottle, he lowered it for an instant, as if to + recover breath. Just then, Jacques met the sardonic look of Morok, who + continued to drink with his accustomed impassibility. Thinking that he saw + the expression of insulting triumph in Morok’s glance, Jacques raised his + elbow abruptly, and drank with avidity a few drops more. But his strength + was exhausted. A quenchless fire devoured his vitals. His sufferings were + too intense, and he could no longer bear up against them. His head fell + backwards, his jaws closed convulsively, he crushed the neck of the bottle + between his teeth, his neck grew rigid, his limbs writhed with spasmodic + action, and he became almost senseless. + </p> + <p> + “Jacques, my good fellow! it is nothing,” cried Morok, whose ferocious + glance now sparkled with diabolical joy. Then, replacing his bottle on the + table, he rose to go to the aid of Ninny Moulin, who was vainly + endeavoring to hold Sleepinbuff. + </p> + <p> + This sudden attack had none of the symptoms of cholera. Yet terror seized + upon all present; one of the women was taken with hysterics, and another + uttered piercing cries and fainted away. Ninny Moulin, leaving Jacques in + the hands of Morok, ran towards the door to seek for help,—when that + door was suddenly opened, and the religious writer drew back in alarm, at + the sight of the unexpected personage who appeared on the threshold. + </p> + <p> + <a name="link2HCH0127" id="link2HCH0127"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXII. MEMORIES. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>he person before whom Ninny Moulin stopped in such extreme astonishment + was the Bacchanal Queen. + </p> + <p> + Pale and wan, with, hair in disorder, hollow cheeks, sunken eyes, and + clothed almost in rags, this brilliant and joyous heroine of so many mad + orgies was now only the shadow of her former self. Misery and grief were + impressed on that countenance, once so charming. Hardly had she entered + the room, when Cephyse paused; her mournful and unquiet gaze strove to + penetrate the half-obscurity of the apartment, in search of him she longed + to see. Suddenly the girl started, and uttered a loud scream. She had just + perceived, at the other side of a long table, by the bluish light of the + punch, Jacques struggling with Morok and one of the guests, who were + hardly able to restrain his convulsive movements. + </p> + <p> + At this sight Cephyse, in her first alarm, carried away by her affection, + did what she had so often done in the intoxication of joy and pleasure. + Light and agile, instead of losing precious time in making a long circuit, + she sprang at once upon the table, passed nimbly through the array of + plates and bottles, and with one spring was by the side of the sufferer. + </p> + <p> + “Jacques!” she exclaimed, without yet remarking the lion-tamer, and + throwing herself on the neck of her lover. “Jacques! it is I—Cephyse!” + </p> + <p> + That well-known voice, that heart-piercing cry, which came from the bottom + of the soul, seemed not unheard by Sleepinbuff. He turned his head + mechanically towards the Bacchanal Queen, without opening his eyes, and + heaved a deep sigh; his stiffened limbs relaxed, a slight trembling + succeeded to the convulsions, and in a few seconds his heavy eyelids were + raised with an effort, so as to uncover his dull and wandering gaze. Mute + with astonishment, the spectators of this scene felt an uneasy curiosity. + Cephyse, kneeling beside her lover, bathed his hands in her tears, covered + them with kisses, and exclaimed, in a voice broken by sobs, “It is I—Cephyse—I + have found you again—it was not my fault that I abandoned you! + Forgive me, forgive—” + </p> + <p> + “Wretched woman!” cried Morok, irritated at this meeting, which might, + perhaps, be fatal to his projects; “do you wish to kill him? In his + present state, this agitation is death. Begone!” So saying, he seized + Cephyse suddenly by the arm, just as Jacques, waking, as it were, from a + painful dream, began to distinguish what was passing around him. + </p> + <p> + “You! It is you!” cried the Bacchanal Queen, in amazement, as she + recognized Morok, “who separated me from Jacques!” + </p> + <p> + She paused; for the dim eye of the victim, as it rested upon her, grew + suddenly bright. + </p> + <p> + “Cephyse!” murmured Jacques; “is it you?” + </p> + <p> + “Yes, it is I,” answered she, in a voice of deep emotion; “who have come—I + will tell you—” + </p> + <p> + She was unable to continue, and, as she clasped her hands together, her + pale, agitated, tearful countenance expressed her astonishment and despair + at the mortal change which had taken place in the features of Jacques. He + understood the cause of her surprise, and as he contemplated, in his turn, + the suffering and emaciated countenance of Cephyse, he said to her, “Poor + girl! you also have had to bear much grief, much misery—I should + hardly have known you.” + </p> + <p> + “Yes,” replied Cephyse, “much grief—much misery—and worse than + misery,” she added, trembling, whilst a deep blush overspread her pale + features. + </p> + <p> + “Worse than misery?” said Jacques, astonished. + </p> + <p> + “But it is you who have suffered,” hastily resumed Cephyse, without + answering her lover. + </p> + <p> + “Just now, I was going to make an end of it—your voice has recalled + me for an instant—but I feel something here,” and he laid his hand + upon his breast, “which never gives quarter. It is all the same now—I + have seen you—I shall die happy.” + </p> + <p> + “You shall not die, Jacques; I am here—” + </p> + <p> + “Listen to one, my girl. If I had a bushel of live coal in my stomach, it + could hardly burn me more. For more than a month, I have been consuming my + body by a slow fire. This gentleman,” he added, glancing at Morok, “this + dear friend, always undertook to feed the flame. I do not regret life; I + have lost the habit of work, and taken to drink and riot; I should have + finished by becoming a thorough blackguard: I preferred that my friend + here should amuse himself with lighting a furnace in my inside. Since what + I drank just now, I am certain that it fumes like yonder punch.” + </p> +<div class="fig"> + <img src="images/30077m.jpg" alt="30077m" /><br /> + </div> + <h5> + <a href="images/30077.jpg"><i>Original</i></a> + </h5> + <p> + “You are both foolish and ungrateful,” said Morok, shrugging his + shoulders; “you held out your glass, and I filled it—and, faith, we + shall drink long and often together yet.” + </p> + <p> + For some moments, Cephyse had not withdrawn her eyes from Morok. “I tell + you, that you have long blown the fire, in which I have burnt my skin,” + resumed Jacques, addressing Morok in a feeble voice, “so that they may not + think I die of cholera. It would look as if I had been frightened by the + part I played. I do not therefore reproach you, my affectionate friend,” + added he, with a sardonic smile; “you dug my grave gayly—and + sometimes, when, seeing the great dark hole, into which I was about to + fall, I drew back a step—but you, my excellent friend, still pushed + me forward, saying, ‘Go on, my boy, go on!’—and I went on—and + here I am—” + </p> + <p> + So saying, Sleepinbuff burst into a bitter laugh, which sent an icy + shudder through the spectators of this scene. + </p> + <p> + “My good fellow,” said Morok, coolly, “listen to me, and follow my + advice.” + </p> + <p> + “Thank you! I know your advice—and, instead of listening to you, I + prefer speaking to my poor Cephyse. Before I go down to the moles, I + should like to tell her what weighs on my heart.” + </p> + <p> + “Jacques,” replied Cephyse, “do not talk so. I tell you, you shall not + die.” + </p> + <p> + “Why, then, my brave Cephyse, I shall owe my life to you,” returned + Jacques, in a tone of serious feeling, which surprised the spectators. + “Yes,” resumed he, “when I came to myself, and saw you so poorly clad, I + felt something good about my heart—do you know why?—it was + because I said to myself, ‘Poor girl! she has kept her word bravely; she + has chosen to toil, and want, and suffer—rather than take another + love—who would have given her what I gave her as long as I could’—and + that thought, Cephyse, refreshed my soul. I needed it, for I was burning—and + I burn still,” added he, clinching his fists with pain; “but that made me + happy—it did me good—thanks, my good, brave Cephyse—yes, + you are good and brave—and you were right; for I never loved any but + you in the wide world; and if, in my degradation, I had one thought that + raised me a little above the filth, and made me regret that I was not + better—the thought was of you! Thanks then, my poor, dear love,” + said Jacques, whose hot and shining eyes were becoming moist; “thanks once + again,” and he reached his cold hand to Cephyse; “if I die, I shall die + happy—if I live, I shall live happy also. Give me your hand, my + brave Cephyse!—you have acted like a good and honest creature.” + </p> + <p> + Instead of taking the hand which Jacques offered her, Cephyse, still + kneeling, bowed her head, and dared not raise her eyes to her lover. + </p> + <p> + “You don’t answer,” said he, leaning over towards the young girl; “you + don’t take my hand—why is this?” + </p> + <p> + The unfortunate creature only answered by stifled sobs. Borne down with + shame, she held herself in so humble, so supplicating an attitude, that + her forehead almost touched the feet of her lover. + </p> + <p> + Amazed at the silence and conduct of the Bacchanal Queen, Jacques looked + at her with increasing agitation; suddenly he stammered out with trembling + lips, “Cephyse, I know you. If you do not take my hand, it is because—” + </p> + <p> + Then, his voice failing, he added, in a dull tone, after a moment’s + silence, “When, six weeks ago, I was taken to prison, did you not say to + me, ‘Jacques, I swear that I will work—and if need be, live in + horrible misery—but I will live true!’ That was your promise. Now, I + know you never speak false; tell me you have kept your word, and I shall + believe you.” + </p> + <p> + Cephyse only answered by a heart-rending sob, as she pressed the knees of + Jacques against her heaving bosom. By a strange contradiction, more common + than is generally thought—this man, degraded by intoxication and + debauchery, who, since he came out of prison, had plunged in every excess, + and tamely yielded to all the fatal incitements of Morok, yet received a + fearful blow, when he learned, by the mute avowal of Cephyse, the + infidelity, of this creature, whom he had loved in spite of degradation. + The first impulse of Jacques was terrible. Notwithstanding his weakness + and exhaustion, he succeeded in rising from his seat, and, with a + countenance contracted by rage and despair, he seized a knife, before they + had time to prevent him, and turned it upon Cephyse. But at the moment he + was about to strike, shrinking from an act of murder, he hurled the knife + far away from him, and falling back into the chair, covered his face with + his hands. + </p> + <p> + At the cry of Ninny Moulin, who had, though late, thrown himself upon + Jacques to take away the knife, Cephyse raised her head: Jacques’s woeful + dejection wrung her heart; she rose, and fell upon his neck, + notwithstanding his resistance, exclaiming in a voice broken by sobs, + “Jacques, if you knew! if you only knew—listen—do not condemn + me without hearing me—I will tell you all, I swear to you—without + falsehood—this man,” and she pointed to Morok, “will not dare deny + what I say; he came, and told me to have the courage to—” + </p> + <p> + “I do not reproach you. I have no right to reproach you. Let me die in + peace. I ask nothing but that now,” said Jacques, in a still weaker voice, + as he repulsed Cephyse. Then he added, with a grievous and bitter smile, + “Luckily, I have my dose. I knew—what I was doing—when I + accepted the duel with brandy.” + </p> + <p> + “No, you shall not die, and you shall hear me,” cried Cephyse, with a + bewildered air; “you shall hear me, and everybody else shall hear me. They + shall see that it is not my fault. Is it not so, gentlemen? Do I not + deserve pity? You will entreat Jacques to forgive me; for if driven by + misery—finding no work—I was forced to this—not for the + sake of any luxury—you see the rags I wear—but to get bread + and shelter for my poor, sick sister—dying, and even more miserable + than myself—would you not have pity upon me? Do you think one finds + pleasure in one’s infamy?” cried the unfortunate, with a burst of + frightful laughter; then she added, in a low voice, and with a shudder, + “Oh, if you knew, Jacques! it is so infamous, so horrible, that I + preferred death to falling so low a second time. I should have killed + myself, had I not heard you were here.” Then, seeing that Jacques did not + answer her, but shook his head mournfully as he sank down though still + supported by Ninny Moulin, Cephyse exclaimed, as she lifted her clasped + hands towards him, “Jacques! one word—for pity’s sake—forgive + me!” + </p> + <p> + “Gentlemen, pray remove this woman,” cried Morok; “the sight of her causes + my friend too painful emotions.” + </p> + <p> + “Come, my dear child, be reasonable,” said several of the guests, who, + deeply moved by this scene, were endeavoring to withdraw Cephyse from it; + “leave him, and come with us; he is not in any danger.” + </p> + <p> + “Gentlemen! oh, gentlemen!” cried the unfortunate creature, bursting into + tears, and raising her hands in supplication; “listen to me—I will + do all that you wish me—I will go—but, in heaven’s name, send + for help, and do not let him die thus. Look, what pain he suffers! what + horrible convulsions!” + </p> + <p> + “She is right,” said one of the guests, hastening towards the door; “we + must send for a doctor.” + </p> + <p> + “There is no doctor to be found,” said another; “they are all too busy.” + </p> + <p> + “We will do better than that,” cried a third; “the Hospital is just + opposite, and we can carry the poor fellow thither. They will give him + instant help. A leaf of the table will make a litter, and the table cloth + a covering.” + </p> + <p> + “Yes, yes, that is it,” said several voices; “let us carry him over at + once.” + </p> + <p> + Jacques, burnt up with brandy, and overcome by his interview with Cephyse, + had again fallen into violent convulsions. It was the dying paroxysm of + the unfortunate man. They were obliged to tie him with the ends of the + cloth, so as to secure him to the leaf which was to serve for a litter, + which two of the guests hastened to carry away. They yielded to the + supplication of Cephyse, who asked, as a last favor, to accompany Jacques + to the Hospital. When the mournful procession quitted the great room of + the eating-house, there was a general flight among the guests. Men and + women made haste to wrap themselves in their cloaks, in order to conceal + their costumes. The coaches, which had been ordered in tolerable number + for the return of the masquerade, had luckily arrived. The defiance had + been fully carried out, the audacious bravado accomplished, and they could + now retire with the honors of war. Whilst a part of the guests were still + in the room, an uproar, at first distant, but which soon drew nearer, + broke out with incredible fury in the square of Notre Dame. + </p> + <p> + Jacques had been carried to the outer door of the tavern. Morok and Ninny + Moulin, striving to open a passage through the crowd in the direction of + the Hospital, preceded the litter. A violent reflux of the multitude soon + forced them to stop, whilst a new storm of savage outcries burst from the + other extremity of the square, near the angle of the church. + </p> + <p> + “What is it then?” asked Ninny Moulin of one of those ignoble figures that + was leaping up before him. “What are those cries?” + </p> + <p> + “They are making mince-meat of a poisoner, like him they have thrown into + the river,” replied the man. “If you want to see the fun, follow me + close,” added he, “and peg away with your elbows, for fear you should be + too late.” + </p> + <p> + Hardly had the wretch pronounced these words than a dreadful shriek + sounded above the roar of the crowd, through which the bearers of the + litter, preceded by Morok, were with difficulty making their way. It was + Cephyse who uttered that cry. Jacques (one of the seven heirs of the + Rennepont family) had just expired in her arms! By a strange fatality, at + the very moment that the despairing exclamation of Cephyse announced that + death, another cry rose from that part of the square where they were + attacking the poisoner. That distant, supplicating cry, tremulous with + horrible alarm, like the last appeal of a man staggering beneath the blows + of his murderers, chilled the soul of Morok in the midst of his execrable + triumph. + </p> + <p> + “Damnation!” cried the skillful assassin, who had selected drunkenness and + debauchery for his murderous but legal weapons; “it is the voice of the + Abbe d’Aigrigny, whom they have in their clutches!” + </p> + <p> + <a name="link2HCH0128" id="link2HCH0128"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXIII. THE POISONER. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">I</span>t is necessary to go back a little before relating the adventure of + Father d’Aigrigny, whose cry of distress made so deep an impression upon + Morok just at the moment of Jacques Rennepont’s death. We have said that + the most absurd and alarming reports were circulating in Paris; not only + did people talk of poison given to the sick or thrown into the public + fountains, but it was also said that wretches had been surprised in the + act of putting arsenic into the pots which are usually kept all ready on + the counters of wine-shops. Goliath was on his way to rejoin Morok, after + delivering a message to Father d’Aigrigny, who was waiting in a house on + the Place de l’Archeveche. He entered a wine-shop in the Rue de la + Calandre, to get some refreshment, and having drunk two glasses of wine, + he proceeded to pay for them. Whilst the woman of the house was looking + for change, Goliath, mechanically and very innocently, rested his hand on + the mouth of one of the pots that happened to be within his reach. + </p> + <p> + The tall stature of this man and his repulsive and savage countenance had + already alarmed the good woman, whose fears and prejudices had previously + been roused by the public rumors on the subject of poisoning; but when she + saw Goliath place his hand over the mouth of one of her pots, she cried + out in dismay: “Oh! my gracious! what are you throwing into that pot?” At + these words, spoken in a loud voice, and with the accent of terror, two or + three of the drinkers at one of the tables rose precipitately, and ran to + the counter, while one of them rashly exclaimed: “It is a poisoner!” + </p> + <p> + Goliath, not aware of the reports circulated in the neighborhood, did not + at first understand of what he was accused. The men raised their voices as + they called on him to answer the charge; but he, trusting to his strength, + shrugged his shoulders in disdain, and roughly demanded the change, which + the pale and frightened hostess no longer thought of giving him. + </p> + <p> + “Rascal!” cried one of the men, with so much violence that several of the + passers-by stopped to listen; “you shall have your change when you tell us + what you threw in the pot!” + </p> + <p> + “Ha! did he throw anything into the wine-pot?” said one of the passers by. + </p> + <p> + “It is, perhaps, a poisoner,” said another. + </p> + <p> + “He ought to be taken up,” added a third. + </p> + <p> + “Yes, yes,” cried those in the house—honest people perhaps, but + under the influence of the general panic; “he must be taken up, for he has + been throwing poison into the wine-pots.” + </p> + <p> + The words “He is a poisoner” soon spread through the group, which, at + first composed of three or four persons, increased every instant around + the door of the wine-shop. A dull, menacing clamor began to rise from the + crowd; the first accuser, seeing his fears thus shared and almost + justified, thought he was acting like a good and courageous citizen in + taking Goliath by the collar, and saying to him: “Come and explain + yourself at the guard-house, villain!” + </p> + <p> + The giant, already provoked at insults of which he did not perceive the + real meaning, was exasperated at this sudden attack; yielding to his + natural brutality, he knocked his adversary down upon the counter, and + began to hammer him with his fists. During this collision, several bottles + and two or three panes of glass were broken with much noise, whilst the + woman of the house, more and more frightened, cried out with all her + might; “Help! a poisoner! Help! murder!” + </p> + <p> + At the sound of the breaking windows and these cries of distress, the + passers-by, of whom the greater number believed in the stories about the + poisoners, rushed into the shop to aid in securing Goliath. But the + latter, thanks to his herculean strength, after struggling for some + moments with seven or eight persons, knocked down two of his most furious + assailants, disengaged himself from the others, drew near the counter, + and, taking a vigorous spring, rushed head-foremost, like a bull about to + butt, upon the crowd that blocked up the door; then, forcing a passage, by + the help of his enormous shoulders and athletic arms, he made his way into + the street, and ran with all speed in the direction of the square of + Notre-Dame, his garments torn, his head bare, and his countenance pale and + full of rage. Immediately, a number of persons from amongst the crowd + started in pursuit of Goliath, and a hundred voices exclaimed: “Stop—stop + the poisoner!” + </p> + <p> + Hearing these cries, and seeing a man draw near with a wild and troubled + look, a butcher, who happened to be passing with his large, empty tray on + his head, threw it against Goliath’s shins, and taken by surprise, he + stumbled and fell. The butcher, thinking he had performed as heroic an + action as if he had encountered a mad dog, flung himself on Goliath, and + rolled over with him on the pavement, exclaiming: “Help! it is a poisoner! + Help! help!” This scene took place not far from the Cathedral, but at some + distance from the crowd which was pressing round the hospital gate, as + well as from the eating-house in which the masquerade of the cholera then + was. The day was now drawing to a close. On the piercing call of the + butcher, several groups, at the head of which were Ciboule and the + quarryman, flew towards the scene of the struggle, while those who had + pursued the pretended poisoner from the Rue de la Calandre, reached the + square on their side. + </p> + <p> + At sight of this threatening crowd advancing towards him, Goliath, whilst + he continued to defend himself against the butcher, who held him with the + tenacity of a bull-dog, felt that he was lost unless he could rid himself + of this adversary before the arrival of the rest; with a furious blow of + the fist, therefore, he broke the jaw of the butcher, who just then was + above him, and disengaging himself from his hold, he rose, and staggered a + few steps forward. Suddenly he stopped. He saw that he was surrounded. + Behind him rose the walls of the cathedral; to the right and left, and in + front of him, advanced a hostile multitude. The groans uttered by the + butcher, who had just been lifted from the ground covered with blood, + augmented the fury of the populace. + </p> + <p> + This was a terrible moment for Goliath: still standing alone in the centre + of a ring that grew smaller every second, he saw on all sides angry + enemies rushing towards him, and uttering cries of death. As the wild boar + turns round once or twice, before resolving to stand at bay and face the + devouring pack, Goliath, struck with terror, made one or two abrupt and + wavering movements. Then, as he abandoned the possibility of flight, + instinct told him that he had no mercy to expect from a crowd given up to + blind and savage fury—a fury the more pitiless as it was believed to + be legitimate. Goliath determined, therefore, at least to sell his life + dearly; he sought for a knife in his pocket, but, not finding it, he threw + out his left leg in an athletic posture, and holding up his muscular arms, + hard and stiff as bars of iron, waited with intrepidity for the shock. + </p> + <p> + The first who approached Goliath was Ciboule. The hag, heated and out of + breath, instead of rushing upon him, paused, stooped down, and taking off + one of the large wooden shoes that she wore, hurled it at the giant’s head + with so much force and with so true an aim that it struck him right in the + eye, which hung half out of its socket. Goliath pressed his hands to his + face, and uttered a cry of excruciating pain. + </p> + <p> + “I’ve made him squint!” said Ciboule, with a burst of laughter. + </p> +<div class="fig"> + <img src="images/30085m.jpg" alt="30085m" /><br /> + </div> + <h5> + <a href="images/30085.jpg"><i>Original</i></a> + </h5> + <p> + Goliath, maddened by the pain, instead of waiting for the attack, which + the mob still hesitated to begin, so greatly were they awed by his + appearance of herculean strength—the only adversary worthy to cope + with him being the quarryman, who had been borne to a distance by the + surging of the crowd—Goliath, in his rage, rushed headlong upon the + nearest. Such a struggle was too unequal to last long; but despair + redoubled the Colossus’s strength, and the combat was for a moment + terrible. The unfortunate man did not fall at once. For some seconds, + almost buried amid a swarm of furious assailants, one saw now his mighty + arm rise and fall like a sledge hammer, beating upon skulls and faces, and + now his enormous head, livid and bloody, drawn back by some of the + combatants hanging to his tangled hair. Here and there sudden openings and + violent oscillations of the crowd bore witness to the incredible energy of + Goliath’s defence. But when the quarryman succeeded in reaching him, + Goliath was overpowered and thrown down. A long, savage cheer in triumph + announced this fall; for, under such circumstances, to “go under” is “to + die.” Instantly a thousand breathless and angry voices repeated the cry of + “Death to the poisoner!” + </p> + <p> + Then began one of those scenes of massacre and torture, worthy of + cannibals, horrible to relate, and the more incredible, that they happen + almost always in the presence, and often with the aid, of honest and + humane people, who, blinded by false notions and stupid prejudices, allow + themselves to be led into all sorts of barbarity, under the idea of + performing an act of inexorable justice. As it frequently happens, the + sight of the blood which flowed in torrents from Goliath’s wounds inflamed + to madness the rage of his assailants. A hundred fists struck at the + unhappy man; he was stamped under foot, his face and chest were beaten in. + Ever and anon, in the midst of furious cries of “Death to the poisoner!” + heavy blows were audible, followed by stifled groans. It was a frightful + butchery. Each individual, yielding to a sanguinary frenzy, came in turn + to strike his blow; or to tear off his morsel of flesh. Women—yes, + women—mothers!—came to spend their rage on this mutilated + form. + </p> + <p> + There was one moment of frightful terror. With his face all bruised and + covered with mud, his garments in rags, his chest bare, red, gaping with + wounds—Goliath, availing himself of a moment’s weariness on the part + of his assassins, who believed him already, finished, succeeded, by one of + those convulsive starts frequent in the last agony, in raising himself to + his feet for a few seconds; then, blind with wounds and loss of blood, + striking about his arms in the air as if to parry blows that were no + longer struck, he muttered these words, which came from his mouth, + accompanied by a crimson torrent: “Mercy! I am no poisoner. Mercy!” This + sort of resurrection produced so great an effect on the crowd, that for an + instant they fell hack affrighted. The clamor ceased, and a small space + was left around the victim. Some hearts began even to feel pity; when the + quarryman, seeing Goliath blinded with blood, groping before him with his + hands, exclaimed in ferocious allusion to a well-known game: “Now for + blind-man’s-bluff.” + </p> + <p> + Then, with a violent kick, he again threw down the victim, whose head + struck twice heavily on the pavement. + </p> + <p> + Just as the giant fell a voice from amongst the crowd exclaimed: “It is + Goliath! stop! he is innocent.” + </p> + <p> + It was Father d’Aigrigny, who, yielding to a generous impulse, was making + violent efforts to reach the foremost rank of the actors in this scene, + and who cried out, as he came nearer, pale, indignant, menacing: “You are + cowards and murderers! This man is innocent. I know him. You shall answer + for his life.” + </p> + <p> + These vehement words were received with loud murmurs. + </p> + <p> + “You know that poisoner,” cried the quarryman, seizing the Jesuit by the + collar; “then perhaps you are a poisoner too. + </p> + <p> + “Wretch,” exclaimed Father d’Aigrigny, endeavoring to shake himself loose + from the grasp, “do you dare to lay hand upon me?” + </p> + <p> + “Yes, I dare do anything,” answered the quarryman. + </p> + <p> + “He knows him: he’s a poisoner like the other,” cried the crowd, pressing + round the two adversaries; whilst Goliath, who had fractured his skull in + the fall, uttered a long death-rattle. + </p> + <p> + At a sudden movement of Father d’Aigrigny, who disengaged himself from the + quarryman, a large glass phial of peculiar form, very thick, and filled + with a greenish liquor, fell from his pocket, and rolled close to the + dying Goliath. At sight of this phial, many voices exclaimed together: “It + is poison! Only see! He had poison upon him.” + </p> + <p> + The clamor redoubled at this accusation, and they pressed so close to Abbe + d’Aigrigny, that he exclaimed: “Do not touch me! do not approach me!” + </p> + <p> + “If he is a poisoner,” said a voice, “no more mercy for him than for the + other.” + </p> + <p> + “I a poisoner?” said the abbe, struck with horror. + </p> + <p> + Ciboule had darted upon the phial; the quarryman seized it from her, + uncorked it and presenting it to Father d’Aigrigny, said to him: “Now tell + us what is that?” + </p> + <p> + “It is not poison,” cried Father d’Aigrigny. + </p> + <p> + “Then drink it!” returned the quarryman. + </p> + <p> + “Yes, yes! let him drink it!” cried the mob. + </p> + <p> + “Never,” answered Father d’Aigrigny, in extreme alarm. And he drew back as + he spoke, pushing away the phial with his hand. + </p> + <p> + “Do you see? It is poison. He dares not drink it,” they exclaimed. Hemmed + in on every side, Father d’Aigrigny stumbled against the body of Goliath. + </p> + <p> + “My friends,” cried the Jesuit, who, without being a poisoner, found + himself exposed to a terrible alternative, for his phial contained + aromatic salts of extraordinary strength, designed for a preservative + against the cholera, and as dangerous to swallow as any poison, “my good + friends, you are in error. I conjure you, in the name of heaven—” + </p> + <p> + “If that is not poison, drink it!” interrupted the quarryman, as he again + offered the bottle to the Jesuit. + </p> + <p> + “If he does not drink it, death to the poisoner of the poor!” + </p> + <p> + “Yes!—death to him! death to him!” + </p> + <p> + “Unhappy men!” cried Father d’Aigrigny, whilst his hair stood on end with + terror; “do you mean to murder me?” + </p> + <p> + “What about all those, that you and your mate have killed, you wretch?” + </p> + <p> + “But it is not true—and—” + </p> + <p> + “Drink, then!” repeated the inflexible quarryman; “I ask you for the last + time.” + </p> + <p> + “To drink that would be death,” cried Father d’Aigrigny. + </p> + <p> + “Oh! only hear the wretch!” cried the mob, pressing closer to him; “he has + confessed—he has confessed!” + </p> + <p> + “He has betrayed himself!”(40) + </p> + <p> + “He said, ‘to drink that would be death!’” + </p> + <p> + “But listen to me,” cried the abbe, clasping his hands together; “this + phial is—” + </p> + <p> + Furious cries interrupted Father d’Aigrigny. “Ciboule, make an end of that + one!” cried the quarryman, spurning Goliath with his foot. “I will begin + this one!” And he seized Father d’Aigrigny by the throat. + </p> + <p> + At these words, two different groups formed themselves. One, led by + Ciboule, “made an end” of Goliath, with kicks and blows, stones and wooden + shoes; his body was soon reduced to a horrible thing, mutilated, nameless, + formless—a mere inert mass of filth and mangled flesh. Ciboule gave + her cloak, which they tied to one of the dislocated ankles of the body, + and thus dragged it to the parapet of the quay. There, with shouts of + ferocious joy, they precipitated the bloody remains into the river. Now + who does not shudder at the thought that, in a time of popular commotion, + a word, a single word, spoken imprudently, even by an honest man, and + without hatred, will suffice to provoke so horrible a murder. + </p> + <p> + “Perhaps it is a poisoner!” said one of the drinkers in the tavern of the + Rue de la Calandre—nothing more—and Goliath had been + pitilessly murdered. + </p> + <p> + What imperious reasons for penetrating the lowest depths of the masses + with instruction and with light—to enable unfortunate creatures to + defend themselves from so many stupid prejudices, so many fatal + superstitions, so much implacable fanaticism!—How can we ask for + calmness, reflection, self-control, or the sentiment of justice from + abandoned beings, whom ignorance has brutalized, and misery depraved, and + suffering made ferocious, and of whom society takes no thought, except + when it chains them to the galleys, or binds them ready for the + executioner! The terrible cry which had so startled Morok was uttered by + Father d’Aigrigny as the quarryman laid his formidable hand upon him, + saying to Ciboule: “Make an end of that one—I will begin this one!” + </p> + <p> + (40) This fact is historical. A man was murdered because a phial full of + ammonia was found upon him. On his refusal to drink it, the populace, + persuaded that the bottle contained poison, tore him to pieces. + </p> + <p> + <a name="link2HCH0129" id="link2HCH0129"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXIV. IN THE CATHEDRAL. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">N</span>ight was almost come, as the mutilated body of Goliath was thrown into + the river. The oscillations of the mob had carried into the street, which + runs along the left side of the cathedral, the group into whose power + Father d’Aigrigny had fallen. Having succeeded in freeing himself from the + grasp of the quarryman, but still closely pressed by the multitude that + surrounded him, crying, “Death to the poisoner!” he retreated step by + step, trying to parry the blows that were dealt him. By presence of mind, + address, and courage, recovering at that critical moment his old military + energy, he had hitherto been able to resist and to remain firm on his feet—knowing, + by the example of Goliath, that to fall was to die. Though he had little + hope of being heard to any purpose, the abbe continued to call for help + with all his might. Disputing the ground inch by inch, he manoeuvred so as + to draw near one of the lateral walls of the church, and at length + succeeded in ensconcing himself in a corner formed by the projection of a + buttress, and close by a little door. + </p> + <p> + This position was rather favorable. Leaning with his back against the + wall, Father d’Aigrigny was sheltered from the attacks of a portion of his + assailants. But the quarryman, wishing to deprive him of this last chance + of safety, rushed upon him, with the intention of dragging him out into + the circle where he would have been trampled under foot. The fear of death + gave Father d’Aigrigny extraordinary strength, and he was able once more + to repulse the quarryman, and remain entrenched in the corner where he had + taken refuge. The resistance of the victim redoubled the rage of the + assailants. Cries of murderous import resounded with new violence. The + quarryman again rushed upon Father d’Aigrigny, saying, “Follow me, + friends! this lasts too long. Let us make an end of it.” + </p> + <p> + Father d’Aigrigny saw that he was lost. His strength was exhausted, and he + felt himself sinking; his legs trembled under him, and a cloud obscured + his sight; the howling of the furious mob began to sound dull upon his + ear. The effects of violent contusions, received during the struggle, both + on the head and chest, were now very perceptible. Two or three times, a + mixture of blood and foam rose to the lips of the abbe; his position was a + desperate one. + </p> + <p> + “To be slaughtered by these brutes, after escaping death so often in war!” + Such was the thought of Father d’Aigrigny, as the quarryman rushed upon + him. + </p> + <p> + Suddenly, at the very moment when the abbe, yielding to the instinct of + self-preservation, uttered one last call for help, in a heart-piercing + voice, the door against which he leaned opened behind him, and a firm hand + caught hold of him, and pulled him into the church. Thanks to this + movement, performed with the rapidity of lightning, the quarryman, thrown + forward in his attempt to seize Father d’Aigrigny, could not check his + progress, and found himself just opposite to the person who had come, as + it were, to take the place of the victim. + </p> + <p> + The quarryman stopped short, and then fell back a couple of paces, so much + was he amazed at this sudden apparition, and impressed, like the rest of + the crowd, with a vague feeling of admiration and respect at sight of him + who had come so miraculously to the aid of Father d’Aigrigny. It was + Gabriel. The young missionary remained standing on the threshold of the + door. His long black cassock was half lost in the shadows of the + cathedral; whilst his angelic countenance, with its border of long light + hair, now pale and agitated by pity and grief, was illumined by the last + faint rays of twilight. This countenance shone with so divine a beauty, + and expressed such touching and tender compassion, that the crowd felt + awed as, with his large blue eyes full of tears, and his hands clasped + together, he exclaimed, in a sonorous voice: “Have mercy, my brethren! Be + humane—be just!” + </p> + <p> + Recovering from his first feeling of surprise and involuntary emotion, the + quarryman advanced a step towards Gabriel, and said to him: “No mercy for + the poisoner! we must have him! Give him up to us, or we go and take him!” + </p> + <p> + “You cannot think of it, my brethren,” answered Gabriel; “the church is a + sacred place—a place of refuge for the persecuted.” + </p> + <p> + “We would drag our prisoner from the altar!” answered the quarryman, + roughly; “so give him up to us.” + </p> + <p> + “Listen to me, my brethren,” said Gabriel, extending his arms towards + them. + </p> +<div class="fig"> + <img src="images/30093m.jpg" alt="30093m" /><br /> + </div> + <h5> + <a href="images/30093.jpg"><i>Original</i></a> + </h5> + <p> + “Down with the shaveling!” cried the quarryman; “let us go in and hunt him + up in the church!” + </p> + <p> + “Yes, yes!” cried the mob, again led away by the violence of this wretch, + “down with the black gown!” + </p> + <p> + “They are all of a piece!” + </p> + <p> + “Down with them!” + </p> + <p> + “Let us do as we did at the archbishop’s!” + </p> + <p> + “Or at Saint-Germain-l’Auxerrois!” + </p> + <p> + “What do our likes care for a church?” + </p> + <p> + “If the priests defend the poisoners, we’ll pitch them into the water + too!” + </p> + <p> + “Yes, yes!” + </p> + <p> + “I’ll show you the lead!” cried the quarryman; and followed by Ciboule, + and a good number of determined men, he rushed towards Gabriel. + </p> + <p> + The missionary, who for some moments had watched the increasing fury of + the crowd, had foreseen this movement; hastily retreating into the church, + he succeeded, in spite of the efforts of the assailants, in nearly closing + the door, and in barricading it by the help of a wooden bar, which he held + in such a manner as would enable the door to resist for a few minutes. + </p> + <p> + Whilst he thus defended the entrance, Gabriel shouted to Father + d’Aigrigny: “Fly, father! fly through the vestry! the other doors are + fastened.” + </p> + <p> + The Jesuit, overpowered by fatigue, covered with contusions, bathed in + cold sweat, feeling his strength altogether fail, and too soon fancying + himself in safety, had sunk, half fainting, into a chair. At the voice of + Gabriel, he rose with difficulty, and, with a trembling step, endeavored + to reach the choir, separated from the rest of the church by an iron + railing. + </p> + <p> + “Quick, father!” added Gabriel, in alarm, using every effort to maintain + the door, which was now vigorously assailed. “Make haste! In a few minutes + it will be too late. All alone!” continued the missionary, in despair, + “alone, to arrest the progress of these madmen!” + </p> + <p> + He was indeed alone. At the first outbreak of the attack, three or four + sacristans and other members of the establishment were in the church; but, + struck with terror, and remembering the sack of the archbishop’s palace, + and of Saint-Germain-l’Auxerrois, they had immediately taken flight. Some + of them had concealed themselves in the organ-loft and others fled into + the vestry, the doors of which they locked after them, thus cutting off + the retreat of Gabriel and Father d’Aigrigny. The latter, bent double by + pain, yet roused by the missionary’s portentive warning, helping himself + on by means of the chairs he met with on his passage, made vain efforts to + reach the choir railing. After advancing a few steps, vanquished by his + suffering, he staggered and fell upon the pavement, deprived of sense and + motion. At the same moment, Gabriel, in spite of the incredible energy + with which the desire to save Father d’Aigrigny had inspired him, felt the + door giving way beneath the formidable pressure from without. + </p> + <p> + Turning his head, to see if the Jesuit had at least quitted the church, + Gabriel, to his great alarm, perceived that he was lying motionless at a + few steps from the choir. To abandon the half-broken door, to run to + Father d’Aigrigny, to lift him in his arms, and drag him within the + railing of the choir, was for the young priest an action rapid as thought; + for he closed the gate of the choir just at the instant that the quarryman + and his band, having finished breaking down the door, rushed in a body + into the church. + </p> + <p> + Standing in front of the choir, with his arms crossed upon his breast, + Gabriel waited calmly and intrepidly for this mob, still more exasperated + by such unexpected resistance. + </p> + <p> + The door once forced, the assailants rushed in with great violence. But + hardly had they entered the church, than a strange scene took place. It + was nearly dark; only a few silver lamps shed their pale light round the + sanctuary, whose far outlines disappeared in the shadow. On suddenly + entering the immense cathedral, dark, silent, and deserted, the most + audacious were struck with awe, almost with fear in presence of the + imposing grandeur of that stony solitude. Outcries and threats died away + on the lips of the most furious. They seemed to dread awaking the echoes + of those enormous arches, those black vaults, from which oozed a + sepulchral dampness, which chilled their brows, inflamed with anger, and + fell upon their shoulders like a mantle of ice. + </p> + <p> + Religious tradition, routine, habit, the memories of childhood, have so + much influence upon men, that hardly had they entered the church, than + several of the quarryman’s followers respectfully took off their hats, + bowed their bare heads, and walked along cautiously, as if to check the + noise of their footsteps on the sounding stones. Then they exchanged a few + words in a low and fearful whisper. Others timidly raised their eyes to + the far heights of the topmost arches of that gigantic building, now lost + in obscurity, and felt almost frightened to see themselves so little in + the midst of that immensity of darkness. But at the first joke of the + quarryman, who broke this respectful silence, the emotion soon passed + away. + </p> + <p> + “Blood and thunder!” cried he; “are you fetching breath to sing vespers? + If they had wine in the font, well and good!” + </p> + <p> + These words were received with a burst of savage laughter. “All this time + the villain will escape!” said one. + </p> + <p> + “And we shall be done,” added Ciboule. + </p> + <p> + “One would think we had cowards here, who are afraid of the sacristans!” + cried the quarryman. + </p> + <p> + “Never!” replied the others in chorus; “we fear nobody.” + </p> + <p> + “Forward!” + </p> + <p> + “Yes, yes—forward!” was repeated on all sides. And the animation, + which had been calmed down for a moment, was redoubled in the midst of + renewed tumult. Some moments after, the eyes of the assailants, becoming + accustomed to the twilight, were able to distinguish in the midst of the + faint halo shed around by a silver lamp, the imposing countenance of + Gabriel, as he stood before the iron railing of the choir. + </p> + <p> + “The poisoner is here, hid in some corner,” cried the quarryman. “We must + force this parson to give us back the villain.” + </p> + <p> + “He shall answer for him!” + </p> + <p> + “He took him into the church.” + </p> + <p> + “He shall pay for both, if we do not find the other!” + </p> + <p> + As the first impression of involuntary respect was effaced from the minds + of the crowd, their voices rose the louder, and their faces became the + more savage and threatening, because they all felt ashamed of their + momentary hesitation and weakness. + </p> + <p> + “Yes, yes!” cried many voices, trembling with rage, “we must have the life + of one or the other!” + </p> + <p> + “Or of both!” + </p> + <p> + “So much the worse for this priest, if he wants to prevent us from serving + out our poisoner!” + </p> + <p> + “Death to him! death to him!” + </p> + <p> + With this burst of ferocious yells, which were fearfully re-echoed from + the groined arches of the cathedral, the mob, maddened by rage, rushed + towards the choir, at the door of which Gabriel was standing. The young + missionary, who, when placed on the cross by the savages of the Rocky + Mountains, yet entreated heaven to spare his executioners, had too much + courage in his heart, too much charity in his soul, not to risk his life a + thousand times over to save Father d’Aigrigny’s—the very man who had + betrayed hire by such cowardly and cruel hypocrisy. + </p> + <p> + <a name="link2HCH0130" id="link2HCH0130"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXV. THE MURDERERS. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>he quarryman, followed by his gang, ran towards Gabriel, who had advanced + a few paces from the choir-railing, and exclaimed, his eyes sparkling with + rage: “Where is the poisoner? We will have him!” + </p> + <p> + “Who has told you, my brethren, that he is a poisoner?” replied Gabriel, + with his deep, sonorous voice. “A poisoner! Where are the proofs—witnesses + or victims?” + </p> + <p> + “Enough of that stuff! we are not here for confession,” brutally answered + the quarryman, advancing towards him in a threatening manner. “Give up the + man to us; he shall be forthcoming, unless you choose to stand in his + shoes?” + </p> + <p> + “Yes, yes!” exclaimed several voices; “they are ‘in’ with one another! One + or the other we will have!” + </p> + <p> + “Very well, then; since it is so,” said Gabriel, raising his head, and + advancing with calmness, resignation; and fearlessness; “he or me,” added + he;—“it seems to make no difference to you—you are determined + to have blood—take mine, and I will pardon you, my friends; for a + fatal delusion has unsettled your reason.” + </p> + <p> + These words of Gabriel, his courage, the nobleness of his attitude, the + beauty of his countenance, had made an impression on some of the + assailants, when suddenly a voice exclaimed: “Look! there is the poisoner, + behind the railing!” + </p> + <p> + “Where—where?” cried they. + </p> + <p> + “There—don’t you see?—stretched on the floor.” + </p> + <p> + On hearing this, the mob, which had hitherto formed a compact mass, in the + sort of passage separating the two sides of the nave, between the rows of + chairs, dispersed in every direction, to reach the railing of the choir, + the last and only barrier that now sheltered Father d’Aigrigny. During + this manoeuvre the quarryman, Ciboule, and others, advanced towards + Gabriel, exclaiming, with ferocious joy: “This time we have him. Death to + the poisoner!” + </p> + <p> + To save Father d’Aigrigny, Gabriel would have allowed himself to be + massacred at the entrance of the choir; but, a little further on, the + railing, not above four feet in height, would in another instant be scaled + or broken through. The Missionary lost all hope of saving the Jesuit from + a frightful death. Yet he exclaimed: “Stop, poor deluded people!”—and, + extending his arms, he threw himself in front of the crowd. + </p> + <p> + His words, gesture, and countenance, were expressive of an authority at + once so affectionate and so fraternal, that there was a momentary + hesitation amongst the mob. But to this hesitation soon succeeded the most + furious cries of “Death; death!” + </p> + <p> + “You cry for his death?” cried Gabriel, growing still paler. + </p> + <p> + “Yes! yes!” + </p> + <p> + “Well, let him die,” cried the missionary, inspired with a sudden thought; + “let him die on the instant!” + </p> + <p> + These words of the young priest struck the crowd with amazement. For a few + moments, they all stood mute, motionless, and as it were, paralyzed, + looking at Gabriel in stupid astonishment. + </p> + <p> + “This man is guilty, you say,” resumed the young missionary, in a voice + trembling with emotion. “You have condemned him without proof, without + witnesses—no matter, he must die. You reproach him with being a + poisoner; where are his victims? You cannot tell—but no matter; he + is condemned. You refuse to hear his defense, the sacred right of every + accused person—no matter; the sentence is pronounced. You are at + once his accusers, judges, and executioners. Be it so!—You have + never seen till now this unfortunate man, he has done you no harm, he has + perhaps not done harm to any one—yet you take upon yourselves the + terrible responsibility of his death—understand me well—of his + death. Be it so then! your conscience will absolve you—I will + believe it. He must die; the sacredness of God’s house will not save him—” + </p> + <p> + “No, no!” cried many furious voices. + </p> + <p> + “No,” resumed Gabriel, with increasing warmth; “no you have determined to + shed his blood, and you will shed it, even in the Lord’s temple. It is, + you say, your right. You are doing an act of terrible justice. But why + then, so many vigorous arms to make an end of one dying man? Why these + outcries? this fury? this violence? Is it thus that the people, the strong + and equitable people, are wont to execute their judgments? No, no; when + sure of their right, they strike their enemies, it is with the calmness of + the judge, who, in freedom of soul and conscience, passes sentence. No, + the strong and equitable people do not deal their blows like men blind or + mad, uttering cries of rage, as if to drown the sense of some cowardly and + horrible murder. No, it is not thus that they exercise the formidable + right, to which you now lay claim—for you will have it—” + </p> + <p> + “Yes, we will have it!” shouted the quarryman, Ciboule, and others of the + more pitiless portion of the mob; whilst a great number remained silent, + struck with the words of Gabriel, who had just painted to them, in such + lively colors, the frightful act they were about to commit. + </p> + <p> + “Yes,” resumed the quarryman, “it is our right; we have determined to kill + the poisoner!” + </p> + <p> + So saying, and with bloodshot eyes, and flushed cheek, the wretch advanced + at the head of a resolute group, making a gesture as though he would have + pushed aside Gabriel, who was still standing in front of the railing. But + instead of resisting the bandit, the missionary advanced a couple of steps + to meet him, took him by the arm, and said in a firm voice: “Come!” + </p> + <p> + And dragging, as it were, with him the stupefied quarryman, whose + companions did not venture to follow at the moment, struck dumb as they + were by this new incident, Gabriel rapidly traversed the space which + separated him from the choir, opened the iron gate, and, still holding the + quarryman by the arm, led him up to the prostrate form of Father + d’Aigrigny, and said to him: “There is the victim. He is condemned. + Strike!” + </p> + <p> + “I” cried the quarryman, hesitating; “I—all alone!” + </p> + <p> + “Oh!” replied Gabriel, with bitterness, “there is no danger. You can + easily finish him. Look! he is broken down with suffering; he has hardly a + breath of life left; he will make no resistance. Do not be afraid!” + </p> + <p> + The quarryman remained motionless, whilst the crowd, strangely impressed + with this incident, approached a little nearer the railing, without daring + to come within the gate. + </p> + <p> + “Strike then!” resumed Gabriel, addressing the quarryman, whilst he + pointed to the crowd with a solemn gesture; “there are the judges; you are + the executioner.” + </p> + <p> + “No!” cried the quarryman, drawing back, and turning away his eyes; “I’m + not the executioner—not I!” + </p> + <p> + The crowd remained silent. For a few moments, not a word, not a cry, + disturbed the stillness of the solemn cathedral. In a desperate case, + Gabriel had acted with a profound knowledge of the human heart. When the + multitude, inflamed with blind rage, rushes with ferocious clamor upon a + single victim, and each man strikes his blow, this dreadful species of + combined murder appears less horrible to each, because they all share in + the common crime; and then the shouts, the sight of blood, the desperate + defence of the man they massacre, finish by producing a sort of ferocious + intoxication; but, amongst all those furious madmen, who take part in the + homicide, select one, and place him face to face with the victim, no + longer capable of resistance, and say to him, “Strike!”—he will + hardly ever dare to do so. + </p> + <p> + It was thus with the quarryman; the wretch trembled at the idea of + committing a murder in cold blood, “all alone.” The preceding scene had + passed very rapidly; amongst the companions of the quarryman, nearest to + the railing, some did not understand an impression, which they would + themselves have felt as strongly as this bold man, if it had been said to + them: “Do the office of executioner!” These, therefore, began to murmur + aloud at his weakness. “He dares not finish the poisoner,” said one. + </p> + <p> + “The coward!” + </p> + <p> + “He is afraid.” + </p> + <p> + “He draws back.” Hearing these words, the quarryman ran to the gate, threw + it wide open, and, pointing to Father d’Aigrigny, exclaimed: “If there is + one here braver than I am, let him go and finish the job—let him be, + the executioner—come!” + </p> + <p> + On this proposal the murmurs ceased. A deep silence reigned once more in + the cathedral. All those countenances, but now so furious, became sad, + confused, almost frightened. + </p> + <p> + The deluded mob began to appreciate the ferocious cowardice of the action + it had been about to commit. Not one durst go alone to strike the half + expiring man. Suddenly, Father d’Aigrigny uttered a dying rattle, his head + and one of his arms stirred with a convulsive movement, and then fell back + upon the stones as if he had just expired. + </p> + <p> + Gabriel uttered a cry of anguish, and threw himself on his knees close to + Father d’Aigrigny, exclaiming: “Great Heaven! he is dead!” + </p> + <p> + There is a singular variableness in the mind of a crowd, susceptible alike + to good or evil impressions. At the heart-piercing cry of Gabriel, all + these people, who, a moment before, had demanded, with loud uproar, the + massacre of this man, felt touched with a sudden pity. The words: “He is + dead!” circulated in low whispers through the crowd accompanied by a + slight shudder, whilst Gabriel raised with one hand the victim’s heavy + head, and with the other sought to feel if the pulse still beat beneath + the ice-cold skin. + </p> + <p> + “Mr. Curate,” said the quarryman, bending towards Gabriel, “is there + really no hope?” + </p> + <p> + The answer was waited for with anxiety, in the midst of deep silence. The + people hardly ventured to exchange a few words in whispers. + </p> +<div class="fig"> + <img src="images/30101m.jpg" alt="30101m" /><br /> + </div> + <h5> + <a href="images/30101.jpg"><i>Original</i></a> + </h5> + <p> + “Blessed be God!” exclaimed Gabriel, suddenly. “His heart beats.” + </p> + <p> + “His heart beats,” repeated the quarryman, turning his head towards the + crowd, to inform them of the good news. + </p> + <p> + “Oh! his heart beats!” repeated the others, in whispers. + </p> + <p> + “There is hope. We may yet save him,” added Gabriel with an expression of + indescribable happiness. + </p> + <p> + “We may yet save him,” repeated the quarryman, mechanically. + </p> + <p> + “We may yet save him,” muttered the crowd. + </p> + <p> + “Quick, quick,” resumed Gabriel, addressing the quarryman; “help me, + brother. Let us carry him to a neighboring house, where he can have + immediate aid.” + </p> + <p> + The quarryman obeyed with readiness. Whilst the missionary lifted Father + d’Aigrigny by holding him under the arms, the quarryman took the legs of + the almost inanimate body. Together, they carried him outside of the + choir. At sight of the formidable quarryman, aiding the young priest to + render assistance to the man whom he had just before pursued with menaces + of death, the multitude felt a sudden thrill of compassion. Yielding to + the powerful influence of the words and example of Gabriel, they felt + themselves deeply moved, and each became anxious to offer services. + </p> + <p> + “Mr. Curate, he would perhaps be better on a chair, that one could carry + upright,” said Ciboule. + </p> + <p> + “Shall I go and fetch a stretcher from the hospital?” asked another. + </p> + <p> + “Mr. Curate, let me take your place; the body is too heavy for you.” + </p> + <p> + “Don’t trouble yourself,” said a powerful man, approaching the missionary + respectfully; “I can carry him alone.” + </p> + <p> + “Shall I run and fetch a coach, Mr. Curate?” said a young vagabond, taking + off his red cap. + </p> + <p> + “Right,” said the quarryman; “run away, my buck!” + </p> + <p> + “But first, ask Mr. Curate if you are to go for a coach,” said Ciboule, + stopping the impatient messenger. + </p> + <p> + “True,” added one of the bystanders; “we are here in a church, and Mr. + Curate has the command. He is at home.” + </p> + <p> + “Yes, yes; go at once, my child,” said Gabriel to the obliging young + vagabond. + </p> + <p> + Whilst the latter was making his way through the crowd, a voice said: + “I’ve a little wicker-bottle of brandy; will that be of any use?” + </p> + <p> + “No doubt,” answered Gabriel, hastily; “pray give it here. We can rub his + temples with the spirit, and make him inhale a little.” + </p> + <p> + “Pass the bottle,” cried Ciboule; “but don’t put your noses in it!” And, + passed with caution from hand to hand, the flask reached Gabriel in + safety. + </p> + <p> + Whilst waiting for the coming of the coach, Father d’Aigrigny had been + seated on a chair. Whilst several good-natured people carefully supported + the abbe, the missionary made him inhale a little brandy. In a few + minutes, the spirit had a powerful influence on the Jesuit; he made some + slight movements, and his oppressed bosom heaved with a deep sigh. + </p> + <p> + “He is saved—he will live,” cried Gabriel, in a triumphant voice; + “he will live, my brothers!” + </p> + <p> + “Oh! glad to hear it!” exclaimed many voices. + </p> + <p> + “Oh, yes! be glad, my brothers!” repeated Gabriel; “for, instead of being + weighed down with the remorse of crime, you will have a just and + charitable action to remember. Let us thank God, that he has changed your + blind fury into a sentiment of compassion! Let us pray to Him, that + neither you, nor those you love, may ever be exposed to such frightful + danger as this unfortunate man has just escaped. Oh, my brothers!” added + Gabriel, as he pointed to the image of Christ with touching emotion, which + communicated itself the more easily to others from the expression of his + angelic countenance; “oh, my brothers! let us never forget, that HE, who + died upon that cross for the defence of the oppressed, for the obscure + children of the people like to ourselves, pronounced those affectionate + words so sweet to the heart; ‘Love ye one another!’—Let us never + forget it; let us love and help one another, and we poor people shall then + become better, happier, just. Love—yes, love ye one another—and + fall prostrate before that Saviour, who is the God of all that are weak, + oppressed, and suffering in this world!” + </p> + <p> + So saying, Gabriel knelt down. All present respectfully followed his + example, such power was there in his simple and persuasive words. At this + moment, a singular incident added to the grandeur of the scene. We have + said that a few seconds before the quarryman and his band entered the body + of the church, several persons had fled from it. Two of these had taken + refuge in the organ-loft, from which retreat they had viewed the preceding + scene, themselves remaining invisible. One of these persons was a young + man charged with the care of the organ, and quite musician enough to play + on it. Deeply moved by the unexpected turn of an event which at first + appeared so tragical, and yielding to an artistical inspiration, this + young man, at the moment when he saw the people kneeling with Gabriel, + could not forbear striking the notes. Then a sort of harmonious sigh, at + first almost insensible, seemed to rise from the midst of this immense + cathedral, like a divine aspiration. As soft and aerial as the balmy vapor + of incense, it mounted and spread through the lofty arches. Little by + little the faint, sweet sounds, though still as it were covered, changed + to an exquisite melody, religious, melancholy, and affectionate, which + rose to heaven like a song of ineffable gratitude and love. And the notes + were at first so faint, so covered, that the kneeling multitude had + scarcely felt surprise, and had yielded insensibly to the irresistible + influence of that enchanting harmony. + </p> + <p> + Then many an eye, until now dry and ferocious, became wet with tears—many + hard hearts beat gently, as they remembered the words pronounced by + Gabriel with so tender an accent: “Love ye one another!” It was at this + moment that Father d’Aigrigny came to himself—and opened his eyes. + He thought himself under the influence of a dream. He had lost his senses + in sight of a furious populace, who, with insult and blasphemy on their + lips, pursued him with cries of death even to the sanctuary of the temple. + He opened his eyes—and, by the pale light of the sacred lamps, to + the solemn music of the organ, he saw that crowd, just now so menacing and + implacable, kneeling in mute and reverential emotion, and humbly bowing + their heads before the majesty of the shrine. + </p> + <p> + Some minutes after, Gabriel, carried almost in triumph on the shoulders of + the crowd, entered the coach, in which Father d’Aigrigny, who by degrees + had completely recovered his senses, was already reclining. By the order + of the Jesuit, the coach stopped before the door of a house in the Rue de + Vaugirard; he had the strength and courage to enter this dwelling alone; + Gabriel was not admitted, but we shall conduct the reader thither. + </p> +<div class="fig"> + <img src="images/30109m.jpg" alt="30109m" /><br /> + </div> + <h5> + <a href="images/30109.jpg"><i>Original</i></a> + </h5> + <p> + <a name="link2HCH0131" id="link2HCH0131"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXVI. THE PATIENT. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span>t the end of the Rue de Vaugirard, there was then a very high wall, with + only one small doorway in all its length. On opening this door, you + entered a yard surrounded by a railing, with screens like Venetian blinds, + to prevent your seeing between the rails. Crossing this courtyard, you + come to a fine large garden, symmetrically planted, at the end of which + stood a building two stories high, looking perfectly comfortable, without + luxury, but with all that cozy simplicity which betokens discreet + opulence. A few days had elapsed since Father d’Aigrigny had been so + courageously rescued by Gabriel from the popular fury. Three + ecclesiastics, wearing black gowns, white bands, and square caps, were + walking in the garden with a slow and measured step. The youngest seemed + to be about thirty years of age; his countenance was pale, hollow, and + impressed with a certain ascetic austerity. His two companions, aged + between fifty or sixty, had, on the contrary, faces at once hypocritical + and cunning; their round, rosy cheeks shone brightly in the sunshine, + whilst their triple chins, buried in fat, descended in soft folds over the + fine cambric of their bands. According to the rules of their order (they + belonged to the Society of Jesus), which forbade their walking only two + together, these three members of the brotherhood never quitted each other + a moment. + </p> + <p> + “I fear,” said one of the two, continuing a conversation already begun, + and speaking of an absent person, “I fear, that the continual agitation to + which the reverend father has been a prey, ever since he was attacked with + the cholera, has exhausted his strength, and caused the dangerous relapse + which now makes us fear for his life.” + </p> + <p> + “They say,” resumed the other, “that never was there seen anxiety like to + his.” + </p> + <p> + “And moreover,” remarked the young priest, bitterly, “it is painful to + think, that his reverence Father Rodin has given cause for scandal, by + obstinately refusing to make a public confession, the day before yesterday + when his situation appeared so desperate, that, between two fits of a + delirium, it was thought right to propose to him to receive the last + sacraments.” + </p> + <p> + “His reverence declared that he was not so ill as they supposed,” answered + one of the fathers, “and that he would have the last duties performed when + he thought necessary.” + </p> + <p> + “The fact is, that for the last ten days, ever since he was brought here + dying, his life has been, as it were, only a long and painful agony; and + yet he continues to live.” + </p> + <p> + “I watched by him during the first three days of his malady, with M. + Rousselet, the pupil of Dr. Baleinier,” resumed the youngest father; “he + had hardly a moment’s consciousness, and when the Lord did grant him a + lucid interval, he employed it in detestable execrations against the fate + which had confined him to his bed.” + </p> + <p> + “It is said,” resumed the other, “that Father Rodin made answer to his + Eminence Cardinal Malipieri, who came to persuade him to die in an + exemplary manner, worthy of a son of Loyola, our blessed founder”—at + these words, the three Jesuits bowed their heads together, as if they had + been all moved by the same spring—“it is said, that Father Rodin + made answer to his eminence: ‘I do not need to confess publicly; I WANT TO + LIVE, AND I WILL LIVE.’” + </p> + <p> + “I did not hear that,” said the young priest, with an indignant air; “but + if Father Rodin really made use of such expressions, it is—” + </p> + <p> + Here, no doubt, reflection came to him just in time, for he stole a + sidelong glance at his two silent, impassible companions, and added: “It + is a great misfortune for his soul; but I am certain, his reverence has + been slandered.” + </p> + <p> + “It was only as a calumnious report, that I mentioned those words,” said + the other priest, exchanging a glance with his companion. + </p> + <p> + One of the garden gates opened, and one of the three reverend fathers + exclaimed, at the sight of the personage who now entered: “Oh! here is his + Eminence Cardinal Malipieri, coming to pay a visit to Father Rodin.” + </p> + <p> + “May this visit of his eminence,” said the young priest, calmly, “be more + profitable to Father Rodin than the last!” + </p> + <p> + Cardinal Malipieri was crossing the garden, on his way to the apartment + occupied by Rodin. + </p> + <p> + Cardinal Malipieri, whom we saw assisting at the sort of council held at + the Princess de Saint-Dizier’s, now on his way to Rodin’s apartment, was + dressed as a layman, but enveloped in an ample pelisse of puce-colored + satin, which exhaled a strong odor of camphor, for the prelate had taken + care to surround himself with all sorts of anti-cholera specifics. Having + reached the second story of the house, the cardinal knocked at a little + gray door. Nobody answering, he opened it, and, like a man to whom the + locality was well known, passed through a sort of antechamber, and entered + a room in which was a turn-up bed. On a black wood table were many phials, + which had contained different medicines. The prelate’s countenance seemed + uneasy and morose; his complexion was still yellow and bilious; the brown + circle which surrounded his black, squinting eyes appeared still darker + than usual. + </p> + <p> + Pausing a moment, he looked round him almost in fear, and several times + stopped to smell at his anti-cholera bottle. Then, seeing he was alone, he + approached a glass over the chimney-piece, and examined with much + attention the color of his tongue; after some minutes spent in this + careful investigation, with the result of which he appeared tolerably + satisfied, he took some preservative lozenges out of a golden box, and + allowed them to melt in his mouth, whilst he closed his eyes with a + sanctified air. Having taken these sanitary precautions, and again pressed + his bottle to his nose, the prelate prepared to enter the third room, when + he heard a tolerably loud noise through the thin partition which separated + him from it, and, stopping to listen, all that was said in the next + apartment easily reached his ear. + </p> + <p> + “Now that my wounds are dressed, I will get up,” said weak, but sharp and + imperious voice. + </p> + <p> + “Do not think of it, reverend father,” was answered in a stronger tone; + “it is impossible.” + </p> + <p> + “You shall see if it is impossible,” replied the other voice. + </p> + <p> + “But, reverend father, you will kill yourself. You are not in a state to + get up. You will expose yourself to a mortal relapse. I cannot consent to + it.” + </p> + <p> + To these words succeeded the noise of a faint struggle, mingled with + groans more angry than plaintive, and the voice resumed: “No, no, father; + for your own safety, I will not leave your clothes within your reach. It + is almost time for your medicine; I will go and prepare it for you.” + </p> + <p> + Almost immediately after, the door opened, and the prelate saw enter a man + of about twenty-five years of age, carrying on his arm an old olive + great-coat and threadbare black trousers, which he threw down upon a + chair. + </p> + <p> + This personage was Ange Modeste Rousselet, chief pupil of Dr. Baleinier; + the countenance of the young practitioner was mild, humble, and reserved; + his hair, very short in front, flowed down upon his neck behind. He made a + slight start in surprise on perceiving the cardinal, and bowed twice very + low, without raising his eyes. + </p> + <p> + “Before anything else,” said the prelate, with his marked Italian accent, + still holding to his nose his bottle of camphor, “have any choleraic + symptoms returned?” + </p> + <p> + “No, my lord; the pernicious fever, which succeeded the attack of cholera, + still continues.” + </p> + <p> + “Very good. But will not the reverend father be reasonable? What was the + noise that I just heard?” + </p> + <p> + “His reverence wished absolutely to get up and dress himself; but his + weakness is so great, that he could not have taken two steps from the bed. + He is devoured by impatience, and we fear that this agitation will cause a + mortal relapse.” + </p> + <p> + “Has Dr. Baleinier been here this morning?” + </p> + <p> + “He has just left, my lord.” + </p> + <p> + “What does he think of the patient?” + </p> + <p> + “He finds him in the most alarming state, my lord. The night was so bad, + that he was extremely uneasy this morning. Father Rodin is at one of those + critical junctures, when a few hours may decide the life or death of the + patient. Dr. Baleinier is now gone to fetch what is necessary for a very + painful operation, which he is about to perform on the reverend father.” + </p> + <p> + “Has Father d’Aigrigny been told of this?” + </p> + <p> + “Father d’Aigrigny is himself very unwell, as your eminence knows; he has + not been able to leave his bed for the last three days.” + </p> + <p> + “I inquired about him as I came up,” answered the prelate, “and I shall + see him directly. But, to return to Father Rodin, have you sent for his + confessor, since he is in a desperate state, and about to undergo a + serious operation?” + </p> + <p> + “Dr. Baleinier spoke a word to him about it, as well as about the last + sacraments; but Father Rodin exclaimed, with great irritation, that they + did not leave him a moment’s peace, that he had as much care as any one + for his salvation, and that—” + </p> + <p> + “Per Bacco! I am not thinking of him,” cried the cardinal, interrupting + Ange Modeste Rousselet with his pagan oath, and raising his sharp voice to + a still higher key; “I am not thinking of him, but of the interests of the + Company. It is indispensable that the reverend father should receive the + sacraments with the most splendid solemnity, and that his end should not + only be Christian, but exemplary. All the people in the house, and even + strangers, should be invited to the spectacle, so that his edifying death + may produce an excellent sensation.” + </p> + <p> + “That is what Fathers Grison and Brunet have already endeavored to + persuade his reverence, my lord; but your Eminence knows with what + impatience Father Rodin received this advice, and Dr. Baleinier did not + venture to persist, for fear of advancing a fatal crisis.” + </p> + <p> + “Well, I will venture to do it; for in these times of revolutionary + impiety, a solemnly Christian death would produce a very salutary effect + on the public. It would indeed be proper to make the necessary + preparations to embalm the reverend father: he might then lie in state for + some days, with lighted tapers, according to Romish custom. My secretary + would furnish the design for the bier; it would be very splendid and + imposing; from his position in the Order, Father Rodin is entitled to have + everything in the most sumptuous style. He must have at least six hundred + tapers, and a dozen funeral lamps, burning spirits of wine, to hang just + over the body, and light it from above: the effect would be excellent. We + must also distribute little tracts to the people, concerning the pious and + ascetic life of his reverence—” + </p> + <p> + Here a sudden noise, like that of some piece of metal thrown angrily on + the floor, was heard from the next room, in which was the sick man, and + interrupted the prelate in his description. + </p> + <p> + “I hope Father Rodin has not heard you talk of embalming him, my lord,” + said Rousselet, in a whisper: “his bed touches the partition, and almost + everything is audible through it.” + </p> + <p> + “If Father Rodin has heard me,” answered the cardinal, sinking his voice, + and retiring to the other end of the room, “this circumstance will enable + me to enter at once on the business; but, in any case, I persist in + believing that the embalming and the lying in state are required to make a + good effect upon the public. The people are already frightened at the + cholera, and such funeral pomp would have no small influence on the + imagination.” + </p> + <p> + “I would venture to observe to your Eminence, that here the laws are + opposed to such exhibitions.” + </p> + <p> + “The laws—already the laws!” said the cardinal, angrily; “has not + Rome also her laws? And is not every priest a subject of Rome? Is it not + time—” + </p> + <p> + But, not choosing, doubtless, to begin a more explicit conversation with + the young doctor, the prelate resumed, “We will talk of this hereafter. + But, tell me, since my last visit, has the reverend father had any fresh + attacks of delirium?” + </p> + <p> + “Yes, my lord; here is the note, as your Eminence commanded.” So saying + Rousselet delivered a paper to the prelate. We will inform the reader that + this part of the conversation between Rousselet and the cardinal was + carried on at a distance from the partition, so that Rodin could hear + nothing of it, whilst that which related to the embalming had been + perfectly audible to him. + </p> + <p> + The cardinal, having received the note from Rousselet, perused it with an + expression of lively curiosity. When he had finished, he crumpled it in + his hand, and said, without attempting to dissemble his vexation, “Always + nothing but incoherent expression. Not two words together, from which you + can draw any reasonable conclusion. One would really think this man had + the power to control himself even in his delirium, and to rave about + insignificant matters only.” + </p> + <p> + Then, addressing Rousselet, “You are sure that you have reported + everything that escaped from him during his delirium?” + </p> + <p> + “With the exception of the same phrases, that he repeated over and over + again, your Eminence may be assured that I have not omitted a single word, + however unmeaning.” + </p> + <p> + “Show me into Father Rodin’s room,” said the prelate, after a moment’s + silence. + </p> + <p> + “But, my lord,” answered the young doctor, with some hesitation, “the fit + has only left him about an hour, and the reverend father is still very + weak.” + </p> + <p> + “The more the reason,” replied the prelate, somewhat indiscreetly. Then, + recollecting himself, he added, “He will the better appreciate the + consolations I have to offer. Should he be asleep, awake him, and announce + my visit.” + </p> + <p> + “I have only orders to receive from your Eminence,” said Rousselet, + bowing, and entering the next room. + </p> + <p> + Left alone, the cardinal said to himself, with a pensive air, “I always + come back to that. When he was suddenly attacked by the cholera, Father + Rodin believed himself poisoned by order of the Holy See. He must then + have been plotting something very formidable against Rome, to entertain so + abominable a fear. Can our suspicions be well founded? Is he acting + secretly and powerfully on the Sacred College? But then for what end? This + it has been impossible to penetrate, so faithfully has the secret been + kept by his accomplices. I had hoped that, during his delirium, he would + let slip some word that would put us on the trace of what we are so much + interested to discover. With so restless and active a mind, delirium is + often the exaggeration of some dominant idea; yet here I have the report + of five different fits—and nothing—no, nothing but vague, + unconnected phrases.” + </p> + <p> + The return of Rousselet put an end to these reflections. “I am sorry to + inform my lord that the reverend father obstinately refuses to see any + one. He says that he requires absolute repose. Though very weak, he has a + savage and angry look, and I should not be surprised if he overheard your + Eminence talk about embalming him.” + </p> + <p> + The cardinal, interrupting Rousselet, said to him, “Did Father Rodin have + his last fit of delirium in the night?” + </p> + <p> + “Between three and half-past five this morning, my lord.” + </p> + <p> + “Between three and half-past five,” repeated the prelate, as if he wished + to impress this circumstance on his memory, “the attack presented no + particular symptoms?” + </p> + <p> + “No, my lord; it consisted of rambling, incoherent talk, as your Eminence + may see by this note.” + </p> + <p> + Then, as he perceived the prelate approaching Father Rodin’s door, + Rousselet added, “The reverend father will positively see no one, my lord; + he requires rest, to prepare for the operation; it might be dangerous—” + </p> + <p> + Without attending to these observations, the cardinal entered Rodin’s + chamber. It was a tolerably large room, lighted by two windows, and simply + but commodiously furnished. Two logs were burning slowly in the fireplace, + in which stood a coffee-pot, a vessel containing mustard poultice, etc. On + the chimney-piece were several pieces of rag, and some linen bandages. The + room was full of that faint chemical odor peculiar to the chambers of the + sick, mingled with so putrid a stench, that the cardinal stopped at the + door a moment, before he ventured to advance further. As the three + reverend fathers had mentioned in their walk, Rodin lived because he had + said to himself, “I want to live, and I will live.” + </p> + <p> + For, as men of timid imaginations and cowardly minds often die from the + mere dread of dying, so a thousand facts prove that vigor of character and + moral energy may often struggle successfully against disease, and triumph + over the most desperate symptoms. + </p> +<div class="fig"> + <img src="images/30117m.jpg" alt="30117m" /><br /> + </div> + <h5> + <a href="images/30117.jpg"><i>Original</i></a> + </h5> + + <p> + It was thus with the Jesuit. The unshaken firmness of his character, the + formidable tenacity of his will (for the will has sometimes a mysterious + and almost terrific power), aiding the skillful treatment of Dr. + Baleinier, had saved him from the pestilence with which he had been so + suddenly attacked. But the shock had been succeeded by a violent fever, + which placed Rodin’s life in the utmost peril. This increased danger had + caused the greatest alarm to Father d’Aigrigny, who felt, in spite of his + rivalry and jealousy, that Rodin was the master-spirit of the plot in + which they were engaged, and could alone conduct it to a successful issue. + </p> + <p> + The curtains of the room was half closed, and admitted only a doubtful + light to the bed on which Rodin was lying. The Jesuit’s features had lost + the greenish hue peculiar to cholera patients, but remained perfectly + livid and cadaverous, and so thin, that the dry, rugged skin appeared to + cling to the smallest prominence of bone. The muscles and veins of the + long, lean, vulture-like neck resembled a bundle of cords. The head, + covered with an old, black, filthy nightcap, from beneath which strayed a + few thin, gray hairs, rested upon a dirty pillow; for Rodin would not + allow them to change his linen. His iron-gray beard had not been shaved + for some time, and stood out like the hairs of a brush. Under his shirt he + wore an old flannel waistcoat full of holes. He had one of his arms out of + bed, and his bony hairy hand, with its bluish nails, held fast a cotton + handkerchief of indescribable color. + </p> + <p> + You might have taken him for a corpse, had it not been for the two + brilliant sparks which still burned in the depths of his eyes. In that + look, in which seemed concentrated all the remaining life and energy of + the man, you might read the most restless anxiety. Sometimes his features + revealed the sharpest pangs; sometimes the twisting of his hands, and his + sudden starts, proclaimed his despair at being thus fettered to a bed of + pain, whilst the serious interests which he had in charge required all the + activity of his mind. Thus, with thoughts continually on the stretch, his + mind often wandered, and he had fits of delirium, from which he woke as + from a painful dream. By the prudent advice of Dr. Baleinier, who + considered him not in a state to attend to matters of—importance, + Father d’Aigrigny had hitherto evaded Rodin’s questions with regard to the + Rennepont affair, which he dreaded to see lost and ruined in consequence + of his forced inaction. The silence of Father d’Aigrigny on this head, and + the ignorance in which they kept him, only augmented the sick man’s + exasperation. Such was the moral and physical state of Rodin, when + Cardinal Malipieri entered his chamber against his will. + </p> + <p> + <a name="link2HCH0132" id="link2HCH0132"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXVII. THE LURE. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>o understand fully the tortures of Rodin, reduced to inactivity by + sickness, and to explain the importance of Cardinal Malipieri’s visit, we + must remember the audacious views of the ambitious Jesuit, who believed + himself following in the steps of Sixtus V., and expected to become his + equal. By the success of the Rennepont affair, to attain to the + generalship of his Order, by the corruption of the Sacred College to + ascend the pontifical throne, and then, by means of a change in the + statutes of the Company, to incorporate the Society of Jesus with the Holy + See, instead of leaving it independent, to equal and almost always rule + the Papacy—such were the secret projects of Rodin. + </p> + <p> + Their possibility was sanctioned by numerous precedents, for many mere + monks and priests had been suddenly raised to the pontifical dignity. And + as for their morality, the accession of the Borgias, of Julius II., and + other dubious Vicars of Christ, might excuse and authorize the pretensions + of the Jesuits. + </p> + <p> + Though the object of his secret intrigues at Rome had hitherto been + enveloped in the greatest mystery, suspicions had been excited in regard + to his private communications with many members of the Sacred College. A + portion of that college, Cardinal Malipieri at the head of them, had + become very uneasy on the subject, and, profiting by his journey to + France, the cardinal had resolved to penetrate the Jesuit’s dark designs. + If, in the scene we have just painted, the cardinal showed himself so + obstinately bent on having a conference with Rodin, in spite of the + refusal of the latter, it was because the prelate hoped, as we shall soon + see, to get by cunning at the secret, which had hitherto been so well + concealed. It was, therefore, in the midst of all these extraordinary + circumstances, that Rodin saw himself the victim of a malady, which + paralyzed his strength, at the moment when he had need of all his + activity, and of all the resources of his mind. After remaining for some + seconds motionless near the door, the cardinal, still holding his bottle + under his nose, slowly approached the bed where Rodin lay. + </p> + <p> + The latter, enraged at this perseverance, and wishing to avoid an + interview which for many reasons was singularly odious to him, turned his + face towards the wall, and pretended to be asleep. Caring little for this + feint, and determined to profit by Rodin’s state of weakness, the prelate + took a chair, and, conquering his repugnance, sat down close to the + Jesuit’s bed. + </p> + <p> + “My reverend and very dear father, how do you find yourself?” said he to + him, in a honeyed tone, which his Italian accent seemed to render still + more hypocritical. Rodin pretended not to hear, breathed hard, and made no + answer. But the cardinal, not without disgust, shook with his gloved hand + the arm of the Jesuit, and repeated in a louder voice: “My reverend and + very dear father, answer me, I conjure you!” + </p> + <p> + Rodin could not restrain a movement of angry impatience, but he continued + silent. The cardinal was not a man to be discouraged by so little; he + again shook the arm of the Jesuit, somewhat more roughly, repeating, with + a passionless tenacity that would have incensed the most patient person in + the world: “My reverend and very dear father, since you are not asleep, + listen to me, I entreat of you.” + </p> + <p> + Irritable with pain, exasperated by the obstinacy of the prelate, Rodin + abruptly turned his head, fixed on the Roman his hollow eyes, shining with + lurid fire, and, with lips contracted by a sardonic smile, said to him, + bitterly: “You must be very anxious, my lord, to see me embalmed, and lie + in state with tapers, as you were saying just now, for you thus to come to + torment me in my last moments, and hasten my end!” + </p> + <p> + “Oh, my good father! how can you talk so?” cried the cardinal, raising his + hands as if to call heaven to witness to the sincerity of the tender + interest he felt for the Jesuit. + </p> + <p> + “I tell you that I heard all just now, my lord; for the partition is + thin,” added Rodin, with redoubled bitterness. + </p> + <p> + “If you mean that, from the bottom of my soul, I desired that you should + make an exemplary and Christian end, you are perfectly right, my dear + father. I did say so; for, after a life so well employed, it would be + sweet to see you an object of adoration for the faithful!” + </p> + <p> + “I tell you, my lord,” cried Rodin, in a weak and broken voice, “that it + is ferocious to express such wishes in the presence of a dying man. Yes,” + he added, with growing animation, that contrasted strongly with his + weakness, “take care what you do; for if I am too much plagued and + pestered—if I am not allowed to breathe my last breath quietly—I + give you notice that you will force me to die in anything but a Christian + manner, and if you mean to profit by an edifying spectacle, you will be + deceived.” + </p> + <p> + This burst of anger having greatly fatigued Rodin, his head fell back upon + the pillow, and he wiped his cracked and bleeding lips with his old cotton + handkerchief. + </p> + <p> + “Come, come, be calm, my very dear father,” resumed the cardinal, with a + patronizing air; “do not give way to such gloomy ideas. Doubtless, + Providence reserves you for great designs, since you have been already + delivered from so much peril. Let us hope that you will be likewise saved + from your present danger.” + </p> + <p> + Rodin answered by a hoarse growl, and turned his face towards the wall. + </p> + <p> + The imperturbable prelate continued: “The views of Providence are not + confined to your salvation, my very dear father. Its power has been + manifested in another way. What I am about to tell you is of the highest + importance. Listen attentively.” + </p> + <p> + Without turning his head, Rodin muttered in a tone of angry bitterness, + which betrayed his intense sufferings: “They desire my death. My chest is + on fire, my head racked with pain, and they have no pity. Oh, I suffer the + tortures of the damned!” + </p> + <p> + “What! already” thought the Roman, with a smile of sarcastic malice; then + he said aloud: “Let me persuade you, my very dear father—make an + effort to listen to me; you will not regret it.” + </p> + <p> + Still stretched upon the bed, Rodin lifted his hands clasped upon his + cotton handkerchief with a gesture of despair, and then let them fall + again by his side. + </p> + <p> + The cardinal slightly shrugged his shoulders, and laid great stress on + what follows, so that Rodin might not lose a word of it: “My dear father, + it has pleased Providence that, during your fit of raving, you have made, + without knowing it, the most important revelations.” + </p> + <p> + The prelate waited with anxious curiosity for the effect of the pious trap + he had laid for the Jesuit’s weakened faculties. But the latter, still + turned towards the wall, did not appear to have heard him and remained + silent. + </p> + <p> + “You are, no doubt, reflecting on my words, my dear father,” resumed the + cardinal; “you are right, for it concerns a very serious affair. I repeat + to you that Providence has allowed you, during your delirium, to betray + your most secret thoughts—happily, to me alone. They are such as + would compromise you in the highest degree. In short, during your delirium + of last night, which lasted nearly two hours, you unveiled the secret + objects of your intrigues at Rome with many of the members of the Sacred + College.” + </p> + <p> + The cardinal, rising softly, stooped over the bed to watch the expression + of Rodin’s countenance. But the latter did not give him time. As a + galvanized corpse starts into strange and sudden motion, Rodin sprang into + a sitting posture at the last words of the prelate. + </p> + <p> + “He has betrayed himself,” said the cardinal, in a low voice, in Italian. + Then, resuming his seat, he fixed on the Jesuit his eyes, that sparkled + with triumphant joy. + </p> + <p> + Though he did not hear the exclamation of Malipieri, nor remark the + expression of his countenance, Rodin, notwithstanding his state of + weakness, instantly felt the imprudence of his start. He pressed his hand + to his forehead, as though he had been seized with a giddiness; then, + looking wildly round him, he pressed to his trembling lips his old cotton + handkerchief, and gnawed it mechanically for some seconds. + </p> + <p> + “Your emotion and alarm confirm the sad discoveries I have made,” resumed + the cardinal, still more rejoicing at the success of his trick; “and now, + my dear father,” added he, “you will understand that it is for your best + interest to enter into the most minute detail as to your projects and + accomplices at Rome. You may then hope, my dear father, for the indulgence + of the Holy See—that is, if your avowals are sufficiently explicit + to fill up the chasms necessarily left in a confession made during + delirium.” + </p> + <p> + Rodin, recovered from his first surprise, perceived, but too late, that he + had fallen into a snare, not by any words he had spoken, but by his too + significant movements. In fact, the Jesuit had feared for a moment that he + might have betrayed himself during his delirium, when he heard himself + accused of dark intrigues with Rome; but, after some minutes of + reflection, his common sense suggested: “If this crafty Roman knew my + secret, he would take care not to tell me so. He has only suspicions, + confirmed by my involuntary start just now.” + </p> + <p> + Rodin wiped the cold sweat from his burning forehead. The emotion of this + scene augmented his sufferings, and aggravated the danger of his + condition. Worn out with fatigue, he could not remain long in a sitting + posture, and soon fell back upon the bed. + </p> + <p> + “Per Bacco!” said the cardinal to himself, alarmed at the expression of + the Jesuit’s face; “if he were to die before he had spoken, and so escape + the snare!” + </p> + <p> + Then, leaning over the bed, the prelate asked: “What is the matter, my + very dear father?” + </p> + <p> + “I am weak, my lord—I am in pain—I cannot express what I + suffer.” + </p> + <p> + “Let us hope, my very dear father, that this crisis will have no fatal + results; but the contrary may happen, and it behooves the salvation of + your soul to make instantly the fullest confession. Were it even to + exhaust your strength, what is this perishable body compared to eternal + life?” + </p> + <p> + “Of what confession do you speak, my lord?” said Rodin, in a feeble and + yet sarcastic tone. + </p> + <p> + “What confession!” cried the amazed cardinal; “why, with regard to your + dangerous intrigues at Rome.” + </p> + <p> + “What intrigues?” asked Rodin. + </p> + <p> + “The intrigues you revealed during your delirium,” replied the prelate, + with still more angry impatience. “Were not your avowals sufficiently + explicit? Why, then, this culpable hesitation to complete them?” + </p> + <p> + “My avowals—were explicit—you assure me?” said Rodin, pausing + after each word for want of breath, but without losing his energy and + presence of mind. + </p> + <p> + “Yes, I repeat it,” resumed the cardinal; “with the exception of a few + chasms, they were most explicit.” + </p> + <p> + “Then why repeat them?” said Rodin, with the same sardonic smile on his + violet lips. + </p> + <p> + “Why repeat them?” cried the angry prelate. “In order to gain pardon; for + if there is indulgence and mercy for the repentant sinner, there must be + condemnation and curses for the hardened criminal!” + </p> + <p> + “Oh, what torture! I am dying by slow fire!” murmured Rodin. “Since I have + told all,” he resumed, “I have nothing more to tell. You know it already.” + </p> + <p> + “I know all—doubtless, I know all,” replied the prelate, in a voice + of thunder; “but how have I learned it? By confessions made in a state of + unconsciousness. Do you think they will avail you anything? No; the moment + is solemn—death is at hand, tremble to die with a sacrilegious + falsehood on your lips,” cried the prelate, shaking Rodin violently by the + arm; “dread the eternal flames, if you dare deny what you know to be the + truth. Do you deny it?” + </p> + <p> + “I deny nothing,” murmured Rodin, with difficulty. “Only leave me alone!” + </p> + <p> + “Then heaven inspires you,” said the cardinal, with a sigh of + satisfaction; and, thinking he had nearly attained his object, he resumed, + “Listen to the divine word, that will guide you, father. You deny + nothing?” + </p> + <p> + “I was—delirious—and cannot—(oh! how I suffer!)” added + Rodin, by way of parenthesis; “and cannot therefore—deny—the + nonsense—I may have uttered!” + </p> + <p> + “But when this nonsense agrees with the truth,” cried the prelate, furious + at being again deceived in his expectation; “but when raving is an + involuntary, providential revelation—” + </p> +<div class="fig"> + <img src="images/30125m.jpg" alt="30125m" /><br /> + </div> + <h5> + <a href="images/30125.jpg"><i>Original</i></a> + </h5> + <p> + “Cardinal Malipieri—your craft is no match—for my agony,” + answered Rodin, in a failing voice. “The proof—that I have not told + my secret—if I have a secret—is—that you want to make me + tell it!” In spite of his pain and weakness, the Jesuit had courage to + raise himself in the bed, and look the cardinal full in the face, with a + smile of bitter irony. After which he fell back on the pillow, and pressed + his hands to his chest, with a long sigh of anguish. + </p> + <p> + “Damnation! the infernal Jesuit has found me out!” said the cardinal to + himself, as he stamped his foot with rage. “He sees that he was + compromised by his first movement; he is now upon his guard; I shall get + nothing more from him—unless indeed, profiting by the state of + weakness in which he is, I can, by entreaties, by threats, by terror—” + </p> + <p> + The prelate was unable to finish. The door opened abruptly, and Father + d’Aigrigny entered the room, exclaiming with an explosion of joy: + “Excellent news!” + </p> + <p> + <a name="link2HCH0133" id="link2HCH0133"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXVIII. GOOD NEWS. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">B</span>y the alteration in the countenance of Father d’Aigrigny, his pale cheek, + and the feebleness of his walk, one might see that the terrible scene in + the square of Notre-Dame, had violently reacted upon his health. Yet his + face was radiant and triumphant, as he entered Rodin’s chamber, + exclaiming: “Excellent news!” + </p> + <p> + On these words, Rodin started. In spite of his weakness, he raised his + head, and his eyes shone with a curious, uneasy, piercing expression. With + his lean hand, he beckoned Father d’Aigrigny to approach the bed, and said + to him, in a broken voice, so weak that it was scarcely audible: “I am + very ill—the cardinal has nearly finished me—but if this + excellent news—relates to the Rennepont affair—of which I hear + nothing—it might save me yet!” + </p> + <p> + “Be saved then!” cried Father d’Aigrigny, forgetting the recommendations + of Dr. Baleinier; “read, rejoice! What you foretold is beginning to be + realized!” + </p> + <p> + So saying, he drew a paper from his pocket, and delivered it to Rodin, who + seized it with an eager and trembling hand. Some minutes before, Rodin + would have been really incapable of continuing his conversation with the + cardinal, even if prudence had allowed him to do so; nor could he have + read a single line, so dim had his sight become. But, at the words of + Father d’Aigrigny, he felt such a renewal of hope and vigor, that, by a + mighty effort of energy and will, he rose to a sitting posture, and, with + clear head, and look of intelligent animation, he read rapidly the paper + that Father d’Aigrigny had just delivered to him. + </p> + <p> + The cardinal, amazed at this sudden transfiguration, asked himself if he + beheld the same man, who, a few minutes before, had fallen back on his + bed, almost insensible. Hardly had Rodin finished reading, than he uttered + a cry of stifled joy, saying, with an accent impossible to describe: “ONE + gone! it works—‘tis well!” And, closing his eyes in a kind of + ecstatic transport, a smile of proud triumph overspread his face, and + rendered him still more hideous, by discovering his yellow and gumless + teeth. His emotion was so violent, that the paper fell from his trembling + hand. + </p> + <p> + “He has fainted,” cried Father d’Aigrigny, with uneasiness, as he leaned + over Rodin. “It is my fault, I forgot that the doctor cautioned me not to + talk to him of serious matters.” + </p> + <p> + “No; do not reproach yourself,” said Rodin, in a low voice, half-raising + himself in the bed. “This unexpected joy may perhaps cure me. Yes—I + scarce know what I feel—but look at my cheeks—it seems to me, + that, for the first time since I have been stretched on this bed of pain, + they are a little warm.” + </p> + <p> + Rodin spoke the truth. A slight color appeared suddenly on his livid and + icy cheeks; his voice though still very weak, became less tremulous, and + he exclaimed, in a tone of conviction that startled Father d’Aigrigny and + the prelate, “This first success answers for the others. I read the + future. Yes, yes; our cause will triumph. Every member of the execrable + Rennepont family will be crushed—and that soon you will see—” + </p> + <p> + Then, pausing, Rodin threw himself back on the pillow, exclaiming: “Oh! I + am choked with joy. My voice fails me.” + </p> + <p> + “But what is it?” asked the cardinal of Father d’Aigrigny. + </p> + <p> + The latter replied, in a tone of hypocritical sanctity: “One of the heirs + of the Rennepont family, a poor fellow, worn out with excesses and + debauchery, died three days ago, at the close of some abominable orgies, + in which he had braved the cholera with sacrilegious impiety. In + consequence of the indisposition that kept me at home, and of another + circumstance, I only received to-day the certificate of the death of this + victim of intemperance and irreligion. I must proclaim it to the praise of + his reverence”—pointing to Rodin—“that he told me, the worst + enemies of the descendants of that infamous renegade would be their own + bad passions, and that the might look to them as our allies against the + whole impious race. And so it has happened with Jacques Rennepont.” + </p> + <p> + “You see,” said Rodin, in so faint a voice that it was almost + unintelligible, “the punishment begins already. One of the Renneponts is + dead—and believe me—this certificate,” and he pointed to the + paper that Father d’Aigrigny held in his hand, “will one day be worth + forty millions to the Society of Jesus—and that—because—” + </p> + <p> + The lips alone finished the sentence. During some seconds, Rodin’s voice + had become so faint, that it was at last quite imperceptible. His larynx, + contracted by violent emotion, no longer emitted any sound. The Jesuit, + far from being disconcerted by this incident, finished his phrase, as it + were, by expressive pantomime. Raising his head proudly he tapped his + forehead with his forefinger, as if to express that it was to his ability + this first success was owing. But he soon fell back again on the bed, + exhausted, breathless, sinking, with his cotton handkerchief pressed once + more to his parched lips. The good news, as Father d’Aigrigny called it, + had not cured Rodin. For a moment only, he had had the courage to forget + his pain. But the slight color on his cheek soon disappeared; his face + became once more livid. His sufferings, suspended for a moment, were so + much increased in violence, that he writhed beneath the coverlet, and + buried his face in the pillow, extending his arms above his head, and + holding them stiff as bars of iron. After this crisis, intense as it was + rapid: during which Father d’Aigrigny and the prelate bent anxiously over + him, Rodin, whose face was bathed in cold sweat, made a sign that he + suffered less, and that he wished to drink of a potion to which he + pointed. Father d’Aigrigny fetched it for him, and while the cardinal held + him up with marked disgust, the abbe administered a few spoonfuls of the + potion, which almost immediately produced a soothing effect. + </p> + <p> + “Shall I call M. Rousselet?” said Father d’Aigrigny, when Rodin was once + more laid down in bed. + </p> + <p> + Rodin shook his head; then, with a fresh effort, he raised his right hand, + opened it, and pointed with his forefinger to a desk in a corner of the + room, to signify that, being no longer able to speak, he wished to write. + </p> + <p> + “I understand your reverence,” said Father d’Aigrigny; “but first calm + yourself. Presently, if you require it. I will give you writing + materials.” + </p> + <p> + Two knocks at the outer door of the next room interrupted this scene. From + motives of prudence, Father d’Aigrigny had begged Rousselet to remain in + the first of the three rooms. He now went to open the door, and Rousselet + handed him a voluminous packet, saying: “I beg pardon for disturbing you, + father, but I was told to let you have these papers instantly.” + </p> + <p> + “Thank you, M. Rousselet,” said Father d’Aigrigny; “do you know at what + hour Dr. Baleinier will return?” + </p> + <p> + “He will not be long, father, for he wishes to perform before night the + painful operation, that will have a decisive effect on the condition of + Father Rodin. I am preparing what is necessary for it,” added Rousselet, + as he pointed to a singular and formidable apparatus, which Father + d’Aigrigny examined with a kind of terror. + </p> + <p> + “I do not know if the symptom is a serious one,” said the Jesuit; “but the + reverend father has suddenly lost his voice.” + </p> + <p> + “It is the third time this has happened within the last week,” said + Rousselet; “the operation of Dr. Baleiner will act both on the larynx and + on the lungs.” + </p> + <p> + “Is the operation a very painful one?” asked Father d’Aigrigny. + </p> + <p> + “There is, perhaps, none more cruel in surgery,” answered the young + doctor; “and Dr. Baleinier has partly concealed its nature from Father + Rodin.” + </p> + <p> + “Please to wait here for Dr. Baleinier, and send him to us as soon as he + arrives,” resumed Father d’Aigrigny: and, returning to the sick chamber, + he sat down by the bedside, and said to Rodin, as he showed him the + letter: “Here are different reports with regard to different members of + the Rennepont family, whom I have had looked after by others, my + indisposition having kept me at home for the last few days. I do not know, + father, if the state of your health will permit you to hear—” + </p> + <p> + Rodin made a gesture, at once so supplicating and peremptory, that Father + d’Aigrigny felt there would be at least as much danger in refusing as in + granting his request; so, turning towards the cardinal, still inconsolable + at not having discovered the Jesuit’s secret, he said to him with + respectful deference, pointing at the same time to the letter: “Have I the + permission of your Eminence?” + </p> + <p> + The prelate bowed, and replied: “Your affairs are ours, my dear father. + The Church must always rejoice in what rejoices your glorious Company.” + </p> + <p> + Father d’Aigrigny unsealed the packet, and found in it different notes in + different handwritings. When he had read the first, his countenance + darkened, and he said, in a grave tone: “A misfortune—a great + misfortune.” + </p> + <p> + Rodin turned his head abruptly, and looked at him with an air of uneasy + questioning. + </p> + <p> + “Florine is dead of the cholera,” answered Father d’Aigrigny; “and what is + the worst,” added he, crumpling the note between his hands, “before dying, + the miserable creature confessed to Mdlle. de Cardoville that she long + acted as a spy under the orders of your reverence.” + </p> + <p> + No doubt the death of Florine, and the confession she had made, crossed + some of the plans of Rodin, for he uttered an inarticulate murmur, and his + countenance expressed great vexation. + </p> + <p> + Passing to another note, Father d’Aigrigny continued: “This relates to + Marshal Simon, and is not absolutely bad, but still far from satisfactory, + as it announces some amelioration in his position. We shall see if it + merits belief, by information from another source.” + </p> + <p> + Rodin made a sign of impatience, to hasten Father d’Aigrigny to read the + note, which he did as follows. “‘For some days, the mind of the marshal + has appeared to be less sorrowful, anxious and agitated. He lately passed + two hours with his daughters, which had not been the case for some time + before. The harsh countenance of the soldier Dagobert is becoming smoother—a + sure sign of some amelioration in the condition of the marshal. Detected + by their handwriting, the last anonymous letters were returned by Dagobert + to the postman, without having been opened by the marshal. Some other + method must be found to get them delivered.’” + </p> + <p> + Looking at Rodin, Father d’Aigrigny said to him: “Your reverence thinks + with me that this note is not very satisfactory?” + </p> + <p> + Rodin held down his head. One saw by the expression of his countenance how + much he suffered by not being able to speak. Twice he put his hand to his + throat, and looked at Father d’Aigrigny with anguish. + </p> + <p> + “Oh!” cried Father d’Aigrigny, angrily, when he had perused another note, + “for one lucky chance, to-day brings some very black ones.” + </p> + <p> + At these words turning hastily to Father d’Aigrigny, and extending his + trembling hands, Rodin questioned him with look and gesture. The cardinal, + sharing his uneasiness, exclaimed: “What do you learn by this note, my + dear father?” + </p> + <p> + “We thought the residence of M. Hardy in our house completely unknown,” + replied Father d’Aigrigny, “but we now fear that Agricola Baudoin has + discovered the retreat of his old master, and that he has even + communicated with him by letter, through a servant of the house. So,” + added the reverend father, angrily, “during the three days that I have not + been able to visit the pavilion, one of my servants must have been bought + over. There is one of them, a man blind of one eye, whom I have always + suspected—the wretch! But no: I will not yet believe this treachery. + The consequences would be too deplorable; for I know how matters stand, + and that such a correspondence might ruin everything. By awaking in M. + Hardy memories with difficulty laid asleep, they might destroy in a single + day all that has been done since he inhabits our house. Luckily, this note + contains only doubts and fears; my other information will be more + positive, and will not, I hope, confirm them.” + </p> + <p> + “My dear father,” said the cardinal, “do not despair. The Lord will not + abandon the good cause!” + </p> + <p> + Father d’Aigrigny seemed very little consoled by this assurance. He + remained still and thoughtful, whilst Rodin writhed his head in a paroxysm + of mute rage, as he reflected on this new check. + </p> + <p> + “Let us turn to the last note,” said Father d’Aigrigny, after a moment of + thoughtful silence. “I have so much confidence in the person who sends it, + that I cannot doubt the correctness of the information it contains. May it + contradict the others!” + </p> + <p> + In order not to break the chain of facts contained in this last note, + which was to have so startling an effect on the actors in this scene, we + shall leave it to the reader’s imagination to supply the exclamations of + surprise, hate, rage and fear of Father d’Aigrigny, and the terrific + pantomime of Rodin, during the perusal of this formidable document, the + result of the observations of a faithful and secret agent of the reverend + fathers. Comparing this note with the other information received, the + results appeared more distressing to the reverend fathers. Thus Gabriel + had long and frequent conferences with Adrienne, who before was unknown to + him. Agricola Baudoin had opened a communication with Francis Hardy, and + the officers of justice were on the track of the authors and instigators + of the riot which had led to the burning of the factory of Baron + Tripeaud’s rival. It seemed almost certain that Mdlle. de Cardoville had + had an interview with Prince Djalma. + </p> +<div class="fig"> + <img src="images/30135m.jpg" alt="30135m" /><br /> + </div> + <h5> + <a href="images/30135.jpg"><i>Original</i></a> + </h5> + <p> + This combination of facts showed that, faithful to the threats she had + uttered to Rodin, when she had unmasked the double perfidy of the reverend + father, Mdlle. de Cardoville was actively engaged in uniting the scattered + members of her family, to form a league against those dangerous enemies, + whose detestable projects, once unveiled and boldly encountered, could + hardly have a chance of success. The reader will now understand the + tremendous effect of this note on Father d’Aigrigny and Rodin—on + Rodin, stretched powerless on a bed of pain at the moment when the + scaffolding, raised with so much labor, seemed to be tumbling around him. + </p> + <p> + <a name="link2HCH0134" id="link2HCH0134"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXIX. THE OPERATION. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">W</span>e have given up the attempt to paint the countenance, attitude, and + gesticulation of Rodin during the reading of this note, which seemed to + ruin all his most cherished hopes. Everything was failing at once, at the + moment when only superhuman trust in the success of his plans could give + him sufficient energy to strive against mortal sickness. A single, + absorbing thought had agitated him even to delirium: What progress, during + his illness, had been made in this immense affair? He had first heard a + good piece of news, the death of Jacques Rennepont; but now the advantages + of this decease, which reduced the number of the heirs from seven to six, + were entirely lost. To what purpose would be this death, if the other + members of the family, dispersed and persecuted with such infernal + perseverance, were to unite and discover the enemies who had so long aimed + at them in darkness? If all those wounded hearts were to console, + enlighten, support each other, their cause would be gained, and the + inheritance rescued from the reverend fathers. What was to be done? + </p> + <p> + Strange power of the human will!—Rodin had one foot in the grave, he + was almost at the last gasp; his voice had failed him. And yet that + obstinate nature, so full of energy and resources, did not despair. Let + but a miracle restore his health, and that firm confidence in the success + of his projects which has given him power to struggle against disease, + tells him that he could yet save all—but then he must have health + and life! Health! life! His physician does not know if he will survive the + shock—if he can bear the pain—of a terrible operation. Health! + life! and just now Rodin heard talk of the solemn funeral they had + prepared for him. And yet—health, life, he will have them. Yes; he + has willed to live—and he has lived—why should he not live + longer? He will live—because he has willed it. + </p> + <p> + All that we have just written passed though Rodin’s mind in a second. His + features, convulsed by the mental torment he endured, must have assumed a + very strange expression, for Father d’Aigrigny and the cardinal looked at + him in silent consternation. Once resolved to live, and to sustain a + desperate struggle with the Rennepont family, Rodin acted in consequence. + For a few moments Father d’Aigrigny and the prelate believed themselves + under the influence of a dream. By an effort of unparalleled energy, and + as if moved by hidden mechanism, Rodin sprang from the bed, dragging the + sheet with him, and trailing it, like a shroud, behind his livid and + fleshless body. The room was cold; the face of the Jesuit was bathed in + sweat; his naked and bony feet left their moist print upon the stones. + </p> + <p> + “What are you doing? It is death!” cried Father d’Aigrigny, rushing + towards Rodin, to force him to lie down again. + </p> + <p> + But the latter, extending one of his skeleton arms, as hard as iron, + pushed aside Father d’Aigrigny with inconceivable vigor, considering the + state of exhaustion in which he had so long been. + </p> + <p> + “He has the strength of a man in a fit of epilepsy,” said Father + d’Aigrigny, recovering his balance. + </p> + <p> + With a steady step Rodin advanced to the desk on which Dr. Baleinier daily + wrote his prescriptions. Seating himself before it, the Jesuit took pen + and paper, and began to write in a firm hand. His calm, slow, and sure + movements had in them something of the deliberateness remarked in + somnambulists. Mute and motionless, hardly knowing whether they dreamed or + not, the cardinal and Father d’Aigrigny remained staring at the incredible + coolness of Rodin, who, half-naked, continued to write with perfect + tranquillity. + </p> + <p> + “But, father,” said the Abbe d’Aigrigny, advancing towards him, “this is + madness!” + </p> + <p> + Rodin shrugged his shoulders, stopped him with a gesture and made him a + sign to read what he had just written. + </p> + <p> + The reverend father expected to see the ravings of a diseased brain; but + he took the note, whilst Rodin commenced another. + </p> + <p> + “My lord,” exclaimed Father d’Aigrigny, “read this!” + </p> + <p> + The cardinal read the paper, and returning it to the reverend father with + equal amazement, added: “It is full of reason, ability, and resources. We + shall thus be able to neutralize the dangerous combination of Abbe Gabriel + and Mdlle. de Cardoville, who appear to be the most formidable leaders of + the coalition.” + </p> + <p> + “It is really miraculous,” said Father d’Aigrigny. + </p> + <p> + “Oh, my dear father!” whispered the cardinal, shaking his head; “what a + pity that we are the only witnesses of this scene! What an excellent + MIRACLE we could have made of it! In one sense, it is another Raising of + Lazarus!” + </p> + <p> + “What an idea, my lord!” answered Father d’Aigrigny, in a low voice. “It + is perfect—and we must not give it up—” + </p> + <p> + This innocent little plot was interrupted by Rodin, who, turning his head, + made a sign to Father d’Aigrigny to approach, and delivered to him another + sheet, with this note attached: “To be executed within an hour.” + </p> + <p> + Having rapidly perused the paper, Father d’Aigrigny exclaimed: “Right! I + had not thought of that. Instead of being fatal, the correspondence + between Agricola and M. Hardy may thus have the best results. Really,” + added the reverend father in a low voice to the prelate, while Rodin + continued to write, “I am quite confounded. I read—I see—and + yet I can hardly believe my eyes. Just before, exhausted and dying—and + now with his mind as clear and penetrating as ever. Can this be one of the + phenomena of somnambulism, in which the mind alone governs and sustains + the body?” + </p> + <p> + Suddenly the door opened, and Dr. Baleinier entered the room. At sight of + Rodin, seated half-naked at the desk, with his feet upon the cold stones, + the doctor exclaimed, in a tone of reproach and alarm: “But, my lord—but, + father—it is murder to let the unhappy man do this!—If he is + delirious from fever, he must have the strait-waistcoat, and be tied down + in bed.” + </p> + <p> + So saying. Dr. Baleinier hastily approached Rodin, and took him by the + arm. Instead of finding the skin dry and chilly, as he expected, he found + it flexible, almost damp. Struck with surprise, the doctor sought to feel + the pulse of the left hand, which Rodin resigned, to him, whilst he + continued working with the right. + </p> + <p> + “What a prodigy!” cried the doctor, as he counted Rodin’s pulse; “for a + week past, and even this morning, the pulse has been abrupt, intermittent, + almost insensible, and now it is firm, regular—I am really puzzled—what + then has happened? I can hardly believe what I see,” added the doctor, + turning towards Father d’Aigrigny and the cardinal. + </p> + <p> + “The reverend father, who had first lost his voice, was next seized with + such furious and violent despair caused by the receipt of bad news,” + answered Father d’Aigrigny, “that we feared a moment for his life; while + now, on the contrary, the reverend father has gained sufficient strength + to go to his desk, and write for some minutes, with a clearness of + argument and expression, which has confounded both the cardinal and + myself.” + </p> + <p> + “There is no longer any doubt of it,” cried the doctor. “The violent + despair has caused a degree of emotion, which will admirably prepare the + reactive crisis, that I am now almost certain of producing by the + operation.” + </p> + <p> + “You persist in the operation?” whispered Father d’Aigrigny, whilst Rodin + continued to write. + </p> + <p> + “I might have hesitated this morning; but, disposed as he now is for it, I + must profit by the moment of excitement, which will be followed by greater + depression.” + </p> + <p> + “Then, without the operation—” said the cardinal. + </p> + <p> + “This fortunate and unexpected crisis will soon be over, and the reaction + may kill him, my lord.” + </p> + <p> + “Have you informed him of the serious nature of the operation?” + </p> + <p> + “Pretty nearly, my lord.” + </p> + <p> + “But it is time to bring him to the point.” + </p> + <p> + “That is what I will do, my lord,” said Dr. Baleinier; and approaching + Rodin, who continued to write, he thus addressed him, in a firm voice: “My + reverend father, do you wish to be up and well in a week?” + </p> + <p> + Rodin nodded, full of confidence, as much as to say: “I am up already.” + </p> + <p> + “Do not deceive yourself,” replied the doctor. “This crisis is excellent, + but it will not last, and if we would profit by it, we must proceed with + the operation of which I have spoken to you—or, I tell you plainly, + I answer for nothing after such a shock.” + </p> + <p> + Rodin was the more struck with these words, as, half an hour ago, he had + experienced the short duration of the improvement occasioned by Father + d’Aigrigny’s good news, and as already he felt increased oppression on the + chest. + </p> + <p> + Dr. Baleinier, wishing to decide him, added: “In a word, father, will you + live or die?” + </p> + <p> + Rodin wrote rapidly this answer, which he gave to the doctor: “To live, I + would let you cut me limb from limb. I am ready for anything.” And he made + a movement to rise. + </p> + <p> + “I must tell you, reverend father, so as not to take you by surprise,” + added Dr. Baleinier, “that this operation is cruelly painful.” + </p> + <p> + Rodin shrugged his shoulders and wrote with a firm hand: “Leave me my + head; you may take all the rest.” + </p> + <p> + The doctor read these words aloud, and the cardinal and Father d’Aigrigny + looked at each other in admiration of this dauntless courage. + </p> + <p> + “Reverend father,” said Dr. Baleinier, “you must lie down.” + </p> + <p> + Rodin wrote: “Get everything ready. I have still some orders to write. Let + me know when it is time.” + </p> + <p> + Then folding up a paper, which he had sealed with a wafer, Rodin gave + these words to Father d’Aigrigny: “Send this note instantly to the agent + who addressed the anonymous letters to Marshal Simon.” + </p> + <p> + “Instantly, reverend father,” replied the abbe; “I will employ a sure + messenger.” + </p> + <p> + “Reverend father,” said Baleinier to Rodin, “since you must write, lie + down in bed, and write there, during our little preparations.” + </p> + <p> + Rodin made an affirmative gesture, and rose. But already the prognostics + of the doctor were realized. The Jesuit could hardly remain standing for a + second; he fell back into a chair, and looked at Dr. Baleinier with + anguish, whilst his breathing became more and more difficult. + </p> + <p> + The doctor said to him: “Do not be uneasy. But we must make haste. Lean + upon me and Father d’Aigrigny.” + </p> + <p> + Aided by these two supporters, Rodin was able to regain the bed. Once + there, he made signs that they should bring him pen, ink, and paper. Then + he continued to write upon his knees, pausing from time to time, to + breathe with great difficulty. + </p> + <p> + “Reverend father,” said Baleinier to d’Aigrigny, “are you capable of + acting as one of my assistants in the operation? Have you that sort of + courage?” + </p> + <p> + “No,” said the reverend father; “in the army I could never assist at an + amputation. The sight of blood is too much for me.” + </p> + <p> + “There will be no blood,” said the doctor, “but it will be worse. Please + send me three of our reverend fathers to assist me, and ask M. Rousselet + to bring in the apparatus.” + </p> + <p> + Father d’Aigrigny went out. The prelate approached the doctor, and + whispered, pointing to Rodin: “Is he out of danger?” + </p> + <p> + “If he stands the operation—yes, my lord.” + </p> + <p> + “Are you sure that he can stand it?” + </p> + <p> + “To him I should say ‘yes,’ to you ‘I hope so.’” + </p> + <p> + “And were he to die, would there be time to administer the sacraments in + public, with a certain pomp, which always causes some little delay?” + </p> + <p> + “His dying may continue, my lord—a quarter of an hour.” + </p> + <p> + “It is short, but we must be satisfied with that,” said the prelate. + </p> +<div class="fig"> + <img src="images/30141m.jpg" alt="30141m" /><br /> + </div> + <h5> + <a href="images/30141.jpg"><i>Original</i></a> + </h5> + <p> + And, going to one of the windows, he began to tap with his fingers on the + glass, while he thought of the illumination effects, in the event of + Rodin’s lying in state. At this moment, Rousselet entered, with a large + square box under his arm. He placed it on the drawers, and began to + arrange his apparatus. + </p> + <p> + “How many have you prepared?” said the doctor. + </p> + <p> + “Six, sir.” + </p> + <p> + “Four will do, but it is well to be fully provided. The cotton is not too + thick?” + </p> + <p> + “Look, sir.” + </p> + <p> + “Very good.” + </p> + <p> + “And how is the reverend father?” asked the pupil. + </p> + <p> + “Humph!” answered the doctor, in a whisper. “The chest is terribly + clogged, the respiration hissing, the voice gone—still there is a + change.” + </p> + <p> + “All my fear is, sir, that the reverend father will not be able to stand + the dreadful pain.” + </p> + <p> + “It is another chance; but, under the circumstances, we must risk all. + Come, my dear boy, light the—taper; I hear our assistants.” + </p> + <p> + Just then Father d’Aigrigny entered the room, accompanied by the three + Jesuits, who, in the morning, had walked in the garden. The two old men, + with their rosy cheeks, and the young one, with the ascetic countenance, + all three dressed in black, with their square caps and white bands, + appeared perfectly ready to assist Dr. Baleinier in his formidable + operation. + </p> + <p> + <a name="link2HCH0135" id="link2HCH0135"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXX. THE TORTURE. + </h2> + <p> + “Reverend fathers,” said Dr. Baleinier, graciously, to the three, “I thank + you for your kind aid. What you have to do is very simple, and, by the + blessing of heaven, this operation will save the life of our dear Father + Rodin.” + </p> + <p> + The three black-gowns cast up their eyes piously, and then bowed + altogether, like one man. Rodin, indifferent to what was passing around + him, never ceased an instant to write or reflect. Nevertheless, in spite + of his apparent calmness, he felt such difficulty in breathing, that more + than once Dr. Baleinier had turned round uneasily, as he heard the stifled + rattling in the throat of the sick man. Making a sign to his pupil, the + doctor approached Rodin and said to him: “Come, reverend father; this is + the important moment. Courage!” + </p> + <p> + No sign of alarm was expressed in the Jesuit’s countenance. His features + remained impassible as those of a corpse. Only, his little reptile eyes + sparkled still more brightly in their dark cavities. For a moment, he + looked round at the spectators of this scene; then, taking his pen between + his teeth, he folded and wafered another letter, placed it on the table + beside the bed, and nodded to Dr. Baleinier, as if to say: “I am ready.” + </p> + <p> + “You must take off your flannel waistcoat, and your shirt, father.” Rodin + hesitated an instant, and the doctor resumed: “It is absolutely necessary, + father.” + </p> + <p> + Aided by Baleinier, Rodin obeyed, whilst the doctor added, no doubt to + spare his modesty: “We shall only require the chest, right and left, my + dear father.” + </p> + <p> + And now, Rodin, stretched upon his back, with his dirty night-cap still on + his head, exposed the upper part of a livid trunk, or rather, the bony + cage of a skeleton, for the shadows of the ribs and cartilages encircled + the skin with deep, black lines. As for the arms, they resembled bones + twisted with cord and covered with tanned parchment. + </p> + <p> + “Come, M. Rousselet, the apparatus!” said Baleinier. + </p> + <p> + Then addressing the three Jesuits, he added: “Please draw near, gentlemen; + what you have to do is very simple, as you will see.” + </p> + <p> + It was indeed very simple. The doctor gave to each of his four assistants + a sort of little steel tripod about two inches in diameter and three in + height; the circular centre of this tripod was filled with cotton; the + instrument was held in the left hand by means of a wooden handle. In the + right hand each assistant held a small tin tube about eighteen inches + long; at one end was a mouthpiece to receive the lips of the operator, and + the other spread out so as to form a cover to the little tripod. These + preparations had nothing alarming in them. Father d’Aigrigny and the + prelate, who looked on from a little distance, could not understand how + this operation should be so painful. They soon understood it. + </p> + <p> + Dr. Baleinier, having thus provided his four assistants, made them + approach Rodin, whose bed had been rolled into the middle of the room. Two + of them were placed on one side, two on the other. + </p> + <p> + “Now, gentlemen,” said Dr. Baleinier, “set light to the cotton; place the + lighted part on the skin of his reverence, by means of the tripod which + contains the wick; cover the tripod with the broad part of the tube, and + then blow through the other end to keep up the fire. It is very simple, as + you see.” + </p> + <p> + It was, in fact, full of the most patriarchal and primitive ingenuity. + Four lighted cotton rocks, so disposed as to burn very slowly, were + applied to the two sides of Rodin’s chest. This is vulgarly called the + moxa. The trick is done, when the whole thickness of the skin has been + burnt slowly through. It lasts seven or eight minutes. They say that an + amputation is nothing to it. Rodin had watched the preparations with + intrepid curiosity. But, at the first touch of the four fires, he writhed + like a serpent, without being able to utter a cry. Even the expression of + pain was denied him. The four assistants being disturbed by, the sudden + start of Rodin, it was necessary to begin again. + </p> + <p> + “Courage, my dear father! offer these sufferings to the Lord!” said Dr. + Baleinier, in a sanctified tone. “I told you the operation would be very + painful; but then it is salutary in proportion. Come; you that have shown + such decisive resolution, do not fail at the last movement!” + </p> + <p> + Rodin had closed his eyes, conquered by the first agony of pain. He now + opened them, and looked at the doctor as if ashamed of such weakness. And + yet on the sides of his chest were four large, bleeding wounds—so + violent had been the first singe. As he again extended himself on the bed + of torture, Rodin made a sign that he wished to write. The doctor gave him + the pen, and he wrote as follows, by way of memorandum; “It is better not + to lose any time. Inform Baron Tripeaud of the warrant issued against + Leonard, so that he may be on his guard.” + </p> + <p> + Having written this note, the Jesuit gave it to Dr. Baleinier, to hand it + to Father d’Aigrigny, who was as much amazed as the doctor and the + cardinal, at such extraordinary presence of mind in the midst of such + horrible pain. Rodin, with his eyes fixed on the reverend father, seemed + to wait with impatience for him to leave the room to execute his orders. + Guessing the thought of Rodin, the doctor whispered Father d’Aigrigny, who + went out. + </p> + <p> + “Come, reverend father,” said the doctor, “we must begin again. This time + do not move.” + </p> + <p> + Rodin did not answer, but clasped his hands over his head, closed his + eyes, and presented his chest. It was a strange, lugubrious, almost + fantastic spectacle. The three priests, in their long black gowns, leaned + over this body, which almost resembled a corpse, and blowing through their + tubes into the chest of the patient, seemed as if pumping up his blood by + some magic charm. A sickening odor of burnt flesh began to spread through + the silent chamber, and each assistant heard a slight crackling beneath + the smoking trivet; it was the skin of Rodin giving way to the action of + fire, and splitting open in four different parts of his chest. The sweat + poured from his livid face, which it made to shine; a few locks of his + gray hair stood up stiff and moist from his temples. Sometimes the spasms + were so violent, that the veins swelled on his stiffened arms, and were + stretched like cords ready to break. + </p> + <p> + Enduring this frightful torture with as much intrepid resignation as the + savage whose glory consists in despising pain, Rodin gathered his strength + and courage from the hope—we had almost said the certainty—of + life. Such was the make of this dauntless character, such the energy of + this powerful mind, that, in the midst of indescribable torments, his one + fixed idea never left him. During the rare intervals of suffering—for + pain is equal even at this degree of intensity—Rodin still thought + of the Rennepont inheritance, and calculated his chances, and combined his + measures, feeling that he had not a minute to lose. Dr. Baleinier watched + him with extreme attention, waiting for the effects of the reaction of + pain upon the patient, who seemed already to breathe with less difficulty. + </p> + <p> + Suddenly Rodin placed his hand on his forehead, as if struck with some new + idea, and turning his head towards Dr. Baleinier, made a sign to him to + suspend the operation. + </p> + <p> + “I must tell you, reverend father,” answered the doctor, “that it is not + half finished, and, if we leave off, the renewal will be more painful—” + </p> + <p> + Rodin made a sign that he did not care, and that he wanted to write. + </p> + <p> + “Gentlemen, stop a moment,” said Dr. Baleinier; “keep down your moxas, but + do not blow the fire.” + </p> + <p> + So the fire was to burn slowly, instead of fiercely, but still upon the + skin of the patient. In spite of this pain, less intense, but still sharp + and keen, Rodin, stretched upon his back, began to write, holding the + paper above his head. On the first sheet he traced some alphabetic signs, + part of a cipher known to himself alone. In the midst of the torture, a + luminous idea had crossed his mind; fearful of forgetting it amidst his + sufferings, he now took note of it. On another paper he wrote the + following, which was instantly delivered to Father d’Aigrigny: “Send B. + immediately to Faringhea, for the report of the last few days with regard + to Djalma, and let B. bring it hither on the instant.” Father d’Aigrigny + went out to execute this new order. The cardinal approached a little + nearer to the scene of the operation, for, in spite of the bad odor of the + room, he took delight in seeing the Jesuit half roasted, having long + cherished against him the rancor of an Italian and a priest. + </p> + <p> + “Come, reverend father,” said the doctor to Rodin, “continue to be + admirably courageous, and your chest will free itself. You have still a + bitter moment to go through—and then I have good hope.” + </p> + <p> + The patient resumed his former position. The moment Father d’Aigrigny + returned, Rodin questioned him with a look, to which the reverend father + replied by a nod. At a sign from the doctor, the four assistants began to + blow through the tubes with all their might. This increase of torture was + so horrible, that, in spite of his self-control, Rodin gnashed his teeth, + started convulsively, and so expanded his palpitating chest, that, after a + violent spasm, there rose from his throat and lungs a scream of terrific + pain—but it was free, loud, sonorous. + </p> + <p> + “The chest is free!” cried the doctor, in triumph. “The lungs have play—the + voice returns—he is saved!—Blow, gentlemen, blow; and, + reverend father, cry out as much as you please: I shall be delighted to + hear you, for it will give you relief. Courage! I answer for the result. + It is a wonderful cure. I will publish it by sound of trumpet.” + </p> + <p> + “Allow me, doctor,” whispered Father d’Aigrigny, as he approached Dr. + Baleinier; “the cardinal can witness, that I claimed beforehand the + publication of this affair—as a miraculous fact.” + </p> + <p> + “Let it be miraculous then,” answered Dr. Baleinier, disappointed—for + he set some value on his own work. + </p> + <p> + On hearing he was saved, Rodin though his sufferings were perhaps worse + than ever, for the fire had now pierced the scarf-skin, assumed almost an + infernal beauty. Through the painful contraction of his features shone the + pride of savage triumph; the monster felt that he was becoming once more + strong and powerful, and he seemed conscious the evils that his fatal + resurrection was to cause. And so, of still writhing beneath the flames, + he pronounced these words, the first that struggled from his chest: “I + told you I should live!” + </p> + <p> + “You told us true,” cried the doctor, feeling his pulse; “the circulation + is now full and regular, the lungs are free. The reaction is complete. You + are saved.” + </p> + <p> + At this moment, the last shreds of cotton had burnt out. The trivets were + withdrawn, and on the skeleton trunk of Rodin were seen four large round + blisters. The skin still smoked, and the raw flesh was visible beneath. In + one of his sudden movements, a lamp had been misplaced, and one of these + burns was larger than the other, presenting as it were to the eye a double + circle. Rodin looked down upon his wounds. After some seconds of silent + contemplation, a strange smile curled his lips. Without changing his + position, he glanced at Father d’Aigrigny with an expression impossible to + describe, and said to him, as he slowly counted the wounds touching them + with his flat and dirty nail: “Father d’Aigrigny, what an omen!—Look + here! one Rennepont—two Renneponts—three Renneponts—four + Renneponts—where is then the fifth!—Ah! here—this wound + will count for two. They are twins.”(41) And he emitted a little dry, + bitter laugh. Father d’Aigrigny, the cardinal, and Dr. Baleinier, alone + understood the sense of these mysterious and fatal words, which Rodin soon + completed by a terrible allusion, as he exclaimed, with prophetic voice, + and almost inspired air: “Yes, I say it. The impious race will be reduced + to ashes, like the fragments of this poor flesh. I say it, and it will be + so. I said I would live—and I do live!” + </p> + <p> + (41) Jacques Rennepont being dead, and Gabriel out of the field, in + consequence of his donation, there remained only five persons of the + family—Rose and Blanche, Djalma, Adrienne, and Hardy. + </p> + <p> + <a name="link2HCH0136" id="link2HCH0136"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXXI. VICE AND VIRTUE. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>wo days have elapsed since Rodin was miraculously restored to life. The + reader will not have forgotten the house in the Rue Clovis, where the + reverend father had an apartment, and where also was the lodging of + Philemon, inhabited by Rose-Pompon. It is about three o’clock in the + afternoon. A bright ray of light, penetrating through a round hole in the + door Mother Arsene’s subterraneous shop, forms a striking contrast with + the darkness of this cavern. The ray streams full upon a melancholy + object. In the midst of fagots and faded vegetables, and close to a great + heap of charcoal, stands a wretched bed; beneath the sheet, which covers + it, can be traced the stiff and angular proportions of a corpse. It is the + body of Mother Arsene herself, who died two days before, of the cholera. + The burials have been so numerous, that there has been no time to remove + her remains. The Rue Clovis is almost deserted. A mournful silence reigns + without, often broken by the sharp whistling of the north wind. Between + the squalls, one hears a sort of pattering. It is the noise of the large + rats, running to and fro across the heap of charcoal. + </p> + <p> + Suddenly, another sound is heard, and these unclean animals fly to hide + themselves in their holes. Some one is trying to force open the door, + which communicates between the shop and the passage. It offers but little + resistance, and, in a few seconds, the worn-out lock gives way, and a + woman enters. For a short time she stands motionless in the obscurity of + the damp and icy cave. After a minute’s hesitation, the woman advances and + the ray of light illumines the features of the Bacchanal Queen. Slowly, + she approached the funeral couch. Since the death of Jacques, the + alteration in the countenance of Cephyse had gone on increasing. Fearfully + pale, with her fine black hair in disorder, her legs and feet naked, she + was barely covered with an old patched petticoat and a very ragged + handkerchief. + </p> +<div class="fig"> + <img src="images/30149m.jpg" alt="30149m" /><br /> + </div> + <h5> + <a href="images/30149.jpg"><i>Original</i></a> + </h5> + <p> + When she came near the bed, she cast a glance of almost savage assurance + at the shroud. Suddenly she drew back, with a low cry of involuntary + terror. The sheet moved with a rapid undulation, extending from the feet + to the head of the corpse. But soon the sight of a rat, flying along the + side of the worm-eaten bedstead, explained the movement of the shroud. + Recovering from her fright, Cephyse began to look for several things, and + collected them in haste, as though she dreaded being surprised in the + miserable shop. First, she seized a basket, and filled it with charcoal; + then, looking from side to side, she discovered in a corner an earthen + pot, which she took with a burst of ominous joy. + </p> + <p> + “It is not all, it is not all,” said Cephyse, as she continued to search + with an unquiet air. + </p> + <p> + At last she perceived near the stove a little tin box, containing flint, + steel and matches. She placed these articles on the top of the basket, and + took it in one hand, and the earthen pot in the other. As she passed near + the corpse of the poor charcoal-dealer, Cephyse said, with a strange + smile: “I rob you, poor Mother Arsene, but my theft will not do me much + good.” + </p> + <p> + Cephyse left the shop, reclosed the door as well as she could, went up the + passage, and crossed the little court-yard which separated the front of + the building from that part in which Rodin had lodged. With the exception + of the windows of Philemon’s apartment, where Rose-Pompon had so often sat + perched like a bird, warbling Beranger, the other windows of the house + were open. There had been deaths on the first and second floors, and, like + many others, they were waiting for the cart piled up with coffins. + </p> + <p> + The Bacchanal Queen gained the stairs, which led to the chambers formerly + occupied by Rodin. Arrived at the landing-place she ascended another + ruinous staircase, steep as a ladder, and with nothing but an old rope for + a rail. She at length reached the half-rotten door of a garret, situated + in the roof. The house was in such a state of dilapidation, that, in many + places the roof gave admission to the rain, and allowed it to penetrate + into this cell, which was not above ten feet square, and lighted by an + attic window. All the furniture consisted of an old straw mattress, laid + upon the ground, with the straw peeping out from a rent in its ticking; a + small earthenware pitcher, with the spout broken, and containing a little + water, stood by the side of this couch. Dressed in rags, Mother Bunch was + seated on the side of the mattress, with her elbows on her knees, and her + face concealed in her thin, white hands. When Cephyse entered the room, + the adopted sister of Agricola raised her head; her pale, mild face seemed + thinner than ever, hollow with suffering, grief, misery; her eyes, red + with weeping, were fixed on her sister with an expression of mournful + tenderness. + </p> + <p> + “I have what we want, sister,” said Cephyse, in a low, deep voice; “in + this basket there is wherewith to finish our misery.” + </p> + <p> + Then, showing to Mother Bunch the articles she had just placed on the + floor, she added: “For the first time in my life, I have been a thief. It + made me ashamed and frightened; I was never intended for that or worse. It + is a pity.” added she, with a sardonic smile. + </p> + <p> + After a moment’s silence, the hunchback said to her sister, in a heart + rending tone: “Cephyse—my dear Cephyse—are you quite + determined to die?” + </p> + <p> + “How should I hesitate?” answered Cephyse, in a firm voice. “Come, sister, + let us once more make our reckoning. If even I could forget my shame, and + Jacques’ contempt in his last moments, what would remain to me? Two + courses only: first, to be honest, and work for my living. But you know + that, in spite of the best will in the world, work will often fail, as it + has failed for the last few days, and, even when I got it, I would have to + live on four to five francs a week. Live? that is to say, die by inches. I + know that already, and I prefer dying at once. The other course would be + to live a life of infamy—and that I will not do. Frankly, sister, + between frightful misery, infamy, or death, can the choice be doubtful? + Answer me!” + </p> + <p> + Then, without giving Mother Bunch time to speak, Cephyse added, in an + abrupt tone: “Besides, what is the good of discussing it? I have made up + my mind, and nothing shall prevent my purpose, since all that you, dear + sister, could obtain from me, was a delay of a few days, to see if the + cholera would not save us the trouble. To please you I consented; the + cholera has come, killed every one else in the house, but left us. You + see, it is better to do one’s own business,” added she, again smiling + bitterly. Then she resumed: “Besides, dear sister, you also wish to finish + with life.” + </p> + <p> + “It is true, Cephyse,” answered the sempstress, who seemed very much + depressed; “but alone—one has only to answer for one’s self—and + to die with you,” added she, shuddering, “appears like being an accomplice + in your death.” + </p> + <p> + “Do you wish, then, to make an end of it, I in one place, you in another?—that + would be agreeable!” said Cephyse, displaying in that terrible moment the + sort of bitter and despairing irony which is more frequent than may be + imagined in the midst of mortal anguish. + </p> + <p> + “Oh, no, no!” said the other in alarm, “not alone—I will not die + alone!” + </p> + <p> + “Do you not see, dear sister, we are right not to part? And yet,” added + Cephyse, in a voice of emotion, “my heart almost breaks sometimes, to + think that you will die like me.” + </p> + <p> + “How selfish!” said the hunchback, with a faint smile. “What reasons have + I to love life? What void shall I leave behind me?” + </p> + <p> + “But you are a martyr, sister,” resumed Cephyse. “The priests talk of + saints! Is there one of them so good as you? And yet you are about to die + like me, who have always been idle, careless, sinful—while you were + so hardworking, so devoted to all who suffered. What should I say? You + were an angel on the earth; and yet you will die like me, who have fallen + as low as a woman can fall,” added the unfortunate, casting down her eyes. + </p> + <p> + “It is strange,” answered Mother Bunch, thoughtfully. “Starting from the + same point, we have followed different roads, and yet we have reached the + same goal—disgust of life. For you, my poor sister, but a few days + ago, life was so fair, so full of pleasure and of youth; and now it is + equally heavy with us both. After all, I have followed to the end what was + my duty,” added she, mildly. “Agricola no longer needs me. He is married; + he loves, and is beloved; his happiness is secured. Mdlle. de Cardoville + wants for nothing. Fair, rich, prosperous—what could a poor creature + like myself do for her? Those who have been kind to me are happy. What + prevents my going now to my rest? I am so weary!” + </p> + <p> + “Poor sister!” said Cephyse, with touching emotion, which seemed to expand + her contracted features; “when I think that, without informing me, and in + spite of your resolution never to see that generous young lady, who + protected you, you yet had the courage to drag yourself to her house, + dying with fatigue and want, to try to interest her in my fate—yes, + dying, for your strength failed on the Champs-Elysees.” + </p> + <p> + “And when I was able to reach the mansion, Mdlle. de Cardoville was + unfortunately absent—very unfortunately!” repeated the hunchback, as + she looked at Cephyse with anguish; “for the next day, seeing that our + last resource had failed us, thinking more of me than of yourself, and + determined at any price to procure us bread—” + </p> + <p> + She could not finish. She buried her face in her hands, and shuddered. + </p> + <p> + “Well, I did as so many other hapless women have done when work fails or + wages do not suffice, and hunger becomes too pressing,” replied Cephyse, + in a broken voice; “only that, unlike so many others, instead of living on + my shame, I shall die of it.” + </p> + <p> + “Alas! this terrible shame which kills you, my poor Cephyse, because you + have a heart, would have been averted, had I seen Mdlle. de Cardoville, or + had she but answered the letter which I asked leave to write to her at the + porter’s lodge. But her silence proves to me that she is justly hurt at my + abrupt departure from her house. I can understand it; she believes me + guilty of the blackest ingratitude—for she must have been greatly + offended not to have deigned to answer me—and therefore I had not + the courage to write a second time. It would have been useless, I am sure; + for, good and just as she is, her refusals are inexorable when she + believes them deserved. And besides, for what good? It was too late; you + had resolved to die!” + </p> + <p> + “Oh, yes, quite resolved: for my infamy was gnawing at my heart. Jacques + had died in my arms despising me; and I loved him—mark me, sister,” + added Cephyse, with passionate enthusiasm, “I loved him as we love only + once in life!” + </p> + <p> + “Let our fate be accomplished, then!” said Mother Bunch with a pensive + air. + </p> + <p> + “But you have never told me, sister, the cause of your departure from + Mdlle. de Cardoville’s,” resumed Cephyse, after a moment’s silence. + </p> + <p> + “It will be the only secret that I shall take with me, dear Cephyse,” said + the other, casting down her eyes. And she thought, with bitter joy, that + she would soon be delivered from the fear which had poisoned the last days + of her sad life—the fear of meeting Agricola, informed of the fatal + and ridiculous love she felt for him. + </p> + <p> + For, it must be said, this fatal and despairing love was one of the causes + of the suicide of the unfortunate creature. Since the disappearance of her + journal, she believed that the blacksmith knew the melancholy secret + contained in its sad pages. She doubted not the generosity and good heart + of Agricola; but she had such doubts of herself, she was so ashamed of + this passion, however pure and noble, that, even in the extremity to which + Cephyse and herself were reduced—wanting work, wanting bread—no + power on earth could have induced her to meet Agricola, in an attempt to + ask him for assistance. Doubtless, she would have taken another view of + the subject if her mind had not been obscured by that sort of dizziness to + which the firmest characters are exposed when their misfortunes surpass + all bounds. Misery, hunger, the influence, almost contagious in such a + moment, of the suicidal ideas of Cephyse, and weariness of a life so long + devoted to pain and mortification, gave the last blow to the sewing-girl’s + reason. After long struggling against the fatal design of her sister, the + poor, dejected, broken-hearted creature finished by determining to share + Cephyse’s fate, and seek in death the end of so many evils. + </p> + <p> + “Of what are you thinking, sister?” said Cephyse, astonished at the long + silence. The other replied, trembling: “I think of that which made me + leave Mdlle. de Cardoville so abruptly, and appear so ungrateful in her + eyes. May the fatality which drove me from her house have made no other + victims! may my devoted service, however obscure and powerless, never be + missed by her, who extended her noble hand to the poor sempstress, and + deigned to call me sister! May she be happy—oh, ever happy!” said + Mother Bunch, clasping her hands with the ardor of a sincere invocation. + </p> + <p> + “That is noble, sister—such a wish in such a moment!” said Cephyse. + </p> + <p> + “Oh,” said her sister, with energy, “I loved, I admired that marvel of + genius, and heart, and ideal beauty—I viewed her with pious respect—for + never was the power of the Divinity revealed in a more adorable and purer + creation. At least one of my last thoughts will have been of her.” + </p> + <p> + “Yes, you will have loved and respected your generous patroness to the + last.” + </p> + <p> + “To the last!” said the poor girl, after a moment’s silence. “It is true—you + are right—it will soon be the last!—in a few moments, all will + be finished. See how calmly we can talk of that which frightens so many + others!” + </p> + <p> + “Sister, we are calm because we are resolved.” + </p> + <p> + “Quite resolved, Cephyse,” said the hunchback, casting once more a deep + and penetrating glance upon her sister. + </p> + <p> + “Oh, yes, if you are only as determined as I am.” + </p> + <p> + “Be satisfied; if I put off from day to day the final moment,” answered + the sempstress, “it was because I wished to give you time to reflect. As + for me—” + </p> + <p> + She did not finish, but she shook her head with an air of the utmost + despondency. + </p> + <p> + “Well, sister, let us kiss each other,” said Cephyse; “and, courage!” + </p> + <p> + The hunchback rose, and threw herself into her sister’s arms. They held + one another fast in a long embrace. There followed a few seconds of deep + and solemn silence, only interrupted by the sobs of the sisters, for now + they had begun to weep. + </p> + <p> + “Oh, heaven! to love each other so, and to part forever!” said Cephyse. + “It is a cruel fate.” + </p> + <p> + “To part?” cried Mother Bunch, and her pale, mild countenance, bathed in + tears, was suddenly illumined with a ray of divine hope; “to part, sister? + oh, no! What makes me so calm is the deep and certain expectation, which I + feel here at my heart, of that better world where a better life awaits us. + God, so great, so merciful, so prodigal of good, cannot destine His + creatures to be forever miserable. Selfish men may pervert His benevolent + designs, and reduce their brethren to a state of suffering and despair. + Let us pity the wicked and leave them! Come up on high, sister; men are + nothing there, where God is all. We shall do well there. Let us depart, + for it is late.” + </p> + <p> + So saying, she pointed to the ruddy beams of the setting sun, which began + to shine upon the window. + </p> + <p> + Carried away by the religious enthusiasm of her sister, whose countenance, + transfigured, as it were, by the hope of an approaching deliverance, + gleamed brightly in the reflected sunset, Cephyse took her hands, and, + looking at her with deep emotion, exclaimed, “Oh, sister! how beautiful + you look now!” + </p> + <p> + “Then my beauty comes rather late in the day,” said Mother Bunch, with a + sad smile. + </p> + <p> + “No, sister; for you appear so happy, that the last scruples I had upon + your account are quite gone.” + </p> + <p> + “Then let us make haste,” said the hunchback, as she pointed to the + chafing-dish. + </p> + <p> + “Be satisfied, sister—it will not be long,” said Cephyse. And she + took the chafing-dish full of charcoal, which she had placed in a corner + of the garret, and brought it out into the middle of the room. + </p> + <p> + “Do you know how to manage it?” asked the sewing-girl approaching. + </p> + <p> + “Oh! it is very simple,” answered Cephyse; “we have only to close the door + and window, and light the charcoal.” + </p> + <p> + “Yes, sister; but I think I have heard that every opening must be well + stopped, so as to admit no current of air.” + </p> + <p> + “You are right, and the door shuts so badly.” + </p> + <p> + “And look at the holes in the roof.” + </p> + <p> + “What is to be done, sister?” + </p> + <p> + “I will tell you,” said Mother Bunch. “The straw of our mattress, well + twisted, will answer every purpose.” + </p> + <p> + “Certainly,” replied Cephyse. “We will keep a little to light our fire, + and with the rest we will stop up all the crevices in the roof, and make + filling for our doors and windows.” + </p> + <p> + Then, smiling with that bitter irony, so frequent, we repeat, in the most + gloomy moments, Cephyse added, “I say, sister, weather-boards at our doors + and windows, to prevent the air from getting in—what a luxury! we + are as delicate as rich people.” + </p> + <p> + “At such a time, we may as well try to make ourselves a little + comfortable,” said Mother Bunch, trying to jest like the Bacchanal Queen. + </p> + <p> + And with incredible coolness, the two began to twist the straw into + lengths of braid, small enough to be stuffed into the cracks of the door, + and also constructed large plugs, destined to stop up the crevices in the + roof. While this mournful occupation lasted, there was no departure from + the calm and sad resignation of the two unfortunate creatures. + </p> +<div class="fig"> + <img src="images/30157m.jpg" alt="30157m" /><br /> + </div> + <h5> + <a href="images/30157.jpg"><i>Original</i></a> + </h5> + <p> + <a name="link2HCH0137" id="link2HCH0137"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXXII. SUICIDE. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">C</span>ephyse and her sister continued with calmness the preparations for their + death. + </p> + <p> + Alas! how many poor young girls, like these sisters, have been, and still + will be, fatally driven to seek in suicide a refuge from despair, from + infamy, or from a too miserable existence! And upon society will rest the + terrible responsibility of these sad deaths, so long as thousands of human + creatures, unable to live upon the mockery of wages granted to their + labor, have to choose between these three gulfs of shame and woe; a life + of enervating toil and mortal privations, causes of premature death; + prostitution, which kills also, but slowly—by contempt, brutality, + and uncleanness; suicide—which kills at once. + </p> + <p> + In a few minutes, the two sisters had constructed, with the straw of their + couch, the calkings necessary to intercept the air, and to render + suffocation more expeditious and certain. + </p> + <p> + The hunchback said to her sister, “You are the taller, Cephyse, and must + look to the ceiling; I will take care of the window and door.” + </p> + <p> + “Be satisfied, sister; I shall have finished before you,” answered + Cephyse. + </p> + <p> + And the two began carefully to stop up every crevice through which a + current of air could penetrate into the ruined garret. Thanks to her tall + stature, Cephyse was able to reach the holes in the roof, and to close + them up entirely. When they had finished this sad work, the sisters again + approached, and looked at each other in silence. + </p> + <p> + The fatal moment drew near; their faces, though still calm, seemed + slightly agitated by that strange excitement which always accompanies a + double suicide. + </p> + <p> + “Now,” said Mother Bunch, “now for the fire!” + </p> + <p> + She knelt down before the little chafing-dish, filled with charcoal. But + Cephyse took hold of her under the arm, and obliged her to rise again, + saying to her, “Let me light the fire—that is my business.” + </p> + <p> + “But, Cephyse—” + </p> + <p> + “You know, poor sister, that the smell of charcoal gives you the + headache!” + </p> + <p> + At the simplicity of this speech, for the Bacchanal Queen had spoken + seriously, the sisters could not forbear smiling sadly. + </p> + <p> + “Never mind,” resumed Cephyse; “why suffer more and sooner than is + necessary?” + </p> + <p> + Then, pointing to the mattress, which still contained a little straw, + Cephyse added, “Lie down there, good little sister; when our fire is + alight, I will come and sit down by you.” + </p> + <p> + “Do not be long, Cephyse.” + </p> + <p> + “In five minutes it will be done.” + </p> + <p> + The tall building, which faced the street, was separated by a narrow court + from that which contained the retreat of the two sisters, and was so much + higher, that when the sun had once disappeared behind its lofty roof, the + garret soon became dark. The light, passing through the dirty panes of the + small window, fell faintly on the blue and white patchwork of the old + mattress, on which Mother Bunch was now stretched, covered with rags. + Leaning on her left arm, with her chin resting in the palm of her hand, + she looked after her sister with an expression of heart-rending grief. + Cephyse, kneeling over the chafing-dish, with her face close to the black + charcoal, above which already played a little bluish flame, exerted + herself to blow the newly-kindled fire, which was reflected on the pale + countenance of the unhappy girl. + </p> + <p> + The silence was deep. No sound was heard but the panting breath of + Cephyse, and, at intervals, the slight crackling of the charcoal, which + began to burn, and already sent forth a faint sickening vapor. Cephyse, + seeing the fire completely lighted, and feeling already a little dizzy, + rose from the ground, and said to her sister, as she approached her, “It + is done!” + </p> + <p> + “Sister,” answered Mother Bunch, kneeling on the mattress, whilst Cephyse + remained standing, “how shall we place ourselves? I should like to be near + you to the last.” + </p> + <p> + “Stop!” said Cephyse, half executing the measures of which she spoke, “I + will sit on the mattress with my back against the wall. Now, little + sister, you lie there. Lean your head upon my knees, and give me your + hand. Are you comfortable so?” + </p> + <p> + “Yes—but I cannot see you.” + </p> + <p> + “That is better. It seems there is a moment—very short, it is true—in + which one suffers a good deal. And,” added Cephyse, in a voice of emotion, + “it will be as well not to see each other suffer.” + </p> + <p> + “You are right, Cephyse.” + </p> + <p> + “Let me kiss that beautiful hair for the last time,” said Cephyse, as she + pressed her lips to the silky locks which crowned the hunchback’s pale and + melancholy countenance, “and then—we will remain very quiet.” + </p> + <p> + “Sister, your hand,” said the sewing-girl; “for the last time, your hand—and + then, as you say, we will move no more. We shall not have to wait long, I + think, for I begin to feel dizzy. And you, sister?” + </p> + <p> + “Not yet,” replied Cephyse; “I only perceive the smell of the charcoal.” + </p> + <p> + “Do you know where they will bury us?” said Mother Bunch, after a moment’s + silence. + </p> + <p> + “No. Why do you ask?” + </p> + <p> + “Because I should like it to be in Pere-la-Chaise. I went there once with + Agricola and his mother. What a fine view there is!—and then the + trees, the flowers, the marble—do you know the dead are better + lodged—than the living—and—” + </p> + <p> + “What is the matter, sister?” said Cephyse to her companion, who had + stopped short, after speaking in a slow voice. + </p> + <p> + “I am giddy—my temples throb,” was the answer. “How do you feel?” + </p> + <p> + “I only begin to be a little faint; it is strange—the effect is + slower with me than you.” + </p> + <p> + “Oh! you see,” said Mother Bunch, trying to smile, “I was always so + forward. At school, do you remember, they said I was before the others. + And, now it happens again.” + </p> + <p> + “I hope soon to overtake you this time,” said Cephyse. + </p> + <p> + What astonished the sisters was quite natural. Though weakened by sorrow + and misery, the Bacchanal Queen, with a constitution as robust as the + other was frail and delicate, was necessarily longer than her sister in + feeling the effects of the deleterious vapor. After a moment’s silence, + Cephyse resumed, as she laid her hand on the head she still held upon her + knees, “You say nothing, sister! You suffer, is it not so?” + </p> + <p> + “No,” said Mother Bunch, in a weak voice; “my eyelids are heavy as lead—I + am getting benumbed—I feel that I speak more slowly—but I have + no acute pain. And you, sister?” + </p> + <p> + “Whilst you were speaking, I felt giddy—and now my temples throb + violently.” + </p> + <p> + “As it was with me just now. One would think it was more painful and + difficult to die.” + </p> + <p> + Then after a moment’s silence, the hunchback said suddenly to her sister, + “Do you think that Agricola will much regret me, and think of me for some + time?” + </p> + <p> + “How can you ask?” said Cephyse, in a tone of reproach. + </p> + <p> + “You are right,” answered Mother Bunch, mildly; “there is a bad feeling in + such a doubt—but if you knew—” + </p> + <p> + “What, sister?” + </p> + <p> + The other hesitated for an instant, and then said, dejectedly, “Nothing.” + Afterwards, she added, “Fortunately, I die convinced that he will never + miss me. He married a charming girl, who loves him, I am sure, and will + make him perfectly happy.” + </p> + <p> + As she pronounced these last words, the speaker’s voice grew fainter and + fainter. Suddenly she started and said to Cephyse, in a trembling, almost + frightened tone, “Sister! Hold me in your arms—I am afraid—everything + looks dark—everything is turning round.” And the unfortunate girl, + raising herself a little, hid her face in her sister’s bosom, and threw + his weak arms around her. + </p> + <p> + “Courage, sister!” said Cephyse, in a voice which was also growing faint, + as she pressed her closer to her bosom; “it will soon be over.” + </p> + <p> + And Cephyse added, with a kind of envy, “Oh! why does my sister’s strength + fail so much sooner than mine? I have still my perfect senses and I suffer + less than she does. Oh! if I thought she would die first!—But, no—I + will go and hold my face over the chafing-dish rather.” + </p> + <p> + At the movement Cephyse made to rise, a feeble pressure from her sister + held her back. “You suffer, my poor child!” said Cephyse, trembling. + </p> + <p> + “Oh yes! a good deal now—do not leave me!” + </p> + <p> + “And I scarcely at all,” said Cephyse, gazing wildly at the chafing-dish. + “Ah!” added she, with a kind of fatal! joy; “now I begin to feel it—I + choke—my head is ready to split.” + </p> + <p> + And indeed the destructive gas now filled the little chamber, from which + it had, by degrees, driven all the air fit for respiration. The day was + closing in, and the gloomy garret was only lighted by the reflection of + the burning charcoal, which threw a red glare on the sisters, locked in + each other’s arms. Suddenly Mother Bunch made some slight convulsive + movements, and pronounced these words in a failing voice: “Agricola—Mademoiselle + de Cardoville—Oh! farewell!—Agricola—I—” + </p> + <p> + Then she murmured some unintelligible words; the convulsive moments + ceased, and her arms, which had been clasped round Cephyse, fell inert + upon the mattress. + </p> + <p> + “Sister!” cried Cephyse, in alarm, as she raised Mother Bunch’s head, to + look at her face. “Not already, sister!—And I?—and I?” + </p> + <p> + The sewing-girl’s mild countenance was not paler than usual. Only her + eyes, half-closed, seemed no longer to see anything, and a half-smile of + mingled grief and goodness lingered an instant about her violet lips, from + which stole the almost imperceptible breath—and then the mouth + became motionless, and the face assumed a great serenity of expression. + </p> + <p> + “But you must not die before me!” cried Cephyse, in a heart-rending tone, + as she covered with kisses the cold cheek. “Wait for me, sister! wait for + me!” + </p> + <p> + Mother Bunch did not answer. The head, which Cephyse let slip from her + hands, fell back gently on the mattress. + </p> + <p> + “My God. It is not my fault, if we do not die together!” cried Cephyse in + despair, as she knelt beside the couch, on which the other lay motionless. + </p> + <p> + “Dead!” she murmured in terror. “Dead before me!—Perhaps it is that + I am the strongest. Ah! it begins—fortunately—like her, I see + everything dark-blue—I suffer—what happiness!—I can + scarcely breathe. Sister!” she added, as she threw her arms round her + loved one’s neck; “I am coming—I am here!” + </p> + <p> + At the same instant the sound of footsteps and voices was heard from the + staircase. Cephyse had still presence of mind enough to distinguish the + sound. Stretched beside the body of her sister, she raised her head + hastily. + </p> + <p> + The noise approached, and a voice was heard exclaiming, not far from the + doer: “Good heavens! what a smell of fire!” + </p> + <p> + And, at the same instant, the door was violently shaken, and another voice + exclaimed: “Open! open!” + </p> + <p> + “They will come in—they will save me—and my sister is dead—Oh, + no! I will not have the baseness to survive her!” + </p> + <p> + Such was the last thought of Cephyse. Using what little strength she had + left, she ran to the window and opened it—and, at the same instant + that the half-broken door yielded to a vigorous effort from without, the + unfortunate creature precipitated herself from that third story into the + court below. Just then, Adrienne and Agricola appeared on the threshold of + the chamber. In spite of the stifling odor of the charcoal, Mdlle. de + Cardoville rushed into the garret, and, seeing the stove, she exclaimed, + “The unhappy girl has killed herself!” + </p> + <p> + “No, she has thrown herself from the window,” cried Agricola: for, at the + moment of breaking open the door, he had seen a human form disappear in + that direction, and he now ran to the window. + </p> +<div class="fig"> + <img src="images/30165m.jpg" alt="30165m" /><br /> + </div> + <h5> + <a href="images/30165.jpg"><i>Original</i></a> + </h5> + <p> + “Oh! this is frightful!” he exclaimed, with a cry of horror, as he put his + hand before his eyes, and returned pale and terrified to Mdlle. de + Cardoville. + </p> + <p> + But, misunderstanding the cause of his terror, Adrienne, who had just + perceived Mother Bunch through the darkness, hastened to answer: “No! she + is here.” + </p> + <p> + And she pointed to the pale form stretched on the mattress, beside which + Adrienne now threw herself on her knees. Grasping the hands of the poor + sempstress, she found them as cold as ice. Laying her hand on her heart, + she could not feel it beat. Yet, in a few seconds, as the fresh air rushed + into the room from the door and window, Adrienne thought she remarked an + almost imperceptible pulsation, and she exclaimed: “Her heart beats! Run + quickly for help! Luckily, I have my smelling bottle.” + </p> + <p> + “Yes, yes! help for her—and for the other too, if it is yet time!” + cried the smith in despair, as he rushed down the stairs, leaving Mdlle. + de Cardoville still kneeling by the side of the mattress. + </p> + <p> + <a name="link2H_4_0156" id="link2H_4_0156"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + BOOK X. + </h2> +<pre xml:space="preserve"> + XXXIII. Confessions XXXIV. More Confessions XXXV. The Rivals + XXXVI. The Interview XXXVII. Soothing Words XXXVIII. The Two + Carriages XXXIX. The Appointment XL. Anxiety XLI. Adrienne + and Djalma XLII. “The Imitation” XLIII. Prayer XLIV. + Remembrances XLV. The Blockhead XLVI. The Anonymous Letters + XLVII. The Golden City XLVIII. The Stung Lion XLIX. The Test +</pre> + <p> + <a name="link2HCH0138" id="link2HCH0138"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXXIII. CONFESSIONS. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">D</span>uring the painful scene that we have just described, a lively emotion + glowed in the countenance of Mdlle. de Cardoville, grown pale and thin + with sorrow. Her cheeks, once so full, were now slightly hollowed, whilst + a faint line of transparent azure encircled those large black eyes, no + longer so bright as formerly. But the charming lips, though contracted by + painful anxiety, had retained their rich and velvet moisture. To attend + more easily to Mother Bunch, Adrienne had thrown aside her bonnet, and the + silky waves of her beautiful golden hair almost concealed her face as she + bent over the mattress, rubbing the thin, ivory hands of the poor + sempstress, completely called to life by the salubrious freshness of the + air, and by the strong action of the salts which Adrienne carried in her + smelling-bottle. Luckily, Mother Bunch had fainted, rather from emotion + and weakness than from the effects of suffocation, the senses of the + unfortunate girl having failed her before the deleterious gas had attained + its highest degree of intensity. + </p> + <p> + Before continuing the recital of the scene between the sempstress and the + patrician, a few retrospective words will be necessary. Since the strange + adventure at the theatre of the Porte-Saint-Martin, where Djalma, at peril + of his life, rushed upon the black panther in sight of Mdlle. de + Cardoville, the young lady had been deeply affected in various ways. + Forgetting her jealousy, and the humiliation she had suffered in presence + of Djalma—of Djalma exhibiting himself before every one with a woman + so little worthy of him—Adrienne was for a moment dazzled by the + chivalrous and heroic action of the prince, and said to herself: “In spite + of odious appearances, Djalma loves me enough to brave death in order to + pick up my nosegay.” + </p> + <p> + But with a soul so delicate as that of this young lady, a character so + generous, and a mind so true, reflection was certain soon to demonstrate + the vanity of such consolations, powerless to cure the cruel wounds of + offended dignity an love. + </p> + <p> + “How many times,” said Adrienne to herself, and with reason, “has the + prince encountered, in hunting, from pure caprice and with no gain, such + danger as he braved in picking up my bouquet! and then, who tells me he + did not mean to offer it to the woman who accompanied him?” + </p> + <p> + Singular (it may be) in the eyes of the world, but just and great in those + of heaven, the ideas which Adrienne cherished with regard to love, joined + to her natural pride, presented an invincible obstacle to the thought of + her succeeding this woman (whoever she might be), thus publicly displayed + by the prince as his mistress. And yet Adrienne hardly dared avow to + herself, that she experienced a feeling of jealousy, only the more painful + and humiliating, the less her rival appeared worthy to be compared to her. + </p> + <p> + At other times, on the contrary, in spite of a conscious sense of her own + value, Mdlle. de Cardoville, remembering the charming countenance of + Rose-Pompon, asked herself if the bad taste and improper manners of this + pretty creature resulted from precocious and depraved effrontery, or from + a complete ignorance of the usages of society. In the latter case, such + ignorance, arising from a simple and ingenuous nature, might in itself + have a great charm; and if to this attraction, combined with that of + incontestable beauty, were added sincere love and a pure soul, the obscure + birth, or neglected education of the girl might be of little consequence, + and she might be capable of inspiring Djalma with a profound passion. If + Adrienne hesitated to see a lost creature in Rose-Pompon, notwithstanding + unfavorable appearances, it was because, remembering what so many + travellers had related of Djalma’s greatness of soul, and recalling the + conversation she had overheard between him and Rodin, she could not bring + herself to believe that a man of such remarkable intelligence, with so + tender a heart, so poetical, imaginative and enthusiastic a mind could be + capable of loving a depraved and vulgar creature, and of openly exhibiting + himself in public along with her. There was a mystery in the transaction, + which Adrienne sought in vain to penetrate. These trying doubts, this + cruel curiosity, only served to nourish Adrienne’s fatal love; and we may + imagine her incurable despair, when she found that the indifference, or + even disdain of Djalma, was unable to stifle a passion that now burned + more fiercely than ever. Sometimes, having recourse to notions of + fatality, she fancied that she was destined to feel this love; that Djalma + must therefore deserve it, and that one day whatever was incomprehensible + in the conduct of the prince would be explained to his advantage. At other + times, on the contrary, she felt ashamed of excusing Djalma, and the + consciousness of this weakness was for Adrienne a constant occasion for + remorse and torture. The victim of all these agonies, she lived in perfect + solitude. + </p> + <p> + The cholera soon broke out, startling as a clap of thunder. Too unhappy to + fear the pestilence on her own account, Adrienne was only moved by the + sorrows of others. She was amongst the first to contribute to those + charitable donations, which were now flowing in from all sides in the + admirable spirit of benevolence. Florine was suddenly attacked by the + epidemic. In spite of the danger, her mistress insisted on seeing her, and + endeavored to revive her failing courage. Conquered by this new mark of + kindness, Florine could no longer conceal the treachery in which she had + borne a part. Death was about to deliver her from the odious tyranny of + the people whose yoke weighed upon her, and she was at length in a + position to reveal everything to Adrienne. The latter thus learned how she + had been continually betrayed by Florine, and also the cause of the + sewing-girl’s abrupt departure. At these revelations, Adrienne felt her + affection and tender pity for the poor sempstress greatly increase. By her + command, the most active steps were taken to discover traces of the + hunchback; but Florine’s confession had a still more important result. + Justly alarmed at this new evidence of Rodin’s machinations, Adrienne + remembered the projects formed, when, believing herself beloved, the + instinct of affection had revealed to her the perils to which Djalma and + other members of the Rennepont family were exposed. To assemble the race + around her, and bid them rally against the common enemy, such was + Adrienne’s first thought, when she heard the confession of Florine. She + regarded it as a duty to accomplish this project. In a struggle with such + dangerous and powerful adversaries as Rodin, Father d’Aigrigny, and the + Princess de Saint-Dizier, and their allies, Adrienne saw not only the + praiseworthy and perilous task of unmasking hypocrisy and cupidity, but + also, if not a consolation, at least a generous diversion in the midst of + terrible sorrows. + </p> + <p> + From this moment, a restless, feverish activity took the place of the + mournful apathy in which the young lady had languished. She called round + her all the members of her family capable of answering the appeal, and, as + had been mentioned in the secret note delivered to Father d’Aigrigny, + Cardoville House soon became the centre of the most active and unceasing + operations, and also a place of meeting, in which the modes of attack and + defence were fully discussed. Perfectly correct in all points, the secret + note of which we have spoken stated, as a mere conjecture, that Mdlle. de + Cardoville had granted an interview to Djalma. This fact was untrue, but + the cause which led to the supposition will be explained hereafter. Far + from such being the case, Mdlle. de Cardoville scarcely found, in + attending to the great family interests now at stake, a momentary + diversion from the fatal love, which was slowly undermining her health, + and with which she so bitterly reproached herself. + </p> + <p> + The morning of the day on which Adrienne, at length discovering Mother + Bunch’s residence, came so miraculously to rescue her from death, Agricola + Baudoin had been to Cardoville House to confer on the subject of Francis + Hardy, and had begged Adrienne to permit him to accompany her to the Rue + Clovis, whither they repaired in haste. + </p> + <p> + Thus, once again, there was a noble spectacle, a touching symbol! Mdlle. + de Cardoville and Mother Bunch, the two extremities of the social chain, + were united on equal terms—for the sempstress and the fair patrician + were equal in intelligence and heart—and equal also, because the one + was the ideal of riches, grace, and beauty, and the other the ideal of + resignation and unmerited misfortune—and does not a halo rest on + misfortune borne with courage and dignity? Stretched on her mattress, the + hunchback appeared so weak, that even if Agricola had not been detained on + the ground floor with Cephyse, now dying a dreadful death, Mdlle. de + Cardoville would have waited some time, before inducing Mother Bunch to + rise and accompany her to her carriage. Thanks to the presence of mind and + pious fraud of Adrienne, the sewing-girl was persuaded that Cephyse had + been carried to a neighboring hospital, to receive the necessary succors, + which promised to be crowned with success. The hunchback’s faculties + recovering slowly from their stupor, she at first received this fable + without the least suspicion—for she did not even know that Agricola + had accompanied Mdlle. de Cardoville. + </p> + <p> + “And it is to you, lady, that Cephyse and I owe our lives,” said she, + turning her mild and melancholy face towards Adrienne, “you, kneeling in + this garret, near this couch of misery, where I and my sister meant to die—for + you assure me, lady, that Cephyse was succored in time.” + </p> + <p> + “Be satisfied! I was told just now that she was recovering her senses.” + </p> + <p> + “And they told her I was living, did they not, lady? Otherwise, she would + perhaps regret having survived me.” + </p> + <p> + “Be quite easy, my dear girl!” said Adrienne, pressing the poor hands in + her own, and gazing on her with eyes full of tears; “they have told her + all that was proper. Do not trouble yourself about anything; only think of + recovering—and I hope you will yet enjoy that happiness of which you + have known so little, my poor child.” + </p> + <p> + “How kind you are, lady! After flying from your house—and when you + must think me so ungrateful!” + </p> + <p> + “Presently, when you are not so weak, I have a great deal to tell you. + Just now, it would fatigue you too much. But how do you feel?” + </p> + <p> + “Better, lady. This fresh air—and then the thought, that, since you + are come—my poor sister will no more be reduced to despair; for I + will tell you all, and I am sure you will have pity on Cephyse—will + you not, lady?” + </p> + <p> + “Rely upon me, my child,” answered Adrienne, forced to dissemble her + painful embarrassment; “you know I am interested in all that interests + you. But tell me,” added Mdlle. de Cardoville, in a voice of emotion, + “before taking this desperate resolution, did you not write to me?” + </p> + <p> + “Yes, lady.” + </p> + <p> + “Alas!” resumed Adrienne, sorrowfully; “and when you received no answer—how + cruel, how ungrateful you must have thought me!” + </p> + <p> + “Oh! never, lady, did I accuse you of such feelings; my poor sister will + tell you so. You had my gratitude to the last.” + </p> + <p> + “I believe you—for I knew your heart. But how then did you explain + my silence?” + </p> + <p> + “I had justly offended you by my sudden departure, lady.” + </p> + <p> + “Offended!—Alas! I never received your letter.” + </p> + <p> + “And yet you know that I wrote to you, lady.” + </p> + <p> + “Yes, my poor girl; I know, also, that you wrote to me at my porter’s + lodge. Unfortunately, he delivered your letter to one of my women, named + Florine, telling her it came from you.” + </p> + <p> + “Florine! the young woman that was so kind to me!” + </p> + <p> + “Florine deceived me shamefully; she was sold to my enemies, and acted as + a spy on my actions.” + </p> + <p> + “She!—Good Heavens!” cried Mother Bunch. “Is it possible?” + </p> + <p> + “She herself,” answered Adrienne, bitterly; “but, after all, we must pity + as well as blame her. She was forced to obey by a terrible necessity, and + her confession and repentance secured my pardon before her death.” + </p> + <p> + “Then she is dead—so young! so fair!” + </p> + <p> + “In spite of her faults, I was greatly moved by her end. She confessed + what she had done, with such heart-rending regrets. Amongst her avowals, + she told me she had intercepted a letter, in which you asked for an + interview that might save your sister’s life.” + </p> + <p> + “It is true, lady; such were the terms of my letter. What interest had + they to keep it from you?” + </p> + <p> + “They feared to see you return to me, my good guardian angel. You loved me + so tenderly, and my enemies dreaded your faithful affection, so + wonderfully aided by the admirable instinct of your heart. Ah! I shall + never forget how well-deserved was the horror with which you were inspired + by a wretch whom I defended against your suspicions.” + </p> + <p> + “M. Rodin?” said Mother Bunch, with a shudder. + </p> + <p> + “Yes,” replied Adrienne; “but we will not talk of these people now. Their + odious remembrance would spoil the joy I feel in seeing you restored to + life—for your voice is less feeble, your cheeks are beginning to + regain a little color. Thank God! I am so happy to have found you once + more;—if you knew all that I hope, all that I expect from our + reunion—for we will not part again—promise me that, in the + name of our friendship.” + </p> + <p> + “I—your friend!” said Mother Bunch, timidly casting down her eyes. + </p> + <p> + “A few days before your departure from my house, did I not call you my + friend, my sister? What is there changed? Nothing, nothing,” added Mdlle. + de Cardoville, with deep emotion. “One might say, on the contrary, that a + fatal resemblance in our positions renders your friendship even dearer to + me. And I shall have it, shall I not. Oh, do not refuse it me—I am + so much in want of a friend!” + </p> + <p> + “You, lady? you in want of the friendship of a poor creature like me?” + </p> + <p> + “Yes,” answered Adrienne, as she gazed on the other with an expression of + intense grief; “nay, more, you are perhaps the only person, to whom I + could venture to confide my bitter sorrows.” So saying, Mdlle. de + Cardoville colored deeply. + </p> + <p> + “And how do I deserve such marks of confidence?” asked Mother Bunch, more + and more surprised. + </p> + <p> + “You deserve it by the delicacy of your heart, by the steadiness of your + character,” answered Adrienne, with some hesitation; “then—you are a + woman—and I am certain you will understand what I suffer, and pity + me.” + </p> + <p> + “Pity you, lady?” said the other, whose astonishment continued to + increase. “You, a great lady, and so much envied—I, so humble and + despised, pity you?” + </p> + <p> + “Tell me, my poor friend,” resumed Adrienne, after some moments of + silence, “are not the worst griefs those which we dare not avow to any + one, for fear of raillery and contempt? How can we venture to ask interest + or pity, for sufferings that we hardly dare avow to ourselves, because + they make us blush?” + </p> + <p> + The sewing-girl could hardly believe what she heard. Had her benefactress + felt, like her, the effects of an unfortunate passion, she could not have + held any other language. But the sempstress could not admit such a + supposition; so, attributing to some other cause the sorrows of Adrienne, + she answered mournfully, whilst she thought of her own fatal love for + Agricola, “Oh! yes, lady. A secret grief, of which we are ashamed, must be + frightful—very frightful!” + </p> + <p> + “But then what happiness to meet, not only a heart noble enough to inspire + complete confidence, but one which has itself been tried by a thousand + sorrows, and is capable of affording you pity, support and counsel!—Tell + me, my dear child,” added Mdlle. de Cardoville, as she looked attentively + at Mother Bunch, “if you were weighed down by one of those sorrows, at + which one blushes, would you not be happy, very happy, to find a kindred + soul, to whom you might entrust your griefs, and half relieve them by + entire and merited confidence?” + </p> + <p> + For the first time in her life, Mother Bunch regarded Mdlle. de Cardoville + with a feeling of suspicion and sadness. + </p> + <p> + The last words of the young lady seemed to her full of meaning “Doubtless, + she knows my secret,” said Mother Bunch to herself; “doubtless, my journal + has fallen into her hands.—She knows my love for Agricola, or at + least suspects it. What she has been saying to me is intended to provoke + my confidence, and to assure herself if she has been rightly informed.” + </p> + <p> + These thoughts excited in the workgirl’s mind no bitter or ungrateful + feeling towards her benefactress; but the heart of the unfortunate girl + was so delicately susceptible on the subject of her fatal passion, that, + in spite of her deep and tender affection for Mdlle. de Cardoville, she + suffered cruelly at the thought of Adrienne’s being mistress of her + secret. + </p> + <p> + <a name="link2HCH0139" id="link2HCH0139"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXXIV. MORE CONFESSIONS. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>he fancy, at first so painful, that Mdlle. de Cardoville was informed of + her love for Agricola was soon exchanged in the hunchbacks heart, thanks + to the generous instincts of that rare and excellent creature, for a + touching regret, which showed all her attachment and veneration for + Adrienne. + </p> + <p> + “Perhaps,” said Mother Bunch to herself, “conquered by the influence of + the adorable kindness of my protectress, I might have made to her a + confession which I could make to none other, and revealed a secret which I + thought to carry with me to my grave. It would, at least, have been a mark + of gratitude to Mdlle. de Cardoville; but, unfortunately, I am now + deprived of the sad comfort of confiding my only secret to my + benefactress. And then—however generous may be her pity for me, + however intelligent her affection, she cannot—she, that is so fair + and so much admired—she cannot understand how frightful is the + position of a creature like myself, hiding in the depth of a wounded + heart, a love at once hopeless and ridiculous. No, no—in spite of + the delicacy of her attachment, my benefactress must unconsciously hurt my + feelings, even whilst she pities me—for only sympathetic sorrows can + console each other. Alas! why did she not leave me to die?” + </p> + <p> + These reflections presented themselves to the thinker’s mind as rapidly as + thought could travel. Adrienne observed her attentively; she remarked that + the sewing-girl’s countenance, which had lately brightened up, was again + clouded, and expressed a feeling of painful humiliation. Terrified at this + relapse into gloomy dejection, the consequences of which might be serious, + for Mother Bunch was still very weak, and, as it were, hovering on the + brink of the grave, Mdlle. de Cardoville resumed hastily: “My friend, do + not you think with me, that the most cruel and humiliating grief admits of + consolation, when it can be entrusted to a faithful and devoted heart?” + </p> + <p> + “Yes, lady,” said the young sempstress, bitterly; “but the heart which + suffers in silence, should be the only judge of the moment for making so + painful a confession. Until then, it would perhaps be more humane to + respect its fatal secret, even if one had by chance discovered it.” + </p> + <p> + “You are right, my child,” said Adrienne, sorrowfully, “if I choose this + solemn moment to entrust you with a very painful secret, it is that, when + you have heard me, I am sure you will set more value on your life, as + knowing how much I need your tenderness, consolation, and pity.” + </p> + <p> + At these words, the other half raised herself on the mattress, and looked + at Mdlle. de Cardoville in amazement. She could scarcely believe what she + heard; far from designing to intrude upon her confidence, it was her + protectress who was to make the painful confession, and who came to + implore pity and consolation from her! + </p> + <p> + “What!” stammered she; “you, lady!” + </p> + <p> + “I come to tell you that I suffer, and am ashamed of my sufferings. Yes,” + added the young lady, with a touching expression, “yes—of all + confessions, I am about to make the most painful—I love—and I + blush for my love.” + </p> + <p> + “Like myself!” cried Mother Bunch, involuntarily, clasping her hands + together. + </p> + <p> + “I love,” resumed Adrienne, with a long-pent-up grief; “I love, and am not + beloved—and my love is miserable, is impossible—it consumes me—it + kills me—and I dare not confide to any one the fatal secret!” + </p> + <p> + “Like me,” repeated the other, with a fixed look. “She—a queen in + beauty, rank, wealth, intelligence—suffers like me. Like me, poor + unfortunate creature! she loves, and is not loved again.” + </p> + <p> + “Well, yes! like you, I love and am not loved again,” cried Mdlle. de + Cardoville; “was I wrong in saying, that to you alone I could confide my + secret—because, having suffered the same pangs, you alone can pity + them?” + </p> + <p> + “Then, lady,” said Mother Bunch, casting down her eyes, and recovering + from her first amazement, “you knew—” + </p> + <p> + “I knew all, my poor child—but never should I have mentioned your + secret, had I not had one to entrust you with, of a still more painful + nature. Yours is cruel, but mine is humiliating. Oh, my sister!” added + Mdlle. de Cardoville, in a tone impossible to describe, “misfortune, you, + see, blends and confounds together what are called distinctions of rank + and fortune—and often those whom the world envies are reduced by + suffering far below the poorest and most humble, and have to seek from the + latter pity and consolation.” + </p> +<div class="fig"> + <img src="images/30175m.jpg" alt="30175m" /><br /> + </div> + <h5> + <a href="images/30175.jpg"><i>Original</i></a> + </h5> + <p> + Then, drying her tears, which nosy flowed abundantly, Mdlle. de Cardoville + resumed, in a voice of emotion: “Come, sister! courage, courage! let us + love and sustain each other. Let this sad and mysterious bond unite us + forever.” + </p> + <p> + “Oh, lady! forgive me. But now that you know the secret of my life,” said + the workgirl, casting down her eyes, and unable to vanquish her confusion, + “it seems to me, that I can never look at you without blushing.” + </p> + <p> + “And why? because you love Agricola?” said Adrienne. “Then I must die of + shame before you, since, less courageous than you, I had not the strength + to suffer and be resigned, and so conceal my love in the depths of my + heart. He that I love, with a love henceforth deprived of hope, knew of + that love and despised it—preferring to me a woman, the very choice + of whom was a new and grievous insult, if I am not much deceived by + appearances. I sometimes hope that I am deceived on this point. Now tell + me—is it for you to blush?” + </p> + <p> + “Alas, lady! who could tell you all this?” + </p> + <p> + “Which you only entrusted to your journal? Well, then—it was the + dying Florine who confessed her misdeeds. She had been base enough to + steal your papers, forced to this odious act, by the people who had + dominion over her. But she had read your journal—and as every good + feeling was not dead within her, your admirable resignation, your + melancholy and pious love, had left such an impression on her mind, that + she was able to repeat whole passages to me on her death bed, and thus to + explain the cause of your sudden disappearance—for she had no doubt + that the fear of seeing your love for Agricola divulged had been the cause + of your flight.” + </p> + <p> + “Alas! it is but too true, lady.” + </p> + <p> + “Oh, yes!” answered Adrienne, bitterly; “those who employed the wretched + girl to act as she did, well knew the effect of the blow. It was not their + first attempt. They reduced you to despair, they would have killed you, + because you were devoted to me, and because you had guessed their + intentions. Oh! these black-gowns are implacable, and their power is + great!” said Adrienne, shuddering. + </p> + <p> + “It is fearful, lady.” + </p> + <p> + “But do not be alarmed, dear child; you see, that the arms of the wicked + have turned against themselves; for the moment I knew the cause of your + flight, you became dearer to me than ever. From that time I made every + exertion to find out where you were; after long efforts, it was only this + morning that the person I had employed succeeded in discovering that you + inhabited this house. Agricola was with me when I heard it, and instantly + asked to accompany me.” + </p> + <p> + “Agricola!” said Mother Bunch, clasping her hands; “he came—” + </p> + <p> + “Yes, my child—be calm. Whilst I attended to you, he was busy with + your poor sister. You will soon see him.” + </p> + <p> + “Alas, lady!” resumed the hunchback, in alarm. “He doubtless knows—” + </p> + <p> + “Your love! No, no; be satisfied. Only think of the happiness of again + seeing your good and worthy brother.” + </p> + <p> + “Ah, lady! may he never know what caused me so much shame, that I was like + to die of it. Thank God, he is not aware of it!” + </p> + <p> + “Then let us have no more sad thoughts, my child. Only remember, that this + worthy brother came here in time to save us from everlasting regrets—and + you from a great fault. Oh! I do not speak of the prejudices of the world, + with regard to the right of every creature to return to heaven a life that + has become too burdensome!—I only say that you ought not to have + died, because those who love you, and whom you love, were still in need of + your assistance.” + </p> + <p> + “I thought you happy; Agricola was married to the girl of his choice, who + will, I am sure, make him happy. To whom could I be useful?” + </p> + <p> + “First, to myself, as you see—and then, who tells you that Agricola + will never have need of you? Who tells you, that his happiness, or that of + his family, will last forever, and will not be tried by cruel shocks? And + even if those you love had been destined to be always happy, could their + happiness be complete without you? And would not your death, with which + they would perhaps have reproached themselves, have left behind it endless + regrets?” + </p> + <p> + “It is true, lady,” answered the other, “I was wrong—the dizziness + of despair had seized me—frightful misery weighed upon us—we + had not been able to find work for some days—we lived on the charity + of a poor woman, and her the cholera carried off. To-morrow or next day, + we must have died of hunger.” + </p> + <p> + “Die of hunger!—and you knew where I lived!” + </p> + <p> + “I had written to you, lady, and receiving no answer, I thought you + offended at my abrupt departure.” + </p> + <p> + “Poor, dear child! you must have been, as you say, seized with dizziness + in that terrible moment; so that I have not the courage to reproach you + for doubting me a single instant. How can I blame you? Did I not myself + think of terminating my life?” + </p> + <p> + “You, lady!” cried the hunchback. + </p> + <p> + “Yes, I thought of it—when they came to tell me, that Florine, + dying, wished to speak to me. I heard what she had to say; her revelations + changed my projects. This dark and mournful life which had become + insupportable to me, was suddenly lighted up. The sense of duty woke + within me. You were no doubt a prey to horrible misery; it was my duty to + seek and save you. Florine’s confessions unveiled to me the new plots of + the enemies of my scattered family, dispersed by sorrows and cruel losses; + it was my duty to warn them of their danger, and to unite them against the + common enemy. I had been the victim of odious manoeuvres: it was my duty + to punish their authors, for fear that, encouraged by impunity, these + black-gowns should make other victims. Then the sense of duty gave me + strength, and I was able to rouse myself from my lethargy. With the help + of Abbe Gabriel, a sublime, oh! a sublime priest—the ideal of a true + Christian—the worthy brother of Agricola—I courageously + entered on the struggle. What shall I say to you, my child? The + performance of these duties, the hope of finding you again, have been some + relief to me in my trouble. If I was not consoled, I was at least + occupied. Your tender friendship, the example of your resignation, will do + the rest—I think so—I am sure so—and I shall forget this + fatal love.” + </p> + <p> + At the moment Adrienne pronounced these words, rapid footsteps were heard + upon the stairs, and a young, clear voice exclaimed: “Oh! dear me, poor + Mother Bunch! How lucky I have come just now! If only I could be of some + use to her!” + </p> + <p> + Almost immediately, Rose-Pompon entered the garret with precipitation. + Agricola soon followed the grisette, and pointing to the open window, + tried to make Adrienne understand by signs, that she was not to mention to + the girl the deplorable end of the Bacchanal Queen. This pantomime was + lost on Mdlle. de Cardoville. Adrienne’s heart swelled with grief, + indignation, pride, as she recognized the girl she had seen at the Porte + Saint-Martin in company with Djalma, and who alone was the cause of the + dreadful sufferings she endured since that fatal evening. And, strange + irony of fate! it was at the very moment when Adrienne had just made the + humiliating and cruel confession of her despised love, that the woman, to + whom she believed herself sacrificed, appeared before her. + </p> + <p> + If the surprise of Mdlle. de Cardoville was great, Rose-Pompon’s was not + less so. Not only did she recognize in Adrienne the fair young lady with + the golden locks, who had sat opposite to her at the theatre, on the night + of the adventure of the black panther, but she had serious reasons for + desiring most ardently this unexpected interview. It is impossible to + paint the look of malignant joy and triumph, that she affected to cast + upon Adrienne. The first impulse of Mdlle. de Cardoville was to quit the + room. But she could not bear to leave Mother Bunch at this moment, or to + give, in the presence of Agricola, her reasons for such an abrupt + departure, and moreover, an inexplicable and fatal curiosity held her + back, in spite of her offended pride. She remained, therefore, and was + about to examine closely, to hear and to judge, this rival, who had nearly + occasioned her death, to whom, in her jealous agony, she had ascribed so + many different aspects, in order to explain Djalma’s love for such a + creature. + </p> + <p> + <a name="link2HCH0140" id="link2HCH0140"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXXV. THE RIVALS. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">R</span>ose-Pompon, whose presence caused such deep emotion in Mdlle. de + Cardoville, was dressed in the most showy and extravagant bad taste. Her + very small, narrow, rose-colored satin bonnet, placed so forward over her + face as almost to touch the tip of her little nose, left uncovered behind + half of her light, silky hair; her plaid dress, of an excessively broad + pattern, was open in front, and the almost transparent gauze, rather too + honest in its revelations, hardly covered the charms of the form beneath. + </p> + <p> + The grisette having run all the way upstairs, held in her hands the ends + of her large blue shawl, which, falling from her shoulders, had slid down + to her wasp-like waist, and there been stopped by the swell of the figure. + If we enter into these details, it is to explain how, at the sight of this + pretty creature, dressed in so impertinent and almost indecent, a fashion, + Mdlle. de Cardoville, who thought she saw in her a successful rival, felt + her indignation, grief, and shame redoubled. + </p> + <p> + But judge of the surprise and confusion of Adrienne, when Mdlle. Rose + Pompon said to her, with the utmost freedom and pertness, “I am delighted + to see you, madame. You and I must have a long talk together. Only I must + begin by kissing poor Mother Bunch—with your permission, madame!” + </p> + <p> + To understand the tone and manner with which this word, “madame” was + pronounced, you must have been present at some stormy discussion between + two Rose-Pompons, jealous of each other; then you would be able to judge + how much provoking hostility may be compressed into the word “madame,” + under certain circumstances. Amazed at the impudence of Rose-Pompon, + Mdlle. de Cardoville remained mute; whilst Agricola, entirely occupied + with the interest he took in the workgirl, who had never withdrawn her + eyes from him since he entered the room, and with the remembrance of the + painful scene he had just quitted, whispered to Adrienne, without + remarking the grisette’s effrontery, “Alas, lady! it is all over. Cephyse + has just breathed her last sigh, without recovering her senses.” + </p> + <p> + “Unfortunate girl!” said Adrienne, with emotion; and for the moment she + forgot Rose-Pompon. + </p> + <p> + “We must keep this sad news from Mother Bunch, and only let her know it + hereafter, with great caution,” resumed Agricola. “Luckily, little Rose + Pompon knows nothing about it.” + </p> + <p> + And he pointed to the grisette, who was now stooping down by the side of + the workgirl. On hearing Agricola speak so familiarly of Rose-Pompon, + Adrienne’s amazement increased. It is impossible to describe what she + felt; yet, strangely enough, her sufferings grew less and less, and her + anxiety diminished, as she listened to the chatter of the grisette. + </p> + <p> + “Oh, my good dear!” said the latter, with as much volubility as emotion, + while her pretty blue eyes were filled with tears; “is it possible that + you did so stupid a thing? Do not poor people help one another? Could you + not apply to me? You knew that others are welcome to whatever is mine, and + I would have made a raffle of Philemon’s bazaar,” added this singular + girl, with a burst of feeling, at once sincere, touching, and grotesque; + “I would have sold his three boots, pipes, boating-costume, bed, and even + his great drinking-glass, and at all events you should not have been + brought to such an ugly pass. Philemon would not have minded, for he is a + good fellow; and if he had minded, it would have been all the same. Thank + heaven! we are not married. I am only wishing to remind you that you + should have thought of little Rose-Pompon.” + </p> + <p> + “I know you are obliging and kind, miss,” said Mother Bunch: for she had + heard from her sister that Rose-Pompon, like so many of her class, had a + warm and generous heart. + </p> + <p> + “After all,” resumed the grisette, wiping with the back of her hand the + tip of her little nose, down which a tear was trickling, “you may tell me + that you did not know where I had taken up my quarters. It’s a queer + story, I can tell you. When I say queer,” added Rose-Pompon, with a deep + sigh, “it is quite the contrary—but no matter: I need not trouble + you with that. One thing is certain; you are getting better—and you + and Cephyse will not do such a thing again. She is said to be very weak. + Can I not see her yet, M. Agricola? + </p> + <p> + “No,” said the smith, with embarrassment, for Mother Bunch kept her eyes + fixed upon him; “you must have patience.” + </p> + <p> + “But I may see her to-day, Agricola?” exclaimed the hunchback. + </p> + <p> + “We will talk about that. Only be calm, I entreat.” + </p> +<div class="fig"> + <img src="images/30181m.jpg" alt="30181m" /><br /> + </div> + <h5> + <a href="images/30181.jpg"><i>Original</i></a> + </h5> + <p> + “Agricola is right; you must be reasonable, my good dear,” resumed Rose + Pompon; “we will wait patiently. I can wait too, for I have to talk + presently to this lady;” and Rose-Pompon glanced at Adrienne with the + expression of an angry cat. “Yes, yes; I can wait; for I long to tell + Cephyse also that she may reckon upon me.” Here Rose-Pompon bridled up + very prettily, and thus continued, “Do not be uneasy! It is the least one + can do, when one is in a good position, to share the advantages with one’s + friends, who are not so well off. It would be a fine thing to keep one’s + happiness to one’s self! to stuff it with straw, and put it under a glass, + and let no one touch it! When I talk of happiness, it’s only to make talk; + it is true in one sense; but to another, you see, my good dear—Bah! + I am only seventeen—but no matter—I might go on talking till + tomorrow, and you would not be any the wiser. So let me kiss you once + more, and don’t be down-hearted—nor Cephyse either, do you hear? for + I shall be close at hand.” + </p> + <p> + And, stooping still lower, Rose-Pompon cordially embraced Mother Bunch. It + is impossible to express what Mdlle. de Cardoville felt during this + conversation, or rather during this monologue of the grisette on the + subject of the attempted suicide. The eccentric jargon of Mdlle. Rose + Pompon, her liberal facility in disposing of Philemon’s bazaar, to the + owner of which (as she said) she was luckily not married—the + goodness of her heart, which revealed itself in her offers of service—her + contrasts, her impertinence, her drollery—all this was so new and + inexplicable to Mdlle. de Cardoville, that she remained for some time mute + and motionless with surprise. Such, then, was the creature to whom Djalma + had sacrificed her! + </p> + <p> + If Adrienne’s first impression at sight of Rose-Pompon had been horribly + painful, reflection soon awakened doubts, which were to become shortly + ineffable hopes. Remembering the interview she had overheard between Rodin + and Djalma, when, concealed in the conservatory, she had wished to prove + the Jesuit’s fidelity, Adrienne, asked herself if it was reasonable, if it + was possible to believe, that the prince, whose ideas of love seemed to be + so poetical, so elevated, so pure, could find any charm in the disjointed + and silly chat of this young girl? Adrienne could not hesitate; she + pronounced the thing impossible, from the moment she had seen her rival + near, and witnessed her style both of manners and conversation, which, + without detracting from the prettiness of her features, gave them a + trivial and not very attractive character. Adrienne’s doubts with regard + to the deep love of the prince for Rose Pompon were hence soon changed to + complete incredulity. Endowed with too much sense and penetration, not to + perceive that this apparent connection, so inconceivable on the part of + Djalma, must conceal some mystery, Mdlle. de Cardoville felt her hopes + revive. As this consoling thought arose in her mind, her heart, until now + so painfully oppressed, began once more to dilate; she felt vague + aspirations towards a better future; and yet, cruelly warned by the past, + she feared to yield too readily to a mere illusion, for she remembered the + notorious fact that the prince had really appeared in public with this + girl. But now that Mdlle. de Cardoville could fully appreciate what she + was, she found the conduct of the prince only the more incomprehensible. + And how can we judge soundly and surely of that which is enveloped in + mystery? And then a secret presentiment told her, that it would, perhaps, + be beside the couch of the poor sempstress, whom she had just saved from + death, that, by a providential coincidence, she would learn the secret on + which depended the happiness of her life. + </p> + <p> + The emotions which agitated she heart of Adrienne, became so violent, that + her fine face was flushed with a bright red, her bosom heaved, and her + large, black eyes, lately dimmed by sadness, once more shone with a mild + radiance. She waited with inexpressible impatience for what was to follow. + In the interview, with which Rose-Pompon had threatened her, and which a + few minutes before Adrienne would have declined with all the dignity of + legitimate indignation, she now hoped to find the explanation of a + mystery, which it was of such importance for her to clear up. After once + more tenderly embracing Mother Bunch, Rose-Pompon got up from the ground, + and, turning towards Adrienne, eyed her from head to foot, with the utmost + coolness, and said to her, in a somewhat impertinent tone: “It is now our + turn, madame”—the word “madame” still pronounced with the accent + before described—“we have a little matter to settle together.” + </p> + <p> + “I am at your order,” answered Adrienne, with much mildness and + simplicity. + </p> + <p> + At sight of the triumphant and decisive air of Rose-Pompon, and on hearing + her challenge to Mdlle. de Cardoville, the worthy Agricola, after + exchanging a few words with Mother Bunch, opened his eyes and ears very + wide, and remained staring in amazement at the effrontery of the grisette; + then, advancing towards her, he whispered, as he plucked her by the + sleeve: “I say, are you mad? Do you know to whom you speak?” + </p> + <p> + “Well! what then? Is not one pretty woman worth another! I say that for + the lady. She will not eat me, I suppose,” replied Rose-Pompon, aloud, and + with an air of defiance. “I have to talk with madame, here. I am sure, she + knows why and wherefore. If not, I will tell her; it will not take me + long.” + </p> + <p> + Adrienne, who feared some ridiculous exposure on the subject of Djalma, in + the presence of Agricola, made a sign to the latter, and thus answered the + grisette: “I am ready to hear you, miss, but not in this place. You will + understand why.” + </p> + <p> + “Very well, madame, I have my key. You can come to any apartments”—the + last word pronounced with an air of ostentatious importance. + </p> + <p> + “Let us go then to your apartments, miss since you to me the honor to + receive me there,” answered Mdlle. de Cardoville, in her mild, sweet + voice, and with a slight inclination of the head, so full of exquisite + politeness, that Rose-Pompon was daunted, notwithstanding all her + effrontery. + </p> + <p> + “What, lady!” said Agricola to Adrienne; “you are good enough—” + </p> + <p> + “M. Agricola,” said Mdlle. de Cardoville, interrupting him, “please to + remain with our poor friend: I shall soon be back.” + </p> + <p> + Then, approaching Mother Bunch, who shared in Agricola’s astonishment she + said to her: “Excuse me for leaving you a few seconds. Only regain a + little strength, and, when I return, I will take you home with me, dear + sister.” + </p> + <p> + Then, turning towards Rose-Pompon, who was more and more surprised at + hearing so fine a lady call the workgirl her sister, she added: “I am + ready whenever you please, mademoiselle.” + </p> + <p> + “Beg pardon, madame, if I go first to show you the way, but it’s a regular + break-neck sort of a place,” answered Rose-Pompon, pressing her elbows to + her sides, and screwing up her lips to prove that she was no stranger to + polite manners and fine language. And the two rivals quitted the garret + together, leaving Agricola alone with Mother Bunch. + </p> + <p> + Luckily, the disfigured remains of the Bacchanal Queen had been carried + into Mother Arsene’s subterraneous shop, so that the crowd of spectators, + always attracted by any fatal event, had assembled in front of the house; + and Rose-Pompon, meeting no one in the little court she had to traverse + with Adrienne, continued in ignorance of the tragical death of her old + friend Cephyse. In a few moments the grisette and Mdlle. de Cardoville had + reached Philemon’s apartment. This singular abode remained in the same + state of picturesque disorder in which Rose-Pompon had left it, when Ninny + Moulin came to fetch her to act the heroine of a mysterious adventure. + </p> + <p> + Adrienne, completely ignorant of the eccentric modes of life of students + and their companions, could not, in spite of the thoughts which occupied + her mind, forebear examining, with a mixture of surprise and curiosity, + this strange and grotesque chaos, composed of the most dissimilar objects—disguises + for masked balls, skulls with pipes in their mouths, odd boots standing on + book shelves, monstrous bottles, women’s clothes, ends of tobacco pipes, + etc., etc. To the first astonishment of Adrienne succeeded an impression + of painful repugnance. The young lady felt herself uneasy and out of place + in this abode, not of poverty, but disorder; whilst, on the contrary, the + sewing-girl’s miserable garret had caused her no such feeling. + </p> + <p> + Rose-Pompon, notwithstanding all her airs, was considerably troubled when + she found herself alone with Mdlle, de Cardoville; the rare beauty of the + young patrician, her fashionable look, the elegance of her manners, the + style, both dignified and affable, with which she had answered the + impertinent address of the grisette, began to have their effect upon the + latter, who, being moreover a good-natured girl, had been touched at + hearing Mdlle. de Cardoville call the hunchback “friend and sister.” + Without knowing exactly who Adrienne was, Rose-Pompon was not ignorant + that she belonged to the richest and highest class of society; she felt + already some remorse at having attacked her so cavalierly; and her + intentions, at first very hostile with regard to Mdlle. de Cardoville, + were gradually much modified. Yet, being very obstinate, and not wishing + to appear to submit to an influence that offended her pride, Rose-Pompon + endeavored to recover her assurance; and, having bolted the door, she said + to Adrienne: “Pray do me the favor to sit down, madame”—still with + the intention of showing that she was no stranger to refined manners and + conversation. + </p> + <p> + Mdlle. de Cardoville was about mechanically to take a chair, when Rose + Pompon, worthy to practise those ancient virtues of hospitality, which + regarded even an enemy as sacred in the person of a guest, cried out + hastily: “Don’t take that chair, madame; it wants a leg.” + </p> + <p> + Adrienne laid her hand on another chair. + </p> + <p> + “Nor that either; the back is quite loose,” again exclaimed Rose-Pompon. + And she spoke the truth; for the chair-back, which was made in the form of + a lyre, remained in the hands of Mdlle. de Cardoville, who said, as she + replaced it discreetly in its former position: “I think, miss, that we can + very well talk standing.” + </p> + <p> + “As you please, madame,” replied Rose-Pompon, steadying herself the more + bravely the more uneasy she felt. And the interview of the lady and the + grisette began in this fashion. + </p> + <p> + <a name="link2HCH0141" id="link2HCH0141"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXXVI. THE INTERVIEW. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span>fter a minute’s hesitation, Rose-Pompon said to Adrienne, whose heart was + beating violently: “I will tell you directly, madame, what I have on my + mind. I should not have gone out of my way to seek you, but, as I happen + to fall in with you, it is very natural I should take advantage of it.” + </p> + <p> + “But, miss,” said Adrienne, mildly, “may I at least know the subject of + the conversation we are to have together?” + </p> + <p> + “Yes, madame,” replied Rose-Pompon, affecting an air of still more decided + confidence; “first of all, you must not suppose I am unhappy, or going to + make a scene of jealousy, or cry like a forsaken damsel. Do not flatter + yourself! Thank heaven, I have no reason to complain of Prince Charming—that + is the pet name I gave him—on the contrary, he has made me very + happy. If I left him, it was against his will, and because I chose.” + </p> + <p> + So saying, Rose-Pompon, whose heart was swelling in spite of her fine + airs, could not repress a sigh. + </p> + <p> + “Yes, madame,” she resumed, “I left him because I chose—for he quite + doted on me. If I had liked, he would have married me—yes, madame, + married me—so much the worse, if that gives you pain. Though, when I + say ‘so much the worse,’ it is true that I meant to pain you. To be sure I + did—but then, just now when I saw you so kind to poor Mother Bunch, + though I was certainly in the right, still I felt something. However, to + cut matters short, it is clear that I detest you, and that you deserve + it,” added Rose-Pompon, stamping her foot. + </p> + <p> + From all this it resulted, even for a person much less sagacious than + Adrienne, and much less interested in discovering the truth, that Rose + Pompon, notwithstanding her triumphant airs in speaking of him whom she + represented as so much attached to her, and even anxious to wed her, was + in reality completely disappointed, and was now taking refuge in a + deliberate falsehood. It was evident that she was not loved, and that + nothing but violent jealousy had induced her to desire this interview with + Mdlle. de Cardoville, in order to make what is vulgarly called a scene, + considering Adrienne (the reason will be explained presently) as her + successful rival. But Rose-Pompon, having recovered her good-nature, found + it very difficult to continue the scene in question, particularly as, for + many reasons, she felt overawed by Adrienne. + </p> + <p> + Though she had expected, if not the singular speech of the grisette, at + least something of the same result—for she felt it was impossible + that the prince could entertain a serious attachment for this girl—Mdlle. + de Cardoville was at first delighted to hear the confirmation of her hopes + from the lips of her rival; but suddenly these hopes were succeeded by a + cruel apprehension, which we will endeavor to explain. What Adrienne had + just heard ought to have satisfied her completely. Sure that the heart of + Djalma had never ceased to belong to her, she ought, according to the + customs and opinions of the world, to have cared little if, in the + effervescence of an ardent youth, he had chanced to yield to some + ephemeral caprice for this creature, who was, after all, very pretty and + desirable—the more especially as he had now repaired his error by + separating from her. + </p> + <p> + Notwithstanding these good reasons, such an error of the senses would not + have been pardoned by Adrienne. She did not understand that complete + separation of the body and soul that would make the one exempt from the + stains of the other. She did not think it a matter of indifference to toy + with one woman whilst you were thinking of another. Her young, chaste, + passionate love demanded an absolute fealty—a fealty as just in the + eyes of heaven and nature as it may be ridiculous and foolish in the eyes + of man. For the very reason that she cherished a refined religion of the + senses, and revered them as an adorable and divine manifestation, Adrienne + had all sorts of delicate scruples and nice repugnances, unknown to the + austere spirituality of those ascetic prudes who despise vile matter too + much to take notice of its errors, and allow it to grovel in filth, to + show the contempt in which they hold it. Mdlle. de Cardoville was not one + of those wonderfully modest creatures who would die of confusion rather + than say plainly that they wished for a young and handsome husband, at + once ardent and pure. It is true that they generally marry old, ugly, and + corrupted men, and make up for it by taking two or three lovers six months + after. But Adrienne felt instinctively how much of virginal and celestial + freshness there is in the equal innocence of two loving and passionate + beings—what guarantees for the future in the remembrance which a man + preserves of his first love! + </p> + <p> + We say, then, that Adrienne was only half-satisfied, though convinced by + the vexation of Rose-Pompon that Djalma had never entertained a serious + attachment for the grisette. + </p> + <p> + “And why do you detest me, miss?” said Adrienne mildly, when Rose-Pompon + had finished her speech. + </p> + <p> + “Oh! bless me, madame!” replied the latter, forgetting altogether her + assumption of triumph, and yielding to the natural sincerity of her + character; “pretend that you don’t know why I detest you!—Oh, yes! + people go and pick bouquets from the jaws of a panther for people that + they care nothing about, don’t they? And if it was only that!” added + Rose-Pompon, who was gradually getting animated, and whose pretty face, at + first contracted into a sullen pout, now assumed an expression of real and + yet half-comic sorrow. + </p> + <p> + “And if it was only the nosegay!” resumed she. “Though it gave me a + dreadful turn to see Prince Charming leap like a kid upon the stage, I + might have said to myself: ‘Pooh! these Indians have their own way of + showing politeness. Here, a lady drops her nosegay, and a gentleman picks + it up and gives it to her; but in India it is quite another thing; the man + picks up the nosegay, and does not return it to the woman—he only + kills a panther before her eyes.’ Those are good manners in that country, + I suppose; but what cannot be good manners anywhere is to treat a woman as + I have been treated. And all thanks to you, madame!” + </p> + <p> + These complaints of Rose-Pompon, at once bitter and laughable, did not at + all agree with what she had previously stated as to Djalma’s passionate + love for her; but Adrienne took care not to point out this contradiction, + and said to her, mildly: “You must be mistaken, miss, when you suppose + that I had anything to do with your troubles. But, in any case, I regret + sincerely that you should have been ill-treated by any one.” + </p> + <p> + “If you think I have been beaten, you are quite wrong,” exclaimed Rose + Pompon. “Ah! well, I am sure! No, it is not that. But I am certain that, + had it not been for you, Prince Charming would have got to love me a + little. I am worthy of the trouble, after all—and then there are + different sorts of love—I am not so very particular—not even + so much as that,” added Rose-Pompon, snapping her fingers. + </p> + <p> + “Ah!” she continued, “when Ninny Moulin came to fetch me, and brought me + jewels and laces to persuade me to go with him, he was quite right in + saying there was no harm in his offers.” + </p> + <p> + “Ninny Moulin?” asked Mdlle. de Cardoville, becoming more and more + interested; “who is this Ninny Moulin, miss?” + </p> +<div class="fig"> + <img src="images/30189m.jpg" alt="30189m" /><br /> + </div> + <h5> + <a href="images/30189.jpg"><i>Original</i></a> + </h5> + <p> + “A religious writer,” answered Rose-Pompon, pouting; “the right-hand man + of a lot of old sacristans, whose money he takes on pretense of writing + about morality and religion. A fine morality it is!” + </p> + <p> + At these words—“a religious writer”—“sacristans” Adrienne + instantly divined some new plot of Rodin or Father d’Aigrigny, of which + she and Djalma were to have been the victims. She began vaguely to + perceive the real state of the case, as she resumed: “But, miss, under + what pretence could this man take you away with him?” + </p> + <p> + “He came to fetch me, and said I need not fear for my virtue, and was only + to make myself look pretty. So I said to myself: ‘Philemon’s out of town, + and it’s very dull here all alone: This seems a droll affair; what can I + risk by it?’—Alas! I didn’t know what I risked,” added Rose Pompon, + with a sigh. “Well! Ninny Moulin takes me away in a fine carriage. We stop + in the Place du Palais-Royal. A sullen-looking man, with a yellow face, + gets up in the room of Ninny Moulin, and takes me to the house of Prince + Charming. When I saw him—la! he was so handsome, so very handsome, + that I was quite dizzy-like; and he had such a kind, noble air, that I + said to myself, ‘Well! there will be some credit if I remain a good girl + now!’—I did not know what a true word I was speaking. I have been + good—oh! worse than good.” + </p> + <p> + “What, miss! do you regret having been so virtuous?” + </p> + <p> + “Why, you see, I regret, at least, that I have not had the pleasure of + refusing. But how can you refuse, when nothing is asked—when you are + not even thought worth one little loving word?” + </p> + <p> + “But, miss, allow me to observe to you that the indifference of which you + complain does not see to have prevented your making a long stay in the + house in question.” + </p> + <p> + “How should I know why the prince kept me there, or took me out riding + with him, or to the play? Perhaps it is the fashion in his savage country + to have a pretty girl by your side, and to pay no attention to her at + all!” + </p> + <p> + “But why, then, did you remain, miss?” + </p> + <p> + “Why did I remain?” said Rose-Pompon, stamping her loot with vexation. “I + remained because, without knowing how it happened, I began to get very + fond of Prince Charming; and what is queer enough, I, who am as gay as a + lark, loved him because he was so sorrowful, which shows that it was a + serious matter. At last, one day, I could hold out no longer. I said: + ‘Never mind; I don’t care for the consequences. Philemon, I am sure, is + having his fun in the country.’ That set my mind at ease. So one morning, + I dress myself in my best, all very pretty, look in my glass, and say: + ‘Well, that will do—he can’t stand that! and, going to his room, I + tell him all that passes through my head; I laugh, I cry—at last I + tell him that I adore him. What do you think he answers, in his mild + voice, and as cold as a piece of marble? Why, ‘Poor child—poor child—poor + child!’” added Rose-Pompon, with indignation; “neither more nor less than + if I had come to complain to him of the toothache. But the worst of it is + that I am sure, if he were not in love elsewhere, he would be all fire and + gunpowder. Only now he is so sad, so dejected!” + </p> + <p> + Then, pausing a moment, Rose-Pompon added: “No, I will not tell you that; + you would be too pleased.” But, after another pause, she continued: “Well, + never mind; I will tell you, though”; and this singular girl looked at + Mdlle. de Cardoville with a mixture of sympathy and deference. “Why should + I keep it from you? I began by riding the high horse, and saying that the + prince wished to marry me; and I finished by confessing that he almost + turned me out. Well, it’s not my fault; when I try to fib, I am sure to + get confused. So, madame, this is the plain truth:—When I met you at + poor Mother Bunch’s, I was at first as angry as a little turkey-cock; but + when I heard you, that are such a fine great lady, speak so kindly to the + poor girl, and treat her as your sister, do what I would, my anger began + to go away. Since we have been here, I have done my utmost to get it up + again; but I find it impossible, and the more I see the difference between + us, the more I perceive that Prince Charming was right in thinking so much + of you. For you must know, madame, that he is over head and ears in love + with you. I don’t say so merely because he killed the panther for you at + the Porte-Saint-Martin; but if you knew all the tricks he played with your + bouquet, and how he will sit up all night weeping in that room where he + saw you for the first time—and then your portrait, that he has drawn + upon glass, after the fashion of his country, and so many other things—the + fact is, that I, who was fond of him, and saw all this was at first in a + great rage; but afterwards it was so touching that it brought the tears + into my eyes. Yes, madame, just as it does now, when I merely think of the + poor prince. Oh, madame!” added Rose-Pompon, her eyes swimming in tears, + and with such an expression of sincere interest, that Adrienne was much + moved by it; “oh, madame, you look so mild and good, that you will not + make this poor prince miserable. Pray love him a little bit; what can it + matter to you?” + </p> + <p> + So saying, Rose-Pompon, with a perfectly simple, though too familiar, + gesture, took hold of Adrienne’s hand, as if to enforce her request. It + had required great self-command in Mdlle. de Cardoville to repress the + rush of joy that was mounting from her heart to her lips, to check the + torrent of questions which she burned to address to Rose-Pompon, and to + restrain the sweet tears of happiness that for some seconds had trembled + in her eyes; and, strangely enough, when Rose-Pompon took her hand, + Adrienne, instead of withdrawing it, pressed the offered hand almost + affectionately, and led her towards the window, as if to examine her sweet + face more attentively. + </p> + <p> + On entering the room, the grisette had thrown her bonnet and shawl down + upon the bed, so that Adrienne could admire the thick and silky masses of + light hair that crowned the fresh face of the charming girl, with its + firm, rosy cheeks, its mouth as red as a cherry, and its large blue + laughing eyes; and, thanks to the somewhat scanty dress of Rose-Pompon, + Adrienne could fully appreciate the various graces of her nymph-like + figure. Strange as it may appear, Adrienne was delighted at finding the + girl still prettier than she had at first imagined. The stoical + indifference of Djalma to so attractive a creature was the best proof of + the sincerity of the passion by which he was actuated. + </p> + <p> + Having taken the hand of Adrienne, Rose-Pompon was herself confused and + surprised at the kindness with which Mdlle. de Cardoville permitted this + familiarity. Emboldened by this indulgence, and by the silence of + Adrienne, who for some moments had been contemplating her with almost + grateful benevolence, the grisette resumed: “Oh, you will not refuse, + madame? You will take pity on this poor prince?” + </p> + <p> + We cannot tell how Adrienne would have answered this indiscreet question + of Rose-Pompon, for suddenly a loud, wild, shrill, piercing sound, + evidently intended to imitate the crowing of a cock, was heard close to + the door of the room. + </p> + <p> + Adrienne started in alarm; but the countenance of Rose Pompon, just now so + sad, brightened up joyously at this signal, and, clapping her hands she + exclaimed, “It is Philemon!” + </p> + <p> + “What—who?” said Adrienne, hastily. + </p> + <p> + “My lover; oh, the monster! he must have come upstairs on tiptoe, to take + me by surprise with his crowing. Just like him!” + </p> + <p> + A second cock-a-doodle-doo, still louder than the first, was heard close + to the door. “What a stupid, droll creature it is! Always the same joke, + and yet it always amuses me,” said Rose-Pompon. + </p> + <p> + And drying her tears with the back of her hand, she began to laugh like + one bewitched at Philemon’s jest, which, though well known to her, always + seemed new and agreeable. + </p> + <p> + “Do not open the door,” whispered Adrienne, much embarrassed; “do not + answer, I beg of you.” + </p> + <p> + “Though the door is bolted, the key is on the outside; Philemon can see + that there is some one at home.” + </p> + <p> + “No matter—do not let him in.” + </p> + <p> + “But, madame, he lives here; the room belongs to him.” + </p> + <p> + In fact, Philemon, probably growing tired of the little effect produced by + his two ornithological imitations, turned the key in the lock, and finding + himself unable to open the door, said in a deep bass voice: “What, dearest + puss, have you shut yourself in? Are you praying Saint Flambard for the + return of Philly?” (short for Philemon.) + </p> + <p> + Adrienne, not coshing to increase, by prolonging it, the awkwardness of + this ridiculous situation, went straight to the door and opened it, to the + great surprise of Philemon, who recoiled two or three steps. + Notwithstanding the annoyance of this incident, Mdlle. de Cardoville could + not help smiling at sight of Rose-Pompon’s lover, and of the articles he + carried in his hand or under his arm. + </p> + <p> + Philemon was a tall fellow, with dark hair and a very fresh color, and, + being just arrived from a journey, he wore a white cap; his thick, black + beard flowed down on his sky-blue waistcoat; and a short olive-colored + velvet shooting-coat, with extravagantly large plaid trousers, completed + his costume. As for the accessories which had provoked a smile from + Adrienne, they consisted: first, of a portmanteau tucked under his arm, + with the head and neck of a goose protruding from it; secondly, of a cage + held in his hand, with an enormous white rabbit all alive within it. + </p> + <p> + “Oh! the darling white rabbit! what pretty red eyes!” Such, it must be + confessed, was the first exclamation of Rose-Pompon, though Philemon, to + whom it was not addressed, had returned after a long absence; but the + student far from being shocked at seeing himself thus sacrificed to his + long-earned companion, smiled complacently, rejoicing at the success of + his attempt to please his mistress. + </p> + <p> + All this passed very rapidly. While Rose-Pompon, kneeling before the cage, + was still occupied with her admiration of the rabbit, Philemon, struck + with the lofty air of Mdlle. de Cardoville, raised his hand to his cap, + and bowed respectfully as he made way for her to pass. Adrienne returned + his salutation with politeness, full of grace and dignity, and, lightly + descending the stairs, soon disappeared. Dazzled by her beauty, as well as + impressed with her noble and lofty bearing, and curious to know how in the + world Rose-Pompon had fallen in with such an acquaintance, Philemon said + to her, in his amorous jargon: “Dearest puss! tell her Philly who is that + fine lady?” + </p> + <p> + “One of my school-fellows, you great satyr!” said Rose-Pompon, still + playing with the rabbit. + </p> + <p> + Then, glancing at a box, which Philemon deposited close to the cage and + the portmanteau, she added: “I’ll wager anything you have brought me some + more preserves!” + </p> + <p> + “Philly has brought something better to his dear puss,” said the student, + imprinting two vigorous kisses on the rosy cheeks of Rose-Pompon, who had + at length, consented to stand up; “Philly has brought her his heart.” + </p> + <p> + “Fudge!” said the grisette, delicately placing the thumb of her left hand + on the tip of her nose, and opening the fingers, which she slightly moved + to and fro. Philemon answered this provocation by putting his arm around + her waist; and then the happy pair shut their door. + </p> + <p> + <a name="link2HCH0142" id="link2HCH0142"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXXVII. SOOTHING WORDS. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">D</span>uring the interview of Adrienne with Rose-Pompon a touching scene took + place between Agricola and Mother Bunch, who had been much surprised at + Mdlle. de Cardoville’s condescension with regard to the grisette. + Immediately after the departure of Adrienne, Agricola had knelt down + beside Mother Bunch, and said to her, with profound emotion: “We are + alone, and I can at length tell you what weighs upon my heart. This act is + too cruel—to die of misery and despair, and not to send to me for + assistance.” + </p> + <p> + “Listen to me, Agricola—” + </p> + <p> + “No, there is no excuse for this. What! we called each other by the names + of brother and sister, and for fifteen years gave every proof of sincere + affection—and, when the day of misfortune comes, you quit life + without caring for those you must leave behind—without considering + that to kill yourself is to tell them they are indifferent to you!” + </p> + <p> + “Forgive me, Agricola! it is true. I had never thought of that,” said the + workgirl, casting down her eyes; “but poverty—want of work—” + </p> + <p> + “Misery! want of work! and was I not here?” + </p> + <p> + “And despair!” + </p> + <p> + “But why despair? This generous young lady had received you in her house; + she knew your worth, and treated you as her friend—and just at the + moment when you had every chance of happiness, you leave the house + abruptly, and we remain in the most horrible anxiety on your account.” + </p> + <p> + “I feared—to be—to be a burden to my benefactress,” stammered + she. + </p> + <p> + “You a burden to Mdlle. de Cardoville, that is so rich and good!” + </p> + <p> + “I feared to be indiscreet,” said the sewing-girl, more and more + embarrassed. + </p> + <p> + Instead of answering his adopted sister, Agricola remained silent, and + contemplated her for some moments with an undefinable expression; then he + exclaimed suddenly, as if replying to a question put by himself: “She will + forgive me for disobeying her.—I am sure of it.” + </p> + <p> + He next turned towards Mother Bunch, who was looking at him in + astonishment, and said to her in a voice of emotion: “I am too frank to + keep up this deception. I am reproaching you—blaming you—and + my thoughts are quite different.” + </p> + <p> + “How so, Agricola?” + </p> + <p> + “My heart aches, when I think of the evil I have done you.” + </p> + <p> + “I do not understand you, my friend; you have never done me any evil.” + </p> + <p> + “What! never? even in little things? when, for instance, yielding to a + detestable habit, I, who loved and respected you as my sister, insulted + you a hundred times a day?” + </p> + <p> + “Insulted me!” + </p> + <p> + “Yes—when I gave you an odious and ridiculous nickname, instead of + calling you properly.” + </p> + <p> + At these words, Mother Bunch looked at the smith in the utmost alarm, + trembling lest he had discovered her painful secret, notwithstanding the + assurance she had received from Mdlle. de Cardoville. Yet she calmed + herself a little when she reflected, that Agricola might of himself have + thought of the humiliation inflicted on her by calling her Mother Bunch, + and she answered him with a forced smile. “Can you be grieved at so small + a thing? It was a habit, Agricola, from childhood. When did your good and + affectionate mother, who nevertheless loved me as her daughter, ever call + me anything else?” + </p> + <p> + “And did my mother consult you about my marriage, speak to you of the rare + beauty of my bride, beg you to come and see her, and study her character, + in the hope that the instinct of your affection for me would warn you—if + I made a bad choice? Did my mother have this cruelty?—No; it was I, + who thus pierced your heart!” + </p> + <p> + The fears of the hearer were again aroused; there could be but little + doubt that Agricola knew her secret. She felt herself sinking with + confusion; yet, making a last effort not to believe the discovery, she + murmured in a feeble voice: “True, Agricola! It was not your mother, but + yourself, who made me that request—and I was grateful to you for + such a mark of confidence.” + </p> + <p> + “Grateful, my poor girl!” cried the smith, whilst his eyes filled with + tears; “no, it is not true. I pained you fearfully—I was merciless—heaven + knows, without being aware of it!” + </p> + <p> + “But,” said the other, in a voice now almost unintelligible, “what makes + you think so?” + </p> + <p> + “Your love for me!” cried the smith, trembling with emotion, as he clasped + Mother Bunch in a brotherly embrace. + </p> +<div class="fig"> + <img src="images/30197m.jpg" alt="30197m" /><br /> + </div> + <h5> + <a href="images/30197.jpg"><i>Original</i></a> + </h5> + <p> + “Oh heaven!” murmured the unfortunate creature, as she covered her face + with her hands, “he knows all.” + </p> + <p> + “Yes, I know all,” resumed Agricola, with an expression of ineffable + tenderness and respect: “yes, I know all, and I will not have you blush + for a sentiment, which honors me, and of which I feel so justly proud. + Yes, I know all; and I say to myself with joy and pride, that the best, + the most noble heart in the world is mine—will be mine always. Come, + Magdalen; let us leave shame to evil passions. Raise your eyes, and look + at me! You know, if my countenance was ever false—if it ever + reflected a feigned emotion. Then look and tell me, if you cannot read in + my features, how proud I am, Magdalen, how justly proud of your love!” + </p> + <p> + Overwhelmed with grief and confusion, Mother Bunch had not dared to look + on Agricola; but his words expressed so deep a conviction, the tones of + his voice revealed so tender an emotion, that the poor creature felt her + shame gradually diminish, particularly when Agricola added, with rising + animation: “Be satisfied, my sweet, my noble Magdalen; I will be worthy of + this love. Believe me, it shall yet cause you as much happiness as it has + occasioned tears. Why should this love be a motive for estrangement, + confusion, fear? For what is love, in the sense in which it is held by + your generous heart? Is it not a continual exchange of devotion, + tenderness, esteem, of mutual and blind confidence?—Why, Magdalen! + we may have all this for one another—devotion, tenderness, + confidence—even more than in times past; for, on a thousand + occasions, your secret inspired you with fear and suspicion—while, + for the future, on the contrary, you will see me take such delight in the + place I fill in your good and valiant heart, that you will be happy in the + happiness you bestow. What I have just said may seem very selfish and + conceited; so much the worse! I do not know how to lie.” + </p> + <p> + The longer the smith spoke, the less troubled became Mother Bunch. What + she had above all feared in the discovery of her secret was to see it + received with raillery, contempt, or humiliating compassion; far from + this, joy and happiness were distinctly visible on the manly and honest + face of Agricola. The hunchback knew him incapable of deception; therefore + she exclaimed, this time without shame or confusion, but rather with a + sort of pride. + </p> +<div class="fig"> + <img src="images/30205m.jpg" alt="30205m" /><br /> + </div> + <h5> + <a href="images/30205.jpg"><i>Original</i></a> + </h5> + <p> + “Every sincere and pure passion is so far good and con soling as to end by + deserving interest and sympathy, when it has triumphed over its first + excess! It is alike honorable to the heart which feels and that which + inspires it!—Thanks to you, Agricola—thanks to the kind words, + which have raised me in my own esteem—I feel that, instead of + blushing, I ought to be proud of this love. My benefactress is right—you + are right: why should I be ashamed of it? Is it not a true and sacred + love? To be near you, to love you, to tell you so, to prove it by constant + devotion, what did I ever desire more? And yet shame and fear, joined with + that dizziness of the brain which extreme misery produces, drove me to + suicide!—But then some allowance must be made for the suspicions of + a poor creature, who has been the subject of ridicule from her cradle. So + my secret was to die with me, unless some unforeseen accident should + reveal it to you; and, in that case, you are right—sure of myself, + sure of you, I ought to have feared nothing. But I may claim some + indulgence; mistrust, cruel mistrust of one’s self makes one doubt others + also. Let us forget all that. Agricola, my generous brother, I will say to + you, as you said to me just now, ‘Look at me; you know my countenance + cannot lie. Look at me: see if I shun your gaze; see if, ever in my life, + I looked so happy’—and yet, even now, I was about to die!” + </p> + <p> + She spoke the truth. Agricola himself could not have hoped so prompt an + effect from his words. In spite of the deep traces which misery, grief, + and sickness had imprinted on the girl’s features, they now shone with + radiant happiness and serenity, whilst her blue eyes, gentle and pure as + her soul, were fixed, without embarrassment, on those of Agricola. + </p> + <p> + “Oh! thanks, thanks!” cried the smith, in a rapture of delight: “when I + see you so calm, and so happy, Magdalen, I am indeed grateful.” + </p> + <p> + “Yes, I am calm, I am happy,” replied she; “and happy I shall be, for I + can now tell you my most secret thoughts. Yes, happy; for this day, which + began so fatally, ends like a divine dream. Far from being afraid, I now + look at you with hope and joy. I have again found my generous + benefactress, and I am tranquil as to the fate of my poor sister. Oh! + shall we not soon see her? I should like her to take part in this + happiness.” + </p> + <p> + She seemed so happy, that the smith did not dare to inform her of the + death of Cephyse, and reserved himself to communicate the same at a more + fitting opportunity. Therefore he answered: “Cephyse, being the stronger, + has been the more shaken; it will not be prudent, I am told, to see her + to-day.” + </p> + <p> + “I will wait then. I can repress my impatience, I have so much to say to + you.” + </p> + <p> + “Dear, gentle Magdalen!” + </p> + <p> + “Oh, my friend!” cried the girl, interrupting Agricola, with tears of joy: + “I cannot tell you what I feel, when I hear you call me Magdalen. It is so + sweet, so soothing, that my heart expands with delight.” + </p> + <p> + “Poor girl! how dreadfully she must have suffered!” cried the smith, with + inexpressible emotion, “when she displays so much happiness, so much + gratitude, at being called by her own poor name!” + </p> + <p> + “But consider, my friend; that word in your mouth contains a new life for + me. If you only knew what hopes, what pleasures I can now see gleaming in + the future! If you knew all the cherished longings of my tenderness! Your + wife, the charming Angela, with her angel face and angel-soul—oh! in + my turn, I can say to, you, ‘Look at me, and see how sweet that name is to + my lips and heart!’ Yes, your charming, your good Angela will call me + Magdalen—and your children, Agricola, your children!—dear + little creatures!—to them also I shall be Magdalen—their good + Magdalen—and the love I shall bear them will make them mine, as well + as their mother’s—and I shall have my part in every maternal care—and + they will belong to us three; will they not, Agricola?—Oh! let me, + let me weep! These tears without bitterness do me so much good; they are + tears that need not be concealed. Thank heaven! thank you, my friend! + those other tears are I trust dried forever.” + </p> + <p> + For some seconds, this affecting scene had been overlooked by an invisible + witness. The smith and Mother Bunch had not perceived Mdlle. de Cardoville + standing on the threshold of the door. As Mother Bunch had said, this day, + which dawned with all under such fatal auspices, had become for all a day + of ineffable felicity. Adrienne, too, was full of joy, for Djalma had been + faithful to her, Djalma loved her with passion. The odious appearances, of + which she had been the dupe and victim, evidently formed part of a new + plot of Rodin, and it only remained for Mdlle. de Cardoville to discover + the end of these machinations. + </p> + <p> + Another joy was reserved for her. The happy are quick in detecting + happiness in others, and Adrienne guessed, by the hunchback’s last words, + that there was no longer any secret between the smith and the sempstress. + She could not therefore help exclaiming, as she entered: “Oh! this will be + the brightest day of my life, for I shall not be happy alone!” + </p> + <p> + Agricola and Mother Bunch turned round hastily. “Lady,” said the smith, + “in spite of the promise I made you, I could not conceal from Magdalen + that I knew she loved me!” + </p> + <p> + “Now that I no longer blush for this love before Agricola, why should I + blush for it before you, lady, that told me to be proud of it, because it + is noble and pure?” said Mother Bunch, to whom her happiness gave strength + enough to rise, and to lean upon Agricola’s arm. + </p> + <p> + “It is well, my friend,” said Adrienne, as she threw her arms round her to + support her; “only one word, to excuse the indiscretion with which you + will perhaps reproach me. If I told your secret to M. Agricola—” + </p> + <p> + “Do you know why it was, Magdalen?” cried the smith, interrupting + Adrienne. “It was only another proof of the lady’s delicate generosity. ‘I + long hesitate to confide to you this secret,’ said she to me this morning, + ‘but I have at length made up my mind to it. We shall probably find your + adopted sister; you have been to her the best of brothers: but many times, + without knowing it, you have wounded her feelings cruelly—and now + that you know her secret, I trust in your kind heart to keep it + faithfully, and so spare the poor child a thousand pangs—pangs the + more bitter, because they come from you, and are suffered in silence. + Hence, when you speak to her of your wife, your domestic happiness, take + care not to gall that noble and tender heart.’—Yes, Magdalen, these + were the reasons that led the lady to commit what she called an + indiscretion.” + </p> + <p> + “I want words to thank you now and ever,” said Mother Bunch. + </p> + <p> + “See, my friend,” replied Adrienne, “how often the designs of the wicked + turn against themselves. They feared your devotion to me, and therefore + employed that unhappy Florine to steal your journal—” + </p> + <p> + “So as to drive me from your house with shame, lady, When I supposed my + most secret thoughts an object of ridicule to all. There can be no doubt + such was their plan,” said Mother Bunch. + </p> + <p> + “None, my child. Well! this horrible wickedness, which nearly caused your + death, now turns to the confusion of the criminals. Their plot is + discovered—and, luckily, many other of their designs,” said + Adrienne, as she thought of Rose-Pompon. + </p> + <p> + Then she resumed, with heartfelt joy: “At last, we are again united, + happier than ever, and in our very happiness we shall find new resources + to combat our enemies. I say our enemies—for all that love me are + odious to these wretches. But courage, the hour is come, and the good + people will have their turn.” + </p> + <p> + “Thank heaven, lady,” said the smith; “or my part, I shall not be wanting + in zeal. What delight to strip them of their mask!” + </p> + <p> + “Let me remind you, M. Baudoin, that you have an appointment for to morrow + with M. Hardy.” + </p> + <p> + “I have not forgotten it, lady, any more than the generous offers I am to + convey to him.” + </p> + <p> + “That is nothing. He belongs to my family. Tell him (what indeed I shall + write to him this evening), that the funds necessary to reopen his factory + are at his disposal; I do not say so for his sake only, but for that of a + hundred families reduced to want. Beg him to quit immediately the fatal + abode to which they have taken him: for a thousand reasons he should be on + his guard against all that surround him.” + </p> + <p> + “Be satisfied, lady. The letter he wrote to me in reply to the one I got + secretly delivered to him, was short, affectionate, sad—but he + grants me the interview I had asked for, and I am sure I shall be able to + persuade him to leave that melancholy dwelling, and perhaps to depart with + me, he has always had so much confidence in my attachment.” + </p> + <p> + “Well, M. Baudoin, courage!” said Adrienne, as she threw her cloak over + the workgirl’s shoulders, and wrapped her round with care. “Let us be + gone, for it is late. As soon as we get home, I will give you a letter for + M. Hardy, and to-morrow you will come and tell me the result of your + visit. No, not to-morrow,” she added, blushing slightly. “Write to me + to-morrow, and the day after, about twelve, come to me.” + </p> + <p> + Some minutes later, the young sempstress, supported by Agricola and + Adrienne, had descended the stairs of that gloomy house, and, being placed + in the carriage by the side of Mdlle. de Cardoville, she earnestly + entreated to be allowed to see Cephyse; it was in vain that Agricola + assured her it was impossible, and that she should see her the next day. + Thanks to the information derived from Rose-Pompon, Mdlle. de Cardoville + was reasonably suspicious of all those who surrounded Djalma, and she + therefore took measures, that, very evening, to have a letter delivered to + the prince by what she considered a sure hand. + </p> + <p> + <a name="link2HCH0143" id="link2HCH0143"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXXVIII. THE TWO CARRIAGES. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">I</span>t is the evening of the day on which Mdlle. de Cardoville prevented the + sewing-girl’s suicide. It strikes eleven; the night is dark; the wind + blows with violence, and drives along great black clouds, which completely + hide the pale lustre of the moon. A hackney-coach, drawn by two + broken-winded horses, ascends slowly and with difficulty the slope of the + Rue Blanche, which is pretty steep near the barrier, in the part where is + situated the house occupied by Djalma. + </p> + <p> + The coach stops. The coachman, cursing the length of an interminable drive + “within the circuit,” leading at last to this difficult ascent, turns + round on his box, leans over towards the front window of the vehicle, and + says in a gruff tone to the person he is driving: “Come! are we almost + there? From the Rue de Vaugirard to the Barriere Blanche, is a pretty good + stretch, I think, without reckoning that the night is so dark, that one + can hardly see two steps before one—and the street-lamps not lighted + because of the moon, which doesn’t shine, after all!” + </p> + <p> + “Look out for a little door with a portico-drive on about twenty yards + beyond—and then stop close to the wall,” answered a squeaking voice, + impatiently, and with an Italian accent. + </p> + <p> + “Here is a beggarly Dutchman, that will make me as savage as a bear?” + muttered the angry Jehu to himself. Then he added: “Thousand thunders! I + tell you that I can’t see. How the devil can I find out your little door?” + </p> + <p> + “Have you no sense? Follow the wall to the right, brush against it, and + you will easily find the little door. It is next to No. 50. If you do not + find it, you must be drunk,” answered the Italian, with increased + bitterness. + </p> + <p> + The coachman only replied by swearing like a trooper, and whipping up his + jaded horses. Then, keeping close to the wall, he strained his eyes in + trying to read the numbers of the houses, by the aid of his carriage + lamps. + </p> + <p> + After some moments, the coach again stopped. “I have passed No. 50, and + here is a little door with a portico,” said the coachman. “Is that the + one?” + </p> + <p> + “Yes,” said the voice. “Now go forward some twenty yards, and then stop.” + </p> + <p> + “Well! I never—” + </p> + <p> + “Then get down from your box, and give twice three knocks at the little + door we have just passed—you understand me?—twice three + knocks.” + </p> + <p> + “Is that all you give me to drink?” cried the exasperated coachman. + </p> + <p> + “When you have taken me back to the Faubourg Saint-Germain, where I live, + you shall have something handsome, if you do but manage matters well.” + </p> + <p> + “Ha! now the Faubourg Saint-Germain! Only that little bit of distance!” + said the driver, with repressed rage. “And I who have winded my horses, + wanted to be on the boulevard by the time the play was out. Well, I’m + blowed!” Then, putting a good face on his bad luck, and consoling himself + with the thought of the promised drink-money, he resumed: “I am to give + twice three knocks at the little door?” + </p> + <p> + “Yes; three knocks first—then pause—then three other knocks. + Do you understand?” + </p> + <p> + “What next?” + </p> + <p> + “Tell the person who comes, that he is waited for, and bring him here to + the coach.” + </p> + <p> + “The devil burn you!” said the coachman to himself, as he turned round on + the box, and whipped up his horses, adding: “this crusty old Dutchman has + something to do with Free-masons, or, perhaps, smugglers, seeing we are so + near the gates. He deserves my giving him in charge, for bringing me all + the way from the Rue de Vaugirard.” + </p> + <p> + At twenty steps beyond the little door, the coach again stopped, and the + coachman descended from the box to execute the orders he had received. + Going to the little door, he knocked three times; then paused, as he had + been desired, and then knocked three times more. The clouds, which had + hitherto been so thick as entirely to conceal the disk of the moon, just + then withdrew sufficiently to afford a glimmering light, so that when the + door opened at the signal, the coachman saw a middle-sized person issue + from it, wrapped in a cloak, and wearing a colored cap. + </p> + <p> + This man carefully locked the door, and then advanced two steps into the + street. “They are waiting for you,” said the coachman; “I am to take you + along with me to the coach.” + </p> + <p> + Preceding the man with the cloak, who only answered him by a nod, he led + him to the coach-door, which he was about to open, and to let down the + step, when the voice exclaimed from the inside: “It is not necessary. The + gentleman may talk to me through the window. I will call you when it is + time to start.” + </p> + <p> + “Which means that I shall be kept here long enough to send you to all the + devils!” murmured the driver. “However, I may as well walk about, just to + stretch my legs.” + </p> + <p> + So saying, he began to walk up and down, by the side of the wall in which + was the little door. Presently he heard the distant sound of wheels, which + soon came nearer and nearer, and a carriage, rapidly ascending the slope, + stopped on the other side of the little garden-door. + </p> + <p> + “Come, I say! a private carriage!” said the coachman. “Good horses those, + to come up the Rue Blanche at a trot.” + </p> + <p> + The coachman was just making this observation, when, by favor of a + momentary gleam of light, he saw a man step from the carriage, advance + rapidly to the little door, open it, and go in, closing it after him. + </p> + <p> + “It gets thicker and thicker!” said the coachman. “One comes out, and the + other goes in.” + </p> + <p> + So saying, he walked up to the carriage. It was splendidly harnessed, and + drawn by two handsome and vigorous horses. The driver sat motionless, in + his great box-coat, with the handle of his whip resting on his right knee. + </p> + <p> + “Here’s weather to drive about in, with such tidy dukes as yours, + comrade!” said the humble hackney-coachman to this automaton, who remained + mute and impassible, without even appearing to know that he was spoken to. + </p> + <p> + “He doesn’t understand French—he’s an Englishman. One could tell + that by his horses,” said the coachman, putting this interpretation on the + silence of his brother whip. Then, perceiving a tall footman at a little + distance, dressed in a long gray livery coat, with blue collar and silver + buttons, the coachman addressed himself to him, by way of compensation, + but without much varying his phrase: “Here’s nice weather to stand about + in, comrade!” On the part of the footman, he was met with the same + imperturbable silence. + </p> + <p> + “They’re both Englishmen,” resumed the coachman, philosophically; and, + though somewhat astonished at the incident of the little door, he + recommenced his walk in the direction of his own vehicle. + </p> + <p> + While these facts were passing, the man in the cloak, and the man with the + Italian accent continued their conversation, the one still in the coach, + and the other leaning with his hand on the door. It had already lasted for + some time, and was carried on in Italian. They were evidently talking of + some absent person, as will appear from the following. + </p> + <p> + “So,” said the voice from the coach, “that is agreed to?” + </p> + <p> + “Yes, my lord,” answered the man in the cloak; “but only in case the eagle + should become a serpent.” + </p> + <p> + “And, in the contrary event, you will receive the other half of the ivory + crucifix I gave you.” + </p> + <p> + “I shall know what it means, my lord.” + </p> + <p> + “Continue to merit and preserve his confidence.” + </p> + <p> + “I will merit and preserve it, my lord, because I admire and respect this + man, who is stronger than the strongest, by craft, and courage, and will. + I have knelt before him with humility, as I would kneel before one of the + three black idols that stand between Bowanee and her worshippers; for his + religion, like mine, teaches to change life into nothingness.” + </p> + <p> + “Humph!” said the voice, in a tone of some embarrassment; “these + comparisons are useless and inaccurate. Only think of obeying him, without + explaining your obedience.” + </p> + <p> + “Let him speak, and I perform his will! I am in his hands like a corpse, + as he himself expresses it. He has seen, he sees every day, my devotion to + his interests with regard to Prince Djalma. He has only to say: ‘Kill + him! ‘and this son of a king—” + </p> + <p> + “For heaven’s salve, do not have such ideas!” cried the voice, + interrupting the man in the cloak. “Thank heaven, you will never be asked + for such proofs of your submission.” + </p> + <p> + “What I am ordered I do. Bowanee sees me.” + </p> + <p> + “I do not doubt your zeal. I know that you are a loving and intelligent + barrier, placed between the prince and many guilty interests; and it is + because I have heard of that zeal, of your skill in circumventing this + young Indian, and, above all, of the motives of your blind devotion, that + I have wished to inform you of everything. You are the fanatical + worshipper of him you serve. That is well; man should be the obedient + slave of the god he chooses for himself.” + </p> + <p> + “Yes, my lord; so long as the god remains a god.” + </p> + <p> + “We understand each other perfectly. As for your recompense, you know what + I have promised.” + </p> + <p> + “My lord, I have my reward already.” + </p> + <p> + “How so?” + </p> + <p> + “I know what I know.” + </p> + <p> + “Very well. Then as for secrecy—” + </p> + <p> + “You have securities, my lord.” + </p> + <p> + “Yes—and sufficient ones.” + </p> + <p> + “The interest of the cause I serve, my lord, would alone be enough to + secure my zeal and discretion.” + </p> + <p> + “True; you are a man of firm and ardent convictions.” + </p> + <p> + “I strive to be so, my lord.” + </p> + <p> + “And, after all, a very religious man in your way. It is very + praiseworthy, in these irreligious times, to have any views at all on such + matters—particularly when those views will just enable me to count + upon your aid.” + </p> + <p> + “You may count upon it, my lord, for the same reason that the intrepid + hunter prefers a jackal to ten foxes, a tiger to ten jackals, a lion to + ten tigers, and the welmiss to ten lions.” + </p> + <p> + “What is the welmiss?” + </p> + <p> + “It is what spirit is to matter, the blade to the scabbard, the perfume to + the flower, the head to the body.” + </p> + <p> + “I understand. There never was a more just comparison. You are a man of + sound judgment. Always recollect what you have just told me, and make + yourself more and more worthy of the confidence of—your idol.” + </p> + <p> + “Will he soon be in a state to hear me, my lord?” + </p> + <p> + “In two or three days, at most. Yesterday a providential crisis saved his + life; and he is endowed with so energetic a will, that his cure will be + very rapid.” + </p> + <p> + “Shall you see him again to-morrow, my lord?” + </p> + <p> + “Yes, before my departure, to bid him farewell.” + </p> + <p> + “Then tell him a strange circumstance, of which I have not been able to + inform him, but which happened yesterday.” + </p> + <p> + “What was it?” + </p> + <p> + “I had gone to the garden of the dead. I saw funerals everywhere, and + lighted torches, in the midst of the black night, shining upon tombs. + Bowanee smiled in her ebon sky. As I thought of that divinity of + destruction, I beheld with joy the dead-cart emptied of its coffins. The + immense pit yawned like the mouth of hell; corpses were heaped upon + corpses, and still it yawned the same. Suddenly, by the light of a torch, + I saw an old man beside me. He wept. I had seen him before. He is a Jew—the + keeper of the house in the Rue Saint-Francois—you know what I mean.” + Here the man in the cloak started. + </p> + <p> + “Yes, I know; but what is the matter? why do you stop short?” + </p> + <p> + “Because in that house there has been for a hundred and fifty years the + portrait of a man whom I once met in the centre of India, on the banks of + the Ganges.” And the man in the cloak again paused and shuddered. + </p> + <p> + “A singular resemblance, no doubt.” + </p> + <p> + “Yes, my lord, a singular resemblance—nothing more.” + </p> + <p> + “But the Jew—the old Jew?” + </p> + <p> + “I am coming to that, my lord. Still weeping, he said to a gravedigger, + ‘Well! and the coffin?’ ‘You were right,’ answered the man; ‘I found it in + the second row of the other grave. It had the figure of a cross on it, + formed by seven black nails. But how could you know the place and the + mark?’ ‘Alas! it is no matter,’ replied the old Jew, with bitter + melancholy. ‘You see that I was but too well informed on the subject. But + where is the coffin?’ ‘Behind the great tomb of black marble; I have + hidden it there. So make haste; for, in the confusion, nothing will be + noticed. You have paid me well, and I wish you to succeed in what you + require.’” + </p> + <p> + “And what did the old Jew do with the coffin marked with the seven black + nails?” + </p> + <p> + “Two men accompanied him, my lord, bearing a covered litter, with curtains + drawn round it. He lighted a lantern, and, followed by these two men, went + towards the place pointed out by the gravedigger. A stoppage, occasioned + by the dead-carts, made me lose sight of the old Jew, whom I was following + amongst the tombs. Afterwards I was unable to find him.” + </p> + <p> + “It is indeed a strange affair. What could this old Jew want with the + coffin?” + </p> + <p> + “It is said, my lord, that they use dead bodies in preparing their magic + charms.” + </p> + <p> + “Those unbelievers are capable of anything—even of holding + communication with the Enemy of mankind. However, we will look after this: + the discovery may be of importance.” + </p> + <p> + At this instant a clock struck twelve in the distance. + </p> + <p> + “Midnight! already?” + </p> + <p> + “Yes, my lord.” + </p> + <p> + “I must be gone. Good-bye—but for the last time swear to me that, + should matters so turn out, as soon as you receive the other half of the + ivory crucifix I have just given you, you will keep your promise.” + </p> + <p> + “I have sworn it by Bowanee, my lord.” + </p> + <p> + “Don’t forget that, to make all sure, the person who will deliver to you + the other half of the crucifix is to say—come, what is he to say?” + </p> + <p> + “He is to say, my lord: ‘There is many a slip ‘twixt the cup and the + lip.’” + </p> + <p> + “Very well. Adieu! secrecy and fidelity!” + </p> + <p> + “Secrecy and fidelity, my lord,” answered the man in the cloak. + </p> + <p> + Some seconds after the hackney-coach started, carrying with it Cardinal + Malipieri, one of the speakers in the above dialogue. The other, whom the + reader has no doubt recognized as Faringhea, returned to the little + garden-door of the house occupied by Djalma. At the moment he was putting + the key into the lock, the door opened, to his great astonishment, and a + man came forth. Faringhea rushed upon the unknown, seized him violently by + the collar, and exclaimed: “Who are you? whence came you?” + </p> + <p> + The stranger evidently found the tone of this question anything but + satisfactory; for, instead of answering, he struggled to disengage himself + from Faringhea’s hold, and cried out, in a loud voice: “Help! Peter!” + </p> + <p> + Instantly the carriage, which had been standing a few yards off, dashed up + at full speed, and Peter, the tall footman, seizing the half-breed by the + shoulders, flung him back several paces, and thus made a seasonable + diversion in favor of the unknown. + </p> + <p> + “Now, sir,” said the latter to Faringhea, shaking himself, and still + protected by the gigantic footman, “I am in a state to answer your + questions, though you certainly have a very rough way of receiving an old + acquaintance. I am Dupont, ex-bailiff of the estate of Cardoville, and it + was I who helped to fish you out of the water, when the ship was wrecked + in which you had embarked.” + </p> + <p> + By the light of the carriage-lamps, indeed, the half-caste recognized the + good, honest face of Dupont, formerly bailiff, and now house-steward, to + Mdlle. de Cardoville. It must not be forgotten that Dupont had been the + first to write to Mdlle. de Cardoville, to ask her to interest herself for + Djalma, who was then detained at Cardoville Castle by the injuries he had + received during the shipwreck. + </p> + <p> + “But, sir, what is your business here? Why do you introduce yourself + clandestinely into this house?” said Faringhea, in an abrupt and + suspicious tone. + </p> + <p> + “I will—just observe to you that there is nothing clandestine in the + matter. I came here in a carriage, with servants in the livery of my + excellent mistress, Mdlle. de Cardoville, charged by her, without any + disguise or mystery, to deliver a letter to Prince Djalma, her cousin,” + replied Dupont, with dignity. + </p> + <p> + On these words, Faringhea trembled with mute rage, as he answered: “And + why, sir, come at this late hour, and introduce yourself by this little + door?” + </p> + <p> + “I came at this hour, my dear sir, because such was Mdlle. de Cardoville’s + command, and I entered by this little gate because there is every reason + to believe that if I had gone around to the other I should not have been + permitted to see the prince.” + </p> + <p> + “You are mistaken, sir,” replied the half-caste. + </p> + <p> + “It is possible: but as we knew that the prince usually passed a good + portion of the night in the little saloon, which communicates with the + greenhouse, and as Mdlle. de Cardoville had kept a duplicate key of this + door, I was pretty certain, by taking this course, to be able to deliver + into the prince’s own hands the letter from Mdlle. de Cardoville, his + cousin, which I have now had the honor of doing, my dear sir; and I have + been deeply touched by the kindness with which the prince deigned to + receive me and to remember our last interview.” + </p> + <p> + “And who kept you so well informed, sir, of the prince’s habits?” said + Faringhea, unable to control his vexation. + </p> + <p> + “If I have been well informed as to his habits, my dear sir, I have had no + such correct knowledge of yours,” answered Dupont, with a mocking air; + “for I assure you that I had no more notion of seeing you than you had of + seeing me.” + </p> + <p> + So saying, M. Dupont bowed with something like mock politeness to the + half-caste, and got into the carriage, which drove off rapidly, leaving + Faringhea in a state of the utmost surprise and anger. + </p> + <p> + <a name="link2HCH0144" id="link2HCH0144"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XXXIX. THE APPOINTMENT. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>he morning after—Dupont’s mission to Prince Djalma, the latter was + walking with hasty and impatient step up and down the little saloon, which + communicated, as we already know, with the greenhouse from which Adrienne + had entered when she first appeared to him. In remembrance of that day, he + had chosen to dress himself as on the occasion in question; he wore the + same tunic of white cashmere, with a cherry-colored turban, to match with + his girdle; his gaiters, of scarlet velvet, embroidered with silver, + displayed the fine form of his leg, and terminated in small white morocco + slippers, with red heels. Happiness has so instantaneous, and, as it were, + material an influence upon young, lively, and ardent natures, that Djalma, + dejected and despairing only the day before, was no longer like the same + person. The pale, transparent gold of his complexion was no longer + tarnished by a livid hue. His large eyes, of late obscured like black + diamonds by a humid vapor, now shone with mild radiance in the centre of + their pearly setting; his lips, long pale, had recovered their natural + color, which was rich and soft as the fine purple flowers of his country. + </p> + <p> + Ever and anon, pausing in his hasty walk, he stopped suddenly, and drew + from his bosom a little piece of paper, carefully folded, which he pressed + to his lips with enthusiastic ardor. Then, unable to restrain the + expression of his full happiness, he uttered a full and sonorous cry of + joy, and with a bound he was in front of the plate-glass which separated + the saloon from the conservatory, in which he had first seen Mdlle. de + Cardoville. By a singular power of remembrance, or marvellous + hallucination of a mind possessed by a fixed idea, Djalma had often seen, + or fancied he saw, the adored semblance of Adrienne appear to him through + this sheet of crystal. The illusion had been so complete, that, with his + eyes ardently fixed on the vision he invoked, he had been able, with the + aid of a pencil dipped in carmine, to trace with astonishing exactness, + the profile of the ideal countenance which the delirium of his imagination + had presented to his view.(42) It was before these delicate lines of + bright carmine that Djalma now stood in deep contemplation, after perusing + and reperusing, and raising twenty times to his lips, the letter he had + received the night before from the hands of Dupont. Djalma was not alone. + Faringhea watched all the movements of the prince, with a subtle, + attentive, and gloomy aspect. Standing respectfully in a corner of the + saloon, the half-caste appeared to be occupied in unfolding and spreading + out Djalma’s sash, light, silky Indian web, the brown ground of which was + almost entirely concealed by the exquisite gold and silver embroidery with + which it was overlaid. + </p> + <p> + The countenance of the half-caste wore a dark and gloomy expression. He + could not deceive himself. The letter from Mdlle. de Cardoville, delivered + by Dupont to Djalma, must have been the cause of the delight he now + experienced, for, without doubt, he knew himself beloved. In that event, + his obstinate silence towards Faringhea, ever since the latter had entered + the saloon, greatly alarmed the half-caste, who could not tell what + interpretation to put upon it. The night before, after parting with + Dupont, he had hastened, in a state of anxiety easily understood, to look + for the prince, in the hope of ascertaining the effect produced by Mdlle. + de Cardoville’s letter. But he found the parlor door closed, and when he + knocked, he received no answer from within. Then, though the night was far + advanced, he had dispatched a note to Rodin, in which he informed him of + Dupont’s visit and its probable intention. Djalma had indeed passed the + night in a tumult of happiness and hope, and a fever of impatience quite + impossible to describe. Repairing to his bed-chamber only towards the + morning, he had taken a few moments of repose, and had then dressed + himself without assistance. + </p> + <p> + Many times, but in vain, the half-caste had discreetly knocked at the door + of Djalma’s apartment. It was only in the early part of the afternoon that + the prince had rung the bell to order his carriage to be ready by + half-past two. Faringhea having presented himself, the prince had given + him the order without looking at him, as he might have done to any other + of his servants. Was this suspicion, aversion, or mere absence of mind on + the part of Djalma? Such were the questions which the half caste put to + himself with growing anguish; for the designs of which he was the most + active and immediate instrument might all be ruined by the least suspicion + in the prince. + </p> + <p> + “Oh! the hours—the hours—how slow they are!” cried the young + Indian, suddenly, in a low and trembling voice. + </p> + <p> + “The day before yesterday, my lord, you said the hours were very long,” + observed Faringhea, as he drew near Djalma in order to attract his + attention. Seeing that he did not succeed in this he advanced a few steps + nearer, and resumed: “Your joy seems very great, my lord; tell the cause + of it to your poor and faithful servant, that he also may rejoice with + you.” + </p> +<div class="fig"> + <img src="images/30215m.jpg" alt="30215m" /><br /> + </div> + <h5> + <a href="images/30215.jpg"><i>Original</i></a> + </h5> + <p> + If he heard the words, Djalma did not pay any attention to them. He made + no answer, and his large black eyes gazed upon vacancy. He seemed to smile + admiringly upon some enchanting vision, and he folded his two hands upon + his bosom, in the attitude which his countrymen assume at the hour of + prayer. After some instants of contemplation, he said: “What o’clock is + it?”—but he asked this question of himself, rather than of any third + person. + </p> + <p> + “It will soon be two o’clock, my lord,” said Faringhea. + </p> + <p> + Having heard this answer, Djalma seated himself, and hid his face in his + hands, as if completely absorbed in some ineffable meditation. Urged on by + his growing anxiety, and wishing at any cost to attract the attention of + Djalma, Faringhea approached still nearer to him, and, almost certain of + the effect of the words he was about to utter, said to him in a slow and + emphatic voice: “My lord, I am sure that you owe the happiness which now + transports you to Mdlle. de Cardoville.” + </p> + <p> + Hardly had this name been pronounced, than Djalma started from his chair, + looked the half-breed full in the face, and exclaimed, as if only just + aware of his presence, “Faringhea! you here!—what is the matter?” + </p> + <p> + “Your faithful servant shares in your joy, my lord.” + </p> + <p> + “What joy?” + </p> + <p> + “That which the letter of Mdlle. de Cardoville has occasioned, my lord.” + </p> + <p> + Djalma returned no answer, but his eye shone with so much serene + happiness, that the half-caste recovered from his apprehensions. No cloud + of doubt or suspicion obscured the radiant features of the prince. After a + few moments of silence, Djalma fixed upon the half-caste a look + half-veiled with a tear of joy, and said to him, with the expression of + one whose heart overflows with love and happiness: “Oh! such delight is + good—great—like heaven!—for it is heaven which—” + </p> + <p> + “You deserve this happiness, my lord, after so many sufferings.” + </p> + <p> + “What sufferings?—Oh! yes. I formerly suffered at Java; but that was + years ago.” + </p> + <p> + “My lord, this great good fortune does not astonish me. What have I always + told you? Do not despair; feign a violent passion for some other woman, + and then this proud young lady—” + </p> + <p> + At these words Djalma looked at the half-caste with so piercing a glance, + that the latter stopped short; but the prince said to him with + affectionate goodness, “Go on! I listen.” + </p> + <p> + Then, leaning his chin upon his hand, and his elbow on his knee, he gazed + so intently on Faringhea, and yet with such unutterable mildness, that + even that iron soul was touched for a moment with a slight feeling of + remorse. + </p> + <p> + “I was saying, my lord,” he resumed, “that by following the counsels of + your faithful slave, who persuaded you to feign a passionate love for + another woman, you have brought the proud Mdlle. de Cardoville to come to + you. Did I not tell you it would be so?” + </p> + <p> + “Yes, you did tell me so,” answered Djalma, still maintaining the same + position, and examining the half-caste with the same fixed and mild + attention. + </p> + <p> + The surprise of Faringhea increased; generally, the prince, without + treating him with the least harshness, preserved the somewhat distant and + imperious manners of their common country, and he had never before spoken + to him with such extreme mildness. Knowing all the evil he had done the + prince, and suspicious as the wicked must ever be, the half-caste thought + for a moment, that his master’s apparent kindness might conceal a snare. + He continued, therefore, with less assurance, “Believe me, my lord, this + day, if you do but know how to profit by your advantages, will console you + for all your troubles, which have indeed been great—for only + yesterday, though you were generous enough to forget it, only yesterday + you suffered cruelly—but you were not alone in your sufferings. This + proud young lady suffered also!” + </p> + <p> + “Do you think so?” said Djalma. + </p> + <p> + “Oh! it is quite sure, my lord. What must she not have felt, when she saw + you at the theatre with another woman!—If she loved you only a + little, she must have been deeply wounded in her self-esteem; if she loved + you with passion, she must have been struck to the heart. At length, you + see, wearied out with suffering, she has come to you.” + </p> + <p> + “So that, any way, she must have suffered—and that does not move + your pity?” said Djalma, in a constrained, but still very mild voice. + </p> + <p> + “Before thinking of others, my lord, I think of your distresses; and they + touch me too nearly to leave me any pity for other woes,” added Faringhea + hypocritically, so greatly had the influence of Rodin already modified the + character of the Phansegar. + </p> + <p> + “It is strange!” said Djalma, speaking to himself, as he viewed the half + caste with a glance still kind but piercing. + </p> + <p> + “What is strange, my lord?” + </p> + <p> + “Nothing. But tell me, since your advice has hitherto prospered so well, + what think you of the future?” + </p> + <p> + “Of the future, my lord?” + </p> + <p> + “Yes; in an hour I shall be with Mdlle. de Cardoville.” + </p> + <p> + “That is a serious matter, my lord. The whole future will depend upon this + interview.” + </p> + <p> + “That is what I was just thinking.” + </p> + <p> + “Believe me, my lord, women never love any so well, as the bold man who + spares them the embarrassment of a refusal.” + </p> + <p> + “Explain more fully.” + </p> + <p> + “Well, my lord, they despise the timid and languishing lover, who asks + humbly for what he might take by force.” + </p> + <p> + “But to-day I shall meet Mdlle. de Cardoville for the first time.” + </p> + <p> + “You have met her a thousand times in your dreams, my lord; and depend + upon it, she has seen you also in her dreams, since she loves you. Every + one of your amorous thoughts has found an echo in her heart. All your + ardent adorations have been responded to by her. Love has not two + languages, and, without meeting, you have said all that you had to say to + each other. Now, it is for you to act as her master, and she will be yours + entirely.” + </p> + <p> + “It is strange—very strange!” said Djalma, a second time, without + removing his eyes from Faringhea’s face. + </p> + <p> + Mistaking the sense which the prince attached to these words, the half + caste resumed: “Believe me, my lord, however strange it may appear, this + is the wisest course. Remember the past. Was it by playing the part of a + timid lover that you have brought to your feet this proud young lady, my + lord? No, it was by pretending to despise her, in favor of another woman. + Therefore, let us have no weakness. The lion does not woo like the poor + turtle-dove. What cares the sultan of the desert for a few plaintive howls + from the lioness, who is more pleased than angry at his rude and wild + caresses? Soon submissive, fearful and happy, she follows in the track of + her master. Believe me, my lord—try everything—dare everything—and + to-day you will become the adored sultan of this young lady, whose beauty + all Paris admires.” + </p> + <p> + After some minutes’ silence, Djalma, shaking his head with an expression + of tender pity, said to the half-caste, in his mild, sonorous voice: “Why + betray me thus? Why advise me thus wickedly to use violence, terror, and + surprise, towards an angel of purity, whom I respect as my mother? Is it + not enough for you to have been so long devoted to my enemies, whose + hatred has followed me from Java?” + </p> + <p> + Had Djalma sprung upon the half-caste with bloodshot eye, menacing brow, + and lifted poniard, the latter would have been less surprised, and perhaps + less frightened, than when he heard the prince speak of his treachery in + this tone of mild reproach. + </p> + <p> + He drew back hastily, as if about to stand on his guard. But Djalma + resumed, with the same gentleness, “Fear nothing. Yesterday I should have + killed you! But to-day happy love renders me too just, too merciful for + that. I pity you, without any feeling of bitterness—for you must + have been very unhappy, or you could not have become so wicked.” + </p> + <p> + “My lord!” said the half-caste, with growing amazement. + </p> + <p> + “Yes, you must have suffered much, and met with little mercy, poor + creature, to have become so merciless, in your hate, and proof against the + sight of a happiness like mine. When I listened to you just now, and saw + the sad perseverance of your hatred, I felt the deepest commiseration for + you.” + </p> + <p> + “I do not know, my lord—but—” stammered the half-caste, and + was unable to find words to proceed. + </p> + <p> + “Come, now—what harm have I ever done you?” + </p> + <p> + “None, my lord,” answered Faringhea. + </p> + <p> + “Then why do you hate me thus? why pursue me with so much animosity? Was + it not enough to give me the perfidious counsel to feign a shameful love + for the young girl that was brought hither, and who quitted the house + disgusted at the miserable part she was to play?” + </p> + <p> + “Your feigned love for that young girl, my lord,” replied Faringhea, + gradually recovering his presence of mind, “conquered the coldness of—” + </p> + <p> + “Do not say that,” resumed the prince, interrupting him with the same + mildness. “If I enjoy this happiness, which makes me compassionate towards + you, and raises me above myself, it is because Mdlle de Cardoville now + knows that I have never for a moment ceased to love her as she ought to be + loved, with adoration and reverence. It was your intention to have parted + us forever, and you had nearly succeeded.” + </p> + <p> + “If you think this of me, my lord, you must look upon me as your most + mortal enemy.” + </p> + <p> + “Fear nothing, I tell you. I have no right to blame you. In the madness of + my grief, I listened to you and followed your advice. I was not only your + dupe, but your accomplice. Only confess that, when you saw me at your + mercy, dejected, crushed, despairing, it was cruel in you to advise the + course that might have been most fatal to me.” + </p> + <p> + “The ardor of my zeal may have deceived me, my lord.” + </p> + <p> + “I am willing to believe it. And yet again to-day there were the same evil + counsels. You had no more pity for my happiness than for my sorrow. The + rapture of my heart inspires you with only one desire—that of + changing this rapture into despair.” + </p> + <p> + “I, my lord!” + </p> + <p> + “Yes, you. It was your intention to ruin me—to dishonor me forever + in the eyes of Mdlle. de Cardoville. Now, tell me—why this furious + hate? what have I done to you?” + </p> + <p> + “You misjudge me, my lord—and—” + </p> + <p> + “Listen to me. I do not wish you to be any longer wicked and treacherous. + I wish to make you good. In our country, they charm serpents, and tame the + wildest tigers. You are a man, with a mind to reason, a heart to love, and + I will tame you too by gentleness. This day has bestowed on me divine + happiness; you shall have good cause to bless this day. What can I do for + you? what would you have—gold? You shall have it. Do you desire more + than gold? Do you desire a friend, to console you for the sorrows that + made you wicked, and to teach you to be good? Though a king’s son, I will + be that friend—in spite of the evil—ay, because of the evil + you have done me. Yes; I will be your sincere friend, and it shall be my + delight to say to myself: ‘The day on which I learned that my angel loved + me, my happiness was great indeed—for, in the morning, I had an + implacable enemy, and, ere night, his hatred was changed to friendship.’ + Believe me, Faringhea, misery makes crime, but happiness produces virtue. + Be happy!” + </p> + <p> + At this moment the clock struck two. The prince started. It was time to go + on his visit to Adrienne. The handsome countenance of Djalma, doubly + embellished by the mild, ineffable expression with which it had been + animated whilst he was talking to the half-caste, now seemed illumined + with almost divine radiance. + </p> + <p> + Approaching Faringhea, he extended his hand with the utmost, grace and + courtesy, saying to him, “Your hand!” + </p> + <p> + The half-caste, whose brow was bathed with a cold sweat, whose countenance + was pale and agitated, seemed to hesitate for an instant; then, overawed, + conquered, fascinated, he offered his trembling hand to the prince, who + pressed it, and said to him, in their country’s fashion, “You have laid + your hand honestly in a friend’s; this hand shall never be closed against + you. Faringhea, farewell! I now feel myself more worthy to kneel before my + angel.” + </p> + <p> + And Djalma went out, on his way to the appointment with Adrienne. In spite + of his ferocity, in spite of the pitiless hate he bore to the whole human + race, the dark sectary of Bowanee was staggered by the noble and clement + words of Djalma, and said to himself, with terror, “I have taken his hand. + He is now sacred for me.” + </p> + <p> + Then, after a moment’s silence, a thought occurred to him, and he + exclaimed, “Yes—but he will not be sacred for him who, according to + the answer of last night, waits for him at the door of the house.” + </p> + <p> + So saying, the half-caste hastened into the next room, which looked upon + the street, and, raising a corner of the curtain, muttered anxiously to + himself, “The carriage moves off—the man approaches. Perdition! it + is gone and I see no more.” + </p> +<div class="fig"> + <img src="images/30221m.jpg" alt="30221m" /><br /> + </div> + <h5> + <a href="images/30221.jpg"><i>Original</i></a> + </h5> + <p> + <a name="link2HCH0145" id="link2HCH0145"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XL. ANXIETY. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">B</span>y a singular coincidence of ideas, Adrienne, like Djalma, had wished to + be dressed exactly in the same costume as at their interview in the house + in the Rue Blanche. For the site of this solemn meeting, so important to + her future happiness, Adrienne had chosen, with habitual tact, the grand + drawing-room of Cardoville House, in which hung many family portraits. The + most apparent were those of her father and mother. The room was large and + lofty, and furnished, like those which preceded it, with all the imposing + splendor of the age of Louis XIV. The ceiling, painted by Lebrun, to + represent the Triumph of Apollo, displayed his bold designing and vigorous + coloring, in the centre of a wide cornice, magnificently carved and gilt, + and supported at its angles by four large gilt figures, representing the + Seasons. Huge panels, covered with crimson damask, and set in frames, + served as the background to the family portraits which adorned this + apartment. It is easier to conceive than describe the thousand conflicting + emotions which agitated the bosom of Mdlle. de Cardoville as the moment + approached for her interview with Djalma. Their meeting had been hitherto + prevented by so many painful obstacles, and Adrienne was so well aware of + the vigilant and active perfidy of her enemies, that even now she doubted + of her happiness. Every instant, in spite of herself, her eyes wandered to + the clock. A few minutes more, and the hour of the appointment would + strike. It struck at last. Every reverberation was echoed from the depth + of Adrienne’s heart. She considered that Djalma’s modest reserve had, + doubtless, prevented his coming before the moment fixed by herself. Far + from blaming this discretion, she fully appreciated it. But, from that + moment, at the least noise in the adjoining apartments, she held her + breath and listened with the anxiety of expectation. + </p> + <p> + For the first few minutes which followed the hour at which she expected + Djalma, Mdlle. de Cardoville felt no serious apprehension, and calmed her + impatience by the notion (which appears childish enough to those who have + never known the feverish agitation of waiting for a happy meeting), that + perhaps the clocks in the Rue Blanche might vary a little from those in + the Rue d’Anjou. But when this supposed variation, conceivable enough in + itself, could no longer explain a delay of a quarter of an hour, of twenty + minutes, of more, Adrienne felt her anxiety gradually increase. Two or + three times the young girl rose, with palpitating heart, and went on + tip-toe to listen at the door of the saloon. She heard nothing. The clock + struck half-past three. + </p> + <p> + Unable to suppress her growing terror, and clinging to a last hope, + Adrienne returned towards the fireplace and rang the bell. After which she + endeavored to compose her features, so as to betray no outward sign of + emotion. In a few seconds, a gray-haired footman, dressed in black, opened + the door, and waited in respectful silence for the orders of his mistress. + The latter said to him, in a calm voice, “Andrew, request Hebe to give you + the smelling bottle that I left on the chimney-piece in my room, and bring + it me here.” Andrew bowed; but just as he was about to withdraw to execute + Adrienne’s orders, which was only a pretext to enable her to ask a + question without appearing to attach much importance to it in her + servant’s eyes, already informed of the expected visit of the prince, + Mdlle. de Cardoville added, with an air of indifference. “Pray, is that + clock right?” + </p> + <p> + Andrew drew out his watch, and replied as he cast his eyes upon it, “Yes, + mademoiselle. I set my watch by the Tuileries. It is more than half past + three.” + </p> + <p> + “Very well—thank you!” said Adrienne kindly. + </p> + <p> + Andrew again bowed; but, before going out, he said to Adrienne, “I forgot + to tell you, lady, that Marshal Simon called about an hour ago; but, as + you were only to be at home to Prince Djalma, we told him that you + received no company.” + </p> + <p> + “Very well,” said Adrienne. With another low bow, Andrew quitted the room, + and all returned to silence. + </p> + <p> + For the precise reason that, up to the last minute of the hour previous to + the time fixed for her interview with Djalma, the hopes of Adrienne had + not been disturbed by the slightest shadow of doubt, the disappointment + she now felt was the more dreadful. Casting a desponding look at one of + the portraits placed above her, she murmured, with a plaintive and + despairing accent, “Oh, mother!” + </p> + <p> + Hardly had Mdlle. de Cardoville uttered the words than the windows were + slightly shaken by a carriage rolling into the courtyard. The young lady + started, and was unable to repress a low cry of joy. Her heart bounded at + the thought of meeting Djalma, for this time she felt that he was really + come. She was quite as certain of it as if she had seen him. She resumed + her seat and brushed away a tear suspended from her long eyelashes. Her + hand trembled like a leaf. The sound of several doors opening and shutting + proved that the young lady was right in her conjecture. The gilded panels + of the drawing-room door soon turned upon their hinges, and the prince + appeared. + </p> + <p> + While a second footman ushered in Djalma, Andrew placed on a gilded table, + within reach of his mistress, a little silver salver, on which stood the + crystal smelling-bottle. Then he withdrew, and the door of the room was + closed. The prince and Mdlle. de Cardoville were left alone together. + </p> + <p> + <a name="link2HCH0146" id="link2HCH0146"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XLI. ADRIENNE AND DJALMA. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>he prince had slowly approached Mdlle. de Cardoville. Notwithstanding the + impetuosity of the Oriental’s passions, his uncertain and timid step—timid, + yet graceful—betrayed his profound emotion. He did not venture to + lift his eyes to Adrienne’s face; he had suddenly become very pale, and + his finely formed hands, folded over his bosom in the attitude of + adoration, trembled violently. With head bent down, he remained standing + at a little distance from Adrienne. This embarrassment, ridiculous in any + other person, appeared touching in this prince of twenty years of age, + endowed with an almost fabulous intrepidity, and of so heroic and generous + a character, that no traveller could speak of the son of Kadja sing + without a tribute of admiration and respect. Sweet emotion! chaste + reserve! doubly interesting if we consider that the burning passions of + this youth were all the more inflammable, because they had hitherto been + held in check. + </p> + <p> + No less embarrassed than her cousin, Adrienne de Cardoville remained + seated. Like Djalma, she cast down her eyes; but the burning blush on her + cheeks, the quick heaving of her virgin bosom, revealed an emotion that + she did not even attempt to hide. Notwithstanding the powers of her mind, + by turns gay, graceful, and witty—notwithstanding the decision of + her proud and independent character, and her complete acquaintance with + the manners of the world—Adrienne shared Djalma’s simple and + enchanting awkwardness, and partook of that kind of temporary weakness, + beneath which these two pure, ardent, and loving beings appeared sinking—as + if unable to support the boiling agitation of the senses, combined with + the intoxicating excitement of the heart. And yet their eyes had not met. + Each seemed to fear the first electric shock of the other’s glance—that + invincible attraction of two impassioned beings—that sacred fire, + which suddenly kindles the blood, and lifts two mortals from earth to + heaven; for it is to approach the Divinity to give one’s self up with + religious fervor to the most noble and irresistible sentiment that He has + implanted within us—the only sentiment that, in His adorable wisdom, + the Dispenser of all good has vouchsafed to sanctify, by endowing it with + a spark of His own creative energy. + </p> + <p> + Djalma was the first to raise his eyes. They were moist and sparkling. The + excitement of passionate love, the burning ardor of his age, so long + repressed, the intense admiration in which he held ideal beauty, were all + expressed in his look, mingled with respectful timidity, and gave to the + countenance of this youth an undefinable, irresistible character. Yes, + irresistible!—for, when Adrienne encountered his glance, she + trembled in every limb, and felt herself attracted by a magnetic power. + Already, her eyes were heavy with a kind of intoxicating languor, when, by + a great effort of will and dignity, she succeeded in overcoming this + delicious confusion, rose from her chair, and said to Djalma in a + trembling voice: “Prince, I am happy to receive you here.” Then, pointing + to one of the portraits suspended above her, she added, as if introducing + him to a living person: “Prince—my mother!” + </p> + <p> + With an instinct of rare delicacy, Adrienne had thus summoned her mother + to be present at her interview with Djalma. It seemed a security for + herself and the prince, against the seductions of a first interview—which + was likely to be all the more perilous, that they both knew themselves + madly loved that they both were free, and had only to answer to Providence + for the treasures of happiness and enjoyment with which He had so + magnificently endowed them. The prince understood Adrienne’s thoughts; so + that, when the young lady pointed to the portrait, Djalma, by a + spontaneous movement full of grace and simplicity, knelt down before the + picture, and said to it in a gentle, but manly voice: “I will love and + revere you as my mother. And, in thought, my mother too shall be present, + and stand like you, beside your child!” + </p> + <p> + No better answer could have been given to the feeling which induced Mdlle. + de Cardoville to place herself, as it were, under the protection of her + mother. From that moment, confident in Djalma, confident in herself, the + young lady felt more at her ease, and the delicious sense of happiness + replaced those exciting emotions, which had at first so violently agitated + her. + </p> + <p> + Then, seating herself once more, she said to Djalma, as she pointed to the + opposite chair: “Pray take a seat, my dear cousin; and allow me to call + you so, for there is too much ceremony in the word prince; and do you call + me cousin also, for I find other names too grave. Having settled this + point, we can talk together like old friends.” + </p> + <p> + “Yes cousin,” answered Djalma, blushing. + </p> + <p> + “And, as frankness is proper between friends,” resumed Adrienne, “I have + first to make you a reproach,” she added, with a half-smile. + </p> + <p> + The prince had remained standing, with his arm resting on the chimney + piece, in an attitude full of grace and respect. + </p> + <p> + “Yes, cousin,” continued Adrienne, “a reproach, that you will perhaps + forgive me for making. I had expected you a little sooner.” + </p> + <p> + “Perhaps, cousin, you may blame me for having come so soon.” + </p> + <p> + “What do you mean?” + </p> + <p> + “At the moment when I left home, a man, whom I did not know, approached my + carriage, and said to me, with such an air of sincerity that I believed + him: ‘You are able to save the life of a person who has been a second + father to you. Marshal Simon is in great danger, and, to rescue him, you + must follow me on the instant—‘” + </p> + <p> + “It was a snare,” cried Adrienne, hastily. “Marshal Simon was here, + scarcely an hour ago.” + </p> + <p> + “Indeed!” exclaimed Djalma, joyfully, and as if he had been relieved from + a great weight. “Then there will be nothing to sadden this happy day!” + </p> + <p> + “But, cousin,” resumed Adrienne, “how came you not to suspect this + emissary?” + </p> + <p> + “Some words, which afterwards escaped from him, inspired me with doubts,” + answered Djalma: “but at first I followed him, fearing the marshal might + be in danger—for I know that he also has enemies.” + </p> + <p> + “Now that I reflect on it, you were quite right, cousin, for some new plot + against the marshal was probable enough; and the least doubt was enough to + induce you to go to him.” + </p> + <p> + “I did so—even though you were waiting for me.” + </p> + <p> + “It was a generous sacrifice; and my esteem for you is increased by it, if + it could be increased,” said Adrienne, with emotion. “But what became of + this man?” + </p> + <p> + “At my desire, he got into the carriage with me. Anxious about the + marshal, and in despair at seeing the time wasted, that I was to have + passed with you, cousin, I pressed him with all sorts of questions. + Several times, he replied to me with embarrassment, and then the idea + struck me that the whole might be a snare. Remembering all that they had + already attempted, to ruin me in your opinion, I immediately changed my + course. The vexation of the man who accompanied me then because so + visible, that I ought to have had no doubt upon the subject. Still, when I + thought of Marshal Simon, I felt a kind of vague remorse, which you, + cousin, have now happily set at rest.” + </p> + <p> + “Those people are implacable!” said Adrienne; “but our happiness will be + stronger than their hate.” + </p> + <p> + After a moment’s silence, she resumed, with her habitual frankness: “My + dear cousin, it is impossible for me to conceal what I have at heart. Let + us talk for a few seconds of the past, which was made so painful to us, + and then we will forget it forever, like an evil dream.” + </p> + <p> + “I will answer you sincerely, at the risk of injuring myself,” said the + prince. + </p> + <p> + “How could you make up your mind to exhibit yourself in public with—?” + </p> + <p> + “With that young girl?” interrupted Djalma. + </p> + <p> + “Yes, cousin,” replied Mdlle. de Cardoville, and she waited for Djalma’s + answer with anxious curiosity. + </p> + <p> + “A stranger to the customs of this country,” said Djalma, without any + embarrassment, for he spoke the truth, “with a mind weakened with despair, + and misled by the fatal counsels of a man devoted to my enemies, I + believed, even as I was told, that, by displaying before you the semblance + of another love, I should excite your jealousy, and thus—” + </p> + <p> + “Enough, cousin; I understand it all,” said Adrienne hastily, interrupting + Djalma in her turn, that she might spare him a painful confession. “I too + must have been blinded by despair, not to have seen through this wicked + plot, especially after your rash and intrepid action. To risk death for + the sake of my bouquet!” added Adrienne, shuddering at the mere + remembrance. “But one last question,” she resumed, “though I am already + sure of your answer. Did you receive a letter that I wrote to you, on the + morning of the day in which I saw you at the theatre?” + </p> + <p> + Djalma made no reply. A dark cloud passed over his fine countenance, and, + for a second, his features assumed so menacing an expression, that + Adrienne was terrified at the effect produced by her words. But this + violent agitation soon passed away, and Djalma’s brow became once more + calm and serene. + </p> + <p> + “I have been more merciful that I thought,” said the prince to Adrienne, + who looked at him with astonishment. “I wished to come hither worthy of + you, my cousin. I pardoned the man who, to serve my enemies, had given me + all those fatal counsels. The same person, I am sure, must have + intercepted your letter. Just now, at the memory of the evils he thus + caused me, I, for a moment, regretted my clemency. But then, again, I + thought of your letter of yesterday—and my anger is all gone.” + </p> + <p> + “Then the sad time of fear and suspicion is over—suspicion, that + made me doubt of your sentiments, and you of mine. Oh, yes! far removed + from us be that fatal past!” cried Adrienne de Cardoville, with deep joy.. + </p> +<div class="fig"> + <img src="images/30229m.jpg" alt="30229m" /><br /> + </div> + <h5> + <a href="images/30229.jpg"><i>Original</i></a> + </h5> + <p> + Then, as if she had relieved her heart from the last thought of sadness, + she continued: “The future is all your own—the radiant future, + without cloud or obstacle, pure in the immensity of its horizon, and + extending beyond the reach of sight!” + </p> + <p> + It is impossible to describe the tone of enthusiastic hope which + accompanied these words. But suddenly Adrienne’s features assumed an + expression of touching melancholy, and she added, in a voice of profound + emotion: “And yet—at this hour—so many unfortunate creatures + suffer pain!” + </p> + <p> + This simple touch of pity for the misfortunes of others, at the moment + when the noble maiden herself attained to the highest point of happiness, + had such an effect on Djalma, that involuntarily he fell on his knees + before Adrienne, clasped his hands together, and turned towards her his + fine countenance, with an almost daring expression. Then, hiding his face + in his hands, he bowed his head without speaking a single word. There was + a moment of deep silence. Adrienne was the first to break it, as she saw a + tear steal through the slender fingers of the prince. + </p> + <p> + “My friend! what is the matter?” she exclaimed, as with a movement rapid + as thought, she stooped forward, and taking hold of Djalma’s hands, drew + them from before his face. That face was bathed in tears. + </p> + <p> + “You weep!” cried Mdlle. de Cardoville, so much agitated that she kept the + hands of Djalma in her own; and, unable to dry his tears, the young Hindoo + allowed them to flow like so many drops of crystal over the pale gold of + his cheeks. + </p> + <p> + “There is not in this wide world a happiness like to mine!” said the + prince, in his soft, melodious voice, and with a kind of exhaustion: + “therefore do I feel great sadness, and so it should be. You give me + heaven—and were I to give you the whole earth, it would be but a + poor return. Alas! what can man do for a divinity, but humbly bless and + adore? He can never hope to return the gifts bestowed: and this makes him + suffer—not in his pride—but in his heart!” + </p> + <p> + Djalma did not exaggerate. He said what he really felt: and the rather + hyperbolical form, familiar to Oriental nations, could alone express his + thought. The tone of his regret was so sincere, his humility so gentle and + full of simplicity, that Adrienne, also moved to tears, answered him with + an effusion of serious tenderness, “My friend, we are both at the supreme + point of happiness. Our future felicity appears to have no limits, and + yet, though derived from different sources, sad reflections have come to + both of us. It is, you see, that there are some sorts of happiness, which + make you dizzy with their own immensity. For a moment, the heart, the + mind, the soul, are incapable of containing so much bliss; it overflows + and drowns us. Thus the flowers sometimes hang their heads, oppressed by + the too ardent rays of the sun, which is yet their love and life. Oh, my + friend! this sadness may be great, but it also sweet!” + </p> + <p> + As she uttered these words, the voice of Adrienne grew fainter and + fainter, and her head bowed lower, as if she were indeed sinking beneath + the weight of her happiness. Djalma had remained kneeling before her, his + hands in hers—so that as she thus bent forward, her ivory forehead + and golden hair touched the amber-colored brow and ebon curls of Djalma. + And the sweet, silent tears of the two young lovers flowed together, and + mingled as they fell on their clasped hands. + </p> + <p> + Whilst this scene was passing in Cardoville House, Agricola had gone to + the Rue de Vaugirard, to deliver a letter from Adrienne to M. Hardy. + </p> + <p> + <a name="link2HCH0147" id="link2HCH0147"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XLII. “THE IMITATION.” + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span>s we have already said, M. Hardy occupied a pavilion in the “Retreat” + annexed to the house in the Rue de Vaugirard, inhabited by a goodly number + of the reverend fathers of the Company of Jesus. Nothing could be calmer + and more silent than this dwelling. Every one spoke in whispers, and the + servants themselves had something oily in their words, something + sanctified in their very walk. + </p> + <p> + Like all that is subject to the chilling and destructive influences of + these men, this mournfully quiet house was entirely wanting in life and + animation. The boarders passed an existence of wearisome and icy monotony, + only broken by the use of certain devotional exercises; and thus, in + accordance with the selfish calculation of the reverend fathers, the mind, + deprived of all nourishment and all external support, soon began to droop + and pine away in solitude. The heart seemed to beat more slowly, the soul + was benumbed, the character weakened; at last, all freewill, all power of + discrimination, was extinguished, and the boarders, submitting to the same + process of self-annihilation as the novices of the Company, became, like + them, mere “corpses” in the hands of the brotherhood. + </p> + <p> + The object of these manoeuvres was clear and simple. They secured the + means of obtaining all kinds of donations, the constant aim of the + skillful policy and merciless cupidity of these priests. By the aid of + enormous sums, of which they thus become the possessors or the trustees, + they follow out and obtain the success of their projects, even though + murder, incendiarism, revolt, and all the horrors of civil war, excited by + and through them, should drench in blood the lands over which they seek to + extend their dark dominion. + </p> + <p> + Such, then, was the asylum of peace and innocence in which Francois Hardy + had taken refuge. He occupied the ground-floor of a summer-house, which + opened upon a portion of the garden. His apartments had been judiciously + chosen, for we know with what profound and diabolical craft the reverend + fathers avail themselves of material influences, to make a deep impression + upon the minds they are moulding to their purpose. Imagine a prospect + bounded by a high wall, of a blackish gray, half-covered with ivy, the + plant peculiar to ruins. A dark avenue of old yew-trees, so fit to shade + the grave with their sepulchral verdure, extended from this wall to a + little semicircle, in front of the apartment generally occupied by M. + Hardy. Two or three mounds of earth, bordered with box, symmetrically cut, + completed the charms of this garden, which in every respect resembled a + cemetery. + </p> + <p> + It was about two o’clock in the afternoon. Though the April sun shone + brightly, its rays, intercepted by the high wall of which we have spoken, + could not penetrate into that portion of the garden, obscure, damp, and + cold as a cavern, which communicated with M. Hardy’s apartment. The room + was furnished with a perfect sense of the comfortable. A soft carpet + covered the floor; thick curtains of dark green baize, the same color as + the walls, sheltered an excellent bed, and hung in folds about the glass + door, which opened on the garden. Some pieces of mahogany furniture, + plain, but very clean and bright, stood round the room. Above the + secretary, placed just in front of the bed, was a large ivory crucifix, + upon a black velvet ground. The chimney-piece was adorned with a clock, in + an ebony case, with ivory ornaments representing all sorts of gloomy + emblems, such as hour-glasses, scythes, death’s-heads, etc. Now imagine + this scene in twilight, with its solitary and mournful silence, only + broken at the hour of prayer by the lugubrious sound of the bells of the + neighboring chapel, and you will recognize the infernal skill, with which + these dangerous priests know how to turn to account every external object, + when they wish to influence the mind of those they are anxious to gain + over. + </p> + <p> + And this was not all. After appealing to the senses, it was necessary to + address themselves to the intellect—and this was the method adopted + by the reverend fathers. A single book—but one—was left, as if + by chance, within reach. This book was Thomas a Kempis’ “Imitation.” But + as it might happen that M. Hardy would not have the courage or the desire + to read this book, thoughts and reflections borrowed from its merciless + pages, and written in very large characters, were suspended in black + frames close to the bed, or at other parts within sight, so that, + involuntarily, in the sad leisure of his inactive dejection, the dweller’s + eyes were almost necessarily attracted by them. To that fatal circle of + despairing thoughts they confined the already weakened mind of this + unfortunate man, so long a prey to the most acute sorrow. What he read + mechanically, every instant of the day and night, whenever the blessed + sleep fled from his eyes inflamed with tears, was not enough merely to + plunge the soul of the victim into incurable despair, but also to reduce + him to the corpse-like obedience required by the Society of Jesus. In that + awful book may be found a thousand terrors to operate on weak minds, a + thousand slavish maxims to chain and degrade the pusillanimous soul. + </p> + <p> + And now imagine M. Hardy carried wounded into this house; while his heart, + torn by bitter grief and the sense of horrible treachery, bled even faster + than his external injuries. Attended with the utmost care, and thanks to + the acknowledged skill of Dr. Baleinier, M. Hardy soon recovered from the + hurts he had received when he threw himself into the embers of his burning + factory. Yet, in order to favor the projects of the reverend fathers, a + drug, harmless enough in its effects, but destined to act for a time upon + the mind of the patient, and often employed for that purpose in similar + important cases by the pious doctor, was administered to Hardy, and had + kept him pretty long in a state of mental torpor. To a soul agonized by + cruel deceptions, it appears an inestimable benefit to be plunged into + that kind of torpor, which at least prevents one from dwelling upon the + past. + </p> + <p> + Hardy resigned himself entirely to this profound apathy, and at length + came to regard it as the supreme good. Thus do unfortunate wretches, + tortured by cruel diseases, accept with gratitude the opiate which kills + them slowly, but which at least deadens the sense of pain. + </p> + <p> + In sketching the portrait of M. Hardy, we tried to give some idea of the + exquisite delicacy of his tender soul, of his painful susceptibility with + regard to anything base or wicked, and of his extreme goodness, + uprightness, and generosity. We now allude to these admirable qualities, + because we must observe, that with him, as with almost all who possess + them, they were not, and could not be, united with an energetic and + resolute character. Admirably persevering in good deeds, the influence of + this excellent man, was insinuating rather than commanding; it was not by + the bold energy and somewhat overbearing will, peculiar to other men of + great and noble heart, that Hardy had realized the prodigy of his Common + Dwelling-house; it was by affectionate persuasion, for with him mildness + took the place of force. At sight of any baseness or injustice, he did not + rouse himself, furious and threatening; but he suffered intense pain. He + did not boldly attack the criminal, but he turned away from him in pity + and sorrow. And then his loving heart, so full of feminine delicacy, had + an irresistible longing for the blessed contact of dear affections; they + alone could keep it alive. Even as a poor, frail bird dies with the cold, + when it can no longer lie close to its brethren, and receive and + communicate the sweet warmth of the maternal nest. And now this sensitive + organization, this extremely susceptible nature, receives blow after blow + from sorrows and deceptions, one of which would suffice to shake, if it + did not conquer, the firmest and most resolute character. Hardy’s best + friend has infamously betrayed him. His adored mistress has abandoned him. + </p> + <p> + The house which he had founded for the benefit of his workmen, whom he + loved as brethren, is reduced to a heap of ashes. What then happens? All + the springs of his soul are at once broken. Too feeble to resist such + frightful attacks, too fatally deceived to seek refuge in other + affections, too much discouraged to think of laying the first stone of any + new edifice—this poor heart, isolated from every salutary influence, + finds oblivion of the world and of itself in a kind of gloomy torpor. And + if some remaining instincts of life and affection, at long intervals, + endeavored to rouse themselves within him, and if, half-opening his mind’s + eye, which he had kept closed against the present, the past, and the + future, Hardy looks around him—what does he see? Only these + sentences, so full of terrible despair: + </p> + <p> + “Thou art nothing but dust and ashes. Grief and tears art thy portion. + Believe not in any son of man. There are no such things as friendship or + ties of kindred. All human affections are false. Die in the morning, and + thou wilt be forgotten before night. Be humble—despise thyself—and + let others despise thee. Think not, reason not, live not—but commit + thy fate to the hands of a superior, who will think and reason for thee. + Weep, suffer, think upon death. Yes, death! always death—that should + be thy thought when thou thinkest—but it is better not to think at + all. Let a feeling of ceaseless woe prepare thy way to heaven. It is only + by sorrow that we are welcome to the terrible God whom we adore!” + </p> + <p> + Such were the consolations offered to this unfortunate man. Affrighted, he + again closed his eyes, and fell back into his lethargy. As for leaving + this gloomy retreat, he could not, or rather he did not desire to do so. + He had lost the power of will; and then, it must be confessed, he had + finished by getting accustomed to this house, and liked it well—they + paid him such discreet attentions, and yet left him so much alone with his + grief—there reigned all around such a death-like silence, which + harmonized closely with the silence of his heart; and that was now the + tomb of his last love, last friendship, last hope. All energy was dead + within him! Then began that slow, but inevitable transformation, so + judiciously foreseen by Rodin, who directed the whole of this machination, + even in its smallest details. At first alarmed by the dreadful maxims + which surrounded him, M. Hardy had at length accustomed himself to read + them over almost mechanically, just as the captive, in his mournful hours + of leisure, counts the nails in the door of his prison, or the bars of the + grated window. This was already a great point gained by the reverend + fathers. + </p> + <p> + And soon his weakened mind was struck with the apparent correctness of + these false and melancholy aphorisms. + </p> + <p> + Thus he read: “Do not count upon the affection of any human creature”—and + he had himself been shamefully betrayed. + </p> + <p> + “Man is born to sorrow and despair”—and he was himself despairing. + </p> + <p> + “There is no rest save in the cessation of thought”—and the slumber + of his mind had brought some relief to his pain. + </p> + <p> + Peepholes, skillfully concealed by the hangings and in the wainscoting of + these apartments, enabled the reverend fathers at all times to see and + hear the boarders, and above all to observe their countenance and manner, + when they believed themselves to be alone. Every exclamation of grief + which escaped Hardy in his gloomy solitude, was repeated to Father + d’Aigrigny by a mysterious listener. The reverend father, following + scrupulously Rodin’s instructions, had at first visited his boarder very + rarely. We have said, that when Father d’Aigrigny wished it, he could + display an almost irresistible power of charming, and accordingly he threw + all his tact and skill into the interviews he had with Hardy, when he came + from time to time to inquire after his health. Informed of everything by + his spies, and aided by his natural sagacity, he soon saw all the use that + might be made of the physical and moral prostration of the boarder. + Certain beforehand that Hardy would not take the hint, he spoke to him + frequently of the gloom of the house, advising him affectionately to leave + it, if he felt oppressed by its monotony, or at all events to seek beyond + its walls for some pleasure and amusement. To speak of pleasure and + amusement to this unfortunate man, was in his present state to insure a + refusal, and so it of course happened. Father d’Aigrigny did not at first + try to gain the recluse’s confidence, nor did he speak to him of sorrow; + but every time he came, he appeared to take such a tender interest in him, + and showed it by a few simple and well timed words. By degrees, these + interviews, at first so rare, became more frequent and longer. Endowed + with a flow of honeyed, insinuating, and persuasive eloquence, Father + d’Aigrigny naturally took for his theme those gloomy maxims, to which + Hardy’s attention was now so often directed. + </p> +<div class="fig"> + <img src="images/30237m.jpg" alt="30237m" /><br /> + </div> + <h5> + <a href="images/30237.jpg"><i>Original</i></a> + </h5> + <p> + Supple, prudent, skillful, knowing that the hermit had hitherto professed + that generous natural religion which teaches the grateful adoration of + God, the love of humanity, the worship of what is just and good, and + which, disdaining dogmas, professes the same veneration for Marcus + Aurelius as for Confucius, for Plato as for Christ, for Moses as for + Lycurgus—Father d’Aigrigny did not at first attempt to convert him, + but began by incessantly reminding him of the abominable deceptions + practised upon him; and, instead of describing such treachery as an + exception in life—instead of trying to calm, encourage, and revive + his drooping soul—instead of exhorting Hardy to seek oblivion and + consolation in the discharge of his duties toward humanity, towards his + brethren, whom he had previously loved and succored—Father + d’Aigrigny strove to inflame the bleeding wounds of the unfortunate man, + painted the human race in the most atrocious blackness, and, by declaring + all men treacherous, ungrateful, wicked, succeeded in rendering his + despair incurable. Having attained this object, the Jesuit took another + step. Knowing Hardy’s admirable goodness of heart, and profiting by the + weakened state of his mind, he spoke to him of the consolation to be + derived by a man overwhelmed with sorrow, from the belief that every one + of his tears, instead of being unfruitful, was in fact agreeable to God, + and might aid in the salvation of souls—the belief, as the reverend + father adroitly added, that by faith alone can sorrow be made useful to + humanity, and acceptable to Divinity. + </p> + <p> + Whatever impiety, whatever atrocious Machiavelism there was in these + detestable maxims, which make of a loving-kind Deity a being delighted + with the tears of his creatures, was thus skillfully concealed from + Hardy’s eyes, whose generous instincts were still alive. Soon did this + loving and tender soul, whom unworthy priests were driving to a sort of + moral suicide, find a mournful charm in the fiction, that his sorrows + would at least be profitable to other men. It was at first only a fiction; + but the enfeebled mind which takes pleasure in such a fable, finishes by + receiving it as a reality, and by degrees will submit to the consequences. + Such was Hardy’s moral and physical state, when, by means of a servant who + had been bought over, he received from Agricola Baudoin a letter + requesting an interview. Alone, the workman could not have broken the band + of the Jesuit’s pleadings, but he was accompanied by Gabriel, whose + eloquence and reasonings were of a most convincing nature to a spirit like + Hardy’s. + </p> + <p> + It is unnecessary to point out to the reader, with what dignified reserve + Gabriel had confined himself to the most generous means of rescuing Hardy + from the deadly influence of the reverend fathers. It was repugnant to the + great soul of the young missionary, to stoop to a revelation of the odious + plots of these priests. He would only have taken this extreme course, had + his powerful and sympathetic words have failed to have any effect on + Hardy’s blindness. About a quarter of an hour had elapsed since Gabriel’s + departure, when the servant appointed to wait on this boarder of the + reverend fathers entered and delivered to him a letter. + </p> + <p> + “From whom is this?” asked Hardy. + </p> + <p> + “From a boarder in the house, sir,” answered the servant bowing. + </p> + <p> + This man had a crafty hypocritical face; he wore his hair combed over his + forehead, spoke in a low voice, and always cast clown his eyes. Waiting + the answer, he joined his hands, and began to twiddle his thumbs. Hardy + opened the letter, and read as follows: + </p> + <p> + “SIR,—I have only just heard, by mere chance, that you also inhabit + this respectable house: a long illness, and the retirement in which I + live, will explain my ignorance of your being so near. Though we have only + met once, sir, the circumstance which led to that meeting was of so + serious a nature, that I cannot think you have forgotten it.” + </p> + <p> + Hardy stopped, and tasked his memory for an explanation, and not finding + anything to put him on the right track, he continued to read: + </p> + <p> + “This circumstance excited in me a feeling of such deep and respectful + sympathy for you, sir, that I cannot resist my anxious desire to wait upon + you, particularly as I learn, that you intend leaving this house to day—a + piece of information I have just derived from the excellent and worthy + Abbe Gabriel, one of the men I most love, esteem, and reverence. May I + venture to hope, sir, that just at the moment of quitting our common + retreat to return to the world, you will deign to receive favorably the + request, however intrusive, of a poor old man, whose life will henceforth + be passed in solitude, and who cannot therefore have any prospect of + meeting you, in that vortex of society which he has abandoned forever. + Waiting the honor of your answer, I beg you to accept, sir, the assurance + of the sentiments of high esteem with which I remain, sir, with the + deepest respect, + </p> + <p> + “Your very humble and most obedient servant, + </p> + <p> + “RODIN.” + </p> + <p> + After reading this letter and the signature of the writer, Hardy remained + for some time in deep thought, without being able to recollect the name of + Rodin, or to what serious circumstances he alluded. + </p> + <p> + After a silence of some duration, he said to the servant “M. Rodin gave + you this letter?” + </p> + <p> + “Yes, sir.” + </p> + <p> + “And who is M. Rodin?” + </p> + <p> + “A good old gentleman, who is just recovering from a long illness, that + almost carried him off. Lately, he has been getting better, but he is + still so weak and melancholy, that it makes one sad to see him. It is a + great pity, for there is not a better and more worthy gentleman in the + house—unless it be you, sir,” added the servant, bowing with an air + of flattering respect. + </p> + <p> + “M. Rodin;” said Hardy, thoughtfully. “It is singular, that I should not + remember the name nor any circumstance connected with it.” + </p> + <p> + “If you will give me your answer, sir,” resumed the servant, “I will take + it to M. Rodin. He is now with Father d’Aigrigny, to whom he is bidding + farewell.” + </p> + <p> + “Farewell?” + </p> + <p> + “Yes, sir, the post-horses have just come.” + </p> + <p> + “Post-horses for whom?” asked Hardy. + </p> + <p> + “For Father d’Aigrigny, sir.” + </p> + <p> + “He is going on a journey then!” said Hardy, with some surprise. + </p> + <p> + “Oh! he will not, I think be long absent,” said the servant, with a + confidential air, “for the reverend father takes no one with him, and but + very light luggage. No doubt, the reverend father will come to say + farewell to you, sir, before he starts. But what answer shall I give M. + Rodin?” + </p> + <p> + The letter, just received, was couched in such polite terms—it spoke + of Gabriel with so much respect—that Hardy, urged moreover by a + natural curiosity, and seeing no motive to refuse this interview before + quitting the house, said to the servant: “Please tell M. Rodin, that if he + will give himself the trouble to come to me, I shall be glad to see him.” + </p> + <p> + “I will let him know immediately, sir,” answered the servant, bowing as he + left the room. + </p> + <p> + When alone, Hardy, while wondering who this M. Rodin could be, began to + make some slight preparations for his departure. For nothing in the world + would he have passed another night in this house; and, in order to keep up + his courage, he recalled every instant the mild, evangelical language of + Gabriel, just as the superstitious recite certain litanies, with a view of + escaping from temptation. + </p> + <p> + The servant soon returned, and said: “M. Rodin is here, sir.” + </p> + <p> + “Beg him to walk in.” + </p> + <p> + Rodin entered, clad in his long black dressing-gown, and with his old silk + cap in his hand. The servant then withdrew. The day was just closing. + Hardy rose to meet Rodin, whose features he did not at first distinguish. + But as the reverend father approached the window, Hardy looked narrowly at + him for an instant, and then uttered an exclamation, wrung from him by + surprise and painful remembrance. But, recovering himself from this first + movement, Hardy said to the Jesuit, in an agitated voice: “You here, sir? + Oh, you are right! It was indeed a very serious circumstance that first + brought us together.” + </p> + <p> + “Oh, my dear sir!” said Rodin, in a kindly and unctuous tone; “I was sure + you would not have forgotten me.” + </p> +<div class="fig"> + <img src="images/30245m.jpg" alt="30245m" /><br /> + </div> + <h5> + <a href="images/30245.jpg"><i>Original</i></a> + </h5> + <p> + <a name="link2HCH0148" id="link2HCH0148"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XLIII. PRAYER. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">I</span>t will doubtless be remembered that Rodin had gone (although a stranger + to Hardy) to visit him at his factory, and inform him of De Blessac’s + shameful treachery—a dreadful blow, which had only preceded by a few + moments a second no less horrible misfortune; for it was in the presence + of Rodin that Hardy had learned the unexpected departure of the woman he + adored. Painful to him must have been the sudden appearance of Rodin. Yes, + thanks to the salutary influence of Gabriel’s counsels, he recovered + himself by degrees, and the contraction of his features being succeeded by + a melancholy calm, he said to Rodin: “I did not indeed expect to meet you, + sir, in this house.” + </p> + <p> + “Alas, sir!” answered Rodin, with a sigh, “I did not expect to come + hither, probably to end my days beneath this roof, when I went, without + being acquainted with you, but only as one honest man should serve + another, to unveil to you a great infamy.” + </p> + <p> + “Indeed, sir, you then rendered me a true service; perhaps, in that + painful moment, I did not fully express my gratitude; for, at the same + moment in which you revealed to me the treachery of M. de Blessac—” + </p> + <p> + “You were overwhelmed by another piece of painful intelligence,” said + Rodin, interrupting M. Hardy; “I shall never forget the sudden arrival of + that poor woman, who, pale and affrighted, and without considering my + presence, came to inform you that a person who was exceedingly dear to you + had quitted Paris abruptly.” + </p> + <p> + “Yes, sir; and, without stopping to thank you, I set out immediately,” + answered Hardy, with a mournful air. + </p> + <p> + “Do you know, sir,” said Rodin, after a moment’s silence, “that there are + sometimes very strange coincidences?” + </p> + <p> + “To what do you allude, sir?” + </p> + <p> + “While I went to inform you that you were betrayed in so infamous a manner—I + was myself—” + </p> + <p> + Rodin paused, as if unable to control his deep emotion, and his + countenance wore the expression of such overpowering grief that Hardy said + to him, with interest: “What ails you, sir?” + </p> + <p> + “Forgive me,” replied Rodin, with a bitter smile. “Thanks to the ghostly + counsels of the angelic Abbe Gabriel, I have reached a sort of + resignation. Still, there are certain memories which affect me with the + most acute pain. I told you,” resumed Rodin, in a firmer voice, “or was + going to tell you, that the very day after that on which I informed you of + the treachery practised against you, I was myself the victim of a + frightful deception. An adopted son—a poor unfortunate child, whom I + had brought up—” He paused again, drew his trembling hand over his + eyes, and added: “Pardon me, sir, for speaking of matters which must be + indifferent to you. Excuse the intrusive sorrow of a poor, broken hearted + old man!” + </p> + <p> + “I have suffered too much myself, sir, to be indifferent to any kind of + sorrow,” replied Hardy. “Besides, you are no stranger to me—for you + did me a real service—and we both agree in our veneration for the + same young priest.” + </p> + <p> + “The Abbe Gabriel!” cried Rodin, interrupting Hardy; “ah, sir! he is my + deliverer, my benefactor. If you knew all his care and devotion, during my + long illness, caused by intense grief—if you knew the ineffable + sweetness of his counsels—” + </p> + <p> + “I know them, sir,” cried Hardy; “oh, yes! I know how salutary is the + influence.” + </p> + <p> + “In his mouth, sir, the precepts of religion are full of mildness,” + resumed Rodin, with excitement. “Do they not heal and console? do they not + make us love and hope, instead of fear and tremble?” + </p> + <p> + “Alas, sir! in this very house,” said Hardy, “I have been able to make the + comparison.” + </p> + <p> + “I was happy enough,” said Rodin, “to have the angelic Abbe Gabriel for my + confessor, or, rather, my confidant.” + </p> + <p> + “Yes,” replied Hardy, “for he prefers confidence to confession.” + </p> + <p> + “How well you know him!” said Rodin, in a tone of the utmost simplicity. + Then he resumed: “He is not a man but an angel. His words would convert + the most hardened sinner. Without being exactly impious, I had myself + lived in the profession of what is called Natural Religion; but the + angelic Abbe Gabriel has, by degrees, fixed my wavering belief, given it + body and soul, and, in fact, endowed me with faith.” + </p> + <p> + “Yes! he is a truly Christian priest—a priest of love and pardon!” + cried Hardy. + </p> + <p> + “What you say is perfectly true,” replied Rodin; “for I came here almost + mad with grief, thinking only of the unhappy boy who had repaid my + paternal goodness with the most monstrous ingratitude, and sometimes I + yielded to violent bursts of despair, and sometimes sank into a state of + mournful dejection, cold as the grave itself. But, suddenly, the Abbe + Gabriel appeared—and the darkness fled before the dawning of a new + day.” + </p> +<div class="fig"> + <img src="images/30253m.jpg" alt="30253m" /><br /> + </div> + <h5> + <a href="images/30253.jpg"><i>Original</i></a> + </h5> + <p> + “You were right, sir; there are strange coincidences,” said Hardy, + yielding more and more to the feeling of confidence and sympathy, produced + by the resemblance of his real position to Rodin’s pretended one. “And to + speak frankly,” he added, “I am very glad I have seen you before quitting + this house. Were I capable of falling back into fits of cowardly weakness, + your example alone would prevent me. Since I listen to you, I feel myself + stronger in the noble path which the angelic Abbe Gabriel has opened + before me, as you so well express it.” + </p> + <p> + “The poor old man will not then regret having listened to the first + impulse of his heart, which urged him to come to you,” said Robin, with a + touching expression. “You will sometimes remember me in that world to + which you are returning?” + </p> + <p> + “Be sure of it, sir; but allow me to ask one question: You remain, you + say, in this house?” + </p> + <p> + “What would you have me do? There reigns here a calm repose, and one is + not disturbed in one’s prayers,” said Rodin, in a very gentle tone. “You + see, I have suffered so much—the conduct of that unhappy youth was + so horrible—he plunged into such shocking excesses—that the + wrath of heaven must be kindled against him. Now I am very old, and it is + only by passing the few days that are left me in fervent prayer that I can + hope to disarm the just anger of the Lord. Oh! prayer—prayer! It was + the Abbe Gabriel who revealed to me all its power and sweetness—and + therewith the formidable duties it imposes.” + </p> + <p> + “Its duties are indeed great and sacred,” answered Hardy, with a pensive + air. + </p> + <p> + “Do you remember the life of Rancey?” said Rodin, abruptly, as he darted a + peculiar glance at Hardy. + </p> + <p> + “The founder of La Trappe?” said Hardy, surprised at Rodin’s question. “I + remember hearing a very vague account, some time ago, of the motives of + his conversion.” + </p> + <p> + “There is, mark you, no more striking an example of the power of prayer, + and of the state of almost divine ecstasy, to which it may lead a + religious soul. In a few words, I will relate to you this instructive and + tragic history. Rancey—but I beg your pardon; I fear I am + trespassing on your time.” + </p> +<div class="fig"> + <img src="images/30261m.jpg" alt="30261m" /><br /> + </div> + <h5> + <a href="images/30261.jpg"><i>Original</i></a> + </h5> + <p> + “No, no,” answered Hardy, hastily; “You cannot think how interested I am + in what you tell me. My interview with the Abbe Gabriel was abruptly + broken off, and in listening to you I fancy that I hear the further + development of his views. Go on, I conjure you. + </p> + <p> + “With all my heart. I only wish that the instruction which, thanks to our + angelic priest, I derived from the story of Rancey might be as profitable + to you as it was to me.” + </p> + <p> + “This, then, also came from the Abbe Gabriel?” + </p> + <p> + “He related to me this kind of parable in support of his exhortations,” + replied Rodin. “Oh, sir! do I not owe to the consoling words of that young + priest all that has strengthened and revived my poor old broken heart?” + </p> + <p> + “Then I shall listen to you with a double interest.” + </p> + <p> + “Rancey was a man of the world,” resumed Rodin, as he looked attentively + at Hardy; “a gentleman—young, ardent, handsome. He loved a young + lady of high rank. I cannot tell what impediments stood in the way of + their union. But this love, though successful, was kept secret, and every + evening Rancey visited his mistress by means of a private staircase. It + was, they say, one of those passionate loves which men feel but once in + their lives. The mystery, even the sacrifice made by the unfortunate girl, + who forgot every duty, seemed to give new charms to this guilty passion. + In the silence and darkness of secrecy, these two lovers passed two years + of voluptuous delirium, which amounted almost to ecstasy.” + </p> + <p> + At these words Hardy started. For the first time of late his brow was + suffused with a deep blush; his heart throbbed violently; he remembered + that he too had once known the ardent intoxication of a guilty and hidden + love. Though the day was closing rapidly, Rodin cast a sidelong glance at + Hardy, and perceived the impression he had made. “Some times,” he + continued, “thinking of the dangers to which his mistress was exposed, if + their connection should be discovered, Rancey wished to sever these + delicious ties; but the girl, beside herself with passion, threw herself + on the neck of her lover, and threatened him, in the language of intense + excitement, to reveal and to brave all, if he thought of leaving her. Too + weak and loving to resist the prayers of his mistress, Rancey again and + again yielded, and they both gave themselves up to a torrent of delight, + which carried them along, forgetful of earth and heaven!” + </p> + <p> + M. Hardy listened to Rodin with feverish and devouring avidity. The + Jesuit, in painting, with these almost sensual colors, an ardent and + secret love, revived in Hardy burning memories, which till now had been + drowned in tears. To the beneficent calm produced by the mild language of + Gabriel had succeeded a painful agitation, which, mingled with the + reaction of the shocks received that day, began to throw his mind into a + strange state of confusion. + </p> +<div class="fig"> + <img src="images/30285m.jpg" alt="30285m" /><br /> + </div> + <h5> + <a href="images/30285.jpg"><i>Original</i></a> + </h5> + <p> + Rodin, having so far succeeded in his object, continued as follows: “A + fatal day came at last. Rancey, obliged to go to the wars, quitted the + girl; but, after a short campaign, he returned, more in love than ever. He + had written privately, to say he would arrive almost immediately after his + letter. He came accordingly. It was night. He ascended, as usual, the + private staircase which led to the chamber of his mistress; he entered the + room, his heart beating with love and hope. His mistress had died that + morning!” + </p> + <p> + “Ah!” cried Hardy, covering his face with his hands, in terror. + </p> + <p> + “She was dead,” resumed Rodin. “Two wax-candles were burning beside the + funeral couch. Rancey could not, would not believe that she was dead. He + threw himself on his knees by the corpse. In his delirium, he seized that + fair, beloved head, to cover it with kisses. The head parted from the + body, and remained in his hands! Yes,” resumed Rodin as Hardy drew back, + pale and mute with terror, “yes, the girl had fallen a victim to so swift + and extraordinary a disease, that she had not been able to receive the + last sacraments. After her death, the doctors, in the hope of discovering + the cause of this unknown malady, had begun to dissect that fair form—” + </p> + <p> + As Rodin reached this part of his narrative, night was almost come. A sort + of hazy twilight alone reigned in this silent chamber, in the centre of + which appeared the pale and ghastly form of Rodin, clad in his long black + gown, whilst his eyes seemed to sparkle with diabolic fire. Overcome by + the violent emotions occasioned by this story, in which thoughts of death + and voluptuousness, love and horror, were so strangely mingled, Hardy + remained fixed and motionless, waiting for the words of Rodin, with a + combination of curiosity, anguish and alarm. + </p> + <p> + “And Rancey?” said he, at last, in an agitated voice, whilst he wiped the + cold sweat from his brow. + </p> + <p> + “After two days of furious delirium,” resumed Rodin, “he renounced the + world, and shut himself up in impenetrable solitude. The first period of + his retreat was frightful; in his despair, he uttered loud yells of grief + and rage, that were audible at some distance. Twice he attempted suicide, + to escape from the terrible visions.” + </p> + <p> + “He had visions, then?” said Hardy, with an increased agony of curiosity. + </p> + <p> + “Yes,” replied Rodin, in a solemn tone, “he had fearful visions. He saw + the girl, who, for his sake, had died in mortal sin, plunged in the heat + of the everlasting flames of hell! On that fair face, disfigured by + infernal tortures, was stamped the despairing laugh of the damned! Her + teeth gnashed with pain; her arms writhed in anguish! She wept tears of + blood, and, with an agonized and avenging voice, she cried to her seducer: + ‘Thou art the cause of my perdition—my curse, my curse be upon + thee!’” + </p> + <p> + As he pronounced these last words, Rodin advanced three steps nearer to + Hardy, accompanying each step with a menacing gesture. If we remember the + state of weakness, trouble, and fear, in which M. Hardy was—if we + remember that the Jesuit had just roused in the soul of this unfortunate + man all the sensual and spiritual memories of a love, cooled, but not + extinguished, in tears—if we remember, too, that Hardy reproached + himself with the seduction of a beloved object, whom her departure from + her duties might (according to the Catholic faith) doom to everlasting + flames—we shall not wonder at the terrible effect of this + phantasmagoria, conjured up in silence and solitude, in the evening dusk, + by this fearful priest. + </p> + <p> + The effect on Hardy was indeed striking, and the more dangerous, that the + Jesuit, with diabolical craft, seemed only to be carrying out, from + another point of view, the ideas of Gabriel. Had not the young priest + convinced Hardy that nothing is sweeter, than to ask of heaven forgiveness + for those who have sinned, or whom we have led astray? But forgiveness + implies punishment; and it was to the punishment alone that Rodin drew the + attention of his victim, by painting it in these terrible hues. With hands + clasped together, and eye fixed and dilated, Hardy trembled in all his + limbs, and seemed still listening to Rodin, though the latter had ceased + to speak. Mechanically, he repeated: “My curse, my curse be upon thee?” + </p> + <p> + Then suddenly he exclaimed, in a kind of frenzy: “The curse is on me also! + The woman, whom I taught to forget her sacred duties, and to commit mortal + sin—one day plunged in the everlasting flames—her arms + writhing in agony—weeping tears of blood—will cry to me from + the bottomless pit: ‘My curse, my curse be upon thee!’—One day,” he + added, with redoubled terror, “one day?—who knows? perhaps at this + moment!—for if the sea voyage had been fatal to her—if a + shipwreck—oh, God! she too would have died in mortal sin—lost, + lost, forever!—Oh, have mercy on her, my God! Crush me in Thy wrath—but + have mercy on her—for I alone am guilty!” + </p> + <p> + And the unfortunate man, almost delirious, sank with clasped hands upon + the ground. + </p> + <p> + “Sir,” cried Rodin, in an affectionate voice, as he hastened to lift him + up, “my dear sir—my dear friend—be calm! Comfort yourself. I + cannot bear to see you despond. Alas! my intention was quite the contrary + to that.” + </p> + <p> + “The curse! the curse! yes, she will curse me also—she, that I loved + so much—in the everlasting flames!” murmured Hardy, shuddering, and + apparently insensible to the other’s words. + </p> + <p> + “But, my dear sir, listen to me, I entreat you,” resumed the latter; “let + me finish my story, and then you will find it as consoling as it now seems + terrible. For heaven’s sake, remember the adorable words of our angelic + Abbe Gabriel, with regard to the sweetness of prayer.” + </p> + <p> + At the name of Gabriel, Hardy recovered himself a little, and exclaimed, + in a heart-rending tone: “Ay! his words were sweet and beneficent. Where + are they now? For mercy’s sake, repeat to me those consoling words.” + </p> + <p> + “Our angelic Abbe Gabriel,” resumed Rodin, “spoke to you of the sweetness + of prayer—” + </p> + <p> + “Oh, yes! prayer!” + </p> + <p> + “Well, my dear sir, listen to me, and you shall see how prayer saved + Rancey, and made a saint of him. Yes, these frightful torments, that I + have just described, these threatening visions, were all conquered by + prayer, and changed into celestial delights.” + </p> + <p> + “I beg of you,” said Hardy, in a faint voice, “speak to me of Gabriel, + speak to me of heaven—but no more flames—no more hell—where + sinful women weep tears of blood—” + </p> + <p> + “No, no,” replied Rodin; and even as, in describing hell, his tone had + been harsh and threatening, it now became warm and tender, as he uttered + the following words: “No; we will have no more images of despair—for, + as I have told you, after suffering infernal tortures, Rancey, thanks to + the power of prayer, enjoyed the delights of paradise.” + </p> + <p> + “The delights of paradise?” repeated Hardy, listening with anxious + attention. + </p> + <p> + “One day, at the height of his grief, a priest, a good priest—another + Abbe Gabriel—came to Rancey. Oh, happiness! oh, providential change! + In a few days, he taught the sufferer the sacred mysteries of prayer—that + pious intercession of the creature, addressed to the Creator, in favor of + a soul exposed to the wrath of heaven. Then Rancey seemed transformed. His + grief was at once appeased. He prayed; and the more he prayed, the greater + was his hope. He felt that God listened to his prayer. Instead of trying + to forget his beloved, he now thought of her constantly, and prayed for + her salvation. Happy in his obscure cell, alone with that adored + remembrance, he passed days and nights in praying for her—plunged in + an ineffable, burning, I had almost said amorous ecstasy.” + </p> + <p> + It is impossible to give an idea of the tone of almost sensual energy with + which Rodin pronounced the word “amorous.” Hardy started, changing from + hot to cold. For the first time, his weakened mind caught a glimpse of the + fatal pleasures of asceticism, and of that deplorable catalepsy, described + in the lives of St. Theresa, St. Aubierge and others. + </p> + <p> + Rodin perceived the other’s thoughts, and continued “Oh, Rancey was not + now the man to content himself with a vague, passing prayer, uttered in + the whirl of the world’s business, which swallows it up, and prevents it + from reaching the ear of heaven. No, no; in the depth of solitude, he + endeavored to make his prayers even more efficacious, so ardently did he + desire the eternal salvation of his mistress.” + </p> + <p> + “What did he do then—oh! what did he do in his solitude?” cried + Hardy, who was now powerless in the hands of the Jesuit. + </p> + <p> + “First of all,” said Rodin, with a slight emphasis, “he became a monk.” + </p> + <p> + “A monk!” repeated Hardy, with a pensive air. + </p> + <p> + “Yes,” resumed Rodin, “he became a monk, because his prayers were thus + more likely to be favorably accepted. And then, as in solitude our + thoughts are apt to wander, he fasted, and mortified his flesh, and + brought into subjection all that was carnal within him, so that, becoming + all spirit, his prayers might issue like a pure flame from his bosom, and + ascend like the perfume of incense to the throne of the Most High!” + </p> + <p> + “Oh! what a delicious dream!” cried Hardy, more and more under the + influence of the spell; “to pray for the woman we have adored, and to + become spirit—perfume—light!” + </p> + <p> + “Yes; spirit, perfume, light!” said Rodin, with emphasis. “But it is no + dream. How many monks, how many hermits, like Rancey, have, by prayers, + and austerity, and macerations, attained a divine ecstasy! and if you only + knew the celestial pleasures of such ecstasies!—Thus, after he + became a monk, the terrible dreams were succeeded by enchanting visions. + Many times, after a day of fasting, and a night passed in prayers and + macerations, Rancey sank down exhausted on the floor of his cell! Then the + spirit freed itself from the vile clogs of matter. His senses were + absorbed in pleasure; the sound of heavenly harmony struck upon his + ravished car; a bright, mild light, which was not of this world, dawned + upon his half-closed eyes; and, at the height of the melodious vibrations + of the golden harps of the Seraphim, in the centre of a glory, compared to + which the sun is pale, the monk beheld the image of that beloved woman—” + </p> + <p> + “Whom by his prayers he had at length rescued from the eternal flames?” + said Hardy, in a trembling voice. + </p> + <p> + “Yes, herself,” replied Rodin, with eloquent enthusiasm, for this monster + was skilled in every style of speech. “Thanks to the prayers of her lover, + which the Lord had granted, this woman no longer shed tears of blood—no + longer writhed her beautiful arms in the convulsions of infernal anguish. + No, no; still fair—oh! a thousand times fairer than when she dwelt + on earth—fair with the everlasting beauty of angels—she smiled + on her lover with ineffable ardor, and, her eyes beaming with a mild + radiance, she said to him in a tender and passionate voice: ‘Glory to the + Lord! glory to thee, O my beloved! Thy prayers and austerities have saved + me. I am numbered amongst the chosen. Thanks, my beloved, and glory!’—And + therewith, radiant in her felicity, she stooped to kiss, with lips + fragrant with immortality, the lips of the enraptured monk—and their + souls mingled in that kiss, burning as love, chaste as divine grace + immense as eternity!” + </p> + <p> + “Oh!” cried Hardy, completely beside himself; “a whole life of prayer, + fasting, torture, for such a moment—with her, whom I mourn—with + her, whom I have perhaps led to perdition!” + </p> + <p> + “What do you say? such a moment!” cried Rodin, whose yellow forehead was + bathed in sweat like that of a magnetizer, and who now took Hardy by the + hand, and drew still closer, as if to breathe into him the burning + delirium; “it was not once in his religious life—it was almost every + day, that Rancey, plunged in divine ecstasy, enjoyed these delicious, + ineffable, superhuman pleasures, which are to the pleasures of earth what + eternity is to man’s existence!” + </p> + <p> + Seeing, no doubt, that Hardy was now at the point to which he wished to + bring him, and the night being almost entirely come, the reverend father + coughed two or three times in a significant manner, and looked towards the + door. At this moment, Hardy, in the height of his frenzy, exclaimed, with + a supplicating voice: “A cell—a tomb—and the Ecstatic Vision!” + </p> + <p> + The door of the room opened, and Father d’Aigrigny entered, with a cloak + under his arm. A servant followed him, bearing a light. + </p> + <p> + About ten minutes after this scene, a dozen robust men with frank, open + countenances, led by Agricola, entered the Rue de Vaugirard, and advanced + joyously towards the house of the reverend fathers. It was a deputation + from the former workmen of M. Hardy. They came to escort him, and to + congratulate him on his return amongst them. Agricola walked at their + head. Suddenly he saw a carriage with post-horses issuing from the gateway + of the house. The postilion whipped up the horses, and they started at + full gallop. Was it chance or instinct? The nearer the carriage approached + the group of which he formed a part, the more did Agricola’s heart sink + within him. + </p> + <p> + The impression became so vivid that it was soon changed into a terrible + apprehension; and at the moment when the vehicle, which had its blinds + down, was about to pass close by him, the smith, in obedience to a + resistless impulse, exclaimed, as he rushed to the horses’ heads: “Help, + friends! stop them!” + </p> + <p> + “Postilion! ten louis if you ride over him!” cried from the carriage the + military voice of Father d’Aigrigny. + </p> + <p> + The cholera was still raging. The postilion had heard of the murder of the + poisoners. Already frightened at the sudden attack of Agricola, he struck + him a heavy blow on the head with the butt of his whip which stretched him + senseless on the ground. Then, spurring with all his might, he urged his + three horses into a triple gallop, and the carriage rapidly disappeared, + whilst Agricola’s companions, who had neither understood his actions nor + the sense of his words, crowded around the smith, and did their best to + revive him. + </p> + <p> + <a name="link2HCH0149" id="link2HCH0149"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XLIV. REMEMBRANCES. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">O</span>ther events took place a few days after the fatal evening in which M. + Hardy, fascinated and misled by the deplorable, mystic jargon of Rodin, + had implored Father d’Aigrigny on his knees to remove him far from Paris, + into some deep solitude where he might devote himself to a life of prayer + and ascetic austerities. Marshal Simon, since his arrival in Paris, had + occupied, with his two daughters, a house in the Rue des Trois-Freres. + Before introducing the reader into this modest dwelling, we are obliged to + recall to his memory some preceding facts. The day of the burning of Hardy + ‘s factory, Marshal Simon had come to consult with his father on a + question of the highest importance, and to communicate to him his painful + apprehensions on the subject of the growing sadness of his twin daughters, + which he was unable to explain. + </p> + <p> + Marshal Simon held in religious reverence the memory of the Great Emperor. + His gratitude to the hero was boundless, his devotion blind, his + enthusiasm founded upon reason, his affection warm as the most sincere and + passionate friendship. But this was not all. + </p> + <p> + One day the emperor, in a burst of joy and paternal tenderness, had led + the marshal to the cradle of the sleeping King of Rome, and said to him, + as he proudly pointed to the beautiful child: “My old friend, swear to me + that you will serve the son as you have served the father!” + </p> +<div class="fig"> + <img src="images/30293m.jpg" alt="30293m" /><br /> + </div> + <h5> + <a href="images/30293.jpg"><i>Original</i></a> + </h5> + <p> + Marshal Simon took and kept that vow. During the Restoration, the chief of + a military conspiracy in favor of Napoleon II., he had attempted in vain + to secure a regiment of cavalry, at that time commanded by the Marquis + d’Aigrigny. Betrayed and denounced, the marshal, after a desperate duel + with the future Jesuit, had succeeded in reaching Poland, and thus + escaping a sentence of death. It is useless to repeat the series of events + which led the marshal from Poland to India, and then brought him back to + Paris after the Revolution of July—an epoch at which a number of his + old comrades in arms had solicited and obtained from the government, + without his knowledge, the confirmation of the rank and title which the + emperor had bestowed upon him just before Waterloo. + </p> + <p> + On his return to Paris, after his long exile, in spite of all the + happiness he felt in at length embracing his children, Marshal Simon was + deeply affected on learning the death of their mother, whom he adored. + Till the last moment, he had hoped to find her in Paris. The + disappointment was dreadful, and he felt it cruelly, though he sought + consolation in his children’s affection. + </p> + <p> + But soon new causes of trouble and anxiety were interwoven with his life + by the machinations of Rodin. Thanks to the secret intrigues of the + reverend father at the Courts of Rome and Vienna, one of his emissaries, + in a condition to inspire full confidence, and provided with undeniable + evidence to support his words, went to Marshal Simon, and said to him: + “The son of the emperor is dying, the victim of the fears with which the + name of Napoleon still inspires Europe. + </p> + <p> + “From this slow expiring, you, Marshal Simon, one of the emperor’s most + faithful friends, are able to rescue this unfortunate prince. + </p> + <p> + “The correspondence in my hand proves that it would be easy to open + relations, of the surest and most secret nature, with one of the most + influential persons about the King of Rome, and this person would be + disposed to favor the prince’s escape. + </p> + <p> + “It is possible, by a bold, unexpected stroke, to deliver Napoleon II. + from the custody of Austria, which would leave him to perish by inches in + an atmosphere that is fatal to him. + </p> + <p> + “The enterprise may be a rash one, but it has chances of success that you + Marshal Simon, more than any other, could change into certainties; for + your devotion to the emperor is well known, and we remember with what + adventurous audacity you conspired, in 1815, in favor of Napoleon II.” + </p> + <p> + The state of languor and decline of the King of Rome was then in France a + matter of public notoriety. People even went so far as to affirm that the + son of the hero was carefully trained by priests, who kept him in complete + ignorance of the glory of his paternal name; and that, by the most + execrable machinations, they strove day by day to extinguish every noble + and generous instinct that displayed itself in the unfortunate youth. The + coldest hearts were touched and softened at the story of so sad and fatal + a destiny. When we remember the heroic character and chivalrous loyalty of + Marshal Simon, and his passionate devotion to the emperor, we can + understand how the father of Rose and Blanche was more interested than any + one else in the fate of the young prince, and how, if occasion offered, he + would feel himself obliged not to confine his efforts to mere regrets. + With regard to the reality of the correspondence produced by Rodin’s + emissary, it had been submitted by the marshal to a searching test, by + means of his intimacy with one of his old companions in arms, who had been + for a long period on a mission to Vienna, in the time of the empire. The + result of this investigation, conducted with as much prudence as address, + so that nothing should transpire, showed that the marshal might give his + serious attention to the advances made him. + </p> + <p> + Hence, this proposition threw the father of Rose and Blanche into a cruel + perplexity; for, to attempt so bold and dangerous an enterprise, he must + once more abandon his children; whilst, on the contrary, if, alarmed at + this separation, he renounced the endeavor to save the King of Rome, whose + lingering death was perfectly true and well authenticated, the marshal + would consider himself as false to the vow he had sworn to the emperor. To + end these painful hesitations, full of confidence in the inflexible + uprightness of his father’s character, the marshal had gone to ask his + advice; unfortunately the old republican workman, mortally wounded during + the attack on M. Hardy’s factory, but still pondering over the serious + communication of his son, died with these words upon his Lips: “My son, + you have a great duty to perform, under pain of not acting like a man of + honor, and of disobeying my last will. You must, without hesitation—” + </p> + <p> + But, by a deplorable fatality, the last words, which would have completed + the sense of the old workman’s thought, were spoken in so feeble a voice + as to be quite unintelligible. He died, leaving Marshal Simon in a worse + state of anxiety, as one of the two courses open to him had now been + formally condemned by his father, in whose judgment he had the most + implicit and merited confidence. In a word, his mind was now tortured by + the doubt whether his father had intended, in the name of honor and duty, + to advise him not to abandon his children, to engage in so hazardous an + enterprise, or whether, on the contrary, he had wished him to leave them + for a time, to perform the vow made to the emperor, and endeavor at least + to rescue Napoleon II. from a captivity that might soon be mortal. + </p> + <p> + This perplexity, rendered more cruel by certain circumstances, to be + related hereafter, the tragical death of his father, who had expired in + his arms; the incessant and painful remembrance of his wife, who had + perished in a land of exile; and finally, the grief he felt at perceiving + the overgrowing sadness of Rose and Blanche, occasioned severe shocks to + Marshal Simon. Let us add that, in spite of his natural intrepidity, so + nobly proved by twenty years of war, the ravages of the cholera, the same + terrible malady to which his wife had fallen a victim in Siberia, filled + the marshal with involuntary dread. Yes, this man of iron nerves, who had + coolly braved death in so many battles, felt the habitual firmness of his + character give way at sight of the scenes of desolation and mourning which + Paris offered at every step. Yet, when Mdlle. de Cardoville gathered round + her the members of her family, to warn them against the plot of their + enemies, the affectionate tenderness of Adrienne for Rose and Blanche + appeared to exercise so happy an influence on their mysterious sorrow, + that the marshal, forgetting for a moment his fatal regrets, thought only + of enjoying this blessed change, which, alas! was but of short duration. + Having now recalled these facts to the mind of the reader, we shall + continue our story. + </p> + <p> + <a name="link2HCH0150" id="link2HCH0150"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XLV. THE BLOCKHEAD + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">W</span>e have stated that Marshal Simon occupied a small house in the Rue des + Trois-Freres. Two o’clock in the afternoon had just struck in the + marshal’s sleeping-chamber, a room furnished with military simplicity. In + the recess, in which stood the bed, hung a trophy composed of the arms + used by the marshal during his campaigns. On the secretary opposite was a + small bronze bust of the emperor, the only ornament of the apartment. Out + of doors the temperature was far from warm, and the marshal had become + susceptible to cold during his long residence in India. A good fire + therefore blazed upon the hearth. A door, concealed by the hangings, and + leading to a back staircase, opened slowly, and a man entered the chamber. + He carried a basket of wood, and advanced leisurely to the fireplace, + before which he knelt clown, and began to arrange the logs symmetrically + in a box that stood besides the hearth. After some minutes occupied in + this manner, still kneeling, he gradually approached another door, at a + little distance from the chimney, and appeared to listen with deep + attention, as if he wished to hear what was passing in the next room. + </p> + <p> + This man, employed as an inferior servant in the house, had the most + ridiculously stupid look that can be imagined. His functions consisted in + carrying wood, running errands, etc. In other respects he was a kind of + laughing-stock to the other servants. In a moment of good humor, Dagobert, + who filled the post of major-domo, had given this idiot the name of + “Loony” (lunatic), which he had retained ever since, and which he deserved + in every respect, as well for his awkwardness and folly as for his + unmeaning face, with its grotesquely flat nose, sloping chin, and wide, + staring eyes. Add to this description a jacket of red stuff, and a + triangular white apron, and we must acknowledge that the simpleton was + quite worthy of his name. + </p> + <p> + Yet, at the moment when Loony listened so attentively at the door of the + adjoining room, a ray of quick intelligence animated for an instant his + dull and stupid countenance. + </p> + <p> + When he had thus listened for a short time, Loony returned to the + fireplace, still crawling on his knees; then rising, he again took his + basket half full of wood, and once more approaching the door at which he + had listened knocked discreetly. No one answered. He knocked a second + time, and more loudly. Still there was the same silence. + </p> + <p> + Then he said, in a harsh, squeaking, laughable voice: “Ladies, do you want + any wood, if you please, for your fire?” + </p> + <p> + Receiving no answer, Loony placed his basket on the ground, opened the + door gently, and entered the next room, after casting a rapid glance + around. He came out again in a few seconds, looking from side to side with + an anxious air, like a man who had just accomplished some important and + mysterious task. + </p> + <p> + Taking up his basket, he was about to leave Marshal Simon’s room, when the + door of the private staircase was opened slowly and with precaution, and + Dagobert appeared. + </p> + <p> + The soldier, evidently surprised at the servant’s presence, knitted his + brows, and exclaimed abruptly, “What are you doing here?” + </p> + <p> + At this sudden interrogation, accompanied by a growl expressive of the + ill-humor of Spoil-sport, who followed close on his master’s heels, Loony + uttered a cry of real or pretended terror. To give, perhaps, an appearance + of greater reality to his dread, the supposed simpleton let his basket + fall on the ground, as if astonishment and fear had loosened his hold of + it. + </p> + <p> + “What are you doing, numbskull?” resumed Dagobert, whose countenance was + impressed with deep sadness, and who seemed little disposed to laugh at + the fellow’s stupidity. + </p> + <p> + “Oh, M. Dagobert! how you frighten me! Dear me! what a pity I had not an + armful of plates, to prove it was not my fault if I broke them all.” + </p> + <p> + “I ask what you are doing,” resumed the soldier. + </p> + <p> + “You see, M. Dagobert,” replied Loony, pointing to his basket, “that I + came with some wood to master’s room, so that he might burn it, if it was + cold—which it is.” + </p> + <p> + “Very well. Pick up your wood, and begone!” + </p> + <p> + “Oh, M. Dagobert! my legs tremble under me. How you did scare me, to be + sure!” + </p> + <p> + “Will you begone, brute?” resumed the veteran; and seizing Loony by the + arm, he pushed him towards the door, while Spoil-sport, with recumbent + ears, and hair standing up like the quills of a porcupine, seemed inclined + to accelerate his retreat. + </p> + <p> + “I am going, M. Dagobert, I am going,” replied the simpleton, as he + hastily gathered up his basket; “only please to tell the dog—” + </p> + <p> + “Go to the devil, you stupid chatterbox!” cried Dagobert, as he pushed + Loony through the doorway. + </p> + <p> + Then the soldier bolted the door which led to the private staircase, and + going to that which communicated with the apartments of the two sisters, + he double-locked it. Having done this, he hastened to the alcove in which + stood the bed and taking down a pair of loaded pistols, he carefully + removed the percussion caps, and, unable to repress a deep sigh, restored + the weapons to the place in which he had found them. Then, as if on second + thoughts, he took down an Indian dagger with a very sharp blade, and + drawing it from its silver-gilt sheath, proceeded to break the point of + this murderous instrument, by twisting it beneath one of the iron castors + of the bed. + </p> + <p> + Dagobert then proceeded to unfasten the two doors, and, returning slowly + to the marble chimney-piece, he leaned against it with a gloomy and + pensive air. Crouching before the fire, Spoil-sport followed with an + attentive eye the least movement of his master. The good dog displayed a + rare and intelligent sagacity. The soldier, having drawn out his + handkerchief, let fall, without perceiving it, a paper containing a roll + of tobacco. Spoil-sport, who had all the qualities of a retriever of the + Rutland race, took the paper between his teeth, and, rising upon his + hind-legs, presented it respectfully to Dagobert. But the latter received + it mechanically, and appeared indifferent to the dexterity of his dog. The + grenadier’s countenance revealed as much sorrow as anxiety. After + remaining for some minutes near the fire, with fixed and meditative look, + he began to walk about the room in great agitation, one of his hands + thrust into the bosom of his long blue frock-coat, which was buttoned up + to the chin, and the other into one of his hind-pockets. + </p> + <p> + From time to time he stopped abruptly, and seemed to make reply to his own + thoughts, or uttered an exclamation of doubt and uneasiness; then, turning + towards the trophy of arms, he shook his head mournfully, and murmured, + “No matter—this fear may be idle; but he has acted so + extraordinarily these two days, that it is at all events more prudent—” + </p> + <p> + He continued his walk, and said, after a new and prolonged silence: “Yes + he must tell me. It makes me too uneasy. And then the poor children—it + is enough to break one’s heart.” + </p> + <p> + And Dagobert hastily drew his moustache between his thumb and forefinger, + a nervous movement, which with him was an evident symptom of extreme + agitation. Some minutes after, the soldier resumed, still answering his + inward thoughts: “What can it be? It is hardly possible to be the letters, + they are too infamous; he despises them. And yet But no, no—he is + above that!” + </p> + <p> + And Dagobert again began to walk with hasty steps. Suddenly, Spoil-sport + pricked up his ears, turned his head in the direction of the staircase + door, and growled hoarsely. A few seconds after, some one knocked at the + door. + </p> + <p> + “Who is there?” said Dagobert. There was no answer, but the person knocked + again. Losing patience, the soldier went hastily to open it, and saw the + servant’s stupid face. + </p> + <p> + “Why don’t you answer, when I ask who knocks!” said the soldier, angrily. + </p> + <p> + “M. Dagobert, you sent me away just now, and I was afraid of making you + cross, if I said I had come again.” + </p> + <p> + “What do you want? Speak then—come in, stupid!” cried the + exasperated. Dagobert, as he pulled him into the room. + </p> + <p> + “M. Dagobert, don’t be angry—I’ll tell you all about it—it is + a young man.” + </p> + <p> + “Well?” + </p> + <p> + “He wants to speak to you directly, Mr. Dagobert.” + </p> + <p> + “His name?” + </p> + <p> + “His name, M. Dagobert?” replied Loony, rolling about and laughing with an + idiotic air. + </p> + <p> + “Yes, his name. Speak, idiot!” + </p> + <p> + “Oh, M. Dagobert! it’s all in joke that you ask me his name!” + </p> + <p> + “You are determined, fool that you are, to drive me out of my senses!” + cried the soldier, seizing Loony by the collar. “The name of this young + man!” + </p> + <p> + “Don’t be angry, M. Dagobert. I didn’t tell you the name because you know + it.” + </p> + <p> + “Beast!” said Dagobert, shaking his fist at him. + </p> + <p> + “Yes, you do know it, M. Dagobert, for the young man is your own son. He + is downstairs, and wants to speak to you directly—yes, directly.” + </p> + <p> + The stupidity was so well assumed, that Dagobert was the dupe of it. Moved + to compassion rather than anger by such imbecility, he looked fixedly at + the servant, shrugged his shoulders, and said, as he advanced towards the + staircase, “Follow me!” + </p> +<div class="fig"> + <img src="images/30301m.jpg" alt="30301m" /><br /> + </div> + <h5> + <a href="images/30301.jpg"><i>Original</i></a> + </h5> + <p> + Loony obeyed; but, before closing the door, he drew a letter secretly from + his pocket, and dropped it behind him without turning his head, saying all + the while to Dagobert, for the purpose of occupying his attention: “Your + son is in the court, M. Dagobert. He would not come up—that’s why he + is still downstairs!” + </p> + <p> + Thus talking, he closed the door, believing he had left the letter on the + floor of Marshal Simon’s room. But he had reckoned without Spoil-sport. + Whether he thought it more prudent to bring up the rear, or, from + respectful deference for a biped, the worthy dog had been the last to + leave the room, and, being a famous carrier, as soon as he saw the letter + dropped by Loony, he took it delicately between his teeth, and followed + close on the heels of the servant, without the latter perceiving this new + proof of the intelligence and sagacity of Spoil-sport. + </p> + <p> + <a name="link2HCH0151" id="link2HCH0151"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XLVI. THE ANONYMOUS LETTERS. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">W</span>e will explain presently what became of the letter, which Spoil-sport + held between his teeth, and why he left his master, when the latter ran to + meet Agricola. Dagobert had not seen his son for some days. Embracing him + cordially, he led him into one of the rooms on the ground floor, which he + usually occupied. “And how is your wife?” said the soldier to his son. + </p> + <p> + “She is well, father, thank you.” + </p> + <p> + Perceiving a great change in Agricola’s countenance, Dagobert resumed: + “You look sad. Has anything gone wrong since I saw you last?” + </p> + <p> + “All is over, father. We have lost him,” said the smith, in a tone of + despair. + </p> + <p> + “Lost whom?” + </p> + <p> + “M. Hardy.” + </p> + <p> + “M. Hardy!—why, three days ago, you told me you were going to see + him.” + </p> + <p> + “Yes, father, I have seen him—and my dear brother Gabriel saw him + and spoke to him—how he speaks! with a voice that comes from the + heart!—and he had so revived and encouraged him, that M. Hardy + consented to return amongst us. Then I, wild with joy, ran to tell the + good news to some of my mates, who were waiting to hear the result of nay + interview with M. Hardy. I brought them all with me to thank and bless + him. We were within a hundred yards of the house belonging to the + black-gowns—” + </p> + <p> + “Ali, the black-gowns!” said Dagobert, with a gloomy air. “Then some + mischief will happen. I know them.” + </p> + <p> + “You are not mistaken, father,” answered Agricola, with a sigh. “I was + running on with my comrades, when I saw a carriage coming towards us. Some + presentiment told me that they were taking away M. Hardy.” + </p> + <p> + “By force!” said Dagobert, hastily. + </p> + <p> + “No,” answered Agricola, bitterly; “no—the priests are too cunning + for that. They know how to make you an accomplice in the evil they do you. + Shall I not always remember how they managed with my good mother?” + </p> + <p> + “Yes, the worthy woman! there was a poor fly caught in the spider’s web. + But this carriage, of which you speak?” + </p> + <p> + “On seeing it start from the house of the black-gowns,” replied Agricola, + “my heart sank within me; and, by an impulse stronger than myself, I + rushed to the horses’ heads, calling on my comrades to help me. But the + postilion knocked me down and stunned me with a blow from his whip. When I + recovered my senses, the carriage was already far away.” + </p> + <p> + “You were not hurt?” cried Dagobert, anxiously, as he examined his son + from top to toe. + </p> + <p> + “No, father; a mere scratch.” + </p> + <p> + “What did you next, my boy?” + </p> + <p> + “I hastened to our good angel, Mdlle. de Cardoville, and told her all. + ‘You must follow M. Hardy on the instant,’ said she to me. ‘Take my + carriage and post-horses. Dupont will accompany you; follow M. Hardy from + stage to stage; should you succeed in overtaking him your presence and + your prayers may perhaps conquer the fatal influence that these priests + have acquired over him.’” + </p> + <p> + “It was the best advice she could give you. That excellent young lady is + always right.” + </p> + <p> + “An hour after, we were upon our way, for we learned by the returned + postilions, that M. Hardy had taken the Orleans road. We followed him as + far as Etampes. There we heard that he had taken a cross-road, to reach a + solitary house in a valley about four leagues from the highway. They told + us that this house called the Val-de-St. Herem, belonged to certain + priests, and that, as the night was so dark, and the road so bad, we had + better sleep at the inn, and start early in the morning. We followed this + advice, and set out at dawn. In a quarter of an hour, we quitted the + high-road for a mountainous and desert track. We saw nothing but brown + rocks, and a few birch trees. As we advanced, the scene became wilder and + wilder. We might have fancied ourselves a hundred leagues from Paris. At + last we stopped in front of a large, old, black-looking house with only a + few small windows in it, and built at the foot of a high, rocky mountain. + In my whole life I have never seen anything so deserted and sad. We got + out of the carriage, and I rang the bell. A man opened the door. ‘Did not + the Abbe d’Aigrigny arrive here last night with a gentleman?’ said I to + this man, with a confidential air. ‘Inform the gentleman directly, that I + come on business of importance, and that I must see him forthwith.’—The + man, believing me an accomplice, showed us in immediately; a moment after, + the Abbe d’Aigrigny opened the door, saw me, and drew back; yet, in five + minutes more, I was in presence of M. Hardy.” + </p> + <p> + “Well!” said Dagobert, with interest. + </p> + <p> + Agricola shook his head sorrowfully, and replied: “I knew by the very + countenance of M. Hardy, that all was over. Addressing me in a mild but + firm voice, he said to me: ‘I understand, I can even excuse, the motives + that bring you hither. But I am quite determined to live henceforth in + solitude and prayer. I take this resolution freely and voluntarily, + because I would fain provide for the salvation of my soul. Tell your + fellows that my arrangements will be such as to leave them a good + remembrance of me.’—And as I was about to speak, M. Hardy + interrupted me, saying: ‘It is useless, my friend. My determination is + unalterable. Do not write to me, for your letters would remain unanswered. + Prayer will henceforth be my only occupation. Excuse me for leaving you, + but I am fatigued from my journey!’—He spoke the truth for he was as + pale as a spectre, with a kind of wildness about the eyes, and so changed + since the day before, as to be hardly the same man. His hand, when he + offered it on parting from me, was dry and burning. The Abbe d’Aigrigny + soon came in. ‘Father,’ said M. Hardy to him, ‘have the goodness to see M. + Baudoin to the door.’—So saying, he waved his hand to me in token of + farewell, and retired to the next chamber. All was over; he is lost to us + forever.” + </p> + <p> + “Yes,” said Dagobert, “those black-gowns have enchanted him, like so many + others.” + </p> + <p> + “In despair,” resumed Agricola, “I returned hither with M. Dupont. This, + then, is what the priests have made of M. Hardy—of that generous + man, who supported nearly three hundred industrious workmen in order and + happiness, increasing their knowledge, improving their hearts, and earning + the benediction of that little people, of which he was the providence. + Instead of all this, M. Hardy is now forever reduced to a gloomy and + unavailing life of contemplation.” + </p> + <p> + “Oh, the black-gowns!” said Dagobert, shuddering, and unable to conceal a + vague sense of fear. “The longer I live, the more I am afraid of them. You + have seen what those people did to your poor mother; you see what they + have just done to M. Hardy; you know their plots against my two poor + orphans, and against that generous young lady. Oh, these people are very + powerful! I would rather face a battalion of Russian grenadiers, than a + dozen of these cassocks. But don’t let’s talk of it. I have causes enough + beside for grief and fear.” + </p> + <p> + Then seeing the astonished look of Agricola, the soldier, unable to + restrain his emotion, threw himself into the arms of his son, exclaiming + with a choking voice: “I can hold out no longer. My heart is too full. I + must speak; and whom shall I trust if not you?” + </p> + <p> + “Father, you frighten me!” said Agricola, “What is the matter?” + </p> + <p> + “Why, you see, had it not been for you and the two poor girls, I should + have blown out my brains twenty times over rather than see what I see—and + dread what I do.” + </p> + <p> + “What do you dread, father?” + </p> + <p> + “Since the last few days, I do not know what has come over the marshal—but + he frightens me.” + </p> + <p> + “Yet in his last interviews with Mdlle. de Cardoville—” + </p> + <p> + “Yes, he was a little better. By her kind words, this generous young lady + poured balm into his wounds; the presence of the young Indian cheered him; + he appeared to shake off his cares, and his poor little girls felt the + benefit of the change. But for some days, I know not what demon has been + loosed against his family. It is enough to turn one’s head. First of all, + I am sure that the anonymous letters have begun again.” + </p> + <p> + “What letters, father?” + </p> + <p> + “The anonymous letters.” + </p> + <p> + “But what are they about?” + </p> + <p> + “You know how the marshal hated that renegade, the Abbe d’Aigrigny. When + he found that the traitor was here, and that he had persecuted the two + orphans, even as he persecuted their mother to the death—but that + now he had become a priest—I thought the marshal would have gone mad + with indignation and fury. He wishes to go in search of the renegade. With + one word I calmed him. ‘He is a priest,’ I said; ‘you may do what you + will, insult or strike him—he will not fight. He began by serving + against his country, he ends by becoming a bad priest. It is all in + character. He is not worth spitting upon.’—‘But surely I may punish + the wrong done to my children, and avenge the death of my wife,’ cried the + marshal, much exasperated.—‘They say, as you well know, that there + are courts of law to avenge your wrongs,’ answered I; ‘Mdlle. de + Cardoville has lodged a charge against the renegade, for having attempted + to confine your daughters in a convent. We must champ the bit and wait.”’ + </p> + <p> + “Yes,” said Agricola, mournfully, “and unfortunately there lacks proof to + bring it home to the Abbe d’Aigrigny. The other day, when I was examined + by Mdlle. de Cardoville’s lawyer, with regard to our attempt on the + convent, he told me that we should meet with obstacles at every step, for + want of legal evidence, and that the priests had taken their precautions + with so much skill that the indictment would be quashed.” + </p> + <p> + “That is just what the marshal thinks, my boy, and this increases his + irritation at such injustice.” + </p> + <p> + “He should despise the wretches.” + </p> + <p> + “But the anonymous letters!” + </p> + <p> + “Well, what of them, father?” + </p> + <p> + “You shall know all. A brave and honorable man like the marshal, when his + first movement of indignation was over, felt that to insult the renegade + disguised in the garb of a priest, would be like insulting an old man or a + woman. He determined therefore to despise him, and to forget him as soon + as possible. But then, almost every day, there came by the post anonymous + letters, in which all sorts of devices were employed, to revive and excite + the anger of the marshal against the renegade by reminding him of all the + evil contrived by the Abbe d’Aigrigny against him and his family. The + marshal was reproached with cowardice for not taking vengeance on this + priest, the persecutor of his wife and children, the insolent mocker at + his misfortunes.” + </p> + <p> + “And from whom do you suspect these letters to come, father?” + </p> + <p> + “I cannot tell—it is that which turns one’s brain. They must come + from the enemies of the marshal, and he has no enemies but the + black-gowns.” + </p> + <p> + “But, father, since these letters are to excite his anger against the Abbe + d’Aigrigny, they can hardly have been written by priests.” + </p> + <p> + “That is what I have said to myself.” + </p> + <p> + “But what, then, can be their object?” + </p> + <p> + “Their object? oh, it is too plain!” cried Dagobert. “The marshal is + hasty, ardent; he has a thousand reasons to desire vengeance on the + renegade. But he cannot do himself justice, and the other sort of justice + fails him. Then what does he do? He endeavors to forget, he forgets. But + every day there comes to him an insolent letter, to provoke and exasperate + his legitimate hatred, by mockeries and insults. Devil take me! my head is + not the weakest—but, at such a game, I should go mad.” + </p> + <p> + “Father, such a plot would be horrible, and only worthy of hell!” + </p> + <p> + “And that is not all.” + </p> + <p> + “What more?” + </p> + <p> + “The marshal has received other letters; those he has not shown me—but, + after he had read the first, he remained like a man struck motionless, and + murmured to himself: ‘They do not even respect that—oh! it is too + much—too much!’—And, hiding his face in his hands he wept.” + </p> + <p> + “The marshal wept!” cried the blacksmith, hardly able to believe what he + heard. + </p> + <p> + “Yes,” answered Dagobert, “he wept like a child.” + </p> + <p> + “And what could these letters contain, father?” + </p> + <p> + “I did not venture to ask him, he appeared so miserable and dejected.” + </p> + <p> + “But thus harassed and tormented incessantly, the marshal must lead a + wretched life.” + </p> + <p> + “And his poor little girls too! he sees them grow sadder and sadder, + without being able to guess the cause. And the death of his father, killed + almost in his arms! Perhaps, you will think all this enough; but, no! I am + sure there is something still more painful behind. Lately, you would + hardly know the marshal. He is irritable about nothing, and falls into + such fits of passion, that—” After a moment’s hesitation, the + soldier resumed: “I way tell this to you, my poor boy. I have just been + upstairs, to take the caps from his pistols.” + </p> + <p> + “What, father!” cried Agricola; “you fear—” + </p> + <p> + “In the state of exasperation in which I saw him yesterday, there is + everything to fear.” + </p> + <p> + “What then happened?” + </p> + <p> + “Since some time, he has often long secret interviews with a gentleman, + who looks like an old soldier and a worthy man. I have remarked that the + gloom and agitation of the marshal are always redoubled after one of these + visits. Two or three times, I have spoken to him about it; but I saw by + his look, that I displeased him, and therefore I desisted. + </p> + <p> + “Well! yesterday, this gentleman came in the evening. He remained here + until eleven o’clock, and his wife came to fetch him, and waited for him + in a coach. After his departure, I went up to see if the marshal wanted + anything. He was very pale, but calm; he thanked me, and I came down + again. You know that my room is just under his. I could hear the marshal + walking about as if much agitated, and soon after he seemed to be knocking + down the furniture. In alarm, I once more went upstairs. He asked me, with + an irritated air, what I wanted, and ordered me to leave the room. Seeing + him in that way, I remained; he grew more angry, still I remained; + perceiving a chair and table thrown down, I pointed to them with so sad an + air that he understood me. You know that he has the best heart in the + world, so, taking me by the hand, he said to me: ‘Forgive me for causing + you this uneasiness, my good Dagobert; but just now, I lost my senses, and + gave way to a burst of absurd fury; I think I should have thrown myself + out of the window, had it been open. I only hope, that my poor dear girls + have not heard me,’ added he, as he went on tip-toe to open the door which + communicates with his daughters’ bedroom. When he had listened anxiously + for a moment, he returned to me, and said: ‘Luckily, they are asleep.’—Then + I asked him what was the cause of his agitation, and if, in spite of my + precautions, he had received any more anonymous letters. ‘No,’ replied he, + with a gloomy air; ‘but leave me, my friend. I am now better. It has done + me good to see you. Good—night, old comrade! go downstairs to bed.’—I + took care not to contradict him; but, pretending to go down, I came up + again, and seated myself on the top stair, listening. No doubt, to calm + himself entirely, the marshal went to embrace his children, for I heard + him open and shut their door. Then he returned to his room, and walked + about for a long time, but with a more quiet step. At last, I heard him + throw himself on his bed, and I came down about break of day. After that, + all remained tranquil.” + </p> +<div class="fig"> + <img src="images/30309m.jpg" alt="30309m" /><br /> + </div> + <h5> + <a href="images/30309.jpg"><i>Original</i></a> + </h5> + <p> + “But whatever can be the matter with him, father?” + </p> + <p> + “I do not know. When I went up to him, I was astonished at the agitation + of his countenance, and the brilliancy of his eyes. He would have looked + much the same, had he been delirious, or in a burning fever—so that, + when I heard him say, he could have thrown himself out of the window, had + it been open, I thought it more prudent to remove the caps from his + pistols.” + </p> + <p> + “I cannot understand it!” said Agricola. “So firm, intrepid, and cool a + man as the marshal, a prey to such violence!” + </p> + <p> + “I tell you that something very extraordinary is passing within him. For + two days, he has not been to see his children, which is always a bad sign + with him—to say nothing of the poor little angels themselves, who + are miserable at the notion that they have displeased their father. They + displease him! If you only knew the life they lead, dear creatures! a walk + or ride with me and their companion, for I never let them go out alone, + and, the rest of their time, at their studies, reading, or needlework—always + together—and then to bed. Yet their duenna, who is, I think, a + worthy woman, tells me that sometimes at night, she has seen them shed + tears in their sleep. Poor children! they have hitherto known but little + happiness,” added the soldier, with a sigh. + </p> + <p> + At this moment, hearing some one walk hastily across the courtyard, + Dagobert raised his eyes, and saw Marshal Simon, with pale face and + bewildered air, holding in his two hands a letter, which he seemed to read + with devouring anxiety. + </p> + <p> + <a name="link2HCH0152" id="link2HCH0152"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XLVII. THE GOLDEN CITY. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">W</span>hile Marshal Simon was crossing the little court with so agitated an air, + reading the anonymous letter, which he had received by Spoil-sport’s + unexpected medium, Rose and Blanche were alone together, in the sitting + room they usually occupied, which had been entered for a moment by Loony + during their absence. The poor children seemed destined to a succession of + sorrows. At the moment their mourning for their mother drew near its + close, the tragical death of their grandfather had again dressed them in + funereal weeds. They were seated together upon a couch, in front of their + work-table. Grief often produces the effect of years. Hence, in a few + months, Rose and Blanche had become quite young women. To the infantine + grace of their charming faces, formerly so plump and rosy, but now pale + and thin, had succeeded an expression of grave and touching sadness. Their + large, mild eyes of limpid azure, which always had a dreamy character, + were now never bathed in those joyous tears, with which a burst of frank + and hearty laughter used of old to adorn their silky lashes, when the + comic coolness of Dagobert, or some funny trick of Spoil-sport, cheered + them in the course of their long and weary pilgrimage. + </p> + <p> + In a word, those delightful faces, which the flowery pencil of Greuze + could alone have painted in all their velvet freshness, were now worthy of + inspiring the melancholy ideal of the immortal Ary Scheffer, who gave us + Mignon aspiring to Paradise, and Margaret dreaming of Faust. Rose, leaning + back on the couch, held her head somewhat bowed upon her bosom, over which + was crossed a handkerchief of black crape. The light streaming from a + window opposite, shone softly on her pure, white forehead, crowned by two + thick bands of chestnut hair. Her look was fixed, and the open arch of her + eyebrows, now somewhat contracted, announced a mind occupied with painful + thoughts. Her thin, white little hands had fallen upon her knees, but + still held the embroidery, on which she had been engaged. The profile of + Blanche was visible, leaning a little towards her sister, with an + expression of tender and anxious solicitude, whilst her needle remained in + the canvas, as if she had just ceased to work. + </p> + <p> + “Sister,” said Blanche, in a low voice, after some moments of silence, + during which the tears seemed to mount to her eyes, “tell me what you are + thinking of. You look so sad.” + </p> + <p> + “I think of the Golden City of our dreams,” replied Rose, almost in a + whisper, after another short silence. + </p> + <p> + Blanche understood the bitterness of these words. Without speaking, she + threw herself on her sister’s neck, and wept. Poor girls! the Golden City + of their dreams was Paris, with their father in it—Paris, the + marvellous city of joys and festivals, through all of which the orphans + had beheld the radiant and smiling countenance of their sire! But, alas! + the Beautiful City had been changed into a place of tears, and death, and + mourning. The same terrible pestilence which had struck down their mother + in the heart of Siberia, seemed to have followed them like a dark and + fatal cloud, which, always hovering above them, hid the mild blue of the + sky, and the joyous light of the sun. + </p> + <p> + The Golden City of their dreams! It was the place, where perhaps one day + their father would present to them two young lovers, good and fair as + themselves. “They love you,” he was to say; “they are worthy of you. Let + each of you have a brother, and me two sons.” Then what chaste, enchanting + confusion for those two orphans, whose hearts, pure as crystal, had never + reflected any image but that of Gabriel, the celestial messenger sent by + their mother to protect them! + </p> + <p> + We can therefore understand the painful emotion of Blanche, when she heard + her sister repeat, with bitter melancholy, those words which described + their whole situation: “I think of the Golden City of our dreams!” + </p> + <p> + “Who knows?” proceeded Blanche, drying her sister’s tears; “perhaps, + happiness may yet be in store for us.” + </p> + <p> + “Alas! if we are not happy with our father by us—shall we ever be + so?” + </p> + <p> + “Yes, when we rejoin our mother,” said Blanche, lifting her eyes to + heaven. + </p> + <p> + “Then, sister, this dream may be a warning—it is so like that we had + in Germany.” + </p> + <p> + “The difference being that then the Angel Gabriel came down from heaven to + us, and that this time he takes us from earth, to our mother.” + </p> + <p> + “And this dream will perhaps come true, like the other, my sister. We + dreamt that the Angel Gabriel would protect us, and he came to save us + from the shipwreck.” + </p> + <p> + “And, this time, we dream that he will lead us to heaven. Why should not + that happen also?” + </p> + <p> + “But to bring that about, sister, our Gabriel, who saved us from the + shipwreck, must die also. No, no; that must not happen. Let us pray that + it may not happen.” + </p> + <p> + “No, it will not happen—for it is only Gabriel’s good angel, who is + so like him, that we saw in our dreams.” + </p> + <p> + “Sister, dear, how singular is this dream!—Here, as in Germany, we + have both dreamt the same—three times, the very same!” + </p> + <p> + “It is true. The Angel Gabriel bent over us, and looked at us with so mild + and sad an air, saying: ‘Come, my children! come, my sisters! Your mother + waits for you. Poor children, arrived from so far!’ added he in his tender + voice: ‘You have passed over the earth, gentle and innocent as two doves, + to repose forever in the maternal nest.’” + </p> + <p> + “Yes, those were the words of the archangel,” said the other orphan, with + a pensive air; “we have done no harm to any one, and we have loved those + who loved us—why should we fear to die?” + </p> + <p> + “Therefore, dear sister, we rather smiled than wept, when he took us by + the hand, and, spreading wide his beautiful white wings, carried us along + with him to the blue depths of the sky.” + </p> + <p> + “To heaven, where our dear mother waited for us with open arms, her face + all bathed in tears.” + </p> + <p> + “Oh, sweet sister! one has not dreams like ours for nothing. And then,” + added she, looking at Rose, with a sad smile that went to the heart, “our + death might perhaps end the sorrow, of which we have been the cause.” + </p> + <p> + “Alas! it is not our fault. We love him so much. But we are so timid and + sorrowful before him, that he may perhaps think we love him not.” + </p> + <p> + So saying, Rose took her handkerchief from her workbasket, to dry her + fears; a paper, folded in the form of a letter, fell out. + </p> + <p> + At this sight, the two shuddered, and pressed close to one mother, and + Rose said to Blanche, in a trembling voice: “Another of these letters!—Oh, + I am afraid! It will doubtless be like the last.” + </p> + <p> + “We must pick it up quickly, that it may not be seen,” said Blanche, + hastily stooping to seize the letter; “the people who take interest in us + might otherwise be exposed to great danger.” + </p> + <p> + “But how could this letter come to us?” + </p> + <p> + “How did the others come to be placed right under our hand, and always in + the absence of our duenna?” + </p> + <p> + “It is true. Why seek to explain the mystery? We should never be able to + do so. Let us read the letter. It will perhaps be more favorable to us + than the last.” And the two sisters read as follows:-“Continue to love + your father, dear children, for he is very miserable, and you are the + involuntary cause of his distress. You will never know the terrible + sacrifices that your presence imposes on him; but, alas! he is the victim + of his paternal duties. His sufferings are more cruel than ever; spare him + at least those marks of tenderness, which occasion him so much more pain + than pleasure. Each caress is a dagger-stroke, for he sees in you the + innocent cause of his misfortunes. Dear children, you must not therefore + despair. If you have enough command over yourselves, not to torture him by + the display of too warm a tenderness, if you can mingle some reserve with + your affection, you will greatly alleviate his sorrow. Keep these letters + a secret from every one, even from good Dagobert, who loves you so much; + otherwise, both he and you, your father, and the unknown friend who is + writing to you, will be exposed to the utmost peril, for your enemies are + indeed formidable. Courage and hope! May your father’s tenderness be once + more free from sorrow and regret!—That happy day is perhaps not so + far distant. Burn this letter like all the others!” + </p> + <p> + The above note was written with so much cunning that, even supposing the + orphans had communicated it to their father or Dagobert, it would at the + worst have been considered a strange, intrusive proceeding, but almost + excusable from the spirit in which it was conceived. Nothing could have + been contrived with more perfidious art, if we consider the cruel + perplexity in which Marshal Simon was struggling between the fear of again + leaving his children and the shame of neglecting what he considered a + sacred duty. All the tenderness, all the susceptibility of heart which + distinguished the orphans, had been called into play by these diabolical + counsels, and the sisters soon perceived that their presence was in fact + both sweet and painful to their father; for sometimes he felt himself + incapable of leaving them, and sometimes the thought of a neglected duty + spread a cloud of sadness over his brow. Hence the poor twins could not + fail to value the fatal meaning of the anonymous letters they received. + They were persuaded that, from some mysterious motive, which they were + unable to penetrate, their presence was often importunate and even painful + to their father. Hence the growing sadness of Rose and Blanche—hence + the sort of fear and reserve which restrained the expression of their + filial tenderness. A most painful situation for the marshal, who deceived + by inexplicable appearances, mistook, in his turn, their manner of + indifference to him—and so, with breaking heart, and bitter grief + upon his face, often abruptly quitted his children to conceal his tears! + </p> + <p> + And the desponding orphans said to each other: “We are the cause of our + father’s grief. It is our presence which makes him so unhappy.” + </p> + <p> + The reader may new judge what ravages such a thought, when fixed and + incessant, must have made on these young, loving, timid, and simple + hearts. Haw could the orphans be on their guard against such anonymous + communications, which spoke with reverence of all they loved, and seemed + every day justified by the conduct of their father? Already victims of + numerous plots, and hearing that they were surrounded by enemies, we can + understand, how faithful to the advice of their unknown friend, they + forbore to confide to Dagobert these letters, in which he was so justly + appreciated. The object of the proceeding was very plain. By continually + harassing the marshal on all sides, and persuading him of the coldness of + his children, the conspirators might naturally hope to conquer the + hesitation which had hitherto prevented his again quitting his daughters + to embark in a dangerous enterprise. To render the marshal’s life so + burdensome that he would desire to seek relief from his torments in airy + project of daring and generous chivalry, was one of the ends proposed by + Rodin—and, as we have seen, it wanted neither logic nor possibility. + </p> + <p> + After having read the letter, the two remained for a moment silent and + dejected. Then Rose, who held the paper in her hand, started up suddenly, + approached the chimneypiece, and threw the letter into the fire, saying, + with a timid air: “We must burn it quickly, or perhaps some great danger + will ensue.” + </p> + <p> + “What greater misfortune can happen to us,” said Blanche, despondingly, + “than to cause such sorrow to our father? What can be the reason of it?” + </p> + <p> + “Perhaps,” said Rose, whose tears were slowly trickling down her cheek, + “he does not find us what he could have desired. He may love us well as + the children of our poor mother, but we are not the daughters he had + dreamed of. Do you understand me, sister?” + </p> + <p> + “Yes, yes—that is perhaps what occasioned all his sorrow. We are so + badly informed, so wild, so awkward, that he is no doubt ashamed of us; + and, as he loves us in spite of all, it makes him suffer.” + </p> + <p> + “Alas! it is not our fault. Our dear mother brought us up in the deserts + of Siberia as well as she could.” + </p> + <p> + “Oh! father himself does not reproach us with it; only it gives him pain.” + </p> + <p> + “Particularly if he has friends whose daughters are very beautiful, and + possessed of all sorts of talents. Then he must bitterly regret that we + are not the same.” + </p> + <p> + “Dost remember when he took us to see our cousin, Mdlle. Adrienne, who was + so affectionate and kind to us, that he said to us, with admiration: ‘Did + you notice her, my children? How beautiful she is, and what talent, what a + noble heart, and therewith such grace and elegance!’” + </p> + <p> + “Oh, it is very true! Mdlle. de Cardoville is so beautiful, her voice is + so sweet and gentle, that, when we saw and heard her, we fancied that all + our troubles were at an end.” + </p> + <p> + “And it is because of such beauty, no doubt, that our father, comparing us + with our cousin and so many other handsome young ladies, cannot be very + proud of us. And he, who is so loved and honored, would have liked to have + been proud of his daughters.” + </p> + <p> + Suddenly Rose laid her hand on her sister’s arm, and said to her, with + anxiety: “Listen! listen! they are talking very loud in father’s bedroom.” + </p> + <p> + “Yes,” said Blanche, listening in her turn; “and I can hear him walking. + That is his step.” + </p> + <p> + “Good heaven! how he raises his voice; he seems to be in a great passion; + he will perhaps come this way.” + </p> + <p> + And at the thought of their father’s coming—that father who really + adored them—the unhappy children looked in terror at each other. The + sound of a loud and angry voice became more and more distinct; and Rose, + trembling through all her frame, said to her sister: “Do not let us remain + here! Come into our room.” + </p> + <p> + “Why?” + </p> + <p> + “We should hear, without designing it, the words of our father—and + he does not perhaps know that we are so near.” + </p> + <p> + “You are right. Come, come!” answered Blanche, as she rose hastily from + her seat. + </p> + <p> + “Oh! I am afraid. I have never heard him speak in so angry a tone.” + </p> + <p> + “Oh! kind heaven!” said Blanche, growing pale, as she stopped + involuntarily. “It is to Dagobert that he is talking so loud.” + </p> + <p> + “What can be the matter—to make our father speak to him in that + way?” + </p> + <p> + “Alas! some great misfortune must have happened.” + </p> + <p> + “Oh, sister! do not let us remain here! It pains me too much to hear + Dagobert thus spoken to.” + </p> +<div class="fig"> + <img src="images/30317m.jpg" alt="30317m" /><br /> + </div> + <h5> + <a href="images/30317.jpg"><i>Original</i></a> + </h5> + <p> + The crash of some article, hurled with violence and broken to pieces in + the next room, so frightened the orphans, that, pale and trembling with + emotion, they rushed into their own apartment, and fastened the door. We + must now explain the cause of Marshal Simon’s violent anger. + </p> + <p> + <a name="link2HCH0153" id="link2HCH0153"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XLVIII. THE STUNG LION. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>his was the scene, the sound of which had so terrified Rose and Blanche. + At first alone in his chamber, in a state of exasperation difficult to + describe, Marshal Simon had begun to walk hastily up and down, his + handsome, manly face inflamed with rage, his eyes sparkling with + indignation, while on his broad forehead, crowned with short-cut hair that + was now turning gray, large veins, of which you might count the + pulsations, were swollen almost to bursting; and sometimes his thick, + black moustache was curled with a convulsive motion, not unlike that which + is seen in the visage of a raging lion. And even as the wounded lion, in + its fury, harassed and tortured by a thousand invisible darts, walks up + and down its den with savage wrath, so Marshal Simon paced the floor of + his room, as if bounding from side to side; sometimes he stooped, as + though bending beneath the weight of his anger; sometimes, on the + contrary, he paused abruptly, drew himself up to his full height, crossed + his arms upon his vigorous chest, and with raised brow, threatening and + terrible look, seemed to defy some invisible enemy, and murmur confused + exclamations. Then he stood like a man of war and battle in all his + intrepid fire. + </p> + <p> + And now he stamped angrily with his foot, approached the chimney-piece, + and pulled the bell so violently that the bell-rope remained in his hand. + A servant hastened to attend to this precipitate summons. “Did you not + tell Dagobert that I wished to speak to him?” cried the marshal. + </p> + <p> + “I executed your grace’s orders, but M. Dagobert was accompanying his son + to the door, and—” + </p> + <p> + “Very well!” interrupted Marshal Simon, with an abrupt and imperious + gesture. + </p> + <p> + The servant went out, and his master continued to walk up and down with + impatient steps, crumpling, in his rage, a letter that he held in his left + hand. This letter had been innocently delivered by Spoil-sport, who, + seeing him come in, had run joyously to meet him. At length the door + opened, and Dagobert appeared. “I have been waiting for you a long time, + sirrah!” cried the marshal, in an irritated tone. + </p> + <p> + Dagobert, more pained than surprised at this burst of anger, which he + rightly attributed to the constant state of excitement in which the + marshal had now been for some time past, answered mildly: “I beg your + pardon, general, but I was letting out my son—” + </p> + <p> + “Read that, sir!” said the marshal abruptly, giving him the letter. + </p> + <p> + While Dagobert was reading it, the marshal resumed, with growing anger, as + he kicked over a chair that stood in his way: “Thus, even in my own house, + there are wretches bribed to harass me with incredible perseverance. Well! + have you read it, sir?” + </p> + <p> + “It is a fresh insult to add to the others,” said Dagobert, coolly, as he + threw the letter into the fire. + </p> + <p> + “The letter is infamous—but it speaks the truth,” replied the + marshal. Dagobert looked at him in amazement. + </p> + <p> + “And can you tell who brought me this infamous letter” continued the + marshal. “One would think the devil had a hand in it—for it was your + dog!” + </p> + <p> + “Spoil-sport?” said Dagobert, in the utmost surprise. + </p> + <p> + “Yes,” answered the marshal, bitterly; “it is no doubt a joke of your + invention.” + </p> + <p> + “I have no heart for joking, general,” answered Dagobert, more and more + saddened by the irritable state of the marshal; “I cannot explain how it + happened. Spoil-sport is a good carrier, and no doubt found the letter in + the house—” + </p> + <p> + “And who can have left it there? Am I surrounded by traitors? Do you keep + no watch? You, in whom I have every confidence?” + </p> + <p> + “Listen to me, general—” + </p> + <p> + But the marshal proceeded, without waiting to hear him. “What! I have made + war for five-and-twenty years, I have battled with armies, I have + struggled victoriously through the evil times of exile and proscription, I + have withstood blows from maces of iron—and now I am to be killed + with pins! Pursued into my own house, harassed with impunity, worn out, + tortured every minute, to gratify some unknown, miserable hate!—When + I say unknown, I am wrong—it is d’Aigrigny, the renegade, who is at + the bottom of all this, I am sure. I have in the world but one enemy, and + he is the man. I must finish with him, for I am weary of this—it is + too much.” + </p> + <p> + “But, general, remember he is a priest—” + </p> + <p> + “What do I care for that? Have I not seen him handle the sword? I will yet + make a soldier’s blood rise to the forehead of the traitor!” + </p> + <p> + “But, general—” + </p> + <p> + “I tell you, that I must be avenged on some one,” cried the marshal, with + an accent of the most violent exasperation; “I tell you, that I mast find + a living representative of these cowardly plots, that I may at once make + an end of him!—They press upon me from all sides; they make my life + a hell—you know it—and you do nothing to save me from these + tortures, which are killing me as by a slow fire. Can I have no one in + whom to trust?” + </p> + <p> + “General, I can’t let you say that,” replied Dagobert, in a calm, but firm + voice. + </p> + <p> + “And why not?” + </p> + <p> + “General, I can’t let you say that you have no one to trust to. You might + end perhaps in believing it, and then it would be even worse for yourself, + than for those who well know their devotion for you, and would go through + fire and water to serve you. I am one of them—and you know it.” + </p> + <p> + These simple words, pronounced by Dagobert with a tone of deep conviction, + recalled the marshal to himself; for although his honorable and generous + character might from time to time be embittered by irritation and grief, + he soon recovered his natural equanimity. So, addressing Dagobert in a + less abrupt tone, he said to him, though still much agitated: “You are + right. I could never doubt your fidelity. But anger deprives me of my + senses. This infamous letter is enough to drive one mad. I am unjust, + ungrateful—yes, ungrateful—and to you!” + </p> + <p> + “Do not think of me, general. With a kind word at the end, you might blow + me up all the year round. But what has happened?” + </p> + <p> + The general’s countenance again darkened, as he answered rapidly: “I am + looked down upon, and despised!” + </p> + <p> + “You?” + </p> + <p> + “Yes I. After all,” resumed the marshal bitterly, “why should I conceal + from you this new wound? If I doubted you a moment, I owe you some + compensation, and you shall know all. For some time past, I perceived + that, when I meet any of my old companions in arms, they try to avoid me—” + </p> + <p> + “What! was it to this that the anonymous letter alluded?” + </p> + <p> + “Yes; and it spoke the truth,” replied the marshal, with a sigh of grief + and indignation. + </p> + <p> + “But it is impossible, general—you are so loved and respected—” + </p> + <p> + “Those are mere words; I speak of positive facts. When I appear, the + conversation is often interrupted. Instead of treating me as an old + comrade, they affect towards me a rigorously cold politeness. There are a + thousand little shades, a thousand trifles, which wound the heart, but + which it is impossible to notice—” + </p> + <p> + “What you are now saying, general, quite confounds me,” replied Dagobert. + “You assure me of it, and I am forced to believe you.” + </p> + <p> + “Oh, it is intolerable! I was resolved to ease my heart of it; so, this + morning, I went to General d’Havrincourt, who was colonel with me in the + Imperial Guard; he is honor and honesty itself. I went to him with open + heart. ‘I perceive,’ said I, ‘the coldness that is shown me. Some calumny + must be circulating to my disadvantage. Tell me all about it. Knowing the + attack, I shall be able to defend myself—’ + </p> + <p> + “Well, general?” + </p> + <p> + “D’Havrincourt remained impassible ceremoniously polite. To all my + questions he answered coldly: ‘I am not aware, my lord duke, that any + calumny has been circulated with regard to you.’—‘Do not call me “my + lord duke,” my dear D’Havrincourt; we are old fellow-soldiers and friends, + my honor is somewhat touchy, I confess, and I find that you and our + comrades do not receive me so cordially, as in times past. You do not deny + it; I see, I know, I feel it.’ To all this D’Havrincourt answered, with + the same coldness: ‘I have never seen any one wanting in respect towards + you.’—‘I am not talking of respect,’ exclaimed I, as I clasped his + hand affectionately, though I observed that he but feebly returned the + pressure; ‘I speak of cordiality, confidence, which I once enjoyed, while + now I am treated like a stranger. Why is it? What has occasioned this + change?’—Still cold and reserved, he answered: ‘These distinctions + are so nice, marshal, that it is impossible for me to give you any opinion + on the subject.’—My heart swelled with grief and anger. What was I + to do? To quarrel with D’Havrincourt would have been absurd. A sense of + dignity forced me to break off the interview, but it has only confirmed my + fears. Thus,” added the marshal, getting more and more animated, “thus am + I fallen from the esteem to which I am entitled, thus am I despised, + without even knowing the cause! Is it not odious? If they would only utter + a charge against me—I should at least be able to defend myself, and + to find an answer. But no, no! not even a word—only the cold + politeness that is worse than any insult. Oh! it is too much, too much! + for all this comes but in addition to other cares. What a life is mine + since the death of my father! If I did but find rest and happiness at home—but + no! I come in, but to read shameful letters; and still worse,” added the + marshal, in a heartrending tone, and after a moment’s hesitation, “to find + my children grow more and more indifferent towards me—“Yes,” + continued he, perceiving the amazement of Dagobert, “and yet they know how + much I love them!” + </p> + <p> + “Your daughters indifferent!” exclaimed Dagobert, in astonishment. “You + make them such a reproach?” + </p> + <p> + “Oh! I do not blame them. They have hardly had time to know me.” + </p> + <p> + “Not had time to know you?” returned the soldier, in a tone of + remonstrance, and warming up in his turn. “Ah! of what did their mother + talk to them, except you? and I too! what could I teach your children + except to know and love you?” + </p> + <p> + “You take their part—that is natural—they love you better than + they do me,” said the marshal, with growing bitterness. Dagobert felt + himself so painfully affected, that he looked at the marshal without + answering. + </p> + <p> + “Yes!” continued the other; “yes! it may be base and ungrateful—but + no matter!—Twenty times I have felt jealous of the affectionate + confidence which my children display towards you, while with me they seem + always to be in fear. If their melancholy faces ever grow animated for a + moment, it is in talking to you, in seeing you; while for me they have + nothing but cold respect—and that kills me. Sure of the affection of + my children, I would have braved and surmounted every difficulty—” + Then, seeing that Dagobert rushed towards the door which led to the + chamber of Rose and Blanche, the marshal asked: “Where are you going?” + </p> + <p> + “For your daughters, general.” + </p> + <p> + “What for?” + </p> + <p> + “To bring them face to face with you—to tell them: ‘My children, + your father thinks that you do not love him.’—I will only say that—and + then you will see.” + </p> + <p> + “Dagobert! I forbid you to do it,” cried the marshal, hastily. + </p> + <p> + “I don’t care for that—you have no right to be unjust to the poor + children,” said the soldier, as he again advanced towards the door. + </p> + <p> + “Dagobert, I command you to remain here,” cried the marshal. + </p> + <p> + “Listen to me, general. I am your soldier, your inferior, your servant, if + you will,” said the old grenadier, roughly; “but neither rank nor station + shall keep me silent, when I have to defend your daughters. All must be + explained—I know but one way—and that is to bring honest + people face to face.” + </p> + <p> + If the marshal had not seized him by the arm, Dagobert would have entered + the apartment of the young girls. + </p> + <p> + “Remain!” said the marshal, so imperiously that the soldier, accustomed to + obedience, hung his head, and stood still. + </p> + <p> + “What would you do?” resumed the marshal. “Tell my children, that I think + they do not love me? induce them to affect a tenderness they do not feel—when + it is not their fault, but mine?” + </p> + <p> + “Oh, general!” said Dagobert, in a tone of despair, “I no longer feel + anger, in hearing you speak thus of your children. It is such grief, that + it breaks my heart!” + </p> + <p> + Touched by the expression of the soldier’s countenance, the marshal + continued, less abruptly: “Come, I may be wrong; and yet I ask you, + without bitterness or jealousy, are not my children more confiding, more + familiar, with you than with me?” + </p> + <p> + “God bless me, general!” cried Dagobert; “if you come to that, they are + more familiar with Spoil-sport than with either of us. You are their + father; and, however kind a father may be, he must always command some + respect. Familiar with me! I should think so. A fine story! What the devil + should they respect in me, who, except that I am six feet high, and wear a + moustache, might pass for the old woman that nursed them?—and then I + must say, that, even before the death of your worthy father, you were sad + and full of thought; the children have remarked that; and what you take + for coldness on their part, is, I am sure, anxiety for you. Come, general; + you are not just. You complain, because they love you too much.” + </p> + <p> + “I complain, because I suffer,” said the marshal, in an agony of + excitement. “I alone know my sufferings.” + </p> + <p> + “They must indeed be grievous, general,” said Dagobert, carried further + than he would otherwise have gone by his attachment for the orphans, + “since those who love you feel them so cruelly.” + </p> + <p> + “What, sir! more reproaches?” + </p> + <p> + “Yes, general, reproaches,” cried Dagobert. “Your children have the right + to complain of you, since you accuse them so unjustly.” + </p> + <p> + “Sir,” said the marshal, scarcely able to contain himself, “this is enough—this + is too much!” + </p> + <p> + “Oh, yes! it is enough,” replied Dagobert, with rising emotion. “Why + defend unfortunate children, who can only love and submit? Why defend them + against your unhappy blindness?” + </p> + <p> + The marshal started with anger and impatience, but then replied, with a + forced calmness: “I needs must remember all that I owe you—and I + will not forget it, say what you will.” + </p> + <p> + “But, general,” cried Dagobert, “why will you not let me fetch your + children?” + </p> + <p> + “Do you not see that this scene is killing me?” cried the exasperated + marshal. “Do you not understand, that I will not have my children witness + what I suffer? A father’s grief has its dignity, sir; and you ought to + feel for and respect it.” + </p> + <p> + “Respect it? no—not when it is founded on injustice!” + </p> + <p> + “Enough, sir—enough!” + </p> + <p> + “And not content with tormenting yourself,” cried Dagobert, unable any + longer to control his feelings, “do you know what you will do? You will + make your children die of sorrow. Was it for this, that I brought them to + you from the depths of Siberia?” + </p> + <p> + “More reproaches!” + </p> + <p> + “Yes; for the worst ingratitude towards me, is to make your children + unhappy.” + </p> + <p> + “Leave the room, sir!” cried the marshal, quite beside himself, and so + terrible with rage and grief, that Dagobert, regretting that he had gone + so far, resumed: “I was wrong, general. I have perhaps been wanting in + respect to you—forgive me—but—” + </p> + <p> + “I forgive you—only leave me!” said the marshal, hardly restraining + himself. + </p> + <p> + “One word, general—” + </p> + <p> + “I entreat you to leave me—I ask it as a service—is that + enough?” said the marshal, with renewed efforts to control the violence of + his emotions. + </p> + <p> + A deadly paleness succeeded to the high color which during this painful + scene had inflamed the cheeks of the marshal. Alarmed at this symptom, + Dagobert redoubled his entreaties. “I implore you, general,” said he, in + an agitated mice, “to permit me for one moment—” + </p> + <p> + “Since you will have it so, sir, I must be the one to leave,” said the + marshal, making a step towards the door. + </p> + <p> + These words were said in such a manner, that Dagobert could no longer + resist. He hung his head in despair, looked for a moment in silent + supplication at the marshal, and then, as the latter seemed yielding to a + new movement of rage, the soldier slowly quitted the room. + </p> + <p> + A few minutes had scarcely elapsed since the departure of Dagobert, when + the marshal, who, after a long and gloomy silence, had repeatedly drawn + near the door of his daughters’ apartment with a mixture of hesitation and + anguish, suddenly made a violent effort, wiped the cold sweat from his + brow, and entered the chamber in which Rose and Blanche had taken refuge. + </p> + <p> + <a name="link2HCH0154" id="link2HCH0154"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER XLIX. THE TEST. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">D</span>agobert was right in defending his children, as he paternally called Rose + and Blanche, and yet the apprehensions of the marshal with regard to the + coldness of his daughters, were unfortunately justified by appearances. As + he had told his father, unable to explain the sad, and almost trembling + embarrassment, which his daughters felt in his presence, he sought in vain + for the cause of what he termed their indifference. Now reproaching + himself bitterly for not concealing from them his grief at the death of + their mother, he feared he might have given them to understand that they + would be unable to console him; now supposing that he had not shown + himself sufficiently tender, and that had chilled them with his military + sternness; and now repeating with bitter regret, that, having always lived + away from them, he must be always a stranger to them. In a word, the most + unlikely suppositions presented themselves by turns to his mind, and + whenever such seeds of doubt, suspicion, or fear, are blended with a warm + affection, they will sooner or later develop themselves with fatal effect. + Yet, notwithstanding this fancied coldness, from which he suffered so + much, the affection of the marshal for his daughters was so true and deep, + that the thought of again quitting them caused the hesitations which were + the torment of his life, and provoked an incessant struggle between his + paternal love and the duty he held most sacred. + </p> + <p> + The injurious calumnies, which had been so skillfully propagated, that men + of honor, like his old brothers in arms, were found to attach some credit + to them, had been spread with frightful pertinacity by the friends of the + Princess de Saint-Dizier. We shall describe hereafter the meaning and + object of these odious reports, which, joined with so many other fatal + injuries, had filled up the measure of the marshal’s indignation. Inflamed + with anger, excited almost to madness by this incessant “stabbing with + pins” (as he had himself called it), and offended at some of Dagobert’s + words, he had spoken harshly to him. But, after the soldier’s departure, + when left to reflect in silence, the marshal remembered the warm and + earnest expressions of the defender of his children, and doubt crossed his + mind, as to the reality of the coldness of which he accused them. + Therefore, having taken a terrible resolution in case a new trial should + confirm his desponding doubts, he entered, as we before said, his, + daughters’ chamber. The discussion with Dagobert had been so loud, that + the sound of the voices had confusedly reached the ears of the two + sisters, even after they had taken refuge in their bedroom. So that, on + the arrival of their father, their pale faces betrayed their fear and + anxiety. At sight of the marshal, whose countenance was also much + agitated, the girls rose respectfully, but remained close together, + trembling in each other’s arms. And yet there was neither anger nor + severity on their father’s face—only a deep, almost supplicating + grief, which seemed to say: “My children, I suffer—I have come to + you—console me, love me! or I shall die!” + </p> + <p> + The marshal’s countenance was at this moment so expressive, that, the + first impulse of fear once surmounted, the sisters were about to throw + themselves into his arms; but remembering the recommendations of the + anonymous letter, which told them how painful any effusion of their + tenderness was to their father, they exchanged a rapid glance, and + remained motionless. By a cruel fatality, the marshal at this moment + burned to open his arms to his children. He looked at them with love, he + even made a slight movement as if to call them to him; but he would not + attempt more, for fear of meeting with no response. Still the poor + children, paralyzed by perfidious counsels, remained mute, motionless, + trembling! + </p> + <p> + “It is all over,” thought he, as he gazed upon them. “No chord of sympathy + stirs in their bosom. Whether I go—-whether I remain—matters + not to them. No, I am nothing to these children—since, at this awful + moment, when they see me perhaps for the last time, no filial instinct + tells them that their affection might save me still!” + </p> + <p> + During these terrible reflections, the marshal had not taken his eyes off + his children, and his manly countenance assumed an expression at once so + touching and mournful—his look revealed so painfully the tortures of + his despairing soul—that Rose and Blanche, confused, alarmed, but + yielding together to a spontaneous movement, threw themselves on their + father’s neck, and covered him with tears and caresses. Marshal Simon had + not spoken a word; his daughters had not uttered a sound; and yet all + three had at length understood one another. A sympathetic shock had + electrified and mingled those three hearts. Vain fears, false doubts, + lying counsel, all had yielded to the irresistible emotion which had + brought the daughters to their father’s arms. A sudden revelation gave + them faith, at the fatal moment when incurable suspicion was about to + separate them forever. + </p> + <p> + In a second, the marshal felt all this, but words failed him. Pale, + bewildered, kissing the brows, the hair, the hands of his daughters, + weeping, sighing, smiling all in turn, he was wild, delirious, drunk with + happiness. At length, he exclaimed: “I have found them—or rather, I + have never lost them. They loved me, and did not dare to tell me so. I + overawed them. And I thought it was my fault. Heavens! what good that + does! what strength, what heart, what hope!—Ha! ha!” cried he, + laughing and weeping at the same time, whilst he covered his children with + caresses; “they may despise me now, they may harass me now—I defy + them all. My own blue eyes! my sweet blue eyes! look at me well, and + inspire me with new life.” + </p> + <p> + “Oh, father! you love us then as much as we love you?” cried Rose, with + enchanting simplicity. + </p> + <p> + “And we may often, very often, perhaps every day, throw ourselves on your + neck, embrace you, and prove how glad we are to be with you?” + </p> + <p> + “Show you, dear father, all the store of love we were heaping up in our + hearts—so sad, alas! that we could not spend it upon you?” + </p> + <p> + “Tell you aloud all that we think in secret?” + </p> + <p> + “Yes—you may do so—you may do so,” said Marshal Simon, + faltering with joy; “what prevented you, my children? But no; do not + answer; enough of the past!—I know all, I understand all. You + misinterpreted my gloom, and it made you sad; I, in my turn, + misinterpreted your sadness. But never mind; I scarcely know what I am + saying to you. I only think of looking at you—and it dazzles me—it + confuses me—it is the dizziness of joy!” + </p> + <p> + “Oh, look at us, father! look into our eyes, into our hearts,” cried Rose, + with rapture. + </p> + <p> + “And you will read there, happiness for us, and love for you, sir!” added + Blanche. + </p> + <p> + “Sir, sir!” said the marshal, in a tone of affectionate reproach; “what + does that mean? Will you call me father, if you please?” + </p> + <p> + “Dear father, your hand!” said Blanche, as she took it, and placed it on + her heart. + </p> + <p> + “Dear father, your hand!” said Rose, as she took the other hand of the + marshal. “Do you believe now in our love and happiness?” she continued. + </p> + <p> + It is impossible to describe the charming expression of filial pride in + the divine faces of the girls, as their father, slightly pressing their + virgin bosoms, seemed to count with delight the joyous pulsations of their + hearts. + </p> + <p> + “Oh, yes! happiness and affection can alone make the heart beat thus!” + cried the marshal. + </p> + <p> + A hoarse sob, heard in the direction of the open door, made the three turn + round, and there they saw the tall figure of Dagobert, with the black nose + of Spoil-sport reaching to his master’s knee. The soldier, drying his eyes + and moustache with his little blue cotton handkerchief, remained + motionless as the god Terminus. When he could speak, he addressed himself + to the marshal, and, shaking his head, muttered, in a hoarse voice, for + the good man was swallowing his tears: “Did I not tell you so?” + </p> + <p> + “Silence!” said the marshal, with a sign of intelligence. “You were a + better father than myself, my old friend. Come and kiss them! I shall not + be jealous.” + </p> + <p> + The marshal stretched out his hand to the soldier, who pressed it + cordially, whilst the two sisters threw themselves on his neck, and + Spoil-sport, according to custom wishing to have his share in the general + joy, raised himself on his hind legs, and rested his fore-paws against his + master’s back. There was a moment of profound silence. The celestial + felicity enjoyed during that moment, by the marshal, his daughters, and + the soldier, was interrupted by the barking of Spoil-sort, who suddenly + quitted the attitude of a biped. The happy group separated, looked round, + and saw Loony’s stupid face. He looked even duller than usual, as he stood + quite still in the doorway, staring with wide stretched eyes, and holding + a feather-broom under his arm, and in his hand the ever-present basket of + wood. + </p> + <p> + Nothing makes one so gay as happiness; and, though this grotesque figure + appeared at a very unseasonable moment, it was received with frank + laughter from the blooming lips of Rose and Blanche. Having made the + marshal’s daughters laugh, after their long sadness, Loony at once + acquired a claim to the indulgence of the marshal, who said to him, good + humoredly: “What do you want, my lad?” + </p> + <p> + “It’s not me, my lord duke!” answered Loony, laying his hand on his + breast, as if it were taking a vow, so that his feather-brush fell down + from under his arm. The laughter of the girls redoubled. + </p> + <p> + “It is not you?” said the marshal. + </p> + <p> + “Here! Spoil-sport!” Dagobert called, for the honest dog seemed to have a + secret dislike for the pretended idiot, and approached him with an angry + air. + </p> + <p> + “No, my lord duke, it is not me!” resumed Loony. “It is the footman who + told me to tell M. Dagobert, when I brought up the wood to tell my lord + duke, as I was coming up with the basket, that M. Robert wants to see + him.” + </p> + <p> + The girls laughed still more at this new stupidity. But, at the name of + Robert, Marshal Simon started. + </p> + <p> + M. Robert was the secret emissary of Rodin, with regard to the possible, + but adventurous, enterprise of attempting the liberation of Napoleon II. + After a moment’s silence, the marshal, whose face was still radiant with + joy and happiness, said to Loony: “Beg M. Robert to wait for me a moment + in my study.” + </p> + <p> + “Yes, my lord duke,” answered Loony, bowing almost to the ground. + </p> + <p> + The simpleton withdrew, and the marshal said to his daughters, in a joyous + tone, “You see, that, in a moment like this, one does not leave one’s + children, even for M. Robert.” + </p> + <p> + “Oh! that’s right, father!” cried Blanche, gayly; “for I was already very + angry with this M. Robert.” + </p> + <p> + “Have you pen and paper at hand?” asked the marshal. + </p> + <p> + “Yes, father; there on the table,” said Rose, hastily, as she pointed to a + little desk near one of the windows, towards which the marshal now + advanced rapidly. + </p> + <p> + From motives of delicacy, the girls remained where they were, close to the + fireplace, and caressed each other tenderly, as if to congratulate + themselves in private on the unexpected happiness of this day. + </p> + <p> + The marshal seated himself at the desk, and made a sign to Dagobert to + draw near. + </p> + <p> + While he wrote rapidly a few words in a firm hand, he said to the soldier + with a smile, in so low a tone that it was impossible for his daughters to + hear: “Do you know what I had almost resolved upon, before entering this + room?” + </p> + <p> + “What, general?” + </p> + <p> + “To blow my brains out. It is to my children that I owe my life.” And the + marshal continued writing. + </p> + <p> + Dagobert started at this communication, and then replied, also in a + whisper: “It would not have been with your pistols. I took off the caps.” + </p> + <p> + The marshal turned round hastily, and looked at him with an air of + surprise. But the soldier only nodded his head affirmatively, and added: + “Thank heaven, we have now done with all those ideas!” + </p> + <p> + The marshal’s only answer was to glance at his children, his eyes swimming + with tenderness, and sparkling with delight; then, sealing the note he had + written, he gave it to the soldier, and said to him, “Give that to M. + Robert. I will see him to-morrow.” + </p> + <p> + Dagobert took the letter, and went out. Returning towards his daughters, + the marshal joyfully extended his arms to them, and said, “Now, young + ladies, two nice kisses for having sacrificed M. Robert to you. Have I not + earned them?” And Rose and Blanche threw themselves on their father’s + neck. + </p> + <p> + About the time that these events were taking place at Paris, two + travellers, wide apart from each other, exchanged mysterious thoughts + through the breadth of space. + </p> +<div class="fig"> + <img src="images/30327m.jpg" alt="30327m" /><br /> + </div> + <h5> + <a href="images/30327.jpg"><i>Original</i></a> + </h5> + <p> + <a name="link2H_4_0174" id="link2H_4_0174"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + BOOK XI. + </h2> +<pre xml:space="preserve"> + L. The Ruins of the Abbey of St. John the Baptist LI. The + Calvary LII. The Council LIII. Happiness LIV. Duty LV. The + Improvised Hospital LVI. Hydrophobia LVII. The Guardian + Angel LVIII. Ruin LIX. Memories LX. The Ordeal LXI. Ambition + LXII. To a Socius, a Socius and a Half LXIII. Faringhea’s + Affection LXIV. An Evening at St. Colombe’s LXV. The Nuptial + Bed LXVI. A Duel to the Death LXVII. A Message LXVIII. The + First of June +</pre> + <p> + <a name="link2H_EPIL" id="link2H_EPIL"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + EPILOGUE. + </h2> +<pre xml:space="preserve"> + I. Four Years After II. The Redemption +</pre> + <p> + <a name="link2HCH0155" id="link2HCH0155"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER L. THE RUINS OF THE ABBEY OF ST. JOHN THE BAPTIST. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>he sun is fast sinking. In the depths of an immense piny wood, in the + midst of profound solitude, rise the ruins of an abbey, once sacred to St. + John the Baptist. Ivy, moss, and creeping plants, almost entirely conceal + the stones, now black with age. Some broken arches, some walls pierced + with ovals, still remain standing, visible on the dark background of the + thick wood. Looking down upon this mass of ruins from a broken pedestal, + half-covered with ivy, a mutilated, but colossal statue of stone still + keeps its place. This statue is strange and awful. It represents a + headless human figure. Clad in the antique toga, it holds in its hand a + dish and on that dish is a head. This head is its own. It is the statue of + St. John the Baptist and Martyr, put to death by wish of Herodias. + </p> + <p> + The silence around is solemn. From time to time, however, is heard the + dull rustling of the enormous branches of the pine-trees, shaken by the + wind. Copper-colored clouds, reddened by the setting sun, pass slowly over + the forest, and are reflected in the current of a brook, which, deriving + its source from a neighboring mass of rocks, flows through the ruins. The + water flows, the clouds pass on, the ancient trees tremble, the breeze + murmurs. + </p> + <p> + Suddenly, through the shadow thrown by the overhanging wood, which + stretches far into endless depths, a human form appears. It is a woman. + She advances slowly towards the ruins. She has reached them. She treads + the once sacred ground. This woman is pale, her look sad, her long robe + floats on the wind, her feet covered with dust. She walks with difficulty + and pain. A block of stone is placed near the stream, almost at the foot + of the statue of John the Baptist. Upon this stone she sinks breathless + and exhausted, worn out with fatigue. And yet, for many days, many years, + many centuries, she has walked on unwearied. + </p> +<div class="fig"> + <img src="images/30333m.jpg" alt="30333m" /><br /> + </div> + <h5> + <a href="images/30333.jpg"><i>Original</i></a> + </h5> + <p> + For the first time, she feels an unconquerable sense of lassitude. For the + first time, her feet begin to fail her. For the first time, she, who + traversed, with firm and equal footsteps, the moving lava of torrid + deserts, while whole caravans were buried in drifts of fiery sand—who + passed, with steady and disdainful tread, over the eternal snows of Arctic + regions, over icy solitudes, in which no other human being could live—who + had been spared by the devouring flames of conflagrations, and by the + impetuous waters of torrents—she, in brief, who for centuries had + had nothing in common with humanity—for the first time suffers + mortal pain. + </p> + <p> + Her feet bleed, her limbs ache with fatigue, she is devoured by burning + thirst. She feels these infirmities, yet scarcely dares to believe them + real. Her joy would be too immense! But now, her throat becomes dry, + contracted, all on fire. She sees the stream, and throws herself on her + knees, to quench her thirst in that crystal current, transparent as a + mirror. What happens then? Hardly have her fevered lips touched the fresh, + pure water, than, still kneeling, supported on her hands, she suddenly + ceases to drink, and gazes eagerly on the limpid stream. Forgetting the + thirst which devours her, she utters a loud cry—a cry of deep, + earnest, religious joy, like a note of praise and infinite gratitude to + heaven. In that deep mirror, she perceives that she has grown older. + </p> + <p> + In a few days, a few hours, a few minutes, perhaps in a single second, she + has attained the maturity of age. She, who for more than eighteen + centuries has been as a woman of twenty, carrying through successive + generations the load of her imperishable youth—she has grown old, + and may, perhaps, at length, hope to die. Every minute of her life may now + bring her nearer to the last home! Transported by that ineffable hope, she + rises, and lifts her eyes to heaven, clasping her hands in an attitude of + fervent prayer. Then her eyes rest on the tall statue of stone, + representing St. John. The head, which the martyr carries in his hand, + seems, from beneath its half-closed granite eyelid, to cast upon the + Wandering Jewess a glance of commiseration and pity. And it was she, + Herodias who, in the cruel intoxication of a pagan festival, demanded the + murder of the saint! And it is at the foot of the martyr’s image, that, + for the first time, the immortality, which weighed on her for so many + centuries, seems likely to find a term! + </p> + <p> + “Oh, impenetrable mystery! oh, divine hope!” she cries. “The wrath of + heaven is at length appeased. The hand of the Lord brings me to the feet + of the blessed martyr, and I begin once more to feel myself a human + creature. And yet it was to avenge his death, that the same heaven + condemned me to eternal wanderings! + </p> + <p> + “Oh, Lord! grant that I may not be the only one forgiven. May he—the + artisan, who like me, daughter of a king, wanders on for centuries—likewise + hope to reach the end of that immense journey! + </p> + <p> + “Where is he, Lord? where is he? Hast thou deprived me of the power once + bestowed, to see and hear him through the vastness of intervening space? + Oh, in this mighty moment, restore me that divine gift—for the more + I feel these human infirmities, which I hail and bless as the end of my + eternity of ills, the more my sight loses the power to traverse immensity, + and my ear to catch the sound of that wanderer’s accent, from the other + extremity of the globe?” + </p> + <p> + Night had fallen, dark and stormy. The wind rose in the midst of the great + pine-trees. Behind their black summits, through masses of dark cloud, + slowly sailed the silver disk of the moon. The invocation of the Wandering + Jewess had perhaps been heard. Suddenly, her eyes closed—with hands + clasped together, she remained kneeling in the heart of the ruins—motionless + as a statue upon a tomb. And then she had a wondrous dream! + </p> + <p> + <a name="link2HCH0156" id="link2HCH0156"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER LI. THE CALVARY. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>his was the vision of Herodias: On the summit of a high, steep, rocky + mountain, there stands a cross. The sun is sinking, even as when the + Jewess herself, worn out with fatigue, entered the ruins of St. John’s + Abbey. The great figure on the cross—which looks down from this + Calvary, on the mountain, and on the vast, dreary plain beyond—stands + out white and pale against the dark, blue clouds, which stretch across the + heavens, and assume a violent tint towards the horizon. There, where the + setting sun has left a long track of lurid light, almost of the hue of + blood—as far as the eye can reach, no vegetation appears on the + surface of the gloomy desert, covered with sand and stones, like the + ancient bed of some dried-up ocean. A silence as of death broods over this + desolate tract. Sometimes, gigantic black vultures, with red unfeathered + necks, luminous yellow eyes, stooping from their lofty flight in the midst + of these solitudes, come to make their bloody feast on the prey they have + carried off from less uncultivated regions. + </p> + <p> + How, then, did this Calvary, this place of prayer, come to be erected so + far from the abodes of men? This Calvary was prepared at a great cost by a + repentant sinner. He had done much harm to his fellow-creatures, and, in + the hope of obtaining pardon for his crimes, he had climbed this mountain + on his knees, and become a hermit, and lived there till his death, at the + foot of this cross, only sheltered by a roof of thatch, now long since + swept away by the wind. The sun is still sinking. The sky becomes darker. + The luminous lines on the horizon grow fainter and fainter, like heated + bars of iron that gradually grow cool. Suddenly, on the eastern side of + the Calvary, is heard the noise of some falling stones, which, loosened + from the side of the mountain, roll down rebounding to its base. These + stones have been loosened by the foot of a traveller, who, after + traversing the plain below, has, during the last hour, been climbing the + steep ascent. He is not yet visible—but one hears the echo of his + tread—slow, steady, and firm. At length, he reaches the top of the + mountain, and his tall figure stands out against the stormy sky. + </p> + <p> + The traveller is pale as the great figure on the cross. On his broad + forehead a black line extends from one temple to the other. It is the + cobbler of Jerusalem. The poor artisan, who hardened by misery, injustice + and oppression, without pity for the suffering of the Divine Being who + bore the cross, repulsed him from his dwelling, and bade him: “Go ON! GO + ON! GO ON!” And, from that day, the avenging Deity has in his turn said to + the artisan of Jerusalem: “GO ON! GO ON! GO ON!” + </p> + <p> + And he has gone on, without end or rest. Nor did the divine vengeance stop + there. From time to time death has followed the steps of the wanderer, and + innumerable graves have been even as mile-stones on his fatal path. And if + ever he found periods of repose in the midst of his infinite grief, it was + when the hand of the Lord led him into deep solitudes, like that where he + now dragged his steps along. In passing over that dreary plain, or + climbing to that rude Calvary, he at least heard no more the funeral + knell, which always, always sounded behind him in every inhabited region. + </p> + <p> + All day long, even at this hour, plunged in the black abyss of his + thoughts, following the fatal track—going whither he was guided by + the invisible hand, with head bowed on his breast, and eyes fixed upon the + ground, the wanderer had passed over the plain, and ascended the mountain, + without once looking at the sky—without even perceiving the Calvary—without + seeing the image upon the cross. He thought of the last descendants of his + race. He felt, by the sinking of his heart, that great perils continued to + threaten him. And in the bitterness of a despair, wild and deep as the + ocean, the cobbler of Jerusalem seated himself at the foot of the cross. + At this moment a farewell ray of the setting sun, piercing the dark mass + of clouds, threw a refection upon the Calvary, vivid as a conflagration’s + glare. The Jew rested his forehead upon his hand. His long hair, shaken by + the evening breeze, fell over his pale face—when sweeping it back + from his brow, he started with surprise—he, who had long ceased to + wonder at anything. With eager glance he contemplated the long lock of + hair that he held between his fingers. That hair, until now black as + night, had become gray. He also, like unto Herodias, was growing older. + </p> + <p> + His progress towards old age, stopped for eighteen hundred years, had + resumed its course. Like the Wandering Jewess, he might henceforth hope + for the rest of the grave. Throwing himself on his knees, he stretched his + hands towards heaven, to ask for the explanation of the mystery which + filled him with hope. Then, for the first time, his eyes rested on the + Crucified One, looking down upon the Calvary, even as the Wandering Jewess + had fixed her gaze on the granite eyelids of the Blessed Martyr. + </p> + <p> + The Saviour, his head bowed under the weight of his crown of thorns, + seemed from the cross to view with pity, and pardon the artisan, who for + so many centuries had felt his curse—and who, kneeling, with his + body thrown backward in an attitude of fear and supplication, now lifted + towards the crucifix his imploring hands. + </p> + <p> + “Oh, Messiah!” cried the Jew, “the avenging arm of heaven brings me back + to the foot of this heavy cross, which thou didst bear, when, stopping at + the door of my poor dwelling, thou wert repulsed with merciless harshness, + and I said unto thee: ‘Go on! go on!’—After my long life of + wanderings, I am again before this cross, and my hair begins to whiten. Oh + Lord! in thy divine mercy, hast thou at length pardoned me? Have I reached + the term of my endless march? Will thy celestial clemency grant me at + length the repose of the sepulchre, which, until now, alas! has ever fled + before me?—Oh! if thy mercy should descend upon me, let it fall + likewise upon that woman, whose woes are equal to mine own! Protect also + the last descendants of my race! What will be their fate? Already, Lord, + one of them—the only one that misfortune had perverted—has + perished from the face of the earth. Is it for this that my hair grows + gray? Will my crime only be expiated when there no longer remains in this + world one member of our accursed race? Or does this proof of thy powerful + goodness, Lord, which restores me to the condition of humanity, serve also + as a sign of the pardon and happiness of my family? Will they at length + triumph over the perils which beset them? Will they, accomplishing the + good which their ancestor designed for his fellow creatures, merit + forgiveness both for themselves and me? Or will they, inexorably condemned + as the accursed scions of an accursed stock, expiate the original stain of + my detested crime? + </p> + <p> + “Oh, tell me—tell me, gracious Lord! shall I be forgiven with them, + or will they be punished with me?” + </p> + <p> + The twilight gave place to a dark and stormy night, yet the Jew continued + to pray, kneeling at the foot of the cross. + </p> + <p> + <a name="link2HCH0157" id="link2HCH0157"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER LII. THE COUNCIL. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>he following scene took place at Saint-Dizier House, two days after the + reconciliation of Marshal Simon with his daughters. The princess is + listening with the most profound attention to the words of Rodin. The + reverend father, according to his habit, stands leaning against the + mantelpiece, with his hands thrust into the pockets of his old brown + great-coat. His thick, dirty shoes have left their mark on the ermine + hearth-rug. A deep sense of satisfaction is impressed on the Jesuit’s + cadaverous countenance. Princess de Saint-Dizier, dressed with that sort + of modest elegance which becomes a mother of the church, keeps her eyes + fixed on Rodin—for the latter has completely supplanted Father + d’Aigrigny in the good graces of this pious lady. The coolness, audacity + lofty intelligence, and rough and imperious character of the ex-socius + have overawed this proud woman, and inspired her with a sincere + admiration. Even his filthy habits and often brutal repartees have their + charm for her, and she now prefers them to the exquisite politeness and + perfumed elegance of the accomplished Father d’Aigrigny. + </p> + <p> + “Yes, madame,” said Rodin, in a sanctified tone, for these people do not + take off their masks even with their accomplices, “yes, madame, we have + excellent news from our house at St. Herem. M. Hardy, the infidel, the + freethinker, has at length entered the pale of the holy Roman Catholic and + Apostolic Church.” Rodin pronounced these last word with a nasal twang, + and the devout lady bowed her head respectfully. + </p> + <p> + “Grace has at length touched the heart of this impious man,” continued + Rodin, “and so effectually that, in his ascetic enthusiasm, he has already + wished to take the vows which will bind him forever to our divine Order.” + </p> + <p> + “So soon, father?” said the princess, in astonishment. + </p> + <p> + “Our statutes are opposed to this precipitation, unless in the case of a + penitent in articulo mortis—on the very gasp of death—should + such a person consider it necessary for his salvation to die in the habit + of our Order, and leave us all his wealth for the greater glory of the + Lord.” + </p> + <p> + “And is M. Hardy in so dangerous a condition, father?” + </p> + <p> + “He has a violent fever. After so many successive calamities, which have + miraculously brought him into the path of salvation,” said Rodin, piously, + “his frail and delicate constitution is almost broken up, morally and + physically. Austerities, macerations, and the divine joys of ecstasy, will + probably hasten his passage to eternal life, and in a few clays,” said the + priest, shaking his head with a solemn air, “perhaps—” + </p> + <p> + “So soon as that, father?” + </p> + <p> + “It is almost certain. I have therefore made use of my dispensations, to + receive the dear penitent, as in articulo mortis, a member of our divine + Company, to which, in the usual course, he has made over all his + possessions, present and to come—so that now he can devote himself + entirely to the care of his soul, which will be one victim more rescued + from the claws of Satan.” + </p> + <p> + “Oh, father!” cried the lady, in admiration; “it is a miraculous + conversion. Father d’Aigrigny told me how you had to contend against the + influence of Abbe Gabriel.” + </p> + <p> + “The Abbe Gabriel,” replied Rodin, “has been punished for meddling with + what did not concern him. I have procured his suspension, and he has been + deprived of his curacy. I hear that he now goes about the cholera + hospitals to administer Christian consolation; we cannot oppose that—but + this universal comforter is of the true heretical stamp.” + </p> + <p> + “He is a dangerous character, no doubt,” answered the princess, “for he + has considerable influence over other men. It must have needed all your + admirable and irresistible eloquence to combat the detestable counsels of + this Abbe Gabriel, who had taken it into his head to persuade M. Hardy to + return to the life of the world. Really, father, you are a second St. + Chrysostom.” + </p> + <p> + “Tut, tut, madame!” said Rodin, abruptly, for he was very little sensible + to flattery; “keep that for others.” + </p> + <p> + “I tell you that you’re a second St. Chrysostom father,” repeated the + princess with enthusiasm; “like him, you deserve the name of Golden + Mouth.” + </p> + <p> + “Stuff, madame!” said Rodin, brutally, shrugging his shoulders; “my lips + are too pale, my teeth too black, for a mouth of gold. You must be only + joking.” + </p> + <p> + “But, father—” + </p> + <p> + “No, madame, you will not catch old birds with chaff,” replied Rodin, + harshly. “I hate compliments, and I never pay them.” + </p> +<div class="fig"> + <img src="images/30341m.jpg" alt="30341m" /><br /> + </div> + <h5> + <a href="images/30341.jpg"><i>Original</i></a> + </h5> + <p> + “Your modesty must pardon me, father,” said the princess, humbly; “I could + not resist the desire to express to you my admiration, for, as you almost + predicted, or at least foresaw, two members of the Rennepont family, have, + within the last few months, resigned all claim to the inheritance.” + </p> + <p> + Rodin looked at Madame de Saint-Dizier with a softened and approving air, + as he heard her thus describe the position of the two defunct claimants. + For, in Rodin’s view of the case, M. Hardy, in consequence of his donation + and his suicidal asceticism, belonged no longer to this world. + </p> + <p> + The lady continued: “One of these men, a wretched artisan, has been led to + his ruin by the exaggeration of his vices. You have brought the other into + the path of salvation, by carrying out his loving and tender qualities. + Honor, then to your foresight, father! for you said that you would make + use of the passions to attain your end.” + </p> + <p> + “Do not boast too soon,” said Rodin, impatiently. “Have you forgotten your + niece, and the Hindoo, and the daughters of Marshal Simon? Have they also + made a Christian end, or resigned their claim to share in this + inheritance?” + </p> + <p> + “No, doubtless.” + </p> + <p> + “Hence, you see, madame, we should not lose time in congratulating + ourselves on the past, but make ready for the future. The great day + approaches. The first of June is not far off. Heaven grant we may not see + the four surviving members of the family continue to live impenitent up to + that period, and so take possession of this enormous property—the + source of perdition in their hands—but productive of the glory of + the Church in the hands of our Company!” + </p> + <p> + “True, father!” + </p> + <p> + “By the way, you were to see your lawyers on the subject of your niece?” + </p> + <p> + “I have seen them, father. However uncertain may be the chance of which I + spoke, it is worth trying. I shall know to-day, I hope, if it is legally + possible.” + </p> + <p> + “Perhaps then,—in the new condition of life to which she would be + reduced, we might find means to effect her conversion,” said Rodin, with a + strange and hideous smile; “until now, since she has been so fatally + brought in contact with the Oriental, the happiness of these two pagans + appears bright and changeless as the diamond. Nothing bites into it, not + even Faringhea’s tooth. Let us hope that the Lord will wreak justice on + their vain and guilty felicity!” + </p> + <p> + This conversation was here interrupted by Father d’Aigrigny, who entered + the room with an air of triumph, and exclaimed, “Victory!” + </p> + <p> + “What do you say”’ asked the princess. + </p> + <p> + “He is gone—last night,” said Father d’Aigrigny. + </p> + <p> + “Who?” said Rodin. + </p> + <p> + “Marshal Simon,” replied the abbe. + </p> + <p> + “At last!” said Rodin, unable to hide his joy. + </p> + <p> + “It was no doubt his interview with General d’Havrincourt which filled up + the measure,” cried the princess, “for I know he had a long conversation + with the general, who like so many others, believed the reports in + circulation. All means are good against the impious!” added the princess, + by way of moral. + </p> + <p> + “Have you any details?” asked Rodin. + </p> + <p> + “I have just left Robert,” said Father d’Aigrigny. “His age and + description agree with the marshal’s, and the latter travels with his + papers. Only one thing has greatly surprised your emissary.” + </p> + <p> + “What is that?” said Rodin. + </p> + <p> + “Until now, he had always to contend with the hesitations of the marshal, + and had moreover noticed his gloomy and desponding air. Yesterday, on the + contrary, he found him so bright with happiness, that he could not help + asking him the cause of the alteration.” + </p> + <p> + “Well?” said Rodin and the princess together, both extremely surprised. + </p> + <p> + “The marshal answered: ‘I am indeed the happiest man in the world; for I + am going joyfully to accomplish a sacred duty!” + </p> + <p> + The three actors in this scene looked at each other in silence. + </p> + <p> + “And what can have produced this sudden change in the mind of the + marshal?” said the princess, with a pensive air. “We rather reckon on + sorrow and every kind of irritation to urge him to engage in this + adventurous enterprise.” + </p> + <p> + “I cannot make it out,” said Rodin, reflecting; “but no matter—he is + gone. We must not lose a moment, to commence operations on his daughters. + Has he taken that infernal soldier with him?” + </p> + <p> + “No,” said Father d’Aigrigny; “unfortunately, he has not done so. Warned + by the past, he will redouble his precautions; and a man, whom we might + have used against him at a pinch, has just been taken with the contagion.” + </p> + <p> + “Who is that?” asked the princess. + </p> + <p> + “Morok. I could count upon him anywhere and for anything. He is lost to + us; for, should he recover from the cholera, I fear he will fall a victim + to a horrible and incurable disease.” + </p> + <p> + “How so?” + </p> + <p> + “A few days ago, he was bitten by one of the mastiffs of his menagerie, + and, the next day, the dog showed symptoms of hydrophobia.” + </p> + <p> + “Ah! it is dreadful,” cried the princess; “and where is this unfortunate + man?” + </p> + <p> + “He has been taken to one of the temporary hospitals established in Paris, + for at present he has only been attacked with cholera. It is doubly + unfortunate, I repeat, for he was a devoted, determined fellow, ready for + anything. Now this soldier, who has the care of the orphans, will be very + difficult to get at, and yet only through him can we hope to reach Marshal + Simon’s daughters.” + </p> + <p> + “That is clear,” said Rodin, thoughtfully. + </p> + <p> + “Particularly since the anonymous letters have again awakened his + suspicions,” added Father d’Aigrigny “and—” + </p> + <p> + “Talking of the anonymous letters,” said Rodin suddenly, interrupting + Father d’Aigrigny, “there is a fact that you ought to know; I will tell + you why.” + </p> + <p> + “What is it?” + </p> + <p> + “Besides the letters that you know of, Marshal Simon has received a number + of others unknown to you, in which, by every possible means, it is tried + to exasperate his irritation against yourself—for they remind him of + all the reasons he has to hate you, and mock at him, because your sacred + character shelters you from his vengeance.” + </p> + <p> + Father d’Aigrigny looked at Rodin with amazement, colored in spite of + himself, and said to him: “But for what purpose has your reverence acted + in this manner?” + </p> + <p> + “First of all, to clear myself of suspicion with regard to the letters; + then, to excite the rage of the marshal to madness, by incessantly + reminding him of the just grounds he has to hate you, and of the + impossibility of being avenged upon you. This, joined to the other + emotions of sorrow and anger, which ferment in the savage bosom of this + man of bloodshed, tended to urge him on to the rash enterprise, which is + the consequence and the punishment of his idolatry for a miserable + usurper.” + </p> + <p> + “That may be,” said Father d’Aigrigny, with an air of constraint: “but I + will observe to your reverence, that it was, perhaps, rather dangerous + thus to excite Marshal Simon against me.” + </p> + <p> + “Why?” asked Rodin, as he fixed a piercing look upon Father d’Aigrigny. + </p> + <p> + “Because the marshal, excited beyond all bounds, and remembering only our + mutual hate, might seek me out—” + </p> + <p> + “Well! and what then?” + </p> + <p> + “Well! he might forget that I am a priest—” + </p> + <p> + “Oh, you are afraid are you?” said Rodin, disdainfully, interrupting + Father d’Aigrigny. + </p> + <p> + At the words: “You are afraid,” the reverend father almost started from + his chair; but recovering his coolness, he answered: “Your reverence is + right; yes, I should be afraid under such circumstances; I should be + afraid of forgetting that I am a priest, and of remembering too well that + I have been a soldier.” + </p> + <p> + “Really?” said Rodin, with sovereign contempt. “You are still no further + than that stupid and savage point of honor? Your cassock has not yet + extinguished the warlike fire? So that if this brawling swordsman, whose + poor, weak head, empty and sonorous as a drum, is so easily turned with + the stupid jargon of ‘Military honor, oaths, Napoleon II.’—if this + brawling bravo, I say, were to commit some violence against you, it would + require a great effort, I suppose, for you to remain calm?” + </p> + <p> + “It is useless, I think,” said Father d’Aigrigny, quite unable to control + his agitation, “for your reverence to enter upon such questions.” + </p> + <p> + “As your superior,” answered Rodin, severely, “I have the right to ask. If + Marshal Simon had lifted his hand against you—” + </p> + <p> + “Sir,” cried the reverend father. + </p> + <p> + “There are no sirs here—we are only priests,” said Rodin, harshly. + Father d’Aigrigny held down his head, scarcely able to repress his rage. + </p> + <p> + “I ask you,” continued Rodin, obstinately, “if Marshal Simon had struck + you? Is that clear?” + </p> + <p> + “Enough! in mercy,” said Father d’Aigrigny, “enough!” + </p> + <p> + “Or, if you like it better, had Marshal Simon left the marks of his + fingers on your cheek?” resumed Rodin, with the utmost pertinacity. + </p> + <p> + Father d’Aigrigny, pale as death, ground his teeth in a kind of fury at + the very idea of such an insult, while Rodin, who had no doubt his object + in asking the question, raised his flabby eyelids, and seemed to watch + attentively the significant symptoms revealed in the agitated countenance + of the ex-colonel. + </p> + <p> + At length, recovering partly his presence of mind, Father d’Aigrigny + replied, in a forcedly calm tone: “If I were to be exposed to such an + insult, I would pray heaven to give me resignation and humility.” + </p> + <p> + “And no doubt heaven would hear your prayers,” said Rodin, coldly, + satisfied with the trial to which he had just put him. “Besides, you are + now warned, and it is not very probable,” added he, with a grim smile, + “that Marshal Simon will ever return to test your humility. But if he were + to return,” said Rodin, fixing on the reverend father a long and piercing + look, “you would know how to show this brutal swordsman, in spite of all + his violence, what resignation and humility there is in a Christian soul!” + </p> + <p> + Two humble knocks at the door here interrupted the conversation for a + moment. A footman entered, bearing a large sealed packet on a salver, + which he presented to the princess. After this, he withdrew. Princess de + Saint-Dizier, having by a look asked Rodin’s permission to open the + letter, began to read it—and a cruel satisfaction was soon visible + on her face. + </p> + <p> + “There is hope,” cried she addressing herself to Rodin: “the demand is + rigorously legal, and the consequence may be such as we desire. In a word, + my niece may, any day, be exposed to complete destitution. She, who is so + extravagant! what a change in her life!” + </p> + <p> + “We shall then no doubt have some hold on that untamable character,” said + Rodin with a meditative air; “for, till now, all has failed in that + direction, and one would suppose some kinds of happiness are + invulnerable,” added the Jesuit, gnawing his flat and dirty nails. + </p> + <p> + “But, to obtain the result we desire, we must exasperate my niece’s pride. + It is, therefore, absolutely necessary, that I should see and talk to + her,” said the Princess de Saint-Dizier, reflecting. + </p> + <p> + “Mdlle. de Cardoville will refuse this interview,” said Father d’Aigrigny. + </p> + <p> + “Perhaps,” replied the princess. “But she is so happy that her audacity + must be at its height. Yes, yes—I know her—and I will write in + such a manner, that she will come.” + </p> + <p> + “You think so?” asked Rodin, with a doubtful air. + </p> + <p> + “Do not fear it, father,” answered the lady, “she will come. And her pride + once brought into play, we may hope a good deal from it.” + </p> + <p> + “We must then act, lady,” resumed Rodin; “yes, act promptly. The moment + approaches. Hate and suspicion are awake. There is not a moment to lose.” + </p> + <p> + “As for hate,” replied the princess, “Mdlle. de Cardoville must have seen + to what her lawsuit would lead, about what she called her illegal + detention in a lunatic asylum, and that of the two young ladies in St. + Mary’s Convent. Thank heaven, we have friends everywhere! I know from good + authority, that the case will break down from want of evidence, in spite + of the animosity of certain parliamentary magistrates, who shall be well + remembered.” + </p> + <p> + “Under these circumstances,” replied Rodin, “the departure of the marshal + gives us every latitude. We must act immediately on his daughters.” + </p> + <p> + “But how?” said the princess. + </p> + <p> + “We must see them,” resumed Rodin, “talk with them, study them. Then we + shall act in consequence.” + </p> + <p> + “But the soldier will not leave them a second,” said Father d’Aigrigny. + </p> + <p> + “Then,” replied Rodin, “we must talk to them in presence of the soldier, + and get him on our side.” + </p> + <p> + “That hope is idle,” cried Father d’Aigrigny. “You do not know the + military honor of his character. You do not know this man.” + </p> + <p> + “Don’t I know him?” said Rodin, shrugging his shoulders. “Did not Mdlle. + de Cardoville present me to him as her liberator, when I denounced you as + the soul of the conspiracy? Did I not restore to him his ridiculous + imperial relic—his cross of honor—when we met at Dr. + Baleinier’s? Did I not bring him back the girls from the convent, and + place them in the arms of their father?” + </p> + <p> + “Yes,” replied the princess; “but, since that time, my abominable niece + has either guessed or discovered all. She told you so herself, father.” + </p> + <p> + “She told me, that she considered me her most mortal enemy,” said Rodin. + “Be it so. But did she tell the same to the marshal? Has she ever + mentioned me to him? and if she have done so, has the marshal communicated + this circumstance to his soldier? It may be so; but it is by no means + sure; in any case. I must ascertain the fact; if the soldier treats me as + an enemy, we shall see what is next to be done—but I will first try + to be received as a friend.” + </p> + <p> + “When?” asked the princess. + </p> + <p> + “To-morrow morning,” replied Rodin. + </p> + <p> + “Good heaven, my clear father!” cried the Princess de Saint-Dizier, in + alarm; “if this soldier were to treat you as an enemy—beware—” + </p> + <p> + “I always beware, madame. I have had to face worse enemies than he is,” + said the Jesuit showing his black teeth; “the cholera to begin with.” + </p> + <p> + “But he may refuse to see you, and in what way will you then get at + Marshal Simon’s daughters?” said Father d’Aigrigny. + </p> + <p> + “I do not yet know.” answered Rodin. “But as I intend to do it, I shall + find the means.” + </p> + <p> + “Father,” said the princess, suddenly, on reflection, “these girls have + never seen me, and I might obtain admittance to them, without sending in + my name.” + </p> + <p> + “That would be perfectly useless at present, madame, for I must first know + what course to take with respect to them. I must see and converse with + them, at any cost, and then, after I have fixed my plan, your assistance + may be very useful. In any case, please to be ready to morrow, madame, to + accompany me.” + </p> + <p> + “To what place, father?” + </p> + <p> + “To Marshal Simon’s.” + </p> + <p> + “To the marshal’s?” + </p> + <p> + “Not exactly. You will get into your carriage, and I will take a + hackney-coach. I will then try to obtain an interview with the girls, and, + during that time, you will wait for me at a few yards from the house. If I + succeed, and require your aid, I will come and fetch you; I can give you + my instructions without any appearance of concert between us.” + </p> + <p> + “I am content, reverend father; but, in truth, I tremble at the thought of + your interview with that rough trooper.” + </p> + <p> + “The Lord will watch over his servant, madame!” replied Rodin. “As for + you, father,” added he, addressing the Abbe d’Aigrigny, “despatch + instantly to Vienna the note which is all prepared to announce the + departure and speedy arrival of the marshal. Every precaution has been + taken. I shall write more fully this evening.” + </p> + <p> + The next morning, about eight o’clock, the Princess de Saint-Dizier, in + her carriage, and Rodin, in his hackney-coach, took the direction of + Marshal Simon’s house. + </p> +<div class="fig"> + <img src="images/30349m.jpg" alt="30349m" /><br /> + </div> + <h5> + <a href="images/30349.jpg"><i>Original</i></a> + </h5> + <p> + <a name="link2HCH0158" id="link2HCH0158"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER LIII. HAPPINESS. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">M</span>arshal Simon has been absent two days. It is eight o’clock in the + morning. Dagobert, walking on tip-toe with the greatest caution, so as not + to make the floor creak beneath his tread, crosses the room which leads to + the bedchamber of Rose and Blanche and applies his ear to the door of the + apartment. With equal caution, Spoil-sport follows exactly the movements + of his master. The countenance of the soldier is uneasy and full of + thought. As he approaches the door, he says to himself: “I hope the dear + children heard nothing of what happened in the night! It would alarm them, + and it is much better that they should not know it at present. It might + afflict them sadly, poor dears! and they are so gay, so happy, since they + feel sure of their father’s love for them. They bore his departure so + bravely! I would not for the world that they should know of this + unfortunate event.” + </p> + <p> + Then as he listened, the soldier resumed: “I hear nothing—and yet + they are always awake so early. Can it be sorrow?” + </p> + <p> + Dagobert’s reflections were here interrupted by two frank, hearty bursts + of laughter, from the interior of the bedroom. + </p> + <p> + “Come! they are not so sad as I thought,” said the soldier, breathing more + freely. “Probably they know nothing about it.” + </p> + <p> + Soon, the laughter was again heard with redoubled force, and the soldier, + delighted at this gayety, so rare on the part of “his children,” was much + affected by it: the tears started to his eyes at the thought that the + orphans had at length recovered the serenity natural to their age; then, + passing from one emotion to the other, still listening at the door, with + his body leaning forward, and his hands resting on his knees, Dagobert’s + lip quivered with an expression of mute joy, and, shaking his head a + little, he accompanied with his silent laughter, the increasing hilarity + of the young girls. At last, as nothing is so contagious as gayety, and as + the worthy soldier was in an ecstasy of joy, he finished by laughing aloud + with all his might, without knowing why, and only because Rose and Blanche + were laughing. Spoil-sport had never seen his master in such a transport + of delight; he looked at him for a while in deep and silent astonishment, + and then began to bark in a questioning way. + </p> + <p> + At this well-known sound, the laughter within suddenly ceased, and a sweet + voice, still trembling with joyous emotion, exclaimed: “Is it you, + Spoil-sport, that have come to wake us?” The dog understood what was said, + wagged his tail, held down his ears, and, approaching close to the door, + answered the appeal of his young mistress by a kind of friendly growl. + </p> + <p> + “Spoil-sport,” said Rose, hardly able to restrain her laughter, “you are + very early this morning.” + </p> + <p> + “Tell us what o’clock it is, if you please, old fellow?” added Blanche. + </p> + <p> + “Young ladies, it is past eight,” said suddenly the gruff voice of + Dagobert, accompanying this piece of humor with a loud laugh. + </p> + <p> + A cry of gay surprise was heard, and then Rose resumed: “Good-morning, + Dagobert.” + </p> + <p> + “Good-morning, my children. You are very lazy to-day, I must tell you.” + </p> + <p> + “It is not our fault. Our dear Augustine has not yet been to call us. We + are waiting for her.” + </p> + <p> + “Oh! there it is,” said Dagobert to himself, his features once more + assuming an expression of anxiety. Then he returned aloud, in a tone of + some embarrassment, for the worthy man was no hand at a falsehood: “My + children, our companion went out this morning—very early. She is + gone to the country—on business—she will not return for some + days—so you had better get up by yourselves for today.” + </p> + <p> + “Our good Madame Augustine!” exclaimed Blanche, with interest. “I hope it + is nothing bad that has made her leave suddenly—eh, Dagobert?” + </p> + <p> + “No, no—not at all—only business,” answered the soldier. “To + see one of her relations.” + </p> + <p> + “Oh, so much the better!” said Rose. “Well, Dagobert, when we call you can + come in.” + </p> + <p> + “I will come back in a quarter of an hour,” said the soldier as he + withdrew; and he thought to himself: “I must lecture that fool Loony—for + he is so stupid, and so fond of talking, that he will let it all out.” + </p> + <p> + The name of the pretended simpleton will serve as a natural transition, to + inform the reader of the cause of the hilarity of the sisters. They were + laughing at the numberless absurdities of the idiot. The girls rose and + dressed themselves, each serving as lady’s-maid to the other. Rose had + combed and arranged Blanche’s hair; it was now Blanche’s turn to do the + same for her sister. Thus occupied, they formed a charming picture. Rose + was seated before the dressing-table; her sister, standing behind her, was + smoothing her beautiful brown hair. Happy age! so little removed from + childhood, that present joy instantly obliterates the traces of past + sorrow! But the sisters felt more than joy; it was happiness, deep and + unalterable, for their father loved them, and their happiness was a + delight, and not a pain to him. Assured of the affection of his children, + he, also, thanks to them, no longer feared any grief. To those three + beings, thus certain of their mutual love, what was a momentary + separation? Having explained this, we shall understand the innocent gayety + of the sisters, notwithstanding their father’s departure, and the happy, + joyous expression, which now filled with animation their charming faces, + on which the late fading rose had begun once more to bloom. Their faith in + the future gave to their countenances something resolute and decisive, + which added a degree of piquancy to the beauty of their enchanting + features. + </p> + <p> + Blanche, in smoothing her sister’s hair, let fall the comb, and, as she + was stooping to pick it up, Rose anticipated her, saying: “If it had been + broken, we would have put it into the handle-basket.” + </p> + <p> + Then the two laughed merrily at this expression, which reminded them of an + admirable piece of folly on the part of Loony. + </p> + <p> + The supposed simpleton had broken the handle of a cup, and when the + governess of the young ladies had reprimanded him for his carelessness, he + had answered: “Never mind, madame; I have put it into the handle basket.” + </p> + <p> + “The handle-basket, what is that?” + </p> + <p> + “Yes, Madame; it is where I keep all the handles I break off the things!” + </p> + <p> + “Dear me!” said Rose, drying her eyes; “how silly it is to laugh at such + foolishness.” + </p> + <p> + “It is droll,” replied Blanche; “how can we help it?” + </p> + <p> + “All I regret is, that father cannot hear us laugh.” + </p> + <p> + “He was so happy to see us gay!” + </p> + <p> + “We must write to him to-day, the story of the handle-basket.” + </p> + <p> + “And that of the feather-brush, to show that, according to promise, we + kept up our spirits during his absence.” + </p> + <p> + “Write to him, sister? no, he is to write to us, and we are not to answer + his letters.” + </p> + <p> + “True! well then, I have an idea. Let us address letters to him here, + Dagobert can put them into the post, and, on his return, our father will + read our correspondence.” + </p> + <p> + “That will be charming! What nonsense we will write to him, since he takes + pleasure in it!” + </p> + <p> + “And we, too, like to amuse ourselves.” + </p> + <p> + “Oh, certainly! father’s last words have given us so much courage.” + </p> + <p> + “As I listened to them, I felt quite reconciled to his going.” + </p> + <p> + “When he said to us: ‘My children, I will confide in you all I can. I go + to fulfill a sacred duty, and I must be absent for some time; for though, + when I was blind enough to doubt your affection, I could not make up my + mind to leave you, my conscience was by no means tranquil. Grief takes + such an effect on us, that I had not the strength to come to a decision, + and my days were passed in painful hesitation. But now that I am certain + of your tenderness, all this irresolution has ceased, and I understand how + one duty is not to be sacrificed to another, and that I have to perform + two duties at once, both equally sacred; and this I now do with joy, and + delight, and courage!’” + </p> + <p> + “Go on, sister!” cried Blanche, rising to draw nearer to Rose. “I think I + hear our father when I remember those words, which must console and + support us during his absence.” + </p> + <p> + “And then our father continued: ‘Instead of grieving at my departure, you + would rejoice in it, you should be proud and happy. I go to perform a good + and generous act. Fancy to yourselves, that there is somewhere a poor + orphan, oppressed and abandoned by all—and that the father of that + orphan was once my benefactor, and that I had promised him to protect his + son—and that the life of that son is now in peril—tell me, my + children; would you regret that I should leave you to fly to the aid of + such an orphan?’—” + </p> + <p> + “‘No, no, brave father!’ we answered: ‘we should not then be your + daughters!’” continued Rose, with enthusiasm. “Count upon us! We should be + indeed unhappy if we thought that our sorrow could deprive thee of thy + courage. Go! and every day we will say to ourselves proudly, ‘It was to + perform a great and noble duty that our father left us—we can wait + calmly for his return.’” + </p> + <p> + “How that idea of duty sustains one, sister!” resumed Rose, with growing + enthusiasm. “It gave our father the courage to leave us without regret, + and to us the courage to bear his absence gayly!” + </p> + <p> + “And then, how calm we are now! Those mournful dreams, which seemed to + portend such sad events, no longer afflict us.” + </p> + <p> + “I tell you, sister, this time we are really happy once for all.” + </p> + <p> + “And then, do you feel like me? I fancy, that I am stronger and more + courageous and that I could brave every danger.” + </p> + <p> + “I should think so! We are strong enough now. Our father in the midst, you + on one side, I on the other—” + </p> + <p> + “Dagobert in the vanguard, and Spoil-sport in the rear! Then the army will + be complete, and let ‘em come on by thousands!” added a gruff, but jovial + voice, interrupting the girl, as Dagobert appeared at the half open door + of the room. It was worth looking at his face, radiant with joy; for the + old fellow had somewhat indiscreetly been listening to the conversation. + </p> + <p> + “Oh! you were listening, Paul Pry!” said Rose gayly, as she entered the + adjoining room with her sister, and both affectionately embraced the + soldier. + </p> + <p> + “To be sure, I was listening; and I only regretted not to have ears as + large as Spoil-sport’s! Brave, good girls! that’s how I like to see you—bold + as brass, and saying to care and sorrow: ‘Right about face! march! go to + the devil!’” + </p> + <p> + “He will want to make us swear, now,” said Rose to her sister, laughing + with all her might. + </p> + <p> + “Well! now and then, it does no harm,” said the soldier; “it relieves and + calms one, when if one could not swear by five hundred thousand de—” + </p> + <p> + “That’s enough!” said Rose, covering with her pretty hand the gray + moustache, so as to stop Dagobert in his speech. “If Madame Augustine + heard you—” + </p> + <p> + “Our poor governess! so mild and timid,” resumed Blanche. “How you would + frighten her!” + </p> + <p> + “Yes,” said Dagobert, as he tried to conceal his rising embarrassment; + “but she does not hear us. She is gone into the country.” + </p> + <p> + “Good, worthy woman!” replied Blanche, with interest. “She said something + of you, which shows her excellent heart.” + </p> + <p> + “Certainly,” resumed Rose; “for she said to us, in speaking of you, ‘Ah, + young ladies! my affection must appear very little, compared with M. + Dagobert’s. But I feel that I also have the right to devote myself to + you.’” + </p> + <p> + “No doubt, no doubt! she has a heart of gold,” answered Dagobert. Then he + added to himself, “It’s as if they did it on purpose, to bring the + conversation back to this poor woman.” + </p> + <p> + “Father made a good choice,” continued Rose. “She is the widow of an old + officer, who was with him in the wars.” + </p> + <p> + “When we were out of spirits,” said Blanche, “you should have seen her + uneasiness and grief, and how earnestly she set about consoling us.” + </p> + <p> + “I have seen the tears in her eyes when she looked at us,” resumed Rose. + “Oh! she loves us tenderly, and we return her affection. With regard to + that, Dagobert, we have a plan as soon as our father comes back.” + </p> + <p> + “Be quiet, sister!” said Blanche, laughing. “Dagobert will not keep our + secret.” + </p> + <p> + “He!” + </p> + <p> + “Will you keep it for us, Dagobert?” + </p> + <p> + “I tell you what,” said the soldier, more and more embarrassed; “you had + better not tell it to me.” + </p> + <p> + “What! can you keep nothing from Madame Augustine?” + </p> + <p> + “Ah, Dagobert! Dagobert!” said Blanche, gayly holding up her finger at the + soldier; “I suspect you very much of paying court to our governess.” + </p> + <p> + “I pay court?” said the soldier—and the expression of his face was + so rueful, as he pronounced these words, that the two sisters burst out + laughing. + </p> + <p> + Their hilarity was at its height when the door opened and Loony advanced + into room announcing, with a loud voice, “M. Rodin!” In fact, the Jesuit + glided almost imperceptibly into the apartment, as if to take possession + of the ground. Once there, he thought the game his own, and his reptile + eyes sparkled with joy. It would be difficult to paint the surprise of the + two sisters, and the anger of the soldier, at this unexpected visit. + </p> + <p> + Rushing upon Loony, Dagobert seized him by the collar, and exclaimed: “Who + gave you leave to introduce any one here without my permission?” + </p> + <p> + “Pardon, M. Dagobert!” said Loony, throwing himself on his knees, and + clasping his hands with an air of idiotic entreaty. + </p> + <p> + “Leave the room!—and you too!” added the soldier, with a menacing + gesture, as he turned towards Rodin, who had already approached the girls, + with a paternal smile on his countenance. + </p> + <p> + “I am at your orders, my dear sir,” said the priest, humbly; and he made a + low bow, but without stirring from the spot. + </p> + <p> + “Will you go?” cried the soldier to Loony, who was still kneeling, and + who, thanks to the advantages of this position, was able to utter a + certain number of words before Dagobert could remove him. + </p> + <p> + “M. Dagobert,” said Loony in a doleful voice, “I beg pardon for bringing + up the gentleman without leave; but, alas, my head is turned, because of + the misfortune that happened to Madame Augustine.” + </p> + <p> + “What misfortune?” cried Rose and Blanche together, as they advanced + anxiously towards Loony. + </p> +<div class="fig"> + <img src="images/30357m.jpg" alt="30357m" /><br /> + </div> + <h5> + <a href="images/30357.jpg"><i>Original</i></a> + </h5> + <p> + “Will you go?” thundered Dagobert, shaking the servant by the collar, to + force him to rise. + </p> + <p> + “Speak—speak!” said Blanche, interposing between the soldier and his + prey. “What has happened to Madame Augustine?” + </p> + <p> + “Oh,” shouted Loony, in spite of the cuffs of the soldier. “Madame + Augustine was attacked in the night with cholera, and taken—” + </p> + <p> + He was unable to finish. Dagobert struck him a tremendous blow with his + fist, right on the jaw, and, putting forth his still formidable strength, + the old horse-grenadier lifted him to his legs, and with one violent kick + bestowed on the lower part of his back, sent him rolling into the ante + chamber. + </p> + <p> + Then turning to Rodin, with flushed cheek and sparkling eye, Dagobert + pointed to the door with an expressive gesture, and said in an angry + voice: “Now, be off with you and that quickly!” + </p> + <p> + “I must pay my respects another time, my dear sir,” said Rodin, as he + retired towards the door, bowing to the young girls. + </p> +<div class="fig"> + <img src="images/30365m.jpg" alt="30365m" /><br /> + </div> + <h5> + <a href="images/30365.jpg"><i>Original</i></a> + </h5> + <p> + <a name="link2HCH0159" id="link2HCH0159"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER LIV. DUTY. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">R</span>odin, retreating slowly before the fire of Dagobert’s angry looks, walked + backwards to the door, casting oblique but piercing glances at the + orphans, who were visibly affected by the servant’s intentional + indiscretion. (Dagobert had ordered him not to speak before the girls of + the illness of their governess, and that was quite enough to induce the + simpleton to take the first opportunity of doing so.) + </p> + <p> + Rose hastily approached the soldier, and said to him: “Is it true—is + it really true that poor Madame Augustine has been attacked with the + cholera?” + </p> + <p> + “No—I do not know—I cannot tell,” replied the soldier, + hesitating; “besides, what is it to you?” + </p> + <p> + “Dagobert, you would conceal from us a calamity,” said Blanche. “I + remember now your embarrassment, when we spoke to you of our governess.” + </p> + <p> + “If she is ill, we ought not to abandon her. She had pity on our sorrows; + we ought to pity her sufferings.” + </p> + <p> + “Come, sister; come to her room,” said Blanche, advancing towards the + door, where Rodin had stopped short, and stood listening with growing + attention to this unexpected scene, which seemed to give him ample food + for thought. + </p> + <p> + “You will not leave this room,” said the soldier, sternly, addressing the + two sisters. + </p> + <p> + “Dagobert,” replied Rose, firmly, “it is a sacred duty, and it would be + cowardice not to fulfil it.” + </p> + <p> + “I tell you that you shall not leave the room,” said the soldier, stamping + his foot with impatience. + </p> + <p> + “Dagobert,” replied Blanche, with as resolute an air as her sister’s, and + with a kind of enthusiasm which brought the blood to her fair cheek, “our + father, when he left us, give us an admirable example of devotion and + duty. He would not forgive us were we to forget the lesson.” + </p> + <p> + “What,” cried Dagobert, in a rage, and advancing towards the sisters to + prevent their quitting the apartment; “you think that if your governess + had the cholera, I would let you go to her under the pretext of duty?—Your + duty is to live, to live happy, for your father’s sake—and for mine + into the bargain—so not a word more of such folly!” + </p> + <p> + “We can run no danger by going to our governess in her room,” said Rose. + </p> + <p> + “And if there were danger,” added Blanche, “we ought not to hesitate. So, + Dagobert, be good! and let us pass.” + </p> + <p> + Rodin, who had listened to what precedes, with sustained attention, + suddenly started, as if a thought had struck him; his eye shone brightly, + and an expression of fatal joy illumined his countenance. + </p> + <p> + “Dagobert, do not refuse!” said Blanche. “You would do for us what you + reproach us with wishing to do for another.” + </p> + <p> + Dagobert had as it were, till now stood in the path of the Jesuit and the + twins by keeping close to the door; but, after a moments reflection, he + shrugged his shoulders, stepped to one side, and said calmly: “I was an + old fool. Come, young ladies; if you find Madame Augustine in the house, I + will allow you to remain with her.” + </p> + <p> + Surprised at these words, the girls stood motionless and irresolute. + </p> + <p> + “If our governess is not here, where is she, then?” said Rose. + </p> + <p> + “You think, perhaps, that I am going to tell you in the excitement in + which you are!” + </p> + <p> + “She is dead!” cried Rose growing pale. + </p> + <p> + “No, no—be calm,” said the soldier, hastily; “I swear to you, by + your father’s honor, that she is not dead. At the first appearance of the + disorder, she begged to be removed from the house, fearing the contagion + for those in it.” + </p> + <p> + “Good and courageous woman!” said Rose tenderly, “And you will not allow + us—” + </p> + <p> + “I will not allow you to go out, even if I have to lock you up in your + room,” cried the soldier, again stamping with rage; then, remembering that + the blunderhead’s indiscretion was the sole cause of this unfortunate + incident, he added, with concentrated fury: “Oh! I will break my stick + upon that rascal’s back.” + </p> + <p> + So saying, he turned towards the door, where Rodin still stood, silent and + attentive, dissembling with habitual impassibility the fatal hopes he had + just conceived in his brain. The girls, no longer doubting the removal of + their governess, and convinced that Dagobert would not tell them whither + they had conveyed her, remained pensive and sad. + </p> + <p> + At sight of the priest, whom he had forgotten for the moment, the + soldier’s rage increased, and he said to him abruptly: “Are you still + there?” + </p> + <p> + “I would merely observe to you, my dear sir,” said Rodin, with that air of + perfect good nature which he knew so well how to assume, “that you were + standing before the door, which naturally prevented me from going out.” + </p> + <p> + “Well, now nothing prevents you—so file off!” + </p> + <p> + “Certainly, I will file off, if you wish it, my dear sir though I think I + have some reason to be surprised at such a reception.” + </p> + <p> + “It is no reception at all—so begone!” + </p> + <p> + “I had come, my dear sir to speak to you—” + </p> + <p> + “I have no time for talking.” + </p> + <p> + “Upon business of great importance.” + </p> + <p> + “I have no other business of importance than to remain with these + children.” + </p> + <p> + “Very good, my dear sir,” said Rodin, pausing on the threshold. “I will + not disturb you any longer; excuse my indiscretion. The bearer of + excellent news from Marshal Simon, I came—” + </p> + <p> + “News from our father!” cried Rose, drawing nearer to Rodin. + </p> + <p> + “Oh, speak, speak, sir!” added Blanche. + </p> + <p> + “You have news of the marshal!” said Dagobert, glancing suspiciously at + Rodin. “Pray, what is this news?” + </p> + <p> + But Rodin, without immediately answering the question, returned from the + threshold into the room, and, contemplating Rose and Blanche by turns with + admiration, he resumed: “What happiness for me, to be able to bring some + pleasure to these dear young ladies. They are even as I left them + graceful, and fair, and charming—only less sad than on the day when + I fetched them from the gloomy convent in which they were kept prisoners, + to restore them to the arms of their glorious father!” + </p> + <p> + “That was their place, and this is not yours,” said Dagobert, harshly, + still holding the door open behind Rodin. + </p> + <p> + “Confess, at least that I was not so much out of place at Dr. + Baleinier’s,” said the Jesuit, with a cunning air. “You know, for it was + there that I restored to you the noble imperial cross you so much + regretted—the day when that good Mdlle. de Cardoville only prevented + you from strangling me by telling you that I was her liberator. Aye! it + was just as I have the honor of stating, young ladies,” added Rodin, with + a smile; “this brave soldier was very near strangling me, for, be it said + without offense, he has, in spite of his age, a grasp of iron. Ha, ha! the + Prussians and Cossacks must know that better than I!” + </p> + <p> + These few words reminded Dagobert and the twins of the services which + Rodin had really rendered them; and though the marshal had heard Mdlle. de + Cardoville speak of Rodin as of a very dangerous man, he had forgotten, in + the midst of so many anxieties, to communicate this circumstance to + Dagobert. But this latter, warned by experience, felt, in spite of + favorable appearances, a secret aversion for the Jesuit; so he replied + abruptly: “The strength of my grasp has nothing to do with the matter.” + </p> + <p> + “If I allude to that little innocent playfulness on your part, my dear + sir,” said Rodin, in his softest tone, approaching the two sisters with a + wriggle which was peculiar to him; “if I allude to it, you see, it was + suggested by the involuntary recollection of the little services I was + happy enough to render you.” Dagobert looked fixedly at Rodin, who + instantly veiled his glance beneath his flabby eyelids. + </p> + <p> + “First of all,” said the soldier, after a moment’s silence, “a true man + never speaks of the services he has rendered, and you come back three + times to the subject.” + </p> + <p> + “But Dagobert,” whispered Rose, “if he brings news of our father?” + </p> + <p> + The soldier made a sign, as if to beg the girl to let him speak, and + resumed, looking full at Rodin: “You are cunning, but I’m no raw recruit.” + </p> + <p> + “I cunning?” said Rodin, with a sanctified air. + </p> + <p> + “Yes, very. You think to puzzle me with your fine phrases; but I’m not to + be caught in that way. Just listen to me. Some of your band of black-gowns + stole my cross; you returned it to me. Some of the same band carried off + these children; you brought them back. It is also true that you denounced + the renegade D’Aigrigny. But all this only proves two things: first, that + you were vile enough to be the accomplice of these scoundrels; and + secondly, that, having been their accomplice, you were base enough to + betray them. Now, those two facts are equally bad, and I suspect you most + furiously. So march off at once; your presence is not good for these + children.” + </p> + <p> + “But, my dear sir—” + </p> + <p> + “I will have no buts,” answered Dagobert, in an angry voice. “When a man + of your look does good, it is only to hide some evil; and one must be on + guard.” + </p> + <p> + “I understand your suspicions,” said Rodin coolly, hiding his growing + disappointment, for he had hoped it would have been easy to coax the + soldier; “but, if you reflect, what interest have I in deceiving you? And + in what should the deception consist?” + </p> + <p> + “You have some interest or other in persisting to remain here, when I tell + you to go away.” + </p> + <p> + “I have already had the honor of informing you of the object of my visit, + my dear sir.” + </p> + <p> + “To bring news of Marshal Simon?” + </p> + <p> + “That is exactly the case. I am happy enough to have news of the marshal. + Yes, my dear young ladies,” added Rodin, as he again approached the two + sisters, to recover, as it were, the ground he had lost, “I have news of + your glorious father!” + </p> + <p> + “Then come to my room directly, and you can tell it to me,” replied + Dagobert. + </p> + <p> + “What! you would be cruel enough to deprive these dear ladies of the + pleasure—” + </p> + <p> + “By heaven, sir!” cried Dagobert, in a voice of thunder, “you will make me + forget myself. I should be sorry to fling a man of your age down the + stairs. Will you be gone?” + </p> + <p> + “Well, well,” said Rodin mildly, “do not be angry with a poor old man. I + am really not worth the trouble. I will go with you to your room, and tell + you what I have to communicate. You will repent not having let me speak + before these dear young ladies; but that will be your punishment, naughty + man!” + </p> + <p> + So saying, Rodin again bowed very low, and, concealing his rage and + vexation, left the room before Dagobert, who made a sign to the two + sisters, and then followed, closing the door after him. + </p> + <p> + “What news of our father, Dagobert?” said Rose anxiously, when the soldier + returned, after a quarter of an hours absence. + </p> + <p> + “Well, that old conjurer knows that the marshal set out in good spirits, + and he seems acquainted with M. Robert. How could he be informed of all + this? I cannot tell,” added the soldier, with a thoughtful air; “but it is + only another reason to be on one’s guard against him.” + </p> + <p> + “But what news of our father?” asked Rose. + </p> + <p> + “One of that old rascal’s friends (I think him a rascal still) knows your + father, he tells me, and met him five-and-twenty leagues from here. + Knowing that this man was coming to Paris, the marshal charged him to let + you know that he was in perfect health, and hoped soon to see you again.” + </p> + <p> + “Oh, what happiness!” cried Rose. + </p> + <p> + “You see, you were wrong to suspect the poor old man, Dagobert,” added + Blanche. “You treated him so harshly!” + </p> + <p> + “Possibly so; but I am not sorry for it.” + </p> + <p> + “And why?” + </p> + <p> + “I have my reasons; and one of the best is that, when I saw him came in, + and go sidling and creeping round about us, I felt chilled to the marrow + of my bones, without knowing why. Had I seen a serpent crawling towards + you, I should not have been more frightened. I knew, of course, that he + could not hurt you in my presence; but I tell you, my children, in spite + of the services he has no doubt rendered us, it was all I could do to + refrain from throwing him out of the window. Now, this manner of proving + my gratitude is not natural, and one must be on one’s guard against people + who inspire us with such ideas.” + </p> + <p> + “Good Dagobert, it is your affection for us that makes you so suspicious,” + said Rose, in a coaxing tone; “it proves how much you love us.” + </p> +<div class="fig"> + <img src="images/30373m.jpg" alt="30373m" /><br /> + </div> + <h5> + <a href="images/30373.jpg"><i>Original</i></a> + </h5> + <p> + <a name="link2HCH0160" id="link2HCH0160"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER LV. THE IMPROVISED HOSPITAL + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span>mong a great number of temporary hospitals opened at the time of the + cholera in every quarter of Paris, one had been established on the + ground-floor of a large house in the Rue du Mont-Blanc. The vacant + apartments had been generously placed by their proprietor at the disposal + of the authorities; and to this place were carried a number of persons, + who, being suddenly attacked with the contagion, were considered in too + dangerous a state to be removed to the principal hospitals. + </p> + <p> + Two days had elapsed since Rodin’s visit to Marshal Simon’s daughters. + Shortly after he had been expelled, the Princess de Saint-Dizier had + entered to see them, under the cloak of being a house-to-house visitor to + collect funds for the cholera sufferers. + </p> + <p> + Choosing the moment when Dagobert, deceived by her lady-like demeanor, had + withdrawn, she counselled the twins that it was their duty to go and see + their governess, whom she stated to be in the hospital we now describe. + </p> + <p> + It was about ten o’clock in the morning. The persons who had watched + during the night by the sick people, in the hospital established in the + Rue du Mont-Blanc, were about to be relieved by other voluntary + assistants. + </p> + <p> + “Well, gentlemen,” said one of those newly arrived, “how are we getting + on? Has there been any decrease last night in the number of the sick?” + </p> + <p> + “Unfortunately, no; but the doctors think the contagion has reached its + height.” + </p> + <p> + “Then there is some hope of seeing it decrease.” + </p> + <p> + “And have any of the gentlemen, whose places we come to take, been + attacked by the disease?” + </p> + <p> + “We came eleven strong last night; we are only nine now.” + </p> + <p> + “That is bad. Were these two persons taken off rapidly?” + </p> + <p> + “One of the victims, a young man of twenty-five years of age, a cavalry + officer on furlough, was struck as it were by lightning. In less than a + quarter of an hour he was dead. Though such facts are frequent, we were + speechless with horror.” + </p> + <p> + “Poor young man!” + </p> + <p> + “He had a word of cordial encouragement and hope for every one. He had so + far succeeded in raising the spirits of the patients, that some of them + who were less affected by the cholera than by the fear of it, were able to + quit the hospital nearly well.” + </p> + <p> + “What a pity! So good a young man! Well, he died gloriously; it requires + as much courage as on the field of battle.” + </p> + <p> + “He had only one rival in zeal and courage, and that is a Young priest, + with an angelic countenance, whom they call the Abbe Gabriel. He is + indefatigable; he hardly takes an hour’s rest, but runs from one to the + other, and offers himself to everybody. He forgets nothing. The + consolation; which he offers come from the depths of his soul, and are not + mere formalities in the way of his profession. No, no, I saw him weep over + a poor woman, whose eyes he had closed after a dreadful agony. Oh, if all + priests were like him!” + </p> + <p> + “No doubt, a good priest is most worthy of respect. But! who is the other + victim of last night?” + </p> + <p> + “Oh! his death was frightful. Do not speak of it. I have still the + horrible scene before my eyes.” + </p> + <p> + “A sudden attack of cholera?” + </p> + <p> + “If it had only been the contagion, I should not so shudder at the + remembrance.” + </p> + <p> + “What then did he die of?” + </p> + <p> + “It is a string of horrors. Three days ago, they brought here a man, who + was supposed to be only attacked with cholera. You have no doubt heard + speak of this personage. He is the lion-tamer, that drew all Paris to the + Porte-Saint-Martin.” + </p> + <p> + “I know the man you mean. Called Morok. He performed a kind of play with a + tame panther.” + </p> + <p> + “Exactly so; I was myself present at a similar scene, which a stranger, an + Indian, in consequence of a wager, was said at the time, jumped upon the + stage and killed the panther.” + </p> + <p> + “Well, this Morok, brought here as a cholera-patient, and indeed with all + the symptoms of the contagion, soon showed signs of a still more frightful + malady.” + </p> + <p> + “And this was—” + </p> + <p> + “Hydrophobia.” + </p> + <p> + “Did he become mad?” + </p> + <p> + “Yes; he confessed, that he had been bitten a few days before by one of + the mastiffs in his menagerie; unfortunately, we only learnt this + circumstance after the terrible attack, which cost the life of the poor + fellow we deplore.” + </p> + <p> + “How did it happen, then?” + </p> + <p> + “Morok was in a room with three other patients. Suddenly seized with a + sort of furious delirium, he rose, uttering ferocious cries, and rushed + raving mad into the passage. Our poor friend made an attempt to stop him. + This kind of resistance increased the frenzy of Morok, who threw himself + on the man that crossed his path, and, tearing him with his teeth, fell + down in horrible convulsions.” + </p> + <p> + “Oh! you are right. ‘Twas indeed frightful. And, not withstanding every + assistance this victim of Morok’s—” + </p> + <p> + “Died during the night, in dreadful agony; for the shock had been so + violent, that brain-fever almost instantly declared itself.” + </p> + <p> + “And is Morok dead?” + </p> + <p> + “I do not know. He was to be taken to another hospital, after being fast + bound in the state of weakness which generally succeeds the fit. But, till + he can be removed he has been confined in a room upstairs.” + </p> + <p> + “But he cannot recover.” + </p> + <p> + “I should think he must be dead by this time. The doctors did not give him + twenty-four hours to live.” + </p> + <p> + The persons engaged in this conversation were standing in an ante-chamber + on the ground-floor, in which usually assembled those who came to offer + their voluntary aid to the sick. One door of this room communicated with + the rest of the hospital, and the other with the passage that opened upon + the courtyard. + </p> + <p> + “Dear me!” said one of the two speakers, looking through the window. “See + what two charming girls have just got out of that elegant carriage. How + much alike they are! Such a resemblance is indeed extraordinary.” + </p> + <p> + “No doubt they are twins. Poor young girls! dressed in Mourning. They have + perhaps lost father or mother.” + </p> + <p> + “One would imagine they are coming this way.” + </p> + <p> + “Yes, they are coming up the steps.” + </p> + <p> + And indeed Rose and Blanche soon entered the antechamber, with a timid, + anxious air, though a sort of feverish excitement was visible in their + looks. One of the two men that were talking together, moved by the + embarrassment of the girls, advanced toward them, and said, in a tone of + attentive politeness: “Is there anything I can do for you, ladies?” + </p> + <p> + “Is not this, sir,” replied Rose, “the infirmary of the Rue du Mont + Blanc?” + </p> + <p> + “Yes, miss.” + </p> + <p> + “A lady, called Madame Augustine du Tremblay, was brought here, we are + told, about two days ago. Could we see her?” + </p> + <p> + “I would observe to you, miss, that there is some danger in entering the + sick-wards.” + </p> + <p> + “It is a dear friend that we wish to see,” answered Rose, in a mild and + firm tone, which sufficiently expressed that she was determined to brave + the danger. + </p> + <p> + “I cannot be sure, miss,” resumed the other, “that the person you seek is + here; but, if you will take the trouble to walk into this room on the + left, you will find there the good Sister Martha; she has the care of the + women’s wards, and will give you all the information you can desire.” + </p> + <p> + “Thank you, sir,” said Blanche, with a graceful bow; and she and her + sister entered together the apartment which had been pointed out to them. + </p> + <p> + “They are really charming,” said the man, looking after the two sisters, + who soon disappeared from his view. “It would be a great pity if—” + </p> + <p> + He was unable to finish. A frightful tumult, mingled with cries of alarm + and horror, rose suddenly from the adjoining rooms. Almost instantly, two + doors were thrown open, and a number of the sick, half-naked, pale, + fleshless, and their features convulsed with terror, rushed into the + antechamber, exclaiming: “Help! help! the madman!” It is impossible to + paint the scene of despairing and furious confusion which followed this + panic of so many affrighted wretches, flying to the only other door, to + escape from the perils they dreaded, and there, struggling and trampling + on each other to pass through the narrow entrance. + </p> + <p> + At the moment when the last of these unhappy creatures succeeded in + reaching the door, dragging himself along upon his bleeding hands, for he + had been thrown down and almost crushed in the confusion—Morok, the + object of so much terror—Morok himself appeared. He was a horrible + sight. With the exception of a rag bound about his middle, his wan form + was entirely naked, and from his bare legs still hung the remnants of the + cords he had just broken. His thick, yellow hair stood almost on end, his + beard bristled, his savage eyes rolled full of blood in their orbits, and + shone with a glassy brightness; his lips were covered with foam; from time + to time, he uttered hoarse, guttural cries. The veins, visible on his iron + limbs were swollen almost to bursting. He bounded like a wild beast, and + stretched out before him his bony and quivering hands. At the moment Morok + reached the doorway, by which those he pursued made their escape, some + persons, attracted by the noise, managed to close this door from without, + whilst others secured that which communicated with the sick-ward. + </p> +<div class="fig"> + <img src="images/30381m.jpg" alt="30381m" /><br /> + </div> + <h5> + <a href="images/30381.jpg"><i>Original</i></a> + </h5> + <p> + Morok thus found himself a prisoner. He ran to the window to force it + open, and threw himself into the courtyard. But, stopping suddenly, he + drew back from the glittering panes, seized with that invincible horror + which all the victims of hydrophobia feel at the sight of any shining + object, particularly glass. The unfortunate creatures whom he had pursued, + saw him from the courtyard exhausting himself in furious efforts to open + the doors that just had been closed upon him. Then, perceiving the + inutility of his attempts, he uttered savage cries, and rushed furiously + round the room, like a wild beast that seeks in vain to escape from its + cage. + </p> + <p> + But, suddenly, those spectators of this scene, who had approached nearest + to the window, uttered a loud exclamation of fear and anguish. Morok had + perceived the little door which led to the closet occupied by Sister + Martha, where Rose and Blanche had entered a few minutes before. Hoping to + get out by this way, Morok drew the door violently towards him, and + succeeded in half opening it, notwithstanding the resistance he + experienced from the inside. For an instant the affrighted crowd saw the + stiffened arms Of Sister Martha and the orphans, clinging to the door, and + holding it back with all their might. + </p> + <p> + <a name="link2HCH0161" id="link2HCH0161"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER LVI. HYDROPHOBIA. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">W</span>hen the sick people, assembled in the courtyard, saw the desperate + efforts of Morok to force the door of the room which contained Sister + Martha and the orphans, their fright redoubled. “It is all over, Sister + Martha!” cried they. + </p> + <p> + “The door will give way.” + </p> + <p> + “And the closet has no other entrance.” + </p> + <p> + “There are two young girls in mourning with her.” + </p> + <p> + “Come! we must not leave these poor women to encounter the madman. Follow + me, friends!” cried generously one of the spectators, who was still + blessed with health, and he rushed towards the steps to return to the + ante-chamber. + </p> + <p> + “It’s too late! it’s only exposing yourself in vain,” cried many persons, + holding him back by force. + </p> + <p> + At this moment, voices were heard, exclaiming: “Here is the Abbe Gabriel.” + </p> + <p> + “He is coming downstairs. He has heard the noise.” + </p> + <p> + “He is asking what is the matter.” + </p> + <p> + “What will he do?” + </p> + <p> + Gabriel, occupied with a dying person in a neighboring room, had, indeed, + just learned that Morok, having broken his bonds, had succeeded in + escaping from the chamber in which he had been temporarily confined. + Foreseeing the terrible dangers which might result from the escape of the + lion-tamer, the missionary consulted only his courage, and hastened down, + in the hope of preventing greater misfortunes. In obedience to his orders, + an attendant followed him, bearing a brazier full of hot cinders, on which + lay several irons, at a white heat, used by the doctors for cauterizing, + in desperate cases of cholera. + </p> + <p> + The angelic countenance of Gabriel was very pale; but calm intrepidity + shone upon his noble brow. Hastily crossing the passage, and making his + way through the crowd, he went straight to the ante-chamber door. As he + approached it, one of the sick people said to him, in a lamentable voice; + “Ah, sir! it is all over. Those who can see through the window say that + Sister Martha is lost.” + </p> + <p> + Gabriel made no answer, but grasped the key of the door. Before entering + the room, however, he turned to the attendant, and said to him in a firm + voice: “Are the irons of a white heat?” + </p> + <p> + “Yes, sir.” + </p> + <p> + “Then wait here, and be ready. As for you, my friends,” he added, turning + to some of the sick, who shuddered with terror, “as soon as I enter shut + the door after me. I will answer for the rest. And you; friend, only bring + your irons when I call.” + </p> + <p> + And the young missionary turned the key in the lock. At this juncture, a + cry of alarm, pity, and admiration rose from every lip, and the spectators + drew back from the door, with an involuntary feeling of fear. Raising his + eyes to heaven, as if to invoke its assistance at this terrible moment, + Gabriel pushed open the door, and immediately closed it behind him. He was + alone with Morok. + </p> + <p> + The lion-tamer, by a last furious effort, had almost succeeded in opening + the door, to which Sister Martha and the orphans were clinging, in a fit + of terror, uttering piercing cries. At the sound of Gabriel’s footsteps, + Morok turned round suddenly. Then, instead of continuing his attack on the + closet, he sprang, with a roar and a bound, upon the new-comer. + </p> + <p> + During this time, Sister Martha and the orphans, not knowing the cause of + the sudden retreat of their assailant, took advantage of the opportunity + to close and bolt the door, and thus placed themselves in security from a + new attack. Morok, with haggard eye, and teeth convulsively clinched, had + rushed upon Gabriel, his hands extended to seize him by the throat. The + missionary stood the shock valiantly. Guessing, at a glance, the intention + of his adversary, he seized him by the wrists as he advanced, and, holding + him back, bent him down violently with a vigorous hand. For a second, + Morok and Gabriel remained mute, breathless, motionless, gazing on each + other; then the missionary strove to conquer the efforts of the madman, + who, with violent jerks, attempted to throw himself upon him, and to seize + and tear him with his teeth. + </p> + <p> + Suddenly the lion-tamer’s strength seemed to fail, his knees quivered, his + livid head sank upon his shoulder, his eyes closed. The missionary, + supposing that a momentary weakness had succeeded to the fit of rage, and + that the wretch was about to fall, relaxed his hold in order to lend him + assistance. But no sooner did he feel himself at liberty, thanks to his + crafty device, than Morok flung himself furiously upon Gabriel. Surprised + by this sudden attack, the latter stumbled, and at once felt himself + clasped into the iron arms of the madman. Yet, with redoubled strength and + energy, struggling breast to breast, foot to foot, the missionary in his + turn succeeded in tripping up his adversary, and, throwing him with a + vigorous effort, again seized his hands, and now held him down beneath his + knee. Having thus completely mastered him, Gabriel turned his head to call + for assistance, when Morok, by a desperate strain, succeeded in raising + himself a little, and seized with his teeth the left arm of the + missionary. At this sharp, deep, horrible bite, which penetrated to the + very bone, Gabriel could not restrain a scream of anguish and horror. He + strove in vain to disengage himself, for his arm was held fast, as in a + vice, between the firm-set jaws of Morok. + </p> + <p> + This frightful scene had lasted less time than it has taken in the + description, when suddenly the door leading to the passage was violently + opened, and several courageous men, who had learned from the patients to + what danger the young priest was exposed, came rushing to his assistance, + in spite of his recommendation not to enter till he should call. The + attendant was amongst the number, with the brazier and the hot irons. + Gabriel, as soon as he perceived him, said to him in an agitated voice: + “Quick, friend! your iron. Thank God I had thought of that.” + </p> + <p> + One of the men who had entered the room was luckily provided with a + blanket; and the moment the missionary succeeded in wresting his arm from + the clinched teeth of Morok, whom he still held down with his knee, this + blanket was thrown over the madman’s head, so that he could now be held + and bound without danger, notwithstanding his desperate resistance. Then + Gabriel rose, tore open the sleeve of his cassock, and laying bare his + left arm, on which a deep bite was visible, bleeding, of a bluish color, + he beckoned the attendant to draw near, seized one of the hot irons, and, + with a firm and sure hand, twice applied the burning metal to the wound, + with a calm heroism which struck all the spectators, with admiration. But + soon so many various emotions, intrepidly sustained, were followed by a + natural reaction. Large drops of sweat stood upon Gabriel’s brow; his long + light hair clung to his temples; he grew deadly pale, reeled, lost his + senses, and was carried into the next room to receive immediate attention. + </p> + <p> + An accidental circumstance, likely enough to occur, had converted one of + the Princess de Saint-Dizier’s falsehoods into a truth. To induce the + orphans to go to the hospital, she had told them Gabriel was there, which + at the time she was far from believing. On the contrary, she would have + wished to prevent a meeting, which, from the attachment of the missionary + to the girls, might interfere with her projects. A little while after the + terrible scene we have just related, Rose and Blanche, accompanied by + Sister Martha, entered a vast room, of a strange and fatal aspect, + containing a number of women who had suddenly been seized with cholera. + </p> + <p> + These immense apartments, generously supplied for the purpose of a + temporary hospital, had been furnished with excessive luxury. The room now + occupied by the sick women, of whom we speak, had been used for a + ball-room. The white panels glittered with sumptuous gilding, and + magnificent pier-glasses occupied the spaces between the windows, through + which could be seen the fresh verdure of a pleasant garden, smiling + beneath the influence of budding May. In the midst of all this gilded + luxury, on a rich, inlaid floor of costly woods, were seen arranged in + regular order four rows of beds, of every shape and kind, from the humble + truckle-bed to the handsome couch in carved mahogany. + </p> + <p> + This long room was divided into two compartments by a temporary partition, + four or five feet in height. They had thus been able to manage the four + rows of beds. This partition finished at some little distance from either + end of the room, so as to leave an open space without beds, for the + volunteer attendants, when the sick did not require their aid. At one of + these extremities of the room was a lofty and magnificent marble chimney + piece, ornamented with gilt bronze. On the fire beneath, various drinks + were brewing for the patients. To complete the singular picture, women of + every class took their turns in attending upon the sick, to whose sighs + and groans they always responded with consoling words of hope and pity. + Such was the place, strange and mournful, that Rose and Blanche entered + together, hand in hand, a short time after Gabriel had displayed such + heroic courage in the struggle against Morok. Sister Martha accompanied + Marshal Simon’s daughters. After speaking a few words to them in a + whisper, she pointed out to them the two divisions in which the beds were + arranged, and herself went to the other end of the room to give some + orders. + </p> + <p> + The orphans, still under the impression of the terrible danger from which + Gabriel had rescued them without their knowing it, were both excessively + pale; yet their eyes were expressive of firm resolution. They had + determined not only to perform what they considered an imperative duty, + but to prove themselves worthy of their valiant father; they were acting + too for their mother’s sake, since they had been told that, dying in + Siberia without receiving the sacrament, her eternal felicity might depend + on the proofs they gave of Christian devotion. Need we add that the + Princess de Saint-Dizier, following the advice of Rodin, had, in a second + interview, skillfully brought about without the knowledge of Dagobert, + taken advantage of the excitable qualities of these poor, confiding, + simple, and generous souls, by a fatal exaggeration of the most noble and + courageous sentiments. The orphans having asked Sister Martha if Madame + Augustine du Tremblay had been brought to this asylum within the last + three days, that person had answered, that she really did not know, but, + if they would go through the women’s wards, it would be easy for them to + ascertain. For the abominable hypocrite, who, in conjunction with Rodin, + had sent these two children to encounter a mortal peril, had told an + impudent falsehood when she affirmed that their governess had been removed + to this hospital. During their exile, and their toilsome journey with + Dagobert, the sisters had been exposed to many hard trials. But never had + they witnessed so sad a spectacle as that which now offered itself to + their view. + </p> + <p> + The long row of beds, on which so many poor creatures writhed in agony, + some uttering deep groans, some only a dull rattle in the throat, some + raving in the delirium of fever, or calling on those from whom they were + about to part forever—these frightful sights and sounds, which are + too much even for brave men, would inevitably, (such was the execrable + design of Rodin and his accomplices) make a fatal impression on these + young girls, urged by the most generous motives to undertake this perilous + visit. And then—sad memory! which awoke, in all its deep and + poignant bitterness, by the side of the first beds they came to—it + was of this very malady, the Cholera, that their mother had died a painful + death. Fancy the twins entering this vast room, of so fearful an aspect, + and, already much shaken by the terror which Morok had inspired, pursuing + their search in the midst of these unfortunate creatures, whose dying + pangs reminded them every instant of the dying agony of their mother! For + a moment, at sight of the funeral hall, Rose and Blanche had felt their + resolution fail them. A black presentiment made them regret their heroic + imprudence; and, moreover, since several minutes they had begun to feel an + icy shudder, and painful shootings across the temples; but, attributing + these symptoms to the fright occasioned by Morok, their good and valiant + natures soon stifled all these fears. They exchanged glances of affection, + their courage revived, and both of them—Rose on one side of the + partition, and Blanche on the other—proceeded with their painful + task. Gabriel, carried to the doctors’ private room, had soon recovered + his senses. Thanks to his courage and presence of mind, his wound, + cauterized in time, could have no dangerous consequences. As soon as it + was dressed he insisted on returning to the women’s ward, where he had be + offering pious consolations to a dying person at the moment they had come + to inform him of the frightful danger caused by the escape of Morok. + </p> + <p> + A few minutes before the missionary entered the room, Rose and Blanche + arrived almost together at the term of their mournful search, one from the + left, the other from the right-hand row of beds, separated by the + partition which divided the hall into compartments. The sisters had not + yet seen each other. Their steps tottered as they advanced, and they were + forced, from time to time, to lean against the beds as they passed along. + Their strength was—rapidly failing them. Giddy with fear and pain, + they appeared to act almost mechanically. Alas! the orphans had been + seized almost at the same moment with the terrible symptoms of cholera. In + consequence of that species of physiological phenomenon, of which we have + already spoken—a phenomenon by no means rare in twins, which had + already been displayed on one or two occasions of their sickness—their + organizations seemed liable to the same sensations, the same simultaneous + accidents, like two flowers on one stem, which bloom and fade together. + The sight of so much suffering, and so many deaths, had accelerated the + development of this dreadful disease. Already, on their agitated and + altered countenances, they bore the mortal tokens of the contagion, as + they came forth, each on her own side, from the two subdivisions of the + room in which they had vainly sought their governess. Until now separated + by the partition, Rose and Blanche had not yet seen each other; but, when + at length their eyes met, there ensued a heart rending scene. + </p> + <p> + <a name="link2HCH0162" id="link2HCH0162"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER LVII. THE GUARDIAN ANGEL. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>o the charming freshness of the sisters’ faces had succeeded a livid + pallor. Their large blue eyes, now hollow and sunk in, appeared of + enormous dimensions. Their lips, once so rosy, were now suffused with a + violet hue, and a similar color was gradually displacing the transparent + carmine of their cheeks and fingers. It was as if all the roses in their + charming countenances were fading and turning blue before the icy blast of + death. + </p> + <p> + When the orphans met, tottering and hardly able to sustain themselves, a + cry of mutual horror burst from their lips. Each of them exclaimed, at + sight of the fearful change in her sister’s features. “Are you also ill, + sister?” And then, bursting into tears, they threw themselves into each + other’s arms, and looked anxiously at one another. + </p> + <p> + “Good heaven, Rose! how pale you are!” + </p> + <p> + “Like you, sister.” + </p> + <p> + “And do you feel a cold shudder?” + </p> + <p> + “Yes, and my sight fails me.” + </p> + <p> + “My bosom is all on fire.” + </p> + <p> + “Sister, we are perhaps going to die.” + </p> + <p> + “Let it only be together!” + </p> + <p> + “And our poor father?” + </p> + <p> + “And Dagobert?” + </p> + <p> + “Sister, our dream has come true!” cried Rose, almost deliriously, as she + threw her arms round Blanche’s neck. “Look! look! the Angel Gabriel is + here to fetch us.” + </p> + <p> + Indeed, at this moment, Gabriel entered the open space at the end of the + room. “Heaven! what do I see?” cried the young priest. “The daughters of + Marshal Simon!” + </p> + <p> + And, rushing forward, he received the sisters in his arms, for they were + no longer able to stand. Already their drooping heads, their half-closed + eyes, their painful and difficult breathing, announced the approach of + death. Sister Martha was close at hand. She hastened to respond to the + call of Gabriel. Aided by this pious woman, he was able to lift the + orphans upon a bed reserved for the doctor in attendance. For fear that + the sight of this mournful agony should make too deep an impression on the + other patients, Sister Martha drew a large curtain, and the sisters were + thus in some sort walled off from the rest of the room. Their hands had + been so tightly clasped together, during a nervous paroxysm, that it was + impossible to separate them. It was in this position that the first + remedies were applied—remedies incapable of conquering the violence + of the disease, but which at least mitigated for a few moments the + excessive pains they suffered, and restored some faint glimmer of + perception to their obscured and troubled senses. At this moment, Gabriel + was leaning over the bed with a look of inexpressible grief. With breaking + heart, and face bathed in tears, he thought of the strange destiny, which + thus made him a witness of the death of these girls, his relations, whom + but a few months before he had rescued from the horrors of the tempest. In + spite of his firmness of soul, the missionary could not help shuddering as + he reflected on the fate of the orphans, the death of Jacques Rennepont, + and the fearful devices by which M. Hardy, retired to the cloistered + solitude of St. Herein, had become a member of the Society of Jesus almost + in dying. The missionary said to himself, that already four members of the + Rennepont family—his family—had been successively struck down + by some dreadful fate; and he asked himself with alarm, how it was that + the detestable interests of the Society of Loyola should be served by a + providential fatality? The astonishment of the young missionary would have + given place to the deepest horror, could he have known the part that Rodin + and his accomplices had taken, both in the death of Jacques Rennepont, by + exciting, through Morok, the evil propensities of the artisan, and in the + approaching end of Rose and Blanche, by converting, through the Princess + de Saint-Dizier, the generous inspirations of the orphans into suicidal + heroism. + </p> + <p> + Roused for a moment from the painful stupor in which they had been + plunged, Rose and Blanche half-opened their large eyes, already dull and + faded. Then, more and more bewildered they both gazed fixedly at the + angelic countenance of Gabriel. + </p> + <p> + “Sister,” said Rose, in a faint voice, “do you see the archangel—as + in our dreams, in Germany?” + </p> + <p> + “Yes—three days ago—he appeared to us.” + </p> + <p> + “He is come to fetch us.” + </p> + <p> + “Alas! will our death save our poor mother from purgatory?” + </p> + <p> + “Angel! blessed angel! pray God for our mother—and for us!” Until + now, stupefied with amazement and sorrow, almost suffocated with sobs, + Gabriel had not been able to utter a word. But at these words of the + orphans, he exclaimed: “Dear children, why doubt of your mother’s + salvation? Oh! never did a purer soul ascend to its Creator. Your mother? + I know from my adopted father, that her virtues and courage were the + admiration of all who knew her. Oh! believe me; God has blessed her.” + </p> + <p> + “Do you hear, sister?” cried Rose, as a ray of celestial joy illumined for + an instant the livid faces of the orphans. “God has blessed our mother.” + </p> + <p> + “Yes, yes,” resumed Gabriel; “banish these gloomy ideas. Take courage, + poor children! You must not die. Think of your father.” + </p> + <p> + “Our father?” said Blanche, shuddering; and she continued, with a mixture + of reason and wild excitement, which would have touched the soul of the + most indifferent: “Alas! he will not find us on his return. Forgive us, + father! we did not think to do any harm. We wished, like you, to do + something generous—to help our governess.” + </p> + <p> + “And we did not think to die so quickly, and so soon. Yesterday, we were + gay and happy.” + </p> + <p> + “Oh, good angel! you will appear to our father, even as you have appeared + to us. You will tell him that, in dying—the last thought of his + children—was of him.” + </p> + <p> + “We came here without Dagobert’s knowing it—do not let our father + scold him.” + </p> + <p> + “Blessed angel!” resumed the other sister in a still more feeble voice; + “appear to Dagobert, also. Tell him, that we ask his forgiveness, for the + grief our death will occasion him.” + </p> + <p> + “And let our old friend caress our poor Spoil-sport for us—our + faithful guardian,” added Blanche, trying to smile. + </p> + <p> + “And then,” resumed Rose, in a voice that was growing still fainter, + “promise to appear to two other persons, that have been so kind to us—good + Mother Bunch—and the beautiful Lady Adrienne.” + </p> + <p> + “We forget none whom we have loved,” said Blanche, with a last effort. + “Now, God grant we may go to our mother, never to leave her more!” + </p> + <p> + “You promised it good angel—you know you did—in the dream. You + said to us: ‘Poor children—come from so far—you will have + traversed the earth—to rest on the maternal bosom!’” + </p> + <p> + “Oh! it is dreadful—dreadful! So young—and no hope!” murmured + Gabriel, as he buried his face in his hands. “Almighty Father! Thy views + are impenetrable. Alas! yet why should these children die this cruel + death?” + </p> + <p> + Rose heaved a deep sigh and said in an expiring tone: “Let us be buried + together!—united in life, in death not divided—” + </p> + <p> + And the two turned their dying looks upon Gabriel, and stretched out + towards him their supplicating hands. + </p> + <p> + “Oh, blessed martyrs to a generous devotion!” cried the missionary, + raising to heaven his eyes streaming with tears. “Angelic souls! treasures + of innocence and truth! ascend, ascend to heaven—since God calls you + to him, and the earth is not worthy to possess you!” + </p> + <p> + “Sister! father!” were the last words that the orphans pronounced with + their dying voices. + </p> + <p> + And then the twins, by a last instinctive impulse, endeavored to clasp + each other, and their eyes half-opened to exchange yet another glance. + They shuddered twice or thrice, their limbs stiffened, a deep sigh + struggled from their violet-colored lips. Rose and Blanche were both dead! + Gabriel and Sister Martha, after closing the eyes of the orphans, knelt + down to pray by the side of that funeral couch. Suddenly a great tumult + was heard in the room. Rapid footsteps, mingled with imprecations, sounded + close at hand, the curtain was drawn aside from this mournful scene, and + Dagobert entered precipitately, pale, haggard, his dress in disorder. At + sight of Gabriel and the Sister of Charity kneeling beside the corpses of + his children, the soldier uttered a terrible roar, and tried to advance—but + in vain—for, before Gabriel could reach him, Dagobert fell flat on + the ground, and his gray head struck violently on the floor. + </p> + <p> + It is night—a dark and stormy night. One o’clock in the morning has + just sounded from the church of Montmartre. It is to the cemetery of + Montmartre that is carried the coffin which, according to the last wishes + of Rose and Blanche contains them both. Through the thick shadow, which + rests upon that field of death, may be seen moving a pale light. It is the + gravedigger. He advances with caution; a dark lantern is in his hand. A + man wrapped in a cloak accompanies him. He holds down his head and weeps. + It is Samuel. The old Jew—the keeper of the house in the Rue + Saint-Francois. On the night of the funeral of Jacques Rennepont, the + first who died of the seven heirs, and who was buried in another cemetery, + Samuel had a similar mysterious interview with the gravedigger, to obtain + a favor at the price of gold. A strange and awful favor! After passing + down several paths, bordered with cypress trees, by the side of many + tombs, the Jew and the gravedigger arrived, at a little glade, situated + near the western wall of the cemetery. The night was so dark, that + scarcely anything could be seen. After moving his lantern up and down, and + all about, the gravedigger showed Samuel, at the foot of a tall yew-tree, + with long black branches, a little mound of newly-raised earth, and said: + “It is here.” + </p> + <p> + “You are sure of it?” + </p> + <p> + “Yes, yes—two bodies in one coffin! it is not such a common thing.” + </p> + <p> + “Alas! two in the same coffin!” said the Jew, with a deep sigh. + </p> + <p> + “Now that you know the place, what do you want more?” asked the + gravedigger. + </p> + <p> + Samuel did not answer. He fell on his knees, and piously kissed the little + mound. Then rising, with his cheeks bathed in tears, he approached the + gravedigger, and spoke to him for some moments in a whisper—though + they were alone, and in the centre of that deserted place. Then began + between those two men a mysterious dialogue, which the night enveloped in + shade and silence. The gravedigger, alarmed at what Samuel asked him, at + first refused his request. + </p> + <p> + But the Jew, employing persuasions, entreaties, tears, and at last the + seduction of the jingling gold, succeeded in conquering the scruples of + the gravedigger. Though the latter trembled at the thought of what he + promised, he said to Samuel in an agitated tone: “To-morrow night, then, + at two o’clock.” + </p> + <p> + “I shall be behind the wall,” answered Samuel, pointing out the place with + the aid of a lantern. “I will throw three stones into the cemetery, for a + signal.” + </p> + <p> + “Yes, three stones—as a signal,” replied the gravedigger shuddering, + and wiping the cold sweat from his forehead. + </p> + <p> + With considerable remains of vigor, notwithstanding his great age, Samuel + availed himself of the broken surface of the low wall, and climbing over + it, soon disappeared. The gravedigger returned home with hasty strides. + From time to time, he looked fearfully behind him, as though he had been + pursued by some fatal vision. + </p> + <p> + On the evening after the funeral of Rose and Blanche, Rodin wrote two + letters. The first, addressed to his mysterious correspondent at Rome, + alluded to the deaths of Jacques Rennepont, and Rose and Blanche Simon, as + well as to the cession of M. Hardy’s property, and the donation of Gabriel—events + which reduced the claimants of the inheritance to two—Mdlle. de + Cardoville and Djalma. This first note written by Rodin for Rome, + contained only the following words: “Five from seven leaves two. Announce + this result to the Cardinal-Prince. Let him go on. I advance + advance-advance!” The second note, in a feigned hand, was addressed to + Marshal Simon, to be delivered by a sure messenger, contained these few + lines: “If there is yet time, make haste to return. Your daughters are + both dead. You shall learn who killed them.” + </p> +<div class="fig"> + <img src="images/30389m.jpg" alt="30389m" /><br /> + </div> + <h5> + <a href="images/30389.jpg"><i>Original</i></a> + </h5> + <p> + <a name="link2HCH0163" id="link2HCH0163"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER LVIII. RUIN. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">I</span>t is the day after the death of Marshal Simon’s daughters. Mdlle. de + Cardoville is yet ignorant of the sad end of her young relatives. Her + countenance is radiant with happiness, and never has she looked more + beautiful; her eye has never been more brilliant, her complexion more + dazzling white, her lip of a richer coral. According to her somewhat + eccentric custom of dressing herself in her own house in a picturesque + style, Adrienne wears to-day, though it is about three o’clock in the + afternoon, a pale green watered-silk dress, with a very full skirt, the + sleeves and bodice slashed with rose-colored ribbon, and adorned with + white bugle-beads, of exquisite workmanship; while a slender network, also + of white bugle-beads, concealing the thick plait of Adrienne’s back hair, + forms an oriental head-dress of charming originality, and contrasts + agreeably with the long curls which fall in front almost to the swell of + the bosom. To the expression of indescribable happiness which marks the + features of Mdlle. de Cardoville, is added a certain resolute, cutting, + satirical air, which is not habitual to her. Her charming head, and + graceful, swan-like neck, are raised in an attitude of defiance; her + small, rose-colored nostrils seem to dilate with ill-repressed ardor, and + she waits with haughty impatience for the moment of an aggressive and + ironical interview. Not far from Adrienne is Mother Bunch. She has resumed + in the house the place which she at first occupied. The young sempstress + is in mourning for her sister, but her countenance is expressive of a + mild, calm sorrow. She looks at Mdlle. de Cardoville with surprise; for + never, till now, has she seen the features of the fair patrician impressed + with such a character of ironical audacity. Mdlle. de Cardoville was + exempt from the slightest coquetry, in the narrow and ordinary sense of + the word. Yet she now cast an inquiring look at the glass before which she + was standing, and, having restored the elastic smoothness to one of her + long, golden curls, by rolling it for a moment round her ivory finger, she + carefully effaced with her hands some almost imperceptible folds, which + had formed themselves in the thick material of her elegant corsage. This + movement, and that of turning her back to the glass, to see if her dress + sat perfectly on all points, revealed, in serpentine undulations, all the + charms and graces of her light and elegant figure; for, in spite of the + rich fulness of her shoulders, white and firm as sculptured alabaster, + Adrienne belonged to that class of privileged persons, who are able at + need to make a girdle out of a garter. + </p> + <p> + Having performed, with indescribable grace, these charming evolutions of + feminine coquetry, Adrienne turned towards Mother Bunch, whose surprise + was still on the increase, and said to her, smiling: “My dear Magdalen, do + not laugh at my question—but what would you say to a picture, that + should represent me as I am now?” + </p> + <p> + “Why, lady—” + </p> + <p> + “There you are again, with your lady-ing,” said Adrienne, in a tone of + gentle reproach. + </p> + <p> + “Well, then, Adrienne,” resumed Mother Bunch, “I think it would be a + charming picture, for you are dressed, as usual with perfect taste.” + </p> + <p> + “But am I not better dressed than on other days, my dear poetess? I began + by telling you that I do not ask the question for my own sake,” said + Adrienne, gayly. + </p> + <p> + “Well, I suppose so,” replied Mother Bunch, with a faint smile. “It is + certainly impossible to imagine anything that would suit you better. The + light green and the pale rose-color, with the soft lustre of the white + ornaments, harmonize so well with your golden hair, that I cannot + conceive, I tell you, a more graceful picture.” + </p> + <p> + The speaker felt what she said, and she was happy to be able to express + it, for we know the intense admiration of that poetic soul for all that + was beautiful. + </p> + <p> + “Well!” went on Adrienne, gayly, “I am glad, my dear, that you find me + better dressed than usual.” + </p> + <p> + “Only,” said the hunchback, hesitating. + </p> + <p> + “Only?” repeated Adrienne, looking at her with an air of interrogation. + </p> + <p> + “Why, only,” continued the other, “if I have never seen you look more + pretty, I have also never observed in your features the resolute and + ironical expression which they had just now. It was like an air of + impatient defiance.” + </p> + <p> + “And so it was, my dear little Magdalen,” said Adrienne, throwing her arms + round the girl’s neck with joyous tenderness. “I must kiss you, for having + guessed it. You see, I expect a visit from my dear aunt.” + </p> + <p> + “The Princess de Saint-Dizier?” cried Mother Bunch, in alarm. “That wicked + lady, who did you so much evil?” + </p> + <p> + “The very same. She has asked for an interview, and I shall be delighted + to receive her.” + </p> + <p> + “Delighted?” + </p> + <p> + “Yes—a somewhat ironical and malicious delight, it is true,” + answered Adrienne, still more gayly. “You shall judge for yourself. She + regrets her gallantries, her beauty, her youth—even her size + afflicts the holy woman!—and she will see me young, fair, beloved—and + above all thin—yes, thin,” added Mdlle. de Cardoville, laughing + merrily. “And you may imagine, my dear, how much envy and despair, the + sight of a young, thin woman excites in a stout one of a certain age!” + </p> + <p> + “My friend,” said Mother Bunch, gravely, “you speak in jest. And yet, I + know not why, the coming of this princess alarms me.” + </p> + <p> + “Dear, gentle soul, be satisfied!” answered Adrienne, affectionately. “I + do not fear this woman—I no longer have any fear of her—and to + prove it to her confusion, I will treat her—a monster of hypocrisy + and wickedness, who comes here, no doubt, on some abominable design—I + will treat her as an inoffensive, ridiculous fat woman!” And Adrienne + again laughed. + </p> + <p> + A servant here entered the room, and interrupted the mirth of Adrienne, by + saying: “The Princess de Saint-Dizier wishes to know if you can receive + her?” + </p> + <p> + “Certainly,” said Mdlle. de Cardoville; and the servant retired. Mother + Bunch was about to rise and quit the room; but Adrienne held her back, and + said to her, taking her hand with an air of serious tenderness: “Stay, my + dear friend, I entreat you.” + </p> + <p> + “Do you wish it?” + </p> + <p> + “Yes; I wish—still in revenge, you know,” said Adrienne, with a + smile, “to prove to her highness of Saint-Dizier, that I have an + affectionate friend—that I have, in fact, every happiness.” + </p> + <p> + “But, Adrienne,” replied the other, timidly, “consider—” + </p> + <p> + “Silence! here is the princess. Remain! I ask it as a favor. The instinct + of your heart will discover any snare she may have laid. Did not your + affection warn me of the plots of Rodin?” + </p> + <p> + Mother Bunch could not refuse such a request. She remained, but was about + to draw back from the fireplace. Adrienne, however, took her by the hand, + and made her resume her seat in the arm-chair, saying: “My dear Magdalen, + keep your place. You owe nothing to the lady. With me it is different; she + comes to my house.” + </p> + <p> + Hardly had Adrienne uttered these words, than the princess entered with + head erect, and haughty air (we have said, she could carry herself most + loftily), and advanced with a firm step. The strongest minds have their + side of puerile weakness; a savage envy, excited by the elegance, wit, and + beauty of Adrienne, bore a large part in the hatred of the princess for + her niece; and though it was idle to think of eclipsing Adrienne, and the + Princess de Saint-Dizier did not seriously mean to attempt it, she could + not forbear, in preparing for the interview she had demanded, taking more + pains even than usual in the arrangement of her dress. Beneath her robe of + shot silk, she was laced in and tightened to excess—a pressure which + considerably increased the color in her cheeks. The throng of jealous and + hateful sentiments, which inspired her with regard to Adrienne, had so + troubled the clearness of her ordinarily calm judgment, that, instead of + the plain and quiet style, in which, as a woman of tact and taste, she was + generally attired, she now committed the folly of wearing a dress of + changing hues, and a crimson hat, adorned with a magnificent bird of + paradise. Hate, envy, the pride of triumph—for she thought of the + skillful perfidy with which she had sent to almost certain death the + daughters of Marshal Simon—and the execrable hope of succeeding in + new plots, were all expressed in the countenance of the Princess de + Saint-Dizier, as she entered her niece’s apartment. + </p> + <p> + Without advancing to meet her aunt, Adrienne rose politely from the sofa + on which she was seated, made a half-curtsey, full of grace and dignity, + and immediately resumed her former posture. Then, pointing to an arm chair + near the fireplace, at one corner of which sat Mother Bunch, and she + herself at the other, she said: “Pray sit down, your highness.” The + princess turned very red, remained standing, and cast a disdainful glance + of insolent surprise at the sempstress, who, in compliance with Adrienne’s + wish, only bowed slightly at the entrance of the Princess de Saint-Dizier, + without offering to give up her place. In acting thus, the young + sempstress followed the dictates of her conscience, which told her that + the real superiority did not belong to this base, hypocritical, and wicked + princess, but rather to such a person as herself, the admirable and + devoted friend. + </p> + <p> + “Let me beg your highness to sit down,” resumed Adrienne, in a mild tone, + as she pointed to the vacant chair. + </p> + <p> + “The interview I have demanded, niece,” said the princess “must be a + private one.” + </p> + <p> + “I have no secrets, madame, from my best friend; you may speak in the + presence of this young lady.” + </p> + <p> + “I have long known,” replied Madame de Saint-Dizier, with bitter irony, + “that in all things you care little for secrecy, and that you are easy in + the choice of what you call your friends. But you will permit me to act + differently from you. If you have no secrets, madame, I have—and I + do not choose to confide them to the first comer.” + </p> + <p> + So saying, the pious lady glanced contemptuously at the sempstress. The + latter, hurt at the insolent tone of the princess, answered mildly and + simply: + </p> + <p> + “I do not see what can be the great difference between the first and the + last comer to Mdlle. de Cardoville’s.” + </p> + <p> + “What! can it speak!” cried the princess, insolently. + </p> + <p> + “It can at least answer, madame,” replied Mother Bunch, in her calm voice. + </p> + <p> + “I wish to see you alone, niece—is that clear?” said the princess, + impatiently, to her niece. + </p> + <p> + “I beg your pardon, but I do not quite understand your highness,” said + Adrienne, with an air of surprise. “This young lady, who honors me with + her friendship, is willing to be present at this interview, which you have + asked for—I say she has consented to be present, for it needs, I + confess, the kindest condescension in her to resign herself, from + affection for me, to hear all the graceful, obliging, and charming things + which you have no doubt come hither to communicate.” + </p> + <p> + “Madame—” began the princess, angrily. + </p> + <p> + “Permit me to interrupt your highness,” returned Adrienne, in a tone of + perfect amenity, as if she were addressing the most flattering compliments + to her visitor. “To put you quite at your ease with the lady here, I will + begin by informing you that she is quite aware of all the holy perfidies, + pious wrongs, and devout infamies, of which you nearly made me the victim. + She knows that you are a mother of the Church, such as one sees but few of + in these days. May I hope, therefore, that your highness will dispense + with this delicate and interesting reserve?” + </p> + <p> + “Really,” said the princess, with a sort of incensed amazement, “I + scarcely know if I wake or sleep.” + </p> + <p> + “Dear me!” said Adrienne, in apparent alarm; “this doubt as to the state + of your faculties is very shocking, madame. I see that the blood flies to + your head, for your face sufficiently shows it; you seem oppressed, + confined, uncomfortable—perhaps (we women may say so between + ourselves), perhaps you are laced a little too tightly, madame?” + </p> + <p> + These words, pronounced by Adrienne with an air of warm interest and + perfect simplicity, almost choked the princess with rage. She became + crimson, seated herself abruptly, and exclaimed: “Be it so, madame! I + prefer this reception to any other. It puts me at my ease, as you say.” + </p> + <p> + “Does it indeed, madame?” said Adrienne, with a smile. “You may now at + least speak frankly all that you feel, which must for you have the charm + of novelty! Confess that you are obliged to me for enabling you, even for + a moment, to lay aside that mask of piety, amiability, and goodness, which + must be so troublesome to you.” + </p> + <p> + As she listened to the sarcasms of Adrienne (an innocent and excusable + revenge, if we consider all the wrongs she had suffered), Mother Bunch + felt her heart sink within her; for she dreaded the malignity of the + princess, who replied, with the utmost calmness: “A thousand thanks, + madame, for your excellent intentions and sentiments. I appreciate them as + I ought, and I hope in a short time to prove it to you.” + </p> + <p> + “Well, madame,” said Adrienne, playfully, “let us have it all at once. I + am full of impatient curiosity.” + </p> + <p> + “And yet,” said the princess, feigning in her turn a bitter and ironical + delight, “you are far from having the least notion of what I am about to + announce to you.” + </p> + <p> + “Indeed! I fear that your highness’s candor and modesty deceive you,” + replied Adrienne, with the same mocking affability; “for there are very + few things on your part that can surprise me, madame. You must be aware + that from your highness, I am prepared for anything.” + </p> + <p> + “Perhaps, madame,” said the princess, laying great stress on her words, + “if, for instance, I were to tell you that within twenty-four hours—suppose + between this and to-morrow-thou will be reduced to poverty—” + </p> + <p> + This was so unexpected, that Mdlle. de Cardoville started in spite of + herself, and Mother Bunch shuddered. + </p> + <p> + “Ah, madame!” said the princess, with triumphant joy and cruel mildness, + as she watched the growing surprise of her niece, “confess that I have + astonished you a little. You were right in giving to our interview the + turn it has taken. I should have needed all sorts of circumlocution to say + to you, ‘Niece, to-morrow you will be as poor as you are rich to day.’ But + now I can tell you the fact quite plainly and simply.” + </p> + <p> + Recovering from her first amazement, Adrienne replied, with a calm smile, + which checked the joy of the princess: “Well, I confess frankly, madame, + that you have surprised me; I expected from you one of those black pieces + of malignity, one of those well-laid plots, in which you are known to + excel, and I did not think you would make all this fuss about such a + trifle.” + </p> + <p> + “To be ruined—completely ruined,” cried the princess, “and that by + to morrow—you that have been so prodigal, will see your house, + furniture, horses, jewels, even the ridiculous dresses of which you are so + vain, all taken from you—do you call that a trifle? You, that spend + with indifference thousands of louis, will be reduced to a pension + inferior to the wages you gave your foot-boy—do you call that a + trifle?” + </p> + <p> + To her aunt’s cruel disappointment, Adrienne, who appeared quite to have + recovered her serenity was about to answer accordingly, when the door + suddenly opened, and, without being announced, Prince Djalma entered the + room. A proud and tender expression of delight beamed from the radiant + brow of Adrienne at sight of the prince, and it is impossible to describe + the look of triumphant happiness and high disdain that she cast upon the + Princess de Saint-Dizier. Djalma himself had never looked more handsome, + and never had more intense happiness been impressed on a human + countenance. The Hindoo wore a long robe of white Cashmere, adorned with + innumerable stripes of gold and purple; his turban was of the same color + and material; a magnificent figured shawl was twisted about his waist. On + seeing the Indian, whom she had not hoped to meet at Mdlle. de + Cardoville’s, the Princess de Saint-Dizier could not at first conceal her + extreme surprise. It was between these four, then, that the following + scene took place. + </p> +<div class="fig"> + <img src="images/30399m.jpg" alt="30399m" /><br /> + </div> + <h5> + <a href="images/30399.jpg"><i>Original</i></a> + </h5> + <p> + <a name="link2HCH0164" id="link2HCH0164"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER LIX. MEMORIES. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">D</span>jalma, having never before met the Princess de Saint-Dizier at + Adrienne’s, at first appeared rather astonished at her presence. The + princess, keeping silence for a moment, contemplated with implacable + hatred and envy those two beings, both so fair and young, so loving and + happy. Suddenly she started, as if she had just remembered something of + great importance, and for some seconds she remained absorbed in thought. + </p> + <p> + Adrienne and Djalma availed themselves of this interval to gaze fondly on + each other, with a sort of ardent idolatry, which filled their eyes with + sweet tears. Then, at a movement of the Princess de Saint-Dizier, who + seemed to rouse herself from her momentary trance, Mdlle. de Cardoville + said to the young prince, with a smile: “My dear cousin, I have to repair + an omission (voluntary, I confess, and for good reasons), in never having + before mentioned to you one of my relations, whom I have now the honor to + present to you. The Princess de Saint-Dizier!” + </p> +<div class="fig"> + <img src="images/30407m.jpg" alt="30407m" /><br /> + </div> + <h5> + <a href="images/30407.jpg"><i>Original</i></a> + </h5> + <p> + Djalma bowed; but Mdlle. de Cardoville resumed, just as her aunt was about + to make some reply: “Her Highness of Saint-Dizier came very kindly to + inform me of an event which is a most fortunate one for me, and of which I + will speak to you hereafter, cousin—unless this amiable lady should + wish to deprive me of the pleasure of making such a communication.” + </p> + <p> + The unexpected arrival of the prince, and the recollections which had + suddenly occurred to the princess, had no doubt greatly modified her first + plans: for, instead of continuing the conversation with regard to + Adrienne’s threatened loss of fortune, the princess answered, with a bland + smile, that covered an odious meaning: “I should be sorry, prince, to + deprive my dear and amiable niece of the pleasure of announcing to you the + happy news to which she alludes, and which, as a near relative, I lost no + time in communicating to her. I have here some notes on this subject,” + added the princess, delivering a paper to Adrienne, “which I hope will + prove, to her entire satisfaction, the reality of what I have announced to + her.” + </p> + <p> + “A thousand thanks, my dear aunt,” said Adrienne, receiving the paper with + perfect indifference; “these precautions and proofs are quite superfluous. + You know that I always believe you on your word, when it concerns your + good feeling towards myself.” + </p> + <p> + Notwithstanding his ignorance of the refined perfidy and cruel politeness + of civilized life, Djalma, endowed with a tact and fineness of perception + common to most natures of extreme susceptibility, felt some degree of + mental discomfort as he listened to this exchange of false compliments. He + could not guess their full meaning, but they sounded hollow to his ear; + and moreover, whether from instinct or presentiment, he had conceived a + vague dislike for the Princess de Saint-Dizier. That pious lady, full of + the great affair in hand, was a prey to the most violent agitation, which + betrayed itself in the growing color of her cheeks, her bitter smile, and + the malicious brightness of her glance. As he gazed on this woman, Djalma + was unable to conquer his rising antipathy, and he remained silent and + attentive, whilst his handsome countenance lost something of its former + serenity. Mother Bunch also felt the influence of a painful impression. + She glanced in terror at the princess, and then imploringly at Adrienne, + as though she entreated the latter to but an end to an interview of which + the young sempstress foresaw the fatal consequences. But, unfortunately, + the Princess de Saint-Dizier was too much interested in prolonging this + conversation; and Mdlle. de Cardoville, gathering new courage and + confidence from the presence of the man she adored, took delight in vexing + the princess with the exhibition of their happy love. + </p> + <p> + After a short silence, the Princess de Saint-Dizier observed, in a soft + and insinuating tone: “Really, prince, you cannot think how pleased I was + to learn by public report (for people talk of nothing else, and with good + reason) of your chivalrous attachment to my dear niece; for, without + knowing it, you will extricate me from a difficult position.” + </p> + <p> + Djalma made no answer, but he looked at Mdlle. de Cardoville with a + surprised and almost sorrowful air, as if to ask what her aunt meant to + insinuate. + </p> + <p> + The latter, not perceiving this mute interrogation, resumed as follows: “I + will express myself more clearly, prince. You can understand that, being + the nearest relative of this dear, obstinate girl, I am more or less + responsible for her conduct in the eyes of the world; and you, prince, + seem just to have arrived on purpose, from the end of the earth, to take + charge of a destiny which had caused me considerable apprehension. It is + charming, it is excellent; and I know not which most to admire, your + courage or your good fortune.” The princess threw a glance of diabolical + malice at Adrienne, and awaited her answer with an air of defiance. + </p> +<div class="fig"> + <img src="images/30415m.jpg" alt="30415m" /><br /> + </div> + <h5> + <a href="images/30415.jpg"><i>Original</i></a> + </h5> + <p> + “Listen to our good aunt, my dear cousin,” said the young lady, smiling + calmly. “Since our affectionate kinswoman sees you and me united and + happy, her heart is swelling with such a flood of joy, that it must run + over, and the effects will be delightful. Only have a little patience, and + you will behold them in their full beauty. I do not know,” added Adrienne, + in the most natural tone, “why, in thinking of these outpourings of our + dear aunt’s affection, I should remember what you told me, cousin, of a + certain viper in your country which sometimes, in a powerless bite, breaks + its fangs, and, absorbing its own venom, becomes the victim of the poison + it distills. Come, my dear aunt, you that had so good and noble a heart, I + am sure you must feel interested in the fate of those poor vipers.” + </p> + <p> + The princess darted an implacable look at her niece, and replied, in an + agitated voice, “I do not see the object of this selection of natural + history. Do you, prince?” + </p> + <p> + Djalma made no answer; leaning with his arm on the mantelpiece, he threw + dark and piercing glances upon the princess. His involuntary hatred of + this woman filled his heart. + </p> + <p> + “Ah, my dear aunt!” resumed Adrienne, in a tone of self-reproach; “have I + presumed too much on the goodness of your heart? Have you not even + sympathy for vipers? For whom, then, have you any? After all, I can very + well understand it,” added Adrienne, as if to herself; “vipers are so + thin. But, to lay aside these follies,” she continued, gayly, as she saw + the ill-repressed rage of the pious woman, “tell us at once, my dear aunt, + all the tender things which the sight of our happiness inspires.” + </p> + <p> + “I hope to do so, my amiable niece. First, I must congratulate this dear + prince, on having come so far to take charge, in all confidence, and with + his eyes shut, of you, my poor child, whom we were obliged to confine as + mad, in order to give a decent color to your excesses. You remember the + handsome lad, that we found in your apartment. You cannot be so faithless, + as already to have forgotten his name? He was a fine, youth, and a poet—one + Agricola Baudoin—and was discovered in a secret place, attached to + your bed-chamber. All Paris was amused with the scandal—for you are + not about to marry an unknown person, dear prince; her name has been in + every mouth.” + </p> + <p> + At these unexpected and dreadful words, Adrienne, Djalma, and Mother + Bunch, though under the influence of different kinds of resentment, + remained for a moment mute with surprise; and the princess, judging it no + longer necessary to repress her infernal joy and triumphant hatred, + exclaimed, as she rose from her seat, with flushed cheek, and flashing + eyes, “Yes, I defy you to contradict me. Were we not forced to confine + you, on the plea of madness? And did we not find a workman (your lover) + concealed in your bedroom?” + </p> + <p> + On this horrible accusation, Djalma’s golden complexion, transparent as + amber, became suddenly the color of lead; his eyes, fixed and staring + showed the white round the pupil—his upper lip, red as blood, was + curled in a kind of wild convulsion, which exposed to view the firmly-set + teeth—and his whole countenance became so frightfully threatening + and ferocious, that Mother Bunch shuddered with terror. Carried away by + the ardor of his blood, the young Oriental felt a sort of dizzy, + unreflecting, involuntary rage—a fiery commotion, like that which + makes the blood leap to the brave man’s eyes and brain, when he feels a + blow upon his face. If, during that moment, rapid as the passage of the + lightning through the cloud, action could have taken the place of thought, + the princess and Adrienne, Mother Bunch and himself, would all have been + annihilated by an explosion as sudden and fatal as that of the bursting of + a mine. He would have killed the princess, because she accused Adrienne of + infamous deception he would have killed Adrienne, because she could even + be suspected of such infamy—and Mother Bunch, for being a witness of + the accusation—and himself, in order not to survive such horrid + treachery. But, oh wonder! his furious and bloodshot gaze met the calm + look of Adrienne—a look so full of dignity and serene confidence—and + the expression of ferocious rage passed away like a flash of lightning. + </p> + <p> + Much more: to the great surprise of the princess and the young workgirl, + as the glances which Djalma cast upon Adrienne went (as it were) deeper + into that pure soul, not only did the Indian grow calm, but, by a kind of + transfiguration, his countenance seemed to borrow her serene expression, + and reflect, as in a mirror, the noble serenity impressed on the young + lady’s features. Let us explain physically this moral revolution, as + consoling to the terrified workgirl, as provoking to the princess. Hardly + had the princess distilled the atrocious calumny from her venomous lips, + than Djalma, then standing before the fireplace, had, in the first + paroxysm of his fury, advanced a step towards her; but, wishing as it were + to moderate his rage, he held by the marble chimney-piece, which he + grasped with iron strength. A convulsive trembling shook his whole body, + and his features, altered and contracted, became almost frightful. + Adrienne, on her part, when she heard the accusation, yielding to a first + impulse of just indignation, even as Djalma had yielded to one of blind + fury, rose abruptly, with offended pride flashing from her eyes; but, + almost immediately appeased by the consciousness of her own purity, her + charming face resumed its expression of adorable serenity. It was then + that her eyes met Djalma’s. For a second, the young lady was even more + afflicted than terrified at the threatening and formidable expression of + the young Indian’s countenance. “Can stupid indignity exasperate him to + this degree?” said Adrienne to herself. “Does he suspect me; then?” + </p> +<div class="fig"> + <img src="images/30423m.jpg" alt="30423m" /><br /> + </div> + <h5> + <a href="images/30423.jpg"><i>Original</i></a> + </h5> + <p> + But to this reflection, as rapid as it was painful, succeeded the most + lively joy, when the eyes of Adrienne rested for a short time on those of + the Indian, and she saw his agitated countenance grow calm as if by magic, + and become radiant and beautiful as before. Thus was the abominable plot + of the princess de Saint-Dizier utterly confounded by the sincere and + confiding expression of Adrienne’s face. That was not all. At the moment, + when, as a spectator of this mute and expressive scene (which proved so + well the wondrous sympathy of those two beings, who, without speaking a + word, had understood and satisfied each other), the princess was choking + with rage and vexation—Adrienne, with a charming smile and gesture, + extended her fair hand to Djalma, who, kneeling, imprinted on it a kiss of + fire, which sent a light blush to the forehead of the young lady. + </p> + <p> + Then the Hindoo, placing himself on the ermine carpet at the feet of + Mdlle. de Cardoville, in an attitude full of grace: and respect, rested + his chin on the palm of one of his hands, and gazed on her silently, in a + sort of mute adoration—while Adrienne, bending over him with a happy + smile “looked at the babies in his eyes,” as the song says, with as much + amorous complacency, as if the hateful princess had not been present. But + soon, as if something were wanting to complete her happiness, Adrienne + beckoned to Mother Bunch, and made her sit down by her side. Then, with + her hand clasped in that of this excellent friend, Mdlle. de Cardoville + smiled on Djalma, stretched adoringly at her feet, and cast on the + dismayed princess a look of such calm and firm serenity, so nobly + expressive of the invincible quiet of her happiness, and her lofty disdain + of all calumnious attacks, that the Princess de Saint-Dizier, confused and + stupefied, murmured some hardly intelligible words, in a voice trembling + with passion, and, completely losing her presence of mind, rushed towards + the door. But, at this moment, the hunchback, who feared some ambush, some + perfidious plot in the background, resolved, after exchanging a glance + with Adrienne, to accompany the princess to her carriage. + </p> + <p> + The angry disappointment of the Princess de Saint-Dizier, when she saw + herself thus followed and watched, appeared so comical to Mdlle. de + Cardoville that she could not help laughing aloud; and it was to the sound + of contemptuous hilarity that the hypocritical princess, with rage and + despair in her heart, quitted the house to which she had hoped to bring + trouble end misery. Adrienne and Djalma were left alone. Before relating + the scene which took place between them, a few retrospective words are + indispensable. It will easily be imagined, that since Mdlle. de Cardoville + and the Oriental had been brought into such close contact, after so many + disappointments, their days had passed away like a dream of happiness. + Adrienne had especially taken pains to bring to light, one by one, all the + generous qualities of Djalma, of which she had read so much in her books + of travels. The young lady had imposed on herself this tender and patient + study of Djalma’s character, not only to justify to her own mind the + intensity of her love, but because this period of trial, to which she had + assigned a term, enabled her to temper and divert the violence of Djalma’s + passion—a task the more meritorious, as she herself was of the same + ardent temperament. For, in those two lovers, the finest qualities of + sense and soul seemed exactly to balance each other, and heaven had + bestowed on them the rarest beauty of form, and the most adorable + excellence of heart, as if to legitimatize the irresistible attraction + which drew and bound them together. What, then, was to be the term of this + painful trial, which Adrienne had imposed on Djalma and on herself? This + is what Mdlle. de Cardoville intended to tell the prince, in the interview + she had with him, after the abrupt departure of the Princess de + Saint-Dizier. + </p> +<div class="fig"> + <img src="images/30429m.jpg" alt="30429m" /><br /> + </div> + <h5> + <a href="images/30429.jpg"><i>Original</i></a> + </h5> + <p> + <a name="link2HCH0165" id="link2HCH0165"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER LX. THE ORDEAL. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span>drienne de Cardoville and Djalma had remained alone. Such was the noble + confidence which had succeeded in the Hindoo’s mind to his first movement + of unreflecting fury, caused by the infamous calumny, that, once alone + with Adrienne, he did not even allude to that shameful accusation. + </p> + <p> + On her side (touching and admirable sympathy of those two hearts!), the + young lady was too proud, conscious of the purity of her love, to descend + to any justification of herself. + </p> + <p> + She would have considered it an insult both to herself and him. Therefore, + the lovers began their interview, as if the princess had never made any + such remark. The same contempt was extended to the papers, which the + princess had brought with her to prove the imminent ruin to which Adrienne + was exposed. The young lady had laid them down, without reading them, on a + stand within her reach. She made a graceful sign to Djalma to seat himself + by her side, and accordingly he quitted, not without regret, the place he + had occupied at her feet. + </p> + <p> + “My love,” said Adrienne, in a grave and tender voice, “you have often + impatiently asked me, when would come the term of the trial we have laid + upon ourselves. That moment is at hand.” + </p> + <p> + Djalma started, and could not restrain a cry of surprise and joy; but this + almost trembling exclamation was so soft and sweet, that it seemed rather + the expression of ineffable gratitude, than of exulting passion. + </p> + <p> + Adrienne continued: “Separated—surrounded by treachery and fraud—mutually + deceived as to each other’s sentiments—we yet loved on, and in that + followed an irresistible attraction, stronger than every opposing + influence. But since then, in these days of happy retirement from the + world, we have learned to value and esteem each other more. Left to + ourselves in perfect freedom, we have had the courage to resist every + temptation, that hereafter we might be happy without remorse. During these + days, in which our hearts had been laid open to each other, we have read + them thoroughly. Yes, Djalma! I believe in you, and you in me—I find + in you all that you find in me—every possible human security for our + future happiness. But this love must yet be consecrated; and in the eyes + of the world, in which we are called upon to live, marriage is the only + consecration, and marriage enchains one’s whole life.” + </p> + <p> + Djalma looked at the young lady with surprise. + </p> + <p> + “Yes, one’s whole life! and yet who can answer for the sentiments of a + whole life?” resumed Adrienne. “A God, that could see into the future, + could alone bind irrevocably certain hearts for their own happiness; but, + alas! to human eyes the future is impenetrable. Therefore, to accept + indissoluble ties, for any longer than one can answer for a present + sentiment, is to commit an act of selfish and impious folly.” + </p> + <p> + Djalma made no reply, but, with an almost respectful gesture, he urged the + speaker to continue. + </p> + <p> + “And then,” proceeded she, with a mixture of tenderness and pride, “from + respect for your dignity and mine, I would never promise to keep a law + made by man against woman, with contemptuous and brutal egotism—a + law, which denies to woman soul, mind, and heart—a law, which none + can accept, without being either a slave or perjured—a law, which + takes from the girl her name, reduces the wife to a state of degrading + inferiority, denies to the mother all rights over her own children, and + enslaves one human creature to the will of another, who is in all respects + her equal in the sight of God!—You know, my love,” added the young + lady, with passionate enthusiasm, “how much I honor you, whose father was + called the Father of the Generous. I do not then fear, noble and valiant + heart, to see you use against me these tyrannical powers; but, throughout + my life, I never uttered a falsehood, and our love is too sacred and + celestial to be purchased by a double perjury. No, never will I swear to + observe a law, that my dignity, and my reason refuse to sanction. If, + to-morrow, the freedom of divorce were established, and the rights of + women recognized, I should be willing to observe usages, which would then + be in accordance with my conscience, and with what is just, possible, and + humane.” Then, after a pause, Adrienne continued, with such deep and sweet + emotion, that a tear of tenderness veiled her beauteous eyes: “Oh! if you + knew, my love, what your love is to me: if you knew how dear and sacred I + hold your happiness—you would excuse, you would understand, these + generous superstitions of a loving and honest heart, which could only see + a fatal omen in forms degraded by falsehood and perjury. What I wish, is, + to attach you by love, to bind you in chains of happiness—and to + leave you free, that I may owe your constancy only to your affection.” + </p> + <p> + Djalma had listened to the young girl with passionate attention. Proud and + generous himself, he admired this proud and generous character. After a + moment’s meditative silence, he answered, in his sweet, sonorous voice, in + an almost solemn tone: “Like you, I hold in detestation, falsehood and + perjury. Like you, I think that man degrades himself, by accepting the + right of being a cowardly tyrant, even though resolved never to use the + power. Like you, I could not bear the thought, that I owed all I most + valued, not to your love alone, but to the eternal constraint of an + indissoluble bond. Like you, I believe there is no dignity but in freedom. + But you have said, that, for this great and holy love, you demand a + religious consecration; and if you reject vows, that you cannot make + without folly and perjury, are there then others, which your reason and + your heart approve?—Who will pronounce the required blessing? To + whom must these vows be spoken?” + </p> + <p> + “In a few days, my love, I believe I shall be able to tell you all. Every + evening, after your departure, I have no other thought. I wish to find the + means of uniting yourself and me—in the eyes of God, not of the law—without + offending the habits and prejudices of a world, in which it may suit us + hereafter to live. Yes, my friend! when you know whose are the noble + hands, that are to join ours together, who is to bless and glorify God in + our union—a sacred union, that will leave us worthy and free—you + will say, I am sure, that never purer hands could have been laid upon us. + Forgive me, friend! all this is in earnest—yes, earnest as our love, + earnest as our happiness. If my words seem to you strange, my thoughts + unreasonable, tell it me, love! We will seek and find some better means, + to reconcile that we owe to heaven, with what we owe to the world and to + ourselves. It is said, that lovers are beside themselves,” added the young + lady, with a smile, “but I think that no creatures are more reasonable.” + </p> + <p> + “When I hear you speak thus of our happiness,” said Djalma, deeply moved, + “with so much calm and earnest tenderness, I think I see a mother occupied + with the future prospects of her darling child—trying to surround + him with all that can make him strong, valiant, and generous—trying + to remove far from him all that is ignoble and unworthy. You ask me to + tell you if your thoughts seem strange to me, Adrienne. You forget, that + what makes my faith in our love, is my feeling exactly as you do. What + offends you, offends me also; what disgusts you, disgusts me. Just now, + when you cited to me the laws of this country, which respect in a woman + not even a mother’s right—I thought with pride of our barbarous + countries, where woman, though a slave, is made free when she becomes a + mother. No, no; such laws are not made either for you or me. Is it not to + prove your sacred respect for our love, to wish to raise it above the + shameful servitude that would degrade it? You see, Adrienne, I have often + heard said by the priests of my country, that there were beings inferior + to the gods, but superior to every other creature. I did not believe those + priests; but now I do.” These last words were uttered, not in the tone of + flattery, but with an accent of sincere conviction, and with that sort of + passionate veneration and almost timid fervor, which mark the believer + talking of his faith; but what is impossible to describe, is the ineffable + harmony of these almost religious words, with the mild, deep tone of the + young Oriental’s voice—as well as the ardent expression of amorous + melancholy, which gave an irresistible charm to his enchanting features. + </p> + <p> + Adrienne had listened to Djalma with an indescribable mixture of joy, + gratitude, and pride. Laying her hand on her bosom, as if to keep down its + violent pulsations, she resumed, as she looked at the prince with delight: + “Behold him, ever the same!—just, good, great!—Oh, my heart! + my heart! how proudly it beats. Blessed be God, who created me for this + adored lover! He must mean to astonish the world, by the prodigies of + tenderness and charity, that such a love may produce. They do not yet know + the sovereign might of free, happy, ardent love. Yes, Djalma! on the day + when our hands are joined together, what hymns of gratitude will ascend to + heaven!—Ah! they do not know the immense, the insatiable longing for + joy aria delight, which possesses two hearts like ours; they do not know + what rays of happiness stream from the celestial halo of such a flame!—Oh, + yes! I feel it. Many tears will be dried, many cold hearts warmed, at the + divine fire of our love. And it will be by the benedictions of those we + serve, that they will learn the intoxication of our rapture!” + </p> + <p> + To the dazzled eyes of Djalma, Adrienne appeared more and more an ideal + being—partaking of the Divinity by her goodness, of the animal + nature by passion—for, yielding to the intensity of excitement, + Adrienne fixed upon Djalma looks that sparkled with love. + </p> + <p> + ‘Then, almost beside himself, the Asiatic fell prostrate at the feet of + the maiden, and exclaimed, in a supplicating voice: “Mercy! my courage + fails me. Have pity on me! do not talk thus. Oh, that day! what years of + my life would I not give to hasten it!” + </p> + <p> + “Silence! no blasphemy. Do not your years belong to me?” + </p> + <p> + “Adrienne! you love me!” + </p> + <p> + The young lady did not answer; but her half-veiled, burning glance, dealt + the last blow to reason. Seizing her hands in his own, he exclaimed, with + a tremulous voice: “That day, in which we shall mount to heaven, in which + we shall be gods in happiness—why postpone it any longer?” + </p> + <p> + “Because our love must be consecrated by the benediction of heaven.” + </p> + <p> + “Are we not free?” + </p> + <p> + “Yes, yes, my love; we are free. Let us be worthy of our liberty!” + </p> + <p> + “Adrienne! mercy!” + </p> + <p> + “I ask you also to have mercy—to have mercy on the sacredness of our + love. Do not profane it in its very flower. Believe my heart! believe my + presentiments! to profane it would be to kill. Courage, my adored lover! a + few days longer—and then happiness—without regret, and without + remorse!” + </p> + <p> + “And, until then, hell! tortures without a name! You do not, cannot know + what I suffer when I leave your presence. Your image follows me, your + breath burns me up; I cannot sleep, but call on you every night with sighs + and tears—just as I called on, you, when I thought you did not love + me—and yet I know you love me, I know you are mine. But to see you + every day more beautiful, more adored—and every day to quit you more + impassioned—oh! you cannot tell—” + </p> + <p> + Djalma was unable to proceed. What he said of his devouring tortures, + Adrienne had felt, perhaps even more intensely. Electrified by the + passionate words of Djalma, so beautiful in his excitement, her courage + failed, and she perceived that an irresistible languor was creeping over + her. By a last chaste effort of the will, she rose abruptly, and hastening + to the door, which communicated with Mother Bunch’s chamber, she + exclaimed: “My sister! help me!” + </p> + <p> + In another moment, Mdlle. de Cardoville, her face bathed in tears, clasped + the young sempstress in her arms; while Djalma knelt respectfully on the + threshold he did not dare to pass. + </p> + <p> + <a name="link2HCH0166" id="link2HCH0166"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER LXI. AMBITION. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span> few days after the interview of Djalma and Adrienne, just described, + Rodin was alone in his bed-chamber, in the house in the Rue de Vaugirard, + walking up and down the room where he had so valiantly undergone the moxas + of Dr. Baleinier. With his hands thrust into the hind-pockets of his + greatcoat, and his head bowed upon his breast, the Jesuit seemed to be + reflecting profoundly, and his varying walk, now slow, now quick, betrayed + the agitation of his mind. + </p> + <p> + “On the side of Rome,” said Rodin to himself, “I am tranquil. All is going + well. The abdication is as good as settled, and if I can pay them the + price agreed, the Prince Cardinal can secure me a majority of nine voices + in the conclave. Our General is with me; the doubts of Cardinal Malipieri + are at an end, or have found no echo. Yet I am not quite easy, with regard + to the reported correspondence between Father d’Aigrigny and Malipieri. I + have not been able to intercept any of it. No matter; that soldier’s + business is settled. A little patience and he will be wiped out.” + </p> + <p> + Here the pale lips were contracted by one of those frightful smiles, which + gave to Rodin’s countenance so diabolical an expression. + </p> + <p> + After a pause, he resumed: “The funeral of the freethinker, the + philanthropist, the workman’s friend, took place yesterday at St. Herem. + Francis Hardy went off in a fit of ecstatic delirium. I had his donation, + it is true; but this is more certain. Everything may be disputed in this + world; the dead dispute nothing.” + </p> + <p> + Rodin remained in thought for some moments; then he added, in a grave + tone: “There remain this red-haired wench and her mulatto. This is the + twenty-seventh of May; the first of June approaches, and these turtle + doves still seem invulnerable. The princess thought she had hit upon a + good plan, and I should have thought so too. It was a good idea to mention + the discovery of Agricola Baudoin in the madcap’s room, for it made the + Indian tiger roar with savage jealousy. Yes: but then the dove began to + coo, and hold out her pretty beak, and the foolish tiger sheathed his + claws, and rolled on the ground before her. It’s a pity, for there was + some sense in the scheme.” + </p> + <p> + The walk of Rodin became more and more agitated. “Nothing is more + extraordinary,” continued he, “than the generative succession of ideas. In + comparing this red-haired jade to a dove (colombe), I could not help + thinking of that infamous old woman, Sainte-Colombe, whom that big rascal + Jacques Dumoulin pays his court to, and whom the Abbe Corbinet will + finish, I hope, by turning to good account. I have often remarked, that, + as a poet may find an excellent rhyme by mere chance, so the germ of the + best ideas is sometimes found in a word, or in some absurd resemblance + like the present. That abominable hag, Sainte-Colombo, and the pretty + Adrienne de Cardoville, go as well together, as a ring would suit a cat, + or a necklace a fish. Well, there is nothing in it.” + </p> + <p> + Hardly had Rodin pronounced these words, than he started suddenly, and his + face shone with a fatal joy. Then it assumed an expression of meditative + astonishment, as happens when chance reveals some unexpected discovery to + the surprised and charmed inquirer after knowledge. + </p> + <p> + Soon, with raised head and sparkling eye, his hollow cheeks swelling with + joy and pride, Rodin folded his arms in triumph on his breast, and + exclaimed: “Oh! how admirable and marvellous are these mysterious + evolutions of the mind; how incomprehensible is the chain of human + thought, which, starting from an absurd jingle of words, arrives at a + splendid or luminous idea! Is it weakness? or is it strength? Strange—very + strange! I compare the red-haired girl to a dove—a colombe. That + makes me think of the hag, who traded in the bodies and souls of so many + creatures. Vulgar proverbs occur to me, about a ring and a cat, a fish and + a necklace—and suddenly, at the word NECKLACE, a new light dawns + upon me. Yes: that one word NECKLACE shall be to me a golden key, to open + the portals of my brain, so long foolishly closed.” + </p> + <p> + And, after again walking hastily up and down, Rodin continued: “Yes, it is + worth attempting. The more I reflect upon it, the more feasible it + appears. Only how to get at that wretch, Saint-Colombe? Well, there is + Jacques Dumoulin, and the other—where to find her? That is the + stumbling-block. I must not shout before I am out of the wood.” + </p> + <p> + Rodin began again to walk, biting his nails with an air of deep thought. + For some moments, such was the tension of his mind, large drops of sweat + stood on his yellow brow. He walked up and down, stopped, stamped with his + foot, now raised his eyes as if in search of an inspiration, and now + scratched his head violently with his left hand, whilst he continued to + gnaw the nails of the right. Finally, from time to time, he uttered + exclamations of rage, despondency, or hope, as by turns they took + possession of his mind. If the cause of this monster’s agitation had not + been horrible, it would have been a curious and interesting spectacle to + watch the labors of that powerful brain—to follow, as it were, on + that shifting countenance, the progress and development of the project, on + which he was now concentrating all the resources of his strong intellect. + At length, the work appeared to be near completion, for Rodin resumed: + “Yes, yes! it is bold, hazardous—but then it is prompt, and the + consequences may be incalculable. Who can foresee the effects of the + explosion of a mine?” + </p> + <p> + Then, yielding to a movement of enthusiasm, which was hardly natural to + him, the Jesuit exclaimed, with rapture: “Oh, the passions! the passions! + what a magical instrument do they form, if you do but touch the keys with + a light, skillful, and vigorous hand! How beautiful too is the power of + thought! Talk of the acorn that becomes an oak, the seed that grows up to + the corn—the seed takes months, the acorn centuries, to unfold its + splendors—but here is a little word in eight letters, necklace and + this word, falling into my brain but a few minutes ago, has grown and + grown till it has become larger than any oak. Yes, that word is the germ + of an idea, that, like the oak, lifts itself up towards heaven, for the + greater glory of the Lord—such as they call Him, and such as I would + assert Him to be, should I attain—and I shall attain—for these + miserable Renneponts will pass away like a shadow. And what matters it, + after all, to the moral order I am reserved to guide, whether these people + live or die? What do such lives weigh in the balance of the great + destinies of the world? while this inheritance which I shall boldly fling + into the scale, will lift me to a sphere, from which one commands many + kings, many nations—let them say and make what noise they will. The + idiots—the stupid idiots! or rather, the kind, blessed, adorable + idiots! They think they have crushed us, when they say to us men of the + church: ‘You take the spiritual, but we will keep the temporal!’—Oh, + their conscience or their modesty inspires them well, when it bids them + not meddle with spiritual things! They abandon the spiritual! they despise + it, they will have nothing to do with it—oh, the venerable asses! + they do not see, that, even as they go straight to the mill, it is by the + spiritual that we go straight to the temporal. As if the mind did not + govern the body! They leave us the spiritual—that is, command of the + conscience, soul, heart, and judgment—the spiritual—that is, + the distribution of heaven’s rewards, and punishments, and pardons—without + check, without control, in the secrecy of the confessional—and that + dolt, the temporal, has nothing but brute matter for his portion, and yet + rubs his paunch for joy. Only, from time to time, he perceives, too late, + that, if he has the body, we have the soul, and that the soul governs the + body, and so the body ends by coming with us also—to the great + surprise of Master Temporal, who stands staring with his hands on his + paunch, and says: ‘Dear me! is it possible?’” + </p> + <p> + Then, with a laugh of savage contempt, Rodin began to walk with great + strides, and thus continued: “Oh! let me reach it—let me but reach + the place of SIXTUS V.—and the world shall see (one day, when it + awakes) what it is to have the spiritual power in hands like mine—in + the hands of a priest, who, for fifty years, has lived hardly, frugally, + chastely, and who, were he pope, would continue to live hardly, frugally, + chastely!” + </p> + <p> + Rodin became terrible, as he spoke thus. All the sanguinary, sacrilegious, + execrable ambition of the worst popes seemed written in fiery characters + on the brow of this son of Ignatius. A morbid desire of rule seemed to + stir up the Jesuit’s impure blood; he was bathed in a burning sweat, and a + kind of nauseous vapor spread itself round about him. Suddenly, the noise + of a travelling-carriage, which entered the courtyard of the house, + attracted his attention. Regretting his momentary excitement, he drew from + his pocket his dirty white and red cotton handkerchief, and dipping it in + a glass of water, he applied it to his cheeks and temples, while he + approached the window, to look through the half-open blinds at the + traveller who had just arrived. The projection of a portico, over the door + at which the carriage had stopped, intercepted Rodin’s view. + </p> + <p> + “No matter,” said he, recovering his coolness: “I shall know presently who + is there. I must write at once to Jacques Dumoulin, to come hither + immediately. He served me well, with regard to that little slut in the Rue + Clovis, who made my hair stand on end with her infernal Beranger. This + time, Dumoulin may serve me again. I have him in my clutches, and he will + obey me.” + </p> + <p> + Rodin sat down to his desk and wrote. A few seconds later, some one + knocked at the door, which was double-locked, quite contrary to the rules + of the order. But, sure of his own influence and importance, Rodin, who + had obtained from the general permission to be rid for a time of the + inconvenient company of a socius, often took upon himself to break through + a number of the rules. A servant entered and delivered a letter to Rodin. + Before opening it the latter said to the man: “What carriage is that which + just arrived?” + </p> + <p> + “It comes from Rome, father,” answered the servant, bowing. + </p> + <p> + “From Rome!” said Rodin, hastily; and in spite of himself, a vague + uneasiness was expressed in his countenance. But, still holding the letter + in his hands, he added: “Who comes in the carriage.” + </p> + <p> + “A reverend father of our blessed Company.” + </p> + <p> + Notwithstanding his ardent curiosity, for he knew that a reverend father, + travelling post, is always charged with some important mission, Rodin + asked no more questions on the subject, but said, as he pointed to the + paper in his hand: “Whence comes this letter?” + </p> + <p> + “From our house at St. Herem, father.” + </p> + <p> + Rodin looked more attentively at the writing, and recognized the hand of + Father d’Aigrigny, who had been commissioned to attend M. Hardy in his + last moments. The letter ran as follows: + </p> + <p> + “I send a despatch to inform your reverence of a fact which is, perhaps, + more singular than important. After the funeral of M. Francis Hardy, the + coffin, which contained his remains, had been provisionally deposited in a + vault beneath our chapel, until it could be removed to the cemetery of the + neighboring town. This morning, when our people went down into the vault, + to make the necessary preparations for the removal of the body—the + coffin had disappeared. + </p> + <p> + “That is strange indeed,” said Rodin with a start. Then, he continued to + read: + </p> + <p> + “All search has hitherto been vain, to discover the authors of the + sacrilegious deed. The chapel being, as you know, at a distance from the + house, they were able to effect an entry without disturbing us. We have + found traces of a four-wheeled carriage on the damp ground in the + neighborhood; but, at some little distance from the chapel, these marks + are lost in the sand, and it has been impossible to follow them any + farther.” + </p> + <p> + “Who can have carried away this body?” said Rodin, with a thoughtful air. + “Who could have any interest in doing so?” + </p> + <p> + He continued to read: + </p> + <p> + “Luckily, the certificate of death is quite correct. I sent for a doctor + from Etampes, to prove the disease, and no question can be raised on that + point. The donation is therefore good and valid in every respect, but I + think it best to inform your reverence of what has happened, that you may + take measures accordingly, etc., etc.” + </p> + <p> + After a moment’s reflection, Rodin said to himself: “D’Aigrigny is right + in his remark; it is more singular than important. Still, it makes one + think. We must have an eye to this affair.” + </p> + <p> + Turning towards the servant, who had brought him the letter, Rodin gave + him the note he had just written to Ninny Moulin, and said to him: “Let + this letter be taken instantly to its address, and let the bearer wait for + an answer.” + </p> + <p> + “Yes, father.” + </p> + <p> + At the moment the servant left the room, a reverend father entered, and + said to Rodin, “Father Caboccini of Rome has just arrived, with a mission + from our general to your reverence.” + </p> + <p> + At these words, Rodin’s blood ran cold, but he maintained his immovable + calmness, and said simply: “Where is Father Caboccini?” + </p> + <p> + “In the next room, father.” + </p> + <p> + “Beg him to walk in, and leave us,” said the other. + </p> + <p> + A second after, Father Caboccini of Rome entered the room and was left + alone with Rodin. + </p> + <p> + <a name="link2HCH0167" id="link2HCH0167"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER LXII. TO A SOCIUS, A SOCIUS AND A HALF. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>he Reverend Father Caboccini, the Roman Jesuit who now came to visit + Rodin, was a short man of about thirty years of age, plump, in good + condition, and with an abdomen that swelled out his black cassock. The + good little father was blind with one eye, but his remaining organ of + vision sparkled with vivacity. His rosy countenance was gay, smiling, + joyous, splendidly crowned with thick chestnut hair, which curled like a + wax doll’s. His address was cordial to familiarity, and his expansive and + petulant manners harmonized well with his general appearance. In a second, + Rodin had taken his measure of the Italian emissary; and as he knew the + practice of his Company, and the ways of Rome, he felt by no means + comfortable at sight of this jolly little father, with such affable + manners. He would have less feared some tall, bony priest, with austere + and sepulchral countenance, for he knew that the Company loves to deceive + by the outward appearance of its agents; and if Rodin guessed rightly, the + cordial address of this personage would rather tend to show that he was + charged with some fatal mission. + </p> + <p> + Suspicious, attentive, with eye and mind on the watch, like an old wolf, + expecting an attack, Rodin advanced as usual, slowly and tortuously + towards the little man, so as to have time to examine him thoroughly, and + penetrate beneath his jovial outside. But the Roman left him no space for + that purpose. In his impetuous affection he threw himself right on the + neck of Rodin, pressed him in his arms with an effusion of tenderness, and + kissed him over and over again upon both cheeks, so loudly and plentifully + that the echo resounded through the apartment. In his life Rodin had never + been so treated. More and more uneasy at the treachery which must needs + lurk under such warm embraces, and irritated by his own evil + presentiments, the French Jesuit did, all he could to extricate himself + from the Roman’s exaggerated tokens of tenderness. But the latter kept his + hold; his arms, though short, were vigorous, and Rodin was kissed over and + over again, till the little one-eyed man was quite out of breath. It is + hardly necessary to state that these embraces were accompanied by the most + friendly, affectionate, and fraternal exclamations—all in tolerably + good French, but with a strong Italian accent, which we muss beg the + reader to supply for himself, after we have given a single specimen. It + will perhaps be remembered that, fully aware of the danger he might + possibly incur by his ambitious machinations, and knowing from history + that the use of poison had often been considered at Rome as a state + necessity, Rodin, on being suddenly attacked with the cholera, had + exclaimed, with a furious glance at Cardinal Malipieri, “I am poisoned!” + </p> + <p> + The same apprehensions occurred involuntarily to the Jesuit’s mind as he + tried, by useless efforts, to escape from the embraces of the Italian + emissary; and he could not help muttering to himself, “This one-eyed + fellow is a great deal too fond. I hope there is no poison under his + Judas-kisses.” At last, little Father Caboccini, being quite out of + breath, was obliged to relinquish his hold on Rodin’s neck, who, + readjusting his dirty collar, and his old cravat and waistcoat, somewhat + in disorder in consequence of this hurricane of caresses, said in a gruff + tone, “Your humble servant, father, but you need not kiss quite so hard.” + </p> + <p> + Without making any answer to this reproach, the little father riveted his + one eye upon Rodin with an expression of enthusiasm, and exclaimed, whilst + he accompanied his words with petulant gestures, “At lazt I zee te zuperb + light of our zacred Company, and can zalute him from my heart—vonse + more, vonse more.” + </p> + <p> + As the little father had already recovered his breath, and was about to + rush once again into Rodin’s arms, the latter stepped back hastily, and + held out his arm to keep him off, saying, in allusion to the illogical + metaphor employed by Father Caboccini, “First of all, father, one does not + embrace a light—and then I am not a light—I am a humble and + obscure laborer in the Lord’s vineyard.” + </p> + <p> + The Roman replied with enthusiasm (we shall henceforth translate his + gibberish), “You are right, father, we cannot embrace a light, but we can + prostrate ourselves before it, and admire its dazzling brightness.” + </p> + <p> + So saying, Caboccini was about to suit the action to the word, and to + prostrate himself before Rodin, had not the latter prevented this mode of + adulation by seizing the Roman by the arm and exclaiming, “This is mere + idolatry, father. Pass over my qualities, and tell me what is the object + of your journey.” + </p> + <p> + “The object, my dear father, fills me with joy and happiness. I have + endeavored to show you my affection by my caresses, for my heart is + overflowing. I have hardly been able to restrain myself during my journey + hither, for my heart rushed to meet you. The object transports, delights, + enchants me—” + </p> + <p> + “But what enchants you?” cried Rodin, exasperated by these Italian + exaggerations. “What is the object?” + </p> + <p> + “This rescript of our very reverend and excellent General will inform you, + my clear father.” + </p> + <p> + Caboccini drew from his pocket-book a folded paper, with three seals, + which he kissed respectfully, and delivered to Rodin, who himself kissed + it in his turn, and opened it with visible anxiety. While he read it the + countenance of the Jesuit remained impassible, but the pulsation of the + arteries on his temples announced his internal agitation. Yet he put the + letter coolly into his pocket, and looking at the Roman, said to him, “Be + it as our excellent General has commanded!” + </p> + <p> + “Then, father,” cried Caboccini, with a new effusion of tenderness and + admiration, “I shall be the shadow of your light, and, in fact, your + second self. I shall have the happiness of being always with you, day and + night, and of acting as your socius, since, after having allowed you to be + without one for some time, according to your wish, and for the interest of + our blessed Company, our excellent General now thinks fit to send me from + Rome, to fill that post about your person—an unexpected, an immense + favor, which fills me with gratitude to our General, and with love to you, + my dear, my excellent father!” + </p> + <p> + “It is well played,” thought Rodin; “but I am not so soft, and ‘tis only + among the blind that your Cyclops are kings!” + </p> + <p> + The evening of the day in which this scene took place between the Jesuit + and his new socius, Ninny Moulin, after receiving in presence of Caboccini + the instructions of Rodin, went straight to Madame de la Sainte-Colombe’s. + </p> + <p> + This woman had made her fortune, at the time of the allies taking Paris, + by keeping one of those “pretty milliner’s shops,” whose “pink bonnets” + have run into a proverb not extinct in these days when bonnets are not + known. Ninny Moulin had no better well to draw inspiration from when, as + now, he had to find out, as per Rodin’s order, a girl of an age and + appearance which, singularly enough, were closely resembling those of + Mdlle. de Cardoville. + </p> + <p> + No doubt of Ninny Moulin’s success in this mission, for the next morning + Rodin, whose countenance wore a triumphant expression, put with his own + hand a letter into the post. + </p> + <p> + This letter was addressed: + </p> + <p> + “To M. Agricola Baudoin, “No. 2, Rue Brise-Miche, “Paris.” + </p> + <p> + <a name="link2HCH0168" id="link2HCH0168"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER LXIII. FARINGHEA’S AFFECTION. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">I</span>t will, perhaps, be remembered that Djalma, when he heard for the first + time that he was beloved by Adrienne, had, in the fulness of his joy, + spoken thus to Faringhea, whose treachery he had just discovered, “You + leagued with my enemies, and I had done you no harm. You are wicked, + because you are no doubt unhappy. I will strive to make you happy, so that + you may be good. Would you have gold?—you shall have it. Would you + have a friend?—though you are a slave, a king’s son offers you his + friendship.” + </p> + <p> + Faringhea had refused the gold, and appeared to accept the friendship of + the son of Kadja-sing. Endowed with remarkable intelligence, and + extraordinary power of dissimulation the half-breed had easily persuaded + the prince of the sincerity of his repentance, and obtained credit for his + gratitude and attachment from so confiding and generous a character. + Besides, what motives could Djalma have to suspect the slave, now become + his friend? Certain of the love of Mdlle. de Cardoville, with whom he + passed a portion of every day, her salutary influence would have guarded + him against any dangerous counsels or calumnies of the half-caste, a + faithful and secret instrument of Rodin, and attached by him to the + Company. But Faringhea, whose tact was amazing, did not act so lightly; he + never spoke to the prince of Mdlle. de Cardoville, and waited + unobtrusively for the confidential communications into which Djalma was + sometimes hurried by his excessive joy. A few days after the interview + last described between Adrienne and Djalma, and on the morrow of the day + when Rodin, certain of the success of Ninny Moulin’s mission to Sainte + Colombe, had himself put a letter in the post to the address of Agricola + Baudoin, the half-caste, who for some time had appeared oppressed with a + violent grief, seemed to get so much worse, that the prince, struck with + the desponding air of the man, asked him kindly and repeatedly the cause + of his sorrow. But Faringhea, while he gratefully thanked the prince for + the interest he took in him, maintained the most absolute silence and + reserve on the subject of his grief. + </p> + <p> + These preliminaries will enable the reader to understand the following + scene, which took place about noon in the house in the Rue de Clichy + occupied by the Hindoo. Contrary to his habit, Djalma had not passed that + morning with Adrienne. He had been informed the evening before, by the + young lady, that she must ask of him the sacrifice of this whole day, to + take the necessary measures to make their marriage sacred and acceptable + in the eyes of the world, and yet free from the restrictions which she and + Djalma disapproved. As for the means to be employed by Mdlle. de + Cardoville to attain this end, and the name of the pure and honorable + person who was to consecrate their union, these were secrets which, not + belonging exclusively to the young lady, could not yet be communicated to + Djalma. To the Indian, so long accustomed to devote every instant to + Adrienne, this day seemed interminable. By turns a prey to the most + burning agitation, and to a kind of stupor, in which he plunged himself to + escape from the thoughts that caused his tortures, Djalma lay stretched + upon a divan, with his face buried in his hands, as if to shut out the + view of a too enchanting vision. Suddenly, without knocking at the door, + as usual, Faringhea entered the prince’s apartment. + </p> + <p> + At the noise the half-caste made in entering Djalma started, raised his + head, and looked round him with surprise; but, on seeing the pale agitated + countenance of the slave, he rose hastily, and advancing towards him, + exclaimed, “What is the matter, Faringhea!” + </p> + <p> + After a moment’s silence, and as if struggling with a painful feeling of + hesitation, Faringhea threw himself at the feet of Djalma, and murmured in + a weak, despairing, almost supplicating voice: “I am very miserable. Pity + me, my good lord!” + </p> + <p> + The tone was so touching, the grief under which the half-breed suffered + seemed to give to his features, generally fixed and hard as bronze, such a + heart-rending expression, that Djalma was deeply affected, and, bending to + raise him from the ground, said to him, in a kindly voice: “Speak to me! + Confidence appeases the torments of the heart. Trust me, friend—for + my angel herself said to me, that happy love cannot bear to see tears + about him.” + </p> + <p> + “But unhappy love, miserable love, betrayed love—weeps tears of + blood,” replied Faringhea, with painful dejection. + </p> + <p> + “Of what love dost thou speak?” asked Djalma, in surprise. + </p> + <p> + “I speak of my love,” answered the half-caste, with a gloomy air. + </p> + <p> + “Of your love?” said Djalma, more and more astonished; not that the half + caste, still young, and with a countenance of sombre beauty, appeared to + him incapable of inspiring or feeling the tender passion, but that, until + now, he had never imagined him capable of conceiving so deep a sorrow. + </p> + <p> + “My lord,” resumed the half-caste, “you told me, that misfortune had made + me wicked, and that happiness would make me good. In those words, I saw a + presentiment, and a noble love entered my heart, at the moment when hatred + and treachery departed from it. I, the half-savage, found a woman, + beautiful and young, to respond to my passion. At least I thought so. But + I had betrayed you, my lord, and there is no happiness for a traitor, even + though he repent. In my turn, I have been shamefully betrayed.” + </p> + <p> + Then, seeing the surprise of the prince, the half-caste added, as if + overwhelmed with confusion: “Do not mock me, my lord! The most frightful + tortures would not have wrung this confession from me; but you, the son of + a king, deigned to call the poor slave your friend!” + </p> + <p> + “And your friend thanks you for the confidence,” answered Djalma. “Far + from mocking, he will console you. Mock you! do you think it possible?” + </p> + <p> + “Betrayed love merits contempt and insult,” said Faringhea, bitterly. + “Even cowards may point at one with scorn—for, in this country, the + sight of the man deceived in what is dearest to his soul, the very life + blood of his life, only makes people shrug their shoulders and laugh.” + </p> + <p> + “But are you certain of this treachery?” said Djalma, mildly. Then he + added, with visible hesitation, that proved the goodness of his heart: + “Listen to me, and forgive me for speaking of the past! It will only be + another proof, that I cherish no evil memories, and that I fully believe + in your repentance and affection. Remember, that I also once thought, that + she, who is the angel of my life, did not love me—and yet it was + false. Who tells you, that you are not, like me, deceived by false + appearances?” + </p> + <p> + “Alas, my lord! could I only believe so! But I dare not hope it. My brain + wanders uncertain, I cannot come to any resolution, and therefore I have + recourse to you.” + </p> + <p> + “But what causes your suspicions?” + </p> + <p> + “Her coldness, which sometimes succeeds to apparent tenderness. The + refusals she gives me in the name of duty. Yes,” added the half-caste, + after a moment’s silence, “she reasons about her love—a proof, that + she has never loved me, or that she loves me no more.” + </p> + <p> + “On the contrary, she perhaps loves you all the more, that she takes into + consideration the interest and the dignity of her love.” + </p> +<div class="fig"> + <img src="images/30437m.jpg" alt="30437m" /><br /> + </div> + <h5> + <a href="images/30437.jpg"><i>Original</i></a> + </h5> + <p> + “That is what they all say,” replied the half-caste, with bitter irony, as + he fixed a penetrating look on Djalma; “thus speak all those who love + weakly, coldly; but those who love valiantly, never show these insulting + suspicions. For them, a word from the man they adore is a command; they do + not haggle and bargain, for the cruel pleasure of exciting the passion of + their lover to madness, and so ruling him more surely. No, what their + lover asks of them, were it to cost life and honor, they would grant it + without hesitation—because, with them, the will of the man they love + is above every other consideration, divine and human. But those crafty + women, whose pride it is to tame and conquer man—who take delight in + irritating his passion, and sometimes appear on the point of yielding to + it—are demons, who rejoice in the tears and torments of the wretch, + that loves them with the miserable weakness of a child. While we expire + with love at their feet, the perfidious creatures are calculating the + effects of their refusals, and seeing how far they can go, without quite + driving their victim to despair. Oh! how cold and cowardly are they, + compared to the valiant, true-hearted women, who say to the men of their + choice: ‘Let me be thine to-day-and to-morrow, come shame, despair, and + death—it matters little! Be happy! my life is not worth one tear of + thine!” + </p> + <p> + Djalma’s brow had darkened, as he listened. Having kept inviolable the + secret of the various incidents of his passion for Mdlle. de Cardoville, + he could not but see in these words a quite involuntary allusion to the + delays and refusals of Adrienne. And yet Djalma suffered a moment in his + pride, at the thought of considerations and duties, that a woman holds + dearer than her love. But this bitter and painful thought was soon effaced + from the oriental’s mind, thanks to the beneficent influence of the + remembrance of Adrienne. His brow again cleared, and he answered the + half-caste, who was watching him attentively with a sidelong glance: “You + are deluded by grief. If you have no other reason to doubt her you love, + than these refusals and vague suspicions, be satisfied! You are perhaps + loved better than you can imagine.” + </p> + <p> + “Alas! would it were so, my lord!” replied the half-caste, dejectedly, as + if he had been deeply touched by the words of Djalma. “Yet I say to + myself: There is for this woman something stronger than her love—delicacy, + dignity, honor, what you will—but she does not love me enough to + sacrifice for me this something!” + </p> + <p> + “Friend, you are deceived,” answered Djalma, mildly, though the words + affected him with a painful impression. “The greater the love of a woman, + the more it should be chaste and noble. It is love itself that awakens + this delicacy and these scruples. He rules, instead of being ruled.” + </p> + <p> + “That is true,” replied the half-caste, with bitter irony, “Love so rules + me, that this woman bids me love in her own fashion, and I have only to + submit.” + </p> + <p> + Pausing suddenly, Faringhea hid his face in his hands, and heaved a deep + drawn sigh. His features expressed a mixture of hate, rage, and despair, + at once so terrible and so painful, that Djalma, more and more affected, + exclaimed, as he seized the other’s hand: “Calm this fury, and listen to + the voice of friendship! It will disperse this evil influence. Speak to + me!” + </p> + <p> + “No, no! it is too dreadful!” + </p> + <p> + “Speak, I bid thee.” + </p> + <p> + “No! leave the wretch to his despair!” + </p> + <p> + “Do you think me capable of that?” said Djalma, with a mixture of mildness + and dignity, which seemed to make an impression on the half caste. + </p> + <p> + “Alas!” replied he, hesitating; “do you wish to hear more, my lord?” + </p> + <p> + “I wish to hear all.” + </p> + <p> + “Well, then! I have not told you all—for, at the moment of making + this confession, shame and the fear of ridicule kept me back. You asked me + what reason I had to believe myself betrayed. I spoke to you of vague + suspicions, refusals, coldness. That is not all—this evening—” + </p> + <p> + “Go on!” + </p> + <p> + “This evening—she made an appointment—with a man that she + prefers to me.” + </p> + <p> + “Who told you so?” + </p> + <p> + “A stranger who pitied my blindness.” + </p> + <p> + “And suppose the man deceived you—or deceives himself?” + </p> + <p> + “He has offered me proofs of what he advances.” + </p> + <p> + “What proofs?” + </p> + <p> + “He will enable me this evening to witness the interview. ‘It may be,’ + said he, ‘that this appointment may have no guilt in it, notwithstanding + appearances to the contrary. Judge for yourself, have courage, and your + cruel indecision will be at an end.’” + </p> + <p> + “And what did you answer?” + </p> + <p> + “Nothing, my lord. My head wandered as it does now and I came to you for + advice.” + </p> + <p> + Then, making a gesture of despair, he proceeded with a savage laugh: + “Advice? It is from the blade of my kand-jiar that I should ask counsel! + It would answer: ‘Blood! blood!’” + </p> + <p> + Faringhea grasped convulsively the long dagger attached to his girdle. + There is a sort of contagion in certain forms of passion. At sight of + Faringhea’s countenance, agitated by jealous fury, Djalma shuddered—for + he remembered the fit of insane rage, with which he had been possessed, + when the Princess de Saint-Dizier had defied Adrienne to contradict her, + as to the discovery of Agricola Baudoin in her bed-chamber. But then, + reassured by the lady’s proud and noble bearing, Djalma had soon learned + to despise the horrible calumny, which Adrienne had not even thought + worthy of an answer. Still, two or three times, as the lightning will + flash suddenly across the clearest sky, the remembrance of that shameful + accusation had crossed the prince’s mind, like a streak of fire, but had + almost instantly vanished, in the serenity and happiness of his ineffable + confidence in Adrienne’s heart. These memories, however, whilst they + saddened the mind of Djalma, only made him more compassionate with regard + to Faringhea, than he might have been without this strange coincidence + between the position of the half-caste and his own. Knowing, by his own + experience, to what madness a blind fury may be carried, and wishing to + tame the half-caste by affectionate kindness, Djalma said to him in a + grave and mild tone: “I offered you my friendship. I will now act towards + you a friend.” + </p> + <p> + But Faringhea, seemingly a prey to a dull and mute frenzy, stood with + fixed and haggard eyes, as though he did not hear Djalma. + </p> + <p> + The latter laid his hand on his shoulder, and resumed: “Faringhea, listen + to me!” + </p> + <p> + “My lord,” said the half-caste, starting abruptly, as from a dream, + “forgive me—but—” + </p> + <p> + “In the anguish occasioned by these cruel suspicions, it is not of your + kandjiar that you must take counsel—but of your friend.” + </p> + <p> + “My lord—” + </p> + <p> + “To this interview, which will prove the innocence or the treachery of + your beloved, you will do well to go.” + </p> + <p> + “Oh, yes!” said the half-caste, in a hollow voice, and with a bitter + smile: “I shall be there.” + </p> + <p> + “But you must not go alone.” + </p> + <p> + “What do you mean, my lord?” cried the half-caste. “Who will accompany + me?” + </p> + <p> + “I will.” + </p> + <p> + “You, my lord?” + </p> + <p> + “Yes—perhaps, to save you from a crime—for I know how blind + and unjust is the earliest outburst of rage.” + </p> + <p> + “But that transport gives us revenge!” cried the half-caste, with a cruel + smile. + </p> + <p> + “Faringhea, this day is all my own. I shall not leave you,” said the + prince, resolutely. “Either you shall not go to this interview, or I will + accompany you.” + </p> + <p> + The half-caste appeared conquered by this generous perseverance. He fell + at the feet of Djalma, pressed the prince’s hand respectfully to his + forehead and to his lips, and said: “My lord, be generous to the end! + forgive me!” + </p> + <p> + “For what should I forgive you?” + </p> + <p> + “Before I spoke to you, I had the audacity to think of asking for what you + have just freely offered. Not knowing to what extent my fury might carry + me, I had thought of asking you this favor, which you would not perhaps + grant to an equal, but I did not dare to do it. I shrunk even from the + avowal of the treachery I have cause to fear, and I came only to tell you + of my misery—because to you alone in all the world I could tell it.” + </p> + <p> + It is impossible to describe the almost candid simplicity, with which the + half-breed pronounced these words, and the soft tones, mingled with tears, + which had succeeded his savage fury. Deeply affected, Djalma raised him + from the ground, and said: “You were entitled to ask of me a mark of + friendship. I am happy in having forestalled you. Courage! be of good + cheer! I will accompany you to this interview, and if my hopes do not + deceive me, you will find you have been deluded by false appearances.” + </p> + <p> + When the night was come, the half-breed and Djalma, wrapped in their + cloaks, got into a hackney-coach. Faringhea ordered the coachman to drive + to the house inhabited by Sainte-Colombe. + </p> + <p> + <a name="link2HCH0169" id="link2HCH0169"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER LXIV. AN EVENING AT SAINTE-COLOMBE’S. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">L</span>eaving Djalma and Faringhea in the coach, on their way, a few words are + indispensable before continuing this scene. Ninny Moulin, ignorant of the + real object of the step he took at the instigation of Rodin, had, on the + evening before, according to orders received from the latter, offered a + considerable sum to Sainte-Colombe, to obtain from that creature (still + singularly rapacious) the use of her apartments for whole day. + Sainte-Colombe, having accepted this proposition, too advantageous to be + refused, had set out that morning with her servants, to whom she wished, + she said, in return for their good services, to give a day’s pleasure in + the country. Master of the house, Rodin, in a black wig, blue spectacles, + and a cloak, and with his mouth and chin buried in a worsted comforter—in + a word, perfectly disguised—had gone that morning to take a look at + the apartments, and to give his instructions to the half-caste. The + latter, in two hours from the departure of the Jesuit, had, thanks to his + address and intelligence, completed the most important preparation and + returned in haste to Djalma, to play with detestable hypocrisy the scene + at which we have just been present. + </p> + <p> + During the ride from the Rue de Clichy to the Rue de Richelieu, Faringhea + appeared plunged in a mournful reverie. Suddenly, he said to Djalma to a + quick tone: “My lord, if I am betrayed, I must have vengeance.” + </p> + <p> + “Contempt is a terrible revenge,” answered Djalma. + </p> + <p> + “No, no,” replied the half-caste, with an accent of repressed rage. “It is + not enough. The nearer the moment approaches, the more I feel I must have + blood.” + </p> + <p> + “Listen to me—” + </p> + <p> + “My lord, have pity on me! I was a coward to draw back from my revenge. + Let me leave you, my lord! I will go alone to this interview.” + </p> + <p> + So saying, Faringhea made a movement, as if he would spring from the + carriage. + </p> + <p> + Djalma held him by the arm, and said: “Remain! I wilt not leave you. If + you are betrayed, you shall not shed blood. Contempt will avenge and + friendship will console you.” + </p> + <p> + “No, no, my lord; I am resolved. When I have killed—then I will kill + myself,” cried the half-caste, with savage excitement. “This kandjiar for + the false ones!” added he, laying his hand on his dagger. “The poison in + the hilt for me.” + </p> + <p> + “Faringhea—” + </p> + <p> + “If I resist you, my lord, forgive me! My destiny must be accomplished.” + </p> + <p> + Time pressed, and Djalma, despairing to calm the other’s ferocious rage, + resolved to have recourse to a stratagem. + </p> + <p> + After some minutes’ silence, he said to Faringhea: “I will not leave you. + I will do all I can to save you from a crime. If I do not succeed, the + blood you shed be on your own head. This hand shall never again be locked + in yours.” + </p> + <p> + These words appeared to make a deep impression on Faringhea. He breathed a + long sigh, and, bowing his head upon his breast, remained silent and full + of thought. Djalma prepared, by the faint light of the lamps, reflected in + the interior of the coach, to throw himself suddenly on the half-caste, + and disarm him. But the latter, who saw at a glance the intention of the + prince, drew his kandjiar abruptly from his girdle, and holding it still + in its sheath, said to the prince in a half-solemn, half-savage tone: + “This dagger, in a strong hand, is terrible; and in this phial is one of + the most subtle poisons of our country.” + </p> + <p> + He touched a spring, and the knob at the top of the hilt rose like a lid, + discovering the mouth of a small crystal phial concealed in this murderous + weapon. + </p> + <p> + “Two or three drops of this poison upon the lips,” resumed the half caste, + “and death comes slowly and peacefully, in a few hours, and without pain. + Only, for the first symptom, the nails turn blue. But he who emptied this + phial at a draught would fall dead, as if struck by lightning.” + </p> + <p> + “Yes,” replied Djalma; “I know that our country produces such mysterious + poisons. But why lay such stress on the murderous properties of this + weapon?” + </p> + <p> + “To show you, my lord, that this kandjiar would ensure the success and + impunity of my vengeance. With the blade I could destroy, and by the + poison escape from human justice. Well, my lord! this kandjiar—take + it—I give it up to you—I renounce my vengeance—rather + than render myself unworthy to clasp again your hand!” + </p> + <p> + He presented the dagger to the prince, who, as pleased as surprised at + this unexpected determination, hastily secured the terrible weapon beneath + his own girdle; whilst the half-breed continued, in a voice of emotion: + “Deep this kandjiar, my lord—and when you have seen and heard all + that we go to hear and see—you shall either give me the dagger to + strike a wretch—or the poison, to die without striking. You shall + command; I will obey.” + </p> + <p> + Djalma was about to reply, when the coach stopped at the house inhabited + by Sainte-Colombe. The prince and the half-caste, well enveloped in their + mantles, entered a dark porch, and the door was closed after them. + Faringhea exchanged a few words with the porter, and the latter gave him a + key. The two Orientals soon arrived at Sainte-Colombe’s apartments, which + had two doors opening upon the landing-place, besides a private entrance + from the courtyard. As he put the key into the lock, Faringhea said to + Djalma, in an agitated voice: “Pity my weakness, my lord—but, at + this terrible moment, I tremble and hesitate. It were perhaps better to + doubt—or to forget!” + </p> + <p> + Then, as the prince was about to answer, the half-caste exclaimed: “No! we + must have no cowardice!” and, opening the door precipitately, he entered, + followed by Djalma. + </p> + <p> + When the door was again closed, the prince and the half-caste found + themselves in a dark and narrow passage. “Your hand, my lord—let me + guide you—walk lightly,” said Faringhea, in a low whisper. + </p> + <p> + He extended his hand to the prince, who took hold of it, and they both + advanced silently through the darkness. After leading Djalma some + distance, and opening and closing several doors, the half-caste stopped + abruptly, and abandoning the hand which he had hitherto held, said to the + prince: “My lord, the decisive moment approaches; let us wait here for a + few seconds.” + </p> + <p> + A profound silence followed these words of the half-caste. The darkness + was so complete, that Djalma could distinguish nothing. In about a minute, + he heard Faringhea moving away from him; and then a door was suddenly + opened, and as abruptly closed and locked. This circumstance made Djalma + somewhat uneasy. By a mechanical movement, he laid his hand upon his + dagger, and advanced cautiously towards the side, where he supposed the + door to be. + </p> +<div class="fig"> + <img src="images/30445m.jpg" alt="30445m" /><br /> + </div> + <h5> + <a href="images/30445.jpg"><i>Original</i></a> + </h5> + <p> + Suddenly, the half-caste’s voice struck upon his ear, though it was + impossible to guess whence it came. “My lord,” it said, “you told me, you + were my friend. I act as a friend. If I have employed stratagem to bring + you hither, it is because the blindness of your fatal passion would + otherwise have prevented your accompanying me. The Princess de Saint + Dizier named to you Agricola Baudoin, the lover of Adrienne de Cardoville. + Listen—look—judge!” + </p> + <p> + The voice ceased. It appeared to have issued from one corner of the room. + Djalma, still in darkness, perceived too late into what a snare he had + fallen, and trembled with rage—almost with alarm. + </p> + <p> + “Faringhea!” he exclaimed; “where am I? where are you? Open the door on + your life! I would leave this place instantly.” + </p> + <p> + Extending his arms, the prince advanced hastily several steps, but he only + touched a tapestried wall; he followed it, hoping to find the door, and he + at length found it; but it was locked, and resisted all his efforts. He + continued his researches, and came to a fireplace with no fire in it, and + to a second door, equally fast. In a few moments, he had thus made the + circle of the room, and found himself again at the fireplace. The anxiety + of the prince increased more and more. He called Faringhea, in a voice + trembling with passion. There was no answer. Profound silence reigned + without, and complete darkness within. Ere long, a perfumed vapor, of + indescribable sweetness, but very subtle and penetrating, spread itself + insensibly through the little room in which Djalma was. It might be, that + the orifice of a tube, passing through one of the doors of the room, + introduced this balmy current. At the height of angry and terrible + thoughts, Djalma paid no attention to this odor—but soon the + arteries of his temples began to beat violently, a burning heat seemed to + circulate rapidly through his veins, he felt a sensation of pleasure, his + resentment died gradually away, and a mild, ineffable torpor crept over + him, without his being fully conscious of the mental transformation that + was taking place. Yet, by a last effort of the wavering will, Djalma + advanced once more to try and open one of the doors; he found it indeed, + but at this place the vapor was so strong, that its action redoubled, and, + unable to move a step further, Djalma was obliged to support himself by + leaning against the wall.(43) + </p> + <p> + Then a strange thing happened. A faint light spread itself gradually + through an adjoining apartment, and Djalma now perceived, for the first + time, the existence of a little round window, in the wall of the room in + which he was. On the side of the prince, this opening was protected by a + slight but strong railing, which hardly intercepted the view. On the other + side a thick piece of plate-glass was fixed at the distance of two or + three inches from the railing in question. The room, which Djalma saw + through this window, and through which the faint light was now gradually + spreading, was richly furnished. Between two windows, hung with crimson + silk curtains, stood a kind of wardrobe, with a looking-glass front; + opposite the fireplace in which glowed the burning coals, was a long, wide + divan, furnished with cushions. + </p> + <p> + In another second a woman entered this apartment. Her face and figure were + invisible, being wrapped in a long, hooded mantle, of peculiar form, and a + dark color. The sight of this mantle made Djalma start. To the pleasure he + at first felt succeeded a feverish anxiety, like the growing fumes of + intoxication. There was that strange buzzing in his ears which we + experience when we plunge into deep waters. It was in a kind of delirium + that Djalma looked on at what was passing in the next room. The woman who + had just appeared entered with caution, almost with fear. Drawing aside + one of the window curtains, she glanced through the closed blinds into the + street. Then she returned slowly to the fireplace, where she stood for a + moment pensive, still carefully enveloped in her mantle. Completely + yielding to the influence of the vapor, which deprived him of his presence + of mind—forgetting Faringhea, and all the circumstances that had + accompanied his arrival at this house—Djalma concentrated all the + powers of his attention on the spectacle before him, at which he seemed to + be present as in a dream. + </p> + <p> + Suddenly Djalma saw the woman leave the fireplace and advance towards the + looking-glass. Turning her face toward it, she allowed the mantle to glide + down to her feet. Djalma was thunderstruck. He saw the face of Adrienne de + Cardoville. Yes, Adrienne, as he had seen her the night before, attired as + during her interview with the Princess de Saint Dizier—the light + green dress, the rose-colored ribbons, the white head ornaments. A network + of white beads concealed her back hair, and harmonized admirably with the + shining gold of her ringlets. Finally, as far as the Hindoo could judge + through the railing and the thick glass, and in the faint light, it was + the figure of Adrienne, with her marble shoulders and swan-like neck, so + proud and so graceful. In a word, he could not, he did not doubt that it + was Adrienne de Cardoville. Djalma was bathed in a burning dew, his dizzy + excitement increased, and, with bloodshot eye and heaving bosom, he + remained motionless, gazing almost without the power of thought. The young + lady, with her back still turned towards Djalma, arranged her hair with + graceful art, took off the network which formed her head-dress, placed it + on the chimney-piece, and began to unfasten her gown; then, withdrawing + from the looking-glass, she disappeared for an instant from Djalma’s view. + </p> + <p> + “She is expecting Agricola Baudoin, her lover,” said a voice, which seemed + to proceed from the wall of the dark room in which Djalma was. + </p> + <p> + Notwithstanding his bewilderment, these terrible words, “She is expecting + Agricola Baudoin, her lover,” passed like a stream of fire through the + brain and heart of the prince. A cloud of blood came over his eyes, he + uttered a hollow moan, which the thickness of the glass prevented from + being heard in the next room, and broke his nails in attempting to tear + down the iron railing before the window. + </p> + <p> + Having reached this paroxysm of delirious rage, Djalma saw the uncertain + light grow still fainter, as if it had been discreetly obscured, and, + through the vapory shadow that hung before him, he perceived the young + lady returning, clad in a long white dressing-gown, and with her golden + curls floating over her naked arms and shoulders. She advanced cautiously + in the direction of a door which was hid from Djalma’s view. At this + moment, one of the doors of the apartment in which the prince was + concealed was gently opened by an invisible hand. Djalma noticed it by the + click of the lock, and by the current of fresh air which streamed upon his + face, for he could see nothing. This door, left open for Djalma, like that + in the next room, to which the young lady had drawn near, led to a sort of + ante-chamber communicating with the stairs, which some one now rapidly + ascended, and, stopping short, knocked twice at the outer door. + </p> + <p> + “Here comes Agricola Baudoin. Look and listen!” said the same voice that + the prince had already heard. + </p> + <p> + Mad, intoxicated, but with the fixed idea and reckless determination of a + madman or a drunkard, Djalma drew the dagger which Faringhea had left in + his possession, and stood in motionless expectation. Hardly were the two + knocks heard before the young lady quitted the apartment, from which + streamed a faint ray of light, ran to the door of the staircase, so that + some faint glimmer reached the place where Djalma stood watching, his + dagger in his hand. He saw the young lady pass across the ante-chamber, + and approach the door of the staircase, where she said in a whisper: “Who + is there?” + </p> + <p> + “It is I—Agricola Baudoin,” answered, from, without, a manly voice. + </p> + <p> + What followed was rapid as lightning, and must be conceived rather than + described. Hardly had the young lady drawn the bolt of the door, hardly + had Agricola Baudoin stepped across the threshold, than Djalma, with the + bound of a tiger, stabbed as it were at once, so rapid were the strokes, + both the young lady, who fell dead on the floor, and Agricola, who sank, + dangerously wounded, by the side of the unfortunate victim. This scene of + murder, rapid as thought, took place in the midst of a half obscurity. + Suddenly the faint light from the chamber was completely extinguished, and + a second after, Djalma felt his arm seized in the darkness by an iron + grasp, and the voice of Faringhea whispered: “You are avenged. Come; we + can secure our retreat.” Inert, stupefied at what he had done, Djalma + offered no resistance, and let himself be dragged by the half-caste into + the inner apartment, from which there was another way out. + </p> + <p> + When Rodin had exclaimed, in his admiration of the generative power of + thought, that the word NECKLACE had been the germ of the infernal project + he then contemplated, it was, that chance had brought to his mind the + remembrance of the too famous affair of the diamond necklace, in which a + woman, thanks to her vague resemblance to Queen Marie Antoinette, being + dressed like that princess, and favored by the uncertainty of a twilight, + had played so skillfully the part of her unfortunate sovereign, as to make + the Cardinal Prince de Rohan, though familiar with the court, the complete + dupe of the illusion. Having once determined on his execrable design, + Rodin had sent Jacques Dumoulin to Sainte-Colombe, without telling him the + real object of his mission, to ask this experienced woman to procure a + fine young girl, tall, and with red hair. Once found, a costume exactly + resembling that worn by Adrienne, and of which the Princess de + Saint-Dizier gave the description to Rodin (though herself ignorant of + this new plot), was to complete the deception. The rest is known, or may + be guessed. The unfortunate girl, who acted as Adrienne’s double, believed + she was only aiding in a jest. As for Agricola, he had received a letter, + in which he was invited to a meeting that might be of the greatest + importance to Mdlle. de Cardoville. + </p> + <p> + (43) See the strange effect of hasheesh. To the effect of this is + attributed the kind of hallucination which seized on those unhappy + persons, whom the Prince of the Assassins (the Old Man of the Mountain) + used as the instruments of his vengeance. + </p> + <p> + <a name="link2HCH0170" id="link2HCH0170"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER LXV. THE NUPTIAL BED. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>he mild light of a circular lamp of oriental alabaster, suspended from + the ceiling by three silver chains, spreads a faint lustre through the + bed-chamber of Adrienne de Cardoville. + </p> + <p> + The large ivory bedstead, inlaid with mother-of-pearl, is not at present + occupied, and almost disappears beneath snowy curtains of lace and muslin, + transparent and vapory as clouds. On the white marble mantlepiece, from + beneath which the fire throws ruddy beams on the ermine carpet, is the + usual basket filled with a bush of red camellias, in the midst of their + shining green leaves. A pleasant aromatic odor, rising from a warm and + perfumed bath in the next room, penetrates every corner of the + bed-chamber. All without is calm and silent. It is hardly eleven o’clock. + The ivory door, opposite to that which leads to the bath-room, opens + slowly. Djalma appears. Two hours have elapsed since he committed a double + murder, and believed that he had killed Adrienne in a fit of jealous fury. + </p> + <p> + The servants of Mdlle. de Cardoville, accustomed to Djalma’s daily visits, + no longer announced his arrival, and admitted him without difficulty, + having received no orders to the contrary from their mistress. He had + never before entered the bed-chamber, but, knowing that the apartment the + lady occupied was on the first floor of the house, he had easily found it. + As he entered that virgin sanctuary, his countenance was pretty calm, so + well did he control his feelings, only a slight paleness tarnished the + brilliant amber of his complexion. He wore that day a robe of purple + cashmere, striped with silver—a color which did not show the stains + of blood upon it. Djalma closed the door after him, and tore off his white + turban, for it seemed to him as if a band of hot iron encircled his brow. + His dark hair streamed around his handsome face. He crossed his arms upon + his bosom, and looked slowly about him. When his eyes rested on Adrienne’s + bed, he started suddenly, and his cheek grew purple. Then he drew his hand + across his brow, hung down his head, and remained standing for some + moments in a dream, motionless as a statue. + </p> + <p> + After a mournful silence of a few seconds’ duration, Djalma fell upon his + knees, and raised his eyes to heaven. The Asiatic’s countenance was bathed + in tears, and no longer expressed any violent passion. On his features was + no longer the stamp of hate, or despair, or the ferocious joy of vengeance + gratified. It was rather the expression of grief at once simple and + immense. For several minutes he was almost choked with sobs, and tears ran + freely down his cheeks. + </p> + <p> + “Dead! dead!” he murmured, in a half-stifled voice. “She, who this morning + slept so peacefully in this chamber! And I have killed her. Now that she + is dead, what is her treachery to me? I should not have killed her for + that. She had betrayed me; she loved the man whom I slew—she loved + him! Alas! I could not hope to gain the preference,” added he, with a + touching mixture of resignation and remorse; “I, poor, untaught youth—how + could I merit her love? It was my fault that she did not love me; but, + always generous, she concealed from me her indifference, that she might + not make me too unhappy—and for that I killed her. What was her + crime? Did she not meet me freely? Did she not open to me her dwelling? + Did she not allow me to pass whole days with her? No doubt she tried to + love me, and could not. I loved her with all the faculties of my soul, but + my love was not such as she required. For that, I should not have killed + her. But a fatal delusion seized me and, after it was done, I woke as from + a dream. Alas! it was not a dream: I have killed her. And yet—until + this evening—what happiness I owed to her—what hope—what + joy! She made my heart better, nobler, more generous. All came from her,” + added the Indian, with a new burst of grief. “That remained with me—no + one could take from me that treasure of the past—that ought to have + consoled me. But why think of it? I struck them both—her and the man—without + a struggle. It was a cowardly murder—the ferocity of the tiger that + tears its innocent prey!” + </p> + <p> + Djalma buried his face in his hands. Then, drying his tears, he resumed, + “I know, clearly, that I mean to die also. But my death will not restore + her to life!” + </p> + <p> + He rose from the ground, and drew from his girdle Faringhea’s bloody + dagger; then, taking the little phial from the hilt, he threw the blood + stained blade upon the ermine carpet, the immaculate whiteness of which + was thus slightly stained with red. + </p> + <p> + “Yes,” resumed Djalma, holding the phial with a convulsive grasp, “I know + well that I am about to die. It is right. Blood for blood; my life for + hers. How happens it that my steel did not turn aside? How could I kill + her?—but it is done—and my heart is full of remorse, and + sorrow, an inexpressible tenderness—and I have come here—to + die! + </p> + <p> + “Here, in this chamber,” he continued, “the heaven of my burning visions!” + And then he added, with a heartrending accent, as he again buried his face + in his hands, “Dead! dead!” + </p> + <p> + “Well! I too shall soon be dead,” he resumed, in a firmer voice. “But, no! + I will die slowly, gradually. A few drops of the poison will suffice; and, + when I am quite certain of dying, my remorse will perhaps be less + terrible. Yesterday, she pressed my hand when we parted. Who could have + foretold me this?” The Indian raised the phial resolutely to his lips. He + drank a few drops of the liquor it contained, and replaced it on a little + ivory table close to Adrienne’s bed. + </p> + <p> + “This liquor is sharp and hot,” said he. “Now I am certain to die. Oh! + that I may still have time to feast on the sight and perfume of this + chamber—to lay my dying head on the couch where she has reposed.” + </p> + <p> + Djalma fell on his knees beside the bed, and leaned against it his burning + brow. At this moment, the ivory door, which communicated with the + bath-room, rolled gently on its hinges, and Adrienne entered. The young + lady had just sent away her woman, who had assisted to undress her. She + wore a long muslin wrapper of lustrous whiteness. Her golden hair, neatly + arranged in little plaits, formed two bands, which gave to her sweet face + an extremely juvenile air. Her snowy complexion was slightly tinged with + rose-color, from the warmth of the perfumed bath, which she used for a few + seconds every evening. When she opened the ivory door, and placed her + little naked foot, in its white satin slipper, upon the ermine carpet, + Adrienne was dazzlingly beautiful. Happiness sparkled in her eyes, and + adorned her brow. All the difficulties relative to her union with Djalma + had now been removed. In two days she would be his. The sight of the + nuptial chamber oppressed her with a vague and ineffable languor. The + ivory door had been opened so gently, the lady’s first steps were so soft + upon the fur carpet, that Djalma, still leaning against the bed, had heard + nothing. But suddenly a cry of surprise and alarm struck upon his ear. He + turned round abruptly. Adrienne stood before him. + </p> +<div class="fig"> + <img src="images/30453m.jpg" alt="30453m" /><br /> + </div> + <h5> + <a href="images/30453.jpg"><i>Original</i></a> + </h5> + <p> + With an impulse of modesty, Adrienne closed her nightdress over her bosom, + and hastily drew back, still more afflicted than angry at what she + considered a guilty attempt on the part of Djalma. Cruelly hurt and + offended, she was about to reproach him with his conduct, when she + perceived the dagger, which he had thrown down upon the ermine carpet. At + sight of this weapon, and the expression of fear and stupor which + petrified the features of Djalma, who remained kneeling, motionless, with + his body thrown back, hands stretched out, his eyes fixed and wildly + staring Adrienne, no longer dreading an amorous surprise, was seized with + an indescribable terror, and, instead of flying from the prince, advanced + several steps towards him, and said, in an agitated voice, whilst she + pointed to the kandjiar, “My friend, why are you here? what ails you? why + this dagger?” + </p> + <p> + Djalma made no answer. At first, the presence of Adrienne seemed to him a + vision, which he attributed to the excitement of his brain, already (it + might be) under the influence of the poison. But when the soft voice + sounded in his ears—when his heart bounded with the species of + electric shock, which he always felt when he met the gaze of that woman so + ardently beloved—when he had contemplated for an instant that + adorable face, so fresh and fair, in spite of its expression of deep + uneasiness—Djalma understood that he was not the sport of a dream, + but that Mdlle. de Cardoville was really before his eyes. + </p> + <p> + Then, as he began fully to grasp the thought that Adrienne was not dead, + though he could not at all explain the prodigy of her resurrection, the + Hindoo’s countenance was transfigured, the pale gold of his complexion + became warm and red, his eyes (tarnished by tears of remorse) shone with + new radiance, and his features, so lately contracted with terror and + despair, expressed all the phases of the most ecstatic joy. Advancing, + still on his knees, towards Adrienne, he lifted up to her his trembling + hands, and, too deeply affected to pronounce a word, he gazed on her with + so much amazement, love, adoration, gratitude, that the young lady, + fascinated by those inexplicable looks, remained mute also, motionless + also, and felt, by the precipitate beating of her heart, and by the + shudder which ran through her frame, that there was here some dreadful + mystery to be unfolded. + </p> + <p> + At last, Djalma, clasping his hands together, exclaimed with an accent + impossible to describe, “Thou art not dead!” + </p> + <p> + “Dead!” repeated the young lady, in amazement. + </p> + <p> + “It was not thou, really not thou, whom I killed? God is kind and just!” + </p> + <p> + And as he pronounced these words with intense joy, the unfortunate youth + forgot the victim whom he had sacrificed in error. + </p> + <p> + More and more alarmed, and again glancing at the dagger en which she now + perceived marks of blood—a terrible evidence, in confirmation of the + words of Djalma—Mdlle. de Cardoville exclaimed, “You have killed + some one, Djalma! Oh! what does he say? It is dreadful!” + </p> + <p> + “You are alive—I see you—you are here,” said Djalma, in a + voice trembling with rapture. “You are here—beautiful! pure! for it + was not you! Oh, no! had it been you, the steel would have turned back + upon myself.” + </p> + <p> + “You have killed some one?” cried the young lady, beside her with this + unforeseen revelation, and clasping her hands in horror. “Why? whom did + you kill?” + </p> + <p> + “I do not know. A woman that was like you—a man that I thought your + lover—it was an illusion, a frightful dream—you are alive—you + are here!” + </p> + <p> + And the oriental wept for joy. + </p> + <p> + “A dream? but no, it is not a dream. There is blood upon that dagger!” + cried the young lady, as she pointed wildly to the kandjiar. “I tell you + there is blood upon it!” + </p> + <p> + “Yes. I threw it down just now, when I took the poison from it, thinking + that I had killed you.” + </p> + <p> + “The poison!” exclaimed Adrienne, and her teeth chattered convulsively. + “What poison?” + </p> + <p> + “I thought I had killed you, and I came here to die.” + </p> + <p> + “To die? Oh! wherefore? who is to die?” cried the young lady, almost in + delirium. + </p> + <p> + “I,” replied Djalma, with inexpressible tenderness, “I thought I had + killed you—and I took poison.” + </p> + <p> + “You!” exclaimed Adrienne, becoming pale as death. “You!” + </p> + <p> + “Yes.” + </p> + <p> + “Oh! it is not true!” said the young lady, shaking her head. + </p> + <p> + “Look!” said the Asiatic. Mechanically, he turned towards the bed—towards + the little ivory table, on which sparkled the crystal phial. + </p> + <p> + With a sudden movement, swifter than thought, swifter, it may be, than the + will, Adrienne rushed to the table, seized the phial, and applied it + eagerly to her lips. + </p> + <p> + Djalma had hitherto remained on his knees; but he now uttered a terrible + cry, made one spring to the drinker’s side, and dragged away the phial, + which seemed almost glued to her mouth. + </p> + <p> + “No matter! I have swallowed as much as you,” said Adrienne, with an air + of gloomy triumph. + </p> + <p> + For an instant, there followed an awful silence. Adrienne and Djalma gazed + upon each other, mute, motionless, horror-struck. The young lady was the + first to break this mournful silence, and said in a tone which she tried + to make calm and steady, “Well! what is there extraordinary in this? You + have killed, and death most expiate your crime. It is just. I will not + survive you. That also is natural enough. Why look at me thus? This poison + has a sharp taste—does it act quickly! Tell me, my Djalma!” + </p> + <p> + The prince did not answer. Shuddering through all his frame, he looked + down upon his hands. Faringhea had told the truth; a slight violet tint + appeared already beneath the nails. Death was approaching, slowly, almost + insensibly, but not the less certain. Overwhelmed with despair at the + thought that Adrienne, too, was about to die, Djalma felt his courage fail + him. He uttered a long groan, and hid his face in his hands. His knees + shook under him, and he felt down upon the bed, near which he was + standing. + </p> + <p> + “Already?” cried the young lady in horror, as she threw herself on her + knees at Djalma’s feet. “Death already? Do you hide your face from me?” + </p> + <p> + In her fright, she pulled his hands from before his face. That face was + bathed in tears. + </p> + <p> + “No, not yet,” murmured he, through his sobs. “The poison is slow.” + </p> + <p> + “Really!” cried Adrienne, with ineffable joy. Then, kissing the hands of + Djalma, she added tenderly, “If the poison is slow, why do you weep?” + </p> + <p> + “For you! for you!” said the Indian, in a heart-rending tone. + </p> + <p> + “Think not of me,” replied Adrienne, resolutely. “You have killed, and we + must expiate the crime. I know not what has taken place; but I swear by + our love that you did not do evil for evil’s sake. There is some horrible + mystery in all this.” + </p> + <p> + “On a pretence which I felt bound to believe,” replied Djalma, speaking + quickly, and panting for breath, “Faringhea led me to a certain house. + Once there, he told me that you had betrayed me. I did not believe him, + but I know not what strange dizziness seized upon me—and then, + through a half-obscurity, I saw you—” + </p> + <p> + “Me!” + </p> + <p> + “No—not you—but a woman resembling you, dressed like you, so + that I believed the illusion—and then there came a man—and you + flew to meet him—and I—mad with rage—stabbed her, + stabbed him, saw them fall—and so came here to die. And now I find + you only to cause your death. Oh, misery! misery! that you should die + through me!” + </p> + <p> + And Djalma, this man of formidable energy, began again to weep with the + weakness of a child. At sight of this deep, touching, passionate despair, + Adrienne, with that admirable courage which women alone possess in love, + thought only of consoling Djalma. By an effort of superhuman passion, as + the prince revealed to her this infernal plot, the lady’s countenance + became so splendid with an expression of love and happiness, that the East + Indian looked at her in amazement, fearing for an instant that he must + have lost his reason. + </p> + <p> + “No more tears, my adored!” cried the young lady, exultingly. “No more + tears—but only smiles of joy and love! Our cruel enemies shall not + triumph!” + </p> + <p> + “What do you say?” + </p> + <p> + “They wished to make us miserable. We pity them. Our felicity shall be the + envy of the world!” + </p> + <p> + “Adrienne—bethink you—” + </p> + <p> + “Oh! I have all my senses about me. Listen to me, my adored! I now + understand it all. Falling into a snare, which these wretches spread for + you, you have committed murder. Now, in this country, murder leads to + infamy, or the scaffold—and to-morrow—to-night, perhaps—you + would be thrown into prison. But our enemies have said: ‘A man like Prince + Djalma does not wait for infamy—he kills himself. A woman like + Adrienne de Cardoville does not survive the disgrace or death of her lover—she + prefers to die.’” + </p> + <p> + “Therefore a frightful death awaits them both,” said the black-robed men; + “and that immense inheritance, which we covet—‘” + </p> + <p> + “And for you—so young, so beautiful so innocent—death is + frightful, and these monsters triumph!” cried Djalma. “They have spoken + the truth!” + </p> + <p> + “They have lied!” answered Adrienne. “Our death shall be celestial. This + poison is slow—and I adore you, my Djalma!” + </p> + <p> + She spoke those words in a low voice, trembling with passionate love, and, + leaning upon Djalma’s knees, approached so near, that he felt her warm + breath upon his cheek. As he felt that breath, and saw the humid flame + that darted from the large, swimming eyes of Adrienne, whose half opened + lips were becoming of a still deeper and brighter hue, the Indian started—his + young blood boiled in his veins—he forgot everything—his + despair, and the approach of death, which as yet (as with Adrienne), only + showed itself in a kind of feverish ardor. His face, like the young + girl’s, became once more splendidly beautiful. + </p> + <p> + “Oh, my lover! my husband! how beautiful you are!” said Adrienne, with + idolatry. “Those eyes—that brow—those lips—how I love + them!—How many times has the remembrance of your grace and beauty, + coupled with your love, unsettled my reason, and shaken my resolves—even + to this moment, when I am wholly yours!—Yes, heaven wills that we + should be united. Only this morning, I gave to the apostolic man, that was + to bless our union, in thy name and mine, a royal gift—a gift, that + will bring joy and peace to the heart of many an unfortunate creature. + Then what have we to regret, my beloved? Our immortal souls will pass away + in a kiss, and ascend, full of love, to that God who is all love!” + </p> + <p> + “Adrienne!” + </p> + <p> + “Djalma!” + </p> + <p> + The light, transparent curtains fell like a cloud over that nuptial and + funereal couch. Yes, funereal; for, two hours after, Adrienne and Djalma + breathed their last sigh in a voluptuous agony. + </p> + <p> + <a name="link2HCH0171" id="link2HCH0171"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER LXVI. A DUEL TO THE DEATH. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span>drienne and Djalma died on the 30th of May. The following scene took + place on the 31st, the eve of the day appointed for the last convocation + of the heirs of Marius de Rennepont. The reader will no doubt remember the + room occupied by M. Hardy, in the “house of retreat,” in the Rue de + Vaugirard—a gloomy and retired apartment, opening on a dreary little + garden, planted with yew-trees, and surrounded by high walls. To reach + this chamber, it was necessary to cross two vast rooms, the doors of + which, once shut, intercepted all noise and communication from without. + Bearing this in mind, we may go on with our narrative. For the last three + or four days, Father d’Aigrigny occupied this apartment. He had not chosen + it, but had been induced to accept it, under most plausible pretexts, + given him at the instigation of Rodin. It was about noon. Seated in an + arm-chair, by the window opening on the little garden, Father d’Aigrigny + held in his hand a newspaper, in which he read as follows, under the head + of “Paris:” + </p> + <p> + “Eleven p.m.—A most horrible and tragical event has just excited the + greatest consternation in the quarter of the Rue de Richelieu. A double + murder has been committed, on the person of a young man and woman. The + girl was killed on the spot, by the stroke of a dagger; hopes are + entertained of saving the life of the young man. The crime is attributed + to jealousy. The officers of justice are investigating the matter. We + shall give full particulars tomorrow.” + </p> + <p> + When he had read these lines, Father d’Aigrigny threw down the paper and + remained in deep thought. + </p> + <p> + “It is incredible,” said he, with bitter envy, in allusion to Rodin. “He + has attained his end. Hardly one of his anticipations has been defeated. + This family is annihilated, by the mere play of the passions, good and + evil that he has known how to set in motion. He said it would be so. Oh! I + must confess,” added Father d’Aigrigny, with a jealous and hateful smile, + “that Rodin is a man of rare dissimulation, patience, energy, obstinacy + and intelligence. Who would have told a few months ago, when he wrote + under my orders, a discreet and humble socius, that he had already + conceived the most audacious ambition, and dared to lift his eyes to the + Holy See itself? that, thanks to intrigues and corruption, pursued with + wondrous ability, these views were not so unreasonable? Nay, that this + infernal ambition would soon be realized, were it not that the secret + proceedings of this dangerous man have long been as secretly watched?—Ah!” + sneered Father d’Aigrigny, with a smile of irony and triumph, “you wish to + be a second Sixtus V., do you? And, not content with this audacious + pretension, you mean, if successful, to absorb our Company in the Papacy, + even as the Sultan has absorbed the Janissaries. Ah! You would make us + your stepping-stone to power! And you have thought to humiliate and crush + me with your insolent disdain! But patience, patience: the day of + retribution approaches. I alone am the depository of our General’s will. + Father Caboccini himself does not know that. The fate of Rodin is in my + hands. Oh! it will not be what he expects. In this Rennepont affair + (which, I must needs confess, he has managed admirably), he thinks to + outwit us all, and to work only for himself. But to-morrow—” + </p> + <p> + Father d’Aigrigny was suddenly disturbed in these agreeable reflections. + He heard the door of the next room open, and, as he turned round to see + who was coming, the door of the apartment in which he was turned upon its + hinges. Father d’Aigrigny started with surprise, and became almost purple. + Marshal Simon stood before him. And, behind the marshal, in the shadow of + the door, Father d’Aigrigny perceived the cadaverous face of Rodin. The + latter cast on him one glance of diabolical delight, and instantly + disappeared. The door was again closed, and Father d’Aigrigny and Marshal + Simon were left alone together. The father of Rose and Blanche was hardly + recognizable. His gray hair had become completely white. His pale, thin + face had not been shaved for some days. His hollow eyes were bloodshot and + restless, and had in them something wild and haggard. He was wrapped in a + large cloak, and his black cravat was tied loosely about his neck. In + withdrawing from the apartment, Rodin had (as if by inadvertence) + double-locked the door on the outside. When he was alone with the Jesuit, + the marshal threw back his cloak from his shoulders, and Father d’Aigrigny + could see two naked swords, stuck through a silk handkerchief which served + him as a belt. + </p> +<div class="fig"> + <img src="images/30461m.jpg" alt="30461m" /><br /> + </div> + <h5> + <a href="images/30461.jpg"><i>Original</i></a> + </h5> + <p> + Father d’Aigrigny understood it all. He remembered how, a few days before, + Rodin had obstinately pressed him to say what he would do if the marshal + were to strike him in the face. There could be no doubt that he, who + thought to have held the fate of Rodin in his hands, had been brought by + the latter into a fearful peril; for he knew that, the two outer rooms + being closed, there was no possibility of making himself heard, and that + the high walls of the garden only bordered upon some vacant lots. The + first thought which occurred to him, one by no means destitute of + probability, was that Rodin, either by his agents at Rome, or by his own + incredible penetration, had learned that his fate depended on Father + d’Aigrigny, and hoped therefore to get rid of him, by delivering him over + to the inexorable vengeance of the father of Rose and Blanche. Without + speaking a word, the marshal unbound the handkerchief from his waist, laid + the two swords upon the table, and, folding his arms upon his breast, + advanced slowly towards Father d’Aigrigny. Thus these two men, who through + life had pursued each other with implacable hatred, at length met face to + face—they, who had fought in hostile armies, and measured swords in + single combat, and one of whom now came to seek vengeance for the death of + his children. As the marshal approached, Father d’Aigrigny rose from his + seat. He wore that day a black cassock, which rendered still more visible + the pale hue, which had now succeeded to the sudden flush on his cheek. + For a few seconds, the two men stood face to face without speaking. The + marshal was terrific in his paternal despair. His calmness, inexorable as + fate, was more impressive than the most furious burst of anger. + </p> + <p> + “My children are dead,” said he at last, in a slow and hollow tone. “I + come to kill you.” + </p> + <p> + “Sir,” cried Father d’Aigrigny, “listen to me. Do not believe—” + </p> + <p> + “I must kill you,” resumed the marshal, interrupting the Jesuit; “your + hate followed my wife into exile, where she perished. You and your + accomplices sent my children to certain death. For twenty years you have + been my evil genius. I must have your life, and I will have it.” + </p> + <p> + “My life belongs, first, to God,” answered Father d’Aigrigny, piously, + “and then to who likes to take it.” + </p> + <p> + “We will fight to the death in this room,” said the marshal; “and, as I + have to avenge my wife and children, I am tranquil as to the result.” + </p> + <p> + “Sir,” answered Father d’Aigrigny, coldly, “you forget that my profession + forbids me to fight. Once I accepted your challenge—but my position + is changed since then.” + </p> + <p> + “Ah!” said the marshal, with a bitter smile; “you refuse to fight because + you are a priest?” + </p> + <p> + “Yes, sir—because I am a priest.” + </p> + <p> + “So that, because he is a priest, a wretch like you may commit any crime, + any baseness, under shelter of his black gown?” + </p> + <p> + “I do not understand a word of your accusations. In any case, the law is + open,” said Father d’Aigrigny, biting his pale lips, for he felt deeply + the insult offered by the marshal; “if you have anything to complain of, + appeal to that law, before which all are equal.” + </p> + <p> + Marshal Simon shrugged his shoulders in angry disdain. “Your crimes escape + the law—and, could it even reach you, that would not satisfy my + vengeance, after all the evil you have done me, after all you have taken + from me,” said the marshal; and, at the memory of his children, his voice + slightly trembled; but he soon proceeded, with terrible calmness: “You + must feel that I now only live for vengeance. And I must have such revenge + as is worth the seeking—I must have your coward’s heart palpitating + on the point of my sword. Our last duel was play; this will be earnest—oh! + you shall see.” + </p> + <p> + The marshal walked up to the table, where he had laid the two swords. + Father d’Aigrigny needed all his resolution to restrain himself. The + implacable hate which he had always felt for Marshal Simon, added to these + insults, filled him with savage ardor. Yet he answered, in a tone that was + still calm: “For the last time, sir, I repeat to you, that my profession + forbids me to fight.” + </p> + <p> + “Then you refuse?” said the marshal, turning abruptly towards him. + </p> + <p> + “I refuse.” + </p> + <p> + “Positively?” + </p> + <p> + “Positively. Nothing on earth should force me to it.” + </p> + <p> + “Nothing.” + </p> + <p> + “No, sir; nothing.” + </p> + <p> + “We shall see,” said the marshal, as his hand fell with its full force on + the cheek of Father d’Aigrigny. + </p> + <p> + The Jesuit uttered a cry of fury; all his blood rushed to his face, so + roughly handled; the courage of the man (for he was brave), his ancient + military ardor, carried him away; his eyes sparkled, and, with teeth + firmly set, and clenched fists, he advanced towards the marshal, + exclaiming: “The swords! the swords!” + </p> + <p> + But suddenly, remembering the appearance of Rodin, and the interest which + the latter had in bringing about this encounter, he determined to avoid + the diabolical snare laid by his former socius, and so gathered sufficient + resolution to restrain his terrible resentment. + </p> + <p> + To his passing fury succeeded a calm, full of contrition; and, wishing to + play his part out to the end, he knelt down, and bowing his head and + beating his bosom, repeated: “Forgive me, Lord, for yielding to a movement + of rage! and, above all, forgive him who has injured me!” + </p> + <p> + In spite of his apparent resignation, the Jesuit’s voice was neatly + agitated. He seemed to feel a hot iron upon his cheek, for never before in + his life, whether as a soldier or a priest, had he suffered such an + insult. He had thrown himself upon his knees, partly from religious + mummery, and partly to avoid the gaze of the marshal, fearing that, were + he to meet his eye, he should not be able to answer for himself, but give + way to his impetuous feelings. On seeing the Jesuit kneel down, and on + hearing his hypocritical invocation, the marshal, whose sword was in his + hand, shook with indignation. + </p> + <p> + “Stand up, scoundrel!” he said, “stand up, wretch!” And he spurned the + Jesuit with his boot. + </p> + <p> + At this new insult, Father d’Aigrigny leaped up, as if he had been moved + by steel springs. It was too much; he could bear no more. Blinded with + rage, he rushed to the able, caught up the other sword, and exclaimed, + grinding his teeth together: “Ah! you will have blood. Well then! it shall + be yours—if possible!” + </p> + <p> + And the Jesuit, still in all the vigor of manhood, his face purple, his + large gray eyes sparkling with hate, fell upon his guard with the ease and + skill of a finished swordsman. + </p> + <p> + “At last!” cried the marshal, as their blades were about to cross. + </p> + <p> + But once more reflection came to damp the fire of the Jesuit. He + remembered how this hazardous duel would gratify the wishes of Rodin, + whose fate was in his hands, and whom he hated perhaps even more than the + marshal. Therefore, in spite of the fury which possessed him, in spite of + his secret hope to conquer in this combat, so strong and healthy did he + feel himself, and so fatal had been the effects of grief on the + constitution of Marshal Simon, he succeeded in mastering his rage, and, to + the amazement of the marshal, dropped the point of his sword, exclaiming: + “I am a minister of the Lord, and must not shed blood. Forgive ne, heaven! + and, oh! forgive my brother also.” + </p> + <p> + Then placing the blade beneath his heel, he drew the hilt suddenly towards + him, and broke the weapon into two pieces. The duel was no longer + possible. Father d’Aigrigny had put it out of his own power to yield to a + new burst of violence, of which he saw the imminent danger. Marshal Simon + remained for an instant mute and motionless with surprise and indignation, + for he also saw that the duel was now impossible. But, suddenly, imitating + the Jesuit, the marshal placed his blade also under his heel, broke it in + half, and picking up the pointed end, about eighteen inches in length tore + off his black silk cravat, rolled it round the broken part so as to form a + handle, and said to Father d’Aigrigny: “Then we will fight with daggers.” + </p> + <p> + Struck with this mixture of coolness and ferocity, the Jesuit exclaimed: + “Is this then a demon of hell?” + </p> + <p> + “No; it is a father, whose children have been murdered,” said the marshal, + in a hollow voice, whilst he fitted the blade to his hand, and a tear + stood in the eye, that instantly after became fierce and ardent. + </p> + <p> + The Jesuit saw that tear. There was in this mixture of vindictive rage and + paternal grief something so awful, and yet so sacred, that for the first + time in his life Father d’Aigrigny felt fear—cowardly, ignoble fear—fear + for his own safety. While a combat with swords was in question, in which + skill, agility, and experience are such powerful auxiliaries to courage, + his only difficulty had been to repress the ardor of his hate—but + when he thought of the combat proposed, body to body, face to face, heart + to heart, he trembled, grew pale, and exclaimed: “A butchery with knives?—never!” + </p> + <p> + His countenance and the accent betrayed his alarm, so that the marshal + himself was struck with it, and fearing to lose his revenge, he cried: + “After all, he is a coward! The wretch had only the courage or the vanity + of a fencer. This pitiful renegade—this traitor to his country—whom + I have cuffed, kicked—yes, kicked, most noble marquis!—shame + of your ancient house—disgrace to the rank of gentleman, old or new—ah! + it is not hypocrisy, it is not calculation, as I at first thought—it + is fear! You need the noise of war, and the eyes of spectators to give you + courage—” + </p> + <p> + “Sir—have a care!” said Father d’Aigrigny, stammering through his + clenched teeth, for rage and hate now made him forget his fear-“Must I + then spit on you, to make the little blood you have left rise to your + face?” cried the exasperated marshal. + </p> + <p> + “Oh! this is too much! too much!” said the Jesuit, seizing the pointed + piece of the blade that lay at his feet. + </p> + <p> + “It is not enough!” said the marshal, panting for breath. “There, Judas!” + and he spat in his face. + </p> + <p> + “If you will not fight now,” added the marshal, “I will beat you like a + dog, base child-murderer!” + </p> + <p> + On receiving the uttermost insult which can be offered to an already + insulted man, Father d’Aigrigny lost all his presence of mind, forgot his + interests, his resolutions, his fears, forgot even Rodin—felt only + the frenzied ardor of revenge—and, recovering his courage, rejoiced + in the prospect of a close struggle, in which his superior strength + promised success over the enfeebled frame of the marshal for, in this kind + of brutal and savage combat, physical strength offers an immense + advantage. In an instant, Father d’Aigrigny had rolled his handkerchief + round the broken blade, and rushed upon Marshal Simon, who received the + shock with intrepidity. For the short time that this unequal struggle + lasted—unequal, for the marshal had since some days been a prey to a + devouring fever, which had undermined his strength—the two + combatants, mute in their fury, uttered not a word or a cry. Had any one + been present at this horrible scene, it would have been impossible for him + to tell how they dealt their blows. He would have seen two heads—frightful, + livid, convulsed—rising, falling, now here, now there—arms, + now stiff as bars of iron, and now twisting like serpents—and, in + the midst of the undulation of the blue coat of the marshal and the black + cassock of the Jesuit, from time to time the sudden gleam of the steel. He + would have heard only a dull stamping, and now and then a deep breath. In + about two minutes at most, the two adversaries fell, and rolled one over + the other. One of them—it was Father d’Aigrigny—contrived to + disengage himself with a violent effort, and to rise upon his knees. His + arms fell powerless by his side; and then the dying voice of the marshal + murmured: “My children! Dagobert!” + </p> + <p> + “I have killed him,” said Father d’Aigrigny, in a weak voice; “but I feel—that + I am wounded—to death.” + </p> + <p> + Leaning with one hand on the ground, the Jesuit pressed the other to his + bosom. His black cassock was pierced through and through, but the blades, + which had served for the combat, being triangular and very sharp, the + blood instead of issuing from the wounds, was flowing inwards. + </p> + <p> + “Oh! I die—I choke,” said Father d’Aigrigny, whose features were + already changing with the approach of death. + </p> + <p> + At this moment, the key turned twice in the door, Rodin appeared on the + threshold, and, thrusting in his head, he said in a humble and discreet + voice: “May I come in?” + </p> + <p> + At this dreadful irony, Father d’Aigrigny strove to rise, and rush upon + Rodin; but he fell back exhausted; the blood was choking him. + </p> + <p> + “Monster of hell!” he muttered, casting on Rodin a terrible glance of rage + and agony. “Thou art the cause of my death.” + </p> + <p> + “I always told you, my dear father, that your old military habits would be + fatal to you,” answered Rodin with a frightful smile. “Only a few days + ago, I gave you warning, and advised you take a blow patiently from this + old swordsman—who seems to have done with that work forever, which + is well—for the Scripture says: ‘All they that take the sword shall + perish with the sword.’ And then this Marshal Simon might have had some + claim on his daughter’s inheritance. And, between ourselves, my dear + father, what was I to do? It was necessary to sacrifice you for the common + interest; the rather, that I well knew what you had in pickle for me + to-morrow. But I am not so easily caught napping.” + </p> + <p> + “Before I die,” said Father d’Aigrigny, in a failing voice, “I will unmask + you.” + </p> + <p> + “Oh, no, you will not,” said Rodin, shaking his head with a knowing air; + “I alone, if you please, will receive your last confession.” + </p> + <p> + “Oh! this is horrible,” moaned Father d’Aigrigny, whose eyes were closing. + “May God have mercy on me, if it is not too late!—Alas! at this + awful moment, I feel that I have been a great sinner—” + </p> + <p> + “And, above all, a great fool,” said Rodin, shrugging his shoulders, and + watching with cold disdain the dying moments of his accomplice. + </p> + <p> + Father d’Aigrigny had now but a few minutes more to live. Rodin perceived + it, and said: “It is time to call for help.” And the Jesuit ran, with an + air of alarm and consternation, into the courtyard of the house. + </p> + <p> + Others came at his cries; but, as he had promised, Rodin had only quitted + Father d’Aigrigny as the latter had breathed his last sigh. + </p> + <p> + That evening, alone in his chamber, by the glimmer of a little lamp, Rodin + sat plunged in a sort of ecstatic contemplation, before the print + representing Sixtus V. The great house-clock struck twelve. At the last + stroke, Rodin drew himself up in all the savage majesty of his infernal + triumph, and exclaimed: “This is the first of June. There are no more + Renneponts!—Methinks, I hear the hour from the clock of St. Peter’s + at Rome striking!” + </p> +<div class="fig"> + <img src="images/30469m.jpg" alt="30469m" /><br /> + </div> + <h5> + <a href="images/30469.jpg"><i>Original</i></a> + </h5> + <p> + <a name="link2HCH0172" id="link2HCH0172"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER LXVII. A MESSAGE. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">W</span>hile Rodin sat plunged in ambitious reverie, contemplating the portrait + of Sixtus V., good little Father Caboccini, whose warm embraces had so + much irritated the first mentioned personage, went secretly to Faringhea, + to deliver to him a fragment of an ivory crucifix, and said to him with + his usual air of jovial good-nature: “His Excellency Cardinal Malipieri, + on my departure from Rome, charged me to give you this only on the 31st of + May.” + </p> + <p> + The half-caste, who was seldom affected by anything, started abruptly, + almost with an expression of pain. His face darkened, and bending upon the + little father a piercing look, he said to him: “You were to add + something.” + </p> + <p> + “True,” replied Father Caboccini; “the words I was to add are these: + ‘There is many a slip ‘twixt the cup and the lip.’” + </p> + <p> + “It is well,” said the other. Heaving a deep sigh, he joined the fragment + of the ivory crucifix to a piece already in his possession; it fitted + exactly. + </p> + <p> + Father Caboccini looked at him with curiosity, for the cardinal had only + told him to deliver the ivory fragment to Faringhea, and to repeat the + above words. Being somewhat mystified with all this, the reverend father + said to the half-caste: “What are you going to do with that crucifix?” + </p> + <p> + “Nothing,” said Faringhea, still absorbed in painful thought. + </p> + <p> + “Nothing?” resumed the reverend father, in astonishment. “What, then, was + the use of bringing it so far?” + </p> + <p> + Without satisfying his curiosity, Faringhea replied: “At what hour to + morrow does Father Rodin go to the Rue Saint Francois?” + </p> + <p> + “Very early.” + </p> + <p> + “Before leaving home, he will go to say prayers in the chapel?” + </p> + <p> + “Yes, according to the habit of our reverend fathers.” + </p> + <p> + “You sleep near him?” + </p> + <p> + “Being his socius, I occupy the room next to his.” + </p> + <p> + “It is possible,” said Faringhea, after a moment’s silence, “that the + reverend father, full of the great interests which occupy his mind, might + forget to go to the chapel. In that case, pray remind him of this pious + duty.” + </p> + <p> + “I shall not fail.” + </p> + <p> + “Pray do not fail,” repeated Faringhea, anxiously. + </p> + <p> + “Be satisfied,” said the good little father; “I see that you take great + interest in his salvation.” + </p> + <p> + “Great interest.” + </p> + <p> + “It is very praiseworthy in you. Continue as you have begun, and you may + one day belong, completely to our Company,” said Father Caboccini, + affectionately. + </p> + <p> + “I am as yet but a poor auxiliary member,” said Faringhea, humbly; “but no + one is more devoted to the Society, body and soul. Bowanee is nothing to + it.” + </p> + <p> + “Bowanee! who is that, my good friend?” + </p> + <p> + “Bowanee makes corpses which rot in the ground. The Society makes corpses + which walk about.” + </p> + <p> + “Ah, yes! Perinde ac cadaver—they were the last words of our great + saint, Ignatius de Loyola. But who is this Bowanee?” + </p> + <p> + “Bowanee is to the Society what a child is to a man,” replied the Asiatic, + with growing excitement. “Glory to the Company—glory! Were my father + its enemy, I would kill my father. The man whose genius inspires me most + with admiration, respect, and terror—were he its enemy, I would + kill, in spite of all,” said the half-caste, with an effort. Then, after a + moment’s silence, he looked full in Caboccini’s face, and added: “I say + this, that you may report my words to Cardinal Malipieri, and beg him to + mention them to—” + </p> + <p> + Faringhea stopped short. “To whom should the cardinal mention your words?” + asked Caboccini. + </p> + <p> + “He knows,” replied the half-caste, abruptly. “Good night!” + </p> + <p> + “Good-night, my friend! I can only approve of your excellent sentiments + with regard to our Company. Alas! it is in want of energetic defenders, + for there are said to be traitors in its bosom.” + </p> + <p> + “For those,” said Faringhea, “we must have no pity.” + </p> + <p> + “Certainly,” said the good little father; “we understand one another.” + </p> + <p> + “Perhaps,” said the half-caste. “Do not, at all events, forget to remind + Father Rodin to go to chapel to-morrow morning.” + </p> + <p> + “I will take care of that,” said Father Caboccini. + </p> + <p> + The two men parted. On his return to the house, Caboccini learned that a + courier, only arrived that night from Rome, had brought despatches to + Rodin. + </p> + <p> + <a name="link2HCH0173" id="link2HCH0173"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER LXVIII. THE FIRST OF JUNE. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>he chapel belonging to the house of the reverend fathers in the Rue de + Vaugirard, was gay and elegant. Large panes of stained glass admitted a + mysterious light; the altar shone with gold and silver; and at the + entrance of this little church, in an obscure corner beneath the organ + loft, was a font for holy water in sculptured marble. It was close to this + font, in a dark nook where he could hardly be seen, that Faringhea knelt + down, early on the 1st of June, as soon indeed as the chapel doors were + opened. The half-caste was exceedingly sad. From time to time he started + and sighed, as if agitated by a violent internal struggle. This wild, + untamable being, possessed with the monomania of evil and destruction, + felt, as may be imagined, a profound admiration for Rodin, who exercised + over him a kind of magnetic fascination. The half-caste, almost a wild + beast in human form, saw something supernatural in the infernal genius of + Rodin. And the latter, too sagacious not to have discovered the savage + devotion of this wretch, had made, as we have seen, good use of him, is + bringing about the tragical termination of the loves of Adrienne and + Djalma. But what excited to an incredible degree the admiration of + Faringhea, was what he knew of the Society of Jesus. This immense, occult + power, which undermined the world by its subterraneous ramifications, and + reached its ends by diabolical means, had inspired the half-caste with a + wild enthusiasm. And if anything in the world surpassed his fanatical + admiration for Rodin, it was his blind devotion to the Company of Ignatius + de Loyola, which, as he said, could make corpses that walk about. Hid in + the shadow of the organ-loft, Faringhea was reflecting deeply on these + things, when footsteps were heard, and Rodin entered the chapel, + accompanied by his socius, the little one-eyed father. + </p> + <p> + Whether from absence of mind, or that the shadow of the orange-loft + completely concealed the half-caste, Rodin dipped his fingers into the + font without perceiving Faringhea, who stood motionless as a statue, + though a cold sweat streamed from his brow. The prayer of Rodin was, as + may be supposed, short; he was in haste to get to the Rue Saint-Francois. + After kneeling down with Father Caboccini for a few seconds, he rose, + bowed respectfully to the altar, and returned towards the door, followed + by his socius. At the moment Rodin approached the font he perceived the + tall figure of the half-caste standing out from the midst of the dark + shadow; advancing a little, Faringhea bowed respectfully to Rodin, who + said to him, in a low voice; “Come to me at two o’clock.” + </p> + <p> + So saying, Rodin stretched forth his hand to dip it into the holy water; + but Faringhea spared him the trouble, by offering him the sprinkling + brush, which generally stood in the font. + </p> + <p> + Pressing between his dirty fingers the damp hairs of the brush, which the + half-caste held by the handle, Rodin wetted his thumb and forefinger, and, + according to custom, traced the sign of the cross upon his forehead. Then, + opening the door of the chapel, he went out, after again repeating to + Faringhea: “Come to me at two o’clock.” + </p> + <p> + Thinking he would also make use of the sprinkling-brush, which, Faringhea, + still motionless, held with a trembling hand, Father Caboccini stretched + out his fingers to reach it, when the half-breed, as if determined to + confine his favors to Rodin, hastily withdrew the instrument. Deceived in + his expectation, Father Caboccini lost no time in following Rodin, whom he + was not to leave that day for a single moment, and, getting into a + hackney-coach with him, set out for the Rue Saint-Francois. It is + impossible to describe the look which the half breed fixed upon Rodin as + the latter quitted the chapel. Left alone in the sacred edifice, Faringhea + sank upon the stones, half kneeling, half crouching, with his face buried + in his hands. As the coach drew near the quarter of the Marais, in which + was situated the house of Marius de Rennepont, a feverish agitation, and + the devouring impatience of triumph, were visible on the countenance of + Rodin. Two or three times he opened his pocketbook, and read and arranged + the different certificates of death of the various members of the + Rennepont family; and from time to time he thrust his head anxiously from + the coach-window, as if he had wished to hasten the slow progress of the + vehicle. + </p> + <p> + The good little father, his socius, did not take his eye off Rodin, and + his look had a strange and crafty expression. At last the coach entered + the Rue Saint-Francois, and stopped before the iron-studded door of the + old house, which had been closed for a century and a half. Rodin sprang + from the coach with the agility of a young man, and knocked violently at + the door, whilst Father Caboccini, less light of foot, descended more + prudently to the ground. No answer was returned to the loud knocking of + Rodin. Trembling with anxiety, he knocked again. This time, as he listened + attentively, he heard slow steps approaching. They stopped at some + distance from the door, which was not yet opened. + </p> + <p> + “It is keeping one upon red-hot coals,” said Rodin, for he felt as if + there was a burning fire in his chest. He again shook the door violently, + and began to gnaw his nails according to his custom. + </p> + <p> + Suddenly the door opened, and Samuel, the Jew guardian, appeared beneath + the porch. The countenance of the old man expressed bitter grief. Upon his + venerable cheeks were the traces of recent tears, which he strove to dry + with his trembling hands, as he opened the door to Rodin. + </p> + <p> + “Who are you, gentlemen?” said Samuel. + </p> + <p> + “I am the bearer of a power of attorney from the Abbe Gabriel, the only + living representative of the Rennepont family,” answered Rodin, hastily. + “This gentleman is my secretary,” added he, pointing to Father Caboccini, + who bowed. + </p> + <p> + After looking attentively at Rodin, Samuel resumed: “I recognize you, sir. + Please to follow me.” And the old guardian advanced towards the house in + the garden, making a sign to the two reverend fathers to follow. + </p> + <p> + “That confounded old man kept me so long at the door,” said Rodin to his + socius, “that I think I have caught a cold in consequence. My lips and + throat are dried up, like parchment baked at the fire.” + </p> + <p> + “Will you not take something, my dear, good father? Suppose you were to + ask this man for a glass of water,” cried the little one-eyed priest, with + tender solicitude. + </p> + <p> + “No, no,” answered Rodin; “it is nothing. I am devoured by impatience. + That is all.” + </p> + <p> + Pale and desolate, Bathsheba, the wife of Samuel, was standing at the door + of the apartment she occupied with her husband, in the building next the + street. As the Jew passed before her, he said, in Hebrew: “The curtains of + the Hall of Mourning?” + </p> + <p> + “Are closed.” + </p> + <p> + “And the iron casket?” + </p> + <p> + “Is prepared,” answered Bathsheba, also in Hebrew. + </p> + <p> + After pronouncing these words, completely unintelligible to Rodin and + Caboccini, Samuel and Bathsheba exchanged a bitter smile, notwithstanding + the despair impressed on their countenances. + </p> + <p> + Ascending the steps, followed by the two reverend fathers, Samuel entered + the vestibule of the house, in which a lamp was burning. Endowed with an + excellent local memory, Rodin was about to take the direction of the Red + Saloon, in which had been held the first convocation of the heirs, when + Samuel stopped him, and said: “It is not that way.” + </p> + <p> + Then, taking the lamp, he advanced towards a dark staircase, for the + windows of the house had not been un-bricked. + </p> + <p> + “But,” said Rodin, “the last time, we met in a saloon on the ground + floor.” + </p> + <p> + “To-day, we must go higher,” answered Samuel, as he began slowly to ascend + the stairs. + </p> + <p> + “Where to? higher!” said Rodin, following him. + </p> + <p> + “To the Hall of Mourning,” replied the Jew, and he continued to ascend. + </p> + <p> + “What is the Hall of Mourning?” resumed Rodin, in some surprise. + </p> + <p> + “A place of tears and death,” answered the Israelite; and he kept on + ascending through the darkness, for the little lamp threw but a faint + light around. + </p> + <p> + “But,” said Rodin, more and more astonished, and stopping short on the + stairs, “why go to this place?” + </p> + <p> + “The money is there,” answered Samuel, and he went on, + </p> + <p> + “Oh? if the money is there, that alters the case,” replied Rodin; and he + made haste to regain the few steps he had lost by stopping. + </p> + <p> + Samuel continued to ascend, and, at a turn of the staircase, the two + Jesuits could see by the pale light of the little lamp, the profile of the + old Israelite, in the space left between the iron balustrade and the wall, + as he climbed on with difficulty above them. Rodin was struck with the + expression of Samuel’s countenance. His black eyes, generally so calm, + sparkled with ardor. His features, usually impressed with a mixture of + sorrow, intelligence, and goodness, seemed to grow harsh and stern, and + his thin lips wore a strange smile. + </p> + <p> + “It is not so very high,” whispered Rodin to Caboccini, “and yet my legs + ache, and I am quite out of breath. There is a strange throbbing too in my + temples.” + </p> + <p> + In fact, Rodin breathed hard, and with difficulty. To this confidential + communication, good little Father Caboccini, in general so full of tender + care for his colleague, made no answer. He seemed to be in deep thought. + </p> + <p> + “Will we soon be there?” said Rodin, impatiently, to Samuel. + </p> + <p> + “We are there,” replied the Israelite. + </p> + <p> + “And a good thing too,” said Rodin. + </p> + <p> + “Very good,” said the Jew. + </p> + <p> + Stopping in the midst of a corridor, he pointed with the hand in which he + held the lamp to a large door from which streamed a faint light. In spite + of his growing surprise. Rodin entered resolutely, followed by Father + Caboccini and Samuel. The apartment in which these three personage, now + found themselves was very large. The daylight only entered from a + belvedere in the roof, the four sides of which had been covered with + leaden plates, each of which was pierced with seven holes, forming a + cross, thus: + </p> +<pre xml:space="preserve"> + * + * * * + * + * + * +</pre> + <p> + Now, the light being only admitted through these holes, the obscurity + would have been complete, had it not been for a lamp, which burned on a + large massive slab of black marble, fixed against one of the walls. One + would have taken it for a funeral chamber, for it was all hung with black + curtains, fringed with white. There was no furniture, save the slab of + black marble we have already mentioned. On this slab was an iron casket, + of the manufacture of the seventeenth century, admirably adorned with open + work, like lace made of metal. + </p> + <p> + Addressing Rodin, who was wiping his forehead with his dirty handkerchief, + and looking round him with surprise, but not fear, Samuel said to him: + “The will of the testator, however strange it may appear, is sacred with + me, and must be accomplished in all things.” + </p> + <p> + “Certainly,” said Rodin; “but what are we to do here?” + </p> + <p> + “You will know presently, sir. You are the representative of the only + remaining heir of the Rennepont family, the Abbe Gabriel de Rennepont?” + </p> + <p> + “Yes, sir, and here are my papers,” replied Rodin. + </p> + <p> + “To save time,” resumed Samuel, “I will, previous to the arrival of the + magistrate, go through the inventory of the securities contained in this + casket, which I withdrew yesterday from the custody of the Bank of + France.” + </p> + <p> + “The securities are there?” cried Rodin, advancing eagerly towards the + casket. + </p> + <p> + “Yes, sir,” replied Samuel, “as by the list. Your secretary will call them + over, and I will produce each in turn. They can then be replaced in the + casket, which I will deliver up to you in presence of the magistrate.” + </p> + <p> + “All this seems perfectly correct,” said Rodin. + </p> + <p> + Samuel delivered the list to Father Caboccini, and approaching the casket, + touched a spring, which was not seen by Rodin. The heavy lid flew open, + and, while Father Caboccini read the names of the different securities, + Samuel showed them to Rodin, who returned them to the old Jew, after a + careful examination. This verification did not last long, for this immense + fortune was all comprised, as we already know, in eight government + securities, five hundred thousand francs in bank-note, thirty five + thousand francs in gold, and two hundred and fifty francs in silver—making + in all an amount of two hundred and twelve millions, one hundred and + seventy-five thousand francs. When Rodin had counted the last of the five + hundred bank-notes, of a thousand francs each, he said, as he returned + them to Samuel: “It is quite right. Two hundred and twelve millions, one + hundred and seventy-five thousand francs!” + </p> + <p> + He was no doubt almost choked with joy, for he breathed with difficulty, + his eyes closed, and he was obliged to lean upon Father Caboccini’s arm, + as he said to him in an altered voice: “It is singular. I thought myself + proof against all such emotions; but what I feel is extraordinary.” + </p> + <p> + The natural paleness of the Jesuit increased so much, and he seemed so + much agitated with convulsive movements, that Father Caboccini exclaimed: + “My dear father, collect yourself; do not let success overcome you thus.” + </p> + <p> + Whilst the little one-eyed man was, attending to Rodin, Samuel carefully + replaced the securities in the iron casket. Thanks to his unconquerable + energy, and to the joy he felt at seeing himself so near the term of his + labors, Rodin mastered this attack of weakness, and drawing himself up, + calm and proud, he said to Caboccini: “It is nothing. I did not survive + the cholera to die of joy on the first of June.” + </p> + <p> + And, though still frightfully pale, the countenance of the Jesuit shone + with audacious confidence. But now, when Rodin appeared to be quite + recovered, Father Caboccini seemed suddenly transformed. Though short, + fat, and one-eyed, his features assumed on the instant so firm, harsh, and + commanding an expression, that Rodin recoiled a step as he looked at him. + Then Father Caboccini, drawing a paper from his pocket, kissed it + respectfully, glanced sternly at Rodin, and read as follows, in a severe + and menacing tone: + </p> + <p> + “‘On receipt of the present rescript, the Reverend Father Rodin will + deliver up all his powers to the Reverend Father Caboccini, who is alone + commissioned, with the Reverend Father d’Aigrigny, to receive the + inheritance of the Rennepont family, if, in His eternal justice, the Lord + should restore this property, of which our Company has been wronged. + </p> + <p> + “‘Moreover, on receipt of the present rescript, the Reverend Father Rodin, + in charge of a person to be named by the Reverend Father Caboccini, shall + be conveyed to our house in the Town of Laval, to be kept in strict + seclusion in his cell until further orders.’” + </p> + <p> + Then Father Caboccini handed the rescript to Rodin, that the latter might + read the signature of the General of the Company. Samuel, greatly + interested by this scene, drew a few steps nearer, leaving the casket + half-open. Suddenly, Rodin burst into a loud laugh—a laugh of joy, + contempt and triumph, impossible to describe. Father Caboccini looked at + him with angry astonishment; when Rodin, growing still more imperious and + haughty, and with an air of more sovereign disdain than ever, pushed aside + the paper with the back of his dirty hand and said: “What is the date of + that scribble?” + </p> + <p> + “The eleventh of May,” answered Father Caboccini in amazement. + </p> + <p> + “Here is a brief, that I received last night from Rome, under date of the + eighteenth. It informs me that I am appointed GENERAL OF THE ORDER. Read!” + </p> + <p> + Father Caboccini took the paper, read it, and remained thunderstruck. + Then, returning it humbly to Rodin, he respectfully bent his knee before + him. Thus seemed the ambitious views of Rodin accomplished. In spite of + the hatred and suspicion of that party, of which Cardinal Malipieri was + the representative and the chief, Rodin, by address and craft, audacity + and persuasion, and in consequence of the high esteem in which his + partisans at Rome held his rare capacity, had succeeded in deposing his + General, and in procuring his own elevation to that eminent post. Now, + according to his calculation, aided by the millions he was about to + possess, it would be but one step from that post to the pontifical throne. + A mute witness of this scene, Samuel smiled also with an air of triumph, + as he closed the casket by means of the spring known only to himself. That + metallic sound recalled Rodin from the heights of his mad ambition to the + realities of life, and he said to Samuel in a sharp voice: “You have + heard? These millions must be delivered to me alone.” + </p> + <p> + He extended his hands eagerly and impatiently towards the casket, as if he + would have taken possession of it, before the arrival of the magistrate. + Then Samuel in his turn seemed transfigured, and, folding his arms upon + his breast, and drawing up his aged form to its full height, he assumed a + threatening and imposing air. His eyes flashed with indignation, and he + said in a solemn tone: “This fortune—at first the humble remains of + the inheritance of the most noble of men, whom the plots of the sons of + Loyola drove to suicide—this fortune, which has since become royal + in amount, thanks to the sacred probity of three generations of faithful + servants—this fortune shall never be the reward of falsehood, + hypocrisy and murder. No! the eternal justice of heaven will not allow + it.” + </p> + <p> + “On murder? what do you mean, sir?” asked Rodin, boldly. + </p> + <p> + Samuel made no answer. He stamped his foot, and extended his arm slowly + towards the extremity of the apartment. Then Rodin and Father Caboccini + beheld an awful spectacle. The draperies on the wall were drawn aside, as + if by an invisible hand. Round a funeral vault, faintly illumined-by the + bluish light of a silver lamp, six dead bodies were ranged upon black + biers, dressed in long black robes. They were: Jacques Rennepont—Francois + Hardy—Rose and Blanche Simon—Adrienne and Djalma. They + appeared to be asleep. Their eyelids were closed, their hands crossed over + their breasts. Father Caboccini, trembling in every limb, made the sign of + the cross, and retreating to the opposite wall, buried his face in his + hands. Rodin on the contrary, with agitated countenance, staring eyes, and + hair standing on end, yielding to an invincible attraction, advanced + towards those inanimate forms. One would have said that these last of the + Renneponts had only just expired. They seemed to be in the first hour of + the eternal sleep.(44) + </p> + <p> + “Behold those whom thou host slain!” cried Samuel, in a voice broken with + sobs. “Yea! your detestable plots caused their death—and, as they + fell one by one, it was my pious care to obtain possession of their poor + remains, that they may all repose in the same sepulchre. Oh!—cursed—cursed—cursed—be + thou who has killed them! But their spoils shall escape thy murderous + hands.” + </p> + <p> + Rodin, still drawn forward in spite of himself, had approached the funeral + couch of Djalma. Surmounting his first alarm, the Jesuit, to assure + himself that he was not the sport of frightful dream, ventured to touch + the hands of the Asiatic—and found that they were damp and pliant, + though cold as ice. + </p> + <p> + The Jesuit drew back in horror. For some seconds, he trembled + convulsively. But, his first amazement over, reflection returned, and, + with reflection came that invincible energy, that infernal obstinacy of + character, that gave him so much power. Steadying himself on his legs, + drawing his hand across his brow, raising his head, moistening his lips + two or three times before he spoke—for his throat and mouth grew + ever drier and hotter, without his being able to explain the cause—he + succeeded in giving to his features an imperious and ironical expression, + and, turning towards Samuel, who wept in silence, he said to him, in a + hoarse, guttural voice: “I need not show you the certificates of their + death. There they are in person.” And he pointed with his bony hand to the + six dead bodies. + </p> + <p> + At these words of his General, Father Caboccini again made the sign of the + cross, as if he had seen a fiend. + </p> + <p> + “Oh, my God!” cried Samuel; “Thou hast quite abandoned this man. With what + a calm look he contemplates his victims!” + </p> + <p> + “Come, sir!” said Rodin, with a horrid smile; “this is a natural waxwork + exhibition, that is all. My calmness proves my innocence—and we had + best come at once to business. I have an appointment at two o’clock. So + let us carry down this casket.” + </p> + <p> + He advanced towards the marble slab. Seized with indignation and horror, + Samuel threw himself before him, and, pressing with all his might on a + knob in the lid of the casket—a knob which yielded to the pressure—he + exclaimed: “Since your infernal soul is incapable of remorse, it may + perhaps be shaken by disappointed avarice.” + </p> + <p> + “What does he say?” cried Rodin. “What is he doing?” + </p> + <p> + “Look!” said Samuel, in his turn assuming an air of savage triumph. “I + told you, that the spoils of your victims should escape your murderous + hands.” + </p> + <p> + Hardly had he uttered these words, before through the open-work of the + iron casket rose a light cloud of smoke, and an odor as of burnt paper + spread itself through the room. Rodin understood it instantly. “Fire!” he + exclaimed, as he rushed forward to seize the casket. It had been made fast + to the heavy marble slab. + </p> + <p> + “Yes, fire,” said Samuel. “In a few minutes, of that immense treasure + there will remain nothing but ashes. And better so, than that it should + belong to you or yours. This treasure is not mine, and it only remains for + me to destroy it—since Gabriel de Rennepont will be faithful to the + oath he has taken.” + </p> + <p> + “Help! water! water!” cried Rodin, as he covered the casket with his body, + trying in vain to extinguish the flames, which, fanned by the current of + air, now issued from the thousand apertures in the lid; but soon the + intensity of the fire diminished, a few threads of bluish smoke alone + mounted upwards—and then, all was extinct. + </p> + <p> + The work was done! Breathless and faint, Rodin leaned against the marble + slab. For the first time in his life, he wept; large tears of rage rolled + down his cadaverous cheeks. But suddenly, dreadful pains, at first dull, + but gradually augmenting in intensity, seized on him with so much fury, + though he employed all his energy to struggle against them, that he fell + on his knees, and, pressing his two hands to his chest, murmured with an + attempt to smile: “It is nothing. Do not be alarmed. A few spasms—that + is all. The treasure is destroyed—but I remain General of the Order. + Oh! I suffer. What a furnace!” he added, writhing in agony. “Since I + entered this cursed house, I know not what ails me. If—I had not + lived on roots—water—bread—which I go myself to buy—I + should think—I was poisoned—for I triumph—and Cardinal + Malipieri has long arms. Yes—I still triumph—for I will not + die—this time no more than the other—I will not die!” + </p> + <p> + Then, as he stretched out his arms convulsively, he continued: “It is fire + that devours my entrails. No doubt, they have tried to poison me. But + when? but how?” + </p> + <p> + After another pause, Rodin again cried out, in a stifled voice: “Help! + help me, you that stand looking on—like, spectres!—Help me, I + say!” + </p> + <p> + Horror-struck at this dreadful agony, Samuel and Father Caboccini were + unable to stir. + </p> + <p> + “Help!” repeated Rodin, in a tone of strangulation, “This poison is + horrible.—But how—” Then, with a terrific cry of rage, as if a + sudden idea had struck him, he exclaimed: “Ha! Faringhea—this + morning—the holy water—he knows such subtle poisons. Yes—it + is he—he had an interview with Malipieri. The demon!—Oh! it + was well played. The Borgias are still the same. Oh! it is all over. I + die. They will regret me, the fools!—Oh! hell! hell! The Church + knows not its loss—but I burn—help!” + </p> + <p> + They came to his assistance. Quick steps were heard upon the stairs, and + Dr. Baleinier, followed by the Princess de Saint-Dizier, appeared at the + entrance of the Hall of Mourning. The princess had learned vaguely that + morning the death of Father d’Aigrigny, and had come to question Rodin + upon the subject. When this woman, entering the room, suddenly saw the + frightful spectacle that offered itself to her view—when she saw + Rodin writhing in horrible agony, and, further on, by the light of the + sepulchral lamp, those six corpses—and, amongst them, her own niece, + and the two orphans whom she had sent to meet their death—she stood + petrified with horror, and her reason was unable to withstand the shock. + She looked slowly round her, and then raised her arms on high, and burst + into a wild fit of laughter. She had gone mad. Whilst Dr. Baleinier + supported the head of Rodin, who expired in his arms, Faringhea appeared + at the door; remaining in the shade, he cast a ferocious glance at the + corpse of the Jesuit. “He would have made himself the chief of the Company + of Jesus, to destroy it,” said he; “with me, the Company of Jesus stands + in the place of Bowanee. I have obeyed the cardinal!” + </p> + <p> + (44) Should this appear incredible, we would remind the reader of the + marvellous discoveries in the art of embalming—particularly Dr. + Gannal’s. + </p> + <p> + <a name="link2H_EPIL2" id="link2H_EPIL2"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + EPILOGUE. + </h2> + <p> + <a name="link2HCH0174" id="link2HCH0174"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER I. FOUR YEARS AFTER. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">F</span>our years had elapsed, since the events we have just related, when + Gabriel de Rennepont wrote the following letter to Abbe Joseph + Charpentier, curate of the Parish of Saint-Aubin, a hamlet of Sologne: + </p> + <p> + “Springwater Farm, “June 2d, 1836. + </p> + <p> + “Intending to write to you yesterday, my bear Joseph, I seated myself at + the little old black table, that you will remember well. My window looks, + you know, upon the farmyard, and I can see all that takes place there. + These are grave preliminaries, my friend, but I am coming to the point. I + had just taken my seat at the table, when, looking from the window, this + is what I saw. You, my dear Joseph, who can draw so well, should have been + there to have sketched the charming scene. The sun was sinking, the sky + serene, the air warm and balmy with the breath of the hawthorn, which, + flowering by the side of a little rivulet, forms the edge which borders + the yard. Under the large pear-tree, close to the wall of the barn, sat + upon the stone bench my adopted father, Dagobert, that brave and honest + soldier whom you love so much. He appeared thoughtful, his white head was + bowed on his bosom; with absent mind, he patted old Spoil-sport, whose + intelligent face was resting on his master’s knees. By his side was his + wife, my dear adopted mother, occupied with her sewing; and near them, on + a stool, sat Angela, the wife of Agricola, nursing her last-born child, + while the gentle Magdalen, with the eldest boy in her lap, was occupied in + teaching him the letters of the alphabet. Agricola had just returned from + the fields, and was beginning to unyoke his cattle, when, struck, like me, + no doubt, with this picture, he stood gazing on it for a moment, with his + hand still leaning on the yoke, beneath which bent submissive the broad + foreheads of his two large black oxen. I cannot express to you, my friend, + the enchanting repose of this picture, lighted by the last rays of the + sun, here and there broken by the thick foliage. What various and touching + types! The venerable face of the soldier—the good, loving + countenance of my adopted mother—the fresh beauty of Angela, smiling + on her little child—the soft melancholy of the hunchback, now and + then pressing her lips to the fair, laughing cheek of Agricola’s eldest + son—and then Agricola himself, in his manly beauty, which seems to + reflect so well the valor and honesty of his heart! Oh, my Friend! in + contemplating this assemblage of good, devoted, noble, and loving beings, + so dear to each other, living retired in a little farm of our poor + Sologne, my heart rose towards heaven with a feeling of ineffable + gratitude. This peace of the family circle—this clear evening, with + the perfume of the woods and wild flowers wafted on the breeze—this + deep silence, only broken by the murmur of the neighboring rill—all + affected me with one of these passing fits of vague and sweet emotion, + which one feels but cannot express. You well know it, my friend, who, in + your solitary walks, in the midst of your immense plains of flowering + heath, surrounded by forests of fir trees, often feel your eyes grow + moist, without being able to explain the cause of that sweet melancholy, + which I, too, have often felt, during those glorious nights passed in the + profound solitudes of America. + </p> + <p> + “But, alas! a painful incident disturbed the serenity of the picture. + Suddenly I heard Dagobert’s wife say to him: ‘My dear—you are + weeping!’ + </p> + <p> + “At these words, Agricola, Angela, and Magdalen gathered round the + soldier. Anxiety was visible upon every face. Then, as he raised his head + abruptly, one could see two large tears trickle down his cheek to his + white moustache. ‘It is nothing, my children,’ said he, in a voice of + emotion ‘it is nothing. Only, to-day is the first of June—and this + day four years—’ He could not complete the sentence; and, as he + raised his hands to his eyes, to brush away the tears, we saw that he held + between his fingers a little bronze chain, with a medal suspended to it. + That is his dearest relic. Four years ago, almost dying with despair at + the loss of the two angels, of whom I have so often spoken to you, my + friend, he took from the neck of Marshal Simon, brought home dead from a + fatal duel, this chain and medal which his children had so long worn. I + went down instantly, as you may suppose, to endeavor to soothe the painful + remembrances of this excellent man; gradually, he grew calmer, and the + evening was passed in a pious and quiet sadness. + </p> + <p> + “You cannot imagine, my friend, when I returned to my chamber, what cruel + thoughts came to my mind, as I recalled those past events, from which I + generally turn away with fear and horror. Then I saw once more the victims + of those terrible and mysterious plots, the awful depths of which have + never been penetrated thanks to the death of Father d’A. and Father R., + and the incurable madness of Madame de St.-D., the three authors or + accomplices of the dreadful deeds. The calamities occasioned by them are + irreparable; for those who were thus sacrificed to a criminal ambition, + would have been the pride of humanity by the good they would have done. + Ah, my friend! if you had known those noble hearts; if you had known the + projects of splendid charity, formed by that young lady, whose heart was + so generous, whose mind so elevated, whose soul so great! On the eve of + her death, as a kind of prelude to her magnificent designs, after a + conversation, the subject of which I must keep secret, even from you, she + put into my hands a considerable sum, saying, with her usual grace and + goodness: ‘I have been threatened with ruin, and it might perhaps come. + What I now confide to you will at least be safe—safe—for those + who suffer. Give much—give freely—make as many happy hearts as + you can. My happiness shall have a royal inauguration!!’ I do not know + whether I ever told you, my friend, that, after those fatal events, seeing + Dagobert and his wife reduced to misery, poor ‘Mother Bunch’ hardly able + to earn a wretched subsistence, Agricola soon to become a father, and + myself deprived of my curacy, and suspended by my bishop, for having given + religious consolations to a Protestant, and offered up prayers at the tomb + of an unfortunate suicide—I considered myself justified in employing + a small portion of the sum intrusted to me by Mdlle. de Cardoville in the + purchase of this farm in Dagobert’s name. + </p> + <p> + “Yes, my friend, such is the origin of my fortune. The farmer to whom + these few acres formerly belonged, gave us the rudiments of our + agricultural education, and common sense, and the study of a few good + practical books, completed it. From an excellent workman, Agricola has + become an equally excellent husbandman; I have tried to imitate him, and + have put my hand also to the plough there is no derogation in it, for the + labor which provides food for man is thrice hallowed, and it is truly to + serve and glorify God, to cultivate and enrich the earth He has created. + Dagobert, when his first grief was a little appeased, seemed to gather new + vigor from this healthy life of the fields; and, during his exile in + Siberia, he had already learned to till the ground. Finally, my dear + adopted mother and sister, and Agricola’s good wife, have divided between + them the household cares; and God has blessed this little colony of + people, who, alas! have been sorely tried by misfortune, and who now only + ask of toil and solitude, a quite, laborious, innocent life, and oblivion + of great sorrows. Sometimes, in our winter evenings, you have been able to + appreciate the delicate and charming mind of the gentle ‘Mother Bunch,’ + the rare poetical imagination of Agricola, the tenderness of his mother, + the good sense of his father, the exquisite natural grace of Angela. Tell + me, my friend, was it possible to unite more elements of domestic + happiness? What long evenings have we passed round the fire of crackling + wood, reading, or commenting on a few immortal works, which always warm + the heart, and enlarge the soul! What sweet talk have we had, prolonged + far into the night! And then Agricola’s pastorals, and the timid literary + confidences of Magdalen! And the fresh, clear voice of Angela, joined to + the deep manly tones of Agricola, in songs of simple melody! And the old + stories of Dagobert, so energetic and picturesque in their warlike spirit! + And the adorable gayety of the children, in their sports with good old + Spoil-sport, who rather lends himself to their play than takes part in it—for + the faithful, intelligent creature seems always to be looking for + somebody, as Dagobert says—and he is right. Yes, the dog also + regrets those two angels, of whom he was the devoted guardian! + </p> + <p> + “Do not think, my friend, that our happiness makes us forgetful. No, no; + not a day passes without our repeating, with pious and tender respect, + those names so dear to our heart. And these painful memories, hovering + forever about us, give to our calm and happy existence that shade of mild + seriousness which struck you so much. No doubt, my friend, this kind of + life, bounded by the family circle, and not extending beyond, for the + happiness or improvement of our brethren, may be set down as selfish; but, + alas! we have not the means—and though the poor man always finds a + place at our frugal table, and shelter beneath our roof, we must renounce + all great projects of fraternal action. The little revenue of our farm + just suffices to supply our wants. Alas! when I think over it, + notwithstanding a momentary regret, I cannot blame my resolution to keep + faithfully my sacred oath, and to renounce that great inheritance, which, + alas! had become immense by the death of my kindred. Yes, I believe I + performed a duty, when I begged the guardian of that treasure to reduce it + to ashes, rather than let it fall into the hands of people, who would have + made an execrable use of it, or to perjure myself by disputing a donation + which I had granted freely, voluntarily, sincerely. And yet, when I + picture to myself the realization of the magnificent views of—my + ancestor—an admirable Utopia, only possible with immense resources—and + which Mdlle. de Cardoville hoped to carry into execution, with the aid of + M. Francois Hardy, of Prince Djalma, of Marshal Simon and his daughters, + and of myself—when I think of the dazzling focus of living forces, + which such an association would have been, and of the immense influence it + might have had on the happiness of the whole human race—my + indignation and horror, as an honest man and a Christian, are excited + against that abominable Company, whose black plots nipped in their bud all + those great hopes, which promised so much for futurity. What remains now + of all these splendid projects? Seven tombs. For my grave also is dug in + that mausoleum, which Samuel has erected on the site of the house in the + Rue Neuve-Saint-Francois, and of which he remains the keeper—faithful + to the end! + </p> + <p> + “I had written thus far, my friend, when I received your letter. So, after + having forbidden you to see me, your bishop now orders that you shall + cease to correspond with me. Your touching, painful regrets have deeply + moved me, my friend. Often have we talked together of ecclesiastical + discipline, and of the absolute power of the bishops over, us, the poor + working clergy, left to their mercy without remedy. It is painful, but it + is the law of the church, my friend, and you have sworn to observe it. + Submit as I have submitted. Every engagement is binding upon the man of + honor! My poor, dear Joseph! would that you had the compensations which + remained to me, after the rupture of ties that I so much value. But I know + too well what you must feel—I cannot go on I find it impossible to + continue this letter, I might be bitter against those whose orders we are + bound to respect. Since it must be so, this letter shall be my last. + Farewell, my friend! farewell forever. My heart is almost broken. + </p> + <p> + “GABRIEL DE RENNEPONT.” <a name="link2HCH0175" id="link2HCH0175"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + CHAPTER II. THE REDEMPTION. + </h2><p class="pfirst"><span class="dropcap" style="font-size: 4.00em">D</span>ay was about to dawn. A rosy light, almost imperceptible, began to + glimmer in the east; but the stars still shone, sparkling with radiance, + upon the azure of the zenith. The birds awoke beneath the fresh foliage of + the great woods; and, with isolated warblings, sang the prelude of their + morning-concert. A light mist rose from the high grass, bathed in + nocturnal dew, while the calm and limpid waters of a vast lake reflected + the whitening dawn in their deep, blue mirror. Everything promised one of + those warm and joyous days, that belong to the opening of summer. + </p> + <p> + Half-way up the slope of a hill, facing the east, a tuft of old, moss + grown willows, whose rugged bark disappeared beneath the climbing branches + of wild honeysuckle and harebells, formed a natural harbor; and on their + gnarled and enormous roots, covered with thick moss, were seated a man and + a woman, whose white hair, deep wrinkles, and bending figures, announced + extreme old age. And yet this woman had only lately been young and + beautiful, with long black hair overshadowing her pale forehead. And yet + this man had, a short time ago, been still in the vigor of his age. From + the spot where this man and woman were reposing, could be seen the valley, + the lake, the woods, and, soaring above the woods, the blue summit of a + high mountain, from behind which the sun was about to rise. This picture, + half veiled by the pale transparency of the morning twilight, was + pleasing, melancholy, and solemn. + </p> + <p> + “Oh, my sister!” said the old man to the woman, who was reposing with him + beneath the rustic arbor formed by the tuft of willow-trees; “oh, my + sister! how many times during the centuries in which the hand of the Lord + carried us onward, and, separated from each other, we traversed the world + from pole to pole—how many times we have witnessed this awakening of + nature with a sentiment of incurable grief!—Alas! it was but another + day of wandering—another useless day added to our life, since it + brought death no nearer!” + </p> + <p> + “But now what happiness, oh, my brother! since the Lord has had mercy on + us, and, with us, as with all other creatures, every returning day is a + step nearer to the grave. Glory to Him! yes, glory!” + </p> + <p> + “Glory to Him, my sister! for since yesterday, when we again met, I feel + that indescribable languor which announces the approach of death.” + </p> + <p> + “Like you, my brother, I feel my strength, already shaken, passing away in + a sweet exhaustion. Doubtless, the term of our life approaches. The wrath + of the Lord is satisfied.” + </p> + <p> + “Alas, my sister! doubtless also, the last of my doomed race, will, at the + same time, complete our redemption by his death; for the will of heaven is + manifest, that I can only be pardoned, when the last of my family shall + have disappeared from the face of the earth. To him, holiest amongst the + holiest—was reserved the favor of accomplishing this end he who has + done so much for the salvation of his brethren!” + </p> + <p> + “Oh, yes, my brother! he who has suffered so much, and without + complaining, drunk to the dregs the bitter cup of woe—he, the + minister of the Lord, who has been his Master’s image upon earth—he + was fitted for the last instrument of this redemption!” + </p> + <p> + “Yes, for I feel, my sister, that, at this hour, the last of my race, + touching victim of slow persecution, is on the point of resigning his + angelic soul to God. Thus, even to the end, have I been fatal to my doomed + family. Lord, if Thy mercy is great, Thy anger is great likewise!” + </p> + <p> + “Courage and hope, my brother! Think how after the expiration cometh + pardon, and pardon is followed by a blessing. The Lord punished, in you + and your posterity, the artisan rendered wicked by misfortune and + injustice. He said to you: ‘Go on! without truce or rest—and your + labor shall be vain—and every evening, throwing yourself on the hard + ground, you shall be no nearer to the end of your eternal course!’—And + so, for centuries, men without pity have said to the artisan: ‘Work! work! + work! without truce or rest—and your labor shall be fruitful for all + others, but fruitless for yourself—and every evening, throwing + yourself on the hard ground, you shall be no nearer to happiness and + repose; and your wages shall only suffice to keep you alive in pain, + privation, and poverty!’” + </p> + <p> + “Alas! alas! will it be always thus?” + </p> +<div class="fig"> + <img src="images/30491m.jpg" alt="30491m" /><br /> + </div> + <h5> + <a href="images/30491.jpg"><i>Original</i></a> + </h5> + <p> + “No, no, my brother! and instead of weeping over your lost race, rejoice + for them—since their death was needed for your redemption, and in + redeeming you, heaven will redeem the artisan, cursed and feared by those—who + have laid on him the iron yoke. Yes, my brother! the time draweth nigh—heaven’s + mercy will not stop with us alone. Yes, I tell you; in us will be rescued + both the WOMAN and the SLAVE of these modern ages. The trial has been + hard, brother; it has lasted throughout eighteen centuries; but it will + last no longer. Look, my brother! see that rosy light, there in the east, + gradually spreading over the firmament! Thus will rise the sun of the new + emancipation—peaceful, holy, great, salutary, fruitful, filling the + world with light and vivifying heat, like the day-star that will soon + appear in heaven!” + </p> + <p> + “Yes, yes, my sister! I feel it. Your words are prophetic. We shall close + our heavy eyes just as we see the aurora of the day of deliverance—a + fair, a splendid day, like that which is about to dawn. Henceforth I will + only shed tears of pride and glory for those of my race, who have died the + martyrs of humanity, sacrificed by humanity’s eternal enemies—for + the true ancestors of the sacrilegious wretches, who blaspheme the name of + Jesus by giving it to their Company, were the false Scribes and Pharisees, + whom the Saviour cursed!—Yes! glory to the descendants of my family, + who have been the last martyrs offered up by the accomplices of all + slavery and all despotism, the pitiless enemies of those who wish to + think, and not to suffer in silence—of those that would feign enjoy, + as children of heaven, the gifts which the Creator has bestowed upon all + the human family. Yes, the day approaches—the end of the reign of + our modern Pharisees—the false priests, who lend their sacrilegious + aid to the merciless selfishness of the strong against the weak, by daring + to maintain in the face of the exhaustless treasures of the creation, that + God has made man for tears, and sorrow, and suffering—the false + priests, who are the agents of all oppression, and would bow to the earth, + in brutish and hopeless humiliation, the brow of every creature. No, no! + let man lift his head proudly! God made him to be noble and intelligent + free and happy.” + </p> + <p> + “Oh, my brother! your words also are prophetic. Yes, yes! the dawn of that + bright day approaches, even as the dawn of the natural day which, by the + mercy of God, will be our last on earth.” + </p> + <p> + “The last, my sister; for a strange weakness creeps over me, all matter + seems dissolving in me, and my soul aspires to mount to heaven.” + </p> + <p> + “Mine eyes are growing dim, brother; I can scarcely see that light in the + east, which lately appeared so red.” + </p> + <p> + “Sister! it is through a confused vapor that I now see the valley—the + lake—the woods. My strength fails me.” + </p> + <p> + “Blessed be God, brother! the moment of eternal rest is at hand.” + </p> + <p> + “Yes, it comes, my sister! the sweetness of the everlasting sleep takes + possession of my senses.” + </p> + <p> + “Oh, happiness! I am dying—” + </p> + <p> + “These eyes are closing, sister!” + </p> + <p> + “We are then forgiven!” + </p> + <p> + “Forgiven!” + </p> + <p> + “Oh, my brother! may this Divine redemption extend to all those who suffer + upon the earth!” + </p> + <p> + “Die in peace, my sister! The great day has dawned—the sun is rising—behold!” + </p> + <p> + “Blessed be God!” + </p> + <p> + “Blessed be God!” + </p> + <p> + And at the moment when those two voices ceased forever, the sun rose + radiant and dazzling, and deluged the valley with its beams. + </p> + <p> + To M. C—P—. + </p> + <p> + To you, my friend, I dedicated this book. To inscribe it with your name, + was to assume an engagement that, in the absence of talent, it should be + at least conscientious, sincere, and of a salutary influence, however + limited. My object is attained. Some select hearts, like yours, my friend, + have put into practice the legitimate association of labor, capital, and + intelligence, and have already granted to their workmen a proportionate + share in the profits of their industry. Others have laid the foundations + of Common Dwelling-houses, and one of the chief capitalists of Hamburg has + favored me with his views respecting an establishment of this kind, on the + most gigantic scale. + </p> + <p> + As for the dispersion of the members of the Company of Jesus, I have taken + less part in it than other enemies of the detestable doctrines of Loyola, + whose influence and authority were far greater than mine. + </p> + <p> + Adieu, my friend. I could have wished this work more worthy of you; but + you are indulgent, and will at least give me credit for the intentions + which dictated it. + </p> + <p> + Believe me, Yours truly, + </p> + <p> + EUGENE SUE. + </p> + <p> + Paris, 25th August, 1845. Paris, 25th August, 1845. + </p> +<div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + + +<h1>ILLUSTRATIONS BY GUSTAVE DORE</h1> + +<div class="fig"> + <img src="images/d10006m.jpg" alt="d10006m " /><br /> + </div> + <h5> + <a href="images/d10006.jpg"><i>Original</i></a> + </h5> + +<div class="fig"> + <img src="images/d10058m.jpg" alt="d10058m " /><br /> + </div> + <h5> + <a href="images/d10058.jpg"><i>Original</i></a> + </h5> + +<div class="fig"> + <img src="images/d10084m.jpg" alt="d10084m " /><br /> + </div> + <h5> + <a href="images/d10084.jpg"><i>Original</i></a> + </h5> + +<div class="fig"> + <img src="images/d10110m.jpg" alt="d10110m " /><br /> + </div> + <h5> + <a href="images/d10110.jpg"><i>Original</i></a> + </h5> + +<div class="fig"> + <img src="images/d10136m.jpg" alt="d10136m " /><br /> + </div> + <h5> + <a href="images/d10136.jpg"><i>Original</i></a> + </h5> + +<div class="fig"> + <img src="images/d10162m.jpg" alt="d10162m " /><br /> + </div> + <h5> + <a href="images/d10162.jpg"><i>Original</i></a> + </h5> + +<div class="fig"> + <img src="images/d20006m.jpg" alt="d20006m " /><br /> + </div> + <h5> + <a href="images/d20006.jpg"><i>Original</i></a> + </h5> + +<div class="fig"> + <img src="images/d20056m.jpg" alt="d20056m " /><br /> + </div> + <h5> + <a href="images/d20056.jpg"><i>Original</i></a> + </h5> + +<div class="fig"> + <img src="images/d20082m.jpg" alt="d20082m " /><br /> + </div> + <h5> + <a href="images/d20082.jpg"><i>Original</i></a> + </h5> + +<div class="fig"> + <img src="images/d20108m.jpg" alt="d20108m " /><br /> + </div> + <h5> + <a href="images/d20108.jpg"><i>Original</i></a> + </h5> + +<div class="fig"> + <img src="images/d20134m.jpg" alt="d20134m " /><br /> + </div> + <h5> + <a href="images/d20134.jpg"><i>Original</i></a> + </h5> + +<div class="fig"> + <img src="images/d20160m.jpg" alt="d20160m " /><br /> + </div> + <h5> + <a href="images/d20160.jpg"><i>Original</i></a> + </h5> +<div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + +<h2>PORTRAITS BY GUSTAVE DORE</h2> + + +<div class="fig"> + <img src="images/d30006m.jpg" alt="d30006m " /><br /> + </div> + <h5> + <a href="images/d30006.jpg"><i>Original</i></a> + </h5> + +<div class="fig"> + <img src="images/d30056m.jpg" alt="d30056m " /><br /> + </div> + <h5> + <a href="images/d30056.jpg"><i>Original</i></a> + </h5> + +<div class="fig"> + <img src="images/d30106m.jpg" alt="d30106m " /><br /> + </div> + <h5> + <a href="images/d30106.jpg"><i>Original</i></a> + </h5> + +<div class="fig"> + <img src="images/d30204m.jpg" alt="d30204m " /><br /> + </div> + <h5> + <a href="images/d30204.jpg"><i>Original</i></a> + </h5> + +<div class="fig"> + <img src="images/d30278m.jpg" alt="d30278m " /><br /> + </div> + <h5> + <a href="images/d30278.jpg"><i>Original</i></a> + </h5> + +<div class="fig"> + <img src="images/d30352m.jpg" alt="d30352m " /><br /> + </div> + <h5> + <a href="images/d30352.jpg"><i>Original</i></a> + </h5> + +<div class="fig"> + <img src="images/d30473m.jpg" alt="d30473m " /><br /> + </div> + <h5> + <a href="images/d30473.jpg"><i>Original</i></a> + </h5> + +<div class="fig"> + <img src="images/d30596m.jpg" alt="d30596m " /><br /> + </div> + <h5> + <a href="images/d30596.jpg"><i>Original</i></a> + </h5> + +<div class="fig"> + <img src="images/d40006m.jpg" alt="d40006m " /><br /> + </div> + <h5> + <a href="images/d40006.jpg"><i>Original</i></a> + </h5> + +<div class="fig"> + <img src="images/d40104m.jpg" alt="d40104m " /><br /> + </div> + <h5> + <a href="images/d40104.jpg"><i>Original</i></a> + </h5> + +<div class="fig"> + <img src="images/d40202m.jpg" alt="d40202m " /><br /> + </div> + <h5> + <a href="images/d40202.jpg"><i>Original</i></a> + </h5> + +<div class="fig"> + <img src="images/d40524m.jpg" alt="d40524m " /><br /> + </div> + <h5> + <a href="images/d40524.jpg"><i>Original</i></a> + </h5> + +<div class="fig"> + <img src="images/d50006m.jpg" alt="d50006m " /><br /> + </div> + <h5> + <a href="images/d50006.jpg"><i>Original</i></a> + </h5> + +<div class="fig"> + <img src="images/d50080m.jpg" alt="d50080m " /><br /> + </div> + <h5> + <a href="images/d50080.jpg"><i>Original</i></a> + </h5> + +<div class="fig"> + <img src="images/d50154m.jpg" alt="d50154m " /><br /> + </div> + <h5> + <a href="images/d50154.jpg"><i>Original</i></a> + </h5> + +<div class="fig"> + <img src="images/d50252m.jpg" alt="d50252m " /><br /> + </div> + <h5> + <a href="images/d50252.jpg"><i>Original</i></a> + </h5> + +<div class="fig"> + <img src="images/d50302m.jpg" alt="d50302m " /><br /> + </div> + <h5> + <a href="images/d50302m.jpg"><i>Original</i></a> + </h5> + +<div class="fig"> + <img src="images/d50400m.jpg" alt="d50400m " /><br /> + </div> + <h5> + <a href="images/d50400m.jpg"><i>Original</i></a> + </h5> + +<div class="fig"> + <img src="images/d50474m.jpg" alt="d50474m " /><br /> + </div> + <h5> + <a href="images/d50474m.jpg"><i>Original</i></a> + </h5> + +<div class="fig"> + <img src="images/d50500m.jpg" alt="d50500m " /><br /> + </div> + <h5> + <a href="images/d50500m.jpg"><i>Original</i></a> + </h5> + + + + +<pre xml:space="preserve"> + + + + + + +End of Project Gutenberg’s The Wandering Jew, Complete, by Eugene Sue + +*** END OF THIS PROJECT GUTENBERG EBOOK THE WANDERING JEW, COMPLETE *** + +***** This file should be named 3350-h.htm or 3350-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/3/3/5/3350/ + +Produced by David Widger + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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