summaryrefslogtreecommitdiff
path: root/old/es10v10.txt
blob: fa5934723bc4195c675555a773cee59b33d8fdd4 (plain)
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
243
244
245
246
247
248
249
250
251
252
253
254
255
256
257
258
259
260
261
262
263
264
265
266
267
268
269
270
271
272
273
274
275
276
277
278
279
280
281
282
283
284
285
286
287
288
289
290
291
292
293
294
295
296
297
298
299
300
301
302
303
304
305
306
307
308
309
310
311
312
313
314
315
316
317
318
319
320
321
322
323
324
325
326
327
328
329
330
331
332
333
334
335
336
337
338
339
340
341
342
343
344
345
346
347
348
349
350
351
352
353
354
355
356
357
358
359
360
361
362
363
364
365
366
367
368
369
370
371
372
373
374
375
376
377
378
379
380
381
382
383
384
385
386
387
388
389
390
391
392
393
394
395
396
397
398
399
400
401
402
403
404
405
406
407
408
409
410
411
412
413
414
415
416
417
418
419
420
421
422
423
424
425
426
427
428
429
430
431
432
433
434
435
436
437
438
439
440
441
442
443
444
445
446
447
448
449
450
451
452
453
454
455
456
457
458
459
460
461
462
463
464
465
466
467
468
469
470
471
472
473
474
475
476
477
478
479
480
481
482
483
484
485
486
487
488
489
490
491
492
493
494
495
496
497
498
499
500
501
502
503
504
505
506
507
508
509
510
511
512
513
514
515
516
517
518
519
520
521
522
523
524
525
526
527
528
529
530
531
532
533
534
535
536
537
538
539
540
541
542
543
544
545
546
547
548
549
550
551
552
553
554
555
556
557
558
559
560
561
562
563
564
565
566
567
568
569
570
571
572
573
574
575
576
577
578
579
580
581
582
583
584
585
586
587
588
589
590
591
592
593
594
595
596
597
598
599
600
601
602
603
604
605
606
607
608
609
610
611
612
613
614
615
616
617
618
619
620
621
622
623
624
625
626
627
628
629
630
631
632
633
634
635
636
637
638
639
640
641
642
643
644
645
646
647
648
649
650
651
652
653
654
655
656
657
658
659
660
661
662
663
664
665
666
667
668
669
670
671
672
673
674
675
676
677
678
679
680
681
682
683
684
685
686
687
688
689
690
691
692
693
694
695
696
697
698
699
700
701
702
703
704
705
706
707
708
709
710
711
712
713
714
715
716
717
718
719
720
721
722
723
724
725
726
727
728
729
730
731
732
733
734
735
736
737
738
739
740
741
742
743
744
745
746
747
748
749
750
751
752
753
754
755
756
757
758
759
760
761
762
763
764
765
766
767
768
769
770
771
772
773
774
775
776
777
778
779
780
781
782
783
784
785
786
787
788
789
790
791
792
793
794
795
796
797
798
799
800
801
802
803
804
805
806
807
808
809
810
811
812
813
814
815
816
817
818
819
820
821
822
823
824
825
826
827
828
829
830
831
832
833
834
835
836
837
838
839
840
841
842
843
844
845
846
847
848
849
850
851
852
853
854
855
856
857
858
859
860
861
862
863
864
865
866
867
868
869
870
871
872
873
874
875
876
877
878
879
880
881
882
883
884
885
886
887
888
889
890
891
892
893
894
895
896
897
898
899
900
901
902
903
904
905
906
907
908
909
910
911
912
913
914
915
916
917
918
919
920
921
922
923
924
925
926
927
928
929
930
931
932
933
934
935
936
937
938
939
940
941
942
943
944
945
946
947
948
949
950
951
952
953
954
955
956
957
958
959
960
961
962
963
964
965
966
967
968
969
970
971
972
973
974
975
976
977
978
979
980
981
982
983
984
985
986
987
988
989
990
991
992
993
994
995
996
997
998
999
1000
1001
1002
1003
1004
1005
1006
1007
1008
1009
1010
1011
1012
1013
1014
1015
1016
1017
1018
1019
1020
1021
1022
1023
1024
1025
1026
1027
1028
1029
1030
1031
1032
1033
1034
1035
1036
1037
1038
1039
1040
1041
1042
1043
1044
1045
1046
1047
1048
1049
1050
1051
1052
1053
1054
1055
1056
1057
1058
1059
1060
1061
1062
1063
1064
1065
1066
1067
1068
1069
1070
1071
1072
1073
1074
1075
1076
1077
1078
1079
1080
1081
1082
1083
1084
1085
1086
1087
1088
1089
1090
1091
1092
1093
1094
1095
1096
1097
1098
1099
1100
1101
1102
1103
1104
1105
1106
1107
1108
1109
1110
1111
1112
1113
1114
1115
1116
1117
1118
1119
1120
1121
1122
1123
1124
1125
1126
1127
1128
1129
1130
1131
1132
1133
1134
1135
1136
1137
1138
1139
1140
1141
1142
1143
1144
1145
1146
1147
1148
1149
1150
1151
1152
1153
1154
1155
1156
1157
1158
1159
1160
1161
1162
1163
1164
1165
1166
1167
1168
1169
1170
1171
1172
1173
1174
1175
1176
1177
1178
1179
1180
1181
1182
1183
1184
1185
1186
1187
1188
1189
1190
1191
1192
1193
1194
1195
1196
1197
1198
1199
1200
1201
1202
1203
1204
1205
1206
1207
1208
1209
1210
1211
1212
1213
1214
1215
1216
1217
1218
1219
1220
1221
1222
1223
1224
1225
1226
1227
1228
1229
1230
1231
1232
1233
1234
1235
1236
1237
1238
1239
1240
1241
1242
1243
1244
1245
1246
1247
1248
1249
1250
1251
1252
1253
1254
1255
1256
1257
1258
1259
1260
1261
1262
1263
1264
1265
1266
1267
1268
1269
1270
1271
1272
1273
1274
1275
1276
1277
1278
1279
1280
1281
1282
1283
1284
1285
1286
1287
1288
1289
1290
1291
1292
1293
1294
1295
1296
1297
1298
1299
1300
1301
1302
1303
1304
1305
1306
1307
1308
1309
1310
1311
1312
1313
1314
1315
1316
1317
1318
1319
1320
1321
1322
1323
1324
1325
1326
1327
1328
1329
1330
1331
1332
1333
1334
1335
1336
1337
1338
1339
1340
1341
1342
1343
1344
1345
1346
1347
1348
1349
1350
1351
1352
1353
1354
1355
1356
1357
1358
1359
1360
1361
1362
1363
1364
1365
1366
1367
1368
1369
1370
1371
1372
1373
1374
1375
1376
1377
1378
1379
1380
1381
1382
1383
1384
1385
1386
1387
1388
1389
1390
1391
1392
1393
1394
1395
1396
1397
1398
1399
1400
1401
1402
1403
1404
1405
1406
1407
1408
1409
1410
1411
1412
1413
1414
1415
1416
1417
1418
1419
1420
1421
1422
1423
1424
1425
1426
1427
1428
1429
1430
1431
1432
1433
1434
1435
1436
1437
1438
1439
1440
1441
1442
1443
1444
1445
1446
1447
1448
1449
1450
1451
1452
1453
1454
1455
1456
1457
1458
1459
1460
1461
1462
1463
1464
1465
1466
1467
1468
1469
1470
1471
1472
1473
1474
1475
1476
1477
1478
1479
1480
1481
1482
1483
1484
1485
1486
1487
1488
1489
1490
1491
1492
1493
1494
1495
1496
1497
1498
1499
1500
1501
1502
1503
1504
1505
1506
1507
1508
1509
1510
1511
1512
1513
1514
1515
1516
1517
1518
1519
1520
1521
1522
1523
1524
1525
1526
1527
1528
1529
1530
1531
1532
1533
1534
1535
1536
1537
1538
1539
1540
1541
1542
1543
1544
1545
1546
1547
1548
1549
1550
1551
1552
1553
1554
1555
1556
1557
1558
1559
1560
1561
1562
1563
1564
1565
1566
1567
1568
1569
1570
1571
1572
1573
1574
1575
1576
1577
1578
1579
1580
1581
1582
1583
1584
1585
1586
1587
1588
1589
1590
1591
1592
1593
1594
1595
1596
1597
1598
1599
1600
1601
1602
1603
1604
1605
1606
1607
1608
1609
1610
1611
1612
1613
1614
1615
1616
1617
1618
1619
1620
1621
1622
1623
1624
1625
1626
1627
1628
1629
1630
1631
1632
1633
1634
1635
1636
1637
1638
1639
1640
1641
1642
1643
1644
1645
1646
1647
1648
1649
1650
1651
1652
1653
1654
1655
1656
1657
1658
1659
1660
1661
1662
1663
1664
1665
1666
1667
1668
1669
1670
1671
1672
1673
1674
1675
1676
1677
1678
1679
1680
1681
1682
1683
1684
1685
1686
1687
1688
1689
1690
1691
1692
1693
1694
1695
1696
1697
1698
1699
1700
1701
1702
1703
1704
1705
1706
1707
1708
1709
1710
1711
1712
1713
1714
1715
1716
1717
1718
1719
1720
1721
1722
1723
1724
1725
1726
1727
1728
1729
1730
1731
1732
1733
1734
1735
1736
1737
1738
1739
1740
1741
1742
1743
1744
1745
1746
1747
1748
1749
1750
1751
1752
1753
1754
1755
1756
1757
1758
1759
1760
1761
1762
1763
1764
1765
1766
1767
1768
1769
1770
1771
1772
1773
1774
1775
1776
1777
1778
1779
1780
1781
1782
1783
1784
1785
1786
1787
1788
1789
1790
1791
1792
1793
1794
1795
1796
1797
1798
1799
1800
1801
1802
1803
1804
1805
1806
1807
1808
1809
1810
1811
1812
1813
1814
1815
1816
1817
1818
1819
1820
1821
1822
1823
1824
1825
1826
1827
1828
1829
1830
1831
1832
1833
1834
1835
1836
1837
1838
1839
1840
1841
1842
1843
1844
1845
1846
1847
1848
1849
1850
1851
1852
1853
1854
1855
1856
1857
1858
1859
1860
1861
1862
1863
1864
1865
1866
1867
1868
1869
1870
1871
1872
1873
1874
1875
1876
1877
1878
1879
1880
1881
1882
1883
1884
1885
1886
1887
1888
1889
1890
1891
1892
1893
1894
1895
1896
1897
1898
1899
1900
1901
1902
1903
1904
1905
1906
1907
1908
1909
1910
1911
1912
1913
1914
1915
1916
1917
1918
1919
1920
1921
1922
1923
1924
1925
1926
1927
1928
1929
1930
1931
1932
1933
1934
1935
1936
1937
1938
1939
1940
1941
1942
1943
1944
1945
1946
1947
1948
1949
1950
1951
1952
1953
1954
1955
1956
1957
1958
1959
1960
1961
1962
1963
1964
1965
1966
1967
1968
1969
1970
1971
1972
1973
1974
1975
1976
1977
1978
1979
1980
1981
1982
1983
1984
1985
1986
1987
1988
1989
1990
1991
1992
1993
1994
1995
1996
1997
1998
1999
2000
2001
2002
2003
2004
2005
2006
2007
2008
2009
2010
2011
2012
2013
2014
2015
2016
2017
2018
2019
2020
2021
2022
2023
2024
2025
2026
2027
2028
2029
2030
2031
2032
2033
2034
2035
2036
2037
2038
2039
2040
2041
2042
2043
2044
2045
2046
2047
2048
2049
2050
2051
2052
2053
2054
2055
2056
2057
2058
2059
2060
2061
2062
2063
2064
2065
2066
2067
2068
2069
2070
2071
2072
2073
2074
2075
2076
2077
2078
2079
2080
2081
2082
2083
2084
2085
2086
2087
2088
2089
2090
2091
2092
2093
2094
2095
2096
2097
2098
2099
2100
2101
2102
2103
2104
2105
2106
2107
2108
2109
2110
2111
2112
2113
2114
2115
2116
2117
2118
2119
2120
2121
2122
2123
2124
2125
2126
2127
2128
2129
2130
2131
2132
2133
2134
2135
2136
2137
2138
2139
2140
2141
2142
2143
2144
2145
2146
2147
2148
2149
2150
2151
2152
2153
2154
2155
2156
2157
2158
2159
2160
2161
2162
2163
2164
2165
2166
2167
2168
2169
2170
2171
2172
2173
2174
2175
2176
2177
2178
2179
2180
2181
2182
2183
2184
2185
2186
2187
2188
2189
2190
2191
2192
2193
2194
2195
2196
2197
2198
2199
2200
2201
2202
2203
2204
2205
2206
2207
2208
2209
2210
2211
2212
2213
2214
2215
2216
2217
2218
2219
2220
2221
2222
2223
2224
2225
2226
2227
2228
2229
2230
2231
2232
2233
2234
2235
2236
2237
2238
2239
2240
2241
2242
2243
2244
2245
2246
2247
2248
2249
2250
2251
2252
2253
2254
2255
2256
2257
2258
2259
2260
2261
2262
2263
2264
2265
2266
2267
2268
2269
2270
2271
2272
2273
2274
2275
2276
2277
2278
2279
2280
2281
2282
2283
2284
2285
2286
2287
2288
2289
2290
2291
2292
2293
2294
2295
2296
2297
2298
2299
2300
2301
2302
2303
2304
2305
2306
2307
2308
2309
2310
2311
2312
2313
2314
2315
2316
2317
2318
2319
2320
2321
2322
2323
2324
2325
2326
2327
2328
2329
2330
2331
2332
2333
2334
2335
2336
2337
2338
2339
2340
2341
2342
2343
2344
2345
2346
2347
2348
2349
2350
2351
2352
2353
2354
2355
2356
2357
2358
2359
2360
2361
2362
2363
2364
2365
2366
2367
2368
2369
2370
2371
2372
2373
2374
2375
2376
2377
2378
2379
2380
2381
2382
2383
2384
2385
2386
2387
2388
2389
2390
2391
2392
2393
2394
2395
2396
2397
2398
2399
2400
2401
2402
2403
2404
2405
2406
2407
2408
2409
2410
2411
2412
2413
2414
2415
2416
2417
2418
2419
2420
2421
2422
2423
2424
2425
2426
2427
2428
2429
2430
2431
2432
2433
2434
2435
2436
2437
2438
2439
2440
2441
2442
2443
2444
2445
2446
2447
2448
2449
2450
2451
2452
2453
2454
2455
2456
2457
2458
2459
2460
2461
2462
2463
2464
2465
2466
2467
2468
2469
2470
2471
2472
2473
2474
2475
2476
2477
2478
2479
2480
2481
2482
2483
2484
2485
2486
2487
2488
2489
2490
2491
2492
2493
2494
2495
2496
2497
2498
2499
2500
2501
2502
2503
2504
2505
2506
2507
2508
2509
2510
2511
2512
2513
2514
2515
2516
2517
2518
2519
2520
2521
2522
2523
2524
2525
2526
2527
2528
2529
2530
2531
2532
2533
2534
2535
2536
2537
2538
2539
2540
2541
2542
2543
2544
2545
2546
2547
2548
2549
2550
2551
2552
2553
2554
2555
2556
2557
2558
2559
2560
2561
2562
2563
2564
2565
2566
2567
2568
2569
2570
2571
2572
2573
2574
2575
2576
2577
2578
2579
2580
2581
2582
2583
2584
2585
2586
2587
2588
2589
2590
2591
2592
2593
2594
2595
2596
2597
2598
2599
2600
2601
2602
2603
2604
2605
2606
2607
2608
2609
2610
2611
2612
2613
2614
2615
2616
2617
2618
2619
2620
2621
2622
2623
2624
2625
2626
2627
2628
2629
2630
2631
2632
2633
2634
2635
2636
2637
2638
2639
2640
2641
2642
2643
2644
2645
2646
2647
2648
2649
2650
2651
2652
2653
2654
2655
2656
2657
2658
2659
2660
2661
2662
2663
2664
2665
2666
2667
2668
2669
2670
2671
2672
2673
2674
2675
2676
2677
2678
2679
2680
2681
2682
2683
2684
2685
2686
2687
2688
2689
2690
2691
2692
2693
2694
2695
2696
2697
2698
2699
2700
2701
2702
2703
2704
2705
2706
2707
2708
2709
2710
2711
2712
2713
2714
2715
2716
2717
2718
2719
2720
2721
2722
2723
2724
2725
2726
2727
2728
2729
2730
2731
2732
2733
2734
2735
2736
2737
2738
2739
2740
2741
2742
2743
2744
2745
2746
2747
2748
2749
2750
2751
2752
2753
2754
2755
2756
2757
2758
2759
2760
2761
2762
2763
2764
2765
2766
2767
2768
2769
2770
2771
2772
2773
2774
2775
2776
2777
2778
2779
2780
2781
2782
2783
2784
2785
2786
2787
2788
2789
2790
2791
2792
2793
2794
2795
2796
2797
2798
2799
2800
2801
2802
2803
2804
2805
2806
2807
2808
2809
2810
2811
2812
2813
2814
2815
2816
2817
2818
2819
2820
2821
2822
2823
2824
2825
2826
2827
2828
2829
2830
2831
2832
2833
2834
2835
2836
2837
2838
2839
2840
2841
2842
2843
2844
2845
2846
2847
2848
2849
2850
2851
2852
2853
2854
2855
2856
2857
2858
2859
2860
2861
2862
2863
2864
2865
2866
2867
2868
2869
2870
2871
2872
2873
2874
2875
2876
2877
2878
2879
2880
2881
2882
2883
2884
2885
2886
2887
2888
2889
2890
2891
2892
2893
2894
2895
2896
2897
2898
2899
2900
2901
2902
2903
2904
2905
2906
2907
2908
2909
2910
2911
2912
2913
2914
2915
2916
2917
2918
2919
2920
2921
2922
2923
2924
2925
2926
2927
2928
2929
2930
2931
2932
2933
2934
2935
2936
2937
2938
2939
2940
2941
2942
2943
2944
2945
2946
2947
2948
2949
2950
2951
2952
2953
2954
2955
2956
2957
2958
2959
2960
2961
2962
2963
2964
2965
2966
2967
2968
2969
2970
2971
2972
2973
2974
2975
2976
2977
2978
2979
2980
2981
2982
2983
2984
2985
2986
2987
2988
2989
2990
2991
2992
2993
2994
2995
2996
2997
2998
2999
3000
3001
3002
3003
3004
3005
3006
3007
3008
3009
3010
3011
3012
3013
3014
3015
3016
3017
3018
3019
3020
3021
3022
3023
3024
3025
3026
3027
3028
3029
3030
3031
3032
3033
3034
3035
3036
3037
3038
3039
3040
3041
3042
3043
3044
3045
3046
3047
3048
3049
3050
3051
3052
3053
3054
3055
3056
3057
3058
3059
3060
3061
3062
3063
3064
3065
3066
3067
3068
3069
3070
3071
3072
3073
3074
3075
3076
3077
3078
3079
3080
3081
3082
3083
3084
3085
3086
3087
3088
3089
3090
3091
3092
3093
3094
3095
3096
3097
3098
3099
3100
3101
3102
3103
3104
3105
3106
3107
3108
3109
3110
3111
3112
3113
3114
3115
3116
3117
3118
3119
3120
3121
3122
3123
3124
3125
3126
3127
3128
3129
3130
3131
3132
3133
3134
3135
3136
3137
3138
3139
3140
3141
3142
3143
3144
3145
3146
3147
3148
3149
3150
3151
3152
3153
3154
3155
3156
3157
3158
3159
3160
3161
3162
3163
3164
3165
3166
3167
3168
3169
3170
3171
3172
3173
3174
3175
3176
3177
3178
3179
3180
3181
3182
3183
3184
3185
3186
3187
3188
3189
3190
3191
3192
3193
3194
3195
3196
3197
3198
3199
3200
3201
3202
3203
3204
3205
3206
3207
3208
3209
3210
3211
3212
3213
3214
3215
3216
3217
3218
3219
3220
3221
3222
3223
3224
3225
3226
3227
3228
3229
3230
3231
3232
3233
3234
3235
3236
3237
3238
3239
3240
3241
3242
3243
3244
3245
3246
3247
3248
3249
3250
3251
3252
3253
3254
3255
3256
3257
3258
3259
3260
3261
3262
3263
3264
3265
3266
3267
3268
3269
3270
3271
3272
3273
3274
3275
3276
3277
3278
3279
3280
3281
3282
3283
3284
3285
3286
3287
3288
3289
3290
3291
3292
3293
3294
3295
3296
3297
3298
3299
3300
3301
3302
3303
3304
3305
3306
3307
3308
3309
3310
3311
3312
3313
3314
3315
3316
3317
3318
3319
3320
3321
3322
3323
3324
3325
3326
3327
3328
3329
3330
3331
3332
3333
3334
3335
3336
3337
3338
3339
3340
3341
3342
3343
3344
3345
3346
3347
3348
3349
3350
3351
3352
3353
3354
3355
3356
3357
3358
3359
3360
3361
3362
3363
3364
3365
3366
3367
3368
3369
3370
3371
3372
3373
3374
3375
3376
3377
3378
3379
3380
3381
3382
3383
3384
3385
3386
3387
3388
3389
3390
3391
3392
3393
3394
3395
3396
3397
3398
3399
3400
3401
3402
3403
3404
3405
3406
3407
3408
3409
3410
3411
3412
3413
3414
3415
3416
3417
3418
3419
3420
3421
3422
3423
3424
3425
3426
3427
3428
3429
3430
3431
3432
3433
3434
3435
3436
3437
3438
3439
3440
3441
3442
3443
3444
3445
3446
3447
3448
3449
3450
3451
3452
3453
3454
3455
3456
3457
3458
3459
3460
3461
3462
3463
3464
3465
3466
3467
3468
3469
3470
3471
3472
3473
3474
3475
3476
3477
3478
3479
3480
3481
3482
3483
3484
3485
3486
3487
3488
3489
3490
3491
3492
3493
3494
3495
3496
3497
3498
3499
3500
3501
3502
3503
3504
3505
3506
3507
3508
3509
3510
3511
3512
3513
3514
3515
3516
3517
3518
3519
3520
3521
3522
3523
3524
3525
3526
3527
3528
3529
3530
3531
3532
3533
3534
3535
3536
3537
3538
3539
3540
3541
3542
3543
3544
3545
3546
3547
3548
3549
3550
3551
3552
3553
3554
3555
3556
3557
3558
3559
3560
3561
3562
3563
3564
3565
3566
3567
3568
3569
3570
3571
3572
3573
3574
3575
3576
3577
3578
3579
3580
3581
3582
3583
3584
3585
3586
3587
3588
3589
3590
3591
3592
3593
3594
3595
3596
3597
3598
3599
3600
3601
3602
3603
3604
3605
3606
3607
3608
3609
3610
3611
3612
3613
3614
3615
3616
3617
3618
3619
3620
3621
3622
3623
3624
3625
3626
3627
3628
3629
3630
3631
3632
3633
3634
3635
3636
3637
3638
3639
3640
3641
3642
3643
3644
3645
3646
3647
3648
3649
3650
3651
3652
3653
3654
3655
3656
3657
3658
3659
3660
3661
3662
3663
3664
3665
3666
3667
3668
3669
3670
3671
3672
3673
3674
3675
3676
3677
3678
3679
3680
3681
3682
3683
3684
3685
3686
3687
3688
3689
3690
3691
3692
3693
3694
3695
3696
3697
3698
3699
3700
3701
3702
3703
3704
3705
3706
3707
3708
3709
3710
3711
3712
3713
3714
3715
3716
3717
3718
3719
3720
3721
3722
3723
3724
3725
3726
3727
3728
3729
3730
3731
3732
3733
3734
3735
3736
3737
3738
3739
3740
3741
3742
3743
3744
3745
3746
3747
3748
3749
3750
3751
3752
3753
3754
3755
3756
3757
3758
3759
3760
3761
3762
3763
3764
3765
3766
3767
3768
3769
3770
3771
3772
3773
3774
3775
3776
3777
3778
3779
3780
3781
3782
3783
3784
3785
3786
3787
3788
3789
3790
3791
3792
3793
3794
3795
3796
3797
3798
3799
3800
3801
3802
3803
3804
3805
3806
3807
3808
3809
3810
3811
3812
3813
3814
3815
3816
3817
3818
3819
3820
3821
3822
3823
3824
3825
3826
3827
3828
3829
3830
3831
3832
3833
3834
3835
3836
3837
3838
3839
3840
3841
3842
3843
3844
3845
3846
3847
3848
3849
3850
3851
3852
3853
3854
3855
3856
3857
3858
3859
3860
3861
3862
3863
3864
3865
3866
3867
3868
3869
3870
3871
3872
3873
3874
3875
3876
3877
3878
3879
3880
3881
3882
3883
3884
3885
3886
3887
3888
3889
3890
3891
3892
3893
3894
3895
3896
3897
3898
3899
3900
3901
3902
3903
3904
3905
3906
3907
3908
3909
3910
3911
3912
3913
3914
3915
3916
3917
3918
3919
3920
3921
3922
3923
3924
3925
3926
3927
3928
3929
3930
3931
3932
3933
3934
3935
3936
3937
3938
3939
3940
3941
3942
3943
3944
3945
3946
3947
3948
3949
3950
3951
3952
3953
3954
3955
3956
3957
3958
3959
3960
3961
3962
3963
3964
3965
3966
3967
3968
3969
3970
3971
3972
3973
3974
3975
3976
3977
3978
3979
3980
3981
3982
3983
3984
3985
3986
3987
3988
3989
3990
3991
3992
3993
3994
3995
3996
3997
3998
3999
4000
4001
4002
4003
4004
4005
4006
4007
4008
4009
4010
4011
4012
4013
4014
4015
4016
4017
4018
4019
4020
4021
4022
4023
4024
4025
4026
4027
4028
4029
4030
4031
4032
4033
4034
4035
4036
4037
4038
4039
4040
4041
4042
4043
4044
4045
4046
4047
4048
4049
4050
4051
4052
4053
4054
4055
4056
4057
4058
4059
4060
4061
4062
4063
4064
4065
4066
4067
4068
4069
4070
4071
4072
4073
4074
4075
4076
4077
4078
4079
4080
4081
4082
4083
4084
4085
4086
4087
4088
4089
4090
4091
4092
4093
4094
4095
4096
4097
4098
4099
4100
4101
4102
4103
4104
4105
4106
4107
4108
4109
4110
4111
4112
4113
4114
4115
4116
4117
4118
4119
4120
4121
4122
4123
4124
4125
4126
4127
4128
4129
4130
4131
4132
4133
4134
4135
4136
4137
4138
4139
4140
4141
4142
4143
4144
4145
4146
4147
4148
4149
4150
4151
4152
4153
4154
4155
4156
4157
4158
4159
4160
4161
4162
4163
4164
4165
4166
4167
4168
4169
4170
4171
4172
4173
4174
4175
4176
4177
4178
4179
4180
4181
4182
4183
4184
4185
4186
4187
4188
4189
4190
4191
4192
4193
4194
4195
4196
4197
4198
4199
4200
4201
4202
4203
4204
4205
4206
4207
4208
4209
4210
4211
4212
4213
4214
4215
4216
4217
4218
4219
4220
4221
4222
4223
4224
4225
4226
4227
4228
4229
4230
4231
4232
4233
4234
4235
4236
4237
4238
4239
4240
4241
4242
4243
4244
4245
4246
4247
4248
4249
4250
4251
4252
4253
4254
4255
4256
4257
4258
4259
4260
4261
4262
4263
4264
4265
4266
4267
4268
4269
4270
4271
4272
4273
4274
4275
4276
4277
4278
4279
4280
4281
4282
4283
4284
4285
4286
4287
4288
4289
4290
4291
4292
4293
4294
4295
4296
4297
4298
4299
4300
4301
4302
4303
4304
4305
4306
4307
4308
4309
4310
4311
4312
4313
4314
4315
4316
4317
4318
4319
4320
4321
4322
4323
4324
4325
4326
4327
4328
4329
4330
4331
4332
4333
4334
4335
4336
4337
4338
4339
4340
4341
4342
4343
4344
4345
4346
4347
4348
4349
4350
4351
4352
4353
4354
4355
4356
4357
4358
4359
4360
4361
4362
4363
4364
4365
4366
4367
4368
4369
4370
4371
4372
4373
4374
4375
4376
4377
4378
4379
4380
4381
4382
4383
4384
4385
4386
4387
4388
4389
4390
4391
4392
4393
4394
4395
4396
4397
4398
4399
4400
4401
4402
4403
4404
4405
4406
4407
4408
4409
4410
4411
4412
4413
4414
4415
4416
4417
4418
4419
4420
4421
4422
4423
4424
4425
4426
4427
4428
4429
4430
4431
4432
4433
4434
4435
4436
4437
4438
4439
4440
4441
4442
4443
4444
4445
4446
4447
4448
4449
4450
4451
4452
4453
4454
4455
4456
4457
4458
4459
4460
4461
4462
4463
4464
4465
4466
4467
4468
4469
4470
4471
4472
4473
4474
4475
4476
4477
4478
4479
4480
4481
4482
4483
4484
4485
4486
4487
4488
4489
4490
4491
4492
4493
4494
4495
4496
4497
4498
4499
4500
4501
4502
4503
4504
4505
4506
4507
4508
4509
4510
4511
4512
4513
4514
4515
4516
4517
4518
4519
4520
4521
4522
4523
4524
4525
4526
4527
4528
4529
4530
4531
4532
4533
4534
4535
4536
4537
4538
4539
4540
4541
4542
4543
4544
4545
4546
4547
4548
4549
4550
4551
4552
4553
4554
4555
4556
4557
4558
4559
4560
4561
4562
4563
4564
4565
4566
4567
4568
4569
4570
4571
4572
4573
4574
4575
4576
4577
4578
4579
4580
4581
4582
4583
4584
4585
4586
4587
4588
4589
4590
4591
4592
4593
4594
4595
4596
4597
4598
4599
4600
4601
4602
4603
4604
4605
4606
4607
4608
4609
4610
4611
4612
4613
4614
4615
4616
4617
4618
4619
4620
4621
4622
4623
4624
4625
4626
4627
4628
4629
4630
4631
4632
4633
4634
4635
4636
4637
4638
4639
4640
4641
4642
4643
4644
4645
4646
4647
4648
4649
4650
4651
4652
4653
4654
4655
4656
4657
4658
4659
4660
4661
4662
4663
4664
4665
4666
4667
4668
4669
4670
4671
4672
4673
4674
4675
4676
4677
4678
4679
4680
4681
4682
4683
4684
4685
4686
4687
4688
4689
4690
4691
4692
4693
4694
4695
4696
4697
4698
4699
4700
4701
4702
4703
4704
4705
4706
4707
4708
4709
4710
4711
4712
4713
4714
4715
4716
4717
4718
4719
4720
4721
4722
4723
4724
4725
4726
4727
4728
4729
4730
4731
4732
4733
4734
4735
4736
4737
4738
4739
4740
4741
4742
4743
4744
4745
4746
4747
4748
4749
4750
4751
4752
4753
4754
4755
4756
4757
4758
4759
4760
4761
4762
4763
4764
4765
4766
4767
4768
4769
4770
4771
4772
4773
4774
4775
4776
4777
4778
4779
4780
4781
4782
4783
4784
4785
4786
4787
4788
4789
4790
4791
4792
4793
4794
4795
4796
4797
4798
4799
4800
4801
4802
4803
4804
4805
4806
4807
4808
4809
4810
4811
4812
4813
4814
4815
4816
4817
4818
4819
4820
4821
4822
4823
4824
4825
4826
4827
4828
4829
4830
4831
4832
4833
4834
4835
4836
4837
4838
4839
4840
4841
4842
4843
4844
4845
4846
4847
4848
4849
4850
4851
4852
4853
4854
4855
4856
4857
4858
4859
4860
4861
4862
4863
4864
4865
4866
4867
4868
4869
4870
4871
4872
4873
4874
4875
4876
4877
4878
4879
4880
4881
4882
4883
4884
4885
4886
4887
4888
4889
4890
4891
4892
4893
4894
4895
4896
4897
4898
4899
4900
4901
4902
4903
4904
4905
4906
4907
4908
4909
4910
4911
4912
4913
4914
4915
4916
4917
4918
4919
4920
4921
4922
4923
4924
4925
4926
4927
4928
4929
4930
4931
4932
4933
4934
4935
4936
4937
4938
4939
4940
4941
4942
4943
4944
4945
4946
4947
4948
4949
4950
4951
4952
4953
4954
4955
4956
4957
4958
4959
4960
4961
4962
4963
4964
4965
4966
4967
4968
4969
4970
4971
4972
4973
4974
4975
4976
4977
4978
4979
4980
4981
4982
4983
4984
4985
4986
4987
4988
4989
4990
4991
4992
4993
4994
4995
4996
4997
4998
4999
5000
5001
5002
5003
5004
5005
5006
5007
5008
5009
5010
5011
5012
5013
5014
5015
5016
5017
5018
5019
5020
5021
5022
5023
5024
5025
5026
5027
5028
5029
5030
5031
5032
5033
5034
5035
5036
5037
5038
5039
5040
5041
5042
5043
5044
5045
5046
5047
5048
5049
5050
5051
5052
5053
5054
5055
5056
5057
5058
5059
5060
5061
5062
5063
5064
5065
5066
5067
5068
5069
5070
5071
5072
5073
5074
5075
5076
5077
5078
5079
5080
5081
5082
5083
5084
5085
5086
5087
5088
5089
5090
5091
5092
5093
5094
5095
5096
5097
5098
5099
5100
5101
5102
5103
5104
5105
5106
5107
5108
5109
5110
5111
5112
5113
5114
5115
5116
5117
5118
5119
5120
5121
5122
5123
5124
5125
5126
5127
5128
5129
5130
5131
5132
5133
5134
5135
5136
5137
5138
5139
5140
5141
5142
5143
5144
5145
5146
5147
5148
5149
5150
5151
5152
5153
5154
5155
5156
5157
5158
5159
5160
5161
5162
5163
5164
5165
5166
5167
5168
5169
5170
5171
5172
5173
5174
5175
5176
5177
5178
5179
5180
5181
5182
5183
5184
5185
5186
5187
5188
5189
5190
5191
5192
5193
5194
5195
5196
5197
5198
5199
5200
5201
5202
5203
5204
5205
5206
5207
5208
5209
5210
5211
5212
5213
5214
5215
5216
5217
5218
5219
5220
5221
5222
5223
5224
5225
5226
5227
5228
5229
5230
5231
5232
5233
5234
5235
5236
5237
5238
5239
5240
5241
5242
5243
5244
5245
5246
5247
5248
5249
5250
5251
5252
5253
5254
5255
5256
5257
5258
5259
5260
5261
5262
5263
5264
5265
5266
5267
5268
5269
5270
5271
5272
5273
5274
5275
5276
5277
5278
5279
5280
5281
5282
5283
5284
5285
5286
5287
5288
5289
5290
5291
5292
5293
5294
5295
5296
5297
5298
5299
5300
5301
5302
5303
5304
5305
5306
5307
5308
5309
5310
5311
5312
5313
5314
5315
5316
5317
5318
5319
5320
5321
5322
5323
5324
5325
5326
5327
5328
5329
5330
5331
5332
5333
5334
5335
5336
5337
5338
5339
5340
5341
5342
5343
5344
5345
5346
5347
5348
5349
5350
5351
5352
5353
5354
5355
5356
5357
5358
5359
5360
5361
5362
5363
5364
5365
5366
5367
5368
5369
5370
5371
5372
5373
5374
5375
5376
5377
5378
5379
5380
5381
5382
5383
5384
5385
5386
5387
5388
5389
5390
5391
5392
5393
5394
5395
5396
5397
Project Gutenberg Etext of The Wandering Jew, V10, by Eugene Sue
#10 in our series by Eugene Sue

Copyright laws are changing all over the world, be sure to check
the laws for your country before redistributing these files!!!

Please take a look at the important information in this header.
We encourage you to keep this file on your own disk, keeping an
electronic path open for the next readers.

Please do not remove this.

This should be the first thing seen when anyone opens the book.
Do not change or edit it without written permission.  The words
are carefully chosen to provide users with the information they
need about what they can legally do with the texts.


**Welcome To The World of Free Plain Vanilla Electronic Texts**

**Etexts Readable By Both Humans and By Computers, Since 1971**

*These Etexts Prepared By Hundreds of Volunteers and Donations*

Information on contacting Project Gutenberg to get Etexts, and
further information is included below.  We need your donations.
The Project Gutenberg Literary Archive Foundation is a 501(c)(3)
organization with EIN [Employee Identification Number] 64-6221541

As of 12/12/00 contributions are only being solicited from people in:
Colorado, Connecticut, Idaho, Indiana, Iowa,
Kentucky, Louisiana, Massachusetts, Montana,
Nevada, Oklahoma, South Carolina, South Dakota,
Texas, Vermont, and Wyoming.

As the requirements for other states are met,
additions to this list will be made and fund raising
will begin in the additional states.  Please feel
free to ask to check the status of your state.

International donations are accepted,
but we don't know ANYTHING about how 
to make them tax-deductible, or 
even if they CAN be made deductible, 
and don't have the staff to handle it
even if there are ways.

These donations should be made to:

Project Gutenberg Literary Archive Foundation
PMB 113
1739 University Ave.
Oxford, MS 38655-4109


Title: The Wandering Jew, Volume 10

Author: Eugene Sue

Release Date: July, 2002  [Etext #3348]
[Yes, we are about one year ahead of schedule]
[The actual date this file first posted = 04/03/01]

Edition: 10

Language: English

Project Gutenberg Etext of The Wandering Jew, V10, by Eugene Sue
******This file should be named es10v10.txt or es10v10.zip******

Corrected EDITIONS of our etexts get a new NUMBER, es10v11.txt
VERSIONS based on separate sources get new LETTER, es10v10a.txt

This etext was produced by David Widger  <widger@cecomet.net>
and Pat Castevens  <patcat@ctnet.net>

Project Gutenberg Etexts are usually created from multiple editions,
all of which are in the Public Domain in the United States, unless a
copyright notice is included.  Therefore, we usually do NOT keep any
of these books in compliance with any particular paper edition.

We are now trying to release all our books one year in advance
of the official release dates, leaving time for better editing.
Please be encouraged to send us error messages even years after
the official publication date.

Please note:  neither this list nor its contents are final till
midnight of the last day of the month of any such announcement.
The official release date of all Project Gutenberg Etexts is at
Midnight, Central Time, of the last day of the stated month.  A
preliminary version may often be posted for suggestion, comment
and editing by those who wish to do so.

Most people start at our sites at:
http://gutenberg.net
http://promo.net/pg


Those of you who want to download any Etext before announcement
can surf to them as follows, and just download by date; this is
also a good way to get them instantly upon announcement, as the
indexes our cataloguers produce obviously take a while after an
announcement goes out in the Project Gutenberg Newsletter.

http://www.ibiblio.org/gutenberg/etext02
or
ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext02

Or /etext01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90

Just search by the first five letters of the filename you want,
as it appears in our Newsletters.


Information about Project Gutenberg (one page)

We produce about two million dollars for each hour we work.  The
time it takes us, a rather conservative estimate, is fifty hours
to get any etext selected, entered, proofread, edited, copyright
searched and analyzed, the copyright letters written, etc.  This
projected audience is one hundred million readers.  If our value
per text is nominally estimated at one dollar then we produce $2
million dollars per hour this year as we release fifty new Etext
files per month, or 500 more Etexts in 2000 for a total of 3000+
If they reach just 1-2% of the world's population then the total
should reach over 300 billion Etexts given away by year's end.

The Goal of Project Gutenberg is to Give Away One Trillion Etext
Files by December 31, 2001.  [10,000 x 100,000,000 = 1 Trillion]
This is ten thousand titles each to one hundred million readers,
which is only about 4% of the present number of computer users.

At our revised rates of production, we will reach only one-third
of that goal by the end of 2001, or about 3,333 Etexts unless we
manage to get some real funding.

The Project Gutenberg Literary Archive Foundation has been created
to secure a future for Project Gutenberg into the next millennium.

We need your donations more than ever!

Presently, contributions are only being solicited from people in:
Colorado, Connecticut, Idaho, Indiana, Iowa,
Kentucky, Louisiana, Massachusetts, Montana,
Nevada, Oklahoma, South Carolina, South Dakota,
Texas, Vermont, and Wyoming.

As the requirements for other states are met,
additions to this list will be made and fund raising
will begin in the additional states.

These donations should be made to:

Project Gutenberg Literary Archive Foundation
PMB 113
1739 University Ave.
Oxford, MS 38655-4109


Project Gutenberg Literary Archive Foundation,
EIN [Employee Identification Number] 64-6221541,
has been approved as a 501(c)(3) organization by the US Internal
Revenue Service (IRS).  Donations are tax-deductible to the extent
permitted by law.  As the requirements for other states are met,
additions to this list will be made and fund raising will begin in the
additional states.

All donations should be made to the Project Gutenberg Literary
Archive Foundation.  Mail to:

Project Gutenberg Literary Archive Foundation
PMB 113
1739 University Avenue
Oxford, MS 38655-4109  [USA]


We need your donations more than ever!

You can get up to date donation information at:

http://www.gutenberg.net/donation.html


***

If you can't reach Project Gutenberg,
you can always email directly to:

Michael S. Hart <hart@pobox.com>

hart@pobox.com forwards to hart@prairienet.org and archive.org
if your mail bounces from archive.org, I will still see it, if
it bounces from prairienet.org, better resend later on. . . .

Prof. Hart will answer or forward your message.

We would prefer to send you information by email.


***


Example command-line FTP session:

ftp ftp.ibiblio.org
login: anonymous
password: your@login
cd pub/docs/books/gutenberg
cd etext90 through etext99 or etext00 through etext02, etc.
dir [to see files]
get or mget [to get files. . .set bin for zip files]
GET GUTINDEX.??  [to get a year's listing of books, e.g., GUTINDEX.99]
GET GUTINDEX.ALL [to get a listing of ALL books]


**The Legal Small Print**


(Three Pages)

***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START***
Why is this "Small Print!" statement here?  You know: lawyers.
They tell us you might sue us if there is something wrong with
your copy of this etext, even if you got it for free from
someone other than us, and even if what's wrong is not our
fault.  So, among other things, this "Small Print!" statement
disclaims most of our liability to you.  It also tells you how
you may distribute copies of this etext if you want to.

*BEFORE!* YOU USE OR READ THIS ETEXT
By using or reading any part of this PROJECT GUTENBERG-tm
etext, you indicate that you understand, agree to and accept
this "Small Print!" statement.  If you do not, you can receive
a refund of the money (if any) you paid for this etext by
sending a request within 30 days of receiving it to the person
you got it from.  If you received this etext on a physical
medium (such as a disk), you must return it with your request.

ABOUT PROJECT GUTENBERG-TM ETEXTS
This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-tm etexts,
is a "public domain" work distributed by Professor Michael S. Hart
through the Project Gutenberg Association (the "Project").
Among other things, this means that no one owns a United States copyright
on or for this work, so the Project (and you!) can copy and
distribute it in the United States without permission and
without paying copyright royalties.  Special rules, set forth
below, apply if you wish to copy and distribute this etext
under the "PROJECT GUTENBERG" trademark.

Please do not use the "PROJECT GUTENBERG" trademark to market
any commercial products without permission.

To create these etexts, the Project expends considerable
efforts to identify, transcribe and proofread public domain
works.  Despite these efforts, the Project's etexts and any
medium they may be on may contain "Defects".  Among other
things, Defects may take the form of incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged
disk or other etext medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.

LIMITED WARRANTY; DISCLAIMER OF DAMAGES
But for the "Right of Replacement or Refund" described below,
[1] Michael Hart and the Foundation (and any other party you may 
receive this etext from as a PROJECT GUTENBERG-tm etext) disclaims
all liability to you for damages, costs and expenses, including
legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
POSSIBILITY OF SUCH DAMAGES.

If you discover a Defect in this etext within 90 days of
receiving it, you can receive a refund of the money (if any)
you paid for it by sending an explanatory note within that
time to the person you received it from.  If you received it
on a physical medium, you must return it with your note, and
such person may choose to alternatively give you a replacement
copy.  If you received it electronically, such person may
choose to alternatively give you a second opportunity to
receive it electronically.

THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS".  NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
PARTICULAR PURPOSE.

Some states do not allow disclaimers of implied warranties or
the exclusion or limitation of consequential damages, so the
above disclaimers and exclusions may not apply to you, and you
may have other legal rights.

INDEMNITY
You will indemnify and hold Michael Hart, the Foundation,
and its trustees and agents, and any volunteers associated
with the production and distribution of Project Gutenberg-tm
texts harmless, from all liability, cost and expense, including
legal fees, that arise directly or indirectly from any of the 
following that you do or cause:  [1] distribution of this etext,
[2] alteration, modification, or addition to the etext,
or [3] any Defect.

DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
You may distribute copies of this etext electronically, or by
disk, book or any other medium if you either delete this
"Small Print!" and all other references to Project Gutenberg,
or:

[1]  Only give exact copies of it.  Among other things, this
     requires that you do not remove, alter or modify the
     etext or this "small print!" statement.  You may however,
     if you wish, distribute this etext in machine readable
     binary, compressed, mark-up, or proprietary form,
     including any form resulting from conversion by word
     processing or hypertext software, but only so long as
     *EITHER*:

     [*]  The etext, when displayed, is clearly readable, and
          does *not* contain characters other than those
          intended by the author of the work, although tilde
          (~), asterisk (*) and underline (_) characters may
          be used to convey punctuation intended by the
          author, and additional characters may be used to
          indicate hypertext links; OR

     [*]  The etext may be readily converted by the reader at
          no expense into plain ASCII, EBCDIC or equivalent
          form by the program that displays the etext (as is
          the case, for instance, with most word processors);
          OR

     [*]  You provide, or agree to also provide on request at
          no additional cost, fee or expense, a copy of the
          etext in its original plain ASCII form (or in EBCDIC
          or other equivalent proprietary form).

[2]  Honor the etext refund and replacement provisions of this
     "Small Print!" statement.

[3]  Pay a trademark license fee to the Foundation of 20% of the
     gross profits you derive calculated using the method you
     already use to calculate your applicable taxes.  If you
     don't derive profits, no royalty is due.  Royalties are
     payable to "Project Gutenberg Literary Archive Foundation"
     the 60 days following each date you prepare (or were
     legally required to prepare) your annual (or equivalent
     periodic) tax return.  Please contact us beforehand to
     let us know your plans and to work out the details.

WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
Project Gutenberg is dedicated to increasing the number of
public domain and licensed works that can be freely distributed
in machine readable form.  

The Project gratefully accepts contributions of money, time, 
public domain materials, or royalty free copyright licenses.
Money should be paid to the:
"Project Gutenberg Literary Archive Foundation."

If you are interested in contributing scanning equipment or
software or other items, please contact Michael Hart at:
hart@pobox.com

*END THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.12.12.00*END*





This etext was produced by David Widger  <widger@cecomet.net>
and Pat Castevens  <patcat@ctnet.net>





The Wandering Jew

By Eugene Sue




BOOK X.

XXXIII.    Confessions
XXXIV.     More Confessions
XXXV.      The Rivals
XXXVI.     The Interview
XXXVII.    Soothing Words
XXXVIII.   The Two Carriages
XXXIX.     The Appointment
XL.        Anxiety
XLI.       Adrienne and Djalma
XLII.      "The Imitation"
XLIII.     Prayer
XLIV.      Remembrances
XLV.       The Blockhead
XLVI.      The Anonymous Letters
XLVII.     The Golden City
XLVIII.    The Stung Lion
XLIX.      The Test




CHAPTER XXXIII.

CONFESSIONS.

During the painful scene that we have just described, a lively emotion
glowed in the countenance of Mdlle. de Cardoville, grown pale and thin
with sorrow.  Her cheeks, once so full, were now slightly hollowed,
whilst a faint line of transparent azure encircled those large black
eyes, no longer so bright as formerly.  But the charming lips, though
contracted by painful anxiety, had retained their rich and velvet
moisture.  To attend more easily to Mother Bunch, Adrienne had thrown
aside her bonnet, and the silky waves of her beautiful golden hair almost
concealed her face as she bent over the mattress, rubbing the thin, ivory
hands of the poor sempstress, completely called to life by the salubrious
freshness of the air, and by the strong action of the salts which
Adrienne carried in her smelling-bottle.  Luckily, Mother Bunch had
fainted, rather from emotion and weakness than from the effects of
suffocation, the senses of the unfortunate girl having failed her before
the deleterious gas had attained its highest degree of intensity.

Before continuing the recital of the scene between the sempstress and the
patrician, a few retrospective words will be necessary.  Since the
strange adventure at the theatre of the Porte-Saint-Martin, where Djalma,
at peril of his life, rushed upon the black panther in sight of Mdlle.
de Cardoville, the young lady had been deeply affected in various ways.
Forgetting her jealousy, and the humiliation she had suffered in presence
of Djalma--of Djalma exhibiting himself before every one with a woman so
little worthy of him--Adrienne was for a moment dazzled by the chivalrous
and heroic action of the prince, and said to herself: "In spite of odious
appearances, Djalma loves me enough to brave death in order to pick up my
nosegay."

But with a soul so delicate as that of this young lady, a character so
generous, and a mind so true, reflection was certain soon to demonstrate
the vanity of such consolations, powerless to cure the cruel wounds of
offended dignity an love.

"How many times," said Adrienne to herself, and with reason, "has the
prince encountered, in hunting, from pure caprice and with no gain, such
danger as he braved in picking up my bouquet! and then, who tells me he
did not mean to offer it to the woman who accompanied him?"

Singular (it may be) in the eyes of the world, but just and great in
those of heaven, the ideas which Adrienne cherished with regard to love,
joined to her natural pride, presented an invincible obstacle to the
thought of her succeeding this woman (whoever she might be), thus
publicly displayed by the prince as his mistress.  And yet Adrienne
hardly dared avow to herself, that she experienced a feeling of jealousy,
only the more painful and humiliating, the less her rival appeared worthy
to be compared to her.

At other times, on the contrary, in spite of a conscious sense of her own
value, Mdlle. de Cardoville, remembering the charming countenance of
Rose-Pompon, asked herself if the bad taste and improper manners of this
pretty creature resulted from precocious and depraved effrontery, or from
a complete ignorance of the usages of society.  In the latter case, such
ignorance, arising from a simple and ingenuous nature, might in itself
have a great charm; and if to this attraction, combined with that of
incontestable beauty, were added sincere love and a pure soul, the
obscure birth, or neglected education of the girl might be of little
consequence, and she might be capable of inspiring Djalma with a profound
passion.  If Adrienne hesitated to see a lost creature in Rose-Pompon,
notwithstanding unfavorable appearances, it was because, remembering what
so many travellers had related of Djalma's greatness of soul, and
recalling the conversation she had overheard between him and Rodin, she
could not bring herself to believe that a man of such remarkable
intelligence, with so tender a heart, so poetical, imaginative and
enthusiastic a mind could be capable of loving a depraved and vulgar
creature, and of openly exhibiting himself in public along with her.
There was a mystery in the transaction, which Adrienne sought in vain to
penetrate.  These trying doubts, this cruel curiosity, only served to
nourish Adrienne's fatal love; and we may imagine her incurable despair,
when she found that the indifference, or even disdain of Djalma, was
unable to stifle a passion that now burned more fiercely than ever.
Sometimes, having recourse to notions of fatality, she fancied that she
was destined to feel this love; that Djalma must therefore deserve it,
and that one day whatever was incomprehensible in the conduct of the
prince would be explained to his advantage.  At other times, on the
contrary, she felt ashamed of excusing Djalma, and the consciousness of
this weakness was for Adrienne a constant occasion for remorse and
torture.  The victim of all these agonies, she lived in perfect solitude.

The cholera soon broke out, startling as a clap of thunder.  Too unhappy
to fear the pestilence on her own account, Adrienne was only moved by the
sorrows of others.  She was amongst the first to contribute to those
charitable donations, which were now flowing in from all sides in the
admirable spirit of benevolence.  Florine was suddenly attacked by the
epidemic.  In spite of the danger, her mistress insisted on seeing her,
and endeavored to revive her failing courage.  Conquered by this new mark
of kindness, Florine could no longer conceal the treachery in which she
had borne a part.  Death was about to deliver her from the odious tyranny
of the people whose yoke weighed upon her, and she was at length in a
position to reveal everything to Adrienne.  The latter thus learned how
she had been continually betrayed by Florine, and also the cause of the
sewing-girl's abrupt departure.  At these revelations, Adrienne felt her
affection and tender pity for the poor sempstress greatly increase.  By
her command, the most active steps were taken to discover traces of the
hunchback; but Florine's confession had a still more important result.
Justly alarmed at this new evidence of Rodin's machinations, Adrienne
remembered the projects formed, when, believing herself beloved, the
instinct of affection had revealed to her the perils to which Djalma and
other members of the Rennepont family were exposed.  To assemble the race
around her, and bid them rally against the common enemy, such was
Adrienne's first thought, when she heard the confession of Florine.  She
regarded it as a duty to accomplish this project.  In a struggle with
such dangerous and powerful adversaries as Rodin, Father d'Aigrigny, and
the Princess de Saint-Dizier, and their allies, Adrienne saw not only the
praiseworthy and perilous task of unmasking hypocrisy and cupidity, but
also, if not a consolation, at least a generous diversion in the midst of
terrible sorrows.

From this moment, a restless, feverish activity took the place of the
mournful apathy in which the young lady had languished.  She called round
her all the members of her family capable of answering the appeal, and,
as had been mentioned in the secret note delivered to Father d'Aigrigny,
Cardoville House soon became the centre of the most active and unceasing
operations, and also a place of meeting, in which the modes of attack and
defence were fully discussed.  Perfectly correct in all points, the
secret note of which we have spoken stated, as a mere conjecture, that
Mdlle. de Cardoville had granted an interview to Djalma.  This fact was
untrue, but the cause which led to the supposition will be explained
hereafter.  Far from such being the case, Mdlle. de Cardoville scarcely
found, in attending to the great family interests now at stake, a
momentary diversion from the fatal love, which was slowly undermining her
health, and with which she so bitterly reproached herself.

The morning of the day on which Adrienne, at length discovering Mother
Bunch's residence, came so miraculously to rescue her from death,
Agricola Baudoin had been to Cardoville House to confer on the subject of
Francis Hardy, and had begged Adrienne to permit him to accompany her to
the Rue Clovis, whither they repaired in haste.

Thus, once again, there was a noble spectacle, a touching symbol!  Mdlle.
de Cardoville and Mother Bunch, the two extremities of the social chain,
were united on equal terms--for the sempstress and the fair patrician
were equal in intelligence and heart--and equal also, because the one was
the ideal of riches, grace, and beauty, and the other the ideal of
resignation and unmerited misfortune--and does not a halo rest on
misfortune borne with courage and dignity?  Stretched on her mattress,
the hunchback appeared so weak, that even if Agricola had not been
detained on the ground floor with Cephyse, now dying a dreadful death,
Mdlle. de Cardoville would have waited some time, before inducing Mother
Bunch to rise and accompany her to her carriage.  Thanks to the presence
of mind and pious fraud of Adrienne, the sewing-girl was persuaded that
Cephyse had been carried to a neighboring hospital, to receive the
necessary succors, which promised to be crowned with success.  The
hunchback's faculties recovering slowly from their stupor, she at first
received this fable without the least suspicion--for she did not even
know that Agricola had accompanied Mdlle. de Cardoville.

"And it is to you, lady, that Cephyse and I owe our lives," said she,
turning her mild and melancholy face towards Adrienne, "you, kneeling in
this garret, near this couch of misery, where I and my sister meant to
die--for you assure me, lady, that Cephyse was succored in time."

"Be satisfied!  I was told just now that she was recovering her senses."

"And they told her I was living, did they not, lady?  Otherwise, she
would perhaps regret having survived me."

"Be quite easy, my dear girl!" said Adrienne, pressing the poor hands in
her own, and gazing on her with eyes full of tears; "they have told her
all that was proper.  Do not trouble yourself about anything; only think
of recovering--and I hope you will yet enjoy that happiness of which you
have known so little, my poor child."

"How kind you are, lady!  After flying from your house--and when you must
think me so ungrateful!"

"Presently, when you are not so weak, I have a great deal to tell you.
Just now, it would fatigue you too much.  But how do you feel?"

"Better, lady.  This fresh air--and then the thought, that, since you are
come--my poor sister will no more be reduced to despair; for I will tell
you all, and I am sure you will have pity on Cephyse--will you not, lady?"

"Rely upon me, my child, answered Adrienne, forced to dissemble her
painful embarrassment; "you know I am interested in all that interests
you.  But tell me," added Mdlle. de Cardoville, in a voice of emotion,
"before taking this desperate resolution, did you not write to me?"

"Yes, lady."

"Alas!" resumed Adrienne, sorrowfully; "and when you received no answer--
how cruel, how ungrateful you must have thought me!"

"Oh! never, lady, did I accuse you of such feelings; my poor sister will
tell you so.  You had my gratitude to the last."

"I believe you--for I knew your heart.  But how then did you explain my
silence?"

"I had justly offended you by my sudden departure, lady."

"Offended!--Alas!  I never received your letter."

"And yet you know that I wrote to you, lady."

"Yes, my poor girl; I know, also, that you wrote to me at my porter's
lodge.  Unfortunately, he delivered your letter to one of my women, named
Florine, telling her it came from you."

"Florine! the young woman that was so kind to me!"

"Florine deceived me shamefully; she was sold to my enemies, and acted as
a spy on my actions."

"She!--Good Heavens!" cried Mother Bunch.  "Is it possible?"

"She herself," answered Adrienne, bitterly; "but, after all, we must pity
as well as blame her.  She was forced to obey by a terrible necessity,
and her confession and repentance secured my pardon before her death."

"Then she is dead--so young! so fair!"

"In spite of her faults, I was greatly moved by her end.  She confessed
what she had done, with such heart-rending regrets.  Amongst her avowals,
she told me she had intercepted a letter, in which you asked for an
interview that might save your sister's life."

"It is true, lady; such were the terms of my letter.  What interest had
they to keep it from you?"

"They feared to see you return to me, my good guardian angel.  You loved
me so tenderly, and my enemies dreaded your faithful affection, so
wonderfully aided by the admirable instinct of your heart.  Ah! I shall
never forget how well-deserved was the horror with which you were
inspired by a wretch whom I defended against your suspicions."

"M. Rodin?" said Mother Bunch, with a shudder.

"Yes," replied Adrienne; "but we will not talk of these people now.
Their odious remembrance would spoil the joy I feel in seeing you
restored to life--for your voice is less feeble, your cheeks are
beginning to regain a little color.  Thank God!  I am so happy to have
found you once more;--if you knew all that I hope, all that I expect from
our reunion--for we will not part again--promise me that, in the name of
our friendship."

"I--your friend!" said Mother Bunch, timidly casting down her eyes.

"A few days before your departure from my house, did I not call you my
friend, my sister?  What is there changed?  Nothing, nothing," added
Mdlle. de Cardoville, with deep emotion.  "One might say, on the
contrary, that a fatal resemblance in our positions renders your
friendship even dearer to me.  And I shall have it, shall I not.  Oh, do
not refuse it me--I am so much in want of a friend!"

"You, lady? you in want of the friendship of a poor creature like me?"

"Yes," answered Adrienne, as she gazed on the other with an expression of
intense grief; "nay, more, you are perhaps the only person, to whom I
could venture to confide my bitter sorrows."  So saying, Mdlle. de
Cardoville colored deeply.

"And how do I deserve such marks of confidence?" asked Mother Bunch, more
and more surprised.

"You deserve it by the delicacy of your heart, by the steadiness of your
character," answered Adrienne, with some hesitation; "then--you are a
woman--and I am certain you will understand what I suffer, and pity me."

"Pity you, lady?" said the other, whose astonishment continued to
increase.  "You, a great lady, and so much envied--I, so humble and
despised, pity you?"

"Tell me, my poor friend," resumed Adrienne, after some moments of
silence, "are not the worst griefs those which we dare not avow to any
one, for fear of raillery and contempt?  How can we venture to ask
interest or pity, for sufferings that we hardly dare avow to ourselves,
because they make us blush?"

The sewing-girl could hardly believe what she heard.  Had her
benefactress felt, like her, the effects of an unfortunate passion, she
could not have held any other language.  But the sempstress could not
admit such a supposition; so, attributing to some other cause the sorrows
of Adrienne, she answered mournfully, whilst she thought of her own fatal
love for Agricola, "Oh! yes, lady.  A secret grief, of which we are
ashamed, must be frightful--very frightful!"

"But then what happiness to meet, not only a heart noble enough to
inspire complete confidence, but one which has itself been tried by a
thousand sorrows, and is capable of affording you pity, support and
counsel!--Tell me, my dear child," added Mdlle. de Cardoville, as she
looked attentively at Mother Bunch, "if you were weighed down by one of
those sorrows, at which one blushes, would you not be happy, very happy,
to find a kindred soul, to whom you might entrust your griefs, and half
relieve them by entire and merited confidence?"

For the first time in her life, Mother Bunch regarded Mdlle. de
Cardoville with a feeling of suspicion and sadness.

The last words of the young lady seemed to her full of meaning
"Doubtless, she knows my secret," said Mother Bunch to herself;
"doubtless, my journal has fallen into her hands.--She knows my love for
Agricola, or at least suspects it.  What she has been saying to me is
intended to provoke my confidence, and to assure herself if she has been
rightly informed."

These thoughts excited in the workgirl's mind no bitter or ungrateful
feeling towards her benefactress; but the heart of the unfortunate girl
was so delicately susceptible on the subject of her fatal passion, that,
in spite of her deep and tender affection for Mdlle. de Cardoville, she
suffered cruelly at the thought of Adrienne's being mistress of her
secret.




CHAPTER XXXIV.

MORE CONFESSIONS.

The fancy, at first so painful, that Mdlle. de Cardoville was informed of
her love for Agricola was soon exchanged in the hunchbacks heart, thanks
to the generous instincts of that rare and excellent creature, for a
touching regret, which showed all her attachment and veneration for
Adrienne.

"Perhaps," said Mother Bunch to herself, "conquered by the influence of
the adorable kindness of my protectress, I might have made to her a
confession which I could make to none other, and revealed a secret which
I thought to carry with me to my grave.  It would, at least, have been a
mark of gratitude to Mdlle. de Cardoville; but, unfortunately, I am now
deprived of the sad comfort of confiding my only secret to my
benefactress.  And then--however generous may be her pity for me, however
intelligent her affection, she cannot--she, that is so fair and so much
admired--she cannot understand how frightful is the position of a
creature like myself, hiding in the depth of a wounded heart, a love at
once hopeless and ridiculous.  No, no--in spite of the delicacy of her
attachment, my benefactress must unconsciously hurt my feelings, even
whilst she pities me--for only sympathetic sorrows can console each
other.  Alas! why did she not leave me to die?"

These reflections presented themselves to the thinker's mind as rapidly
as thought could travel.  Adrienne observed her attentively; she remarked
that the sewing-girl's countenance, which had lately brightened up, was
again clouded, and expressed a feeling of painful humiliation.  Terrified
at this relapse into gloomy dejection, the consequences of which might be
serious, for Mother Bunch was still very weak, and, as it were, hovering
on the brink of the grave, Mdlle. de Cardoville resumed hastily: "My
friend, do not you think with me, that the most cruel and humiliating
grief admits of consolation, when it can be entrusted to a faithful and
devoted heart?"

"Yes, lady," said the young sempstress, bitterly; "but the heart which
suffers in silence, should be the only judge of the moment for making so
painful a confession.  Until then, it would perhaps be more humane to
respect its fatal secret, even if one had by chance discovered it."

"You are right, my child," said Adrienne, sorrowfully, "if I choose this
solemn moment to entrust you with a very painful secret, it is that, when
you have heard me, I am sure you will set more value on your life, as
knowing how much I need your tenderness, consolation, and pity."

At these words, the other half raised herself on the mattress, and looked
at Mdlle. de Cardoville in amazement.  She could scarcely believe what
she heard; far from designing to intrude upon her confidence, it was her
protectress who was to make the painful confession, and who came to
implore pity and consolation from her!

"What!" stammered she; "you, lady!"

"I come to tell you that I suffer, and am ashamed of my sufferings.
Yes," added the young lady, with a touching expression, "yes--of all
confessions, I am about to make the most painful--I love--and I blush for
my love."

"Like myself!" cried Mother Bunch, involuntarily, clasping her hands
together.

"I love," resumed Adrienne, with a long-pent-up grief; "I love, and am
not beloved--and my love is miserable, is impossible--it consumes me--it
kills me--and I dare not confide to any one the fatal secret!"

"Like me," repeated the other, with a fixed look.  "She--a queen in
beauty, rank, wealth, intelligence--suffers like me.  Like me, poor
unfortunate creature! she loves, and is not loved again."

"Well, yes! like you, I love and am not loved again," cried Mdlle. de
Cardoville; "was I wrong in saying, that to you alone I could confide my
secret--because, having suffered the same pangs, you alone can pity
them?"

"Then, lady," said Mother Bunch, casting down her eyes, and recovering
from her first amazement, "you knew--"

"I knew all, my poor child--but never should I have mentioned your
secret, had I not had one to entrust you with, of a still more painful
nature.  Yours is cruel, but mine is humiliating.  Oh, my sister!" added
Mdlle. de Cardoville, in a tone impossible to describe, "misfortune, you,
see, blends and confounds together what are called distinctions of rank
and fortune--and often those whom the world envies are reduced by
suffering far below the poorest and most humble, and have to seek from
the latter pity and consolation."

Then, drying her tears, which nosy flowed abundantly, Mdlle. de
Cardoville resumed, in a voice of emotion: "Come, sister! courage,
courage! let us love and sustain each other.  Let this sad and mysterious
bond unite us forever."

"Oh, lady! forgive me.  But now that you know the secret of my life,"
said the workgirl, casting down her eyes, and unable to vanquish her
confusion, "it seems to me, that I can never look at you without
blushing."

"And why? because you love Agricola?" said Adrienne.  "Then I must die of
shame before you, since, less courageous than you, I had not the strength
to suffer and be resigned, and so conceal my love in the depths of my
heart.  He that I love, with a love henceforth deprived of hope, knew of
that love and despised it--preferring to me a woman, the very choice of
whom was a new and grievous insult, if I am not much deceived by
appearances.  I sometimes hope that I am deceived on this point.  Now
tell me--is it for you to blush?"

"Alas, lady! who could tell you all this?"

"Which you only entrusted to your journal?  Well, then--it was the dying
Florine who confessed her misdeeds.  She had been base enough to steal
your papers, forced to this odious act, by the people who had dominion
over her.  But she had read your journal--and as every good feeling was
not dead within her, your admirable resignation, your melancholy and
pious love, had left such an impression on her mind, that she was able to
repeat whole passages to me on her death bed, and thus to explain the
cause of your sudden disappearance--for she had no doubt that the fear of
seeing your love for Agricola divulged had been the cause of your
flight."

"Alas! it is but too true, lady."

"Oh, yes!" answered Adrienne, bitterly; "those who employed the wretched
girl to act as she did, well knew the effect of the blow.  It was not
their first attempt.  They reduced you to despair, they would have killed
you, because you were devoted to me, and because you had guessed their
intentions.  Oh! these black-gowns are implacable, and their power is
great!" said Adrienne, shuddering.

"It is fearful, lady."

"But do not be alarmed, dear child; you see, that the arms of the wicked
have turned against themselves; for the moment I knew the cause of your
flight, you became dearer to me than ever.  From that time I made every
exertion to find out where you were; after long efforts, it was only this
morning that the person I had employed succeeded in discovering that you
inhabited this house.  Agricola was with me when I heard it, and
instantly asked to accompany me."

"Agricola!" said Mother Bunch, clasping her hands; "he came--"

"Yes, my child--be calm.  Whilst I attended to you, he was busy with your
poor sister.  You will soon see him."

"Alas, lady!" resumed the hunchback, in alarm.  "He doubtless knows--"

"Your love! No, no; be satisfied.  Only think of the happiness of again
seeing your good and worthy brother."

"Ah, lady! may he never know what caused me so much shame, that I was
like to die of it.  Thank God, he is not aware of it!"

"Then let us have no more sad thoughts, my child.  Only remember, that
this worthy brother came here in time to save us from everlasting
regrets--and you from a great fault.  Oh! I do not speak of the
prejudices of the world, with regard to the right of every creature to
return to heaven a life that has become too burdensome!--I only say that
you ought not to have died, because those who love you, and whom you
love, were still in need of your assistance."

"I thought you happy; Agricola was married to the girl of his choice, who
will, I am sure, make him happy.  To whom could I be useful?"

"First, to myself, as you see--and then, who tells you that Agricola will
never have need of you?  Who tells you, that his happiness, or that of
his family, will last forever, and will not be tried by cruel shocks?
And even if those you love had been destined to be always happy, could
their happiness be complete without you?  And would not your death, with
which they would perhaps have reproached themselves, have left behind it
endless regrets?"

"It is true, lady," answered the other, "I was wrong--the dizziness of
despair had seized me--frightful misery weighed upon us--we had not been
able to find work for some days--we lived on the charity of a poor woman,
and her the cholera carried off.  To-morrow or next day, we must have
died of hunger."

"Die of hunger!--and you knew where I lived!"

"I had written to you, lady, and receiving no answer, I thought you
offended at my abrupt departure."

"Poor, dear child! you must have been, as you say, seized with dizziness
in that terrible moment; so that I have not the courage to reproach you
for doubting me a single instant.  How can I blame you?  Did I not myself
think of terminating my life?"

"You, lady!" cried the hunchback.

"Yes, I thought of it--when they came to tell me, that Florine, dying,
wished to speak to me.  I heard what she had to say; her revelations
changed my projects.  This dark and mournful life which had become
insupportable to me, was suddenly lighted up.  The sense of duty woke
within me.  You were no doubt a prey to horrible misery; it was my duty
to seek and save you.  Florine's confessions unveiled to me the new plots
of the enemies of my scattered family, dispersed by sorrows and cruel
losses; it was my duty to warn them of their danger, and to unite them
against the common enemy.  I had been the victim of odious manoeuvres: it
was my duty to punish their authors, for fear that, encouraged by
impunity, these black-gowns should make other victims.  Then the sense of
duty gave me strength, and I was able to rouse myself from my lethargy.
With the help of Abbe Gabriel, a sublime, oh! a sublime priest--the ideal
of a true Christian--the worthy brother of Agricola--I courageously
entered on the struggle.  What shall I say to you, my child?  The
performance of these duties, the hope of finding you again, have been
some relief to me in my trouble.  If I was not consoled, I was at least
occupied.  Your tender friendship, the example of your resignation, will
do the rest--I think so--I am sure so--and I shall forget this fatal
love."

At the moment Adrienne pronounced these words, rapid footsteps were heard
upon the stairs, and a young, clear voice exclaimed: "Oh! dear me, poor
Mother Bunch! How lucky I have come just now! If only I could be of some
use to her!"

Almost immediately, Rose-Pompon entered the garret with precipitation.
Agricola soon followed the grisette, and pointing to the open window,
tried to make Adrienne understand by signs, that she was not to mention
to the girl the deplorable end of the Bacchanal Queen.  This pantomime
was lost on Mdlle. de Cardoville.  Adrienne's heart swelled with grief,
indignation, pride, as she recognized the girl she had seen at the Porte-
Saint-Martin in company with Djalma, and who alone was the cause of the
dreadful sufferings she endured since that fatal evening.  And, strange
irony of fate! it was at the very moment when Adrienne had just made the
humiliating and cruel confession of her despised love, that the woman, to
whom she believed herself sacrificed, appeared before her.

If the surprise of Mdlle. de Cardoville was great, Rose-Pompon's was not
less so.  Not only did she recognize in Adrienne the fair young lady with
the golden locks, who had sat opposite to her at the theatre, on the
night of the adventure of the black panther, but she had serious reasons
for desiring most ardently this unexpected interview.  It is impossible
to paint the look of malignant joy and triumph, that she affected to cast
upon Adrienne.  The first impulse of Mdlle. de Cardoville was to quit the
room.  But she could not bear to leave Mother Bunch at this moment, or to
give, in the presence of Agricola, her reasons for such an abrupt
departure, and moreover, an inexplicable and fatal curiosity held her
back, in spite of her offended pride.  She remained, therefore, and was
about to examine closely, to hear and to judge, this rival, who had
nearly occasioned her death, to whom, in her jealous agony, she had
ascribed so many different aspects, in order to explain Djalma's love for
such a creature.




CHAPTER XXXV.

THE RIVALS.

Rose-Pompon, whose presence caused such deep emotion in Mdlle. de
Cardoville, was dressed in the most showy and extravagant bad taste.  Her
very small, narrow, rose-colored satin bonnet, placed so forward over her
face as almost to touch the tip of her little nose, left uncovered behind
half of her light, silky hair; her plaid dress, of an excessively broad
pattern, was open in front, and the almost transparent gauze, rather too
honest in its revelations, hardly covered the charms of the form beneath.

The grisette having run all the way upstairs, held in her hands the ends
of her large blue shawl, which, falling from her shoulders, had slid down
to her wasp-like waist, and there been stopped by the swell of the
figure.  If we enter into these details, it is to explain how, at the
sight of this pretty creature, dressed in so impertinent and almost
indecent, a fashion, Mdlle. de Cardoville, who thought she saw in her a
successful rival, felt her indignation, grief, and shame redoubled.

But judge of the surprise and confusion of Adrienne, when Mdlle. Rose-
Pompon said to her, with the utmost freedom and pertness, "I am delighted
to see you, madame.  You and I must have a long talk together.  Only I
must begin by kissing poor Mother Bunch--with your permission, madame!"

To understand the tone and manner with which this word ,"madame" was
pronounced, you must have been present at some stormy discussion between
two Rose-Pompons, jealous of each other; then you would be able to judge
how much provoking hostility may be compressed into the word "madame,"
under certain circumstances.  Amazed at the impudence of Rose-Pompon,
Mdlle. de Cardoville remained mute; whilst Agricola, entirely occupied
with the interest he took in the workgirl, who had never withdrawn her
eyes from him since he entered the room, and with the remembrance of the
painful scene he had just quitted, whispered to Adrienne, without
remarking the grisette's effrontery, "Alas, lady! it is all over.
Cephyse has just breathed her last sigh, without recovering her senses."

"Unfortunate girl!" said Adrienne, with emotion; and for the moment she
forgot Rose-Pompon.

"We must keep this sad news from Mother Bunch, and only let her know it
hereafter, with great caution," resumed Agricola. "Luckily, little Rose-
Pompon knows nothing about it.'

And he pointed to the grisette, who was now stooping down by the side of
the workgirl.  On hearing Agricola speak so familiarly of Rose-Pompon,
Adrienne's amazement increased.  It is impossible to describe what she
felt; yet, strangely enough, her sufferings grew less and less, and her
anxiety diminished, as she listened to the chatter of the grisette.

"Oh, my good dear!" said the latter, with as much volubility as emotion,
while her pretty blue eyes were filled with tears; "is it possible that
you did so stupid a thing?  Do not poor people help one another?  Could
you not apply to me?  You knew that others are welcome to whatever is
mine, and I would have made a raffle of Philemon's bazaar," added this
singular girl, with a burst of feeling, at once sincere, touching, and
grotesque; "I would have sold his three boots, pipes, boating-costume,
bed, and even his great drinking-glass, and at all events you should not
have been brought to such an ugly pass.  Philemon would not have minded,
for he is a good fellow; and if he had minded, it would have been all the
same.  Thank heaven! we are not married.  I am only wishing to remind you
that you should have thought of little Rose-Pompon."

"I know you are obliging and kind, miss," said Mother Bunch: for she had
heard from her sister that Rose-Pompon, like so many of her class, had a
warm and generous heart.

"After all," resumed the grisette, wiping with the back of her hand the
tip of her little nose, down which a tear was trickling, "you may tell me
that you did not know where I had taken up my quarters.  It's a queer
story, I can tell you.  When I say queer," added Rose-Pompon, with a deep
sigh, "it is quite the contrary--but no matter: I need not trouble you
with that.  One thing is certain; you are getting better--and you and
Cephyse will not do such a thing again.  She is said to be very weak.
Can I not see her yet, M. Agricola?

"No," said the smith, with embarrassment, for Mother Bunch kept her eyes
fixed upon him; "you must have patience."

"But I may see her to-day, Agricola?" exclaimed the hunchback.

"We will talk about that.  Only be calm, I entreat."

"Agricola is right; you must be reasonable, my good dear," resumed Rose-
Pompon; "we will wait patiently.  I can wait too, for I have to talk
presently to this lady;" and Rose-Pompon glanced at Adrienne with the
expression of an angry cat.  "Yes, yes; I can wait; for I long to tell
Cephyse also that she may reckon upon me."  Here Rose-Pompon bridled up
very prettily, and thus continued, "Do not be uneasy! It is the least one
can do, when one is in a good position, to share the advantages with
one's friends, who are not so well off.  It would be a fine thing to keep
one's happiness to one's self! to stuff it with straw, and put it under a
glass, and let no one touch it!  When I talk of happiness, it's only to
make talk; it is true in one sense; but to another, you see, my good
dear--Bah! I am only seventeen--but no matter--I might go on talking till
tomorrow, and you would not be any the wiser.  So let me kiss you once
more, and don't be down-hearted--nor Cephyse either, do you hear?  for I
shall be close at hand."

And, stooping still lower, Rose-Pompon cordially embraced Mother Bunch.
It is impossible to express what Mdlle. de Cardoville felt during this
conversation, or rather during this monologue of the grisette on the
subject of the attempted suicide.  The eccentric jargon of Mdlle. Rose-
Pompon, her liberal facility in disposing of Philemon's bazaar, to the
owner of which (as she said) she was luckily not married--the goodness of
her heart, which revealed itself in her offers of service--her contrasts,
her impertinence, her drollery--all this was so new and inexplicable to
Mdlle. de Cardoville, that she remained for some time mute and motionless
with surprise.  Such, then, was the creature to whom Djalma had
sacrificed her!

If Adrienne's first impression at sight of Rose-Pompon had been horribly
painful, reflection soon awakened doubts, which were to become shortly
ineffable hopes.  Remembering the interview she had overheard between
Rodin and Djalma, when, concealed in the conservatory, she had wished to
prove the Jesuit's fidelity, Adrienne, asked herself if it was
reasonable, if it was possible to believe, that the prince, whose ideas
of love seemed to be so poetical, so elevated, so pure, could find any
charm in the disjointed and silly chat of this young girl?  Adrienne
could not hesitate; she pronounced the thing impossible, from the moment
she had seen her rival near, and witnessed her style both of manners and
conversation, which, without detracting from the prettiness of her
features, gave them a trivial and not very attractive character.
Adrienne's doubts with regard to the deep love of the prince for Rose-
Pompon were hence soon changed to complete incredulity.  Endowed with too
much sense and penetration, not to perceive that this apparent
connection, so inconceivable on the part of Djalma, must conceal some
mystery, Mdlle. de Cardoville felt her hopes revive.  As this consoling
thought arose in her mind, her heart, until now so painfully oppressed,
began once more to dilate; she felt vague aspirations towards a better
future; and yet, cruelly warned by the past, she feared to yield too
readily to a mere illusion, for she remembered the notorious fact that
the prince had really appeared in public with this girl.  But now that
Mdlle. de Cardoville could fully appreciate what she was, she found the
conduct of the prince only the more incomprehensible.  And how can we
judge soundly and surely of that which is enveloped in mystery?  And then
a secret presentiment told her, that it would, perhaps, be beside the
couch of the poor sempstress, whom she had just saved from death, that,
by a providential coincidence, she would learn the secret on which
depended the happiness of her life.

The emotions which agitated she heart of Adrienne, became so violent,
that her fine face was flushed with a bright red, her bosom heaved, and
her large, black eyes, lately dimmed by sadness, once more shone with a
mild radiance.  She waited with inexpressible impatience for what was to
follow.  In the interview, with which Rose-Pompon had threatened her, and
which a few minutes before Adrienne would have declined with all the
dignity of legitimate indignation, she now hoped to find the explanation
of a mystery, which it was of such importance for her to clear up.  After
once more tenderly embracing Mother Bunch, Rose-Pompon got up from the
ground, and, turning towards Adrienne, eyed her from head to foot, with
the utmost coolness, and said to her, in a somewhat impertinent tone: "It
is now our turn, madame"--the word "madame" still pronounced with the
accent before described--"we have a little matter to settle together."

"I am at your order," answered Adrienne, with much mildness and
simplicity.

At sight of the triumphant and decisive air of Rose-Pompon, and on
hearing her challenge to Mdlle. de Cardoville, the worthy Agricola, after
exchanging a few words with Mother Bunch, opened his eyes and ears very
wide, and remained staring in amazement at the effrontery of the
grisette; then, advancing towards her, he whispered, as he plucked her by
the sleeve: "I say, are you mad?  Do you know to whom you speak?"

"Well! what then?  Is not one pretty woman worth another!  I say that for
the lady.  She will not eat me, I suppose," replied Rose-Pompon, aloud,
and with an air of defiance.  "I have to talk with madame, here.  I am
sure, she knows why and wherefore.  If not, I will tell her; it will not
take me long."

Adrienne, who feared some ridiculous exposure on the subject of Djalma,
in the presence of Agricola, made a sign to the latter, and thus answered
the grisette: "I am ready to hear you, miss, but not in this place.  You
will understand why."

"Very well, madame, I have my key.  You can come to any apartments"--the
last word pronounced with an air of ostentatious importance.

"Let us go then to your apartments, miss since you to me the honor to
receive me there," answered Mdlle. de Cardoville, in her mild, sweet
voice, and with a slight inclination of the head, so full of exquisite
politeness, that Rose-Pompon was daunted, notwithstanding all her
effrontery.

"What, lady!" said Agricola to Adrienne; "you are good enough--"

"M. Agricola," said Mdlle. de Cardoville, interrupting him, "please to
remain with our poor friend: I shall soon be back."

Then, approaching Mother Bunch, who shared in Agricola's astonishment she
said to her: "Excuse me for leaving you a few seconds.  Only regain a
little strength, and, when I return, I will take you home with me, dear
sister."

Then, turning towards Rose-Pompon, who was more and more surprised at
hearing so fine a lady call the workgirl her sister, she added: "I am
ready whenever you please, mademoiselle."

"Beg pardon, madame, if I go first to show you the way, but it's a
regular break-neck sort of a place," answered Rose-Pompon, pressing her
elbows to her sides, and screwing up her lips to prove that she was no
stranger to polite manners and fine language.  And the two rivals quitted
the garret together, leaving Agricola alone with Mother Bunch.

Luckily, the disfigured remains of the Bacchanal Queen had been carried
into Mother Arsene's subterraneous shop, so that the crowd of spectators,
always attracted by any fatal event, had assembled in front of the house;
and Rose-Pompon, meeting no one in the little court she had to traverse
with Adrienne, continued in ignorance of the tragical death of her old
friend Cephyse.  In a few moments the grisette and Mdlle. de Cardoville
had reached Philemon's apartment.  This singular abode remained in the
same state of picturesque disorder in which Rose-Pompon had left it, when
Ninny Moulin came to fetch her to act the heroine of a mysterious
adventure.

Adrienne, completely ignorant of the eccentric modes of life of students
and their companions, could not, in spite of the thoughts which occupied
her mind, forebear examining, with a mixture of surprise and curiosity,
this strange and grotesque chaos, composed of the most dissimilar
objects--disguises for masked balls, skulls with pipes in their mouths,
odd boots standing on book shelves, monstrous bottles, women's clothes,
ends of tobacco pipes, etc., etc.  To the first astonishment of Adrienne
succeeded an impression of painful repugnance.  The young lady felt
herself uneasy and out of place in this abode, not of poverty, but
disorder; whilst, on the contrary, the sewing-girl's miserable garret had
caused her no such feeling.

Rose-Pompon, notwithstanding all her airs, was considerably troubled when
she found herself alone with Mdlle, de Cardoville; the rare beauty of the
young patrician, her fashionable look, the elegance of her manners, the
style, both dignified and affable, with which she had answered the
impertinent address of the grisette, began to have their effect upon the
latter, who, being moreover a good-natured girl, had been touched at
hearing Mdlle. de Cardoville call the hunchback "friend and sister."
Without knowing exactly who Adrienne was, Rose-Pompon was not ignorant
that she belonged to the richest and highest class of society; she felt
already some remorse at having attacked her so cavalierly; and her
intentions, at first very hostile with regard to Mdlle. de Cardoville,
were gradually much modified.  Yet, being very obstinate, and not wishing
to appear to submit to an influence that offended her pride, Rose-Pompon
endeavored to recover her assurance; and, having bolted the door, she
said to Adrienne: "Pray do me the favor to sit down, madame"--still with
the intention of showing that she was no stranger to refined manners and
conversation.

Mdlle. de Cardoville was about mechanically to take a chair, when Rose-
Pompon, worthy to practise those ancient virtues of hospitality, which
regarded even an enemy as sacred in the person of a guest, cried out
hastily: "Don't take that chair, madame; it wants a leg."

Adrienne laid her hand on another chair.

"Nor that either; the back is quite loose," again exclaimed Rose-Pompon.
And she spoke the truth; for the chair-back, which was made in the form
of a lyre, remained in the hands of Mdlle. de Cardoville, who said, as
she replaced it discreetly in its former position: "I think, miss, that
we can very well talk standing."

"As you please, madame," replied Rose-Pompon, steadying herself the more
bravely the more uneasy she felt.  And the interview of the lady and the
grisette began in this fashion.




CHAPTER XXXVI.

THE INTERVIEW.

After a minute's hesitation, Rose-Pompon said to Adrienne, whose heart
was beating violently: "I will tell you directly, madame, what I have on
my mind.  I should not have gone out of my way to seek you, but, as I
happen to fall in with you, it is very natural I should take advantage of
it."

"But, miss," said Adrienne, mildly, "may I at least know the subject of
the conversation we are to have together?"

"Yes, madame," replied Rose-Pompon, affecting an air of still more
decided confidence; "first of all, you must not suppose I am unhappy, or
going to make a scene of jealousy, or cry like a forsaken damsel.  Do not
flatter yourself!  Thank heaven, I have no reason to complain of Prince
Charming--that is the pet name I gave him--on the contrary, he has made
me very happy.  If I left him, it was against his will, and because I
chose."

So saying, Rose-Pompon, whose heart was swelling in spite of her fine
airs, could not repress a sigh.

"Yes, madame," she resumed, "I left him because I chose--for he quite
doted on me.  If I had liked, he would have married me--yes, madame,
married me--so much the worse, if that gives you pain.  Though, when I
say `so much the worse,' it is true that I meant to pain you.  To be sure
I did--but then, just now when I saw you so kind to poor Mother Bunch,
though I was certainly in the right, still I felt something.  However, to
cut matters short, it is clear that I detest you, and that you deserve
it," added Rose-Pompon, stamping her foot.

From all this it resulted, even for a person much less sagacious than
Adrienne, and much less interested in discovering the truth, that Rose-
Pompon, notwithstanding her triumphant airs in speaking of him whom she
represented as so much attached to her, and even anxious to wed her, was
in reality completely disappointed, and was now taking refuge in a
deliberate falsehood.  It was evident that she was not loved, and that
nothing but violent jealousy had induced her to desire this interview
with Mdlle. de Cardoville, in order to make what is vulgarly called a
scene, considering Adrienne (the reason will be explained presently) as
her successful rival.  But Rose-Pompon, having recovered her good-nature,
found it very difficult to continue the scene in question, particularly
as, for many reasons, she felt overawed by Adrienne.

Though she had expected, if not the singular speech of the grisette, at
least something of the same result--for she felt it was impossible that
the prince could entertain a serious attachment for this girl--Mdlle. de
Cardoville was at first delighted to hear the confirmation of her hopes
from the lips of her rival; but suddenly these hopes were succeeded by a
cruel apprehension, which we will endeavor to explain.  What Adrienne had
just heard ought to have satisfied her completely.  Sure that the heart
of Djalma had never ceased to belong to her, she ought, according to the
customs and opinions of the world, to have cared little if, in the
effervescence of an ardent youth, he had chanced to yield to some
ephemeral caprice for this creature, who was, after all, very pretty and
desirable--the more especially as he had now repaired his error by
separating from her.

Notwithstanding these good reasons, such an error of the senses would not
have been pardoned by Adrienne.  She did not understand that complete
separation of the body and soul that would make the one exempt from the
stains of the other.  She did not think it a matter of indifference to
toy with one woman whilst you were thinking of another.  Her young,
chaste, passionate love demanded an absolute fealty--a fealty as just in
the eyes of heaven and nature as it may be ridiculous and foolish in the
eyes of man.  For the very reason that she cherished a refined religion
of the senses, and revered them as an adorable and divine manifestation,
Adrienne had all sorts of delicate scruples and nice repugnances, unknown
to the austere spirituality of those ascetic prudes who despise vile
matter too much to take notice of its errors, and allow it to grovel in
filth, to show the contempt in which they hold it.  Mdlle. de Cardoville
was not one of those wonderfully modest creatures who would die of
confusion rather than say plainly that they wished for a young and
handsome husband, at once ardent and pure.  It is true that they
generally marry old, ugly, and corrupted men, and make up for it by
taking two or three lovers six months after.  But Adrienne felt
instinctively how much of virginal and celestial freshness there is in
the equal innocence of two loving and passionate beings--what guarantees
for the future in the remembrance which a man preserves of his first
love!

We say, then, that Adrienne was only half-satisfied, though convinced by
the vexation of Rose-Pompon that Djalma had never entertained a serious
attachment for the grisette.

"And why do you detest me, miss?" said Adrienne mildly, when Rose-Pompon
had finished her speech.

"Oh! bless me, madame!" replied the latter, forgetting altogether her
assumption of triumph, and yielding to the natural sincerity of her
character; "pretend that you don't know why I detest you!--Oh, yes!
people go and pick bouquets from the jaws of a panther for people that
they care nothing about, don't they?  And if it was only that!" added
Rose-Pompon, who was gradually getting animated, and whose pretty face,
at first contracted into a sullen pout, now assumed an expression of real
and yet half-comic sorrow.

"And if it was only the nosegay!" resumed she.  "Though it gave me a
dreadful turn to see Prince Charming leap like a kid upon the stage, I
might have said to myself: `Pooh! these Indians have their own way of
showing politeness.  Here, a lady drops her nosegay, and a gentleman
picks it up and gives it to her; but in India it is quite another thing;
the man picks up the nosegay, and does not return it to the woman--he
only kills a panther before her eyes.'  Those are good manners in that
country, I suppose; but what cannot be good manners anywhere is to treat
a woman as I have been treated.  And all thanks to you, madame!"

These complaints of Rose-Pompon, at once bitter and laughable, did not at
all agree with what she had previously stated as to Djalma's passionate
love for her; but Adrienne took care not to point out this contradiction,
and said to her, mildly: "You must be mistaken, miss, when you suppose
that I had anything to do with your troubles.  But, in any case, I regret
sincerely that you should have been ill-treated by any one."

"If you think I have been beaten, you are quite wrong," exclaimed Rose-
Pompon.  "Ah! well, I am sure!  No, it is not that.  But I am certain
that, had it not been for you, Prince Charming would have got to love me
a little.  I am worthy of the trouble, after all--and then there are
different sorts of love--I am not so very particular--not even so much as
that," added Rose-Pompon, snapping her fingers.

"Ah!" she continued, "when Ninny Moulin came to fetch me, and brought me
jewels and laces to persuade me to go with him, he was quite right in
saying there was no harm in his offers."

"Ninny Moulin?" asked Mdlle. de Cardoville, becoming more and more
interested; "who is this Ninny Moulin, miss?"

"A religious writer," answered Rose-Pompon, pouting; "the right-hand man
of a lot of old sacristans, whose money he takes on pretense of writing
about morality and religion.  A fine morality it is!"

At these words--"a religious writer"--"sacristans" Adrienne instantly
divined some new plot of Rodin or Father d'Aigrigny, of which she and
Djalma were to have been the victims.  She began vaguely to perceive the
real state of the case, as she resumed: "But, miss, under what pretence
could this man take you away with him?"

"He came to fetch me, and said I need not fear for my virtue, and was
only to make myself look pretty.  So I said to myself: 'Philemon's out of
town, and it's very dull here all alone: This seems a droll affair; what
can I risk by it?'--Alas! I didn't know what I risked," added Rose-
Pompon, with a sigh.  "Well! Ninny Moulin takes me away in a fine
carriage.  We stop in the Place du Palais-Royal.  A sullen-looking man,
with a yellow face, gets up in the room of Ninny Moulin, and takes me to
the house of Prince Charming.  When I saw him--la! he was so handsome, so
very handsome, that I was quite dizzy-like; and he had such a kind, noble
air, that I said to myself, 'Well! there will be some credit if I remain
a good girl now!'--I did not know what a true word I was speaking.  I
have been good--oh! worse than good."

"What, miss! do you regret having been so virtuous?"

"Why, you see, I regret, at least, that I have not had the pleasure of
refusing.  But how can you refuse, when nothing is asked--when you are
not even thought worth one little loving word?"

"But, miss, allow me to observe to you that the indifference of which you
complain does not see to have prevented your making a long stay in the
house in question."

"How should I know why the prince kept me there, or took me out riding
with him, or to the play?  Perhaps it is the fashion in his savage
country to have a pretty girl by your side, and to pay no attention to
her at all!"

"But why, then, did you remain, miss?"

"Why did I remain?" said Rose-Pompon, stamping her loot with vexation.
"I remained because, without knowing how it happened, I began to get very
fond of Prince Charming; and what is queer enough, I, who am as gay as a
lark, loved him because he was so sorrowful, which shows that it was a
serious matter.  At last, one day, I could hold out no longer.  I said:
`Never mind; I don't care for the consequences.  Philemon, I am sure, is
having his fun in the country.'  That set my mind at ease.  So one
morning, I dress myself in my best, all very pretty, look in my glass,
and say: "Well, that will do--he can't stand that,!' and, going to his
room, I tell him all that passes through my head; I laugh, I cry--at last
I tell him that I adore him.  What do you think he answers, in his mild
voice, and as cold as a piece of marble?  Why, `Poor child--poor child--
poor child!'" added Rose-Pompon, with indignation; "neither more nor less
than if I had come to complain to him of the toothache.  But the worst of
it is that I am sure, if he were not in love elsewhere, he would be all
fire and gunpowder.  Only now he is so sad, so dejected!"

Then, pausing a moment, Rose-Pompon added: "No, I will not tell you that;
you would be too pleased." But, after another pause, she continued:
"Well, never mind; I will tell you, though"; and this singular girl
looked at Mdlle. de Cardoville with a mixture of sympathy and deference.
"Why should I keep it from you?  I began by riding the high horse, and
saying that the prince wished to marry me; and I finished by confessing
that he almost turned me out.  Well, it's not my fault; when I try to
fib, I am sure to get confused.  So, madame, this is the plain truth:--
When I met you at poor Mother Bunch's, I was at first as angry as a
little turkey-cock; but when I heard you, that are such a fine great
lady, speak so kindly to the poor girl, and treat her as your sister, do
what I would, my anger began to go away.  Since we have been here, I have
done my utmost to get it up again; but I find it impossible, and the more
I see the difference between us, the more I perceive that Prince Charming
was right in thinking so much of you.  For you must know, madame, that he
is over head and ears in love with you.  I don't say so merely because he
killed the panther for you at the Porte-Saint-Martin; but if you knew all
the tricks he played with your bouquet, and how he will sit up all night
weeping in that room where he saw you for the first time--and then your
portrait, that he has drawn upon glass, after the fashion of his country,
and so many other things--the fact is, that I, who was fond of him, and
saw all this was at first in a great rage; but afterwards it was so
touching that it brought the tears into my eyes.  Yes, madame, just as it
does now, when I merely think of the poor prince.  Oh, madame!" added
Rose-Pompon, her eyes swimming in tears, and with such an expression of
sincere interest, that Adrienne was much moved by it; "oh, madame, you
look so mild and good, that you will not make this poor prince miserable.
Pray love him a little bit; what can it matter to you?"

So saying, Rose-Pompon, with a perfectly simple, though too familiar,
gesture, took hold of Adrienne's hand, as if to enforce her request.  It
had required great self-command in Mdlle. de Cardoville to repress the
rush of joy that was mounting from her heart to her lips, to check the
torrent of questions which she burned to address to Rose-Pompon, and to
restrain the sweet tears of happiness that for some seconds had trembled
in her eyes; and, strangely enough, when Rose-Pompon took her hand,
Adrienne, instead of withdrawing it, pressed the offered hand almost
affectionately, and led her towards the window, as if to examine her
sweet face more attentively.

On entering the room, the grisette had thrown her bonnet and shawl down
upon the bed, so that Adrienne could admire the thick and silky masses of
light hair that crowned the fresh face of the charming girl, with its
firm, rosy cheeks, its mouth as red as a cherry, and its large blue
laughing eyes; and, thanks to the somewhat scanty dress of Rose-Pompon,
Adrienne could fully appreciate the various graces of her nymph-like
figure.  Strange as it may appear, Adrienne was delighted at finding the
girl still prettier than she had at first imagined.  The stoical
indifference of Djalma to so attractive a creature was the best proof of
the sincerity of the passion by which he was actuated.

Having taken the hand of Adrienne, Rose-Pompon was herself confused and
surprised at the kindness with which Mdlle. de Cardoville permitted this
familiarity.  Emboldened by this indulgence, and by the silence of
Adrienne, who for some moments had been contemplating her with almost
grateful benevolence, the grisette resumed: "Oh, you will not refuse,
madame?  You will take pity on this poor prince?"

We cannot tell how Adrienne would have answered this indiscreet question
of Rose-Pompon, for suddenly a loud, wild, shrill, piercing sound,
evidently intended to imitate the crowing of a cock, was heard close to
the door of the room.

Adrienne started in alarm; but the countenance of Rose Pompon, just now
so sad, brightened up joyously at this signal, and, clapping her hands
she exclaimed, "It is Philemon!"

"What--who?" said Adrienne, hastily.

"My lover; oh, the monster! he must have come upstairs on tiptoe, to take
me by surprise with his crowing.  Just like him!"

A second cock-a-doodle-doo, still louder than the first, was heard close
to the door.  "What a stupid, droll creature it is!  Always the same
joke, and yet it always amuses me," said Rose-Pompon.

And drying her tears with the back of her hand, she began to laugh like
one bewitched at Philemon's jest, which, though well known to her, always
seemed new and agreeable.

"Do not open the door," whispered Adrienne, much embarrassed; "do not
answer, I beg of you."

"Though the door is bolted, the key is on the outside; Philemon can see
that there is some one at home."

"No matter--do not let him in."

"But, madame, he lives here; the room belongs to him."

In fact, Philemon, probably growing tired of the little effect produced
by his two ornithological imitations, turned the key in the lock, and
finding himself unable to open the door, said in a deep bass voice:
"What, dearest puss, have you shut yourself in?  Are you praying Saint-
Flambard for the return of Philly?" (short for Philemon.)

Adrienne, not coshing to increase, by prolonging it, the awkwardness of
this ridiculous situation, went straight to the door and opened it, to
the great surprise of Philemon, who recoiled two or three steps.
Notwithstanding the annoyance of this incident, Mdlle. de Cardoville
could not help smiling at sight of Rose-Pompon's lover, and of the
articles he carried in his hand or under his arm.

Philemon was a tall fellow, with dark hair and a very fresh color, and,
being just arrived from a journey, he wore a white cap; his thick, black
beard flowed down on his sky-blue waistcoat; and a short olive-colored
velvet shooting-coat, with extravagantly large plaid trousers, completed
his costume.  As for the accessories which had provoked a smile from
Adrienne, they consisted: first, of a portmanteau tucked under his arm,
with the head and neck of a goose protruding from it; secondly, of a cage
held in his hand, with an enormous white rabbit all alive within it.

"Oh! the darling white rabbit! what pretty red eyes!"  Such, it must be
confessed, was the first exclamation of Rose-Pompon, though Philemon, to
whom it was not addressed, had returned after a long absence; but the
student far from being shocked at seeing himself thus sacrificed to his
long-earned companion, smiled complacently, rejoicing at the success of
his attempt to please his mistress.

All this passed very rapidly.  While Rose-Pompon, kneeling before the
cage, was still occupied with her admiration of the rabbit, Philemon,
struck with the lofty air of Mdlle. de Cardoville, raised his hand to his
cap, and bowed respectfully as he made way for her to pass.  Adrienne
returned his salutation with politeness, full of grace and dignity, and,
lightly descending the stairs, soon disappeared.  Dazzled by her beauty,
as well as impressed with her noble and lofty bearing, and curious to
know how in the world Rose-Pompon had fallen in with such an
acquaintance, Philemon said to her, in his amorous jargon: "Dearest puss!
tell her Philly who is that fine lady?"

"One of my school-fellows, you great satyr!" said Rose-Pompon, still
playing with the rabbit.

Then, glancing at a box, which Philemon deposited close to the cage and
the portmanteau, she added: "I'll wager anything you have brought me some
more preserves!"

"Philly has brought something better to his dear puss," said the student,
imprinting two vigorous kisses on the rosy cheeks of Rose-Pompon, who had
at length, consented to stand up; "Philly has brought her his heart."

"Fudge!" said the grisette, delicately placing the thumb of her left hand
on the tip of her nose, and opening the fingers, which she slightly moved
to and fro.  Philemon answered this provocation by putting his arm around
her waist; and then the happy pair shut their door.




CHAPTER XXXVII.

SOOTHING WORDS.

During the interview of Adrienne with Rose-Pompon a touching scene took
place between Agricola and Mother Bunch, who had been much surprised at
Mdlle. de Cardoville's condescension with regard to the grisette.
Immediately after the departure of Adrienne, Agricola had knelt down
beside Mother Bunch, and said to her, with profound emotion: "We are
alone, and I can at length tell you what weighs upon my heart.  This act
is too cruel--to die of misery and despair, and not to send to me for
assistance."

"Listen to me, Agricola--"

"No, there is no excuse for this.  What! we called each other by the
names of brother and sister, and for fifteen years gave every proof of
sincere affection--and, when the day of misfortune comes, you quit life
without caring for those you must leave behind--without considering that
to kill yourself is to tell them they are indifferent to you!"

"Forgive me, Agricola! it is true.  I had never thought of that," said
the workgirl, casting down her eyes; "but poverty--want of work--"

"Misery! want of work! and was I not here?"

"And despair!"

"But why despair?  This generous young lady had received you in her
house; she knew your worth, and treated you as her friend--and just at
the moment when you had every chance of happiness, you leave the house
abruptly, and we remain in the most horrible anxiety on your account."

"I feared--to be--to be a burden to my benefactress," stammered she.

"You a burden to Mdlle. de Cardoville, that is so rich and good!"

"I feared to be indiscreet," said the sewing-girl, more and more
embarrassed.

Instead of answering his adopted sister, Agricola remained silent, and
contemplated her for some moments with an undefinable expression; then he
exclaimed suddenly, as if replying to a question put by himself: "She
will forgive me for disobeying her.--I am sure of it."

He next turned towards Mother Bunch, who was looking at him in
astonishment, and said to her in a voice of emotion: "I am too frank to
keep up this deception.  I am reproaching you--blaming you--and my
thoughts are quite different."

"How so, Agricola?"

"My heart aches, when I think of the evil I have done you."

"I do not understand you, my friend; you have never done me any evil."

"What! never? even in little things? when, for instance, yielding to a
detestable habit, I, who loved and respected you as my sister, insulted
you a hundred times a day?"

"Insulted me!"

"Yes--when I gave you an odious and ridiculous nickname, instead of
calling you properly."

At these words, Mother Bunch looked at the smith in the utmost alarm,
trembling lest he had discovered her painful secret, notwithstanding the
assurance she had received from Mdlle. de Cardoville.  Yet she calmed
herself a little when she reflected, that Agricola might of himself have
thought of the humiliation inflicted on her by calling her Mother Bunch,
and she answered him with a forced smile.  "Can you be grieved at so
small a thing?  It was a habit, Agricola, from childhood.  When did your
good and affectionate mother, who nevertheless loved me as her daughter,
ever call me anything else?"

"And did my mother consult you about my marriage, speak to you of the
rare beauty of my bride, beg you to come and see her, and study her
character, in the hope that the instinct of your affection for me would
warn you--if I made a bad choice?  Did my mother have this cruelty?--No;
it was I, who thus pierced your heart!"

The fears of the hearer were again aroused; there could be but little
doubt that Agricola knew her secret.  She felt herself sinking with
confusion; yet, making a last effort not to believe the discovery, she
murmured in a feeble voice: "True, Agricola!  It was not your mother, but
yourself, who made me that request--and I was grateful to you for such a
mark of confidence."

"Grateful, my poor girl!" cried the smith, whilst his eyes filled with
tears; "no, it is not true.  I pained you fearfully--I was merciless--
heaven knows, without being aware of it!"

"But," said the other, in a voice now almost unintelligible, "what makes
you think so?"

"Your love for me!" cried the smith, trembling with emotion, as he
clasped Mother Bunch in a brotherly embrace.

"Oh heaven!" murmured the unfortunate creature, as she covered her face
with her hands, "he knows all."

"Yes, I know all," resumed Agricola, with an expression of ineffable
tenderness and respect: "yes, I know all, and I will not have you blush
for a sentiment, which honors me, and of which I feel so justly proud.
Yes, I know all; and I say to myself with joy and pride, that the best,
the most noble heart in the world is mine--will be mine always.  Come,
Magdalen; let us leave shame to evil passions.  Raise your eyes, and look
at me!  You know, if my countenance was ever false--if it ever reflected
a feigned emotion.  Then look and tell me, if you cannot read in my
features, how proud I am, Magdalen, how justly proud of your love!"

Overwhelmed with grief and confusion, Mother Bunch had not dared to look
on Agricola; but his words expressed so deep a conviction, the tones of
his voice revealed so tender an emotion, that the poor creature felt her
shame gradually diminish, particularly when Agricola added, with rising
animation: "Be satisfied, my sweet, my noble Magdalen; I will be worthy
of this love.  Believe me, it shall yet cause you as much happiness as it
has occasioned tears.  Why should this love be a motive for estrangement,
confusion, fear?  For what is love, in the sense in which it is held by
your generous heart?  Is it not a continual exchange of devotion,
tenderness, esteem, of mutual and blind confidence?--Why, Magdalen! we
may have all this for one another--devotion, tenderness, confidence--even
more than in times past; for, on a thousand occasions, your secret
inspired you with fear and suspicion--while, for the future, on the
contrary, you will see me take such delight in the place I fill in your
good and valiant heart, that you will be happy in the happiness you
bestow.  What I have just said may seem very selfish and conceited; so
much the worse!  I do not know how to lie."

The longer the smith spoke, the less troubled became Mother Bunch.  What
she had above all feared in the discovery of her secret was to see it
received with raillery, contempt, or humiliating compassion; far from
this, joy and happiness were distinctly visible on the manly and honest
face of Agricola.  The hunchback knew him incapable of deception;
therefore she exclaimed, this time without shame or confusion, but rather
with a sort of pride.

"Every sincere and pure passion is so far good and con soling as to end
by deserving interest and sympathy, when it has triumphed over its first
excess! It is alike honorable to the heart which feels and that which
inspires it!--Thanks to you, Agricola--thanks to the kind words, which
have raised me in my own esteem--I feel that, instead of blushing, I
ought to be proud of this love.  My benefactress is right--you are right:
why should I be ashamed of it?  Is it not a true and sacred love?  To be
near you, to love you, to tell you so, to prove it by constant devotion,
what did I ever desire more?  And yet shame and fear, joined with that
dizziness of the brain which extreme misery produces, drove me to
suicide!--But then some allowance must be made for the suspicions of a
poor creature, who has been the subject of ridicule from her cradle.  So
my secret was to die with me, unless some unforeseen accident should
reveal it to you; and, in that case, you are right--sure of myself, sure
of you, I ought to have feared nothing.  But I may claim some indulgence;
mistrust, cruel mistrust of one's self makes one doubt others also.  Let
us forget all that.  Agricola, my generous brother, I will say to you, as
you said to me just now, `Look at me; you know my countenance cannot lie.
Look at me: see if I shun your gaze; see if, ever in my life, I looked so
happy'--and yet, even now, I was about to die!"

She spoke the truth.  Agricola himself could not have hoped so prompt an
effect from his words.  In spite of the deep traces which misery, grief,
and sickness had imprinted on the girl's features, they now shone with
radiant happiness and serenity, whilst her blue eyes, gentle and pure as
her soul, were fixed, without embarrassment, on those of Agricola.

"Oh! thanks, thanks!" cried the smith, in a rapture of delight: "when I
see you so calm, and so happy, Magdalen, I am indeed grateful."

"Yes, I am calm, I am happy," replied she; "and happy I shall be, for I
can now tell you my most secret thoughts.  Yes, happy; for this day,
which began so fatally, ends like a divine dream.  Far from being afraid,
I now look at you with hope and joy.  I have again found my generous
benefactress, and I am tranquil as to the fate of my poor sister.  Oh!
shall we not soon see her?  I should like her to take part in this
happiness."

She seemed so happy, that the smith did not dare to inform her of the
death of Cephyse, and reserved himself to communicate the same at a more
fitting opportunity.  Therefore he answered: "Cephyse, being the
stronger, has been the more shaken; it will not be prudent, I am told, to
see her to-day."

"I will wait then.  I can repress my impatience, I have so much to say to
you."

"Dear, gentle Magdalen!"

"Oh, my friend!" cried the girl, interrupting Agricola, with tears of
joy: "I cannot tell you what I feel, when I hear you call me Magdalen.
It is so sweet, so soothing, that my heart expands with delight."

"Poor girl! how dreadfully she must have suffered!" cried the smith, with
inexpressible emotion, "when she displays so much happiness, so much
gratitude, at being called by her own poor name!"

"But consider, my friend; that word in your mouth contains a new life for
me.  If you only knew what hopes, what pleasures I can now see gleaming
in the future!  If you knew all the cherished longings of my tenderness!
Your wife, the charming Angela, with her angel face and angel-soul--oh!
in my turn, I can say to, you, `Look at me, and see how sweet that name
is to my lips and heart!'  Yes, your charming, your good Angela will call
me Magdalen--and your children, Agricola, your children!--dear little
creatures!--to them also I shall be Magdalen--their good Magdalen--and
the love I shall bear them will make them mine, as well as their
mother's--and I shall have my part in every maternal care--and they will
belong to us three; will they not, Agricola?--Oh! let me, let me weep!
These tears without bitterness do me so much good; they are tears that
need not be concealed.  Thank heaven! thank you, my friend! those other
tears are I trust dried forever."

For some seconds, this affecting scene had been overlooked by an
invisible witness.  The smith and Mother Bunch had not perceived Mdlle.
de Cardoville standing on the threshold of the door.  As Mother Bunch had
said, this day, which dawned with all under such fatal auspices, had
become for all a day of ineffable felicity.  Adrienne, too, was full of
joy, for Djalma had been faithful to her, Djalma loved her with passion.
The odious appearances, of which she had been the dupe and victim,
evidently formed part of a new plot of Rodin, and it only remained for
Mdlle. de Cardoville to discover the end of these machinations.

Another joy was reserved for her.  The happy are quick in detecting
happiness in others, and Adrienne guessed, by the hunchback's last words,
that there was no longer any secret between the smith and the sempstress.
She could not therefore help exclaiming, as she entered: "Oh! this
will be the brightest day of my life, for I shall not be happy alone!"

Agricola and Mother Bunch turned round hastily.  "Lady," said the smith,
"in spite of the promise I made you, I could not conceal from Magdalen
that I knew she loved me!"

"Now that I no longer blush for this love before Agricola, why should I
blush for it before you, lady, that told me to be proud of it, because it
is noble and pure?" said Mother Bunch, to whom her happiness gave
strength enough to rise, and to lean upon Agricola's arm.

"It is well, my friend," said Adrienne, as she threw her arms round her
to support her; "only one word, to excuse the indiscretion with which you
will perhaps reproach me.  If I told your secret to M. Agricola--"

"Do you know why it was, Magdalen?" cried the smith, interrupting
Adrienne.  "It was only another proof of the lady's delicate generosity.
`I long hesitate to confide to you this secret,' said she to me this
morning, `but I have at length made up my mind to it.  We shall probably
find your adopted sister; you have been to her the best of brothers: but
many times, without knowing it, you have wounded her feelings cruelly--
and now that you know her secret, I trust in your kind heart to keep it
faithfully, and so spare the poor child a thousand pangs--pangs the more
bitter, because they come from you, and are suffered in silence.  Hence,
when you speak to her of your wife, your domestic happiness, take care
not to gall that noble and tender heart.'--Yes, Magdalen, these were the
reasons that led the lady to commit what she called an indiscretion."

"I want words to thank you now and ever," said Mother Bunch.

"See, my friend," replied Adrienne, "how often the designs of the wicked
turn against themselves.  They feared your devotion to me, and therefore
employed that unhappy Florine to steal your journal--"

"So as to drive me from your house with shame, lady, When I supposed my
most secret thoughts an object of ridicule to all.  There can be no doubt
such was their plan," said Mother Bunch.

"None, my child.  Well! this horrible wickedness, which nearly caused
your death, now turns to the confusion of the criminals.  Their plot is
discovered--and, luckily, many other of their designs," said Adrienne, as
she thought of Rose-Pompon.

Then she resumed, with heartfelt joy: "At last, we are again united,
happier than ever, and in our very happiness we shall find new resources
to combat our enemies.  I say our enemies--for all that love me are
odious to these wretches.  But courage, the hour is come, and the good
people will have their turn."

"Thank heaven, lady," said the smith; "or my part, I shall not be wanting
in zeal.  What delight to strip them of their mask!"

"Let me remind you, M. Baudoin, that you have an appointment for to-
morrow with M. Hardy."

"I have not forgotten it, lady, any more than the generous offers I am to
convey to him."

"That is nothing.  He belongs to my family.  Tell him (what indeed I
shall write to him this evening), that the funds necessary to reopen his
factory are at his disposal; I do not say so for his sake only, but for
that of a hundred families reduced to want.  Beg him to quit immediately
the fatal abode to which they have taken him: for a thousand reasons he
should be on his guard against all that surround him."

"Be satisfied, lady.  The letter he wrote to me in reply to the one I got
secretly delivered to him, was short, affectionate, sad--but he grants me
the interview I had asked for, and I am sure I shall be able to persuade
him to leave that melancholy dwelling, and perhaps to depart with me, he
has always had so much confidence in my attachment."

"Well, M. Baudoin, courage!" said Adrienne, as she threw her cloak over
the workgirl's shoulders, and wrapped her round with care.  "Let us be
gone, for it is late.  As soon as we get home, I will give you a letter
for M. Hardy, and to-morrow you will come and tell me the result of your
visit.  No, not to-morrow," she added, blushing slightly.  "Write to me
to-morrow, and the day after, about twelve, come to me."

Some minutes later, the young sempstress, supported by Agricola and
Adrienne, had descended the stairs of that gloomy house, and, being
placed in the carriage by the side of Mdlle. de Cardoville, she earnestly
entreated to be allowed to see Cephyse; it was in vain that Agricola
assured her it was impossible, and that she should see her the next day.
Thanks to the information derived from Rose-Pompon, Mdlle. de Cardoville
was reasonably suspicious of all those who surrounded Djalma, and she
therefore took measures, that, very evening, to have a letter delivered
to the prince by what she considered a sure hand.




CHAPTER XXXVIII.

THE TWO CARRIAGES.

It is the evening of the day on which Mdlle. de Cardoville prevented the
sewing-girl's suicide.  It strikes eleven; the night is dark; the wind
blows with violence, and drives along great black clouds, which
completely hide the pale lustre of the moon.  A hackney-coach, drawn by
two broken-winded horses, ascends slowly and with difficulty the slope of
the Rue Blanche, which is pretty steep near the barrier, in the part
where is situated the house occupied by Djalma.

The coach stops.  The coachman, cursing the length of an interminable
drive "within the circuit," leading at last to this difficult ascent,
turns round on his box, leans over towards the front window of the
vehicle, and says in a gruff tone to the person he is driving: "Come! are
we almost there?  From the Rue de Vaugirard to the Barriere Blanche, is a
pretty good stretch, I think, without reckoning that the night is so
dark, that one can hardly see two steps before one--and the street-lamps
not lighted because of the moon, which doesn't shine, after all!"

"Look out for a little door with a portico-drive on about twenty yards
beyond--and then stop close to the wall," answered a squeaking voice,
impatiently, and with an Italian accent.

"Here is a beggarly Dutchman, that will make me as savage as a bear?"
muttered the angry Jehu to himself.  Then he added: "Thousand thunders! I
tell you that I can't see.  How the devil can I find out your little
door?"

"Have you no sense?  Follow the wall to the right, brush against it, and
you will easily find the little door.  It is next to No. 50.  If you do
not find it, you must be drunk," answered the Italian, with increased
bitterness.

The coachman only replied by swearing like a trooper, and whipping up his
jaded horses.  Then, keeping close to the wall, he strained his eyes in
trying to read the numbers of the houses, by the aid of his carriage-
lamps.

After some moments, the coach again stopped.  "I have passed No. 50, and
here is a little door with a portico," said the coachman.  "Is that the
one?"

"Yes," said the voice.  "Now go forward some twenty yards, and then
stop."

"Well! I never--"

"Then get down from your box, and give twice three knocks at the little
door we have just passed--you understand me?--twice three knocks."

"Is that all you give me to drink?" cried the exasperated coachman.

"When you have taken me back to the Faubourg Saint-Germain, where I live,
you shall have something handsome, if you do but manage matters well."

"Ha! now the Faubourg Saint-Germain! Only that little bit of distance!"
said the driver, with repressed rage.  "And I who have winded my horses,
wanted to be on the boulevard by the time the play was out.  Well, I'm
blowed!"  Then, putting a good face on his bad luck, and consoling
himself with the thought of the promised drink-money, he resumed: "I am
to give twice three knocks at the little door?"

"Yes; three knocks first--then pause--then three other knocks.  Do you
understand?"

"What next?"

"Tell the person who comes, that he is waited for, and bring him here to
the coach."

"The devil burn you!" said the coachman to himself, as he turned round on
the box, and whipped up his horses, adding: "this crusty old Dutchman has
something to do with Free-masons, or, perhaps, smugglers, seeing we are
so near the gates.  He deserves my giving him in charge, for bringing me
all the way from the Rue de Vaugirard."

At twenty steps beyond the little door, the coach again stopped, and the
coachman descended from the box to execute the orders he had received.
Going to the little door, he knocked three times; then paused, as he had
been desired, and then knocked three times more.  The clouds, which had
hitherto been so thick as entirely to conceal the disk of the moon, just
then withdrew sufficiently to afford a glimmering light, so that when the
door opened at the signal, the coachman saw a middle-sized person issue
from it, wrapped in a cloak, and wearing a colored cap.

This man carefully locked the door, and then advanced two steps into the
street.  "They are waiting for you," said the coachman; "I am to take you
along with me to the coach."

Preceding the man with the cloak, who only answered him by a nod, he led
him to the coach-door, which he was about to open, and to let down the
step, when the voice exclaimed from the inside: "It is not necessary.
The gentleman may talk to me through the window.  I will call you when it
is time to start."

"Which means that I shall be kept here long enough to send you to all the
devils!" murmured the driver.  "However, I may as well walk about, just
to stretch my legs."

So saying, he began to walk up and down, by the side of the wall in which
was the little door.  Presently he heard the distant sound of wheels,
which soon came nearer and nearer, and a carriage, rapidly ascending the
slope, stopped on the other side of the little garden-door.

"Come, I say! a private carriage!" said the coachman.  "Good horses
those, to come up the Rue Blanche at a trot."

The coachman was just making this observation, when, by favor of a
momentary gleam of light, he saw a man step from the carriage, advance
rapidly to the little door, open it, and go in, closing it after him.

"It gets thicker and thicker!" said the coachman.  "One comes out, and
the other goes in."

So saying, he walked up to the carriage.  It was splendidly harnessed,
and drawn by two handsome and vigorous horses.  The driver sat
motionless, in his great box-coat, with the handle of his whip resting on
his right knee.

"Here's weather to drive about in, with such tidy dukes as yours,
comrade!" said the humble hackney-coachman to this automaton, who
remained mute and impassible, without even appearing to know that he was
spoken to.

"He doesn't understand French--he's an Englishman.  One could tell that
by his horses," said the coachman, putting this interpretation on the
silence of his brother whip.  Then, perceiving a tall footman at a little
distance, dressed in a long gray livery coat, with blue collar and silver
buttons, the coachman addressed himself to him, by way of compensation,
but without much varying his phrase: "Here's nice weather to stand about
in, comrade!"  On the part of the footman, he was met with the same
imperturbable silence.

"They're both Englishmen," resumed the coachman, philosophically; and,
though somewhat astonished at the incident of the little door, he
recommenced his walk in the direction of his own vehicle.

While these facts were passing, the man in the cloak, and the man with
the Italian accent continued their conversation, the one still in the
coach, and the other leaning with his hand on the door.  It had already
lasted for some time, and was carried on in Italian.  They were evidently
talking of some absent person, as will appear from the following.

"So," said the voice from the coach, "that is agreed to?"

"Yes, my lord," answered the man in the cloak; "but only in case the
eagle should become a serpent."

"And, in the contrary event, you will receive the other half of the ivory
crucifix I gave you."

"I shall know what it means, my lord."

"Continue to merit and preserve his confidence."

"I will merit and preserve it, my lord, because I admire and respect this
man, who is stronger than the strongest, by craft, and courage, and will.
I have knelt before him with humility, as I would kneel before one of the
three black idols that stand between Bowanee and her worshippers; for his
religion, like mine, teaches to change life into nothingness."

"Humph!" said the voice, in a tone of some embarrassment; "these
comparisons are useless and inaccurate.  Only think of obeying him,
without explaining your obedience."

"Let him speak, and I perform his will!  I am in his hands like a corpse,
as he himself expresses it.  He has seen, he sees every day, my devotion
to his interests with regard to Prince Djalma.  He has only to say: `Kill
him!'and this son of a king--"

"For heaven's salve, do not have such ideas!" cried the voice,
interrupting the man in the cloak.  "Thank heaven, you will never be
asked for such proofs of your submission."

"What I am ordered I do.  Bowanee sees me."

"I do not doubt your zeal.  I know that you are a loving and intelligent
barrier, placed between the prince and many guilty interests; and it is
because I have heard of that zeal, of your skill in circumventing this
young Indian, and, above all, of the motives of your blind devotion, that
I have wished to inform you of everything.  You are the fanatical
worshipper of him you serve.  That is well; man should be the obedient
slave of the god he chooses for himself."

"Yes, my lord; so long as the god remains a god."

"We understand each other perfectly.  As for your recompense, you know
what I have promised."

"My lord, I have my reward already."

"How so?"

"I know what I know."

"Very well.  Then as for secrecy--"

"You have securities, my lord."

"Yes--and sufficient ones."

"The interest of the cause I serve, my lord, would alone be enough to
secure my zeal and discretion."

"True; you are a man of firm and ardent convictions."

"I strive to be so, my lord."

"And, after all, a very religious man in your way.  It is very
praiseworthy, in these irreligious times, to have any views at all on
such matters--particularly when those views will just enable me to count
upon your aid."

"You may count upon it, my lord, for the same reason that the intrepid
hunter prefers a jackal to ten foxes, a tiger to ten jackals, a lion to
ten tigers, and the welmiss to ten lions."

"What is the welmiss?"

"It is what spirit is to matter, the blade to the scabbard, the perfume
to the flower, the head to the body."

"I understand.  There never was a more just comparison.  You are a man of
sound judgment.  Always recollect what you have just told me, and make
yourself more and more worthy of the confidence of--your idol."

"Will he soon be in a state to hear me, my lord?"

"In two or three days, at most.  Yesterday a providential crisis saved
his life; and he is endowed with so energetic a will, that his cure will
be very rapid."

"Shall you see him again to-morrow, my lord?"

"Yes, before my departure, to bid him farewell."

"Then tell him a strange circumstance, of which I have not been able to
inform him, but which happened yesterday."

"What was it?"

"I had gone to the garden of the dead.  I saw funerals everywhere, and
lighted torches, in the midst of the black night, shining upon tombs.
Bowanee smiled in her ebon sky.  As I thought of that divinity of
destruction, I beheld with joy the dead-cart emptied of its coffins.  The
immense pit yawned like the mouth of hell; corpses were heaped upon
corpses, and still it yawned the same.  Suddenly, by the light of a
torch, I saw an old man beside me.  He wept.  I had seen him before.  He
is a Jew--the keeper of the house in the Rue Saint-Francois--you know
what I mean."  Here the man in the cloak started.

"Yes, I know; but what is the matter? why do you stop short?"

"Because in that house there has been for a hundred and fifty years the
portrait of a man whom I once met in the centre of India, on the banks of
the Ganges." And the man in the cloak again paused and shuddered.

"A singular resemblance, no doubt."

"Yes, my lord, a singular resemblance--nothing more."

"But the Jew--the old Jew?"

"I am coming to that, my lord.  Still weeping, he said to a gravedigger,
`Well! and the coffin?'  `You were right,' answered the man; `I found it
in the second row of the other grave.  It had the figure of a cross on
it, formed by seven black nails.  But how could you know the place and
the mark?'  'Alas! it is no matter,' replied the old Jew, with bitter
melancholy.  `You see that I was but too well informed on the subject.
But where is the coffin?'  `Behind the great tomb of black marble; I have
hidden it there.  So make haste; for, in the confusion, nothing will be
noticed.  You have paid me well, and I wish you to succeed in what you
require.'"

"And what did the old Jew do with the coffin marked with the seven black
nails?"

"Two men accompanied him, my lord, bearing a covered litter, with
curtains drawn round it.  He lighted a lantern, and, followed by these
two men, went towards the place pointed out by the gravedigger.  A
stoppage, occasioned by the dead-carts, made me lose sight of the old
Jew, whom I was following amongst the tombs.  Afterwards I was unable to
find him."

"It is indeed a strange affair.  What could this old Jew want with the
coffin?"

"It is said, my lord, that they use dead bodies in preparing their magic
charms."

"Those unbelievers are capable of anything--even of holding communication
with the Enemy of mankind.  However, we will look after this: the
discovery may be of importance."

At this instant a clock struck twelve in the distance.

"Midnight! already?"

"Yes, my lord."

"I must be gone.  Good-bye--but for the last time swear to me that,
should matters so turn out, as soon as you receive the other half of the
ivory crucifix I have just given you, you will keep your promise."

"I have sworn it by Bowanee, my lord."

"Don't forget that, to make all sure, the person who will deliver to you
the other half of the crucifix is to say--come, what is he to say?"

"He is to say, my lord: `There is many a slip 'twixt the cup and the
lip.'"

"Very well.  Adieu! secrecy and fidelity!"

"Secrecy and fidelity, my lord," answered the man in the cloak.

Some seconds after the hackney-coach started, carrying with it Cardinal
Malipieri, one of the speakers in the above dialogue.  The other, whom
the reader has no doubt recognized as Faringhea, returned to the little
garden-door of the house occupied by Djalma.  At the moment he was
putting the key into the lock, the door opened, to his great
astonishment, and a man came forth.  Faringhea rushed upon the unknown,
seized him violently by the collar, and exclaimed: "Who are you? whence
came you?"

The stranger evidently found the tone of this question anything but
satisfactory; for, instead of answering, he struggled to disengage
himself from Faringhea's hold, and cried out, in a loud voice: "Help!
Peter!"

Instantly the carriage, which had been standing a few yards off, dashed
up at full speed, and Peter, the tall footman, seizing the half-breed by
the shoulders, flung him back several paces, and thus made a seasonable
diversion in favor of the unknown.

"Now, sir," said the latter to Faringhea, shaking himself, and still
protected by the gigantic footman, "I am in a state to answer your
questions, though you certainly have a very rough way of receiving an old
acquaintance.  I am Dupont, ex-bailiff of the estate of Cardoville, and
it was I who helped to fish you out of the water, when the ship was
wrecked in which you had embarked."

By the light of the carriage-lamps, indeed, the half-caste recognized the
good, honest face of Dupont, formerly bailiff, and now house-steward, to
Mdlle. de Cardoville.  It must not be forgotten that Dupont had been the
first to write to Mdlle. de Cardoville, to ask her to interest herself
for Djalma, who was then detained at Cardoville Castle by the injuries he
had received during the shipwreck.

"But, sir, what is your business here?  Why do you introduce yourself
clandestinely into this house?" said Faringhea, in an abrupt and
suspicious tone.

"I will--just observe to you that there is nothing clandestine in the
matter.  I came here in a carriage, with servants in the livery of my
excellent mistress, Mdlle. de Cardoville, charged by her, without any
disguise or mystery, to deliver a letter to Prince Djalma, her cousin,"
replied Dupont, with dignity.

On these words, Faringhea trembled with mute rage, as he answered: "And
why, sir, come at this late hour, and introduce yourself by this little
door?"

"I came at this hour, my dear sir, because such was Mdlle. de
Cardoville's command, and I entered by this little gate because there is
every reason to believe that if I had gone around to the other I should
not have been permitted to see the prince."

"You are mistaken, sir," replied the half-caste.

"It is possible: but as we knew that the prince usually passed a good
portion of the night in the little saloon, which communicates with the
greenhouse, and as Mdlle. de Cardoville had kept a duplicate key of this
door, I was pretty certain, by taking this course, to be able to deliver
into the prince's own hands the letter from Mdlle. de Cardoville, his
cousin, which I have now had the honor of doing, my dear sir; and I have
been deeply touched by the kindness with which the prince deigned to
receive me and to remember our last interview."

"And who kept you so well informed, sir, of the prince's habits?" said
Faringhea, unable to control his vexation.

"If I have been well informed as to his habits, my dear sir, I have had
no such correct knowledge of yours," answered Dupont, with a mocking air;
"for I assure you that I had no more notion of seeing you than you had of
seeing me."

So saying, M. Dupont bowed with something like mock politeness to the
half-caste, and got into the carriage, which drove off rapidly, leaving
Faringhea in a state of the utmost surprise and anger.




CHAPTER XXXIX.

THE APPOINTMENT.

The morning after--Dupont's mission to Prince Djalma, the latter was
walking with hasty and impatient step up and down the little saloon,
which communicated, as we already know, with the greenhouse from which
Adrienne had entered when she first appeared to him.  In remembrance of
that day, he had chosen to dress himself as on the occasion in question;
he wore the same tunic of white cashmere, with a cherry-colored turban,
to match with his girdle; his gaiters, of scarlet velvet, embroidered
with silver, displayed the fine form of his leg, and terminated in small
white morocco slippers, with red heels.  Happiness has so instantaneous,
and, as it were, material an influence upon young, lively, and ardent
natures, that Djalma, dejected and despairing only the day before, was no
longer like the same person.  The pale, transparent gold of his
complexion was no longer tarnished by a livid hue.  His large eyes, of
late obscured like black diamonds by a humid vapor, now shone with mild
radiance in the centre of their pearly setting; his lips, long pale, had
recovered their natural color, which was rich and soft as the fine purple
flowers of his country.

Ever and anon, pausing in his hasty walk, he stopped suddenly, and drew
from his bosom a little piece of paper, carefully folded, which he
pressed to his lips with enthusiastic ardor.  Then, unable to restrain
the expression of his full happiness, he uttered a full and sonorous cry
of joy, and with a bound he was in front of the plate-glass which
separated the saloon from the conservatory, in which he had first seen
Mdlle. de Cardoville.  By a singular power of remembrance, or marvellous
hallucination of a mind possessed by a fixed idea, Djalma had often seen,
or fancied he saw, the adored semblance of Adrienne appear to him through
this sheet of crystal.  The illusion had been so complete, that, with his
eyes ardently fixed on the vision he invoked, he had been able, with the
aid of a pencil dipped in carmine, to trace with astonishing exactness,
the profile of the ideal countenance which the delirium of his
imagination had presented to his view.[42]  It was before these delicate
lines of bright carmine that Djalma now stood in deep contemplation,
after perusing and reperusing, and raising twenty times to his lips, the
letter he had received the night before from the hands of Dupont.  Djalma
was not alone.  Faringhea watched all the movements of the prince, with a
subtle, attentive, and gloomy aspect.  Standing respectfully in a corner
of the saloon, the half-caste appeared to be occupied in unfolding and
spreading out Djalma's sash, light, silky Indian web, the brown ground of
which was almost entirely concealed by the exquisite gold and silver
embroidery with which it was overlaid.

The countenance of the half-caste wore a dark and gloomy expression.  He
could not deceive himself.  The letter from Mdlle. de Cardoville,
delivered by Dupont to Djalma, must have been the cause of the delight he
now experienced, for, without doubt, he knew himself beloved.  In that
event, his obstinate silence towards Faringhea, ever since the latter had
entered the saloon, greatly alarmed the half-caste, who could not tell
what interpretation to put upon it.  The night before, after parting with
Dupont, he had hastened, in a state of anxiety easily understood, to look
for the prince, in the hope of ascertaining the effect produced by Mdlle.
de Cardoville's letter.  But he found the parlor door closed, and when he
knocked, he received no answer from within.  Then, though the night was
far advanced, he had dispatched a note to Rodin, in which he informed him
of Dupont's visit and its probable intention.  Djalma had indeed passed
the night in a tumult of happiness and hope, and a fever of impatience
quite impossible to describe.  Repairing to his bed-chamber only towards
the morning, he had taken a few moments of repose, and had then dressed
himself without assistance.

Many times, but in vain, the half-caste had discreetly knocked at the
door of Djalma's apartment.  It was only in the early part of the
afternoon that the prince had rung the bell to order his carriage to be
ready by half-past two.  Faringhea having presented himself, the prince
had given him the order without looking at him, as he might have done to
any other of his servants.  Was this suspicion, aversion, or mere absence
of mind on the part of Djalma?  Such were the questions which the half-
caste put to himself with growing anguish; for the designs of which he
was the most active and immediate instrument might all be ruined by the
least suspicion in the prince.

"Oh! the hours--the hours--how slow they are!" cried the young Indian,
suddenly, in a low and trembling voice.

"The day before yesterday, my lord, you said the hours were very long,"
observed Faringhea, as he drew near Djalma in order to attract his
attention.  Seeing that he did not succeed in this he advanced a few
steps nearer, and resumed: "Your joy seems very great, my lord; tell the
cause of it to your poor and faithful servant, that he also may rejoice
with you."

If he heard the words, Djalma did not pay any attention to them.  He made
no answer, and his large black eyes gazed upon vacancy.  He seemed to
smile admiringly upon some enchanting vision, and he folded his two hands
upon his bosom, in the attitude which his countrymen assume at the hour
of prayer.  After some instants of contemplation, he said: "What o'clock
is it?"--but he asked this question of himself, rather than of any third
person.

"It will soon be two o'clock, my lord," said Faringhea.

Having heard this answer, Djalma seated himself, and hid his face in his
hands, as if completely absorbed in some ineffable meditation.  Urged on
by his growing anxiety, and wishing at any cost to attract the attention
of Djalma, Faringhea approached still nearer to him, and, almost certain
of the effect of the words he was about to utter, said to him in a slow
and emphatic voice: "My lord, I am sure that you owe the happiness which
now transports you to Mdlle. de Cardoville."

Hardly had this name been pronounced, than Djalma started from his chair,
looked the half-breed full in the face, and exclaimed, as if only just
aware of his presence, "Faringhea! you here!--what is the matter?"

"Your faithful servant shares in your joy, my lord."

"What joy?"

"That which the letter of Mdlle. de Cardoville has occasioned, my lord."

Djalma returned no answer, but his eye shone with so much serene
happiness, that the half-caste recovered from his apprehensions.  No
cloud of doubt or suspicion obscured the radiant features of the prince.
After a few moments of silence, Djalma fixed upon the half-caste a look
half-veiled with a tear of joy, and said to him, with the expression of
one whose heart overflows with love and happiness: "Oh! such delight is
good--great--like heaven!--for it is heaven which--"

"You deserve this happiness, my lord, after so many sufferings."

"What sufferings?--Oh! yes.  I formerly suffered at Java; but that was
years ago."

"My lord, this great good fortune does not astonish me.  What have I
always told you?  Do not despair; feign a violent passion for some other
woman, and then this proud young lady--"

At these words Djalma looked at the half-caste with so piercing a glance,
that the latter stopped short; but the prince said to him with
affectionate goodness, "Go on! I listen."

Then, leaning his chin upon his hand, and his elbow on his knee, he gazed
so intently on Faringhea, and yet with such unutterable mildness, that
even that iron soul was touched for a moment with a slight feeling of
remorse.

"I was saying, my lord," he resumed, "that by following the counsels of
your faithful slave, who persuaded you to feign a passionate love for
another woman, you have brought the proud Mdlle. de Cardoville to come to
you.  Did I not tell you it would be so?"

"Yes, you did tell me so," answered Djalma, still maintaining the same
position, and examining the half-caste with the same fixed and mild
attention.

The surprise of Faringhea increased; generally, the prince, without
treating him with the least harshness, preserved the somewhat distant and
imperious manners of their common country, and he had never before spoken
to him with such extreme mildness.  Knowing all the evil he had done the
prince, and suspicious as the wicked must ever be, the half-caste thought
for a moment, that his master's apparent kindness might conceal a snare.
He continued, therefore, with less assurance, "Believe me, my lord, this
day, if you do but know how to profit by your advantages, will console
you for all your troubles, which have indeed been great--for only
yesterday, though you were generous enough to forget it, only yesterday
you suffered cruelly--but you were not alone in your sufferings.  This
proud young lady suffered also!"

"Do you think so?" said Djalma.

"Oh! it is quite sure, my lord.  What must she not have felt, when she
saw you at the theatre with another woman!--If she loved you only a
little, she must have been deeply wounded in her self-esteem; if she
loved you with passion, she must have been struck to the heart.  At
length, you see, wearied out with suffering, she has come to you."

"So that, any way, she must have suffered--and that does not move your
pity?" said Djalma, in a constrained, but still very mild voice.

"Before thinking of others, my lord, I think of your distresses; and they
touch me too nearly to leave me any pity for other woes," added Faringhea
hypocritically, so greatly had the influence of Rodin already modified
the character of the Phansegar.

"It is strange!" said Djalma, speaking to himself, as he viewed the half-
caste with a glance still kind but piercing.

"What is strange, my lord?"

"Nothing.  But tell me, since your advice has hitherto prospered so well,
what think you of the future?"

"Of the future, my lord?"

"Yes; in an hour I shall be with Mdlle. de Cardoville."

"That is a serious matter, my lord.  The whole future will depend upon
this interview."

"That is what I was just thinking."

"Believe me, my lord, women never love any so well, as the bold man who
spares them the embarrassment of a refusal."

"Explain more fully."

"Well, my lord, they despise the timid and languishing lover, who asks
humbly for what he might take by force."

"But to-day I shall meet Mdlle. de Cardoville for the first time."

"You have met her a thousand times in your dreams, my lord; and depend
upon it, she has seen you also in her dreams, since she loves you.  Every
one of your amorous thoughts has found an echo in her heart.  All your
ardent adorations have been responded to by her.  Love has not two
languages, and, without meeting, you have said all that you had to say to
each other.  Now, it is for you to act as her master, and she will be
yours entirely."

"It is strange--very strange!" said Djalma, a second time, without
removing his eyes from Faringhea's face.

Mistaking the sense which the prince attached to these words, the half-
caste resumed: "Believe me, my lord, however strange it may appear, this
is the wisest course.  Remember the past.  Was it by playing the part of
a timid lover that you have brought to your feet this proud young lady,
my lord?  No, it was by pretending to despise her, in favor of another
woman.  Therefore, let us have no weakness.  The lion does not woo like
the poor turtle-dove.  What cares the sultan of the desert for a few
plaintive howls from the lioness, who is more pleased than angry at his
rude and wild caresses?  Soon submissive, fearful and happy, she follows
in the track of her master.  Believe me, my lord--try everything--dare
everything--and to-day you will become the adored sultan of this young
lady, whose beauty all Paris admires."

After some minutes' silence, Djalma, shaking his head with an expression
of tender pity, said to the half-caste, in his mild, sonorous voice: "Why
betray me thus?  Why advise me thus wickedly to use violence, terror, and
surprise, towards an angel of purity, whom I respect as my mother?  Is it
not enough for you to have been so long devoted to my enemies, whose
hatred has followed me from Java?"

Had Djalma sprung upon the half-caste with bloodshot eye, menacing brow,
and lifted poniard, the latter would have been less surprised, and
perhaps less frightened, than when he heard the prince speak of his
treachery in this tone of mild reproach.

He drew back hastily, as if about to stand on his guard.  But Djalma
resumed, with the same gentleness, "Fear nothing.  Yesterday I should
have killed you! But to-day happy love renders me too just, too merciful
for that.  I pity you, without any feeling of bitterness--for you must
have been very unhappy, or you could not have become so wicked."

"My lord!" said the half-caste, with growing amazement.

"Yes, you must have suffered much, and met with little mercy, poor
creature, to have become so merciless, in your hate, and proof against
the sight of a happiness like mine.  When I listened to you just now, and
saw the sad perseverance of your hatred, I felt the deepest commiseration
for you."

"I do not know, my lord--but--" stammered the half-caste, and was unable
to find words to proceed.

"Come, now--what harm have I ever done you?"

"None, my lord," answered Faringhea.

"Then why do you hate me thus? why pursue me with so much animosity?  Was
it not enough to give me the perfidious counsel to feign a shameful love
for the young girl that was brought hither, and who quitted the house
disgusted at the miserable part she was to play?"

"Your feigned love for that young girl, my lord," replied Faringhea,
gradually recovering his presence of mind, "conquered the coldness of--"

"Do not say that," resumed the prince, interrupting him with the same
mildness.  "If I enjoy this happiness, which makes me compassionate
towards you, and raises me above myself, it is because Mdlle de
Cardoville now knows that I have never for a moment ceased to love her as
she ought to be loved, with adoration and reverence.  It was your
intention to have parted us forever, and you had nearly succeeded."

"If you think this of me, my lord, you must look upon me as your most
mortal enemy."

"Fear nothing, I tell you.  I have no right to blame you.  In the madness
of my grief, I listened to you and followed your advice.  I was not only
your dupe, but your accomplice.  Only confess that, when you saw me at
your mercy, dejected, crushed, despairing, it was cruel in you to advise
the course that might have been most fatal to me."

"The ardor of my zeal may have deceived me, my lord."

"I am willing to believe it.  And yet again to-day there were the same
evil counsels.  You had no more pity for my happiness than for my sorrow.
The rapture of my heart inspires you with only one desire--that of
changing this rapture into despair."

"I, my lord!"

"Yes, you.  It was your intention to ruin me--to dishonor me forever in
the eyes of Mdlle. de Cardoville.  Now, tell me--why this furious hate?
what have I done to you?"

"You misjudge me, my lord--and--"

"Listen to me.  I do not wish you to be any longer wicked and
treacherous.  I wish to make you good.  In our country, they charm
serpents, and tame the wildest tigers.  You are a man, with a mind to
reason, a heart to love, and I will tame you too by gentleness.  This day
has bestowed on me divine happiness; you shall have good cause to bless
this day.  What can I do for you?  what would you have--gold?  You shall
have it.  Do you desire more than gold?  Do you desire a friend, to
console you for the sorrows that made you wicked, and to teach you to be
good?  Though a king's son, I will be that friend--in spite of the evil--
ay, because of the evil you have done me.  Yes; I will be your sincere
friend, and it shall be my delight to say to myself: `The day on which I
learned that my angel loved me, my happiness was great indeed--for, in
the morning, I had an implacable enemy, and, ere night, his hatred was
changed to friendship.'  Believe me, Faringhea, misery makes crime, but
happiness produces virtue.  Be happy!"

At this moment the clock struck two.  The prince started.  It was time to
go on his visit to Adrienne.  The handsome countenance of Djalma, doubly
embellished by the mild, ineffable expression with which it had been
animated whilst he was talking to the half-caste, now seemed illumined
with almost divine radiance.

Approaching Faringhea, he extended his hand with the utmost, grace and
courtesy, saying to him, "Your hand!"

The half-caste, whose brow was bathed with a cold sweat, whose
countenance was pale and agitated, seemed to hesitate for an instant;
then, overawed, conquered, fascinated, he offered his trembling hand to
the prince, who pressed it, and said to him, in their country's fashion,
"You have laid your hand honestly in a friend's; this hand shall never be
closed against you.  Faringhea, farewell!  I now feel myself more worthy
to kneel before my angel."

And Djalma went out, on his way to the appointment with Adrienne.  In
spite of his ferocity, in spite of the pitiless hate he bore to the whole
human race, the dark sectary of Bowanee was staggered by the noble and
clement words of Djalma, and said to himself, with terror, "I have taken
his hand.  He is now sacred for me."

Then, after a moment's silence, a thought occurred to him, and he
exclaimed, "Yes--but he will not be sacred for him who, according to the
answer of last night, waits for him at the door of the house."

So saying, the half-caste hastened into the next room, which looked upon
the street, and, raising a corner of the curtain, muttered anxiously to
himself, "The carriage moves off--the man approaches.  Perdition! it is
gone and I see no more."




CHAPTER XL.

ANXIETY.

By a singular coincidence of ideas, Adrienne, like Djalma, had wished to
be dressed exactly in the same costume as at their interview in the house
in the Rue Blanche.  For the site of this solemn meeting, so important to
her future happiness, Adrienne had chosen, with habitual tact, the grand
drawing-room of Cardoville House, in which hung many family portraits.
The most apparent were those of her father and mother.  The room was
large and lofty, and furnished, like those which preceded it, with all
the imposing splendor of the age of Louis XIV.  The ceiling, painted by
Lebrun, to represent the Triumph of Apollo, displayed his bold designing
and vigorous coloring, in the centre of a wide cornice, magnificently
carved and gilt, and supported at its angles by four large gilt figures,
representing the Seasons.  Huge panels, covered with crimson damask, and
set in frames, served as the background to the family portraits which
adorned this apartment.  It is easier to conceive than describe the
thousand conflicting emotions which agitated the bosom of Mdlle. de
Cardoville as the moment approached for her interview with Djalma.  Their
meeting had been hitherto prevented by so many painful obstacles, and
Adrienne was so well aware of the vigilant and active perfidy of her
enemies, that even now she doubted of her happiness.  Every instant, in
spite of herself, her eyes wandered to the clock.  A few minutes more,
and the hour of the appointment would strike.  It struck at last.  Every
reverberation was echoed from the depth of Adrienne's heart.  She
considered that Djalma's modest reserve had, doubtless, prevented his
coming before the moment fixed by herself.  Far from blaming this
discretion, she fully appreciated it.  But, from that moment, at the
least noise in the adjoining apartments, she held her breath and listened
with the anxiety of expectation.

For the first few minutes which followed the hour at which she expected
Djalma, Mdlle. de Cardoville felt no serious apprehension, and calmed her
impatience by the notion (which appears childish enough to those who have
never known the feverish agitation of waiting for a happy meeting), that
perhaps the clocks in the Rue Blanche might vary a little from those in
the Rue d'Anjou.  But when this supposed variation, conceivable enough in
itself, could no longer explain a delay of a quarter of an hour, of
twenty minutes, of more, Adrienne felt her anxiety gradually increase.
Two or three times the young girl rose, with palpitating heart, and went
on tip-toe to listen at the door of the saloon.  She heard nothing.  The
clock struck half-past three.

Unable to suppress her growing terror, and clinging to a last hope,
Adrienne returned towards the fireplace and rang the bell.  After which
she endeavored to compose her features, so as to betray no outward sign
of emotion.  In a few seconds, a gray-haired footman, dressed in black,
opened the door, and waited in respectful silence for the orders of his
mistress.  The latter said to him, in a calm voice, "Andrew, request Hebe
to give you the smelling bottle that I left on the chimney-piece in my
room, and bring it me here."  Andrew bowed; but just as he was about to
withdraw to execute Adrienne's orders, which was only a pretext to enable
her to ask a question without appearing to attach much importance to it
in her servant's eyes, already informed of the expected visit of the
prince, Mdlle. de Cardoville added, with an air of indifference.  "Pray,
is that clock right?"

Andrew drew out his watch, and replied as he cast his eyes upon it, "Yes,
mademoiselle.  I set my watch by the Tuileries.  It is more than half-
past three."

"Very well--thank you!" said Adrienne kindly.

Andrew again bowed; but, before going out, he said to Adrienne, "I forgot
to tell you, lady, that Marshal Simon called about an hour ago; but, as
you were only to be at home to Prince Djalma, we told him that you
received no company."

"Very well," said Adrienne.  With another low bow, Andrew quitted the
room, and all returned to silence.

For the precise reason that, up to the last minute of the hour previous
to the time fixed for her interview with Djalma, the hopes of Adrienne
had not been disturbed by the slightest shadow of doubt, the
disappointment she now felt was the more dreadful.  Casting a desponding
look at one of the portraits placed above her, she murmured, with a
plaintive and despairing accent, "Oh, mother!"

Hardly had Mdlle. de Cardoville uttered the words than the windows were
slightly shaken by a carriage rolling into the courtyard.  The young lady
started, and was unable to repress a low cry of joy.  Her heart bounded
at the thought of meeting Djalma, for this time she felt that he was
really come.  She was quite as certain of it as if she had seen him.  She
resumed her seat and brushed away a tear suspended from her long
eyelashes.  Her hand trembled like a leaf.  The sound of several doors
opening and shutting proved that the young lady was right in her
conjecture.  The gilded panels of the drawing-room door soon turned upon
their hinges, and the prince appeared.

While a second footman ushered in Djalma, Andrew placed on a gilded
table, within reach of his mistress, a little silver salver, on which
stood the crystal smelling-bottle.  Then he withdrew, and the door of the
room was closed.  The prince and Mdlle. de Cardoville were left alone
together.




CHAPTER XLI.

ADRIENNE AND DJALMA.

The prince had slowly approached Mdlle. de Cardoville.  Notwithstanding
the impetuosity of the Oriental's passions, his uncertain and timid step-
-timid, yet graceful--betrayed his profound emotion.  He did not venture
to lift his eyes to Adrienne's face; he had suddenly become very pale,
and his finely formed hands, folded over his bosom in the attitude of
adoration, trembled violently.  With head bent down, he remained standing
at a little distance from Adrienne.  This embarrassment, ridiculous in
any other person, appeared touching in this prince of twenty years of
age, endowed with an almost fabulous intrepidity, and of so heroic and
generous a character, that no traveller could speak of the son of Kadja-
sing without a tribute of admiration and respect.  Sweet emotion! chaste
reserve! doubly interesting if we consider that the burning passions of
this youth were all the more inflammable, because they had hitherto been
held in check.

No less embarrassed than her cousin, Adrienne de Cardoville remained
seated.  Like Djalma, she cast down her eyes; but the burning blush on
her cheeks, the quick heaving of her virgin bosom, revealed an emotion
that she did not even attempt to hide.  Notwithstanding the powers of her
mind, by turns gay, graceful, and witty--notwithstanding the decision of
her proud and independent character, and her complete acquaintance with
the manners of the world--Adrienne shared Djalma's simple and enchanting
awkwardness, and partook of that kind of temporary weakness, beneath
which these two pure, ardent, and loving beings appeared sinking--as if
unable to support the boiling agitation of the senses, combined with the
intoxicating excitement of the heart.  And yet their eyes had not met.
Each seemed to fear the first electric shock of the other's glance--that
invincible attraction of two impassioned beings--that sacred fire, which
suddenly kindles the blood, and lifts two mortals from earth to heaven;
for it is to approach the Divinity to give one's self up with religious
fervor to the most noble and irresistible sentiment that He has implanted
within us--the only sentiment that, in His adorable wisdom, the Dispenser
of all good has vouchsafed to sanctify, by endowing it with a spark of
His own creative energy.

Djalma was the first to raise his eyes.  They were moist and sparkling.
The excitement of passionate love, the burning ardor of his age, so long
repressed, the intense admiration in which he held ideal beauty, were all
expressed in his look, mingled with respectful timidity, and gave to the
countenance of this youth an undefinable, irresistible character.  Yes,
irresistible!--for, when Adrienne encountered his glance, she trembled in
every limb, and felt herself attracted by a magnetic power.  Already, her
eyes were heavy with a kind of intoxicating languor, when, by a great
effort of will and dignity, she succeeded in overcoming this delicious
confusion, rose from her chair, and said to Djalma in a trembling voice:
"Prince, I am happy to receive you here."  Then, pointing to one of the
portraits suspended above her, she added, as if introducing him to a
living person: "Prince--my mother!"

With an instinct of rare delicacy, Adrienne had thus summoned her mother
to be present at her interview with Djalma.  It seemed a security for
herself and the prince, against the seductions of a first interview--
which was likely to be all the more perilous, that they both knew
themselves madly loved that they both were free, and had only to answer
to Providence for the treasures of happiness and enjoyment with which He
had so magnificently endowed them.  The prince understood Adrienne's
thoughts; so that, when the young lady pointed to the portrait, Djalma,
by a spontaneous movement full of grace and simplicity, knelt down before
the picture, and said to it in a gentle, but manly voice: "I will love
and revere you as my mother.  And, in thought, my mother too shall be
present, and stand like you, beside your child!"

No better answer could have been given to the feeling which induced
Mdlle. de Cardoville to place herself, as it were, under the protection
of her mother.  From that moment, confident in Djalma, confident in
herself, the young lady felt more at her ease, and the delicious sense of
happiness replaced those exciting emotions, which had at first so
violently agitated her.

Then, seating herself once more, she said to Djalma, as she pointed to
the opposite chair: "Pray take a seat, my dear cousin; and allow me to
call you so, for there is too much ceremony in the word prince; and do
you call me cousin also, for I find other names too grave.  Having
settled this point, we can talk together like old friends."

"Yes cousin," answered Djalma, blushing.

"And, as frankness is proper between friends," resumed Adrienne, "I have
first to make you a reproach," she added, with a half-smile.

The prince had remained standing, with his arm resting on the chimney-
piece, in an attitude full of grace and respect.

"Yes, cousin," continued Adrienne, "a reproach, that you will perhaps
forgive me for making.  I had expected you a little sooner."

"Perhaps, cousin, you may blame me for having come so soon."

"What do you mean?"

"At the moment when I left home, a man, whom I did not know, approached
my carriage, and said to me, with such an air of sincerity that I
believed him: `You are able to save the life of a person who has been a
second father to you.  Marshal Simon is in great danger, and, to rescue
him, you must follow me on the instant--'"

"It was a snare," cried Adrienne, hastily.  "Marshal Simon was here,
scarcely an hour ago."

"Indeed!" exclaimed Djalma, joyfully, and as if he had been relieved from
a great weight.  "Then there will be nothing to sadden this happy day!"

"But, cousin," resumed Adrienne, "how came you not to suspect this
emissary?"

"Some words, which afterwards escaped from him, inspired me with doubts,"
answered Djalma: "but at first I followed him, fearing the marshal might
be in danger--for I know that he also has enemies."

"Now that I reflect on it, you were quite right, cousin, for some new
plot against the marshal was probable enough; and the least doubt was
enough to induce you to go to him."

"I did so--even though you were waiting for me."

"It was a generous sacrifice; and my esteem for you is increased by it,
if it could be increased," said Adrienne, with emotion.  "But what became
of this man?"

"At my desire, he got into the carriage with me.  Anxious about the
marshal, and in despair at seeing the time wasted, that I was to have
passed with you, cousin, I pressed him with all sorts of questions.
Several times, he replied to me with embarrassment, and then the idea
struck me that the whole might be a snare.  Remembering all that they had
already attempted, to ruin me in your opinion, I immediately changed my
course.  The vexation of the man who accompanied me then because so
visible, that I ought to have had no doubt upon the subject.  Still, when
I thought of Marshal Simon, I felt a kind of vague remorse, which you,
cousin, have now happily set at rest."

'Those people are implacable!" said Adrienne; "but our happiness will be
stronger than their hate."

After a moment's silence, she resumed, with her habitual frankness: "My
dear cousin, it is impossible for me to conceal what I have at heart.
Let us talk for a few seconds of the past, which was made so painful to
us, and then we will forget it forever, like an evil dream."

"I will answer you sincerely, at the risk of injuring myself," said the
prince.

"How could you make up your mind to exhibit yourself in public with--?"

"With that young girl?" interrupted Djalma.

"Yes, cousin," replied Mdlle. de Cardoville, and she waited for Djalma's
answer with anxious curiosity.

"A stranger to the customs of this country," said Djalma, without any
embarrassment, for he spoke the truth, "with a mind weakened with
despair, and misled by the fatal counsels of a man devoted to my enemies,
I believed, even as I was told, that, by displaying before you the
semblance of another love, I should excite your jealousy, and thus--"

"Enough, cousin; I understand it all," said Adrienne hastily,
interrupting Djalma in her turn, that she might spare him a painful
confession.  "I too must have been blinded by despair, not to have seen
through this wicked plot, especially after your rash and intrepid action.
To risk death for the sake of my bouquet!" added Adrienne, shuddering at
the mere remembrance.  "But one last question," she resumed, "though I am
already sure of your answer.  Did you receive a letter that I wrote to
you, on the morning of the day in which I saw you at the theatre?"

Djalma made no reply.  A dark cloud passed over his fine countenance,
and, for a second, his features assumed so menacing an expression, that
Adrienne was terrified at the effect produced by her words.  But this
violent agitation soon passed away, and Djalma's brow became once more
calm and serene.

"I have been more merciful that I thought," said the prince to Adrienne,
who looked at him with astonishment.  "I wished to come hither worthy of
you, my cousin.  I pardoned the man who, to serve my enemies, had given
me all those fatal counsels.  The same person, I am sure, must have
intercepted your letter.  Just now, at the memory of the evils he thus
caused me, I, for a moment, regretted my clemency.  But then, again, I
thought of your letter of yesterday--and my anger is all gone."

"Then the sad time of fear and suspicion is over--suspicion, that made me
doubt of your sentiments, and you of mine.  Oh, yes! far removed from us
be that fatal past!" cried Adrienne de Cardoville, with deep joy..

Then, as if she had relieved her heart from the last thought of sadness,
she continued: "The future is all your own--the radiant future, without
cloud or obstacle, pure in the immensity of its horizon, and extending
beyond the reach of sight!"

It is impossible to describe the tone of enthusiastic hope which
accompanied these words.  But suddenly Adrienne's features assumed an
expression of touching melancholy, and she added, in a voice of profound
emotion: "And yet--at this hour--so many unfortunate creatures suffer
pain!"

This simple touch of pity for the misfortunes of others, at the moment
when the noble maiden herself attained to the highest point of happiness,
had such an effect on Djalma, that involuntarily he fell on his knees
before Adrienne, clasped his hands together, and turned towards her his
fine countenance, with an almost daring expression.  Then, hiding his
face in his hands, he bowed his head without speaking a single word.
There was a moment of deep silence.  Adrienne was the first to break it,
as she saw a tear steal through the slender fingers of the prince.

"My friend! what is the matter?" she exclaimed, as with a movement rapid
as thought, she stooped forward, and taking hold of Djalma's hands, drew
them from before his face.  That face was bathed in tears.

"You weep!" cried Mdlle. de Cardoville, so much agitated that she kept
the hands of Djalma in her own; and, unable to dry his tears, the young
Hindoo allowed them to flow like so many drops of crystal over the pale
gold of his cheeks.

"There is not in this wide world a happiness like to mine!" said the
prince, in his soft, melodious voice, and with a kind of exhaustion:
"therefore do I feel great sadness, and so it should be.  You give me
heaven--and were I to give you the whole earth, it would be but a poor
return.  Alas! what can man do for a divinity, but humbly bless and
adore?  He can never hope to return the gifts bestowed: and this makes
him suffer--not in his pride--but in his heart!"

Djalma did not exaggerate.  He said what he really felt: and the rather
hyperbolical form, familiar to Oriental nations, could alone express his
thought.  The tone of his regret was so sincere, his humility so gentle
and full of simplicity, that Adrienne, also moved to tears, answered him
with an effusion of serious tenderness, "My friend, we are both at the
supreme point of happiness.  Our future felicity appears to have no
limits, and yet, though derived from different sources, sad reflections
have come to both of us.  It is, you see, that there are some sorts of
happiness, which make you dizzy with their own immensity.  For a moment,
the heart, the mind, the soul, are incapable of containing so much bliss;
it overflows and drowns us.  Thus the flowers sometimes hang their heads,
oppressed by the too ardent rays of the sun, which is yet their love and
life.  Oh, my friend! this sadness may be great, but it also sweet!"

As she uttered these words, the voice of Adrienne grew fainter and
fainter, and her head bowed lower, as if she were indeed sinking beneath
the weight of her happiness.  Djalma had remained kneeling before her,
his hands in hers--so that as she thus bent forward, her ivory forehead
and golden hair touched the amber-colored brow and ebon curls of Djalma.
And the sweet, silent tears of the two young lovers flowed together, and
mingled as they fell on their clasped hands.

Whilst this scene was passing in Cardoville House, Agricola had gone to
the Rue de Vaugirard, to deliver a letter from Adrienne to M. Hardy.




CHAPTER XLII.

"THE IMITATION."

As we have already said, M. Hardy occupied a pavilion in the "Retreat"
annexed to the house in the Rue de Vaugirard, inhabited by a goodly
number of the reverend fathers of the Company of Jesus.  Nothing could be
calmer and more silent than this dwelling.  Every one spoke in whispers,
and the servants themselves had something oily in their words, something
sanctified in their very walk.

Like all that is subject to the chilling and destructive influences of
these men, this mournfully quiet house was entirely wanting in life and
animation.  The boarders passed an existence of wearisome and icy
monotony, only broken by the use of certain devotional exercises; and
thus, in accordance with the selfish calculation of the reverend fathers,
the mind, deprived of all nourishment and all external support, soon
began to droop and pine away in solitude.  The heart seemed to beat more
slowly, the soul was benumbed, the character weakened; at last, all
freewill, all power of discrimination, was extinguished, and the
boarders, submitting to the same process of self-annihilation as the
novices of the Company, became, like them, mere "corpses" in the hands of
the brotherhood.

The object of these manoeuvres was clear and simple.  They secured the
means of obtaining all kinds of donations, the constant aim of the
skillful policy and merciless cupidity of these priests.  By the aid of
enormous sums, of which they thus become the possessors or the trustees,
they follow out and obtain the success of their projects, even though
murder, incendiarism, revolt, and all the horrors of civil war, excited
by and through them, should drench in blood the lands over which they
seek to extend their dark dominion.

Such, then, was the asylum of peace and innocence in which Francois Hardy
had taken refuge.  He occupied the ground-floor of a summer-house, which
opened upon a portion of the garden.  His apartments had been judiciously
chosen, for we know with what profound and diabolical craft the reverend
fathers avail themselves of material influences, to make a deep
impression upon the minds they are moulding to their purpose.  Imagine a
prospect bounded by a high wall, of a blackish gray, half-covered with
ivy, the plant peculiar to ruins.  A dark avenue of old yew-trees, so fit
to shade the grave with their sepulchral verdure, extended from this wall
to a little semicircle, in front of the apartment generally occupied by
M. Hardy.  Two or three mounds of earth, bordered with box, symmetrically
cut, completed the charms of this garden, which in every respect
resembled a cemetery.

It was about two o'clock in the afternoon.  Though the April sun shone
brightly, its rays, intercepted by the high wall of which we have spoken,
could not penetrate into that portion of the garden, obscure, damp, and
cold as a cavern, which communicated with M. Hardy's apartment.  The room
was furnished with a perfect sense of the comfortable.  A soft carpet
covered the floor; thick curtains of dark green baize, the same color as
the walls, sheltered an excellent bed, and hung in folds about the glass-
door, which opened on the garden.  Some pieces of mahogany furniture,
plain, but very clean and bright, stood round the room.  Above the
secretary, placed just in front of the bed, was a large ivory crucifix,
upon a black velvet ground.  The chimney-piece was adorned with a clock,
in an ebony case, with ivory ornaments representing all sorts of gloomy
emblems, such as hour-glasses, scythes, death's-heads, etc.  Now imagine
this scene in twilight, with its solitary and mournful silence, only
broken at the hour of prayer by the lugubrious sound of the bells of the
neighboring chapel, and you will recognize the infernal skill, with which
these dangerous priests know how to turn to account every external
object, when they wish to influence the mind of those they are anxious to
gain over.

And this was not all.  After appealing to the senses, it was necessary to
address themselves to the intellect--and this was the method adopted by
the reverend fathers.  A single book--but one--was left, as if by chance,
within reach.  This book was Thomas a Kempis' "Imitation."  But as it
might happen that M. Hardy would not have the courage or the desire to
read this book, thoughts and reflections borrowed from its merciless
pages, and written in very large characters, were suspended in black
frames close to the bed, or at other parts within sight, so that,
involuntarily, in the sad leisure of his inactive dejection, the
dweller's eyes were almost necessarily attracted by them.  To that fatal
circle of despairing thoughts they confined the already weakened mind of
this unfortunate man, so long a prey to the most acute sorrow.  What he
read mechanically, every instant of the day and night, whenever the
blessed sleep fled from his eyes inflamed with tears, was not enough
merely to plunge the soul of the victim into incurable despair, but also
to reduce him to the corpse-like obedience required by the Society of
Jesus.  In that awful book may be found a thousand terrors to operate on
weak minds, a thousand slavish maxims to chain and degrade the
pusillanimous soul.

And now imagine M. Hardy carried wounded into this house; while his
heart, torn by bitter grief and the sense of horrible treachery, bled
even faster than his external injuries.  Attended with the utmost care,
and thanks to the acknowledged skill of Dr. Baleinier, M. Hardy soon
recovered from the hurts he had received when he threw himself into the
embers of his burning factory.  Yet, in order to favor the projects of
the reverend fathers, a drug, harmless enough in its effects, but
destined to act for a time upon the mind of the patient, and often
employed for that purpose in similar important cases by the pious doctor,
was administered to Hardy, and had kept him pretty long in a state of
mental torpor.  To a soul agonized by cruel deceptions, it appears an
inestimable benefit to be plunged into that kind of torpor, which at
least prevents one from dwelling upon the past.

Hardy resigned himself entirely to this profound apathy, and at length
came to regard it as the supreme good.  Thus do unfortunate wretches,
tortured by cruel diseases, accept with gratitude the opiate which kills
them slowly, but which at least deadens the sense of pain.

In sketching the portrait of M. Hardy, we tried to give some idea of the
exquisite delicacy of his tender soul, of his painful susceptibility with
regard to anything base or wicked, and of his extreme goodness,
uprightness, and generosity.  We now allude to these admirable qualities,
because we must observe, that with him, as with almost all who possess
them, they were not, and could not be, united with an energetic and
resolute character.  Admirably persevering in good deeds, the influence
of this excellent man, was insinuating rather than commanding; it was not
by the bold energy and somewhat overbearing will, peculiar to other men
of great and noble heart, that Hardy had realized the prodigy of his
Common Dwelling-house; it was by affectionate persuasion, for with him
mildness took the place of force.  At sight of any baseness or injustice,
he did not rouse himself, furious and threatening; but he suffered
intense pain.  He did not boldly attack the criminal, but he turned away
from him in pity and sorrow.  And then his loving heart, so full of
feminine delicacy, had an irresistible longing for the blessed contact of
dear affections; they alone could keep it alive.  Even as a poor, frail
bird dies with the cold, when it can no longer lie close to its brethren,
and receive and communicate the sweet warmth of the maternal nest.  And
now this sensitive organization, this extremely susceptible nature,
receives blow after blow from sorrows and deceptions, one of which would
suffice to shake, if it did not conquer, the firmest and most resolute
character.  Hardy's best friend has infamously betrayed him.  His adored
mistress has abandoned him.

The house which he had founded for the benefit of his workmen, whom he
loved as brethren, is reduced to a heap of ashes.  What then happens?
All the springs of his soul are at once broken.  Too feeble to resist
such frightful attacks, too fatally deceived to seek refuge in other
affections, too much discouraged to think of laying the first stone of
any new edifice--this poor heart, isolated from every salutary influence,
finds oblivion of the world and of itself in a kind of gloomy torpor.
And if some remaining instincts of life and affection, at long intervals,
endeavored to rouse themselves within him, and if, half-opening his
mind's eye, which he had kept closed against the present, the past, and
the future, Hardy looks around him--what does he see?  Only these
sentences, so full of terrible despair:

"Thou art nothing but dust and ashes.  Grief and tears art thy portion.
Believe not in any son of man.  There are no such things as friendship or
ties of kindred.  All human affections are false.  Die in the morning,
and thou wilt be forgotten before night.  Be humble--despise thyself--and
let others despise thee.  Think not, reason not, live not--but commit thy
fate to the hands of a superior, who will think and reason for thee.
Weep, suffer, think upon death.  Yes, death! always death--that should be
thy thought when thou thinkest--but it is better not to think at all.
Let a feeling of ceaseless woe prepare thy way to heaven.  It is only by
sorrow that we are welcome to the terrible God whom we adore!"

Such were the consolations offered to this unfortunate man.  Affrighted,
he again closed his eyes, and fell back into his lethargy.  As for
leaving this gloomy retreat, he could not, or rather he did not desire to
do so.  He had lost the power of will; and then, it must be confessed, he
had finished by getting accustomed to this house, and liked it well--they
paid him such discreet attentions, and yet left him so much alone with
his grief--there reigned all around such a death-like silence, which
harmonized closely with the silence of his heart; and that was now the
tomb of his last love, last friendship, last hope.  All energy was dead
within him!  Then began that slow, but inevitable transformation, so
judiciously foreseen by Rodin, who directed the whole of this
machination, even in its smallest details.  At first alarmed by the
dreadful maxims which surrounded him, M. Hardy had at length accustomed
himself to read them over almost mechanically, just as the captive, in
his mournful hours of leisure, counts the nails in the door of his
prison, or the bars of the grated window.  This was already a great point
gained by the reverend fathers.

And soon his weakened mind was struck with the apparent correctness of
these false and melancholy aphorisms.

Thus he read: "Do not count upon the affection of any human creature"--
and he had himself been shamefully betrayed.

"Man is born to sorrow and despair"--and he was himself despairing.

"There is no rest save in the cessation of thought"--and the slumber of
his mind had brought some relief to his pain.

Peepholes, skillfully concealed by the hangings and in the wainscoting of
these apartments, enabled the reverend fathers at all times to see and
hear the boarders, and above all to observe their countenance and manner,
when they believed themselves to be alone.  Every exclamation of grief
which escaped Hardy in his gloomy solitude, was repeated to Father
d'Aigrigny by a mysterious listener.  The reverend father, following
scrupulously Rodin's instructions, had at first visited his boarder very
rarely.  We have said, that when Father d'Aigrigny wished it, he could
display an almost irresistible power of charming, and accordingly he
threw all his tact and skill into the interviews he had with Hardy, when
he came from time to time to inquire after his health.  Informed of
everything by his spies, and aided by his natural sagacity, he soon saw
all the use that might be made of the physical and moral prostration of
the boarder.  Certain beforehand that Hardy would not take the hint, he
spoke to him frequently of the gloom of the house, advising him
affectionately to leave it, if he felt oppressed by its monotony, or at
all events to seek beyond its walls for some pleasure and amusement.  To
speak of pleasure and amusement to this unfortunate man, was in his
present state to insure a refusal, and so it of course happened.  Father
d'Aigrigny did not at first try to gain the recluse's confidence, nor did
he speak to him of sorrow; but every time he came, he appeared to take
such a tender interest in him, and showed it by a few simple and well-
timed words.  By degrees, these interviews, at first so rare, became more
frequent and longer.  Endowed with a flow of honeyed, insinuating, and
persuasive eloquence, Father d'Aigrigny naturally took for his theme
those gloomy maxims, to which Hardy's attention was now so often
directed.

Supple, prudent, skillful, knowing that the hermit had hitherto professed
that generous natural religion which teaches the grateful adoration of
God, the love of humanity, the worship of what is just and good, and
which, disdaining dogmas, professes the same veneration for Marcus
Aurelius as for Confucius, for Plato as for Christ, for Moses as for
Lycurgus--Father d'Aigrigny did not at first attempt to convert him, but
began by incessantly reminding him of the abominable deceptions practised
upon him; and, instead of describing such treachery as an exception in
life--instead of trying to calm, encourage, and revive his drooping soul-
-instead of exhorting Hardy to seek oblivion and consolation in the
discharge of his duties toward humanity, towards his brethren, whom he
had previously loved and succored --Father d'Aigrigny strove to inflame
the bleeding wounds of the unfortunate man, painted the human race in the
most atrocious blackness, and, by declaring all men treacherous,
ungrateful, wicked, succeeded in rendering his despair incurable.  Having
attained this object, the Jesuit took another step.  Knowing Hardy's
admirable goodness of heart, and profiting by the weakened state of his
mind, he spoke to him of the consolation to be derived by a man
overwhelmed with sorrow, from the belief that every one of his tears,
instead of being unfruitful, was in fact agreeable to God, and might aid
in the salvation of souls--the belief, as the reverend father adroitly
added, that by faith alone can sorrow be made useful to humanity, and
acceptable to Divinity.

Whatever impiety, whatever atrocious Machiavelism there was in these
detestable maxims, which make of a loving-kind Deity a being delighted
with the tears of his creatures, was thus skillfully concealed from
Hardy's eyes, whose generous instincts were still alive.  Soon did this
loving and tender soul, whom unworthy priests were driving to a sort of
moral suicide, find a mournful charm in the fiction, that his sorrows
would at least be profitable to other men.  It was at first only a
fiction; but the enfeebled mind which takes pleasure in such a fable,
finishes by receiving it as a reality, and by degrees will submit to the
consequences.  Such was Hardy's moral and physical state, when, by means
of a servant who had been bought over, he received from Agricola Baudoin
a letter requesting an interview.  Alone, the workman could not have
broken the band of the Jesuit's pleadings, but he was accompanied by
Gabriel, whose eloquence and reasonings were of a most convincing nature
to a spirit like Hardy's.

It is unnecessary to point out to the reader, with what dignified reserve
Gabriel had confined himself to the most generous means of rescuing Hardy
from the deadly influence of the reverend fathers.  It was repugnant to
the great soul of the young missionary, to stoop to a revelation of the
odious plots of these priests.  He would only have taken this extreme
course, had his powerful and sympathetic words have failed to have any
effect on Hardy's blindness.  About a quarter of an hour had elapsed
since Gabriel's departure, when the servant appointed to wait on this
boarder of the reverend fathers entered and delivered to him a letter.

"From whom is this?" asked Hardy.

"From a boarder in the house, sir," answered the servant bowing.

This man had a crafty hypocritical face; he wore his hair combed over his
forehead, spoke in a low voice, and always cast clown his eyes.  Waiting
the answer, he joined his hands, and began to twiddle his thumbs.  Hardy
opened the letter, and read as follows:

"SIR,--I have only just heard, by mere chance, that you also inhabit this
respectable house: a long illness, and the retirement in which I live,
will explain my ignorance of your being so near.  Though we have only met
once, sir, the circumstance which led to that meeting was of so serious a
nature, that I cannot think you have forgotten it.

Hardy stopped, and tasked his memory for an explanation, and not finding
anything to put him on the right track, he continued to read:

"This circumstance excited in me a feeling of such deep and respectful
sympathy for you, sir, that I cannot resist my anxious desire to wait
upon you, particularly as I learn, that you intend leaving this house to-
day--a piece of information I have just derived from the excellent and
worthy Abbe Gabriel, one of the men I most love, esteem, and reverence.
May I venture to hope, sir, that just at the moment of quitting our
common retreat to return to the world, you will deign to receive
favorably the request, however intrusive, of a poor old man, whose life
will henceforth be passed in solitude, and who cannot therefore have any
prospect of meeting you, in that vortex of society which he has abandoned
forever.  Waiting the honor of your answer, I beg you to accept, sir, the
assurance of the sentiments of high esteem with which I remain, sir, with
the deepest respect,

"Your very humble and most obedient servant,

"RODIN."


After reading this letter and the signature of the writer, Hardy remained
for some time in deep thought, without being able to recollect the name
of Rodin, or to what serious circumstances he alluded.

After a silence of some duration, he said to the servant "M. Rodin gave
you this letter?"

"Yes, sir."

"And who is M. Rodin?"

"A good old gentleman, who is just recovering from a long illness, that
almost carried him off.  Lately, he has been getting better, but he is
still so weak and melancholy, that it makes one sad to see him.  It is a
great pity, for there is not a better and more worthy gentleman in the
house--unless it be you, sir," added the servant, bowing with an air of
flattering respect.

"M. Rodin;" said Hardy, thoughtfully.  "It is singular, that I should not
remember the name nor any circumstance connected with it."

"If you will give me your answer, sir," resumed the servant, "I will take
it to M. Rodin.  He is now with Father d'Aigrigny, to whom he is bidding
farewell."

"Farewell?"

"Yes, sir, the post-horses have just come."

"Post-horses for whom?" asked Hardy.

"For Father d'Aigrigny, sir."

"He is going on a journey then!" said Hardy, with some surprise.

"Oh! he will not, I think be long absent," said the servant, with a
confidential air, "for the reverend father takes no one with him, and but
very light luggage.  No doubt, the reverend father will come to say
farewell to you, sir, before he starts.  But what answer shall I give M.
Rodin?"

The letter, just received, was couched in such polite terms--it spoke of
Gabriel with so much respect--that Hardy, urged moreover by a natural
curiosity, and seeing no motive to refuse this interview before quitting
the house, said to the servant: "Please tell M. Rodin, that if he will
give himself the trouble to come to me, I shall be glad to see him."

"I will let him know immediately, sir," answered the servant, bowing as
he left the room.

When alone, Hardy, while wondering who this M. Rodin could be, began to
make some slight preparations for his departure.  For nothing in the
world would he have passed another night in this house; and, in order to
keep up his courage, he recalled every instant the mild, evangelical
language of Gabriel, just as the superstitious recite certain litanies,
with a view of escaping from temptation.

The servant soon returned, and said: "M. Rodin is here, sir."

"Beg him to walk in."

Rodin entered, clad in his long black dressing-gown, and with his old
silk cap in his hand.  The servant then withdrew.  The day was just
closing.  Hardy rose to meet Rodin, whose features he did not at first
distinguish.  But as the reverend father approached the window, Hardy
looked narrowly at him for an instant, and then uttered an exclamation,
wrung from him by surprise and painful remembrance.  But, recovering
himself from this first movement, Hardy said to the Jesuit, in an
agitated voice: "You here, sir?  Oh, you are right! It was indeed a very
serious circumstance that first brought us together."

"Oh, my dear sir!" said Rodin, in a kindly and unctuous tone; "I was sure
you would not have forgotten me."




CHAPTER XLIII.

PRAYER.

It will doubtless be remembered that Rodin had gone (although a stranger
to Hardy) to visit him at his factory, and inform him of De Blessac's
shameful treachery--a dreadful blow, which had only preceded by a few
moments a second no less horrible misfortune; for it was in the presence
of Rodin that Hardy had learned the unexpected departure of the woman he
adored.  Painful to him must have been the sudden appearance of Rodin.
Yes, thanks to the salutary influence of Gabriel's counsels, he recovered
himself by degrees, and the contraction of his features being succeeded
by a melancholy calm, he said to Rodin: "I did not indeed expect to meet
you, sir, in this house."

"Alas, sir!" answered Rodin, with a sigh, "I did not expect to come
hither, probably to end my days beneath this roof, when I went, without
being acquainted with you, but only as one honest man should serve
another, to unveil to you a great infamy."

"Indeed, sir, you then rendered me a true service; perhaps, in that
painful moment, I did not fully express my gratitude; for, at the same
moment in which you revealed to me the treachery of M. de Blessac--"

"You were overwhelmed by another piece of painful intelligence," said
Rodin, interrupting M. Hardy; "I shall never forget the sudden arrival of
that poor woman, who, pale and affrighted, and without considering my
presence, came to inform you that a person who was exceedingly dear to
you had quitted Paris abruptly."

"Yes, sir; and, without stopping to thank you, I set out immediately,"
answered Hardy, with a mournful air.

"Do you know, sir," said Rodin, after a moment's silence, "that there are
sometimes very strange coincidences?"

"To what do you allude, sir?"

"While I went to inform you that you were betrayed in
so infamous a manner--I was myself--"

Rodin paused, as if unable to control his deep emotion, and his
countenance wore the expression of such overpowering grief that Hardy
said to him, with interest: "What ails you, sir?"

"Forgive me," replied Rodin, with a bitter smile.  "Thanks to the ghostly
counsels of the angelic Abbe Gabriel, I have reached a sort of
resignation.  Still, there are certain memories which affect me with the
most acute pain.  I told you," resumed Rodin, in a firmer voice, "or was
going to tell you, that the very day after that on which I informed you
of the treachery practised against you, I was myself the victim of a
frightful deception.  An adopted son--a poor unfortunate child, whom I
had brought up--"  He paused again, drew his trembling hand over his
eyes, and added: "Pardon me, sir, for speaking of matters which must be
indifferent to you.  Excuse the intrusive sorrow of a poor, broken-
hearted old man!"

"I have suffered too much myself, sir, to be indifferent to any kind of
sorrow," replied Hardy.  "Besides, you are no stranger to me--for you did
me a real service--and we both agree in our veneration for the same young
priest."

"The Abbe Gabriel!" cried Rodin, interrupting Hardy; "ah, sir! he is my
deliverer, my benefactor.  If you knew all his care and devotion, during
my long illness, caused by intense grief--if you knew the ineffable
sweetness of his counsels--"

"I know them, sir," cried Hardy; "oh, yes! I know how salutary is the
influence."

"In his mouth, sir, the precepts of religion are full of mildness,"
resumed Rodin, with excitement.  "Do they not heal and console? do they
not make us love and hope, instead of fear and tremble?"

"Alas, sir! in this very house," said Hardy, "I have been able to make
the comparison."

"I was happy enough," said Rodin, "to have the angelic Abbe Gabriel for
my confessor, or, rather, my confidant."

"Yes," replied Hardy, "for he prefers confidence to confession."

"How well you know him!" said Rodin, in a tone of the utmost simplicity.
Then he resumed: "He is not a man but an angel.  His words would convert
the most hardened sinner.  Without being exactly impious, I had myself
lived in the profession of what is called Natural Religion; but the
angelic Abbe Gabriel has, by degrees, fixed my wavering belief, given it
body and soul, and, in fact, endowed me with faith."

"Yes! he is a truly Christian priest--a priest of love and pardon!" cried
Hardy.

"What you say is perfectly true," replied Rodin; "for I came here almost
mad with grief, thinking only of the unhappy boy who had repaid my
paternal goodness with the most monstrous ingratitude, and sometimes I
yielded to violent bursts of despair, and sometimes sank into a state of
mournful dejection, cold as the grave itself.  But, suddenly, the Abbe
Gabriel appeared--and the darkness fled before the dawning of a new day."

"You were right, sir; there are strange coincidences," said Hardy,
yielding more and more to the feeling of confidence and sympathy,
produced by the resemblance of his real position to Rodin's pretended
one.  "And to speak frankly," he added, "I am very glad I have seen you
before quitting this house.  Were I capable of falling back into fits of
cowardly weakness, your example alone would prevent me.  Since I listen
to you, I feel myself stronger in the noble path which the angelic Abbe
Gabriel has opened before me, as you so well express it."

"The poor old man will not then regret having listened to the first
impulse of his heart, which urged him to come to you," said Robin, with a
touching expression.  "You will sometimes remember me in that world to
which you are returning?"

"Be sure of it, sir; but allow me to ask one question: You remain, you
say, in this house?"

"What would you have me do?  There reigns here a calm repose, and one is
not disturbed in one's prayers," said Rodin, in a very gentle tone.  "You
see, I have suffered so much--the conduct of that unhappy youth was so
horrible--he plunged into such shocking excesses--that the wrath of
heaven must be kindled against him.  Now I am very old, and it is only by
passing the few days that are left me in fervent prayer that I can hope
to disarm the just anger of the Lord.  Oh! prayer--prayer! It was the
Abbe Gabriel who revealed to me all its power and sweetness--and
therewith the formidable duties it imposes."

"Its duties are indeed great and sacred," answered Hardy, with a pensive
air.

"Do you remember the life of Rancey?" said Rodin, abruptly, as he darted
a peculiar glance at Hardy.

"The founder of La Trappe?" said Hardy, surprised at Rodin's question.  I
remember hearing a very vague account, some time ago, of the motives of
his conversion."

"There is, mark you, no more striking an example of the power of prayer,
and of the state of almost divine ecstasy, to which it may lead a
religious soul.  In a few words, I will relate to you this instructive
and tragic history.  Rancey--but I beg your pardon; I fear I am
trespassing on your time."

"No, no," answered Hardy, hastily; "You cannot think how interested I am
in what you tell me.  My interview with the Abbe Gabriel was abruptly
broken off, and in listening to you I fancy that I hear the further
development of his views.  Go on, I conjure you.

"With all my heart.  I only wish that the instruction which, thanks to
our angelic priest, I derived from the story of Rancey might be as
profitable to you as it was to me."

"This, then, also came from the Abbe Gabriel?"

"He related to me this kind of parable in support of his exhortations,"
replied Rodin.  "Oh, sir! do I not owe to the consoling words of that
young priest all that has strengthened and revived my poor old broken
heart?"

"Then I shall listen to you with a double interest."

"Rancey was a man of the world," resumed Rodin, as he looked attentively
at Hardy; "a gentleman--young, ardent, handsome.  He loved a young lady
of high rank.  I cannot tell what impediments stood in the way of their
union.  But this love, though successful, was kept secret, and every
evening Rancey visited his mistress by means of a private staircase.  It
was, they say, one of those passionate loves which men feel but once in
their lives.  The mystery, even the sacrifice made by the unfortunate
girl, who forgot every duty, seemed to give new charms to this guilty
passion.  In the silence and darkness of secrecy, these two lovers passed
two years of voluptuous delirium, which amounted almost to ecstasy."

At these words Hardy started.  For the first time of late his brow was
suffused with a deep blush; his heart throbbed violently; he remembered
that he too had once known the ardent intoxication of a guilty and hidden
love.  Though the day was closing rapidly, Rodin cast a sidelong glance
at Hardy, and perceived the impression he had made.  "Some times," he
continued, "thinking of the dangers to which his mistress was exposed, if
their connection should be discovered, Rancey wished to sever these
delicious ties; but the girl, beside herself with passion, threw herself
on the neck of her lover, and threatened him, in the language of intense
excitement, to reveal and to brave all, if he thought of leaving her.
Too weak and loving to resist the prayers of his mistress, Rancey again
and again yielded, and they both gave themselves up to a torrent of
delight, which carried them along, forgetful of earth and heaven!"

M. Hardy listened to Rodin with feverish and devouring avidity.  The
Jesuit, in painting, with these almost sensual colors, an ardent and
secret love, revived in Hardy burning memories, which till now had been
drowned in tears.  To the beneficent calm produced by the mild language
of Gabriel had succeeded a painful agitation, which, mingled with the
reaction of the shocks received that day, began to throw his mind into a
strange state of confusion.

Rodin, having so far succeeded in his object, continued as follows: "A
fatal day came at last.  Rancey, obliged to go to the wars, quitted the
girl; but, after a short campaign, he returned, more in love than ever.
He had written privately, to say he would arrive almost immediately after
his letter.  He came accordingly.  It was night.  He ascended, as usual,
the private staircase which led to the chamber of his mistress; he
entered the room, his heart beating with love and hope.  His mistress had
died that morning!"

"Ah!" cried Hardy, covering his face with his hands, in terror.

"She was dead," resumed Rodin.  "Two wax-candles were burning beside the
funeral couch.  Rancey could not, would not believe that she was dead.
He threw himself on his knees by the corpse.  In his delirium, he seized
that fair, beloved head, to cover it with kisses.  The head parted from
the body, and remained in his hands!  Yes," resumed Rodin as Hardy drew
back, pale and mute with terror, "yes, the girl had fallen a victim to so
swift and extraordinary a disease, that she had not been able to receive
the last sacraments.  After her death, the doctors, in the hope of
discovering the cause of this unknown malady, had begun to dissect that
fair form--"

As Rodin reached this part of his narrative, night was almost come.  A
sort of hazy twilight alone reigned in this silent chamber, in the centre
of which appeared the pale and ghastly form of Rodin, clad in his long
black gown, whilst his eyes seemed to sparkle with diabolic fire.
Overcome by the violent emotions occasioned by this story, in which
thoughts of death and voluptuousness, love and horror, were so strangely
mingled, Hardy remained fixed and motionless, waiting for the words of
Rodin, with a combination of curiosity, anguish and alarm.

"And Rancey?" said he, at last, in an agitated voice, whilst he wiped the
cold sweat from his brow.

"After two days of furious delirium," resumed Rodin, "he renounced the
world, and shut himself up in impenetrable solitude.  The first period of
his retreat was frightful; in his despair, he uttered loud yells of grief
and rage, that were audible at some distance.  Twice he attempted
suicide, to escape from the terrible visions."

"He had visions, then?" said Hardy, with an increased agony of curiosity.

"Yes," replied Rodin, in a solemn tone, "he had fearful visions.  He saw
the girl, who, for his sake, had died in mortal sin, plunged in the heat
of the everlasting flames of hell!  On that fair face, disfigured by
infernal tortures, was stamped the despairing laugh of the damned!  Her
teeth gnashed with pain; her arms writhed in anguish!  She wept tears of
blood, and, with an agonized and avenging voice, she cried to her
seducer: 'Thou art the cause of my perdition--my curse, my curse be upon
thee!'"

As he pronounced these last words, Rodin advanced three steps nearer to
Hardy, accompanying each step with a menacing gesture.  If we remember
the state of weakness, trouble, and fear, in which M. Hardy was--if we
remember that the Jesuit had just roused in the soul of this unfortunate
man all the sensual and spiritual memories of a love, cooled, but not
extinguished, in tears--if we remember, too, that Hardy reproached
himself with the seduction of a beloved object, whom her departure from
her duties might (according to the Catholic faith) doom to everlasting
flames--we shall not wonder at the terrible effect of this
phantasmagoria, conjured up in silence and solitude, in the evening dusk,
by this fearful priest.

The effect on Hardy was indeed striking, and the more dangerous, that the
Jesuit, with diabolical craft, seemed only to be carrying out, from
another point of view, the ideas of Gabriel.  Had not the young priest
convinced Hardy that nothing is sweeter, than to ask of heaven
forgiveness for those who have sinned, or whom we have led astray?  But
forgiveness implies punishment; and it was to the punishment alone that
Rodin drew the attention of his victim, by painting it in these terrible
hues.  With hands clasped together, and eye fixed and dilated, Hardy
trembled in all his limbs, and seemed still listening to Rodin, though
the latter had ceased to speak.  Mechanically, he repeated: "My curse, my
curse be upon thee?"

Then suddenly he exclaimed, in a kind of frenzy: "The curse is on me
also!  The woman, whom I taught to forget her sacred duties, and to
commit mortal sin--one day plunged in the everlasting flames--her arms
writhing in agony--weeping tears of blood--will cry to me from the
bottomless pit: `My curse, my curse be upon thee!'--One day," he added,
with redoubled terror, "one day?--who knows? perhaps at this moment!--for
if the sea voyage had been fatal to her--if a shipwreck--oh, God! she too
would have died in mortal sin--lost, lost, forever!--Oh, have mercy on
her, my God! Crush me in Thy wrath--but have mercy on her--for I alone am
guilty!"

And the unfortunate man, almost delirious, sank with clasped hands upon
the ground.

"Sir," cried Rodin, in an affectionate voice, as he hastened to lift him
up, "my dear sir--my dear friend--be calm! Comfort yourself.  I cannot
bear to see you despond.  Alas! my intention was quite the contrary to
that."

"The curse! the curse! yes, she will curse me also--she, that I loved so
much--in the everlasting flames!" murmured Hardy, shuddering, and
apparently insensible to the other's words.

"But, my dear sir, listen to me, I entreat you," resumed the latter; "let
me finish my story, and then you will find it as consoling as it now
seems terrible.  For heaven's sake, remember the adorable words of our
angelic Abbe Gabriel, with regard to the sweetness of prayer."

At the name of Gabriel, Hardy recovered himself a little, and exclaimed,
in a heart-rending tone: "Ay! his words were sweet and beneficent.  Where
are they now?  For mercy's sake, repeat to me those consoling words."

"Our angelic Abbe Gabriel," resumed Rodin, "spoke to you of the sweetness
of prayer--"

"Oh, yes! prayer!"

"Well, my dear sir, listen to me, and you shall see how prayer saved
Rancey, and made a saint of him.  Yes, these frightful torments, that I
have just described, these threatening visions, were all conquered by
prayer, and changed into celestial delights."

"I beg of you," said Hardy, in a faint voice, "speak to me of Gabriel,
speak to me of heaven--but no more flames--no more hell--where sinful
women weep tears of blood--"

"No, no," replied Rodin; and even as, in describing hell, his tone had
been harsh and threatening, it now became warm and tender, as he uttered
the following words: "No; we will have no more images of despair--for, as
I have told you, after suffering infernal tortures, Rancey, thanks to the
power of prayer, enjoyed the delights of paradise."

"The delights of paradise?" repeated Hardy, listening with anxious
attention.

"One day, at the height of his grief, a priest, a good priest--another
Abbe Gabriel--came to Rancey.  Oh, happiness! oh, providential change!
In a few days, he taught the sufferer the sacred mysteries of prayer--
that pious intercession of the creature, addressed to the Creator, in
favor of a soul exposed to the wrath of heaven.  Then Rancey seemed
transformed.  His grief was at once appeased.  He prayed; and the more he
prayed, the greater was his hope.  He felt that God listened to his
prayer.  Instead of trying to forget his beloved, he now thought of her
constantly, and prayed for her salvation.  Happy in his obscure cell,
alone with that adored remembrance, he passed days and nights in praying
for her--plunged in an ineffable, burning, I had almost said amorous
ecstasy."

It is impossible to give an idea of the tone of almost sensual energy
with which Rodin pronounced the word "amorous." Hardy started, changing
from hot to cold.  For the first time, his weakened mind caught a glimpse
of the fatal pleasures of asceticism, and of that deplorable catalepsy,
described in the lives of St. Theresa, St. Aubierge and others.

Rodin perceived the other's thoughts, and continued "Oh, Rancey was not
now the man to content himself with a vague, passing prayer, uttered in
the whirl of the world's business, which swallows it up, and prevents it
from reaching the ear of heaven.  No, no; in the depth of solitude, he
endeavored to make his prayers even more efficacious, so ardently did he
desire the eternal salvation of his mistress."

"What did he do then--oh! what did he do in his solitude?" cried Hardy,
who was now powerless in the hands of the Jesuit.

"First of all," said Rodin, with a slight emphasis, "he became a monk."

"A monk!" repeated Hardy, with a pensive air.

"Yes," resumed Rodin, "he became a monk, because his prayers were thus
more likely to be favorably accepted.  And then, as in solitude our
thoughts are apt to wander, he fasted, and mortified his flesh, and
brought into subjection all that was carnal within him, so that, becoming
all spirit, his prayers might issue like a pure flame from his bosom, and
ascend like the perfume of incense to the throne of the Most High!"

"Oh! what a delicious dream!" cried Hardy, more and more under the
influence of the spell; "to pray for the woman we have adored, and to
become spirit--perfume--light!"

"Yes; spirit, perfume, light!" said Rodin, with emphasis.  "But it is no
dream.  How many monks, how many hermits, like Rancey, have, by prayers,
and austerity, and macerations, attained a divine ecstasy! and if you
only knew the celestial pleasures of such ecstasies!--Thus, after he
became a monk, the terrible dreams were succeeded by enchanting visions.
Many times, after a day of fasting, and a night passed in prayers and
macerations, Rancey sank down exhausted on the floor of his cell!  Then
the spirit freed itself from the vile clogs of matter.  His senses were
absorbed in pleasure; the sound of heavenly harmony struck upon his
ravished car; a bright, mild light, which was not of this world, dawned
upon his half-closed eyes; and, at the height of the melodious vibrations
of the golden harps of the Seraphim, in the centre of a glory, compared
to which the sun is pale, the monk beheld the image of that beloved
woman--"

"Whom by his prayers he had at length rescued from the eternal flames?"
said Hardy, in a trembling voice.

"Yes, herself," replied Rodin, with eloquent enthusiasm, for this monster
was skilled in every style of speech.  "Thanks to the prayers of her
lover, which the Lord had granted, this woman no longer shed tears of
blood--no longer writhed her beautiful arms in the convulsions of
infernal anguish.  No, no; still fair--oh! a thousand times fairer than
when she dwelt on earth--fair with the everlasting beauty of angels--she
smiled on her lover with ineffable ardor, and, her eyes beaming with a
mild radiance, she said to him in a tender and passionate voice: `Glory
to the Lord! glory to thee, O my beloved!  Thy prayers and austerities
have saved me.  I am numbered amongst the chosen.  Thanks, my beloved,
and glory!'--And therewith, radiant in her felicity, she stooped to kiss,
with lips fragrant with immortality, the lips of the enraptured monk--and
their souls mingled in that kiss, burning as love, chaste as divine grace
immense as eternity!"

"Oh!" cried Hardy, completely beside himself; "a whole life of prayer,
fasting, torture, for such a moment--with her, whom I mourn--with her,
whom I have perhaps led to perdition!"

"What do you say? such a moment!" cried Rodin, whose yellow forehead was
bathed in sweat like that of a magnetizer, and who now took Hardy by the
hand, and drew still closer, as if to breathe into him the burning
delirium; "it was not once in his religious life--it was almost every
day, that Rancey, plunged in divine ecstasy, enjoyed these delicious,
ineffable, superhuman pleasures, which are to the pleasures of earth what
eternity is to man's existence!"

Seeing, no doubt, that Hardy was now at the point to which he wished to
bring him, and the night being almost entirely come, the reverend father
coughed two or three times in a significant manner, and looked towards
the door.  At this moment, Hardy, in the height of his frenzy, exclaimed,
with a supplicating voice: "A cell--a tomb--and the Ecstatic Vision!"

The door of the room opened, and Father d'Aigrigny entered, with a cloak
under his arm.  A servant followed him, bearing a light.

About ten minutes after this scene, a dozen robust men with frank, open
countenances, led by Agricola, entered the Rue de Vaugirard, and advanced
joyously towards the house of the reverend fathers.  It was a deputation
from the former workmen of M. Hardy.  They came to escort him, and to
congratulate him on his return amongst them.  Agricola walked at their
head.  Suddenly he saw a carriage with post-horses issuing from the
gateway of the house.  The postilion whipped up the horses, and they
started at full gallop.  Was it chance or instinct?  The nearer the
carriage approached the group of which he formed a part, the more did
Agricola's heart sink within him.

The impression became so vivid that it was soon changed into a terrible
apprehension; and at the moment when the vehicle, which had its blinds
down, was about to pass close by him, the smith, in obedience to a
resistless impulse, exclaimed, as he rushed to the horses' heads: "Help,
friends! stop them!"

"Postilion! ten louis if you ride over him!" cried from the carriage the
military voice of Father d'Aigrigny.

The cholera was still raging.  The postilion had heard of the murder of
the poisoners.  Already frightened at the sudden attack of Agricola, he
struck him a heavy blow on the head with the butt of his whip which
stretched him senseless on the ground.  Then, spurring with all his
might, he urged his three horses into a triple gallop, and the carriage
rapidly disappeared, whilst Agricola's companions, who had neither
understood his actions nor the sense of his words, crowded around the
smith, and did their best to revive him.




CHAPTER XLIV.

REMEMBRANCES.

Other events took place a few days after the fatal evening in which M.
Hardy, fascinated and misled by the deplorable, mystic jargon of Rodin,
had implored Father d'Aigrigny on his knees to remove him far from Paris,
into some deep solitude where he might devote himself to a life of prayer
and ascetic austerities.  Marshal Simon, since his arrival in Paris, had
occupied, with his two daughters, a house in the Rue des Trois-Freres.
Before introducing the reader into this modest dwelling, we are obliged
to recall to his memory some preceding facts.  The day of the burning of
Hardy 's factory, Marshal Simon had come to consult with his father on a
question of the highest importance, and to communicate to him his painful
apprehensions on the subject of the growing sadness of his twin
daughters, which he was unable to explain.

Marshal Simon held in religious reverence the memory of the Great
Emperor.  His gratitude to the hero was boundless, his devotion blind,
his enthusiasm founded upon reason, his affection warm as the most
sincere and passionate friendship.  But this was not all.

One day the emperor, in a burst of joy and paternal tenderness, had led
the marshal to the cradle of the sleeping King of Rome, and said to him,
as he proudly pointed to the beautiful child: "My old friend, swear to me
that you will serve the son as you have served the father!"

Marshal Simon took and kept that vow.  During the Restoration, the chief
of a military conspiracy in favor of Napoleon II., he had attempted in
vain to secure a regiment of cavalry, at that time commanded by the
Marquis d'Aigrigny.  Betrayed and denounced, the marshal, after a
desperate duel with the future Jesuit, had succeeded in reaching Poland,
and thus escaping a sentence of death.  It is useless to repeat the
series of events which led the marshal from Poland to India, and then
brought him back to Paris after the Revolution of July--an epoch at which
a number of his old comrades in arms had solicited and obtained from the
government, without his knowledge, the confirmation of the rank and title
which the emperor had bestowed upon him just before Waterloo.

On his return to Paris, after his long exile, in spite of all the
happiness he felt in at length embracing his children, Marshal Simon was
deeply affected on learning the death of their mother, whom he adored.
Till the last moment, he had hoped to find her in Paris.  The
disappointment was dreadful, and he felt it cruelly, though he sought
consolation in his children's affection.

But soon new causes of trouble and anxiety were interwoven with his life
by the machinations of Rodin.  Thanks to the secret intrigues of the
reverend father at the Courts of Rome and Vienna, one of his emissaries,
in a condition to inspire full confidence, and provided with undeniable
evidence to support his words, went to Marshal Simon, and said to him:
"The son of the emperor is dying, the victim of the fears with which the
name of Napoleon still inspires Europe.

"From this slow expiring, you, Marshal Simon, one of the emperor's most
faithful friends, are able to rescue this unfortunate prince.

"The correspondence in my hand proves that it would be easy to open
relations, of the surest and most secret nature, with one of the most
influential persons about the King of Rome, and this person would be
disposed to favor the prince's escape.

"It is possible, by a bold, unexpected stroke, to deliver Napoleon II.
from the custody of Austria, which would leave him to perish by inches in
an atmosphere that is fatal to him.

"The enterprise may be a rash one, but it has chances of success that you
Marshal Simon, more than any other, could change into certainties; for
your devotion to the emperor is well known, and we remember with what
adventurous audacity you conspired, in 1815, in favor of Napoleon II."

The state of languor and decline of the King of Rome was then in France a
matter of public notoriety.  People even went so far as to affirm that
the son of the hero was carefully trained by priests, who kept him in
complete ignorance of the glory of his paternal name; and that, by the
most execrable machinations, they strove day by day to extinguish every
noble and generous instinct that displayed itself in the unfortunate
youth.  The coldest hearts were touched and softened at the story of so
sad and fatal a destiny.  When we remember the heroic character and
chivalrous loyalty of Marshal Simon, and his passionate devotion to the
emperor, we can understand how the father of Rose and Blanche was more
interested than any one else in the fate of the young prince, and how, if
occasion offered, he would feel himself obliged not to confine his
efforts to mere regrets.  With regard to the reality of the
correspondence produced by Rodin's emissary, it had been submitted by the
marshal to a searching test, by means of his intimacy with one of his old
companions in arms, who had been for a long period on a mission to
Vienna, in the time of the empire.  The result of this investigation,
conducted with as much prudence as address, so that nothing should
transpire, showed that the marshal might give his serious attention to
the advances made him.

Hence, this proposition threw the father of Rose and Blanche into a cruel
perplexity; for, to attempt so bold and dangerous an enterprise, he must
once more abandon his children; whilst, on the contrary, if, alarmed at
this separation, he renounced the endeavor to save the King of Rome,
whose lingering death was perfectly true and well authenticated, the
marshal would consider himself as false to the vow he had sworn to the
emperor.  To end these painful hesitations, full of confidence in the
inflexible uprightness of his father's character, the marshal had gone to
ask his advice; unfortunately the old republican workman, mortally
wounded during the attack on M. Hardy's factory, but still pondering over
the serious communication of his son, died with these words upon his
Lips: "My son, you have a great duty to perform, under pain of not acting
like a man of honor, and of disobeying my last will.  You must, without
hesitation--"

But, by a deplorable fatality, the last words, which would have completed
the sense of the old workman's thought, were spoken in so feeble a voice
as to be quite unintelligible.  He died, leaving Marshal Simon in a worse
state of anxiety, as one of the two courses open to him had now been
formally condemned by his father, in whose judgment he had the most
implicit and merited confidence.  In a word, his mind was now tortured by
the doubt whether his father had intended, in the name of honor and duty,
to advise him not to abandon his children, to engage in so hazardous an
enterprise, or whether, on the contrary, he had wished him to leave them
for a time, to perform the vow made to the emperor, and endeavor at least
to rescue Napoleon II. from a captivity that might soon be mortal.

This perplexity, rendered more cruel by certain circumstances, to be
related hereafter, the tragical death of his father, who had expired in
his arms; the incessant and painful remembrance of his wife, who had
perished in a land of exile; and finally, the grief he felt at perceiving
the overgrowing sadness of Rose and Blanche, occasioned severe shocks to
Marshal Simon.  Let us add that, in spite of his natural intrepidity, so
nobly proved by twenty years of war, the ravages of the cholera, the same
terrible malady to which his wife had fallen a victim in Siberia, filled
the marshal with involuntary dread.  Yes, this man of iron nerves, who
had coolly braved death in so many battles, felt the habitual firmness of
his character give way at sight of the scenes of desolation and mourning
which Paris offered at every step.  Yet, when Mdlle. de Cardoville
gathered round her the members of her family, to warn them against the
plot of their enemies, the affectionate tenderness of Adrienne for Rose
and Blanche appeared to exercise so happy an influence on their
mysterious sorrow, that the marshal, forgetting for a moment his fatal
regrets, thought only of enjoying this blessed change, which, alas! was
but of short duration.  Having now recalled these facts to the mind of
the reader, we shall continue our story.




CHAPTER XLV.

THE BLOCKHEAD

We have stated that Marshal Simon occupied a small house in the Rue des
Trois-Freres.  Two o'clock in the afternoon had just struck in the
marshal's sleeping-chamber, a room furnished with military simplicity.
In the recess, in which stood the bed, hung a trophy composed of the arms
used by the marshal during his campaigns.  On the secretary opposite was
a small bronze bust of the emperor, the only ornament of the apartment.
Out of doors the temperature was far from warm, and the marshal had
become susceptible to cold during his long residence in India.  A good
fire therefore blazed upon the hearth.  A door, concealed by the
hangings, and leading to a back staircase, opened slowly, and a man
entered the chamber.  He carried a basket of wood, and advanced leisurely
to the fireplace, before which he knelt clown, and began to arrange the
logs symmetrically in a box that stood besides the hearth.  After some
minutes occupied in this manner, still kneeling, he gradually approached
another door, at a little distance from the chimney, and appeared to
listen with deep attention, as if he wished to hear what was passing in
the next room.

This man, employed as an inferior servant in the house, had the most
ridiculously stupid look that can be imagined.  His functions consisted
in carrying wood, running errands, etc.  In other respects he was a kind
of laughing-stock to the other servants.  In a moment of good humor,
Dagobert, who filled the post of major-domo, had given this idiot the
name of "Loony" (lunatic), which he had retained ever since, and which he
deserved in every respect, as well for his awkwardness and folly as for
his unmeaning face, with its grotesquely flat nose, sloping chin, and
wide, staring eyes.  Add to this description a jacket of red stuff, and a
triangular white apron, and we must acknowledge that the simpleton was
quite worthy of his name.

Yet, at the moment when Loony listened so attentively at the door of the
adjoining room, a ray of quick intelligence animated for an instant his
dull and stupid countenance.

When he had thus listened for a short time, Loony returned to the
fireplace, still crawling on his knees; then rising, he again took his
basket half full of wood, and once more approaching the door at which he
had listened knocked discreetly.  No one answered.  He knocked a second
time, and more loudly.  Still there was the same silence.

Then he said, in a harsh, squeaking, laughable voice: "Ladies, do you
want any wood, if you please, for your fire?"

Receiving no answer, Loony placed his basket on the ground, opened the
door gently, and entered the next room, after casting a rapid glance
around.  He came out again in a few seconds, looking from side to side
with an anxious air, like a man who had just accomplished some important
and mysterious task.

Taking up his basket, he was about to leave Marshal Simon's room, when
the door of the private staircase was opened slowly and with precaution,
and Dagobert appeared.

The soldier, evidently surprised at the servant's presence, knitted his
brows, and exclaimed abruptly, "What are you doing here?"

At this sudden interrogation, accompanied by a growl expressive of the
ill-humor of Spoil-sport, who followed close on his master's heels, Loony
uttered a cry of real or pretended terror.  To give, perhaps, an
appearance of greater reality to his dread, the supposed simpleton let
his basket fall on the ground, as if astonishment and fear had loosened
his hold of it.

"What are you doing, numbskull?" resumed Dagobert, whose countenance was
impressed with deep sadness, and who seemed little disposed to laugh at
the fellow's stupidity.

"Oh, M. Dagobert! how you frighten me! Dear me! what a pity I had not an
armful of plates, to prove it was not my fault if I broke them all."

"I ask what you are doing," resumed the soldier.

"You see, M. Dagobert," replied Loony, pointing to his basket, "that I
came with some wood to master's room, so that he might burn it, if it was
cold--which it is."

"Very well.  Pick up your wood, and begone!"

"Oh, M. Dagobert! my legs tremble under me.  How you did scare me, to be
sure!"

"Will you begone, brute?" resumed the veteran; and seizing Loony by the
arm, he pushed him towards the door, while Spoil-sport, with recumbent
ears, and hair standing up like the quills of a porcupine, seemed
inclined to accelerate his retreat.

"I am going, M. Dagobert, I am going," replied the simpleton, as he
hastily gathered up his basket; "only please to tell the dog--"

"Go to the devil, you stupid chatterbox!" cried Dagobert, as he pushed
Loony through the doorway.

Then the soldier bolted the door which led to the private staircase, and
going to that which communicated with the apartments of the two sisters,
he double-locked it.  Having done this, he hastened to the alcove in
which stood the bed and taking down a pair of loaded pistols, he
carefully removed the percussion caps, and, unable to repress a deep
sigh, restored the weapons to the place in which he had found them.
Then, as if on second thoughts, he took down an Indian dagger with a very
sharp blade, and drawing it from its silver-gilt sheath, proceeded to
break the point of this murderous instrument, by twisting it beneath one
of the iron castors of the bed.

Dagobert then proceeded to unfasten the two doors, and, returning slowly
to the marble chimney-piece, he leaned against it with a gloomy and
pensive air.  Crouching before the fire, Spoil-sport followed with an
attentive eye the least movement of his master.  The good dog displayed a
rare and intelligent sagacity.  The soldier, having drawn out his
handkerchief, let fall, without perceiving it, a paper containing a roll
of tobacco.  Spoil-sport, who had all the qualities of a retriever of the
Rutland race, took the paper between his teeth, and, rising upon his
hind-legs, presented it respectfully to Dagobert.  But the latter
received it mechanically, and appeared indifferent to the dexterity of
his dog.  The grenadier's countenance revealed as much sorrow as anxiety.
After remaining for some minutes near the fire, with fixed and meditative
look, he began to walk about the room in great agitation, one of his
hands thrust into the bosom of his long blue frock-coat, which was
buttoned up to the chin, and the other into one of his hind-pockets.

From time to time he stopped abruptly, and seemed to make reply to his
own thoughts, or uttered an exclamation of doubt and uneasiness; then,
turning towards the trophy of arms, he shook his head mournfully, and
murmured, "No matter--this fear may be idle; but he has acted so
extraordinarily these two days, that it is at all events more prudent--"

He continued his walk, and said, after a new and prolonged silence: "Yes
he must tell me.  It makes me too uneasy.  And then the poor children--it
is enough to break one's heart."

And Dagobert hastily drew his moustache between his thumb and forefinger,
a nervous movement, which with him was an evident symptom of extreme
agitation.  Some minutes after, the soldier resumed, still answering his
inward thoughts: "What can it be?  It is hardly possible to be the
letters, they are too infamous; he despises them.  And yet   But no, no--
he is above that!"

And Dagobert again began to walk with hasty steps.  Suddenly, Spoil-sport
pricked up his ears, turned his head in the direction of the staircase
door, and growled hoarsely.  A few seconds after, some one knocked at the
door.

"Who is there?" said Dagobert.  There was no answer, but the person
knocked again.  Losing patience, the soldier went hastily to open it, and
saw the servant's stupid face.

"Why don't you answer, when I ask who knocks!" said the soldier, angrily.

"M. Dagobert, you sent me away just now, and I was afraid of making you
cross, if I said I had come again."

"What do you want?  Speak then--come in, stupid!" cried the exasperated.
Dagobert, as he pulled him into the room.

"M. Dagobert, don't be angry--I'll tell you all about it--it is a young
man."

"Well?"

"He wants to speak to you directly, Mr. Dagobert."

"His name?"

"His name, M. Dagobert?" replied Loony, rolling about and laughing with
an idiotic air.

"Yes, his name.  Speak, idiot!"

"Oh, M. Dagobert! it's all in joke that you ask me his name!"

"You are determined, fool that you are, to drive me out of my senses!"
cried the soldier, seizing Loony by the collar.  "The name of this young
man!"

"Don't be angry, M. Dagobert.  I didn't tell you the name because you
know it."

"Beast!" said Dagobert, shaking his fist at him.

"Yes, you do know it, M. Dagobert, for the young man is your own son.  He
is downstairs, and wants to speak to you directly--yes, directly."

The stupidity was so well assumed, that Dagobert was the dupe of it.
Moved to compassion rather than anger by such imbecility, he looked
fixedly at the servant, shrugged his shoulders, and said, as he advanced
towards the staircase, "Follow me!"

Loony obeyed; but, before closing the door, he drew a letter secretly
from his pocket, and dropped it behind him without turning his head,
saying all the while to Dagobert, for the purpose of occupying his
attention: "Your son is in the court, M. Dagobert.  He would not come up
--that's why he is still downstairs!"

Thus talking, he closed the door, believing he had left the letter on the
floor of Marshal Simon's room.  But he had reckoned without Spoil-sport.
Whether he thought it more prudent to bring up the rear, or, from
respectful deference for a biped, the worthy dog had been the last to
leave the room, and, being a famous carrier, as soon as he saw the letter
dropped by Loony, he took it delicately between his teeth, and followed
close on the heels of the servant, without the latter perceiving this new
proof of the intelligence and sagacity of Spoil-sport.




CHAPTER XLVI.

THE ANONYMOUS LETTERS.

We will explain presently what became of the letter, which Spoil-sport
held between his teeth, and why he left his master, when the latter ran
to meet Agricola.  Dagobert had not seen his son for some days.
Embracing him cordially, he led him into one of the rooms on the ground-
floor, which he usually occupied.  "And how is your wife?" said the
soldier to his son.

"She is well, father, thank you."

Perceiving a great change in Agricola's countenance, Dagobert resumed:
"You look sad.  Has anything gone wrong since I saw you last?"

"All is over, father.  We have lost him," said the smith, in a tone of
despair.

"Lost whom?"

"M. Hardy."

"M. Hardy!--why, three days ago, you told me you were going to see him."

"Yes, father, I have seen him--and my dear brother Gabriel saw him and
spoke to him--how he speaks! with a voice that comes from the heart!--and
he had so revived and encouraged him, that M. Hardy consented to return
amongst us.  Then I, wild with joy, ran to tell the good news to some of
my mates, who were waiting to hear the result of nay interview with M.
Hardy.  I brought them all with me to thank and bless him.  We were
within a hundred yards of the house belonging to the black-gowns--"

"Ali, the black-gowns!" said Dagobert, with a gloomy air.  "Then some
mischief will happen.  I know them."

"You are not mistaken, father," answered Agricola, with a sigh.  "I was
running on with my comrades, when I saw a carriage coming towards us.
Some presentiment told me that they were taking away M. Hardy."

"By force!" said Dagobert, hastily.

"No," answered Agricola, bitterly; "no--the priests are too cunning for
that.  They know how to make you an accomplice in the evil they do you.
Shall I not always remember how they managed with my good mother?"

"Yes, the worthy woman! there was a poor fly caught in the spider's web.
But this carriage, of which you speak?"

"On seeing it start from the house of the black-gowns," replied Agricola,
"my heart sank within me; and, by an impulse stronger than myself, I
rushed to the horses' heads, calling on my comrades to help me.  But the
postilion knocked me down and stunned me with a blow from his whip.  When
I recovered my senses, the carriage was already far away."

"You were not hurt?" cried Dagobert, anxiously, as he examined his son
from top to toe.

"No, father; a mere scratch."

"What did you next, my boy?"

"I hastened to our good angel, Mdlle. de Cardoville, and told her all.
`You must follow M. Hardy on the instant,' said she to me.  `Take my
carriage and post-horses.  Dupont will accompany you; follow M. Hardy
from stage to stage; should you succeed in overtaking him your presence
and your prayers may perhaps conquer the fatal influence that these
priests have acquired over him.'"

"It was the best advice she could give you.  That excellent young lady is
always right."

"An hour after, we were upon our way, for we learned by the returned
postilions, that M. Hardy had taken the Orleans road.  We followed him as
far as Etampes.  There we heard that he had taken a cross-road, to reach
a solitary house in a valley about four leagues from the highway.  They
told us that this house called the Val-de-St. Herem, belonged to certain
priests, and that, as the night was so dark, and the road so bad, we had
better sleep at the inn, and start early in the morning.  We followed
this advice, and set out at dawn.  In a quarter of an hour, we quitted
the high-road for a mountainous and desert track.  We saw nothing but
brown rocks, and a few birch trees.  As we advanced, the scene became
wilder and wilder.  We might have fancied ourselves a hundred leagues
from Paris.  At last we stopped in front of a large, old, black-looking
house with only a few small windows in it, and built at the foot of a
high, rocky mountain.  In my whole life I have never seen anything so
deserted and sad.  We got out of the carriage, and I rang the bell.  A
man opened the door.  `Did not the Abbe d'Aigrigny arrive here last night
with a gentleman?' said I to this man, with a confidential air.  `Inform
the gentleman directly, that I come on business of importance, and that I
must see him forthwith.'--The man, believing me an accomplice, showed us
in immediately; a moment after, the Abbe d'Aigrigny opened the door, saw
me, and drew back; yet, in five minutes more, I was in presence of M.
Hardy."

"Well!" said Dagobert, with interest.

Agricola shook his head sorrowfully, and replied: "I knew by the very
countenance of M. Hardy, that all was over.  Addressing me in a mild but
firm voice, he said to me: `I understand, I can even excuse, the motives
that bring you hither.  But I am quite determined to live henceforth in
solitude and prayer.  I take this resolution freely and voluntarily,
because I would fain provide for the salvation of my soul.  Tell your
fellows that my arrangements will be such as to leave them a good
remembrance of me.'--And as I was about to speak, M. Hardy interrupted
me, saying: `It is useless, my friend.  My determination is unalterable.
Do not write to me, for your letters would remain unanswered.  Prayer
will henceforth be my only occupation.  Excuse me for leaving you, but I
am fatigued from my journey!'--He spoke the truth for he was as pale as a
spectre, with a kind of wildness about the eyes, and so changed since the
day before, as to be hardly the same man.  His hand, when he offered it
on parting from me, was dry and burning.  The Abbe d'Aigrigny soon came
in.  `Father,' said M. Hardy to him, `have the goodness to see M. Baudoin
to the door.'--So saying, he waved his hand to me in token of farewell,
and retired to the next chamber.  All was over; he is lost to us
forever."

"Yes," said Dagobert, "those black-gowns have enchanted him, like so many
others."

"In despair," resumed Agricola, "I returned hither with M. Dupont.  This,
then, is what the priests have made of M. Hardy--of that generous man,
who supported nearly three hundred industrious workmen in order and
happiness, increasing their knowledge, improving their hearts, and
earning the benediction of that little people, of which he was the
providence.  Instead of all this, M. Hardy is now forever reduced to a
gloomy and unavailing life of contemplation."

"Oh, the black-gowns!" said Dagobert, shuddering, and unable to conceal a
vague sense of fear.  "The longer I live, the more I am afraid of them.
You have seen what those people did to your poor mother; you see what
they have just done to M. Hardy; you know their plots against my two poor
orphans, and against that generous young lady.  Oh, these people are very
powerful! I would rather face a battalion of Russian grenadiers, than a
dozen of these cassocks.  But don't let's talk of it.  I have causes
enough beside for grief and fear."

Then seeing the astonished look of Agricola, the soldier, unable to
restrain his emotion, threw himself into the arms of his son, exclaiming
with a choking voice: "I can hold out no longer.  My heart is too full.
I must speak; and whom shall I trust if not you?"

"Father, you frighten me!" said Agricola, "What is the matter?"

"Why, you see, had it not been for you and the two poor girls, I should
have blown out my brains twenty times over rather than see what I see--
and dread what I do."

"What do you dread, father?"

"Since the last few days, I do not know what has come over the marshal--
but he frightens me."

"Yet in his last interviews with Mdlle. de Cardoville "

"Yes, he was a little better.  By her kind words, this generous young
lady poured balm into his wounds; the presence of the young Indian
cheered him; he appeared to shake off his cares, and his poor little
girls felt the benefit of the change.  But for some days, I know not what
demon has been loosed against his family.  It is enough to turn one's
head.  First of all, I am sure that the anonymous letters have begun
again."

"What letters, father?"

"The anonymous letters."

"But what are they about?"

"You know how the marshal hated that renegade, the Abbe d'Aigrigny.  When
he found that the traitor was here, and that he had persecuted the two
orphans, even as he persecuted their mother to the death--but that now he
had become a priest--I thought the marshal would have gone mad with
indignation and fury.  He wishes to go in search of the renegade.  With
one word I calmed him.  `He is a priest,' I said; `you may do what you
will, insult or strike him--he will not fight.  He began by serving
against his country, he ends by becoming a bad priest.  It is all in
character.  He is not worth spitting upon.'--'But surely I may punish the
wrong done to my children, and avenge the death of my wife,' cried the
marshal, much exasperated.--`They say, as you well know, that there are
courts of law to avenge your wrongs,' answered I; 'Mdlle. de Cardoville
has lodged a charge against the renegade, for having attempted to confine
your daughters in a convent.  We must champ the bit and wait."'

"Yes," said Agricola, mournfully, "and unfortunately there lacks proof to
bring it home to the Abbe d'Aigrigny.  The other day, when I was examined
by Mdlle. de Cardoville's lawyer, with regard to our attempt on the
convent, he told me that we should meet with obstacles at every step, for
want of legal evidence, and that the priests had taken their precautions
with so much skill that the indictment would be quashed."

"That is just what the marshal thinks, my boy, and this increases his
irritation at such injustice."

"He should despise the wretches."

"But the anonymous letters!"

"Well, what of them, father?"

"You shall know all.  A brave and honorable man like the marshal, when
his first movement of indignation was over, felt that to insult the
renegade disguised in the garb of a priest, would be like insulting an
old man or a woman.  He determined therefore to despise him, and to
forget him as soon as possible.  But then, almost every day, there came
by the post anonymous letters, in which all sorts of devices were
employed, to revive and excite the anger of the marshal against the
renegade by reminding him of all the evil contrived by the Abbe
d'Aigrigny against him and his family.  The marshal was reproached with
cowardice for not taking vengeance on this priest, the persecutor of his
wife and children, the insolent mocker at his misfortunes."

"And from whom do you suspect these letters to come, father?"

"I cannot tell--it is that which turns one's brain.  They must come from
the enemies of the marshal, and he has no enemies but the black-gowns."

"But, father, since these letters are to excite his anger against the
Abbe d'Aigrigny, they can hardly have been written by priests."

"That is what I have said to myself."

"But what, then, can be their object?"

"Their object?  oh, it is too plain!" cried Dagobert.  "The marshal is
hasty, ardent; he has a thousand reasons to desire vengeance on the
renegade.  But he cannot do himself justice, and the other sort of
justice fails him.  Then what does he do?  He endeavors to forget, he
forgets.  But every day there comes to him an insolent letter, to provoke
and exasperate his legitimate hatred, by mockeries and insults.  Devil
take me! my head is not the weakest--but, at such a game, I should go
mad."

"Father, such a plot would be horrible, and only worthy of hell!"

"And that is not all."

"What more?"

"The marshal has received other letters; those he has not shown me--but,
after he had read the first, he remained like a man struck motionless,
and murmured to himself: `They do not even respect that--oh! it is too
much--too much!'--And, hiding his face in his hands he wept."

"The marshal wept!" cried the blacksmith, hardly able to believe what he
heard.

"Yes," answered Dagobert, "he wept like a child."

"And what could these letters contain, father?"

"I did not venture to ask him, he appeared so miserable and dejected."

"But thus harassed and tormented incessantly, the marshal must lead a
wretched life."

"And his poor little girls too! he sees them grow sadder and sadder,
without being able to guess the cause.  And the death of his father,
killed almost in his arms!  Perhaps, you will think all this enough; but,
no! I am sure there is something still more painful behind.  Lately, you
would hardly know the marshal.  He is irritable about nothing, and falls
into such fits of passion, that--"  After a moment's hesitation, the
soldier resumed: "I way tell this to you, my poor boy.  I have just been
upstairs, to take the caps from his pistols."

"What, father!" cried Agricola; "you fear--"

"In the state of exasperation in which I saw him yesterday, there is
everything to fear."

" What then happened?"

"Since some time, he has often long secret interviews with a gentleman,
who looks like an old soldier and a worthy man.  I have remarked that the
gloom and agitation of the marshal are always redoubled after one of
these visits.  Two or three times, I have spoken to him about it; but I
saw by his look, that I displeased him, and therefore I desisted.

"Well! yesterday, this gentleman came in the evening.  He remained here
until eleven o'clock, and his wife came to fetch him, and waited for him
in a coach.  After his departure, I went up to see if the marshal wanted
anything.  He was very pale, but calm; he thanked me, and I came down
again.  You know that my room is just under his.  I could hear the
marshal walking about as if much agitated, and soon after he seemed to be
knocking down the furniture.  In alarm, I once more went upstairs.  He
asked me, with an irritated air, what I wanted, and ordered me to leave
the room.  Seeing him in that way, I remained; he grew more angry, still
I remained; perceiving a chair and table thrown down, I pointed to them
with so sad an air that he understood me.  You know that he has the best
heart in the world, so, taking me by the hand, he said to me: `Forgive me
for causing you this uneasiness, my good Dagobert; but just now, I lost
my senses, and gave way to a burst of absurd fury; I think I should have
thrown myself out of the window, had it been open.  I only hope, that my
poor dear girls have not heard me,' added he, as he went on tip-toe to
open the door which communicates with his daughters' bedroom.  When he
had listened anxiously for a moment, he returned to me, and said:
"Luckily, they are asleep.'--Then I asked him what was the cause of his
agitation, and if, in spite of my precautions, he had received any more
anonymous letters.  `No,' replied he, with a gloomy air; `but leave me,
my friend.  I am now better.  It has done me good to see you.  Good--
night, old comrade! go downstairs to bed.'--I took care not to contradict
him; but, pretending to go down, I came up again, and seated myself on
the top stair, listening.  No doubt, to calm himself entirely, the
marshal went to embrace his children, for I heard him open and shut their
door.  Then he returned to his room, and walked about for a long time,
but with a more quiet step.  At last, I heard him throw himself on his
bed, and I came down about break of day.  After that, all remained
tranquil."

"But whatever can be the matter with him, father?"

"I do not know.  When I went up to him, I was astonished at the agitation
of his countenance, and the brilliancy of his eyes.  He would have looked
much the same, had he been delirious, or in a burning fever--so that,
when I heard him say, he could have thrown himself out of the window, had
it been open, I thought it more prudent to remove the caps from his
pistols."

"I cannot understand it!" said Agricola.  "So firm, intrepid, and cool a
man as the marshal, a prey to such violence!"

"I tell you that something very extraordinary is passing within him.  For
two days, he has not been to see his children, which is always a bad sign
with him--to say nothing of the poor little angels themselves, who are
miserable at the notion that they have displeased their father.  They
displease him!  If you only knew the life they lead, dear creatures! a
walk or ride with me and their companion, for I never let them go out
alone, and, the rest of their time, at their studies, reading, or
needlework--always together--and then to bed.  Yet their duenna, who is,
I think, a worthy woman, tells me that sometimes at night, she has seen
them shed tears in their sleep.  Poor children! they have hitherto known
but little happiness," added the soldier, with a sigh.

At this moment, hearing some one walk hastily across the courtyard,
Dagobert raised his eyes, and saw Marshal Simon, with pale face and
bewildered air, holding in his two hands a letter, which he seemed to
read with devouring anxiety.




CHAPTER XLVII.

THE GOLDEN CITY.

While Marshal Simon was crossing the little court with so agitated an
air, reading the anonymous letter, which he had received by Spoil-sport's
unexpected medium, Rose and Blanche were alone together, in the sitting-
room they usually occupied, which had been entered for a moment by Loony
during their absence.  The poor children seemed destined to a succession
of sorrows.  At the moment their mourning for their mother drew near its
close, the tragical death of their grandfather had again dressed them in
funereal weeds.  They were seated together upon a couch, in front of
their work-table.  Grief often produces the effect of years.  Hence, in a
few months, Rose and Blanche had become quite young women.  To the
infantine grace of their charming faces, formerly so plump and rosy, but
now pale and thin, had succeeded an expression of grave and touching
sadness.  Their large, mild eyes of limpid azure, which always had a
dreamy character, were now never bathed in those joyous tears, with which
a burst of frank and hearty laughter used of old to adorn their silky
lashes, when the comic coolness of Dagobert, or some funny trick of
Spoil-sport, cheered them in the course of their long and weary
pilgrimage.

In a word, those delightful faces, which the flowery pencil of Greuze
could alone have painted in all their velvet freshness, were now worthy
of inspiring the melancholy ideal of the immortal Ary Scheffer, who gave
us Mignon aspiring to Paradise, and Margaret dreaming of Faust.  Rose,
leaning back on the couch, held her head somewhat bowed upon her bosom,
over which was crossed a handkerchief of black crape.  The light
streaming from a window opposite, shone softly on her pure, white
forehead, crowned by two thick bands of chestnut hair.  Her look was
fixed, and the open arch of her eyebrows, now somewhat contracted,
announced a mind occupied with painful thoughts.  Her thin, white little
hands had fallen upon her knees, but still held the embroidery, on which
she had been engaged.  The profile of Blanche was visible, leaning a
little towards her sister, with an expression of tender and anxious
solicitude, whilst her needle remained in the canvas, as if she had just
ceased to work.

"Sister," said Blanche, in a low voice, after some moments of silence,
during which the tears seemed to mount to her eyes, "tell me what you are
thinking of.  You look so sad."

"I think of the Golden City of our dreams," replied Rose, almost in a
whisper, after another short silence.

Blanche understood the bitterness of these words.  Without speaking, she
threw herself on her sister's neck, and wept.  Poor girls! the Golden
City of their dreams was Paris, with their father in it--Paris, the
marvellous city of joys and festivals, through all of which the orphans
had beheld the radiant and smiling countenance of their sire!  But, alas!
the Beautiful City had been changed into a place of tears, and death, and
mourning.  The same terrible pestilence which had struck down their
mother in the heart of Siberia, seemed to have followed them like a dark
and fatal cloud, which, always hovering above them, hid the mild blue of
the sky, and the joyous light of the sun.

The Golden City of their dreams!  It was the place, where perhaps one day
their father would present to them two young lovers, good and fair as
themselves.  "They love you," he was to say; " they are worthy of you.
Let each of you have a brother, and me two sons." Then what chaste,
enchanting confusion for those two orphans, whose hearts, pure as
crystal, had never reflected any image but that of Gabriel, the celestial
messenger sent by their mother to protect them!

We can therefore understand the painful emotion of Blanche, when she
heard her sister repeat, with bitter melancholy, those words which
described their whole situation: "I think of the Golden City of our
dreams!"

"Who knows?" proceeded Blanche, drying her sister's tears; "perhaps,
happiness may yet be in store for us."

"Alas! if we are not happy with our father by us--shall we ever be so?"

"Yes, when we rejoin our mother," said Blanche, lifting her eyes to
heaven.

"Then, sister, this dream may be a warning--it is so like that we had in
Germany."

"The difference being that then the Angel Gabriel came down from heaven
to us, and that this time he takes us from earth, to our mother."

"And this dream will perhaps come true, like the other, my sister.  We
dreamt that the Angel Gabriel would protect us, and he came to save us
from the shipwreck."

"And, this time, we dream that he will lead us to heaven.  Why should not
that happen also?"

"But to bring that about, sister, our Gabriel, who saved us from the
shipwreck, must die also.  No, no; that must not happen.  Let us pray
that it may not happen."

"No, it will not happen--for it is only Gabriel's good angel, who is so
like him, that we saw in our dreams."

"Sister, dear, how singular is this dream!--Here, as in Germany, we have
both dreamt the same--three times, the very same!"

"It is true.  The Angel Gabriel bent over us, and looked at us with so
mild and sad an air, saying: `Come, my children! come, my sisters!  Your
mother waits for you.  Poor children, arrived from so far!' added he in
his tender voice: `You have passed over the earth, gentle and innocent as
two doves, to repose forever in the maternal nest.'"

"Yes, those were the words of the archangel," said the other orphan, with
a pensive air; "we have done no harm to any one, and we have loved those
who loved us--why should we fear to die?"

"Therefore, dear sister, we rather smiled than wept, when he took us by
the hand, and, spreading wide his beautiful white wings, carried us along
with him to the blue depths of the sky."

"To heaven, where our dear mother waited for us with open arms, her face
all bathed in tears."

"Oh, sweet sister! one has not dreams like ours for nothing.  And then,"
added she, looking at Rose, with a sad smile that went to the heart, "our
death might perhaps end the sorrow, of which we have been the cause."

"Alas! it is not our fault.  We love him so much.  But we are so timid
and sorrowful before him, that he may perhaps think we love him not."

So saying, Rose took her handkerchief from her workbasket, to dry her
fears; a paper, folded in the form of a letter, fell out.

At this sight, the two shuddered, and pressed close to one mother, and
Rose said to Blanche, in a trembling voice: "Another of these letters!--
Oh, I am afraid!  It will doubtless be like the last."

"We must pick it up quickly, that it may not be seen," said Blanche,
hastily stooping to seize the letter; "the people who take interest in us
might otherwise be exposed to great danger."

"But how could this letter come to us?"

"How did the others come to be placed right under our hand, and always in
the absence of our duenna?"

"It is true.  Why seek to explain the mystery?  We should never be able
to do so.  Let us read the letter.  It will perhaps be more favorable to
us than the last."  And the two sisters read as follows:--

"Continue to love your father, dear children, for he is very miserable,
and you are the involuntary cause of his distress.  You will never know
the terrible sacrifices that your presence imposes on him; but, alas! he
is the victim of his paternal duties.  His sufferings are more cruel than
ever; spare him at least those marks of tenderness, which occasion him so
much more pain than pleasure.  Each caress is a dagger-stroke, for he
sees in you the innocent cause of his misfortunes.  Dear children, you
must not therefore despair.  If you have enough command over yourselves,
not to torture him by the display of too warm a tenderness, if you can
mingle some reserve with your affection, you will greatly alleviate his
sorrow.  Keep these letters a secret from every one, even from good
Dagobert, who loves you so much; otherwise, both he and you, your father,
and the unknown friend who is writing to you, will be exposed to the
utmost peril, for your enemies are indeed formidable.  Courage and hope!
May your father's tenderness be once more free from sorrow and regret!--
That happy day is perhaps not so far distant.  Burn this letter like all
the others!"

The above note was written with so much cunning that, even supposing the
orphans had communicated it to their father or Dagobert, it would at the
worst have been considered a strange, intrusive proceeding, but almost
excusable from the spirit in which it was conceived.  Nothing could have
been contrived with more perfidious art, if we consider the cruel
perplexity in which Marshal Simon was struggling between the fear of
again leaving his children and the shame of neglecting what he considered
a sacred duty.  All the tenderness, all the susceptibility of heart which
distinguished the orphans, had been called into play by these diabolical
counsels, and the sisters soon perceived that their presence was in fact
both sweet and painful to their father; for sometimes he felt himself
incapable of leaving them, and sometimes the thought of a neglected duty
spread a cloud of sadness over his brow.  Hence the poor twins could not
fail to value the fatal meaning of the anonymous letters they received.
They were persuaded that, from some mysterious motive, which they were
unable to penetrate, their presence was often importunate and even
painful to their father.  Hence the growing sadness of Rose and Blanche--
hence the sort of fear and reserve which restrained the expression of
their filial tenderness.  A most painful situation for the marshal, who
deceived by inexplicable appearances, mistook, in his turn, their manner
of indifference to him--and so, with breaking heart, and bitter grief
upon his face, often abruptly quitted his children to conceal his tears!

And the desponding orphans said to each other: "We are the cause of our
father's grief.  It is our presence which makes him so unhappy."

The reader may new judge what ravages such a thought, when fixed and
incessant, must have made on these young, loving, timid, and simple
hearts.  Haw could the orphans be on their guard against such anonymous
communications, which spoke with reverence of all they loved, and seemed
every day justified by the conduct of their father?  Already victims of
numerous plots, and hearing that they were surrounded by enemies, we can
understand, how faithful to the advice of their unknown friend, they
forbore to confide to Dagobert these letters, in which he was so justly
appreciated.  The object of the proceeding was very plain.  By
continually harassing the marshal on all sides, and persuading him of the
coldness of his children, the conspirators might naturally hope to
conquer the hesitation which had hitherto prevented his again quitting
his daughters to embark in a dangerous enterprise.  To render the
marshal's life so burdensome that he would desire to seek relief from his
torments in airy project of daring and generous chivalry, was one of the
ends proposed by Rodin--and, as we have seen, it wanted neither logic nor
possibility.

After having read the letter, the two remained for a moment silent and
dejected.  Then Rose, who held the paper in her hand, started up
suddenly, approached the chimneypiece, and threw the letter into the
fire, saying, with a timid air: "We must burn it quickly, or perhaps some
great danger will ensue."

"What greater misfortune can happen to us," said Blanche, despondingly,
"than to cause such sorrow to our father?  What can be the reason of it?"

"Perhaps," said Rose, whose tears were slowly trickling down her cheek,
"he does not find us what he could have desired.  He may love us well as
the children of our poor mother, but we are not the daughters he had
dreamed of.  Do you understand me, sister?"

"Yes, yes--that is perhaps what occasioned all his sorrow.  We are so
badly informed, so wild, so awkward, that he is no doubt ashamed of us;
and, as he loves us in spite of all, it makes him suffer."

"Alas! it is not our fault.  Our dear mother brought us up in the deserts
of Siberia as well as she could."

"Oh! father himself does not reproach us with it; only it gives him
pain."

"Particularly if he has friends whose daughters are very beautiful, and
possessed of all sorts of talents.  Then he must bitterly regret that we
are not the same."

"Dost remember when he took us to see our cousin, Mdlle. Adrienne, who
was so affectionate and kind to us, that he said to us, with admiration:
`Did you notice her, my children?  How beautiful she is, and what talent,
what a noble heart, and therewith such grace and elegance!'"

"Oh, it is very true!  Mdlle. de Cardoville is so beautiful, her voice is
so sweet and gentle, that, when we saw and heard her, we fancied that all
our troubles were at an end."

"And it is because of such beauty, no doubt, that our father, comparing
us with our cousin and so many other handsome young ladies, cannot be
very proud of us.  And he, who is so loved and honored, would have liked
to have been proud of his daughters."

Suddenly Rose laid her hand on her sister's arm, and said to her, with
anxiety: "Listen! listen! they are talking very loud in father's
bedroom."

"Yes," said Blanche, listening in her turn; "and I can hear him walking.
That is his step."

"Good heaven! how he raises his voice; he seems to be in a great passion;
he will perhaps come this way."

And at the thought of their father's coming--that father who really
adored them--the unhappy children looked in terror at each other.  The
sound of a loud and angry voice became more and more distinct; and Rose,
trembling through all her frame, said to her sister: "Do not let us
remain here! Come into our room."

"Why?"

"We should hear, without designing it, the words of our father--and he
does not perhaps know that we are so near."

"You are right.  Come, come!" answered Blanche, as she rose hastily from
her seat.

"Oh! I am afraid.  I have never heard him speak in so angry a tone."

"Oh! kind heaven!" said Blanche, growing pale, as she stopped
involuntarily.  "It is to Dagobert that he is talking so loud."

"What can be the matter--to make our father speak to him in that way?"

"Alas! some great misfortune must have happened."

"Oh, sister! do not let us remain here! It pains me too much to hear
Dagobert thus spoken to."

The crash of some article, hurled with violence and broken to pieces in
the next room, so frightened the orphans, that, pale and trembling with
emotion, they rushed into their own apartment, and fastened the door.  We
must now explain the cause of Marshal Simon's violent anger.




CHAPTER XLVIII.

THE STUNG LION.

This was the scene, the sound of which had so terrified Rose and Blanche.
At first alone in his chamber, in a state of exasperation difficult to
describe, Marshal Simon had begun to walk hastily up and down, his
handsome, manly face inflamed with rage, his eyes sparkling with
indignation, while on his broad forehead, crowned with short-cut hair
that was now turning gray, large veins, of which you might count the
pulsations, were swollen almost to bursting; and sometimes his thick,
black moustache was curled with a convulsive motion, not unlike that
which is seen in the visage of a raging lion.  And even as the wounded
lion, in its fury, harassed and tortured by a thousand invisible darts,
walks up and down its den with savage wrath, so Marshal Simon paced the
floor of his room, as if bounding from side to side; sometimes he
stooped, as though bending beneath the weight of his anger; sometimes, on
the contrary, he paused abruptly, drew himself up to his full height,
crossed his arms upon his vigorous chest, and with raised brow,
threatening and terrible look, seemed to defy some invisible enemy, and
murmur confused exclamations.  Then he stood like a man of war and battle
in all his intrepid fire.

And now he stamped angrily with his foot, approached the chimney-piece,
and pulled the bell so violently that the bell-rope remained in his hand.
A servant hastened to attend to this precipitate summons.  "Did you not
tell Dagobert that I wished to speak to him?" cried the marshal.

"I executed your grace's orders, but M. Dagobert was accompanying his son
to the door, and--"

"Very well!" interrupted Marshal Simon, with an abrupt and imperious
gesture.

The servant went out, and his master continued to walk up and down with
impatient steps, crumpling, in his rage, a letter that he held in his
left hand.  This letter had been innocently delivered by Spoil-sport,
who, seeing him come in, had run joyously to meet him.  At length the
door opened, and Dagobert appeared.  "I have been waiting for you a long
time, sirrah!" cried the marshal, in an irritated tone.

Dagobert, more pained than surprised at this burst of anger, which he
rightly attributed to the constant state of excitement in which the
marshal had now been for some time past, answered mildly: "I beg your
pardon, general, but I was letting out my son--"

"Read that, sir!" said the marshal abruptly, giving him the letter.

While Dagobert was reading it, the marshal resumed, with growing anger,
as he kicked over a chair that stood in his way: "Thus, even in my own
house, there are wretches bribed to harass me with incredible
perseverance.  Well! have you read it, sir?"

"It is a fresh insult to add to the others," said Dagobert, coolly, as he
threw the letter into the fire.

"The letter is infamous--but it speaks the truth," replied the marshal.
Dagobert looked at him in amazement.

"And can you tell who brought me this infamous letter" continued the
marshal.  "One would think the devil had a hand in it--for it was your
dog!"

"Spoil-sport?" said Dagobert, in the utmost surprise.

"Yes," answered the marshal, bitterly; "it is no doubt a joke of your
invention."

"I have no heart for joking, general," answered Dagobert, more and more
saddened by the irritable state of the marshal; "I cannot explain how it
happened.  Spoil-sport is a good carrier, and no doubt found the letter
in the house--"

"And who can have left it there?  Am I surrounded by traitors?  Do you
keep no watch?  You, in whom I have every confidence?"

"Listen to me, general--"

But the marshal proceeded, without waiting to hear him.  "What! I have
made war for five-and-twenty years, I have battled with armies, I have
struggled victoriously through the evil times of exile and proscription,
I have withstood blows from maces of iron--and now I am to be killed with
pins! Pursued into my own house, harassed with impunity, worn out,
tortured every minute, to gratify some unknown, miserable hate!--When I
say unknown, I am wrong--it is d'Aigrigny, the renegade, who is at the
bottom of all this, I am sure.  I have in the world but one enemy, and he
is the man.  I must finish with him, for I am weary of this--it is too
much."

"But, general, remember he is a priest--"

"What do I care for that?  Have I not seen him handle the sword?  I will
yet make a soldier's blood rise to the forehead of the traitor!"

But, general--"

"I tell you, that I must be avenged on some one," cried the marshal, with
an accent of the most violent exasperation; "I tell you, that I mast find
a living representative of these cowardly plots, that I may at once make
an end of him!--They press upon me from all sides; they make my life a
hell--you know it--and you do nothing to save me from these tortures,
which are killing me as by a slow fire.  Can I have no one in whom to
trust?"

"General, I can't let you say that," replied Dagobert, in a calm, but
firm voice.

"And why not?"

"General, I can't let you say that you have no one to trust to.  You
might end perhaps in believing it, and then it would be even worse for
yourself, than for those who well know their devotion for you, and would
go through fire and water to serve you.  I am one of them--and you know
it."

These simple words, pronounced by Dagobert with a tone of deep
conviction, recalled the marshal to himself; for although his honorable
and generous character might from time to time be embittered by
irritation and grief, he soon recovered his natural equanimity.  So,
addressing Dagobert in a less abrupt tone, he said to him, though still
much agitated: "You are right.  I could never doubt your fidelity.  But
anger deprives me of my senses.  This infamous letter is enough to drive
one mad.  I am unjust, ungrateful--yes, ungrateful--and to you!"

"Do not think of me, general.  With a kind word at the end, you might
blow me up all the year round.  But what has happened?"

The general's countenance again darkened, as he answered rapidly: "I am
looked down upon, and despised!"

"You?"

"Yes I.  After all," resumed the marshal bitterly, "why should I conceal
from you this new wound?  If I doubted you a moment, I owe you some
compensation, and you shall know all.  For some time past, I perceived
that, when I meet any of my old companions in arms, they try to avoid
me -"

"What! was it to this that the anonymous letter alluded?"

"Yes; and it spoke the truth," replied the marshal, with a sigh of grief
and indignation.

"But it is impossible, general--you are so loved and respected--"

"Those are mere words; I speak of positive facts.  When I appear, the
conversation is often interrupted.  Instead of treating me as an old
comrade, they affect towards me a rigorously cold politeness.  There are
a thousand little shades, a thousand trifles, which wound the heart, but
which it is impossible to notice--"

"What you are now saying, general, quite confounds me," replied Dagobert.
"You assure me of it, and I am forced to believe you."

"Oh, it is intolerable! I was resolved to ease my heart of it; so, this
morning, I went to General d'Havrincourt, who was colonel with me in the
Imperial Guard; he is honor and honesty itself.  I went to him with open
heart.  `I perceive,' said I, `the coldness that is shown me.  Some
calumny must be circulating to my disadvantage.  Tell me all about it.
Knowing the attack, I shall be able to defend myself--'

"Well, general?"

"D'Havrincourt remained impassible ceremoniously polite.  To all my
questions he answered coldly: `I am not aware, my lord duke, that any
calumny has been circulated with regard to you.'--'Do not call me "my
lord duke," my dear D'Havrincourt; we are old fellow-soldiers and
friends, my honor is somewhat touchy, I confess, and I find that you and
our comrades do not receive me so cordially, as in times past.  You do
not deny it; I see, I know, I feel it.'  To all this D'Havrincourt
answered, with the same coldness: `I have never seen any one wanting in
respect towards you.'--'I am not talking of respect,' exclaimed I, as I
clasped his hand affectionately, though I observed that he but feebly
returned the pressure; `I speak of cordiality, confidence, which I once
enjoyed, while now I am treated like a stranger.  Why is it?  What has
occasioned this change?'--Still cold and reserved, he answered: `These
distinctions are so nice, marshal, that it is impossible for me to give
you any opinion on the subject.'--My heart swelled with grief and anger.
What was I to do?  To quarrel with D'Havrincourt would have been absurd.
A sense of dignity forced me to break off the interview, but it has only
confirmed my fears.  Thus," added the marshal, getting more and more
animated, "thus am I fallen from the esteem to which I am entitled, thus
am I despised, without even knowing the cause!  Is it not odious?  If
they would only utter a charge against me--I should at least be able to
defend myself, and to find an answer.  But no, no! not even a word--only
the cold politeness that is worse than any insult.  Oh! it is too much,
too much! for all this comes but in addition to other cares.  What a life
is mine since the death of my father!  If I did but find rest and
happiness at home--but no! I come in, but to read shameful letters; and
still worse," added the marshal, in a heartrending tone, and after a
moment's hesitation, "to find my children grow more and more indifferent
towards me--

"Yes," continued he, perceiving the amazement of Dagobert, "and yet they
know how much I love them!"

"Your daughters indifferent!" exclaimed Dagobert, in astonishment.  "You
make them such a reproach?"

"Oh! I do not blame them.  They have hardly had time to know me."

"Not had time to know you?" returned the soldier, in a tone of
remonstrance, and warming up in his turn.  "Ah! of what did their mother
talk to them, except you?  and I too! what could I teach your children
except to know and love you?"

"You take their part--that is natural--they love you better than they do
me," said the marshal, with growing bitterness.  Dagobert felt himself so
painfully affected, that he looked at the marshal without answering.

"Yes!" continued the other; "yes! it may be base and ungrateful--but no
matter!--Twenty times I have felt jealous of the affectionate confidence
which my children display towards you, while with me they seem always to
be in fear.  If their melancholy faces ever grow animated for a moment,
it is in talking to you, in seeing you; while for me they have nothing
but cold respect--and that kills me.  Sure of the affection of my
children, I would have braved and surmounted every difficulty--"  Then,
seeing that Dagobert rushed towards the door which led to the chamber of
Rose and Blanche, the marshal asked: "Where are you going?"

"For your daughters, general."

"What for?"

"To bring them face to face with you--to tell them: `My children, your
father thinks that you do not love him.'--I will only say that--and then
you will see."

"Dagobert! I forbid you to do it," cried the marshal, hastily.

"I don't care for that--you have no right to be unjust to the poor
children," said the soldier, as he again advanced towards the door.

"Dagobert, I command you to remain here," cried the marshal.

"Listen to me, general.  I am your soldier, your inferior, your servant,
if you will," said the old grenadier, roughly; "but neither rank nor
station shall keep me silent, when I have to defend your daughters.  All
must be explained--I know but one way--and that is to bring honest people
face to face."

If the marshal had not seized him by the arm, Dagobert would have entered
the apartment of the young girls.

"Remain!" said the marshal, so imperiously that the soldier, accustomed
to obedience, hung his head, and stood still.

"What would you do?" resumed the marshal.  "Tell my children, that I
think they do not love me? induce them to affect a tenderness they do not
feel--when it is not their fault, but mine?"

"Oh, general!" said Dagobert, in a tone of despair, "I no longer feel
anger, in hearing you speak thus of your children.  It is such grief,
that it breaks my heart!"

Touched by the expression of the soldier's countenance, the marshal
continued, less abruptly: "Come, I may be wrong; and yet I ask you,
without bitterness or jealousy, are not my children more confiding, more
familiar, with you than with me?"

"God bless me, general!" cried Dagobert; "if you come to that, they are
more familiar with Spoil-sport than with either of us.  You are their
father; and, however kind a father may be, he must always command some
respect.  Familiar with me!  I should think so.  A fine story!  What the
devil should they respect in me, who, except that I am six feet high, and
wear a moustache, might pass for the old woman that nursed them?--and
then I must say, that, even before the death of your worthy father, you
were sad and full of thought; the children have remarked that; and what
you take for coldness on their part, is, I am sure, anxiety for you.
Come, general; you are not just.  You complain, because they love you too
much."

"I complain, because I suffer," said the marshal, in an agony of
excitement.  "I alone know my sufferings."

"They must indeed be grievous, general," said Dagobert, carried further
than he would otherwise have gone by his attachment for the orphans,
"since those who love you feel them so cruelly."

"What, sir! more reproaches?"

"Yes, general, reproaches," cried Dagobert.  "Your children have the
right to complain of you, since you accuse them so unjustly."

"Sir," said the marshal, scarcely able to contain himself, `this is
enough--this is too much!"

"Oh, yes! it is enough," replied Dagobert, with rising emotion.  "Why
defend unfortunate children, who can only love and submit?  Why defend
them against your unhappy blindness?"

The marshal started with anger and impatience, but then replied, with a
forced calmness: "I needs must remember all that I owe you--and I will
not forget it, say what you will."

"But, general," cried Dagobert, "why will you not let me fetch your
children?"

"Do you not see that this scene is killing me?" cried the exasperated
marshal.  "Do you not understand, that I will not have my children
witness what I suffer?  A father's grief has its dignity, sir; and you
ought to feel for and respect it."

"Respect it? no--not when it is founded on injustice!"

"Enough, sir--enough!"

"And not content with tormenting yourself," cried Dagobert, unable any
longer to control his feelings, "do you know what you will do?  You will
make your children die of sorrow.  Was it for this, that I brought them
to you from the depths of Siberia?"

"More reproaches!"

"Yes; for the worst ingratitude towards me, is to make your children
unhappy."

"Leave the room, sir!" cried the marshal, quite beside himself, and so
terrible with rage and grief, that Dagobert, regretting that he had gone
so far, resumed: "I was wrong, general.  I have perhaps been wanting in
respect to you--forgive me--but--"

"I forgive you--only leave me!" said the marshal, hardly restraining
himself.

"One word, general--"

"I entreat you to leave me--I ask it as a service--is that enough?" said
the marshal, with renewed efforts to control the violence of his
emotions.

A deadly paleness succeeded to the high color which during this painful
scene had inflamed the cheeks of the marshal.  Alarmed at this symptom,
Dagobert redoubled his entreaties.  "I implore you, general," said he, in
an agitated mice, "to permit me for one moment--"

"Since you will have it so, sir, I must be the one to leave," said the
marshal, making a step towards the door.

These words were said in such a manner, that Dagobert could no longer
resist.  He hung his head in despair, looked for a moment in silent
supplication at the marshal, and then, as the latter seemed yielding to a
new movement of rage, the soldier slowly quitted the room.

A few minutes had scarcely elapsed since the departure of Dagobert, when
the marshal, who, after a long and gloomy silence, had repeatedly drawn
near the door of his daughters' apartment with a mixture of hesitation
and anguish, suddenly made a violent effort, wiped the cold sweat from
his brow, and entered the chamber in which Rose and Blanche had taken
refuge.




CHAPTER XLIX.

THE TEST.

Dagobert was right in defending his children, as he paternally called
Rose and Blanche, and yet the apprehensions of the marshal with regard to
the coldness of his daughters, were unfortunately justified by
appearances.  As he had told his father, unable to explain the sad, and
almost trembling embarrassment, which his daughters felt in his presence,
he sought in vain for the cause of what he termed their indifference.
Now reproaching himself bitterly for not concealing from them his grief
at the death of their mother, he feared he might have given them to
understand that they would be unable to console him; now supposing that
he had not shown himself sufficiently tender, and that had chilled them
with his military sternness; and now repeating with bitter regret, that,
having always lived away from them, he must be always a stranger to them.
In a word, the most unlikely suppositions presented themselves by turns
to his mind, and whenever such seeds of doubt, suspicion, or fear, are
blended with a warm affection, they will sooner or later develop
themselves with fatal effect.  Yet, notwithstanding this fancied
coldness, from which he suffered so much, the affection of the marshal
for his daughters was so true and deep, that the thought of again
quitting them caused the hesitations which were the torment of his life,
and provoked an incessant struggle between his paternal love and the duty
he held most sacred.

The injurious calumnies, which had been so skillfully propagated, that
men of honor, like his old brothers in arms, were found to attach some
credit to them, had been spread with frightful pertinacity by the friends
of the Princess de Saint-Dizier.  We shall describe hereafter the meaning
and object of these odious reports, which, joined with so many other
fatal injuries, had filled up the measure of the marshal's indignation.
Inflamed with anger, excited almost to madness by this incessant
"stabbing with pins" (as he had himself called it), and offended at some
of Dagobert's words, he had spoken harshly to him.  But, after the
soldier's departure, when left to reflect in silence, the marshal
remembered the warm and earnest expressions of the defender of his
children, and doubt crossed his mind, as to the reality of the coldness
of which he accused them.  Therefore, having taken a terrible resolution
in case a new trial should confirm his desponding doubts, he entered, as
we before said, his, daughters' chamber.  The discussion with Dagobert
had been so loud, that the sound of the voices had confusedly reached the
ears of the two sisters, even after they had taken refuge in their
bedroom.  So that, on the arrival of their father, their pale faces
betrayed their fear and anxiety.  At sight of the marshal, whose
countenance was also much agitated, the girls rose respectfully, but
remained close together, trembling in each other's arms.  And yet there
was neither anger nor severity on their father's face--only a deep,
almost supplicating grief, which seemed to say: "My children, I suffer--I
have come to you--console me, love me! or I shall die!"

The marshal's countenance was at this moment so expressive, that, the
first impulse of fear once surmounted, the sisters were about to throw
themselves into his arms; but remembering the recommendations of the
anonymous letter, which told them how painful any effusion of their
tenderness was to their father, they exchanged a rapid glance, and
remained motionless.  By a cruel fatality, the marshal at this moment
burned to open his arms to his children.  He looked at them with love, he
even made a slight movement as if to call them to him; but he would not
attempt more, for fear of meeting with no response.  Still the poor
children, paralyzed by perfidious counsels, remained mute, motionless,
trembling!

"It is all over," thought he, as he gazed upon them.  "No chord of
sympathy stirs in their bosom.  Whether I go---whether I remain--matters
not to them.  No, I am nothing to these children--since, at this awful
moment, when they see me perhaps for the last time, no filial instinct
tells them that their affection might save me still!"

During these terrible reflections, the marshal had not taken his eyes off
his children, and his manly countenance assumed an expression at once so
touching and mournful--his look revealed so painfully the tortures of his
despairing soul--that Rose and Blanche, confused, alarmed, but yielding
together to a spontaneous movement, threw themselves on their father's
neck, and covered him with tears and caresses.  Marshal Simon had not
spoken a word; his daughters had not uttered a sound; and yet all three
had at length understood one another.  A sympathetic shock had
electrified and mingled those three hearts.  Vain fears, false doubts,
lying counsel, all had yielded to the irresistible emotion.  which had
brought the daughters to their father's arms.  A sudden revelation gave
them faith, at the fatal moment when incurable suspicion was about to
separate them forever.

In a second, the marshal felt all this, but words failed him.  Pale,
bewildered, kissing the brows, the hair, the hands of his daughters,
weeping, sighing, smiling all in turn, he was wild, delirious, drunk with
happiness.  At length, he exclaimed: "I have found them--or rather, I
have never lost them.  They loved me, and did not dare to tell me so.  I
overawed them.  And I thought it was my fault.  Heavens! what good that
does! what strength, what heart, what hope!--Ha! ha!" cried he, laughing
and weeping at the same time, whilst he covered his children with
caresses; "they may despise me now, they may harass me now--I defy them
all.  My own blue eyes! my sweet blue eyes! look at me well, and inspire
me with new life."

"Oh, father! you love us then as much as we love you?" cried Rose, with
enchanting simplicity.

"And we may often, very often, perhaps every day, throw ourselves on your
neck, embrace you, and prove how glad we are to be with you?"

"Show you, dear father, all the store of love we were heaping up in our
hearts--so sad, alas! that we could not spend it upon you?"

"Tell you aloud all that we think in secret?"

"Yes--you may do so--you may do so," said Marshal ,Simon, faltering with
joy; "what prevented you, my children?  But no; do not answer; enough of
the past!--I know all, I understand all.  You misinterpreted my gloom,
and it made you sad; I, in my turn, misinterpreted your sadness.  But
never mind; I scarcely know what I am saying to you.  I only think of
looking at you--and it dazzles me--it confuses me--it is the dizziness of
joy!"

"Oh, look at us, father! look into our eyes, into our hearts," cried
Rose, with rapture.

"And you will read there, happiness for us, and love for you, sir!" added
Blanche.

"Sir, sir!" said the marshal, in a tone of affectionate reproach; "what
does that mean?  Will you call me father, if you please?"

"Dear father, your hand!" said Blanche, as she took it, and placed it on
her heart.

"Dear father, your hand!" said Rose, as she took the other hand of the
marshal.  "Do you believe now in our love and happiness?" she continued.

It is impossible to describe the charming expression of filial pride in
the divine faces of the girls, as their father, slightly pressing their
virgin bosoms, seemed to count with delight the joyous pulsations of
their hearts.

"Oh, yes! happiness and affection can alone make the heart beat thus!"
cried the marshal.

A hoarse sob, heard in the direction of the open door, made the three
turn round, and there they saw the tall figure of Dagobert, with the
black nose of Spoil-sport reaching to his master's knee.  The soldier,
drying his eyes and moustache with his little blue cotton handkerchief,
remained motionless as the god Terminus.  When he could speak, he
addressed himself to the marshal, and, shaking his head, muttered, in a
hoarse voice, for the good man was swallowing his tears: "Did I not tell
you so?"

"Silence!" said the marshal, with a sign of intelligence.  "You were a
better father than myself, my old friend.  Come and kiss them! I shall
not be jealous."

The marshal stretched out his hand to the soldier, who pressed it
cordially, whilst the two sisters threw themselves on his neck, and
Spoil-sport, according to custom wishing to have his share in the general
joy, raised himself on his hind legs, and rested his fore-paws against
his master's back.  There was a moment of profound silence.  The
celestial felicity enjoyed during that moment, by the marshal, his
daughters, and the soldier, was interrupted by the barking of Spoil-sort,
who suddenly quitted the attitude of a biped.  The happy group separated,
looked round, and saw Loony's stupid face.  He looked even duller than
usual, as he stood quite still in the doorway, staring with wide-
stretched eyes, and holding a feather-broom under his arm, and in his
hand the ever-present basket of wood.

Nothing makes one so gay as happiness; and, though this grotesque figure
appeared at a very unseasonable moment, it was received with frank
laughter from the blooming lips of Rose and Blanche.  Having made the
marshal's daughters laugh, after their long sadness, Loony at once
acquired a claim to the indulgence of the marshal, who said to him, good-
humoredly: "What do you want, my lad?"

"It's not me, my lord duke!" answered Loony, laying his hand on his
breast, as if it were taking a vow, so that his feather-brush fell down
from under his arm.  The laughter of the girls redoubled.

"It is not you?" said the marshal.

"Here! Spoil-sport!" Dagobert called, for the honest dog seemed to have a
secret dislike for the pretended idiot, and approached him with an angry
air.

"No, my lord duke, it is not me!" resumed Loony.  "It is the footman who
told me to tell M. Dagobert, when I brought up the wood to tell my lord
duke, as I was coming up with the basket, that M. Robert wants to see
him."

The girls laughed still more at this new stupidity.  But, at the name of
Robert, Marshal Simon started.

M. Robert was the secret emissary of Rodin, with regard to the possible,
but adventurous, enterprise of attempting the liberation of Napoleon II.

After a moment's silence, the marshal, whose face was still radiant with
joy and happiness, said to Loony: "Beg M. Robert to wait for me a moment
in my study."

"Yes, my lord duke," answered Loony, bowing almost to the ground.

The simpleton withdrew, and the marshal said to his daughters, in a
joyous tone, "You see, that, in a moment like this, one does not leave
one's children, even for M. Robert."

"Oh! that's right, father!" cried Blanche, gayly; "for I was already very
angry with this M. Robert."

"Have you pen and paper at hand?" asked the marshal.

"Yes, father; there on the table," said Rose, hastily, as she pointed to
a little desk near one of the windows, towards which the marshal now
advanced rapidly.

From motives of delicacy, the girls remained where they were, close to
the fireplace, and caressed each other tenderly, as if to congratulate
themselves in private on the unexpected happiness of this day.

The marshal seated himself at the desk, and made a sign to Dagobert to
draw near.

While he wrote rapidly a few words in a firm hand, he said to the soldier
with a smile, in so low a tone that it was impossible for his daughters
to hear: "Do you know what I had almost resolved upon, before entering
this room?"

"What, general?"

"To blow my brains out.  It is to my children that I owe my life."  And
the marshal continued writing.

Dagobert started at this communication, and then replied, also in a
whisper: "It would not have been with your pistols.  I took off the
caps."

The marshal turned round hastily, and looked at him with an air of
surprise.  But the soldier only nodded his head affirmatively, and added:
"Thank heaven, we have now done with all those ideas!"

The marshal's only answer was to glance at his children, his eyes
swimming with tenderness, and sparkling with delight; then, sealing the
note he had written, he gave it to the soldier, and said to him, "Give
that to M. Robert.  I will see him to-morrow."

Dagobert took the letter, and went out.  Returning towards his daughters,
the marshal joyfully extended his arms to them, and said, "Now, young
ladies, two nice kisses for having sacrificed M. Robert to you.  Have I
not earned them?" And Rose and Blanche threw themselves on their father's
neck.

About the time that these events were taking place at Paris, two
travellers, wide apart from each other, exchanged mysterious thoughts
through the breadth of space.





End of Project Gutenberg Etext of The Wandering Jew, V10, by Eugene Sue