diff options
Diffstat (limited to '33299-h')
| -rw-r--r-- | 33299-h/33299-h.htm | 839 | ||||
| -rw-r--r-- | 33299-h/images/cover.jpg | bin | 0 -> 94743 bytes | |||
| -rw-r--r-- | 33299-h/images/cover2.jpg | bin | 0 -> 18498 bytes | |||
| -rw-r--r-- | 33299-h/images/i004.jpg | bin | 0 -> 86869 bytes | |||
| -rw-r--r-- | 33299-h/images/i005.jpg | bin | 0 -> 62857 bytes | |||
| -rw-r--r-- | 33299-h/images/i038.jpg | bin | 0 -> 50193 bytes |
6 files changed, 839 insertions, 0 deletions
diff --git a/33299-h/33299-h.htm b/33299-h/33299-h.htm new file mode 100644 index 0000000..2e3172b --- /dev/null +++ b/33299-h/33299-h.htm @@ -0,0 +1,839 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> + +<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> + <head> + <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <meta http-equiv="Content-Style-Type" content="text/css" /> + <title> + The Project Gutenberg eBook of The Five Giants, revised by D. P. Kidder + </title> + <style type="text/css"> + +body { + margin-left: 10%; + margin-right: 10%; +} + +h1,h2,h3,h4,h5,h6 { + text-align: center; /* all headings centered */ + clear: both; +} + +p { + margin-top: .75em; + text-align: justify; + margin-bottom: .75em; + text-indent: 1em; +} + +hr { margin: 5em auto 3em auto; + height: 0px; + border-width: 1px 0 0 0; + border-style: solid; + border-color: #dcdcdc; + width: 500px; + clear: both; +} +hr.hr2 {width: 100px; margin: 1em auto 1em auto;} +hr.hr2a {width: 200px; margin: 0em auto 0em auto;} +hr.hr3 {width: 200px; margin: 3em auto 3em auto;} + +.pagenum {/* uncomment the next line for invisible page numbers */ + /*visibility: hidden;*/ + position: absolute; + left: 1%; + font-size: 10px; + font-weight: normal; + font-variant: normal; + font-style: normal; + letter-spacing: normal; + text-indent: 0em; + text-align: right; + color: #999999; + background-color: #ffffff; +} /* page numbers */ + +.center {text-align: center; text-indent: 0em;} + +.smcap {font-variant: small-caps;} + +/* Images */ +.figcenter { + margin: 5em auto 5em auto; + text-align: center; +} + +.oldeng {font-family: 'Old English Text MT', 'Old English', serif; font-size: 1.3em;} +.title {font-size: 2.5em;} +.pub {font-size: 1.6em;} +.pub2 {font-size: 1.3em;} +.address {font-size: 1.2em;} +.tp {margin: auto; width: 30em; text-align: center;} + </style> + </head> +<body> + + +<pre> + +The Project Gutenberg EBook of The Five Giants, by Daniel P. Kidder + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Five Giants + +Author: Daniel P. Kidder + +Release Date: July 31, 2010 [EBook #33299] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE FIVE GIANTS *** + + + + +Produced by The Online Distributed Proofreading Team at +http://www.pgdp.net (This file was produced from images +generously made available by The Internet Archive/American +Libraries.) + + + + + + +</pre> + + +<hr /> + +<h1>THE<br /> +FIVE GIANTS.</h1> + +<hr class="hr3" /> + +<div class="figcenter" style="width: 400px;"> +<img src="images/cover.jpg" width="400" height="660" alt="" title="" /> +</div> + + +<p class="tp"><span class="pub">THE</span><br /> +<br /><br /><br /> +<span class="title">FIVE GIANTS.</span></p> + +<div class="figcenter" style="width: 200px;"> +<img src="images/cover2.jpg" width="200" height="136" alt="" title="" /> +</div> + +<p class="tp"><span class="oldeng">New<i>~</i>York</span><br /> +<br /> +<span class="pub">LANE & TIPPETT,</span><br /> +<br /> +<span class="pub2">FOR THE SUNDAY-SCHOOL UNION OF THE +METHODIST EPISCOPAL CHURCH,</span><br /> +<br /> +<span class="address">200 Mulberry-street.</span></p> + +<hr /> + +<div class="figcenter" style="width: 400px;"> +<img src="images/i004.jpg" width="400" height="334" alt="" title="" /> +</div> + +<hr /> + +<p class="tp"><span class="pub">THE</span><br /> +<br /><br /><br /> +<span class="title">FIVE GIANTS.</span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/i005.jpg" width="400" height="225" alt="" title="" /> +</div> + +<p class="tp"><span class="pub">REVISED BY D. P. KIDDER.</span><br /> +<br /><br /><br /> +<span class="oldeng">New~York:</span> +<br /><br /><br /> +<span class="pub">PUBLISHED BY LANE & TIPPETT,</span><br /> +<br /> +<span class="pub2">FOR THE SUNDAY-SCHOOL UNION OF THE METHODIST +EPISCOPAL CHURCH, 200 MULBERRY-ST.</span></p> + +<hr class="hr2" /> + +<p class="tp"><span class="address">Joseph Longking, Printer.</span><br /> +<span class="pub2">1847.</span></p> + + + + +<hr /> + +<h2><span class="pagenum"><a name="Page_5" id="Page_5">[5]</a></span> +THE FIVE GIANTS.</h2> + +<hr class="hr3" /> + +<p><span class="smcap">When</span> I was a boy, few things pleased me better than to hear a tale about +a giant. Silly and untrue as were the stories that I heard, they vastly +delighted me; but were you now to ask what information they gave me, or +what good I gathered from them, sadly should I be at fault for a reply.</p> + +<p><span class="pagenum"><a name="Page_6" id="Page_6">[6]</a></span></p><p>But if a tale about giants, that was not true, and that added nothing +to my knowledge, amused me, why should not a story about giants, which +is true, and which gives good information, be equally entertaining to +you? I see no reason why it should not be so, and therefore it is my +determination to tell you the tale of the Five Giants.</p> + +<p>Three of the five giants are old, so very old that you would hardly +believe me were I to tell you their ages; and the other two are much +<span class="pagenum"><a name="Page_7" id="Page_7">[7]</a></span>older than many people imagine; but, notwithstanding the great age of +these giants, their strength is not in the least impaired. They can +travel as fast and do quite as much work as they ever did in their +youthful days.</p> + +<p>By and by you shall know the real names of these five giants; but it +will answer my purpose better, and give you, perhaps, quite as much +entertainment, if, at first, I name them according to my fancy. The +three old giants, Flare, Roar, and Blow, are known<span class="pagenum"><a name="Page_8" id="Page_8">[8]</a></span> in every part of the +world; but the two younger, Bounce and Rush, have not, as yet, traveled +quite as far as their brothers. For the most part, all five of them are +useful characters; but if once they are in a passion, and this is too +often the case, the sooner you are out of their way the better.</p> + +<p>Giant Flare is somewhat yellow in complexion, with red hair, and has +many good and companionable qualities; indeed, in the winter, when<span class="pagenum"><a name="Page_9" id="Page_9">[9]</a></span> +people like to gather round the friendly hearth, he is one of the most +agreeable creatures in the world. No wonder, then, that he should be so +much sought after. He is invited by the prince and the peasant, and +accepts the invitation of both freely, so that on the same day he is to +be seen in the poorest cot and the proudest palace.</p> + +<p>But besides his companionable qualities, Giant Flare is a capital cook, +so much so, that he has been employed<span class="pagenum"><a name="Page_10" id="Page_10">[10]</a></span> by all the crowned heads in all +the quarters of the world. He is very useful in mining operations, and +in smelting ore; and then, as a manufacturer, he is quite at home, being +equally skilled in making a copper saucepan, a brass warming-pan, a +silver snuff-box, and a golden sovereign.</p> + +<p>You will begin to think well of Giant Flare; but truth is truth, and, as +I told you, all the five giants are sad fellows when in a passion. Giant +Flare has many a time burst<span class="pagenum"><a name="Page_11" id="Page_11">[11]</a></span> out into a perfect frenzy, and done +mischief that could never be repaired. If he is not used well, he thinks +nothing of burning a person's house down. He has been the means of +destroying many fine forests, and, on one occasion, when in London, to +his disgrace be it spoken, with the assistance of one of his brothers, +Giant Blow, he set almost a hundred churches and as many as thirteen +thousand houses all in a blaze.</p> + +<p>When Bonaparte set out to<span class="pagenum"><a name="Page_12" id="Page_12">[12]</a></span> conquer Russia, Giant Flare resisted him, and +would not let him go further than Moscow; and when the Spanish Armada +invaded England, he boldly attacked the Spanish ships, and was one of +the principal means of scattering and putting them to flight. But now +let me tell you of Giant Roar.</p> + +<p>This giant is about the same age as his brother of whom I have said so +much, and, like him, has done both kind and ill-natured deeds in<span class="pagenum"><a name="Page_13" id="Page_13">[13]</a></span> his +time. He is fond of constructing baths, and fishing ponds, and canals, +and of rendering assistance in cultivating gardens. He is largely +connected with ships and sailors. Many think he has more power by sea +than by land; but some of his mad pranks will surprise you.</p> + +<p>A long time after the Thames Tunnel was begun, under the river at +London, and when thousands and tens of thousands of pounds had been +spent, in an angry mood<span class="pagenum"><a name="Page_14" id="Page_14">[14]</a></span> he set his foot against the bottom of the +river, and crushed the in tunnel. Since then he has behaved better, and +allowed them to finish the work; but, for a time, this prank of his +occasioned great confusion.</p> + +<p>I have seen him myself, in his tantrums, play terrible tricks; I once +met him at the Falls of Niagara, where he roared like a Bedlamite, +foamed at the mouth worse than a mad dog, and at last flung himself +headlong from<span class="pagenum"><a name="Page_15" id="Page_15">[15]</a></span> so high a precipice that he was dashed into a thousand +pieces. Whether the Americans and Canadians had used him ill, or not, I +will not say, but certain it was, that his rage appeared unbounded.</p> + +<p>You will think that what I have already said of Giant Roar is bad +enough; but on one occasion he was even yet more ungovernable, for +rushing abroad in his fury, he destroyed more lives than ever had been +destroyed at one time since the world had<span class="pagenum"><a name="Page_16" id="Page_16">[16]</a></span> been made. Many of his +victims struggled hard with him to the utmost; but he came upon them by +surprise, and they were neither swift enough to escape, nor strong +enough to resist him.</p> + +<p>Giant Blow is kind, whimsical, mischievous, and dangerous, by fits. One +day, as I went by the common, he was good-naturedly helping a group of +school boys to fly their kites. I hardly think they could have managed +without his assistance; but,<span class="pagenum"><a name="Page_17" id="Page_17">[17]</a></span> in ten minutes after, he tore two of their +kites all to shivers. The same day he snatched widow Woodward's shawl +from her back, and went off with it, broke half a dozen clothes lines, +tossed about the clothes, and then, all at once, violently pushed down a +large stack of chimneys. You see by these actions how little he is to be +relied on.</p> + +<p>Giant Blow is a great traveler, for he sailed round the world with +Captain Cook, and<span class="pagenum"><a name="Page_18" id="Page_18">[18]</a></span> helped Columbus to discover America. Indeed Columbus +could not have gone without him. Were he and Giant Roar to withdraw the +assistance they give to seamen, it would at once put an end to all +merchandise, and not a single ship would be able to sail upon the seas.</p> + +<p>But though Giant Blow is one of the best friends in the world to +sailors, he often treats them very harshly, knocking their vessels to +pieces, and flinging them into the raging<span class="pagenum"><a name="Page_19" id="Page_19">[19]</a></span> deep. Hundreds of gallant +ships, and thousands of hardy tars, has he destroyed in his time.</p> + +<p>Giant Blow grinds a great deal of corn, and has a method of his own for +cooling the earth in hot weather. Common report says that, on some +occasions, he has removed the plague; and no physician on the earth has +effected such extraordinary cures as he has done. If every one that he +has kept in health were to give him a fee,<span class="pagenum"><a name="Page_20" id="Page_20">[20]</a></span> of all doctors in the world +he would be the richest.</p> + +<p>Giant Blow is well known in the West Indies, where he has, at different +times, made great confusion. When once his loud voice is heard, a +general terror and consternation are spread around; for it is well known +that, in his passions, he spares neither friend nor foe. With his great +strength he lays about him in all directions, stripping the trees of +their foliage, and furiously tearing them up by the<span class="pagenum"><a name="Page_21" id="Page_21">[21]</a></span> roots, flinging the +roofs of the houses in the air, and battering down the walls on the +heads of those who dwell in them. On he goes, till loud cries of +distress are heard, and heaps of rubbish and rafters, and the dead +bodies of men, women, and children, lie mingled together in confusion on +the ground.</p> + +<p>You have not, from what I have told you, I dare say, formed the highest +opinion of Flare, Roar, and Blow; and I fear that the characters of<span class="pagenum"><a name="Page_22" id="Page_22">[22]</a></span> +Giants Bounce and Rush will be very far from perfect in your estimation. +You shall have, however, the best account of them that I can give you, +and then you will be able to judge more correctly.</p> + +<p>Giant Bounce, of all the family of the giants, is certainly the most +peppery in his temper. His brothers usually give some notice of their +outbreaks, and rise in their position by degrees; not so Giant Bounce: +at one moment he is quiet as a lamb,<span class="pagenum"><a name="Page_23" id="Page_23">[23]</a></span> and at the next much fiercer than +a lion.</p> + +<p>In complexion, he is much darker than the others; indeed he has an ugly, +grim, and very forbidding appearance, which well suits his disposition. +He is the friend of duelists and highwaymen, and this of itself would be +bad enough, if I had nothing else to bring against him. He has done some +good, certainly, in his day; but take him for all in all, it might have +been well if his friend<span class="pagenum"><a name="Page_24" id="Page_24">[24]</a></span> the monk, who first introduced him into +society, had been otherwise employed.</p> + +<p>You would hardly think, from the kind way in which he amuses children, +by making them squibs and crackers, and other fireworks, that he was +half so mischievous as he is; but as I have told you the truth about his +brothers, so will I tell you the truth about him. I cannot say that he +does not make himself useful at times, for, in deep mines, he often does +more work, in<span class="pagenum"><a name="Page_25" id="Page_25">[25]</a></span> one hour, than the miners could do without him in a whole +day; yet still he is a dark, designing, cruel character.</p> + +<p>It is true that, some years ago, he went against a terrible pirate and +robber, who lived on the coast of Barbary, destroying his ships, +knocking his fortifications about his ears, compelling him to give up +all the Christian slaves he had in his dungeons, and making him promise +to behave better in future. It is true also that<span class="pagenum"><a name="Page_26" id="Page_26">[26]</a></span> he helped Nelson, +Napoleon, Wellington, and Washington, to win their victories; but it was +not because he had any special love for either of them that he did these +things. No! whatever other people say of him, I say that he is a hasty, +cruel, treacherous, blood-thirsty monster. It was he who first persuaded +people to make guns, pistols, and cannon mortars, bombshells, and +congreve rockets, so that widows and orphans have been multiplied by +him, and<span class="pagenum"><a name="Page_27" id="Page_27">[27]</a></span> millions of men, by his means, have been destroyed.</p> + +<p>I have now come to the last of the giants, and his character shall be +summed up in few words. If you remember, I told you that, in winter +nights, Giant Flare was a very agreeable companion, and the same thing +may be said of Giant Rush. When the tea-urn simmers, and friends gather +round the winter tea-table, Giants Flare and Rush ought always to be +there. They are good company<span class="pagenum"><a name="Page_28" id="Page_28">[28]</a></span> even when you have them one at a time; but +still better when they are together.</p> + +<p>Giant Rush is thought to be younger than his brother Bounce; but of this +I have some doubt. Of the two, however, he is by far the most +industrious. He draws up water out of mines; he blows the bellows of the +blast-furnaces; saws timber; grinds and polishes metals, makes carriages +run without horses, and forces ships through the waters of the<span class="pagenum"><a name="Page_29" id="Page_29">[29]</a></span> great +deep against both wind and tide. Besides these things, he has latterly +begun to print newspapers and books, and in this department he will make +himself more known than ever. These are his good deeds; but his bad ones +are a sad reproach to him.</p> + +<p>Would you believe it that, some time back, he undertook to do more +destruction, and to destroy more lives in one hour, than Giant Bounce +could in a day? Few people thought better than I did of<span class="pagenum"><a name="Page_30" id="Page_30">[30]</a></span> Giant Rush +before this; and, to speak the truth, I hardly thought the report was +true. But when I saw him, with my own eyes, fire sixty or eighty bullets +out of an iron tube, in less time than Giant Bounce could fire with the +same instrument, I thought to myself, "O! if he can do this, he can do +anything."</p> + +<p>The giant then went into a large field, and, pointing a cannon into a +high sand-bank, fired off a complete stream of cannon balls, enough, I<span class="pagenum"><a name="Page_31" id="Page_31">[31]</a></span> +should think, to bring down a house, if not a church, to the very +ground. In short, I was quite frightened at his invention; and all that +I hope now is, that no one will give him the least encouragement in his +horrid undertaking.</p> + +<p>Having now related what may appear to you rather a wonderful story, I +must proceed to tell you the real names of the five giants, though it is +by no means unlikely that you have already guessed them. The five +giants, Flare, Roar,<span class="pagenum"><a name="Page_32" id="Page_32">[32]</a></span> Blow, Bounce, and Rush, are, then, neither more +nor less than the five gigantic powers, Fire, Water, Wind, Gunpowder, +and Steam; and, though I may have related their adventures and +achievements somewhat fancifully, if you will examine them you will find +that they are strictly true. The influence of these giant powers in the +world has been very great; and as your attention is now drawn to the +subject, you will, perhaps, be disposed to think upon it more<span class="pagenum"><a name="Page_33" id="Page_33">[33]</a></span> than you +have hitherto done, connected so closely as it is with the comfort, the +luxury, the knowledge, and indeed, also, with the happiness and misery +of mankind. Had I been disposed, I might have made my relation much more +wonderful; but I trust you have received from it, as it is, some +amusement, and that it has not been altogether without instruction. It +may be long before you again hear a true story of five giants; you will +therefore do well to try<span class="pagenum"><a name="Page_34" id="Page_34">[34]</a></span> to turn this one to advantage, and to inquire +what it is, in each case, that gives force to the power. For you ought +to understand that, in and with all the powers of nature, although man +is allowed to make much use of them, and often to set them in operation; +yet there is a greater Hand than his, though all unseen, which alone can +control them. Whenever, then, we see either the water or the fire, or +hear the wind, let us remember that these are so many elements<span class="pagenum"><a name="Page_35" id="Page_35">[35]</a></span> which +God has intrusted to the use of man, and that for an abuse of their +capacities we shall be held accountable.</p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/i038.jpg" width="400" height="225" alt="" title="" /> +</div> + + +<hr /> + +<div class="tp"> +<span class="pub">METH. EPIS. S. S. UNION.</span> + +<hr class="hr2" /> + +<span class="pub"><b>ELEGANT BOOKS.</b></span> + +<hr class="hr2" /> + +<span class="pub">AUNT CLARA'S +STORIES.</span><br /> + +<span class="pub"><small>18mo. Price 16 cents.</small></span> + +<hr class="hr2" /> + +<span class="pub">ANNIE WALTON.</span><br /> + +<span class="pub"><small>18mo. Price 16 cents.</small></span> + +<hr class="hr2" /> + +<span class="pub">TALKS WITH LITTLE +ELLA.</span><br /> + +<span class="pub"><small>2 vols. 48mo. 13 cts. each.</small></span> + +<hr class="hr2" /> + +<span class="pub">WAY TO JESUS.</span><br /> + +<span class="pub"><small>2 vols. 48mo. 10 cts. each.</small></span> +</div> + +<hr /> + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of The Five Giants, by Daniel P. Kidder + +*** END OF THIS PROJECT GUTENBERG EBOOK THE FIVE GIANTS *** + +***** This file should be named 33299-h.htm or 33299-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/3/3/2/9/33299/ + +Produced by The Online Distributed Proofreading Team at +http://www.pgdp.net (This file was produced from images +generously made available by The Internet Archive/American +Libraries.) + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + +</body> +</html> diff --git a/33299-h/images/cover.jpg b/33299-h/images/cover.jpg Binary files differnew file mode 100644 index 0000000..cbecb58 --- /dev/null +++ b/33299-h/images/cover.jpg diff --git a/33299-h/images/cover2.jpg b/33299-h/images/cover2.jpg Binary files differnew file mode 100644 index 0000000..d2cb01d --- /dev/null +++ b/33299-h/images/cover2.jpg diff --git a/33299-h/images/i004.jpg b/33299-h/images/i004.jpg Binary files differnew file mode 100644 index 0000000..9e227ea --- /dev/null +++ b/33299-h/images/i004.jpg diff --git a/33299-h/images/i005.jpg b/33299-h/images/i005.jpg Binary files differnew file mode 100644 index 0000000..10e7f76 --- /dev/null +++ b/33299-h/images/i005.jpg diff --git a/33299-h/images/i038.jpg b/33299-h/images/i038.jpg Binary files differnew file mode 100644 index 0000000..239081b --- /dev/null +++ b/33299-h/images/i038.jpg |
