diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-14 19:58:14 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-14 19:58:14 -0700 |
| commit | 8e5c6366712bbdc95a6d474fbfe5f8a240c9ee77 (patch) | |
| tree | 7bb146ceee6f2b93e518f5de10b982ed473c79a1 /32782.txt | |
Diffstat (limited to '32782.txt')
| -rw-r--r-- | 32782.txt | 593 |
1 files changed, 593 insertions, 0 deletions
diff --git a/32782.txt b/32782.txt new file mode 100644 index 0000000..3128cc3 --- /dev/null +++ b/32782.txt @@ -0,0 +1,593 @@ +The Project Gutenberg EBook of Success Story, by Robert Turner + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Success Story + +Author: Robert Turner + +Release Date: June 11, 2010 [EBook #32782] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK SUCCESS STORY *** + + + + +Produced by Greg Weeks and the Online Distributed +Proofreading Team at https://www.pgdp.net + + + + + + + + + +SUCCESS STORY + +By Robert Turner + +Illustrated by KELLY FREAS + + _What is to be will be. Our only refuge lies in that which + might not have been._ + + +_December 8th, 1952, Two-Thirty A. M._ + +After awhile the blinding light was like actual physical pressure +against his tightly squinched eyes. He tried to burrow deeper into the +protectively warm, cave-like place where he'd been safe from them for +so long. But he couldn't escape them. Their hands, their big, red, +hideously smooth hands had him, now. They were tugging and pulling at +him with a strength impossible to fight. Still he struggled. + +He tried to cry out but there was no sound from his constricted +throat. There were only the frightening noises from outside, louder, +now. He tried to twist and squirm against the hands dragging him +toward that harsh, blinding light. He was too small, too weak, +compared to them. He couldn't fight them off. He felt himself being +stretched and strained and forced with cruel determination. He didn't +want to go _out there_. He knew what was waiting for him _out there_. +He _couldn't_ go. Not _out there_, where.... + + * * * * * + +When Jeff McKinney was three years old he tipped a pot of scalding +water from the stove onto himself. He was badly burned and scarred. He +hovered between life and death for several weeks. Jeff's father was +out of work at the time and they were living in a cold water tenement. +Something about the case caught a tabloid's attention and it was +played up as a human interest sob story. It came to the attention of a +wealthy man who volunteered to pay for plastic surgery. Then followed, +long months of that kind of torture, but Jeff McKinney came out of it +not too badly scarred. Not on the surface, anyhow. But his face had a +strange hue. There was a frozen, mask-like cast to his features when +he smiled. + +[Illustration] + +He was eight when he saw his father killed. He was in the taxi the +older McKinney now drove for a living when the father stepped out of +the driver's side onto a busy street without looking back first. The +speeding truck took the car door and Jeff's father with it for half a +block, wedged between front wheel and fender. Jeff never forgot the +sound of that, and the screaming. Nor his shock when he suddenly +realized that the screams were his own. + +Jeff was a strange boy. He didn't have an average childhood. The +poverty was more extreme after his father's death. He stayed home +alone while his mother was out working at whatever job she could get, +reading too much and thinking too much. Once, he looked at her with +haunted eyes and said: "Mother, why is life so bad? Why are people +even born into a world like this?" + +What could she say to a question like that? She said: "Please, +Jefferson! Please don't talk that way. Life isn't all bad. You'll see. +Some day, in spite of everything, you'll be somebody and you'll be +happy. The good times will come." + +They did, of course. A few of them. There was the day he went upstate +on an outing for underprivileged boys and went fishing for the first +time. He caught a whopping trout and won a prize for it. That was +nice; that was fun. That was when he was thirteen. That was the year +the gang of kids caught him on the way home from school and beat him +unconscious because he never laughed; because they couldn't _make_ him +laugh. The year before his mother died. + +At the orphanage he didn't mingle much with the other boys. He spent +most of his after-classes hours alone in the school's chemistry lab. +He liked to tinker with chemicals. They were cold, emotionless, immune +to joy and sadness, yet they had purpose. He played the cello, too, +with haunting beauty, but not in the school band, only when he wanted +to, when nobody was around and he could really feel the music. + +Once, on the way home from his cello lesson in the music building, he +saw some boys playing football on the orphanage athletic field. He was +suddenly seized with a fierce determination to belong, to grab at some +of the shouting, laughing happiness these boys seemed to have. He told +them he wanted to join in and play, too. He didn't understand why they +laughed so at this idea. + +They stopped laughing, though, after the first time he ran with the +ball, and they all piled up on him and he didn't get up. He lay there, +looking so ghostly and breathing so harshly and with the trickle of +blood coming out of his ears. But Jeff didn't know they had stopped +laughing. + +He recovered from that skull fracture, all right. Worse, though, than +any of the unhappiness he suffered during his life, worse even than +the shocks of his father's and mother's deaths, was the thing that +happened to him when he was twenty and working at the laboratories of +a big drug company. + +He met and fell hopelessly in love with a girl named Nina, a girl a +few years older than he was. They married and for the first few weeks +Jeff McKinney had happiness he'd never known before. Until he came +home from work sick, one afternoon and saw Nina with the man from the +apartment over them. She didn't whine and beg for forgiveness, Nina +didn't. She stood boldly while the other man laughed and laughed and +she screamed invective upon Jefferson McKinney, telling him what she +really thought of him, a gloomy, puny weakling who couldn't even make +a decent living, telling him that she was through with him. + +A blank spot came into Jeff's life right then. When it was over, Nina +and the other man were on the floor and there was blood on the kitchen +carving knife in Jeff's hand. + +They didn't find him for awhile. He changed his name and appearance +and hid in the soiled seams and ragged fringes of society. He learned +the anaesthetic powers of drugs and alcohol. He gave up trying to get +anything out of this life. Then they finally picked him up, fished him +from the river into which he'd jumped. There were days of torture +after that, without the alcohol and drugs his wrecked system craved. +Right there was the final hell that could have broken him completely. +But it didn't. It was like the terrible crisis after a long illness. +Things began to get better, to go to the other extreme after that. + +A state psychiatrist brought Jeff's case to the attention of a noted +criminal lawyer. Neither Nina nor her lover had died from their knife +wounds. On the plea of the unwritten law, Jeff McKinney got off with a +suspended sentence. The lawyer and psychiatrist learned of his +interest and knowledge and talent for chemistry and got him another +job in the experimental laboratory of a big university. + +Later he married a girl named Elaine, who worked at the lab with him. +They had two children, and lived in a small comfortable cottage just +off the University campus. For several years, they had all they wanted +of life--comfort, health, happiness. Jeff thought that life could +never be more wonderful. All of his former, bitter, cynical views fell +away from him. Hadn't he, with all odds against him, finally won out +and acquired peace and contentment and a purpose in life? What was +wrong with a world in which that could happen? + +Then there was the topper. Jefferson McKinney discovered a new drug +which would cure and eventually eliminate a disease that was one of +the world's worst killers, the drug for which thousands of scientists +had been seeking for years. + +He was feted and honored, became a national hero. The story of his +life and his discovery temporarily pushed even the doleful forecasts +of an early Third War, the Big War, off the front pages. And Jeff was +humbly proud and grateful that he had paid now the debt he owed to a +society that could make a final victory, like his, possible. + +In a zenith of almost holy happiness, he stood one evening on a +lecture platform in a huge auditorium in a great city, before +thousands of worshipping people to make a thank-you speech after being +awarded a world prize for his great scientific discovery. + +But in the middle of his talk he broke off suddenly. A flash of +blinding brilliance slashed through the windows. Horror painted his +face. In a whisper, he cried: "No! No! It would make it all so +senseless!" His eyes looked like the eyes of a man with flaming +splinters jammed under his fingernails. His face seemed to pucker, and +grow infantile. Then he screamed: "No! Leave me alone! I _told_ you I +didn't want to come _out here_, to be one of _you_! Damn you, why did +you bring me _out here_? For--for _this_?..." + +There were the shards of glass from the great auditorium windows, +floating inward, turning lazily. There were the brick walls crumbling, +tumbling inward, scattering through the air in the same seeming slow +motion. The dust cloud and the sound, the flat blast-sound, came after +that, as the entire building--perhaps the world--disintegrated in the +eye-searing light.... + + +_December 8th, 1952, Two-Thirty A. M._ + +The flat of a rubber-gloved hand striking flesh made a splatting +noise. A thin, breathless but concentrated crying followed. The doctor +looked down at his charity clinic patient, the woman under the bright +delivery room lights. + +"Look at him--fighting like a little demon!" the doctor said. "Seemed +almost as though he didn't want to come out and join us.... What's the +matter, son? This is a bright, new, wonderful world to be born +into.... What are you going to call the boy, Mrs. McKinney?" + +The woman under the lights forced a tired smile. "Jeff. Jefferson +McKinney. That's going to be his name," she whispered proudly. + +The baby's terrified squalling subsided into fretful, whimpering +resignation. + + +--THE END-- + + + + + +End of the Project Gutenberg EBook of Success Story, by Robert Turner + +*** END OF THIS PROJECT GUTENBERG EBOOK SUCCESS STORY *** + +***** This file should be named 32782.txt or 32782.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/3/2/7/8/32782/ + +Produced by Greg Weeks and the Online Distributed +Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |
