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Manson + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Work for Women + +Author: George J. Manson + +Release Date: June 7, 2010 [EBook #32725] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK WORK FOR WOMEN *** + + + + +Produced by Iris Gehring, D Alexander, Juliet Sutherland +and the Online Distributed Proofreading Team at +https://www.pgdp.net + + + + + + +</pre> + + +<div class="figcenter"> +<img src="images/img001.jpg" class="ispace" width="451" height="550" alt="coverpage" title=""></div> + +<h1>WORK FOR WOMEN</h1> + +<p class="center ftsize80">BY</p> +<p class="center marbot5 ftsize110">GEORGE J. MANSON</p> + +<hr class="sep3 marbot5"> + +<p class="center smaller">NEW YORK</p> +<p class="center spaced05">G. P. PUTNAM'S SONS</p> +<p class="center smaller">27 & 29 WEST 23D STREET</p> +<p class="center">1883</p> + +<hr class="sep1"> + +<span class="pagenum"><a id="pageii"></a>[p.ii]</span> <p class="center martop5 ftsize95">COPYRIGHT BY</p> +<p class="center spaced05">G. P. PUTNAM'S SONS</p> +<p class="center marbot5 ftsize80">1883</p> + +<hr class="sep1"> + +<h2><span class="pagenum"><a id="pageiii"></a>[p.iii]</span> PREFACE.</h2> +<p>When a woman, either from choice or through necessity, makes up her mind +to work for a living, and has selected the employment that seems most +suited to her, she probably asks herself such questions as these: "Is +there a good chance to get work? How long will it take me to make myself +competent? Are there many in the business? How much do they earn? How +hard will I have to work? Are there any objections against entering this +employment; if so, what are they?"</p> + +<p>To answer, as far as it is possible, these and similar questions is the +object of this little book. Some of the most important avocations, +professions, trades, businesses, in which women are now engaged, have +been selected, and the effort made to enlighten the would-be +woman-worker <span class="pagenum"><a id="pageiv"></a>[p.iv]</span> as to the practical points of interest connected +with each occupation. The information thus given has, in each case, been +gained from the most reliable sources.</p> + +<p>In the winter of 1882-3 I contributed to the columns of the New York +<i>Christian Union</i> a series of articles under the title of "Work for +Women." They were written with the aim of furnishing to women useful +information in regard to various industries in which the gentler sex are +successfully seeking employment, and met with considerable favor from +the readers of that excellent journal. Through the courtesy of Rev. +Lyman Abbott and Hamilton W. Mabie, editors of the <i>Christian Union</i>, +the publishers of this book are allowed to use the title of that series. +It should be stated, however, that the chapters in the present book are +made up from new investigations, and that none of them are reproductions +of any of the articles in the series alluded to. <span class="ralign">G. J. M.</span></p> + +<hr class="sep1"> +<h2><span class="pagenum"><a id="pagev"></a>[p.v]</span> CONTENTS.</h2> + +<ul class="leftm_1"> +<li> <span class="ralign smaller">PAGE</span></li> +<li><span class="smcap">Industrial Designing</span> <span class="ralign"><a href="#page1">1</a></span></li> +<li><span class="smcap">Short-hand Writing</span> <span class="ralign"><a href="#page10">10</a></span></li> +<li><span class="smcap">Telegraphy</span> <span class="ralign"><a href="#page20">20</a></span></li> +<li><span class="smcap">Feather Curling</span> <span class="ralign"><a href="#page29">29</a></span></li> +<li><span class="smcap">Photography</span> <span class="ralign"><a href="#page37">37</a></span></li> +<li><span class="smcap">Professional Nursing</span> <span class="ralign"><a href="#page47">47</a></span></li> +<li><span class="smcap">Proof-readers, Compositors, and Bookbinders</span> <span class="ralign"><a href="#page60">60</a></span></li> +<li><span class="smcap">The Drama.—Lecturers and Readers</span> <span class="ralign"><a href="#page73">73</a></span></li> +<li><span class="smcap">Book-agents</span> <span class="ralign"><a href="#page97">97</a></span></li> +<li><span class="smcap">Dress-making—Millinery</span> <span class="ralign"><a href="#page109">109</a></span></li> +<li><span class="smcap">Teaching</span> <span class="ralign"><a href="#page116">116</a></span></li> +<li><span class="smcap">Brief Notes</span>:<br> +<span class="ftsize95"><span style="margin-left: 1em;">Market Gardening, Poultry-raising, Bee-keeping, House-keepers, +Cashiers, Button-hole Making, Floriculture, Authorship, +Type-writing, and Working in Brass</span></span> <span class="ralign"><a href="#page123">123</a></span></li> +</ul> + +<hr class="sep1"> +<h1><span class="pagenum"><a id="page1"></a>[p.1]</span> WORK FOR WOMEN.</h1> +<h2>INDUSTRIAL DESIGNING.</h2> + +<p>A great many women have, or think they have, a taste for art. They can +make a pretty sketch, or draw a landscape quite fairly, and so they +think they will "take up" art as a profession. And nearly all of them +fail of success. The trouble seems to be that they lack originality; +they are mere copyists, and too often very poor reproducers of the +things they copy.</p> + +<p>One branch of art—that of industrial designing—offers golden +opportunities to make an excellent living in a pleasant way, but, before +deciding to enter it, a woman should be very sure indeed that she has +the necessary qualifications to pursue the study successfully; otherwise +<span class="pagenum"><a id="page2"></a>[p.2]</span> her time will be wasted, and probably her heart will be so +discouraged that she will be sadly unfitted for any kind of work for a +long time to come.</p> + +<p>It is <i>industrial</i> art of which I am speaking. A few introductory words +may be necessary, for the benefit of some persons ignorant in the +matter, to show what women are doing, or rather successfully attempting +to do, in that line at the present time.</p> +<p>Industrial or technical designing means designing for wall-paper, lace, +silk, chintz, calico, oil-cloth, linoleum, book-covers, embroidery, +wood-carving, silver-ware, jewelry, silks, handkerchiefs, upholstery +goods, and carpets of all grades, from ingrains to moquettes. Up to +within a very short period all this work has been done by men, +principally foreigners; but talented and enterprising women saw that +they were able to do the work equally well, and it is only a question of +time when women will entirely monopolize this field of industry.</p> + +<p><span class="pagenum"><a id="page3"></a>[p.3]</span> It will be seen at once that the woman who is ambitious to become +an industrial designer must have, first of all, originality. She must +have good taste and an eye for color. Drawing must come natural to her. +The mere ability to copy pictures, or make sketches from nature is not +enough. She must be full of ideas, and for some of the work mentioned +(notably carpet designing) she must have what might be called a +combining mind—that is, the ability to get ideas from several designs, +and by combining them together, make something new. It must be confessed +that this kind of ability is rare. Very few men possess it, and fewer +women. Manufacturers of carpets and wall-papers say that they have to +import nearly all their help of this kind from Europe; they cannot find +in this country the right kind of men to do the work.</p> + +<p>But because a woman has not this talent for originating largely +developed, she should not be discouraged from becoming an industrial +designer. If she has even a little talent in that <span class="pagenum"><a id="page4"></a>[p.4]</span> direction she +may find, after taking a few lessons, that the study is very congenial +to her, and that she has more ability than she imagined. The kind of +designing of which I am particularly speaking in this chapter is +designing for carpets, oil-cloths, and wall-paper. That seems to be the +most popular at the present time, though there is a good chance for +skilled workers in the other branches to which allusion was made.</p> +<p>It is surprising what a demand there is for new designs in carpets, +wall-paper, and oil-cloths. One would suppose that a single design would +last for a long time; but such is not the fact. The demand of the public +is continually for novelty; the fashion changes in these matters, just +the same as it does in bonnets and dresses, and each manufacturer is +competing with his neighbor to get something pretty and original. A good +design can always be sold at a good price; an ordinary or a poor design +has no chance at all.</p> + +<p><span class="pagenum"><a id="page5"></a>[p.5]</span> There are two schools in New York where industrial designing is +taught to women. They are both carried on by women, and both present +their claims to the public under very favorable auspices. Some of the +instruction, however, is given by men—practical workers in the various +branches of art—who lecture on the special subject with which they are +familiar. Here are some of the subjects of these lectures: +"Conventionalization in Design," "Practical Design as Applied to +Wall-paper," "Principles of Botany" (delivered by a lady), "Historical +Ornament in Design," "Harmony in Color in Design," "Design as Applied to +Carpets," "Geometry in Design," "The Influence of Color in Design," +"Purity of Design," "Oriental Influence in Design," "Plant Forms: their +Use and Abuse." This last lecture was delivered by a lady. But the pupil +gets most of her learning in the class-room, the lectures being +considered simply as adjunct to the regular system of instruction.</p> +<p><span class="pagenum"><a id="page6"></a>[p.6]</span> In one school the first term begins October 2d, and closes +December 22d. The second term begins January 4th and closes March 30th. +The post-graduate course commences April 2d, and ends May 25th. Those +pupils who have no knowledge of drawing are obliged to enter the +elementary class. Those who enter the advanced classes are obliged to +present specimens of free-hand drawing, such as flowers from nature, +ornamental figures or scrolls. During the year each pupil in the +elementary class must complete nine certificate sheets, of uniform size +(15 x 22 inches), one each of geometrical problems, blackboard and +dictation exercise, enlarged copy in outline, conventionalized flowers +in a geometrical figure, applied designs, outline drawing from objects, +outline drawing from flowers, historical ornament, botanical analysis. +In the flower painting class, three outline drawings, and four paintings +of flowers from nature. In the carpet class, one each of a two-ply +ingrain on the lines, three-ply ingrain on the <span class="pagenum"><a id="page7"></a>[p.7]</span> lines, tapestry +sketch, body-Brussels sketch, moquette sketch, optional sketch (for +either stair-carpet, rug, chair back and seats, hall carpet, or borders, +body-Brussels working design on the lines, tapestry working design on +the lines.)</p> + +<p>The terms of tuition in this school per term are: for the elementary +class, $15; the advanced class, $25; the teachers' class, $15. Ten +lessons in wood-carving and designing for book-covers cost $12. Six +lessons in embroidery cost $5, and for a course of instruction in +flower-painting the charge is $15. The materials used in the elementary +class cost from $7 to $10, and for the advanced classes from $10 to $12. +The elementary class studies an hour and a half a day three times a +week; the advanced class the same length of time twice a week.</p> + +<p>According to the prospectus of this school, it takes three years to +become thoroughly proficient. One year is spent in the elementary +<span class="pagenum"><a id="page8"></a>[p.8]</span> class, and in obtaining a knowledge of flower-painting and +making simple designs for calico, muslin, stained glass, inlaid woods, +jewelry, etc. The second year is devoted to making advanced designs for +oil-cloth, linoleum, silk, and carpets. The third year is spent in doing +practical work under the supervision of the principal and her +assistants. It would not seem to be necessary for a pupil to return to +the school the third year for this purpose. After her first two years' +instruction she ought to be able to put her knowledge to business use, +and seek to sell her work among the various manufacturers.</p> + +<p>In the other school to which I have referred the terms for tuition in +drawing are $12 for a term of three months—thirty-six lessons. In the +design class the fee is $20. The method of instruction is substantially +the same as in the school first mentioned.</p> + +<p>And now comes the interesting question, How much can a woman make in +this profession, <span class="pagenum"><a id="page9"></a>[p.9]</span> after she has become thoroughly qualified? I do +not think she can hope to get a permanent salaried position, at least +just at present. For this profession, albeit a good one, is a new one +for women; it is less than two years since the first school was started. +Men still hold the best positions, and they receive large salaries, from +$1,000 to $4,000 a year. In the present condition of affairs, hedged in +as the female industrial designer is by the masculine doubt of the +employer as to her ability, and the masculine jealousy of the employé +whose work she seeks to do, it would be the best plan for her to do +piece-work at her own home, or office. Her earnings, under this plan, +cannot even be stated approximately. The pay for a good carpet design +would be $20 to $30, and the design can be made in two and a half days. +Wall-paper designs bring $10 to $15; an oil-cloth sketch, $8 or $10—the +technicalities to be mastered in this latter branch are not so great as +in the others.</p> + +<hr class="chap"> +<h2><span class="pagenum"><a id="page10"></a>[p.10]</span> SHORT-HAND WRITING.</h2> + +<p>The custom of employing women as amanuenses has grown very largely of +late years. It is said on good authority that, fifteen years ago, there +were but five females in the city of New York who made their living by +writing short-hand; at the present time there are, as nearly as can be +estimated, between one hundred and fifty and two hundred.</p> + +<p>"Which is the best system of short-hand?" is generally the first +question asked by the person desirous of entering this profession. And +that is a very difficult question to answer, and many of the answers +that have been given to it have been very far from honest.</p> + +<p>In the first place, it must be stated that there are about a score of +"systems" of short-hand <span class="pagenum"><a id="page11"></a>[p.11]</span> before the public, each of which has +its defenders and advocates. Each is highly recommended in commendatory +letters from this or that distinguished court or newspaper reporter. +Each can show, and does show, first-class notices from prominent daily +and weekly papers, and each has a circle of followers who loudly +proclaim that the particular system they follow is not only the best in +existence, but really the only one worth learning. In the search after +short-hand truth, it is but natural that the would-be learner gets +bewildered, and asks, "What shall I do?"</p> + +<p>The system of short-hand practised by the vast majority of writers, both +in this country and in England, is phonography, invented by Isaac +Pitman, of Bath, England, in 1837. That system is based on an alphabet +representing the sounds of the language, instead of the ordinary +alphabet we use in spelling words. Since 1837 there have been many +phonographic text-books written by as many different authors, and each +<span class="pagenum"><a id="page12"></a>[p.12]</span> author has added a hook here or a circle there, lengthened this +stroke, or made that one heavier; and that accounts for the variety of +"systems." The fact is, they are all based on the original phonography +of Isaac Pitman, who himself, by the way, was the first to set the +example of making changes and "improvements." For all <i>practical</i> +purposes phonography is no better now than it was thirty years ago. I +dwell upon this point, for I know "the best system" has been a sad +stumbling-block to many young people who were naturally anxious to start +on the right road.</p> + +<p>Which system, then, is the best? Answer: any system will answer the +purpose of the woman who desires to become simply a phonographic +amanuensis. And it is only of that branch of work of which I write, for +though there are a few female court reporters in the country, the number +is so small and the positions so exceptional in many respects that it is +not worth while to speak of woman's employment in that direction.</p> + +<p><span class="pagenum"><a id="page13"></a>[p.13]</span> Let not the student, then, waste any time in listening to or +reading arguments in favor of the various systems, but go to a bookstore +and get some one of the various manuals on the subject, and begin to +study. These books cost from fifty cents to a dollar and a quarter each.</p> + +<p>A teacher is not really necessary, but will prove a help, provided he +has a practical knowledge of the art. The trouble is, however, that many +of the so-called teachers of phonography have never done any actual +reporting in their lives, and their advice and suggestions are not of +much value. The best way for the pupil would be to get the assistance of +some man engaged in actual reporting. One lesson from such a person +would be worth a dozen from some of the teachers who advertise to teach +short-hand, or who are connected with the various colleges. The price +for such service cannot be accurately stated. Short-hand schools and +colleges have "courses" of one hundred and twenty lessons, charging $75 +for the same. <span class="pagenum"><a id="page14"></a>[p.14]</span> Students can and do learn at these schools, but +the cheaper and more sensible way for the student learner to do would be +to get the help of a teacher, as I have suggested, and then only as it +was needed. The text-books I have mentioned are very plain, and a +teacher really cannot do much to make them plainer. In six months' time, +if the pupil is diligent, she should be able to write eighty words a +minute, and enter upon actual work, when, with practice, her speed will +gradually increase. If she can reach a speed of one hundred and twenty +words a minute, she will be as good as the average; if she can reach one +hundred and fifty words a minute, she will do what few women ever +accomplish.</p> + +<p>She need have no fear about getting a position, if she has made herself +competent. The demand for good workers in this profession is constant +and increasing. Out of several large classes taught by a lady teacher in +New York not one pupil failed, when qualified, to secure <span class="pagenum"><a id="page15"></a>[p.15]</span> a +position. A gentleman connected with a large corporation, who employs +two lady amanuenses, and obtains positions for others, says that he +could secure situations for two or three a week.</p> + +<p>It should be added, however, that a knowledge of working on the +type-writer should accompany the ability to write phonography. This +instrument has come into such general use that no detailed description +of it is here required. Briefly, it may be said that it is an instrument +to print letters and documents with despatch, and it is worked with keys +like a piano. To learn this art of type-writing requires but a very +short time, and there are schools or offices in most of the large cities +where it is taught.</p> + +<p>A lady can learn phonography as young as sixteen, or at the mature age +of thirty-five; but it is almost needless to say that the art can be +mastered much easier at the former than the latter age. At one of the +schools in New York <span class="pagenum"><a id="page16"></a>[p.16]</span> where it is taught free to women no pupils +are received under the age of eighteen. It is a study that requires +considerable application, a good memory, nimble fingers, and quick +apprehension. There are some people (and this remark applies to both +sexes) who would never be able to learn enough short-hand to be of any +practical service. But the study is nothing like as difficult as it has +often been represented to be. Every thing depends on the student. If she +makes haste slowly, and learns even a little thoroughly every day, she +will soon find herself mastering the theoretical part of the art, and if +she practises constantly, in season and out of season, what she has +properly learned, the secret of short-hand success is hers. The +necessity of practice cannot be overrated. Hence it is that a teacher is +ordinarily of little use. The exercises in the latest manuals on this +subject are very well arranged, and it would seem that the art could not +be presented in a plainer way than it is at present.</p> + +<p><span class="pagenum"><a id="page17"></a>[p.17]</span> The pay of a lady amanuensis at the start is seldom more than $8 +a week. It is not to be supposed that she is fully competent when she +starts at that rate; that is to say, she will not be able to write very +rapidly, and she will be liable to make mistakes in transcribing her +notes. The actual practical experience which she will get in her first +situation will very soon serve to correct these faults. It might, at +first thought, be supposed that few persons would desire to employ +inferior help of this kind; but such is not the fact. Editors, lawyers, +occasionally doctors, and some classes of business men who are obliged +to make rough drafts of papers which go at once to the printer, are +often glad of such help. Their short-hand writer can write fast enough +to save some of their time, at a moderate charge, and it is immaterial +as to the appearance of the "copy" sent to the printer, so long as it +can be plainly read by him. But of course the lady will soar higher than +a salary of $8 a week, and just so soon as she has become <span class="pagenum"><a id="page18"></a>[p.18]</span> more +expert, she will be able to obtain a position requiring greater speed in +taking notes and more accuracy in writing them out. Her salary will then +be $10 or $12 a week, and finally $15 a week. It is not likely she will +earn more than $18 a week, though mention is made of some ladies who are +making $20 or $25 a week, but the situations are exceptional, and, it +may be added, the ladies are exceptional ladies. They have some peculiar +business ability aside from being able to write short-hand. The employer +of one, for instance, can merely indicate by two or three words the kind +of letter he wants written to a certain correspondent, and the lady +clerk, having simply received the idea, will write a satisfactory +letter. If a woman could possess herself of a thorough knowledge of +phonography, be able to work rapidly on the type-writer, and have a fair +knowledge of bookkeeping, she could be certain of obtaining a good +position at an extra large salary, say $1,500 a year; but there is no +doubt that she would have to work hard for the money.</p> + +<p><span class="pagenum"><a id="page19"></a>[p.19]</span> The hours of work in most all offices are from nine in the +morning until five in the afternoon. The employment is not more arduous +than any other sedentary occupation. In large offices an amanuensis will +receive from thirty to sixty full-page letters in a day and transcribe +them on the type-writer. She could not do so much work without the aid +of that instrument.</p> + +<p>It is sometimes the case that a woman can take dictation work for +professional people who only occasionally need such assistance, and be +paid for it by the "job." In such a case the rate of pay for taking and +transcribing the notes will range from six to twenty cents per hundred +words, depending partly on the class of work, but more particularly on +the liberality of the employer.</p> + +<hr class="chap"> +<h2><span class="pagenum"><a id="page20"></a>[p.20]</span> TELEGRAPHY.</h2> + +<p>There is one thing favorable to young women who want to become telegraph +operators: the qualifications required for success in this line of +business are very simple. An ordinary common school education, with a +special ability to spell well, and to write plainly and more or less +rapidly, is all that is required in a pupil before commencing to learn +this art. This may account for the large number of young ladies who, of +late years, have sought employment in this field of labor. Another +thing, it is office work, with just enough bustle and activity about it +to keep it from being dull, with the occasional chance, in times of +public excitement, of its being exceptionally interesting.</p> + +<p><span class="pagenum"><a id="page21"></a>[p.21]</span> In the city of New York there are, at the present time, about +two hundred ladies engaged in this occupation. They are nearly all +employed by the Western Union Telegraph Company, three fourths of the +number being employed at the main office of the company. Here and there +a lady may be found employed in a broker's office, a position, by the +way, which is considered exceptionally good, the pay being generous, +with the sure chance of the employé receiving a present at the Christmas +holiday-time. But the great majority of women are employed by the +companies, in hotels, in the smaller stations situated throughout the +city, and throughout the country in the offices located in various +villages and towns.</p> + +<p>Instruction in telegraphy has become a special feature in about forty +colleges in different parts of the Union, and in several special +schools, among which the New York Cooper Union School of Telegraphy is +preëminent. Instruction in this last institution is free, and the +<span class="pagenum"><a id="page22"></a>[p.22]</span> Western Union Telegraph Company is so far interested in the +success of the school, that when operators are needed, graduates of the +Cooper Union are preferred over anybody else. The school is always +crowded; it is difficult to gain admission, and situations are not +provided by the company alluded to for all the graduates. Last year +(1882) one hundred and sixty applied at the regular examination of the +school and passed, but they could not be admitted to the class for want +of room. The school admitted sixty pupils during the year. The number +receiving certificates was twenty-eight. Some time since the Kansas +State Agricultural College added telegraphy as a branch of industrial +education, using Pope's "Hand-book of the Telegraph" as a text-book.</p> + +<p>Women can learn to become telegraph operators at almost any age. Young +girls of fifteen have successfully studied the art, and women as old as +forty have also learned it. But the age which is recommended by good +judges <span class="pagenum"><a id="page23"></a>[p.23]</span> as being the best, is not younger than eighteen, nor +older than twenty-five.</p> + +<p>The time it takes to learn to become an operator depends, of course, on +the aptness of the pupil, her general intelligence, and previous +education. Some learn very readily, others after months of study never +become sufficiently proficient to take positions.</p> + +<p>The course of instruction, in most of the institutions where telegraphy +is taught, covers a period of six months. It is said, on good authority, +that practising four or five hours a day for a period of six months, +will enable a young woman to master the art. Probably telegraphy is, in +this respect, very much like phonography—a person may learn the +principles of the latter science in a comparatively short space of time, +but to avail himself really of its advantages, a great deal of practice +is required. The principles of telegraphy are far simpler than those of +phonography, but the necessity for practice is equally important. +<span class="pagenum"><a id="page24"></a>[p.24]</span> Young girls learn easier than women over the age of thirty, and +yet there are several instances of women past the age of forty, who have +quickly qualified themselves to become operators.</p> + +<p>The salary of lady telegraphers ranges from $25 to $65 per month. In the +office of the Western Union Telegraph Company they commence with a +salary of $25 per month; the highest wages paid being $60 a month, +unless in some special cases, where they take full charge of important +offices, when they are given $75 a month.</p> + +<p>What is called a "good" position may be either in the city or the +country. In fact, the term good, used in this connection, is a purely +relative term. For instance, the salary may be larger in a city, but the +expense of living will be greater, and the work more arduous than it +will be in some small country town, where the wages will be lower. But, +as a rule, the positions in the city seem to be preferred, probably +<span class="pagenum"><a id="page25"></a>[p.25]</span> on the general principle that most young people prefer the +excitement and gayety of metropolitan life to the more quiet and +healthful enjoyments of country towns. During the summer months +positions at the various watering-places are particularly sought after, +the pay of the operator being $30 a month and her board. In the large +city hotels, where business is quite brisk and important, the salary is +from $40 to $50 a month. Operators in the country towns and villages +receive from $30 to $40 a month. But, as was stated above, the brokers' +offices supply the positions most sought after by telegraph operators. +There are very few of these positions. The salary paid an operator in +such a situation is from $75 to $90 a month. The hours of work are +light, being from 9.30 <span class="smcap">A.M.</span> to 3 <span class="smcap">P.M.</span> A woman, however, to hold a +position of this kind must be thoroughly competent, and not only rapid, +but accurate in her work. She must, too, be a woman in whom the utmost +confidence can be placed, and possessed of that <span class="pagenum"><a id="page26"></a>[p.26]</span> rare womanly +gift—the ability to keep a secret; for she is, in reality, a sort of +confidential clerk.</p> + +<p>A gentleman occupying a high position in one of the leading telegraph +companies in New York says, that telegraphy is a good occupation for a +young woman, and, provided she has no talent to do any thing better, it +will furnish her a reasonably pleasant, profitable, and sure means of +employment. But the opportunities of eventually getting a large salary, +or of obtaining an enviable position, do not exist in this field of +work. Women, he says, do not make good managers. They do not seem to +possess the ability, so common even with many ordinary men, of grasping +the varied details of a large business, and conducting it with system +and regularity. In the company alluded to, there are ladies who have +been employed for the last twenty years, but they are receiving no more +pay now than they received ten years ago, and ten years from now their +salary will be no higher than it is at the present time, if, indeed, it +is as much.</p> + +<p><span class="pagenum"><a id="page27"></a>[p.27]</span> It might be thought by some, that from the comparative ease with +which this art is acquired, many might take it up as a temporary means +of subsistence, and leave it, either for some better employment, or to +assume matrimonial relations. But this is not the fact. The occupation +seems to be one in which few die, and none resign. It should be added, +however, that with the growing use of the telegraph by private +individuals, and the starting of new telegraph companies, good operators +may be reasonably sure of obtaining positions.</p> + +<p>Telegraphy is generally learned at some business college, or some school +which makes a specialty of teaching it. The lady who desires to become +an operator should be very careful in making her selection among +institutions of this kind. The Cooper Institute School is not included +in this remark, but attention is called to the many firms throughout the +country, who advertise largely in the weekly papers, to teach telegraphy +in an astonishingly short space of <span class="pagenum"><a id="page28"></a>[p.28]</span> time, and, it may be added, +at astonishingly high rates of tuition. Some of these schools are good, +but many of them cannot be recommended. Before entering any one of them, +the would-be pupil should get the honest advice of some man or woman who +is engaged in the business, and who knows something of the character of +the institution she proposes to enter.</p> + +<hr class="chap"> +<h2><span class="pagenum"><a id="page29"></a>[p.29]</span> FEATHER CURLING.</h2> + +<p>Fashion has, of late years, made feather curling a good trade for women, +and fashion, at almost any moment, may make it a very poor business. For +the last thirty years feathers have been used every year, but, until +within a very short time, their use has been confined to the fall and +winter season. During the past four or five years they have been in +great demand during the spring and early summer, taking the place of +flowers for ornamental purposes. As a consequence, the occupation of +feather curling has offered unusual good opportunities for girls and +women to earn a living,—that is to say, as female workers are paid in +the trades.</p> + +<p>There are several processes used in preparing <span class="pagenum"><a id="page30"></a>[p.30]</span> the feathers +before they are ready for sale. Some of this work is done by men, but +the larger part of it is done by girls and women. When the feathers +arrive from abroad, they are of a dull brown color, and the first +process consists in washing them thoroughly with a peculiar kind of +chemical soap. Then they are wrung through an ordinary clothes-wringer, +and tied on to lines and hung out in the hot sun to dry, or put in a +drying room if the weather is not favorable. The work of washing and +wringing is done by men; the tying on to the lines by little girls. +After this men put them in big vats where they are dyed, black, blue, +red, yellow, or any other color that may be desired, and again dried. +Then comes the work of the women, who first scrape the rib of the +feather to make it soft and pliant. This is done with a piece of glass. +Then they are curled with a blunt knife. After this they are packed in +boxes and are ready to go from the wholesaler to the jobber, from the +jobber to the retailer, <span class="pagenum"><a id="page31"></a>[p.31]</span> and from the retailer pass to the +purchasers whose hats they are meant to adorn.</p> + +<p>Except in rare cases, the people employed at this business are paid by +the piece, and all ages are represented in the different branches of the +industry. There are girls as young as fourteen, and women as old as +forty. The little girls tie the feathers on to the lines, and make from +$2 to $5 a week. The work of preparing and curling the feathers pays the +best, and women who devote themselves to this branch make from $10 to +$40 a week. This last sum is large pay; but it must be stated that those +who make it do so in the busiest season, and they work hard, not only +during the day, but at night, or, may be, they have some one at their +homes to whom a portion of the work is sent from the shop, and in that +way they are assisted to receive such large pay. Nevertheless, if a +woman thoroughly understands the trade, she can always be sure of making +good wages. Some exceptionally proficient women will average $30 a +<span class="pagenum"><a id="page32"></a>[p.32]</span> week the year round. Take a hundred expert workers, and each of +them will average $15 to $20 a week during the twelve months. The little +girls never earn very much, because the work they can do is limited to +"stringing" the feathers, which is the technical term for tying the +feathers on a line.</p> + +<p>When a girl enters the establishment, she generally works the first two +weeks for nothing, then the superintendent is able to see what she can +do, and she makes $2, $3, or $4 a week, as the case may be; in six or +eight months she ought to be quite expert at the business. To be +successful she must have good taste. She should be able to "lay" the +feather out nicely, so that it will have a graceful appearance when it +is finished. And then she must have good judgment in putting the +feathers together, for it may not be known, but it is the fact, that the +plume which appears on the hat to be a single feather is made up of a +number of small pieces; this good judgment, then, consists, as one +manufacturer <span class="pagenum"><a id="page33"></a>[p.33]</span> frankly stated, in not being wasteful in +selecting,—in short, in being careful not to pick out too many good +pieces. Though there are a great number of girls in this business, there +are very few who possess all these qualifications. That class of help is +of course a great saving to the employer, and consequently is always +sure of employment. One man said that on account of high rent alone he +wanted to hire all such women. "We have to economize our room," he +remarked, "and one such woman would be worth to us half a dozen poor +workers, who would take up just six times as much space and waste a lot +of material in the bargain. Such expert workers will make three or four +times as much as other women, doing the same kind of work."</p> + +<p>The trade is a healthy one, or, to speak more accurately, there are no +special features about it to make it unhealthy. Probably the worst +feature about it is the crowding together of so many girls and women in +one large room. They <span class="pagenum"><a id="page34"></a>[p.34]</span> sit on benches, or stools, without backs, +working at a long, low table that runs the length of the apartment. On +damp days the windows have to be shut, making the atmosphere of the +place close and unwholesome. But the rooms are generally large, with +high ceilings. Five hundred girls are employed in the largest +establishment of the kind in New York. The nominal hours of work are +from eight in the morning until six in the evening, though very often, +in the busy season, the girls are required to work at night as late as +half-past seven or eight o'clock.</p> + +<p>There are a few women in New York who profess to teach feather curling; +I say "profess," for I have it on good authority that some of them have +no practical knowledge of the business, and aim only at securing a +generous tuition-fee from the pupil. Now and then, however, a teacher +can be found who is able to impart the necessary knowledge. It has been +charged by women that those who learn privately <span class="pagenum"><a id="page35"></a>[p.35]</span> in this way are +not able to secure good positions in any of the feather curling +establishments, the allegation being that the proprietors of the same +have formed a "ring" to exclude such help. From such investigation as I +have made in regard to this matter, I do not believe that this statement +is correct. Doubtless many such pupils, after working for a short time +in such establishments, have been discharged, but I think the real +reason has been that they were not competent to do the work. And it can +readily be imagined that the facilities for learning a trade like this +would be far better in a large house, where several hundred girls were +employed, or even fifty or seventy-five girls, than they would be in a +class of half a dozen pupils, who had probably between them about as +many feathers upon which to work. It would be much pleasanter to learn +the trade from a teacher; but there are many practical objections +against the feasibility of so doing. If the girl has not worked herself +up from the very foot of <span class="pagenum"><a id="page36"></a>[p.36]</span> the business, and does not have a +knowledge of its preparatory stages, she will be likely to find that if +a feather has been misplaced, or is out of order in any way, she could +not put it in proper shape as well as one who had commenced at the +beginning of the business.</p> + +<p>Rather than have any girl or woman hastily decide to learn this trade, I +will, at the risk of repetition, briefly recapitulate: the earnings are +good if you are thoroughly competent; and this may be said to be true of +the future, although there is a prospect, probably a very strong +prospect, that feathers may not be in such demand as they have been, and +as they are now. You will have to work hard to make good pay. The work +is tolerably cleanly, but your associates, if you are particularly nice +in your ideas of companionship, may not always please you. If you are +competent you may be able to take work home, but the facilities for +doing it, and the want of that spirit of competition which prevails, to +a great extent, in a large work-room, may not enable you to do so much +work.</p> + +<hr class="chap"> +<h2><span class="pagenum"><a id="page37"></a>[p.37]</span> PHOTOGRAPHY.</h2> + +<p>It is a little singular that in a great city like New York, there should +be but one lady photographer, while in the western part of our country +there are quite a number. The photographers I speak of do all the work +of making a picture,—posing the sitter, preparing the chemicals, and +operating the camera. One reason why there are so few ladies in this +business is the fact, that up to within a short time it has been a very +disagreeable occupation on account of the nature of some of the +chemicals that were used—they would soil the hands very easily, and the +stains could not be removed. But recent improvements in the art have +removed this objection, and prominent male photographers predict that it +will not be long before <span class="pagenum"><a id="page38"></a>[p.38]</span> their business will be largely carried +on by women.</p> + +<p>A contributor to a London magazine, writing some years ago, on the +subject of the employment of women in photography, said: "I have +pleasure in bearing testimony to the fact, that in photography there is +room for a larger amount of female labor; that it is a field exactly +suited to even the conventional notions of woman's capacity; and +further, that it is a field unsurrounded with traditional rules, with +apprenticeship, and with vested rights, and it is one in which there is +no sexual hostility to their employment." These remarks may, with +perfect safety and propriety, be applied to photography in this country.</p> + +<p>There are several branches of the art in which women and girls have +always been engaged, viz., the mounting of photographs, the retouching +of negatives, and the coloring of photographs.</p> + +<p>The mounting of photographs is apparently a <span class="pagenum"><a id="page39"></a>[p.39]</span> very simple kind of +work, consisting simply in trimming the photograph and pasting it upon +the card-board. But, simple though it seems, it requires great neatness +and considerable skill, if the work is to be done fast, and rapidity of +execution is a prerequisite to employment in nearly all the large +galleries. As an illustration that it is not a very simple +accomplishment, it may be mentioned that out of forty young ladies who +came to work on trial for a prominent photographer, he could find only +nine who were suitable to fill positions. The pay for this work is not +very munificent, ranging from $6 to $10 per week.</p> + +<p>The retouching, or taking out the marks or spots on negatives, is a much +more difficult branch of work. The pay, however, does not seem to be as +large as it should be, considering the amount of skill required. Young +women receive from $8 to $12 a week. A man doing the same kind of work, +and working the same number of hours, would be paid $16 a week. <span class="pagenum"><a id="page40"></a>[p.40]</span> +There have been cases where ladies have received larger salaries than +the sums just mentioned, but such instances are rare.</p> + +<p>The coloring of photographs is the most important, or rather the highest +paid, of the three branches of work that have been mentioned. It is said +that to be successful at this calling one must have some taste for +drawing, and what is commonly called a good eye for color. Very few +photographers employ colorists on a salary, for the reason that they do +not have enough work to keep them constantly employed. There are +probably but eight or ten galleries in New York where colorists are +employed all the year round. The truth is, that it is not alone +necessary to be a good colorist—one must be very good; and if very +good, she can have her studio and take work from the galleries as well +as from private parties. Photograph coloring has come to be considered +as important as portraiture. Another qualification for success in the +work, therefore, should be the <span class="pagenum"><a id="page41"></a>[p.41]</span> rare ability not only to +preserve, but sometimes to make, a likeness.</p> + +<p>There is one branch of the picture-making business that has grown to +large proportions within the past fifteen years; it is what is called +the "copying" business. There are many establishments in various cities +of the Union that constantly advertise for agents to collect pictures. +The agent goes through the rural districts, visiting each dwelling, and +inquiring of the inmates if there are any old pictures of living or +deceased friends that they would like to have copied, enlarged, and +colored. In nearly every farm-house there are such pictures—old +daguerreotypes of long-lost aunts, uncles, and grandfathers, +"old-fashioned photographs" of mother, together with newer photographs +of the living taken by the perambulating picture-taker, and taken so +badly with the use of bad chemicals that they are fast fading away. Out +of this motley group the family will be pretty sure to select one or two +pictures which they <span class="pagenum"><a id="page42"></a>[p.42]</span> will deem it worth their while to have +copied and enlarged.</p> + +<p>When the agent has collected a sufficient number of pictures in this +way, he sends them by express to the home office, where the work is +done. Some years ago I chanced to know a gentleman who was in this +business; in fact, he claimed to have originated it, and, as he was a +shrewd, smart Yankee, born and brought up in the State of New Hampshire, +I never had the temerity to question his statement. He had a good-sized +brick building in a pleasant little New England city, and employed a +countless number of agents, who travelled in all parts of the country, +and, if I remember right, he had nearly a score of ladies, whose +business it was to color the pictures and to touch some of them up into +something resembling life, after they had been copied and enlarged. I +use these statements with due deliberation, and say that the effort was +made to give them the appearance of something resembling life, for often +they <span class="pagenum"><a id="page43"></a>[p.43]</span> looked like mere blurs. Here and there a nose would be +gone, or an eye would be missing, the lower part of the face would be +entirely absent, but would be counterbalanced, or, rather, overbalanced, +by a heavy head of straight, black hair. These, of course, were very bad +specimens, but they came to the office in the regular course of +business, and had, to use the Yankee expression of the proprietor, to be +"fixed up." These worst specimens were given to a middle-aged single +lady, who really had a genius for making something out of nothing,—at +least in the matter of pictures. It should be mentioned, however, that +the worst of them were generally accompanied with some written +description of the subject. But we may well believe that such crude data +were of but little service to the artist. The salaries of these +colorists were from $13 to $25 per week. The lady I have just mentioned +received the latter sum, and often made a few more dollars weekly by +doing extra work. At present, she and <span class="pagenum"><a id="page44"></a>[p.44]</span> another lady from the +same establishment, conduct an art school in a city near New York, and +are very prosperous.</p> + +<p>There are now opportunities for doing this same kind of work, but there +is not so much of it to do,—thousands of "active" agents having very +thoroughly worked in the best districts of the country. Still, there is +something to do, and the salaries paid, though not so high as I have +mentioned, are fair.</p> + +<p>As I have written above, few photographers in New York employ a colorist +on a regular salary. The largest sum paid to a woman is $25 a week, and +that is given by probably the most prominent photographer in the city. +Others receive from $20 down to $12 a week. But there are quite a number +of ladies who have studios, and who work on their own account, among +them a firm of two sisters, who employ a dozen young women as +assistants. Without a doubt, this plan, provided the woman is competent +in the art, and has good business <span class="pagenum"><a id="page45"></a>[p.45]</span> qualifications, is the best +and most lucrative course to pursue.</p> + +<p>There has been lately introduced a new process of coloring pictures for +which very strong claims are made. It is said that the "secret" can be +learned in one lesson; the cost of the instruction is but $5. The method +consists in the application of water colors to any kind of picture on +paper. Some photographers say there is nothing new in the method, and +that the pictures will not stand the light of the sun; others claim that +it is a good process, and say that the pictures are both brilliant and +effective. The teacher of the art asserts that he can, in half a day, +paint a picture, and give all the necessary effects. With the usual +method, he says, a colorist would require two days and a half. The +process has not yet been introduced among photographers, but several +ladies are soliciting work at private houses, receiving, it is said, $4 +and $5 for painting a panel picture, and making a good living at the +work. For <span class="pagenum"><a id="page46"></a>[p.46]</span> obvious reasons I do not enter into the particulars +of this method, or even mention the name by which it is known. That, +however, can easily be learned from almost any photographer, and the +searcher for information can then satisfy herself as to whether the +business is worth a trial.</p> + +<hr class="chap"> +<h2><span class="pagenum"><a id="page47"></a>[p.47]</span> PROFESSIONAL NURSING.</h2> + +<p>It may not be known to many that, of late years, nursing has come to be +a regular profession. Women are trained to become nurses by going +through a regular course of study in what are called training schools, +and they receive on their graduation a diploma signed by an Examining +Board and a Committee of a Board of Managers. For some women this is an +excellent occupation. The work is rather hard, but the pay is +exceptionally good.</p> + +<p>At the present time there are seventeen of these training schools in the +United States. There is one in each of the following cities: New Haven +(Conn.), Chicago, New Orleans, St. Louis, Syracuse (N. Y.), Washington +(D. C.), Burlington (Vt.), and there are three in <span class="pagenum"><a id="page48"></a>[p.48]</span> Boston, two +in Brooklyn (N. Y.), three in New York City, and two in Philadelphia.</p> + +<p>In order to gain admission to any of these institutions certain +conditions of admission have to be complied with. First of all, the +woman must have good health, she must be unmarried or a widow, she must +furnish satisfactory references as to moral character, and have a fair +common-school education. All these are essential prerequisites. Her age +must not be under twenty or over forty-five. In the Boston schools the +rule is between twenty-one and thirty-five; in Brooklyn, twenty-one to +forty; in New York City, twenty-five to thirty-five; in Philadelphia, +twenty-one to forty-five, and in Washington City, the same as it is in +Brooklyn.</p> + +<p>Aside from these qualifications, the woman who would enter upon this +employment must have considerable "nerve," for she will be obliged to +witness some very painful sights, and often be called upon to render +assistance in some very dangerous surgical operations. And <span class="pagenum"><a id="page49"></a>[p.49]</span> yet, +at the same time, while possessing the necessary amount of self-control +to go through her duties properly, she must be possessed of that +gentleness, forbearance, and good temper, without which the most +scientific nursing will be of little avail. She may shudder at the first +operation in the hospital, even faint, but that is no sign that she will +not be able to overcome her want of self-control. Some of the best +surgeons have confessed to the same weakness at the beginning of their +professional experience. The nurse will soon get used to seeing such +unpleasant sights, and, as it was the case with the grave-digger in +Hamlet, custom will make her business "a property of easiness." She, +too, will learn that "the hand of little employment hath the daintier +sense."</p> + +<p>The pupil, having made her application to the superintendent of the +school, is required to answer, in writing, certain questions; to give +her name; to state whether she is single or married; to give her present +occupation; her <span class="pagenum"><a id="page50"></a>[p.50]</span> age last birthday, and date and place of birth; +her height and weight; to state where educated; to tell whether she is +strong and healthy, and has always been so; whether her sight and +hearing are good; whether she has any physical defects, or any tendency +to pulmonary complaint; if she is a widow, to state if she has any +children, their number, ages, and how they are provided for; to tell +where she was last employed, and how long she was employed, and to give +the names of two persons as references, one of whom must be her last +employer, if she has been engaged in any occupation. And then she signs +her name to the statement, declaring it to be correct.</p> + +<p>If the answers are satisfactory, and there is a vacancy in the school, +she goes on trial for a month, and if, at the end of that time, she +decides that she likes the position, and the superintendent finds she is +able to fulfil the duties properly, she is engaged. For this "trial" +month she receives no pay, but gets her board and <span class="pagenum"><a id="page51"></a>[p.51]</span> lodging free +of expense. Having been accepted as a pupil, she signs articles of +agreement to remain two years and obey the rules of the school and +hospital. All the schools are connected with some hospital; they are not +always in the same building, but in the immediate vicinity. The pupils +reside in the Home, or school, and in the large schools—the one +connected with Bellevue Hospital, for instance—there are two sets of +nurses, one set doing day duty, and the other going on at night. The day +nurses are on duty from 8 <span class="smcap">A.M.</span> to 8 <span class="smcap">P.M.</span>, with an hour off for dinner, +and some additional time for exercise or rest. They have one afternoon +during the week, half of Sunday, and a two weeks' vacation during the +summer. If sick, they are cared for gratuitously.</p> + +<p>The course of instruction covers two years, when the pupil, after +passing a satisfactory examination, graduates and receives a diploma. +Then she chooses her own field of labor.</p> + +<p>In one of the large New York schools the course of instruction includes:</p> + +<p><span class="pagenum"><a id="page52"></a>[p.52]</span> 1. The dressing of blisters, burns, sores, and wounds; the +application of fomentations, poultices, cups, and leeches.</p> + +<p>2. The administration of enemas, and use of catheter.</p> + +<p>3. The management of appliances for uterine complaints.</p> + +<p>4. The best method of friction to the body and extremities.</p> + +<p>5. The management of helpless patients; making beds; moving, changing, +giving baths in bed; preventing and dressing bed-sores; and managing +positions.</p> + +<p>6. Bandaging, making bandages and rollers, lining of splints.</p> + +<p>7. The preparing, cooking, and serving of delicacies for the sick.</p> + +<p>They are also given instruction in the best practical methods of +supplying fresh air, warming and ventilating sick-rooms in a proper +manner, and are taught to take care of rooms and wards; to keep all +utensils perfectly clean <span class="pagenum"><a id="page53"></a>[p.53]</span> and disinfected; to make accurate +observations and reports to the physician of the state of the +secretions, expectoration, pulse, skin, appetite, temperature of the +body, intelligence—as delirium or stupor,—breathing, sleep, condition +of wounds, eruptions, formation of matter, effect of diet, or of +stimulants, or of medicines; and to learn the management of +convalescents.</p> + +<p>This teaching is given by physicians, some of whom are connected with +the hospital, while others, often prominent men, occasionally give +lectures. The superintendent, assistant superintendent, and head nurses +also give practical directions to the pupils as to the management of the +sick.</p> + +<p>Each school has its favorite text-book on nursing. One of the most +popular works is the "New Haven Hand-book of Nursing," which is used in +the East and West, and in New York. In the New York schools the +"Bellevue Manual" is also used. Among the other text-books studied in +the different schools <span class="pagenum"><a id="page54"></a>[p.54]</span> throughout the country are "Anatomy and +Physiology," "Domville's Manual," "Woolsey's Hand-book for Hospital +Visitors," "Williams and Fisher's Hints to Hospital Nurses," "Lee's +Hand-book for Hospital Sisters," "Cutter's Anatomy and Physiology," +"Putnam's Manual," "Huxley's Physiology," "Smith on Nursing," "Frankel's +Manual," "West on Children," "Notes on Nursing," by Florence +Nightingale, "Draper's Anatomy, Physiology, and Hygiene," "Bartholow's +Materia Medica," and "Miss Veitch's Hand-book for Nursing." The Boston +and New York schools use the largest number of text-books, averaging +six. At one of the schools in Philadelphia, but one book is used; in +Connecticut, Chicago, and Washington two text-books are studied.</p> + +<p>While the nurse is receiving her training she is boarded free of +expense, and receives a stated salary per month during the time she is +in the school. The amount varies throughout the country. In New Haven it +is $170 for the term <span class="pagenum"><a id="page55"></a>[p.55]</span> of eighteen months. In Chicago, $8 a month +for the first year, $12 a month for the second year. In Boston, at two +of the schools it is $10 a month for the first year, and $14 a month for +the second year. At the third school it is $1 a week for the first six +months, $2 dollars a week for the second six months, and $3 a week for +the last four months. Brooklyn, $9 a month for the first year, $15 a +month for the second year. In New York, at the Charity Hospital on +Blackwell's Island, it is $10 a month for the first year, and $15 a +month for the second year; at Bellevue Hospital, $9 a month for the +first year, $15 a month for the second year; at the New York Hospital, +it is $10, $13, and $16 a month for the first, second, and third six +months, respectively. In Syracuse $10 a month. In Philadelphia, $5 a +month for the first six months, $10 a month for the second six months, +and $16 a month for the second year.</p> + +<p>It will be seen at a glance that this is merely nominal pay, but it must +also be borne in <span class="pagenum"><a id="page56"></a>[p.56]</span> mind that the nurse is receiving instruction +in what is to be to her a profession. Then, again, she is under little +or no expense; she is boarded, lodged, has her washing done in the +institution, and the dress or uniform which she is obliged to wear costs +but a trifle, the material of which it is made being generally what is +called "seersucker."</p> + +<p>After the nurse has received a certain amount of training, she is deemed +competent to go out to private service. She receives no extra pay for +this, her salary being paid into the institution, which, in that way, is +enabled partly to maintain itself.</p> + +<p>When she goes to a private house, she carries with her a certificate of +recommendation signed by the lady superintendent of the school. When she +returns to the school, she brings with her a report of her conduct and +efficiency, either from one of the family or the medical attendant. +While engaged in this service, the people employing her must allow her +<span class="pagenum"><a id="page57"></a>[p.57]</span> reasonable time for rest in every twenty-four hours, and when +her services are needed for several consecutive nights, she is to have +at least six hours in the day out of the sick-room. Except in cases of +extreme illness, she is to be allowed opportunity to attend church once +every Sunday.</p> + +<p>Appended to the rules of the Bellevue Hospital Training School, in +regard to this subject, are the following remarks:</p> + +<p>"It is expected that nurses will bear in mind the importance of the +situation they have undertaken, and will evince, at all times, the +self-denial, forbearance, gentleness, and good temper so essential in +their attendance on the sick, and also to their character as Christian +nurses. They are to take the whole charge of the sick-room, doing +everything that is requisite in it, when called upon to do so. When +nursing in families where there are no servants, if their attention be +not of necessity wholly devoted to their patient, they are expected to +<span class="pagenum"><a id="page58"></a>[p.58]</span> make themselves generally useful. They are to be careful not to +increase the expense of the family in any way. They are also most +earnestly charged to hold sacred the knowledge which, to a certain +extent, they must obtain of the private affairs of such households or +individuals as they may attend."</p> + +<p>The field of employment which has just been described, offers great +opportunities for the proper kind of women to make an independent +livelihood. The work is hard and confining, but the pay, as women are +paid, is very good. A trained nurse never receives less than $20 a week, +her board being, of course, included, and more often she will get $25, +or even $30, a week; in fact, she can command her own price, and that +price will depend upon the wealth and liberality of her patrons, and the +ability which she brings to bear on the case in hand. Good nursing is +very often more important than good doctoring, and thousands of people +are willing to pay liberally for such exceptional help. The <span class="pagenum"><a id="page59"></a>[p.59]</span> +demand for trained nurses far exceeds the supply, and, provided a woman +has made herself fully competent in this peculiarly appropriate branch +of women's work, the extent of her employment will only be limited by +her physical strength to render the services required.</p> + +<hr class="chap"> +<h2><span class="pagenum"><a id="page60"></a>[p.60]</span> PROOF-READERS, COMPOSITORS, AND BOOKBINDERS.</h2> + +<p>Men who employ women in trades and businesses where they have to work +for some length of time before they become skilled laborers have one +very strong objection against female help. "No sooner," they say, "do we +really begin to get some benefit from the woman's work, after having +borne long and patiently with her sins of omission and commission, than +along comes a good-looking young fellow and marries her."</p> + +<p>For this reason women sometimes find it difficult to obtain entrance +into the most desirable establishments where trades can be learned. And +yet these same employers are not hostile to female labor; on the +contrary, they are <span class="pagenum"><a id="page61"></a>[p.61]</span> strongly in favor of it, but they say that +they are not willing to encourage it to the extent of sacrificing the +necessary time and trouble in making a woman perfect in a trade, and +then seeing her leave them to enter upon the presumably more congenial +duties of matrimony.</p> + +<p>The woman, therefore, who desires to learn a trade may find this +difficulty meeting her at the threshold. All employers, however, are not +alike, and some establishment can generally be found where a woman can +learn the first principles of the occupation she wishes to follow; as +soon as she has attained a reasonable degree of proficiency in it, she +can get a position in a larger and better establishment, where the pay +will probably be higher and the surroundings more agreeable.</p> + +<p>Of the three employments mentioned at the head of this chapter +proof-reading is probably the most pleasant. A woman to be properly +qualified must have a good education, and must have graduated from the +printer's case. A <span class="pagenum"><a id="page62"></a>[p.62]</span> great many young women who know nothing about +the compositor's trade think they can be good proof-readers, but they +may have a good collegiate education, and if they are not familiar with +the practical details of printing, as they can be learned in a printing +establishment, they will never amount to much as proof-readers. This is +the class of proof-readers who "get interested" in what they are +reading; they are on the look-out for bad sentences which, having found, +they promptly proceed to correct, a self-imposed duty for which they +receive no thanks from either their employer or the author whose +language or style they seek to improve. A good proof-reader reads +mechanically. The moment she takes a personal interest in what she is +reading, or becomes critical on the matter in hand, she is apt to +overlook typographical errors of the most common sort. Of course, she +must be a first-class speller and have a good knowledge of punctuation, +though how far she will have to apply the latter knowledge <span class="pagenum"><a id="page63"></a>[p.63]</span> will +depend very much on what kind of proof she is reading. If she is engaged +in an establishment where books are printed exclusively, she will find +that authors, as a rule, have their own systems of punctuation, with +which (supposing the authors to be men and women of ability) she will +not be expected to interfere. But if she is engaged on newspaper or +general work, she will have ample opportunity to display her knowledge +and exercise her judgment in the matter of punctuation. In all important +work female proof-readers seldom read the second or revised proof. That +is generally given to a male proof-reader of large experience, who gives +the matter a critical reading.</p> + +<p>The pay of good women proof-readers is from $15 to $20 a week. Those who +receive the latter sum are capable of reading "revises." Now and then a +woman receives exceptionally good pay for this kind of service. A +prominent American historian paid a lady proof-reader $30 a week; but +she was unusually well educated, <span class="pagenum"><a id="page64"></a>[p.64]</span> and capable of often making +valuable suggestions to the author.</p> + +<p>No encouragement can be given to the woman desirous of becoming a +proof-reader who will not learn the practical details of the calling in +a printing establishment.</p> + +<p>In connection with proof-reading it may be mentioned that young girls or +young women find employment as "copy-holders." Their duty is to read +aloud to the proof-reader the copy of the author. If they can read +rapidly and correctly they can earn about $8 a week.</p> + +<hr> + +<p>Female compositors are now largely employed in job and newspaper +offices, but it is only fair to state the objections to their following +this trade. In some establishments they are obliged, like the men, to +stand at their work. Physicians state, and the experience of the women +themselves proves, that this is very detrimental to health. It has been +urged by women, also, that in printing-offices they are forced to hear +profane <span class="pagenum"><a id="page65"></a>[p.65]</span> and improper language from their male companions, who +sometimes, doubtless, in this way, harass the women, sometimes with the +purpose of expressing their dissatisfaction at the employment of female +labor. But too much weight should not be given to this complaint. In all +the large, well-regulated establishments such conduct would not be +tolerated, provided the men and women worked in the same room, which, +however, is rarely the case; as a rule, the female help are set off in +an apartment by themselves.</p> + +<p>Employers who have employed female compositors say that they cause a +great deal of trouble. They have to have a separate room, and require to +be waited upon a great deal, especially if they are learning the trade, +while men readily get along by themselves. They are sure to lose more or +less time through sickness, and that, too, very often in the busiest +season, when there is great pressure of work, and their services are in +especial demand. Of <span class="pagenum"><a id="page66"></a>[p.66]</span> late, the female compositors in one of the +largest establishments in New York demanded to be paid the same rate as +the men. The demand was not acceded to, and the proprietors came very +near discharging all their female compositors, urging the objections +which have just been stated, together with the general objection to the +employment of female help stated in the beginning of this chapter.</p> + +<p>Notwithstanding all these objections, however, which a woman can weigh +and take for what they are worth, the trade of a compositor is a very +good one. Among men, a type-setter has always been considered the most +independent of mortals. If he is thorough master of his trade, he is +always sure of work, and with the great development of our country, +there is hardly a spot to which he may drift where he will not find a +printing-office and an opportunity to earn money. Numerous instances +might be related of printers who, being of a roving disposition, have +travelled all over <span class="pagenum"><a id="page67"></a>[p.67]</span> the United States, earning their living as +they went. The trade is just as good, or nearly as good, for a woman. +She is never paid, it is true, the same rate that the men receive, but +if she is a quick worker she can make much more money in a week, as a +compositor, than she could at many other occupations. She can never hope +to perform as much work as a first-class male compositor; that is a +physical impossibility.</p> + +<p>Good compositors in the large New York establishments where books are +printed (and it is only in such places that women are employed in the +large cities), earn from $14 to $15 a week. The poor ones average $9 and +$10 a week. Sometimes good women make more than $15 a week, earning as +much as $18 or $20 a week. This kind of work, it must be understood, is +paid by the piece, so that how much a woman earns depends entirely on +her ability.</p> + +<p>In many small cities and country towns, especially throughout New +England, young <span class="pagenum"><a id="page68"></a>[p.68]</span> women are employed as compositors in newspaper +offices. Their rate of pay is never as high as it is in the cities, but +their living expenses are proportionately less, so that really they are +just as well off. It would seem, indeed, that such situations were to be +preferred. There is less noise and hurry in such small establishments, +and, therefore, less wear and tear on the human system. The papers are +generally afternoon papers, and, therefore, the work is all done in the +daytime. The women are allowed to sit at their work. In such situations +they will be able to earn from $5 to $12 a week.</p> + +<p>It is, at present, difficult for a woman entirely ignorant of the trade, +to get into any of the large establishments in New York, where such help +is engaged, for the purpose of learning to become a type-setter. If her +ambition lies in this direction, and she lives outside the large cities, +she could do no better than obtain an introductory knowledge of the art +in some <span class="pagenum"><a id="page69"></a>[p.69]</span> country newspaper office, or, failing in that, get the +necessary practical instruction in some job office, in either city or +country.</p> + +<hr> + +<p>Certain parts of the work of bookbinding are monopolized by young girls +and young women. They are employed in folding, collating, sewing, +pasting, binding, and gold-laying. There is probably no large +establishment in the country where men are employed to do this kind of +work. The industry seems to be peculiarly adapted to young women who are +quick with their hands.</p> + +<p>Employés in this trade are paid by the piece, with the exception of the +collaters, who receive a stated salary of $8 a week. "Collating," it may +be mentioned for the benefit of those who are not familiar with the +term, means the gathering together of the various folded sheets or +sections of the book, and seeing that the pages run right, preparatory +to their being handed over to the sewers, who stitch them <span class="pagenum"><a id="page70"></a>[p.70]</span> +together. The pay of folders, binders, pasters, and sewers will average, +during the year, from $6 to $7 a week. Gold-layers are paid by the hour +and make a dollar or two more a week. This average, it must be +understood, is for the whole fifty-two weeks. Some weeks the girls make +$12 and $15, other weeks not one third as much. Girls as young as +fourteen years are employed, and women forty and fifty years of age may +be found working beside them. Nine hours and a half constitute a day's +work. Some girls will make more than the average named. Those are the +steady workers who, to use the expression of one employer, "work just +like a man and don't care to hurry home and crimp up to see company in +the evening." Such employés will, the year round, average each week two +or three dollars more than the ordinary run of help.</p> + +<p>It is said that there is always work in this trade for competent women. +But it is a trade that no woman of ambition would want to enter, +<span class="pagenum"><a id="page71"></a>[p.71]</span> unless she was unable to find any thing better to do. There is +no chance to rise in the business and get a better paying position, for +the rule is to employ male foremen. In only one large establishment in +New York is there a woman occupying such a position. It is proper to +state, however, that she gives perfect satisfaction, that her employer +would not replace her for a man, and that he believes other bookbinders +will eventually see the advisability of having a female instead of a +male overseer. A man, it is said, is apt, in giving out work, to favor +the pretty girls at the expense of the plain-looking damsels, thus +creating jealousy among the employés, while a woman is not influenced in +that way.</p> + +<p>The proprietors of the large bookbinderies make every effort to secure a +respectable kind of help, but young women of loose principles, and +sometimes, it is to be feared, of actual immoral character, get +employment at the trade, and, when they do, their influence is any thing +<span class="pagenum"><a id="page72"></a>[p.72]</span> but good on their companions. It must, however, be largely a +girl's own fault if she allows herself to associate with such company. +During working hours, of course, nothing but business is attended to. +Lunch is eaten in the establishment, and during the lunch hour the girls +gather together in little knots and talk about the last picnic or the +coming ball. But the place is so large, that a girl of reserved manners +can generally keep by herself, or select such companions as she prefers.</p> + +<p>The trade is not difficult to learn, the work is neat and clean, the +rooms where the girls work—that is, in the large bookbinderies—are +commodious, well lighted, and airy. If a young woman, getting her board +free at home, wanted to make a little money by working only a few +months, or a year, she could probably accomplish this object by entering +a bookbindery.</p> + +<hr class="chap"> +<h2><span class="pagenum"><a id="page73"></a>[p.73]</span> THE DRAMA.—LECTURERS AND READERS.</h2> + +<p>A woman need not have the genius of a Rachel, a Modjeska, or a Clara +Morris, to be able to make a good living in the theatrical profession. +Probably the great majority of young ladies who go upon the stage are +inflated with the notion that they are creatures of wonderful genius, +and for this reason they fail; they are so taken up with the good +opinion they have of themselves that they will not go through the +necessary amount of work, in the subordinate positions, to perfect +themselves for places up higher. They want to fly before they can walk. +It would seem as if common-sense deserted a woman the moment she felt a +desire to go upon the stage.</p> + +<p><span class="pagenum"><a id="page74"></a>[p.74]</span> An old theatrical agent whose views were sought on this subject +did not offer much encouragement to the aspirants for dramatic honors. I +will give a paraphrase of his views so that the gentle reader may have +the benefit of the pessimistic presentation of the question.</p> + +<p>The great majority of young ladies, he observed, "who sought positions +had been members of some amateur dramatic company, which they had joined +from a love of recreation and amusement. The friends of a young woman +continually spoiled her by undeserved praise, and, finally, she believed +herself capable of taking the highest and most difficult parts, and +forthwith rushed to the nearest theatrical manager or dramatic agent and +sought a position. In the majority of instances such young ladies had +not the slightest amount of ability; besides, experience in an amateur +dramatic company was of no benefit. People might come to an agent with +the highest recommendations from stage instructors, or actors who had +taken upon <span class="pagenum"><a id="page75"></a>[p.75]</span> themselves the task of giving them instruction—who +had spoken of them as 'promising pupils'—and yet, when they came to go +upon the stage, they did not show the slightest degree of talent for the +profession. An amateur experience was no criterion to go by."</p> + +<p>"When," said the dramatic agent, "I managed the tour of Mr. +—— (mentioning the name of one of our leading tragedians), I had to +select the company which was to support him. Yielding to the +solicitations of an old friend I engaged a young lady who had been +studying with Miss ——, one of the brightest stars on the American +stage. Miss —— told me that she considered her a most promising young +woman, and had it not been that her manager had already selected her +company, she would have been glad to have had her in her own company. +She felt sure if I took her I would be pleased. I engaged her, and was +never more mistaken in my ideas in all my life. She thought she could +act, but she did not know the <span class="pagenum"><a id="page76"></a>[p.76]</span> first principles of acting. +Offended at my plain criticisms on her efforts she went to Mr. ——, the +star, and complained that she thought I was prejudiced against her, and +had been unjust and unkind. But Mr. —— repeated, kindly but plainly, +the substance of what I had said. She had left a good paying position to +seek dramatic fame only to find dramatic failure. At the end of the +season she became convinced of the truth of our criticisms, and quit the +stage forever."</p> + +<p>It must be stated here that the stage is largely run on what is called +the "combination" plan, and a very poor plan it is. In the old times the +theatres had what were called "stock" companies; that is, the company +was made up of a certain number of members, each member having a +particular line of "business," and keeping to that line year after year, +in the same company, which remained in the same theatre. At the present +time there are only two "stock" companies in the United States. <span class="pagenum"><a id="page77"></a>[p.77]</span> +The great majority of theatrical enterprises are called "combinations." +In old times the actor had to suit himself to the play; nowadays the +play is written to suit the actor. A comedian can sing and dance, or +"make up" good as a Jew, a Negro, or an eccentric German, and forthwith +he gets some author to write a play for him in which his "strong" points +will be made to plainly appear. Then he selects his company, picking out +men and women that he may deem suitable for the characters they are to +assume. Then the company is christened "The Great Jones Combination," or +"The Great Scott Combination," as the case may be, and off it starts for +a more or less successful tour throughout the country.</p> + +<p>Sterling, old-time actors like John Gilbert, William Warren, Joseph +Jefferson, and men of that school, lament the decadence of the "stock" +company system. But, in the dramatic as in the real world, we must take +things as we find them, and the fact is that there is very <span class="pagenum"><a id="page78"></a>[p.78]</span> +little chance for a young lady who would be an actress to get a thorough +knowledge of her art—that is, thorough as it is understood by those in +the front rank of the profession, who have reached their position by +following the old methods.</p> + +<p>On the other hand, the stage never offered so many opportunities for +bright young women with dramatic talent to make a living as it does at +the present time. Every city, both large and small, can boast of its +theatre or opera-house, and in many of the large towns throughout the +country there are town-halls arranged with a view to accommodate some of +the minor theatrical combinations.</p> + +<p>The young lady who would succeed in making a fair living on the stage +must, first of all, be attractive. The stage appeals as much to the eye +as it does to the ear, and there is scarcely an instance of an ugly +actress being successful, or, indeed, even having the opportunity of +exhibiting herself on the stage.</p> + +<p><span class="pagenum"><a id="page79"></a>[p.79]</span> It seems to be the general opinion among actors and theatrical +managers that the instruction received from professors of elocution is +of little or no account. As to the experience gained from performing in +amateur companies, there is a difference of opinion. The dramatic agent +whose views have just been given speaks, it will be seen, very strongly +against the amateur actor. Others, however, whose opinions are entitled +to great weight, say that experience gained in amateur organizations is +always valuable. The manager of one of the principal theatres in New +York—a theatre, too, that has had an unusually large number of +travelling companies on the road—told the writer that he had employed a +large number of amateur actors, and that some of the greatest pecuniary +successes had been made by actors and actresses who had come to him from +some amateur theatrical company. Of course, the new-comers were not +successful at first. They had to serve an apprenticeship on the regular +<span class="pagenum"><a id="page80"></a>[p.80]</span> stage; but he meant to say that their previous experience, +amateur though it was, had been a benefit to them, and that they had got +along quicker than they would if they had been without it.</p> + +<p>"Utility business" is the kind of work a young woman going upon the +stage must first expect to do; or, to speak more accurately, according +to the technique of the profession, she will first be allowed to make an +"announcement." She will come on the stage and say, "My lady, a letter," +or make some other simple speech to the extent of one or two lines. If +she does this well, she will be given parts where there is more to say, +until, finally, she has reached thirty lines, at which point she is +capable of being entrusted with a "responsible" part. The salary of this +class of actresses ranges from $15 to $30 per week.</p> + +<p>If she does not start in this line of business, she may be a "ballet +lady,"—not a dancer, but one of the group of ladies that make up the +<span class="pagenum"><a id="page81"></a>[p.81]</span> ballroom or party scenes. In this case, she will start on a +salary of from $5 to $7 per week. If she is very pretty, she will get +$7; if she is an "ancient,"—that is, rather old and decidedly +plain,—she will get only $5. The ability to sing commands an extra +dollar per week. The manager of the theatre alluded to above said, that +in one of their companies they employed a young lady without previous +theatrical experience. She was, however, very quick to learn, and +commencing on a salary of $20 a week, she quickly made herself valuable. +After a while a part was given her in which she made "a hit," and her +salary has been increased until now it is $70 a week when she is +travelling, and $55 a week when she plays in New York City, the extra +$15 given to her when she is away being for hotel expenses.</p> + +<p>There has been so much said and written on the morals of the stage that +it will not be necessary here to warn the young dramatic aspirant that +this is a branch of the subject which she <span class="pagenum"><a id="page82"></a>[p.82]</span> should well consider. +That there are actresses who are good women, fulfilling nobly all the +duties of wives, mothers, and sisters, nobody pretends to deny. But that +the stage offers very strong and dangerous temptations to young and +pretty women is a fact which every one who knows any thing about the +subject will admit. These temptations are not in the theatre itself. The +profession of acting is conducted on purely business principles. Life +behind the scenes is dull, uninteresting, matter-of-fact. The actors and +the actresses are full of their work, and the whole place is decidedly +unromantic. But there are great temptations from without the theatre, +into the details of which it is not necessary to enter. It is not +necessary that she should yield to these temptations, nor are they, +probably, all things considered, any greater or stronger than the pretty +shop-girl has to meet. But if she values her character she will, when +she enters this profession, make up her mind to devote herself +thoroughly to work, and she will <span class="pagenum"><a id="page83"></a>[p.83]</span> be particularly careful about +the acquaintances she forms with the opposite sex, and above all avoid +that large and growing class of silly men, both young and old, who love +to boast that they number an "actress" among their female acquaintances.</p> + +<p>In the <i>North American Review</i> for December, 1882, there was published a +symposium on the subject of success on the stage. There are so many +young ladies whose ambition lies in the direction of the drama, and the +contribution referred to contained such wholesome advice, that I am +tempted to quote from it at considerable length. There were six +contributors: John McCullough, Joseph Jefferson, Lawrence Barrett, +William Warren, Miss Maggie Mitchell, and Madame Helena Modjeska. The +views of the lady contributors will be found of especial interest to the +readers of this book.</p> + +<p>The article was addressed more particularly to those whose ambition it +is to reach the highest rank in the profession, but the extracts +<span class="pagenum"><a id="page84"></a>[p.84]</span> contain many useful hints for those who are simply looking +forward to a respectable, well-paying "utility" position on the stage.</p> + +<p>Miss Mitchell says:—</p> + +<p>"To succeed on the stage, the candidate must have a fairly prepossessing +appearance, a mind capable of receiving picturesque impressions easily +and deeply, a strong, artistic sense of form and color, the faculty of +divesting herself of her own mental as well as physical identity, a +profound sympathy with her art, utter sincerity in assuming a character, +power enough over herself to refrain from analyzing or dissecting her +part, a habit of generalization, and at the same time a quick eye and +ready invention for detail, a resonant voice, a distinct articulation, +natural grace, presence of mind, a sense of humor so well under control +that it will never run riot; the gift of being able to transform +herself, at will, into any type of character; pride, even conceit, in +her work; patience, tenacity of purpose, industry, good-humor, <span class="pagenum"><a id="page85"></a>[p.85]</span> +and docility. She must behave, in her earlier years, very much as if she +were a careful, self-respecting scholar, taking lessons of people better +informed than herself, with her eyes and ears constantly open and ready +to receive impressions.</p> + +<p>"She should begin by getting, if possible, into a stock company, even in +the most inferior capacity, keeping within reach of the influence of her +home,—or by joining a reputable combination on the road. Managers, no +matter what may be said to the contrary, are always eagerly looking for +talent in the bud, and if a young girl, with reasonable pretensions to +good looks, who is modest and well-behaved, and shows the slightest +ability with a common-sense readiness to begin at the bottom of the +ladder, should offer herself for an engagement, the chances are that she +would get it with much less difficulty than she imagined. There are, no +doubt, numerous candidates, even for the smallest positions on the +stage, but those <span class="pagenum"><a id="page86"></a>[p.86]</span> who possess even moderate qualifications are +extremely rare. Managers have, at present, to take the best they can +pick from a host of worse than interlopers.</p> + +<p>"I do not think that novices reap any practical benefit from private +lessons. The neophyte learns not merely of her professional teacher, but +of her audience; and to be informed by the one without being influenced +by the other is to have very lopsided instruction. The stage itself is +the best, in fact, the only school for actresses. It is a profession +made up of traditions and precedents and technicalities. Mere oral +advice, or training in elocution or gesture, counts for very little. +They are, in fact, too often obstacles which have to be eventually and +with difficulty surmounted. In some instances I have known +'instruction'—of this sort—to bring about as prejudicial effects as if +the victim had tried to learn the art of swimming at a dancing academy, +and then put the knowledge thus gained into practice. <span class="pagenum"><a id="page87"></a>[p.87]</span> The +modulations of the voice and the language of illustrative gesture ought +to be either taught by example or insensibly acquired by experience. To +learn them by precept and rule has for a result, usually, that +woodenness and jerkiness which one cannot help noticing in the 'youthful +prodigies' of the stage. To be an actress one has to learn other things +than merely how to act, and that is why nobody ever succeeded in the +profession who tried to enter it at the top. <span class="spaced1">* * *</span></p> + +<p>"The early bent of her studies and reading should be precisely the same +as that of any other woman aspiring to be liberally educated. She +should, if possible, speak French, at all events read it. She should be +familiar with English literature. She should cultivate an acquaintance, +through books and otherwise, with the highest as well as the lowest +forms of human society. Refinement and general information ought to be +the characteristics of every actress. <span class="spaced1">* * *</span></p> + +<p><span class="pagenum"><a id="page88"></a>[p.88]</span> "It would be bold for me to pretend to descry the chances of +success for the actress of the future. It is a lottery, this profession +of ours, in which even the prizes are, after all, not very considerable. +My own days, spent most of them far from my children and the comforts +and delights of my home, are full of exhausting labor. Rehearsals and +other business occupy me from early morning to the hour of performance, +with brief intervals for rest and food and a little sleep. In the best +hotels my time is so invaded that I can scarcely live comfortably, much +less luxuriously. At the worst, existence becomes a torment and a +burden. I am the eager, yet weary, slave of my profession, and the best +it can do for me—who am fortunate enough to be included among its +successful members—is to barely palliate the suffering of a +forty-weeks' exile from my own house and my family.</p> + +<p>"For those of our calling who have to make this weary round, year after +year, with disappointed <span class="pagenum"><a id="page89"></a>[p.89]</span> ambitions and defeated hopes as their +inseparable company, I can feel from the bottom of my heart. Each season +makes the life harder and drearier; each year robs it of one more +prospect, one more chance, one more opportunity to try and catch the +fleeting bubble in another field."</p> + +<p>Madame Modjeska writes:</p> + +<p>"<span class="spaced1">* * *</span> It would be a great mistake to choose the profession with the +idea that money comes easier and work is less hard in this than in any +other. There is little hope for the advancement of such aspirants.</p> + +<p>"There is no greater mistake than to suppose that mere professional +training is the only necessary education. The general cultivation of the +mind, the development of all the intellectual faculties, the knowledge +how to think, are more essential to the actor than mere professional +instruction. In no case should he neglect the other branches of art; all +of them being so nearly akin, he cannot attain to a fine artistic +<span class="pagenum"><a id="page90"></a>[p.90]</span> taste if he is entirely unacquainted with music, the plastic +arts, and poetry.</p> + +<p>"The best school of acting seems to me to be the stage itself—when one +begins by playing small parts, and slowly, step by step, reaches the +more important ones. There is a probability that if you play well a +minor character, you will play greater ones well by and by; while if you +begin with the latter, you may prove deficient in them, and afterward be +both unwilling and unable to play small parts. It was my ill-fortune to +be put, soon after my entrance on the stage, in the position of a star +in a travelling company. I think it was the greatest danger I +encountered in my career, and the consequence was that when I afterward +entered a regular stock company, I had not only a great deal to learn, +but much more to unlearn.</p> + +<p>"The training by acting, in order to be useful, requires a certain +combination of circumstances. It is good in the stock companies of +Europe, because with them the play-bill is constantly <span class="pagenum"><a id="page91"></a>[p.91]</span> changed, +and the young actor is required to appear in a great variety of +characters during a short period. But it may prove the reverse of good +in a theatre where the beginner may be compelled for a year or so to +play one insignificant part. Such a course would be likely to kill in +him all the love of his art, render him a mechanical automaton, and +teach him but very little.</p> + +<p>"Private instruction can be given either by professors of elocution or +by experienced actors. I know nothing of the first, as there are no +professors of elocution, to my knowledge, outside of America and of +England, and I never knew one personally. But speaking of private +lessons given by experienced actors, there are certainly a great many +arguments and instances in favor of that mode of instruction. Of course, +a great deal depends upon the choice of the teacher. But, supposing he +is capable, he can devote more time to a private pupil than he can to +one in a public school. Some of the greatest <span class="pagenum"><a id="page92"></a>[p.92]</span> actresses that +ever lived owed, in great part, their success to the instructions of an +experienced actor, of less genius than themselves. Take, for instance, +Rachel and Samson. Strange to say, it happens often that very good +actors make but poor professors, while the best private teacher I ever +met was, like Michonnet, but an indifferent actor himself. The danger is +that the pupil in this kind of instruction may become a mere imitator of +his model. Imitation is the worst mode of learning, and the worst method +in art, as it kills the individual creative power, and in most cases, +the imitators only follow the peculiar failings of their model.</p> + +<p>"There are many objections to dramatic schools, some of which are very +forcible. There is in them, as in private teaching, the danger of +imitation, and of getting into a purely mechanical habit, which produces +conventional, artificial acting. Yet it is not to be denied that a great +number of the best French and German actresses and actors have been +pupils of <span class="pagenum"><a id="page93"></a>[p.93]</span> dramatic schools, and that two of the schools—those +of Paris and Vienna—have justly enjoyed a great celebrity. Of the +schools I have known personally I cannot speak very favorably. One point +must be borne in mind; a dramatic school ought to have an independent +financial basis, and not rely for its support on the number of its +pupils, because in such a case the managers might be induced to receive +candidates not in the least qualified for the dramatic profession.</p> + +<p>"Of the three elements that, in my opinion, go to make up a good +dramatic artist, the first one, technique, must be acquired by +professional training; the second and higher one, which is art itself, +originates in a natural genius, but can and ought to be improved by the +general cultivation of the mind. But there is yet something beyond these +two: it is inspiration. This cannot be acquired or improved, but it can +be lost by neglect. Inspiration, which Jefferson calls his demon, and +<span class="pagenum"><a id="page94"></a>[p.94]</span> which I would call my angel, does not depend upon us. Happy the +moments when it responds to our appeal. It is only at such moments that +an artist can feel satisfaction in his work—pride in his creation; and +this feeling is the only real and true success which ought to be the +object of his ambition."</p> + +<hr> + +<p>There is but very little chance for women to succeed as lecturers at the +present time. Some few years ago the country seemed to be overrun with +orators, both male and female. Probably the woman-suffrage excitement +had a great deal to do with this; at all events, there is not much +demand now for female eloquence. Twelve years ago a number of +distinguished women were before the public. Anna Dickinson spoke on +politics; since then she entered the dramatic profession. Susan B. +Anthony, Elizabeth Cady Stanton, spoke about woman-suffrage, a subject +which seems for the time to have died out. Olive Logan talked on social +topics; now she is in Europe. Mrs. Livermore is the only female <span class="pagenum"><a id="page95"></a>[p.95]</span> +orator of that time who is now before the public, and she is as +successful now as she was then.</p> + +<hr> + +<p>As public readers, women who have a talent in that direction have an +excellent chance at the present time. "Readings" are getting to be a +very popular form of entertainment. The theatres are offering such poor +and trashy attractions that many educated people who want to be amused, +are forced to seek diversion in this way. The general spread of culture +is also, probably, creating a taste in this direction.</p> + +<p>The lady who would succeed as a public reader must, like the actress, be +good-looking. The most successful lady readers now before the public are +physically attractive. Some of them are large, fine-looking women, while +others are petite; but no matter what the particular style of beauty may +be, they are all pleasing in their personal appearance.</p> + +<p>The woman who wants to make public reading a profession will do all she +can to get her name and profession before the public. At first <span class="pagenum"><a id="page96"></a>[p.96]</span> +she will give free readings before church societies. In this way she +will gradually become known, and, after a while, she will be able to +appear before some lyceum in the small outlying towns. If she is +favorably received she will be invited to come again, and so, gradually, +her name and fame will become known, and if she has the necessary talent +she will eventually command very good pay.</p> + +<p>At first she will give free readings. Her readings for pay will, in the +beginning, bring her from $10 to $25 a reading. After that the +compensation will increase, according to her reputation as a reader. The +very best female readers, or "elocutionists," as they prefer to term +themselves, receive as much as $500 for one entertainment.</p> + +<p>The social position which a lady occupies will have much to do with her +success. If she has a large circle of influential friends in good social +standing, provided, of course, she is talented, she will find the road +to success much easier than it otherwise would be.</p> + +<hr class="chap"> +<h2><span class="pagenum"><a id="page97"></a>[p.97]</span> BOOK-AGENTS.</h2> + +<p>Canvassing for books is a business in which some men have been known to +make $10,000 a year, and a large number of other men have earned $2,000 +and $3,000 in the same length of time. This is an occupation which, +under certain conditions, is admitted to be just as suitable for a woman +as a man.</p> + +<p>The newspapers have poked a great deal of fun at book-agents, and their +ridicule has, doubtless, deterred many a person from following the +occupation. A young man, a book-agent, once wrote for advice to the +editor of a New York paper. He said that he had followed the calling for +some time, and that he made, the year round, from $50 to $60 a week. He +liked the work of travelling from place to place, but he had doubts +<span class="pagenum"><a id="page98"></a>[p.98]</span> as to whether his calling was a respectable one. Would it not +be better for him to get some other employment? The editor promptly +informed him that the work he was doing was not only respectable but +exceedingly useful; that many persons were glad to see him present to +their notice the new and useful books he was endeavoring to sell; that +his earnings were exceptionally large, and that it would be a long time +before he could hope to earn as much in any other business. By all means +he should remain a book-agent.</p> + +<p>It is said by the publishers of books that women make excellent +book-agents; they cannot hope to make as much money as the very best +male agents, but if they have the necessary qualifications they can do +very well. The prerequisites required can be summed up under four heads:</p> + +<p>First of all, a woman must have pretty good health; if she has not, she +will not be able to go through the necessary amount of physical <span class="pagenum"><a id="page99"></a>[p.99]</span> +exercise involved in the work. But it is not necessary that she shall be +perfectly sound in body. Many a woman enters the business because she +has a delicate constitution, and because she believes that the exercise +she will be obliged to take will do her good. And if her ailments are +not too serious, she is seldom disappointed in this respect.</p> + +<p>Second, she must have a great deal of what business men call "push," and +what some people might term impudence. She cannot afford to be nervous +about going into stores, offices, and houses, and offering what she has +for sale. Nor will it go well with her if she is bad-natured, and shows +temper when she is not greeted cordially by the master or mistress of +the house. She must have smiles and pleasant words for those who do not +buy as well as for those who do.</p> + +<p>Third, she must be a good judge of human nature, and on this one +commandment, probably, hangs all the law and the prophets of +book-canvassing. <span class="pagenum"><a id="page100"></a>[p.100]</span> For, if she has been a student of mankind she +will use great judgment in her vocation. She will call at the proper +time, at the proper place, upon the kind of people who will most likely +want to see her, or rather the book she has to offer. She will, by her +demeanor, win the respect of the men, the admiration of the women, and +the love of the children. It seems like saying a great deal too much, +but it is a fact, that there are some lady book-agents whose calls are +remembered as angels' visits, so agreeable were they in their manners, +so charming in conversation. It must be admitted, however, that there +are not many such women roaming up and down through the country.</p> + +<p>Last of all, she must have great perseverance, and work continuously. +Women get very easily discouraged, no matter what occupation they +pursue, if they do not very quickly see some substantial return for +their work. The idea that "hope springs eternal in the human breast," +was certainly never meant to apply to women; <span class="pagenum"><a id="page101"></a>[p.101]</span> nor, maybe, was +it meant to, seeing that it occurs in the "Essay on Man." The female +book-agent is very much depressed if she does not make good earnings at +the start. Her depression so affects her spirits that she cannot be as +industrious as she otherwise would, and so she does more and more poorly +until, finally, she gives up the business. Men agents do not, as a rule, +become discouraged so easy. They know that provided they have got a good +book, published by a good house, it is only a question of time when they +will be making good earnings. Women should go to work in the same +spirit.</p> + +<p>If poor success is apt to discourage a woman (and, in what I say now I +am only the mouthpiece of several publishers I have seen), a run of very +good luck is liable to demoralize her. It is said that some lady agents, +after making a considerable sum of money in a short space of time, will +at once stop work, and, retiring to their homes, will not think of +following the employment <span class="pagenum"><a id="page102"></a>[p.102]</span> until their means are exhausted. Of +course that is foolish. While they are spending their time in idleness +some new-comer has been assigned to the field they found so profitable. +When they return to work it is with a listless spirit, and it will be +quite a while before they can summon up that old-time energy, which +comes, in any vocation, from long and continuous performance.</p> + +<p>Women book-agents—and, in defence of this ungallant remark, I must +state again that "I say the tale as 'twas said to me"—women +book-agents are apt to waste a great deal of time in the spring and fall +in getting their wardrobes ready for the coming season. "Who ever knew +of a man," remarked a cynical publisher, "stopping work for two or three +weeks because he was going to have a suit of clothes made? No one. And +yet you will find a female book-agent stop canvassing in the busiest +season in order to superintend the making of her dresses." Of course, +all lady book-agents do <span class="pagenum"><a id="page103"></a>[p.103]</span> not adopt this practice, but it is +well to allude to the custom, because it is very unbusiness-like, and +furnishes a hint in the direction of how not to succeed.</p> + +<p>Two classes of women, publishers find, seek the employment of +book-canvassing. A great many young ladies enter the business—it might +be said skip into it—with all the gayety and with all the inexperience +of youth. These young persons are about eighteen or nineteen years of +age; they are buoyant of nature, full of hope, bursting with +self-confidence. They work a few days or weeks, then abandon the +business, tearfully proclaiming that it wasn't any thing like what they +thought it would be.</p> + +<p>The really successful female book-agent belongs to the second class. She +is of middle age, sometimes single, sometimes a widow, or, it may be, +she is married, and is bravely assisting a sick or unfortunate husband +in the support of the family. Such a woman enters the business with the +idea of making it her vocation. <span class="pagenum"><a id="page104"></a>[p.104]</span> If she is a single lady or a +widow, she is not on the look-out for a husband, when she should be +carefully watching for customers. Having passed the youthful stage of +life, she is apt to be a pretty good judge of human nature, and, at all +events, she will be quick to learn the ways and weaknesses of men when +she is thus forced to daily come in contact with them.</p> + +<p>The earnings of this latter class of women are sometimes very large. Of +course, the reader understands that book-agents almost invariably work +upon a commission.</p> + +<p>That commission varies. On some books it is only ten per cent.; on +others it is sixty per cent. The better the book the less the per centage +of profit; but, let it be remembered also, the better the book, the more +ease in obtaining subscribers. Some women make $50 a week for many weeks +running; some earn $30 a week the year round. One lady made enough money +in two years' canvassing to send her boy to college, and to purchase a +home. In fact, <span class="pagenum"><a id="page105"></a>[p.105]</span> the earnings of book-agents, even the best of +them, cannot even be approximately stated. It is sufficient to say that +a woman with the proper qualifications, who strictly attends to her +business, who is persevering, full of courage, and who works diligently, +is sure to succeed. No, there is one thing more needed—a good book.</p> + +<p>There are a great number of subscription books offered to agents every +year, but out of the whole lot very few of them are of real value. And +yet, it is not necessary that a book should be, intellectually speaking, +first-class, in order to meet with a sale. Some books issued by +subscription at the present time cost $20 and $30 apiece. There is a +cyclopedia for which the price is over $100. Such books as these, it has +been found, must be sold by male agents only. It has also been +discovered that women are most successful in the sale of books of a +religious or semi-religious character, issued at a reasonable price. The +reason <span class="pagenum"><a id="page106"></a>[p.106]</span> for this is apparent. They are brought in contact with +the female members of families, and in thus meeting members of their own +sex they are at no loss for interesting topics of conversation. For the +successful book-agent, it is needless to say, does not, the moment she +enters a house, present her wares and cry boldly "Buy"; she "leads up" +to the business in hand.</p> + +<p>In selecting a book a woman should go to a first-class publisher and +pick out a work which, according to her judgment (and without much +regard to what he may say, because he may very often be wrong), will +meet a popular household demand. Let her beware of all the small +catch-penny kind of publications; reproductions, from old and worn-out +stereotype plates, of books that no one, who really cares for books, +will be likely to buy. There are so many good subscription books coming +from the press in the present day that there is hardly any excuse for a +woman who will waste her <span class="pagenum"><a id="page107"></a>[p.107]</span> time in canvassing for poor ones. Of +course, the hasty books outnumber the books of real merit, but there are +enough of the latter to furnish employment to all the women who will be +likely to engage in this occupation.</p> + +<p>To give an example of the kind of publisher to be avoided, I may state +that in a large Eastern city there is a man who makes it his business, +at certain seasons of the year, to advertise for young lady agents. He +always wants "<i>young</i> ladies," and he always wants them to be without +experience. He publishes but one book, of which he is the putative +author. The young ladies receive their board and a trifle for spending +money at the end of every week, all living under one roof. Accounts are +settled only semi-annually. At the end of the first six months it is +very generally found that the young lady agent is in debt to her +publisher for board, and, at all events, whatever the statement of +affairs may reveal, she is told that her services are no longer +required, and a fresh and inexperienced <span class="pagenum"><a id="page108"></a>[p.108]</span> damsel is at once +secured to take her place.</p> + +<hr> + +<p>While writing on the subject of agents, it may be well to put down a +suggestion made to the author of this little book by a prominent +florist. He said that it was surprising to him that ladies were not +employed to solicit orders for trees, flowers, and seeds, etc. To his +knowledge, no women were engaged in this occupation, and yet it seemed +to be one for which they were especially fitted. Agents of this +character, it appears, carry with them large books containing highly +illuminated drawings of the trees or plants they are endeavoring to +sell. A lady could appeal with particular propriety to females who would +be likely to be purchasers. The competition in the nursery business has +been very great during the past few years, but the profits of agents are +said to be good. As this is a new field of female labor, it might be +worth while for a woman who has a fancy for such work to endeavor to +secure an agency.</p> + +<hr class="chap"> +<h2><span class="pagenum"><a id="page109"></a>[p.109]</span> DRESS-MAKING—MILLINERY.</h2> + +<p>From the modest appearance of the thousands of dwellings throughout the +country that bear the legend: "Fashionable Dress- and Cloak-making," no +one would suppose it was a very lucrative employment. Indeed, from the +dingy and broken-down aspect of some of the establishments referred to, +grave doubts might be entertained as to whether the inmates were able to +earn the most modest kind of a living. The fact is that the great +majority of dress-makers who set up in business for themselves are not +very successful, for the reason that, in most cases, they have a very +superficial knowledge of the trade, and cannot meet the demand for good +work.</p> + +<p>A really first-class dress-maker is always sure <span class="pagenum"><a id="page110"></a>[p.110]</span> of work, in +either city or country. In order to be first-class she must have served +an apprenticeship with, or learned the trade of, a woman who is actively +engaged in the business. A great many women think they can get a good +knowledge of dress-making by the use of charts and patterns. This is not +the fact. Undoubtedly charts and patterns are very useful for women who +cut and make their own dresses, and they are aids in cutting and fitting +generally; but so many changes have to be made, depending on the size +and style of the woman to be fitted, and so much judgment is required to +be used, that competent critics say that they are of no value to the +professional dress-maker. One lady remarked that if all women were +perfectly formed, charts and patterns would be a great help; but as the +modern Eves come very far short of physical perfection, not much help +could be got from them.</p> + +<p>Some authorities say that dress-making as a trade is not so good a +business in New York <span class="pagenum"><a id="page111"></a>[p.111]</span> as it was some ten years ago. The large +dress-makers who employ considerable help are obliged to select the best +locations in the city for their establishments, where the rent is very +high, and to furnish their places in a style very much more expensive +than in former years. As a consequence they do not pay as good wages as +they once did, on account of having to lay out money in these ways.</p> + +<p>Another change from the old methods is that the work of dress-making is, +at the present time, divided into various departments. One woman will +make the skirt, another will finish it, another will work on the +sleeves, another will work the button-holes, and the fitting and draping +are branches by themselves. The woman who would receive the highest +wages to be obtained in this industry should master the whole business, +and make herself competent to do all, or nearly all, the kinds of work +which have just been mentioned. If she does do that, she need have no +fear about obtaining employment. <span class="pagenum"><a id="page112"></a>[p.112]</span> There are thousands of +dress-makers in the country, but very few good ones. It is a trade of +which it may be emphatically said that there is "room at the top."</p> + +<p>The dress-making season lasts from October 1st to February 1st; then +there is very little to do until March 10th, when business becomes brisk +and remains so until about the 1st of August. The hours of work are from +8 <span class="smcap">A.M.</span> until 6 <span class="smcap">P.M.</span> In the busy season it is often necessary to work in +the evening. The pay ranges from $6 to $8 per week for ordinary hands, +while competent women receive $10, $12, and $14 a week. The forelady in +a dress-making establishment will receive $15 or $20 a week. It is her +duty to superintend the girls, to see that they arrive on time, to give +out the work, and to see that it is done promptly and properly.</p> + +<p>Some women who follow this calling prefer to go out to private families +and work by the day. For such service they receive $3 or $3.50 <span class="pagenum"><a id="page113"></a>[p.113]</span> +a day. In many respects this is a pleasant method, but it has its +disadvantages. A woman is not always sure of how much she will earn +unless, after years of work, she has secured the custom of a certain +number of families, on whose patronage she can depend. There is so much +responsibility and worriment attached to this way of working at the +trade that the majority of dress-makers prefer to hire themselves out by +the week, and feel sure of receiving each Saturday night a stated amount +for their services.</p> + +<p>The objection that applies to going out to private service is urged +against a woman going into the business on her own account. Besides, in +large cities it would require considerable capital to pursue such a +course. A dingy, insignificant little place could not hope to get much +custom, and to compete with the large establishments a woman would have +to be prepared to pay a high rent, lay out a large amount in furniture, +and then, probably, have to wait a <span class="pagenum"><a id="page114"></a>[p.114]</span> long time before she could +be the owner of a good paying business. Still, if she has plenty of +capital, thoroughly understands the trade, and is enterprising in her +methods of securing business, there is no reason why she should not +succeed, provided she has a good location.</p> + +<hr> + +<p>Only the rich and the utterly incompetent patronize the milliner +nowadays. It seems that women are very prompt to attend the "openings" +in the spring and fall seasons, but the great majority of them do so +only to see the styles. They go home and, unless they are very poor +hands with the needle, make their bonnets themselves. A hat that would +cost $5 in the store, a woman of taste could make for $1.50; and one +that would cost $15 she could duplicate for a five-dollar bill.</p> + +<p>An idea can thus be formed of the profits of the business, and the +suggestion will probably occur to the reader that it is a good business +to follow. If a woman could secure a good store, <span class="pagenum"><a id="page115"></a>[p.115]</span> at a +reasonable rent, in a nice neighborhood, she would have a fair chance of +doing well. Of course it is to be supposed that she understands the +milliner's trade, and that she has gained her knowledge in a practical +way. It is seldom, however, that women are successful as proprietors of +such stores. Either they have made a mistake in selecting a location, or +their means become exhausted while waiting for custom during the early +dull days of their venture. It would take at least $2,000 or $3,000 to +start a millinery store. A woman of unusually good taste and sound +business judgment might get along with $1,000. The best location in New +York City would be between Fourteenth and Thirty-third streets, and +Broadway and Sixth Avenue; or on Broadway or Sixth Avenue.</p> + +<hr class="chap"> +<h2><span class="pagenum"><a id="page116"></a>[p.116]</span> TEACHING.</h2> + +<p>The profession of teaching would seem, at a first glance, to be +overcrowded. School committees who are charged with the duty of +selecting tutors are, it is said, overwhelmed with applicants for the +positions that are to be filled. Young women are constantly striving to +get places in academies, and the host of females who are seeking +situations in the public schools of New York is, indeed, mighty. +Notwithstanding this discouraging view, a thoroughly qualified teacher +need seldom be without employment. The women who have had a solid +systematic training in the English branches, and who, in addition to +mere mental qualifications, have the knack, or genius, it might be +called, of reaching the minds of the young, are very few. <span class="pagenum"><a id="page117"></a>[p.117]</span> +There are plenty of superficially educated young women who "take up" +teaching as their profession. They are not thoroughly grounded in the +very rudiments of knowledge; they have no knowledge of, or sympathy +with, children; they go through their work in a purely mechanical +spirit; and they are utterly unfitted, in every way, for the profession +they have selected for themselves. The woman who makes teaching her +profession must have real ability, and feel herself thoroughly <i>adapted</i> +for the calling.</p> + +<p>No woman, unless she has great "influence," can hope to obtain a +position in the public schools of New York. The western part of our +country seems to be a good field for well-qualified teachers, who must, +however, be endowed with some courage.</p> + +<p>The country is a good place for a young lady to begin work. Positions +are more easily secured, and the qualifications required are not so +great as in the city.</p> + +<p>In the schools throughout the country the <span class="pagenum"><a id="page118"></a>[p.118]</span> salaries of female +teachers range from $300 to $1,200 a year. The smaller salary would be +given in a country school; the higher salaries would be paid in the +academies in the large towns, and in cities.</p> + +<hr> + +<p>Teaching young children by the Kindergarten method has become very +popular within the past few years, and there is quite a demand for the +establishment of Kindergarten schools. In New York young ladies can +learn this method of teaching in two schools; one a free school +connected with a society devoted to "ethical culture," and a private +school. The instruction given in the former is free, but the young women +are expected to devote part of the day to the free scholars. This is an +advantage, for it gives them a practical knowledge of the method. During +the week there are three theoretical lessons, each lasting about two +hours. So many are desirous of entering this institution, that it has +been found necessary to <span class="pagenum"><a id="page119"></a>[p.119]</span> have a competitive examination for the +admission of candidates. In the private school the price of tuition is +$200. In Boston there are twenty kindergartens, all carried on by a +lady. The salary of the teachers there is $600. In private families +teachers are paid from $400 to $600; there is a good demand for +instructors in that quarter. The price obtained from scholars taught in +a kindergarten school depends solely on how much they can afford to pay; +probably $50 for the school year of nine months would be the average +price.</p> + +<hr> + +<p>The educational market is overstocked with teachers of languages. There +are so many poor, broken-down foreigners in America who are perfectly +competent to teach their respective languages, that there is a very +small chance for home talent. A good teacher, in the city of New York, +will receive $1 an hour; but there are some who will teach as low as 25 +cents an hour, and there are others who, through their <span class="pagenum"><a id="page120"></a>[p.120]</span> good +address and social qualifications, will secure an entrance into +fashionable society, and receive as high as $5 an hour for doing no +better service than their poorer-paid sisters. In academies and schools +a lady teaching French and German will receive her board and from $300 +to $800 a year. She must have learned these languages abroad, and have +the real foreign accent, or she cannot obtain employment at these rates. +If she has obtained her knowledge in this country, the salary will be +from $300 to $500.</p> + +<hr> + +<p>Music is now so generally taught to children, that there is a good +chance for competent female teachers of the art to obtain scholars. +There is a wide range in the prices paid for tuition; some teachers +receive only 50 cents a lesson, and some as high as $8. Those who +receive the latter sum are women of very great ability, who train young +ladies to become public performers. The terms depend almost altogether +<span class="pagenum"><a id="page121"></a>[p.121]</span> on the wealth of the teacher's patrons; among people in +moderate circumstances she will receive moderate pay, while the rich +will very often give twice the amount for the same service. The ability +and reputation of the teacher will have much to do with her earnings.</p> + +<p>To become a thoroughly competent music teacher will take three or four +years' instruction. It is said that a good musical education can be +obtained as well on this as on the other side of the water. Many of the +foreign music teachers in this country are as good as can be obtained +abroad, and the European instructors, some critics say, do not give as +much time and attention to pupils as the American tutors.</p> + +<hr> + +<p>If a woman has a thorough knowledge of short-hand, she can do well, as a +teacher of the art, in almost any community. Many persons, even in +remote and small places, would learn phonography if the subject were +brought to their attention by an instructor. Clergymen, <span class="pagenum"><a id="page122"></a>[p.122]</span> +lawyers, doctors, many women of leisure, young women who would study +with a view to being amanuenses—all such people could be obtained as +pupils. The teacher could give from fifteen to thirty or forty lessons, +at a charge of from fifty cents to a dollar a lesson. A great many +learners of this art prefer to have a teacher's help, though phonography +can be mastered without such aid.</p> + +<hr> + +<p>Teachers of the art of decoration—the ornamentation of China screens, +plaques, panels, etc.—and drawing, receive from $400 to $2,000 a year. +A course of two or three years' study will fit a properly talented woman +to be an art teacher. There is a fair demand for such teachers in the +large schools and academies throughout the country.</p> + +<hr class="chap"> +<h2 class="bl"><span class="pagenum"><a id="page123"></a>[p.123]</span> BRIEF NOTES</h2> + +<blockquote>ON MARKET GARDENING, POULTRY-RAISING, BEE-KEEPING, HOUSE-KEEPERS, +CASHIERS, BUTTON-HOLE MAKING, FLORICULTURE, AUTHORSHIP, +TYPE-WRITING, AND WORKING IN BRASS.</blockquote> + +<p>It would be impossible, within the limits of this little book, to go +into the details of all the employments suitable for women; only the +most important and best paying kinds of work have been mentioned in +detail. Some brief notes are here given of various occupations in which +females are now engaged, and in which they are meeting with more or less +success.</p> + +<p><b>Market Gardening.</b>—Some women make money by raising vegetables for the +city markets. The produce is sometimes sent by rail, but, as a rule, it +is brought in by trucks. This industry is not, as many might suppose, +confined entirely to foreigners. There are thousands <span class="pagenum"><a id="page124"></a>[p.124]</span> of +American-born women throughout the country who are engaged in it, and +who are doing well. Mention is made of a woman who, starting with a +capital of $25, made a good living in this way, cultivating only an acre +of ground. Her husband plowed and prepared the ground, and in her part +of the work she had the assistance of the younger boys and the older +girls. During the past year she made more money than her husband did +from his farm. A woman could not expect to be successful in this +occupation unless she was unusually strong and healthy, and had the +taste for agricultural work very largely developed. Those who are born +and brought up in the country do the best.</p> + +<p>The raising of <b>poultry</b> for the large city markets is a lucrative +occupation, or rather it can be made so, after a time, if the +poultry-raiser gradually increases her stock of fowls. Even if she does +not care to do this she can be pretty sure of a fair living. About $300 +would be required <span class="pagenum"><a id="page125"></a>[p.125]</span> to start in this business—$100 for the +fowls, and the balance for the erection of appropriate buildings for the +animals.</p> + +<p><b>Bee-keeping.</b>—There is always a good market for honey, and those who +understand the art of raising bees can be sure of making a fair living. +Women can do just as well as men, and many ladies are very successful. +It would be necessary to start with not less than thirty swarms of bees, +at a cost of from $5 to $15 a swarm, or hive. If the business is +properly followed, it will increase in a very short time, as the +colonies multiply rapidly. There are excellent books showing how this +business can be carried on, but the theoretical knowledge gained from +them must be supplemented by practical knowledge gained from experience.</p> + +<p><b>House-keepers.</b>—The demand for house-keepers is very small; that is to +say, there is very little chance for a strange woman to obtain a +position of that kind. There are plenty of house-keepers, but when one +is wanted she is generally found <span class="pagenum"><a id="page126"></a>[p.126]</span> in the person of a poor +relation or struggling friend within the immediate social precinct of +the family who desire her services. Such positions, however, when they +can be obtained in the large cities, are looked upon as unusually good. +House-keepers are employed by widowers to take entire charge of a house +and look after the children, if there are any; by husbands with sick and +delicate wives; or by couples who are wealthy enough to engage such +service. They are paid from $30 to $100 per month, the salary depending +on the duties they are expected to perform, and the wealth of the +parties who employ them.</p> + +<p>A house-keeper in a large hotel occupies a responsible position. She +must possess that rare feminine virtue—the ability to "get along" with +servants. The occupation is very confining, and such workers can very +seldom get, at one time, many hours' recess from their work. Their wages +run from $20 to $60 a month and their board; the larger the hotel, the +more responsible the position and the greater the pay.</p> + +<p><span class="pagenum"><a id="page127"></a>[p.127]</span> <b>Cashiers in Hotels.</b>—It requires a great deal of "influence" to +get the position of cashier in a hotel; it is a situation that is very +much coveted. As the cashier is employed in the restaurant, it is only +in hotels that are conducted on "the European plan" where such services +are required. In such hotels the guests pay so much for their room, and +get their meals where they please, paying at the time for what they get. +As a rule, they patronize the restaurant connected with the hotel. The +cashier has to work long hours. For instance: one day she will be on +duty from 8 <span class="smcap">A.M.</span> until 8 <span class="smcap">P.M.</span> The next day from 7 <span class="smcap">A.M.</span> until 10 <span class="smcap">A.M.</span>; +then a recess until 5 <span class="smcap">P.M.</span>, then on duty until 12, midnight. She +receives her board and a salary of from $12 to $25 a month. The board is +always good. In the best hotels the cashier is allowed to order what she +pleases from the regular bill of fare; other hotels have a special bill +for the "officers" (as the better class of help are called), and from +this the selection of food has to be made.</p> + +<p><span class="pagenum"><a id="page128"></a>[p.128]</span> <b>Button-holes.</b>—Ladies do not need to be told that the +button-holes in fine dresses are made by hand. This kind of work has +become a separate business, although there are some seamstresses who +combine the making of button-holes with their regular sewing. +Dress-makers who employ twenty-five or thirty needlewomen usually keep +one button-hole maker, paying her from $9 to $12 a week; very few pay +the latter price. Some women who work at this trade prefer to be paid by +the piece. In this case they are paid at the rate of two cents and a +half per button-hole. A good worker can make fifty button-holes in a +day, and earn $1.25. It would be a very smart woman who could make +eighty, and earn $2 a day. One trouble about working by the piece is +that the woman very often has to wait until the work is got ready for +her. As she is obliged to attend on several customers during the day she +often suffers from this loss of time, sometimes losing a customer +through the failure <span class="pagenum"><a id="page129"></a>[p.129]</span> to keep an appointment, or being obliged +to do a part of her work at night.</p> + +<p>The button-holes in white vests are done by hand. The pay is one cent a +button-hole, and a woman can make $1 or $1.25 a day. The work is always +done during the winter months, there is plenty of it to do, and never +any time lost in waiting.</p> + +<p><b>Florists.</b>—There are eight or ten ladies in New York and Brooklyn who +have charge of floral establishments. Most of them assist their +husbands; some are widows who have inherited the business. There is one +lady in Brooklyn who has built up a good business solely through her own +efforts. This is a very good occupation for women who love flowers, who +have good taste, an eye for color and the necessary executive ability to +carry on a business by themselves. Most of the florists in New York and +Brooklyn get their plants and flowers at wholesale from nurseries on the +outskirts, purchasing such stock as they may require from <span class="pagenum"><a id="page130"></a>[p.130]</span> time +to time. Land is so valuable in the city that florists have long since +been compelled to give up the cultivation of flowers; besides, the +streets in the central and business parts are so built up, both in New +York and Brooklyn, that the ground cannot be obtained at any price. Now, +they have small stores where they make a display of "samples" of the +different varieties of flowers.</p> + +<p>The work is hard at times, the florist being obliged to remain up the +best part of the night to fill an order, given at the last moment, for +funeral or wedding pieces. The decorating of churches, halls, etc., is +tiresome work, especially where palms are used, and where it is +necessary to climb up and down ladders. The keeping of plants in pots in +the store requires a good deal of labor. Many women call and want to see +what the florist has got. She has to raise up the pots of plants many +times a day, and this is very tiresome to the wrists.</p> + +<p>The amount of capital required to start the <span class="pagenum"><a id="page131"></a>[p.131]</span> florist's business +is nothing like as much as it was before the large nurseries supplied +the florists with what they wanted at wholesale rates. The sum would +probably range from $200 to $1000, depending on the location, the style +in which the store was fitted up, and the amount of rent that had to be +paid. The profits are good, but vary, depending on the class of custom +the florist obtains; twenty-five per cent. is considered a fair profit.</p> + +<p>The lady florist would not, probably, care to devote much time to potted +plants. She could keep a few of the more common varieties, which would +be sufficient. Most of her business—and the best paying part of her +business—would consist in making bouquets, and selling cut flowers. +That is more profitable and pleasant than the selling and propagation of +plants, and would require much less manual labor. Florists keep informed +about their occupation by carefully reading the catalogues issued by the +various large wholesale dealers, in this country, and in <span class="pagenum"><a id="page132"></a>[p.132]</span> +Europe, and the interesting and valuable books on Floriculture that are +issued from time to time.</p> + +<p>To establish a regular greenhouse, and raise plants and flowers for both +the wholesale and retail trade, would require at least $5,000. A woman +to carry on the business in that way would have to be possessed of a +great deal of executive ability, give her whole personal attention to +the work, and be able to manage a considerable number of men.</p> + +<p>The business is better in the smaller cities than in either New York or +Brooklyn. In Schenectady, it may be mentioned by way of illustration +that, six years ago, there were no florists; now there are three.</p> + +<p><b>Authorship.</b>—Authorship has now become, very largely, a matter-of-fact +business conducted on business principles. If any woman has any thing to +say that is worth listening to she will have no trouble in securing a +publisher to reproduce her thoughts in book form. The idea <span class="pagenum"><a id="page133"></a>[p.133]</span> +that publishers strive to crush budding genius has long since been +exploded. If they were guilty of doing that very often their occupation +would be gone.</p> + +<p>The woman who has a manuscript to offer for publication should first see +that it is written plainly on one side of the paper. Then she should +select a publisher who issues books of the same general character as the +one she has written. Some publishers make a specialty of light summer +novels, some of society stories, some of scientific books, and so on. +The manuscript is read by a "reader," who passes judgment upon it. If +his opinion is favorable the publisher reads the manuscript and decides +whether he will undertake to publish it.</p> + +<p>The book may be bought for a certain sum outright. Or, a certain amount +may be paid on publication, and an additional sum after the book has +attained a stated circulation; or, a royalty of ten per cent. on what +will be the retail price of the book may be given; or, the <span class="pagenum"><a id="page134"></a>[p.134]</span> +author may pay for the cost of manufacturing the book, owning the +copyright, the plates, and the books printed, and paying the publisher +ten per cent. for taking charge of the publication and sale of the book.</p> + +<p>Contributions for the daily and the weekly literary papers are paid for +at the rate of from $6 to $10 per one thousand words. Many young women +are ambitious to write for the story papers. There is but little chance +of success in this direction. Nearly all of the story papers have a +regular corps of contributors, who often write under several different +names, and who are paid a salary, or so much for each "instalment" of a +continued story. A publisher, however, will always buy a "sensational" +continued story if it is very good, and the fact that the author is +unknown will not count against its acceptance. A continued story should +contain not less than eight, nor more than thirteen, instalments of +about four thousand words each. The pay for such a contribution would be +from <span class="pagenum"><a id="page135"></a>[p.135]</span> $10 to $20 an instalment. There is a greater demand for +short stories for the story papers, stories containing from two to four +thousand words. The price paid for such tales would be $5 or $10.<a name="FNanchor_A_1" id="FNanchor_A_1"></a><a href="#Footnote_A_1" class="fnanchor">[A]</a></p> + +<p><b>Type-writing.</b>—Young women in the large cities do well working on the +type-writer. A girl with a good common-school education, who is +naturally bright, and quick with her fingers, can learn in four months' +time to work on the type-writer. In eight months she ought to be an +expert at the business. Some pupils might be required to practise a +year, or a year and a half, before they were thoroughly competent. Forty +words a minute is considered a good average rate of speed. Salaries of +lady type-writers in law, newspaper, and mercantile offices range from +$10 to $20 a week. A woman would have to be a very expert type-writer, +or <span class="pagenum"><a id="page136"></a>[p.136]</span> have joined with the knowledge of type-writing some +knowledge of short-hand, to earn $20 a week. In railroad offices +type-writers are paid $60 a month. Type-writing offices, where +type-writing is done for the public by the job, and where this kind of +help is employed, pay $10 and $12 a week.</p> + +<p>Some women open offices and depend on job work. They receive five cents +a folio (one hundred words) for furnishing one copy of a manuscript, +eight cents a folio for two, and ten cents a folio for three copies. +Some charge ten cents per page (three hundred words) for furnishing one +copy, twelve cents for furnishing two copies, and fifteen cents for +furnishing three copies. Several copies of a page can be taken at one +time on the type-writer. This is an excellent industry for women. No +special talent is required, except that a woman should be a good speller +and have a fair knowledge of the rules of punctuation. A new telegraph +company that has just been started is, it is said, <span class="pagenum"><a id="page137"></a>[p.137]</span> going to +employ lady type-writers in many of its offices to take down the +messages as they are received by the operators. This of itself will +create a great demand for lady type-writers.</p> + +<p><b>Wood-Engraving.</b>—It requires four or five years' study for a woman to +become competent in wood-engraving. After three years of hard work she +may hope to do some ordinary engraving for which she will receive +compensation. In the Cooper Institute (New York), where the art is +taught to women, the course of instruction covers four years. The pupils +work every day from 9 <span class="smcap">A.M.</span> to 5 <span class="smcap">P.M.</span> the year round, obtaining +theoretical instruction from a teacher twice a week.</p> + +<p>For engraving a block a trifle larger than this page a woman will +receive $50. It will take her from three to five weeks to do the work, +depending on the amount of experience she has had in the business. Some +women occupy themselves on "catalogue work," <i>i. e.</i>, engraving the +illustrations for mercantile books and <span class="pagenum"><a id="page138"></a>[p.138]</span> agricultural +catalogues. At this branch of work they can make from $20 to $25 a week. +There are very few female wood-engravers at present. To women who have +the necessary talent, and who can afford to give the requisite amount of +time to the study of the art, wood-engraving will furnish a sure means +of making a living.</p> + +<p><b>Working in Brass.</b>—This is a new occupation for women that is being +taught in one of the technical schools in New York. A few women are +successfully doing some work in the business and receiving fair pay. A +lady who has a good knowledge of drawing can, it is said, after a course +of twelve lessons do marketable work. Pupils who are able to make +original designs do the best. A course of twelve lessons in the school +alluded to costs $10. The work is by the piece, and is paid for +according to the style of the pattern. For small leaves the pay is from +60 to 70 cents each; leaves six inches in length $1 each; a panel 10 × 6 +inches, $4 to $5, according to pattern. Tiles are popular and <span class="pagenum"><a id="page139"></a>[p.139]</span> +well paid for. The work is very well suited for a woman, and her +earnings ought to run from $10 to $25 a week, depending altogether on +her talent. After taking lessons and learning the theoretical part of +the business it would be well for a woman to go, for a short time, into +some establishment where brass-work is done. There she would probably +get some practical hints that would be of great service.</p> + +<p class="center ftsize115">THE END.</p> + +<hr class="sep1"> +<span class="pagenum1"><a id="pagea"></a>[p.a]</span> <h3>Putnam's Handy-Book Series</h3> +<p class="center ftsize80">OF</p> +<p class="center ftweight600">BOOKS FOR THE HOUSEHOLD.</p> + +<hr> + +<div class="centered"> +<table border="0" width="90%" cellpadding="0" cellspacing="0" summary="ad1"> + +<tr> +<td class="td-left"><span style="white-space: nowrap;">I.—</span></td> +<td class="td-left"><p class="zeroindent"><b>The Best Reading.</b> A Classified Bibliography for easy Reference, +with hints on the selection of books, on the formation of +libraries, public and private, on courses of reading, etc.; a guide +for the librarian, bookbuyer, and bookseller. The classified lists, +arranged under about 500 subject-headings, include all the most +desirable books now to be obtained either in Great Britain or the +United States, with the published prices annexed. New edition, +corrected, enlarged, and continued to August, <span class="spaced1">1876. 12mo,</span> paper, +$1.00; cloth</p></td> +<td class="td-right" style="vertical-align: bottom">$1 50</td> +</tr> +</table></div> + +<p class="ftsize85 martop08">"We know of no manual that can take its place as a guide to the selector +of a library."—<i>Independent.</i></p> + +<div class="centered"> +<table border="0" width="100%" cellpadding="0" cellspacing="0" summary="ad2"> +<tr> +<td align="left"><b>The Library Companion.</b> Annual Supplement to "The Best Reading." +Five volumes, for 1877, 1878, 1879, 1880, and 1881, each</td> +<td class="td-right" style="vertical-align: bottom">50</td> +</tr> +</table></div> + +<div class="centered"> +<table border="0" width="100%" cellpadding="0" cellspacing="0" summary="ad3"> +<tr> +<td class="td-left"><span style="white-space: nowrap;">II.—</span></td> +<td class="td-left"><p class="zeroindent"><b>Hand-Book of Statistics of the United States.</b> A Record of the +Administrations and Events from the Organization of the United +States Government to 1874. Comprising brief biographical data of +the presidents, cabinet officers, the signers of the Declaration of +Independence, and members of the Continental Congress, statements +of finances under each administration, and other valuable <span class="spaced1">material. +12mo,</span> cloth</p></td> +<td class="td-right" style="vertical-align: bottom">$1 00</td> +</tr> +</table></div> + +<p class="ftsize85 martop08">"The book is of so comprehensive a character and so compact a form that +it is especially valuable to the journalist or student."—<i>N. Y. World.</i></p> + +<div class="centered"> +<table border="0" width="100%" cellpadding="0" cellspacing="0" summary="ad4"> +<tr> +<td class="td-left" width="4%"><span style="white-space: nowrap;">III.—</span></td> +<td class="td-left"><p class="zeroindent"><b>What to Eat.</b> A Manual for the Housekeeper; giving a bill of +fare for every day in the <span class="spaced1">year. 134</span> pages, boards</p></td> +<td class="td-right">50</td> +</tr></table></div> + +<p class="ftsize85 martop08">"It can hardly fail to prove a valuable aid to housekeepers who are +brought to their wits' end to know what to get for the day's +meals."—<i>San Francisco Bulletin.</i></p> + +<div class="centered"> +<table border="0" width="100%" cellpadding="0" cellspacing="0" summary="ad5"> +<tr> +<td class="td-left"><span style="white-space: nowrap;">IV.—</span></td> +<td class="td-left"><p class="zeroindent"><b>Till the Doctor Comes, and How to Help Him.</b> By <span class="smcap">George H. Hope</span>, +M.D. Revised with additions by a New York physician. ⁂ A popular +guide in all cases of accident and sudden <span class="spaced1">illness. 12mo</span>, 99 pages, +boards</p></td> +<td class="td-right" style="vertical-align: bottom">50</td> +</tr> +</table></div> + +<p class="ftsize85 martop08">"A most admirable treatise; short, concise, and practical."—<i>Harper's +Monthly</i> (Editorial).</p> + +<div class="centered"> +<table border="0" width="100%" cellpadding="0" cellspacing="0" summary="ad6"> +<tr> +<td class="td-left"><span style="white-space: nowrap;">V.—</span></td> +<td class="td-left"><p class="zeroindent"><b>Stimulants and Narcotics</b>; <span class="smcap">Medically, Philosophically, and +Morally Considered.</span> By <span class="smcap">George M. Beard</span>, M.<span class="spaced1">D. 12mo</span>, 155 pages, cloth</p></td> +<td class="td-right" style="vertical-align: bottom">75</td> +</tr> +</table></div> + +<p class="ftsize85 martop08">"Dr. Beard has given the question of stimulants the first fair +discussion in moderate compass that it has received in this country. +<span class="spaced1">* * *</span> The book should be widely read."—<i>N. Y. Independent.</i></p> + +<hr class="sep2"> + +<p class="ftsize110 marbot2"><span class="smcap ralign1">G. P. Putnam's Sons,</span> <span class="smcap ralign2">New York and London.</span></p> +<p> </p> + +<hr class="sep1"> + +<span class="pagenum1"><a id="pageb"></a>[p.b]</span><p class="center ftsize110 martop2"><i>Putnam's Handy-Book Series</i></p> + +<hr class="sep2"> + +<div class="centered"> +<table border="0" width="100%" cellpadding="0" cellspacing="0" summary="ad6"> +<tr> +<td class="td-left"><span style="white-space: nowrap;">VI.—</span></td> +<td class="td-left"><p class="zeroindent"><b>Eating and Drinking.</b> A Popular Manual of Food and Diet +in Health and Disease. By <span class="smcap">George M. Beard</span>, M.<span class="spaced1">D. 12mo</span>, 180 pages, +cloth</p></td> +<td class="td-right" style="vertical-align: bottom">75</td></tr> +</table></div> + +<p class="ftsize85 martop08">"The best manual upon the subject we have seen."—<i>N. Y. World.</i></p> + +<div class="centered"> +<table border="0" width="100%" cellpadding="0" cellspacing="0" summary="ad6"> +<tr> +<td class="td-left"><span style="white-space: nowrap;">VII.—</span></td> +<td class="td-left"><p class="zeroindent"><b>The Student's Own Speaker.</b> By <span class="smcap">Paul Reeves</span>. A Manual of +Oratory, comprising new selections, patriotic, pathetic, grave, and +humorous, for home use and for <span class="spaced1">schools. 12mo</span>, 215 pages, boards</p></td> +<td class="td-right" style="vertical-align: bottom">75</td> +</tr> +</table></div> + +<p class="ftsize85 martop08">"We have never before seen a collection so admirably adapted for its +purpose."—<i>Cincinnati Chronicle.</i></p> + +<div class="centered"> +<table border="0" width="100%" cellpadding="0" cellspacing="0" summary="ad7"> +<tr> +<td class="td-left"><span style="white-space: nowrap;">VIII.—</span></td> +<td class="td-left"><p class="zeroindent"><b>How to Educate Yourself.</b> A Complete Guide to Students; +showing how to study, what to study, and how and what to read. It +is, in short, a "Pocket School-master." By <span class="smcap">George Cary Eggleston</span><span class="spaced1">. +12mo</span>, 151 pages, boards</p></td> +<td class="td-right" style="vertical-align: bottom">50</td> +</tr> +</table></div> + +<p class="ftsize85 martop08">"We write with unqualified enthusiasm about this book, which is +untellably good and for good."—<i>N. Y. Evening Mail.</i></p> + +<div class="centered"> +<table border="0" width="100%" cellpadding="0" cellspacing="0" summary="ad7"> +<tr> +<td class="td-left"><span style="white-space: nowrap;">IX.—</span></td> +<td class="td-left"><p class="zeroindent"><b>A Manual of Etiquette.</b> With Hints on Politeness, +Good-Breeding, etc. By "<span class="smcap">Daisy Eyebright</span>.<span class="spaced1">" 12mo</span>, boards</p></td> +<td class="td-right" style="vertical-align: bottom">50</td> +</tr> +</table></div> + +<p class="ftsize85 martop08">"The suggestions and directions are given with taste and judgment, and +express the habits of good society."—<i>Louisville Courier-Journal.</i></p> + +<div class="centered"> +<table border="0" width="100%" cellpadding="0" cellspacing="0" summary="ad7"> +<tr> +<td class="td-left"><span style="white-space: nowrap;">X.—</span></td> +<td class="td-left"><p class="zeroindent"><b>The Mother's Register.</b> Current Notes on the Health of Children, +Part I., Boys. Part II., Girls. "The Mother records for the +Physician to interpret." From the French of Prof. <span class="smcap">J. B. +Fonssagrives</span>, M.<span class="spaced1">D. 12mo</span>, cloth</p></td> +<td class="td-right" style="vertical-align: bottom">75</td> +</tr> +</table></div> + +<div class="centered"> +<table border="0" width="100%" cellpadding="0" cellspacing="0" summary="ad7"> +<tr> +<td class="td-left" width="4%"><span style="white-space: nowrap;">XI.—</span></td> +<td class="td-left"><p class="zeroindent"><b>Hints on Dress.</b> By an American <span class="spaced1">woman. 12mo</span>, 124 pages, cloth</p></td> +<td class="td-right" style="vertical-align: bottom">75</td> +</tr> +</table></div> + +<div class="centered"> +<table border="0" width="100%" cellpadding="0" cellspacing="0" summary="ad7"> +<tr> +<td class="td-left"><span style="white-space: nowrap;">XII.—</span></td> +<td class="td-left"><p class="zeroindent"><b>The Home</b>: <span class="smcap">Where it Should be and What to Put in it</span>. +Containing hints for the selection of a Home, its furniture and +internal arrangements, with carefully prepared price-lists of +nearly every thing needed by a housekeeper, and numerous valuable +suggestions for saving money and gaining comfort. By <span class="smcap">Frank R. +Stockton</span><span class="spaced1">. 12mo</span>, 182 pages, boards</p></td> +<td class="td-right" style="vertical-align: bottom">50</td> +</tr> +</table></div> + +<p class="ftsize85 martop08">"Young housekeepers will be especially benefited, and all housekeepers +may learn much from this book."—<i>Albany Journal.</i></p> + +<div class="centered"> +<table border="0" width="100%" cellpadding="0" cellspacing="0" summary="ad7"> +<tr> +<td class="td-left"><span style="white-space: nowrap;">XIII.—</span></td> +<td class="td-left"><p class="zeroindent"><b>The Mother's Work with Sick Children.</b> By Prof. <span class="smcap">J. B. +Fonssagrives</span>, M.D. Translated and edited by <span class="smcap">F. P. Foster</span>, M.D. A +volume full of the most practical advice and suggestions for +Mothers and <span class="spaced1">Nurses. 12mo</span>, 244 pages, cloth</p></td> +<td class="td-right" style="vertical-align: bottom">1 00</td> +</tr></table></div> + +<p class="ftsize85 martop08">"A volume which should be in the hands of every mother in the +land."—<i>Binghamton Herald.</i></p> + +<div class="centered"> +<table border="0" width="100%" cellpadding="0" cellspacing="0" summary="ad7"> +<tr> +<td class="td-left"><span style="white-space: nowrap;">XIV.—</span></td> +<td class="td-left"><p class="zeroindent"><b>Manual of Thermometry.</b> For Mothers, Nurses, Hospitals, etc., +and all who have charge of the sick and the young. By <span class="smcap">EDWARD +Seguin</span>, M.<span class="spaced1">D. 12mo</span>, cloth</p></td> +<td class="td-right" style="vertical-align: bottom">75</td> +</tr> +</table></div> + +<hr class="sep2"> + +<p class="ftsize110 marbot2"><span class="smcap ralign1">G. P. Putnam's Sons,</span> <span class="smcap ralign2">New York and London.</span></p> +<p> </p> + +<hr class="sep1"> + +<span class="pagenum1"><a id="pagec"></a>[p.c]</span><p class="center ftsize110 martop2"><i>Putnam's Handy-Book Series</i></p> + +<hr class="sep2"> + +<div class="centered"> +<table border="0" width="100%" cellpadding="0" cellspacing="0" summary="ad7"> +<tr> +<td class="td-left"><span style="white-space: nowrap;">XV.—</span></td> +<td class="td-left"><p class="zeroindent"><b>Infant Diet.</b> By <span class="smcap">A. Jacobi</span>, M.D., Clinical Professor of +Diseases of Children, College of Physicians and Surgeons, New York. +Revised, enlarged, and adapted to popular use by <span class="smcap">Mary Putnam +Jacobi</span>, M.<span class="spaced1">D. 12mo</span>, boards</p></td> +<td class="td-right" style="vertical-align: bottom">50</td> +</tr> +</table></div> + +<p class="ftsize85 martop08">"Dr. Jacobi's rules are admirable in their simplicity and +comprehensiveness."—<i>N. Y. Tribune.</i></p> + +<div class="centered"> +<table border="0" width="100%" cellpadding="0" cellspacing="0" summary="ad7"> +<tr> +<td class="td-left" width="5%"><span style="white-space: nowrap;">XVI.—</span></td> +<td class="td-left"><p class="zeroindent"><b>How to Make a Living.</b> By <span class="smcap">George Cary Eggleston</span>, author of +"How to Educate <span class="spaced1">Yourself." 12mo</span>, boards</p></td> +<td class="td-right" style="vertical-align: bottom">50</td> +</tr> +</table></div> + +<p class="ftsize85 martop08">"Shrewd, sound, and entertaining."—<i>N. Y. Tribune.</i></p> + +<div class="centered"> +<table border="0" width="100%" cellpadding="0" cellspacing="0" summary="ad7"> +<tr> +<td class="td-left" width="5%"><span style="white-space: nowrap;">XVII.—</span></td> +<td class="td-left"><p class="zeroindent"><b>Manual of Nursing.</b> Prepared under the instructions of the +New York Training School for Nurses, by <span class="smcap">Victoria White</span>, M.D., and +revised by <span class="smcap">Mary Putnam Jacobi</span>, M.<span class="spaced1">D. Boards</span></p></td> +<td class="td-right" style="vertical-align: bottom">75</td> +</tr> +</table></div> + +<p class="ftsize85 martop08">"Better adapted to render the nurse a faithful and efficient coöperator +with the physician than any work we have seen."—<i>Home Journal.</i></p> + +<div class="centered"> +<table border="0" width="100%" cellpadding="0" cellspacing="0" summary="ad7"> +<tr> +<td class="td-left" width="5%"><span style="white-space: nowrap;">XVIII.—</span></td> +<td class="td-left"><p class="zeroindent"><b>The Blessed Bees.</b> An account of practical Bee-keeping, and +the author's success in the same. By <span class="smcap">John Allen</span><span class="spaced1">. Boards</span></p></td> +<td class="td-right" style="vertical-align: bottom">75</td> +</tr> +</table></div> + +<p class="ftsize85 martop08">"I scarcely looked up from the volume before I had scanned all its +fascinating pages."—Prof. <span class="smcap">A. T. Cook</span>, in <i>American Bee Journal</i>, 1878, +p. 422.</p> + +<div class="centered"> +<table border="0" width="100%" cellpadding="0" cellspacing="0" summary="ad7"> +<tr> +<td class="td-left" width="5%"><span style="white-space: nowrap;">XIX.—</span></td> +<td class="td-left"><p class="zeroindent"><b>The Handy-Book of Quotations.</b> A Dictionary of Common Poetical +Quotations in the English <span class="spaced1">Language. 16mo</span>, boards</p></td> +<td class="td-right" style="vertical-align: bottom">75</td> +</tr> +</table></div> + +<p class="ftsize85 martop08">"Compact and comprehensive. <span class="spaced1">* * *</span> An invaluable little +volume."—<i>Providence Journal.</i></p> + +<div class="centered"> +<table border="0" width="100%" cellpadding="0" cellspacing="0" summary="ad7"> +<tr> +<td class="td-left" width="5%"><span style="white-space: nowrap;">XX.—</span></td> +<td class="td-left"><p class="zeroindent"><b>From Attic to Cellar.</b> A Book for Young Housekeepers. By Mrs. +<span class="smcap">Oakey</span><span class="spaced1">. 16mo,</span> cloth</p></td> +<td class="td-right" style="vertical-align: bottom">75</td> +</tr> +</table></div> + +<p class="ftsize85 martop08">"An admirable collection of directions and counsels, written by a lady +of large experience, in a style of perfect simplicity and great force. +<span class="spaced1">* * *</span> I wish it were in the hands of every housekeeper and every +domestic in the land."—<span class="smcap">H. W. Bellows</span>, D.D.</p> + +<div class="centered"> +<table border="0" width="100%" cellpadding="0" cellspacing="0" summary="ad7"> +<tr> +<td class="td-left"><span style="white-space: nowrap;">XXI.—</span></td> +<td class="td-left"><p class="zeroindent"><b>Emergencies, and How to Meet Them.</b> Compiled by <span class="smcap">Burt G. +Wilder</span>, M.D., Prof. of Physiology and Comparative Anatomy in +Cornell <span class="spaced1">University. 16mo</span>, sewed</p></td> +<td class="td-right" style="vertical-align: bottom">15</td> +</tr> +</table></div> + +<p class="ftsize85 martop08">"Invaluable instructions, prompt attention to which would often save +life or serious disaster."—<i>Providence Journal.</i></p> + +<div class="centered"> +<table border="0" width="100%" cellpadding="0" cellspacing="0" summary="ad7"> +<tr> +<td class="td-left" width="5%"><span style="white-space: nowrap;">XXII.—</span></td> +<td class="td-left"><p class="zeroindent"><b>The Maintenance of Health.</b> By <span class="smcap">J. Milner Fothergill</span>, M.D. +Third and cheaper <span class="spaced1">edition. Octavo</span>, boards</p></td> +<td class="td-right" style="vertical-align: bottom">1 25</td> +</tr> +</table></div> + +<p class="ftsize85 martop08">"The most important book of its kind that has ever been published in +this country."—<i>Christian Union.</i></p> + +<div class="centered"> +<table border="0" width="100%" cellpadding="0" cellspacing="0" summary="ad7"> +<tr> +<td class="td-left"><span style="white-space: nowrap;">XXIII.—</span></td> +<td class="td-left"><p class="zeroindent"><b>The Art of Cooking.</b> A series of practical lessons by +<span class="smcap">Matilda Lees Dods</span>, of the South Kensington School of Cookery. +Edited by <span class="smcap">Henrietta De Conde Sherman</span><span class="spaced1">. 16mo</span>, cloth extra</p></td> +<td class="td-right" style="vertical-align: bottom">1 00</td> +</tr> +</table></div> + +<p class="ftsize85 martop08">"The thoroughness of her preparation for the work which this experience +has afforded is seen in the marked success of the experimental lessons +that she is now giving. They are so clear and methodical, her +manipulation is so deft and easy, and the dishes produced are so +excellent, as to win the praise of all who hear her."—<i>N. Y. Times.</i></p> + +<hr class="sep2"> + +<p class="ftsize110 marbot2"><span class="smcap ralign1">G. P. Putnam's Sons,</span> <span class="smcap ralign2">New York and London.</span></p> +<p> </p> + +<hr class="sep1"> + +<span class="pagenum1"><a id="paged"></a>[p.d]</span><p class="center ftsize110 martop2"><i>Putnam's Handy-Book Series</i></p> + +<hr class="sep2"> + +<div class="centered"> +<table border="0" width="100%" cellpadding="0" cellspacing="0" summary="ad7"> +<tr> +<td class="td-left"><span style="white-space: nowrap;">XXIV.—</span></td> +<td class="td-left"><p class="zeroindent"><b>Hints for Home Reading.</b> A series of papers by <span class="smcap">Edward +Everett Hale</span>, <span class="smcap">F. B. Perkins</span>, <span class="smcap">H. W. Beecher</span>, <span class="smcap">Charles Dudley Warner</span>, +<span class="smcap">Joseph Cook</span>, <span class="smcap">Lyman Abbott</span>, <span class="smcap">M. J. Sweetser</span>, <span class="smcap">Cyrus Hamlin</span>, <span class="smcap">H. W. +Mabie</span>, and others. Edited by <span class="smcap">Lyman Abbott</span>. Together with a new +edition of "Suggestions for Libraries," with first, second, and +third lists of 500, 1,000, and 2,000 volumes recommended as the +most important and <span class="spaced1">desirable. 8vo</span>, cloth, $1 00; boards</p></td> +<td class="td-right" style="vertical-align: bottom">75</td> +</tr> +</table></div> + +<p class="ftsize85 martop08">"We warmly commend the book for the guidance not only of bookbuyers but +readers. Its suggestions are invaluable to both."—<i>Boston Transcript.</i></p> + +<div class="centered"> +<table border="0" width="100%" cellpadding="0" cellspacing="0" summary="ad7"> +<tr> +<td class="td-left"><span style="white-space: nowrap;">XXV.—</span></td> +<td class="td-left"><p class="zeroindent"><b>First Aid to the Injured.</b> Prepared under the authority of the +First Aid to the Injured Society. By <span class="smcap">Peter Shepherd</span>, M.D., and +<span class="smcap">Bowditch Morton</span>, M.<span class="spaced1">D. Square</span> 16mo, cloth extra</p></td> +<td class="td-right" style="vertical-align: bottom">50</td> +</tr> +</table></div> + +<p class="ftsize85 martop08">"It is a book which ought to have a place in every family, and its +simple rules should be carefully studied and mastered by every +one."—<i>Providence Press.</i></p> + +<div class="centered"> +<table border="0" width="100%" cellpadding="0" cellspacing="0" summary="ad7"> +<tr> +<td class="td-left"><span style="white-space: nowrap;">XXVI.—</span></td> +<td class="td-left"><p class="zeroindent"><b>How to Succeed</b>, in Public Life, as a Minister, as a +Physician, as a Musician, as an Engineer, as an Artist, in +Mercantile Life, as a Farmer, as an Inventor, and in Literature. A +series of essays by Senators <span class="smcap">Bayard</span> and <span class="smcap">Edmunds</span>; Doctors <span class="smcap">John Hall</span>, +<span class="smcap">Willard Parker</span>, and <span class="smcap">Leopold Damrosch</span>; Gen. <span class="smcap">Sooy Smith</span>, <span class="smcap">Hamilton +Gibson</span>, Commissioner <span class="smcap">Geo. B. Loring</span>, <span class="smcap">Lawson Valentine</span>, <span class="smcap">Thomas +Edison</span>, and <span class="smcap">E. P. Roe</span>. With an Introduction by <span class="smcap">Lyman Abbott</span><span class="spaced1">. 16mo</span>, +boards</p></td> +<td class="td-right" style="vertical-align: bottom">50</td> +</tr></table></div> + +<p class="ftsize85 martop08">"No book, we fancy, could more directly appeal to the mass of Americans +than one with this title. <span class="spaced1">* * *</span> Will find solid help in these remarkable +little essays that deal with great expectations."—<i>N. Y. Herald.</i></p> + +<div class="centered"> +<table border="0" width="100%" cellpadding="0" cellspacing="0" summary="ad7"> +<tr> +<td class="td-left"><span style="white-space: nowrap;">XXVII.—</span></td> +<td class="td-left"><p class="zeroindent"><b>Work for Women.</b> Being hints to aid women in the selection +of a vocation in life, and describing the several occupations of +Short-Hand Writing, Industrial Designing, Photographing, Nursing, +Telegraphing, Teaching, Dress-Making, Proof-Reading, Engraving, +etc., etc., etc. By George J. <span class="spaced1">Manson. 16mo</span>, boards</p></td> +<td class="td-right" style="vertical-align: bottom">60</td> +</tr> +</table></div> + +<p class="ftsize85 martop08">"Full of useful suggestions."—<i>Philadelphia American.</i></p> + +<div class="centered"> +<table border="0" width="100%" cellpadding="0" cellspacing="0" summary="ad7"> +<tr> +<td class="td-left" width="5%"><span style="white-space: nowrap;">XXVIII.—</span></td> +<td class="td-left"><p class="zeroindent"><b>Health Notes for Students.</b> By Prof. <span class="smcap">Burt G. Wilder</span>, of +Cornell University. Uniform with <span class="spaced1">"Emergencies." 16mo</span>, paper</p></td> +<td class="td-right" style="vertical-align: bottom">20</td> +</tr> +</table></div> + +<p class="ftsize85 martop08">"The instructions are never extreme, and always sensible."—<i>Chicago +Tribune.</i></p> + +<div class="centered"> +<table border="0" width="100%" cellpadding="0" cellspacing="0" summary="ad7"> +<tr> +<td class="td-left"><span style="white-space: nowrap;">XXIX.—</span></td> +<td class="td-left"><p class="zeroindent"><b>The Home Physician.</b> A summary of Practical Medicine and +Surgery for the Use of Travellers and of Families at a distance +from Physicians. By <span class="smcap">Luther M. Gilbert</span>, M.D., Attending Physician to +the Connecticut General <span class="spaced1">Hospital. 16mo</span>, cloth</p></td> +<td class="td-right" style="vertical-align: bottom">1 00</td> +</tr> +</table></div> + +<p class="ftsize85 martop08">"Concise, comprehensive, and practical."—<i>St. Paul Dispatch.</i></p> + +<div class="centered"> +<table border="0" width="100%" cellpadding="0" cellspacing="0" summary="ad7"> +<tr> +<td class="td-left" width="5%"><span style="white-space: nowrap;">XXX.—</span></td> +<td class="td-left"><p class="zeroindent"><b>Bread-Making.</b> A practical treatise, giving full instructions +for the making of bread and <span class="spaced1">biscuits, 16mo</span>, boards</p></td> +<td class="td-right" style="vertical-align: bottom">50</td> +</tr> +</table></div> + +<hr class="sep2"> + +<p class="ftsize110 marbot2"><span class="smcap ralign1">G. P. Putnam's Sons,</span> <span class="smcap ralign2">New York and London.</span></p> +<p> </p> + +<hr class="sep1"> + +<p>Footnote</p> + +<div class="footnote indent03"><p><a name="Footnote_A_1" id="Footnote_A_1"></a><a href="#FNanchor_A_1"><span class="label">[A]</span></a>The woman who contemplates authorship, or journalistic +work, is advised to consult "Authors and Publishers; a Manual of +Suggestions for Beginners in Literature." Price, $1.00. Published by G. +P. Putnam's Sons, 27 and 29 West 23d Street, New York. This is not only +the latest but the best book on the subject.</p></div> + +<hr class="sep1"> + +<div class="figcenter"> +<img src="images/img002.jpg" class="ispace" width="373" height="550" alt="last page" title=""></div> + +<hr class="sep1"> +<div class="tn"> +<p>Transcriber's Notes:</p> + +<p>Other than the corrections listed below, printer's inconsistencies in +spelling, punctuation, hyphenation, and ligature usage have been retained.</p> + +<p>Two different versions of spelling for housekeeper and Hand-book occur in +this book (advertisements: housekeeper and Hand-Book; main text: +house-keeper and Hand-book).</p> + +<p>The following misprints have been corrected:</p> +<ul class="add2em"> +<li>changed "Abbot" into "Abbott" in <a href="#pageiii">Preface</a></li> +<li>changed "they are familliar," into "they are familiar." page <a href="#page5">5</a></li> +<li>changed "or eight o'clock," into "or eight o'clock." page <a href="#page34">34</a></li> +<li>changed "gratuitiously" into "gratuitously" page <a href="#page51">51</a></li> +<li>changed "month" into "months" page <a href="#page55">55</a></li> +<li>changed "treshhold" into "threshold" page <a href="#page61">61</a></li> +<li>added " after "to go by." page <a href="#page75">75</a></li> +<li>changed "negro" into "Negro" page <a href="#page77">77</a></li> +<li>changed "about woman suffrage, a" into "about woman-suffrage, a" page <a href="#page94">94</a></li> +<li>changed "Bee-Keeping.—There is" into "Bee-keeping.—There is" page <a href="#page125">125</a></li> +<li>changed "Type-Writing.—Young women" into "Type-writing.—Young women" page <a href="#page135">135</a></li> +<li>changed "excellant" into "excellent" <a href="#pagea">advertisement</a></li> +<li>changed "and 1881, each," into "and 1881, each" <a href="#pagea">advertisement</a></li> +<li>changed "134 pages, boards," into "134 pages, boards" <a href="#pagea">advertisement</a></li> +<li>changed "215 pages, boards," into "215 pages, boards" <a href="#pageb">advertisement</a></li> +<li>changed "16mo, paper," into "16mo, paper" <a href="#paged">advertisement</a></li> +</ul> +</div> + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of Work for Women, by George J. 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