summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-14 19:58:00 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-14 19:58:00 -0700
commit973bdad7e3ca63cd572a2480537ae35bd1549b90 (patch)
tree0591861c15cc364e2da73c4910e7d9e3364d405a
initial commit of ebook 32663HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--32663-h.zipbin0 -> 180090 bytes
-rw-r--r--32663-h/32663-h.htm2742
-rw-r--r--32663-h/images/cover.jpgbin0 -> 67018 bytes
-rw-r--r--32663-h/images/illus.jpgbin0 -> 67458 bytes
-rw-r--r--32663.txt2534
-rw-r--r--32663.zipbin0 -> 43247 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
9 files changed, 5292 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/32663-h.zip b/32663-h.zip
new file mode 100644
index 0000000..a2b3e3f
--- /dev/null
+++ b/32663-h.zip
Binary files differ
diff --git a/32663-h/32663-h.htm b/32663-h/32663-h.htm
new file mode 100644
index 0000000..ea2873f
--- /dev/null
+++ b/32663-h/32663-h.htm
@@ -0,0 +1,2742 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<!-- $Id: header.txt 236 2009-12-07 18:57:00Z vlsimpson $ -->
+
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+ <head>
+ <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" />
+ <meta http-equiv="Content-Style-Type" content="text/css" />
+ <title>
+ The Project Gutenberg eBook of Ye Of Little Faith, by Rog Phillips.
+ </title>
+ <style type="text/css">
+
+body {
+ margin-left: 10%;
+ margin-right: 10%;
+}
+
+ h1,h2,h3,h4,h5,h6 {
+ text-align: center; /* all headings centered */
+ clear: both;
+}
+
+p {
+ margin-top: .75em;
+ text-align: justify;
+ margin-bottom: .75em;
+}
+
+hr {
+ width: 33%;
+ margin-top: 2em;
+ margin-bottom: 2em;
+ margin-left: auto;
+ margin-right: auto;
+ clear: both;
+}
+
+table {
+ margin-left: auto;
+ margin-right: auto;
+}
+
+.pagenum { /* uncomment the next line for invisible page numbers */
+ /* visibility: hidden; */
+ position: absolute;
+ left: 92%;
+ font-size: smaller;
+ text-align: right;
+} /* page numbers */
+
+.linenum {
+ position: absolute;
+ top: auto;
+ left: 4%;
+} /* poetry number */
+
+.blockquot {
+ margin-left: 5%;
+ margin-right: 10%;
+}
+
+.sidenote {
+ width: 20%;
+ padding-bottom: .5em;
+ padding-top: .5em;
+ padding-left: .5em;
+ padding-right: .5em;
+ margin-left: 1em;
+ float: right;
+ clear: right;
+ margin-top: 1em;
+ font-size: smaller;
+ color: black;
+ background: #eeeeee;
+ border: dashed 1px;
+}
+
+.bb {border-bottom: solid 2px;}
+
+.bl {border-left: solid 2px;}
+
+.bt {border-top: solid 2px;}
+
+.br {border-right: solid 2px;}
+
+.bbox {border: solid 2px;}
+
+.center {text-align: center;}
+
+.smcap {font-variant: small-caps;}
+
+.u {text-decoration: underline;}
+
+.caption {font-weight: bold;}
+
+/* Images */
+.figcenter {
+ margin: auto;
+ text-align: center;
+}
+
+.figleft {
+ float: left;
+ clear: left;
+ margin-left: 0;
+ margin-bottom: 1em;
+ margin-top: 1em;
+ margin-right: 1em;
+ padding: 0;
+ text-align: center;
+}
+
+.figright {
+ float: right;
+ clear: right;
+ margin-left: 1em;
+ margin-bottom:
+ 1em;
+ margin-top: 1em;
+ margin-right: 0;
+ padding: 0;
+ text-align: center;
+}
+
+/* Footnotes */
+.footnotes {border: dashed 1px;}
+
+.footnote {margin-left: 10%; margin-right: 10%; font-size: 0.9em;}
+
+.footnote .label {position: absolute; right: 84%; text-align: right;}
+
+.fnanchor {
+ vertical-align: super;
+ font-size: .8em;
+ text-decoration:
+ none;
+}
+
+/* Poetry */
+.poem {
+ margin-left:10%;
+ margin-right:10%;
+ text-align: left;
+}
+
+.poem br {display: none;}
+
+.poem .stanza {margin: 1em 0em 1em 0em;}
+
+.poem span.i0 {
+ display: block;
+ margin-left: 0em;
+ padding-left: 3em;
+ text-indent: -3em;
+}
+
+.poem span.i2 {
+ display: block;
+ margin-left: 2em;
+ padding-left: 3em;
+ text-indent: -3em;
+}
+
+.poem span.i4 {
+ display: block;
+ margin-left: 4em;
+ padding-left: 3em;
+ text-indent: -3em;
+}
+
+ </style>
+ </head>
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of Ye of Little Faith, by Roger Phillips Graham
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Ye of Little Faith
+
+Author: Roger Phillips Graham
+
+Illustrator: Tom Beecham
+
+Release Date: June 2, 2010 [EBook #32663]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK YE OF LITTLE FAITH ***
+
+
+
+
+Produced by Greg Weeks, Mary Meehan and the Online
+Distributed Proofreading Team at https://www.pgdp.net
+
+
+
+
+
+
+</pre>
+
+
+
+<div class="figcenter">
+<img src="images/cover.jpg" alt=""/>
+</div>
+
+<hr style="width: 65%;" />
+
+
+<h1>Ye of Little Faith</h1>
+
+<h2>By Rog Phillips</h2>
+
+<h3>Illustrated by TOM BEECHAM</h3>
+
+
+<p>[Transcriber Note: This etext was produced from IF Worlds of Science
+Fiction January 1953. Extensive research did not uncover any evidence
+that the U.S. copyright on this publication was renewed.]</p>
+
+<hr style="width: 65%;" />
+
+<div class="sidenote"><i>It matters not whether you believe or disbelieve. Reality is
+not always based on logic; nor, particularly, are the laws of the
+universe....</i></div>
+
+<p>The disappearance of John Henderson was most spectacular. It occurred
+while he was at the blackboard working an example in multiple
+integration for his ten o'clock class. The incompleted problem remained
+on the board for three days while the police worked on the case. It, a
+wrist watch and a sterling silver monogrammed belt buckle, lying on the
+floor near where he had stood, were all the physical evidence they had
+to go on.</p>
+
+<p>There was plenty of eye-witness evidence. The class consisted of
+forty-three pupils. They all had their eyes on him in varying degrees of
+attention when it happened. Their accounts of what happened all agreed
+in important details. Even as to what he had been saying.</p>
+
+<p>In the reports that went into the police files he was quoted with a high
+degree of certainty as having said, "Integration always brings into the
+picture a constant which was not present. This constant of integration
+is, in a sense, a variable. But a different type of variable than the
+mathematical unknown. It might be said to be a logical variable&mdash;"</p>
+
+<p>The students were in unanimous agreement and, at this point, Dr.
+Henderson came to an abrupt stop in his lecture. Suddenly, an expression
+of surprise appeared on his face. It was succeeded by an exclamation of
+triumph. And he simply vanished from the spot.</p>
+
+<p>He didn't fade away, rise, drop into the floor, or take any time
+vanishing. He simply stopped being there.</p>
+
+<hr style="width: 65%;" />
+
+<div class="figcenter">
+<img src="images/illus.jpg" alt=""/>
+</div>
+
+<h3><i>He just wasn't there any more.</i></h3>
+
+<hr style="width: 65%;" />
+
+<p>The police searched his room in the nearby Vanderbilt Arms Hotel. They
+turned a portrait of the missing math professor to the newspapers to
+publish. Arbright University offered a reward of one hundred dollars to
+anyone who had seen him.</p>
+
+<p>The police also found a savings pass book in his room. It had a balance
+of three thousand eight hundred and forty dollars, which had been built
+up to that figure by steady monthly deposits over a period of years. It
+also had a withdrawal of three hundred and twenty dollars two days
+before the disappearance. They were sure they were on the path to a
+motive. This avenue of exploration came to an abrupt end with the
+discovery that he had traded in his last year's car on a new one, and
+that sum had been necessary to complete the deal.</p>
+
+<p>After the third day the blackboard had been erased and the classroom
+released for its regular classes. Police enthusiasm dropped to the norm
+of what they called legwork. Finding out who the missing man's
+acquaintances and friends were, calling on them and talking to them in
+the hopes of picking up something they could go on.</p>
+
+<p>They passed Martin Grant by because they had heard from him in their
+initial work. In fact, he had been a little too present for their
+tastes.</p>
+
+<p>After ten days they dropped the case from the active blotter. The
+University, seeing that there was little likelihood of having to shell
+out the reward money, increased it to five hundred dollars.</p>
+
+<p>But Martin Grant continued to ponder over a conversation he himself had
+had with John Henderson during a dinner six weeks to the day before his
+old friend had vanished. He remembered his own words...</p>
+
+<hr style="width: 45%;" />
+
+<p>"... and so you see, John, by following this trail, I've arrived at a
+theory that has to do with the basic nature of the universe&mdash;of all
+reality. Yet things don't behave as they would if my theory were
+operating."</p>
+
+<p>John Henderson frowned into space, disturbed. Visibly disturbed. Martin
+watched him with a twinkle in his eyes.</p>
+
+<p>"You must have gone off the track on it somewhere, Martin," John said
+suddenly, as though trying more to convince himself than his listener.</p>
+
+<p>Martin shook his head with slow positiveness. "You followed every step.
+We spent four hours on it." He took pity on his friend. "Don't let it
+bother you. I regard it as just an intellectual curiosity. I've included
+it in my next book on that basis."</p>
+
+<p>A new voice broke in. "What is it, Dad? One of your ten-thousand-word
+shaggy dog jokes?" This from Fred Grant, 16, student in the senior grade
+at the Hortense Bartholemew High School, and an only child of Martin
+Grant.</p>
+
+<p>"A little more respect toward your father," Martin said with much
+sternness.</p>
+
+<p>"Yes, Father."</p>
+
+<p>"It was my <i>theory</i>."</p>
+
+<p>John Henderson said, "But, Martin, I don't know what to think now. Of
+course there must be some fallacy that I've missed. The way things stand
+though, I&mdash;" He chuckled uncomfortably. "I begin to doubt myself. I
+can't quite classify it as an intellectual curiosity."</p>
+
+<p>"What else can you do with it?" Martin said. "I know your trouble. It's
+a common one. You have a tendency to believe things or disbelieve them.
+Now you've been presented with something your intellect demands that you
+believe, while your experience shouts, 'lie'."</p>
+
+<p>"Is Fred able to understand it?" John asked, smiling at the youngster
+with fond and unconscious condescension.</p>
+
+<p>"Not yet," Fred smiled. "I'm still in high school."</p>
+
+<p>"And if you don't want to flunk out you'd better be off to bed at once,"
+Martin told him.</p>
+
+<p>"Yes, Father. Good night, Dr. Henderson."</p>
+
+<p>Fred's departure left a vacuum in the conversation that took a minute to
+fill. John Henderson frowned himself back to where he had been before
+the boy had arrived. When he got there he frowned even more, because it
+was a state of mental confusion that seemed to have no way of being
+resolved.</p>
+
+<p>"Maybe we can get at it this way," he said. "Let's postulate that your
+theory is the only logical basis on which reality can rest. B, quite
+obviously reality does not rest on this basis. We could make C,
+therefore, that reality doesn't rest on a logical basis. But that
+doesn't seem to satisfy me. Maybe C could be&mdash;no&mdash;" He glanced at his
+watch, lifted his eyebrows and stood up. "I really didn't know it was so
+late. I'll have to be going, Martin. An eight o'clock lecture in the
+morning."</p>
+
+<p>Martin made a wry face. "You've awakened my own conscience. I have an
+hour or two of work yet before bedtime."</p>
+
+<p>The two men went to the front door. John said, "Thank your wife again
+for me. Wonderful dinner. You're lucky, Martin, to have such a good
+cook."</p>
+
+<hr style="width: 45%;" />
+
+<p>That had been six weeks before John Henderson vanished. Martin Grant
+mentioned this visit to Horace Smith, one of the teachers in his
+department, and got himself and his wife invited for dinner on the
+following Friday. Dinner over, the two professors retired to the
+library.</p>
+
+<p>Two and a half hours later Horace had assimilated and grasped every
+detail of the theory. He then leaned back in his chair and closed his
+eyes, fingertips to temples, trying to find some flaw. Finally he shook
+his head. "It's no use," he said. "Your theory is logically inescapable.
+But&mdash;" He frowned. "Where does that place us? Probably where some
+schools of thought have always suspected we would wind up eventually.
+With the realization that the basic laws of the universe can't be
+reached by logic or even by experiment based upon logic."</p>
+
+<p>"I wouldn't say that," Martin objected. "My theory is an intellectual
+curiosity, that's all. That's the way I present it in my latest book. By
+the way, it's coming out soon. Signed the contract a month ago." He
+pulled his thoughts back to the conversation. "After all, one must hold
+onto the pragmatic approach to reality. Here is a theory that logic says
+must be the only possible way a universe can be constructed and
+operate. It's beautiful and logically complete, but not applicable. No
+pragmatic value."</p>
+
+<p>"Congratulations on the book. But, damn it," Horace said, "it attacks my
+most basic faith. Logic. Reason."</p>
+
+<p>"Faith?" Martin echoed, amused. "Yes, perhaps you're right. That's a
+word that's foreign to my thinking. Belief is so unnecessary."</p>
+
+<p>"You don't mean that."</p>
+
+<p>"But I do."</p>
+
+<p>Horace pondered. "I can prove otherwise. You believe&mdash;as an
+example&mdash;that your wife is faithful to you." It was a statement rather
+than a question.</p>
+
+<p>"As a matter of fact&mdash;I don't. I act upon the greater probability that
+she is. I don't hire detectives to follow her. Nor do I throw her into
+situations to test her faithfulness. I admit the possibility that she's
+unfaithful to me. If evidence came that she was, I might confront her
+with the evidence. Where does belief become necessary?"</p>
+
+<p>"Do you believe your son will become a success in life?" Horace asked.</p>
+
+<p>"No. I've done everything I could think of to increase the probability
+that he will. One of the things I've done is to instill in him the
+realization that belief is unnecessary in thinking. Surely, as a
+scientist, you realize that nothing we use in science finds its value or
+validity from human belief. If, tomorrow, evidence were brought forth
+that trigonometry is based on fallacy I'm sure that mathematicians would
+use that evidence to revise their entire field."</p>
+
+<p>"But belief is instinctive; as instinctive as thought itself."</p>
+
+<p>"I admit it's a natural way of thinking. It has to be weeded out."</p>
+
+<p>"So you're sure you don't believe in anything," Horace said slyly.</p>
+
+<p>"Such statements are verbal traps," Martin said. "They mean nothing. You
+want me to imply that I believe I believe nothing, and therefore I have
+at least one belief. But as a matter of fact I've built up a sort of
+mental mechanism for discovering beliefs in my thinking and dispelling
+them by going to the roots and showing myself why I believed. Belief
+springs up in the mind like weeds in a garden. Constant weeding is the
+only solution." He glanced at his watch and frowned uneasily. "Eleven
+o'clock. We'd better break this up and join the women. We'll have to get
+together again soon. By the way, do you and your wife play Canasta? My
+wife loves it."</p>
+
+<p>They had been moving toward the door. Now they entered the living room,
+to find the two women playing the game.</p>
+
+<p>"Time we were going, dear," Martin said. "And sometime soon make plans
+to have Horace and Ethel over for an evening of four-handed Canasta."</p>
+
+<p>At the front door vows of an early reunion were repeated. But they were
+never to be fulfilled. On the following Tuesday Horace vanished.</p>
+
+<hr style="width: 45%;" />
+
+<p>This time there were no actual eye witnesses. The time was somewhere
+between seven and seven-ten Tuesday morning; the place; Horace Smith's
+bathroom.</p>
+
+<p>Ethel Smith was in the kitchen preparing breakfast. Horace was in the
+bathroom. He called out, "Ethel! I've got it!"</p>
+
+<p>"What have you got?"</p>
+
+<p>But even as Ethel called out, she heard the sound of the electric razor
+falling to the tile floor, and there was no answer from the bathroom.
+Nothing but silence and, as she described it later, a feeling that she
+was alone in the house.</p>
+
+<p>At the time, however, she wasn't alarmed. She half expected some
+muttered profanity over the dropping of the razor. She didn't wait for
+it exactly. Instead, she picked up the spatula and expertly scooped the
+eggs onto their two plates and carried them to the breakfast nook. Next
+she poured the coffee. Then, placing some bread in the toaster, she
+started back to the stove, calling, "Come and get it, Horace!"</p>
+
+<p>At the stove she started to pick up the aluminum dish containing the
+bacon. She paused and repeated her call. "Horace!"</p>
+
+<p>It wasn't until then that it occurred to her the falling of the razor
+might have been an ominous sound. Her mind filled with worried images,
+she rushed out of the kitchen into the hall leading to the bathroom.</p>
+
+<p>The door was locked.</p>
+
+<p>"Horace!" she called. "Are you all right?" When there was no answer she
+pounded on the door. "Horace! Speak to me!"</p>
+
+<p>After that she ran outside and around to the bathroom window. It was
+shut and locked, as she already knew. Not only that, it had been stuck
+for years.</p>
+
+<p>With an urgency born of a realization that every second might mean the
+difference between life and death, she ran back into the house and
+called the fire department. Also the family doctor.</p>
+
+<p>By nine-thirty the police had been called in. By eleven o'clock they had
+seen the parallel between this disappearance and that of John Henderson.</p>
+
+<p>Martin Grant's first reaction was concern for Ethel. His second reaction
+was that, twice, he had presented his theory to someone and that person
+had vanished. His third was accompanied by a twinge of fear. He had just
+finished presenting his theory to the senior physics class!</p>
+
+<p>This was followed by an amazing realization. He was conceding that there
+might be a connection between his theory and the disappearances. He
+laughed it off, but it returned. It disturbed him.</p>
+
+<p>It continued to bother him on Wednesday, so he began to search his mind
+for reasons. Eventually he found them. There was a distinct analogy
+between a theory that didn't agree with observable reality, and a pair
+of disappearances which violated known methods of disappearing.</p>
+
+<p>The analogy was so clear that he began to feel there might be a
+functional relation between the two. Of course, he concluded, it would
+be reasonably certain if a large number of the students in the senior
+group were to vanish also.</p>
+
+<p>This intellectual conclusion became an anxiety neurosis.</p>
+
+<p>So, on Wednesday&mdash;after he had scanned the room anxiously to see how
+many students were absent and discovered to his intense relief that they
+were all there&mdash;he spent the full hour lecturing on the necessity&mdash;the
+<i>vital</i> necessity&mdash;of unbelief in all things, especially scientific
+theories.</p>
+
+<p>But would it work? He vaguely remembered giving Horace a similar
+lecture.</p>
+
+<p>Wednesday night just before retiring he had another disturbing thought.
+He had explained the theory to his son. But that had been weeks before,
+and Fred was steeped in the mechanism of unbelief. Good thing, or he
+might have been the first to disappear.</p>
+
+<p>"What's the matter with you, Martin? Can't you even answer when&mdash;" The
+rest of what his wife was saying faded in the startled realization that
+he was eating dinner.</p>
+
+<p>"Sorry, dear," he murmured. "I was thinking." He was trying to recall
+something that might tell him what day it was. It was obviously evening
+or they wouldn't be eating dinner. "Uh," he said casually, "what day is
+today?"</p>
+
+<p>"Saturday," Fred said.</p>
+
+<p>"Now Fred, don't tease your father about his absent-mindedness. This is
+Thursday."</p>
+
+<p>Thursday! That was right. He had given the lecture on the necessity of
+unbelief today. There was tomorrow, when he could see if any of the
+class had disappeared yet. He couldn't be certain, of course. Just
+because a student didn't show up didn't mean he or she had vanished.</p>
+
+<p>He fixed his eyes on Fred, across the table, and smiled. Fred, at least,
+was a source of comfort. He knew the theory and hadn't vanished.</p>
+
+<p>"Dad," Fred said. "I've been wondering if you saw a point of similarity
+in the two disappearances?"</p>
+
+<p>Martin thought, good heavens, does he have any inkling of what I've been
+thinking? Of course not! He's just fumbling. Better to discourage him.
+"Sorry, son. There aren't any similarities except accidental ones. I've
+had the confidence of the police on this. The cases are quite
+unrelated."</p>
+
+<p>Fred refused to be sidetracked. "Dr. Henderson's face lit up as though a
+sudden idea had struck him. I talked with some of his students. That's
+what they all thought. And Horace Smith shouted to his wife, 'Ethel!
+I've got it!' The next instant in each case they vanished into thin
+air."</p>
+
+<p>"But that doesn't mean a thing."</p>
+
+<hr style="width: 45%;" />
+
+<p>In the privacy of his study Martin Grant allowed himself to become
+excited. Fred had unwittingly come upon the vital clue to the two
+disappearances.</p>
+
+<p>"Let's be clear about this," he said to himself, drumming on his desk
+nervously with his fingers. "Undoubtedly there's a connection between
+the vanishing and my theory. Both Horace and John arrived at something
+I've missed. And since my theory is exhaustive it can't be there. It
+must be&mdash;yes&mdash;it <i>must</i> be that they went a step farther." He pondered
+this a moment and added grudgingly, "A step I have missed." Then even
+more grudgingly, "An obvious step."</p>
+
+<p>Automatically he opened a drawer and brought out a sheet of paper and a
+pencil. He wrote:</p>
+
+<p><i>The theory contains within itself the proof that the universe must, by
+logical necessity, be constructed according to said theory. But
+observation and experience say this is not true.</i></p>
+
+<p>He frowned at what he had written. This was the conclusion to which he
+had led both men. It was the conclusion upon which he had rested. They,
+obviously, had not rested there. They had gone on.</p>
+
+<p>Under what he had written he wrote "<i>Either</i>:" on the left hand margin.
+Two inches under it he wrote, "<i>Or</i>:" Then he frowned at them. Suddenly
+he began writing rapidly after the <i>Either</i>: "<i>The universe is not
+constructed according to logical necessity.</i>"</p>
+
+<p>He hesitated, studying what he had written. Then, pursing his lips, he
+slowly wrote after the <i>Or</i>: "<i>The observable universe is not the
+universe.</i>"</p>
+
+<p>He nodded to himself. That hit at the core of the matter. A was X. B was
+not X. Therefore B was not A. Even though A and B were both called
+universe.</p>
+
+<p>The question was, then&mdash;did the universe-of-logical-necessity exist? If
+so, what relationship did it have to the observable universe which quite
+obviously did exist?</p>
+
+<p>Was that the question, the answer to which, gained in a moment of
+insight, had caused two men to utterly vanish?</p>
+
+<p>He sighed with real regret. There was no way of knowing. Possibly a
+mechanical brain of the most advanced type could come out with a
+comprehensive picture after solving thousands of successive equations.
+Knowledge of simple basics was a far cry from a fully expanded system.</p>
+
+<p>He pushed the sheet of paper away with a show of irritation. He was
+missing something. He was on the wrong track. Neither John nor Horace
+had the mental equipment to make more than a simple step beyond what he
+had accomplished. That was certain. It was equally certain that he could
+and would make it.</p>
+
+<p>A startled expression appeared on his face. "Oh good lord!" he groaned.
+"My book. I must do something about that the first thing tomorrow. I&mdash;"
+He opened the drawer of his desk and took out an oblong of paper, the
+check against advance royalties. "I'll return this and not let them
+publish it. First thing in the morning. And from now on I resolve not to
+think of my theory or what caused John and Horace to vanish."</p>
+
+<p>Folding the check neatly, he stuck it in his billfold and then started
+to read a book that interested him. He became engrossed in it. Half an
+hour later he came to enough to realize he was on safe ground, sigh with
+relief, and sink back into the trains of thought of the book.</p>
+
+<p>It was a nice feeling to know he was safe.</p>
+
+<hr style="width: 45%;" />
+
+<p>It was Friday. The sun was shining brightly and the monotony of the blue
+sky was relieved here and there by filmy white clouds that gave it a
+pleasing three-dimensionalness.</p>
+
+<p>But to Martin Grant there was something unreal about things. He decided
+it must be the light. Things stood out with too sharp clarity.</p>
+
+<p>When he reached his office at the university he made arrangements for a
+substitute to take his ten o'clock class. Then he called the publishing
+company and made an appointment for ten-fifteen.</p>
+
+<p>The hour from nine to ten seemed interminably long. He found it almost
+impossible to concentrate on such an unimportant subject as the
+application of tensor analysis to electronic circuits.</p>
+
+<p>Ten o'clock came. He hurried to the parking lot and got in his car. It
+was real and comforting. But once again everything outside the
+windshield seemed too sharply defined.</p>
+
+<p>He timed himself on the way across town to the publishing house. He
+would have to allow himself the same time to return for his eleven
+o'clock class. It took twelve minutes, plus another two to find a
+parking place. Two minutes from the car to the eleventh floor. He was
+frowning at his watch as he entered the publisher's office.</p>
+
+<p>"Well, well, Dr. Grant! Glad to see you. I suppose you're anxious to see
+your book ready for market. It's coming very well. Just came back from
+the typesetters and is going into its first printing right away."</p>
+
+<p>"Huh?" Martin said, completing his mental arithmetic and jerking into an
+awareness of his surroundings. "Oh, hello Mr. Browne," he said. "I was
+just figuring my time. I have an eleven o'clock class. I can only stay
+twenty-seven minutes. That gives me a three minute margin of error for
+traffic delays."</p>
+
+<p>"I see," the publisher said, a twinkle in his eye. "As I was just
+saying, your book&mdash;"</p>
+
+<p>"Oh yes, my book," Martin interrupted. "Just a minute." He took out his
+billfold and extracted the check, handing it to Mr. Browne.</p>
+
+<p>"What's this for?" Mr. Browne asked, unfolding it. "Oh, the advance
+royalty check. Is something wrong with it?"</p>
+
+<p>"I'm returning it," Martin said. "I can't let you publish my book."</p>
+
+<p>"Can't let me publish it!" Browne exclaimed. "Why not? Don't tell me it
+infringes on someone else's copyright!"</p>
+
+<p>"No. Nothing like that. I've merely decided I don't want it published.
+I'm returning your check."</p>
+
+<p>"Well now, look!" Browne said. "We're a business establishment. You
+signed a contract. We signed one too. It protects both of us against
+just this sort of thing, you know." He studied Martin thoughtfully. "Sit
+down and relax," he invited. "I'm human. Tell me why you don't want it
+published. Maybe I might agree with you. We have over a thousand dollars
+tied up already in typesetting, but&mdash;"</p>
+
+<p>Martin took the seat and glanced nervously at his watch to make sure the
+twenty-seven minutes hadn't elapsed.</p>
+
+<p>"I've just changed my mind," he said curtly. "There are certain
+things&mdash;I'm the head of a department, you know. I must watch my
+reputation. That's it, my reputation. On due reflection I believe the
+book might hurt my standing."</p>
+
+<p>"In what way?" Browne asked. "To tell you the truth, your other book
+did so well I didn't bother reading this one."</p>
+
+<p>"There's a&mdash;" Martin brought himself up short. So Browne hadn't read it.
+So much the better. At least he wouldn't vanish. "I'm afraid," he added
+with a self-conscious chuckle that he hoped was genuine enough to pass,
+"the subject matter is a little too crackpottish in spots. That's the
+whole thing. It would reflect on my reputation."</p>
+
+<p>"Maybe we could do a little editing on it," Browne said. "Cut out the
+parts you think crackpottish and substitute something else in those
+pages. I'll get the galleys and we can look at them."</p>
+
+<p>"No!" Martin said. "No, I'm afraid we would have to cut out at least
+half of the book. No. The best thing is to forget it, but I'll make good
+your typesetting loss. I can pay you two hundred dollars right away and
+fifty dollars a month."</p>
+
+<p>Browne lit a cigarette slowly, his eyes on Martin. "You're serious,
+aren't you," he said. "I'll tell you what we'll do. We'll let the whole
+thing ride for the present. Maybe later&mdash;"</p>
+
+<p>"No!" Martin said. "It must never be published! It's very vital that it
+never be published."</p>
+
+<p>"Okay," Browne said. "We won't publish it. We have the contract, but&mdash;we
+won't publish it."</p>
+
+<p>"Thanks, very much," Martin said. "I must hurry back."</p>
+
+<p>The publisher stared thoughtfully at the closed door after Martin had
+gone. He glanced down at the check.</p>
+
+<hr style="width: 45%;" />
+
+<p>Lecture room 304 was very large, capable of holding four hundred
+students in its successive tiers of seats, plus the teacher on his
+raised platform immediately in front of the large blackboard. In
+previous years there had been instances of students slipping out after
+roll call. In spite of everything, it had happened.</p>
+
+<p>Therefore a new system had been inaugurated. Before roll call Martin
+marched to the back of the room to the only exit and locked it.
+Pocketing the key, he returned to his podium. It had been going on this
+way for two years, and was now automatic.</p>
+
+<p>The day watchman, making his rounds, approached this door at precisely
+two thirty-four. He heard violent pounding. Along with the pounding
+there was a loud, hoarse voice, gasping, "Lemme out! Lemme out!"</p>
+
+<p>The watchman consulted his clock&mdash;the one he used to make a record of
+his rounds&mdash;and determined that it was two thirty-four. He knew that it
+was Dr. Grant's senior theoretical physics lecture period. He recalled
+that a couple of years before Dr. Grant had had trouble with students
+slipping out after roll call. But it occurred to him that it was hardly
+possible to sneak out, even on Dr. Grant, absent-minded as he was, by
+pounding on the door and shouting, "Lemme out!" in a terrified tone of
+voice.</p>
+
+<p>He therefore stopped and knocked on the door, calling, "What's going on
+in there?"</p>
+
+<p>Whoever was doing the pounding and shouting evidently didn't hear him.
+Waiting no longer, the day watchman used his master key on the door.</p>
+
+<p>A smallish young man, later identified as Mark Smythe, attempted to run
+past him into the hall. The watchman blocked Mark's escape and looked
+toward the podium in an automatic appeal to Dr. Grant.</p>
+
+<p>Dr. Grant was not there. The podium was unoccupied. So were all four
+hundred seats. There was, in fact, no one in room 304 except the one
+terrified student.</p>
+
+<p>In due course the police arrived, along with the regents. By five
+o'clock it had become certain that the greatest mass disappearance of
+all times had occurred, with Mark Smythe as the sole witness.</p>
+
+<p>He stuck to his story through repeated detailed questionings, and in the
+end the police were stuck with it.</p>
+
+<p>According to Smythe, class had begun as usual. Dr. Grant had waited
+until one minute after the bell had sounded, then had marched back and
+locked the door, and returned to the front. He had rapidly scanned the
+room to see if there were any absences, quickly called half a dozen
+names he was uncertain of, and marked the attendance slip. The police
+found it still resting on the table where he had placed it.</p>
+
+<p>Then he had begun his lecture by remarking that they were behind
+schedule and would have to catch up. He had been speaking less than five
+minutes when a student by the name of Marvin Green jumped to his feet in
+great excitement, waving his hand and shouting, "Dr. Grant! Dr. Grant!"</p>
+
+<p>Dr. Grant had stopped his lecture and frowned darkly, then said, "If you
+will please take your seat&mdash;"</p>
+
+<p>"But Dr. Grant!" Marvin Green had interrupted him excitedly. "I've got
+it! I've got it!"</p>
+
+<p>What had happened then was impossible for the mind to accept. Marvin
+Green had simply ceased to be.</p>
+
+<p>There had been a stunned silence. And in that silence, it went on.
+Student after student popping out of existence in what seemed to be a
+chain reaction.</p>
+
+<p>He wasn't aware when Dr. Grant vanished. All he knew was that when at
+last he was alone he looked toward the podium and the professor was also
+gone.</p>
+
+<p>He kept waiting to go himself. When he didn't, he lost the fear that had
+rooted him to the spot, and rushed to the exit where he at first tried
+to break down the door and make his escape, then subsided into pounding
+and shouting for help when he realized his physical strength was
+insufficient for the job.</p>
+
+<p>Questioning didn't bring out any additional fact, nor alter any
+statement. There had been no sound to the vanishing, no movement of the
+person that could be considered significant, no flashes of light, no
+strange odors. Nothing.</p>
+
+<hr style="width: 45%;" />
+
+<p>Fred Grant got the flash on his hot rod radio on the way home from high
+school.</p>
+
+<p>At the end of the report Fred wrote down Mark Smythe's address on a
+scrap of paper, and drove home to be with his mother. It was three days
+before he could get away.</p>
+
+<p>On the morning of the third day, his aunt Emily arrived to take charge
+of things, and he was able to slip away. He drove immediately to Mark
+Smythe's address. It was one of the better class rooming houses near the
+campus. The land-lady wasn't going to let him in nor announce him until
+he explained he was the son of the professor who had vanished. She
+immediately swung to the other extreme and didn't bother to find out if
+Mark wanted to see him.</p>
+
+<p>"My father was your teacher," Fred said.</p>
+
+<p>"Oh? Come on in."</p>
+
+<p>There were tennis rackets. On the bookshelves there were tennis books.
+On a table there was a tennis trophy. Otherwise there was just a bed, a
+rug, and two or three chairs.</p>
+
+<p>"I don't know what I can tell you more than I've already told the police
+and the reporters," Mark said apologetically. "I guess it's tough,
+losing your father...."</p>
+
+<p>"Yeah," Fred agreed. "I wanted to ask you something though. Dad gave a
+lecture on his new theory a few days ago, didn't he?"</p>
+
+<p>Mark looked at him blankly. Then, "Oh! I guess he did. As a matter of
+fact I didn't pay much attention to it." He grinned. Then he remembered
+he should be solemn and stopped grinning. "I&mdash;I sort of slipped by it.
+He made the mistake of telling us ahead of time it was off the course
+and no questions on it would be in the finals, so I more or less rested
+up during the period for a tennis match afterwards. Why?"</p>
+
+<p>"Didn't you get any of what he said?" Fred persisted.</p>
+
+<p>"Oh, a little," Mark admitted. "It was about some system of arriving at
+the basic laws of nature by pure logic, only what you arrived at didn't
+agree with facts. Some kind of intellectual curiosity." He thought a
+minute. "Oh," he said, "I see what you want. Didn't he leave any notes
+on it? It would be too bad if his theory was lost to the world now
+that&mdash;" He left the rest unsaid.</p>
+
+<p>"Maybe you can remember something," Fred coaxed. "Anything. Did he talk
+about his theory again?"</p>
+
+<p>"Next day he gave a lecture on the necessity of unbelief in modern
+science. It was pretty good. He overemphasized it, though. Some of the
+kids thought he was making a religion of unbelief."</p>
+
+<p>"What did they say about his theory?" Fred asked quickly.</p>
+
+<p>"Oh, they were quite impressed. Two of them live&mdash;lived here in the
+rooming house. They were up here that evening tossing it back and forth.
+I was too tired from the tag match. I let them talk."</p>
+
+<p>"What did they think about it?"</p>
+
+<p>Mark frowned in an effort to recall. "It had to do with this universe
+being basically illogical, or at least seeming to be, because it didn't
+agree with your father's theory. They started building up fantasies on
+it. One I remember was a good one."</p>
+
+<p>"What was that?"</p>
+
+<p>"I think it was Jimmy. He said it would be funny if we were here
+because we believed this universe was the only real one. Something about
+inherited memory. Our coming from a long line of people who believed
+this was the only place, because all our ancestors who didn't believe it
+shot off into some other universe and had their children there. Utterly
+crazy. You know."</p>
+
+<p>"Yeah, I know," Fred agreed. "You going to be around in case I want to
+see you again?"</p>
+
+<p>"God! I hope so!" Mark said. "It makes me nervous."</p>
+
+<p>"You're safe enough," Fred said. "Well&mdash;thanks. I'll be seeing you."</p>
+
+<hr style="width: 45%;" />
+
+<p>He smoothed out the crumpled sheet of paper and glanced at it.</p>
+
+<p>"What do you hope to find, Fred," his mother asked.</p>
+
+<p>"I don't know," he said. "Anything, I&mdash;maybe this is something. Look."</p>
+
+<p>Together they read, "Either: the universe is not constructed according
+to logical necessity, Or: the observable universe is not the universe."
+There were doodlings along the right margin that meant nothing.</p>
+
+<p>"What does it mean?" Mrs. Grant asked.</p>
+
+<p>"Probably just something connected with his classes," Fred shrugged. He
+went on searching the waste basket, giving his mother no hint that he
+had already found what he was searching for.</p>
+
+<p>From the position of the paper in the waste basket he felt reasonably
+sure it had been recently written. It was probably a voicing of thoughts
+gained from the disappearance of Horace and John, because up to that
+time his father had assumed his theory was just an intellectual
+curiosity.</p>
+
+<p>His father couldn't have asked himself if the observable universe might
+not be the universe unless something had happened to raise a doubt, or
+suggest an alternative as a possibility.</p>
+
+<p>Mrs. Grant's interest lessened. She wandered about the room, perhaps
+reliving memories. It gave Fred a chance to put the piece of paper in
+his pocket so that when he put everything back in the waste basket his
+mother would dismiss the whole search.</p>
+
+<p>There was, of course, the file with the entire theory in it. He knew the
+theory by heart, however, and had no need of that file.</p>
+
+<p>"I think I'll go out for a while, Mom," he said.</p>
+
+<p>"All right, Fred," she said disinterestedly.</p>
+
+<p>Outside he climbed behind the wheel of his hot rod and sat there, making
+no motion to start the motor. He was thinking.</p>
+
+<p>Mark Smythe had said that he overheard two of his fellow class-men
+discussing the theory, one of them remarking that, "It would be funny if
+we were here just because we were descended from a long line of people
+who believed this was the only place."</p>
+
+<p>Could that be the key?</p>
+
+<p>Take gravitation, for instance. If it were something that some vital
+part of you had to believe, and that vital part didn't believe, would
+the entire person go flying off into space?</p>
+
+<p>What about inanimate matter? Did it have to believe too? And what about
+other forms of life?</p>
+
+<p>Or was everything except human beings just part of the props?</p>
+
+<p>He shook his head. That didn't seem like quite the right track. He took
+another.</p>
+
+<p>The human mind builds up a picture of the outside universe through its
+senses. Sometimes its ideas are wrong. Right or wrong, inside everyone's
+mind is a universe, derived from the outside universe.</p>
+
+<p>What if the outside universe were derived from something? Derived from
+what? The real, logically necessary universe? That could be. At least it
+seemed to have some value as a starting point.</p>
+
+<p>He tried to reason from that point. Frustration grew in him. He wished
+he were older, had his university education behind him. There were so
+many things he couldn't begin to deal with.</p>
+
+<p>Maybe he could take the entire problem to some of his father's friends.
+He shook his head over this thought. From all that had gone on it was
+too likely that the minute one of them discovered something that would
+be of help he would disappear before he could tell it!</p>
+
+<p>That raised another point. Why didn't he himself vanish? What was there
+different about him?</p>
+
+<p>A lot. His father had instilled in him a lot of the things he himself
+could only aspire to. Unbelief was the major thing. Or perhaps it was
+the other major thing, remembrance.</p>
+
+<p>His father's voice came into consciousness, saying something he had said
+so many times it was grooved deeply in memory, even to the inflections
+of voice. "<i>All psychoses and mental troubles are caused by walled-off
+unpleasant memories. The child who trains himself to recall all
+unpleasant things and deliberately associate them with the feeling that
+they are valuable lessons, but harmless, will grow up in perfect
+balance.</i>"</p>
+
+<p>He smiled. He could let flow through consciousness, dozens of incidents
+he had taken up with his father.</p>
+
+<p>He was definitely different than others around him. So different
+he had systematically disguised it by a front of accepted
+behavior&mdash;systematically and consciously, under his father's guidance.</p>
+
+<p>There was a chance those differences made him safe. There was a chance
+those differences would make it possible for him to find out what caused
+the others to vanish, without he himself vanishing.</p>
+
+<p>The other train of thought inserted itself into consciousness again. Was
+belief the key to the disappearances?</p>
+
+<hr style="width: 45%;" />
+
+<p>Mark Smythe hadn't paid attention when the theory was being explained.
+The others had undoubtedly lapped it up. The peculiar thing about the
+theory was that it was so logical and so inevitable that the mind tended
+to accept it, believe it to be true in spite of the evidence of the
+senses.</p>
+
+<p>Let us suppose, Fred mused, that deep within the mind there is some
+matrix of thought that ties the human to this universe. A matrix that
+could conceivably be altered, and when altered would automatically shift
+the person to another universe that the altered matrix fitted.</p>
+
+<p>The subconscious usually took time to absorb and react. That was another
+thing his father had taught him to observe. Learn something, and it
+takes from days to months for it to become lodged in the subconscious
+and to rise into operation naturally from there.</p>
+
+<p>John Henderson had taken six weeks to vanish after having learned the
+theory. It had taken Horace Smith three and a half days, but he had had
+the added factor of Dr. Henderson's disappearance to trigger reactions.
+The theoretical physics class had taken three days exactly, and its
+vanishing had been a sort of group action or chain reaction, with
+intensely emotional reaction after the first student had vanished before
+the eyes of the others.</p>
+
+<p>His own father, originator of the theory, had probably fallen into the
+trap of starting to believe after Horace had vanished, so it became a
+greater probability that the disappearance was related to knowledge of
+the theory. Seeing the students vanish had probably set up an emotional
+state where complete belief was precipitated.</p>
+
+<p>In the whole series the only improbable part was that so many students
+would react in the same short time. That was partly nullified by the
+fact that it was a special class, and only high I.Q. students with
+excellent records were accepted. They would tend to be somewhat
+identical in reaction times.</p>
+
+<p>He straightened up and stared through the windshield at the dark street.
+So there it was, the probable mechanism of vanishment. A system was fed
+into the conscious mind. The conscious mind accepted it. In due time
+that system was transferred down into the matrix that held the person in
+this reality or universe. Once there, it made the whole person
+<i>transfer</i> to a system where the altered matrix fitted. It might not be
+the system pictured in his father's theory. It might be a compromise
+system.</p>
+
+<p><i>Where</i> and <i>when</i> probably had no meaning in relation to the two
+systems. That was why, when the shift came, the person vanished
+instantly without any strange manifestations of any kind.</p>
+
+<p>Was it reversible? If so, then some of those who had vanished would
+reappear eventually.</p>
+
+<p>A sudden, startling thought made Fred sit up straight, his eyes shining
+with excitement. So far he had been safe mainly because he habitually
+didn't attach belief to anything. His other facet of difference might be
+the means of his testing this without real danger of vanishing.</p>
+
+<p>Could he dredge up from the deepest layers of unconscious thought, the
+threads leading directly to the matrix that held him in his surroundings
+and learn consciously what it was?</p>
+
+<p>A thought. He reflected on it, then decided before he made any decisions
+he would explore the other avenue, the one the police had naturally
+thought of.</p>
+
+<p>Was there some person or persons unknown in back of the disappearances?
+Some non-human, perhaps? It could fit into the same theory of
+disappearance. Another universe, beings in that universe. Beings who
+perhaps didn't want knowledge of their universe to become known on this
+side of the veil.</p>
+
+<p>If so, why hadn't <i>they</i> snatched him too? Maybe they didn't know he
+knew about the theory. He'd never talked about it to anyone. But his
+father had drilled it into him as a supreme example of the reasons why
+belief in anything was a trap.</p>
+
+<p>He shook his head. It didn't seem likely that the disappearances had
+been engineered by anyone. They smacked too much of an inner pattern, an
+inner mechanism.</p>
+
+<p>So he came back to the other theory. What could he try to accomplish by
+exploring into his deepest substratum of thought? The ideal he could aim
+for would be conscious transfer into the other system with the assurance
+before-hand that he could transfer back again. If he could do that, and
+if he could find those who had vanished, maybe he could teach them how
+to return.</p>
+
+<p>It was something that might take a long time, he realized. His first
+objective was to penetrate deeper into his mind than anyone had ever
+consciously gone before. That alone could take a lifetime. Or it might
+be accomplished overnight.</p>
+
+<p>How would he begin? Where would he begin? he shrugged. It didn't matter.
+He would have to systematically extend his ability to be aware in every
+direction, physical and temporal, until he could be conscious of his
+individual blood cells if it were possible, and completely and vividly
+conscious, at will of every second of his past life. If that didn't lead
+him to his objective, it might at least point the way and increase his
+ability to reach his goal.</p>
+
+<p>That evening, Fred arrived home to find a stranger seated in the
+library. There was the usual moment of clumsiness such encounters
+generate, but Fred's mother returned with a tea tray before
+self-introductions became necessary. She said, "Mr. Gaard, this is my
+son, Fred."</p>
+
+<p>The man smiled easily as Mrs. Grant continued, speaking now to Fred.
+"This is Curt Gaard, Fred. I called on him today and what do you think I
+discovered. He was a friend&mdash;a very old friend&mdash;of your father." Mrs.
+Grant stopped, a certain inward uncertainty showing through.</p>
+
+<p>Fred stood mute, giving voice to none of the questions which sprang up
+in his mind. Curt Gaard, completely at ease, took up the lead. Even as a
+feeling of familiarity sprang into Fred's mind, Gaard said, "I <i>knew</i>
+your father&mdash;met him several times&mdash;but we weren't as close as your
+mother's words might imply."</p>
+
+<p>Then Fred knew. He spoke suddenly. "You're a psychiatrist." The pieces
+fell into place. Fred's father had mentioned this man several times, and
+the boy knew he was not there by chance&mdash;that his mother had contacted
+the psychiatrist&mdash;this particular one because she too had remembered the
+acquaintanceship. For a moment, Fred was annoyed with his mother. Why on
+earth had she brought a psychiatrist into this? Then he softened as he
+realized she felt it to be to her son's best interests.</p>
+
+<p>"Yes, I'm a psychiatrist," Gaard said. Then, as though he could read
+Fred's mind: "Your mother <i>did</i> send for me, but so far as I'm
+concerned, it's more than just a professional visit. I knew your father
+and liked him. I'd like to be your friend."</p>
+
+<p>"You plan to psychoanalyze me?"</p>
+
+<p>"Don't be so grim about it," Curt Gaard smiled. "Just let's make this a
+social visit. There will be plenty of time for other things later.
+Perhaps you can drop in at my office."</p>
+
+<p>"Perhaps," Fred said, almost absently. A short time later he excused
+himself and went to his room.</p>
+
+<hr style="width: 45%;" />
+
+<p>"Mrs. Grant?" Mr. Browne said, smiling at the woman behind the screen
+door. "I'm Mr. Browne the publisher."</p>
+
+<p>"Browne?" she said. "Oh yes. My hus&mdash;husband has mentioned you."</p>
+
+<p>"Favorably, I hope?" Browne was wondering if Dr. Grant had told her of
+his decision not to let the book be published.</p>
+
+<p>"Oh yes, very favorably." She frowned. "Which reminds me. He received a
+check from you for the advance royalties. I'm sure he didn't cash it
+because there was no deposit at the bank that large. I can't find the
+check anywhere. He must have had it with him when&mdash;"</p>
+
+<p>She had opened the screen door. Browne went in and followed her into the
+study. He looked around at the walls of books, almost feeling the
+presence of the man whose retreat this had been.</p>
+
+<p>"That's what I've come here to see you about," Browne said. "You see, he
+called on me at my office the morning of the day he vanished."</p>
+
+<p>"He did?"</p>
+
+<p>"Yes. I'm going to be quite frank with you. He returned the check to
+me."</p>
+
+<p>"Why? He said nothing to me about it."</p>
+
+<p>"I rather imagine he didn't have time. I've waited, knowing you wouldn't
+care to discuss business so soon after&mdash;" He waited for her reaction.
+When she said nothing he continued. "He returned the check and said he
+didn't want the book published after all. I couldn't quite understand
+his reasons, but they are no longer valid as I see it."</p>
+
+<p>"What were his reasons? This surprises me very much. Just the day before
+that he mentioned his book and expressed pleasure that it was being
+published."</p>
+
+<p>"The reasons he gave were that the book contained some things that
+were&mdash;to use his own words&mdash;a trifle crackpottish. He thought they might
+reflect on him in some way."</p>
+
+<p>"Oh my goodness. He was always doing something like that, Mr. Browne. He
+leaned over backwards. Scientific integrity was a fetish with him."</p>
+
+<p>"I haven't read the book," Mr. Browne said. "The reader reported it was
+far better than Dr. Grant's first one. That was good enough for me. The
+reader is no longer with us." He frowned in irritation at the memory.
+"Left us without giving notice. But he was a good man. Excellent
+judgment. I'd like to go ahead with the book unless you object."</p>
+
+<p>"I don't know," Mrs. Grant hesitated. "If he didn't want it published&mdash;"</p>
+
+<p>"But he's gone now," Browne reminded her.</p>
+
+<p>"I know, but&mdash;" She wept softly into a crumpled kerchief.</p>
+
+<p>The publisher remained silent. After a moment she pulled herself
+together. "He was always so absent-minded. I was sure he had mislaid the
+check. Used it to scribble some problem on. He did that once several
+years ago."</p>
+
+<p>Browne reached into his breast-pocket and brought out a long envelope
+and extended it toward her.</p>
+
+<p>"I had another check made out for advance royalties," he said, "if you
+decide to let me go ahead with the book."</p>
+
+<p>"I don't think I should, Mr. Browne." She withdrew the check from the
+envelope and looked at it, her eyebrows lifting at the size of the
+figure.</p>
+
+<p>"It's substantially more than the original check," Browne said. "I
+thought perhaps you might be in need of money, and I feel confident the
+book will sell exceptionally well."</p>
+
+<p>"It is a lot of money," Mrs. Grant said. "But I'm so confused. I wish I
+knew what to do."</p>
+
+<p>Browne leaned forward. "Your husband was a great man. I feel it as an
+obligation on my part to make public his last work."</p>
+
+<p>Mrs. Grant nodded slowly. "You may be right. I hadn't thought of it that
+way."</p>
+
+<p>"And you can undoubtedly use the money," Browne added. "There'll be
+more. How much more depends on how the book sells. It may be a steady
+income for a few years."</p>
+
+<p>"All right," Mrs. Grant said, making up her mind. "I'll let you publish
+it."</p>
+
+<p>"Fine!" Mr. Browne said heartily. "I felt you would. And any time you
+need money just call me."</p>
+
+<hr style="width: 45%;" />
+
+<p>Fred's birthday came in February. He was seventeen now, and the
+knowledge filled him with dismay. It had been months since his father
+had vanished.</p>
+
+<p>Or <i>had</i> his father vanished? Maybe his memory of those people vanishing
+was as wrong as his memory of which way his door opened! To check it he
+spent an afternoon in a newspaper office searching back papers until he
+found the accounts. He read them all carefully. They were as he
+remembered them.</p>
+
+<p>And in him, slowly, grew the realization that he was going to use
+someone. He was going to choose someone and try to make that person
+disappear. More, he knew that that person was going to be Curt Gaard. He
+decided against calling and making an appointment. He would go to the
+man's office and put over the sixteen-year-old act.</p>
+
+<p>With a great deal of shyness he confided to the receptionist that Curt
+was a very special friend of his mother's. She talked into the
+inter-office phone, did a lot of listening and yessing. Finally she told
+Fred that Dr. Gaard wanted him to wait a few moments. Then she dialed
+an outside number. Fred listened to the clicks and knew it was his home
+phone. The psychiatrist was going to talk to his mother. He hadn't
+wanted that, but it wouldn't matter materially.</p>
+
+<p>The wait lasted almost half an hour. Then, with heart pounding, Fred was
+walking toward the dark walnut door to the inner office. Inside, he
+caught a comprehensive glimpse of the rumored couch, luxurious desk and
+chairs, thick expensive rug, and an assortment of floor-lamps and oil
+paintings. Then the psychiatrist was upon him, heartily welcoming him.</p>
+
+<p>There were time-marking conversational exchanges about school, the hot
+rod, and life in general. There was the pause while each sized the other
+up.</p>
+
+<p>Then, "I'm glad you dropped in, Fred," Dr. Gaard smiled casually.</p>
+
+<p>"I'm all mixed up," Fred said. "I know something's wrong with me. I
+wanted someone to talk to, now that Dad is gone. I thought of you. I
+didn't want to bother Mom. Do you really straighten out crazy people?"</p>
+
+<p>"Not exactly," Curt chuckled. "A psychologist finds most of his patients
+among people who are just upset about things. They aren't insane. They
+just need someone who has experience to help them get their thoughts
+straightened out."</p>
+
+<p>"Maybe that's all I need," Fred said. "I don't <i>think</i> I'm crazy."</p>
+
+<p>"Of course you aren't. You're a very healthy-minded young man."</p>
+
+<p>"I don't want Mom to know about this...."</p>
+
+<p>Curt frowned, jotted something down on a notepad. It was, Fred guessed,
+a notation to call his mother and warn her to keep quiet.</p>
+
+<p>"Don't worry about your mother. Now tell me, just what seems to be the
+trouble?" Curt smiled encouragingly.</p>
+
+<p>"Are you married?" Fred asked with teen-age frankness.</p>
+
+<p>"No," Curt smiled.</p>
+
+<p>"Would you marry my mother?" Fred asked bluntly. "I would like for you
+to be my father."</p>
+
+<p>Curt Gaard stared at him a moment. "I really believe you mean that," he
+said slowly. "You know, don't you, that it will be two years before she
+can be free to marry? Your father can't be declared legally, ah,
+departed, for two years."</p>
+
+<p>"No. I didn't know," Fred said, real dismay on his face. He hadn't known
+about that. He thought rapidly. "Then can I come live with you? Just
+until Mom can marry you?" Inwardly he was enjoying this. And he hoped he
+wasn't overdoing it.</p>
+
+<p>"We can't do that," Curt said. "I'll tell you what we can do, though.
+I'll invite myself out to dinner tomorrow evening. Don't say anything.
+I'll surprise your mother. And we'll see a lot of each other from now
+on. Okay?"</p>
+
+<p>Fred nodded. It was definitely okay. He wanted to be present when Curt
+Gaard disappeared into thin air, and this way he had a chance.</p>
+
+<hr style="width: 45%;" />
+
+<p>He left Curt's office highly exhilarated, almost drunk with the emotion
+of things working right. It lasted until the following evening when the
+doctor showed up and he and Fred's mother put on their little act. Then
+his emotions swung the other way. He experienced a reluctance to go
+through with his plans. There was too much that was likeable about the
+man. And his mother did like him.</p>
+
+<p>"Poor Dad," Fred thought.</p>
+
+<p>After dinner the next evening, Curt kept the conversation on Fred's
+father. It was, Fred sensed, the right time to bring up the theory. Curt
+would do anything to please him, to draw him out.</p>
+
+<p>But he hesitated. Stretching elaborately, he said, "I'm sleepy. Why
+don't you and Mom play Canasta or something?"</p>
+
+<p>"I'm going to be much too busy," his mother said. "I have to finish
+proofreading your father's book for the publisher. Mr. Browne is finally
+going to print it, and wants it back right away."</p>
+
+<p>"When did that happen?" Fred demanded. "Can I read it?"</p>
+
+<p>"You can read it when it comes out. Now you and Curt go into the study
+and leave me alone." She herded them out of the room.</p>
+
+<p>This interlude had served to strengthen Fred's resolve. Alone with the
+psychiatrist, he let slip that he knew of a wonderful theory his father
+had originated, then tried to cover up.</p>
+
+<p>Curt used flattery. Fred took his cue and slyly bragged that it was a
+theory few college professors could understand even, but he understood
+it.</p>
+
+<p>More coaxing and he was ready to start in. But his conscience got the
+better of him. He balked, and even as he tried to squirm out of it he
+realized that it was too late. Dr. Gaard would never rest until the
+theory had been told.</p>
+
+<p>"I'll tell you the next time you come," he suggested as a last retreat.</p>
+
+<p>"Tonight," Curt said. "Even if it takes all night. You can miss school
+tomorrow." He winked. "I can okay it with the teacher."</p>
+
+<p>"All right," Fred said in sudden crystallization of decision. "But only
+if you agree to master every step of it, stopping me until you have."
+Curt agreed. He started in.</p>
+
+<p>After half an hour it settled into serious listening on Curt's part, and
+pertinent questions that made Fred realize he was dealing with a mind of
+more than average keenness.</p>
+
+<p>Fred's mother wandered in occasionally, and out again, without being
+noticed by either of them.</p>
+
+<p>An hour passed. Two. The final steps were drawing nearer. At times Curt
+was even anticipating some of them. It was midnight when it was
+finished. The mind of Curt Gaard held the entire pattern.</p>
+
+<p>Fred couldn't take his eyes off the man's face. The face that was
+mirroring the rapid flow of thoughts as it reviewed and attacked every
+brick in the structure, finding it solid, and solidly cemented to its
+neighbors.</p>
+
+<p>Then he saw a change come over the man's face. He had accepted the
+theory. Now he was trying to integrate it into the problem of Fred
+Grant. He hadn't yet seen the connection between the theory and the
+mysterious disappearances.</p>
+
+<p>And perhaps he wouldn't. If he did he might go the final step and
+realize what was going to happen to him. Fred hoped that wouldn't
+happen. He didn't want his victim to be conscious of being a victim.</p>
+
+<p>"You <i>are</i> intelligent, Fred," Curt probed, "to be able to master such
+an advanced theory." He glanced at his watch. "It's getting pretty late.
+I'll tell you what. After school tomorrow drop down to my office. We'll
+come out for dinner here together."</p>
+
+<p>"Say! That'd be swell!" Fred enthused. "I'll get right to bed so I can
+get enough sleep." He leaped up and called, "Mom! I'm going to bed now."
+He winked broadly at Curt to let him know he was getting out of his way
+so they could be alone together a few minutes.</p>
+
+<p>And that was that. The die was cast, and all that remained was to try
+and use it to make progress, rather than letting it be just another
+disappearance that pointed to nothing constructive.</p>
+
+<p>There was no way of telling how fast it would work. The next afternoon
+and evening there was little to provide an indication, other than an
+occasional look that came over Curt for moments at a time.</p>
+
+<p>A date was made for Saturday. It was to be a picnic in the country. That
+meant skipping Friday. Fred violently objected, but Curt and his mother
+overrode his objections. So in the end it had to be Saturday, unless
+Curt disappeared before then.</p>
+
+<p>He didn't.</p>
+
+<hr style="width: 45%;" />
+
+<p>But ten minutes before school was out Friday a note was brought into the
+classroom from the principal's office. Curt had called to ask Fred to
+come to his office directly from school.</p>
+
+<p>Torn between excited anticipation that the psychiatrist had made an
+important discovery, and fear that the man would have vanished before he
+could get to him, Fred ran from the school building and caught the bus.</p>
+
+<p>At Curt's office the receptionist smiled and told him to go right in.
+His sigh of relief was genuine. Curt was sitting at his desk.</p>
+
+<p>"Come in, son," he said.</p>
+
+<p>There were the amenities. "How did school go today?" "Okay." "Anything
+happen?" Fred waited impatiently. Then: "I've been thinking a lot about
+your father's theory, Fred, and I would like to ask a few questions&mdash;if
+it won't upset you."</p>
+
+<p>"Of course not!" Fred said.</p>
+
+<p>"Okay, here's a question," Curt said. "Or rather, a statement. You can
+answer yes or no. You believe the theory is at the root of the
+disappearances, that in some unknown fashion knowing the theory will
+cause a person to vanish."</p>
+
+<p>So there it was. Fred debated rapidly in his mind. It might be better to
+admit it.</p>
+
+<p>"Yes," he said.</p>
+
+<p>"Hmm. Then let me ask you this. How do you account for the fact that you
+know it, and haven't disappeared?"</p>
+
+<p>Fred decided to be completely truthful and see what happened. "It's
+because I don't let belief form a part of my thinking, sir. Dad
+instilled that in me. With those that disappeared, logic was their
+groundwork of belief."</p>
+
+<p>"But you believe knowing the theory caused them to vanish?"</p>
+
+<p>Fred smiled. "I see what you mean. No, I don't. It's just that no other
+alternative seems probable, so...."</p>
+
+<p>"So you work with the one that does," Curt said, nodding. "All right,
+let's work with it for the moment. You have probably done some thinking
+on what mechanism might be involved in the process of vanishing. Would
+you care to tell me about it?"</p>
+
+<p>"There's no reason why not, sir. It takes time for conscious beliefs to
+sink into the subconscious and integrate there. The time varies with the
+person and the emotions involved."</p>
+
+<p>"That makes sense," Curt said, nodding.</p>
+
+<p>"I postulated that down underneath even the subconscious, at the very
+roots of being, is what I named the basic thought matrix. In order for
+us to be here in this existence at all it must have a certain form.
+Change that form and, presto, the person slips out of this existence,
+perhaps into another."</p>
+
+<p>"I see." Curt drummed his fingers on the desk for a long minute. "I
+see," he repeated. "Has it occurred to you that you have already
+rejected your theory? It's quite obvious you have, you know."</p>
+
+<p>"How is it obvious?" Fred asked, wondering what Curt meant.</p>
+
+<p>"Because you told me the theory. You wouldn't have, of course, if you
+believed it would cause me to vanish like the others."</p>
+
+<p>Fred opened and closed his mouth several times, unable to cope with
+this. It was unexpected.</p>
+
+<p>"We've gotten to the root of your trouble," Curt went on. "It was a real
+trouble, to you. In a few months you will look back on it and marvel at
+it. Right now it seems real. You feel that somewhere your father still
+exists. You would like to go to him, or perhaps bring him back. Believe
+me, such mysterious vanishings aren't uncommon. The history of the world
+is full of such incidents. In some cases whole groups have vanished.
+Authenticated cases. In southeast Asia the people of an entire city of
+over a million inhabitants vanished overnight. In the last century an
+entire trainload of people, including the train, vanished while going
+from one city to another a few miles away. And there have been
+vanishments with reappearances, too. In England there was an old woman
+who suddenly vanished before the eyes of her family. At the same instant
+she reappeared in a room in London, miles away, in front of other
+people. Did she know your father's theory? Did the train that vanished
+know that theory?" Curt was smiling. "No. You see, it's something
+unrelated to your father's theory."</p>
+
+<p>Fred was nodding. "You may be right," he said. "I didn't know about
+those."</p>
+
+<p>"You may go now, son," Curt said. "I'll be out around eleven o'clock in
+the morning."</p>
+
+<p>Fred rose quickly. "Okay, Curt," he said. "I'll see you." He hurried
+out. It was too much of an effort to hide the sudden trembling. He
+hadn't known about other cases of vanishing. They provided data to
+expand the whole thing, while not in the slightest detracting from the
+validity of anything else.</p>
+
+<p>And if the talk had been prolonged much more Curt would have inevitably
+tumbled to his motive for telling him the theory.</p>
+
+<hr style="width: 45%;" />
+
+<p>Promptly at eleven Curt arrived. Fred's mother had already prepared the
+large basket of food. There were ten minutes of last-minute bustle, then
+they were off, with Curt skillfully tooling his Cadillac in and out of
+traffic until they were on the open highway.</p>
+
+<p>"I know just the place," he told them. "Woods, meadow, brook. Even a
+couple of cows." And he did. When they arrived shortly before
+twelve-thirty it was all that.</p>
+
+<p>Fred relaxed as the car came to a stop. Every second of the trip he had
+been ready to seize the wheel and keep the car from crashing if Curt
+vanished.</p>
+
+<p>"Still a little nervous?" Curt asked him as they got out.</p>
+
+<p>"No. No, of course not!" Fred said.</p>
+
+<p>Curt didn't pursue the subject. Instead, he became something utterly
+different than he had been before, a carefree thoroughly likeable man,
+full of humor.</p>
+
+<p>Fred began to regret that he had chosen him as his victim. He began to
+hope that the process might not be automatic, that Curt wouldn't vanish.
+But he stayed close to him and listened to his every word and watched
+his face as much as he dared without staring, so that if the moment came
+he could get whatever there was to get of value from it.</p>
+
+<p>For the first time in years his mother began to be carefree. She even
+joked back at Curt occasionally, something she had never done with
+Martin in Fred's memory. Her joking was clumsy and uncertain. Fred
+laughed uproariously to encourage her and to hide his uncomfortable
+feeling.</p>
+
+<p>"Oh, I haven't felt so good in ages," she said when they were seated
+around the tablecloth spread with sandwiches and salads and cakes. "It's
+wonderful getting out like this. We'll have to do it often."</p>
+
+<p>"We will," Curt said. "At least once a week."</p>
+
+<p>Fred's mother picked up a sandwich. She started to raise it to her
+mouth. She was smiling at Curt and about to say something to him. Both
+Curt and Fred were watching her.</p>
+
+<p>Abruptly she wasn't there. The sandwich seemed to remain stationary for
+a long second. Then it dropped to the tablecloth.</p>
+
+<p>Curt was holding a paper cup filled with hot coffee. His hand
+constricted. The cup collapsed, spilling steaming coffee over his legs.</p>
+
+<p>Fred stared at the space his mother had just occupied. Abruptly he
+squawked, "No!" He turned accusing eyes on Curt. "You told her!"</p>
+
+<p>Something seemed to go out of the man. He seemed to become visibly
+smaller. "Yes," he whispered, "I told her."</p>
+
+<p>Fred was crying. "But you shouldn't have," he sobbed. "I told you
+because I wanted you to vanish. I didn't want her to, and now she has.
+And nothing happened that I could use."</p>
+
+<p>Curt blinked at him, absorbing this new bit of information. "You wanted
+<i>me</i> to vanish?" he echoed. "Yes, I can see that now. I didn't know. It
+seemed too absurd. I thought you were just imagining things. Yes, I went
+out while you were at school and spent the whole morning teaching her
+every step. It was fairly easy. We had planned on coaxing you to explain
+it to her. Knowing it ahead of time she could pretend to grasp it that
+much more easily. We were planning on coaxing you into a more social
+relationship. Actually, she had already read the theory in your father's
+book she was reading for the publisher." A glassy look came into his
+eyes. "The book. If the theory is at the root of the disappearances the
+book shouldn't be published. Yes, by God. That's what your father was
+driving at. Your mother told me the publisher had told her your father
+tried to get him not to publish it."</p>
+
+<p>"The book has the theory in it?" Fred said. "It mustn't get published.
+Why&mdash;thousands of people would read it and vanish. We've got to stop
+them!"</p>
+
+<p>Curt was shaking his head in bewilderment. "But we can't be sure. It
+must be something else, though what I don't know."</p>
+
+<p>"No," Fred said bitterly.</p>
+
+<p>There was a long silence. Curt broke it by saying, "What did you expect
+to accomplish by my vanishing?"</p>
+
+<p>Fred told him of Horace's shouting to his wife, "Ethel! I've got it!",
+and the others seeming to have a flash of divination or insight just
+before they vanished.</p>
+
+<p>"I wanted," he explained dully, "to be with you when it happened, in the
+hopes I could get something more than I have to go on. In that way I
+might be able to find out something so I could bring my father back. And
+Mom." He began to cry.</p>
+
+<p>"I see," Curt said, calm and a little subdued. "It's possible that may
+come. After what I've seen happen I can admit it as a possibility."</p>
+
+<p>"Then you will make every effort to tell me?" Fred asked.</p>
+
+<p>Curt smiled wryly. "You make it sound inevitable. But&mdash;yes, I will."</p>
+
+<p>Fred's eyes were large and round. "I've got to find the mechanism. I've
+got to go where they've vanished to and show them how to get back!" He
+turned his eyes on Curt. "Don't you hate me?" he pleaded. "I'm just the
+same as a murderer!"</p>
+
+<p>"No, my son," Curt said gently. "Wherever your father is, your mother is
+with him now. If&mdash;" A startled expression appeared on his face. "So
+<i>that's</i> it," he almost whispered.</p>
+
+<p>"<i>What's</i> it?" Fred asked. "Tell me. Please tell me. I've got to know,
+you know. You promised!"</p>
+
+<p>Curt frowned in a visible effort to jerk himself back. His eyes, holding
+a faraway look, rested on Fred's face, looked at it, and through it.</p>
+
+<p>"You promised!" Fred screamed. "Tell me!"</p>
+
+<p>Curt opened his mouth as though to speak. His lips smiled.</p>
+
+<p>And&mdash;he was no longer there.</p>
+
+<p>Fred was alone, with the picnic lunch on the white square of tablecloth,
+with the gleaming Cadillac a few yards away, with the two white and
+black spotted cows grazing a short distance away, with the noisy little
+brook nearby.</p>
+
+<p>Alone....</p>
+
+<hr style="width: 45%;" />
+
+<p>He became aware of a police siren growing louder. He became aware he was
+behind a wheel, that there were cars in front of him veering wildly out
+of his way. The speedometer needle pointed at ninety.</p>
+
+<p>How had he arrived here? He took his foot off the gas. He was driving a
+Cadillac. Curt's. But Curt was gone. That was it! He had started out to
+look for the police.</p>
+
+<p>He pulled over to the side of the road as the police car came screaming
+up. Shakily he told them about the disappearances. Any doubts they might
+have had were held in reserve by the obvious sincerity of his grief.</p>
+
+<p>He led them back to the picnic grove. The tablecloth with the food on it
+was still there, untouched. One of the cows was grazing beside it.</p>
+
+<p>They listened while he told again of his mother and Curt vanishing
+before his eyes. Their reserved skepticism was thrust out of their minds
+when he identified himself as the son of Dr. Martin Grant, who had
+disappeared.</p>
+
+<p>They used their car radio. In a surprisingly short time several other
+cars were coming through the gate into the pasture.</p>
+
+<p>Fred, his mind paralyzed with grief, stood forlornly near the Cadillac.
+He answered the questions they put to him. He wasn't aware of the news
+cameras that took shots of him which were to appear in the evening
+papers all over the country.</p>
+
+<p>Eventually it was over. The police gathered up the picnic lunch, his
+mother's purse, and everything else. A gray-haired man in a dark brown
+suit who introduced himself as Captain Waters told him to get into the
+Cadillac. "I'll drive," Waters said.</p>
+
+<p>Entirely submissive, Fred obeyed. On the way into town Captain Waters
+said he would take Fred home if he wanted to go there, but it would be
+really better if he accepted an invitation to stay at the Waters home
+for a few days until things were straightened out.</p>
+
+<p>"All right," Fred said.</p>
+
+<p>Eternities later he was in a house with comfortable furnishings. A
+motherly old lady was hovering around him. Captain Waters was on the
+phone calling someone.</p>
+
+<p>There was a steaming dinner on blue design Swedish dishes. Under coaxing
+Fred nibbled. Door chimes sounded. Captain Waters pushed back his chair
+and went away. He came back with another gray-haired man who pressed a
+thumb against Fred's cheek, listened to words Captain Waters was saying,
+then ordered Fred to roll up his sleeve.</p>
+
+<p>He swabbed a spot with alcohol and inserted a hypo needle. Fred watched
+with listless eyes.</p>
+
+<p>"Get him undressed and to bed," the doctor said. "Poor kid. Suffering
+from shock. Have to watch him the next few days...."</p>
+
+<p><i>Shock</i>.... Fred tried to concentrate on the meaning of the word.</p>
+
+<p>The bed was an enormous expanse of fresh smelling sheets and luxurious
+blankets. The pillows were mountainous ... and so soft....</p>
+
+<p>The sun was streaming in through open French doors, filtered through
+bronze screen doors. An electric clock on the dresser pointed at
+eleven.</p>
+
+<p>He lay there without moving, remembering everything that had happened
+the day before. And he had a feeling that, in his sleep, he had been
+doing a lot of thinking. Or was it dreaming?</p>
+
+<p>"Poor boy," a melodious voice purred.</p>
+
+<p>He opened his eyes. It was the motherly woman, with a tray of toast and
+eggs and steaming coffee. The sight of it made him aware that there was
+a huge emptiness in his stomach.</p>
+
+<p>He ate, gratefully. Mrs. Waters busied herself about the room, humming
+soft tunes, smiling at him whenever he looked at her. When he had
+finished, she took the tray.</p>
+
+<p>"You just relax and sleep some more," she said. "The bathroom is through
+that door over there. If you want me for anything just call. I'll hear
+you. And if you want to get up and wander about the house just do so."
+She departed, leaving the door part way open in invitation.</p>
+
+<p>Fred sighed and closed his eyes. In that moment of relaxation the
+thinking he had done during the night rose into consciousness.</p>
+
+<p>For he knew now what he had to do. There was no other avenue of
+exploration. It might not even be possible. But if it was possible he
+was going to do it.</p>
+
+<p>He was going to vanish.</p>
+
+<hr style="width: 45%;" />
+
+<p>There alone lay the solution. He should have realized it. Once he
+vanished as had the others, he would have experience with the mystery.
+Personal experience. He would have all the data he required, instead of
+just data from the world he was in. If he had the ability to solve the
+problem of reappearance he would then be able to return, and go back
+again and show the others how to return.</p>
+
+<p>The key to vanishing was belief, that quality of thought which his
+father had systematically weeded from his mind since earliest infancy.
+It might take time to overcome that, but it should be possible.</p>
+
+<p>Already he believed some things. Or did he? Was it merely a realization
+that those things had a probability that approached certainty?</p>
+
+<p>His patterns of thinking were too ingrained. His mind was too well
+integrated. If he became irritated the irritation immediately brought up
+the memories of the factors that made him react that way. If he became
+happy he consciously knew the pattern, stretching back to early infancy.
+It was ingrained within him.</p>
+
+<p>He began to realize with a sinking sensation that he didn't actually
+know what belief was. If, in some way, it was present anywhere in his
+makeup, he didn't know how to recognize it.</p>
+
+<p>His mental pattern was one of unbelief. Not disbelief, the believing
+that something isn't true; but unbelief, the using of something in the
+pragmatic sense for its workability.</p>
+
+<p>He let his thoughts wander in the past. He could remember vaguely a
+moment when he had felt unreasoning terror, a sense of being lost. He
+could remember his father saying many times, "Belief is the lazy
+assuming that something is true." It is or it isn't, and the fundamental
+postulate of inductive logic tells us that its truth or lack of it is
+forever beyond our reach. So why reach for it? Use a theory if it works
+for you. Discard it if it doesn't. Don't use it even to the point of
+absurdity while clinging to a belief that it's true.</p>
+
+<p>It was that way with facts, too. Something that happened or seemed to
+happen, needed no tag of belief attached to it. If you saw it happen it
+didn't necessarily happen. There was such a thing as illusion. Accept it
+as though it had happened&mdash;until events pointed otherwise.</p>
+
+<p>His playmates and teachers had been frankly skeptical of this point of
+view, doubting he could actually have attained it. They were quick to
+agree it was desirable. They just thought no one could use a thing
+without attaching a degree of belief or unbelief to it.</p>
+
+<p>Now, what should he believe? As in the attempts to reach the basic
+matrix by conscious extension, he had to start somewhere.</p>
+
+<hr style="width: 45%;" />
+
+<p>It was midafternoon when Captain Waters entered the bedroom with a
+cheery, "Hello!"</p>
+
+<p>"Hi," Fred said. He had been lying in bed with his eyes closed.</p>
+
+<p>"Did I wake you?" Waters said. "Sorry." He grinned. "You can go back to
+sleep again. I'll drop in later."</p>
+
+<p>Captain Waters ducked out. He started to close the door, then left it
+open. A few minutes later the rumble of his voice came from another part
+of the house. Fred tried to catch what he was saying, but couldn't.</p>
+
+<p>Half an hour later he heard the front door chimes. The rumble of deep
+voices came again. The doctor appeared in the doorway.</p>
+
+<p>"Well, well," he said, smiling. "I hear you had a very restful night.
+How do you feel today? Better?" He was advancing toward the bed as he
+talked. Setting his black bag down, he reached out and took Fred's
+pulse. "A little rapid," he said, putting his watch away. Reaching
+inside his coat, he took out a thermometer. He put it under Fred's
+tongue. "Had anything to eat or drink in the past fifteen minutes?" he
+asked. Fred shook his head.</p>
+
+<p>The doctor stood quietly. After a while he lifted the thermometer,
+glanced at it, and put it away.</p>
+
+<p>"Looks like you're going to be fit as a fiddle," he said. "I'll be back
+in a few minutes. Mrs. Waters told me on the way in she was pouring me a
+cup of coffee."</p>
+
+<p>Fred remained motionless until the doctor had left the room. Then he
+slipped out of bed and went to the door. On the other side of it was a
+living room. A swinging door of the type that opens into kitchens was
+just swinging closed. No one was in sight. Quickly Fred stole across to
+the door. He put his ear close to it and listened.</p>
+
+<p>"Dr. Harvey speaking," he heard the doctor say. "Connect me with
+thirteen please."</p>
+
+<p>"Is he going to be all right?" Mrs. Waters' anxious voice sounded.</p>
+
+<p>"I think so," the doctor said calmly. "Hello? Thirteen? Who's speaking?
+Oh, hello, Giles. Dr. Harvey. Do you have a vacancy? Observation, yes."</p>
+
+<p>"Oh dear," Mrs. Waters said unhappily.</p>
+
+<p>"It will be for the best," Captain Waters said. "They'll know how to
+take care of him."</p>
+
+<p>Fred waited for no more. He went back to the bedroom. His clothes were
+in the closet. In seconds he had them on. He could tie his shoes and
+button up later.</p>
+
+<p>He unfastened one of the screen doors and stepped out onto a flagstone
+path that wound around the corner of the house toward the front. There
+were people on the sidewalk, but none very near. It would be hours
+before dark, and there was no place to hide.</p>
+
+<p>There were two cars parked at the curb. One was a police car, the other
+a black Chrysler sedan, probably the doctor's car. The police car had
+the key in the ignition. Fred didn't hesitate. He jerked open the door
+and slid behind the wheel. Mrs. Waters' anxious voice sounded, calling,
+"Fred! Where are you?" Then the starter was whirring. The motor caught.</p>
+
+<p>As he shot away from the curb, Fred caught a glimpse in the rear view
+mirror of Captain Waters running down the walk from the house.</p>
+
+<p>As he took the first corner, touching the siren button briefly, he
+wondered why he had run. It had been an impulse. Maybe it was the wrong
+one. Maybe he could accomplish what he had to do better in some kind of
+institution. Maybe not.</p>
+
+<p>He compressed his lips grimly. The die was cast now. He would abandon
+the police car someplace, then slip quietly out of town on foot. He
+would be caught if he tried to go home. He had no money except a few
+dollars in change.</p>
+
+<p>Maybe this was all part of the new pattern that seemed to possess him.
+He kept the siren going, not trusting his ability to avoid traffic. Its
+mad scream blended into his thoughts. He was the hunted. He was sane,
+but the truth would brand him as insane. Or was he sane? Had anyone
+vanished? Was his father at home, sitting in his chair in his study,
+expounding his theories to his colleagues? Was his mother at home, in
+the kitchen, preparing dinner?</p>
+
+<p>His lip trembled. Homesickness welled up in him.</p>
+
+<p>He was near a bus line that went to the outskirts of the city. He shut
+off the siren and slowed down. After a few blocks and two turns he felt
+safe in ditching the car. He pulled quietly to the curb. He tied his
+shoelaces, buttoned his shirt, combed his hair. Then he got out. No one
+paid any attention to him.</p>
+
+<p>He walked to the corner. Two minutes later the bus stopped.</p>
+
+<hr style="width: 45%;" />
+
+<p>The night sky was clear. The moon was a lesser sun whose light made
+things visible and somehow unreal and mysterious. In the ditch to the
+right of the road two bright points of light blinked on, held for a
+moment, and vanished. A cat.</p>
+
+<p>A silent dog appeared out of the gloom, wagged its tail and half of its
+body in friendliness. "Nice doggy," Fred said nervously. It sniffed his
+trouser leg, lost interest, and moved off into the darkness.</p>
+
+<p>It was after midnight. How long after, he didn't know. Once a police
+car had come speeding by, its red lights ogling insanely, its spotlight
+weaving into the bushes at the side of the road. He had lain very still
+in the ditch until it passed. It hadn't slowed down. Later it had come
+back and he had again pressed his body into the earth beside the road.</p>
+
+<p>Off to the right now he saw the silhouette of the giant tree that had
+been the landmark of the picnic spot. A few minutes later he could see
+the gate that led to the meadow.</p>
+
+<p>He squeezed through it and picked out the path worn by the cars the day
+before. Some winged creature dipped down, shied away from him, and swept
+off into the darkness.</p>
+
+<p>A soft gurgling sound became audible. The brook. The spot where his
+mother and Curt had vanished, was ahead.</p>
+
+<p>He reached it. He wasn't quite sure until he studied the ground and went
+back in memory to check on little details. Then he was certain.</p>
+
+<p>He had reached his goal.</p>
+
+<p>He knew why he had come, of course. Here he was closer to his mother
+than anyplace else. Here, in some unguessed way, he might get to her.</p>
+
+<p>What would he do when morning came? He sat down and pulled his knees up
+under his chin, wrapping his arms around them. Morning was far away. It
+might never come&mdash;for him. If and when it did he would cope with it.
+"Mom," he whispered. "Mom...."</p>
+
+<p><i>Crrroak!</i> The sound of the frog broke the silence. The croak of a frog
+that was part of the universe&mdash;the universe that was basically
+illogical. More....</p>
+
+<p>Fred sobbed.</p>
+
+<p>The universe was insane. Police looking for you. Doctors with their
+standards of sanity and insanity. Right now they were looking for him to
+protect him from himself. They didn't want to know why things were done.
+To them even the reason would be part of the insanity. They dealt in
+tags. Words. Their science was an illusion within an illusion.
+Meaningless inside a universe of meaninglessness.</p>
+
+<p><i>Crrroak</i>, the frog said cautiously. And a night creature came down on
+silent wings, to weave back into the darkness.</p>
+
+<p>That was the reason for pragmatism. He could see it now. He had always
+thought his father made pragmatism his God because it was the
+intellectual thing to do. But now he could see the reason for it.
+Reality was a jungle in which Reason had to cope with Unreason, and
+there was no criterion except workability. Belief was an instinctive way
+of thought. It was like the appendix. Scientists claimed that long ago
+man ate tree bark. And the appendix had had a use. If so, that use was
+gone, but the appendix remained. Before surgery had become a common
+thing, thousands of people died from appendicitis. The organ that had
+once been necessary had become a hazard to living. Belief was something
+like that.</p>
+
+<p>He jerked out of his thoughts to listen to a car on the road. It slowed
+down. It stopped by the gate. A car door slammed. A man appeared briefly
+in the light of the headlamps. Captain Waters&mdash;alone.</p>
+
+<p>He loomed a moment later inside the pasture in the light of a
+flashlight. He occasionally flashed it on his face so he would be
+recognizable.</p>
+
+<p>Fred felt an impulse to slip away into the darkness. He hadn't been
+seen. Captain Waters was just hoping he might be here.</p>
+
+<p>A stronger impulse made him remain as he was. The entire pattern of
+Captain Waters' approach indicated understanding&mdash;or at least the
+willingness to understand.</p>
+
+<p>The bobbing flashlight came closer. It speared out and touched him; then
+abruptly went out. Footsteps approached. A dark form emerged from the
+gloom.</p>
+
+<p>"Hello, Fred," Captain Waters said quietly. "I came to keep you company.
+I'll just sit quiet and not bother you."</p>
+
+<p>"Okay," Fred said.</p>
+
+<hr style="width: 45%;" />
+
+<p>There were movements. A small flame illuminated Captain Waters' features
+as he lit his pipe. The flame went out. Then, only the occasional glow
+of the pipe, briefly illuminating the police Captain's face.</p>
+
+<p><i>Crrroak!</i> The frog greeted this newest arrival in his domain.</p>
+
+<p>Fred could not think. He was too conscious of the man sitting near him.
+He fought down the impulse to jump up and run away into the darkness. He
+fought the desire to scream at the man to leave him alone.</p>
+
+<p>Perhaps the police captain sensed this, or perhaps he could see Fred's
+expression when the coal in his pipe glowed brightest. "Tell you what,"
+he said suddenly, "You maybe would feel better alone. I'll wait in the
+car. When you get ready you can come home. No more doctors. Mom gave me
+a good talking to. She wants you to come back."</p>
+
+<p>Waters got up and walked away into the night. Minutes later there was
+the sound of a car door slamming shut. Fred was alone again.</p>
+
+<p>Alone. It was a feeling, almost an emotion. Intellectually he knew that
+nearby was a frog. A block away across the meadow was the police captain
+sitting in his car.</p>
+
+<p>Abruptly, without warning, a flash of insight spread through his entire
+mind. He knew suddenly what belief was. He knew it instinctively and
+without question.</p>
+
+<p>And knowing it, he knew that his foundations of unbelief were a semantic
+illusion that had been built up within him. The panorama of his mind,
+his entire life, stood clearly before him.</p>
+
+<p>The cute little tags of probability were superficial. They had a
+pragmatic value in keeping the mind open, but their function was to
+guide the judgment in tagging thoughts with belief or disbelief.</p>
+
+<p>He retreated into his aloneness until there was nothing but himself. He
+marveled at the unfoldment of this new understanding. He could see
+things in this new light of understanding.</p>
+
+<p>But then.... A question loomed. If that were so, why hadn't he vanished
+like the others? Belief was an automatic process. Why hadn't it
+permeated to the basic matrix of his mind as it had with the others?</p>
+
+<p>Was he, then, still on the wrong track?</p>
+
+<p>But there <i>was</i> no other!</p>
+
+<p>He saw the trap he had set for himself. He had believed with all his
+being that belief was the key he was searching for!</p>
+
+<p>He had been on the wrong track. His beautiful theory of belief that
+spread downward into the subconscious, then down lower and lower into
+the basic matrix that held a person in this reality, was wrong. The
+evidence he had based it on was still there, but it was evidence of
+something else.</p>
+
+<p>Of what?</p>
+
+<p>The eastern horizon was suffused with light. It grew stronger, dimming
+the light of the moon.</p>
+
+<p>From somewhere in the depths of his being rose a feeling that soon he
+would know, and when he did he would be close to crossing the threshold.</p>
+
+<p>He unclasped his arms and straightened out his legs, feeling stabs of
+pain in his weary muscles. He got to his feet, tingling with weariness.</p>
+
+<p>By the side of the road, he could see the police car he had
+stolen&mdash;infinite ages ago. He walked toward it, and when he reached it
+he climbed in and closed the door.</p>
+
+<p>"Beautiful morning," Captain Waters said, starting the motor.</p>
+
+<hr style="width: 45%;" />
+
+<p>Fred awoke and opened his eyes. Across the room the French doors were
+open. Sunlight was filtering through the copper screens. A breeze was
+playing gently with the drapes. For a moment the flight, the long walk
+into the country, his rendezvous with Aloneness, Captain Water's coming
+to bring him back, all seemed the stuff of dreams. He had the feeling
+that he had never left this enormous bed.</p>
+
+<p>Then it returned. Reality. The miracle of his reorientation to belief,
+the new vistas that went with it. The full realization of the true
+nature of the vanishments.</p>
+
+<p>He became aware of a figure in the doorway, watching him. It was Mrs.
+Waters. "Awake?" she asked cheerfully.</p>
+
+<p>"Yes," Fred said.</p>
+
+<p>"Want some breakfast?"</p>
+
+<p>He nodded. She went away.</p>
+
+<p>He raised his head and looked about the room, at the homey touches, the
+family pictures on the dresser and the walls, the hand sewed knickknacks
+and frills. This was probably the Waters' own bedroom that they had
+given up for him.</p>
+
+<p>He could vanish while Mrs. Waters was away. She would come in with the
+breakfast tray and find him gone.</p>
+
+<p>When would the <i>moment of reorientation</i> come?</p>
+
+<p>He frowned in thought. That had stirred up something about what he had
+dreamed, or thought, while he was asleep. Something that had the flavor
+of being very important.</p>
+
+<p>"Here you are!" Mrs. Waters said, sweeping into the room with the tray
+and its Swedish design dishes and steaming coffee and hot cereal. As she
+bent over to set the tray on the bed, there came the sound of the front
+door opening. "There's Pa, home already." She smiled worriedly at Fred.
+"Will you be all right? I'll tell Pa to come in and keep you company
+while I fix his supper."</p>
+
+<p>"Yes ma'am," Fred said, eyeing the food hungrily. "Only&mdash;" She was at
+the door. She stopped and looked around questioningly. "I&mdash;I think I'd
+like to be alone while I eat."</p>
+
+<p>"All right," she said, and hurried away.</p>
+
+<p>But Captain Waters had brushed in without giving her a chance to tell
+him to stay away. "Hello, son," he said warmly. "Have a good sleep?"</p>
+
+<p>Mrs. Waters said, "You let him alone while he eats."</p>
+
+<p>"It's all right," Fred said hastily.</p>
+
+<p>"Sure it's all right," the police captain said. He sat down and took out
+his pipe. He concerned himself with filling it and lighting it, saying
+nothing.</p>
+
+<p>Fred picked up a piece of golden toast and bit into one corner absently.
+The thoughts he had had during sleep were filtering into consciousness.</p>
+
+<p>He recalled how his mother had looked. There had been a fleeting
+expression just before she had vanished. She had been going to say
+something. <i>She had changed her mind and had vanished instead!</i></p>
+
+<p>And Curt&mdash;he had had his reorientation at least several seconds before
+vanishing. He had had it, and then, with his new perspective, had said,
+"So <i>that's</i> it!"</p>
+
+<p>It was as though the new orientation made everything else unimportant.</p>
+
+<p>One common factor stood out in every case, those two he had personally
+witnessed, and the others he hadn't seen. One common factor. Vanishing,
+or whatever happened that produced the vanishing, had been an impulse.</p>
+
+<p>There had been time for thought. For example, Curt might have considered
+the practicality of telling Fred what had happened to him. But he might
+have reflected that eventually Fred would discover what he had just
+discovered, so why bother?</p>
+
+<p>In the office Curt had told him of a whole city of a million people
+vanishing, leaving empty houses and streets. Had the cause been the
+same? A true orientation?</p>
+
+<p>Fred looked at Captain Waters, sitting quietly, puffing slowly on his
+pipe. With deliberation Waters uncrossed his legs and leaned forward.
+"You know, son, when you get around to it&mdash;that is, if you feel up to it
+sometime&mdash;I wish you'd tell me about it. What it is that's troubling
+you. I'll try to understand."</p>
+
+<p>"You'll try&mdash;?" Fred echoed. And the police captain's words started a
+train of thought. The others&mdash;had the place they'd gone been a heaven or
+a hell? So many of them&mdash;. Fred started suddenly. "The book!" he cried.</p>
+
+<p>"What book?"</p>
+
+<p>"I've got to see the publisher about my father's book. It's very
+important."</p>
+
+<p>"It can wait until you're feeling better," Waters said.</p>
+
+<p>"No. I've got to see Mr. Browne!"</p>
+
+<p>"Why?"</p>
+
+<p>"I&mdash;I can't tell you."</p>
+
+<p>"All right." Captain Waters gave in. "I'll take you down and bring you
+back."</p>
+
+<p>It was half an hour later, in the reception room at the publishing
+company. Fred stared numbly at the big poster on the wall advertising
+his father's book.</p>
+
+<p>"Mr. Browne will see you," the receptionist said.</p>
+
+<p>"Wait here," Fred told Captain Waters. "I want to talk to him alone." He
+went to the door and opened it, stepping inside and closing it behind
+him.</p>
+
+<p>"Fred Grant?" Browne said, getting up from his desk and coming toward
+him, hand outstretched. "What can I do for you? Need some money?"</p>
+
+<p>Fred was shaking his head. "I don't want any money," he said. "I want
+you to stop my father's book. You can't publish it."</p>
+
+<p>"Now wait," Browne said. "We aren't going through that again, are we?"</p>
+
+<p>"You can't!" Fred said. "People will read it and vanish!"</p>
+
+<p>"Huh?"</p>
+
+<p>"People will read it and vanish! You've got to believe me. <i>The cause of
+those disappearances is in that book!</i>"</p>
+
+<p>Browne stared for a moment, then dragged over a notepad, wondering how
+his publicity boys had missed this one. He stood up and came around his
+desk. "You leave it to me," he said. "You won't have a thing to worry
+about. I'll take care of everything."</p>
+
+<p>"Then you won't publish it?"</p>
+
+<p>Browne was guiding him toward the door. "You leave it to me. Drop in
+again soon. If you need money just drop in any time and I'll fix you
+up."</p>
+
+<p>Fred found himself outside the door, not quite sure what Mr. Browne had
+promised.</p>
+
+<p>Inside, Browne went back to his desk, muttering, "What a killing! Have
+to tell Nichols about it tomorrow at lunch. That vanishing stuff is a
+terrific publicity angle."</p>
+
+<hr style="width: 45%;" />
+
+<p>"You still don't want to tell me what's troubling you?" Police Captain
+Waters said wistfully.</p>
+
+<p>A frown crossed Fred's features and vanished into a smile. "Nothing's
+troubling me," he lied. "I'm all right. I'll be all right."</p>
+
+<p>"You'll stay with us a while longer?"</p>
+
+<p>"Sure. Sure. You make me feel&mdash;okay. I'm just going out for a ride. Be
+back for supper."</p>
+
+<hr style="width: 45%;" />
+
+<p>It had been two months now since his mother and Curt had vanished. In
+that two months he had come to realize something. He didn't quite know
+how to express it even in his thoughts.</p>
+
+<p>It wasn't that he didn't want to vanish. He would, some day. But he had
+given up trying. It was the wrong way. The others hadn't tried. It had
+just come to them out of a clear sky.</p>
+
+<p>Some day it would come to him that way, and he would welcome it.</p>
+
+<p>He drove downtown and parked. A block away was a show he wanted to see.
+He started toward it. Abruptly he stopped. In front of him was a
+bookstore. In its window was a large display, and every book had his
+father's picture on the front under the title THEORY FOR THE MILLIONS.</p>
+
+<p>In back of the display was a large poster with a still larger picture,
+and the teaser&mdash;(DO YOU DARE READ THIS BOOK?)</p>
+
+<p>Anger flamed in Fred's mind. The anger died as abruptly as it had come.
+It was replaced by a homesickness, a longing. Unconsciously his
+footsteps carried him into the store.</p>
+
+<p>A man had the book in his hands.</p>
+
+<p>"You aren't going to buy <i>that</i>, George," the woman beside him was
+saying.</p>
+
+<p>"And why not?" the man asked, laughing. "I've never turned down a dare
+in my life!" He looked at the girl waiting on him. "Do you think I'll
+vanish, Miss?"</p>
+
+<p>The clerk smiled. "I wouldn't know. I have strict orders not to read the
+book."</p>
+
+<p>A solemn-faced man appeared out of nowhere and thrust a copy of the book
+at the clerk. "I want this, please," he said.</p>
+
+<p>"I'll be with you in a moment, sir," the clerk said.</p>
+
+<p>Others were waiting also.</p>
+
+<p>Fred stumbled from the store, bumping into someone in the doorway as he
+went through, and too confused and frightened to stop and apologize.
+There was no way of stopping it. Maybe the police would become alarmed
+at the disappearances.</p>
+
+<p>"What's wrong with me?" he mumbled, walking blindly in the crowds on the
+sidewalks. "Maybe I do lack the ability to believe. I <i>think</i> I believe.
+What have I missed?"</p>
+
+<p>Only he, of all those who had learned the theory, had not vanished. Was
+faith, then, something so common, and yet impossible for he, himself, to
+reach?</p>
+
+<p>Ahead was another bookstore. In its windows were the same displays.</p>
+
+<p>He stopped. People were pushing through the doors. Inside they were
+picking up the book and looking for a clerk.</p>
+
+<p>The clerks were smiling and saying things Fred couldn't hear, and
+wrapping the books and handing them to their new owners&mdash;people who
+would take them home and read&mdash;and vanish.</p>
+
+<p>Into what? Something they would see, and smile at, and say, "Why, of
+course!" And with a simple acceptance they would enter it.</p>
+
+<p>He watched them.</p>
+
+<p>And from the depths of his being Fred longed to be one of them; to be
+able to go in and buy the book, and read it, and....</p>
+
+<hr style="width: 45%;" />
+
+<p>On the other side of the window, in the store, a clerk was waiting on a
+customer. The customer turned to look at him, with his nose flattened
+against the glass. He didn't see them. In his eyes was a faraway look, a
+startled light.</p>
+
+<p>"Why of course!" he said in quiet wonder.</p>
+
+<p>There was just a little blur, where a nose had pressed against the
+window, and the customer frowned and said to the clerk, "That young man
+outside&mdash;he&mdash;he&mdash;"</p>
+
+<p>"Three-fifty, please," the clerk said.</p>
+
+<p>"Ah&mdash;oh. Oh, sure."</p>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of Project Gutenberg's Ye of Little Faith, by Roger Phillips Graham
+
+*** END OF THIS PROJECT GUTENBERG EBOOK YE OF LITTLE FAITH ***
+
+***** This file should be named 32663-h.htm or 32663-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/3/2/6/6/32663/
+
+Produced by Greg Weeks, Mary Meehan and the Online
+Distributed Proofreading Team at https://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
diff --git a/32663-h/images/cover.jpg b/32663-h/images/cover.jpg
new file mode 100644
index 0000000..8ee3eef
--- /dev/null
+++ b/32663-h/images/cover.jpg
Binary files differ
diff --git a/32663-h/images/illus.jpg b/32663-h/images/illus.jpg
new file mode 100644
index 0000000..d8d5198
--- /dev/null
+++ b/32663-h/images/illus.jpg
Binary files differ
diff --git a/32663.txt b/32663.txt
new file mode 100644
index 0000000..842e8e4
--- /dev/null
+++ b/32663.txt
@@ -0,0 +1,2534 @@
+The Project Gutenberg EBook of Ye of Little Faith, by Roger Phillips Graham
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Ye of Little Faith
+
+Author: Roger Phillips Graham
+
+Illustrator: Tom Beecham
+
+Release Date: June 2, 2010 [EBook #32663]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK YE OF LITTLE FAITH ***
+
+
+
+
+Produced by Greg Weeks, Mary Meehan and the Online
+Distributed Proofreading Team at https://www.pgdp.net
+
+
+
+
+
+
+
+
+
+Ye of Little Faith
+
+By Rog Phillips
+
+Illustrated by TOM BEECHAM
+
+
+[Transcriber Note: This etext was produced from IF Worlds of Science
+Fiction January 1953. Extensive research did not uncover any evidence
+that the U.S. copyright on this publication was renewed.]
+
+[Sidenote: _It matters not whether you believe or disbelieve. Reality is
+not always based on logic; nor, particularly, are the laws of the
+universe...._]
+
+
+
+
+The disappearance of John Henderson was most spectacular. It occurred
+while he was at the blackboard working an example in multiple
+integration for his ten o'clock class. The incompleted problem remained
+on the board for three days while the police worked on the case. It, a
+wrist watch and a sterling silver monogrammed belt buckle, lying on the
+floor near where he had stood, were all the physical evidence they had
+to go on.
+
+There was plenty of eye-witness evidence. The class consisted of
+forty-three pupils. They all had their eyes on him in varying degrees of
+attention when it happened. Their accounts of what happened all agreed
+in important details. Even as to what he had been saying.
+
+In the reports that went into the police files he was quoted with a high
+degree of certainty as having said, "Integration always brings into the
+picture a constant which was not present. This constant of integration
+is, in a sense, a variable. But a different type of variable than the
+mathematical unknown. It might be said to be a logical variable--"
+
+The students were in unanimous agreement and, at this point, Dr.
+Henderson came to an abrupt stop in his lecture. Suddenly, an expression
+of surprise appeared on his face. It was succeeded by an exclamation of
+triumph. And he simply vanished from the spot.
+
+He didn't fade away, rise, drop into the floor, or take any time
+vanishing. He simply stopped being there.
+
+[Illustration: _He just wasn't there any more._]
+
+The police searched his room in the nearby Vanderbilt Arms Hotel. They
+turned a portrait of the missing math professor to the newspapers to
+publish. Arbright University offered a reward of one hundred dollars to
+anyone who had seen him.
+
+The police also found a savings pass book in his room. It had a balance
+of three thousand eight hundred and forty dollars, which had been built
+up to that figure by steady monthly deposits over a period of years. It
+also had a withdrawal of three hundred and twenty dollars two days
+before the disappearance. They were sure they were on the path to a
+motive. This avenue of exploration came to an abrupt end with the
+discovery that he had traded in his last year's car on a new one, and
+that sum had been necessary to complete the deal.
+
+After the third day the blackboard had been erased and the classroom
+released for its regular classes. Police enthusiasm dropped to the norm
+of what they called legwork. Finding out who the missing man's
+acquaintances and friends were, calling on them and talking to them in
+the hopes of picking up something they could go on.
+
+They passed Martin Grant by because they had heard from him in their
+initial work. In fact, he had been a little too present for their
+tastes.
+
+After ten days they dropped the case from the active blotter. The
+University, seeing that there was little likelihood of having to shell
+out the reward money, increased it to five hundred dollars.
+
+But Martin Grant continued to ponder over a conversation he himself had
+had with John Henderson during a dinner six weeks to the day before his
+old friend had vanished. He remembered his own words...
+
+ * * * * *
+
+"... and so you see, John, by following this trail, I've arrived at a
+theory that has to do with the basic nature of the universe--of all
+reality. Yet things don't behave as they would if my theory were
+operating."
+
+John Henderson frowned into space, disturbed. Visibly disturbed. Martin
+watched him with a twinkle in his eyes.
+
+"You must have gone off the track on it somewhere, Martin," John said
+suddenly, as though trying more to convince himself than his listener.
+
+Martin shook his head with slow positiveness. "You followed every step.
+We spent four hours on it." He took pity on his friend. "Don't let it
+bother you. I regard it as just an intellectual curiosity. I've included
+it in my next book on that basis."
+
+A new voice broke in. "What is it, Dad? One of your ten-thousand-word
+shaggy dog jokes?" This from Fred Grant, 16, student in the senior grade
+at the Hortense Bartholemew High School, and an only child of Martin
+Grant.
+
+"A little more respect toward your father," Martin said with much
+sternness.
+
+"Yes, Father."
+
+"It was my _theory_."
+
+John Henderson said, "But, Martin, I don't know what to think now. Of
+course there must be some fallacy that I've missed. The way things stand
+though, I--" He chuckled uncomfortably. "I begin to doubt myself. I
+can't quite classify it as an intellectual curiosity."
+
+"What else can you do with it?" Martin said. "I know your trouble. It's
+a common one. You have a tendency to believe things or disbelieve them.
+Now you've been presented with something your intellect demands that you
+believe, while your experience shouts, 'lie'."
+
+"Is Fred able to understand it?" John asked, smiling at the youngster
+with fond and unconscious condescension.
+
+"Not yet," Fred smiled. "I'm still in high school."
+
+"And if you don't want to flunk out you'd better be off to bed at once,"
+Martin told him.
+
+"Yes, Father. Good night, Dr. Henderson."
+
+Fred's departure left a vacuum in the conversation that took a minute to
+fill. John Henderson frowned himself back to where he had been before
+the boy had arrived. When he got there he frowned even more, because it
+was a state of mental confusion that seemed to have no way of being
+resolved.
+
+"Maybe we can get at it this way," he said. "Let's postulate that your
+theory is the only logical basis on which reality can rest. B, quite
+obviously reality does not rest on this basis. We could make C,
+therefore, that reality doesn't rest on a logical basis. But that
+doesn't seem to satisfy me. Maybe C could be--no--" He glanced at his
+watch, lifted his eyebrows and stood up. "I really didn't know it was so
+late. I'll have to be going, Martin. An eight o'clock lecture in the
+morning."
+
+Martin made a wry face. "You've awakened my own conscience. I have an
+hour or two of work yet before bedtime."
+
+The two men went to the front door. John said, "Thank your wife again
+for me. Wonderful dinner. You're lucky, Martin, to have such a good
+cook."
+
+ * * * * *
+
+That had been six weeks before John Henderson vanished. Martin Grant
+mentioned this visit to Horace Smith, one of the teachers in his
+department, and got himself and his wife invited for dinner on the
+following Friday. Dinner over, the two professors retired to the
+library.
+
+Two and a half hours later Horace had assimilated and grasped every
+detail of the theory. He then leaned back in his chair and closed his
+eyes, fingertips to temples, trying to find some flaw. Finally he shook
+his head. "It's no use," he said. "Your theory is logically inescapable.
+But--" He frowned. "Where does that place us? Probably where some
+schools of thought have always suspected we would wind up eventually.
+With the realization that the basic laws of the universe can't be
+reached by logic or even by experiment based upon logic."
+
+"I wouldn't say that," Martin objected. "My theory is an intellectual
+curiosity, that's all. That's the way I present it in my latest book. By
+the way, it's coming out soon. Signed the contract a month ago." He
+pulled his thoughts back to the conversation. "After all, one must hold
+onto the pragmatic approach to reality. Here is a theory that logic says
+must be the only possible way a universe can be constructed and
+operate. It's beautiful and logically complete, but not applicable. No
+pragmatic value."
+
+"Congratulations on the book. But, damn it," Horace said, "it attacks my
+most basic faith. Logic. Reason."
+
+"Faith?" Martin echoed, amused. "Yes, perhaps you're right. That's a
+word that's foreign to my thinking. Belief is so unnecessary."
+
+"You don't mean that."
+
+"But I do."
+
+Horace pondered. "I can prove otherwise. You believe--as an
+example--that your wife is faithful to you." It was a statement rather
+than a question.
+
+"As a matter of fact--I don't. I act upon the greater probability that
+she is. I don't hire detectives to follow her. Nor do I throw her into
+situations to test her faithfulness. I admit the possibility that she's
+unfaithful to me. If evidence came that she was, I might confront her
+with the evidence. Where does belief become necessary?"
+
+"Do you believe your son will become a success in life?" Horace asked.
+
+"No. I've done everything I could think of to increase the probability
+that he will. One of the things I've done is to instill in him the
+realization that belief is unnecessary in thinking. Surely, as a
+scientist, you realize that nothing we use in science finds its value or
+validity from human belief. If, tomorrow, evidence were brought forth
+that trigonometry is based on fallacy I'm sure that mathematicians would
+use that evidence to revise their entire field."
+
+"But belief is instinctive; as instinctive as thought itself."
+
+"I admit it's a natural way of thinking. It has to be weeded out."
+
+"So you're sure you don't believe in anything," Horace said slyly.
+
+"Such statements are verbal traps," Martin said. "They mean nothing. You
+want me to imply that I believe I believe nothing, and therefore I have
+at least one belief. But as a matter of fact I've built up a sort of
+mental mechanism for discovering beliefs in my thinking and dispelling
+them by going to the roots and showing myself why I believed. Belief
+springs up in the mind like weeds in a garden. Constant weeding is the
+only solution." He glanced at his watch and frowned uneasily. "Eleven
+o'clock. We'd better break this up and join the women. We'll have to get
+together again soon. By the way, do you and your wife play Canasta? My
+wife loves it."
+
+They had been moving toward the door. Now they entered the living room,
+to find the two women playing the game.
+
+"Time we were going, dear," Martin said. "And sometime soon make plans
+to have Horace and Ethel over for an evening of four-handed Canasta."
+
+At the front door vows of an early reunion were repeated. But they were
+never to be fulfilled. On the following Tuesday Horace vanished.
+
+ * * * * *
+
+This time there were no actual eye witnesses. The time was somewhere
+between seven and seven-ten Tuesday morning; the place; Horace Smith's
+bathroom.
+
+Ethel Smith was in the kitchen preparing breakfast. Horace was in the
+bathroom. He called out, "Ethel! I've got it!"
+
+"What have you got?"
+
+But even as Ethel called out, she heard the sound of the electric razor
+falling to the tile floor, and there was no answer from the bathroom.
+Nothing but silence and, as she described it later, a feeling that she
+was alone in the house.
+
+At the time, however, she wasn't alarmed. She half expected some
+muttered profanity over the dropping of the razor. She didn't wait for
+it exactly. Instead, she picked up the spatula and expertly scooped the
+eggs onto their two plates and carried them to the breakfast nook. Next
+she poured the coffee. Then, placing some bread in the toaster, she
+started back to the stove, calling, "Come and get it, Horace!"
+
+At the stove she started to pick up the aluminum dish containing the
+bacon. She paused and repeated her call. "Horace!"
+
+It wasn't until then that it occurred to her the falling of the razor
+might have been an ominous sound. Her mind filled with worried images,
+she rushed out of the kitchen into the hall leading to the bathroom.
+
+The door was locked.
+
+"Horace!" she called. "Are you all right?" When there was no answer she
+pounded on the door. "Horace! Speak to me!"
+
+After that she ran outside and around to the bathroom window. It was
+shut and locked, as she already knew. Not only that, it had been stuck
+for years.
+
+With an urgency born of a realization that every second might mean the
+difference between life and death, she ran back into the house and
+called the fire department. Also the family doctor.
+
+By nine-thirty the police had been called in. By eleven o'clock they had
+seen the parallel between this disappearance and that of John Henderson.
+
+Martin Grant's first reaction was concern for Ethel. His second reaction
+was that, twice, he had presented his theory to someone and that person
+had vanished. His third was accompanied by a twinge of fear. He had just
+finished presenting his theory to the senior physics class!
+
+This was followed by an amazing realization. He was conceding that there
+might be a connection between his theory and the disappearances. He
+laughed it off, but it returned. It disturbed him.
+
+It continued to bother him on Wednesday, so he began to search his mind
+for reasons. Eventually he found them. There was a distinct analogy
+between a theory that didn't agree with observable reality, and a pair
+of disappearances which violated known methods of disappearing.
+
+The analogy was so clear that he began to feel there might be a
+functional relation between the two. Of course, he concluded, it would
+be reasonably certain if a large number of the students in the senior
+group were to vanish also.
+
+This intellectual conclusion became an anxiety neurosis.
+
+So, on Wednesday--after he had scanned the room anxiously to see how
+many students were absent and discovered to his intense relief that they
+were all there--he spent the full hour lecturing on the necessity--the
+_vital_ necessity--of unbelief in all things, especially scientific
+theories.
+
+But would it work? He vaguely remembered giving Horace a similar
+lecture.
+
+Wednesday night just before retiring he had another disturbing thought.
+He had explained the theory to his son. But that had been weeks before,
+and Fred was steeped in the mechanism of unbelief. Good thing, or he
+might have been the first to disappear.
+
+"What's the matter with you, Martin? Can't you even answer when--" The
+rest of what his wife was saying faded in the startled realization that
+he was eating dinner.
+
+"Sorry, dear," he murmured. "I was thinking." He was trying to recall
+something that might tell him what day it was. It was obviously evening
+or they wouldn't be eating dinner. "Uh," he said casually, "what day is
+today?"
+
+"Saturday," Fred said.
+
+"Now Fred, don't tease your father about his absent-mindedness. This is
+Thursday."
+
+Thursday! That was right. He had given the lecture on the necessity of
+unbelief today. There was tomorrow, when he could see if any of the
+class had disappeared yet. He couldn't be certain, of course. Just
+because a student didn't show up didn't mean he or she had vanished.
+
+He fixed his eyes on Fred, across the table, and smiled. Fred, at least,
+was a source of comfort. He knew the theory and hadn't vanished.
+
+"Dad," Fred said. "I've been wondering if you saw a point of similarity
+in the two disappearances?"
+
+Martin thought, good heavens, does he have any inkling of what I've been
+thinking? Of course not! He's just fumbling. Better to discourage him.
+"Sorry, son. There aren't any similarities except accidental ones. I've
+had the confidence of the police on this. The cases are quite
+unrelated."
+
+Fred refused to be sidetracked. "Dr. Henderson's face lit up as though a
+sudden idea had struck him. I talked with some of his students. That's
+what they all thought. And Horace Smith shouted to his wife, 'Ethel!
+I've got it!' The next instant in each case they vanished into thin
+air."
+
+"But that doesn't mean a thing."
+
+ * * * * *
+
+In the privacy of his study Martin Grant allowed himself to become
+excited. Fred had unwittingly come upon the vital clue to the two
+disappearances.
+
+"Let's be clear about this," he said to himself, drumming on his desk
+nervously with his fingers. "Undoubtedly there's a connection between
+the vanishing and my theory. Both Horace and John arrived at something
+I've missed. And since my theory is exhaustive it can't be there. It
+must be--yes--it _must_ be that they went a step farther." He pondered
+this a moment and added grudgingly, "A step I have missed." Then even
+more grudgingly, "An obvious step."
+
+Automatically he opened a drawer and brought out a sheet of paper and a
+pencil. He wrote:
+
+_The theory contains within itself the proof that the universe must, by
+logical necessity, be constructed according to said theory. But
+observation and experience say this is not true._
+
+He frowned at what he had written. This was the conclusion to which he
+had led both men. It was the conclusion upon which he had rested. They,
+obviously, had not rested there. They had gone on.
+
+Under what he had written he wrote "_Either_:" on the left hand margin.
+Two inches under it he wrote, "_Or_:" Then he frowned at them. Suddenly
+he began writing rapidly after the _Either_: "_The universe is not
+constructed according to logical necessity._"
+
+He hesitated, studying what he had written. Then, pursing his lips, he
+slowly wrote after the _Or_: "_The observable universe is not the
+universe._"
+
+He nodded to himself. That hit at the core of the matter. A was X. B was
+not X. Therefore B was not A. Even though A and B were both called
+universe.
+
+The question was, then--did the universe-of-logical-necessity exist? If
+so, what relationship did it have to the observable universe which quite
+obviously did exist?
+
+Was that the question, the answer to which, gained in a moment of
+insight, had caused two men to utterly vanish?
+
+He sighed with real regret. There was no way of knowing. Possibly a
+mechanical brain of the most advanced type could come out with a
+comprehensive picture after solving thousands of successive equations.
+Knowledge of simple basics was a far cry from a fully expanded system.
+
+He pushed the sheet of paper away with a show of irritation. He was
+missing something. He was on the wrong track. Neither John nor Horace
+had the mental equipment to make more than a simple step beyond what he
+had accomplished. That was certain. It was equally certain that he could
+and would make it.
+
+A startled expression appeared on his face. "Oh good lord!" he groaned.
+"My book. I must do something about that the first thing tomorrow. I--"
+He opened the drawer of his desk and took out an oblong of paper, the
+check against advance royalties. "I'll return this and not let them
+publish it. First thing in the morning. And from now on I resolve not to
+think of my theory or what caused John and Horace to vanish."
+
+Folding the check neatly, he stuck it in his billfold and then started
+to read a book that interested him. He became engrossed in it. Half an
+hour later he came to enough to realize he was on safe ground, sigh with
+relief, and sink back into the trains of thought of the book.
+
+It was a nice feeling to know he was safe.
+
+ * * * * *
+
+It was Friday. The sun was shining brightly and the monotony of the blue
+sky was relieved here and there by filmy white clouds that gave it a
+pleasing three-dimensionalness.
+
+But to Martin Grant there was something unreal about things. He decided
+it must be the light. Things stood out with too sharp clarity.
+
+When he reached his office at the university he made arrangements for a
+substitute to take his ten o'clock class. Then he called the publishing
+company and made an appointment for ten-fifteen.
+
+The hour from nine to ten seemed interminably long. He found it almost
+impossible to concentrate on such an unimportant subject as the
+application of tensor analysis to electronic circuits.
+
+Ten o'clock came. He hurried to the parking lot and got in his car. It
+was real and comforting. But once again everything outside the
+windshield seemed too sharply defined.
+
+He timed himself on the way across town to the publishing house. He
+would have to allow himself the same time to return for his eleven
+o'clock class. It took twelve minutes, plus another two to find a
+parking place. Two minutes from the car to the eleventh floor. He was
+frowning at his watch as he entered the publisher's office.
+
+"Well, well, Dr. Grant! Glad to see you. I suppose you're anxious to see
+your book ready for market. It's coming very well. Just came back from
+the typesetters and is going into its first printing right away."
+
+"Huh?" Martin said, completing his mental arithmetic and jerking into an
+awareness of his surroundings. "Oh, hello Mr. Browne," he said. "I was
+just figuring my time. I have an eleven o'clock class. I can only stay
+twenty-seven minutes. That gives me a three minute margin of error for
+traffic delays."
+
+"I see," the publisher said, a twinkle in his eye. "As I was just
+saying, your book--"
+
+"Oh yes, my book," Martin interrupted. "Just a minute." He took out his
+billfold and extracted the check, handing it to Mr. Browne.
+
+"What's this for?" Mr. Browne asked, unfolding it. "Oh, the advance
+royalty check. Is something wrong with it?"
+
+"I'm returning it," Martin said. "I can't let you publish my book."
+
+"Can't let me publish it!" Browne exclaimed. "Why not? Don't tell me it
+infringes on someone else's copyright!"
+
+"No. Nothing like that. I've merely decided I don't want it published.
+I'm returning your check."
+
+"Well now, look!" Browne said. "We're a business establishment. You
+signed a contract. We signed one too. It protects both of us against
+just this sort of thing, you know." He studied Martin thoughtfully. "Sit
+down and relax," he invited. "I'm human. Tell me why you don't want it
+published. Maybe I might agree with you. We have over a thousand dollars
+tied up already in typesetting, but--"
+
+Martin took the seat and glanced nervously at his watch to make sure the
+twenty-seven minutes hadn't elapsed.
+
+"I've just changed my mind," he said curtly. "There are certain
+things--I'm the head of a department, you know. I must watch my
+reputation. That's it, my reputation. On due reflection I believe the
+book might hurt my standing."
+
+"In what way?" Browne asked. "To tell you the truth, your other book
+did so well I didn't bother reading this one."
+
+"There's a--" Martin brought himself up short. So Browne hadn't read it.
+So much the better. At least he wouldn't vanish. "I'm afraid," he added
+with a self-conscious chuckle that he hoped was genuine enough to pass,
+"the subject matter is a little too crackpottish in spots. That's the
+whole thing. It would reflect on my reputation."
+
+"Maybe we could do a little editing on it," Browne said. "Cut out the
+parts you think crackpottish and substitute something else in those
+pages. I'll get the galleys and we can look at them."
+
+"No!" Martin said. "No, I'm afraid we would have to cut out at least
+half of the book. No. The best thing is to forget it, but I'll make good
+your typesetting loss. I can pay you two hundred dollars right away and
+fifty dollars a month."
+
+Browne lit a cigarette slowly, his eyes on Martin. "You're serious,
+aren't you," he said. "I'll tell you what we'll do. We'll let the whole
+thing ride for the present. Maybe later--"
+
+"No!" Martin said. "It must never be published! It's very vital that it
+never be published."
+
+"Okay," Browne said. "We won't publish it. We have the contract, but--we
+won't publish it."
+
+"Thanks, very much," Martin said. "I must hurry back."
+
+The publisher stared thoughtfully at the closed door after Martin had
+gone. He glanced down at the check.
+
+ * * * * *
+
+Lecture room 304 was very large, capable of holding four hundred
+students in its successive tiers of seats, plus the teacher on his
+raised platform immediately in front of the large blackboard. In
+previous years there had been instances of students slipping out after
+roll call. In spite of everything, it had happened.
+
+Therefore a new system had been inaugurated. Before roll call Martin
+marched to the back of the room to the only exit and locked it.
+Pocketing the key, he returned to his podium. It had been going on this
+way for two years, and was now automatic.
+
+The day watchman, making his rounds, approached this door at precisely
+two thirty-four. He heard violent pounding. Along with the pounding
+there was a loud, hoarse voice, gasping, "Lemme out! Lemme out!"
+
+The watchman consulted his clock--the one he used to make a record of
+his rounds--and determined that it was two thirty-four. He knew that it
+was Dr. Grant's senior theoretical physics lecture period. He recalled
+that a couple of years before Dr. Grant had had trouble with students
+slipping out after roll call. But it occurred to him that it was hardly
+possible to sneak out, even on Dr. Grant, absent-minded as he was, by
+pounding on the door and shouting, "Lemme out!" in a terrified tone of
+voice.
+
+He therefore stopped and knocked on the door, calling, "What's going on
+in there?"
+
+Whoever was doing the pounding and shouting evidently didn't hear him.
+Waiting no longer, the day watchman used his master key on the door.
+
+A smallish young man, later identified as Mark Smythe, attempted to run
+past him into the hall. The watchman blocked Mark's escape and looked
+toward the podium in an automatic appeal to Dr. Grant.
+
+Dr. Grant was not there. The podium was unoccupied. So were all four
+hundred seats. There was, in fact, no one in room 304 except the one
+terrified student.
+
+In due course the police arrived, along with the regents. By five
+o'clock it had become certain that the greatest mass disappearance of
+all times had occurred, with Mark Smythe as the sole witness.
+
+He stuck to his story through repeated detailed questionings, and in the
+end the police were stuck with it.
+
+According to Smythe, class had begun as usual. Dr. Grant had waited
+until one minute after the bell had sounded, then had marched back and
+locked the door, and returned to the front. He had rapidly scanned the
+room to see if there were any absences, quickly called half a dozen
+names he was uncertain of, and marked the attendance slip. The police
+found it still resting on the table where he had placed it.
+
+Then he had begun his lecture by remarking that they were behind
+schedule and would have to catch up. He had been speaking less than five
+minutes when a student by the name of Marvin Green jumped to his feet in
+great excitement, waving his hand and shouting, "Dr. Grant! Dr. Grant!"
+
+Dr. Grant had stopped his lecture and frowned darkly, then said, "If you
+will please take your seat--"
+
+"But Dr. Grant!" Marvin Green had interrupted him excitedly. "I've got
+it! I've got it!"
+
+What had happened then was impossible for the mind to accept. Marvin
+Green had simply ceased to be.
+
+There had been a stunned silence. And in that silence, it went on.
+Student after student popping out of existence in what seemed to be a
+chain reaction.
+
+He wasn't aware when Dr. Grant vanished. All he knew was that when at
+last he was alone he looked toward the podium and the professor was also
+gone.
+
+He kept waiting to go himself. When he didn't, he lost the fear that had
+rooted him to the spot, and rushed to the exit where he at first tried
+to break down the door and make his escape, then subsided into pounding
+and shouting for help when he realized his physical strength was
+insufficient for the job.
+
+Questioning didn't bring out any additional fact, nor alter any
+statement. There had been no sound to the vanishing, no movement of the
+person that could be considered significant, no flashes of light, no
+strange odors. Nothing.
+
+ * * * * *
+
+Fred Grant got the flash on his hot rod radio on the way home from high
+school.
+
+At the end of the report Fred wrote down Mark Smythe's address on a
+scrap of paper, and drove home to be with his mother. It was three days
+before he could get away.
+
+On the morning of the third day, his aunt Emily arrived to take charge
+of things, and he was able to slip away. He drove immediately to Mark
+Smythe's address. It was one of the better class rooming houses near the
+campus. The land-lady wasn't going to let him in nor announce him until
+he explained he was the son of the professor who had vanished. She
+immediately swung to the other extreme and didn't bother to find out if
+Mark wanted to see him.
+
+"My father was your teacher," Fred said.
+
+"Oh? Come on in."
+
+There were tennis rackets. On the bookshelves there were tennis books.
+On a table there was a tennis trophy. Otherwise there was just a bed, a
+rug, and two or three chairs.
+
+"I don't know what I can tell you more than I've already told the police
+and the reporters," Mark said apologetically. "I guess it's tough,
+losing your father...."
+
+"Yeah," Fred agreed. "I wanted to ask you something though. Dad gave a
+lecture on his new theory a few days ago, didn't he?"
+
+Mark looked at him blankly. Then, "Oh! I guess he did. As a matter of
+fact I didn't pay much attention to it." He grinned. Then he remembered
+he should be solemn and stopped grinning. "I--I sort of slipped by it.
+He made the mistake of telling us ahead of time it was off the course
+and no questions on it would be in the finals, so I more or less rested
+up during the period for a tennis match afterwards. Why?"
+
+"Didn't you get any of what he said?" Fred persisted.
+
+"Oh, a little," Mark admitted. "It was about some system of arriving at
+the basic laws of nature by pure logic, only what you arrived at didn't
+agree with facts. Some kind of intellectual curiosity." He thought a
+minute. "Oh," he said, "I see what you want. Didn't he leave any notes
+on it? It would be too bad if his theory was lost to the world now
+that--" He left the rest unsaid.
+
+"Maybe you can remember something," Fred coaxed. "Anything. Did he talk
+about his theory again?"
+
+"Next day he gave a lecture on the necessity of unbelief in modern
+science. It was pretty good. He overemphasized it, though. Some of the
+kids thought he was making a religion of unbelief."
+
+"What did they say about his theory?" Fred asked quickly.
+
+"Oh, they were quite impressed. Two of them live--lived here in the
+rooming house. They were up here that evening tossing it back and forth.
+I was too tired from the tag match. I let them talk."
+
+"What did they think about it?"
+
+Mark frowned in an effort to recall. "It had to do with this universe
+being basically illogical, or at least seeming to be, because it didn't
+agree with your father's theory. They started building up fantasies on
+it. One I remember was a good one."
+
+"What was that?"
+
+"I think it was Jimmy. He said it would be funny if we were here
+because we believed this universe was the only real one. Something about
+inherited memory. Our coming from a long line of people who believed
+this was the only place, because all our ancestors who didn't believe it
+shot off into some other universe and had their children there. Utterly
+crazy. You know."
+
+"Yeah, I know," Fred agreed. "You going to be around in case I want to
+see you again?"
+
+"God! I hope so!" Mark said. "It makes me nervous."
+
+"You're safe enough," Fred said. "Well--thanks. I'll be seeing you."
+
+ * * * * *
+
+He smoothed out the crumpled sheet of paper and glanced at it.
+
+"What do you hope to find, Fred," his mother asked.
+
+"I don't know," he said. "Anything, I--maybe this is something. Look."
+
+Together they read, "Either: the universe is not constructed according
+to logical necessity, Or: the observable universe is not the universe."
+There were doodlings along the right margin that meant nothing.
+
+"What does it mean?" Mrs. Grant asked.
+
+"Probably just something connected with his classes," Fred shrugged. He
+went on searching the waste basket, giving his mother no hint that he
+had already found what he was searching for.
+
+From the position of the paper in the waste basket he felt reasonably
+sure it had been recently written. It was probably a voicing of thoughts
+gained from the disappearance of Horace and John, because up to that
+time his father had assumed his theory was just an intellectual
+curiosity.
+
+His father couldn't have asked himself if the observable universe might
+not be the universe unless something had happened to raise a doubt, or
+suggest an alternative as a possibility.
+
+Mrs. Grant's interest lessened. She wandered about the room, perhaps
+reliving memories. It gave Fred a chance to put the piece of paper in
+his pocket so that when he put everything back in the waste basket his
+mother would dismiss the whole search.
+
+There was, of course, the file with the entire theory in it. He knew the
+theory by heart, however, and had no need of that file.
+
+"I think I'll go out for a while, Mom," he said.
+
+"All right, Fred," she said disinterestedly.
+
+Outside he climbed behind the wheel of his hot rod and sat there, making
+no motion to start the motor. He was thinking.
+
+Mark Smythe had said that he overheard two of his fellow class-men
+discussing the theory, one of them remarking that, "It would be funny if
+we were here just because we were descended from a long line of people
+who believed this was the only place."
+
+Could that be the key?
+
+Take gravitation, for instance. If it were something that some vital
+part of you had to believe, and that vital part didn't believe, would
+the entire person go flying off into space?
+
+What about inanimate matter? Did it have to believe too? And what about
+other forms of life?
+
+Or was everything except human beings just part of the props?
+
+He shook his head. That didn't seem like quite the right track. He took
+another.
+
+The human mind builds up a picture of the outside universe through its
+senses. Sometimes its ideas are wrong. Right or wrong, inside everyone's
+mind is a universe, derived from the outside universe.
+
+What if the outside universe were derived from something? Derived from
+what? The real, logically necessary universe? That could be. At least it
+seemed to have some value as a starting point.
+
+He tried to reason from that point. Frustration grew in him. He wished
+he were older, had his university education behind him. There were so
+many things he couldn't begin to deal with.
+
+Maybe he could take the entire problem to some of his father's friends.
+He shook his head over this thought. From all that had gone on it was
+too likely that the minute one of them discovered something that would
+be of help he would disappear before he could tell it!
+
+That raised another point. Why didn't he himself vanish? What was there
+different about him?
+
+A lot. His father had instilled in him a lot of the things he himself
+could only aspire to. Unbelief was the major thing. Or perhaps it was
+the other major thing, remembrance.
+
+His father's voice came into consciousness, saying something he had said
+so many times it was grooved deeply in memory, even to the inflections
+of voice. "_All psychoses and mental troubles are caused by walled-off
+unpleasant memories. The child who trains himself to recall all
+unpleasant things and deliberately associate them with the feeling that
+they are valuable lessons, but harmless, will grow up in perfect
+balance._"
+
+He smiled. He could let flow through consciousness, dozens of incidents
+he had taken up with his father.
+
+He was definitely different than others around him. So different
+he had systematically disguised it by a front of accepted
+behavior--systematically and consciously, under his father's guidance.
+
+There was a chance those differences made him safe. There was a chance
+those differences would make it possible for him to find out what caused
+the others to vanish, without he himself vanishing.
+
+The other train of thought inserted itself into consciousness again. Was
+belief the key to the disappearances?
+
+ * * * * *
+
+Mark Smythe hadn't paid attention when the theory was being explained.
+The others had undoubtedly lapped it up. The peculiar thing about the
+theory was that it was so logical and so inevitable that the mind tended
+to accept it, believe it to be true in spite of the evidence of the
+senses.
+
+Let us suppose, Fred mused, that deep within the mind there is some
+matrix of thought that ties the human to this universe. A matrix that
+could conceivably be altered, and when altered would automatically shift
+the person to another universe that the altered matrix fitted.
+
+The subconscious usually took time to absorb and react. That was another
+thing his father had taught him to observe. Learn something, and it
+takes from days to months for it to become lodged in the subconscious
+and to rise into operation naturally from there.
+
+John Henderson had taken six weeks to vanish after having learned the
+theory. It had taken Horace Smith three and a half days, but he had had
+the added factor of Dr. Henderson's disappearance to trigger reactions.
+The theoretical physics class had taken three days exactly, and its
+vanishing had been a sort of group action or chain reaction, with
+intensely emotional reaction after the first student had vanished before
+the eyes of the others.
+
+His own father, originator of the theory, had probably fallen into the
+trap of starting to believe after Horace had vanished, so it became a
+greater probability that the disappearance was related to knowledge of
+the theory. Seeing the students vanish had probably set up an emotional
+state where complete belief was precipitated.
+
+In the whole series the only improbable part was that so many students
+would react in the same short time. That was partly nullified by the
+fact that it was a special class, and only high I.Q. students with
+excellent records were accepted. They would tend to be somewhat
+identical in reaction times.
+
+He straightened up and stared through the windshield at the dark street.
+So there it was, the probable mechanism of vanishment. A system was fed
+into the conscious mind. The conscious mind accepted it. In due time
+that system was transferred down into the matrix that held the person in
+this reality or universe. Once there, it made the whole person
+_transfer_ to a system where the altered matrix fitted. It might not be
+the system pictured in his father's theory. It might be a compromise
+system.
+
+_Where_ and _when_ probably had no meaning in relation to the two
+systems. That was why, when the shift came, the person vanished
+instantly without any strange manifestations of any kind.
+
+Was it reversible? If so, then some of those who had vanished would
+reappear eventually.
+
+A sudden, startling thought made Fred sit up straight, his eyes shining
+with excitement. So far he had been safe mainly because he habitually
+didn't attach belief to anything. His other facet of difference might be
+the means of his testing this without real danger of vanishing.
+
+Could he dredge up from the deepest layers of unconscious thought, the
+threads leading directly to the matrix that held him in his surroundings
+and learn consciously what it was?
+
+A thought. He reflected on it, then decided before he made any decisions
+he would explore the other avenue, the one the police had naturally
+thought of.
+
+Was there some person or persons unknown in back of the disappearances?
+Some non-human, perhaps? It could fit into the same theory of
+disappearance. Another universe, beings in that universe. Beings who
+perhaps didn't want knowledge of their universe to become known on this
+side of the veil.
+
+If so, why hadn't _they_ snatched him too? Maybe they didn't know he
+knew about the theory. He'd never talked about it to anyone. But his
+father had drilled it into him as a supreme example of the reasons why
+belief in anything was a trap.
+
+He shook his head. It didn't seem likely that the disappearances had
+been engineered by anyone. They smacked too much of an inner pattern, an
+inner mechanism.
+
+So he came back to the other theory. What could he try to accomplish by
+exploring into his deepest substratum of thought? The ideal he could aim
+for would be conscious transfer into the other system with the assurance
+before-hand that he could transfer back again. If he could do that, and
+if he could find those who had vanished, maybe he could teach them how
+to return.
+
+It was something that might take a long time, he realized. His first
+objective was to penetrate deeper into his mind than anyone had ever
+consciously gone before. That alone could take a lifetime. Or it might
+be accomplished overnight.
+
+How would he begin? Where would he begin? he shrugged. It didn't matter.
+He would have to systematically extend his ability to be aware in every
+direction, physical and temporal, until he could be conscious of his
+individual blood cells if it were possible, and completely and vividly
+conscious, at will of every second of his past life. If that didn't lead
+him to his objective, it might at least point the way and increase his
+ability to reach his goal.
+
+That evening, Fred arrived home to find a stranger seated in the
+library. There was the usual moment of clumsiness such encounters
+generate, but Fred's mother returned with a tea tray before
+self-introductions became necessary. She said, "Mr. Gaard, this is my
+son, Fred."
+
+The man smiled easily as Mrs. Grant continued, speaking now to Fred.
+"This is Curt Gaard, Fred. I called on him today and what do you think I
+discovered. He was a friend--a very old friend--of your father." Mrs.
+Grant stopped, a certain inward uncertainty showing through.
+
+Fred stood mute, giving voice to none of the questions which sprang up
+in his mind. Curt Gaard, completely at ease, took up the lead. Even as a
+feeling of familiarity sprang into Fred's mind, Gaard said, "I _knew_
+your father--met him several times--but we weren't as close as your
+mother's words might imply."
+
+Then Fred knew. He spoke suddenly. "You're a psychiatrist." The pieces
+fell into place. Fred's father had mentioned this man several times, and
+the boy knew he was not there by chance--that his mother had contacted
+the psychiatrist--this particular one because she too had remembered the
+acquaintanceship. For a moment, Fred was annoyed with his mother. Why on
+earth had she brought a psychiatrist into this? Then he softened as he
+realized she felt it to be to her son's best interests.
+
+"Yes, I'm a psychiatrist," Gaard said. Then, as though he could read
+Fred's mind: "Your mother _did_ send for me, but so far as I'm
+concerned, it's more than just a professional visit. I knew your father
+and liked him. I'd like to be your friend."
+
+"You plan to psychoanalyze me?"
+
+"Don't be so grim about it," Curt Gaard smiled. "Just let's make this a
+social visit. There will be plenty of time for other things later.
+Perhaps you can drop in at my office."
+
+"Perhaps," Fred said, almost absently. A short time later he excused
+himself and went to his room.
+
+ * * * * *
+
+"Mrs. Grant?" Mr. Browne said, smiling at the woman behind the screen
+door. "I'm Mr. Browne the publisher."
+
+"Browne?" she said. "Oh yes. My hus--husband has mentioned you."
+
+"Favorably, I hope?" Browne was wondering if Dr. Grant had told her of
+his decision not to let the book be published.
+
+"Oh yes, very favorably." She frowned. "Which reminds me. He received a
+check from you for the advance royalties. I'm sure he didn't cash it
+because there was no deposit at the bank that large. I can't find the
+check anywhere. He must have had it with him when--"
+
+She had opened the screen door. Browne went in and followed her into the
+study. He looked around at the walls of books, almost feeling the
+presence of the man whose retreat this had been.
+
+"That's what I've come here to see you about," Browne said. "You see, he
+called on me at my office the morning of the day he vanished."
+
+"He did?"
+
+"Yes. I'm going to be quite frank with you. He returned the check to
+me."
+
+"Why? He said nothing to me about it."
+
+"I rather imagine he didn't have time. I've waited, knowing you wouldn't
+care to discuss business so soon after--" He waited for her reaction.
+When she said nothing he continued. "He returned the check and said he
+didn't want the book published after all. I couldn't quite understand
+his reasons, but they are no longer valid as I see it."
+
+"What were his reasons? This surprises me very much. Just the day before
+that he mentioned his book and expressed pleasure that it was being
+published."
+
+"The reasons he gave were that the book contained some things that
+were--to use his own words--a trifle crackpottish. He thought they might
+reflect on him in some way."
+
+"Oh my goodness. He was always doing something like that, Mr. Browne. He
+leaned over backwards. Scientific integrity was a fetish with him."
+
+"I haven't read the book," Mr. Browne said. "The reader reported it was
+far better than Dr. Grant's first one. That was good enough for me. The
+reader is no longer with us." He frowned in irritation at the memory.
+"Left us without giving notice. But he was a good man. Excellent
+judgment. I'd like to go ahead with the book unless you object."
+
+"I don't know," Mrs. Grant hesitated. "If he didn't want it published--"
+
+"But he's gone now," Browne reminded her.
+
+"I know, but--" She wept softly into a crumpled kerchief.
+
+The publisher remained silent. After a moment she pulled herself
+together. "He was always so absent-minded. I was sure he had mislaid the
+check. Used it to scribble some problem on. He did that once several
+years ago."
+
+Browne reached into his breast-pocket and brought out a long envelope
+and extended it toward her.
+
+"I had another check made out for advance royalties," he said, "if you
+decide to let me go ahead with the book."
+
+"I don't think I should, Mr. Browne." She withdrew the check from the
+envelope and looked at it, her eyebrows lifting at the size of the
+figure.
+
+"It's substantially more than the original check," Browne said. "I
+thought perhaps you might be in need of money, and I feel confident the
+book will sell exceptionally well."
+
+"It is a lot of money," Mrs. Grant said. "But I'm so confused. I wish I
+knew what to do."
+
+Browne leaned forward. "Your husband was a great man. I feel it as an
+obligation on my part to make public his last work."
+
+Mrs. Grant nodded slowly. "You may be right. I hadn't thought of it that
+way."
+
+"And you can undoubtedly use the money," Browne added. "There'll be
+more. How much more depends on how the book sells. It may be a steady
+income for a few years."
+
+"All right," Mrs. Grant said, making up her mind. "I'll let you publish
+it."
+
+"Fine!" Mr. Browne said heartily. "I felt you would. And any time you
+need money just call me."
+
+ * * * * *
+
+Fred's birthday came in February. He was seventeen now, and the
+knowledge filled him with dismay. It had been months since his father
+had vanished.
+
+Or _had_ his father vanished? Maybe his memory of those people vanishing
+was as wrong as his memory of which way his door opened! To check it he
+spent an afternoon in a newspaper office searching back papers until he
+found the accounts. He read them all carefully. They were as he
+remembered them.
+
+And in him, slowly, grew the realization that he was going to use
+someone. He was going to choose someone and try to make that person
+disappear. More, he knew that that person was going to be Curt Gaard. He
+decided against calling and making an appointment. He would go to the
+man's office and put over the sixteen-year-old act.
+
+With a great deal of shyness he confided to the receptionist that Curt
+was a very special friend of his mother's. She talked into the
+inter-office phone, did a lot of listening and yessing. Finally she told
+Fred that Dr. Gaard wanted him to wait a few moments. Then she dialed
+an outside number. Fred listened to the clicks and knew it was his home
+phone. The psychiatrist was going to talk to his mother. He hadn't
+wanted that, but it wouldn't matter materially.
+
+The wait lasted almost half an hour. Then, with heart pounding, Fred was
+walking toward the dark walnut door to the inner office. Inside, he
+caught a comprehensive glimpse of the rumored couch, luxurious desk and
+chairs, thick expensive rug, and an assortment of floor-lamps and oil
+paintings. Then the psychiatrist was upon him, heartily welcoming him.
+
+There were time-marking conversational exchanges about school, the hot
+rod, and life in general. There was the pause while each sized the other
+up.
+
+Then, "I'm glad you dropped in, Fred," Dr. Gaard smiled casually.
+
+"I'm all mixed up," Fred said. "I know something's wrong with me. I
+wanted someone to talk to, now that Dad is gone. I thought of you. I
+didn't want to bother Mom. Do you really straighten out crazy people?"
+
+"Not exactly," Curt chuckled. "A psychologist finds most of his patients
+among people who are just upset about things. They aren't insane. They
+just need someone who has experience to help them get their thoughts
+straightened out."
+
+"Maybe that's all I need," Fred said. "I don't _think_ I'm crazy."
+
+"Of course you aren't. You're a very healthy-minded young man."
+
+"I don't want Mom to know about this...."
+
+Curt frowned, jotted something down on a notepad. It was, Fred guessed,
+a notation to call his mother and warn her to keep quiet.
+
+"Don't worry about your mother. Now tell me, just what seems to be the
+trouble?" Curt smiled encouragingly.
+
+"Are you married?" Fred asked with teen-age frankness.
+
+"No," Curt smiled.
+
+"Would you marry my mother?" Fred asked bluntly. "I would like for you
+to be my father."
+
+Curt Gaard stared at him a moment. "I really believe you mean that," he
+said slowly. "You know, don't you, that it will be two years before she
+can be free to marry? Your father can't be declared legally, ah,
+departed, for two years."
+
+"No. I didn't know," Fred said, real dismay on his face. He hadn't known
+about that. He thought rapidly. "Then can I come live with you? Just
+until Mom can marry you?" Inwardly he was enjoying this. And he hoped he
+wasn't overdoing it.
+
+"We can't do that," Curt said. "I'll tell you what we can do, though.
+I'll invite myself out to dinner tomorrow evening. Don't say anything.
+I'll surprise your mother. And we'll see a lot of each other from now
+on. Okay?"
+
+Fred nodded. It was definitely okay. He wanted to be present when Curt
+Gaard disappeared into thin air, and this way he had a chance.
+
+ * * * * *
+
+He left Curt's office highly exhilarated, almost drunk with the emotion
+of things working right. It lasted until the following evening when the
+doctor showed up and he and Fred's mother put on their little act. Then
+his emotions swung the other way. He experienced a reluctance to go
+through with his plans. There was too much that was likeable about the
+man. And his mother did like him.
+
+"Poor Dad," Fred thought.
+
+After dinner the next evening, Curt kept the conversation on Fred's
+father. It was, Fred sensed, the right time to bring up the theory. Curt
+would do anything to please him, to draw him out.
+
+But he hesitated. Stretching elaborately, he said, "I'm sleepy. Why
+don't you and Mom play Canasta or something?"
+
+"I'm going to be much too busy," his mother said. "I have to finish
+proofreading your father's book for the publisher. Mr. Browne is finally
+going to print it, and wants it back right away."
+
+"When did that happen?" Fred demanded. "Can I read it?"
+
+"You can read it when it comes out. Now you and Curt go into the study
+and leave me alone." She herded them out of the room.
+
+This interlude had served to strengthen Fred's resolve. Alone with the
+psychiatrist, he let slip that he knew of a wonderful theory his father
+had originated, then tried to cover up.
+
+Curt used flattery. Fred took his cue and slyly bragged that it was a
+theory few college professors could understand even, but he understood
+it.
+
+More coaxing and he was ready to start in. But his conscience got the
+better of him. He balked, and even as he tried to squirm out of it he
+realized that it was too late. Dr. Gaard would never rest until the
+theory had been told.
+
+"I'll tell you the next time you come," he suggested as a last retreat.
+
+"Tonight," Curt said. "Even if it takes all night. You can miss school
+tomorrow." He winked. "I can okay it with the teacher."
+
+"All right," Fred said in sudden crystallization of decision. "But only
+if you agree to master every step of it, stopping me until you have."
+Curt agreed. He started in.
+
+After half an hour it settled into serious listening on Curt's part, and
+pertinent questions that made Fred realize he was dealing with a mind of
+more than average keenness.
+
+Fred's mother wandered in occasionally, and out again, without being
+noticed by either of them.
+
+An hour passed. Two. The final steps were drawing nearer. At times Curt
+was even anticipating some of them. It was midnight when it was
+finished. The mind of Curt Gaard held the entire pattern.
+
+Fred couldn't take his eyes off the man's face. The face that was
+mirroring the rapid flow of thoughts as it reviewed and attacked every
+brick in the structure, finding it solid, and solidly cemented to its
+neighbors.
+
+Then he saw a change come over the man's face. He had accepted the
+theory. Now he was trying to integrate it into the problem of Fred
+Grant. He hadn't yet seen the connection between the theory and the
+mysterious disappearances.
+
+And perhaps he wouldn't. If he did he might go the final step and
+realize what was going to happen to him. Fred hoped that wouldn't
+happen. He didn't want his victim to be conscious of being a victim.
+
+"You _are_ intelligent, Fred," Curt probed, "to be able to master such
+an advanced theory." He glanced at his watch. "It's getting pretty late.
+I'll tell you what. After school tomorrow drop down to my office. We'll
+come out for dinner here together."
+
+"Say! That'd be swell!" Fred enthused. "I'll get right to bed so I can
+get enough sleep." He leaped up and called, "Mom! I'm going to bed now."
+He winked broadly at Curt to let him know he was getting out of his way
+so they could be alone together a few minutes.
+
+And that was that. The die was cast, and all that remained was to try
+and use it to make progress, rather than letting it be just another
+disappearance that pointed to nothing constructive.
+
+There was no way of telling how fast it would work. The next afternoon
+and evening there was little to provide an indication, other than an
+occasional look that came over Curt for moments at a time.
+
+A date was made for Saturday. It was to be a picnic in the country. That
+meant skipping Friday. Fred violently objected, but Curt and his mother
+overrode his objections. So in the end it had to be Saturday, unless
+Curt disappeared before then.
+
+He didn't.
+
+ * * * * *
+
+But ten minutes before school was out Friday a note was brought into the
+classroom from the principal's office. Curt had called to ask Fred to
+come to his office directly from school.
+
+Torn between excited anticipation that the psychiatrist had made an
+important discovery, and fear that the man would have vanished before he
+could get to him, Fred ran from the school building and caught the bus.
+
+At Curt's office the receptionist smiled and told him to go right in.
+His sigh of relief was genuine. Curt was sitting at his desk.
+
+"Come in, son," he said.
+
+There were the amenities. "How did school go today?" "Okay." "Anything
+happen?" Fred waited impatiently. Then: "I've been thinking a lot about
+your father's theory, Fred, and I would like to ask a few questions--if
+it won't upset you."
+
+"Of course not!" Fred said.
+
+"Okay, here's a question," Curt said. "Or rather, a statement. You can
+answer yes or no. You believe the theory is at the root of the
+disappearances, that in some unknown fashion knowing the theory will
+cause a person to vanish."
+
+So there it was. Fred debated rapidly in his mind. It might be better to
+admit it.
+
+"Yes," he said.
+
+"Hmm. Then let me ask you this. How do you account for the fact that you
+know it, and haven't disappeared?"
+
+Fred decided to be completely truthful and see what happened. "It's
+because I don't let belief form a part of my thinking, sir. Dad
+instilled that in me. With those that disappeared, logic was their
+groundwork of belief."
+
+"But you believe knowing the theory caused them to vanish?"
+
+Fred smiled. "I see what you mean. No, I don't. It's just that no other
+alternative seems probable, so...."
+
+"So you work with the one that does," Curt said, nodding. "All right,
+let's work with it for the moment. You have probably done some thinking
+on what mechanism might be involved in the process of vanishing. Would
+you care to tell me about it?"
+
+"There's no reason why not, sir. It takes time for conscious beliefs to
+sink into the subconscious and integrate there. The time varies with the
+person and the emotions involved."
+
+"That makes sense," Curt said, nodding.
+
+"I postulated that down underneath even the subconscious, at the very
+roots of being, is what I named the basic thought matrix. In order for
+us to be here in this existence at all it must have a certain form.
+Change that form and, presto, the person slips out of this existence,
+perhaps into another."
+
+"I see." Curt drummed his fingers on the desk for a long minute. "I
+see," he repeated. "Has it occurred to you that you have already
+rejected your theory? It's quite obvious you have, you know."
+
+"How is it obvious?" Fred asked, wondering what Curt meant.
+
+"Because you told me the theory. You wouldn't have, of course, if you
+believed it would cause me to vanish like the others."
+
+Fred opened and closed his mouth several times, unable to cope with
+this. It was unexpected.
+
+"We've gotten to the root of your trouble," Curt went on. "It was a real
+trouble, to you. In a few months you will look back on it and marvel at
+it. Right now it seems real. You feel that somewhere your father still
+exists. You would like to go to him, or perhaps bring him back. Believe
+me, such mysterious vanishings aren't uncommon. The history of the world
+is full of such incidents. In some cases whole groups have vanished.
+Authenticated cases. In southeast Asia the people of an entire city of
+over a million inhabitants vanished overnight. In the last century an
+entire trainload of people, including the train, vanished while going
+from one city to another a few miles away. And there have been
+vanishments with reappearances, too. In England there was an old woman
+who suddenly vanished before the eyes of her family. At the same instant
+she reappeared in a room in London, miles away, in front of other
+people. Did she know your father's theory? Did the train that vanished
+know that theory?" Curt was smiling. "No. You see, it's something
+unrelated to your father's theory."
+
+Fred was nodding. "You may be right," he said. "I didn't know about
+those."
+
+"You may go now, son," Curt said. "I'll be out around eleven o'clock in
+the morning."
+
+Fred rose quickly. "Okay, Curt," he said. "I'll see you." He hurried
+out. It was too much of an effort to hide the sudden trembling. He
+hadn't known about other cases of vanishing. They provided data to
+expand the whole thing, while not in the slightest detracting from the
+validity of anything else.
+
+And if the talk had been prolonged much more Curt would have inevitably
+tumbled to his motive for telling him the theory.
+
+ * * * * *
+
+Promptly at eleven Curt arrived. Fred's mother had already prepared the
+large basket of food. There were ten minutes of last-minute bustle, then
+they were off, with Curt skillfully tooling his Cadillac in and out of
+traffic until they were on the open highway.
+
+"I know just the place," he told them. "Woods, meadow, brook. Even a
+couple of cows." And he did. When they arrived shortly before
+twelve-thirty it was all that.
+
+Fred relaxed as the car came to a stop. Every second of the trip he had
+been ready to seize the wheel and keep the car from crashing if Curt
+vanished.
+
+"Still a little nervous?" Curt asked him as they got out.
+
+"No. No, of course not!" Fred said.
+
+Curt didn't pursue the subject. Instead, he became something utterly
+different than he had been before, a carefree thoroughly likeable man,
+full of humor.
+
+Fred began to regret that he had chosen him as his victim. He began to
+hope that the process might not be automatic, that Curt wouldn't vanish.
+But he stayed close to him and listened to his every word and watched
+his face as much as he dared without staring, so that if the moment came
+he could get whatever there was to get of value from it.
+
+For the first time in years his mother began to be carefree. She even
+joked back at Curt occasionally, something she had never done with
+Martin in Fred's memory. Her joking was clumsy and uncertain. Fred
+laughed uproariously to encourage her and to hide his uncomfortable
+feeling.
+
+"Oh, I haven't felt so good in ages," she said when they were seated
+around the tablecloth spread with sandwiches and salads and cakes. "It's
+wonderful getting out like this. We'll have to do it often."
+
+"We will," Curt said. "At least once a week."
+
+Fred's mother picked up a sandwich. She started to raise it to her
+mouth. She was smiling at Curt and about to say something to him. Both
+Curt and Fred were watching her.
+
+Abruptly she wasn't there. The sandwich seemed to remain stationary for
+a long second. Then it dropped to the tablecloth.
+
+Curt was holding a paper cup filled with hot coffee. His hand
+constricted. The cup collapsed, spilling steaming coffee over his legs.
+
+Fred stared at the space his mother had just occupied. Abruptly he
+squawked, "No!" He turned accusing eyes on Curt. "You told her!"
+
+Something seemed to go out of the man. He seemed to become visibly
+smaller. "Yes," he whispered, "I told her."
+
+Fred was crying. "But you shouldn't have," he sobbed. "I told you
+because I wanted you to vanish. I didn't want her to, and now she has.
+And nothing happened that I could use."
+
+Curt blinked at him, absorbing this new bit of information. "You wanted
+_me_ to vanish?" he echoed. "Yes, I can see that now. I didn't know. It
+seemed too absurd. I thought you were just imagining things. Yes, I went
+out while you were at school and spent the whole morning teaching her
+every step. It was fairly easy. We had planned on coaxing you to explain
+it to her. Knowing it ahead of time she could pretend to grasp it that
+much more easily. We were planning on coaxing you into a more social
+relationship. Actually, she had already read the theory in your father's
+book she was reading for the publisher." A glassy look came into his
+eyes. "The book. If the theory is at the root of the disappearances the
+book shouldn't be published. Yes, by God. That's what your father was
+driving at. Your mother told me the publisher had told her your father
+tried to get him not to publish it."
+
+"The book has the theory in it?" Fred said. "It mustn't get published.
+Why--thousands of people would read it and vanish. We've got to stop
+them!"
+
+Curt was shaking his head in bewilderment. "But we can't be sure. It
+must be something else, though what I don't know."
+
+"No," Fred said bitterly.
+
+There was a long silence. Curt broke it by saying, "What did you expect
+to accomplish by my vanishing?"
+
+Fred told him of Horace's shouting to his wife, "Ethel! I've got it!",
+and the others seeming to have a flash of divination or insight just
+before they vanished.
+
+"I wanted," he explained dully, "to be with you when it happened, in the
+hopes I could get something more than I have to go on. In that way I
+might be able to find out something so I could bring my father back. And
+Mom." He began to cry.
+
+"I see," Curt said, calm and a little subdued. "It's possible that may
+come. After what I've seen happen I can admit it as a possibility."
+
+"Then you will make every effort to tell me?" Fred asked.
+
+Curt smiled wryly. "You make it sound inevitable. But--yes, I will."
+
+Fred's eyes were large and round. "I've got to find the mechanism. I've
+got to go where they've vanished to and show them how to get back!" He
+turned his eyes on Curt. "Don't you hate me?" he pleaded. "I'm just the
+same as a murderer!"
+
+"No, my son," Curt said gently. "Wherever your father is, your mother is
+with him now. If--" A startled expression appeared on his face. "So
+_that's_ it," he almost whispered.
+
+"_What's_ it?" Fred asked. "Tell me. Please tell me. I've got to know,
+you know. You promised!"
+
+Curt frowned in a visible effort to jerk himself back. His eyes, holding
+a faraway look, rested on Fred's face, looked at it, and through it.
+
+"You promised!" Fred screamed. "Tell me!"
+
+Curt opened his mouth as though to speak. His lips smiled.
+
+And--he was no longer there.
+
+Fred was alone, with the picnic lunch on the white square of tablecloth,
+with the gleaming Cadillac a few yards away, with the two white and
+black spotted cows grazing a short distance away, with the noisy little
+brook nearby.
+
+Alone....
+
+ * * * * *
+
+He became aware of a police siren growing louder. He became aware he was
+behind a wheel, that there were cars in front of him veering wildly out
+of his way. The speedometer needle pointed at ninety.
+
+How had he arrived here? He took his foot off the gas. He was driving a
+Cadillac. Curt's. But Curt was gone. That was it! He had started out to
+look for the police.
+
+He pulled over to the side of the road as the police car came screaming
+up. Shakily he told them about the disappearances. Any doubts they might
+have had were held in reserve by the obvious sincerity of his grief.
+
+He led them back to the picnic grove. The tablecloth with the food on it
+was still there, untouched. One of the cows was grazing beside it.
+
+They listened while he told again of his mother and Curt vanishing
+before his eyes. Their reserved skepticism was thrust out of their minds
+when he identified himself as the son of Dr. Martin Grant, who had
+disappeared.
+
+They used their car radio. In a surprisingly short time several other
+cars were coming through the gate into the pasture.
+
+Fred, his mind paralyzed with grief, stood forlornly near the Cadillac.
+He answered the questions they put to him. He wasn't aware of the news
+cameras that took shots of him which were to appear in the evening
+papers all over the country.
+
+Eventually it was over. The police gathered up the picnic lunch, his
+mother's purse, and everything else. A gray-haired man in a dark brown
+suit who introduced himself as Captain Waters told him to get into the
+Cadillac. "I'll drive," Waters said.
+
+Entirely submissive, Fred obeyed. On the way into town Captain Waters
+said he would take Fred home if he wanted to go there, but it would be
+really better if he accepted an invitation to stay at the Waters home
+for a few days until things were straightened out.
+
+"All right," Fred said.
+
+Eternities later he was in a house with comfortable furnishings. A
+motherly old lady was hovering around him. Captain Waters was on the
+phone calling someone.
+
+There was a steaming dinner on blue design Swedish dishes. Under coaxing
+Fred nibbled. Door chimes sounded. Captain Waters pushed back his chair
+and went away. He came back with another gray-haired man who pressed a
+thumb against Fred's cheek, listened to words Captain Waters was saying,
+then ordered Fred to roll up his sleeve.
+
+He swabbed a spot with alcohol and inserted a hypo needle. Fred watched
+with listless eyes.
+
+"Get him undressed and to bed," the doctor said. "Poor kid. Suffering
+from shock. Have to watch him the next few days...."
+
+_Shock_.... Fred tried to concentrate on the meaning of the word.
+
+The bed was an enormous expanse of fresh smelling sheets and luxurious
+blankets. The pillows were mountainous ... and so soft....
+
+The sun was streaming in through open French doors, filtered through
+bronze screen doors. An electric clock on the dresser pointed at
+eleven.
+
+He lay there without moving, remembering everything that had happened
+the day before. And he had a feeling that, in his sleep, he had been
+doing a lot of thinking. Or was it dreaming?
+
+"Poor boy," a melodious voice purred.
+
+He opened his eyes. It was the motherly woman, with a tray of toast and
+eggs and steaming coffee. The sight of it made him aware that there was
+a huge emptiness in his stomach.
+
+He ate, gratefully. Mrs. Waters busied herself about the room, humming
+soft tunes, smiling at him whenever he looked at her. When he had
+finished, she took the tray.
+
+"You just relax and sleep some more," she said. "The bathroom is through
+that door over there. If you want me for anything just call. I'll hear
+you. And if you want to get up and wander about the house just do so."
+She departed, leaving the door part way open in invitation.
+
+Fred sighed and closed his eyes. In that moment of relaxation the
+thinking he had done during the night rose into consciousness.
+
+For he knew now what he had to do. There was no other avenue of
+exploration. It might not even be possible. But if it was possible he
+was going to do it.
+
+He was going to vanish.
+
+ * * * * *
+
+There alone lay the solution. He should have realized it. Once he
+vanished as had the others, he would have experience with the mystery.
+Personal experience. He would have all the data he required, instead of
+just data from the world he was in. If he had the ability to solve the
+problem of reappearance he would then be able to return, and go back
+again and show the others how to return.
+
+The key to vanishing was belief, that quality of thought which his
+father had systematically weeded from his mind since earliest infancy.
+It might take time to overcome that, but it should be possible.
+
+Already he believed some things. Or did he? Was it merely a realization
+that those things had a probability that approached certainty?
+
+His patterns of thinking were too ingrained. His mind was too well
+integrated. If he became irritated the irritation immediately brought up
+the memories of the factors that made him react that way. If he became
+happy he consciously knew the pattern, stretching back to early infancy.
+It was ingrained within him.
+
+He began to realize with a sinking sensation that he didn't actually
+know what belief was. If, in some way, it was present anywhere in his
+makeup, he didn't know how to recognize it.
+
+His mental pattern was one of unbelief. Not disbelief, the believing
+that something isn't true; but unbelief, the using of something in the
+pragmatic sense for its workability.
+
+He let his thoughts wander in the past. He could remember vaguely a
+moment when he had felt unreasoning terror, a sense of being lost. He
+could remember his father saying many times, "Belief is the lazy
+assuming that something is true." It is or it isn't, and the fundamental
+postulate of inductive logic tells us that its truth or lack of it is
+forever beyond our reach. So why reach for it? Use a theory if it works
+for you. Discard it if it doesn't. Don't use it even to the point of
+absurdity while clinging to a belief that it's true.
+
+It was that way with facts, too. Something that happened or seemed to
+happen, needed no tag of belief attached to it. If you saw it happen it
+didn't necessarily happen. There was such a thing as illusion. Accept it
+as though it had happened--until events pointed otherwise.
+
+His playmates and teachers had been frankly skeptical of this point of
+view, doubting he could actually have attained it. They were quick to
+agree it was desirable. They just thought no one could use a thing
+without attaching a degree of belief or unbelief to it.
+
+Now, what should he believe? As in the attempts to reach the basic
+matrix by conscious extension, he had to start somewhere.
+
+ * * * * *
+
+It was midafternoon when Captain Waters entered the bedroom with a
+cheery, "Hello!"
+
+"Hi," Fred said. He had been lying in bed with his eyes closed.
+
+"Did I wake you?" Waters said. "Sorry." He grinned. "You can go back to
+sleep again. I'll drop in later."
+
+Captain Waters ducked out. He started to close the door, then left it
+open. A few minutes later the rumble of his voice came from another part
+of the house. Fred tried to catch what he was saying, but couldn't.
+
+Half an hour later he heard the front door chimes. The rumble of deep
+voices came again. The doctor appeared in the doorway.
+
+"Well, well," he said, smiling. "I hear you had a very restful night.
+How do you feel today? Better?" He was advancing toward the bed as he
+talked. Setting his black bag down, he reached out and took Fred's
+pulse. "A little rapid," he said, putting his watch away. Reaching
+inside his coat, he took out a thermometer. He put it under Fred's
+tongue. "Had anything to eat or drink in the past fifteen minutes?" he
+asked. Fred shook his head.
+
+The doctor stood quietly. After a while he lifted the thermometer,
+glanced at it, and put it away.
+
+"Looks like you're going to be fit as a fiddle," he said. "I'll be back
+in a few minutes. Mrs. Waters told me on the way in she was pouring me a
+cup of coffee."
+
+Fred remained motionless until the doctor had left the room. Then he
+slipped out of bed and went to the door. On the other side of it was a
+living room. A swinging door of the type that opens into kitchens was
+just swinging closed. No one was in sight. Quickly Fred stole across to
+the door. He put his ear close to it and listened.
+
+"Dr. Harvey speaking," he heard the doctor say. "Connect me with
+thirteen please."
+
+"Is he going to be all right?" Mrs. Waters' anxious voice sounded.
+
+"I think so," the doctor said calmly. "Hello? Thirteen? Who's speaking?
+Oh, hello, Giles. Dr. Harvey. Do you have a vacancy? Observation, yes."
+
+"Oh dear," Mrs. Waters said unhappily.
+
+"It will be for the best," Captain Waters said. "They'll know how to
+take care of him."
+
+Fred waited for no more. He went back to the bedroom. His clothes were
+in the closet. In seconds he had them on. He could tie his shoes and
+button up later.
+
+He unfastened one of the screen doors and stepped out onto a flagstone
+path that wound around the corner of the house toward the front. There
+were people on the sidewalk, but none very near. It would be hours
+before dark, and there was no place to hide.
+
+There were two cars parked at the curb. One was a police car, the other
+a black Chrysler sedan, probably the doctor's car. The police car had
+the key in the ignition. Fred didn't hesitate. He jerked open the door
+and slid behind the wheel. Mrs. Waters' anxious voice sounded, calling,
+"Fred! Where are you?" Then the starter was whirring. The motor caught.
+
+As he shot away from the curb, Fred caught a glimpse in the rear view
+mirror of Captain Waters running down the walk from the house.
+
+As he took the first corner, touching the siren button briefly, he
+wondered why he had run. It had been an impulse. Maybe it was the wrong
+one. Maybe he could accomplish what he had to do better in some kind of
+institution. Maybe not.
+
+He compressed his lips grimly. The die was cast now. He would abandon
+the police car someplace, then slip quietly out of town on foot. He
+would be caught if he tried to go home. He had no money except a few
+dollars in change.
+
+Maybe this was all part of the new pattern that seemed to possess him.
+He kept the siren going, not trusting his ability to avoid traffic. Its
+mad scream blended into his thoughts. He was the hunted. He was sane,
+but the truth would brand him as insane. Or was he sane? Had anyone
+vanished? Was his father at home, sitting in his chair in his study,
+expounding his theories to his colleagues? Was his mother at home, in
+the kitchen, preparing dinner?
+
+His lip trembled. Homesickness welled up in him.
+
+He was near a bus line that went to the outskirts of the city. He shut
+off the siren and slowed down. After a few blocks and two turns he felt
+safe in ditching the car. He pulled quietly to the curb. He tied his
+shoelaces, buttoned his shirt, combed his hair. Then he got out. No one
+paid any attention to him.
+
+He walked to the corner. Two minutes later the bus stopped.
+
+ * * * * *
+
+The night sky was clear. The moon was a lesser sun whose light made
+things visible and somehow unreal and mysterious. In the ditch to the
+right of the road two bright points of light blinked on, held for a
+moment, and vanished. A cat.
+
+A silent dog appeared out of the gloom, wagged its tail and half of its
+body in friendliness. "Nice doggy," Fred said nervously. It sniffed his
+trouser leg, lost interest, and moved off into the darkness.
+
+It was after midnight. How long after, he didn't know. Once a police
+car had come speeding by, its red lights ogling insanely, its spotlight
+weaving into the bushes at the side of the road. He had lain very still
+in the ditch until it passed. It hadn't slowed down. Later it had come
+back and he had again pressed his body into the earth beside the road.
+
+Off to the right now he saw the silhouette of the giant tree that had
+been the landmark of the picnic spot. A few minutes later he could see
+the gate that led to the meadow.
+
+He squeezed through it and picked out the path worn by the cars the day
+before. Some winged creature dipped down, shied away from him, and swept
+off into the darkness.
+
+A soft gurgling sound became audible. The brook. The spot where his
+mother and Curt had vanished, was ahead.
+
+He reached it. He wasn't quite sure until he studied the ground and went
+back in memory to check on little details. Then he was certain.
+
+He had reached his goal.
+
+He knew why he had come, of course. Here he was closer to his mother
+than anyplace else. Here, in some unguessed way, he might get to her.
+
+What would he do when morning came? He sat down and pulled his knees up
+under his chin, wrapping his arms around them. Morning was far away. It
+might never come--for him. If and when it did he would cope with it.
+"Mom," he whispered. "Mom...."
+
+_Crrroak!_ The sound of the frog broke the silence. The croak of a frog
+that was part of the universe--the universe that was basically
+illogical. More....
+
+Fred sobbed.
+
+The universe was insane. Police looking for you. Doctors with their
+standards of sanity and insanity. Right now they were looking for him to
+protect him from himself. They didn't want to know why things were done.
+To them even the reason would be part of the insanity. They dealt in
+tags. Words. Their science was an illusion within an illusion.
+Meaningless inside a universe of meaninglessness.
+
+_Crrroak_, the frog said cautiously. And a night creature came down on
+silent wings, to weave back into the darkness.
+
+That was the reason for pragmatism. He could see it now. He had always
+thought his father made pragmatism his God because it was the
+intellectual thing to do. But now he could see the reason for it.
+Reality was a jungle in which Reason had to cope with Unreason, and
+there was no criterion except workability. Belief was an instinctive way
+of thought. It was like the appendix. Scientists claimed that long ago
+man ate tree bark. And the appendix had had a use. If so, that use was
+gone, but the appendix remained. Before surgery had become a common
+thing, thousands of people died from appendicitis. The organ that had
+once been necessary had become a hazard to living. Belief was something
+like that.
+
+He jerked out of his thoughts to listen to a car on the road. It slowed
+down. It stopped by the gate. A car door slammed. A man appeared briefly
+in the light of the headlamps. Captain Waters--alone.
+
+He loomed a moment later inside the pasture in the light of a
+flashlight. He occasionally flashed it on his face so he would be
+recognizable.
+
+Fred felt an impulse to slip away into the darkness. He hadn't been
+seen. Captain Waters was just hoping he might be here.
+
+A stronger impulse made him remain as he was. The entire pattern of
+Captain Waters' approach indicated understanding--or at least the
+willingness to understand.
+
+The bobbing flashlight came closer. It speared out and touched him; then
+abruptly went out. Footsteps approached. A dark form emerged from the
+gloom.
+
+"Hello, Fred," Captain Waters said quietly. "I came to keep you company.
+I'll just sit quiet and not bother you."
+
+"Okay," Fred said.
+
+ * * * * *
+
+There were movements. A small flame illuminated Captain Waters' features
+as he lit his pipe. The flame went out. Then, only the occasional glow
+of the pipe, briefly illuminating the police Captain's face.
+
+_Crrroak!_ The frog greeted this newest arrival in his domain.
+
+Fred could not think. He was too conscious of the man sitting near him.
+He fought down the impulse to jump up and run away into the darkness. He
+fought the desire to scream at the man to leave him alone.
+
+Perhaps the police captain sensed this, or perhaps he could see Fred's
+expression when the coal in his pipe glowed brightest. "Tell you what,"
+he said suddenly, "You maybe would feel better alone. I'll wait in the
+car. When you get ready you can come home. No more doctors. Mom gave me
+a good talking to. She wants you to come back."
+
+Waters got up and walked away into the night. Minutes later there was
+the sound of a car door slamming shut. Fred was alone again.
+
+Alone. It was a feeling, almost an emotion. Intellectually he knew that
+nearby was a frog. A block away across the meadow was the police captain
+sitting in his car.
+
+Abruptly, without warning, a flash of insight spread through his entire
+mind. He knew suddenly what belief was. He knew it instinctively and
+without question.
+
+And knowing it, he knew that his foundations of unbelief were a semantic
+illusion that had been built up within him. The panorama of his mind,
+his entire life, stood clearly before him.
+
+The cute little tags of probability were superficial. They had a
+pragmatic value in keeping the mind open, but their function was to
+guide the judgment in tagging thoughts with belief or disbelief.
+
+He retreated into his aloneness until there was nothing but himself. He
+marveled at the unfoldment of this new understanding. He could see
+things in this new light of understanding.
+
+But then.... A question loomed. If that were so, why hadn't he vanished
+like the others? Belief was an automatic process. Why hadn't it
+permeated to the basic matrix of his mind as it had with the others?
+
+Was he, then, still on the wrong track?
+
+But there _was_ no other!
+
+He saw the trap he had set for himself. He had believed with all his
+being that belief was the key he was searching for!
+
+He had been on the wrong track. His beautiful theory of belief that
+spread downward into the subconscious, then down lower and lower into
+the basic matrix that held a person in this reality, was wrong. The
+evidence he had based it on was still there, but it was evidence of
+something else.
+
+Of what?
+
+The eastern horizon was suffused with light. It grew stronger, dimming
+the light of the moon.
+
+From somewhere in the depths of his being rose a feeling that soon he
+would know, and when he did he would be close to crossing the threshold.
+
+He unclasped his arms and straightened out his legs, feeling stabs of
+pain in his weary muscles. He got to his feet, tingling with weariness.
+
+By the side of the road, he could see the police car he had
+stolen--infinite ages ago. He walked toward it, and when he reached it
+he climbed in and closed the door.
+
+"Beautiful morning," Captain Waters said, starting the motor.
+
+ * * * * *
+
+Fred awoke and opened his eyes. Across the room the French doors were
+open. Sunlight was filtering through the copper screens. A breeze was
+playing gently with the drapes. For a moment the flight, the long walk
+into the country, his rendezvous with Aloneness, Captain Water's coming
+to bring him back, all seemed the stuff of dreams. He had the feeling
+that he had never left this enormous bed.
+
+Then it returned. Reality. The miracle of his reorientation to belief,
+the new vistas that went with it. The full realization of the true
+nature of the vanishments.
+
+He became aware of a figure in the doorway, watching him. It was Mrs.
+Waters. "Awake?" she asked cheerfully.
+
+"Yes," Fred said.
+
+"Want some breakfast?"
+
+He nodded. She went away.
+
+He raised his head and looked about the room, at the homey touches, the
+family pictures on the dresser and the walls, the hand sewed knickknacks
+and frills. This was probably the Waters' own bedroom that they had
+given up for him.
+
+He could vanish while Mrs. Waters was away. She would come in with the
+breakfast tray and find him gone.
+
+When would the _moment of reorientation_ come?
+
+He frowned in thought. That had stirred up something about what he had
+dreamed, or thought, while he was asleep. Something that had the flavor
+of being very important.
+
+"Here you are!" Mrs. Waters said, sweeping into the room with the tray
+and its Swedish design dishes and steaming coffee and hot cereal. As she
+bent over to set the tray on the bed, there came the sound of the front
+door opening. "There's Pa, home already." She smiled worriedly at Fred.
+"Will you be all right? I'll tell Pa to come in and keep you company
+while I fix his supper."
+
+"Yes ma'am," Fred said, eyeing the food hungrily. "Only--" She was at
+the door. She stopped and looked around questioningly. "I--I think I'd
+like to be alone while I eat."
+
+"All right," she said, and hurried away.
+
+But Captain Waters had brushed in without giving her a chance to tell
+him to stay away. "Hello, son," he said warmly. "Have a good sleep?"
+
+Mrs. Waters said, "You let him alone while he eats."
+
+"It's all right," Fred said hastily.
+
+"Sure it's all right," the police captain said. He sat down and took out
+his pipe. He concerned himself with filling it and lighting it, saying
+nothing.
+
+Fred picked up a piece of golden toast and bit into one corner absently.
+The thoughts he had had during sleep were filtering into consciousness.
+
+He recalled how his mother had looked. There had been a fleeting
+expression just before she had vanished. She had been going to say
+something. _She had changed her mind and had vanished instead!_
+
+And Curt--he had had his reorientation at least several seconds before
+vanishing. He had had it, and then, with his new perspective, had said,
+"So _that's_ it!"
+
+It was as though the new orientation made everything else unimportant.
+
+One common factor stood out in every case, those two he had personally
+witnessed, and the others he hadn't seen. One common factor. Vanishing,
+or whatever happened that produced the vanishing, had been an impulse.
+
+There had been time for thought. For example, Curt might have considered
+the practicality of telling Fred what had happened to him. But he might
+have reflected that eventually Fred would discover what he had just
+discovered, so why bother?
+
+In the office Curt had told him of a whole city of a million people
+vanishing, leaving empty houses and streets. Had the cause been the
+same? A true orientation?
+
+Fred looked at Captain Waters, sitting quietly, puffing slowly on his
+pipe. With deliberation Waters uncrossed his legs and leaned forward.
+"You know, son, when you get around to it--that is, if you feel up to it
+sometime--I wish you'd tell me about it. What it is that's troubling
+you. I'll try to understand."
+
+"You'll try--?" Fred echoed. And the police captain's words started a
+train of thought. The others--had the place they'd gone been a heaven or
+a hell? So many of them--. Fred started suddenly. "The book!" he cried.
+
+"What book?"
+
+"I've got to see the publisher about my father's book. It's very
+important."
+
+"It can wait until you're feeling better," Waters said.
+
+"No. I've got to see Mr. Browne!"
+
+"Why?"
+
+"I--I can't tell you."
+
+"All right." Captain Waters gave in. "I'll take you down and bring you
+back."
+
+It was half an hour later, in the reception room at the publishing
+company. Fred stared numbly at the big poster on the wall advertising
+his father's book.
+
+"Mr. Browne will see you," the receptionist said.
+
+"Wait here," Fred told Captain Waters. "I want to talk to him alone." He
+went to the door and opened it, stepping inside and closing it behind
+him.
+
+"Fred Grant?" Browne said, getting up from his desk and coming toward
+him, hand outstretched. "What can I do for you? Need some money?"
+
+Fred was shaking his head. "I don't want any money," he said. "I want
+you to stop my father's book. You can't publish it."
+
+"Now wait," Browne said. "We aren't going through that again, are we?"
+
+"You can't!" Fred said. "People will read it and vanish!"
+
+"Huh?"
+
+"People will read it and vanish! You've got to believe me. _The cause of
+those disappearances is in that book!_"
+
+Browne stared for a moment, then dragged over a notepad, wondering how
+his publicity boys had missed this one. He stood up and came around his
+desk. "You leave it to me," he said. "You won't have a thing to worry
+about. I'll take care of everything."
+
+"Then you won't publish it?"
+
+Browne was guiding him toward the door. "You leave it to me. Drop in
+again soon. If you need money just drop in any time and I'll fix you
+up."
+
+Fred found himself outside the door, not quite sure what Mr. Browne had
+promised.
+
+Inside, Browne went back to his desk, muttering, "What a killing! Have
+to tell Nichols about it tomorrow at lunch. That vanishing stuff is a
+terrific publicity angle."
+
+ * * * * *
+
+"You still don't want to tell me what's troubling you?" Police Captain
+Waters said wistfully.
+
+A frown crossed Fred's features and vanished into a smile. "Nothing's
+troubling me," he lied. "I'm all right. I'll be all right."
+
+"You'll stay with us a while longer?"
+
+"Sure. Sure. You make me feel--okay. I'm just going out for a ride. Be
+back for supper."
+
+ * * * * *
+
+It had been two months now since his mother and Curt had vanished. In
+that two months he had come to realize something. He didn't quite know
+how to express it even in his thoughts.
+
+It wasn't that he didn't want to vanish. He would, some day. But he had
+given up trying. It was the wrong way. The others hadn't tried. It had
+just come to them out of a clear sky.
+
+Some day it would come to him that way, and he would welcome it.
+
+He drove downtown and parked. A block away was a show he wanted to see.
+He started toward it. Abruptly he stopped. In front of him was a
+bookstore. In its window was a large display, and every book had his
+father's picture on the front under the title THEORY FOR THE MILLIONS.
+
+In back of the display was a large poster with a still larger picture,
+and the teaser--(DO YOU DARE READ THIS BOOK?)
+
+Anger flamed in Fred's mind. The anger died as abruptly as it had come.
+It was replaced by a homesickness, a longing. Unconsciously his
+footsteps carried him into the store.
+
+A man had the book in his hands.
+
+"You aren't going to buy _that_, George," the woman beside him was
+saying.
+
+"And why not?" the man asked, laughing. "I've never turned down a dare
+in my life!" He looked at the girl waiting on him. "Do you think I'll
+vanish, Miss?"
+
+The clerk smiled. "I wouldn't know. I have strict orders not to read the
+book."
+
+A solemn-faced man appeared out of nowhere and thrust a copy of the book
+at the clerk. "I want this, please," he said.
+
+"I'll be with you in a moment, sir," the clerk said.
+
+Others were waiting also.
+
+Fred stumbled from the store, bumping into someone in the doorway as he
+went through, and too confused and frightened to stop and apologize.
+There was no way of stopping it. Maybe the police would become alarmed
+at the disappearances.
+
+"What's wrong with me?" he mumbled, walking blindly in the crowds on the
+sidewalks. "Maybe I do lack the ability to believe. I _think_ I believe.
+What have I missed?"
+
+Only he, of all those who had learned the theory, had not vanished. Was
+faith, then, something so common, and yet impossible for he, himself, to
+reach?
+
+Ahead was another bookstore. In its windows were the same displays.
+
+He stopped. People were pushing through the doors. Inside they were
+picking up the book and looking for a clerk.
+
+The clerks were smiling and saying things Fred couldn't hear, and
+wrapping the books and handing them to their new owners--people who
+would take them home and read--and vanish.
+
+Into what? Something they would see, and smile at, and say, "Why, of
+course!" And with a simple acceptance they would enter it.
+
+He watched them.
+
+And from the depths of his being Fred longed to be one of them; to be
+able to go in and buy the book, and read it, and....
+
+ * * * * *
+
+On the other side of the window, in the store, a clerk was waiting on a
+customer. The customer turned to look at him, with his nose flattened
+against the glass. He didn't see them. In his eyes was a faraway look, a
+startled light.
+
+"Why of course!" he said in quiet wonder.
+
+There was just a little blur, where a nose had pressed against the
+window, and the customer frowned and said to the clerk, "That young man
+outside--he--he--"
+
+"Three-fifty, please," the clerk said.
+
+"Ah--oh. Oh, sure."
+
+
+
+
+
+End of Project Gutenberg's Ye of Little Faith, by Roger Phillips Graham
+
+*** END OF THIS PROJECT GUTENBERG EBOOK YE OF LITTLE FAITH ***
+
+***** This file should be named 32663.txt or 32663.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/3/2/6/6/32663/
+
+Produced by Greg Weeks, Mary Meehan and the Online
+Distributed Proofreading Team at https://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/32663.zip b/32663.zip
new file mode 100644
index 0000000..ebfcb4e
--- /dev/null
+++ b/32663.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..7c45395
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #32663 (https://www.gutenberg.org/ebooks/32663)