summaryrefslogtreecommitdiff
path: root/32360.txt
diff options
context:
space:
mode:
Diffstat (limited to '32360.txt')
-rw-r--r--32360.txt1305
1 files changed, 1305 insertions, 0 deletions
diff --git a/32360.txt b/32360.txt
new file mode 100644
index 0000000..f24286d
--- /dev/null
+++ b/32360.txt
@@ -0,0 +1,1305 @@
+The Project Gutenberg EBook of The Holes Around Mars, by Jerome Bixby
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Holes Around Mars
+
+Author: Jerome Bixby
+
+Release Date: May 13, 2010 [EBook #32360]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE HOLES AROUND MARS ***
+
+
+
+
+Produced by Greg Weeks and the Online Distributed
+Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+
+Transcriber's note:
+
+This etext was produced from Galaxy Science Fiction January 1954.
+Extensive research did not uncover any evidence that the U.S. copyright
+on this publication was renewed.
+
+
+
+
+The holes around Mars
+
+By JEROME BIXBY
+
+
+ _Science said it could not be,
+ but there it was. And whoosh--look out--here
+ it is again!_
+
+
+Illustrated by DICK FRANCIS
+
+
+
+Spaceship crews should be selected on the basis of their non-irritating
+qualities as individuals. No chronic complainers, no hypochondriacs, no
+bugs on cleanliness--particularly no one-man parties. I speak from
+bitter experience.
+
+Because on the first expedition to Mars, Hugh Allenby damned near drove
+us nuts with his puns. We finally got so we just ignored them.
+
+But no one can ignore that classic last one--it's written right into the
+annals of astronomy, and it's there to stay.
+
+Allenby, in command of the expedition, was first to set foot outside the
+ship. As he stepped down from the airlock of the _Mars I_, he placed
+that foot on a convenient rock, caught the toe of his weighted boot in a
+hole in the rock, wrenched his ankle and smote the ground with his
+pants.
+
+Sitting there, eyes pained behind the transparent shield of his
+oxygen-mask, he stared at the rock.
+
+ * * * * *
+
+It was about five feet high. Ordinary granite--no special shape--and
+several inches below its summit, running straight through it in a
+northeasterly direction, was a neat round four-inch hole.
+
+"I'm _upset_ by the _hole_ thing," he grunted.
+
+The rest of us scrambled out of the ship and gathered around his plump
+form. Only one or two of us winced at his miserable double pun.
+
+"Break anything, Hugh?" asked Burton, our pilot, kneeling beside him.
+
+"Get out of my way, Burton," said Allenby. "You're obstructing my view."
+
+Burton blinked. A man constructed of long bones and caution, he angled
+out of the way, looking around to see what he was obstructing view _of_.
+
+He saw the rock and the round hole through it. He stood very still,
+staring. So did the rest of us.
+
+"Well, I'll be damned," said Janus, our photographer. "A hole."
+
+"In a rock," added Gonzales, our botanist.
+
+"Round," said Randolph, our biologist.
+
+"An _artifact_," finished Allenby softly.
+
+Burton helped him to his feet. Silently we gathered around the rock.
+
+Janus bent down and put an eye to one end of the hole. I bent down and
+looked through the other end. We squinted at each other.
+
+As mineralogist, I was expected to opinionate. "Not drilled," I said
+slowly. "Not chipped. Not melted. Certainly not eroded."
+
+I heard a rasping sound by my ear and straightened. Burton was
+scratching a thumbnail along the rim of the hole. "Weathered," he said.
+"Plenty old. But I'll bet it's a perfect circle, if we measure."
+
+Janus was already fiddling with his camera, testing the cooperation of
+the tiny distant sun with a light-meter.
+
+"Let us see _weather_ it is or not," Allenby said.
+
+ * * * * *
+
+Burton brought out a steel tape-measure. The hole was four and
+three-eighths inches across. It was perfectly circular and about sixteen
+inches long. And four feet above the ground.
+
+"But why?" said Randolph. "Why should anyone bore a four-inch tunnel
+through a rock way out in the middle of the desert?"
+
+"Religious symbol," said Janus. He looked around, one hand on his gun.
+"We'd better keep an eye out--maybe we've landed on sacred ground or
+something."
+
+"A totem _hole_, perhaps," Allenby suggested.
+
+"Oh. I don't know," Randolph said--to Janus, not Allenby. As I've
+mentioned, we always ignored Allenby's puns. "Note the lack of
+ornamentation. Not at all typical of religious articles."
+
+"On Earth," Gonzales reminded him. "Besides, it might be utilitarian,
+not symbolic."
+
+"Utilitarian, how?" asked Janus.
+
+"An altar for snakes," Burton said dryly.
+
+"Well," said Allenby, "you can't deny that it has its _holy_ aspects."
+
+"Get your hand away, will you, Peters?" asked Janus.
+
+I did. When Janus's camera had clicked, I bent again and peered through
+the hole. "It sights on that low ridge over there," I said. "Maybe it's
+some kind of surveying setup. I'm going to take a look."
+
+"Careful," warned Janus. "Remember, it may be sacred."
+
+As I walked away, I heard Allenby say, "Take some scrapings from the
+inside of the hole, Gonzales. We might be able to determine if anything
+is kept in it...."
+
+One of the stumpy, purplish, barrel-type cacti on the ridge had a long
+vertical bite out of it ... as if someone had carefully carved out a
+narrow U-shaped section from the top down, finishing the bottom of the U
+in a neat semicircle. It was as flat and cleancut as the inside surface
+of a horseshoe magnet.
+
+I hollered. The others came running. I pointed.
+
+"Oh, my God!" said Allenby. "Another one."
+
+The pulp of the cactus in and around the U-hole was dried and
+dead-looking.
+
+Silently Burton used his tape-measure. The hole measured four and
+three-eighths inches across. It was eleven inches deep. The semicircular
+bottom was about a foot above the ground.
+
+"This ridge," I said, "is about three feet higher than where we landed
+the ship. I bet the hole in the rock and the hole in this cactus are on
+the same level."
+
+ * * * * *
+
+Gonzales said slowly, "This was not done all at once. It is a result of
+periodic attacks. Look here and here. These overlapping depressions
+along the outer edges of the hole--" he pointed--"on this side of the
+cactus. They are the signs of repeated impact. And the scallop effect on
+_this_ side, where whatever made the hole emerged. There are juices
+still oozing--not at the point of impact, where the plant is desiccated,
+but below, where the shock was transmitted--"
+
+A distant shout turned us around. Burton was at the rock, beside the
+ship. He was bending down, his eye to the far side of the mysterious
+hole.
+
+He looked for another second, then straightened and came toward us at a
+lope.
+
+"They line up," he said when he reached us. "The bottom of the hole in
+the cactus is right in the middle when you sight through the hole in the
+rock."
+
+"As if somebody came around and whacked the cactus regularly," Janus
+said, looking around warily.
+
+[Illustration]
+
+"To keep the line of sight through the holes clear?" I wondered. "Why
+not just remove the cactus?"
+
+"Religious," Janus explained.
+
+The gauntlet he had discarded lay ignored on the ground, in the shadow
+of the cactus. We went on past the ridge toward an outcropping of rock
+about a hundred yards farther on. We walked silently, each of us
+wondering if what we half-expected would really be there.
+
+It was. In one of the tall, weathered spires in the outcropping, some
+ten feet below its peak and four feet above the ground, was a round
+four-inch hole.
+
+Allenby sat down on a rock, nursing his ankle, and remarked that anybody
+who believed this crazy business was really happening must have holes in
+the rocks in his head.
+
+[Illustration]
+
+Burton put his eye to the hole and whistled. "Sixty feet long if it's
+an inch," he said. "The other end's just a pinpoint. But you can see it.
+The damn thing's perfectly straight."
+
+I looked back the way we had come. The cactus stood on the ridge, with
+its U-shaped bite, and beyond was the ship, and beside it the perforated
+rock.
+
+"If we surveyed," I said, "I bet the holes would all line up right to
+the last millimeter."
+
+"But," Randolph complained, "why would anybody go out and bore holes in
+things all along a line through the desert?"
+
+"Religious," Janus muttered. "It doesn't _have_ to make sense."
+
+ * * * * *
+
+We stood there by the outcropping and looked out along the wide, red
+desert beyond. It stretched flatly for miles from this point, south
+toward Mars' equator--dead sandy wastes, crisscrossed by the "canals,"
+which we had observed while landing to be great straggly patches of
+vegetation, probably strung along underground waterflows.
+
+_BLONG-G-G-G- ... st-st-st- ..._
+
+We jumped half out of our skins. Ozone bit at our nostrils. Our hair
+stirred in the electrical uproar.
+
+"L-look," Janus chattered, lowering his smoking gun.
+
+About forty feet to our left, a small rabbity creature poked its head
+from behind a rock and stared at us in utter horror.
+
+Janus raised his gun again.
+
+"Don't bother," said Allenby tiredly. "I don't think it intends to
+attack."
+
+"But--"
+
+"I'm sure it isn't a Martian with religious convictions."
+
+Janus wet his lips and looked a little shamefaced. "I guess I'm kind of
+taut."
+
+"That's what I _taut_," said Allenby.
+
+The creature darted from behind its rock and, looking at us over its
+shoulder, employed six legs to make small but very fast tracks.
+
+We turned our attention again to the desert. Far out, black against
+Mars' azure horizon, was a line of low hills.
+
+"Shall we go look?" asked Burton, eyes gleaming at the mystery.
+
+Janus hefted his gun nervously. It was still crackling faintly from the
+discharge. "I say let's get back to the ship!"
+
+Allenby sighed. "My leg hurts." He studied the hills. "Give me the
+field-glasses."
+
+Randolph handed them over. Allenby put them to the shield of his mask
+and adjusted them.
+
+After a moment he sighed again. "There's a hole. On a plane surface
+that catches the Sun. A lousy damned round little impossible hole."
+
+"Those hills," Burton observed, "must be thousands of feet thick."
+
+ * * * * *
+
+The argument lasted all the way back to the ship.
+
+Janus, holding out for his belief that the whole thing was of religious
+origin, kept looking around for Martians as if he expected them to pour
+screaming from the hills.
+
+Burton came up with the suggestion that perhaps the holes had been made
+by a disintegrator-ray.
+
+"It's possible," Allenby admitted. "This might have been the scene of
+some great battle--"
+
+"With only one such weapon?" I objected.
+
+Allenby swore as he stumbled. "What do you mean?"
+
+"I haven't seen any other lines of holes--only the one. In a battle, the
+whole joint should be cut up.
+
+That was good for a few moments' silent thought. Then Allenby said, "It
+might have been brought out by one side as a last resort. Sort of an ace
+in the hole."
+
+I resisted the temptation to mutiny. "But would even one such weapon, in
+battle make only _one_ line of holes? Wouldn't it be played in an arc
+against the enemy? You know it would."
+
+"Well--"
+
+"Wouldn't it cut slices out of the landscape, instead of boring holes?
+And wouldn't it sway or vibrate enough to make the holes miles away from
+it something less than perfect circles?"
+
+"It could have been very firmly mounted."
+
+"Hugh, does that sound like a practical weapon to you?"
+
+Two seconds of silence. "On the other hand," he said, "instead of a war,
+the whole thing might have been designed to frighten some primitive
+race--or even some kind of beast--the _hole_ out of here. A
+demonstration--"
+
+"Religious," Janus grumbled, still looking around.
+
+We walked on, passing the cactus on the low ridge.
+
+"Interesting," said Gonzales. "The evidence that whatever causes the
+phenomenon has happened again and again. I'm afraid that the war
+theory--"
+
+"Oh, my God!" gasped Burton.
+
+We stared at him.
+
+"The ship," he whispered. "It's right in line with the holes! If
+whatever made them is still in operation...."
+
+"Run!" yelled Allenby, and we ran like fiends.
+
+ * * * * *
+
+We got the ship into the air, out of line with the holes to what we
+fervently hoped was safety, and then we realized we were admitting our
+fear that the mysterious hole-maker might still be lurking around.
+
+Well, the evidence was all for it, as Gonzales had reminded us--that
+cactus had been oozing.
+
+We cruised at twenty thousand feet and thought it over.
+
+Janus, whose only training was in photography, said, "Some kind of
+omnivorous animal? Or bird? Eats rocks and everything?"
+
+"I will not totally discount the notion of such an animal," Randolph
+said. "But I will resist to the death the suggestion that it forages
+with geometric precision."
+
+After a while, Allenby said, "Land, Burton. By that 'canal.' Lots of
+plant life--fauna, too. We'll do a little collecting."
+
+Burton set us down feather-light at the very edge of the sprawling flat
+expanse of vegetation, commenting that the scene reminded him of his
+native Texas pear-flats.
+
+We wandered in the chilly air, each of us except Burton pursuing his
+specialty. Randolph relentlessly stalked another of the rabbity
+creatures. Gonzales was carefully digging up plants and stowing them in
+jars. Janus was busy with his cameras, recording every aspect of Mars
+transferable to film. Allenby walked around, helping anybody who needed
+it. An astronomer, he'd done half his work on the way to Mars and would
+do the other half on the return trip. Burton lounged in the Sun, his
+back against a ship's fin, and played chess with Allenby, who was
+calling out his moves in a bull roar. I grubbed for rocks.
+
+My search took me farther and farther away from the others--all I could
+find around the 'canal' was gravel, and I wanted to chip at some big
+stuff. I walked toward a long rise a half-mile or so away, beyond which
+rose an enticing array of house-sized boulders.
+
+As I moved out of earshot, I heard Randolph snarl, "Burton, _will_ you
+stop yelling, 'Kt to B-2 and check?' Every time you open your yap, this
+critter takes off on me."
+
+Then I saw the groove.
+
+ * * * * *
+
+It started right where the ground began to rise--a thin, shallow,
+curve-bottomed groove in the dirt at my feet, about half an inch across,
+running off straight toward higher ground.
+
+With my eyes glued to it, I walked. The ground slowly rose. The groove
+deepened, widened--now it was about three inches across, about one and a
+half deep.
+
+I walked on, holding my breath. Four inches wide. Two inches deep.
+
+The ground rose some more. Four and three-eighths inches wide. I didn't
+have to measure it--I _knew_.
+
+Now, as the ground rose, the edges of the groove began to curve inward
+over the groove. They touched. No more groove.
+
+The ground had risen, the groove had stayed level and gone underground.
+
+Except that now it wasn't a groove. It was a round tunnel.
+
+A hole.
+
+A few paces farther on, I thumped the ground with my heel where the hole
+ought to be. The dirt crumbled, and there was the little dark tunnel,
+running straight in both directions.
+
+I walked on, the ground falling away gradually again. The entire process
+was repeated in reverse. A hairline appeared in the
+dirt--widened--became lips that drew slowly apart to reveal the neat
+straight four-inch groove--which shrank as slowly to a shallow line of
+the ground--and vanished.
+
+I looked ahead of me. There was one low ridge of ground between me and
+the enormous boulders. A neat four-inch semicircle was bitten out of the
+very top of the ridge. In the house-sized boulder directly beyond was a
+four-inch hole.
+
+ * * * * *
+
+Allenby winced and called the others when I came back and reported.
+
+"The mystery _deepens_," he told them. He turned to me. "Lead on,
+Peters. You're temporary _drill_ leader."
+
+Thank God he didn't say _Fall in_.
+
+The holes went straight through the nest of boulders--there'd be a hole
+in one and, ten or twenty feet farther on in the next boulder, another
+hole. And then another, and another--right through the nest in a line.
+About thirty holes in all.
+
+Burton, standing by the boulder I'd first seen, flashed his flashlight
+into the hole. Randolph, clear on the other side of the jumbled nest,
+eye to hole, saw it.
+
+Straight as a string!
+
+The ground sloped away on the far side of the nest--no holes were
+visible in that direction--just miles of desert. So, after we'd stared
+at the holes for a while and they didn't go away, we headed back for the
+canal.
+
+"Is there any possibility," asked Janus, as we walked, "that it could be
+a natural phenomenon?"
+
+"There are no straight lines in nature," Randolph said, a little
+shortly. "That goes for a bunch of circles in a straight line. And for
+perfect circles, too."
+
+"A planet is a circle," objected Janus.
+
+"An oblate spheroid," Allenby corrected.
+
+"A planet's orbit--"
+
+"An ellipse."
+
+Janus walked a few steps, frowning. Then he said, "I remember reading
+that there _is_ something darned near a perfect circle in nature." He
+paused a moment. "Potholes." And he looked at me, as mineralogist, to
+corroborate.
+
+"What kind of potholes?" I asked cautiously. "Do you mean where part of
+a limestone deposit has dissol--"
+
+"No. I once read that when a glacier passes over a hard rock that's
+lying on some softer rock, it grinds the hard rock down into the softer,
+and both of them sort of wear down to fit together, and it all ends up
+with a round hole in the soft rock."
+
+"Probably neither stone," I told Janus, "would be homogenous. The softer
+parts would abrade faster in the soft stone. The end result wouldn't be
+a perfect circle."
+
+Janus's face fell.
+
+"Now," I said, "would anyone care to define this term 'perfect circle'
+we're throwing around so blithely? Because such holes as Janus describes
+are often pretty damned round."
+
+Randolph said, "Well...."
+
+"It is settled, then," Gonzales said, a little sarcastically. "Your
+discussion, gentlemen, has established that the long, horizontal holes
+we have found were caused by glacial action."
+
+"Oh, no," Janus argued seriously. "I once read that Mars never had any
+glaciers."
+
+All of us shuddered.
+
+ * * * * *
+
+Half an hour later, we spotted more holes, about a mile down the
+'canal,' still on a line, marching along the desert, through cacti,
+rocks, hills, even through one edge of the low vegetation of the 'canal'
+for thirty feet or so. It was the damnedest thing to bend down and look
+straight through all that curling, twisting growth ... a round tunnel
+from either end.
+
+We followed the holes for about a mile, to the rim of an enormous
+saucerlike valley that sank gradually before us until, miles away, it
+was thousands of feet deep. We stared out across it, wondering about the
+other side.
+
+Allenby said determinedly, "We'll burrow to the _bottom_ of these holes,
+once and for all. Back to the ship, men!"
+
+We hiked back, climbed in and took off.
+
+At an altitude of fifty feet, Burton lined the nose of the ship on the
+most recent line of holes and we flew out over the valley.
+
+On the other side was a range of hefty hills. The holes went through
+them. Straight through. We would approach one hill--Burton would
+manipulate the front viewscreen until we spotted the hole--we would pass
+over the hill and spot the other end of the hole in the rear screen.
+
+One hole was two hundred and eighty miles long.
+
+Four hours later, we were halfway around Mars.
+
+Randolph was sitting by a side port, chin on one hand, his eyes
+unbelieving. "All around the planet," he kept repeating. "All around the
+planet...."
+
+"Halfway at least," Allenby mused. "And we can assume that it continues
+in a straight line, through anything and everything that gets in its
+way...." He gazed out the front port at the uneven blue-green haze of a
+'canal' off to our left. "For the love of Heaven, why?"
+
+Then Allenby fell down. We all did.
+
+Burton had suddenly slapped at the control board, and the ship braked
+and sank like a plugged duck. At the last second, Burton propped up the
+nose with a short burst, the ten-foot wheels hit desert sand and in five
+hundred yards we had jounced to a stop.
+
+Allenby got up from the floor. "Why did you do that?" he asked Burton
+politely, nursing a bruised elbow.
+
+Burton's nose was almost touching the front port. "Look!" he said, and
+pointed.
+
+About two miles away, the Martian village looked like a handful of
+yellow marbles flung on the desert.
+
+ * * * * *
+
+We checked our guns. We put on our oxygen-masks. We checked our guns
+again. We got out of the ship and made damned sure the airlock was
+locked.
+
+An hour later, we crawled inch by painstaking inch up a high sand dune
+and poked our heads over the top.
+
+The Martians were runts--the tallest of them less than five feet
+tall--and skinny as a pencil. Dried-up and brown, they wore loincloths
+of woven fiber.
+
+They stood among the dusty-looking inverted-bowl buildings of their
+village, and every one of them was looking straight up at us with
+unblinking brown eyes.
+
+The six safeties of our six guns clicked off like a rattle of dice. The
+Martians stood there and gawped.
+
+"Probably a highly developed sense of hearing in this thin atmosphere,"
+Allenby murmured. "Heard us coming."
+
+"They thought that landing of Burton's was an earthquake," Randolph
+grumbled sourly.
+
+"Marsquake," corrected Janus. One look at the village's scrawny
+occupants seemed to have convinced him that his life was in no danger.
+
+Holding the Martians covered, we examined the village from atop the
+thirty-foot dune.
+
+The domelike buildings were constructed of something that looked like
+adobe. No windows--probably built with sandstorms in mind. The doors
+were about halfway up the sloping sides, and from each door a stone ramp
+wound down around the house to the ground--again with sandstorms in
+mind, no doubt, so drifting dunes wouldn't block the entrances.
+
+The center of the village was a wide street, a long sandy area some
+thirty feet wide. On either side of it, the houses were scattered at
+random, as if each Martian had simply hunted for a comfortable place to
+sit and then built a house around it.
+
+"Look," whispered Randolph.
+
+One Martian had stepped from a group situated on the far side of the
+street from us. He started to cross the street, his round brown eyes on
+us, his small bare feet plodding sand, and we saw that in addition to a
+loincloth he wore jewelry--a hammered metal ring, a bracelet on one
+skinny ankle. The Sun caught a copperish gleam on his bald narrow head,
+and we saw a band of metal there, just above where his eyebrows should
+have been.
+
+"The super-chief," Allenby murmured. "Oh, _shaman_ me!"
+
+As the bejeweled Martian approached the center of the street, he glanced
+briefly at the ground at his feet. Then he raised his head, stepped with
+dignity across the exact center of the street and came on toward us,
+passing the dusty-looking buildings of his realm and the dusty-looking
+groups of his subjects.
+
+He reached the slope of the dune we lay on, paused--and raised small
+hands over his head, palms toward us.
+
+"I think," Allenby said, "that an anthropologist would give odds on that
+gesture meaning peace."
+
+He stood up, holstered his gun--without buttoning the flap--and raised
+his own hands over his head. We all did.
+
+ * * * * *
+
+The Martian language consisted of squeaks.
+
+We made friendly noises, the chief squeaked and pretty soon we were the
+center of a group of wide-eyed Martians, none of whom made a sound.
+Evidently no one dared peep while the chief spoke--very likely the most
+articulate Martians simply squeaked themselves into the job. Allenby,
+of course, said they just _squeaked by_.
+
+He was going through the business of drawing concentric circles in the
+sand, pointing at the third orbit away from the Sun and thumping his
+chest. The crowd around us kept growing as more Martians emerged from
+the dome buildings to see what was going on. Down the winding ramps of
+the buildings on our side of the wide, sandy street they came--and from
+the buildings on the other side of the street, plodding through the
+sand, blinking brown eyes at us, not making a sound.
+
+Allenby pointed at the third orbit and thumped his chest. The chief
+squeaked and thumped his own chest and pointed at the copperish band
+around his head. Then he pointed at Allenby.
+
+"I seem to have conveyed to him," Allenby said dryly, "the fact that I'm
+chief of our party. Well, let's try again."
+
+He started over on the orbits. He didn't seem to be getting anyplace, so
+the rest of us watched the Martians instead. A last handful was
+straggling across the wide street.
+
+"Curious," said Gonzales. "Note what happens when they reach the center
+of the street."
+
+Each Martian, upon reaching the center of the street, glanced at his
+feet--just for a moment--without even breaking stride. And then came on.
+
+"What can they be looking at?" Gonzales wondered.
+
+"The chief did it too," Burton mused. "Remember when he first came
+toward us?"
+
+We all stared intently at the middle of the street. We saw absolutely
+nothing but sand.
+
+The Martians milled around us and watched Allenby and his orbits. A
+Martian child appeared from between two buildings across the street. On
+six-inch legs, it started across, got halfway, glanced downward--and
+came on.
+
+"I don't get it," Burton said. "What in hell are they _looking_ at?"
+
+The child reached the crowd and squeaked a thin, high note.
+
+A number of things happened at once.
+
+ * * * * *
+
+Several members of the group around us glanced down, and along the edge
+of the crowd nearest the center of the street there was a mild stir as
+individuals drifted off to either side. Quite casually--nothing at all
+urgent about it. They just moved concertedly to get farther away from
+the center of the street, not taking their interested gaze off us for
+one second in the process.
+
+Even the chief glanced up from Allenby's concentric circles at the
+child's squeak. And Randolph, who had been fidgeting uncomfortably and
+paying very little attention to our conversation, decided that he must
+answer Nature's call. He moved off into the dunes surrounding the
+village. Or rather, he started to move.
+
+The moment he set off across the wide street, the little Martian chief
+was in front of him, brown eyes wide, hands out before him as if to
+thrust Randolph back.
+
+Again six safeties clicked. The Martians didn't even blink at the sudden
+appearance of our guns. Probably the only weapon they recognized was a
+club, or maybe a rock.
+
+"What can the matter be?" Randolph said.
+
+He took another step forward. The chief squeaked and stood his ground.
+Randolph had to stop or bump into him. Randolph stopped.
+
+The chief squeaked, looking right into the bore of Randolph's gun.
+
+"Hold still," Allenby told Randolph, "till we know what's up."
+
+Allenby made an interrogative sound at the chief. The chief squeaked and
+pointed at the ground. We looked. He was pointing at his shadow.
+
+Randolph stirred uncomfortably.
+
+"Hold still," Allenby warned him, and again he made the questioning
+sound.
+
+The chief pointed up the street. Then he pointed down the street. He
+bent to touch his shadow, thumping it with thin fingers. Then he pointed
+at the wall of a house nearby.
+
+We all looked.
+
+Straight lines had been painted on the curved brick-colored wall, up and
+down and across, to form many small squares about four inches across. In
+each square was a bit of squiggly writing, in blackish paint, and a
+small wooden peg jutting out from the wall.
+
+Burton said, "Looks like a damn crossword puzzle."
+
+"Look," said Janus. "In the lower right corner--a metal ring hanging
+from one of the pegs."
+
+ * * * * *
+
+And that was all we saw on the wall. Hundreds of squares with figures in
+them--a small peg set in each--and a ring hanging on one of the pegs.
+
+"You know what?" Allenby said slowly. "I think it's a calendar! Just a
+second--thirty squares wide by twenty-two high--that's six hundred and
+sixty. And that bottom line has twenty-six--twenty-_seven_ squares. Six
+hundred and eighty-seven squares in all. That's how many days there are
+in the Martian year!"
+
+He looked thoughtfully at the metal ring. "I'll bet that ring is hanging
+from the peg in the square that represents _today_. They must move it
+along every day, to keep track...."
+
+"What's a calendar got to do with my crossing the street?" Randolph
+asked in a pained tone.
+
+He started to take another step. The chief squeaked as if it were a
+matter of desperate concern that he make us understand. Randolph stopped
+again and swore impatiently.
+
+Allenby made his questioning sound again.
+
+The chief pointed emphatically at his shadow, then at the communal
+calendar--and we could see now that he was pointing at the metal ring.
+
+Burton said slowly, "I think he's trying to tell us that this is
+_today_. And such-and-such a _time_ of day. I bet he's using his shadow
+as a sundial."
+
+"Perhaps," Allenby granted.
+
+Randolph said, "If this monkey doesn't let me go in another minute--"
+
+The chief squeaked, eyes concerned.
+
+"Stand still," Allenby ordered. "He's trying to warn you of some
+danger."
+
+The chief pointed down the street again and, instead of squealing,
+revealed that there was another sound at his command. He said,
+"Whooooooosh!"
+
+We all stared at the end of the street.
+
+ * * * * *
+
+Nothing! Just the wide avenue between the houses, and the high sand dune
+down at the end of it, from which we had first looked upon the village.
+
+The chief described a large circle with one hand, sweeping the hand
+above his head, down to his knees, up again, as fast as he could. He
+pursed his monkey-lips and said, "Whooooooosh!" And made the circle
+again.
+
+A Martian emerged from the door in the side of a house across the avenue
+and blinked at the Sun, as if he had just awakened. Then he saw what was
+going on below and blinked again, this time in interest. He made his way
+down around the winding lamp and started to cross the street.
+
+About halfway, he paused, eyed the calendar on the house wall, glanced
+at his shadow. Then he got down on his hands and knees and _crawled_
+across the middle of the street. Once past the middle, he rose, walked
+the rest of the way to join one of the groups and calmly stared at us
+along with the rest of them.
+
+"They're all crazy," Randolph said disgustedly. "I'm going to cross that
+street!"
+
+"Shut up. So it's a certain time of a certain day," Allenby mused. "And
+from the way the chief is acting, he's afraid for you to cross the
+street. And that other one just _crawled_. By God, do you know what this
+might tie in with?"
+
+We were silent for a moment. Then Gonzales said, "Of course!"
+
+And Burton said, "The _holes_!"
+
+"Exactly," said Allenby. "Maybe whatever made--or makes--the holes comes
+right down the center of the street here. Maybe that's why they built
+the village this way--to make room for--"
+
+"For what?" Randolph asked unhappily, shifting his feet.
+
+"I don't know," Allenby said. He looked thoughtfully at the chief. "That
+circular motion he made--could he have been describing something that
+went around and around the planet? Something like--oh, no!" Allenby's
+eyes glazed. "I wouldn't believe it in a million years."
+
+His gaze went to the far end of the street, to the high sand dune that
+rose there. The chief seemed to be waiting for something to happen.
+
+"I'm going to crawl," Randolph stated. He got to his hands and knees and
+began to creep across the center of the avenue.
+
+The chief let him go.
+
+The sand dune at the end of the street suddenly erupted. A forty-foot
+spout of dust shot straight out from the sloping side, as if a bullet
+had emerged. Powdered sand hazed the air, yellowed it almost the full
+length of the avenue. Grains of sand stung the skin and rattled minutely
+on the houses.
+
+WhoooSSSHHHHH!
+
+Randolph dropped flat on his belly. He didn't have to continue his trip.
+He had made other arrangements.
+
+ * * * * *
+
+That night in the ship, while we all sat around, still shaking our heads
+every once in a while, Allenby talked with Earth. He sat there, wearing
+the headphones, trying to make himself understood above the godawful
+static.
+
+"... an exceedingly small body," he repeated wearily to his unbelieving
+audience, "about four inches in diameter. It travels at a mean distance
+of four feet above the surface of the planet, at a velocity yet to be
+calculated. Its unique nature results in many hitherto unobserved--I
+might say even unimagined--phenomena." He stared blankly in front of him
+for a moment, then delivered the understatement of his life. "The
+discovery may necessitate a re-examination of many of our basic
+postulates in the physical sciences."
+
+The headphones squawked.
+
+Patiently, Allenby assured Earth that he was entirely serious, and
+reiterated the results of his observations. I suppose that he, an
+astronomer, was twice as flabbergasted as the rest of us. On the other
+hand, perhaps he was better equipped to adjust to the evidence.
+
+"Evidently," he said, "when the body was formed, it traveled at such
+fantastic velocity as to enable it to--" his voice was almost a
+whisper--"to punch holes in things."
+
+The headphones squawked.
+
+"In rocks," Allenby said, "in mountains, in anything that got in its
+way. And now the holes form a large portion of its fixed orbit."
+
+_Squawk._
+
+"Its mass must be on the order of--"
+
+_Squawk._
+
+"--process of making the holes slowed it, so that now it travels just
+fast enough--"
+
+_Squawk._
+
+"--maintain its orbit and penetrate occasional objects such as--"
+
+_Squawk._
+
+"--and sand dunes--"
+
+_Squawk._
+
+"My God, I _know_ it's a mathematical monstrosity," Allenby snarled.
+"_I_ didn't put it there!"
+
+_Squawk._
+
+Allenby was silent for a moment. Then he said slowly, "A name?"
+
+_Squawk._
+
+"H'm," said Allenby. "Well, well." He appeared to brighten just a
+little. "So it's up to me, as leader of the expedition, to name it?"
+
+_Squawk._
+
+"Well, well," he said.
+
+That chop-licking tone was in his voice. We'd heard it all too often
+before. We shuddered, waiting.
+
+"Inasmuch as Mars' outermost moon is called Deimos, and the next
+Phobos," he said, "I think I shall name the third moon of
+Mars--_Bottomos_."
+
+ --JEROME BIXBY
+
+
+
+
+
+End of the Project Gutenberg EBook of The Holes Around Mars, by Jerome Bixby
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE HOLES AROUND MARS ***
+
+***** This file should be named 32360.txt or 32360.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/3/2/3/6/32360/
+
+Produced by Greg Weeks and the Online Distributed
+Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.