summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-14 19:57:23 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-14 19:57:23 -0700
commit9f6e40c2523386477acd8853c85292cde2a65be7 (patch)
tree82c9f4837843fa5adf64b14ab10b5c5ba7d068ac
initial commit of ebook 32324HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--32324-h.zipbin0 -> 364228 bytes
-rw-r--r--32324-h/32324-h.htm1516
-rw-r--r--32324-h/images/cover.jpgbin0 -> 35735 bytes
-rw-r--r--32324-h/images/illus1.jpgbin0 -> 41102 bytes
-rw-r--r--32324-h/images/illus2.jpgbin0 -> 39850 bytes
-rw-r--r--32324-h/images/illus3.jpgbin0 -> 63339 bytes
-rw-r--r--32324-h/images/illus4.jpgbin0 -> 25217 bytes
-rw-r--r--32324-h/images/illus5.jpgbin0 -> 68109 bytes
-rw-r--r--32324-h/images/illus6.jpgbin0 -> 66180 bytes
-rw-r--r--32324.txt1275
-rw-r--r--32324.zipbin0 -> 22751 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
14 files changed, 2807 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/32324-h.zip b/32324-h.zip
new file mode 100644
index 0000000..cb168f1
--- /dev/null
+++ b/32324-h.zip
Binary files differ
diff --git a/32324-h/32324-h.htm b/32324-h/32324-h.htm
new file mode 100644
index 0000000..0e01e3c
--- /dev/null
+++ b/32324-h/32324-h.htm
@@ -0,0 +1,1516 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<!-- $Id: header.txt 236 2009-12-07 18:57:00Z vlsimpson $ -->
+
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+ <head>
+ <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" />
+ <meta http-equiv="Content-Style-Type" content="text/css" />
+ <title>
+ The Project Gutenberg eBook of Sam, This Is You, by Murray Leinster.
+ </title>
+ <style type="text/css">
+
+body {
+ margin-left: 10%;
+ margin-right: 10%;
+}
+
+ h1,h2,h3,h4,h5,h6 {
+ text-align: center; /* all headings centered */
+ clear: both;
+}
+
+p {
+ margin-top: .75em;
+ text-align: justify;
+ margin-bottom: .75em;
+}
+
+hr {
+ width: 33%;
+ margin-top: 2em;
+ margin-bottom: 2em;
+ margin-left: auto;
+ margin-right: auto;
+ clear: both;
+}
+
+table {
+ margin-left: auto;
+ margin-right: auto;
+}
+
+.pagenum { /* uncomment the next line for invisible page numbers */
+ /* visibility: hidden; */
+ position: absolute;
+ left: 92%;
+ font-size: smaller;
+ text-align: right;
+} /* page numbers */
+
+.linenum {
+ position: absolute;
+ top: auto;
+ left: 4%;
+} /* poetry number */
+
+.blockquot {
+ margin-left: 5%;
+ margin-right: 10%;
+}
+
+.sidenote {
+ width: 20%;
+ padding-bottom: .5em;
+ padding-top: .5em;
+ padding-left: .5em;
+ padding-right: .5em;
+ margin-left: 1em;
+ float: right;
+ clear: right;
+ margin-top: 1em;
+ font-size: smaller;
+ color: black;
+ background: #eeeeee;
+ border: dashed 1px;
+}
+
+.bb {border-bottom: solid 2px;}
+
+.bl {border-left: solid 2px;}
+
+.bt {border-top: solid 2px;}
+
+.br {border-right: solid 2px;}
+
+.bbox {border: solid 2px;}
+
+.center {text-align: center;}
+
+.smcap {font-variant: small-caps;}
+
+.u {text-decoration: underline;}
+
+.caption {font-weight: bold;}
+
+/* Images */
+.figcenter {
+ margin: auto;
+ text-align: center;
+}
+
+.figleft {
+ float: left;
+ clear: left;
+ margin-left: 0;
+ margin-bottom: 1em;
+ margin-top: 1em;
+ margin-right: 1em;
+ padding: 0;
+ text-align: center;
+}
+
+.figright {
+ float: right;
+ clear: right;
+ margin-left: 1em;
+ margin-bottom:
+ 1em;
+ margin-top: 1em;
+ margin-right: 0;
+ padding: 0;
+ text-align: center;
+}
+
+/* Footnotes */
+.footnotes {border: dashed 1px;}
+
+.footnote {margin-left: 10%; margin-right: 10%; font-size: 0.9em;}
+
+.footnote .label {position: absolute; right: 84%; text-align: right;}
+
+.fnanchor {
+ vertical-align: super;
+ font-size: .8em;
+ text-decoration:
+ none;
+}
+
+/* Poetry */
+.poem {
+ margin-left:10%;
+ margin-right:10%;
+ text-align: left;
+}
+
+.poem br {display: none;}
+
+.poem .stanza {margin: 1em 0em 1em 0em;}
+
+.poem span.i0 {
+ display: block;
+ margin-left: 0em;
+ padding-left: 3em;
+ text-indent: -3em;
+}
+
+.poem span.i2 {
+ display: block;
+ margin-left: 2em;
+ padding-left: 3em;
+ text-indent: -3em;
+}
+
+.poem span.i4 {
+ display: block;
+ margin-left: 4em;
+ padding-left: 3em;
+ text-indent: -3em;
+}
+
+ </style>
+ </head>
+<body>
+
+
+<pre>
+
+Project Gutenberg's Sam, This is You, by William Fitzgerald Jenkins
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Sam, This is You
+
+Author: William Fitzgerald Jenkins
+
+Illustrator: Mel Hunter
+
+Release Date: May 10, 2010 [EBook #32324]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK SAM, THIS IS YOU ***
+
+
+
+
+Produced by Greg Weeks, Mary Meehan and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+
+</pre>
+
+
+
+<div class="figcenter">
+<img src="images/cover.jpg" alt=""/>
+</div>
+
+<hr style="width: 65%;" />
+
+
+
+
+<h1>SAM, THIS IS YOU</h1>
+
+<h2>By MURRAY LEINSTER</h2>
+
+<h3>Illustrated by MEL HUNTER</h3>
+
+<p>[Transcriber Note: This etext was produced from Galaxy Science Fiction
+May 1955. Extensive research did not uncover any evidence that the U.S.
+copyright on this publication was renewed.]</p>
+
+<hr style="width: 65%;" />
+
+<div class="sidenote">Sam had led a peaceful and impecunious life&mdash;until a voice
+cut in on a phone and said: Sam, this is You</div>
+
+
+<p>You are not supposed to believe this story, and if you ask Sam Yoder
+about it, he is apt to say that it's all a lie. But Sam is a bit
+sensitive about it. He does not want the question of privacy to be
+raised again&mdash;especially in Rosie's hearing. And there are other
+matters. But it's all perfectly respectable and straightforward.</p>
+
+<p>It could have happened to anybody&mdash;well, almost anybody. Anybody, say,
+who was a telephone lineman for the Batesville and Rappahannock
+Telephone Company, and who happened to be engaged to Rosie, and who had
+been told admiringly by Rosie that a man as smart as he was ought to
+make something wonderful of himself. And, of course, anybody who'd taken
+that seriously and had been puttering around on a device to make private
+conversations on a party-line telephone possible, and almost had the
+trick.</p>
+
+<p>It began about six o'clock on July second, when Sam was up a telephone
+pole near Bridge's Run. He was hunting for the place where that party
+line had gone dead. He'd hooked in his lineman's phone and he couldn't
+raise Central, so he was just going to start looking for the break when
+his phone rang back, though the line had checked dead.</p>
+
+<hr style="width: 65%;" />
+
+<div class="figcenter">
+<img src="images/illus1.jpg" alt=""/>
+</div>
+
+<hr style="width: 65%;" />
+
+<p>Startled, he put the receiver to his ear. "Hello. Who's this?"</p>
+
+<p>"Sam, this is you," a voice replied.</p>
+
+<p>"Huh?" said Sam. "What's that?"</p>
+
+<p>"This is you," the voice on the wire repeated. "You, Sam Yoder. Don't
+you recognize your own voice? This is you, Sam Yoder, calling from the
+twelfth of July. Don't hang up!"</p>
+
+<hr style="width: 45%;" />
+
+<p>Sam hadn't even thought of hanging up. He was annoyed. He was up a
+telephone pole, trying to do some work, resting in his safety belt and
+with his climbing irons safely fixed in the wood. Naturally, he thought
+somebody was trying to joke with him, and when a man is working is no
+time for jokes.</p>
+
+<p>"I'm not hanging up," said Sam dourly, "but you'd better!"</p>
+
+<p>The voice was familiar, though he couldn't quite place it. If it talked
+a little more, he undoubtedly would. He knew it just about as well as he
+knew his own, and it was irritating not to be able to call this joker by
+name.</p>
+
+<p>The voice said, "Sam, it's the second of July where you are, and you're
+up a pole by Bridge's Run. The line's dead in two places, else I
+couldn't talk to you. Lucky, ain't it?"</p>
+
+<hr style="width: 65%;" />
+
+<div class="figcenter">
+<img src="images/illus2.jpg" alt=""/>
+</div>
+
+<hr style="width: 65%;" />
+
+<p>"Whoever you are," Sam said formidably, "it ain't going to be lucky for
+you if you ever need telephone service and you've kept wasting my time.
+I'm busy!"</p>
+
+<p>"But I'm you!" insisted the voice persuasively. "And you're me! We're
+both the same Sam Yoder, only where I am, it's July twelfth. Where you
+are, it's July second. You've heard of time-traveling. Well, this is
+time-talking. You're talking to yourself&mdash;that's me&mdash;and I'm talking to
+myself&mdash;that's you&mdash;and it looks like we've got a mighty good chance to
+get rich."</p>
+
+<p>Then something came into Sam's memory and every muscle in his body went
+taut and tight, even as he was saying to himself, "It can't be!"</p>
+
+<p>But he'd remembered that if a man stands in a corner and talks to the
+wall, his voice will sound to him just the way it sounds to somebody
+else. Being in the telephone business, he'd tried it and now he did
+recognize the voice. It was his. His own. Talking to him. Which, of
+course, was impossible.</p>
+
+<p>"Look," said hoarsely, "I don't believe this!"</p>
+
+<p>"Then listen," the voice said briskly. And Sam's face grew red. It
+burned. His ears began to feel scorched. Because the voice&mdash;<i>his</i>
+voice&mdash;was telling him strictly private matters that nobody else in the
+world knew. Nobody but himself and Rosie.</p>
+
+<p>"Quit it!" groaned Sam. "Somebody might be listening! Tell me what you
+want and ring off!"</p>
+
+<p>The voice told him what it wanted. His own voice. It sounded pleased. It
+told him precisely what it wanted him to do. And then, very kindly, it
+told him exactly where the two breaks in the line were. And then it rang
+off.</p>
+
+<hr style="width: 45%;" />
+
+<p>He sweated when he looked at the first of the two places. A joining was
+bad and he fixed that. It was where his voice had said it would be. And
+that was as impossible as anything else.</p>
+
+<p>When he'd fixed the second break, Sam called Central and told her he was
+sick and was going home, and that if there were any other phones that
+needed fixing today, people were probably better off without phone
+service, anyhow.</p>
+
+<p>He went home and washed his face, and made himself a brew of coffee and
+drank it, and his memory turned out to be unimpaired. Presently he heard
+himself muttering.</p>
+
+<p>So he said defiantly, "There ain't any crazy people in my family, so it
+ain't likely I've gone out of my head. But God knows nobody but Rosie
+knows about me telling her sentimental that her nose is so cute, I
+couldn't believe she ever had to blow it! Maybe it was me, talking to
+myself!"</p>
+
+<p>Talking to oneself is not abnormal. Lots of people do it. Sam missed out
+the conclusion to be drawn from the fact that he'd answered himself
+back.</p>
+
+<p>He reasoned painfully, "If somebody drove over to Rappahannock, past
+Dunnsville, and telephoned back that there was a brush fire at
+Dunnsville, I wouldn't be surprised to get to Dunnsville and find a
+brush fire there. So if somebody phones back from next Tuesday that Mr.
+Broaddus broke his leg next Tuesday&mdash;why, I shouldn't be surprised to
+get to next Tuesday and find he done it. Going to Rappahannock, past
+Dunnsville, and going to next Thursday, past next Tuesday, ain't so much
+difference. It's only the difference between a road-map and a calendar."</p>
+
+<p>Then he began to see implications. He blinked.</p>
+
+<p>"Yes, sir!" he said in awe. "I wouldn't've thought of it if I hadn't
+told myself on the telephone, but there <i>is</i> money to be made out of
+this! I must be near as smart as Rosie thinks I am! I'd better get that
+dinkus set up!"</p>
+
+<p>He'd more or less half-heartedly worked out an idea of how a party-line
+telephone conversation could be made private, and just out of instinct,
+you might say, he'd accumulated around his house a lot of stuff that
+should have been on the phone company's inventory. There were condensers
+and transmitters and selective-ringing bells and resistances and the
+like. He'd meant to put some of them together some day and see what
+happened, but he'd been too busy courting Rosie to get at it.</p>
+
+<hr style="width: 45%;" />
+
+<p>Now he did get started. His own voice on the telephone had told him to.
+It had warned him that one thing he had intended wouldn't work and
+something else would. But it was essentially simple, after all. He
+finished it and cut off his line from Central and hooked this gadget in.
+He rang. Half a minute later, somebody rang back.</p>
+
+<p>"Hello!" said Sam, quivering. He'd broken the line to Central, remember.
+In theory, he shouldn't have gotten anybody anywhere. But a very
+familiar voice said "Hello" back at him, and Sam swallowed and said,
+"Hello, Sam. This is you in the second of July."</p>
+
+<p>The voice at the other end said cordially that Sam had done pretty well
+and now the two of them&mdash;Sam in the here and now and Sam in the middle
+of the week after next&mdash;would proceed to get rich together. But the
+voice from July twelfth sounded less absorbed in the conversation than
+Sam thought quite right. It seemed even abstracted. And Sam was at once
+sweating from the pure unreasonableness of the situation and conscious
+that he rated congratulation for the highly technical device he had
+built. After all, not everybody could build a time-talker!</p>
+
+<p>He said with some irony, "If you're too busy to talk&mdash;"</p>
+
+<p>"I'll tell you," replied the voice from the twelfth of July, gratified.
+"I am kind of busy right now. You'll understand when you get to where I
+am. Don't get mad, Sam. Tell you what&mdash;you go see Rosie and tell her
+about this and have a nice evening. Ha-ha!"</p>
+
+<p>"Now what," asked Sam cagily, "do you mean by that 'ha-ha'?"</p>
+
+<p>"You'll find out," said the voice. "Knowin' what I know, I'll even
+double it. Ha-ha, ha-ha!"</p>
+
+<p>There was a click. Sam rang back, but got no answer. He may have been
+the first man in history to take an objective and completely justified
+dislike to himself.</p>
+
+<p>But presently he grumbled, "Smart, huh? Two can play at that! I'm the
+one that's got to do things if we are both goin' to get rich."</p>
+
+<p>He put his gadget carefully away and combed his hair and ate some cold
+food around the house and drove over to see Rosie. It was a night and an
+errand which ordinarily would have seemed purely romantic. There were
+fireflies floating about, and the Moon shone down splendidly, and a
+perfumed breeze carried mosquitoes from one place to another. It was the
+sort of night on which, ordinarily, Sam would have thought only of
+Rosie, and Rosie would have optimistic ideas about how housekeeping
+could, after all, be done on what Sam made a week.</p>
+
+<p>They got settled down in the hammock on Rosie's front porch, and Sam
+said expansively, "Rosie, I've made up my mind to get rich. You ought to
+have everything your little heart desires. Suppose you tell me what you
+want so I'll know how rich I've got to get."</p>
+
+<hr style="width: 45%;" />
+
+<p>Rosie drew back. She looked sharply at Sam. "Do you feel all right?"</p>
+
+<p>He beamed at her. He'd never been married and he didn't know how crazy
+it sounded to Rosie to be queried on how much money would satisfy her.
+There simply isn't any answer to the question.</p>
+
+<p>"Listen," said Sam tenderly. "Nobody knows it, but tonight Joe Hunt and
+the Widow Backus are eloping to North Carolina to get married. We'll
+find out about it tomorrow. And day after tomorrow, on the Fourth of
+July, Dunnsville is going to win the baseball game with Bradensburg,
+seven to five, all tied till the ninth inning, and then George Peeby is
+going to hit a homer with Fred Holmes on second base."</p>
+
+<p>Rosie stared at him. Sam explained complacently. The Sam Yoder in the
+middle of the week after next had told him what to expect in those
+particular cases. He would tell him other things to expect. So Sam was
+going to get rich.</p>
+
+<p>Rosie said, "Sam! Somebody was playing a joke on you!"</p>
+
+<p>"Yeah?" Sam answered comfortably. "Who else but me knows what you said
+to me that time you thought I was mad at you and you were crying out
+back of the well-house?"</p>
+
+<p>"Sam!"</p>
+
+<p>"And nobody else knows about that time we were picnicking and a bug got
+down the back of your dress and you thought it was a hornet."</p>
+
+<p>"Sam Yoder!" wailed Rosie. "You never told anybody about that!"</p>
+
+<p>"Nope," said Sam truthfully. "I never did. But the me in the week after
+next knew. He told me. So he had to be me talking to me. Couldn't've
+been anybody else."</p>
+
+<p>Rosie gasped. Sam explained all over again. In detail. When he had
+finished, Rosie seemed dazed.</p>
+
+<p>Then she said desperately, "Sam! Either you've t-told somebody else
+everything we ever said or did together, or else&mdash;there's somebody who
+knows every word we ever said to each other! That's awful! Do you really
+and truly mean to tell me&mdash;"</p>
+
+<p>"Sure I mean to tell you," said Sam happily. "The me in the week after
+next called me up and talked about things nobody knows but you and me.
+Can't be no doubt at all."</p>
+
+<p>Rosie shivered. "He&mdash;he knows every word we ever said! Then he knows
+every word we're saying now!" She gulped. "Sam Yoder, you go home!"</p>
+
+<p>Sam gaped at her. She got up and backed away from him.</p>
+
+<p>"D-do you think," she chattered despairingly, "that I&mdash;that I'm g-going
+to talk to you when s-somebody else&mdash;listens to every w-word I say
+and&mdash;knows everything I do? D-do you think I'm going to <i>m-marry</i> you?"</p>
+
+<p>Then she ran away, weeping noisily, and slammed the door on Sam. Her
+father came out presently, looking patient, and asked Sam to go home so
+Rosie could finish crying and he could read his newspaper in peace.</p>
+
+<hr style="width: 45%;" />
+
+<p>On the way back to his own house, Sam meditated darkly. By the time he
+got there, he was furious. The him in the week after next could have
+warned him about this!</p>
+
+<p>He rang and rang and rang, on the cut-off line with his gadget hooked in
+to call July the twelfth. But there was no answer.</p>
+
+<p>When morning came, he rang again, but the phone was still dead. He
+loaded his tool-kit in the truck and went off to work, feeling about as
+low as a man could feel.</p>
+
+<p>He felt lower when he reported at the office and somebody told him
+excitedly that Joe Hunt and the Widow Backus had eloped to North
+Carolina to get married. Nobody would have tried to stop them if they
+had prosaically gotten married at home, but they had eloped to make it
+more romantic.</p>
+
+<p>It wasn't romantic to Sam. It was devastating proof that there was
+another him ten days off, knowing everything he knew and more besides,
+and very likely laughing his head off at the fix Sam was in. Because,
+obviously, Rosie would be still more convinced when she heard this news.
+She'd know Sam wasn't crazy or the victim of a practical joke. He had
+told the truth.</p>
+
+<p>It wasn't the first time a man got in trouble with a woman by telling
+her the truth, but it was new to Sam and it hurt.</p>
+
+<p>He went over to Bradensburg that day to repair some broken lines, and
+around noon, he went into a store to get something to eat. There were
+some local sportsmen in the store, bragging to each other about what the
+Bradensburg baseball team would do to the Dunnsville nine.</p>
+
+<p>Sam said peevishly, "Huh! Dunnsville will win that game by two runs!"</p>
+
+<p>"Have you got any money that agrees with you?" a local sportsman
+demanded pugnaciously. "If you have, put it up and let somebody cover
+it!"</p>
+
+<p>Sam wanted to draw back, but he had roused the civic pride of
+Bradensburg. He tried to temporize and he was jeered at. In the end,
+philosophically, he dragged out all the money he had with him and bet
+it&mdash;eleven dollars. It was covered instantly, amid raucous laughter. And
+on the way back to Batesville, he reflected unhappily that he was going
+to make eleven dollars out of knowing what was going to happen in the
+ninth inning of that ball game, but probably at the cost of losing
+Rosie.</p>
+
+<hr style="width: 45%;" />
+
+<p>He tried to call his other self that night again. There was no more
+answer than before. He unhooked the gadget and restored normal service
+to himself. He rang Rosie's house. She answered the phone.</p>
+
+<p>"Rosie," Sam asked yearningly, "are you still mad at me?"</p>
+
+<p>"I never was mad at you," said Rose, gulping. "I'm mad at whoever was
+talking to you on the phone and knows all our private secrets. And I'm
+mad at you if you told him."</p>
+
+<p>"But I didn't have to tell him! He's me! All he has to do is just
+remember! I tried to call him last night and again this morning," he
+added bitterly, "and he don't answer. Maybe he's gone off somewheres.
+I'm thinking it might be a&mdash;a kind of illusion, maybe."</p>
+
+<p>"You told me there'd be an elopement last night," retorted Rosie, her
+voice wobbling, "and there was. Joe Hunt and the Widow Backus. Just like
+you said!"</p>
+
+<p>"It&mdash;it could've been a coincidence," suggested Sam, not too hopefully.</p>
+
+<p>"I'm&mdash;w-waiting to see if Dunnsville beats Bradensburg seven to five
+tomorrow, tied to the ninth, with George Peeby hitting a homer then with
+Fred Holmes on second base. If&mdash;if that happens, I'll&mdash;I'll die!"</p>
+
+<p>"Why?" asked Sam.</p>
+
+<p>"Because it'll mean that I can't m-marry you ever, because somebody
+else'd be looking over your shoulder&mdash;and we wouldn't ever be by
+ourselves all our lives&mdash;night or day!"</p>
+
+<p>She hung up, weeping, and Sam swore slowly and steadily and with venom
+while he worked to hook up his device again&mdash;which did not make a
+private conversation on a party line, but allowed a man to talk to
+himself ten days away from where he was. And then Sam rang, and rang,
+and rang. But he got no answer.</p>
+
+<p>The following day, in the big fourth of July game, Dunnsville beat
+Bradensburg seven to five. It was tied to the ninth. Then George Peeby
+hit a homer, with Fred Holmes on second base. Sam collected his
+winnings, but grimly, without joy.</p>
+
+<p>He stayed home that night, worrying, and every so often trying to call
+himself up on the device he had invented and been told&mdash;by himself&mdash;to
+modify. It was a nice gadget, but Sam did not enjoy it. It was a nice
+night, too. There was moonlight. But Sam did not enjoy that, either.</p>
+
+<p>Moonlight wouldn't do Sam any good so long as there was another him in
+the middle of the week after next, refusing to talk to him so he could
+get out of the fix he was in.</p>
+
+<hr style="width: 45%;" />
+
+<p>Next morning, though, the phone woke him. He swore at it out of habit
+until he got out of bed, and then he realized that his gadget was hooked
+in and Central was cut off. He made it in one jump to the instrument.</p>
+
+<p>"Hello!"</p>
+
+<p>"Don't fret," said his own voice patronizingly. "Rosie's going to make
+up with you."</p>
+
+<p>"How in blazes d'you know what she's going to do?" raged Sam. "She won't
+marry me with you hanging around! I've been trying to figure out a way
+to get rid of you&mdash;"</p>
+
+<p>"Quiet!" commanded the voice on the telephone irritably. "I'm busy. I've
+got to go collect the money you've made for us."</p>
+
+<p>"<i>You</i> collect money? <i>I</i> get in trouble and <i>you</i> collect money?"</p>
+
+<p>"I have to," his voice said with the impatient patience of one speaking
+to a small idiot child, "before you can have it. Listen here. Where you
+are, it's Wednesday. You're going over to Dunnsville today to fix some
+phones. You'll be in Mr. Broaddus' law office about half-past ten. You
+look out the window and notice a fella setting in a car in front of the
+bank. Notice him good!"</p>
+
+<p>"I won't do it," said Sam defiantly. "I ain't taking any orders from
+you! Maybe you're me, but <i>I</i> make money and <i>you</i> collect it. For all I
+know you spend it before I get to it! I'm quitting this business right
+now. It's cost me my own true love and all <i>my</i> life's happiness and to
+hell with you!"</p>
+
+<p>"You won't do it?" his own voice asked nastily. "Wait and see!"</p>
+
+<p>So, that morning, the manager told Sam, when he reported for work, to
+drive over to Dunnsville and check on some lines there. Sam balked. He
+said there were much more important lines needing repair elsewhere. The
+manager explained politely to Sam that Mr. Broaddus over in Dunnsville
+had been taken drunk at a Fourth of July party and fallen out of a
+window. He'd broken his leg, so it was a Christian duty to make sure he
+had a telephone in working order in his office, and Sam could get over
+there right away or else.</p>
+
+<p>On the way to Dunnsville, Sam morosely remembered that he'd known about
+Mr. Broaddus' leg. He had told himself about it on the telephone.</p>
+
+<p>At half-past ten, he was fixing Mr. Broaddus' telephone when he
+remembered about the man he was supposed to get a good look at, sitting
+in a car in front of the bank. He made an angry resolution not, under
+any circumstances, to glance outside of the lawyer's office. He
+meditated savagely that, by this resolution, the schemes of his other
+self in the future were abolished.</p>
+
+<p>Naturally, he presently went to the window and looked to see what he was
+abolishing.</p>
+
+<hr style="width: 45%;" />
+
+<p>There was a car before the bank with a reddish-haired man sitting in it.
+A haze came out of the exhaust, showing that the motor was running. None
+of this impressed Sam as remarkable. But as he looked, two other men
+came running out of the bank. One of them carried a bag and both of them
+had revolvers out and they piled into the car and the reddish-haired man
+gunned it and it was abruptly a dwindling speck in a cloud of dust,
+getting out of town.</p>
+
+<hr style="width: 65%;" />
+
+<div class="figcenter">
+<img src="images/illus3.jpg" alt=""/>
+</div>
+
+<hr style="width: 65%;" />
+
+<p>Three seconds later, old Mr. Bluford, president of the bank, came out
+yelling, and the cashier came after him, and it was a first-rate bank
+robbery they were yelling about. The men in the get-away car had
+departed with thirty-five thousand dollars.</p>
+
+<p>All of it had taken place so fast that Sam hardly realized what had
+happened when he went out to see what it was all about, and was
+instantly seized upon to do some work. The bankrobbers had shot out the
+telephone cable out of town with a shotgun, so word couldn't get ahead
+of them. Sam was needed to re-establish communications with the outside
+world.</p>
+
+<p>He did, absorbedly reflecting on the details of the robbery as he'd
+heard them. He was high up on a telephone pole and the sheriff and
+enthusiastic citizens were streaking past in cars to make his labors
+unnecessary, when the personal aspect of all this affair hit him.</p>
+
+<hr style="width: 65%;" />
+
+<div class="figcenter">
+<img src="images/illus4.jpg" alt=""/>
+</div>
+
+<hr style="width: 65%;" />
+
+<p>"Migawd!" gasped Sam, shocked. "That me in the middle of next week told
+me to come over here and watch a bank robbery! But he didn't let on what
+was going to happen so's I could stop it!" He felt an incredulous
+indignation come over him. "I woulda been a hero!" he said resentfully.
+"Rosie woulda admired me! <i>That other me is a born crook!</i>"</p>
+
+<p>Then he realized the facts. The other him was himself, only a week and a
+half distant. The other him was so far sunk in dastardliness that he
+permitted a crime to take place, feeling no more than sardonic
+amusement.</p>
+
+<p>And there was nothing he himself could do about it! He couldn't even
+tell the authorities about this depraved character! They wouldn't
+believe him unless he could get his other self on the telephone to admit
+his criminality. Even then, what could they do?</p>
+
+<p>Sam felt what little zest had been left in living go trickling out of
+his climbers. He looked into the future and saw nothing desirable in it.</p>
+
+<p>He painstakingly finished the repair of the shot-out telephone line, but
+then he went down to his truck and drove over to Rosie's house.</p>
+
+<p>There was but one thing he could do.</p>
+
+<hr style="width: 45%;" />
+
+<p>Rosie came suspiciously to the the door.</p>
+
+<p>"I come to tell you good-by, Rosie," said Sam. "I just found out I'm a
+criminal, so I aim to go and commit my crimes far away from my home and
+the friends who never thought I'd turn out this way. Good-by, Rosie."</p>
+
+<p>"Sam!" said Rosie. "What's happened now?"</p>
+
+<p>He told her about the bank robbery and how his own self&mdash;in the week
+after next&mdash;had known it was going to happen, and told Sam to go watch
+it without giving him information by which it could have been stopped.</p>
+
+<p>"He knew it after it happened," said Sam bitterly, "and he could've told
+me about it before! He didn't, so he's a accessory to the crime. And he
+is me, which makes me a accessory, too. Good-by, Rosie, my own true
+love! You'll never see me again!"</p>
+
+<p>"You set right down here," Rosie ordered firmly. "You haven't done a
+thing yet, so it's that other you who's a criminal. You haven't got a
+thing to run away for!"</p>
+
+<p>"But I'm going to have! I'm doomed to be a criminal! It's that me in the
+week after next! There's nothing to be done!"</p>
+
+<p>"Says who? <i>I'm</i> going to do something!"</p>
+
+<p>"Like what?" asked Sam.</p>
+
+<p>"I'm going to reform you," said Rosie, "before you start!"</p>
+
+<hr style="width: 45%;" />
+
+<p>She was a determined girl, that Rosie. She marched inside and put on her
+blue jeans, then went to her father's woodshed where he kept his tools
+and got a monkey wrench and stuck it in her hip pocket.</p>
+
+<p>When she came to the truck, Sam said, "What's the idea, Rosie?"</p>
+
+<p>"I'm riding around with you," replied Rosie, with a grim air. "You won't
+do anything criminal with me on hand! And if that other you starts
+talking to you on the telephone, I'm going to climb that pole and tell
+him where he gets off!"</p>
+
+<p>"If anybody could keep me from turning criminal," acknowledged Sam,
+"it'd be you, Rosie. But that monkey wrench&mdash;what's it for?"</p>
+
+<p>Rosie climbed into the seat beside him.</p>
+
+<p>"You start having criminal ideas," she told him, "and you'll find out!
+Now you go on about your business and I and the monkey wrench will look
+after your morals!"</p>
+
+<p>This tender exchange happened only an hour or so after the robbery and
+there was plenty of excitement around. But Sam went soberly about his
+work as telephone lineman. Rosie simply rode with him as a&mdash;well, it
+wasn't as a bodyguard, but a sort of M.P. escort&mdash;Morals Police. Where
+he worked on a line, he called the central office to report, and he
+heard about the hunt for the bank robbers, and told Rosie.</p>
+
+<hr style="width: 45%;" />
+
+<p>It was good fortune that he'd been in Dunnsville when the robbery
+happened, because his prompt repair of the phone wires had spoiled the
+robbers' get-away plans. They hadn't gone ten miles from Dunnsville
+before somebody fired a load of buckshot at them as their car roared by
+Lemons' Store. They were past before they realized they'd been shot at.
+But the buckshot had punctured the radiator, and two miles on, they were
+stuck.</p>
+
+<p>They pushed their car off the road behind some bushes and struck out on
+foot, and the sheriff ran right past their car without seeing it. Then
+rain began to fall and the bank robbers were wet and scared and
+desperate. They knew there'd be roadblocks set up everywhere and they
+had that bag of money&mdash;part bills, but a lot of it silver&mdash;and all of
+Tidewater was up in arms.</p>
+
+<p>Taking evasive action, they hastily stuffed their pockets with small
+bills&mdash;there were no big ones&mdash;but dared not take too much lest the
+pockets bulge. They hid the major part of their loot in a hollow tree.
+They separated, going to nearby towns&mdash;while rain fell heavily and
+covered their trails&mdash;and went to bed with chest colds. They felt
+miserable. But the rain washed away the scent they had left and
+bloodhounds couldn't do a thing.</p>
+
+<p>None of this was known to Sam, of course. Rosie had taken charge of him
+and she kept charge. She rode with him all the afternoon of the robbery.
+When quitting time came, he took her home and prepared to retire from
+the scene.</p>
+
+<p>But she said grimly, "Oh, no, you don't! You're staying right here!
+You're going to sleep in my brother's room, and my pa is going to put a
+padlock on the door so you don't go roaming off to call up that
+no-account other you and get in more trouble!"</p>
+
+<p>"I might mess things up if I don't talk to him," Sam objected.</p>
+
+<p>"He's messed things up enough by talking to you! The idea of repeating
+our private affairs! He hadn't ought to know them! And I'm not sure,"
+she said ominously, "that you didn't tell him! If you did, Sam Yoder&mdash;"</p>
+
+<p>Sam didn't argue that point, for there was no argument to make. He was
+practically meek until he discovered after supper that the schedule for
+the evening was a game of cribbage played in the living room where
+Rosie's mother and father were.</p>
+
+<p>He mentioned unhappily to Rosie that they were acting like old married
+people without the fun of getting that way, but he said that only once.
+Rosie glared at him. And when bedtime came, she shooed him into her
+brother's room and her father padlocked him in.</p>
+
+<p>He did not sleep well.</p>
+
+<hr style="width: 45%;" />
+
+<p>Next morning, there was Rosie in her blue jeans with a monkey wrench in
+her pocket, ready to go riding with him. She did. And the next day. And
+the next. Nothing happened. The state banking association put up five
+thousand dollars reward for the bank robbers and the insurance company
+put up some more, but there wasn't a trace of the criminals.</p>
+
+<p>There wasn't a trace of criminality about Sam, either. Rosie rode with
+him, but they exchanged not one single hand-squeeze, nor one melting
+glance, nor did they even play footsie while they were eating lunch in
+the truck outside a filling station. Their conduct was exemplary and it
+wore on Sam. Possibly it wore on Rosie, too.</p>
+
+<p>One day Sam said morosely, as he chewed on a ham sandwich at lunch,
+"Rosie, I'm crazy about you, but this feels like I been divorced without
+ever even getting married first."</p>
+
+<p>And Rosie snapped, "If I told you how I feel, that other you in the week
+after next would laugh his fool head off. So shut up!"</p>
+
+<p>Things were bad, and they got no better. For nearly a week, Rosie rode
+everywhere with Sam in his truck. They acted in a manner which Rosie's
+parents would in theory have approved, but didn't even begin to believe
+in. They did nothing the world could not have watched without their
+being embarrassed, and they said very little that all the world would
+not have been bored to hear.</p>
+
+<p>It must have been the eleventh of July when they almost snapped at each
+other and Rosie said bitterly, "Let me drive a while. I need to put my
+mind on something that it don't make me mad to think about!"</p>
+
+<p>"Go ahead," Sam invited gloomily. He stopped the truck and got out the
+door. "I don't look for any happiness in this world any more, anyway."</p>
+
+<p>He went around to the other side of the truck while she slid to the
+driver's seat.</p>
+
+<p>"Tomorrow's going to be the twelfth," she said. "Do you realize that?"</p>
+
+<p>"I hadn't given it much thought," admitted Sam, "but what's the
+difference?"</p>
+
+<p>"That's the day where the other you was when he called you up the first
+time."</p>
+
+<p>"That's right," said Sam morbidly. "It is."</p>
+
+<p>"And so far," added Rosie, jamming her foot viciously down on the
+accelerator, "I've kept you honest. If you change into a scoundrel
+between now and tomorrow&mdash;"</p>
+
+<p>She changed to second gear. The truck jerked and bounced.</p>
+
+<p>"Hey!" cried Sam. "Watch your driving!"</p>
+
+<p>"Don't you tell me how to drive!"</p>
+
+<p>"But if I get killed before tomorrow&mdash;"</p>
+
+<hr style="width: 45%;" />
+
+<p>Rosie changed gear again, but too soon. The truck bucked, and she jammed
+down the accelerator again, and it almost leaped off the road.</p>
+
+<p>"If you get killed before tomorrow," raged Rosie, "it'll serve you
+right! I've been thinking and thinking and thinking. And even if I stop
+you from being a crook, there'll always be that&mdash;other you&mdash;knowing
+everything we say and do." She was hitting forty miles an hour and
+speeding up. "So there'd still be no use. No hope, anyway."</p>
+
+<p>She sobbed, partly in fury and partly in grief. And the roadway curved
+sharply just about there and she swung the truck crazily around it&mdash;and
+there was a car standing only halfway off the road.</p>
+
+<hr style="width: 65%;" />
+
+<div class="figcenter">
+<img src="images/illus5.jpg" alt=""/>
+</div>
+
+<hr style="width: 65%;" />
+
+<p>Sam grabbed for the steering wheel, but there wasn't time. The light
+half-truck, still accelerating, hit the parked car with the noise of
+dozens of empty oil-drums falling downstairs. The truck slued around,
+bounced back, and then it charged forward and slammed into the parked
+car a second time. Then it stalled.</p>
+
+<hr style="width: 65%;" />
+
+<div class="figcenter">
+<img src="images/illus6.jpg" alt=""/>
+</div>
+
+<hr style="width: 65%;" />
+
+<p>Somebody yelled at Sam. He got out of the truck, looking at the damage
+and trying to figure out how it was that neither he nor Rosie had been
+killed, and trying worriedly to think how he was going to explain to the
+telephone company that he'd let Rosie drive.</p>
+
+<p>The voice yelled louder. Right at the edge of the woodland, there was a
+reddish-haired character screaming at him and tugging at his hip pocket.
+The words he used were not fit for Rosie's shell-like ears&mdash;even if they
+probably came near matching the way she felt. The reddish-haired man
+said more nasty words at the top of his voice. His hand came out of his
+hip pocket with something glittering in it.</p>
+
+<p>Sam was swinging when the glitter began and he connected before the gun
+fired. There was a sort of squashy, smacking sound and the
+reddish-haired man lay down quietly in the road.</p>
+
+<p>"Migawd!" said Sam blankly. "This was the fella in front of the bank!
+He's one of those robbers!"</p>
+
+<p>He stared. There was a loud crashing in the brushwood. The accident had
+happened at the edge of some woodland, and Sam did not need a high I.Q.
+to know that the friends of the red-haired man must be on the way.</p>
+
+<p>A second later, he saw them. Rosie was just getting out of the car then.
+She was very pale and there wasn't time to tell her to get started up if
+possible and away from there.</p>
+
+<p>One of the two running men was carrying a canvas bag with the words BANK
+OF DUNNSVILLE on it.</p>
+
+<hr style="width: 45%;" />
+
+<p>The men came at Sam, meanwhile expressing opinions of the state of
+things, of Sam, of the Cosmos&mdash;of everything but the weather&mdash;in terms
+even more reprehensible than the first man had used.</p>
+
+<p>They saw the reddish-haired man lying on the ground. One of them&mdash;he'd
+come out into the road behind the truck and was running toward
+Sam&mdash;jerked out a pistol. He was about to use it on Sam at a range of
+something like six feet when there was a peculiar noise behind him. It
+was a sort of hollow <i>klunk</i> which, even at such a time, needed to have
+attention paid to it. He jerked his head around to see.</p>
+
+<p>The <i>klunk</i> had been made by Rosie's monkey wrench, falling imperatively
+on the head of the second man to come out of the woods. She had carried
+it to use on Sam, but she used it instead on a total stranger. He fell
+down and lay peacefully still.</p>
+
+<p>Then Sam swung a second time, at the second man to draw a pistol on him.</p>
+
+<p>Then there was only the sweet singing of birds among the trees and the
+whirrings and other insect-noises of creatures in the grass and
+brushwood.</p>
+
+<p>Presently there were other noises, but they were made by Rosie. She
+wept, hanging onto Sam.</p>
+
+<p>He unwound her arms from around his neck and thoughtfully went to the
+back of the truck and got out some phone wire and his pliers. He
+fastened the three strangers' hands together behind them, and then their
+feet, and he piled them in the back of the light truck, along with the
+money they had stolen.</p>
+
+<p>They came to, one by one, and Sam explained severely that they must
+watch their language in the presence of a lady. The three were so dazed,
+though, by what had befallen them that the warning wasn't really
+necessary.</p>
+
+<p>Rosie's parents would have been pleased at how completely proper their
+behavior was, while they took the three bank robbers into town and
+turned them over to the sheriff.</p>
+
+<p>That night, Rosie sat out on the porch with Sam and they discussed the
+particular event of the day in some detail. But Rosie was still
+concerned about the other Sam. So Sam decided to assert himself.</p>
+
+<p>About half-past nine, he said firmly, "Well, Rosie, I guess I'd better
+be getting along home. I've got to try one more time to call myself up
+on the telephone and tell me to mind my own business."</p>
+
+<p>"Says who?" demanded Rosie. "You're staying locked up right here tonight
+and I'm riding with you tomorrow. If I kept you honest this far, I can
+keep it up till sundown tomorrow! Then maybe it'll stick!"</p>
+
+<p>Sam protested, but Rosie was adamant&mdash;not only about keeping him from
+being a crook, but from having any fun to justify his virtue.</p>
+
+<hr style="width: 45%;" />
+
+<p>She shooed him into her brother's room and her father locked him in. And
+Sam did not sleep very well, because it looked as though virtue wasn't
+even its own reward.</p>
+
+<p>He sat up, brooding. It must have been close to dawn when the obvious
+hit him. Then he gazed blankly at the wall and said, "Migawd! O'course!"</p>
+
+<p>He grinned, all by himself, practically from head to foot. And at
+breakfast, he hummed contentedly as he stuffed himself with pancakes and
+syrup, and Rosie's depressed expression changed to a baffled alarm.</p>
+
+<p>He smiled tenderly upon her when she came doggedly out to the truck,
+wearing her blue jeans and with the monkey wrench in her pocket. They
+started off the same as any other day and he told her amiably, "Rosie,
+the sheriff says we get five thousand dollars reward from the bankers'
+association, and there's more from the insurance company, and there's
+odd bits of change offered for those fellas for past performances. We're
+going to be right well off."</p>
+
+<p>Rosie looked at him gloomily. There was still the matter of the other
+Sam in the middle of the week after next. And just then, Sam, who had
+been watching the telephone lines beside the road as he drove, pulled
+off the road and put on his climbing irons.</p>
+
+<p>"What's this?" asked Rosie frightenedly. "You know&mdash;"</p>
+
+<p>"You listen," said Sam, completely serene.</p>
+
+<p>He climbed zestfully to the top of the pole. He hooked in the little
+gadget that didn't make private conversations possible on a party line,
+but did make it possible for a man to talk to himself ten days in the
+future.</p>
+
+<p>Or the past.</p>
+
+<p>"Hello!" said Sam, up at the top of the telephone pole. "Sam, this is
+you."</p>
+
+<p>A voice he knew perfectly well sounded in the receiver.</p>
+
+<p>"<i>Huh? Who's that?</i>"</p>
+
+<p>"This is you," said Sam. "You, Sam Yoder. Don't you recognize your own
+voice? This is you, Sam Yoder, calling from the twelfth of July. Don't
+hang up!"</p>
+
+<p>He heard Rosie gasp, all the way down there in the banged-up telephone
+truck. Sam had seen the self-evident, at last, and now, in the twelfth
+of July, he was talking to himself on the telephone. Only instead of
+talking to himself in the week after next, he was talking to himself in
+the week before last&mdash;he being, back there ten days before, working on
+this very same telephone line on this very same pole. And it was the
+same conversation, word for word.</p>
+
+<hr style="width: 45%;" />
+
+<p>When he came down the pole, rather expansively, Rosie grabbed him and
+wept.</p>
+
+<p>"Oh, Sam!" she sobbed. "It was you all the time!"</p>
+
+<p>"Yeah," said Sam complacently. "I figured it out last night. That me
+back there in the second of July, he's cussing me out. And he's going to
+tell you about it and you're going to get all wrought up. But I can make
+that dumb me back yonder do what has to be done. And you and me, Rosie,
+have got a lot of money coming to us. I'm going to carry on through so
+he'll earn it for us. But I'm warning you, Rosie, he'll be back at my
+house waiting for me to talk to him tonight, and I've got to be home to
+tell him to go over to your house. I'm goin' to say 'ha-ha, ha-ha' at
+him."</p>
+
+<p>"A-all right," said Rosie, wide-eyed. "You can."</p>
+
+<p>"But I remember that when I call me up tonight, back there ten days ago,
+I'm going to be right busy here and now. I'm going to make me mad,
+because I don't want to waste time talking to myself back yonder.
+Remember? Now what," asked Sam mildly, "would I be doing tonight that
+would make me not want to waste time talking to myself ten days ago? You
+got any ideas, Rosie?"</p>
+
+<p>"Sam Yoder! I wouldn't! I never heard of such a thing!"</p>
+
+<p>Sam looked at her and shook his head regretfully. "Too bad. If you
+won't, I guess I've got to call me up in the week after next and find
+out what's cooking."</p>
+
+<p>"You&mdash;you <i>shan't</i>!" said Rosie fiercely. "I'll get even with you! But
+you shan't talk to that&mdash;" Then she wailed. "Darn you, Sam! Even if I do
+have to marry you so you'll be wanting to talk to me instead of that
+dumb you ten days back, you're not going to&mdash;you're not&mdash;"</p>
+
+<p>Sam grinned. He kissed her. He put her in the truck and they rode off to
+Batesville to get married. And they did.</p>
+
+<p>But you're not supposed to believe all this, and if you ask Sam Yoder
+about it, he's apt to say it's all a lie. He doesn't want to talk about
+private party lines, either. And there are other matters. For instance,
+Sam's getting to be a pretty prominent citizen these days. He makes a
+lot of money, one way and another. Nobody around home will ever bet with
+him on who's going to win at sports and elections, anyhow.</p>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of Project Gutenberg's Sam, This is You, by William Fitzgerald Jenkins
+
+*** END OF THIS PROJECT GUTENBERG EBOOK SAM, THIS IS YOU ***
+
+***** This file should be named 32324-h.htm or 32324-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/3/2/3/2/32324/
+
+Produced by Greg Weeks, Mary Meehan and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
diff --git a/32324-h/images/cover.jpg b/32324-h/images/cover.jpg
new file mode 100644
index 0000000..5e303da
--- /dev/null
+++ b/32324-h/images/cover.jpg
Binary files differ
diff --git a/32324-h/images/illus1.jpg b/32324-h/images/illus1.jpg
new file mode 100644
index 0000000..cd6fea6
--- /dev/null
+++ b/32324-h/images/illus1.jpg
Binary files differ
diff --git a/32324-h/images/illus2.jpg b/32324-h/images/illus2.jpg
new file mode 100644
index 0000000..7734b58
--- /dev/null
+++ b/32324-h/images/illus2.jpg
Binary files differ
diff --git a/32324-h/images/illus3.jpg b/32324-h/images/illus3.jpg
new file mode 100644
index 0000000..aeafd3e
--- /dev/null
+++ b/32324-h/images/illus3.jpg
Binary files differ
diff --git a/32324-h/images/illus4.jpg b/32324-h/images/illus4.jpg
new file mode 100644
index 0000000..fb0025c
--- /dev/null
+++ b/32324-h/images/illus4.jpg
Binary files differ
diff --git a/32324-h/images/illus5.jpg b/32324-h/images/illus5.jpg
new file mode 100644
index 0000000..0c37bc8
--- /dev/null
+++ b/32324-h/images/illus5.jpg
Binary files differ
diff --git a/32324-h/images/illus6.jpg b/32324-h/images/illus6.jpg
new file mode 100644
index 0000000..ea4741e
--- /dev/null
+++ b/32324-h/images/illus6.jpg
Binary files differ
diff --git a/32324.txt b/32324.txt
new file mode 100644
index 0000000..9395d22
--- /dev/null
+++ b/32324.txt
@@ -0,0 +1,1275 @@
+Project Gutenberg's Sam, This is You, by William Fitzgerald Jenkins
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Sam, This is You
+
+Author: William Fitzgerald Jenkins
+
+Illustrator: Mel Hunter
+
+Release Date: May 10, 2010 [EBook #32324]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK SAM, THIS IS YOU ***
+
+
+
+
+Produced by Greg Weeks, Mary Meehan and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+
+
+
+
+ SAM, THIS IS YOU
+
+ By MURRAY LEINSTER
+
+ Illustrated by MEL HUNTER
+
+[Transcriber Note: This etext was produced from Galaxy Science Fiction
+May 1955. Extensive research did not uncover any evidence that the U.S.
+copyright on this publication was renewed.]
+
+
+[Sidenote: Sam had led a peaceful and impecunious life--until a voice
+cut in on a phone and said: Sam, this is You]
+
+You are not supposed to believe this story, and if you ask Sam Yoder
+about it, he is apt to say that it's all a lie. But Sam is a bit
+sensitive about it. He does not want the question of privacy to be
+raised again--especially in Rosie's hearing. And there are other
+matters. But it's all perfectly respectable and straightforward.
+
+It could have happened to anybody--well, almost anybody. Anybody, say,
+who was a telephone lineman for the Batesville and Rappahannock
+Telephone Company, and who happened to be engaged to Rosie, and who had
+been told admiringly by Rosie that a man as smart as he was ought to
+make something wonderful of himself. And, of course, anybody who'd taken
+that seriously and had been puttering around on a device to make private
+conversations on a party-line telephone possible, and almost had the
+trick.
+
+It began about six o'clock on July second, when Sam was up a telephone
+pole near Bridge's Run. He was hunting for the place where that party
+line had gone dead. He'd hooked in his lineman's phone and he couldn't
+raise Central, so he was just going to start looking for the break when
+his phone rang back, though the line had checked dead.
+
+[Illustration]
+
+Startled, he put the receiver to his ear. "Hello. Who's this?"
+
+"Sam, this is you," a voice replied.
+
+"Huh?" said Sam. "What's that?"
+
+"This is you," the voice on the wire repeated. "You, Sam Yoder. Don't
+you recognize your own voice? This is you, Sam Yoder, calling from the
+twelfth of July. Don't hang up!"
+
+ * * * * *
+
+Sam hadn't even thought of hanging up. He was annoyed. He was up a
+telephone pole, trying to do some work, resting in his safety belt and
+with his climbing irons safely fixed in the wood. Naturally, he thought
+somebody was trying to joke with him, and when a man is working is no
+time for jokes.
+
+"I'm not hanging up," said Sam dourly, "but you'd better!"
+
+The voice was familiar, though he couldn't quite place it. If it talked
+a little more, he undoubtedly would. He knew it just about as well as he
+knew his own, and it was irritating not to be able to call this joker by
+name.
+
+The voice said, "Sam, it's the second of July where you are, and you're
+up a pole by Bridge's Run. The line's dead in two places, else I
+couldn't talk to you. Lucky, ain't it?"
+
+[Illustration]
+
+"Whoever you are," Sam said formidably, "it ain't going to be lucky for
+you if you ever need telephone service and you've kept wasting my time.
+I'm busy!"
+
+"But I'm you!" insisted the voice persuasively. "And you're me! We're
+both the same Sam Yoder, only where I am, it's July twelfth. Where you
+are, it's July second. You've heard of time-traveling. Well, this is
+time-talking. You're talking to yourself--that's me--and I'm talking to
+myself--that's you--and it looks like we've got a mighty good chance to
+get rich."
+
+Then something came into Sam's memory and every muscle in his body went
+taut and tight, even as he was saying to himself, "It can't be!"
+
+But he'd remembered that if a man stands in a corner and talks to the
+wall, his voice will sound to him just the way it sounds to somebody
+else. Being in the telephone business, he'd tried it and now he did
+recognize the voice. It was his. His own. Talking to him. Which, of
+course, was impossible.
+
+"Look," said hoarsely, "I don't believe this!"
+
+"Then listen," the voice said briskly. And Sam's face grew red. It
+burned. His ears began to feel scorched. Because the voice--_his_
+voice--was telling him strictly private matters that nobody else in the
+world knew. Nobody but himself and Rosie.
+
+"Quit it!" groaned Sam. "Somebody might be listening! Tell me what you
+want and ring off!"
+
+The voice told him what it wanted. His own voice. It sounded pleased. It
+told him precisely what it wanted him to do. And then, very kindly, it
+told him exactly where the two breaks in the line were. And then it rang
+off.
+
+ * * * * *
+
+He sweated when he looked at the first of the two places. A joining was
+bad and he fixed that. It was where his voice had said it would be. And
+that was as impossible as anything else.
+
+When he'd fixed the second break, Sam called Central and told her he was
+sick and was going home, and that if there were any other phones that
+needed fixing today, people were probably better off without phone
+service, anyhow.
+
+He went home and washed his face, and made himself a brew of coffee and
+drank it, and his memory turned out to be unimpaired. Presently he heard
+himself muttering.
+
+So he said defiantly, "There ain't any crazy people in my family, so it
+ain't likely I've gone out of my head. But God knows nobody but Rosie
+knows about me telling her sentimental that her nose is so cute, I
+couldn't believe she ever had to blow it! Maybe it was me, talking to
+myself!"
+
+Talking to oneself is not abnormal. Lots of people do it. Sam missed out
+the conclusion to be drawn from the fact that he'd answered himself
+back.
+
+He reasoned painfully, "If somebody drove over to Rappahannock, past
+Dunnsville, and telephoned back that there was a brush fire at
+Dunnsville, I wouldn't be surprised to get to Dunnsville and find a
+brush fire there. So if somebody phones back from next Tuesday that Mr.
+Broaddus broke his leg next Tuesday--why, I shouldn't be surprised to
+get to next Tuesday and find he done it. Going to Rappahannock, past
+Dunnsville, and going to next Thursday, past next Tuesday, ain't so much
+difference. It's only the difference between a road-map and a calendar."
+
+Then he began to see implications. He blinked.
+
+"Yes, sir!" he said in awe. "I wouldn't've thought of it if I hadn't
+told myself on the telephone, but there _is_ money to be made out of
+this! I must be near as smart as Rosie thinks I am! I'd better get that
+dinkus set up!"
+
+He'd more or less half-heartedly worked out an idea of how a party-line
+telephone conversation could be made private, and just out of instinct,
+you might say, he'd accumulated around his house a lot of stuff that
+should have been on the phone company's inventory. There were condensers
+and transmitters and selective-ringing bells and resistances and the
+like. He'd meant to put some of them together some day and see what
+happened, but he'd been too busy courting Rosie to get at it.
+
+ * * * * *
+
+Now he did get started. His own voice on the telephone had told him to.
+It had warned him that one thing he had intended wouldn't work and
+something else would. But it was essentially simple, after all. He
+finished it and cut off his line from Central and hooked this gadget in.
+He rang. Half a minute later, somebody rang back.
+
+"Hello!" said Sam, quivering. He'd broken the line to Central, remember.
+In theory, he shouldn't have gotten anybody anywhere. But a very
+familiar voice said "Hello" back at him, and Sam swallowed and said,
+"Hello, Sam. This is you in the second of July."
+
+The voice at the other end said cordially that Sam had done pretty well
+and now the two of them--Sam in the here and now and Sam in the middle
+of the week after next--would proceed to get rich together. But the
+voice from July twelfth sounded less absorbed in the conversation than
+Sam thought quite right. It seemed even abstracted. And Sam was at once
+sweating from the pure unreasonableness of the situation and conscious
+that he rated congratulation for the highly technical device he had
+built. After all, not everybody could build a time-talker!
+
+He said with some irony, "If you're too busy to talk--"
+
+"I'll tell you," replied the voice from the twelfth of July, gratified.
+"I am kind of busy right now. You'll understand when you get to where I
+am. Don't get mad, Sam. Tell you what--you go see Rosie and tell her
+about this and have a nice evening. Ha-ha!"
+
+"Now what," asked Sam cagily, "do you mean by that 'ha-ha'?"
+
+"You'll find out," said the voice. "Knowin' what I know, I'll even
+double it. Ha-ha, ha-ha!"
+
+There was a click. Sam rang back, but got no answer. He may have been
+the first man in history to take an objective and completely justified
+dislike to himself.
+
+But presently he grumbled, "Smart, huh? Two can play at that! I'm the
+one that's got to do things if we are both goin' to get rich."
+
+He put his gadget carefully away and combed his hair and ate some cold
+food around the house and drove over to see Rosie. It was a night and an
+errand which ordinarily would have seemed purely romantic. There were
+fireflies floating about, and the Moon shone down splendidly, and a
+perfumed breeze carried mosquitoes from one place to another. It was the
+sort of night on which, ordinarily, Sam would have thought only of
+Rosie, and Rosie would have optimistic ideas about how housekeeping
+could, after all, be done on what Sam made a week.
+
+They got settled down in the hammock on Rosie's front porch, and Sam
+said expansively, "Rosie, I've made up my mind to get rich. You ought to
+have everything your little heart desires. Suppose you tell me what you
+want so I'll know how rich I've got to get."
+
+ * * * * *
+
+Rosie drew back. She looked sharply at Sam. "Do you feel all right?"
+
+He beamed at her. He'd never been married and he didn't know how crazy
+it sounded to Rosie to be queried on how much money would satisfy her.
+There simply isn't any answer to the question.
+
+"Listen," said Sam tenderly. "Nobody knows it, but tonight Joe Hunt and
+the Widow Backus are eloping to North Carolina to get married. We'll
+find out about it tomorrow. And day after tomorrow, on the Fourth of
+July, Dunnsville is going to win the baseball game with Bradensburg,
+seven to five, all tied till the ninth inning, and then George Peeby is
+going to hit a homer with Fred Holmes on second base."
+
+Rosie stared at him. Sam explained complacently. The Sam Yoder in the
+middle of the week after next had told him what to expect in those
+particular cases. He would tell him other things to expect. So Sam was
+going to get rich.
+
+Rosie said, "Sam! Somebody was playing a joke on you!"
+
+"Yeah?" Sam answered comfortably. "Who else but me knows what you said
+to me that time you thought I was mad at you and you were crying out
+back of the well-house?"
+
+"Sam!"
+
+"And nobody else knows about that time we were picnicking and a bug got
+down the back of your dress and you thought it was a hornet."
+
+"Sam Yoder!" wailed Rosie. "You never told anybody about that!"
+
+"Nope," said Sam truthfully. "I never did. But the me in the week after
+next knew. He told me. So he had to be me talking to me. Couldn't've
+been anybody else."
+
+Rosie gasped. Sam explained all over again. In detail. When he had
+finished, Rosie seemed dazed.
+
+Then she said desperately, "Sam! Either you've t-told somebody else
+everything we ever said or did together, or else--there's somebody who
+knows every word we ever said to each other! That's awful! Do you really
+and truly mean to tell me--"
+
+"Sure I mean to tell you," said Sam happily. "The me in the week after
+next called me up and talked about things nobody knows but you and me.
+Can't be no doubt at all."
+
+Rosie shivered. "He--he knows every word we ever said! Then he knows
+every word we're saying now!" She gulped. "Sam Yoder, you go home!"
+
+Sam gaped at her. She got up and backed away from him.
+
+"D-do you think," she chattered despairingly, "that I--that I'm g-going
+to talk to you when s-somebody else--listens to every w-word I say
+and--knows everything I do? D-do you think I'm going to _m-marry_ you?"
+
+Then she ran away, weeping noisily, and slammed the door on Sam. Her
+father came out presently, looking patient, and asked Sam to go home so
+Rosie could finish crying and he could read his newspaper in peace.
+
+ * * * * *
+
+On the way back to his own house, Sam meditated darkly. By the time he
+got there, he was furious. The him in the week after next could have
+warned him about this!
+
+He rang and rang and rang, on the cut-off line with his gadget hooked in
+to call July the twelfth. But there was no answer.
+
+When morning came, he rang again, but the phone was still dead. He
+loaded his tool-kit in the truck and went off to work, feeling about as
+low as a man could feel.
+
+He felt lower when he reported at the office and somebody told him
+excitedly that Joe Hunt and the Widow Backus had eloped to North
+Carolina to get married. Nobody would have tried to stop them if they
+had prosaically gotten married at home, but they had eloped to make it
+more romantic.
+
+It wasn't romantic to Sam. It was devastating proof that there was
+another him ten days off, knowing everything he knew and more besides,
+and very likely laughing his head off at the fix Sam was in. Because,
+obviously, Rosie would be still more convinced when she heard this news.
+She'd know Sam wasn't crazy or the victim of a practical joke. He had
+told the truth.
+
+It wasn't the first time a man got in trouble with a woman by telling
+her the truth, but it was new to Sam and it hurt.
+
+He went over to Bradensburg that day to repair some broken lines, and
+around noon, he went into a store to get something to eat. There were
+some local sportsmen in the store, bragging to each other about what the
+Bradensburg baseball team would do to the Dunnsville nine.
+
+Sam said peevishly, "Huh! Dunnsville will win that game by two runs!"
+
+"Have you got any money that agrees with you?" a local sportsman
+demanded pugnaciously. "If you have, put it up and let somebody cover
+it!"
+
+Sam wanted to draw back, but he had roused the civic pride of
+Bradensburg. He tried to temporize and he was jeered at. In the end,
+philosophically, he dragged out all the money he had with him and bet
+it--eleven dollars. It was covered instantly, amid raucous laughter. And
+on the way back to Batesville, he reflected unhappily that he was going
+to make eleven dollars out of knowing what was going to happen in the
+ninth inning of that ball game, but probably at the cost of losing
+Rosie.
+
+ * * * * *
+
+He tried to call his other self that night again. There was no more
+answer than before. He unhooked the gadget and restored normal service
+to himself. He rang Rosie's house. She answered the phone.
+
+"Rosie," Sam asked yearningly, "are you still mad at me?"
+
+"I never was mad at you," said Rose, gulping. "I'm mad at whoever was
+talking to you on the phone and knows all our private secrets. And I'm
+mad at you if you told him."
+
+"But I didn't have to tell him! He's me! All he has to do is just
+remember! I tried to call him last night and again this morning," he
+added bitterly, "and he don't answer. Maybe he's gone off somewheres.
+I'm thinking it might be a--a kind of illusion, maybe."
+
+"You told me there'd be an elopement last night," retorted Rosie, her
+voice wobbling, "and there was. Joe Hunt and the Widow Backus. Just like
+you said!"
+
+"It--it could've been a coincidence," suggested Sam, not too hopefully.
+
+"I'm--w-waiting to see if Dunnsville beats Bradensburg seven to five
+tomorrow, tied to the ninth, with George Peeby hitting a homer then with
+Fred Holmes on second base. If--if that happens, I'll--I'll die!"
+
+"Why?" asked Sam.
+
+"Because it'll mean that I can't m-marry you ever, because somebody
+else'd be looking over your shoulder--and we wouldn't ever be by
+ourselves all our lives--night or day!"
+
+She hung up, weeping, and Sam swore slowly and steadily and with venom
+while he worked to hook up his device again--which did not make a
+private conversation on a party line, but allowed a man to talk to
+himself ten days away from where he was. And then Sam rang, and rang,
+and rang. But he got no answer.
+
+The following day, in the big fourth of July game, Dunnsville beat
+Bradensburg seven to five. It was tied to the ninth. Then George Peeby
+hit a homer, with Fred Holmes on second base. Sam collected his
+winnings, but grimly, without joy.
+
+He stayed home that night, worrying, and every so often trying to call
+himself up on the device he had invented and been told--by himself--to
+modify. It was a nice gadget, but Sam did not enjoy it. It was a nice
+night, too. There was moonlight. But Sam did not enjoy that, either.
+
+Moonlight wouldn't do Sam any good so long as there was another him in
+the middle of the week after next, refusing to talk to him so he could
+get out of the fix he was in.
+
+ * * * * *
+
+Next morning, though, the phone woke him. He swore at it out of habit
+until he got out of bed, and then he realized that his gadget was hooked
+in and Central was cut off. He made it in one jump to the instrument.
+
+"Hello!"
+
+"Don't fret," said his own voice patronizingly. "Rosie's going to make
+up with you."
+
+"How in blazes d'you know what she's going to do?" raged Sam. "She won't
+marry me with you hanging around! I've been trying to figure out a way
+to get rid of you--"
+
+"Quiet!" commanded the voice on the telephone irritably. "I'm busy. I've
+got to go collect the money you've made for us."
+
+"_You_ collect money? _I_ get in trouble and _you_ collect money?"
+
+"I have to," his voice said with the impatient patience of one speaking
+to a small idiot child, "before you can have it. Listen here. Where you
+are, it's Wednesday. You're going over to Dunnsville today to fix some
+phones. You'll be in Mr. Broaddus' law office about half-past ten. You
+look out the window and notice a fella setting in a car in front of the
+bank. Notice him good!"
+
+"I won't do it," said Sam defiantly. "I ain't taking any orders from
+you! Maybe you're me, but _I_ make money and _you_ collect it. For all I
+know you spend it before I get to it! I'm quitting this business right
+now. It's cost me my own true love and all _my_ life's happiness and to
+hell with you!"
+
+"You won't do it?" his own voice asked nastily. "Wait and see!"
+
+So, that morning, the manager told Sam, when he reported for work, to
+drive over to Dunnsville and check on some lines there. Sam balked. He
+said there were much more important lines needing repair elsewhere. The
+manager explained politely to Sam that Mr. Broaddus over in Dunnsville
+had been taken drunk at a Fourth of July party and fallen out of a
+window. He'd broken his leg, so it was a Christian duty to make sure he
+had a telephone in working order in his office, and Sam could get over
+there right away or else.
+
+On the way to Dunnsville, Sam morosely remembered that he'd known about
+Mr. Broaddus' leg. He had told himself about it on the telephone.
+
+At half-past ten, he was fixing Mr. Broaddus' telephone when he
+remembered about the man he was supposed to get a good look at, sitting
+in a car in front of the bank. He made an angry resolution not, under
+any circumstances, to glance outside of the lawyer's office. He
+meditated savagely that, by this resolution, the schemes of his other
+self in the future were abolished.
+
+Naturally, he presently went to the window and looked to see what he was
+abolishing.
+
+ * * * * *
+
+There was a car before the bank with a reddish-haired man sitting in it.
+A haze came out of the exhaust, showing that the motor was running. None
+of this impressed Sam as remarkable. But as he looked, two other men
+came running out of the bank. One of them carried a bag and both of them
+had revolvers out and they piled into the car and the reddish-haired man
+gunned it and it was abruptly a dwindling speck in a cloud of dust,
+getting out of town.
+
+[Illustration]
+
+Three seconds later, old Mr. Bluford, president of the bank, came out
+yelling, and the cashier came after him, and it was a first-rate bank
+robbery they were yelling about. The men in the get-away car had
+departed with thirty-five thousand dollars.
+
+All of it had taken place so fast that Sam hardly realized what had
+happened when he went out to see what it was all about, and was
+instantly seized upon to do some work. The bankrobbers had shot out the
+telephone cable out of town with a shotgun, so word couldn't get ahead
+of them. Sam was needed to re-establish communications with the outside
+world.
+
+He did, absorbedly reflecting on the details of the robbery as he'd
+heard them. He was high up on a telephone pole and the sheriff and
+enthusiastic citizens were streaking past in cars to make his labors
+unnecessary, when the personal aspect of all this affair hit him.
+
+[Illustration]
+
+"Migawd!" gasped Sam, shocked. "That me in the middle of next week told
+me to come over here and watch a bank robbery! But he didn't let on what
+was going to happen so's I could stop it!" He felt an incredulous
+indignation come over him. "I woulda been a hero!" he said resentfully.
+"Rosie woulda admired me! _That other me is a born crook!_"
+
+Then he realized the facts. The other him was himself, only a week and a
+half distant. The other him was so far sunk in dastardliness that he
+permitted a crime to take place, feeling no more than sardonic
+amusement.
+
+And there was nothing he himself could do about it! He couldn't even
+tell the authorities about this depraved character! They wouldn't
+believe him unless he could get his other self on the telephone to admit
+his criminality. Even then, what could they do?
+
+Sam felt what little zest had been left in living go trickling out of
+his climbers. He looked into the future and saw nothing desirable in it.
+
+He painstakingly finished the repair of the shot-out telephone line, but
+then he went down to his truck and drove over to Rosie's house.
+
+There was but one thing he could do.
+
+ * * * * *
+
+Rosie came suspiciously to the the door.
+
+"I come to tell you good-by, Rosie," said Sam. "I just found out I'm a
+criminal, so I aim to go and commit my crimes far away from my home and
+the friends who never thought I'd turn out this way. Good-by, Rosie."
+
+"Sam!" said Rosie. "What's happened now?"
+
+He told her about the bank robbery and how his own self--in the week
+after next--had known it was going to happen, and told Sam to go watch
+it without giving him information by which it could have been stopped.
+
+"He knew it after it happened," said Sam bitterly, "and he could've told
+me about it before! He didn't, so he's a accessory to the crime. And he
+is me, which makes me a accessory, too. Good-by, Rosie, my own true
+love! You'll never see me again!"
+
+"You set right down here," Rosie ordered firmly. "You haven't done a
+thing yet, so it's that other you who's a criminal. You haven't got a
+thing to run away for!"
+
+"But I'm going to have! I'm doomed to be a criminal! It's that me in the
+week after next! There's nothing to be done!"
+
+"Says who? _I'm_ going to do something!"
+
+"Like what?" asked Sam.
+
+"I'm going to reform you," said Rosie, "before you start!"
+
+ * * * * *
+
+She was a determined girl, that Rosie. She marched inside and put on her
+blue jeans, then went to her father's woodshed where he kept his tools
+and got a monkey wrench and stuck it in her hip pocket.
+
+When she came to the truck, Sam said, "What's the idea, Rosie?"
+
+"I'm riding around with you," replied Rosie, with a grim air. "You won't
+do anything criminal with me on hand! And if that other you starts
+talking to you on the telephone, I'm going to climb that pole and tell
+him where he gets off!"
+
+"If anybody could keep me from turning criminal," acknowledged Sam,
+"it'd be you, Rosie. But that monkey wrench--what's it for?"
+
+Rosie climbed into the seat beside him.
+
+"You start having criminal ideas," she told him, "and you'll find out!
+Now you go on about your business and I and the monkey wrench will look
+after your morals!"
+
+This tender exchange happened only an hour or so after the robbery and
+there was plenty of excitement around. But Sam went soberly about his
+work as telephone lineman. Rosie simply rode with him as a--well, it
+wasn't as a bodyguard, but a sort of M.P. escort--Morals Police. Where
+he worked on a line, he called the central office to report, and he
+heard about the hunt for the bank robbers, and told Rosie.
+
+ * * * * *
+
+It was good fortune that he'd been in Dunnsville when the robbery
+happened, because his prompt repair of the phone wires had spoiled the
+robbers' get-away plans. They hadn't gone ten miles from Dunnsville
+before somebody fired a load of buckshot at them as their car roared by
+Lemons' Store. They were past before they realized they'd been shot at.
+But the buckshot had punctured the radiator, and two miles on, they were
+stuck.
+
+They pushed their car off the road behind some bushes and struck out on
+foot, and the sheriff ran right past their car without seeing it. Then
+rain began to fall and the bank robbers were wet and scared and
+desperate. They knew there'd be roadblocks set up everywhere and they
+had that bag of money--part bills, but a lot of it silver--and all of
+Tidewater was up in arms.
+
+Taking evasive action, they hastily stuffed their pockets with small
+bills--there were no big ones--but dared not take too much lest the
+pockets bulge. They hid the major part of their loot in a hollow tree.
+They separated, going to nearby towns--while rain fell heavily and
+covered their trails--and went to bed with chest colds. They felt
+miserable. But the rain washed away the scent they had left and
+bloodhounds couldn't do a thing.
+
+None of this was known to Sam, of course. Rosie had taken charge of him
+and she kept charge. She rode with him all the afternoon of the robbery.
+When quitting time came, he took her home and prepared to retire from
+the scene.
+
+But she said grimly, "Oh, no, you don't! You're staying right here!
+You're going to sleep in my brother's room, and my pa is going to put a
+padlock on the door so you don't go roaming off to call up that
+no-account other you and get in more trouble!"
+
+"I might mess things up if I don't talk to him," Sam objected.
+
+"He's messed things up enough by talking to you! The idea of repeating
+our private affairs! He hadn't ought to know them! And I'm not sure,"
+she said ominously, "that you didn't tell him! If you did, Sam Yoder--"
+
+Sam didn't argue that point, for there was no argument to make. He was
+practically meek until he discovered after supper that the schedule for
+the evening was a game of cribbage played in the living room where
+Rosie's mother and father were.
+
+He mentioned unhappily to Rosie that they were acting like old married
+people without the fun of getting that way, but he said that only once.
+Rosie glared at him. And when bedtime came, she shooed him into her
+brother's room and her father padlocked him in.
+
+He did not sleep well.
+
+ * * * * *
+
+Next morning, there was Rosie in her blue jeans with a monkey wrench in
+her pocket, ready to go riding with him. She did. And the next day. And
+the next. Nothing happened. The state banking association put up five
+thousand dollars reward for the bank robbers and the insurance company
+put up some more, but there wasn't a trace of the criminals.
+
+There wasn't a trace of criminality about Sam, either. Rosie rode with
+him, but they exchanged not one single hand-squeeze, nor one melting
+glance, nor did they even play footsie while they were eating lunch in
+the truck outside a filling station. Their conduct was exemplary and it
+wore on Sam. Possibly it wore on Rosie, too.
+
+One day Sam said morosely, as he chewed on a ham sandwich at lunch,
+"Rosie, I'm crazy about you, but this feels like I been divorced without
+ever even getting married first."
+
+And Rosie snapped, "If I told you how I feel, that other you in the week
+after next would laugh his fool head off. So shut up!"
+
+Things were bad, and they got no better. For nearly a week, Rosie rode
+everywhere with Sam in his truck. They acted in a manner which Rosie's
+parents would in theory have approved, but didn't even begin to believe
+in. They did nothing the world could not have watched without their
+being embarrassed, and they said very little that all the world would
+not have been bored to hear.
+
+It must have been the eleventh of July when they almost snapped at each
+other and Rosie said bitterly, "Let me drive a while. I need to put my
+mind on something that it don't make me mad to think about!"
+
+"Go ahead," Sam invited gloomily. He stopped the truck and got out the
+door. "I don't look for any happiness in this world any more, anyway."
+
+He went around to the other side of the truck while she slid to the
+driver's seat.
+
+"Tomorrow's going to be the twelfth," she said. "Do you realize that?"
+
+"I hadn't given it much thought," admitted Sam, "but what's the
+difference?"
+
+"That's the day where the other you was when he called you up the first
+time."
+
+"That's right," said Sam morbidly. "It is."
+
+"And so far," added Rosie, jamming her foot viciously down on the
+accelerator, "I've kept you honest. If you change into a scoundrel
+between now and tomorrow--"
+
+She changed to second gear. The truck jerked and bounced.
+
+"Hey!" cried Sam. "Watch your driving!"
+
+"Don't you tell me how to drive!"
+
+"But if I get killed before tomorrow--"
+
+ * * * * *
+
+Rosie changed gear again, but too soon. The truck bucked, and she jammed
+down the accelerator again, and it almost leaped off the road.
+
+"If you get killed before tomorrow," raged Rosie, "it'll serve you
+right! I've been thinking and thinking and thinking. And even if I stop
+you from being a crook, there'll always be that--other you--knowing
+everything we say and do." She was hitting forty miles an hour and
+speeding up. "So there'd still be no use. No hope, anyway."
+
+She sobbed, partly in fury and partly in grief. And the roadway curved
+sharply just about there and she swung the truck crazily around it--and
+there was a car standing only halfway off the road.
+
+[Illustration]
+
+Sam grabbed for the steering wheel, but there wasn't time. The light
+half-truck, still accelerating, hit the parked car with the noise of
+dozens of empty oil-drums falling downstairs. The truck slued around,
+bounced back, and then it charged forward and slammed into the parked
+car a second time. Then it stalled.
+
+[Illustration]
+
+Somebody yelled at Sam. He got out of the truck, looking at the damage
+and trying to figure out how it was that neither he nor Rosie had been
+killed, and trying worriedly to think how he was going to explain to the
+telephone company that he'd let Rosie drive.
+
+The voice yelled louder. Right at the edge of the woodland, there was a
+reddish-haired character screaming at him and tugging at his hip pocket.
+The words he used were not fit for Rosie's shell-like ears--even if they
+probably came near matching the way she felt. The reddish-haired man
+said more nasty words at the top of his voice. His hand came out of his
+hip pocket with something glittering in it.
+
+Sam was swinging when the glitter began and he connected before the gun
+fired. There was a sort of squashy, smacking sound and the
+reddish-haired man lay down quietly in the road.
+
+"Migawd!" said Sam blankly. "This was the fella in front of the bank!
+He's one of those robbers!"
+
+He stared. There was a loud crashing in the brushwood. The accident had
+happened at the edge of some woodland, and Sam did not need a high I.Q.
+to know that the friends of the red-haired man must be on the way.
+
+A second later, he saw them. Rosie was just getting out of the car then.
+She was very pale and there wasn't time to tell her to get started up if
+possible and away from there.
+
+One of the two running men was carrying a canvas bag with the words BANK
+OF DUNNSVILLE on it.
+
+ * * * * *
+
+The men came at Sam, meanwhile expressing opinions of the state of
+things, of Sam, of the Cosmos--of everything but the weather--in terms
+even more reprehensible than the first man had used.
+
+They saw the reddish-haired man lying on the ground. One of them--he'd
+come out into the road behind the truck and was running toward
+Sam--jerked out a pistol. He was about to use it on Sam at a range of
+something like six feet when there was a peculiar noise behind him. It
+was a sort of hollow _klunk_ which, even at such a time, needed to have
+attention paid to it. He jerked his head around to see.
+
+The _klunk_ had been made by Rosie's monkey wrench, falling imperatively
+on the head of the second man to come out of the woods. She had carried
+it to use on Sam, but she used it instead on a total stranger. He fell
+down and lay peacefully still.
+
+Then Sam swung a second time, at the second man to draw a pistol on him.
+
+Then there was only the sweet singing of birds among the trees and the
+whirrings and other insect-noises of creatures in the grass and
+brushwood.
+
+Presently there were other noises, but they were made by Rosie. She
+wept, hanging onto Sam.
+
+He unwound her arms from around his neck and thoughtfully went to the
+back of the truck and got out some phone wire and his pliers. He
+fastened the three strangers' hands together behind them, and then their
+feet, and he piled them in the back of the light truck, along with the
+money they had stolen.
+
+They came to, one by one, and Sam explained severely that they must
+watch their language in the presence of a lady. The three were so dazed,
+though, by what had befallen them that the warning wasn't really
+necessary.
+
+Rosie's parents would have been pleased at how completely proper their
+behavior was, while they took the three bank robbers into town and
+turned them over to the sheriff.
+
+That night, Rosie sat out on the porch with Sam and they discussed the
+particular event of the day in some detail. But Rosie was still
+concerned about the other Sam. So Sam decided to assert himself.
+
+About half-past nine, he said firmly, "Well, Rosie, I guess I'd better
+be getting along home. I've got to try one more time to call myself up
+on the telephone and tell me to mind my own business."
+
+"Says who?" demanded Rosie. "You're staying locked up right here tonight
+and I'm riding with you tomorrow. If I kept you honest this far, I can
+keep it up till sundown tomorrow! Then maybe it'll stick!"
+
+Sam protested, but Rosie was adamant--not only about keeping him from
+being a crook, but from having any fun to justify his virtue.
+
+ * * * * *
+
+She shooed him into her brother's room and her father locked him in. And
+Sam did not sleep very well, because it looked as though virtue wasn't
+even its own reward.
+
+He sat up, brooding. It must have been close to dawn when the obvious
+hit him. Then he gazed blankly at the wall and said, "Migawd! O'course!"
+
+He grinned, all by himself, practically from head to foot. And at
+breakfast, he hummed contentedly as he stuffed himself with pancakes and
+syrup, and Rosie's depressed expression changed to a baffled alarm.
+
+He smiled tenderly upon her when she came doggedly out to the truck,
+wearing her blue jeans and with the monkey wrench in her pocket. They
+started off the same as any other day and he told her amiably, "Rosie,
+the sheriff says we get five thousand dollars reward from the bankers'
+association, and there's more from the insurance company, and there's
+odd bits of change offered for those fellas for past performances. We're
+going to be right well off."
+
+Rosie looked at him gloomily. There was still the matter of the other
+Sam in the middle of the week after next. And just then, Sam, who had
+been watching the telephone lines beside the road as he drove, pulled
+off the road and put on his climbing irons.
+
+"What's this?" asked Rosie frightenedly. "You know--"
+
+"You listen," said Sam, completely serene.
+
+He climbed zestfully to the top of the pole. He hooked in the little
+gadget that didn't make private conversations possible on a party line,
+but did make it possible for a man to talk to himself ten days in the
+future.
+
+Or the past.
+
+"Hello!" said Sam, up at the top of the telephone pole. "Sam, this is
+you."
+
+A voice he knew perfectly well sounded in the receiver.
+
+"_Huh? Who's that?_"
+
+"This is you," said Sam. "You, Sam Yoder. Don't you recognize your own
+voice? This is you, Sam Yoder, calling from the twelfth of July. Don't
+hang up!"
+
+He heard Rosie gasp, all the way down there in the banged-up telephone
+truck. Sam had seen the self-evident, at last, and now, in the twelfth
+of July, he was talking to himself on the telephone. Only instead of
+talking to himself in the week after next, he was talking to himself in
+the week before last--he being, back there ten days before, working on
+this very same telephone line on this very same pole. And it was the
+same conversation, word for word.
+
+ * * * * *
+
+When he came down the pole, rather expansively, Rosie grabbed him and
+wept.
+
+"Oh, Sam!" she sobbed. "It was you all the time!"
+
+"Yeah," said Sam complacently. "I figured it out last night. That me
+back there in the second of July, he's cussing me out. And he's going to
+tell you about it and you're going to get all wrought up. But I can make
+that dumb me back yonder do what has to be done. And you and me, Rosie,
+have got a lot of money coming to us. I'm going to carry on through so
+he'll earn it for us. But I'm warning you, Rosie, he'll be back at my
+house waiting for me to talk to him tonight, and I've got to be home to
+tell him to go over to your house. I'm goin' to say 'ha-ha, ha-ha' at
+him."
+
+"A-all right," said Rosie, wide-eyed. "You can."
+
+"But I remember that when I call me up tonight, back there ten days ago,
+I'm going to be right busy here and now. I'm going to make me mad,
+because I don't want to waste time talking to myself back yonder.
+Remember? Now what," asked Sam mildly, "would I be doing tonight that
+would make me not want to waste time talking to myself ten days ago? You
+got any ideas, Rosie?"
+
+"Sam Yoder! I wouldn't! I never heard of such a thing!"
+
+Sam looked at her and shook his head regretfully. "Too bad. If you
+won't, I guess I've got to call me up in the week after next and find
+out what's cooking."
+
+"You--you _shan't_!" said Rosie fiercely. "I'll get even with you! But
+you shan't talk to that--" Then she wailed. "Darn you, Sam! Even if I do
+have to marry you so you'll be wanting to talk to me instead of that
+dumb you ten days back, you're not going to--you're not--"
+
+Sam grinned. He kissed her. He put her in the truck and they rode off to
+Batesville to get married. And they did.
+
+But you're not supposed to believe all this, and if you ask Sam Yoder
+about it, he's apt to say it's all a lie. He doesn't want to talk about
+private party lines, either. And there are other matters. For instance,
+Sam's getting to be a pretty prominent citizen these days. He makes a
+lot of money, one way and another. Nobody around home will ever bet with
+him on who's going to win at sports and elections, anyhow.
+
+
+
+
+
+End of Project Gutenberg's Sam, This is You, by William Fitzgerald Jenkins
+
+*** END OF THIS PROJECT GUTENBERG EBOOK SAM, THIS IS YOU ***
+
+***** This file should be named 32324.txt or 32324.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/3/2/3/2/32324/
+
+Produced by Greg Weeks, Mary Meehan and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/32324.zip b/32324.zip
new file mode 100644
index 0000000..c31d5e9
--- /dev/null
+++ b/32324.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..9199d9d
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #32324 (https://www.gutenberg.org/ebooks/32324)