summaryrefslogtreecommitdiff
path: root/32243-h
diff options
context:
space:
mode:
Diffstat (limited to '32243-h')
-rw-r--r--32243-h/32243-h.htm2045
-rw-r--r--32243-h/images/cover.jpgbin0 -> 25258 bytes
-rw-r--r--32243-h/images/illo-036.pngbin0 -> 90314 bytes
-rw-r--r--32243-h/images/illo-037.pngbin0 -> 14882 bytes
4 files changed, 2045 insertions, 0 deletions
diff --git a/32243-h/32243-h.htm b/32243-h/32243-h.htm
new file mode 100644
index 0000000..265e0cd
--- /dev/null
+++ b/32243-h/32243-h.htm
@@ -0,0 +1,2045 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml">
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=ISO-8859-1" />
+<title>The Project Gutenberg eBook of Confidence Game, by James McKimmey, Jr</title>
+
+<style type="text/css">
+/*<![CDATA[ XML blockout */
+ /* slight differences for print and screen */
+ @media print {
+ span.pgmark {border: 0 !important; }
+ hr.pg {display: none; visibility: hidden; }
+ .main p {margin-bottom: 0.25em;
+ text-indent: 2em; }
+ body {margin-right: 0;
+ margin-left: 0; }
+ }
+ @media screen {
+ span.pgmark {border-top: thin solid silver;
+ border-bottom: thin solid silver;
+ display: inline!important;
+ visibility: visible!important;
+ position: absolute; left: 1%; }
+ p {margin-bottom: 0.75em;
+ text-indent: 0; }
+ body {margin-left: 10%;
+ margin-right: 10%;}
+ }
+
+ body {font-size: medium; }
+
+ h1 {text-indent: 0;
+ text-align: left;
+ font-family: sans-serif;
+ font-weight: normal;
+ font-size: 320%;
+ margin: 0 auto;
+ word-spacing: 0.15em;
+ padding-top: 1em; padding-bottom: 0.5em; }
+
+ div.main {margin-left: auto;
+ margin-right: auto;
+ margin-top: 0;
+ padding-top: 3em;
+ padding-bottom: 3em;
+ max-width: 32em; }
+ div.main p {text-align: justify;
+ margin-top: 0;
+ line-height: 1.3; }
+
+ /* for transcriber's note */
+ div.tnote {border: dashed 1px;
+ padding: .5em;
+ margin-top: 3em; margin-bottom: 6em;
+ page-break-before: always;
+ page-break-after: always; }
+ div.tnote p {text-indent: 0;
+ margin-top: .5em;
+ font-size: 85%;}
+ div.tnote h3 {text-indent: 0;
+ text-align: left;
+ font-size: 110%;
+ font-style: normal;
+ font-weight: bold;
+ padding-top: 60px;
+ letter-spacing: 0;}
+ .clearup {clear: left; line-height: 0; }
+
+ p.blurb {text-indent: 0!important;
+ text-align: justify!important;
+ font-family: sans-serif;
+ font-size: 110%;
+ margin: 2em auto 0 auto!important;
+ line-height: 2!important; }
+ p.author {text-indent: 0!important;
+ text-align: right!important;
+ font-family: sans-serif;
+ font-size: 110%;
+ font-variant: small-caps;
+ margin: 2em 0 2em auto!important; }
+
+ div.illus {margin: 4em auto;
+ width: 578px; }
+
+ /* links */
+ @media print {
+ a:link {color: black; background-color: inherit;
+ text-decoration: none;}
+ a:visited {color: black; background-color: inherit;
+ text-decoration: none;}
+ }
+
+ @media screen {
+ a:link {color: blue; background-color: inherit;
+ text-decoration: none;}
+ a:visited {color: blue; background-color: inherit;
+ text-decoration: none;}
+ a:hover {color: red; background-color: inherit;}
+ a:focus {outline: #ffee66 solid 2px; color: inherit; background-color: #ffee66;}
+ }
+
+ span.pgmark {display: none; visibility: hidden; /* over-ridden for screen devices */
+ font-size: x-small;
+ font-family: serif;
+ font-variant: normal;
+ font-style: normal;
+ font-weight: normal;
+ line-height: 1.2;
+ letter-spacing: 0;
+ text-indent: 0; text-align: left;
+ margin: 0; padding: .05em 0.5em !important; }
+
+ hr {background-color: black; color: inherit; padding: 0;}
+
+ .ns {display: none; visibility: hidden; }
+ em, cite {font-style: italic; }
+ .tb {padding-top: 1.7em; }
+ .noindent {text-indent: 0!important; }
+ .fltright {float: right; width: auto; margin: 1em 0 1em 1em; }
+ .fltleft {float: left; width: auto; margin-right: 4em; }
+ .framed {border: thin solid black; }
+ .uc {text-transform: uppercase; margin-left: -4px; }
+ .drop {font-size: 275%;
+ float: left; width: auto;
+ line-height: 90%;
+ padding-right: 4px;}
+ .ctr {text-align: center; }
+
+ /* XML end ]]>*/
+</style>
+</head>
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of Confidence Game, by James McKimmey
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Confidence Game
+
+Author: James McKimmey
+
+Release Date: May 4, 2010 [EBook #32243]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK CONFIDENCE GAME ***
+
+
+
+
+Produced by Greg Weeks, David Wilson and the Online
+Distributed Proofreading Team at https://www.pgdp.net
+
+
+
+
+
+
+</pre>
+
+
+
+
+<hr class="pg" />
+
+<div class="tnote">
+<img class="framed fltleft" src="images/cover.jpg" width="227" height="299"
+ alt="If: Worlds of Science Fiction" title="Magazine Cover" />
+<h3>Transcriber&#8217;s note:</h3>
+<p>This story was published in <cite>If: Worlds of Science Fiction</cite>,
+ September 1954.
+Extensive research did not uncover any evidence that the
+ U.S. copyright on this publication was renewed.</p><p class="clearup">&nbsp;</p>
+
+
+</div>
+
+
+<div class="illus">
+<p class="ctr"><a name="png.001" id="png.001" href="#png.001"><span class="ns">[</span><span
+ class="pgmark">36</span><span class="ns">]<br
+ /></span></a>
+<img src="images/illo-036.png" width="578" height="560"
+ alt="" title="" /></p>
+
+<p><small><i>Illustrated by Ed Emsh</i></small></p>
+
+</div>
+
+
+<div class="main">
+
+<h1>CONFIDENCE GAME</h1>
+
+<p class="blurb"><i>Cutter demanded more and more and more efficiency&mdash;and got
+it! But, as in anything, enough is enough, and too much is&nbsp;&hellip;</i></p>
+
+<p class="author">By JAMES McKIMMEY, JR.</p>
+
+<p class="noindent tb"><br class="ns"
+ /><a name="png.002" id="png.002" href="#png.002"><span class="ns">[</span><span
+ class="pgmark">37</span><span class="ns">]<br
+ /></span></a><span class="drop">G</span><span class="uc">eorge H.&nbsp;Cutter</span> wheeled
+his big convertible into his reserved
+space in the Company parking
+lot with a flourish. A bright
+California sun drove its early
+brightness down on him as he
+strode toward the square, four-story
+brick building which said
+<i>Cutter Products, Inc.</i> over its front
+door. A two-ton truck was grinding
+backward, toward the loading
+doors, the thick-shouldered driver
+craning his neck. Cutter moved
+briskly forward, a thick-shouldered
+man himself, though not very tall.
+A glint of light appeared in his
+eyes, as he saw Kurt, the truck
+driver, fitting the truck's rear end
+into the tight opening.</p>
+
+<p>&ldquo;Get that junk out of the way!&rdquo;
+he yelled, and his voice roared over
+the noise of the truck's engine.</p>
+
+<p>Kurt snapped his head around,
+his blue eyes thinning, then recognition
+spread humor crinkles
+around his eyes and mouth. &ldquo;All
+right, sir,&rdquo; he said. &ldquo;Just a second
+while I jump out, and I'll lift it
+out of your way.&rdquo;</p>
+
+<p>&ldquo;With bare hands?&rdquo; Cutter said.</p>
+
+<p>&ldquo;With bare hands,<!-- Transcriber's note:
+ original has period -->&rdquo; Kurt said.</p>
+
+<p>Cutter's laugh boomed, and as
+he rounded the front of the truck,
+he struck the right front fender
+with his fist. Kurt roared back from
+the cab with his own laughter.</p>
+
+<p>He liked joking harshly with
+Kurt and with the rest of the truck
+drivers. They were simple, and they
+didn't have his mental strength.
+But they had another kind of
+strength. They had muscle and
+energy, and most important, they
+had guts. Twenty years before Cutter
+had driven a truck himself. The
+drivers knew that, and there was a
+bond between them, the drivers
+and himself, that seldom existed
+between employer and employee.</p>
+
+<p>The guard at the door came to
+a reflex attention, and Cutter
+bobbed his head curtly. Then, instead
+of taking the stairway that
+led up the front to the second
+floor and his office, he strode down
+the hallway to the left, angling
+through the shop on the first floor.
+He always walked through the
+shop. He liked the heavy driving
+sound of the machines in his ears,
+and the muscled look of the men,
+in their coarse work shirts and
+heavy-soled shoes. Here again was
+strength, in the machines and in
+the men.</p>
+
+<p><img class="fltright" src="images/illo-037.png" width="236" height="263"
+ alt="Confidet on a chair" title="" />And here again too, the bond between
+Cutter and his employees
+was a thing as real as the whir and
+grind and thump of the machines,
+as real as the spray of metal dust,
+spitting away from a spinning saw
+blade. He was able to drive himself
+through to them, through the
+hard wall of unions and prejudices
+against business suits and white
+collars and soft clean hands,
+<a name="png.003" id="png.003" href="#png.003"><span class="ns">[</span><span
+ class="pgmark">38</span><span class="ns">]
+ </span></a>because they knew that at one time
+he had also been a machinist and
+then tool and die operator and
+then a shop foreman. He got
+through to them, and they respected
+him. They were even inspired
+by him, Cutter knew, by his energy
+and alertness and steel confidence.
+It was one good reason why their
+production continually skimmed
+along near the top level of efficiency.</p>
+
+<p>Cutter turned abruptly and
+started up the metal-lipped concrete
+steps to the second floor. He
+went up quickly, his square, almost
+chunky figure moving smoothly,
+and there was not the faintest
+shortening in his breath when he
+reached the level of his own office.</p>
+
+<p>Coming up the back steps required
+him to cross the entire administration
+office which contained
+the combined personnel of Production
+Control, Procurement, and
+Purchasing. And here, the sharp
+edge of elation, whetted by the
+walk past the loading dock and
+the truck drivers and the machine
+shop and the machinists, was
+dulled slightly.</p>
+
+<p>On either side of him as he
+paced rapidly across the room,
+were the rows of light-oak desks
+which contained the kind of men
+he did not like: fragile men,
+whether thin or fat, fragile just
+the same, in the eyes and mouth,
+and pale with their fragility. They
+affected steel postures behind those
+desks, but Cutter knew that the
+steel was synthetic, that there was
+nothing in that mimicked look of
+alertness and virility but posing.
+They were a breed he did not understand,
+because he had never
+been a part of them, and so this
+time, the invisible but very real
+quality of employer-employee relationship
+turned coldly brittle, like
+frozen cellophane.</p>
+
+<p>The sounds now, the clicking of
+typewriters, the sliding of file
+drawers, the squeak of adjusted
+swivel chairs&mdash;all of it&mdash;irritated
+him, rather than giving him inspiration,
+and so he hurried his
+way, especially when he passed that
+one fellow with the sad, frightened
+eyes, who touched his slim hands
+at the papers on his desk, like a
+cautious fawn testing the soundness
+of the earth in front of him.
+What was his name? Linden? God,
+Cutter thought, the epitome of the
+breed, this man: sallow and slow
+and so hesitant that he appeared
+to be about to leap from his chair
+at the slightest alarm.</p>
+
+<p>Cutter broke his aloofness long
+enough to glare at the man, and
+Linden turned his frightened eyes
+quickly to his desk and began shuffling
+his papers nervously. Some
+day, Cutter promised himself, he
+was going to stop in front of the
+man and shout, &ldquo;Booo!&rdquo; and scare
+the poor devil to hell and back.</p>
+
+<p>He pushed the glass doors that
+led to his own offices, and moving
+into Lucile's ante-room restored
+his humor. Lucile, matronly yet
+quick and youthfully spirited,
+smiled at him and met his eyes directly.
+Here was some strength
+again, and he felt the full energy
+of his early-morning drive returning
+fully. Lucile, behind her desk
+in this plain but expensive reception
+room, reminded him of fast,
+hard efficiency, the quality of accomplishment
+that he had dedicated
+himself to.</p>
+
+<p>&ldquo;Goddamned sweet morning, eh,
+<a name="png.004" id="png.004" href="#png.004"><span class="ns">[</span><span
+ class="pgmark">39</span><span class="ns">]
+ </span></a>Lucy?&rdquo; he called.</p>
+
+<p>&ldquo;Beautiful, George,&rdquo; she said. She
+had called him by his first name for
+years. He didn't mind, from her.
+Not many could do it, but those
+who could, successfully, he respected.</p>
+
+<p>&ldquo;What's up first?&rdquo; he asked, and
+she followed him into his own
+office. It was a high-ceilinged room,
+with walls bare except for a picture
+of Alexander Hamilton on one
+wall, and an award plaque from the
+State Chamber of Commerce on
+the opposite side of the room. He
+spun his leather-cushioned swivel
+chair toward him and sat down and
+placed his thick hands against the
+surface of the desk. Lucile took the
+only other chair in the office, to
+the side of the desk, and flipped
+open her appointment pad.</p>
+
+<p>&ldquo;Quay wants to see you right
+away. Says it's important.&rdquo;</p>
+
+<p>Cutter nodded slightly and closed
+his eyes. Lucile went on, calling his
+appointments for the day with
+clicking precision. He stored the
+information, leaning back in his
+chair, adjusting his mind to each,
+so that there would be no energy
+wasted during the hard, swift day.</p>
+
+<p>&ldquo;That's it,&rdquo; Lucile said. &ldquo;Do you
+want to see Quay?&rdquo;</p>
+
+<p>&ldquo;Send him in,&rdquo; Cutter said, and
+he was already leaning into his
+desk, signing his name to the first
+of a dozen letters which he had
+dictated into the machine during
+the last ten minutes of the preceding
+day.</p>
+
+<p>Lucile disappeared, and three
+minutes later Robert Quay took her
+place in the chair beside Cutter's
+desk. He was a taller man than
+Cutter, and thinner. Still, there
+was an athletic grace about him, a
+sureness of step and facial expression,
+that made it obvious that he
+was physically fit. He was single
+and only thirty-five, twelve years
+younger than Cutter, but he had
+been with Cutter Products, Inc. for
+thirteen years. In college he had
+been a Phi Beta Kappa and lettered
+three years on the varsity as a
+quarterback. He was the kind of
+rare combination that Cutter liked,
+and Cutter had offered him more
+than the Chicago Cardinals to get
+him at graduation.</p>
+
+<p>Cutter felt Quay's presence, without
+looking up at him. &ldquo;Goddamned
+sweet morning, eh, Bob?&rdquo;</p>
+
+<p>&ldquo;It really is, George,&rdquo; Quay said.</p>
+
+<p>&ldquo;What's up?&rdquo; Cutter stopped
+signing, having finished the entire
+job, and he stared directly into
+Quay's eyes. Quay met the stare
+unflinchingly.</p>
+
+<p>&ldquo;I've got a report from Sid Perry
+at Adacam Research.&rdquo;</p>
+
+<p>&ldquo;Your under-cover agent again,
+eh?&rdquo;</p>
+
+<p>Quay grinned. Adacam Research
+conducted industrial experimentation
+which included government
+work. The only way to find out
+what really went on there, Cutter
+had found out, was to find a key
+man who didn't mind talking for a
+certain amount of compensation,
+regardless of sworn oaths and signatures
+to government statements.
+You could always get somebody,
+Cutter knew, and Quay had been
+able to get a young chemist, Sidney
+Perry.</p>
+
+<p>&ldquo;Okay,&rdquo; Cutter said. &ldquo;What are
+they doing over there?&rdquo;</p>
+
+<p>&ldquo;There's a fellow who's offered
+Adacam his project for testing.
+They're highly interested, but
+they're not going to handle it.&rdquo;</p>
+
+<p><a name="png.005" id="png.005" href="#png.005"><span class="ns">[</span><span
+ class="pgmark">40</span><span class="ns">]<br
+ /></span></a>&ldquo;Why not?&rdquo;</p>
+
+<p>Quay shrugged. &ldquo;Too touchy. It's
+a device that's based on electronics&mdash;&rdquo;</p>
+
+<p>&ldquo;What the hell is touchy about
+electronics?&rdquo;</p>
+
+<p>&ldquo;This deals with the human personality,&rdquo;
+Quay said, as though that
+were explanation enough.</p>
+
+<p>Cutter understood. He snorted.
+&ldquo;Christ, anything that deals with
+the human personality scares them
+over there, doesn't it?&rdquo;</p>
+
+<p>Quay spread his hands.</p>
+
+<p>&ldquo;All right,&rdquo; Cutter said. &ldquo;What's
+this device supposed to do?&rdquo;</p>
+
+<p>&ldquo;The theory behind it is to produce
+energy units which reach a
+plane of intensity great enough to
+affect<!-- Transcriber's note:
+ original reads "effect" --> the function of the human
+ego.&rdquo;</p>
+
+<p>&ldquo;Will it?&rdquo; Cutter never wasted
+time on surprise or curiosity or
+theory. His mind acted directly.
+Would it or wouldn't it? Performance
+versus non-performance. Efficiency
+versus inefficiency. Would it
+improve production of Cutter Products,
+Inc., or would it not?</p>
+
+<p>&ldquo;Sid swears they're convinced it
+will. The factors, on paper, check
+out. But there's been no experimentation,
+because it involves the
+human personality. This thing,
+when used, is supposed to perform
+a definite personality change on the
+individual subjected.&rdquo;</p>
+
+<p>&ldquo;How?&rdquo;</p>
+
+<p>&ldquo;You know the theory of psychiatric
+therapy&mdash;the theory of
+shock treatment. The effect is some
+what similar, but a thousand times
+more effective.&rdquo;</p>
+
+<p>&ldquo;What <em>is</em> the effect?&rdquo;</p>
+
+<p>&ldquo;A gradual dissolving of inferiority
+influences, or inhibitions, from
+the personality. A clear mind resulting.
+A healthy ego.&rdquo;</p>
+
+<p>&ldquo;And?&rdquo;</p>
+
+<p>&ldquo;Confidence.&rdquo;</p>
+
+<p>Cutter stared at Quay's eyes,
+assimilating the information.
+&ldquo;That's all very damned nice. Now
+where does it fit in with Cutter
+Products?&rdquo;</p>
+
+<p>Quay drew a notebook from his
+coat pocket swiftly. &ldquo;You remember
+that efficiency check we had
+made two months ago&mdash;the rating
+of individual departments on comparable
+work produced?&rdquo;</p>
+
+<p>Cutter nodded.</p>
+
+<p>Quay looked at his notebook.
+&ldquo;All administrative personnel departments
+showed an average of&mdash;&rdquo;</p>
+
+<p>&ldquo;Thirty-six point eight less efficiency
+than the skilled and unskilled
+labor departments,&rdquo; Cutter finished.</p>
+
+<p>Quay smiled slightly. He snapped
+the notebook shut. &ldquo;Right. So that's
+our personnel efficiency bug.&rdquo;</p>
+
+<p>&ldquo;Christ, I've known that for
+twenty years,&rdquo; Cutter snapped.</p>
+
+<p>&ldquo;Okay,&rdquo; Quay said quickly, alerting
+himself back to the serious
+effort. &ldquo;Now then, you'll remember
+we submitted this efficiency report
+to Babcock and Steele for analysis,
+and their report offered no answer,
+because their experience showed
+that you <em>always</em> get that kind of
+ratio, because of personality differences.
+The administrative personnel
+show more inferiority<!-- Transcriber's note:
+ original reads "infieriority" --> influences
+per man, thus less confidence, thus
+less efficiency.&rdquo;</p>
+
+<p>&ldquo;I remember all that,&rdquo; Cutter
+said.</p>
+
+<p>&ldquo;Their report also pointed out
+that this inevitable loss of efficiency
+is leveled out, by proportionately
+smaller wage compensation. The
+administrative personnel gets
+<a name="png.006" id="png.006" href="#png.006"><span class="ns">[</span><span
+ class="pgmark">41</span><span class="ns">]
+ </span></a>approximately twenty-five percent less
+compensation than the skilled labor
+personnel, and the remaining eleven
+point eight percent loss of efficiency
+is made up by the more highly
+efficient unskilled labor receiving
+approximately the same compensation
+as the administrative personnel.&rdquo;</p>
+
+<p>&ldquo;I remember all that nonsense,
+too,&rdquo; Cutter reddened faintly with
+a sudden anger. He did not believe
+the statistics were nonsense, only
+that you should expect to write off
+a thirty-six point eight efficiency loss
+on the basis of adjusted compensation.
+A thirty-six point eight efficiency
+loss was a comparable loss
+in profits. You never compensated
+a loss in profits, except by erasing
+that loss. &ldquo;And so this is supposed
+to fix it?&rdquo;</p>
+
+<p>Quay's head bobbed. &ldquo;It's worth
+a try, it seems to me. I've talked
+to Sid about it extensively, and he
+tells me that Bolen, who's developed
+this thing, would be willing to install
+enough units to cover the entire
+administrative force, from the
+department-head level down.&rdquo;</p>
+
+<p>&ldquo;How?&rdquo;</p>
+
+<p>Quay motioned a hand. &ldquo;It's no
+larger than a slightly thick saucer.
+It could be put inside the chairs.&rdquo;
+Quay smiled faintly. &ldquo;They sit on
+it, you see, and&mdash;&rdquo;</p>
+
+<p>Cutter was not amused. &ldquo;How
+much?&rdquo;</p>
+
+<p>&ldquo;Nothing,&rdquo; Quay said quickly.
+&ldquo;Absolutely nothing. Bolen wants
+actual tests badly, and the Institute
+wouldn't do it. Snap your fingers,
+and give him a hundred and fifty
+people to work on, and it's yours to
+use for nothing. He'll do the installing,
+and he <em>wants</em> to keep it secret.
+It's essential, he says, to get an accurate
+reaction from the subjects
+affected<!-- Transcriber's note:
+ original reads "effected" -->. For him it's perfect, because
+we're running a continuous
+efficiency check, and if this thing
+does the job like it's supposed to do
+it, we'll have gained the entire
+benefits for nothing. How can we
+lose?&rdquo;</p>
+
+<p>Cutter stared at Quay for a moment,
+his mind working swiftly.
+&ldquo;Call Horner in on this, but nobody
+else. Absolutely nobody else.
+Tell Horner to write up a contract
+for this fellow to sign. Get a clause
+in there to the effect that this fellow,
+Bolen, assumes all responsibility
+for any effects not designated
+in the defining part of the contract.
+Fix it up so that he's entirely
+liable, then get it signed, and let's
+see what happens.&rdquo;</p>
+
+<p>Quay smiled fully and stood up.
+&ldquo;Right, sir.&rdquo; He had done a good
+job, he knew. This was the sort of
+thing that would keep him solidly
+entrenched in Cutter's favor.
+&ldquo;Right, George,&rdquo; he said, remembering
+that he didn't need to call
+Cutter sir anymore, but he knew
+he wouldn't hear any more from
+Cutter, because Cutter was already
+looking over a blueprint, eyes thin
+and careful, mind completely adjusted
+to a new problem.</p>
+
+<p class="noindent tb"><br class="ns"
+ /><span class="drop">E</span><span class="uc">dward Bolen</span> called the
+saucer-sized disk, the Confidet.
+He was a thin, short, smiling man
+with fine brown hair which looked
+as though it had just been ruffled
+by a high wind, and he moved, Cutter
+noticed, with quick, but certain
+motions. The installing was done
+two nights after Cutter's lawyer,
+Horner, had written up the contract
+and gotten it signed by Bolen. Only
+<a name="png.007" id="png.007" href="#png.007"><span class="ns">[</span><span
+ class="pgmark">42</span><span class="ns">]
+ </span></a>Quay, Bolen, and Cutter were present.</p>
+
+<p>Bolen fitted the disks into the
+base of the plastic chair cushions,
+and he explained, as he inserted
+one, then another:</p>
+
+<p>&ldquo;The energy is inside each one,
+you see. The life of it is indefinite,
+and the amount of energy used is
+proportionate to the demand
+created.&rdquo;</p>
+
+<p>&ldquo;What the hell do you mean by
+energy?&rdquo; Cutter demanded, watching
+the small man work.</p>
+
+<p>Bolen laughed contentedly, and
+Quay flushed with embarrassment
+over anyone laughing at a question
+out of Cutter's lips. But Cutter did
+not react, only looked at Bolen, as
+though he could see somehow, beneath
+that smallness and quietness,
+a certain strength. Quay had seen
+that look on Cutter's face before,
+and it meant simply that Cutter
+would wait, analyzing expertly in
+the meantime, until he found his
+advantage. Quay wondered, if this
+gadget worked, how long Bolen
+would own the rights to it.</p>
+
+<p class="tb"><br class="ns" />Cutter drove the Cadillac into
+Hallery Boulevard, as though the
+automobile were an English Austin,
+and just beyond the boundaries of
+the city, cut off into the hills, sliding
+into the night and the relative
+darkness of the exclusive, sparsely
+populated Green Oaks section.</p>
+
+<p>Ten minutes later, his house, a
+massive stone structure which
+looked as though it had been shifted
+intact from the center of some
+medieval moat, loomed up, gray
+and stony, and Capra, his handyman,
+took over the car and drove
+it into the garage, while Cutter
+strode up the wide steps to the
+door.</p>
+
+<p>Niels took his hat, and Mary was
+waiting for him in the library.</p>
+
+<p>She was a rather large woman,
+although not fat, and when she
+wore high heels&mdash;which she was
+not prone to do, because although
+Cutter would not have cared, she
+kept trying to project into other
+people's minds and trying, as she
+said, &ldquo;Not to do anything to them,
+that I wouldn't want them to do to
+me.&rdquo;&mdash;she rose a good inch above
+Cutter. She was pleasant humored,
+and cooperative, and the one great
+irritant about her that annoyed
+Cutter, was the fact that she was
+not capable of meeting life wholeheartedly
+and with strength.</p>
+
+<p>She steadily worried about other
+people's feelings and thoughts, so
+that Cutter wondered if she were
+capable of the slightest personal
+conviction. Yet that weakness was
+an advantage at the same time, to
+him, because she worked constantly
+toward making him happy. The
+house was run to his minutest liking,
+and the servants liked her, so
+that while she did not use a strong
+enough hand, they somehow got
+things done for her, and Cutter had
+no real complaint. Someday, he
+knew, he would be able to develop
+her into the full potential he knew
+she was capable of achieving, and
+then there wouldn't be even that
+one annoyance about her.</p>
+
+<p>He sat down in the large, worn,
+leather chair, and she handed him
+a Scotch and water, and kissed his
+cheek, and then sat down opposite
+him in a smaller striped-satin chair.</p>
+
+<p>&ldquo;Did you have a nice day, dear?&rdquo;
+she asked.</p>
+
+<p>She was always pleasant and she
+always smiled at him, and she was
+<a name="png.008" id="png.008" href="#png.008"><span class="ns">[</span><span
+ class="pgmark">43</span><span class="ns">]
+ </span></a>indeed a handsome woman. They
+had been married but five years,
+and she was almost fifteen years
+younger than he, but they had a
+solid understanding. She respected
+his work, and she was careful with
+the money he allowed her, and she
+never forgot the Scotch and water.
+&ldquo;The day was all right,&rdquo; he said.</p>
+
+<p>&ldquo;My goodness,&rdquo; she said, &ldquo;you
+worked late. Do you want dinner
+right away?&rdquo;</p>
+
+<p>&ldquo;I had some sandwiches at the
+office,&rdquo; he said, drinking slowly.</p>
+
+<p>&ldquo;That isn't enough,&rdquo; she said reproachfully,
+and he enjoyed her
+concern over him. &ldquo;You'd better
+have some nice roast beef that
+Andre did just perfectly. And
+there's some wonderful dressing
+that I made myself, for just a small
+salad.&rdquo;</p>
+
+<p>He smiled finally. &ldquo;All right,&rdquo; he
+said. &ldquo;All right.&rdquo;</p>
+
+<p>She got up and kissed him again,
+and he relaxed in the large chair,
+sipping contentedly at his drink, listening
+to her footsteps hurrying
+away, the sound another indication
+that she was doing something for
+him. He felt tired and easy. He let
+his mind relax with his body. The
+gadget, the Confidet; that was going
+to work, he knew. It would erase
+the last important bug in his operational
+efficiency, and then he might
+even expand, the way he had
+wanted to all along. He closed his
+eyes for a moment, tasting of his
+contentment, and then he heard the
+sound of his dinner being placed on
+the dining room table, and he stood
+up briskly and walked out of the
+library. He really was hungry, he
+realized. Not only hungry but, he
+thought, he might make love to
+Mary that evening.</p>
+
+<p class="noindent tb"><br class="ns"
+ /><span class="drop">T</span><span class="uc">he first</span> indication that the
+Confidet might be working,
+came three weeks later, when Quay
+handed Cutter the report showing
+an efficiency increase of 3.7 percent.
+&ldquo;I think that should tell the
+story,&rdquo; Quay said elatedly.</p>
+
+<p>&ldquo;Doesn't mean anything,&rdquo; Cutter
+said. &ldquo;Could be a thousand other
+factors besides that damned gimmick.&rdquo;</p>
+
+<p>&ldquo;But we've never been able to
+show more than one point five
+variance on the administrative
+checks.&rdquo;</p>
+
+<p>&ldquo;The trouble with you, Quay,&rdquo;
+Cutter said brusquely, &ldquo;is you keep
+looking for miracles. You think the
+way to get things in this world is
+to hope real hard. Nothing comes
+easy, and I've got half a notion
+to get those damned silly things
+jerked out.&rdquo; He bent over his work,
+obviously finished with Quay, and
+Quay, deflated, paced out of the
+office.</p>
+
+<p>Cutter smiled inside the empty
+office. He liked to see Quay's enthusiasm
+broken now and then. It
+took that, to mold a really good
+man, because that way he assumed
+real strength after a while. If he
+got knocked down and got up
+enough, he didn't fall apart when
+he hit a really tough obstacle. Cutter
+was not unhappy about the
+efficiency figures at all, and he
+knew as well as Quay that they were
+decisive.</p>
+
+<p>Give it another two weeks, he
+thought, and if the increase was
+comparable, then they might have
+a real improvement on their hands.
+Those limp, jumpy creatures on the
+desks out there might actually start
+earning their keep. He was thinking
+about that, what it would mean to
+<a name="png.009" id="png.009" href="#png.009"><span class="ns">[</span><span
+ class="pgmark">44</span><span class="ns">]
+ </span></a>the total profit, when Lucile opened
+his door and he caught a glimpse of
+the office outside, including the
+clerk with the sad, frightened eyes.
+Even you, Linden, Cutter thought,
+we might even improve you.</p>
+
+<p class="tb"><br class="ns" />The increase <em>was</em> comparable
+after another two weeks. In fact,
+the efficiency figure jumped to 8.9.
+Quay was too excited to be knocked
+down this time, and Cutter was
+unable to suppress his own pleasure.</p>
+
+<p>&ldquo;This is really it this time,
+George,&rdquo; Quay said. &ldquo;It really is.
+And here.&rdquo; He handed Cutter a set
+of figures. &ldquo;Here's what accounting
+estimates the profit to be on this
+eight-nine figure.&rdquo;</p>
+
+<p>Cutter nodded, his eyes thinning
+the slightest bit. &ldquo;We won't see
+that for a while.&rdquo;</p>
+
+<p>&ldquo;No,&rdquo; Quay said, &ldquo;but we'll see
+it! We'll sure as hell see it! And if
+it goes much higher, we'll absolutely
+balance out!&rdquo;</p>
+
+<p>&ldquo;What does Bolen figure the top
+to be?&rdquo;</p>
+
+<p>&ldquo;Ten percent.&rdquo;</p>
+
+<p>&ldquo;Why not thirty-six point eight?&rdquo;
+Cutter said, his eyes bright and
+narrow.</p>
+
+<p>Quay whistled. &ldquo;Even at ten, at
+the wage we're paying&mdash;&rdquo;</p>
+
+<p>&ldquo;Never settle for quarters or
+thirds,&rdquo; Cutter said. &ldquo;Get the whole
+thing. Send for Bolen. I want to
+talk to him. And in the meantime,
+Bob, this is such a goddamned sweet
+morning, what do you say we go
+to lunch early?&rdquo;</p>
+
+<p>Quay blinked only once, which
+proved his adaptability. Cutter had
+just asked him to lunch, as though
+it were their habit to lunch together
+regularly, when in reality,
+Quay had never once gone to lunch
+with Cutter before. Quay was quite
+nonchalant, however, and he said,
+&ldquo;Why, fine, George. I think that's
+a good idea.&rdquo;</p>
+
+<p class="noindent tb"><br class="ns"
+ /><span class="drop">B</span><span class="uc">olen</span> appeared in Cutter's
+office the next morning, smiling,
+his eyes darting quickly about
+Cutter's desk and walls, so that
+Cutter felt,<!-- Transcriber's note:
+ comma invisible in original --> for a moment, that
+showing Bolen anything as personal
+as his office, was a little like letting
+the man look into his brain.</p>
+
+<p>&ldquo;Quay tells me you've set ten
+percent as the top efficiency increase
+we can count on, Bolen.&rdquo;
+Cutter said it directly, to the point.</p>
+
+<p>Bolen smiled, examining Cutter's
+hands and suit and eyes. &ldquo;That's
+right, Mr. Cutter.&rdquo;</p>
+
+<p>&ldquo;Why?&rdquo;</p>
+
+<p>Bolen placed his small hands on
+his lap, looked at the tapered fingers,
+then up again at Cutter. He
+kept smiling. &ldquo;It's a matter of
+saturation.&rdquo;</p>
+
+<p>&ldquo;How in hell could ten percent
+more efficiency turn into saturation?&rdquo;</p>
+
+<p>&ldquo;Not ten percent more efficiency,&rdquo;
+Bolen said quietly. &ldquo;Ten percent
+<em>effect</em> on the individual who
+<em>creates</em> the efficiency. Ten percent
+effect of that which <em>causes</em> him to
+be ten percent more efficient.&rdquo;</p>
+
+<p>Cutter snorted. &ldquo;Whatever the
+hell that damned gimmick does, it
+creates confidence, drive, strength,
+doesn't it? Isn't that what you
+said?&rdquo;</p>
+
+<p>&ldquo;Yes,&rdquo; Bolen said politely. &ldquo;Approximately.&rdquo;</p>
+
+<p>&ldquo;Can you explain to me then,
+how ten percent more confidence
+in a man is saturation?&rdquo;</p>
+
+<p><a name="png.010" id="png.010" href="#png.010"><span class="ns">[</span><span
+ class="pgmark">45</span><span class="ns">]<br
+ /></span></a>Bolen studied what he was going
+to say carefully, smiling all the
+while. &ldquo;Some men,&rdquo; he said very
+slowly, &ldquo;are different than others,
+Mr. Cutter. Some men will react
+to personality changes as abrupt as
+this in different ways than others.
+You aren't too concerned, are you,
+with what those changes might already
+have done to any of the individuals
+affected?&rdquo;</p>
+
+<p>&ldquo;Hell, no,&rdquo; Cutter said loudly.
+&ldquo;Why should I be? All I'm interested
+in is efficiency. Tell me
+about efficiency, and I'll know what
+you're talking about.&rdquo;</p>
+
+<p>&ldquo;All right,&rdquo; Bolen said. &ldquo;We have
+no way of knowing right now which
+men have been affected more than
+others. All we have is an average.
+The average right now is eight and
+nine-tenths percent. But perhaps
+you have some workers who do not
+react, because they really do not
+suffer the lacks or compulsions or
+inhibitions that the Confidet is concerned
+with. Perhaps they are working
+at top efficiency right now, and
+no amount of further subjection to
+the Confidet will change them.&rdquo;</p>
+
+<p>&ldquo;All right then,&rdquo; Cutter said
+quickly, &ldquo;we'll ferret that kind of
+deadwood out, and replace them!&rdquo;</p>
+
+<p>&ldquo;How will you know which are
+deadwood?&rdquo; Bolen asked pleasantly.</p>
+
+<p>&ldquo;Individual checks, of course!&rdquo;</p>
+
+<p>Bolen shook his head, looking
+back at his tapering fingers. &ldquo;It
+won't necessarily work. You see,
+the work that these men are concerned
+with is not particularly demanding
+work, is it? And that
+means you want to strike a balance
+between capability and demand.
+It's the unbalance of these things
+that creates trouble, and in your
+case, the demand outweighed the
+capability. Now, if you get a total
+ten-percent increase, then you're
+balanced. If you go over that, you'll
+break the balance all over again,
+except that you'll have, in certain
+cases, capability outweighing the
+demand of the work.&rdquo;</p>
+
+<p>&ldquo;Good,&rdquo; Cutter said. &ldquo;Any man
+whose<!-- Transcriber's note:
+ original reads "who's" --> capability outweighs the work
+he's doing will simply keep increasing
+his efficiency.&rdquo;</p>
+
+<p>Bolen shook his head. &ldquo;No. He'll
+react quite the other way. He'll lose
+interest, because the work will no
+longer be a challenge, and then the
+efficiency will drop.&rdquo;</p>
+
+<p>Cutter's jaw hardened. &ldquo;All right
+then. I'll move that man up, and
+fill his place with someone else.&rdquo;</p>
+
+<p>Bolen looked at Cutter's eyes,
+examined them curiously. &ldquo;Some
+men have a great deal of latent
+talent, Mr. Cutter. This talent released&mdash;&rdquo;</p>
+
+<p>Cutter frowned, studying Bolen
+carefully. Then he laughed suddenly.
+&ldquo;You think I might not be able
+to handle it?&rdquo;</p>
+
+<p>&ldquo;Well, let's say that you've got
+a stable of gentle, quiet mares, and
+you turn them suddenly into thoroughbreds.
+You have to make allowances
+for that, Mr. Cutter. The
+same stalls, the same railings, the
+same stable boys might not be able
+to do the job anymore.&rdquo;</p>
+
+<p>&ldquo;Yes,&rdquo; Cutter said, smiling without
+humor, &ldquo;but the <em>owner</em> has
+nothing to do with stalls and railings
+and stable boys, only in the
+sense that they are subsidiary. The
+owner is the owner, and if he has
+to make a few subsidiary changes,
+all right. But nothing really affects
+the owner, no matter whether
+you've got gentle mares or
+<a name="png.011" id="png.011" href="#png.011"><span class="ns">[</span><span
+ class="pgmark">46</span><span class="ns">]
+ </span></a>thoroughbreds.&rdquo;</p>
+
+<p>Bolen nodded, as though he had
+expected that exact answer. &ldquo;You
+are a very certain man, aren't you,
+Mr. Cutter?&rdquo;</p>
+
+<p>&ldquo;Would I be here, in this office,
+heading this company, if I weren't,
+Bolen?&rdquo;</p>
+
+<p>Bolen smiled.</p>
+
+<p>Cutter straightened in his chair.
+&ldquo;All right, do we go on? Do we
+shoot for the limit?&rdquo;</p>
+
+<p>Bolen chose his words carefully.
+&ldquo;I am interested in testing my Confidet,
+Mr. Cutter. This is the most
+important thing in the world to me.
+I don't recommend what you want
+to do. But, as long as you'll give
+me accurate reports on the effects
+of the Confidet, I'll go along with
+you. Providing you grant me one
+concession.&rdquo;</p>
+
+<p>Cutter frowned.</p>
+
+<p>&ldquo;I want our written contract
+dissolved.&rdquo;</p>
+
+<p>Cutter reddened faintly. Nobody
+ever demanded anything of him
+and got it easily, but his mind
+turned over rapidly, judging the
+increase in efficiency, the increase
+in profits. He would not necessarily
+have to stop with administrative
+personnel. There were other departments,
+too, that could stand a
+little sharpening. Finally he
+nodded, reluctantly. &ldquo;All right,
+Bolen.&rdquo;</p>
+
+<p>Bolen smiled and left quickly,
+and Cutter stared at his desk for a
+moment, tense. Then, he relaxed
+and the hard sternness of his face
+softened a bit. He put his finger
+on his desk calendar, and looked at
+a date Lucile had circled for him.
+He grinned, and picked up the telephone,
+and dialed.</p>
+
+<p>&ldquo;This is George H. Cutter,&rdquo; he
+said to the man who answered. &ldquo;My
+wife's birthday is next Saturday.
+Do you remember that antique desk
+I bought her last year? Good. Well,
+the truth is, she uses it all the time,
+so this year I'd like a good chair
+to match it. She's just using an occasional
+chair right now, and&nbsp;&hellip;&rdquo;</p>
+
+<p class="noindent tb"><br class="ns"
+ /><span class="drop">L</span><span class="uc">ike everything</span> he gave
+her, Mary liked his gift extremely
+well, and night after night,
+after the birthday, he came home
+to find her at the desk, using the
+chair, captaining her house and her
+servant staff. And the improvement
+was noticeable in her, almost from
+the first day. Within a month, he
+could detect a remarkable change,
+and for the first time, since they
+had been married, Mary gave a
+dinner for thirty people without
+crying just before it started.</p>
+
+<p>There were other changes.</p>
+
+<p>Quay brought in efficiency report
+after efficiency report, and by the
+end of three months, they had hit
+eighteen and seven-tenths percent
+increase. The administrative office
+was no longer the dull, listless place
+it had been; now it thrived and
+hummed like the shop below. Cutter
+could see the difference with
+his own eyes, and he could particularly
+see the differences in certain
+individuals.</p>
+
+<p>Brown and Kennedy showed remarkable
+improvement, but it was
+really Harry Linden who astonished
+Cutter. An individual check showed
+a sixty-percent increase by Linden,
+and there was a definite change in
+the man's looks. He walked differently,
+with a quick, virile step,
+and the look of his face and eyes
+had become strong and alive. He
+<a name="png.012" id="png.012" href="#png.012"><span class="ns">[</span><span
+ class="pgmark">47</span><span class="ns">]
+ </span></a>began appearing early in the morning,
+ahead of the starting hour, and
+working late, and the only time he
+missed any work hours, was one
+afternoon, during which, Lucile informed
+Cutter, he had appeared in
+court for his divorce trial.</p>
+
+<p>Within a month, Cutter had
+fired Stole and Lackter and Grant,
+as department heads, and replaced
+them with Brown, Kennedy, and
+Linden. He had formulated plans
+for installation of the Confidets in
+the drafting department and the
+supply department, and already the
+profits of increased efficiency were
+beginning to show in the records.
+Cutter was full of new enthusiasm
+and ambition, and there was only
+one thorn in the entire development.</p>
+
+<p>Quay had resigned.</p>
+
+<p>Cutter had been startled and
+extremely angry, but Quay had
+been unperturbed and stubborn.
+&ldquo;I've enjoyed working with you
+immensely, George, but my mind
+is made up. No hard feelings?&rdquo;</p>
+
+<p>Cutter had not even shaken his
+hand.</p>
+
+<p>It had bothered him for days,
+and he checked every industrial
+company in the area, to see where
+Quay had found a better position.
+He was highly surprised, when he
+learned, finally, that Quay had
+purchased a small boat and was
+earning his living by carrying fishermen
+out onto the Bay. Quay had
+also married, four days after his
+resignation, and Cutter pushed the
+entire thing out of his mind, checking
+it off to partial insanity.</p>
+
+<p>By February of the next year, he
+had promoted Harry Linden to
+Quay's old job, gotten rid of the
+deadwood that showed up so plainly
+on the individual checks, and the
+total efficiency average had reached
+thirty-three percent. His and Mary's
+anniversary was on the fourth of
+March, and when that day arrived,
+he was certain that he had reached
+that point where he could expand
+to another plant.</p>
+
+<p>He was about to order her a
+mink stole in celebration, but it was
+also that day that he was informed
+that she was suing him for divorce.
+He rushed home, furious, but she
+was gone. She had taken her clothes
+and jewelry and the second Cadillac.
+In fact, all that she had left
+of her personal possessions were the
+antique desk and chair. When the
+trial was over, months later, she
+had won enough support to take
+her to France, where, he learned,
+she purchased a chateau at Cannes.</p>
+
+<p>He tried to lose himself in his
+work, but for the first time in his
+life, he had begun to get faintly
+worried. It was only a sliver of
+worry, but it kept him from going
+on with the expansion. Stocks in
+the company had turned over at an
+amazingly rapid rate, and while it
+was still nothing more than intuition
+on his part, he began to tighten
+up, readying himself to meet
+anything.</p>
+
+<p>The explosion came in July.</p>
+
+<p>Drindor Products had picked up
+forty-nine percent of the stock on
+the market, by using secondary
+buyers. There had been a leak
+somewhere, Cutter realized, that
+had told his competitor, Drindor,
+the kind of profit he was making.
+He knew who it had been instantly,
+but before he could fire Harry
+Linden, all of his walls crashed
+down. Four months before, to put
+more <i lang="fr">esprit de corps</i> into Linden,
+<a name="png.013" id="png.013" href="#png.013"><span class="ns">[</span><span
+ class="pgmark">48</span><span class="ns">]
+ </span></a>he had allowed Linden eight shares
+of his own stock, intending to pick
+it up later from the market. Linden
+had coerced with Drindor. Cutter
+lost control.</p>
+
+<p>A board of directors was elected
+by Drindor, and Drindor assumed
+the presidency by proxy. Harry Linden
+took over Cutter's office, as
+Vice President In Charge.</p>
+
+<p>Cutter had wildly ordered Edward
+Bolen to remove the Confidets
+one week before, but even then he
+had known that it was too late, and
+the smiling, knowing look on
+Bolen's face had infuriated him to
+a screaming rage. Bolen remained
+undisturbed, and quietly carried
+the disks away. Cutter, when he
+left his office that final day, moved
+slowly, very slowly.</p>
+
+<p class="noindent tb"><br class="ns"
+ /><span class="drop">H</span><span class="uc">e brooded</span> for many long
+days after that, searching his
+mind for a way to counterattack.
+He still had enough stock to keep
+him comfortable if he lived another
+hundred years. But he no longer
+had the power, and he thirsted for
+that. He turned it around and
+around in his brain, trying to figure
+out how he could do it, and the one
+thing he finally knew, the one certain
+thing, was that if he used
+enough drive, enough strength, then
+he would regain control of the company
+he had built with his own
+hands and mind.</p>
+
+<p>He paced the library and the
+long living room and the dining
+room, and his eyes were lost, until
+he saw, through the doorway of the
+sewing room, that desk and that
+chair, and he remembered he
+hadn't done anything about that.</p>
+
+<p>He paused only briefly, because
+he had not lost an ounce of his
+ability to make a sudden decision,
+and then he removed that disk and
+carried it to the library and fitted it
+under the cushion of the large,
+worn, leather chair.</p>
+
+<p class="tb"><br class="ns" />By fall, he had done nothing to
+regain control, and he was less
+certain of how he should act than
+he had been months before. He
+kept driving by the plant and looking
+at it, but he did so carefully, so
+that no one would see him, and he
+was surprised to find that, above
+all, he didn't want to face Harry
+Linden. The memory of the man's
+firm look, the sharp, bold eyes,
+frightened him, and the knowledge
+of his fright crushed him inside. He
+wished desperately that Mary were
+back with him, and he even wrote
+her letters, pleading letters, but they
+came back, unopened.</p>
+
+<p>Finally he went to see Robert
+Quay, because Quay was the only
+man in his memory whom he somehow
+didn't fear talking to. He
+found Quay in a small cottage near
+the beach. There was a six-day old
+infant in a crib in the bedroom,
+and Quay's wife was a sparkling-eyed
+girl with a smile that made
+Cutter feel relatively at ease for the
+first time in weeks.</p>
+
+<p>She politely left them alone, and
+Cutter sat there, embarrassed faintly,
+but glad to be in Quay's home
+and presence. They talked of how
+it had been, when Quay was with
+the company, and finally Cutter
+pushed himself into asking about
+it:</p>
+
+<p>&ldquo;I've often wondered, Bob, why
+you left?&rdquo;</p>
+
+<p>Quay blushed slightly, then
+grinned. &ldquo;I might as well admit it.
+<a name="png.014" id="png.014" href="#png.014"><span class="ns">[</span><span
+ class="pgmark">49</span><span class="ns">]
+ </span></a>I got one of those things from
+Bolen, and had it installed in my
+own chair.&rdquo;</p>
+
+<p>Cutter thought about it, surprised.
+He cleared his throat. &ldquo;And
+then you quit?&rdquo;</p>
+
+<p>&ldquo;Sure,&rdquo; Quay said. &ldquo;All my life,
+I'd wanted to do just what I'm doing.
+But things just came easy to
+me, and the opportunities were always
+there, and I just never had
+the guts to pass anything by. Finally
+I did.&rdquo;</p>
+
+<p>Quay smiled at him, and Cutter
+shifted in his chair. &ldquo;The Confidet
+did that.&rdquo;</p>
+
+<p>Cutter nodded.</p>
+
+<p>It came to him suddenly, something
+he'd never suspected until
+that moment. There was something
+very definitely wrong with what had
+happened to him. The Confidet
+had affected<!-- Transcriber's note:
+ original reads "effected" --> everyone but him;
+there must have been something
+wrong with the one he had been
+using. It had worked with Mary,
+but hadn't Bolen said something
+about the energy being used in
+proportion to the demand? Mary
+had certainly created a demand.
+Bolen said the life of it was indefinite,
+but couldn't the energy
+have been used up?</p>
+
+<p>&ldquo;Ah,&rdquo; he said carefully, smiling,
+to Quay. &ldquo;You wouldn't have it
+around, would you? That Confidet
+of yours?&rdquo;</p>
+
+<p>&ldquo;Oh, hell, no,&rdquo; Quay said. &ldquo;I
+gave it to Bolen a long time ago.
+He came around for it, in fact.
+Said he had to keep track of all of
+them.&rdquo;</p>
+
+<p>Cutter left hurriedly, with Quay
+and his wife following him to his
+car. He drove straight to Bolen's
+house.</p>
+
+<p>Fury built inside of him. All this
+time, Bolen had kept track of his
+Confidet, the one that Mary had
+used, and all this time, he had
+known Cutter still had it. Cutter
+was furious over the realization that
+Bolen had been using him for experimentation,
+and also because the
+Confidet that he had tried to use
+had turned worthless.</p>
+
+<p>All his hatred, all his anger
+churned inside of him like the
+heat from shaken coals, but when
+he walked up the path to Bolen's
+small house, he did so quietly, with
+extreme care.</p>
+
+<p>When he saw Bolen's face in the
+doorway, he wanted to strike the
+man, but he kept his hands quietly
+at his sides; and though he hated
+himself for it, he even smiled a
+little at the man.</p>
+
+<p>&ldquo;Come in,&rdquo; Bolen smiled, and
+he spoke softly, and at the same
+time he examined Cutter with
+quick, penetrating eyes. &ldquo;Come in,
+Mr. Cutter.&rdquo;</p>
+
+<p>Cutter wanted to stand there and
+demand another Confidet, a good
+one, and not walk inside, politely,
+like he did. And he wished that his
+voice would come out, quickly, with
+the power and hate in it that he
+had once been capable of. But for
+some reason, he couldn't say a
+word.</p>
+
+<p>Bolen was extremely polite.
+&ldquo;You've been using that Confidet,
+haven't you?&rdquo; He spoke gently, almost
+as though he were speaking
+to a frightened child.</p>
+
+<p>&ldquo;Yes,&rdquo; Cutter managed to say.</p>
+
+<p>&ldquo;And what you expected to happen,
+didn't. That's what you want
+to tell me, isn't it?&rdquo;</p>
+
+<p>Cutter's insides quivered with
+rage, but he was able only to nod.</p>
+
+<p>&ldquo;Would you like to know why?&rdquo;
+<a name="png.015" id="png.015" href="#png.015"><span class="ns">[</span><span
+ class="pgmark">50</span><span class="ns">]
+ </span></a>Bolen said.</p>
+
+<p>Cutter rubbed his damp palms
+over his knees. He nodded.</p>
+
+<p>Bolen smiled, his eyes sparkling.
+&ldquo;Very simple really. It wasn't the
+fault of the Confidet so much, Mr.
+Cutter, as you. You see, you are a
+rare exception. What you are, or
+possibly I should say, what you
+were, was a complete super ego.
+There are very few of those, Mr.
+Cutter, in this world, but you happened
+to be one of them. A really
+absolute, complete super ego, and
+the Confidet's effect was simply the
+reverse of what it would have been
+with anyone else.&rdquo; Bolen shook his
+head, sympathetically, but he didn't
+stop smiling, and his eyes didn't
+stop their infuriating exploration
+of Cutter's face and eyes and hands.
+&ldquo;It's really a shame, because I was
+almost certain you were a super
+ego, Mr. Cutter. And when you
+didn't return that last Confidet, I
+somehow felt that you might use
+it, after all that nasty business at
+the company and all.</p>
+
+<p>&ldquo;But while I was fairly certain of
+the effects, Mr. Cutter, I wasn't
+absolutely <em>sure</em>, you see, and so like
+the rest of the experiments, I had
+to forget my conscience. I'm really
+very sorry.&rdquo;</p>
+
+<p>The anger was a wild thing inside
+Cutter now, and it made his
+hands tremble and sweat, and his
+mouth quiver, and he hated the
+man in front of him, the man who
+was responsible for what had happened
+to him, the smiling man with
+the soft voice and exploring eyes.
+But he didn't say anything, not a
+word. He didn't show his anger or
+his frustration or his resentment. He
+didn't indicate to Bolen a particle
+of his inner wildness.</p>
+
+<p>He didn't have the nerve.</p>
+
+</div>
+
+<hr class="pg" />
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Confidence Game, by James McKimmey
+
+*** END OF THIS PROJECT GUTENBERG EBOOK CONFIDENCE GAME ***
+
+***** This file should be named 32243-h.htm or 32243-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/3/2/2/4/32243/
+
+Produced by Greg Weeks, David Wilson and the Online
+Distributed Proofreading Team at https://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
diff --git a/32243-h/images/cover.jpg b/32243-h/images/cover.jpg
new file mode 100644
index 0000000..ac0be0c
--- /dev/null
+++ b/32243-h/images/cover.jpg
Binary files differ
diff --git a/32243-h/images/illo-036.png b/32243-h/images/illo-036.png
new file mode 100644
index 0000000..81e6137
--- /dev/null
+++ b/32243-h/images/illo-036.png
Binary files differ
diff --git a/32243-h/images/illo-037.png b/32243-h/images/illo-037.png
new file mode 100644
index 0000000..d65cc7c
--- /dev/null
+++ b/32243-h/images/illo-037.png
Binary files differ