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diff --git a/32075.txt b/32075.txt new file mode 100644 index 0000000..3670ef5 --- /dev/null +++ b/32075.txt @@ -0,0 +1,10387 @@ +The Project Gutenberg EBook of The Galaxy, June 1877, by Various + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Galaxy, June 1877 + Vol. XXIII.--June, 1877.--No. 6. + +Author: Various + +Release Date: April 21, 2010 [EBook #32075] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THE GALAXY, JUNE 1877 *** + + + + +Produced by Barbara Tozier, Bill Tozier and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + +THE GALAXY. + + +VOL. XXIII.--JUNE, 1877.--No. 6. + + + +SPRING LONGING. + +What art thou doing here, O Imagination? Go away, I entreat thee by the +gods, as thou didst come, for I want thee not. But thou art come +according to thy old fashion. I am not angry with thee--only go +away.--_Marcus Antoninus._ + + Lilac hazes veil the skies. + Languid sighs + Breathes the mild, caressing air. + Pink as coral's branching sprays, + Orchard ways + With the blossomed peach are fair. + + Sunshine, cordial as a kiss, + Poureth bliss + In this craving soul of mine, + And my heart her flower-cup + Lifteth up, + Thirsting for the draught divine. + + Swift the liquid golden flame + Through my frame + Sets my throbbing veins afire. + Bright, alluring dreams arise, + Brim mine eyes + With the tears of strong desire. + + All familiar scenes anear + Disappear-- + Homestead, orchard, field, and wold. + Moorish spires and turrets fair + Cleave the air, + Arabesqued on skies of gold. + + Lo, my spirit, this May morn, + Outward borne, + Over seas hath taken wing: + Where the mediaeval town, + Like a crown, + Wears the garland of the Spring. + + Light and sound and odors sweet + Fill the street; + Gypsy girls are selling flowers. + Lean hidalgos turn aside, + Amorous-eyed, + 'Neath the grim cathedral towers. + + Oh, to be in Spain to-day, + Where the May + Recks no whit of good or evil, + Love and only love breathes she! + Oh, to be + 'Midst the olive-rows of Seville! + + Or on such a day to glide + With the tide + Of the berylline lagoon, + Through the streets that mirror heaven, + Crystal paven, + In the warm Venetian noon. + + At the prow the gondolier + May not hear, + May not see our furtive kiss; + But he lends with cadenced strain + The refrain + To our ripe and silent bliss. + + Golden shadows, silver light, + Burnish bright + Air and water, domes and skies; + As in some ambrosial dream, + On the stream + Floats our bark in magic wise. + + Oh, to float day long just so! + Naught to know + Of the trouble, toil, and fret! + This is love, and this is May: + Yesterday + And to-morrow to forget! + + Whither hast thou, Fancy free, + Guided me, + Wild Bohemian sister dear? + All thy gypsy soul is stirred + Since yon bird + Warbled that the Spring was here. + + Tempt no more! I may not follow, + Like the swallow, + Gayly on the track of Spring. + Bounden by an iron fate, + I must wait, + Dream and wonder, yearn and sing. + +EMMA LAZARUS. + + +Entered, according to Act of Congress, in the year 1877, by SHELDON & +CO. in the office of Librarian of Congress, at Washington. + + + + +A PROGRESSIVE BABY. + + +LETTER III. + +18 STANFIELD GARDENS, } +SOUTH KENSINGTON, } +May 28, 1875. } + + * * * * * + +And there you have us down to date, my Susie. The sunshine and the +crisp breezes, the innocent early teas with cresses and prawns, the +grand long nights full of sleep, have put us all right with the world +again; but after all Brighton's only a bit of West End moved off down +by the sea, and if one must live in London at all, why, it's at its +best for three or four weeks to come. And we're to get off early to +Switzerland this year, for fear that it mayn't be so easy next summer. +For Ronayne's father is clearing away to make him stand for that dreary +territory of hovels and bogs in which the paternal mansion is situate. +Fancy Ronayne an M.P.! And an Irish M.P.! I fight against it--under +cover. The dream of my heart is an _appartement avec tenasse_ in Paris, +and in summer to turn vagrants and tramps as now. It's so unlucky +Ronayne should have been the eldest son: duty, respectability, and the +proprieties have such a much stronger gripe upon him, and we're born +vagabonds, both. + +But, what must be, must. Meanwhile I console myself with my +window-gardening. And you should see the house-front!--the balcony that +will be a perfect bower presently. My window-boxes, the gayest mosaics of +color, and the vestibule lined with callas, acacias, and heath--against a +background of ferns and ivy. We were never so magnificent before, and it +was Ronayne's surprise for me when we came back from the sea--he having +given our florist _carte-blanche_; whereas I, bearing a conscience, have +bargained with him always, and carefully counted my pots. + +Mrs. Malise's disciplinary Johanna brought her charge for a little +visit to my nursery yesterday. And my heart aches so for that baby! +He's a great child, well made, and with his mother's wonderful +eyes--but so heavy, listless--"Meek as a work'us' child brought up on +skilly," Ronayne renders it--and though he's perfectly clean now, and +comfortably clad, nobody would dream he was a young mother's first +baby, so ornamentless and sombre-hued are his little garments. + +Nurse brings back indignant accounts of the way he's left to amuse +himself, or cry his fill, when out for an airing in Kensington Gardens. +"Hours, ma'am, she keep that poor thing a-frettin' or a-sleepin' in his +perambulator, the east wind a-cuttin' about him as draughty as +draughty, while she sits on a bench a-makin' her foolish lace or +talkin' to some of them German bandmen. He never gets taken out, nor +played with, nor has any playthings. It's just cruelty to +animals--that's what it is!" finishes my nursery dragon, who is as +soft-hearted as she is grim of exterior and grammatically independent +in speech. + +Mrs. Malise has been absent at suffrage meetings in Scotland and +Ireland for a month past, Miss Hedges told me when dining here just +after our return. Mrs. Stainton, the porcelain widow, was invited also, +and a curious and wonderfully interesting person we find her: the +daintiest small creature--complexion like an ivory painting, deep-set, +seeress eyes, and looking fairly spirit-like for fragility, in her long +black dress and white lace shawl. Nothing could well be more piquant +than to hear this filmy little thing, in a voice that would have fitted +Queen Mab, recount her experiences in the most widely separated circles +of life and thought, or quietly give utterance to quaint, audacious +speculations, as to mysteries that perplex so many of us concerning +this existence and the eternity it preludes. "If there be a hereafter!" +I heard some one answer to a remark of hers. "Ah, that was never a +doubt to me save for a very brief space," she replied. "I am like the +Cure de Ars--'I know some one who would be finely taken in if there +were no Paradise!'" Her exquisiteness of look, the fascinating talk, +the soft, helpless manner are so appealing that one is disposed to +treat her as some wandered denizen of the air and skies, though she +hangs effortless, her whole weight upon one, and there is scarce a +limit to her fine-lady and delicate-organization requirements. + +The daughter of a Low Church dean, she became, in her husband's time, +first broad church, then rationalist; after his death, because of +extraordinary, extra natural occurrences that befell her, a +spiritualist, and now she seems to be turning toward Catholicism, +though Miss Hedges, who is a Catholic, shakes her head, and says she +always feels very hopeless of people essentially given to all manner of +vague interpretations, fanciful twistings of simple doctrine, and +aesthetic sentimental mysticism. + +"Obedience is in the order of existence," says the little lady. "I long +for authority; I long for a voice I shall not question, to whose +decision I can submit all the questions that torture me." + +"I tried to stay my soul with ritualism," she said, talking to Miss H. +and myself when we were alone after dinner, "and at first I thought I +was going to get some comfort out of it. I made my father furious by +entering one of Miss ----'s famous sisterhoods. But it wouldn't do. +Ritualism of course was not more illogical then than now, but the +actors weren't as well up in their parts, and how queer some of our +performances at ---- were! I remember a retreat I made there, in which +I was put into a cell bare of everything save a table and chair, and a +Testament upon the table, and there I was left alone the whole day, +seeing no creature save a Sister who, speechless, thrust my dinner and +tea in at me! You may imagine the imbecile condition in which night +found me. + +"And as a punishment for some fault I was ordered to go to communion +for four months without going to confession! Miss ----, our Reverend +Mother, behaved exactly as if she had taken her notions of the external +character and dignities of her office from some swelling, stern, ridiculous +Lady Abbess in a no-popery novel! We undertook everything--teaching, +the care of hospitals, training of servants, district work, Magdalen +houses, and to these active employments we joined the contemplative, +strictly cloistered life! We had no special training for either one of +our labors; we had no completed constitutions or rule, and one was +liable, at any moment, to be whisked from one's quiet cell and sent +alone at night, across the kingdom, to some duty for which one was no +more fitted than a baby or a savage. + +"I was set, in the beginning, to clean lamps, and black-lead the +grates, but failed in this business so completely that I was given a +district in East London to afflict with visitations and instructions. +Trying one day to convey some idea of the Real Presence to a voluble +old woman who was one of the sisterhood's most devoted _protegees_, I +said, 'Then, Sally, since you know _who_ is in the church, I hope you +never go in or out without showing proper respect.' 'Oh, yessum, +yessum!' she assured me. 'Indeed, 'm, I allays bobs to the eagle!' (the +brass eagle of the lectern!). With all Sally's bobbings to the eagle +and to us sisters, she was a dreadful old harpy, and made me think +always of two old women my father overheard talking one day at +Cirencester. There is a fund there which was long ago bequeathed by +some pious person for the furnishing small stipends to such aged poor +people as should daily devoutly hear mass. Of course since the revenues +have lapsed into Anglican hands this sum is used now for those who +attend the early service. And this was what my father heard: + +"First old crone, _loquitur_: 'These be hard times, Betty. How d'ye +think of getting a livelihood this winter?' + +"Second old crone: 'They _be_ hard, for shore, Anne, and I'm a-thinking +of taking to yorly priors (early prayers) for a quarter!' + +"One of my droll, dreadful district visitor experiences I shall never +forget. In the process of my visitations I stumbled, one day, into the +room of a woman very haggard and very yellow, but as the woman was +dressed and moving actively about, I had no idea of her having any +special ailment, save dirt. But as soon as she knew who I was, a +visiting Sister, she began to tell me how ill she was--ill of a disease +that not another person in the whole kingdom had--the doctor said +so--spotted leprosy. And how physicians came constantly to see her, and +brought, each one, other physicians--how, in short of a horrible long, +she was a sort of gruesome doctor's pet! + +"The woman's husband--for she was married, had eleven children, and +another baby coming soon--was working away at a cobbler's bench in the +room's only window, and she constantly appealed to him: 'Dr. So-and-So +said there wasn't another case like mine in this country, didn't he, +Jim? And he didn't see how it was it hadn't killed me off long ago--you +remember, Jim? And that young Scotch doctor that was so astonished to +see what a family I had--you haven't forgotten him, have you, Jim?' And +the man corroborated all her statements with a pride in having a wife +so uniquely afflicted impossible to describe! Then she insisted I must +see and dress the awful sores that made her shoulders and one breast a +great wound, telling me, as I half fainted over the task, that I didn't +do it half so well as any of the doctors, and begging me, when I had +finished, to stop long enough for her to give me a cup of tea in that +place, insufferable at best with the dirty cobbler and five or six of +the wretched babies, but become, after my _mauvais quart d'heure_ with +the terrible woman, a chamber of horrors in which to delay one further +instant would, I felt, make me daft, or shudderingly sea-sick, for +life! + +"I stopped a year and a half in the sisterhood, trying, as I said, to make it +do; but either I'm too logical, or have too keen a sense of the ridiculous, +for the farce of our active-uncloistered-severely-contemplative-enclosed +life, a religious order without a constitution, frowned on by all the +bishops, carrying on its dearest devotional practices in hiding from +all proper ecclesiastical authority, became intolerable to me; and +when, one fine day, there came from 'Reverend Mother' an order to go +and nurse a man ill with typhus--an agricultural laborer living alone +in his cottage--and to my remonstrances that I knew nothing of the +disease, my plea for a companion less ignorant or at least clear +instructions for my own guidance, no answer was vouchsafed save an +oracular assurance that if I did my part of obedience, light would be +given me, I revolted, sent a contumacious message that though I +believed the age of miracles by no means past, I had never seen any +wrought in our order, and could not risk the poor man's life upon so +vague a prospect, and presently bid farewell to my Anglican convent and +to ritualism. Several Sisters have returned to the world since, and +four of these have gone over to Rome. Two of these have married. One, +whom I loved most dearly, is a Poor Clare in Ireland, and the other has +used her fortune to open a creche, where she works harder than any of +her nurses, and carries, I should say, the lightest heart in London. + +"I have no doubt there is more system, more decorum--I use the word in +its literal sense--in the Anglican sisterhoods now. I'm quite amazed +sometimes at the closeness of the imitation of the real thing when I go +to Margaret street, or to St. Alban's--the altars, the lights, the +confessionals, the stations, the black-cassocked figures gliding about, +removing their berettas and dropping on one knee as they pass the +altar--all the furniture; but a dreadful feeling of emptiness--as if the +house's owner had moved away! Do you ever look at the pictures and the +titles of books in the windows of the High Church bookshops? What would +have been thought of them five years ago even? And at ----'s in Oxford +street, a High Church friend tells me, they have a room into which you +may be ushered by inquiring for the 'Penitential Department,' if the card +bearing the name of a clerical voucher, which you must present, be +satisfactory, and where you may purchase disciplines--nail-studded +armlets, waist-belts--perhaps hair shirts, though I don't remember that +they figured in my friend's list. + +"And, two years ago, I think it was, I witnessed a little scene that +was as extraordinary as it was absurd. I was coming up from Cromer, and +our train had halted for the usual time in the station at Norwich. It's +a large station, trains constantly rolling in and out, and crowds of +passengers, guards, porters flying about. While we waited, above the +din suddenly was heard a singular and regular thud! thud! coming down +the platform. Thud! thud! on it came, and the noise, and the queer, +sudden hush of most of the other racket made us all look eagerly out to +see what it could be. _It_ was a progression--a procession--a man in +soutane, barefooted, I believe, preceded by some sort of a servitor +carrying a monstrous book--breviary, 'Livre des Heures'--I know not +what, and a tall wooden crosier, whose foot it was that made the thud! +thud! At a little distance behind the man in the soutane, whom I +recognized directly as Mr. Lyne--the famous Father Ignatius, a self +constituted Benedictine Abbot--followed two Anglican Sisters. The +servitor and Father Ignatius betook themselves into a first-class +carriage, the Sisters remaining outside, and presently the crosier head +was thrust out of the window, and Father Ignatius appeared behind it +with hand outstretched to bless the Sisters, who knelt devoutly on the +platform to receive the benediction. Up to this point everybody had +behaved with wonderful restraint; but the last stroke was too much, and +it was amid a perfect scream of laughter from passengers, officials, +cabmen, and _gamins_, that the train steamed out of the station, +bearing the Benedictine Abbot away, but surely not leaving the lambs of +the flock comfortless." + +And so she goes on for as long as you like. She has been everywhere. +She has known quantities of out-of-the-way people. She is ready at +every turn with a fresh story, an apposite bit of experience, and darts +in an instant from the perfect mimicry of a popular vicar we know, who +preaches in lavender kids, and leaving his cure of souls for a month's +holiday, pathetically from the pulpit entreats our Lord to look after +his charge until its proper shepherd returns, to some speculation +concerning personal accountability, an annunciation of the +reasonableness of purgatory, and wondering as to its various forms of +discipline for individual souls, or to dwell on minute phases of the +preservation of identity, distinctive and original character after +death, etc., and manifests altogether such an at-homeness with the +unseen world that, listening to her, I half expect phantom eyes will +look into mine if I glance back over either shoulder, bodiless +somethings start forward from dusky corners, the very sweep of my own +drawing-room curtains gets eerie, a what-not or a tabouret becomes a +tripod, my unsubstantial small guest is a priestess--and I'm glad when +Ronayne's voice breaks in, "All in the dark, the fire at its last coal, +no tea or coffee. Mrs. Stainton, you're a syren!" + +Her own little sitting-room in the associate house is as heterogeneous +as herself--the room lined with soft comforts, the air heavy with the +fragrance of a profusion of flowers, the room's mistress nearly lost in +the capaciousness of a most luxurious lounging chair, her table piled +with ascetic literature; and in this chamber I encountered the other +day the very oddest of all the peculiar people to whom my friendship +for "little Malaise" has introduced me--a Miss Beauclerc, a short, +stout, dark, coarse-skinned woman of fifty odd, hair cropped close, and +an obstinate, honest, horse face. + +She was exhibiting her own "spirit drawings"--mad scaramouches, things +like designs for eastern embroidery, accurate representations of +various portions of the kingdom of heaven, she assured me, and a +quantity of utterly purposeless collections of strokes and dots, to +which she gave names that would have been blasphemous in any but a +lunatic's mouth. How she explained them! How fondly she looked at them! +and what anguish she told me she endured lest they should be injured, +or perish in some unworthy way. This woman believes herself to be the +spirit bride of ----! Can you fancy it? one of the most fervent, +poetic, spiritual, gifted of all Anglican divines. She says that since +his death he has been constantly near her. She sees him often, leads +the life he prescribes, making and shunning acquaintances at his +direction, going from place to place, crossing the ocean twice even at +his pleasure. Finally she showed a photograph--the faithfulest possible +presentment of her own unideal face and person, with, floating above, +arms extended in protecting angel guise, a mistily outlined, veiled +figure surmounted by the refined, beautiful face known to everybody in +the later editions of his poems, and in the windows of church +bookshops--the poor clergyman who is allowed to rest neither in his +grave nor in any unknown country beyond. It is hard for him, hard for +Mrs. ----, were she to hear of this post-mortem masquerading and +"affinity," hard for the deluded woman who wanders about the world +alone with her crazy fancies, repudiated by her kindred, and plundered +by the brigandish among her co-believers. + +Here, too, I met again the tall, thin young lady, heroine of the device +for frightening small bores--the Plymouth Sister's daughter. We talked +of a good many things, but chiefly of marriage, and the position of +unmarried women in England. The girl was as simply frank as a child. +Matrimony, and matrimony alone, offered any career to women in England. +And upon Mrs. Stainton's saying that despite her own perfect +marriage--a marriage for love, and the union so entire that there +lurked no shadowy region in her soul of which she could not make her +husband as free as herself to enter--yet all that she had seen of life +made her feel sure that, beyond a few rare exceptions, it mattered not, +ten years after marriage, whether the match had been for love solely, +or arranged, or a _mariage de convenance_, the girl assented; somewhat +bitterly remarked that ideals were very well for a heroic life, but +terrible drawbacks in the world of to-day, and that any woman would do +better for herself to accept any reasonably suitable offer than to +cling to an impossible dream, or insist upon a great amount of +sentiment. "It ought to be enough," said this girl of the period, "for +a woman to be able to decently respect a man who has the means of +placing her in such conditions as she thinks will suit her. And men do +very well without sentiment. They have their professions, their +business, their friends, their clubs. It is quite enough for them if +their wives are fairly good housekeepers and mothers, presentable at +head of their tables, pleasant hostesses in their drawing-rooms. It +sounds very mean, but what is a girl to do? We may be most of us clever +enough and tolerably well educated, but there are not among us many +brilliant geniuses who can find all comfort and happiness in a life +devoted, wholly to art or literature. What is one of the mediocre mass +to do? It's not genteel to do this, it's unfeminine to do that; one +can't stir in any direction that would have in it some spirit, some +earnest, something worth while. + +"You can always do good, they tell us. I dare say; so can men; but how +many among them would like to be recommended, as life occupation, to go +making impertinent raids into poor people's houses to tell them they're +untidy, when a family has but one room to live in, and there's but one +water tap in the court, and two or three flights of stairs over which +to carry every drop; or that they're ill-smelling, and will have fever, +when an open drain and the dust bin are lodged just under the window, +and somebody's great high wall cuts off every ray of sunshine; or that +they don't know how to manage because they fare ill, when a half dozen +people must keep life in them and some covering on them on fifteen +shillings a week? Oh, I'm sick of it all! Look at mamma! She _lives_ in +jails, up alleys, in soup kitchens and dispensaries, and we girls cut +out and make up flannels, and knew about relief tickets before we could +speak, and it's all just pouring water into a sieve! Mamma's always +in agonies about some _protegee_ she's placed somewhere, who has +absconded with the family plate and wardrobe. Her people are always +getting drunk, fighting, or cheating her in some monstrous way. Her +nicest girls run off with a strolling theatre company, or to dance in +the ballet. There's no end to her miseries, and the people she spends +her whole time, strength, and all the money she can spare and beg upon +are not really much better off in the end. But even if they were? Mamma +is mamma, and I am myself, and we're differing stars. No, I stick to my +text. To be only a commonly contented married woman, with the shelter +and freedom of a wife's position, with a house to keep, children and +servants to look after, and with a certain amount of social influence, +is better than to subside into a grim or fidgetty old maid in lodgings, +with a dog and three-volume novels to get through the days and years +with; to be snubbed and sneered at by men; to have, when one's hair is +white as time can make it, the privilege of walking meekly out to +dinner behind one's grand niece, a silly chit of eighteen, married a +twelvemonth--and nobody to care whether one lives or dies, unless +perhaps a Bath chair man. + +"Matrimony's the only career for women in England, but we ought to be +trained for it on Gradgrind principles. As it is, we're far too +aesthetic and sentimental for the mates we must have--if any. Poetry and +the stories of fine, gracious, self-sacrificing lives ought to be +suppressed; they're ruinous reading for this nineteenth century." And +so on and on. + +"There's reason for that poor girl's bitterness," said Mrs. Stainton +when we were again alone. "A dozen years ago, in her first and second +seasons out, a more charming creature it would have been hard to +find--ingenuous, sunny tempered, a dashing, sparkling blonde beauty, +full of Irish quickness and fun, and a favorite wherever she went. +Unluckily she met Ward Cotterell--now one of the editors of 'The +Phare'--then a radiant, double first, handsome, chivalric, but as poor +and debt-laden as he was clever, and the pair fell desperately in love. +Mrs. Dixon wouldn't let them call themselves engaged. She had crippled +her own fortune, and Kate had sacrificed a great part of her own +portion, to clear a spendthrift eldest son and brother of his +difficulties, and start him afresh in Ceylon, so that aid on their part +was impossible, and Cotterell, after a year or so's trying vainly in +this and that direction, for an income, gave up the struggle, married +an heiress, who paid his debts, brought him L40,000 then, and has +inherited since L60,000, and within six months after his marriage had +his place on the 'Phare' offered him, with a salary of L1,200 a year. +'What would I not have given a year ago for any sort of hard work that +would have made me sure of L500 a year?' he said to some friend who +knew the little story. + +"Poor Kate kept up pretty well. 'What else _could_ he do?' she always +says. 'He had no income, and mine would have barely given us shelter.' +But she refused offer after offer for years. Now, when she finds +admiration less freely forthcoming, and is utterly weary of everything +she has tried, or believes is in store for her, I dare say she fancies +she regrets the lost chances, but she's too genuine to make a _mariage +de convenance_, let her talk as cynically as she will. + +"As for Cotterell, he hasn't a money anxiety in the world, and is +reckoned one of the most brilliant leader writers in London; but his +wife is the most commonplace woman alive--no more a companion to him +than a housemaid would be; and Cotterell's not one of the clever men +who like women to be pillows, and pillows only. He has given up +society, save that of men, almost entirely; lives in his study and his +room in the 'Phare' building, and his talk, when one meets him, is a +mixture of fatalism and wormwood, depressing to the last degree. No +hero he, and yet his fate has plenty of compensations that Kate's +lacks--power, work, and two or three children that have inherited his +wit as well as his handsome looks. + +"Oh, what a world it is!--a world of infinite pettinesses. I'm +dreadfully poor and cowardly myself, but I've always had the greatest +reverence for the gift of immortality, and I used to think if I could +have chosen, I would have been born and then have died directly. But +now that I believe unbaptized babies and people whose goodness, however +perfect, is only natural, will have, in another existence, but natural +beatitude, and as such a state wouldn't at all satisfy me for an +eternity, I should have to tarry long enough to be baptized, and after +that one can't wish to run away directly from the foes one has just +promised to war against. A soul _not_ such a responsibility, and is +always thrusting in to complicate and confuse matters! + +"But, do you know, I think so often what an admirable, harmonious, +earthly preface to eternal bliss in the natural order would Anglicanism +be--Anglicanism of the moderate type, a little quickened with the +evangelical element, but neither high nor low. The life, as I remember +it in the close at ----, was so pleasant, so decorous, so amiable, so +full of good, comfortable, luxurious things, so ladylike and +gentlemanly, so reputable. One kept the commandments mainly; one was +never anything but high-bred and high-toned; one did one's duty +too--taught a little in the schools; looked after the rheumatic old +bodies in cottages delightfully picturesque to sketch, but dark and +damp as graves to live in; handed buns and tea at the school treats; +one wasn't always thinking about delicate matters of conscience, about +renunciation, self-abnegation, and what it must mean to be a soldier +under a captain who neither lived delicately, nor slept softly, nor was +used to stately shelter--a crucified head whose arms are the +instruments of the Passion--and how well off one's body was!" + +And I've been--no, I've been bidden to the Dialectical Society. You +don't know what that is, my barbaric New Zealander? And I didn't know +either when Mr. Malise sent me tickets for one evening, specially +urging my attendance, as there would be something well worth hearing--a +paper on "Celibacy" read by its author, a gifted young girl of only +twenty-two! + +I took my tickets to my liege. "Ronayne, fount of wisdom and light, +whatever may the Dialectical Society be?" + +"The Dialectical Society, madam, is a body of men and women who meet to +rake up, turn over, and discuss to all their verges subjects which the +weaker mass of mortals think upon only on compulsion, with fear and +trembling, and in mental sackcloth and ashes. And pray, what have you +to do with Dialecticals, Eve? We are _not_ going there, if that's what +those tickets mean!" + +"Oh, Adam! And why not? Because I'm, unluckily, married, am I to stop +trying to improve myself, and not care to know what grand heights +happier, unhampered women are scaling? And, Adam, only see, here's to +be a paper read by a young lady only twenty-two, Mr. Malise says, and +there couldn't be anything so very dreadful to hear in the little +composition of an innocent young creature like that!" + +"'Subject, Celibacy, by Eliza Stella Greatheart, M.D.,'" read Ronayne. +"Humph! charming young creature! Well, madam Lil, you'll have to +imagine what the medical young lady will say on the state she's proved +to such ripeness of years, for you're not likely to hear, and Mr. +Malise has wasted his tickets. And as if you cared what anybody could +say about single blessedness--a woman with an angel in the nursery +crib, and a husband who breathes but to serve her! Go away this +minute!" And I left monseigneur to his _moutons_, a little huffed, no +doubt, at being interrupted in the fine middle of a working +morning--always "The Growth of Language"; and you should see the pile +of MSS. I used to copy for him, but lately it has taken so much time to +sketch my baby! Every new attitude is prettier than the last, and every +day adds a charm. You need not laugh; I never had a baby before. Just +wait until you know for yourself! I've painted the darling twice, once +for Ronayne's father, though a little against the grain, for the old +gentleman thinks it dreadfully _infra dig._ that I, a lady born, and I +most especially a lady wed, should ever have been publicly catalogued +as an artist in exhibition lists and newspaper notices, and have sold +the labor of my hands, eyes, and brain in the marketplace. What would +happen if he caught sudden sight of a memento that always goes with me +in one of my boxes--a little tin sign, my first one; and how proud I +was of it! + +FRAULEIN LILIAN MACFARLANE. + + +I don't like, for the family's sake, to imagine. When Ronayne gave him +the picture on his birthday, our joint offering, my work set in the +loveliest frame Ronayne could find, he couldn't help being pleased, and +he couldn't help knowing it was baby's very self; but if the picture +had been the work of a paid artist, I know he would have been +wonderfully soothed. The picture was on exhibition for some days in the +morning room, and being one day in the conservatory with Ronayne, I +heard his father expatiating upon the striking likeness that had been +happily caught, to a lady visitor. Presently I heard her read the +signature, "Lil. De Vere, del., 1873." "Why, it is your +daughter-in-law's work! How charming for a mother to be able to paint +such an admirable portrait of her child. That must double the picture's +value to you!" + +And the _beau pere_ hemmed and hawed, and made the general inarticulate +noises of an Englishman embarrassed, or wishful to make an impressive +speech, and finally got out: + +"Aw, yes, yes--of course! A nice and amateur talent has Mrs. De Vere." + +"Nice amateur talent!" I was fit to fly at him, and only the +brutal--yes, the brutal--grasp of my husband kept me from rushing into +the room and proclaiming "Mrs. De Vere's" antecedents--her artistic +career sketched in a few bold touches. + +The world would have ended then and there. But how delightful to have +seen, first, his looks of blank horror at the idea of a daughter-in-law +who had been used to rough it, and to make her little money go a +fabulously long way. + +"This is the daughter of Prof. Macfarlane!" he introduces me proudly +sometimes. I wonder if he thinks a poor scientific man like papa could +send all his young ravens about first-class, or keep a maid and a +governess with one in various continental cities where she chose, as an +eccentric whim, to abide and study art? What would he have said to my +gloves in those earlier days when I earned nothing, and most of my +allowance, beyond board and lodging, went for paints, and four pairs of +dark, carefully chosen gloves had to go through the year? What to my +lodgings at the tailor's--a poor cobbler-tailor, in Dresden? What to my +lunches of _Wurst_ beer and black bread? What to the concerts, where, +in smoke and a three-penny seat, I heard music as good as plenty which +costs me ten shillings to a guinea in London? What to all the +cheek-by-jowl encounters with the peasants in our cheap, rapturously +happy sketching tours? Bah! the poor Irishman! As if he could guess +anything about it! Why should I think twice of his "amateur talent" and +other little pin-pricks when the stiff, starved man never had, in his +whole life, one such happy day of honest work, utter freedom, and +simplest, blissfullest pleasures as have been mine by scores? Be easy, +Ronayne. Not for the Bohemian daughter-in-law shall apoplexy smite the +sovereign of Castle _Starched-stiff-O_!--which sacrilegious parody +shall be my only revenge. + +And if I portray my baby in every week of her life, her father turns +her to account no less. She is beginning to chatter like a wren, and +Ronayne has a notebook devoted to her earliest attempts at speech--the +sounds, as she is progressively able to make them--the easily-conquered +ones, the impregnable rock-fortresses, the turns, substituted letters. +Sometimes I get quite furious over this anatomical process. My darling +says something with the dearest, sweetest, small voice: + +"Oh, Ronayne!" I cry. "Did you hear? Three words together--'Pease, +papa, tugar!'" And I smother her in ecstasy. + +"Yes, love," says Ronayne. "And do you notice how she can manage s +before a, and not before u? This morning I shook her, and nurse asked +her, 'What does papa do?' 'S-ake a baby,' she answered--but she never +says sugar. And there's the same----" + +"Oh, you vivisecter," I broke in; "I'll have you to know, sir, that +_my_ baby's pretty lispings are not to be treated like the rudimental +language of a philologist's offspring! Put up that abominable book this +instant! Did a cruel father, my lammie, spear his own child with a +wicked pin, and stick her up in a case?" + +I _am_ a happy woman, Susie. Too happy; I'm frightened at it. You, may +be, don't see where this comes in. If you don't, never mind. My heart +_does_ run over nowadays for all sorts of reasons, and no-reasons. + + * * * * * + +Later on Ronayne told me, apropos of the Dialectical, that his +objection was like the Frenchman's to the fox-hunt--"he'd been," if you +please--went with Dr. Thunder and the Truth-Seeker just before our trip +to Brighton. Then the subject under discussion was marriage, and Lady +----'s son read the paper--a long argument against monogamic marriage: +In the light of experience and human reason it was monstrous to make +the promises required at the altar; monogamic marriage fettered man, +made his best capabilities impossible, made women hypocrites and +slaves, made love commercial, was physiologically a cruelty and a +mistake, and so on, and so on. "You don't love Lady ----'s son. You +would love him less had you heard the things he found it possible to +say before the fifty or sixty ladies who found it possible to listen to +him, and to take some active part in the discussion that succeeded. + +"They called loudly upon Dr. Thunder to speak; but he refused to rise, +preferring, I suppose, to hear how well his disciples could acquit +themselves; for he is the author of a work upon physiology which is +nick-named the 'Social Science Bible'--a book I believe to be one of +the most mischievous that has appeared within recent years--materialistic +to the last degree, degrading man, disorganizing society. + +"Over a glass of wine afterward, Mr. Feldwick--I beg your pardon, the +Truth-Seeker--told me a pleasant little history of Lady ----'s son. He +says the man had, as a child and youth, a thoroughly good nature, +frank, placable, extraordinarily loving and generous, and that then he +bade fair to achieve great things as a naturalist. + +"But Lady ----, who had had a hard experience of matrimony, with a +husband whose only merit was his early death, lost, when this son was +sixteen, her only other child, a boy of twelve--not an imbecile, but a +slow, feeble-minded, gentle, and very beautiful child to whom mother +and brother were passionately devoted. + +"Lady ---- was nearly frantic at this loss: would see no one; retired +for a year or so to a desolate Scotch place they have, and then +suddenly went abroad. There she flew restlessly from Algeria to St. +Petersburg and Norway for awhile, seen everywhere, but nowhere long; +then followed several quieter years when she spent her time chiefly at +Berlin, Geneva, and Paris, forming in these places a large circle of +acquaintances among the most revolutionary spirits of Europe. By and by +they, mother and son, came back to London, but so changed--she in +thought and speech, he in all things--that their old friends and +kindred scarce knew how, comfortably, to maintain any intercourse with +them, and the son, at least, seemed to desire that all old ties should +be snapped asunder. The mother was for ever declaiming vague, +inconsequent tirades against all things that are; the son was cynical, +rough, disagreeable to an insufferable extent, and in their +drawing-rooms a quiet, _borne_ old friend was sure to encounter a +tremendous procession of the emancipated--the reddest of reds, unwashed +agitators of all tongues and hues, aggressive free-thinkers, poets +screaming mad indecencies and blasphemies to vindicate the office of +art; women whose mission it was, by nude dancing, posing, acting, to +educate humanity and lift it to that plane whereon to the pure all +things are pure; men of science standing on dreary pedestals of comely +things they have shattered--a procession, in short, no one of whose +members the humdrum old acquaintance would care to face a second time. + +"More discouraging than all was a story that began to be whispered +among the people who had known the family most intimately in the +earlier days--the story of a young girl, a distant connection of Lady +----'s husband, who had been left an orphan when only a child, almost +friendless and quite penniless, and had been, thanks to Lady ----, most +carefully trained abroad to fill the position of musical governess, the +girl having extraordinary aptitude for music. Her studies over, she +accompanied Lady ---- during a year or two of her later wanderings on +the continent, and returned with her to London, where she soon obtained +several good teaching engagements, and sang with great success at +concerts during one season. A very pretty, winning creature she was, +Mr. Feldwick said: a dark, rich-tinted face, where every emotion +mirrored itself, and a manner as joyous, impulsive, frank as a child's, +joined to the caressing coquetry of a Frenchwoman. She spoke three or +four languages as well as English; her dancing was a thing to see in +this awkward island; and the child was altogether so fresh and sweet +that no one wondered that Lady ---- insisted that her _protegee_ must +not think of finding shelter save with her. + +"But young ---- was not less sensible than his mother to the girl's +charm, and it presently became evident that he had the child's whole +heart in return. And now began difficulties. For years Lady ---- had +declaimed against the bondage, the hideous wrongs and wretchednesses of +marriage, and had never tired in depicting a glorious earth-life in the +future when the free man and woman should love each other because they +loved--but be held to no duty of loving, no responsibility--free as the +air to come and go; and young ----, fed on such food, companioned as he +had always been, was far more vehement than his mother upon the +subject, and had sworn by all his gods that civilized marriage should +never count him among its victims. + +"He told the girl he loved her, but that she knew he could not marry +her; that the fetters of marriage would kill love in him; and he would +rather assume them for any woman in the world than herself. The girl +would have married him at a word; on her part there was the utter +surrender of an adoring affection; but what would it be to have Herbert +without his love? + +"And she had not been so intimately a member of that household without +coming to share its opinions and sentiments, so she declared that +Herbert should give her his love, make no sacrifice for her, sully the +ethereal nature of their relation with no worldly care. They were to be +that grand pair, the coming man and woman, prophesied by Lady ---- and +her philosophers. But, most astonishingly to the young people, here +Lady ---- failed them. The coming man and woman were all very +fine--some ages hence--but to have them appear in conventional, +censorious London, in the century we live in, and in the bosom of her +family, was too much for her heroism--'Her hereditary instincts, +cowardice, and training,' her son said. Herbert might marry Mimi at any +moment; no one could ask of the Fates a more lovable wife and +daughter-in-law; but it was nonsense--worse, it was wickedness--to +dream of living after or up to their convictions in society as now +constituted. Did Herbert think for a moment what would befall Mimi if +she acted as her generosity and all their ideas would prompt her? It +would be destruction--simple destruction to the child, and if her son +could not sacrifice his principles to his love, then he was bound in +honor and pity, living in this unhappy time, to sacrifice his heart. At +any rate Mimi must be protected. + +"But the young man could not deny his principles, and would not deny +his selfishness; so Lady ---- sent Mimi from her, obtaining her a good +position in one of the best schools at Brighton, begging the lady +principal, an old friend of her own, to keep upon the young girl a +watch that might almost be called a guard. She remained there a few +months, and then, one fine morning, was suddenly missing, and Lady ---- +received a note from her, posted in London, to say that it was useless +to struggle longer; Herbert was bitterly unhappy and disappointed in +her, reflected on her want of love and courage, and that she, Mimi, had +chosen her part, and meant to see if one could not honestly live one's +frank life in the London of to-day. + +"Lady ----'s expostulations with her son were useless. 'I like what you +have taught me, mother, and my conscience is in the matter.' + +"And the same delicate conscience prevented him from supporting Mimi +pecuniarily. He said, and she confirmed, that there should be no tie +between them but love--that no other gift was fitting from one to the +other. The woman of the future would have no need of protection, or to +barter herself for care and a home; she would love out of a sphere of +fine, grand independence, self-reliance--so would and should Mimi. Poor +girl! her sphere of independence has been anything but grand and fine: +a life in shifting, third-rate lodgings, under an alias, for, keeping +her maiden style, it was simply impossible with her means to secure +anywhere a reputable shelter, singing in concerts to support herself, +and getting now and then a few lessons to give where people don't +inquire too closely if they can secure good teaching cheaply, but +bereft of all friends save a few pitying ones who now and then come to +her relief, with no young brightness in her life, separated from her +children, for she has three or four who are inexpensively taken care of +at a farm in Cumberland, at a distance too great for her to see them +save for a short autumn holiday; seeing Herbert sometimes only at very +long intervals, for he goes abroad frequently for long absences, and +leaves her with scanter ceremony than most men bestow upon a faithful +dog--the mean-spirited good-for-naught!--shabbily clad, and living, +like a rock hermit, on bread, fruit, and a salad, to make the money +cover as far as may her own and her children's simplest needs. One +can't wonder that Lady ----'s beautiful hair has turned from lustrous +brown to snowy white in these few years, or that she should be +tormented, as Mr. Feldwick says she is, with remorse lest she be to +blame for the miserable warping of her son, and the catastrophe of +Mimi's existence. She would be glad to come to Mimi's aid and that of +her grandchildren, but that Mimi never permits unless she is in +_extremis_, having, as she says, taken her lot with full warning from +Lady ----; and Mimi has a helper who asks nothing more than to succor +her from his own very moderate store--a fellow singer who met and loved +her in the days when she was free, and in these, her days of ignominy, +loves her honorably and hopelessly still, and devotes himself to any +service in her and her children's behalf that she will permit; a poor, +little, unknown, unsung Bayard, whose earthly happiness may be added to +those sadder wrecks of lives ruined by the theorizings of Lady ---- and +her co-vagrants." + +What do you think of all this, Susie? Would you exchange love in the +bush for love among these "leaders of thought" in London? How, after +these wicked, cynic, dreary histories and encounters, I nestle into my +home and am so humbly grateful for its every little self-abnegation, +every straitness of bond, no less than for the unspeakable riches it +holds--that of being loved and beloving to one's heart's highest-heaped +and deepest-down-pressed measure. + +Love from Ronayne and self to my dearest woman. All kindest regards to +the head of the house, and tender wishes that the new home in that +topsy-turvy region of the world may be as happy and, some day, as noisy +as that whence this journeys to you from + +Lil. + + +18 STANFIELD GARDENS, } +March 12, 1876. } + +And do I never, in these days, see anything of my cooperative friends? +Yes, something, but less since Miss Hedges went to Duesseldorf. Mrs. +Stainton came to us a good deal early in the winter, but a month ago +she was ordered off to Bournemouth for an obstinate cough, and the long +letters I get from her are fuller of personal and spiritual matters +than of references to her late co-associates. For she's done at last +what we had all been looking for--gone over to Rome--and one hears from +her now nothing but the Church: the Church's wisdom and peace, +allusions to the saints, speculations upon states of prayer, enthusiasm +for the spiritual exercises of St. Ignatius, and fervent wishes that +all puzzled wayfarers may find what she has found--absolute conviction +and rest--though she owns that the new religion is fuller, far, of +struggles and crosses than the old. "What does our father, the Dean, +say?" I asked lately. "That this 'is at least a respectable vagary,'" +she wrote back, "'which one could hardly say for most of my dreams and +experiments!' Fancy papa's feeling himself authorized to speak of the +spiritual life of anything above a crayfish!--a dear old country +gentleman who is too entirely well satisfied with this world and his +lot in it ever to think of heaven except in an official way, and whose +strongest vocations are matrimony, and the writing mildly learned +antiquarian papers for the West of England Archaeological Society. + +"But you like stories. Here is papa's latest: One of his High Church +confreres had been diligently expounding to a navvy the doctrine of the +Trinity, and was boasting to papa of the intelligence of his neophyte. +Papa, who holds very old-fashioned, inhumanitarian ideas as to the good +or possibility of education for the masses, was scornfully incredulous +as to the navvy's getting even an idea of the mystery upon which his +friend had been instructing him. 'Will you go with me to see him, and +convince yourself?' asked the clergyman. 'Delighted,' said papa, and +off they set to find the navvy. After a little talk papa said to the +man, 'This gentleman here tells me he has been talking to you about the +Holy Trinity. Can you give me the names of the Three Persons?' 'Why, +sir,' answered the navvy, 'there's God the Father and God the Son, but, +to tell the truth, sir, I disremember the name of the other gentleman +entirely!' Now I maintain that papa's in the wrong about the navvy, and +that the ritualist clergyman had no reason to be so utterly +disconcerted, as papa declares he was, at this naive answer. Am I +wicked, I wonder, to be repeating these stories? But you know I don't +mean the least irreverence, and I can't help seeing they're droll! +Somebody has said nobody is so irreverent as religious people, but I +always reckoned that a sour-tempered saying, judging after the sense +and not after the spirit. We have some distant Quaker connections where +I visit sometimes, and in that household if one mentions our Lord in +familiar conversation, as if He had a connection with the humble little +events of the daily life, there is always a shocked hush, as if +possibly it might not be unsacrilegious to speak of our Creator save on +meeting days, and with formal removal of all lay business and speech. I +am sure they never heard of St. Francis of Assisi preaching to the +birds. What would they have said to it? + +"You hope that Mr. Feldwick's experience will not be mine, and intimate +that if the Church fails me, nothing remains for me but the unbelief of +our friends in the cooperative house. Yes, I've long felt that between +Rome and rationalism there's no logical ground on which to rest. But I +have no fears. + +"Mr. Feldwick told me once that having, while a Catholic, read +somewhere that St. Philip of Neri was so distressed at ecstasies that +befell him in public that he tried the reading, before saying mass, of +books on other than spiritual subjects, to divert the usual current of +his thoughts and love, he, Mr. Feldwick, conceived this to be an +authorization for him to read romances, speculative books, what not, by +way of preparing himself to receive Holy Communion--after which history +I never wondered that he had wandered out of the Father's House after +the husks of spiritism. But it is very difficult to conceive him +responsible. If reading qualified for heaven, how high up would he not +be! But he seems rather born to accumulate all manner of heterogeneous +information, and to echo the last 'Times' leader, the last clever paper +in the 'Contemporary' or 'Fortnightly,' than to live a man's life of +independent impression, expression, and will. I always hope that +invincible ignorance and invincible prejudice may cover so much!" + +Anna Hedges and the porcelain widow being gone from London, I should +see little of the remaining confederates were it not for "little +Malaise." His mother, I am sure, has given me up as a possible +disciple. I have never been able to get beyond one suffrage meeting; I +couldn't somehow sign my name to a petition that women be eligible +pupils for the study of law, and I horrified her greatly by +enthusiastic support of a proposition that garroters, wife-beaters, and +committers of ruffianly assaults upon women and children be publicly +punished with the cat. "So inhumane!" she said. "Such an education of +the brutal instincts in the spectators! Surely I did not think what +such a sight would be for the young, how much more it would inculcate +in them revenge than the gentler virtues. And society was responsible +for these criminals. They were what her neglect and their conditions +had made them. They should not be punished for what was a misfortune +rather than a fault. Our business was to train, develop these people +instead of behaving to them as they did to their unfortunate victims." +I admitted a trembling hope that something might be done for the +humanizing of the next generation of our lowest-down people, but +persisted that fear and shame seemed to me the likeliest means to stop +the sickening record of cowardly savagery that week after week comes to +us from all over England--the crimes of adults past all restraints save +forcible ones. One week I kept a list, gathered from two provincial +papers and the "Telegraph." Besides a dozen or so of the ordinary cases +where a man beats and kicks his wife, and policemen and no onlookers +interfere _because_ she's the man's wife, one costermonger had flung +his wife under a loaded van; one navvy had gouged out one of his wife's +eyes, and threatened, in the police court, "to do for her yet"; another +had pounded his wife to a horrible jelly with a flat-iron; another held +his by force upon a red-hot stove; and the last on the list, a collier, +nearly tore his wife in pieces, with the help of a bull-dog, "because +she aggerewated him by giving him a leg of veal for his dinner when +he'd made up his mind to a pair o' boiled fowls!" + +But Ronayne says maliciously that Mrs. Malise has resigned me to +obscurity and the fossil period; not because it was hopeless--the +winning me--but because, after all, it didn't seem worth while. True I +had broken from the ranks, set up in business for myself, and earned my +bread for a while--but then how dreadfully ignorant I am. It was bad +enough when I didn't know who Margaret Fuller was, and had never read +Mill on "Liberty"; but the day I owned to a pocket dictionary, and my +unaided helplessness as to double consonants and such vicious words as +_separate_, _niece_, _ascension_, and so on, finished the business. + +And no wonder. What do you suppose my Mabel will say, grown tall and +wise like her father, to a mother who knows more about King Arthur and +the Knights of the Round Table than about the real kings and bygone +personages of her own or any other country--a mother puzzled always as +to whether it was Alfred the Great or Sir Humphrey Davy who burnt the +cakes; a mother loving Glastonbury better than almost any spot of +English ground, and believing devoutly that there Joseph of Arimathea +planted his staff that became the winter thorn, blossoming at +Christmas, "mindful of our Lord"; that there in the church-yard of the +first hurdle-built church he and King Arthur and Queen Guinevere all +mouldered away to dust; a mother who knew no more than sufficed to +wield crayon and brush indifferently, and to love what she loves with +her whole heart? + +And I'm writing her life, her little life, with all its tiny +unfoldings--a story of her being and doings, illustrated profusely with +sketches and photographs--writing it for the Mabel of by and by. Will +she forget the tenderness that's in every line and stroke when she +comes upon such a sinful juxtaposition as this which Ronayne laughed at +the other day. "Flanel peticoat?" Yes, "flanel peticoat"; it _does_ +look rather queer, but that's only because we're used to the wicked +lavishness of the common fashion--and double consonants are only so +much crinoline. When I worry sometimes as to what baby'll think of her +mother being such a goose, Ronayne says the spelling and all the other +stupidities are only piquant, and that he asks of heaven nothing better +than a daughter only half as much to his taste as his wife is, which +would be very dear of him to think and tell me if he had not rather +upset it by admitting that if he had a son who persisted in spelling +warm after his mother's eccentric fashion--wharm--he, my husband, would +certainly "wharm" that boy--my boy. + +And I'd sooner Mabel should laugh even unkindly at her mother's +ignorance than ever see her turning over the leaves of a set of books +wherein her mother's hand had carefully cut away every allusion to +Christian belief, every repetition of God's name--such a set as I saw +Mrs. Malise scissoring when I called upon her last. + +"These are books that are accumulating for Mill," she +explained--"presents from one and another--and I'm cutting out every +word that can suggest to him the idea of any life or any world than the +only one of which he can gain a certainty through his senses; childish +impressions are so tenacious, and I mean him to be utterly free from +influence or superstition; open to believe or disbelieve in immortality +when his faculties are trained, and he can judge evidence fairly. The +Christian scheme seems to me to rest on a mass of unworthy fables; but +he is not to be taught in the sense of my conclusion. I shall guard him +from my atheism as carefully as from accepted forms of faith. Surely no +more can be exacted from a mother than to rear a child unbiassed, and +let him make his own experiences, shape his own belief. I believe there +are text-books in which no reference to any possible personal Creator +of the universe is to be found, and we hope such are in use at the +Genevan kindergarten, and Mr. Malise means, in some of his leisure +time, to write a series of stories for children in which there shall be +no hint of the supernatural; stories that shall deal only with this +living, breathing world we know; with no pretty fiction concerning a +life and personages generations of men have invented details for"--and +I-- + + I seemed to move among a world of ghosts, + And feel myself the shadow of a dream. + +But Geneva and these dreary story-books are two or three years off, let +us hope. Meanwhile baby and I are grown very fond of the patient, +lonely little man, and I have him here as often as Johanna is pleased +to bring him. Great comfort, I see and hear, he has in Mabel's large, +sunny day nursery, gay with birds and pictures, well stocked with +playthings, and possessing an extraordinary wooden construction which +our little guest beholds with the eye of faith, naming it rapturously +gee-gee, and worshipping it as the king of beasts. When we are alone at +dinner I have the mites down for a few minutes at dessert, and it is +really pathetic to watch little Malaise's shy delight at getting a +little fruit and an innocent sweet or two. + + +THE LABURNUMS, } +HENLEY-ON-THAMES, } +July 16, 1876. } + +Changed quarters, you see, my Susie. It was so cold all June I thought +we should be able to hold out until the end of the session at No. 18; +but July came in flaming; so more for Mabel's sake than our own we've +taken a pretty villa here at pretty Henley, for six weeks, and then +we're off for Biarritz, where we mean to settle ourselves comfortably, +and thence explore, at our leisure, all the lovely yet almost unknown +near-by country. The grandpapa paternal has written begging that we'll +leave Mabel, whom he calls "Tramp No. 3, and too small for the work," +at Castle Starched-stiff-O; but Tramps 1 and 2 think they couldn't +possibly fare on comfortably without that small golden head bobbing +along beside them, up the hills and down the dales. Nurse is even more +gypsyish than her master and mistress, and Mabel has spent the greater +part of all her waking hours since she was two months old out of doors; +so I think we shall always have in her the hardiest of small comrades. + +Miss Hedges goes with us, and we mean, she and I, to bring back between +us the entire Basque country in our portfolios. + +"I'm thankful we're going to a region of picturesque men," says +Ronayne, "for I think my lot in life likely to be a little less +afflictive than it was last year. I don't much mind leading contrary +minded horses up and down by the hour, coaxing suspicious or aggressive +goats; I might even put another bull as savage as that fellow at +Twickenham through his paces; but as to posing myself, in any possible +fashion, even as a snoring shepherd, please to consider, ladies, that +it's not down in our summer programme. + +"Talk of the miseries of a man with a literary wife! What are they, I +should like to be told, beside those of the unlucky mortal who's +married a 'fair artist,' and can never so much as yawn in peace again, +without being perpetuated in the act?" + +"I had an eye to business when I married you, sir!" I retort. "You see +you're a fine, tall, well-made animal, and since I own you, why should +I go pay away my money for some other model who wouldn't be half so +good-looking, and whom I couldn't frighten so well into minding me? Not +pose indeed! Perhaps you would even choose to be bow-legged if so you +could escape doing your duty? And I think you're maliciously trying to +get stout. In our rides lately, I notice you puff a good deal if we +have a bit of a race, and you're really getting a quite perceptible +little bulge!" + +And Ronayne, who knows very well that he's a capital figure, and whom I +accuse of keeping the lowest button of his coat fastened in order to +display his slender waist, gives an alarmed glance down at himself, and +I see, to my great amusement, that no Bass is uncorked at luncheon, my +lord consenting himself with a glass of sherry instead--a needless +self-denial, I hasten to add, for he's really no more bulging than a +greyhound! But he deserves the little scare for his attempt at +rebellion. Fancy my husband having any will of his own about stopping +in any attitude I choose him to take, and for as long as I choose! I +knew such a queer artist in London, a rather coarse, wholly uneducated +woman, but with a streak of real genius. She married the commonest, +stupidest man, a pink-and-white young idiot of a tailor, grown now to +be the "heavy father"--red, fat, lazy, letting his wife earn all the +money. Somebody scolded about him to the poor, over-worked wife. "Yes, +I know I have to keep the pot boiling," she answered, "but then Dave +saves a model, he's the kindest father to the children, and he does all +the sewing!" _He_ doesn't object to pose, not he! And how proud he is +of his wife! I found him alone in her studio one day. I looked over +some engravings after Titian while waiting, and the man said, "Them +engravings o' Titian's, now, ma'am, they're out o' drawing! But here's +a picture o' my wife's that's more the real thing," putting on the +easel, with affectionate pride, a painting in which two or three of +their children were grouped--a trashy, tawdry, grinning thing, and yet +with unmistakable touches of power. And this is a tale my husband has +reason to know by heart, I'm sure! Not pose! I wish he had Miss Hedges +for a wife! Anything like that girl's utter devotion to her work I've +never seen in a woman. Rain or shine, cold or heat, are all one to her; +she never has spiritually gray days when the grasshopper's a burden, +and Capua itself wouldn't have unnerved her arm and purpose. Work! +work! And everything turned to account. + +Last summer when she was with us I fainted at some horrible tale or +other. She came into the room where I lay stretched flat upon the +floor, too miserable to speak, but conscious again. I must do her the +justice to say she had heard there was no serious cause for my +condition; but her first exclamation was, + +"Oh, Lilian, what a color you are! Blue-white, ghastly, your face all +drawn, pinched--magnificent! Let me see your hands and nails. Ah, +capital! Capital! Poor little Lilian! But if you must faint, what a +chance for me! I couldn't think how I was to get the right tint for my +dying soldier. I never saw any one dead or wounded, and I am much too +stolid ever to faint myself. Crossing the channel I took my hand-mirror +and studied my face when I was desperately sick--but it was all green +and pathos--no good! But your color's the very thing--only you get pink +so fast! Oh, Lilian, if ever you faint again, have me called the very +instant you feel yourself going off!" + +This may be called devotion to one's work? But grand work she's going +to do. She's full of genius, and has only to get over the +niminy-piminy-izing of the South Kensington School, and work abroad a +few years, to have a far more justly grounded fame than Rosa Bonheur's. + +Already a few first great drops of her shower are falling. She's a +picture in the Academy, her first, and _on the line_--a picture to +which the hanging committee themselves took off their hats, and gave a +cheer for the artist; and a regular ovation she had on the private view +day--nobility and clergy, fellow artists and journalists, army and +navy--such a day as she says can never come again for her, let the +future have what success in store for her it may. + +She has sold the picture for a thousand guineas, and her sketch in the +Black and White Exhibition has appeared in one of the illustrated +papers, the same paper offering her _carte-blanche_ for illustrations. +How I feel like swinging her in triumph before the faces of Mesdames +Malise and her friends!--a simple, frank, good girl, who never in her +life thought of crying out about a career, and a smoothing of her way, +or declared her right to devote herself to art, and to such an +unwomanly branch of it as the drawing of horses and soldiers, but set +herself obscurely at work, and toiled as faithfully as if she hadn't a +spark of genius in her--to win what she has already done, and yet will +do! + +Mrs. Malise. That reminds me of that household. Our latest news from +it, through Mr. Feldwick, who belongs to a "Sordello" club, for which +my liege had a hankering, only they made him an Irish member, and so +he'd no time (you wonder what a Sordello club may be? A society of +ladies and gentlemen, dear, who read Sordello with a key, and try to +find out whatever it's all about!), and Mr. Feldwick is good enough to +keep him _au courant_ of their discoveries and interpretations, and +gossips with me about the Domestic Club. About this Mr. Feldwick is +concerned. In losing Mrs. Stainton and Miss Hedges, the house lost much +in his eyes, and there have been other changes, and all so much for the +worse, that Mr. F. is seriously debating whether the place can long +continue sufficiently respectable to be honored by the presence of +himself and Smut--his pug dog. The people whom Lady ---- brings about +the place get queerer and queerer, and the ideas and schemes they +broach are----"I'm a man of the world, and something of a philosopher +myself," says Mr. F., "and I know human nature has plenty of shady +corners; but, aw, really, aw, you know there must be _some_ limit!"--which +I was glad to hear from the Truth-Seeker. Young ----'s gone off to see +if the Fiji islanders or some other outlandish creatures haven't more +morality and tenderness and general virtues than the men and women of +civilization; and when I tell you he sailed just after the death by +diphtheria of three of poor Mimi's children, leaving her to bear that, +as all things, unhelped by him, you'll wish with me, that some coppery, +tough old savage'll eat him for his investigating pains! If anything +can cure her infatuation, one would think this last stroke of barbarity +might, and perhaps then there would be some hope for the singer lover, +who has taken care of her, shared her grief--borne all the burden that +the miserable new Rousseau refused. + +The food-reforming trio are gone from the associate household. "The +Food-Regenerator" has not the circulation it deserves. Its editor threw +up a secretaryship that was profitable, but cramping to a soaring, +unmercenary spirit. So the emoluments of the journal were insufficient +for the club life, and they've retired to a poor lodging where that +weary white cat, I suppose, is trying to keep the heroic little man and +all her hungry progeny--ravens, I of course meant to say, only I'd +called their mother a cat!--on broad beans and porridge and next to +nothing a week, and do the work of an office-boy besides! + +The third member of the trio, the young girl who told me she was to be +a "healer," has had a sad fate. She had, it seems, some liabilities to +lung disease which she determined to starve out; so the great rations +of bran bread and prunes, which distressed Ronayne at the dinner-party, +dwindled, months ago, to two or three ounces of bread daily, and a +little fruit--the quantity becoming so small that her mother piteously +declared they could not understand how she lived at all. + +Reducing her food day by day, she went, in June, to Aberystwith for +some weeks. While there, she fell asleep while reading one afternoon in +a cave on the coast, and when she wakened it was night, the rain +falling heavily, the tide risen so that all egress from the cave was +cut off, and she a prisoner. At that season of the year there was no +danger beyond that of fright and exposure to damp and chill so many +hours; for the water only rises high in the cave during great storms; +but even if she had been told this, who remembers or reasons clearly in +such sudden, awful moments? But she came out so soon as morning and the +ebbing water released her, walked the two or three miles back to her +lodging, told her story with apparent calmness, and before night was a +raving maniac, so wild and uncontrollable that her family were obliged +to place her in a lunatic asylum, and as yet there is nothing favorable +to report in her case. + +Mrs. Stainton still at Bournemouth, but writing often either to Miss +Hedges or to me. In one of her last notes she says, "Do you remember +that little story I told you of Ste. Colette, the Saint who was walled +up? I think of her so often, so anxiously; I think, I almost think, it +will come to that--walling up, I'm afraid not the sanctity?--with me. +What a harbor it looks--the cloistered life! And there never seemed to +be any place for me in the world. Everything has turned to ashes in my +grasp and on my lips. Perhaps it was that the religious life was always +calling me. I repeat Pere La Cordaire's saying over and over to myself, +'When we Frenchmen become religious, we do it meaning to be religious +up to the neck.' + +"I should not enter an active order. I have not the strength. But the +contemplative ones draw me, draw me. Pray for me!" + +Mrs. Stainton, Sybarite of Sybarites, a Carmelite, a poor Clare +sleeping on a plank, washing herself with cold water and sand, living +on begged bits, bad herrings, and limp cabbages! Shall we indeed see +that? + + +20th July. + +Susie! Susie! what an ending I must give my letter. Little Malaise is +dead! + +"Have you read the papers to-day, Lil?" Ronayne asked me as he was +dressing for dinner two days ago. + +"No, they're so stupid these days; nothing but Wimbledon and padding. +Why? Is there anything to-day?" + +"No, no; nothing," he answered, and though I thought his manner a +little odd, I had forgotten all about it later when Archdeacon Ryder, +who was dining with us, suddenly asked: + +"Did you notice the account of that painful accident in Westbourne +Grove in this morning's 'News'? Those terrible perambulators! I wish +they could be abolished. Maid servants' arms were stouter in my day. +This stupid German nurse seems to have got dazed, or was staring +everywhere but where her business lay. An only child, the paper stated, +an editor's, but I don't remember the name. It was not one familiar to +me. Did you know it?" + +"I've heard it," Ronayne answered, and would have changed the subject, +but I broke in: + +"Oh, Ronayne, a German nurse! Can anything have happened to Mrs. +Malise's baby? You needn't be silent. Oh, I'm sure it's he!" + +And then it all came out--the fact that the child was killed while his +nurse was trying to wheel him across the road in Westbourne Grove--but +Ronayne wouldn't have any details told me. + +The poor little man! My own baby's age, and such a sweet-tempered, +patient little fellow! What a life! To come where he had but grudging +welcome, to have no real mother, no warm little places of fond +sunshine, and to go away from all this world's possibilities in that +sudden cruelty! It wrung my heart, the hardness of it all. But could I +really grieve, remembering how chill was the brief life, and +remembering, above all, the scheme that was to make of him, so helpless +and undefended, a spiritual outcast and foundling? + +And since I saw his mother--I went yesterday, having first sacked +Henley of white flowers, heliotrope, and fragrant leaves--and found her +unshaken in composure, untouched by any sense of duty missed--since +then I think I have been only glad that the little soul has taken +flight. + +Very white and peaceful he looked lying in his crib, and I heaped my +flowers all about him. + +"How much you loved him!" Mrs. Malise said, as she stood beside me +looking at him. + +"And how pretty and happy he looks! I wonder if he is happy--if he +_is_ anywhere?" + +"Well, some time we shall know! And perhaps it is better for him as it +is. Often and often his father and I were perplexed as to what we ought +to do for him by and by. At any rate he's past our marring! And I hope +we shall have no more children to deal with--be responsible for." + +Ronayne says I ought to add what I have only told him under my breath, +that it completes my sketch of this "advanced" woman, a mother despite +herself. + +On leaving I said to her something as to where the boy would be buried. + +"It is not quite settled," she replied, "but Kensal Green, I suppose. +We are both strong advocates of cremation, and wish so much that it +were a present possibility. If it were, and even a difficult one, we +should certainly bear our practical testimony to the more sanitary way +of disposing of our dead. But----" + +"Heaven help you!" I interrupted; "and farewell!" + +We dare not tell this to nurse, who, though she was the little fellow's +fast friend, cried out at the first news of his death: + +"Oh, I am glad he is gone, the poor dear! But he was too good for them, +and I'm glad he didn't live to have his heart quite broken." + + * * * * * + +And so ends my going forth after new lights. I'm the richer for my +foray in two friends, and the certainty that, Bohemian as I am, I am +but a fossil too, and that nature fitted me exactly to my place in +making me only the contentedly obscure wife of an Irish member and your + +Loving Lil. + +S. F. HOPKINS. + + + + +MISS MISANTHROPE. + +BY JUSTIN MCCARTHY. + + + + +CHAPTER XVI. + +CHASTELARD. + + +"So you are really going to be an heiress, my dearest?" Mary Blanchet +said to Minola, when our heroine was settled at home again. "I knew you +ought to be, and would be if right were done; but right so often isn't +done. My brother will be so glad to hear it! but not as other people +might be glad, you know." For Mary began to be afraid that by a hasty +word she might be filling the heart of her friend with suspicion of her +brother. + +"I don't know, Mary. Mr. Money, and others, I suppose, say so. I wish +it were not true; I am all right as things are, and I hate the idea of +gaining by this poor woman's death. I think I should not feel so if we +had been friends, and if I could think that it was like a kindly gift +from her, and that she wished me to have it. But it is all so +different. And then what do I want of it?" + +"One can do so much good with money," said little Mary sighing. She was +thinking of her brother. + +"Yes, that is true," Minola said, thinking of Mary herself and of what +she might perhaps do for her. "But don't tell any one about this, +Mary--not even your brother--if you can well help it," Minola added, +knowing what little chance there would be of Mary's keeping such a +thing secret from her brother. "It is all uncertain and only talk as +yet, you know." + +"These things are never secret, dearest," Mary said with a wise shake +of the head. "Men always get to know of them. I think the birds of the +air carry the news abroad that a woman has money, or that she has not," +and Mary sighed again gently. + +"Do you see much of an alteration in the ways of men toward me already, +Mary? Do they hang around me in adoring groups? Do they lean enraptured +over me as I sweep the chords of the harp? Do they who whispered that I +sang like the crow before, now loudly declare that my voice puts the +nightingale out of conceit with his own minstrelsy?" + +"Now you are only talking nonsense, dear; for we know so few men--and +then you don't play the harp, and you never sing in company. But, if +you ask me, I think I do see some difference." + +"Already, Mary?" + +"Well, yes, I think so; in one instance at least. Not surely that you +were not likely to have attentions enough paid to you in any case, if +you cared about them or encouraged them, and that, even if you hadn't a +sixpence in the world--but still----" + +"But still it does enhance one's charms, you think? Come, Mary, tell me +the name of this mercenary admirer. Depend upon it, all his arts shall +fail." + +"You are only laughing at me still, dearest, but there is something in +it I can tell you for all that. It is not my idea alone, I can assure +you. What do you think of a Duke's brother for an admirer, Minola?" + +Little Mary Blanchet was a crafty little personage. She thought she +could not too soon begin working for her brother's cause by trying to +throw discredit on the motives of all other possible wooers. She had +observed when going now and then to the house of the Moneys, during the +last few days, that the returned cadet of the one great ducal house +whereof she had any knowledge was there every day, and that he was very +attentive to Minola. The same remark had been made by Mr. Money, and +had called forth an indignant objection from Lucy, who protested +against the thought of her Nola having a broken-down outcast like that +for a lover. But Mary, who was almost terrified at the idea of sitting +down in the same room with any member of the great family who owned the +mausoleum at Keeton, was not certain how far the name of a family like +that might not go with any girl, even Minola, and believed it not an +unwise precaution to begin as soon as possible throwing discredit on +his purposes. + +Minola tried not to seem vexed. She had liked to talk to Mr. St. Paul +when he came, as he did every day of her stay in Victoria street. She +had liked it because it gave her no trouble in thinking, and it saved +her from having to talk to others with whom she might have felt more +embarrassed, and because it turned away attention from what might +perhaps have otherwise been observed--as she feared at least--by too +keen eyes. If Mary must suspect anything, it was a relief to find that +she only suspected this, and Minola tried to make merry with her about +her absurdity. But in her secret heart she sickened at such talk, and +such thoughts, and felt as if the very shadow of the fortune which was +expected for her, falling already on her path, was making it one of new +pain and of still less accustomed shame. + +"Poverty parts good company, used to be said," Minola thought; "a +little money seems much more likely to part good company in my case." + +Yet that there are advantages in a command of money was soon made very +clear to Minola. When she returned from a walk a day or two after she +found a specimen copy of Herbert Blanchet's poems awaiting her, with a +note from Victor Heron. The letter was somewhat awkward and rueful. Mr. +Heron explained that, by her express instructions, he had allowed +Blanchet to have it all his own way in the arrangement of the style of +his appearance in paper and print; and that the cost had become +something far greater than he had anticipated. + +"You should never have been troubled about this," Victor went on to +say, "but that you made me promise that you alone should pay for this +thing; I wish I hadn't made any such promise, or consented that +Blanchet should have his way in the business. To think of a grown man, +who has seen the world, leaving a matter of money and business in the +hands of a girl and a poet! Blanchet has been going it." + +Minola in all her trouble found room for wonder, delight, and something +like alarm in looking at the superb edition in which the poems of Mr. +Blanchet were to go before a world scarcely prepared for so much +artistic gorgeousness. All that vellum paper, rare typography, costly +and fantastic binding, and lavish illustration could do for poetry, had +been done without stint on behalf of Herbert Blanchet. The leaves were +as thick as parchment and as soft as satin. Only a very few lines of +verse appeared on each broad luxurious page. Every initial letter of a +sentence was a fantastic design. The whole school of Blanchet's +artistic friends had rushed into combination to enrich the pages, the +margins, and the covers, with fanciful illustration. If they only had +been great, or even successful and popular artists, the book might have +been worth its weight in gold. Unfortunately Mr. Blanchet's artistic +friends were not yet great or famous. The outer world--the world which, +in the opinion of the school, was wholly composed of dullards and +Philistines--knew as yet nothing about these artists, and neither +blamed them nor praised them. The volume was as large in its +superficial extent as an ordinary atlas, and some of the poems which +occupied a whole page were not more than four lines in length. The +whole thing seemed truly, in the words of a poet whom Mr. Blanchet +especially despised, "all a wonder and a wild desire." + +Thinking of herself as the patroness and in some sort the parent of +such a volume, Minola felt some such mixture of pride and timidity as a +modest girl might own who has suddenly been made a princess, and is not +quite certain whether she will be able to support her position with +becoming nerve and dignity. + +There came a little letter too from the poet himself. It ran in this +fashion: + + "DEAR PATRONESS AND QUEEN: The poet has not dared to send in + unfitting casket the offering which your approval has made + precious. The poems which are addressed to you must at least + offer themselves in form not unworthy to be touched by your + hand. + + "In all devotion yours, + + "HERBERT BLANCHET." + +Nor did the volume want a poetical dedication. The second leaf +contained the following: + + UNTO MY LADY PATRONESS AND QUEEN. + + Upon my darkness may there well be fall + Light of all darkness, darkness of all light; + Starfire of amber, dew of deathlike sheen; + Waters that burn, pale fires that sicken all, + And shadows all aglow with saffron light; + But comes my lady who is Glory's queen, + And all the bright is dark, and pallid dark the bright. + +Minola read this dedication again and again, puzzled, amused, angry, +hardly knowing whether to laugh or to cry. "Am I glory's queen?" she +asked of her own soul. "And if I am, am I letting light or darkness in +upon my poor poet? Am I depriving him of the amber, the dew, and the +saffron light, or not? Is it praise or blame, this dedication? I +suppose it must be praise, but I don't think anybody could tell from +its words. Oh, my dear little Mary Blanchet, why must you have a +brother--and why must that brother be a poet?" + +There was one consolation--the dedication did not set forth her name, +and nobody could know who the lady patroness of the poet might be. +Minola felt inclined to be offended that she should be in any way +brought into this folly, but she was not certain whether remonstrance +or complaint might not be more ridiculous than utter silence. After all +nobody knew anything about her or cared, she said. If she were to +complain in any way, it would only grieve poor Mary, whom the thought +that her brother could have offended her friend and leader would drive +well-nigh distracted. "What does it matter if I am made a little +ridiculous in my own eyes?" she asked herself. "It is only in my own +eyes, I suppose. Mary will look on it all as delightful; her brother of +course means it for the best, and thinks it superb poetry; and there is +no one else likely to care either way. It is not much to be a little +more ridiculous in my own eyes than I have already made myself." + +Perhaps--perhaps--let it be said with hesitation and much +caution--there was something not wholly unwelcome to our heroine in the +idea that she could be glory's queen and all the rest of it, to any +human creature, not to say any poet, just now. She felt humbled and +deeply depressed. In her own eyes she was lowered by what she knew of +her own heart. Her pride had received a terrible wound, almost a death +wound. The little world she had made so proudly for herself had all +crumbled into dust. It is not wonderful if at such a time there should +be, in spite of her sense of the ridiculous and her senses generally, a +certain soothing influence in the fact that there still was some one in +whose eyes she appeared a person of account and even of dignity. At all +events, let it be frankly said, that when the first shock and stir of +the ridiculous were passed, Minola was not inclined to think more +harshly than before of the poor poet who called her his patroness and +his queen. As to the expense of the publication, she was a little +startled at first, but that sensation very quickly passed away. She was +not enough of a woman of business yet to care about the cost of +anything so long as she had the money to pay. It would run her hard in +her first year of independent life, to pay this much, but then she +could pay it and live somehow, and it would only be a case for strict +economy in the future for some time. Besides, it seemed that whether +she would or not, she was likely to have much more money than she +wanted or could use for any purposes of her own. Then she was further +stimulated to carelessness by Mr. Heron's letter. + +"If he thinks I care about money, or the cost of serving a friend, he +is mistaken," she said. "His caution and his protestations are thrown +away on me." + +For she was much inclined to be unjust and harsh in her mind toward +Heron now. He had committed, all unconsciously, a terrible offence. He +had, without knowing it, made her fall in love with him. So she made +the best of the whole affair, cost, dedication, glory's queen, and all; +and when Mary Blanchet came to look at the precious volume, and to go +into raptures over it, Minola did her very best to seem contented, and +not even to suggest a criticism, or to ask what this or that meant. She +reminded herself that the late Lord Lytton had written contemptuously +of the "fools on fools" who "still ask what Hamlet means." + +"This may be as far off from me as Hamlet from other people," she told +herself. "Why confess myself a fool by asking what anything means? And +in any case Mary Blanchet would not know any better than I." + +By this resolve she made one woman happy. + +But it was not only a woman on whom she had conferred happiness. +Herbert Blanchet was as happy as even his sister could have wished him +to be. The head of the poet swam in delight. He had never before been +so proud and blest. He hung over his volume for hours; he could hardly +get away from it. When he left it for a moment and tried to escape from +its fascinations, he found himself drawn back again into its presence. +He touched fondly its soft, satiny leaves as though they were the cheek +of beauty; he pressed his own cheek against them; he committed all the +follies which we understand and admire in the immemorial raptures of +the young lover or the father of the first born. + +"They must see this," he cried aloud. "They can't overlook a volume +like this." "They" being, of course, that public whose opinion he had +always despised--those critics whose praise he had always declared to +be the worst censure to a man of true genius. + +To do our poet justice, it must be owned that there was in his breast +for the first time a deep, strong feeling of gratitude. That emotion +came there with a strange, overwhelming force, like that of +intoxication to a man always rigidly sober before. If Minola had had +him crowned a king, she could hardly have done any greater thing for +him. Few men on earth can ever have had their dearest ambition so +sweetly gratified as it was the lot of Herbert, the poet, to find his +ambition gratified now. To have his poems so set before the world would +have been a glory and a rapture, no matter though the patron's hand had +been that of a withered old man or some fat frump of a dowager; but to +be thus lifted to his longed-for pedestal by the hand of a young and +beautiful woman was something which he had never dreamed of asleep, and +seldom allowed even into the dreams of his wild, vain waking hours. The +emotion called up by experience was as new as the experience itself. +Mr. Blanchet felt profoundly grateful. In that moment of excitement he +would probably, if need were, have laid down his life for Minola. + +If Minola knew what strange effect had been wrought in the breast of +her poet, she would assuredly have thought her money well laid out, +even although she had wanted it far more than she did. "To making a man +happy, ten pounds," is the peculiar entry on which a famous essay in +the "Spectator" was founded. To make a man grateful for the first time +is surely a nobler piece of work than to make him merely happy, and it +ought fairly to cost a good deal more. Minola had made a man for the +first time both grateful and happy. The work was a little expensive in +this case, but what miser will say that the money was thrown away? + +It is not likely, however, that Minola would have been quite so much +delighted if she could have known all the feelings that her generous, +improvident patronage had awakened in the poet's breast. For Mr. +Blanchet knew women well, he thought; and he did not believe that mere +kindness alone could have impelled Minola to such an act of bounty. +Nor, making every needful allowance for the friendship between Miss +Grey and his sister, did he find in that a sufficing explanation of +Minola's liberality. He set himself to think over the whole matter +coolly and impartially, and he could come to no other conclusion than +that Miss Grey admired him. He was a handsome fellow, as he knew very +well, and tall, and romantic in appearance: what could be more natural +than that a poetic young woman should fall in love with him? He felt +sure that he had fallen in deepest love with her, but it is doubtful +whether he was yet in a condition to analyze his own excited feelings +very clearly. It is certain that he was madly in love with his poems, +with their gorgeous first edition, with the pride and the prospect of +the whole affair; and of course likewise in love with the patroness to +whom he was indebted for so much of a strange delight. But how much was +love of himself and how much of Minola, he did not take time to +consider. + +There was an artistic and literary association to which Blanchet +belonged, and amid which he passed most of his nights. It was not +exactly a club, for it had neither definite rules nor even a distinct +habitation. It was a little sect rather than a club. It was an +association of men who believed each in himself, and all, at least for +the present, in each other. Their essential condition of existence was +scorn of the world's ways, politics, and theories of art. They held +that man himself was a poor creature, unworthy of the artist's serious +consideration. All that related to the well-being of that wretched +animal in the way of political government they looked down upon with +mere contempt. The science which professed to concern itself about his +health, the social philosophy which would take any account of his moral +improvement, were alike ridiculous in the eyes of this aesthetic school. +If, however, any uninitiated person should imagine that in setting up +art as the only serious business of life they were likely to accept any +common definition of art, he would find himself as open to their scorn +as if he had tried to improve a bad law or subscribed to the funds of +some religious organization. Art with them was their own art. The +enlightened parson, Thwackum, in "Tom Jones," observes that "When I +mention religion I mean of course the Christian religion, and when I +speak of the Protestant religion I mean the religion of the Church of +England." It was in this spirit that the confraternity to which Mr. +Blanchet belonged defined art. They only meant their own particular +sect; out of that there was no salvation. Art, it is said, hath no +enemy but the ignorant. These artists, however, were the enemies of all +art but their own. + +At the present these genial brothers regularly met of nights in the +lodgings of one of them, who happened to have a large studio in the +west central region of London, where so much of this unfashionable +story happens to be cast. Victor Heron had many times been told of the +genius that burned by night in that favored haunt, and had expressed a +modest wish to be allowed to pass for an hour within its light. Mr. +Blanchet was glad of the opportunity of introducing such a friend; for +it somehow seemed as if the consideration of any member of the +fraternity was enhanced among his brothers not a little by the fact +that he could introduce into their midst some distinguished personage +from the despised outer world. With them Victor Heron might very well +pass for a distinguished public man, as in fact he already did, with no +design of his own that way, in the eyes of Herbert Blanchet. To Victor +the school was all composed of gifted and rising men, whom it was a +pride to know or even to meet. To the school, on the other hand, Victor +was a remarkable public man, a tremendous "swell," who had done some +wondrous things in some far-off countries, and who, for all they knew +at the time, might be regarded by the world as the prospective Prime +Minister of England. + +There was a peculiar principle of reciprocity tacitly recognized among +these brothers in art. No one of them would admit that there was +anything which his brother knew and he did not know. If one of them +read an author for the first time, and came to meet his fellows proud +of his freshly-acquired knowledge, he found no man among them who would +admit that he had not from his birth upward been equally familiar with +the author in question. It would be easy, surely, some one may say, to +expose such pretension. Just so; of course it would. But when one +brother had shown tonight that his friends had never read Schopenhauer, +and in point of fact could not read him if they tried, who should +guarantee that same brother against a similar exposure of his own +harmless little false pretences to-morrow when he professed to know all +about Euripides? It was not found convenient in this little circle to +examine too closely into the pretensions of each other. Live and let +live was the motto of the school so far as their esoteric professors +were concerned. + +There was indeed a legend that some malign person acquainted with the +peculiarities of the school had once compelled them to invent a patron +poet. It was done in this fashion: the malign person talked confidently +and fluently to one of the order concerning a French poet, whom he +described as a gifted apostle of a kindred school, and whom he was +pleased to name De Patroque. The youth thus talked to was not to be +outdone, or even to be instructed. He gave out that he had long had his +eyes fixed reverently on the genius of the gifted De Patroque. He +talked largely, not to say bouncingly, of the great De Patroque among +his friends, who, not to be outdone in their turn, talked to him and to +others of the new apostle. The fame of De Patroque grew and grew, until +at last ill-natured persons affirmed that several essays on his genius, +and fraternal hymns of honor, were composed for him by the admirers of +his mythical career. + +To this select circle Mr. Blanchet had for some time proposed to +introduce his friend Victor Heron. On the very day when the first +copies of the gorgeous poems were submitted to privileged eyes, Mr. +Blanchet called on his friend. He found the friend a little put out by +the unexpected lavishness of the manner in which the poetic enterprise +had been carried on. + +"This will be an awfully expensive business, I'm afraid," Heron said, +in an embarrassed tone, for he felt that it was a sort of profanation +to talk of money matters with a young poet. "I wish you had let me do +this thing myself, Blanchet. I'd not have minded so far as I'm +concerned. But I don't know about her, you see--she may not have much +money. Then young ladies are generally so enthusiastic; she may not +have thought of what the thing would cost." + +"You need not think about that," Herbert said loftily. "Miss Grey will +be a rich woman one of these days----" + +"But I don't see that that much alters the matter, although I am +decidedly glad to hear it for her own sake, if it will make her any +happier than she is now--which I take it is not by any means certain. +But I don't see throwing away her money without her knowing all about +it any the more." + +"Throwing away her money?" Herbert asked, in tones of lofty protest. + +"Well, I don't mean that of course," the good-natured Heron hastened to +explain in all sincerity. "You know very well, my dear Blanchet, what I +think of your merits and your poems, and of all true poets. I know that +it is an honor for any one, whether man or woman, to be allowed to help +a poet to come out before the world and make a success. I only wish I +had had a chance of doing such a thing for you; but this young lady, +you know--I don't feel quite certain whether I ought to have spent her +money so freely." + +"I can reassure you, I think," the poet said, with chilling dignity. "I +should never have allowed any one to do anything for me without having +satisfied myself that it was done in the unstinting spirit of +friendship, and by some one whom such kindness would not hurt." + +"All right; I am glad to hear you say so, of course, but you won't +wonder at my scruples, perhaps----" + +"Your scruples, my dear fellow, do you infinite honor," Mr. Blanchet +said, with a slight dash of irony in his tone, which Heron did not at +the moment perceive, being in truth engrossed by some other thoughts. +"But you may accept my assurance that there is no further occasion for +them, and we will, if you please, change the subject." + +Victor did not feel by any means well satisfied that there was no +occasion for scruple, nor did he at all like his poetic friend's way of +looking at the matter. But he reflected that Blanchet might after all +have good warrant for what he had said, and that it was not for him to +cavil at the generosity of a rich girl--if she were rich--toward a poor +poet. + +So they went along, the poet and his distinguished political friend, to +the scene of the artistic and literary gathering, which the latter was +so proud to see, and the former so proud to show. + +We have all read in story about the effect of some little magic word, +which once spoken makes that which was lovely before seem but loathly, +and what was kindly wisdom sound like fatuous malignity. Was there some +such ill-omened charm working all that night on Victor Heron? Nothing +seemed to him like what he had expected. He was not impressed as he had +felt sure he would be by the poets and other sons of genius. They did +not seem to constitute an assembly of noble minds in whose midst he was +to feel such reverence as the rude Gauls of history or legend felt in +the presence of the Roman senators. The thoughts that he heard did not +strike him as celestial in their origin. There was a good deal of +disparagement and denunciation of absent authors and artists, which if +the talkers had not been men of genius, Victor would certainly have +thought ill-natured and spiteful. There seemed, at least, to his +untutored mind, to be little more than a technical relish of art in all +they said. It was not art they cared for, but only a clique and its +tricks. A group of discontented spinsters girding at their younger +sisters who were married could hardly have shown themselves more +narrow-minded and malign. The effect on Victor was profoundly +depressing. It was like that which might be wrought upon a youth, who +after gazing in rapture on the performance of some queen of classic +tragedy, is at his earnest desire taken to see her in her private life, +and finds her slatternly of dress, mean of speech, wholly uninspired by +her art, and only taking a genuine pleasure in disparagement or slander +of her rivals. + +If Victor had known the world better, he would have known that much, +very much, of all this was but the mere affectation and nonsense of +youth. These young men were as yet among the "odious race of the +unappreciated." Yet a little, and some of them will make a success, and +will have the credit of the world for what they do, and they will turn +out good fellows, kindly, true, and even modest. Nothing makes some +young men so insufferably conceited and aggressive as the idea that +they are not successful, and that people know it. There are many of us +mortals with whom prosperity only agrees. On the other hand, some of +these youths will fail early, completely, and wholesomely in their +artistic attempts, and will find out the fact for good, and will retire +from the field altogether, and settle down to something else, and make +a success, or at least a decent living, in some other way of life, and +will forget all the worser teaching of their earlier days; and will +look back without bitterness on the time when they tried to impress a +dull world, and have no feeling of hatred for those who have done +better, but will marry and bring up children, and be Philistines and +happy. Youth has only one season--luckily for a good many of us, who +are decent fellows enough as long as we are content to be ourselves, +and can do without affectation. + + +CHAPTER XVII. + +"UNDER BONNYBELL'S WINDOW-PANES." + + +But there was something more in Victor Heron's feeling of depression +that night than came from the mere fact that he had found a few young +artists not quite such heroic spirits as he thought they ought to be. +It was the demeanor of Herbert Blanchet that especially spoiled the +evening for him. In truth the head of the poet was not a strong one, +and was very easily turned by any little stimulant of whatever kind. +His volume of poems this night affected all his being. He felt sure +that he was at last about to force himself upon the recognition of the +world, and he made up his mind that Miss Grey was in love with him. He +conveyed hints of his approaching good fortune to his companions; and +he received at first with benign courtesy their compliments on the +success that seemed to await him in life and love. But when some too +forward person suggested that he could possibly guess at the name of +the heiress whose heart and hand were to bless the lucky poet, then +Blanchet became gravely and even severely dignified. + +"You will excuse me, Mellifont," he said grandly, the brandy and soda +having, as was the wont of any such liquor taken by our poor poet, gone +straight upward to his head--"you will excuse me, I am sure, if I say +this is not exactly a subject for jocularity; or even, permit me to +add, for general conversation, although among friends. My distinguished +friend, Mr. Heron, will, I am sure, exactly appreciate what I say. +Things may not be so completely settled as to make it proper that they +should be spoken of as if--as if in short they were settled; you will +excuse me, Mellifont, my dear fellow--you will excuse me." + +Victor Heron thought it time for him to go, and rose accordingly, and +Mr. Blanchet insisted on accompanying him down the stairs and to the +door of the house. + +"I thought it right, you know," the over-dignified poet said, "to put a +stop to that sort of thing. Men have no right to make such inferences. +I should have no right myself to assume that things were settled in +that sort of way. It is not just to others--to another at least. You +appreciate my motives I am sure, Heron, my dear friend?" + +"I don't know that I even quite understand what your friend was talking +about," said Heron coldly. "But if it was about any lady, I should +think such conjecturing highly improper and impertinent; and I should +be rather inclined to put a stop to it even more quickly." + +"Quite my idea--I am glad you entirely concur with me, and approve of +the course I have taken. But of course you would do so. I knew I could +count on your approval. By the way, you know Mellifont?" + +"The man you talked to just now?" + +"Yes, Mellifont--a very good fellow, though a little too fond of +talking--I have had to reprove him more than once, I can tell you. But +a very good fellow for all that, and one of the only true artists now +alive. He is a composer--you must hear him play some bits from his +opera. He is at work on an opera, you know--or perhaps you have not +heard?" + +"I have not heard--no. I am rather out of the way of such things, I +fear," said Victor, beginning to feel, in spite of himself, a certain +awe of a man who could compose an opera, and thinking that, after all, +a certain allowance must be made for the genius of one who could do +such things. + +"Oh, you must hear some of it soon! We feel satisfied that it will +sound the death knell of all the existing schools of music. They are +all wrong, sir, from the first to the last, from Mozart to Wagner--all +wrong except Mellifont." + +Victor was for the moment really staggered by the genius of this great +man. + +"What is his opera to be called?" he asked, not venturing to hazard any +compromising observation. + +"'The Seven Deadly Sins.' It is to be in seven acts, and each act is to +give an entirely new illustration of a deadly sin--which Mellifont will +show to be the only true virtues of mankind. It will make a revolution, +I can tell you." + +Victor thought it could hardly fail to do that if it were at all +successful in the object set out by its author. + +"It is to have seven heroines," the poet went on, still at the door, +and refusing to allow Victor to depart. "Lot's daughters--let me +see--Messalina, Locusta; Jezebel I think, Theodora, and I believe, Mrs. +Brownrigg. It will be a splendid thing." + +It was not easy for Victor to get away, for the poet had to tell him of +other great works of art that were in the contemplation of members of +the school. At length Blanchet released him, thanking him grandly for +the assistance he had lent to the bringing out of his book, but adding +even more grandly some words that fell painfully on Victor's ear. + +"I hope to be independent of publishers and drudgery before long; I +fancy--I rather believe it depends upon myself, and I think I owe it to +my own genius to raise myself above the necessity of drudgery. Then I +could do something worthy of myself, and the few whose praise I value." + +Victor escaped at last and walked away. He was in a very discontented +mood, an unusual thing for him. He could not help believing that there +must be, or at least might be, something in the idea which Blanchet so +evidently wished people to receive. He feared that there must be +something more than mere kindly patronage in Miss Grey's generosity +toward Blanchet. The thought was strangely disagreeable to him. He +could not think with patience of such a girl being in love with such a +man. He was now disposed to exaggerate the demerits of the poet, and to +believe anything mean of one who could take a girl's money and give out +as an excuse for taking it that she was in love with him. "If I had a +sister," he thought, "and any fellow were to give such hints about her, +I wonder how I should like it, and I wonder how much of it I should +stand!" + +He felt sorry, very sorry, for Minola, and perhaps a little angry with +her too for allowing to any man the chance of suggesting such things. +The more he thought of her and all he had seen of her, the less she +seemed fitted for such a lover as Mr. Blanchet. She had impressed +Victor greatly by her manners, her fresh and frank character, and the +simple, trusting generosity which was her transparent attribute. He +began to look on the poet now as a mere fortune-hunter, who was +fastening upon the girl because of the money which he expected her to +have. He did not know how consuming a passion is the vanity of the +small artistic mind--the mind which has art's ambition only and not +art's inspiration. Mr. Blanchet was not a fortune-hunter in the +ordinary sense. His poems were to him as yet much dearer than any +fortune. He was drawn to Minola not because she had money, but because +having money she was willing to spend some of it in bringing out his +poems in a handsome edition. + +Our hero's quixotic temper was thoroughly roused by the thought of some +wrong which he fancied was about to be done to Minola. He was not one +of those lucky beings who can let things alone. He never could let +things alone. Had he had the gift of those who can, he would just then +have been governor of some rising colony, and would have been in a fair +way of promotion. He was tormented by the thought that there was +something he ought to do to save Minola from some vaguely terrible +fate, and by not being able to see what the something was which lay +within his power to do. Before he had walked many yards he had worked +himself into the idea that a plot of some sort was in preparation to +entrap Minola into a marriage with one who, poet or not, was wholly +unworthy of her. + +His energetic spirit at length suggested something to be done. It was +not, perhaps, a very practical or useful stroke of policy, but it was +the only thing which occurred to him and the only thing which he did +just then. He started off at full speed to walk under the windows of +the house where Miss Grey was living. It was now fully midnight, and of +course he had not the slightest idea of seeing Minola, and, indeed, +would have been greatly embarrassed if he had seen her. But he started +off, nevertheless, to walk under her windows with as eager a step and +as steady a purpose as if he were really hastening to rescue her from +some imminent danger. It was only a short walk from where he then was +to Minola's lodgings; but Heron was so eager in his purpose that the +way seemed miles, which he was covering with hasty strides. + +When he reached the house where Minola lived, the aspect of the place +was just such as, if he had been a lover, he might have expected or +desired to find. The house was all in darkness save for one window. +There was a looking-glass in that window, making it plain to the least +observant of human creatures that it must be the window of a bedroom. +How could a lover doubt that that must be the window of the room which +was hers, and that she then watched the stars of midnight, and that she +thought of love, and that her soul was, as Jean Paul puts it, in the +blue ether? For the moment Victor Heron found himself wishing that he +were a lover--were the lover of whom the lady, fancy-fixed in that one +lighted room, might be thinking. But if it were Minola's room, he +thought, she certainly had not him or any memory of him in her mind. It +was a clear, soft midnight, and the moon that shone on the near roof of +the British Museum seemed as poetic and as sad as though it fell on the +ruins of the Parthenon. No practice in colonial administration can +wholly squeeze the poetic and the romantic out of the breast of a young +man of Heron's time of life. As he stood there his grievance seemed as +far off as the moon herself, but not by any means so poetic and +beautiful. He paced up and down, feeling very young and odd, and unlike +his usual self. He was happy in a queer, boyish way that had a certain +shamefaced sensation about it, as when a youth for the first time +drinks suddenly of some sparkling wine, and feels his brain and senses +all aflame with delicious ecstasy, and is afraid of the feeling +although he delights in it. + +It was a natural part of the half fantastic chivalry of his character +that he should have felt a sort of satisfaction in thus for the moment +being near Minola, as if by that means he were in some sort protecting +her against danger. If at that time any softer and warmer feeling than +mere friendship were mingling itself with Heron's sensations, he did +not then know it. He thought of the girl as a sweet friend, new to him, +indeed, but very dear, in whose happiness he felt deeply interested, +and over whom he had taken it into his head that he had a right to +watch. She seemed to be strangely alone in the world of London, and, +indeed, to be at the same time not suited for anything in London but +just such isolation. He never could think of her as mixing in the +ordinary society of the metropolis. He could not think of her as one of +the common crowd, following out mechanically the registered routine of +the season's amusements, listening to the commonplace talk, and +compliments, and cheap cynicism of the drawing-room and the five +o'clock tea. To him she appeared as different from all that, and as +poetically lifted above it, as if she were Hawthorne's Hilda, high up +in her Roman tower, among her doves, and near to the blue sky. Except +in the home of the Moneys, Heron had never seen Minola in anything that +even looked like society; and there was a good deal of the odd and the +fresh in that home which took it out of the range of the commonplace, +and did not interfere with his poetic idealization of Minola. Her +presence and her way of life appeared alike to him a poetic creation. +So quiet, self-sufficing a life, alone in the midst of the crowd, such +simple strength of purpose, such a tranquil choice of the kind of +existence that suited her best, such generosity and such gracious, +loving kindness--all this together made up a picture which had a +natural fascination for a chivalrous young man, who had never before +had time to allow the softer and more romantic elements of his nature +any chance of expression. It may be that for the present Minola was to +him but the first suggestion of an embodiment of all the vague, +floating thoughts and visions of love and womanhood that must now and +then cross the spiritual horizon of every young man, no matter how +closely he may be occupied with colonial affairs and the condition of +the colored races. The hero of a French story, whereof there is not +otherwise over-much good to be said, speaks with a feeling as poetic as +it is true when he says that in the nightingale's song he heard the +story of the love that he ought to have known, but which had not yet +come to him. Perhaps in the eyes and in the voice of Minola Victor +Heron unconsciously found this story told for him. + +However that might be, it is certain that Heron found a curious +satisfaction this night in passing again and again before Minola's +door, and making believe to himself as if he were guarding her against +danger. He might have remained on guard in this way, heaven knows how +long--for, as we know, he was not fond of early going to bed--but that +he suddenly "was aware," as the old writers put it, of another watcher +as well as himself. It was unmistakable. Another man came up and passed +slowly once or twice under the same windows, and on the side of the +street where Heron had put himself on guard. Then the new comer, +observing, no doubt, that he was not alone, had crossed to the other +side of the street, and Heron thought he was only a chance passer and +was gone altogether. Presently, however, he crossed the road again, and +stood a short distance away from Heron as if he were watching him. Now, +though Victor Heron was not a lover, he had just as much objection as +any lover could have to being seen by observant eyes when watching +under a girl's window. The mere thought recalled him at once to +chilling commonplace. He was for going away that moment; all the +delight was gone out of his watching. But he was a little curious to +know if the new comer were really only a casual stranger whom his +movements had stirred into idle curiosity. So he went straightway down +the street and passed the unwelcome intruder. He felt sure the face of +the man was known to him, although he could not at first recall to mind +the person's identity. He felt sure, too, by the way in which the man +looked at him and then turned suddenly off, that the new comer had +recognized him as well. This was tormenting for the moment, as he went +on perplexing himself by trying to think who it was that he had seen in +this unexpected and unwished-for way. He walked slowly, and looked back +once or twice. He could not see his disturber any more. The man had +either gone away or was, perhaps, standing in the shadow of a doorway. +Suddenly an idea flashed upon Heron. + +"Why, of course," he exclaimed, "it's he! I ought to have known! It's +the man from Keeton--the hated rival." + +By "hated rival," however, Heron did not mean a rival in love, but only +in electioneering; for he now knew that it was Mr. Sheppard he had +seen, and he remembered how Mr. Sheppard, when he met him in Minola's +room, had seemed oddly sullen and unwilling to fraternize. This was the +reason why Heron called him the hated rival. His own idea of a rival in +an election contest was that of a person whom one ought to ask to +dinner, and treat with especial courtesy and fair offer of friendship. + +Suddenly, however, another idea had occurred to him. + +"What on earth can he be doing there," he asked, "under her window? Can +it be possible that he too is a lover?" + +He too? Who then was _the_ lover--the other lover? Heron did not +believe, and would not admit, that Blanchet was a genuine lover at all. +The whole theory of Victor's duty to watch under Minola's windows was +based on the assumption that Blanchet was no true lover, but a cunning +hunter of fortune. Why then ask, was Mr. Sheppard too a lover? Heron +did not at the moment stop to ask himself any such question, but after +awhile the absurdity of his words occurred to him, and he was a little +amused and a good deal ashamed of his odd and hasty way of putting the +question. + +"Why shouldn't he be there as well as I?" he said. "Why should he be a +lover any more than I?" + +Then he began to assure himself that the hated rival must have been +there only by chance; and it is doubtful whether if he had thought much +longer over the question he would not have ended by convincing himself +that nothing but the merest chance had brought him, too, under Minola's +window panes. + +It was, indeed, Minola's window under which he had been watching; and +she too was watching, and never dreamed that he was so near. She looked +from her window not long after he had gone, and saw the street all +lonely, and felt lonely herself, and shuddered, thinking that life +would ever be a dreary piece of work for her. It is a melancholy fact +that all that time, and even long after she had gone in shuddering from +the window, poor Sheppard was standing in a doorway at the opposite +side of the street, and that she not only never saw him, but never +thought of him. Her thoughts were of Victor Heron, and of her own folly +and her own love--that love which seemed such folly, which was so +hopeless, which she knew, or at least believed it was a sort of treason +against friendship to indulge, although in absolute secret. + +In Uhland's pretty poem called "Departure" a youth is going on his +wanderings, and his comrades escort him a little on his way, and as +they go along they pass beneath the windows of a pretty girl. The lad +looks up, and would fain if he might have a rose from her hand, and yet +tells himself that he would not have it--for to what end to have the +rose when she whom he loved cared nothing for him, and the rose would +only wither with him, and to no purpose? When he has gone the girl +strains her eyes after him in grief, and wonders what the world is to +be to her now that he she loved is going far away, and never knew of +her love. A few timely words might have spared all the heart-ache, no +doubt; but it will be a very different world from that which we have +known when all the words that might have been timely are spoken in +time, or even when the feelings that might prompt the timely words have +learned their own meaning at the right moment to give it breath. + + +CHAPTER XVIII. + +"COUNSEL BETRAYED." + + +The next morning Heron rose with a distinct purpose of doing something +to put Minola on her guard. His purpose to do something was much more +clear than his knowledge of what he had better do. Anyhow he thought he +would go and see Minola, and say something to her. When he began to +speak he would probably hit upon the thing to say. As he might have put +it himself, Providence would pull him through somehow. The first thing +was to get to speech of Minola. This, at least, ought not to be hard to +compass. + +His first idea was simply to go to her house and ask to see her. But +when he was near the scene of his mounting guard the past night he +began to think of the difficulties that would be put in his way if any +one else were present. How, for example, could he possibly say what he +specially wanted to say if Mary Blanchet were present, or were even +coming and going in and out of the room, as she was almost sure to be? +On the other hand, how could he formally ask for a private conversation +with Minola without stirring all manner of absurd curiosity and +conjecture? At the very least, Mary Blanchet would be sure to ask, when +he had gone, what he had come to say; and that would, under the +circumstances, be rather embarrassing for Minola. He gave up, +therefore, the idea of seeing Miss Grey at her own house. + +Another plan at once occurred to him. He knew how often Minola walked +in Regent's Park--he would go and walk there about the time which she +usually chose, and he would go again and again until he met her. So he +started off for the Park, greatly relieved in mind to be doing +anything. All the time there was a good deal of work on his account +which he might and, if he were at all a sensible young man, would have +been doing. The time that he was spending in trying to ward off from +Minola a supposed danger might, if properly used, have procured him an +interview with a Cabinet Minister, or paved the way for easy success at +the future election for Keeton. There were twenty things which Mr. +Money had often told him he must do if he would have the faintest hope +of any success in anything; and all these things he was utterly +neglecting because he chose to think that he was called on to give some +advice to a girl who perhaps would repay him with but little thanks for +his officious attempt at interference. + +He walked slowly through the park, along the paths which he knew that +she loved, and made for the canal. It was a soft, gray day, with no sky +seen. The air was surcharged with moisture; but it was not raining, and +the grass was only as if a heavy dew had settled on it. The soft breath +that floated over the fields was warm and languid. Only three colors +were to be seen all across the park: the green of the grass, the gray +of the clouds, or of the one cloud rather, and the dull black of the +tree-trunks. These colors indeed were softened, and shaded away, and +blended into each other, with indefinable varieties of tone and +delicate interchanges of effect. It was just the day to make a certain +class of observer curse the stupid and foggy monotony of the English +climate. It was the day, too, to gladden the heart of a certain refined +class of artist with whom delicate effects of tone and shade are +precious and familiar. Certainly it might be called a day of poetic +atmosphere. To Victor, who had long been used to the unwinking +steadiness of a tropical sun, there was something specially refreshing +and delightful in the grass, the trees, and the cloud. He found himself +yearning in heart for a life which would leave him more time and +thought for the skies, the trees, and the air. + +Suddenly the scene vanished from his eyes, and he only saw Minola Grey. +He was now approaching the canal, and he saw her leaning over the +bridge and looking into the water. It was early in the day--too early +for the nursemaids and the children, and the ordinary walkers, and +there was no one but Minola now in Heron's sight. + +The girl, as she leaned on the railing of the bridge and looked into +the water, might have been adopted by any artist as a model-figure of +melancholy. If Victor had been less in a hurry with everything--if he +had remained where he then was and looked at her unperceived for a few +moments, Heaven knows what inspiration of ideas, what revealings about +himself and her might have come into his mind. But Victor waited for +nothing--seldom in life gave himself much time to think, and, in any +case, would have had an instinctive objection to even a moment's +unperceived watching of a meditating girl. He was so rejoiced at the +readiness with which his desire to meet her had been gratified, that he +thought he could hardly seize his chance too soon. In his eagerness he +even forgot that the task he had undertaken was rather embarrassing, +and that he had not yet made up his mind as to what he was going to +say. He was by Minola's side in a moment. + +She was so much surprised and startled that Victor was quite ashamed of +having come upon her in such a sudden way. He had forgotten that all +women have nerves, and get startled in ways unknown to men. At least, +he assumed it must be for some reason of this kind that Minola seemed +so much disturbed when he came up, but he certainly had not supposed +that girls so clever and healthy as Miss Grey were usually troubled +with nerves. + +Minola recovered herself very soon, however, and got rid of all +appearance of mere nervous embarrassment, although there was for a +while a certain constraint in her manner. + +"Have you been long here?" he asked. + +"Not very long; at least it did not seem long. I like to be here at +this time; there are so few people." + +"Yes; I knew you were likely to be here about this time if you were +coming at all to-day," he said; an awkward remark, as it suggested that +he had come expressly to meet her. + +"I come here at all manner of times," she said; "but I think I like +this time the best." + +"You are not going any further, I suppose?" + +"No; I thought of turning back now, and going home." + +"I'll walk a little way with you if you will allow me?" + +Of course she had no objection to make. They had walked in that place +often before, and it was a matter of certainty that as they did meet +they would walk together. He need hardly have asked her if she would +allow him to walk with her now. + +So they turned and walked a little off the beaten track, and under the +trees. When they had walked a certain distance in one direction Victor +turned round and she turned with him, as if she were merely obeying his +signal of command. It has already been said more than once that Mr. +Heron always went on as if he were ever so much older than she, and +belonging indeed to a different stage of life. He bore himself as a man +of forty or thereabout might do with a young woman of Minola's age. + +"How do you like Blanchet's book?" he asked abruptly. + +"It is very beautiful, I suppose. It's a little too ornamental and +fantastic perhaps for my taste; but I suppose that is in keeping with +the style of the poems; and _he_ is delighted with the book." + +"It has cost a great deal of money--much more than it ought to have +cost. I don't like the thing at all." + +"But think of the joy given to the poet. It is surely not very dearly +bought at the price. I never knew of a man so happy." + +"Yes, yes; that is all very well for him----" + +"It is very well for me too, Mr. Heron--to be able to do a kindness for +any human creature. I dare say it has given me as much pleasure as it +has given him, and made me quite as proud too--and is not that +something to gain?" + +"Still I can't help feeling uneasy about this thing. It has cost a heap +of money--much more than I ever supposed it would--and I seem as if I +had brought you into all the expense." + +"How could that be, Mr. Heron? I expressly wished Mr. Blanchet to do as +he pleased; and he understood me exactly as I wished him to do. You had +nothing to do with it." + +"Oh, yes! I had something to do with it; and then--excuse me--you are +rather young perhaps----" + +"Perhaps I can't be expected to know my own mind; or ought not to be +trusted with the spending of my own money?" + +"No, I didn't mean that; but you might not have known exactly what you +were being let in for; and it is a good deal of money for a girl to +pay." + +"And in fact you don't think a girl ought to be allowed to spend her +money without some wise person of the superior sex to guide her hand? +Thank you very much, Mr. Heron, but I think I may have my own way in +this at least. I have often told you that I left Keeton because I could +not stand the control of wiser and better persons than myself. I am not +at all a good girl, Mr. Heron; I never said I was. The counsels of the +wise are sadly thrown away on me, I fear." + +She spoke in a hard and ungenial tone, which he had not heard her use +before. He could not help looking at her with an expression of wonder. +She saw the expression and understood it. + +"You are shocked at my want of sweet, feminine docility? I ought not to +have any ideas of my own, I suppose?" + +"No, I am not shocked, and I am not at all such a ridiculous person as +you would seem to suppose, and I have none of the ideas you set down to +me; but you don't seem quite like yourself, and you speak as if you +were offended with me for something." + +"Offended? Oh, no. How could I possibly be offended? I am very much +obliged, on the contrary, for the trouble you take for one who seems to +you quite unable to take care of herself." + +Victor did not like her tone. There was something aggressive in it. He +was not experienced enough in the ways of society to cry content to +that which grieved his heart, and his thoughts therefore showed +themselves pretty clearly in his face. + +"I don't like Blanchet's taking all this money," he said, after a +moment of silence. "I don't think a man ought to take such a helping +hand as that from--well, from----" + +"From a woman, you were going to say? Why not from a woman, Mr. Heron? +Are we never to do a kind thing, we unfortunate creatures, because we +are women and are young?" + +"No, I don't say that; but there are things it may become a woman to +do, and which it doesn't quite so well become a man to profit by. I +don't think Blanchet----" + +"Mr. Blanchet seems to have a higher idea of what a woman's friendship +may be than you have, Mr. Heron. He does not see any degradation in +allowing a woman to hold him out a helping hand when he wants one. I +like his ideas better than yours. You say you would have done this +little service for him if you had been allowed. Why should there be any +greater degradation to him in having it done by me? At all events you +can't wonder if I don't see it all at once." + +"Of course if you are satisfied and pleased, there is nothing more to +be said in the matter." + +"I am satisfied and pleased. Why should I not be? I asked a friend to +let me do something to help him, and he answered me just in the spirit +in which I spoke. Of course I am glad to find that there is even one +man who could take a friendly offer in a friendly way. There are not +many such men, I suppose?" + +Victor could not help smiling at her emphatic way of expressing her +scorn of men. + +"I do believe you have really turned yourself misanthropical by reading +'Le Misanthrope,'" he said. + +"Well, why should there not be a woman Alceste? although I never knew +any woman in real life more worthy to be classed with him than the men +we meet in real life are. Miss Alceste, I think, would sound very +prettily. I wish I could think myself entitled to bear such a name?" + +"Or Miss Misanthrope," he suggested. "How would that do for a young +lady's name?" + +"Admirably, I think. That would get over all the difficulty too, and +save foolish persons from thinking that one was setting up for another +Alceste. I should like very much to be called Miss Misanthrope." + +"If you go on as you are doing, you will soon be entitled to bear the +name," said Victor gravely. "At the present moment I don't know that I +should much object to that." + +"No! I am glad that anything I am likely to do has a chance of pleasing +you. But why should you not object just at present? Why not now as well +as at any other time?" + +"Because I should like you to be a little misanthropical just now, and +a little distrustful--of men, that is to say, Miss Grey." + +She colored slightly, although she had no idea of his meaning yet. + +"I always thought you were full of trust in the whole human race, Mr. +Heron; I thought you liked everybody and believed in everybody. Now you +tell me to distrust all mankind." + +"I didn't say that." + +"No? Some particular person, then?" + +"Some particular person, perhaps. At least I don't mean exactly that," +Heron hastened to explain, his conscience smiting him at the thought +that perhaps after all he might be suggesting unjust suspicions of an +absent man who was a sort of friend. "I only mean that you are very +generous and unselfish, and that there might be persons who might try +to make use of your good nature, and whom perhaps you might not quite +understand. I don't know whether I ought to speak about this at all." + +"Nor I, Mr. Heron, I am sure; for I really don't know what you are +speaking of or what mysterious danger is hanging over me. But I hope +there is something of the kind, for I should so like to resemble a +heroine of romance." + +"There is not anything very romantic in prospect so far as I know," he +said, now almost wishing he had said nothing, and yet feeling in his +heart a serious fear that Minola might be led to put too much faith in +Blanchet. "But if I might speak out freely, and without any fear of +your misunderstanding me or being offended, there is something, Miss +Grey, that I should very much like to say." He spoke in an uneasy and +constrained way, forcing himself on to an ungracious task. + +"You have been preaching distrust to me, Mr. Heron, and you have been +finding fault generally with all women who trust anybody. To show you +how your lessons are thrown away on me, I shall certainly trust you as +much as you like, and I shall not misunderstand anything you say nor be +offended by it." There was something of her old sweet frankness in her +manner as she spoke these words, and Heron was warmed by it. + +"Well," he said at last, "you are a girl, and young, and living almost +alone, and people tell me you are going to have money. You have +promised to excuse my blunt way of talking out, haven't you? I almost +wish for your sake, as you like to live this kind of life, that you had +just enough of money to live upon and no more; but I hear that that is +not the case, or at all events is not to be. Well, the only thing is +that people who I think are not true, and are not honest, and who are +not worthy of you in any way whatever, may try to make you think that +they are true, and sincere, and all the rest of it." + +"Well, Mr. Heron, what if they do?" + +"You may perhaps be persuaded to believe them." + +"And even if I am, what matter is that? I had much rather be deceived +in such things than know the truth, if the truth is to mean that people +are all deceitful." + +"I don't think you want to understand me," he said. + +"Indeed I do; I only want to understand you; but I fail as yet. Why not +speak out, Mr. Heron, like a man and a brother? If there is anything +you want me to know, do please make me to know it in the clearest way." + +She was growing impatient. + +"You will have lovers," he said, driven to despair when it seemed as if +she could not understand a mere hint of any kind; "of course you must +know that you are attractive and all that--and if you come to have +money, you will be besieged with fellows--with admirers I mean. Do be a +little distrustful--of one at least; I don't like him and I wish you +didn't--and I can't very well tell you why, only that he does not seem +to me to be manly or even honest." + +She colored a little, but she also smiled faintly, for she still did +not understand him. + +"I suppose I must know the man you mean, Mr. Heron; for I think he is +the only man I ever heard you say anything against, and I have not +forgotten. But what can have made you think that I needed any lecture +about him? I don't suppose he ever thought about me in that way in his +life, or would marry one of my birth and my bringing up even if I asked +him. And in any case, Mr. Heron, I would not marry him even if he asked +me. But what a shame it seems to arrange in advance for the refusing of +a man who never showed the faintest intention of making an offer." + +At first Heron did not quite understand her. Then he suddenly caught +her meaning. + +"Oh, that fellow? I didn't mean him. I never could have supposed that +you were likely to be taken in by him." + +"To do him justice, Mr. Heron, he never seems to have any thought of +taking any one in. Such as he is he always shows himself, I think." + +"Oh, I don't care about him----" + +"Nor I, Mr. Heron, I assure you. But whom then do you care about--in +that sense?" + +"I distrust a man who takes a woman's money in a reckless and selfish +way," Heron said impetuously. "That is a man I would not trust. Don't +trust him, Miss Grey; believe me, he is a cad--I mean a selfish and +deceitful fellow. I can't bear the thought of a girl like you being +sacrificed--or sacrificing yourself as you might do perhaps--and I tell +you that he is just the sort of man----" + +"Are you speaking of Mr. Blanchet now, Mr. Heron?" Her tone was cold +and clear. She was evidently hurt, but determined now to have the whole +question out. + +"Yes, I am speaking of Blanchet, of course--of whom else could I be +speaking in such a way?" + +"Mr. Blanchet is my friend, Mr. Heron; I thought he was a friend of +yours as well." + +"Well, I thought he was a manly, honest sort of fellow--I don't think +so now," Victor went on impetuously, warming himself as he went into +increasing strength of conviction. "I know you will hate me for telling +you this, but I can't help that. I am as much interested in your +happiness as if--as if you were my sister--and if you were my sister, I +would just do the same." + +It would indeed be idle to attempt to describe the course of the +feelings that ran through Minola's breast as she listened to the words +of this kind which he continued to pour out. But out of all that swept +through her--out of shame, surprise, anger, grief, the one thought came +uppermost, and survived, and guided her--the thought that she had only +to leave Heron's appeal unanswered, and her secret was safe for ever. + +She made up her mind, and was self-contained and composed to all +appearance again. + +"Let us not say any more about this, Mr. Heron; I am sure you mean it +as a friend; and I never could allow myself to feel offended by +anything said in friendship. I am sorry you have such an opinion of Mr. +Blanchet; I have a much better opinion of him; I like him better than I +like most men; but you know we have just agreed that I ought to be +called 'Miss Misanthrope,' and I assure you I mean to do my very best +to deserve the name. No--please don't say any more--I had rather not +hear it indeed; and if you know anything of women, Mr. Heron, you must +know that we never take advice on these matters. No; trust to my +earning my name of Miss Misanthrope; but don't tell me of the demerits +of this or that particular man. I had rather hate men in the general +than in all the particular cases--and how long we must have talked +about this nonsense, for here is the gate of the park; and Mary +Blanchet will be thinking that I am lost!" + +They almost always parted at this park gate. This time he felt that he +must not attempt to go any further with her. She smiled and nodded to +him with a manner of constrained friendliness, and went her way, and +Heron's heart was deeply moved, for he feared that he had lost his +friend. + + +CHAPTER XIX. + +MR. ST. PAUL'S MYSTERY. + + +Two events occurring almost together affected a good deal some of the +people of this story. The first was the death of Mrs. Saulsbury. + +Miss Grey was at once invited by the lawyers who had the charge of her +father's affairs to visit Keeton, in order to become fully acquainted +with the new disposition of things in which she had so much interest. +Thereupon Mr. Money announced that, as Miss Grey had no very close +friend to look after her interests, he was resolved to put himself in +the place of a parent or some near relation, and go with her and see +that all her interests were properly cared for. Minola was unwilling to +put him to so much trouble and loss of time, well knowing how absorbed +in business he was; but he set all her remonstrances aside with blunt, +good-humored kindness. + +"Lucy is coming with us," he said, "if you don't think her in the way; +it might be pleasant for you to have a companion." + +"I should so much like to go with Nola," pleaded Lucy. + +"Oh, I shall be delighted if Lucy will go," Minola said, not well +knowing how to put into words her sense of all their kindness. It was +really a great relief to her to have Lucy's companionship in such a +visit. Mary Blanchet did not like to go back even for a few days to +Keeton. The poetess objected to seeing ever again the place where she +considered that art and she had been degraded by her servitude in the +court-house. So the conditions of the visit were all settled. + +But there arose suddenly some new conditions which Minola had never +expected. The long looked-for vacancy at length occurred in the +representation of Keeton. The sitting member announced his +determination to resign his seat as soon as the necessary arrangements +for such a step could be put into effect. It was imperative that Victor +Heron should lose no time in throwing himself upon the vacant borough. +Mr. Money and Lucy rattled up to Minola's door one breathless morning +with the news. Lucy's eyes were positively dancing with excitement and +delight. + +"It seems to me that there's going to be a regular invasion of your +borough, Miss Grey," Mr. Money said. "We're all going to be there. You +see that you are under no manner of compliment to me. I must have gone +down to Keeton in any case; it's one of the lucky things that don't +often befall a busy man like me to be able to kill the two birds with +the one stone. I must take care of our friend Heron as well as of you. +He would be doing some ridiculous thing if there were no elder to look +after him. He is as innocent of the dodges of an English election as +you are of the ways of English lawyers. So we'll be all together; that +will be very pleasant. Of course we'll not interfere with you. You +shall be just as quiet as you like while we are doing our +electioneering." + +What could Minola say against all this arrangement, which seemed so +satisfactory and so delightful to her friends? It was not pleasant for +her to be brought thus into a sort of companionship with Victor Heron. +But it would be far less pleasant, it would indeed be intolerable and +not to be thought of, that she should in any way raise an objection or +make a difficulty which might hint of the feelings that possessed her. + +"After all, what does it matter?" she asked herself as Mr. Money was +speaking. "I shall have to suffer this kind of thing in some way for +half my life, I suppose. It is no one's fault but my own. Why should I +disturb the arrangements of these kind people because of any weaknesses +of mine? If women will be fools, at least they ought to try to hide +their folly. This is as good practice for me as I could have." + +So she told Mr. Money and Lucy that any arrangement that suited them +would suit her, and that she would be ready to go the moment he gave +the word. Then Mr. Money hastened away to look after other things, and +Lucy remained behind "to help Nola with her preparations," as she +insisted on putting it, but partly, as Minola felt only too sure, to +talk with her about Victor Heron. + +Since Heron had offered her his advice in the park, and she had put it +aside, Minola and he had only met once or twice. Then he had attempted, +the first time of their meeting, to renew his apologies, and she had +put them lightly away, as she already had done the advice, and had +given him to understand that she wished to hear no more of the matter. +She had hoped that by assuming a manner of indifference she might lead +him to forget the whole affair. But he did not understand her, and +really believed that he had lost her friendship for ever by the manner +in which he had spoken against Herbert Blanchet. He was troubled for +her much more than for himself, believing, or at least fearing, that +she had set her heart on a man unworthy of her. He kept away from her +therefore, assuming that his society was no longer welcome, and +resolute not to intrude on her. + +Minola had hoped that the worst was over, and that he and she were +likely to settle gradually and unnoticed by others into a condition of +ordinary acquaintanceship. This melancholy hope, to her a cruel +necessity in itself, but yet the best hope she could see now left for +her, was likely to be disturbed for a while by this ill-omened visit to +Keeton. + +Minola was busy making her preparations for going to Keeton, and with a +very heavy heart. Everything about the visit was now distressing to +her. The occasion was mournful; she dreaded long talks and discussions +with Mr. Saulsbury; she dreaded meeting old acquaintances in Keeton; +she shrank from the responsibilities of various kinds that seemed to be +thrust upon her. When she left Keeton she thought she had done with it +for ever. Where was the free life she had arranged for herself? Nothing +seemed to turn out as she had expected. + +Meanwhile Mary Blanchet and Lucy Money were both delighted, and in +their different ways, at the prospect of Minola's visit to Keeton. Mary +saw her leader and patroness come back rich, and ready to be +distinguished and to confer distinction. Lucy Money had the prospect of +variety, of a holiday with Minola, whom she loved, and of being very +often in the society of Victor Heron. Minola was, if anything, made +additionally sad by the thought that it was not in her power to share +their feelings, and the fear that she might seem a wet blanket +sometimes on their happiness. + +Lucy had been with her all the morning, helping her with Mary to make +preparations for the journey. Minola was glad when it was found that +some things were wanting, and Lucy and Mary offered to go out and buy +them in Oxford street. + +Minola was enjoying the sense of being alone, and was, at the same +time, secretly accusing herself of want of friendship because she +enjoyed it, when a card was brought to her, and she was told that the +gentleman said he wanted to speak to her, if she pleased, "rather +particular." The card was that of Mr. St. Paul. He had never visited +Minola before, nor was she even aware that he knew where she lived. She +was surprised, but she did not know of any reason why she might not see +him. She hastened down to her sitting-room, and there she found Mr. St. +Paul, as she had found Mr. Blanchet once before. Mr. St. Paul looked +even a stranger figure in her room than Mr. Blanchet had done, she +thought. He seemed far too tall for the place, and had a heedless, +lounging, half-swaggering way, which appeared as if it were compounded +of the old manner of the cavalry man and the newer habits of the +western hunter. Nothing, however, could have been more easy, confident, +and self-possessed than the way in which he came forward to greet +Minola. If he had been visiting her every day for a month before, he +could not have been more friendly and at his ease. + +"How d'ye do, Miss Grey? Just in time to see you, I suppose, before you +go? I've been down to Keeton already. I'm going down again--I mean to +make my mark there somehow." + +Minola thought, with a certain half-amused, half-abashed feeling, of +the remarks she had heard concerning herself and Mr. St. Paul; but she +did not show any embarrassment in her manner. Indeed, Mr. St. Paul was +not a person to allow any one to feel much embarrassed in his presence. +He was entirely easy, self-satisfied, and unaffected, and he had a way +of pouring out his confidences as though he had known Minola from her +birth upward. + +"I hope you found a pleasant reception there?" + +"Yes, well enough for that matter. I find my brother and his wife are +not anything like so popular as I was given to understand that they +were. I saw my brother in London--didn't I tell you?--before I went +down to Keeton, you know." + +"No, I did not know that you had seen him; I hope he was glad to see +you, Mr. St. Paul?" + +"Not he; I dare say he was very sorry I hadn't been wiped out by the +Indians. Do you know what being wiped out means?" + +"Yes, I think I could guess that much. I suppose it means being +killed?" + +"Of course. I mean to teach you all the slang of the West; I think a +nice girl never looks so nice as when she is talking good expressive +slang. Our British slang is all unmeaning stuff, you know; only +consists in calling a thing by some short vulgar word--or some long and +pompous word, the fun being in the pompousness; but the western slang +is a sort of picture-writing, don't you know?--a kind of compressed +metaphor, answering the purposes of an intellectual pemmican or +charqui. Do you know what these things are, Miss Grey?" + +"Oh, yes; compressed meats of some kind, I suppose. But I don't think I +care about slang very much." + +"You may be sure you will when you get over the defects of your Keeton +bringing up. But what was I going to tell you? Let me see. Oh, yes, +about my brother and his wife. The honest Keeton folks seem to have +forgotten them. But I was speaking, too, about my going to see my +brother in town. Oh, yes, I went to see him; he didn't want me, and he +made no bones about letting me know it. He thinks I have disgraced the +family; it was quite like the scene in the play--whose play is it?--I +am sure I don't remember--where Lord Foppington's brother goes to see +him, and is taken so coolly. I haven't read the play for more years +than you have lived in the world, I dare say, but it all came back upon +me in a moment. I felt like saying, 'Good-by, Foppington,' only that he +would never have understood the allusion, and would think I meant to +say he was a 'fop,' which he is not, bless him." + +"Then your visit did not bring you any nearer to a reconciliation with +your brother?" + +"Not a bit of it--pushed us further asunder, I think. The odd thing was +that I told him I wanted nothing from him, and that I had made money +enough for myself in the West. You would have thought that would have +fetched him, wouldn't you? Not the least in life, I give you my word." +And Mr. St. Paul laughed good-humoredly at the idea. + +"I am sorry to hear it," said Minola. "I think there are quarrels and +spites enough in the world, without brothers joining in with all the +rest." + +"Bad form, isn't it--don't you think? But I don't suppose in real life +brothers and sisters ever do care much for each other--do you think +they do? I haven't known any such cases--have you?" + +Minola could not contribute much from her own family history to +demonstrate the affection and devotion of brothers, but she had no idea +of agreeing in the truth of Mr. St. Paul's philosophic reflections for +all that. + +"I believe what you say is true enough as regards the brothers, but I +can't admit it of the sisters." + +"Come now, you don't really believe that nonsense, I know." + +"Believe what nonsense? That sisters may be fond of their brothers +sometimes?" + +"No, I don't mean that; but that there is any real difference between +men and women in these ways--that men are all bad and women all good, +and that sort of thing. One's as bad as the other, Miss Grey. When you +have lived as long in the world as I have you'll find it, I tell you. +But I don't find much fault with either lot. I think they are both +right enough all things considered, don't you know?" + +"I am sure Mary Blanchet is devoted to her brother," Miss Grey said +warmly. + +"That little old maid? Well, now, do you know, I shouldn't wonder. +That's just the sort of woman to be devoted to a brother, and, of +course, he doesn't care twopence about her." + +"Oh, for shame!" said Minola, not, however, feeling quite satisfied +about the strength of Herbert Blanchet's affection for his sister, even +while she felt bound, for Mary's sake, to utter her protest against his +being set down as wholly undeserving. + +"But, I say," Mr. St. Paul observed, "what a fool he is! I don't think +I ever saw a more conceited cad and idiot." + +"He is a very particular friend of mine, Mr. St. Paul," Miss Grey +began. "At least, his sister is one of my oldest friends." + +"Yes, yes; just so. The good old spinster is a friend of yours, and you +try to like the cad brother on her account. All quite right, of course. +I should say he was just the sort of fellow to borrow the poor old +girl's money, if she had any." + +"Oh, Mary has no money, and I am sure if she had she would be only too +glad to give it to him." + +"Very likely; anyhow he would be only too glad to take it, you may be +sure. But I don't want to say anything against your friends, Miss Grey, +if you don't like it. Only women generally do like it, you know--and +then you may say anything you please, in your turn, against any of my +friends or relatives. I shan't be offended one bit, I can assure you." + +Minola had nothing to say, and therefore said nothing. Her new +acquaintance did not allow any silence to spring up. + +"Talking of friends," he said, "there is one of your friends who +politely declines any helping hand of mine in the election business at +Keeton, although I think I could do him a good turn with some of the +fellows who are out of humor with my brother. Our quixotic young friend +will have none of the help of brothers who quarrel with brothers, it +seems. Easy to see that he never had a brother." + +"Mr. Heron is a man of very sensitive nature, I believe," Minola said; +"he will not do anything that he does not think exactly right, Mr. +Money says." + +"Yes, so I hear. Odd, is it not? Heron always was a confounded young +fool, you know. He got into all his difficulties by bothering about +things that oughtn't to have concerned him one red cent. Well, he won't +have my disinterested assistance. There again he is a fool, for I could +have done something for him, and Money knows it--it was partly on +Money's account that I thought of taking up Heron's side of the affair, +because, so far as I am concerned, anybody else would do me just as +well so long as he opposed my brother's man." + +"I can quite understand that Mr. Heron would not allow himself to be +made a mere instrument to work out your quarrel with your brother. I +think he was quite right." + +The good-humored St. Paul laughed. + +"All very fine, Miss Grey, and it does for a lady uncommonly well, no +doubt; but if you want to get into Parliament, it won't do to be quite +so squeamish. I am sure I should be only too happy to get the help of +Cain against Abel or Abel against Cain if I could in such a case." + +"Most men would, I dare say," Minola answered, with as much severity as +she could assume under the possible penalty of Mr. St. Paul's laughter. +"But I am glad that there are some men, or that there is one man, at +least, who thinks there is some object in life higher than that of +getting into Parliament." + +"Oh, as far as that goes, I quite agree with you, Miss Grey; I +shouldn't care twopence myself about a seat in Parliament--a confounded +bore, I think. But if you go in for playing a game, why, you ought to +play it, you know." + +"But are there not rules in every game? Are there not such things as +fair and unfair?" + +"Of course, yes; but I fancy the strong players generally make the +rules to suit their own ideas in the end. Anyhow, I never heard of any +one playing at electioneering who would have hesitated for a moment +about accepting the hand I offered to our quixotic young friend." + +"I am glad he is quixotic," Minola said eagerly. "I like to think of a +man who ventures to be a Quixote." + +"Very sorry to hear it, Miss Grey, for I am afraid you won't like much +to think about me. Yet, do you know, I came here to make a sort of +quixotic offer about this very election." + +"I am glad to hear it; the more quixotic it is the more I shall like +it. To whom is the offer to be made? To Mr. Heron?" + +"Oh, no, by Jove!--excuse me, Miss Grey--nothing of the sort. The offer +is to be made to you." + +"To me?" Minola was a little surprised, but she did not color or show +any surprise. She knew very well that it was not an offer of himself +Mr. St. Paul was about to make, but it amused her to think of the +interpretation Mary Blanchet, if she could have been present, would at +once have put on his words. + +"Yes, indeed, Miss Grey, to you. I have it in my power to make you +returning officer for Keeton. Do you understand what that means?" + +"I know in a sort of way what a returning officer is; but I don't at +all understand how I can do his office." + +"I'll show you. You shall have the fate of Keeton as much in your hands +as if you owned the whole concern--a deuced deal more, in fact, than if +you owned the whole concern, in days of ballot like these. I believe +you do own a good many of the houses there now, don't you?" + +"I hardly know; but I know that if I do, I wish I didn't." + +"Very well; just you try what you can get out of your influence over +your tenants--that's all." + +"Then how am I to become returning officer for Keeton?" + +"That's quite another thing. That depends on me." + +"On you, Mr. St. Paul?" + +"On me. Just listen." St. Paul had been seated in his favorite attitude +of careless indolence in a very low chair, so low that his long legs +seemed as if they stretched half way across the room. His position, +joined with an expression of self-satisfied lawlessness in his face, +might have whimsically suggested a sort of resemblance to Milton's arch +fiend "stretched out huge at length," in one of his less malign humors. +He now jumped up and stood on the hearth-rug, with his back to the +fireplace, his slightly stooping shoulders only seeming to make him +look taller than otherwise, because they might set people wondering as +to the height he would have reached if he had only stood erect and made +the most of his inches. His blue eyes had quite a sparkle of excited +interest in them, and his prematurely bald forehead looked oddly +infantine over these eyes and that keen, fearless mouth. + +"Look here, Miss Grey, it's all in your hands. You know both these +fellows, don't you?" + +"Both what fellows?" + +"These fellows who want to get in for Keeton. You know them both. Now +which of them do you want to win?" + +"What can it matter which way my wishes go--if they went any way?" + +"How like a woman! How very like a woman!" and he laughed. + +"What is like a woman? I know when a man says anything is like a woman, +he means to say that it is ridiculous." + +"Well, that's true enough; that is about what we do mean in most cases. +What I meant in this case was only that you would not answer my +question. I put a plain direct question, to which you must have some +answer to give, and you only asked me a question in return which had +nothing to do with mine." + +"Perhaps I have no answer to give. I may have the answer in my own +mind, and yet not have it to give to any one else." + +"Oh, but you may really give it to me! In strictest confidence I assure +you; no living soul shall ever know from me. Come, Miss Grey, let me +know the truth. It can't possibly do you any harm--or anybody harm for +that matter, except the wrong man for I take it for granted that the +man you don't favor must be the wrong man." + +"But I don't know that I ought to have anything to do with such a +matter----" + +"Never mind these scruples; it's nothing; there's to be no treason in +the business, nor any unfair play. It's only this; I couldn't get in +for the borough myself, even if I tried my best, but I can send in the +one of the two whom I prefer--or, in this case, whom you prefer. I can +do this as certainly as anything in this uncertain world can be +certain." + +"But how could that be?" + +"_That_ it would not suit me to tell you just at present. I know a safe +way, that's all. In the teeth of the ballot I can promise you that. +Now, Miss Grey, who is to have the seat?" + +"Are you really serious in this, Mr. St. Paul?" + +"As serious as I ever was in my life about anything--a good deal more +serious, I dare say, than I often was about graver things and more +important men. Now then, Miss Grey, which of these two fellows is to +sit for Keeton?" + +"But why do you make this offer to me?" she asked, with some +hesitation. "What have I to do with it?" There was something alarming +to her in his odd proposition, about which he was evidently quite +serious now. + +"Why do I make the offer to you? Well, because I should like to please +you, because you are a sort of woman I like--a regular good girl, I +think, without any nonsense or affectation about you. Now that's the +whole reason why I offer this to you. I don't care much myself either +way, except to annoy my brother, and that can be done in fifty other +ways without half the trouble to me. I was inclined to draw out of the +whole affair, until I remembered that you knew both the fellows, and I +thought you might have a wish for one of them to go in in preference to +the other--they can't both go in, you see--and so I made up my mind to +give you the chance of saying which it should be. Now then, Miss Grey, +name your man." + +He put his hands into his pockets, and coolly waited for an answer. He +had not the appearance of being in the least amused at her perplexity. +He took the whole affair in a calm, matter-of-fact way, as if it were +the most natural thing in the world. + +Minola was perplexed. She did not see what right he could have to +control the coming contest in any way, and still less, what right she +could have to influence him in doing so. The dilemma was one in which +no previous experience could well guide her. She much wished she had +Mr. Money at hand to give her a word of counsel. + +"Come, Miss Grey, make up your mind--or rather tell me what you have +already made up your mind to, for I am sure you have not been waiting +until now to form an opinion. Which of these two men do you want to see +in Parliament?" + +There did not seem any particular reason why Minola or any girl might +not say in plain words which of two candidates she would rather see +successful. + +Mr. St. Paul appeared to understand her difficulty, for he said in an +encouraging way-- + +"After all, you know, if you had women's rights and all that sort of +thing, you would have to give your vote for one or other of these +fellows, and I dare say you would be expected to take the stump for +your favorite candidate. So there really can't be any very serious +objection to your telling me in confidence which of the two you want to +win." + +Minola could not see how there could be any objection on any moral +principle she could think of just then--being in truth a little +confused and puzzled--to her giving a voice to the wish she had formed +about the election. + +"It's not the speaking out of my wish that gives me any doubt," she +said; "it is the condition under which you want me to speak. I seem to +be doing something that I have no right to do--that is, Mr. St. Paul, +if you are serious." + +"I remember reading, long ago," he said, "some Arabian Nights' story, +or something of the kind, about a king, I think it was, who was brought +at night to some mysterious place and told to cut a rope there, and +that something or other would happen, he did not know what or when. The +thing seemed very simple, and yet he didn't quite like to do it without +knowing why, and how, and all about it. It strikes me that you seem to +be in the same sort of fix." + +"So I am; just the same. Why can't you tell me what you are going to +do?" + +"I like that! That is my secret for the present." + +"And your king--the king in your story--did he cut the rope at last?" + +"I am afraid I have forgotten that; but I have no doubt he did, for he +was a reasonable sort of creature, being a man, and I know that +everything came right with him in the end." + +"Very well; I accept the omen of your king, and I too will cut the rope +without asking why. Of course I wish that Mr. Heron should be elected. +He is a Liberal in politics. Why do you laugh when I say that, Mr. St. +Paul?" + +"Well, I didn't know that you cared much for that sort of thing, and +women are generally supposed to be reactionaries all the world over, +are they not? Well, anyhow, that's one reason, his being a Liberal. +What next?" + +"I don't know that any next is wanting. But of course I think Mr. Heron +is a much cleverer man, and is likely to be much better able to get on +in the House of Commons; and then he has his complaint to make against +the government----" + +"Yes; and then?" + +"Then he is very much liked by people whom I like--and I like him very +much myself." Minola spoke out with perfect frankness, believing that +that was the best thing she could do, and not showing the least sign of +embarrassment. + +Mr. St. Paul laughed. + +"You don't like the other fellow so well?" he said. + +"I am sure he is a very good man----" + +"That's enough; you need not say another word. We all can tell what a +critic means when he speaks of some actor as a careful and painstaking +performer. It's just the same when a woman says a man is very good. +Then you pronounce for Heron?" + +"I pronounce for Mr. Heron decidedly, if you call saying what I should +like to happen pronouncing for any one." + +"In this case it is of more effect than many other pronunciamentos. You +have elected Heron, Miss Grey, if I am not much more out in my calculations +than I have been this some time. All right, I am satisfied. If you have +money to throw away, just back what's-his-name?--Sheppard--heavily, and +you are sure to get rid of it." + +"And you won't tell me what all this means?" + +"Not I indeed: not likely. Good day, Miss Grey. You have elected your +friend Heron, I can tell you. Odd, isn't it, that he should come to be +elected after all by me?" + +He bade her good day again, and strode and shambled out of the room and +down stairs, leaving Minola much perplexed, and not quite pleased, and +yet full of a secret wonder and pride at the possibility of her having +helped to do Mr. Heron a service. + +"I wonder what he would say if he knew of it?" she asked herself, and +she could hardly think that he would be greatly delighted with the +promise of such influence. + + +CHAPTER XX. + +LOVE AND ELECTIONEERING. + + +The soul of Keeton, as a local orator expressed it, was stirred to its +depths by the events which succeeded. The three estates of the town, +whereof we have already spoken, were alike concerned in the election. +Had it never occurred, there would have been enough in the death of +Mrs. Saulsbury and the rearrangement of Mr. Grey's property to keep +conversation up among the middle grade of Keeton folks. But business +like that would not interest the park, and of course it had no interest +for the working class of the town. The election, on the contrary, was +of equal concern to park, semi-detached villa, and cottage, or even +garret. A contest in Keeton was an absolute novelty, so far as the +memory of living man could go back. + +It may perhaps be said that the opinion of the class who alone +concerned themselves about her affairs had been, on the whole, +decidedly unfavorable to Minola. She had gone as a sort of rebel +against legitimate authority out of Keeton, and had flung herself into +the giddy vortex of London life. No one well knew what had become of +her; and that with Keeton folks was another way of saying that she must +have rushed upon destruction. Some persons held that she must have gone +upon the stage. This idea became almost a certainty when a Keeton man, +being in London on business, brought back with him from town a +play-bill announcing a new opera bouffe in which one of the minor +performers was named "Miss Mattie Grey." If the good Keeton man had +only looked in a few other play-bills, he would have no doubt found +Greys in abundance--Matties, Minnies, Nellies, and such like, Grey +being rather a favorite name with young ladies in the profession. But +he made no such investigation, and it was at once assumed that Mattie +Grey was Minola Grey in disguise--a disguise as subtle as that of the +famous knight, Sir Tristam, who, when he wanted to conceal his identity +from all observers and place himself beyond all possibility of +detection, called himself Sir Tramtrist. + +When, however, it was found that Minola was to have her father's +property after all, a certain change took place in the opinion of most +persons who concerned themselves about the matter. It was assumed +generally that Mr. Grey was far too good and Christian a man to have +left his property to a girl who could be capable of acting in an opera +bouffe. Then, when Miss Grey in person came to the town in the company +of so distinguished a man as Mr. Money, even gossip started repentant +at the sound itself had made, and began to deny that it had ever made +any sound at all. Mr. Money was a sort of hero among the middle class +everywhere. He was known to have fought his way up in life, and to be +now very rich; and when Miss Grey came into the town in the company of +Mr. Money and his daughter, the report went about forthwith that Minola +Grey had got into the very best society in London, and that she was +going to marry the eldest son of Mr. Money, and to be presented at +court. + +Mr. Money had taken a couple of floors of the best hotel to begin with. +He had brought his carriage with him--a carriage in which he was hardly +ever known to take a seat when in town. He had brought a sort of +retinue of servants. He went deliberately about making what Mr. St. +Paul would have called "a splurge." Mr. Money knew his Pappenheimers. +He knew that he was well known to have sprung from nothing, but he also +knew that the middle and lower classes of Keeton would have given him +little thanks if he had tried to please them by exhibiting there a +modesty becoming of his modest origin. He knew well enough that the +more he put on display the more they would think of him and of his +clients. Therefore he put on display like a garment--a garment to which +he was little used, and in which he took no manner of delight. There +was generally a little group of persons round the hotel doors at all +hours of the day waiting to see Mr. Money and his friends go out or +come in. At first Minola positively declined to go out at all, except +at night; and the recent death of her father's widow gave her a fair +excuse for remaining quietly indoors. Lucy delighted in the whole +affair, and often declared that she felt as if she had been turned into +a princess. When Mr. Heron came down he too seemed rather to enjoy it. +At least he took it all as a matter of course. The experiences of +colonial days, when the ruler of a colony, however small it may be, is +a person of majestic proportions in his own sphere, enabled him to take +Mr. Money's pomp quite seriously. + +Meanwhile Mr. Augustus Sheppard had got his committee-rooms and his +displays of various kinds, and was understood to be working hard. The +election contest, so long looked for, had taken every one a little by +surprise when it showed itself so near. It was natural that Mr. +Sheppard and his friends should feel confident of the result. The +retiring representative was now an old man. He had faithfully served +out his time; he had always voted as his patrons wished him to do; he +had never made a speech in the House of Commons; he had never, indeed, +risen to his feet there at all, except once or twice to present a +petition. The delights of a Parliamentary career were, therefore, this +long time beginning to pall upon him. He had been notoriously anxious +to get out of Parliament. He had been sent into the House of Commons by +the late duke to keep the seat warm until the present duke should come +of age. But the present duke succeeded to the peerage before he came of +age, and therefore never had a chance of sitting in the House of +Commons. The man in possession was allowed to remain there through +years and years, until the present duke could be induced to return from +abroad and take some interest in the political and other affairs of +Keeton. His own son was yet too young for Parliament, and as the +sitting member found himself getting too old and begged for release, +there was nothing better to do than to get some safe and docile person +to take on him the representation of the borough for some time to come. +Those who knew Keeton could recommend no one more fitting in every +desirable way than Mr. Augustus Sheppard. + +The time was when Mr. Sheppard would only have had to present the +orders of the reigning duke to the constituency of Keeton and to take +his seat in the House of Commons accordingly as if by virtue of a +sovereign patent in ancient days. But times had changed even in sleepy +Keeton. The younger generation had almost forgotten their dukes, it was +so long since a chief of the house had been among them. Even the women +had grown comparatively indifferent to the influence of the name seeing +that it had so long been only a name for them. There had been for many +years no duchesses and their lady daughters to meet at flower-shows and +charitable bazaars, by the delight of whose face, and the sound of +whose feet, and the wind of whose tresses, as the poet has it, they +could be made to feel happy and exalted. There once were brighter days +when the coming and going of the ladies at the castle gave the women of +Keeton a perpetual subject of talk, of thought, of hope, and of +quarrel. Some of the readers of this story may perhaps have spent a +little time in small towns on the banks of foreign--say of +American--rivers which have a habit of freezing up as winter comes, and +becoming useless for navigation; in fact being converted from rivers +into great frozen roads, until spring unlocks the flowers and the +streams again. Such travellers must have noticed what an unfailing +topic of conversation such a river supplies to those who dwell on its +banks. How soon will it freeze this season? On what precise day was it +closed to navigation last year--the year before--the year before that? +In what year did it freeze soonest? Do you remember that particular +year when it froze so very soon, or did not freeze for such an +unprecedented length of time? That was the same year that--no, not that +year; it was the other year, don't you remember? Then follow +contradictions and disputes, and the elders always remember the river +having been regularly in the habit of performing some feat which now it +never cares to repeat. The time of the frost melting and the river +becoming really a river again is a matter just as fruitful of +discussion. The stranger is often tempted to wonder what the people of +that place would have to talk about at all if suddenly the river were +to give up its trick of freezing, and were to remain always as fluent +as our own monotonous Thames. There seems to him some reason to fear +that the tongues of the people would become frozen as the river ceased +to freeze. + +Like the freezing and the melting of their river to those who lived on +its bank was the annual visit of the ladies of the ducal family to the +womankind of Keeton in Keeton's brighter days. Girls were growing up +there now who had never seen a duchess. The arrival, the length of +stay, the probable time of departure, the appearances in public whether +more or less frequent than this time last year, the dresses worn by the +gracious ladies, the persons spoken to by them, the persons only bowed +to, the unhappy creatures who got neither speech nor salutation--it is +a fact that there was a generation of women growing up in Keeton with +whom these and such questions had never formed any part of the interest +of their lives. They could not be expected to take much interest all at +once, and as it were by instinct, in the political cause of the ducal +family. + +There was therefore a good deal of uncertainty about the conditions of +the problem. The followers of the ducal family were some of them full +of hope. The reappearance of a duke and duchess and their train might +do wonders in restoring the old order of things. In Keeton petticoat +influence counted for a great deal, and in other days those who had the +promises of the wives hardly thought it worth while to go through the +form of asking the husbands. But now there was a new condition of the +political problem even in that respect. The ballot, which had made the +voter independent of the influence of his landlord or his wealthy +customer, had converted the power of the petticoat into a sort of +unknown quantity. There could be little doubt that the moral influence +and the traditional control would still prevail with some; but he must +be a rash electioneering agent who would venture to say how many votes +could thus be counted on. It is a remarkable tribute to the moral +greatness of an aristocracy that the influence thus obtained in old +days over the wives and daughters of Keeton was absolutely unearned by +any overt acts of favor or conciliation. The later dukes and their +families had always been remarkable for never making any advances +toward the townspeople. None of the traders of the town, however +wealthy and respectable, found themselves or their wives invited to any +manner of festivity up at the ducal hall. All that the noble family +ever did for the townspeople was to come at certain seasons to Keeton +and allow themselves to be looked at. This was enough for the time. The +illustrious ladies could be seen, and, as has been said, they did +sometimes speak a word to favored and envied persons. They were loved +for being great personages, not for anything they did to win such +devotion. "Love is enough," says the poet. + +All these considerations, however, rendered it hard to calculate the +exact chances of opposition in the borough of Keeton. Of course +revolutionary opinions were growing up, old people found, there as well +as elsewhere. There was a new class of Conservatives springing up whom +steady, old-fashioned politicians found it not easy to distinguish from +the Radicals of their younger days. On the other hand, keen-sighted +persons could not fail to perceive that, whereas in their youth almost +all young men had a tendency to be or to fancy themselves Radicals, it +was now growing rather the fashion for immature politicians to boast +themselves Tories, and to talk of a spirited foreign policy and the +dangers of Cosmopolitanism. It would be hard to say how things might +turn out, knowing people thought, as they shook their heads, and hoped +the expected contest might not come on for some time. + +Now the contest was at hand. At least the sitting member had positively +declared that he would sit no longer, and it was announced that the +Duke was coming to Keeton, and that Mr. Augustus Sheppard was to be the +Duke's candidate. No more striking proof could be given of the recent +change in the political condition of Keeton than is found in the fact +that the adoption of Mr. Sheppard as a candidate by the ducal family +did not even to the most devoted and sanguine followers of the great +house make Mr. Sheppard's election seem by any means a matter of +absolute certainty. There was a tolerably strong conviction everywhere, +long before any opposition was announced, that the Duke's candidate +would not be allowed to walk over the course and right into the House +of Commons this time. Nobody in the town would oppose the Duke very +likely, but the man to oppose would come. + +Now the man actually had come. Victor Heron had issued his address and +was in Keeton. His address was original; he had positively refused from +the first to make any grand professions of superior statesmanship or +patriotism. He would tell Englishmen, he said, that he was seeking a +seat in Parliament as a way of getting redress for a great wrong done +to him, and through him to some of the principles most dear to the +country. When he had fought his battle in Parliament and won or lost, +he promised that he would then place himself in the hands of his +constituents and resign the seat if they desired. The whole address was +frank, odd, original, and perhaps seemed a little self-conceited. The +author's absorption in his subject was mistaken by many people, as will +happen sometimes, for self-conceit. + +Mr. Sheppard's address, on the contrary, talked only of the good old +Conservative principles which had made England the envy and admiration +of all surrounding States; of the local interests of Keeton and the +candidate's acquaintance therewith; and of the many splendid things +done for the town by the noble family who had done it the honor to have +a park there. + +"I don't think Heron's address reads half badly," Mr. Money said, one +evening in the absence of Heron, to his two companions; "on the whole, +I shouldn't wonder if it took some people, the women particularly. +Anything personal, anything in the nature of a grievance, is likely to +have a good effect on many people, especially where the injured +personage is young, and good-looking, and plucky. I wish the women had +the votes here just for this once, for I think we should stand to win +if they had." + +"Then, papa, do you think we shan't win now?" Lucy asked. + +Minola looked up eagerly for his answer. + +"Well, Lucelet, I don't like to say; I am not quite charmed with the +look of things. I find there are a good many very strong Radicals grown +up in this place since there was a contest here before; and Heron's +not wild enough for them by half. They are a little of the red-hot +social-revolution sort of thing--the _proletaire_ business, with a dash +of the brabbling atheist--the fellows who think one is not fit to live +if he even admits the possibility of another world. I am afraid these +fellows will hold aloof from us altogether, or even take some whim of +voting against us, and they may be strong enough to turn the scale." + +Minola hoped that if her friend Mr. St. Paul had really any charm by +which to extort victory for Heron as he had promised, he would not +forget to use it in good time. But she began to have less faith, and +less, in the possibility of any such feat. She was a little in the +perplexed condition of some one of mediaeval times, who has entered into +a bargain for supernatural interference, and is not quite certain +whether to wish that the compact may be really carried out or that it +may prove to have been only the figment of a dream. + +"I'm told we ought to have some poems done," Money went on to say. "Not +merely squibs, you know, but appeals about right and justice, and the +cause of oppressed humanity, and all that." + +"I'm sure Minola could do some beautifully!" Lucy exclaimed, looking +beseechingly toward her friend. + +"Oh, no; I couldn't indeed! My appeals would be dreadfully weak; they +could not rouse the spirits of any mortal creature. Now, if we only had +Mary Blanchet!" + +This, it must be owned, was Minola's fun, but it gave an idea to Mr. +Money. + +"Tell you what," he said; "we ought to have her brother--the bard you +used to call him, Lucelet." + +"Oh, no, papa; indeed I never called him anything of the kind. I never +did, indeed, Nola." + +"Well, whatever you called him, Lucelet, we can't do better than to +have him. We'll put Pegasus into harness, by Jove--a capital good use +to make of him too. I'll write to what's-his-name?--Blanchet--at once." + +"But I don't think he would like it, papa; I think he would take +offence at the idea of your asking him to do poems for an election. I +don't think he would come." + +"Oh, yes, he would come; we would make it worth his while. These young +fellows give themselves airs to make you girls admire them, that they +never think of trying on with men. It would be a rather telling thing +here too if it got about that we had brought a real poet specially down +from London. I'll write at once." + +This seemed rather alarming to Minola. + +"I doubt whether Mr. Heron would much like it," she pleaded. "I don't +know whether they are such very good friends just now. I am rather +afraid." + +"Oh, yes; of course they must be good friends! Heron is not to have it +all his own way in everything anyhow. He must like the idea; he shall. +I'll write without telling him anything about it, and Heron couldn't +help being friendly to any fellow who came under his roof, as one might +say." + +No one made any further objection. + +"I wish Heron had not been so confoundedly particular about St. Paul," +Mr. Money went on to say in a discontented tone. "That was absurd. St. +Paul's no worse than lots of other fellows, and in such a thing as this +we can't afford to throw away any offer of support. We have to fight +against the Duke and his lot anyhow, and the help of St. Paul couldn't +have done us any harm in that quarter, and it might have done us some +good in others. I shouldn't wonder if St. Paul had some friends and +admirers here still; and it is as likely as not that his being with us +might conciliate a few of the mad Radicals. They might like him just +because he is against his brother, the Duke." + +"But Mr. Heron would not have such help as that," Lucy said, in tones +of pride. + +"Oh, by Jove! if you want to carry an election--and now, I suppose, if +St. Paul has any influence at all, it will be given against us." + +Minola thought of her unholy compact, and did not venture to say a word +on the subject. + + + + +THE "UNIFORMED MILITIA" SERVICE. + + +I spent seven years of my boyhood at school among the hills of old +Connecticut, about fifteen miles back of Bridgeport, in a region even +now in almost its primitive simplicity and pastoral beauty. It has been +left quiet and untouched between the iron ways of Housatonic and +Danbury, equidistant from both, and sufficiently far away from either +to be free from the impulse and incentive of that practical missionary +of modern progress, the railroad. + +City born, but partly country bred, I understand well the sentiment of +the New Englander for his old home, and often live over again the days +in those familiar hills and valleys of Fairfield. I would revel in +enjoyment if it were possible for me to revisit them. It was there my +eyes were open to the delights of a "town muster," and my steps taught +rhythm by fife and drum. + +In occasional musings I hear the old music as it used to reach me in +waves of sound, now faint, then loud, as the variable wind would waft +it, or as it escaped from obstructing hills. And I see the tall white +and red plume of the commandant, undulating with his stride, and +dipping salutes to the wind. Reader, if you have never realized the +excitement of a "general training day" in the country, you have missed +the freshest and most genuine pleasure of youth. + +In the fall of 1842 occurred the Croton water celebration, a real city +holiday. The procession was long, interesting, and gorgeous, for all of +it except the military portion was profusely decorated with autumn +flowers, odorless but beautiful, rich in color and variety. It might +properly have been called the feast of dahlias. + +The old fire department was out in all its glory, and richly arrayed. +It always took part in metropolitan rejoicings, heartily and +generously. But my interest was centred in the soldiers; fired then by +a longing to shoulder a musket. I waited impatiently for the freedom of +manhood and a fitting opportunity. When both came I enlisted in a city +regiment, and continued the connection till after the close of the late +civil war. + +Twenty years of service with musket and sabre failed to dull my +enthusiasm. I left it, warned by the heaviness of approaching age and +the demands of business, convinced of the propriety, the usefulness, +and the value of a well regulated militia force. + +Aware of how much has been said and written against such service, and +of the misapprehension of those who had never studied its organization, +its possibilities, and necessity, I propose to draw upon the practical +experience of the past twenty-five years for the purpose of correcting +wrong views without and suggesting new measures within. The service has +been charged with costliness, uselessness, and pretentious display; +with vain ambition, absence of organic purpose, and with being inimical +to the morality of the individual member. All the charges have some +foundation for their utterance, though the evils referred to are not +the legitimate results of the organization, but rather the baleful +fruit of irresponsible and ignorant commissions. The service is really +worthy of conscientious labor and the support of the people. + +In the present relations of government and society, a disciplined +militia force is an essential part of the body politic, and an organism +with vitality if properly administered. The central idea of the +organization is a military body, directly from the people, for the +conservation of governmental integrity and a protection to the State. +Its collateral uses are an initial school for soldierly training, and +in cities especially a supplementary and occasional aid to the police +forces. In a general way the central idea is accepted, but in +particulars is not carried out in equity between governments and the +people. The theory is that the people are the State, and therefore must +provide their own protection, but under proper authority. The authority +exacts the service, at a great cost to the State, but denies reasonable +compensation and encouragement to the individual member; therefore the +people are not in sympathy with the organization. The service is +brought in conflict with the people, in fact with itself, and the +anomaly is presented of an organism in internal opposition. It is the +duty of legislation and constituted authority to harmonize such an +unnatural condition and change indifference into interest, ignorant +neglect into intelligent support. Only in times of strife, like our +late civil conflict, or the wars of 1812 and 1776, does the service +rise to the dignity of an establishment and a recognized power. In +times of peace it is permitted to exist, mainly in skeleton condition, +without organic discipline, because the people have a false idea of its +use and value. State military departments are not administered with +intelligence, and military codes are subject to yearly legislative +amendments without understanding; conditions of enlistment are altered, +generally to the injury of the enlisted soldier, while recruiting for +the uniformed corps languishes from lack of encouragement. + +It is interesting to follow some of the changes of the New York State +code and their inconsistent applications. For instance, when the law +allowing relief from jury duty and the partial remission of assessment, +to continue during life, was amended to cover terms of enlistment only, +the Adjutant General of the State decided the amendments applied to +prior enlistments, thereby breaking a contract between the State and +enlisted men under the old law. But when the term of service was +reduced from seven to five years, enlistments under the former law were +held for the longer term. It is in such a spirit that all amendments +are interpreted in favor of the State and against the individual. +Fortunately the former provision has been reconsidered, and in a spirit +of compromise relief from jury duty is reinstated in the code for life, +but the abatement of assessments covers only terms of service. The +State considers exemption from jury duty for life a relief, the nominal +abatement of assessments during the service a benefit, and both +together ample compensation to the militiamen. They would be in part, +if immediately available, but the compensation is questionable, as the +duty is generally performed too early in life for those legislative +provisions to be of practical application. The abatement of an +assessment is of little benefit to those who, probably, are without +property till after their terms of service are completed, and the +measure fails by limitation. Fortunately the relief from jury duty is a +life provision, for it generally comes later in life, and after the +militia service is performed. One does not, however, repay the cost of +uniforms and other necessary expenses, nor the other compensate for the +time which the service requires. + +The New York State code says: "All able-bodied male citizens, between +the ages of eighteen and forty-five, are subject to military duty," but +also says that minors must obtain the written consent of parents or +guardians to legalize an enlistment in a uniformed corps. Why such an +incongruous distinction between uniformed corps and ununiformed +militia? What right has the code to exact military service from a +person who is condemned by the law as incompetent for citizenship, and +is legally recognized by the law only as a child? And why exact +military service from those who are in the decline of life? There are +many who are physically able to do the duty under the age of twenty-one +and over the age of forty, but they should be regarded as exceptional. +Such service should be voluntary by the individual and optional with +the State. + +Spiritual, natural, and physical laws have stamped twenty-one the +minimum age of manhood, and forty the culmination. Why should military +law assume the power to control more? + +The young absorb the elements of the future, the old dispose of them; +within these life lines is practical manhood. + +Patriotism enthusiastic becomes patriotism triumphant; during its +passage the sentiment hardens into use. + +Fault has been found by tax-payers with State and city governments for +maintaining militia forces at such an expense. The censure is justified +by the yearly exhibit of military expenditures, which is due in part to +the unnecessary maintenance of skeleton regiments and battalions. + +The prejudices of the people against soldiers in time of peace will +never be overcome till they are educated to the necessity of a military +establishment by intelligent administration of its affairs, proper +information, greater proficiency, and a more decided application of its +use. Satisfy the people of the necessity of the service, enlist their +pride in its support by its efficiency, and its maintenance may be +secured without opposition. People never grumble when they can see +their money's worth. + +If States have treated their militia forces as an inferior part of +themselves, if military authorities have acted arbitrarily and +ungenerously, militiamen themselves are not blameless. They have +frittered away their opportunities, and belittled their profession, by +vain-glory and personal ambition, and invited censure by inefficient +service. Fortunately there are men and officers, companies and +regiments, who, recognizing their mission, have conscientiously +performed their duty and redeemed the service from greater obloquy. +Their work has acted like leaven to the whole body. All honor to them +for their intelligence, honest pride, and patriotic labor. + +The "uniformed militia" system has a foundation of inherent strength +capable of being built upon and extended to a perfectness not at +present thought capable of. With its present incompleteness, its degree +of usefulness is positive, and even under all the adverse circumstances +referred to the condition of ably administered battalions bears upon +the side of success and prosperity. Singular as it may seem, part of +its weakness is from its own elements of apparent strength. + +Recruits enlist with a very inadequate idea of its requirements. Many +go through their term of service, sometimes pleased, oftener bored, but +always with a sense of personal importance, and take their discharge +with feelings of relief. + +Some members are guilty of license when in uniform that they would not +indulge in as citizens. Officers without capacity accept commissions +and occasionally intrigue for command, from ambition and vanity, +without a sense of their responsibility or a proper knowledge of their +duties. There are also elements of disorder within the lines of duty +which are hard to bear and difficult to control, because they arise +from personal animosities. The judgment of an officer is warped to his +hurt by his selfishness, wounded pride, and ambition, who will hold a +commission to the injury of his company or battalion, even with the +support of part of his command. + +Is it to be wondered at that an organization with such elements of +disorder in it should be regarded with disfavor by those ignorant of +its trials, its duties, and its aims? And is it not an argument in its +favor that its discipline is able to control and surmount such +demoralizing tendencies? + +It is not pleasant to deprecate a continuation of long services, but +under certain circumstances it may result in injury to a corps. +Officers of merit and distinction, with the personal veneration of +their men, have been known to outlive their usefulness by retention of +command after the freshness, activity, and judgment of their earlier +manhood have departed. The idiosyncrasies of age and confirmed habits +of authority do not readily accept advanced ideas, improvements in +methods, and the inevitable changes of time. + +Recruiting for uniformed corps has been and is a process without a +system--a method without a principle; it is simply a necessity. As +conducted at present it is derogatory to the dignity of the service, +and in its practice humiliating and unpleasant to its members. The code +really offers no inducement to militiamen. + +Its failure to provide proper encouragement for recruiting is a defect +which should have the serious consideration of military authorities and +legislators at the earliest opportunity. It is a matter of vital +importance to the service, and forces itself upon the attention of all +commandants to their great concern. + +It seems as though battalions are expected to perpetuate themselves, +and they have to be, by force of circumstances, recruiting +organizations for the State. + +Personal application and argument have to take the place of official +encouragement, and a service whose necessity, propriety, and benefits +should be patent to all is left in a measure to factitious +circumstances for a support. It is not, however, the sole purpose of +this paper to cavil at authority, to criticise military codes, or +condemn existing methods, but rather to show how the uniformed militia +forces can be better rewarded by proper recognition and acknowledgment, +and made more honorable by a higher standard of service. The +indifference of the world and the early hostility of the church to +amusements were fatal blunders which both have ascertained, and are now +atoning for generously, but too thoughtlessly. Opposition has become +permission without proper direction, and indiscriminate pleasure +anticipates regulated and orderly recreation. This is a question of as +great importance to the State as to society, of as vital interest to +the church, as of welfare to the individual. Every care should be taken +to recognize as orderly only those pleasures which have their +foundation in use. + +In every community, between the extremes of the artisan, who is almost +precluded from the continuous and regular duties of a militiaman, by +his occupation and necessities, and the student, who is generally +unfitted for them by his intellectual preoccupation, is a numerous +class, for whom the service is eminently adapted. Their inclination for +occasional relief from business and clerical labors is a proper desire, +and should not be permitted to degenerate into undisciplined sport for +want of a legitimate pastime. + +The militia service, on a peace footing, is really a recreation, with +an object and an organization of the most singular merit. Its system of +physical training is superior to the abnormal development of the +gymnasium, the fitful excitement of the ball-field, the constrained +pull and single purpose of the oar, and the violent termination of a +"shell" race. Its normal object, military training, is exacting, +methodical, and thorough, and moral force of character, self-reliance, +discipline of the mind, and knowledge of human nature are collateral +results of company and battalion associations. There is an element of +possible strength to the militia forces of the several States, which +may have been thought of, but never utilized. I refer to the youth in +every community who are old enough to be free from the constant +necessity of elementary study and relieved from the absorbing +application of higher educational branches, who are yet at school, but +with sufficient leisure to do well or ill--that age between the +watchful eye of maternal care and later parental authority: inchoate +manhood, rough, awkward, and susceptible; wild with their first taste +of liberty; full of anticipation and courageous in the future. The +struggle between them and society for a place is long and doubtful. The +State should adopt and help them by recognizing a cadet system to be +attached to the uniformed corps, whose officers could inaugurate no +wiser, more charitable, or more popular measure than to accept their +services. The measure of good to the boy and the measure of benefit to +the service would be reciprocal and incalculable. The cadet would take +to the "school of the soldier" with enthusiasm. It would give him +something proper to do, something right to think of; it would perfect +his growing physique with grace, and engraft on his system the elements +of manhood. + +To all graduating classes in school, a membership in a cadet corps +would be an incentive, and school commissioners could make such +membership a reward of merit. + +It would relieve the service from the present unpleasant feature of +recruiting by keeping behind it a subordinate corps of well-drilled +young soldiers from which its ranks could be kept full. It would +relieve officers from the drudgery of squad-drills, and give the +service the full time of their men instead of wasting six, perhaps +more, months in the present recruit classes. It would also perfect the +enlisted men and subordinate officers for their prospective duties by +detailing them for detached service in cadet corps, in grades next +higher than their own. Such detached service would be an honor and a +prime incentive for all subordinate officers. + +The uniformed militia system has been the growth of years upon the +single theory of a military power direct from the people. Whatever +merit has been developed in its practice is intrinsic, and has been +brought to the surface by force of circumstances rather than by +encouragement or appreciation. Upon the minimum basis of inherent value +can be constructed a maximum power of State economy, by honoring the +service with an establishment of intelligence and efficiency. Make the +uniformed corps to the State and to the militia forces, in a +comparative, what the West Point Academy is to the United States and to +the regular army in a superlative degree. + +I have treated militia service thus far as a recreation, because the +members of uniformed corps have made it so. I will now refer to it as a +duty, and endeavor to show how the service can be adjusted to the +greater benefit of the State and be made of greater use to the people. + +Declare all male citizens between the ages of twenty-one and forty +subject to military duty as ununiformed militia, to be enrolled and +brigaded, but kept immobile except for emergencies, to be officered +when necessary from the subordinate officers of the uniformed corps. + +The object of enrollment is twofold: to ascertain the available force +of the State, and for the purpose of special taxation, to reimburse the +State for military expenditures. + +Eliminate all extrinsic material from the present force; disband +skeleton battalions; make supernumerary their officers; reduce the +force to the efficient corps now existing, or which may have to be +organized, in place of ineffective ones, for the purpose of creating +normal schools for military instruction. Never call out an ununiformed +battalion in time of peace, or put a uniformed corps in the field in +time of war; consider them component and interchangeable parts of one +system. In active service let the former be the lungs and the latter +the heart of a vital organism. + +In no instance should a normal battalion be disbanded for the purpose +of officering ununiformed corps, but should be kept intact with its +field officers and company commandants--a kind of Gatling educational +battery for the propulsion of brains. It would be just as sensible to +put the West Point cadets in the field as a fighting corps as to put +some of our best regiments. Their heads are worth more to the country +than their bodies. + +I have suggested special taxation of the enrolled militia to reimburse +the State for its military expenditures. It can probably be collected +more expeditiously and with less expense through a special department +of the Commissioner of Jurors than through any other channel. It is now +necessary for the Commissioner to keep lists of jurors and register all +exempts, and the plan would certainly aid him in those duties of his +department by giving him a fuller and more correct canvass of citizens. + +The encouragement needed to induce men and officers to spend their +leisure hours for ten years in these normal battalions is to void the +present remission of assessment, as an inequitable provision--reimburse +them for clothing, relieve them from jury duty for life, and exempt +them from any possible future draft. With their discharges give the men +sergeants' warrants, non-commissioned officers lieutenants' +commissions, and advance officers' commissions one grade, waiting +papers for possible future services. Furnish comfortable and +substantial drill-rooms and armories, and reimburse battalions for +proper musical expenditures. + +The State should hold itself responsible to the general Government for +its officers who may be touched by a draft and furnish the necessary +substitutes as compensation in part for their former and prospective +services. + +Experience furnishes proof that well made, good-fitting clothing, +stylish, but not extravagant, is much better and cheaper than the +low-priced, ugly State uniforms, ground out by contract, allotted by +sizes, and fitting by chance. There is no economy in the joint +ownership of a uniform; the nominal owner is niggardly in purchase and +the wearer careless in use. Let the uniform be chosen by corps, made in +accordance with regimental bills of dress, by individual measure, and +let the State reimburse the corps by a liberal commutation. To +reimburse battalions for their music may seem a costly item--it +certainly is a great expense to the present uniformed corps--but as the +project is based upon the idea of a self-supporting establishment, +there is no injury to the State; a nominal tax paid by the enrolled +ununiformed militia should be sufficient to pay the entire expenditures +of the State military department. + +To honor discharged men and officers with a kind of brevet commission +would be an incentive for ability and efficiency, and would be of +sufficient value to invite the best class of young men to the ranks. +Whatever may be questionable in the action of Congress for reducing the +force of the regular army, there can be none in the policy of the State +for reducing its force to the lowest possible point. Every man should +be released from the ranks that can be, both in justice to himself and +for general industrial effect. The cost of company drills, regimental +brigade and division parades in time and money is immense, and out of +all proportion to the doubtful value of such services, constituted as +the force is. But a compact, thoroughly disciplined, and perfectly +drilled force, of the highest obtainable military character, is +necessary and should be well maintained for contingent purposes. + +I have thrown out these views as applicable to the city and State of +New York; but the ideas can be applied to the military department of +every State, with such modifications as may be found necessary. + +It would be expensive, impolitic, and unnecessary for the general +Government to keep a regular army, through years of peace, of +sufficient numerical force to meet successfully internal outbreaks or +external pressure. The militia force should be trained to be the +supporting power of the army for such contingencies. The doubts and +fears and awful suspense of the people during the early days of the +late rebellion would have been greatly lessened, perhaps quite avoided, +had the regular and militia forces been in effective readiness for the +struggle, and met the necessity of the hour. The uniformed corps could +have been ordered to the front for temporary defence, as some were, and +time given for mobilizing the ununiformed troops. + +As it was all was confusion, distrust, and almost despair; only for the +instinctive loyalty and inherent courage of the people, all would have +been lost. The men of the first levy, the rank and file, were +magnificent in material, confident in ability, honest in purpose, crude +in development, difficult to discipline--it was hard for them to come +under military law. Many of their officers were adventurers without +experience or qualifications for command. They obtained commissions +through personal influence rather than by merit. Militia officers, with +all their imperfections, would have been of much greater service. + +Is the affair of Bull Run to be wondered at, with such material, and in +the light of later education? It was the incisive action of the war; it +punctured the conceit of both armies. + +C. H. MEDAY. + + + + +THE YOSEMITE HERMIT. + + +The shadows were lying tolerably long on the green hillsides when the +lumbering yellow stage, somewhat the worse for wear, drawn by four +lean, dusty horses, also somewhat the worse for wear, drew up with a +grand flourish in front of the Grand Hotel, Mariposa. + +It was a long, low building, with a broad piazza in front and along one +side; the facade was painted a dingy yellow to match the stage +apparently, but the rest of the edifice had been neglected, and the +superabundant rain and superabundant sunshine of Mariposa had left +marks of their handiwork on the bare boards. + +The loungers rushed out of the bar-room as soon as the wheels were +heard, and stood grouped about the broad piazza exchanging jokes with +the driver, who was known as Scotty, and asking the news from Hornitos +and other way places. + +Meanwhile the "Doctor," a stout, ruddy-complexioned man, whose +appearance spoke well for his profession, descended from his seat on +the box, and, opening the stage door with an air of pride and +satisfaction, he assisted the one lady passenger to alight with a grace +which would have done credit to Chesterfield. The loungers on the +piazza started and drew back. All ceased their gibes with Scotty, and +two or three removed their hats. She was not only a woman, but a very +pretty woman--she was even beautiful. + +She thanked the Doctor with a pretty grace, and turned her clear, hazel +eyes upon the admiring group, scanning each face eagerly and wistfully. +The Doctor said, "Allow me," and was about to escort her into the small +den at one side known as the "Ladies' parlor," but she swept past him +and walked straight into the bar-room, the Doctor, the loafers, and +Scotty crowding in after her and regarding her movements with an +undisguised admiration, and as much reverential curiosity as though she +had been a visitant from another sphere. + +The proprietor of the "Grand" was a podgy man, with an aggressively +bald head and scaley eyes like an alligator's--though for that matter I +may be libelling the alligator. His name was Sharpe, commonly corrupted +into "Cutey" by some mysterious process. + +He was pouring whiskey from a bottle into a glass, preparatory to +serving himself, when the new comer walked--she walked like an +angel--straight up to him and said, "Is this the landlord?" + +Cutey was so astonished by the apparition that he dropped the glass--he +called it a glass; it was in reality a stone-china cup about half an +inch thick--and wasted the whiskey; it was only by the greatest +presence of mind that he succeeded in saving the bottle. + +"Ma-a-a'm?" he stammered, clutching at his bald head to see if there +was a hat there. + +The woman repeated her question; the crowd by the doorway, headed by +the Doctor, strained their ears to listen. She had a low voice, +tolerably sweet. Such music had never before been heard within those +low walls, perhaps. They wished she would say more. Old "Punks" +muttered that she 'minded him of his Lyddy--"jest sech a voice!" which +remark brought down upon him much contumely afterward, and a threat +from the Doctor to "put daylight through him." After a helpless look +around him, Cutey admitted that he _was_ the landlord, with the air of +a cornered scoundrel confessing a crime. + +"Then perhaps you can tell me what I wish to know," said the woman, +fixing her clear, sweet eyes upon him. "I want to find a man named +Wilmer--James Courtney Wilmer." + +Cutey shook his head sorrowfully. + +"Thar be so many names," said he: "skurce any man goes by his own name. +Be he livin' in Mariposa, ma'am?" + +"I do not know," was the reply, with a suggestion of tears in the +voice, at which every heart in the crowd by the door was touched and +unhappy. + +Punks nudged Scotty with his elbow. + +"What's that fellow's name that wus partners with Circus Jack in the +Banderita?" he whispered. + +Scotty rapped his forehead with his horny hand, and ran his fingers +into his bushy, tow-colored hair, with a clutch of desperation. + +"Punks," he whispered, "I allers counted you a fool, but you ain't; you +air a shinin' light! His name _wus_ Jim Wilmer." + +Then, coloring up to the roots of his hair, he advanced and said: + +"If you please, ma'am." + +The woman turned at this, meeting a whole battery of eyes without any +seeming consciousness of it. + +"There wus a feller named Jim Wilmer here--wus partners in the +Banderita, with a feller named Circ--leastways, I don't know his name, +but we called him Circus Jack, ma'am." + +The woman's face--her beautiful face--turned as white as the collar at +her throat; she leaned against the bar and tried to speak, but the +words died on her lips. + +Finally, with an effort, she half whispered: + +"Do you know where he is now?" + +Then, as the men looked at each other, she cried in a clearer tone, "Is +he _dead_?" + +"No, no, ma'am. He wus here, 'taint a month," said Scotty. "I think +he's off huntin' in the hills. I'll find Circus Jack, and bring him up +here. He'll be likely to know--him and Jim wus real good friends." + +"Thank you," said the stranger softly, in a voice which smote Scotty's +heart exceedingly. + +The Doctor, meanwhile, had gone for Mrs. Sharpe, who presently entered, +and invited the stranger to "hev a little tea." + +She was a small fair woman, with a washed-out look, and a mouth not +innocent of _dipping_, but she looked and spoke kindly, and the +stranger was glad enough to answer, "Yes," and follow her into the +dining-room. The crowd fell back as she approached, but only enough to +give her room to pass. Some stealthily touched her dress as she swept +by them, and when she had disappeared, and the door had closed, forty +tongues were loosed at once, and a scene of excitement ensued only +equalled by the one which followed on the shooting of "the Judge" by +"Little Jack," over a game of poker, in that very bar-room of the Grand +Hotel. + +"Mought I ax your name, ma'am?" inquired Mrs. Sharpe. + +"Marian Kingsley," was the faint reply. + +"Miss or Mrs., ma'am?" pursued Mrs. Sharpe, glancing at the shapely, +white, ringless hands. + +The stranger gave a slight impatient twitch. "It doesn't matter," she +said. "Call me Marian. That will do as well as anything." + +Mrs. Sharpe was a washed-out woman. Many of the natural and laudable +instincts remained, perhaps being fast colors; but a horror of the +class to which she now supposed Marian to belong was one which had +faded out of her nature. She gave a slightly supercilious look, which +fell upon the woman like moonlight on ice, and pursued her inquiries. + +"Came from 'Frisco?" + +"I came through there. I didn't see anything of the place." + +"Whar _did_ yer come from?" + +"Philadelphia." The tone was changed. She evidently felt the impalpable +rudeness of the faded woman, and knew how to resent it in the same way. +More conversation ensued, in the course of which Mrs. Sharpe discovered +that Marian had a little money--enough to pay her board for a few +months--and that she had come there to find "James Courtney Wilmer." + +Mrs. Sharpe had information to give as well as to take, for she knew +something of Jim. + +"_We_ called him _Jim_," she said, a little scornfully. "He didn't git +no 'Courting' from _we_." + +Poor Marian gave a faint smile. "There might be other James Wilmers," +she said. "I wanted to be sure." + +Mrs. Sharpe didn't think this could be the one. + +"He's a rough, ragged creeter," she said, "and 's had the snakes fur +weeks at a time." + +Marian shrank and cowered at this, with a pitiful look of pain on her +beautiful face. + +"Hed money left him?" asked Mrs. Sharpe. + +Marian nodded. + +"'Twon't do him no good. Soon as he hearns of it, he'll drink himself +into snakes. Allers did when they struck a good lead on the Banderita. +Circus Jack, he loses all hisn's at poker; so thar they go." + +In the course of an hour Circus Jack, scrubbed and "fixed up" to a +degree which made him almost unrecognizable by his comrades, appeared, +escorted by Scotty, also prepared by a choice toilet to enter the +presence of "the ladies." + +"'Scuse my not comin' afore," said Scotty. "Hosses must be 'tended to, +and them of mine wus about dead beat." + +Marian smiled graciously, if absently, and turned her clear, hazel eyes +to Circus Jack, who, with many excuses, circumlocutions, and profane +epithets, most of which he apologized for instantly, and some of which +he was evidently unconscious of, gave her all the information in his +power in regard to the man she had come to find. + +No one in Mariposa knew him better. As "Jim" he was almost an integral +part of the city of "Butterflies." The butterflies, by the by, for +which the town is named, are not those which soar in the air, but +"Mariposas," fastened by long, tough filaments to the ground. + +Many a night had Jim Wilmer crushed his swollen face into them, and +slept a drunken sleep with their soft wings folded sorrowfully above +him. + +There was something of a mystery hung about him, which the "boys" had +never been able to fathom. Some said that he belonged to a wealthy and +aristocratic family, and had left home and become a wanderer and an +outcast, because some beautiful woman had jilted him; others said that +he had had a wife and children, that he had broken his wedded faith and +his wife's heart at the same time, and that a grim phantom followed him +wherever he went, and gave him no peace. Others told yet another story: +that he had been engaged to a beautiful girl, and had loved her and +trusted her above all telling; that his wedding day was near, when he +had stumbled upon some miserable secret, which was dead and buried, but +could not rest in its grave; that there was no room left for doubt, +which is sometimes blessed, and he had fled without a word; +disappeared, and left to her own wretched heart the task of telling her +the reason why. + +Circus Jack did not tell Marian these stories, though he had heard them +all; indeed, they had all been retold and discussed in the bar-room, +not half an hour since. An average woman would have repeated them to +her, and thus tempted her to reveal the truth; but a chivalrous heart +beat under Jack's flannel shirt, and he could no more bear to hurt her +than he could have crushed a little bird to death with his hand. + +If any of the stories were true, and she yet loved poor Jim, he told +her enough to wring her heart and haunt her dreams for ever. + +The winter that he spent in the hollow of a great pine tree, on the rim +of Yosemite valley, was perhaps his happiest and most peaceful. Every +Yosemite tourist stops to peep inside this tree, and to wonder if a man +really lived there. "It was comfortable enough," says the hale old +pioneer of the valley below. "He had plenty of room. We both slept in +it one night." + +At which the tourist peeps in again, and wonders if the long-limbed +Texan was not a bit cramped by the footboard. + +When Circus Jack told Marian the story it was fresher and less +wonderful than now. + +"Was the snow very deep?" she said. "Was there no danger of his +freezing to death?" + +"I never hearn much about it anyhow," said Circus Jack, "'cept thet he +lived thar alone cuttin' shingles. I 'spect the snow was 'bout four or +five foot deep up thar whar he lived. He's a close-mouthed one, I tell +yer. Never git nothin' outer him, an' when he's drunk he don't tell +nothin' whatsomd-ever!" + +This, with a glance half pitying, half reassuring, as though he would +promise her that the secret, whatever it might be, was safe. + +One comforting doubt beat at the woman's heart all the while that Jack +was talking. "Perhaps this man was not the one!" + +She mentioned this at length, and asked Jack what his quandom "partner" +was like. + +"He was a slight-built feller, rayther light-complected," was the +reply. "An' han'some! I called him han'some, didn't you, Scotty?" + +Scotty, thus appealed to, gave a profane assent. He had scarcely moved +a muscle since he sat down, with his eyes fixed on Marian's fair, +ever-changing face. Mrs. Sharpe, after a vain attempt to engage him in +conversation, had quietly withdrawn, having no relish for being one of +a quartette where two did all the talking. + +"Was he--an--educated man?" inquired Marian hesitatingly, feeling in a +vague way that the question might offend Jack. + +"Yes, he war," replied that worthy in a contemplative tone. "When he +war drunk I hev hearn him talkin' a lot of stuff like po'try. Thar's a +pile of books in my cabin now that he used ter read consid'able. _I_ +can't make head nor tail to 'em. P'r'aps you might." + +"I would like to see them," said Marian eagerly. + +Jack nodded, and a pause ensued. At length Scotty remarked that the +"old man," meaning Cutey, was "reyther late in lightin' up," at which +Jack arose and bade the stranger "good night." + +Marian put out her hand, saying, "We will be good friends, I hope." + +Circus Jack took it by the finger tips cautiously, careful not to hurt +it with his horny fingers. + +"I'll do ary thing in the world fur yer, madam," he replied earnestly +and ingenuously. + +"There was one thing I wished to ask," she said, "though it may be a +foolish question. Did you ever notice any--ring--that he wore +or--carried?" + +"They _wus_ a ring, but I'm beat ef I kin tell what kind. Once when Jim +was turrible sick, an' his hand swelled up, I wanted to file it off, +but he fought so I couldn't. He said when he got well thet it never had +ben off, nor never shouldn't be while he had life to fight." + +"Can't you tell me what it was like?" she asked. + +"I ain't no hand," said Circus Jack, rubbing his head. "I'd know it ef +I seed it, but----" + +"Was it like this?" She drew a dainty purse from her pocket, and took +from its safest corner a plain, flat band of gold, with a small disk on +it, shaped like the half of a heart placed horizontally. + +"Prezactly!" exclaimed Circus Jack with emphasis. + +She opened her purse to put it back, but it fell from her hand, +scattering her little stock of money over the floor, and a moment +after, when Mrs. Sharpe came in, in response to frantic halloos from +Scotty, she found Marian in a dead faint upon the floor, with Scotty +and Circus Jack, with hands clasped behind them, kneeling on either +side of her like uncouth angels, while scattered coins and escaping +masses of golden-brown hair formed a halo about her head. + +She was ashamed of and provoked at her weakness afterward; said she was +fatigued with her long and wearisome ride, and that she never fainted +before; but if she had been an accomplished diplomatist, she could have +planned nothing better for her popularity. + +As for the faded-out woman, her opinion, which had been tottering under +a severe reproof from Cutey, now underwent a complete revolution. + +"_Them_ kind never faints!" she said to herself dogmatically, as she +assisted Marian to her room and begged her to "take things easy like." +She patiently answered one hundred and seven inquiries that evening, +varying from, "How's the sick lady?" to, "Jim Wilmer's gal perking up a +little arter her faint?" and for the rest of Marian's stay in Mariposa +she proved that kindliness of heart had been one of the "fast colors." + +It was but natural that Cutey should feel a friendly interest, since he +dealt out at least two hundred extra drinks, at highly remunerative +prices, on her account that evening; and moreover, the Doctor "tipped" +him handsomely for extra care and attention. In a week after her +arrival, Marian had learned all that anybody in Mariposa knew regarding +"Jim." She wore that curious ring upon her finger now. There were two +letters upon the disk, but no one ever had the hardihood to ask what +they were. + +Punks, whose eyes were keen, and whose curiosity was keener, declared +that they were "i l," with a "little quirl-like" between. + +Punks also knew--a fact which did credit to his powers and habits of +observation--that on the disk of the ring which Jim wore on his little +finger were the letters "Fa." + +Punks desired to know what "Fail" spelled but "fail." He further +inquired "what they wanted to hev sech a doggoned mis'able word as thet +on a ring fur?" + +"'T'orter be 'love' or sunthin'," he added critically. + +It was only after much questioning in divers places, and the exercise +of a deal of patience and some finesse, that Marian learned the present +whereabouts of the half-crazed hermit "all unblessed." When last seen, +something less than a week before her arrival, he had been wandering +through the neighboring mountains, half-clothed in wretched rags, +living on berries and roots, alternately muttering and shrieking the +vagaries of his unhinged mind. + +They were loth to tell her, even those who knew it. Their rude +externals seemed to have made their hearts softer. It hurt them to see +the pink color fade from her cheeks, and the shadow of sharp pain creep +over her beautiful face; so she had to learn the lesson of smiling when +her heart ached worst. The two Mexicans, cattle herders, who had seen +him, were eagerly questioned; but they could tell nothing that she did +not know, save that they were quite sure that it was Jim, and not some +other unfortunate, whom they had seen. + +They gave a stupid assent when asked by Marian to secure him and bring +him into town the next time that they saw him; and a "Si, Senor," +considerably less stupid in a subsequent private interview with Jack, +who promised them "heap money" for their labor. + +Marian had the books which Jim had left in the cabin: commonplace Greek +and Latin books, which might have belonged to anybody, save that on one +fly leaf was written in a scrawling hand, "J. C. Wilmer," and this +yellow page, and this faded ink, she covered with her kisses and +baptized with her tears. And another weary week crept by. + +The Doctor noticed with disapprobation strongly expressed how pale and +worn-looking the pretty woman grew. Not professionally; indeed, his +title was merely honorary, bestowed in recognition of his services in +prescribing the "Golden Anti-bilious Pills" for Bob Jinks, which, or +nature in spite of them, had effected a cure, and restored to bereft +Mariposa society an efficient and valuable member. + +The Doctor's interest afforded considerable amusement to the habitues +of the "Grand" bar-room, and they fairly roared with sympathy when he +profanely expressed his sorrow to see her wasting her beauty in tears +over "another feller." + +One Saturday night, two weeks and a day since Marian's arrival, the +whole population of the town were at the Grand, either drinking, +gambling, or purchasing provisions of Cutey's deputy, who presided over +the tin can department with activity and grace; and all, whatever their +occupation, were swearing vigorously and unceasingly. + +Marian sat up stairs in her tiny room burning with feverish anxiety. +Her long years of home-waiting, the comfortless journey, even the first +week of uncertainty, had been easier to bear than this anxious waiting. +The Mexicans had not hesitated to say that he must be dead by this +time; but _that_ she did not believe; he might be starving, crazed, +nearly dead, but surely she might see him once more and hear him say +that he forgave her; perhaps even nurse him back to reason and health +and hope again. + +The brawling and laughter down stairs made her shudder. "If I was only +a man!" she whispered fiercely, clenching her little hands. "Can I do +_nothing_ but sit here and wait? Oh, God, be merciful!" she cried. + +Then suddenly a thought flashed into her mind. She did not stop to +think of it; she acted upon it. + +The Doctor's partner, profoundly studying his cards, was somewhat +disconcerted to see the table kicked over, and the Doctor's "hand" on +the floor. Without a question, he put his hand back for his pistol, +when the sudden stillness in the room caught his attention, and all +that followed caused him to forget the affront. + +In the centre of the room, her disordered hair flying about her face, +her clear eyes flashing with excitement, her cheeks flaming with color, +more beautiful than they had ever seen her look before, Marian stood +waiting for silence. Men crowded up to the doorways and filled the +windows, certain from the sudden quiet that "something was up." + +"Won't you _help_ me?" she cried out. "What can _I_ do to find him? He +may be starving to death! He would not have left you to starve! +You"--she gasped and drew her breath hard--"you--whom he was good +to--you remember--a hundred things, but you forget him! and let +him--rave his life away--and starve to death--alone." She choked. She +could not speak another word! but she stood with her lips parted, her +eyes flashing, looking eagerly, almost angrily, from one face to +another. + +Circus Jack bounded on to a table; it was rickety, and reeled with his +weight; but Punks and Bob Jinks steadied it; they were friends of +Jack's; besides, they had just won from him at poker, and felt very +friendly. "Fellers!" said Jack, "to-morrow's Sunday. I'm going out ter +hunt fer poor Jim, and ain't comin' back till I find him. Them as wants +ter 'comp'ny me kin call at my cabin to-night." + +"I will go with you, Jack," said the Doctor impressively. + +"Me, too, you bet!" cried Scotty. + +"Count me in," growled a bass voice from the window. + +"Me too," squeaked Punks. "All as'll go say, 'Ay!'" + +And an "Ay!" came from those rough voices with such a ringing burst of +good will as must have startled the very birds asleep in the distant +trees. + +Nay! some faint echo of it may have been heard at the very gates of +heaven itself. The tears rolled down Marian's cheeks. She tried to say, +"God bless you!" but the tears had the right of way, and the words +broke into something unintelligible. + +A sudden shame came over them that they had not thought of this before. +Memories of homes, of mothers, of wives, came knocking at their hearts, +and would not be denied. The sleeves of rough and not over clean +flannel shirts were drawn across eyes that had scorned tears, through +sickness, discomfort, and disappointment. + +Cutey came to the rescue. + +"Gentlemen!" he said, waving his hand over the bar, "help yourselves. +My j'ints are stiff, and I can't go; but I'll treat the crowd. Free +drinks, gentlemen!" + +And leaving his bar to the tender mercies of his thirsty friends, Cutey +offered his arm to Marian, and escorted her to her own door, where he +took leave of her with a low bow. + +Then he went down stairs four steps at a time, lest his choice liquors +should be annihilated in his absence. + +It was Monday noon when they returned. Marian sat at the window in the +easiest chair the house afforded, sickening with fever. She watched +them coming into town with a restless, helpless anxiety. She watched +them scatter to their cabins, and saw Circus Jack coming on toward the +hotel alone. + +She buried her face in her hands. He had said that he would never come +back until he found him. Had they become discouraged, or---- + +She could not believe that they had found him. Her heart seemed to cry +out, "No! no!" Jack came up, with little Mrs. Sharpe at his heels. + +"Be keerful!" said the faded woman. "She mighty poorly." + +Jack came in as lightly as his heavy boots would allow. + +"The boys said fur me ter tell yer they wus all dretful sorry fur yer. +We buried him jist whar we found him. He'd a ben dead nigh on to a +couple of weeks, I reckon. Don't yer look so, lady. Poor Jim! he warn't +never happy, even when he was drunk. He's better off up thar. We flung +a few stones together to mark the place, and I'll guide you and Mrs. +Sharpe thar any time." + +Then, lowering his voice to a whisper, he added tenderly, "And I tuk +the ring offen his finger. He couldn't fight fur it now; an I thought +as mebby you'd like it." + +He took it from the corner of his handkerchief; she held up her finger +for it, and he slipped it on. Then he saw that the letters spelled +"Faith." "Thet Punks!" he thought to himself contemptuously. + +She looked up into his face with a stony smile--no tears now. + +"Thank you," she said. + +Four weeks afterward the Doctor lifted Marian into the stage. She was +strong enough for her journey now, she said. Two days before she had +visited the lonely cairn. It was a tiresome horseback ride too. She +seemed to be getting well very fast. The Doctor told her so. + +"People never die when they wish to," she answered sadly. + +Circus Jack came to the stage-door to bid her "Good-by." + +"What can I do for you to thank you?" she asked earnestly. + +Jack hesitated. + +"Ef you wouldn't mind, ma'am," he said, "I'd like--to--kiss your hand. +I've got a dear old mother home--ef you wouldn't mind!" + +Without a blush or a change of countenance she put her arm around his +neck and kissed his lips. + +"Good-by, dear old fellow," she said. + +Then Scotty cracked his whip, the crowd on the piazza raised their +hats--even the poor, chagrined Doctor--a subdued cheer was given, and +the lumbering stage disappeared in a cloud of dust, the nodding +mariposas on the hillside looking curiously at it as it went by. + +CLARA G. DOLLIVER. + + + + +THE PUNISHED. + + + Not they who know the awful gibbet's anguish, + Not they who, while sad years go by them, in + The sunless cells of lonely prisons languish, + Do suffer fullest penalty for sin. + + 'Tis they who walk the highways unsuspected, + Yet with grim fear for ever at their side, + Who clasp the corpse of some sin undetected, + A corpse no grave or coffin lid can hide. + + 'Tis they who are in their own chambers haunted + By thoughts that like unwelcome guests intrude, + And sit down uninvited and unwanted, + And make a nightmare of the solitude. + +ELLA WHEELER. + + + + +ALFRED DE MUSSET. + + +It had been known for some time that M. Paul de Musset was preparing a +biography of his illustrious brother, and the knowledge had been +grateful to Alfred de Musset's many lovers; for the author of "Rolla" +and the "Lettre a Lamartine" has lovers. The book has at last +appeared--more than twenty years after the death of its hero.[1] It is +probably not unfair to suppose that a motive for delay has been removed +by the recent death of Mme. Sand. M. Paul de Musset's volume proves, we +confess, rather disappointing. It is a careful and graceful, but at the +same time a very slight performance, such as was to be expected from +the author of "Lui et Elle" and of the indignant refutation (in the +biographical notice which accompanies the octavo edition of Alfred de +Musset's works) of M. Taine's statement that the poet was addicted to +walking about the streets late at night. As regards this latter point, +M. Paul de Musset hastened to declare that his brother had no such +habits--that his customs were those of a _gentilhomme_; by which the +biographer would seem to mean that when the poet went abroad after dark +it was in his own carriage, or at least in a hired cab, summoned from +the nearest stand. M. Paul de Musset is a devoted brother and an +agreeable writer; but he is not, from the critic's point of view, the +ideal biographer. This, however, is not seriously to be regretted, for +it is little to be desired that the ideal biography of Alfred de Musset +should be written, or that he should be delivered over, bound hand and +foot, to the critics. Those who really care for him would prefer to +judge him with all kinds of allowances and indulgences--sentimentally +and imaginatively. Between him and his readers it is a matter of +affection, or it is nothing at all; and there is something very happy, +therefore, in M. Paul de Musset's fond, fraternal reticency and +extenuation. He has related his brother's life as if it were a pretty +"story"; and indeed there is enough that was pretty in it to justify +him. We should decline to profit by any information that might be +offered us in regard to its prosaic, its possibly shabby side. To make +the story complete, however, there appears simultaneously with M. Paul +de Musset's volume a publication of a quite different sort--a memoir of +the poet by a clever German writer, Herr Paul Lindau.[2] Herr Lindau is +highly appreciative, but he is also critical, and he says a great many +things which M. Paul de Musset leaves unsaid. As becomes a German +biographer, he is very minute and exhaustive, and a stranger who should +desire a "general idea" of the poet would probably get more instruction +from his pages than from the French memoir. Their fault is indeed that +they are apparently addressed to persons whose mind is supposed to be a +blank with regard to the author of "Rolla." The exactions of bookmaking +alone can explain the long analyses and prose paraphrases of Alfred de +Musset's comedies and tales to which Herr Lindau treats his readers--the +dreariest kind of reading when an author is not in himself essentially +inaccessible. Either one has not read Alfred de Musset's comedies or +not felt the charm of them--in which case one will not be likely to +resort to Herr Lindau's memoirs--or one _has_ read them, in the +charming original, and can therefore dispense with an elaborate German +_resume_. + + [1] "_Biographie de Alfred de Musset: sa Vie et ses Oeuvres._" + Par PAUL DE MUSSET. Paris: Charpentier. + + [2] "_Alfred de Musset._" Von PAUL LINDAU. Berlin: Hofmann. + +In saying just now that M. Paul de Musset's biography of his brother is +disappointing, we meant more particularly to express our regret that he +has given us no letters--or given us at least but two or three. It is +probable, however, that he had no more in his hands. Alfred de Musset +lived in a very compact circle; he spent his whole life in Paris, and +his friends lived in Paris near him. He was little separated from his +brother, who appears to have been his best friend (M. Paul de Musset +was six years Alfred's senior), and much of his life was passed under +the same roof with the other members of his family. Seeing his friends +constantly, he had no occasion to write to them; and as he saw little +of the world (in the larger sense of the phrase), he would have had +probably but little to write about. He made but one attempt at +travelling--his journey to Italy, at the age of twenty-three, with +George Sand. "He made no important journeys," says Herr Lindau, "and if +one excepts his love affairs, he really had no experiences." But his +love affairs, as a general thing, could not properly be talked about. +M. de Musset shows good taste in not pretending to narrate them. He +mentions two or three of the more important episodes of this class, and +with regard to the others he says that when he does not mention them +they may always be taken for granted. It is perhaps indeed in a limited +sense that Alfred de Musset's love affairs may be said to have been in +some cases more important than in others. It was his own philosophy +that in this matter one thing is about as good as another-- + + Aimer est le grand point; qu'importe la maitresse? + Qu'importe le flacon pourvu qu'on ait l'ivresse? + +Putting aside the "ivresse," which was constant, Musset's life certainly +offers little material for narration. He wrote a few poems, tales, and +comedies, and that is all. He _did_ nothing, in the sterner sense of +the word. He was inactive, indolent, idle; his record has very few +dates. Two or three times the occasion to do something was offered him, +but he shook his head and let it pass. It was proposed to him to accept +a place as attache to the French embassy at Madrid, a comfortable +salary being affixed to the post. But Musset found no inspiration in +the prospect. He had written about Spain in his earlier years--he had +sung in the most charming fashion about Juanas and Pepitas, about +senoras in mantillas stealing down palace staircases that look "blue" +in the starlight. But the desire to _see_ the picturesqueness that +he had fancied proved itself to have none of the force of a motive. +This is the fact in Musset's life which the writer of these lines finds +most regrettable--the fact of his contented smallness of horizon--the +fact that on his own line he should not have cared to go further. There +is something really exasperating in the sight of a picturesque poet +wantonly slighting an opportunity to go to Spain--the Spain of forty +years ago. It does violence even to that minimum of intellectual +eagerness which is the portion of a contemplative mind. It is annoying +to think that Alfred de Musset should have been meagrely contemplative. +This is the weakness that tells against him, more than the weakness of +what would be called his excesses. From the point of view of his own +peculiar genius, it was a good fortune for him to be susceptible and +tender, sensitive and passionate. The trouble was not that he was all +this, but that he was lax and soft; that he had too little energy and +curiosity. Shelley was at least equally tremulous and sensitive--equally +a victim of his impressions, and an echo, as it were, of his temperament. +But even Musset's fondest readers must feel that Shelley had within him +a firm, divinely-tempered spring against which his spirit might rebound +indefinitely. As regards intense sensibility--that fineness of feeling +which is the pleasure and pain of the poetic nature--M. Paul de Musset +tells two or three stories of his brother which remind one of the +anecdotes recorded of the author of the "Ode to the West Wind." "One of +the things which he loved best in the world was a certain exclamation +of Racine's 'Phaedra,' which expresses by its _bizarrerie_ the trouble +of her sickened heart: + + Ariane, ma soeur, de quel amour blessee, + Vous mourutes aux bords ou vous futes laissee! + +When Rachel used to murmur forth this strange, unexpected plaint, +Alfred always took his head in his two hands and turned pale with +emotion." + +The author describes the poet's early years, and gives several very +pretty anecdotes of his childhood. Alfred de Musset was born in 1810, +in the middle of old Paris, on a spot familiar to those many American +visitors who wander across the Seine, better and better pleased as they +go, to the museum of the Hotel de Cluny. The house in which Musset's +parents lived was close to this beautiful monument--a happy birthplace +for a poet; but both the house and the street have now disappeared. M. +Paul de Musset does not relate that his brother began to versify in his +infancy; but Alfred was indeed hardly more than an infant when he +achieved his first success. The poems published under the title of +"Contes d'Espagne et d'Italie" were composed in his eighteenth and +nineteenth years; he had but just completed his nineteenth when the +volume into which they had been gathered was put forth. There are +certainly--if one considers the quality of the poems--few more striking +examples of literary precocity. The cases of Chatterton and Keats may +be equally remarkable, but they are not more so. These first boyish +verses of Musset have a vivacity, a brilliancy, a freedom of feeling +and of fancy which may well have charmed the little _cenacle_ to which +he read them aloud--the group of litterateurs and artists which +clustered about Victor Hugo, who, although at this time very young, was +already famous. M. Paul de Musset intimates that if his brother was at +this moment (and as we may suppose, indeed, always) one of the warmest +admirers of the great author of "Hernani" and those other splendid +productions which project their violet glow across the threshold of the +literary era of 1830, and if Victor Hugo gave kindly audience to "Don +Paez" and "Mardoche," this kindness declined in proportion as the fame +of the younger poet expanded. Alfred de Musset was certainly not +fortunate in his relations with his more distinguished contemporaries. +Victor Hugo "dropped" him; it would have been better for him if George +Sand had never taken him up; and Lamartine, to whom, in the shape of a +passionate epistle, he addressed the most beautiful of his own, and one +of the most beautiful of all poems, acknowledged the compliment only +many years after it was paid. The _cenacle_ was all for Spain, for +local color, for serenades, and daggers, and Gothic arches. It was +nothing if not audacious (it was in the van of the Romantic movement), +and it was partial to what is called in France the "humoristic" as well +as to the ferociously sentimental. Musset produced a certain "Ballade a +la Lune" which began-- + + C'etait dans la nuit brune + Sur le clocher jauni, + La lune + Comme un point sur un i! + +This assimilation of the moon suspended above a church spire to a dot +upon an _i_ became among the young Romanticists a sort of symbol of +what they should do and dare; just as in the opposite camp it became a +by-word of horror. But this was only playing at poetry, and in his next +things, produced in the following year or two, Musset struck a graver +and more resonant chord. The pieces published under the title of "Un +Spectacle dans un Fauteuil" have all the youthful grace and gayety of +those that preceded them; but they have beyond this a suggestion of the +quality which gives so high a value to the author's later and best +verses--the accent of genuine passion. It is hard to see what, just +yet, Alfred de Musset had to be passionate about; but passion, with a +poet, even when it is most genuine, is very much of an affair of the +imagination and the personal temperament (independent, we mean, of +strong provoking causes), and the sensibilities of this young man were +already exquisitely active. His poems found a great many admirers, and +these admirers were often women. Hence for the young poet, says M. Paul +de Musset, a great many romantic and "_Boccaciennes_" adventures. "On +several occasions I was awaked in the middle of the night to give my +opinion on some question of high prudence. All these little stories +having been confided to me under the seal of secrecy, I have been +obliged to forget them; but I may affirm that more than one of them +would have aroused the envy of Bassompierre and Lauzun. Women at that +time were not wholly absorbed in their care for luxury and dress. To +hope to please, young men had no need to be rich; and it served a +purpose to have at nineteen years of age the prestige of talent and +glory." This is very pretty, as well as very Gallic; but it is rather +vague, and we may without offence suspect it to be, to a certain +extent, but that conventional _coup de chapeau_ which every +self-respecting Frenchman renders to actual or potential, past, +present, or future gallantry. Doubtless, however, Musset was, in the +native phrase, _lance_. He lived with his father and mother, his +brother and sister; his purse was empty; Seville and Granada were very +far away; and these "Andalusian passions," as M. Paul de Musset says, +were mere reveries and boyish visions. But they were the visions of a +boy who was all ready to compare reality with romance, and who, in +fact, very soon acceded to a proposal which appeared to offer a +peculiar combination of the two. It is noticeable, by the way, that +from our modest Anglo-Saxon point of view these same "Andalusian +passions," dealing chiefly with ladies tumbling about on disordered +couches, and pairs of lovers who take refuge from an exhausted +vocabulary in _biting_ each other, are an odd sort of thing for an +ingenuous lad, domiciled in the manner M. Paul de Musset describes, and +hardly old enough to have a latch-key, to lay on the family breakfast +table. But this was very characteristic all round. Musset was not a +didactic poet, and it was not for him to lose time by taking his first +steps as one. His business was to talk about love in unmistakable +terms, to proclaim its pleasures and pains with all possible eloquence; +and he would have been quite at a loss to understand why he should have +blushed or stammered in preluding to so beautiful a theme. Herr Lindau +thinks that even in the germ Musset's inspiration is already +vicious--that "his wonderful talent was almost simultaneously ripe and +corrupted." But Herr Lindau speaks from the modest Saxon point of view; +a point of view, however, from which, in such a matter, there is a +great deal to be said. + +The great event in Alfred de Musset's life, most people would say, was +his journey to Italy with George Sand. This event has been +abundantly--superabundantly--described, and Herr Lindau, in the volume +before us, devotes a long chapter to it and lingers over it with +peculiar complacency. Our own sentiment would be that there is +something extremely displeasing in the publicity which has attached +itself to the episode; that there is indeed a sort of colossal +indecency in the way it has passed into the common fund of literary +gossip. It illustrates the base, the weak, the trivial side of all the +great things that were concerned in it--fame, genius, and love. Either +the Italian journey was in its results a very serious affair for the +remarkable couple who undertook it--in which case it should be left in +that quiet place in the history of the development of the individual +into which public intrusion can bring no light, but only darkness--or +else it was a piece of levity and conscious self-display; in which case +the attention of the public has been invited to it on false grounds. If +there ever was an affair it should be becoming to be silent about, it +was certainly this one; but neither the actors nor the spectators have +been of this way of thinking; one may almost say that there exists a +whole literature on the subject. To this literature Herr Lindau's +contribution is perhaps the most ingenious. He has extracted those +pages from Paul de Musset's novel of "Lui et Elle" which treat of the +climax of the relations of the hero and heroine, and he has printed the +names of George Sand and Alfred de Musset instead of the fictitious +names. The result is perhaps of a nature to refresh the jaded vision of +most lovers of scandal. + +We must add that some of his judgments on the matter happen to have a +certain felicity. M. Paul de Musset has narrated the story more +briefly--having, indeed, by the publication of "Lui et Elle," earned +the right to be brief. He mentions two or three facts, however, the +promulgation of which he may have thought it proper, as we said before, +to postpone to Mme. Sand's death. One of them is sufficiently dramatic. +Musset had met George Sand in the summer of 1833, about the time of the +publication of "Rolla"--seeing her for the first time at a dinner given +to the contributors of the "Revue des Deux Mondes," at the Trois Freres +Provencaux. George Sand was the only woman present. Sainte-Beuve had +already endeavored to bring his two friends together, but the attempt +had failed, owing to George Sand's reluctance, founded on an impression +that she should not like the young poet. Alfred de Musset was +twenty-three years of age; George Sand, who had published "Indiana," +"Valentine," and "Lelia," was close upon thirty. Alfred de Musset, as +the author of "Rolla," was a very extraordinary young man--quite the +young man of whom Heinrich Heine could say "he has a magnificent _past_ +before him." Upon his introduction to George Sand, an intimacy speedily +followed--an intimacy commemorated by the lady in expansive notes to +Sainte-Beuve, whom she kept informed of its progress. When the winter +came the two intimates talked of leaving Paris together, and, as an +experiment, paid a visit to Fontainebleau. The experiment succeeded, +but this was not enough, and they formed the project of going to Italy. +To this project, as regarded her son, Mme. de Musset refused her +consent. (Alfred's father, we should say, had died before the +publication of "Rolla," leaving his children without appreciable +property, though during his lifetime, occupying a post in a government +office, he had been able to maintain them comfortably.) His mother's +opposition was so vehement that Alfred gave up the project, and +countermanded the preparations that had already been made for +departure. + +"That evening toward nine o'clock," says M. Paul de Musset, "our mother +was alone with her daughter by the fireside, when she was informed that +a lady was waiting for her at the door in a hired carriage, and begged +urgently to speak with her. She went down accompanied by a servant. The +unknown lady named herself; she besought this deeply grieved mother to +confide her son to her, saying that she would have for him a maternal +affection and care. As promises did not avail, she went so far as sworn +vows. She used all her eloquence, and she must have had a great deal, +since her enterprise succeeded. In a moment of emotion the consent was +given." The author of "Lelia" and the author of "Rolla" started for +Italy together. M. Paul de Musset mentions that he accompanied them to +the mail coach "on a sad, misty evening, in the midst of circumstances +that boded ill." They spent the winter at Venice, and M. Paul de Musset +and his mother continued to hear regularly from Alfred. But toward the +middle of February his letters suddenly stopped, and for six weeks they +were without news. They were on the point of starting for Italy, to put +an end to their suspense, when they received a melancholy epistle +informing them that their son and brother was on his way home. He was +slowly recovering from an attack of brain fever, but as soon as he +should be able to drag himself along he would seek the refuge of the +paternal roof. + +On the 10th of April he reappeared alone. A quarter of a century later, +and a short time after his death, Mme. Sand gave to the world, in the +guise of a novel, an account of the events which had occupied this +interval. The account was highly to her own advantage and much to the +discredit of her companion. Paul de Musset immediately retorted with a +little book which is decidedly poor as fiction, but tolerably good, +probably, as history. As a devoted brother, given all the +circumstances, it was perhaps the best thing he could do. It is +believed that his reply was more than, in the vulgar phrase, Mme. Sand +had bargained for; inasmuch as he made use of documents of whose +existence she had been ignorant. Alfred de Musset, suspecting that her +version of their relations would be given to the world, had, in the +last weeks of his life, dictated to his brother a detailed statement of +those incidents to which misrepresentation would chiefly address +itself, and this narrative Paul de Musset simply incorporated in his +novel. The gist of it is that the poet's companion took advantage of +his being seriously ill, in Venice, to be flagrantly unfaithful, and +that, discovering her infidelity, he relapsed into a brain fever which +threatened his life, and from which he rose only to make his way home +with broken wings and a bleeding heart. + +Mme. Sand's version of the story is that his companion's infidelity was +a delusion of the fever itself, and that the charge was but the climax +of a series of intolerable affronts and general fantasticalities. + +Fancy the great gossiping, vulgar-minded public deliberately invited to +ponder this delicate question! The public should never have been +appealed to; but once the appeal made, it administers perforce a rough +justice of its own. According to this rough justice, the case looks +badly for Musset's fellow traveller. She was six years older than he +(at that time of life a grave fact); she had drawn him away from his +mother, taken him in charge, assumed a responsibility. Their literary +physiognomies were before the world, and she was, on the face of the +matter, the riper, stronger, more reasonable nature. She had made great +pretensions to reason, and it is fair to say of Alfred de Musset that +he had made none whatever. What the public sees is that the latter, +unreasonable though he may have been, comes staggering home, alone and +forlorn, while his companion remains quietly at Venice and writes three +or four highly successful romances. Herr Lindau, who analyzes the +affair, comes to the same conclusion as the gross synthetic public; and +he qualifies certain sides of it in terms of which observant readers of +George Sand's writings will recognize the justice. It is very happy to +say "she was something of a Philistine;" that at the bottom of all +experience with her was the desire to turn it to some economical +account; and that she probably irritated her companion in a high degree +by talking too much about loving him as a mother and a sister. (This, +it will be remembered, is the basis of action with Therese, in "Elle et +Lui." She becomes the hero's mistress in order to retain him in the +filial relation, after the fashion of Rousseau's friend, Mme. de +Warens.) On the other hand, it seems hardly fair to make it one of +Musset's grievances that his comrade was industrious, thrifty, and +methodical; that she had, as the French say, _de l'ordre_; and that, +being charged with the maintenance of a family, she allowed nothing to +divert her from producing her daily stint of "copy." + +It is easy to believe that Musset may have tried the patience of a +tranquil associate. George Sand's Jacques Laurent, in "Elle et Lui," is +a sufficiently vivid portrait of a highly endowed, but hopelessly +petulant, unreasonable, and dissipated egotist. We are far from +suspecting that the portrait is perfectly exact; no portrait by George +Sand is perfectly exact. Whatever point of view she takes, she always +abounds too much in her own sense. But it evidently has a tolerably +solid foundation in fact. Herr Lindau holds that Alfred de Musset's +life was literally blighted by the grief that he suffered in Italy, and +that the rest of his career was a long, erratic, unprofitable effort to +drown the recollection of it. Our own inclination would be to judge him +at once with more and with less indulgence. Whether deservedly or no, +there is no doubt that his suffering was great; his brother quotes a +passage from a document written five years after the event, in which +Alfred affirms that, on his return to Paris, he spent four months shut +up in his room in incessant tears--tears interrupted only by a +"mechanical" game of chess in the evening. But Musset, like all poets, +was essentially a creature of impression; as with all poets, his +sentimental faculty needed constantly to renew itself. He found his +account in sorrow, or at least in emotion, and we may say, in differing +from Herr Lindau, that he was not a man to let a grievance grow stale. +To feel permanently the need of smothering sorrow is in a certain sense +to be sobered by it. Musset was never sobered (a cynical commentator +would say he was never sober). Emotions bloomed again lightly and +brilliantly on the very stem on which others had withered. After the +catastrophe at times his imagination saved him, distinctly, from +permanent depression; and on a different line, this same imagination +helped him into dissipation. + +M. Paul de Musset mentions that in 1837 his brother conceived a +"passion serieuse" for an attractive young lady, and that the _liaison_ +lasted two years--"two years during which there was never a quarrel, a +storm, a cooling-off; never a pretext for umbrage or jealousy. This is +why," he adds, "there is nothing to be told of them. Two years of love +without a cloud cannot be narrated." It is noticeable that this is the +third "passion serieuse" that M. Paul de Musset alludes to since the +dolorous weeks which followed the return from Venice. Shortly after +this period another passion had come to the front; a passion which, +like that which led him to Italy, was destined to have a tragical +termination. This particular love affair is commemorated, in accents of +bitter melancholy, in the "Nuit de Decembre," just as the other, which +had found its catastrophe at Venice, figures, by clear allusion, in +"Nuit de Mai," published a few months before. It may provoke a +philosophic smile to learn, as we do from M. Paul de Musset--candid +biographer!--that the "motives" of these two poems are not identical, +as they have hitherto been assumed to be. It had never occurred to the +reader that one disillusionment could follow so fast upon the heels of +another. When we add that a short time afterward--as the duration of +great intimacies of the heart is measured--Alfred de Musset was ready +to embark upon "two years of love without a cloud" with still another +object--to say nothing of the brief interval containing a sentimental +episode of which our biographer gives the prettiest account--we seem to +be justified in thinking that, for a "blighted" life, that of Alfred de +Musset exhibited a certain germinal vivacity. + +During his stay in Italy he had written nothing; but the five years +which followed his return are those of his most active and brilliant +productivity. The finest of his verses, the most charming of his tales, +the most original of his comedies, belong to this relatively busy +period. Everything that he wrote at this time has a depth and intensity +which distinguishes it from the jocosely sentimental productions of his +debut, and from the somewhat mannered and vapidly elegant compositions +which he put forth, at wide intervals, during the last fifteen years of +his life. This was the period of Musset's intellectual virility. He was +very precocious, but he was at the same time, at first, very youthful. +On the other hand, his decline began early; in most of his later +things, especially in his verses (they become very few in number), the +inspiration visibly runs thin. "Mon verre n'est pas grand, mais je bois +dans mon verre," he had said, and both clauses of the sentence are +true. His glass held but a small quantity; the best of his +verses--those that one knows by heart and never wearies of +repeating--are very soon counted. We have named them when we have +mentioned "Rolla," the "Nuit de Mai," the "Nuit d'Aout" and the "Nuit +d'Octobre"; the "Lettre a Lamartine," and the "Stances a la Malibran." +These, however, are perfection; and if Musset had written nothing else, +he would have had a right to say that it was from his own glass that he +drank. The most beautiful of his comedies, "Il ne faut pas badiner avec +l'Amour," dates from 1834, and to the same year belongs the +"Lorenzaccio," the strongest, if not the most exquisite, of his +dramatic attempts. His two most agreeable _nouvelles_, "Emmeline" and +"Frederic et Bernerette," appeared about the same time. But we have not +space to enumerate his productions in detail. During the fifteen last +years of his life, as we have said, they grew more and more rare; the +poet had, in a certain sense, out-lived himself. Of these last years +Herr Lindau gives a rather realistic and unflattered sketch; picturing +him especially as a figure publicly familiar to Parisian loungers, who +were used to observe him as "an unfortunate with an interesting face, +dressed with extreme care," with the look of youth and the lassitude of +age, seated in a corner of a cafe and gazing blankly over a marble +table on which "a half empty bottle of absinthe and a quite empty +glass" stood before him. M. Paul de Musset, in describing his brother's +later years, is mindful of the rule to glide, not to press; with a very +proper fraternal piety, he leaves a great many foibles and +transgressions in the shade. He mentions, however, Alfred's partiality +for spirits and stimulants--a taste which had defined itself in his +early years. Musset made an excessive use of liquor; in plain English, +he got drunk. Sainte-Beuve, somewhere in one of his merciless but +valuable foot-notes, alludes to the author of "Rolla" coming tipsy to +the sittings of the French Academy. Herr Lindau repeats a pun which was +current on such occasions. "Musset s'absente trop," said some one. "Il +s'absinthe trop," replied some one else. He had been elected to the +Academy in 1852. His speech on the occasion of his reception was a +disappointment to his auditors. Herr Lindau attributes the sterility of +his later years to indolence and perversity; and it is probable that +there is not a little justice in the charge. He was unable to force +himself; he belonged to the race of gifted people who must do as it +pleases them. When a literary task was proposed to him and he was not +in the humor for it, he was wont to declare that he was not a +maid-of-all-work, but an artist. He must write when the fancy took him; +the fancy took him, unfortunately, less and less frequently. With a +very uncertain income, and harassed constantly by his debts, he scorned +to cultivate a pecuniary inspiration. He died in the arms of his +brother in the spring of 1857. + +He was beyond question one of the first poets of our day. If the poetic +force is measured by the _quality_ of the inspiration--by its purity, +intensity, and closely personal savor--Alfred de Musset's place is +surely very high. He was, so to speak, a thoroughly _personal_ poet. +He was not the poet of nature, of the universe, of reflection, of +morality, of history; he was the poet simply of a certain order of +personal emotions, and his charm is in the frankness and freedom, the +grace and harmony, with which he expressed these emotions. The affairs +of the heart--these were his province; in no other verses has the heart +spoken more characteristically. Herr Lindau says very justly that if he +was not the greatest poet among his contemporaries, he was at any rate +the most poetically constituted nature. A part of the rest of Herr +Lindau's judgment is worth quoting: + + He has remained the poet of youth. No one has sung so truthfully + and touchingly its aspirations and its sensibilities, its doubts + and its hopes. No one has comprehended and justified its follies + and its amiable idiosyncrasies with a more poetic irony, with a + deeper conviction. His joy was young, his sorrow was young, and + young was his song. To youth he owes all happiness, and in youth he + sang his brightest chants. But the weakness of youth was his fatal + enemy, and with youth faded away his joy in existence and in + creation. + +This is exactly true. Half the beauty of Musset's writing is its simple +suggestion of youthfulness--of something fresh and fair, slim and +tremulous, with a tender epidermis. This quality, with some readers, +may seem to deprive him of a certain proper dignity; and it is very +true that he was not a Stoic. You may even call him unmanly. He cries +out when he is hurt; he resorts frequently to tears, and he talks much +about his tears. (We have seen that after his return from Venice they +formed, for four months, his principal occupation.) But his defence is +that if he does not bear things like a man, he at least, according to +Shakespeare's distinction, feels them like a man. What makes him +valuable is just this gift for the expression of that sort of emotion +which the conventions and proprieties of life, the dryness of ordinary +utterance, the stiffness of most imaginations, leave quite in the +vague, and yet which forms a part of human nature important enough to +have its exponent. If the presumption is against the dignity of deeply +poetic utterance, poor Musset is, in the vulgar phrase, nowhere--he is +a mere grotesque sound of lamentation. But if in judging him you don't +stint your sympathy, you will presently perceive him to have an +extraordinarily precious quality--a quality equally rare in literature +and in life. He has passion. There is in most poetry a great deal of +reflection, of wisdom, of grace, of art, of genius; but (especially in +English poetry) there is little of this peculiar property of Musset's. +When it occurs we feel it to be extremely valuable; it touches us +beyond anything else. It was the great gift of Byron, the quality by +which he will live in spite of those weaknesses and imperfections which +may be pointed out by the dozen. Alfred de Musset in this respect +resembled the poet whom he appears most to have admired--living at a +time when it had not begun to be the fashion to be ashamed to take +Byron seriously. Mr. Swinburne in one of his prose essays speaks of him +with violent scorn as Byron's "attendant dwarf," or something of that +sort. But this is to miss the case altogether. There is nothing +diminutive in generous admiration, and nothing dwarfish in being a +younger brother; Mr. Swinburne's charge is too coarse a way of stating +the position. Musset resembles Byron in the fact that the beauty of his +verse is somehow identical with the feeling of the writer--with his +immediate, sensible warmth--and not dependent upon that reflective +stage into which, to produce its great effects, most English poetic +expression instantly passes, and which seems to chill even while it +nobly beautifies. Musset is talked of nowadays in France very much as +Byron is talked of among ourselves; it is noticed that he often made +bad verse, and he is accused of having but half known his trade. This +sort of criticism is eminently just, and there is a weak side of the +author of "Rolla" which it is easy to attack. + +Alfred de Musset, like Mr. Murray's fastidious correspondent, wrote +poetry as an amateur--wrote it, as they say in France, _en +gentilhomme_. It is the fashion, I believe, in some circles, to be on +one's guard against speaking foreign tongues too well (the precaution +is perhaps superfluous) lest a marked proficiency should expose one to +be taken for a teacher of languages. It was a feeling of this kind, +perhaps, that led Alfred de Musset to a certain affectation of +negligence and laxity; though he wrote for the magazines, he could +boast a long pedigree, and he had nothing in common with the natives of +Grub street. Since his death a new school of poets has sprung up--of +which, indeed, his contemporary, Theophile Gautier, may be regarded as +the founder. These gentlemen have taught French poetry a multitude of +paces of which so sober-footed a damsel was scarcely to have been +supposed capable; they have discovered a great many secrets which +Musset appears never to have suspected, or (if he did suspect them) to +have thought not worth finding out. They have sounded the depths of +versification, and beside their refined, consummate _facture_ Musset's +simple devices and good-natured prosody seem to belong to a primitive +stage of art. It is the difference between a clever performer on the +tight rope and a gentleman strolling along on soft turf with his hands +in his pockets. If people care supremely for form, Musset will always +but half satisfy them. It is very pretty, they will say; but it is +confoundedly unbusinesslike. His verse is not chiselled and pondered, +and in spite of an ineffable natural grace, it lacks the positive +qualities of cunning workmanship--those qualities which are found in +such high perfection in Theophile Gautier. To our own sense Musset's +exquisite feeling more than makes up for one-half the absence of +"chiselling," and the ineffable grace we spoke of just now makes up for +the other half. His sweetness of passion, of which the poets who have +succeeded him have so little, is a more precious property than their +superior science. His grace is often something divine; it is in his +grace that we must look for his style. Herr Lindau says that Heine +speaks of "truth, harmony, and grace" being his salient qualities. (By +the first, we take it, he meant what we have called Musset's passion.) +His harmony, from the first, was often admirable; the rhythm of even +some of his earliest verses makes them haunt the ear after one has +murmured them aloud. + + Ulric, des mers nul oeil n'a mesure l'abime, + Ni les herons plongeurs, ni les vieux matelots; + Le soleil vient briser ses rayons sur leur cime, + Comme un soldat vaincu brise ses javelots. + +Musset's grace, in its suavity, freedom, and unaffectedness, is +altogether peculiar; though it must be said that it is only in the +poems of his middle period that it is at its best. His latest things +are, according to Sainte-Beuve, _califichets_--baubles; they are too +much in the rococo, the Dresden china style. But as we have said +before, with his youth Musset's inspiration failed him. It failed him +in his prose as well as in his verse. "Il faut qu'une Porte soit +ouverte ou fermee," one of the last of his dramatic proverbs, is very +charming, very perfect in its way; but compared with the tones of the +"Caprices de Marianne," the "Chandelier," "Fantasio," the sentiment is +thin and the style has rather a simper. It is what the French call +_marivaudage_. There can, however, be no better example of the +absoluteness of the poetic sentiment, of its justifying itself as it +goes, of lyrical expression being as it were not only a means, but an +end, than the irresistible beauty of such effusions as the "Lettre a +Lamartine" and the "Nuit d'Aout." + + Poete, je t'ecris pour te dire que j'aime! + +--that is all, literally, that Musset has to say to the "amant +d'Elvire"; and it would be easy to make merry at the expense of so +simply candid a piece of "gush." But the confidence is made with a +transparent ardor, a sublime good faith, an audible, touching tremor of +voice, which, added to the enchanting harmony of the verse, make the +thing one of the most splendid poems of our day. + + Ce ne sont pas des chants, ce ne sont que des larmes, + Et je ne te dirai que ce que Dieu m'a dit! + +Musset has never risen higher. He has, in strictness, only one +idea--the idea that the passion of love and the act of loving are the +divinest things in a miserable world; that love has a thousand +disappointments, deceptions, and pangs, but that for its sake they are +all worth enduring, and that, as Tennyson has said, more curtly and +reservedly, + + 'Tis better to have loved and lost + Than never to have loved at all. + +Sometimes he expresses this idea in the simple epicurean fashion, with +gayety and with a more or less cynical indifference to the moral side +of the divine passion. Then he is often pretty, picturesque, fanciful, +but he remains essentially light. At other times he feels its relation +to the other things that make up man's destiny, and the sense of +aspiration meets with the sense of enjoyment or of regret. Then he is +at his best; then he seems an image of universally sentient youth. + + Je ne puis; malgre moi, l'infini me tourmente. + Je n'y saurais songer sans crainte et sans espoir; + Et quoiqu'on en ait dit, ma raison s'epouvante + De ne pas le comprendre, et pourtant de le voir. + +While we may suspect that there is something a little over-colored in +M. Paul de Musset's account of the degree to which his brother was +haunted by the religious sentiment--by the impulse to grope for some +philosophy of life--we may also feel that with the poet's sense of the +"divineness" of love there went a conviction that ideal love implies a +divine object. This is the feeling expressed in the finest lines of the +"Lettre a Lamartine"--in lines at least which, if they are not the +finest, are fine enough to quote: + + Eh bien, bon ou mauvais, inflexible ou fragile, + Humble ou gai, triste ou fier, mais toujours gemissant, + Cet homme, tel qu'il est, cet etre fait d'argile, + Tu l'a vu, Lamartine, et son sang est ton sang. + Son bouheur est le tien; sa douleur est la tienne; + Et des maux qu'ici bas il lui faut endurer, + Pas un qui ne te touche et qui ne t'appartienne; + Puisque tu sais chanter, ami, tu sais pleurer. + Dis-moi, qu'en penses-tu dans tes jours de tristesse? + Que t'a dit le malheur quand tu l'as consulte? + Trompe par tes amis, trahi par ta maitresse, + Du ciel et de toi-meme as-tu jamais doute? + Non, Alphonse, jamais. La triste experience + Nous apporte la cendre et n'eteint pas le feu. + Tu respectes le mal fait par la Providence; + Tu le laisses passer et tu crois a ton Dieu. + Quelqu'il soit c'est le mien; il n'est pas deux croyances. + Jene sais pas son nom: j'ai regarde les cieux; + Je sais qu'ils sont a lui, je sais qu'ils sont immenses, + Et que l'immensite ne peut pas etre a deux. + J'ai connu, jeune encor, de severes souffrances; + J'ai vu verdir les bois et j'ai tente d'aimer. + Je sais ce que la terre engloutit d'esperances, + Et pour y recueillir ce qu'il y faut semer. + Mais ce que j'ai senti, ce que je veux t'ecrire, + C'est ce que m'ont appris les anges de douleur; + Je le sais mieux encor et puis mieux te le dire, + Car leur glaive, en entrant, l'a grave dans mon coeur. + +And the rest of the poem is a lyrical declaration of belief in +immortality. + +We have called the "Lettre a Lamartine" Musset's highest flight, but +the "Nuit de Mai" is almost as fine a poem--full of imaginative +splendor and melancholy ecstasy. The series of the "Nuits" is +altogether superb; with an exception made, perhaps, for the "Nuit de +Decembre," which has a great deal of sombre beauty, but which is not, +like the others, in the form of a dialogue between the Muse and the +poet--the Muse striving to console the world-wounded bard for his +troubles, and urging him to take refuge in hope and production: + + Poete, prends ton luth et me donne un baiser; + La fleur de l'eglantier sent ses bourgeons eclore. + Le printemps nait ce soir; les vents vout s'embraser; + Et la bergeronette, en attendant l'aurore, + Au premier buissons vertes commence a se poser. + Poete, prends ton luth et me donne un baiser. + +That is impregnated with the breath of a vernal night. The same poem +(the "Nuit de Mai") contains the famous passage about the pelican--the +passage beginning + + Les plus' desesperes sont les chants les plus beaux, + Et j'en sais d'immortels qui sont de purs sanglots---- + +in which the legend of the pelican opening his breast to feed his +starving young is made an image of what the poet does to entertain his +readers: + + Poete, c'est ainsi que font les grands poetes. + Ils laissent s'egayer ceux qui vivent un temps; + Mais les festins humains qu'ils servent a leurs fetes + Ressemblent la plupart a ceux des pelicans. + +This passage is perhaps--unless we except the opening verses of +"Rolla"--Musset's noblest piece of poetic writing. We must place next +to it--next to the three "Nuits"--the admirably passionate and genuine +"Stanzas to Malibran"--a beautiful characterization of the artistic +disinterestedness of the singer who suffered her genius to consume +her--who sang herself to death. The closing verses of the poem have a +wonderful purity; to rise so high, and yet in form, in accent, to +remain so still and temperate, belongs only to great poetry; as it +would be well to remind the critic who thinks the author of the +"Stanzas to Malibran" dwarfish. There is another sort of verse in which +violence of movement is more sensible than upwardness of direction. + +So far in relation to Musset's lyric genius--though we have given but a +brief and inadequate account of it. He had besides a dramatic genius of +the highest beauty, to which we have left ourself space to devote only +a few words. It is true that the drama with Musset has a decidedly +lyrical element, and that though his persons always talk prose, they +are constantly saying things which would need very little help to fall +into the mould of a stanza or a sonnet. In his dramas as in his verses, +his weakness is that he is amateurish; they lack construction; their +merit is not in their plots, but in what, for want of a better term, +one may call their sentimental perfume. The earliest of them failed +upon the stage, and for many years it was supposed they could not be +played. Musset supposed so himself, and took no trouble to encourage +the experiment. He made no concessions to contemporary "realism." But +at last they were taken up--almost by accident--and it was found that, +in the hands of actors whose education enabled them to appreciate their +delicacy, this delicacy might become wonderfully effective. If feeling +is the great quality in his verses, the case is the same in his +strange, fantastic, exquisite little _comedies_; comedies in the +literal English sense of the word we can hardly call them, for they +have almost always a melancholy or a tragical termination. They are +thoroughly sentimental; he puts before us people who convince us that +they really _feel_; the drama is simply the history of their feeling. +In the emotions of Valentin and Perdican, of Fantasio and Fortunio, of +Celio and Octave, of Carmosine and Bettine, there is something +contagious, irresistibly touching. But the great charm is Musset's +dramatic world itself, the atmosphere in which his figures move, the +element they breathe. + +It seems at first like a reckless thing to say, but we will risk it: in +the _quality_ of his fancy Musset always reminds us of Shakespeare. His +little dramas go on in the country of "As you Like It" and the +"Winter's Tale"; the author is at home there, like Shakespeare himself, +and he moves with something of the Shakespearian lightness and freedom. +His fancy loves to play with human life, and in the tiny mirror which +it holds up we find something of the depth and mystery of the object. +Musset's dialogue, in its mingled gayety and melancholy, its sweetness +and irony, its allusions to real things and its kinship with a romantic +world, has an altogether indefinable magic. To speak it on the stage is +almost to make it coarse. Once Musset attempted a larger theme than +usual; in "Lorenzaccio" he wrote an historical drama on the scale of +Shakespeare's histories; that is, with multitudes of figures, scenes, +incidents, and illustrations. He laid his hand on an admirable +subject--the story of a certain Lorenzino de' Medici, who played at +being a debauchee and a poltroon in order better to put the tyrant of +Florence (his own cousin) off his guard, and serve his country by +ridding her of him. The play shows an extraordinary abundance and +vivacity of imagination, and really, out of those same "histories" of +Shakespeare, it is hard to see where one should find an equal +spontaneity in dealing with the whole human furniture of a period. +Alfred de Musset, in "Lorenzaccio," has the air of being as ready to +handle a hundred figures as a dozen--of having imagination enough for +them all. The thing has the real creative _souffle_, and if it is not +the most perfect of his productions, it is probably the most vigorous. + +We have not spoken of his tales; their merit is the same as of the +_comedies_--that of spontaneous feeling, and of putting people before +us in whose feelings we believe. Besides this, they have Musset's grace +and delicacy in a perhaps excessive degree; they are the most mannered +of his productions. Two or three of them, however--"Emmeline," "Les +Deux Maitresses," "Frederic et Bernerette"--are masterpieces; this last +epithet is especially to be bestowed upon the letter written by the +heroine of the last-mentioned tale (an incorrigibly _volage_ grisette) +to her former lover on the occasion of his marrying and settling. The +incoherency, the garrulity, the mingled resignation and regret of an +amiable flirt of the lower orders, divided between the vivacity of her +emotion and the levity of her nature, are caught in the act; and yet it +is not fair to say of anything represented by Musset that it is caught +in the act. Just the beauty and charm of it is that it is not the exact +reality, but a something seen by the imagination--a tinge of the ideal, +a touch of poetry. We must try to see Musset himself in the same way; +his own figure needs to a certain extent the help of our imagination. +And yet, even with such help taken, we cannot but feel that he is an +example of the wasteful way in which nature and history sometimes +work--of their cruel indifference to our personal standards of +economy--of the vast amount of material they take to produce a little +result. + +Alfred de Musset's exquisite organization, his exaltations and +weaknesses, his pangs and tears, his passions and debaucheries, his +intemperance and idleness, his years of unproductiveness, his +innumerable mistresses (with whatever pangs and miseries it may seem +proper to attribute to _them_), his quarrel with a woman of genius, and +the scandals, exposures, and recriminations that are so ungracefully +bound up with it--all this was necessary in order that we should have +the two or three little volumes into which his _best_ could be +compressed. It takes certainly a great deal of life to make a little +art! In this case, however, we must remember, that little is exquisite. + +HENRY JAMES, JR. + + + + +REFLECTED LIGHT. + + + Your eyes say, "Sweet, I love--I love you, sweet." + Where is the blame + If, when their mute significance I meet, + Mine say the same? + + Nay, thank me not, nor deem your triumph near. + The message bright + My glance conveys--'tis but--believe, me, dear-- + Reflected light! + +MARY AINGE DE VERE. + + + + +LIFE INSURANCE.--II. + + +The companies organized under the general law of the State of New York +are the mere creatures of that statute. Their organization, management, +powers for good or evil, opportunities for mismanagement and +corruption, are all to be traced directly to the law to which they owe +their being. It will be necessary, therefore, for an intelligent +understanding of the condition to which the business has come, to +examine the act particularly. It is chapter 463 of the laws of 1853. It +provides that any number of persons not less than thirteen may form a +corporation for the purpose of making insurance on the lives of +individuals, or against accidents, or on the health of persons, or on +live stock. Such corporators are allowed to draw their own charter, and +upon its approval by the Attorney General, that document has all the +force of positive law. It is of course subject to the provisions of the +act itself, but those provisions are so few and meagre that it is +practically left to the promoters of the scheme to draw their own +charter of incorporation. The capital stock is to be not less than +$100,000, and no provision is made for the incorporating of any company +without a capital. The rate of dividends to the stockholders, the +proportion of profits to be paid the policy-holders, and the time of +payment, are not provided for in the law, and are left to be settled by +the associates. The consequence is that no two companies are alike in +this respect. In some of them the stockholder receives an interest of +seven per cent. upon his stock, and is entitled to no more under any +circumstances, the whole surplus or profits being divided among the +policy-holders. In others, in addition to interest, the stock is +entitled to participate with the policies in the surplus. The extent of +this participation varies; in some it is fixed at ten per cent. of the +whole profits, to the stock-holders, in others twenty, and in others +thirty per cent. In all of them, however, with one exception, +participation by the policy-holders in the profits of the business is a +rule. To a greater or lesser extent, in some to the whole profits, it +is the recognized rule that the holders of policies are to receive +dividends or bonuses from the companies out of the profits. In effect, +therefore, so far as participation in the profits of the business goes, +all our companies, with the one exception before mentioned, are mutual +companies. + +The act makes no provision for the government of the corporations it +allows to be created. It leaves it to the promoters to state the mode +and manner in which the corporate powers shall be exercised, and the +manner of electing trustees, or directors, and officers. The natural +consequence of this provision is, that the manner of electing trustees +and directors varies in different companies. In some of them the +stock-holders alone have any voice or vote, in others the +policy-holders are allowed, under certain restrictions, to vote, but it +is safe to say that in all of them the power is kept in the hands of +the stock-holders as far as it possibly can be; and the policy-holders +are allowed as little voice in the management of the company as the +stock-holders can permit. + +The result of this vice in the formation of the company is shown in +corporations which have amassed a large reserve. There it will be seen +that the owners of one hundred thousand dollars of stock absolutely +control the entire management and disposition of twenty, thirty, or +forty millions of accumulations, as the case may be; and the real +owners of this fund--the policy-holders--have no voice in its +management and no vote for the body or board which exercises the powers +of the corporation. + +It is contended by very prominent gentlemen in the life insurance +business, that this plan is the only safe one; that interference in the +management of the company by uninstructed policy-holders, not versed in +the business, would be productive of nothing but evil. They contend +that the necessary unity of management required for a business, +covering as this does long periods of time, and requiring carefully +laid plans extending into the distant future, would be greatly +endangered by the existence of a right to participate in the management +by representation on the part of so numerous and so widely scattered a +constituency. In other words, the managers of companies which have +retained in the hands of the stock-holders all the powers of the +corporation think that those powers are more safely exercised by that +small body than they would be if participated in by all the holders of +policies. It may be doubted, however, whether a constituency small in +number and capable of manipulation, and their votes of concentration +into the hands of a few men, is the safest body to manage a corporation +whose chief business is the care of the accumulations arising from the +trust imposed upon the corporation by the contract of life insurance. +The power of wielding a mass of capital amounting to many millions of +dollars is an enormous power, and it should be reposed only in a body +which should be responsible for the careful, honest administration of +the trust, at stated intervals, to the persons most interested--that +is, to the policy-holders--the owners of the trust fund. One of the +chief characteristics of English companies is, that at the annual +meeting of the interested persons a full statement of the affairs of +the company is laid before the meeting, and an opportunity offered of +critical examination and comment. Discontent is thus allowed a safety +valve to express itself through, and the managers an opportunity of +explaining their action and accounting for their conduct. Public +opinion--the public opinion of the persons interested--is allowed a +chance of expression, and all misunderstandings and misconceptions an +opportunity for examination and refutation. The right to interrogate +the managers, and ask and obtain information as to the business at such +regularly recurring intervals, is an inestimable one. It can hardly be +conceived possible that great abuses could grow up if such a right +existed; but at any rate it is apparent that the probability of such +abuses is lessened to a great extent. + +But this English practice is not known among us. In life insurance +affairs we have nothing remotely approaching it. It seems to have been +the policy of our companies to restrict participation in their +management to the smallest possible number, to avoid opportunities for +questioning or explanation, and to shroud the business in the deepest +mystery. + +The officers of companies responsible for this policy justify +themselves upon the broad ground that they know better what is good for +the policy-holders than they do themselves. In the light of the +evidence given before the Committee of the Assembly by life insurance +officers, and in the light of the affairs of the Continental, Security, +and Popular, it may be doubted whether this assertion proves itself. It +has the merit, however, that every honest avowal has, and it is +entitled to examination. + +Why should a self-electing, self-perpetuating proprietary board, +resting upon a constituency composed solely of owners of the capital +stock, be a safer or better management than one elected by the votes of +the policy-holders at large? The only answer you can get to that query +is this: The board elected by the stock-holders are sure of their +position, and it is not in the power of a few malcontents to get up a +secret movement to oust them at the election. The more stable +management is to be preferred to one which is dependent on the +popularity of the officers with the policy-holders. It is in the nature +of things that the officers should become more or less unpopular. The +business depends for success upon the enforcement of strict rules in +dealing with the policy-holders, and the enforcement of these strict +rules, although absolutely necessary for the success of the business, +naturally tends to give fancied grievances to the persons against whom +they are enforced. If, therefore, the tenure of office of the +management depends upon the policy-holders, there is the constant +danger of frequent attempts at revolution arising from this cause, and +the consequent weakness of the officers in enforcing rules the +enforcement of which may tend to shorten their tenure of office. + +I think I have fairly stated the argument. Is there anything in it? Is +the reason given any reason at all? Is it not rather a positive +argument against the system. Perhaps the best government for men and +companies is an absolute monarchy, without accountability or restraint; +there are large masses of the human race who are so governed; and it is +an open question yet whether government by the people be or be not the +best government. But certainly one thing is assured. In this day and in +this country the monarchical and the oligarchical systems are out of +date and out of place; and all attempts to introduce them or the +principles which underlie them into our system of free government by +the representatives of the governed will be failures. The doctrine of +paternal government is "played out" in affairs of nations, and it is +not to be supposed that the principle has in it any greater efficacy +when applied to the affairs of corporations. The fact is, we have too +much of this thing in all our relations political and social. The idea +that there is a class who are in their own estimation better able to +govern than the rest of mankind has been exploded by the experience of +the people of this country, and it is intolerable that we should be +forced to do homage in our private affairs to a principle which we +have, as regards public business, exploded long ago as a traditional +fallacy. + +Most of the evil practices which have made the whole system of life +insurance a by-word and the scorn of the people, have arisen under this +irresponsible management. Investments in extravagant buildings, the +enormous expenditures for payments of salaries to officers and to +agents, are all the result of the secret plan of management. Does any +one suppose that if the affairs of the companies were fully and +completely exposed to the public, such payments would be permitted or +tolerated? Men are entitled to be paid for services rendered the full +equivalent of those services, but they ought not to be allowed to be +the sole judges of the value of those services, and they ought to be at +all times ready and willing to come before the persons interested, and +submit a full, fair, and clear account of their stewardship. Human +nature is of the same quality in the managers of life insurance +companies as in other men. Responsibility to some power, accountability +to some persons or body, is absolutely essential to honest management. +Men who know that they cannot or will not be called to account will +fall into loose and unbusinesslike methods and practices. Nothing can +be more dangerous to the honesty of a man than to place him in charge +of immense interests without a system of periodical accountability. A +man may be ever so honest, yet he will, if this accountability be +absent, be led to do things which he never would do if he were sure +that at a fixed period his doings would become known and he would be +required to justify them. + +From these considerations and on these grounds, I come to the +conclusion that the management of a life insurance company by a board +of directors elected solely by the stock-holders is a management which +contains within itself the germs of a fatal disease, which will sooner +or later develop itself. In this respect legislation is needed. Such a +management ought to be forbidden, and a provision made for the election +of trustees by the policy-holders as well as the stock-holders, upon a +basis as to the vote and the amount of interest it should represent +which would be equitable and just. + +Complaints have been made against the use of proxies in elections. +Notably these complaints have been made respecting elections in the +Mutual Life Insurance Company, a corporation which has no +stock-holders, but which consists in a membership of its +policy-holders. These policy-holders have the supreme control of the +corporation in their own hands. Its government is by them delegated to +a board of trustees thirty-six in number, divided into four classes of +nine in each class. The term of office is four years, so that nine +trustees go out of office in each year. This classification prevents +the possibility of any sudden change of management, while it leaves all +needed control in the hands of the policy-holders. If, for instance, +dissatisfaction with the management exists, and nine new trustees are +elected, it is not to be doubted but that the warning would be listened +to and the necessary change of policy effected to satisfy the +constituency. On the other hand, should the change of trustees be the +result of a combination to seize the management of the company for any +improper purpose, the first election would unmask the design and insure +its defeat by an appeal to the voters. + +The objections to the use of proxies come entirely from those +policy-holders who have been defeated by their use, or fear they will +be defeated by their use, in an attempt to change the management. Does +not this prove that the great body of policy-holders believe in the +management and are determined to sustain it. In a free company based +upon the liberal principles upon which the Mutual Life is established, +any attempt to limit the franchise would be an unparalleled wrong. The +policy-holder in Chicago or in San Francisco has the same right to +exercise his right to a voice in the election of trustees as the +policy-holder who resides in New York, and there can be no reason why +he should not cast his vote by proxy, since it would result in his +disfranchisement to require him to do it in person. Be sure that if +real trouble arose, and there was an abuse to rectify, if there were +officers unmindful of their duties to rebuke, or trustees regardless of +their trust to set aside, the votes cast by proxy would be as +intelligently given as those of the residents immediately near the +office who could attend in person. Every effort to limit the right to +vote by proxy is an attempt to perpetuate power in the hands of the +policy-holders resident here, which would be quite as obnoxious to +sound principles as the government of companies solely by the +stockholders. + +It would appear, on every principle of fairness and justice, that the +more full and perfect the right of the policy-holder to participate in +the election of trustees, the more stable and conservative will be the +management. On the other hand, it is quite as apparent that the +limitation of such right is attended with consequences the reverse of +those just stated, and those consequences attained in proportion to the +limitation of the right. + +With the broad superstructure of a body of voting policy-holders, the +selling out of the control of a company is impossible, because no one +will be willing to pay for the possession which the next election may +deprive him of. Of all the mean and contemptible methods of robbery as +yet discovered, the selling out of a life insurance company is the +meanest and most contemptible. Too cowardly to wreck it themselves and +personally rob the widows and orphans, the trustees, who quietly +receive a bonus for their stock and retire from the management, sell +the opportunity of robbery to others. This they do too in the full +knowledge of the purpose for which they are asked to retire. When the +crash comes they may say they did not know the purpose of the +purchasers, but they did know they were to receive for their stock two +or three times its value, and that no man could afford to pay such a +price to obtain control of the company except for the purpose of making +money by irregular and questionable means. It will not do for men +entrusted with positions of a fiduciary character to make the holding +of such positions the lever for obtaining a large price for their +stock, and then claim exemption from responsibility for the misdeeds of +their successors. They were there in charge of a sacred trust, and they +have sold and betrayed that trust--for what? Why, for the enhanced +price which they got for their stock. This is the great evil of the +close corporation system. It enables one or more men to own complete +control of a company and to sell it to the highest bidder. Of course +the highly respectable gentlemen who sell, and those also who buy, will +be shocked at having imputed to them any crime or breach of trust. But +how can such sums of money be lawfully made out of life insurance stock +as to justify the price the records of the Committee on Insurance show +have been paid for it? Life insurance is or ought to be a benevolent +institution. Its management is or ought to be a trust, and every +trustee who makes use of his position to make money for himself is +false to his trust, and should never be appointed to another. Life +insurance is not to be made the sport of speculators, and the only +reliance of the unfortunate made the football of gambling operations. +Most if not all of the troubles which have arisen in the business are +to be traced to this attempt to make money out of it, honestly if +possible, but to make money at all hazards. The way to end this for +ever is to allow the policy-holders to vote, not for a minority of the +trustees, but for all of them. Representation should be equal, or it is +worthless. The representation which would leave the power to elect a +majority still in the hands of the stock-holders is not equal or just. +Money paid for premiums is as good as money paid for stock, and should +have equal voice in the management. But when you have given the +policy-holders votes, you should also see that the opportunity was +afforded to them of voting. Most of the elections are held without any +other notice than an advertisement in the corner of a crowded column of +one or two newspapers. Every policy should have printed on it the date +of the annual election, and all the information necessary to enable the +holder to be present and vote, or to be represented by proxy. Under the +present practice, few holders of policies know whether they have votes +or not, and hardly any of them ever heard of the time of holding the +election. If the present discussion of life insurance affairs does no +other good than to awaken the policy-holders to a sense of their own +responsibility for abuses of management, it will not have been in vain. +It is safe to say that watchfulness on their part would have prevented +the lavish expenditures, the unwise real estate investments, the +enormous salaries, which the investigation of the Assembly committee +has discovered. The same conservative power held over managers would be +a constant check upon any tendency to depart from the safe and regular +open pathway of honorable dealings. Under its influence there would be +few if any cases of commissions in addition to salary of officers, less +tendency to make loans to the trustees and their friends, and a general +adhesion to business rules and traditions. But above and beyond all +other reforms, the control of the company by the policy-holders would +make it impossible for greedy and scoundrel officers to gather into +their hands the entire control of the company, and then sell it out to +a rival company for four or five times what the stock cost, and an +annuity for life to the traitor who had betrayed his trust. This has +been, is now, and will be, if not prevented, the fruitful mother of all +the ills of life insurance. Just as soon as any clique get possession +of the majority of the stock, there is danger. Nay, there is always +danger; any clique may, at any time, get possession of the stock by +paying enough for it. If one price will not bring it, another will, and +the value to the wrecker depends upon the amount of assets. It is the +assets which are to pay the profit of the transaction. The money of the +policy-holders is what is sold, not the mere pittance which belongs to +the stock-holders, and it is the money of the policy-holders which is +stolen to pay the purchase money. Honorable gentlemen, prominent in +social life, elders, deacons, and vestrymen who in the past few years +have quietly pocketed two hundred for your stock and retired from the +management of life insurance companies, how are you pleased with your +own conduct? In the light of recent disclosures, does not the +ill-gotten money burn in your pockets? Truly you would not wreck a +company yourselves by transferring it to any man or number of men; but +you accomplish the same purpose by retiring. A captain who will not +himself surrender to the enemy, but who retires from the command of his +fortification knowing that the subaltern who will succeed him intends +to strike his flag, may deceive himself, but he does not long succeed +in deceiving any one else. + +The evidence taken before the referee in the Continental case fully +describes and explains the methods of wrecking. A company is sold out +or reinsured in another; that is, the stock has been bought up at two +or three hundred per centum, the officers have been promised good +places, or paid in cash for their silence. Immediately the operations +of the wreckers begin. The agents of both companies go into the work +with a single aim, and that aim is to obtain the surrender of the +policies in the old company in exchange for new policies in the +purchasing corporation. The old policies represent an actual liability; +the company which has issued them is obliged to hold a certain sum +against each of them. The aggregate of these sums makes up the +"reserve" or reinsurance fund. As fast as the old policies are +cancelled this reserve is released, and when all the policies are +cancelled there is no liability at all. The new policies of course have +no liability. This is in short the whole operation of wrecking. By such +means a million or two of assets will be distributed, and in the +process the policy-holders will receive a little--a very little--and +the agents a good deal, and the officers composing the ring all that is +left. The arts, the deceptions, the false representations made in the +course of the proceeding to induce the policy-holder to give up his +policy have been fully disclosed by the evidence in question. Of course +it is suggested that the company is in a bad way, and that there is +probably no other way of securing anything unless an opportunity now +offered of changing is embraced. + +Reinsurance was abandoned as a means of wrecking because it was found +the policy-holders preferred to keep the old policy and the new +guarantee together. So in the later transactions they are told that if +they do not change, they will get nothing. + +The lesson of all this to the policy-holder may be written in large +letters and kept as a maxim: + + DO NOT SURRENDER YOUR POLICY. + +You will never make a mistake by keeping to this motto. And +particularly the more should it be kept to when you are urged by agents +to a contrary action. You never get one-third its value even in +companies honestly managed; what you get in companies dishonestly +managed no one can tell. + + + + +FALLEN AMONG THIEVES. + + +BRUSSELS! + +Is it not written that good Americans, when they die, go to Paris? So +Elysium to all righteous sons of Cockayne is Brussels. And yet I was +weary of it. No charms for me had the perpetual sabots and blouses, the +_braves Belges_ in jaunty uniform, the bejewelled saunterers in the +Galerie St. Hubert, the _gauche_ tourists desecrating the sombre +stillness of the St. Gudule, _la belle Anglaise_ seeing for the first +time the outrageous little manikin, the homely phaeton of good old King +Leopold with its pair of very unroyal plugs, the tirailleurs in Lincoln +green, the Parc with its music, fountains and maitrank, the Jardin des +Plantes, the boulevard, and the Ecole d'Equitation. + +All lost on me. I stood at a window of the Hotel de Flandres gazing on +the ever-moving panorama of the Grande Place with as little interest as +though my eye rested on a vacant lot in Pumpkinville. + +Was it bile? No. Was it love? Yes. + +Another scene was ever before my eyes: An old red-brick house on the +cliffs of Devonshire, half hid by giant oaks and elms, fragrant with +honeysuckle and jessamine, stately with avenue, lawn, and rookery; and +I saw leaning on the rustic gate beneath the chestnut trees Gwendoline +Grey: her straw hat dangling by her side, her fresh young face set in a +glory of light brown hair, her---- But it had all passed away now. The +light was gone out of my life, for but three days ago I had received a +letter from her mother deploring my altered prospects, returning my +billets and love tokens, and assuring me that Gwendoline acquiesced in +this painful decision. + +My altered prospects--_hinc illae lacrymae_. Nine months ago I was heir +to a wealthy man, and now I was but bear-leader to the son of the Earl +of Tottenbridge. Upon the loss of my father's property, which had come +like an avalanche on us, I had left college and assumed the tutorship +of the Hon. Nigel Fairleigh, as good a lad as ever handled a cricket +bat. + +After a brief run through southern Europe, I had just delivered him up +to his aunt, my lady Milton, who was to take him to Scotland, while I +was free, according to compact, to enjoy a couple of months' vacation. + +How I had longed for this vacation--and now, where to go, what to do, I +knew not. For three days I had stayed with a dull uncertainty on the +spot where the blow had fallen on me. + +My meditations were broken by the entrance of a garcon announcing, + +"A gentleman for monsieur." + +"Ah, M. Danneris, I am glad to see you. Be seated." + +To say how I became acquainted with the chatty little Frenchman who +sat before me would be a difficult matter. The offer of a cigar, an +exchange of newspapers at the reading room, a passing _bon jour_ on the +stairs, had ripened under his friendly gayety into a familiarity which +had extended so far as to my passing more than one evening at his snug +office in the Rue des Allumettes, where Francois Danneris, advocate, +spun toils for litigious Flemish _bourgeoises_. + +"My friend," he said, "you look _ennuye_, _triste_, dull; you need +change. What do you say to a scamper over the continent?" + +"I have done scampering enough lately," I replied, "and moreover my +funds----" + +"_Tiens, mon ami._ Do not talk of money. It is my great happiness to +offer you an opportunity to combine business with pleasure, and take a +most delightful trip without the expenditure of a sou." + +"You surprise me--and where?" + +"To a beautiful manorial residence at the village of Kioske, twenty +miles beyond Buda, on the banks of the Danube--one of the most romantic +spots of eastern Europe." + +"And the object?" + +"To take temporary charge of the only son of the wealthy Baron von +Dressdorf. Jules von Dressdorf," added the advocate in his bland, +pleasant way, "is a boy of fifteen, who, after spending a year in an +academy in England, has been placed in a _pension_ in Brussels; but, +_helas!_ an hereditary disease, which has developed itself more +strongly of late, has determined his father to recall him immediately. +Pericardiac, my dear sir--pericardiac; and it is most important that he +should without delay seek the quiet of his native valley." + +"The terms?" + +"Two hundred and fifty francs a week, and all expenses paid. When could +you start?" + +"To-morrow--to-day--when you will." + +"_Bien!_ There is a little difficulty I would mention; the journey is +not without small perils. Hungary, as you are aware, is now under the +ban of an Austrian tyranny." + +I assured him of my sympathy. + +"Hold," he cried. "It is exactly that you have no sympathy that I +select you. The Baron is already _suspect_, and the son, inheriting his +father's sentiments, has small discretion of speech. Keep Austria in +the background, I implore you." + +"And are you sure that the Baron will approve of your choice of an +escort?" + +"The mere fact, Monsieur Mortimer, that you were in the service--I beg +your pardon--in the family of the Earl of Tottenbridge would be +sufficient, but I am proud to say that the recommendation of Francois +Danneris would be a _carte blanche_ to any one to the confidence of +Baron Dressdorf. He is a noble man," he added with emotion, "and to him +I owe all I have in the world." + +And then for half an hour the advocate poured into my ear the glories +of the house of Dressdorf and stories of Austrian oppression that made +me eager to serve his _protege_. Nay, I was so interested in his case +that I believe I would have seen the youth home, if I had had to bear +all the expenses of the journey myself. + +"Have you a passport?" + +"It is here," I said, handing it to him--"a Foreign Office passport +that protects me all over the continent." + +"Ah, I see. And this permit?" + +"Ah, that belongs to my pupil, Nigel Fairleigh. We can cut that off. +Lady Milton should have had it with her, but they are not very strict +at Ostend, and I suppose her rank proved an open sesame." + +"Black eyes," he read, "black hair, sharp features, high forehead, +height, five feet three. My dear Monsieur Mortimer," and he turned +eagerly toward me, "you would do me a real service, you would lay the +noble Dressdorf under the greatest obligation, if you would permit our +young charge to use this passport. It describes him to a T. The +critical nature of events, the necessity for caution, the delicate +health of the boy--nay, do not look shocked; such things are done every +day--will excuse the trifling impropriety----" + +"Impossible!" + +Taking no notice of the interruption, he continued. "And to tell the +truth, it was just this that bothered me. A Belgian passport is looked +upon with much suspicion, and is likely to lead to inquiry; but armed +with this, you may go from here to the Oural mountains without a +question." + +At first I refused point-blank, but at last resigned myself to his +sophistry, and the bargain was closed. + +"When can I see the youth?" I asked. + +"Now, monsieur. I will at once escort you to the _pension_ of the Porte +de Schaerbeck, and introduce him to you." + +Fifty boys of Belgian, French, American, and English extraction, seated +at a long table enjoying their afternoon's "goute"--a post-meridian +lunch of weak brandy-and-water and grapes; a bald _maitre d'ecole_ +periodically crying, "Si-i-i-lence, messieurs. Restez-vous tranquilles!" +like a sheriff in a court of law. Such a scene met my view. I +recognized my youth in a moment; there was no mistaking the clear, +well-defined features, raven hair, and black eyes of the gentle lad who +rose to greet my companion with a grace and assurance that checked +remonstrance on the part of the half-offended usher, who simply solaced +himself with a shrug of the shoulders and a more than usually prolonged +"Si-i-i-i-i-lence, messieurs. Restez-vous tranquilles!" + +"This is the gentleman, Jules, who has kindly consented to take you +home, and it is arranged that you start to-morrow," said the advocate. + +The boy's big eyes looked into mine with an inquiring gaze, and then, +taking my hand, he quaintly said: + +"I like you." + +There was nothing impertinent in the tone or manner; it was the hearty +expression of his unsophisticated thought. + +"He is an Englishman," continued M. Danneris, "and will be very kind to +you. Remember that you owe him respect and implicit obedience." + +"Then he hates the Austrians--he whose country is free knows how to +give sympathy to a poor Hungarian. This good Englishman shall see for +himself how our noble people suffer at the hands of tyrants." + +"Hush, hush, Jules! You must not talk like this. Is it not +extraordinary," said M. Danneris, turning to me, "that even the very +children of this oppressed race fill their minds with a sense of +wrong?" + +"No wonder," I replied, "if but half you have told me is true." + +"When I am a man," flashed Jules, "I will kill the Austrians--they are +not worthy to live." + +"Jules," I said soothingly, "I am just going for a stroll over the +fields toward Louvain. Ask permission from monsieur, your professor, to +join me." + +Danneris smiled. "That was well done," he said. "You cannot too soon +become acquainted. Call here for the boy to-morrow midday. I will see +that he is prepared." + +When I said adieu to Jules that evening, after a long ramble over the +endless corn fields that bordered the "road to Waterloo," I saw with +pleasure that I had awakened in him a generous confidence. He too had, +by his artless manner, inspired in me no common interest. + +We started. Six days' journey to reach Vienna, a hundred-mile trip up +the Danube to Buda, seven leagues in a _caleche_, and we should be at +Dressdorf Castle. + +Uneventful the days were. Poor Jules, weary with travel, talked but +little, for which I was appropriately thankful. It was painful to see +how he shrank from the gaze of any official who might question us a +little closely as to our destination, and to watch his quivering lips +as he muttered in response to my assurances of safety, "I trust all to +the good Englishman." + +As we neared the Austrian frontier he harped more on the subject of his +Austrian wrongs, and I was frequently obliged to check him. A fire +seemed consuming the boy, a burning vengeance toward the oppressor. + +We reached Vienna at dusk on the sixth day, and put up at the Hotel +d'Hollande, according to the suggestions of Danneris. Jules complained +of sick headache, and I was somewhat relieved to hear him suggest bed. + +It was not till I had seen him safely settled, and had extracted a +promise from him not to leave his room, that I felt at liberty to call +a few hours my own. + +Having dined, I stood on the doorstep of the hotel smoking a cigar and +revolving in my mind where I should spend my evening, when I was +accosted by a police agent making some inquiry about my passport. + +"By the way," said I, "I never was in Austria before, but in France I +have been accustomed to give a gensdarme a couple of francs to take my +passport to the bureau of the police to be _vise_." + +"Herr Englaender can pursue the same plan here," was the polite +rejoinder. "I shall be happy to oblige him." + +Glad to be relieved of the bother, I handed him the document. He +briefly compared my person with the description, and then queried: + +"And the boy?" + +"He is sick and has retired; but if you desire it, you shall see him." + +"No need--a boy is no great matter"; and the courteous official, with a +bow that would have graced a D'Orsay, was gone. + +To the Grand Opera House, the largest in the world, I bent my steps, +and in an hour was revelling in Mme. Garcia's thrilling notes, when a +hand was laid on my shoulder and a grim, moustached, soldier-like +fellow whispered in my ear: + +"Your passport, Herr Englaender." + +"It is gone to the police bureau to be _vise_. I sent it from the Hotel +d'Hollande by an officer." + +For the moment he withdrew, and burning with shame, for every eye was +upon me, I turned defiantly to the stage. + +"Will the Herr ride or walk?" came again the voice in my ear. + +"What do you mean?" + +"The Herr must go immediately to the Hotel d'Hollande. That is all." + +I expostulated, but a storm of hisses from those near enough to be +interrupted in their enjoyment of the music decided me, and I angrily +rose. + +"I am at your service, sir." + +We walked on without a word. + +Never shall I forget the face of the fat little Dutch landlord as we +entered--surprise, sympathy, fear alternately lighting his countenance +as he poured forth a polyglot expression of his excited feelings. In +French, English, Dutch, and German he assured us he was desolated, +miserable, abandoned. Ah, but it was a good young Englaender. It was +true he had never seen the passport; he knew he should have asked for +it himself when his noble friend first came to the house; but, _bete +brouillant_ that he was, he had forgotten it. + +Then followed a conference between the landlord and the officer, +resulting in my being called aside by the former and receiving the +following valuable advice: + +"My dear sir, you have made a most never-to-be-sufficiently deplored +mistake. But see. Satisfy this zealous officer with a bottle of good +Stein wine, and all will be well in the morning; only do not leave the +house again to-night." + +It was a bitter pill, but I swallowed it gracefully, and Herr +Polizeidiener and I clicked glasses fraternally with protestations of +mutual regard. + +In the morning I was awakened by Jules, whose night's rest had done him +a world of good. Bright, vivacious, and noisy, he bounded into my room. + +"Oh, Herr Mortimer, such an idea! There is a grand review of the +soldiery. Come, get up. We must go and see it. I would not miss it for +the world." + +"Do not be so excited, Jules; it is the last place to which I would +dream of taking you. Your father----" + +"Wrote me not to fail to see the Austrian troops if I had an +opportunity." + +Perhaps there was some object in that, and to Jules's delight I +consented to take seats on the lumbering stage-coach that was to leave +the hotel with other guests bent on the same holiday excursion. I was +the more complacent as I reflected that the steamer did not leave +Vienna till five o'clock, and I thus saw a means of keeping Jules out +of further mischief. + +We reached the review ground. It was indeed a gorgeous scene. Crimson +and gold, blue and silver flashed back the sun's rays, bugles sounded, +and cannon roared. + +I was not quite at my ease, however, as I noticed the interest I was +exciting in a resplendent official, whose eyes were continually on me. +At last, to my dismay, he beckoned to me. + +"Sir, your passport?" + +"It is gone to the bureau to be _vise_," and then followed a pathetic +recital of the annoyances I had been subjected to. + +"Will the Herr ride or walk?" was the stereotyped response. + +"Where?" + +"To Vienna. Until this passport is found the Herr must consider himself +under arrest." + +In vain I pleaded the unprotected position of my young companion. All +the concession I could get was permission to speak a few words with +him, which I did with much caution, simply assuring him of my speedy +return, and extracting his promise that, if I were detained by my +"friend," he would return with the fiacre to the hotel, and quietly +await my arrival. + +"I will do all the good Englishman asks of me"; and a warm pressure of +the hand made me feel that Jules understood the extremity of the case. + +At once to the bureau. + +I was so confident of finding the passport and utterly confounding the +officer who had given me all this trouble, that I am afraid my manner +was rather supercilious, to say the least of it. + +The commissaire heard my story somewhat impatiently. + +"The officer's number to whom you say you gave your passport?" + +"I did not notice it." + +"His name?" + +"I never demanded it." + +A grin on the face of the commissaire, a very sarcastic curl of the +lip, a shrug of the shoulders, an ominous silence. + +"Sir," said I, somewhat sobered by the course events had taken, "I am a +British subject!" + +"Zo?" + +"A graduate of the University of Oxford." + +"Zo?" + +"Tutor in the family of the Earl of Tottenbridge." + +"Zo?" + +"Son of a county magistrate." + +"Zo? And nevertheless you are arrested for wandering about like a rogue +and vagabond without a passport. We know not who you are, what you are, +where you come from. The question with us is, Where is your passport? +It is enough." And before I could reply his back was turned. + +A whitewashed room, sixteen feet square, one barred window, one iron +bedstead, one wooden bench--such was my apartment and the inventory of +its furniture; and I felt my heart sink as the key in the door turned +with an ominous click, and I was left to enjoy my solitary meditations. + +What could I do? For an hour I racked my brain. Dared I apply to the +English embassy? I would, come what might of it. A few blows on the +panel of my door brought the officer. + +"I wish to make immediate application to Lord Cowley." + +"I will see." + +He returned in a few minutes. + +"Lord Cowley is not in Vienna now. He is at the Grand Baths." + +"Still, there is somebody at the embassy office. I must go there." + +After a brief interview with his superior, the permission was accorded. + +The officer and I reached the embassy building, and as I passed the +jovial English porter at the door, my heart rose, for already I felt +the shadow of the British lion over me. + +A pale, emaciated, gentlemanly youth, with a gold eyeglass, was +standing with his back to the fire, reading a copy of the "Times," +while at his feet lay a magnificent bull-and-mastiff, by far the more +dignified animal of the two. The exquisite gave no sign of his +knowledge of our presence. + +"Ahem!" + +No attention. + +The dog yawned, the great clock on the wall ticked with an aggravating +loudness, and at last I broke out-- + +"Sir, I am in a terrible dilemma. I have lost my passport. I trusted it +to a rascally policeman to take to the bureau to get _vise_, and now I +am apprehended, put in a miserable prison, called a rogue and vagabond +by a confounded commissaire." The effect of my eloquence on the attache +was amusing. Down went the paper. + +"Oh, I say--you know--you mustn't--indeed, you mustn't. The office +can't be approached in this manner--very irregular, by Jove, very +irregular." + +"What must I do? The consequences may be fearful----" + +"Write to Lord John Russell at the F. O. If he knows anything about +you, you can petition Lord Cowley, and in the course of a few +weeks----" + +"A few weeks! a cycle of years! I must be liberated at once. The +safety, nay, the very life of a helpless boy depends upon it." + +"Oh, I say, you know, you mustn't get so excited, by Jove, you know; +you mustn't indeed. Very irregular--'pon honor, I never saw such +irregularity." + +The Adam was aroused in me--I couldn't help it. + +"Sir!" I roared, "you are here for the protection of the British +subject----" + +"No, you know," he interrupted. "Consul, that sort of thing. By Jove, +never saw such a fellow." + +"You are placed here for use or ornament. You are, sir, a failure in +either capacity." + +"John!"--oh, the superciliously grand air of that little mite!--"John, +show this person the door!" + + * * * * * + +Once more in prison. + +Another hour's mental rack, another resource--send for the landlord of +the Hotel d'Hollande. + +He came. + +I fancy I see before me now the paunchy Dutchman, rubbing his fat hands +and condoling with me in hybrid accents. + +"But now, Herr Englaender, an inspiration!" He approached me, placed his +pursy lips to my ears, and whispered: "Offer--delicately as you +can--but offer the commissaire a few of your English gold pieces, and +see the passport, he return, he come back--_vite_, quick. _Voila +tout._" + +"Bribe the commissaire?" + +"Hush! yes, it is your only chance." + +Heavens! what a country! Well might poor Jules rave at the Austrians! + +The Dutchman left, and after a few minutes' hesitation, I summoned up +courage to knock at the door, which was promptly opened by the officer, +who respectfully demanded my requirements. + +"I wish to see the commissaire." + +"Surely. Will the Herr follow me?" + +Where were the frowns gone? The commissaire received me in a most +gracious manner. Would I be seated? + +"Sir," I stammered, for it went sorely against the grain, "my +carelessness has brought me into considerable trouble, and I feel that +with your aid alone I can rectify matters. At the same time I am aware +that I should pay some penalty for my lack of discretion. If therefore +you would give these five sovereigns to some charitable institution in +Vienna, and use some effort to find my passport, you will lay me under +a great obligation." + +The great official said he would do so, and the English sovereigns +chinked in his capacious vest-pocket. + +"And now, if the Herr will go to his hotel, all Vienna shall be +searched. The passport cannot be lost, and in a few hours it shall be +in his hands." + +Free! It was the only time I was ever under lock and key, but I shall +never forget the exhilarating delight of that moment. + +I had hardly gone twenty rods when I remembered that the boat left at +five o'clock, and I thought that I would return and tell the +commissaire to hurry up. + +As I opened the door of the bureau I saw him deliberately take from a +pigeon-hole my passport, and handing it to the agent, say, "Here, take +this stupid Englishman his passport!" + +"Sir," I said, stepping forward, "I will relieve you of the trouble." + +Not a blush, not an apology. With a profusion of compliments and hopes +for my _bon voyage_, the commisaaire graciously bowed me out, and with +all haste I sought the Hotel d'Hollande. + +The fiacre was just driving up to the door as I arrived. I saw it all +in one moment. _The boy was not there._ + +I questioned the driver and passengers. It appeared that Jules had left +the carriage shortly after my departure, and as three hours had elapsed +before their return to Vienna, they concluded that he had joined me. + +My excitement threw the landlord into a further convulsion of +hand-rubbing and general perplexity. + +"Get me a strong saddle horse," I impetuously demanded. + +"It shall be at the door in five minutes. Will not the Herr dine before +he leaves?" + +"Dine! No; but let me have a flask of brandy." + +Out through the paved streets to the plain. I scoured the whole country +round, peered into every carriage, searched every bush and brier, rode +up and down the neighboring lanes and highways, inquired of all I met, +and only trotted back to Vienna when darkness came on and my jaded +horse could hardly bear me home. + +Then I ate and drank, and, taking a caleche, visited every police +station and hospital in Vienna. All in vain; and at three o'clock in +the morning I threw myself on my bed to snatch a few hours' sleep ere +my search should be again renewed. + +I will not dwell upon the horrors of that time. Day succeeded day, and +nearly a week passed in my frantic efforts to discover the whereabouts +of the poor young Hungarian. How my heart bled for the gentle boy, +perhaps languishing in an Austrian dungeon and calling on the good +Englishman to rescue him. I lived a year in that week. At last I +resolved to telegraph to M. Danneris. "Jules is lost. For God's sake, +come at once," flashed along the wires. The answer was equally terse. +The operator at Brussels replied, "Danneris gone. Left no address." + +Was ever anything so unfortunate? Ah, yes, he did talk of visiting +England, and that was the reason he could not himself escort Jules +home. + +Then I knew that I must brace my nerves to the terrible effort of +telling that poor father that his child was lost; that I, by my cursed +carelessness, had been the destroyer of his peace. + +"Your son has mysteriously disappeared from my charge. Hasten here." + +The answer was more perplexing than the one from Brussels: "Baron von +Dressdorf not known--no such place as Kioske." + +Heavens! Was I in a dream? + +For three weeks I continued my search, wandering about in a haggard, +broken manner, dreading every day to be stricken with brain fever. I +could not sleep for thinking of the poor lad, whose big, pleading eyes +seemed to look up into mine from every side. He haunted me. + +One day I was watching the crowd pass the corner of the Thun Strasse, +when my hand was clasped, and a cheery voice rang in my ear: + +"Mortimer, old fellow, by all that's glorious! Who would ever have +thought of meeting you here?" + +It was Harvey Lawson, my old college chum. + +"But you are sick, man. You look clean out of condition. Come up into +my den--mind those stairs--here you are--take that arm-chair. You see +I'm 'own correspondent' to the 'Daily Growler.' There's a pipe. Will +you have beer or wine? And, now, what have you been doing with +yourself?" + +I told him all, and my story certainly awakened much interest in him. + +"What was the date of your leaving Brussels?" + +"Wednesday, September 17." + +"Just a month ago. Hand me that file of papers at your elbow." + +He selected one, glanced at it a moment. "Ah, yes, here it is." + +"What?" I cried eagerly, the blood flying to my face. + +"What was the name of the advocate?" he persisted with all the gravity +of a judge. + +"Auguste Danneris." + +"And his office, 170 Rue des Allumettes?" + +"Yes, yes!" + +"The _pension_ in the Porte de Schaerbeck?" + +"Yes." + +"The youth--black eyes, black hair, high forehead, projecting chin, +height five feet three?" + +"Yes." + +"Spoke English well?" + +"Remarkably well for a foreigner--and so young." + +"Had a slight impediment in pronouncing the letter _p_." + +"Yes, I tried to correct the dear boy of the habit." + +"Did, eh?" + +"I did, and with some success too." + +"And went by the name of Jules von Dressdorf?" + +"Yes." + +"Then, by the lord Harry! Master Mortimer, you've immortalized yourself. +You've abducted the most accomplished little _dame d'industrie_ Paris +ever produced--you've snatched from under the very noses of a cordon of +French and Flemish police the princess of adventuresses, Adele de la +Voix, spy, thief, forger--ay, and if suspicion points truly, +murderess--for she is believed to have poisoned an accomplice at Ghent +after consummating the robbery of the Comtesse de Nemour's jewels. A +pretty piece of business truly." + +I was dazed. He handed me the journal, and I read for myself the whole +of the infamous plot. + +"By George, that boarding-school dodge was an excellent one, worthy of +her greatness--threw the police off the scent for ten days," said +Harvey with a grin. + +"Then, when the police got on the right track again," he continued, "it +was too late; she had eloped with you. O Lord, it's too good," and he +lay back in his chair and roared. + +"By heavens, if you are not quiet, I'll pitch you out of the window." + +"No, you won't. If you move a finger, I'll write and tell Gwennie Grey +all about your elopement. Why, man, if you were a child of grace, you'd +go down on your knees and implore me not to give you two columns in the +'Growler.' There, I was only joking. Don't look so blue. But I confess +it's a strong temptation. Such sensations don't crop up every day; +besides, messieurs the police are dying to know how _la belle_ Adele +crossed the frontier." + +"Do you think," I said wearily, "that the proprietor of the _pension_ +was an accomplice?" + +"Most assuredly not. He is an old resident, and gave his testimony with +tears in his eyes, assuring the court that Jules von Dressdorf was one +of the most docile, intelligent pupils he ever had under his roof." + +"And M. Danneris?" + +"Her father, I believe. His role was the man of reference, the +respectable 'fence' who directs the game while others do the work." + +"Had my trouble with the police here anything to do with the matter?" + +"Not a bit of it. They are infernal rascals, reaping where they do +not sow, and looking on careless travellers as legitimate game. Under +the present _regime_ they make half their living out of passport +irregularities." + +"I suppose," I added, "I had better notify the police at Brussels." + +"And be the laughing stock of Europe for your pains. No, Mortimer, lie +quiet here for a week or two, then take steamer through the +Mediterranean home. By the by, did Danneris advance you money for the +journey?" + +"He gave me five hundred francs." + +"Then you are not so badly off after all. Make your mind easy about +Mlle. Adele. She is hundreds of miles away by this." + +"I wonder why she did not run away from the hotel the night I went to +the theatre." + +"_Quien sabe?_ Let the dead past bury its dead." + + * * * * * + +Seventeen years have passed since the occurrence of the events I have +recorded, and never till yesterday have I seen or heard one word of +Adele de la Voix. + +"Gwennie," said I to my dear little wife, on reaching my home in +southern Michigan after a visit on business to Detroit, "you remember +the heroine of my trip to Dressdorf castle, just before we were +married?" + +"Surely," said the wife. + +"Well, I saw Adele de la Voix yesterday." + +"You didn't! When? Where?" + +"At a store in Gratiot avenue. I was making a purchase, when a woman +entered--old-looking, homely, shabby; but there was no mistaking those +black eyes, nor the sniff of the left nostril. When she was gone, I +made some inquiries about her, and here is her business card: + + "MME. JULIENNE, from Paris, reveals the past, the present, and the + future. Can be consulted on all affairs of love, business, or law, + and overcomes trouble of any kind. She brings together the + separated, causes speedy marriages, and sells infallible love + powders. Go and see for yourself. No humbug here. + + "Rooms, etc." + +"And what are you going to do?" + +"Do? I don't know." + +"I do." + +"You wise woman, what is it?" + +"Write the whole story for your favorite magazine. It is as interesting +as half the fiction one reads, and contains a good moral." + + + + +THE BATTALION. + + + A thousand strong we marched to battle; + The city roared around the host; + The tambours crashed their vaunting rattle; + The bugles screamed their joyous boast. + + No thought had we to die asunder, + Companions sworn, a brother throng; + We looked to sweep through battle's thunder + In noble lines, a thousand strong. + + But ah, the fever's poisoned arrow! + The jungle's breath, the summer's glow! + Our broad array grew swiftly narrow, + And scanty hundreds met the foe. + + O splendid longings, thoughts and fancies + Which tread the city of the soul, + How few of all your spirit-lances + Arrive where duty's trumpets roll! + +J. W. DE FOREST. + + + + +THE FASCINATIONS OF ANGLING. + + +I. + +It is the cheerful verdict of all anglers that they find no other +pastime so fascinating. This conclusion is not based upon the mere +mechanism of the art, but upon the fact that it is eminently healthful, +rational, and elevating, blending the picturesque and exhilarating in +such equal proportions as to exactly meet the demands of the quiet +student, the contemplative philosopher, and the care-worn man of +business, whose wearied or exhausted nature covets just the solitude +and repose which no other recreation so abundantly furnishes. + +This of course could not be said of angling if it had no other +attraction than the excitement it affords. But I am sure no one ever +became an enthusiastic angler who had no other or higher conceptions of +its possibilities. The mere act of taking fish is but a minor note in +the full volume of harmony which comes to its appreciative disciples +amid the vast solitudes where they find their best sport and highest +pleasure. Ask any true angler what pictures come up most vividly before +him as "the time of the singing of birds" draweth nigh, when it is +right to "go a-fishing." His answer will not be, "The rise and strike +of trout or salmon," although both will pass upon the canvas like rays +of sunshine upon the quiet repose of a forest landscape. He will rather +discourse to you of flowing river, of murmuring brook, of cloud-capped +mountain, of waving forest, of sunshine and shadow, of rapid and +cascade, of tent and camp fire, of silence and solitude, of cozy nook, +of undisturbed repose, of refreshing slumber, of invigorated health, +and the _abandon_ of delight which neither word nor pencil can +adequately portray. I have heard such "simple wise men" talk of their +favorite pastime until they glowed with ecstasy, without once naming +fish or fishing. That is but the body of the art. Its spirit consists +in what is seen and felt. An angler, "born so," as Walton hath it, +retains a more vivid recollection of the foam-encircled pool where +salmon love to congregate than of the "rise" and "strike" which gave +him his early morning's exhilaration. While he soon forgets the "play" +and weight of the fish captured, he never forgets the picturesque +surroundings of the struggle. He may forget the last homily he read, or +the last sermon to which he listened, but never the thrill of devout +ecstasy which came to him while wandering along some forest pathway, or +while gently floating with the current of his favorite river, bathed in +sunshine and fanned by summer zephyrs. After many days, these blissful +moments come back to him like divine benedictions. Be sure, O carping +critic, the gentle art has its spiritual and aesthetic as well as its +physical and intellectual attributes. + +As a mere physical pastime, angling stands foremost among all the known +sources of pleasurable recreation. It blends active exercise with +fascinating excitement in such healthful proportions as to ensure the +fortunate participant equally against wearisome monotony and excessive +fatigue. The pure mountain air in which he is constantly enveloped is a +perpetual tonic, while the exercise it compels gives steadiness to the +nerves and solidity to the muscles. + +As a mental renovator it is equally effective. There can be no +protracted lassitude while the brain is constantly quickened into +refreshing vitality by the novel and exhilarating surroundings of +mountain and forest and river, and the rise and strike and struggle of +trout or salmon. + +And to those who have neither physical nor mental ailment, but who are +conscious of a spiritual need--of some more vivid appreciation of the +goodness and beneficence of the Heavenly Father than most men attain +unto while writhing under the harrow of business or bewildered by the +shallow superficialities or noisy clatter of artificial life--the quiet +places where the pursuit of the gentle art takes them, the silence and +shadow of the sombre forest, the twitter and song of the solitary +woodbird, the clear shining stars, which hang like silver lamps above +his tent or cabin, and the reposeful hush which comes to his soul like +whispered benedictions--these all tend to intensify his gratitude, to +quicken his spiritual pulse, and to give to him a higher and a keener +appreciation of his spiritual obligations. + +There may be those who engage in angling only as they engage in the +coarser amusements which, for a time, divert the mind and banish +_ennui_. But all such soon weary of it, and never reach the higher +plane of the pleasant pastime. To do so requires a placid temper, a +thoughtful if not a poetic appreciation of the picturesque, a moderate +love of solitude, a patient habit, and a quiet disposition. To find +delectation in his walks, the angler need not be an ascetic or a +stickler for creeds; but I do not think the heart of Gallio, who "cared +for none of these things," would have been made glad when "the voice of +the turtle was heard in the land," and it was right to "go a-fishing," +because I cannot imagine him a man of a teachable disposition or of a +lovable nature, who took pleasure in the society or teachings of the +gentle Master of the Galilean fishermen. Izaak Walton might have had +equal skill with rod and reel without his saintly faith; but his +"Complete Angler" never would have attained the high place it has held +and will ever hold in the affections of the contemplative men of all +time had he not been imbued with the spirit of reverent humility and +such a loving sense of the Infinite Beneficence as to find in all the +beauty and sublimity of Nature evidence of His great goodness and +loving kindness to the children of men. He may not, like Enoch, have +"walked with God," but in all his walks he saw God's handiwork; and +this consciousness multiplied many fold the pleasure he sought and +always found in the pursuit of his favorite recreation. + + +II. + +There are times and seasons for salmon fishing as for all things. But +all times and all seasons are not alike. Nor are all places. The best +time to fish for salmon, where salmon are to be fished for, is the +first hour the water is in condition; that is, as soon as the spring +freshets have subsided, and the water, by falling back into its natural +channel, has become freed from the surface rubbish washed into it, and +sufficiently settled to render your line visible to the eye of the +fish. This time varies on different rivers, according to their length, +their volume, and the character of the soil through which they flow. On +some rivers the drainage is so limited that a fly may be cast +successfully so soon as the ice disappears. There are, however, but few +rivers on either side the Gulf, or in either of the Provinces, where +the best fishing is attainable before the first of June. The "season" +continues from that time on to the middle of August, although there is +often good sport into September, when the last "run" begin their +journey. But no "posted" angler would care to be compelled to take the +chances of sport after the close of August, as only very few fish come +up from the sea later, and those remaining in the river are wearied +from their long journeyings, or are torpid from their protracted +absence from the sea. + +Within the period named--June to the middle of August--salmon are gamy +and muscular, wherever found, whether one or fifty miles from the +ocean. But the pools most coveted are those in closest proximity to +salt water. Salmon are at their best when they begin their upward +journey. The fresh element in which they find themselves seems to give +them new life and friskiness, and when hooked they fight with a +strength and fierceness not exhibited in the same measure afterward. A +twenty-pound salmon fresh from the sea gives you the play of a +thirty-pound fish taken weeks after he has made his way far up toward +the headwaters of a fifty or a hundred-mile river. + +This fact, however, is not only not perceptible to the novice, but the +sport furnished by the capture of a salmon at any point in a river, or +at any stage of his sojourn in fresh water, is so grandly exhilarating +and so full of the intensest excitement, that it is a matter of but +trifling moment where a fish is struck so long as the angler strikes +him. + +But the season _is_ important. The earlier weeks on any river are to be +preferred, not alone because the fish have more vitality, but because, +as a rule, they are more abundant. With an unerring instinct which is +as mysterious as it is wonderful, they seek the rivers where they were +born upon the return of every spring. If the rivers are in condition +for their ascent, they begin their journey at once. But the rivers are +not always in this condition when salmon first come to them; and if +they are not, they wait their opportunity, and then move forward with +the regularity and steadiness of an army under marching orders. Hence +they are ordinarily found in greatest numbers at the first rush; and +they are most fortunate who are duly placed, at favorite pools, to bid +them welcome. + +What I know of this phase of salmon angling I have learned from +experience and observation, under circumstances which enable me to +speak with more confidence than would be otherwise becoming. I have +fished for three years on what I believe to be one of the very best +rivers on the continent; best not merely because of the abundance and +weight of its fish, but because also of its size and length, the +magnificence of its scenery, and the great number of its splendid +pools. My first two seasons extended from July 10 to August 10; and +they are seasons which will be for ever remembered with delight. I did +not deem it possible that I should ever experience any higher pleasure +this side that "pure river of water, clear as crystal," which fills so +large a place in the entrancing picture of the bright hereafter. My +catch exceeded my highest expectations, the sport from first to last +was magnificent and kingly, and the river, and the scenery, and the +surroundings embodied so much of beauty and grandeur, that my cup of +joy was filled to overflowing. If I had left the river with no other +knowledge than I then possessed of what had been and of what might be, +I would have lived on content with the happy impression that I had +experienced the highest possibilities of the gentle art. Every hour was +an hour of sunshine--whether casting, or striking, or killing--whether +slowly ascending or swiftly schuting the rapids--whether shouting in +very ecstasy of delight or quietly discoursing of the pleasures of +angling, around the camp fire, grateful to a kind Providence which had +"cast my lines in such pleasant places," and filled with devout +thanksgiving that time and opportunity had been given me to understand +why the good men, and the thoughtful men, and the simple wise men of +all ages had written so enthusiastically and sung so glowingly of the +gentle art. + +But, while thus pluming myself upon what I had achieved and +experienced, fancying that I had reached the highest pleasure +attainable from the art of angling, I learned that while I had done +well I could do much better earlier in the season. And so I found; for +by a combination of circumstances as fortunate as they were gratifying, +my third season gave me the first "run" and such experience and sport +as will for ever remain a golden memory. + + +III. + +With a companion as venerable in years and as full of enthusiasm as +myself, we set our faces toward the bay of Chaleur on as bright and +beautiful a June morning as ever gladdened the world. Hitherto the +journey had been tedious and circuitous--by rail and steamer. But, like +the world in general, the Provinces are progressive, and on this +occasion an "all-rail" route enabled us to do in two days what it +formerly took six to accomplish, and the 10th of June found us encamped +in a beautiful valley encircled by magnificent mountains, with a +majestic river at our feet grandly marching to the sea, but in +unwelcome volume and raging with frightful turbulence. The melted snow +was pouring down from the hills in such torrents as to overflow banks +and lowlands, and to preclude all hope of angling until an abatement of +the flood. It only remained for us to imitate the patriotic Germans on +the Rhine, and "watch and wait." And for ten days we watched and waited +with such patience as we could muster, and with such diversion as could +be found in casting for trout in a neighboring brook which found its +way to the river in our immediate neighborhood. + + +IV. + +It was the tenth day of our waiting, and while the river was rushing +with such fury as to render holding a canoe in the current with any +appliances at our command impracticable, that I succeeded in reaching +an eddy caused by a huge bowlder still buried beneath the waters. I +could not anchor, and my frail bark was kept in constant motion by the +swirling eddy, when, after repeated casts, I had a rise. The fish +leaped to such an unusual height, and with such seeming determination +that the lure should not escape him, that I was startled and barely +escaped a backward plunge in my anxiety to make a sure "strike." From +the "feel," which ran like electricity from my submerged fly to the +tips of my fingers, I knew that the hook had effectively performed its +work, and was "fastened in a sure place." With this conviction I felt +bold to begin the work resolutely, although I knew that if I succeeded +in making a capture, I must do so under circumstances more difficult +than any I had ever before encountered in any waters or with any fish. +I was literally hemmed in. I dared not allow the monster to get outside +the restricted circle of the eddy, for if he should reach the current, +which was sweeping downward at the rate of ten miles an hour, I would +be utterly powerless to check him, because it would be impossible to +prevent him from rushing over the boiling rapids, which were thundering +within fifty feet of the lower edge of the eddy. My only hope of fish +or canoe was to hold both under the shelter of the rock which caused +the eddy. To do this required a shorter line than it is ever wise to +retain at the opening of a fight with a thirty-pound salmon. But +everything--fish, rod, and line--had to be risked. It was hold all or +lose everything; and with a shout which made the whole camp lookers-on, +I began the fight; now hopeful, now in despair; now with the fish +leaping within fifty feet of the canoe, and now lashing the water with +the fierceness of a tiger; now dashing toward the current as if +determined to break off or drag the canoe with him, and anon sullenly +permitting himself to be reeled up to within ten feet of the gaff; now +sinking and sulking, and now rushing and leaping as if he would twist +off his own neck in his attempts to shake the cruel barb from his +lacerated jaw; now at handsome holding distance, peaceful as a lamb, +and seemingly ready for the _coup de grace_, and anon dashing hither +and thither, as if looking for some open door to freedom; but all in +vain. If his mettle was up, so was mine, and at that moment I would +sooner have lost a fortune than that fish. I had kept him within bounds +and well in hand; had got him within a foot of the gaff, sure of +victory, and was shouting to my gaffer, "Now then, let him have it!" +when, like a flash, he shot under the canoe, and would have smashed +everything in a moment had not my watchful guide, seeing the situation +and the danger in the twinkling of an eye, swung round our boat so that +I could place the tip of my rod beyond the stern of the canoe, and thus +escaped the greatest misfortune that can befall a salmon angler. It was +quickly and skilfully done, and in five minutes more the first salmon +of the season was gaffed, and the first victory achieved. The shout +from my own canoe was caught up by the excited lookers-on, and we +paddled to camp thrilled with the excitement of the contest, and happy +as it is possible for an angler to be--and there are possibilities of +happiness to anglers inconceivable to any who have never killed a +salmon. + +We accepted this first fish as the forerunner of the good time hoped +for. And the good time came of which, for the delectation of those who +have been or would like to be "there" themselves, I subjoin a few +samples. + + +V. + +I had as my immediate companion an enthusiastic angler in all waters, +but who had not as yet had the good fortune to take a salmon. The flood +had somewhat receded; but it was still necessary to place our canoes in +the eddies, and cast crosswise into the edges of the current. I had +landed a fish of moderate size, and was watching my friend trying his +'prentice hand, at salmon casting, occasionally directing him by my +fancied superior knowledge of the art, when a very large fish rose to +his fly, and he struck him with a suddenness and force which was +certainly complimentary to his muscle if not so illustrative of his +skill. For it is always dangerous to strike too hard. It does not +require a great pressure to force the barb home, while a heavy strike +or a too sudden twitch is apt either to break something or tear the +hook from the fish's jaw. In this case the hook held. For a moment fish +and fisher seemed alike astonished, and neither stirred; but it was +only for a moment. Directly away flew the fish--the line spinning from +the reel as if harnessed to a locomotive. Fortunately the eddy, which +made out from the point of an island, extended some quarter of a mile, +and before it was passed over, the Judge began to appreciate the +situation, the magnitude of the work in hand, and the difficulties he +was likely to encounter before he could call the fish his own. He held +him with a steady hand. He answered every call for line with a +promptness and caution which indicated great tact, and he lost no +opportunity to reel in when practicable. For a time it seemed probable +that he would kill his fish without being carried into the central +current. But no such luck awaited him; for after two hours of patient +waiting and working--of rushing, and leaping, and sulking--the frenzied +fish made for the centre of the river with such impetuosity that it +would have been as easy to stop the flow of the river itself as to +check him in his mad career. Where he led the canoe was obliged to +follow; and follow it did for more than two miles, with occasional +respites at available eddies, and occasional dashes up stream, putting +the canoe men to their best trumps to prevent the reel from becoming +exhausted by these upward flights. + +Thus the battle progressed for more than three hours, when the fish +approached the canoe of one of the party, which was anchored near a +bank covered with overhanging brush. He rushed with such speed that the +Indians in the anchored canoe had barely time to get out of the way, +when the fish dashed between them and the bank, but so closely that +when he halted for an instant near the surface, one of the Indians, +whose movements were as quick as those of the fish himself, gaffed him +and so saved him "as by fire," for in an instant more he would have +been caught in the overhanging brush toward which he was moving, and +where, had he reached it, he would have been inevitably lost. He +weighed thirty-six pounds--the largest fish taken during our month's +sojourn on the river. But the most marvelous part of the story is that +the brute was hooked foul in the side, rendering the fight and the +capture of so large a fish a double victory. + +Many events in the Judge's life will be forgotten, but this first fight +with his first salmon will remain a pleasant memory for ever. + + +VI. + +Here is another experience which all anglers will appreciate. I was +anchored in an eddy at the head of a favorite pool while the current in +the channel of the river was so strong that it was deemed impossible to +make headway against it. The pool in which I was casting was full of +hidden rocks; but for that very reason it was one of the very best on +the river. After an unusually long cast, a fish rose to my fly and was +hooked. On the instant he dashed for the head of the pool, but by the +time the anchor was shipped he reversed his movement with a rush, +carrying with him more than two hundred feet of line. The canoe, having +been forced into the channel, was sweeping downward with great +rapidity, when I became conscious that my line was hitched. The only +hope of rescue was to force the canoe back against the heavy +current--and the order to do so was answered by such a display of skill +and muscle as I had never before and have never since witnessed. The +paddles bent like withs, and for a moment not an inch of headway was +obtained. "We can't move her," was the mournful wail of my faithful +Indians. "You can and must. Away with her!" was all I could say to +them; and "away" it was. After a desperate struggle the canoe reached a +point on a line with the rock on which I was caught, when off the line +flew with a spring which indicated the great tension to which it had +been subjected. "Now let her go!" and down we went, swept by the +current, past rocks, into eddies and over rapids for a mile before I +succeeded in getting the fish in a position where I could check him or +place him where I desired. This I did, however, in time, by getting +below him and holding the canoe broadside to the current. This enabled +me to handle him at will, and the gaffer soon brought him to book. He +weighed twenty-nine pounds. + + +VII. + +One other incident. To have it appreciated, however, I must premise +that the manner in which an angler plays a fish depends largely upon +the condition of the river. Where, after a strike, you can pass into +still water or into a moderate current, the position of your canoe is +of no great moment. But if you are forced into very swift water, to +allow a fish to have his way, and to make no attempt to gaff him until +he is exhausted or until you can force him up to within gaffing +distance against the current, is to find yourself at the end of the +battle so far from your pool as to render a return unpleasantly +tedious. Under such circumstances the order of battle with experts is +as follows: The moment the fish starts down stream push below him with +all possible despatch, reeling up the attained slack as the distance +decreases. When the desired position is reached the canoe is thrown +across the current and allowed to float with it. As the fish is above +you, it is comparatively easy, with the aid of the current, to guide +him downward with a very moderate pressure. In this position, with the +exercise of proper caution and skill, the fish can generally be brought +near enough to be gaffed long before he is the least exhausted. + +This mode of killing is not only exciting, but very hazardous. The +fish, when brought close up to the canoe, sometimes dashes beneath it, +to the great peril of rod, reel, and leader, if not to the +perpendicularity of the canoe itself. To illustrate: I had struck a +large fish, and was playing him in the manner detailed, to my entire +satisfaction. I had never been better pleased with the behavior of any +fish, and I had him under such perfect control that I foolishly began +to deem myself perfect master of the situation. In his strugglings the +fish had crossed and recrossed the channel a hundred times--had rushed +up stream and dashed down stream with the speed and eccentricity of a +boomerang, but had failed to get beyond the restraint of a steady +tension. I had reached a point in the struggle where I would not have +given a farthing to be insured against accidents, when, while holding +him within twenty feet of my tip, he turned his head down stream and +dashed directly under the centre of the canoe, bearing my rod with him, +and bending it double before I knew whether I stood on my head or my +heels. And then came a crack, and a tear, and a snap, splintering the +second joint of my rod, and breaking my tip like a pipe stem. I +supposed, of course, that the wrench had released the fish, and I began +to reel in as disconsolate as a defeated candidate for office. But, +hollo! the fish is not off! When the crash came the line had rendered +so freely that there was no unusual strain upon the hook, and he was +still fast. But what of that? How could I save him with such a wreck? +The idea that it was possible, with skilful handling, added a +hundredfold to the excitement, and put me on my mettle. So, finding +that the line was free, and that by keeping the dangling pieces in +proper position I could still manipulate the reel, I renewed the +contest, and after floating a mile or two with the current, brought him +to gaff. I mourned, of course, the destruction of my favorite rod--the +best I ever handled, which had served me, without a crack, for two +years, and which I would not have exchanged for any rod I ever saw. +There was nothing gorgeous about it; but it had life in every fibre, +and responded with every cast, from tip to butt, with such spring and +elasticity as rendered casting with it a real pleasure. + + +VIII. + +And apropos of the old adage that wise men learn from experience. After +this fish had thus made shipwreck of my favorite rod, the Judge, with a +generosity which is characteristic of the true angler--and no man has +the spirit of the true angler who is not generous--proffered me the use +of his untried bamboo. It was, and still is, the handsomest piece of +salmon rod workmanship I ever saw, and felt in the handling as if it +were as good to go as it was handsome to look at. He had hesitated, +with the excusable timidity of the novice, to use it himself, and +wished it tried, that he might report the result to its maker. I, of +course, felt complimented by this proof of confidence in my skill, and +consented, with the promise that I would do my best to preserve it +intact, but that I must save my fish if I had to risk every inch of my +harness. + +The pool in which the test was to be made was directly in front of our +camp, and the water was still in excessive volume, and the flow +unpleasantly impetuous. I soon caught the hang of the rod, and was +making experimental casts of a hundred feet or more, quite delighted +with its spring and play, when I had a rise from the most dangerous +spot in the pool. Afraid to strike with my usual force, I simply raised +my tip an inch or two, and felt that he was as securely hooked as if I +had a "double hitch" around him. And it is curious this instinctive +consciousness of a secure or of a frail hold of your fish the instant +you strike him. Every observant angler has this consciousness; and +nothing is more common at such a moment than the remark, "I am afraid +he is not well hooked"; or, "Ah! that struck home"; and all the after +play--whether timidly or fearlessly--depends largely upon the "feel" of +the strike. + +At the outset I knew that if my fish escaped, it would not be because +he was not well hooked; and, with this assurance, the play began. He +took to the swiftest water at the first dash; he fairly leaped over the +rapids at the foot of the pool, the canoe following with the speed of a +race-horse, for half a mile, when he cried a halt, much to my +satisfaction, for was I not entrusted with the finest rod that had ever +wet its tip in the Cascapedia? Unlike my old companion, with which I +had fought an hundred such battles, I was ignorant of the strain this +elegant bamboo would bear, and so fought this battle as timidly as if I +had never before broken a lance or captured a salmon. But a necessity +was upon me. Its power of resistance must be tested, and the monster I +was fighting must be kept in hand, if every joint in the rod should be +reduced to splinters. So, ounce by ounce, the pressure was increased. +Every new rush of the fish was met by augmented resistance on my part, +until I found the rod capable of as hard work and as heavy a pressure +as I had ever placed upon any rod I had ever handled. With what +mathematical precision it curved from tip to reel! How grandly it took +the butt, and with what grace it resumed its original form when +relieved of an unusual pressure! To handle it soon became a delight, +and I found myself procrastinating the contest from the mere pleasure I +experienced in watching its perfect movement. + +When at length I concluded to make a finish of the struggle, had placed +my canoe below the fish, and was gathering him in, by slow approaches, +not dreaming of disaster or defeat, the ferocious brute dashed for the +canoe, passing under it near the stern like a flash, and threatening to +make as complete shipwreck of the Judge's bamboo as the fish of the day +previously had made of my own lance-wood. But, like others before me, I +had learned from the enemy how to fight. The moment I saw what was +coming I threw my rod down parallel with the side of the canoe, +allowing the tip to extend beyond it, with the reel outward, so as to +give the line free play. The experiment was a success. The line +followed the fish without a hitch, and the beautiful rod remained +intact! The furious brute was outflanked, and, as if in despair, he +gave up the battle, and in ten minutes was gaffed. + +The rod was a success. It had passed every ordeal grandly, and it was +handed back to its owner with the comforting assurance, "It will do." + + * * * * * + +These are but specimen illustrations of the pleasure and exhilaration +which come to those who "go-a-fishing" for salmon. But the pastime +holds its votaries for other reasons than the mere excitement it +affords them. A diversion which reaches only to the material of our +natures can never acquire a permanent place in the affections of men of +thoughtful habit. It is proof, therefore, of the satisfying and +elevating character of the gentle art, that its disciples never weary +of the pleasure it affords them. Indeed, the most enthusiastic anglers, +and those who best illustrate its refining and invigorating influence, +are those who have passed into "the sere and yellow leaf" with rod and +reel as their inseparable companions. Like the virtues, it grows by +what it feeds upon; and as the sun becomes more and more attractive in +its mellow beauty, as it silently and gently sinks from view, so do the +pleasures of angling become increasingly fascinating to its happy +votaries as they near the gateway of their final rest. Ah! unhappy they +who, in making haste to be rich, fail to avail themselves of the +opportunity which angling affords to garner up such pleasant memories +as would cast perennial rays of refreshing sunshine upon the too often +sombre pathway of old age! + +GEORGE DAWSON. + + + + +EXECUTIVE PATRONAGE AND CIVIL SERVICE REFORM. + + +Late writers on the English Constitution draw a contrast rather +unfavorable to us between their Parliamentary and our Presidential +Government. Our Executive is a fixture for four years and reeligible. +He is responsible, and not shielded by any such legal fiction as "The +king can do no wrong." In Great Britain, the cabinet, selected from the +legislature, is the real executive body. "In its origin it belongs to +the legislative part of the State; in its functions it belongs to the +executive part." By a conventional code, the ministry or "the +Government" can be changed by a vote of want of confidence, or by a +defeat of the ministry in the House of Commons on a governmental +measure. Our Cabinet holds a subordinate position. The Constitution +contemplates, but does not define, "executive departments." Seven have +been established by law, some of which have been divided into inferior +departments called bureaus. The Cabinet is the political family of the +President. The "heads of departments" are his constitutional advisers, +and aid in the execution of his high functions. They are not held +responsible for good government, are not liable to votes of censure for +their policy, although for convenience sake, a kind of semi-official +connection subsists betwixt them and the Federal Legislature. + +The "principal officer in each of the executive departments" has a +staff of subordinates. The various officers of the United States +constitute the machinery of government, and the appointment of a large +proportion of them is vested in the President. These various civil +officers, so appointed, are for the execution of public business. The +conduct of public business and the care of the public interests are, +under the President's supervision and control, largely committed to +these functionaries. With the growth of the country in territorial +area, population, and wealth, the enormous increase of taxation and +expenditures and the assumption by the Federal Government of State +duties and prerogatives, the number of officials has increased to +100,000. The civil list in 1859 numbered 44,527; in 1875, 94,119. The +rolls show a larger list of paid dependents since the war than there +was during the war. All these officers hold their places by the tenure +of the President's will. They are to be found in every neighborhood in +the Union, and constitute a large army, dangerous to the welfare and +perpetuity of the republic. + +The theory is that all public offices are for administrative efficiency +and the public weal. Up to the beginning of General Jackson's term of +office, there had been, during the forty years of his six predecessors, +112 removals of such officers as required for their appointment "the +advice and consent of the Senate." These few removals were not made +from caprice, or to punish enemies, or to reward partisans, but for +cause and by strict rule. The power of removal was exerted so +exceptionally, only for just and salutary purposes, and was never used +as an instrument of party success. Public policy dictated its exercise. +Offices were not regarded as the private property of the President, or +as the perquisites of a party, but as trusts for the general good. + +General Jackson's accession to the Presidency began a revolution. +Differences of opinion were punished by removal from office, and +partisanship was rewarded with places of profit. His successors have +adhered too closely to a precedent which has almost solidified into a +party law, or a principle of American politics. No party can claim +exemption from the sin of using the civil list for party ends. The +Whig, Democratic, and Republican parties, in the distribution of +"patronage," in Federal, State, and municipal governments, are alike +obnoxious to censure. The poison has infiltrated every vein and artery +of the body politic. Every branch of federal and of State service has +suffered from the vicious maxim that offices are spoils to be divided +among the victors in a party contest. Too often the condition precedent +to appointment is unquestioning submission to party decrees, +indiscriminate support of party candidates and party measures. The +right to remove incumbents is now a conceded Presidential prerogative, +acquiesced in by all parties. + +The power of removal, under the influence of a false political +philosophy, has been perverted into the duty of removal so as to give +the offices to the winning party. A new President of different politics +from his predecessor is expected to make sweeping changes, amounting +even to a "total administrative cataclysm." The appointment of a +political antagonist excites surprise, and requires an explanation or +apology. Experience of the working of an office, ability, honesty, +fitness, are not conclusive. "Off with his head," is the remorseless +decree when a place is needed for a partisan. Each incoming +administration is bedeviled by hordes of applicants, as greedy as the +daughters of the horseleech. The plagues of Egypt scarcely symbolize +the number and clamorousness of the mendicants. General Harrison, +honest old man, in one month fell a victim to the tormentors, and +General Taylor's death was probably hastened by a similar infliction. + +Executive patronage is dependent on the revenue and expenditures of the +Government and on the number of persons employed by the Government, or +who receive money from the public treasury. To appoint and remove at +will is a dangerous prerogative, royal in its proportions. Some of the +ablest statesmen and constitutional lawyers have denied the right of +the President to remove without cause, especially in such appointments +as required the concurrence of the Senate.[3] The practice of the +Government seems to have settled the question differently. Conceding +_pro hoe vice_ the constitutionality, the evils, as illustrated in our +history, are none the less great. + + [3] Reports to the Senate in 1825, 1835, and 1844, contain able + discussions of "Executive Patronage." + +I. There has been a reversal of the theory of our institutions in +respect to officers. In 1835 Mr. Webster said in the United States +Senate: + + Government is an agency created for the good of the people, and + every person in office is an agent and servant of the people. + Offices are created not for the benefit of those who are to fill + them, but for the public convenience; and they ought to be no more + in number, nor should higher salaries be attached to them, than the + public service requires. The difficulty in practice is to prevent a + direct reversal of all this; to prevent public offices from being + considered as intended for the use and emolument of those who can + obtain them. There is a headlong tendency to this.... There is + another, and perhaps a greatly more mischievous result, from + extensive patronage in the hands of a single magistrate, and that + is, that men in office have begun to think themselves mere agents + and servants of the appointing power, and not agents of the + Government or the country. + +Offices are looked upon as the prey of political parties, as spoils to +be distributed. The well-being of the country, with appointer and +appointees, becomes a secondary consideration. Office-holders, holding +by the "tenure of partisan zeal and service" are regarded as receiving +pap from the party, and therefore under special obligations to make +sacrifices for its success. Hence federal officers, holding their +places for the benefit of the party, are assessed for contributions for +electioneering purposes and the recalcitrants are dismissed or tabooed. +This system is unfavorable to manly independence. Fearing removal, +incumbents become parasites, with chameleon facility adapting the +complexion of their politics to the color of the appointing power. +Government becomes also an almoner to bestow charities. Pensioning, +never justifiable except in special exigencies, becomes the rule. Some +apprehension of the evils of governmental allowances without an +equivalent possibly induced Dr. Johnson, in the first edition of his +dictionary, to define "Pensioner, a slave of the State, hired by a +stipend to obey his master." + +II. Government becomes a kind of close corporation for the benefit of +the party in power. Party adherents, pets, favorites, get the +dividends; civil service thus affording, as Mr. Bright phrased it for +England, "a system of out-door relief to the poorer saplings of +aristocracy." As a necessary consequence, patriotism and attachment to +principles among those corporators become feebler, and servility to +party stronger. + +III. The Government suffers in its administration. In appointments +other tests than the Jeffersonian, "Is he honest, is he faithful, is he +capable?" are applied. The right to employment should grow solely out +of superior capacity and attainments. Official patronage is a trust for +promoting the general welfare. The present system, forgetful of general +interests, instead of securing the best men, often gets instead the +incapable. A good official system is hardly possible with constant +changes in the _personnel_. If continuance in office be dependent on +other considerations than discharge of duties, a stimulus to diligence +and fidelity is taken away. The best motive for learning a task +thoroughly should be furnished. Not unfrequently one defeated in his +aspirations for Congress receives a Federal appointment. A popular +condemnation becomes a stepping stone to a higher position. What should +be regarded as a rebuke is made a plea for promotion. + +IV. The tendency of the abuse of Executive patronage is to make those +in the civil service mere placemen and mere tools or willing servitors +of the President. To quote again from Mr. Webster: + + A competition ensues, not of patriotic labors, not of rough and + severe toils for the public good, not of manliness, independence, + and public spirit, but of complaisance, of indiscriminate support + of executive measures, of pliant subserviency and gross adulation. + +By personal effort, by money contributions, through the press, in +nominating assemblies, at the polls, office-holders work for him in +whom they have their official being. An incumbent of the Presidency, a +candidate for reelection, has a large number of men and their families +interested in his success, and swayed by the temptation of interest to +secure his renomination and reelection; add to these the hungry +expectants, whose eyes and hopes are fixed on Washington, and it can be +seen that the power and the practice of giving offices to partisans +operate on the fears of all who are in and the hopes of those who wish +to get in. The Executive himself is armed with undue influence and +power and subjected to a temptation to dishonesty if he covets a +reelection. The "spoils" in the hands of a President, granted or +withdrawn at pleasure, give fearful odds in a popular or party contest. +Our Presidential elections are pervaded by an element not favorable to +fairness or purity. A dangerous mass of private and personal interest +is thrown into the scale, and selfishness usurps the place of +patriotism and a sense of public duty. + +V. Distribution of so many and such valuable offices as party rewards +degrades parties from organizations upon principle, for patriotic +political ends, to mere combinations for expediency and for personal +ends. Because of the power and patronage of the President; and the +centralizing effects of federal legislation, all State and local +elections are subordinate to the quadrennial agitation for the highest +federal officer. So ramifying is this federal influence, the election +of a constable in Montana is decided by his relation to a "national" +party. State and county officers are nominated upon "national" +platforms, and support of Hayes or Tilden determines governors, +Congressmen, judges, superintendents of education, mayors, sheriffs, +policemen. Local interests are subordinated to the Presidential +struggle. The attention and ability of the people of a State are +diverted from State development to national concerns, or rather to the +question, who is to be empowered to bestow Executive patronage? In the +mind of the masses the President is the government. A Presidential +election has ceased to be a contest of ideas, or to decide a political +policy. It is a gigantic party struggle. Overwhelming importance +attaches to it, because the victor has a cornucopia of "patronage +bribery" to give to whom he likes. In other days, the canvass which +preceded elections was educatory. Able men, on opposite sides, face to +face, discussed grave questions of constitutional law or federal +policy. In the nullification controversy of South Carolina there was a +war of giants. The speeches of O'Neal, Harper, Johnston, Hamilton, +Hayne, Preston, McCuffie, and Calhoun were such masterly expositions of +the relations of the States to the general Government as would have +done credit to Edmund Burke. In other contests, North and South, were +discussions by our ablest statesmen of fundamental principles of higher +abstractions. In the last contest much of the "stump" speaking was the +veriest twaddle, an appeal to prejudice, and hate, and sectionalism, +full of scurrility, personality, and vulgar anecdote. The press, so +essential to free institutions, partakes of the degeneracy, and thus +politics is degraded from a noble science to a disgusting scramble for +spoils. + +VI. Treating the civil service as legitimate rewards for partisan zeal +diminishes official responsibility, lowers the standard of official +integrity, and stimulates corruption by augmenting the means of +corruption. The rapid growth of patronage, far beyond what is required +for efficiency of administration, is readily suggestive of evil. A +spirit of subserviency is not favorable to the growth of the highest +qualities. Ceasing to regard office as a trust for the public good, the +holder loses a strong motive for integrity. Favoring servility, or +sycophancy, to conciliate superiors, very easily loosens the restraints +of conscience. Vigorous attachment to principles yields to devotion to +party. Public morals are corrupted by false maxims, by increase of +temptation, by loss of patriotism. Places are multiplied for partisans. +Contracts are let to partisans. Frauds, the logical consequence of +lowering office to be mere pay for party services, are covered up, or +palliated, to prevent damage to "the party." + +If these evils be not greatly exaggerated, reform seems an imperative +necessity. It is hard to correct governmental abuses. Society is prone +to run in ruts. To suggest the supernumerariness of an office, or a +reduction of salaries, raises a howl among the _ins_ as if the +liberties of the country were imperilled. Those useful legislators, +like George W. Jones of Tennessee, and Holman of Indiana, who watch for +abuses and scent afar a "ring," are always unpopular. It is needful to +get back to first principles and to indoctrinate the public anew with +correct notions as to the object of an office and the duties of a +public officer. The Koran says: "A ruler who appoints any man to an +office when there is in his dominions another man better qualified for +it sins against God and against the State." To dismiss a faithful and +capable incumbent to gratify party resentment, or to gratify a friend, +is utterly in disharmony with the purpose of administrative machinery. +Our Government is an agency for the public weal. It is not in an +antagonistic position to "the people of the United States," but their +servant to accomplish their legal will and to promote their prosperity. +People were not created for offices, but offices for the people. As +soon as the public service ceases to be subserved the offices should at +once cease. While the office is necessary, and the incumbent discharges +its duties satisfactorily, there should be no needless change. A +citizen accepting a public trust, and doing his duty faithfully, should +be allowed to enjoy his manhood and be protected from the exactions of +a superior power. If, as has been asserted, "no vacancies" greet the +eyes of applicants for places in Washington, it is a hopeful sign and +most praiseworthy. + +When vacancies do occur, or new offices are created, some competition +among the candidates for employment would ensure more efficient +service. Superiority of parts or attainments is a better qualification +for bureau or clerical duties than activity in a ward meeting. Men of +the best energy and capacity are not likely to be obtained by an +arbitrary partition of places among the districts whose representatives +sustain the Administration. England has reached the competitive test by +slow steps. Employees in the several departments were, for a long time, +clerks to the minister, and were paid out of the fees received from +those who had business with the department. The sale of offices and +exaction of fees occasioned serious abuses. By several acts of +Parliament in this century, a civil service has been established, a +public status assigned to clerks, and their salaries are now paid out +of the public exchequer. By the test of competitive examinations, and +by placing on a better basis the relation betwixt public servants and +the nation, the service has been much improved. + +The application of some competitive test for certain grades of office +might be supplemented by requiring the President, in all cases of +nominations to the Senate to fill vacancies, to state the reasons for +removal, if any had been made. Laws might be passed modifying the +absoluteness of the right of removal. In 1789, in a discussion in the +House of Representatives, Mr. Madison said: + + To displace a man from office whose merits require that he should + be continued in it would be an act of maladministration, and the + wanton removal of meritorious officers would subject the President + to impeachment and removal from his own high trust. + +The Constitution of the Confederate States had this provision: + + The principal officer in each of the executive departments, and all + persons connected with the diplomatic service, may be removed from + office at the pleasure of the President. All other civil officers + of the executive departments may be removed at any time by the + President, or other appointing power, when their services are + unnecessary, or for dishonesty, incapacity, inefficiency, + misconduct, or neglect of duty; and when so removed, the removal + shall be reported to the Senate, together with the reasons + therefor. + +A further provision forbade the President to reappoint to the same +office, during the recess, any person who had been rejected by the +Senate. + +To make the President ineligible, as was done in the Confederate States +Constitution, and as President Hayes recommends, would take from the +Executive the temptation to use the appointing power to receive a +renomination or reelection. As the term of a Chief Magistrate draws +near its end, and he becomes more deeply interested in being his own +successor, he may make his appointments and direct his administration +to increase popularity and accomplish his own ambitious ends. He might +look to party management, and ward meetings, and manipulated caucuses, +rather than to the general welfare. The evil of re-eligibility is +increased by the failure of our electoral colleges to effect what was +designed. These colleges have no independence, and most mechanically +register the decrees of caucuses. What was intended to be a check on +party has become its pliant instrument. + +As essential to reduction of Executive patronage, and disarming the +President of the dangerous influence and power growing out of it, there +should be a persevering and a large reduction of federal expenditures. +General Jackson, in 1836, truly said, "No political maxim is better +established than that which tells us that an improvident expenditure of +the public money is the parent of profligacy, and that no people can +hope to perpetuate their liberties who long acquiesce in a policy which +taxes them for objects not necessary to the legitimate and real wants +of their government." Large revenue and expenditure give an excuse if +they do not make the necessity for increasing the number of persons +employed by the government. With expenditure comes an army of agents, +contractors, officers interested in keeping up extravagance and +multiplying officials. Patronage flows from the fountain of public +income. To reduce patronage and ensure honest government, it is +indispensable that the Government should extort no more money from the +people than is needful for a just and economical administration. Our +governments, federal, State, and municipal, need to be taught, by +constitutional limitation and a sound public opinion, that a citizen's +property is his as against every demand, except for a just, honest, and +economical administration of the government. + +As helping reform and growing out of it, a reorganization of parties is +needed. The present parties have "played out." Parties are essential in +republics, but they should represent intelligent patriotism, be +organized on practical, living issues, and be vitalized by principles. +Who is wise enough to tell what differentiates the Republican and the +Democratic parties? What distinctive principles divide them? Who can +"locate" the parties on such questions as tariff, currency, expenditure, +civil service reform, character of the government, boundary between +reserved and delegated powers? Issues like secession and slavery, no +longer disputed or doubted, should have no influence in forming or +keeping alive parties. Obsolete shibboleths should not alienate those +who are otherwise agreed. A party not crystallizing around vital issues, +not having "the dignity of contention" for principles, becomes a machine +to put up A or put down B. The _ins_ and the _outs_ make now the two +centres of the dividing parties, which have become cliques and cabals +controlled by caucuses. + +This is a most opportune season for reorganization of political +parties, and a readjustment on broad and living issues. It is wrong to +be carrying about the dead corpse of the past. A new generation has +grown up since 1860. The spirit of the age is not what it was two +decades since. The young men know next to nothing of Whiggery and +Democracy. To make secession, or slavery, or the "bloody shirt" a +rallying cry, is as absurd as to exhume the embargo or the alien and +sedition laws. The inertia of society is great, and men cohere from +traditions of the past. The reform bill of 1832 was long delayed in +England, in its practical results, because the statesmen of 1832 +continued in public life. So now effete parties are kept alive for +partisan or patriotic ends by those who seem not to have realized that +we are living in a new America. + +It seems a plain duty to gather up what survives of our constitutional +federal republic, of the labors of the past, and with a catholic spirit +to combine for reformation of abuses, for national conciliation, for +purifying parties, for saving the republic. A party equally of order +and of progress, in favor of retrenchment, economy, low taxes, sound +currency, civil service reform, preservation of State and of federal +honor, strict adherence to the Constitution, keeping federal and State +governments within their separate and defined spheres of action, while +encountering the hostility of extremists, would rally to its support +enough of intelligence and patriotism to repress sectionalism and hate, +and bring our lately discordant States into a fraternal union, based on +fixed law, mutual toleration and respect, and exact justice. + +J. L. M. CURRY. + + + + +THREE PERIODS OF MODERN MUSIC. + + +In "Punch's Almanack" for this year is an illustration, in three +compartments, of the subject "Music at Home." The first is called +"Drawing-room Music of the Past." A young lady sits at one of those +little spindle-legged piano-fortes, hardly larger than a large +washstand, and somewhat shaped like one, with which our grandmothers +and great grandmothers, and the men who composed music for them, were +not only satisfied, but delighted. Her hands are moving, light and +level, over the little key-board, and the dainty turn of her head shows +that she is captivated by the sounds that she is eliciting. Around her +is gathered a family group of some dozen people, old and young, from +the grandfather to the little grandchild who sits upon a hassock at her +lovely mother's knee. They are all entranced by the music. Plainly +there is not a sound in the room but that which is produced by the fair +performer. The souls of all that company are enchained; their hearts if +not their eyes are brimming with emotion. A spell of tenderness and +grace has been cast upon them; and they have given themselves up to him +who has woven it. The faces of all are lightly tinged with sadness, but +it is an elevated and elevating sadness; a sadness that is mingled with +a joy silent, deep, and strong, a joy far above hilarity. The most +impressive figure of the group is the grandfather, who sits with his +arm lying listlessly across the instrument and his head slightly bowed, +as, we may be sure, he is carried back by the sweet strains to a time +when one who does not appear in the group was by his side in all the +charms of early womanhood. The composition is so touching, so filled +with purest, sweetest sentiment, that it is impossible to look at it +long without being moved almost to tears by the tender and serene +pathos with which it is pervaded. The legend tells us that the music +which has wrought this spell is "A Melody by Mozart." + +In the second compartment of the triptique, which is labelled +"Drawing-room Music of the Present," a young lady also sits at a +piano-forte. It is a grand, a very grand piano-forte; a tremendous +institution, the invisible end of which stretches far into infinitude. +Plainly it is one of those awful instruments which have received a gold +medal at all the expositions. The lid is propped up so that it looks +like a gigantic trap set to catch some gigantic bird or vermin. The +performer's shoulders and arms, which emerge in a somewhat alarming +manner from their scanty covering, are in violent agitation. Her hands +are flung into the air as they poise for an instant over the upper part +of the long key-board, ready to pounce down upon the shuddering notes +below, and from the great gaping instrument a flock of startled and +affrighted quavers, semiquavers, and demisemiquavers is pouring out +pell-mell over the assembled hearers. Hearers! No. The great +drawing-room is filled with a crowd of people who have evidently been +bidden to listen to the music. But they are undergoing it with stolid +indifference as they talk or try to talk, either almost shouting or +whispering into each other's deafened ears and bewildered brains. The +only person who takes any interest in the performance is the performer +herself. The motive power here is "A brilliant fantasia for the piano +by Signor Rumblestominski." + +The third compartment is entitled "Drawing-room music of the Future." +Here five performers are laboring at and around the piano-forte, the +top of which has been taken off. They are all men; tough-brained-looking +fellows: one a violinist, one a violoncellist; two are at the key-board, +and one stands music in hand and mouth wide open. They are toiling as if +at day's work by the piece; and all are singing. They are engaged upon +"Twenty-four consecutive interdependent Logarithmic studies for Violin +and Violoncello, with Double Differential and Integral accompaniment for +the Piano-forte, supplemented by Unisonal Descriptive and Corroborative +vocal exposition in five modern languages." They have evidently got well +into harness, and have dragged their hearers some distance over their +rugged road, which is a "hard road to travel." The mass of the assembled +company are rushing madly for the door. On an ottoman in the foreground +sit five victims, four young ladies and a bald-headed old gentleman, who +are all fast asleep. At one side a determined fellow sits with his +elbows on his knees grasping his head with both hands, resolved to +endure unto the end. Not even in the faces of the performers is there +the slightest manifestation of the soothing, the elevating, or even the +pleasurably exciting influence which belongs peculiarly to music. With +dogged determination they are working out a knotty intellectual problem. +They do not exhibit even the tickled vanity of musical virtuosity; they +are there--to use a cant phrase of musical criticism--to "interpret" +what the composer has with infinite toil and trouble put upon paper; and +very tough work they find it; somewhat like reading mathematics written +in the Basque language. And their souls are unmoved. The musical sounds +go through their ears straight to their brains, leaving their hearts +untouched. They are engaged in an intellectual process. + +Of these designs, the last two, although they are laughable +caricatures, express with very little exaggeration (allowing for the +notes made visible in the second) the character, the quality, and the +effect of certain schools of musical composition. The first is not a +caricature, as any one will see; but although it is quite the contrary, +it is not on the other hand idealized. It merely represents with +skilful touch and felicitous arrangement what might have actually +occurred and what doubtless did many times occur in drawing-rooms at +the end of the last century and the first years of this; indeed, what +might happen and even does happen now. There has been a change in +costume and in manners; but there is none in the effect upon musical +souls of a melody by Mozart. + +And these designs illustrate three periods in modern music: two through +which it has passed and one upon which it seems now to be entering. By +modern music I mean music since the days of Palestrina. What was +written before that time, nearly or remotely, although it may have +historical importance and interest, is of little or no value as music. +Indeed, it hardly is music as we know and feel it. Not that I would +imply that Palestrina invented modern music, or even that he alone of +contemporary composers was a gifted and accomplished master of his art. +Roland de Lattre, called Orlandus Lassus, chief of the Gallo-Belgic +school, might dispute the palm with him.[4] But this conceded, it +remains that in Orlandus Lassus we have the best product of the ancient +school, adhering to the ancient style and bringing it to its highest +perfection; while in Palestrina we have the beginning of the modern +school and style, the distinctive trait of which may broadly be said to +be the use of melody and harmony of independent value under constant +governance of the principle of tonality. Before the time of +Palestrina--say A.D. 1550, he having been born about 1524 and having +died about 1594, which year closed the life of Orlandus Lassus, who was +born in 1520--before that time music was polyphonic. But it was not +merely, as that term implies, many-voiced, or in several parts; for +that it is now; but the parts moved without any aesthetic relation to +each other, and with the same independence of the aesthetic effect of +the whole. Their progression was according to certain rules; but these +conformed to, the object of the composer seemed to be to make his work +as intricate as possible. Certain figures--for they could hardly be +called melodies--one or two or three or more--were repeated again and +again and again by the various voices, each one going or seeming to go +its own way, entirely regardless of the others--regardless of anything +except the rules of the counterpoint of the day. The combining result +was a tangled skein of sound which could be unravelled only as it had +been put together, by rule. Instead of an emotional expression it was +an intellectual puzzle in sound. Moreover the whole composition was +without any bond of unity; it was, so to speak, and in its effect it +was really, in no particular key. + + [4] For an able setting forth of the claims of Orlandus Lassus, + see Frederic Louis Ritter's excellent "History of Music," First + Series, published by Oliver Ditson & Co. + +Upon music in this condition there came about three hundred years ago a +great change. Polyphonetic writing gave way, gradually but with some +rapidity, to the movement of parts in a harmony of independent absolute +beauty--that is, beauty, in the simple succession of its chords--and to +the union with this harmony of a leading melody, also valuable for its +independent, absolute beauty. Thus came into being what I have +heretofore called "absolute music," which has been known to the world +only about three hundred years, and in its full and complete +development only about one hundred and fifty. At the same time, with +this use of harmony and melody of absolute beauty and value, came in a +great controlling principle or law, upon the operation and influence of +which, in fact, the aesthetic effect of the new music chiefly if not +entirely depended. This law or principle was tonality. I have been told +that in a publication which I have never seen--although most probably +it has been sent to me, to go, with the greater part of the printed +matter and not a few of the letters that I receive, unread into my +waste-basket--I have been held up as a dreadful example of musical +incompetence on the ground that I cannot "appreciate Wagner's +magnificent [or splendid, or something of that sort] tonality." Of +course it cuts me to the heart to show that my criticaster was +thoroughly ignorant of the very meaning of the word that he used--a +word which is the name of a principle of paramount importance and +significance in the art of music, which, I believe, he in some sort +professes. But the demands of truth are inexorable. + +Tonality is something which cannot be magnificent or splendid; nor can +it be attributed to a composer as being in the slightest degree a claim +to admiration. Indeed, one composer can hardly possess it in a greater +degree than another; and the writer of an ephemeral ballad, or of +"Thou, thou reignest in this bosom," has it, although not more largely, +with stronger manifestation than Mozart or Beethoven. And yet it so +happens that Wagner is in his later works _less_ governed by the law of +tonality than any other known composer of the day. + +Tonality is simply the relation of a musical phrase, or air, or longer +composition, to a keynote or tonic chord. To this tonic chord the +harmonies of the composition must bear a close and constantly felt +relationship. The harmony almost always opens with this chord, and +continually recurs to it; and either in its simple form or in some of +its inversions, it, its dominant and subdominant, are the perceptibly +ruling harmonies of the composition; and upon this tonic chord the +composition always ends. That is tonality; nothing more nor less; and +to the influence of this principle of tonality is due the distinctive +character of modern music. Strange as it will probably seem to most +amateurs, news as we have already seen it is to one professor, it was +not until after Palestrina's time that the law of tonality asserted +itself in music, and that compositions were clearly written with any +tonic, that is, manifestly and strikingly in any particular key.[5] But +it so happens that Wagner's method of composition has actually led him +somewhat away from this principle of tonality. Any musical person will +see that in recitative there is much less relation of harmony to the +tonic than in airs or in choruses; and Wagner's prolonged, almost +endless recitatives are wearisome partly from the very fact that we are +so long at sea drifting hither and thither without the rudder of +tonality. But what did this matter to the criticaster? He had heard the +word tonality, and it was a round, mouth-filling word, somewhat new +withal, and therefore good for use against an ignoramus. Perhaps he +thought it meant sonority or something of the kind; or he connected it +with that lovely phrase "tone-poem." Well, in any case, it has served +his purpose astonishingly. + + [5] It is not necessary that I should give authority for this to + any competent person who is acquainted with the music of the + ancient composers; but whoever chooses to do so may find the + subject fully discussed in Helmholtz's great work, _passim_. + +After the introduction of the principle of tonality music developed +with remarkable rapidity. In one hundred and fifty years it made more +progress toward an ideal beauty and as a means of emotional expression +than it had made in the thousands of years that had passed since the +first note was sung. For by this principle of tonality, melody and +harmony as we know them became possible. All that went before was +either the vague, formless, unsymmetrical production of popular mood +and fancy, or the dry formula-work of musical pedants. And yet within a +century we have such a result as Stradella's divine _Aria di chiesa Se +i miei sospiri_, which, whether for its melody, its harmony, or its +emotional expression, intense yet kept within the bounds of a lofty and +almost serene dignity, is unsurpassed by any vocal work which has been +since produced. It has been said by some that this air was not written +by Stradella. M. Fetis, however, does not doubt it; and the result of +the discussion is that it is assigned to the great Italian singer. The +story of his having saved his life by singing it--two assassins who +followed him into a cathedral to put him to death for having robbed a +nobleman of his beautiful mistress having been disarmed and sent off +repentant by the charm of his voice and of the music--is probably known +to many of my readers. Did any of them ever hear in a composition by +Wagner or Liszt, or any of that crew, a melody of which it could be +believed or for a moment supposed that it would produce such an effect, +even if it were sung by a seraph? + +It was not, however, until the first quarter of the last century that +what is in a large sense the modern school of music came to full +growth. Then appeared Bach and Handel. They came suddenly; as suddenly +as Marlow and Shakespeare into the field of dramatic poetry, as +suddenly as Raphael and Titian into that of painting. Not indeed +without roots in the past and a growth from them, but with a +marvellously quick and strong development, and an unfolding of flower +and fruit that seemed as if it were--as indeed it was--the blooming of +a century plant. And as is ever the case in art, the utmost limit of +attainment seems to have been reached at the first bound. What was +dramatic poetry before the half century which began with Marlow and +Shakespeare? What was painting before the like period of its glory? And +what have either been since? This position may be claimed for Handel, +with the fullest recognition of the genius of Mozart (Haydn, great, +enchanting, truly inspired as he was, is yet out of the question), and +even of the almost awful genius of Beethoven. But when we remember that +the Hallelujah Chorus, _Lascia chio pianza_, the renowned _Largo_ in G +so grandly performed by Mr. Thomas's orchestra at his last subscription +concert, are from the same hand, and that these are only examples +(which I cite because they are so well known) of a creative power which +seems to have been equally great and various in its manifestations--when +we take into consideration the healthiness, the virility of Handel's +tone of thought, there being, I believe, in all his known works, not a +single passage marked by morbid feeling or even exaggerated sentiment, +although of intensest feeling there is overpowering expression, as for +example in the _Largo_ just referred to, and when we give due weight to +the copiousness of his production, he being the most voluminous of all +the great composers, if we measure his works by their quantity and not +by their numbers, in which an oratorio or an opera would count only one, +we can hardly hesitate, except in favor of Beethoven, in reckoning him +as the greatest creative mind in music. And as to Beethoven, deeply as +he sunk his shaft into the profound of human emotion, mightily as he +moves us, deftly as he expresses even the lighter moods of feeling +(rarely, however, without some passing touch which, if pushed a little +further, might become almost fierceness), is there not sometimes, and +perhaps more than sometimes, a morbidness, noble, magnificent, but still +morbidness, in his moods? We are overwhelmed by the grandeur, and are +swallowed up in the gloom of his graver compositions; but when we emerge +are we in as healthy a state of mind as that in which we find ourselves +after listening to Handel or reading Shakespeare--even if we read such +tragedies as "Hamlet," "Othello," and "King Lear"? Then, too, it must be +remembered how carefully Beethoven nursed his genius; how regardless he +was of every consideration except the expression of his own thought; and +how comparatively limited was his productiveness, or certainly his +production. + +As to his moodiness, it must, on the other hand, be considered that it +is the peculiar function of music to express moods. Man's soul is +stirred by emotions which cannot be given utterance in words, and which +would remain unexpressed but for music, which to the musically +organized is a means of communication and of sympathy. There is a +question at least whether an art whose function it is to give +expression to inward feeling too subtle for words, an expression which +is above all words, which gives form to the formless and utterance to +the unspeakable, is not rightfully and of necessity at times morbid and +moody; whether if it were not so it would not fail in doing that which +is the very reason of its being. The supremacy lies between Handel and +Beethoven; and we shall find ourselves inclined to assign it now to one +and now to the other, according to the mood in which we are, which will +depend greatly on which of the two we have just heard. + +And yet, as to pure music, irrespective of psychological +significance--that is, the expression of an ideal of beauty in musical +form--Mozart stands first among all composers. Another mind so fertile +in thoughts of the finest and highest kind of beauty is unknown in the +history of any art, Shakespeare being of course always excepted. +Writing, like Shakespeare, always for money, and not hesitating to put +his hand to any task that would bring him a return, driven by sharp +necessity almost to the prostitution of his genius, driven in his +boyhood, by an exacting father, to write as an infant prodigy for the +support of the family, dying at the early, and, as far as the mind is +concerned, the immature, age of thirty-seven, he left behind him, in +the mass of his compositions, much that was hastily produced merely to +meet the needs of the moment. And yet in it all what transcendent +beauty of form! He had rarely even a fitting occasion for the exercise +of his faculties. Rarely is he not superior to the subject which he +undertakes to illustrate. Like Shakespeare, he throws away beautiful +thoughts upon mean and trivial subjects. Contrary to the supposition of +the Roman Pope, with Mozart it was the jug that was begun to be made +and the vase that issued from his hand.[6] "Don Giovanni" his greatest +or at least his richest work, is full of examples of this incongruity +between the occasion and the production. In a previous paper I pointed +out an example in the _andante_ of Leporello's catalogue song. Another +is the trio in masks. Only elsewhere in his own works can be found +examples of an equally enchanting beauty of musical form. In its +thought, and in the elevation and finish of that thought, it reaches +the highest attainable pitch of perfection. This single trio is of more +worth than all that many composers of repute have written in all their +lives. For example: If it were a question between the destruction of +this brief passage and all of Mendelsohn's compositions, the trio +should be preserved without a moment's hesitation. Just as the Madonna +Sixtina is worth ten times over all the canvases of Giulio Romano; and +as a single mutilated figure of the frieze of the Parthenon, or the +Venus of Milo, outweighs all the perfect marbles of Canova and of +Thorwaldsen. Such is the transcendent value of the supreme in art. + + [6] Amphora cepit Institui, currente rota cur urceus exit?--_Hor. + Ad Pisones._ + +In all the works of the great composers of the modern school--the only +real school--of music, from Bach to Beethoven, including Haydn, there +is a supreme dominant feeling for beauty of form, shown chiefly in +melody, but hardly less apparent in harmony. Indeed, without this +feeling they would not have been great. The rule is absolute: no form, +no art; for art is proportion, symmetry. Melody is a series of musical +proportions; like a series of arches the lines of which are harmonious. +These melodic ideas they elaborated with the utmost care. It is +generally supposed that ideas in art come spontaneously; and of all +this might seem truest of musical ideas, which are not, like those +expressed in language, in painting, in sculpture, or in architecture, +required to conform themselves to a type or a purpose. They do come +indeed to the musical artist, but not spontaneously in the form in +which he presents them. They would not come up if they were not in the +soil; but the soil must be cultivated and the growth must be pruned and +trained into seeming naturalness and spontaneousness of beauty. +Milton's lines-- + + Where the bright seraphim in burning row + Their loud, uplifted angel trumpets blow-- + +seem like a splendid spontaneous outburst of poetical expression. But +we know that their splendor and their spontaneous seeming is the result +of elaboration, of erasure, of interlineation, of recasting. The +thought we may believe came in a moment, but it was worked with +consummate care and art into the form in which the poet gave it to the +world. So it is even with melody, the most spontaneous-seeming part of +music. We may be sure that even Mozart, most fertile of all composers +in melody, the greatest master of instrumentation, elaborated his +themes and his treatment of them, if not on paper, at least in his mind +before he put his conceptions into score. And the reason, the occasion +for this elaboration was the desired attainment of the highest possible +perfection of form. I need hardly say to any musician that I am not +speaking of technical form, either of harmonic progression or of the +cast of a composition, as for example the sonata form, the symphonic +form, the dramatic form, but of the form of intrinsic absolute value +which appeals to the general craving for and appreciation of beauty. +This beauty of form cannot be disregarded in any art without failure to +attain the highest place in the world's estimation, no matter how +marvellous and admirable the powers displayed in another direction. For +lack of this excellence Rembrandt can never take the highest place, but +must be content with the admiration of those who can appreciate his +mastery of manipulation, a technical excellence. Of all great painters, +Turner is most imperfect in this respect. But Turner can hardly be said +to have dealt with form at all. Hence a certain weakness amid all his +glory. He painted distance, light. Among painters he is the king of +space, the prince of the powers of the air. + +Absolutely essential as beauty of form is in music, the reason of it, +unlike that of the same quality in other arts, is beyond our +apprehension. I at least find it so. I have heard it, and seen it upon +paper, and considered it all my life. I have taken it in at eye and ear +together. I have read and have pondered; but I never have been able to +detect musical genius in its working, as I have, or have fancied that I +have, done in other arts. I can find no reason for the existence of +this beauty except that it is beautiful. I can see clearly, and I have +sometimes thought that I could with some satisfactory approach to +clearness tell in words, what the composer has done; but the how, and +above all the why, is as much hidden from me as it was from him. For +that it was unknown to him I am sure, not because I could not discover +it, but from the very nature of the case. + +Beauty of form in music is absolute, independent, self-existent. This +is true of all natural beauty. There is no obligation upon beauty as +there is, for instance, upon mathematical truth or moral goodness. But +in all imitative art there is an obligation of conformity at least to +an ideal type of what is represented. But music the moment it becomes +imitative becomes ridiculous; it steps out of the proper limits of the +art. For example, Haydn's "cheerful roaring lion" and "flexible tiger" +in the "Creation." But it should be remembered that what is imitative +and false in that aspect may have an essential beauty given by the +genius of the composer. For example, the second and the fourth +movements of the "Pastoral Symphony," and Haydn's own illustration of +the passage, "softly purling glides through silent glades the limpid +brook," in Raphael's song, "Rolling in foaming billows." + +Music in its higher forms--I will not say its highest, but those which +bring it within the pale of consideration in aesthetics--is without +relations of any kind, except those which it bears to the soul of the +composer and to that of the hearer. Even words are only the occasion of +it, the suggestion. An embroidery of music with words is like the +semi-pictorial explanatory addition to the Egyptian temples. The +hieroglyphics tell us the story indeed, but if we are near enough to +distinguish them, they only mar the effect of the architecture. So if +in song the words are for any reason sufficiently salient to attract +attention to themselves, they mar the music. In sacred music +innumerable foolish and canting verses have become associated with +fervor of feeling and sublimity of aspiration because of the music of +which they have been made the vehicle. We do not really think of the +words. And so in "Don Giovanni," in "Fidelio," we overlook the +childishness of the poetry, if it must be called poetry, and regard it +only as affording suggestions and occasions for the music. + +Modern music was presented under these conditions until about half a +century ago, when beauty of form and emotional expression began to be +disregarded in favor of finish and brilliancy of execution. This was +brought about in a great measure by the mechanical improvement of the +pianoforte and the extension of its scale. This improvement and +extension were made, it is true, in part to meet the demands of +performers; but on the other hand, they made performance possible. I +believe that there has been no more pernicious influence upon music +than the transformation which the piano-forte has undergone since +Beethoven's time, and its diffusion over all the world. I do not refer +to the cruelties which it is daily the means of inflicting upon +inoffensive families and true lovers of music, but to the effect that +it has had upon composition and upon performance. The former it has +helped to be at once flashy, dull, intricate, and shallow; the latter +it has led to be astonishing. Brilliancy, a crowd of notes, sonority, +all without beauty of form or emotional suggestiveness--this is the +music which the modern grand piano-forte has brought upon us. Not only +piano-forte music, but in a measure all music, has become a brilliant +fantasia by Signor Rumblestominski. We do not sit in passive silence to +listen to it; we talk, or are tempted to talk, against it; and the +praise we give it is not a look of serene joy, with that tinge of +sadness which Shakespeare had in mind when he made Jessica say, "I'm +never merry when I hear sweet music," but a clapping of the hands and +congratulation upon a brilliant triumph. And then we turn aside and go +on again with our society gabble. Orchestral leaders and performers are +not content unless they have a very full score to "interpret." They +must have a big brilliant noise. The pitch has been raised until +singers shriek, in order that the tone of the instruments may be +brilliant. Our ears must be shot through and through with piercing +shafts of sound. The time is quickened until _allegro_ has become +_presto_, and _presto_ a maddened, indistinguishable rush. Even +Theodore Thomas loses some of the majesty of the final movement of the +"Fifth Symphony" by too quick a movement; and in the Trio of the +Scherzo he drives the basses into a headlong scramble up and down the +scale. When the clear succession of notes becomes indistinguishable, +musical form, and with it musical beauty, is lost; and the performance +becomes a mere victory over musical difficulties. And this quickening +of the time is exactly what should not have taken place. Our orchestras +have increased in size and in volume of sound since the days of Mozart +and Beethoven. As larger bodies, therefore, their movement should be a +little slower to produce the effect which the great composers had in +mind. But in our rage for brilliancy we have hastened the movement; as +if we should make an elephant gallop like a horse. Moreover we have +fallen into the fatal error of making the finish, if not the difficulty +of execution, superior to the presentation of beauty in form and in +expression. + +This condition of musical taste has been accompanied or followed--we +cannot surely say as effect from cause--by a withering of the creative +musical faculty in all its fairest, highest branches. After Weber's +death, which deprived the world of the only musician who promised to be +worthy to follow Beethoven, came Schubert and Mendelssohn, neither of +them very strong men; the latter decidedly weak, and deficient in +creative faculty; the former far more fertile and original. Since their +time there has been a blank in the annals of music of the higher kind. +The creative faculty seems to be dead. It is not so; for nature is +exhaustless, and in his due time the new composer will come. But new +conceptions of beautiful musical forms are unknown to the present +generation--indeed, were so to the foregoing. There is Schumann; but +Schumann is only the strongest and best of the non-creative composers. +He writes very elegantly, with harmonies unexceptionable and pleasing; +his taste is generally exquisite; his handling of his themes masterly. +But to what great end? None. He could not create a melody; and his +harmony is plainly contrived, not conceived. All of Schumann's music +that I ever heard, from symphony down to piano-forte music, is not +worth Beethoven's Sonata in C sharp minor, or Mozart's quartet in C.[7] +They have a certain sort of beauty and charm while you are hearing +them, but you don't hanker after them; passages from them don't come to +you when you are alone with troubled thoughts, and comfort you, hearten +you, and build you up, as the remembered strains of Handel, Mozart, and +Beethoven do. Simply, they are without real melody: they have only a +well manufactured imitation of melody. Such enjoyment as they give is +in a great measure intellectual. We admire the composer's skilful +musical processes. Hence he is admired by professional musicians. And I +remark, in passing, that professional criticism in any art, although it +has a certain value, has not valid, determining power, and is not very +trustworthy as a guide. It too generally runs on methods, processes, +technicalities. If you would learn to paint, listen to the criticisms +of a well instructed, capable painter; but if you would know and feel +the highest things in art, remain an amateur and study nature and +Raphael and Titian and Tintoretto. + + [7] No. 6, Breitkopf and Haertel. + +As to the other composers who were Schumann's contemporaries, they +wrote in a condition of hopeless incapacity, except as to their +acquired mastery of their craft. They are ever uncertain themselves +what they would be at. Compare them with the real composers. Those men +knew they had something to do, and they did it. They felt that they had +something to say, and they said it. These are always about doing +something; they are ever entangled in some complicated toil of sound, +out of which they cannot find their way; they are hanging by the very +eyelids upon some discord that they are afraid to resolve; they are +always sounding a note of preparation, announcing that they are about +to do something, which they never do. Their music is written in the +paulo-post-future tense. + +Under such circumstances it is not surprising that music, ceasing to be +merely beautiful and emotional, has, in its decay, sprouted a fungus +and monstrous intellectuality. Wagner's musical figures have become as +intricate, and often as ugly, as those of a Chinese puzzle; and the +entertainment is to see how they fit each other and the words to which +they are adapted. In his orchestral work we have the most masterly +instrumental coloring; a knowledge and an elaboration which is +unsurpassed, and also uninspired. It is great technical work, and no +wonder that professional musicians admire it. But what is its real +value? Take, for example, the finale to the overture to the +"Meistersinger." It is very impressive materially, and as a work of +instrumental art. It becomes tremendous from mere muscular activity and +accumulation of physical force. The violins rush frantically up and +down the finger-board; the violoncellos are ready to jump over their +bridges; the trumpets blow blood out of their eyes; and there is +general frenzy. But what is all this hurly-burly about? What are the +ideas? Look at them. There are, after all, but three, or it may be +four, notes in a chord, and a melody is--well, a melody; an +unmistakable sort of thing, one would think, although so hard to +define. What is there here of harmony or of melody that would be +valuable for its own sake? Strip this music of all its instrumental +elaboration, tone down its noisy self-assertion, and look at the bare +ideas as they can be played with two hands upon a piano-forte, or with +four strings in a quartet, and what are they worth? Would a circle of +cultivated musical people sit entranced by them if they were played +upon an old harpsichord! No, I take it. And if not, their worth is +little. + +Instrumentation, and all manner of elaboration--orchestral and +choral--is of value only when it enhances and sets forth ideas, +melodies, harmonies--in a word, musical forms which in themselves have +the value which belongs to beauty and expression. Else, like the gift +of tongues without the spirit of love, it is literally sounding brass +and tinkling cymbals. There is in some of this work--notably in +Wagner's--an evidence of sustaining power which deserves and commands a +certain respect. But such sustaining power, so applied, is like figures +of caryatides supporting some poor decadent frieze. They bend and +strain and keep it up. But why, we are tempted to say to them, do you +strain to keep up that poor, commonplace stuff, which would not be +looked at if it stood not upon your heads? Let it fall! You are all +that keep it from tumbling into a dust-heap and seeming the rubbish +that it is. It seems to be a consciousness of their deficiency in +melody and in emotional expression which drives such composers of the +present day as aim to write in the higher style to make their music +"interdependent, logarithmic, differential, integral, and +corroborative," and to strive to make up in intellectual elaboration +what they lack in inspiration. + +This condition of things in music is not to be bettered by endeavor. +Genius alone can do that, when brought into contact with the power of +appreciating genius. And genius, although conscious of its power, is +ever ignorant of its tendency, and never works but for its own ends; +while those who hear and understand its utterances do so with no higher +purpose than the delight they bring them. When I hear a man talk of +doing something to elevate his art, however much I may respect his +taste, his acquirements, or his aims, I then begin to doubt, if I have +not before doubted, his ability to write a sentence worth reading, to +make a picture worth looking at, or a song worth hearing. + +RICHARD GRANT WHITE. + + + + +SPRING. + + + Spring gives the order, "Forward, march!" + 'Tis borne along the eager line; + Breathes through the boughs of rustling larch, + And murmurs in the pine. + + "March!" At the sound, impatient, springs + The mountain rill, with rippling glee, + And rolling through the valley, brings + Its tribute to the sea. + + "March!" and upon each sunny hill + Old winter's allies, ice and snow, + Start at the music of the rill, + And join its onward flow. + + "March!" Down among the fibrous roots + Of oaks we hear the summons ring. + The long-chilled life-blood upward shoots + To hail the coming spring. + + "March!" and along each narrow neck, + Across the plain, and up the steep, + The spring tide clears the winter's wreck + With its resistless sweep. + + Advancing in unbroken lines, + New allies rush to join its bands, + Till winter, in despair, resigns + The sceptre to its hands. + + On southern slopes, in quiet glades, + And where the brooklets murmuring run, + The grass unsheathes its tiny blades + To temper in the sun. + + Flora unfurls her banner bright + Above the field of flashing green, + And crocus blooms in lines of light + Throw back the sunlight's sheen. + + The birds on every budding tree + Take up anew the old refrain: + The spring has come: rejoice all ye + Who breathe its air again. + +H. R. H. + + + + +DRIFT-WOOD. + + +THE TRAVELLERS. + +May brings the travelling season. Thanks to steam and Cook, we can all +find time for a trip to Florida or Labrador, if not to Lapland and +Thibet. Travel is a pastime of both sexes, all ages, all sorts and +conditions of men. Lord Bateman was a noble lord, a noble lord he was +of high degree; and, adds the ballad, "he determined to go abroad, +strange countries for to see." Cheek by jowl with Lord Bateman, in the +railroad car, is Samuel Shears, Esq., his lordship's tailor, on the +same errand. + +"Pa, I think we ought to go to Paris," says matronly Mrs. Brood. + +"Why do you think that, my dear?" asks paterfamilias. + +"Because I do," rejoins the lady, wheeling in a circle of small radius. +Impressed by that logic, Brood has his trunks mended, and embarks his +family on the first available steamer. + +Mrs. B's spring of action is that the Breeds have started, or that the +McBrides went last year. Fashion pries us out of our comfortable +domesticity, our cozy home-keeping ruts, which we exchange for the +miseries of inns and the perils of voyaging; precisely as custom, +gathering at length the force of law, "moves" a hundred thousand +hapless New Yorkers, more or less, every May, with smash of household +goods, cost, loss, hurry, flurry, and worry--they exchange houses as in +the children's game everybody changes "chairs" or "corners" to see who +will get the worst of it. This is a species of May travelling with all +its curses and none of its compensations. + +Presently our European voyagers will be sending home the tale of their +misadventures. They fell among the London servants--soft and sweet to +the face, perfect devils behind your back; stealing all your provisions +under pretence of perquisites, and drinking enough beer in a week to +last an American a year; whereas, if you yourself so much as send for a +glass of ice-water at the hotel, the butler grumbles at the messenger, +"Those Americans lap water like dogs!" At Paris our pilgrims fall a +prey to landlords who charge the price of new furniture for every +microscopic scratch on a chair, besides cheating them out of a thousand +francs extra rent, as a parting token, on the ground that the laws +require a certain notice of quitting. + +A more agreeable theme will be the people our travellers meet. Whoever +goes from another American city to New York is struck by the strange +faces he sees--phizzes and figures that make Hans Breitmann commonplace +and Nast a portrait painter instead of a caricaturist. Could one have +suspected such oddities in human shape, such outlandish rigs? The New +Yorker going to London is still more surprised at the queer-looking +specimens he sees there, surpassing the fancy of Dickens and +Cruikshank: plenty of Bagstocks, Peggotys and Skewtons; perfumed old +beaux, with enormous gloves, too long in the fingers, and with an +eyeglass held muscularly in one eye socket by screwing up the face; and +all sorts of people belonging to the last century, and magically coming +out of bandboxes a hundred years old. + +So, at least, writes Augustus from London; and presently, as if whisked +off by an enchanter, we hear of the youth in Naples, "the noisiest city +in Europe," he says, where all the people chatter incessantly--"the +dirtiest city, too, and one of the most delightful." There is something +enviable to us desk-tethered mortals in these wide-striding rovers who +one week are in Copenhagen and the next in Constantinople. "Hang it," +says Brown, coming down to breakfast in Brussels and finding that Smith +has gone, "I meant to bid Smith good-by, and forgot it. But I shall run +across him in Smyrna next month, and can do it then." + +Before we have digested the Neapolitan missive of Augustus, and its +funny account of his fellow voyagers--how the men kissed all their male +friends at parting, as women do with us, and, after kissing, ran again +to the car windows to blow and throw last kisses--we see the traveller +in Toledo, and reeling off his diary to us in some such fashion as +this: "Here we find Burgos, formerly the capital of Castile and Leon, +showing signs of former greatness, but now fallen to decay. It has a +magnificent cathedral, a convent, and a nunnery, in which the people +seem to have spent all their money, the rest of the city being mostly +in ruins. Next we come to the Escurial, that vast pile, embracing +palace, monastery, and cathedral, with burying place for the reigning +kings. Leaving Madrid for a few moments, we will look at Toledo. Toledo +is one of the old cities of Spain, and was a place of some importance +when taken by the Romans, about 200 B.C. It had at one time 200,000 +inhabitants; now but 17,000. What struck me so strangely was, why they +should build up such a city among these rocky hills, not a tree or +shrub to be seen outside the city, and very few inside," etc. + +I quite like to read these travellers' letters, with their odd jumpings +from city to city and century to century. True, a man might girdle the +earth as many times as the Wandering Jew, without reaping a tithe of +the instruction that Xavier de Maistre got from his "Voyage Autour de +Ma Chambre"; and again, one untravelled, humorous pen made a small +Connecticut town more talked of than any other of its size in the +United States--I mean, of course, Danbury. Still, the exhilaration of +travel, and its habit of observation, do lend freshness to writing. +Then the returned traveller has a fund of new ideas for us +stay-at-homes, and his story is agreeable provided he does not +pronounce his French and German too abominably. He corrects our fancies +by his experience. Who does not know Mrs. Norton's "A soldier of the +Legion lay dying in Algiers," and has not conjured up an image of "fair +Bingen on the Rhine"? "_Fair_ Bingen!" cries Miss Kate contemptuously, +when we ask her memory of the place. "Why, Bingen is nothing--not +handsome, not picturesque, not poetic, not even clean. In fact, it is +the smelliest place on earth, except Cologne." So the traveller +modifies our stay-at-home impressions. + +Again, we always notice signs of mental growth and widening in our +returned travellers. Besides, for a time they are less anxious over +details, less overcome by trivial mishaps; they have an agreeable +_aplomb_; they bring a certain refreshing atmosphere of leisure to our +round of careful routine. One palpable danger of the traveller is +becoming a slave to his guide-book, as some opera-goers are to the +libretto; he is verifying the assertions of his Murray, when he should +be seeing the landscape or the cathedral; he spends the time he has for +picture galleries in checking off the catalogue, as if hired to certify +that the alleged contents are there. Travellers who see only what the +books tell them to see bring us home no facts and opinions of value. + +The earth has now been so tracked from pole to equator that the +traveller, to gain the world's attention, must see old things with new +eyes, or must ferret out new paths and places. Still, for a Stanley +and a Cameron mankind has immeasurable wonder; so has it for some +tremendous exploring sportsman like Lieutenant Colonel Gordon Cumming, +who takes only an ordinary paragraph to describe such an episode as the +crunching to death of his gun-bearer on a certain Indian "nullah," +adding: "This was a sad termination to what had been a brief but +successful _chasse_--my bag during the trip consisting of seven tigers, +a panther, and a bear." + +As to types of travellers, they have nearly all been drawn--the +irascible, the erratic, the English, the _nil admirari_, the +enthusiastic, and so on. Travelling is bad for some people, like Jack +Peters, who had his cards in Europe printed "Mr. Jacques Petersilli," +pretending it to be easier for his European friends to get the hang of +that title, of which the "silly" part was all acquired across the sea. + +The ex-Reverend Christopher Cheeseman, tutor and philosopher, is a +voyager of a sort perhaps destined to be more generally known among us. +He visits Europe as often as he can procure his passage and pocket +money in return for his valuable services as escort and adviser. He +arranges the preliminaries of purchasing the tickets and outfits, but, +once afloat, allows little to burden him with anxiety. Aboard ship he +is recognized as a good teller of stories, some serious but not +truthful, some comic but not truthful, these last being nicely +graduated in delicacy from the boudoir to the mess table. Reaching +England, he has prayers put up in the established church for the safe +arrival of "Christopher Crozier Cheeseman and party"--the humor being +that he is only the courier or nominally useful man of the persons who +pay for him, and whom he lumps as "party." He studies the peerage +attentively, carefully deciphering the mysteries of the coats of arms +on the equipages. In England, when visiting the cathedrals, he +expresses a great desire to be a monk (probably of the _bon vivant_ +sort), and actually pushes his asceticism to the point of attending +religious services with great regularity; but at Rome the rogue will do +as Romans do, and may be found any Sunday afternoon listening to the +band on the Pincio. He likes best to travel as tutor to some ingenuous +youth, because it comes handy to leave the lad to fight a duel in +France, or gamble in Germany, or fall in love in Switzerland, while the +judicious mentor is supplied with funds to take a little diversion on +his own account, after his arduous duties. But let us stop at the +threshold of this sketch, because it is plainly one for the skilled +novelist, rather than the rambling, loitering prattler, to undertake. + + * * * * * + +SWINDLERS AND DUPES. + +The number of people ready to buy $200 watches for $20, and then to +find them not worth $10, was made known by a recent exposure of +pretended Kansas "lotteries." A like eagerness maintains "gift +concerts" and similar swindles. Conducted honestly, they would earn +fortunes for their projectors, whose instinct, however, is for a total +swindle. + +The gift swindle is known by its circular, with its voluble assurances +that "ticket-holders can confide in our honor"; that the drawing is to +be done from two boxes, a securely blindfolded deacon at one and a real +blind girl at the other; that all funds received will "remain +inviolably pledged for prizes and donations"; that the result of the +drawing of the 9,999 prizes by the 99,990 ticket-holders will be +telegraphed the same night to all parts of the United States and to +Mexico and Canada, and the prizes distributed the day following; that +agents may trust the honesty of the enterprise, "as its founders are +men of high standing," and so on. + +One trick is the "cash assessment on prizes." The investor is notified +that he has drawn a $150 prize, deliverable on the payment of "the +usual five per cent. for handling," which sum he will "please forward" +to the Grand Atlantic and Great Western Monster Gift Carnival and +Bottle Washer's Library Fund Association. The gudgeon protests that +there was no such condition on his ticket, but not liking to lose $150 +by grudging $7.50, "forwards" this sum, and receives $150 worth of +stock in the Seashore Gold-Mining Company, or 3 undivided acres in the +Atahualpa Swamp--"the directors of the association having recently +decided to invest the receipts for their wards, the ticket-holders, in +this splendid property." There really need be no ticket drawing or +tickets for this swindle, as people who never heard of the enterprise +can be informed of their luck, and will all the more quickly forward +their "five per cent." + +Some readers may remember B. Sharp & Co.'s fine "gift enterprise," +whose drawing was postponed so many times on the plea that "the last +drawn numbers are as fortunate as the first," as indeed they were. It +begged ticket-holders to "exhibit to your friends and neighbors the +many rich presents we have so generously bestowed upon you." The +"committee" were engaged in the herculean labors of "drawing and +registering tickets at the rate of 6,000 per week, and in packing and +expressing prizes"; but alas! "owing to unforeseen expenses we have +been put to in purchasing presents for our ticket-holders," this is +what happened: + + _We are compelled to make an assessment of_ 5 PER CENT. _on all + prizes over fifty dollars_ ($50) awarded to them; and in order to + expedite the business of the distribution in packing and forwarding + the gifts, ticket-holders must within _ten days_ after notification + of the value of the gift awarded to them, forward to us the amount + of per centage, with directions for the packing and expressing of + their gift, or else at the expiration of that time it will be + forfeited. + +Then there was B. Flat's "National Engineers Gift Enterprise," which +with a spice of humor announced that it was controlled by the class of +men for whose benefit it was devised--"all engineers." It had as +"references" a "State senator" of New York and another of Illinois, a +lithographer, an editor, a hardware merchant, and other like +distinguished personages, whose callings were proudly set forth, +presumably to show that they were not mere adventurers. An enlightened +press, if we may believe the circulars, backed up this "association." +"Its managers are men of the strictest integrity," said one Milwaukee +paper; "We believe they will discharge all their obligations to +purchasers of tickets with punctuality and integrity," said a second; +"An institution above suspicion, and worthy in every respect of public +patronage. The managers we believe to be honest, reliable, and +trustworthy," said a third. "The safest investment of the kind in +America," said one Chicago paper, unless the circular falsifies; +"Considered as a sure success," said a second. One New York paper is +quoted as commending the enterprise, and another as thinking that +"$30,000 for $2.00 is worth chancing." But when the thing went to +pieces, and B. Flat escaped on bail, it was announced that "the swindle +had been exposed by the press," as indeed it was. + + * * * * * + +PEGASUS IN HARNESS. + +The muse that in our day quits Parnassus to pay gossiping visits among +the pill-kneaders, and to lounge in the haunts of trade, has of late +been pressed into service by the guild of beggars. Perceiving, +doubtless, that fortunes are got in teas, trousers, and tooth washes by +sheer dint of literary advertising, the mendicants too have quaffed the +Pierian spring, and now leave their sheets of verses at our doors for +the accommodating price of "whatever you choose to give." The rogues +have learned wisdom by experience. When a long-winded legislator +troubles his fellow Solons with an unwelcome speech, he is sometimes +gently rebuked by cries of "Oh, print the rest!" That is what the +professional beggars have learned to do. Habitually cut off in their +tale of woe at the door sill by an unfeeling "There's nothing for you!" +they have learned to print the rest, and now before Dora the doormaid +can utter her formula of rejection, a neat circular is in her hand, on +which is printed: "Please give this to the lady or gentleman. Will call +in an hour." + +Such, in fact, was the inscription on a printed page left at the Maison +Quilibet this very morning, purporting to be a "copy of verses by a +party of mechanics," as indeed one may easily believe that it is, from +the internal evidence of such stanzas as these: + + For many weeks we work have sought, + But work we cannot procure. + Sad distress has been our lot, + To go from door to door. + + May want upon you never frown, + Nor in your dwelling come; + May Heaven pour its blessings down + On every friendly soul. + + Lord Jesus, thou hast shed thy blood + For thousands such as we; + Many despise the poor tradesman's lot, + But to Thy Cross I flee. + +Suddenly shifting then from poesy to prose, the circular continues: + + A BLESSING.--May the blessings of God await you; may the bright sun + of glory shine above thy bed; may the gates of plenty, honor, and + happiness be ever open to thee; may no sorrow distress thy days, + and when the dim curtain of death is closing around thy last sleep, + and the lamp of life extinguishing, may it not receive one rude + blast to hasten its extinction. + +Thus having propitiated the aesthetic feeling as well as the benevolent +heart of the householder, the circular proceeds to business by +declaring that "the bearers are a party of unemployed tradesmen, who," +etc. There is, of course, no resisting the appeal to buy the poem and +the benediction; only, when Dora the doormaid is afterward questioned +how many unemployed tradesmen formed the party, and she answers, "Only +one, ma'am, and he's no tradesman," we look at each other as we do when +"The Blind Man's Prayer" is given to us in the street car by some +bright-eyed little girl, or some boy who meanwhile munches an apple. +"It's my uncle," says the lad, if asked whether he is perhaps, the +person alluded to in the lines, "You see before you a poor, blind man," +etc.; and I fancy that the literature of mendicancy has now become +important enough to furnish a large variety of printed forms, so that +the regular customer can choose for himself whether in any particular +season he will be a poor blind man, or a lady that has seen better +days, or a party of poetical mechanics. + +PHILIP QUILIBET. + + + + +SCIENTIFIC MISCELLANY. + + +THE SURVEY IN CALIFORNIA. + + +In Lieutenant Wheeler's report of operations on the geographical and +geological survey of the Territories west of the 100th meridian during +1876, we find the first explanation of the origin of the name +California. The mountainous country of Mexico has three climates +through which the traveller passes in going from the sea to the high +country, the hot, the temperate, and the cold zones. The Mexicans call +them _tierra caliente_, _tierra templada_, and _tierra fria_. They +entered the present region of California from Sonora or New Mexico, and +on their way passed a lake now called Lake Elizabeth, on the border of +the California desert. There a violent west wind blows night and day. +It is a real _sirocco_, dry, and so hot as to remind one of a blast +from a furnace. The Mexicans accordingly made the country beyond it the +fourth in their series of ascending temperatures, and named it _tierra +california_, the country hot as a furnace. + +This report is one of the most valuable produced by the survey. During +the year the great area in California which lies below the level of the +sea was examined to ascertain whether it could be filled and maintained +as a lake by a canal from the Colorado river, and the decision is in +the negative. The depressed area covers about 1,600 square miles in +California, and the difference between the rainfall and the evaporation +is so small that if the whole Colorado river were poured into the +basin, it would cover only 556 square miles of surface, or little more +than one-third the basin. Filling would cease at that level for the +reason that the whole supply of the river would disappear in vapor. The +slope of the Colorado river is extraordinary, 2.13 feet per mile at +Stone's Ferry, and 1.21 feet at Camp Mohave, which may be compared with +eight inches, the average fall of the Mississippi per mile. At Stone's +Ferry the velocity is 3.217 feet per second and the discharge 18,410 +cubic feet. Great difficulties stand in the way of the proposed canal, +and the engineers do not think the lake, if it could be formed, would +have an appreciable effect upon the climate of the surrounding region. +The primary object of this survey is to carry the grand triangulation +of the continent across the country under its jurisdiction, and to map +the surface so as to enable the Government to put the ground properly +in market. In addition to these objects a great amount of valuable work +is done in geology and natural history. + +Prof. Jules Marcou, geologist attached to the survey, points out that +the valleys of Santa Clara and Santa Barbara in California may become +the site of _true_ artesian oil wells. The ordinary flowing oil well is +supposed to obtain the force which lifts its oil above the surface +level from confined gases in the earth, but in California the lift will +be obtained in precisely the same manner as in the case of artesian +wells for water. There are strata of sandstone impregnated with the +petroleum, and these strata are lifted up on the mountain sides, so +that a well bored at a low point in the valley would be supplied from a +reservoir some thousands of feet high. The wells will have to be about +three thousand feet deep. + +The naturalists of the survey noted many singular phenomena of animal +life. On the islands off the coast there is a race of liliputian foxes +which is supposed to have been derived from the Gray fox, its small +size and perfect fearlessness, together with its insect diet, being due +to its confinement to the islands. This animal is so small that even +the sheep breeders do not fear it. It lies under the cactus plants for +its noonday nap, and to this fact must be due the remarkable +circumstance noticed in skinning a number of them. In every instance +the interior surface of the hide was perforated by cactus spines, and +in one individual the hide was fairly coated within by these spines, +some of which had become soft with age. There were so many that a knife +could not have pierced the hide without touching the spines! + +Another fact developed was that the great dread of the grizzly bear is +resulting in his rapid extinction. Strychnine is considered +indispensable to the outfit of a California shepherd, and the grizzlies +have been killed or forced to the mountains, where they still linger in +considerable numbers in the chapparal. It is noticeable that the Rocky +mountain grizzly is a tame creature compared with his brother of the +Sierra Nevada, who does not hesitate to take the initiative in a combat +with man. + + * * * * * + +A GERMAN SAVANT AMONG THE SIOUX. + +Prof. Virchow lately informed the Berlin Anthropological Society that +an intrepid young German traveller, Herr von Horn von der Horck, is now +(January, 1877) living among the Sioux Indians busily engaged in taking +plaster casts for craniological studies. Von der Horck made a journey +to the Polar sea last summer, returning by way of Lapland, where he +made enormous collections of bones, skulls, and casts. Prof. Virchow +says these collections are more complete in Scandinavian ethnology than +all that European museums outside of Scandinavia contain. One result of +this journey was the discovery of a continuous water way between the +Gulf of Bothnia and the Polar sea, though not one that is capable of +navigation. A lake, called Wawalo Lampi, lies on the divide between +these two bodies of water, and sends a river to each. The northward +flowing one is the Ivallo and the southward the Kititui. We are glad to +welcome so enthusiastic and thorough a student to this country. It is +precisely work like his that is needed in America, and the time for +accomplishing it is rapidly passing away. We have too much theory and +too little real investigation in American ethnology, and while the men +of hypotheses are talking about the origin of the Indians, and +endeavoring to trace them to Asiatic stocks through the medium of +language, the race is fast losing its purity by intermarriage, as it +has already lost the most distinctive of its peculiarities by +intercourse with the whites. + + * * * * * + +BALLOONING FOR AIR CURRENTS. + +It is well known to meteorologists that the wind vanes as ordinarily +placed near the surface do not give a true indication of the wind. Even +when the vane is not over a city or town where the air currents near +the earth are affected by the direction of the streets, the varying +character of the surface in respect to radiation and absorption of heat +will modify them. It is therefore for good reasons that vanes are +perched up on high flagstaffs fixed on the roofs of buildings. Some of +these are more than a hundred feet above the ground, but recent +observations in Paris show that this is not enough. Small India-rubber +balloons a foot in diameter and with an ascensional force of about one +ounce were sent up, and as they rose slowly, at the rate of twelve feet +per second, the effect of the air currents upon them could be easily +marked. This was found to be very variable at heights of less than one +or two hundred metres (300 to 600 feet). The conclusion was that no +observations at lower levels were trustworthy. + + * * * * * + +THE GREATEST OF RIFLES. + +In spite of the familiarity with great cannon which the advances in gun +construction of late years have produced, the experiments with the +100-ton gun of the Italian government have not failed to awaken general +interest and wonder. It fires a 2,000-pound shell, and a charge of 240 +pounds of powder is but a portion of what the gun will bear. These +light charges have to be used if the penetrative effects of the gun +under unfavorable conditions are to be studied, for with its full +charge the weapon simply destroys anything that is put before it. +Comparative results cannot be obtained when the only effect is complete +ruin. It is somewhat remarkable that an over confident iron founder +should have chosen this weapon to test once more the value of _cast_ +iron for defensive armor. His idea was that armor could be made so hard +by chilling the surface that the shot would be broken to pieces upon +it, and experiments with a good iron and guns of small calibre had +encouraged the hope. But a 2,000-pound shell and 400 pounds of powder +in the 100-ton gun proved anew the unfitness of this material for armor +plating. The shot had a velocity of 1,494 feet per second, and it +smashed through an 8-inch plate of wrought iron, a wood layer, and a +14-inch plate of chilled cast iron. The ruin produced was greater than +in any other experiment, the cast iron breaking into fragments. The +power of this gun, the greatest rifle ever made, is such that a solid +22-inch plate of the best English wrought iron is completely penetrated +by its shot. + + * * * * * + +VIENNA BREAD. + +A "Vienna bakery" has been one of the most prominent objects at each of +the last three international exhibitions, and probably there are many +housekeepers who would be glad to know how this delicious bread is +made. Unfortunately success does not always follow imitation, and +several attempts to introduce the manufacture of this bread have +failed, even when Vienna bakers were employed in the work; and yet +there is absolutely no secret in the process. One of the American +commissioners to the Vienna exhibition, Prof. E. N. Horsford, gave an +elaborate report on this bread, and since he came to the conclusion +that it _can_ be made elsewhere, we will recount some of the causes +upon which in his opinion its excellence depends. These are the mode of +baking, the mode of making, the use of fresh "compressed yeast" which +produces no acetic acid in fermentation, the use of selected flour, the +mode of milling, and the kind of wheat. + + _The Baking._--The loaf should be so small that fifteen or twenty + minutes will be sufficient to cook it through in an oven which is + heated to a temperature of about 500 deg., or the melting point of + bismuth. The rolls should not touch each other. + + _The Mixing._--The proportions are: + + 8 pounds of flour, + 3 quarts of milk and water, in equal proportions, + 3-1-2 ounces of pressed yeast, + 1 ounce of salt, + + which should make about 380 rolls of the ordinary "Kaiser semmel" + size. The milk and water in equal parts are first mixed and allowed + to come to the usual temperature of a kitchen, and a small amount of + flour is then mixed in it so as to make a thin emulsion. The yeast is + added and well mixed in, first crumbling it in the hand, and the pan + is left covered for three-quarters of an hour. Then the rest of the + flour is slowly mixed in, with thorough kneading. The dough is left + for two hours and a half, "at the end of which time it presents a + smooth, tenacious, puffed, homogeneous mass, of slightly yellowish + color." It is weighed into pound masses (all bread must be sold by + weight in Europe), each of which is cut into twelve rolls. The + proportions for twelve rolls should therefore be about as follows: + 1-4 pound of flour, 1-5 pints milk and water, 1-10 ounce pressed + yeast, and 1-32 ounce of salt. The small masses of dough have a + thickness of three-quarters of an inch, and the workman, laying the + back of his left forefinger in the centre of one, pulls out and folds + up the corners of the irregular mass, and pinches them together. The + little lump of dough is then reversed upon a smooth board, and after + remaining there long enough to finish "rising," they are placed in + the hot oven by means of a wooden shovel. + + _The Yeast._--Pressed yeast, which is now made in America, is + obtained by skimming the froth from mash while it is in active + fermentation. The yeast is repeatedly washed with cold water until + it settles pure and white in the water. It forms a tenacious mass + which is pressed in a bag. It will keep about eight days in summer, + and indefinitely if put on ice. + + _The Flour._--Only a selected part of the flour is used in Vienna + for the manufacture of white bread and rolls, amounting to about + forty-five per cent. of the wheat. Precisely the same grades are + not produced in the American process of milling, but Dr. Horsford + thinks that good, fresh middlings flour will compare favorably with + the average Hungarian flour. + + _The Milling._--A peculiar mode of milling wheat has grown up in + Austria and Hungary, which is almost the antipodes of the old and + crude methods of grinding. It is called "high milling," and + consists in cracking the wheat by successive operations down to the + required size. First the wheat is run through a coarse mill, which + takes off the beard at one end and the germ at the other. The + resulting powder is then sifted, to separate the grits from the + dross and flour, and the central part is again cracked, and the + products sifted. Some flour is produced in each of these steps, but + the best of the wheat kernel is still in the condition of grits, + and the bran and outer coat of the kernel having been separated by + the sifting, the pure grits are now cracked once more, and number + one flour is produced. All the other flour from these three + operations is purified from bran, mixed and ground, making number + two flour. In short, the essential characteristic of the Austrian + system of milling lies in a gradual process of reducing the wheat, + with careful separation of the products, or cleaning, at each step. + These products are quite numerous, as the following list shows: + + _Class._ _Percentage._ + + A. { Lady groats. + B. 4.25 { Table groats, fine. + C. { Table groats, coarse. + 0. { Extra imperial flour. + 1. 5.53 Extra fine flour. + 2. 5.76 Ordinary fine flour. + 3. 5.51 _Extra roll or semmel flour._ + 4. 6.48 _Common roll or semmel flour._ + 5. 7.12 First pollen flour. + 6. 13.30 Second pollen flour. + 7. 11.85 First dust flour. + 8. 9.95 Second dust flour. + 9. 4.36 Brown pollen flour. + 10. 6.32 Fort flour. + F. 8.94 Fine bran. + G. 6.87 Coarse bran. + H. 3.76 Chicken feed, loss, and dirt. + ---- + 100 + + This chicken feed consists of the foreign seeds, the tares, which + grow up with the wheat, and which are separated before milling. In + the above list only 39 to 40 per cent. of the flour is fit for white + bread making. + + _The Wheat._--Last of all, in following back the processes of + Vienna bread making, we come to one of the essential requirements, + a proper kind of wheat. "The virtues of this bread," says Dr. + Horsford, "had their origin principally in the Hungarian wheat. + These are not due to any particular variety of wheat, or to any + marked peculiarity of soil or mode of fertilizing, or to a mean + annual temperature characterizing the climate of Hungary as a + whole, but to _a peculiarity of climate_, uniting especial dryness + of the air during the hot season, from the time of the development + of the milk of the berry, through the period of its segregation of + the various constituents of the grain, down to its being housed for + thrashing." The Hungarian wheat is red, shrivelled, and hard, and + it is this hardness that fits it so well to the successive + crackings which constitute the process of "high milling." + +Vienna bread is white, fine grained, perfectly sweet, aromatic, +agreeable without butter, thoroughly baked, and has a tender crust, and +Dr. Horsford shows dearly that this combination of excellences is not +the result of an art, but of the joint operation of many arts. Its +introduction may be made an economical act, for its peculiar succulence +makes butter or other condiment unnecessary. It is, however, +essentially a _baker's_ bread, for it should be eaten on the day it is +made, and is at its best immediately after becoming cold. There is +little room for expecting it to replace the kind of bread in vogue in +American homes, for that is just as much the result of peculiar +circumstances as the product of the Hungarian farm, the Austrian mill, +and the Vienna oven. Economy in labor is just as much a consideration +in most American families as it is in our workshops, and the +semi-weekly or weekly baking is the means by which it is obtained. But +American housewives can improve their bread by adopting from the +Austrian system the whitening of the yeast by washing, the small loaf, +and the rapid baking. The use of selected flour can hardly be obtained +unless the millers are offered a market for the darker flour that +remains. In Europe that is at hand in the nutritious "black" bread +which is everywhere _the_ staff of life, white bread being a luxury +taken only with coffee. In fact it is American cake that the Vienna +roll comes in competition with, and the habit of making cake almost +daily, which obtains in so many American homes, shows that there is +time and labor which can be turned to the production of the Vienna +bread if desired. + + * * * * * + +MODERN LOSS IN WARFARE. + +The German government has just published the official statistics of the +losses in the war with France. The total killed and wounded was 3,919 +officers and 60,978 men. The killed and dead of wounds were 1,374 +officers and 16,877 men, the proportion being 1 killed to 3.44 wounded +among the officers, and 1 to 5 among the men. The infantry lost 57,943, +artillery 4,266, and cavalry 2,236. Fighting in line, and at such a +distance as modern weapons command, have made the loss by artillery a +minimum; 5,084 of the casualties being due to artillery and 55,862 to +rifle practice. One noteworthy item is the proportion--12,717 out of +the whole number--that were struck about the head and shoulders. This +is held to show that the French troops fired high, but it may also be +due to the attention now paid to field defences. It is quite possible +also that all modern rifles are sighted a trifle too high. + + * * * * * + +A NEW TREASURY RULE. + +The Secretary of the Treasury has lately issued a circular which +affects rather uncomfortably the interests of educational, scientific, +and literary institutions. They are allowed by law to import books, +instruments, and illustrative collections free of duty, and the +Secretary now says that the sale or distribution of articles imported +in this way will not be allowed. They must be retained in the +institutions that bring them into the country. It is quite probable +that advantage has sometimes been taken of the law's liberality in this +respect, but we fear this circular will really defeat the purpose of +the law. Collections of all kinds in colleges and schools are kept up +by a system of exchange, which is very necessary to them on account of +the small sums of money at their disposal. To break up this system in +the case of European specimens would be especially hard, for each +institution would then be forced to import single specimens at much +greater cost and trouble; or what is more likely, it would be found +cheaper to pay the duty; that is, purchase through a dealer. So long as +the exchange is confined to the circle of institutions which the law +was designed to benefit, we cannot see that its provisions are unduly +taken advantage of. + + * * * * * + +A HYGIENIC SCHOOL. + +Dr. Agnew, the celebrated oculist of New York, has indicated his idea +of a school for little children, in which health should be a first +consideration, as follows: "If we could effect some alterations in the +style of school architecture in our school houses, especially the +primary departments, it would be a great desideratum. One of the +greatest evils at present existing is the method of constructing the +school room and of conducting the same. I never could understand why +children of the primary age are kept sitting on benches for a large +number of hours at a time. School houses ought to be built like the +hospital building at the corner of Lexington avenue and Forty-second +street, used for cripples, where there is in the upper story a large +room, called the solarium, which is in fact a large play room, exposed +to the sun, where these little ones are kept the greater part of the +time. The upper story of the school houses should be so constructed; +and children should be encouraged to bring their toys and playthings +with them; and then, instead of changing the age of admission from four +years, it might be kept as it is; and instead of shortening the hours +of attendance, lengthen them. Of course it should be taken for granted +that the school house is constructed for the accommodation of the poor +children, and in this light it would be better that such children +should spend most of the day in school houses having good sanitary +conditions, rather than, as they now do, in tenement houses. Thus you +would have these primary schools with plenty of air and light, which +you can get in the upper story, and children would be glad to come +early, and remain until three or four o'clock, or even later in the +afternoon." + + * * * * * + +MICROSCOPIC COMPARISON OF BLOOD CORPUSCLES. + +Dr. J. G. Richardson of Philadelphia, whose views upon the subject of +proving blood stains by the use of the microscope have been described +in this Miscellany, has lately prepared slides for the microscope so as +to show blood corpuscles from two different animals on the same field. +He did this by flowing two drops of blood down the slide, and nearly in +contact. Dr. C. L. Mees has modified this proceeding. He spreads the +blood by Johnston's method, which is to touch a drop of blood to the +accurately ground edge of a slide, and then draw it gently over the +face of the other slide, leaving a beautifully spread film. In this way +one kind of blood is spread upon the slide, and another on the cover. +When dry, one half of each is carefully scraped off with a smoothly +sharpened knife, and the cover inverted upon the slide in such position +as to bring the remaining portions of the film into apposition. When +thus prepared the magnified image can be photographed. + + * * * * * + +THE SUMMER SCIENTIFIC SCHOOLS. + +The Peabody Academy of Science at Salem, Massachusetts, will open the +second session of its summer school of biology July 6, the course to +continue for six weeks. Four days in each week will be given to +lectures and laboratory work, and one day to a dredging expedition. +Entomology, together with spiders, crustacea, and vertebrate anatomy, +will be the especial subjects of study this year, and as usual the +advantages enjoyed by this institution for studying marine zoology will +be fully utilized. Dr. A. S. Packard, assisted by Messrs. Emerton and +Kingsley, will have charge of zoology, Mr. Robinson of botany, Rev. Mr. +Bolles of microscopy, and Mr. Cooke of the dredging parties. Fees, $15, +or for lectures only, $5. Board $5 to $7 weekly. Application should be +made to Dr. Packard. + +A four weeks' school will be opened at the State normal school, West +Chester, Pennsylvania, beginning July 11. Zoology and botany will be +taught by Prof. M. W. Harrington, geology and physiological chemistry +by Mr. V. C. Vaughan, and mineralogy by George G. Groff, all these +gentlemen being connected with the University of Michigan. Elocution +and industrial drawing will also be taught. Fees are for board and +tuition $30, and tuition alone $12. Apply to Mr. George L. Maris, +principal. + +Scientific excursions seem to be the order of the day. Mr. Woodruff of +Detroit has planned one to make the tour of the world; and Mr. J. B. +Steere of Michigan university, who spent several years in a journey of +scientific character, says: "The expedition will probably leave New +York in October or November next, going directly to the mouth of the +Amazon, where some time will be spent in making collections in natural +history. The island of Marajo will be the principal field for this +work. Rio Janeiro will probably be called in at, on the way to the +Straits of Magellan, which will be reached in January or February (the +summer season there), and a stay will be made for the purpose of +collecting. The expedition will then make its way northwest, cruising +among several of the rarely visited groups of islands in the central +Pacific, where there is every opportunity for making large and valuable +collections of sea shells and corals as well as of the myriads of other +and rarer things brought up by the dredge. Some stay will probably be +made in New Guinea; but the next great object of interest will be the +island of Borneo. It is supposed that the northeast and central part of +this great island, which are the parts still unknown, can be best +reached through the assistance of the Dutch traders at Macassar on the +island of Celebes, where the expedition will touch on its way. It seems +probable that entering from the east side, with the proper guides and +interpreters, the interior of the island can be reached and explored, +and perhaps a party may be able to reach the west coast. Borneo is less +known than Central Africa, and there is a grand opportunity here for +Americans to solve the great problem of its interior lakes and +plateaus. A journey through an unexplored country like this cannot fail +also to give opportunity for collecting many new species of animals and +plants. From Borneo the expedition will make its way to the Philippine +islands, where there is great room still for discovery, not only in +natural history, but also in fixing the geographical knowledge of the +islands, which is at present very faulty. Several of the larger islands +of the group are entirely unknown in respect to their animal and +vegetable life. From the Philippines the expedition will go to the +island of Formosa, off the coast of China. This island is rich in +objects of interest to the naturalist, and the east and central parts +of the island are unknown. There are Chinese traders who visit the west +coast for the purpose of trade with the natives, and through their help +there is no doubt that much new work can be done in that locality. The +expedition will then visit Canton, and some others of the coast towns +of China, and begin its return voyage by way of Singapore, which is a +depot for all that is rare and curious in the East. Ceylon will then be +touched at, and the expedition will pass through the Red sea and Suez +canal. It is intended to spend some time in the Mediterranean in +visiting various places of interest, and to return home by way of +England. The voyage is expected to occupy two years' time, and to cost +students $2,500 per year, this sum paying costs of expeditions inland +and everything except personal expenses, clothing, etc. All the +collections made will belong to those who make them." This plan seems +to follow about the same line as Mr. Steere's own journey, and it would +certainly be a great advantage to the excursionists to be under the +guidance of an explorer who has so lately been over the ground. We +believe the company is nearly completed. + +A similar trip is proposed in France, where a society supported by the +liberality of M. Bischofsheim, the well known banker, has been formed +for the purpose of encouraging periodical voyages. The travellers will +be scientific men, Dwuyn l'Lhuys being at their head, and as in the +American expedition, the vessel will be commanded by a naval officer. +The first voyage will be from Marseilles, and will occupy less than a +year, the line of travel being to America and India. + + * * * * * + +THE WAGES VALUE OF STEAM POWER. + +Prof. Leone Levi, in a lecture to workingmen on "Work and Wages," +estimated the amount of capital required to carry on some of the +industries in Great Britain. There are 20,000,000 acres of land +cultivated, which at L8 is L160,000,000. The cotton trade requires +L80,000,000, wool trade L30,000,000, iron trade L30,000,000, merchant +marine L70,000,000; railways have L600,000,000 invested in them, and +the waterworks, gasworks, docks, and other undertakings all call for +similar vast sums. Construction may be considered as the fixation of +work, and here we have about a thousand million pounds worth of fixed +labor. Labor in use deals with figures and values that are quite as +large. The annual industrial production of France is L480,000,000, and +of this L200,000,000 is labor, the remainder being _called_ material, +though if the items of its cost were ascertained, current labor would +be found to make up a great portion of that sum also. + +But taking French manufactures as they are reported, we can obtain from +them an estimate of the value of machines. The first steam engine was +introduced into that country by the city of Paris in 1789, the year of +revolution. At that time the cost of labor in manufactures was 60 per +cent. and of material 40 per cent. of the whole cost. On this basis the +L280,000,000 worth of material used now would require L420,000,000 of +labor to work it up. The present industrial population of France is +8,400,000, though all are not fully effective, and on the old basis +this would have to be increased to 17,640,000 persons. The other +divisions of population, tradesmen, etc., would also increase, and the +result is finally apparent that France is not large enough to contain +and raise food for the people that would be needed to carry on the +modern business on the old methods. The _man_ power of the steam +machinery introduced into the industries is estimated at 31,500,000, +and as it replaces L220,000,000 worth of labor, we may reckon the wages +of a steam man power at L7, or $35, per year, exclusive of food (fuel) +and lodging. + + * * * * * + +THE NEGRO'S COLOR. + +The chemical character of the coloring matter in the negro's skin has +been investigated by Dr. F. P. Floyd, in the laboratory of the +University of Virginia. Strips of skin were well washed with water and +alcohol, in order to remove fatty matter, and then cautiously scraped +with a blunt scalpel, to loosen up the pigment granules. This must be +carefully done, for an examination of the scraped skin shows that the +whole substance of the cuticular tissue may easily be broken up and +mingled with the pigment, which cannot then be obtained pure. But by +selecting the most strongly colored parts and treating them carefully, +the following points were established: The coloring matter is insoluble +in water, alcohol, and ether. It is also unaffected by dilute acids or +dilute solutions of alkali. The strong acids, even concentrated nitric +acid, attack it but slowly. Chlorine destroys it especially in presence +of alkali. Heated for some time with a strong solution of sodium +hydrate, it is gradually dissolved, and from the diluted solution it +may be partially precipitated on neutralization with an acid. The ash +of the negro skin gave twice as much ash as the white skin, or 2.4 per +cent. against 1.15 per cent. Analyses of the ash for iron showed 2.28 +per cent. of metallic iron in the black and 1.21 per cent. in the white +skin. These facts confirm the general impression that the color of the +negro's skin is nearly allied to the "melanin," or black pigment of the +choroid coat in the eye. Both seem to be products of alteration of the +blood. + +This pigment appears to be similar to or identical with the black +coloring matter of feathers. When perfectly white hair or feathers are +heated gently with dilute sulphuric acid, they dissolve completely, +though slowly. Black or brown feathers leave an insoluble residue. This +subject was lately presented to the London Chemical Society by Messrs. +W. R. Hodgkinson and H. C. Sorby. They took feathers of the English +rook, which contain one per cent. of pigment, and having cut the vanes +from the central rib, cleaned them from fat by treatment with alcoholic +ammonia. Warm dilute sulphuric acid was then applied, until it was no +longer colored, and the residue was treated with dilute hydrochloric +acid and boiling alcohol and ether. Black pigment is usually found in +black, brown, and dark red hair, but in the latter it is associated +with a brown pigment that is soluble in dilute sulphuric acid. + +Experiments were made by Dr. Floyd to determine the position of the +pigment in the negro's skin. Many Southern physicians are under the +impression that a blister upon the black skin is white, or nearly so. +But this was disproved by experiment, and the microscope showed that +the granules were dispersed through the whole of the cuticle, though +less dense at the surface than in the deeper tissues. In fact Dr. Floyd +thinks that the pigment originates in the outer layer of true skin, +"its production being probably connected with the loss of vitality of +the cells, and that it accompanies those cells all the way to the +surface, where it is mechanically removed by desquamation." The +alteration of the red blood corpuscles to black pigment may be due to +feeble circulation in the superficial capillaries. The diseases of +negroes, and their extreme sensitiveness to low temperatures, sustain +this view. + + * * * * * + +The jurisdiction of London extends over 756 square miles; its area +embraces 78,000 acres. It contains 4,000,000 of inhabitants, increasing +at the rate of 75,000 a year, of various nationalities. + + +The rapidity of sewing machine work, even when not working beyond an +ordinary manufacturing speed, is seen in the manufacture of 110 +three-bushel sacks per hour, containing 35,640 stitches, or close on +600 per minute. + + +The pine woods of Michigan are said to contain in standing trees-- + + In Eastern Michigan 13,500,000,000 feet. + In Western Michigan 11,500,000,000 " + In Upper Peninsular 19,500,000,000 " + -------------- + Total 44,500,000,000 + + +A manufacturer lately sued the city of Paris for about $15,000 on the +ground that the water supplied by the new works was so good that he +could not make gelatine, and his business was therefore ruined! The +suit was dismissed with costs. + + +A paste made of fifty-one parts of finely shaved stearine, melted in +seventy-two parts of previously warmed oil of turpentine, will restore +the polish to furniture. When cool rub on with a woollen rag, and when +dry rub thoroughly with a clean dry cloth. + + +This winter is said to have been the coldest known in Russia for 153 +years! In St. Petersburg the thermometer has been -32 deg. Reaumur, or +40 deg. below zero, Fahrenheit. Drivers have frozen in their seats, and +the police kept large fires burning in the streets at night. + + +The difference between exploding powder under water and above ground is +shown in the relative effect of 50,000 pounds of giant powder fired in +the great Hell Gate blast, and the small quantity of 370 pounds of +black powder which is the service charge of the 80-ton cannon at +Shoebury, England. The former made but little shock or sound. The +latter has shaken houses to pieces by the force of the concussion wave +produced in the air. The first blood shed by the gun was that of a half +dozen sea gulls. A canister shot, containing 2,170 balls, burst just in +front of a large flock of them. + + +The United States issued 15,911 patents in 1876, and received 22,408 +applications. + + +Important works in construction and other branches of engineering are +now sometimes continued at night by means of the electric light. The +buildings for the French international exhibition are pushed in this +way, and the method is used at the Taybridge Works and others in +England. + + +Among the interesting facts which have been developed by the careful +study of ants is the existence of piracy among them. Mr. McCook has +noticed that ants descending from trees with abdomens full of honey dew +were waited for by workers from the hill, seeking food, and compelled +to disgorge their accumulations. If this was not done willingly, force +was used. + + +The walrus has a singular mode of adapting his attack upon enemies to +the circumstances in which he is placed. They can shiver ice from four +to six inches thick by rising from below and striking it with their +huge heads. An exploring party near Novaya Zemla, while walking over a +field of new ice, noticed a herd of walruses following them under the +ice. They presently began operations, and broke the field in pieces on +all sides of the party, which barely escaped by running for the main +pack ice near by. + + +Oxford university, England, has a revenue of about $2,000,000 yearly, +43 professors, 160 lecturers and tutors, 2,400 undergraduates (1875), +of whom 24 per cent. hold scholarships worth from $150 to $500 yearly. +Seventy-five per cent. of these read for honors as follows: 33 per +cent. for the school of Literae Humaniores (philosophy, classical +history, and philology), 20 per cent. for the school of modern history, +17 per cent. theology, 15 per cent. law, 7 per cent. mathematics, and +6.5 per cent. physical science. There are 360 fellows, of whom 140 are +resident and engaged in teaching. The average endowment of a fellowship +is $1,250. The average number of pupils to one professor or teacher is +in Literae Humaniores 5 1-2; in mathematics 6, in physical science 7, in +modern history 5, in law 15 1-2. + + +Prof. von Zech lately mingled politics and science in a paper read +before the Wurtemburg Anthropological Society. He compared the returns +of a recent election with the known ethnological characteristics of the +kingdom of Wurtemburg, and found that in districts where light hair and +eyes predominated the government won the election. The black-haired and +black-eyed portions of the population seemed to favor democracy and +social reform, and the Ultramontanes form a medium class so far as +complexion is concerned. + + +The misfortunes of the deaf and dumb are greatly lessened by the +substitution of lip-reading for other modes of conversation. The words +are read from the movement of the lips so that the deaf can join in an +ordinary conversation. In beginning the instruction the lips must be +moved slowly, but in time the pupil gains such facility that the words +of a public speaker can be taken as well by a deaf person in the +audience as by any other. Deaf mutes are frequently very intelligent, +and it may be that the "kindergarten" system, which is a necessity in +their case, has something to do with their proficiency. In the Clark +Institute children are received at the age of five years, and the first +year's instruction consists in laying sticks and rings in designs +imitated from the teacher. Weaving, card pricking, and drawing are also +taught. From this beginning the pupil's development goes on through +physical studies, such as zoology, botany, physiology, and geography. +After these come higher mathematics, geology, chemistry, history, +psychology, etc. + + + + +CURRENT LITERATURE. + + +It would seem, or rather it would have seemed, almost impossible to +present Shakespeare in any new light, so much has been written by the +wise and the foolish, the learned and the ignorant, the bright and the +dull, the competent and the incompetent, upon that marvellous man. But +Mr. George Wilkes has managed to write a goodly octavo which, while it +contains nothing absolutely new upon this subject, presents it as a +whole in a fresh aspect.[8] Mr. Wilkes says, in his brief preface, a +few words which seem to be candid and truly modest. Rigorous criticism, +he tells us, will not be unwelcome, not because he has any vain +confidence in his own views, but "because they are put forward in good +faith in order to elicit truth concerning a genius who is the richest +inheritance of the intellectual world." He adds that he presents his +book rather as a series of inquiries than as dogmatic doctrine, and +that even if his views are controverted, he must be a gainer, "for it +can never be a true source of mortification to relinquish opinions in +favor of those which are shown to be better." This is indeed the +fairest, best spirit of literary candor, and it is expressed with manly +ingenuousness. If the author really feels what he utters so well, and +we are both bound and willing to believe that he does so, he has set an +example of a virtue which should be very much commoner than it is. + + [8] "_Shakespeare, from an American Point of View_: Including an + Inquiry as to his Religious Faith and his Knowledge of Law. With + the Baconian Theory Considered." By GEORGE WILKES. 8vo, pp. 471. + New York: D. Appleton & Co. + +In giving to Mr. Wilkes's book the consideration which is due to its +careful and intelligent preparation, we are, however, somewhat puzzled +at the outset. What is an American point of view in regard to a +literary subject, and above all a subject the historical position of +which is previous, not only to the Declaration of Independence, but to +the settlement of New England? We can apprehend what an "American" +point of view might be as to a question of politics, or of society, or +even of morals, in the present day; but what such a _distinctive_ +view could be even on those subjects, considered as they present +themselves at a time when our forefathers, just like the forefathers of +the present British people, were in England or in Scotland, we can +hardly divine. And as to literature, the difficulty seems still +greater. For, in the first place, literature and art are of no country +and no time, except historically, and moreover the literature of a +language and a race belong to that race and the speakers of that +language wherever they may be. A man of English blood and speech loses +no right in Shakespeare, he loses no right in any English author, +because he happens to be born in New England instead of Old England, or +in Australia instead of the Isle of Wight or of Man. Political +divisions have nothing to do with literature. We hear nothing of +Prussian literature or of Austrian literature; it is all +German--"Deutsch." And the eminent German philologist Mentzner, in his +great English grammar, that awful book in three octavo volumes, draws +for his countless illustrations quite as freely upon Bryant, Irving, +Longfellow, Hawthorne, Prescott, and their countrymen, as upon +Tennyson, Browning, Macaulay, and theirs. English literature is the +literature of the English race wherever it may be. It has nothing to do +with the distinctions British and American. They are political only. +This is true of all literature, even that of the day; but especially +and absolutely is it true of all English literature that was produced +before there was any New England. Shakespeare belongs to the people now +in England because when he wrote he and their forefathers lived +together in England and spoke the same tongue; and exactly for that +reason he belongs to all of us here who are of his race and tongue. +There is not the slightest difference between the relations of the two +people to the one man. This consideration applies, without +qualification, to all English literature before 1620; with slight +external, unessential modification, to that between 1620 and 1776; and +with somewhat greater external, but still unessential modification, to +all that has been produced since. + +Mr. Wilkes, however, may reasonably reply that while he may or may not +agree with this view of English literature, there is in either case an +American point of view as to every subject--a view taken from the +position in which Americans stand politically and socially; a position +which affects their vision and their judgment of all subjects, +including literature, even in the form of dramatic poetry, the most +absolute form in which it can exist. He is to a certain extent right; +and waiving the question as to whether such a view is likely to have +any peculiar value, particularly in regard to dramatic poems produced +in the other hemisphere nearly three hundred years ago, let us see what +in this guise Mr. Wilkes has to present to us. + +He opens his book with a reference to the "Baconian theory," as it is +called; that is, the notion that the plays published in 1623 as "Mr. +William Shakespeare's Comedies, Histories, and Tragedies," were +actually written by the great Bacon, incorrectly called Lord Bacon. +This notion, which may in a certain sense be called "American," because +of its setting forth by Miss Delia Bacon, a New England woman, some +twenty years ago, is not and never was worth five minutes' serious +consideration by any sane human being. It is too foolish to be talked +about. No man who really knows anything about the subject has ever +given this fancy a moment's entertainment; and we regret to see that +Mr. Wilkes is at the pains of examining it carefully all through his +book. It is not worthy of refutation. We therefore set small store by +the probabilities which he accumulates against it. There is no more +ground for reasonable doubt that William Shakespeare did and Francis +Bacon did not write the plays attributed to the former than there is +for doubt that Horace Greeley did and William Henry Seward did not edit +the "Tribune" between the years 1845 and 1865. That Bacon was their +author is indeed an American point of view, it having been taken not +only by Miss Bacon, but by Judge Holmes of Missouri, and by an unknown +American writer in "Frazer's Magazine" for August, 1874. But we are +inclined to think that Miss Bacon's book is unknown to Mr. Wilkes +except at second hand, else he would not speak of that tremendous +octavo tome as a "pamphlet," which he does twice. It was as heavy +metaphorically as it was in avoirdupois. It fell dead from the press. +Nathaniel Hawthorne, who wrote the introduction to it, says in his "Old +Home" that he believes that it never had but one reader, a young man of +his acquaintance. He probably had not seen Mr. Grant White's statement, +made in some of his Shakespearian books or writings, that "for his +sins" he had read every word of it. And we must say from our knowledge +of it, that the reading ought to go largely to his credit in his +account with purgatory. Judge Holmes's book is very able and ingenious; +so much so that it is to be regretted that he did not give his learning +and his reasoning powers to better business. In Mr. Wilkes's book we +probably have heard the last of this American view of Shakespeare. + +Our author also gives much attention to the questions of Shakespeare's +religious faith and his knowledge of the law. He is of the opinion that +Shakespeare was a Roman Catholic, and that he had not studied law. In +both cases we think Mr. Wilkes wrong. Such evidence as Shakespeare's +works afford goes, we think, decidedly in favor of their writer's +having been a Protestant of unusually "broad church" views for his +time, and of his having made some study at least of the attorney's part +of law. After considering all that Mr. Wilkes urges, we find nothing in +his ingeniously extracted evidence to shake our faith in these +probabilities. But in any case all this is of small importance. Suppose +Shakespeare to have been a Romanist, and never to have entered an +attorney's office: of what moment are these conclusions to the reader +of his plays? The facts were important to Shakespeare himself, but are +of only the slightest interest to any one else. + +Mr. Wilkes's American point of view is finally and chiefly that which +he takes of Shakespeare's social feeling, according to his--Mr. +Wilkes's--conception of it. He says of him that it seems strange that +"unlike all the great geniuses of the world who had come before or +[have] come after him, he should be the only one so deficient in that +beneficent tenderness toward his race, so vacant of those sympathies +which usually accompany intellectual power, as never to have been +betrayed into one generous aspiration in favor of popular liberty. Nay, +worse than this, worse than his servility to royalty and rank, we never +find him speaking of the poor with respect, or alluding to the working +classes without detestation or contempt." This view of the great +poet-dramatist is repeated over and over again, all through Mr. +Wilkes's book. The point is not a new one. It has been considered by +one or two of Mr. Wilkes's predecessors, and has been set aside as of +no significance by those who have brought it up for consideration. We +cannot congratulate Mr. Wilkes upon his success in establishing his +position. The subject is of some interest, and for example we take Mr. +Wilkes's remarks in his twenty-third chapter, which is entirely devoted +to the support he finds for it in the first part of "Henry VI." He +quotes passages in which La Pucelle (Joan of Arc) calls herself "a +shepherd's daughter," speaks of her "contemptible estate," and her +"base vocation"; in which Talbot expresses his insulted feeling at a +proposal that he, when a prisoner, should have been proposed in +exchange for a "baser man of arms," and in which he and other noblemen +speak with contempt of peasants. And then he exclaims, "Lords, lords, +lords; nothing but princes and lords, and The People never alluded to +except as _worthless peasants_, or to be scorned as _scabs_, and +_hedge-born_ swains." The reply to all this is much like the famous one +as to the stealing of the kettle; which was first, that the defendant +did not take the kettle; next that he returned it; and finally that the +plaintiff never had any kettle. First these sentiments are not put +forth as those of the writer of the play, but as those of the +personages who figured in the historical incidents therein dramatized; +next it is undeniable that such were the feelings which noblemen and +gentlemen of Henry VI.'s time, and of the time when this play was +written, had and expressed toward peasants; and finally, whether or no +it makes no difference as to Shakespeare's sentiments in regard to his +humbler fellow men; for _Shakespeare did not write this play_. No +editor or competent critic of Shakespeare believes that Shakespeare +wrote one single scene of the first part of "King Henry VI." True the +same feeling is expressed by noblemen and gentlemen in plays which +Shakespeare did write; and we notice this particular passage chiefly +because of its evidence that Mr. Wilkes, although an intelligent and +careful reader of Shakespeare, is not sufficiently acquainted with the +history and the literature of his time, or with dramatic literature +generally, to undertake to pass judgment upon Shakespeare from the +higher points of view, however he may be so to judge him from "an +American point of view." For the assertion that Shakespeare was in this +respect "unlike all the great geniuses of the world" is absolutely +untrue. If Mr. Wilkes will carefully examine the works of the +playwrights contemporary with Shakespeare, he will find their _dramatis +personae_ equally made up of "lords, lords, lords," and he will find the +lords speaking in just such a way of the common people. If they did not +do so, the portraiture would be unfaithful; it would not "hold the +mirror up to nature." And if he will look through the plays of Moliere, +who stands next to Shakespeare as a dramatist, and who was like him a +player and a man of the people, he will find all the lords and +gentlemen who ruffle through his delightful pages speaking with +contempt and ridicule of the lower classes. Moreover, it is absolutely +untrue that Shakespeare was even thus indirectly a sycophant to kings +and nobles, and a maintainer of their essential superiority. On fitting +occasions he puts into their own mouths satires against themselves, +their rank, and their pretensions; and he shows, when opportunity +offers, a warm sympathy with and tenderness for the lowly and the +oppressed. Whoever chooses to do so may find this shown in a few pages +of Mr. Grant White's essay on Shakespeare's genius. ("Life and Genius +of Shakespeare," pp. 298-302.) If we are to have a peculiarly American +view of Shakespeare, pray let us have one founded upon thorough +knowledge and taken in a fair spirit. Not that we mean that Mr. Wilkes +is intentionally unfair, but that his judgment has been perverted by +his strong democratic feeling, and that he seems not to have been able +to investigate his subject with the research which it properly demands. + +We are sorry to observe also a reckless tone of disparagement running +through Mr. Wilkes's book. True, Shakespeare's reputation may be able +to bear it; but for the very reason of Shakespeare's preeminence the +world--the thoughtful part of it at least--would welcome a close, +careful, and competent examination of his claims, even in an adverse +spirit. Such an examination Mr. Wilkes, notwithstanding the +voluminousness and the method of his book, has not been able to give +them. It is not--for example, in his chapter on the "Merchant of +Venice"--by calling Antonio a "blackguard" and a "ruffian," and +Bassanio "an unprincipled, penniless adventurer, a mere tavern +spendthrift and carouser, who borrows money that he may cheat a wealthy +maiden of her dower," by calling Gratiano and Lorenzo "poodles and +parasites," the first of whom "is willing to put up with Portia's +waiting maid Nerissa," that Mr. Wilkes can hope to win respect for an +American view of Shakespeare. If Mr. Wilkes had informed himself more +thoroughly in regard to the manners of Antonio's time, he would have +found that in those days men, otherwise kind-hearted and generous, +treated Jews as he treated Shylock; that Nerissa was probably, if not +surely, as well born and as well bred as her mistress was; and that +Bassanio's desire to marry an heiress, beautiful, loving, and by him +beloved, was not peculiar to the hero of the "Merchant of Venice." +Indeed, very estimable men have not been found averse to such a +proceeding in these days, and even in America. And what is strange the +beautiful heiresses have forgiven them, and if they behaved kindly and +lovingly as husbands, have been very happy, strange as it may seem. Why +should Mr. Wilkes speak of Bassanio's going to Belmont "to swindle +Portia"? He does no such thing. Such criticism of Shakespeare, if it +were truly and representatively American, would justly hold America up +to the world's ridicule. + +Scattered through Mr. Wilkes's book, making us regret the more such +passages as we have noticed, are others which show fine insight and +robust common sense. In this very chapter on the "Merchant of Venice" +there are two or three pages of sound criticism of the dull and pompous +platitudes of the sham-profound German critics, for which we thank the +author. They are well and heartily written, and they do not overstep +the bounds of literary decorum. In many parts, Mr. Wilkes's book, +although it is a very unsafe guide, contains stimulating suggestions to +reflection. + + * * * * * + +Lord Amberly, the recently deceased son and heir of Earl Russel, left +an elaborate work behind him upon the religions of the world, which has +just been republished here.[9] Apart from its teachings, or rather its +tendencies, which would be stamped as "infidel" by all orthodox +Christians, the book is valuable. For it is the result of very +profound, painstaking research. It contains nothing particularly new, +but it presents, in a tolerably compact form, a critical view of the +whole subject of religious beliefs and ceremonies, in all time and in +all countries. Its author evidently means to be fair; and from his +point of view he is so. The book is full of information upon a subject +which is now attracting unusual attention from a class of minds which, +twenty-five or thirty years ago, would have shrunk in horror from any +such examination; and its value in this respect is enhanced by an +index, which makes it a useful book of reference. + + [9] "_An Analysis of Religious Belief._" By Viscount AMBERLY. + 8vo, pp. 745. New York: D. M. Bennett. + +--Mr. Frothingham, who has rapidly taken the place of leader in a new +school of morals and religion, but whose followers are yet few, has +added another book to those which have been recently noticed in our +pages.[10] It is composed of some of those discourses--for they cannot +be called sermons, in the ordinary sense of the word--which he delivers +to his disciples on Sunday; delivering them on that day because it is +convenient for the purpose. It must be admitted that they teach a very +high and pure morality. But we confess that the title of the book, "The +Spirit of the New Faith," seems to us a misnomer; for we seek in it in +vain for the evidences of any faith. Indeed, its principal object seems +to be the inculcation of morality without faith; the teaching that, to +an upright life--truly Christian, that is, in spirit--(for Mr. +Frothingham would probably spurn the name) no faith of any sort is +necessary. In the sermon--not the first in order--which gives the +volume its name, we remark a strange perversion or misconception of the +chiefest Christian virtue. Mr. Frothingham writes in a kindly, generous +spirit which excludes scorn; but he approaches scorn in his remarks +upon charity, at which he almost scoffs. He says of it: "Charity is not +equivalent to brotherhood; it is not synonymous with brotherhood, or +even with appreciation. Charity can be unjust: it is unjust in its +pity. Pity, indeed, is its essence." Were this a true definition of +charity, Mr. Frothingham might be justified in the tone he takes toward +it. But the very spirit of charity is at war not only with injustice, +but with arrogance, and with phariseeism of all kinds. Its very essence +is the assumption of good motives, even on the part of those who differ +radically from us in conduct and belief. It is the great moral +equalizer of the world. We are surprised that a thinker of Mr. +Frothingham's clearness and subtlety of mind should have so failed in +appreciating a quality which does not inculcate, but which _is_ love +and respect for others. + + [10] "_The Spirit of the New Faith._ A Series of Sermons." By + OCTAVIUS BROOKS FROTHINGHAM. 16mo, pp. 272. New York: G. P. + Putnam's Sons. + + * * * * * + +Few persons are aware of the vast and varied range of duties which are +connected with what is called, "for short," a geological and +geographical survey of the Territories.[11] The second edition of the +catalogue of publications made in connection with the survey, of which +Dr. F. V. Hayden is director, enumerates forty-one publications issued +within ten years, among which are annual reports of the work done since +1867, bulletins, the issue of which began in 1874, and important +monographs on ancient and modern fauna and flora of the region +examined. Dr. Hayden's own geological work is necessarily limited by +his heavy duties as director of the whole survey, but his long study of +the West gives him unusual qualifications for assembling and discussing +the work of others. He has a minute description with map of the Upper +Arkansas valley and its glaciation, and of the old lake system of the +West. During the early portion of the Tertiary the whole country, "from +the Arctic circle to the Isthmus of Darien," was occupied with lakes, +some of which were immense in size. In after times thousands of small +lakes took their place, and these have finally disappeared. Many of +these were expansions of the rivers, like most modern lakes. The old +valleys are now occupied by a diluvial deposit, the counterpart of the +Loess of the Rhine, and almost the same in composition. The +agricultural future of all that valley region is very promising, for +from some mysterious cause, the rainfall seems to be increasing over +the whole area. Buried trees of great size prove that Nebraska has not +always been the grassy waste it now is, and the revolutions of nature +may restore its forests. Mr. Aughey figures some arrow-heads which he +found in this deposit fifteen and twenty feet from the top, and in such +a position as to assure him of their true age. Leaving the admirable +geological study of Dr. Peale, we come to Mr. Eudlich's examination of +the San Juan mines. This is a kind of work which government explorers +should do more of, though until the mines are worked deeper, the +information obtained is not very full. The veins are reported to be +probably of Cretaceous age, or they may date from the beginning of the +Tertiary. Dr. Hayden reports that when the coming season's work is +finished "the most rugged and mountainous portion of our continent" +will have been surveyed. It is his intention to map it in an atlas of +six sheets, each covering about 11,500 square miles. The cartographical +work of the survey is excellent. This volume contains eighty-eight maps +and views, executed in a most creditable manner. + + [11] "_United States Geological and Geographical Survey of the + Territories._" F. V. HAYDEN, United States Geologist in charge. + Annual Report, 1877. Colorado and adjacent Territories. + Government Printing Office. + +--We have also received two of the "Miscellaneous Publications"[12] of +the survey, one being the last and crowning work of America's great +invertebrate palaeontologist, Dr. F. B. Meek.[13] The names "Meek and +Hayden" have an association in American scientific work that is +historic, and in the "Report on Invertebrate, Cretaceous, and Tertiary +Fossils of the Upper Missouri Country" are assembled the results of +painstaking labors extending through many years. The volume is worthy +to stand as a monument to such an author. The introduction contains a +description, in the author's characteristically concise style, of the +formations in which the fossils were found. The fossils described +include all the invertebrates from the prescribed region, and it is +indicative of the author's position in regard to palaeontological work +in America, that nearly all the species were originally described by +him. This profound knowledge of the subject and the painstaking +attention to the discussion of types, and of their synonomy, make the +work, as Dr. Hayden truly says, "one of the most important +contributions ever made to the science of palaeontology in any portion +of the world." Forty-five lithographic plates, by Meek and Swinton, and +numerous woodcuts, illustrate the book. + + [12] _The Same._ Catalogue of Publications. Second edition, + Revised to December 31, 1876. + + [13] _The Same._ Report on Invertebrate Palaeontology. F. B. MEEK. + +--Dr. Packard's "Monograph of the Geometrid Moths"[14] is the next +important publication of this survey. It is the first complete treatise +on the American species of these moths. The author describes between +three and four hundred species, and thinks it not unlikely that nearly +a thousand will be ultimately found on the continent. The collections +have been made by many travellers, and at points extending from Polaris +bay to Texas. Great attention is paid to generic and specific +description, and to synonomy, besides which a complete bibliography of +the subject is added. Dr. Packard's work is therefore well suited to +serve for immediate instruction, as well as a standard for reference. +The admirably executed plates increase its value for both uses. + + [14] _The Same._ Monograph of the Geometrid Moths or Phalaenidae. + By A. S. PACKARD, Jr., M.D. + +--Captain Ludlow's report of his visit to the Yellowstone Park in 1875 +is one of the most interesting books the Government has published.[15] +He found that the army of American vandals has turned its footsteps +toward this national museum of wonders, and every year they go to it in +hundreds and thousands to admire and destroy the delicate lace work +which nature has spent centuries in weaving. The Park contains the most +remarkable glaciers on this continent, and the constantly flowing and +splashing water has built up a basin of opal around each fountain. +These basins are curiously convoluted and fretted, and are composed +almost entirely of quartz deposited from the water, their light gray +color contrasting beautifully with the deeply tinted water. Wherever +they are solid the idiotic visitor writes his name, and thousands of +these unimprisoned lunatics have been there. Wherever the basins are +most delicate and wonderful, the savage white man strikes them with an +axe and carries home "a specimen." Captain Ludlow found two women +climbing around one geyser called the Castle, from the numerous little +pinnacles and towers it has built up, "with tucked up skirts and rubber +shoes, armed one with an axe, the other with a spade." When he first +saw the Beehive, the most remarkable of the geysers in point of height, +throwing its stream two hundred feet high from a small aperture, he had +a pang in anticipation of the destruction that he felt sure would come +upon it. And with good reason. The next day he returned to camp just in +time to run in and save the Beehive, the pride of the Park, from the +uplifted axe of _a woman_! He urges the Government to spend $10,000 or +thereabouts in protecting this beautiful place from the assaults of +these iconoclasts, who break down ten times as much as they carry off. +We regret to see that his recommendation is unheeded. A governor is +appointed for the Park, but he has no salary, and probably does not +remain on the ground. Captain Ludlow very truly says that the presence +of a small party there to open roads, preserve the Park, and keep a +careful record of the geysers would well repay its cost in the increase +of knowledge and pleasurable travel it would bring to our people. + + [15] "_Report of a Reconnaissance to the Yellowstone National + Park in the Summer of 1875._" By WILLIAM LUDLOW, Captain of + Engineers. War Department, Washington. + + * * * * * + +Mr. David A. Wells has made a good choice in presenting Bastiat's +writings on political economy,[16] for his essays are as sound in +principle as they are homely in method. He tried to make people see the +true meaning of the phrases and theories which are the common staple of +conversation among the industrial classes. For instance, he meets the +assertion that a country gains wealth when the government employs a +great number of people by pointing out that the personal expenditures +of the people are reduced by just the amount of the taxes. When the +government takes a dollar from a citizen to pay a laborer, the citizen +has just one dollar less to hire the laborer for his own use. The +country gains no wealth by such a transaction, but merely makes an +exchange of employers. This proposition, which M. Bastiat insists upon +through many arguments, is of more vital interest to France than to us. +It refers to a form of folly that is chronic there, but sporadic here, +and its most threatening outbreak (during the "ring rule" in New York) +was violently cured by the panic of 1873. But the importance of +inculcating sound views on this subject is just as necessary here as +there. Probably the larger part of Tweed's stealings ultimately found +their way to laboring men, but who shall say that New York has gained +wealth by his career? M. Bastiat's views on interest, capital, taxes, +encouragement of fine arts by the State, public works, the spendthrift, +government, etc., are excellent, and expressed in an ingenious and +taking way. It is hard to give to dissertations on such subjects that +"blood-curdling interest" which Mark Twain promised in his agricultural +memoranda; but M. Bastiat certainly unites an unusual interest of style +to sensible and simple views. Mr. Wells may count the reproduction of +these essays as one of the many valuable public services he has done +his countrymen. + + [16] "_Essays on Political Economy._" By FREDERICK BASTIAT. + Translation revised by David A. Wells. New York: G. P. Putnam's + Sons. + + * * * * * + +A hundred and four years have passed since John Howard paid that visit +to Bedford jail which first directed his attention to the improvement +of the prisoners' condition. The work began with the study of prisons; +a hundred years has turned it into the study of the prisoner. Mr. +Dugdale[17] discovered in 1874 the criminal family which has become +notorious as containing Margaret, "the mother of criminals." She was +one of six sisters, of whom one is not traceable; four gave rise to +mixed criminal and pauper lines, and Margaret to a distinctively +criminal line. To these sisters Mr. Dugdale gives the name _Jukes_, and +he has followed up seven generations, containing 540 known persons of +Juke blood, and 169 known persons of other blood who became allied to +the Jukes in one way or another. All told, this criminal family +contains 709 known persons, and probably 500 undiscovered members, +forming the most numerous criminal lineage ever studied. Mr. Dugdale's +pamphlet is a profoundly interesting analysis of the history of this +family, and the tendencies that have governed it. The remarkable fact +is developed that the strongest criminal tendencies are on the female +side, and pauper tendencies on the male side. Crime and pauperism are +psychologically one and the same, one or the other being manifested as +the individual's character is strong or weak. A life may exhibit an +innocent childhood, a criminal maturity, and a pauper old age. The same +phases may be developed more slowly, and appear in successive +generations, or even in alternate generations. Intemperance is no doubt +frequently the immediate cause of crime, as seen in so many murders. +But Mr. Dugdale shows that the common belief that criminal tendencies +are the result of intemperance is not true, while the reverse is true, +that these tendencies produce physical degeneration, which craves the +stimulus of drink. These investigations show that the pauper is almost +irreclaimable. His mental weakness neutralizes every effort made for +his welfare, but the active criminal has strength enough to do better +if he will. As to women, it is shown that their immorality is the +precise counterpart of crime in the man, and it is to this fact that we +owe the steady development of our criminal population. Illegitimacy is +not in itself a cause of crime, but the environment of neglect in which +the illegitimate live is a fruitful cause. We cannot detail all the +conclusions of this close and exhaustive study of criminal character. +They are as numerous as they are disagreeable to read and contemplate. + + [17] "_The Jukes._ A Study In Crime, Pauperism, Disease, and + Heredity." By R. L. DUGDALE. With an Introduction by Elisha + Harris, M.D. New York: G. P. Putnam's Sons. + +--Dr. Bowen's pamphlet on "Dyspepsia," published by Loring, is so good, +so comforting, and so plain to persons who do not know any more of +medicine than is necessary to have the various diseases, that we are +glad to point it out to our readers. He says there is no case of +dyspepsia that cannot be cured, except such as are complicated with +other troubles that are necessarily fatal. He opposes the starvation +treatment, but does not give general directions for cure, saying that +each case must be studied and treated for itself. + + * * * * * + +Dr. Stillman's "Seeking the Golden Fleece"[18] is worth reading for its +faithful picture of a long sea voyage in the olden time. Nearly a +hundred passengers left New York in the Pacific, the captain and owner +being obliged to slink on board, to avoid attachments sued out against +them by other passengers who were dissatisfied and left behind. The +voyage consumed 194 days, and the narrative of its incidents is much +the most interesting part of the book. As to the author's experience in +California, we can sum it up in the common phrase, "The old story." He +was one of the first argonauts. He saw Sacramento when it had +half-a-dozen shanties, San Francisco when millions of dollars worth of +goods lay on the hillsides, for lack of sufficient warehouses, when the +mines were yielding well, and cooks were cheap at $300 a month. Dr. +Stillman's narrative is one of the best that has appeared of California +in the days of the pioneers. + + [18] "_Seeking the Golden Fleece._ A Record of Pioneer Life in + California." By J. D. B. STILLMAN. A. Roman & Co. + + * * * * * + +Mr. Habberton shows how fit he is to be the editor of selections from +standard authors by publishing the Roger de Coverly papers[19] without a +note or emendation. We have these celebrated numbers of the "Spectator" +in all the grace and humor of the originals, and with the quaint flavor +which age has necessarily added to them unimpaired. The editor informs +us that after a careful hunt through the book market, he finds the +previous editions of Sir Roger out of print, and for that reason he +publishes this one, though his first plan for the "Select British +Essayists" did not include it. He thinks the publication peculiarly +timely now, when "the standard of letters threatens to become vastly +different from that under which English literature has gained whatever +it possesses of real value." We do not agree with him in anticipating +the complete shelving of Sir Roger in case this threatened change +really takes place. In all times the really great authors will be read +by the few, and talked about by the many. But however that may be, Mr. +Habberton's handsome and convenient collection of these papers will be +welcomed by the many who are glad to learn how famous authors wrote, +and yet have not taste enough for classical reading to attack the whole +"Spectator" itself. + + [19] "_Sir Roger de Coverly:_ Consisting of the Papers Relating + to Sir Roger, which were Originally Published in the 'Spectator.'" + With an Introductory Essay by JOHN HABBERTON. New York: G. P. + Putnam's Sons. $1.25. + + * * * * * + +The disciples of Swedenborg will read with interest a little book of a +mildly controversial character by B. F. Barrett, which endeavors to +show what the New Church really is.[20] The controversy is not with the +unbelievers in Swedenborg, but with some prominent persons among his +disciples. Its object is to show that the New Jerusalem, or New Church, +is not an organized and visible body of people united by a creed and a +form of worship more or less uniform. This view, although, as the +writer says, it has prevailed among the students of Swedenborg for +nearly a hundred years and is probably held by a large majority of them +at the present day, he regards as an utterly mistaken conception. He, +on the contrary, regards the theory of separation as false and vicious. +The function of Swedenborgianism, if so it must be called, he believes +to be to uproot and destroy the mischievous spirit of sect, to exalt +charity above faith, life above doctrine, both inside and outside of +all the churches. This he regards as that second coming of the Lord +which Swedenborg taught; and this he sees in the signs of the times. +Few of us know really what Swedenborgianism is; and some of us have +tried in vain to discover what there is in it which captivates some +clear-headed as well as true-hearted men. But if this be +Swedenborgianism, who of us is there that will not bid it God speed? + + [20] "_The New Church:_ Its Nature and Whereabout. Being a + Critical Examination of the Popular Theory, with some + Illustrations of its Tendency and Legitimate Fruits." By B. F. + BARRETT. 16mo, pp. 213. Philadelphia: Claxton, Remsen & + Haffelfinger. + +--"The Library of Swedenborg,"[21] edited by Mr. Barrett, is to consist +of twelve handy volumes, giving a complete summary of Swedenborg's +system in a series of extracts from his writings, grouped together +under appropriate headings, indicating the special doctrine they +illustrate. These volumes are of the most convenient size and neatly +printed and bound. They are, in short, in every respect in contrast +with the bulky tomes in which Swedenborg's system is usually and so +repulsively presented. Three volumes of the series have thus far been +published. + + [21] "_Volume Third The Swedenborg Library._" Edited by B. F. + BARRETT. Freedom, Rationality, and Catholicity. From the Writings + of Emanuel Swendenborg. Philadelphia: Claxton, Remsen & + Haffelfinger. + + * * * * * + +A book the author of which publishes his own portrait as a frontispiece +is opened with prejudice by most sensible men, we believe, and +phrenology is not regarded with great favor by the majority of such +readers. But here is a book which is able to stand up against both +these prejudices.[22] Whatever we may think of phrenology, we cannot +withhold our hearty approval of the methods of teaching which are +recommended by Mr. Sizer. He would have the teacher study his pupil, +watch the action of his mind, detect his propensities, and then direct +his efforts accordingly. The author does not content himself with +generalities; he goes into particulars; he indicates temperaments, +describes mental traits and modes of action, and gives good counsel as +to their direction. His views of training include the moral as well as +the mental side of the pupil, and also his physical nature. Children +trained according to the system here recommended and set forth would +have the most made of them that their organizations permit. We commend +the book to all teachers and parents. It will interest them, and if +they study it and follow its counsels, it will profit their children. +As to the phrenology of it, they may let that go. Like the allegory of +"The Faerie Queene," it won't bite them. + + [22] "_How to Teach according to Temperament and Mental + Development_; or, Phrenology in the School Room and the Family." + By NELSON SIZER. 16mo, pp. 331. New York: Wells & Co. + + * * * * * + +In poetry we have before us this month only a sacred tragedy, the +writer of which we fear has been misled into verse-writing by an +ambition to justify his parents' choice of a name.[23] The incidents of +his tragedy are of course derived from the Old Testament, and in every +case in which they are in any way modified it is for the worse. His +poetry reminds us of that dreary stuff that was written before the +appearance of Marlowe and the other Elizabethan dramatists. We wonder +that the writer undertook a subject which had been so ably handled by +others before him, and particularly by Charles Heavysege, to whose +vigorous and highly picturesque dramatic poem[24] we direct the +attention of our poetry-loving readers. + + [23] "_King Saul:_ A Tragedy." By BYRON A. BROOKS. 16mo, pp. 144. + New York: Nelson & Phillips. + + [24] Published by Osgood & Company. + + + + +NEBULAE. + + +--The result of months of agitation and negotiation is that to Russia +is left the task of driving the Turks out of Europe single-handed. +Well, Russia is content, and not only content, but pleased. She does +not object to being left to seek her own ends by her own means, and +would like nothing better than to have all the other powers take the +position of disinterested bystanders while she whops poor little Johnny +Turk, and takes as much as she likes of his territory by way of +indemnity. She meant this all along, and it has been amusing to see how +she has with a combination of tact and persistency attained her end. Of +course as to her motives there can be no doubt; they are purely +philanthropic and religious. It is for the Christians in the Turkish +provinces, about whom England began the disturbance, the result of +which promises to be Russia's success and her own discomfiture. The +attitude of Turkey wins respect and sympathy. It has been manly in +tone, and in diplomacy not unskilful. The Turks have always shown a +combination of stubbornness and craft which have made them, except in +the field, more than a match for their Christian enemies. Without +approving Turkish faith or life, we may yet admire the firmness and +dignity with which they have refused to submit to a dictation which +would exclude them from the rank of independent nations. They made the +mistake of not putting the Czar palpably in the wrong, which they would +have done by sending the embassy to St. Petersburg to treat of +disarmament. But he would have probably wriggled but of this position +in some way; and of this they may have felt sure. Plainly the Turks +feel that they are in a crisis of their national existence, and they +are desperate. They know of course that between Great Britain and +Russia there is a determination to drive them out of Europe, and that +their only safety thus far has been in the rivalry and jealousy of +those two powers. Since the effort is to be made, they feel that they +are in as good a condition to resist it now as they ever will be; and +with the desperation of their character they have gone into the unequal +fight. What will be the end, no one can foresee; but of one thing we +may be sure, that the British Government will not fight for the Turks, +and as certainly they will not fight with Russia against them. Neither +Germany nor Austria is likely to spend blood and treasure for the +aggrandizement of Russia. Therefore, although some publicists look for +a great change in the map of Europe, it seems rather that the result of +the war, even if it be unfavorable to Turkey, will be little more than +the liberation and autonomy of one or two of the provinces. + + +--The personal nature of our politics was never more apparent than it +is at present. On all sides, and in regard to all questions, we meet +with evidence of it. Whether it be in regard to great questions of +national importance, the formation of parties, or some little State or +county matter, the point generally first raised is how Mr. ---- or Mr. +---- will be likely to feel about it. The subject is not discussed upon +broad grounds of right, of law, or of policy, but with regard to the +effect that it will have upon such or such an "interest," which is +represented by Mr. ----, the said interest being sometimes that of a +railway, or a "ring," but generally that of a knot of professional +politicians. This seems strange in a country where the government is +"of the people, by the people, and for the people." Our democracy has +subjected us to the condition of the old Roman clients. We do not have +leaders in politics, but users; men who use us for their own advantage. + + +--China and Japan are turning the tables upon us bravely. We have been +sending missionaries to them for two hundred years and more, and now a +young disciple of Buddha comes among us to criticise our religion and +to tell us that the moral principles and the conduct of Christians are +of a lower standard than those taught by Confucius; and a Japanese +publicist criticises our politics in our leading review, and tells us +that we are the slowest people on the face of the earth, and are tied +hand and foot by our paper constitutions. There will probably not be +many converts to Buddhism; and as probably the Constitution of the +United States will not be set aside as a worthless piece of paper in +this generation. None the less, however, are these return-missionary +efforts of our extremely Oriental friends very significant signs of the +times. They show two things: first, the little real effect which, after +all, the West has produced upon the East; and last, the freedom of +thought and discussion which is now pervading the world. It is safe to +say that our Chinese and Japanese critics will be listened to with +respect; and that not in a mere spirit of tolerance and politeness. The +world has changed its position greatly in such respects within the last +thirty or fifty years. The petition in the English prayer-book in favor +of "Jews, Turks, heretics, and infidels," which found its counterpart +in the extemporaneous prayers of other orthodox religious sects, is +beginning to sound rather antiquated. The idea of holding up Dr. +Gottheil, for instance, as a proper subject for especial prayer, is to +most sensible people rather ridiculous, however good Christians they +may be. Investigation has found the principles of a high morality in +other religious creeds than those of Western Europe and America; and +charity, that chiefest of Christian virtues, has taught us to judge +others, if we judge them at all, by standards of general application +with allowance for peculiar conditions. We have discovered that +political sagacity was not confined to the founders of the political +systems of modern Europe. It is found that the human mind is much the +same under like conditions in all countries and in all times; and we +are approaching gradually to Tennyson's "parliament of man" and +"federation of the world." + + +--A sadder story has not been told for a long while than that of the +mother and daughter who were excluded from the Shaker settlement at +Whitewater, where they had been for fourteen years, and after leaving +which, and seeking in vain the means of livelihood, they, in despair, +took poison, and died in each other's arms. The sadness is not so much +in their death; for to that they were at any time liable; and loving +each other fondly, as they manifestly did, in their voluntary death +they were not divided. But the mother was at first driven to the Shaker +community fourteen years ago, with her little girl, because she had +been deserted by the father of her child, to whom she had not been +married. She had weakly yielded to the impulse of nature without +fortifying herself by a legal claim upon the father of her child, and +the world, instead of treating her tenderly and helping her, turned its +back upon her and told her that she and the child that she had borne +were fit only to starve or to live in a county poor house. After +fourteen years of the cold, colorless, and unnatural life of the +Shakers, the daughter showed that she was not an abstraction or a +forked radish, and behaved like a woman, perhaps not a prudent one, to +the young men of the community. She was told that such behavior was +only fit for the world's people, and that she and her daughter must go. +But the world's people had driven out the mother herself upon something +such grounds years before; and now when she came back she was met by +the same stony front. Let us not be misunderstood; we are not +justifying or even palliating the mother's conduct. We pass that point +by without consideration. But the point remains that for an error, +which, however great, was in the course of nature, the mother became an +outcast, and that for indiscretion, also in the course of nature, on +the daughter's part, both afterward were turned away from the Shaker +community; and then they found the world so hard, and life in it so +bitter, that, although one was still in the prime of life and the other +in its early morning, they chose rather death together. They might have +been base and unnatural, hard-hearted, malicious, slanderous, +revengeful, covetous, grasping, utterly regardless of the happiness +and, within the law, of the rights of others, the mother might not have +loved her child, the child might not have loved her mother, and yet the +world would not have driven them to the Shakers and the Shakers would +not have driven them out again into the world to die. It is an old +story, we do not hesitate to say an old wrong, of which every man and +woman with an unperverted heart admits the cruelty in the abstract, but +of which the collective world is always ready to be guilty. A woman who +"gets a husband," no matter by what base arts or design, is "received"; +a woman who gives the world a child otherwise than according to law is +cast out, often by those who are not worthy to touch the hem of her +garment. It is not necessary to justify women who err in this way +before condemning the pharisaic righteousness which stones them into +despair. "Neither do I condemn thee. Go and sin no more." + + +--Compare the wrong done in such a case with the conduct of a +"respectable" young woman whose sudden disappearance from her home near +Waterford, New York, caused much excitement. She reappeared after a +week's absence, and accused three young men of the place of abducting +her. They were rather wild fellows, and they were arrested. But upon +investigation the story was found to be a pure fabrication. The girl +had gone suddenly off to visit some of her relatives; and to gratify +some feeling, whatever it might have been, she trumped up this +accusation. It is impossible to conceive a fouler, baser act. And yet +she will not be an outcast; she is "respectable"; no one will venture +to call her a "bad girl." But suppose that He who said "neither do I +condemn thee" were to decide between the relative fitness of the two +for a place in His kingdom--is there any doubt in whose favor He would +speak? The law cannot decide as He would decide; and the world is right +in insisting upon the chastity of woman; but is the world right in +regarding chastity as the only female virtue, or at least in regarding +a lapse from continence as the only wrong which should exclude woman +from the pale of decent society, and deprive her of a right to earn her +living among other women? Is it right in asking only one question in +regard to a woman's conduct and in "receiving" a married woman, merely +because she is married, although she may make her home a little hell +for her husband and her children? We are not advocating looseness upon +the former point, but only comparing the world's treatment of natural +error with its treatment of essential and malicious wrong-doing. If the +one should be condemned--and it should be--what should be done in case +of the other? Motive gives every act its true character; and if we +teach women that a life filled with acts the motives of which are mean +and malicious may be "respectable," are we not subjecting them to a +daily discipline of moral degradation? + + +--And with it all there is such a foolish, deplorable, ruinous neglect +of the proper instruction of young women. They are taught heaps of +things that are of no possible use to them, and they are not taught +those which concern them most nearly. Here is this miserable +"Throop-Price" affair, as it is called, in which a young lady belonging +to a family of some culture and social position is actually taken +before a clergyman and half married before she knows it; but suspecting +that something is wrong, and being assured by the clergyman that the +ceremony he is performing solemnizes a real, binding marriage, she +flies off, but is immediately induced to go before the Mayor, and is +there married out of hand when she meant to do no such thing. It seems +incredible; but it is actually true. We make, as we should do, an awful +fuss about marriage, and a good marriage is, as it should be, the +desire of a young woman's heart, and yet in regard to all the +essentials of marriage as well as the duties and personal relations of +married life, we leave them in ignorance. There would seem to be but +two ways about this matter: one, the French way of keeping young girls +in seclusion and absolute ignorance, and then marrying them off as a +sort of business transaction--an arrangement that does not suit our +social life, and which, it must be confessed, does not tend to produce +the best state of morals in France; the other to give young girls +reasonable liberty, under the general supervision of their parents and +family, but in this case to arm them with knowledge, to let them know +what marriage is legally, ceremonially, socially, and physiologically. +This is a safe way, and the only safe one. Let this be done, and then +if a girl "goes wrong" in any way, it is merely one of those +unavoidable misfortunes which some of us have to encounter. + + +--Was there ever anything so amazing as this blue-glass craze that has +taken possession of about two-thirds of those who are included in the +term "everybody"? It would seem as if there were no limit to man's +credulity, particularly upon those subjects which concern him most +nearly, religion and the preservation of bodily health. In both he is +ready to listen to any plausible person who will tell him to "do some +great thing." Tell him that he must live a life morally pure and +physically clean and sober, that he must not sin against his own +consciousness of right, and that he must wash himself and eat simple, +wholesome food, conform himself to the indications of his physical +structure, and he will assent in a careless way, and immediately +violate every rule of sound morals and physiology. But tell him that he +must make a pilgrimage to Rome, or that he must lift six or seven +hundred pounds daily, swallow pills and bitters, or live in a blue +conservatory, and he will prick up his long ears, and do it if he can. +What wonder that quacks all make money, and that the "patent medicine +interest" should have a representative in Congress! But quacks and +patent medicines usually must have the benefit of a few years of +copious advertising before they effect their purpose; whereas blue +glass was written into popular favor with the dash of a pen. It trebled +in price in less than so many weeks. The notion that light should be +filtered of every ray but the blue one to produce the best effect upon +the human body and brain is certainly one of the most fantastic that +has been broached since the days of the medical mountebanks. The best +use to which this glass can be put is to the making of hot-beds. Let +our early lettuce and pease by all means be brought forward under +sashes glazed in blue. What cauliflowers we shall have, and what +cabbages! At present the crop of cabbage heads, to be sure, promises to +be very large through the intervention of blue glass; but much the +greater number of them appear to be growing upon human shoulders. + + +--Science, or self-styled science, however, insists on playing its +tricks with colors as with other matter--if color be matter. There is +now a budding theory that the eye is and always has been in a state of +development, and that we are yet to discover new colors of which we +have at present no idea. In support of this it is urged that in early +literature we find only the strong primary colors mentioned--red, blue, +black; black, however, being the absence of true color. It is supposed +that the other colors were not seen; and in support of this it is urged +that Aristotle assigns only four colors to the rainbow. But surely this +is scientific trifling. It is natural that early writers upon any +subject should notice only the strongest and most salient points +connected with it. Its finer gradations become the subject of +subsequent discussion. Particularly might this be expected to be the +case in the ruder states of society. It is not that the senses cannot +perceive; for the savage senses are very keen, as is well known, but +that language, perhaps even the mind, does not discriminate. It is +content with broad and marked distinctions. So with regard to the eye +and color. We may be very sure that a perfect eye sees, and has always +seen, all possible color. But unless led thereto by science or art, or +love of beauty in dress or ornamentation, the observer is content with +noticing the strong tints, red, blue, yellow, black, white--and green +also, which is so widely spread over nature. But as to a new color, +that is quite impossible, unless some new gradation or combination of +color may have a new name given to it. For in the spectrum we have a +perfect gradation of colors, all that are in the ray; and after we pass +the primaries, the others are but combinations and gradations. To get a +new color we must wait for a new eye and a new sun. + + +--Where will the desire for championship not lead some one of us, and +where will it end? We have champion walkers and skaters, champion +boot-blacks and bill-posters; and out at the West the other day a lad +employed in a newspaper office to wrap papers for the mails announced +himself as the champion paper-wrapper, and challenged anybody to wrap +with him--the most in so many hours. The last champion performance is +that of a "professor of dancing" (Anglece, a dancing master), who +waltzed for five consecutive hours. It was an occasion. We are told +how, after waltzing some half-a-dozen persons, male and female, out of +breath, the "intrepid professor" kept on; how he changed partners +without stopping his regular steps; how he drank a glass of wine now +and then, while stepping in time to the music; and how, when after +waltzing steadily for four hours and a half, he showed some signs of +faltering, slices of lemon were put into his mouth, ten minutes after +swallowing which "the professor revived." Then he became dizzy, and +peppermint lozenges were given him. On he went, and in the last five +minutes of his stint showed his pluck by "putting in fancy steps"; and +his wife, who was now his partner--a sort of nursing partner, it would +seem--occasionally whispered "nods of encouragement," a performance +which beats the professor's all hollow. "Nods and becks and wreathed +smiles" are very natural and very charming on appropriate occasions; +but whispered nods are something quite inconceivable. The professor +held out, and at half-past twelve "a grand huzza rang out." Is not this +rather a pitiful spectacle? If a man dances, let him dance well. If to +teach dancing is his vocation, let him get, and let him prize, a +reputation for teaching it well. That is reasonable and respectable. +But that a man should spend five whole consecutive hours, nearly a +quarter of a day, in dancing for the mere sake of showing that he could +keep it up and dance ever so many people down, is rather a sad +exhibition of smallness. All these exhibitions spring, not from the +desire to do well, which is always and in all things honorable, but +from that of doing something that other people cannot do, which is not +very admirable. Some other "professor," not to be bluffed, will now +challenge this professor; and we shall have a dance for the +championship. Then some other professor in Europe will be fired with +ambition, and we shall have a grand International Dancing Contest for +the Championship of the World. Well, it will be a little better, but +not much, than the eating and drinking matches which sometimes take +place in England, in which two half-beastly creatures gorge and guzzle +in a contest wherein the victor would probably be beaten by almost any +four-legged swine. Emulation is a spur to exertion the moral excellence +of which is at least questionable; and when it leads to dancing five +hours on a stretch or eating five pounds of bacon at a sitting, we see +a little what its essence is. + + +--The curiosities of advertising come out strongly at the far West. +Here is the "Denver Rocky Mountain News" all ablaze with displayed +announcements, some of which are of an extraordinary and whimsical +character. One man cries out in enormous type, "Deadwood on getting +rich if you only save your money; no need of going to the Black Hills +if you can buy Groceries at these figures"; another exclaims in very +big black letters, "Store your Stoves! and avoid trouble, dirt, rust, +hard work, and _profanity_"--the latter a piece of advice very +pertinent, it would seem, to the region; another insinuates in a sort +of colossal pica that although "Bragg and Stick'em may have a larger +stock of men's furnishing goods than all the other houses in the United +States put together," the right place to get things cheap and elegant +is his establishment (who are the loudly advertising rivals that he +pillories as Bragg and Stick'em does not appear); another firm of +traders announce themselves as the "Chicago Square-Dealing House"; +another, a jeweller, informs the Western world that in consequence of +the "great failure of the Milton Gold jewelry company in London, their +entire stock has been consigned to us to raise money as soon as +possible"--the idea of a consignment from London to Denver does not +seem to strike the Western mind as it does us who are somewhat nearer +London; two undertakers announce their business by enormous prints of +black-plumed hearses; and the paper itself publishes a "black list" of +debts for sale, ingeniously adding that a dollar a week will be +credited to the debtors during the publication; one advertisement is +headed, "Drunkard, Stop!" an appeal which seems quite in place; for the +most important and interesting announcement of all, headed, "Don't you +forget it!" is that a certain man has "the best stock of Straight +Kentucky Sour-mash Bourbon and Rye _Whiskey_ in the Far West." He may +be sure that the Denver people will not forget that. + + + + + +End of the Project Gutenberg EBook of The Galaxy, June 1877, by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK THE GALAXY, JUNE 1877 *** + +***** This file should be named 32075.txt or 32075.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/3/2/0/7/32075/ + +Produced by Barbara Tozier, Bill Tozier and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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