summaryrefslogtreecommitdiff
path: root/31360-h
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-14 19:55:38 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-14 19:55:38 -0700
commit92a645251ae4837ddc9bb83e78ca1e25dfb2e5bc (patch)
treea0fa127bb5dafecbb6ddbf6947c9d94b869095a3 /31360-h
initial commit of ebook 31360HEADmain
Diffstat (limited to '31360-h')
-rw-r--r--31360-h/31360-h.htm1213
1 files changed, 1213 insertions, 0 deletions
diff --git a/31360-h/31360-h.htm b/31360-h/31360-h.htm
new file mode 100644
index 0000000..c20887b
--- /dev/null
+++ b/31360-h/31360-h.htm
@@ -0,0 +1,1213 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml">
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=utf-8" />
+<title>The Project Gutenberg eBook of Anthropology, by Daniel Garrison Brinton</title>
+ <style type="text/css">
+
+ p { margin-top: .75em;
+ text-align: justify;
+ margin-bottom: .75em;
+ text-indent: 1em;
+ }
+ p.noindent {text-indent: 0em;}
+ p.titlepage {text-indent: 0em; text-align: center; }
+
+ h1,h2,h3,h4,h5,h6 {
+ text-align: center; /* all headings centered */
+ clear: both;
+ font-weight: normal;
+ }
+ .chapterhead {margin-top: 4em;}
+ .sectionhead {margin-top: 2em;}
+ .outlinehead {font-size: 120%;}
+
+ hr { width: 33%;
+ margin-top: 2em;
+ margin-bottom: 2em;
+ margin-left: auto;
+ margin-right: auto;
+ clear: both;
+ }
+ .chapbreak {width: 65%; }
+ .declong {width: 6em; border: solid black 1px; margin-top: 0em; margin-bottom: 0em;}
+
+ table {margin-left: auto; margin-right: auto;}
+ td {padding-left: 0.5em; padding-right: 0.5em; vertical-align: top;}
+ .tdr {text-align: right;}
+ .tntable {margin-left: 0;}
+
+ body{margin-left: 10%;
+ margin-right: 10%;
+ }
+
+ .pagenum { /* uncomment the next line for invisible page numbers */
+ /* visibility: hidden; */
+ position: absolute;
+ left: 92%;
+ font-size: smaller;
+ font-style: normal;
+ font-weight: normal;
+ font-variant: normal;
+ text-align: right;
+ text-indent: 0em;
+ } /* page numbers */
+
+ .blockquot{font-size: smaller; }
+ .outline {margin-left: 6em; text-indent: -2em;}
+
+ .size70per {font-size: 70%;}
+ .size50per {font-size: 50%;}
+ .top2 {margin-top: 2em;}
+
+ ul.ix {list-style-type: none; font-size:inherit;}
+
+ ins.correction {text-decoration:none; border-bottom: thin dotted gray;}
+
+ .tn {background-color: #EEE; padding: 0.5em 1em 0.5em 1em;}
+
+ hr.full { width: 100%;
+ margin-top: 3em;
+ margin-bottom: 0em;
+ margin-left: auto;
+ margin-right: auto;
+ height: 4px;
+ border-width: 4px 0 0 0; /* remove all borders except the top one */
+ border-style: solid;
+ border-color: #000000;
+ clear: both; }
+ pre {font-size: 85%;}
+ </style>
+</head>
+<body>
+<h1><b>The Project Gutenberg eBook, Anthropology, by Daniel Garrison Brinton</b></h1>
+<pre>
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at <a href = "http://www.gutenberg.org">www.gutenberg.org</a></pre>
+<p>Title: Anthropology</p>
+<p> As a Science and as a Branch of University Education in the United States</p>
+<p>Author: Daniel Garrison Brinton</p>
+<p>Release Date: February 22, 2010 [eBook #31360]</p>
+<p>Language: English</p>
+<p>Character set encoding: UTF-8</p>
+<p>***START OF THE PROJECT GUTENBERG EBOOK ANTHROPOLOGY***</p>
+<p>&nbsp;</p>
+<h4><b>E-text prepared by Julia Miller<br />
+ and the Project Gutenberg Online Distributed Proofreading Team<br />
+ (<a href="http://www.pgdp.net/c/">http://www.pgdp.net</a>)<br />
+ from page images generously made available by<br />
+ Internet Archive/American Libraries<br />
+ (<a href="http://www.archive.org/details/americana">http://www.archive.org/details/americana</a>)</b></h4>
+<p>&nbsp;</p>
+<table border="0" style="background-color: #eeeeee;" cellpadding="10">
+ <tr>
+ <td valign="top">
+ Note:
+ </td>
+ <td>
+ Images of the original pages are available through
+ Internet Archive/American Libraries. See
+ <a href="http://www.archive.org/details/anthropologyassc00brinrich">
+ http://www.archive.org/details/anthropologyassc00brinrich</a>
+ </td>
+ </tr>
+</table>
+<p>&nbsp;</p>
+<div class="tn">
+<p class="titlepage"><b>Transcriber’s Note</b></p>
+
+<p class="noindent">Two typographical errors were identified but not corrected
+ in this e-book. They are <ins class="correction" title="correction">marked</ins>,
+ and what is thought to be the correct text is shown in the popup. A
+ description of these errors is found in the <a href="#trans_note">list</a> at
+ the end of the text.<br />
+ <br />Inconsistent spelling, hyphenation, and capitalization have been maintained.</p>
+</div>
+<p>&nbsp;</p>
+<hr class="full" />
+
+<p><span class="pagenum"><a name="Page_1" id="Page_1">[1]</a></span></p>
+
+<h1 class="chapterhead"><b>ANTHROPOLOGY:</b><br />
+
+<span class="size70per">AS A SCIENCE</span><br />
+
+<span class="size50per">AND</span><br />
+
+<span class="size70per">AS A BRANCH OF UNIVERSITY EDUCATION<br />
+IN THE UNITED STATES.</span></h1>
+
+<p class="titlepage top2"><span class="size70per">BY</span><br />
+DANIEL G. BRINTON, A.M., M.D., LL.D.,<br />
+<span class="size70per">PROFESSOR OF AMERICAN ARCHÆOLOGY AND LINGUISTICS IN THE UNIVERSITY OF PENNSYLVANIA,<br />
+AND OF GENERAL ETHNOLOGY AT THE ACADEMY OF NATURAL SCIENCES, PHILADELPHIA;<br />
+CORRESPONDING MEMBER OF THE ANTHROPOLOGICAL SOCIETIES OF WASHINGTON,<br />
+NEW YORK, PARIS, BERLIN, ST. PETERSBURG,<br />
+VIENNA, MUNICH, FLORENCE, ETC.</span></p>
+
+<p>&nbsp;</p>
+<p>&nbsp;</p>
+<p>&nbsp;</p>
+<p class="titlepage top2">PHILADELPHIA:<br />
+1892.</p>
+
+
+
+<hr class="chapbreak" />
+<p><span class="pagenum"><a name="Page_2" id="Page_2">[2]</a></span></p>
+
+<h2 class="chapterhead">PREFATORY NOTE.</h2>
+
+
+<p>This very brief presentation of the claims of Anthropology for a
+recognized place in institutions of the higher education in the United
+States will, I hope, receive the thoughtful consideration of the
+officers and patrons of our Universities and Post-Graduate Departments.</p>
+
+<p>The need of such a presentation was urged upon me not long since by the
+distinguished president of a New England University. Impressed with the
+force of his words, I make an earnest appeal to our seats of advanced
+learning to establish a branch of Anthropology on the broad lines herein
+suggested. It may be but one chair in their Faculties of Philosophy; but
+the rightful claims of this science will be recognized only when it is
+organized as a department by itself, with a competent corps of
+professors and docents, with well-appointed laboratories and museums,
+and with fellowships for deserving students.</p>
+
+<p>Who is the enlightened and liberal citizen ready to found such a
+department, and endow it with the means necessary to carry out both
+instruction and original research?</p>
+
+<p>I do not plead for any one institution, or locality, or individual; but
+simply for the creation in the United States of the opportunity of
+studying this highest of the sciences in a manner befitting its
+importance.</p>
+
+
+<hr class="chapbreak" />
+<p><span class="pagenum"><a name="Page_3" id="Page_3">[3]</a></span></p>
+
+<h2 class="chapterhead">ANTHROPOLOGY,<br />
+<span class="size70per">AS A SCIENCE,</span><br />
+<span class="size50per">AND</span><br />
+<span class="size70per">As a Branch of University Education.</span></h2>
+
+
+<hr class="declong" />
+
+<h3 class="sectionhead"><i>What Anthropology Is.</i></h3>
+
+<p>Man himself is the only final measure of his own activities. To his own
+force and faculties all other tests are in the end referred. All
+sciences and arts, all pleasures and pursuits, are assigned their
+respective rank in his interest by reference to those physical powers
+and mental processes which are peculiarly the property of his own
+species.</p>
+
+<p>Hence, the Study of Man, pursued under the guidance of accurate
+observation and experimental research, embracing all his nature and all
+the manifestations of his activity, in the past as well as in the
+present, the whole co-ordinated in accordance with the inductive methods
+of the natural sciences&mdash;this study must in the future unfailingly come
+to be regarded as the crown and completion of all others&mdash;and this is
+<i>Anthropology</i>.</p>
+
+
+<h3 class="sectionhead"><i>The Value of Anthropology.</i></h3>
+
+<p>The value of the applications of this science can scarcely be
+overestimated.</p>
+
+<p>In government and law, in education and religion, men have hitherto been
+dealt with according to traditional beliefs or <i>a priori</i> theories of
+what they may or ought to be. When we learn through scientific <span class="pagenum"><a name="Page_4" id="Page_4">[4]</a></span>research
+what they really are, we shall then, and then only, have a solid
+foundation on which to build the social, ethical and political
+structures of the future. It is the appreciation of this which has given
+the extraordinary impetus to the study of Sociology&mdash;a branch of
+Anthropology&mdash;within the last decade.</p>
+
+<p>Anthropology alone furnishes the key and clue to History. This also is
+meeting recognition. No longer are the best histories mainly chronicles
+of kings and wars, but records of the development and the decline of
+peoples; and what constitutes a “people,” and shapes its destiny, is the
+very business of Ethnology to explain.</p>
+
+<p>So likewise in hygiene and medicine, in ethics and religion, in language
+and arts, in painting, architecture, sculpture and music, the full
+import and often unconscious intention of human activity can only be
+understood, and directed in the most productive channels, by such a
+careful historical and physical analysis as Anthropology aims to
+present.</p>
+
+
+<h3 class="sectionhead"><i>Societies and Schools for the Study of Anthropology.</i></h3>
+
+<p>The world of science has been recognizing more fully, year by year, the
+paramount importance of the systematic study of Anthropology to the
+aspirations of modern civilization.</p>
+
+<p>The first Anthropological Society&mdash;that of Paris&mdash;was founded by Paul
+Broca, in May, 1859. It has been rapidly followed by the organization of
+similar societies in London, Berlin, St. Petersburg, Vienna, Brussels,
+Munich, Madrid, Florence, Washington, New York, and many other centres
+of enlightened thought. In 1882 the American Association for the
+Advancement of Science organized its Section of Anthropology; and in
+1884 the British Association for the Advancement of Science followed
+this example. It is a well known fact that these sections are more
+attractive to the general public, and are better supplied with material
+than any other sections in the Associations. This augurs well for the
+zeal with which students would welcome the creation of special
+departments for instruction in all branches of the science.</p>
+
+<p>The first School of Anthropology was founded also by Broca, at Paris,<span class="pagenum"><a name="Page_5" id="Page_5">[5]</a></span>
+in the year 1876. It began with a corps of five professors, a number
+which it has now doubled, the demand for more extended instruction
+having steadily increased. The courses have been as well attended as any
+others, either at the Collége de France, or at the Sorbonne. A second
+school is organized in connection with the Museum of Natural History at
+the Jardin des Plantes. It has counted among its instructors various
+illustrious names, and its courses have also been highly popular.</p>
+
+<p>Several of the German universities have organized a department of
+Anthropology. In those of Munich, Berlin, Marburg, and Buda Pesth the
+chairs are filled respectively by Ranke, Bastian, Von den Steinen, and
+Von Török. In the University of Leipzig, Dr. E. Schmidt is <i>docent</i> in
+Anthropology; and the same position is held in Berlin by Dr. Von
+Luschan. In a number of other institutions, lectures on the branch are
+given. The first degree in Anthropology was conferred by the University
+of Munich three years ago. The University of Brussels has established a
+full chair of Anthropology, occupied by Professor Houze; and a similar
+position is filled in the Musée Polytechnique, at Moscow, by Professor
+Dimitri Anoutchine.</p>
+
+<p>In the United States, regular courses on Physical Anthropology and
+Ethnology have been given by me for the last six years, at the Academy
+of Natural Sciences, Philadelphia. But the only educational institutions
+which have distinctly recognized the branch are Clark University,
+Worcester, Mass., where Dr. Franz Boas is <i>docent</i> in Anthropology, and
+which, in March of this year, conferred the first degree in Anthropology
+given in America; and the University of Chicago, in which Dr. Frederick
+Starr is Assistant Professor of Anthropology. I cannot learn that any
+full professorship of the science has been established in this country.</p>
+
+<p>Considerable attention has been paid to the subject by the scientists
+connected with the National Museum, the Smithsonian Institution, the
+Army Medical Museum, and especially the Bureau of Ethnology at
+Washington. The last mentioned, under the efficient administration of
+Major J. W. Powell, has enriched the literature of Anthropology with<span class="pagenum"><a name="Page_6" id="Page_6">[6]</a></span> a
+series of publications not exceeded in value by those of any other
+government.</p>
+
+
+<h3 class="sectionhead"><i>Subdivisions of Anthropology.</i></h3>
+
+<p>The Study of Man in accordance with the laws of inductive research is,
+therefore, the aim and meaning of Anthropology. The subject is a broad
+one,&mdash;in space, as wide as the world; in time, longer than all history;
+in depth, reaching to the innermost consciousness. A man may be regarded
+merely as a specimen of a certain species of vertebrates; or, in his
+multifarious relations as a member of a social organization. We may
+study him as a living being; or seek to trace his actions and origin in
+ages long before history begins. Hence, Anthropology is divided into
+several associated departments devoted to the exploration of its varied
+realms of research. They may conveniently be divided into four, of
+nearly equal importance. An acquaintance with all of them is essential
+to the equipment of a sound anthropologist.</p>
+
+<p>The first is the study of the physical nature of man, his anatomy,
+physiology and biology, so far as these bear on the distinctions of
+races, peoples, and nations. Psychology, so far as it is an experimental
+and inductive science, belongs in this department. This general division
+has been called by French writers “special Anthropology”, and by the
+Germans “somatic Anthropology”; but we need for it a single term, and
+none better could be found than that suggested by the German expression.
+I call it, therefore, <i>Somatology</i>, a word long <a name="corr1" id="corr1"></a><ins class="correction" title="since">since,"</ins>
+domesticated in the vocabulary of English and American medical science,
+and explained in the dictionaries as “a discourse or discussion on the
+human body”.</p>
+
+<p>The second division is <i>Ethnology</i>. This is, in its methods, historic
+and analytic. It contemplates man as a social creature. It is more
+concerned with the mental, the psychical part of man, than with his
+physical nature, and seeks to trace the intellectual development of
+communities by studying the growth of government, laws, arts, languages,
+religions, and society.</p>
+
+<p>The third division, <i>Ethnography</i>, is geographic and descriptive in its<span class="pagenum"><a name="Page_7" id="Page_7">[7]</a></span>
+plans of research. It studies the subdivision and migrations of races,
+local traits, peculiarities and customs, and confines itself to matters
+of present observation.</p>
+
+<p>Finally, <i>Archæology</i> comes in to supply the material which neither
+history nor present observation can furnish. It pries into the obscurity
+of the remotest periods of man’s life on earth, and gathers thousands of
+facts forgotten by historians and overlooked by contemporaries. Often
+these unconsidered trifles prove of priceless value, and furnish the key
+to the real life of ancient nations.</p>
+
+
+<h3 class="sectionhead"><i>Means of Practical Instruction.</i></h3>
+
+<p>Anthropology is not a theoretical science. It is essentially
+experimental and practical, a science of observation and operative
+procedures. It cannot be learned by merely reading books and attending
+lectures. The student must literally put his hand to the work.</p>
+
+<p>For that reason every institution for teaching Anthropology must have a
+Laboratory attached to it; and in that Laboratory the best part of the
+work will be done.</p>
+
+<p>Such a Laboratory will naturally be divided into two departments; one
+devoted to the study of the physical characteristics of man, the other
+to the investigation of the products of his industry. The former will be
+more especially related to the branch of Somatology; the latter, to
+those of Ethnology, Ethnography, and Archæology. The efforts of the
+Laboratory instructors will be directed to training the perceptions of
+the students in the requirements of this science and to giving them the
+practical knowledge and manual dexterity necessary to employ its tests.</p>
+
+<p>Connected with the Laboratory, and really forming part of it, will be a
+Museum, of such extent as circumstances permit. It will include crania
+and osteological specimens; art-products, arranged both ethnologically,
+that is, in series showing their evolution, and ethnographically, that
+is, illustrating the geographical provinces and ethnic areas from which
+they are derived; and archæological specimens typical of prehistoric and
+proto-historic culture.</p>
+
+<p><span class="pagenum"><a name="Page_8" id="Page_8">[8]</a></span>Hand in hand with the Laboratory work should proceed Library Labor.
+There is a strong tendency in students of sciences of observation to
+read only for immediate purposes and on current topics. Few acquaint
+themselves with the history even of their own special branches; an
+ignorance which often results injuriously on the effectiveness of their
+work. To correct this, a series of tasks in the literature of the
+science should regularly be assigned.</p>
+
+<p>Finally, all that has been proposed must be supplemented by a course of
+Field-work, in which the student must be trained to apply his
+acquirements in really adding to the stores of knowledge by independent
+and unaided exertion.</p>
+
+<p>I do not rest satisfied with presenting these general statements. More
+detail will very properly be demanded by any one seriously considering
+the foundation of a chair or department in this branch.</p>
+
+<p>I have drawn up, therefore, and append, a scheme for a course or courses
+of lectures; a plan for laboratory instruction; another for library
+work; a sketch of what should be done in the field; and finally, I name
+a few of the best text-books on the various subdivisions of the general
+science.</p>
+
+<p>I would ask the particular attention of those interested in this science
+to the classification and nomenclature which I here present. It is the
+result of a careful collation of all the leading European writers on the
+subject and of consultation with several of the most thoughtful in this
+country.</p>
+
+<p>There is, unfortunately, considerable diversity in the arrangements and
+terms adopted by different authors, and it is most desirable that a
+uniform phraseology be adopted in all countries. That which I offer aims
+to be exhaustive of the science and to adopt, wherever practicable, the
+expressions sanctioned by the greater number of distinguished living
+authorities in its literature.</p>
+
+
+
+<hr class="chapterhead" />
+<p><span class="pagenum"><a name="Page_9" id="Page_9">[9]</a></span></p>
+
+<h2 class="chapterhead">General Scheme for Instruction in Anthropology.</h2>
+
+<hr class="declong" />
+
+<h3 class="sectionhead">SYNOPSIS OF LECTURE COURSE.</h3>
+
+<hr class="declong" />
+
+<h4>PRINCIPAL SUBDIVISIONS.</h4>
+
+<hr class="declong" />
+
+<ul class="ix">
+ <li>&nbsp;&nbsp;I. <i>Somatology.</i>&mdash;Physical and Experimental Anthropology.</li>
+ <li>&nbsp;II. <i>Ethnology.</i>&mdash;Historic and Analytic Anthropology.</li>
+ <li>III. <i>Ethnography.</i>&mdash;Geographic and Descriptive Anthropology.</li>
+ <li>IV. <i>Archæology.</i>&mdash;Prehistoric and Reconstructive Anthropology.</li>
+</ul>
+
+<hr class="declong" />
+
+<h4 class="outlinehead">I.&mdash;<i>Somatology.</i></h4>
+
+<p>A. Internal Somatology.</p>
+
+<p class="outline"><i>a.</i> Osteology.&mdash;Bones of the skeleton, names, forms, measures,
+proportions, peculiarities, such as flattened tibia, perforated
+humerus, form of pelvis, os calcis, etc. Craniology;
+measurements of skull and face, sutures, angles, nasal and
+orbital indices, dentition, artificial deformations.</p>
+
+<p class="outline"><i>b.</i> Myology and Splanchnology.&mdash;The muscular system and viscera so
+far as they concern racial peculiarities, as deficient calves,
+proportions of liver and lungs, etc. Steatopygy.</p>
+
+<p>B. External Somatology.</p>
+
+<p class="outline">Stature and Proportion. Anthropomometry. Tests for strength and
+endurance. Color of skin, hair, and eyes. Color scales. Shape
+and growth of hairs. Canons of proportion. Physical beauty.</p>
+
+<p>C. Psychology.</p>
+
+<p class="outline">Application of experimental psychology to races. Comparative rates
+of nervous impulse, sensation, muscular movements, and mental
+processes. Right- and left-handedness. Anomalous brain actions.</p>
+
+<p><span class="pagenum"><a name="Page_10" id="Page_10">[10]</a></span></p>
+
+<p>D. Developmental and Comparative Somatology.</p>
+
+<p class="outline">Embryology of man. Doctrines of heredity and congenital
+transmission. Teratology, or the production of varieties and
+monstrosities. Ethnic and racial anatomy. Evolution of man.
+Comparative anatomy of man and anthropoids. Simian and lemurian
+analogies. Fossil remains of man.</p>
+
+<p class="outline">Biology of man. Changes produced by nutrition (food supply),
+climate, humidity, altitude, etc. Comparative physiology and
+pathology. Medical geography. Comparative nosology of different
+races. Criminal anthropology. Pathology of races. Fertility and
+sterility of races. Reproduction and stirpiculture. Comparative
+longevity. Immunity from disease. Vital statistics. Anatomical
+classifications of races. (Historical review; present opinions.)</p>
+
+
+<h4 class="outlinehead">II.&mdash;<i>Ethnology.</i></h4>
+
+<p>A. Definitions and Methods.</p>
+
+<p class="outline">Meaning of Race, People (<i>ethnos</i>, folk), Nation, Tribe. Culture and
+civilization. Measures and stages of culture. Causes and
+conditions of ethnic progress. Ethnic aptitudes for special
+lines of progress. Ethnic psychology (Völkerpsychologie).</p>
+
+<p>B. Sociology.</p>
+
+<p class="outline"><i>a.</i> Government.&mdash;Primitive forms. The gens; the tribe; the
+confederacy; chieftainship; monarchy; theocracy; democracy, etc.</p>
+
+<p class="outline"><i>b.</i> Marriage.&mdash;Theories of primitive marriage; promiscuity;
+polygamy; polyandry; monogamy. Limitations of marriage. Forms
+and rites of marriage. Laws of descent and consanguinity. Social
+position of woman. Gynocracy.</p>
+
+<p class="outline"><i>c.</i> Laws.&mdash;Origin of laws. Primitive ethics. Dualism of ethics.
+Evolution of the moral sense. The Taboo. Blood revenge. Tenures
+of land. Classes above law. Castes. Privileged classes. Codified
+laws. International laws.</p>
+
+<p>C. Technology.</p>
+
+<p class="outline"><i>a.</i> The Utilitarian Arts.&mdash;Manufacture of tools, utensils, weapons,
+and agricultural, etc., implements. Architecture and building.
+Clothing and fashions. Means of transportation by land and
+water. Agriculture. Domestication of plants and animals.
+Weights, measures, and instruments of precision. Media of
+exchange, currency, money, articles of barter and commerce.</p>
+
+<p class="outline"><i>b.</i> The Esthetic Arts.&mdash;Theory of the sense of the beautiful.
+Decorative designs in line and color. Skin-painting. Tattooing.
+Sculpture and modeling. Music and musical instruments. Scents
+and flowers. Games and festivals.</p>
+
+<p><span class="pagenum"><a name="Page_11" id="Page_11">[11]</a></span></p>
+
+<p>D. Religion.</p>
+
+<p class="outline"><i>a.</i> Psychological Origin of Religions.&mdash;Principles and method of
+the science of religion. Personal, family, and tribal religions.
+Ancestral worship. Doctrines of animism; fetichism; polytheism;
+henotheism; monotheism; universal religions.</p>
+
+<p class="outline"><i>b.</i> Mythology.&mdash;Definition and growth of myths. Solar light and
+storm myths. Creation and deluge myths. Relation of myths to
+language.</p>
+
+<p class="outline"><i>c.</i> Symbolism and Religious Art.&mdash;Relation of symbolism to
+fetichism. Primitive idols. Charms and amulets. Tokens. Tombs,
+temples, altars. Sacrifice. Symbolism of colors and numbers.
+Special symbols; the bird; the serpent; trees; the cross; the
+svastika; the circle, etc.</p>
+
+<p class="outline"><i>d.</i> Religious Teachers and Doctrines.&mdash;The priestly class.
+Shamanism. Theocracies. Secret orders. Initiations. Diviners.
+Augurs and prophets. Doctrines of soul. Fatalism.</p>
+
+<p class="outline"><i>e.</i> Analysis of Special Religions.&mdash;Egyptian religion; Buddhism;
+Judaism; Christianity; Mohammedanism, etc.</p>
+
+<p>E. Linguistics.</p>
+
+<p class="outline"><i>a.</i> Gesture and Sign Language.&mdash;Examples. Plan of thought in
+relation to picture writing.</p>
+
+<p class="outline"><i>b.</i> Spoken Language.&mdash;Articulate and inarticulate speech. Imitative
+sounds. The phonology of languages. Universal alphabets. Logical
+relations of the parts of speech. The vocabulary and the grammar
+of languages. Distinctions between languages and dialects. Mixed
+languages and jargons. Relations of language to ethnography.
+Polyglottic and monoglottic peoples. Causes of changes in
+language. Extent and nature of such changes. Examples.
+Classifications of languages. Relative excellence of languages.
+Criteria of superiority. Rules for the scientific comparison of
+languages.</p>
+
+<p class="outline"><i>c.</i> Recorded Language.&mdash;Systems of recording ideas.
+Thought-writing. Pictography. Symbolic and ideographic writing.
+Examples. Sound-writing. Evolution of the phonetic alphabets.
+Egyptian, Cuneiform, Chinese, Aztec, and other phonetic systems.</p>
+
+<p class="outline"><i>d.</i> Forms of Expression.&mdash;Rhythmical. Origin of meter. Poetry of
+primitive peoples. Rhythm and rhyme. Characters of prose.
+Relation of prose and poetry to national language and character.
+Dramatic. The primitive drama and its development.</p>
+
+<p>F. Folk-lore.</p>
+
+<p class="outline">Definition, nature, and value of folk-lore. Methods of its study.
+Relations to history and character of a people. Traditional
+customs. Traditional narratives. Folk-sayings. Superstitious
+beliefs and practices.</p>
+
+<p><span class="pagenum"><a name="Page_12" id="Page_12">[12]</a></span></p>
+
+
+<h4 class="outlinehead">III.&mdash;<i>Ethnography.</i></h4>
+
+<p>A. The Origin and Subdivisions of Races.</p>
+
+<p class="outline">Theories of monogenism and polygenism. Doctrine of “geographical
+provinces” or “areas of characterization.” The continental areas
+at the date of man’s appearance on the earth. Eurafrica,
+Austafrica, Asia, America, Oceanica. Causes and consequences of
+the migrations of races and nations.</p>
+
+<p class="outline"><i>a.</i> The Eurafrican Race.&mdash;Types of the white race. Its first home.
+Early migrations. The South Mediterranean branch (Hamitic and
+Semitic stocks). The North Mediterranean branch (Euskaric,
+Aryan, and Caucasic stocks).</p>
+
+<p class="outline"><i>b.</i> The Austafrican Race.&mdash;Former geography of Africa. The
+Negrillos or Pigmies. The true Negroes. The Negroids. The race
+in other continents. Negro slavery.</p>
+
+<p class="outline"><i>c.</i> The Asian Race.&mdash;The Sinitic branch (Chinese, Thibetans,
+Indo-Chinese). The Sibiric branch (the Tungusic, Mongolic,
+Tataric, Finnic, Arctic, and Japanese groups).</p>
+
+<p class="outline"><i>d.</i> The American Race.&mdash;Peopling of America. Groups of North and
+South American tribes.</p>
+
+<p class="outline"><i>e.</i> Insular and Litoral Peoples.&mdash;The Negritic stock (Negritos,
+Papuans, Melanesians). The Malayic stock (Western Malayans,
+Eastern, or Polynesians). The Australic stock (Australian
+tribes; Dravidians and Kols, of India).</p>
+
+
+<h4 class="outlinehead">IV.&mdash;<i>Archæology.</i></h4>
+
+<p>A. General Archæology.</p>
+
+<p class="outline"><i>a.</i> Geology of the epoch of man. Late tertiary and quaternary
+periods. Glacial phenomena. River drift. Diluvial and alluvial
+deposits. Physical geography of the quaternary. Prehistoric
+botany and zoölogy.</p>
+
+<p class="outline"><i>b.</i> Prehistoric Ages.&mdash;The Age of Stone (chipped stone, or
+palæolithic period; polished stone, or neolithic period). The
+Age of Bronze. The Age of Iron. Epochs, stations, and examples.
+Methods of study of stone and bone implements, pottery, and
+other ancient remains. Indications of prehistoric commerce.
+Palethnology. Proto-historic epoch.</p>
+
+<p>B. Special Archæology.</p>
+
+<p class="outline">Egyptian, Assyrian, Phenician, Classical, and Medieval Archæology.</p>
+
+<p class="outline">Archæology of the various areas in America. Art in stone, bone,
+shell, wood, clay, paper, etc., in these areas.</p>
+
+<p><span class="pagenum"><a name="Page_13" id="Page_13">[13]</a></span></p>
+
+
+<h3>LABORATORY WORK.</h3>
+
+<p>A. Physical Laboratory.</p>
+
+<p class="outline">Comparing and identifying bones. Measuring skulls. Dissections of
+anthropoids and human subjects. Examination of brains. Study of
+embryology and teratology. Practical study of the hair, skin,
+nails, etc., of different races. Use of color scales, etc.
+Practice in anthropomometry, with the necessary instruments.
+Testing for sense perceptions.</p>
+
+<p>B. Technological Laboratory.</p>
+
+<p class="outline">Study of stone implements; simple and compound; rough and polished;
+primary and secondary chipping; cleavage; firing; bulb of
+percussion; mineralogy of implements; patine, etc. Bone
+implements.</p>
+
+<p class="outline">Study of metal implements. Hammering, smelting, casting. Results of
+exposure. Analysis of alloys. Coins, etc. Study of pottery.
+Pastes; burning; glazing; forms; decorative designs; painting
+and coloring.</p>
+
+<p class="outline">Textile materials; ancient cloth and basket work; feather work.</p>
+
+<p class="outline">Methods of making casts and models; taking squeezes, rubbings,
+copies, and photographs. Drawing, shading, and coloring
+ethnographic charts.</p>
+
+<p class="outline">Practice in preserving, mounting, arranging, and classifying
+specimens. Tests for the detection of frauds. Incrustations,
+dendrites, etc. Practice in reducing unknown tongues to writing,
+by the ear. Practice in the repetition of unfamiliar phonetic
+elements. Study of the actions of the lingual muscles in the
+production of sounds.</p>
+
+
+<h3>LIBRARY WORK.</h3>
+
+<p>Researches in the history of anthropology.</p>
+
+<p>Making lists of works and articles on special subjects, with brief
+abstracts.</p>
+
+<p>Notes of the proceedings of anthropological societies and the contents
+of journals.</p>
+
+<p>Presentation of the theories of particular writers on the science.</p>
+
+<p>Familiarize the student with the past and present literature of his
+branch.</p>
+
+
+<h3>FIELD WORK.</h3>
+
+<p>Methods of surveying, photographing, and plotting ancient remains.</p>
+
+<p>Plans for taking field-notes.</p>
+
+<p>Instruction in the proper methods of opening mounds, shell heaps, etc.,
+and in excavating rock-shelters and caverns. The preserving and packing
+of specimens.</p>
+
+<p><span class="pagenum"><a name="Page_14" id="Page_14">[14]</a></span>Study of quaternary geology; alluvial deposits; river terraces; glacial
+scratches; moraines; river drift; loess; elevation and subsidence.</p>
+
+<p>The collection of languages and dialects; of folk-lore, and local
+peculiarities.</p>
+
+
+<h3>TEXT-BOOKS.</h3>
+
+<p>As the plan of study here proposed is largely that which I have pursued
+and developed in my own lectures and published works on the subject, I
+may be permitted to insert the following list of these:&mdash;</p>
+
+<div class="blockquot">
+<p><cite>Anthropology and Ethnology.</cite> 4to, pp. 184. In Vol. I of the
+Iconographic Encyclopædia (Philadelphia, 1886).</p>
+
+<p><cite>Prehistoric Archæology.</cite> 4to, pp. 116. In Vol. II of the
+Iconographic Encyclopædia (Philadelphia, 1886).</p>
+
+<p><cite>Races and Peoples; Lectures on the Science of Ethnography.</cite> 8vo,
+pp. 313 (N. D. C. Hodges, New York, 1890).</p>
+
+<p><cite>The American Race; a Linguistic Classification and Ethnographic
+Description of the Native Tribes of North and South America.</cite> 8vo,
+pp. 392 (N. D. C. Hodges, New York, 1891).</p>
+</div>
+
+<p>In addition to these I would name the following as among the best works
+for the student of this branch:&mdash;</p>
+
+<div class="blockquot">
+<p><cite>Anthropologische Methoden.</cite> By Dr. Emil Schmidt (Leipzig, 1888).</p>
+
+<p><cite>Eléments d’Anthropologie Générale.</cite> By Dr. Paul Topinard (Paris).
+Also L’Homme dans la Nature (Paris, 1891), by the same author.</p>
+
+<p><cite>Précis d’Anthropologie.</cite> By Hovelacque and Hervé (Paris).</p>
+
+<p><cite>Allgemeine Ethnographie.</cite> By Friederich Müller.</p>
+
+<p><cite>Die Urgeschichte des Menschen.</cite> By Moritz Hoernes (Leipzig, 1891).</p>
+
+<p><cite>La Préhistorique Antiquité de l’Homme.</cite> By G. de Mortillet
+(Paris).</p>
+
+<p><cite>Anthropology.</cite> By Dr. Tylor (New York).</p>
+
+<p><cite><a name="corr2" id="corr2"></a><ins class="correction" title="Eléments">Elements</ins> de Sociologie.</cite> By Ch. Letourneau (Paris).</p>
+</div>
+
+<p>To this list I add the names of some others of the distinguished foreign
+living writers on various departments of Anthropology:&mdash;</p>
+
+<div class="blockquot">
+<p>In France: Bertrand, Collignon, Letourneau, de Nadaillac. In
+England: Buckland, Flower, Gallon, M. Müller. In Germany: Andree,
+Bastian, Meyer, F. Müller, Ranke, Schaafhausen, Steinthal, Virchow,
+Ratzel, Gerland. In Italy: Giglioli, Mantegazza.</p>
+</div>
+
+<p>It is highly likely that many modifications and improvements on this
+scheme will suggest themselves to instructors; but I may say for it that
+it is the carefully considered result of a comparison of the methods<span class="pagenum"><a name="Page_15" id="Page_15">[15]</a></span>
+employed in the European schools, combined with a personal experience of
+some years in the presentation of the topics to classes.</p>
+
+<p>Of course, the amount of attention which will be given to the separate
+divisions of the subject will depend on the position which the branch
+occupies in the student’s plan of studies&mdash;whether a major or a minor.
+If the latter, he should attend a course of thirty or forty lectures
+about equally divided between the four headings under which the science
+is here presented, and should give double as many hours to laboratory
+work.</p>
+
+<p>This is the minimum which would give him any adequate notion of the
+science. If, on the other hand, it be taken as a major, or principal
+subject, the greater part of his time for two or three years will be
+fully occupied in preparing himself for independent work, or for the
+instruction of others.</p>
+
+
+
+<hr class="chapbreak" />
+
+
+<div class="tn">
+<p class="titlepage"><a name="trans_note" id="trans_note"></a><b>Transcriber’s Note</b></p>
+
+<p class="noindent">The following misspelling and typographical error were not
+corrected:</p>
+
+<table class="tntable" cellpadding="0" cellspacing="0" summary="typos">
+<tr>
+ <td>Page</td>
+ <td>Error</td>
+ <td>Correction</td>
+</tr>
+<tr>
+<td class="tdr"><a href="#corr1">6</a></td>
+ <td>since,</td>
+ <td>since</td>
+</tr>
+<tr>
+<td class="tdr"><a href="#corr2">14</a></td>
+ <td>Elements</td>
+ <td>Eléments</td>
+</tr>
+</table>
+</div>
+
+<p>&nbsp;</p>
+<hr class="full" />
+<p>***END OF THE PROJECT GUTENBERG EBOOK ANTHROPOLOGY***</p>
+<p>******* This file should be named 31360-h.txt or 31360-h.zip *******</p>
+<p>This and all associated files of various formats will be found in:<br />
+<a href="http://www.gutenberg.org/dirs/3/1/3/6/31360">http://www.gutenberg.org/3/1/3/6/31360</a></p>
+<p>Updated editions will replace the previous one--the old editions
+will be renamed.</p>
+
+<p>Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.</p>
+
+
+
+<pre>
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+<a href="http://www.gutenberg.org/license">http://www.gutenberg.org/license)</a>.
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS,' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://www.gutenberg.org/about/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://www.gutenberg.org/fundraising/pglaf
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://www.gutenberg.org/fundraising/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+<a href="http://www.gutenberg.org">http://www.gutenberg.org</a>
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year.
+
+<a href="http://www.gutenberg.org/dirs/etext06/">http://www.gutenberg.org/dirs/etext06/</a>
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+http://www.gutenberg.org/dirs/1/0/2/3/10234
+
+or filename 24689 would be found at:
+http://www.gutenberg.org/dirs/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+<a href="http://www.gutenberg.org/dirs/GUTINDEX.ALL">http://www.gutenberg.org/dirs/GUTINDEX.ALL</a>
+
+*** END: FULL LICENSE ***
+</pre>
+</body>
+</html>