summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes7
-rw-r--r--3127-0.txt501
-rw-r--r--3127-0.zipbin81431 -> 0 bytes
-rw-r--r--3127-h.zipbin6800757 -> 0 bytes
-rw-r--r--3127-h/3127-h.htm524
-rw-r--r--3127-h/images/{0018}.jpgbin103617 -> 0 bytes
-rw-r--r--3127-h/images/{0022}.jpgbin114075 -> 0 bytes
-rw-r--r--3127-h/images/{0028}.jpgbin89265 -> 0 bytes
-rw-r--r--3127-h/images/{0032}.jpgbin111836 -> 0 bytes
-rw-r--r--3127-h/images/{0040}.jpgbin112646 -> 0 bytes
-rw-r--r--3127-h/images/{0046}.jpgbin109464 -> 0 bytes
-rw-r--r--3127-h/images/{0056}.jpgbin118611 -> 0 bytes
-rw-r--r--3127-h/images/{0062}.jpgbin113877 -> 0 bytes
-rw-r--r--3127-h/images/{0068}.jpgbin108526 -> 0 bytes
-rw-r--r--3127-h/images/{0078}.jpgbin98730 -> 0 bytes
-rw-r--r--3127-h/images/{0085}.jpgbin107884 -> 0 bytes
-rw-r--r--3127-h/images/{0089}.jpgbin111704 -> 0 bytes
-rw-r--r--3127-h/images/{0100}.jpgbin117872 -> 0 bytes
-rw-r--r--3127-h/images/{0118}.jpgbin117241 -> 0 bytes
-rw-r--r--3127-h/images/{0128}.jpgbin88969 -> 0 bytes
-rw-r--r--3127-h/images/{0136}.jpgbin118073 -> 0 bytes
-rw-r--r--3127-h/images/{0142}.jpgbin81504 -> 0 bytes
-rw-r--r--3127-h/images/{0163}.jpgbin116261 -> 0 bytes
-rw-r--r--3127-h/images/{0174}.jpgbin117151 -> 0 bytes
-rw-r--r--3127-h/images/{0178}.jpgbin116682 -> 0 bytes
-rw-r--r--3127-h/images/{0186}.jpgbin119487 -> 0 bytes
-rw-r--r--3127-h/images/{0195}.jpgbin119976 -> 0 bytes
-rw-r--r--3127-h/images/{0201}.jpgbin111114 -> 0 bytes
-rw-r--r--3127-h/images/{0207}.jpgbin117281 -> 0 bytes
-rw-r--r--3127-h/images/{0215}.jpgbin111500 -> 0 bytes
-rw-r--r--3127-h/images/{0237}.jpgbin109482 -> 0 bytes
-rw-r--r--3127-h/images/{0241}.jpgbin105957 -> 0 bytes
-rw-r--r--3127-h/images/{0245}.jpgbin104876 -> 0 bytes
-rw-r--r--3127-h/images/{0256}.jpgbin86362 -> 0 bytes
-rw-r--r--3127-h/images/{0260}.jpgbin102818 -> 0 bytes
-rw-r--r--3127-h/images/{0264}.jpgbin116200 -> 0 bytes
-rw-r--r--LICENSE.txt4
-rw-r--r--README.md2
38 files changed, 129 insertions, 909 deletions
diff --git a/.gitattributes b/.gitattributes
index 6833f05..d7b82bc 100644
--- a/.gitattributes
+++ b/.gitattributes
@@ -1,3 +1,4 @@
-* text=auto
-*.txt text
-*.md text
+*.txt text eol=lf
+*.htm text eol=lf
+*.html text eol=lf
+*.md text eol=lf
diff --git a/3127-0.txt b/3127-0.txt
index 053c391..ebd6d13 100644
--- a/3127-0.txt
+++ b/3127-0.txt
@@ -1,28 +1,4 @@
-The Project Gutenberg EBook of Being a Boy, by Charles Dudley Warner
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-
-Title: Being a Boy
-
-Author: Charles Dudley Warner
-
-Release Date: August 20, 2016 [EBook #3127]
-Last Updated: February 24, 2018
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK BEING A BOY ***
-
-
-
-Produced by David Widger
-
+*** START OF THE PROJECT GUTENBERG EBOOK 3127 ***
@@ -56,10 +32,12 @@ lash, and shouting “Gee, Buck!” “Haw, Golden!” “Whoa, Bright!” and a
the rest of that remarkable language, until he is red in the face, and
all the neighbors for half a mile are aware that something unusual is
going on. If I were a boy, I am not sure but I would rather drive the
-oxen than have a birthday. The proudest day of my life was one day when
+oxen than have a birthday.
+
+The proudest day of my life was one day when
I rode on the neap of the cart, and drove the oxen, all alone, with a
load of apples to the cider-mill. I was so little that it was a wonder
-that I did n't fall off, and get under the broad wheels. Nothing could
+that I didn't fall off, and get under the broad wheels. Nothing could
make a boy, who cared anything for his appearance, feel flatter than to
be run over by the broad tire of a cart-wheel. But I never heard of one
who was, and I don't believe one ever will be. As I said, it was a great
@@ -98,9 +76,9 @@ party, or at least she was the ruler of the others, and had the place of
honor in the stable and everywhere else. I admire cows, and especially
the exactness with which they define their social position. In this
case, Decem could “lick” Novem, and Novem could “lick” Octo, and so on
-down to Unus, who could n't lick anybody, except her own calf. I suppose
+down to Unus, who couldn't lick anybody, except her own calf. I suppose
I ought to have called the weakest cow Una instead of Unus, considering
-her sex; but I did n't care much to teach the cows the declensions of
+her sex; but I didn't care much to teach the cows the declensions of
adjectives, in which I was not very well up myself; and, besides,
it would be of little use to a cow. People who devote themselves too
severely to study of the classics are apt to become dried up; and you
@@ -134,7 +112,7 @@ of biting there is, not excepting the bite of fleas. But in cow society
there is nothing of this detraction in order to get the first place at
the crib, or the farther stall in the stable. If the question arises,
the cows turn in, horns and all, and settle it with one square fight,
-and that ends it. I have often admired this trait in COWS.
+and that ends it. I have often admired this trait in cows.
Besides Latin, I used to try to teach the cows a little poetry, and it
is a very good plan. It does not do the cows much good, but it is very
@@ -289,7 +267,7 @@ be a great deal slower in doing anything than one, and that the more you
have to help on a piece of work the less is accomplished. Boys have
a great power of helping each other to do nothing; and they are so
innocent about it, and unconscious. “I went as quick as ever I could,”
- says the boy: his father asks him why he did n't stay all night, when he
+ says the boy: his father asks him why he didn't stay all night, when he
has been absent three hours on a ten-minute errand. The sarcasm has no
effect on the boy.
@@ -306,7 +284,7 @@ investigations the tin horn would blow a great blast from the farmhouse,
which would send a cold chill down my back in the hottest days. I knew
what it meant. It had a frightfully impatient quaver in it, not at all
like the sweet note that called us to dinner from the hay-field. It
-said, “Why on earth does n't that boy come home? It is almost dark, and
+said, “Why on earth doesn't that boy come home? It is almost dark, and
the cows ain't milked!” And that was the time the cows had to start into
a brisk pace and make up for lost time. I wonder if any boy ever drove
the cows home late, who did not say that the cows were at the very
@@ -686,7 +664,7 @@ manner, the “hired men” will be very apt to dispense with his services
and turn the grindstone for each other.
This is one of the most disagreeable tasks of the boy farmer, and, hard
-as it is, I do, not know why it is supposed to belong especially to
+as it is, I do not know why it is supposed to belong especially to
childhood. But it is, and one of the certain marks that second childhood
has come to a man on a farm is, that he is asked to turn the grindstone
as if he were a boy again. When the old man is good for nothing else,
@@ -701,7 +679,7 @@ work?”
Doing the regular work of this world is not much, the boy thinks, but
the wearisome part is the waiting on the people who do the work. And the
boy is not far wrong. This is what women and boys have to do on a farm,
-wait upon everybody who--works. The trouble with the boy's life is, that
+wait upon everybody who works. The trouble with the boy's life is, that
he has no time that he can call his own. He is, like a barrel of beer,
always on draft. The men-folks, having worked in the regular hours, lie
down and rest, stretch themselves idly in the shade at noon, or lounge
@@ -845,7 +823,7 @@ The boy's eyes dilate as he steals some of the treasures out of the
wondrous pages, and he longs to lose himself in the land of enchantment
open before him. He tells at home that he has seen the most wonderful
book that ever was, and a big boy has promised to lend it to him. “Is it
-a true book, John?” asks the grandmother; “because, if it is n't true,
+a true book, John?” asks the grandmother; “because, if it isn't true,
it is the worst thing that a boy can read.” (This happened years ago.)
John cannot answer as to the truth of the book, and so does not bring it
home; but he borrows it, nevertheless, and conceals it in the barn and,
@@ -869,7 +847,7 @@ and with whom he has been known to exchange bits of candy wrapped up in
paper, and for whom he cut in two his lead-pencil, and gave her half.
At the last day of school she goes part way with John, and then he turns
and goes a longer distance towards her home, so that it is late when
-he reaches his own. Is he late? He did n't know he was late; he came
+he reaches his own. Is he late? He didn't know he was late; he came
straight home when school was dismissed, only going a little way home
with Alice Linton to help her carry her books. In a box in his chamber,
which he has lately put a padlock on, among fishhooks and lines and
@@ -1015,7 +993,7 @@ taste much), until the world seemed to him to be made of fragrant
spices, green fruit, raisins, and pastry,--a world that he was only yet
allowed to enjoy through his nose. How filled the house was with the
most delicious smells! The mince-pies that were made! If John had been
-shut in solid walls with them piled about him, he could n't have eaten
+shut in solid walls with them piled about him, he couldn't have eaten
his way out in four weeks. There were dainties enough cooked in those
two weeks to have made the entire year luscious with good living, if
they had been scattered along in it. But people were probably all the
@@ -1024,9 +1002,9 @@ feast. And it was not by any means over in a day. There were weeks deep
of chicken-pie and other pastry. The cold buttery was a cave of Aladdin,
and it took a long time to excavate all its riches.
-Thanksgiving Day itself was a heavy dav, the hilarity of it being so
+Thanksgiving Day itself was a heavy day, the hilarity of it being so
subdued by going to meeting, and the universal wearing of the
-Sunday clothes, that the boy could n't see it. But if he felt little
+Sunday clothes, that the boy couldn't see it. But if he felt little
exhilaration, he ate a great deal. The next day was the real holiday.
Then were the merry-making parties, and perhaps the skatings and
sleigh-rides, for the freezing weather came before the governor's
@@ -1055,7 +1033,7 @@ would live to speak twice disrespectfully of her in his presence.
IX. THE SEASON OF PUMPKIN-PIE
-What John said was, that he did n't care much for pumpkin-pie; but that
+What John said was, that he didn't care much for pumpkin-pie; but that
was after he had eaten a whole one. It seemed to him then that mince
would be better.
@@ -1246,7 +1224,7 @@ meadow by the river, where the bobolinks sang so gayly. He never liked
to hear the bobolink sing, however, for he said it always reminded him
of the whetting of a scythe, and that reminded him of spreading hay; and
if there was anything he hated, it was spreading hay after the mowers.
-“I guess you would n't like it yourself,” said John, “with the stubbs
+“I guess you wouldn't like it yourself,” said John, “with the stubbs
getting into your feet, and the hot sun, and the men getting ahead of
you, all you could do.”
@@ -1265,7 +1243,7 @@ hair, dark, tender eyes, and the sweetest smile. There was that in her
gracious mien and in her dress which reminded John of the beautiful
castle ladies, with whom he was well acquainted in books. He felt that
he knew her at once, and he also seemed to be a sort of young prince
-himself. I fancy he did n't look much like one. But of his own
+himself. I fancy he didn't look much like one. But of his own
appearance he thought not at all, as he replied to the lady's question,
without the least embarrassment:
@@ -1280,9 +1258,8 @@ the best thing to eat he knew. He handed up a large bunch of it. The
lady took two or three stalks, and was about to return the rest, when
John said:
-“Please keep it all, ma'am. I can get lots more.”
-
-“I know where it's ever so thick.”
+“Please keep it all, ma'am. I can get lots more.
+I know where it's ever so thick.”
“Thank you, thank you,” said the lady; and as the carriage started, she
reached out her hand to John. He did not understand the motion, until he
@@ -1329,7 +1306,7 @@ hurt him dreadfully. His self-respect was injured somehow, and he felt
as if his lovely, gentle mother had been insulted. He would like to have
thrown a stone at the wagon, and in a rage he cried:
-“You're a nice....” but he could n't think of any hard, bitter words
+“You're a nice....” but he couldn't think of any hard, bitter words
quick enough.
Probably the young lady, who might have been almost any young lady,
@@ -1381,7 +1358,7 @@ whistled, and the snow sifted. Those old barns were well ventilated.
I used to spend much valuable time in planning a barn that should be
tight and warm, with a fire in it, if necessary, in order to keep the
-temperature somewhere near the freezing-point. I could n't see how the
+temperature somewhere near the freezing-point. I couldn't see how the
cattle could live in a place where a lively boy, full of young blood,
would freeze to death in a short time if he did not swing his arms and
slap his hands, and jump about like a goat. I thought I would have a
@@ -1441,7 +1418,7 @@ history.
Back of the schoolhouse rose a round hill, upon which, tradition said,
had stood in colonial times a block-house, built by the settlers for
defense against the Indians. For the Indians had the idea that the
-whites were not settled enough, and used to come nights to settle--them
+whites were not settled enough, and used to come nights to settle them
with a tomahawk. It was called Fort Hill. It was very steep on each
side, and the river ran close by. It was a charming place in summer,
where one could find laurel, and checkerberries, and sassafras roots,
@@ -1520,11 +1497,11 @@ hills really sets in.
The boy is an important part of the garrison. He is not only one of the
best means of communicating with the outer world, but he furnishes half
the entertainment and takes two thirds of the scolding of the family
-circle. A farm would come to grief without a boy-on it, but it is
+circle. A farm would come to grief without a boy on it, but it is
impossible to think of a farmhouse without a boy in it.
“That boy” brings life into the house; his tracks are to be seen
-everywhere; he leaves all the doors open; he has n't half filled
+everywhere; he leaves all the doors open; he hasn't half filled
the wood-box; he makes noise enough to wake the dead; or he is in a
brown-study by the fire and cannot be stirred, or he has fastened a grip
into some Crusoe book which cannot easily be shaken off. I suppose that
@@ -1547,7 +1524,7 @@ produced by the almanac, the cardinal rule was that he should be at home
before dark.
John used to imagine what people did in the dark ages, and wonder
-sometimes whether he was n't still in them.
+sometimes whether he wasn't still in them.
Of course, John had nothing to do all the evening, after his
“chores,”--except little things. While he drew his chair up to the table
@@ -1573,7 +1550,7 @@ to sit up just to see how much more solemn and stupid it would become as
the night went on; he wanted to tinker his skates, to mend his sled, to
finish that chapter. Why should he go away from that bright blaze, and
the company that sat in its radiance, to the cold and solitude of his
-chamber? Why did n't the people who were sleepy go to bed?
+chamber? Why didn't the people who were sleepy go to bed?
How lonesome the old house was; how cold it was, away from that great
central fire in the heart of it; how its timbers creaked as if in the
@@ -1749,21 +1726,21 @@ pretty well. But did John like the color of her eyes?
No; John didn't like the color of her eyes exactly.
-“Her mouth would be well enough if she did n't laugh so much and show
+“Her mouth would be well enough if she didn't laugh so much and show
her teeth.”
John said her mouth was her worst feature.
“Oh, no,” said Cynthia warmly; “her mouth is better than her nose.”
-John did n't know but it was better than her nose, and he should like
-her looks better if her hair was n't so dreadful black.
+John didn't know but it was better than her nose, and he should like
+her looks better if her hair wasn't so dreadful black.
But Cynthia, who could afford to be generous now, said she liked black
hair, and she wished hers was dark. Whereupon John protested that he
liked light hair--auburn hair--of all things.
-And Cynthia said that Sally was a dear, good girl, and she did n't
+And Cynthia said that Sally was a dear, good girl, and she didn't
believe one word of the story that she only really found one red ear at
the husking that night, and hid that and kept pulling it out as if it
were a new one.
@@ -1820,7 +1797,7 @@ but in front of Ephraim Leggett. And they two kneeled, and so forth.
John was astounded. He had never conceived of such perfidy in the female
heart. He felt like wiping Ephraim off the face of the earth, only
Ephraim was older and bigger than he. When it came his turn at
-length,--thanks to a plain little girl for whose admiration he did n't
+length,--thanks to a plain little girl for whose admiration he didn't
care a straw,--he threw the cushion down before Melinda Mayhew with
all the devotion he could muster, and a dagger look at Cynthia. And
Cynthia's perfidious smile only enraged him the more. John felt wronged,
@@ -1880,7 +1857,7 @@ boy between the ages of eight and fourteen could be applied to some
industry, we should see wonderful results. But a boy is like a
galvanic battery that is not in connection with anything; he generates
electricity and plays it off into the air with the most reckless
-prodigality. And I, for one, would n't have it otherwise. It is as much
+prodigality. And I, for one, wouldn't have it otherwise. It is as much
a boy's business to play off his energies into space as it is for a
flower to blow, or a catbird to sing snatches of the tunes of all the
other birds.
@@ -1986,7 +1963,7 @@ if it is not almost sirup. He has a long round stick, whittled smooth at
one end, which he uses for this purpose, at the constant risk of burning
his tongue. The smoke blows in his face; he is grimy with ashes; he is
altogether such a mass of dirt, stickiness, and sweetness, that his own
-mother would n't know him.
+mother wouldn't know him.
He likes to boil eggs in the hot sap with the hired man; he likes to
roast potatoes in the ashes, and he would live in the camp day and night
@@ -2146,7 +2123,7 @@ in the air, until he shook him off; but in his departure the woodchuck
carried away a large piece of John's summer trousers-leg. The boy never
forgot it. And whenever he had a holiday, he used to expend an amount
of labor and ingenuity in the pursuit of woodchucks that would have made
-his for tune in any useful pursuit. There was a hill pasture, down
+his fortune in any useful pursuit. There was a hill pasture, down
on one side of which ran a small brook, and this pasture was full of
woodchuck-holes. It required the assistance of several boys to capture a
woodchuck. It was first necessary by patient watching to ascertain that
@@ -2163,7 +2140,7 @@ the woodchuck? Sometimes it seemed as if the hole was a bottomless pit.
But sooner or later the water would rise in it, and then there was sure
to be seen the nose of the woodchuck, keeping itself on a level with
the rising flood. It was piteous to see the anxious look of the hunted,
-half-drowned creature as--it came to the surface and caught sight of
+half-drowned creature as it came to the surface and caught sight of
the dog. There the dog stood, at the mouth of the hole, quivering with
excitement from his nose to the tip of his tail, and behind him were the
cruel boys dancing with joy and setting the dog on. The poor creature
@@ -2176,7 +2153,7 @@ called “fair play.” They maintained perfect “neutrality” so long as the
dog was getting the best of the woodchuck; but if the latter was likely
to escape, they “interfered” in the interest of peace and the “balance
of power,” and killed the woodchuck. This is a boy's notion of justice;
-of course, he'd no business to be a woodchuck,--an--unspeakable
+of course, he'd no business to be a woodchuck,--an unspeakable
woodchuck.
I used the word “aromatic” in relation to the New England soil. John
@@ -2234,7 +2211,7 @@ of sin. If he had desired to defy all Divine law and outrage all human
society, he felt that he could do it by shuffling them. And he was quite
right. The two bad boys enjoyed in stealth their scandalous pastime,
because they knew it was the most wicked thing they could do. If it had
-been as sinless as playing marbles, they would n't have cared for
+been as sinless as playing marbles, they wouldn't have cared for
it. John sometimes drove past a brown, tumble-down farmhouse, whose
shiftless inhabitants, it was said, were card-playing people; and it is
impossible to describe how wicked that house appeared to John. He almost
@@ -2276,7 +2253,7 @@ did work, and he was always ashamed when he was over his fit of passion.
In short, you couldn't find a much better wicked boy than John.
When the “revival” came, therefore, one summer, John was in a quandary.
-Sunday meeting and Sunday-school he did n't mind; they were a part of
+Sunday meeting and Sunday-school he didn't mind; they were a part of
regular life, and only temporarily interrupted a boy's pleasures. But
when there began to be evening meetings at the different houses, a
new element came into affairs. There was a kind of solemnity over the
@@ -2304,7 +2281,7 @@ over to hardness of heart. His obstinacy would show that he was not one
of the elect. John fancied that he could feel his heart hardening, and
he began to look with a wistful anxiety into the faces of the Christians
to see what were the visible signs of being one of the elect. John put
-on a good deal of a manner that he “did n't care,” and he never admitted
+on a good deal of a manner that he “didn't care,” and he never admitted
his disquiet by asking any questions or standing up in meeting to be
prayed for. But he did care. He heard all the time that all he had to do
was to repent and believe. But there was nothing that he doubted, and he
@@ -2313,14 +2290,14 @@ of.
It was essential he learned, that he should have a “conviction of sin.”
This he earnestly tried to have. Other people, no better than he, had
-it, and he wondered why he could n't have it. Boys and girls whom he
+it, and he wondered why he couldn't have it. Boys and girls whom he
knew were “under conviction,” and John began to feel not only panicky,
but lonesome. Cynthia Rudd had been anxious for days and days, and
not able to sleep at night, but now she had given herself up and found
peace. There was a kind of radiance in her face that struck John
with awe, and he felt that now there was a great gulf between him and
Cynthia. Everybody was going away from him, and his heart was getting
-harder than ever. He could n't feel wicked, all he could do. And there
+harder than ever. He couldn't feel wicked, all he could do. And there
was Ed Bates his intimate friend, though older than he, a “whaling,”
noisy kind of boy, who was under conviction and sure he was going to be
lost. How John envied him! And pretty soon Ed “experienced religion.”
@@ -2328,7 +2305,7 @@ lost. How John envied him! And pretty soon Ed “experienced religion.”
elect. And a change there was. And John wondered about another thing.
Ed Bates used to go trout-fishing, with a tremendously long pole, in a
meadow brook near the river; and when the trout didn't bite right off,
-Ed would--get mad, and as soon as one took hold he would give an awful
+Ed would get mad, and as soon as one took hold he would give an awful
jerk, sending the fish more than three hundred feet into the air and
landing it in the bushes the other side of the meadow, crying out, “Gul
darn ye, I'll learn ye.” And John wondered if Ed would take the little
@@ -2347,7 +2324,7 @@ If ever a boy honestly tried to work himself into a conviction of sin,
John tried. And what made him miserable was, that he couldn't feel
miserable when everybody else was miserable. He even began to pretend
to be so. He put on a serious and anxious look like the others. He
-pretended he did n't care for play; he refrained from chasing chipmunks
+pretended he didn't care for play; he refrained from chasing chipmunks
and snaring suckers; the songs of birds and the bright vivacity of the
summer--time that used to make him turn hand-springs smote him as a
discordant levity. He was not a hypocrite at all, and he was getting to
@@ -2401,7 +2378,7 @@ hypocrite a little. But he was sincere enough in wanting to feel, as
the other boys and girls felt, that he was a wicked sinner. He tried to
think of his evil deeds; and one occurred to him; indeed, it often came
to his mind. It was a lie; a deliberate, awful lie, that never injured
-anybody but himself John knew he was not wicked enough to tell a lie to
+anybody but himself. John knew he was not wicked enough to tell a lie to
injure anybody else.
This was the lie. One afternoon at school, just before John's class was
@@ -2410,7 +2387,7 @@ love and respect, came in to visit the school. John was a favorite with
her, and she had come to hear him recite. As it happened, John felt
shaky in the geographical lesson of that day, and he feared to be
humiliated in the presence of his cousin; he felt embarrassed to that
-degree that he could n't have “bounded” Massachusetts. So he stood up
+degree that he couldn't have “bounded” Massachusetts. So he stood up
and raised his hand, and said to the schoolma'am, “Please, ma'am, I
've got the stomach-ache; may I go home?” And John's character for
truthfulness was so high (and even this was ever a reproach to him),
@@ -2424,7 +2401,7 @@ himself, lest somebody should see him, and know that chasing a woodchuck
was inconsistent with the stomach-ache. He was acting a miserable part,
but it had to be gone through with. He went home and told his mother the
reason he had left school, but he added that he felt “some” better now.
-The “some” did n't save him. Genuine sympathy was lavished on him.
+The “some” didn't save him. Genuine sympathy was lavished on him.
He had to swallow a stiff dose of nasty “picra,”--the horror of all
childhood, and he was put in bed immediately. The world never looked so
pleasant to John, but to bed he was forced to go. He was excused from
@@ -2464,7 +2441,7 @@ time a newspaper, a secular newspaper, which had in it a long account
of the Long Island races, in which the famous horse “Lexington” was a
runner. John was fond of horses, he knew about Lexington, and he had
looked forward to the result of this race with keen interest. But to
-read the account of it how he felt might destroy his seriousness of
+read the account of it now he felt might destroy his seriousness of
mind, and in all reverence and simplicity he felt it--be a means of
“grieving away the Holy Spirit.” He therefore hid away the paper in
a table-drawer, intending to read it when the revival should be over.
@@ -2519,7 +2496,7 @@ quaked out, and you can tell what land is going to be solid and keep its
level twenty-four hours, and the swamps are filled up, and the deltas of
the great rivers, like the Mississippi and the Nile, become terra firma,
and men stop killing their fellows in order to get their land and other
-property, then perhaps there will be a world that an angel would n't
+property, then perhaps there will be a world that an angel wouldn't
weep over. Now one half the world are employed in getting ready to
kill the other half, some of them by marching about in uniform, and the
others by hard work to earn money to pay taxes to buy uniforms and guns.
@@ -2584,7 +2561,7 @@ at the head of his company of flintlock muskets, with the American
banner full high advanced, and the clamorous drum defying the world.
In this he fulfilled his duties of citizen, faithfully teaching his
uniformed companions how to march by the left leg, and to get reeling
-drunk by sundown; otherwise he did n't amount to much in the community;
+drunk by sundown; otherwise he didn't amount to much in the community;
his house was unpainted, his fences were tumbled down, his farm was a
waste, his wife wore an old gown to meeting, to which the captain never
went; but he was a good trout-fisher, and there was no man in town who
@@ -2642,8 +2619,8 @@ fresh in western Massachusetts. Behind John's house in the orchard were
some old slate tombstones, sunken and leaning, which recorded the names
of Captain Moses Rice and Phineas Arms, who had been killed by Indians
in the last century while at work in the meadow by the river, and who
-slept there in the hope of the glorious resurrection. Phineas Arms
-martial name--was long since dust, and even the mortal part of the great
+slept there in the hope of the glorious resurrection. Phineas
+Arms--martial name--was long since dust, and even the mortal part of the great
Captain Moses Rice had been absorbed in the soil and passed perhaps with
the sap up into the old but still blooming apple-trees. It was a quiet
place where they lay, but they might have heard--if hear they could--the
@@ -2659,7 +2636,7 @@ him the trump of judgment, he could not separate it from the war-whoop
that had been the last sound in the ear of Phineas Arms. The Indian
always preceded murder by the war-whoop; and this was an advantage
that the artillery had in the fight with the elderberry Indians. It was
-warned in time. If there was no war-whoop, the killing did n't count;
+warned in time. If there was no war-whoop, the killing didn't count;
the artillery man got up and killed the Indian. The Indian usually had
the worst of it; he not only got killed by the regulars, but he got
whipped by the home guard at night for staining himself and his clothes
@@ -2841,7 +2818,7 @@ linen coat and wide-awake hat,--dissolute, horsey-looking man. They turn
up, of course. Ah, there is an establishment he knows well: a sorrel
horse and an old chaise. The sorrel horse scents the water afar off, and
begins to turn up long before he reaches the trough, thrusting out his
-nose in anticipation of the coot sensation. No check to let down; he
+nose in anticipation of the cool sensation. No check to let down; he
plunges his nose in nearly to his eyes in his haste to get at it. Two
maiden ladies--unmistakably such, though they appear neither “anxious
nor aimless”--within the scoop-top smile benevolently on the sorrel
@@ -3055,7 +3032,7 @@ of all and bore with his wildest pranks. When he was wanted to sing his
part and was skylarking in the rear, the fat monk took him by the ear
and brought him forward; and when he gave the boy's ear a twist, the boy
opened his lovely mouth and poured forth such a flood of melody as you
-never heard. And he did n't mind his notes; he seemed to know his notes
+never heard. And he didn't mind his notes; he seemed to know his notes
by heart, and could sing and look off like a nightingale on a bough. He
knew his power, that boy; and he stepped forward to his stand when he
pleased, certain that he would be forgiven as soon as he began to sing.
@@ -3077,366 +3054,4 @@ good fortune of the New England boy.
-
-End of the Project Gutenberg EBook of Being a Boy, by Charles Dudley Warner
-
-*** END OF THIS PROJECT GUTENBERG EBOOK BEING A BOY ***
-
-***** This file should be named 3127-0.txt or 3127-0.zip *****
-This and all associated files of various formats will be found in:
- https://www.gutenberg.org/3/1/2/3127/
-
-Produced by David Widger
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase “Project
-Gutenberg”), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License (available with this file or online at
-https://gutenberg.org/license).
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. “Project Gutenberg” is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation”
- or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase “Project Gutenberg” appears, or with which the phrase “Project
-Gutenberg” is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase “Project Gutenberg” associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-“Plain Vanilla ASCII” or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original “Plain Vanilla ASCII” or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, “Information about donations to
- the Project Gutenberg Literary Archive Foundation.”
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-“Defects,” such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
-of Replacement or Refund” described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need, is critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation web page at https://www.pglaf.org.
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Its 501(c)(3) letter is posted at
-https://pglaf.org/fundraising. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at
-809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
-business@pglaf.org. Email contact links and up to date contact
-information can be found at the Foundation's web site and official
-page at https://pglaf.org
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit https://pglaf.org
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including including checks, online payments and credit card
-donations. To donate, please visit: https://pglaf.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart was the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For thirty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-
-Most people start at our Web site which has the main PG search facility:
-
- https://www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
+*** END OF THE PROJECT GUTENBERG EBOOK 3127 ***
diff --git a/3127-0.zip b/3127-0.zip
deleted file mode 100644
index d2e88cf..0000000
--- a/3127-0.zip
+++ /dev/null
Binary files differ
diff --git a/3127-h.zip b/3127-h.zip
deleted file mode 100644
index ecb5550..0000000
--- a/3127-h.zip
+++ /dev/null
Binary files differ
diff --git a/3127-h/3127-h.htm b/3127-h/3127-h.htm
index f5e7e52..333939e 100644
--- a/3127-h/3127-h.htm
+++ b/3127-h/3127-h.htm
@@ -28,42 +28,13 @@
</style>
</head>
<body>
+
+<div style='text-align:center'>*** START OF THE PROJECT GUTENBERG EBOOK 3127 ***</div>
+
<p>
<br /><br />
</p>
-<pre xml:space="preserve">
-The Project Gutenberg EBook of Being a Boy, by Charles Dudley Warner
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-
-Title: Being a Boy
-
-Author: Charles Dudley Warner
-
-Release Date: August 22, 2006 [EBook #3127]
-Last Updated: February 24, 2018
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK BEING A BOY ***
-
-
-
-Produced by David Widger
-
-
-
-
-
-
-</pre>
-
+
<h1>
BEING A BOY
</h1>
@@ -135,10 +106,13 @@ Produced by David Widger
&ldquo;Haw, Golden!&rdquo; &ldquo;Whoa, Bright!&rdquo; and all the rest of that remarkable
language, until he is red in the face, and all the neighbors for half a
mile are aware that something unusual is going on. If I were a boy, I am
- not sure but I would rather drive the oxen than have a birthday. The
- proudest day of my life was one day when I rode on the neap of the cart,
+ not sure but I would rather drive the oxen than have a birthday.
+ </p>
+
+ <p>
+ The proudest day of my life was one day when I rode on the neap of the cart,
and drove the oxen, all alone, with a load of apples to the cider-mill. I
- was so little that it was a wonder that I did n't fall off, and get under
+ was so little that it was a wonder that I didn't fall off, and get under
the broad wheels. Nothing could make a boy, who cared anything for his
appearance, feel flatter than to be run over by the broad tire of a
cart-wheel. But I never heard of one who was, and I don't believe one ever
@@ -179,9 +153,9 @@ Produced by David Widger
was the ruler of the others, and had the place of honor in the stable and
everywhere else. I admire cows, and especially the exactness with which
they define their social position. In this case, Decem could &ldquo;lick&rdquo; Novem,
- and Novem could &ldquo;lick&rdquo; Octo, and so on down to Unus, who could n't lick
+ and Novem could &ldquo;lick&rdquo; Octo, and so on down to Unus, who couldn't lick
anybody, except her own calf. I suppose I ought to have called the weakest
- cow Una instead of Unus, considering her sex; but I did n't care much to
+ cow Una instead of Unus, considering her sex; but I didn't care much to
teach the cows the declensions of adjectives, in which I was not very well
up myself; and, besides, it would be of little use to a cow. People who
devote themselves too severely to study of the classics are apt to become
@@ -215,7 +189,7 @@ Produced by David Widger
detraction in order to get the first place at the crib, or the farther
stall in the stable. If the question arises, the cows turn in, horns and
all, and settle it with one square fight, and that ends it. I have often
- admired this trait in COWS.
+ admired this trait in cows.
</p>
<p>
Besides Latin, I used to try to teach the cows a little poetry, and it is
@@ -394,7 +368,7 @@ Produced by David Widger
of work the less is accomplished. Boys have a great power of helping each
other to do nothing; and they are so innocent about it, and unconscious.
&ldquo;I went as quick as ever I could,&rdquo; says the boy: his father asks him why
- he did n't stay all night, when he has been absent three hours on a
+ he didn't stay all night, when he has been absent three hours on a
ten-minute errand. The sarcasm has no effect on the boy.
</p>
<div class="fig" style="width:50%;"> <img src="images/{0041}.jpg" alt="{0041}" width="100%" /><br /> </div> <h5> <a href="images/{0041}.jpg"> <img src="images/enlarge.jpg" alt="" /> </a> </h5>
@@ -412,7 +386,7 @@ Produced by David Widger
would blow a great blast from the farmhouse, which would send a cold chill
down my back in the hottest days. I knew what it meant. It had a
frightfully impatient quaver in it, not at all like the sweet note that
- called us to dinner from the hay-field. It said, &ldquo;Why on earth does n't
+ called us to dinner from the hay-field. It said, &ldquo;Why on earth doesn't
that boy come home? It is almost dark, and the cows ain't milked!&rdquo; And
that was the time the cows had to start into a brisk pace and make up for
lost time. I wonder if any boy ever drove the cows home late, who did not
@@ -826,7 +800,7 @@ Produced by David Widger
</p>
<p>
This is one of the most disagreeable tasks of the boy farmer, and, hard as
- it is, I do, not know why it is supposed to belong especially to
+ it is, I do not know why it is supposed to belong especially to
childhood. But it is, and one of the certain marks that second childhood
has come to a man on a farm is, that he is asked to turn the grindstone as
if he were a boy again. When the old man is good for nothing else, when he
@@ -841,7 +815,7 @@ Produced by David Widger
Doing the regular work of this world is not much, the boy thinks, but the
wearisome part is the waiting on the people who do the work. And the boy
is not far wrong. This is what women and boys have to do on a farm, wait
- upon everybody who&mdash;works. The trouble with the boy's life is, that
+ upon everybody who works. The trouble with the boy's life is, that
he has no time that he can call his own. He is, like a barrel of beer,
always on draft. The men-folks, having worked in the regular hours, lie
down and rest, stretch themselves idly in the shade at noon, or lounge
@@ -999,7 +973,7 @@ The boy is armed with a pole and a stout
himself in the land of enchantment open before him. He tells at home that
he has seen the most wonderful book that ever was, and a big boy has
promised to lend it to him. &ldquo;Is it a true book, John?&rdquo; asks the
- grandmother; &ldquo;because, if it is n't true, it is the worst thing that a boy
+ grandmother; &ldquo;because, if it isn't true, it is the worst thing that a boy
can read.&rdquo; (This happened years ago.) John cannot answer as to the truth
of the book, and so does not bring it home; but he borrows it,
nevertheless, and conceals it in the barn and, lying in the hay-mow, is
@@ -1023,7 +997,7 @@ The boy is armed with a pole and a stout
for whom he cut in two his lead-pencil, and gave her half. At the last day
of school she goes part way with John, and then he turns and goes a longer
distance towards her home, so that it is late when he reaches his own. Is
- he late? He did n't know he was late; he came straight home when school
+ he late? He didn't know he was late; he came straight home when school
was dismissed, only going a little way home with Alice Linton to help her
carry her books. In a box in his chamber, which he has lately put a
padlock on, among fishhooks and lines and baitboxes, odd pieces of brass,
@@ -1179,7 +1153,7 @@ The boy is armed with a pole and a stout
fruit, raisins, and pastry,&mdash;a world that he was only yet allowed to
enjoy through his nose. How filled the house was with the most delicious
smells! The mince-pies that were made! If John had been shut in solid
- walls with them piled about him, he could n't have eaten his way out in
+ walls with them piled about him, he couldn't have eaten his way out in
four weeks. There were dainties enough cooked in those two weeks to have
made the entire year luscious with good living, if they had been scattered
along in it. But people were probably all the better for scrimping
@@ -1189,9 +1163,9 @@ The boy is armed with a pole and a stout
excavate all its riches.
</p>
<p>
- Thanksgiving Day itself was a heavy dav, the hilarity of it being so
+ Thanksgiving Day itself was a heavy day, the hilarity of it being so
subdued by going to meeting, and the universal wearing of the Sunday
- clothes, that the boy could n't see it. But if he felt little
+ clothes, that the boy couldn't see it. But if he felt little
exhilaration, he ate a great deal. The next day was the real holiday. Then
were the merry-making parties, and perhaps the skatings and sleigh-rides,
for the freezing weather came before the governor's proclamation in many
@@ -1225,7 +1199,7 @@ The boy is armed with a pole and a stout
IX. THE SEASON OF PUMPKIN-PIE
</h2>
<p>
- What John said was, that he did n't care much for pumpkin-pie; but that
+ What John said was, that he didn't care much for pumpkin-pie; but that
was after he had eaten a whole one. It seemed to him then that mince would
be better.
</p>
@@ -1441,7 +1415,7 @@ Solomon would not
hear the bobolink sing, however, for he said it always reminded him of the
whetting of a scythe, and that reminded him of spreading hay; and if there
was anything he hated, it was spreading hay after the mowers. &ldquo;I guess you
- would n't like it yourself,&rdquo; said John, &ldquo;with the stubbs getting into your
+ wouldn't like it yourself,&rdquo; said John, &ldquo;with the stubbs getting into your
feet, and the hot sun, and the men getting ahead of you, all you could
do.&rdquo;
</p>
@@ -1463,7 +1437,7 @@ Solomon would not
gracious mien and in her dress which reminded John of the beautiful castle
ladies, with whom he was well acquainted in books. He felt that he knew
her at once, and he also seemed to be a sort of young prince himself. I
- fancy he did n't look much like one. But of his own appearance he thought
+ fancy he didn't look much like one. But of his own appearance he thought
not at all, as he replied to the lady's question, without the least
embarrassment:
</p>
@@ -1481,10 +1455,8 @@ Solomon would not
two or three stalks, and was about to return the rest, when John said:
</p>
<p>
- &ldquo;Please keep it all, ma'am. I can get lots more.&rdquo;
- </p>
- <p>
- &ldquo;I know where it's ever so thick.&rdquo;
+ &ldquo;Please keep it all, ma'am. I can get lots more.
+ I know where it's ever so thick.&rdquo;
</p>
<p>
&ldquo;Thank you, thank you,&rdquo; said the lady; and as the carriage started, she
@@ -1542,7 +1514,7 @@ Solomon would not
a stone at the wagon, and in a rage he cried:
</p>
<p>
- &ldquo;You're a nice....&rdquo; but he could n't think of any hard, bitter words quick
+ &ldquo;You're a nice....&rdquo; but he couldn't think of any hard, bitter words quick
enough.
</p>
<p>
@@ -1606,7 +1578,7 @@ Solomon would not
<p>
I used to spend much valuable time in planning a barn that should be tight
and warm, with a fire in it, if necessary, in order to keep the
- temperature somewhere near the freezing-point. I could n't see how the
+ temperature somewhere near the freezing-point. I couldn't see how the
cattle could live in a place where a lively boy, full of young blood,
would freeze to death in a short time if he did not swing his arms and
slap his hands, and jump about like a goat. I thought I would have a sort
@@ -1672,7 +1644,7 @@ Solomon would not
Back of the schoolhouse rose a round hill, upon which, tradition said, had
stood in colonial times a block-house, built by the settlers for defense
against the Indians. For the Indians had the idea that the whites were not
- settled enough, and used to come nights to settle&mdash;them with a
+ settled enough, and used to come nights to settle them with a
tomahawk. It was called Fort Hill. It was very steep on each side, and the
river ran close by. It was a charming place in summer, where one could
find laurel, and checkerberries, and sassafras roots, and sit in the cool
@@ -1761,12 +1733,12 @@ Solomon would not
The boy is an important part of the garrison. He is not only one of the
best means of communicating with the outer world, but he furnishes half
the entertainment and takes two thirds of the scolding of the family
- circle. A farm would come to grief without a boy-on it, but it is
+ circle. A farm would come to grief without a boy on it, but it is
impossible to think of a farmhouse without a boy in it.
</p>
<p>
&ldquo;That boy&rdquo; brings life into the house; his tracks are to be seen
- everywhere; he leaves all the doors open; he has n't half filled the
+ everywhere; he leaves all the doors open; he hasn't half filled the
wood-box; he makes noise enough to wake the dead; or he is in a
brown-study by the fire and cannot be stirred, or he has fastened a grip
into some Crusoe book which cannot easily be shaken off. I suppose that
@@ -1792,7 +1764,7 @@ Solomon would not
</p>
<p>
John used to imagine what people did in the dark ages, and wonder
- sometimes whether he was n't still in them.
+ sometimes whether he wasn't still in them.
</p>
<p>
Of course, John had nothing to do all the evening, after his &ldquo;chores,&rdquo;&mdash;except
@@ -1819,7 +1791,7 @@ Solomon would not
night went on; he wanted to tinker his skates, to mend his sled, to finish
that chapter. Why should he go away from that bright blaze, and the
company that sat in its radiance, to the cold and solitude of his chamber?
- Why did n't the people who were sleepy go to bed?
+ Why didn't the people who were sleepy go to bed?
</p>
<p>
How lonesome the old house was; how cold it was, away from that great
@@ -2018,7 +1990,7 @@ Solomon would not
No; John didn't like the color of her eyes exactly.
</p>
<p>
- &ldquo;Her mouth would be well enough if she did n't laugh so much and show her
+ &ldquo;Her mouth would be well enough if she didn't laugh so much and show her
teeth.&rdquo;
</p>
<p>
@@ -2028,8 +2000,8 @@ Solomon would not
&ldquo;Oh, no,&rdquo; said Cynthia warmly; &ldquo;her mouth is better than her nose.&rdquo;
</p>
<p>
- John did n't know but it was better than her nose, and he should like her
- looks better if her hair was n't so dreadful black.
+ John didn't know but it was better than her nose, and he should like her
+ looks better if her hair wasn't so dreadful black.
</p>
<p>
But Cynthia, who could afford to be generous now, said she liked black
@@ -2037,7 +2009,7 @@ Solomon would not
light hair&mdash;auburn hair&mdash;of all things.
</p>
<p>
- And Cynthia said that Sally was a dear, good girl, and she did n't believe
+ And Cynthia said that Sally was a dear, good girl, and she didn't believe
one word of the story that she only really found one red ear at the
husking that night, and hid that and kept pulling it out as if it were a
new one.
@@ -2097,7 +2069,7 @@ Solomon would not
never conceived of such perfidy in the female heart. He felt like wiping
Ephraim off the face of the earth, only Ephraim was older and bigger than
he. When it came his turn at length,&mdash;thanks to a plain little girl
- for whose admiration he did n't care a straw,&mdash;he threw the cushion
+ for whose admiration he didn't care a straw,&mdash;he threw the cushion
down before Melinda Mayhew with all the devotion he could muster, and a
dagger look at Cynthia. And Cynthia's perfidious smile only enraged him
the more. John felt wronged, and worked himself up to pass a wretched
@@ -2172,7 +2144,7 @@ Solomon would not
we should see wonderful results. But a boy is like a galvanic battery that
is not in connection with anything; he generates electricity and plays it
off into the air with the most reckless prodigality. And I, for one, would
- n't have it otherwise. It is as much a boy's business to play off his
+ n't have it otherwise. It is as much a boy's business to play off his
energies into space as it is for a flower to blow, or a catbird to sing
snatches of the tunes of all the other birds.
</p>
@@ -2286,7 +2258,7 @@ Solomon would not
end, which he uses for this purpose, at the constant risk of burning his
tongue. The smoke blows in his face; he is grimy with ashes; he is
altogether such a mass of dirt, stickiness, and sweetness, that his own
- mother would n't know him.
+ mother wouldn't know him.
</p>
<div class="fig" style="width:50%;"> <img src="images/{0179}.jpg" alt="{0179}" width="100%" /><br /> </div> <h5> <a href="images/{0179}.jpg"> <img src="images/enlarge.jpg" alt="" /> </a> </h5>
@@ -2463,7 +2435,7 @@ Oh, the world had vast possibilities for John. Away to
his departure the woodchuck carried away a large piece of John's summer
trousers-leg. The boy never forgot it. And whenever he had a holiday, he
used to expend an amount of labor and ingenuity in the pursuit of
- woodchucks that would have made his for tune in any useful pursuit. There
+ woodchucks that would have made his fortune in any useful pursuit. There
was a hill pasture, down on one side of which ran a small brook, and this
pasture was full of woodchuck-holes. It required the assistance of several
boys to capture a woodchuck. It was first necessary by patient watching to
@@ -2480,7 +2452,7 @@ Oh, the world had vast possibilities for John. Away to
bottomless pit. But sooner or later the water would rise in it, and then
there was sure to be seen the nose of the woodchuck, keeping itself on a
level with the rising flood. It was piteous to see the anxious look of the
- hunted, half-drowned creature as&mdash;it came to the surface and caught
+ hunted, half-drowned creature as it came to the surface and caught
sight of the dog. There the dog stood, at the mouth of the hole, quivering
with excitement from his nose to the tip of his tail, and behind him were
the cruel boys dancing with joy and setting the dog on. The poor creature
@@ -2493,7 +2465,7 @@ Oh, the world had vast possibilities for John. Away to
best of the woodchuck; but if the latter was likely to escape, they
&ldquo;interfered&rdquo; in the interest of peace and the &ldquo;balance of power,&rdquo; and
killed the woodchuck. This is a boy's notion of justice; of course, he'd
- no business to be a woodchuck,&mdash;an&mdash;unspeakable woodchuck.
+ no business to be a woodchuck,&mdash;an unspeakable woodchuck.
</p>
<p>
I used the word &ldquo;aromatic&rdquo; in relation to the New England soil. John knew
@@ -2559,7 +2531,7 @@ Oh, the world had vast possibilities for John. Away to
felt that he could do it by shuffling them. And he was quite right. The
two bad boys enjoyed in stealth their scandalous pastime, because they
knew it was the most wicked thing they could do. If it had been as sinless
- as playing marbles, they would n't have cared for it. John sometimes drove
+ as playing marbles, they wouldn't have cared for it. John sometimes drove
past a brown, tumble-down farmhouse, whose shiftless inhabitants, it was
said, were card-playing people; and it is impossible to describe how
wicked that house appeared to John. He almost expected to see its shingles
@@ -2608,7 +2580,7 @@ Oh, the world had vast possibilities for John. Away to
</p>
<p>
When the &ldquo;revival&rdquo; came, therefore, one summer, John was in a quandary.
- Sunday meeting and Sunday-school he did n't mind; they were a part of
+ Sunday meeting and Sunday-school he didn't mind; they were a part of
regular life, and only temporarily interrupted a boy's pleasures. But when
there began to be evening meetings at the different houses, a new element
came into affairs. There was a kind of solemnity over the community, and a
@@ -2636,7 +2608,7 @@ Oh, the world had vast possibilities for John. Away to
fancied that he could feel his heart hardening, and he began to look with
a wistful anxiety into the faces of the Christians to see what were the
visible signs of being one of the elect. John put on a good deal of a
- manner that he &ldquo;did n't care,&rdquo; and he never admitted his disquiet by
+ manner that he &ldquo;didn't care,&rdquo; and he never admitted his disquiet by
asking any questions or standing up in meeting to be prayed for. But he
did care. He heard all the time that all he had to do was to repent and
believe. But there was nothing that he doubted, and he was perfectly
@@ -2645,13 +2617,13 @@ Oh, the world had vast possibilities for John. Away to
<p>
It was essential he learned, that he should have a &ldquo;conviction of sin.&rdquo;
This he earnestly tried to have. Other people, no better than he, had it,
- and he wondered why he could n't have it. Boys and girls whom he knew were
+ and he wondered why he couldn't have it. Boys and girls whom he knew were
&ldquo;under conviction,&rdquo; and John began to feel not only panicky, but lonesome.
Cynthia Rudd had been anxious for days and days, and not able to sleep at
night, but now she had given herself up and found peace. There was a kind
of radiance in her face that struck John with awe, and he felt that now
there was a great gulf between him and Cynthia. Everybody was going away
- from him, and his heart was getting harder than ever. He could n't feel
+ from him, and his heart was getting harder than ever. He couldn't feel
wicked, all he could do. And there was Ed Bates his intimate friend,
though older than he, a &ldquo;whaling,&rdquo; noisy kind of boy, who was under
conviction and sure he was going to be lost.
@@ -2664,7 +2636,7 @@ How John envied him! And
in Ed's face when he became one of the elect. And a change there was. And
John wondered about another thing. Ed Bates used to go trout-fishing, with
a tremendously long pole, in a meadow brook near the river; and when the
- trout didn't bite right off, Ed would&mdash;get mad, and as soon as one
+ trout didn't bite right off, Ed would get mad, and as soon as one
took hold he would give an awful jerk, sending the fish more than three
hundred feet into the air and landing it in the bushes the other side of
the meadow, crying out, &ldquo;Gul darn ye, I'll learn ye.&rdquo; And John wondered if
@@ -2685,7 +2657,7 @@ How John envied him! And
John tried. And what made him miserable was, that he couldn't feel
miserable when everybody else was miserable. He even began to pretend to
be so. He put on a serious and anxious look like the others. He pretended
- he did n't care for play; he refrained from chasing chipmunks and snaring
+ he didn't care for play; he refrained from chasing chipmunks and snaring
suckers; the songs of birds and the bright vivacity of the summer&mdash;time
that used to make him turn hand-springs smote him as a discordant levity.
He was not a hypocrite at all, and he was getting to be alarmed that he
@@ -2739,7 +2711,7 @@ How John envied him! And
enough in wanting to feel, as the other boys and girls felt, that he was a
wicked sinner. He tried to think of his evil deeds; and one occurred to
him; indeed, it often came to his mind. It was a lie; a deliberate, awful
- lie, that never injured anybody but himself John knew he was not wicked
+ lie, that never injured anybody but himself. John knew he was not wicked
enough to tell a lie to injure anybody else.
</p>
<p>
@@ -2749,7 +2721,7 @@ How John envied him! And
and she had come to hear him recite. As it happened, John felt shaky in
the geographical lesson of that day, and he feared to be humiliated in the
presence of his cousin; he felt embarrassed to that degree that he could
- n't have &ldquo;bounded&rdquo; Massachusetts. So he stood up and raised his hand, and
+ n't have &ldquo;bounded&rdquo; Massachusetts. So he stood up and raised his hand, and
said to the schoolma'am, &ldquo;Please, ma'am, I 've got the stomach-ache; may I
go home?&rdquo; And John's character for truthfulness was so high (and even this
was ever a reproach to him), that his word was instantly believed, and he
@@ -2767,7 +2739,7 @@ The
chasing a woodchuck was inconsistent with the stomach-ache. He was acting
a miserable part, but it had to be gone through with. He went home and
told his mother the reason he had left school, but he added that he felt
- &ldquo;some&rdquo; better now. The &ldquo;some&rdquo; did n't save him. Genuine sympathy was
+ &ldquo;some&rdquo; better now. The &ldquo;some&rdquo; didn't save him. Genuine sympathy was
lavished on him. He had to swallow a stiff dose of nasty &ldquo;picra,&rdquo;&mdash;the
horror of all childhood, and he was put in bed immediately. The world
never looked so pleasant to John, but to bed he was forced to go. He was
@@ -2808,7 +2780,7 @@ The
newspaper, a secular newspaper, which had in it a long account of the Long
Island races, in which the famous horse &ldquo;Lexington&rdquo; was a runner. John was
fond of horses, he knew about Lexington, and he had looked forward to the
- result of this race with keen interest. But to read the account of it how
+ result of this race with keen interest. But to read the account of it now
he felt might destroy his seriousness of mind, and in all reverence and
simplicity he felt it&mdash;be a means of &ldquo;grieving away the Holy Spirit.&rdquo;
He therefore hid away the paper in a table-drawer, intending to read it
@@ -2870,7 +2842,7 @@ The
up, and the deltas of the great rivers, like the Mississippi and the Nile,
become terra firma, and men stop killing their fellows in order to get
their land and other property, then perhaps there will be a world that an
- angel would n't weep over. Now one half the world are employed in getting
+ angel wouldn't weep over. Now one half the world are employed in getting
ready to kill the other half, some of them by marching about in uniform,
and the others by hard work to earn money to pay taxes to buy uniforms and
guns.
@@ -2935,7 +2907,7 @@ The
flintlock muskets, with the American banner full high advanced, and the
clamorous drum defying the world. In this he fulfilled his duties of
citizen, faithfully teaching his uniformed companions how to march by the
- left leg, and to get reeling drunk by sundown; otherwise he did n't amount
+ left leg, and to get reeling drunk by sundown; otherwise he didn't amount
to much in the community; his house was unpainted, his fences were tumbled
down, his farm was a waste, his wife wore an old gown to meeting, to which
the captain never went; but he was a good trout-fisher, and there was no
@@ -2994,7 +2966,7 @@ The
slate tombstones, sunken and leaning, which recorded the names of Captain
Moses Rice and Phineas Arms, who had been killed by Indians in the last
century while at work in the meadow by the river, and who slept there in
- the hope of the glorious resurrection. Phineas Arms martial name&mdash;was
+ the hope of the glorious resurrection. Phineas Arms&mdash;martial name&mdash;was
long since dust, and even the mortal part of the great Captain Moses Rice
had been absorbed in the soil and passed perhaps with the sap up into the
old but still blooming apple-trees. It was a quiet place where they lay,
@@ -3011,7 +2983,7 @@ The
last sound in the ear of Phineas Arms. The Indian always preceded murder
by the war-whoop; and this was an advantage that the artillery had in the
fight with the elderberry Indians. It was warned in time. If there was no
- war-whoop, the killing did n't count; the artillery man got up and killed
+ war-whoop, the killing didn't count; the artillery man got up and killed
the Indian. The Indian usually had the worst of it; he not only got killed
by the regulars, but he got whipped by the home guard at night for
staining himself and his clothes with the elderberry.
@@ -3128,7 +3100,7 @@ He was not fickle, and yet I
had become a general, or written a book, or kept a store, to see him go
away and marry another. He almost made up his cruel mind on the instant
that he would never marry her, however bad she might feel. And yet he
- could n't get her out of his mind for days and days, and when her image
+ couldn't get her out of his mind for days and days, and when her image
was present, even Cynthia in the singers' seat on Sunday looked a little
cheap and common.
</p>
@@ -3211,7 +3183,7 @@ Poor Cynthia! Long before John became a general or had
course. Ah, there is an establishment he knows well: a sorrel horse and an
old chaise. The sorrel horse scents the water afar off, and begins to turn
up long before he reaches the trough, thrusting out his nose in
- anticipation of the coot sensation. No check to let down; he plunges his
+ anticipation of the cool sensation. No check to let down; he plunges his
nose in nearly to his eyes in his haste to get at it. Two maiden ladies&mdash;unmistakably
such, though they appear neither &ldquo;anxious nor aimless&rdquo;&mdash;within the
scoop-top smile benevolently on the sorrel back. It is the deacon's horse,
@@ -3451,7 +3423,7 @@ Poor Cynthia! Long before John became a general or had
and was skylarking in the rear, the fat monk took him by the ear and
brought him forward; and when he gave the boy's ear a twist, the boy
opened his lovely mouth and poured forth such a flood of melody as you
- never heard. And he did n't mind his notes; he seemed to know his notes by
+ never heard. And he didn't mind his notes; he seemed to know his notes by
heart, and could sing and look off like a nightingale on a bough. He knew
his power, that boy; and he stepped forward to his stand when he pleased,
certain that he would be forgiven as soon as he began to sing. And such
@@ -3471,379 +3443,11 @@ Poor Cynthia! Long before John became a general or had
could never think of him as having either the simple manliness or the good
fortune of the New England boy.
</p>
-<pre xml:space="preserve">
-
-
-
-
-
-
-End of the Project Gutenberg EBook of Being a Boy, by Charles Dudley Warner
-
-*** END OF THIS PROJECT GUTENBERG EBOOK BEING A BOY ***
-
-***** This file should be named 3127-h.htm or 3127-h.zip *****
-This and all associated files of various formats will be found in:
- https://www.gutenberg.org/3/1/2/3127/
-
-Produced by David Widger
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase &ldquo;Project
-Gutenberg&rdquo;), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License (available with this file or online at
-https://gutenberg.org/license).
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. &ldquo;Project Gutenberg&rdquo; is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation (&ldquo;the Foundation&rdquo;
- or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase &ldquo;Project Gutenberg&rdquo; appears, or with which the phrase &ldquo;Project
-Gutenberg&rdquo; is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase &ldquo;Project Gutenberg&rdquo; associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-&ldquo;Plain Vanilla ASCII&rdquo; or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original &ldquo;Plain Vanilla ASCII&rdquo; or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, &ldquo;Information about donations to
- the Project Gutenberg Literary Archive Foundation.&rdquo;
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-&ldquo;Defects,&rdquo; such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &ldquo;Right
-of Replacement or Refund&rdquo; described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need, is critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation web page at https://www.pglaf.org.
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Its 501(c)(3) letter is posted at
-https://pglaf.org/fundraising. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at
-809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
-business@pglaf.org. Email contact links and up to date contact
-information can be found at the Foundation's web site and official
-page at https://pglaf.org
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit https://pglaf.org
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including including checks, online payments and credit card
-donations. To donate, please visit: https://pglaf.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart was the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For thirty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-
-Most people start at our Web site which has the main PG search facility:
-
- https://www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-</pre>
<p>
<br /><br /><br /><br />
</p>
+<div style='text-align:center'>*** END OF THE PROJECT GUTENBERG EBOOK 3127 ***</div>
+
</body>
</html>
diff --git a/3127-h/images/{0018}.jpg b/3127-h/images/{0018}.jpg
deleted file mode 100644
index 11a6167..0000000
--- a/3127-h/images/{0018}.jpg
+++ /dev/null
Binary files differ
diff --git a/3127-h/images/{0022}.jpg b/3127-h/images/{0022}.jpg
deleted file mode 100644
index 1f71c2e..0000000
--- a/3127-h/images/{0022}.jpg
+++ /dev/null
Binary files differ
diff --git a/3127-h/images/{0028}.jpg b/3127-h/images/{0028}.jpg
deleted file mode 100644
index 0936d2f..0000000
--- a/3127-h/images/{0028}.jpg
+++ /dev/null
Binary files differ
diff --git a/3127-h/images/{0032}.jpg b/3127-h/images/{0032}.jpg
deleted file mode 100644
index 5e47e15..0000000
--- a/3127-h/images/{0032}.jpg
+++ /dev/null
Binary files differ
diff --git a/3127-h/images/{0040}.jpg b/3127-h/images/{0040}.jpg
deleted file mode 100644
index d0e1b04..0000000
--- a/3127-h/images/{0040}.jpg
+++ /dev/null
Binary files differ
diff --git a/3127-h/images/{0046}.jpg b/3127-h/images/{0046}.jpg
deleted file mode 100644
index cdd3b7f..0000000
--- a/3127-h/images/{0046}.jpg
+++ /dev/null
Binary files differ
diff --git a/3127-h/images/{0056}.jpg b/3127-h/images/{0056}.jpg
deleted file mode 100644
index 3e7158a..0000000
--- a/3127-h/images/{0056}.jpg
+++ /dev/null
Binary files differ
diff --git a/3127-h/images/{0062}.jpg b/3127-h/images/{0062}.jpg
deleted file mode 100644
index 1e057c0..0000000
--- a/3127-h/images/{0062}.jpg
+++ /dev/null
Binary files differ
diff --git a/3127-h/images/{0068}.jpg b/3127-h/images/{0068}.jpg
deleted file mode 100644
index 9c54add..0000000
--- a/3127-h/images/{0068}.jpg
+++ /dev/null
Binary files differ
diff --git a/3127-h/images/{0078}.jpg b/3127-h/images/{0078}.jpg
deleted file mode 100644
index bfc4d6c..0000000
--- a/3127-h/images/{0078}.jpg
+++ /dev/null
Binary files differ
diff --git a/3127-h/images/{0085}.jpg b/3127-h/images/{0085}.jpg
deleted file mode 100644
index 9c93606..0000000
--- a/3127-h/images/{0085}.jpg
+++ /dev/null
Binary files differ
diff --git a/3127-h/images/{0089}.jpg b/3127-h/images/{0089}.jpg
deleted file mode 100644
index cace746..0000000
--- a/3127-h/images/{0089}.jpg
+++ /dev/null
Binary files differ
diff --git a/3127-h/images/{0100}.jpg b/3127-h/images/{0100}.jpg
deleted file mode 100644
index b866d64..0000000
--- a/3127-h/images/{0100}.jpg
+++ /dev/null
Binary files differ
diff --git a/3127-h/images/{0118}.jpg b/3127-h/images/{0118}.jpg
deleted file mode 100644
index d22fa53..0000000
--- a/3127-h/images/{0118}.jpg
+++ /dev/null
Binary files differ
diff --git a/3127-h/images/{0128}.jpg b/3127-h/images/{0128}.jpg
deleted file mode 100644
index 6de1c60..0000000
--- a/3127-h/images/{0128}.jpg
+++ /dev/null
Binary files differ
diff --git a/3127-h/images/{0136}.jpg b/3127-h/images/{0136}.jpg
deleted file mode 100644
index a60109c..0000000
--- a/3127-h/images/{0136}.jpg
+++ /dev/null
Binary files differ
diff --git a/3127-h/images/{0142}.jpg b/3127-h/images/{0142}.jpg
deleted file mode 100644
index 75392a4..0000000
--- a/3127-h/images/{0142}.jpg
+++ /dev/null
Binary files differ
diff --git a/3127-h/images/{0163}.jpg b/3127-h/images/{0163}.jpg
deleted file mode 100644
index bb6e47f..0000000
--- a/3127-h/images/{0163}.jpg
+++ /dev/null
Binary files differ
diff --git a/3127-h/images/{0174}.jpg b/3127-h/images/{0174}.jpg
deleted file mode 100644
index 4dd6277..0000000
--- a/3127-h/images/{0174}.jpg
+++ /dev/null
Binary files differ
diff --git a/3127-h/images/{0178}.jpg b/3127-h/images/{0178}.jpg
deleted file mode 100644
index 4340c64..0000000
--- a/3127-h/images/{0178}.jpg
+++ /dev/null
Binary files differ
diff --git a/3127-h/images/{0186}.jpg b/3127-h/images/{0186}.jpg
deleted file mode 100644
index 0153475..0000000
--- a/3127-h/images/{0186}.jpg
+++ /dev/null
Binary files differ
diff --git a/3127-h/images/{0195}.jpg b/3127-h/images/{0195}.jpg
deleted file mode 100644
index 5e1ed7d..0000000
--- a/3127-h/images/{0195}.jpg
+++ /dev/null
Binary files differ
diff --git a/3127-h/images/{0201}.jpg b/3127-h/images/{0201}.jpg
deleted file mode 100644
index c207105..0000000
--- a/3127-h/images/{0201}.jpg
+++ /dev/null
Binary files differ
diff --git a/3127-h/images/{0207}.jpg b/3127-h/images/{0207}.jpg
deleted file mode 100644
index f997a36..0000000
--- a/3127-h/images/{0207}.jpg
+++ /dev/null
Binary files differ
diff --git a/3127-h/images/{0215}.jpg b/3127-h/images/{0215}.jpg
deleted file mode 100644
index 15ed3e4..0000000
--- a/3127-h/images/{0215}.jpg
+++ /dev/null
Binary files differ
diff --git a/3127-h/images/{0237}.jpg b/3127-h/images/{0237}.jpg
deleted file mode 100644
index 2218deb..0000000
--- a/3127-h/images/{0237}.jpg
+++ /dev/null
Binary files differ
diff --git a/3127-h/images/{0241}.jpg b/3127-h/images/{0241}.jpg
deleted file mode 100644
index f805f5b..0000000
--- a/3127-h/images/{0241}.jpg
+++ /dev/null
Binary files differ
diff --git a/3127-h/images/{0245}.jpg b/3127-h/images/{0245}.jpg
deleted file mode 100644
index 0b9e4e8..0000000
--- a/3127-h/images/{0245}.jpg
+++ /dev/null
Binary files differ
diff --git a/3127-h/images/{0256}.jpg b/3127-h/images/{0256}.jpg
deleted file mode 100644
index e8b06a4..0000000
--- a/3127-h/images/{0256}.jpg
+++ /dev/null
Binary files differ
diff --git a/3127-h/images/{0260}.jpg b/3127-h/images/{0260}.jpg
deleted file mode 100644
index c035e6d..0000000
--- a/3127-h/images/{0260}.jpg
+++ /dev/null
Binary files differ
diff --git a/3127-h/images/{0264}.jpg b/3127-h/images/{0264}.jpg
deleted file mode 100644
index ba8dd69..0000000
--- a/3127-h/images/{0264}.jpg
+++ /dev/null
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
index 6312041..b5dba15 100644
--- a/LICENSE.txt
+++ b/LICENSE.txt
@@ -1,4 +1,4 @@
-This eBook, including all associated images, markup, improvements,
+This book, including all associated images, markup, improvements,
metadata, and any other content or labor, has been confirmed to be
in the PUBLIC DOMAIN IN THE UNITED STATES.
@@ -7,5 +7,5 @@ the "Copyright How-To" at https://www.gutenberg.org.
No investigation has been made concerning possible copyrights in
jurisdictions other than the United States. Anyone seeking to utilize
-this eBook outside of the United States should confirm copyright
+this book outside of the United States should confirm copyright
status under the laws that apply to them.
diff --git a/README.md b/README.md
index aaf65e6..fa97721 100644
--- a/README.md
+++ b/README.md
@@ -1,2 +1,2 @@
Project Gutenberg (https://www.gutenberg.org) public repository for
-eBook #3127 (https://www.gutenberg.org/ebooks/3127)
+book #3127 (https://www.gutenberg.org/ebooks/3127)