summaryrefslogtreecommitdiff
path: root/31123.txt
diff options
context:
space:
mode:
Diffstat (limited to '31123.txt')
-rw-r--r--31123.txt1580
1 files changed, 1580 insertions, 0 deletions
diff --git a/31123.txt b/31123.txt
new file mode 100644
index 0000000..ad94b85
--- /dev/null
+++ b/31123.txt
@@ -0,0 +1,1580 @@
+The Project Gutenberg EBook of The Observers, by G. L. Vandenburg
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Observers
+
+Author: G. L. Vandenburg
+
+Release Date: January 30, 2010 [EBook #31123]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE OBSERVERS ***
+
+
+
+
+Produced by Greg Weeks, Stephen Blundell and the Online
+Distributed Proofreading Team at https://www.pgdp.net
+
+
+
+
+
+
+
+
+
+THE OBSERVERS
+
+By G. L. VANDENBURG
+
+
+ _You can't be too suspicious when security is at stake. When
+ everybody who is after a key military job wears a toupee, it is
+ obviously a bald case of espionage._
+
+
+A job as laboratory technician with the Army Weapons Development Center
+carried about as much prestige as a bat boy in a World Series.
+
+George Fisher was a laboratory technician.
+
+He was a shy but likeable fellow, a diligent worker and trustworthy. He
+didn't talk. He was rarely talked to. He had no burning ambition to push
+himself ahead in the world. Being an assistant to the brains was good
+enough for him. He had a commendable talent for minding his own
+business.
+
+In a security job these qualities counted ahead of scientific knowledge.
+
+One day George Fisher turned up dead. The initial shock and concern
+experienced by his superiors was soon overcome by the coroner's finding.
+Suicide.
+
+Harry Payne was the Civilian Personnel Director of Fort Dickson. It was
+his job to find a replacement for George Fisher.
+
+"Miss Conway!" Harry's voice lashed into the intercom.
+
+There was an interminable pause. He cursed under his breath.
+
+Then, "Yes, Mr. Payne?"
+
+"Where the hell were you? Never mind. Bring me the file on George
+Fisher."
+
+"George Fisher?" Miss Conway was in her favorite state of mind ...
+confusion. "But he's dead, isn't he?"
+
+Harry let out a deep anguished groan. "Yes, Miss Conway, he's dead.
+That's why I want his file. That answer your question?"
+
+"Yes, sir. Be there in a jiffy!"
+
+Harry could tell she was bubbling over with smiles as she spoke. A few
+more centuries would pass, he thought, before they manufactured another
+broad as dumb as Miss Conway.
+
+ * * * * *
+
+He stuffed his hands in his pockets and looked out the window. Across
+the parade ground he could see the Army Weapons Development Center. He
+had no idea what new bomb they might be working on behind those heavily
+guarded fences. He didn't care.
+
+He was only concerned with the people who worked there. The rest of Fort
+Dickson used mostly Civil Service Personnel. But the barricaded security
+jungle across the parade grounds was more particular about its hired
+help. A person's record had to be spotless almost from the day of his
+conception ... or a person could not even gain entrance.
+
+Harry had never been inside Weapons Development. He had once been to
+traffic court as a roaring juvenile eighteen years before. That was
+enough to bar him from even visiting. He realized, though, that the army
+couldn't afford to take chances.
+
+Hiring new technicians required an arduous screening process. Harry
+loathed it. He was thankful that the personnel at Weapons Development
+were highly paid and usually permanent. He never had to hire more than
+one person a year.
+
+Miss Conway swept into the office and handed Harry the folder.
+
+"Thanks," he muttered.
+
+"Don't mention it, boss."
+
+Harry called after her as she went back toward the reception room.
+
+"Stay by your desk, will you? The government may need you."
+
+A muffled giggle was her only response.
+
+Miss Conway was a civil service employee. She had been Harry's secretary
+for six months. Like most other civil service personnel, according to
+Harry's way of thinking she was a tower of inefficiency. His chief
+annoyance stemmed from the fact that the army had arbitrarily placed her
+in his office. He had been given no choice in the matter. It was one
+hell of a way to treat a personnel director, he thought.
+
+He sat at his desk gloomily aware of the headaches he'd have to face in
+his quest for George Fisher's replacement. He opened the folder and
+glanced at the vital statistics.
+
+Fisher, George--Age: 40--Weight: 160--Height: 5'9"--Eyes: Green--Hair:
+None--Complexion: Light--Date of Employment: 10/7/58--Date of Departure:
+4/12/59--Reason: Suicide--etc., etc. Harry yawned. Statistics bored him.
+
+He turned to a page marked "Qualifications" and started reading. The
+phrase "Education and experience in nuclear physics required," caught
+his eye. The requirement was no surprise to him. But whenever he saw it
+he took a few minutes off to indulge his curiosity. What _was_ the big
+project at Weapons Development? He'd love to know. He wouldn't find out,
+of course. And the inability to find out naturally gave his imagination
+the widest latitude. His most persistent theory involved an atomic
+powered rocket capable of knocking the Russians' manned satellites out
+of space. The Russians were still ahead of everyone and their latest
+satellites were heavily armed. As usual they were lording it over the
+rest of the world. And the rest of the world had not come up with an
+effective answer to this challenge.
+
+Harry closed the folder. He glanced at a list of technical schools. He
+would call each of them and ask them to submit a list of lab
+technicians. He would also look over the field of technicians still left
+in private enterprise.
+
+The intercom buzzed.
+
+"What is it, Miss Conway?"
+
+"Miss Ralston is here."
+
+"Who is Miss Ralston?"
+
+"She has an appointment with you."
+
+"An appointment!" Harry was baffled. "Who made it?"
+
+"I did. I guess I forgot to tell you."
+
+Harry closed his eyes and counted to ten. "Thank you, Miss Conway. Will
+you step into my office for a moment?" He tried to control his mounting
+anger.
+
+She breezed into the office.
+
+"Now, Miss Conway, will you please tell me who is this Miss Ralston?"
+
+"She operates 'Ralston Personnel Consultants'. I think she wants to talk
+to you about the replacement for George Fisher. You know, the one who
+died."
+
+"Yes, yes, I know. And _you_ know, Miss Conway, we don't do business
+through agencies."
+
+"Oh, Miss Ralston doesn't run an agency. She told me. Her business is
+much more exclusive than that. She handles very highly specialized
+people. That's the reason why ..."
+
+"I know. That's why you gave her an appointment with me," said the
+exasperated personnel director. "Well, you can go right back out and
+tell her I've canceled the appointment. This is a security job we're
+filling and ..."
+
+ * * * * *
+
+Before Harry could utter another syllable his attention was drawn to the
+doorway. The view to the outer office was blocked by a bundle of curves.
+The most alluring female bombshell his eyes had ever beheld put
+everything important out of his mind.
+
+"I didn't realize you were being so inconvenienced, Mr. Payne. I'm
+terribly sorry." Her eyes drooped. "I can take my business elsewhere."
+Miss Ralston's voice was just above a half whisper. The words came out
+warm and intoxicating.
+
+"No, wait! Wait a minute, Miss Ralston." Harry was out of his chair and
+at the door. He took her arm. "Who said anything about inconvenience?
+Come in. Come in. That'll be all, Miss Conway. Thanks."
+
+The secretary giggled and left. Miss Ralston sat down and lit a
+cigarette. Harry noticed she was wearing a beige knit suit with a
+neckline that spoke volumes. Every curve was in the right place. Every
+movement had another movement all its own.
+
+Harry knew she was bound to talk business and he knew there wasn't much
+he could do for her in that direction. But at thirty-five, and eligible,
+he just couldn't let this woman leave his office. Harry Payne was a
+sucker for a gorgeous face. He knew it and he knew the gorgeous face
+knew it.
+
+"Tell me, Miss Ralston, when did my secretary arrange this appointment
+for you?"
+
+"I called yesterday."
+
+Harry arched his eyebrows and smiled. "Yesterday? What prompted you to
+call me?"
+
+"You're looking for a laboratory technician, aren't you?"
+
+"What gave you that idea?" he asked, not caring in the slightest what
+gave it to her.
+
+"I make it my business to comb the papers every day, Mr. Payne. I came
+across the news of George Fisher's suicide and called you. Simple as
+that."
+
+"You don't waste any time."
+
+She smiled and pursed her lips. "Do you?"
+
+"I try not to."
+
+"I have seven clients who would qualify for the job. I'd appreciate it
+if you'd see them."
+
+"Well, as a matter of fact, Miss Ralston ..."
+
+She leaned forward with an inquisitive "Yes?"
+
+Harry cleared his throat. "As a matter of fact I'm not supposed to do
+business with civilian agencies."
+
+"Mr. Payne," she smiled demurely, "do I look like an agency? Or do I
+look like a Personnel Consultant?"
+
+ * * * * *
+
+Now there was an opening, Harry thought, but it might be best to avoid
+it. "You're working to get someone a job. It amounts to the same thing."
+
+"I see. Then how _do_ you go about hiring your new personnel?"
+
+"I do the soliciting myself. Sorry, Miss Ralston, but I don't make the
+rules and regulations."
+
+But the lady was undeterred. She crossed her legs and sank further into
+the easy chair. Her eyes sparkled at Harry.
+
+"These clients of mine are all top men, Mr. Payne. Why couldn't I just
+leave you their names? You can still do the soliciting. I'd be happy to
+forego my regular commission on this job. Call it the value of
+prestige."
+
+Harry recognized another opening and this time plunged in. "Suppose we
+talk it over later. There's a place at Fourth Avenue and Woodward called
+'Maria's.' Best Italian food in captivity. I'm through at five. What
+about you?"
+
+She didn't have to say anything. Her eyes told him he would be having
+an Italian dinner that night. And not alone. She rose and walked in
+front of his desk.
+
+"I'm so glad we have something in common, Mr. Payne. I can't think well
+on an empty stomach either."
+
+After walking her to the outer office he came back to his desk. He took
+a deep breath and loosened his tie. Dreams like Miss Ralston didn't
+materialize every day. For a first meeting he figured he hadn't fared
+too badly at all. And if this first date went well he was sure he'd be
+seeing a lot of this girl.
+
+It did not escape Harry's mind that here was a girl who was in the habit
+of getting what she wanted. But why not? Her powers of persuasion were
+Grade-A. They were so good they presented him with one big problem. He
+had regulations. Army regulations. He couldn't violate them. Miss
+Ralston, it was obvious, was going to meet him solely for the purpose of
+getting a client a job. Would he be able to see her again after she knew
+he had no intention of hiring that client?
+
+ * * * * *
+
+The following morning Harry entered the office to find his secretary
+unusually busy. She was pecking away furiously at the typewriter.
+
+He handed her a sheet of paper and said, "Miss Conway, copy these names
+and addresses and when they ..."
+
+"When they come in you'll see them at half-hour intervals." She smiled
+benignly. "Miss Ralston just called and told me. Pretty smart chick,
+huh, boss?"
+
+Harry did a slow burn and ambled into his office. Miss Conway was right,
+of course, and that's what annoyed him. It had been quite a night. He
+wined and dined her. They did all the bright spots. And, wonder of
+wonders, on the first date they wound up at Paula Ralston's apartment.
+She was a captivating hostess, an exquisite dancer and something of a
+sorceress. After one kiss, an unforgettable one, Harry had agreed to
+interview her seven clients.
+
+But all this was last night, Harry reminded himself. Today was a
+different matter. He was in the sanctity of his office now and capable
+of clearer thinking. Paula Ralston had accomplished the first phase of
+her mission. The next move was his. _Seeing_ the clients, he
+rationalized, was not violating the regulations. And for the moment it
+satisfied her.
+
+She certainly was a determined girl. Anyone would think, watching her
+operate, that a lab technician was a job of world-shaking importance.
+What the hell, he shrugged, if the girl didn't look out for her own
+interests, she wouldn't have a successful business. There's only one way
+to keep clients happy and that's to keep them busy.
+
+Besides, her maneuvering wasn't going to work anyway. He just couldn't
+hire any of them. His problem now was to stall her for a couple of days
+so he could keep seeing her. In the end he might possibly tell her the
+army had refused to accept any of them.
+
+He glanced out the window and saw the Weapons Development Center across
+the parade ground. Business appeared to be going on as usual. Routine.
+Quiet. Cautious. _High time I start thinking seriously about that
+replacement_, he thought.
+
+There was a knock at the door.
+
+"Come in."
+
+Miss Conway bounced in. "They've started to arrive. The first one is a
+Mister Thompson."
+
+"Okay, let's get started. Send him in."
+
+ * * * * *
+
+Thompson was a small, roundish man in his mid-forties. He remained quite
+at ease during the interview. Harry began the session in the usual dull
+manner, formulating his questions from the several sheets of information
+Mr. Thompson had brought with him.
+
+It wasn't long before Harry detected something unusual about the man.
+But he couldn't determine what it was. He became more alert, more
+interested as the interview progressed.
+
+"Where are you from originally, Mr. Thompson?"
+
+"Chicago."
+
+"Oh, yes." He glanced at the written information. "I see you went to the
+University."
+
+"Yes, sir. My practical experience is documented on the second sheet."
+
+What was it about this guy? He was overly polite but that could hardly
+be considered strange. His answers were brief, to the point, even curt.
+That was just a personality trait, Harry supposed. Couldn't condemn a
+man for that.
+
+"How long did you live in Chicago?"
+
+"Twenty-one years, sir."
+
+"Are you married?"
+
+"No, sir."
+
+He had noted before that Mr. Thompson had a distracting habit of patting
+his hair. Now he knew why. He was wearing a toupee. Harry wondered if
+the poor guy was sensitive about it. If he _was_ that conscious of it,
+it might account for his strange attitude.
+
+"Thank you for coming in, Mr. Thompson. I'll submit your papers to
+Colonel Waters. If he has any further interest in you, don't be
+surprised if you receive a visit from a couple of Intelligence agents.
+That's routine for this job. I just tell you in advance so you won't
+worry."
+
+"I understand," he said, rising and checking his toupee once more. "Many
+thanks to you, sir." He shook Harry's hand and left the room.
+
+Harry glanced at the papers again. Mr. Thompson's background was
+impressive indeed. There didn't seem to be much question as to his
+ability. But what a queer duck he was!
+
+The second applicant was a short, wiry man named Chase. Like his
+predecessor, he was brief and to the point with his answers. He let his
+qualification papers speak for themselves. He was formal and polite.
+
+Midway through the interview Harry noticed that he too was wearing a
+toupee. If that wasn't the damnedest coincidence! Fortunately Mr. Chase
+didn't have the annoying habit of patting his head every thirty seconds.
+Harry guessed he either had a more expensive one or was just endowed
+with more confidence that it would not slip off.
+
+The interview over, Mr. Chase offered his thanks and strolled out.
+
+Harry had a few moments to himself before Paula's third client arrived.
+He thought about the first two men. Funny thing about toupees ... even
+the most expensive ones could always be detected. He couldn't quite
+understand why the two men wore them. They were often used by playboys,
+actors, self-styled over-age Romeos, people whose niche in society
+depends upon their looks. But not scientists or technicians. In fact
+Harry couldn't remember ever having known one such person who shunned
+his baldness in this manner. That didn't mean they had no right. But it
+did seem peculiar as hell.
+
+ * * * * *
+
+By the time the third interview was over Harry Payne's curiosity was
+ablaze. Applicant number three, Mr. Boles, was not only wearing a toupee
+but had gone one step further. Just north of his mouth there was a
+mustache! A good-looking mustache, well groomed and shaped, but phoney
+as a wax banana.
+
+For a moment he thought Paula Ralston might be perpetrating a joke of
+elaborate proportions. He rejected the idea as fast as it came to him.
+He didn't know the girl very well yet, but he knew her well enough to
+know she was strictly business. _She wanted one of these men to get that
+job._
+
+He flipped the intercom button for Miss Conway. She might be able to
+tell him ... indirectly.
+
+"You wanted me, Mr. Payne?"
+
+"Yes, Miss Conway. The three men who've already been in here ... have
+you noticed anything strange about them?"
+
+Her eyebrows merged and spelled perplexity. She pursed her lips and gave
+the matter the gravest consideration. Then she concluded, "Yes,
+something very strange."
+
+Harry was hopeful. "What was it?"
+
+"None of them did very much talking. Strictly anti-social types."
+
+Harry groaned, realizing he should have known better. "Thank you, Miss
+Conway. That's all."
+
+"The fourth guy is waiting outside."
+
+"Let him sit for a couple of minutes, then send him in."
+
+He decided to put the whole matter out of his mind and get the
+interviews over as fast as possible. There were other, more serious
+duties to attend to. The toupee episode was probably nothing more than a
+crazy coincidence anyway. Strictly an item for Believe-It-Or-Not.
+
+ * * * * *
+
+By two o'clock that afternoon the four remaining candidates had come and
+gone. And Harry Payne sat at his desk in the immediate aftermath
+questioning his sanity. All seven men wore toupees! It was incredible
+but true. And now the matter was one of deep and abiding concern to him.
+There was nothing funny about it. There was a touch of the macabre in it
+that rendered his flesh cold and weak.
+
+He lit a cigarette and tried to pull his thoughts together. Seven men
+applying for the same job; seven men with one thing in common; seven men
+as bald as Doctor Cyclops. Harry had to abandon the notion that sheer
+coincidence brought these men together. That was too fantastic. They
+were brought together by design.
+
+Their backgrounds varied in that they had all worked and come from
+different parts of the country. But those facts were only on paper. It
+was an odds-on bet they all knew each other. There was even something
+about the order in which they arrived at the office that indicated a
+pattern or an over-all plan. Numbers three, five and six had worn false
+mustaches.
+
+If it was true the seven men were well acquainted then Paula Ralston
+could undoubtedly give him some answers. Harry had another dinner
+engagement with her at five o'clock. But this date, he told himself,
+would be different. _He_ was going to be all business until he learned
+exactly what she was involved in.
+
+He picked up the phone, got an outside line and dialed. Frank Barnes was
+a private detective. A good one. Harry was sure he could rely on him for
+a small favor.
+
+A subdued, resonant voice answered on the other end.
+
+"Frank, Harry Payne here."
+
+"Harry! Where you been hiding?"
+
+"I need a favor."
+
+"Only time you ever call me, you ingrate."
+
+"There's a dame called Paula Ralston. Runs a business called Ralston
+Personnel Consultants. How soon can you get anything on her?"
+
+"How soon do you need it?"
+
+"Today, if possible. You can call me at home. Any hour."
+
+After promising Frank to meet him for lunch one day Harry sank into an
+easy chair and tried to shake the unnerving effect the seven men had had
+on him.
+
+Maybe he shouldn't have called Frank. This might be something he should
+have informed the army about. No. They'd want to know what business he
+had seeing the seven men in the first place. He didn't have much of an
+answer for that one.
+
+ * * * * *
+
+Driving along Woodward Street toward Fourth Avenue, Harry was beset with
+one nagging question. Why had Paula Ralston never brought any of her
+clients to see him before? He was the dispenser of over a hundred good
+jobs that offered high salaries. The answer was just as persistent as
+the question. _Lab Technician was the only security job he handled._ She
+was determined that one of her men get that job at any cost.
+
+It wasn't a very pleasant thought. Harry didn't want to believe it. He
+didn't want to believe that Paula Ralston was going to mean trouble for
+him. And yet he knew that's exactly what she meant.
+
+ * * * * *
+
+She was waiting for him at Maria's. She kissed him as he slipped into
+the booth beside her. Through four drinks and a six-course dinner he
+watched her smile. That smile could melt down the door on a bank vault.
+He noticed how she laughed at all of his wisecracks. When it was her
+turn to talk she talked about him. She offered a toast to their closer
+friendship, with special emphasis on the word "closer."
+
+But she did not mention the seven men. That was the smart approach,
+Harry ventured. She'd save that until she got home and slipped into
+something more comfortable.
+
+ * * * * *
+
+He stood alone in Paula's living room nursing a scotch on the rocks. The
+night before he had been too concerned about his progress with this
+latter-day Aphrodite to give a damn about the place she lived in. He
+glanced around the room. Every inch reeked of success. The furniture was
+sleek, modern, exquisitely contoured ... like its owner. There wasn't
+much question about it, Paula Ralston made a lot more dough than he did.
+But how? That was the question.
+
+She came out of the bedroom and mixed herself a drink. She was a living
+dream in a black lace negligee. Transparent. It figured. A lot of things
+were beginning to figure.
+
+"Shall I tell you a secret?" she asked.
+
+"I didn't think you had any left." He couldn't take his eyes from the
+negligee.
+
+"I think Mr. Chase and Mr. Boles are the best of the seven. I think they
+come closest to what you're looking for." She lifted her glass and
+clinked it against his.
+
+Harry smiled. He wasn't looking at her anymore. It was more of an
+education to look through her. She was good. Damn good. She could lull
+you into believing the Grand Canyon was brimming over with silver
+dollars, all yours for the taking. It was next to impossible to doubt
+the sincerity in her face.
+
+"I liked all seven of them," he said. "But since you know them better
+than I do I'll take your recommendation that Chase and Boles are the
+best."
+
+She moved closer to him. He could feel the warmth of her body.
+
+"We're making some progress, Harry. We've narrowed the field down to two
+candidates."
+
+Harry kept her maneuvering. "Paula, I'm still faced with the problem of
+finding a way around the regulations. I can't hire either one of them
+until I solve that."
+
+Nothing stopped this girl. Nothing even slowed her down. She moved still
+closer to him. "There's a way around anything if a man has the right
+incentive to look for it."
+
+He knew what the right incentive was. He didn't have to go looking for
+that. He laid his drink down, put his arms around her and kissed her.
+They walked to the sofa. Paula stayed close to him, the ever thoughtful,
+loving female companion. She rubbed his back and neck and sprinkled him
+with soft moist kisses. She never mentioned her clients again. And Harry
+promised to hire one of them the following day.
+
+ * * * * *
+
+He was anxious to get back to his apartment to find out if Frank Barnes
+had called. As he drove back along Woodward Street he couldn't put Paula
+out of his mind. He already had her character pegged. But what was she
+up to? What was her goal? She wasn't doing all this for a lousy
+commission. The stakes were bigger than that.
+
+In a way it was too bad she was going to have to settle for less than
+she bargained for. If her seven clients hadn't been so phoney she might
+have gotten away with it. But why was it necessary for them to be
+phoney? Why should a girl as shrewd as Paula send seven men in disguise
+to see ...
+
+Disguise! Somehow that word threw a different light on the matter. The
+men had all been disguised in places where hair should grow. They were
+_not_ bald. There was something abnormal about them. And Harry was
+ninety percent certain what it was. The answer was incredible. There was
+still a ten-percent margin for error. For Miss Paula Ralston's sake he
+hoped he was wrong.
+
+ * * * * *
+
+Frank Barnes' message was waiting for him at the switchboard in the
+lobby. The word "urgent" was written on it.
+
+He raced upstairs and picked up the phone. Frank answered on the first
+ring. He sounded like a man with a gun at his back.
+
+"Harry, what the hell kind of a mess have you gotten yourself into?"
+
+"Why? Something go wrong?"
+
+"You bet your sweet life. An hour after you called me to check on that
+Ralston dame a guy came into the office and told me to lay off."
+
+Harry was silent. And scared. His answer looked better all the time.
+
+"What did the guy look like?"
+
+"He looked important, Harry. And he meant business. He had a big bulge
+in his pocket and he made it very clear I'd be up to my funny bone in
+hot lead if I relayed any information about this girl to you."
+
+"Frank, was the guy wearing a toupee?"
+
+"A what?"
+
+"A toupee, a hair piece!"
+
+"How the hell should I know. I wasn't interested in his coiffure. He was
+wearing a black overcoat, he kept his hand on that bulge and he didn't
+care much for smiling. Harry, you in trouble with this dame?"
+
+"What did you find out about her, Frank?"
+
+"Between the time you called and the time the guy strolled into the
+office I found out she's only had this Personnel Consultant racket for
+about three months."
+
+"You didn't learn anything else?"
+
+"After I got warned I decided to wait'll I talked with you."
+
+Harry was silent again. His mind was working.
+
+"Frank, what causes baldness?"
+
+"Baldness! Geez, Harry, you're in a fat mess of trouble and you're
+worrying about losing your hair?"
+
+"It's important, Frank. I must find out what causes total loss of _all_
+hair."
+
+The detective grunted. "Well, let's see, there are three or four
+diseases I know of. Some people claim it's hereditary. Sometimes a
+deficiency in the genes ..."
+
+"Okay, Frank, that's enough."
+
+"What do you want me to do about the girl?"
+
+"Just as the man told you. Lay off. I'll call you tomorrow and let you
+know what this thing is all about."
+
+He hung up the phone and paced in front of his sofa for several minutes.
+It was inconceivable that the seven men all had the same disease, the
+same gene deficiency or the same hereditary shortcomings. So his own
+answer must be much closer to the truth. He'd have to wait until morning
+to put it to a test. If he was right he would call Colonel Waters and
+dump the whole bizarre set-up right into the army's lap where it
+belonged.
+
+Again he found himself hoping he was not right, and, more important,
+that Paula Ralston wasn't what he was beginning to think she was.
+
+ * * * * *
+
+Miss Conway was already in when Harry arrived at the office. He managed
+a half smile for her.
+
+"Miss Conway, two of the seven men are coming back this morning and ..."
+
+"And Mr. Boles is the one who's getting the job."
+
+"Who called you this time?" he asked with exasperation.
+
+"Colonel Waters."
+
+Harry's stomach muscles contracted. "Colonel Waters?"
+
+"That's right. When you were gone yesterday the colonel dropped in to
+see you. He asked me if you were working on the replacement for George
+Fisher ... I told him you were right on the job. And I showed him the
+information sheets you had on all seven men."
+
+"You did what!!"
+
+"And Colonel Waters liked the man named Boles best of all. So I guess
+when Mr. Boles comes in you can tell him the job is his."
+
+"You nitwit!" he bellowed. "You brainless, knuckleheaded ..." He stomped
+into his office, and slammed the door.
+
+It was difficult for him to think clearly. He knew he had to make a
+move. And fast.
+
+He stood by the window and gazed at the Weapons Development Center
+across the parade ground. The low gray buildings had a quiet peaceful
+aura about them. If it weren't for the guards marching in front of the
+great wire fences anyone might think the place was used for
+manufacturing can-openers, automobile parts, any one of a thousand
+harmless products.
+
+But it wasn't. Weapons Development represented a vital link in the
+country's defense program. He no longer figured they were developing a
+weapon to counteract Soviet aggression. They were working on something
+far more important. He was just ninety percent sure of that.
+
+ * * * * *
+
+Mr. Boles was the first to arrive. He sat in an easy chair which Harry
+had moved close to his desk in order to better observe the man.
+
+"Mr. Boles, my secretary tells me Colonel Waters was looking at your
+qualifications yesterday and was very impressed. I gather from that that
+the job is yours."
+
+"Thank you, sir."
+
+Harry shoved his chair closer to him. The toupee was intact. So was the
+mustache.
+
+"Now it'll take the government about two weeks to complete a security
+check-up."
+
+He could see plainly now that the man was also wearing false eyebrows
+and had no beard. That did it.
+
+"I understand, sir," Boles replied.
+
+"So all I can tell you at the moment is that you'll be hearing from us
+as soon as possible." Harry got up thinking the interview was over.
+
+Mr. Boles remained seated.
+
+"Miss Ralston would like to see you, Mr. Payne."
+
+"Oh, yes," Harry chuckled, "I'm going to see her this evening."
+
+"She wants to see you now."
+
+"Afraid I can't make it right now. I have a pile of work to do. Besides
+I'm expecting another client of hers. Have to let him know he didn't get
+the job."
+
+"Mr. Chase is waiting for us downstairs in the car. You will come with
+me, Mr. Payne." The order was clear and firm.
+
+Harry didn't like it. "I don't get it. What's so important that Miss
+Ralston has to see me ..."
+
+He stopped at the sight of the gun leveled at his chest.
+
+"When we pass your secretary's desk, you will tell her you are taking an
+early lunch. I will return you in an hour if you cooperate."
+
+Harry Payne knew better than to argue.
+
+ * * * * *
+
+Mr. Chase was seated behind the wheel of a blue sedan. Boles and Harry
+climbed into the back seat. They drove away from Fort Dickson toward the
+city.
+
+The two men remained silent during the trip. Harry had plenty of time to
+think. Why this sudden move of Paula's? He must have done something to
+motivate it. But what?
+
+The only person he had talked to was Frank Barnes and he hadn't divulged
+anything to him. She couldn't be sore because he had asked Frank to
+check on her. Routine investigation was part of his job. She knew that.
+He failed to come up with an answer. He was worried. He knew who the
+seven men were but he didn't know where they came from. It could have
+been any one of a million different places. Heaven only knew what kind
+of people they were.
+
+The shades were drawn in Paula's apartment. There was no sign of her.
+But as soon as Harry entered the room he forgot about her anyway. His
+gaze rested upon the small, roundish man sitting in the contour chair,
+the bald man with no eyebrows and no beard.
+
+"Please be seated, Mr. Payne." The man's tone was soft and courteous.
+
+"Which one are you?" Harry asked.
+
+The man was amused. "I am Mr. Thompson."
+
+"Oh, yeah," said Harry, "you're the one who kept patting your skull.
+Couldn't you find one that fit you?"
+
+Nobody was amused. Boles and Chase took positions on either side of
+Thompson. Their faces were drawn and sober. They resembled two bankrupt
+morticians.
+
+"Where is the body beautiful?" Harry asked. "Or is she no longer the
+body beautiful?"
+
+"Take a look for yourself." It was Paula's voice. The familiar
+sultriness was missing.
+
+Harry swung around to see her emerge from the bedroom. "Well, well,
+well! If it isn't Miss Lonelyhearts. Mind if I ask why I'm here? I mean
+the gun and all?"
+
+He had to be flippant. It was the only way he knew to conceal the terror
+he felt in their presence.
+
+She sat beside him on the sofa. "Harry, you've disappointed me. You
+haven't been playing the game fair and square."
+
+"If you're referring to the private eye I put on you ..."
+
+"I'm _not_, Harry. You put him on, we took him off. Those things even
+themselves out."
+
+Harry shrugged. "Okay, I give up. What did I do wrong?"
+
+"Show him, Mr. Thompson." She lit a cigarette and folded her legs under
+her.
+
+Mr. Thompson reached into his pocket and produced a small object. He
+tossed it into Harry's lap. Harry examined it.
+
+"Do you recognize it?" Mr. Thompson asked.
+
+"It's a microphone," Harry replied.
+
+"That's just what it is." Paula savagely flung her cigarette to the
+floor. Her own disguise, the one concealing her true, ruthless self, was
+gone. Her voice was cold and harsh. "How much do you know, Harry? How
+much?"
+
+Harry folded his hands, rested his full weight on the arm of the sofa
+and crossed his legs. "How much is it worth to you?"
+
+Paula's hand struck with fury across his face. His cheek went numb.
+Blood ran from an uneven gash left by the diamond in her ring. He took
+out his handkerchief and dabbed at the wound.
+
+"You're real high class, aren't you, Paula? They don't make traitors as
+high class as you anymore."
+
+She raised her hand and aimed for the other cheek. Thompson bolted out
+of his chair and grabbed her.
+
+"I suggest you have a drink, Miss Ralston. Let us handle the rest."
+
+Paula was furious. "He's not going to tell you anymore ..."
+
+"We'll handle the rest!!"
+
+ * * * * *
+
+Thompson didn't raise his voice. But there was a firmness, a deadly
+conviction in his inflection. Paula went for a drink.
+
+Harry didn't like that. Paula had a temper. He could deal with her. But
+the others ... they displayed very little emotion. He had no idea how to
+handle them.
+
+Thompson sat down again facing Harry.
+
+"The fact is," he began gracefully, "we discovered this microphone and
+four others like it here in Miss Ralston's apartment. One in each room.
+Now we are very cautious people, Mr. Payne. We are quite certain no one
+knows our whereabouts. It is logical then that the microphones have not
+been here long. Miss Ralston's only visitors are ourselves and you. You
+have known her two days. So you are the only person who knows this
+apartment well enough to have planted these tell-tale devices in a
+hurry."
+
+"Why should I want to plant them?"
+
+"You took the trouble to have Miss Ralston investigated. But more than
+one means of investigation produces better results. The microphones were
+wired to a small radio which we located in the basement of this
+building. We have assumed that everything spoken into them was
+transmitted over the radio and recorded at your end. That makes sense,
+doesn't it?"
+
+Harry was confused. "So far, so good."
+
+"We want those recordings, Mr. Payne."
+
+They seemed to be convinced the microphones were his. Only Harry knew it
+wasn't true. But to admit it might mean he wouldn't leave Paula's place
+alive. He derived no comfort from the knowledge that someone else was
+interested in Paula's activities. That wasn't helping him with his
+problem of the moment. He could see no clear way out. He had to keep
+stalling. And as long as they were so sure of themselves it might even
+be to his advantage to maintain a certain arrogance.
+
+"I might as well tell you, Thompson, I have no intention of cooperating
+until I know a few facts about you and your friends. Like who you are,
+where you're from, what you're after ..."
+
+"It is not necessary, in order to tell us where the recordings are,"
+smiled Mr. Thompson, "that you know anything more about us."
+
+"It isn't necessary," said Harry, "but I want to know."
+
+Chase started to voice an objection but Harry broke in.
+
+"And don't tell me you have more persuasive ways of making me talk. You
+can use force but it'll take time. Your time is valuable or you wouldn't
+have hustled me over here as fast as you did. So let's _not_ waste your
+time. You tell me, then I'll tell you."
+
+Thompson glanced at his two compatriots. Their faces registered
+dissatisfaction. Their silence said that Harry was right. Time was
+valuable. They would follow the path of least resistance.
+
+"Our point of origin," Mr. Thompson began, "is Correylla, roughly
+seven-eighths the size of Earth, in the Syrybic Galaxy. It is
+approximately ... in your figures ... seventy-five trillion miles
+distant."
+
+"Must be quite a trip." Harry tried to be placid.
+
+Mr. Thompson was momentarily amused. "Travel through Time and Space is
+something we take for granted. The farthest corners of the Universe are
+ours for the reaching. That is the foremost reason for our visit to your
+Earth. You might call us Galactic Observers. You see, we already control
+the twelve inhabited planets in our own Galaxy. And at this time we have
+no desire to take on any more responsibility than that. But neither do
+we want interference from another Galaxy ... such as this one!"
+
+ * * * * *
+
+Harry was surprised. "You're giving this world a lot of credit. We've
+barely moved off the Earth. What makes you think we could cause your
+people any trouble?"
+
+"By merely projecting yourselves into space you have eliminated the
+major obstacle to space travel. Remember it took thousands of years for
+someone on your Earth to discover electricity. But observe the wonders
+you have accomplished with it in the relatively few years _since_ it was
+discovered. The same principle applies to your conquest of space. We are
+not here to do you harm, Mr. Payne. It is merely our intention to warn
+you, when the time comes, of the dangers you face should you decide to
+venture too far."
+
+"For people who intend no harm I'd say you and your friends are putting
+on quite an unconvincing show."
+
+"I assure you, Mr. Payne, our visit to Earth was intended purely for
+observational purposes!"
+
+"What do you mean, _was_?"
+
+ * * * * *
+
+Thompson's face was grim. The easy chair that had accommodated his
+small, roundish frame so perfectly now appeared to be uncomfortable for
+him. A redness crept into his cheeks and spread over his smooth, tight
+scalp.
+
+"The fact is that your government has known about us for six months. Our
+exact whereabouts has been a well guarded secret ... but they _were
+informed_ of our presence here on Earth."
+
+"Informed! But who could tell them ..."
+
+Chase broke in impatiently. "We are wasting time! We must get those
+recordings!"
+
+The interruption was dismissed with a wave of Thompson's hand.
+
+"Your government was informed by George Fisher."
+
+"George Fisher!" Harry gulped.
+
+"You see, Mr. Fisher ... that wasn't really his name, you understand ...
+was one of us ... a member of our observation team. After we arrived
+here ... well, you might say he defected, gave your government the
+benefit of his somewhat limited knowledge."
+
+Harry whistled. "And because of him your mission is no longer
+observational."
+
+"That remains to be seen."
+
+Harry leaned forward on the sofa. "You have any ideas, Mr. Thompson,
+about why he defected? I'm curious to know why a man is unhappy enough
+with his own lot to run away and put himself in the hands of a
+civilization that is in every way alien to him."
+
+Thompson's answer was brief and deliberately ambiguous. "Mr. Fisher was
+a traitor. What more can be said of him?"
+
+"So he didn't commit suicide," Harry muttered.
+
+"That's right, Mr. Payne."
+
+"I take it you're not sure of how much Fisher told the government before
+you got to him."
+
+"Mr. Fisher's limitations were familiar to us. It is the potential of
+your own scientists now that they have his information that we are most
+concerned with."
+
+Keep stalling, Harry reminded himself ... keep speculating, guessing,
+theorizing, anything for time.
+
+"So you know the project that Weapons Development is working on but you
+don't know how much progress has been made. And you want to place one of
+your own people in there to find out."
+
+"Thanks to you, we have succeeded in doing just that." Thompson smiled
+with satisfaction, having kept his part of a bargain. "Now about those
+recordings...."
+
+"I'm not through asking questions."
+
+"But I'm through answering them, Mr. Payne. Tell us where the recordings
+are."
+
+ * * * * *
+
+Harry studied the clean, smooth surface of Thompson's face. There was a
+gentleness in his large, round eyes. There was also an unfriendliness.
+Harry had to keep stalling. He knew any answer he gave them would
+shorten his life expectancy by about thirty-five years.
+
+"You've gotten me into a mess of trouble, Mr. Thompson. I think you owe
+me a little more. My memory might prove clearer if I knew what was going
+on at Weapons Development."
+
+Thompson glanced at his two companions. They showed no sign of dissent.
+
+"Very well, Mr. Payne. For some years now our people have been working
+on a method of reversing the polarity of the atom. We have tried to
+create an electro-magnetic field which would repel rather than attract.
+Once we are able to accomplish this we can develop an instrument capable
+of disturbing the molecular structure of any object in the universe."
+
+"In other words ..." Harry frowned at him, "a weapon capable of
+disintegration?"
+
+"Precisely!"
+
+Harry sat there, stunned. A few moments seemed hardly enough to digest
+the knowledge that Weapons Development was working on the most
+incredibly advanced weapon of all time. And Mr. Thompson and company
+were out to sabotage it. Their people could not afford to allow another
+world to beat them to the punch. Who controlled this weapon controlled
+the universe. Stalling the aliens was more important than ever now. He
+couldn't heighten the danger to his own life. It wasn't worth a lead
+nickel anyway. If it had been, Thompson wouldn't have consented to tell
+him this much.
+
+Someone else had wired Paula's apartment. It was reasonable to assume it
+was someone on his side.
+
+"The recordings, please!!" Boles was becoming very impatient.
+
+Harry looked up and found a gun at his head. "The recordings are at my
+office," he lied.
+
+Thompson walked to the telephone table and brought the instrument to
+him. "You will call your secretary," he said, "and tell her you have
+been detained at lunch. You are sending Mr. Chase to pick up the
+recordings."
+
+Harry glanced around the room. Paula was sulking at the bar near the
+door. Drowning her conscience, he thought. They must have paid her a
+fortune to sell out her own people. Boles and Chase both had their guns
+poised. Thompson picked up the receiver and extended it to him.
+
+There was no way out, no stalling them any longer. To make a break for
+it would be suicidal. In the state of confusion his mind was in, he
+could think of only one thing to do. When he reached Miss Conway, he
+would have to warn her somehow--a few desperate words and pray that she
+would be alert enough to realize he was in trouble and get the
+information to the authorities.
+
+ * * * * *
+
+He took the phone and dialed. He gave the Fort Dickson operator his
+office extension. He waited. The phone rang. It rang again. Then three
+more times. Damn that girl! Her coffee breaks were extended vacations!
+
+Finally the phone was picked up. But the voice that answered was male.
+
+"Who is this?" Harry demanded.
+
+The voice replied, "Colonel Waters."
+
+"This is Harry. I'm at Paula Ralston's apartment ... emergency...!"
+
+The three men were on top of him. Chase smashed the butt of his gun
+across Harry's knuckles. The receiver fell to the floor. Harry let out a
+pained groan as Boles' gun butt struck him on the temple. Thompson
+replaced the receiver. Harry was on the floor. He put his hands to his
+head for protection as Chase savagely kicked at him. His vision blurred
+but he managed to see that Paula was still at the bar sipping a drink,
+sadistically enjoying the whole show.
+
+"He's no longer any use to us," Thompson declared. "You may do your
+job!"
+
+Harry shook his head, fighting to stay conscious. His vision cleared
+long enough to see Chase and Boles standing over him, their guns pointed
+at either side of his head.
+
+There was a volley of deafening shots. There was smoke, voices, people
+running in every direction. More gunfire. Glass shattering. Furniture
+knocked over.
+
+But Harry felt no pain.
+
+When he looked again Chase and Boles were no longer to be seen. He
+caught a glimpse of Thompson running for another position of cover. A
+final gunshot brought him to the floor.
+
+Harry struggled to a sitting position. Then he saw Chase and Boles dead
+on the floor beyond the sofa. Half a dozen soldiers were in the process
+of subduing a swearing, clawing Paula Ralston.
+
+And in the doorway he saw Miss Conway.
+
+She looked incongruous as hell with a smouldering revolver in her hand.
+She crossed the room and knelt beside him. She pulled him around to let
+his head rest on the sofa.
+
+"Harry! Harry," she whispered, brushing his hair back, "are you hurt
+badly? What did they do to you?"
+
+He tried to get up.
+
+"You stay right where you are, honey." Her voice was soothing and
+gentle. There was a soft, compassionate light in her eyes. No longer
+that dumb stare. She leaned over and kissed him. "There. You're going to
+be all right."
+
+"What the hell are you doing here?" Harry bellowed.
+
+"Now you just sit back and relax. I'm just doing my job."
+
+"Your jo ..." A low steady wail rolled off his lips. "Oh, no! Say it
+isn't so. Tell me I'm really dead. I know I deserve to be."
+
+"I may be the world's lousiest secretary, but I'm considered not bad in
+the counter-intelligence department."
+
+Harry repeated the wail.
+
+"We were afraid from the time George Fisher turned himself over to the
+government," she continued, "that his days were numbered. But the longer
+he remained alive the more apprehensive his people would become. We
+figured one day they'd make a wrong move. And that would be their big
+mistake. Well, their move was to kill George Fisher and try to get one
+of their own agents into Weapons Development. That meant exposing
+themselves. It also meant you had to be watched ... among others. That's
+where I came in."
+
+"And playing it about as dumb as I've ever seen."
+
+She laughed. "Sounds like I played the part a little too convincingly."
+
+She stood up and helped him to his feet. "You're coming with me."
+
+"Where to? Hey, what are you doing?"
+
+"There's something about this place that I don't like. I'm no sultry
+brunette, but I'm not a dumb blonde either." She kissed him, then took a
+last look at Paula's place and led him out the door.
+
+ THE END
+
+
+
+
+Transcriber's Note:
+
+ This etext was produced from _Amazing Stories_ November 1959.
+ Extensive research did not uncover any evidence that the U.S.
+ copyright on this publication was renewed. Minor spelling and
+ typographical errors have been corrected without note.
+
+
+
+
+
+End of the Project Gutenberg EBook of The Observers, by G. L. Vandenburg
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE OBSERVERS ***
+
+***** This file should be named 31123.txt or 31123.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/3/1/1/2/31123/
+
+Produced by Greg Weeks, Stephen Blundell and the Online
+Distributed Proofreading Team at https://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.