diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-14 19:55:08 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-14 19:55:08 -0700 |
| commit | 9e56915a4e7fa48447237a740794d990351930e5 (patch) | |
| tree | 1f9b9a0beef14832082792f679763397bf157669 | |
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 31115-8.txt | 953 | ||||
| -rw-r--r-- | 31115-8.zip | bin | 0 -> 20342 bytes | |||
| -rw-r--r-- | 31115-h.zip | bin | 0 -> 120019 bytes | |||
| -rw-r--r-- | 31115-h/31115-h.htm | 1083 | ||||
| -rw-r--r-- | 31115-h/images/cover.jpg | bin | 0 -> 92196 bytes | |||
| -rw-r--r-- | 31115-h/images/deco.jpg | bin | 0 -> 6310 bytes | |||
| -rw-r--r-- | 31115.txt | 953 | ||||
| -rw-r--r-- | 31115.zip | bin | 0 -> 20329 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 |
11 files changed, 3005 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/31115-8.txt b/31115-8.txt new file mode 100644 index 0000000..ecafb73 --- /dev/null +++ b/31115-8.txt @@ -0,0 +1,953 @@ +The Project Gutenberg eBook, An Account of Our Arresting Experiences, by +Conway Evans + + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + + + + +Title: An Account of Our Arresting Experiences + + +Author: Conway Evans + + + +Release Date: January 28, 2010 [eBook #31115] + +Language: English + +Character set encoding: ISO-8859-1 + + +***START OF THE PROJECT GUTENBERG EBOOK AN ACCOUNT OF OUR ARRESTING +EXPERIENCES*** + + +E-text prepared by Brown University Library and the Project Gutenberg +Online Distributed Proofreading Team (http://www.pgdp.net) from page +images generously made available by Internet Archive/American Libraries +(http://www.archive.org/details/americana) + + + +Note: Images of the original pages are available through + Internet Archive/American Libraries. See + http://www.archive.org/details/accountofourarre00evan + + + + + +AN ACCOUNT OF OUR ARRESTING EXPERIENCES + +by + +CONWAY EVANS + +[Illustration] + + + + + + + +Privately Printed +1914 + +[One Hundred Copies printed] + +D. B. Updike, The Merrymount Press, Boston + + + + +TO MY TWO PLUCKY LITTLE +FELLOW PRISONERS + + + + +AN ACCOUNT OF +OUR ARRESTING EXPERIENCES + + +We had been travelling for many weeks,--Lyra Nickerson, Katherine +Schermerhorn, and I,--and after a beautiful tour through Germany, we +arrived at Berlin on the evening of July 29, 1914. We had planned to +spend a few days there preparatory to embarking at Hamburg in the +Viktoria Luise for a northern cruise, and were looking forward to a +short stay in the splendid capital. When we had secured our rooms at +the Hotel Adlon, we found to our dismay that Kitty's box had not come +through from Dresden, our last stopping-place. I went downstairs and +interviewed the porter. He explained that, owing to the talk of war, +many people were leaving their summer quarters, so that traffic was +considerably congested. In this wise did the little cloud appear upon +our horizon. + +The following morning (Thursday) we went sightseeing, and in the +afternoon--as Lyra was not feeling well--Kitty and I each went our own +way. At five o'clock we met in the hall of the Adlon, where we had +tea with her cousin, Mr. Gear, and his friend, Mr. Cluett. Later she +and I went to a superb concert at the Frederichshain and heard +Thornberg, the violinist. + +On Friday morning a little German friend whom I had not seen for many +years came to visit me. I asked her if war were likely. She replied: +"Certainly not. All danger is now over." This was encouraging, for I +thought she knew what she was talking about. + +In the afternoon we hired an automobile, and motored out to Potsdam. +Then when we were outside the old Palace we heard that the Kaiser's +"strong-for-peace" policy had been of no avail, that the Czar had +insulted his messenger, and that now war was inevitable. We ourselves, +chameleon-like, assumed the German colour. We believed what we were +told, and felt sorry for the man who was called upon unwillingly to +shed his nation's blood. On our way back to the hotel Kitty and I went +to see Mr. Schermerhorn's cousin, Miss Barber, and then we realized +the immediate gravity of the situation. She told us that now war +_must_ come, and she also told us that the Viktoria Luise would not +sail. With quickened pulses we drove back to the Adlon, where the +lounge was crowded with buzzing, excited people. Then we dressed, and +went to the "Admiral's Palast" to see the exquisite Ice Ballet. While +we were admiring the skating, and sympathizing with the fascinating +Pierrot whose heart was broken by the cruelty of the dainty jointed +Doll, we were able to forget grim reality--to forget that the bonds +that had held captive the great Fiend were being cut, and that he was +yawning after his long sleep, and stretching his cramped limbs. + +The following morning Lyra realized the desirability of leaving Europe +and of raising funds. She ordered the car, and we went to the office +of the Holland American Line to try and secure the Imperial Suite, but +without avail: no passages were to be had. Then we drove to five +banks, and cashed a certain amount of her letter of credit at each +one. At the Dresdener Bank she was informed that the Czar might +capitulate even yet, and that in any case there would be three days of +peace. Thereupon our spirits rose, and we began to make wild schemes. +Even if Germany and Russia did go to war, why should we not tour in +the Ardennes? Belgium would be a nice quiet neutral country to remain +in, till we could secure passage to America. + +In the afternoon we drove out to Schmockwitz and spent a placid time +on the Miggelsee, but when we returned to Berlin we found the Unter +der Linden seething with dense crowds of excited people and the whole +atmosphere charged with electricity. At dinner Mr. Gear came up to our +table. "You had better get out of this as soon as you can," he said. +"There is going to be trouble at once." + +Sunday morning Kitty was awakened very early by a stormy altercation +in the room next to hers. She knocked on the wall, but no notice was +taken of her remonstrance. After we had had breakfast, Lyra went +downstairs and chartered an auto for 750 marks. The owner would not +promise to take us farther than Hannover, owing to the difficulty of +procuring petrol, and moreover both car and chauffeur were required in +a couple of days for military duty. We consulted a large map, and +decided to motor _via_ Hannover to Osnabrück, and then go on to the +frontier, wherever that might be. + +When I had finished packing I rang for the porter to strap my trunk, +but he did not come. I continued ringing with much vigour, and finally +the nice little housemaid appeared on the scene and a flood of +volubility broke over me. The porter was busy. He could not come. All +Russians in the hotel were being arrested as criminals, for Russians +had fired on a frontier town and war was declared. The hotel had been +full of detectives for several days, and one "criminal" had had the +room next to our suite. This piece of information explained the noise +in No. 140. The occupant had evidently rebelled at being arrested so +early in the morning! When I passed his room his captors were waiting +for him, and he was calmly finishing off his toilette. The big lounge +of the hotel was like a hive of swarming bees, and poor Mr. Louis +Adlon looked simply worn out with worry; but he was so kind and +courteous! I shall never forget all the trouble he took for us. + +We got off at about 12.30 in a magnificent Benz, driven by one of the +best-looking boys imaginable. The hand luggage was piled inside the +car, so I sat outside. It was a lovely morning, and we all felt duly +thrilled over our dramatic departure. The crowds were dense, and cars +stacked with luggage like ours were shooting off in every direction. +As on the previous day, the very air seemed charged with electricity, +but when we were once in the country, all seemed peaceful and calm, +and one asked one's self: "Why are we flying like this? What possible +danger can there be?" + +There were just a few indications of the times--a troop of Lancers +clattered past us, and a body of Uhlans leading peasants' horses with +their labels attached. At Wannsee a car with the crown prince and +princess flashed past. On the bridge over the Havel, overlooking +Babelsburg, a tire burst, and we were delayed about half an hour. At +Potsdam we made a halt at the telegraph office; but the news there was +bad. No wires were being accepted for the "Ausland," and even local +ones were not likely to get through. + +The first town of importance we arrived at was Brandenburg, which +stands on the Havel. Storks were flapping round in the meadows, and +the old stone statue in the main street stared down on us as we +flashed past, as if to ask: "Why this haste? From what are you +flying?" But we had but scant attention to give either to him or that +town, or to Plaue or Genthin. The blue sky clouded over, and by the +time the spires of Magdeburg appeared on the horizon, the rain was +coming down steadily. We had our first halt outside the city, for two +officials did not seem at all inclined to let us into the town where +formerly I had spent such merry days. However, our demon chauffeur was +able to produce papers certifying that he was returning to Berlin, and +we were allowed to proceed. We stopped awhile to buy some sailcloth, +as our trunks were getting woefully wet on the top of the car. Then +off we set once more, in pouring rain and a tearing wind, through flat +and uninteresting country. As there was nothing special to look at, I +could just sit still and enjoy the strange exhilaration of that wild +drive--the steady pulsation of the magnificent car, which like some +mythological monster ate up the long straight road, indifferent to the +shrieking opposing wind and lashing rain. On, on, till gradually the +furies grew weary, the gray gave place to gold, and the earth wore the +"washed" look of a beautiful water-colour. The road was grand, and so +open that there was no danger. The small towns took on a character all +their own of Old World charm, and Baedeker recorded the fact that +they were full of interest, but this had to be taken on trust. +Brunswick made its own special appeal, though we saw little but old +houses and the handsome façade of St. Catherine's. Onward we raced +till away in the distance we saw Hannover, like a many-masted ship +with its high chimneys and myriad lights. We kept up the pace, and at +9.15 pulled up in front of the Hotel Royal. I went in to know if the +wire I had sent from Potsdam engaging rooms and a fresh automobile had +arrived, but of course it had not. Then I returned to see about the +dismounting of the luggage, and the girls stayed with me. A few people +came to look on and became intensely interested. More joined, and we +were soon the centre of a crowd. We imagined in time of war even a +stray automobile must prove of account. We all laughed to find +ourselves of such importance. Then up came a charming boy officer, who +asked the chauffeur if he spoke German. "Ja wohl," was the laconic +reply. "Are you German?" "Ja wohl." + +The certificates were produced, and the boy looked them over and +handed them back pleasantly. "Have you seen enough?" I inquired, +laughing. "Yes," he replied. "Excuse me;" and with a beautiful salute +he disappeared in the crowd. But another officer had joined the girls. +"Please come inside," he whispered, and when they were in the hall, he +asked them if they were enemies, to their great amusement. + +I was so busy with the luggage that I did not notice their departure. +The real truth had not yet dawned upon me. The trunks were hoisted off +the car to the ground, and the gay decoration of the hotel labels +attracted considerable attention. People thronged round, and +deciphered the various names. I have never seen such curiosity. +Finally the last suitcase was carried in. The landlord came forward, +washing his hands with invisible soap. "Quite an experience for you. I +apologize, but you see the crowd thought you were Russians." We all +laughed. The mystery was solved. After all it was quite thrilling to +be taken for Russians, and lent a flavour to the day. + +We had dinner, and then for a few minutes we stayed in the hall +discussing plans. A little man in uniform came in brandishing a +bulletin. "We have taken a Russian harbour," he cried excitedly. "The +place is in flames." An involuntary shudder went through me. The +Russians were England's allies. Was this the first letter of the awful +alphabet Europe was to be called on to spell? Was this the first of +the mighty German conquests? + +I looked up, remembering that I was in Germany. Two very blue eyes +were fixed upon me. At the moment I wondered if any _arrière pensée_ +lay behind that intense look, but the little man seemed quite +friendly, and then our party broke up and we were soon all sound +asleep, forgetful of the fact that we were in a country at war with +its neighbours. + +The following morning (August 3) we got up early, as a car from the +Adler Garage had been ordered at 9.30, but it did not come. The +employees of the hotel were cool in their behaviour. The concierge, of +whom one usually expects servility, proved surly, the waiter calmly +insolent. The delay seemed interminable, so Kitty and I sat down and +wrote letters, but we found it was of no use to post them, as none +were going out of the country; so we put them in our handbags. Then +Lyra and I went off in a taxi to the garage to inquire for the car, +and found it just ready. As the luggage was being stacked on, two +American girls came to ask us how we were going to get out of the +country. Lyra offered to take them with us, but they refused because +they had not packed up! + +At last we were off once more--thankful to be moving, and for some +time we were able to enjoy the pretty pastoral scenery, and the +charming little houses with black timbering set in their red brick. +Our new car was a poor substitute for the Benz,--which had returned to +Berlin for war duty,--and our handsome boy had given place to a +stolid son of the soil with one green and one blue eye, a kindly soul, +who radiated confidence. Outside Schloss Lippe he stopped to shift one +of the trunks. Up sauntered an official and asked for his papers, +which he produced. Then once more we headed in the direction of +Minden. + +"_Halt._" A cordon of soldiers with bayonets across the road put an +end to all appreciation of scenery. The "Halt" was very decisive, as +well it might be on such an occasion, and we were surrounded by +boys--fair-haired, smiling boys, with whom we laughed and talked as +much as our limited vocabularies permitted. The chauffeur's pass was +produced, and proved satisfactory. If all "Halts" were going to be +such friendly affairs, we felt we were in for a merry day. We waived +adieus to our youthful soldiers, but within a few hundred yards came +another "Halt," and then another, and another. The fifth time we +realized hand-waving and friendly salutations were not going to get +us very far. Our trunks were to be examined. Our friendly chauffeur +pleaded for us, but he was squashed. "This is war time. Examination +must be made and no risks taken." + +"Yes, but these are children. They only want to get out of the +country." + +Now, when a woman has said good-by to the popular age of thirty-five, +she thinks kindly of a man who includes her amongst the "children," so +never shall I forget the chauffeur with bi-coloured eyes! The young +man with normal vision would take no risks, and we soon all joined in +the game. We pressed our keys upon the soldiers, and not only invited +them to climb upon the top of the landaulette, but climbed up +ourselves, and obeyed all behests. The first deadly thing to come to +light in my trunk was a Canadian bark workbox. "Open it." The contents +was critically examined. Then various perilous packets were found: +Soap--Soap--and again, Soap! + +The sun was hot, and so were we, but the investigation went on very +thoroughly. At last it was over, but we were told that we had to go +to the Kontrol office--whatever that might be. A chinless juvenile got +into the car with us as escort, but he was so weighed down with the +sense of his own importance that he was not very interesting. At the +Kontrol office we were all marched into a little room. It had a bed, +and on a washstand was a basin filled with clean water. We were so +dirty after unstrapping and strapping trunks that we asked if we might +wash our hands. Two kindly soldiers ministered to us and got us clean +towels, and listened sympathetically to the story of our examination. +Then in came the adjutant, and no one could have been nicer or more +courteous. We explained that we were trying to get to Holland, as we +wished to sail to America, and that our one desire was to get out of +Germany as quickly as we could. He smiled, and then he went away, and +wrote out a little paper and signed it. It was to the effect that we +had been examined, and that all was satisfactory. Never have three +women been more grateful for a little piece of paper, and when we +said good-by to our benefactor, our gratitude was very real. + +We were soon spinning along again, but ugly indications of warfare +began to be visible. Outside Minden we saw quantities of cannon being +mounted, and then suddenly we came upon a motor in a ditch. Children +were playing round it, and a man was keeping guard under a tree. Our +chauffeur stopped to find out what had happened. The car had belonged +to a Russian. He had tried to escape when told to "Halt," and had been +shot. Truly the grim game had begun in this peaceful-looking land. + +Time after time we were stopped by orders of soldiers, and we got +almost used to the imperative "Halt." But we had nothing to fear with +our magic _passe-partout_. A few words of parleying, and then came the +usual concession: "You may go on further." No one would say exactly +where "further" meant, but surely we should get to the frontier. We +headed for Osnabrück, mistaking the road, however, at Lübeck, where +the horses were being collected, and that delayed us for some time. +The country now began to change in the magical way that countries do +change when they begin to merge into neighbouring ones. We began to +feel the Dutch element. Men, women, and children seemed to change, +too, and to become more and more stolid. Boots gave way to sabots, and +the little black and white cows began to wear the sacking jackets that +they do in Holland. + +Before getting into Osnabrück we passed the railway station. The gates +were closed, and we stood still while a long, long train steamed +slowly by us--a train decorated with huge boughs of greenery--a train +packed with men--husbands, lovers--going to God knows what fate. They +were shouting and waving and cheering. That is now a week ago. + +It was about six o'clock when we pulled up outside the hotel at +Osnabrück, so we had no time to waste over food. We had eaten nothing +all day, but now we were able to buy some bread and cheese to eat _en +route_. We were terribly dusty, and to save my own new coat, Kitty +kindly lent me an old one of hers. It was bright rose-colour, and made +me rather conspicuous as I took my turn on the little seat. + +The first important place after Osnabrück was Rheine, and there, for +the first time in the day, I began to wonder how things were going to +turn out. Before we knew where we were, we were stopped by soldiers +and mobbed by a dense, excited crowd. Even the wonderful paper did not +have its usual effect. I was told I must proceed to headquarters +before we could continue our journey, so I got out of the car, but +when I saw the rabble which intended to accompany me, I told the two +soldiers who were my escort that I should prefer walking arm-in-arm +with them, and off we set, greatly to our own amusement and that of +the mob which followed at our heels, yelling, "Russian! Russian +criminal!" + +When we reached the railway station I was taken before the superior +arbiter of our fate. He was a serious individual, and read the +precious document very carefully. Then came the usual fiat: "You may +go further." + +Great disappointment of the following crowd--a disappointment +communicated to the unpleasant loafers who had continued to surge +round the automobile in my absence. One of them had climbed on to the +back and hit Lyra's hat twice, but she had been very calm, and kept +her temper. When our innocence was made known the excitement died +down, and we departed amidst cheers and waving handkerchiefs. + +I shall never forget the next part of the drive. My appearance +produced the same effect everywhere. "Russian! Russian!" was on every +lip. One individual whispered to another, and small groups of people +knotted together and watched us out of sight. At one place a man +jumped on a bicycle and tore off--perhaps to give information. At +first I did not mind, but after a while the situation got on my +nerves. We swung past a man who was guarding a bridge. He wasn't a +real soldier, but he had a gun, and I _know_ he feels that he lost one +of the chances of his life in letting me go, for his look of suspicion +and hatred was unmistakable. Lyra kindly changed places with me, +though she was very tired, and it was a relief to get out of the +popular gaze. + +The day was beginning to close in, but a brilliant sun shining through +heavy gray clouds lit up the world for a while like a watchful eye. We +knew we could not be very far from the frontier, and this was +confirmed by an official when we were stopped for the seventeenth +time. He was very friendly, and gave the chauffeur much well-meant +advice. "The actual frontier is at 'Kleine Brucke,'" he said, "but as +no motors may pass and it is getting late, the ladies had better stay +the night at Gronau and go on to Holland to-morrow." This sounded all +right, but we felt we wanted to get out of the country at all costs, +and that a cowshed in Holland was preferable to a grand hotel in +Germany. The magic pass had stood us in such good stead, there could +be no hitch now we had so nearly achieved our aim. + +We were so engrossed with the vicinity of safety that not one of us +realized our chauffeur had forgotten to light up. All I remember is +that we seemed suddenly to swoop down on a crowd, the peremptory +"Halt!" rang out sharp and clear, and we came to a sudden standstill. +The car was besieged by officials of every kind, and we all felt the +genuine hostility in the air. A man in plain clothes was chief +spokesman. I handed him the Minden pass, confident of its efficacy, +and to our dismay, he put it in his pocket. + +"We are only trying to get into Holland," I explained. "We have our +tickets here for passage in the Rotterdam." "Show them." The tickets +were produced and shared the same fate as the pass. "Get out of the +auto. The luggage is to be examined." We meekly obeyed. There was no +other course to pursue. Kitty clutched at her precious little vanity +bag, which had afforded so much amusement during the tour. A ponderous +policeman pounced upon it. "Please give me my little bag," wailed +Kitty. "Let me open it and show you the contents." + +The man did not understand her words, but he did understand her +gesture as she stretched out her hands for the precious bag. He pushed +her back roughly. Did this dangerous woman think he was going to allow +her to throw a bomb in this her moment of despair? He rushed off into +the crowd, gave the infernal machine to some one else to hold, and we +saw it no more. + +The luggage was all dismounted, and three wooden chairs were brought +for us to sit on while the examination took place. That scene will +always stand out in our minds with theatrical vividness. Flaring +electric lights lit up the road. There was a dense crowd of officials +and loafers, and beyond, blackness. One or two men came up and talked. + +"We want to get into Holland. We want to get there to-night." "You +cannot. The frontier is closed." "But when can we go?" "When the war +is over." "That is incredible." "It is not incredible. You must stop +here. It is a nice place. If you wanted a large town, why did you not +stop in Berlin?" "Because we want to leave Germany. No one knows where +we are. Can we communicate with any one?" "All communication is +impossible." + +This was cheerful news, but we had no time in which to think it over. +Lyra's trunk had been opened, and the examination had begun. Several +young women had arrived on the scene, who proved excellent English +scholars and most accomplished searchers. It was an education to watch +their methods. Every garment was taken out, shaken, weighed in the +hand, and held up to the light, then flung down carelessly. Pretty +chiffons and fluffy dresses lay about on the dusty road; but no one +cared. It was a sorry performance, and an unworthy one. Letters and +papers were pounced on and read, and it was a revelation to realize +how the most innocent wires and cables could be construed into having +some subtle political significance. Finally the last garment was +removed, and the trunk itself subjected to severe critical +examination. + +By this time it was very late, and the hearts of our captors melted a +little. We were told we might proceed (under arrest, of course) to the +hotel, and that the remainder of the luggage would be examined there +privately. + +Once more we took our seats in the car, but the drive can hardly be +described as a triumphal progress. Soldiers walked in front, and +soldiers walked at the side, till we arrived at the Hotel of the +Angel--of all ironical names! Six women, including the searchers, +joined us, and were very pleasant and kindly while our hand luggage +was being examined sufficiently for us to get out some things for the +night. They had a beautiful time, reading all the letters that lay +scattered about in our belongings, and taking the keenest interest in +all our possessions. Poor souls! They certainly needed a little +diversion. One girl had said good-by to her fiancé that morning, and +another was a bride of twenty-four hours. She had married in haste to +take the name of the man she loved before he went off to the frontier! + +We were allowed to choose our bedrooms, and Kitty and I elected to +share one big one. Then we were told that we must be undressed and +searched, so one by one we were taken off by two damsels, who were +soon able to declare that we were not concealing anything criminal +about us. + +The big man whose pockets had swallowed up our pass and tickets again +appeared upon the scene, and proved to be the burgomaster of the town. +He interviewed Lyra in one room--questioning and cross-questioning--and +then he came to me. His suspicions seemed to be allaying, and his +attitude was almost paternal. Although we had no passports, we were +able to prove our identification very successfully--the girls by +papers and letters, and I luckily had in my possession my permit to +visit all the Italian galleries, with my photo pasted on to it. This +proved me to be Conway Evans, living in Florence; but while the +examination was going on, I wondered how long it would be before the +question of my nationality would crop up. + +"Where is your husband?" "Florence, Italy." "Where do your father and +mother live?" "Lausanne, Switzerland." "Where is your son?" "With my +father and mother." "Where were you born?" "Georgetown, Demerara, +South America." + +I have always loved my colonial birthplace and suffered gladly the +epithet of "Mudhead," but I don't suppose I ever experienced the same +relief from it as when I realized that the worthy burgomaster's +geography did not locate it amongst the British possessions, and that +he was willing to swallow me whole as an American if I could deny my +Russian nationality! + +We were certainly very kindly treated. A supper of eggs and milk was +prepared for us. While we were eating, the German girls sat with us +and we got quite friendly. Bit by bit little things pieced themselves +together like the pattern of a jig-saw puzzle. Our arrival at Gronau +was no unforeseen event. We had been expected,--waited for,--and the +fifteen men who had stood across the road to bar our progress had +their fifteen guns ready to shoot if our stop had not been +_instanter_. Information had been sent from Hannover that we were +suspects. Who sent it we are never likely to know--the obsequious +hotel proprietor, the owner of the blue eyes, the smiling boy officer, +or the insolent waiter. No matter, we were suspects, and the worst +conclusions were drawn when we arrived in a car without lights, and +when I emerged into the flaring ring of light in a rose-red coat--a +Russian colour, pregnant with criminality!! Had we realized our true +position when that sudden halt was made, how frightened we should have +been! As it was, it never occurred to us that we were in actual +danger. + +At about one in the morning we went to bed, and dropped asleep from +sheer fatigue. At about four Kitty and I woke up and discussed the +situation dispassionately. We got out of our beds and looked out of +the windows. Rain was falling in sheets, and the world seemed a cold, +cheerless, uninviting place. The soldiers guarding us paced up and +down, up and down, in the wet. Vitality is low at 4 a.m., and we were +as dejected as any two mortals could be. + +Stay at Gronau--remain in this God-forsaken place till the European +conflagration burnt itself out, cut off from every soul we cared about +and unable to communicate--impossible! Having arrived at this logical +conclusion, we returned to our beds and went to sleep. At eight +o'clock the examiners returned to the charge. We went into a long room +with a raised dais. There were long tables ranged down it, covered +with stained cardboard mounts for beer-glasses. Cigar ashes were in +saucers, cigar ends on the floor. The smell of stale beer permeated +the atmosphere. It was an engaging _mise en scène_. + +Kitty and I were greeted by the head of police, two sergeants (one of +them the bucolic hero of the vanity bag), and one of the girl +searchers. The wearisome process began afresh. By the time the turn of +my trunk came, the men were clearly bored. I had quantities of +papers,--notes, MSS., sketches for lectures, extracts, charts,--papers +which would have caused wild interest the evening before, but +excitement was on the wane. By eleven o'clock everything had been seen +thoroughly. The chief of police beamed upon us kindly. "It has to be +done," he explained. + +Later the burgomaster reappeared, more paternal than ever, and most +kindly disposed. He was really sorry for all we had gone through, and +promised he would do all in his power to get us over the border, and +he certainly kept his word. Out of his pockets came all our +confiscated belongings, and from some safe hiding-place was produced +the fatal vanity bag! + +At about one o'clock we went off again in the car, escorted by a now +friendly policeman and one of the searchers. We were armed with a most +reassuring pass, signed by the burgomaster himself, but when we +arrived at the frontier and confidently handed it to the official +there, he shook his head. "Impossible! Impossible!" he said. With a +sudden rush our spirits sank to zero. This was the "most unkindest cut +of all," but out of the darkness came light. We were at +cross-purposes, and the man thought we wished to motor across the +little bridge connecting Germany and Holland. We assured him we had no +such desire, that I would take a trolley car to Einschede, charter a +Dutch automobile to take us to Amsterdam, and return to the frontier +to collect the girls and the luggage. Then came the hoped-for +permission, and we all jumped out of the car. There was the little +bridge--Kleine Brucke--and beyond Holland, the promised land. A few +formalities, a few good-bys, a few planks traversed, and we were safe +in a country that was neutral for the nonce: Holland, the +stepping-stone to America. + +_S.S. Nieuw Amsterdam + A week later_ + + + +***END OF THE PROJECT GUTENBERG EBOOK AN ACCOUNT OF OUR ARRESTING +EXPERIENCES*** + + +******* This file should be named 31115-8.txt or 31115-8.zip ******* + + +This and all associated files of various formats will be found in: +http://www.gutenberg.org/dirs/3/1/1/1/31115 + + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://www.gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://www.gutenberg.org/about/contact + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://www.gutenberg.org/fundraising/donate + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: +http://www.gutenberg.org/fundraising/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + diff --git a/31115-8.zip b/31115-8.zip Binary files differnew file mode 100644 index 0000000..1474dae --- /dev/null +++ b/31115-8.zip diff --git a/31115-h.zip b/31115-h.zip Binary files differnew file mode 100644 index 0000000..f07effb --- /dev/null +++ b/31115-h.zip diff --git a/31115-h/31115-h.htm b/31115-h/31115-h.htm new file mode 100644 index 0000000..5f2e9b7 --- /dev/null +++ b/31115-h/31115-h.htm @@ -0,0 +1,1083 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd"> +<html xmlns="http://www.w3.org/1999/xhtml"> +<head> +<meta http-equiv="Content-Type" content="text/html; charset=ISO-8859-1" /> +<title>The Project Gutenberg eBook of An Account of Our Arresting Experiences, by Conway Evans</title> + <style type="text/css"> + p { margin-top: .5em; + text-align: justify; + margin-bottom: .5em; + text-indent: 1em; + } + h1 { + text-align: center; font-family: garamond, serif; /* all headings centered */ + } + h1.pg,h4.pg { + text-align: center; font-family: Times-Roman, serif; /* all headings centered */ + } + h5,h6 { + text-align: center; font-family: garamond, serif; /* all headings centered */ + } + h2 { + text-align: center; font-family: garamond, serif; /* all headings centered */ + } + h3 { + text-align: center; font-family: garamond, serif; /* all headings centered */ + } + h4 { + text-align: center; font-family: garamond, serif; /* all headings centered */ + } + hr { width: 33%; + margin-top: 1em; + margin-bottom: 1em; + } + body{margin-left: 15%; + margin-right: 15%; + } + a {text-decoration: none} /* no lines under links */ + div.centered {text-align: center;} /* work around for IE centering with CSS problem part 1 */ + div.centered table {margin-left: auto; margin-right: auto; text-align: left;} /* work around for IE centering with CSS problem part 2 */ + + .cen {text-align: center; text-indent: 0em;} /* centering paragraphs */ + .right {text-align: right; padding-right: 2em;} /* right aligning paragraphs */ + .img {text-align: center; padding: 1em; margin-left: auto; margin-right: auto;} /* centering images */ + + .pagenum { /* uncomment the next line for invisible page numbers */ + /* visibility: hidden; */ + position: absolute; right: 2%; + font-size: 75%; + color: silver; + background-color: inherit; + text-align: right; + text-indent: 0em; + font-style: normal; + font-weight: normal; + font-variant: normal;} /* page numbers */ + + hr.full { width: 100%; + margin-top: 0em; + margin-bottom: 0em; + border: solid black; + height: 5px; } + pre {font-size: 85%; } + </style> +</head> +<body> +<h1 class="pg">The Project Gutenberg eBook, An Account of Our Arresting Experiences, by +Conway Evans</h1> +<pre> +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at <a href = "http://www.gutenberg.org">www.gutenberg.org</a></pre> +<p>Title: An Account of Our Arresting Experiences</p> +<p>Author: Conway Evans</p> +<p>Release Date: January 28, 2010 [eBook #31115]</p> +<p>Language: English</p> +<p>Character set encoding: ISO-8859-1</p> +<p>***START OF THE PROJECT GUTENBERG EBOOK AN ACCOUNT OF OUR ARRESTING EXPERIENCES***</p> +<p> </p> +<h4 class="pg">E-text prepared by Brown University Library<br /> + and the Project Gutenberg Online Distributed Proofreading Team<br /> + (<a href="http://www.pgdp.net/c/">http://www.pgdp.net</a>)<br /> + from page images generously made available by<br /> + Internet Archive/American Libraries<br /> + (<a href="http://www.archive.org/details/americana">http://www.archive.org/details/americana</a>)</h4> +<p> </p> +<table border="0" style="background-color: #ccccff;" cellpadding="10"> + <tr> + <td valign="top"> + Note: + </td> + <td> + Images of the original pages are available through + Internet Archive/American Libraries. See + <a href="http://www.archive.org/details/accountofourarre00evan"> + http://www.archive.org/details/accountofourarre00evan</a> + </td> + </tr> +</table> +<p> </p> +<hr class="full" /> +<p> </p> + +<div class="img"> +<a href="images/cover.jpg"> +<img border="0" src="images/cover.jpg" width="35%" alt="Book Cover" /></a> +</div> + +<br /> +<hr /> +<br /> + +<h1>AN ACCOUNT OF<br /> +OUR ARRESTING EXPERIENCES</h1> + +<br /> + +<h4>BY</h4> +<h3>CONWAY EVANS</h3> + +<br /> + +<div class="img"> +<img border="0" src="images/deco.jpg" width="5%" alt="Publisher's Mark" /> +</div> + +<br /> +<br /> +<br /> +<br /> + +<h5>PRIVATELY PRINTED<br /> +1914</h5> + +<br /> +<hr /> +<br /> +<br /> +<br /> +<br /> + + +<h4>[<i>One Hundred Copies printed</i> ]<br /> +<br /> +<br /> +<br /> +<br /> +<i>D. B. Updike, The Merrymount Press, Boston</i></h4> + +<br /> +<br /> +<br /> +<br /> +<hr /> +<br /> +<br /> +<br /> +<br /> + +<h4>TO MY TWO PLUCKY LITTLE<br /> +FELLOW PRISONERS</h4> + +<br /> +<br /> +<br /> +<br /> +<hr /> +<br /> + +<h3>AN ACCOUNT OF<br /> +OUR ARRESTING EXPERIENCES</h3> + +<br /> +<br /> + +<p><span class='pagenum'><a name="Page_1" id="Page_1">[1]</a></span>We had been travelling for many weeks,—Lyra Nickerson, Katherine +Schermerhorn, and I,—and after a beautiful tour through Germany, we +arrived at Berlin on the evening of July 29, 1914. We had planned to +spend a few days there preparatory to embarking at Hamburg in the +Viktoria Luise for a northern cruise, and were looking forward to a +short stay in the splendid capital. When we had secured our rooms at +the Hotel Adlon, we found to our dismay that Kitty's box had not come +through from Dresden, our last stopping-place. I went downstairs and +interviewed the porter. He explained that, owing to the talk of war, +many people were leaving their summer quarters, so that traffic was +considerably congested. In this wise did the little cloud appear upon +our horizon.</p> + +<p>The following morning (Thursday) we went sightseeing, and in the +afternoon—as Lyra was not feeling well—Kitty and I each went our own +way. At five o'clock we met in the hall of the Adlon, where we had +tea <span class='pagenum'><a name="Page_2" id="Page_2">[2]</a></span>with her cousin, Mr. Gear, and his friend, Mr. Cluett. Later she +and I went to a superb concert at the Frederichshain and heard +Thornberg, the violinist.</p> + +<p>On Friday morning a little German friend whom I had not seen for many +years came to visit me. I asked her if war were likely. She replied: +"Certainly not. All danger is now over." This was encouraging, for I +thought she knew what she was talking about.</p> + +<p>In the afternoon we hired an automobile, and motored out to Potsdam. +Then when we were outside the old Palace we heard that the Kaiser's +"strong-for-peace" policy had been of no avail, that the Czar had +insulted his messenger, and that now war was inevitable. We ourselves, +chameleon-like, assumed the German colour. We believed what we were +told, and felt sorry for the man who was called upon unwillingly to +shed his nation's blood. On our way back to the hotel Kitty and I went +to see Mr. Schermerhorn's cousin, Miss Barber, and then we realized +<span class='pagenum'><a name="Page_3" id="Page_3">[3]</a></span>the immediate gravity of the situation. She told us that now war +<i>must</i> come, and she also told us that the Viktoria Luise would not +sail. With quickened pulses we drove back to the Adlon, where the +lounge was crowded with buzzing, excited people. Then we dressed, and +went to the "Admiral's Palast" to see the exquisite Ice Ballet. While +we were admiring the skating, and sympathizing with the fascinating +Pierrot whose heart was broken by the cruelty of the dainty jointed +Doll, we were able to forget grim reality—to forget that the bonds +that had held captive the great Fiend were being cut, and that he was +yawning after his long sleep, and stretching his cramped limbs.</p> + +<p>The following morning Lyra realized the desirability of leaving Europe +and of raising funds. She ordered the car, and we went to the office +of the Holland American Line to try and secure the Imperial Suite, but +without avail: no passages were to be had. Then we drove to five +banks, and cashed a certain amount of her letter of credit at each +<span class='pagenum'><a name="Page_4" id="Page_4">[4]</a></span>one. At the Dresdener Bank she was informed that the Czar might +capitulate even yet, and that in any case there would be three days of +peace. Thereupon our spirits rose, and we began to make wild schemes. +Even if Germany and Russia did go to war, why should we not tour in +the Ardennes? Belgium would be a nice quiet neutral country to remain +in, till we could secure passage to America.</p> + +<p>In the afternoon we drove out to Schmockwitz and spent a placid time +on the Miggelsee, but when we returned to Berlin we found the Unter +der Linden seething with dense crowds of excited people and the whole +atmosphere charged with electricity. At dinner Mr. Gear came up to our +table. "You had better get out of this as soon as you can," he said. +"There is going to be trouble at once."</p> + +<p>Sunday morning Kitty was awakened very early by a stormy altercation +in the room next to hers. She knocked on the wall, but no notice was +taken of her remonstrance. After <span class='pagenum'><a name="Page_5" id="Page_5">[5]</a></span>we had had breakfast, Lyra went +downstairs and chartered an auto for 750 marks. The owner would not +promise to take us farther than Hannover, owing to the difficulty of +procuring petrol, and moreover both car and chauffeur were required in +a couple of days for military duty. We consulted a large map, and +decided to motor <i>via</i> Hannover to Osnabrück, and then go on to the +frontier, wherever that might be.</p> + +<p>When I had finished packing I rang for the porter to strap my trunk, +but he did not come. I continued ringing with much vigour, and finally +the nice little housemaid appeared on the scene and a flood of +volubility broke over me. The porter was busy. He could not come. All +Russians in the hotel were being arrested as criminals, for Russians +had fired on a frontier town and war was declared. The hotel had been +full of detectives for several days, and one "criminal" had had the +room next to our suite. This piece of information explained the noise +in No. 140. The occupant had evidently rebelled at being <span class='pagenum'><a name="Page_6" id="Page_6">[6]</a></span>arrested so +early in the morning! When I passed his room his captors were waiting +for him, and he was calmly finishing off his toilette. The big lounge +of the hotel was like a hive of swarming bees, and poor Mr. Louis +Adlon looked simply worn out with worry; but he was so kind and +courteous! I shall never forget all the trouble he took for us.</p> + +<p>We got off at about 12.30 in a magnificent Benz, driven by one of the +best-looking boys imaginable. The hand luggage was piled inside the +car, so I sat outside. It was a lovely morning, and we all felt duly +thrilled over our dramatic departure. The crowds were dense, and cars +stacked with luggage like ours were shooting off in every direction. +As on the previous day, the very air seemed charged with electricity, +but when we were once in the country, all seemed peaceful and calm, +and one asked one's self: "Why are we flying like this? What possible +danger can there be?"</p> + +<p>There were just a few indications of the <span class='pagenum'><a name="Page_7" id="Page_7">[7]</a></span>times—a troop of Lancers +clattered past us, and a body of Uhlans leading peasants' horses with +their labels attached. At Wannsee a car with the crown prince and +princess flashed past. On the bridge over the Havel, overlooking +Babelsburg, a tire burst, and we were delayed about half an hour. At +Potsdam we made a halt at the telegraph office; but the news there was +bad. No wires were being accepted for the "Ausland," and even local +ones were not likely to get through.</p> + +<p>The first town of importance we arrived at was Brandenburg, which +stands on the Havel. Storks were flapping round in the meadows, and +the old stone statue in the main street stared down on us as we +flashed past, as if to ask: "Why this haste? From what are you +flying?" But we had but scant attention to give either to him or that +town, or to Plaue or Genthin. The blue sky clouded over, and by the +time the spires of Magdeburg appeared on the horizon, the rain was +coming down steadily. We had our first halt <span class='pagenum'><a name="Page_8" id="Page_8">[8]</a></span>outside the city, for two +officials did not seem at all inclined to let us into the town where +formerly I had spent such merry days. However, our demon chauffeur was +able to produce papers certifying that he was returning to Berlin, and +we were allowed to proceed. We stopped awhile to buy some sailcloth, +as our trunks were getting woefully wet on the top of the car. Then +off we set once more, in pouring rain and a tearing wind, through flat +and uninteresting country. As there was nothing special to look at, I +could just sit still and enjoy the strange exhilaration of that wild +drive—the steady pulsation of the magnificent car, which like some +mythological monster ate up the long straight road, indifferent to the +shrieking opposing wind and lashing rain. On, on, till gradually the +furies grew weary, the gray gave place to gold, and the earth wore the +"washed" look of a beautiful water-colour. The road was grand, and so +open that there was no danger. The small towns took on a character all +their own of Old World charm, <span class='pagenum'><a name="Page_9" id="Page_9">[9]</a></span>and Baedeker recorded the fact that +they were full of interest, but this had to be taken on trust. +Brunswick made its own special appeal, though we saw little but old +houses and the handsome façade of St. Catherine's. Onward we raced +till away in the distance we saw Hannover, like a many-masted ship +with its high chimneys and myriad lights. We kept up the pace, and at +9.15 pulled up in front of the Hotel Royal. I went in to know if the +wire I had sent from Potsdam engaging rooms and a fresh automobile had +arrived, but of course it had not. Then I returned to see about the +dismounting of the luggage, and the girls stayed with me. A few people +came to look on and became intensely interested. More joined, and we +were soon the centre of a crowd. We imagined in time of war even a +stray automobile must prove of account. We all laughed to find +ourselves of such importance. Then up came a charming boy officer, who +asked the chauffeur if he spoke German. "Ja wohl," was the laconic +reply. "Are you German?" "Ja wohl."</p> + +<p><span class='pagenum'><a name="Page_10" id="Page_10">[10]</a></span>The certificates were produced, and the boy looked them over and +handed them back pleasantly. "Have you seen enough?" I inquired, +laughing. "Yes," he replied. "Excuse me;" and with a beautiful salute +he disappeared in the crowd. But another officer had joined the girls. +"Please come inside," he whispered, and when they were in the hall, he +asked them if they were enemies, to their great amusement.</p> + +<p>I was so busy with the luggage that I did not notice their departure. +The real truth had not yet dawned upon me. The trunks were hoisted off +the car to the ground, and the gay decoration of the hotel labels +attracted considerable attention. People thronged round, and +deciphered the various names. I have never seen such curiosity. +Finally the last suitcase was carried in. The landlord came forward, +washing his hands with invisible soap. "Quite an experience for you. I +apologize, but you see the crowd thought you were Russians." We all +laughed. The mystery was solved. After all it was quite <span class='pagenum'><a name="Page_11" id="Page_11">[11]</a></span>thrilling to +be taken for Russians, and lent a flavour to the day.</p> + +<p>We had dinner, and then for a few minutes we stayed in the hall +discussing plans. A little man in uniform came in brandishing a +bulletin. "We have taken a Russian harbour," he cried excitedly. "The +place is in flames." An involuntary shudder went through me. The +Russians were England's allies. Was this the first letter of the awful +alphabet Europe was to be called on to spell? Was this the first of +the mighty German conquests?</p> + +<p>I looked up, remembering that I was in Germany. Two very blue eyes +were fixed upon me. At the moment I wondered if any <i>arrière pensée</i> +lay behind that intense look, but the little man seemed quite +friendly, and then our party broke up and we were soon all sound +asleep, forgetful of the fact that we were in a country at war with +its neighbours.</p> + +<p>The following morning (August 3) we got up early, as a car from the +Adler <span class='pagenum'><a name="Page_12" id="Page_12">[12]</a></span>Garage had been ordered at 9.30, but it did not come. The +employees of the hotel were cool in their behaviour. The concierge, of +whom one usually expects servility, proved surly, the waiter calmly +insolent. The delay seemed interminable, so Kitty and I sat down and +wrote letters, but we found it was of no use to post them, as none +were going out of the country; so we put them in our handbags. Then +Lyra and I went off in a taxi to the garage to inquire for the car, +and found it just ready. As the luggage was being stacked on, two +American girls came to ask us how we were going to get out of the +country. Lyra offered to take them with us, but they refused because +they had not packed up!</p> + +<p>At last we were off once more—thankful to be moving, and for some +time we were able to enjoy the pretty pastoral scenery, and the +charming little houses with black timbering set in their red brick. +Our new car was a poor substitute for the Benz,—which had returned to +Berlin for war duty,—and our <span class='pagenum'><a name="Page_13" id="Page_13">[13]</a></span>handsome boy had given place to a +stolid son of the soil with one green and one blue eye, a kindly soul, +who radiated confidence. Outside Schloss Lippe he stopped to shift one +of the trunks. Up sauntered an official and asked for his papers, +which he produced. Then once more we headed in the direction of +Minden.</p> + +<p>"<i>Halt.</i>" A cordon of soldiers with bayonets across the road put an +end to all appreciation of scenery. The "Halt" was very decisive, as +well it might be on such an occasion, and we were surrounded by +boys—fair-haired, smiling boys, with whom we laughed and talked as +much as our limited vocabularies permitted. The chauffeur's pass was +produced, and proved satisfactory. If all "Halts" were going to be +such friendly affairs, we felt we were in for a merry day. We waived +adieus to our youthful soldiers, but within a few hundred yards came +another "Halt," and then another, and another. The fifth time we +realized hand-waving and friendly salutations were not going to get +us <span class='pagenum'><a name="Page_14" id="Page_14">[14]</a></span>very far. Our trunks were to be examined. Our friendly chauffeur +pleaded for us, but he was squashed. "This is war time. Examination +must be made and no risks taken."</p> + +<p>"Yes, but these are children. They only want to get out of the +country."</p> + +<p>Now, when a woman has said good-by to the popular age of thirty-five, +she thinks kindly of a man who includes her amongst the "children," so +never shall I forget the chauffeur with bi-coloured eyes! The young +man with normal vision would take no risks, and we soon all joined in +the game. We pressed our keys upon the soldiers, and not only invited +them to climb upon the top of the landaulette, but climbed up +ourselves, and obeyed all behests. The first deadly thing to come to +light in my trunk was a Canadian bark workbox. "Open it." The contents +was critically examined. Then various perilous packets were found: +Soap—Soap—and again, Soap!</p> + +<p>The sun was hot, and so were we, but the investigation went on very +thoroughly. <span class='pagenum'><a name="Page_15" id="Page_15">[15]</a></span>At last it was over, but we were told that we had to go +to the Kontrol office—whatever that might be. A chinless juvenile got +into the car with us as escort, but he was so weighed down with the +sense of his own importance that he was not very interesting. At the +Kontrol office we were all marched into a little room. It had a bed, +and on a washstand was a basin filled with clean water. We were so +dirty after unstrapping and strapping trunks that we asked if we might +wash our hands. Two kindly soldiers ministered to us and got us clean +towels, and listened sympathetically to the story of our examination. +Then in came the adjutant, and no one could have been nicer or more +courteous. We explained that we were trying to get to Holland, as we +wished to sail to America, and that our one desire was to get out of +Germany as quickly as we could. He smiled, and then he went away, and +wrote out a little paper and signed it. It was to the effect that we +had been examined, and that all was satisfactory. Never have three +women been more <span class='pagenum'><a name="Page_16" id="Page_16">[16]</a></span>grateful for a little piece of paper, and when we +said good-by to our benefactor, our gratitude was very real.</p> + +<p>We were soon spinning along again, but ugly indications of warfare +began to be visible. Outside Minden we saw quantities of cannon being +mounted, and then suddenly we came upon a motor in a ditch. Children +were playing round it, and a man was keeping guard under a tree. Our +chauffeur stopped to find out what had happened. The car had belonged +to a Russian. He had tried to escape when told to "Halt," and had been +shot. Truly the grim game had begun in this peaceful-looking land.</p> + +<p>Time after time we were stopped by orders of soldiers, and we got +almost used to the imperative "Halt." But we had nothing to fear with +our magic <i>passe-partout</i>. A few words of parleying, and then came the +usual concession: "You may go on further." No one would say exactly +where "further" meant, but surely we should get to the frontier. We +headed for Osnabrück, mistaking <span class='pagenum'><a name="Page_17" id="Page_17">[17]</a></span>the road, however, at Lübeck, where +the horses were being collected, and that delayed us for some time. +The country now began to change in the magical way that countries do +change when they begin to merge into neighbouring ones. We began to +feel the Dutch element. Men, women, and children seemed to change, +too, and to become more and more stolid. Boots gave way to sabots, and +the little black and white cows began to wear the sacking jackets that +they do in Holland.</p> + +<p>Before getting into Osnabrück we passed the railway station. The gates +were closed, and we stood still while a long, long train steamed +slowly by us—a train decorated with huge boughs of greenery—a train +packed with men—husbands, lovers—going to God knows what fate. They +were shouting and waving and cheering. That is now a week ago.</p> + +<p>It was about six o'clock when we pulled up outside the hotel at +Osnabrück, so we had no time to waste over food. We had eaten <span class='pagenum'><a name="Page_18" id="Page_18">[18]</a></span>nothing +all day, but now we were able to buy some bread and cheese to eat <i>en +route</i>. We were terribly dusty, and to save my own new coat, Kitty +kindly lent me an old one of hers. It was bright rose-colour, and made +me rather conspicuous as I took my turn on the little seat.</p> + +<p>The first important place after Osnabrück was Rheine, and there, for +the first time in the day, I began to wonder how things were going to +turn out. Before we knew where we were, we were stopped by soldiers +and mobbed by a dense, excited crowd. Even the wonderful paper did not +have its usual effect. I was told I must proceed to headquarters +before we could continue our journey, so I got out of the car, but +when I saw the rabble which intended to accompany me, I told the two +soldiers who were my escort that I should prefer walking arm-in-arm +with them, and off we set, greatly to our own amusement and that of +the mob which followed at our heels, yelling, "Russian! Russian +criminal!"</p> + +<p><span class='pagenum'><a name="Page_19" id="Page_19">[19]</a></span>When we reached the railway station I was taken before the superior +arbiter of our fate. He was a serious individual, and read the +precious document very carefully. Then came the usual fiat: "You may +go further."</p> + +<p>Great disappointment of the following crowd—a disappointment +communicated to the unpleasant loafers who had continued to surge +round the automobile in my absence. One of them had climbed on to the +back and hit Lyra's hat twice, but she had been very calm, and kept +her temper. When our innocence was made known the excitement died +down, and we departed amidst cheers and waving handkerchiefs.</p> + +<p>I shall never forget the next part of the drive. My appearance +produced the same effect everywhere. "Russian! Russian!" was on every +lip. One individual whispered to another, and small groups of people +knotted together and watched us out of sight. At one place a man +jumped on a bicycle and tore off—perhaps to give information. At +first I did not mind, but after a while the <span class='pagenum'><a name="Page_20" id="Page_20">[20]</a></span>situation got on my +nerves. We swung past a man who was guarding a bridge. He wasn't a +real soldier, but he had a gun, and I <i>know</i> he feels that he lost one +of the chances of his life in letting me go, for his look of suspicion +and hatred was unmistakable. Lyra kindly changed places with me, +though she was very tired, and it was a relief to get out of the +popular gaze.</p> + +<p>The day was beginning to close in, but a brilliant sun shining through +heavy gray clouds lit up the world for a while like a watchful eye. We +knew we could not be very far from the frontier, and this was +confirmed by an official when we were stopped for the seventeenth +time. He was very friendly, and gave the chauffeur much well-meant +advice. "The actual frontier is at 'Kleine Brucke,'" he said, "but as +no motors may pass and it is getting late, the ladies had better stay +the night at Gronau and go on to Holland to-morrow." This sounded all +right, but we felt we wanted to get out of the country at all costs, +and that a cowshed in Holland was <span class='pagenum'><a name="Page_21" id="Page_21">[21]</a></span>preferable to a grand hotel in +Germany. The magic pass had stood us in such good stead, there could +be no hitch now we had so nearly achieved our aim.</p> + +<p>We were so engrossed with the vicinity of safety that not one of us +realized our chauffeur had forgotten to light up. All I remember is +that we seemed suddenly to swoop down on a crowd, the peremptory +"Halt!" rang out sharp and clear, and we came to a sudden standstill. +The car was besieged by officials of every kind, and we all felt the +genuine hostility in the air. A man in plain clothes was chief +spokesman. I handed him the Minden pass, confident of its efficacy, +and to our dismay, he put it in his pocket.</p> + +<p>"We are only trying to get into Holland," I explained. "We have our +tickets here for passage in the Rotterdam." "Show them." The tickets +were produced and shared the same fate as the pass. "Get out of the +auto. The luggage is to be examined." We meekly obeyed. There was no +other course to pursue. Kitty clutched at her <span class='pagenum'><a name="Page_22" id="Page_22">[22]</a></span>precious little vanity +bag, which had afforded so much amusement during the tour. A ponderous +policeman pounced upon it. "Please give me my little bag," wailed +Kitty. "Let me open it and show you the contents."</p> + +<p>The man did not understand her words, but he did understand her +gesture as she stretched out her hands for the precious bag. He pushed +her back roughly. Did this dangerous woman think he was going to allow +her to throw a bomb in this her moment of despair? He rushed off into +the crowd, gave the infernal machine to some one else to hold, and we +saw it no more.</p> + +<p>The luggage was all dismounted, and three wooden chairs were brought +for us to sit on while the examination took place. That scene will +always stand out in our minds with theatrical vividness. Flaring +electric lights lit up the road. There was a dense crowd of officials +and loafers, and beyond, blackness. One or two men came up and talked.</p> + +<p>"We want to get into Holland. We want to get there to-night." "You +cannot. The <span class='pagenum'><a name="Page_23" id="Page_23">[23]</a></span>frontier is closed." "But when can we go?" "When the war +is over." "That is incredible." "It is not incredible. You must stop +here. It is a nice place. If you wanted a large town, why did you not +stop in Berlin?" "Because we want to leave Germany. No one knows where +we are. Can we communicate with any one?" "All communication is +impossible."</p> + +<p>This was cheerful news, but we had no time in which to think it over. +Lyra's trunk had been opened, and the examination had begun. Several +young women had arrived on the scene, who proved excellent English +scholars and most accomplished searchers. It was an education to watch +their methods. Every garment was taken out, shaken, weighed in the +hand, and held up to the light, then flung down carelessly. Pretty +chiffons and fluffy dresses lay about on the dusty road; but no one +cared. It was a sorry performance, and an unworthy one. Letters and +papers were pounced on and read, and it was a revelation to realize +how the most <span class='pagenum'><a name="Page_24" id="Page_24">[24]</a></span>innocent wires and cables could be construed into having +some subtle political significance. Finally the last garment was +removed, and the trunk itself subjected to severe critical +examination.</p> + +<p>By this time it was very late, and the hearts of our captors melted a +little. We were told we might proceed (under arrest, of course) to the +hotel, and that the remainder of the luggage would be examined there +privately.</p> + +<p>Once more we took our seats in the car, but the drive can hardly be +described as a triumphal progress. Soldiers walked in front, and +soldiers walked at the side, till we arrived at the Hotel of the +Angel—of all ironical names! Six women, including the searchers, +joined us, and were very pleasant and kindly while our hand luggage +was being examined sufficiently for us to get out some things for the +night. They had a beautiful time, reading all the letters that lay +scattered about in our belongings, and taking the keenest interest in +all our <span class='pagenum'><a name="Page_25" id="Page_25">[25]</a></span>possessions. Poor souls! They certainly needed a little +diversion. One girl had said good-by to her fiancé that morning, and +another was a bride of twenty-four hours. She had married in haste to +take the name of the man she loved before he went off to the frontier!</p> + +<p>We were allowed to choose our bedrooms, and Kitty and I elected to +share one big one. Then we were told that we must be undressed and +searched, so one by one we were taken off by two damsels, who were +soon able to declare that we were not concealing anything criminal +about us.</p> + +<p>The big man whose pockets had swallowed up our pass and tickets again +appeared upon the scene, and proved to be the burgomaster of the town. +He interviewed Lyra in one room—questioning and cross-questioning—and +then he came to me. His suspicions seemed to be allaying, and his +attitude was almost paternal. Although we had no passports, we were +able to prove our identification very successfully—the girls by +<span class='pagenum'><a name="Page_26" id="Page_26">[26]</a></span>papers and letters, and I luckily had in my possession my permit to +visit all the Italian galleries, with my photo pasted on to it. This +proved me to be Conway Evans, living in Florence; but while the +examination was going on, I wondered how long it would be before the +question of my nationality would crop up.</p> + +<p>"Where is your husband?" "Florence, Italy." "Where do your father and +mother live?" "Lausanne, Switzerland." "Where is your son?" "With my +father and mother." "Where were you born?" "Georgetown, Demerara, +South America."</p> + +<p>I have always loved my colonial birthplace and suffered gladly the +epithet of "Mudhead," but I don't suppose I ever experienced the same +relief from it as when I realized that the worthy burgomaster's +geography did not locate it amongst the British possessions, and that +he was willing to swallow me whole as an American if I could deny my +Russian nationality!</p> + +<p><span class='pagenum'><a name="Page_27" id="Page_27">[27]</a></span>We were certainly very kindly treated. A supper of eggs and milk was +prepared for us. While we were eating, the German girls sat with us +and we got quite friendly. Bit by bit little things pieced themselves +together like the pattern of a jig-saw puzzle. Our arrival at Gronau +was no unforeseen event. We had been expected,—waited for,—and the +fifteen men who had stood across the road to bar our progress had +their fifteen guns ready to shoot if our stop had not been +<i>instanter</i>. Information had been sent from Hannover that we were +suspects. Who sent it we are never likely to know—the obsequious +hotel proprietor, the owner of the blue eyes, the smiling boy officer, +or the insolent waiter. No matter, we were suspects, and the worst +conclusions were drawn when we arrived in a car without lights, and +when I emerged into the flaring ring of light in a rose-red coat—a +Russian colour, pregnant with criminality!! Had we realized our true +position when that sudden halt was made, how frightened we should have +been! As it <span class='pagenum'><a name="Page_28" id="Page_28">[28]</a></span>was, it never occurred to us that we were in actual +danger.</p> + +<p>At about one in the morning we went to bed, and dropped asleep from +sheer fatigue. At about four Kitty and I woke up and discussed the +situation dispassionately. We got out of our beds and looked out of +the windows. Rain was falling in sheets, and the world seemed a cold, +cheerless, uninviting place. The soldiers guarding us paced up and +down, up and down, in the wet. Vitality is low at 4 a.m., and we were +as dejected as any two mortals could be.</p> + +<p>Stay at Gronau—remain in this God-forsaken place till the European +conflagration burnt itself out, cut off from every soul we cared about +and unable to communicate—impossible! Having arrived at this logical +conclusion, we returned to our beds and went to sleep. At eight +o'clock the examiners returned to the charge. We went into a long room +with a raised dais. There were long tables ranged down it, covered +with stained cardboard mounts for beer-glasses. Cigar <span class='pagenum'><a name="Page_29" id="Page_29">[29]</a></span>ashes were in +saucers, cigar ends on the floor. The smell of stale beer permeated +the atmosphere. It was an engaging <i>mise en scène</i>.</p> + +<p>Kitty and I were greeted by the head of police, two sergeants (one of +them the bucolic hero of the vanity bag), and one of the girl +searchers. The wearisome process began afresh. By the time the turn of +my trunk came, the men were clearly bored. I had quantities of +papers,—notes, MSS., sketches for lectures, extracts, charts,—papers +which would have caused wild interest the evening before, but +excitement was on the wane. By eleven o'clock everything had been seen +thoroughly. The chief of police beamed upon us kindly. "It has to be +done," he explained.</p> + +<p>Later the burgomaster reappeared, more paternal than ever, and most +kindly disposed. He was really sorry for all we had gone through, and +promised he would do all in his power to get us over the border, and +he certainly kept his word. Out of his pockets came all our +confiscated belongings, and from <span class='pagenum'><a name="Page_30" id="Page_30">[30]</a></span>some safe hiding-place was produced +the fatal vanity bag!</p> + +<p>At about one o'clock we went off again in the car, escorted by a now +friendly policeman and one of the searchers. We were armed with a most +reassuring pass, signed by the burgomaster himself, but when we +arrived at the frontier and confidently handed it to the official +there, he shook his head. "Impossible! Impossible!" he said. With a +sudden rush our spirits sank to zero. This was the "most unkindest cut +of all," but out of the darkness came light. We were at +cross-purposes, and the man thought we wished to motor across the +little bridge connecting Germany and Holland. We assured him we had no +such desire, that I would take a trolley car to Einschede, charter a +Dutch automobile to take us to Amsterdam, and return to the frontier +to collect the girls and the luggage. Then came the hoped-for +permission, and we all jumped out of the car. There was the little +bridge—Kleine Brucke—and beyond Holland, the promised land. A few +formalities, <span class='pagenum'><a name="Page_31" id="Page_31">[31]</a></span>a few good-bys, a few planks traversed, and we were safe +in a country that was neutral for the nonce: Holland, the +stepping-stone to America.</p> + +<br /> + +<p><i>S.S. Nieuw Amsterdam</i><br /> +<span style="margin-left: 3em;"><i>A week later</i></span><br /> +</p> + +<p> </p> +<p> </p> +<hr class="full" /> +<p>***END OF THE PROJECT GUTENBERG EBOOK AN ACCOUNT OF OUR ARRESTING EXPERIENCES***</p> +<p>******* This file should be named 31115-h.txt or 31115-h.zip *******</p> +<p>This and all associated files of various formats will be found in:<br /> +<a href="http://www.gutenberg.org/dirs/3/1/1/1/31115">http://www.gutenberg.org/3/1/1/1/31115</a></p> +<p>Updated editions will replace the previous one--the old editions +will be renamed.</p> + +<p>Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution.</p> + + + +<pre> +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +<a href="http://www.gutenberg.org/license">http://www.gutenberg.org/license)</a>. + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS,' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://www.gutenberg.org/about/contact + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://www.gutenberg.org/fundraising/pglaf + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://www.gutenberg.org/fundraising/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Each eBook is in a subdirectory of the same number as the eBook's +eBook number, often in several formats including plain vanilla ASCII, +compressed (zipped), HTML and others. + +Corrected EDITIONS of our eBooks replace the old file and take over +the old filename and etext number. The replaced older file is renamed. +VERSIONS based on separate sources are treated as new eBooks receiving +new filenames and etext numbers. + +Most people start at our Web site which has the main PG search facility: + +<a href="http://www.gutenberg.org">http://www.gutenberg.org</a> + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + +EBooks posted prior to November 2003, with eBook numbers BELOW #10000, +are filed in directories based on their release date. If you want to +download any of these eBooks directly, rather than using the regular +search system you may utilize the following addresses and just +download by the etext year. + +<a href="http://www.gutenberg.org/dirs/etext06/">http://www.gutenberg.org/dirs/etext06/</a> + + (Or /etext 05, 04, 03, 02, 01, 00, 99, + 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90) + +EBooks posted since November 2003, with etext numbers OVER #10000, are +filed in a different way. The year of a release date is no longer part +of the directory path. The path is based on the etext number (which is +identical to the filename). The path to the file is made up of single +digits corresponding to all but the last digit in the filename. For +example an eBook of filename 10234 would be found at: + +http://www.gutenberg.org/dirs/1/0/2/3/10234 + +or filename 24689 would be found at: +http://www.gutenberg.org/dirs/2/4/6/8/24689 + +An alternative method of locating eBooks: +<a href="http://www.gutenberg.org/dirs/GUTINDEX.ALL">http://www.gutenberg.org/dirs/GUTINDEX.ALL</a> + +*** END: FULL LICENSE *** +</pre> +</body> +</html> diff --git a/31115-h/images/cover.jpg b/31115-h/images/cover.jpg Binary files differnew file mode 100644 index 0000000..c16dbb1 --- /dev/null +++ b/31115-h/images/cover.jpg diff --git a/31115-h/images/deco.jpg b/31115-h/images/deco.jpg Binary files differnew file mode 100644 index 0000000..368d938 --- /dev/null +++ b/31115-h/images/deco.jpg diff --git a/31115.txt b/31115.txt new file mode 100644 index 0000000..cfc5d9e --- /dev/null +++ b/31115.txt @@ -0,0 +1,953 @@ +The Project Gutenberg eBook, An Account of Our Arresting Experiences, by +Conway Evans + + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + + + + +Title: An Account of Our Arresting Experiences + + +Author: Conway Evans + + + +Release Date: January 28, 2010 [eBook #31115] + +Language: English + +Character set encoding: ISO-646-US (US-ASCII) + + +***START OF THE PROJECT GUTENBERG EBOOK AN ACCOUNT OF OUR ARRESTING +EXPERIENCES*** + + +E-text prepared by Brown University Library and the Project Gutenberg +Online Distributed Proofreading Team (http://www.pgdp.net) from page +images generously made available by Internet Archive/American Libraries +(http://www.archive.org/details/americana) + + + +Note: Images of the original pages are available through + Internet Archive/American Libraries. See + http://www.archive.org/details/accountofourarre00evan + + + + + +AN ACCOUNT OF OUR ARRESTING EXPERIENCES + +by + +CONWAY EVANS + +[Illustration] + + + + + + + +Privately Printed +1914 + +[One Hundred Copies printed] + +D. B. Updike, The Merrymount Press, Boston + + + + +TO MY TWO PLUCKY LITTLE +FELLOW PRISONERS + + + + +AN ACCOUNT OF +OUR ARRESTING EXPERIENCES + + +We had been travelling for many weeks,--Lyra Nickerson, Katherine +Schermerhorn, and I,--and after a beautiful tour through Germany, we +arrived at Berlin on the evening of July 29, 1914. We had planned to +spend a few days there preparatory to embarking at Hamburg in the +Viktoria Luise for a northern cruise, and were looking forward to a +short stay in the splendid capital. When we had secured our rooms at +the Hotel Adlon, we found to our dismay that Kitty's box had not come +through from Dresden, our last stopping-place. I went downstairs and +interviewed the porter. He explained that, owing to the talk of war, +many people were leaving their summer quarters, so that traffic was +considerably congested. In this wise did the little cloud appear upon +our horizon. + +The following morning (Thursday) we went sightseeing, and in the +afternoon--as Lyra was not feeling well--Kitty and I each went our own +way. At five o'clock we met in the hall of the Adlon, where we had +tea with her cousin, Mr. Gear, and his friend, Mr. Cluett. Later she +and I went to a superb concert at the Frederichshain and heard +Thornberg, the violinist. + +On Friday morning a little German friend whom I had not seen for many +years came to visit me. I asked her if war were likely. She replied: +"Certainly not. All danger is now over." This was encouraging, for I +thought she knew what she was talking about. + +In the afternoon we hired an automobile, and motored out to Potsdam. +Then when we were outside the old Palace we heard that the Kaiser's +"strong-for-peace" policy had been of no avail, that the Czar had +insulted his messenger, and that now war was inevitable. We ourselves, +chameleon-like, assumed the German colour. We believed what we were +told, and felt sorry for the man who was called upon unwillingly to +shed his nation's blood. On our way back to the hotel Kitty and I went +to see Mr. Schermerhorn's cousin, Miss Barber, and then we realized +the immediate gravity of the situation. She told us that now war +_must_ come, and she also told us that the Viktoria Luise would not +sail. With quickened pulses we drove back to the Adlon, where the +lounge was crowded with buzzing, excited people. Then we dressed, and +went to the "Admiral's Palast" to see the exquisite Ice Ballet. While +we were admiring the skating, and sympathizing with the fascinating +Pierrot whose heart was broken by the cruelty of the dainty jointed +Doll, we were able to forget grim reality--to forget that the bonds +that had held captive the great Fiend were being cut, and that he was +yawning after his long sleep, and stretching his cramped limbs. + +The following morning Lyra realized the desirability of leaving Europe +and of raising funds. She ordered the car, and we went to the office +of the Holland American Line to try and secure the Imperial Suite, but +without avail: no passages were to be had. Then we drove to five +banks, and cashed a certain amount of her letter of credit at each +one. At the Dresdener Bank she was informed that the Czar might +capitulate even yet, and that in any case there would be three days of +peace. Thereupon our spirits rose, and we began to make wild schemes. +Even if Germany and Russia did go to war, why should we not tour in +the Ardennes? Belgium would be a nice quiet neutral country to remain +in, till we could secure passage to America. + +In the afternoon we drove out to Schmockwitz and spent a placid time +on the Miggelsee, but when we returned to Berlin we found the Unter +der Linden seething with dense crowds of excited people and the whole +atmosphere charged with electricity. At dinner Mr. Gear came up to our +table. "You had better get out of this as soon as you can," he said. +"There is going to be trouble at once." + +Sunday morning Kitty was awakened very early by a stormy altercation +in the room next to hers. She knocked on the wall, but no notice was +taken of her remonstrance. After we had had breakfast, Lyra went +downstairs and chartered an auto for 750 marks. The owner would not +promise to take us farther than Hannover, owing to the difficulty of +procuring petrol, and moreover both car and chauffeur were required in +a couple of days for military duty. We consulted a large map, and +decided to motor _via_ Hannover to Osnabrueck, and then go on to the +frontier, wherever that might be. + +When I had finished packing I rang for the porter to strap my trunk, +but he did not come. I continued ringing with much vigour, and finally +the nice little housemaid appeared on the scene and a flood of +volubility broke over me. The porter was busy. He could not come. All +Russians in the hotel were being arrested as criminals, for Russians +had fired on a frontier town and war was declared. The hotel had been +full of detectives for several days, and one "criminal" had had the +room next to our suite. This piece of information explained the noise +in No. 140. The occupant had evidently rebelled at being arrested so +early in the morning! When I passed his room his captors were waiting +for him, and he was calmly finishing off his toilette. The big lounge +of the hotel was like a hive of swarming bees, and poor Mr. Louis +Adlon looked simply worn out with worry; but he was so kind and +courteous! I shall never forget all the trouble he took for us. + +We got off at about 12.30 in a magnificent Benz, driven by one of the +best-looking boys imaginable. The hand luggage was piled inside the +car, so I sat outside. It was a lovely morning, and we all felt duly +thrilled over our dramatic departure. The crowds were dense, and cars +stacked with luggage like ours were shooting off in every direction. +As on the previous day, the very air seemed charged with electricity, +but when we were once in the country, all seemed peaceful and calm, +and one asked one's self: "Why are we flying like this? What possible +danger can there be?" + +There were just a few indications of the times--a troop of Lancers +clattered past us, and a body of Uhlans leading peasants' horses with +their labels attached. At Wannsee a car with the crown prince and +princess flashed past. On the bridge over the Havel, overlooking +Babelsburg, a tire burst, and we were delayed about half an hour. At +Potsdam we made a halt at the telegraph office; but the news there was +bad. No wires were being accepted for the "Ausland," and even local +ones were not likely to get through. + +The first town of importance we arrived at was Brandenburg, which +stands on the Havel. Storks were flapping round in the meadows, and +the old stone statue in the main street stared down on us as we +flashed past, as if to ask: "Why this haste? From what are you +flying?" But we had but scant attention to give either to him or that +town, or to Plaue or Genthin. The blue sky clouded over, and by the +time the spires of Magdeburg appeared on the horizon, the rain was +coming down steadily. We had our first halt outside the city, for two +officials did not seem at all inclined to let us into the town where +formerly I had spent such merry days. However, our demon chauffeur was +able to produce papers certifying that he was returning to Berlin, and +we were allowed to proceed. We stopped awhile to buy some sailcloth, +as our trunks were getting woefully wet on the top of the car. Then +off we set once more, in pouring rain and a tearing wind, through flat +and uninteresting country. As there was nothing special to look at, I +could just sit still and enjoy the strange exhilaration of that wild +drive--the steady pulsation of the magnificent car, which like some +mythological monster ate up the long straight road, indifferent to the +shrieking opposing wind and lashing rain. On, on, till gradually the +furies grew weary, the gray gave place to gold, and the earth wore the +"washed" look of a beautiful water-colour. The road was grand, and so +open that there was no danger. The small towns took on a character all +their own of Old World charm, and Baedeker recorded the fact that +they were full of interest, but this had to be taken on trust. +Brunswick made its own special appeal, though we saw little but old +houses and the handsome facade of St. Catherine's. Onward we raced +till away in the distance we saw Hannover, like a many-masted ship +with its high chimneys and myriad lights. We kept up the pace, and at +9.15 pulled up in front of the Hotel Royal. I went in to know if the +wire I had sent from Potsdam engaging rooms and a fresh automobile had +arrived, but of course it had not. Then I returned to see about the +dismounting of the luggage, and the girls stayed with me. A few people +came to look on and became intensely interested. More joined, and we +were soon the centre of a crowd. We imagined in time of war even a +stray automobile must prove of account. We all laughed to find +ourselves of such importance. Then up came a charming boy officer, who +asked the chauffeur if he spoke German. "Ja wohl," was the laconic +reply. "Are you German?" "Ja wohl." + +The certificates were produced, and the boy looked them over and +handed them back pleasantly. "Have you seen enough?" I inquired, +laughing. "Yes," he replied. "Excuse me;" and with a beautiful salute +he disappeared in the crowd. But another officer had joined the girls. +"Please come inside," he whispered, and when they were in the hall, he +asked them if they were enemies, to their great amusement. + +I was so busy with the luggage that I did not notice their departure. +The real truth had not yet dawned upon me. The trunks were hoisted off +the car to the ground, and the gay decoration of the hotel labels +attracted considerable attention. People thronged round, and +deciphered the various names. I have never seen such curiosity. +Finally the last suitcase was carried in. The landlord came forward, +washing his hands with invisible soap. "Quite an experience for you. I +apologize, but you see the crowd thought you were Russians." We all +laughed. The mystery was solved. After all it was quite thrilling to +be taken for Russians, and lent a flavour to the day. + +We had dinner, and then for a few minutes we stayed in the hall +discussing plans. A little man in uniform came in brandishing a +bulletin. "We have taken a Russian harbour," he cried excitedly. "The +place is in flames." An involuntary shudder went through me. The +Russians were England's allies. Was this the first letter of the awful +alphabet Europe was to be called on to spell? Was this the first of +the mighty German conquests? + +I looked up, remembering that I was in Germany. Two very blue eyes +were fixed upon me. At the moment I wondered if any _arriere pensee_ +lay behind that intense look, but the little man seemed quite +friendly, and then our party broke up and we were soon all sound +asleep, forgetful of the fact that we were in a country at war with +its neighbours. + +The following morning (August 3) we got up early, as a car from the +Adler Garage had been ordered at 9.30, but it did not come. The +employees of the hotel were cool in their behaviour. The concierge, of +whom one usually expects servility, proved surly, the waiter calmly +insolent. The delay seemed interminable, so Kitty and I sat down and +wrote letters, but we found it was of no use to post them, as none +were going out of the country; so we put them in our handbags. Then +Lyra and I went off in a taxi to the garage to inquire for the car, +and found it just ready. As the luggage was being stacked on, two +American girls came to ask us how we were going to get out of the +country. Lyra offered to take them with us, but they refused because +they had not packed up! + +At last we were off once more--thankful to be moving, and for some +time we were able to enjoy the pretty pastoral scenery, and the +charming little houses with black timbering set in their red brick. +Our new car was a poor substitute for the Benz,--which had returned to +Berlin for war duty,--and our handsome boy had given place to a +stolid son of the soil with one green and one blue eye, a kindly soul, +who radiated confidence. Outside Schloss Lippe he stopped to shift one +of the trunks. Up sauntered an official and asked for his papers, +which he produced. Then once more we headed in the direction of +Minden. + +"_Halt._" A cordon of soldiers with bayonets across the road put an +end to all appreciation of scenery. The "Halt" was very decisive, as +well it might be on such an occasion, and we were surrounded by +boys--fair-haired, smiling boys, with whom we laughed and talked as +much as our limited vocabularies permitted. The chauffeur's pass was +produced, and proved satisfactory. If all "Halts" were going to be +such friendly affairs, we felt we were in for a merry day. We waived +adieus to our youthful soldiers, but within a few hundred yards came +another "Halt," and then another, and another. The fifth time we +realized hand-waving and friendly salutations were not going to get +us very far. Our trunks were to be examined. Our friendly chauffeur +pleaded for us, but he was squashed. "This is war time. Examination +must be made and no risks taken." + +"Yes, but these are children. They only want to get out of the +country." + +Now, when a woman has said good-by to the popular age of thirty-five, +she thinks kindly of a man who includes her amongst the "children," so +never shall I forget the chauffeur with bi-coloured eyes! The young +man with normal vision would take no risks, and we soon all joined in +the game. We pressed our keys upon the soldiers, and not only invited +them to climb upon the top of the landaulette, but climbed up +ourselves, and obeyed all behests. The first deadly thing to come to +light in my trunk was a Canadian bark workbox. "Open it." The contents +was critically examined. Then various perilous packets were found: +Soap--Soap--and again, Soap! + +The sun was hot, and so were we, but the investigation went on very +thoroughly. At last it was over, but we were told that we had to go +to the Kontrol office--whatever that might be. A chinless juvenile got +into the car with us as escort, but he was so weighed down with the +sense of his own importance that he was not very interesting. At the +Kontrol office we were all marched into a little room. It had a bed, +and on a washstand was a basin filled with clean water. We were so +dirty after unstrapping and strapping trunks that we asked if we might +wash our hands. Two kindly soldiers ministered to us and got us clean +towels, and listened sympathetically to the story of our examination. +Then in came the adjutant, and no one could have been nicer or more +courteous. We explained that we were trying to get to Holland, as we +wished to sail to America, and that our one desire was to get out of +Germany as quickly as we could. He smiled, and then he went away, and +wrote out a little paper and signed it. It was to the effect that we +had been examined, and that all was satisfactory. Never have three +women been more grateful for a little piece of paper, and when we +said good-by to our benefactor, our gratitude was very real. + +We were soon spinning along again, but ugly indications of warfare +began to be visible. Outside Minden we saw quantities of cannon being +mounted, and then suddenly we came upon a motor in a ditch. Children +were playing round it, and a man was keeping guard under a tree. Our +chauffeur stopped to find out what had happened. The car had belonged +to a Russian. He had tried to escape when told to "Halt," and had been +shot. Truly the grim game had begun in this peaceful-looking land. + +Time after time we were stopped by orders of soldiers, and we got +almost used to the imperative "Halt." But we had nothing to fear with +our magic _passe-partout_. A few words of parleying, and then came the +usual concession: "You may go on further." No one would say exactly +where "further" meant, but surely we should get to the frontier. We +headed for Osnabrueck, mistaking the road, however, at Luebeck, where +the horses were being collected, and that delayed us for some time. +The country now began to change in the magical way that countries do +change when they begin to merge into neighbouring ones. We began to +feel the Dutch element. Men, women, and children seemed to change, +too, and to become more and more stolid. Boots gave way to sabots, and +the little black and white cows began to wear the sacking jackets that +they do in Holland. + +Before getting into Osnabrueck we passed the railway station. The gates +were closed, and we stood still while a long, long train steamed +slowly by us--a train decorated with huge boughs of greenery--a train +packed with men--husbands, lovers--going to God knows what fate. They +were shouting and waving and cheering. That is now a week ago. + +It was about six o'clock when we pulled up outside the hotel at +Osnabrueck, so we had no time to waste over food. We had eaten nothing +all day, but now we were able to buy some bread and cheese to eat _en +route_. We were terribly dusty, and to save my own new coat, Kitty +kindly lent me an old one of hers. It was bright rose-colour, and made +me rather conspicuous as I took my turn on the little seat. + +The first important place after Osnabrueck was Rheine, and there, for +the first time in the day, I began to wonder how things were going to +turn out. Before we knew where we were, we were stopped by soldiers +and mobbed by a dense, excited crowd. Even the wonderful paper did not +have its usual effect. I was told I must proceed to headquarters +before we could continue our journey, so I got out of the car, but +when I saw the rabble which intended to accompany me, I told the two +soldiers who were my escort that I should prefer walking arm-in-arm +with them, and off we set, greatly to our own amusement and that of +the mob which followed at our heels, yelling, "Russian! Russian +criminal!" + +When we reached the railway station I was taken before the superior +arbiter of our fate. He was a serious individual, and read the +precious document very carefully. Then came the usual fiat: "You may +go further." + +Great disappointment of the following crowd--a disappointment +communicated to the unpleasant loafers who had continued to surge +round the automobile in my absence. One of them had climbed on to the +back and hit Lyra's hat twice, but she had been very calm, and kept +her temper. When our innocence was made known the excitement died +down, and we departed amidst cheers and waving handkerchiefs. + +I shall never forget the next part of the drive. My appearance +produced the same effect everywhere. "Russian! Russian!" was on every +lip. One individual whispered to another, and small groups of people +knotted together and watched us out of sight. At one place a man +jumped on a bicycle and tore off--perhaps to give information. At +first I did not mind, but after a while the situation got on my +nerves. We swung past a man who was guarding a bridge. He wasn't a +real soldier, but he had a gun, and I _know_ he feels that he lost one +of the chances of his life in letting me go, for his look of suspicion +and hatred was unmistakable. Lyra kindly changed places with me, +though she was very tired, and it was a relief to get out of the +popular gaze. + +The day was beginning to close in, but a brilliant sun shining through +heavy gray clouds lit up the world for a while like a watchful eye. We +knew we could not be very far from the frontier, and this was +confirmed by an official when we were stopped for the seventeenth +time. He was very friendly, and gave the chauffeur much well-meant +advice. "The actual frontier is at 'Kleine Brucke,'" he said, "but as +no motors may pass and it is getting late, the ladies had better stay +the night at Gronau and go on to Holland to-morrow." This sounded all +right, but we felt we wanted to get out of the country at all costs, +and that a cowshed in Holland was preferable to a grand hotel in +Germany. The magic pass had stood us in such good stead, there could +be no hitch now we had so nearly achieved our aim. + +We were so engrossed with the vicinity of safety that not one of us +realized our chauffeur had forgotten to light up. All I remember is +that we seemed suddenly to swoop down on a crowd, the peremptory +"Halt!" rang out sharp and clear, and we came to a sudden standstill. +The car was besieged by officials of every kind, and we all felt the +genuine hostility in the air. A man in plain clothes was chief +spokesman. I handed him the Minden pass, confident of its efficacy, +and to our dismay, he put it in his pocket. + +"We are only trying to get into Holland," I explained. "We have our +tickets here for passage in the Rotterdam." "Show them." The tickets +were produced and shared the same fate as the pass. "Get out of the +auto. The luggage is to be examined." We meekly obeyed. There was no +other course to pursue. Kitty clutched at her precious little vanity +bag, which had afforded so much amusement during the tour. A ponderous +policeman pounced upon it. "Please give me my little bag," wailed +Kitty. "Let me open it and show you the contents." + +The man did not understand her words, but he did understand her +gesture as she stretched out her hands for the precious bag. He pushed +her back roughly. Did this dangerous woman think he was going to allow +her to throw a bomb in this her moment of despair? He rushed off into +the crowd, gave the infernal machine to some one else to hold, and we +saw it no more. + +The luggage was all dismounted, and three wooden chairs were brought +for us to sit on while the examination took place. That scene will +always stand out in our minds with theatrical vividness. Flaring +electric lights lit up the road. There was a dense crowd of officials +and loafers, and beyond, blackness. One or two men came up and talked. + +"We want to get into Holland. We want to get there to-night." "You +cannot. The frontier is closed." "But when can we go?" "When the war +is over." "That is incredible." "It is not incredible. You must stop +here. It is a nice place. If you wanted a large town, why did you not +stop in Berlin?" "Because we want to leave Germany. No one knows where +we are. Can we communicate with any one?" "All communication is +impossible." + +This was cheerful news, but we had no time in which to think it over. +Lyra's trunk had been opened, and the examination had begun. Several +young women had arrived on the scene, who proved excellent English +scholars and most accomplished searchers. It was an education to watch +their methods. Every garment was taken out, shaken, weighed in the +hand, and held up to the light, then flung down carelessly. Pretty +chiffons and fluffy dresses lay about on the dusty road; but no one +cared. It was a sorry performance, and an unworthy one. Letters and +papers were pounced on and read, and it was a revelation to realize +how the most innocent wires and cables could be construed into having +some subtle political significance. Finally the last garment was +removed, and the trunk itself subjected to severe critical +examination. + +By this time it was very late, and the hearts of our captors melted a +little. We were told we might proceed (under arrest, of course) to the +hotel, and that the remainder of the luggage would be examined there +privately. + +Once more we took our seats in the car, but the drive can hardly be +described as a triumphal progress. Soldiers walked in front, and +soldiers walked at the side, till we arrived at the Hotel of the +Angel--of all ironical names! Six women, including the searchers, +joined us, and were very pleasant and kindly while our hand luggage +was being examined sufficiently for us to get out some things for the +night. They had a beautiful time, reading all the letters that lay +scattered about in our belongings, and taking the keenest interest in +all our possessions. Poor souls! They certainly needed a little +diversion. One girl had said good-by to her fiance that morning, and +another was a bride of twenty-four hours. She had married in haste to +take the name of the man she loved before he went off to the frontier! + +We were allowed to choose our bedrooms, and Kitty and I elected to +share one big one. Then we were told that we must be undressed and +searched, so one by one we were taken off by two damsels, who were +soon able to declare that we were not concealing anything criminal +about us. + +The big man whose pockets had swallowed up our pass and tickets again +appeared upon the scene, and proved to be the burgomaster of the town. +He interviewed Lyra in one room--questioning and cross-questioning--and +then he came to me. His suspicions seemed to be allaying, and his +attitude was almost paternal. Although we had no passports, we were +able to prove our identification very successfully--the girls by +papers and letters, and I luckily had in my possession my permit to +visit all the Italian galleries, with my photo pasted on to it. This +proved me to be Conway Evans, living in Florence; but while the +examination was going on, I wondered how long it would be before the +question of my nationality would crop up. + +"Where is your husband?" "Florence, Italy." "Where do your father and +mother live?" "Lausanne, Switzerland." "Where is your son?" "With my +father and mother." "Where were you born?" "Georgetown, Demerara, +South America." + +I have always loved my colonial birthplace and suffered gladly the +epithet of "Mudhead," but I don't suppose I ever experienced the same +relief from it as when I realized that the worthy burgomaster's +geography did not locate it amongst the British possessions, and that +he was willing to swallow me whole as an American if I could deny my +Russian nationality! + +We were certainly very kindly treated. A supper of eggs and milk was +prepared for us. While we were eating, the German girls sat with us +and we got quite friendly. Bit by bit little things pieced themselves +together like the pattern of a jig-saw puzzle. Our arrival at Gronau +was no unforeseen event. We had been expected,--waited for,--and the +fifteen men who had stood across the road to bar our progress had +their fifteen guns ready to shoot if our stop had not been +_instanter_. Information had been sent from Hannover that we were +suspects. Who sent it we are never likely to know--the obsequious +hotel proprietor, the owner of the blue eyes, the smiling boy officer, +or the insolent waiter. No matter, we were suspects, and the worst +conclusions were drawn when we arrived in a car without lights, and +when I emerged into the flaring ring of light in a rose-red coat--a +Russian colour, pregnant with criminality!! Had we realized our true +position when that sudden halt was made, how frightened we should have +been! As it was, it never occurred to us that we were in actual +danger. + +At about one in the morning we went to bed, and dropped asleep from +sheer fatigue. At about four Kitty and I woke up and discussed the +situation dispassionately. We got out of our beds and looked out of +the windows. Rain was falling in sheets, and the world seemed a cold, +cheerless, uninviting place. The soldiers guarding us paced up and +down, up and down, in the wet. Vitality is low at 4 a.m., and we were +as dejected as any two mortals could be. + +Stay at Gronau--remain in this God-forsaken place till the European +conflagration burnt itself out, cut off from every soul we cared about +and unable to communicate--impossible! Having arrived at this logical +conclusion, we returned to our beds and went to sleep. At eight +o'clock the examiners returned to the charge. We went into a long room +with a raised dais. There were long tables ranged down it, covered +with stained cardboard mounts for beer-glasses. Cigar ashes were in +saucers, cigar ends on the floor. The smell of stale beer permeated +the atmosphere. It was an engaging _mise en scene_. + +Kitty and I were greeted by the head of police, two sergeants (one of +them the bucolic hero of the vanity bag), and one of the girl +searchers. The wearisome process began afresh. By the time the turn of +my trunk came, the men were clearly bored. I had quantities of +papers,--notes, MSS., sketches for lectures, extracts, charts,--papers +which would have caused wild interest the evening before, but +excitement was on the wane. By eleven o'clock everything had been seen +thoroughly. The chief of police beamed upon us kindly. "It has to be +done," he explained. + +Later the burgomaster reappeared, more paternal than ever, and most +kindly disposed. He was really sorry for all we had gone through, and +promised he would do all in his power to get us over the border, and +he certainly kept his word. Out of his pockets came all our +confiscated belongings, and from some safe hiding-place was produced +the fatal vanity bag! + +At about one o'clock we went off again in the car, escorted by a now +friendly policeman and one of the searchers. We were armed with a most +reassuring pass, signed by the burgomaster himself, but when we +arrived at the frontier and confidently handed it to the official +there, he shook his head. "Impossible! Impossible!" he said. With a +sudden rush our spirits sank to zero. This was the "most unkindest cut +of all," but out of the darkness came light. We were at +cross-purposes, and the man thought we wished to motor across the +little bridge connecting Germany and Holland. We assured him we had no +such desire, that I would take a trolley car to Einschede, charter a +Dutch automobile to take us to Amsterdam, and return to the frontier +to collect the girls and the luggage. Then came the hoped-for +permission, and we all jumped out of the car. There was the little +bridge--Kleine Brucke--and beyond Holland, the promised land. A few +formalities, a few good-bys, a few planks traversed, and we were safe +in a country that was neutral for the nonce: Holland, the +stepping-stone to America. + +_S.S. Nieuw Amsterdam + A week later_ + + + +***END OF THE PROJECT GUTENBERG EBOOK AN ACCOUNT OF OUR ARRESTING +EXPERIENCES*** + + +******* This file should be named 31115.txt or 31115.zip ******* + + +This and all associated files of various formats will be found in: +http://www.gutenberg.org/dirs/3/1/1/1/31115 + + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://www.gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://www.gutenberg.org/about/contact + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://www.gutenberg.org/fundraising/donate + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: +http://www.gutenberg.org/fundraising/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + diff --git a/31115.zip b/31115.zip Binary files differnew file mode 100644 index 0000000..98d0743 --- /dev/null +++ b/31115.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..59ea474 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #31115 (https://www.gutenberg.org/ebooks/31115) |
