summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-14 19:55:05 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-14 19:55:05 -0700
commitcce363f5c74665ce8eddf915e33d9f36ca7fadbc (patch)
treedceafee8296172dea5c02c165f37b07f3d0b57ce
initial commit of ebook 31094HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--31094-h.zipbin0 -> 53626 bytes
-rw-r--r--31094-h/31094-h.htm4872
-rw-r--r--31094.txt2537
-rw-r--r--31094.zipbin0 -> 50768 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
7 files changed, 7425 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/31094-h.zip b/31094-h.zip
new file mode 100644
index 0000000..8fd3dad
--- /dev/null
+++ b/31094-h.zip
Binary files differ
diff --git a/31094-h/31094-h.htm b/31094-h/31094-h.htm
new file mode 100644
index 0000000..6eebd47
--- /dev/null
+++ b/31094-h/31094-h.htm
@@ -0,0 +1,4872 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+ <head>
+ <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" />
+ <meta http-equiv="Content-Style-Type" content="text/css" />
+ <title>
+ The Project Gutenberg eBook of Bear Trap, by Alan E. Nourse
+ </title>
+ <style type="text/css">
+
+ .trn {border: solid 1px; margin: 3em 15%; padding: 1em; text-align: justify;}
+ .blockquot {margin: 1em 10%;}
+ .dcap {text-transform: uppercase;}
+ p {margin-top: .75em; text-align: justify; margin-bottom: .75em;}
+ h1,h2 {font-weight: normal; line-height: 2em;}
+ body {margin-left: 10%; margin-right: 10%;}
+ .bk1 {margin: 1em auto 2em; border-top: solid 2px; border-bottom: solid 2px;}
+ .bk2 {float: left; width: 15em; margin: 1em 2em 1em 0;}
+ .pr1 {line-height: 1.5em; margin-top: 4em;}
+ hr {width: 45%; margin: 2em auto; visibility: hidden;}
+ .sp1 {margin-right: 2em;}
+ .rgt,h1,h2 {text-align: right;}
+
+ </style>
+ </head>
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of Bear Trap, by Alan Edward Nourse
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Bear Trap
+
+Author: Alan Edward Nourse
+
+Release Date: January 26, 2010 [EBook #31094]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK BEAR TRAP ***
+
+
+
+
+Produced by Greg Weeks, Stephen Blundell and the Online
+Distributed Proofreading Team at https://www.pgdp.net
+
+
+
+
+
+
+</pre>
+
+
+<div class="bk1"><p><small><i>Dr. Alan E. Nourse, who when last heard of was vacationing in Alaska&mdash;and
+probably gathering material for SF or Mystery stories set against
+this background&mdash;is the author of many mystery and science fiction
+stories including MARTYR, the lead novel in our January 1957 issue.</i></small></p></div>
+
+<div class="bk2"><h1><b>bear<br />
+trap</b></h1>
+
+<h2><small><i>by ALAN E. NOURSE</i></small></h2>
+
+<p class="pr1"><big><b>The man's meteoric rise as a peacemaker in a nation tired
+by the long years of war made the truth even more shocking.</b></big></p></div>
+
+<p><span class="dcap">The huge</span> troop transport
+plane eased down
+through the rainy drizzle
+enshrouding New York International
+Airport at about
+five o'clock in the evening.
+Tom Shandor glanced sourly
+through the port at the wet
+landing strip, saw the dim
+landing lights reflected in the
+steaming puddles. On an adjacent
+field he could see the
+rows and rows of jet fighters,
+wings up in the foggy rain,
+poised like ridiculous birds
+in the darkness. With a sigh
+he ripped the sheet of paper
+from the small, battered
+portable typewriter on his
+lap, and zipped the machine
+up in its slicker case.</p>
+
+<p>Across the troop hold the
+soldiers were beginning to
+stir, yawning, shifting their
+packs, collecting their gear.
+Occasionally they stared at
+Shandor as if he were totally
+alien to their midst, and he
+shivered a little as he collected
+the sheets of paper scattered
+on the deck around him,
+checked the date, 27 September,
+1982, and rolled them up
+to fit in the slim round mailing
+container. Ten minutes
+later he was shouldering his
+way through the crowd of
+khaki-clad men, scowling up
+at the sky, his nondescript
+fedora jammed down over his
+eyes to keep out the rain,
+slicker collar pulled up about
+his ears. At the gangway he
+stopped before a tired-looking
+lieutenant and flashed the
+small fluorescent card in his
+palm. "Public Information
+Board."</p>
+
+<p>The officer nodded wearily
+and gave his coat and typewriter
+a cursory check, then
+motioned him on. He strode
+across the wet field, scowling
+at the fog, toward the
+dimmed-out waiting rooms.</p>
+
+<p>He found a mailing chute,
+and popped the mailing tube
+down the slot as if he were
+glad to be rid of it. Into the
+speaker he said: "Special Delivery.
+PIB business. It goes
+to press tonight."</p>
+
+<p>The female voice from the
+speaker said something, and
+the red "clear" signal blinked.
+Shandor slipped off his hat
+and shook it, then stopped at
+a coffee machine and extracted
+a cup of steaming
+stuff from the bottom after
+trying the coin three times.
+Finally he walked across the
+room to an empty video
+booth, and sank down into the
+chair with an exhausted sigh.
+Flipping a switch, he waited
+several minutes for an operator
+to appear. He gave her a
+number, and then said, "Let's
+scramble it, please."</p>
+
+<p>"Official?"</p>
+
+<p>He showed her the card,
+and settled back, his whole
+body tired. He was a tall man,
+rather slender, with flat,
+bland features punctuated
+only by blond caret-shaped
+eyebrows. His grey eyes were
+heavy-lidded now, his mouth
+an expressionless line as he
+waited, sunk back into his
+coat with a long-cultivated
+air of lifeless boredom. He
+watched the screen without
+interest as it bleeped a time or
+two, then shifted into the
+familiar scrambled-image pattern.
+After a moment he muttered
+the Public Information
+Board audio-code words, and
+saw the screen even out into
+the clear image of a large,
+heavyset man at a desk.</p>
+
+<p>"Hart," said Shandor. "Story's
+on its way. I just dropped
+it from the Airport a minute
+ago, with a rush tag on it.
+You should have it for the
+morning editions."</p>
+
+<p>The big man in the screen
+blinked, and his heavy face
+lit up. "The story on the
+Rocket Project?"</p>
+
+<p>Shandor nodded. "The
+whole scoop. I'm going home
+now." He started his hand for
+the cutoff switch.</p>
+
+<p>"Wait a minute&mdash;" Hart
+picked up a pencil and fiddled
+with it for a moment.
+He glanced over his shoulder,
+and his voice dropped a little.
+"Is the line scrambled?"</p>
+
+<p>Shandor nodded.</p>
+
+<p>"What's the scoop, boy?
+How's the Rocket Project coming?"</p>
+
+<p>Shandor grinned wryly.
+"Read the report, daddy. Everything's
+just ducky, of
+course&mdash;it's all ready for
+press. You've got the story,
+why should I repeat it?"</p>
+
+<p>Hart scowled impatiently.
+"No, no&mdash; I mean the <i>scoop</i>.
+The real stuff. How's the
+Project going?"</p>
+
+<p>"Not so hot." Shandor's
+face was weary. "Material
+cutoff is holding them up
+something awful. Among other
+things. The sabotage has
+really fouled up the west
+coast trains, and shipments
+haven't been coming through
+on schedule. You know&mdash;they
+ask for one thing, and
+get the wrong weight, or their
+supplier is out of material, or
+something goes wrong. And
+there's personnel trouble, too&mdash;too
+much direction and too
+little work. It's beginning to
+look as if they'll never get
+going. And now it looks like
+there's going to be another
+administration shakeup, and
+you know what that means&mdash;"</p>
+
+<p>Hart nodded thoughtfully.
+"They'd better get hopping,"
+he muttered. "The conference
+in Berlin is on the skids&mdash;it
+could be hours now." He
+looked up. "But you got the
+story rigged all right?"</p>
+
+<p>Shandor's face flattened in
+distaste. "Sure, sure. You
+know me, Hart. Anything to
+keep the people happy. Everything's
+running as smooth
+as satin, work going fine, expect
+a test run in a month,
+and we should be on the moon
+in half a year, more or less,
+maybe, we hope&mdash;the usual
+swill. I'll be in to work out
+the war stories in the morning.
+Right now I'm for bed."</p>
+
+<p>He snapped off the video
+before Hart could interrupt,
+and started for the door. The
+rain hit him, as he stepped
+out, with a wave of cold wet
+depression, but a cab slid up
+to the curb before him and he
+stepped in. Sinking back he
+tried to relax, to get his stomach
+to stop complaining, but
+he couldn't fight the feeling
+of almost physical illness
+sweeping over him. He closed
+his eyes and sank back, trying
+to drive the ever-plaguing
+thoughts from his mind, trying
+to focus on something
+pleasant, almost hoping that
+his long-starved conscience
+might give a final gasp or
+two and die altogether. But
+deep in his mind he knew
+that his screaming conscience
+was almost the only thing that
+held him together.</p>
+
+<p>Lies, he thought to himself
+bitterly. White lies, black
+lies, whoppers&mdash;you could
+take your choice. There
+should be a flaming neon sign
+flashing across the sky, telling
+all people: "Public Information
+Board, Fabrication
+Corporation, fabricating of
+all lies neatly and expeditiously
+done." He squirmed,
+feeling the rebellion grow in
+his mind. Propaganda, they
+called it. A nice word, such
+a very handy word, covering
+a multitude of seething pots.
+PIB was the grand clearing
+house, the last censor of censors,
+and he, Tom Shandor,
+was the Chief Fabricator and
+Purveyor of Lies.</p>
+
+<p>He shook his head, trying
+to get a breath of clean air
+in the damp cab. Sometimes
+he wondered where it was
+leading, where it would finally
+end up, what would happen
+if the people ever really
+learned, or ever listened to
+the clever ones who tried to
+sneak the truth into print
+somewhere. But people
+couldn't be told the truth,
+they had to be coddled, urged,
+pushed along. They had to
+be kept somehow happy,
+somehow hopeful, they had to
+be kept whipped up to fever
+pitch, because the long, long
+years of war and near war had
+exhausted them, wearied them
+beyond natural resiliency.
+No, they had to be spiked,
+urged and goaded&mdash;what
+would happen if they
+learned?</p>
+
+<p>He sighed. No one, it
+seemed, could do it as well as
+he. No one could take a story
+of bitter diplomatic fighting
+in Berlin and simmer it down
+to a public-palatable "peaceful
+and progressive meeting;" no
+one could quite so skillfully
+reduce the bloody fighting in
+India to a mild "enemy losses
+topping American losses
+twenty to one, and our boys
+are fighting staunchly, bravely,"&mdash; No
+one could write out
+the lies quite so neatly, so
+smoothly as Tom Shandor&mdash;</p>
+
+<p>The cab swung in to his
+house, and he stepped out,
+tipped the driver, and walked
+up the walk, eager for the
+warm dry room. Coffee
+helped sometimes when he
+felt this way, but other things
+helped even more. He didn't
+even take his coat off before
+mixing and downing a stiff
+rye-and-ginger, and he was
+almost forgetting his unhappy
+conscience by the time the
+video began blinking.</p>
+
+<p>He flipped the receiver
+switch and sat down groggily,
+blinked at John Hart's
+heavy face as it materialized
+on the screen. Hart's eyes
+were wide, his voice tight and
+nervous as he leaned forward.
+"You'd better get into the office
+pronto," he said, his eyes
+bright. "You've <i>really</i> got a
+story to work on now&mdash;"</p>
+
+<p>Shandor blinked. "The
+War&mdash;"</p>
+
+<p>Hart took a deep breath.
+"Worse," he said. "David Ingersoll
+is dead."</p>
+
+<hr />
+
+<p>Tom Shandor shouldered
+his way through the crowd of
+men in the anteroom, and
+went into the inner office.
+Closing the door behind him
+coolly, he faced the man at
+the desk, and threw a thumb
+over his shoulder. "Who're
+the goons?" he growled.
+"You haven't released a story
+yet&mdash;?"</p>
+
+<p>John Hart sighed, his pinkish
+face drawn. "The press. I
+don't know how they got the
+word&mdash;there hasn't been a
+word released, but&mdash;" He
+shrugged and motioned Shandor
+to a seat. "You know how
+it goes."</p>
+
+<p>Shandor sat down, his face
+blank, eyeing the Information
+chief woodenly. The room
+was silent for a moment,
+a tense, anticipatory silence.
+Then Hart said: "The Rocket
+story was great, Tommy. A
+real writing job. You've got
+the touch, when it comes to a
+ticklish news release&mdash;"</p>
+
+<p>Shandor allowed an expression
+of distaste to cross his
+face. He looked at the chubby
+man across the desk and felt
+the distaste deepen and crystallize.
+John Hart's face was
+round, with little lines going
+up from the eyes, an almost
+grotesque, burlesque-comic
+face that belied the icy practical
+nature of the man behind
+it. A thoroughly distasteful
+face, Shandor thought. Finally
+he said, "The story, John.
+On Ingersoll. Let's have it,
+straight out."</p>
+
+<p>Hart shrugged his stocky
+shoulders, spreading his
+hands. "Ingersoll's dead," he
+said. "That's all there is to it.
+He's stone-cold dead."</p>
+
+<p>"But he can't be dead!"
+roared Shandor, his face
+flushed. "We just can't <i>afford</i>
+to have him dead&mdash;"</p>
+
+<p>Hart looked up wearily.
+"Look, I didn't kill him. He
+went home from the White
+House this evening, apparently
+sound enough, after a long,
+stiff, nasty conference with
+the President. Ingersoll wanted
+to go to Berlin and call a
+showdown at the International
+conference there, and he had
+a policy brawl with the President,
+and the President
+wouldn't let him go, sent an
+undersecretary instead, and
+threatened to kick Ingersoll
+out of the cabinet unless he
+quieted down. Ingersoll got
+home at 4:30, collapsed at
+5:00, and he was dead before
+the doctor arrived. Cerebral
+hemorrhage, pretty straightforward.
+Ingersoll's been killing
+himself for years&mdash;he
+knew it, and everyone else in
+Washington knew it. It was
+bound to happen sooner or
+later."</p>
+
+<p>"He was trying to prevent a
+war," said Shandor dully,
+"and he was all by himself.
+Nobody else wanted to stop
+it, nobody that mattered, at
+any rate. Only the people
+didn't want war, and who ever
+listens to them? Ingersoll got
+the people behind him, so
+they gave him a couple of Nobel
+Peace Prizes, and made
+him Secretary of State, and
+then cut his throat every
+time he tried to do anything.
+No wonder he's dead&mdash;"</p>
+
+<p>Hart shrugged again, eloquently
+indifferent. "So he
+was a nice guy, he wanted to
+prevent a war. As far as I'm
+concerned, he was a pain in
+the neck, the way he was forever
+jumping down Information's
+throat, but he's dead
+now, he isn't around any
+more&mdash;" His eyes narrowed
+sharply. "The important
+thing, Tommy, is that the
+people won't like it that he's
+dead. They trusted him. He's
+been the people's Golden Boy,
+their last-ditch hope for
+peace. If they think their last
+chance is gone with his death,
+they're going to be mad. They
+won't like it, and there'll be
+hell to pay&mdash;"</p>
+
+<p>Shandor lit a smoke with
+trembling fingers, his eyes
+smouldering. "So the people
+have to be eased out of the
+picture," he said flatly.
+"They've got to get the story
+so they won't be so angry&mdash;"</p>
+
+<p>Hart nodded, grinning.
+"They've got to have a real
+story, Tommy. Big, blown up,
+what a great guy he was, defender
+of the peace, greatest,
+most influential man America
+has turned out since the half-century&mdash;you
+know what they
+lap up, the usual garbage,
+only on a slightly higher
+plane. They've got to think
+that he's really saved them,
+that he's turned over the
+reins to other hands just as
+trustworthy as his&mdash;you can
+give the president a big hand
+there&mdash;they've got to think
+his work is the basis of our
+present foreign policy&mdash;can't
+you see the implications? It's
+got to be spread on with a
+trowel, laid on skillfully&mdash;"</p>
+
+<p>Shandor's face flushed deep
+red, and he ground the stub
+of his smoke out viciously.
+"I'm sick of this stuff, Hart,"
+he exploded. "I'm sick of you,
+and I'm sick of this whole
+rotten setup, this business of
+writing reams and reams of
+lies just to keep things under
+control. Ingersoll was a great
+man, a <i>really</i> great man, and
+he was <i>wasted</i>, thrown away.
+He worked to make peace, and
+he got laughed at. He hasn't
+done a thing&mdash;because he
+couldn't. Everything he has
+tried has been useless, wasted.
+<i>That's</i> the truth&mdash;why not tell
+that to the people?"</p>
+
+<p>Hart stared. "Get hold of
+yourself," he snapped. "You
+know your job. There's a
+story to write. The life of
+David Ingersoll. It has to go
+down smooth." His dark eyes
+shifted to his hands, and back
+sharply to Shandor. "A propagandist
+has to write it,
+Tommy&mdash;an ace propagandist.
+You're the only one I know
+that could do the job."</p>
+
+<p>"Not me," said Shandor
+flatly, standing up. "Count
+me out. I'm through with
+this, as of now. Get yourself
+some other whipping boy. Ingersoll
+was one man the people
+could trust. And he was
+one man I could never face.
+I'm not good enough for him
+to spit on, and I'm not going
+to sell him down the river
+now that he's dead."</p>
+
+<p>With a little sigh John
+Hart reached into the desk.
+"That's very odd," he said
+softly. "Because Ingersoll left
+a message for you&mdash;"</p>
+
+<p>Shandor snapped about,
+eyes wide. "Message&mdash;?"</p>
+
+<p>The chubby man handed
+him a small envelope. "Apparently
+he wrote that a long
+time ago. Told his daughter
+to send it to Public Information
+Board immediately in
+event of his death. Read it."</p>
+
+<p>Shandor unfolded the thin
+paper, and blinked unbelieving:</p>
+
+<div class="blockquot"><p><i>In event of my death during
+the next few months, a
+certain amount of biographical
+writing will be inevitable.
+It is my express wish that
+this writing, in whatever form
+it may take, be done by Mr.
+Thomas L. Shandor, staff
+writer of the Federal Public
+Information Board.</i></p>
+
+<p><i>I believe that man alone is
+qualified to handle this assignment.</i></p>
+
+<p class="rgt"><i><span class="sp1">(Signed) David P. Ingersoll</span><br />
+Secretary of State,<br />
+United States of America.</i></p>
+
+<p><i>4 June, 1981</i></p></div>
+
+<p>Shandor read the message
+a second time, then folded it
+carefully and placed it in his
+pocket, his forehead creased.
+"I suppose you want the story
+to be big," he said dully.</p>
+
+<p>Hart's eyes gleamed a moment
+of triumph. "As big as
+you can make it," he said eagerly.
+"Don't spare time or effort,
+Tommy. You'll be relieved
+of all assignments until
+you have it done&mdash;if you'll
+take it."</p>
+
+<p>"Oh, yes," said Shandor
+softly. "I'll take it."</p>
+
+<hr />
+
+<p>He landed the small PIB
+'copter on an airstrip in the
+outskirts of Georgetown, haggled
+with Security officials
+for a few moments, and
+grabbed an old weatherbeaten
+cab, giving the address of the
+Ingersoll estate as he settled
+back in the cushions. A small
+radio was set inside the door;
+he snapped it on, fiddled with
+the dial until he found a PIB
+news report. And as he listened
+he felt his heart sink
+lower and lower, and the old
+familiar feeling of dirtiness
+swept over him, the feeling
+of being a part in an enormous,
+overpowering scheme of
+corruption and degradation.
+The Berlin conference was
+reaching a common meeting
+ground, the report said, with
+Russian, Chinese, and American
+officials making the first
+real progress in the week of
+talks. Hope rising for an early
+armistice on the Indian
+front. Suddenly he hunched
+forward, blinking in surprise
+as the announcer continued
+the broadcast: "The Secretary
+of State, David Ingersoll,
+was stricken with a slight
+head cold this evening on the
+eve of his departure for the
+Berlin Conference, and was
+advised to postpone the trip
+temporarily. John Harris Darby,
+first undersecretary, was
+dispatched in his place. Mr.
+Ingersoll expressed confidence
+that Mr. Darby would
+be able to handle the talks as
+well as himself, in view of the
+optimistic trend in Berlin
+last night&mdash;"</p>
+
+<p>Shandor snapped the radio
+off viciously, a roar of disgust
+rising in his throat, cut
+off just in time. Lies, lies,
+lies. Some people <i>knew</i> they
+were lies&mdash;what could they
+really think? People like David
+Ingersoll's wife&mdash;</p>
+
+<p>Carefully he reined in his
+thoughts, channelled them. He
+had called the Ingersoll home
+the night before, announcing
+his arrival this morning&mdash;</p>
+
+<p>The taxi ground up a gravelled
+driveway, stopped before
+an Army jeep at the iron-grilled
+gateway. A Security
+Officer flipped a cigarette
+onto the ground, shaking his
+head. "Can't go in, Secretary's
+orders."</p>
+
+<p>Shandor stepped from the
+cab, briefcase under his arm.
+He showed his card, scowled
+when the officer continued
+shaking his head. "Orders say
+<i>nobody</i>&mdash;"</p>
+
+<p>"Look, blockhead," Shandor
+grated. "If you want to hang
+by your toes, I can put
+through a special check-line to
+Washington to confirm my
+appointment here. I'll also recommend
+you for the salt
+mines."</p>
+
+<p>The officer growled, "Wise
+guy," and shuffled into the
+guard shack. Minutes later he
+appeared again, jerked his
+thumb toward the estate.
+"Take off," he said. "See that
+you check here at the gate
+before you leave."</p>
+
+<p>He was admitted to the huge
+house by a stone-faced butler,
+who led him through a maze
+of corridors into a huge dining
+room. Morning sunlight
+gleamed through a glassed-in
+wall, and Shandor stopped at
+the door, almost speechless.</p>
+
+<p>He knew he'd seen the girl
+somewhere. At one of the
+Washington parties, or in the
+newspapers. Her face was unmistakable;
+it was the sort of
+face that a man never forgets
+once he glimpses it&mdash;thin,
+puckish, with wide-set grey
+eyes that seemed both somber
+and secretly amused, a full,
+sensitive mouth, and blonde
+hair, exceedingly fine,
+cropped close about her ears.
+She was eating her breakfast,
+a rolled up newspaper by her
+plate, and as she looked up,
+her eyes were not warm. She
+just stared at Shandor angrily
+for a moment, then set down
+her coffee cup and threw the
+paper to the floor with a slam.
+"You're Shandor, I suppose."</p>
+
+<p>Shandor looked at the paper,
+then back at her. "Yes,
+I'm Tom Shandor. But you're
+not Mrs. Ingersoll&mdash;"</p>
+
+<p>"A profound observation.
+Mother isn't interested in seeing
+anyone this morning, particularly
+you." She motioned
+to a chair. "You can talk to
+me if you want to."</p>
+
+<p>Shandor sank down in the
+proffered seat, struggling to
+readjust his thinking. "Well,"
+he said finally. "I&mdash;I wasn't
+expecting you&mdash;" he broke
+into a grin&mdash;"but I should
+think you could help. You
+know what I'm trying to do&mdash;I
+mean, about your father. I
+want to write a story, and
+the logical place to start
+would be with his family&mdash;"</p>
+
+<p>The girl blinked wide eyes
+innocently. "Why don't you
+start with the newspaper
+files?" she asked, her voice
+silky. "You'd find all sorts
+of information about daddy
+there. Pages and pages&mdash;"</p>
+
+<p>"No, no&mdash; I don't want that
+kind of information. You're
+his daughter, Miss Ingersoll,
+you could tell me about him
+as a man. Something about
+his personal life, what sort of
+man he was&mdash;"</p>
+
+<p>She shrugged indifferently,
+buttered a piece of toast, as
+Shandor felt most acutely the
+pangs of his own missed
+breakfast. "He got up at seven
+every morning," she said.
+"He brushed his teeth and ate
+breakfast. At nine o'clock the
+State Department called for
+him&mdash;"</p>
+
+<p>Shandor shook his head unhappily.
+"No, no, that's not
+what I mean."</p>
+
+<p>"Then perhaps you'd tell
+me precisely what you <i>do</i>
+mean?" Her voice was clipped
+and hard.</p>
+
+<p>Shandor sighed in exasperation.
+"The personal angle.
+His likes and dislikes, how he
+came to formulate his views,
+his relationship with his wife,
+with you&mdash;"</p>
+
+<p>"He was a kind and loving
+father," she said, her voice
+mocking. "He loved to read,
+he loved music&mdash;oh, yes, put
+that down, he was a <i>great</i> lover
+of music. His wife was the
+apple of his eye, and he tried,
+for all the duties of his position,
+to provide us with a happy
+home life&mdash;"</p>
+
+<p>"Miss Ingersoll."</p>
+
+<p>She stopped in mid-sentence,
+her grey eyes veiled,
+and shook her head slightly.
+"That's not what you want,
+either?"</p>
+
+<p>Shandor stood up and
+walked to a window, looking
+out over the wide veranda.
+Carefully he snubbed his cigarette
+in an ashtray, then
+turned sharply to the girl.
+"Look. If you want to play
+games, I can play games too.
+Either you're going to help
+me, or you're not&mdash;it's up to
+you. But you forget one
+thing. I'm a propagandist. I
+might say I'm a very expert
+propagandist. I can tell a true
+story from a false one. You
+won't get anywhere lying to
+me, or evading me, and if you
+choose to try, we can call it
+off right now. You know exactly
+the type of information
+I need from you. Your father
+was a great man, and he rates
+a fair shake in the write-ups.
+I'm asking you to help me."</p>
+
+<p>Her lips formed a sneer.
+"And <i>you're</i> going to give him
+a fair shake, I'm supposed to
+believe." She pointed to the
+newspaper. "With garbage
+like that? Head cold!" Her
+face flushed, and she turned
+her back angrily. "I know
+your writing, Mr. Shandor.
+I've been exposed to it for
+years. You've never written an
+honest, true story in your life,
+but you always want the
+truth to start with, don't
+you? I'm to give you the
+truth, and let you do what
+you want with it, is that the
+idea? No dice, Mr. Shandor.
+And you even have the gall
+to brag about it!"</p>
+
+<p>Shandor flushed angrily.
+"You're not being fair. This
+story is going to press
+straight and true, every word
+of it. This is one story that
+won't be altered."</p>
+
+<p>And then she was laughing,
+choking, holding her sides, as
+the tears streamed down her
+cheeks. Shandor watched her,
+reddening, anger growing up
+to choke him. "I'm not joking,"
+he snapped. "I'm breaking
+with the routine, do you
+understand? I'm through
+with the lies now, I'm writing
+this one straight."</p>
+
+<p>She wiped her eyes and
+looked at him, bitter lines
+under her smile. "You couldn't
+do it," she said, still laughing.
+"You're a fool to think so.
+You could write it, and you'd
+be out of a job so fast you
+wouldn't know what hit you.
+But you'd never get it into
+print. And you know it.
+You'd never even get the story
+to the inside offices."</p>
+
+<p>Shandor stared at her.
+"That's what you think," he
+said slowly. "This story will
+get to the press if it kills
+me."</p>
+
+<p>The girl looked up at him,
+eyes wide, incredulous. "You
+<i>mean</i> that, don't you?"</p>
+
+<p>"I never meant anything
+more in my life."</p>
+
+<p>She looked at him, wonderingly,
+motioned him to the
+table, a faraway look in her
+eyes. "Have some coffee," she
+said, and then turned to him,
+her eyes wide with excitement.
+The sneer was gone
+from her face, the coldness
+and hostility, and her eyes
+were pleading. "If there were
+some way to do it, if you really
+meant what you said, if
+you'd really <i>do</i> it&mdash;give people
+a true story&mdash;"</p>
+
+<p>Shandor's voice was low. "I
+told you, I'm sick of this mill.
+There's something wrong with
+this country, something wrong
+with the world. There's a rottenness
+in it, and your father
+was fighting to cut out the
+rottenness. This story is going
+to be straight, and it's
+going to be printed if I get
+shot for treason. And it could
+split things wide open at the
+seams."</p>
+
+<p>She sat down at the table.
+Her lower lip trembled, and
+her voice was tense with excitement.
+"Let's get out of
+here," she said. "Let's go
+someplace where we can
+talk&mdash;"</p>
+
+<hr />
+
+<p>They found a quiet place
+off the business section in
+Washington, one of the newer
+places with the small
+closed booths, catering to
+people weary of eavesdropping
+and overheard conversations.
+Shandor ordered beers,
+then lit a smoke and leaned
+back facing Ann Ingersoll. It
+occurred to him that she was
+exceptionally lovely, but he
+was almost frightened by the
+look on her face, the suppressed
+excitement, the cold,
+bitter lines about her mouth.
+Incongruously, the thought
+crossed his mind that he'd
+hate to have this woman
+against him. She looked as
+though she would be capable
+of more than he'd care to tangle
+with. For all her lovely
+face there was an edge of thin
+ice to her smile, a razor-sharp,
+dangerous quality that made
+him curiously uncomfortable.
+But now she was nervous,
+withdrawing a cigarette from
+his pack with trembling fingers,
+fumbling with his lighter
+until he struck a match
+for her. "Now," he said. "Why
+the secrecy?"</p>
+
+<p>She glanced at the closed
+door to the booth. "Mother
+would kill me if she knew I
+was helping you. She hates
+you, and she hates the Public
+Information Board. I think
+dad hated you, too."</p>
+
+<p>Shandor took the folded letter
+from his pocket. "Then
+what do you think of this?"
+he asked softly. "Doesn't this
+strike you a little odd?"</p>
+
+<p>She read Ingersoll's letter
+carefully, then looked up at
+Tom, her eyes wide with surprise.
+"So this is what that
+note was. This doesn't wash,
+Tom."</p>
+
+<p>"You're telling me it doesn't
+wash. Notice the wording. 'I
+believe that man alone is
+qualified to handle this assignment.'
+Why me? And of
+all things, why me <i>alone</i>? He
+knew my job, and he fought
+me and the PIB every step of
+his career. Why a note like
+this?"</p>
+
+<p>She looked up at him. "Do
+you have any idea?"</p>
+
+<p>"Sure, I've got an idea. A
+crazy one, but an idea. I don't
+think he wanted me because of
+the writing. I think he wanted
+me because I'm a propagandist."</p>
+
+<p>She scowled. "It still doesn't
+wash. There are lots of propagandists&mdash;and
+why would he want a propagandist?"</p>
+
+<p>Shandor's eyes narrowed.
+"Let's let it ride for a moment.
+How about his files?"</p>
+
+<p>"In his office in the State
+Department."</p>
+
+<p>"He didn't keep anything
+personal at home?"</p>
+
+<p>Her eyes grew wide. "Oh,
+no, he wouldn't have dared.
+Not the sort of work he was
+doing. With his files under
+lock and key in the State Department
+nothing could be
+touched without his knowledge,
+but at home anybody
+might have walked in."</p>
+
+<p>"Of course. How about
+enemies? Did he have any particular
+enemies?"</p>
+
+<p>She laughed humorlessly.
+"Name anybody in the current
+administration. I think he had
+more enemies than anybody
+else in the cabinet." Her
+mouth turned down bitterly.
+"He was a stumbling block.
+He got in people's way, and
+they hated him for it. They
+killed him for it."</p>
+
+<p>Shandor's eyes widened.
+"You mean you think he was
+murdered?"</p>
+
+<p>"Oh, no, nothing so crude.
+They didn't have to be crude.
+They just let him butt his
+head against a stone wall.
+Everything he tried was
+blocked, or else it didn't lead
+anywhere. Like this Berlin
+Conference. It's a powder keg.
+Dad gambled everything on
+going there, forcing the delegates
+to face facts, to really
+put their cards on the table.
+Ever since the United Nations
+fell apart in '72 dad had been
+trying to get America and
+Russia to sit at the same table.
+But the President cut him
+out at the last minute. It was
+planned that way, to let him
+get up to the very brink of it,
+and then slap him down hard.
+They did it all along. This
+was just the last he could
+take."</p>
+
+<p>Shandor was silent for a
+moment. "Any particular
+thorns in his side?"</p>
+
+<p>Ann shrugged. "Munitions
+people, mostly. Dartmouth
+Bearing had a pressure lobby
+that was trying to throw him
+out of the cabinet. The President
+sided with them, but he
+didn't dare do it for fear the
+people would squawk. He was
+planning to blame the failure
+of the Berlin Conference on
+dad and get him ousted that
+way."</p>
+
+<p>Shandor stared. "But if that
+conference fails, <i>we're in full-scale
+war</i>!"</p>
+
+<p>"Of course. That's the
+whole point." She scowled at
+her glass, blinking back tears.
+"Dad could have stopped it,
+but they wouldn't let him. <i>It
+killed him</i>, Tom!"</p>
+
+<p>Shandor watched the smoke
+curling up from his cigarette.
+"Look," he said. "I've got an
+idea, and it's going to take
+some fast work. That conference
+could blow up any minute,
+and then I think we're
+going to be in real trouble. I
+want you to go to your father's
+office and get the contents
+of his personal file. Not
+the business files, his personal
+files. Put them in a briefcase
+and subway-express
+them to your home. If you
+have any trouble, have them
+check with PIB&mdash;we have full
+authority, and I'm it right
+now. I'll call them and give
+them the word. Then meet me
+here again, with the files, at
+7:30 this evening."</p>
+
+<p>She looked up, her eyes
+wide. "What&mdash;what are you
+going to do?"</p>
+
+<p>Shandor snubbed out his
+smoke, his eyes bright. "I've
+got an idea that we may be
+onto something&mdash;just something
+I want to check. But I
+think if we work it right, we
+can lay these boys that fought
+your father out by the toes&mdash;"</p>
+
+<hr />
+
+<p>The Library of Congress
+had been moved when the
+threat of bombing in Washington
+had become acute.
+Shandor took a cab to the
+Georgetown airstrip, checked
+the fuel in the 'copter. Ten
+minutes later he started the
+motor, and headed upwind
+into the haze over the hills.
+In less than half an hour he
+settled to the Library landing
+field in western Maryland,
+and strode across to the rear
+entrance.</p>
+
+<p>The electronic cross-index
+had been the last improvement
+in the Library since
+the war with China had started
+in 1958. Shandor found a
+reading booth in one of the
+alcoves on the second floor,
+and plugged in the index.
+The cold, metallic voice of
+the automatic chirped twice
+and said, "Your reference,
+pleeyuz."</p>
+
+<p>Shandor thought a moment.
+"Give me your newspaper
+files on David Ingersoll, Secretary
+of State."</p>
+
+<p>"Through which dates,
+pleeyuz."</p>
+
+<p>"Start with the earliest reference,
+and carry through to
+current." The speaker burped,
+and he sat back, waiting. A
+small grate in the panel before
+him popped open, and a small
+spool plopped out onto a
+spindle. Another followed,
+and another. He turned to the
+reader, and reeled the first
+spool into the intake slot.
+The light snapped on, and he
+began reading.</p>
+
+<p>Spools continued to plop
+down. He read for several
+hours, taking a dozen pages
+of notes. The references commenced
+in June, 1961, with a
+small notice that David Ingersoll,
+Republican from New
+Jersey, had been nominated to
+run for state senator. Before
+that date, nothing. Shandor
+scowled, searching for some
+item predating that one. He
+found nothing.</p>
+
+<p>Scratching his head, he
+continued reading, outlining
+chronologically. Ingersoll's
+election to state senate, then
+to United States Senate. His
+rise to national prominence as
+economist for the post-war
+Administrator of President
+Drayton in 1966. His meteoric
+rise as a peacemaker in a nation
+tired from endless dreary
+years of fighting in China
+and India. His tremendous
+popularity as he tried to stall
+the re-intensifying cold-war
+with Russia. The first Nobel
+Peace Prize, in 1969, for the
+ill-fated Ingersoll Plan for
+World Sovereignty. Pages
+and pages and pages of newsprint.
+Shandor growled angrily,
+surveying the pile of
+notes with a sinking feeling
+of incredulity. The articles,
+the writing, the tone&mdash;it was
+all too familiar. Carefully he
+checked the newspaper sources.
+Some of the dispatches
+were Associated Press; many
+came direct desk from Public
+Information Board in New
+York; two other networks
+sponsored some of the wordage.
+But the tone was all the
+same.</p>
+
+<p>Finally, disgusted, Tom
+stuffed the notes into his
+briefcase, and flipped down
+the librarian lever. "Sources,
+please."</p>
+
+<p>A light blinked, and in a
+moment a buzzer sounded at
+his elbow. A female voice,
+quite human, spoke as he
+lifted the receiver. "Can I
+help you on sources?"</p>
+
+<p>"Yes. I've been reading the
+newspaper files on David Ingersoll.
+I'd like the by-lines
+on this copy."</p>
+
+<p>There was a moment of silence.
+"Which dates, please?"</p>
+
+<p>Shandor read off his list,
+giving dates. The silence continued
+for several minutes as
+he waited impatiently. He was
+about to hang up and leave
+when the voice spoke up
+again. "I'm sorry, sir. Most of
+that material has no by-line.
+Except for one or two items
+it's all staff-written."</p>
+
+<p>"By whom?"</p>
+
+<p>"I'm sorry, no source is
+available. Perhaps the PIB
+offices could help you&mdash;"</p>
+
+<p>"All right, ring them for
+me, please." He waited another
+five minutes, saw the PIB
+cross-index clerk appear on
+the video screen. "Hello, Mr.
+Shandor. Can I help you?"</p>
+
+<p>"I'm trying to trace down
+the names of the Associated
+Press and PIB writers who
+covered stories on David Ingersoll
+over a period from
+June 1961 to the present
+date&mdash;"</p>
+
+<p>The girl disappeared for
+several moments. When she
+reappeared, her face was puzzled.
+"Why, Mr. Shandor,
+you've been doing the work on
+Ingersoll from August, 1978
+to Sept. 1982. We haven't
+closed the files on this last
+month yet&mdash;"</p>
+
+<p>He scowled in annoyance.
+"Yes, yes, I know that. I want
+the writers before I came."</p>
+
+<p>The clerk paused. "Until
+you started your work there
+was no definite assignment.
+The information just isn't
+here. But the man you replaced
+in PIB was named
+Frank Mariel."</p>
+
+<p>Shandor turned the name
+over in his mind, decided that
+it was familiar, but that he
+couldn't quite place it.
+"What's this man doing
+now?"</p>
+
+<p>The girl shrugged. "I don't
+know, just now, and have no
+sources. But according to our
+files he left Public Information
+Board to go to work in
+some capacity for Dartmouth
+Bearing Corporation."</p>
+
+<p>Shandor flipped the switch,
+and settled back in the reading
+chair. Once again he fingered
+through his notes,
+frowning, a doubt gnawing
+through his mind into certainty.
+He took up a dozen of the
+stories, analyzed them carefully,
+word for word, sentence
+by sentence. Then he sat
+back, his body tired, eyes
+closed in concentration, an
+incredible idea twisting and
+writhing and solidifying in
+his mind.</p>
+
+<p>It takes one to catch one.
+That was his job&mdash;telling lies.
+Writing stories that weren't
+true, and making them believable.
+Making people think
+one thing when the truth was
+something else. It wasn't so
+strange that he could detect
+exactly the same sort of
+thing when he ran into it.
+He thought it through again
+and again, and every time he
+came up with the same answer.
+There was no doubt.</p>
+
+<p>Reading the newspaper files
+had accomplished only one
+thing. He had spent the afternoon
+reading a voluminous,
+neat, smoothly written, extremely
+convincing batch of
+bold-faced lies. Lies about
+David Ingersoll. Somewhere,
+at the bottom of those lies
+was a shred or two of truth,
+a shred hard to analyze, impossible
+to segregate from the
+garbage surrounding it. But
+somebody had written the lies.
+That meant that somebody
+knew the truths behind them.</p>
+
+<p>Suddenly he galvanized into
+action. The video blinked protestingly
+at his urgent summons,
+and the Washington visiphone
+operator answered.
+"Somewhere in those listings
+of yours," Shandor said,
+"you've got a man named
+Frank Mariel. I want his
+number."</p>
+
+<hr />
+
+<p>He reached the downtown
+restaurant half an hour early,
+and ducked into a nearby visiphone
+station to ring Hart.
+The PIB director's chubby
+face materialized on the
+screen after a moment's confusion,
+and Shandor said:
+"John&mdash;what are your plans
+for releasing the Ingersoll
+story? The morning papers
+left him with a slight head
+cold, if I remember right&mdash;"
+Try as he would, he couldn't
+conceal the edge of sarcasm
+in his voice.</p>
+
+<p>Hart scowled. "How's the
+biography coming?"</p>
+
+<p>"The biography's coming
+along fine. I want to know
+what kind of quicksand I'm
+wading through, that's all."</p>
+
+<p>Hart shrugged and spread
+his hands. "We can't break the
+story proper until you're
+ready with your buffer story.
+Current plans say that he
+gets pneumonia tomorrow,
+and goes to Walter Reed tomorrow
+night. We're giving it
+as little emphasis as possible,
+running the Berlin Conference
+stories for right-hand
+column stuff. That'll give
+you all day tomorrow and half
+the next day for the preliminary
+stories on his death.
+Okay?"</p>
+
+<p>"That's not enough time."
+Shandor's voice was tight.</p>
+
+<p>"It's enough for a buffer-release."
+Hart scowled at him,
+his round face red and annoyed.
+"Look, Tom, you get
+that story in, and never mind
+what you like or don't like.
+This is dynamite you're playing
+with&mdash;the Conference is
+going to be on the rocks in a
+matter of hours&mdash;that's
+straight from the Undersecretary&mdash;and
+on top of it all,
+there's trouble down in Arizona&mdash;"</p>
+
+<p>Shandor's eyes widened.
+"The Rocket Project&mdash;?"</p>
+
+<p>Hart's mouth twisted. "Sabotage.
+They picked up a
+whole ring that's been operating
+for over a year. Caught
+them red-handed, but not before
+they burnt out half a
+calculator wing. They'll have
+to move in new machines now
+before they can go on&mdash;set
+the Project back another week,
+and that could lose the war
+for us right there. Now <i>get
+that story in</i>." He snapped
+the switch down, leaving
+Shandor blinking at the darkened
+screen.</p>
+
+<p>Ten minutes later Ann Ingersoll
+joined him in the restaurant
+booth. She was wearing
+a chic white linen outfit,
+with her hair fresh, like a
+blonde halo around her head
+in the fading evening light.
+Her freshness contrasted painfully
+with Tom's curling collar
+and dirty tie, and he suddenly
+wished he'd picked up a
+shave. He looked up and
+grunted when he saw the fat
+briefcase under the girl's arm,
+and she dropped it on the table
+between them and sank
+down opposite him, studying
+his face. "The reading didn't
+go so well," she said.</p>
+
+<p>"The reading went lousy,"
+he admitted sheepishly. "This
+the personal file?"</p>
+
+<p>She nodded shortly and lit
+a cigarette. "The works. They
+didn't even bother me. But I
+can't see why all the precaution&mdash; I
+mean, the express and
+all that&mdash;"</p>
+
+<p>Shandor looked at her
+sharply. "If what you said
+this morning was true, that
+file is a gold mine, for us,
+but more particularly, for
+your father's enemies. I'll go
+over it closely when I get out
+of here. Meantime, there are
+one or two other things I want
+to talk over with you."</p>
+
+<p>She settled herself, and
+grinned. "Okay, boss. Fire
+away."</p>
+
+<p>He took a deep breath, and
+tiredness lined his face. "First
+off: what did your father do
+before he went into politics?"</p>
+
+<p>Her eyes widened, and she
+arrested the cigarette halfway
+to her mouth, put it back on
+the ashtray, with a puzzled
+frown on her face. "That's
+funny," she said softly. "I
+thought I knew, but I guess
+I don't. He was an industrialist&mdash;way,
+far back, years
+and years ago, when I was
+just a little brat&mdash;and then
+we got into the war with China,
+and I don't know what he
+did. He was always making
+business trips; I can remember
+going to the airport with
+mother to meet him, but I
+don't know what he did.
+Mother always avoided talking
+about him, and I never
+got to see him enough to
+talk&mdash;"</p>
+
+<p>Shandor sat forward, his
+eyes bright. "Did he ever entertain
+any business friends
+during that time&mdash;any that
+you can remember?"</p>
+
+<p>She shook her head. "I
+can't remember. Seems to me a
+man or two came home with
+him on a couple of occasions,
+but I don't know who. I don't
+remember much before the
+night he came home and said
+he was going to run for Congress.
+Then there were people
+galore&mdash;have been ever since."</p>
+
+<p>"And what about his work
+at the end of the China war?
+After he was elected, while he
+was doing all that work to
+try to smooth things out with
+Russia&mdash;can you remember
+him saying anything, to you,
+or to your mother, about
+<i>what</i> he was doing, and how?"</p>
+
+<p>She shook her head again.
+"Oh, yes, he'd talk&mdash;he and
+mother would talk&mdash;sometimes
+argue. I had the feeling
+that things weren't too well
+with mother and dad many
+times. But I can't remember
+anything specific, except that
+he used to say over and over
+how he hated the thought of
+another war. He was afraid it
+was going to come&mdash;"</p>
+
+<p>Shandor looked up sharply.
+"But he hated it&mdash;"</p>
+
+<p>"Yes." Her eyes widened.
+"Oh, yes, he hated it. Dad
+was a good man, Tom. He believed
+with all his heart that
+the people of the world wanted
+peace, and that they were
+being dragged to war because
+they couldn't find any purpose
+to keep them from it. He
+believed that if the people of
+the world had a cause, a purpose,
+a driving force, that
+there wouldn't be any more
+wars. Some men fought him
+for preaching peace, but he
+wouldn't be swayed. Especially
+he hated the pure-profit
+lobbies, the patriotic drum-beaters
+who stood to get rich
+in a war. But dad had to die,
+and there aren't many men
+like him left now, I guess."</p>
+
+<p>"I know." Shandor fell silent,
+stirring his coffee glumly.
+"Tell me," he said, "did
+your father have anything to
+do with a man named Mariel?"</p>
+
+<p>Ann's eyes narrowed.
+"Frank Mariel? He was the
+newspaper man. Yes, dad had
+plenty to do with him. He
+hated dad's guts, because dad
+fought his writing so much.
+Mariel was one of the 'fight
+now and get rich' school
+that were continually plaguing
+dad."</p>
+
+<p>"Would you say that they
+were enemies?"</p>
+
+<p>She bit her lip, wrinkling
+her brow in thought. "Not at
+first. More like a big dog with
+a little flea, at first. Mariel
+pestered dad, and dad tried
+to scratch him away. But
+Mariel got into PIB, and
+then I suppose you could call
+them enemies&mdash;"</p>
+
+<p>Shandor sat back, frowning,
+his face dark with fatigue.
+He stared at the table
+top for a long moment, and
+when he looked up at the girl
+his eyes were troubled.
+"There's something wrong
+with this," he said softly. "I
+can't quite make it out, but it
+just doesn't look right. Those
+newspaper stories I read&mdash;pure
+bushwa, from beginning
+to end. I'm dead certain of
+it. And yet&mdash;" he paused,
+searching for words. "Look.
+It's like I'm looking at a jigsaw
+puzzle that <i>looks</i> like it's
+all completed and lying out
+on the table. But there's
+something that tells me I'm
+being foxed, that it isn't a
+complete puzzle at all, just
+an illusion, yet somehow I
+can't even tell for sure where
+pieces are missing&mdash;"</p>
+
+<p>The girl leaned over the
+table, her grey eyes deep with
+concern. "Tom," she said, almost
+in a whisper. "Suppose
+there <i>is</i> something, Tom.
+Something big, what's it going
+to do to <i>you</i>, Tom? You
+can't fight anything as powerful
+as PIB, and these men
+that hated dad could break
+you."</p>
+
+<p>Tom grinned tiredly, his
+eyes far away. "I know," he
+said softly. "But a man can
+only swallow so much. Somewhere,
+I guess, I've still got a
+conscience&mdash;it's a nuisance,
+but it's still there." He looked
+closely at the lovely girl
+across from him. "Maybe it's
+just that I'm tired of being
+sick of myself. I'd like to <i>like</i>
+myself for a change. I haven't
+liked myself for years." He
+looked straight at her, his
+voice very small in the still
+booth. "I'd like some other
+people to like me, too. So I've
+got to keep going&mdash;"</p>
+
+<p>Her hand was in his, then,
+grasping his fingers tightly,
+and her voice was trembling.
+"I didn't think there was anybody
+left like that," she said.
+"Tom, you aren't by yourself&mdash;remember
+that. No matter
+what happens, I'm with you
+all the way. I'm&mdash;I'm afraid,
+but I'm with you."</p>
+
+<p>He looked up at her then,
+and his voice was tight. "Listen,
+Ann. Your father planned
+to go to Berlin before he died.
+What was he going to <i>do</i> if
+he went to the Berlin Conference?"</p>
+
+<p>She shrugged helplessly.
+"The usual diplomatic fol-de-rol,
+I suppose. He always&mdash;"</p>
+
+<p>"No, no&mdash;that's not right.
+He wanted to go so badly
+that he died when he wasn't
+allowed to, Ann. He must have
+had something in mind, something
+concrete, something tremendous.
+Something that
+would have changed the picture
+a great deal."</p>
+
+<p>And then she was staring at
+Shandor, her face white, grey
+eyes wide. "Of course he had
+something," she exclaimed.
+"He <i>must</i> have&mdash;oh, I don't
+know what, he wouldn't say
+what was in his mind, but
+when he came home after that
+meeting with the President he
+was furious&mdash; I've never seen
+him so furious, Tom, he was
+almost out of his mind with
+anger, and he paced the floor,
+and, swore and nearly tore the
+room apart. He wouldn't speak
+to anyone, just stamped
+around and threw things. And
+then we heard him cry out,
+and when we got to him he
+was unconscious on the floor,
+and he was dead when the doctor
+came&mdash;" She set her glass
+down with trembling fingers.
+"He had something big, Tom,
+I'm sure of it. He had some
+information that he planned
+to drop on the conference table
+with such a bang it would
+stop the whole world cold. <i>He
+knew something</i> that the conference
+doesn't know&mdash;"</p>
+
+<p>Tom Shandor stood up,
+trembling, and took the briefcase.
+"It should be here," he
+said. "If not the whole story,
+at least the missing pieces."
+He started for the booth door.
+"Go home," he said. "I'm going
+where I can examine these
+files without any interference.
+Then I'll call you." And then
+he was out the door, shouldering
+his way through the
+crowded restaurant, frantically
+weaving his way to the
+street. He didn't hear Ann's
+voice as she called after him
+to stop, didn't see her stop at
+the booth door, watch in a
+confusion of fear and tenderness,
+and collapse into the
+booth, sobbing as if her heart
+would break. Because a crazy,
+twisted, impossible idea was
+in his mind, an idea that had
+plagued him since he had
+started reading that morning,
+an idea with an answer, an
+acid test, folded in the briefcase
+under his arm. He
+bumped into a fat man at the
+bar, grunted angrily, and finally
+reached the street, whistled
+at the cab that lingered
+nearby.</p>
+
+<p>The car swung up before
+him, the door springing open
+automatically. He had one
+foot on the running board before
+he saw the trap, saw the
+tight yellowish face and the
+glittering eyes inside the cab.
+Suddenly there was an explosion
+of bright purple brilliance,
+and he was screaming,
+twisting and screaming and
+reeling backward onto the
+sidewalk, doubled over with
+the agonizing fire that burned
+through his side and down one
+leg, forcing scream after
+scream from his throat as he
+blindly staggered to the wall
+of the building, pounded it
+with his fists for relief from
+the searing pain. And then he
+was on his side on the sidewalk,
+sobbing, blubbering incoherently
+to the uniformed
+policeman who was dragging
+him gently to his feet, seeing
+through burning eyes the
+group of curious people gathering
+around. Suddenly realization
+dawned through the
+pain, and he let out a cry of
+anger and bolted for the curb,
+knocking the policeman aside,
+his eyes wild, searching the
+receding stream of traffic for
+the cab, a picture of the occupant
+burned indelibly into his
+mind, a face he had seen, recognized.
+The cab was gone, he
+knew, gone like a breath of
+wind. The briefcase was also
+gone&mdash;</p>
+
+<hr />
+
+<p>He gave the address of the
+Essex University Hospital to
+the cabby, and settled back in
+the seat, gripping the hand-guard
+tightly to fight down
+the returning pain in his side
+and leg. His mind was whirling,
+fighting in a welter of
+confusion, trying to find
+some avenue of approach,
+some way to make sense of
+the mess. The face in the cab
+recurred again and again before
+his eyes, the gaunt, putty-colored
+cheeks, the sharp
+glittering eyes. His acquaintance
+with Frank Mariel had
+been brief and unpleasant, in
+the past, but that was a face
+he would never forget. But
+how could Mariel have known
+where he would be, and when?
+There was precision in that attack,
+far too smooth precision
+ever to have been left to
+chance, or even to independent
+planning. His mind skirted
+the obvious a dozen times,
+and each time rejected it angrily.
+Finally he knew he
+could no longer reject the
+thought, the only possible answer.
+Mariel had known
+where he would be, and at
+what time. Therefore, someone
+must have told him.</p>
+
+<p>He stiffened in the seat, the
+pain momentarily forgotten.
+Only one person could have
+told Mariel. Only one person
+knew where the file was, and
+where it would be after he
+left the restaurant&mdash;he felt
+cold bitterness creep down his
+spine. She had known, and
+sat there making eyes at him,
+and telling him how wonderful
+he was, how she was with
+him no matter what happened&mdash;and
+she'd already sold him
+down the river. He shook his
+head angrily, trying to keep
+his thoughts on a rational
+plane. <i>Why?</i> Why had she
+strung him along, why had
+she even started to help him?
+And why, above all, turn
+against her own father?</p>
+
+<p>The Hospital driveway
+crunched under the cab, and
+he hopped out, wincing with
+every step, and walked into a
+phone booth off the lobby. He
+gave a name, and in a moment
+heard the P.A. system echoing it:
+"Dr. Prex; calling Dr. Prex."
+In a moment he heard a receiver
+click off, and a familiar
+voice said, "Prex speaking."</p>
+
+<p>"Prex, this is Shandor. Got
+a minute?"</p>
+
+<p>The voice was cordial.
+"Dozens of them. Where are
+you?"</p>
+
+<p>"I'll be up in your quarters."
+Shandor slammed down the
+receiver and started for the
+elevator to the Resident Physicians'
+wing.</p>
+
+<p>He let himself in by a key,
+and settled down in the darkened
+room to wait an eternity
+before a tall, gaunt man
+walked in, snapped on a light,
+and loosened the white jacket
+at his neck. He was a young
+man, no more than thirty, with
+a tired, sober face and jet
+black hair falling over his
+forehead. His eyes lighted as
+he saw Shandor, and he
+grinned. "You look like you've
+been through the mill. What
+happened?"</p>
+
+<p>Shandor stripped off his
+clothes, exposing the angry
+red of the seared skin. The
+tall man whistled softly, the
+smile fading. Carefully he examined
+the burned area, his
+fingers gentle on the tender
+surface, then he turned troubled
+eyes to Shandor. "You've
+been messing around with dirty
+guys, Tom. Nobody but a
+real dog would turn a scalder
+on a man." He went to a cupboard,
+returned with a jar of
+salve and bandages.</p>
+
+<p>"Is it serious?" Shandor's
+face was deathly white. "I've
+been fighting shock with thiamin
+for the last hour, but I
+don't think I can hold out
+much longer."</p>
+
+<p>Prex shrugged. "You didn't
+get enough to do any permanent
+damage, if that's what
+you mean. Just fried the pain-receptors
+in your skin to a
+crisp, is all. A little dose is
+so painful you can't do anything
+but holler for a while,
+but it won't hurt you permanently
+unless you get it all
+over you. Enough can kill
+you." He dressed the burned
+areas carefully, then bared
+Shandor's arm and used a
+pressure syringe for a moment.
+"Who's using one of
+those things?"</p>
+
+<p>Shandor was silent for a
+moment. Then he said, "Look,
+Prex. I need some help, badly."
+His eyes looked up in
+dull anger. "I'm going to see a
+man tonight, and I want him
+to talk, hard and fast. I don't
+care right now if he nearly
+dies from pain, but I want him
+to talk. I need somebody
+along who knows how to make
+things painful."</p>
+
+<p>Prex scowled, and pointed
+to the burn. "This the man?"</p>
+
+<p>"That's the man."</p>
+
+<p>Prex put away the salve. "I
+suppose I'll help you, then.
+Is this official, or grudge?"</p>
+
+<p>"A little of both. Look,
+Prex, I know this is a big favor
+to ask, but it's on the level.
+Believe me, it's square,
+nothing shady about it. The
+method may not be legal, but
+the means are justified. I can't
+tell you what's up, but I'm
+asking you to trust me."</p>
+
+<p>Prex grinned. "You say it's
+all right, it's all right. When?"</p>
+
+<p>Shandor glanced at his
+watch. "About 3:00 this morning,
+I think. We can take
+your car."</p>
+
+<p>They talked for a while,
+and a call took the doctor
+away. Shandor slept a little,
+then made some black coffee.
+Shortly before three the two
+men left the Hospital by the
+Physicians' entrance, and
+Prex's little beat-up Dartmouth
+slid smoothly into the
+desultory traffic for the suburbs.</p>
+
+<hr />
+
+<p>The apartment was small
+and neatly furnished. Shandor
+and the Doctor had been admitted
+by a sleepy doorman
+who had been jolted to sudden
+attention by Tom's PIB card,
+and after five minutes pounding
+on the apartment door, a
+sleepy-eyed man opened the
+door a crack. "Say, what's the
+idea pounding on a man's door
+at this time of night? Haven't
+you&mdash;"</p>
+
+<p>Shandor gave the door a
+shove with his shoulder, driving
+it open into the room.
+"Shut up," he said bluntly.
+He turned so the light struck
+his face, and the little man's
+jaw dropped in astonishment.
+"Shandor!" he whispered.</p>
+
+<p>Frank Mariel looked like a
+weasel&mdash;sallow, sunken-cheeked,
+with a yellowish cast
+to his skin that contrasted unpleasantly
+with the coal black
+hair. "That's right," said Shandor.
+"We've come for a little
+talk. Meet the doctor."</p>
+
+<p>Mariel's eyes shifted momentarily
+to Prex's stoney
+face, then back to Shandor,
+ghosts of fear creeping across
+his face. "What do you
+want?"</p>
+
+<p>"I've come for the files."</p>
+
+<p>The little man scowled.
+"You've come to the wrong
+man. I don't have any files."</p>
+
+<p>Prex carefully took a small
+black case from his pocket,
+unsnapped a hinge, and a
+small, shiny instrument fell
+out in his hand. "The files,"
+said Shandor. "Who has
+them?"</p>
+
+<p>"I&mdash;I don't know&mdash;"</p>
+
+<p>Shandor smashed a fist into
+the man's face, viciously,
+knocking him reeling to the
+floor. "You tried to kill me
+tonight," he snarled. "You
+should have done it up right.
+You should stick to magazine
+editing and keep your nose
+out of dirty games, Mariel.
+Who has the files?"</p>
+
+<p>Mariel picked himself up,
+trembling, met Shandor's fist,
+and sprawled again, a trickle
+of blood appearing at his
+mouth. "Harry Dartmouth has
+the files," he groaned.
+"They're probably in Chicago
+now."</p>
+
+<p>"What do you know about
+Harry Dartmouth?"</p>
+
+<p>Mariel gained a chair this
+time before Shandor hit him.
+"I've only met him a couple
+of times. He's the president of
+Dartmouth Bearing Corporation
+and he's my boss&mdash;Dartmouth
+Bearing publishes
+'<i>Fighting World</i>.' I do what
+he tells me."</p>
+
+<p>Shandor's eyes flared. "Including
+murder, is that
+right?" Mariel's eyes were
+sullen. "Come on, talk! Why
+did Dartmouth want Ingersoll's
+personal files?"</p>
+
+<p>The man just stared sullenly
+at the floor. Prex pressed
+a stud on the side of the shiny
+instrument, and a purple
+flash caught Mariel's little
+finger. Mariel jerked and
+squealed with pain. "Speak
+up," said Shandor. "I didn't
+hear you."</p>
+
+<p>"Probably about the bonds,"
+Mariel whimpered. His face
+was ashen, and he eyed Prex
+with undisguised pleading.
+"Look, tell him to put that
+thing away&mdash;"</p>
+
+<p>Shandor grinned without
+humor. "You don't like scalders,
+eh? Get a big enough
+dose, and you're dead, Mariel&mdash;but
+I guess you know that,
+don't you? Think about it. But
+don't think too long. What
+about the bonds?"</p>
+
+<p>"Ingersoll has been trying
+to get Dartmouth Bearing
+Corporation on legal grounds
+for years. Something about
+the government bonds they
+held, bought during the China
+wars. You know, surplus profits&mdash;Dartmouth
+Bearing
+could beat the taxes by buying
+bonds. Harry Dartmouth
+thought Ingersoll's files had
+some legal dope against them&mdash;he
+was afraid you'd try to
+make trouble for the company&mdash;"</p>
+
+<p>"So he hired his little pixie,
+eh? Seems to me you'd
+have enough on your hands
+editing that rag&mdash;"</p>
+
+<p>Mariel shot him an injured
+look. "'<i>Fighting World</i>' has
+the second largest magazine
+circulation in the country. It's
+a good magazine."</p>
+
+<p>"It's a warmonger propaganda
+rag," snapped Shandor.
+He glared at the little man.
+"What's your relation to Ingersoll?"</p>
+
+<p>"I hated his guts. He was
+carrying his lily-livered pacifism
+right to the White House,
+and I couldn't see it. So I
+fought him every inch of the
+way. I'll fight what he stands
+for now he's dead&mdash;"</p>
+
+<p>Shandor's eyes narrowed.
+"That was a mistake, Mariel.
+You weren't supposed to know
+he is dead." He walked over
+to the little man, whose face
+was a shade whiter yet. "Funny,"
+said Shandor quietly.
+"You say you hated him, but
+I didn't get that impression at
+all."</p>
+
+<p>Mariel's eyes opened wide.
+"What do you mean?"</p>
+
+<p>"Everything you wrote for
+PIB seems to have treated him
+kindly."</p>
+
+<p>A shadow of deep concern
+crossed Mariel's face, as
+though for the first time he
+found himself in deep water.
+"PIB told me what to write,
+and I wrote it. You know how
+they work."</p>
+
+<p>"Yes, I know how they
+work. I also know that most of
+your writing, while you were
+doing Public Information
+Board work, was never ordered
+by PIB. Ever hear of
+Ben Chamberlain, Mariel? Or
+Frank Eberhardt? Or Jon
+Harding? Ever hear of them,
+Mariel?" Shandor's voice cut
+sharply through the room.
+"Ben Chamberlain wrote for
+every large circulation magazine
+in the country, after the
+Chinese war. Frank Eberhardt
+was the man behind Associated
+Press during those
+years. Jon Harding was the
+silent publisher of three
+newspapers in Washington,
+two in New York, and one in
+Chicago. Ever hear of those
+men, Mariel?"</p>
+
+<p>"No, no&mdash;"</p>
+
+<p>"You know damned well
+you've heard of them. Because
+<i>those men were all you</i>. Every
+single one of them&mdash;" Shandor
+was standing close to him,
+now, and Mariel sat like he
+had seen a ghost, his lower
+lip quivering, forehead wet.
+"No, no, you're wrong&mdash;"</p>
+
+<p>"No, no, I'm right," mocked
+Shandor. "I've been in the
+newspaper racket for a long
+time, Mariel. I've got friends
+in PIB&mdash;real friends, not the
+shamus crowd you're acquainted
+with that'll take you
+for your last nickel and then
+leave you to starve. Never
+mind how I found out. You
+hated Ingersoll so much you
+handed him bouquets all the
+time. How about it, Mariel?
+All that writing&mdash;you couldn't
+praise him enough. Boosting
+him, beating the drum for him
+and his policies&mdash;every trick
+and gimmick known in the
+propaganda game to give him
+a boost, make him the people's
+darling&mdash;how about it?"</p>
+
+<p>Mariel was shaking his
+head, his little eyes nearly
+popping with fright. "It
+wasn't him," he choked. "Ingersoll
+had nothing to do
+with it. It was Dartmouth
+Bearing. They bought me
+into the spots. Got me the
+newspapers, supported me.
+Dartmouth Bearing ran the
+whole works, and they told
+me what to write&mdash;"</p>
+
+<p>"Garbage! Dartmouth Bearing&mdash;the
+biggest munitions
+people in America, and I'm
+supposed to believe that they
+told you to go to bat for the
+country's strongest pacifist!
+What kind of sap do you take
+me for?"</p>
+
+<p>"It's true! Ingersoll had
+nothing to do with it, nothing
+at all." Mariel's voice was
+almost pleading. "Look, I
+don't know what Dartmouth
+Bearing had in mind. Who
+was I to ask questions? You
+don't realize their power,
+Shandor. Those bonds I spoke
+of&mdash;they hold millions of dollars
+worth of bonds! They
+hold enough bonds to topple
+the economy of the nation,
+they've got bonds in the
+names of ten thousand subsidiary
+companies. They've
+been telling Federal Economics
+Commission what to do
+for the past ten years! And
+they're getting us into this
+war, Shandor&mdash;lock, stock
+and barrel. They pushed for
+everything they could get,
+and they had the money, the
+power, the men to do whatever
+they wanted. You
+couldn't fight them, because
+they had everything sewed
+up so tight nobody could approach
+them&mdash;"</p>
+
+<p>Shandor's mind was racing,
+the missing pieces beginning,
+suddenly, to come
+out of the haze. The incredible,
+twisted idea broke
+through again, staggering
+him, driving through his
+mind like icy steel. "Listen,
+Mariel. I swear I'll kill you
+if you lie to me, so you'd
+better tell the truth. Who
+put you on my trail? Who
+told you Ingersoll was dead,
+and that I was scraping up
+Ingersoll's past?"</p>
+
+<p>The little man twisted his
+hands, almost in tears. "Harry
+Dartmouth told me&mdash;"</p>
+
+<p>"And who told Harry
+Dartmouth?"</p>
+
+<p>Mariel's voice was so weak
+it could hardly be heard.
+"The girl," he said.</p>
+
+<p>Shandor felt the chill
+deepen. "And where are the
+files now?"</p>
+
+<p>"Dartmouth has them. Probably
+in Chicago&mdash;I expressed
+them. The girl didn't
+dare send them direct, for
+fear you would check, or that
+she was being watched. I
+was supposed to pick them
+up from you, and see to it
+that you didn't remember&mdash;"</p>
+
+<p>Shandor clenched his fist.
+"Where are Dartmouth's
+plants located?"</p>
+
+<p>"The main plants are in
+Chicago and Newark. They've
+got a smaller one in Nevada."</p>
+
+<p>"And what do they make?"</p>
+
+<p>"In peacetime&mdash;cars. In wartime
+they make tanks and
+shells."</p>
+
+<p>"And their records? Inventories?
+Shipping orders,
+and files? Where do they
+keep them?"</p>
+
+<p>"I&mdash;I don't know. You
+aren't thinking of&mdash;"</p>
+
+<p>"Never mind what I'm
+thinking of, just answer up.
+Where are they?"</p>
+
+<p>"All the administration offices
+are in Chicago. But
+they'd kill you, Shandor&mdash;you
+wouldn't stand a chance.
+They can't be fought, I tell
+you."</p>
+
+<p>Shandor nodded to Prex,
+and started for the door.
+"Keep him here until dawn,
+then go on home, and forget
+what you heard. If anything
+happens, give me a ring at my
+home." He glared at Mariel.
+"Don't worry about me, bud&mdash;they
+won't be doing anything
+to me when I get
+through with them. They
+just won't be doing anything
+at all."</p>
+
+<hr />
+
+<p>The idea had crystallized
+as he talked to Mariel. Shandor's
+mind was whirling as
+he walked down toward the
+thoroughfare. Incredulously,
+he tried to piece the picture
+together. He had known
+Dartmouth Bearing was big&mdash;but
+that big? Mariel might
+have been talking nonsense,
+or he might have been reading
+the Gospel. Shandor
+hailed a cab, sat back in the
+seat scratching his head. How
+big could Dartmouth Bearing
+be? Could <i>any</i> corporation
+be that big? He thought
+back, remembering the rash
+of post-war scandals and
+profit-gouging trials, the anti-trust
+trials. In wartime,
+bars are let down, <i>no one</i>
+can look with disfavor on
+the factories making the
+weapons. And if one corporation
+could buy, and expand,
+and buy some more&mdash;it might
+be too powerful to be prosecuted
+after the war&mdash;</p>
+
+<p>Shandor shook his head,
+realizing that he was skirting
+the big issue. Dartmouth
+Bearing connected up, in
+some absurd fashion, but
+there was a missing link.
+Mariel fit into one side of
+the puzzle, interlocking with
+Dartmouth. The stolen files
+might even fit, for that matter.
+But the idea grew
+stronger. A great, jagged
+piece in the middle of the
+puzzle was missing&mdash;the key
+piece which would tie everything
+together. He felt his
+skin prickle as he thought.
+An impossible idea&mdash;and yet,
+he realized, if it were true,
+everything else would fall
+clearly into place&mdash;</p>
+
+<p>He sat bolt upright. It <i>had</i>
+to be true&mdash;</p>
+
+<p>He leaned forward and
+gave the cabby the landing
+field address, then sat back,
+feeling his pulse pounding
+through his arms and legs.
+Nervously he switched on the
+radio. The dial fell to some
+jazz music, which he tolerated
+for a moment or two,
+then flipped to a news broadcast.
+Not that news broadcasts
+really meant much, but
+he wanted to hear the Ingersoll
+story release for the
+day. He listened impatiently
+to a roundup of local news:
+David Ingersoll stricken
+with pneumonia, three Senators
+protesting the current
+tax bill&mdash;he brought his attention
+around sharply at the
+sound of a familiar name&mdash;</p>
+
+<p>"&mdash;disappeared from his
+Chicago home early this
+morning. Mr. Dartmouth is
+president of Dartmouth Bearing
+Corporation, currently
+engaged in the manufacture
+of munitions for Defense,
+and producing much of the
+machinery being used in the
+Moon-rocket in Arizona. Police
+are following all possible
+leads, and are confident
+that there has been no foul
+play.</p>
+
+<p>"On the international
+scene, the Kremlin is still
+blocking&mdash;" Shandor snapped
+off the radio abruptly, his
+forehead damp. Dartmouth
+disappeared, and with him
+the files&mdash;why? And where
+to go now to find them? If
+the idea that was plaguing
+him was true, sound, valid&mdash;he'd
+<i>have</i> to have the files.
+His whole body was wet with
+perspiration as he reached
+the landing field.</p>
+
+<p>The trip to the Library of
+Congress seemed endless, yet
+he knew that the Library
+wouldn't be open until 8:00
+anyway. Suddenly he felt a
+wave of extreme weariness
+sweep over him&mdash;when had
+he last slept? Bored, he
+snapped the telephone switch
+and rang PIB offices for his
+mail. To his surprise, John
+Hart took the wire, and exploded
+in his ear, "Where in
+hell have you been? I've
+been trying to get you all
+night. Listen, Tom, drop the
+Ingersoll story cold, and get
+in here. The faster the better."</p>
+
+<p>Shandor blinked. "Drop
+the story? You're crazy!"</p>
+
+<p>"<i>Get in here!</i>" roared Hart.
+"From now on you've <i>really</i>
+got a job. The Berlin Conference
+blew up tonight, Tom&mdash;high
+as a kite. <i>We're at
+war with Russia&mdash;</i>"</p>
+
+<p>Carefully, Shandor plopped
+the receiver down on its
+hook, his hands like ice.
+Just one item first, he
+thought, just one thing I've
+got to know. <i>Then</i> back to
+PIB, maybe.</p>
+
+<p>He found a booth in the Library,
+and began hunting,
+time pressing him into frantic
+speed. The idea was incredible,
+but it <i>had</i> to be
+true. He searched the micro-film
+files for three hours before
+he found it, in a "Who's
+Who" dating back to 1958,
+three years before the war
+with China. A simple, innocuous
+listing, which froze
+him to his seat. He read it,
+unbelievingly, yet knowing
+that it was the only possible
+link. Finally he read it again.</p>
+
+<p>David P. Ingersoll. Born
+1922, married 1947. Educated
+at Rutgers University and
+MIT. Worked as administrator
+for International Harvester
+until 1955. Taught
+Harvard University from 1955
+to 1957.</p>
+
+<p>David P. Ingersoll, becoming,
+in 1958, the executive
+president of Dartmouth Bearing
+Corporation....</p>
+
+<hr />
+
+<p>He found a small, wooded
+glade not far from the Library,
+and set the 'copter
+down skillfully, his mind
+numbed, fighting to see
+through the haze to the core
+of incredible truth he had
+uncovered. The great, jagged
+piece, so long missing, was
+suddenly plopped right down
+into the middle of the puzzle,
+and now it didn't fit.
+There were still holes, holes
+that obscured the picture and
+twisted it into a nightmarish
+impossibility. He snapped
+the telephone switch, tried
+three numbers without any
+success, and finally reached
+the fourth. He heard Dr.
+Prex's sharp voice on the
+wire.</p>
+
+<p>"Anything happen since I
+left, Prex?"</p>
+
+<p>"Nothing remarkable." The
+doctor's voice sounded tired.
+"Somebody tried to call Mariel
+on the visiphone about
+an hour after you had gone,
+and then signed off in a hurry
+when he saw somebody
+else around. Don't know who
+it was, but he sounded mighty
+agitated." The doctor's voice
+paused. "Anything new,
+Tom?"</p>
+
+<p>"Plenty," growled Shandor
+bitterly. "But you'll have to
+read it in the newspapers."
+He flipped off the connection
+before Prex could reply.</p>
+
+<p>Then Shandor sank back
+and slept, the sleep of total
+exhaustion, hoping that a
+rest would make the shimmering,
+indefinite picture hold
+still long enough for him to
+study it. And as he drifted
+into troubled sleep a greater
+and more pressing question
+wormed upward into his
+mind.</p>
+
+<p>He woke with a jolt, just
+as the sun was going down,
+and he knew then with perfect
+clarity what he had to
+do. He checked quickly to
+see that he had been undisturbed,
+and then manipulated
+the controls of the 'copter.
+Easing the ship into the
+sky toward Washington, he
+searched out a news report
+on the radio, listened with a
+dull feeling in the pit of his
+stomach as the story came
+through about the breakdown
+of the Berlin Conference, the
+declaration of war, the President's
+meeting with Congress
+that morning, his formal
+request for full wartime
+power, the granting of permission
+by a wide-eyed,
+frightened legislature. Shandor
+settled back, staring dully
+at the ground moving below
+him, the whisps of evening
+haze rising over the
+darkening land. There was
+only one thing to do. He had
+to have Ingersoll's files. He
+knew only one way to get
+them.</p>
+
+<p>Half an hour later he was
+settling the ship down, under
+cover of darkness, on the
+vast grounds behind the Ingersoll
+estate, cutting the
+motors to effect a quiet landing.
+Tramping down the ravine
+toward the huge house,
+he saw it was dark; down by
+the gate he could see the Security
+Guard, standing in a
+haze of blue cigarette smoke
+under the dim-out lights. Cautiously
+he slipped across the
+back terrace, crossing behind
+the house, and jangled
+a bell on a side porch.</p>
+
+<p>Ann Ingersoll opened the
+door, and gasped as Shandor
+forced his way in. "Keep
+quiet," he hissed, slipping
+the door shut behind him.
+Then he sighed, and walked
+through the entrance into the
+large front room.</p>
+
+<p>"Tom! Oh, Tom, I was
+afraid&mdash; Oh, <i>Tom</i>!" Suddenly
+she was in his arms sobbing,
+pressing her face
+against his shirt front. "Oh,
+I'm so glad to see you,
+Tom&mdash;"</p>
+
+<p>He disengaged her, turning
+from her and walking across
+the room. "Let's turn it off,
+Ann," he said disgustedly.
+"It's not very impressive."</p>
+
+<p>"Tom&mdash;I&mdash;I <i>wanted</i> to tell
+you. I just didn't know what
+to do. I didn't believe them
+when they said you wouldn't
+be harmed, I was afraid. Oh,
+Tom, I wanted to tell you,
+believe me&mdash;"</p>
+
+<p>"You didn't tell me," he
+snapped. "They were nervous,
+they slipped up. That's the
+only reason I'm alive. They
+planned to kill me."</p>
+
+<p>She stared at him tearfully,
+shaking her head from side
+to side, searching for words.
+"I&mdash;I didn't want that&mdash;"</p>
+
+<p>He whirled, his eyes blazing.
+"You silly fool, what do
+you think you're doing when
+you play games with a mob
+like this? Do you think
+they're going to play fair?
+You're no clod, you know
+better than that&mdash;" He
+leaned over her, trembling
+with anger. "You set me up
+for a sucker, but the plan
+fell through. And now I'm
+running around loose, and if
+you thought I was dangerous
+before, you haven't seen
+anything like how dangerous
+I am now. You're going to
+tell me some things, now,
+and you're going to tell them
+straight. You're going to tell
+me where Harry Dartmouth
+went with those files, where
+they are right now. Understand
+that? <i>I want those
+files.</i> Because when I have
+them I'm going to do exactly
+what I started out to do.
+I'm going to write a story,
+the whole rotten story about
+your precious father and his
+two-faced life. I'm going to
+write about Dartmouth Bearing
+Corporation and all its
+flunky outfits, and tell what
+they've done to this country
+and the people of this country."
+He paused, breathing
+heavily, and sank down on a
+chair, staring at her. "I've
+learned things in the past
+twenty-four hours I never
+dreamed could be true. I
+should be able to believe anything,
+I suppose, but these
+things knocked my stilts out
+from under me. This country
+has been had&mdash;right straight
+down the line, for a dozen
+years. We've been sold down
+the river like a pack of
+slaves, and now we're going
+to get a look at the cold ugly
+truth, for once."</p>
+
+<p>She stared at him. "What
+do you mean&mdash;about my precious
+father&mdash;?"</p>
+
+<p>"Your precious father was
+at the bottom of the whole
+slimy mess."</p>
+
+<p>"No, no&mdash;not dad." She
+shook her head, her face
+chalky. "Harry Dartmouth,
+maybe, but not dad. Listen a
+minute. I didn't set you up
+for anything. I didn't know
+what Dartmouth and Mariel
+were up to. Dad left instructions
+for me to contact Harry
+Dartmouth immediately, in
+case he died. He told me that&mdash;oh,
+a year ago. Told me
+that before I did anything
+else, I should contact Dartmouth,
+and do as he said. So
+when he died, I contacted
+Harry, and kept in contact
+with him. He told me you
+were out to burn my father,
+to heap garbage on him after
+he was dead before the people
+who loved him, and he
+said the first thing you would
+want would be his personal
+files. Tom, I didn't know
+you, then&mdash;I knew Harry,
+and knew that dad trusted
+him, for some reason, so I
+believed him. But I began to
+realize that what he said
+wasn't true. I got the files,
+and he said to give them to
+you, to string you along, and
+he'd pick them up from you
+before you had a chance to
+do any harm with them. He
+said he wouldn't hurt you,
+but I&mdash;I didn't believe him,
+Tom. I believed you, that you
+wanted to give dad a fair
+shake&mdash;"</p>
+
+<p>Shandor was on his feet,
+his eyes blazing. "So you
+turned them over to Dartmouth
+anyway? And what do
+you think he's done with
+them? Can you tell me
+that? Where has he gone?
+Has he burnt them? If not,
+what's he going to do with
+them?"</p>
+
+<p>Her voice was weak, and
+she looked as if she were
+about to faint. "That's what
+I'm trying to tell you," she
+said, shakily. "He doesn't
+have them. I have them."</p>
+
+<p>Shandor's jaw dropped.
+"Now, wait a minute," he
+said softly. "You gave me
+the briefcase, Mariel snatched
+it and nearly killed me&mdash;"</p>
+
+<p>"A dummy, Tom. I didn't
+know who to trust, but I
+knew I believed you more
+than I believed Harry.
+Things happened so fast, and
+I was so confused&mdash;" She
+looked straight at him. "I
+gave you a dummy, Tom."</p>
+
+<p>His knees walked out from
+under him, then, and he sank
+into a chair. "You've got
+them here, then," he said
+weakly.</p>
+
+<p>"Yes. I have them here."</p>
+
+<hr />
+
+<p>The room was in the back
+of the house, a small, crowded
+study, with a green-shaded
+desk lamp. Shandor
+dumped the contents of the
+briefcase onto the desk, and
+settled down, his heart
+pounding in his throat. He
+started at the top of the pile,
+sifting, ripping out huge
+sheafs of papers, receipts,
+notes, journals, clippings. He
+hardly noticed when the
+girl slipped out of the room,
+and he was deep in study
+when she returned half an
+hour later with steaming
+black coffee. With a grunt
+of thanks he drank it, never
+shifting his attention from
+the scatter of papers, papers
+from the personal file of a
+dead man. And slowly, the
+picture unfolded.</p>
+
+<p>An ugly picture. A picture
+of deceit, a picture full of
+lies, full of secret promises,
+a picture of scheming, of
+plotting, planning, influencing,
+coercing, cheating, propagandizing&mdash;all
+with one
+single-minded aim, with a
+single terrible goal.</p>
+
+<p>Shandor read, numbly, his
+mind twisting in protest as
+the picture unfolded. David
+Ingersoll's control of Dartmouth
+Bearing Corporation
+and its growing horde of
+subsidiaries under the figurehead
+of his protege, Harry
+Dartmouth. The huge profits
+from the Chinese war,
+the relaxation of control
+laws, the millions of war-won
+dollars ploughed back into
+government bonds, in a thousand
+different names, all controlled
+by Dartmouth Bearing
+Corporation&mdash;</p>
+
+<p>And Ingersoll's own work
+in the diplomatic field&mdash;an
+incredibly skillful, incredibly
+evil channeling of power
+and pressure toward the inevitable
+goal, hidden under
+the cloak of peaceful respectability
+and popular support.
+The careful treaties, quietly
+disorganizing a dozen national
+economics, antagonizing
+the great nation to the
+East under the all too acceptable
+guise of "peace
+through strength." Reciprocal
+trade agreements bitterly antagonistic
+to Russian economic
+development. The continual
+bickering, the skillful
+manipulation hidden under
+the powerful propaganda
+cloak of a hundred publications,
+all coursing to one ultimate,
+terrible goal, all with
+one purpose, one aim&mdash;</p>
+
+<p>War. War with anybody,
+war in the field and war on
+the diplomatic front. Traces
+even remained of the work
+done within the enemy nations,
+bitter anti-Ingersoll
+propaganda from within the
+ranks of Russia herself,
+manipulated to strengthen
+Ingersoll in America, to
+build him up, to drive the
+nations farther apart, while
+presenting Ingersoll as the
+pathetic prince of world
+peace, fighting desperately
+to stop the ponderous wheels
+of the irresistible juggernaut&mdash;</p>
+
+<p>And in America, the constant,
+unremitting literary
+and editorial drumbeating,
+pressuring greater war preparation,
+distilling hatreds
+in a thousand circles, focussing
+them into a single channel.
+Tremendous propaganda
+pressure to build armies, to
+build weapons, to get the
+Moon-rocket project underway&mdash;</p>
+
+<p>Shandor sat back, eyes
+drooping, fighting to keep his
+eyes open. His mind was
+numb, his body trembling. A
+sheaf of papers in a separate
+folder caught his eye, production
+records of the Dartmouth
+Bearing Corporation, almost
+up to the date of Ingersoll's
+death. Shandor frowned, a
+snag in the chain drawing his
+attention. He peered at the papers,
+vaguely puzzled. Invoices
+from the Chicago
+plant, materials for tanks, and
+guns, and shells. Steel, chemicals.
+The same for the New
+Jersey plant, the same with a
+dozen subsidiary plants. Shipments
+of magnesium and silver
+wire to the Rocket Project
+in Arizona, carried
+through several subsidiary offices.
+The construction of a
+huge calculator for the Project
+in Arizona. Motors and
+materials, all for Arizona&mdash;something
+caught his mind,
+brought a frown to his large
+bland face, some off-key note
+in the monstrous symphony of
+production and intrigue that
+threw up a red flag in his
+mind, screamed for attention&mdash;</p>
+
+<p>And then he sipped the
+fresh coffee at his elbow and
+sighed, and looked up at the
+girl standing there, saw her
+hand tremble as she steadied
+herself against the desk, and
+sat down beside him. He felt a
+great confusion, suddenly, a
+vast sympathy for this girl,
+and he wanted to take her in
+his arms, hold her close, <i>protect</i>
+her, somehow. She didn't
+know, she <i>couldn't</i> know about
+this horrible thing. She
+couldn't have been a party to
+it, a part of it. He knew the
+evidence said yes, she knows
+the whole story, she <i>helped</i>
+them, but he also knew that
+the evidence, somehow, was
+wrong, that somehow, he still
+didn't have the whole picture&mdash;</p>
+
+<p>She looked at him, her voice
+trembling. "You're wrong,
+Tom," she said.</p>
+
+<p>He shook his head, helplessly.
+"I'm sorry. It's horrible, I
+know. But I'm not wrong.
+This war was planned. We've
+been puppets on strings, and
+one man engineered it, from
+the very start. Your father."</p>
+
+<p>Her eyes were filled with
+tears, and she shook her head,
+running a tired hand across
+her forehead. "You didn't
+know him, Tom. If you did,
+you'd know how wrong you
+are. He was a great man,
+fine man, but above all he was
+a <i>good</i> man. Only a monster
+could have done what you're
+thinking. Dad hated war, he
+fought it all his life. He
+couldn't be the monster you
+think."</p>
+
+<p>Tom's voice was soft in the
+darkened room, his eyes
+catching the downcast face of
+the trembling girl, fighting
+to believe in a phantom, and
+his hatred for the power that
+could trample a faith like that
+suddenly swelled up in bitter
+hopeless rage. "It's here, on
+paper, it can't be denied. It's
+hateful, but it's here, it's what
+I set out to learn. It's not a
+lie this time, Ann, it's the
+truth, and this time it's <i>got to
+be told</i>. I've written my last
+false story. This one is going
+to the people the way it is.
+This one is going to be the
+truth."</p>
+
+<p>He stopped, staring at her.
+The puzzling, twisted hole in
+the puzzle was suddenly there,
+staring him in the face, falling
+down into place in his
+mind with blazing clarity.
+Staring, he dived into the pile
+of papers again, searching,
+frantically searching for the
+missing piece, something he
+had seen, and passed over, the
+one single piece in the story
+that didn't make sense. And
+he found it, on the lists of
+materials shipped to the Nevada
+plant. Pig Iron. Raw magnesium.
+Raw copper. Steel, electron
+tubes, plastics, from all
+parts of the country, all being
+shipped to the Dartmouth
+Plant in Nevada&mdash;</p>
+
+<p><i>Where they made only</i>
+shells&mdash;</p>
+
+<p>At first he thought it was
+only a rumble in his mind, the
+shocking realization storming
+through. Then he saw Ann
+jump up suddenly, white-faced
+and race to the window,
+and he heard the small scream
+in her throat. And then the
+rumbling grew louder, stronger,
+and the house trembled. He
+heard the whine of jet planes
+scream over the house as he
+joined her at the window,
+heard the screaming whines
+mingled with the rumbling
+thunder. And far away, on the
+horizon, the red glare was
+glowing, rising, burning up to
+a roaring conflagration in the
+black night sky&mdash;</p>
+
+<p>"Washington!" Her voice
+was small, infinitely frightened.</p>
+
+<p>"Yes. That's Washington."</p>
+
+<p>"Then it really <i>has</i> started."
+She turned to him with eyes
+wide with horror, and snuggled
+up to his chest like a
+frightened child. "Oh, Tom&mdash;"</p>
+
+<p>"It's here. What we've been
+waiting for. What your father
+started could never be stopped
+any other way than this&mdash;"</p>
+
+<p>The roar was louder now,
+rising to a whining scream as
+another squad of dark ships
+roared overhead, moving East
+and South, jets whistling in
+the night. "This is what your
+father wanted."</p>
+
+<p>She was crying, great sobs
+shaking her shoulders. "You're
+wrong, you're wrong&mdash;oh,
+Tom, you must be wrong&mdash;"</p>
+
+<p>His voice was low, almost
+inaudible in the thundering
+roar of the bombardment.
+"Ann, I've got to go ahead.
+I've got to go tonight. To
+Nevada, to the Dartmouth
+plant there. I know I'm right,
+but I have to go, to check
+something&mdash;to make sure of
+something." He paused, looking
+down at her. "I'll be back,
+Ann. But I'm afraid of what
+I'll find out there. I need you
+behind me. Especially with
+what I have to do, I need you.
+You've got to decide. Are you
+for me? Or against me?"</p>
+
+<p>She shook her head sadly,
+and sank into a chair, gently
+removing his hands from her
+waist. "I loved my father,
+Tom," she said in a beaten
+voice. "I can't help what he's
+done&mdash;I loved him. I&mdash;I can't
+be with you, Tom."</p>
+
+<hr />
+
+<p>Far below him he could see
+the cars jamming the roads
+leaving Washington. He could
+almost hear the noise, the
+screeching of brakes, the fistfights,
+the shouts, the blatting
+of horns. He moved south over
+open country, hoping to avoid
+the places where the 'copter
+might be spotted and stopped
+for questioning. He knew
+that Hart would have an
+alarm out for him by now, and
+he didn't dare risk being
+stopped until he reached his
+destination, the place where
+the last piece to the puzzle
+could be found, the answer to
+the question that was burning
+through his mind. Shells were
+made of steel and chemicals.
+The tools that made them
+were also made of steel. Not
+manganese. Not copper. Not
+electron relays, nor plastic,
+nor liquid oxygen. Just steel.</p>
+
+<p>The 'copter relayed south
+and then turned west over
+Kentucky. Shandor checked
+the auxiliary tanks which he
+had filled at the Library landing
+field that morning; then
+he turned the ship to robot
+controls and sank back in the
+seat to rest. His whole body
+clamored for sleep, but he
+knew he dare not sleep. Any
+slip, any contact with Army
+aircraft or Security patrol
+could throw everything into
+the fire&mdash; For hours he sat,
+gazing hypnotically at the
+black expanse of land below,
+flying high over the pitch-black
+countryside. Not a light
+showed, not a sign of life.</p>
+
+<p>Bored, he flipped the radio
+button, located a news broadcast.
+"&mdash;the bombed area did
+not extend west of the Appalachians.
+Washington DC was
+badly hit, as were New York
+and Philadelphia, and further
+raids are expected to originate
+from Siberia, coming
+across the great circle to the
+West coast or the Middle
+west. So far the Enemy appears
+to have lived up to its
+agreement in the Ingersoll
+pact to outlaw use of atomic
+bombs, for no atomic weapons
+have been used so far, but the
+damage with block-busters has
+been heavy. All citizens are
+urged to maintain strictest
+blackout regulations, and to
+report as called upon in local
+work and civil defense pools
+as they are set up. The attack
+began&mdash;"</p>
+
+<p>Shandor sighed, checked his
+instrument readings. Far in
+the East the horizon was beginning
+to lighten, a healthy,
+white-grey light. His calculations
+placed him over Eastern
+Nebraska, and a few moments
+later he nosed down cautiously
+and verified his location.
+Lincoln Airbase was in a flurry
+of activity; the field was
+alive with men, like little
+black ants, preparing the reserve
+fighters and pursuits for
+use in a fever of urgent speed.
+Suddenly the 'copter radio
+bleeped, and Tom threw the
+switch. "Over."</p>
+
+<p>An angry voice snarled,
+"You up there, whoever you
+are, where'd you leave your
+brains? No civilian craft are
+allowed in the air, and that's
+orders straight from Washington.
+Don't you know
+there's a war on? Now get
+down here, before you're shot
+down&mdash;"</p>
+
+<p>Shandor thought quickly.
+"This is a Federal Security
+ship," he snapped. "I'm just
+on a reconnaissance&mdash;"</p>
+
+<p>The voice was cautious.
+"Security? What's your corroboration
+number?"</p>
+
+<p>Shandor cursed. "JF223R-864.
+Name is Jerry Chandler.
+Give it a check if you want
+to." He flipped the switch,
+and accelerated for the ridge
+of hills that marked the Colorado
+border as the radio signal
+continued to bleep angrily,
+and a trio of pursuit planes
+on the ground began warming
+up. Shandor sighed, hoping
+they would check before they
+sent ships after him. It might
+at least delay them until he
+reached his destination.</p>
+
+<p>Another hour carried him to
+the heart of the Rockies, and
+across the great salt fields of
+Utah. His fuel tanks were
+low, being emptied one by one
+as the tiny ship sped through
+the bright morning sky, and
+Tom was growing uneasy, until
+suddenly, far to the west
+and slightly to the north he
+spotted the plant, nestling in
+the mountain foothills. It lay
+far below, sprawling like some
+sort of giant spider across the
+rugged terrain. Several hundred
+cars spread out to the
+south of the plant, and he
+could see others speeding in
+from the temporary village
+across the ridge. Everything
+was quiet, orderly. He could
+see the shipments, crated, sitting
+in freight cars to the
+north. And then he saw the
+drill line running over to the
+right of the plant. He followed
+it, quickly checking a
+topographical map in the
+cockpit, and his heart started
+pounding. The railroad branch
+ran between two low peaks
+and curved out toward the
+desert. Moving over it, he saw
+the curve, saw it as it cut off
+to the left&mdash;and seemed to
+stop dead in the middle of the
+desert sand&mdash;</p>
+
+<p>Shandor circled even lower,
+keeping one ear cocked on the
+radio, and settled the ship on
+the railroad line. And just as
+he cut the motors, he heard
+the shrill whine of three pursuit
+ships screaming in from
+the Eastern horizon&mdash;</p>
+
+<p>He was out of the 'copter
+almost as soon as it had
+touched, throwing a jacket
+over his arm, and racing for
+the place where the drill line
+ended. Because he had seen
+as he slid in for a landing,
+just what he had suspected
+from the topographical map.
+The drill didn't end in the
+middle of a desert at all. It
+went right on into the mountainside.</p>
+
+<p>The excavation was quite
+large, the entrance covered
+and camouflaged neatly to
+give the very impression that
+he had gotten from the air.
+Under the camouflage the
+space was crowded, stacked
+with crates, boxes, materials,
+stacked all along the walls of
+the tunnel. He followed the
+rails in, lighting his way with
+a small pocket flashlight when
+the tunnel turned a corner,
+cutting off the daylight. Suddenly
+the tunnel widened,
+opening out into a much wider
+room. He sensed, rather
+than saw, the immense size
+of the vault, smelt the odd,
+bitter odor in the air. With
+the flashlight he probed the
+darkness, spotting the high,
+vaulted ceiling above him.
+And below him&mdash;</p>
+
+<p>At first he couldn't see,
+probing the vast excavation
+before him, and then, strangely,
+he saw but couldn't realize
+what he saw. He stared for a
+solid minute, uncomprehending,
+then, stifling a gasp, he
+<i>knew what he was looking
+at&mdash;</i></p>
+
+<p>Lights. He had to have
+lights, to see clearly what he
+couldn't believe. Frantically,
+he spun the flashlight, seeking
+a light panel, and then,
+fascinated, he turned the little
+oval of light back to the pit.
+And then he heard the barest
+whisper of sound, the faintest
+intake of breath, and he
+ducked, frozen, as a blow
+whistled past his ear. A second
+blow from the side caught
+him solidly in the blackness,
+grunting, flailing out into a
+tangle of legs and arms,
+cursing, catching a foot in his
+face, striking up into soft,
+yielding flesh&mdash;</p>
+
+<p>And his head suddenly exploded
+into a million dazzling
+lights as he sank unconscious
+to the ground&mdash;</p>
+
+<hr />
+
+<p>It was a tiny room, completely
+without windows, the
+artificial light filtering
+through from ventilation slits
+near the top. Shandor sat up,
+shaking as the chill in the
+room became painfully evident.
+A small electric heater
+sat in the corner beaming valiantly,
+but the heat hardly
+reached his numbed toes. He
+stood up, shaking himself,
+slapping his arms against his
+sides to drive off the coldness&mdash;and
+he heard a noise
+through the door as soon as
+he had made a sound.</p>
+
+<p>Muted footsteps stopped
+outside the door, and a huge
+man stepped inside. He
+looked at Shandor carefully,
+then closed the door behind
+him, without locking it. "I'm
+Baker," he rasped cheerfully.
+"How are you feeling?"</p>
+
+<p>Shandor rubbed his head,
+suddenly and acutely aware of
+a very sore nose and a bruised
+rib cage. "Not so hot," he muttered.
+"How long have I been
+out?"</p>
+
+<p>"Long enough." The man
+pulled out a plug of tobacco,
+ripped off a chunk with his
+teeth. "Chew?"</p>
+
+<p>"I smoke." Shandor fished
+for cigarettes in an empty
+pocket.</p>
+
+<p>"Not in here you don't,"
+said Baker. He shrugged his
+huge shoulders and settled affably
+down on a bench near
+the wall. "You feel like talking?"</p>
+
+<p>Shandor eyed the unlocked
+door, and turned his eyes to
+the huge man. "Sure," he said.
+"What do you want to talk
+about?"</p>
+
+<p>"I don't want to talk about
+nothin'," the big man replied,
+indifferently. "Thought you
+might, though."</p>
+
+<p>"Are you the one that
+roughed me up?"</p>
+
+<p>"Yuh." Baker grinned.
+"Hope I didn't hurt you much.
+Boss said to keep you in one
+piece, but we had to hurry up,
+and take care of those Army
+guys you brought in on your
+tail. That was dumb. You almost
+upset everything."</p>
+
+<p>Memory flooded back, and
+Shandor's eyes widened. "Yes&mdash;they
+followed me all the
+way from Lincoln&mdash;what happened
+to them?"</p>
+
+<p>Baker grinned and chomped
+his tobacco. "They're a long
+way away now. Don't worry
+about them."</p>
+
+<p>Shandor eyed the door uneasily.
+The latch hadn't
+caught, and the door had
+swung open an inch or two.
+"Where am I?" he asked, inching
+toward the door. "What&mdash;what
+are you planning to do
+to me?"</p>
+
+<p>Baker watched him edging
+away. "You're safe," he said.
+"The boss'll talk to you pretty
+soon if you feel like it&mdash;" He
+squinted at Tom in surprise,
+pointing an indolent thumb
+toward the door. "You planning
+to go out or something?"</p>
+
+<p>Tom stopped short, his face
+red. The big man shrugged.
+"Go ahead. I ain't going to
+stop you." He grinned. "Go as
+far as you can."</p>
+
+<p>Without a word Shandor
+threw open the door, looked
+out into the concrete corridor.
+At the end was a large, bright
+room. Cautiously he started
+down, then suddenly let out a
+cry and broke into a run, his
+eyes wide&mdash;</p>
+
+<p>He reached the room, a
+large room, with heavy plastic
+windows. He ran to one of
+the windows, pulse pounding,
+and stared, a cry choking in
+his throat. The blackness of
+the crags contrasted dimly
+with the inky blackness of the
+sky beyond. Mile upon mile
+of jagged, rocky crags, black
+rock, ageless, unaged rock.
+And it struck him with a jolt
+how easily he had been able
+to run, how lightning-swift his
+movements. He stared again,
+and then he saw what he had
+seen in the pit, standing high
+outside the building on a
+rocky flat, standing bright and
+silvery, like a phantom finger
+pointing to the inky heavens,
+sleek, smooth, resting on polished
+tailfins, like an other-worldly
+bird poised for
+flight&mdash;</p>
+
+<p>A voice behind him said,
+"You aren't really going anyplace,
+you know. Why run?"
+It was a soft voice, a kindly
+voice, cultured, not rough and
+biting like Baker's voice. It
+came from directly behind
+Shandor, and he felt his skin
+crawl. He had heard that voice
+before&mdash;many times before.
+Even in his dreams he had
+heard that voice. "You see, it's
+pretty cold out there. And
+there isn't any air. You're on
+the Moon, Mr. Shandor&mdash;"</p>
+
+<p>He whirled, his face twisted
+and white. And he stared at
+the small figure standing at
+the door, a stoop-shouldered
+man, white hair slightly untidy,
+crow's-feet about his
+tired eyes. An old man, with
+eyes that carried a sparkle of
+youth and kindliness. The
+eyes of David P. Ingersoll.</p>
+
+<hr />
+
+<p>Shandor stared for a long
+moment, shaking his head like
+a man seeing a phantom.
+When he found words, his
+voice was choked, the words
+wrenched out as if by force.
+"You're&mdash;you're alive."</p>
+
+<p>"Yes. I'm alive."</p>
+
+<p>"Then&mdash;" Shandor shook his
+head violently, turning to the
+window, and back to the small,
+white-haired man. "Then your
+death was just a fake."</p>
+
+<p>The old man nodded tiredly.
+"That's right. Just a fake."</p>
+
+<p>Shandor stumbled to a chair,
+sat down woodenly. "I don't
+get it," he said dully. "I just
+don't get it. The war&mdash;that&mdash;that
+I can see. I can see how
+you worked it, how you engineered
+it, but this&mdash;" he gestured
+feebly at the window, at
+the black, impossible landscape
+outside. "This I can't
+see. They're bombing us to
+pieces, they're bombing out
+Washington, probably your
+own home, your own family&mdash;last
+night&mdash;" he stopped,
+frowning in confusion&mdash;"no,
+it couldn't have been last
+night&mdash;two days ago?&mdash;well,
+whatever day it was, they
+were bombing us to pieces,
+and you're up here&mdash;<i>why</i>?
+What's it going to get you?
+This war, this whole rotten intrigue
+mess, and then <i>this</i>?"</p>
+
+<p>The old man walked across
+the room and stared for a moment
+at the silent ship outside.
+"I hope I can make you
+understand. We had to come
+here. We had no choice. We
+couldn't do what we wanted
+any other way than to come
+here&mdash;<i>first</i>. Before anybody
+else."</p>
+
+<p>"But why <i>here</i>? They're
+building a rocket there in
+Arizona. They'll be up here
+in a few days, maybe a few
+weeks&mdash;"</p>
+
+<p>"Approximately forty-eight
+hours," corrected Ingersoll
+quietly. "Within forty-eight
+hours the Arizona rocket will
+be here. If the Russian rocket
+doesn't get here first."</p>
+
+<p>"It doesn't make sense. It
+won't do you any good to be
+here if the Earth is blasted to
+bits. Why come here? And
+why bring <i>me</i> here, of all people?
+What do you want with
+me?"</p>
+
+<p>Ingersoll smiled and sat
+down opposite Shandor. "Take
+it easy," he said gently.
+"You're here, you're safe, and
+you're going to get the whole
+story. I realize that this is a
+bit of a jolt&mdash;but you had to
+be jolted. With you I think
+the jolt will be very beneficial,
+since we want you with
+us. That's why we brought
+you here. We need your help,
+and we need it very badly. It's
+as simple as that."</p>
+
+<p>Shandor was on his feet, his
+eyes blazing. "No dice. This
+is your game, not mine. I don't
+want anything to do with
+it&mdash;"</p>
+
+<p>"But you don't know the
+game&mdash;"</p>
+
+<p>"I know plenty of the game.
+I followed the trail, right
+from the start. I know the
+whole rotten mess. The trail
+led me all the way around
+Robin Hood's barn, but it told
+me things&mdash;oh, it told me
+plenty! It told me about you,
+and this war. And now you
+want me to help you! What do
+you want me to do? Go down
+and tell the people it isn't
+really so bad being pounded
+to shreds? Should I tell them
+they aren't really being
+bombed, it's all in their minds?
+Shall I tell them this is a war
+to defend their freedoms, that
+it's a great crusade against the
+evil forces of the world? What
+kind of a sap do you think I
+am?" He walked to the window,
+his whole body trembling
+with anger. "I followed this
+trail down to the end, I
+scraped my way down into
+the dirtiest, slimiest depths of
+the barrel, and I've found you
+down there, and your rotten
+corporations, and your crowd
+of heelers. And on the other
+side are three hundred million
+people taking the lash
+end of the whip on Earth,
+helping to feed you. And you
+ask me to help you!"</p>
+
+<p>"Once upon a time," Ingersoll
+interrupted quietly,
+"there was a fox."</p>
+
+<p>Shandor stopped and stared
+at him.</p>
+
+<p>"&mdash;and the fox got caught
+in a trap. A big bear trap, with
+steel jaws, that clamped down
+on him and held him fast by
+the leg. He wrenched and he
+pulled, but he couldn't break
+that trap open, no matter what
+he did. And the fox knew that
+the farmer would come along
+almost any time to open that
+bear trap, and the fox knew
+the farmer would kill him. He
+knew that if he didn't get out
+of that trap, he'd be finished,
+sure as sin. But he was a clever
+fox, and he found a way to
+get out of the bear trap." Ingersoll's
+voice was low, tense
+in the still room. "Do you
+know what he did?"</p>
+
+<p>Shandor shook his head silently.</p>
+
+<p>"It was a very simple solution,"
+said Ingersoll. "Drastic,
+but simple. <i>He gnawed off
+his leg.</i>"</p>
+
+<p>Another man had entered
+the room, a small, weasel-faced
+man with sallow cheeks and
+slick black hair. Ingersoll
+looked up with a smile, but
+Mariel waved him on, and took
+a seat nearby.</p>
+
+<p>"So he chewed off his leg,"
+Shandor repeated dully. "I
+don't get it."</p>
+
+<p>"The world is in a trap,"
+said Ingersoll, watching Shandor
+with quiet eyes. "A great
+big bear trap. It's been in that
+trap for decades&mdash;ever since
+the first World War. The
+world has come to a wall it
+can't climb, a trap it can't get
+out of, a vicious, painful, torturous
+trap, and the world
+has been struggling for seven
+decades to get out. It hasn't
+succeeded. And the time is
+drawing rapidly nigh for the
+farmer to come. Something
+had to be done, and done fast,
+before it was too late. The fox
+had to chew off its leg. And
+I had to bring the world to the
+brink of a major war."</p>
+
+<p>Shandor shook his head, his
+mind buzzing. "I don't see
+what you mean. We never had
+a chance for peace, we never
+had a chance to get our feet
+on the ground from one
+round to the next. No time to
+do anything worthwhile in the
+past seventy years&mdash;I don't
+see what you mean about a
+trap."</p>
+
+<p>Ingersoll settled back in his
+chair, the light catching his
+face in sharp profile. "It's
+been a century of almost continuous
+war," he said. "You've
+pointed out the whole trouble.
+We haven't had time to catch
+our breath, to make a real
+peace. The first World War
+was a sorry affair, by our
+standards&mdash;almost a relic of
+earlier European wars. Trench
+fighting, poor rifles, soap-box
+aircraft&mdash;nothing to distinguish
+it from earlier wars but
+its scope. But twenty uneasy
+years went by, and another
+war began, a very different
+sort of war. This one had
+fast aircraft, fast mechanized
+forces, heavy bombing,
+and finally, to cap the climax,
+atomics. That second
+World War could hold up its
+head as a real, strapping,
+fighting war in any society
+of wars. It was a stiff war,
+and a terrible one. Quite a bit
+of progress, for twenty
+years. But essentially, it was
+a war of ideologies, just as
+the previous one had been. A
+war of intolerance, of unmixable
+ideas&mdash;"</p>
+
+<p>The old man paused, and
+drew a sip of water from the
+canister in the corner.
+"Somewhere, somehow, the
+world had missed the boat.
+Those wars didn't solve anything,
+they didn't even make
+a very strong pretense. They
+just made things worse.
+Somewhere, human society
+had gotten into a trap, a vicious
+circle. It had reached
+the end of its progressive
+tether, it had no place to go,
+no place to expand, to great
+common goal. So ideologies
+arose to try to solve the dilemma
+of a basically static society,
+and they fought wars.
+And they reached a point, finally,
+where they could destroy
+themselves unless they
+broke the vicious circle,
+somehow."</p>
+
+<p>Shandor looked up, a deep
+frown on his face. "You're
+trying to say that they needed
+a new frontier."</p>
+
+<p>"Exactly! They desperately
+needed it. There was only
+one more frontier they could
+reach for. A frontier which,
+once attained, has no real
+end." He gestured toward the
+black landscape outside.
+"There's the frontier. Space.
+The one thing that could
+bring human wars to an end.
+A vast, limitless frontier
+which could drive men's spirits
+upward and outward for
+the rest of time. And that
+frontier seemed unattainable.
+It was blocked off by a wall,
+by the jaws of a trap. Oh,
+they tried. After the first
+war the work began. The second
+war contributed unimaginably
+to the technical knowledge.
+But after the second
+war, they could go no further.
+Because it cost money, it
+required a tremendous effort
+on the part of the people of
+a great nation to do it, and
+they couldn't see why they
+should spend the money to
+get to space. After all, they
+had to work up the atomics
+and new weapons for the
+next war&mdash;it was a trap, as
+strong and treacherous as
+any the people of the world
+had ever encountered.</p>
+
+<p>"The answer, of course,
+was obvious. Each war
+brought a great surge of technological
+development, to
+build better weapons, to
+fight bigger wars. Some developments
+led to extremely beneficial
+ends, too&mdash;if it
+hadn't been for the second
+war, a certain British biologist
+might still be piddling
+around his understaffed, underpaid
+laboratory, wishing
+he had more money, and
+wondering why it was that
+that dirty patch of mold on
+his petri dish seemed to keep
+bacteria from growing&mdash;but
+the second war created a sudden,
+frantic, urgent demand
+for something, anything, that
+would <i>stop infection&mdash;fast</i>.
+And in no time, penicillin
+was in mass production, saving
+untold thousands of lives.
+There was no question of
+money. Look at the Manhattan
+project. How many millions
+went into that? It gave
+us atomic power, for war,
+and for peace. For peaceful
+purposes, the money would
+never have been spent. But
+if it was for the sake of
+war&mdash;"</p>
+
+<p>Ingersoll smiled tiredly.
+"Sounds insane, doesn't it?
+But look at the record. I
+looked at the record, way
+back at the end of the war
+with China. Other men
+looked at the record, too. We
+got together, and talked. We
+knew that the military advantage
+of a rocket base on
+the moon could be a deciding
+factor in another major war.
+Military experts had recognized
+that fact back in the
+1950's. Another war could
+give men the technological
+kick they needed to get them
+to space&mdash;possibly <i>in time</i>. If
+men got to space before they
+destroyed themselves, the
+trap would be broken, the
+frontier would be opened, and
+men could turn their energies
+away from destruction toward
+something infinitely greater
+and more important. With
+space on his hands men
+could get along without wars.
+But if we waited for peacetime
+to go to space, we might
+never make it. It might be
+too late.</p>
+
+<p>"It was a dreadful undertaking.
+I saw the wealth in
+the company I directed and
+controlled at the end of the
+Chinese war, and the idea
+grew strong. I saw that a
+huge industrial amalgamation
+could be undertaken, and
+succeed. We had a weapon in
+our favor, the most dangerous
+weapon ever devised, a
+thousand times more potent
+than atomics. Hitler used it,
+with terrible success. Stalin
+used it. Haro-Tsing used it.
+Why couldn't Ingersoll use
+it? Propaganda&mdash;a terrible
+weapon. It could make people
+think the right way&mdash;it could
+make them think almost <i>any</i>
+way. It made them think
+war. From the end of the
+last war we started, with
+propaganda, with politics,
+with money. The group grew
+stronger as our power became
+more clearly understood. Mariel
+handled propaganda
+through the newspapers, and
+PIB, and magazines&mdash;a clever
+man&mdash;and Harry Dartmouth
+handled production. I
+handled the politics and diplomacy.
+We had but one aim
+in mind&mdash;to bring about a
+threat of major war that
+would drive men to space. To
+the moon, to a man-made satellite,
+<i>somewhere or anywhere</i>
+to break through the
+Earth's gravity and get to
+space. And we aimed at a
+controlled war. We had the
+power to do it, we had the
+money and the plants. We
+just had to be certain it
+wasn't the <i>ultimate</i> war. It
+wasn't easy to make sure
+that atomic weapons wouldn't
+be used this time&mdash;but they
+will not. Both nations are
+too much afraid, thanks to
+our propaganda program.
+They both leaped at a chance
+to make a face-saving agreement.
+And we hoped that the
+war could be held off until
+we got to the moon, and until
+the Arizona rocket project
+could get a ship launched for
+the moon. The wheels we had
+started just moved too fast.
+I saw at the beginning of the
+Berlin Conference that it
+would explode into war, so I
+decided the time for my
+'death' had arrived. I had to
+come here, to make sure the
+war doesn't go on any longer
+than necessary."</p>
+
+<p>Shandor looked up at the
+old man, his eyes tired. "I
+still don't see where I'm supposed
+to fit in. I don't see
+why you came here at all.
+Was that a wild-goose chase
+I ran down there, learning
+about this?"</p>
+
+<p>"Not a wild goose chase.
+The important work can't
+start, you see, until the rocket
+gets here. It wouldn't do
+much good if the Arizona
+rocket got here, to fight the
+war. It may come for war,
+but it must go back for
+peace. We built this rocket
+to get us here first&mdash;built it
+from government specifications,
+though they didn't
+know it. We had the plant to
+build it in, and we were able
+to hire technologists <i>not</i> to
+find the right answers in
+Arizona until we were finished.
+Because the whole value
+of the war-threat depended
+solely and completely upon
+our getting here <i>first</i>. When
+the Arizona rocket gets to
+the moon, the war must be
+stopped. Only then can we
+start the real 'operation
+Bear Trap.' That ship,
+whether American or Russian,
+will meet with a great
+surprise when it reaches the
+Moon. We haven't been spotted
+here. We left in darkness
+and solitude, and if we were
+seen, it was chalked off as
+a guided missile. We're well
+camouflaged, and although
+we don't have any sort of
+elaborate base&mdash;just a couple
+of sealed rooms&mdash;we have a
+ship and we have weapons.
+When the first ship comes
+up here, the control of the
+situation will be in our hands.
+Because when it comes, it
+will be sent back with an ultimatum
+to <i>all</i> nations&mdash;to
+cease warfare, or suffer the
+most terrible, nonpartisan
+bombardment the world has
+ever seen. A pinpoint bombardment,
+from our ship,
+here on the Moon. There
+won't be too much bickering
+I think. The war will stop.
+All eyes will turn to us. And
+then the big work begins."</p>
+
+<p>He smiled, his thin face
+showing tired lines in the
+bright light. "I may die before
+the work is done. I don't
+know, nor care. I have no
+successor, nor have we any
+plans to perpetuate our power
+once the work is done. As
+soon as the people themselves
+will take over the work, the
+job is theirs, because no
+group can hope to ultimately
+control space. But first people
+must be sold on space,
+from the bottom up. They
+must be forced to realize the
+implications of a ship on the
+moon. They must realize that
+the first ship was the hardest,
+that the trap is sprung.
+The amputation is a painful
+one, there wasn't any known
+anaesthetic, but it will heal,
+and from here there is no
+further need for war. But the
+people must see that, understand
+its importance. They've
+got to have the whole story,
+in terms that they can't mistake.
+And that means a propagandist&mdash;"</p>
+
+<p>"You have Mariel," said
+Shandor. "He's had the work,
+the experience&mdash;"</p>
+
+<p>"He's getting tired. He'll
+tell you himself his ideas are
+slow, he isn't on his toes any
+longer. He needs a new man,
+a helper, to take his place.
+When the first ship comes,
+his job is done." The old man
+smiled. "I've watched you, of
+course, for years. Mariel saw
+that you were given his job
+when he left PIB to edit
+'<i>Fighting World</i>.' He didn't
+think you were the man, he
+didn't trust you&mdash;thought you
+had been raised too strongly
+on the sort of gibberish you
+were writing. I thought you
+were the only man we could
+use. So we let you follow the
+trail, and watched to see how
+you'd handle it. And when
+you came to the Nevada
+plant, we <i>knew</i> you were the
+man we had to have&mdash;"</p>
+
+<p>Shandor scowled, looking
+first at Ingersoll, then at
+Mariel's impassive face.
+"What about Ann?" he asked,
+and his voice was unsteady.
+"She knew about it all the
+time?"</p>
+
+<p>"No. She didn't know anything
+about it. We were
+afraid she had upset things
+when she didn't turn my files
+over to Dartmouth as he'd
+told her. We were afraid
+you'd go ahead and write the
+story as you saw it then,
+which would have wrecked
+our plan completely. As it
+was, she helped us sidestep
+the danger in the long run,
+but she didn't know what she
+was really doing." He
+grinned. "The error was ours,
+of course. We simply underestimated
+our man. We didn't
+know you were that tenacious."</p>
+
+<p>Shandor's face was haggard.
+"Look. I&mdash;I don't know what
+to think. This ship in Arizona&mdash;how
+long? When will
+it come? How do you know
+it'll ever come?"</p>
+
+<p>"We waited until our
+agents there gave us a final
+report. The ship may be leaving
+at any time. But there's
+no doubt that it'll come. If
+it doesn't, one from Russia
+will. It won't be long." He
+looked at Shandor closely.
+"You'll have to decide by
+then, Tom."</p>
+
+<p>"And if I don't go along
+with you?"</p>
+
+<p>"We could lose. It's as
+simple as that. Without a
+spokesman, the plan could
+fall through completely.
+There's only one thing you
+need to make your decision,
+Tom&mdash;faith in men, and a
+sure conviction that man was
+made for the stars, and not
+for an endless circle of useless
+wars. Think of it, Tom.
+That's what your decision
+means."</p>
+
+<p>Shandor walked to the window,
+stared out at the bleak
+landscape, watched the great
+bluish globe of earth, hanging
+like a huge balloon in the
+black sky. He saw the myriad
+pinpoints of light in the
+blackness on all sides of it,
+and shook his head, trying to
+think. So many things to
+think of, so very many things&mdash;</p>
+
+<p>"I don't know," he muttered.
+"I just don't know&mdash;"</p>
+
+<hr />
+
+<p>It was a long night. Ideas
+are cruel, they become a part
+of a man's brain, an inner
+part of his chemistry, they
+carve grooves deep in his
+mind which aren't easily
+wiped away. He knew he'd
+been living a lie, a bitter,
+hopeless, endless lie, all his
+life, but a liar grows to believe
+his own lies. Even to
+the point of destruction, he
+believes them. It was so hard
+to see the picture, now that he
+had the last piece in place.</p>
+
+<p>A fox, and a bear trap.
+Such a simple analogy. War
+was a hellish proposition, it
+was cruel, it was evil. It
+could be lost, so very easily.
+And it seemed so completely,
+utterly senseless to cut off
+one's own leg&mdash;</p>
+
+<p>And then he thought, somewhere,
+sometime, he'd see
+her again. Perhaps they'd be
+old by then, but perhaps not&mdash;perhaps
+they'd still be
+young, and perhaps she
+wouldn't know the true story
+yet. Perhaps he could be the
+first to tell her, to let her
+know that he had been wrong&mdash; Maybe
+there could be a
+chance to be happy, on
+Earth, sometime. They might
+marry, even, there might be
+children. To be raised for
+what? Wars and wars and
+more wars? Or was there
+another alternative? Perhaps
+the stars were winking brighter&mdash;</p>
+
+<hr />
+
+<p>A hoarse shout rang
+through the quiet rooms. Ingersoll
+sat bolt upright,
+turned his bright eyes to Mariel,
+and looked down the
+passageway. And then they
+were crowding to the window
+as one of the men snapped
+off the lights in the room, and
+they were staring up at the
+pale bluish globe that hung
+in the sky, squinting, breathless&mdash;</p>
+
+<p>And they saw the tiny, tiny
+burst of brightness on one
+side of that globe, saw a tiny
+whisp of yellow, cutting an
+arc from the edge, moving
+farther and farther into the
+black circle of space around
+the Earth, slicing like a thin
+scimitar, moving higher and
+higher, and then, magically,
+winking out, leaving a tiny,
+evaporating trail behind it.</p>
+
+<p>"You saw it?" whispered
+Mariel in the darkness. "You
+saw it, David?"</p>
+
+<p>"Yes. I saw it." Ingersoll
+breathed deeply, staring into
+the blackness, searching for
+a glimmer, a glint, some faint
+reassurance that it had not
+been a mirage they had seen.
+And then Ingersoll felt a
+hand in his, Tom Shandor's
+hand, gripping his tightly,
+wringing it, and when the
+lights snapped on again, he
+was staring at Shandor, tears
+of happiness streaming from
+his pale, tired eyes. "You
+saw it?" he whispered.</p>
+
+<p>Shandor nodded, his heart
+suddenly too large for his
+chest, a peace settling down
+on him greater than any he
+had ever known in his life.</p>
+
+<p>"They're coming," he said.</p>
+
+<div class="trn"><b>Transcriber's Note:</b>
+This etext was produced from <i>Fantastic Universe</i> December 1957.
+Extensive research did not uncover any evidence that the U.S.
+copyright on this publication was renewed. Minor spelling and
+typographical errors have been corrected without note.</div>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Bear Trap, by Alan Edward Nourse
+
+*** END OF THIS PROJECT GUTENBERG EBOOK BEAR TRAP ***
+
+***** This file should be named 31094-h.htm or 31094-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/3/1/0/9/31094/
+
+Produced by Greg Weeks, Stephen Blundell and the Online
+Distributed Proofreading Team at https://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
diff --git a/31094.txt b/31094.txt
new file mode 100644
index 0000000..c6f1c2c
--- /dev/null
+++ b/31094.txt
@@ -0,0 +1,2537 @@
+The Project Gutenberg EBook of Bear Trap, by Alan Edward Nourse
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Bear Trap
+
+Author: Alan Edward Nourse
+
+Release Date: January 26, 2010 [EBook #31094]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK BEAR TRAP ***
+
+
+
+
+Produced by Greg Weeks, Stephen Blundell and the Online
+Distributed Proofreading Team at https://www.pgdp.net
+
+
+
+
+
+
+
+
+
+ _Dr. Alan E. Nourse, who when last heard of was vacationing in
+ Alaska--and probably gathering material for SF or Mystery stories
+ set against this background--is the author of many mystery and
+ science fiction stories including MARTYR, the lead novel in our
+ January 1957 issue._
+
+
+ bear
+ trap
+
+ _by ALAN E. NOURSE_
+
+
+ The man's meteoric rise as a peacemaker in a nation tired
+ by the long years of war made the truth even more shocking.
+
+
+The huge troop transport plane eased down through the rainy drizzle
+enshrouding New York International Airport at about five o'clock in the
+evening. Tom Shandor glanced sourly through the port at the wet landing
+strip, saw the dim landing lights reflected in the steaming puddles. On
+an adjacent field he could see the rows and rows of jet fighters, wings
+up in the foggy rain, poised like ridiculous birds in the darkness. With
+a sigh he ripped the sheet of paper from the small, battered portable
+typewriter on his lap, and zipped the machine up in its slicker case.
+
+Across the troop hold the soldiers were beginning to stir, yawning,
+shifting their packs, collecting their gear. Occasionally they stared at
+Shandor as if he were totally alien to their midst, and he shivered a
+little as he collected the sheets of paper scattered on the deck around
+him, checked the date, 27 September, 1982, and rolled them up to fit in
+the slim round mailing container. Ten minutes later he was shouldering
+his way through the crowd of khaki-clad men, scowling up at the sky,
+his nondescript fedora jammed down over his eyes to keep out the rain,
+slicker collar pulled up about his ears. At the gangway he stopped
+before a tired-looking lieutenant and flashed the small fluorescent card
+in his palm. "Public Information Board."
+
+The officer nodded wearily and gave his coat and typewriter a cursory
+check, then motioned him on. He strode across the wet field, scowling at
+the fog, toward the dimmed-out waiting rooms.
+
+He found a mailing chute, and popped the mailing tube down the slot as
+if he were glad to be rid of it. Into the speaker he said: "Special
+Delivery. PIB business. It goes to press tonight."
+
+The female voice from the speaker said something, and the red "clear"
+signal blinked. Shandor slipped off his hat and shook it, then stopped
+at a coffee machine and extracted a cup of steaming stuff from the
+bottom after trying the coin three times. Finally he walked across the
+room to an empty video booth, and sank down into the chair with an
+exhausted sigh. Flipping a switch, he waited several minutes for an
+operator to appear. He gave her a number, and then said, "Let's scramble
+it, please."
+
+"Official?"
+
+He showed her the card, and settled back, his whole body tired. He was a
+tall man, rather slender, with flat, bland features punctuated only by
+blond caret-shaped eyebrows. His grey eyes were heavy-lidded now, his
+mouth an expressionless line as he waited, sunk back into his coat with
+a long-cultivated air of lifeless boredom. He watched the screen without
+interest as it bleeped a time or two, then shifted into the familiar
+scrambled-image pattern. After a moment he muttered the Public
+Information Board audio-code words, and saw the screen even out into the
+clear image of a large, heavyset man at a desk.
+
+"Hart," said Shandor. "Story's on its way. I just dropped it from the
+Airport a minute ago, with a rush tag on it. You should have it for the
+morning editions."
+
+The big man in the screen blinked, and his heavy face lit up. "The story
+on the Rocket Project?"
+
+Shandor nodded. "The whole scoop. I'm going home now." He started his
+hand for the cutoff switch.
+
+"Wait a minute--" Hart picked up a pencil and fiddled with it for a
+moment. He glanced over his shoulder, and his voice dropped a little.
+"Is the line scrambled?"
+
+Shandor nodded.
+
+"What's the scoop, boy? How's the Rocket Project coming?"
+
+Shandor grinned wryly. "Read the report, daddy. Everything's just ducky,
+of course--it's all ready for press. You've got the story, why should I
+repeat it?"
+
+Hart scowled impatiently. "No, no-- I mean the _scoop_. The real stuff.
+How's the Project going?"
+
+"Not so hot." Shandor's face was weary. "Material cutoff is holding them
+up something awful. Among other things. The sabotage has really fouled
+up the west coast trains, and shipments haven't been coming through on
+schedule. You know--they ask for one thing, and get the wrong weight, or
+their supplier is out of material, or something goes wrong. And there's
+personnel trouble, too--too much direction and too little work. It's
+beginning to look as if they'll never get going. And now it looks like
+there's going to be another administration shakeup, and you know what
+that means--"
+
+Hart nodded thoughtfully. "They'd better get hopping," he muttered. "The
+conference in Berlin is on the skids--it could be hours now." He looked
+up. "But you got the story rigged all right?"
+
+Shandor's face flattened in distaste. "Sure, sure. You know me, Hart.
+Anything to keep the people happy. Everything's running as smooth as
+satin, work going fine, expect a test run in a month, and we should be
+on the moon in half a year, more or less, maybe, we hope--the usual
+swill. I'll be in to work out the war stories in the morning. Right now
+I'm for bed."
+
+He snapped off the video before Hart could interrupt, and started for
+the door. The rain hit him, as he stepped out, with a wave of cold wet
+depression, but a cab slid up to the curb before him and he stepped in.
+Sinking back he tried to relax, to get his stomach to stop complaining,
+but he couldn't fight the feeling of almost physical illness sweeping
+over him. He closed his eyes and sank back, trying to drive the
+ever-plaguing thoughts from his mind, trying to focus on something
+pleasant, almost hoping that his long-starved conscience might give a
+final gasp or two and die altogether. But deep in his mind he knew that
+his screaming conscience was almost the only thing that held him
+together.
+
+Lies, he thought to himself bitterly. White lies, black lies,
+whoppers--you could take your choice. There should be a flaming neon
+sign flashing across the sky, telling all people: "Public Information
+Board, Fabrication Corporation, fabricating of all lies neatly and
+expeditiously done." He squirmed, feeling the rebellion grow in his
+mind. Propaganda, they called it. A nice word, such a very handy word,
+covering a multitude of seething pots. PIB was the grand clearing house,
+the last censor of censors, and he, Tom Shandor, was the Chief
+Fabricator and Purveyor of Lies.
+
+He shook his head, trying to get a breath of clean air in the damp cab.
+Sometimes he wondered where it was leading, where it would finally end
+up, what would happen if the people ever really learned, or ever
+listened to the clever ones who tried to sneak the truth into print
+somewhere. But people couldn't be told the truth, they had to be
+coddled, urged, pushed along. They had to be kept somehow happy, somehow
+hopeful, they had to be kept whipped up to fever pitch, because the
+long, long years of war and near war had exhausted them, wearied them
+beyond natural resiliency. No, they had to be spiked, urged and
+goaded--what would happen if they learned?
+
+He sighed. No one, it seemed, could do it as well as he. No one could
+take a story of bitter diplomatic fighting in Berlin and simmer it down
+to a public-palatable "peaceful and progressive meeting;" no one could
+quite so skillfully reduce the bloody fighting in India to a mild "enemy
+losses topping American losses twenty to one, and our boys are fighting
+staunchly, bravely,"-- No one could write out the lies quite so neatly,
+so smoothly as Tom Shandor--
+
+The cab swung in to his house, and he stepped out, tipped the driver,
+and walked up the walk, eager for the warm dry room. Coffee helped
+sometimes when he felt this way, but other things helped even more. He
+didn't even take his coat off before mixing and downing a stiff
+rye-and-ginger, and he was almost forgetting his unhappy conscience by
+the time the video began blinking.
+
+He flipped the receiver switch and sat down groggily, blinked at John
+Hart's heavy face as it materialized on the screen. Hart's eyes were
+wide, his voice tight and nervous as he leaned forward. "You'd better
+get into the office pronto," he said, his eyes bright. "You've _really_
+got a story to work on now--"
+
+Shandor blinked. "The War--"
+
+Hart took a deep breath. "Worse," he said. "David Ingersoll is dead."
+
+ * * * * *
+
+Tom Shandor shouldered his way through the crowd of men in the anteroom,
+and went into the inner office. Closing the door behind him coolly, he
+faced the man at the desk, and threw a thumb over his shoulder. "Who're
+the goons?" he growled. "You haven't released a story yet--?"
+
+John Hart sighed, his pinkish face drawn. "The press. I don't know how
+they got the word--there hasn't been a word released, but--" He shrugged
+and motioned Shandor to a seat. "You know how it goes."
+
+Shandor sat down, his face blank, eyeing the Information chief
+woodenly. The room was silent for a moment, a tense, anticipatory
+silence. Then Hart said: "The Rocket story was great, Tommy. A real
+writing job. You've got the touch, when it comes to a ticklish news
+release--"
+
+Shandor allowed an expression of distaste to cross his face. He looked
+at the chubby man across the desk and felt the distaste deepen and
+crystallize. John Hart's face was round, with little lines going up from
+the eyes, an almost grotesque, burlesque-comic face that belied the icy
+practical nature of the man behind it. A thoroughly distasteful face,
+Shandor thought. Finally he said, "The story, John. On Ingersoll. Let's
+have it, straight out."
+
+Hart shrugged his stocky shoulders, spreading his hands. "Ingersoll's
+dead," he said. "That's all there is to it. He's stone-cold dead."
+
+"But he can't be dead!" roared Shandor, his face flushed. "We just can't
+_afford_ to have him dead--"
+
+Hart looked up wearily. "Look, I didn't kill him. He went home from the
+White House this evening, apparently sound enough, after a long, stiff,
+nasty conference with the President. Ingersoll wanted to go to Berlin
+and call a showdown at the International conference there, and he had a
+policy brawl with the President, and the President wouldn't let him go,
+sent an undersecretary instead, and threatened to kick Ingersoll out of
+the cabinet unless he quieted down. Ingersoll got home at 4:30,
+collapsed at 5:00, and he was dead before the doctor arrived. Cerebral
+hemorrhage, pretty straightforward. Ingersoll's been killing himself for
+years--he knew it, and everyone else in Washington knew it. It was bound
+to happen sooner or later."
+
+"He was trying to prevent a war," said Shandor dully, "and he was all by
+himself. Nobody else wanted to stop it, nobody that mattered, at any
+rate. Only the people didn't want war, and who ever listens to them?
+Ingersoll got the people behind him, so they gave him a couple of Nobel
+Peace Prizes, and made him Secretary of State, and then cut his throat
+every time he tried to do anything. No wonder he's dead--"
+
+Hart shrugged again, eloquently indifferent. "So he was a nice guy, he
+wanted to prevent a war. As far as I'm concerned, he was a pain in the
+neck, the way he was forever jumping down Information's throat, but he's
+dead now, he isn't around any more--" His eyes narrowed sharply. "The
+important thing, Tommy, is that the people won't like it that he's dead.
+They trusted him. He's been the people's Golden Boy, their last-ditch
+hope for peace. If they think their last chance is gone with his death,
+they're going to be mad. They won't like it, and there'll be hell to
+pay--"
+
+Shandor lit a smoke with trembling fingers, his eyes smouldering. "So
+the people have to be eased out of the picture," he said flatly.
+"They've got to get the story so they won't be so angry--"
+
+Hart nodded, grinning. "They've got to have a real story, Tommy. Big,
+blown up, what a great guy he was, defender of the peace, greatest, most
+influential man America has turned out since the half-century--you know
+what they lap up, the usual garbage, only on a slightly higher plane.
+They've got to think that he's really saved them, that he's turned over
+the reins to other hands just as trustworthy as his--you can give the
+president a big hand there--they've got to think his work is the basis
+of our present foreign policy--can't you see the implications? It's got
+to be spread on with a trowel, laid on skillfully--"
+
+Shandor's face flushed deep red, and he ground the stub of his smoke out
+viciously. "I'm sick of this stuff, Hart," he exploded. "I'm sick of
+you, and I'm sick of this whole rotten setup, this business of writing
+reams and reams of lies just to keep things under control. Ingersoll was
+a great man, a _really_ great man, and he was _wasted_, thrown away. He
+worked to make peace, and he got laughed at. He hasn't done a
+thing--because he couldn't. Everything he has tried has been useless,
+wasted. _That's_ the truth--why not tell that to the people?"
+
+Hart stared. "Get hold of yourself," he snapped. "You know your job.
+There's a story to write. The life of David Ingersoll. It has to go down
+smooth." His dark eyes shifted to his hands, and back sharply to
+Shandor. "A propagandist has to write it, Tommy--an ace propagandist.
+You're the only one I know that could do the job."
+
+"Not me," said Shandor flatly, standing up. "Count me out. I'm through
+with this, as of now. Get yourself some other whipping boy. Ingersoll
+was one man the people could trust. And he was one man I could never
+face. I'm not good enough for him to spit on, and I'm not going to sell
+him down the river now that he's dead."
+
+With a little sigh John Hart reached into the desk. "That's very odd,"
+he said softly. "Because Ingersoll left a message for you--"
+
+Shandor snapped about, eyes wide. "Message--?"
+
+The chubby man handed him a small envelope. "Apparently he wrote that a
+long time ago. Told his daughter to send it to Public Information Board
+immediately in event of his death. Read it."
+
+Shandor unfolded the thin paper, and blinked unbelieving:
+
+ _In event of my death during the next few months, a certain amount
+ of biographical writing will be inevitable. It is my express wish
+ that this writing, in whatever form it may take, be done by Mr.
+ Thomas L. Shandor, staff writer of the Federal Public Information
+ Board._
+
+ _I believe that man alone is qualified to handle this assignment._
+
+ _(Signed) David P. Ingersoll
+ Secretary of State,
+ United States of America._
+
+ _4 June, 1981_
+
+Shandor read the message a second time, then folded it carefully and
+placed it in his pocket, his forehead creased. "I suppose you want the
+story to be big," he said dully.
+
+Hart's eyes gleamed a moment of triumph. "As big as you can make it," he
+said eagerly. "Don't spare time or effort, Tommy. You'll be relieved of
+all assignments until you have it done--if you'll take it."
+
+"Oh, yes," said Shandor softly. "I'll take it."
+
+ * * * * *
+
+He landed the small PIB 'copter on an airstrip in the outskirts of
+Georgetown, haggled with Security officials for a few moments, and
+grabbed an old weatherbeaten cab, giving the address of the Ingersoll
+estate as he settled back in the cushions. A small radio was set inside
+the door; he snapped it on, fiddled with the dial until he found a PIB
+news report. And as he listened he felt his heart sink lower and lower,
+and the old familiar feeling of dirtiness swept over him, the feeling of
+being a part in an enormous, overpowering scheme of corruption and
+degradation. The Berlin conference was reaching a common meeting ground,
+the report said, with Russian, Chinese, and American officials making
+the first real progress in the week of talks. Hope rising for an early
+armistice on the Indian front. Suddenly he hunched forward, blinking in
+surprise as the announcer continued the broadcast: "The Secretary of
+State, David Ingersoll, was stricken with a slight head cold this
+evening on the eve of his departure for the Berlin Conference, and was
+advised to postpone the trip temporarily. John Harris Darby, first
+undersecretary, was dispatched in his place. Mr. Ingersoll expressed
+confidence that Mr. Darby would be able to handle the talks as well as
+himself, in view of the optimistic trend in Berlin last night--"
+
+Shandor snapped the radio off viciously, a roar of disgust rising in his
+throat, cut off just in time. Lies, lies, lies. Some people _knew_ they
+were lies--what could they really think? People like David Ingersoll's
+wife--
+
+Carefully he reined in his thoughts, channelled them. He had called the
+Ingersoll home the night before, announcing his arrival this morning--
+
+The taxi ground up a gravelled driveway, stopped before an Army jeep at
+the iron-grilled gateway. A Security Officer flipped a cigarette onto
+the ground, shaking his head. "Can't go in, Secretary's orders."
+
+Shandor stepped from the cab, briefcase under his arm. He showed his
+card, scowled when the officer continued shaking his head. "Orders say
+_nobody_--"
+
+"Look, blockhead," Shandor grated. "If you want to hang by your toes, I
+can put through a special check-line to Washington to confirm my
+appointment here. I'll also recommend you for the salt mines."
+
+The officer growled, "Wise guy," and shuffled into the guard shack.
+Minutes later he appeared again, jerked his thumb toward the estate.
+"Take off," he said. "See that you check here at the gate before you
+leave."
+
+He was admitted to the huge house by a stone-faced butler, who led him
+through a maze of corridors into a huge dining room. Morning sunlight
+gleamed through a glassed-in wall, and Shandor stopped at the door,
+almost speechless.
+
+He knew he'd seen the girl somewhere. At one of the Washington parties,
+or in the newspapers. Her face was unmistakable; it was the sort of face
+that a man never forgets once he glimpses it--thin, puckish, with
+wide-set grey eyes that seemed both somber and secretly amused, a full,
+sensitive mouth, and blonde hair, exceedingly fine, cropped close about
+her ears. She was eating her breakfast, a rolled up newspaper by her
+plate, and as she looked up, her eyes were not warm. She just stared at
+Shandor angrily for a moment, then set down her coffee cup and threw the
+paper to the floor with a slam. "You're Shandor, I suppose."
+
+Shandor looked at the paper, then back at her. "Yes, I'm Tom Shandor.
+But you're not Mrs. Ingersoll--"
+
+"A profound observation. Mother isn't interested in seeing anyone this
+morning, particularly you." She motioned to a chair. "You can talk to me
+if you want to."
+
+Shandor sank down in the proffered seat, struggling to readjust his
+thinking. "Well," he said finally. "I--I wasn't expecting you--" he
+broke into a grin--"but I should think you could help. You know what I'm
+trying to do--I mean, about your father. I want to write a story, and
+the logical place to start would be with his family--"
+
+The girl blinked wide eyes innocently. "Why don't you start with the
+newspaper files?" she asked, her voice silky. "You'd find all sorts of
+information about daddy there. Pages and pages--"
+
+"No, no-- I don't want that kind of information. You're his daughter,
+Miss Ingersoll, you could tell me about him as a man. Something about
+his personal life, what sort of man he was--"
+
+She shrugged indifferently, buttered a piece of toast, as Shandor felt
+most acutely the pangs of his own missed breakfast. "He got up at seven
+every morning," she said. "He brushed his teeth and ate breakfast. At
+nine o'clock the State Department called for him--"
+
+Shandor shook his head unhappily. "No, no, that's not what I mean."
+
+"Then perhaps you'd tell me precisely what you _do_ mean?" Her voice was
+clipped and hard.
+
+Shandor sighed in exasperation. "The personal angle. His likes and
+dislikes, how he came to formulate his views, his relationship with his
+wife, with you--"
+
+"He was a kind and loving father," she said, her voice mocking. "He
+loved to read, he loved music--oh, yes, put that down, he was a _great_
+lover of music. His wife was the apple of his eye, and he tried, for all
+the duties of his position, to provide us with a happy home life--"
+
+"Miss Ingersoll."
+
+She stopped in mid-sentence, her grey eyes veiled, and shook her head
+slightly. "That's not what you want, either?"
+
+Shandor stood up and walked to a window, looking out over the wide
+veranda. Carefully he snubbed his cigarette in an ashtray, then turned
+sharply to the girl. "Look. If you want to play games, I can play games
+too. Either you're going to help me, or you're not--it's up to you. But
+you forget one thing. I'm a propagandist. I might say I'm a very expert
+propagandist. I can tell a true story from a false one. You won't get
+anywhere lying to me, or evading me, and if you choose to try, we can
+call it off right now. You know exactly the type of information I need
+from you. Your father was a great man, and he rates a fair shake in the
+write-ups. I'm asking you to help me."
+
+Her lips formed a sneer. "And _you're_ going to give him a fair shake,
+I'm supposed to believe." She pointed to the newspaper. "With garbage
+like that? Head cold!" Her face flushed, and she turned her back
+angrily. "I know your writing, Mr. Shandor. I've been exposed to it for
+years. You've never written an honest, true story in your life, but you
+always want the truth to start with, don't you? I'm to give you the
+truth, and let you do what you want with it, is that the idea? No dice,
+Mr. Shandor. And you even have the gall to brag about it!"
+
+Shandor flushed angrily. "You're not being fair. This story is going to
+press straight and true, every word of it. This is one story that won't
+be altered."
+
+And then she was laughing, choking, holding her sides, as the tears
+streamed down her cheeks. Shandor watched her, reddening, anger growing
+up to choke him. "I'm not joking," he snapped. "I'm breaking with the
+routine, do you understand? I'm through with the lies now, I'm writing
+this one straight."
+
+She wiped her eyes and looked at him, bitter lines under her smile. "You
+couldn't do it," she said, still laughing. "You're a fool to think so.
+You could write it, and you'd be out of a job so fast you wouldn't know
+what hit you. But you'd never get it into print. And you know it. You'd
+never even get the story to the inside offices."
+
+Shandor stared at her. "That's what you think," he said slowly. "This
+story will get to the press if it kills me."
+
+The girl looked up at him, eyes wide, incredulous. "You _mean_ that,
+don't you?"
+
+"I never meant anything more in my life."
+
+She looked at him, wonderingly, motioned him to the table, a faraway
+look in her eyes. "Have some coffee," she said, and then turned to him,
+her eyes wide with excitement. The sneer was gone from her face, the
+coldness and hostility, and her eyes were pleading. "If there were some
+way to do it, if you really meant what you said, if you'd really _do_
+it--give people a true story--"
+
+Shandor's voice was low. "I told you, I'm sick of this mill. There's
+something wrong with this country, something wrong with the world.
+There's a rottenness in it, and your father was fighting to cut out the
+rottenness. This story is going to be straight, and it's going to be
+printed if I get shot for treason. And it could split things wide open
+at the seams."
+
+She sat down at the table. Her lower lip trembled, and her voice was
+tense with excitement. "Let's get out of here," she said. "Let's go
+someplace where we can talk--"
+
+ * * * * *
+
+They found a quiet place off the business section in Washington, one of
+the newer places with the small closed booths, catering to people weary
+of eavesdropping and overheard conversations. Shandor ordered beers,
+then lit a smoke and leaned back facing Ann Ingersoll. It occurred to
+him that she was exceptionally lovely, but he was almost frightened by
+the look on her face, the suppressed excitement, the cold, bitter lines
+about her mouth. Incongruously, the thought crossed his mind that he'd
+hate to have this woman against him. She looked as though she would be
+capable of more than he'd care to tangle with. For all her lovely face
+there was an edge of thin ice to her smile, a razor-sharp, dangerous
+quality that made him curiously uncomfortable. But now she was nervous,
+withdrawing a cigarette from his pack with trembling fingers, fumbling
+with his lighter until he struck a match for her. "Now," he said. "Why
+the secrecy?"
+
+She glanced at the closed door to the booth. "Mother would kill me if
+she knew I was helping you. She hates you, and she hates the Public
+Information Board. I think dad hated you, too."
+
+Shandor took the folded letter from his pocket. "Then what do you think
+of this?" he asked softly. "Doesn't this strike you a little odd?"
+
+She read Ingersoll's letter carefully, then looked up at Tom, her eyes
+wide with surprise. "So this is what that note was. This doesn't wash,
+Tom."
+
+"You're telling me it doesn't wash. Notice the wording. 'I believe that
+man alone is qualified to handle this assignment.' Why me? And of all
+things, why me _alone_? He knew my job, and he fought me and the PIB
+every step of his career. Why a note like this?"
+
+She looked up at him. "Do you have any idea?"
+
+"Sure, I've got an idea. A crazy one, but an idea. I don't think he
+wanted me because of the writing. I think he wanted me because I'm a
+propagandist."
+
+She scowled. "It still doesn't wash. There are lots of
+propagandists--and why would he want a propagandist?"
+
+Shandor's eyes narrowed. "Let's let it ride for a moment. How about his
+files?"
+
+"In his office in the State Department."
+
+"He didn't keep anything personal at home?"
+
+Her eyes grew wide. "Oh, no, he wouldn't have dared. Not the sort of
+work he was doing. With his files under lock and key in the State
+Department nothing could be touched without his knowledge, but at home
+anybody might have walked in."
+
+"Of course. How about enemies? Did he have any particular enemies?"
+
+She laughed humorlessly. "Name anybody in the current administration. I
+think he had more enemies than anybody else in the cabinet." Her mouth
+turned down bitterly. "He was a stumbling block. He got in people's way,
+and they hated him for it. They killed him for it."
+
+Shandor's eyes widened. "You mean you think he was murdered?"
+
+"Oh, no, nothing so crude. They didn't have to be crude. They just let
+him butt his head against a stone wall. Everything he tried was
+blocked, or else it didn't lead anywhere. Like this Berlin Conference.
+It's a powder keg. Dad gambled everything on going there, forcing the
+delegates to face facts, to really put their cards on the table. Ever
+since the United Nations fell apart in '72 dad had been trying to get
+America and Russia to sit at the same table. But the President cut him
+out at the last minute. It was planned that way, to let him get up to
+the very brink of it, and then slap him down hard. They did it all
+along. This was just the last he could take."
+
+Shandor was silent for a moment. "Any particular thorns in his side?"
+
+Ann shrugged. "Munitions people, mostly. Dartmouth Bearing had a
+pressure lobby that was trying to throw him out of the cabinet. The
+President sided with them, but he didn't dare do it for fear the people
+would squawk. He was planning to blame the failure of the Berlin
+Conference on dad and get him ousted that way."
+
+Shandor stared. "But if that conference fails, _we're in full-scale
+war_!"
+
+"Of course. That's the whole point." She scowled at her glass, blinking
+back tears. "Dad could have stopped it, but they wouldn't let him. _It
+killed him_, Tom!"
+
+Shandor watched the smoke curling up from his cigarette. "Look," he
+said. "I've got an idea, and it's going to take some fast work. That
+conference could blow up any minute, and then I think we're going to be
+in real trouble. I want you to go to your father's office and get the
+contents of his personal file. Not the business files, his personal
+files. Put them in a briefcase and subway-express them to your home. If
+you have any trouble, have them check with PIB--we have full authority,
+and I'm it right now. I'll call them and give them the word. Then meet
+me here again, with the files, at 7:30 this evening."
+
+She looked up, her eyes wide. "What--what are you going to do?"
+
+Shandor snubbed out his smoke, his eyes bright. "I've got an idea that
+we may be onto something--just something I want to check. But I think if
+we work it right, we can lay these boys that fought your father out by
+the toes--"
+
+ * * * * *
+
+The Library of Congress had been moved when the threat of bombing in
+Washington had become acute. Shandor took a cab to the Georgetown
+airstrip, checked the fuel in the 'copter. Ten minutes later he started
+the motor, and headed upwind into the haze over the hills. In less than
+half an hour he settled to the Library landing field in western
+Maryland, and strode across to the rear entrance.
+
+The electronic cross-index had been the last improvement in the Library
+since the war with China had started in 1958. Shandor found a reading
+booth in one of the alcoves on the second floor, and plugged in the
+index. The cold, metallic voice of the automatic chirped twice and said,
+"Your reference, pleeyuz."
+
+Shandor thought a moment. "Give me your newspaper files on David
+Ingersoll, Secretary of State."
+
+"Through which dates, pleeyuz."
+
+"Start with the earliest reference, and carry through to current." The
+speaker burped, and he sat back, waiting. A small grate in the panel
+before him popped open, and a small spool plopped out onto a spindle.
+Another followed, and another. He turned to the reader, and reeled the
+first spool into the intake slot. The light snapped on, and he began
+reading.
+
+Spools continued to plop down. He read for several hours, taking a dozen
+pages of notes. The references commenced in June, 1961, with a small
+notice that David Ingersoll, Republican from New Jersey, had been
+nominated to run for state senator. Before that date, nothing. Shandor
+scowled, searching for some item predating that one. He found nothing.
+
+Scratching his head, he continued reading, outlining chronologically.
+Ingersoll's election to state senate, then to United States Senate. His
+rise to national prominence as economist for the post-war Administrator
+of President Drayton in 1966. His meteoric rise as a peacemaker in a
+nation tired from endless dreary years of fighting in China and India.
+His tremendous popularity as he tried to stall the re-intensifying
+cold-war with Russia. The first Nobel Peace Prize, in 1969, for the
+ill-fated Ingersoll Plan for World Sovereignty. Pages and pages and
+pages of newsprint. Shandor growled angrily, surveying the pile of notes
+with a sinking feeling of incredulity. The articles, the writing, the
+tone--it was all too familiar. Carefully he checked the newspaper
+sources. Some of the dispatches were Associated Press; many came direct
+desk from Public Information Board in New York; two other networks
+sponsored some of the wordage. But the tone was all the same.
+
+Finally, disgusted, Tom stuffed the notes into his briefcase, and
+flipped down the librarian lever. "Sources, please."
+
+A light blinked, and in a moment a buzzer sounded at his elbow. A female
+voice, quite human, spoke as he lifted the receiver. "Can I help you on
+sources?"
+
+"Yes. I've been reading the newspaper files on David Ingersoll. I'd like
+the by-lines on this copy."
+
+There was a moment of silence. "Which dates, please?"
+
+Shandor read off his list, giving dates. The silence continued for
+several minutes as he waited impatiently. He was about to hang up and
+leave when the voice spoke up again. "I'm sorry, sir. Most of that
+material has no by-line. Except for one or two items it's all
+staff-written."
+
+"By whom?"
+
+"I'm sorry, no source is available. Perhaps the PIB offices could help
+you--"
+
+"All right, ring them for me, please." He waited another five minutes,
+saw the PIB cross-index clerk appear on the video screen. "Hello, Mr.
+Shandor. Can I help you?"
+
+"I'm trying to trace down the names of the Associated Press and PIB
+writers who covered stories on David Ingersoll over a period from June
+1961 to the present date--"
+
+The girl disappeared for several moments. When she reappeared, her face
+was puzzled. "Why, Mr. Shandor, you've been doing the work on Ingersoll
+from August, 1978 to Sept. 1982. We haven't closed the files on this
+last month yet--"
+
+He scowled in annoyance. "Yes, yes, I know that. I want the writers
+before I came."
+
+The clerk paused. "Until you started your work there was no definite
+assignment. The information just isn't here. But the man you replaced in
+PIB was named Frank Mariel."
+
+Shandor turned the name over in his mind, decided that it was familiar,
+but that he couldn't quite place it. "What's this man doing now?"
+
+The girl shrugged. "I don't know, just now, and have no sources. But
+according to our files he left Public Information Board to go to work in
+some capacity for Dartmouth Bearing Corporation."
+
+Shandor flipped the switch, and settled back in the reading chair. Once
+again he fingered through his notes, frowning, a doubt gnawing through
+his mind into certainty. He took up a dozen of the stories, analyzed
+them carefully, word for word, sentence by sentence. Then he sat back,
+his body tired, eyes closed in concentration, an incredible idea
+twisting and writhing and solidifying in his mind.
+
+It takes one to catch one. That was his job--telling lies. Writing
+stories that weren't true, and making them believable. Making people
+think one thing when the truth was something else. It wasn't so strange
+that he could detect exactly the same sort of thing when he ran into it.
+He thought it through again and again, and every time he came up with
+the same answer. There was no doubt.
+
+Reading the newspaper files had accomplished only one thing. He had
+spent the afternoon reading a voluminous, neat, smoothly written,
+extremely convincing batch of bold-faced lies. Lies about David
+Ingersoll. Somewhere, at the bottom of those lies was a shred or two of
+truth, a shred hard to analyze, impossible to segregate from the garbage
+surrounding it. But somebody had written the lies. That meant that
+somebody knew the truths behind them.
+
+Suddenly he galvanized into action. The video blinked protestingly at
+his urgent summons, and the Washington visiphone operator answered.
+"Somewhere in those listings of yours," Shandor said, "you've got a man
+named Frank Mariel. I want his number."
+
+ * * * * *
+
+He reached the downtown restaurant half an hour early, and ducked into a
+nearby visiphone station to ring Hart. The PIB director's chubby face
+materialized on the screen after a moment's confusion, and Shandor said:
+"John--what are your plans for releasing the Ingersoll story? The
+morning papers left him with a slight head cold, if I remember right--"
+Try as he would, he couldn't conceal the edge of sarcasm in his voice.
+
+Hart scowled. "How's the biography coming?"
+
+"The biography's coming along fine. I want to know what kind of
+quicksand I'm wading through, that's all."
+
+Hart shrugged and spread his hands. "We can't break the story proper
+until you're ready with your buffer story. Current plans say that he
+gets pneumonia tomorrow, and goes to Walter Reed tomorrow night. We're
+giving it as little emphasis as possible, running the Berlin Conference
+stories for right-hand column stuff. That'll give you all day tomorrow
+and half the next day for the preliminary stories on his death. Okay?"
+
+"That's not enough time." Shandor's voice was tight.
+
+"It's enough for a buffer-release." Hart scowled at him, his round face
+red and annoyed. "Look, Tom, you get that story in, and never mind what
+you like or don't like. This is dynamite you're playing with--the
+Conference is going to be on the rocks in a matter of hours--that's
+straight from the Undersecretary--and on top of it all, there's trouble
+down in Arizona--"
+
+Shandor's eyes widened. "The Rocket Project--?"
+
+Hart's mouth twisted. "Sabotage. They picked up a whole ring that's been
+operating for over a year. Caught them red-handed, but not before they
+burnt out half a calculator wing. They'll have to move in new machines
+now before they can go on--set the Project back another week, and that
+could lose the war for us right there. Now _get that story in_." He
+snapped the switch down, leaving Shandor blinking at the darkened
+screen.
+
+Ten minutes later Ann Ingersoll joined him in the restaurant booth. She
+was wearing a chic white linen outfit, with her hair fresh, like a
+blonde halo around her head in the fading evening light. Her freshness
+contrasted painfully with Tom's curling collar and dirty tie, and he
+suddenly wished he'd picked up a shave. He looked up and grunted when he
+saw the fat briefcase under the girl's arm, and she dropped it on the
+table between them and sank down opposite him, studying his face. "The
+reading didn't go so well," she said.
+
+"The reading went lousy," he admitted sheepishly. "This the personal
+file?"
+
+She nodded shortly and lit a cigarette. "The works. They didn't even
+bother me. But I can't see why all the precaution-- I mean, the express
+and all that--"
+
+Shandor looked at her sharply. "If what you said this morning was true,
+that file is a gold mine, for us, but more particularly, for your
+father's enemies. I'll go over it closely when I get out of here.
+Meantime, there are one or two other things I want to talk over with
+you."
+
+She settled herself, and grinned. "Okay, boss. Fire away."
+
+He took a deep breath, and tiredness lined his face. "First off: what
+did your father do before he went into politics?"
+
+Her eyes widened, and she arrested the cigarette halfway to her mouth,
+put it back on the ashtray, with a puzzled frown on her face. "That's
+funny," she said softly. "I thought I knew, but I guess I don't. He was
+an industrialist--way, far back, years and years ago, when I was just a
+little brat--and then we got into the war with China, and I don't know
+what he did. He was always making business trips; I can remember going
+to the airport with mother to meet him, but I don't know what he did.
+Mother always avoided talking about him, and I never got to see him
+enough to talk--"
+
+Shandor sat forward, his eyes bright. "Did he ever entertain any
+business friends during that time--any that you can remember?"
+
+She shook her head. "I can't remember. Seems to me a man or two came
+home with him on a couple of occasions, but I don't know who. I don't
+remember much before the night he came home and said he was going to run
+for Congress. Then there were people galore--have been ever since."
+
+"And what about his work at the end of the China war? After he was
+elected, while he was doing all that work to try to smooth things out
+with Russia--can you remember him saying anything, to you, or to your
+mother, about _what_ he was doing, and how?"
+
+She shook her head again. "Oh, yes, he'd talk--he and mother would
+talk--sometimes argue. I had the feeling that things weren't too well
+with mother and dad many times. But I can't remember anything specific,
+except that he used to say over and over how he hated the thought of
+another war. He was afraid it was going to come--"
+
+Shandor looked up sharply. "But he hated it--"
+
+"Yes." Her eyes widened. "Oh, yes, he hated it. Dad was a good man, Tom.
+He believed with all his heart that the people of the world wanted
+peace, and that they were being dragged to war because they couldn't
+find any purpose to keep them from it. He believed that if the people of
+the world had a cause, a purpose, a driving force, that there wouldn't
+be any more wars. Some men fought him for preaching peace, but he
+wouldn't be swayed. Especially he hated the pure-profit lobbies, the
+patriotic drum-beaters who stood to get rich in a war. But dad had to
+die, and there aren't many men like him left now, I guess."
+
+"I know." Shandor fell silent, stirring his coffee glumly. "Tell me," he
+said, "did your father have anything to do with a man named Mariel?"
+
+Ann's eyes narrowed. "Frank Mariel? He was the newspaper man. Yes, dad
+had plenty to do with him. He hated dad's guts, because dad fought his
+writing so much. Mariel was one of the 'fight now and get rich' school
+that were continually plaguing dad."
+
+"Would you say that they were enemies?"
+
+She bit her lip, wrinkling her brow in thought. "Not at first. More like
+a big dog with a little flea, at first. Mariel pestered dad, and dad
+tried to scratch him away. But Mariel got into PIB, and then I suppose
+you could call them enemies--"
+
+Shandor sat back, frowning, his face dark with fatigue. He stared at the
+table top for a long moment, and when he looked up at the girl his eyes
+were troubled. "There's something wrong with this," he said softly. "I
+can't quite make it out, but it just doesn't look right. Those newspaper
+stories I read--pure bushwa, from beginning to end. I'm dead certain of
+it. And yet--" he paused, searching for words. "Look. It's like I'm
+looking at a jigsaw puzzle that _looks_ like it's all completed and
+lying out on the table. But there's something that tells me I'm being
+foxed, that it isn't a complete puzzle at all, just an illusion, yet
+somehow I can't even tell for sure where pieces are missing--"
+
+The girl leaned over the table, her grey eyes deep with concern. "Tom,"
+she said, almost in a whisper. "Suppose there _is_ something, Tom.
+Something big, what's it going to do to _you_, Tom? You can't fight
+anything as powerful as PIB, and these men that hated dad could break
+you."
+
+Tom grinned tiredly, his eyes far away. "I know," he said softly. "But a
+man can only swallow so much. Somewhere, I guess, I've still got a
+conscience--it's a nuisance, but it's still there." He looked closely at
+the lovely girl across from him. "Maybe it's just that I'm tired of
+being sick of myself. I'd like to _like_ myself for a change. I haven't
+liked myself for years." He looked straight at her, his voice very small
+in the still booth. "I'd like some other people to like me, too. So I've
+got to keep going--"
+
+Her hand was in his, then, grasping his fingers tightly, and her voice
+was trembling. "I didn't think there was anybody left like that," she
+said. "Tom, you aren't by yourself--remember that. No matter what
+happens, I'm with you all the way. I'm--I'm afraid, but I'm with you."
+
+He looked up at her then, and his voice was tight. "Listen, Ann. Your
+father planned to go to Berlin before he died. What was he going to _do_
+if he went to the Berlin Conference?"
+
+She shrugged helplessly. "The usual diplomatic fol-de-rol, I suppose. He
+always--"
+
+"No, no--that's not right. He wanted to go so badly that he died when he
+wasn't allowed to, Ann. He must have had something in mind, something
+concrete, something tremendous. Something that would have changed the
+picture a great deal."
+
+And then she was staring at Shandor, her face white, grey eyes wide. "Of
+course he had something," she exclaimed. "He _must_ have--oh, I don't
+know what, he wouldn't say what was in his mind, but when he came home
+after that meeting with the President he was furious-- I've never seen
+him so furious, Tom, he was almost out of his mind with anger, and he
+paced the floor, and, swore and nearly tore the room apart. He wouldn't
+speak to anyone, just stamped around and threw things. And then we heard
+him cry out, and when we got to him he was unconscious on the floor, and
+he was dead when the doctor came--" She set her glass down with
+trembling fingers. "He had something big, Tom, I'm sure of it. He had
+some information that he planned to drop on the conference table with
+such a bang it would stop the whole world cold. _He knew something_
+that the conference doesn't know--"
+
+Tom Shandor stood up, trembling, and took the briefcase. "It should be
+here," he said. "If not the whole story, at least the missing pieces."
+He started for the booth door. "Go home," he said. "I'm going where I
+can examine these files without any interference. Then I'll call you."
+And then he was out the door, shouldering his way through the crowded
+restaurant, frantically weaving his way to the street. He didn't hear
+Ann's voice as she called after him to stop, didn't see her stop at the
+booth door, watch in a confusion of fear and tenderness, and collapse
+into the booth, sobbing as if her heart would break. Because a crazy,
+twisted, impossible idea was in his mind, an idea that had plagued him
+since he had started reading that morning, an idea with an answer, an
+acid test, folded in the briefcase under his arm. He bumped into a fat
+man at the bar, grunted angrily, and finally reached the street,
+whistled at the cab that lingered nearby.
+
+The car swung up before him, the door springing open automatically. He
+had one foot on the running board before he saw the trap, saw the tight
+yellowish face and the glittering eyes inside the cab. Suddenly there
+was an explosion of bright purple brilliance, and he was screaming,
+twisting and screaming and reeling backward onto the sidewalk, doubled
+over with the agonizing fire that burned through his side and down one
+leg, forcing scream after scream from his throat as he blindly staggered
+to the wall of the building, pounded it with his fists for relief from
+the searing pain. And then he was on his side on the sidewalk, sobbing,
+blubbering incoherently to the uniformed policeman who was dragging him
+gently to his feet, seeing through burning eyes the group of curious
+people gathering around. Suddenly realization dawned through the pain,
+and he let out a cry of anger and bolted for the curb, knocking the
+policeman aside, his eyes wild, searching the receding stream of traffic
+for the cab, a picture of the occupant burned indelibly into his mind, a
+face he had seen, recognized. The cab was gone, he knew, gone like a
+breath of wind. The briefcase was also gone--
+
+ * * * * *
+
+He gave the address of the Essex University Hospital to the cabby, and
+settled back in the seat, gripping the hand-guard tightly to fight down
+the returning pain in his side and leg. His mind was whirling, fighting
+in a welter of confusion, trying to find some avenue of approach, some
+way to make sense of the mess. The face in the cab recurred again and
+again before his eyes, the gaunt, putty-colored cheeks, the sharp
+glittering eyes. His acquaintance with Frank Mariel had been brief and
+unpleasant, in the past, but that was a face he would never forget. But
+how could Mariel have known where he would be, and when? There was
+precision in that attack, far too smooth precision ever to have been
+left to chance, or even to independent planning. His mind skirted the
+obvious a dozen times, and each time rejected it angrily. Finally he
+knew he could no longer reject the thought, the only possible answer.
+Mariel had known where he would be, and at what time. Therefore, someone
+must have told him.
+
+He stiffened in the seat, the pain momentarily forgotten. Only one
+person could have told Mariel. Only one person knew where the file was,
+and where it would be after he left the restaurant--he felt cold
+bitterness creep down his spine. She had known, and sat there making
+eyes at him, and telling him how wonderful he was, how she was with him
+no matter what happened--and she'd already sold him down the river. He
+shook his head angrily, trying to keep his thoughts on a rational plane.
+_Why?_ Why had she strung him along, why had she even started to help
+him? And why, above all, turn against her own father?
+
+The Hospital driveway crunched under the cab, and he hopped out, wincing
+with every step, and walked into a phone booth off the lobby. He gave a
+name, and in a moment heard the P.A. system echoing it: "Dr. Prex;
+calling Dr. Prex." In a moment he heard a receiver click off, and a
+familiar voice said, "Prex speaking."
+
+"Prex, this is Shandor. Got a minute?"
+
+The voice was cordial. "Dozens of them. Where are you?"
+
+"I'll be up in your quarters." Shandor slammed down the receiver and
+started for the elevator to the Resident Physicians' wing.
+
+He let himself in by a key, and settled down in the darkened room to
+wait an eternity before a tall, gaunt man walked in, snapped on a light,
+and loosened the white jacket at his neck. He was a young man, no more
+than thirty, with a tired, sober face and jet black hair falling over
+his forehead. His eyes lighted as he saw Shandor, and he grinned. "You
+look like you've been through the mill. What happened?"
+
+Shandor stripped off his clothes, exposing the angry red of the seared
+skin. The tall man whistled softly, the smile fading. Carefully he
+examined the burned area, his fingers gentle on the tender surface, then
+he turned troubled eyes to Shandor. "You've been messing around with
+dirty guys, Tom. Nobody but a real dog would turn a scalder on a man."
+He went to a cupboard, returned with a jar of salve and bandages.
+
+"Is it serious?" Shandor's face was deathly white. "I've been fighting
+shock with thiamin for the last hour, but I don't think I can hold out
+much longer."
+
+Prex shrugged. "You didn't get enough to do any permanent damage, if
+that's what you mean. Just fried the pain-receptors in your skin to a
+crisp, is all. A little dose is so painful you can't do anything but
+holler for a while, but it won't hurt you permanently unless you get it
+all over you. Enough can kill you." He dressed the burned areas
+carefully, then bared Shandor's arm and used a pressure syringe for a
+moment. "Who's using one of those things?"
+
+Shandor was silent for a moment. Then he said, "Look, Prex. I need some
+help, badly." His eyes looked up in dull anger. "I'm going to see a man
+tonight, and I want him to talk, hard and fast. I don't care right now
+if he nearly dies from pain, but I want him to talk. I need somebody
+along who knows how to make things painful."
+
+Prex scowled, and pointed to the burn. "This the man?"
+
+"That's the man."
+
+Prex put away the salve. "I suppose I'll help you, then. Is this
+official, or grudge?"
+
+"A little of both. Look, Prex, I know this is a big favor to ask, but
+it's on the level. Believe me, it's square, nothing shady about it. The
+method may not be legal, but the means are justified. I can't tell you
+what's up, but I'm asking you to trust me."
+
+Prex grinned. "You say it's all right, it's all right. When?"
+
+Shandor glanced at his watch. "About 3:00 this morning, I think. We can
+take your car."
+
+They talked for a while, and a call took the doctor away. Shandor slept
+a little, then made some black coffee. Shortly before three the two men
+left the Hospital by the Physicians' entrance, and Prex's little beat-up
+Dartmouth slid smoothly into the desultory traffic for the suburbs.
+
+ * * * * *
+
+The apartment was small and neatly furnished. Shandor and the Doctor had
+been admitted by a sleepy doorman who had been jolted to sudden
+attention by Tom's PIB card, and after five minutes pounding on the
+apartment door, a sleepy-eyed man opened the door a crack. "Say, what's
+the idea pounding on a man's door at this time of night? Haven't you--"
+
+Shandor gave the door a shove with his shoulder, driving it open into
+the room. "Shut up," he said bluntly. He turned so the light struck his
+face, and the little man's jaw dropped in astonishment. "Shandor!" he
+whispered.
+
+Frank Mariel looked like a weasel--sallow, sunken-cheeked, with a
+yellowish cast to his skin that contrasted unpleasantly with the coal
+black hair. "That's right," said Shandor. "We've come for a little talk.
+Meet the doctor."
+
+Mariel's eyes shifted momentarily to Prex's stoney face, then back to
+Shandor, ghosts of fear creeping across his face. "What do you want?"
+
+"I've come for the files."
+
+The little man scowled. "You've come to the wrong man. I don't have any
+files."
+
+Prex carefully took a small black case from his pocket, unsnapped a
+hinge, and a small, shiny instrument fell out in his hand. "The files,"
+said Shandor. "Who has them?"
+
+"I--I don't know--"
+
+Shandor smashed a fist into the man's face, viciously, knocking him
+reeling to the floor. "You tried to kill me tonight," he snarled. "You
+should have done it up right. You should stick to magazine editing and
+keep your nose out of dirty games, Mariel. Who has the files?"
+
+Mariel picked himself up, trembling, met Shandor's fist, and sprawled
+again, a trickle of blood appearing at his mouth. "Harry Dartmouth has
+the files," he groaned. "They're probably in Chicago now."
+
+"What do you know about Harry Dartmouth?"
+
+Mariel gained a chair this time before Shandor hit him. "I've only met
+him a couple of times. He's the president of Dartmouth Bearing
+Corporation and he's my boss--Dartmouth Bearing publishes '_Fighting
+World_.' I do what he tells me."
+
+Shandor's eyes flared. "Including murder, is that right?" Mariel's eyes
+were sullen. "Come on, talk! Why did Dartmouth want Ingersoll's personal
+files?"
+
+The man just stared sullenly at the floor. Prex pressed a stud on the
+side of the shiny instrument, and a purple flash caught Mariel's little
+finger. Mariel jerked and squealed with pain. "Speak up," said Shandor.
+"I didn't hear you."
+
+"Probably about the bonds," Mariel whimpered. His face was ashen, and he
+eyed Prex with undisguised pleading. "Look, tell him to put that thing
+away--"
+
+Shandor grinned without humor. "You don't like scalders, eh? Get a big
+enough dose, and you're dead, Mariel--but I guess you know that, don't
+you? Think about it. But don't think too long. What about the bonds?"
+
+"Ingersoll has been trying to get Dartmouth Bearing Corporation on legal
+grounds for years. Something about the government bonds they held,
+bought during the China wars. You know, surplus profits--Dartmouth
+Bearing could beat the taxes by buying bonds. Harry Dartmouth thought
+Ingersoll's files had some legal dope against them--he was afraid you'd
+try to make trouble for the company--"
+
+"So he hired his little pixie, eh? Seems to me you'd have enough on your
+hands editing that rag--"
+
+Mariel shot him an injured look. "'_Fighting World_' has the second
+largest magazine circulation in the country. It's a good magazine."
+
+"It's a warmonger propaganda rag," snapped Shandor. He glared at the
+little man. "What's your relation to Ingersoll?"
+
+"I hated his guts. He was carrying his lily-livered pacifism right to
+the White House, and I couldn't see it. So I fought him every inch of
+the way. I'll fight what he stands for now he's dead--"
+
+Shandor's eyes narrowed. "That was a mistake, Mariel. You weren't
+supposed to know he is dead." He walked over to the little man, whose
+face was a shade whiter yet. "Funny," said Shandor quietly. "You say you
+hated him, but I didn't get that impression at all."
+
+Mariel's eyes opened wide. "What do you mean?"
+
+"Everything you wrote for PIB seems to have treated him kindly."
+
+A shadow of deep concern crossed Mariel's face, as though for the first
+time he found himself in deep water. "PIB told me what to write, and I
+wrote it. You know how they work."
+
+"Yes, I know how they work. I also know that most of your writing, while
+you were doing Public Information Board work, was never ordered by PIB.
+Ever hear of Ben Chamberlain, Mariel? Or Frank Eberhardt? Or Jon
+Harding? Ever hear of them, Mariel?" Shandor's voice cut sharply through
+the room. "Ben Chamberlain wrote for every large circulation magazine in
+the country, after the Chinese war. Frank Eberhardt was the man behind
+Associated Press during those years. Jon Harding was the silent
+publisher of three newspapers in Washington, two in New York, and one in
+Chicago. Ever hear of those men, Mariel?"
+
+"No, no--"
+
+"You know damned well you've heard of them. Because _those men were all
+you_. Every single one of them--" Shandor was standing close to him,
+now, and Mariel sat like he had seen a ghost, his lower lip quivering,
+forehead wet. "No, no, you're wrong--"
+
+"No, no, I'm right," mocked Shandor. "I've been in the newspaper racket
+for a long time, Mariel. I've got friends in PIB--real friends, not the
+shamus crowd you're acquainted with that'll take you for your last
+nickel and then leave you to starve. Never mind how I found out. You
+hated Ingersoll so much you handed him bouquets all the time. How about
+it, Mariel? All that writing--you couldn't praise him enough. Boosting
+him, beating the drum for him and his policies--every trick and gimmick
+known in the propaganda game to give him a boost, make him the people's
+darling--how about it?"
+
+Mariel was shaking his head, his little eyes nearly popping with fright.
+"It wasn't him," he choked. "Ingersoll had nothing to do with it. It was
+Dartmouth Bearing. They bought me into the spots. Got me the newspapers,
+supported me. Dartmouth Bearing ran the whole works, and they told me
+what to write--"
+
+"Garbage! Dartmouth Bearing--the biggest munitions people in America,
+and I'm supposed to believe that they told you to go to bat for the
+country's strongest pacifist! What kind of sap do you take me for?"
+
+"It's true! Ingersoll had nothing to do with it, nothing at all."
+Mariel's voice was almost pleading. "Look, I don't know what Dartmouth
+Bearing had in mind. Who was I to ask questions? You don't realize their
+power, Shandor. Those bonds I spoke of--they hold millions of dollars
+worth of bonds! They hold enough bonds to topple the economy of the
+nation, they've got bonds in the names of ten thousand subsidiary
+companies. They've been telling Federal Economics Commission what to do
+for the past ten years! And they're getting us into this war,
+Shandor--lock, stock and barrel. They pushed for everything they could
+get, and they had the money, the power, the men to do whatever they
+wanted. You couldn't fight them, because they had everything sewed up so
+tight nobody could approach them--"
+
+Shandor's mind was racing, the missing pieces beginning, suddenly, to
+come out of the haze. The incredible, twisted idea broke through again,
+staggering him, driving through his mind like icy steel. "Listen,
+Mariel. I swear I'll kill you if you lie to me, so you'd better tell the
+truth. Who put you on my trail? Who told you Ingersoll was dead, and
+that I was scraping up Ingersoll's past?"
+
+The little man twisted his hands, almost in tears. "Harry Dartmouth told
+me--"
+
+"And who told Harry Dartmouth?"
+
+Mariel's voice was so weak it could hardly be heard. "The girl," he
+said.
+
+Shandor felt the chill deepen. "And where are the files now?"
+
+"Dartmouth has them. Probably in Chicago--I expressed them. The girl
+didn't dare send them direct, for fear you would check, or that she was
+being watched. I was supposed to pick them up from you, and see to it
+that you didn't remember--"
+
+Shandor clenched his fist. "Where are Dartmouth's plants located?"
+
+"The main plants are in Chicago and Newark. They've got a smaller one in
+Nevada."
+
+"And what do they make?"
+
+"In peacetime--cars. In wartime they make tanks and shells."
+
+"And their records? Inventories? Shipping orders, and files? Where do
+they keep them?"
+
+"I--I don't know. You aren't thinking of--"
+
+"Never mind what I'm thinking of, just answer up. Where are they?"
+
+"All the administration offices are in Chicago. But they'd kill you,
+Shandor--you wouldn't stand a chance. They can't be fought, I tell you."
+
+Shandor nodded to Prex, and started for the door. "Keep him here until
+dawn, then go on home, and forget what you heard. If anything happens,
+give me a ring at my home." He glared at Mariel. "Don't worry about me,
+bud--they won't be doing anything to me when I get through with them.
+They just won't be doing anything at all."
+
+ * * * * *
+
+The idea had crystallized as he talked to Mariel. Shandor's mind was
+whirling as he walked down toward the thoroughfare. Incredulously, he
+tried to piece the picture together. He had known Dartmouth Bearing was
+big--but that big? Mariel might have been talking nonsense, or he might
+have been reading the Gospel. Shandor hailed a cab, sat back in the seat
+scratching his head. How big could Dartmouth Bearing be? Could _any_
+corporation be that big? He thought back, remembering the rash of
+post-war scandals and profit-gouging trials, the anti-trust trials. In
+wartime, bars are let down, _no one_ can look with disfavor on the
+factories making the weapons. And if one corporation could buy, and
+expand, and buy some more--it might be too powerful to be prosecuted
+after the war--
+
+Shandor shook his head, realizing that he was skirting the big issue.
+Dartmouth Bearing connected up, in some absurd fashion, but there was a
+missing link. Mariel fit into one side of the puzzle, interlocking with
+Dartmouth. The stolen files might even fit, for that matter. But the
+idea grew stronger. A great, jagged piece in the middle of the puzzle
+was missing--the key piece which would tie everything together. He felt
+his skin prickle as he thought. An impossible idea--and yet, he
+realized, if it were true, everything else would fall clearly into
+place--
+
+He sat bolt upright. It _had_ to be true--
+
+He leaned forward and gave the cabby the landing field address, then sat
+back, feeling his pulse pounding through his arms and legs. Nervously he
+switched on the radio. The dial fell to some jazz music, which he
+tolerated for a moment or two, then flipped to a news broadcast. Not
+that news broadcasts really meant much, but he wanted to hear the
+Ingersoll story release for the day. He listened impatiently to a
+roundup of local news: David Ingersoll stricken with pneumonia, three
+Senators protesting the current tax bill--he brought his attention
+around sharply at the sound of a familiar name--
+
+"--disappeared from his Chicago home early this morning. Mr. Dartmouth
+is president of Dartmouth Bearing Corporation, currently engaged in the
+manufacture of munitions for Defense, and producing much of the
+machinery being used in the Moon-rocket in Arizona. Police are following
+all possible leads, and are confident that there has been no foul play.
+
+"On the international scene, the Kremlin is still blocking--" Shandor
+snapped off the radio abruptly, his forehead damp. Dartmouth
+disappeared, and with him the files--why? And where to go now to find
+them? If the idea that was plaguing him was true, sound, valid--he'd
+_have_ to have the files. His whole body was wet with perspiration as he
+reached the landing field.
+
+The trip to the Library of Congress seemed endless, yet he knew that the
+Library wouldn't be open until 8:00 anyway. Suddenly he felt a wave of
+extreme weariness sweep over him--when had he last slept? Bored, he
+snapped the telephone switch and rang PIB offices for his mail. To his
+surprise, John Hart took the wire, and exploded in his ear, "Where in
+hell have you been? I've been trying to get you all night. Listen, Tom,
+drop the Ingersoll story cold, and get in here. The faster the better."
+
+Shandor blinked. "Drop the story? You're crazy!"
+
+"_Get in here!_" roared Hart. "From now on you've _really_ got a job.
+The Berlin Conference blew up tonight, Tom--high as a kite. _We're at
+war with Russia--_"
+
+Carefully, Shandor plopped the receiver down on its hook, his hands like
+ice. Just one item first, he thought, just one thing I've got to know.
+_Then_ back to PIB, maybe.
+
+He found a booth in the Library, and began hunting, time pressing him
+into frantic speed. The idea was incredible, but it _had_ to be true.
+He searched the micro-film files for three hours before he found it, in
+a "Who's Who" dating back to 1958, three years before the war with
+China. A simple, innocuous listing, which froze him to his seat. He read
+it, unbelievingly, yet knowing that it was the only possible link.
+Finally he read it again.
+
+David P. Ingersoll. Born 1922, married 1947. Educated at Rutgers
+University and MIT. Worked as administrator for International Harvester
+until 1955. Taught Harvard University from 1955 to 1957.
+
+David P. Ingersoll, becoming, in 1958, the executive president of
+Dartmouth Bearing Corporation....
+
+ * * * * *
+
+He found a small, wooded glade not far from the Library, and set the
+'copter down skillfully, his mind numbed, fighting to see through the
+haze to the core of incredible truth he had uncovered. The great, jagged
+piece, so long missing, was suddenly plopped right down into the middle
+of the puzzle, and now it didn't fit. There were still holes, holes that
+obscured the picture and twisted it into a nightmarish impossibility. He
+snapped the telephone switch, tried three numbers without any success,
+and finally reached the fourth. He heard Dr. Prex's sharp voice on the
+wire.
+
+"Anything happen since I left, Prex?"
+
+"Nothing remarkable." The doctor's voice sounded tired. "Somebody tried
+to call Mariel on the visiphone about an hour after you had gone, and
+then signed off in a hurry when he saw somebody else around. Don't know
+who it was, but he sounded mighty agitated." The doctor's voice paused.
+"Anything new, Tom?"
+
+"Plenty," growled Shandor bitterly. "But you'll have to read it in the
+newspapers." He flipped off the connection before Prex could reply.
+
+Then Shandor sank back and slept, the sleep of total exhaustion, hoping
+that a rest would make the shimmering, indefinite picture hold still
+long enough for him to study it. And as he drifted into troubled sleep a
+greater and more pressing question wormed upward into his mind.
+
+He woke with a jolt, just as the sun was going down, and he knew then
+with perfect clarity what he had to do. He checked quickly to see that
+he had been undisturbed, and then manipulated the controls of the
+'copter. Easing the ship into the sky toward Washington, he searched out
+a news report on the radio, listened with a dull feeling in the pit of
+his stomach as the story came through about the breakdown of the Berlin
+Conference, the declaration of war, the President's meeting with
+Congress that morning, his formal request for full wartime power, the
+granting of permission by a wide-eyed, frightened legislature. Shandor
+settled back, staring dully at the ground moving below him, the whisps
+of evening haze rising over the darkening land. There was only one thing
+to do. He had to have Ingersoll's files. He knew only one way to get
+them.
+
+Half an hour later he was settling the ship down, under cover of
+darkness, on the vast grounds behind the Ingersoll estate, cutting the
+motors to effect a quiet landing. Tramping down the ravine toward the
+huge house, he saw it was dark; down by the gate he could see the
+Security Guard, standing in a haze of blue cigarette smoke under the
+dim-out lights. Cautiously he slipped across the back terrace, crossing
+behind the house, and jangled a bell on a side porch.
+
+Ann Ingersoll opened the door, and gasped as Shandor forced his way in.
+"Keep quiet," he hissed, slipping the door shut behind him. Then he
+sighed, and walked through the entrance into the large front room.
+
+"Tom! Oh, Tom, I was afraid-- Oh, _Tom_!" Suddenly she was in his arms
+sobbing, pressing her face against his shirt front. "Oh, I'm so glad to
+see you, Tom--"
+
+He disengaged her, turning from her and walking across the room. "Let's
+turn it off, Ann," he said disgustedly. "It's not very impressive."
+
+"Tom--I--I _wanted_ to tell you. I just didn't know what to do. I didn't
+believe them when they said you wouldn't be harmed, I was afraid. Oh,
+Tom, I wanted to tell you, believe me--"
+
+"You didn't tell me," he snapped. "They were nervous, they slipped up.
+That's the only reason I'm alive. They planned to kill me."
+
+She stared at him tearfully, shaking her head from side to side,
+searching for words. "I--I didn't want that--"
+
+He whirled, his eyes blazing. "You silly fool, what do you think you're
+doing when you play games with a mob like this? Do you think they're
+going to play fair? You're no clod, you know better than that--" He
+leaned over her, trembling with anger. "You set me up for a sucker, but
+the plan fell through. And now I'm running around loose, and if you
+thought I was dangerous before, you haven't seen anything like how
+dangerous I am now. You're going to tell me some things, now, and you're
+going to tell them straight. You're going to tell me where Harry
+Dartmouth went with those files, where they are right now. Understand
+that? _I want those files._ Because when I have them I'm going to do
+exactly what I started out to do. I'm going to write a story, the whole
+rotten story about your precious father and his two-faced life. I'm
+going to write about Dartmouth Bearing Corporation and all its flunky
+outfits, and tell what they've done to this country and the people of
+this country." He paused, breathing heavily, and sank down on a chair,
+staring at her. "I've learned things in the past twenty-four hours I
+never dreamed could be true. I should be able to believe anything, I
+suppose, but these things knocked my stilts out from under me. This
+country has been had--right straight down the line, for a dozen years.
+We've been sold down the river like a pack of slaves, and now we're
+going to get a look at the cold ugly truth, for once."
+
+She stared at him. "What do you mean--about my precious father--?"
+
+"Your precious father was at the bottom of the whole slimy mess."
+
+"No, no--not dad." She shook her head, her face chalky. "Harry
+Dartmouth, maybe, but not dad. Listen a minute. I didn't set you up for
+anything. I didn't know what Dartmouth and Mariel were up to. Dad left
+instructions for me to contact Harry Dartmouth immediately, in case he
+died. He told me that--oh, a year ago. Told me that before I did
+anything else, I should contact Dartmouth, and do as he said. So when he
+died, I contacted Harry, and kept in contact with him. He told me you
+were out to burn my father, to heap garbage on him after he was dead
+before the people who loved him, and he said the first thing you would
+want would be his personal files. Tom, I didn't know you, then--I knew
+Harry, and knew that dad trusted him, for some reason, so I believed
+him. But I began to realize that what he said wasn't true. I got the
+files, and he said to give them to you, to string you along, and he'd
+pick them up from you before you had a chance to do any harm with them.
+He said he wouldn't hurt you, but I--I didn't believe him, Tom. I
+believed you, that you wanted to give dad a fair shake--"
+
+Shandor was on his feet, his eyes blazing. "So you turned them over to
+Dartmouth anyway? And what do you think he's done with them? Can you
+tell me that? Where has he gone? Has he burnt them? If not, what's he
+going to do with them?"
+
+Her voice was weak, and she looked as if she were about to faint.
+"That's what I'm trying to tell you," she said, shakily. "He doesn't
+have them. I have them."
+
+Shandor's jaw dropped. "Now, wait a minute," he said softly. "You gave
+me the briefcase, Mariel snatched it and nearly killed me--"
+
+"A dummy, Tom. I didn't know who to trust, but I knew I believed you
+more than I believed Harry. Things happened so fast, and I was so
+confused--" She looked straight at him. "I gave you a dummy, Tom."
+
+His knees walked out from under him, then, and he sank into a chair.
+"You've got them here, then," he said weakly.
+
+"Yes. I have them here."
+
+ * * * * *
+
+The room was in the back of the house, a small, crowded study, with a
+green-shaded desk lamp. Shandor dumped the contents of the briefcase
+onto the desk, and settled down, his heart pounding in his throat. He
+started at the top of the pile, sifting, ripping out huge sheafs of
+papers, receipts, notes, journals, clippings. He hardly noticed when the
+girl slipped out of the room, and he was deep in study when she returned
+half an hour later with steaming black coffee. With a grunt of thanks he
+drank it, never shifting his attention from the scatter of papers,
+papers from the personal file of a dead man. And slowly, the picture
+unfolded.
+
+An ugly picture. A picture of deceit, a picture full of lies, full of
+secret promises, a picture of scheming, of plotting, planning,
+influencing, coercing, cheating, propagandizing--all with one
+single-minded aim, with a single terrible goal.
+
+Shandor read, numbly, his mind twisting in protest as the picture
+unfolded. David Ingersoll's control of Dartmouth Bearing Corporation and
+its growing horde of subsidiaries under the figurehead of his protege,
+Harry Dartmouth. The huge profits from the Chinese war, the relaxation
+of control laws, the millions of war-won dollars ploughed back into
+government bonds, in a thousand different names, all controlled by
+Dartmouth Bearing Corporation--
+
+And Ingersoll's own work in the diplomatic field--an incredibly
+skillful, incredibly evil channeling of power and pressure toward the
+inevitable goal, hidden under the cloak of peaceful respectability and
+popular support. The careful treaties, quietly disorganizing a dozen
+national economics, antagonizing the great nation to the East under the
+all too acceptable guise of "peace through strength." Reciprocal trade
+agreements bitterly antagonistic to Russian economic development. The
+continual bickering, the skillful manipulation hidden under the powerful
+propaganda cloak of a hundred publications, all coursing to one
+ultimate, terrible goal, all with one purpose, one aim--
+
+War. War with anybody, war in the field and war on the diplomatic front.
+Traces even remained of the work done within the enemy nations, bitter
+anti-Ingersoll propaganda from within the ranks of Russia herself,
+manipulated to strengthen Ingersoll in America, to build him up, to
+drive the nations farther apart, while presenting Ingersoll as the
+pathetic prince of world peace, fighting desperately to stop the
+ponderous wheels of the irresistible juggernaut--
+
+And in America, the constant, unremitting literary and editorial
+drumbeating, pressuring greater war preparation, distilling hatreds in a
+thousand circles, focussing them into a single channel. Tremendous
+propaganda pressure to build armies, to build weapons, to get the
+Moon-rocket project underway--
+
+Shandor sat back, eyes drooping, fighting to keep his eyes open. His
+mind was numb, his body trembling. A sheaf of papers in a separate
+folder caught his eye, production records of the Dartmouth Bearing
+Corporation, almost up to the date of Ingersoll's death. Shandor
+frowned, a snag in the chain drawing his attention. He peered at the
+papers, vaguely puzzled. Invoices from the Chicago plant, materials for
+tanks, and guns, and shells. Steel, chemicals. The same for the New
+Jersey plant, the same with a dozen subsidiary plants. Shipments of
+magnesium and silver wire to the Rocket Project in Arizona, carried
+through several subsidiary offices. The construction of a huge
+calculator for the Project in Arizona. Motors and materials, all for
+Arizona--something caught his mind, brought a frown to his large bland
+face, some off-key note in the monstrous symphony of production and
+intrigue that threw up a red flag in his mind, screamed for attention--
+
+And then he sipped the fresh coffee at his elbow and sighed, and looked
+up at the girl standing there, saw her hand tremble as she steadied
+herself against the desk, and sat down beside him. He felt a great
+confusion, suddenly, a vast sympathy for this girl, and he wanted to
+take her in his arms, hold her close, _protect_ her, somehow. She didn't
+know, she _couldn't_ know about this horrible thing. She couldn't have
+been a party to it, a part of it. He knew the evidence said yes, she
+knows the whole story, she _helped_ them, but he also knew that the
+evidence, somehow, was wrong, that somehow, he still didn't have the
+whole picture--
+
+She looked at him, her voice trembling. "You're wrong, Tom," she said.
+
+He shook his head, helplessly. "I'm sorry. It's horrible, I know. But
+I'm not wrong. This war was planned. We've been puppets on strings, and
+one man engineered it, from the very start. Your father."
+
+Her eyes were filled with tears, and she shook her head, running a tired
+hand across her forehead. "You didn't know him, Tom. If you did, you'd
+know how wrong you are. He was a great man, fine man, but above all he
+was a _good_ man. Only a monster could have done what you're thinking.
+Dad hated war, he fought it all his life. He couldn't be the monster you
+think."
+
+Tom's voice was soft in the darkened room, his eyes catching the
+downcast face of the trembling girl, fighting to believe in a phantom,
+and his hatred for the power that could trample a faith like that
+suddenly swelled up in bitter hopeless rage. "It's here, on paper, it
+can't be denied. It's hateful, but it's here, it's what I set out to
+learn. It's not a lie this time, Ann, it's the truth, and this time it's
+_got to be told_. I've written my last false story. This one is going to
+the people the way it is. This one is going to be the truth."
+
+He stopped, staring at her. The puzzling, twisted hole in the puzzle was
+suddenly there, staring him in the face, falling down into place in his
+mind with blazing clarity. Staring, he dived into the pile of papers
+again, searching, frantically searching for the missing piece, something
+he had seen, and passed over, the one single piece in the story that
+didn't make sense. And he found it, on the lists of materials shipped to
+the Nevada plant. Pig Iron. Raw magnesium. Raw copper. Steel, electron
+tubes, plastics, from all parts of the country, all being shipped to the
+Dartmouth Plant in Nevada--
+
+_Where they made only_ shells--
+
+At first he thought it was only a rumble in his mind, the shocking
+realization storming through. Then he saw Ann jump up suddenly,
+white-faced and race to the window, and he heard the small scream in her
+throat. And then the rumbling grew louder, stronger, and the house
+trembled. He heard the whine of jet planes scream over the house as he
+joined her at the window, heard the screaming whines mingled with the
+rumbling thunder. And far away, on the horizon, the red glare was
+glowing, rising, burning up to a roaring conflagration in the black
+night sky--
+
+"Washington!" Her voice was small, infinitely frightened.
+
+"Yes. That's Washington."
+
+"Then it really _has_ started." She turned to him with eyes wide with
+horror, and snuggled up to his chest like a frightened child. "Oh,
+Tom--"
+
+"It's here. What we've been waiting for. What your father started could
+never be stopped any other way than this--"
+
+The roar was louder now, rising to a whining scream as another squad of
+dark ships roared overhead, moving East and South, jets whistling in the
+night. "This is what your father wanted."
+
+She was crying, great sobs shaking her shoulders. "You're wrong, you're
+wrong--oh, Tom, you must be wrong--"
+
+His voice was low, almost inaudible in the thundering roar of the
+bombardment. "Ann, I've got to go ahead. I've got to go tonight. To
+Nevada, to the Dartmouth plant there. I know I'm right, but I have to
+go, to check something--to make sure of something." He paused, looking
+down at her. "I'll be back, Ann. But I'm afraid of what I'll find out
+there. I need you behind me. Especially with what I have to do, I need
+you. You've got to decide. Are you for me? Or against me?"
+
+She shook her head sadly, and sank into a chair, gently removing his
+hands from her waist. "I loved my father, Tom," she said in a beaten
+voice. "I can't help what he's done--I loved him. I--I can't be with
+you, Tom."
+
+ * * * * *
+
+Far below him he could see the cars jamming the roads leaving
+Washington. He could almost hear the noise, the screeching of brakes,
+the fistfights, the shouts, the blatting of horns. He moved south over
+open country, hoping to avoid the places where the 'copter might be
+spotted and stopped for questioning. He knew that Hart would have an
+alarm out for him by now, and he didn't dare risk being stopped until he
+reached his destination, the place where the last piece to the puzzle
+could be found, the answer to the question that was burning through his
+mind. Shells were made of steel and chemicals. The tools that made them
+were also made of steel. Not manganese. Not copper. Not electron relays,
+nor plastic, nor liquid oxygen. Just steel.
+
+The 'copter relayed south and then turned west over Kentucky. Shandor
+checked the auxiliary tanks which he had filled at the Library landing
+field that morning; then he turned the ship to robot controls and sank
+back in the seat to rest. His whole body clamored for sleep, but he knew
+he dare not sleep. Any slip, any contact with Army aircraft or Security
+patrol could throw everything into the fire-- For hours he sat, gazing
+hypnotically at the black expanse of land below, flying high over the
+pitch-black countryside. Not a light showed, not a sign of life.
+
+Bored, he flipped the radio button, located a news broadcast. "--the
+bombed area did not extend west of the Appalachians. Washington DC was
+badly hit, as were New York and Philadelphia, and further raids are
+expected to originate from Siberia, coming across the great circle to
+the West coast or the Middle west. So far the Enemy appears to have
+lived up to its agreement in the Ingersoll pact to outlaw use of atomic
+bombs, for no atomic weapons have been used so far, but the damage with
+block-busters has been heavy. All citizens are urged to maintain
+strictest blackout regulations, and to report as called upon in local
+work and civil defense pools as they are set up. The attack began--"
+
+Shandor sighed, checked his instrument readings. Far in the East the
+horizon was beginning to lighten, a healthy, white-grey light. His
+calculations placed him over Eastern Nebraska, and a few moments later
+he nosed down cautiously and verified his location. Lincoln Airbase was
+in a flurry of activity; the field was alive with men, like little black
+ants, preparing the reserve fighters and pursuits for use in a fever of
+urgent speed. Suddenly the 'copter radio bleeped, and Tom threw the
+switch. "Over."
+
+An angry voice snarled, "You up there, whoever you are, where'd you
+leave your brains? No civilian craft are allowed in the air, and that's
+orders straight from Washington. Don't you know there's a war on? Now
+get down here, before you're shot down--"
+
+Shandor thought quickly. "This is a Federal Security ship," he snapped.
+"I'm just on a reconnaissance--"
+
+The voice was cautious. "Security? What's your corroboration number?"
+
+Shandor cursed. "JF223R-864. Name is Jerry Chandler. Give it a check if
+you want to." He flipped the switch, and accelerated for the ridge of
+hills that marked the Colorado border as the radio signal continued to
+bleep angrily, and a trio of pursuit planes on the ground began warming
+up. Shandor sighed, hoping they would check before they sent ships after
+him. It might at least delay them until he reached his destination.
+
+Another hour carried him to the heart of the Rockies, and across the
+great salt fields of Utah. His fuel tanks were low, being emptied one by
+one as the tiny ship sped through the bright morning sky, and Tom was
+growing uneasy, until suddenly, far to the west and slightly to the
+north he spotted the plant, nestling in the mountain foothills. It lay
+far below, sprawling like some sort of giant spider across the rugged
+terrain. Several hundred cars spread out to the south of the plant, and
+he could see others speeding in from the temporary village across the
+ridge. Everything was quiet, orderly. He could see the shipments,
+crated, sitting in freight cars to the north. And then he saw the drill
+line running over to the right of the plant. He followed it, quickly
+checking a topographical map in the cockpit, and his heart started
+pounding. The railroad branch ran between two low peaks and curved out
+toward the desert. Moving over it, he saw the curve, saw it as it cut
+off to the left--and seemed to stop dead in the middle of the desert
+sand--
+
+Shandor circled even lower, keeping one ear cocked on the radio, and
+settled the ship on the railroad line. And just as he cut the motors, he
+heard the shrill whine of three pursuit ships screaming in from the
+Eastern horizon--
+
+He was out of the 'copter almost as soon as it had touched, throwing a
+jacket over his arm, and racing for the place where the drill line
+ended. Because he had seen as he slid in for a landing, just what he had
+suspected from the topographical map. The drill didn't end in the middle
+of a desert at all. It went right on into the mountainside.
+
+The excavation was quite large, the entrance covered and camouflaged
+neatly to give the very impression that he had gotten from the air.
+Under the camouflage the space was crowded, stacked with crates, boxes,
+materials, stacked all along the walls of the tunnel. He followed the
+rails in, lighting his way with a small pocket flashlight when the
+tunnel turned a corner, cutting off the daylight. Suddenly the tunnel
+widened, opening out into a much wider room. He sensed, rather than saw,
+the immense size of the vault, smelt the odd, bitter odor in the air.
+With the flashlight he probed the darkness, spotting the high, vaulted
+ceiling above him. And below him--
+
+At first he couldn't see, probing the vast excavation before him, and
+then, strangely, he saw but couldn't realize what he saw. He stared for
+a solid minute, uncomprehending, then, stifling a gasp, he _knew what he
+was looking at_--
+
+Lights. He had to have lights, to see clearly what he couldn't believe.
+Frantically, he spun the flashlight, seeking a light panel, and then,
+fascinated, he turned the little oval of light back to the pit. And then
+he heard the barest whisper of sound, the faintest intake of breath, and
+he ducked, frozen, as a blow whistled past his ear. A second blow from
+the side caught him solidly in the blackness, grunting, flailing out
+into a tangle of legs and arms, cursing, catching a foot in his face,
+striking up into soft, yielding flesh--
+
+And his head suddenly exploded into a million dazzling lights as he sank
+unconscious to the ground--
+
+ * * * * *
+
+It was a tiny room, completely without windows, the artificial light
+filtering through from ventilation slits near the top. Shandor sat up,
+shaking as the chill in the room became painfully evident. A small
+electric heater sat in the corner beaming valiantly, but the heat hardly
+reached his numbed toes. He stood up, shaking himself, slapping his arms
+against his sides to drive off the coldness--and he heard a noise
+through the door as soon as he had made a sound.
+
+Muted footsteps stopped outside the door, and a huge man stepped inside.
+He looked at Shandor carefully, then closed the door behind him, without
+locking it. "I'm Baker," he rasped cheerfully. "How are you feeling?"
+
+Shandor rubbed his head, suddenly and acutely aware of a very sore nose
+and a bruised rib cage. "Not so hot," he muttered. "How long have I been
+out?"
+
+"Long enough." The man pulled out a plug of tobacco, ripped off a chunk
+with his teeth. "Chew?"
+
+"I smoke." Shandor fished for cigarettes in an empty pocket.
+
+"Not in here you don't," said Baker. He shrugged his huge shoulders and
+settled affably down on a bench near the wall. "You feel like talking?"
+
+Shandor eyed the unlocked door, and turned his eyes to the huge man.
+"Sure," he said. "What do you want to talk about?"
+
+"I don't want to talk about nothin'," the big man replied,
+indifferently. "Thought you might, though."
+
+"Are you the one that roughed me up?"
+
+"Yuh." Baker grinned. "Hope I didn't hurt you much. Boss said to keep
+you in one piece, but we had to hurry up, and take care of those Army
+guys you brought in on your tail. That was dumb. You almost upset
+everything."
+
+Memory flooded back, and Shandor's eyes widened. "Yes--they followed me
+all the way from Lincoln--what happened to them?"
+
+Baker grinned and chomped his tobacco. "They're a long way away now.
+Don't worry about them."
+
+Shandor eyed the door uneasily. The latch hadn't caught, and the door
+had swung open an inch or two. "Where am I?" he asked, inching toward
+the door. "What--what are you planning to do to me?"
+
+Baker watched him edging away. "You're safe," he said. "The boss'll talk
+to you pretty soon if you feel like it--" He squinted at Tom in
+surprise, pointing an indolent thumb toward the door. "You planning to
+go out or something?"
+
+Tom stopped short, his face red. The big man shrugged. "Go ahead. I
+ain't going to stop you." He grinned. "Go as far as you can."
+
+Without a word Shandor threw open the door, looked out into the concrete
+corridor. At the end was a large, bright room. Cautiously he started
+down, then suddenly let out a cry and broke into a run, his eyes wide--
+
+He reached the room, a large room, with heavy plastic windows. He ran to
+one of the windows, pulse pounding, and stared, a cry choking in his
+throat. The blackness of the crags contrasted dimly with the inky
+blackness of the sky beyond. Mile upon mile of jagged, rocky crags,
+black rock, ageless, unaged rock. And it struck him with a jolt how
+easily he had been able to run, how lightning-swift his movements. He
+stared again, and then he saw what he had seen in the pit, standing high
+outside the building on a rocky flat, standing bright and silvery, like
+a phantom finger pointing to the inky heavens, sleek, smooth, resting on
+polished tailfins, like an other-worldly bird poised for flight--
+
+A voice behind him said, "You aren't really going anyplace, you know.
+Why run?" It was a soft voice, a kindly voice, cultured, not rough and
+biting like Baker's voice. It came from directly behind Shandor, and he
+felt his skin crawl. He had heard that voice before--many times before.
+Even in his dreams he had heard that voice. "You see, it's pretty cold
+out there. And there isn't any air. You're on the Moon, Mr. Shandor--"
+
+He whirled, his face twisted and white. And he stared at the small
+figure standing at the door, a stoop-shouldered man, white hair slightly
+untidy, crow's-feet about his tired eyes. An old man, with eyes that
+carried a sparkle of youth and kindliness. The eyes of David P.
+Ingersoll.
+
+ * * * * *
+
+Shandor stared for a long moment, shaking his head like a man seeing a
+phantom. When he found words, his voice was choked, the words wrenched
+out as if by force. "You're--you're alive."
+
+"Yes. I'm alive."
+
+"Then--" Shandor shook his head violently, turning to the window, and
+back to the small, white-haired man. "Then your death was just a fake."
+
+The old man nodded tiredly. "That's right. Just a fake."
+
+Shandor stumbled to a chair, sat down woodenly. "I don't get it," he
+said dully. "I just don't get it. The war--that--that I can see. I can
+see how you worked it, how you engineered it, but this--" he gestured
+feebly at the window, at the black, impossible landscape outside.
+"This I can't see. They're bombing us to pieces, they're bombing out
+Washington, probably your own home, your own family--last night--"
+he stopped, frowning in confusion--"no, it couldn't have been last
+night--two days ago?--well, whatever day it was, they were bombing us to
+pieces, and you're up here--_why_? What's it going to get you? This
+war, this whole rotten intrigue mess, and then _this_?"
+
+The old man walked across the room and stared for a moment at the silent
+ship outside. "I hope I can make you understand. We had to come here. We
+had no choice. We couldn't do what we wanted any other way than to come
+here--_first_. Before anybody else."
+
+"But why _here_? They're building a rocket there in Arizona. They'll be
+up here in a few days, maybe a few weeks--"
+
+"Approximately forty-eight hours," corrected Ingersoll quietly. "Within
+forty-eight hours the Arizona rocket will be here. If the Russian rocket
+doesn't get here first."
+
+"It doesn't make sense. It won't do you any good to be here if the Earth
+is blasted to bits. Why come here? And why bring _me_ here, of all
+people? What do you want with me?"
+
+Ingersoll smiled and sat down opposite Shandor. "Take it easy," he said
+gently. "You're here, you're safe, and you're going to get the whole
+story. I realize that this is a bit of a jolt--but you had to be jolted.
+With you I think the jolt will be very beneficial, since we want you
+with us. That's why we brought you here. We need your help, and we need
+it very badly. It's as simple as that."
+
+Shandor was on his feet, his eyes blazing. "No dice. This is your game,
+not mine. I don't want anything to do with it--"
+
+"But you don't know the game--"
+
+"I know plenty of the game. I followed the trail, right from the start.
+I know the whole rotten mess. The trail led me all the way around Robin
+Hood's barn, but it told me things--oh, it told me plenty! It told me
+about you, and this war. And now you want me to help you! What do you
+want me to do? Go down and tell the people it isn't really so bad being
+pounded to shreds? Should I tell them they aren't really being bombed,
+it's all in their minds? Shall I tell them this is a war to defend their
+freedoms, that it's a great crusade against the evil forces of the
+world? What kind of a sap do you think I am?" He walked to the window,
+his whole body trembling with anger. "I followed this trail down to the
+end, I scraped my way down into the dirtiest, slimiest depths of the
+barrel, and I've found you down there, and your rotten corporations, and
+your crowd of heelers. And on the other side are three hundred million
+people taking the lash end of the whip on Earth, helping to feed you.
+And you ask me to help you!"
+
+"Once upon a time," Ingersoll interrupted quietly, "there was a fox."
+
+Shandor stopped and stared at him.
+
+"--and the fox got caught in a trap. A big bear trap, with steel jaws,
+that clamped down on him and held him fast by the leg. He wrenched and
+he pulled, but he couldn't break that trap open, no matter what he did.
+And the fox knew that the farmer would come along almost any time to
+open that bear trap, and the fox knew the farmer would kill him. He knew
+that if he didn't get out of that trap, he'd be finished, sure as sin.
+But he was a clever fox, and he found a way to get out of the bear
+trap." Ingersoll's voice was low, tense in the still room. "Do you know
+what he did?"
+
+Shandor shook his head silently.
+
+"It was a very simple solution," said Ingersoll. "Drastic, but simple.
+_He gnawed off his leg._"
+
+Another man had entered the room, a small, weasel-faced man with sallow
+cheeks and slick black hair. Ingersoll looked up with a smile, but
+Mariel waved him on, and took a seat nearby.
+
+"So he chewed off his leg," Shandor repeated dully. "I don't get it."
+
+"The world is in a trap," said Ingersoll, watching Shandor with quiet
+eyes. "A great big bear trap. It's been in that trap for decades--ever
+since the first World War. The world has come to a wall it can't climb,
+a trap it can't get out of, a vicious, painful, torturous trap, and the
+world has been struggling for seven decades to get out. It hasn't
+succeeded. And the time is drawing rapidly nigh for the farmer to come.
+Something had to be done, and done fast, before it was too late. The fox
+had to chew off its leg. And I had to bring the world to the brink of a
+major war."
+
+Shandor shook his head, his mind buzzing. "I don't see what you mean. We
+never had a chance for peace, we never had a chance to get our feet on
+the ground from one round to the next. No time to do anything worthwhile
+in the past seventy years--I don't see what you mean about a trap."
+
+Ingersoll settled back in his chair, the light catching his face in
+sharp profile. "It's been a century of almost continuous war," he said.
+"You've pointed out the whole trouble. We haven't had time to catch our
+breath, to make a real peace. The first World War was a sorry affair, by
+our standards--almost a relic of earlier European wars. Trench fighting,
+poor rifles, soap-box aircraft--nothing to distinguish it from earlier
+wars but its scope. But twenty uneasy years went by, and another war
+began, a very different sort of war. This one had fast aircraft, fast
+mechanized forces, heavy bombing, and finally, to cap the climax,
+atomics. That second World War could hold up its head as a real,
+strapping, fighting war in any society of wars. It was a stiff war, and
+a terrible one. Quite a bit of progress, for twenty years. But
+essentially, it was a war of ideologies, just as the previous one had
+been. A war of intolerance, of unmixable ideas--"
+
+The old man paused, and drew a sip of water from the canister in the
+corner. "Somewhere, somehow, the world had missed the boat. Those wars
+didn't solve anything, they didn't even make a very strong pretense.
+They just made things worse. Somewhere, human society had gotten into a
+trap, a vicious circle. It had reached the end of its progressive
+tether, it had no place to go, no place to expand, to great common goal.
+So ideologies arose to try to solve the dilemma of a basically static
+society, and they fought wars. And they reached a point, finally, where
+they could destroy themselves unless they broke the vicious circle,
+somehow."
+
+Shandor looked up, a deep frown on his face. "You're trying to say that
+they needed a new frontier."
+
+"Exactly! They desperately needed it. There was only one more frontier
+they could reach for. A frontier which, once attained, has no real end."
+He gestured toward the black landscape outside. "There's the frontier.
+Space. The one thing that could bring human wars to an end. A vast,
+limitless frontier which could drive men's spirits upward and outward
+for the rest of time. And that frontier seemed unattainable. It was
+blocked off by a wall, by the jaws of a trap. Oh, they tried. After the
+first war the work began. The second war contributed unimaginably to the
+technical knowledge. But after the second war, they could go no further.
+Because it cost money, it required a tremendous effort on the part of
+the people of a great nation to do it, and they couldn't see why they
+should spend the money to get to space. After all, they had to work up
+the atomics and new weapons for the next war--it was a trap, as strong
+and treacherous as any the people of the world had ever encountered.
+
+"The answer, of course, was obvious. Each war brought a great surge of
+technological development, to build better weapons, to fight bigger
+wars. Some developments led to extremely beneficial ends, too--if it
+hadn't been for the second war, a certain British biologist might still
+be piddling around his understaffed, underpaid laboratory, wishing he
+had more money, and wondering why it was that that dirty patch of mold
+on his petri dish seemed to keep bacteria from growing--but the second
+war created a sudden, frantic, urgent demand for something, anything,
+that would _stop infection--fast_. And in no time, penicillin was in
+mass production, saving untold thousands of lives. There was no question
+of money. Look at the Manhattan project. How many millions went into
+that? It gave us atomic power, for war, and for peace. For peaceful
+purposes, the money would never have been spent. But if it was for the
+sake of war--"
+
+Ingersoll smiled tiredly. "Sounds insane, doesn't it? But look at the
+record. I looked at the record, way back at the end of the war with
+China. Other men looked at the record, too. We got together, and talked.
+We knew that the military advantage of a rocket base on the moon could
+be a deciding factor in another major war. Military experts had
+recognized that fact back in the 1950's. Another war could give men the
+technological kick they needed to get them to space--possibly _in time_.
+If men got to space before they destroyed themselves, the trap would be
+broken, the frontier would be opened, and men could turn their energies
+away from destruction toward something infinitely greater and more
+important. With space on his hands men could get along without wars. But
+if we waited for peacetime to go to space, we might never make it. It
+might be too late.
+
+"It was a dreadful undertaking. I saw the wealth in the company I
+directed and controlled at the end of the Chinese war, and the idea grew
+strong. I saw that a huge industrial amalgamation could be undertaken,
+and succeed. We had a weapon in our favor, the most dangerous weapon
+ever devised, a thousand times more potent than atomics. Hitler used it,
+with terrible success. Stalin used it. Haro-Tsing used it. Why couldn't
+Ingersoll use it? Propaganda--a terrible weapon. It could make people
+think the right way--it could make them think almost _any_ way. It made
+them think war. From the end of the last war we started, with
+propaganda, with politics, with money. The group grew stronger as our
+power became more clearly understood. Mariel handled propaganda through
+the newspapers, and PIB, and magazines--a clever man--and Harry
+Dartmouth handled production. I handled the politics and diplomacy. We
+had but one aim in mind--to bring about a threat of major war that would
+drive men to space. To the moon, to a man-made satellite, _somewhere or
+anywhere_ to break through the Earth's gravity and get to space. And we
+aimed at a controlled war. We had the power to do it, we had the money
+and the plants. We just had to be certain it wasn't the _ultimate_ war.
+It wasn't easy to make sure that atomic weapons wouldn't be used this
+time--but they will not. Both nations are too much afraid, thanks to our
+propaganda program. They both leaped at a chance to make a face-saving
+agreement. And we hoped that the war could be held off until we got to
+the moon, and until the Arizona rocket project could get a ship launched
+for the moon. The wheels we had started just moved too fast. I saw at
+the beginning of the Berlin Conference that it would explode into war,
+so I decided the time for my 'death' had arrived. I had to come here, to
+make sure the war doesn't go on any longer than necessary."
+
+Shandor looked up at the old man, his eyes tired. "I still don't see
+where I'm supposed to fit in. I don't see why you came here at all. Was
+that a wild-goose chase I ran down there, learning about this?"
+
+"Not a wild goose chase. The important work can't start, you see, until
+the rocket gets here. It wouldn't do much good if the Arizona rocket got
+here, to fight the war. It may come for war, but it must go back for
+peace. We built this rocket to get us here first--built it from
+government specifications, though they didn't know it. We had the plant
+to build it in, and we were able to hire technologists _not_ to find the
+right answers in Arizona until we were finished. Because the whole value
+of the war-threat depended solely and completely upon our getting here
+_first_. When the Arizona rocket gets to the moon, the war must be
+stopped. Only then can we start the real 'operation Bear Trap.' That
+ship, whether American or Russian, will meet with a great surprise when
+it reaches the Moon. We haven't been spotted here. We left in darkness
+and solitude, and if we were seen, it was chalked off as a guided
+missile. We're well camouflaged, and although we don't have any sort of
+elaborate base--just a couple of sealed rooms--we have a ship and we
+have weapons. When the first ship comes up here, the control of the
+situation will be in our hands. Because when it comes, it will be sent
+back with an ultimatum to _all_ nations--to cease warfare, or suffer the
+most terrible, nonpartisan bombardment the world has ever seen. A
+pinpoint bombardment, from our ship, here on the Moon. There won't be
+too much bickering I think. The war will stop. All eyes will turn to us.
+And then the big work begins."
+
+He smiled, his thin face showing tired lines in the bright light. "I
+may die before the work is done. I don't know, nor care. I have no
+successor, nor have we any plans to perpetuate our power once the work
+is done. As soon as the people themselves will take over the work, the
+job is theirs, because no group can hope to ultimately control space.
+But first people must be sold on space, from the bottom up. They must be
+forced to realize the implications of a ship on the moon. They must
+realize that the first ship was the hardest, that the trap is sprung.
+The amputation is a painful one, there wasn't any known anaesthetic, but
+it will heal, and from here there is no further need for war. But the
+people must see that, understand its importance. They've got to have the
+whole story, in terms that they can't mistake. And that means a
+propagandist--"
+
+"You have Mariel," said Shandor. "He's had the work, the experience--"
+
+"He's getting tired. He'll tell you himself his ideas are slow, he isn't
+on his toes any longer. He needs a new man, a helper, to take his place.
+When the first ship comes, his job is done." The old man smiled. "I've
+watched you, of course, for years. Mariel saw that you were given his
+job when he left PIB to edit '_Fighting World_.' He didn't think you
+were the man, he didn't trust you--thought you had been raised too
+strongly on the sort of gibberish you were writing. I thought you were
+the only man we could use. So we let you follow the trail, and watched
+to see how you'd handle it. And when you came to the Nevada plant, we
+_knew_ you were the man we had to have--"
+
+Shandor scowled, looking first at Ingersoll, then at Mariel's impassive
+face. "What about Ann?" he asked, and his voice was unsteady. "She knew
+about it all the time?"
+
+"No. She didn't know anything about it. We were afraid she had upset
+things when she didn't turn my files over to Dartmouth as he'd told her.
+We were afraid you'd go ahead and write the story as you saw it then,
+which would have wrecked our plan completely. As it was, she helped us
+sidestep the danger in the long run, but she didn't know what she was
+really doing." He grinned. "The error was ours, of course. We simply
+underestimated our man. We didn't know you were that tenacious."
+
+Shandor's face was haggard. "Look. I--I don't know what to think. This
+ship in Arizona--how long? When will it come? How do you know it'll ever
+come?"
+
+"We waited until our agents there gave us a final report. The ship may
+be leaving at any time. But there's no doubt that it'll come. If it
+doesn't, one from Russia will. It won't be long." He looked at Shandor
+closely. "You'll have to decide by then, Tom."
+
+"And if I don't go along with you?"
+
+"We could lose. It's as simple as that. Without a spokesman, the plan
+could fall through completely. There's only one thing you need to make
+your decision, Tom--faith in men, and a sure conviction that man was
+made for the stars, and not for an endless circle of useless wars. Think
+of it, Tom. That's what your decision means."
+
+Shandor walked to the window, stared out at the bleak landscape, watched
+the great bluish globe of earth, hanging like a huge balloon in the
+black sky. He saw the myriad pinpoints of light in the blackness on all
+sides of it, and shook his head, trying to think. So many things to
+think of, so very many things--
+
+"I don't know," he muttered. "I just don't know--"
+
+ * * * * *
+
+It was a long night. Ideas are cruel, they become a part of a man's
+brain, an inner part of his chemistry, they carve grooves deep in his
+mind which aren't easily wiped away. He knew he'd been living a lie, a
+bitter, hopeless, endless lie, all his life, but a liar grows to believe
+his own lies. Even to the point of destruction, he believes them. It was
+so hard to see the picture, now that he had the last piece in place.
+
+A fox, and a bear trap. Such a simple analogy. War was a hellish
+proposition, it was cruel, it was evil. It could be lost, so very
+easily. And it seemed so completely, utterly senseless to cut off one's
+own leg--
+
+And then he thought, somewhere, sometime, he'd see her again. Perhaps
+they'd be old by then, but perhaps not--perhaps they'd still be young,
+and perhaps she wouldn't know the true story yet. Perhaps he could be
+the first to tell her, to let her know that he had been wrong-- Maybe
+there could be a chance to be happy, on Earth, sometime. They might
+marry, even, there might be children. To be raised for what? Wars and
+wars and more wars? Or was there another alternative? Perhaps the stars
+were winking brighter--
+
+ * * * * *
+
+A hoarse shout rang through the quiet rooms. Ingersoll sat bolt upright,
+turned his bright eyes to Mariel, and looked down the passageway. And
+then they were crowding to the window as one of the men snapped off the
+lights in the room, and they were staring up at the pale bluish globe
+that hung in the sky, squinting, breathless--
+
+And they saw the tiny, tiny burst of brightness on one side of that
+globe, saw a tiny whisp of yellow, cutting an arc from the edge, moving
+farther and farther into the black circle of space around the Earth,
+slicing like a thin scimitar, moving higher and higher, and then,
+magically, winking out, leaving a tiny, evaporating trail behind it.
+
+"You saw it?" whispered Mariel in the darkness. "You saw it, David?"
+
+"Yes. I saw it." Ingersoll breathed deeply, staring into the blackness,
+searching for a glimmer, a glint, some faint reassurance that it had not
+been a mirage they had seen. And then Ingersoll felt a hand in his, Tom
+Shandor's hand, gripping his tightly, wringing it, and when the lights
+snapped on again, he was staring at Shandor, tears of happiness
+streaming from his pale, tired eyes. "You saw it?" he whispered.
+
+Shandor nodded, his heart suddenly too large for his chest, a peace
+settling down on him greater than any he had ever known in his life.
+
+"They're coming," he said.
+
+
+
+
+Transcriber's Note:
+
+ This etext was produced from _Fantastic Universe_ December 1957.
+ Extensive research did not uncover any evidence that the U.S.
+ copyright on this publication was renewed. Minor spelling and
+ typographical errors have been corrected without note.
+
+
+
+
+
+End of the Project Gutenberg EBook of Bear Trap, by Alan Edward Nourse
+
+*** END OF THIS PROJECT GUTENBERG EBOOK BEAR TRAP ***
+
+***** This file should be named 31094.txt or 31094.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/3/1/0/9/31094/
+
+Produced by Greg Weeks, Stephen Blundell and the Online
+Distributed Proofreading Team at https://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/31094.zip b/31094.zip
new file mode 100644
index 0000000..f4a2b36
--- /dev/null
+++ b/31094.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..35c3b37
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #31094 (https://www.gutenberg.org/ebooks/31094)