summaryrefslogtreecommitdiff
path: root/31038-h
diff options
context:
space:
mode:
Diffstat (limited to '31038-h')
-rw-r--r--31038-h/31038-h.htm1893
-rw-r--r--31038-h/images/cover61july.jpgbin0 -> 23134 bytes
-rw-r--r--31038-h/images/illo36.pngbin0 -> 22134 bytes
3 files changed, 1893 insertions, 0 deletions
diff --git a/31038-h/31038-h.htm b/31038-h/31038-h.htm
new file mode 100644
index 0000000..6d19370
--- /dev/null
+++ b/31038-h/31038-h.htm
@@ -0,0 +1,1893 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml">
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=ISO-8859-1" />
+<title>The Project Gutenberg eBook of The Real Hard Sell, by Wiliam W. Stuart</title>
+<style type="text/css">
+/*<![CDATA[ XML blockout */
+ /* slight differences for print and screen */
+ @media print {
+ span.pgmark {border: 0 !important; }
+ hr.pg {display: none; visibility: hidden; }
+ .main p {margin-bottom: 0.25em;
+ text-indent: 2em; }
+ body {margin-right: 0;
+ margin-left: 0; }
+ ins.TN {text-decoration: none;
+ border-bottom: 0; }
+ }
+ @media screen {
+ span.pgmark {border-top: thin solid silver;
+ border-bottom: thin solid silver;
+ display: inline!important;
+ visibility: visible!important;
+ position: absolute; left: 1%; }
+ p {margin-bottom: 0.75em;
+ text-indent: 0; }
+ body {margin-left: 10%;
+ margin-right: 10%;}
+ ins.TN {text-decoration: none;
+ border-bottom: thin dotted silver;}
+ }
+
+ body {font-size: medium; }
+
+ h1 {text-indent: 0;
+ text-align: left;
+ font-family: sans-serif;
+ font-weight: normal;
+ font-size: 320%;
+ margin: 0 auto;
+ word-spacing: 0.15em;
+ padding-top: 1em; padding-bottom: 0.5em; }
+
+ div.main {margin-left: auto;
+ margin-right: auto;
+ margin-top: 0;
+ padding-top: 3em;
+ padding-bottom: 3em;
+ max-width: 32em; }
+ div.main p {text-align: justify;
+ margin-top: 0;
+ line-height: 1.3; }
+
+ /* for transcriber's note */
+ div.tnote {border: dashed 1px;
+ padding: .5em;
+ margin-top: 3em; margin-bottom: 6em;
+ page-break-before: always;
+ page-break-after: always; }
+ div.tnote p {text-indent: 0;
+ margin-top: .5em;
+ font-size: 85%;}
+ div.tnote h3 {text-indent: 0;
+ text-align: left;
+ font-size: 110%;
+ font-style: normal;
+ font-weight: bold;
+ padding-top: 60px;
+ letter-spacing: 0;}
+ .clearup {clear: left; line-height: 0; }
+
+ p.blurb {text-indent: 0!important;
+ text-align: justify!important;
+ font-family: sans-serif;
+ font-size: 110%;
+ margin: 2em auto 0 auto!important;
+ line-height: 2!important; }
+ p.author {text-indent: 0!important;
+ text-align: left!important;
+ font-family: sans-serif;
+ font-size: 110%;
+ margin: 0 auto 0 0!important; }
+
+ div.illus {margin: 4em 0;
+ text-align: center; }
+
+ span.pgmark {display: none; visibility: hidden; /* over-ridden for screen devices */
+ font-size: x-small;
+ font-family: serif;
+ font-variant: normal;
+ font-style: normal;
+ font-weight: normal;
+ line-height: 1.2;
+ letter-spacing: 0;
+ text-indent: 0; text-align: left;
+ margin: 0; padding: .05em 0.5em !important; }
+
+ hr {background-color: black; color: inherit; padding: 0;}
+
+ .ns {display: none; visibility: hidden; }
+ em, cite {font-style: italic; }
+ .tb {padding-top: 1.7em; }
+ .noindent {text-indent: 0!important; }
+ .framed {border: thin solid black; }
+ .fltleft {float: left; width: auto; margin-right: 4em; }
+ .fltright {float: right; width: auto; margin-left: 4em; }
+ .nw {white-space: nowrap; }
+ .uc {text-transform: uppercase; margin-left: -4px; }
+ .drop {font-size: 275%;
+ float: left; width: auto;
+ line-height: 90%;
+ padding-right: 4px;}
+
+ /* XML end ]]>*/
+</style>
+</head>
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of The Real Hard Sell, by William W Stuart
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Real Hard Sell
+
+Author: William W Stuart
+
+Illustrator: Anonymous
+
+Release Date: January 21, 2010 [EBook #31038]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE REAL HARD SELL ***
+
+
+
+
+Produced by Robert Cicconetti, David Wilson and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+
+</pre>
+
+
+<hr class="pg" />
+
+<div class="tnote">
+<img class="framed fltleft" src="images/cover61july.jpg" width="192" height="282"
+ alt="If: Worlds of Science Fiction" title="Magazine Cover" />
+<h3>Transcriber&#8217;s note:</h3>
+<p>This story was published in <cite>If: Worlds of Science Fiction</cite>, July 1961.
+Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.</p><p class="clearup">&nbsp;</p>
+
+
+</div>
+
+<div class="main">
+
+<p class="blurb"><a name="png.001" id="png.001"></a><span class="ns">[p </span><span
+ class="pgmark">25</span><span class="ns">]<br
+ /></span>Naturally human work was more creative, more inspiring,
+more important than robot drudgery. Naturally it was
+the most important task in all the world &hellip; or was it?</p>
+
+
+
+
+<h1>THE REAL HARD
+SELL</h1>
+
+<p class="author">BY WILLIAM W. STUART</p>
+
+
+<p class="noindent tb"><span class="drop">B</span><span class="uc">en Tilman</span> sat down in
+the easiest of all easy
+chairs. He picked up a magazine,
+flipped pages; stood up,
+snapped fingers; walked to
+the view wall, walked back;
+sat down, picked up the magazine.</p>
+
+<p>He was waiting, near the
+end of the day, after hours, in
+the lush, plush waiting room&mdash;&ldquo;The
+customer&#8217;s ease is the
+Sales Manager&#8217;s please&rdquo;&mdash;to
+see the Old Man. He was fidgety,
+but not about something.
+About nothing. He was irritated
+at nobody, at the world;
+at himself.</p>
+
+<p>He was irritated at himself
+because there was no clear
+reason for him to be irritated
+at anything.</p>
+
+<p>There he sat, Ben Tilman,
+normally a cheerful, pleasant
+young man. He was a salesman
+like any modern man and
+a far better salesman than
+most. He had a sweet little
+wife, blonde and pretty. He
+had a fine, husky two-year-old
+boy, smart, a real future National
+Sales Manager. He
+loved them both. He had every
+reason to be contented with
+his highly desirable, comfortable
+lot.</p>
+
+<p>And yet he had been getting
+more sour and edgy ever since
+about six months after the
+baby came home from the
+Center and the novelty of responsibility
+for wife and child
+had worn off. He had now
+quit three jobs, good enough
+sales jobs where he was doing
+well, in a year. For no reason?
+<a name="png.002" id="png.002"></a><span class="ns">[p </span><span
+ class="pgmark">26</span><span class="ns">]
+ </span>For petty, pointless reasons.</p>
+
+<p>With Ancestral Insurance,
+&ldquo;Generations of Protection,&rdquo;
+he&#8217;d made the Billion Dollar
+Club&mdash;and immediately begun
+to feel dissatisfied with it&mdash;just
+before cute, sexy, blonde
+Betty had suddenly come from
+nowhere into his life and he
+had married her. That had
+helped, sure. But as soon after
+that as he had started paying
+serious attention to his job
+again, he was fed up with it.
+&ldquo;Too much paper work. All
+those forms. It&#8217;s work for a
+robot, not a man,&rdquo; he&#8217;d told
+Betty when he quit. A lie. The
+paper work was, as he looked
+back on it, not bad at all;
+pleasant even, in a way. It
+was just&mdash;nothing. Anything.</p>
+
+<p>Indoor-Outdoor Climatizers&mdash;sniffles,
+he said, kept killing
+his sales presentation even
+though his record was good
+enough. Ultra-sonic toothbrushes,
+then, were a fine
+product. Only the vibration,
+with his gold inlay, seemed to
+give him headaches after every
+demonstration. He didn&#8217;t
+<em>have</em> a gold inlay. But the
+headaches were real enough.
+So he quit.</p>
+
+<p>So now he had a great new
+job with a great organization,
+Amalgamated<!-- original reads 'Almagamated' --> Production for
+Living&mdash;ALPRODLIV. He
+was about to take on his first
+big assignment.</p>
+
+<p>For that he had felt a spark
+of the old enthusiasm and it
+had carried him into working
+out a bright new sales
+<!-- 003.png p26 column 2 -->approach for the deal tonight.
+The Old Man himself had
+taken a personal interest,
+which was a terrific break.
+And still Ben Tilman felt that
+uneasy dissatisfaction. Damn.</p>
+
+<p>&ldquo;Mr. Robb will see you now,
+Mr. Tilman,&rdquo; said the cool robot
+voice from the Elec-Sec
+Desk. It was after customer
+hours and the charming human
+receptionist had gone.
+The robot secretary, like most
+working robots, was functional
+in form&mdash;circuits and
+wires, mike, speaker, extension
+arms to type and to reach
+any file in the room, wheels
+for intra-office mobility.</p>
+
+<p>&ldquo;Thanks, hon,&rdquo; said Ben.
+Nevertheless, robot secretaries
+were all programmed
+and rated female&mdash;and it was
+wise to be polite to them. After
+all, they could think and
+had feelings. There were a lot
+of important things they could
+do for a salesman&mdash;or, sometimes,
+not do. This one, being
+helpful, stretched out a long
+metal arm to open the door to
+the inner office for Ben. He
+smiled his appreciation and
+went in.<br class="ns" /></p>
+
+
+<p class="noindent tb"><span class="drop">T</span><span class="uc">he</span> Old Man, Amalgamated&#8217;s
+grand old salesman,
+was billiard bald, aging, a little
+stout and a little slower
+now. But he was still a fine
+sales manager. He sat at his
+huge, old fashioned oak desk
+as Ben walked across the
+office.</p>
+
+<p>&ldquo;Evening, sir.&rdquo; No
+<a name="png.004" id="png.004"></a><span class="ns">[p </span><span
+ class="pgmark">27</span><span class="ns">]
+ </span>response. Louder, &ldquo;Good evening,
+Mr. Robb. Mr. Robb, it&#8217;s
+Ben, sir. Ben Tilman. You
+memo&#8217;d me to <span class="nw">come&mdash;</span>&rdquo; Still
+no sign. The eyes, under the
+great, beetling brows, seemed
+closed.</p>
+
+<p>Ben grinned and reached
+out across the wide desk toward
+the small, plastic box
+hanging on the Old Man&#8217;s
+chest. The Old Man glanced
+up as Ben tapped the plastic
+lightly with his fingernail.</p>
+
+<p>&ldquo;Oh, Ben. It&#8217;s you.&rdquo; The Old
+Man raised his hand to adjust
+the ancient style hearing aid
+he affected as Ben sank into
+a chair. &ldquo;Sorry Ben. I just
+had old Brannic Z-IX in here.
+A fine old robot, yes, but like
+most of that model, long-winded.
+<span class="nw">So&mdash;</span>&rdquo; He gestured at the
+hearing aid.</p>
+
+<p>Ben smiled. Everyone knew
+the Old Man used that crude
+old rig so he could pointedly
+tune out conversations he
+didn&#8217;t care to hear. Any time
+you were talking to him and
+that distant look came into his
+half closed eyes, you could be
+sure that you were cut off.</p>
+
+<p>&ldquo;Sorry, Ben. Well now. I
+simply wanted to check with
+you, boy. Everything all set
+for tonight?&rdquo;</p>
+
+<p>&ldquo;Well, yes, sir. Everything
+is set and programmed. Betty
+and I will play it all evening
+for the suspense, let them
+wonder, build it up&mdash;and
+then, instead of the big pitch
+they&#8217;ll be looking for, we&#8217;ll let
+it go easy.&rdquo;</p>
+
+<p><!-- 005.png p27 column 2 -->&ldquo;A new twist on the old
+change-up. Ben, boy, it&#8217;s going
+to go. I feel it. It&#8217;s in the air,
+things are just ripe for a new,
+super-soft-sell pitch. Selling
+you&#8217;ve got to do by feel, eh
+Ben? By sales genius and the
+old seat of the pants. Good.
+After tonight I&#8217;m going all
+out, a hemisphere-wide, thirty
+day campaign.<!-- original lacks period --> I&#8217;ll put the top
+sales artist of every regional
+office on it. They can train on
+your test pattern tapes. I believe
+we can turn over billions
+before everybody picks up the
+signal and it senilesces. You
+give an old man a new faith
+in sales, Ben! You&#8217;re a <em>salesman</em>.&rdquo;</p>
+
+<p>&ldquo;Well, <span class="nw">sir&mdash;</span>&rdquo; But the Old
+Man&#8217;s knack with the youthful-enthusiasm
+approach was
+contagious. For the moment
+Ben caught it and he felt
+pretty good about the coming
+night&#8217;s work. He and Betty
+together would put the deal
+over. That would be something.</p>
+
+<p>Sure it would&hellip;</p>
+
+<p>&ldquo;How do you and your wife
+like the place, Ben?&rdquo; It was
+some place, for sure, the brand
+new house that Amalgamated
+had installed Ben, Betty and
+Bennie in the day after he had
+signed up.</p>
+
+<p>&ldquo;It&#8217;s&mdash;uh&mdash;just fine, sir.
+Betty likes it very much,
+really. We both do.&rdquo; He hoped
+his tone was right.</p>
+
+<p>&ldquo;Good, Ben. Well, be sure
+to stop by in the morning.
+I&#8217;ll have the tapes, of course,
+<a name="png.006" id="png.006"></a><span class="ns">[p </span><span
+ class="pgmark">28</span><span class="ns">]
+ </span>but I&#8217;ll want your analysis.
+Might be a little vacation
+bonus in it for you, too.&rdquo;</p>
+
+<p>&ldquo;Sir, I don&#8217;t know how to
+thank you.&rdquo;</p>
+
+<p>The Old Man waved a hand.
+&ldquo;Nothing you won&#8217;t have
+earned, my boy. Robots can&#8217;t
+sell.&rdquo; That was the set dismissal.</p>
+
+<p>&ldquo;Yes, sir. Robots can&#8217;t manage
+sales, <span class="nw">or&mdash;</span>&rdquo; He winked.
+The Old Man chuckled. An old
+joke was never too old for the
+Old Man. The same old bromides
+every time; and the
+same hearty chuckle. Ben left
+on the end of it.<br class="ns" /></p>
+
+
+<p class="noindent tb"><span class="drop">D</span><span class="uc">ialing</span> home on his new,
+Company-owned, convertible
+soar-kart, he felt not too
+bad. Some of the old lift in
+spirits came as the kart-pilot
+circuits digested the directions,
+selected a route and
+zipped up into a north-north-west
+traffic pattern. The Old
+Man was a wonderful sales
+manager and boss. The new
+house-warming pitch that he
+and Betty would try tonight
+was smart. He could feel he
+had done something.</p>
+
+<p>Exercising his sales ability
+with fair success, he fed himself
+this pitch all along the
+two hundred mile, twenty-minute
+hop home from the
+city. The time and distance
+didn&#8217;t bother him. &ldquo;Gives me
+time to think,&rdquo; he had told
+Betty. Whether or not this
+seemed to her an advantage,
+she didn&#8217;t say. At least she
+<!-- 007.png p28 column 2 -->liked the place,
+ &ldquo;Amalgamated&#8217;s<!-- original reads "Almalgamated's" -->
+Country Gentleman
+Estate&mdash;Spacious, Yet fully
+Automated.&rdquo;</p>
+
+<p>&ldquo;We are,&rdquo; the Old Man told
+Ben when he was given the
+Company-assigned quarters,
+&ldquo;starting a new trend. With
+the terrific decline in birth
+rate during the past 90 to 100
+years, you&#8217;ll be astonished at
+how much room there is out
+there. No reason for everyone
+to live in the suburban centers
+any more. With millions
+of empty apartments in them,
+high time we built something
+else, eh? Trouble with people
+today, no initiative in obsolescing.
+But we&#8217;ll move them.&rdquo;</p>
+
+<p>Home, Ben left the kart out
+and conveyed up the walk. The
+front door opened. Betty had
+been watching for him. He
+walked to the family vueroom,
+as usual declining to convey
+in the house. The hell with
+the conveyor&#8217;s feelings, if so
+simple a robot really had any.
+He <em>liked</em> to walk.</p>
+
+<p>&ldquo;Color pattern,&rdquo; Betty ordered
+the vuescreen as he
+came in, &ldquo;robot audio out.&rdquo;
+With people talking in the
+house it was still necessary to
+put the machines under master
+automatic and manual
+control. Some of the less
+sophisticated robots might
+pick up some chance phrase of
+conversation and interpret it
+as an order if left on audio.</p>
+
+<p>&ldquo;Ben,&rdquo; said Betty, getting
+up to meet him, &ldquo;you&#8217;re late.&rdquo;</p>
+
+<p>Ben was too good a salesman
+<a name="png.008" id="png.008"></a><span class="ns">[p </span><span
+ class="pgmark">29</span><span class="ns">]
+ </span>to argue that. Instead,
+he took her in his arms and
+kissed her. It was a very good
+sixty seconds later that she
+pushed him away with a
+severeness destroyed by a
+blush and a giggle to say,
+&ldquo;Late but making up for lost
+time, huh? And sober, too.
+You must be feeling good for
+a change.&rdquo;</p>
+
+<p>&ldquo;Sure&mdash;and you feel even
+better, sugar.&rdquo; He reached for
+her again. She slipped away
+from him, laughing, but his
+wrist tel-timer caught on the
+locket she always wore, her
+only memento<!-- original reads 'momento' --> from her parents,
+dead in the old moon-orb
+crash disaster. She stood still,
+slightly annoyed, as he unhooked
+and his mood was, not
+broken, but set back a little.
+&ldquo;What&#8217;s got into you tonight
+anyway, Ben?&rdquo;</p>
+
+<p>&ldquo;Oh, I don&#8217;t know. Did I
+tell you, the O.M. may give
+us a vacation? Remember
+some of those nights up at
+that new &lsquo;Do It Yourself&rsquo;
+Camp last summer?&rdquo;</p>
+
+<p>&ldquo;Ben!&rdquo; She blushed, smiled.
+&ldquo;We won&#8217;t get any vacation
+if we blow our house-warming
+pitch tonight, you know. And
+we have three couples due
+here in less than a half hour.
+Besides, I have to talk to you
+about Nana.&rdquo;<br class="ns" /></p>
+
+
+<p class="noindent tb"><span class="drop">&ldquo;T</span><span class="uc">hat</span> damned new CD-IX
+model. Now what?&rdquo;</p>
+
+<p>&ldquo;She&#8217;s very upset about
+Bennie. I&#8217;m not sure I blame
+her. This afternoon he simply
+<!-- 009.png p29 column 2 -->refused his indoctrination. All
+the time he should have been
+playing store with Playmate
+he insisted on <em>drawing</em> things&mdash;himself,
+mind you, not
+Playmate. On the walls, with
+an old pencil of yours he
+found someplace in your
+things. Nana couldn&#8217;t do a
+thing with him. She says
+you&#8217;ve got to give him a spanking.&rdquo;</p>
+
+<p>&ldquo;Why me? Why not you?&rdquo;</p>
+
+<p>&ldquo;Now Ben, we&#8217;ve been over
+that and over it. Discipline is
+the father&#8217;s job.&rdquo;</p>
+
+<p>&ldquo;Well, I won&#8217;t do it. Bennie&#8217;s
+just a baby. Let him do
+a few things himself. Won&#8217;t
+hurt him.&rdquo;</p>
+
+<p>&ldquo;Ben!&rdquo;</p>
+
+<p>&ldquo;That Nana is an officious
+busybody, trying to run our
+lives.&rdquo;</p>
+
+<p>&ldquo;Oh, Ben! You know Nana
+loves little Bennie. She only
+wants to help him.&rdquo;</p>
+
+<p>&ldquo;But to what?&rdquo;</p>
+
+<p>&ldquo;She&#8217;d never dream of lifting
+a finger against Bennie no
+matter what he did. And she
+lives in terror that he&#8217;ll cut
+her switch in some temper tantrum.&rdquo;</p>
+
+<p>&ldquo;Hmph! Well, I&#8217;m going up
+right now and tell her if I
+hear another word from her
+about spanking Bennie, I&#8217;ll
+cut her switch myself. Then
+she can go back to Central for
+reprogramming and see how
+she likes it.&rdquo;</p>
+
+<p>&ldquo;Ben! You wouldn&#8217;t.&rdquo;</p>
+
+<p>&ldquo;Why not? Maybe she needs
+a new personality?&rdquo;</p>
+
+<p><a name="png.010" id="png.010"></a><span class="ns">[p </span><span
+ class="pgmark">30</span><span class="ns">]<br
+ /></span>&ldquo;You won&#8217;t say a thing to
+her. You&#8217;re too soft-hearted.&rdquo;</p>
+
+<p>&ldquo;This time I won&#8217;t be.&rdquo;</p>
+
+<p>This time he wasn&#8217;t. He met
+Nana CD-IX in the hallway
+outside Bennie&#8217;s room. Like
+all nurse, teaching, and children&#8217;s
+personal service robots,
+she was human in form, except
+for her control dial safely
+out of baby&#8217;s reach, top, center.</p>
+
+<p>The human form was reassuring
+to children, kept
+them from feeling strange
+with parents<!-- original reads "parent's" --> back. Nana was
+big, gray-haired, stout, buxom,
+motherly, to reassure parents.</p>
+
+<p>&ldquo;Now, Mr. Tilman,&rdquo; she
+said with weary impatience,
+&ldquo;you are too late. Surely you
+don&#8217;t intend to burst in and
+disturb your son now.&rdquo;</p>
+
+<p>&ldquo;Surely I do.&rdquo;</p>
+
+<p>&ldquo;But he is having his supper.
+You will upset him. Can&#8217;t
+you understand that you
+should arrange to be here between
+5:30 and 6 if you wish
+to interview the child?&rdquo;</p>
+
+<p>&ldquo;Did he miss me? Sorry, I
+couldn&#8217;t make it earlier. But
+now I am going to see him a
+minute.&rdquo;</p>
+
+<p>&ldquo;Mr. Tilman!&rdquo;</p>
+
+<p>&ldquo;Nana! And what&#8217;s this
+about your wanting Bennie
+spanked because he drew a
+few pictures?&rdquo;</p>
+
+<p>&ldquo;Surely you realize these
+are the child&#8217;s formative
+years, Mr. Tilman. He should
+be learning to think in terms
+of selling now&mdash;not <em>doing</em>
+things. That&#8217;s robot work, Mr.
+<!-- 011.png p30 column 2 -->
+Tilman. Robots can&#8217;t sell, you
+know, and what will people,
+let alone robots think if you
+let your boy grow <span class="nw">up&mdash;</span>&rdquo;<br class="ns" /></p>
+
+
+<p class="noindent tb"><span class="drop">&ldquo;H</span><span class="uc">e</span>&#8217;s growing up fine; and
+I am going in to see
+him.&rdquo;</p>
+
+<p>&ldquo;Mr. Tilman!&rdquo;</p>
+
+<p>&ldquo;<em>And</em> for two credits, Nana,
+I&#8217;d cut your switch. You hear
+me?&rdquo;</p>
+
+<p>&ldquo;Mr. Tilman&mdash;no! No,
+please. I&#8217;m sorry. Let the boy
+scrawl a bit; perhaps it won&#8217;t
+hurt him. Go in and see him
+if you must, but do try not to
+upset him <span class="nw">or&mdash;</span> All right, all
+right. But please Mr. Tilman,
+my <span class="nw">switch&mdash;</span>&rdquo;</p>
+
+<p>&ldquo;Very well Nana. I&#8217;ll leave
+it. This time.&rdquo;</p>
+
+<p>&ldquo;Thank you, Mr. Tilman.&rdquo;</p>
+
+<p>&ldquo;So we understand each
+other, Nana. Though, matter
+of fact, I&#8217;m hanged if I ever
+did quite see why you senior-level
+robots get so worked up
+about your identities.&rdquo;</p>
+
+<p>&ldquo;Wouldn&#8217;t you, Mr. Tilman?&rdquo;</p>
+
+<p>&ldquo;Of course. But&mdash;well, yes,
+I suppose I do see, in a way.
+Let&#8217;s go see Bennie-boy.&rdquo;</p>
+
+<p>So Ben Tilman went into
+the nursery and enjoyed every
+second of a fast fifteen-minute
+roughhouse with his round-faced,
+laughing, chubby son
+and heir. No doubt it was
+very bad, just after supper.
+But Nana, with a rather humanly
+anxious restraint, confined
+herself to an unobtrusive
+look of disapproval.</p>
+
+<p><a name="png.012" id="png.012"></a><span class="ns">[p </span><span
+ class="pgmark">31</span><span class="ns">]<br
+ /></span>He left Bennie giggling and
+doubtless upset, at least to a
+point of uneagerness for
+Nana&#8217;s bedtime story about
+Billie the oldtime newsboy,
+who sold the Brooklyn Bridge.</p>
+
+<p>So then he was run through
+a fast ten-minute shower,
+shave and change by Valet.
+He floated downstairs just as
+Betty came out of the cocktail
+lounge to say, &ldquo;Code 462112
+on the approach indicator.
+Must be the Stoddards. They
+always get every place first,
+in time for an extra drink.&rdquo;</p>
+
+<p>&ldquo;Fred and Alice, yes. But
+damn their taste for gin, don&#8217;t
+let Barboy keep the cork in
+the vermouth all evening. I
+like a touch of vermouth. I
+wonder if maybe I <span class="nw">shouldn&#8217;t&mdash;</span>&rdquo;</p>
+
+<p>&ldquo;No, you shouldn&#8217;t mix the
+cocktails yourself and scandalize
+everybody. You know
+perfectly well Barboy really
+does do better anyway.&rdquo;</p>
+
+<p>&ldquo;Well, maybe. Everything
+all set, hon? Sorry I was late.&rdquo;</p>
+
+<p>&ldquo;No trouble here. I just fed
+Robutler the base program
+this morning and spent the
+rest of the day planning my
+side of our Sell. How to tantalize
+the girls, pique the curiosity
+without giving it away.
+But you <span class="nw">know&mdash;</span>&rdquo; she laughed
+a little ruefully&mdash;&ldquo;I sort of
+miss not having even the
+shopping to do. Sometimes it
+hardly seems as though you
+need a wife at all.&rdquo;</p>
+
+<p>Ben slid an arm around her
+waist. &ldquo;Selling isn&#8217;t the only
+<!-- 013.png p31 column 2 -->thing robots can&#8217;t do, sugar.&rdquo;
+He pulled her close.</p>
+
+<p>&ldquo;Ben! They&#8217;re at the door.&rdquo;</p>
+
+<p>They were, and then in the
+door, oh-ing and ah-ing over
+this and that. And complimenting
+Barboy on the martinis.
+Then the Wilsons came
+and the Bartletts and that
+was it.</p>
+
+<p>&ldquo;Three couples will be
+right,&rdquo; Ben had analyzed it.
+&ldquo;Enough so we can let them
+get together and build up each
+others&#8217; curiosity but not too
+many for easy control. People
+that don&#8217;t know us so well
+they might be likely to guess
+the gimmick. We&#8217;ll let them
+stew all evening while they
+enjoy the Country Gentleman
+House-Warming hospitality.
+Then, very casually, we toss
+it out and let it lie there in
+front of them. They will be
+sniffing, ready to nibble. The
+clincher will drive them right
+in. I&#8217;d stake my sales reputation
+on it.&rdquo; If it matters a
+damn, he added. But silently.</p>
+
+<p>They entertained three couples
+at their house-warming
+party. It was a delightful party,
+a credit to Ben, Betty and
+the finest built-in house robots
+the mind of Amalgamated
+could devise.</p>
+
+<p>By ten o&#8217;clock they had
+dropped a dozen or more random
+hints, but never a sales
+pitch. Suspense was building
+nicely when Betty put down
+an empty glass and unobtrusively
+pushed the button to
+cue Nana. Perfect timing.
+<a name="png.014" id="png.014"></a><span class="ns">[p </span><span
+ class="pgmark">32</span><span class="ns">]
+ </span>They apologized to the guests,
+&ldquo;We&#8217;re ashamed to be so old-fashioned
+but we feel better
+if we look in on the boy when
+he wakes in the night. It keeps
+him from forgetting us.&rdquo;</p>
+
+<p>Then they floated off upstairs
+together, ostensibly to
+see Nana and little Bennie.</p>
+
+<p>Fred Stoddard: &ldquo;Some place
+they have here, eh? Off-beat.
+A little too advanced for my
+taste, this single dwelling
+idea, but maybe&mdash;Ben sure
+must have landed something
+juicy with Amalgamated to
+afford this. What the devil is
+he pushing, anyway?&rdquo;</p>
+
+<p>Scoville Wilson (shrug):
+&ldquo;Beats me. You know, before
+dinner I cornered him at the
+bar to see if I could slip in a
+word or two of sell. Damned
+if he didn&#8217;t sign an order for
+my Cyclo-sell Junior Tape Library
+without<!-- original reads 'with out' --> even a C level
+resistance. Then he talked a
+bit about the drinks and I
+thought sure he was pushing
+that new model Barboy. I was
+all set to come back with a
+sincere &lsquo;think it over&rsquo;&mdash;and
+then he took a bottle from the
+Barboy, added a dash of vermouth
+to his drink and walked
+off without a word of sell. He
+always was an odd one.&rdquo;</p>
+
+<p>Lucy Wilson (turns from
+woman talk with the other
+two wives): &ldquo;Oh no! I knew
+it wasn&#8217;t the Barboy set. They
+wouldn&#8217;t have him set so slow.
+Besides didn&#8217;t you hear the
+way she carried on about the
+nursery and that lovely Nana?
+<!-- 015.png p32 column 2 -->That must have been a build-up,
+but Ben goofed his cue to
+move in on Sco and me for a
+close. Doesn&#8217;t Amalgamated
+handle those nurseries?&rdquo;</p>
+
+<p>Tom Bartlett: &ldquo;Amalgamated
+makes almost anything.
+That&#8217;s the puzzle. I dunno&mdash;but
+it must be something big.
+He has to hit us with something,
+doesn&#8217;t he?&rdquo;</p>
+
+<p>Belle Bartlett: &ldquo;Who ever
+heard of a party without a
+sell?&rdquo;</p>
+
+<p>Nancy Stoddard: &ldquo;Who ever
+heard of a party going past
+ten without at least a warm-up
+pitch? And Betty promised
+Fred to send both Ben
+and Bennie to the Clinic for
+their Medchecks. You know
+we have the newest, finest
+<span class="nw">diagnosticians&mdash;</span>&rdquo;</p>
+
+<p>Fred Stoddard: &ldquo;Nancy!&rdquo;</p>
+
+<p>Nancy Stoddard: &ldquo;Oh, I&#8217;m
+sorry. I shouldn&#8217;t be selling
+you folks at <em>their</em> party,
+should I? Come to think,
+you&#8217;re all signed with Fred
+anyway, aren&#8217;t you? Well,
+about Ben, <em>I</em> <span class="nw">think&mdash;</span>&rdquo;</p>
+
+<p>Lucy Wilson: &ldquo;Sh-h-h!
+Here they come.&rdquo;<br class="ns" /></p>
+
+
+<p class="noindent tb"><span class="drop">S</span><span class="uc">miling</span>, charming&mdash;and
+still not an order form in
+sight&mdash;Ben and Betty got
+back to their guests. Another
+half hour. Barboy was passing
+around with nightcaps.
+Lucy Wilson nervously put a
+reducegar to her sophisticated,
+peppermint-striped lips.</p>
+
+<p>Quickly Ben Tilman was on
+his feet. He pulled a small,
+<a name="png.016" id="png.016"></a><span class="ns">[p </span><span
+ class="pgmark">33</span><span class="ns">]
+ </span>metal cylinder from his pocket
+with a flourish and held it
+out on his open palm toward
+Lucy. A tiny robot Statue of
+Liberty climbed from the cylinder,
+walked across Ben&#8217;s
+hand, smiled, curtsied and
+reached out to light the reducegar
+with her torch, piping
+in a high, thin voice,
+&ldquo;Amalgamated reducegars are
+cooler, lighter, finer.&rdquo;</p>
+
+<p>&ldquo;Ben! How simply darling!&rdquo;</p>
+
+<p>&ldquo;Do you like it? It&#8217;s a new
+thing from Amalgamated NovelDiv.
+You can program it for
+up to a hundred selective sell
+phrases, audio or visio key.
+Every salesman should have
+one. Makes a marvelous gift,
+and surprisingly reasonable.&rdquo;</p>
+
+<p>&ldquo;So that&#8217;s it, Ben. I just
+love it!&rdquo;</p>
+
+<p>&ldquo;Good! It&#8217;s yours, compliments
+of Amalgamated.&rdquo;</p>
+
+<p>&ldquo;But&mdash;then you&#8217;re not selling
+them? Well, what on
+earth&mdash;?&rdquo;</p>
+
+<p>&ldquo;Damn it, Ben,&rdquo; Fred Stoddard
+broke in, &ldquo;come on,
+man, out with it. What in hell
+<em>are</em> you selling? You&#8217;ve given
+us the shakes. What is it? The
+Barboy set? It&#8217;s great. If I
+can scrape up the down payment,
+<span class="nw">I&#8217;ll&mdash;</span>&rdquo;</p>
+
+<p>&ldquo;<em>After</em> we furnish a nursery
+with a decent Nana, Fred
+Stoddard,&rdquo; Nancy snapped,
+&ldquo;and get a second soar-kart.
+Ben isn&#8217;t selling Barboys anyway,
+are you. Ben? It <em>is</em> that
+sweet, sweet Nana, isn&#8217;t it?
+And I do want one, the whole
+nursery, Playmate and all,
+<!-- 017.png p33 column 2 -->girl-programmed of course,
+for our Polly.&rdquo;</p>
+
+<p>&ldquo;<em>Is</em> it the nursery, Betty?&rdquo;
+Lucy pitched in her credit&#8217;s
+worth. &ldquo;Make him tell us,
+darling. We have enjoyed
+everything so much, the dinner,
+the Tri-deo, this whole
+lovely, lovely place of yours.
+Certainly the house warming
+has been perfectly charming.&rdquo;</p>
+
+<p>&ldquo;And that&#8217;s it,&rdquo; said Ben
+smiling, a sheaf of paper
+forms suddenly in his hand.</p>
+
+<p>&ldquo;What? Not&mdash;?&rdquo;</p>
+
+<p>&ldquo;The house, yes. Amalgamated&#8217;s
+Country Gentleman
+Estate, complete, everything
+in it except Bennie, Betty and
+me. Your equity in your Center
+co-op can serve as down
+payment, easy three-generation
+terms, issue insurance.
+Actually, I can show you how,
+counting in your entertainment,
+vacation, incidental, and
+living expenses, the Country
+Gentleman will honestly cost
+you less.&rdquo;</p>
+
+<p>&ldquo;Ben!&rdquo;</p>
+
+<p>&ldquo;How simply too clever!&rdquo;</p>
+
+<p>Ben let it rest there. It was
+enough. Fred Stoddard, after
+a short scuffle with Scoville
+Wilson for the pen, signed the
+contract with a flourish. Sco
+followed.</p>
+
+<p>&ldquo;There!&rdquo;</p>
+
+<p>&ldquo;There now, Ben,&rdquo; said Betty,
+holding Bennie a little
+awkwardly in her arms in the
+soar-kart. They had moved
+out so the Stoddards could
+move right in. Now they were
+on their way in to their
+<a name="png.018" id="png.018"></a><span class="ns">[p </span><span
+ class="pgmark">34</span><span class="ns">]
+ </span>reserved suite at Amalgamated&#8217;s
+Guest-ville. &ldquo;You were absolutely
+marvellous. Imagine
+selling all three of them!&rdquo;</p>
+
+<p>&ldquo;There wasn&#8217;t anything to
+it, actually.&rdquo;</p>
+
+<p>&ldquo;Ben, how can you say
+that? Nobody else could have
+done it. It was a sales masterpiece.
+And just think. Now
+salesmen all over the hemisphere
+are going to follow your
+sales plan. Doesn&#8217;t it make
+you proud? Happy? Ben, you
+aren&#8217;t going to be like <em>that</em>
+again?&rdquo;</p>
+
+<p>No, of course he wasn&#8217;t. He
+was pleased and proud. Anyway,
+the Old Man would be,
+and that, certainly, was something.
+A man had to feel good
+about winning the approval of
+Amalgamated&#8217;s grand Old
+Man. And it did seem to make
+Betty happy.</p>
+
+<p>But the actual selling of the
+fool house and even the two
+other, identical houses on the
+other side of the hill&mdash;he just
+couldn&#8217;t seem to get much of
+a glow over it. He had done
+it; and what had he done? It
+was the insurance and the
+toothbrushes all over again,
+and the old nervous, sour feeling
+inside.</p>
+
+<p>&ldquo;At least we do have a vacation
+trip coming out of it,
+hon. The O.M. practically
+promised it yesterday, if our
+sell sold. We <span class="nw">could&mdash;</span>&rdquo;</p>
+
+<p>&ldquo;&mdash;go back to that queer
+new &lsquo;Do It Yourself&rsquo; camp up
+on the lake you insisted on
+dragging me to the last week
+<!-- 019.png p34 column 2 -->of our vacation last summer.
+Ben, really!&rdquo; He <em>was</em> going to
+be like that. She knew it.</p>
+
+<p>&ldquo;Well, even you admitted it
+was some fun.&rdquo;</p>
+
+<p>&ldquo;Oh, sort of, I suppose. For
+a little while. Once you got
+used to the whole place without
+one single machine that
+could think or do even the
+simplest little thing by itself.
+So, well, almost like being
+savages. Do you think it
+would be safe for Bennie? We
+can&#8217;t watch him all the time,
+you know.&rdquo;</p>
+
+<p>&ldquo;People used to manage in
+the old days. And remember
+those people, the Burleys, who
+were staying up there?&rdquo;</p>
+
+<p>&ldquo;That queer, crazy bunch
+who went there for a vacation
+when the Camp was first
+opened and then just stayed?
+Honestly, Ben! Surely you&#8217;re
+not thinking <span class="nw">of&mdash;</span>&rdquo;</p>
+
+<p>&ldquo;Oh, nothing like that. Just
+a vacation. <span class="nw">Only&mdash;</span>&rdquo;</p>
+
+<p>Only those queer, peculiar
+people, the Burleys had seemed
+so relaxed and cheerful.
+Grandma and Ma Burley
+cleaning, washing, cooking on
+the ancient electric stove;
+little Donnie, being a nuisance,
+poking at the keys on his
+father&#8217;s crude, manual typewriter,
+a museum piece; Donnie
+and his brothers wasting
+away childhood digging and
+piling sand on the beach, paddling
+a boat and actually
+building a play house. It was
+mad. People playing robots.
+And yet, they seemed to have
+<a name="png.020" id="png.020"></a><span class="ns">[p </span><span
+ class="pgmark">35</span><span class="ns">]
+ </span>a wonderful time while they
+were doing it.</p>
+
+<p>&ldquo;But how do you keep staying
+here?&rdquo; he had asked Buck
+Burley, &ldquo;Why don&#8217;t they put
+you out?&rdquo;</p>
+
+<p>&ldquo;Who?&rdquo; asked Buck. &ldquo;How?
+Nobody can sell me on leaving.
+We like it here. No robot
+can force us out. Here we are.
+Here we stay.&rdquo;<br class="ns" /></p>
+
+
+<p class="noindent tb"><span class="drop">T</span><span class="uc">hey</span> pulled into the Guest-ville
+ramp. Bennie was
+fussy; the nursery Nana was
+strange to him. On impulse,
+Betty took him in to sleep in
+their room, ignoring the disapproving
+stares of both the
+Nana and the Roboy with
+their things.</p>
+
+<p>They were tired, let down.
+They went to bed quietly.</p>
+
+<p>In the morning Betty was
+already up when Ben stumbled
+out of bed. &ldquo;Hi,&rdquo; she said,
+nervously cheerful. &ldquo;The
+house Nanas all had overload
+this morning and I won&#8217;t
+stand for any of those utility
+components with Bennie. So
+I&#8217;m taking care of him myself.&rdquo;</p>
+
+<p>Bennie chortled and drooled
+vita-meal at his high-chair,
+unreprimanded. Ben mustered
+a faint smile and turned to go
+dial a shave, cool shower and
+dress at Robather.</p>
+
+<p>That done, he had a bite of
+breakfast. He felt less than
+top-sale, but better. Last night
+<em>had</em> gone well. The Old Man
+would give them a pre-paid
+vacation clearance to any
+<!-- 021.png p35 column 2 -->resort in the world or out. Why
+gloom?</p>
+
+<p>He rubbed Bennie&#8217;s unruly
+hair, kissed Betty and conveyed
+over from Guest-ville to
+office.</p>
+
+<p>Message-sec, in tone respect-admiration
+A, told him
+the Old Man was waiting for
+him. Susan, the human receptionist
+in the outer office, favored
+him with a dazzling
+smile. There was a girl who
+could sell; and had a product
+of her own, too.</p>
+
+<p>The Old Man was at his
+big, oak desk but, a signal
+honor, he got up and came
+half across the room to grab
+Ben&#8217;s hand and shake it. &ldquo;Got
+the full report, son. Checked
+the tapes already. That&#8217;s selling,
+boy! I&#8217;m proud of you.
+Tell you what, Ben. Instead
+of waiting for a sales slack,
+I&#8217;m going to move you and
+that sweet little wife of yours
+right into a spanking new,
+special Country Gentleman
+unit I had in mind for myself.
+And a nice, fat boost in your
+credit rating has already gone
+down to accounting. Good?
+Good. Now, Ben, I have a real,
+<ins class="TN" title="Transcriber's note:
+ in the original, this line was printed between 'Good?' and 'Good.'
+ and has been moved to restore the sense">artistic sales challenge that is</ins>
+crying for your talent.&rdquo;</p>
+
+<p>&ldquo;Sir? Thank you. But, sir,
+there is the matter of the <span class="nw">vacation&mdash;</span>&rdquo;</p>
+
+<p>&ldquo;Vacation? Sure, Ben. Take
+a vacation anytime. But right
+now it seems to the Old Man
+you&#8217;re on a hot selling streak.
+I don&#8217;t want to see you get
+off the track, son; your
+<a name="png.023" id="png.023"></a><span class="ns">[p </span><span
+ class="pgmark">37</span><span class="ns">]
+ </span>interests are mine. And wait till
+you get your teeth into this
+one. Books, Ben boy. Books!
+People are spending all their
+time sitting in on Tri-deo,
+not reading. People should
+read more, Ben. Gives them
+that healthy tired feeling.
+Now we have the product. We
+have senior Robo-writers with
+more circuits than ever before.
+All possible information,
+every conceivable plot. Maybe
+a saturation guilt type campaign
+to start&mdash;but it&#8217;s up to
+you, Ben. I don&#8217;t care how you
+do it, but move books.&rdquo;</p>
+
+<p>&ldquo;Books, eh? Well, now.&rdquo;
+Ben was interested. &ldquo;Funny
+thing, sir, but that ties in
+with something I was thinking
+about just last night.&rdquo;</p>
+
+<p>&ldquo;You have an angle? Good
+boy!&rdquo;</p>
+
+<p>&ldquo;Yes, sir. Well, it is a wild
+thought maybe, but last summer
+when I was on vacation I
+met a man up at that new
+camp and&mdash;well, I know it
+sounds silly, but he was writing
+a book.&rdquo;</p>
+
+<p>&ldquo;Nonsense!&rdquo;</p>
+
+<p>&ldquo;Just what I thought, sir.
+But I read some of it and, I
+don&#8217;t know, it had a sort of a
+feel about it. Something new,
+sir, it might catch on.&rdquo;</p>
+
+<p>&ldquo;All right, all right. That&#8217;s
+enough. You&#8217;re a salesman.
+You&#8217;ve sold me.&rdquo;</p>
+
+<p>&ldquo;On the book?&rdquo; Ben was
+surprised.</p>
+
+<p>&ldquo;Quit pulling an old man&#8217;s
+leg, Ben. I&#8217;m sold on your
+needing a vacation. I&#8217;ll fill out
+<!-- 024.png p37 column 2 -->your vacation pass right
+now.&rdquo; The Old Man, still a
+vigorous, vital figure, turned
+and walked back to his Desk-sec.
+&ldquo;Yes sir,&rdquo; said the secretarial
+voice, &ldquo;got it. Vacation
+clearance for Tilman, Ben,
+any resort.&rdquo;</p>
+
+<p>&ldquo;And family,&rdquo; said Ben.</p>
+
+<p>&ldquo;And family. Very good,
+sir.&rdquo;</p>
+
+<p>The Old Man made his sign
+on the pass and said heavily,
+&ldquo;All right then, Ben. That&#8217;s it.
+Maybe if you go back up to
+that place for a few days and
+see that psycho who was writing
+a book again, perhaps
+you&#8217;ll realize how impractical
+it is.&rdquo;</p>
+
+<p>&ldquo;But sir! I&#8217;m serious about
+that book. It really did <span class="nw">have&mdash;</span>&rdquo;
+he broke off.</p>
+
+
+<div class="illus"><a name="png.022" id="png.022"></a><span class="ns">[p </span><span
+ class="pgmark">36</span><span class="ns">]<br
+ /></span><img src="images/illo36.png" width="384" height="536"
+ alt="" title="he reached across toward the
+hearing aid on the Old Man&#8217;s
+chest" /></div>
+
+<p>The Old Man was sitting
+there, face blank, withdrawn.
+Ben could feel he wasn&#8217;t even
+listening. That damned hearing
+aid of his. The Old Man
+had cut it off. Suddenly, unreasoningly,
+Ben was furious.
+He stood by the huge desk and
+he reached across toward the
+hearing aid on the Old Man&#8217;s
+chest to turn up the volume.
+The Old Man looked up and
+saw Ben&#8217;s hand stretching out.</p>
+
+<p>A sudden look of fear came
+into his china blue, clear eyes
+but he made no move. He sat
+frozen in his chair.</p>
+
+<p>Ben hesitated a second.
+&ldquo;What&mdash;?&rdquo; But he didn&#8217;t have
+to ask. He knew.</p>
+
+<p>And he also knew what he
+was going to do.</p>
+
+<p><a name="png.025" id="png.025"></a><span class="ns">[p </span><span
+ class="pgmark">38</span><span class="ns">]<br
+ /></span>&ldquo;No!&rdquo; said the Old Man.
+&ldquo;No, Ben. I&#8217;ve only been trying
+to help; trying to serve
+your best interests the best
+way I know. Ben, you <span class="nw">mustn&#8217;t&mdash;</span>&rdquo;</p>
+
+<p>But Ben moved forward.<br class="ns" /></p>
+
+
+<p class="noindent tb"><span class="drop">H</span><span class="uc">e</span> took the plastic box on
+the Old Man&#8217;s chest and
+firmly cut the switch.</p>
+
+<p>The Old Man, the Robot Old
+Man, went lifeless and slumped
+back in his chair as Ben
+stretched to cut off the Desk-sec.
+Then he picked up his vacation
+clearance.</p>
+
+<p>&ldquo;Robots can&#8217;t sell, eh?&rdquo; he
+said to the dead machine behind
+the desk. &ldquo;Well, you
+couldn&#8217;t sell me that time,
+could you, Old Man?&rdquo;<!-- original lacks closing quote --></p>
+
+<p>Clumsily, rustily, Ben whistled
+a cheerful little off-key
+tune to himself. Hell, they
+could do anything at all&mdash;except
+sell.</p>
+
+<p>&ldquo;You can&#8217;t fool some of the
+people all of the time,&rdquo; he remarked
+over his shoulder to
+the still, silent figure of the
+Old Man as he left the office,
+&ldquo;it was a man said that.&rdquo; He
+closed the door softly behind
+him.</p>
+
+<p>Betty would be waiting.</p>
+
+<p>Betty was waiting. Her
+head ached as she bounced
+Bennie, the child of Ben, of
+herself and of an unknown
+egg cell from an anonymous
+ovary, on her knees. Betty
+3-RC-VIII, secret, wife-style
+model, the highest development
+of the art of Robotics
+<!-- 026.png p38 column 2 -->had known instantly when
+Ben cut the Old Man&#8217;s switch.
+She had half expected it. But
+it made her headache worse.</p>
+
+<p>&ldquo;But damn my programming!&rdquo;
+She spoke abruptly,
+aloud, nervously fingering the
+locket around her neck.
+&ldquo;Damn it and shift circuit.
+He&#8217;s right! He is my husband
+and he is right and I&#8217;m glad.
+I&#8217;m glad we&#8217;re going to the
+camp and I&#8217;m going to help
+him stay.&rdquo;</p>
+
+<p>After all, why shouldn&#8217;t a
+man want to do things just as
+much as a robot? He had
+energy, circuits, feelings too.
+She knew he did.</p>
+
+<p>For herself, she loved her
+Ben and Bennie. But still just
+that wasn&#8217;t enough occupation.
+She was glad they were
+going to the new isolation
+compound for non-psychotic
+but unstable, hyper-active,
+socially dangerous individual
+humans. At the camp there
+would be things to do.</p>
+
+<p>At the camp they would be
+happy.</p>
+
+<p>All at once the headache
+that had been bothering her
+so these past months was
+gone. She felt fine and she
+smiled at little Bennie. &ldquo;Bennie-boy,&rdquo;
+she said, kissing his
+smooth, untroubled baby forehead.
+&ldquo;Daddy&#8217;s coming.&rdquo; Bennie
+laughed and started to
+reach for the locket around
+Mommy&#8217;s neck. But just then
+the door opened and he jumped
+down to run and meet his
+daddy.</p>
+
+
+<p class="fltright"><big><b>END</b></big></p>
+<p class="clearup">&nbsp;</p>
+</div>
+
+<hr class="pg" />
+
+
+
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of The Real Hard Sell, by William W Stuart
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE REAL HARD SELL ***
+
+***** This file should be named 31038-h.htm or 31038-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/3/1/0/3/31038/
+
+Produced by Robert Cicconetti, David Wilson and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
diff --git a/31038-h/images/cover61july.jpg b/31038-h/images/cover61july.jpg
new file mode 100644
index 0000000..519881d
--- /dev/null
+++ b/31038-h/images/cover61july.jpg
Binary files differ
diff --git a/31038-h/images/illo36.png b/31038-h/images/illo36.png
new file mode 100644
index 0000000..2bfff80
--- /dev/null
+++ b/31038-h/images/illo36.png
Binary files differ