summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-14 19:54:49 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-14 19:54:49 -0700
commit7f7f890e7feefe6fbd4bc7ca542e470f86ce9fad (patch)
tree7325a9965ff21fd5dc26e8778644632fbd426d41
initial commit of ebook 30944HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--30944-0.txt3905
-rw-r--r--30944-0.zipbin0 -> 89722 bytes
-rw-r--r--30944-h.zipbin0 -> 94747 bytes
-rw-r--r--30944-h/30944-h.htm4427
-rw-r--r--30944.txt3913
-rw-r--r--30944.zipbin0 -> 89311 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
9 files changed, 12261 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/30944-0.txt b/30944-0.txt
new file mode 100644
index 0000000..f3e6e9f
--- /dev/null
+++ b/30944-0.txt
@@ -0,0 +1,3905 @@
+The Project Gutenberg eBook, Lectures Delivered in America in 1874, by
+Charles Kingsley, Edited by Fanny Kingsley
+
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+
+
+
+Title: Lectures Delivered in America in 1874
+
+
+Author: Charles Kingsley
+
+Editor: Fanny Kingsley
+
+Release Date: January 12, 2010 [eBook #30944]
+
+Language: English
+
+Character set encoding: UTF-8
+
+
+***START OF THE PROJECT GUTENBERG EBOOK LECTURES DELIVERED IN AMERICA IN
+1874***
+
+
+Transcribed from the 1875 Longmans, Green, and Co. edition by David
+Price, email ccx074@pglaf.org
+
+ LONDON: PRINTED BY
+ SPOTTISWOODE AND CO., NEW-STREET SQUARE
+ AND PARLIAMENT STREET
+
+
+
+
+
+ LECTURES
+ DELIVERED IN AMERICA
+ IN 1874
+
+
+ BY
+ CHARLES KINGSLEY, F.L.S., F.G.S.
+
+ RECTOR OF EVERSLEY: CANON OF WESTMINSTER
+ CHAPLAIN IN ORDINARY TO THE QUEEN AND THE PRINCE OF WALES
+
+ * * * * *
+
+ LONDON
+ LONGMANS, GREEN, AND CO.
+ 1875
+
+ _All rights reserved_
+
+
+
+
+DEDICATION.
+
+
+ * * * * *
+
+ TO
+ CYRUS FIELD, J. A. C. GRAY,
+ AND ALL THOSE VALUED AMERICAN FRIENDS WHO WELCOMED
+ MY HUSBAND TO THEIR GREAT COUNTRY,
+ AND THROUGH WHOSE GENEROUS KINDNESS HE WAS ENABLED
+ IN THE LAST YEAR OF HIS LIFE
+ TO REALISE THE DREAMS OF HIS YOUTH
+ BY THE SIGHT, NOT ONLY OP THE EASTERN STATES AND CITIES,
+ BUT OF THE FAR WEST, THE ROCKY MOUNTAINS,
+ AND THE YO SEMITE VALLEY,
+ I DEDICATE THESE LECTURES WITH DEEPEST GRATITUDE
+
+ In Memoriam.
+
+ FANNY E. KINGSLEY.
+
+BYFLEET: _August_ 1875.
+
+
+
+
+CONTENTS.
+
+LECT. PAGE
+ I. WESTMINSTER ABBEY 1
+ II. THE STAGE AS IT WAS ONCE 32
+ III. THE FIRST DISCOVERY OF AMERICA 65
+ IV. THE SERVANT OF THE LORD 98
+ V. ANCIENT CIVILISATION 125
+
+
+
+
+
+
+LECTURE I.
+WESTMINSTER ABBEY.
+
+
+Reverence for age, at least so it has long seemed to me, reverence for
+age, I say, is a fair test of the vigour of youth; and, conversely,
+insolence toward the old and the past, whether in individuals or in
+nations, is a sign rather of weakness than of strength. And the cause, I
+think, is this. The rich and strong young natures, which feel themselves
+capable of original thought and work, have a corresponding respect for
+those who, in the generations gone by, have thought and worked as they
+hope to do hereafter. And this temper, understand me, so far from being
+servile, or even merely conservative, usually accompanies true
+independence of spirit. The young athlete, like the young race-horse,
+does not despise, but emulate, his sire; even though the old victor be
+long past his prime. The young soldier admires the old general; the
+young midshipman the old admiral, just in proportion as he himself is
+likely to be a daring and able officer hereafter. The son, when grown to
+man’s estate, may say to his father, I look on you still with all respect
+and admiration. I have learnt, and desire always, to learn from you.
+But you must be to me now, not a dictator, but an example. You became
+what you are by following your own line; and you must let me rival you,
+and do you honour, by following mine.
+
+This, I believe, is true of nations as well as of individuals. I do not
+hesitate to say that, paradoxical as it may seem, the most original
+races—those who have succeeded best and left their stamp most broadly and
+permanently on the human race—have also been the most teachable, provided
+they were allowed to learn in their own way and to adapt to their own
+purposes any higher ancient civilisation with which they came in contact.
+What more striking instances of this truth—for truth it is—than the
+reverence of the free Republican Greek for the old despotic civilisation
+of Egypt? and of the free Norseman, our own ancestor, for the old and
+equally despotic civilisation of Rome?
+
+These—the two most originative and most progressive races of Europe—had a
+faith in, an awe of, the supposed or real wisdom of the men of old time,
+which was often exaggerated into a superstition; but never—thanks to
+their own innate force—degenerated into a bondage.
+
+Pardon me this somewhat dry proœmium; and pardon me, too, if it leads me
+on to a compliment to the American people, which I trust you will not
+think impertinent.
+
+For I have seen, and seen with joy, a like spirit in those Americans whom
+it has been my good fortune to meet in my own land. I mean this:—That I
+found in them, however self-teaching and self-determining they might be,
+that genial reverence for antiquity which I hold to be the sign of a
+truly generous—that is in the right sense of the grand old word—a truly
+high-bred, nature. I have been touched, and deeply touched, at finding
+so many of them, on landing for the first time at Liverpool, hurrying off
+to our quaint old city of Chester to gaze on its old girdle of walls and
+towers; Roman, Mediæval, Caroline; its curious ‘Rows’ of overhanging
+houses; its fragments of Roman baths and inscriptions; its modest little
+Cathedral; and the—really very few—relics of English history which it
+contains. Even two banners of an old Cheshire regiment which had been in
+the Peninsular war were almost as interesting, to some, as an illuminated
+Bible of the early Middle Age. More than once have I had to repress the
+enthusiasm of some charming lady and say, ‘But this is nothing. Do not
+waste your admiration here. Go on. See the British Museum, its marbles
+and its manuscripts—See the French Cathedrals; the ruins of Provence and
+Italy; the galleries of Florence, Naples, Rome.’
+
+‘Ah, but you must remember,’ was the answer, ‘these are the first old
+things I ever saw.’
+
+A mere sentiment? Yes: but as poets know, and statesmen ought to know,
+it is by sentiment, when well directed—as by sorrow, when well used—by
+sentiment, I say, great nations live. When sentiment dies out, and mere
+prosaic calculation of loss and profit takes its place, then comes a
+Byzantine epoch, a Chinese epoch, decrepitude, and slow decay.
+
+And so the eagerness of those generous young souls was to me a good
+augury for the future, of them, and of their native land. They seemed to
+me—and I say again it touched me, often deeply—to be realising to
+themselves their rightful place in the community of the civilised nations
+of all lands, and of all times—realising to themselves that they were
+indeed
+
+ Heirs of all the ages, foremost in the ranks of time;
+
+and minded, therefore, like wise and noble heirs, not to despise and
+squander, but to treasure and to use that inheritance, and the
+accumulated labours of the mighty dead.
+
+I saw this, I say, at Chester. And therefore I was not surprised to find
+the pleasant experience repeated, and to even a higher degree, at
+Westminster. A pleasant experience, I say. I know few more agreeable
+occupations than showing a party of Americans round our own great Abbey;
+and sentimentalising, if you will, in sympathy with them, over England’s
+Pantheon.
+
+I pause to confess once more that it is almost an impertinence in me to
+pay you such a compliment. You have a right to answer me—How could it be
+otherwise?—Are we not educated people? Has not our taste been trained by
+native authors, who were at least civilised enough to value the great
+past, without the need of any European crossing the seas to tell us of
+its wealth?
+
+If you reprove me thus, I can but say that the reproof is just, and will
+remain just, as long as your poets are what they are; and as long, above
+all, as you reverence as much in America as we do in England, the poetry
+of Mr. Longfellow. He has not, if I recollect aright, ever employed his
+muse in commemorating our great Abbey; but that muse is instinct with all
+those lofty and yet tender emotions which the sight of that great Abbey
+should call out. He knows, as few know on our side of the wide water,
+the effect, chastening and yet ennobling, of such architecture,
+consecrated by such associations. He has not only perceived and drank in
+all that is purest and noblest in the now sleeping last ten centuries:
+but he has combined it, again and again, with that which is purest and
+noblest in the waking and yearning present; and combined it organically
+and livingly, as leaf and stem combines with flower and fruit. Yes; as
+long as the poet who could write both the _Belfry of Bruges_ and _The
+Village Blacksmith_ is read among you, there is no need for me to bid you
+reverence the past; and little need, I trust, for me to tell those whom I
+leave at home to reverence the present. For it is a fact—of which some
+Americans may not be as well aware as they should be—that your exquisite
+poet has exercised an influence in Britain it may be as great as, and
+certainly more varied than, that which he has exercised in his native
+land. With us—as, I presume, with you—he has penetrated into thousands
+of Puritan homes, and awakened tens of thousands of young hearts to the
+beauty and the nobleness of the old pre-Reformation age, and of that
+romance and art from which their too exclusive hereditary training had,
+until his time, shut them out. And he has thus, truly, done a sacred
+deed in turning the hearts of the children to their fathers. That was
+enough: but that is not the whole. He has, conversely, turned the hearts
+of the fathers to the children. The world-wide humanity of his poems,
+and, to be just, of all your American poets who have studied in his
+school, has produced throughout Great Britain a just reverence and
+affection for the American mind which will have—which has had
+already—large social and political results. Be sure, be sure, that in
+spite of passing jars, our empire will never be long unjust to yours,
+while Mr. Longfellow and Mr. Lowell remain not merely the household
+bards—though that is much—but counsellors, comforters, and trusted
+friends to hundreds of thousands of gentle and earnest souls; from the
+palace to the parsonage, from the little village shop to the farm-house
+on the lonely down.
+
+But there is another American author—who was the delight of my own youth,
+and who should have been my teacher also, for he was a master of our
+common tongue, and his prose is as graceful and felicitous as poor Elia’s
+own, and it is certainly more manly—another American author, I say, who,
+with that high-bred reverence for what is old, has told you already more
+about Westminster Abbey, and told it better, than I am likely to tell it.
+Need I say that I mean the lamented Washington Irving? Ah, that our
+authors had always been as just to you as he was just to us; and indeed
+more than just; for in his courtesy and geniality he saw us somewhat _en
+beau_, and treated old John Bull too much as the poet advises us to treat
+young and fair ladies—
+
+ Be to their faults a little blind,
+ Be to their virtues very kind.
+
+But what a charming book is that old ‘Sketch-book.’ And what a charming
+essay that on our great Abbey, set with such gems of prose as these,—
+
+‘The sun was pouring down a yellow autumnal ray into the square of the
+cloisters, beaming upon a scanty spot of grass in the centre, and
+lighting up an angle of the vaulted passage with a kind of dusty
+splendour. From between the arcades, the eye glanced up to a bit of blue
+sky, or a passing cloud, and beheld the sun-gilt pinnacles of the Abbey
+towering into the azure heaven.’
+
+Or this again, describing the general effect of Henry the Seventh’s
+unrivalled chapel,—‘The very walls are wrought into universal ornament;
+encrusted with tracery, and scooped into niches, crowded with the statues
+of saints and martyrs. Stone seems, by the cunning labour of the chisel,
+to have been robbed of its weight and density; suspended aloft as if by
+magic; and the fretted roof achieved with the wonderful minuteness and
+airy security of a cobweb.’
+
+‘Dusty splendour,’ ‘airy security,’ epithets so unexpected, and yet so
+felicitous, as to be seemingly accidental. Such are the tokens of that
+highest art, which is—to conceal its own existence. After such speech as
+that, what have I to tell you of the great old Abbey?
+
+Yet there are one or two things, I dare to say, which Washington Irving
+would have written differently had he visited Westminster, not forty
+years ago, but now.
+
+I think, in the first place, that if he visited the great Abbey now, he
+would not have noticed that look of dilapidation at which he hints—and
+perhaps had a right to hint—some forty years ago. Dilapidation, dirt,
+and negligence are as hateful to us now, as to the builder of the newest
+house outside. We too, for more than a generation past, have felt, in
+common with the rest of England and with all the nations of Northern
+Europe, that awakened reverence for Mediæval Art and Mediæval History,
+which is—for good and for evil—the special social phenomenon of our
+times; the natural and, on the whole, useful countercheck to that extreme
+of revolutionary feeling which issues—as it did in Paris but three years
+ago—in utter hatred and renunciation of the past, and destruction of its
+monuments.
+
+To preserve, to restore, and, if not, to copy, as a sort of filial duty,
+the buildings which our forefathers have left us, is now held to be the
+very mark of cultivation and good taste in Britain. It may be that we
+carry it too far; that by a servile and Chinese exactness of imitation we
+are crippling what originality of genius may exist among our draughtsmen,
+sculptors, architects. But we at least confess thereby that we cannot
+invent and create as could our ancestors five hundred years ago; and as
+long as that is the case it is more wise in us—as in any people—to
+exhaust the signification and power of the past, and to learn all we can
+from older schools of art and thought ere we attempt novelties of our own
+which, I confess freely, usually issue in the ugly and the ludicrous.
+
+Be that as it may, we of Westminster Abbey have become, like other
+Englishmen, repairers and restorers. Had we not so become, the nation
+would have demanded an account of us, as guardians of its national
+mausoleum, the building of which our illustrious Dean has so well said—
+
+‘Of all the characteristics of Westminster Abbey, that which most endears
+it to the nation and gives most force to its name—which has, more than
+anything else, made it the home of the people of England and the most
+venerated fabric of the English Church—is not so much its glory as the
+seat of the coronations, or as the sepulchre of the kings; not so much
+its school, or its monastery, or its chapter, or its sanctuary, as the
+fact that it is the resting-place of famous Englishmen, from every rank
+and creed, and every form of genius. It is not only Reims Cathedral and
+St. Denys both in one; but it is what the Pantheon was intended to be to
+France—what the Valhalla is to Germany—what Santa Croce is to Italy. . .
+It is this which inspired the saying of Nelson—Victory or Westminster
+Abbey. It is this which has intertwined it with so many eloquent
+passages of Macaulay. It is this which gives point to the allusions of
+recent Nonconformist statesmen, least inclined to draw illustrations from
+ecclesiastical buildings. It is this which gives most promise of
+vitality to the whole institution. Kings are no longer buried within its
+walls; even the splendour of pageants has ceased to attract. But the
+desire to be buried in Westminster Abbey is as strong as ever.
+
+‘This sprang, in the first instance, as a natural off-shoot from the
+coronations and interments of the kings. Had they, like those of France,
+of Spain, of Austria, of Russia—been buried far away in some secluded
+spot, or had the English nation stood aloof from the English monarchy, it
+might have been otherwise. The sepulchral chapels built by Henry the
+Third and Henry the Seventh might have stood alone in their glory. No
+meaner dust need ever have mingled with the dust of Plantagenets, Tudors,
+Stuarts, and Guelphs. . . . But it has been the peculiar privilege of
+the kings of England that neither in life nor in death have they been
+parted from their people. As the Council of the Nation and the Courts of
+Law have pressed into the Palace of Westminster, and engirdled the very
+throne itself, so the ashes of the great citizens of England have pressed
+into the sepulchre of the kings, and surrounded them as with a guard of
+honour after their death. We are sometimes inclined bitterly to contrast
+the placid dignity of our recumbent kings, with Chatham gesticulating
+from the northern transept, or Pitt from the western door, or Shakspeare
+leaning on his column in Poet’s Corner, or Wolfe expiring by the chapel
+of St. John. But, in fact, they are, in their different ways, keeping
+guard over the shrine of our monarchs and our laws; and their very
+incongruity and variety become symbols of that harmonious diversity in
+unity which pervades our whole commonwealth.’
+
+Honoured by such a trust, we who serve God daily in the great Abbey are
+not unmindful of the duty which lies on us to preserve and to restore, to
+the best of our power, the general fabric; and to call on government and
+on private persons to preserve and restore those monuments, for which
+they, not we, are responsible. A stranger will not often enter our Abbey
+without finding somewhere or other among its vast arcades, skilled
+workmen busy over mosaic, marble, bronze, or ‘storied window richly
+dight;’ and the very cloisters, which to Washington Irving’s eye were
+‘discoloured with damp, crumbling with age, and crusted with a coat of
+hoary moss,’ are being repaired till that ‘rich tracery of the arches,
+and that leafy beauty of the roses which adorn the keystones’—of which he
+tells—shall be as sharp and bright as they were first, 500 years ago.
+
+One sentiment, again, which was called up in the mind of your charming
+essayist, at the sight of Westminster Abbey, I have not felt myself: I
+mean its sadness. ‘What,’ says he, ‘is this vast assembly of sepulchres
+but a treasury of humiliation? a huge pile of reiterated homilies on the
+emptiness of renown and the certainty of oblivion.’
+
+So does that ‘mournful magnificence’ of which he speaks, seem to have
+weighed on him, that he takes for the motto of his whole essay, that
+grand Elizabethan epigram—
+
+ When I behold, with deep astonishment,
+ To famous Westminster how there resort
+ Living in brasse or stony monument,
+ The Princes and the worthies of all sort;
+ Do I not see re-formed nobilitie,
+ Without contempt, or pride, or ostentation,
+ And look upon offenseless majestie,
+ Naked of pomp or earthly domination?
+ And how a play-game of a painted stone
+ Contents the quiet, now, and silent sprites,
+ Whom all the world, which late they stood upon,
+ Could not content, nor quench their appetites.
+ Life is a frost of cold felicities;
+ And death the thaw of all our vanities.
+
+True, true—who knows it not, who has lived fifty years in such a world as
+this?—and yet but half the truth.
+
+Were there no after-life, no juster home beyond the grave, where each
+good deed—so spake the most august of lips—shall in no wise lose its
+reward—is it nought, _virûm volitare per ora_, to live upon the lips of
+men, and find an immortality, even for a few centuries, in their hearts?
+I know what answer healthy souls have made in every age to that question;
+and what they will make to the end, as long as the respect of their
+fellow-creatures is, as our Creator meant that it should be, precious to
+virtuous men. And let none talk of ‘the play-game of a painted stone,’
+of ‘the worthless honours of a bust.’ The worth of honour lies in that
+same worthlessness. Fair money wage for fair work done, no wise man will
+despise. But that is pay, not honour; the very preciousness whereof—like
+the old victor’s parsley crown in the Greek games—is that it had no
+value, gave no pleasure, save that which is imperishable, spiritual, and
+not to be represented by gold nor quintessential diamond.
+
+Therefore, to me at least, the Abbey speaks, not of vanity and
+disappointment, but of content and peace.
+
+ The quiet now and silent sprites
+
+of whom old Christolero sings, they are content; and well for them that
+they should be. They have received their nation’s thanks, and ask no
+more, save to lie there in peace. They have had justice done them; and
+more than one is there, who had scant justice done him while alive. Even
+Castlereagh is there, in spite of Byron’s and of Shelley’s scorn. It may
+be that they too have found out ere now, that there he ought to be. The
+nation has been just to him who, in such wild times as the world had not
+seen for full three hundred years, did his duty according to his light,
+and died in doing it; and his sad noble face looks down on Englishmen as
+they go by, not with reproach, but rather with content.
+
+Content, I say, and peace. Peace from their toil, and peace with their
+fellow-men. They are at least at rest. _Obdormierunt in pace_. They
+have fallen asleep in peace. The galled shoulder is freed from the
+collar at last. The brave old horse has done his stage and lain down in
+the inn. There are no more mistakes now, no more sores, no more falls;
+and no more whip, thank God, laid on too often when it was least needed
+and most felt.
+
+And there are no more quarrels, too. Old personal feuds, old party
+bickerings, old differences of creed, and hatreds in the name of the God
+of love—all those are past, in that world of which the Abbey is to me a
+symbol and a sacrament. Pitt and Fox, Warren Hastings and Macaulay, they
+can afford to be near to each other in the Abbey; for they understand
+each other now elsewhere; and the Romish Abbot’s bones do not stir in
+their grave beside the bones of the Protestant Divine whom he, it may be,
+would have burned alive on earth.
+
+In the south aisle of Henry the VIIth’s Chapel lies in royal pomp she who
+so long was Britain’s bane—‘the daughter of debate, who discord still did
+sow’—poor Mary Queen of Scots. But English and Scots alike have
+forgotten the streams of noble blood she cost their nations; and look
+sadly and pityingly upon her effigy—why not?
+
+ Nothing is left of her
+ Now but pure womanly.
+
+And in the corresponding aisle upon the north, in a like tomb—which the
+voice of the English people demanded from the son of Mary Stuart—lies
+even a sadder figure still—poor Queen Elizabeth. To her indeed, in her
+last days, Vanity of vanities—all was vanity. Tyrone’s rebellion killed
+her. ‘This fruit have I of all my labours which I have taken under the
+sun’—and with a whole book of Ecclesiastes written on her mighty heart,
+the old crowned lioness of England coiled herself up in her lair, refused
+food, and died, and took her place henceforth opposite to her ‘dear
+cousin’ whom she really tried to save from herself—who would have slain
+her if she could, and whom she had at last, in obedience to the voice of
+the people of England, to slay against her will. They have made up that
+quarrel now.
+
+Ay, and that tomb is the sacred symbol of a reconciliation even more
+pathetic and more strange. Elizabeth lies—seemingly by her own desire—in
+the same vault as her own sister, Mary Tudor. ‘Bloody Mary,’ now, no
+more. James the First, who had no love for either of them, has placed at
+the head of the monument ‘two lines,’ as has been well said, ‘full of a
+far deeper feeling than we should naturally have ascribed to him’—
+
+‘Fellows in the kingdom, and in the tomb, Here we sleep; Mary and
+Elizabeth the sisters; in hope of the resurrection.’
+
+I make no comment on those words; or on that double sepulchre. But did I
+not say well, that the great Abbey was a place of peace—a place to remind
+hardworked, purblind, and often, alas! embittered souls—
+
+ For Mother Earth she gathers all
+ Into her bosom, great and small.
+ Ah! could we look into her face,
+ We should not shrink from her embrace.
+
+Yes, all old misunderstandings are cleared up by now in that just world
+wherein all live to God. They live to God; and therefore the great Abbey
+is to me awful indeed, but never sad. Awful it ought to be, for it is a
+symbol of both worlds, the seen and the unseen; and of the veil, as thin
+as cobweb, yet opaque as night, which parts the two. Awful it is; and
+ought to be—like that with which it grew—the life of a great nation,
+growing slowly to manhood, as all great nations grow, through ignorance
+and waywardness, often through sin and sorrow; hewing onward a devious
+track through unknown wildernesses; and struggling, victorious, though
+with bleeding feet, athwart the tangled woods and thorny brakes of stern
+experience.
+
+Awful it is; and should be. And, therefore, I at least do not regret
+that its very form, outside, should want those heaven-pointing spires,
+that delicate lightness, that airy joyousness, of many a foreign
+cathedral—even of our own Salisbury and Lichfield. You will see in its
+outer shape little, if any, of that type of architecture which was, as I
+believe, copied from scenery with which you, as Americans, must be even
+more familiar than were the mediæval architects who travelled through the
+German forests and across the Alps to Rome. True, we have our noble
+high-pitched snow-roof. Our architect, like the rest, had seen the
+mountain ranges jut black and bare above the snows of winter. He had
+seen those snows slip down in sheets, rush down in torrents from the sun,
+off the steep slabs of rock which coped the hill-side; and he, like the
+rest, has copied in that roof, for use as well as beauty, the mountain
+rocks.
+
+But he has not, as many another mediæval architect has done, decked his
+roofs as Nature has decked hers, with the spruce and fir-tree spires,
+which cling to the hill-side of the crag, old above young, pinnacle above
+pinnacle, whorl above whorl; and clothed with them the sides and summit
+of the stone mountain which he had raised, till, like a group of firs
+upon an isolated rock, every point of the building should seem in act to
+grow toward heaven, and the grey leads of the Minster roof stand out amid
+peaks and turrets rich with carven foliage, as the grey rocks stand out
+of the primæval woods.
+
+That part of the mediæval builder’s task was left unfinished, and indeed
+hardly attempted, by our Westminster architects, either under Henry III.,
+Edward I., or Henry V.
+
+Their Minster is grand enough by grave height and severe proportion; and
+he who enters stooping under that low-browed arch of the north door,
+beneath the beetling crag of weatherworn and crumbling stone, may feel
+like one who, in some old northern fairy tale, enters a cave in some lone
+mountain side where trolls and dragons guard the hoards of buried kings.
+
+And awful it is, and should be still, inside; under that vaulted roof a
+hundred feet above, all more mysterious and more huge, and yet more soft,
+beneath the murky London air.
+
+But sad I cannot call it. Nor, I think, would you feel it sad, when you
+perceive how richly successive architects have squandered on it the
+treasures of their fancy; and made it, so they say, perhaps the most
+splendid specimen in the world of one of those stone forests, in which
+the men of old delighted to reproduce those leafy minsters which God, not
+man, has built; where they sent the columns aloft like the boles of giant
+trees, and wreathed their capitals, sometimes their very shafts, with
+vines and flowers; and decked with foliage and with fruit the bosses
+above and the corbels below; and sent up out of those corbels upright
+shafts along the walls, in likeness of the trees which sprang out of the
+rocks above their head; and raised those walls into great cliffs; and
+pierced those cliffs with the arches of the triforium, as with wild
+creatures’ caves or hermits’ cells; and represented in the horizontal
+string-courses and window-sills the strata of the rocks; and opened the
+windows into wide and lofty glades, broken, as in the forest, by the
+tracery of stems and boughs, through which were seen, not only the outer,
+but the upper world. For they craved—as all true artists crave—for light
+and colour; and had the sky above been one perpetual blue, they might
+have been content with it, and left their glass transparent. But in our
+dark dank northern clime, rain and snowstorm, black cloud and grey mist,
+were all that they were like to see outside for six months in the year.
+So they took such light and colour as nature gave in her few gayer moods,
+and set aloft in their stained glass windows the hues of the noonday and
+of the sunset, and the purple of the heather, and the gold of the gorse,
+and the azure of the bugloss, and the crimson of the poppy; and among
+them, in gorgeous robes, the angels and the saints of heaven, and the
+memories of heroic virtues and heroic sufferings, that they might lift up
+the eyes and hearts of men for ever out of the dark sad world of the cold
+north, with all its coarsenesses and its crimes, towards a realm of
+perpetual holiness, amid a perpetual summer of beauty and of light: as
+one who, from between the black jaws of a narrow glen, or from beneath
+the black shade of gigantic trees, catches a glimpse of far lands gay
+with gardens and cottages; and purple mountain ranges; and the far-off
+sea; and the hazy horizon melting into the hazy sky; and finds his soul
+led forth into an infinite, at once of freedom and repose.
+
+Awful, and yet not sad; at least to one who is reminded by it, even in
+its darkest winter’s gloom, of the primæval tropic forest at its two most
+exquisite moments—its too brief twilight, and its too swift dawn.
+
+Awful, and yet not sad; at least to an Englishman, while right and left
+are ranged the statues, the busts, the names, the deeds, of men who have
+helped, each in his place, to make my country, and your country too, that
+which they are.
+
+For am I not in goodly company? Am I not in very deed upon my best
+behaviour? among my betters? and at court? Among men before whom I
+should have been ashamed to say or do a base or foolish thing? Among men
+who have taught me, have ennobled me, though they lived centuries since?
+Men whom I should have loved had I met them on earth? Men whom I may
+meet yet, and tell them how I love them, in some other world? Men, too,
+whom I might have hated, and who might have hated me, had we met on this
+poor piecemeal earth; but whom I may learn to regard with justice and
+with charity in the world where all shall know, even as they are known?
+Men, too—alas! how fast their number grows—whom I have known, have loved,
+and lost too soon; and all gleaming out of the gloom, as every image of
+the dead should do, in pure white marble, as if purged from earthly
+taint? To them, too—
+
+ Nothing is left of them
+ Now but pure manly.
+
+Yes, while their monuments remind me that they are not dead, but
+living—for all live to God—then awed I am, and humbled; better so: but
+sad I cannot be in such grand company.
+
+I said, the men who helped to make my country, and yours too. It would
+be an impertinence in me to remind most of you of that. You know as well
+as I that you are represented just as much as the English people, by
+every monument in that Abbey earlier than the Civil Wars, and by most
+monuments of later date, especially by those of all our literary men.
+You know that, and you value the old Abbey accordingly. But a day may
+come—a generation may come, in a nation so rapidly increasing by foreign
+immigration, as well as by home-born citizenship—a generation may come
+who will forget that fact; and orators arise who will be glad that it
+should be forgotten—for awhile. But if you would not that that evil day
+should come then teach your children—That the history and the freedom of
+America began neither with the War of Independence, nor with the sailing
+of the Pilgrim Fathers, nor with the settlement of Virginia; but 1500
+years and more before, in the days when our common Teutonic ancestors, as
+free then as this day, knew how
+
+ In den Deutschen Forsten
+ Wie der Aar zu horsten,
+
+when Herman smote the Romans in the Teutoburger-Wald, and the great Cæsar
+wailed in vain to his slain general, ‘Varus, give me back my legions!’
+Teach your children that the Congress which sits at Washington is as much
+the child of Magna Charta as the Parliament which sits at Westminster;
+and that when you resisted the unjust demands of an English king and
+council, you did but that which the free commons of England held the
+right to do, and did, not only after, but before, the temporary tyranny
+of the Norman kings.
+
+Show them the tombs of English kings; not of those Norman kings—no Norman
+king lies buried in our Abbey—there is no royal interment between Edward
+the Confessor, the last English prince of Cerdic’s house, and Henry the
+Third, the first of the new English line of kings. Tell them, in justice
+to our common forefathers, that those men were no tyrants, but _kings_,
+who swore to keep, and for the most part did keep, like loyal gentlemen,
+the ancient English laws, which they had sworn in Westminster Abbey to
+maintain; and that the few of them who persisted in outraging the rights
+or the conscience of the free people of England, paid for their perjury
+with their crowns, or with their lives. And tell them, too, in justice
+to our common ancestors, that there were never wanting to the kings, the
+nobles, or the commons of England, since the days when Simon de Montfort
+organised the House of Commons in Westminster Hall, on the 2nd of May,
+1258—there were never wanting, I say, to the kings, the nobles, or the
+commons of England, counsellors who dared speak the truth and defend the
+right, even at the risk of their own goods and their own lives.
+
+Remind them, too—or let our monuments remind them—that even in the worst
+times of the War of Independence, there were not wanting, here in
+England, statesmen who dared to speak out for justice and humanity; and
+that they were not only confessed to be the leading men of their own day,
+but the very men whom England delighted to honour by places in her
+Pantheon. Show them the monuments of Chatham, Pitt, and Fox—Burke sleeps
+in peace elsewhere—and remind them that the great earl, who literally
+died as much in your service as in ours, whose fiery invectives against
+the cruelties of that old war are, I am proud to say, still common-places
+for declamation among our English schoolboys, dared, even when all was at
+the worst, to tell the English House of Lords—‘If I were an American, as
+I am an Englishman, while a foreign troop was landed in my country, I
+never would lay down my arms—never, never, never!’
+
+Yes—an American as well as an Englishman may find himself in the old
+Abbey in right good company.
+
+Yes—and I do not hesitate to say, that if you will look through the
+monuments erected in that Abbey, since those of Pitt and Fox—you will
+find that the great majority commemorate the children, not of
+obstruction, but of progress; not of darkness, but of light.
+
+Holland, Tierney, Mackintosh, Grattan, Peel, Canning, Palmerston, Isaac
+Watts, Bell, Wilberforce, Sharp, the Macaulays, Fowell Buxton, Francis
+Horner, Charles Buller, Cobden, Watt, Rennell, Telford, Locke, Brunel,
+Grote, Thackeray, Dickens, Maurice—men who, each in his own way, toiled
+for freedom of some kind; freedom of race, of laws, of commerce, of
+locomotion, of production, of speech, of thought, of education, of human
+charity, and of sympathy—these are the men whom England still delights to
+honour; whose busts around our walls show that the ancient spirit is not
+dead, and that we, as you, are still, as 1500 years ago, the sons of
+freedom and of light.
+
+But, beside these statesmen who were just and true to you, and therefore
+to their native land, there lie men before whose monuments I would ask
+thoughtful Americans to pause—I mean those of our old fighters, by land
+and sea. I do not speak merely of those who lived before our Civil Wars,
+though they are indeed our common heritage. And when you look at the
+noble monuments of De Vere and Norris, the fathers of the English
+infantry, you should remember that your ancestors and mine, or that of
+any other Englishman, may have trailed pike and handled sword side by
+side under those very men, in those old wars of the Netherlands, which
+your own great historian, Mr. Motley, has so well described; or have
+sailed together to Cadiz fight, and to the Spanish Main, with Raleigh or
+with Drake.
+
+There are those, again, who did their duty two and three generations
+later—though one of the noblest of them all, old Admiral Blake, alas!
+lies we know not where—cast out, with Cromwell and his heroes, by the
+fanatics and sycophants of the Restoration—whom not only we, but Royalty
+itself, would now restore, could we recover their noble ashes, to their
+rightful resting-place.
+
+And these, if not always our common ancestors, were, often enough, our
+common cousins, as in the case of my own family, in which one brother was
+settling in New England, to found there a whole new family of Kingsleys
+while the other brother was fighting in the Parliamentary army, and
+helping to defeat Charles at Rowton Moor.
+
+But there is another class of warriors’ tombs, which I ask you, if ever
+you visit the Abbey, to look on with respect, and let me say, affection
+too. I mean the men who did their duty, by land and sea, in that long
+series of wars which, commencing in 1739, ended in 1783, with our
+recognition of your right and power to be a free and independent people.
+Of those who fought against you I say nought. But I must speak of those
+who fought for you—who brought to naught, by sheer hard blows, that
+family compact of the House of Bourbon, which would have been as
+dangerous to you upon this side of the ocean as to us upon the other; who
+smote with a continual stroke the trans-Atlantic power of Spain, till
+they placed her once vast and rich possessions at your mercy to this day;
+and who—even more important still—prevented the French from seizing at
+last the whole valley of the Mississippi, and girdling your nascent
+dominion with a hostile frontier, from Louisiana round to the mouth of
+the St. Lawrence.
+
+When you see Wolfe’s huge cenotaph, with its curious bronze bas-relief of
+the taking of the heights of Abraham, think, I pray you, that not only
+for England, but for you, the ‘little red-haired corporal’ conquered and
+died.
+
+Remember, too, that while your ancestors were fighting well by land, and
+Washington and such as he were learning their lesson at Fort Duquesne and
+elsewhere better than we could teach them, we were fighting well where we
+knew how to fight—at sea. And when, near to Wolfe’s monument, or in the
+Nave, you see such names as Cornwallis, Saumarez, Wager, Vernon—the
+conqueror of Portobello—Lord Aubrey Beauclerk, and so forth—bethink you
+that every French or Spanish ship which these men took, and every convoy
+they cut off, from Toulon to Carthagena, and from Carthagena to Halifax,
+made more and more possible the safe severance from England of the very
+Colonies which you were then helping us to defend. And then agree, like
+the generous-hearted people which you are, that if, in after years, we
+sinned against you—and how heavy were our sins, I know too well—there was
+a time, before those evil days, when we fought for you, and by your side,
+as the old lion by the young; even though, like the old lion and the
+young, we began, only too soon, tearing each other to pieces over the
+division of the prey.
+
+Nay, I will go further, and say this, paradoxical as it may seem:—When
+you enter the North Transept from St. Margaret’s Churchyard you see on
+your right hand a huge but not ungraceful naval monument of white marble,
+inscribed with the names of Bayne, Blair, Lord Robert Manners—three
+commanders of Rodney’s, in the crowning victory of April 12, 1782—fought
+upon Tropic waters, over which I have sailed, flushed with the thought
+that my own grandfather was that day on board of Rodney’s ship.
+
+Now do you all know what that day’s great fight meant for you,—fought
+though it was, while you, alas! were still at war with us? It meant
+this. That that day—followed up, six months after, by Lord Howe’s relief
+of Gibraltar—settled, I hold, the fate of the New World for many a year.
+True, in one sense, it was settled already. Cornwallis had already
+capitulated at York Town. But even then the old lion, disgraced,
+bleeding, fainting, ready to yield—but only to you, of his own kin and
+blood—struck, though with failing paw, two such tremendous blows at his
+old enemies, as deprived them thenceforth of any real power in the New
+World; precipitated that bankruptcy and ruin which issued in the French
+and Spanish revolutions; and made certain, as I believe, the coming day
+when the Anglo-Saxon race shall be the real masters of the whole New
+World.
+
+Of poets and of men of letters I say nought. They are the heritage,
+neither of us, nor you, but of the human race. The mere man of letters
+may well sleep in the very centre of that busy civilisation from which he
+drew his inspiration: but not the poet—not, at least, the poet of these
+days. He goes not to the town, but nature, for his inspirations, and to
+nature when he dies he should return. Such men—artificial, and
+town-bred—however brilliant, or even grand at times—as Davenant, Dryden,
+Cowley, Congreve, Prior, Gay—sleep fitly in our care here. Yet even
+Pope—though one of such in style and heart—preferred the parish church of
+the then rural Twickenham, and Gray the lonely graveyard of Stoke Pogis.
+Ben Jonson has a right to lie with us. He was a townsman to the very
+heart, and a court-poet too. But Chaucer, Spenser, Drayton—such are, to
+my mind, out of place. Chaucer lies here, because he lived hard by.
+Spenser through bitter need and woe. But I should have rather buried
+Chaucer in some trim garden, Spenser beneath the forest aisles, and
+Drayton by some silver stream—each man’s dust resting where his heart was
+set. Happier, it seems to me, are those who like Shakespeare, Wordsworth
+and Southey, Scott and Burns, lie far away, in scenes they knew and
+loved; fulfilling Burke’s wise choice: ‘After all I had sooner sleep in
+the southern corner of a country churchyard than in the tomb of all the
+Capulets.’
+
+Yes—these worthies, one and all, are a token that the Great Abbey, and
+all its memories of 800 years, does not belong to us alone, nor even to
+the British Empire alone and all its Colonies, but to America likewise!
+That when an American enters beneath that mighty shade, he treads on
+common and ancestral ground, as sacred to him as it is to us; the symbol
+of common descent, common development, common speech, common creed,
+common laws, common literature, common national interests, and I trust,
+of a common respect and affection, such as the wise can only feel toward
+the wise, and the strong toward the strong.
+
+Is all this sentiment? Remember what I said just now: by well-used
+sentiment, and well-used sorrow, great nations live.
+
+
+
+
+LECTURE II.
+THE STAGE AS IT WAS ONCE.
+
+
+What the Stage is now, I presume, all know. I am not myself a playgoer,
+but I am informed that, in Europe at least, it is not in a state to
+arouse any deep interest or respect in any cultivated or virtuous person.
+Meanwhile, keeping fast to my intention of talking to you only about
+things worthy of your interest and respect, because they are good, true,
+and beautiful, I wish to tell you what the Stage was once, in a republic
+of the past—what it may be again, I sometimes dream, in some republic of
+the future.
+
+Let me take you back in fancy some 2314 years—440 years before the
+Christian era, and try to sketch for you—alas! how clumsily—a great,
+though tiny people, in one of their greatest moments—in one of the
+greatest moments, it may be, of the human race. For surely it is a great
+and a rare moment for humanity, when all that is loftiest in it—when
+reverence for the Unseen powers, reverence for the heroic dead, reverence
+for the father-land; and that reverence, too, for self, which is
+expressed in stateliness and self-restraint, in grace and courtesy; when
+all these, I say, can lend themselves, even for a day, to the richest
+enjoyment of life—to the enjoyment of beauty in form and sound, and of
+relaxation, not brutalizing, but ennobling.
+
+Rare, alas! have such seasons been in the history of poor humanity. But
+when they have come, they have lifted it up one stage higher thenceforth.
+Men, having been such once, may become such again; and the work which
+such times have left behind them becomes immortal.
+
+ A thing of beauty is a joy for ever.
+
+Let me take you to the then still unfinished theatre of Athens, hewn out
+of the limestone rock on the south-east slope of the Acropolis.
+
+Above are the new marble buildings of the Parthenon, rich with the
+statues and bas-reliefs of Phidias and his scholars, gleaming white
+against the blue sky, with the huge bronze statue of Athené Promachos,
+fifty feet in height, towering up among the temples and colonnades. In
+front, and far below, gleams the blue sea, and Salamis beyond.
+
+And there are gathered the people of Athens—50,000 of them, possibly,
+when the theatre was complete and full. If it be fine, they all wear
+garlands on their heads. If the sun be too hot, they wear wide-brimmed
+straw hats. And if a storm comes on, they will take refuge in the
+porticos beneath; not without wine and cakes, for what they have come to
+see will last for many an hour, and they intend to feast their eyes and
+ears from sunrise to sunset. On the highest seats are slaves and
+freedmen, below them the free citizens; and on the lowest seats of all
+are the dignitaries of the republic—the priests, the magistrates, and the
+other χαλοὶ χἀγαθοὶ—the fair and good men—as the citizens of the highest
+rank were called, and with them foreign ambassadors and distinguished
+strangers. What an audience—the rapidest, subtlest, wittiest, down to
+the very cobblers and tinkers, the world has ever seen. And what noble
+figures on those front seats; Pericles, with Aspasia beside him, and all
+his friends—Anaxagoras the sage, Phidias the sculptor, and many another
+immortal artist; and somewhere among the free citizens, perhaps beside
+his father Sophroniscus the sculptor, a short, square, pugnosed boy of
+ten years old, looking at it all with strange eyes—‘who will be one day,’
+so said the Pythoness at Delphi, ‘the wisest man in Greece’—sage,
+metaphysician, humourist, warrior, patriot, martyr—for his name is
+_Socrates_.
+
+All are in their dresses of office; for this is not merely a day of
+amusement, but of religious ceremony; sacred to Dionysos—Bacchus, the
+inspiring god, who raises men above themselves, for good—or for evil.
+
+The evil, or at least the mere animal aspect of that inspiration, was to
+be seen in forms grotesque and sensuous enough in those very festivals,
+when the gayer and coarser part of the population, in town and country,
+broke out into frantic masquerade, of which that silly carnival of Rome
+is perhaps the last paltry and unmeaning relic. ‘When,’ as the learned
+O. Müller says, ‘the desire of escaping from self into something new and
+strange, of living in an imaginary world, broke forth in a thousand ways;
+not merely in revelry and solemn, though fantastic songs, but in a
+hundred disguises, imitating the subordinate beings—satyrs, pans, and
+nymphs, by whom the god was surrounded, and through whom life seemed to
+pass from him into vegetation, and branch off into a variety of beautiful
+or grotesque forms—beings who were ever present to the fancy of the
+Greeks, as a convenient step by which they could approach more nearly to
+the presence of the Divinity.’ But even out of that seemingly bare
+chaos, Athenian genius was learning how to construct, under Eupolis,
+Cratinus and Aristophanes, that elder school of comedy, which remains not
+only unsurpassed, but unapproachable, save by Rabelais alone, as the
+ideal cloudland of masquerading wisdom, in which the whole universe goes
+mad—but with a subtle method in its madness.
+
+Yes, so it has been, under some form or other, in every race and
+clime—ever since Eve ate of the magic fruit, that she might be as a god,
+knowing good and evil, and found, poor thing, as most have since, that it
+was far easier and more pleasant to know the evil than to know the good.
+But that theatre was built that men might know therein the good as well
+as the evil. To learn the evil, indeed, according to their light, and
+the sure vengeance of Até and the Furies which tracks up the evil-doer.
+But to learn also the good—lessons of piety, patriotism, heroism,
+justice, mercy, self-sacrifice, and all that comes out of the hearts of
+men and women not dragged _below_, but raised _above_ themselves; and
+behind all—at least in the nobler and earlier tragedies of Æschylus and
+Sophocles, before Euripides had introduced the tragedy of mere human
+passion; that sensation tragedy, which is the only one the world knows
+now, and of which the world is growing rapidly tired—behind all, I say,
+lessons of the awful and unfathomable mystery of human existence, of
+unseen destiny; of that seemingly capricious distribution of weal and
+woe, to which we can find no solution on this side the grave, for which
+the old Greek could find no solution whatsoever.
+
+Therefore there was a central object in the old Greek theatre, most
+important to it, but which does not exist in our theatres, and did not in
+the old Roman; because our tragedies, like the Roman, are mere plays
+concerning love, murder, and so forth, while the Greek were concerning
+the deepest relations of man to the Unseen.
+
+The almost circular orchestra, or pit, between the benches and the stage,
+was empty of what we call spectators—because it was destined for the true
+and ideal spectators—the representatives of humanity; in its centre was a
+round platform, the θυμελή—originally the altar of Bacchus—from which the
+leader of these representatives, the leader of the Chorus, could converse
+with the actors on the stage and take his part in the drama; and round
+this thymelé the Chorus ranged, with measured dance and song, chanting,
+to the sound of a simple flute, odes such as the world had never heard
+before or since, save perhaps in the temple-worship at Jerusalem. A
+chorus now, as you know, means merely any number of persons singing in
+full harmony on any subject. The Chorus was then in tragedy, and indeed
+in the higher comedy, what Schlegel well calls ‘the ideal spectator,’—a
+personified reflection on the action going on, the incorporation into the
+representation itself of the sentiments of the poet, as the spokesman of
+the whole human race. He goes on to say (and I think truly), ‘that the
+Chorus always retained among the Greeks a peculiar national
+signification, publicity being, according to their republican notions,
+essential to the completeness of every important transaction.’ Thus the
+Chorus represented idealised public opinion: not of course, the shifting,
+hasty public opinion of the moment—to that it was a conservative check,
+and it calmed to soberness and charity—for it was the matured public
+opinion of centuries; the experience, and usually the sad experience, of
+many generations; the very spirit of the Greek race.
+
+The Chorus might be composed of what the poet would. Of ancient
+citizens, waiting for their sons to come back from the war, as in the
+_Agamemnon_ of Æschylus; of sea-nymphs, as in his _Prometheus Bound_;
+even of the very Furies who hunt the matricide, as in his _Eumenides_; of
+Senators as in the _Antigone_ of Sophocles; or of village farmers as in
+his _Œdipus at Colonos_—and now I have named five of the greatest poems,
+as I hold, written by mortal man till Dante rose. Or it may be the
+Chorus was composed—as in the comedies of Aristophanes, the greatest
+humourist the world has ever seen—of birds, or of frogs, or even of
+clouds. It may rise to the level of Don Quixote, or sink to that of
+Sancho Panza; for it is always the incarnation of such wisdom, heavenly
+or earthly, as the poet wishes the people to bring to bear on the
+subject-matter!
+
+But let the poets themselves, rather than me, speak awhile. Allow me to
+give you a few specimens of these choruses—the first as an example of
+that practical, and yet surely not un-divine wisdom, by which they
+supplied the place of our modern preacher, or essayist, or didactic poet.
+
+Listen to this of the old men’s chorus in the _Agamemnon_, in the
+spirited translation of my friend Professor Blackie:—
+
+ ’Twas said of old, and ’tis said to-day,
+ That wealth to prosperous stature grown
+ Begets a birth of its own:
+ That a surfeit of evil by good is prepared,
+ And sons must bear what allotment of woe
+ Their sires were spared.
+ But this I refuse to believe: I know
+ That impious deeds conspire
+ To beget an offspring of impious deeds
+ Too like their ugly sire.
+ But whoso is just, though his wealth like a river
+ Flow down, shall be scathless: his house shall rejoice
+ In an offspring of beauty for ever.
+
+ The heart of the haughty delights to beget
+ A haughty heart. From time to time
+ In children’s children recurrent appears
+ The ancestral crime.
+ When the dark hour comes that the gods have decreed
+ And the Fury burns with wrathful fires,
+ A demon unholy, with ire unabated,
+ Lies like black night on the halls of the fated;
+ And the recreant Son plunges guiltily on
+ To perfect the guilt of his Sires.
+
+ But Justice shines in a lowly cell;
+ In the homes of poverty, smoke-begrimed,
+ With the sober-minded she loves to dwell.
+ But she turns aside
+ From the rich man’s house with averted eye,
+ The golden-fretted halls of pride
+ Where hands with lucre are foul, and the praise
+ Of counterfeit goodness smoothly sways;
+ And wisely she guides in the strong man’s despite
+ All things to an issue of RIGHT.
+
+Let me now give you another passage from the _Eumenides_—or _Furies_, of
+Æschylus.
+
+Orestes, prince of Argos, you must remember, has avenged on his mother
+Clytemnestra the murder of his father, king Agamemnon, on his return from
+Troy. Pursued by the Furies, he takes refuge in the temple of Apollo at
+Delphi, and then, still Fury-haunted, goes to Athens, where Pallas Athené
+the warrior-maiden, the tutelary goddess of Athens, bids him refer his
+cause to the Areopagus, the highest court of Athens, Apollo acting as his
+advocate, and she sitting as umpire in the midst. The white and black
+balls are thrown into the urn, and are equal; and Orestes is only
+delivered by the decision of Athené—as the representative of the nearer
+race of gods, the Olympians, the friends of man, in whose likeness man is
+made. The Furies are the representatives of the older and darker
+creed—which yet has a depth of truth in it—of the irreversible dooms
+which underlie all nature; and which represent the _Law_, and not the
+Gospel, the consequence of the mere act, independent of the spirit which
+has prompted it.
+
+They break out in fury against the overbearing arrogance of these younger
+gods. Athené bears their rage with equanimity, addresses them in the
+language of kindness, even of veneration, till these so indomitable
+beings are unable to withstand the charm of her mild eloquence. They are
+to have a sanctuary in the Athenian land, and to be called no more Furies
+(Erinnys), but Eumenides—the _well-conditioned_—the kindly goddesses.
+And all ends with a solemn procession round the orchestra, with hymns of
+blessing, while the terrible Chorus of the Furies, clothed in black, with
+blood-stained girdles, and serpents in their hair, in masks having
+perhaps somewhat of the terrific beauty of Medusa-masks, are convoyed to
+their new sanctuary by a procession of children, women, and old men in
+purple robes and torches in their hands, after Athené and the Furies have
+sung, in response to each other, a chorus from which I must beg leave to
+give you an extract or two.
+
+ _Eldest Fury_ (_Leader of the Chorus_).
+
+ Far from thy dwelling, and far from thy border,
+ By the grace of my godhead benignant I order
+ The blight which may blacken the bloom of the trees.
+ Far from thy border, and far from thy dwelling,
+ Be the hot blast which shrivels the bud in its swelling,
+ The seed-rotting taint, and the creeping disease.
+ Thy flocks be still doubled, thy seasons be steady,
+ And when Hermes is near thee, thy hand be still ready
+ The Heaven-dropt bounty to seize.
+
+ _Athené_.
+
+ Hear her words, my city’s warders—
+ Fraught with blessings, she prevaileth
+ With Olympians and Infernals,
+ Dread Erinnys much revered.
+ Mortal faith she guideth plainly
+ To what goal she pleaseth, sending
+ Songs to some, to others days
+ With tearful sorrows dulled.
+
+ _Furies_.
+
+ Far from thy border
+ The lawless disorder
+ That sateless of evil shall reign;
+ Far from thy dwelling,
+ The dear blood welling,
+ That taints thine own hearth with the slain.
+ When slaughter from slaughter
+ Shall flow like the water,
+ And rancour from rancour shall grow.
+ But joy with joy blending,
+ Live, each to all lending;
+ And hating one-hearted the foe.
+ When bliss hath departed;
+ From love single-hearted,
+ A fountain of healing shall flow.
+
+ _Athené_.
+
+ Wisely now the tongue of kindness
+ Thou hast found, the way of love.
+ And these terror-speaking faces
+ Now look wealth to me and mine.
+ Her so willing, ye more willing,
+ Now receive. This land and city,
+ On ancient right securely throned,
+ Shall shine for evermore.
+
+ _Furies_.
+
+ Hail, and all hail, mighty people, be greeted,
+ On the sons of Athena shines sunshine the clearest.
+ Blest people, near Jove the Olympian seated.
+ And dear to the maiden his daughter the dearest.
+ Timely wise ’neath the wings of the daughter ye gather,
+ And mildly looks down on her children the Father.
+
+Those of you here who love your country as well as the old Athenians
+loved theirs, will feel at once the grand political significance of such
+a scene, in which patriotism and religion become one—and feel, too, the
+exquisite dramatic effect of the innocent, the weak, the unwarlike,
+welcoming among them, without fear, because without guilt, those ancient
+snaky-haired sisters, emblems of all that is most terrible and most
+inscrutable, in the destiny of nations, of families, and of men:
+
+ To their hallowed habitations
+ ’Neath Ogygian earth’s foundations
+ In that darksome hall
+ Sacrifice and supplication
+ Shall not fail. In adoration
+ Silent worship all.
+
+Listen again, to the gentler patriotism of a gentler poet, Sophocles
+himself. The village of Colonos, a mile from Athens, was his birthplace;
+and in his _Œdipus Coloneus_, he makes his Chorus of village officials
+sing thus of their consecrated olive grove:
+
+ In good hap, stranger, to these rural seats
+ Thou comest, to this region’s blest retreats,
+ Where white Colonos lifts his head,
+ And glories in the bounding steed.
+ Where sadly sweet the frequent nightingale
+ Impassioned pours his evening song,
+ And charms with varied notes each verdant vale,
+ The ivy’s dark-green boughs among,
+ Or sheltered ’neath the clustering vine
+ Which, high above him form a bower,
+ Safe from the sun or stormy shower,
+ Where frolic Bacchus often roves,
+ And visits with his fostering nymphs the groves.
+
+ Bathed in the dew of heaven each morn,
+ Fresh is the fair Narcissus born,
+ Of those great gods the crown of old;
+ The crocus glitters, robed in gold.
+ Here restless fountains ever murmuring glide,
+ And as their crispèd streamlets play,
+ To feed, Cephisus, thine unfailing tide,
+ Fresh verdure marks their winding way.
+ Here oft to raise the tuneful song
+ The virgin band of Muses deigns,
+ And car-borne Aphrodite guides her golden reins.
+
+Then they go on, this band of village elders, to praise the gods for
+their special gifts to that small Athenian land. They praise Pallas
+Athené, who gave their forefathers the olive; then Poseidon—Neptune, as
+the Romans call him—who gave their forefathers the horse; and something
+more—the ship,—the horse of the sea, as they, like the old Norse Vikings
+after them, delighted to call it.—
+
+ Our highest vaunt is this—Thy grace,
+ Poseidon, we behold.
+ The ruling curb, embossed with gold,
+ Controls the courser’s managed pace.
+ Though loud, oh king, thy billows roar,
+ Our strong hands grasp the labouring oar,
+ And while the Nereids round it play,
+ Light cuts our bounding bark its way.
+
+What a combination of fine humanities! Dance and song, patriotism and
+religion, so often parted among us, have flowed together into one in
+these stately villagers; each a small farmer; each a trained soldier, and
+probably a trained seaman also; each a self-governed citizen; and each a
+cultured gentleman, if ever there were gentlemen on earth.
+
+But what drama, doing, or action—for such is the meaning of the word—is
+going on upon the stage, to be commented on by the sympathizing Chorus?
+
+One drama, at least, was acted in Athens in that year—440 B.C.—which you,
+I doubt not, know well—that _Antigone_ of Sophocles, which Mendelssohn
+has resuscitated, in our own generation, by setting it to music, divine
+indeed, though very different from the music to which it was set,
+probably by Sophocles himself, at its first, and for ought we know, its
+only representation. For pieces had not then, as now, a run of a hundred
+nights and more. The Athenian genius was so fertile, and the Athenian
+audience so eager for novelty, that new pieces were demanded, and were
+forthcoming, for each of the great festivals, and if a piece was
+represented a second time it was usually after an interval of some years.
+They did not, moreover, like the moderns, run every night to some theatre
+or other, as a part of the day’s amusement. Tragedy, and even comedy,
+were serious subjects, calling out, not a passing sigh, or passing laugh,
+but all the higher faculties and emotions. And as serious subjects were
+to be expressed in verse and music, which gave stateliness, doubtless,
+even to the richest burlesques of Aristophanes, and lifted them out of
+mere street-buffoonery into an ideal fairy land of the grotesque, how
+much more stateliness must verse and music have added to their tragedy!
+And how much have we lost, toward a true appreciation of their dramatic
+art, by losing almost utterly not only the laws of their melody and
+harmony, but even the true metric time of their odes! music and metre,
+which must have surely been as noble as their poetry, their sculpture,
+their architecture, possessed by the same exquisite sense of form and of
+proportion. One thing we can understand—how this musical form of the
+drama, which still remains to us in lower shapes, in the oratorio, in the
+opera, must have helped to raise their tragedies into that ideal sphere
+in which they all, like the _Antigone_, live and move. So ideal and yet
+so human; nay rather, truly ideal, because truly human. The gods, the
+heroes, the kings, the princesses of Greek tragedy were dear to the
+hearts of Greek republicans, not merely as the founders of their states,
+not merely as the tutelary deities, many of them, of their country: but
+as men and women like themselves, only more vast; with mightier wills,
+mightier virtues, mightier sorrows, and often mightier crimes; their
+inward free-will battling, as Schlegel has well seen, against outward
+circumstance and overruling fate, as every man should battle, unless he
+sink to be a brute. ‘In tragedy,’ says Schlegel—uttering thus a deep and
+momentous truth—‘the gods themselves either come forward as the servants
+of destiny and mediate executors of its decrees, or approve themselves
+godlike only by asserting their liberty of action and entering upon the
+same struggles with fate which man himself has to encounter.’ And I
+believe this, that this Greek tragedy, with its godlike men and manlike
+gods, and heroes who had become gods by the very vastness of their
+humanity, was a preparation, and it may be a necessary preparation, for
+the true Christian faith in a Son of man, who is at once utterly human
+and utterly divine. Man is made in the likeness of God—is the root-idea,
+only half-conscious, only half-expressed, but instinctive, without which
+neither the Greek Tragedies, nor the Homeric Poems, six hundred years
+before them, could have been composed. Doubtless the idea that man was
+like a god degenerated too often into the idea that the gods were like
+men, and as wicked. But that travestie of a great truth is not confined
+to those old Greeks. Some so-called Christian theories—as I hold—have
+sinned in that direction as deeply as the Athenians of old.
+
+Meanwhile, I say, that this long acquiescence in the conception of
+godlike struggle, godlike daring, godlike suffering, godlike martyrdom;
+the very conception which was so foreign to the mythologies of any other
+race—save that of the Jews, and perhaps of our own Teutonic
+forefathers—did prepare, must have prepared, men to receive as most
+rational and probable, as the satisfaction of their highest instincts,
+the idea of a Being in whom all those partial rays culminated in clear,
+pure light; of a Being at once utterly human and utterly divine; who by
+struggle, suffering, self-sacrifice, without a parallel, achieved a
+victory over circumstance and all the dark powers which beleaguer man
+without a parallel likewise.
+
+Take, as an example, the figure which you know best—the figure of
+Antigone herself—devoting herself to be entombed alone, for the sake of
+love and duty. Love of a brother, which she can only prove, alas! by
+burying his corpse. Duty to the dead, an instinct depending on no
+written law, but springing out of the very depths of those blind and yet
+sacred monitions which prove that the true man is not an animal, but a
+spirit; fulfilling her holy purpose, unchecked by fear, unswayed by her
+sisters’ entreaties. Hardening her heart magnificently till her fate is
+sealed; and then after proving her godlike courage, proving the
+tenderness of her womanhood by that melodious wail over her own untimely
+death and the loss of marriage joys, which some of you must know from the
+music of Mendelssohn, and which the late Dean Milman has put into English
+thus—
+
+ Come, fellow-citizens, and see
+ The desolate Antigone.
+ On the last path her steps shall tread,
+ Set forth, the journey of the dead,
+ Watching, with vainly lingering gaze,
+ Her last, last sun’s expiring rays,
+
+ Never to see it, never more,
+ For down to Acheron’s dread shore,
+ A living victim am I led
+ To Hades’ universal bed.
+ To my dark lot no bridal joys
+ Belong, nor e’er the jocund noise
+ Of hymeneal chant shall sound for me,
+ But death, cold death, my only spouse shall be.
+
+ Oh tomb! Oh bridal chamber! Oh deep-delved
+ And strongly-guarded mansion! I descend
+ To meet in your dread chambers all my kindred,
+ Who in dark multitudes have crowded down
+ Where Proserpine received the dead. But I,
+ The last, and oh how few more miserable,
+ Go down, or ere my sands of life are run.
+
+And let me ask you whether the contemplation of such a self-sacrifice
+should draw you, should have drawn those who heard the tale nearer to, or
+further from, a certain cross which stood on Calvary some 1800 years ago?
+May not the tale of Antigone heard from mother or from nurse have nerved
+ere now some martyr-maiden to dare and suffer in an even holier cause?
+
+But to return. This set purpose of the Athenian dramatists of the best
+school to set before men a magnified humanity, explains much in their
+dramas which seem to us at first not only strange but faulty. The masks
+which gave one grand but unvarying type of countenance to each well-known
+historic personage, and thus excluded the play of feature, animated
+gesture, and almost all which we now consider as ‘acting’ proper; the
+thicksoled cothurni which gave the actor a more than human stature; the
+poverty (according to our notions) of the scenery, which usually
+represented merely the front of a palace or other public place, and was
+often though not always unchanged during the whole performance; the total
+absence in fact, of anything like that scenic illusion which most
+managers of theatres seem now to consider as their highest achievement;
+the small number of the actors, two, or at most three only, being present
+on the stage at once,—the simplicity of the action, in which intrigue (in
+the play-house sense) and any complication of plot are utterly absent;
+all this must have concentrated not the eye of the spectator on the
+scene, but his ear upon the voice, and his emotions on the personages who
+stood out before him without a background, sharp-cut and clear as a group
+of statuary which is the same, place it where you will, complete in
+itself—a world of beauty, independent of all other things and beings save
+on the ground on which it needs must stand. It was the personage rather
+than his surroundings, which was to be impressed by every word on the
+spectator’s heart and intellect; and the very essence of Greek tragedy is
+expressed in the still famous words of Medea—
+
+ Che resta? Io.
+
+Contrast this with the European drama—especially with the highest form of
+it—our own Elizabethan. It resembles, as has been often said in better
+words than mine, not statuary but painting. These dramas affect colour,
+light, and shadow, background whether of town or country, description of
+scenery where scenic machinery is inadequate, all in fact, which can
+blend the action and the actors with the surrounding circumstances,
+without letting them altogether melt into the circumstances; which can
+show them a part of the great whole, by harmony or discord with the whole
+universe, down to the flowers beneath their feet. This, too, had to be
+done: how it became possible for even the genius of a Shakespeare to get
+it done, I may with your leave hint to you hereafter. Why it was not
+given to the Greeks to do it, I know not.
+
+Let us at least thank them for what they did. One work was given them,
+and that one they fulfilled as it had never been fulfilled before; as it
+will never need to be fulfilled again; for the Greeks’ work was done not
+for themselves alone but for all races in all times; and Greek Art is the
+heirloom of the whole human race; and that work was to assert in drama,
+lyric, sculpture, music, gymnastic, the dignity of man—the dignity of man
+which they perceived for the most part with their intense æsthetic sense,
+through the beautiful in man. Man with them was divine, inasmuch as he
+could perceive beauty and be beautiful himself. Beauty might be
+physical, æsthetic, intellectual, moral. But in proportion as a thing
+was perfect it revealed its own perfection by its beauty. Goodness
+itself was a form—though the highest form—of beauty. Καλος meant both
+the physically beautiful and the morally good; αἰσχρὸς both the ugly and
+the bad.
+
+Out of this root-idea sprang the whole of that Greek sculpture, which is
+still, and perhaps ever will be, one of the unrivalled wonders of the
+world.
+
+Their first statues, remember, were statues of the gods. This is an
+historic fact. Before B.C. 580 there were probably no statues in Greece
+save those of deities. But of what form? We all know that the usual
+tendency of man has been to represent his gods as more or less monstrous.
+Their monstrosity may have been meant, as it was certainly with the
+Mexican idols, and probably those of the Semitic races of Syria and
+Palestine, to symbolise the ferocious passions which they attributed to
+those objects of their dread, appeasable alone by human sacrifice. Or
+the monstrosity, as with the hawk-headed or cat-headed Egyptian idols,
+the winged bulls of Nineveh and Babylon, the many-handed deities of
+Hindostan—merely symbolised powers which could not, so the priest and the
+sculptor held, belong to mere humanity. Now, of such monstrous forms of
+idols, the records in Greece are very few and very ancient—relics of an
+older worship, and most probably of an older race. From the earliest
+historic period, the Greek was discerning more and more that the divine
+could be best represented by the human; the tendency of his statuary was
+more and more to honour that divine, by embodying it in the highest human
+beauty.
+
+In lonely mountain shrines there still might linger, feared and honoured,
+dolls like those black virgins, of unknown antiquity, which still work
+wonders on the European continent. In the mysterious cavern of Phigalia,
+for instance, on the Eleatic shore of Peloponnese, there may have been in
+remote times—so the legend ran—an old black wooden image, a woman with a
+horse’s head and mane, and serpents growing round her head, who held a
+dolphin in one hand and a dove in the other. And this image may have
+been connected with old nature-myths about the marriage of Demeter and
+Poseidon—that is, of encroachments of the sea upon the land; and the
+other myths of Demeter, the earth-mother, may have clustered round the
+place, till the Phigalians were glad—for it was profitable as well as
+honourable—to believe that in their cavern Demeter sat mourning for the
+loss of Proserpine, whom Pluto had carried down to Hades, and all the
+earth was barren till Zeus sent the Fates, or Iris, to call her forth,
+and restore fertility to the world. And it may be true—the legend as
+Pausanias tells it 600 years after—that the old wooden idol having been
+burnt, and the worship of Demeter neglected till a famine ensued, the
+Phigalians, warned by the Oracle of Delphi, hired Onatas, a contemporary
+of Polygnotus and Phidias, to make them a bronze replica of the old idol,
+from some old copy and from a dream of his own. The story may be true.
+When Pausanias went thither, in the second century after Christ, the cave
+and the fountain, and the sacred grove of oaks, and the altar outside,
+which was to be polluted with the blood of no victim—the only offerings
+being fruits and honey, and undressed wool—were still there. The statue
+was gone. Some said it had been destroyed by the fall of the cliff; some
+were not sure that it had ever been there at all. And meanwhile
+Praxiteles had already brought to perfection (Paus. 1, 2, sec. 4) the
+ideal of Demeter, mother-like, as Heré—whom we still call Juno now—but
+softer-featured, and her eyes more closed.
+
+And so for mother earth, as for the rest, the best representation of the
+divine was the human. Now, conceive such an idea taking hold, however
+slowly, of a people of rare physical beauty, of acutest eye for
+proportion and grace, with opportunities of studying the human figure
+such as exist nowhere now, save among tropic savages, and gifted,
+moreover, in that as in all other matters, with that innate diligence, of
+which Mr. Carlyle has said, ‘that genius is only an infinite capacity of
+taking pains,’ and we can understand somewhat of the causes which
+produced those statues, human and divine, which awe and shame the
+artificiality and degeneracy of our modern so-called civilisation—we can
+understand somewhat of the reverence for the human form, of the careful
+study of every line, the storing up for use each scattered fragment of
+beauty of which the artist caught sight, even in his daily walks, and
+consecrating it in his memory to the service of him or her whom he was
+trying to embody in marble or in bronze. And when the fashion came in of
+making statues of victors in the games, and other distinguished persons,
+a new element was introduced, which had large social as well as artistic
+results. The sculptor carried his usual reverence into his careful
+delineation of the victor’s form, while he obtained in him a model,
+usually of the very highest type, for perfecting his idea of some
+divinity. The possibility of gaining the right to a statue gave a fresh
+impulse to all competitors in the public games, and through them to the
+gymnastic training throughout all the states of Greece, which made the
+Greeks the most physically able and graceful, as well as the most
+beautiful people known to the history of the human race. A people who,
+reverencing beauty, reverenced likewise grace or acted beauty, so utterly
+and honestly, that nothing was too humble for a free man to do, if it
+were not done awkwardly and ill. As an instance, Sophocles himself—over
+and above his poetic genius, one of the most cultivated gentlemen, as
+well as one of the most exquisite musicians, dancers, and gymnasts, and
+one of the most just, pious, and gentle of all Greece—could not, by
+reason of the weakness of his voice, act in his own plays, as poets were
+wont to do, and had to perform only the office of stage-manager. Twice
+he took part in the action, once as the blind old Thamyris playing on the
+harp, and once in his own lost tragedy, the ‘Nausicaa.’ There in the
+scene in which the Princess, as she does in Homer’s ‘Odyssey,’ comes down
+to the sea-shore with her maidens to wash the household clothes, and then
+to play at ball—Sophocles himself, a man then of middle age, did the one
+thing he could do better than any there—and, dressed in women’s clothes,
+among the lads who represented the maidens, played at ball before the
+Athenian people.
+
+Yes: just 60 years after the representation of the _Antigone_, 10,000
+Greeks, far on the plains of Babylon, cut through the whole Persian army,
+as the railway train cuts through a herd of buffalo, and then losing all
+their generals by treacherous warfare, fought their way north from
+Babylon to Trebizond on the Black Sea, under the guidance of a young
+Athenian, a pupil of Socrates, who had never served in the army before.
+The retreat of Xenophon and his 10,000 will remain for ever as one of the
+grandest triumphs of civilisation over brute force: but what made it
+possible? That these men, and their ancestors before them, had been for
+at least 100 years in _training_, physical, intellectual, and moral,
+which made their bodies and their minds able to dare and suffer like
+those old heroes of whom their tragedy had taught them, and whose spirits
+they still believed would help the valiant Greek. And yet that feat,
+which looks to us so splendid, attracted, as far as I am aware, no
+special admiration at the time. So was the cultivated Greek expected to
+behave whenever he came in contact with the uncultivated barbarian.
+
+But from what had sprung in that little state, this exuberance of
+splendid life, physical, æsthetic, intellectual, which made, and will
+make the name of Athens and of the whole cluster of Greek republics for
+ever admirable to civilised man? Had it sprung from long years of
+peaceful prosperity? From infinite making of money and comfort,
+according to the laws of so-called political economy, and the dictates of
+enlightened selfishness? Not so. But rather out of terror and agony,
+and all but utter ruin—and out of a magnificent want of economy—and the
+divine daring and folly—of self-sacrifice.
+
+In Salamis across the strait a trophy stood, and round that trophy, forty
+years before, Sophocles the author of _Antigone_, then sixteen years of
+age, the loveliest and most cultivated lad in Athens, undraped like a
+faun, with lyre in hand, was leading the Chorus of Athenian youths, and
+singing to Athené, the tutelary goddess, a hymn of triumph for a glorious
+victory,—the very symbol of Greece and Athens, springing up into a joyous
+second youth after invasion and desolation, as the grass springs up after
+the prairie fire has passed. But the fire had been terrible. It had
+burnt Athens at least, down to the very roots. True, while Sophocles was
+dancing, Xerxes, the great king of the East, foiled at Salamis, as his
+father Darius had been foiled at Marathon ten years before, was fleeing
+back to Persia, leaving his innumerable hosts of slaves and mercenaries
+to be destroyed piecemeal, by land at Platea, by sea at Mycalé. The bold
+hope was over, in which the Persian, ever since the days of Cyrus, had
+indulged—that he, the despot of the East, should be the despot of the
+West likewise. It seemed to them as possible, though not as easy, to
+subdue the Aryan Greek, as it had been to subdue the Semite and the
+Turanian, the Babylonian, and the Syrian; to rifle his temples, to
+destroy his idols, carry off his women and children as colonists into
+distant lands, as they had been doing with all the nations of the East.
+And they had succeeded with isolated colonies, isolated islands of
+Greeks, and the shores of Asia Minor. But when they dared, at last, to
+attack the Greek in his own sacred land of Hellas, they found they had
+bearded a lion in his den. Nay rather—as those old Greeks would have
+said—they had dared to attack Pallas Athené, the eldest daughter of
+Zeus—emblem of that serene and pure divine wisdom, of whom Solomon sang
+of old: ‘The Lord possessed me in the beginning of His way, before His
+works of old. When He prepared the heavens, I was there, when He
+appointed the foundation of the earth, then was I by Him, as one brought
+up with Him, and I was daily His delight, rejoicing always before him:
+rejoicing in the habitable part of His earth; _and my delight was with
+the sons of men_,’—to attack her and her brother Apollo, Lord of light,
+and beauty, and culture, and grace, and inspiration,—to attack them, not
+in the name of Ormuzd, nor of any other deity, but in the name of mere
+brute force and lust of conquest. The old Persian spirit was gone out of
+them. They were the symbols now of nothing save despotism and self-will,
+wealth and self-indulgence. They, once the children of Ormuzd or light,
+had become the children of Ahriman or darkness; and therefore it was, as
+I believe, that Xerxes’ 1,000 ships, and the two million (or, as some
+have it, five million) human beings availed naught against the little
+fleets and little battalions of men who believed with a living belief in
+Athené and Apollo, and therefore—ponder it well, for it is true—with a
+living belief, under whatsoever confusions and divisions of personality,
+in a God who loved, taught, inspired men, a just God who befriended the
+righteous cause, the cause of freedom and patriotism, a Deity, the echo
+of whose mind and will to man was the song of Athené on Olympus, when she
+
+ Chanted of order and right, and of foresight, and order of peoples;
+ Chanted of labour and craft, wealth in the port and the garner;
+ Chanted of valour and fame, and the man who can fall with the
+ foremost,
+ Fighting for children and wife, and the field which his father
+ bequeathed him.
+ Sweetly and cunningly sang she, and planned new lessons for mortals.
+ Happy who hearing obey her, the wise unsullied Athené.
+
+Ah, that they had always obeyed her, those old Greeks. But meanwhile, as
+I said, the agony had been extreme. If Athens had sinned, she had been
+purged as by fire; and the fire—surely of God—had been terrible.
+Northern Greece had either been laid waste with fire and sword, or had
+gone over to the Persian, traitors in their despair. Attica, almost the
+only loyal state, had been overrun; the old men, women, and children had
+fled to the neighbouring islands, or to the Peloponnese. Athens itself
+had been destroyed; and while young Sophocles was dancing round the
+trophy at Salamis, the Acropolis was still a heap of blackened ruins.
+
+But over and above their valour, over and above their loyalty, over and
+above their exquisite æsthetic faculty, these Athenians had a resilience
+of self-reliant energy, like that of the French—like that, to do you but
+justice, of your Americans after your Chicago fire; and Athens rose from
+her ashes to be awhile, not only, as she had nobly earned by suffering
+and endurance, the leading state in Greece, but a mighty fortress, a rich
+commercial port, a living centre of art, poetry, philosophy, such as this
+earth has never seen before or since.
+
+On the plateau of that little crag of the Acropolis some 800 feet in
+length, by 400 in breadth—about the size and shape of the Castle Rock at
+Edinburgh—was gathered, within forty years of the battle of Salamis, more
+and more noble beauty than ever stood together on any other spot of like
+size.
+
+The sudden relief from crushing pressure, and the joyous consciousness of
+well-earned honours, made the whole spirit-nature of the people blossom
+out, as it were, into manifold forms of activity, beauty, research, and
+raised, in raising Greece, the whole human race thenceforth.
+
+What might they not have done—looking at what they actually did—for the
+whole race of man?
+
+But no—they fell, even more rapidly than they rose, till their grace and
+their cultivation, for them they could not lose, made them the willing
+ministers to the luxury, the frivolity, the sentimentality, the vice of
+the whole old world—the Scapia or Figaro of the old world—infinitely
+able, but with all his ability consecrated to the service of his own base
+self. The Greekling—as Juvenal has it—in want of a dinner, would climb
+somehow to heaven itself, at the bidding of his Roman master.
+
+Ah, what a fall! And what was the inherent weakness which caused that
+fall?
+
+I say at once—want of honesty. The Greek was not to be depended on; if
+it suited him, he would lie, betray, overreach, change sides, and think
+it no sin. He was the sharpest of men. Sharp practice, in our modern
+sense of the word, was the very element in which he floated. Any scholar
+knows it. In the grand times of Marathon and Salamis, down to the
+disastrous times of the Peloponnesian war and the thirty tyrants, no
+public man’s hands were clean, with the exception, perhaps, of that
+Aristides, who was banished because men were tired of hearing him called
+the Just. The exciting cause of the Peloponnesian war, and the
+consequent downfall of Athens, was not merely the tyranny she exercised
+over the states allied to her, it was the sharp practice of the
+Athenians, in misappropriating the tribute paid by the allies to the
+decoration of Athens. And in laying the foundations of the Parthenon was
+sown, by a just judgment, the seed of ruin for the state which gloried in
+it. And if the rulers were such, what were the people? If the free were
+such, what were the slaves?
+
+Hence, weakness at home and abroad, mistrust of generals and admirals,
+paralysing all bold and clear action, peculations and corruptions at
+home, internecine wars between factions inside states, and between states
+or groups of states, revolutions followed by despotism, and final
+exhaustion and slavery,— slavery to a people who were coming across the
+western sea, hard-headed, hard-hearted, caring nothing for art, or
+science, whose pleasures were coarse and cruel, but with a certain rough
+honesty, reverence for country, for law, and for the ties of a family—men
+of a somewhat old English type, who had over and above, like the English,
+the inspiring belief that they could conquer the whole world, and who
+very nearly succeeded in that—as we have, to our great blessing, not
+succeeded—I mean, of course, the Romans.
+
+
+
+
+LECTURE III.
+THE FIRST DISCOVERY OF AMERICA.
+
+
+Let me begin this lecture with a scene in the North Atlantic 863 years
+since.
+
+‘Bjarne Grimolfson was blown with his ship into the Irish Ocean; and
+there came worms and the ship began to sink under them. They had a boat
+which they had payed with seals’ blubber, for that the sea-worms will not
+hurt. But when they got into the boat they saw that it would not hold
+them all. Then said Bjarne, “As the boat will only hold the half of us,
+my advice is that we should draw lots who shall go in her; for that will
+not be unworthy of our manhood.” This advice seemed so good that none
+gainsaid it; and they drew lots. And the lot fell to Bjarne that he
+should go in the boat with half his crew. But as he got into the boat,
+there spake an Icelander who was in the ship and had followed Bjarne from
+Iceland, “Art thou going to leave me here, Bjarne?” Quoth Bjarne, “So it
+must be.” Then said the man, “Another thing didst thou promise my
+father, when I sailed with thee from Iceland, than to desert me thus.
+For thou saidst that we both should share the same lot.” Bjarne said,
+“And that we will not do. Get thou down into the boat, and I will get up
+into the ship, now I see that thou art so greedy after life.” So Bjarne
+went up into the ship, and the man down into the boat; and the boat went
+on its voyage till they came to Dublin in Ireland. But most men say that
+Bjarne and his comrades perished among the worms; for they were never
+heard of after.’
+
+This story may serve as a text for my whole lecture. Not only does it
+smack of the sea-breeze and the salt water like all the finest old Norse
+sagas: but it gives a glimpse at least, of the nobleness which underlay
+the grim and often cruel nature of the Norseman. It belongs, too, to the
+culminating epoch, to the beginning of that era when the Scandinavian
+peoples had their great times; when the old fierceness of the worshippers
+of Thor and Odin was tempered, without being effeminated by the Faith of
+the ‘White Christ,’ till the very men who had been the destroyers of
+Western Europe became its civilisers.
+
+It should have, moreover, a special interest to Americans. For—as
+American antiquaries are well aware—Bjarne was on his voyage home from
+the coast of New England; possibly from that very Mount Hope Bay, which
+seems to have borne the same name in the time of those old Norsemen, as
+afterwards in the days of King Philip the last sachem of the Wampanong
+Indians. He was going back to Greenland, perhaps for reinforcements,
+finding, he and his fellow-captain, Thorfinn, the Esquimaux who then
+dwelt in that land too strong for them. For the Norsemen were then on
+the very edge of a discovery, which might have changed the history not
+only of this continent but of Europe likewise. They had found and
+colonised Iceland and Greenland. They had found Labrador, and called it
+Helluland, from its ice-polished rocks. They had found Nova Scotia
+seemingly and called it Markland from its woods. They had found New
+England and called it Vinland the Good. A fair land they found it, well
+wooded, with good pasturage; so that they had already imported cows, and
+a bull whose lowings terrified the Esquimaux. They had found self-sown
+corn too, probably maize. The streams were full of salmon. But they had
+called the land Vinland, by reason of its grapes. Quaint enough, and
+bearing in its very quaintness the stamp of truth, is the story of the
+first finding of the wild fox-grapes. How Leif the Fortunate, almost as
+soon as he first landed, missed a little wizened old German servant of
+his father’s, Tyrker by name, and was much vexed thereat, for he had been
+brought up on the old man’s knee, and hurrying off to find him met Tyrker
+coming back twisting his eyes about—a trick of his—smacking his lips and
+talking German to himself in high excitement. And when they get him to
+talk Norse again, he says, ‘I have not been far, but I have news for you.
+I have found vines and grapes!’ ‘Is that true, foster-father?’ says
+Leif. ‘True it is,’ says the old German, ‘for I was brought up where
+there was never any lack of them.’ The saga—as given by Rafn—has a
+detailed description of this quaint personage’s appearance; and it would
+not be amiss if American wine-growers should employ an American
+sculptor—and there are great American sculptors—to render that
+description into marble, and set up little Tyrker in some public place,
+as the Silenus of the New World.
+
+Thus the first cargoes homeward from Vinland to Greenland had been of
+timber and of raisins, and of vine-stocks which were not like to thrive.
+
+And more. Beyond Vinland the Good there was said to be another land,
+Whiteman’s Land—or Ireland the Mickle, as some called it. For these
+Norse traders from Limerick had found Ari Marson, and Ketla of Ruykjanes,
+supposed to have been long since drowned at sea, and said that the people
+had made him and Ketla chiefs, and baptised Ari. What is all this? and
+what is this, too, which the Esquimaux children taken in Markland told
+the Northmen, of a land beyond them where the folk wore white clothes,
+and carried flags on poles? Are these all dreams? or was some part of
+that great civilisation, the relics whereof your antiquarians find in so
+many parts of the United States, still in existence some 900 years ago;
+and were these old Norse cousins of ours upon the very edge of it? Be
+that as it may, how nearly did these fierce Vikings, some of whom seemed
+to have sailed far south along the shore, become aware that just beyond
+them lay a land of fruits and spices, gold, and gems? The adverse
+current of the Gulf Stream, it may be, would have long prevented their
+getting past the Bahamas into the Gulf of Mexico; but, sooner or later,
+some storm must have carried a Greenland viking to San Domingo, or to
+Cuba; and then, as has been well said, some Scandinavian dynasty might
+have sat upon the throne of Mexico.
+
+These stories are well known to antiquarians. They may be found, almost
+all of them, in Professor Rafn’s _Antiquitates Americanæ_. The action in
+them stands out often so clear and dramatic, that the internal evidence
+of historic truth is irresistible. Thorvald, who, when he saw what seems
+to be, they say, the bluff head of Alderton at the south-east end of
+Boston Bay, said, ‘Here should I like to dwell,’ and, shot by an
+Esquimaux arrow, bade bury him on that place, with a cross at his head
+and a cross at his feet, and call the place Cross Ness for evermore;
+Gudrida, the magnificent widow, who wins hearts and sees strange deeds
+from Iceland to Greenland, and Greenland to Vinland and back, and at
+last, worn out and sad, goes off on a pilgrimage to Rome; Helgi and
+Finnbogi, the Norwegians, who, like our Arctic voyagers in after times,
+devise all sorts of sports and games to keep the men in humour during the
+long winter at Hope; and last, but not least, the terrible Freydisa, who
+when the Norse are seized with a sudden panic at the Esquimaux, and flee
+from them, as they had three weeks before fled from Thorfinn’s bellowing
+bull, turns, when so weak that she cannot escape, single-handed on the
+savages, and catching up a slain man’s sword, puts them all to flight
+with her fierce visage and fierce cries—Freydisa the Terrible, who, in
+another voyage, persuades her husband to fall on Helgi and Finnbogi, when
+asleep, and murder them and all their men; and then, when he will not
+murder the five women too, takes up an axe and slays them all herself,
+and getting back to Greenland, when the dark and unexplained tale comes
+out, lives unpunished, but abhorred henceforth. All these folks, I say,
+are no phantoms, but realities; at least, if I can judge of internal
+evidence.
+
+But, beyond them, and hovering on the verge of Mythus and fairy land,
+there is a ballad called ‘Finn the Fair,’ and how
+
+ An upland Earl had twa braw sons,
+ My story to begin;
+ The tane was hight Haldane the strong,
+ The tither was winsome Finn.
+
+and so forth; which was still sung, with other ‘rimur,’ or ballads, in
+the Faroes, at the end of the last century. Professor Rafn has inserted
+it, because it talks of Vinland as a well-known place, and because the
+brothers are sent by the princess to slay American kings; but that Rime
+has another value.
+
+It is of a beauty so perfect, and yet so like the old Scotch ballads in
+its heroic conception of love, and in all its forms and its qualities,
+that it is one proof more, to any student of early European poetry, that
+we and these old Norsemen are men of the same blood. Your own Professor
+Longfellow may know it far better than I, who am no Norse scholar. But,
+if he does, might I beg him to translate it some day, as none but he can
+translate? It is so sad, that no tenderness less exquisite than his can
+prevent its being painful; and, at least in its denouement, so naive,
+that no purity less exquisite than his can prevent its being dreadful.
+But the Rime is as worthy of Mr. Longfellow as he is worthy of the Rime.
+
+If anything more important than is told by Professor Rafn and Mr. Black
+{71} be now known to the antiquarians of Massachussets, let me entreat
+them to pardon my ignorance. But let me record my opinion that, though
+somewhat too much may have been made in past years of certain
+rock-inscriptions, and so forth, on this side of the Atlantic, there can
+be no reasonable doubt that our own race landed and tried to settle on
+the shore of New England six hundred years before their kinsmen, and, in
+many cases, their actual descendants, the august Pilgrim Fathers of the
+17th century. And so, as I said, a Scandinavian dynasty might have been
+seated now upon the throne of Mexico. And how was that strange chance
+lost? First, of course, by the length and danger of the coasting voyage.
+It was one thing to have, like Columbus and Vespucci, Cortes and Pizarro,
+the Azores as a half-way port; another to have Greenland, or even
+Iceland. It was one thing to run South West upon Columbus’ track, across
+the Mar de Damas, the Ladies Sea, which hardly knows a storm, with the
+blazing blue above, the blazing blue below, in an ever-warming climate,
+where every breath is life and joy; another to struggle against the fogs
+and icebergs, the rocks and currents, of the dreary North Atlantic. No
+wonder, then, that the knowledge of Markland, and Vinland, and Whiteman’s
+Land died away in a few generations, and became but fire-side sagas for
+the winter nights.
+
+But there were other causes, more honourable to the dogged energy of the
+Norse. They were in those very years conquering and settling nearer home
+as no other people—unless, perhaps, the old Ionian Greeks, conquered and
+settled.
+
+Greenland, we have seen, they held—the western side at least—and held it
+long and well enough to afford, it is said, 2,600 pounds of walrus’ teeth
+as yearly tithe to the Pope, besides Peter’s pence, and to build many a
+convent, and church, and cathedral, with farms and homesteads round; for
+one saga speaks of Greenland as producing wheat of the finest quality.
+All is ruined now, perhaps by gradual change of climate.
+
+But they had richer fields of enterprise than Greenland, Iceland, and the
+Faroes. Their boldest outlaws at that very time—whether from Norway,
+Sweden, Denmark, or Britain—were forming the imperial life-guard of the
+Byzantine Emperor, as the once famous Varangers of Constantinople; and
+that splendid epoch of their race was just dawning, of which my lamented
+friend, the late Sir Edmund Head, says so well in his preface to Viga
+Glum’s Icelandic _Saga_, ‘The Sagas, of which this tale is one, were
+composed for the men who have left their mark in every corner of Europe;
+and whose language and laws are at this moment important elements in the
+speech and institutions of England, America, and Australia. There is no
+page of modern history in which the influence of the Norsemen and their
+conquests must not be taken into account—Russia, Constantinople, Greece,
+Palestine, Sicily, the coasts of Africa, Southern Italy, France, the
+Spanish Peninsula, England, Scotland, Ireland, and every rock and island
+round them, have been visited, and most of them at one time or the other
+ruled, by the men of Scandinavia. The motto on the sword of Roger
+Guiscard was a proud one:
+
+ Appulus et Calaber, Siculus mihi servit et Afer.’
+
+Every island, says Sir Edmund Head, and truly—for the name of almost
+every island on the coast of England, Scotland, and Eastern Ireland, ends
+in either _ey_ or _ay_ or _oe_, a Norse appellative, as is the word
+island itself—is a mark of its having been, at some time or other,
+visited by the Vikings of Scandinavia.
+
+Norway, meanwhile, was convulsed by war; and what perhaps was of more
+immediate consequence, Svend Fork-beard, whom we Englishmen call
+Sweyn—the renegade from that Christian Faith which had been forced on him
+by his German conqueror, the Emperor Otto II.—with his illustrious son
+Cnut, whom we call Canute, were just calling together all the most daring
+spirits of the Baltic coasts for the subjugation of England; and when
+that great feat was performed, the Scandinavian emigration was paralysed,
+probably, for a time by the fearful wars at home. While the King of
+Sweden, and St. Olaf Tryggvason, king of Norway, were setting on Denmark
+during Cnut’s pilgrimage to Rome, and Cnut, sailing with a mighty fleet
+to Norway, was driving St. Olaf into Russia, to return and fall in the
+fratricidal battle of Stiklestead—during, strangely enough, a total
+eclipse of the sun—Vinland was like enough to remain still uncolonised.
+After Cnut’s short-lived triumph—king as he was of Denmark, Norway,
+England, and half Scotland, and what not of Wendish Folk inside the
+Baltic—the force of the Norsemen seems to have been exhausted in their
+native lands. Once more only, if I remember right, did ‘Lochlin,’ really
+and hopefully send forth her ‘mailed swarm’ to conquer a foreign land;
+and with a result unexpected alike by them and by their enemies. Had it
+been otherwise, we might not have been here this day.
+
+Let me sketch for you once more—though you have heard it, doubtless, many
+a time—the tale of that tremendous fortnight which settled the fate of
+Britain, and therefore of North America; which decided—just in those
+great times when the decision was to be made—whether we should be on a
+par with the other civilised nations of Europe, like them the ‘heirs of
+all the ages,’ with our share not only of Roman Christianity and Roman
+centralisation—a member of the great comity of European nations, held
+together in one Christian bond by the Pope—but heirs also of Roman
+civilisation, Roman literature, Roman law; and therefore, in due time, of
+Greek philosophy and art. No less a question than this, it seems to me,
+hung in the balance during that fortnight of autumn, 1066.
+
+Poor old Edward the Confessor, holy, weak, and sad, lay in his new choir
+of Westminster—where the wicked ceased from troubling, and the weary were
+at rest. The crowned ascetic had left no heir behind. England seemed as
+a corpse, to which all the eagles might gather together; and the
+South-English, in their utter need, had chosen for their king the ablest,
+and it may be the justest, man in Britain—Earl Harold Godwinsson:
+himself, like half the upper classes of England then, of the all-dominant
+Norse blood; for his mother was a Danish princess. Then out of Norway,
+with a mighty host, came Harold Hardraade, taller than all men, the ideal
+Viking of his time. Half-brother of the now dead St. Olaf, severely
+wounded when he was but fifteen, at Stiklestead, when Olaf fell, he had
+warred and plundered on many a coast. He had been away to Russia to King
+Jaroslaf; he had been in the Emperor’s Varanger guard at
+Constantinople—and, it was whispered, had slain a lion there with his
+bare hands; he had carved his name and his comrades’ in Runic
+characters—if you go to Venice you may see them at this day—on the loins
+of the great marble lion, which stood in his time not in Venice but in
+Athens. And now, king of Norway and conqueror, for the time, of Denmark,
+why should he not take England, as Sweyn and Canute took it sixty years
+before, when the flower of the English gentry perished at the fatal
+battle of Assingdune? If he and his half-barbarous host had conquered,
+the civilisation of Britain would have been thrown back, perhaps, for
+centuries. But it was not to be.
+
+England _was_ to be conquered by the Norman; but by the civilised, not
+the barbaric; by the Norse who had settled, but four generations before,
+in the North East of France under Rou, Rollo, Rolf the Ganger—so-called,
+they say, because his legs were so long that, when on horseback, he
+touched the ground and seemed to gang, or walk. He and his Norsemen had
+taken their share of France, and called it Normandy to this day; and
+meanwhile, with that docility and adaptability which marks so often truly
+great spirits, they had changed their creed, their language, their
+habits, and had become, from heathen and murderous Berserkers, the most
+truly civilised people of Europe, and—as was most natural then—the most
+faithful allies and servants of the Pope of Rome. So greatly had they
+changed, and so fast, that William Duke of Normandy, the
+great-great-grandson of Rolf the wild Viking, was perhaps the finest
+gentleman, as well as the most cultivated sovereign, and the greatest
+statesman and warrior, in all Europe.
+
+So Harold of Norway came with all his Vikings to Stamford Bridge by York;
+and took, by coming, only that which Harold of England promised him,
+namely, ‘forasmuch as he was taller than any other man, seven feet of
+English ground.’
+
+The story of that great battle, told with a few inaccuracies, but told as
+only great poets tell, you should read, if you have not read it already,
+in the _Heimskringla_ of Snorri Sturluson, the Homer of the North—
+
+ High feast that day held the birds of the air and the beasts of the
+ field,
+ White-tailed erne and sallow glede,
+ Dusky raven, with horny neb,
+ And the grey deer, the wolf of the wood.
+
+The bones of the slain, men say, whitened the place for fifty years to
+come.
+
+And remember, that on the same day on which that fight befell—Sept. 27,
+1066—William, Duke of Normandy, with all his French-speaking Norsemen,
+was sailing across the British Channel, under the protection of a banner
+consecrated by the Pope, to conquer that England which the Norse-speaking
+Normans could not conquer.
+
+And now King Harold showed himself a man. He turned at once from the
+North of England to the South. He raised the folk of the Southern, as he
+had raised those of the Central and Northern shires; and in sixteen
+days—after a march which in those times was a prodigious feat—he was
+entrenched upon the fatal down which men called Heathfield then, and
+Senlac, but Battle to this day—with William and his French Normans
+opposite him on Telham hill.
+
+Then came the battle of Hastings. You all know what befell upon that
+day; and how the old weapon was matched against the new—the English axe
+against the Norman lance—and beaten only because the English broke their
+ranks. If you wish to refresh your memories, read the tale once more in
+Mr. Freeman’s _History of England_, or Prof. Creasy’s _Fifteen Decisive
+Battles of the World_, or even, best of all, the late Lord Lytton’s
+splendid romance of _Harold_. And when you go to England, go, as some of
+you may have gone already, to Battle; and there from off the Abbey
+grounds, or from Mountjoy behind, look down off what was then ‘The Heathy
+Field,’ over the long slopes of green pasture and the rich hop-gardens,
+where were no hop-gardens then, and the flat tide-marshes winding between
+the wooded heights, towards the southern sea; and imagine for yourselves
+the feelings of an Englishman as he contemplates that broad green sloping
+lawn, on which was decided the destiny of his native land. Here, right
+beneath, rode Taillefer up the slope before them all, singing the song of
+Roland, tossing his lance in air and catching it as it fell, with all the
+Norse berserker spirit of his ancestors flashing out in him, at the
+thought of one fair fight, and then purgatory, or Valhalla—Taillefer
+perhaps preferred the latter. Yonder on the left, in that copse where
+the red-ochre gully runs, is Sanguelac, the drain of blood, into which
+(as the Bayeux tapestry, woven by Matilda’s maids, still shows) the
+Norman knights fell, horse and man, till the gully was bridged with
+writhing bodies for those who rode after. Here, where you stand—the
+crest of the hill marks where it must have been—was the stockade on which
+depended the fate of England. Yonder, perhaps, stalked out one English
+squire or house-carle after another: tall men with long-handled
+battle-axes—one specially terrible, with a wooden helmet which no sword
+could pierce—who hewed and hewed down knight on knight, till they
+themselves were borne to earth at last. And here, among the trees and
+ruins of the garden, kept trim by those who know the treasure which they
+own, stood Harold’s two standards of the fighting man and the dragon of
+Wessex. And here, close by (for here, for many a century, stood the high
+altar of Battle Abbey, where monks sang masses for Harold’s soul), upon
+this very spot the Swan-neck found her hero lover’s corpse. ‘Ah,’ says
+many an Englishman—and who will blame him for it—‘how grand to have died
+beneath that standard on that day!’ Yes, and how right. And yet how
+right, likewise, that the Norman’s cry of Dexaie, ‘God Help,’ and not the
+English hurrah, should have won that day, till William rode up Mountjoye
+in the afternoon to see the English army, terrible even in defeat,
+struggling through copse and marsh away toward Brede, and, like
+retreating lions driven into their native woods, slaying more in the
+pursuit than they slew even in the fight.
+
+But so it was to be; for so it ought to have been. You, my American
+friends, delight, as I have said already, in seeing the old places of the
+old country. Go, I beg you, and look at that old place, and if you be
+wise, you will carry back from it one lesson: that God’s thoughts are not
+as our thoughts; nor His ways as our ways.
+
+It was a fearful time which followed. I cannot but believe that our
+forefathers had been, in some way or other, great sinners, or two such
+conquests as Canute’s and William’s would not have fallen on them within
+the short space of sixty years. They did not want for courage, as
+Stanford Brigg and Hastings showed full well. English swine, their
+Norman conquerors called them often enough; but never English cowards.
+Their ruinous vice, if we are to trust the records of the time, was what
+the old monks called accidia—ἀχηδία—and ranked it as one of the seven
+deadly sins: a general careless, sleepy, comfortable habit of mind, which
+lets all go its way for good or evil—a habit of mind too often
+accompanied, as in the case of the Anglo-Danes, with self-indulgence,
+often coarse enough. Huge eaters and huger drinkers, fuddled with ale,
+were the men who went down at Hastings—though they went down like
+heroes—before the staid and sober Norman out of France.
+
+But those were fearful times. As long as William lived, ruthless as he
+was to all rebels, he kept order and did justice with a strong and steady
+hand; for he brought with him from Normandy the instincts of a truly
+great statesman. And in his sons’ time matters grew worse and worse.
+After that, in the troubles of Stephen’s reign, anarchy let loose tyranny
+in its most fearful form, and things were done which recall the cruelties
+of the old Spanish conquistadores in America. Scott’s charming romance
+of _Ivanhoe_ must be taken, I fear, as a too true picture of English
+society in the time of Richard I.
+
+And what came of it all? What was the result of all this misery and
+wrong?
+
+This, paradoxical as it may seem—that the Norman conquest was the making
+of the English people; of the Free Commons of England.
+
+Paradoxical, but true. First, you must dismiss from your minds the too
+common notion that there is now, in England a governing Norman
+aristocracy, or that there has been one, at least since the year 1215,
+when Magna Charta was won from the Norman John by Normans and by English
+alike. For the first victors at Hastings, like the first conquistadores
+in America, perished, as the monk chronicles point out, rapidly by their
+own crimes; and very few of our nobility can trace their names back to
+the authentic Battle Abbey roll. The great majority of the peers have
+sprung from, and all have intermarried with, the Commons; and the peerage
+has been from the first, and has become more and more as centuries have
+rolled on, the prize of success in life.
+
+The cause is plain. The conquest of England by the Normans was not one
+of those conquests of a savage by a civilised race, or of a cowardly race
+by a brave race, which results in the slavery of the conquered, and
+leaves the gulf of caste between two races, master and slave. That was
+the case in France, and resulted, after centuries of oppression, in the
+great and dreadful revolution of 1793, which convulsed not only France
+but the whole civilised world. But caste, thank God, has never existed
+in England, since at least the first generation after the Norman
+conquest.
+
+The vast majority, all but the whole population of England, have been
+always free; and free, as they are not where caste exists, to change
+their occupations. They could intermarry, if they were able men, into
+the ranks above them; as they did sink, if they were unable men, into the
+ranks below them. Any man acquainted with the origin of our English
+surnames may verify this fact for himself, by looking at the names of a
+single parish or a single street of shops. There, jumbled together, he
+will find names marking the noblest Saxon or Angle blood—Kenward or
+Kenric, Osgood or Osborne, side by side with Cordery or Banister—now
+names of farmers in my own parish—or other Norman-French names which may
+be, like those two last, in Battle Abbey roll—and side by side the almost
+ubiquitous Brown, whose ancestor was probably some Danish or Norwegian
+housecarle, proud of his name Biorn the bear, and the ubiquitous Smith or
+Smythe, the smiter, whose forefather, whether he now be peasant or peer,
+assuredly handled the tongs and hammer at his own forge. This holds true
+equally in New England and in Old. When I search through (as I delight
+to do) your New England surnames, I find the same jumble of names—West
+Saxon, Angle, Danish, Norman, and French-Norman likewise, many of
+primæval and heathen antiquity, many of high nobility, all worked
+together, as at home, to form the Free Commoners of England.
+
+If any should wish to know more on this curious and important subject,
+let me recommend them to study Ferguson’s _Teutonic Name System_, a book
+from which you will discover that some of our quaintest, and seemingly
+most plebeian surnames—many surnames, too, which are extinct in England,
+but remain in America—are really corruptions of good old Teutonic names,
+which our ancestors may have carried in the German Forest, before an
+Englishman set foot on British soil; from which he will rise with the
+comfortable feeling that we English-speaking men, from the highest to the
+lowest, are literally kinsmen. Nay, so utterly made up now is the old
+blood-feud between Norseman and Englishman, between the descendants of
+those who conquered and those who were conquered, that in the children of
+our Prince of Wales, after 800 years, the blood of William of Normandy is
+mingled with the blood of the very Harold who fell at Hastings. And so,
+by the bitter woes which followed the Norman conquest was the whole
+population, Dane, Angle, and Saxon, earl and churl, freeman and slave,
+crushed and welded together into one homogeneous mass, made just and
+merciful towards each other by the most wholesome of all teachings, a
+community of suffering; and if they had been, as I fear they were, a lazy
+and a sensual people, were taught
+
+ That life is not as idle ore,
+ But heated hot with burning fears,
+ And bathed in baths of hissing tears,
+ And battered with the strokes of doom
+ To shape and use.
+
+But how did these wild Vikings become Christian men? It is a long story.
+So staunch a race was sure to be converted only very slowly. Noble
+missionaries as Ansgar, Rembert, and Poppo, had worked for 150 years and
+more among the heathens of Denmark. But the patriotism of the Norseman
+always recoiled, even though in secret, from the fact that they were
+German monks, backed by the authority of the German emperor; and many a
+man, like Svend Fork-beard, father of the great Canute, though he had the
+Kaiser himself for godfather, turned heathen once more, the moment he was
+free, because his baptism was the badge of foreign conquest, and neither
+pope nor Kaiser should lord it over him, body or soul. St. Olaf, indeed,
+forced Christianity on the Norse at the sword’s point, often by horrid
+cruelties, and perished in the attempt. But who forced it on the
+Norsemen of Scotland, England, Ireland, Neustria, Russia, and all the
+Eastern Baltic? It was absorbed and in most cases, I believe, gradually
+and willingly, as a gospel and good news to hearts worn out with the
+storm of their own passions. And whence came their Christianity? Much
+of it, as in the case of the Danes, and still more of the French Normans,
+came direct from Rome, the city which, let them defy its influence as
+they would, was still the fount of all theology, as well as of all
+civilisation. But I must believe that much of it came from that
+mysterious ancient Western Church, the Church of St. Patric, St. Bridget,
+St. Columba, which had covered with rude cells and chapels the rocky
+islets of the North Atlantic, even to Iceland itself. Even to Iceland;
+for when that island was first discovered, about A.D. 840, the Norsemen
+found in an isle, on the east and west and elsewhere, Irish books and
+bells and wooden crosses, and named that island Papey, the isle of the
+popes—some little colony of monks, who lived by fishing, and who are said
+to have left the land when the Norsemen settled in it. Let us believe,
+for it is consonant with reason and experience, that the sight of those
+poor monks, plundered and massacred again and again by the ‘mailed swarms
+of Lochlin,’ yet never exterminated, but springing up again in the same
+place, ready for fresh massacre, a sacred plant which God had planted,
+and which no rage of man could trample out—let us believe, I say, that
+that sight taught at last to the buccaneers of the old world that there
+was a purer manliness, a loftier heroism, than the ferocious
+self-assertion of the Berserker, even the heroism of humility,
+gentleness, self-restraint, self-sacrifice. That there was a strength
+which was made perfect in weakness; a glory, not of the sword but of the
+cross. We will believe that that was the lesson which the Norsemen
+learnt, after many a wild and bloodstained voyage, from the monks of Iona
+or of Derry, which caused the building of such churches as that which
+Sightrys, king of Dublin, raised about the year 1030, not in the Norse
+but in the Irish quarter of Dublin: a sacred token of amity between the
+new settlers and the natives on the ground of a common faith. Let us
+believe, too, that the influence of woman was not wanting in the good
+work—that the story of St. Margaret and Malcolm Canmore was repeated,
+though inversely, in the case of many a heathen Scandinavian jarl, who,
+marrying the princely daughter of some Scottish chieftain, found in her
+creed at last something more precious than herself; while his brother or
+his cousin became, at Dublin or Wexford or Waterford, the husband of some
+saffron-robed Irish princess, ‘fair as an elf,’ as the old saying was;
+‘some maiden of the three transcendent hues,’ of whom the old book of
+Linane says—
+
+ Red as the blood which flowed from stricken deer,
+ White as the snow on which that blood ran down,
+ Black as the raven who drank up that blood.
+
+—and possibly, as in the case of Brian Boru’s mother, had given his
+fair-haired sister in marriage to some Irish prince, and could not resist
+the spell of their new creed, and the spell too, it may be, of some
+sister of theirs who had long given up all thought of earthly marriage to
+tend the undying fire of St. Bridget among the consecrated virgins of
+Kildare.
+
+I am not drawing from mere imagination. That such things must have
+happened, and happened again and again, is certain to anyone who knows,
+even superficially, the documents of that time. And I doubt not that, in
+manners as well as in religion, the Norse were humanised and civilised by
+their contact with the Celts, both in Scotland and in Ireland, Both
+peoples had valour, intellect, imagination: but the Celt had that which
+the burly angular Norse character, however deep and stately, and however
+humorous, wanted; namely, music of nature, tenderness, grace, rapidity,
+playfulness; just the qualities, combining with the Scandinavian (and in
+Scotland with the Angle) elements of character which have produced, in
+Ireland and in Scotland, two schools of lyric poetry second to none in
+the world.
+
+And so they were converted to what was then a dark and awful creed; a
+creed of ascetic self-torture and purgatorial fires for those who escaped
+the still more dreadful, because endless, doom of the rest of the human
+race. But, because it was a sad creed, it suited better men, who had,
+when conscience reawakened in them, but too good reason to be sad; and
+the minsters and cloisters which sprang up over the whole of Northern
+Europe, and even beyond it, along the dreary western shores of Greenland
+itself, are the symbols of a splendid repentance for their own sins and
+for the sins of their forefathers.
+
+Gudruna herself, of whom I spoke just now, one of those old Norse
+heroines who helped to discover America, though a historic personage, is
+a symbolic one likewise, and the pattern of a whole class. She, too,
+after many journeys to Iceland, Greenland, and Winland, goes on a
+pilgrimage to Rome, to get, I presume, absolution from the Pope himself
+for all the sins of her strange, rich, stormy, wayward life.
+
+Have you not read—many of you surely have—La Motte Fouqué’s _Romance of
+Sintram_? It embodies all that I would say. It is the spiritual drama
+of that early middle age; very sad, morbid if you will, but true to fact.
+The Lady Verena ought not, perhaps, to desert her husband, and shut
+herself up in a cloister. But so she would have done in those old days.
+And who shall judge her harshly for so doing? When the brutality of the
+man seems past all cure, who shall blame the woman if she glides away
+into some atmosphere of peace and purity, to pray for him whom neither
+warnings nor caresses will amend? It is a sad book, _Sintram_. And yet
+not too sad. For they were a sad people, those old Norse forefathers of
+ours. Their Christianity was sad; their minsters sad; there are few
+sadder, though few grander, buildings than a Norman church.
+
+And yet, perhaps, their Christianity did not make them sad. It was but
+the other and the healthier side of that sadness which they had as
+heathens. Read which you will of the old sagas—heathen or
+half-Christian—the Eyrbiggia, Viga Glum, Burnt Niall, Grettir the Strong,
+and, above all, Snorri Sturluson’s _Heimskringla_ itself—and you will see
+at once how sad they are. There is, in the old sagas, none of that
+enjoyment of life which shines out everywhere in Greek poetry, even
+through its deepest tragedies. Not in complacency with Nature’s beauty,
+but in the fierce struggle with her wrath, does the Norseman feel
+pleasure. Nature to him was not, as in Mr. Longfellow’s exquisite poem,
+{91} the kind old nurse, to take him on her knee and whisper to him, ever
+anew, the story without an end. She was a weird witch-wife, mother of
+storm demons and frost giants, who must be fought with steadily, warily,
+wearily, over dreary heaths and snow-capped fells, and rugged nesses and
+tossing sounds, and away into the boundless sea—or who could live?—till
+he got hardened in the fight into ruthlessness of need and greed. The
+poor strip of flat strath, ploughed and re-ploughed again in the short
+summer days, would yield no more; or wet harvests spoiled the crops, or
+heavy snows starved the cattle. And so the Norseman launched his ships
+when the lands were sown in spring, and went forth to pillage or to
+trade, as luck would have, to summerted, as he himself called it; and
+came back, if he ever came, in autumn to the women to help at
+harvest-time, with blood upon his hand. But had he staid at home, blood
+would have been there still. Three out of four of them had been mixed up
+in some man-slaying, or had some blood-feud to avenge among their own
+kin.
+
+The whole of Scandinavia, Denmark, Sweden, Norway, Orkney, and the rest,
+remind me ever of that terrible picture of the great Norse painter,
+Tiddeman, in which two splendid youths, lashed together, in true Norse
+duel fashion by the waist, are hewing each other to death with the short
+axe, about some hot words over their ale. The loss of life, and that of
+the most gallant of the young, in those days must have been enormous. If
+the vitality of the race had not been even more enormous, they must have
+destroyed each other, as the Red Indians have done, off the face of the
+earth. They lived these Norsemen, not to live—they lived to die. For
+what cared they? Death—what was death to them! what it was to the
+Jomsburger Viking, who, when led out to execution, said to the headsman,
+‘Die! with all pleasure. We used to question in Jomsburg whether a man
+felt when his head was off? Now I shall know; but if I do, take care,
+for I shall smite thee with my knife. And meanwhile, spoil not this long
+hair of mine; it is so beautiful.’
+
+But, oh! what waste. What might not these men have done if they had
+sought peace, not war; if they had learned a few centuries sooner to do
+justly, and love mercy, and walk humbly with their God?
+
+And yet one loves them, blood-stained as they are. Your own poets, men
+brought up under circumstances, under ideas the most opposite to theirs,
+love them, and cannot help it. And why? It is not merely for their bold
+daring, it is not merely for their stern endurance; nor again that they
+had in them that shift and thrift, those steady and common-sense business
+habits, which made their noblest men not ashamed to go on voyages of
+merchandise. Nor is it, again, that grim humour—humour as of the modern
+Scotch—which so often flashes out into an actual jest, but more usually
+underlies unspoken all their deeds. Is it not rather that these men are
+our forefathers? that their blood runs in the veins of perhaps three men
+out of four in any general assembly, whether in America or in Britain?
+Startling as the assertion may be, I believe it to be strictly true.
+
+Be that as it may, I cannot read the stories of your western men, the
+writings of Bret Harte, or Colonel John Hay, for instance, without
+feeling at every turn that there are the old Norse alive again, beyond
+the very ocean which they first crossed, 850 years ago.
+
+Let me try to prove my point, and end with a story, as I began with one.
+
+It is just 30 years before the Norman conquest of England, the evening of
+the battle of Sticklestead. St. Olaf’s corpse is still lying unburied on
+the hillside. The reforming and Christian king has fallen in the attempt
+to force Christianity and despotism on the Conservative and half-heathen
+party—the free bonders or yeoman-farmers of Norway. Thormod, his
+poet,—the man, as his name means, of thunder mood—who has been standing
+in the ranks, at last has an arrow in his left side. He breaks off the
+shaft, and thus sore wounded goes up, when all is lost, to a farm where
+is a great barn full of wounded. One Kimbe comes, a man out of the
+opposite or bonder part. ‘There is great howling and screaming in
+there,’ he says. ‘King Olaf’s men fought bravely enough: but it is a
+shame brisk young lads cannot bear their wounds. On what side wert thou
+in the fight?’ ‘On the best side,’ says the beaten Thormod. Kimbe sees
+that Thormod has a gold bracelet on his arm. ‘Thou art surely a king’s
+man. Give me thy gold ring and I will hide thee, ere the bonders kill
+thee.’
+
+Thormod said, ‘Take it, if thou canst get it. I have lost that which is
+worth more;’ and he stretched out his left hand, and Kimbe tried to take
+it. But Thormod, swinging his sword, cut off his hand; and it is said
+Kimbe behaved no better over his wound than those he had been blaming.
+
+Then Thormod went into the barn; and after he had sung his song there in
+praise of his dead king, he went into an inner room, where was a fire,
+and water warming, and a handsome girl binding up men’s wounds. And he
+sat down by the door; and one said to him ‘Why art thou so dead pale?
+Why dost thou not call for the leech?’ Then sung Thormod—
+
+ I am not blooming; and the fair
+ And slender maiden loves to care
+ For blooming youths. Few care for me,
+ With Fenri’s gold meal I can’t fee;
+
+and so forth, improvising after the old Norse fashion.
+
+Then Thormod got up and went to the fire, and stood and warmed himself.
+And the nurse-girl said to him, ‘Go out man, and bring some of the
+split-firewood which lies outside the door.’ He went out and brought an
+armful of wood and threw it down. Then the nurse-girl looked him in the
+face and said, ‘Dreadful pale is this man. Why art thou so?’ Then sang
+Thormod—
+
+ Thou wonderest, sweet bloom, at me,
+ A man so hideous to see.
+ The arrow-drift o’ertook me, girl,
+ A fine-ground arrow in the whirl
+ Went through me, and I feel the dart
+ Sits, lovely lass, too near my heart.
+
+The girl said, ‘Let me see thy wound.’ Then Thormod sat down, and the
+girl saw his wounds, and that which was in his side, and saw that there
+was a piece of iron in it; but could not tell where it had gone. In a
+stone pot she had leeks and other herbs, and boiled them, and gave the
+wounded men of it to eat. But Thormod said, ‘Take it away; I have no
+appetite now for my broth.’ Then she took a great pair of tongs and
+tried to pull out the iron; but the wound was swelled, and there was too
+little to lay hold of. Now said Thormod, ‘Cut in so deep that thou canst
+get at the iron, and give me the tongs.’ She did as he said. Then took
+Thormod the gold bracelet off his hand and gave it the nurse-girl, and
+bade her do with it what she liked.
+
+‘It is a good man’s gift,’ said he. ‘King Olaf gave me the ring this
+morning.’
+
+Then Thormod took the tongs and pulled the iron out. But on the iron was
+a barb, on which hung flesh from the heart, some red, some white. When
+he saw that, he said, ‘The king has fed us well. I am fat, even to the
+heart’s roots.’ And so leant back and was dead.
+
+I shall not insult your intelligence by any comment or even epithet of my
+own. I shall but ask you was not this man your kinsman? Does not the
+story sound, allowing for all change of manners as well as of time and
+place, like a scene out of your own Bret Harte or Colonel John Hay’s
+writings; a scene of the dry humour the rough heroism of your own far
+West? Yes, as long as you have your _Jem Bludsos_ and _Tom Flynns of
+Virginia City_, the old Norse blood is surely not extinct, the old Norse
+spirit is not dead.
+
+
+
+
+LECTURE IV.
+THE SERVANT OF THE LORD.
+
+
+I wish to speak to you to-night about one of those old despotic empires
+which were in every case the earliest known form of civilisation. Were I
+minded to play the cynic or the mountebank, I should choose some corrupt
+and effete despotism, already grown weak and ridiculous by its decay—as
+did at last the Roman and then the Byzantine Empire—and, after raising a
+laugh at the expense of the old system say, See what a superior people
+you are now,—how impossible, under free and enlightened institutions, is
+anything so base and so absurd as went on, even in despotic France before
+the Revolution of 1793. Well that would be on the whole true, thank God;
+but what need is there to say it?
+
+Let us keep our scorn for our own weaknesses, our blame for our own sins,
+certain that we shall gain more instruction, though not more amusement,
+by hunting out the good which is in anything than by hunting out its
+evil. For me, true to that which I proposed in my last lecture, I have
+chosen, not the worst, but the best despotism which I could find in
+history, founded and ruled by a truly heroic personage, one whose name
+has become a proverb and a legend, that so I might lift up your minds,
+even by the contemplation of an old Eastern empire, to see that it, too,
+could be a work and ordinance of God, and its hero the servant of the
+Lord. For we are almost bound to call Cyrus, the founder of the Persian
+Empire, by this august title for two reasons—First, because the Hebrew
+Scriptures call him so; and next, because he proved himself to be such by
+his actions and their consequences—at least in the eyes of those who
+believe, as I do, in a far-seeing and far-reaching Providence, by which
+all human history is—
+
+ Bound by gold chains unto the throne of God.
+
+His work was very different from any that need be done, or can be done,
+in these our days. But while we thank God that such work is now as
+unnecessary as impossible; we may thank God likewise that, when such work
+was necessary and possible, a man was raised up to do it; and to do it,
+as all accounts assert, better, perhaps, than it had ever been done
+before or since.
+
+True, the old conquerors, who absorbed nation after nation, tribe after
+tribe, and founded empires on their ruins, are now, I trust, about to be
+replaced, throughout the world, as here and in Britain at home, by free
+self-governed peoples—
+
+ The old order changeth, giving place to the new;
+ And God fulfils Himself in many ways,
+ Lest one good custom should corrupt the world.
+
+And that custom of conquest and empire and transplantation did more than
+once corrupt the world. And yet in it, too, God may have more than once
+fulfilled his own designs, as He did, if Scripture is to be believed, in
+Cyrus, well surnamed the Great, the founder of the Persian Empire some
+2,400 years ago. For these empires, it must be remembered, did at least
+that which the Roman Empire did among a scattered number of savage
+tribes, or separate little races, hating and murdering each other,
+speaking different tongues, and worshipping different gods, and losing
+utterly the sense of a common humanity, till they looked on the people
+who dwelt in the next valley as fiends, to be sacrificed, if caught, to
+their own fiends at home. Among such as these, empires did introduce
+order, law, common speech, common interest, the notion of nationality and
+humanity. They, as it were, hammered together the fragments of the human
+race till they had moulded them into one. They did it cruelly, clumsily,
+ill: but was there ever work done on earth, however noble, which was
+not—alas, alas!—done somewhat ill?
+
+Let me talk to you a little about the old hero. He and his hardy
+Persians should be specially interesting to us. For in them first does
+our race, the Aryan race, appear in authentic history. In them first did
+our race give promise of being the conquering and civilising race of the
+future world. And to the conquests of Cyrus—so strangely are all great
+times and great movements of the human family linked to each other—to his
+conquests, humanly speaking, is owing the fact that you are here, and I
+am speaking to you at this moment.
+
+It is an oft-told story: but so grand a one that I must sketch it for
+you, however clumsily, once more.
+
+In that mountain province called Farsistan, north-east of what we now
+call Persia, the dwelling place of the Persians, there dwelt, in the
+sixth and seventh centuries before Christ, a hardy tribe, of the purest
+blood of Iran, a branch of the same race as the Celtic, Teutonic, Greek,
+and Hindoo, and speaking a tongue akin to theirs. They had wandered
+thither, said their legends, out of the far north-east, from off some
+lofty plateau of Central Asia, driven out by the increasing cold, which
+left them but two months of summer to ten of winter.
+
+They despised at first—would that they had despised always!—the luxurious
+life of the dwellers in the plains, and the effeminate customs of the
+Medes—a branch of their own race who had conquered and intermarried with
+the Turanian, or Finnish tribes; and adopted much of their creed, as well
+as of their morals, throughout their vast but short-lived Median Empire.
+‘Soft countries,’ said Cyrus himself—so runs the tale—‘gave birth to
+small men. No region produced at once delightful fruits and men of a
+warlike spirit.’ Letters were to them, probably then unknown. They
+borrowed them in after years, as they borrowed their art, from
+Babylonians, Assyrians, and other Semitic nations whom they conquered.
+From the age of five to that of twenty, their lads were instructed but in
+two things—to speak the truth and to shoot with the bow. To ride was the
+third necessary art, introduced, according to Xenophon, after they had
+descended from their mountain fastnesses to conquer the whole East.
+
+Their creed was simple enough. Ahura Mazda—Ormuzd, as he has been called
+since—was the one eternal Creator, the source of all light and life and
+good. He spake his word, and it accomplished the creation of heaven,
+before the water, before the earth, before the cow, before the tree,
+before the fire, before man the truthful, before the Devas and beasts of
+prey, before the whole existing universe; before every good thing created
+by Ahura Mazda and springing from Truth.
+
+He needed no sacrifices of blood. He was to be worshipped only with
+prayers, with offerings of the inspiring juice of the now unknown herb
+Homa, and by the preservation of the sacred fire, which, understand, was
+not he, but the symbol—as was light and the sun—of the good spirit—of
+Ahura Mazda. They had no images of the gods, these old Persians; no
+temples, no altars, so says Herodotus, and considered the use of them a
+sign of folly. They were, as has been well said of them, the Puritans of
+the old world. When they descended from their mountain fastnesses, they
+became the iconoclasts of the old world; and the later Isaiah, out of the
+depths of national shame, captivity and exile, saw in them
+brother-spirits, the chosen of the Lord, whose hero Cyrus, the Lord was
+holding by his right hand, till all the foul superstitions and foul
+effeminacies of the rotten Semitic peoples of the East, and even of Egypt
+itself, should be crushed, though alas! only for a while, by men who felt
+that they had a commission from the God of light and truth and purity, to
+sweep out all that with the besom of destruction.
+
+But that was a later inspiration. In earlier, and it may be happier,
+times, the duty of the good man was to strive against all evil, disorder,
+uselessness, incompetence in their more simple forms. ‘He therefore is a
+holy man,’ says Ormuzd in the Zend-avesta, ‘who has built a dwelling on
+the earth, in which he maintains fire, cattle, his wife, his children,
+and flocks and herds; he who makes the earth produce barley, he who
+cultivates the fruits of the soil, cultivates purity; he advances the law
+of Ahura Mazda as much as if he had offered a hundred sacrifices.’
+
+To reclaim the waste, to till the land, to make a corner of the earth
+better than they found it, was to these men to rescue a bit of Ormuzd’s
+world out of the usurped dominion of Ahriman; to rescue it from the
+spirit of evil and disorder for its rightful owner, the Spirit of Order
+and of Good.
+
+For they believed in an evil spirit, these old Persians. Evil was not
+for them a lower form of good. With their intense sense of the
+difference between right and wrong it could be nothing less than hateful;
+to be attacked, exterminated, as a personal enemy, till it became to them
+at last impersonate and a person.
+
+Zarathustra, the mystery of evil, weighed heavily on them and on their
+great prophet, Zoroaster—splendour of gold, as I am told his name
+signifies—who lived, no man knows clearly when or clearly where, but who
+lived and lives for ever, for his works follow him. He, too, tried to
+solve for his people the mystery of evil; and if he did not succeed, who
+has succeeded yet? Warring against Ormuzd, Ahura Mazda, was Ahriman,
+Angra Mainyus, literally the being of an evil mind, the ill-conditioned
+being. He was labouring perpetually to spoil the good work of Ormuzd
+alike in nature and in man. He was the cause of the fall of man, the
+tempter, the author of misery and death; he was eternal and uncreate as
+Ormuzd was. But that, perhaps, was a corruption of the purer and older
+Zoroastrian creed. With it, if Ahriman were eternal in the past, he
+would not be eternal in the future. Somehow, somewhen, somewhere, in the
+day when three prophets—the increasing light, the increasing truth, and
+the existing truth—should arise and give to mankind the last three books
+of the Zend-avesta, and convert all mankind to the pure creed, then evil
+should be conquered, the creation become pure again, and Ahriman vanish
+for ever; and, meanwhile, every good man was to fight valiantly for
+Ormuzd, his true lord, against Ahriman and all his works.
+
+Men who held such a creed, and could speak truth and draw the bow, what
+might they not do when the hour and the man arrived? They were not a
+_big_ nation. No; but they were a great nation, even while they were
+eating barley-bread and paying tribute to their conquerors the Medes, in
+the sterile valleys of Farsistan.
+
+And at last the hour and the man came. The story is half
+legendary—differently told by different authors. Herodotus has one tale,
+Xenophon another. The first, at least, had ample means of information.
+Astyages is the old shah of the Median Empire, then at the height of its
+seeming might and splendour and effeminacy. He has married his daughter,
+the princess Mandane, to Cambyses, seemingly a vassal-king or prince of
+the pure Persian blood. One night the old man is troubled with a dream.
+He sees a vine spring from his daughter, which overshadows all Asia. He
+sends for the Magi to interpret; and they tell him that Mandane will have
+a son who will reign in his stead. Having sons of his own, and fearing
+for the succession, he sends for Mandane, and, when her child is born,
+gives it to Harpagus, one of his courtiers, to be slain. The courtier
+relents, and hands it over to a herdsman, to be exposed on the mountains.
+The herdsman relents in turn, and brings the babe up as his own child.
+
+When the boy, who goes by the name of Agradates, is grown, he is at play
+with the other herd-boys, and they choose him for a mimic king. Some he
+makes his guards, some he bids build houses, some carry his messages.
+The son of a Mede of rank refuses, and Agradates has him seized by his
+guards and chastised with the whip. The ancestral instincts of command
+and discipline are showing early in the lad.
+
+The young gentleman complains to his father, the father to the old king,
+who of course sends for the herdsman and his boy. The boy answers in a
+tone so exactly like that in which Xenophon’s Cyrus would have answered,
+that I must believe that both Xenophon’s Cyrus and Herodotus’ Cyrus (like
+Xenophon’s Socrates and Plato’s Socrates) are real pictures of a real
+character; and that Herodotus’ story, though Xenophon says nothing of it,
+is true.
+
+He has done nothing, the noble boy says, but what was just. He had been
+chosen king in play, because the boys thought him most fit. The boy whom
+he had chastised was one of those who chose him. All the rest obeyed:
+but he would not, till at last he got his due reward. ‘If I deserve
+punishment for that,’ says the boy, ‘I am ready to submit.’
+
+The old king looks keenly and wonderingly at the young king, whose
+features seem somewhat like his own. Likely enough in those days, when
+an Iranian noble or prince would have a quite different cast of
+complexion and of face from a Turanian herdsman. A suspicion crosses
+him; and by threats of torture he gets the truth from the trembling
+herdsman.
+
+To the poor wretch’s rapture the old king lets him go unharmed. He has a
+more exquisite revenge to take, and sends for Harpagus, who likewise
+confesses the truth. The wily old tyrant has naught but gentle words.
+It is best as it is. He has been very sorry himself for the child, and
+Mandane’s reproaches had gone to his heart. ‘Let Harpagus go home and
+send his son to be a companion to the new-found prince. To-night there
+will be great sacrifices in honour of the child’s safety, and Harpagus is
+to be a guest at the banquet.’
+
+Harpagus comes; and after eating his fill, is asked how he likes the
+king’s meat? He gives the usual answer; and a covered basket is put
+before him, out of which he is to take—in Median fashion—what he likes.
+He finds in it the head and hands and feet of his own son. Like a true
+Eastern he shows no signs of horror. The king asks him if he knew what
+flesh he had been eating. He answers that he knew perfectly. That
+whatever the king did pleased him.
+
+Like an Eastern courtier, he knew how to dissemble, but not to forgive,
+and bided his time. The Magi, to their credit, told Astyages that his
+dream had been fulfilled, that Cyrus—as we must now call the foundling
+prince—had fulfilled it by becoming a king in play, and the boy is let to
+go back to his father and his hardy Persian life. But Harpagus does not
+leave him alone, nor perhaps, do his own thoughts. He has wrongs to
+avenge on his grandfather. And it seems not altogether impossible to the
+young mountaineer.
+
+He has seen enough of Median luxury to despise it and those who indulge
+in it. He has seen his own grandfather with his cheeks rouged, his
+eyelids stained with antimony, living a womanlike life, shut up from all
+his subjects in the recesses of a vast seraglio.
+
+He calls together the mountain rulers; makes friends with Tigranes, an
+Armenian prince, a vassal of the Mede, who has his wrongs likewise to
+avenge. And the two little armies of foot-soldiers—the Persians had no
+cavalry—defeat the innumerable horsemen of the Mede, take the old king,
+keep him in honourable captivity, and so change, one legend says, in a
+single battle, the fortunes of the whole East.
+
+And then begins that series of conquests of which we know hardly
+anything, save the fact that they were made. The young mountaineer and
+his playmates, whom he makes his generals and satraps, sweep onward
+towards the West, teaching their men the art of riding, till the Persian
+cavalry becomes more famous than the Median had been. They gather to
+them, as a snow-ball gathers in rolling, the picked youth of every tribe
+whom they overcome. They knit these tribes to them in loyalty and
+affection by that righteousness—that truthfulness and justice—for which
+Isaiah in his grandest lyric strains has made them illustrious to all
+time; which Xenophon has celebrated in like manner in that exquisite book
+of his—the _Cyropædia_. The great Lydian kingdom of Crœsus—Asia Minor as
+we call it now—goes down before them. Babylon itself goes down, after
+that world-famed siege which ended in Belshazzar’s feast; and when Cyrus
+died—still in the prime of life, the legends seem to say—he left a
+coherent and well-organised empire, which stretched from the
+Mediterranean to Hindostan.
+
+So runs the tale, which to me, I confess, sounds probable and rational
+enough. It may not do so to you; for it has not to many learned men.
+They are inclined to ‘relegate it into the region of myth;’ in plain
+English, to call old Herodotus a liar, or at least a dupe. What means
+those wise men can have at this distance of more than 2000 years, of
+knowing more about the matter than Herodotus, who lived within 100 years
+of Cyrus, I for myself, cannot discover. And I say this without the
+least wish to disparage these hypercritical persons. For there are—and
+more there ought to be, as long as lies and superstitions remain on this
+earth—a class of thinkers who hold in just suspicion all stories which
+savour of the sensational, the romantic, even the dramatic. They know
+the terrible uses to which appeals to the fancy and the emotions have
+been applied, and are still applied to enslave the intellects, the
+consciences, the very bodies of men and women. They dread so much from
+experience the abuse of that formula, that a thing is so beautiful it
+must be true, that they are inclined to reply, ‘Rather let us say boldly,
+it is so beautiful that it cannot be true. Let us mistrust, or even
+refuse to believe _à priori_, and at first sight, all startling,
+sensational, even poetic tales, and accept nothing as history, which is
+not as dull as the ledger of a dry goods’ store.’ But I think that
+experience, both in nature and in society, are against that ditch-water
+philosophy. The weather, being governed by laws, ought always to be
+equable and normal, and yet you have whirlwinds, droughts, thunderstorms.
+The share-market, being governed by laws, ought to be always equable and
+normal, and yet you have startling transactions, startling panics,
+startling disclosures, and a whole sensational romance of commercial
+crime and folly. Which of us has lived to be fifty years old, without
+having witnessed in private life sensation tragedies, alas! sometimes too
+fearful to be told, or at least sensational romances, which we shall take
+care not to tell, because we shall not be believed? Let the ditch-water
+philosophy say what it will, human life is not a ditch, but a wild and
+roaring river, flooding its banks, and eating out new channels with many
+a landslip. It is a strange world, and man, a strange animal, guided, it
+is true, usually by most commonplace motives; but, for that reason, ready
+and glad at times to escape from them and their dulness and baseness; to
+give vent, if but for a moment, in wild freedom, to that demoniac
+element, which, as Goethe says, underlies his nature and all nature; and
+to prefer for an hour, to the normal and respectable ditch-water, a
+bottle of champagne or even a carouse on fire-water, let the consequences
+be what they may.
+
+How else shall we explain such a phenomenon as those old crusades? Were
+they undertaken for any purpose, commercial or other? Certainly not for
+lightening an overburdened population. Nay, is not the history of your
+own Mormons, and their exodus into the far West, one of the most
+startling instances which the world has seen for several centuries, of
+the unexpected and incalculable forces which lie hid in man? Believe me,
+man’s passions, heated to igniting point, rather than his prudence cooled
+down to freezing point, are the normal causes of all great human
+movement. And a truer law of social science than any that political
+economists are wont to lay down, is that old ‘Dov’ é la Donna’ of the
+Italian judge, who used to ask, as a preliminary to every case, civil or
+criminal, which was brought before him, ‘Dov’ é la Donna?’ ‘Where is the
+lady?’ certain, like a wise old gentleman, that a woman was most probably
+at the bottom of the matter.
+
+Strangeness? Romance? Did any of you ever read—if you have not you
+should read—Archbishop Whately’s _Historic Doubts about the Emperor
+Napoleon the First_? Therein the learned and witty Archbishop proved, as
+early as 1819, by fair use of the criticism of Mr. Hume and the Sceptic
+School, that the whole history of the great Napoleon ought to be treated
+by wise men as a myth and a romance, that there is little or no evidence
+of his having existed at all; and that the story of his strange successes
+and strange defeats was probably invented by our Government in order to
+pander to the vanity of the English nation.
+
+I will say this, which Archbishop Whately, in a late edition,
+foreshadows, wittily enough—that if one or two thousand years hence, when
+the history of the late Emperor Napoleon the Third, his rise and fall,
+shall come to be subjected to critical analysis by future Philistine
+historians of New Zealand or Australia, it will be proved by them to be
+utterly mythical, incredible, monstrous—and that all the more, the more
+the actual facts remain to puzzle their unimaginative brains. What will
+they make, two thousand years hence, of the landing at Boulogne with the
+tame eagle? Will not that, and stranger facts still, but just as true,
+be relegated to the region of myth, with the dream of Astyages, and the
+young and princely herdsman playing at king over his fellow-slaves?
+
+But enough of this. To me, these bits of romance often seem the truest,
+as well as the most important, portions of history.
+
+When old Herodotus tells me how, King Astyages having guarded the
+frontier, Harpagus sent a hunter to young Cyrus with a fresh-killed hare,
+telling him to open it in private; and how, sewn up in it was the letter,
+telling him that the time to rebel was come, I am inclined to say, That
+must be true. So beneath the dignity of history, so quaint and
+unexpected, it is all the more likely _not_ to have been invented.
+
+So with that other story—How young Cyrus giving out that his grandfather
+had made him general of the Persians, summoned them all, each man with a
+sickle in his hand, into a prairie full of thorns, and bade them clear it
+in one day; and how when they, like loyal men, had finished, he bade them
+bathe, and next day he took them into a great meadow and feasted them
+with corn and wine, and all that his father’s farm would yield, and asked
+them which day they liked best; and, when they answered as was to be
+expected, how he opened his parable and told them, ‘Choose, then, to work
+for the Persians like slaves, or to be free with me.’
+
+Such a tale sounds to me true. It has the very savour of the parables of
+the Old Testament; as have, surely, the dreams of the old Sultan, with
+which the tale begins. Do they not put us in mind of the dreams of
+Nebuchadnezzar, in the Book of Daniel?
+
+Such stories are actually so beautiful that they are very likely to be
+true. Understand me, I only say likely; the ditch-water view of history
+is not all wrong. Its advocates are right in saying great historic
+changes are not produced simply by one great person, by one remarkable
+event. They have been preparing, perhaps, for centuries. They are the
+result of numberless forces, acting according to laws, which might have
+been foreseen, and will be foreseen, when the science of History is more
+perfectly understood.
+
+For instance, Cyrus could not have conquered the Median Empire at a
+single blow, if first that empire had not been utterly rotten; and next,
+if he and his handful of Persians had not been tempered and sharpened, by
+long hardihood, to the finest cutting edge.
+
+Yes, there were all the materials for the catastrophe—the cannon, the
+powder, the shot. But to say that the Persians must have conquered the
+Medes, even if Cyrus had never lived, is to say, as too many philosophers
+seem to me to say, that, given cannon, powder, and shot, it will fire
+itself off some day if we only leave it alone long enough.
+
+It may be so. But our usual experience of Nature and Fact is, that
+spontaneous combustion is a rare and exceptional phenomenon; that if a
+cannon is to be fired, someone must arise and pull the trigger. And I
+believe that in Society and Politics, when a great event is ready to be
+done, someone must come and do it—do it, perhaps, half unwittingly, by
+some single rash act—like that first fatal shot fired at Fort
+Sumter—which makes, as by an electric spark, a whole nation flash into
+enduring flame.
+
+But to return to Cyrus and his Persians.
+
+I know not whether the _Cyropædia_ is much read in your schools and
+universities. But it is one of the books which I should like to see,
+either in a translation or its own exquisite Greek, in the hands of every
+young man. It is not all fact. It is but a historic romance. But it is
+better than history. It is an ideal book, like Sidney’s _Arcadia_ or
+Spenser’s _Fairy Queen_—the ideal self-education of an ideal hero. And
+the moral of the book—ponder it well, all young men who have the chance
+or the hope of exercising authority among your fellow-men, the noble and
+most Christian moral of that heathen book is this: that the path to solid
+and beneficent influence over our fellow-men lies, not through brute
+force, not through cupidity, but through the highest morality; through
+justice, truthfulness, humanity, self-denial, modesty, courtesy, and all
+which makes man or woman lovely in the eyes of mortals or of God.
+
+Yes, the _Cyropædia_ is a noble book, about a noble personage. But I
+cannot forget that there are nobler words by far concerning that same
+noble personage, in the magnificent series of Hebrew Lyrics, which
+begins, ‘Comfort ye, comfort ye, my people, saith the Lord’—in which the
+inspired poet, watching the rise of Cyrus and his Puritans, and the fall
+of Babylon, and the idolatries of the East, and the coming deliverance of
+his own countrymen, speaks of the Persian hero in words so grand that
+they have been often enough applied, and with all fitness, to one greater
+than Cyrus, and than all men:—
+
+ Who raised up the righteous man from the East,
+ And called him to attend his steps?
+ Who subdued nations at his presence,
+ And gave him dominion over kings?
+ And made them like the dust before his sword,
+ And the driven stubble before his bow?
+ He pursueth them, he passeth in safety,
+ By a way never trodden before by his feet.
+ Who hath performed and made these things,
+ Calling the generations from the beginning?
+ I, Jehovah, the first and the last, I am the same.
+
+ Behold my servant, whom I will uphold;
+ My chosen, in whom my soul delighteth;
+ I will make my spirit rest upon him,
+ And he shall publish judgment to the nations.
+ He shall not cry aloud, nor clamour,
+ Nor cause his voice to be heard in the streets.
+ The bruised reed he shall not break,
+ And the smoking flax he shall not quench.
+ He shall publish justice, and establish it.
+ His force shall not be abated, nor broken,
+ Until he has firmly seated justice in the earth,
+ And the distant nations shall wait for his Law.
+ Thus saith the God, even Jehovah,
+ Who created the heavens, and stretched them out;
+ Who spread abroad the earth, and its produce,
+ I, Jehovah, have called thee for a righteous end,
+ And I will take hold of thy hand, and preserve thee,
+ And I will give thee for a covenant to the people,
+ And for a light to the nations;
+ To open the eyes of the blind,
+ To bring the captives out of prison,
+ And from the dungeon those who dwell in darkness.
+ I am Jehovah—that is my name;
+ And my glory will I not give to another,
+ Nor my praise to the graven idols.
+
+ Who saith to Cyrus—Thou art my shepherd,
+ And he shall fulfil all my pleasure:
+ Who saith to Jerusalem—Thou shalt be built;
+ And to the Temple—Thou shalt be founded.
+ Thus saith Jehovah to his anointed,
+ To Cyrus whom I hold fast by his right hand,
+ That I may subdue nations under him,
+ And loose the loins of kings;
+ That I may open before him the two-leaved doors,
+ And the gates shall not be shut;
+ I will go before thee
+ And bring the mountains low.
+ The gates of brass will I break in sunder,
+ And the bars of iron hew down.
+ And I will give thee the treasures of darkness,
+ And the hoards hid deep in secret places,
+ That thou mayest know that I am Jehovah.
+ I have surnamed thee, though thou knowest not me.
+ I am Jehovah and none else:
+ Beside me there is no God.
+ I will gird thee, though thou hast not known me,
+ That they may know from the rising of the sun,
+ And from the west, that there is none beside me;
+ I am Jehovah, and none else;
+ Forming light, and creating darkness;
+ Forming peace, and creating evil.
+ I, Jehovah, make all these.
+
+This is the Hebrew prophet’s conception of the great Puritan of the Old
+World who went forth with such a commission as this, to destroy the idols
+of the East, while
+
+ The isles saw that, and feared,
+ And the ends of the earth were afraid;
+ They drew near, they came together;
+ Everyone helped his neighbour,
+ And said to his brother, Be of good courage.
+
+ The carver encouraged the smith,
+ He that smoothed with the hammer
+ Him that smote on the anvil;
+ Saying of the solder, It is good;
+ And fixing the idol with nails, lest it be moved;
+
+But all in vain; for as the poet goes on—
+
+ Bel bowed down, and Nebo stooped;
+ Their idols were upon the cattle,
+ A burden to the weary beast.
+ They stoop, they bow down together;
+ They could not deliver their own charge;
+ Themselves are gone into captivity.
+
+And what, to return, what was the end of the great Cyrus and of his
+empire?
+
+Alas, alas! as with all human glory, the end was not as the beginning.
+
+We are scarce bound to believe positively the story how Cyrus made one
+war too many, and was cut off in the Scythian deserts, falling before the
+arrows of mere savages; and how their queen, Tomyris, poured blood down
+the throat of the dead corpse, with the words, ‘Glut thyself with the
+gore for which thou hast thirsted.’ But it may be true—for Xenophon
+states it expressly, and with detail—that Cyrus, from the very time of
+his triumph, became an Eastern despot, a sultan or a shah, living apart
+from his people in mysterious splendour, in the vast fortified palace
+which he built for himself; and imitating and causing his nobles and
+satraps to imitate, in all but vice and effeminacy, the very Medes whom
+he had conquered. And of this there is no doubt—that his sons and their
+empire ran rapidly through that same vicious circle of corruption to
+which all despotisms are doomed, and became within 250 years, even as the
+Medes, the Chaldeans, the Lydians, whom they had conquered, children no
+longer of Ahura Mazda, but of Ahriman, of darkness and not of light, to
+be conquered by Alexander and his Greeks even more rapidly and more
+shamefully than they had conquered the East.
+
+This is the short epic of the Persian Empire, ending alas! as all human
+epics are wont to end, sadly, if not shamefully.
+
+But let me ask you, Did I say too much, when I said, that to these
+Persians we owe that we are here to-night?
+
+I do not say that without them we should not have been here. God, I
+presume, when He is minded to do anything has more than one way of doing
+it.
+
+But that we are to-night the last link in a chain of causes and effects
+which reaches as far back as the emigration of the Persians southward
+from the plateau of Pamir, we cannot doubt.
+
+For see. By the fall of Babylon and its empire the Jews were freed from
+their captivity—large numbers of them at least—and sent home to their own
+Jerusalem. What motives prompted Cyrus, and Darius after him, to do that
+deed?
+
+Those who like to impute the lowest motives may say if they will, that
+Daniel and the later Isaiah found it politic to worship the rising sun,
+and flatter the Persian conquerors: and that Cyrus and Darius in turn
+were glad to see Jerusalem rebuilt, as an impregnable frontier fortress
+between them and Egypt. Be it so; I, who wish to talk of things noble,
+pure, lovely and of good report, would rather point you once more to the
+magnificent poetry of the later Isaiah which commences at the 40th
+chapter of the Book of Isaiah, and say—There, upon the very face of the
+document, stands written the fact that the sympathy between the faithful
+Persian and the faithful Jew—the two Puritans of the Old World, the two
+haters of lies, idolatries, superstitions—was actually as intense as it
+ought to have been, as it must have been.
+
+Be that as it may, the return of the Jews to Jerusalem preserved for us
+the Old Testament, while it restored to them a national centre, a sacred
+city, like that of Delphi to the Greeks, Rome to the Romans, Mecca to the
+Muslim, loyalty to which prevented their being utterly absorbed by the
+more civilised Eastern races among whom they had been scattered abroad as
+colonies of captives.
+
+Then another, and a seemingly needful link of cause and effect ensued:
+Alexander of Macedon destroyed the Persian Empire, and the East became
+Greek, and Alexandria, rather than Jerusalem, became the head-quarters of
+Jewish learning. But for that very cause, the Scriptures were not left
+inaccessible to the mass of mankind, like the old Pehlevi liturgies of
+the Zend-avesta, or the old Sanscrit Vedas, in an obsolete and hieratic
+tongue, but were translated into, and continued in, the then all but
+world-wide Hellenic speech, which was to the ancient world what French is
+to the modern.
+
+Then the East became Roman, without losing its Greek speech. And under
+the wide domination of that later Roman Empire—which had subdued and
+organised the whole known world, save the Parthian descendants of those
+old Persians, and our old Teutonic forefathers, in their German forests
+and on their Scandinavian shores—that Divine book was carried far and
+wide, East and West, and South, from the heart of Abyssinia to the
+mountains of Armenia, and to the isles of the ocean, beyond Britain
+itself to Ireland and to the Hebrides.
+
+And that book—so strangely coinciding with the old creed of the earlier
+Persians—that book, long misunderstood, long overlain by the dust, and
+overgrown by the parasitic fungi of centuries, that book it was which
+sent to these trans-Atlantic shores the founders of your great nation.
+That book gave them their instinct of freedom, tempered by reverence for
+Law. That book gave them their hatred of idolatry; and made them not
+only say but act upon their own words, with these old Persians and with
+the Jewish prophets alike, Sacrifice and burnt-offering thou wouldst not;
+then said we, Lo, we come. In the volume of the book it is written of
+us, that we come to do thy will, O God. Yes, long and fantastic is the
+chain of causes and effects, which links you here to the old heroes who
+came down from Central Asia, because the land had grown so wondrous cold,
+that there were ten months of winter to two of summer; and when simply
+after warmth and life, and food for them and for their flocks, they
+wandered forth to found and help to found a spiritual kingdom.
+
+And even in their migration, far back in these dim and mystic ages, have
+we found the earliest link of the long chain? Not so. What if the
+legend of the change of climate be the dim recollection of an enormous
+physical fact? What if it, and the gradual depopulation of the whole
+north of Asia be owing, as geologists now suspect, to the slow and
+age-long uprise of the whole of Siberia, thrusting the warm Arctic sea
+further and further to the northward, and placing between it and the
+Highlands of Thibet an ever-increasing breadth of icy land, destroying
+animals, and driving whole races southward, in search of the summer and
+the sun?
+
+What if the first link in the chain, as yet conceivable by man, should be
+the cosmic changes in the distribution of land and water, which filled
+the mouths of the Siberian rivers with frozen carcases of woolly mammoth
+and rhinoceros; and those again, doubt it not, of other revolutions,
+reaching back and back, and on and on, into the infinite unknown. Why
+not? For so are all human destinies
+
+ Bound with gold chains unto the throne of God.
+
+
+
+
+LECTURE V.
+ANCIENT CIVILISATION.
+
+
+There is a theory abroad in the world just now about the origin of the
+human race, which has so many patent and powerful physiological facts to
+support it that we must not lightly say that it is absurd or impossible;
+and that is, that man’s mortal body and brain were derived from some
+animal and ape-like creature. Of that I am not going to speak now. My
+subject is—How this creature called man, from whatever source derived,
+became civilised, rational, and moral. And I am sorry to say there is
+tacked on by many to the first theory, another which does not follow from
+it, and which has really nothing to do with it, and it is this—that man,
+with all his wonderful and mysterious aspirations, always unfulfilled yet
+always precious, at once his torment and his joy, his very hope of
+everlasting life—that man, I say, developed himself, unassisted, out of a
+state of primæval brutishness, simply by calculations of pleasure and
+pain, by observing what actions would pay in the long run and what would
+not; and so learnt to conquer his selfishness by a more refined and
+extended selfishness, and exchanged his brutality for worldliness, and
+then, in a few instances, his worldliness for next-worldliness. I hope I
+need not say that I do not believe this theory. If I did, I could not be
+a Christian, I think, nor a philosopher either. At least, if I thought
+that human civilisation had sprung from such a dunghill as that, I
+should, in honour to my race, say nothing about it, here or elsewhere.
+
+Why talk of the shame of our ancestors? I want to talk of their honour
+and glory. I want to talk, if I talk at all, about great times, about
+noble epochs, noble movements, noble deeds, and noble folk; about times
+in which the human race—it may be through many mistakes, alas! and sin,
+and sorrow and bloodshed—struggled up one step higher on those great
+stairs which, as we hope, lead upward towards the far-off city of God;
+the perfect polity, the perfect civilisation, the perfect religion, which
+is eternal in the heavens.
+
+Of great men, then, and noble deeds I want to speak. I am bound to do so
+first, in courtesy to my hearers. For in choosing such a subject I took
+for granted a nobleness and greatness of mind in them which can
+appreciate and enjoy the contemplation of that which is lofty and heroic,
+and that which is useful indeed, though not to the purses merely or the
+mouths of men, but to their intellects and spirits; that highest
+philosophy which, though she can (as has been sneeringly said of her)
+bake no bread, can at least do this—and she alone—make men worthy to eat
+the bread which God has given them.
+
+I am bound to speak on such subjects, because I have never yet met, or
+read of, the human company who did not require, now and then at least,
+being reminded of such times and such personages—of whatsoever things are
+just, pure, true, lovely, and of good report, if there be any manhood and
+any praise to think, as St. Paul bids us all, of such things, that we may
+keep up in our minds as much as possible a lofty standard, a pure ideal,
+instead of sinking to the mere selfish standard which judges all things,
+even those of the world to come, by profit and by loss, and into that
+sordid frame of mind in which a man grows to believe that the world is
+constructed of bricks and timber, and kept going by the price of stocks.
+
+We are all tempted, and the easier and more prosperous we are, the more
+we are tempted, to fall into that sordid and shallow frame of mind.
+Sordid even when its projects are most daring, its outward luxuries most
+refined; and shallow, even when most acute, when priding itself most on
+its knowledge of human nature, and of the secret springs which, so it
+dreams, move the actions and make the history of nations and of men. All
+are tempted that way, even the noblest-hearted. _Adhæsit pavimento
+venter_, says the old psalmist. I am growing like the snake, crawling in
+the dust, and eating the dust in which I crawl. I try to lift up my eyes
+to the heavens, to the true, the beautiful, the good, the eternal
+nobleness which was before all time, and shall be still when time has
+past away. But to lift up myself is what I cannot do. Who will help me?
+Who will quicken me? as our old English tongue has it. Who will give me
+life? The true, pure, lofty human life which I did _not_ inherit from
+the primæval ape, which the ape-nature in me is for ever trying to
+stifle, and make me that which I know too well I could so easily become—a
+cunninger and more dainty-featured brute? Death itself, which seems at
+times so fair, is fair because even it may raise me up and deliver me
+from the burden of this animal and mortal body—
+
+ ’Tis life, not death, for which I pant;
+ ’Tis life, whereof my nerves are scant;
+ More life, and fuller, that I want.
+
+Man? I am a man not by reason of my bones and muscles, nerves and brain,
+which I have in common with apes and dogs and horses. I am a man—thou
+art a man or woman—not because we have a flesh—God forbid! but because
+there is a spirit in us, a divine spark and ray, which nature did not
+give, and which nature cannot take away. And therefore, while I live on
+earth, I will live to the spirit, not to the flesh, that I may be,
+indeed, a _man_; and this same gross flesh, this animal ape-nature in me,
+shall be the very element in me which I will renounce, defy, despise; at
+least, if I am minded to be, not a merely higher savage, but a truly
+higher civilised man. Civilisation with me shall mean, not more wealth,
+more finery, more self-indulgence—even more æsthetic and artistic luxury;
+but more virtue, more knowledge, more self-control, even though I earn
+scanty bread by heavy toil; and when I compare the Cæsar of Rome or the
+great king, whether of Egypt, Babylon, or Persia, with the hermit of the
+_Thebaid_, starving in his frock of camel’s hair, with his soul fixed on
+the ineffable glories of the unseen, and striving, however wildly and
+fantastically, to become an angel and not an ape, I will say the hermit,
+and not the Cæsar, is the civilised man.
+
+There are plenty of histories of civilisation and theories of
+civilisation abroad in the world just now, and which profess to show you
+how the primæval savage has, or at least may have, become the civilised
+man. For my part, with all due and careful consideration, I confess I
+attach very little value to any of them: and for this simple reason that
+we have no facts. The facts are lost.
+
+Of course, if you assume a proposition as certainly true, it is easy
+enough to prove that proposition to be true, at least to your own
+satisfaction. If you assert with the old proverb, that you may make a
+silk purse out of a sow’s ear, you will be stupider than I dare suppose
+anyone here to be, if you cannot invent for yourselves all the
+intermediate stages of the transformation, however startling. And,
+indeed, if modern philosophers had stuck more closely to this old
+proverb, and its defining verb ‘make,’ and tried to show how some person
+or persons—let them be who they may—men, angels, or gods—made the sow’s
+ear into the silk purse, and the savage into the sage—they might have
+pleaded that they were still trying to keep their feet upon the firm
+ground of actual experience. But while their theory is, that the sow’s
+ear grew into a silk purse of itself, and yet unconsciously and without
+any intention of so bettering itself in life; why, I think that those who
+have studied the history which lies behind them, and the poor human
+nature which is struggling, and sinning, and sorrowing and failing around
+them, and which seems on the greater part of this planet going downwards
+and not upwards, and by no means bettering itself, save in the increase
+of opera-houses, liquor-bars, and gambling-tables, and that which
+pertaineth thereto; then we, I think, may be excused if we say with the
+old Stoics—ἐπέχω—I withhold my judgment. I know nothing about the matter
+yet; and you, O my imaginative, though learned friends, know I suspect
+very little either.
+
+ Eldest of things, Divine Equality:
+
+so sang poor Shelley, and with a certain truth. For, if, as I believe,
+the human race sprang from a single pair, there must have been among
+their individual descendants an equality far greater than any which has
+been known on earth during historic times. But that equality was at
+best, the infantile innocence of the primary race, which faded away in
+the race as quickly, alas! as it does in the individual child.
+Divine—therefore it was one of the first blessings which man lost; one of
+the last, I fear, to which he will return; that to which civilisation,
+even at its best yet known, has not yet attained, save here and there for
+short periods; but towards which it is striving as an ideal goal, and, as
+I trust, not in vain.
+
+The eldest of things which we see actually as history, is not equality,
+but an already developed hideous inequality, trying to perpetuate itself,
+and yet by a most divine and gracious law, destroying itself by the very
+means which it uses to keep itself alive.
+
+‘There were giants in the earth in those days, And Nimrod began to be a
+mighty one in the earth’—
+
+ A mighty hunter; and his game was man.
+
+No; it is not equality which we see through the dim mists of bygone ages.
+
+What we do see, is—I know not whether you will think me superstitious or
+old-fashioned, but so I hold—very much what the earlier books of the
+Bible show us under symbolic laws. Greek histories, Roman histories,
+Egyptian histories, Eastern histories, inscriptions, national epics,
+legends, fragments of legends—in the New World as in the Old—all tell the
+same story. Not the story without an end, but the story without a
+beginning. As in the Hindoo cosmogony, the world stands on an elephant,
+and the elephant on a tortoise, and the tortoise on—what? No man knows.
+I do not know. I only assert deliberately; waiting, as Napoleon says,
+till the world come round to me, that the tortoise does not stand—as is
+held by certain anthropologists, some honoured by me, some personally
+dear to me—upon the savages who chipped flints and fed on mammoth and
+reindeer in North-western Europe, shortly after the age of ice, a few
+hundred thousand years ago. These sturdy little fellows—the kinsmen
+probably of the Esquimaux and Lapps—could have been but the
+avant-couriers, or more probably the fugitives from the true mass of
+mankind—spreading northward from the Tropics, into climes becoming, after
+the long catastrophe of the age of ice, once more genial enough to
+support men who knew what decent comfort was, and were strong enough to
+get the same, by all means fair or foul. No. The tortoise of the human
+race does not stand on a savage. The savage may stand on an ape-like
+creature. I do not say that he does not. I do not say that he does. I
+do not know; and no man knows. But at least I say that the civilised man
+and his world stand not upon creatures like to any savage now known upon
+the earth. For first, it seems to be most unlikely; and next, and more
+important to an inductive philosopher, there is no proof of it. I see no
+savages becoming really civilised men—that is—not merely men who will ape
+the outside of our so-called civilisation, even absorb a few of our
+ideas; not merely that; but truly civilised men who will think for
+themselves, invent for themselves, act for themselves; and when the
+sacred lamp of light and truth has been passed into their hands, carry it
+on unextinguished, and transmit it to their successors without running
+back every moment to get it relighted by those from whom they received
+it: and who are bound—remember that—patiently and lovingly to relight it
+for them; to give freely to all their fellow-men of that which God has
+given to them and to their ancestors; and let God, not man, be judge of
+how much the Red Indian or the Polynesian, the Caffre or the Chinese, is
+capable of receiving and of using.
+
+Moreover, in history there is no record, absolutely no record, as far as
+I am aware, of any savage tribe civilising itself. It is a bold saying.
+I stand by my assertion: most happy to find myself confuted, even in a
+single instance; for my being wrong would give me, what I can have no
+objection to possess, a higher opinion than I have now, of the unassisted
+capabilities of my fellow-men.
+
+But civilisation must have begun somewhen, somewhere, with some person,
+or some family, or some nation; and how did it begin?
+
+I have said already that I do not know. But I have had my dream—like the
+philosopher—and as I have not been ashamed to tell it elsewhere, I shall
+not be ashamed to tell it here. And it is this:—
+
+What if the beginnings of true civilisation in this unique, abnormal,
+diseased, unsatisfied, incomprehensible, and truly miraculous and
+supernatural race we call man, had been literally, and in actual fact,
+miraculous and supernatural likewise? What if that be the true key to
+the mystery of humanity and its origin? What if the few first chapters
+of the most ancient and most sacred book should point, under whatever
+symbols, to the actual and the only possible origin of civilisation, the
+education of a man, or a family by beings of some higher race than man?
+What if the old Puritan doctrine of Election should be even of a deeper
+and wider application than divines have been wont to think? What if
+individuals, if peoples, have been chosen out from time to time for a
+special illumination, that they might be the lights of the earth, and the
+salt of the world? What if they have, each in their turn, abused that
+divine teaching to make themselves the tyrants, instead of the ministers,
+of the less enlightened? To increase the inequalities of nature by their
+own selfishness, instead of decreasing them, into the equality of grace,
+by their own self-sacrifice? What if the Bible after all was right, and
+even more right than we were taught to think?
+
+So runs my dream. If, after I have confessed to it, you think me still
+worth listening to, in this enlightened 19th century, I will go on.
+
+At all events, what we see at the beginning of all known and half-known
+history, is not savagery, but high civilisation, at least of an outward
+and material kind. Do you demur? Then recollect, I pray you, that the
+three oldest peoples known to history on this planet are Egypt, China,
+Hindostan. The first glimpses of the world are always like those which
+the book of Genesis gives us; like those which your own continent gives
+us. As it was 400 years ago in America, so it was in North Africa and in
+Asia 4,000 years ago, or 40,000 for aught I know. Nay, if anyone should
+ask—And why not 400,000 years ago, on Miocene continents long sunk
+beneath the Tropic sea? I for one have no rejoinder save—We have no
+proofs as yet.
+
+There loom up, out of the darkness of legend, into the as yet dim dawn of
+history, what the old Arabs call Races of pre-Adamite Sultans—colossal
+monarchies, with fixed and often elaborate laws, customs, creeds; with
+aristocracies, priesthoods—seemingly always of a superior and conquering
+race; with a mass of common folk, whether free or half-free, composed of
+older conquered races; of imported slaves, too, and their descendants.
+
+But whence comes the royal race, the aristocracy, the priesthood? You
+enquire, and you find that they usually know not themselves. They are
+usually—I had almost dared to say, always—foreigners. They have crossed
+the neighbouring mountains. They have come by sea, like Dido to
+Carthage, like Manco Cassae and Mama Bello to America, and they have
+sometimes forgotten when. At least they are wiser, stronger, fairer,
+than the aborigines. They are to them—as Jacques Cartier was to the
+Indians of Canada—as gods. They are not sure that they are not descended
+from gods. They are the Children of the Sun, or what not. The children
+of light, who ray out such light as they have, upon the darkness of their
+subjects. They are at first, probably, civilisers, not conquerors. For,
+if tradition is worth anything—and we have nothing else to go upon—they
+are at first few in number. They come as settlers, or even as single
+sages. It is, in all tradition, not the many who influence the few, but
+the few who influence the many.
+
+So aristocracies, in the true sense, are formed. But the higher calling
+is soon forgotten. The purer light is soon darkened in pride and
+selfishness, luxury and lust; as in Genesis, the sons of God see the
+daughters of men, that they are fair; and they take them wives of all
+that they choose. And so a mixed race springs up and increases, without
+detriment at first to the commonwealth. For, by a well-known law of
+heredity, the cross between two races, probably far apart, produces at
+first a progeny possessing the forces, and, alas! probably the vices of
+both. And when the sons of God go in to the daughters of men, there are
+giants in the earth in those days, men of renown. The Roman empire,
+remember, was never stronger than when the old Patrician blood had
+mingled itself with that of every nation round the Mediterranean.
+
+But it does not last. Selfishness, luxury, ferocity, spread from above,
+as well as from below. The just aristocracy of virtue and wisdom becomes
+an unjust one of mere power and privilege; that again, one of mere
+wealth, corrupting and corrupt; and is destroyed, not by the people from
+below, but by the monarch from above. The hereditary bondsmen may know
+
+ Who would be free,
+ Himself must strike the blow.
+
+But they dare not, know not how. The king must do it for them. He must
+become the State. ‘Better one tyrant,’ as Voltaire said, ‘than many.’
+Better stand in fear of one lion far away, than of many wolves, each in
+the nearest wood. And so arise those truly monstrous Eastern despotisms,
+of which modern Persia is, thank God, the only remaining specimen; for
+Turkey and Egypt are too amenable of late years to the influence of the
+free nations to be counted as despotisms pure and simple—despotisms in
+which men, instead of worshipping a God-man, worship the hideous
+counterfeit, a _Man-god_—a poor human being endowed by public opinion
+with the powers of deity, while he is the slave of all the weaknesses of
+humanity. But such, as an historic fact, has been the last stage of
+every civilisation—even that of Rome, which ripened itself upon this
+earth the last in ancient times, and, I had almost said, until this very
+day, except among the men who speak Teutonic tongues, and who have
+preserved through all temptations, and reasserted through all dangers,
+the free ideas which have been our sacred heritage ever since Tacitus
+beheld us, with respect and awe, among our German forests, and saw in us
+the future masters of the Roman Empire.
+
+Yes, it is very sad, the past history of mankind. But shall we despise
+those who went before us, and on whose accumulated labours we now stand?
+
+Shall we not reverence our spiritual ancestors? Shall we not show our
+reverence by copying them, at least whenever, as in those old Persians,
+we see in them manliness and truthfulness, hatred of idolatries, and
+devotion to the God of light and life and good? And shall we not feel
+pity, instead of contempt, for their ruder forms of government, their
+ignorances, excesses, failures—so excusable in men who, with little or no
+previous teaching, were trying to solve for themselves for the first time
+the deepest social and political problems of humanity.
+
+Yes, those old despotisms, we trust, are dead and never to revive. But
+their corpses are the corpses, not of our enemies, but of our friends and
+predecessors, slain in the world-old fight of Ormuzd against
+Ahriman—light against darkness, order against disorder. Confusedly they
+fought, and sometimes ill: but their corpses piled the breach and filled
+the trench for us, and over their corpses we step on to what should be to
+us an easy victory—what may be to us, yet, a shameful ruin.
+
+For if we be, as we are wont to boast, the salt of the earth and the
+light of the world, what if the salt should lose its savour? What if the
+light which is in us should become darkness? For myself, when I look
+upon the responsibilities of the free nations of modern times, so far
+from boasting of that liberty in which I delight—and to keep which I
+freely, too, could die—I rather say, in fear and trembling, God help us
+on whom He has laid so heavy a burden as to make us free; responsible,
+each individual of us, not only to ourselves, but to Him and all mankind.
+For if we fall we shall fall I know not whither, and I dare not think.
+
+How those old despotisms, the mighty empires of old time, fell, we know,
+and we can easily explain. Corrupt, luxurious, effeminate, eaten out by
+universal selfishness and mutual fear, they had at last no organic
+coherence. The moral anarchy within showed through, at last burst
+through, the painted skin of prescriptive order which held them together.
+Some braver and abler, and usually more virtuous people, often some
+little, hardy, homely mountain tribe, saw that the fruit was ripe for
+gathering; and, caring nought for superior numbers—and saying with German
+Alaric when the Romans boasted of their numbers, ‘The thicker the hay the
+easier it is mowed—struck one brave blow at the huge inflated wind-bag—as
+Cyrus and his handful of Persians struck at the Medes; as Alexander and
+his handful of Greeks struck afterwards at the Persians—and behold, it
+collapsed upon the spot. And then the victors took the place of the
+conquered; and became in their turn an aristocracy, and then a despotism;
+and in their turn rotted down and perished. And so the vicious circle
+repeated itself, age after age, from Egypt and Assyria to Mexico and
+Peru.
+
+And therefore, we, free peoples as we are, have need to watch, and
+sternly watch, ourselves. Equality of some kind or other is, as I said,
+our natural and seemingly inevitable goal. But which equality? For
+there are two—a true one and a false; a noble and a base; a healthful and
+a ruinous. There is the truly divine equality, and there is the brute
+equality of sheep and oxen, and of flies and worms. There is the
+equality which is founded on mutual envy. The equality which respects
+others, and the equality which asserts itself. The equality which longs
+to raise all alike, and the equality which desires to pull down all
+alike. The equality which says—Thou art as good as I, and it may be
+better too, in the sight of God. And the equality which says—I am as
+good as thou, and will therefore see if I cannot master thee.
+
+Side by side, in the heart of every free man, and every free people, are
+the two instincts struggling for the mastery, called by the same name,
+but bearing the same relation to each other as Marsyas to Apollo, the
+Satyr to the God. Marsyas and Apollo, the base and the noble, are, as in
+the old Greek legend, contending for the prize. And the prize is no less
+an one than all free people of this planet.
+
+In proportion as that nobler idea conquers, and men unite in the equality
+of mutual respect and mutual service, they move one step further towards
+realising on earth that Kingdom of God of which it is written—‘The
+despots of the nations exercise dominion over them, and they that
+exercise authority over them are called benefactors. But he that will be
+great among you let him be the servant of all.’
+
+And in proportion as that base idea conquers, and selfishness, not
+self-sacrifice, is the ruling spirit of a State, men move on, one step
+forward towards realising that kingdom of the devil upon earth, ‘Every
+man for himself and the devil take the hindmost.’ Only, alas! in that
+evil equality of envy and hate, there is no hindmost, and the devil takes
+them all alike.
+
+And so is a period of discontent, revolution, internecine anarchy,
+followed by a tyranny endured, as in old Rome, by men once free, because
+tyranny will at least do for them, what they were too lazy and greedy and
+envious to do for themselves.
+
+ And all because they have forgot
+ What ’tis to be a man—to curb and spurn
+ The tyrant in us: the ignobler self
+ Which boasts, not loathes, its likeness to the brute;
+ And owns no good save ease, no ill save pain,
+ No purpose, save its share in that wild war
+ In which, through countless ages, living things
+ Compete in internecine greed. Ah, loving God,
+ Are we as creeping things, which have no lord?
+ That we are brutes, great God, we know too well;
+ Apes daintier-featured; silly birds, who flaunt
+ Their plumes, unheeding of the fowler’s step;
+ Spiders, who catch with paper, not with webs;
+ Tigers, who slay with cannon and sharp steel,
+ Instead of teeth and claws:—all these we are.
+ Are we no more than these, save in degree?
+ Mere fools of nature, puppets of strong lusts,
+ Taking the sword, to perish by the sword
+ Upon the universal battle-field,
+ Even as the things upon the moor outside?
+
+ The heath eats up green grass and delicate herbs;
+ The pines eat up the heath; the grub the pine;
+ The finch the grub; the hawk the silly finch;
+ And man, the mightiest of all beasts of prey,
+ Eats what he lists. The strong eat up the weak;
+ The many eat the few; great nations, small;
+ And he who cometh in the name of all
+ Shall, greediest, triumph by the greed of all,
+ And, armed by his own victims, eat up all.
+ While ever out of the eternal heavens
+ Looks patient down the great magnanimous God,
+ Who, Master of all worlds, did sacrifice
+ All to Himself? Nay: but Himself to all;
+ Who taught mankind, on that first Christmas Day,
+ What ’tis to be a man—to give, not take;
+ To serve, not rule; to nourish, not devour;
+ To lift, not crush; if need, to die, not live.
+
+‘He that cometh in the name of all’—the popular military despot—the
+‘saviour of his country’—he is our internecine enemy on both sides of the
+Atlantic, whenever he arises—the inaugurator of that Imperialism, that
+Cæsarism into which Rome sank, when not her liberties merely, but her
+virtues, were decaying out of her—the sink into which all wicked States,
+whether republics or monarchies, are sure to fall, simply because men
+must eat and drink for to-morrow they die. The Military and Bureaucratic
+Despotism which keeps the many quiet, as in old Rome, by _panem et
+Circenses_—bread and games—or if need be, Pilgrimages; that the few may
+make money, eat, drink, and be merry, as long as it can last. That, let
+it ape as it may—as did the Cæsars of old Rome at first—as another
+Emperor did even in our own days—the forms of dead freedom, really
+upholds an artificial luxury by brute force; and consecrates the basest
+of all aristocracies, the aristocracy of the money bag, by the divine
+sanction of the bayonet.
+
+That at all risks, even at the price of precious blood, the free peoples
+of the earth must ward off from them; for, makeshift and stop-gap as it
+is, it does not even succeed in what it tries to do. It does not last.
+Have we not seen that it does not, cannot last? How can it last. This
+falsehood, like all falsehoods, must collapse at one touch of Ithuriel’s
+spear of truth and fact. And—
+
+‘Then saw I the end of these men. Namely, how Thou dost set them in
+slippery places, and casteth them down.
+
+‘Suddenly do they perish, and come to a fearful end. Yea, like as a
+dream when one awaketh, so shalt Thou make their image to vanish out of
+the city.’
+
+Have we not seen that too, though, thank God, neither in England nor in
+the United States?
+
+And then? What then? None knows, and none can know.
+
+The future of France and Spain, the future of the Tropical Republics of
+Spanish America, is utterly blank and dark; not to be prophesied, I hold,
+by mortal man, simply because we have no like cases in the history of the
+past whereby to judge the tendencies of the present. Will they revive?
+Under the genial influences of free institutions will the good seed which
+is in them take root downwards, and bear fruit upwards? and make them all
+what that fair France has been, in spite of all her faults, so often in
+past years—a joy and an inspiration to all the nations round? Shall it
+be thus? God grant it may; but He, and He alone, can tell. We only
+stand by, watching, if we be wise, with pity and with fear, the working
+out of a tremendous new social problem, which must affect the future of
+the whole civilised world.
+
+For if the agonising old nations fail to regenerate themselves, what can
+befall? What, when even Imperialism has been tried and failed, as fail
+it must? What but that lower depth within the lowest deep?
+
+ That last dread mood
+ Of sated lust, and dull decrepitude.
+ No law, no art, no faith, no hope, no God.
+ When round the freezing founts of life in peevish ring,
+ Crouched on the bare-worn sod,
+ Babbling about the unreturning spring,
+ And whining for dead creeds, which cannot save,
+ The toothless nations shiver to their grave.
+
+And we, who think we stand, let us take heed lest we fall. Let us
+accept, in modesty and in awe, the responsibility of our freedom, and
+remember that that freedom can be preserved only in one old-fashioned
+way. Let us remember that the one condition of a true democracy is the
+same as the one condition of a true aristocracy, namely, virtue. Let us
+teach our children, as grand old Lilly taught our forefathers 300 years
+ago—‘It is virtue, gentlemen, yea, virtue that maketh gentlemen; that
+maketh the poor rich, the subject a king, the lowborn noble, the deformed
+beautiful. These things neither the whirling wheel of fortune can
+overturn, nor the deceitful cavillings of worldlings separate, neither
+sickness abate, nor age abolish.’
+
+Yes. Let us teach our children thus on both sides of the Atlantic. For
+if they—which God forbid—should grow corrupt and weak by their own sins,
+there is no hardier race now left on earth to conquer our descendants and
+bring them back to reason, as those old Jews were brought, by bitter
+shame and woe. And all that is before them and the whole civilised
+world, would be long centuries of anarchy such as the world has not seen
+for ages—a true Ragnarok, a twilight of the very gods, an age such as the
+wise woman foretold in the old Voluspà.
+
+ When brethren shall be
+ Each other’s bane,
+ And sisters’ sons rend
+ The ties of kin.
+ Hard will be that age,
+ An age of bad women,
+ An axe-age, a sword-age,
+ Shields oft cleft in twain,
+ A storm-age, a wolf-age,
+ Ere earth meet its doom.
+
+So sang, 2,000 years ago, perhaps, the great unnamed prophetess of our
+own race, of what might be, if we should fail mankind and our own calling
+and election.
+
+God grant that day may never come. But God grant, also, that if that day
+does come, then may come true also what that wise Vala sang, of the day
+when gods, and men, and earth should be burnt up with fire.
+
+ When slaked Surtur’s flame is,
+ Still the man and the maiden,
+ Hight Valour and Life,
+ Shall keep themselves hid
+ In the wood of remembrance.
+ The dew of the dawning
+ For food it shall serve them;
+ From them spring new peoples.
+
+New peoples. For after all is said, the ideal form of human society is
+democracy.
+
+A nation—and, were it even possible, a whole world—of free men, lifting
+free foreheads to God and Nature; calling no man master—for one is their
+master, even God; knowing and obeying their duties towards the Maker of
+the Universe, and therefore to each other, and that not from fear, nor
+calculation of profit or loss, but because they loved and liked it, and
+had seen the beauty of righteousness and trust and peace; because the law
+of God was in their hearts, and needing at last, it may be, neither king
+nor priest, for each man and each woman, in their place, were kings and
+priests to God. Such a nation—such a society. What nobler conception of
+mortal existence can we form? Would not that be, indeed, the kingdom of
+God come on earth?
+
+And tell me not that that is impossible—too fair a dream to be ever
+realised. All that makes it impossible is the selfishness, passions,
+weaknesses, of those who would be blest were they masters of themselves,
+and therefore of circumstances; who are miserable because, not being
+masters of themselves, they try to master circumstance, to pull down iron
+walls with weak and clumsy hands, and forget that he who would be free
+from tyrants must first be free from his worst tyrant, self.
+
+But tell me not that the dream is impossible. It is so beautiful that it
+must be true. If not now, nor centuries hence, yet still hereafter. God
+would never, as I hold, have inspired man with that rich imagination had
+he not meant to translate, some day, that imagination into fact.
+
+The very greatness of the idea, beyond what a single mind or generation
+can grasp, will ensure failure on failure,—follies, fanaticisms,
+disappointments, even crimes, bloodshed, hasty furies, as of children
+baulked of their holiday.
+
+But it will be at last fulfilled, filled full, and perfected; not perhaps
+here, or among our peoples, or any people which now exist on earth: but
+in some future civilisation—it may be in far lands beyond the sea—when
+all that you and we have made and done shall be as the forest-grown
+mounds of the old nameless civilisers of the Mississippi valley.
+
+ * * * * *
+
+ LONDON: PRINTED BY
+ SPOTTISWOODE AND CO., NEW-STREET SQUARE
+ AND PARLIAMENT STREET
+
+
+
+
+Footnotes:
+
+
+{71} Black, translator of Mallett’s _Northern Antiquities_,
+Supplementary Chapter I., and Rafn’s _Antiquitates Americanæ_.
+
+{91} On the Fiftieth Birthday of Agassiz.
+
+
+
+
+***END OF THE PROJECT GUTENBERG EBOOK LECTURES DELIVERED IN AMERICA IN
+1874***
+
+
+******* This file should be named 30944-0.txt or 30944-0.zip *******
+
+
+This and all associated files of various formats will be found in:
+http://www.gutenberg.org/dirs/3/0/9/4/30944
+
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://www.gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://www.gutenberg.org/about/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://www.gutenberg.org/fundraising/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit:
+http://www.gutenberg.org/fundraising/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
diff --git a/30944-0.zip b/30944-0.zip
new file mode 100644
index 0000000..79834dd
--- /dev/null
+++ b/30944-0.zip
Binary files differ
diff --git a/30944-h.zip b/30944-h.zip
new file mode 100644
index 0000000..d0b67f5
--- /dev/null
+++ b/30944-h.zip
Binary files differ
diff --git a/30944-h/30944-h.htm b/30944-h/30944-h.htm
new file mode 100644
index 0000000..00be1a9
--- /dev/null
+++ b/30944-h/30944-h.htm
@@ -0,0 +1,4427 @@
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=US-ASCII" />
+<title>Lectures Delivered in America in 1874, by Charles Kingsley</title>
+ <style type="text/css">
+/*<![CDATA[ XML blockout */
+<!--
+ P { margin-top: .75em;
+ margin-bottom: .75em;
+ }
+ P.gutsumm { margin-left: 5%;}
+ P.poetry {margin-left: 3%; }
+ H1, H2 {
+ text-align: center;
+ margin-top: 2em;
+ margin-bottom: 2em;
+ }
+ H3, H4, H5 {
+ text-align: left;
+ margin-top: 1em;
+ margin-bottom: 1em;
+ }
+ BODY{margin-left: 10%;
+ margin-right: 10%;
+ }
+ table { border-collapse: collapse; }
+table {margin-left:auto; margin-right:auto;}
+ td { vertical-align: top; border: 1px solid black;}
+ td p { margin: 0.2em; }
+ .blkquot {margin-left: 4em; margin-right: 4em;} /* block indent */
+
+ .smcap {font-variant: small-caps;}
+
+ .pagenum {position: absolute;
+ left: 92%;
+ font-size: small;
+ text-align: right;
+ font-weight: normal;
+ color: gray;
+ }
+ img { border: none; }
+ img.dc { float: left; width: 50px; height: 50px; }
+ div.gapspace { height: 0.8em; }
+ div.gapline { height: 0.8em; width: 30%; }
+ div.gapdoubleline { height: 0.3em; width: 50%;
+ margin-left: 25%; border-top: 1px solid;
+ border-bottom: 1px solid;}
+ div.gapshortline { height: 0.3em; width: 20%; margin-left:40%;
+ border-top: 1px solid; }
+ .citation {vertical-align: super;
+ font-size: .8em;
+ text-decoration: none;}
+ img.floatleft { float: left;
+ margin-right: 1em;
+ margin-top: 0.5em; margin-bottom: 0.5em; }
+ img.floatright { float: right;
+ margin-left: 1em; margin-top: 0.5em;
+ margin-bottom: 0.5em; }
+ img.clearcenter {display: block;
+ margin-left: auto;
+ margin-right: auto; margin-top: 0.5em;
+ margin-bottom: 0.5em}
+ -->
+ /* XML end ]]>*/
+ </style>
+</head>
+<body>
+<pre>
+
+The Project Gutenberg eBook, Lectures Delivered in America in 1874, by
+Charles Kingsley, Edited by Fanny Kingsley
+
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+
+
+
+Title: Lectures Delivered in America in 1874
+
+
+Author: Charles Kingsley
+
+Editor: Fanny Kingsley
+
+Release Date: January 12, 2010 [eBook #30944]
+
+Language: English
+
+Character set encoding: ISO-646-US (US-ASCII)
+
+
+***START OF THE PROJECT GUTENBERG EBOOK LECTURES DELIVERED IN AMERICA IN
+1874***
+</pre>
+<p>Transcribed from the 1875 Longmans, Green, and Co. edition by
+David Price, email ccx074@pglaf.org</p>
+<p style="text-align: center"><span class="smcap">london</span>:
+<span class="smcap">printed by</span><br />
+<span class="smcap">spottiswoode and co.</span>, <span
+class="smcap">new-street square</span><br />
+<span class="smcap">and parliament street</span></p>
+<h1>LECTURES<br />
+DELIVERED IN AMERICA<br />
+<span class="smcap">in</span> 1874</h1>
+<p style="text-align: center"><span class="smcap">by</span><br />
+CHARLES KINGSLEY, F.L.S., F.G.S.</p>
+<p style="text-align: center"><span class="smcap">rector of
+eversley</span>: <span class="smcap">canon of
+westminster</span><br />
+<span class="smcap">chaplain in ordinary to the queen and the
+prince of wales</span></p>
+<div class="gapspace">&nbsp;</div>
+<p style="text-align: center">LONDON<br />
+LONGMANS, GREEN, AND CO.<br />
+1875</p>
+<p style="text-align: center"><i>All rights reserved</i></p>
+<h2><!-- page iii--><a name="pageiii"></a><span
+class="pagenum">p. iii</span>DEDICATION.</h2>
+<div class="gapshortline">&nbsp;</div>
+<p style="text-align: center"><span class="smcap">to</span><br />
+CYRUS FIELD, J. A. C. GRAY,<br />
+<span class="smcap">and all those valued american friends who
+welcomed</span><br />
+<span class="smcap">my husband to their great country</span>,<br
+/>
+<span class="smcap">and through whose generous kindness he was
+enabled</span><br />
+<span class="smcap">in the last year of his life</span><br />
+<span class="smcap">to realise the dreams of his youth</span><br
+/>
+<span class="smcap">by the sight</span>, <span class="smcap">not
+only op the eastern states and cities</span>,<br />
+<span class="smcap">but of the far west</span>, <span
+class="smcap">the rocky mountains</span>,<br />
+<span class="smcap">and the yo semite valley</span>,<br />
+<span class="smcap">i dedicate these lectures with deepest
+gratitude</span></p>
+<p style="text-align: center">In Memoriam.</p>
+<p style="text-align: right">FANNY E. KINGSLEY.</p>
+<p><span class="smcap">Byfleet</span>: <i>August</i> 1875.</p>
+<h2><!-- page v--><a name="pagev"></a><span class="pagenum">p.
+v</span>CONTENTS.</h2>
+<table>
+<tr>
+<td><p><span class="smcap">lect.</span></p>
+</td>
+<td><p>&nbsp;</p>
+</td>
+<td><p style="text-align: right"><span
+class="smcap">page</span></p>
+</td>
+</tr>
+<tr>
+<td><p style="text-align: right">I.</p>
+</td>
+<td><p>WESTMINSTER ABBEY</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page1">1</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p style="text-align: right">II.</p>
+</td>
+<td><p>THE STAGE AS IT WAS ONCE</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page32">32</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p style="text-align: right">III.</p>
+</td>
+<td><p>THE FIRST DISCOVERY OF AMERICA</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page65">65</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p style="text-align: right">IV.</p>
+</td>
+<td><p>THE SERVANT OF THE LORD</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page98">98</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p style="text-align: right">V.</p>
+</td>
+<td><p>ANCIENT CIVILISATION</p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page125">125</a></span></p>
+</td>
+</tr>
+</table>
+<p>&nbsp;</p>
+<h2><!-- page 1--><a name="page1"></a><span class="pagenum">p.
+1</span>LECTURE I.<br />
+WESTMINSTER ABBEY.</h2>
+<p>Reverence for age, at least so it has long seemed to me,
+reverence for age, I say, is a fair test of the vigour of youth;
+and, conversely, insolence toward the old and the past, whether
+in individuals or in nations, is a sign rather of weakness than
+of strength.&nbsp; And the cause, I think, is this.&nbsp; The
+rich and strong young natures, which feel themselves capable of
+original thought and work, have a corresponding respect for those
+who, in the generations gone by, have thought and worked as they
+hope to do hereafter.&nbsp; And this temper, understand me, so
+far from being servile, or even merely conservative, usually
+accompanies true independence of spirit.&nbsp; The young athlete,
+like the young race-horse, does not despise, but emulate, his
+sire; even though the old victor be long past his prime.&nbsp;
+The young soldier admires the old general; <!-- page 2--><a
+name="page2"></a><span class="pagenum">p. 2</span>the young
+midshipman the old admiral, just in proportion as he himself is
+likely to be a daring and able officer hereafter.&nbsp; The son,
+when grown to man&rsquo;s estate, may say to his father, I look
+on you still with all respect and admiration.&nbsp; I have
+learnt, and desire always, to learn from you.&nbsp; But you must
+be to me now, not a dictator, but an example.&nbsp; You became
+what you are by following your own line; and you must let me
+rival you, and do you honour, by following mine.</p>
+<p>This, I believe, is true of nations as well as of
+individuals.&nbsp; I do not hesitate to say that, paradoxical as
+it may seem, the most original races&mdash;those who have
+succeeded best and left their stamp most broadly and permanently
+on the human race&mdash;have also been the most teachable,
+provided they were allowed to learn in their own way and to adapt
+to their own purposes any higher ancient civilisation with which
+they came in contact.&nbsp; What more striking instances of this
+truth&mdash;for truth it is&mdash;than the reverence of the free
+Republican Greek for the old despotic civilisation of Egypt? and
+of the free Norseman, our own ancestor, for the old and equally
+despotic civilisation of Rome?</p>
+<p>These&mdash;the two most originative and most progressive
+races of Europe&mdash;had a faith in, an awe of, the supposed or
+real wisdom of the men of old time, which was often exaggerated
+into a superstition; but <!-- page 3--><a name="page3"></a><span
+class="pagenum">p. 3</span>never&mdash;thanks to their own innate
+force&mdash;degenerated into a bondage.</p>
+<p>Pardon me this somewhat dry pro&oelig;mium; and pardon me,
+too, if it leads me on to a compliment to the American people,
+which I trust you will not think impertinent.</p>
+<p>For I have seen, and seen with joy, a like spirit in those
+Americans whom it has been my good fortune to meet in my own
+land.&nbsp; I mean this:&mdash;That I found in them, however
+self-teaching and self-determining they might be, that genial
+reverence for antiquity which I hold to be the sign of a truly
+generous&mdash;that is in the right sense of the grand old
+word&mdash;a truly high-bred, nature.&nbsp; I have been touched,
+and deeply touched, at finding so many of them, on landing for
+the first time at Liverpool, hurrying off to our quaint old city
+of Chester to gaze on its old girdle of walls and towers; Roman,
+Medi&aelig;val, Caroline; its curious &lsquo;Rows&rsquo; of
+overhanging houses; its fragments of Roman baths and
+inscriptions; its modest little Cathedral; and the&mdash;really
+very few&mdash;relics of English history which it contains.&nbsp;
+Even two banners of an old Cheshire regiment which had been in
+the Peninsular war were almost as interesting, to some, as an
+illuminated Bible of the early Middle Age.&nbsp; More than once
+have I had to repress the enthusiasm of some charming lady and
+say, &lsquo;But this is nothing.&nbsp; Do not waste your
+admiration here.&nbsp; Go on.&nbsp; See the British Museum, <!--
+page 4--><a name="page4"></a><span class="pagenum">p. 4</span>its
+marbles and its manuscripts&mdash;See the French Cathedrals; the
+ruins of Provence and Italy; the galleries of Florence, Naples,
+Rome.&rsquo;</p>
+<p>&lsquo;Ah, but you must remember,&rsquo; was the answer,
+&lsquo;these are the first old things I ever saw.&rsquo;</p>
+<p>A mere sentiment?&nbsp; Yes: but as poets know, and statesmen
+ought to know, it is by sentiment, when well directed&mdash;as by
+sorrow, when well used&mdash;by sentiment, I say, great nations
+live.&nbsp; When sentiment dies out, and mere prosaic calculation
+of loss and profit takes its place, then comes a Byzantine epoch,
+a Chinese epoch, decrepitude, and slow decay.</p>
+<p>And so the eagerness of those generous young souls was to me a
+good augury for the future, of them, and of their native
+land.&nbsp; They seemed to me&mdash;and I say again it touched
+me, often deeply&mdash;to be realising to themselves their
+rightful place in the community of the civilised nations of all
+lands, and of all times&mdash;realising to themselves that they
+were indeed</p>
+<blockquote><p>Heirs of all the ages, foremost in the ranks of
+time;</p>
+</blockquote>
+<p>and minded, therefore, like wise and noble heirs, not to
+despise and squander, but to treasure and to use that
+inheritance, and the accumulated labours of the mighty dead.</p>
+<p>I saw this, I say, at Chester.&nbsp; And therefore I was not
+surprised to find the pleasant experience repeated, and to even a
+higher degree, at Westminster.&nbsp; <!-- page 5--><a
+name="page5"></a><span class="pagenum">p. 5</span>A pleasant
+experience, I say.&nbsp; I know few more agreeable occupations
+than showing a party of Americans round our own great Abbey; and
+sentimentalising, if you will, in sympathy with them, over
+England&rsquo;s Pantheon.</p>
+<p>I pause to confess once more that it is almost an impertinence
+in me to pay you such a compliment.&nbsp; You have a right to
+answer me&mdash;How could it be otherwise?&mdash;Are we not
+educated people?&nbsp; Has not our taste been trained by native
+authors, who were at least civilised enough to value the great
+past, without the need of any European crossing the seas to tell
+us of its wealth?</p>
+<p>If you reprove me thus, I can but say that the reproof is
+just, and will remain just, as long as your poets are what they
+are; and as long, above all, as you reverence as much in America
+as we do in England, the poetry of Mr. Longfellow.&nbsp; He has
+not, if I recollect aright, ever employed his muse in
+commemorating our great Abbey; but that muse is instinct with all
+those lofty and yet tender emotions which the sight of that great
+Abbey should call out.&nbsp; He knows, as few know on our side of
+the wide water, the effect, chastening and yet ennobling, of such
+architecture, consecrated by such associations.&nbsp; He has not
+only perceived and drank in all that is purest and noblest in the
+now sleeping last ten centuries: but he has combined it, again
+and again, with that which is purest <!-- page 6--><a
+name="page6"></a><span class="pagenum">p. 6</span>and noblest in
+the waking and yearning present; and combined it organically and
+livingly, as leaf and stem combines with flower and fruit.&nbsp;
+Yes; as long as the poet who could write both the <i>Belfry of
+Bruges</i> and <i>The Village Blacksmith</i> is read among you,
+there is no need for me to bid you reverence the past; and little
+need, I trust, for me to tell those whom I leave at home to
+reverence the present.&nbsp; For it is a fact&mdash;of which some
+Americans may not be as well aware as they should be&mdash;that
+your exquisite poet has exercised an influence in Britain it may
+be as great as, and certainly more varied than, that which he has
+exercised in his native land.&nbsp; With us&mdash;as, I presume,
+with you&mdash;he has penetrated into thousands of Puritan homes,
+and awakened tens of thousands of young hearts to the beauty and
+the nobleness of the old pre-Reformation age, and of that romance
+and art from which their too exclusive hereditary training had,
+until his time, shut them out.&nbsp; And he has thus, truly, done
+a sacred deed in turning the hearts of the children to their
+fathers.&nbsp; That was enough: but that is not the whole.&nbsp;
+He has, conversely, turned the hearts of the fathers to the
+children.&nbsp; The world-wide humanity of his poems, and, to be
+just, of all your American poets who have studied in his school,
+has produced throughout Great Britain a just reverence and
+affection for the American mind which will have&mdash;which has
+had already&mdash;<!-- page 7--><a name="page7"></a><span
+class="pagenum">p. 7</span>large social and political
+results.&nbsp; Be sure, be sure, that in spite of passing jars,
+our empire will never be long unjust to yours, while Mr.
+Longfellow and Mr. Lowell remain not merely the household
+bards&mdash;though that is much&mdash;but counsellors,
+comforters, and trusted friends to hundreds of thousands of
+gentle and earnest souls; from the palace to the parsonage, from
+the little village shop to the farm-house on the lonely down.</p>
+<p>But there is another American author&mdash;who was the delight
+of my own youth, and who should have been my teacher also, for he
+was a master of our common tongue, and his prose is as graceful
+and felicitous as poor Elia&rsquo;s own, and it is certainly more
+manly&mdash;another American author, I say, who, with that
+high-bred reverence for what is old, has told you already more
+about Westminster Abbey, and told it better, than I am likely to
+tell it.&nbsp; Need I say that I mean the lamented Washington
+Irving?&nbsp; Ah, that our authors had always been as just to you
+as he was just to us; and indeed more than just; for in his
+courtesy and geniality he saw us somewhat <i>en beau</i>, and
+treated old John Bull too much as the poet advises us to treat
+young and fair ladies&mdash;</p>
+<blockquote><p>Be to their faults a little blind,<br />
+Be to their virtues very kind.</p>
+</blockquote>
+<p>But what a charming book is that old
+&lsquo;Sketch-book.&rsquo;&nbsp; <!-- page 8--><a
+name="page8"></a><span class="pagenum">p. 8</span>And what a
+charming essay that on our great Abbey, set with such gems of
+prose as these,&mdash;</p>
+<p>&lsquo;The sun was pouring down a yellow autumnal ray into the
+square of the cloisters, beaming upon a scanty spot of grass in
+the centre, and lighting up an angle of the vaulted passage with
+a kind of dusty splendour.&nbsp; From between the arcades, the
+eye glanced up to a bit of blue sky, or a passing cloud, and
+beheld the sun-gilt pinnacles of the Abbey towering into the
+azure heaven.&rsquo;</p>
+<p>Or this again, describing the general effect of Henry the
+Seventh&rsquo;s unrivalled chapel,&mdash;&lsquo;The very walls
+are wrought into universal ornament; encrusted with tracery, and
+scooped into niches, crowded with the statues of saints and
+martyrs.&nbsp; Stone seems, by the cunning labour of the chisel,
+to have been robbed of its weight and density; suspended aloft as
+if by magic; and the fretted roof achieved with the wonderful
+minuteness and airy security of a cobweb.&rsquo;</p>
+<p>&lsquo;Dusty splendour,&rsquo; &lsquo;airy security,&rsquo;
+epithets so unexpected, and yet so felicitous, as to be seemingly
+accidental.&nbsp; Such are the tokens of that highest art, which
+is&mdash;to conceal its own existence.&nbsp; After such speech as
+that, what have I to tell you of the great old Abbey?</p>
+<p>Yet there are one or two things, I dare to say, which
+Washington Irving would have written differently had he visited
+Westminster, not forty years ago, but now.</p>
+<p><!-- page 9--><a name="page9"></a><span class="pagenum">p.
+9</span>I think, in the first place, that if he visited the great
+Abbey now, he would not have noticed that look of dilapidation at
+which he hints&mdash;and perhaps had a right to hint&mdash;some
+forty years ago.&nbsp; Dilapidation, dirt, and negligence are as
+hateful to us now, as to the builder of the newest house
+outside.&nbsp; We too, for more than a generation past, have
+felt, in common with the rest of England and with all the nations
+of Northern Europe, that awakened reverence for Medi&aelig;val
+Art and Medi&aelig;val History, which is&mdash;for good and for
+evil&mdash;the special social phenomenon of our times; the
+natural and, on the whole, useful countercheck to that extreme of
+revolutionary feeling which issues&mdash;as it did in Paris but
+three years ago&mdash;in utter hatred and renunciation of the
+past, and destruction of its monuments.</p>
+<p>To preserve, to restore, and, if not, to copy, as a sort of
+filial duty, the buildings which our forefathers have left us, is
+now held to be the very mark of cultivation and good taste in
+Britain.&nbsp; It may be that we carry it too far; that by a
+servile and Chinese exactness of imitation we are crippling what
+originality of genius may exist among our draughtsmen, sculptors,
+architects.&nbsp; But we at least confess thereby that we cannot
+invent and create as could our ancestors five hundred years ago;
+and as long as that is the case it is more wise in us&mdash;as in
+any people&mdash;to exhaust the signification and power of the
+past, and to learn all <!-- page 10--><a name="page10"></a><span
+class="pagenum">p. 10</span>we can from older schools of art and
+thought ere we attempt novelties of our own which, I confess
+freely, usually issue in the ugly and the ludicrous.</p>
+<p>Be that as it may, we of Westminster Abbey have become, like
+other Englishmen, repairers and restorers.&nbsp; Had we not so
+become, the nation would have demanded an account of us, as
+guardians of its national mausoleum, the building of which our
+illustrious Dean has so well said&mdash;</p>
+<p>&lsquo;Of all the characteristics of Westminster Abbey, that
+which most endears it to the nation and gives most force to its
+name&mdash;which has, more than anything else, made it the home
+of the people of England and the most venerated fabric of the
+English Church&mdash;is not so much its glory as the seat of the
+coronations, or as the sepulchre of the kings; not so much its
+school, or its monastery, or its chapter, or its sanctuary, as
+the fact that it is the resting-place of famous Englishmen, from
+every rank and creed, and every form of genius.&nbsp; It is not
+only Reims Cathedral and St. Denys both in one; but it is what
+the Pantheon was intended to be to France&mdash;what the Valhalla
+is to Germany&mdash;what Santa Croce is to Italy. . . It is this
+which inspired the saying of Nelson&mdash;Victory or Westminster
+Abbey.&nbsp; It is this which has intertwined it with so many
+eloquent passages of Macaulay.&nbsp; It is this which gives point
+to the allusions of recent Nonconformist statesmen, least
+inclined to draw illustrations <!-- page 11--><a
+name="page11"></a><span class="pagenum">p. 11</span>from
+ecclesiastical buildings.&nbsp; It is this which gives most
+promise of vitality to the whole institution.&nbsp; Kings are no
+longer buried within its walls; even the splendour of pageants
+has ceased to attract.&nbsp; But the desire to be buried in
+Westminster Abbey is as strong as ever.</p>
+<p>&lsquo;This sprang, in the first instance, as a natural
+off-shoot from the coronations and interments of the kings.&nbsp;
+Had they, like those of France, of Spain, of Austria, of
+Russia&mdash;been buried far away in some secluded spot, or had
+the English nation stood aloof from the English monarchy, it
+might have been otherwise.&nbsp; The sepulchral chapels built by
+Henry the Third and Henry the Seventh might have stood alone in
+their glory.&nbsp; No meaner dust need ever have mingled with the
+dust of Plantagenets, Tudors, Stuarts, and Guelphs. . . .&nbsp;
+But it has been the peculiar privilege of the kings of England
+that neither in life nor in death have they been parted from
+their people.&nbsp; As the Council of the Nation and the Courts
+of Law have pressed into the Palace of Westminster, and engirdled
+the very throne itself, so the ashes of the great citizens of
+England have pressed into the sepulchre of the kings, and
+surrounded them as with a guard of honour after their
+death.&nbsp; We are sometimes inclined bitterly to contrast the
+placid dignity of our recumbent kings, with Chatham gesticulating
+from the northern transept, or Pitt from the western door, or
+Shakspeare <!-- page 12--><a name="page12"></a><span
+class="pagenum">p. 12</span>leaning on his column in Poet&rsquo;s
+Corner, or Wolfe expiring by the chapel of St. John.&nbsp; But,
+in fact, they are, in their different ways, keeping guard over
+the shrine of our monarchs and our laws; and their very
+incongruity and variety become symbols of that harmonious
+diversity in unity which pervades our whole
+commonwealth.&rsquo;</p>
+<p>Honoured by such a trust, we who serve God daily in the great
+Abbey are not unmindful of the duty which lies on us to preserve
+and to restore, to the best of our power, the general fabric; and
+to call on government and on private persons to preserve and
+restore those monuments, for which they, not we, are
+responsible.&nbsp; A stranger will not often enter our Abbey
+without finding somewhere or other among its vast arcades,
+skilled workmen busy over mosaic, marble, bronze, or
+&lsquo;storied window richly dight;&rsquo; and the very
+cloisters, which to Washington Irving&rsquo;s eye were
+&lsquo;discoloured with damp, crumbling with age, and crusted
+with a coat of hoary moss,&rsquo; are being repaired till that
+&lsquo;rich tracery of the arches, and that leafy beauty of the
+roses which adorn the keystones&rsquo;&mdash;of which he
+tells&mdash;shall be as sharp and bright as they were first, 500
+years ago.</p>
+<p>One sentiment, again, which was called up in the mind of your
+charming essayist, at the sight of Westminster Abbey, I have not
+felt myself: I mean its sadness.&nbsp; &lsquo;What,&rsquo; says
+he, &lsquo;is this vast assembly of <!-- page 13--><a
+name="page13"></a><span class="pagenum">p. 13</span>sepulchres
+but a treasury of humiliation? a huge pile of reiterated homilies
+on the emptiness of renown and the certainty of
+oblivion.&rsquo;</p>
+<p>So does that &lsquo;mournful magnificence&rsquo; of which he
+speaks, seem to have weighed on him, that he takes for the motto
+of his whole essay, that grand Elizabethan epigram&mdash;</p>
+<blockquote><p>When I behold, with deep astonishment,<br />
+To famous Westminster how there resort<br />
+Living in brasse or stony monument,<br />
+The Princes and the worthies of all sort;<br />
+Do I not see re-formed nobilitie,<br />
+Without contempt, or pride, or ostentation,<br />
+And look upon offenseless majestie,<br />
+Naked of pomp or earthly domination?<br />
+And how a play-game of a painted stone<br />
+Contents the quiet, now, and silent sprites,<br />
+Whom all the world, which late they stood upon,<br />
+Could not content, nor quench their appetites.<br />
+Life is a frost of cold felicities;<br />
+And death the thaw of all our vanities.</p>
+</blockquote>
+<p>True, true&mdash;who knows it not, who has lived fifty years
+in such a world as this?&mdash;and yet but half the truth.</p>
+<p>Were there no after-life, no juster home beyond the grave,
+where each good deed&mdash;so spake the most august of
+lips&mdash;shall in no wise lose its reward&mdash;is it nought,
+<i>vir&ucirc;m volitare per ora</i>, to live upon the lips of
+<!-- page 14--><a name="page14"></a><span class="pagenum">p.
+14</span>men, and find an immortality, even for a few centuries,
+in their hearts?&nbsp; I know what answer healthy souls have made
+in every age to that question; and what they will make to the
+end, as long as the respect of their fellow-creatures is, as our
+Creator meant that it should be, precious to virtuous men.&nbsp;
+And let none talk of &lsquo;the play-game of a painted
+stone,&rsquo; of &lsquo;the worthless honours of a
+bust.&rsquo;&nbsp; The worth of honour lies in that same
+worthlessness.&nbsp; Fair money wage for fair work done, no wise
+man will despise.&nbsp; But that is pay, not honour; the very
+preciousness whereof&mdash;like the old victor&rsquo;s parsley
+crown in the Greek games&mdash;is that it had no value, gave no
+pleasure, save that which is imperishable, spiritual, and not to
+be represented by gold nor quintessential diamond.</p>
+<p>Therefore, to me at least, the Abbey speaks, not of vanity and
+disappointment, but of content and peace.</p>
+<blockquote><p>The quiet now and silent sprites</p>
+</blockquote>
+<p>of whom old Christolero sings, they are content; and well for
+them that they should be.&nbsp; They have received their
+nation&rsquo;s thanks, and ask no more, save to lie there in
+peace.&nbsp; They have had justice done them; and more than one
+is there, who had scant justice done him while alive.&nbsp; Even
+Castlereagh is there, in spite of Byron&rsquo;s and of
+Shelley&rsquo;s scorn.&nbsp; It may be that they too have found
+out ere now, that there he ought <!-- page 15--><a
+name="page15"></a><span class="pagenum">p. 15</span>to be.&nbsp;
+The nation has been just to him who, in such wild times as the
+world had not seen for full three hundred years, did his duty
+according to his light, and died in doing it; and his sad noble
+face looks down on Englishmen as they go by, not with reproach,
+but rather with content.</p>
+<p>Content, I say, and peace.&nbsp; Peace from their toil, and
+peace with their fellow-men.&nbsp; They are at least at
+rest.&nbsp; <i>Obdormierunt in pace</i>.&nbsp; They have fallen
+asleep in peace.&nbsp; The galled shoulder is freed from the
+collar at last.&nbsp; The brave old horse has done his stage and
+lain down in the inn.&nbsp; There are no more mistakes now, no
+more sores, no more falls; and no more whip, thank God, laid on
+too often when it was least needed and most felt.</p>
+<p>And there are no more quarrels, too.&nbsp; Old personal feuds,
+old party bickerings, old differences of creed, and hatreds in
+the name of the God of love&mdash;all those are past, in that
+world of which the Abbey is to me a symbol and a sacrament.&nbsp;
+Pitt and Fox, Warren Hastings and Macaulay, they can afford to be
+near to each other in the Abbey; for they understand each other
+now elsewhere; and the Romish Abbot&rsquo;s bones do not stir in
+their grave beside the bones of the Protestant Divine whom he, it
+may be, would have burned alive on earth.</p>
+<p>In the south aisle of Henry the VIIth&rsquo;s Chapel lies in
+royal pomp she who so long was Britain&rsquo;s <!-- page 16--><a
+name="page16"></a><span class="pagenum">p.
+16</span>bane&mdash;&lsquo;the daughter of debate, who discord
+still did sow&rsquo;&mdash;poor Mary Queen of Scots.&nbsp; But
+English and Scots alike have forgotten the streams of noble blood
+she cost their nations; and look sadly and pityingly upon her
+effigy&mdash;why not?</p>
+<blockquote><p>Nothing is left of her<br />
+Now but pure womanly.</p>
+</blockquote>
+<p>And in the corresponding aisle upon the north, in a like
+tomb&mdash;which the voice of the English people demanded from
+the son of Mary Stuart&mdash;lies even a sadder figure
+still&mdash;poor Queen Elizabeth.&nbsp; To her indeed, in her
+last days, Vanity of vanities&mdash;all was vanity.&nbsp;
+Tyrone&rsquo;s rebellion killed her.&nbsp; &lsquo;This fruit have
+I of all my labours which I have taken under the
+sun&rsquo;&mdash;and with a whole book of Ecclesiastes written on
+her mighty heart, the old crowned lioness of England coiled
+herself up in her lair, refused food, and died, and took her
+place henceforth opposite to her &lsquo;dear cousin&rsquo; whom
+she really tried to save from herself&mdash;who would have slain
+her if she could, and whom she had at last, in obedience to the
+voice of the people of England, to slay against her will.&nbsp;
+They have made up that quarrel now.</p>
+<p>Ay, and that tomb is the sacred symbol of a reconciliation
+even more pathetic and more strange.&nbsp; Elizabeth
+lies&mdash;seemingly by her own desire&mdash;in the same vault as
+her own sister, Mary Tudor.&nbsp; &lsquo;Bloody <!-- page 17--><a
+name="page17"></a><span class="pagenum">p. 17</span>Mary,&rsquo;
+now, no more.&nbsp; James the First, who had no love for either
+of them, has placed at the head of the monument &lsquo;two
+lines,&rsquo; as has been well said, &lsquo;full of a far deeper
+feeling than we should naturally have ascribed to
+him&rsquo;&mdash;</p>
+<p>&lsquo;Fellows in the kingdom, and in the tomb, Here we sleep;
+Mary and Elizabeth the sisters; in hope of the
+resurrection.&rsquo;</p>
+<p>I make no comment on those words; or on that double
+sepulchre.&nbsp; But did I not say well, that the great Abbey was
+a place of peace&mdash;a place to remind hardworked, purblind,
+and often, alas! embittered souls&mdash;</p>
+<blockquote><p>For Mother Earth she gathers all<br />
+Into her bosom, great and small.<br />
+Ah! could we look into her face,<br />
+We should not shrink from her embrace.</p>
+</blockquote>
+<p>Yes, all old misunderstandings are cleared up by now in that
+just world wherein all live to God.&nbsp; They live to God; and
+therefore the great Abbey is to me awful indeed, but never
+sad.&nbsp; Awful it ought to be, for it is a symbol of both
+worlds, the seen and the unseen; and of the veil, as thin as
+cobweb, yet opaque as night, which parts the two.&nbsp; Awful it
+is; and ought to be&mdash;like that with which it grew&mdash;the
+life of a great nation, growing slowly to manhood, as all great
+nations grow, through ignorance <!-- page 18--><a
+name="page18"></a><span class="pagenum">p. 18</span>and
+waywardness, often through sin and sorrow; hewing onward a
+devious track through unknown wildernesses; and struggling,
+victorious, though with bleeding feet, athwart the tangled woods
+and thorny brakes of stern experience.</p>
+<p>Awful it is; and should be.&nbsp; And, therefore, I at least
+do not regret that its very form, outside, should want those
+heaven-pointing spires, that delicate lightness, that airy
+joyousness, of many a foreign cathedral&mdash;even of our own
+Salisbury and Lichfield.&nbsp; You will see in its outer shape
+little, if any, of that type of architecture which was, as I
+believe, copied from scenery with which you, as Americans, must
+be even more familiar than were the medi&aelig;val architects who
+travelled through the German forests and across the Alps to
+Rome.&nbsp; True, we have our noble high-pitched snow-roof.&nbsp;
+Our architect, like the rest, had seen the mountain ranges jut
+black and bare above the snows of winter.&nbsp; He had seen those
+snows slip down in sheets, rush down in torrents from the sun,
+off the steep slabs of rock which coped the hill-side; and he,
+like the rest, has copied in that roof, for use as well as
+beauty, the mountain rocks.</p>
+<p>But he has not, as many another medi&aelig;val architect has
+done, decked his roofs as Nature has decked hers, with the spruce
+and fir-tree spires, which cling to the hill-side of the crag,
+old above young, pinnacle above pinnacle, whorl above whorl; and
+clothed with <!-- page 19--><a name="page19"></a><span
+class="pagenum">p. 19</span>them the sides and summit of the
+stone mountain which he had raised, till, like a group of firs
+upon an isolated rock, every point of the building should seem in
+act to grow toward heaven, and the grey leads of the Minster roof
+stand out amid peaks and turrets rich with carven foliage, as the
+grey rocks stand out of the prim&aelig;val woods.</p>
+<p>That part of the medi&aelig;val builder&rsquo;s task was left
+unfinished, and indeed hardly attempted, by our Westminster
+architects, either under Henry III., Edward I., or Henry V.</p>
+<p>Their Minster is grand enough by grave height and severe
+proportion; and he who enters stooping under that low-browed arch
+of the north door, beneath the beetling crag of weatherworn and
+crumbling stone, may feel like one who, in some old northern
+fairy tale, enters a cave in some lone mountain side where trolls
+and dragons guard the hoards of buried kings.</p>
+<p>And awful it is, and should be still, inside; under that
+vaulted roof a hundred feet above, all more mysterious and more
+huge, and yet more soft, beneath the murky London air.</p>
+<p>But sad I cannot call it.&nbsp; Nor, I think, would you feel
+it sad, when you perceive how richly successive architects have
+squandered on it the treasures of their fancy; and made it, so
+they say, perhaps the most splendid specimen in the world of one
+of those stone <!-- page 20--><a name="page20"></a><span
+class="pagenum">p. 20</span>forests, in which the men of old
+delighted to reproduce those leafy minsters which God, not man,
+has built; where they sent the columns aloft like the boles of
+giant trees, and wreathed their capitals, sometimes their very
+shafts, with vines and flowers; and decked with foliage and with
+fruit the bosses above and the corbels below; and sent up out of
+those corbels upright shafts along the walls, in likeness of the
+trees which sprang out of the rocks above their head; and raised
+those walls into great cliffs; and pierced those cliffs with the
+arches of the triforium, as with wild creatures&rsquo; caves or
+hermits&rsquo; cells; and represented in the horizontal
+string-courses and window-sills the strata of the rocks; and
+opened the windows into wide and lofty glades, broken, as in the
+forest, by the tracery of stems and boughs, through which were
+seen, not only the outer, but the upper world.&nbsp; For they
+craved&mdash;as all true artists crave&mdash;for light and
+colour; and had the sky above been one perpetual blue, they might
+have been content with it, and left their glass
+transparent.&nbsp; But in our dark dank northern clime, rain and
+snowstorm, black cloud and grey mist, were all that they were
+like to see outside for six months in the year.&nbsp; So they
+took such light and colour as nature gave in her few gayer moods,
+and set aloft in their stained glass windows the hues of the
+noonday and of the sunset, and the purple of the heather, and the
+gold of the gorse, and <!-- page 21--><a name="page21"></a><span
+class="pagenum">p. 21</span>the azure of the bugloss, and the
+crimson of the poppy; and among them, in gorgeous robes, the
+angels and the saints of heaven, and the memories of heroic
+virtues and heroic sufferings, that they might lift up the eyes
+and hearts of men for ever out of the dark sad world of the cold
+north, with all its coarsenesses and its crimes, towards a realm
+of perpetual holiness, amid a perpetual summer of beauty and of
+light: as one who, from between the black jaws of a narrow glen,
+or from beneath the black shade of gigantic trees, catches a
+glimpse of far lands gay with gardens and cottages; and purple
+mountain ranges; and the far-off sea; and the hazy horizon
+melting into the hazy sky; and finds his soul led forth into an
+infinite, at once of freedom and repose.</p>
+<p>Awful, and yet not sad; at least to one who is reminded by it,
+even in its darkest winter&rsquo;s gloom, of the prim&aelig;val
+tropic forest at its two most exquisite moments&mdash;its too
+brief twilight, and its too swift dawn.</p>
+<p>Awful, and yet not sad; at least to an Englishman, while right
+and left are ranged the statues, the busts, the names, the deeds,
+of men who have helped, each in his place, to make my country,
+and your country too, that which they are.</p>
+<p>For am I not in goodly company?&nbsp; Am I not in very deed
+upon my best behaviour? among my betters? and at court?&nbsp;
+Among men before whom I <!-- page 22--><a name="page22"></a><span
+class="pagenum">p. 22</span>should have been ashamed to say or do
+a base or foolish thing?&nbsp; Among men who have taught me, have
+ennobled me, though they lived centuries since?&nbsp; Men whom I
+should have loved had I met them on earth?&nbsp; Men whom I may
+meet yet, and tell them how I love them, in some other
+world?&nbsp; Men, too, whom I might have hated, and who might
+have hated me, had we met on this poor piecemeal earth; but whom
+I may learn to regard with justice and with charity in the world
+where all shall know, even as they are known?&nbsp; Men,
+too&mdash;alas! how fast their number grows&mdash;whom I have
+known, have loved, and lost too soon; and all gleaming out of the
+gloom, as every image of the dead should do, in pure white
+marble, as if purged from earthly taint?&nbsp; To them,
+too&mdash;</p>
+<blockquote><p>Nothing is left of them<br />
+Now but pure manly.</p>
+</blockquote>
+<p>Yes, while their monuments remind me that they are not dead,
+but living&mdash;for all live to God&mdash;then awed I am, and
+humbled; better so: but sad I cannot be in such grand
+company.</p>
+<p>I said, the men who helped to make my country, and yours
+too.&nbsp; It would be an impertinence in me to remind most of
+you of that.&nbsp; You know as well as I that you are represented
+just as much as the English people, by every monument in that
+<!-- page 23--><a name="page23"></a><span class="pagenum">p.
+23</span>Abbey earlier than the Civil Wars, and by most monuments
+of later date, especially by those of all our literary men.&nbsp;
+You know that, and you value the old Abbey accordingly.&nbsp; But
+a day may come&mdash;a generation may come, in a nation so
+rapidly increasing by foreign immigration, as well as by
+home-born citizenship&mdash;a generation may come who will forget
+that fact; and orators arise who will be glad that it should be
+forgotten&mdash;for awhile.&nbsp; But if you would not that that
+evil day should come then teach your children&mdash;That the
+history and the freedom of America began neither with the War of
+Independence, nor with the sailing of the Pilgrim Fathers, nor
+with the settlement of Virginia; but 1500 years and more before,
+in the days when our common Teutonic ancestors, as free then as
+this day, knew how</p>
+<blockquote><p>In den Deutschen Forsten<br />
+Wie der Aar zu horsten,</p>
+</blockquote>
+<p>when Herman smote the Romans in the Teutoburger-Wald, and the
+great C&aelig;sar wailed in vain to his slain general,
+&lsquo;Varus, give me back my legions!&rsquo;&nbsp; Teach your
+children that the Congress which sits at Washington is as much
+the child of Magna Charta as the Parliament which sits at
+Westminster; and that when you resisted the unjust demands of an
+English king and council, you did but that which the <!-- page
+24--><a name="page24"></a><span class="pagenum">p. 24</span>free
+commons of England held the right to do, and did, not only after,
+but before, the temporary tyranny of the Norman kings.</p>
+<p>Show them the tombs of English kings; not of those Norman
+kings&mdash;no Norman king lies buried in our Abbey&mdash;there
+is no royal interment between Edward the Confessor, the last
+English prince of Cerdic&rsquo;s house, and Henry the Third, the
+first of the new English line of kings.&nbsp; Tell them, in
+justice to our common forefathers, that those men were no
+tyrants, but <i>kings</i>, who swore to keep, and for the most
+part did keep, like loyal gentlemen, the ancient English laws,
+which they had sworn in Westminster Abbey to maintain; and that
+the few of them who persisted in outraging the rights or the
+conscience of the free people of England, paid for their perjury
+with their crowns, or with their lives.&nbsp; And tell them, too,
+in justice to our common ancestors, that there were never wanting
+to the kings, the nobles, or the commons of England, since the
+days when Simon de Montfort organised the House of Commons in
+Westminster Hall, on the 2nd of May, 1258&mdash;there were never
+wanting, I say, to the kings, the nobles, or the commons of
+England, counsellors who dared speak the truth and defend the
+right, even at the risk of their own goods and their own
+lives.</p>
+<p>Remind them, too&mdash;or let our monuments remind <!-- page
+25--><a name="page25"></a><span class="pagenum">p.
+25</span>them&mdash;that even in the worst times of the War of
+Independence, there were not wanting, here in England, statesmen
+who dared to speak out for justice and humanity; and that they
+were not only confessed to be the leading men of their own day,
+but the very men whom England delighted to honour by places in
+her Pantheon.&nbsp; Show them the monuments of Chatham, Pitt, and
+Fox&mdash;Burke sleeps in peace elsewhere&mdash;and remind them
+that the great earl, who literally died as much in your service
+as in ours, whose fiery invectives against the cruelties of that
+old war are, I am proud to say, still common-places for
+declamation among our English schoolboys, dared, even when all
+was at the worst, to tell the English House of
+Lords&mdash;&lsquo;If I were an American, as I am an Englishman,
+while a foreign troop was landed in my country, I never would lay
+down my arms&mdash;never, never, never!&rsquo;</p>
+<p>Yes&mdash;an American as well as an Englishman may find
+himself in the old Abbey in right good company.</p>
+<p>Yes&mdash;and I do not hesitate to say, that if you will look
+through the monuments erected in that Abbey, since those of Pitt
+and Fox&mdash;you will find that the great majority commemorate
+the children, not of obstruction, but of progress; not of
+darkness, but of light.</p>
+<p>Holland, Tierney, Mackintosh, Grattan, Peel, Canning,
+Palmerston, Isaac Watts, Bell, Wilberforce, Sharp, the Macaulays,
+Fowell Buxton, Francis Horner, <!-- page 26--><a
+name="page26"></a><span class="pagenum">p. 26</span>Charles
+Buller, Cobden, Watt, Rennell, Telford, Locke, Brunel, Grote,
+Thackeray, Dickens, Maurice&mdash;men who, each in his own way,
+toiled for freedom of some kind; freedom of race, of laws, of
+commerce, of locomotion, of production, of speech, of thought, of
+education, of human charity, and of sympathy&mdash;these are the
+men whom England still delights to honour; whose busts around our
+walls show that the ancient spirit is not dead, and that we, as
+you, are still, as 1500 years ago, the sons of freedom and of
+light.</p>
+<p>But, beside these statesmen who were just and true to you, and
+therefore to their native land, there lie men before whose
+monuments I would ask thoughtful Americans to pause&mdash;I mean
+those of our old fighters, by land and sea.&nbsp; I do not speak
+merely of those who lived before our Civil Wars, though they are
+indeed our common heritage.&nbsp; And when you look at the noble
+monuments of De Vere and Norris, the fathers of the English
+infantry, you should remember that your ancestors and mine, or
+that of any other Englishman, may have trailed pike and handled
+sword side by side under those very men, in those old wars of the
+Netherlands, which your own great historian, Mr. Motley, has so
+well described; or have sailed together to Cadiz fight, and to
+the Spanish Main, with Raleigh or with Drake.</p>
+<p>There are those, again, who did their duty two and three
+generations later&mdash;though one of the noblest of <!-- page
+27--><a name="page27"></a><span class="pagenum">p. 27</span>them
+all, old Admiral Blake, alas! lies we know not where&mdash;cast
+out, with Cromwell and his heroes, by the fanatics and sycophants
+of the Restoration&mdash;whom not only we, but Royalty itself,
+would now restore, could we recover their noble ashes, to their
+rightful resting-place.</p>
+<p>And these, if not always our common ancestors, were, often
+enough, our common cousins, as in the case of my own family, in
+which one brother was settling in New England, to found there a
+whole new family of Kingsleys while the other brother was
+fighting in the Parliamentary army, and helping to defeat Charles
+at Rowton Moor.</p>
+<p>But there is another class of warriors&rsquo; tombs, which I
+ask you, if ever you visit the Abbey, to look on with respect,
+and let me say, affection too.&nbsp; I mean the men who did their
+duty, by land and sea, in that long series of wars which,
+commencing in 1739, ended in 1783, with our recognition of your
+right and power to be a free and independent people.&nbsp; Of
+those who fought against you I say nought.&nbsp; But I must speak
+of those who fought for you&mdash;who brought to naught, by sheer
+hard blows, that family compact of the House of Bourbon, which
+would have been as dangerous to you upon this side of the ocean
+as to us upon the other; who smote with a continual stroke the
+trans-Atlantic power of Spain, till they placed her once vast and
+rich possessions at your mercy to <!-- page 28--><a
+name="page28"></a><span class="pagenum">p. 28</span>this day; and
+who&mdash;even more important still&mdash;prevented the French
+from seizing at last the whole valley of the Mississippi, and
+girdling your nascent dominion with a hostile frontier, from
+Louisiana round to the mouth of the St. Lawrence.</p>
+<p>When you see Wolfe&rsquo;s huge cenotaph, with its curious
+bronze bas-relief of the taking of the heights of Abraham, think,
+I pray you, that not only for England, but for you, the
+&lsquo;little red-haired corporal&rsquo; conquered and died.</p>
+<p>Remember, too, that while your ancestors were fighting well by
+land, and Washington and such as he were learning their lesson at
+Fort Duquesne and elsewhere better than we could teach them, we
+were fighting well where we knew how to fight&mdash;at sea.&nbsp;
+And when, near to Wolfe&rsquo;s monument, or in the Nave, you see
+such names as Cornwallis, Saumarez, Wager, Vernon&mdash;the
+conqueror of Portobello&mdash;Lord Aubrey Beauclerk, and so
+forth&mdash;bethink you that every French or Spanish ship which
+these men took, and every convoy they cut off, from Toulon to
+Carthagena, and from Carthagena to Halifax, made more and more
+possible the safe severance from England of the very Colonies
+which you were then helping us to defend.&nbsp; And then agree,
+like the generous-hearted people which you are, that if, in after
+years, we sinned against you&mdash;and how heavy were our sins, I
+know too well&mdash;there was a time, before those evil days,
+when <!-- page 29--><a name="page29"></a><span class="pagenum">p.
+29</span>we fought for you, and by your side, as the old lion by
+the young; even though, like the old lion and the young, we
+began, only too soon, tearing each other to pieces over the
+division of the prey.</p>
+<p>Nay, I will go further, and say this, paradoxical as it may
+seem:&mdash;When you enter the North Transept from St.
+Margaret&rsquo;s Churchyard you see on your right hand a huge but
+not ungraceful naval monument of white marble, inscribed with the
+names of Bayne, Blair, Lord Robert Manners&mdash;three commanders
+of Rodney&rsquo;s, in the crowning victory of April 12,
+1782&mdash;fought upon Tropic waters, over which I have sailed,
+flushed with the thought that my own grandfather was that day on
+board of Rodney&rsquo;s ship.</p>
+<p>Now do you all know what that day&rsquo;s great fight meant
+for you,&mdash;fought though it was, while you, alas! were still
+at war with us?&nbsp; It meant this.&nbsp; That that
+day&mdash;followed up, six months after, by Lord Howe&rsquo;s
+relief of Gibraltar&mdash;settled, I hold, the fate of the New
+World for many a year.&nbsp; True, in one sense, it was settled
+already.&nbsp; Cornwallis had already capitulated at York
+Town.&nbsp; But even then the old lion, disgraced, bleeding,
+fainting, ready to yield&mdash;but only to you, of his own kin
+and blood&mdash;struck, though with failing paw, two such
+tremendous blows at his old enemies, as deprived them thenceforth
+of any real power in the New World; precipitated that bankruptcy
+and ruin which issued in the French and <!-- page 30--><a
+name="page30"></a><span class="pagenum">p. 30</span>Spanish
+revolutions; and made certain, as I believe, the coming day when
+the Anglo-Saxon race shall be the real masters of the whole New
+World.</p>
+<p>Of poets and of men of letters I say nought.&nbsp; They are
+the heritage, neither of us, nor you, but of the human
+race.&nbsp; The mere man of letters may well sleep in the very
+centre of that busy civilisation from which he drew his
+inspiration: but not the poet&mdash;not, at least, the poet of
+these days.&nbsp; He goes not to the town, but nature, for his
+inspirations, and to nature when he dies he should return.&nbsp;
+Such men&mdash;artificial, and town-bred&mdash;however brilliant,
+or even grand at times&mdash;as Davenant, Dryden, Cowley,
+Congreve, Prior, Gay&mdash;sleep fitly in our care here.&nbsp;
+Yet even Pope&mdash;though one of such in style and
+heart&mdash;preferred the parish church of the then rural
+Twickenham, and Gray the lonely graveyard of Stoke Pogis.&nbsp;
+Ben Jonson has a right to lie with us.&nbsp; He was a townsman to
+the very heart, and a court-poet too.&nbsp; But Chaucer, Spenser,
+Drayton&mdash;such are, to my mind, out of place.&nbsp; Chaucer
+lies here, because he lived hard by.&nbsp; Spenser through bitter
+need and woe.&nbsp; But I should have rather buried Chaucer in
+some trim garden, Spenser beneath the forest aisles, and Drayton
+by some silver stream&mdash;each man&rsquo;s dust resting where
+his heart was set.&nbsp; Happier, it seems to me, are those who
+like Shakespeare, Wordsworth and Southey, Scott and Burns, lie
+far away, in scenes <!-- page 31--><a name="page31"></a><span
+class="pagenum">p. 31</span>they knew and loved; fulfilling
+Burke&rsquo;s wise choice: &lsquo;After all I had sooner sleep in
+the southern corner of a country churchyard than in the tomb of
+all the Capulets.&rsquo;</p>
+<p>Yes&mdash;these worthies, one and all, are a token that the
+Great Abbey, and all its memories of 800 years, does not belong
+to us alone, nor even to the British Empire alone and all its
+Colonies, but to America likewise!&nbsp; That when an American
+enters beneath that mighty shade, he treads on common and
+ancestral ground, as sacred to him as it is to us; the symbol of
+common descent, common development, common speech, common creed,
+common laws, common literature, common national interests, and I
+trust, of a common respect and affection, such as the wise can
+only feel toward the wise, and the strong toward the strong.</p>
+<p>Is all this sentiment?&nbsp; Remember what I said just now: by
+well-used sentiment, and well-used sorrow, great nations
+live.</p>
+<h2><!-- page 32--><a name="page32"></a><span class="pagenum">p.
+32</span>LECTURE II.<br />
+THE STAGE AS IT WAS ONCE.</h2>
+<p>What the Stage is now, I presume, all know.&nbsp; I am not
+myself a playgoer, but I am informed that, in Europe at least, it
+is not in a state to arouse any deep interest or respect in any
+cultivated or virtuous person.&nbsp; Meanwhile, keeping fast to
+my intention of talking to you only about things worthy of your
+interest and respect, because they are good, true, and beautiful,
+I wish to tell you what the Stage was once, in a republic of the
+past&mdash;what it may be again, I sometimes dream, in some
+republic of the future.</p>
+<p>Let me take you back in fancy some 2314 years&mdash;440 years
+before the Christian era, and try to sketch for you&mdash;alas!
+how clumsily&mdash;a great, though tiny people, in one of their
+greatest moments&mdash;in one of the greatest moments, it may be,
+of the human race.&nbsp; For surely it is a great and a rare
+moment for humanity, when all that is loftiest in it&mdash;when
+reverence for the Unseen powers, reverence for the heroic dead,
+reverence for the father-land; and that reverence, <!-- page
+33--><a name="page33"></a><span class="pagenum">p. 33</span>too,
+for self, which is expressed in stateliness and self-restraint,
+in grace and courtesy; when all these, I say, can lend
+themselves, even for a day, to the richest enjoyment of
+life&mdash;to the enjoyment of beauty in form and sound, and of
+relaxation, not brutalizing, but ennobling.</p>
+<p>Rare, alas! have such seasons been in the history of poor
+humanity.&nbsp; But when they have come, they have lifted it up
+one stage higher thenceforth.&nbsp; Men, having been such once,
+may become such again; and the work which such times have left
+behind them becomes immortal.</p>
+<blockquote><p>A thing of beauty is a joy for ever.</p>
+</blockquote>
+<p>Let me take you to the then still unfinished theatre of
+Athens, hewn out of the limestone rock on the south-east slope of
+the Acropolis.</p>
+<p>Above are the new marble buildings of the Parthenon, rich with
+the statues and bas-reliefs of Phidias and his scholars, gleaming
+white against the blue sky, with the huge bronze statue of
+Athen&eacute; Promachos, fifty feet in height, towering up among
+the temples and colonnades.&nbsp; In front, and far below, gleams
+the blue sea, and Salamis beyond.</p>
+<p>And there are gathered the people of Athens&mdash;50,000 of
+them, possibly, when the theatre was complete and full.&nbsp; If
+it be fine, they all wear garlands <!-- page 34--><a
+name="page34"></a><span class="pagenum">p. 34</span>on their
+heads.&nbsp; If the sun be too hot, they wear wide-brimmed straw
+hats.&nbsp; And if a storm comes on, they will take refuge in the
+porticos beneath; not without wine and cakes, for what they have
+come to see will last for many an hour, and they intend to feast
+their eyes and ears from sunrise to sunset.&nbsp; On the highest
+seats are slaves and freedmen, below them the free citizens; and
+on the lowest seats of all are the dignitaries of the
+republic&mdash;the priests, the magistrates, and the other
+&chi;&alpha;&lambda;&omicron;&#8054;
+&chi;&#7936;&gamma;&alpha;&theta;&omicron;&#8054;&mdash;the fair
+and good men&mdash;as the citizens of the highest rank were
+called, and with them foreign ambassadors and distinguished
+strangers.&nbsp; What an audience&mdash;the rapidest, subtlest,
+wittiest, down to the very cobblers and tinkers, the world has
+ever seen.&nbsp; And what noble figures on those front seats;
+Pericles, with Aspasia beside him, and all his
+friends&mdash;Anaxagoras the sage, Phidias the sculptor, and many
+another immortal artist; and somewhere among the free citizens,
+perhaps beside his father Sophroniscus the sculptor, a short,
+square, pugnosed boy of ten years old, looking at it all with
+strange eyes&mdash;&lsquo;who will be one day,&rsquo; so said the
+Pythoness at Delphi, &lsquo;the wisest man in
+Greece&rsquo;&mdash;sage, metaphysician, humourist, warrior,
+patriot, martyr&mdash;for his name is <i>Socrates</i>.</p>
+<p>All are in their dresses of office; for this is not merely a
+day of amusement, but of religious ceremony; sacred to
+Dionysos&mdash;Bacchus, the inspiring <!-- page 35--><a
+name="page35"></a><span class="pagenum">p. 35</span>god, who
+raises men above themselves, for good&mdash;or for evil.</p>
+<p>The evil, or at least the mere animal aspect of that
+inspiration, was to be seen in forms grotesque and sensuous
+enough in those very festivals, when the gayer and coarser part
+of the population, in town and country, broke out into frantic
+masquerade, of which that silly carnival of Rome is perhaps the
+last paltry and unmeaning relic.&nbsp; &lsquo;When,&rsquo; as the
+learned O. M&uuml;ller says, &lsquo;the desire of escaping from
+self into something new and strange, of living in an imaginary
+world, broke forth in a thousand ways; not merely in revelry and
+solemn, though fantastic songs, but in a hundred disguises,
+imitating the subordinate beings&mdash;satyrs, pans, and nymphs,
+by whom the god was surrounded, and through whom life seemed to
+pass from him into vegetation, and branch off into a variety of
+beautiful or grotesque forms&mdash;beings who were ever present
+to the fancy of the Greeks, as a convenient step by which they
+could approach more nearly to the presence of the
+Divinity.&rsquo;&nbsp; But even out of that seemingly bare chaos,
+Athenian genius was learning how to construct, under Eupolis,
+Cratinus and Aristophanes, that elder school of comedy, which
+remains not only unsurpassed, but unapproachable, save by
+Rabelais alone, as the ideal cloudland of masquerading wisdom, in
+which the whole universe goes mad&mdash;but with a subtle method
+in its madness.</p>
+<p><!-- page 36--><a name="page36"></a><span class="pagenum">p.
+36</span>Yes, so it has been, under some form or other, in every
+race and clime&mdash;ever since Eve ate of the magic fruit, that
+she might be as a god, knowing good and evil, and found, poor
+thing, as most have since, that it was far easier and more
+pleasant to know the evil than to know the good.&nbsp; But that
+theatre was built that men might know therein the good as well as
+the evil.&nbsp; To learn the evil, indeed, according to their
+light, and the sure vengeance of At&eacute; and the Furies which
+tracks up the evil-doer.&nbsp; But to learn also the
+good&mdash;lessons of piety, patriotism, heroism, justice, mercy,
+self-sacrifice, and all that comes out of the hearts of men and
+women not dragged <i>below</i>, but raised <i>above</i>
+themselves; and behind all&mdash;at least in the nobler and
+earlier tragedies of &AElig;schylus and Sophocles, before
+Euripides had introduced the tragedy of mere human passion; that
+sensation tragedy, which is the only one the world knows now, and
+of which the world is growing rapidly tired&mdash;behind all, I
+say, lessons of the awful and unfathomable mystery of human
+existence, of unseen destiny; of that seemingly capricious
+distribution of weal and woe, to which we can find no solution on
+this side the grave, for which the old Greek could find no
+solution whatsoever.</p>
+<p>Therefore there was a central object in the old Greek theatre,
+most important to it, but which does not exist in our theatres,
+and did not in the old <!-- page 37--><a name="page37"></a><span
+class="pagenum">p. 37</span>Roman; because our tragedies, like
+the Roman, are mere plays concerning love, murder, and so forth,
+while the Greek were concerning the deepest relations of man to
+the Unseen.</p>
+<p>The almost circular orchestra, or pit, between the benches and
+the stage, was empty of what we call spectators&mdash;because it
+was destined for the true and ideal spectators&mdash;the
+representatives of humanity; in its centre was a round platform,
+the &theta;&upsilon;&mu;&epsilon;&lambda;&eta;&mdash;originally
+the altar of Bacchus&mdash;from which the leader of these
+representatives, the leader of the Chorus, could converse with
+the actors on the stage and take his part in the drama; and round
+this thymel&eacute; the Chorus ranged, with measured dance and
+song, chanting, to the sound of a simple flute, odes such as the
+world had never heard before or since, save perhaps in the
+temple-worship at Jerusalem.&nbsp; A chorus now, as you know,
+means merely any number of persons singing in full harmony on any
+subject.&nbsp; The Chorus was then in tragedy, and indeed in the
+higher comedy, what Schlegel well calls &lsquo;the ideal
+spectator,&rsquo;&mdash;a personified reflection on the action
+going on, the incorporation into the representation itself of the
+sentiments of the poet, as the spokesman of the whole human
+race.&nbsp; He goes on to say (and I think truly), &lsquo;that
+the Chorus always retained among the Greeks a peculiar national
+signification, publicity being, according to <!-- page 38--><a
+name="page38"></a><span class="pagenum">p. 38</span>their
+republican notions, essential to the completeness of every
+important transaction.&rsquo;&nbsp; Thus the Chorus represented
+idealised public opinion: not of course, the shifting, hasty
+public opinion of the moment&mdash;to that it was a conservative
+check, and it calmed to soberness and charity&mdash;for it was
+the matured public opinion of centuries; the experience, and
+usually the sad experience, of many generations; the very spirit
+of the Greek race.</p>
+<p>The Chorus might be composed of what the poet would.&nbsp; Of
+ancient citizens, waiting for their sons to come back from the
+war, as in the <i>Agamemnon</i> of &AElig;schylus; of sea-nymphs,
+as in his <i>Prometheus Bound</i>; even of the very Furies who
+hunt the matricide, as in his <i>Eumenides</i>; of Senators as in
+the <i>Antigone</i> of Sophocles; or of village farmers as in his
+<i>&OElig;dipus at Colonos</i>&mdash;and now I have named five of
+the greatest poems, as I hold, written by mortal man till Dante
+rose.&nbsp; Or it may be the Chorus was composed&mdash;as in the
+comedies of Aristophanes, the greatest humourist the world has
+ever seen&mdash;of birds, or of frogs, or even of clouds.&nbsp;
+It may rise to the level of Don Quixote, or sink to that of
+Sancho Panza; for it is always the incarnation of such wisdom,
+heavenly or earthly, as the poet wishes the people to bring to
+bear on the subject-matter!</p>
+<p>But let the poets themselves, rather than me, speak
+awhile.&nbsp; Allow me to give you a few specimens of <!-- page
+39--><a name="page39"></a><span class="pagenum">p. 39</span>these
+choruses&mdash;the first as an example of that practical, and yet
+surely not un-divine wisdom, by which they supplied the place of
+our modern preacher, or essayist, or didactic poet.</p>
+<p>Listen to this of the old men&rsquo;s chorus in the
+<i>Agamemnon</i>, in the spirited translation of my friend
+Professor Blackie:&mdash;</p>
+<blockquote><p>&nbsp;&nbsp;&nbsp;&rsquo;Twas said of old, and
+&rsquo;tis said to-day,<br />
+&nbsp;&nbsp; That wealth to prosperous stature grown<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Begets a birth of its own:<br />
+&nbsp;&nbsp; That a surfeit of evil by good is prepared,<br />
+&nbsp;&nbsp; And sons must bear what allotment of woe<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Their sires were spared.<br />
+&nbsp;&nbsp; But this I refuse to believe: I know<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; That impious deeds conspire<br />
+&nbsp;&nbsp; To beget an offspring of impious deeds<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Too like their ugly sire.<br />
+But whoso is just, though his wealth like a river<br />
+Flow down, shall be scathless: his house shall rejoice<br />
+&nbsp;&nbsp; In an offspring of beauty for ever.</p>
+<p>&nbsp;&nbsp;&nbsp;The heart of the haughty delights to
+beget<br />
+&nbsp;&nbsp; A haughty heart.&nbsp; From time to time<br />
+&nbsp;&nbsp; In children&rsquo;s children recurrent appears<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The ancestral crime.<br />
+When the dark hour comes that the gods have decreed<br />
+And the Fury burns with wrathful fires,<br />
+&nbsp;&nbsp; A demon unholy, with ire unabated,<br />
+&nbsp;&nbsp; Lies like black night on the halls of the fated;<br
+/>
+&nbsp;&nbsp; And the recreant Son plunges guiltily on<br />
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; To perfect the guilt of his
+Sires.</p>
+<p><!-- page 40--><a name="page40"></a><span class="pagenum">p.
+40</span>But Justice shines in a lowly cell;<br />
+In the homes of poverty, smoke-begrimed,<br />
+With the sober-minded she loves to dwell.<br />
+&nbsp;&nbsp; But she turns aside<br />
+From the rich man&rsquo;s house with averted eye,<br />
+The golden-fretted halls of pride<br />
+Where hands with lucre are foul, and the praise<br />
+Of counterfeit goodness smoothly sways;<br />
+And wisely she guides in the strong man&rsquo;s despite<br />
+&nbsp;&nbsp; All things to an issue of <span
+class="smcap">right</span>.</p>
+</blockquote>
+<p>Let me now give you another passage from the
+<i>Eumenides</i>&mdash;or <i>Furies</i>, of &AElig;schylus.</p>
+<p>Orestes, prince of Argos, you must remember, has avenged on
+his mother Clytemnestra the murder of his father, king Agamemnon,
+on his return from Troy.&nbsp; Pursued by the Furies, he takes
+refuge in the temple of Apollo at Delphi, and then, still
+Fury-haunted, goes to Athens, where Pallas Athen&eacute; the
+warrior-maiden, the tutelary goddess of Athens, bids him refer
+his cause to the Areopagus, the highest court of Athens, Apollo
+acting as his advocate, and she sitting as umpire in the
+midst.&nbsp; The white and black balls are thrown into the urn,
+and are equal; and Orestes is only delivered by the decision of
+Athen&eacute;&mdash;as the representative of the nearer race of
+gods, the Olympians, the friends of man, in whose likeness man is
+made.&nbsp; The Furies are the representatives of the older and
+darker creed&mdash;which yet has a depth of <!-- page 41--><a
+name="page41"></a><span class="pagenum">p. 41</span>truth in
+it&mdash;of the irreversible dooms which underlie all nature; and
+which represent the <i>Law</i>, and not the Gospel, the
+consequence of the mere act, independent of the spirit which has
+prompted it.</p>
+<p>They break out in fury against the overbearing arrogance of
+these younger gods.&nbsp; Athen&eacute; bears their rage with
+equanimity, addresses them in the language of kindness, even of
+veneration, till these so indomitable beings are unable to
+withstand the charm of her mild eloquence.&nbsp; They are to have
+a sanctuary in the Athenian land, and to be called no more Furies
+(Erinnys), but Eumenides&mdash;the
+<i>well-conditioned</i>&mdash;the kindly goddesses.&nbsp; And all
+ends with a solemn procession round the orchestra, with hymns of
+blessing, while the terrible Chorus of the Furies, clothed in
+black, with blood-stained girdles, and serpents in their hair, in
+masks having perhaps somewhat of the terrific beauty of
+Medusa-masks, are convoyed to their new sanctuary by a procession
+of children, women, and old men in purple robes and torches in
+their hands, after Athen&eacute; and the Furies have sung, in
+response to each other, a chorus from which I must beg leave to
+give you an extract or two.</p>
+<blockquote><p style="text-align: center"><i>Eldest Fury</i>
+(<i>Leader of the Chorus</i>).</p>
+<p>Far from thy dwelling, and far from thy border,<br />
+By the grace of my godhead benignant I order<br />
+The blight which may blacken the bloom of the trees.<br />
+Far from thy border, and far from thy dwelling,<br />
+<!-- page 42--><a name="page42"></a><span class="pagenum">p.
+42</span>Be the hot blast which shrivels the bud in its
+swelling,<br />
+The seed-rotting taint, and the creeping disease.<br />
+Thy flocks be still doubled, thy seasons be steady,<br />
+And when Hermes is near thee, thy hand be still ready<br />
+&nbsp;&nbsp; The Heaven-dropt bounty to seize.</p>
+<p style="text-align: center"><i>Athen&eacute;</i>.</p>
+<p>Hear her words, my city&rsquo;s warders&mdash;<br />
+Fraught with blessings, she prevaileth<br />
+With Olympians and Infernals,<br />
+Dread Erinnys much revered.<br />
+Mortal faith she guideth plainly<br />
+To what goal she pleaseth, sending<br />
+Songs to some, to others days<br />
+With tearful sorrows dulled.</p>
+<p style="text-align: center"><i>Furies</i>.</p>
+<p>&nbsp;&nbsp;&nbsp;Far from thy border<br />
+&nbsp;&nbsp; The lawless disorder<br />
+That sateless of evil shall reign;<br />
+&nbsp;&nbsp; Far from thy dwelling,<br />
+&nbsp;&nbsp; The dear blood welling,<br />
+That taints thine own hearth with the slain.<br />
+&nbsp;&nbsp; When slaughter from slaughter<br />
+&nbsp;&nbsp; Shall flow like the water,<br />
+And rancour from rancour shall grow.<br />
+&nbsp;&nbsp; But joy with joy blending,<br />
+&nbsp;&nbsp; Live, each to all lending;<br />
+And hating one-hearted the foe.<br />
+&nbsp;&nbsp; When bliss hath departed;<br />
+&nbsp;&nbsp; From love single-hearted,<br />
+A fountain of healing shall flow.</p>
+<p style="text-align: center"><!-- page 43--><a
+name="page43"></a><span class="pagenum">p.
+43</span><i>Athen&eacute;</i>.</p>
+<p>Wisely now the tongue of kindness<br />
+Thou hast found, the way of love.<br />
+And these terror-speaking faces<br />
+Now look wealth to me and mine.<br />
+Her so willing, ye more willing,<br />
+Now receive.&nbsp; This land and city,<br />
+On ancient right securely throned,<br />
+Shall shine for evermore.</p>
+<p style="text-align: center"><i>Furies</i>.</p>
+<p>Hail, and all hail, mighty people, be greeted,<br />
+On the sons of Athena shines sunshine the clearest.<br />
+Blest people, near Jove the Olympian seated.<br />
+And dear to the maiden his daughter the dearest.<br />
+Timely wise &rsquo;neath the wings of the daughter ye gather,<br
+/>
+And mildly looks down on her children the Father.</p>
+</blockquote>
+<p>Those of you here who love your country as well as the old
+Athenians loved theirs, will feel at once the grand political
+significance of such a scene, in which patriotism and religion
+become one&mdash;and feel, too, the exquisite dramatic effect of
+the innocent, the weak, the unwarlike, welcoming among them,
+without fear, because without guilt, those ancient snaky-haired
+sisters, emblems of all that is most terrible and most
+inscrutable, in the destiny of nations, of families, and of
+men:</p>
+<blockquote><p>To their hallowed habitations<br />
+&rsquo;Neath Ogygian earth&rsquo;s foundations<br />
+In that darksome hall<br />
+<!-- page 44--><a name="page44"></a><span class="pagenum">p.
+44</span>Sacrifice and supplication<br />
+Shall not fail.&nbsp; In adoration<br />
+Silent worship all.</p>
+</blockquote>
+<p>Listen again, to the gentler patriotism of a gentler poet,
+Sophocles himself.&nbsp; The village of Colonos, a mile from
+Athens, was his birthplace; and in his <i>&OElig;dipus
+Coloneus</i>, he makes his Chorus of village officials sing thus
+of their consecrated olive grove:</p>
+<blockquote><p>&nbsp;&nbsp;&nbsp;In good hap, stranger, to these
+rural seats<br />
+&nbsp;&nbsp; Thou comest, to this region&rsquo;s blest
+retreats,<br />
+&nbsp;&nbsp; Where white Colonos lifts his head,<br />
+&nbsp;&nbsp; And glories in the bounding steed.<br />
+Where sadly sweet the frequent nightingale<br />
+&nbsp;&nbsp; Impassioned pours his evening song,<br />
+And charms with varied notes each verdant vale,<br />
+&nbsp;&nbsp; The ivy&rsquo;s dark-green boughs among,<br />
+&nbsp;&nbsp; Or sheltered &rsquo;neath the clustering vine<br />
+&nbsp;&nbsp; Which, high above him form a bower,<br />
+&nbsp;&nbsp; Safe from the sun or stormy shower,<br />
+&nbsp;&nbsp; Where frolic Bacchus often roves,<br />
+And visits with his fostering nymphs the groves.</p>
+<p>&nbsp;&nbsp;&nbsp;Bathed in the dew of heaven each morn,<br />
+&nbsp;&nbsp; Fresh is the fair Narcissus born,<br />
+&nbsp;&nbsp; Of those great gods the crown of old;<br />
+&nbsp;&nbsp; The crocus glitters, robed in gold.<br />
+Here restless fountains ever murmuring glide,<br />
+&nbsp;&nbsp; And as their crisp&egrave;d streamlets play,<br />
+To feed, Cephisus, thine unfailing tide,<br />
+&nbsp;&nbsp; Fresh verdure marks their winding way.<br />
+&nbsp;&nbsp; Here oft to raise the tuneful song<br />
+&nbsp;&nbsp; The virgin band of Muses deigns,<br />
+And car-borne Aphrodite guides her golden reins.</p>
+</blockquote>
+<p><!-- page 45--><a name="page45"></a><span class="pagenum">p.
+45</span>Then they go on, this band of village elders, to praise
+the gods for their special gifts to that small Athenian
+land.&nbsp; They praise Pallas Athen&eacute;, who gave their
+forefathers the olive; then Poseidon&mdash;Neptune, as the Romans
+call him&mdash;who gave their forefathers the horse; and
+something more&mdash;the ship,&mdash;the horse of the sea, as
+they, like the old Norse Vikings after them, delighted to call
+it.&mdash;</p>
+<blockquote><p>Our highest vaunt is this&mdash;Thy grace,<br />
+&nbsp;&nbsp; Poseidon, we behold.<br />
+The ruling curb, embossed with gold,<br />
+Controls the courser&rsquo;s managed pace.<br />
+Though loud, oh king, thy billows roar,<br />
+Our strong hands grasp the labouring oar,<br />
+And while the Nereids round it play,<br />
+Light cuts our bounding bark its way.</p>
+</blockquote>
+<p>What a combination of fine humanities!&nbsp; Dance and song,
+patriotism and religion, so often parted among us, have flowed
+together into one in these stately villagers; each a small
+farmer; each a trained soldier, and probably a trained seaman
+also; each a self-governed citizen; and each a cultured
+gentleman, if ever there were gentlemen on earth.</p>
+<p>But what drama, doing, or action&mdash;for such is the meaning
+of the word&mdash;is going on upon the stage, to be commented on
+by the sympathizing Chorus?</p>
+<p>One drama, at least, was acted in Athens in that
+year&mdash;440 <span class="smcap">b.c.</span>&mdash;which you, I
+doubt not, know well&mdash;<!-- page 46--><a
+name="page46"></a><span class="pagenum">p. 46</span>that
+<i>Antigone</i> of Sophocles, which Mendelssohn has resuscitated,
+in our own generation, by setting it to music, divine indeed,
+though very different from the music to which it was set,
+probably by Sophocles himself, at its first, and for ought we
+know, its only representation.&nbsp; For pieces had not then, as
+now, a run of a hundred nights and more.&nbsp; The Athenian
+genius was so fertile, and the Athenian audience so eager for
+novelty, that new pieces were demanded, and were forthcoming, for
+each of the great festivals, and if a piece was represented a
+second time it was usually after an interval of some years.&nbsp;
+They did not, moreover, like the moderns, run every night to some
+theatre or other, as a part of the day&rsquo;s amusement.&nbsp;
+Tragedy, and even comedy, were serious subjects, calling out, not
+a passing sigh, or passing laugh, but all the higher faculties
+and emotions.&nbsp; And as serious subjects were to be expressed
+in verse and music, which gave stateliness, doubtless, even to
+the richest burlesques of Aristophanes, and lifted them out of
+mere street-buffoonery into an ideal fairy land of the grotesque,
+how much more stateliness must verse and music have added to
+their tragedy!&nbsp; And how much have we lost, toward a true
+appreciation of their dramatic art, by losing almost utterly not
+only the laws of their melody and harmony, but even the true
+metric time of their odes! music and metre, which must have
+surely been as noble as their poetry, their sculpture, their
+architecture, <!-- page 47--><a name="page47"></a><span
+class="pagenum">p. 47</span>possessed by the same exquisite sense
+of form and of proportion.&nbsp; One thing we can
+understand&mdash;how this musical form of the drama, which still
+remains to us in lower shapes, in the oratorio, in the opera,
+must have helped to raise their tragedies into that ideal sphere
+in which they all, like the <i>Antigone</i>, live and move.&nbsp;
+So ideal and yet so human; nay rather, truly ideal, because truly
+human.&nbsp; The gods, the heroes, the kings, the princesses of
+Greek tragedy were dear to the hearts of Greek republicans, not
+merely as the founders of their states, not merely as the
+tutelary deities, many of them, of their country: but as men and
+women like themselves, only more vast; with mightier wills,
+mightier virtues, mightier sorrows, and often mightier crimes;
+their inward free-will battling, as Schlegel has well seen,
+against outward circumstance and overruling fate, as every man
+should battle, unless he sink to be a brute.&nbsp; &lsquo;In
+tragedy,&rsquo; says Schlegel&mdash;uttering thus a deep and
+momentous truth&mdash;&lsquo;the gods themselves either come
+forward as the servants of destiny and mediate executors of its
+decrees, or approve themselves godlike only by asserting their
+liberty of action and entering upon the same struggles with fate
+which man himself has to encounter.&rsquo;&nbsp; And I believe
+this, that this Greek tragedy, with its godlike men and manlike
+gods, and heroes who had become gods by the very vastness of
+their humanity, was a preparation, and it may be a necessary
+preparation, <!-- page 48--><a name="page48"></a><span
+class="pagenum">p. 48</span>for the true Christian faith in a Son
+of man, who is at once utterly human and utterly divine.&nbsp;
+Man is made in the likeness of God&mdash;is the root-idea, only
+half-conscious, only half-expressed, but instinctive, without
+which neither the Greek Tragedies, nor the Homeric Poems, six
+hundred years before them, could have been composed.&nbsp;
+Doubtless the idea that man was like a god degenerated too often
+into the idea that the gods were like men, and as wicked.&nbsp;
+But that travestie of a great truth is not confined to those old
+Greeks.&nbsp; Some so-called Christian theories&mdash;as I
+hold&mdash;have sinned in that direction as deeply as the
+Athenians of old.</p>
+<p>Meanwhile, I say, that this long acquiescence in the
+conception of godlike struggle, godlike daring, godlike
+suffering, godlike martyrdom; the very conception which was so
+foreign to the mythologies of any other race&mdash;save that of
+the Jews, and perhaps of our own Teutonic forefathers&mdash;did
+prepare, must have prepared, men to receive as most rational and
+probable, as the satisfaction of their highest instincts, the
+idea of a Being in whom all those partial rays culminated in
+clear, pure light; of a Being at once utterly human and utterly
+divine; who by struggle, suffering, self-sacrifice, without a
+parallel, achieved a victory over circumstance and all the dark
+powers which beleaguer man without a parallel likewise.</p>
+<p>Take, as an example, the figure which you know <!-- page
+49--><a name="page49"></a><span class="pagenum">p.
+49</span>best&mdash;the figure of Antigone herself&mdash;devoting
+herself to be entombed alone, for the sake of love and
+duty.&nbsp; Love of a brother, which she can only prove, alas! by
+burying his corpse.&nbsp; Duty to the dead, an instinct depending
+on no written law, but springing out of the very depths of those
+blind and yet sacred monitions which prove that the true man is
+not an animal, but a spirit; fulfilling her holy purpose,
+unchecked by fear, unswayed by her sisters&rsquo;
+entreaties.&nbsp; Hardening her heart magnificently till her fate
+is sealed; and then after proving her godlike courage, proving
+the tenderness of her womanhood by that melodious wail over her
+own untimely death and the loss of marriage joys, which some of
+you must know from the music of Mendelssohn, and which the late
+Dean Milman has put into English thus&mdash;</p>
+<blockquote><p>Come, fellow-citizens, and see<br />
+The desolate Antigone.<br />
+On the last path her steps shall tread,<br />
+Set forth, the journey of the dead,<br />
+Watching, with vainly lingering gaze,<br />
+Her last, last sun&rsquo;s expiring rays,</p>
+<p>Never to see it, never more,<br />
+For down to Acheron&rsquo;s dread shore,<br />
+A living victim am I led<br />
+To Hades&rsquo; universal bed.<br />
+To my dark lot no bridal joys<br />
+Belong, nor e&rsquo;er the jocund noise<br />
+<!-- page 50--><a name="page50"></a><span class="pagenum">p.
+50</span>Of hymeneal chant shall sound for me,<br />
+But death, cold death, my only spouse shall be.</p>
+<p>Oh tomb!&nbsp; Oh bridal chamber!&nbsp; Oh deep-delved<br />
+And strongly-guarded mansion!&nbsp; I descend<br />
+To meet in your dread chambers all my kindred,<br />
+Who in dark multitudes have crowded down<br />
+Where Proserpine received the dead.&nbsp; But I,<br />
+The last, and oh how few more miserable,<br />
+Go down, or ere my sands of life are run.</p>
+</blockquote>
+<p>And let me ask you whether the contemplation of such a
+self-sacrifice should draw you, should have drawn those who heard
+the tale nearer to, or further from, a certain cross which stood
+on Calvary some 1800 years ago?&nbsp; May not the tale of
+Antigone heard from mother or from nurse have nerved ere now some
+martyr-maiden to dare and suffer in an even holier cause?</p>
+<p>But to return.&nbsp; This set purpose of the Athenian
+dramatists of the best school to set before men a magnified
+humanity, explains much in their dramas which seem to us at first
+not only strange but faulty.&nbsp; The masks which gave one grand
+but unvarying type of countenance to each well-known historic
+personage, and thus excluded the play of feature, animated
+gesture, and almost all which we now consider as
+&lsquo;acting&rsquo; proper; the thicksoled cothurni which gave
+the actor a more than human stature; the poverty (according to
+our notions) of the scenery, which usually represented <!-- page
+51--><a name="page51"></a><span class="pagenum">p.
+51</span>merely the front of a palace or other public place, and
+was often though not always unchanged during the whole
+performance; the total absence in fact, of anything like that
+scenic illusion which most managers of theatres seem now to
+consider as their highest achievement; the small number of the
+actors, two, or at most three only, being present on the stage at
+once,&mdash;the simplicity of the action, in which intrigue (in
+the play-house sense) and any complication of plot are utterly
+absent; all this must have concentrated not the eye of the
+spectator on the scene, but his ear upon the voice, and his
+emotions on the personages who stood out before him without a
+background, sharp-cut and clear as a group of statuary which is
+the same, place it where you will, complete in itself&mdash;a
+world of beauty, independent of all other things and beings save
+on the ground on which it needs must stand.&nbsp; It was the
+personage rather than his surroundings, which was to be impressed
+by every word on the spectator&rsquo;s heart and intellect; and
+the very essence of Greek tragedy is expressed in the still
+famous words of Medea&mdash;</p>
+<blockquote><p>Che resta?&nbsp; Io.</p>
+</blockquote>
+<p>Contrast this with the European drama&mdash;especially with
+the highest form of it&mdash;our own Elizabethan.&nbsp; It
+resembles, as has been often said in better words than mine, not
+statuary but painting.&nbsp; These dramas affect <!-- page
+52--><a name="page52"></a><span class="pagenum">p.
+52</span>colour, light, and shadow, background whether of town or
+country, description of scenery where scenic machinery is
+inadequate, all in fact, which can blend the action and the
+actors with the surrounding circumstances, without letting them
+altogether melt into the circumstances; which can show them a
+part of the great whole, by harmony or discord with the whole
+universe, down to the flowers beneath their feet.&nbsp; This,
+too, had to be done: how it became possible for even the genius
+of a Shakespeare to get it done, I may with your leave hint to
+you hereafter.&nbsp; Why it was not given to the Greeks to do it,
+I know not.</p>
+<p>Let us at least thank them for what they did.&nbsp; One work
+was given them, and that one they fulfilled as it had never been
+fulfilled before; as it will never need to be fulfilled again;
+for the Greeks&rsquo; work was done not for themselves alone but
+for all races in all times; and Greek Art is the heirloom of the
+whole human race; and that work was to assert in drama, lyric,
+sculpture, music, gymnastic, the dignity of man&mdash;the dignity
+of man which they perceived for the most part with their intense
+&aelig;sthetic sense, through the beautiful in man.&nbsp; Man
+with them was divine, inasmuch as he could perceive beauty and be
+beautiful himself.&nbsp; Beauty might be physical,
+&aelig;sthetic, intellectual, moral.&nbsp; But in proportion as a
+thing was perfect it revealed its own perfection by its
+beauty.&nbsp; Goodness itself was a form&mdash;though the highest
+form&mdash;of beauty.&nbsp;
+&Kappa;&alpha;&lambda;&omicron;&sigmaf; <!-- page 53--><a
+name="page53"></a><span class="pagenum">p. 53</span>meant both
+the physically beautiful and the morally good;
+&alpha;&#7984;&sigma;&chi;&rho;&#8056;&sigmaf; both the ugly and
+the bad.</p>
+<p>Out of this root-idea sprang the whole of that Greek
+sculpture, which is still, and perhaps ever will be, one of the
+unrivalled wonders of the world.</p>
+<p>Their first statues, remember, were statues of the gods.&nbsp;
+This is an historic fact.&nbsp; Before <span
+class="smcap">b.c.</span> 580 there were probably no statues in
+Greece save those of deities.&nbsp; But of what form?&nbsp; We
+all know that the usual tendency of man has been to represent his
+gods as more or less monstrous.&nbsp; Their monstrosity may have
+been meant, as it was certainly with the Mexican idols, and
+probably those of the Semitic races of Syria and Palestine, to
+symbolise the ferocious passions which they attributed to those
+objects of their dread, appeasable alone by human
+sacrifice.&nbsp; Or the monstrosity, as with the hawk-headed or
+cat-headed Egyptian idols, the winged bulls of Nineveh and
+Babylon, the many-handed deities of Hindostan&mdash;merely
+symbolised powers which could not, so the priest and the sculptor
+held, belong to mere humanity.&nbsp; Now, of such monstrous forms
+of idols, the records in Greece are very few and very
+ancient&mdash;relics of an older worship, and most probably of an
+older race.&nbsp; From the earliest historic period, the Greek
+was discerning more and more that the divine could be best
+represented by the human; the tendency of his statuary was more
+and more to honour that divine, by embodying it in the highest
+human beauty.</p>
+<p><!-- page 54--><a name="page54"></a><span class="pagenum">p.
+54</span>In lonely mountain shrines there still might linger,
+feared and honoured, dolls like those black virgins, of unknown
+antiquity, which still work wonders on the European
+continent.&nbsp; In the mysterious cavern of Phigalia, for
+instance, on the Eleatic shore of Peloponnese, there may have
+been in remote times&mdash;so the legend ran&mdash;an old black
+wooden image, a woman with a horse&rsquo;s head and mane, and
+serpents growing round her head, who held a dolphin in one hand
+and a dove in the other.&nbsp; And this image may have been
+connected with old nature-myths about the marriage of Demeter and
+Poseidon&mdash;that is, of encroachments of the sea upon the
+land; and the other myths of Demeter, the earth-mother, may have
+clustered round the place, till the Phigalians were
+glad&mdash;for it was profitable as well as honourable&mdash;to
+believe that in their cavern Demeter sat mourning for the loss of
+Proserpine, whom Pluto had carried down to Hades, and all the
+earth was barren till Zeus sent the Fates, or Iris, to call her
+forth, and restore fertility to the world.&nbsp; And it may be
+true&mdash;the legend as Pausanias tells it 600 years
+after&mdash;that the old wooden idol having been burnt, and the
+worship of Demeter neglected till a famine ensued, the
+Phigalians, warned by the Oracle of Delphi, hired Onatas, a
+contemporary of Polygnotus and Phidias, to make them a bronze
+replica of the old idol, from some old copy and from a dream of
+his own.&nbsp; The story may be <!-- page 55--><a
+name="page55"></a><span class="pagenum">p. 55</span>true.&nbsp;
+When Pausanias went thither, in the second century after Christ,
+the cave and the fountain, and the sacred grove of oaks, and the
+altar outside, which was to be polluted with the blood of no
+victim&mdash;the only offerings being fruits and honey, and
+undressed wool&mdash;were still there.&nbsp; The statue was
+gone.&nbsp; Some said it had been destroyed by the fall of the
+cliff; some were not sure that it had ever been there at
+all.&nbsp; And meanwhile Praxiteles had already brought to
+perfection (Paus. 1, 2, sec. 4) the ideal of Demeter,
+mother-like, as Her&eacute;&mdash;whom we still call Juno
+now&mdash;but softer-featured, and her eyes more closed.</p>
+<p>And so for mother earth, as for the rest, the best
+representation of the divine was the human.&nbsp; Now, conceive
+such an idea taking hold, however slowly, of a people of rare
+physical beauty, of acutest eye for proportion and grace, with
+opportunities of studying the human figure such as exist nowhere
+now, save among tropic savages, and gifted, moreover, in that as
+in all other matters, with that innate diligence, of which Mr.
+Carlyle has said, &lsquo;that genius is only an infinite capacity
+of taking pains,&rsquo; and we can understand somewhat of the
+causes which produced those statues, human and divine, which awe
+and shame the artificiality and degeneracy of our modern
+so-called civilisation&mdash;we can understand somewhat of the
+reverence for the human form, of the careful study of every line,
+the storing up for use each scattered fragment <!-- page 56--><a
+name="page56"></a><span class="pagenum">p. 56</span>of beauty of
+which the artist caught sight, even in his daily walks, and
+consecrating it in his memory to the service of him or her whom
+he was trying to embody in marble or in bronze.&nbsp; And when
+the fashion came in of making statues of victors in the games,
+and other distinguished persons, a new element was introduced,
+which had large social as well as artistic results.&nbsp; The
+sculptor carried his usual reverence into his careful delineation
+of the victor&rsquo;s form, while he obtained in him a model,
+usually of the very highest type, for perfecting his idea of some
+divinity.&nbsp; The possibility of gaining the right to a statue
+gave a fresh impulse to all competitors in the public games, and
+through them to the gymnastic training throughout all the states
+of Greece, which made the Greeks the most physically able and
+graceful, as well as the most beautiful people known to the
+history of the human race.&nbsp; A people who, reverencing
+beauty, reverenced likewise grace or acted beauty, so utterly and
+honestly, that nothing was too humble for a free man to do, if it
+were not done awkwardly and ill.&nbsp; As an instance, Sophocles
+himself&mdash;over and above his poetic genius, one of the most
+cultivated gentlemen, as well as one of the most exquisite
+musicians, dancers, and gymnasts, and one of the most just,
+pious, and gentle of all Greece&mdash;could not, by reason of the
+weakness of his voice, act in his own plays, as poets were wont
+to do, and had to perform only the <!-- page 57--><a
+name="page57"></a><span class="pagenum">p. 57</span>office of
+stage-manager.&nbsp; Twice he took part in the action, once as
+the blind old Thamyris playing on the harp, and once in his own
+lost tragedy, the &lsquo;Nausicaa.&rsquo;&nbsp; There in the
+scene in which the Princess, as she does in Homer&rsquo;s
+&lsquo;Odyssey,&rsquo; comes down to the sea-shore with her
+maidens to wash the household clothes, and then to play at
+ball&mdash;Sophocles himself, a man then of middle age, did the
+one thing he could do better than any there&mdash;and, dressed in
+women&rsquo;s clothes, among the lads who represented the
+maidens, played at ball before the Athenian people.</p>
+<p>Yes: just 60 years after the representation of the
+<i>Antigone</i>, 10,000 Greeks, far on the plains of Babylon, cut
+through the whole Persian army, as the railway train cuts through
+a herd of buffalo, and then losing all their generals by
+treacherous warfare, fought their way north from Babylon to
+Trebizond on the Black Sea, under the guidance of a young
+Athenian, a pupil of Socrates, who had never served in the army
+before.&nbsp; The retreat of Xenophon and his 10,000 will remain
+for ever as one of the grandest triumphs of civilisation over
+brute force: but what made it possible?&nbsp; That these men, and
+their ancestors before them, had been for at least 100 years in
+<i>training</i>, physical, intellectual, and moral, which made
+their bodies and their minds able to dare and suffer like those
+old heroes of whom their tragedy had taught them, and whose
+spirits they still believed would help the <!-- page 58--><a
+name="page58"></a><span class="pagenum">p. 58</span>valiant
+Greek.&nbsp; And yet that feat, which looks to us so splendid,
+attracted, as far as I am aware, no special admiration at the
+time.&nbsp; So was the cultivated Greek expected to behave
+whenever he came in contact with the uncultivated barbarian.</p>
+<p>But from what had sprung in that little state, this exuberance
+of splendid life, physical, &aelig;sthetic, intellectual, which
+made, and will make the name of Athens and of the whole cluster
+of Greek republics for ever admirable to civilised man?&nbsp; Had
+it sprung from long years of peaceful prosperity?&nbsp; From
+infinite making of money and comfort, according to the laws of
+so-called political economy, and the dictates of enlightened
+selfishness?&nbsp; Not so.&nbsp; But rather out of terror and
+agony, and all but utter ruin&mdash;and out of a magnificent want
+of economy&mdash;and the divine daring and folly&mdash;of
+self-sacrifice.</p>
+<p>In Salamis across the strait a trophy stood, and round that
+trophy, forty years before, Sophocles the author of
+<i>Antigone</i>, then sixteen years of age, the loveliest and
+most cultivated lad in Athens, undraped like a faun, with lyre in
+hand, was leading the Chorus of Athenian youths, and singing to
+Athen&eacute;, the tutelary goddess, a hymn of triumph for a
+glorious victory,&mdash;the very symbol of Greece and Athens,
+springing up into a joyous second youth after invasion and
+desolation, as the grass springs up after the prairie fire has
+passed.&nbsp; But the fire had <!-- page 59--><a
+name="page59"></a><span class="pagenum">p. 59</span>been
+terrible.&nbsp; It had burnt Athens at least, down to the very
+roots.&nbsp; True, while Sophocles was dancing, Xerxes, the great
+king of the East, foiled at Salamis, as his father Darius had
+been foiled at Marathon ten years before, was fleeing back to
+Persia, leaving his innumerable hosts of slaves and mercenaries
+to be destroyed piecemeal, by land at Platea, by sea at
+Mycal&eacute;.&nbsp; The bold hope was over, in which the
+Persian, ever since the days of Cyrus, had indulged&mdash;that
+he, the despot of the East, should be the despot of the West
+likewise.&nbsp; It seemed to them as possible, though not as
+easy, to subdue the Aryan Greek, as it had been to subdue the
+Semite and the Turanian, the Babylonian, and the Syrian; to rifle
+his temples, to destroy his idols, carry off his women and
+children as colonists into distant lands, as they had been doing
+with all the nations of the East.&nbsp; And they had succeeded
+with isolated colonies, isolated islands of Greeks, and the
+shores of Asia Minor.&nbsp; But when they dared, at last, to
+attack the Greek in his own sacred land of Hellas, they found
+they had bearded a lion in his den.&nbsp; Nay rather&mdash;as
+those old Greeks would have said&mdash;they had dared to attack
+Pallas Athen&eacute;, the eldest daughter of Zeus&mdash;emblem of
+that serene and pure divine wisdom, of whom Solomon sang of old:
+&lsquo;The Lord possessed me in the beginning of His way, before
+His works of old.&nbsp; When He prepared the heavens, I was
+there, when He appointed the foundation <!-- page 60--><a
+name="page60"></a><span class="pagenum">p. 60</span>of the earth,
+then was I by Him, as one brought up with Him, and I was daily
+His delight, rejoicing always before him: rejoicing in the
+habitable part of His earth; <i>and my delight was with the sons
+of men</i>,&rsquo;&mdash;to attack her and her brother Apollo,
+Lord of light, and beauty, and culture, and grace, and
+inspiration,&mdash;to attack them, not in the name of Ormuzd, nor
+of any other deity, but in the name of mere brute force and lust
+of conquest.&nbsp; The old Persian spirit was gone out of
+them.&nbsp; They were the symbols now of nothing save despotism
+and self-will, wealth and self-indulgence.&nbsp; They, once the
+children of Ormuzd or light, had become the children of Ahriman
+or darkness; and therefore it was, as I believe, that
+Xerxes&rsquo; 1,000 ships, and the two million (or, as some have
+it, five million) human beings availed naught against the little
+fleets and little battalions of men who believed with a living
+belief in Athen&eacute; and Apollo, and therefore&mdash;ponder it
+well, for it is true&mdash;with a living belief, under whatsoever
+confusions and divisions of personality, in a God who loved,
+taught, inspired men, a just God who befriended the righteous
+cause, the cause of freedom and patriotism, a Deity, the echo of
+whose mind and will to man was the song of Athen&eacute; on
+Olympus, when she</p>
+<blockquote><p>Chanted of order and right, and of foresight, and
+order of peoples;<br />
+Chanted of labour and craft, wealth in the port and the
+garner;<br />
+<!-- page 61--><a name="page61"></a><span class="pagenum">p.
+61</span>Chanted of valour and fame, and the man who can fall
+with the foremost,<br />
+Fighting for children and wife, and the field which his father
+bequeathed him.<br />
+Sweetly and cunningly sang she, and planned new lessons for
+mortals.<br />
+Happy who hearing obey her, the wise unsullied Athen&eacute;.</p>
+</blockquote>
+<p>Ah, that they had always obeyed her, those old Greeks.&nbsp;
+But meanwhile, as I said, the agony had been extreme.&nbsp; If
+Athens had sinned, she had been purged as by fire; and the
+fire&mdash;surely of God&mdash;had been terrible.&nbsp; Northern
+Greece had either been laid waste with fire and sword, or had
+gone over to the Persian, traitors in their despair.&nbsp;
+Attica, almost the only loyal state, had been overrun; the old
+men, women, and children had fled to the neighbouring islands, or
+to the Peloponnese.&nbsp; Athens itself had been destroyed; and
+while young Sophocles was dancing round the trophy at Salamis,
+the Acropolis was still a heap of blackened ruins.</p>
+<p>But over and above their valour, over and above their loyalty,
+over and above their exquisite &aelig;sthetic faculty, these
+Athenians had a resilience of self-reliant energy, like that of
+the French&mdash;like that, to do you but justice, of your
+Americans after your Chicago fire; and Athens rose from her ashes
+to be awhile, not only, as she had nobly earned by suffering and
+endurance, the leading state in Greece, but a mighty <!-- page
+62--><a name="page62"></a><span class="pagenum">p.
+62</span>fortress, a rich commercial port, a living centre of
+art, poetry, philosophy, such as this earth has never seen before
+or since.</p>
+<p>On the plateau of that little crag of the Acropolis some 800
+feet in length, by 400 in breadth&mdash;about the size and shape
+of the Castle Rock at Edinburgh&mdash;was gathered, within forty
+years of the battle of Salamis, more and more noble beauty than
+ever stood together on any other spot of like size.</p>
+<p>The sudden relief from crushing pressure, and the joyous
+consciousness of well-earned honours, made the whole
+spirit-nature of the people blossom out, as it were, into
+manifold forms of activity, beauty, research, and raised, in
+raising Greece, the whole human race thenceforth.</p>
+<p>What might they not have done&mdash;looking at what they
+actually did&mdash;for the whole race of man?</p>
+<p>But no&mdash;they fell, even more rapidly than they rose, till
+their grace and their cultivation, for them they could not lose,
+made them the willing ministers to the luxury, the frivolity, the
+sentimentality, the vice of the whole old world&mdash;the Scapia
+or Figaro of the old world&mdash;infinitely able, but with all
+his ability consecrated to the service of his own base
+self.&nbsp; The Greekling&mdash;as Juvenal has it&mdash;in want
+of a dinner, would climb somehow to heaven itself, at the bidding
+of his Roman master.</p>
+<p>Ah, what a fall!&nbsp; And what was the inherent weakness
+which caused that fall?</p>
+<p><!-- page 63--><a name="page63"></a><span class="pagenum">p.
+63</span>I say at once&mdash;want of honesty.&nbsp; The Greek was
+not to be depended on; if it suited him, he would lie, betray,
+overreach, change sides, and think it no sin.&nbsp; He was the
+sharpest of men.&nbsp; Sharp practice, in our modern sense of the
+word, was the very element in which he floated.&nbsp; Any scholar
+knows it.&nbsp; In the grand times of Marathon and Salamis, down
+to the disastrous times of the Peloponnesian war and the thirty
+tyrants, no public man&rsquo;s hands were clean, with the
+exception, perhaps, of that Aristides, who was banished because
+men were tired of hearing him called the Just.&nbsp; The exciting
+cause of the Peloponnesian war, and the consequent downfall of
+Athens, was not merely the tyranny she exercised over the states
+allied to her, it was the sharp practice of the Athenians, in
+misappropriating the tribute paid by the allies to the decoration
+of Athens.&nbsp; And in laying the foundations of the Parthenon
+was sown, by a just judgment, the seed of ruin for the state
+which gloried in it.&nbsp; And if the rulers were such, what were
+the people?&nbsp; If the free were such, what were the
+slaves?</p>
+<p>Hence, weakness at home and abroad, mistrust of generals and
+admirals, paralysing all bold and clear action, peculations and
+corruptions at home, internecine wars between factions inside
+states, and between states or groups of states, revolutions
+followed by despotism, and final exhaustion and slavery,&mdash;
+<!-- page 64--><a name="page64"></a><span class="pagenum">p.
+64</span>slavery to a people who were coming across the western
+sea, hard-headed, hard-hearted, caring nothing for art, or
+science, whose pleasures were coarse and cruel, but with a
+certain rough honesty, reverence for country, for law, and for
+the ties of a family&mdash;men of a somewhat old English type,
+who had over and above, like the English, the inspiring belief
+that they could conquer the whole world, and who very nearly
+succeeded in that&mdash;as we have, to our great blessing, not
+succeeded&mdash;I mean, of course, the Romans.</p>
+<h2><!-- page 65--><a name="page65"></a><span class="pagenum">p.
+65</span>LECTURE III.<br />
+THE FIRST DISCOVERY OF AMERICA.</h2>
+<p>Let me begin this lecture with a scene in the North Atlantic
+863 years since.</p>
+<p>&lsquo;Bjarne Grimolfson was blown with his ship into the
+Irish Ocean; and there came worms and the ship began to sink
+under them.&nbsp; They had a boat which they had payed with
+seals&rsquo; blubber, for that the sea-worms will not hurt.&nbsp;
+But when they got into the boat they saw that it would not hold
+them all.&nbsp; Then said Bjarne, &ldquo;As the boat will only
+hold the half of us, my advice is that we should draw lots who
+shall go in her; for that will not be unworthy of our
+manhood.&rdquo;&nbsp; This advice seemed so good that none
+gainsaid it; and they drew lots.&nbsp; And the lot fell to Bjarne
+that he should go in the boat with half his crew.&nbsp; But as he
+got into the boat, there spake an Icelander who was in the ship
+and had followed Bjarne from Iceland, &ldquo;Art thou going to
+leave me here, Bjarne?&rdquo;&nbsp; Quoth Bjarne, &ldquo;So it
+must be.&rdquo;&nbsp; Then said the man, &ldquo;Another thing
+didst thou promise my father, when I <!-- page 66--><a
+name="page66"></a><span class="pagenum">p. 66</span>sailed with
+thee from Iceland, than to desert me thus.&nbsp; For thou saidst
+that we both should share the same lot.&rdquo;&nbsp; Bjarne said,
+&ldquo;And that we will not do.&nbsp; Get thou down into the
+boat, and I will get up into the ship, now I see that thou art so
+greedy after life.&rdquo;&nbsp; So Bjarne went up into the ship,
+and the man down into the boat; and the boat went on its voyage
+till they came to Dublin in Ireland.&nbsp; But most men say that
+Bjarne and his comrades perished among the worms; for they were
+never heard of after.&rsquo;</p>
+<p>This story may serve as a text for my whole lecture.&nbsp; Not
+only does it smack of the sea-breeze and the salt water like all
+the finest old Norse sagas: but it gives a glimpse at least, of
+the nobleness which underlay the grim and often cruel nature of
+the Norseman.&nbsp; It belongs, too, to the culminating epoch, to
+the beginning of that era when the Scandinavian peoples had their
+great times; when the old fierceness of the worshippers of Thor
+and Odin was tempered, without being effeminated by the Faith of
+the &lsquo;White Christ,&rsquo; till the very men who had been
+the destroyers of Western Europe became its civilisers.</p>
+<p>It should have, moreover, a special interest to
+Americans.&nbsp; For&mdash;as American antiquaries are well
+aware&mdash;Bjarne was on his voyage home from the coast of New
+England; possibly from that very Mount Hope Bay, which seems to
+have borne the same name in the time of those old Norsemen, as
+afterwards in the days <!-- page 67--><a name="page67"></a><span
+class="pagenum">p. 67</span>of King Philip the last sachem of the
+Wampanong Indians.&nbsp; He was going back to Greenland, perhaps
+for reinforcements, finding, he and his fellow-captain, Thorfinn,
+the Esquimaux who then dwelt in that land too strong for
+them.&nbsp; For the Norsemen were then on the very edge of a
+discovery, which might have changed the history not only of this
+continent but of Europe likewise.&nbsp; They had found and
+colonised Iceland and Greenland.&nbsp; They had found Labrador,
+and called it Helluland, from its ice-polished rocks.&nbsp; They
+had found Nova Scotia seemingly and called it Markland from its
+woods.&nbsp; They had found New England and called it Vinland the
+Good.&nbsp; A fair land they found it, well wooded, with good
+pasturage; so that they had already imported cows, and a bull
+whose lowings terrified the Esquimaux.&nbsp; They had found
+self-sown corn too, probably maize.&nbsp; The streams were full
+of salmon.&nbsp; But they had called the land Vinland, by reason
+of its grapes.&nbsp; Quaint enough, and bearing in its very
+quaintness the stamp of truth, is the story of the first finding
+of the wild fox-grapes.&nbsp; How Leif the Fortunate, almost as
+soon as he first landed, missed a little wizened old German
+servant of his father&rsquo;s, Tyrker by name, and was much vexed
+thereat, for he had been brought up on the old man&rsquo;s knee,
+and hurrying off to find him met Tyrker coming back twisting his
+eyes about&mdash;a trick of his&mdash;smacking his lips and
+talking German to himself in high <!-- page 68--><a
+name="page68"></a><span class="pagenum">p.
+68</span>excitement.&nbsp; And when they get him to talk Norse
+again, he says, &lsquo;I have not been far, but I have news for
+you.&nbsp; I have found vines and grapes!&rsquo;&nbsp; &lsquo;Is
+that true, foster-father?&rsquo; says Leif.&nbsp; &lsquo;True it
+is,&rsquo; says the old German, &lsquo;for I was brought up where
+there was never any lack of them.&rsquo;&nbsp; The saga&mdash;as
+given by Rafn&mdash;has a detailed description of this quaint
+personage&rsquo;s appearance; and it would not be amiss if
+American wine-growers should employ an American
+sculptor&mdash;and there are great American sculptors&mdash;to
+render that description into marble, and set up little Tyrker in
+some public place, as the Silenus of the New World.</p>
+<p>Thus the first cargoes homeward from Vinland to Greenland had
+been of timber and of raisins, and of vine-stocks which were not
+like to thrive.</p>
+<p>And more.&nbsp; Beyond Vinland the Good there was said to be
+another land, Whiteman&rsquo;s Land&mdash;or Ireland the Mickle,
+as some called it.&nbsp; For these Norse traders from Limerick
+had found Ari Marson, and Ketla of Ruykjanes, supposed to have
+been long since drowned at sea, and said that the people had made
+him and Ketla chiefs, and baptised Ari.&nbsp; What is all this?
+and what is this, too, which the Esquimaux children taken in
+Markland told the Northmen, of a land beyond them where the folk
+wore white clothes, and carried flags on poles?&nbsp; Are these
+all dreams? or was some part of that great civilisation, the
+relics <!-- page 69--><a name="page69"></a><span
+class="pagenum">p. 69</span>whereof your antiquarians find in so
+many parts of the United States, still in existence some 900
+years ago; and were these old Norse cousins of ours upon the very
+edge of it?&nbsp; Be that as it may, how nearly did these fierce
+Vikings, some of whom seemed to have sailed far south along the
+shore, become aware that just beyond them lay a land of fruits
+and spices, gold, and gems?&nbsp; The adverse current of the Gulf
+Stream, it may be, would have long prevented their getting past
+the Bahamas into the Gulf of Mexico; but, sooner or later, some
+storm must have carried a Greenland viking to San Domingo, or to
+Cuba; and then, as has been well said, some Scandinavian dynasty
+might have sat upon the throne of Mexico.</p>
+<p>These stories are well known to antiquarians.&nbsp; They may
+be found, almost all of them, in Professor Rafn&rsquo;s
+<i>Antiquitates American&aelig;</i>.&nbsp; The action in them
+stands out often so clear and dramatic, that the internal
+evidence of historic truth is irresistible.&nbsp; Thorvald, who,
+when he saw what seems to be, they say, the bluff head of
+Alderton at the south-east end of Boston Bay, said, &lsquo;Here
+should I like to dwell,&rsquo; and, shot by an Esquimaux arrow,
+bade bury him on that place, with a cross at his head and a cross
+at his feet, and call the place Cross Ness for evermore; Gudrida,
+the magnificent widow, who wins hearts and sees strange deeds
+from Iceland to Greenland, and Greenland to Vinland and back, and
+at last, worn out and sad, goes <!-- page 70--><a
+name="page70"></a><span class="pagenum">p. 70</span>off on a
+pilgrimage to Rome; Helgi and Finnbogi, the Norwegians, who, like
+our Arctic voyagers in after times, devise all sorts of sports
+and games to keep the men in humour during the long winter at
+Hope; and last, but not least, the terrible Freydisa, who when
+the Norse are seized with a sudden panic at the Esquimaux, and
+flee from them, as they had three weeks before fled from
+Thorfinn&rsquo;s bellowing bull, turns, when so weak that she
+cannot escape, single-handed on the savages, and catching up a
+slain man&rsquo;s sword, puts them all to flight with her fierce
+visage and fierce cries&mdash;Freydisa the Terrible, who, in
+another voyage, persuades her husband to fall on Helgi and
+Finnbogi, when asleep, and murder them and all their men; and
+then, when he will not murder the five women too, takes up an axe
+and slays them all herself, and getting back to Greenland, when
+the dark and unexplained tale comes out, lives unpunished, but
+abhorred henceforth.&nbsp; All these folks, I say, are no
+phantoms, but realities; at least, if I can judge of internal
+evidence.</p>
+<p>But, beyond them, and hovering on the verge of Mythus and
+fairy land, there is a ballad called &lsquo;Finn the Fair,&rsquo;
+and how</p>
+<blockquote><p>An upland Earl had twa braw sons,<br />
+&nbsp;&nbsp; My story to begin;<br />
+The tane was hight Haldane the strong,<br />
+&nbsp;&nbsp; The tither was winsome Finn.</p>
+</blockquote>
+<p><!-- page 71--><a name="page71"></a><span class="pagenum">p.
+71</span>and so forth; which was still sung, with other
+&lsquo;rimur,&rsquo; or ballads, in the Faroes, at the end of the
+last century.&nbsp; Professor Rafn has inserted it, because it
+talks of Vinland as a well-known place, and because the brothers
+are sent by the princess to slay American kings; but that Rime
+has another value.</p>
+<p>It is of a beauty so perfect, and yet so like the old Scotch
+ballads in its heroic conception of love, and in all its forms
+and its qualities, that it is one proof more, to any student of
+early European poetry, that we and these old Norsemen are men of
+the same blood.&nbsp; Your own Professor Longfellow may know it
+far better than I, who am no Norse scholar.&nbsp; But, if he
+does, might I beg him to translate it some day, as none but he
+can translate?&nbsp; It is so sad, that no tenderness less
+exquisite than his can prevent its being painful; and, at least
+in its denouement, so naive, that no purity less exquisite than
+his can prevent its being dreadful.&nbsp; But the Rime is as
+worthy of Mr. Longfellow as he is worthy of the Rime.</p>
+<p>If anything more important than is told by Professor Rafn and
+Mr. Black <a name="citation71"></a><a href="#footnote71"
+class="citation">[71]</a> be now known to the antiquarians of
+Massachussets, let me entreat them to pardon my ignorance.&nbsp;
+But let me record my opinion that, though somewhat too much may
+have been made in past years of certain rock-inscriptions, and
+<!-- page 72--><a name="page72"></a><span class="pagenum">p.
+72</span>so forth, on this side of the Atlantic, there can be no
+reasonable doubt that our own race landed and tried to settle on
+the shore of New England six hundred years before their kinsmen,
+and, in many cases, their actual descendants, the august Pilgrim
+Fathers of the 17th century.&nbsp; And so, as I said, a
+Scandinavian dynasty might have been seated now upon the throne
+of Mexico.&nbsp; And how was that strange chance lost?&nbsp;
+First, of course, by the length and danger of the coasting
+voyage.&nbsp; It was one thing to have, like Columbus and
+Vespucci, Cortes and Pizarro, the Azores as a half-way port;
+another to have Greenland, or even Iceland.&nbsp; It was one
+thing to run South West upon Columbus&rsquo; track, across the
+Mar de Damas, the Ladies Sea, which hardly knows a storm, with
+the blazing blue above, the blazing blue below, in an
+ever-warming climate, where every breath is life and joy; another
+to struggle against the fogs and icebergs, the rocks and
+currents, of the dreary North Atlantic.&nbsp; No wonder, then,
+that the knowledge of Markland, and Vinland, and Whiteman&rsquo;s
+Land died away in a few generations, and became but fire-side
+sagas for the winter nights.</p>
+<p>But there were other causes, more honourable to the dogged
+energy of the Norse.&nbsp; They were in those very years
+conquering and settling nearer home as no other
+people&mdash;unless, perhaps, the old Ionian Greeks, conquered
+and settled.</p>
+<p><!-- page 73--><a name="page73"></a><span class="pagenum">p.
+73</span>Greenland, we have seen, they held&mdash;the western
+side at least&mdash;and held it long and well enough to afford,
+it is said, 2,600 pounds of walrus&rsquo; teeth as yearly tithe
+to the Pope, besides Peter&rsquo;s pence, and to build many a
+convent, and church, and cathedral, with farms and homesteads
+round; for one saga speaks of Greenland as producing wheat of the
+finest quality.&nbsp; All is ruined now, perhaps by gradual
+change of climate.</p>
+<p>But they had richer fields of enterprise than Greenland,
+Iceland, and the Faroes.&nbsp; Their boldest outlaws at that very
+time&mdash;whether from Norway, Sweden, Denmark, or
+Britain&mdash;were forming the imperial life-guard of the
+Byzantine Emperor, as the once famous Varangers of
+Constantinople; and that splendid epoch of their race was just
+dawning, of which my lamented friend, the late Sir Edmund Head,
+says so well in his preface to Viga Glum&rsquo;s Icelandic
+<i>Saga</i>, &lsquo;The Sagas, of which this tale is one, were
+composed for the men who have left their mark in every corner of
+Europe; and whose language and laws are at this moment important
+elements in the speech and institutions of England, America, and
+Australia.&nbsp; There is no page of modern history in which the
+influence of the Norsemen and their conquests must not be taken
+into account&mdash;Russia, Constantinople, Greece, Palestine,
+Sicily, the coasts of Africa, Southern Italy, France, the Spanish
+Peninsula, <!-- page 74--><a name="page74"></a><span
+class="pagenum">p. 74</span>England, Scotland, Ireland, and every
+rock and island round them, have been visited, and most of them
+at one time or the other ruled, by the men of Scandinavia.&nbsp;
+The motto on the sword of Roger Guiscard was a proud one:</p>
+<blockquote><p>Appulus et Calaber, Siculus mihi servit et
+Afer.&rsquo;</p>
+</blockquote>
+<p>Every island, says Sir Edmund Head, and truly&mdash;for the
+name of almost every island on the coast of England, Scotland,
+and Eastern Ireland, ends in either <i>ey</i> or <i>ay</i> or
+<i>oe</i>, a Norse appellative, as is the word island
+itself&mdash;is a mark of its having been, at some time or other,
+visited by the Vikings of Scandinavia.</p>
+<p>Norway, meanwhile, was convulsed by war; and what perhaps was
+of more immediate consequence, Svend Fork-beard, whom we
+Englishmen call Sweyn&mdash;the renegade from that Christian
+Faith which had been forced on him by his German conqueror, the
+Emperor Otto II.&mdash;with his illustrious son Cnut, whom we
+call Canute, were just calling together all the most daring
+spirits of the Baltic coasts for the subjugation of England; and
+when that great feat was performed, the Scandinavian emigration
+was paralysed, probably, for a time by the fearful wars at
+home.&nbsp; While the King of Sweden, and St. Olaf Tryggvason,
+king of Norway, were setting on Denmark during Cnut&rsquo;s
+pilgrimage to Rome, and Cnut, <!-- page 75--><a
+name="page75"></a><span class="pagenum">p. 75</span>sailing with
+a mighty fleet to Norway, was driving St. Olaf into Russia, to
+return and fall in the fratricidal battle of
+Stiklestead&mdash;during, strangely enough, a total eclipse of
+the sun&mdash;Vinland was like enough to remain still
+uncolonised.&nbsp; After Cnut&rsquo;s short-lived
+triumph&mdash;king as he was of Denmark, Norway, England, and
+half Scotland, and what not of Wendish Folk inside the
+Baltic&mdash;the force of the Norsemen seems to have been
+exhausted in their native lands.&nbsp; Once more only, if I
+remember right, did &lsquo;Lochlin,&rsquo; really and hopefully
+send forth her &lsquo;mailed swarm&rsquo; to conquer a foreign
+land; and with a result unexpected alike by them and by their
+enemies.&nbsp; Had it been otherwise, we might not have been here
+this day.</p>
+<p>Let me sketch for you once more&mdash;though you have heard
+it, doubtless, many a time&mdash;the tale of that tremendous
+fortnight which settled the fate of Britain, and therefore of
+North America; which decided&mdash;just in those great times when
+the decision was to be made&mdash;whether we should be on a par
+with the other civilised nations of Europe, like them the
+&lsquo;heirs of all the ages,&rsquo; with our share not only of
+Roman Christianity and Roman centralisation&mdash;a member of the
+great comity of European nations, held together in one Christian
+bond by the Pope&mdash;but heirs also of Roman civilisation,
+Roman literature, Roman law; and therefore, in due time, of Greek
+philosophy and art.&nbsp; No less a question than this, it seems
+to me, <!-- page 76--><a name="page76"></a><span
+class="pagenum">p. 76</span>hung in the balance during that
+fortnight of autumn, 1066.</p>
+<p>Poor old Edward the Confessor, holy, weak, and sad, lay in his
+new choir of Westminster&mdash;where the wicked ceased from
+troubling, and the weary were at rest.&nbsp; The crowned ascetic
+had left no heir behind.&nbsp; England seemed as a corpse, to
+which all the eagles might gather together; and the
+South-English, in their utter need, had chosen for their king the
+ablest, and it may be the justest, man in Britain&mdash;Earl
+Harold Godwinsson: himself, like half the upper classes of
+England then, of the all-dominant Norse blood; for his mother was
+a Danish princess.&nbsp; Then out of Norway, with a mighty host,
+came Harold Hardraade, taller than all men, the ideal Viking of
+his time.&nbsp; Half-brother of the now dead St. Olaf, severely
+wounded when he was but fifteen, at Stiklestead, when Olaf fell,
+he had warred and plundered on many a coast.&nbsp; He had been
+away to Russia to King Jaroslaf; he had been in the
+Emperor&rsquo;s Varanger guard at Constantinople&mdash;and, it
+was whispered, had slain a lion there with his bare hands; he had
+carved his name and his comrades&rsquo; in Runic
+characters&mdash;if you go to Venice you may see them at this
+day&mdash;on the loins of the great marble lion, which stood in
+his time not in Venice but in Athens.&nbsp; And now, king of
+Norway and conqueror, for the time, of Denmark, why should he not
+take England, as <!-- page 77--><a name="page77"></a><span
+class="pagenum">p. 77</span>Sweyn and Canute took it sixty years
+before, when the flower of the English gentry perished at the
+fatal battle of Assingdune?&nbsp; If he and his half-barbarous
+host had conquered, the civilisation of Britain would have been
+thrown back, perhaps, for centuries.&nbsp; But it was not to
+be.</p>
+<p>England <i>was</i> to be conquered by the Norman; but by the
+civilised, not the barbaric; by the Norse who had settled, but
+four generations before, in the North East of France under Rou,
+Rollo, Rolf the Ganger&mdash;so-called, they say, because his
+legs were so long that, when on horseback, he touched the ground
+and seemed to gang, or walk.&nbsp; He and his Norsemen had taken
+their share of France, and called it Normandy to this day; and
+meanwhile, with that docility and adaptability which marks so
+often truly great spirits, they had changed their creed, their
+language, their habits, and had become, from heathen and
+murderous Berserkers, the most truly civilised people of Europe,
+and&mdash;as was most natural then&mdash;the most faithful allies
+and servants of the Pope of Rome.&nbsp; So greatly had they
+changed, and so fast, that William Duke of Normandy, the
+great-great-grandson of Rolf the wild Viking, was perhaps the
+finest gentleman, as well as the most cultivated sovereign, and
+the greatest statesman and warrior, in all Europe.</p>
+<p>So Harold of Norway came with all his Vikings to Stamford
+Bridge by York; and took, by coming, <!-- page 78--><a
+name="page78"></a><span class="pagenum">p. 78</span>only that
+which Harold of England promised him, namely, &lsquo;forasmuch as
+he was taller than any other man, seven feet of English
+ground.&rsquo;</p>
+<p>The story of that great battle, told with a few inaccuracies,
+but told as only great poets tell, you should read, if you have
+not read it already, in the <i>Heimskringla</i> of Snorri
+Sturluson, the Homer of the North&mdash;</p>
+<blockquote><p>High feast that day held the birds of the air and
+the beasts of the field,<br />
+White-tailed erne and sallow glede,<br />
+Dusky raven, with horny neb,<br />
+And the grey deer, the wolf of the wood.</p>
+</blockquote>
+<p>The bones of the slain, men say, whitened the place for fifty
+years to come.</p>
+<p>And remember, that on the same day on which that fight
+befell&mdash;Sept. 27, 1066&mdash;William, Duke of Normandy, with
+all his French-speaking Norsemen, was sailing across the British
+Channel, under the protection of a banner consecrated by the
+Pope, to conquer that England which the Norse-speaking Normans
+could not conquer.</p>
+<p>And now King Harold showed himself a man.&nbsp; He turned at
+once from the North of England to the South.&nbsp; He raised the
+folk of the Southern, as he had raised those of the Central and
+Northern shires; and in sixteen days&mdash;after a march which in
+those <!-- page 79--><a name="page79"></a><span
+class="pagenum">p. 79</span>times was a prodigious feat&mdash;he
+was entrenched upon the fatal down which men called Heathfield
+then, and Senlac, but Battle to this day&mdash;with William and
+his French Normans opposite him on Telham hill.</p>
+<p>Then came the battle of Hastings.&nbsp; You all know what
+befell upon that day; and how the old weapon was matched against
+the new&mdash;the English axe against the Norman lance&mdash;and
+beaten only because the English broke their ranks.&nbsp; If you
+wish to refresh your memories, read the tale once more in Mr.
+Freeman&rsquo;s <i>History of England</i>, or Prof.
+Creasy&rsquo;s <i>Fifteen Decisive Battles of the World</i>, or
+even, best of all, the late Lord Lytton&rsquo;s splendid romance
+of <i>Harold</i>.&nbsp; And when you go to England, go, as some
+of you may have gone already, to Battle; and there from off the
+Abbey grounds, or from Mountjoy behind, look down off what was
+then &lsquo;The Heathy Field,&rsquo; over the long slopes of
+green pasture and the rich hop-gardens, where were no hop-gardens
+then, and the flat tide-marshes winding between the wooded
+heights, towards the southern sea; and imagine for yourselves the
+feelings of an Englishman as he contemplates that broad green
+sloping lawn, on which was decided the destiny of his native
+land.&nbsp; Here, right beneath, rode Taillefer up the slope
+before them all, singing the song of Roland, tossing his lance in
+air and catching it as it fell, with all the <!-- page 80--><a
+name="page80"></a><span class="pagenum">p. 80</span>Norse
+berserker spirit of his ancestors flashing out in him, at the
+thought of one fair fight, and then purgatory, or
+Valhalla&mdash;Taillefer perhaps preferred the latter.&nbsp;
+Yonder on the left, in that copse where the red-ochre gully runs,
+is Sanguelac, the drain of blood, into which (as the Bayeux
+tapestry, woven by Matilda&rsquo;s maids, still shows) the Norman
+knights fell, horse and man, till the gully was bridged with
+writhing bodies for those who rode after.&nbsp; Here, where you
+stand&mdash;the crest of the hill marks where it must have
+been&mdash;was the stockade on which depended the fate of
+England.&nbsp; Yonder, perhaps, stalked out one English squire or
+house-carle after another: tall men with long-handled
+battle-axes&mdash;one specially terrible, with a wooden helmet
+which no sword could pierce&mdash;who hewed and hewed down knight
+on knight, till they themselves were borne to earth at
+last.&nbsp; And here, among the trees and ruins of the garden,
+kept trim by those who know the treasure which they own, stood
+Harold&rsquo;s two standards of the fighting man and the dragon
+of Wessex.&nbsp; And here, close by (for here, for many a
+century, stood the high altar of Battle Abbey, where monks sang
+masses for Harold&rsquo;s soul), upon this very spot the
+Swan-neck found her hero lover&rsquo;s corpse.&nbsp;
+&lsquo;Ah,&rsquo; says many an Englishman&mdash;and who will
+blame him for it&mdash;&lsquo;how grand to have died beneath that
+standard on that day!&rsquo;&nbsp; Yes, and how right.&nbsp; And
+yet how right, likewise, that the <!-- page 81--><a
+name="page81"></a><span class="pagenum">p.
+81</span>Norman&rsquo;s cry of Dexaie, &lsquo;God Help,&rsquo;
+and not the English hurrah, should have won that day, till
+William rode up Mountjoye in the afternoon to see the English
+army, terrible even in defeat, struggling through copse and marsh
+away toward Brede, and, like retreating lions driven into their
+native woods, slaying more in the pursuit than they slew even in
+the fight.</p>
+<p>But so it was to be; for so it ought to have been.&nbsp; You,
+my American friends, delight, as I have said already, in seeing
+the old places of the old country.&nbsp; Go, I beg you, and look
+at that old place, and if you be wise, you will carry back from
+it one lesson: that God&rsquo;s thoughts are not as our thoughts;
+nor His ways as our ways.</p>
+<p>It was a fearful time which followed.&nbsp; I cannot but
+believe that our forefathers had been, in some way or other,
+great sinners, or two such conquests as Canute&rsquo;s and
+William&rsquo;s would not have fallen on them within the short
+space of sixty years.&nbsp; They did not want for courage, as
+Stanford Brigg and Hastings showed full well.&nbsp; English
+swine, their Norman conquerors called them often enough; but
+never English cowards.&nbsp; Their ruinous vice, if we are to
+trust the records of the time, was what the old monks called
+accidia&mdash;&#7936;&chi;&eta;&delta;&#943;&alpha;&mdash;and
+ranked it as one of the seven deadly sins: a general careless,
+sleepy, comfortable habit of mind, which lets all go <!-- page
+82--><a name="page82"></a><span class="pagenum">p. 82</span>its
+way for good or evil&mdash;a habit of mind too often accompanied,
+as in the case of the Anglo-Danes, with self-indulgence, often
+coarse enough.&nbsp; Huge eaters and huger drinkers, fuddled with
+ale, were the men who went down at Hastings&mdash;though they
+went down like heroes&mdash;before the staid and sober Norman out
+of France.</p>
+<p>But those were fearful times.&nbsp; As long as William lived,
+ruthless as he was to all rebels, he kept order and did justice
+with a strong and steady hand; for he brought with him from
+Normandy the instincts of a truly great statesman.&nbsp; And in
+his sons&rsquo; time matters grew worse and worse.&nbsp; After
+that, in the troubles of Stephen&rsquo;s reign, anarchy let loose
+tyranny in its most fearful form, and things were done which
+recall the cruelties of the old Spanish conquistadores in
+America.&nbsp; Scott&rsquo;s charming romance of <i>Ivanhoe</i>
+must be taken, I fear, as a too true picture of English society
+in the time of Richard I.</p>
+<p>And what came of it all?&nbsp; What was the result of all this
+misery and wrong?</p>
+<p>This, paradoxical as it may seem&mdash;that the Norman
+conquest was the making of the English people; of the Free
+Commons of England.</p>
+<p>Paradoxical, but true.&nbsp; First, you must dismiss from your
+minds the too common notion that there is now, in England a
+governing Norman aristocracy, or that there has been one, at
+least since the year <!-- page 83--><a name="page83"></a><span
+class="pagenum">p. 83</span>1215, when Magna Charta was won from
+the Norman John by Normans and by English alike.&nbsp; For the
+first victors at Hastings, like the first conquistadores in
+America, perished, as the monk chronicles point out, rapidly by
+their own crimes; and very few of our nobility can trace their
+names back to the authentic Battle Abbey roll.&nbsp; The great
+majority of the peers have sprung from, and all have intermarried
+with, the Commons; and the peerage has been from the first, and
+has become more and more as centuries have rolled on, the prize
+of success in life.</p>
+<p>The cause is plain.&nbsp; The conquest of England by the
+Normans was not one of those conquests of a savage by a civilised
+race, or of a cowardly race by a brave race, which results in the
+slavery of the conquered, and leaves the gulf of caste between
+two races, master and slave.&nbsp; That was the case in France,
+and resulted, after centuries of oppression, in the great and
+dreadful revolution of 1793, which convulsed not only France but
+the whole civilised world.&nbsp; But caste, thank God, has never
+existed in England, since at least the first generation after the
+Norman conquest.</p>
+<p>The vast majority, all but the whole population of England,
+have been always free; and free, as they are not where caste
+exists, to change their occupations.&nbsp; They could intermarry,
+if they were able men, into the ranks above them; as they did
+sink, if they <!-- page 84--><a name="page84"></a><span
+class="pagenum">p. 84</span>were unable men, into the ranks below
+them.&nbsp; Any man acquainted with the origin of our English
+surnames may verify this fact for himself, by looking at the
+names of a single parish or a single street of shops.&nbsp;
+There, jumbled together, he will find names marking the noblest
+Saxon or Angle blood&mdash;Kenward or Kenric, Osgood or Osborne,
+side by side with Cordery or Banister&mdash;now names of farmers
+in my own parish&mdash;or other Norman-French names which may be,
+like those two last, in Battle Abbey roll&mdash;and side by side
+the almost ubiquitous Brown, whose ancestor was probably some
+Danish or Norwegian housecarle, proud of his name Biorn the bear,
+and the ubiquitous Smith or Smythe, the smiter, whose forefather,
+whether he now be peasant or peer, assuredly handled the tongs
+and hammer at his own forge.&nbsp; This holds true equally in New
+England and in Old.&nbsp; When I search through (as I delight to
+do) your New England surnames, I find the same jumble of
+names&mdash;West Saxon, Angle, Danish, Norman, and French-Norman
+likewise, many of prim&aelig;val and heathen antiquity, many of
+high nobility, all worked together, as at home, to form the Free
+Commoners of England.</p>
+<p>If any should wish to know more on this curious and important
+subject, let me recommend them to study Ferguson&rsquo;s
+<i>Teutonic Name System</i>, a book from which you will discover
+that some of our quaintest, <!-- page 85--><a
+name="page85"></a><span class="pagenum">p. 85</span>and seemingly
+most plebeian surnames&mdash;many surnames, too, which are
+extinct in England, but remain in America&mdash;are really
+corruptions of good old Teutonic names, which our ancestors may
+have carried in the German Forest, before an Englishman set foot
+on British soil; from which he will rise with the comfortable
+feeling that we English-speaking men, from the highest to the
+lowest, are literally kinsmen.&nbsp; Nay, so utterly made up now
+is the old blood-feud between Norseman and Englishman, between
+the descendants of those who conquered and those who were
+conquered, that in the children of our Prince of Wales, after 800
+years, the blood of William of Normandy is mingled with the blood
+of the very Harold who fell at Hastings.&nbsp; And so, by the
+bitter woes which followed the Norman conquest was the whole
+population, Dane, Angle, and Saxon, earl and churl, freeman and
+slave, crushed and welded together into one homogeneous mass,
+made just and merciful towards each other by the most wholesome
+of all teachings, a community of suffering; and if they had been,
+as I fear they were, a lazy and a sensual people, were taught</p>
+<blockquote><p>That life is not as idle ore,<br />
+But heated hot with burning fears,<br />
+And bathed in baths of hissing tears,<br />
+And battered with the strokes of doom<br />
+To shape and use.</p>
+</blockquote>
+<p><!-- page 86--><a name="page86"></a><span class="pagenum">p.
+86</span>But how did these wild Vikings become Christian
+men?&nbsp; It is a long story.&nbsp; So staunch a race was sure
+to be converted only very slowly.&nbsp; Noble missionaries as
+Ansgar, Rembert, and Poppo, had worked for 150 years and more
+among the heathens of Denmark.&nbsp; But the patriotism of the
+Norseman always recoiled, even though in secret, from the fact
+that they were German monks, backed by the authority of the
+German emperor; and many a man, like Svend Fork-beard, father of
+the great Canute, though he had the Kaiser himself for godfather,
+turned heathen once more, the moment he was free, because his
+baptism was the badge of foreign conquest, and neither pope nor
+Kaiser should lord it over him, body or soul.&nbsp; St. Olaf,
+indeed, forced Christianity on the Norse at the sword&rsquo;s
+point, often by horrid cruelties, and perished in the
+attempt.&nbsp; But who forced it on the Norsemen of Scotland,
+England, Ireland, Neustria, Russia, and all the Eastern
+Baltic?&nbsp; It was absorbed and in most cases, I believe,
+gradually and willingly, as a gospel and good news to hearts worn
+out with the storm of their own passions.&nbsp; And whence came
+their Christianity?&nbsp; Much of it, as in the case of the
+Danes, and still more of the French Normans, came direct from
+Rome, the city which, let them defy its influence as they would,
+was still the fount of all theology, as well as of all
+civilisation.&nbsp; But I must believe that much of it came <!--
+page 87--><a name="page87"></a><span class="pagenum">p.
+87</span>from that mysterious ancient Western Church, the Church
+of St. Patric, St. Bridget, St. Columba, which had covered with
+rude cells and chapels the rocky islets of the North Atlantic,
+even to Iceland itself.&nbsp; Even to Iceland; for when that
+island was first discovered, about <span
+class="smcap">a.d.</span> 840, the Norsemen found in an isle, on
+the east and west and elsewhere, Irish books and bells and wooden
+crosses, and named that island Papey, the isle of the
+popes&mdash;some little colony of monks, who lived by fishing,
+and who are said to have left the land when the Norsemen settled
+in it.&nbsp; Let us believe, for it is consonant with reason and
+experience, that the sight of those poor monks, plundered and
+massacred again and again by the &lsquo;mailed swarms of
+Lochlin,&rsquo; yet never exterminated, but springing up again in
+the same place, ready for fresh massacre, a sacred plant which
+God had planted, and which no rage of man could trample
+out&mdash;let us believe, I say, that that sight taught at last
+to the buccaneers of the old world that there was a purer
+manliness, a loftier heroism, than the ferocious self-assertion
+of the Berserker, even the heroism of humility, gentleness,
+self-restraint, self-sacrifice.&nbsp; That there was a strength
+which was made perfect in weakness; a glory, not of the sword but
+of the cross.&nbsp; We will believe that that was the lesson
+which the Norsemen learnt, after many a wild and bloodstained
+voyage, from the monks of Iona or of <!-- page 88--><a
+name="page88"></a><span class="pagenum">p. 88</span>Derry, which
+caused the building of such churches as that which Sightrys, king
+of Dublin, raised about the year 1030, not in the Norse but in
+the Irish quarter of Dublin: a sacred token of amity between the
+new settlers and the natives on the ground of a common
+faith.&nbsp; Let us believe, too, that the influence of woman was
+not wanting in the good work&mdash;that the story of St. Margaret
+and Malcolm Canmore was repeated, though inversely, in the case
+of many a heathen Scandinavian jarl, who, marrying the princely
+daughter of some Scottish chieftain, found in her creed at last
+something more precious than herself; while his brother or his
+cousin became, at Dublin or Wexford or Waterford, the husband of
+some saffron-robed Irish princess, &lsquo;fair as an elf,&rsquo;
+as the old saying was; &lsquo;some maiden of the three
+transcendent hues,&rsquo; of whom the old book of Linane
+says&mdash;</p>
+<blockquote><p>Red as the blood which flowed from stricken
+deer,<br />
+White as the snow on which that blood ran down,<br />
+Black as the raven who drank up that blood.</p>
+</blockquote>
+<p>&mdash;and possibly, as in the case of Brian Boru&rsquo;s
+mother, had given his fair-haired sister in marriage to some
+Irish prince, and could not resist the spell of their new creed,
+and the spell too, it may be, of some sister of theirs who had
+long given up all thought of earthly marriage to tend the undying
+fire of St. Bridget among the consecrated virgins of Kildare.</p>
+<p><!-- page 89--><a name="page89"></a><span class="pagenum">p.
+89</span>I am not drawing from mere imagination.&nbsp; That such
+things must have happened, and happened again and again, is
+certain to anyone who knows, even superficially, the documents of
+that time.&nbsp; And I doubt not that, in manners as well as in
+religion, the Norse were humanised and civilised by their contact
+with the Celts, both in Scotland and in Ireland, Both peoples had
+valour, intellect, imagination: but the Celt had that which the
+burly angular Norse character, however deep and stately, and
+however humorous, wanted; namely, music of nature, tenderness,
+grace, rapidity, playfulness; just the qualities, combining with
+the Scandinavian (and in Scotland with the Angle) elements of
+character which have produced, in Ireland and in Scotland, two
+schools of lyric poetry second to none in the world.</p>
+<p>And so they were converted to what was then a dark and awful
+creed; a creed of ascetic self-torture and purgatorial fires for
+those who escaped the still more dreadful, because endless, doom
+of the rest of the human race.&nbsp; But, because it was a sad
+creed, it suited better men, who had, when conscience reawakened
+in them, but too good reason to be sad; and the minsters and
+cloisters which sprang up over the whole of Northern Europe, and
+even beyond it, along the dreary western shores of Greenland
+itself, are the symbols of a splendid repentance for their own
+sins and for the sins of their forefathers.</p>
+<p><!-- page 90--><a name="page90"></a><span class="pagenum">p.
+90</span>Gudruna herself, of whom I spoke just now, one of those
+old Norse heroines who helped to discover America, though a
+historic personage, is a symbolic one likewise, and the pattern
+of a whole class.&nbsp; She, too, after many journeys to Iceland,
+Greenland, and Winland, goes on a pilgrimage to Rome, to get, I
+presume, absolution from the Pope himself for all the sins of her
+strange, rich, stormy, wayward life.</p>
+<p>Have you not read&mdash;many of you surely have&mdash;La Motte
+Fouqu&eacute;&rsquo;s <i>Romance of Sintram</i>?&nbsp; It
+embodies all that I would say.&nbsp; It is the spiritual drama of
+that early middle age; very sad, morbid if you will, but true to
+fact.&nbsp; The Lady Verena ought not, perhaps, to desert her
+husband, and shut herself up in a cloister.&nbsp; But so she
+would have done in those old days.&nbsp; And who shall judge her
+harshly for so doing?&nbsp; When the brutality of the man seems
+past all cure, who shall blame the woman if she glides away into
+some atmosphere of peace and purity, to pray for him whom neither
+warnings nor caresses will amend?&nbsp; It is a sad book,
+<i>Sintram</i>.&nbsp; And yet not too sad.&nbsp; For they were a
+sad people, those old Norse forefathers of ours.&nbsp; Their
+Christianity was sad; their minsters sad; there are few sadder,
+though few grander, buildings than a Norman church.</p>
+<p>And yet, perhaps, their Christianity did not make them
+sad.&nbsp; It was but the other and the healthier <!-- page
+91--><a name="page91"></a><span class="pagenum">p. 91</span>side
+of that sadness which they had as heathens.&nbsp; Read which you
+will of the old sagas&mdash;heathen or half-Christian&mdash;the
+Eyrbiggia, Viga Glum, Burnt Niall, Grettir the Strong, and, above
+all, Snorri Sturluson&rsquo;s <i>Heimskringla</i>
+itself&mdash;and you will see at once how sad they are.&nbsp;
+There is, in the old sagas, none of that enjoyment of life which
+shines out everywhere in Greek poetry, even through its deepest
+tragedies.&nbsp; Not in complacency with Nature&rsquo;s beauty,
+but in the fierce struggle with her wrath, does the Norseman feel
+pleasure.&nbsp; Nature to him was not, as in Mr.
+Longfellow&rsquo;s exquisite poem, <a name="citation91"></a><a
+href="#footnote91" class="citation">[91]</a> the kind old nurse,
+to take him on her knee and whisper to him, ever anew, the story
+without an end.&nbsp; She was a weird witch-wife, mother of storm
+demons and frost giants, who must be fought with steadily,
+warily, wearily, over dreary heaths and snow-capped fells, and
+rugged nesses and tossing sounds, and away into the boundless
+sea&mdash;or who could live?&mdash;till he got hardened in the
+fight into ruthlessness of need and greed.&nbsp; The poor strip
+of flat strath, ploughed and re-ploughed again in the short
+summer days, would yield no more; or wet harvests spoiled the
+crops, or heavy snows starved the cattle.&nbsp; And so the
+Norseman launched his ships when the lands were sown in spring,
+and went forth to pillage or to trade, as luck would have, to
+summerted, as he himself called it; <!-- page 92--><a
+name="page92"></a><span class="pagenum">p. 92</span>and came
+back, if he ever came, in autumn to the women to help at
+harvest-time, with blood upon his hand.&nbsp; But had he staid at
+home, blood would have been there still.&nbsp; Three out of four
+of them had been mixed up in some man-slaying, or had some
+blood-feud to avenge among their own kin.</p>
+<p>The whole of Scandinavia, Denmark, Sweden, Norway, Orkney, and
+the rest, remind me ever of that terrible picture of the great
+Norse painter, Tiddeman, in which two splendid youths, lashed
+together, in true Norse duel fashion by the waist, are hewing
+each other to death with the short axe, about some hot words over
+their ale.&nbsp; The loss of life, and that of the most gallant
+of the young, in those days must have been enormous.&nbsp; If the
+vitality of the race had not been even more enormous, they must
+have destroyed each other, as the Red Indians have done, off the
+face of the earth.&nbsp; They lived these Norsemen, not to
+live&mdash;they lived to die.&nbsp; For what cared they?&nbsp;
+Death&mdash;what was death to them! what it was to the Jomsburger
+Viking, who, when led out to execution, said to the headsman,
+&lsquo;Die! with all pleasure.&nbsp; We used to question in
+Jomsburg whether a man felt when his head was off?&nbsp; Now I
+shall know; but if I do, take care, for I shall smite thee with
+my knife.&nbsp; And meanwhile, spoil not this long hair of mine;
+it is so beautiful.&rsquo;</p>
+<p>But, oh! what waste.&nbsp; What might not these men <!-- page
+93--><a name="page93"></a><span class="pagenum">p. 93</span>have
+done if they had sought peace, not war; if they had learned a few
+centuries sooner to do justly, and love mercy, and walk humbly
+with their God?</p>
+<p>And yet one loves them, blood-stained as they are.&nbsp; Your
+own poets, men brought up under circumstances, under ideas the
+most opposite to theirs, love them, and cannot help it.&nbsp; And
+why?&nbsp; It is not merely for their bold daring, it is not
+merely for their stern endurance; nor again that they had in them
+that shift and thrift, those steady and common-sense business
+habits, which made their noblest men not ashamed to go on voyages
+of merchandise.&nbsp; Nor is it, again, that grim
+humour&mdash;humour as of the modern Scotch&mdash;which so often
+flashes out into an actual jest, but more usually underlies
+unspoken all their deeds.&nbsp; Is it not rather that these men
+are our forefathers? that their blood runs in the veins of
+perhaps three men out of four in any general assembly, whether in
+America or in Britain?&nbsp; Startling as the assertion may be, I
+believe it to be strictly true.</p>
+<p>Be that as it may, I cannot read the stories of your western
+men, the writings of Bret Harte, or Colonel John Hay, for
+instance, without feeling at every turn that there are the old
+Norse alive again, beyond the very ocean which they first
+crossed, 850 years ago.</p>
+<p>Let me try to prove my point, and end with a story, as I began
+with one.</p>
+<p><!-- page 94--><a name="page94"></a><span class="pagenum">p.
+94</span>It is just 30 years before the Norman conquest of
+England, the evening of the battle of Sticklestead.&nbsp; St.
+Olaf&rsquo;s corpse is still lying unburied on the
+hillside.&nbsp; The reforming and Christian king has fallen in
+the attempt to force Christianity and despotism on the
+Conservative and half-heathen party&mdash;the free bonders or
+yeoman-farmers of Norway.&nbsp; Thormod, his poet,&mdash;the man,
+as his name means, of thunder mood&mdash;who has been standing in
+the ranks, at last has an arrow in his left side.&nbsp; He breaks
+off the shaft, and thus sore wounded goes up, when all is lost,
+to a farm where is a great barn full of wounded.&nbsp; One Kimbe
+comes, a man out of the opposite or bonder part.&nbsp;
+&lsquo;There is great howling and screaming in there,&rsquo; he
+says.&nbsp; &lsquo;King Olaf&rsquo;s men fought bravely enough:
+but it is a shame brisk young lads cannot bear their
+wounds.&nbsp; On what side wert thou in the fight?&rsquo;&nbsp;
+&lsquo;On the best side,&rsquo; says the beaten Thormod.&nbsp;
+Kimbe sees that Thormod has a gold bracelet on his arm.&nbsp;
+&lsquo;Thou art surely a king&rsquo;s man.&nbsp; Give me thy gold
+ring and I will hide thee, ere the bonders kill thee.&rsquo;</p>
+<p>Thormod said, &lsquo;Take it, if thou canst get it.&nbsp; I
+have lost that which is worth more;&rsquo; and he stretched out
+his left hand, and Kimbe tried to take it.&nbsp; But Thormod,
+swinging his sword, cut off his hand; and it is said Kimbe
+behaved no better over his wound than those he had been
+blaming.</p>
+<p>Then Thormod went into the barn; and after he <!-- page
+95--><a name="page95"></a><span class="pagenum">p. 95</span>had
+sung his song there in praise of his dead king, he went into an
+inner room, where was a fire, and water warming, and a handsome
+girl binding up men&rsquo;s wounds.&nbsp; And he sat down by the
+door; and one said to him &lsquo;Why art thou so dead pale?&nbsp;
+Why dost thou not call for the leech?&rsquo;&nbsp; Then sung
+Thormod&mdash;</p>
+<blockquote><p>I am not blooming; and the fair<br />
+And slender maiden loves to care<br />
+For blooming youths.&nbsp; Few care for me,<br />
+With Fenri&rsquo;s gold meal I can&rsquo;t fee;</p>
+</blockquote>
+<p>and so forth, improvising after the old Norse fashion.</p>
+<p>Then Thormod got up and went to the fire, and stood and warmed
+himself.&nbsp; And the nurse-girl said to him, &lsquo;Go out man,
+and bring some of the split-firewood which lies outside the
+door.&rsquo;&nbsp; He went out and brought an armful of wood and
+threw it down.&nbsp; Then the nurse-girl looked him in the face
+and said, &lsquo;Dreadful pale is this man.&nbsp; Why art thou
+so?&rsquo;&nbsp; Then sang Thormod&mdash;</p>
+<blockquote><p>Thou wonderest, sweet bloom, at me,<br />
+A man so hideous to see.<br />
+The arrow-drift o&rsquo;ertook me, girl,<br />
+A fine-ground arrow in the whirl<br />
+Went through me, and I feel the dart<br />
+Sits, lovely lass, too near my heart.</p>
+</blockquote>
+<p>The girl said, &lsquo;Let me see thy wound.&rsquo;&nbsp; Then
+<!-- page 96--><a name="page96"></a><span class="pagenum">p.
+96</span>Thormod sat down, and the girl saw his wounds, and that
+which was in his side, and saw that there was a piece of iron in
+it; but could not tell where it had gone.&nbsp; In a stone pot
+she had leeks and other herbs, and boiled them, and gave the
+wounded men of it to eat.&nbsp; But Thormod said, &lsquo;Take it
+away; I have no appetite now for my broth.&rsquo;&nbsp; Then she
+took a great pair of tongs and tried to pull out the iron; but
+the wound was swelled, and there was too little to lay hold
+of.&nbsp; Now said Thormod, &lsquo;Cut in so deep that thou canst
+get at the iron, and give me the tongs.&rsquo;&nbsp; She did as
+he said.&nbsp; Then took Thormod the gold bracelet off his hand
+and gave it the nurse-girl, and bade her do with it what she
+liked.</p>
+<p>&lsquo;It is a good man&rsquo;s gift,&rsquo; said he.&nbsp;
+&lsquo;King Olaf gave me the ring this morning.&rsquo;</p>
+<p>Then Thormod took the tongs and pulled the iron out.&nbsp; But
+on the iron was a barb, on which hung flesh from the heart, some
+red, some white.&nbsp; When he saw that, he said, &lsquo;The king
+has fed us well.&nbsp; I am fat, even to the heart&rsquo;s
+roots.&rsquo;&nbsp; And so leant back and was dead.</p>
+<p>I shall not insult your intelligence by any comment or even
+epithet of my own.&nbsp; I shall but ask you was not this man
+your kinsman?&nbsp; Does not the story sound, allowing for all
+change of manners as well as of time and place, like a scene out
+of your own Bret Harte or Colonel John Hay&rsquo;s writings; a
+scene of <!-- page 97--><a name="page97"></a><span
+class="pagenum">p. 97</span>the dry humour the rough heroism of
+your own far West?&nbsp; Yes, as long as you have your <i>Jem
+Bludsos</i> and <i>Tom Flynns of Virginia City</i>, the old Norse
+blood is surely not extinct, the old Norse spirit is not
+dead.</p>
+<h2><!-- page 98--><a name="page98"></a><span class="pagenum">p.
+98</span>LECTURE IV.<br />
+THE SERVANT OF THE LORD.</h2>
+<p>I wish to speak to you to-night about one of those old
+despotic empires which were in every case the earliest known form
+of civilisation.&nbsp; Were I minded to play the cynic or the
+mountebank, I should choose some corrupt and effete despotism,
+already grown weak and ridiculous by its decay&mdash;as did at
+last the Roman and then the Byzantine Empire&mdash;and, after
+raising a laugh at the expense of the old system say, See what a
+superior people you are now,&mdash;how impossible, under free and
+enlightened institutions, is anything so base and so absurd as
+went on, even in despotic France before the Revolution of
+1793.&nbsp; Well that would be on the whole true, thank God; but
+what need is there to say it?</p>
+<p>Let us keep our scorn for our own weaknesses, our blame for
+our own sins, certain that we shall gain more instruction, though
+not more amusement, by hunting out the good which is in anything
+than by hunting out its evil.&nbsp; For me, true to that which I
+<!-- page 99--><a name="page99"></a><span class="pagenum">p.
+99</span>proposed in my last lecture, I have chosen, not the
+worst, but the best despotism which I could find in history,
+founded and ruled by a truly heroic personage, one whose name has
+become a proverb and a legend, that so I might lift up your
+minds, even by the contemplation of an old Eastern empire, to see
+that it, too, could be a work and ordinance of God, and its hero
+the servant of the Lord.&nbsp; For we are almost bound to call
+Cyrus, the founder of the Persian Empire, by this august title
+for two reasons&mdash;First, because the Hebrew Scriptures call
+him so; and next, because he proved himself to be such by his
+actions and their consequences&mdash;at least in the eyes of
+those who believe, as I do, in a far-seeing and far-reaching
+Providence, by which all human history is&mdash;</p>
+<blockquote><p>Bound by gold chains unto the throne of God.</p>
+</blockquote>
+<p>His work was very different from any that need be done, or can
+be done, in these our days.&nbsp; But while we thank God that
+such work is now as unnecessary as impossible; we may thank God
+likewise that, when such work was necessary and possible, a man
+was raised up to do it; and to do it, as all accounts assert,
+better, perhaps, than it had ever been done before or since.</p>
+<p>True, the old conquerors, who absorbed nation after nation,
+tribe after tribe, and founded empires on their ruins, are now, I
+trust, about to be replaced, <!-- page 100--><a
+name="page100"></a><span class="pagenum">p. 100</span>throughout
+the world, as here and in Britain at home, by free self-governed
+peoples&mdash;</p>
+<blockquote><p>The old order changeth, giving place to the
+new;<br />
+And God fulfils Himself in many ways,<br />
+Lest one good custom should corrupt the world.</p>
+</blockquote>
+<p>And that custom of conquest and empire and transplantation did
+more than once corrupt the world.&nbsp; And yet in it, too, God
+may have more than once fulfilled his own designs, as He did, if
+Scripture is to be believed, in Cyrus, well surnamed the Great,
+the founder of the Persian Empire some 2,400 years ago.&nbsp; For
+these empires, it must be remembered, did at least that which the
+Roman Empire did among a scattered number of savage tribes, or
+separate little races, hating and murdering each other, speaking
+different tongues, and worshipping different gods, and losing
+utterly the sense of a common humanity, till they looked on the
+people who dwelt in the next valley as fiends, to be sacrificed,
+if caught, to their own fiends at home.&nbsp; Among such as
+these, empires did introduce order, law, common speech, common
+interest, the notion of nationality and humanity.&nbsp; They, as
+it were, hammered together the fragments of the human race till
+they had moulded them into one.&nbsp; They did it cruelly,
+clumsily, ill: but was there ever work done on earth, however
+noble, which was not&mdash;alas, alas!&mdash;done somewhat
+ill?</p>
+<p><!-- page 101--><a name="page101"></a><span class="pagenum">p.
+101</span>Let me talk to you a little about the old hero.&nbsp;
+He and his hardy Persians should be specially interesting to
+us.&nbsp; For in them first does our race, the Aryan race, appear
+in authentic history.&nbsp; In them first did our race give
+promise of being the conquering and civilising race of the future
+world.&nbsp; And to the conquests of Cyrus&mdash;so strangely are
+all great times and great movements of the human family linked to
+each other&mdash;to his conquests, humanly speaking, is owing the
+fact that you are here, and I am speaking to you at this
+moment.</p>
+<p>It is an oft-told story: but so grand a one that I must sketch
+it for you, however clumsily, once more.</p>
+<p>In that mountain province called Farsistan, north-east of what
+we now call Persia, the dwelling place of the Persians, there
+dwelt, in the sixth and seventh centuries before Christ, a hardy
+tribe, of the purest blood of Iran, a branch of the same race as
+the Celtic, Teutonic, Greek, and Hindoo, and speaking a tongue
+akin to theirs.&nbsp; They had wandered thither, said their
+legends, out of the far north-east, from off some lofty plateau
+of Central Asia, driven out by the increasing cold, which left
+them but two months of summer to ten of winter.</p>
+<p>They despised at first&mdash;would that they had despised
+always!&mdash;the luxurious life of the dwellers in the plains,
+and the effeminate customs of the Medes&mdash;a branch of their
+own race who had conquered <!-- page 102--><a
+name="page102"></a><span class="pagenum">p. 102</span>and
+intermarried with the Turanian, or Finnish tribes; and adopted
+much of their creed, as well as of their morals, throughout their
+vast but short-lived Median Empire.&nbsp; &lsquo;Soft
+countries,&rsquo; said Cyrus himself&mdash;so runs the
+tale&mdash;&lsquo;gave birth to small men.&nbsp; No region
+produced at once delightful fruits and men of a warlike
+spirit.&rsquo;&nbsp; Letters were to them, probably then
+unknown.&nbsp; They borrowed them in after years, as they
+borrowed their art, from Babylonians, Assyrians, and other
+Semitic nations whom they conquered.&nbsp; From the age of five
+to that of twenty, their lads were instructed but in two
+things&mdash;to speak the truth and to shoot with the bow.&nbsp;
+To ride was the third necessary art, introduced, according to
+Xenophon, after they had descended from their mountain fastnesses
+to conquer the whole East.</p>
+<p>Their creed was simple enough.&nbsp; Ahura Mazda&mdash;Ormuzd,
+as he has been called since&mdash;was the one eternal Creator,
+the source of all light and life and good.&nbsp; He spake his
+word, and it accomplished the creation of heaven, before the
+water, before the earth, before the cow, before the tree, before
+the fire, before man the truthful, before the Devas and beasts of
+prey, before the whole existing universe; before every good thing
+created by Ahura Mazda and springing from Truth.</p>
+<p>He needed no sacrifices of blood.&nbsp; He was to be
+worshipped only with prayers, with offerings of the <!-- page
+103--><a name="page103"></a><span class="pagenum">p.
+103</span>inspiring juice of the now unknown herb Homa, and by
+the preservation of the sacred fire, which, understand, was not
+he, but the symbol&mdash;as was light and the sun&mdash;of the
+good spirit&mdash;of Ahura Mazda.&nbsp; They had no images of the
+gods, these old Persians; no temples, no altars, so says
+Herodotus, and considered the use of them a sign of folly.&nbsp;
+They were, as has been well said of them, the Puritans of the old
+world.&nbsp; When they descended from their mountain fastnesses,
+they became the iconoclasts of the old world; and the later
+Isaiah, out of the depths of national shame, captivity and exile,
+saw in them brother-spirits, the chosen of the Lord, whose hero
+Cyrus, the Lord was holding by his right hand, till all the foul
+superstitions and foul effeminacies of the rotten Semitic peoples
+of the East, and even of Egypt itself, should be crushed, though
+alas! only for a while, by men who felt that they had a
+commission from the God of light and truth and purity, to sweep
+out all that with the besom of destruction.</p>
+<p>But that was a later inspiration.&nbsp; In earlier, and it may
+be happier, times, the duty of the good man was to strive against
+all evil, disorder, uselessness, incompetence in their more
+simple forms.&nbsp; &lsquo;He therefore is a holy man,&rsquo;
+says Ormuzd in the Zend-avesta, &lsquo;who has built a dwelling
+on the earth, in which he maintains fire, cattle, his wife, his
+children, and flocks and herds; he who makes the earth produce
+barley, he <!-- page 104--><a name="page104"></a><span
+class="pagenum">p. 104</span>who cultivates the fruits of the
+soil, cultivates purity; he advances the law of Ahura Mazda as
+much as if he had offered a hundred sacrifices.&rsquo;</p>
+<p>To reclaim the waste, to till the land, to make a corner of
+the earth better than they found it, was to these men to rescue a
+bit of Ormuzd&rsquo;s world out of the usurped dominion of
+Ahriman; to rescue it from the spirit of evil and disorder for
+its rightful owner, the Spirit of Order and of Good.</p>
+<p>For they believed in an evil spirit, these old Persians.&nbsp;
+Evil was not for them a lower form of good.&nbsp; With their
+intense sense of the difference between right and wrong it could
+be nothing less than hateful; to be attacked, exterminated, as a
+personal enemy, till it became to them at last impersonate and a
+person.</p>
+<p>Zarathustra, the mystery of evil, weighed heavily on them and
+on their great prophet, Zoroaster&mdash;splendour of gold, as I
+am told his name signifies&mdash;who lived, no man knows clearly
+when or clearly where, but who lived and lives for ever, for his
+works follow him.&nbsp; He, too, tried to solve for his people
+the mystery of evil; and if he did not succeed, who has succeeded
+yet?&nbsp; Warring against Ormuzd, Ahura Mazda, was Ahriman,
+Angra Mainyus, literally the being of an evil mind, the
+ill-conditioned being.&nbsp; He was labouring perpetually to
+spoil the good work of Ormuzd alike in nature and in man.&nbsp;
+He was the <!-- page 105--><a name="page105"></a><span
+class="pagenum">p. 105</span>cause of the fall of man, the
+tempter, the author of misery and death; he was eternal and
+uncreate as Ormuzd was.&nbsp; But that, perhaps, was a corruption
+of the purer and older Zoroastrian creed.&nbsp; With it, if
+Ahriman were eternal in the past, he would not be eternal in the
+future.&nbsp; Somehow, somewhen, somewhere, in the day when three
+prophets&mdash;the increasing light, the increasing truth, and
+the existing truth&mdash;should arise and give to mankind the
+last three books of the Zend-avesta, and convert all mankind to
+the pure creed, then evil should be conquered, the creation
+become pure again, and Ahriman vanish for ever; and, meanwhile,
+every good man was to fight valiantly for Ormuzd, his true lord,
+against Ahriman and all his works.</p>
+<p>Men who held such a creed, and could speak truth and draw the
+bow, what might they not do when the hour and the man
+arrived?&nbsp; They were not a <i>big</i> nation.&nbsp; No; but
+they were a great nation, even while they were eating
+barley-bread and paying tribute to their conquerors the Medes, in
+the sterile valleys of Farsistan.</p>
+<p>And at last the hour and the man came.&nbsp; The story is half
+legendary&mdash;differently told by different authors.&nbsp;
+Herodotus has one tale, Xenophon another.&nbsp; The first, at
+least, had ample means of information.&nbsp; Astyages is the old
+shah of the Median Empire, then at the height of its seeming
+might and splendour and <!-- page 106--><a
+name="page106"></a><span class="pagenum">p.
+106</span>effeminacy.&nbsp; He has married his daughter, the
+princess Mandane, to Cambyses, seemingly a vassal-king or prince
+of the pure Persian blood.&nbsp; One night the old man is
+troubled with a dream.&nbsp; He sees a vine spring from his
+daughter, which overshadows all Asia.&nbsp; He sends for the Magi
+to interpret; and they tell him that Mandane will have a son who
+will reign in his stead.&nbsp; Having sons of his own, and
+fearing for the succession, he sends for Mandane, and, when her
+child is born, gives it to Harpagus, one of his courtiers, to be
+slain.&nbsp; The courtier relents, and hands it over to a
+herdsman, to be exposed on the mountains.&nbsp; The herdsman
+relents in turn, and brings the babe up as his own child.</p>
+<p>When the boy, who goes by the name of Agradates, is grown, he
+is at play with the other herd-boys, and they choose him for a
+mimic king.&nbsp; Some he makes his guards, some he bids build
+houses, some carry his messages.&nbsp; The son of a Mede of rank
+refuses, and Agradates has him seized by his guards and chastised
+with the whip.&nbsp; The ancestral instincts of command and
+discipline are showing early in the lad.</p>
+<p>The young gentleman complains to his father, the father to the
+old king, who of course sends for the herdsman and his boy.&nbsp;
+The boy answers in a tone so exactly like that in which
+Xenophon&rsquo;s Cyrus would have answered, that I must believe
+that both Xenophon&rsquo;s <!-- page 107--><a
+name="page107"></a><span class="pagenum">p. 107</span>Cyrus and
+Herodotus&rsquo; Cyrus (like Xenophon&rsquo;s Socrates and
+Plato&rsquo;s Socrates) are real pictures of a real character;
+and that Herodotus&rsquo; story, though Xenophon says nothing of
+it, is true.</p>
+<p>He has done nothing, the noble boy says, but what was
+just.&nbsp; He had been chosen king in play, because the boys
+thought him most fit.&nbsp; The boy whom he had chastised was one
+of those who chose him.&nbsp; All the rest obeyed: but he would
+not, till at last he got his due reward.&nbsp; &lsquo;If I
+deserve punishment for that,&rsquo; says the boy, &lsquo;I am
+ready to submit.&rsquo;</p>
+<p>The old king looks keenly and wonderingly at the young king,
+whose features seem somewhat like his own.&nbsp; Likely enough in
+those days, when an Iranian noble or prince would have a quite
+different cast of complexion and of face from a Turanian
+herdsman.&nbsp; A suspicion crosses him; and by threats of
+torture he gets the truth from the trembling herdsman.</p>
+<p>To the poor wretch&rsquo;s rapture the old king lets him go
+unharmed.&nbsp; He has a more exquisite revenge to take, and
+sends for Harpagus, who likewise confesses the truth.&nbsp; The
+wily old tyrant has naught but gentle words.&nbsp; It is best as
+it is.&nbsp; He has been very sorry himself for the child, and
+Mandane&rsquo;s reproaches had gone to his heart.&nbsp;
+&lsquo;Let Harpagus go home and send his son to be a companion to
+the new-found prince.&nbsp; To-night there will be great
+sacrifices in honour of the <!-- page 108--><a
+name="page108"></a><span class="pagenum">p.
+108</span>child&rsquo;s safety, and Harpagus is to be a guest at
+the banquet.&rsquo;</p>
+<p>Harpagus comes; and after eating his fill, is asked how he
+likes the king&rsquo;s meat?&nbsp; He gives the usual answer; and
+a covered basket is put before him, out of which he is to
+take&mdash;in Median fashion&mdash;what he likes.&nbsp; He finds
+in it the head and hands and feet of his own son.&nbsp; Like a
+true Eastern he shows no signs of horror.&nbsp; The king asks him
+if he knew what flesh he had been eating.&nbsp; He answers that
+he knew perfectly.&nbsp; That whatever the king did pleased
+him.</p>
+<p>Like an Eastern courtier, he knew how to dissemble, but not to
+forgive, and bided his time.&nbsp; The Magi, to their credit,
+told Astyages that his dream had been fulfilled, that
+Cyrus&mdash;as we must now call the foundling prince&mdash;had
+fulfilled it by becoming a king in play, and the boy is let to go
+back to his father and his hardy Persian life.&nbsp; But Harpagus
+does not leave him alone, nor perhaps, do his own thoughts.&nbsp;
+He has wrongs to avenge on his grandfather.&nbsp; And it seems
+not altogether impossible to the young mountaineer.</p>
+<p>He has seen enough of Median luxury to despise it and those
+who indulge in it.&nbsp; He has seen his own grandfather with his
+cheeks rouged, his eyelids stained with antimony, living a
+womanlike life, shut up from all his subjects in the recesses of
+a vast seraglio.</p>
+<p>He calls together the mountain rulers; makes friends with
+Tigranes, an Armenian prince, a vassal <!-- page 109--><a
+name="page109"></a><span class="pagenum">p. 109</span>of the
+Mede, who has his wrongs likewise to avenge.&nbsp; And the two
+little armies of foot-soldiers&mdash;the Persians had no
+cavalry&mdash;defeat the innumerable horsemen of the Mede, take
+the old king, keep him in honourable captivity, and so change,
+one legend says, in a single battle, the fortunes of the whole
+East.</p>
+<p>And then begins that series of conquests of which we know
+hardly anything, save the fact that they were made.&nbsp; The
+young mountaineer and his playmates, whom he makes his generals
+and satraps, sweep onward towards the West, teaching their men
+the art of riding, till the Persian cavalry becomes more famous
+than the Median had been.&nbsp; They gather to them, as a
+snow-ball gathers in rolling, the picked youth of every tribe
+whom they overcome.&nbsp; They knit these tribes to them in
+loyalty and affection by that righteousness&mdash;that
+truthfulness and justice&mdash;for which Isaiah in his grandest
+lyric strains has made them illustrious to all time; which
+Xenophon has celebrated in like manner in that exquisite book of
+his&mdash;the <i>Cyrop&aelig;dia</i>.&nbsp; The great Lydian
+kingdom of Cr&oelig;sus&mdash;Asia Minor as we call it
+now&mdash;goes down before them.&nbsp; Babylon itself goes down,
+after that world-famed siege which ended in Belshazzar&rsquo;s
+feast; and when Cyrus died&mdash;still in the prime of life, the
+legends seem to say&mdash;he left a coherent and well-organised
+empire, which stretched from the Mediterranean to Hindostan.</p>
+<p>So runs the tale, which to me, I confess, sounds <!-- page
+110--><a name="page110"></a><span class="pagenum">p.
+110</span>probable and rational enough.&nbsp; It may not do so to
+you; for it has not to many learned men.&nbsp; They are inclined
+to &lsquo;relegate it into the region of myth;&rsquo; in plain
+English, to call old Herodotus a liar, or at least a dupe.&nbsp;
+What means those wise men can have at this distance of more than
+2000 years, of knowing more about the matter than Herodotus, who
+lived within 100 years of Cyrus, I for myself, cannot
+discover.&nbsp; And I say this without the least wish to
+disparage these hypercritical persons.&nbsp; For there
+are&mdash;and more there ought to be, as long as lies and
+superstitions remain on this earth&mdash;a class of thinkers who
+hold in just suspicion all stories which savour of the
+sensational, the romantic, even the dramatic.&nbsp; They know the
+terrible uses to which appeals to the fancy and the emotions have
+been applied, and are still applied to enslave the intellects,
+the consciences, the very bodies of men and women.&nbsp; They
+dread so much from experience the abuse of that formula, that a
+thing is so beautiful it must be true, that they are inclined to
+reply, &lsquo;Rather let us say boldly, it is so beautiful that
+it cannot be true.&nbsp; Let us mistrust, or even refuse to
+believe <i>&agrave; priori</i>, and at first sight, all
+startling, sensational, even poetic tales, and accept nothing as
+history, which is not as dull as the ledger of a dry goods&rsquo;
+store.&rsquo;&nbsp; But I think that experience, both in nature
+and in society, are against that ditch-water philosophy.&nbsp;
+The weather, being governed by laws, <!-- page 111--><a
+name="page111"></a><span class="pagenum">p. 111</span>ought
+always to be equable and normal, and yet you have whirlwinds,
+droughts, thunderstorms.&nbsp; The share-market, being governed
+by laws, ought to be always equable and normal, and yet you have
+startling transactions, startling panics, startling disclosures,
+and a whole sensational romance of commercial crime and
+folly.&nbsp; Which of us has lived to be fifty years old, without
+having witnessed in private life sensation tragedies, alas!
+sometimes too fearful to be told, or at least sensational
+romances, which we shall take care not to tell, because we shall
+not be believed?&nbsp; Let the ditch-water philosophy say what it
+will, human life is not a ditch, but a wild and roaring river,
+flooding its banks, and eating out new channels with many a
+landslip.&nbsp; It is a strange world, and man, a strange animal,
+guided, it is true, usually by most commonplace motives; but, for
+that reason, ready and glad at times to escape from them and
+their dulness and baseness; to give vent, if but for a moment, in
+wild freedom, to that demoniac element, which, as Goethe says,
+underlies his nature and all nature; and to prefer for an hour,
+to the normal and respectable ditch-water, a bottle of champagne
+or even a carouse on fire-water, let the consequences be what
+they may.</p>
+<p>How else shall we explain such a phenomenon as those old
+crusades?&nbsp; Were they undertaken for any purpose, commercial
+or other?&nbsp; Certainly not for lightening an overburdened
+population.&nbsp; Nay, is not <!-- page 112--><a
+name="page112"></a><span class="pagenum">p. 112</span>the history
+of your own Mormons, and their exodus into the far West, one of
+the most startling instances which the world has seen for several
+centuries, of the unexpected and incalculable forces which lie
+hid in man?&nbsp; Believe me, man&rsquo;s passions, heated to
+igniting point, rather than his prudence cooled down to freezing
+point, are the normal causes of all great human movement.&nbsp;
+And a truer law of social science than any that political
+economists are wont to lay down, is that old &lsquo;Dov&rsquo;
+&eacute; la Donna&rsquo; of the Italian judge, who used to ask,
+as a preliminary to every case, civil or criminal, which was
+brought before him, &lsquo;Dov&rsquo; &eacute; la
+Donna?&rsquo;&nbsp; &lsquo;Where is the lady?&rsquo; certain,
+like a wise old gentleman, that a woman was most probably at the
+bottom of the matter.</p>
+<p>Strangeness?&nbsp; Romance?&nbsp; Did any of you ever
+read&mdash;if you have not you should read&mdash;Archbishop
+Whately&rsquo;s <i>Historic Doubts about the Emperor Napoleon the
+First</i>?&nbsp; Therein the learned and witty Archbishop proved,
+as early as 1819, by fair use of the criticism of Mr. Hume and
+the Sceptic School, that the whole history of the great Napoleon
+ought to be treated by wise men as a myth and a romance, that
+there is little or no evidence of his having existed at all; and
+that the story of his strange successes and strange defeats was
+probably invented by our Government in order to pander to the
+vanity of the English nation.</p>
+<p><!-- page 113--><a name="page113"></a><span class="pagenum">p.
+113</span>I will say this, which Archbishop Whately, in a late
+edition, foreshadows, wittily enough&mdash;that if one or two
+thousand years hence, when the history of the late Emperor
+Napoleon the Third, his rise and fall, shall come to be subjected
+to critical analysis by future Philistine historians of New
+Zealand or Australia, it will be proved by them to be utterly
+mythical, incredible, monstrous&mdash;and that all the more, the
+more the actual facts remain to puzzle their unimaginative
+brains.&nbsp; What will they make, two thousand years hence, of
+the landing at Boulogne with the tame eagle?&nbsp; Will not that,
+and stranger facts still, but just as true, be relegated to the
+region of myth, with the dream of Astyages, and the young and
+princely herdsman playing at king over his fellow-slaves?</p>
+<p>But enough of this.&nbsp; To me, these bits of romance often
+seem the truest, as well as the most important, portions of
+history.</p>
+<p>When old Herodotus tells me how, King Astyages having guarded
+the frontier, Harpagus sent a hunter to young Cyrus with a
+fresh-killed hare, telling him to open it in private; and how,
+sewn up in it was the letter, telling him that the time to rebel
+was come, I am inclined to say, That must be true.&nbsp; So
+beneath the dignity of history, so quaint and unexpected, it is
+all the more likely <i>not</i> to have been invented.</p>
+<p>So with that other story&mdash;How young Cyrus <!-- page
+114--><a name="page114"></a><span class="pagenum">p.
+114</span>giving out that his grandfather had made him general of
+the Persians, summoned them all, each man with a sickle in his
+hand, into a prairie full of thorns, and bade them clear it in
+one day; and how when they, like loyal men, had finished, he bade
+them bathe, and next day he took them into a great meadow and
+feasted them with corn and wine, and all that his father&rsquo;s
+farm would yield, and asked them which day they liked best; and,
+when they answered as was to be expected, how he opened his
+parable and told them, &lsquo;Choose, then, to work for the
+Persians like slaves, or to be free with me.&rsquo;</p>
+<p>Such a tale sounds to me true.&nbsp; It has the very savour of
+the parables of the Old Testament; as have, surely, the dreams of
+the old Sultan, with which the tale begins.&nbsp; Do they not put
+us in mind of the dreams of Nebuchadnezzar, in the Book of
+Daniel?</p>
+<p>Such stories are actually so beautiful that they are very
+likely to be true.&nbsp; Understand me, I only say likely; the
+ditch-water view of history is not all wrong.&nbsp; Its advocates
+are right in saying great historic changes are not produced
+simply by one great person, by one remarkable event.&nbsp; They
+have been preparing, perhaps, for centuries.&nbsp; They are the
+result of numberless forces, acting according to laws, which
+might have been foreseen, and will be foreseen, when the science
+of History is more perfectly understood.</p>
+<p><!-- page 115--><a name="page115"></a><span class="pagenum">p.
+115</span>For instance, Cyrus could not have conquered the Median
+Empire at a single blow, if first that empire had not been
+utterly rotten; and next, if he and his handful of Persians had
+not been tempered and sharpened, by long hardihood, to the finest
+cutting edge.</p>
+<p>Yes, there were all the materials for the
+catastrophe&mdash;the cannon, the powder, the shot.&nbsp; But to
+say that the Persians must have conquered the Medes, even if
+Cyrus had never lived, is to say, as too many philosophers seem
+to me to say, that, given cannon, powder, and shot, it will fire
+itself off some day if we only leave it alone long enough.</p>
+<p>It may be so.&nbsp; But our usual experience of Nature and
+Fact is, that spontaneous combustion is a rare and exceptional
+phenomenon; that if a cannon is to be fired, someone must arise
+and pull the trigger.&nbsp; And I believe that in Society and
+Politics, when a great event is ready to be done, someone must
+come and do it&mdash;do it, perhaps, half unwittingly, by some
+single rash act&mdash;like that first fatal shot fired at Fort
+Sumter&mdash;which makes, as by an electric spark, a whole nation
+flash into enduring flame.</p>
+<p>But to return to Cyrus and his Persians.</p>
+<p>I know not whether the <i>Cyrop&aelig;dia</i> is much read in
+your schools and universities.&nbsp; But it is one of the books
+which I should like to see, either in a translation or its own
+exquisite Greek, in the hands of every <!-- page 116--><a
+name="page116"></a><span class="pagenum">p. 116</span>young
+man.&nbsp; It is not all fact.&nbsp; It is but a historic
+romance.&nbsp; But it is better than history.&nbsp; It is an
+ideal book, like Sidney&rsquo;s <i>Arcadia</i> or Spenser&rsquo;s
+<i>Fairy Queen</i>&mdash;the ideal self-education of an ideal
+hero.&nbsp; And the moral of the book&mdash;ponder it well, all
+young men who have the chance or the hope of exercising authority
+among your fellow-men, the noble and most Christian moral of that
+heathen book is this: that the path to solid and beneficent
+influence over our fellow-men lies, not through brute force, not
+through cupidity, but through the highest morality; through
+justice, truthfulness, humanity, self-denial, modesty, courtesy,
+and all which makes man or woman lovely in the eyes of mortals or
+of God.</p>
+<p>Yes, the <i>Cyrop&aelig;dia</i> is a noble book, about a noble
+personage.&nbsp; But I cannot forget that there are nobler words
+by far concerning that same noble personage, in the magnificent
+series of Hebrew Lyrics, which begins, &lsquo;Comfort ye, comfort
+ye, my people, saith the Lord&rsquo;&mdash;in which the inspired
+poet, watching the rise of Cyrus and his Puritans, and the fall
+of Babylon, and the idolatries of the East, and the coming
+deliverance of his own countrymen, speaks of the Persian hero in
+words so grand that they have been often enough applied, and with
+all fitness, to one greater than Cyrus, and than all
+men:&mdash;</p>
+<blockquote><p>Who raised up the righteous man from the East,<br
+/>
+And called him to attend his steps?<br />
+<!-- page 117--><a name="page117"></a><span class="pagenum">p.
+117</span>Who subdued nations at his presence,<br />
+And gave him dominion over kings?<br />
+And made them like the dust before his sword,<br />
+And the driven stubble before his bow?<br />
+He pursueth them, he passeth in safety,<br />
+By a way never trodden before by his feet.<br />
+Who hath performed and made these things,<br />
+Calling the generations from the beginning?<br />
+I, Jehovah, the first and the last, I am the same.</p>
+<p>Behold my servant, whom I will uphold;<br />
+My chosen, in whom my soul delighteth;<br />
+I will make my spirit rest upon him,<br />
+And he shall publish judgment to the nations.<br />
+He shall not cry aloud, nor clamour,<br />
+Nor cause his voice to be heard in the streets.<br />
+The bruised reed he shall not break,<br />
+And the smoking flax he shall not quench.<br />
+He shall publish justice, and establish it.<br />
+His force shall not be abated, nor broken,<br />
+Until he has firmly seated justice in the earth,<br />
+And the distant nations shall wait for his Law.<br />
+Thus saith the God, even Jehovah,<br />
+Who created the heavens, and stretched them out;<br />
+Who spread abroad the earth, and its produce,<br />
+I, Jehovah, have called thee for a righteous end,<br />
+And I will take hold of thy hand, and preserve thee,<br />
+And I will give thee for a covenant to the people,<br />
+And for a light to the nations;<br />
+To open the eyes of the blind,<br />
+To bring the captives out of prison,<br />
+And from the dungeon those who dwell in darkness.<br />
+I am Jehovah&mdash;that is my name;<br />
+<!-- page 118--><a name="page118"></a><span class="pagenum">p.
+118</span>And my glory will I not give to another,<br />
+Nor my praise to the graven idols.</p>
+<p>Who saith to Cyrus&mdash;Thou art my shepherd,<br />
+And he shall fulfil all my pleasure:<br />
+Who saith to Jerusalem&mdash;Thou shalt be built;<br />
+And to the Temple&mdash;Thou shalt be founded.<br />
+Thus saith Jehovah to his anointed,<br />
+To Cyrus whom I hold fast by his right hand,<br />
+That I may subdue nations under him,<br />
+And loose the loins of kings;<br />
+That I may open before him the two-leaved doors,<br />
+And the gates shall not be shut;<br />
+I will go before thee<br />
+And bring the mountains low.<br />
+The gates of brass will I break in sunder,<br />
+And the bars of iron hew down.<br />
+And I will give thee the treasures of darkness,<br />
+And the hoards hid deep in secret places,<br />
+That thou mayest know that I am Jehovah.<br />
+I have surnamed thee, though thou knowest not me.<br />
+I am Jehovah and none else:<br />
+Beside me there is no God.<br />
+I will gird thee, though thou hast not known me,<br />
+That they may know from the rising of the sun,<br />
+And from the west, that there is none beside me;<br />
+I am Jehovah, and none else;<br />
+Forming light, and creating darkness;<br />
+Forming peace, and creating evil.<br />
+I, Jehovah, make all these.</p>
+</blockquote>
+<p>This is the Hebrew prophet&rsquo;s conception of the great
+Puritan of the Old World who went forth with <!-- page 119--><a
+name="page119"></a><span class="pagenum">p. 119</span>such a
+commission as this, to destroy the idols of the East, while</p>
+<blockquote><p>The isles saw that, and feared,<br />
+And the ends of the earth were afraid;<br />
+They drew near, they came together;<br />
+Everyone helped his neighbour,<br />
+And said to his brother, Be of good courage.</p>
+<p>The carver encouraged the smith,<br />
+He that smoothed with the hammer<br />
+Him that smote on the anvil;<br />
+Saying of the solder, It is good;<br />
+And fixing the idol with nails, lest it be moved;</p>
+</blockquote>
+<p>But all in vain; for as the poet goes on&mdash;</p>
+<blockquote><p>Bel bowed down, and Nebo stooped;<br />
+Their idols were upon the cattle,<br />
+A burden to the weary beast.<br />
+They stoop, they bow down together;<br />
+They could not deliver their own charge;<br />
+Themselves are gone into captivity.</p>
+</blockquote>
+<p>And what, to return, what was the end of the great Cyrus and
+of his empire?</p>
+<p>Alas, alas! as with all human glory, the end was not as the
+beginning.</p>
+<p>We are scarce bound to believe positively the story how Cyrus
+made one war too many, and was cut off in the Scythian deserts,
+falling before the arrows of mere savages; and how their queen,
+Tomyris, poured blood down the throat of the dead corpse, with
+the <!-- page 120--><a name="page120"></a><span
+class="pagenum">p. 120</span>words, &lsquo;Glut thyself with the
+gore for which thou hast thirsted.&rsquo;&nbsp; But it may be
+true&mdash;for Xenophon states it expressly, and with
+detail&mdash;that Cyrus, from the very time of his triumph,
+became an Eastern despot, a sultan or a shah, living apart from
+his people in mysterious splendour, in the vast fortified palace
+which he built for himself; and imitating and causing his nobles
+and satraps to imitate, in all but vice and effeminacy, the very
+Medes whom he had conquered.&nbsp; And of this there is no
+doubt&mdash;that his sons and their empire ran rapidly through
+that same vicious circle of corruption to which all despotisms
+are doomed, and became within 250 years, even as the Medes, the
+Chaldeans, the Lydians, whom they had conquered, children no
+longer of Ahura Mazda, but of Ahriman, of darkness and not of
+light, to be conquered by Alexander and his Greeks even more
+rapidly and more shamefully than they had conquered the East.</p>
+<p>This is the short epic of the Persian Empire, ending alas! as
+all human epics are wont to end, sadly, if not shamefully.</p>
+<p>But let me ask you, Did I say too much, when I said, that to
+these Persians we owe that we are here to-night?</p>
+<p>I do not say that without them we should not have been
+here.&nbsp; God, I presume, when He is minded to do anything has
+more than one way of doing it.</p>
+<p>But that we are to-night the last link in a chain of <!-- page
+121--><a name="page121"></a><span class="pagenum">p.
+121</span>causes and effects which reaches as far back as the
+emigration of the Persians southward from the plateau of Pamir,
+we cannot doubt.</p>
+<p>For see.&nbsp; By the fall of Babylon and its empire the Jews
+were freed from their captivity&mdash;large numbers of them at
+least&mdash;and sent home to their own Jerusalem.&nbsp; What
+motives prompted Cyrus, and Darius after him, to do that
+deed?</p>
+<p>Those who like to impute the lowest motives may say if they
+will, that Daniel and the later Isaiah found it politic to
+worship the rising sun, and flatter the Persian conquerors: and
+that Cyrus and Darius in turn were glad to see Jerusalem rebuilt,
+as an impregnable frontier fortress between them and Egypt.&nbsp;
+Be it so; I, who wish to talk of things noble, pure, lovely and
+of good report, would rather point you once more to the
+magnificent poetry of the later Isaiah which commences at the
+40th chapter of the Book of Isaiah, and say&mdash;There, upon the
+very face of the document, stands written the fact that the
+sympathy between the faithful Persian and the faithful
+Jew&mdash;the two Puritans of the Old World, the two haters of
+lies, idolatries, superstitions&mdash;was actually as intense as
+it ought to have been, as it must have been.</p>
+<p>Be that as it may, the return of the Jews to Jerusalem
+preserved for us the Old Testament, while it restored to them a
+national centre, a sacred city, like that of Delphi to the
+Greeks, Rome to the Romans, Mecca <!-- page 122--><a
+name="page122"></a><span class="pagenum">p. 122</span>to the
+Muslim, loyalty to which prevented their being utterly absorbed
+by the more civilised Eastern races among whom they had been
+scattered abroad as colonies of captives.</p>
+<p>Then another, and a seemingly needful link of cause and effect
+ensued: Alexander of Macedon destroyed the Persian Empire, and
+the East became Greek, and Alexandria, rather than Jerusalem,
+became the head-quarters of Jewish learning.&nbsp; But for that
+very cause, the Scriptures were not left inaccessible to the mass
+of mankind, like the old Pehlevi liturgies of the Zend-avesta, or
+the old Sanscrit Vedas, in an obsolete and hieratic tongue, but
+were translated into, and continued in, the then all but
+world-wide Hellenic speech, which was to the ancient world what
+French is to the modern.</p>
+<p>Then the East became Roman, without losing its Greek
+speech.&nbsp; And under the wide domination of that later Roman
+Empire&mdash;which had subdued and organised the whole known
+world, save the Parthian descendants of those old Persians, and
+our old Teutonic forefathers, in their German forests and on
+their Scandinavian shores&mdash;that Divine book was carried far
+and wide, East and West, and South, from the heart of Abyssinia
+to the mountains of Armenia, and to the isles of the ocean,
+beyond Britain itself to Ireland and to the Hebrides.</p>
+<p>And that book&mdash;so strangely coinciding with the <!-- page
+123--><a name="page123"></a><span class="pagenum">p.
+123</span>old creed of the earlier Persians&mdash;that book, long
+misunderstood, long overlain by the dust, and overgrown by the
+parasitic fungi of centuries, that book it was which sent to
+these trans-Atlantic shores the founders of your great
+nation.&nbsp; That book gave them their instinct of freedom,
+tempered by reverence for Law.&nbsp; That book gave them their
+hatred of idolatry; and made them not only say but act upon their
+own words, with these old Persians and with the Jewish prophets
+alike, Sacrifice and burnt-offering thou wouldst not; then said
+we, Lo, we come.&nbsp; In the volume of the book it is written of
+us, that we come to do thy will, O God.&nbsp; Yes, long and
+fantastic is the chain of causes and effects, which links you
+here to the old heroes who came down from Central Asia, because
+the land had grown so wondrous cold, that there were ten months
+of winter to two of summer; and when simply after warmth and
+life, and food for them and for their flocks, they wandered forth
+to found and help to found a spiritual kingdom.</p>
+<p>And even in their migration, far back in these dim and mystic
+ages, have we found the earliest link of the long chain?&nbsp;
+Not so.&nbsp; What if the legend of the change of climate be the
+dim recollection of an enormous physical fact?&nbsp; What if it,
+and the gradual depopulation of the whole north of Asia be owing,
+as geologists now suspect, to the slow and age-long uprise of the
+whole of Siberia, thrusting the warm Arctic <!-- page 124--><a
+name="page124"></a><span class="pagenum">p. 124</span>sea further
+and further to the northward, and placing between it and the
+Highlands of Thibet an ever-increasing breadth of icy land,
+destroying animals, and driving whole races southward, in search
+of the summer and the sun?</p>
+<p>What if the first link in the chain, as yet conceivable by
+man, should be the cosmic changes in the distribution of land and
+water, which filled the mouths of the Siberian rivers with frozen
+carcases of woolly mammoth and rhinoceros; and those again, doubt
+it not, of other revolutions, reaching back and back, and on and
+on, into the infinite unknown.&nbsp; Why not?&nbsp; For so are
+all human destinies</p>
+<blockquote><p>Bound with gold chains unto the throne of God.</p>
+</blockquote>
+<h2><!-- page 125--><a name="page125"></a><span
+class="pagenum">p. 125</span>LECTURE V.<br />
+ANCIENT CIVILISATION.</h2>
+<p>There is a theory abroad in the world just now about the
+origin of the human race, which has so many patent and powerful
+physiological facts to support it that we must not lightly say
+that it is absurd or impossible; and that is, that man&rsquo;s
+mortal body and brain were derived from some animal and ape-like
+creature.&nbsp; Of that I am not going to speak now.&nbsp; My
+subject is&mdash;How this creature called man, from whatever
+source derived, became civilised, rational, and moral.&nbsp; And
+I am sorry to say there is tacked on by many to the first theory,
+another which does not follow from it, and which has really
+nothing to do with it, and it is this&mdash;that man, with all
+his wonderful and mysterious aspirations, always unfulfilled yet
+always precious, at once his torment and his joy, his very hope
+of everlasting life&mdash;that man, I say, developed himself,
+unassisted, out of a state of prim&aelig;val brutishness, simply
+by calculations of pleasure and pain, by observing what actions
+would <!-- page 126--><a name="page126"></a><span
+class="pagenum">p. 126</span>pay in the long run and what would
+not; and so learnt to conquer his selfishness by a more refined
+and extended selfishness, and exchanged his brutality for
+worldliness, and then, in a few instances, his worldliness for
+next-worldliness.&nbsp; I hope I need not say that I do not
+believe this theory.&nbsp; If I did, I could not be a Christian,
+I think, nor a philosopher either.&nbsp; At least, if I thought
+that human civilisation had sprung from such a dunghill as that,
+I should, in honour to my race, say nothing about it, here or
+elsewhere.</p>
+<p>Why talk of the shame of our ancestors?&nbsp; I want to talk
+of their honour and glory.&nbsp; I want to talk, if I talk at
+all, about great times, about noble epochs, noble movements,
+noble deeds, and noble folk; about times in which the human
+race&mdash;it may be through many mistakes, alas! and sin, and
+sorrow and bloodshed&mdash;struggled up one step higher on those
+great stairs which, as we hope, lead upward towards the far-off
+city of God; the perfect polity, the perfect civilisation, the
+perfect religion, which is eternal in the heavens.</p>
+<p>Of great men, then, and noble deeds I want to speak.&nbsp; I
+am bound to do so first, in courtesy to my hearers.&nbsp; For in
+choosing such a subject I took for granted a nobleness and
+greatness of mind in them which can appreciate and enjoy the
+contemplation of that which is lofty and heroic, and that which
+is useful indeed, <!-- page 127--><a name="page127"></a><span
+class="pagenum">p. 127</span>though not to the purses merely or
+the mouths of men, but to their intellects and spirits; that
+highest philosophy which, though she can (as has been sneeringly
+said of her) bake no bread, can at least do this&mdash;and she
+alone&mdash;make men worthy to eat the bread which God has given
+them.</p>
+<p>I am bound to speak on such subjects, because I have never yet
+met, or read of, the human company who did not require, now and
+then at least, being reminded of such times and such
+personages&mdash;of whatsoever things are just, pure, true,
+lovely, and of good report, if there be any manhood and any
+praise to think, as St. Paul bids us all, of such things, that we
+may keep up in our minds as much as possible a lofty standard, a
+pure ideal, instead of sinking to the mere selfish standard which
+judges all things, even those of the world to come, by profit and
+by loss, and into that sordid frame of mind in which a man grows
+to believe that the world is constructed of bricks and timber,
+and kept going by the price of stocks.</p>
+<p>We are all tempted, and the easier and more prosperous we are,
+the more we are tempted, to fall into that sordid and shallow
+frame of mind.&nbsp; Sordid even when its projects are most
+daring, its outward luxuries most refined; and shallow, even when
+most acute, when priding itself most on its knowledge of human
+nature, and of the secret springs which, so it dreams, move the
+actions and make the history of <!-- page 128--><a
+name="page128"></a><span class="pagenum">p. 128</span>nations and
+of men.&nbsp; All are tempted that way, even the
+noblest-hearted.&nbsp; <i>Adh&aelig;sit pavimento venter</i>,
+says the old psalmist.&nbsp; I am growing like the snake,
+crawling in the dust, and eating the dust in which I crawl.&nbsp;
+I try to lift up my eyes to the heavens, to the true, the
+beautiful, the good, the eternal nobleness which was before all
+time, and shall be still when time has past away.&nbsp; But to
+lift up myself is what I cannot do.&nbsp; Who will help me?&nbsp;
+Who will quicken me? as our old English tongue has it.&nbsp; Who
+will give me life?&nbsp; The true, pure, lofty human life which I
+did <i>not</i> inherit from the prim&aelig;val ape, which the
+ape-nature in me is for ever trying to stifle, and make me that
+which I know too well I could so easily become&mdash;a cunninger
+and more dainty-featured brute?&nbsp; Death itself, which seems
+at times so fair, is fair because even it may raise me up and
+deliver me from the burden of this animal and mortal
+body&mdash;</p>
+<blockquote><p>&rsquo;Tis life, not death, for which I pant;<br
+/>
+&rsquo;Tis life, whereof my nerves are scant;<br />
+More life, and fuller, that I want.</p>
+</blockquote>
+<p>Man?&nbsp; I am a man not by reason of my bones and muscles,
+nerves and brain, which I have in common with apes and dogs and
+horses.&nbsp; I am a man&mdash;thou art a man or woman&mdash;not
+because we have a flesh&mdash;God forbid! but because there is a
+spirit in us, a divine spark and ray, which nature did not give,
+and <!-- page 129--><a name="page129"></a><span
+class="pagenum">p. 129</span>which nature cannot take away.&nbsp;
+And therefore, while I live on earth, I will live to the spirit,
+not to the flesh, that I may be, indeed, a <i>man</i>; and this
+same gross flesh, this animal ape-nature in me, shall be the very
+element in me which I will renounce, defy, despise; at least, if
+I am minded to be, not a merely higher savage, but a truly higher
+civilised man.&nbsp; Civilisation with me shall mean, not more
+wealth, more finery, more self-indulgence&mdash;even more
+&aelig;sthetic and artistic luxury; but more virtue, more
+knowledge, more self-control, even though I earn scanty bread by
+heavy toil; and when I compare the C&aelig;sar of Rome or the
+great king, whether of Egypt, Babylon, or Persia, with the hermit
+of the <i>Thebaid</i>, starving in his frock of camel&rsquo;s
+hair, with his soul fixed on the ineffable glories of the unseen,
+and striving, however wildly and fantastically, to become an
+angel and not an ape, I will say the hermit, and not the
+C&aelig;sar, is the civilised man.</p>
+<p>There are plenty of histories of civilisation and theories of
+civilisation abroad in the world just now, and which profess to
+show you how the prim&aelig;val savage has, or at least may have,
+become the civilised man.&nbsp; For my part, with all due and
+careful consideration, I confess I attach very little value to
+any of them: and for this simple reason that we have no
+facts.&nbsp; The facts are lost.</p>
+<p>Of course, if you assume a proposition as certainly <!-- page
+130--><a name="page130"></a><span class="pagenum">p.
+130</span>true, it is easy enough to prove that proposition to be
+true, at least to your own satisfaction.&nbsp; If you assert with
+the old proverb, that you may make a silk purse out of a
+sow&rsquo;s ear, you will be stupider than I dare suppose anyone
+here to be, if you cannot invent for yourselves all the
+intermediate stages of the transformation, however
+startling.&nbsp; And, indeed, if modern philosophers had stuck
+more closely to this old proverb, and its defining verb
+&lsquo;make,&rsquo; and tried to show how some person or
+persons&mdash;let them be who they may&mdash;men, angels, or
+gods&mdash;made the sow&rsquo;s ear into the silk purse, and the
+savage into the sage&mdash;they might have pleaded that they were
+still trying to keep their feet upon the firm ground of actual
+experience.&nbsp; But while their theory is, that the sow&rsquo;s
+ear grew into a silk purse of itself, and yet unconsciously and
+without any intention of so bettering itself in life; why, I
+think that those who have studied the history which lies behind
+them, and the poor human nature which is struggling, and sinning,
+and sorrowing and failing around them, and which seems on the
+greater part of this planet going downwards and not upwards, and
+by no means bettering itself, save in the increase of
+opera-houses, liquor-bars, and gambling-tables, and that which
+pertaineth thereto; then we, I think, may be excused if we say
+with the old Stoics&mdash;&#7952;&pi;&#941;&chi;&omega;&mdash;I
+withhold my judgment.&nbsp; I know nothing about the <!-- page
+131--><a name="page131"></a><span class="pagenum">p.
+131</span>matter yet; and you, O my imaginative, though learned
+friends, know I suspect very little either.</p>
+<blockquote><p>Eldest of things, Divine Equality:</p>
+</blockquote>
+<p>so sang poor Shelley, and with a certain truth.&nbsp; For, if,
+as I believe, the human race sprang from a single pair, there
+must have been among their individual descendants an equality far
+greater than any which has been known on earth during historic
+times.&nbsp; But that equality was at best, the infantile
+innocence of the primary race, which faded away in the race as
+quickly, alas! as it does in the individual child.&nbsp;
+Divine&mdash;therefore it was one of the first blessings which
+man lost; one of the last, I fear, to which he will return; that
+to which civilisation, even at its best yet known, has not yet
+attained, save here and there for short periods; but towards
+which it is striving as an ideal goal, and, as I trust, not in
+vain.</p>
+<p>The eldest of things which we see actually as history, is not
+equality, but an already developed hideous inequality, trying to
+perpetuate itself, and yet by a most divine and gracious law,
+destroying itself by the very means which it uses to keep itself
+alive.</p>
+<p>&lsquo;There were giants in the earth in those days, And
+Nimrod began to be a mighty one in the earth&rsquo;&mdash;</p>
+<blockquote><p>A mighty hunter; and his game was man.</p>
+</blockquote>
+<p>No; it is not equality which we see through the dim mists of
+bygone ages.</p>
+<p><!-- page 132--><a name="page132"></a><span class="pagenum">p.
+132</span>What we do see, is&mdash;I know not whether you will
+think me superstitious or old-fashioned, but so I hold&mdash;very
+much what the earlier books of the Bible show us under symbolic
+laws.&nbsp; Greek histories, Roman histories, Egyptian histories,
+Eastern histories, inscriptions, national epics, legends,
+fragments of legends&mdash;in the New World as in the
+Old&mdash;all tell the same story.&nbsp; Not the story without an
+end, but the story without a beginning.&nbsp; As in the Hindoo
+cosmogony, the world stands on an elephant, and the elephant on a
+tortoise, and the tortoise on&mdash;what?&nbsp; No man
+knows.&nbsp; I do not know.&nbsp; I only assert deliberately;
+waiting, as Napoleon says, till the world come round to me, that
+the tortoise does not stand&mdash;as is held by certain
+anthropologists, some honoured by me, some personally dear to
+me&mdash;upon the savages who chipped flints and fed on mammoth
+and reindeer in North-western Europe, shortly after the age of
+ice, a few hundred thousand years ago.&nbsp; These sturdy little
+fellows&mdash;the kinsmen probably of the Esquimaux and
+Lapps&mdash;could have been but the avant-couriers, or more
+probably the fugitives from the true mass of
+mankind&mdash;spreading northward from the Tropics, into climes
+becoming, after the long catastrophe of the age of ice, once more
+genial enough to support men who knew what decent comfort was,
+and were strong enough to get the same, by all means fair or
+foul.&nbsp; No.&nbsp; The tortoise of the human race does not
+stand on a <!-- page 133--><a name="page133"></a><span
+class="pagenum">p. 133</span>savage.&nbsp; The savage may stand
+on an ape-like creature.&nbsp; I do not say that he does
+not.&nbsp; I do not say that he does.&nbsp; I do not know; and no
+man knows.&nbsp; But at least I say that the civilised man and
+his world stand not upon creatures like to any savage now known
+upon the earth.&nbsp; For first, it seems to be most unlikely;
+and next, and more important to an inductive philosopher, there
+is no proof of it.&nbsp; I see no savages becoming really
+civilised men&mdash;that is&mdash;not merely men who will ape the
+outside of our so-called civilisation, even absorb a few of our
+ideas; not merely that; but truly civilised men who will think
+for themselves, invent for themselves, act for themselves; and
+when the sacred lamp of light and truth has been passed into
+their hands, carry it on unextinguished, and transmit it to their
+successors without running back every moment to get it relighted
+by those from whom they received it: and who are
+bound&mdash;remember that&mdash;patiently and lovingly to relight
+it for them; to give freely to all their fellow-men of that which
+God has given to them and to their ancestors; and let God, not
+man, be judge of how much the Red Indian or the Polynesian, the
+Caffre or the Chinese, is capable of receiving and of using.</p>
+<p>Moreover, in history there is no record, absolutely no record,
+as far as I am aware, of any savage tribe civilising
+itself.&nbsp; It is a bold saying.&nbsp; I stand by my assertion:
+most happy to find myself confuted, even <!-- page 134--><a
+name="page134"></a><span class="pagenum">p. 134</span>in a single
+instance; for my being wrong would give me, what I can have no
+objection to possess, a higher opinion than I have now, of the
+unassisted capabilities of my fellow-men.</p>
+<p>But civilisation must have begun somewhen, somewhere, with
+some person, or some family, or some nation; and how did it
+begin?</p>
+<p>I have said already that I do not know.&nbsp; But I have had
+my dream&mdash;like the philosopher&mdash;and as I have not been
+ashamed to tell it elsewhere, I shall not be ashamed to tell it
+here.&nbsp; And it is this:&mdash;</p>
+<p>What if the beginnings of true civilisation in this unique,
+abnormal, diseased, unsatisfied, incomprehensible, and truly
+miraculous and supernatural race we call man, had been literally,
+and in actual fact, miraculous and supernatural likewise?&nbsp;
+What if that be the true key to the mystery of humanity and its
+origin?&nbsp; What if the few first chapters of the most ancient
+and most sacred book should point, under whatever symbols, to the
+actual and the only possible origin of civilisation, the
+education of a man, or a family by beings of some higher race
+than man?&nbsp; What if the old Puritan doctrine of Election
+should be even of a deeper and wider application than divines
+have been wont to think?&nbsp; What if individuals, if peoples,
+have been chosen out from time to time for a special
+illumination, that they might be the lights of the earth, and the
+salt of the world?&nbsp; What if they have, <!-- page 135--><a
+name="page135"></a><span class="pagenum">p. 135</span>each in
+their turn, abused that divine teaching to make themselves the
+tyrants, instead of the ministers, of the less enlightened?&nbsp;
+To increase the inequalities of nature by their own selfishness,
+instead of decreasing them, into the equality of grace, by their
+own self-sacrifice?&nbsp; What if the Bible after all was right,
+and even more right than we were taught to think?</p>
+<p>So runs my dream.&nbsp; If, after I have confessed to it, you
+think me still worth listening to, in this enlightened 19th
+century, I will go on.</p>
+<p>At all events, what we see at the beginning of all known and
+half-known history, is not savagery, but high civilisation, at
+least of an outward and material kind.&nbsp; Do you demur?&nbsp;
+Then recollect, I pray you, that the three oldest peoples known
+to history on this planet are Egypt, China, Hindostan.&nbsp; The
+first glimpses of the world are always like those which the book
+of Genesis gives us; like those which your own continent gives
+us.&nbsp; As it was 400 years ago in America, so it was in North
+Africa and in Asia 4,000 years ago, or 40,000 for aught I
+know.&nbsp; Nay, if anyone should ask&mdash;And why not 400,000
+years ago, on Miocene continents long sunk beneath the Tropic
+sea?&nbsp; I for one have no rejoinder save&mdash;We have no
+proofs as yet.</p>
+<p>There loom up, out of the darkness of legend, into the as yet
+dim dawn of history, what the old <!-- page 136--><a
+name="page136"></a><span class="pagenum">p. 136</span>Arabs call
+Races of pre-Adamite Sultans&mdash;colossal monarchies, with
+fixed and often elaborate laws, customs, creeds; with
+aristocracies, priesthoods&mdash;seemingly always of a superior
+and conquering race; with a mass of common folk, whether free or
+half-free, composed of older conquered races; of imported slaves,
+too, and their descendants.</p>
+<p>But whence comes the royal race, the aristocracy, the
+priesthood?&nbsp; You enquire, and you find that they usually
+know not themselves.&nbsp; They are usually&mdash;I had almost
+dared to say, always&mdash;foreigners.&nbsp; They have crossed
+the neighbouring mountains.&nbsp; They have come by sea, like
+Dido to Carthage, like Manco Cassae and Mama Bello to America,
+and they have sometimes forgotten when.&nbsp; At least they are
+wiser, stronger, fairer, than the aborigines.&nbsp; They are to
+them&mdash;as Jacques Cartier was to the Indians of
+Canada&mdash;as gods.&nbsp; They are not sure that they are not
+descended from gods.&nbsp; They are the Children of the Sun, or
+what not.&nbsp; The children of light, who ray out such light as
+they have, upon the darkness of their subjects.&nbsp; They are at
+first, probably, civilisers, not conquerors.&nbsp; For, if
+tradition is worth anything&mdash;and we have nothing else to go
+upon&mdash;they are at first few in number.&nbsp; They come as
+settlers, or even as single sages.&nbsp; It is, in all tradition,
+not the many who influence the few, but the few who influence the
+many.</p>
+<p>So aristocracies, in the true sense, are formed.&nbsp; But
+<!-- page 137--><a name="page137"></a><span class="pagenum">p.
+137</span>the higher calling is soon forgotten.&nbsp; The purer
+light is soon darkened in pride and selfishness, luxury and lust;
+as in Genesis, the sons of God see the daughters of men, that
+they are fair; and they take them wives of all that they
+choose.&nbsp; And so a mixed race springs up and increases,
+without detriment at first to the commonwealth.&nbsp; For, by a
+well-known law of heredity, the cross between two races, probably
+far apart, produces at first a progeny possessing the forces,
+and, alas! probably the vices of both.&nbsp; And when the sons of
+God go in to the daughters of men, there are giants in the earth
+in those days, men of renown.&nbsp; The Roman empire, remember,
+was never stronger than when the old Patrician blood had mingled
+itself with that of every nation round the Mediterranean.</p>
+<p>But it does not last.&nbsp; Selfishness, luxury, ferocity,
+spread from above, as well as from below.&nbsp; The just
+aristocracy of virtue and wisdom becomes an unjust one of mere
+power and privilege; that again, one of mere wealth, corrupting
+and corrupt; and is destroyed, not by the people from below, but
+by the monarch from above.&nbsp; The hereditary bondsmen may
+know</p>
+<blockquote><p>Who would be free,<br />
+Himself must strike the blow.</p>
+</blockquote>
+<p>But they dare not, know not how.&nbsp; The king must do it for
+them.&nbsp; He must become the State.&nbsp; &lsquo;Better one
+tyrant,&rsquo; as Voltaire said, &lsquo;than many.&rsquo;&nbsp;
+Better <!-- page 138--><a name="page138"></a><span
+class="pagenum">p. 138</span>stand in fear of one lion far away,
+than of many wolves, each in the nearest wood.&nbsp; And so arise
+those truly monstrous Eastern despotisms, of which modern Persia
+is, thank God, the only remaining specimen; for Turkey and Egypt
+are too amenable of late years to the influence of the free
+nations to be counted as despotisms pure and
+simple&mdash;despotisms in which men, instead of worshipping a
+God-man, worship the hideous counterfeit, a
+<i>Man-god</i>&mdash;a poor human being endowed by public opinion
+with the powers of deity, while he is the slave of all the
+weaknesses of humanity.&nbsp; But such, as an historic fact, has
+been the last stage of every civilisation&mdash;even that of
+Rome, which ripened itself upon this earth the last in ancient
+times, and, I had almost said, until this very day, except among
+the men who speak Teutonic tongues, and who have preserved
+through all temptations, and reasserted through all dangers, the
+free ideas which have been our sacred heritage ever since Tacitus
+beheld us, with respect and awe, among our German forests, and
+saw in us the future masters of the Roman Empire.</p>
+<p>Yes, it is very sad, the past history of mankind.&nbsp; But
+shall we despise those who went before us, and on whose
+accumulated labours we now stand?</p>
+<p>Shall we not reverence our spiritual ancestors?&nbsp; Shall we
+not show our reverence by copying them, at least whenever, as in
+those old Persians, we see in <!-- page 139--><a
+name="page139"></a><span class="pagenum">p. 139</span>them
+manliness and truthfulness, hatred of idolatries, and devotion to
+the God of light and life and good?&nbsp; And shall we not feel
+pity, instead of contempt, for their ruder forms of government,
+their ignorances, excesses, failures&mdash;so excusable in men
+who, with little or no previous teaching, were trying to solve
+for themselves for the first time the deepest social and
+political problems of humanity.</p>
+<p>Yes, those old despotisms, we trust, are dead and never to
+revive.&nbsp; But their corpses are the corpses, not of our
+enemies, but of our friends and predecessors, slain in the
+world-old fight of Ormuzd against Ahriman&mdash;light against
+darkness, order against disorder.&nbsp; Confusedly they fought,
+and sometimes ill: but their corpses piled the breach and filled
+the trench for us, and over their corpses we step on to what
+should be to us an easy victory&mdash;what may be to us, yet, a
+shameful ruin.</p>
+<p>For if we be, as we are wont to boast, the salt of the earth
+and the light of the world, what if the salt should lose its
+savour?&nbsp; What if the light which is in us should become
+darkness?&nbsp; For myself, when I look upon the responsibilities
+of the free nations of modern times, so far from boasting of that
+liberty in which I delight&mdash;and to keep which I freely, too,
+could die&mdash;I rather say, in fear and trembling, God help us
+on whom He has laid so heavy a burden as to make us free;
+responsible, each individual of us, not <!-- page 140--><a
+name="page140"></a><span class="pagenum">p. 140</span>only to
+ourselves, but to Him and all mankind.&nbsp; For if we fall we
+shall fall I know not whither, and I dare not think.</p>
+<p>How those old despotisms, the mighty empires of old time,
+fell, we know, and we can easily explain.&nbsp; Corrupt,
+luxurious, effeminate, eaten out by universal selfishness and
+mutual fear, they had at last no organic coherence.&nbsp; The
+moral anarchy within showed through, at last burst through, the
+painted skin of prescriptive order which held them
+together.&nbsp; Some braver and abler, and usually more virtuous
+people, often some little, hardy, homely mountain tribe, saw that
+the fruit was ripe for gathering; and, caring nought for superior
+numbers&mdash;and saying with German Alaric when the Romans
+boasted of their numbers, &lsquo;The thicker the hay the easier
+it is mowed&mdash;struck one brave blow at the huge inflated
+wind-bag&mdash;as Cyrus and his handful of Persians struck at the
+Medes; as Alexander and his handful of Greeks struck afterwards
+at the Persians&mdash;and behold, it collapsed upon the
+spot.&nbsp; And then the victors took the place of the conquered;
+and became in their turn an aristocracy, and then a despotism;
+and in their turn rotted down and perished.&nbsp; And so the
+vicious circle repeated itself, age after age, from Egypt and
+Assyria to Mexico and Peru.</p>
+<p>And therefore, we, free peoples as we are, have need to watch,
+and sternly watch, ourselves.&nbsp; Equality of some kind or
+other is, as I said, our natural and seemingly <!-- page 141--><a
+name="page141"></a><span class="pagenum">p. 141</span>inevitable
+goal.&nbsp; But which equality?&nbsp; For there are two&mdash;a
+true one and a false; a noble and a base; a healthful and a
+ruinous.&nbsp; There is the truly divine equality, and there is
+the brute equality of sheep and oxen, and of flies and
+worms.&nbsp; There is the equality which is founded on mutual
+envy.&nbsp; The equality which respects others, and the equality
+which asserts itself.&nbsp; The equality which longs to raise all
+alike, and the equality which desires to pull down all
+alike.&nbsp; The equality which says&mdash;Thou art as good as I,
+and it may be better too, in the sight of God.&nbsp; And the
+equality which says&mdash;I am as good as thou, and will
+therefore see if I cannot master thee.</p>
+<p>Side by side, in the heart of every free man, and every free
+people, are the two instincts struggling for the mastery, called
+by the same name, but bearing the same relation to each other as
+Marsyas to Apollo, the Satyr to the God.&nbsp; Marsyas and
+Apollo, the base and the noble, are, as in the old Greek legend,
+contending for the prize.&nbsp; And the prize is no less an one
+than all free people of this planet.</p>
+<p>In proportion as that nobler idea conquers, and men unite in
+the equality of mutual respect and mutual service, they move one
+step further towards realising on earth that Kingdom of God of
+which it is written&mdash;&lsquo;The despots of the nations
+exercise dominion over them, and they that exercise authority
+over them are called benefactors.&nbsp; But he that will be great
+among you let him be the servant of all.&rsquo;</p>
+<p><!-- page 142--><a name="page142"></a><span class="pagenum">p.
+142</span>And in proportion as that base idea conquers, and
+selfishness, not self-sacrifice, is the ruling spirit of a State,
+men move on, one step forward towards realising that kingdom of
+the devil upon earth, &lsquo;Every man for himself and the devil
+take the hindmost.&rsquo;&nbsp; Only, alas! in that evil equality
+of envy and hate, there is no hindmost, and the devil takes them
+all alike.</p>
+<p>And so is a period of discontent, revolution, internecine
+anarchy, followed by a tyranny endured, as in old Rome, by men
+once free, because tyranny will at least do for them, what they
+were too lazy and greedy and envious to do for themselves.</p>
+<blockquote><p>And all because they have forgot<br />
+What &rsquo;tis to be a man&mdash;to curb and spurn<br />
+The tyrant in us: the ignobler self<br />
+Which boasts, not loathes, its likeness to the brute;<br />
+And owns no good save ease, no ill save pain,<br />
+No purpose, save its share in that wild war<br />
+In which, through countless ages, living things<br />
+Compete in internecine greed.&nbsp; Ah, loving God,<br />
+Are we as creeping things, which have no lord?<br />
+That we are brutes, great God, we know too well;<br />
+Apes daintier-featured; silly birds, who flaunt<br />
+Their plumes, unheeding of the fowler&rsquo;s step;<br />
+Spiders, who catch with paper, not with webs;<br />
+Tigers, who slay with cannon and sharp steel,<br />
+Instead of teeth and claws:&mdash;all these we are.<br />
+Are we no more than these, save in degree?<br />
+Mere fools of nature, puppets of strong lusts,<br />
+Taking the sword, to perish by the sword<br />
+<!-- page 143--><a name="page143"></a><span class="pagenum">p.
+143</span>Upon the universal battle-field,<br />
+Even as the things upon the moor outside?</p>
+<p>&nbsp;&nbsp;&nbsp;The heath eats up green grass and delicate
+herbs;<br />
+The pines eat up the heath; the grub the pine;<br />
+The finch the grub; the hawk the silly finch;<br />
+And man, the mightiest of all beasts of prey,<br />
+Eats what he lists.&nbsp; The strong eat up the weak;<br />
+The many eat the few; great nations, small;<br />
+And he who cometh in the name of all<br />
+Shall, greediest, triumph by the greed of all,<br />
+And, armed by his own victims, eat up all.<br />
+While ever out of the eternal heavens<br />
+Looks patient down the great magnanimous God,<br />
+Who, Master of all worlds, did sacrifice<br />
+All to Himself?&nbsp; Nay: but Himself to all;<br />
+Who taught mankind, on that first Christmas Day,<br />
+What &rsquo;tis to be a man&mdash;to give, not take;<br />
+To serve, not rule; to nourish, not devour;<br />
+To lift, not crush; if need, to die, not live.</p>
+</blockquote>
+<p>&lsquo;He that cometh in the name of all&rsquo;&mdash;the
+popular military despot&mdash;the &lsquo;saviour of his
+country&rsquo;&mdash;he is our internecine enemy on both sides of
+the Atlantic, whenever he arises&mdash;the inaugurator of that
+Imperialism, that C&aelig;sarism into which Rome sank, when not
+her liberties merely, but her virtues, were decaying out of
+her&mdash;the sink into which all wicked States, whether
+republics or monarchies, are sure to fall, simply because men
+must eat and drink for to-morrow they die.&nbsp; The Military and
+Bureaucratic Despotism which <!-- page 144--><a
+name="page144"></a><span class="pagenum">p. 144</span>keeps the
+many quiet, as in old Rome, by <i>panem et
+Circenses</i>&mdash;bread and games&mdash;or if need be,
+Pilgrimages; that the few may make money, eat, drink, and be
+merry, as long as it can last.&nbsp; That, let it ape as it
+may&mdash;as did the C&aelig;sars of old Rome at first&mdash;as
+another Emperor did even in our own days&mdash;the forms of dead
+freedom, really upholds an artificial luxury by brute force; and
+consecrates the basest of all aristocracies, the aristocracy of
+the money bag, by the divine sanction of the bayonet.</p>
+<p>That at all risks, even at the price of precious blood, the
+free peoples of the earth must ward off from them; for, makeshift
+and stop-gap as it is, it does not even succeed in what it tries
+to do.&nbsp; It does not last.&nbsp; Have we not seen that it
+does not, cannot last?&nbsp; How can it last.&nbsp; This
+falsehood, like all falsehoods, must collapse at one touch of
+Ithuriel&rsquo;s spear of truth and fact.&nbsp; And&mdash;</p>
+<p>&lsquo;Then saw I the end of these men.&nbsp; Namely, how Thou
+dost set them in slippery places, and casteth them down.</p>
+<p>&lsquo;Suddenly do they perish, and come to a fearful
+end.&nbsp; Yea, like as a dream when one awaketh, so shalt Thou
+make their image to vanish out of the city.&rsquo;</p>
+<p>Have we not seen that too, though, thank God, neither in
+England nor in the United States?</p>
+<p>And then?&nbsp; What then?&nbsp; None knows, and none can
+know.</p>
+<p><!-- page 145--><a name="page145"></a><span class="pagenum">p.
+145</span>The future of France and Spain, the future of the
+Tropical Republics of Spanish America, is utterly blank and dark;
+not to be prophesied, I hold, by mortal man, simply because we
+have no like cases in the history of the past whereby to judge
+the tendencies of the present.&nbsp; Will they revive?&nbsp;
+Under the genial influences of free institutions will the good
+seed which is in them take root downwards, and bear fruit
+upwards? and make them all what that fair France has been, in
+spite of all her faults, so often in past years&mdash;a joy and
+an inspiration to all the nations round?&nbsp; Shall it be
+thus?&nbsp; God grant it may; but He, and He alone, can
+tell.&nbsp; We only stand by, watching, if we be wise, with pity
+and with fear, the working out of a tremendous new social
+problem, which must affect the future of the whole civilised
+world.</p>
+<p>For if the agonising old nations fail to regenerate
+themselves, what can befall?&nbsp; What, when even Imperialism
+has been tried and failed, as fail it must?&nbsp; What but that
+lower depth within the lowest deep?</p>
+
+<blockquote><p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;That
+last dread mood<br />
+Of sated lust, and dull decrepitude.<br />
+No law, no art, no faith, no hope, no God.<br />
+When round the freezing founts of life in peevish ring,<br />
+Crouched on the bare-worn sod,<br />
+Babbling about the unreturning spring,<br />
+And whining for dead creeds, which cannot save,<br />
+The toothless nations shiver to their grave.</p>
+</blockquote>
+<p><!-- page 146--><a name="page146"></a><span class="pagenum">p.
+146</span>And we, who think we stand, let us take heed lest we
+fall.&nbsp; Let us accept, in modesty and in awe, the
+responsibility of our freedom, and remember that that freedom can
+be preserved only in one old-fashioned way.&nbsp; Let us remember
+that the one condition of a true democracy is the same as the one
+condition of a true aristocracy, namely, virtue.&nbsp; Let us
+teach our children, as grand old Lilly taught our forefathers 300
+years ago&mdash;&lsquo;It is virtue, gentlemen, yea, virtue that
+maketh gentlemen; that maketh the poor rich, the subject a king,
+the lowborn noble, the deformed beautiful.&nbsp; These things
+neither the whirling wheel of fortune can overturn, nor the
+deceitful cavillings of worldlings separate, neither sickness
+abate, nor age abolish.&rsquo;</p>
+<p>Yes.&nbsp; Let us teach our children thus on both sides of the
+Atlantic.&nbsp; For if they&mdash;which God forbid&mdash;should
+grow corrupt and weak by their own sins, there is no hardier race
+now left on earth to conquer our descendants and bring them back
+to reason, as those old Jews were brought, by bitter shame and
+woe.&nbsp; And all that is before them and the whole civilised
+world, would be long centuries of anarchy such as the world has
+not seen for ages&mdash;a true Ragnarok, a twilight of the very
+gods, an age such as the wise woman foretold in the old
+Volusp&agrave;.</p>
+<blockquote><p>When brethren shall be<br />
+Each other&rsquo;s bane,<br />
+<!-- page 147--><a name="page147"></a><span class="pagenum">p.
+147</span>And sisters&rsquo; sons rend<br />
+The ties of kin.<br />
+Hard will be that age,<br />
+An age of bad women,<br />
+An axe-age, a sword-age,<br />
+Shields oft cleft in twain,<br />
+A storm-age, a wolf-age,<br />
+Ere earth meet its doom.</p>
+</blockquote>
+<p>So sang, 2,000 years ago, perhaps, the great unnamed
+prophetess of our own race, of what might be, if we should fail
+mankind and our own calling and election.</p>
+<p>God grant that day may never come.&nbsp; But God grant, also,
+that if that day does come, then may come true also what that
+wise Vala sang, of the day when gods, and men, and earth should
+be burnt up with fire.</p>
+<blockquote><p>When slaked Surtur&rsquo;s flame is,<br />
+Still the man and the maiden,<br />
+Hight Valour and Life,<br />
+Shall keep themselves hid<br />
+In the wood of remembrance.<br />
+The dew of the dawning<br />
+For food it shall serve them;<br />
+From them spring new peoples.</p>
+</blockquote>
+<p>New peoples.&nbsp; For after all is said, the ideal form of
+human society is democracy.</p>
+<p>A nation&mdash;and, were it even possible, a whole <!-- page
+148--><a name="page148"></a><span class="pagenum">p.
+148</span>world&mdash;of free men, lifting free foreheads to God
+and Nature; calling no man master&mdash;for one is their master,
+even God; knowing and obeying their duties towards the Maker of
+the Universe, and therefore to each other, and that not from
+fear, nor calculation of profit or loss, but because they loved
+and liked it, and had seen the beauty of righteousness and trust
+and peace; because the law of God was in their hearts, and
+needing at last, it may be, neither king nor priest, for each man
+and each woman, in their place, were kings and priests to
+God.&nbsp; Such a nation&mdash;such a society.&nbsp; What nobler
+conception of mortal existence can we form?&nbsp; Would not that
+be, indeed, the kingdom of God come on earth?</p>
+<p>And tell me not that that is impossible&mdash;too fair a dream
+to be ever realised.&nbsp; All that makes it impossible is the
+selfishness, passions, weaknesses, of those who would be blest
+were they masters of themselves, and therefore of circumstances;
+who are miserable because, not being masters of themselves, they
+try to master circumstance, to pull down iron walls with weak and
+clumsy hands, and forget that he who would be free from tyrants
+must first be free from his worst tyrant, self.</p>
+<p>But tell me not that the dream is impossible.&nbsp; It is so
+beautiful that it must be true.&nbsp; If not now, nor centuries
+hence, yet still hereafter.&nbsp; God would never, as I hold,
+have inspired man with that rich imagination <!-- page 149--><a
+name="page149"></a><span class="pagenum">p. 149</span>had he not
+meant to translate, some day, that imagination into fact.</p>
+<p>The very greatness of the idea, beyond what a single mind or
+generation can grasp, will ensure failure on
+failure,&mdash;follies, fanaticisms, disappointments, even
+crimes, bloodshed, hasty furies, as of children baulked of their
+holiday.</p>
+<p>But it will be at last fulfilled, filled full, and perfected;
+not perhaps here, or among our peoples, or any people which now
+exist on earth: but in some future civilisation&mdash;it may be
+in far lands beyond the sea&mdash;when all that you and we have
+made and done shall be as the forest-grown mounds of the old
+nameless civilisers of the Mississippi valley.</p>
+<div class="gapspace">&nbsp;</div>
+<p style="text-align: center"><span class="smcap">london</span>:
+<span class="smcap">printed by</span><br />
+<span class="smcap">spottiswoode and co.</span>, <span
+class="smcap">new-street square</span><br />
+<span class="smcap">and parliament street</span></p>
+<h2>Footnotes:</h2>
+<p><a name="footnote71"></a><a href="#citation71"
+class="footnote">[71]</a>&nbsp; Black, translator of
+Mallett&rsquo;s <i>Northern Antiquities</i>, Supplementary
+Chapter I., and Rafn&rsquo;s <i>Antiquitates
+American&aelig;</i>.</p>
+<p><a name="footnote91"></a><a href="#citation91"
+class="footnote">[91]</a>&nbsp; On the Fiftieth Birthday of
+Agassiz.</p>
+<p>***END OF THE PROJECT GUTENBERG EBOOK LECTURES DELIVERED IN AMERICA IN
+1874***</p>
+<pre>
+
+
+***** This file should be named 30944-h.htm or 30944-h.zip******
+
+
+This and all associated files of various formats will be found in:
+http://www.gutenberg.org/dirs/3/0/9/4/30944
+
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://www.gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://www.gutenberg.org/about/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://www.gutenberg.org/fundraising/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit:
+http://www.gutenberg.org/fundraising/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+</pre></body>
+</html>
diff --git a/30944.txt b/30944.txt
new file mode 100644
index 0000000..98d50d0
--- /dev/null
+++ b/30944.txt
@@ -0,0 +1,3913 @@
+The Project Gutenberg eBook, Lectures Delivered in America in 1874, by
+Charles Kingsley, Edited by Fanny Kingsley
+
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+
+
+
+Title: Lectures Delivered in America in 1874
+
+
+Author: Charles Kingsley
+
+Editor: Fanny Kingsley
+
+Release Date: January 12, 2010 [eBook #30944]
+
+Language: English
+
+Character set encoding: ISO-646-US (US-ASCII)
+
+
+***START OF THE PROJECT GUTENBERG EBOOK LECTURES DELIVERED IN AMERICA IN
+1874***
+
+
+Transcribed from the 1875 Longmans, Green, and Co. edition by David
+Price, email ccx074@pglaf.org
+
+ LONDON: PRINTED BY
+ SPOTTISWOODE AND CO., NEW-STREET SQUARE
+ AND PARLIAMENT STREET
+
+
+
+
+
+ LECTURES
+ DELIVERED IN AMERICA
+ IN 1874
+
+
+ BY
+ CHARLES KINGSLEY, F.L.S., F.G.S.
+
+ RECTOR OF EVERSLEY: CANON OF WESTMINSTER
+ CHAPLAIN IN ORDINARY TO THE QUEEN AND THE PRINCE OF WALES
+
+ * * * * *
+
+ LONDON
+ LONGMANS, GREEN, AND CO.
+ 1875
+
+ _All rights reserved_
+
+
+
+
+DEDICATION.
+
+
+ * * * * *
+
+ TO
+ CYRUS FIELD, J. A. C. GRAY,
+ AND ALL THOSE VALUED AMERICAN FRIENDS WHO WELCOMED
+ MY HUSBAND TO THEIR GREAT COUNTRY,
+ AND THROUGH WHOSE GENEROUS KINDNESS HE WAS ENABLED
+ IN THE LAST YEAR OF HIS LIFE
+ TO REALISE THE DREAMS OF HIS YOUTH
+ BY THE SIGHT, NOT ONLY OP THE EASTERN STATES AND CITIES,
+ BUT OF THE FAR WEST, THE ROCKY MOUNTAINS,
+ AND THE YO SEMITE VALLEY,
+ I DEDICATE THESE LECTURES WITH DEEPEST GRATITUDE
+
+ In Memoriam.
+
+ FANNY E. KINGSLEY.
+
+BYFLEET: _August_ 1875.
+
+
+
+
+CONTENTS.
+
+LECT. PAGE
+ I. WESTMINSTER ABBEY 1
+ II. THE STAGE AS IT WAS ONCE 32
+ III. THE FIRST DISCOVERY OF AMERICA 65
+ IV. THE SERVANT OF THE LORD 98
+ V. ANCIENT CIVILISATION 125
+
+
+
+
+
+
+LECTURE I.
+WESTMINSTER ABBEY.
+
+
+Reverence for age, at least so it has long seemed to me, reverence for
+age, I say, is a fair test of the vigour of youth; and, conversely,
+insolence toward the old and the past, whether in individuals or in
+nations, is a sign rather of weakness than of strength. And the cause, I
+think, is this. The rich and strong young natures, which feel themselves
+capable of original thought and work, have a corresponding respect for
+those who, in the generations gone by, have thought and worked as they
+hope to do hereafter. And this temper, understand me, so far from being
+servile, or even merely conservative, usually accompanies true
+independence of spirit. The young athlete, like the young race-horse,
+does not despise, but emulate, his sire; even though the old victor be
+long past his prime. The young soldier admires the old general; the
+young midshipman the old admiral, just in proportion as he himself is
+likely to be a daring and able officer hereafter. The son, when grown to
+man's estate, may say to his father, I look on you still with all respect
+and admiration. I have learnt, and desire always, to learn from you.
+But you must be to me now, not a dictator, but an example. You became
+what you are by following your own line; and you must let me rival you,
+and do you honour, by following mine.
+
+This, I believe, is true of nations as well as of individuals. I do not
+hesitate to say that, paradoxical as it may seem, the most original
+races--those who have succeeded best and left their stamp most broadly
+and permanently on the human race--have also been the most teachable,
+provided they were allowed to learn in their own way and to adapt to
+their own purposes any higher ancient civilisation with which they came
+in contact. What more striking instances of this truth--for truth it
+is--than the reverence of the free Republican Greek for the old despotic
+civilisation of Egypt? and of the free Norseman, our own ancestor, for
+the old and equally despotic civilisation of Rome?
+
+These--the two most originative and most progressive races of Europe--had
+a faith in, an awe of, the supposed or real wisdom of the men of old
+time, which was often exaggerated into a superstition; but never--thanks
+to their own innate force--degenerated into a bondage.
+
+Pardon me this somewhat dry prooemium; and pardon me, too, if it leads me
+on to a compliment to the American people, which I trust you will not
+think impertinent.
+
+For I have seen, and seen with joy, a like spirit in those Americans whom
+it has been my good fortune to meet in my own land. I mean this:--That I
+found in them, however self-teaching and self-determining they might be,
+that genial reverence for antiquity which I hold to be the sign of a
+truly generous--that is in the right sense of the grand old word--a truly
+high-bred, nature. I have been touched, and deeply touched, at finding
+so many of them, on landing for the first time at Liverpool, hurrying off
+to our quaint old city of Chester to gaze on its old girdle of walls and
+towers; Roman, Mediaeval, Caroline; its curious 'Rows' of overhanging
+houses; its fragments of Roman baths and inscriptions; its modest little
+Cathedral; and the--really very few--relics of English history which it
+contains. Even two banners of an old Cheshire regiment which had been in
+the Peninsular war were almost as interesting, to some, as an illuminated
+Bible of the early Middle Age. More than once have I had to repress the
+enthusiasm of some charming lady and say, 'But this is nothing. Do not
+waste your admiration here. Go on. See the British Museum, its marbles
+and its manuscripts--See the French Cathedrals; the ruins of Provence and
+Italy; the galleries of Florence, Naples, Rome.'
+
+'Ah, but you must remember,' was the answer, 'these are the first old
+things I ever saw.'
+
+A mere sentiment? Yes: but as poets know, and statesmen ought to know,
+it is by sentiment, when well directed--as by sorrow, when well used--by
+sentiment, I say, great nations live. When sentiment dies out, and mere
+prosaic calculation of loss and profit takes its place, then comes a
+Byzantine epoch, a Chinese epoch, decrepitude, and slow decay.
+
+And so the eagerness of those generous young souls was to me a good
+augury for the future, of them, and of their native land. They seemed to
+me--and I say again it touched me, often deeply--to be realising to
+themselves their rightful place in the community of the civilised nations
+of all lands, and of all times--realising to themselves that they were
+indeed
+
+ Heirs of all the ages, foremost in the ranks of time;
+
+and minded, therefore, like wise and noble heirs, not to despise and
+squander, but to treasure and to use that inheritance, and the
+accumulated labours of the mighty dead.
+
+I saw this, I say, at Chester. And therefore I was not surprised to find
+the pleasant experience repeated, and to even a higher degree, at
+Westminster. A pleasant experience, I say. I know few more agreeable
+occupations than showing a party of Americans round our own great Abbey;
+and sentimentalising, if you will, in sympathy with them, over England's
+Pantheon.
+
+I pause to confess once more that it is almost an impertinence in me to
+pay you such a compliment. You have a right to answer me--How could it
+be otherwise?--Are we not educated people? Has not our taste been
+trained by native authors, who were at least civilised enough to value
+the great past, without the need of any European crossing the seas to
+tell us of its wealth?
+
+If you reprove me thus, I can but say that the reproof is just, and will
+remain just, as long as your poets are what they are; and as long, above
+all, as you reverence as much in America as we do in England, the poetry
+of Mr. Longfellow. He has not, if I recollect aright, ever employed his
+muse in commemorating our great Abbey; but that muse is instinct with all
+those lofty and yet tender emotions which the sight of that great Abbey
+should call out. He knows, as few know on our side of the wide water,
+the effect, chastening and yet ennobling, of such architecture,
+consecrated by such associations. He has not only perceived and drank in
+all that is purest and noblest in the now sleeping last ten centuries:
+but he has combined it, again and again, with that which is purest and
+noblest in the waking and yearning present; and combined it organically
+and livingly, as leaf and stem combines with flower and fruit. Yes; as
+long as the poet who could write both the _Belfry of Bruges_ and _The
+Village Blacksmith_ is read among you, there is no need for me to bid you
+reverence the past; and little need, I trust, for me to tell those whom I
+leave at home to reverence the present. For it is a fact--of which some
+Americans may not be as well aware as they should be--that your exquisite
+poet has exercised an influence in Britain it may be as great as, and
+certainly more varied than, that which he has exercised in his native
+land. With us--as, I presume, with you--he has penetrated into thousands
+of Puritan homes, and awakened tens of thousands of young hearts to the
+beauty and the nobleness of the old pre-Reformation age, and of that
+romance and art from which their too exclusive hereditary training had,
+until his time, shut them out. And he has thus, truly, done a sacred
+deed in turning the hearts of the children to their fathers. That was
+enough: but that is not the whole. He has, conversely, turned the hearts
+of the fathers to the children. The world-wide humanity of his poems,
+and, to be just, of all your American poets who have studied in his
+school, has produced throughout Great Britain a just reverence and
+affection for the American mind which will have--which has had
+already--large social and political results. Be sure, be sure, that in
+spite of passing jars, our empire will never be long unjust to yours,
+while Mr. Longfellow and Mr. Lowell remain not merely the household
+bards--though that is much--but counsellors, comforters, and trusted
+friends to hundreds of thousands of gentle and earnest souls; from the
+palace to the parsonage, from the little village shop to the farm-house
+on the lonely down.
+
+But there is another American author--who was the delight of my own
+youth, and who should have been my teacher also, for he was a master of
+our common tongue, and his prose is as graceful and felicitous as poor
+Elia's own, and it is certainly more manly--another American author, I
+say, who, with that high-bred reverence for what is old, has told you
+already more about Westminster Abbey, and told it better, than I am
+likely to tell it. Need I say that I mean the lamented Washington
+Irving? Ah, that our authors had always been as just to you as he was
+just to us; and indeed more than just; for in his courtesy and geniality
+he saw us somewhat _en beau_, and treated old John Bull too much as the
+poet advises us to treat young and fair ladies--
+
+ Be to their faults a little blind,
+ Be to their virtues very kind.
+
+But what a charming book is that old 'Sketch-book.' And what a charming
+essay that on our great Abbey, set with such gems of prose as these,--
+
+'The sun was pouring down a yellow autumnal ray into the square of the
+cloisters, beaming upon a scanty spot of grass in the centre, and
+lighting up an angle of the vaulted passage with a kind of dusty
+splendour. From between the arcades, the eye glanced up to a bit of blue
+sky, or a passing cloud, and beheld the sun-gilt pinnacles of the Abbey
+towering into the azure heaven.'
+
+Or this again, describing the general effect of Henry the Seventh's
+unrivalled chapel,--'The very walls are wrought into universal ornament;
+encrusted with tracery, and scooped into niches, crowded with the statues
+of saints and martyrs. Stone seems, by the cunning labour of the chisel,
+to have been robbed of its weight and density; suspended aloft as if by
+magic; and the fretted roof achieved with the wonderful minuteness and
+airy security of a cobweb.'
+
+'Dusty splendour,' 'airy security,' epithets so unexpected, and yet so
+felicitous, as to be seemingly accidental. Such are the tokens of that
+highest art, which is--to conceal its own existence. After such speech
+as that, what have I to tell you of the great old Abbey?
+
+Yet there are one or two things, I dare to say, which Washington Irving
+would have written differently had he visited Westminster, not forty
+years ago, but now.
+
+I think, in the first place, that if he visited the great Abbey now, he
+would not have noticed that look of dilapidation at which he hints--and
+perhaps had a right to hint--some forty years ago. Dilapidation, dirt,
+and negligence are as hateful to us now, as to the builder of the newest
+house outside. We too, for more than a generation past, have felt, in
+common with the rest of England and with all the nations of Northern
+Europe, that awakened reverence for Mediaeval Art and Mediaeval History,
+which is--for good and for evil--the special social phenomenon of our
+times; the natural and, on the whole, useful countercheck to that extreme
+of revolutionary feeling which issues--as it did in Paris but three years
+ago--in utter hatred and renunciation of the past, and destruction of its
+monuments.
+
+To preserve, to restore, and, if not, to copy, as a sort of filial duty,
+the buildings which our forefathers have left us, is now held to be the
+very mark of cultivation and good taste in Britain. It may be that we
+carry it too far; that by a servile and Chinese exactness of imitation we
+are crippling what originality of genius may exist among our draughtsmen,
+sculptors, architects. But we at least confess thereby that we cannot
+invent and create as could our ancestors five hundred years ago; and as
+long as that is the case it is more wise in us--as in any people--to
+exhaust the signification and power of the past, and to learn all we can
+from older schools of art and thought ere we attempt novelties of our own
+which, I confess freely, usually issue in the ugly and the ludicrous.
+
+Be that as it may, we of Westminster Abbey have become, like other
+Englishmen, repairers and restorers. Had we not so become, the nation
+would have demanded an account of us, as guardians of its national
+mausoleum, the building of which our illustrious Dean has so well said--
+
+'Of all the characteristics of Westminster Abbey, that which most endears
+it to the nation and gives most force to its name--which has, more than
+anything else, made it the home of the people of England and the most
+venerated fabric of the English Church--is not so much its glory as the
+seat of the coronations, or as the sepulchre of the kings; not so much
+its school, or its monastery, or its chapter, or its sanctuary, as the
+fact that it is the resting-place of famous Englishmen, from every rank
+and creed, and every form of genius. It is not only Reims Cathedral and
+St. Denys both in one; but it is what the Pantheon was intended to be to
+France--what the Valhalla is to Germany--what Santa Croce is to Italy. . .
+It is this which inspired the saying of Nelson--Victory or Westminster
+Abbey. It is this which has intertwined it with so many eloquent
+passages of Macaulay. It is this which gives point to the allusions of
+recent Nonconformist statesmen, least inclined to draw illustrations from
+ecclesiastical buildings. It is this which gives most promise of
+vitality to the whole institution. Kings are no longer buried within its
+walls; even the splendour of pageants has ceased to attract. But the
+desire to be buried in Westminster Abbey is as strong as ever.
+
+'This sprang, in the first instance, as a natural off-shoot from the
+coronations and interments of the kings. Had they, like those of France,
+of Spain, of Austria, of Russia--been buried far away in some secluded
+spot, or had the English nation stood aloof from the English monarchy, it
+might have been otherwise. The sepulchral chapels built by Henry the
+Third and Henry the Seventh might have stood alone in their glory. No
+meaner dust need ever have mingled with the dust of Plantagenets, Tudors,
+Stuarts, and Guelphs. . . . But it has been the peculiar privilege of
+the kings of England that neither in life nor in death have they been
+parted from their people. As the Council of the Nation and the Courts of
+Law have pressed into the Palace of Westminster, and engirdled the very
+throne itself, so the ashes of the great citizens of England have pressed
+into the sepulchre of the kings, and surrounded them as with a guard of
+honour after their death. We are sometimes inclined bitterly to contrast
+the placid dignity of our recumbent kings, with Chatham gesticulating
+from the northern transept, or Pitt from the western door, or Shakspeare
+leaning on his column in Poet's Corner, or Wolfe expiring by the chapel
+of St. John. But, in fact, they are, in their different ways, keeping
+guard over the shrine of our monarchs and our laws; and their very
+incongruity and variety become symbols of that harmonious diversity in
+unity which pervades our whole commonwealth.'
+
+Honoured by such a trust, we who serve God daily in the great Abbey are
+not unmindful of the duty which lies on us to preserve and to restore, to
+the best of our power, the general fabric; and to call on government and
+on private persons to preserve and restore those monuments, for which
+they, not we, are responsible. A stranger will not often enter our Abbey
+without finding somewhere or other among its vast arcades, skilled
+workmen busy over mosaic, marble, bronze, or 'storied window richly
+dight;' and the very cloisters, which to Washington Irving's eye were
+'discoloured with damp, crumbling with age, and crusted with a coat of
+hoary moss,' are being repaired till that 'rich tracery of the arches,
+and that leafy beauty of the roses which adorn the keystones'--of which
+he tells--shall be as sharp and bright as they were first, 500 years ago.
+
+One sentiment, again, which was called up in the mind of your charming
+essayist, at the sight of Westminster Abbey, I have not felt myself: I
+mean its sadness. 'What,' says he, 'is this vast assembly of sepulchres
+but a treasury of humiliation? a huge pile of reiterated homilies on the
+emptiness of renown and the certainty of oblivion.'
+
+So does that 'mournful magnificence' of which he speaks, seem to have
+weighed on him, that he takes for the motto of his whole essay, that
+grand Elizabethan epigram--
+
+ When I behold, with deep astonishment,
+ To famous Westminster how there resort
+ Living in brasse or stony monument,
+ The Princes and the worthies of all sort;
+ Do I not see re-formed nobilitie,
+ Without contempt, or pride, or ostentation,
+ And look upon offenseless majestie,
+ Naked of pomp or earthly domination?
+ And how a play-game of a painted stone
+ Contents the quiet, now, and silent sprites,
+ Whom all the world, which late they stood upon,
+ Could not content, nor quench their appetites.
+ Life is a frost of cold felicities;
+ And death the thaw of all our vanities.
+
+True, true--who knows it not, who has lived fifty years in such a world
+as this?--and yet but half the truth.
+
+Were there no after-life, no juster home beyond the grave, where each
+good deed--so spake the most august of lips--shall in no wise lose its
+reward--is it nought, _virum volitare per ora_, to live upon the lips of
+men, and find an immortality, even for a few centuries, in their hearts?
+I know what answer healthy souls have made in every age to that question;
+and what they will make to the end, as long as the respect of their
+fellow-creatures is, as our Creator meant that it should be, precious to
+virtuous men. And let none talk of 'the play-game of a painted stone,'
+of 'the worthless honours of a bust.' The worth of honour lies in that
+same worthlessness. Fair money wage for fair work done, no wise man will
+despise. But that is pay, not honour; the very preciousness
+whereof--like the old victor's parsley crown in the Greek games--is that
+it had no value, gave no pleasure, save that which is imperishable,
+spiritual, and not to be represented by gold nor quintessential diamond.
+
+Therefore, to me at least, the Abbey speaks, not of vanity and
+disappointment, but of content and peace.
+
+ The quiet now and silent sprites
+
+of whom old Christolero sings, they are content; and well for them that
+they should be. They have received their nation's thanks, and ask no
+more, save to lie there in peace. They have had justice done them; and
+more than one is there, who had scant justice done him while alive. Even
+Castlereagh is there, in spite of Byron's and of Shelley's scorn. It may
+be that they too have found out ere now, that there he ought to be. The
+nation has been just to him who, in such wild times as the world had not
+seen for full three hundred years, did his duty according to his light,
+and died in doing it; and his sad noble face looks down on Englishmen as
+they go by, not with reproach, but rather with content.
+
+Content, I say, and peace. Peace from their toil, and peace with their
+fellow-men. They are at least at rest. _Obdormierunt in pace_. They
+have fallen asleep in peace. The galled shoulder is freed from the
+collar at last. The brave old horse has done his stage and lain down in
+the inn. There are no more mistakes now, no more sores, no more falls;
+and no more whip, thank God, laid on too often when it was least needed
+and most felt.
+
+And there are no more quarrels, too. Old personal feuds, old party
+bickerings, old differences of creed, and hatreds in the name of the God
+of love--all those are past, in that world of which the Abbey is to me a
+symbol and a sacrament. Pitt and Fox, Warren Hastings and Macaulay, they
+can afford to be near to each other in the Abbey; for they understand
+each other now elsewhere; and the Romish Abbot's bones do not stir in
+their grave beside the bones of the Protestant Divine whom he, it may be,
+would have burned alive on earth.
+
+In the south aisle of Henry the VIIth's Chapel lies in royal pomp she who
+so long was Britain's bane--'the daughter of debate, who discord still
+did sow'--poor Mary Queen of Scots. But English and Scots alike have
+forgotten the streams of noble blood she cost their nations; and look
+sadly and pityingly upon her effigy--why not?
+
+ Nothing is left of her
+ Now but pure womanly.
+
+And in the corresponding aisle upon the north, in a like tomb--which the
+voice of the English people demanded from the son of Mary Stuart--lies
+even a sadder figure still--poor Queen Elizabeth. To her indeed, in her
+last days, Vanity of vanities--all was vanity. Tyrone's rebellion killed
+her. 'This fruit have I of all my labours which I have taken under the
+sun'--and with a whole book of Ecclesiastes written on her mighty heart,
+the old crowned lioness of England coiled herself up in her lair, refused
+food, and died, and took her place henceforth opposite to her 'dear
+cousin' whom she really tried to save from herself--who would have slain
+her if she could, and whom she had at last, in obedience to the voice of
+the people of England, to slay against her will. They have made up that
+quarrel now.
+
+Ay, and that tomb is the sacred symbol of a reconciliation even more
+pathetic and more strange. Elizabeth lies--seemingly by her own
+desire--in the same vault as her own sister, Mary Tudor. 'Bloody Mary,'
+now, no more. James the First, who had no love for either of them, has
+placed at the head of the monument 'two lines,' as has been well said,
+'full of a far deeper feeling than we should naturally have ascribed to
+him'--
+
+'Fellows in the kingdom, and in the tomb, Here we sleep; Mary and
+Elizabeth the sisters; in hope of the resurrection.'
+
+I make no comment on those words; or on that double sepulchre. But did I
+not say well, that the great Abbey was a place of peace--a place to
+remind hardworked, purblind, and often, alas! embittered souls--
+
+ For Mother Earth she gathers all
+ Into her bosom, great and small.
+ Ah! could we look into her face,
+ We should not shrink from her embrace.
+
+Yes, all old misunderstandings are cleared up by now in that just world
+wherein all live to God. They live to God; and therefore the great Abbey
+is to me awful indeed, but never sad. Awful it ought to be, for it is a
+symbol of both worlds, the seen and the unseen; and of the veil, as thin
+as cobweb, yet opaque as night, which parts the two. Awful it is; and
+ought to be--like that with which it grew--the life of a great nation,
+growing slowly to manhood, as all great nations grow, through ignorance
+and waywardness, often through sin and sorrow; hewing onward a devious
+track through unknown wildernesses; and struggling, victorious, though
+with bleeding feet, athwart the tangled woods and thorny brakes of stern
+experience.
+
+Awful it is; and should be. And, therefore, I at least do not regret
+that its very form, outside, should want those heaven-pointing spires,
+that delicate lightness, that airy joyousness, of many a foreign
+cathedral--even of our own Salisbury and Lichfield. You will see in its
+outer shape little, if any, of that type of architecture which was, as I
+believe, copied from scenery with which you, as Americans, must be even
+more familiar than were the mediaeval architects who travelled through
+the German forests and across the Alps to Rome. True, we have our noble
+high-pitched snow-roof. Our architect, like the rest, had seen the
+mountain ranges jut black and bare above the snows of winter. He had
+seen those snows slip down in sheets, rush down in torrents from the sun,
+off the steep slabs of rock which coped the hill-side; and he, like the
+rest, has copied in that roof, for use as well as beauty, the mountain
+rocks.
+
+But he has not, as many another mediaeval architect has done, decked his
+roofs as Nature has decked hers, with the spruce and fir-tree spires,
+which cling to the hill-side of the crag, old above young, pinnacle above
+pinnacle, whorl above whorl; and clothed with them the sides and summit
+of the stone mountain which he had raised, till, like a group of firs
+upon an isolated rock, every point of the building should seem in act to
+grow toward heaven, and the grey leads of the Minster roof stand out amid
+peaks and turrets rich with carven foliage, as the grey rocks stand out
+of the primaeval woods.
+
+That part of the mediaeval builder's task was left unfinished, and indeed
+hardly attempted, by our Westminster architects, either under Henry III.,
+Edward I., or Henry V.
+
+Their Minster is grand enough by grave height and severe proportion; and
+he who enters stooping under that low-browed arch of the north door,
+beneath the beetling crag of weatherworn and crumbling stone, may feel
+like one who, in some old northern fairy tale, enters a cave in some lone
+mountain side where trolls and dragons guard the hoards of buried kings.
+
+And awful it is, and should be still, inside; under that vaulted roof a
+hundred feet above, all more mysterious and more huge, and yet more soft,
+beneath the murky London air.
+
+But sad I cannot call it. Nor, I think, would you feel it sad, when you
+perceive how richly successive architects have squandered on it the
+treasures of their fancy; and made it, so they say, perhaps the most
+splendid specimen in the world of one of those stone forests, in which
+the men of old delighted to reproduce those leafy minsters which God, not
+man, has built; where they sent the columns aloft like the boles of giant
+trees, and wreathed their capitals, sometimes their very shafts, with
+vines and flowers; and decked with foliage and with fruit the bosses
+above and the corbels below; and sent up out of those corbels upright
+shafts along the walls, in likeness of the trees which sprang out of the
+rocks above their head; and raised those walls into great cliffs; and
+pierced those cliffs with the arches of the triforium, as with wild
+creatures' caves or hermits' cells; and represented in the horizontal
+string-courses and window-sills the strata of the rocks; and opened the
+windows into wide and lofty glades, broken, as in the forest, by the
+tracery of stems and boughs, through which were seen, not only the outer,
+but the upper world. For they craved--as all true artists crave--for
+light and colour; and had the sky above been one perpetual blue, they
+might have been content with it, and left their glass transparent. But
+in our dark dank northern clime, rain and snowstorm, black cloud and grey
+mist, were all that they were like to see outside for six months in the
+year. So they took such light and colour as nature gave in her few gayer
+moods, and set aloft in their stained glass windows the hues of the
+noonday and of the sunset, and the purple of the heather, and the gold of
+the gorse, and the azure of the bugloss, and the crimson of the poppy;
+and among them, in gorgeous robes, the angels and the saints of heaven,
+and the memories of heroic virtues and heroic sufferings, that they might
+lift up the eyes and hearts of men for ever out of the dark sad world of
+the cold north, with all its coarsenesses and its crimes, towards a realm
+of perpetual holiness, amid a perpetual summer of beauty and of light: as
+one who, from between the black jaws of a narrow glen, or from beneath
+the black shade of gigantic trees, catches a glimpse of far lands gay
+with gardens and cottages; and purple mountain ranges; and the far-off
+sea; and the hazy horizon melting into the hazy sky; and finds his soul
+led forth into an infinite, at once of freedom and repose.
+
+Awful, and yet not sad; at least to one who is reminded by it, even in
+its darkest winter's gloom, of the primaeval tropic forest at its two
+most exquisite moments--its too brief twilight, and its too swift dawn.
+
+Awful, and yet not sad; at least to an Englishman, while right and left
+are ranged the statues, the busts, the names, the deeds, of men who have
+helped, each in his place, to make my country, and your country too, that
+which they are.
+
+For am I not in goodly company? Am I not in very deed upon my best
+behaviour? among my betters? and at court? Among men before whom I
+should have been ashamed to say or do a base or foolish thing? Among men
+who have taught me, have ennobled me, though they lived centuries since?
+Men whom I should have loved had I met them on earth? Men whom I may
+meet yet, and tell them how I love them, in some other world? Men, too,
+whom I might have hated, and who might have hated me, had we met on this
+poor piecemeal earth; but whom I may learn to regard with justice and
+with charity in the world where all shall know, even as they are known?
+Men, too--alas! how fast their number grows--whom I have known, have
+loved, and lost too soon; and all gleaming out of the gloom, as every
+image of the dead should do, in pure white marble, as if purged from
+earthly taint? To them, too--
+
+ Nothing is left of them
+ Now but pure manly.
+
+Yes, while their monuments remind me that they are not dead, but
+living--for all live to God--then awed I am, and humbled; better so: but
+sad I cannot be in such grand company.
+
+I said, the men who helped to make my country, and yours too. It would
+be an impertinence in me to remind most of you of that. You know as well
+as I that you are represented just as much as the English people, by
+every monument in that Abbey earlier than the Civil Wars, and by most
+monuments of later date, especially by those of all our literary men.
+You know that, and you value the old Abbey accordingly. But a day may
+come--a generation may come, in a nation so rapidly increasing by foreign
+immigration, as well as by home-born citizenship--a generation may come
+who will forget that fact; and orators arise who will be glad that it
+should be forgotten--for awhile. But if you would not that that evil day
+should come then teach your children--That the history and the freedom of
+America began neither with the War of Independence, nor with the sailing
+of the Pilgrim Fathers, nor with the settlement of Virginia; but 1500
+years and more before, in the days when our common Teutonic ancestors, as
+free then as this day, knew how
+
+ In den Deutschen Forsten
+ Wie der Aar zu horsten,
+
+when Herman smote the Romans in the Teutoburger-Wald, and the great
+Caesar wailed in vain to his slain general, 'Varus, give me back my
+legions!' Teach your children that the Congress which sits at Washington
+is as much the child of Magna Charta as the Parliament which sits at
+Westminster; and that when you resisted the unjust demands of an English
+king and council, you did but that which the free commons of England held
+the right to do, and did, not only after, but before, the temporary
+tyranny of the Norman kings.
+
+Show them the tombs of English kings; not of those Norman kings--no
+Norman king lies buried in our Abbey--there is no royal interment between
+Edward the Confessor, the last English prince of Cerdic's house, and
+Henry the Third, the first of the new English line of kings. Tell them,
+in justice to our common forefathers, that those men were no tyrants, but
+_kings_, who swore to keep, and for the most part did keep, like loyal
+gentlemen, the ancient English laws, which they had sworn in Westminster
+Abbey to maintain; and that the few of them who persisted in outraging
+the rights or the conscience of the free people of England, paid for
+their perjury with their crowns, or with their lives. And tell them,
+too, in justice to our common ancestors, that there were never wanting to
+the kings, the nobles, or the commons of England, since the days when
+Simon de Montfort organised the House of Commons in Westminster Hall, on
+the 2nd of May, 1258--there were never wanting, I say, to the kings, the
+nobles, or the commons of England, counsellors who dared speak the truth
+and defend the right, even at the risk of their own goods and their own
+lives.
+
+Remind them, too--or let our monuments remind them--that even in the
+worst times of the War of Independence, there were not wanting, here in
+England, statesmen who dared to speak out for justice and humanity; and
+that they were not only confessed to be the leading men of their own day,
+but the very men whom England delighted to honour by places in her
+Pantheon. Show them the monuments of Chatham, Pitt, and Fox--Burke
+sleeps in peace elsewhere--and remind them that the great earl, who
+literally died as much in your service as in ours, whose fiery invectives
+against the cruelties of that old war are, I am proud to say, still
+common-places for declamation among our English schoolboys, dared, even
+when all was at the worst, to tell the English House of Lords--'If I were
+an American, as I am an Englishman, while a foreign troop was landed in
+my country, I never would lay down my arms--never, never, never!'
+
+Yes--an American as well as an Englishman may find himself in the old
+Abbey in right good company.
+
+Yes--and I do not hesitate to say, that if you will look through the
+monuments erected in that Abbey, since those of Pitt and Fox--you will
+find that the great majority commemorate the children, not of
+obstruction, but of progress; not of darkness, but of light.
+
+Holland, Tierney, Mackintosh, Grattan, Peel, Canning, Palmerston, Isaac
+Watts, Bell, Wilberforce, Sharp, the Macaulays, Fowell Buxton, Francis
+Horner, Charles Buller, Cobden, Watt, Rennell, Telford, Locke, Brunel,
+Grote, Thackeray, Dickens, Maurice--men who, each in his own way, toiled
+for freedom of some kind; freedom of race, of laws, of commerce, of
+locomotion, of production, of speech, of thought, of education, of human
+charity, and of sympathy--these are the men whom England still delights
+to honour; whose busts around our walls show that the ancient spirit is
+not dead, and that we, as you, are still, as 1500 years ago, the sons of
+freedom and of light.
+
+But, beside these statesmen who were just and true to you, and therefore
+to their native land, there lie men before whose monuments I would ask
+thoughtful Americans to pause--I mean those of our old fighters, by land
+and sea. I do not speak merely of those who lived before our Civil Wars,
+though they are indeed our common heritage. And when you look at the
+noble monuments of De Vere and Norris, the fathers of the English
+infantry, you should remember that your ancestors and mine, or that of
+any other Englishman, may have trailed pike and handled sword side by
+side under those very men, in those old wars of the Netherlands, which
+your own great historian, Mr. Motley, has so well described; or have
+sailed together to Cadiz fight, and to the Spanish Main, with Raleigh or
+with Drake.
+
+There are those, again, who did their duty two and three generations
+later--though one of the noblest of them all, old Admiral Blake, alas!
+lies we know not where--cast out, with Cromwell and his heroes, by the
+fanatics and sycophants of the Restoration--whom not only we, but Royalty
+itself, would now restore, could we recover their noble ashes, to their
+rightful resting-place.
+
+And these, if not always our common ancestors, were, often enough, our
+common cousins, as in the case of my own family, in which one brother was
+settling in New England, to found there a whole new family of Kingsleys
+while the other brother was fighting in the Parliamentary army, and
+helping to defeat Charles at Rowton Moor.
+
+But there is another class of warriors' tombs, which I ask you, if ever
+you visit the Abbey, to look on with respect, and let me say, affection
+too. I mean the men who did their duty, by land and sea, in that long
+series of wars which, commencing in 1739, ended in 1783, with our
+recognition of your right and power to be a free and independent people.
+Of those who fought against you I say nought. But I must speak of those
+who fought for you--who brought to naught, by sheer hard blows, that
+family compact of the House of Bourbon, which would have been as
+dangerous to you upon this side of the ocean as to us upon the other; who
+smote with a continual stroke the trans-Atlantic power of Spain, till
+they placed her once vast and rich possessions at your mercy to this day;
+and who--even more important still--prevented the French from seizing at
+last the whole valley of the Mississippi, and girdling your nascent
+dominion with a hostile frontier, from Louisiana round to the mouth of
+the St. Lawrence.
+
+When you see Wolfe's huge cenotaph, with its curious bronze bas-relief of
+the taking of the heights of Abraham, think, I pray you, that not only
+for England, but for you, the 'little red-haired corporal' conquered and
+died.
+
+Remember, too, that while your ancestors were fighting well by land, and
+Washington and such as he were learning their lesson at Fort Duquesne and
+elsewhere better than we could teach them, we were fighting well where we
+knew how to fight--at sea. And when, near to Wolfe's monument, or in the
+Nave, you see such names as Cornwallis, Saumarez, Wager, Vernon--the
+conqueror of Portobello--Lord Aubrey Beauclerk, and so forth--bethink you
+that every French or Spanish ship which these men took, and every convoy
+they cut off, from Toulon to Carthagena, and from Carthagena to Halifax,
+made more and more possible the safe severance from England of the very
+Colonies which you were then helping us to defend. And then agree, like
+the generous-hearted people which you are, that if, in after years, we
+sinned against you--and how heavy were our sins, I know too well--there
+was a time, before those evil days, when we fought for you, and by your
+side, as the old lion by the young; even though, like the old lion and
+the young, we began, only too soon, tearing each other to pieces over the
+division of the prey.
+
+Nay, I will go further, and say this, paradoxical as it may seem:--When
+you enter the North Transept from St. Margaret's Churchyard you see on
+your right hand a huge but not ungraceful naval monument of white marble,
+inscribed with the names of Bayne, Blair, Lord Robert Manners--three
+commanders of Rodney's, in the crowning victory of April 12, 1782--fought
+upon Tropic waters, over which I have sailed, flushed with the thought
+that my own grandfather was that day on board of Rodney's ship.
+
+Now do you all know what that day's great fight meant for you,--fought
+though it was, while you, alas! were still at war with us? It meant
+this. That that day--followed up, six months after, by Lord Howe's
+relief of Gibraltar--settled, I hold, the fate of the New World for many
+a year. True, in one sense, it was settled already. Cornwallis had
+already capitulated at York Town. But even then the old lion, disgraced,
+bleeding, fainting, ready to yield--but only to you, of his own kin and
+blood--struck, though with failing paw, two such tremendous blows at his
+old enemies, as deprived them thenceforth of any real power in the New
+World; precipitated that bankruptcy and ruin which issued in the French
+and Spanish revolutions; and made certain, as I believe, the coming day
+when the Anglo-Saxon race shall be the real masters of the whole New
+World.
+
+Of poets and of men of letters I say nought. They are the heritage,
+neither of us, nor you, but of the human race. The mere man of letters
+may well sleep in the very centre of that busy civilisation from which he
+drew his inspiration: but not the poet--not, at least, the poet of these
+days. He goes not to the town, but nature, for his inspirations, and to
+nature when he dies he should return. Such men--artificial, and
+town-bred--however brilliant, or even grand at times--as Davenant,
+Dryden, Cowley, Congreve, Prior, Gay--sleep fitly in our care here. Yet
+even Pope--though one of such in style and heart--preferred the parish
+church of the then rural Twickenham, and Gray the lonely graveyard of
+Stoke Pogis. Ben Jonson has a right to lie with us. He was a townsman
+to the very heart, and a court-poet too. But Chaucer, Spenser,
+Drayton--such are, to my mind, out of place. Chaucer lies here, because
+he lived hard by. Spenser through bitter need and woe. But I should
+have rather buried Chaucer in some trim garden, Spenser beneath the
+forest aisles, and Drayton by some silver stream--each man's dust resting
+where his heart was set. Happier, it seems to me, are those who like
+Shakespeare, Wordsworth and Southey, Scott and Burns, lie far away, in
+scenes they knew and loved; fulfilling Burke's wise choice: 'After all I
+had sooner sleep in the southern corner of a country churchyard than in
+the tomb of all the Capulets.'
+
+Yes--these worthies, one and all, are a token that the Great Abbey, and
+all its memories of 800 years, does not belong to us alone, nor even to
+the British Empire alone and all its Colonies, but to America likewise!
+That when an American enters beneath that mighty shade, he treads on
+common and ancestral ground, as sacred to him as it is to us; the symbol
+of common descent, common development, common speech, common creed,
+common laws, common literature, common national interests, and I trust,
+of a common respect and affection, such as the wise can only feel toward
+the wise, and the strong toward the strong.
+
+Is all this sentiment? Remember what I said just now: by well-used
+sentiment, and well-used sorrow, great nations live.
+
+
+
+
+LECTURE II.
+THE STAGE AS IT WAS ONCE.
+
+
+What the Stage is now, I presume, all know. I am not myself a playgoer,
+but I am informed that, in Europe at least, it is not in a state to
+arouse any deep interest or respect in any cultivated or virtuous person.
+Meanwhile, keeping fast to my intention of talking to you only about
+things worthy of your interest and respect, because they are good, true,
+and beautiful, I wish to tell you what the Stage was once, in a republic
+of the past--what it may be again, I sometimes dream, in some republic of
+the future.
+
+Let me take you back in fancy some 2314 years--440 years before the
+Christian era, and try to sketch for you--alas! how clumsily--a great,
+though tiny people, in one of their greatest moments--in one of the
+greatest moments, it may be, of the human race. For surely it is a great
+and a rare moment for humanity, when all that is loftiest in it--when
+reverence for the Unseen powers, reverence for the heroic dead, reverence
+for the father-land; and that reverence, too, for self, which is
+expressed in stateliness and self-restraint, in grace and courtesy; when
+all these, I say, can lend themselves, even for a day, to the richest
+enjoyment of life--to the enjoyment of beauty in form and sound, and of
+relaxation, not brutalizing, but ennobling.
+
+Rare, alas! have such seasons been in the history of poor humanity. But
+when they have come, they have lifted it up one stage higher thenceforth.
+Men, having been such once, may become such again; and the work which
+such times have left behind them becomes immortal.
+
+ A thing of beauty is a joy for ever.
+
+Let me take you to the then still unfinished theatre of Athens, hewn out
+of the limestone rock on the south-east slope of the Acropolis.
+
+Above are the new marble buildings of the Parthenon, rich with the
+statues and bas-reliefs of Phidias and his scholars, gleaming white
+against the blue sky, with the huge bronze statue of Athene Promachos,
+fifty feet in height, towering up among the temples and colonnades. In
+front, and far below, gleams the blue sea, and Salamis beyond.
+
+And there are gathered the people of Athens--50,000 of them, possibly,
+when the theatre was complete and full. If it be fine, they all wear
+garlands on their heads. If the sun be too hot, they wear wide-brimmed
+straw hats. And if a storm comes on, they will take refuge in the
+porticos beneath; not without wine and cakes, for what they have come to
+see will last for many an hour, and they intend to feast their eyes and
+ears from sunrise to sunset. On the highest seats are slaves and
+freedmen, below them the free citizens; and on the lowest seats of all
+are the dignitaries of the republic--the priests, the magistrates, and
+the other [Greek text]--the fair and good men--as the citizens of the
+highest rank were called, and with them foreign ambassadors and
+distinguished strangers. What an audience--the rapidest, subtlest,
+wittiest, down to the very cobblers and tinkers, the world has ever seen.
+And what noble figures on those front seats; Pericles, with Aspasia
+beside him, and all his friends--Anaxagoras the sage, Phidias the
+sculptor, and many another immortal artist; and somewhere among the free
+citizens, perhaps beside his father Sophroniscus the sculptor, a short,
+square, pugnosed boy of ten years old, looking at it all with strange
+eyes--'who will be one day,' so said the Pythoness at Delphi, 'the wisest
+man in Greece'--sage, metaphysician, humourist, warrior, patriot,
+martyr--for his name is _Socrates_.
+
+All are in their dresses of office; for this is not merely a day of
+amusement, but of religious ceremony; sacred to Dionysos--Bacchus, the
+inspiring god, who raises men above themselves, for good--or for evil.
+
+The evil, or at least the mere animal aspect of that inspiration, was to
+be seen in forms grotesque and sensuous enough in those very festivals,
+when the gayer and coarser part of the population, in town and country,
+broke out into frantic masquerade, of which that silly carnival of Rome
+is perhaps the last paltry and unmeaning relic. 'When,' as the learned
+O. Muller says, 'the desire of escaping from self into something new and
+strange, of living in an imaginary world, broke forth in a thousand ways;
+not merely in revelry and solemn, though fantastic songs, but in a
+hundred disguises, imitating the subordinate beings--satyrs, pans, and
+nymphs, by whom the god was surrounded, and through whom life seemed to
+pass from him into vegetation, and branch off into a variety of beautiful
+or grotesque forms--beings who were ever present to the fancy of the
+Greeks, as a convenient step by which they could approach more nearly to
+the presence of the Divinity.' But even out of that seemingly bare
+chaos, Athenian genius was learning how to construct, under Eupolis,
+Cratinus and Aristophanes, that elder school of comedy, which remains not
+only unsurpassed, but unapproachable, save by Rabelais alone, as the
+ideal cloudland of masquerading wisdom, in which the whole universe goes
+mad--but with a subtle method in its madness.
+
+Yes, so it has been, under some form or other, in every race and
+clime--ever since Eve ate of the magic fruit, that she might be as a god,
+knowing good and evil, and found, poor thing, as most have since, that it
+was far easier and more pleasant to know the evil than to know the good.
+But that theatre was built that men might know therein the good as well
+as the evil. To learn the evil, indeed, according to their light, and
+the sure vengeance of Ate and the Furies which tracks up the evil-doer.
+But to learn also the good--lessons of piety, patriotism, heroism,
+justice, mercy, self-sacrifice, and all that comes out of the hearts of
+men and women not dragged _below_, but raised _above_ themselves; and
+behind all--at least in the nobler and earlier tragedies of AEschylus and
+Sophocles, before Euripides had introduced the tragedy of mere human
+passion; that sensation tragedy, which is the only one the world knows
+now, and of which the world is growing rapidly tired--behind all, I say,
+lessons of the awful and unfathomable mystery of human existence, of
+unseen destiny; of that seemingly capricious distribution of weal and
+woe, to which we can find no solution on this side the grave, for which
+the old Greek could find no solution whatsoever.
+
+Therefore there was a central object in the old Greek theatre, most
+important to it, but which does not exist in our theatres, and did not in
+the old Roman; because our tragedies, like the Roman, are mere plays
+concerning love, murder, and so forth, while the Greek were concerning
+the deepest relations of man to the Unseen.
+
+The almost circular orchestra, or pit, between the benches and the stage,
+was empty of what we call spectators--because it was destined for the
+true and ideal spectators--the representatives of humanity; in its centre
+was a round platform, the [Greek text]--originally the altar of
+Bacchus--from which the leader of these representatives, the leader of
+the Chorus, could converse with the actors on the stage and take his part
+in the drama; and round this thymele the Chorus ranged, with measured
+dance and song, chanting, to the sound of a simple flute, odes such as
+the world had never heard before or since, save perhaps in the
+temple-worship at Jerusalem. A chorus now, as you know, means merely any
+number of persons singing in full harmony on any subject. The Chorus was
+then in tragedy, and indeed in the higher comedy, what Schlegel well
+calls 'the ideal spectator,'--a personified reflection on the action
+going on, the incorporation into the representation itself of the
+sentiments of the poet, as the spokesman of the whole human race. He
+goes on to say (and I think truly), 'that the Chorus always retained
+among the Greeks a peculiar national signification, publicity being,
+according to their republican notions, essential to the completeness of
+every important transaction.' Thus the Chorus represented idealised
+public opinion: not of course, the shifting, hasty public opinion of the
+moment--to that it was a conservative check, and it calmed to soberness
+and charity--for it was the matured public opinion of centuries; the
+experience, and usually the sad experience, of many generations; the very
+spirit of the Greek race.
+
+The Chorus might be composed of what the poet would. Of ancient
+citizens, waiting for their sons to come back from the war, as in the
+_Agamemnon_ of AEschylus; of sea-nymphs, as in his _Prometheus Bound_;
+even of the very Furies who hunt the matricide, as in his _Eumenides_; of
+Senators as in the _Antigone_ of Sophocles; or of village farmers as in
+his _OEdipus at Colonos_--and now I have named five of the greatest
+poems, as I hold, written by mortal man till Dante rose. Or it may be
+the Chorus was composed--as in the comedies of Aristophanes, the greatest
+humourist the world has ever seen--of birds, or of frogs, or even of
+clouds. It may rise to the level of Don Quixote, or sink to that of
+Sancho Panza; for it is always the incarnation of such wisdom, heavenly
+or earthly, as the poet wishes the people to bring to bear on the
+subject-matter!
+
+But let the poets themselves, rather than me, speak awhile. Allow me to
+give you a few specimens of these choruses--the first as an example of
+that practical, and yet surely not un-divine wisdom, by which they
+supplied the place of our modern preacher, or essayist, or didactic poet.
+
+Listen to this of the old men's chorus in the _Agamemnon_, in the
+spirited translation of my friend Professor Blackie:--
+
+ 'Twas said of old, and 'tis said to-day,
+ That wealth to prosperous stature grown
+ Begets a birth of its own:
+ That a surfeit of evil by good is prepared,
+ And sons must bear what allotment of woe
+ Their sires were spared.
+ But this I refuse to believe: I know
+ That impious deeds conspire
+ To beget an offspring of impious deeds
+ Too like their ugly sire.
+ But whoso is just, though his wealth like a river
+ Flow down, shall be scathless: his house shall rejoice
+ In an offspring of beauty for ever.
+
+ The heart of the haughty delights to beget
+ A haughty heart. From time to time
+ In children's children recurrent appears
+ The ancestral crime.
+ When the dark hour comes that the gods have decreed
+ And the Fury burns with wrathful fires,
+ A demon unholy, with ire unabated,
+ Lies like black night on the halls of the fated;
+ And the recreant Son plunges guiltily on
+ To perfect the guilt of his Sires.
+
+ But Justice shines in a lowly cell;
+ In the homes of poverty, smoke-begrimed,
+ With the sober-minded she loves to dwell.
+ But she turns aside
+ From the rich man's house with averted eye,
+ The golden-fretted halls of pride
+ Where hands with lucre are foul, and the praise
+ Of counterfeit goodness smoothly sways;
+ And wisely she guides in the strong man's despite
+ All things to an issue of RIGHT.
+
+Let me now give you another passage from the _Eumenides_--or _Furies_, of
+AEschylus.
+
+Orestes, prince of Argos, you must remember, has avenged on his mother
+Clytemnestra the murder of his father, king Agamemnon, on his return from
+Troy. Pursued by the Furies, he takes refuge in the temple of Apollo at
+Delphi, and then, still Fury-haunted, goes to Athens, where Pallas Athene
+the warrior-maiden, the tutelary goddess of Athens, bids him refer his
+cause to the Areopagus, the highest court of Athens, Apollo acting as his
+advocate, and she sitting as umpire in the midst. The white and black
+balls are thrown into the urn, and are equal; and Orestes is only
+delivered by the decision of Athene--as the representative of the nearer
+race of gods, the Olympians, the friends of man, in whose likeness man is
+made. The Furies are the representatives of the older and darker
+creed--which yet has a depth of truth in it--of the irreversible dooms
+which underlie all nature; and which represent the _Law_, and not the
+Gospel, the consequence of the mere act, independent of the spirit which
+has prompted it.
+
+They break out in fury against the overbearing arrogance of these younger
+gods. Athene bears their rage with equanimity, addresses them in the
+language of kindness, even of veneration, till these so indomitable
+beings are unable to withstand the charm of her mild eloquence. They are
+to have a sanctuary in the Athenian land, and to be called no more Furies
+(Erinnys), but Eumenides--the _well-conditioned_--the kindly goddesses.
+And all ends with a solemn procession round the orchestra, with hymns of
+blessing, while the terrible Chorus of the Furies, clothed in black, with
+blood-stained girdles, and serpents in their hair, in masks having
+perhaps somewhat of the terrific beauty of Medusa-masks, are convoyed to
+their new sanctuary by a procession of children, women, and old men in
+purple robes and torches in their hands, after Athene and the Furies have
+sung, in response to each other, a chorus from which I must beg leave to
+give you an extract or two.
+
+ _Eldest Fury_ (_Leader of the Chorus_).
+
+ Far from thy dwelling, and far from thy border,
+ By the grace of my godhead benignant I order
+ The blight which may blacken the bloom of the trees.
+ Far from thy border, and far from thy dwelling,
+ Be the hot blast which shrivels the bud in its swelling,
+ The seed-rotting taint, and the creeping disease.
+ Thy flocks be still doubled, thy seasons be steady,
+ And when Hermes is near thee, thy hand be still ready
+ The Heaven-dropt bounty to seize.
+
+ _Athene_.
+
+ Hear her words, my city's warders--
+ Fraught with blessings, she prevaileth
+ With Olympians and Infernals,
+ Dread Erinnys much revered.
+ Mortal faith she guideth plainly
+ To what goal she pleaseth, sending
+ Songs to some, to others days
+ With tearful sorrows dulled.
+
+ _Furies_.
+
+ Far from thy border
+ The lawless disorder
+ That sateless of evil shall reign;
+ Far from thy dwelling,
+ The dear blood welling,
+ That taints thine own hearth with the slain.
+ When slaughter from slaughter
+ Shall flow like the water,
+ And rancour from rancour shall grow.
+ But joy with joy blending,
+ Live, each to all lending;
+ And hating one-hearted the foe.
+ When bliss hath departed;
+ From love single-hearted,
+ A fountain of healing shall flow.
+
+ _Athene_.
+
+ Wisely now the tongue of kindness
+ Thou hast found, the way of love.
+ And these terror-speaking faces
+ Now look wealth to me and mine.
+ Her so willing, ye more willing,
+ Now receive. This land and city,
+ On ancient right securely throned,
+ Shall shine for evermore.
+
+ _Furies_.
+
+ Hail, and all hail, mighty people, be greeted,
+ On the sons of Athena shines sunshine the clearest.
+ Blest people, near Jove the Olympian seated.
+ And dear to the maiden his daughter the dearest.
+ Timely wise 'neath the wings of the daughter ye gather,
+ And mildly looks down on her children the Father.
+
+Those of you here who love your country as well as the old Athenians
+loved theirs, will feel at once the grand political significance of such
+a scene, in which patriotism and religion become one--and feel, too, the
+exquisite dramatic effect of the innocent, the weak, the unwarlike,
+welcoming among them, without fear, because without guilt, those ancient
+snaky-haired sisters, emblems of all that is most terrible and most
+inscrutable, in the destiny of nations, of families, and of men:
+
+ To their hallowed habitations
+ 'Neath Ogygian earth's foundations
+ In that darksome hall
+ Sacrifice and supplication
+ Shall not fail. In adoration
+ Silent worship all.
+
+Listen again, to the gentler patriotism of a gentler poet, Sophocles
+himself. The village of Colonos, a mile from Athens, was his birthplace;
+and in his _OEdipus Coloneus_, he makes his Chorus of village officials
+sing thus of their consecrated olive grove:
+
+ In good hap, stranger, to these rural seats
+ Thou comest, to this region's blest retreats,
+ Where white Colonos lifts his head,
+ And glories in the bounding steed.
+ Where sadly sweet the frequent nightingale
+ Impassioned pours his evening song,
+ And charms with varied notes each verdant vale,
+ The ivy's dark-green boughs among,
+ Or sheltered 'neath the clustering vine
+ Which, high above him form a bower,
+ Safe from the sun or stormy shower,
+ Where frolic Bacchus often roves,
+ And visits with his fostering nymphs the groves.
+
+ Bathed in the dew of heaven each morn,
+ Fresh is the fair Narcissus born,
+ Of those great gods the crown of old;
+ The crocus glitters, robed in gold.
+ Here restless fountains ever murmuring glide,
+ And as their crisped streamlets play,
+ To feed, Cephisus, thine unfailing tide,
+ Fresh verdure marks their winding way.
+ Here oft to raise the tuneful song
+ The virgin band of Muses deigns,
+ And car-borne Aphrodite guides her golden reins.
+
+Then they go on, this band of village elders, to praise the gods for
+their special gifts to that small Athenian land. They praise Pallas
+Athene, who gave their forefathers the olive; then Poseidon--Neptune, as
+the Romans call him--who gave their forefathers the horse; and something
+more--the ship,--the horse of the sea, as they, like the old Norse
+Vikings after them, delighted to call it.--
+
+ Our highest vaunt is this--Thy grace,
+ Poseidon, we behold.
+ The ruling curb, embossed with gold,
+ Controls the courser's managed pace.
+ Though loud, oh king, thy billows roar,
+ Our strong hands grasp the labouring oar,
+ And while the Nereids round it play,
+ Light cuts our bounding bark its way.
+
+What a combination of fine humanities! Dance and song, patriotism and
+religion, so often parted among us, have flowed together into one in
+these stately villagers; each a small farmer; each a trained soldier, and
+probably a trained seaman also; each a self-governed citizen; and each a
+cultured gentleman, if ever there were gentlemen on earth.
+
+But what drama, doing, or action--for such is the meaning of the word--is
+going on upon the stage, to be commented on by the sympathizing Chorus?
+
+One drama, at least, was acted in Athens in that year--440 B.C.--which
+you, I doubt not, know well--that _Antigone_ of Sophocles, which
+Mendelssohn has resuscitated, in our own generation, by setting it to
+music, divine indeed, though very different from the music to which it
+was set, probably by Sophocles himself, at its first, and for ought we
+know, its only representation. For pieces had not then, as now, a run of
+a hundred nights and more. The Athenian genius was so fertile, and the
+Athenian audience so eager for novelty, that new pieces were demanded,
+and were forthcoming, for each of the great festivals, and if a piece was
+represented a second time it was usually after an interval of some years.
+They did not, moreover, like the moderns, run every night to some theatre
+or other, as a part of the day's amusement. Tragedy, and even comedy,
+were serious subjects, calling out, not a passing sigh, or passing laugh,
+but all the higher faculties and emotions. And as serious subjects were
+to be expressed in verse and music, which gave stateliness, doubtless,
+even to the richest burlesques of Aristophanes, and lifted them out of
+mere street-buffoonery into an ideal fairy land of the grotesque, how
+much more stateliness must verse and music have added to their tragedy!
+And how much have we lost, toward a true appreciation of their dramatic
+art, by losing almost utterly not only the laws of their melody and
+harmony, but even the true metric time of their odes! music and metre,
+which must have surely been as noble as their poetry, their sculpture,
+their architecture, possessed by the same exquisite sense of form and of
+proportion. One thing we can understand--how this musical form of the
+drama, which still remains to us in lower shapes, in the oratorio, in the
+opera, must have helped to raise their tragedies into that ideal sphere
+in which they all, like the _Antigone_, live and move. So ideal and yet
+so human; nay rather, truly ideal, because truly human. The gods, the
+heroes, the kings, the princesses of Greek tragedy were dear to the
+hearts of Greek republicans, not merely as the founders of their states,
+not merely as the tutelary deities, many of them, of their country: but
+as men and women like themselves, only more vast; with mightier wills,
+mightier virtues, mightier sorrows, and often mightier crimes; their
+inward free-will battling, as Schlegel has well seen, against outward
+circumstance and overruling fate, as every man should battle, unless he
+sink to be a brute. 'In tragedy,' says Schlegel--uttering thus a deep
+and momentous truth--'the gods themselves either come forward as the
+servants of destiny and mediate executors of its decrees, or approve
+themselves godlike only by asserting their liberty of action and entering
+upon the same struggles with fate which man himself has to encounter.'
+And I believe this, that this Greek tragedy, with its godlike men and
+manlike gods, and heroes who had become gods by the very vastness of
+their humanity, was a preparation, and it may be a necessary preparation,
+for the true Christian faith in a Son of man, who is at once utterly
+human and utterly divine. Man is made in the likeness of God--is the
+root-idea, only half-conscious, only half-expressed, but instinctive,
+without which neither the Greek Tragedies, nor the Homeric Poems, six
+hundred years before them, could have been composed. Doubtless the idea
+that man was like a god degenerated too often into the idea that the gods
+were like men, and as wicked. But that travestie of a great truth is not
+confined to those old Greeks. Some so-called Christian theories--as I
+hold--have sinned in that direction as deeply as the Athenians of old.
+
+Meanwhile, I say, that this long acquiescence in the conception of
+godlike struggle, godlike daring, godlike suffering, godlike martyrdom;
+the very conception which was so foreign to the mythologies of any other
+race--save that of the Jews, and perhaps of our own Teutonic
+forefathers--did prepare, must have prepared, men to receive as most
+rational and probable, as the satisfaction of their highest instincts,
+the idea of a Being in whom all those partial rays culminated in clear,
+pure light; of a Being at once utterly human and utterly divine; who by
+struggle, suffering, self-sacrifice, without a parallel, achieved a
+victory over circumstance and all the dark powers which beleaguer man
+without a parallel likewise.
+
+Take, as an example, the figure which you know best--the figure of
+Antigone herself--devoting herself to be entombed alone, for the sake of
+love and duty. Love of a brother, which she can only prove, alas! by
+burying his corpse. Duty to the dead, an instinct depending on no
+written law, but springing out of the very depths of those blind and yet
+sacred monitions which prove that the true man is not an animal, but a
+spirit; fulfilling her holy purpose, unchecked by fear, unswayed by her
+sisters' entreaties. Hardening her heart magnificently till her fate is
+sealed; and then after proving her godlike courage, proving the
+tenderness of her womanhood by that melodious wail over her own untimely
+death and the loss of marriage joys, which some of you must know from the
+music of Mendelssohn, and which the late Dean Milman has put into English
+thus--
+
+ Come, fellow-citizens, and see
+ The desolate Antigone.
+ On the last path her steps shall tread,
+ Set forth, the journey of the dead,
+ Watching, with vainly lingering gaze,
+ Her last, last sun's expiring rays,
+
+ Never to see it, never more,
+ For down to Acheron's dread shore,
+ A living victim am I led
+ To Hades' universal bed.
+ To my dark lot no bridal joys
+ Belong, nor e'er the jocund noise
+ Of hymeneal chant shall sound for me,
+ But death, cold death, my only spouse shall be.
+
+ Oh tomb! Oh bridal chamber! Oh deep-delved
+ And strongly-guarded mansion! I descend
+ To meet in your dread chambers all my kindred,
+ Who in dark multitudes have crowded down
+ Where Proserpine received the dead. But I,
+ The last, and oh how few more miserable,
+ Go down, or ere my sands of life are run.
+
+And let me ask you whether the contemplation of such a self-sacrifice
+should draw you, should have drawn those who heard the tale nearer to, or
+further from, a certain cross which stood on Calvary some 1800 years ago?
+May not the tale of Antigone heard from mother or from nurse have nerved
+ere now some martyr-maiden to dare and suffer in an even holier cause?
+
+But to return. This set purpose of the Athenian dramatists of the best
+school to set before men a magnified humanity, explains much in their
+dramas which seem to us at first not only strange but faulty. The masks
+which gave one grand but unvarying type of countenance to each well-known
+historic personage, and thus excluded the play of feature, animated
+gesture, and almost all which we now consider as 'acting' proper; the
+thicksoled cothurni which gave the actor a more than human stature; the
+poverty (according to our notions) of the scenery, which usually
+represented merely the front of a palace or other public place, and was
+often though not always unchanged during the whole performance; the total
+absence in fact, of anything like that scenic illusion which most
+managers of theatres seem now to consider as their highest achievement;
+the small number of the actors, two, or at most three only, being present
+on the stage at once,--the simplicity of the action, in which intrigue
+(in the play-house sense) and any complication of plot are utterly
+absent; all this must have concentrated not the eye of the spectator on
+the scene, but his ear upon the voice, and his emotions on the personages
+who stood out before him without a background, sharp-cut and clear as a
+group of statuary which is the same, place it where you will, complete in
+itself--a world of beauty, independent of all other things and beings
+save on the ground on which it needs must stand. It was the personage
+rather than his surroundings, which was to be impressed by every word on
+the spectator's heart and intellect; and the very essence of Greek
+tragedy is expressed in the still famous words of Medea--
+
+ Che resta? Io.
+
+Contrast this with the European drama--especially with the highest form
+of it--our own Elizabethan. It resembles, as has been often said in
+better words than mine, not statuary but painting. These dramas affect
+colour, light, and shadow, background whether of town or country,
+description of scenery where scenic machinery is inadequate, all in fact,
+which can blend the action and the actors with the surrounding
+circumstances, without letting them altogether melt into the
+circumstances; which can show them a part of the great whole, by harmony
+or discord with the whole universe, down to the flowers beneath their
+feet. This, too, had to be done: how it became possible for even the
+genius of a Shakespeare to get it done, I may with your leave hint to you
+hereafter. Why it was not given to the Greeks to do it, I know not.
+
+Let us at least thank them for what they did. One work was given them,
+and that one they fulfilled as it had never been fulfilled before; as it
+will never need to be fulfilled again; for the Greeks' work was done not
+for themselves alone but for all races in all times; and Greek Art is the
+heirloom of the whole human race; and that work was to assert in drama,
+lyric, sculpture, music, gymnastic, the dignity of man--the dignity of
+man which they perceived for the most part with their intense aesthetic
+sense, through the beautiful in man. Man with them was divine, inasmuch
+as he could perceive beauty and be beautiful himself. Beauty might be
+physical, aesthetic, intellectual, moral. But in proportion as a thing
+was perfect it revealed its own perfection by its beauty. Goodness
+itself was a form--though the highest form--of beauty. [Greek text]
+meant both the physically beautiful and the morally good; [Greek text]
+both the ugly and the bad.
+
+Out of this root-idea sprang the whole of that Greek sculpture, which is
+still, and perhaps ever will be, one of the unrivalled wonders of the
+world.
+
+Their first statues, remember, were statues of the gods. This is an
+historic fact. Before B.C. 580 there were probably no statues in Greece
+save those of deities. But of what form? We all know that the usual
+tendency of man has been to represent his gods as more or less monstrous.
+Their monstrosity may have been meant, as it was certainly with the
+Mexican idols, and probably those of the Semitic races of Syria and
+Palestine, to symbolise the ferocious passions which they attributed to
+those objects of their dread, appeasable alone by human sacrifice. Or
+the monstrosity, as with the hawk-headed or cat-headed Egyptian idols,
+the winged bulls of Nineveh and Babylon, the many-handed deities of
+Hindostan--merely symbolised powers which could not, so the priest and
+the sculptor held, belong to mere humanity. Now, of such monstrous forms
+of idols, the records in Greece are very few and very ancient--relics of
+an older worship, and most probably of an older race. From the earliest
+historic period, the Greek was discerning more and more that the divine
+could be best represented by the human; the tendency of his statuary was
+more and more to honour that divine, by embodying it in the highest human
+beauty.
+
+In lonely mountain shrines there still might linger, feared and honoured,
+dolls like those black virgins, of unknown antiquity, which still work
+wonders on the European continent. In the mysterious cavern of Phigalia,
+for instance, on the Eleatic shore of Peloponnese, there may have been in
+remote times--so the legend ran--an old black wooden image, a woman with
+a horse's head and mane, and serpents growing round her head, who held a
+dolphin in one hand and a dove in the other. And this image may have
+been connected with old nature-myths about the marriage of Demeter and
+Poseidon--that is, of encroachments of the sea upon the land; and the
+other myths of Demeter, the earth-mother, may have clustered round the
+place, till the Phigalians were glad--for it was profitable as well as
+honourable--to believe that in their cavern Demeter sat mourning for the
+loss of Proserpine, whom Pluto had carried down to Hades, and all the
+earth was barren till Zeus sent the Fates, or Iris, to call her forth,
+and restore fertility to the world. And it may be true--the legend as
+Pausanias tells it 600 years after--that the old wooden idol having been
+burnt, and the worship of Demeter neglected till a famine ensued, the
+Phigalians, warned by the Oracle of Delphi, hired Onatas, a contemporary
+of Polygnotus and Phidias, to make them a bronze replica of the old idol,
+from some old copy and from a dream of his own. The story may be true.
+When Pausanias went thither, in the second century after Christ, the cave
+and the fountain, and the sacred grove of oaks, and the altar outside,
+which was to be polluted with the blood of no victim--the only offerings
+being fruits and honey, and undressed wool--were still there. The statue
+was gone. Some said it had been destroyed by the fall of the cliff; some
+were not sure that it had ever been there at all. And meanwhile
+Praxiteles had already brought to perfection (Paus. 1, 2, sec. 4) the
+ideal of Demeter, mother-like, as Here--whom we still call Juno now--but
+softer-featured, and her eyes more closed.
+
+And so for mother earth, as for the rest, the best representation of the
+divine was the human. Now, conceive such an idea taking hold, however
+slowly, of a people of rare physical beauty, of acutest eye for
+proportion and grace, with opportunities of studying the human figure
+such as exist nowhere now, save among tropic savages, and gifted,
+moreover, in that as in all other matters, with that innate diligence, of
+which Mr. Carlyle has said, 'that genius is only an infinite capacity of
+taking pains,' and we can understand somewhat of the causes which
+produced those statues, human and divine, which awe and shame the
+artificiality and degeneracy of our modern so-called civilisation--we can
+understand somewhat of the reverence for the human form, of the careful
+study of every line, the storing up for use each scattered fragment of
+beauty of which the artist caught sight, even in his daily walks, and
+consecrating it in his memory to the service of him or her whom he was
+trying to embody in marble or in bronze. And when the fashion came in of
+making statues of victors in the games, and other distinguished persons,
+a new element was introduced, which had large social as well as artistic
+results. The sculptor carried his usual reverence into his careful
+delineation of the victor's form, while he obtained in him a model,
+usually of the very highest type, for perfecting his idea of some
+divinity. The possibility of gaining the right to a statue gave a fresh
+impulse to all competitors in the public games, and through them to the
+gymnastic training throughout all the states of Greece, which made the
+Greeks the most physically able and graceful, as well as the most
+beautiful people known to the history of the human race. A people who,
+reverencing beauty, reverenced likewise grace or acted beauty, so utterly
+and honestly, that nothing was too humble for a free man to do, if it
+were not done awkwardly and ill. As an instance, Sophocles himself--over
+and above his poetic genius, one of the most cultivated gentlemen, as
+well as one of the most exquisite musicians, dancers, and gymnasts, and
+one of the most just, pious, and gentle of all Greece--could not, by
+reason of the weakness of his voice, act in his own plays, as poets were
+wont to do, and had to perform only the office of stage-manager. Twice
+he took part in the action, once as the blind old Thamyris playing on the
+harp, and once in his own lost tragedy, the 'Nausicaa.' There in the
+scene in which the Princess, as she does in Homer's 'Odyssey,' comes down
+to the sea-shore with her maidens to wash the household clothes, and then
+to play at ball--Sophocles himself, a man then of middle age, did the one
+thing he could do better than any there--and, dressed in women's clothes,
+among the lads who represented the maidens, played at ball before the
+Athenian people.
+
+Yes: just 60 years after the representation of the _Antigone_, 10,000
+Greeks, far on the plains of Babylon, cut through the whole Persian army,
+as the railway train cuts through a herd of buffalo, and then losing all
+their generals by treacherous warfare, fought their way north from
+Babylon to Trebizond on the Black Sea, under the guidance of a young
+Athenian, a pupil of Socrates, who had never served in the army before.
+The retreat of Xenophon and his 10,000 will remain for ever as one of the
+grandest triumphs of civilisation over brute force: but what made it
+possible? That these men, and their ancestors before them, had been for
+at least 100 years in _training_, physical, intellectual, and moral,
+which made their bodies and their minds able to dare and suffer like
+those old heroes of whom their tragedy had taught them, and whose spirits
+they still believed would help the valiant Greek. And yet that feat,
+which looks to us so splendid, attracted, as far as I am aware, no
+special admiration at the time. So was the cultivated Greek expected to
+behave whenever he came in contact with the uncultivated barbarian.
+
+But from what had sprung in that little state, this exuberance of
+splendid life, physical, aesthetic, intellectual, which made, and will
+make the name of Athens and of the whole cluster of Greek republics for
+ever admirable to civilised man? Had it sprung from long years of
+peaceful prosperity? From infinite making of money and comfort,
+according to the laws of so-called political economy, and the dictates of
+enlightened selfishness? Not so. But rather out of terror and agony,
+and all but utter ruin--and out of a magnificent want of economy--and the
+divine daring and folly--of self-sacrifice.
+
+In Salamis across the strait a trophy stood, and round that trophy, forty
+years before, Sophocles the author of _Antigone_, then sixteen years of
+age, the loveliest and most cultivated lad in Athens, undraped like a
+faun, with lyre in hand, was leading the Chorus of Athenian youths, and
+singing to Athene, the tutelary goddess, a hymn of triumph for a glorious
+victory,--the very symbol of Greece and Athens, springing up into a
+joyous second youth after invasion and desolation, as the grass springs
+up after the prairie fire has passed. But the fire had been terrible.
+It had burnt Athens at least, down to the very roots. True, while
+Sophocles was dancing, Xerxes, the great king of the East, foiled at
+Salamis, as his father Darius had been foiled at Marathon ten years
+before, was fleeing back to Persia, leaving his innumerable hosts of
+slaves and mercenaries to be destroyed piecemeal, by land at Platea, by
+sea at Mycale. The bold hope was over, in which the Persian, ever since
+the days of Cyrus, had indulged--that he, the despot of the East, should
+be the despot of the West likewise. It seemed to them as possible,
+though not as easy, to subdue the Aryan Greek, as it had been to subdue
+the Semite and the Turanian, the Babylonian, and the Syrian; to rifle his
+temples, to destroy his idols, carry off his women and children as
+colonists into distant lands, as they had been doing with all the nations
+of the East. And they had succeeded with isolated colonies, isolated
+islands of Greeks, and the shores of Asia Minor. But when they dared, at
+last, to attack the Greek in his own sacred land of Hellas, they found
+they had bearded a lion in his den. Nay rather--as those old Greeks
+would have said--they had dared to attack Pallas Athene, the eldest
+daughter of Zeus--emblem of that serene and pure divine wisdom, of whom
+Solomon sang of old: 'The Lord possessed me in the beginning of His way,
+before His works of old. When He prepared the heavens, I was there, when
+He appointed the foundation of the earth, then was I by Him, as one
+brought up with Him, and I was daily His delight, rejoicing always before
+him: rejoicing in the habitable part of His earth; _and my delight was
+with the sons of men_,'--to attack her and her brother Apollo, Lord of
+light, and beauty, and culture, and grace, and inspiration,--to attack
+them, not in the name of Ormuzd, nor of any other deity, but in the name
+of mere brute force and lust of conquest. The old Persian spirit was
+gone out of them. They were the symbols now of nothing save despotism
+and self-will, wealth and self-indulgence. They, once the children of
+Ormuzd or light, had become the children of Ahriman or darkness; and
+therefore it was, as I believe, that Xerxes' 1,000 ships, and the two
+million (or, as some have it, five million) human beings availed naught
+against the little fleets and little battalions of men who believed with
+a living belief in Athene and Apollo, and therefore--ponder it well, for
+it is true--with a living belief, under whatsoever confusions and
+divisions of personality, in a God who loved, taught, inspired men, a
+just God who befriended the righteous cause, the cause of freedom and
+patriotism, a Deity, the echo of whose mind and will to man was the song
+of Athene on Olympus, when she
+
+ Chanted of order and right, and of foresight, and order of peoples;
+ Chanted of labour and craft, wealth in the port and the garner;
+ Chanted of valour and fame, and the man who can fall with the
+ foremost,
+ Fighting for children and wife, and the field which his father
+ bequeathed him.
+ Sweetly and cunningly sang she, and planned new lessons for mortals.
+ Happy who hearing obey her, the wise unsullied Athene.
+
+Ah, that they had always obeyed her, those old Greeks. But meanwhile, as
+I said, the agony had been extreme. If Athens had sinned, she had been
+purged as by fire; and the fire--surely of God--had been terrible.
+Northern Greece had either been laid waste with fire and sword, or had
+gone over to the Persian, traitors in their despair. Attica, almost the
+only loyal state, had been overrun; the old men, women, and children had
+fled to the neighbouring islands, or to the Peloponnese. Athens itself
+had been destroyed; and while young Sophocles was dancing round the
+trophy at Salamis, the Acropolis was still a heap of blackened ruins.
+
+But over and above their valour, over and above their loyalty, over and
+above their exquisite aesthetic faculty, these Athenians had a resilience
+of self-reliant energy, like that of the French--like that, to do you but
+justice, of your Americans after your Chicago fire; and Athens rose from
+her ashes to be awhile, not only, as she had nobly earned by suffering
+and endurance, the leading state in Greece, but a mighty fortress, a rich
+commercial port, a living centre of art, poetry, philosophy, such as this
+earth has never seen before or since.
+
+On the plateau of that little crag of the Acropolis some 800 feet in
+length, by 400 in breadth--about the size and shape of the Castle Rock at
+Edinburgh--was gathered, within forty years of the battle of Salamis,
+more and more noble beauty than ever stood together on any other spot of
+like size.
+
+The sudden relief from crushing pressure, and the joyous consciousness of
+well-earned honours, made the whole spirit-nature of the people blossom
+out, as it were, into manifold forms of activity, beauty, research, and
+raised, in raising Greece, the whole human race thenceforth.
+
+What might they not have done--looking at what they actually did--for the
+whole race of man?
+
+But no--they fell, even more rapidly than they rose, till their grace and
+their cultivation, for them they could not lose, made them the willing
+ministers to the luxury, the frivolity, the sentimentality, the vice of
+the whole old world--the Scapia or Figaro of the old world--infinitely
+able, but with all his ability consecrated to the service of his own base
+self. The Greekling--as Juvenal has it--in want of a dinner, would climb
+somehow to heaven itself, at the bidding of his Roman master.
+
+Ah, what a fall! And what was the inherent weakness which caused that
+fall?
+
+I say at once--want of honesty. The Greek was not to be depended on; if
+it suited him, he would lie, betray, overreach, change sides, and think
+it no sin. He was the sharpest of men. Sharp practice, in our modern
+sense of the word, was the very element in which he floated. Any scholar
+knows it. In the grand times of Marathon and Salamis, down to the
+disastrous times of the Peloponnesian war and the thirty tyrants, no
+public man's hands were clean, with the exception, perhaps, of that
+Aristides, who was banished because men were tired of hearing him called
+the Just. The exciting cause of the Peloponnesian war, and the
+consequent downfall of Athens, was not merely the tyranny she exercised
+over the states allied to her, it was the sharp practice of the
+Athenians, in misappropriating the tribute paid by the allies to the
+decoration of Athens. And in laying the foundations of the Parthenon was
+sown, by a just judgment, the seed of ruin for the state which gloried in
+it. And if the rulers were such, what were the people? If the free were
+such, what were the slaves?
+
+Hence, weakness at home and abroad, mistrust of generals and admirals,
+paralysing all bold and clear action, peculations and corruptions at
+home, internecine wars between factions inside states, and between states
+or groups of states, revolutions followed by despotism, and final
+exhaustion and slavery,-- slavery to a people who were coming across the
+western sea, hard-headed, hard-hearted, caring nothing for art, or
+science, whose pleasures were coarse and cruel, but with a certain rough
+honesty, reverence for country, for law, and for the ties of a
+family--men of a somewhat old English type, who had over and above, like
+the English, the inspiring belief that they could conquer the whole
+world, and who very nearly succeeded in that--as we have, to our great
+blessing, not succeeded--I mean, of course, the Romans.
+
+
+
+
+LECTURE III.
+THE FIRST DISCOVERY OF AMERICA.
+
+
+Let me begin this lecture with a scene in the North Atlantic 863 years
+since.
+
+'Bjarne Grimolfson was blown with his ship into the Irish Ocean; and
+there came worms and the ship began to sink under them. They had a boat
+which they had payed with seals' blubber, for that the sea-worms will not
+hurt. But when they got into the boat they saw that it would not hold
+them all. Then said Bjarne, "As the boat will only hold the half of us,
+my advice is that we should draw lots who shall go in her; for that will
+not be unworthy of our manhood." This advice seemed so good that none
+gainsaid it; and they drew lots. And the lot fell to Bjarne that he
+should go in the boat with half his crew. But as he got into the boat,
+there spake an Icelander who was in the ship and had followed Bjarne from
+Iceland, "Art thou going to leave me here, Bjarne?" Quoth Bjarne, "So it
+must be." Then said the man, "Another thing didst thou promise my
+father, when I sailed with thee from Iceland, than to desert me thus.
+For thou saidst that we both should share the same lot." Bjarne said,
+"And that we will not do. Get thou down into the boat, and I will get up
+into the ship, now I see that thou art so greedy after life." So Bjarne
+went up into the ship, and the man down into the boat; and the boat went
+on its voyage till they came to Dublin in Ireland. But most men say that
+Bjarne and his comrades perished among the worms; for they were never
+heard of after.'
+
+This story may serve as a text for my whole lecture. Not only does it
+smack of the sea-breeze and the salt water like all the finest old Norse
+sagas: but it gives a glimpse at least, of the nobleness which underlay
+the grim and often cruel nature of the Norseman. It belongs, too, to the
+culminating epoch, to the beginning of that era when the Scandinavian
+peoples had their great times; when the old fierceness of the worshippers
+of Thor and Odin was tempered, without being effeminated by the Faith of
+the 'White Christ,' till the very men who had been the destroyers of
+Western Europe became its civilisers.
+
+It should have, moreover, a special interest to Americans. For--as
+American antiquaries are well aware--Bjarne was on his voyage home from
+the coast of New England; possibly from that very Mount Hope Bay, which
+seems to have borne the same name in the time of those old Norsemen, as
+afterwards in the days of King Philip the last sachem of the Wampanong
+Indians. He was going back to Greenland, perhaps for reinforcements,
+finding, he and his fellow-captain, Thorfinn, the Esquimaux who then
+dwelt in that land too strong for them. For the Norsemen were then on
+the very edge of a discovery, which might have changed the history not
+only of this continent but of Europe likewise. They had found and
+colonised Iceland and Greenland. They had found Labrador, and called it
+Helluland, from its ice-polished rocks. They had found Nova Scotia
+seemingly and called it Markland from its woods. They had found New
+England and called it Vinland the Good. A fair land they found it, well
+wooded, with good pasturage; so that they had already imported cows, and
+a bull whose lowings terrified the Esquimaux. They had found self-sown
+corn too, probably maize. The streams were full of salmon. But they had
+called the land Vinland, by reason of its grapes. Quaint enough, and
+bearing in its very quaintness the stamp of truth, is the story of the
+first finding of the wild fox-grapes. How Leif the Fortunate, almost as
+soon as he first landed, missed a little wizened old German servant of
+his father's, Tyrker by name, and was much vexed thereat, for he had been
+brought up on the old man's knee, and hurrying off to find him met Tyrker
+coming back twisting his eyes about--a trick of his--smacking his lips
+and talking German to himself in high excitement. And when they get him
+to talk Norse again, he says, 'I have not been far, but I have news for
+you. I have found vines and grapes!' 'Is that true, foster-father?'
+says Leif. 'True it is,' says the old German, 'for I was brought up
+where there was never any lack of them.' The saga--as given by Rafn--has
+a detailed description of this quaint personage's appearance; and it
+would not be amiss if American wine-growers should employ an American
+sculptor--and there are great American sculptors--to render that
+description into marble, and set up little Tyrker in some public place,
+as the Silenus of the New World.
+
+Thus the first cargoes homeward from Vinland to Greenland had been of
+timber and of raisins, and of vine-stocks which were not like to thrive.
+
+And more. Beyond Vinland the Good there was said to be another land,
+Whiteman's Land--or Ireland the Mickle, as some called it. For these
+Norse traders from Limerick had found Ari Marson, and Ketla of Ruykjanes,
+supposed to have been long since drowned at sea, and said that the people
+had made him and Ketla chiefs, and baptised Ari. What is all this? and
+what is this, too, which the Esquimaux children taken in Markland told
+the Northmen, of a land beyond them where the folk wore white clothes,
+and carried flags on poles? Are these all dreams? or was some part of
+that great civilisation, the relics whereof your antiquarians find in so
+many parts of the United States, still in existence some 900 years ago;
+and were these old Norse cousins of ours upon the very edge of it? Be
+that as it may, how nearly did these fierce Vikings, some of whom seemed
+to have sailed far south along the shore, become aware that just beyond
+them lay a land of fruits and spices, gold, and gems? The adverse
+current of the Gulf Stream, it may be, would have long prevented their
+getting past the Bahamas into the Gulf of Mexico; but, sooner or later,
+some storm must have carried a Greenland viking to San Domingo, or to
+Cuba; and then, as has been well said, some Scandinavian dynasty might
+have sat upon the throne of Mexico.
+
+These stories are well known to antiquarians. They may be found, almost
+all of them, in Professor Rafn's _Antiquitates Americanae_. The action
+in them stands out often so clear and dramatic, that the internal
+evidence of historic truth is irresistible. Thorvald, who, when he saw
+what seems to be, they say, the bluff head of Alderton at the south-east
+end of Boston Bay, said, 'Here should I like to dwell,' and, shot by an
+Esquimaux arrow, bade bury him on that place, with a cross at his head
+and a cross at his feet, and call the place Cross Ness for evermore;
+Gudrida, the magnificent widow, who wins hearts and sees strange deeds
+from Iceland to Greenland, and Greenland to Vinland and back, and at
+last, worn out and sad, goes off on a pilgrimage to Rome; Helgi and
+Finnbogi, the Norwegians, who, like our Arctic voyagers in after times,
+devise all sorts of sports and games to keep the men in humour during the
+long winter at Hope; and last, but not least, the terrible Freydisa, who
+when the Norse are seized with a sudden panic at the Esquimaux, and flee
+from them, as they had three weeks before fled from Thorfinn's bellowing
+bull, turns, when so weak that she cannot escape, single-handed on the
+savages, and catching up a slain man's sword, puts them all to flight
+with her fierce visage and fierce cries--Freydisa the Terrible, who, in
+another voyage, persuades her husband to fall on Helgi and Finnbogi, when
+asleep, and murder them and all their men; and then, when he will not
+murder the five women too, takes up an axe and slays them all herself,
+and getting back to Greenland, when the dark and unexplained tale comes
+out, lives unpunished, but abhorred henceforth. All these folks, I say,
+are no phantoms, but realities; at least, if I can judge of internal
+evidence.
+
+But, beyond them, and hovering on the verge of Mythus and fairy land,
+there is a ballad called 'Finn the Fair,' and how
+
+ An upland Earl had twa braw sons,
+ My story to begin;
+ The tane was hight Haldane the strong,
+ The tither was winsome Finn.
+
+and so forth; which was still sung, with other 'rimur,' or ballads, in
+the Faroes, at the end of the last century. Professor Rafn has inserted
+it, because it talks of Vinland as a well-known place, and because the
+brothers are sent by the princess to slay American kings; but that Rime
+has another value.
+
+It is of a beauty so perfect, and yet so like the old Scotch ballads in
+its heroic conception of love, and in all its forms and its qualities,
+that it is one proof more, to any student of early European poetry, that
+we and these old Norsemen are men of the same blood. Your own Professor
+Longfellow may know it far better than I, who am no Norse scholar. But,
+if he does, might I beg him to translate it some day, as none but he can
+translate? It is so sad, that no tenderness less exquisite than his can
+prevent its being painful; and, at least in its denouement, so naive,
+that no purity less exquisite than his can prevent its being dreadful.
+But the Rime is as worthy of Mr. Longfellow as he is worthy of the Rime.
+
+If anything more important than is told by Professor Rafn and Mr. Black
+{71} be now known to the antiquarians of Massachussets, let me entreat
+them to pardon my ignorance. But let me record my opinion that, though
+somewhat too much may have been made in past years of certain
+rock-inscriptions, and so forth, on this side of the Atlantic, there can
+be no reasonable doubt that our own race landed and tried to settle on
+the shore of New England six hundred years before their kinsmen, and, in
+many cases, their actual descendants, the august Pilgrim Fathers of the
+17th century. And so, as I said, a Scandinavian dynasty might have been
+seated now upon the throne of Mexico. And how was that strange chance
+lost? First, of course, by the length and danger of the coasting voyage.
+It was one thing to have, like Columbus and Vespucci, Cortes and Pizarro,
+the Azores as a half-way port; another to have Greenland, or even
+Iceland. It was one thing to run South West upon Columbus' track, across
+the Mar de Damas, the Ladies Sea, which hardly knows a storm, with the
+blazing blue above, the blazing blue below, in an ever-warming climate,
+where every breath is life and joy; another to struggle against the fogs
+and icebergs, the rocks and currents, of the dreary North Atlantic. No
+wonder, then, that the knowledge of Markland, and Vinland, and Whiteman's
+Land died away in a few generations, and became but fire-side sagas for
+the winter nights.
+
+But there were other causes, more honourable to the dogged energy of the
+Norse. They were in those very years conquering and settling nearer home
+as no other people--unless, perhaps, the old Ionian Greeks, conquered and
+settled.
+
+Greenland, we have seen, they held--the western side at least--and held
+it long and well enough to afford, it is said, 2,600 pounds of walrus'
+teeth as yearly tithe to the Pope, besides Peter's pence, and to build
+many a convent, and church, and cathedral, with farms and homesteads
+round; for one saga speaks of Greenland as producing wheat of the finest
+quality. All is ruined now, perhaps by gradual change of climate.
+
+But they had richer fields of enterprise than Greenland, Iceland, and the
+Faroes. Their boldest outlaws at that very time--whether from Norway,
+Sweden, Denmark, or Britain--were forming the imperial life-guard of the
+Byzantine Emperor, as the once famous Varangers of Constantinople; and
+that splendid epoch of their race was just dawning, of which my lamented
+friend, the late Sir Edmund Head, says so well in his preface to Viga
+Glum's Icelandic _Saga_, 'The Sagas, of which this tale is one, were
+composed for the men who have left their mark in every corner of Europe;
+and whose language and laws are at this moment important elements in the
+speech and institutions of England, America, and Australia. There is no
+page of modern history in which the influence of the Norsemen and their
+conquests must not be taken into account--Russia, Constantinople, Greece,
+Palestine, Sicily, the coasts of Africa, Southern Italy, France, the
+Spanish Peninsula, England, Scotland, Ireland, and every rock and island
+round them, have been visited, and most of them at one time or the other
+ruled, by the men of Scandinavia. The motto on the sword of Roger
+Guiscard was a proud one:
+
+ Appulus et Calaber, Siculus mihi servit et Afer.'
+
+Every island, says Sir Edmund Head, and truly--for the name of almost
+every island on the coast of England, Scotland, and Eastern Ireland, ends
+in either _ey_ or _ay_ or _oe_, a Norse appellative, as is the word
+island itself--is a mark of its having been, at some time or other,
+visited by the Vikings of Scandinavia.
+
+Norway, meanwhile, was convulsed by war; and what perhaps was of more
+immediate consequence, Svend Fork-beard, whom we Englishmen call
+Sweyn--the renegade from that Christian Faith which had been forced on
+him by his German conqueror, the Emperor Otto II.--with his illustrious
+son Cnut, whom we call Canute, were just calling together all the most
+daring spirits of the Baltic coasts for the subjugation of England; and
+when that great feat was performed, the Scandinavian emigration was
+paralysed, probably, for a time by the fearful wars at home. While the
+King of Sweden, and St. Olaf Tryggvason, king of Norway, were setting on
+Denmark during Cnut's pilgrimage to Rome, and Cnut, sailing with a mighty
+fleet to Norway, was driving St. Olaf into Russia, to return and fall in
+the fratricidal battle of Stiklestead--during, strangely enough, a total
+eclipse of the sun--Vinland was like enough to remain still uncolonised.
+After Cnut's short-lived triumph--king as he was of Denmark, Norway,
+England, and half Scotland, and what not of Wendish Folk inside the
+Baltic--the force of the Norsemen seems to have been exhausted in their
+native lands. Once more only, if I remember right, did 'Lochlin,' really
+and hopefully send forth her 'mailed swarm' to conquer a foreign land;
+and with a result unexpected alike by them and by their enemies. Had it
+been otherwise, we might not have been here this day.
+
+Let me sketch for you once more--though you have heard it, doubtless,
+many a time--the tale of that tremendous fortnight which settled the fate
+of Britain, and therefore of North America; which decided--just in those
+great times when the decision was to be made--whether we should be on a
+par with the other civilised nations of Europe, like them the 'heirs of
+all the ages,' with our share not only of Roman Christianity and Roman
+centralisation--a member of the great comity of European nations, held
+together in one Christian bond by the Pope--but heirs also of Roman
+civilisation, Roman literature, Roman law; and therefore, in due time, of
+Greek philosophy and art. No less a question than this, it seems to me,
+hung in the balance during that fortnight of autumn, 1066.
+
+Poor old Edward the Confessor, holy, weak, and sad, lay in his new choir
+of Westminster--where the wicked ceased from troubling, and the weary
+were at rest. The crowned ascetic had left no heir behind. England
+seemed as a corpse, to which all the eagles might gather together; and
+the South-English, in their utter need, had chosen for their king the
+ablest, and it may be the justest, man in Britain--Earl Harold
+Godwinsson: himself, like half the upper classes of England then, of the
+all-dominant Norse blood; for his mother was a Danish princess. Then out
+of Norway, with a mighty host, came Harold Hardraade, taller than all
+men, the ideal Viking of his time. Half-brother of the now dead St.
+Olaf, severely wounded when he was but fifteen, at Stiklestead, when Olaf
+fell, he had warred and plundered on many a coast. He had been away to
+Russia to King Jaroslaf; he had been in the Emperor's Varanger guard at
+Constantinople--and, it was whispered, had slain a lion there with his
+bare hands; he had carved his name and his comrades' in Runic
+characters--if you go to Venice you may see them at this day--on the
+loins of the great marble lion, which stood in his time not in Venice but
+in Athens. And now, king of Norway and conqueror, for the time, of
+Denmark, why should he not take England, as Sweyn and Canute took it
+sixty years before, when the flower of the English gentry perished at the
+fatal battle of Assingdune? If he and his half-barbarous host had
+conquered, the civilisation of Britain would have been thrown back,
+perhaps, for centuries. But it was not to be.
+
+England _was_ to be conquered by the Norman; but by the civilised, not
+the barbaric; by the Norse who had settled, but four generations before,
+in the North East of France under Rou, Rollo, Rolf the Ganger--so-called,
+they say, because his legs were so long that, when on horseback, he
+touched the ground and seemed to gang, or walk. He and his Norsemen had
+taken their share of France, and called it Normandy to this day; and
+meanwhile, with that docility and adaptability which marks so often truly
+great spirits, they had changed their creed, their language, their
+habits, and had become, from heathen and murderous Berserkers, the most
+truly civilised people of Europe, and--as was most natural then--the most
+faithful allies and servants of the Pope of Rome. So greatly had they
+changed, and so fast, that William Duke of Normandy, the
+great-great-grandson of Rolf the wild Viking, was perhaps the finest
+gentleman, as well as the most cultivated sovereign, and the greatest
+statesman and warrior, in all Europe.
+
+So Harold of Norway came with all his Vikings to Stamford Bridge by York;
+and took, by coming, only that which Harold of England promised him,
+namely, 'forasmuch as he was taller than any other man, seven feet of
+English ground.'
+
+The story of that great battle, told with a few inaccuracies, but told as
+only great poets tell, you should read, if you have not read it already,
+in the _Heimskringla_ of Snorri Sturluson, the Homer of the North--
+
+ High feast that day held the birds of the air and the beasts of the
+ field,
+ White-tailed erne and sallow glede,
+ Dusky raven, with horny neb,
+ And the grey deer, the wolf of the wood.
+
+The bones of the slain, men say, whitened the place for fifty years to
+come.
+
+And remember, that on the same day on which that fight befell--Sept. 27,
+1066--William, Duke of Normandy, with all his French-speaking Norsemen,
+was sailing across the British Channel, under the protection of a banner
+consecrated by the Pope, to conquer that England which the Norse-speaking
+Normans could not conquer.
+
+And now King Harold showed himself a man. He turned at once from the
+North of England to the South. He raised the folk of the Southern, as he
+had raised those of the Central and Northern shires; and in sixteen
+days--after a march which in those times was a prodigious feat--he was
+entrenched upon the fatal down which men called Heathfield then, and
+Senlac, but Battle to this day--with William and his French Normans
+opposite him on Telham hill.
+
+Then came the battle of Hastings. You all know what befell upon that
+day; and how the old weapon was matched against the new--the English axe
+against the Norman lance--and beaten only because the English broke their
+ranks. If you wish to refresh your memories, read the tale once more in
+Mr. Freeman's _History of England_, or Prof. Creasy's _Fifteen Decisive
+Battles of the World_, or even, best of all, the late Lord Lytton's
+splendid romance of _Harold_. And when you go to England, go, as some of
+you may have gone already, to Battle; and there from off the Abbey
+grounds, or from Mountjoy behind, look down off what was then 'The Heathy
+Field,' over the long slopes of green pasture and the rich hop-gardens,
+where were no hop-gardens then, and the flat tide-marshes winding between
+the wooded heights, towards the southern sea; and imagine for yourselves
+the feelings of an Englishman as he contemplates that broad green sloping
+lawn, on which was decided the destiny of his native land. Here, right
+beneath, rode Taillefer up the slope before them all, singing the song of
+Roland, tossing his lance in air and catching it as it fell, with all the
+Norse berserker spirit of his ancestors flashing out in him, at the
+thought of one fair fight, and then purgatory, or Valhalla--Taillefer
+perhaps preferred the latter. Yonder on the left, in that copse where
+the red-ochre gully runs, is Sanguelac, the drain of blood, into which
+(as the Bayeux tapestry, woven by Matilda's maids, still shows) the
+Norman knights fell, horse and man, till the gully was bridged with
+writhing bodies for those who rode after. Here, where you stand--the
+crest of the hill marks where it must have been--was the stockade on
+which depended the fate of England. Yonder, perhaps, stalked out one
+English squire or house-carle after another: tall men with long-handled
+battle-axes--one specially terrible, with a wooden helmet which no sword
+could pierce--who hewed and hewed down knight on knight, till they
+themselves were borne to earth at last. And here, among the trees and
+ruins of the garden, kept trim by those who know the treasure which they
+own, stood Harold's two standards of the fighting man and the dragon of
+Wessex. And here, close by (for here, for many a century, stood the high
+altar of Battle Abbey, where monks sang masses for Harold's soul), upon
+this very spot the Swan-neck found her hero lover's corpse. 'Ah,' says
+many an Englishman--and who will blame him for it--'how grand to have
+died beneath that standard on that day!' Yes, and how right. And yet
+how right, likewise, that the Norman's cry of Dexaie, 'God Help,' and not
+the English hurrah, should have won that day, till William rode up
+Mountjoye in the afternoon to see the English army, terrible even in
+defeat, struggling through copse and marsh away toward Brede, and, like
+retreating lions driven into their native woods, slaying more in the
+pursuit than they slew even in the fight.
+
+But so it was to be; for so it ought to have been. You, my American
+friends, delight, as I have said already, in seeing the old places of the
+old country. Go, I beg you, and look at that old place, and if you be
+wise, you will carry back from it one lesson: that God's thoughts are not
+as our thoughts; nor His ways as our ways.
+
+It was a fearful time which followed. I cannot but believe that our
+forefathers had been, in some way or other, great sinners, or two such
+conquests as Canute's and William's would not have fallen on them within
+the short space of sixty years. They did not want for courage, as
+Stanford Brigg and Hastings showed full well. English swine, their
+Norman conquerors called them often enough; but never English cowards.
+Their ruinous vice, if we are to trust the records of the time, was what
+the old monks called accidia--[Greek text]--and ranked it as one of the
+seven deadly sins: a general careless, sleepy, comfortable habit of mind,
+which lets all go its way for good or evil--a habit of mind too often
+accompanied, as in the case of the Anglo-Danes, with self-indulgence,
+often coarse enough. Huge eaters and huger drinkers, fuddled with ale,
+were the men who went down at Hastings--though they went down like
+heroes--before the staid and sober Norman out of France.
+
+But those were fearful times. As long as William lived, ruthless as he
+was to all rebels, he kept order and did justice with a strong and steady
+hand; for he brought with him from Normandy the instincts of a truly
+great statesman. And in his sons' time matters grew worse and worse.
+After that, in the troubles of Stephen's reign, anarchy let loose tyranny
+in its most fearful form, and things were done which recall the cruelties
+of the old Spanish conquistadores in America. Scott's charming romance
+of _Ivanhoe_ must be taken, I fear, as a too true picture of English
+society in the time of Richard I.
+
+And what came of it all? What was the result of all this misery and
+wrong?
+
+This, paradoxical as it may seem--that the Norman conquest was the making
+of the English people; of the Free Commons of England.
+
+Paradoxical, but true. First, you must dismiss from your minds the too
+common notion that there is now, in England a governing Norman
+aristocracy, or that there has been one, at least since the year 1215,
+when Magna Charta was won from the Norman John by Normans and by English
+alike. For the first victors at Hastings, like the first conquistadores
+in America, perished, as the monk chronicles point out, rapidly by their
+own crimes; and very few of our nobility can trace their names back to
+the authentic Battle Abbey roll. The great majority of the peers have
+sprung from, and all have intermarried with, the Commons; and the peerage
+has been from the first, and has become more and more as centuries have
+rolled on, the prize of success in life.
+
+The cause is plain. The conquest of England by the Normans was not one
+of those conquests of a savage by a civilised race, or of a cowardly race
+by a brave race, which results in the slavery of the conquered, and
+leaves the gulf of caste between two races, master and slave. That was
+the case in France, and resulted, after centuries of oppression, in the
+great and dreadful revolution of 1793, which convulsed not only France
+but the whole civilised world. But caste, thank God, has never existed
+in England, since at least the first generation after the Norman
+conquest.
+
+The vast majority, all but the whole population of England, have been
+always free; and free, as they are not where caste exists, to change
+their occupations. They could intermarry, if they were able men, into
+the ranks above them; as they did sink, if they were unable men, into the
+ranks below them. Any man acquainted with the origin of our English
+surnames may verify this fact for himself, by looking at the names of a
+single parish or a single street of shops. There, jumbled together, he
+will find names marking the noblest Saxon or Angle blood--Kenward or
+Kenric, Osgood or Osborne, side by side with Cordery or Banister--now
+names of farmers in my own parish--or other Norman-French names which may
+be, like those two last, in Battle Abbey roll--and side by side the
+almost ubiquitous Brown, whose ancestor was probably some Danish or
+Norwegian housecarle, proud of his name Biorn the bear, and the
+ubiquitous Smith or Smythe, the smiter, whose forefather, whether he now
+be peasant or peer, assuredly handled the tongs and hammer at his own
+forge. This holds true equally in New England and in Old. When I search
+through (as I delight to do) your New England surnames, I find the same
+jumble of names--West Saxon, Angle, Danish, Norman, and French-Norman
+likewise, many of primaeval and heathen antiquity, many of high nobility,
+all worked together, as at home, to form the Free Commoners of England.
+
+If any should wish to know more on this curious and important subject,
+let me recommend them to study Ferguson's _Teutonic Name System_, a book
+from which you will discover that some of our quaintest, and seemingly
+most plebeian surnames--many surnames, too, which are extinct in England,
+but remain in America--are really corruptions of good old Teutonic names,
+which our ancestors may have carried in the German Forest, before an
+Englishman set foot on British soil; from which he will rise with the
+comfortable feeling that we English-speaking men, from the highest to the
+lowest, are literally kinsmen. Nay, so utterly made up now is the old
+blood-feud between Norseman and Englishman, between the descendants of
+those who conquered and those who were conquered, that in the children of
+our Prince of Wales, after 800 years, the blood of William of Normandy is
+mingled with the blood of the very Harold who fell at Hastings. And so,
+by the bitter woes which followed the Norman conquest was the whole
+population, Dane, Angle, and Saxon, earl and churl, freeman and slave,
+crushed and welded together into one homogeneous mass, made just and
+merciful towards each other by the most wholesome of all teachings, a
+community of suffering; and if they had been, as I fear they were, a lazy
+and a sensual people, were taught
+
+ That life is not as idle ore,
+ But heated hot with burning fears,
+ And bathed in baths of hissing tears,
+ And battered with the strokes of doom
+ To shape and use.
+
+But how did these wild Vikings become Christian men? It is a long story.
+So staunch a race was sure to be converted only very slowly. Noble
+missionaries as Ansgar, Rembert, and Poppo, had worked for 150 years and
+more among the heathens of Denmark. But the patriotism of the Norseman
+always recoiled, even though in secret, from the fact that they were
+German monks, backed by the authority of the German emperor; and many a
+man, like Svend Fork-beard, father of the great Canute, though he had the
+Kaiser himself for godfather, turned heathen once more, the moment he was
+free, because his baptism was the badge of foreign conquest, and neither
+pope nor Kaiser should lord it over him, body or soul. St. Olaf, indeed,
+forced Christianity on the Norse at the sword's point, often by horrid
+cruelties, and perished in the attempt. But who forced it on the
+Norsemen of Scotland, England, Ireland, Neustria, Russia, and all the
+Eastern Baltic? It was absorbed and in most cases, I believe, gradually
+and willingly, as a gospel and good news to hearts worn out with the
+storm of their own passions. And whence came their Christianity? Much
+of it, as in the case of the Danes, and still more of the French Normans,
+came direct from Rome, the city which, let them defy its influence as
+they would, was still the fount of all theology, as well as of all
+civilisation. But I must believe that much of it came from that
+mysterious ancient Western Church, the Church of St. Patric, St. Bridget,
+St. Columba, which had covered with rude cells and chapels the rocky
+islets of the North Atlantic, even to Iceland itself. Even to Iceland;
+for when that island was first discovered, about A.D. 840, the Norsemen
+found in an isle, on the east and west and elsewhere, Irish books and
+bells and wooden crosses, and named that island Papey, the isle of the
+popes--some little colony of monks, who lived by fishing, and who are
+said to have left the land when the Norsemen settled in it. Let us
+believe, for it is consonant with reason and experience, that the sight
+of those poor monks, plundered and massacred again and again by the
+'mailed swarms of Lochlin,' yet never exterminated, but springing up
+again in the same place, ready for fresh massacre, a sacred plant which
+God had planted, and which no rage of man could trample out--let us
+believe, I say, that that sight taught at last to the buccaneers of the
+old world that there was a purer manliness, a loftier heroism, than the
+ferocious self-assertion of the Berserker, even the heroism of humility,
+gentleness, self-restraint, self-sacrifice. That there was a strength
+which was made perfect in weakness; a glory, not of the sword but of the
+cross. We will believe that that was the lesson which the Norsemen
+learnt, after many a wild and bloodstained voyage, from the monks of Iona
+or of Derry, which caused the building of such churches as that which
+Sightrys, king of Dublin, raised about the year 1030, not in the Norse
+but in the Irish quarter of Dublin: a sacred token of amity between the
+new settlers and the natives on the ground of a common faith. Let us
+believe, too, that the influence of woman was not wanting in the good
+work--that the story of St. Margaret and Malcolm Canmore was repeated,
+though inversely, in the case of many a heathen Scandinavian jarl, who,
+marrying the princely daughter of some Scottish chieftain, found in her
+creed at last something more precious than herself; while his brother or
+his cousin became, at Dublin or Wexford or Waterford, the husband of some
+saffron-robed Irish princess, 'fair as an elf,' as the old saying was;
+'some maiden of the three transcendent hues,' of whom the old book of
+Linane says--
+
+ Red as the blood which flowed from stricken deer,
+ White as the snow on which that blood ran down,
+ Black as the raven who drank up that blood.
+
+--and possibly, as in the case of Brian Boru's mother, had given his
+fair-haired sister in marriage to some Irish prince, and could not resist
+the spell of their new creed, and the spell too, it may be, of some
+sister of theirs who had long given up all thought of earthly marriage to
+tend the undying fire of St. Bridget among the consecrated virgins of
+Kildare.
+
+I am not drawing from mere imagination. That such things must have
+happened, and happened again and again, is certain to anyone who knows,
+even superficially, the documents of that time. And I doubt not that, in
+manners as well as in religion, the Norse were humanised and civilised by
+their contact with the Celts, both in Scotland and in Ireland, Both
+peoples had valour, intellect, imagination: but the Celt had that which
+the burly angular Norse character, however deep and stately, and however
+humorous, wanted; namely, music of nature, tenderness, grace, rapidity,
+playfulness; just the qualities, combining with the Scandinavian (and in
+Scotland with the Angle) elements of character which have produced, in
+Ireland and in Scotland, two schools of lyric poetry second to none in
+the world.
+
+And so they were converted to what was then a dark and awful creed; a
+creed of ascetic self-torture and purgatorial fires for those who escaped
+the still more dreadful, because endless, doom of the rest of the human
+race. But, because it was a sad creed, it suited better men, who had,
+when conscience reawakened in them, but too good reason to be sad; and
+the minsters and cloisters which sprang up over the whole of Northern
+Europe, and even beyond it, along the dreary western shores of Greenland
+itself, are the symbols of a splendid repentance for their own sins and
+for the sins of their forefathers.
+
+Gudruna herself, of whom I spoke just now, one of those old Norse
+heroines who helped to discover America, though a historic personage, is
+a symbolic one likewise, and the pattern of a whole class. She, too,
+after many journeys to Iceland, Greenland, and Winland, goes on a
+pilgrimage to Rome, to get, I presume, absolution from the Pope himself
+for all the sins of her strange, rich, stormy, wayward life.
+
+Have you not read--many of you surely have--La Motte Fouque's _Romance of
+Sintram_? It embodies all that I would say. It is the spiritual drama
+of that early middle age; very sad, morbid if you will, but true to fact.
+The Lady Verena ought not, perhaps, to desert her husband, and shut
+herself up in a cloister. But so she would have done in those old days.
+And who shall judge her harshly for so doing? When the brutality of the
+man seems past all cure, who shall blame the woman if she glides away
+into some atmosphere of peace and purity, to pray for him whom neither
+warnings nor caresses will amend? It is a sad book, _Sintram_. And yet
+not too sad. For they were a sad people, those old Norse forefathers of
+ours. Their Christianity was sad; their minsters sad; there are few
+sadder, though few grander, buildings than a Norman church.
+
+And yet, perhaps, their Christianity did not make them sad. It was but
+the other and the healthier side of that sadness which they had as
+heathens. Read which you will of the old sagas--heathen or
+half-Christian--the Eyrbiggia, Viga Glum, Burnt Niall, Grettir the
+Strong, and, above all, Snorri Sturluson's _Heimskringla_ itself--and you
+will see at once how sad they are. There is, in the old sagas, none of
+that enjoyment of life which shines out everywhere in Greek poetry, even
+through its deepest tragedies. Not in complacency with Nature's beauty,
+but in the fierce struggle with her wrath, does the Norseman feel
+pleasure. Nature to him was not, as in Mr. Longfellow's exquisite poem,
+{91} the kind old nurse, to take him on her knee and whisper to him, ever
+anew, the story without an end. She was a weird witch-wife, mother of
+storm demons and frost giants, who must be fought with steadily, warily,
+wearily, over dreary heaths and snow-capped fells, and rugged nesses and
+tossing sounds, and away into the boundless sea--or who could live?--till
+he got hardened in the fight into ruthlessness of need and greed. The
+poor strip of flat strath, ploughed and re-ploughed again in the short
+summer days, would yield no more; or wet harvests spoiled the crops, or
+heavy snows starved the cattle. And so the Norseman launched his ships
+when the lands were sown in spring, and went forth to pillage or to
+trade, as luck would have, to summerted, as he himself called it; and
+came back, if he ever came, in autumn to the women to help at
+harvest-time, with blood upon his hand. But had he staid at home, blood
+would have been there still. Three out of four of them had been mixed up
+in some man-slaying, or had some blood-feud to avenge among their own
+kin.
+
+The whole of Scandinavia, Denmark, Sweden, Norway, Orkney, and the rest,
+remind me ever of that terrible picture of the great Norse painter,
+Tiddeman, in which two splendid youths, lashed together, in true Norse
+duel fashion by the waist, are hewing each other to death with the short
+axe, about some hot words over their ale. The loss of life, and that of
+the most gallant of the young, in those days must have been enormous. If
+the vitality of the race had not been even more enormous, they must have
+destroyed each other, as the Red Indians have done, off the face of the
+earth. They lived these Norsemen, not to live--they lived to die. For
+what cared they? Death--what was death to them! what it was to the
+Jomsburger Viking, who, when led out to execution, said to the headsman,
+'Die! with all pleasure. We used to question in Jomsburg whether a man
+felt when his head was off? Now I shall know; but if I do, take care,
+for I shall smite thee with my knife. And meanwhile, spoil not this long
+hair of mine; it is so beautiful.'
+
+But, oh! what waste. What might not these men have done if they had
+sought peace, not war; if they had learned a few centuries sooner to do
+justly, and love mercy, and walk humbly with their God?
+
+And yet one loves them, blood-stained as they are. Your own poets, men
+brought up under circumstances, under ideas the most opposite to theirs,
+love them, and cannot help it. And why? It is not merely for their bold
+daring, it is not merely for their stern endurance; nor again that they
+had in them that shift and thrift, those steady and common-sense business
+habits, which made their noblest men not ashamed to go on voyages of
+merchandise. Nor is it, again, that grim humour--humour as of the modern
+Scotch--which so often flashes out into an actual jest, but more usually
+underlies unspoken all their deeds. Is it not rather that these men are
+our forefathers? that their blood runs in the veins of perhaps three men
+out of four in any general assembly, whether in America or in Britain?
+Startling as the assertion may be, I believe it to be strictly true.
+
+Be that as it may, I cannot read the stories of your western men, the
+writings of Bret Harte, or Colonel John Hay, for instance, without
+feeling at every turn that there are the old Norse alive again, beyond
+the very ocean which they first crossed, 850 years ago.
+
+Let me try to prove my point, and end with a story, as I began with one.
+
+It is just 30 years before the Norman conquest of England, the evening of
+the battle of Sticklestead. St. Olaf's corpse is still lying unburied on
+the hillside. The reforming and Christian king has fallen in the attempt
+to force Christianity and despotism on the Conservative and half-heathen
+party--the free bonders or yeoman-farmers of Norway. Thormod, his
+poet,--the man, as his name means, of thunder mood--who has been standing
+in the ranks, at last has an arrow in his left side. He breaks off the
+shaft, and thus sore wounded goes up, when all is lost, to a farm where
+is a great barn full of wounded. One Kimbe comes, a man out of the
+opposite or bonder part. 'There is great howling and screaming in
+there,' he says. 'King Olaf's men fought bravely enough: but it is a
+shame brisk young lads cannot bear their wounds. On what side wert thou
+in the fight?' 'On the best side,' says the beaten Thormod. Kimbe sees
+that Thormod has a gold bracelet on his arm. 'Thou art surely a king's
+man. Give me thy gold ring and I will hide thee, ere the bonders kill
+thee.'
+
+Thormod said, 'Take it, if thou canst get it. I have lost that which is
+worth more;' and he stretched out his left hand, and Kimbe tried to take
+it. But Thormod, swinging his sword, cut off his hand; and it is said
+Kimbe behaved no better over his wound than those he had been blaming.
+
+Then Thormod went into the barn; and after he had sung his song there in
+praise of his dead king, he went into an inner room, where was a fire,
+and water warming, and a handsome girl binding up men's wounds. And he
+sat down by the door; and one said to him 'Why art thou so dead pale?
+Why dost thou not call for the leech?' Then sung Thormod--
+
+ I am not blooming; and the fair
+ And slender maiden loves to care
+ For blooming youths. Few care for me,
+ With Fenri's gold meal I can't fee;
+
+and so forth, improvising after the old Norse fashion.
+
+Then Thormod got up and went to the fire, and stood and warmed himself.
+And the nurse-girl said to him, 'Go out man, and bring some of the
+split-firewood which lies outside the door.' He went out and brought an
+armful of wood and threw it down. Then the nurse-girl looked him in the
+face and said, 'Dreadful pale is this man. Why art thou so?' Then sang
+Thormod--
+
+ Thou wonderest, sweet bloom, at me,
+ A man so hideous to see.
+ The arrow-drift o'ertook me, girl,
+ A fine-ground arrow in the whirl
+ Went through me, and I feel the dart
+ Sits, lovely lass, too near my heart.
+
+The girl said, 'Let me see thy wound.' Then Thormod sat down, and the
+girl saw his wounds, and that which was in his side, and saw that there
+was a piece of iron in it; but could not tell where it had gone. In a
+stone pot she had leeks and other herbs, and boiled them, and gave the
+wounded men of it to eat. But Thormod said, 'Take it away; I have no
+appetite now for my broth.' Then she took a great pair of tongs and
+tried to pull out the iron; but the wound was swelled, and there was too
+little to lay hold of. Now said Thormod, 'Cut in so deep that thou canst
+get at the iron, and give me the tongs.' She did as he said. Then took
+Thormod the gold bracelet off his hand and gave it the nurse-girl, and
+bade her do with it what she liked.
+
+'It is a good man's gift,' said he. 'King Olaf gave me the ring this
+morning.'
+
+Then Thormod took the tongs and pulled the iron out. But on the iron was
+a barb, on which hung flesh from the heart, some red, some white. When
+he saw that, he said, 'The king has fed us well. I am fat, even to the
+heart's roots.' And so leant back and was dead.
+
+I shall not insult your intelligence by any comment or even epithet of my
+own. I shall but ask you was not this man your kinsman? Does not the
+story sound, allowing for all change of manners as well as of time and
+place, like a scene out of your own Bret Harte or Colonel John Hay's
+writings; a scene of the dry humour the rough heroism of your own far
+West? Yes, as long as you have your _Jem Bludsos_ and _Tom Flynns of
+Virginia City_, the old Norse blood is surely not extinct, the old Norse
+spirit is not dead.
+
+
+
+
+LECTURE IV.
+THE SERVANT OF THE LORD.
+
+
+I wish to speak to you to-night about one of those old despotic empires
+which were in every case the earliest known form of civilisation. Were I
+minded to play the cynic or the mountebank, I should choose some corrupt
+and effete despotism, already grown weak and ridiculous by its decay--as
+did at last the Roman and then the Byzantine Empire--and, after raising a
+laugh at the expense of the old system say, See what a superior people
+you are now,--how impossible, under free and enlightened institutions, is
+anything so base and so absurd as went on, even in despotic France before
+the Revolution of 1793. Well that would be on the whole true, thank God;
+but what need is there to say it?
+
+Let us keep our scorn for our own weaknesses, our blame for our own sins,
+certain that we shall gain more instruction, though not more amusement,
+by hunting out the good which is in anything than by hunting out its
+evil. For me, true to that which I proposed in my last lecture, I have
+chosen, not the worst, but the best despotism which I could find in
+history, founded and ruled by a truly heroic personage, one whose name
+has become a proverb and a legend, that so I might lift up your minds,
+even by the contemplation of an old Eastern empire, to see that it, too,
+could be a work and ordinance of God, and its hero the servant of the
+Lord. For we are almost bound to call Cyrus, the founder of the Persian
+Empire, by this august title for two reasons--First, because the Hebrew
+Scriptures call him so; and next, because he proved himself to be such by
+his actions and their consequences--at least in the eyes of those who
+believe, as I do, in a far-seeing and far-reaching Providence, by which
+all human history is--
+
+ Bound by gold chains unto the throne of God.
+
+His work was very different from any that need be done, or can be done,
+in these our days. But while we thank God that such work is now as
+unnecessary as impossible; we may thank God likewise that, when such work
+was necessary and possible, a man was raised up to do it; and to do it,
+as all accounts assert, better, perhaps, than it had ever been done
+before or since.
+
+True, the old conquerors, who absorbed nation after nation, tribe after
+tribe, and founded empires on their ruins, are now, I trust, about to be
+replaced, throughout the world, as here and in Britain at home, by free
+self-governed peoples--
+
+ The old order changeth, giving place to the new;
+ And God fulfils Himself in many ways,
+ Lest one good custom should corrupt the world.
+
+And that custom of conquest and empire and transplantation did more than
+once corrupt the world. And yet in it, too, God may have more than once
+fulfilled his own designs, as He did, if Scripture is to be believed, in
+Cyrus, well surnamed the Great, the founder of the Persian Empire some
+2,400 years ago. For these empires, it must be remembered, did at least
+that which the Roman Empire did among a scattered number of savage
+tribes, or separate little races, hating and murdering each other,
+speaking different tongues, and worshipping different gods, and losing
+utterly the sense of a common humanity, till they looked on the people
+who dwelt in the next valley as fiends, to be sacrificed, if caught, to
+their own fiends at home. Among such as these, empires did introduce
+order, law, common speech, common interest, the notion of nationality and
+humanity. They, as it were, hammered together the fragments of the human
+race till they had moulded them into one. They did it cruelly, clumsily,
+ill: but was there ever work done on earth, however noble, which was
+not--alas, alas!--done somewhat ill?
+
+Let me talk to you a little about the old hero. He and his hardy
+Persians should be specially interesting to us. For in them first does
+our race, the Aryan race, appear in authentic history. In them first did
+our race give promise of being the conquering and civilising race of the
+future world. And to the conquests of Cyrus--so strangely are all great
+times and great movements of the human family linked to each other--to
+his conquests, humanly speaking, is owing the fact that you are here, and
+I am speaking to you at this moment.
+
+It is an oft-told story: but so grand a one that I must sketch it for
+you, however clumsily, once more.
+
+In that mountain province called Farsistan, north-east of what we now
+call Persia, the dwelling place of the Persians, there dwelt, in the
+sixth and seventh centuries before Christ, a hardy tribe, of the purest
+blood of Iran, a branch of the same race as the Celtic, Teutonic, Greek,
+and Hindoo, and speaking a tongue akin to theirs. They had wandered
+thither, said their legends, out of the far north-east, from off some
+lofty plateau of Central Asia, driven out by the increasing cold, which
+left them but two months of summer to ten of winter.
+
+They despised at first--would that they had despised always!--the
+luxurious life of the dwellers in the plains, and the effeminate customs
+of the Medes--a branch of their own race who had conquered and
+intermarried with the Turanian, or Finnish tribes; and adopted much of
+their creed, as well as of their morals, throughout their vast but
+short-lived Median Empire. 'Soft countries,' said Cyrus himself--so runs
+the tale--'gave birth to small men. No region produced at once
+delightful fruits and men of a warlike spirit.' Letters were to them,
+probably then unknown. They borrowed them in after years, as they
+borrowed their art, from Babylonians, Assyrians, and other Semitic
+nations whom they conquered. From the age of five to that of twenty,
+their lads were instructed but in two things--to speak the truth and to
+shoot with the bow. To ride was the third necessary art, introduced,
+according to Xenophon, after they had descended from their mountain
+fastnesses to conquer the whole East.
+
+Their creed was simple enough. Ahura Mazda--Ormuzd, as he has been
+called since--was the one eternal Creator, the source of all light and
+life and good. He spake his word, and it accomplished the creation of
+heaven, before the water, before the earth, before the cow, before the
+tree, before the fire, before man the truthful, before the Devas and
+beasts of prey, before the whole existing universe; before every good
+thing created by Ahura Mazda and springing from Truth.
+
+He needed no sacrifices of blood. He was to be worshipped only with
+prayers, with offerings of the inspiring juice of the now unknown herb
+Homa, and by the preservation of the sacred fire, which, understand, was
+not he, but the symbol--as was light and the sun--of the good spirit--of
+Ahura Mazda. They had no images of the gods, these old Persians; no
+temples, no altars, so says Herodotus, and considered the use of them a
+sign of folly. They were, as has been well said of them, the Puritans of
+the old world. When they descended from their mountain fastnesses, they
+became the iconoclasts of the old world; and the later Isaiah, out of the
+depths of national shame, captivity and exile, saw in them
+brother-spirits, the chosen of the Lord, whose hero Cyrus, the Lord was
+holding by his right hand, till all the foul superstitions and foul
+effeminacies of the rotten Semitic peoples of the East, and even of Egypt
+itself, should be crushed, though alas! only for a while, by men who felt
+that they had a commission from the God of light and truth and purity, to
+sweep out all that with the besom of destruction.
+
+But that was a later inspiration. In earlier, and it may be happier,
+times, the duty of the good man was to strive against all evil, disorder,
+uselessness, incompetence in their more simple forms. 'He therefore is a
+holy man,' says Ormuzd in the Zend-avesta, 'who has built a dwelling on
+the earth, in which he maintains fire, cattle, his wife, his children,
+and flocks and herds; he who makes the earth produce barley, he who
+cultivates the fruits of the soil, cultivates purity; he advances the law
+of Ahura Mazda as much as if he had offered a hundred sacrifices.'
+
+To reclaim the waste, to till the land, to make a corner of the earth
+better than they found it, was to these men to rescue a bit of Ormuzd's
+world out of the usurped dominion of Ahriman; to rescue it from the
+spirit of evil and disorder for its rightful owner, the Spirit of Order
+and of Good.
+
+For they believed in an evil spirit, these old Persians. Evil was not
+for them a lower form of good. With their intense sense of the
+difference between right and wrong it could be nothing less than hateful;
+to be attacked, exterminated, as a personal enemy, till it became to them
+at last impersonate and a person.
+
+Zarathustra, the mystery of evil, weighed heavily on them and on their
+great prophet, Zoroaster--splendour of gold, as I am told his name
+signifies--who lived, no man knows clearly when or clearly where, but who
+lived and lives for ever, for his works follow him. He, too, tried to
+solve for his people the mystery of evil; and if he did not succeed, who
+has succeeded yet? Warring against Ormuzd, Ahura Mazda, was Ahriman,
+Angra Mainyus, literally the being of an evil mind, the ill-conditioned
+being. He was labouring perpetually to spoil the good work of Ormuzd
+alike in nature and in man. He was the cause of the fall of man, the
+tempter, the author of misery and death; he was eternal and uncreate as
+Ormuzd was. But that, perhaps, was a corruption of the purer and older
+Zoroastrian creed. With it, if Ahriman were eternal in the past, he
+would not be eternal in the future. Somehow, somewhen, somewhere, in the
+day when three prophets--the increasing light, the increasing truth, and
+the existing truth--should arise and give to mankind the last three books
+of the Zend-avesta, and convert all mankind to the pure creed, then evil
+should be conquered, the creation become pure again, and Ahriman vanish
+for ever; and, meanwhile, every good man was to fight valiantly for
+Ormuzd, his true lord, against Ahriman and all his works.
+
+Men who held such a creed, and could speak truth and draw the bow, what
+might they not do when the hour and the man arrived? They were not a
+_big_ nation. No; but they were a great nation, even while they were
+eating barley-bread and paying tribute to their conquerors the Medes, in
+the sterile valleys of Farsistan.
+
+And at last the hour and the man came. The story is half
+legendary--differently told by different authors. Herodotus has one
+tale, Xenophon another. The first, at least, had ample means of
+information. Astyages is the old shah of the Median Empire, then at the
+height of its seeming might and splendour and effeminacy. He has married
+his daughter, the princess Mandane, to Cambyses, seemingly a vassal-king
+or prince of the pure Persian blood. One night the old man is troubled
+with a dream. He sees a vine spring from his daughter, which overshadows
+all Asia. He sends for the Magi to interpret; and they tell him that
+Mandane will have a son who will reign in his stead. Having sons of his
+own, and fearing for the succession, he sends for Mandane, and, when her
+child is born, gives it to Harpagus, one of his courtiers, to be slain.
+The courtier relents, and hands it over to a herdsman, to be exposed on
+the mountains. The herdsman relents in turn, and brings the babe up as
+his own child.
+
+When the boy, who goes by the name of Agradates, is grown, he is at play
+with the other herd-boys, and they choose him for a mimic king. Some he
+makes his guards, some he bids build houses, some carry his messages.
+The son of a Mede of rank refuses, and Agradates has him seized by his
+guards and chastised with the whip. The ancestral instincts of command
+and discipline are showing early in the lad.
+
+The young gentleman complains to his father, the father to the old king,
+who of course sends for the herdsman and his boy. The boy answers in a
+tone so exactly like that in which Xenophon's Cyrus would have answered,
+that I must believe that both Xenophon's Cyrus and Herodotus' Cyrus (like
+Xenophon's Socrates and Plato's Socrates) are real pictures of a real
+character; and that Herodotus' story, though Xenophon says nothing of it,
+is true.
+
+He has done nothing, the noble boy says, but what was just. He had been
+chosen king in play, because the boys thought him most fit. The boy whom
+he had chastised was one of those who chose him. All the rest obeyed:
+but he would not, till at last he got his due reward. 'If I deserve
+punishment for that,' says the boy, 'I am ready to submit.'
+
+The old king looks keenly and wonderingly at the young king, whose
+features seem somewhat like his own. Likely enough in those days, when
+an Iranian noble or prince would have a quite different cast of
+complexion and of face from a Turanian herdsman. A suspicion crosses
+him; and by threats of torture he gets the truth from the trembling
+herdsman.
+
+To the poor wretch's rapture the old king lets him go unharmed. He has a
+more exquisite revenge to take, and sends for Harpagus, who likewise
+confesses the truth. The wily old tyrant has naught but gentle words.
+It is best as it is. He has been very sorry himself for the child, and
+Mandane's reproaches had gone to his heart. 'Let Harpagus go home and
+send his son to be a companion to the new-found prince. To-night there
+will be great sacrifices in honour of the child's safety, and Harpagus is
+to be a guest at the banquet.'
+
+Harpagus comes; and after eating his fill, is asked how he likes the
+king's meat? He gives the usual answer; and a covered basket is put
+before him, out of which he is to take--in Median fashion--what he likes.
+He finds in it the head and hands and feet of his own son. Like a true
+Eastern he shows no signs of horror. The king asks him if he knew what
+flesh he had been eating. He answers that he knew perfectly. That
+whatever the king did pleased him.
+
+Like an Eastern courtier, he knew how to dissemble, but not to forgive,
+and bided his time. The Magi, to their credit, told Astyages that his
+dream had been fulfilled, that Cyrus--as we must now call the foundling
+prince--had fulfilled it by becoming a king in play, and the boy is let
+to go back to his father and his hardy Persian life. But Harpagus does
+not leave him alone, nor perhaps, do his own thoughts. He has wrongs to
+avenge on his grandfather. And it seems not altogether impossible to the
+young mountaineer.
+
+He has seen enough of Median luxury to despise it and those who indulge
+in it. He has seen his own grandfather with his cheeks rouged, his
+eyelids stained with antimony, living a womanlike life, shut up from all
+his subjects in the recesses of a vast seraglio.
+
+He calls together the mountain rulers; makes friends with Tigranes, an
+Armenian prince, a vassal of the Mede, who has his wrongs likewise to
+avenge. And the two little armies of foot-soldiers--the Persians had no
+cavalry--defeat the innumerable horsemen of the Mede, take the old king,
+keep him in honourable captivity, and so change, one legend says, in a
+single battle, the fortunes of the whole East.
+
+And then begins that series of conquests of which we know hardly
+anything, save the fact that they were made. The young mountaineer and
+his playmates, whom he makes his generals and satraps, sweep onward
+towards the West, teaching their men the art of riding, till the Persian
+cavalry becomes more famous than the Median had been. They gather to
+them, as a snow-ball gathers in rolling, the picked youth of every tribe
+whom they overcome. They knit these tribes to them in loyalty and
+affection by that righteousness--that truthfulness and justice--for which
+Isaiah in his grandest lyric strains has made them illustrious to all
+time; which Xenophon has celebrated in like manner in that exquisite book
+of his--the _Cyropaedia_. The great Lydian kingdom of Croesus--Asia
+Minor as we call it now--goes down before them. Babylon itself goes
+down, after that world-famed siege which ended in Belshazzar's feast; and
+when Cyrus died--still in the prime of life, the legends seem to say--he
+left a coherent and well-organised empire, which stretched from the
+Mediterranean to Hindostan.
+
+So runs the tale, which to me, I confess, sounds probable and rational
+enough. It may not do so to you; for it has not to many learned men.
+They are inclined to 'relegate it into the region of myth;' in plain
+English, to call old Herodotus a liar, or at least a dupe. What means
+those wise men can have at this distance of more than 2000 years, of
+knowing more about the matter than Herodotus, who lived within 100 years
+of Cyrus, I for myself, cannot discover. And I say this without the
+least wish to disparage these hypercritical persons. For there are--and
+more there ought to be, as long as lies and superstitions remain on this
+earth--a class of thinkers who hold in just suspicion all stories which
+savour of the sensational, the romantic, even the dramatic. They know
+the terrible uses to which appeals to the fancy and the emotions have
+been applied, and are still applied to enslave the intellects, the
+consciences, the very bodies of men and women. They dread so much from
+experience the abuse of that formula, that a thing is so beautiful it
+must be true, that they are inclined to reply, 'Rather let us say boldly,
+it is so beautiful that it cannot be true. Let us mistrust, or even
+refuse to believe _a priori_, and at first sight, all startling,
+sensational, even poetic tales, and accept nothing as history, which is
+not as dull as the ledger of a dry goods' store.' But I think that
+experience, both in nature and in society, are against that ditch-water
+philosophy. The weather, being governed by laws, ought always to be
+equable and normal, and yet you have whirlwinds, droughts, thunderstorms.
+The share-market, being governed by laws, ought to be always equable and
+normal, and yet you have startling transactions, startling panics,
+startling disclosures, and a whole sensational romance of commercial
+crime and folly. Which of us has lived to be fifty years old, without
+having witnessed in private life sensation tragedies, alas! sometimes too
+fearful to be told, or at least sensational romances, which we shall take
+care not to tell, because we shall not be believed? Let the ditch-water
+philosophy say what it will, human life is not a ditch, but a wild and
+roaring river, flooding its banks, and eating out new channels with many
+a landslip. It is a strange world, and man, a strange animal, guided, it
+is true, usually by most commonplace motives; but, for that reason, ready
+and glad at times to escape from them and their dulness and baseness; to
+give vent, if but for a moment, in wild freedom, to that demoniac
+element, which, as Goethe says, underlies his nature and all nature; and
+to prefer for an hour, to the normal and respectable ditch-water, a
+bottle of champagne or even a carouse on fire-water, let the consequences
+be what they may.
+
+How else shall we explain such a phenomenon as those old crusades? Were
+they undertaken for any purpose, commercial or other? Certainly not for
+lightening an overburdened population. Nay, is not the history of your
+own Mormons, and their exodus into the far West, one of the most
+startling instances which the world has seen for several centuries, of
+the unexpected and incalculable forces which lie hid in man? Believe me,
+man's passions, heated to igniting point, rather than his prudence cooled
+down to freezing point, are the normal causes of all great human
+movement. And a truer law of social science than any that political
+economists are wont to lay down, is that old 'Dov' e la Donna' of the
+Italian judge, who used to ask, as a preliminary to every case, civil or
+criminal, which was brought before him, 'Dov' e la Donna?' 'Where is the
+lady?' certain, like a wise old gentleman, that a woman was most probably
+at the bottom of the matter.
+
+Strangeness? Romance? Did any of you ever read--if you have not you
+should read--Archbishop Whately's _Historic Doubts about the Emperor
+Napoleon the First_? Therein the learned and witty Archbishop proved, as
+early as 1819, by fair use of the criticism of Mr. Hume and the Sceptic
+School, that the whole history of the great Napoleon ought to be treated
+by wise men as a myth and a romance, that there is little or no evidence
+of his having existed at all; and that the story of his strange successes
+and strange defeats was probably invented by our Government in order to
+pander to the vanity of the English nation.
+
+I will say this, which Archbishop Whately, in a late edition,
+foreshadows, wittily enough--that if one or two thousand years hence,
+when the history of the late Emperor Napoleon the Third, his rise and
+fall, shall come to be subjected to critical analysis by future
+Philistine historians of New Zealand or Australia, it will be proved by
+them to be utterly mythical, incredible, monstrous--and that all the
+more, the more the actual facts remain to puzzle their unimaginative
+brains. What will they make, two thousand years hence, of the landing at
+Boulogne with the tame eagle? Will not that, and stranger facts still,
+but just as true, be relegated to the region of myth, with the dream of
+Astyages, and the young and princely herdsman playing at king over his
+fellow-slaves?
+
+But enough of this. To me, these bits of romance often seem the truest,
+as well as the most important, portions of history.
+
+When old Herodotus tells me how, King Astyages having guarded the
+frontier, Harpagus sent a hunter to young Cyrus with a fresh-killed hare,
+telling him to open it in private; and how, sewn up in it was the letter,
+telling him that the time to rebel was come, I am inclined to say, That
+must be true. So beneath the dignity of history, so quaint and
+unexpected, it is all the more likely _not_ to have been invented.
+
+So with that other story--How young Cyrus giving out that his grandfather
+had made him general of the Persians, summoned them all, each man with a
+sickle in his hand, into a prairie full of thorns, and bade them clear it
+in one day; and how when they, like loyal men, had finished, he bade them
+bathe, and next day he took them into a great meadow and feasted them
+with corn and wine, and all that his father's farm would yield, and asked
+them which day they liked best; and, when they answered as was to be
+expected, how he opened his parable and told them, 'Choose, then, to work
+for the Persians like slaves, or to be free with me.'
+
+Such a tale sounds to me true. It has the very savour of the parables of
+the Old Testament; as have, surely, the dreams of the old Sultan, with
+which the tale begins. Do they not put us in mind of the dreams of
+Nebuchadnezzar, in the Book of Daniel?
+
+Such stories are actually so beautiful that they are very likely to be
+true. Understand me, I only say likely; the ditch-water view of history
+is not all wrong. Its advocates are right in saying great historic
+changes are not produced simply by one great person, by one remarkable
+event. They have been preparing, perhaps, for centuries. They are the
+result of numberless forces, acting according to laws, which might have
+been foreseen, and will be foreseen, when the science of History is more
+perfectly understood.
+
+For instance, Cyrus could not have conquered the Median Empire at a
+single blow, if first that empire had not been utterly rotten; and next,
+if he and his handful of Persians had not been tempered and sharpened, by
+long hardihood, to the finest cutting edge.
+
+Yes, there were all the materials for the catastrophe--the cannon, the
+powder, the shot. But to say that the Persians must have conquered the
+Medes, even if Cyrus had never lived, is to say, as too many philosophers
+seem to me to say, that, given cannon, powder, and shot, it will fire
+itself off some day if we only leave it alone long enough.
+
+It may be so. But our usual experience of Nature and Fact is, that
+spontaneous combustion is a rare and exceptional phenomenon; that if a
+cannon is to be fired, someone must arise and pull the trigger. And I
+believe that in Society and Politics, when a great event is ready to be
+done, someone must come and do it--do it, perhaps, half unwittingly, by
+some single rash act--like that first fatal shot fired at Fort
+Sumter--which makes, as by an electric spark, a whole nation flash into
+enduring flame.
+
+But to return to Cyrus and his Persians.
+
+I know not whether the _Cyropaedia_ is much read in your schools and
+universities. But it is one of the books which I should like to see,
+either in a translation or its own exquisite Greek, in the hands of every
+young man. It is not all fact. It is but a historic romance. But it is
+better than history. It is an ideal book, like Sidney's _Arcadia_ or
+Spenser's _Fairy Queen_--the ideal self-education of an ideal hero. And
+the moral of the book--ponder it well, all young men who have the chance
+or the hope of exercising authority among your fellow-men, the noble and
+most Christian moral of that heathen book is this: that the path to solid
+and beneficent influence over our fellow-men lies, not through brute
+force, not through cupidity, but through the highest morality; through
+justice, truthfulness, humanity, self-denial, modesty, courtesy, and all
+which makes man or woman lovely in the eyes of mortals or of God.
+
+Yes, the _Cyropaedia_ is a noble book, about a noble personage. But I
+cannot forget that there are nobler words by far concerning that same
+noble personage, in the magnificent series of Hebrew Lyrics, which
+begins, 'Comfort ye, comfort ye, my people, saith the Lord'--in which the
+inspired poet, watching the rise of Cyrus and his Puritans, and the fall
+of Babylon, and the idolatries of the East, and the coming deliverance of
+his own countrymen, speaks of the Persian hero in words so grand that
+they have been often enough applied, and with all fitness, to one greater
+than Cyrus, and than all men:--
+
+ Who raised up the righteous man from the East,
+ And called him to attend his steps?
+ Who subdued nations at his presence,
+ And gave him dominion over kings?
+ And made them like the dust before his sword,
+ And the driven stubble before his bow?
+ He pursueth them, he passeth in safety,
+ By a way never trodden before by his feet.
+ Who hath performed and made these things,
+ Calling the generations from the beginning?
+ I, Jehovah, the first and the last, I am the same.
+
+ Behold my servant, whom I will uphold;
+ My chosen, in whom my soul delighteth;
+ I will make my spirit rest upon him,
+ And he shall publish judgment to the nations.
+ He shall not cry aloud, nor clamour,
+ Nor cause his voice to be heard in the streets.
+ The bruised reed he shall not break,
+ And the smoking flax he shall not quench.
+ He shall publish justice, and establish it.
+ His force shall not be abated, nor broken,
+ Until he has firmly seated justice in the earth,
+ And the distant nations shall wait for his Law.
+ Thus saith the God, even Jehovah,
+ Who created the heavens, and stretched them out;
+ Who spread abroad the earth, and its produce,
+ I, Jehovah, have called thee for a righteous end,
+ And I will take hold of thy hand, and preserve thee,
+ And I will give thee for a covenant to the people,
+ And for a light to the nations;
+ To open the eyes of the blind,
+ To bring the captives out of prison,
+ And from the dungeon those who dwell in darkness.
+ I am Jehovah--that is my name;
+ And my glory will I not give to another,
+ Nor my praise to the graven idols.
+
+ Who saith to Cyrus--Thou art my shepherd,
+ And he shall fulfil all my pleasure:
+ Who saith to Jerusalem--Thou shalt be built;
+ And to the Temple--Thou shalt be founded.
+ Thus saith Jehovah to his anointed,
+ To Cyrus whom I hold fast by his right hand,
+ That I may subdue nations under him,
+ And loose the loins of kings;
+ That I may open before him the two-leaved doors,
+ And the gates shall not be shut;
+ I will go before thee
+ And bring the mountains low.
+ The gates of brass will I break in sunder,
+ And the bars of iron hew down.
+ And I will give thee the treasures of darkness,
+ And the hoards hid deep in secret places,
+ That thou mayest know that I am Jehovah.
+ I have surnamed thee, though thou knowest not me.
+ I am Jehovah and none else:
+ Beside me there is no God.
+ I will gird thee, though thou hast not known me,
+ That they may know from the rising of the sun,
+ And from the west, that there is none beside me;
+ I am Jehovah, and none else;
+ Forming light, and creating darkness;
+ Forming peace, and creating evil.
+ I, Jehovah, make all these.
+
+This is the Hebrew prophet's conception of the great Puritan of the Old
+World who went forth with such a commission as this, to destroy the idols
+of the East, while
+
+ The isles saw that, and feared,
+ And the ends of the earth were afraid;
+ They drew near, they came together;
+ Everyone helped his neighbour,
+ And said to his brother, Be of good courage.
+
+ The carver encouraged the smith,
+ He that smoothed with the hammer
+ Him that smote on the anvil;
+ Saying of the solder, It is good;
+ And fixing the idol with nails, lest it be moved;
+
+But all in vain; for as the poet goes on--
+
+ Bel bowed down, and Nebo stooped;
+ Their idols were upon the cattle,
+ A burden to the weary beast.
+ They stoop, they bow down together;
+ They could not deliver their own charge;
+ Themselves are gone into captivity.
+
+And what, to return, what was the end of the great Cyrus and of his
+empire?
+
+Alas, alas! as with all human glory, the end was not as the beginning.
+
+We are scarce bound to believe positively the story how Cyrus made one
+war too many, and was cut off in the Scythian deserts, falling before the
+arrows of mere savages; and how their queen, Tomyris, poured blood down
+the throat of the dead corpse, with the words, 'Glut thyself with the
+gore for which thou hast thirsted.' But it may be true--for Xenophon
+states it expressly, and with detail--that Cyrus, from the very time of
+his triumph, became an Eastern despot, a sultan or a shah, living apart
+from his people in mysterious splendour, in the vast fortified palace
+which he built for himself; and imitating and causing his nobles and
+satraps to imitate, in all but vice and effeminacy, the very Medes whom
+he had conquered. And of this there is no doubt--that his sons and their
+empire ran rapidly through that same vicious circle of corruption to
+which all despotisms are doomed, and became within 250 years, even as the
+Medes, the Chaldeans, the Lydians, whom they had conquered, children no
+longer of Ahura Mazda, but of Ahriman, of darkness and not of light, to
+be conquered by Alexander and his Greeks even more rapidly and more
+shamefully than they had conquered the East.
+
+This is the short epic of the Persian Empire, ending alas! as all human
+epics are wont to end, sadly, if not shamefully.
+
+But let me ask you, Did I say too much, when I said, that to these
+Persians we owe that we are here to-night?
+
+I do not say that without them we should not have been here. God, I
+presume, when He is minded to do anything has more than one way of doing
+it.
+
+But that we are to-night the last link in a chain of causes and effects
+which reaches as far back as the emigration of the Persians southward
+from the plateau of Pamir, we cannot doubt.
+
+For see. By the fall of Babylon and its empire the Jews were freed from
+their captivity--large numbers of them at least--and sent home to their
+own Jerusalem. What motives prompted Cyrus, and Darius after him, to do
+that deed?
+
+Those who like to impute the lowest motives may say if they will, that
+Daniel and the later Isaiah found it politic to worship the rising sun,
+and flatter the Persian conquerors: and that Cyrus and Darius in turn
+were glad to see Jerusalem rebuilt, as an impregnable frontier fortress
+between them and Egypt. Be it so; I, who wish to talk of things noble,
+pure, lovely and of good report, would rather point you once more to the
+magnificent poetry of the later Isaiah which commences at the 40th
+chapter of the Book of Isaiah, and say--There, upon the very face of the
+document, stands written the fact that the sympathy between the faithful
+Persian and the faithful Jew--the two Puritans of the Old World, the two
+haters of lies, idolatries, superstitions--was actually as intense as it
+ought to have been, as it must have been.
+
+Be that as it may, the return of the Jews to Jerusalem preserved for us
+the Old Testament, while it restored to them a national centre, a sacred
+city, like that of Delphi to the Greeks, Rome to the Romans, Mecca to the
+Muslim, loyalty to which prevented their being utterly absorbed by the
+more civilised Eastern races among whom they had been scattered abroad as
+colonies of captives.
+
+Then another, and a seemingly needful link of cause and effect ensued:
+Alexander of Macedon destroyed the Persian Empire, and the East became
+Greek, and Alexandria, rather than Jerusalem, became the head-quarters of
+Jewish learning. But for that very cause, the Scriptures were not left
+inaccessible to the mass of mankind, like the old Pehlevi liturgies of
+the Zend-avesta, or the old Sanscrit Vedas, in an obsolete and hieratic
+tongue, but were translated into, and continued in, the then all but
+world-wide Hellenic speech, which was to the ancient world what French is
+to the modern.
+
+Then the East became Roman, without losing its Greek speech. And under
+the wide domination of that later Roman Empire--which had subdued and
+organised the whole known world, save the Parthian descendants of those
+old Persians, and our old Teutonic forefathers, in their German forests
+and on their Scandinavian shores--that Divine book was carried far and
+wide, East and West, and South, from the heart of Abyssinia to the
+mountains of Armenia, and to the isles of the ocean, beyond Britain
+itself to Ireland and to the Hebrides.
+
+And that book--so strangely coinciding with the old creed of the earlier
+Persians--that book, long misunderstood, long overlain by the dust, and
+overgrown by the parasitic fungi of centuries, that book it was which
+sent to these trans-Atlantic shores the founders of your great nation.
+That book gave them their instinct of freedom, tempered by reverence for
+Law. That book gave them their hatred of idolatry; and made them not
+only say but act upon their own words, with these old Persians and with
+the Jewish prophets alike, Sacrifice and burnt-offering thou wouldst not;
+then said we, Lo, we come. In the volume of the book it is written of
+us, that we come to do thy will, O God. Yes, long and fantastic is the
+chain of causes and effects, which links you here to the old heroes who
+came down from Central Asia, because the land had grown so wondrous cold,
+that there were ten months of winter to two of summer; and when simply
+after warmth and life, and food for them and for their flocks, they
+wandered forth to found and help to found a spiritual kingdom.
+
+And even in their migration, far back in these dim and mystic ages, have
+we found the earliest link of the long chain? Not so. What if the
+legend of the change of climate be the dim recollection of an enormous
+physical fact? What if it, and the gradual depopulation of the whole
+north of Asia be owing, as geologists now suspect, to the slow and
+age-long uprise of the whole of Siberia, thrusting the warm Arctic sea
+further and further to the northward, and placing between it and the
+Highlands of Thibet an ever-increasing breadth of icy land, destroying
+animals, and driving whole races southward, in search of the summer and
+the sun?
+
+What if the first link in the chain, as yet conceivable by man, should be
+the cosmic changes in the distribution of land and water, which filled
+the mouths of the Siberian rivers with frozen carcases of woolly mammoth
+and rhinoceros; and those again, doubt it not, of other revolutions,
+reaching back and back, and on and on, into the infinite unknown. Why
+not? For so are all human destinies
+
+ Bound with gold chains unto the throne of God.
+
+
+
+
+LECTURE V.
+ANCIENT CIVILISATION.
+
+
+There is a theory abroad in the world just now about the origin of the
+human race, which has so many patent and powerful physiological facts to
+support it that we must not lightly say that it is absurd or impossible;
+and that is, that man's mortal body and brain were derived from some
+animal and ape-like creature. Of that I am not going to speak now. My
+subject is--How this creature called man, from whatever source derived,
+became civilised, rational, and moral. And I am sorry to say there is
+tacked on by many to the first theory, another which does not follow from
+it, and which has really nothing to do with it, and it is this--that man,
+with all his wonderful and mysterious aspirations, always unfulfilled yet
+always precious, at once his torment and his joy, his very hope of
+everlasting life--that man, I say, developed himself, unassisted, out of
+a state of primaeval brutishness, simply by calculations of pleasure and
+pain, by observing what actions would pay in the long run and what would
+not; and so learnt to conquer his selfishness by a more refined and
+extended selfishness, and exchanged his brutality for worldliness, and
+then, in a few instances, his worldliness for next-worldliness. I hope I
+need not say that I do not believe this theory. If I did, I could not be
+a Christian, I think, nor a philosopher either. At least, if I thought
+that human civilisation had sprung from such a dunghill as that, I
+should, in honour to my race, say nothing about it, here or elsewhere.
+
+Why talk of the shame of our ancestors? I want to talk of their honour
+and glory. I want to talk, if I talk at all, about great times, about
+noble epochs, noble movements, noble deeds, and noble folk; about times
+in which the human race--it may be through many mistakes, alas! and sin,
+and sorrow and bloodshed--struggled up one step higher on those great
+stairs which, as we hope, lead upward towards the far-off city of God;
+the perfect polity, the perfect civilisation, the perfect religion, which
+is eternal in the heavens.
+
+Of great men, then, and noble deeds I want to speak. I am bound to do so
+first, in courtesy to my hearers. For in choosing such a subject I took
+for granted a nobleness and greatness of mind in them which can
+appreciate and enjoy the contemplation of that which is lofty and heroic,
+and that which is useful indeed, though not to the purses merely or the
+mouths of men, but to their intellects and spirits; that highest
+philosophy which, though she can (as has been sneeringly said of her)
+bake no bread, can at least do this--and she alone--make men worthy to
+eat the bread which God has given them.
+
+I am bound to speak on such subjects, because I have never yet met, or
+read of, the human company who did not require, now and then at least,
+being reminded of such times and such personages--of whatsoever things
+are just, pure, true, lovely, and of good report, if there be any manhood
+and any praise to think, as St. Paul bids us all, of such things, that we
+may keep up in our minds as much as possible a lofty standard, a pure
+ideal, instead of sinking to the mere selfish standard which judges all
+things, even those of the world to come, by profit and by loss, and into
+that sordid frame of mind in which a man grows to believe that the world
+is constructed of bricks and timber, and kept going by the price of
+stocks.
+
+We are all tempted, and the easier and more prosperous we are, the more
+we are tempted, to fall into that sordid and shallow frame of mind.
+Sordid even when its projects are most daring, its outward luxuries most
+refined; and shallow, even when most acute, when priding itself most on
+its knowledge of human nature, and of the secret springs which, so it
+dreams, move the actions and make the history of nations and of men. All
+are tempted that way, even the noblest-hearted. _Adhaesit pavimento
+venter_, says the old psalmist. I am growing like the snake, crawling in
+the dust, and eating the dust in which I crawl. I try to lift up my eyes
+to the heavens, to the true, the beautiful, the good, the eternal
+nobleness which was before all time, and shall be still when time has
+past away. But to lift up myself is what I cannot do. Who will help me?
+Who will quicken me? as our old English tongue has it. Who will give me
+life? The true, pure, lofty human life which I did _not_ inherit from
+the primaeval ape, which the ape-nature in me is for ever trying to
+stifle, and make me that which I know too well I could so easily
+become--a cunninger and more dainty-featured brute? Death itself, which
+seems at times so fair, is fair because even it may raise me up and
+deliver me from the burden of this animal and mortal body--
+
+ 'Tis life, not death, for which I pant;
+ 'Tis life, whereof my nerves are scant;
+ More life, and fuller, that I want.
+
+Man? I am a man not by reason of my bones and muscles, nerves and brain,
+which I have in common with apes and dogs and horses. I am a man--thou
+art a man or woman--not because we have a flesh--God forbid! but because
+there is a spirit in us, a divine spark and ray, which nature did not
+give, and which nature cannot take away. And therefore, while I live on
+earth, I will live to the spirit, not to the flesh, that I may be,
+indeed, a _man_; and this same gross flesh, this animal ape-nature in me,
+shall be the very element in me which I will renounce, defy, despise; at
+least, if I am minded to be, not a merely higher savage, but a truly
+higher civilised man. Civilisation with me shall mean, not more wealth,
+more finery, more self-indulgence--even more aesthetic and artistic
+luxury; but more virtue, more knowledge, more self-control, even though I
+earn scanty bread by heavy toil; and when I compare the Caesar of Rome or
+the great king, whether of Egypt, Babylon, or Persia, with the hermit of
+the _Thebaid_, starving in his frock of camel's hair, with his soul fixed
+on the ineffable glories of the unseen, and striving, however wildly and
+fantastically, to become an angel and not an ape, I will say the hermit,
+and not the Caesar, is the civilised man.
+
+There are plenty of histories of civilisation and theories of
+civilisation abroad in the world just now, and which profess to show you
+how the primaeval savage has, or at least may have, become the civilised
+man. For my part, with all due and careful consideration, I confess I
+attach very little value to any of them: and for this simple reason that
+we have no facts. The facts are lost.
+
+Of course, if you assume a proposition as certainly true, it is easy
+enough to prove that proposition to be true, at least to your own
+satisfaction. If you assert with the old proverb, that you may make a
+silk purse out of a sow's ear, you will be stupider than I dare suppose
+anyone here to be, if you cannot invent for yourselves all the
+intermediate stages of the transformation, however startling. And,
+indeed, if modern philosophers had stuck more closely to this old
+proverb, and its defining verb 'make,' and tried to show how some person
+or persons--let them be who they may--men, angels, or gods--made the
+sow's ear into the silk purse, and the savage into the sage--they might
+have pleaded that they were still trying to keep their feet upon the firm
+ground of actual experience. But while their theory is, that the sow's
+ear grew into a silk purse of itself, and yet unconsciously and without
+any intention of so bettering itself in life; why, I think that those who
+have studied the history which lies behind them, and the poor human
+nature which is struggling, and sinning, and sorrowing and failing around
+them, and which seems on the greater part of this planet going downwards
+and not upwards, and by no means bettering itself, save in the increase
+of opera-houses, liquor-bars, and gambling-tables, and that which
+pertaineth thereto; then we, I think, may be excused if we say with the
+old Stoics--[Greek text]--I withhold my judgment. I know nothing about
+the matter yet; and you, O my imaginative, though learned friends, know I
+suspect very little either.
+
+ Eldest of things, Divine Equality:
+
+so sang poor Shelley, and with a certain truth. For, if, as I believe,
+the human race sprang from a single pair, there must have been among
+their individual descendants an equality far greater than any which has
+been known on earth during historic times. But that equality was at
+best, the infantile innocence of the primary race, which faded away in
+the race as quickly, alas! as it does in the individual child.
+Divine--therefore it was one of the first blessings which man lost; one
+of the last, I fear, to which he will return; that to which civilisation,
+even at its best yet known, has not yet attained, save here and there for
+short periods; but towards which it is striving as an ideal goal, and, as
+I trust, not in vain.
+
+The eldest of things which we see actually as history, is not equality,
+but an already developed hideous inequality, trying to perpetuate itself,
+and yet by a most divine and gracious law, destroying itself by the very
+means which it uses to keep itself alive.
+
+'There were giants in the earth in those days, And Nimrod began to be a
+mighty one in the earth'--
+
+ A mighty hunter; and his game was man.
+
+No; it is not equality which we see through the dim mists of bygone ages.
+
+What we do see, is--I know not whether you will think me superstitious or
+old-fashioned, but so I hold--very much what the earlier books of the
+Bible show us under symbolic laws. Greek histories, Roman histories,
+Egyptian histories, Eastern histories, inscriptions, national epics,
+legends, fragments of legends--in the New World as in the Old--all tell
+the same story. Not the story without an end, but the story without a
+beginning. As in the Hindoo cosmogony, the world stands on an elephant,
+and the elephant on a tortoise, and the tortoise on--what? No man knows.
+I do not know. I only assert deliberately; waiting, as Napoleon says,
+till the world come round to me, that the tortoise does not stand--as is
+held by certain anthropologists, some honoured by me, some personally
+dear to me--upon the savages who chipped flints and fed on mammoth and
+reindeer in North-western Europe, shortly after the age of ice, a few
+hundred thousand years ago. These sturdy little fellows--the kinsmen
+probably of the Esquimaux and Lapps--could have been but the
+avant-couriers, or more probably the fugitives from the true mass of
+mankind--spreading northward from the Tropics, into climes becoming,
+after the long catastrophe of the age of ice, once more genial enough to
+support men who knew what decent comfort was, and were strong enough to
+get the same, by all means fair or foul. No. The tortoise of the human
+race does not stand on a savage. The savage may stand on an ape-like
+creature. I do not say that he does not. I do not say that he does. I
+do not know; and no man knows. But at least I say that the civilised man
+and his world stand not upon creatures like to any savage now known upon
+the earth. For first, it seems to be most unlikely; and next, and more
+important to an inductive philosopher, there is no proof of it. I see no
+savages becoming really civilised men--that is--not merely men who will
+ape the outside of our so-called civilisation, even absorb a few of our
+ideas; not merely that; but truly civilised men who will think for
+themselves, invent for themselves, act for themselves; and when the
+sacred lamp of light and truth has been passed into their hands, carry it
+on unextinguished, and transmit it to their successors without running
+back every moment to get it relighted by those from whom they received
+it: and who are bound--remember that--patiently and lovingly to relight
+it for them; to give freely to all their fellow-men of that which God has
+given to them and to their ancestors; and let God, not man, be judge of
+how much the Red Indian or the Polynesian, the Caffre or the Chinese, is
+capable of receiving and of using.
+
+Moreover, in history there is no record, absolutely no record, as far as
+I am aware, of any savage tribe civilising itself. It is a bold saying.
+I stand by my assertion: most happy to find myself confuted, even in a
+single instance; for my being wrong would give me, what I can have no
+objection to possess, a higher opinion than I have now, of the unassisted
+capabilities of my fellow-men.
+
+But civilisation must have begun somewhen, somewhere, with some person,
+or some family, or some nation; and how did it begin?
+
+I have said already that I do not know. But I have had my dream--like
+the philosopher--and as I have not been ashamed to tell it elsewhere, I
+shall not be ashamed to tell it here. And it is this:--
+
+What if the beginnings of true civilisation in this unique, abnormal,
+diseased, unsatisfied, incomprehensible, and truly miraculous and
+supernatural race we call man, had been literally, and in actual fact,
+miraculous and supernatural likewise? What if that be the true key to
+the mystery of humanity and its origin? What if the few first chapters
+of the most ancient and most sacred book should point, under whatever
+symbols, to the actual and the only possible origin of civilisation, the
+education of a man, or a family by beings of some higher race than man?
+What if the old Puritan doctrine of Election should be even of a deeper
+and wider application than divines have been wont to think? What if
+individuals, if peoples, have been chosen out from time to time for a
+special illumination, that they might be the lights of the earth, and the
+salt of the world? What if they have, each in their turn, abused that
+divine teaching to make themselves the tyrants, instead of the ministers,
+of the less enlightened? To increase the inequalities of nature by their
+own selfishness, instead of decreasing them, into the equality of grace,
+by their own self-sacrifice? What if the Bible after all was right, and
+even more right than we were taught to think?
+
+So runs my dream. If, after I have confessed to it, you think me still
+worth listening to, in this enlightened 19th century, I will go on.
+
+At all events, what we see at the beginning of all known and half-known
+history, is not savagery, but high civilisation, at least of an outward
+and material kind. Do you demur? Then recollect, I pray you, that the
+three oldest peoples known to history on this planet are Egypt, China,
+Hindostan. The first glimpses of the world are always like those which
+the book of Genesis gives us; like those which your own continent gives
+us. As it was 400 years ago in America, so it was in North Africa and in
+Asia 4,000 years ago, or 40,000 for aught I know. Nay, if anyone should
+ask--And why not 400,000 years ago, on Miocene continents long sunk
+beneath the Tropic sea? I for one have no rejoinder save--We have no
+proofs as yet.
+
+There loom up, out of the darkness of legend, into the as yet dim dawn of
+history, what the old Arabs call Races of pre-Adamite Sultans--colossal
+monarchies, with fixed and often elaborate laws, customs, creeds; with
+aristocracies, priesthoods--seemingly always of a superior and conquering
+race; with a mass of common folk, whether free or half-free, composed of
+older conquered races; of imported slaves, too, and their descendants.
+
+But whence comes the royal race, the aristocracy, the priesthood? You
+enquire, and you find that they usually know not themselves. They are
+usually--I had almost dared to say, always--foreigners. They have
+crossed the neighbouring mountains. They have come by sea, like Dido to
+Carthage, like Manco Cassae and Mama Bello to America, and they have
+sometimes forgotten when. At least they are wiser, stronger, fairer,
+than the aborigines. They are to them--as Jacques Cartier was to the
+Indians of Canada--as gods. They are not sure that they are not
+descended from gods. They are the Children of the Sun, or what not. The
+children of light, who ray out such light as they have, upon the darkness
+of their subjects. They are at first, probably, civilisers, not
+conquerors. For, if tradition is worth anything--and we have nothing
+else to go upon--they are at first few in number. They come as settlers,
+or even as single sages. It is, in all tradition, not the many who
+influence the few, but the few who influence the many.
+
+So aristocracies, in the true sense, are formed. But the higher calling
+is soon forgotten. The purer light is soon darkened in pride and
+selfishness, luxury and lust; as in Genesis, the sons of God see the
+daughters of men, that they are fair; and they take them wives of all
+that they choose. And so a mixed race springs up and increases, without
+detriment at first to the commonwealth. For, by a well-known law of
+heredity, the cross between two races, probably far apart, produces at
+first a progeny possessing the forces, and, alas! probably the vices of
+both. And when the sons of God go in to the daughters of men, there are
+giants in the earth in those days, men of renown. The Roman empire,
+remember, was never stronger than when the old Patrician blood had
+mingled itself with that of every nation round the Mediterranean.
+
+But it does not last. Selfishness, luxury, ferocity, spread from above,
+as well as from below. The just aristocracy of virtue and wisdom becomes
+an unjust one of mere power and privilege; that again, one of mere
+wealth, corrupting and corrupt; and is destroyed, not by the people from
+below, but by the monarch from above. The hereditary bondsmen may know
+
+ Who would be free,
+ Himself must strike the blow.
+
+But they dare not, know not how. The king must do it for them. He must
+become the State. 'Better one tyrant,' as Voltaire said, 'than many.'
+Better stand in fear of one lion far away, than of many wolves, each in
+the nearest wood. And so arise those truly monstrous Eastern despotisms,
+of which modern Persia is, thank God, the only remaining specimen; for
+Turkey and Egypt are too amenable of late years to the influence of the
+free nations to be counted as despotisms pure and simple--despotisms in
+which men, instead of worshipping a God-man, worship the hideous
+counterfeit, a _Man-god_--a poor human being endowed by public opinion
+with the powers of deity, while he is the slave of all the weaknesses of
+humanity. But such, as an historic fact, has been the last stage of
+every civilisation--even that of Rome, which ripened itself upon this
+earth the last in ancient times, and, I had almost said, until this very
+day, except among the men who speak Teutonic tongues, and who have
+preserved through all temptations, and reasserted through all dangers,
+the free ideas which have been our sacred heritage ever since Tacitus
+beheld us, with respect and awe, among our German forests, and saw in us
+the future masters of the Roman Empire.
+
+Yes, it is very sad, the past history of mankind. But shall we despise
+those who went before us, and on whose accumulated labours we now stand?
+
+Shall we not reverence our spiritual ancestors? Shall we not show our
+reverence by copying them, at least whenever, as in those old Persians,
+we see in them manliness and truthfulness, hatred of idolatries, and
+devotion to the God of light and life and good? And shall we not feel
+pity, instead of contempt, for their ruder forms of government, their
+ignorances, excesses, failures--so excusable in men who, with little or
+no previous teaching, were trying to solve for themselves for the first
+time the deepest social and political problems of humanity.
+
+Yes, those old despotisms, we trust, are dead and never to revive. But
+their corpses are the corpses, not of our enemies, but of our friends and
+predecessors, slain in the world-old fight of Ormuzd against
+Ahriman--light against darkness, order against disorder. Confusedly they
+fought, and sometimes ill: but their corpses piled the breach and filled
+the trench for us, and over their corpses we step on to what should be to
+us an easy victory--what may be to us, yet, a shameful ruin.
+
+For if we be, as we are wont to boast, the salt of the earth and the
+light of the world, what if the salt should lose its savour? What if the
+light which is in us should become darkness? For myself, when I look
+upon the responsibilities of the free nations of modern times, so far
+from boasting of that liberty in which I delight--and to keep which I
+freely, too, could die--I rather say, in fear and trembling, God help us
+on whom He has laid so heavy a burden as to make us free; responsible,
+each individual of us, not only to ourselves, but to Him and all mankind.
+For if we fall we shall fall I know not whither, and I dare not think.
+
+How those old despotisms, the mighty empires of old time, fell, we know,
+and we can easily explain. Corrupt, luxurious, effeminate, eaten out by
+universal selfishness and mutual fear, they had at last no organic
+coherence. The moral anarchy within showed through, at last burst
+through, the painted skin of prescriptive order which held them together.
+Some braver and abler, and usually more virtuous people, often some
+little, hardy, homely mountain tribe, saw that the fruit was ripe for
+gathering; and, caring nought for superior numbers--and saying with
+German Alaric when the Romans boasted of their numbers, 'The thicker the
+hay the easier it is mowed--struck one brave blow at the huge inflated
+wind-bag--as Cyrus and his handful of Persians struck at the Medes; as
+Alexander and his handful of Greeks struck afterwards at the
+Persians--and behold, it collapsed upon the spot. And then the victors
+took the place of the conquered; and became in their turn an aristocracy,
+and then a despotism; and in their turn rotted down and perished. And so
+the vicious circle repeated itself, age after age, from Egypt and Assyria
+to Mexico and Peru.
+
+And therefore, we, free peoples as we are, have need to watch, and
+sternly watch, ourselves. Equality of some kind or other is, as I said,
+our natural and seemingly inevitable goal. But which equality? For
+there are two--a true one and a false; a noble and a base; a healthful
+and a ruinous. There is the truly divine equality, and there is the
+brute equality of sheep and oxen, and of flies and worms. There is the
+equality which is founded on mutual envy. The equality which respects
+others, and the equality which asserts itself. The equality which longs
+to raise all alike, and the equality which desires to pull down all
+alike. The equality which says--Thou art as good as I, and it may be
+better too, in the sight of God. And the equality which says--I am as
+good as thou, and will therefore see if I cannot master thee.
+
+Side by side, in the heart of every free man, and every free people, are
+the two instincts struggling for the mastery, called by the same name,
+but bearing the same relation to each other as Marsyas to Apollo, the
+Satyr to the God. Marsyas and Apollo, the base and the noble, are, as in
+the old Greek legend, contending for the prize. And the prize is no less
+an one than all free people of this planet.
+
+In proportion as that nobler idea conquers, and men unite in the equality
+of mutual respect and mutual service, they move one step further towards
+realising on earth that Kingdom of God of which it is written--'The
+despots of the nations exercise dominion over them, and they that
+exercise authority over them are called benefactors. But he that will be
+great among you let him be the servant of all.'
+
+And in proportion as that base idea conquers, and selfishness, not
+self-sacrifice, is the ruling spirit of a State, men move on, one step
+forward towards realising that kingdom of the devil upon earth, 'Every
+man for himself and the devil take the hindmost.' Only, alas! in that
+evil equality of envy and hate, there is no hindmost, and the devil takes
+them all alike.
+
+And so is a period of discontent, revolution, internecine anarchy,
+followed by a tyranny endured, as in old Rome, by men once free, because
+tyranny will at least do for them, what they were too lazy and greedy and
+envious to do for themselves.
+
+ And all because they have forgot
+ What 'tis to be a man--to curb and spurn
+ The tyrant in us: the ignobler self
+ Which boasts, not loathes, its likeness to the brute;
+ And owns no good save ease, no ill save pain,
+ No purpose, save its share in that wild war
+ In which, through countless ages, living things
+ Compete in internecine greed. Ah, loving God,
+ Are we as creeping things, which have no lord?
+ That we are brutes, great God, we know too well;
+ Apes daintier-featured; silly birds, who flaunt
+ Their plumes, unheeding of the fowler's step;
+ Spiders, who catch with paper, not with webs;
+ Tigers, who slay with cannon and sharp steel,
+ Instead of teeth and claws:--all these we are.
+ Are we no more than these, save in degree?
+ Mere fools of nature, puppets of strong lusts,
+ Taking the sword, to perish by the sword
+ Upon the universal battle-field,
+ Even as the things upon the moor outside?
+
+ The heath eats up green grass and delicate herbs;
+ The pines eat up the heath; the grub the pine;
+ The finch the grub; the hawk the silly finch;
+ And man, the mightiest of all beasts of prey,
+ Eats what he lists. The strong eat up the weak;
+ The many eat the few; great nations, small;
+ And he who cometh in the name of all
+ Shall, greediest, triumph by the greed of all,
+ And, armed by his own victims, eat up all.
+ While ever out of the eternal heavens
+ Looks patient down the great magnanimous God,
+ Who, Master of all worlds, did sacrifice
+ All to Himself? Nay: but Himself to all;
+ Who taught mankind, on that first Christmas Day,
+ What 'tis to be a man--to give, not take;
+ To serve, not rule; to nourish, not devour;
+ To lift, not crush; if need, to die, not live.
+
+'He that cometh in the name of all'--the popular military despot--the
+'saviour of his country'--he is our internecine enemy on both sides of
+the Atlantic, whenever he arises--the inaugurator of that Imperialism,
+that Caesarism into which Rome sank, when not her liberties merely, but
+her virtues, were decaying out of her--the sink into which all wicked
+States, whether republics or monarchies, are sure to fall, simply because
+men must eat and drink for to-morrow they die. The Military and
+Bureaucratic Despotism which keeps the many quiet, as in old Rome, by
+_panem et Circenses_--bread and games--or if need be, Pilgrimages; that
+the few may make money, eat, drink, and be merry, as long as it can last.
+That, let it ape as it may--as did the Caesars of old Rome at first--as
+another Emperor did even in our own days--the forms of dead freedom,
+really upholds an artificial luxury by brute force; and consecrates the
+basest of all aristocracies, the aristocracy of the money bag, by the
+divine sanction of the bayonet.
+
+That at all risks, even at the price of precious blood, the free peoples
+of the earth must ward off from them; for, makeshift and stop-gap as it
+is, it does not even succeed in what it tries to do. It does not last.
+Have we not seen that it does not, cannot last? How can it last. This
+falsehood, like all falsehoods, must collapse at one touch of Ithuriel's
+spear of truth and fact. And--
+
+'Then saw I the end of these men. Namely, how Thou dost set them in
+slippery places, and casteth them down.
+
+'Suddenly do they perish, and come to a fearful end. Yea, like as a
+dream when one awaketh, so shalt Thou make their image to vanish out of
+the city.'
+
+Have we not seen that too, though, thank God, neither in England nor in
+the United States?
+
+And then? What then? None knows, and none can know.
+
+The future of France and Spain, the future of the Tropical Republics of
+Spanish America, is utterly blank and dark; not to be prophesied, I hold,
+by mortal man, simply because we have no like cases in the history of the
+past whereby to judge the tendencies of the present. Will they revive?
+Under the genial influences of free institutions will the good seed which
+is in them take root downwards, and bear fruit upwards? and make them all
+what that fair France has been, in spite of all her faults, so often in
+past years--a joy and an inspiration to all the nations round? Shall it
+be thus? God grant it may; but He, and He alone, can tell. We only
+stand by, watching, if we be wise, with pity and with fear, the working
+out of a tremendous new social problem, which must affect the future of
+the whole civilised world.
+
+For if the agonising old nations fail to regenerate themselves, what can
+befall? What, when even Imperialism has been tried and failed, as fail
+it must? What but that lower depth within the lowest deep?
+
+ That last dread mood
+ Of sated lust, and dull decrepitude.
+ No law, no art, no faith, no hope, no God.
+ When round the freezing founts of life in peevish ring,
+ Crouched on the bare-worn sod,
+ Babbling about the unreturning spring,
+ And whining for dead creeds, which cannot save,
+ The toothless nations shiver to their grave.
+
+And we, who think we stand, let us take heed lest we fall. Let us
+accept, in modesty and in awe, the responsibility of our freedom, and
+remember that that freedom can be preserved only in one old-fashioned
+way. Let us remember that the one condition of a true democracy is the
+same as the one condition of a true aristocracy, namely, virtue. Let us
+teach our children, as grand old Lilly taught our forefathers 300 years
+ago--'It is virtue, gentlemen, yea, virtue that maketh gentlemen; that
+maketh the poor rich, the subject a king, the lowborn noble, the deformed
+beautiful. These things neither the whirling wheel of fortune can
+overturn, nor the deceitful cavillings of worldlings separate, neither
+sickness abate, nor age abolish.'
+
+Yes. Let us teach our children thus on both sides of the Atlantic. For
+if they--which God forbid--should grow corrupt and weak by their own
+sins, there is no hardier race now left on earth to conquer our
+descendants and bring them back to reason, as those old Jews were
+brought, by bitter shame and woe. And all that is before them and the
+whole civilised world, would be long centuries of anarchy such as the
+world has not seen for ages--a true Ragnarok, a twilight of the very
+gods, an age such as the wise woman foretold in the old Voluspa.
+
+ When brethren shall be
+ Each other's bane,
+ And sisters' sons rend
+ The ties of kin.
+ Hard will be that age,
+ An age of bad women,
+ An axe-age, a sword-age,
+ Shields oft cleft in twain,
+ A storm-age, a wolf-age,
+ Ere earth meet its doom.
+
+So sang, 2,000 years ago, perhaps, the great unnamed prophetess of our
+own race, of what might be, if we should fail mankind and our own calling
+and election.
+
+God grant that day may never come. But God grant, also, that if that day
+does come, then may come true also what that wise Vala sang, of the day
+when gods, and men, and earth should be burnt up with fire.
+
+ When slaked Surtur's flame is,
+ Still the man and the maiden,
+ Hight Valour and Life,
+ Shall keep themselves hid
+ In the wood of remembrance.
+ The dew of the dawning
+ For food it shall serve them;
+ From them spring new peoples.
+
+New peoples. For after all is said, the ideal form of human society is
+democracy.
+
+A nation--and, were it even possible, a whole world--of free men, lifting
+free foreheads to God and Nature; calling no man master--for one is their
+master, even God; knowing and obeying their duties towards the Maker of
+the Universe, and therefore to each other, and that not from fear, nor
+calculation of profit or loss, but because they loved and liked it, and
+had seen the beauty of righteousness and trust and peace; because the law
+of God was in their hearts, and needing at last, it may be, neither king
+nor priest, for each man and each woman, in their place, were kings and
+priests to God. Such a nation--such a society. What nobler conception
+of mortal existence can we form? Would not that be, indeed, the kingdom
+of God come on earth?
+
+And tell me not that that is impossible--too fair a dream to be ever
+realised. All that makes it impossible is the selfishness, passions,
+weaknesses, of those who would be blest were they masters of themselves,
+and therefore of circumstances; who are miserable because, not being
+masters of themselves, they try to master circumstance, to pull down iron
+walls with weak and clumsy hands, and forget that he who would be free
+from tyrants must first be free from his worst tyrant, self.
+
+But tell me not that the dream is impossible. It is so beautiful that it
+must be true. If not now, nor centuries hence, yet still hereafter. God
+would never, as I hold, have inspired man with that rich imagination had
+he not meant to translate, some day, that imagination into fact.
+
+The very greatness of the idea, beyond what a single mind or generation
+can grasp, will ensure failure on failure,--follies, fanaticisms,
+disappointments, even crimes, bloodshed, hasty furies, as of children
+baulked of their holiday.
+
+But it will be at last fulfilled, filled full, and perfected; not perhaps
+here, or among our peoples, or any people which now exist on earth: but
+in some future civilisation--it may be in far lands beyond the sea--when
+all that you and we have made and done shall be as the forest-grown
+mounds of the old nameless civilisers of the Mississippi valley.
+
+ * * * * *
+
+ LONDON: PRINTED BY
+ SPOTTISWOODE AND CO., NEW-STREET SQUARE
+ AND PARLIAMENT STREET
+
+
+
+
+Footnotes:
+
+
+{71} Black, translator of Mallett's _Northern Antiquities_,
+Supplementary Chapter I., and Rafn's _Antiquitates Americanae_.
+
+{91} On the Fiftieth Birthday of Agassiz.
+
+
+
+
+***END OF THE PROJECT GUTENBERG EBOOK LECTURES DELIVERED IN AMERICA IN
+1874***
+
+
+******* This file should be named 30944.txt or 30944.zip *******
+
+
+This and all associated files of various formats will be found in:
+http://www.gutenberg.org/dirs/3/0/9/4/30944
+
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://www.gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://www.gutenberg.org/about/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://www.gutenberg.org/fundraising/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit:
+http://www.gutenberg.org/fundraising/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
diff --git a/30944.zip b/30944.zip
new file mode 100644
index 0000000..d62ff5b
--- /dev/null
+++ b/30944.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..2cd3978
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #30944 (https://www.gutenberg.org/ebooks/30944)