diff options
Diffstat (limited to '309-h')
| -rw-r--r-- | 309-h/309-h.htm | 4702 |
1 files changed, 4702 insertions, 0 deletions
diff --git a/309-h/309-h.htm b/309-h/309-h.htm new file mode 100644 index 0000000..4435c62 --- /dev/null +++ b/309-h/309-h.htm @@ -0,0 +1,4702 @@ +<?xml version="1.0" encoding="us-ascii"?> + +<!DOCTYPE html + PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" > + +<html xmlns="http://www.w3.org/1999/xhtml" lang="en"> + <head> + <title> + Rhymes of a Rolling Stone, by Robert W. Service + </title> + <style type="text/css" xml:space="preserve"> + + body { margin:5%; background:#faebd0; text-align:justify} + P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; } + H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; } + hr { width: 50%; text-align: center;} + .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; } + blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;} + .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;} + .toc { margin-left: 10%; margin-bottom: .75em;} + .toc2 { margin-left: 20%;} + div.fig { display:block; margin:0 auto; text-align:center; } + div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; } + .figleft {float: left; margin-left: 0%; margin-right: 1%;} + .figright {float: right; margin-right: 0%; margin-left: 1%;} + .pagenum {display:inline; font-size: 70%; font-style:normal; + margin: 0; padding: 0; position: absolute; right: 1%; + text-align: right;} + pre { font-style: italic; font-size: 90%; margin-left: 10%;} + +</style> + </head> + <body> +<pre xml:space="preserve"> + +Project Gutenberg's Rhymes of a Rolling Stone, by Robert W. Service + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Rhymes of a Rolling Stone + +Author: Robert W. Service + +Release Date: July 10, 2008 [EBook #309] +Last Updated: January 15, 2013 + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK RHYMES OF A ROLLING STONE *** + + + + +Produced by A. Light, and David Widger + + + + + +</pre> + <p> + <br /><br /> + </p> + <h1> + RHYMES OF A ROLLING STONE + </h1> + <p> + <br /> + </p> + <h2> + by Robert W. Service + </h2> + <p> + <br /> + </p> + <h4> + [British-born Canadian Poet — 1874-1958.] <br /> <br /> Author of "The + Spell of the Yukon", "Ballads of a Cheechako", etc. <br /> <br /> <br /> 1912 + edition, 1917 printing + </h4> + <h5> + [Some very minor changes have been made in spelling and punctuation after + consulting another edition.] </h5 I have no doubt at all the Devil + grins, As seas of ink I spatter. Ye gods, forgive my "literary" sins + — The other kind don't matter. <br /> <br /> + </h5> + <hr /> + <p> + <br /> <br /> + </p> + <blockquote> + <p> + </p> + <p class="toc"> + <big><b>CONTENTS</b></big> + </p> + <p> + <br /> + </p> + <p class="toc"> + <a href="#link2H_4_0001"> <big><b>RHYMES OF A ROLLING STONE</b></big> + </a> + </p> + <p> + <br /> + </p> + <p class="toc"> + <a href="#link2H_4_0002"> A Rolling Stone </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0003"> The Soldier of Fortune </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0004"> The Gramaphone at Fond-Du-Lac </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0005"> The Land of Beyond </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0006"> Sunshine </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0007"> The Idealist </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0008"> Athabaska Dick </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0009"> Cheer </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0010"> The Return </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0011"> The Junior God </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0012"> The Nostomaniac </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0013"> Ambition </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0014"> To Sunnydale </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0015"> The Blind and the Dead </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0016"> The Atavist </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0017"> The Sceptic </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0018"> The Rover </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0019"> Barb-Wire Bill </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0020"> "?" </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0021"> Just Think! </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0022"> The Lunger </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0023"> The Mountain and the Lake </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0024"> The Headliner and the Breadliner </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0025"> Death in the Arctic </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0026"> Dreams Are Best </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0027"> The Quitter </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0028"> The Cow-Juice Cure </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0029"> While the Bannock Bakes </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0030"> The Lost Master </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0031"> Little Moccasins </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0032"> The Wanderlust </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0033"> The Trapper's Christmas Eve </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0034"> The World's All Right </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0035"> The Baldness of Chewed-Ear </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0036"> The Mother </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0037"> The Dreamer </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0038"> At Thirty-Five </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0039"> The Squaw Man </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0040"> Home and Love </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0041"> I'm Scared of it All </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0042"> A Song of Success </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0043"> The Song of the Camp-Fire </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0044"> Her Letter </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0045"> The Man Who Knew </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0046"> The Logger </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0047"> The Passing of the Year </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0048"> The Ghosts </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0049"> Good-Bye, Little Cabin </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0050"> Heart o' the North </a> + </p> + <p> + </p> + <p class="toc"> + <a href="#link2H_4_0051"> The Scribe's Prayer </a> + </p> + <p> + </p> + </blockquote> + <p> + <br /> <br /> + </p> + <hr /> + <p> + <br /> <br /> <a name="link2H_4_0001" id="link2H_4_0001"> + <!-- H2 anchor --> </a> + </p> + <h1> + RHYMES OF A ROLLING STONE + </h1> + <p> + </p> +<pre xml:space="preserve"> + + + Prelude + +</pre> + <p> + </p> +<pre xml:space="preserve"> + <i>I sing no idle songs of dalliance days, + No dreams Elysian inspire my rhyming; + I have no Celia to enchant my lays, + No pipes of Pan have set my heart to chiming. + I am no wordsmith dripping gems divine + Into the golden chalice of a sonnet; + If love songs witch you, close this book of mine, + Waste no time on it.</i> + + <i>Yet bring I to my work an eager joy, + A lusty love of life and all things human; + Still in me leaps the wonder of the boy, + A pride in man, a deathless faith in woman. + Still red blood calls, still rings the valiant fray; + Adventure beacons through the summer gloaming: + Oh long and long and long will be the day + Ere I come homing!</i> + + <i>This earth is ours to love: lute, brush and pen, + They are but tongues to tell of life sincerely; + The thaumaturgic Day, the might of men, + O God of Scribes, grant us to grave them clearly! + Grant heart that homes in heart, then all is well. + Honey is honey-sweet, howe'er the hiving. + Each to his work, his wage at evening bell + The strength of striving.</i> +</pre> + <p> + <a name="link2H_4_0002" id="link2H_4_0002"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + A Rolling Stone + </h2> + <p> + </p> +<pre xml:space="preserve"> + <i>There's sunshine in the heart of me, + My blood sings in the breeze; + The mountains are a part of me, + I'm fellow to the trees. + My golden youth I'm squandering, + Sun-libertine am I; + A-wandering, a-wandering, + Until the day I die.</i> + + I was once, I declare, a Stone-Age man, + And I roomed in the cool of a cave; + I have known, I will swear, in a new life-span, + The fret and the sweat of a slave: + For far over all that folks hold worth, + There lives and there leaps in me + A love of the lowly things of earth, + And a passion to be free. + + To pitch my tent with no prosy plan, + To range and to change at will; + To mock at the mastership of man, + To seek Adventure's thrill. + Carefree to be, as a bird that sings; + To go my own sweet way; + To reck not at all what may befall, + But to live and to love each day. + + To make my body a temple pure + Wherein I dwell serene; + To care for the things that shall endure, + The simple, sweet and clean. + To oust out envy and hate and rage, + To breathe with no alarm; + For Nature shall be my anchorage, + And none shall do me harm. + + To shun all lures that debauch the soul, + The orgied rites of the rich; + To eat my crust as a rover must + With the rough-neck down in the ditch. + To trudge by his side whate'er betide; + To share his fire at night; + To call him friend to the long trail-end, + And to read his heart aright. + + To scorn all strife, and to view all life + With the curious eyes of a child; + From the plangent sea to the prairie, + From the slum to the heart of the Wild. + From the red-rimmed star to the speck of sand, + From the vast to the greatly small; + For I know that the whole for good is planned, + And I want to see it all. + + To see it all, the wide world-way, + From the fig-leaf belt to the Pole; + With never a one to say me nay, + And none to cramp my soul. + In belly-pinch I will pay the price, + But God! let me be free; + For once I know in the long ago, + They made a slave of me. + + In a flannel shirt from earth's clean dirt, + Here, pal, is my calloused hand! + Oh, I love each day as a rover may, + Nor seek to understand. + To <i>ENJOY</i> is good enough for me; + The gipsy of God am I; + Then here's a hail to each flaring dawn! + And here's a cheer to the night that's gone! + And may I go a-roaming on + Until the day I die! + + <i>Then every star shall sing to me + Its song of liberty; + And every morn shall bring to me + Its mandate to be free. + In every throbbing vein of me + I'll feel the vast Earth-call; + O body, heart and brain of me + Praise Him who made it all!</i> +</pre> + <p> + <a name="link2H_4_0003" id="link2H_4_0003"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + The Soldier of Fortune + </h2> + <p> + </p> +<pre xml:space="preserve"> + "Deny your God!" they ringed me with their spears; + Blood-crazed were they, and reeking from the strife; + Hell-hot their hate, and venom-fanged their sneers, + And one man spat on me and nursed a knife. + And there was I, sore wounded and alone, + I, the last living of my slaughtered band. + Oh sinister the sky, and cold as stone! + In one red laugh of horror reeled the land. + And dazed and desperate I faced their spears, + And like a flame out-leaped that naked knife, + And like a serpent stung their bitter jeers: + "Deny your God, and we will give you life." + + Deny my God! Oh life was very sweet! + And it is hard in youth and hope to die; + And there my comrades dear lay at my feet, + And in that blear of blood soon must I lie. + And yet . . . I almost laughed — it seemed so odd, + For long and long had I not vainly tried + To reason out and body forth my God, + And prayed for light, and doubted — and <i>DENIED</i>: + Denied the Being I could not conceive, + Denied a life-to-be beyond the grave. . . . + And now they ask me, who do not believe, + Just to deny, to voice my doubt, to save + This life of mine that sings so in the sun, + The bloom of youth yet red upon my cheek, + My only life! — O fools! 'tis easy done, + I will deny . . . and yet I do not speak. + + "Deny your God!" their spears are all agleam, + And I can see their eyes with blood-lust shine; + Their snarling voices shrill into a scream, + And, mad to slay, they quiver for the sign. + Deny my God! yes, I could do it well; + Yet if I did, what of my race, my name? + How they would spit on me, these dogs of hell! + Spurn me, and put on me the brand of shame. + A white man's honour! what of that, I say? + Shall these black curs cry "Coward" in my face? + They who would perish for their gods of clay — + Shall I defile my country and my race? + My country! what's my country to me now? + Soldier of Fortune, free and far I roam; + All men are brothers in my heart, I vow; + The wide and wondrous world is all my home. + My country! reverent of her splendid Dead, + Her heroes proud, her martyrs pierced with pain: + For me her puissant blood was vainly shed; + For me her drums of battle beat in vain, + And free I fare, half-heedless of her fate: + No faith, no flag I owe — then why not seek + This last loop-hole of life? Why hesitate? + I will deny . . . and yet I do not speak. + + "Deny your God!" their spears are poised on high, + And tense and terrible they wait the word; + And dark and darker glooms the dreary sky, + And in that hush of horror no thing stirred. + Then, through the ringing terror and sheer hate + Leaped there a vision to me — Oh, how far! + A face, Her face . . . through all my stormy fate + A joy, a strength, a glory and a star. + Beneath the pines, where lonely camp-fires gleam, + In seas forlorn, amid the deserts drear, + How I had gladdened to that face of dream! + And never, never had it seemed so dear. + O silken hair that veils the sunny brow! + O eyes of grey, so tender and so true! + O lips of smiling sweetness! must I now + For ever and for ever go from you? + Ah, yes, I must . . . for if I do this thing, + How can I look into your face again? + Knowing you think me more than half a king, + I with my craven heart, my honour slain. + + No! no! my mind's made up. I gaze above, + Into that sky insensate as a stone; + Not for my creed, my country, but my Love + Will I stand up and meet my death alone. + Then though it be to utter dark I sink, + The God that dwells in me is not denied; + "Best" triumphs over "Beast", — and so I think + Humanity itself is glorified. . . . + + "And now, my butchers, I embrace my fate. + Come! let my heart's blood slake the thirsty sod. + Curst be the life you offer! Glut your hate! + Strike! Strike, you dogs! I'll <i>NOT</i> deny my God." + + I saw the spears that seemed a-leap to slay, + All quiver earthward at the headman's nod; + And in a daze of dream I heard him say: + "Go, set him free who serves so well his God!" +</pre> + <p> + <a name="link2H_4_0004" id="link2H_4_0004"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + The Gramaphone at Fond-Du-Lac + </h2> + <p> + </p> +<pre xml:space="preserve"> + Now Eddie Malone got a swell grammyfone to draw all the trade to his store; + An' sez he: "Come along for a season of song, + which the like ye had niver before." + Then Dogrib, an' Slave, an' Yellow-knife brave, an' Cree in his dinky canoe, + Confluated near, to see an' to hear Ed's grammyfone make its dayboo. + + Then Ed turned the crank, an' there on the bank + they squatted like bumps on a log. + For acres around there wasn't a sound, not even the howl of a dog. + When out of the horn there sudden was born such a marvellous elegant tone; + An' then like a spell on that auddyence fell + the voice of its first grammyfone. + + "<i>BAD MEDICINE!</i>" cried Old Tom, the One-eyed, + an' made for to jump in the lake; + But no one gave heed to his little stampede, + so he guessed he had made a mistake. + Then Roll-in-the-Mud, a chief of the blood, observed in choice Chippewayan: + "You've brought us canned beef, an' it's now my belief + that this here's a case of '<i>CANNED MAN'</i>." + + Well, though I'm not strong on the Dago in song, + that sure got me goin' for fair. + There was Crusoe an' Scotty, an' Ma'am Shoeman Hank, + an' Melber an' Bonchy was there. + 'Twas silver an' gold, an' sweetness untold + to hear all them big guinneys sing; + An' thick all around an' inhalin' the sound, them Indians formed in a ring. + + So solemn they sat, an' they smoked an' they spat, + but their eyes sort o' glistened an' shone; + Yet niver a word of approvin' occurred till that guy Harry Lauder came on. + Then hunter of moose, an' squaw an' papoose + jest laughed till their stummicks was sore; + Six times Eddie set back that record an' yet + they hollered an' hollered for more. + + I'll never forget that frame-up, you bet; them caverns of sunset agleam; + Them still peaks aglow, them shadders below, + an' the lake like a petrified dream; + The teepees that stood by the edge of the wood; + the evenin' star blinkin' alone; + The peace an' the rest, an' final an' best, the music of Ed's grammyfone. + + Then sudden an' clear there rang on my ear a song mighty simple an' old; + Heart-hungry an' high it thrilled to the sky, + all about "silver threads in the gold". + 'Twas tender to tears, an' it brung back the years, + the mem'ries that hallow an' yearn; + 'Twas home-love an' joy, 'twas the thought of my boy . . . + an' right there I vowed I'd return. + + Big Four-finger Jack was right at my back, an' I saw with a kind o' surprise, + He gazed at the lake with a heartful of ache, + an' the tears irrigated his eyes. + An' sez he: "Cuss me, pard! but that there hits me hard; + I've a mother does nuthin' but wait. + She's turned eighty-three, an' she's only got me, + an' I'm scared it'll soon be too late." + +</pre> + <p> + </p> + <hr /> + <p> + </p> +<pre xml:space="preserve"> + On Fond-du-lac's shore I'm hearin' once more + that blessed old grammyfone play. + The summer's all gone, an' I'm still livin' on + in the same old haphazardous way. + Oh, I cut out the booze, an' with muscles an' thews + I corralled all the coin to go back; + But it wasn't to be: he'd a mother, you see, + so I — <i>SLIPPED IT TO FOUR-FINGER JACK.</i> +</pre> + <p> + <a name="link2H_4_0005" id="link2H_4_0005"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + The Land of Beyond + </h2> + <p> + </p> +<pre xml:space="preserve"> + Have ever you heard of the Land of Beyond, + That dreams at the gates of the day? + Alluring it lies at the skirts of the skies, + And ever so far away; + Alluring it calls: O ye the yoke galls, + And ye of the trail overfond, + With saddle and pack, by paddle and track, + Let's go to the Land of Beyond! + + Have ever you stood where the silences brood, + And vast the horizons begin, + At the dawn of the day to behold far away + The goal you would strive for and win? + Yet ah! in the night when you gain to the height, + With the vast pool of heaven star-spawned, + Afar and agleam, like a valley of dream, + Still mocks you a Land of Beyond. + + Thank God! there is always a Land of Beyond + For us who are true to the trail; + A vision to seek, a beckoning peak, + A farness that never will fail; + A pride in our soul that mocks at a goal, + A manhood that irks at a bond, + And try how we will, unattainable still, + Behold it, our Land of Beyond! +</pre> + <p> + <a name="link2H_4_0006" id="link2H_4_0006"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + Sunshine + </h2> + <p> + </p> +<pre xml:space="preserve"> + I + + Flat as a drum-head stretch the haggard snows; + The mighty skies are palisades of light; + The stars are blurred; the silence grows and grows; + Vaster and vaster vaults the icy night. + Here in my sleeping-bag I cower and pray: + "Silence and night, have pity! stoop and slay." + + I have not slept for many, many days. + I close my eyes with weariness — that's all. + I still have strength to feed the drift-wood blaze, + That flickers weirdly on the icy wall. + I still have strength to pray: "God rest her soul, + Here in the awful shadow of the Pole." + + There in the cabin's alcove low she lies, + Still candles gleaming at her head and feet; + All snow-drop white, ash-cold, with closed eyes, + Lips smiling, hands at rest — O God, how sweet! + How all unutterably sweet she seems. . . . + Not dead, not dead indeed — she dreams, she dreams. +</pre> + <p> + </p> +<pre xml:space="preserve"> + II + + "Sunshine", I called her, and she brought, I vow, + God's blessed sunshine to this life of mine. + I was a rover, of the breed who plough + Life's furrow in a far-flung, lonely line; + The wilderness my home, my fortune cast + In a wild land of dearth, barbaric, vast. + + When did I see her first? Long had I lain + Groping my way to life through fevered gloom. + Sudden the cloud of darkness left my brain; + A velvet bar of sunshine pierced the room, + And in that mellow glory aureoled + She stood, she stood, all golden in its gold. + + Sunshine! O miracle! the earth grew glad; + Radiant each blade of grass, each living thing. + What a huge strength, high hope, proud will I had! + All the wide world with rapture seemed to ring. + Would she but wed me? <i>YES</i>: then fared we forth + Into the vast, unvintageable North. +</pre> + <p> + </p> +<pre xml:space="preserve"> + III + + <i>In Muskrat Land the conies leap, + The wavies linger in their flight; + The jewelled, snakelike rivers creep; + The sun, sad rogue, is out all night; + The great wood bison paws the sand, + In Muskrat Land, in Muskrat Land.</i> + + <i>In Muskrat Land dim streams divide + The tundras belted by the sky. + How sweet in slim canoe to glide, + And dream, and let the world go by! + Build gay camp-fires on greening strand! + In Muskrat Land, in Muskrat Land.</i> +</pre> + <p> + </p> +<pre xml:space="preserve"> + IV + + And so we dreamed and drifted, she and I; + And how she loved that free, unfathomed life! + There in the peach-bloom of the midnight sky, + The silence welded us, true man and wife. + Then North and North invincibly we pressed + Beyond the Circle, to the world's white crest. + + And on the wind-flailed Arctic waste we stayed, + Dwelt with the Huskies by the Polar sea. + Fur had they, white fox, marten, mink to trade, + And we had food-stuff, bacon, flour and tea. + So we made snug, chummed up with all the band: + Sudden the Winter swooped on Husky Land. +</pre> + <p> + </p> +<pre xml:space="preserve"> + V + + What was that ill so sinister and dread, + Smiting the tribe with sickness to the bone? + So that we waked one morn to find them fled; + So that we stood and stared, alone, alone. + Bravely she smiled and looked into my eyes; + Laughed at their troubled, stern, foreboding pain; + Gaily she mocked the menace of the skies, + Turned to our cheery cabin once again, + Saying: "'Twill soon be over, dearest one, + The long, long night: then O the sun, the sun!" +</pre> + <p> + </p> +<pre xml:space="preserve"> + VI + + <i>God made a heart of gold, of gold, + Shining and sweet and true; + Gave it a home of fairest mould, + Blest it, and called it — You.</i> + + <i>God gave the rose its grace of glow, + And the lark its radiant glee; + But, better than all, I know, I know + God gave you, Heart, to me.</i> +</pre> + <p> + </p> +<pre xml:space="preserve"> + VII + + She was all sunshine in those dubious days; + Our cabin beaconed with defiant light; + We chattered by the friendly drift-wood blaze; + Closer and closer cowered the hag-like night. + A wolf-howl would have been a welcome sound, + And there was none in all that stricken land; + Yet with such silence, darkness, death around, + Learned we to love as few can understand. + Spirit with spirit fused, and soul with soul, + There in the sullen shadow of the Pole. +</pre> + <p> + </p> +<pre xml:space="preserve"> + VIII + + What was that haunting horror of the night? + Brave was she; buoyant, full of sunny cheer. + Why was her face so small, so strangely white? + Then did I turn from her, heart-sick with fear; + Sought in my agony the outcast snows; + Prayed in my pain to that insensate sky; + Grovelled and sobbed and cursed, and then arose: + "Sunshine! O heart of gold! to die! to die!" +</pre> + <p> + </p> +<pre xml:space="preserve"> + IX + + She died on Christmas day — it seems so sad + That one you love should die on Christmas day. + Head-bowed I knelt by her; O God! I had + No tears to shed, no moan, no prayer to pray. + I heard her whisper: "Call me, will you, dear? + They say Death parts, but I won't go away. + I will be with you in the cabin here; + Oh I will plead with God to let me stay! + Stay till the Night is gone, till Spring is nigh, + Till sunshine comes . . . be brave . . . I'm tired . . . good-bye. . . ." +</pre> + <p> + </p> +<pre xml:space="preserve"> + X + + For weeks, for months I have not seen the sun; + The minatory dawns are leprous pale; + The felon days malinger one by one; + How like a dream Life is! how vain! how stale! + I, too, am faint; that vampire-like disease + Has fallen on me; weak and cold am I, + Hugging a tiny fire in fear I freeze: + The cabin must be cold, and so I try + To bear the frost, the frost that fights decay, + The frost that keeps her beautiful alway. +</pre> + <p> + </p> +<pre xml:space="preserve"> + XI + + <i>She lies within an icy vault; + It glitters like a cave of salt. + All marble-pure and angel-sweet + With candles at her head and feet, + Under an ermine robe she lies. + I kiss her hands, I kiss her eyes: + "Come back, come back, O Love, I pray, + Into this house, this house of clay! + Answer my kisses soft and warm; + Nestle again within my arm. + Come! for I know that you are near; + Open your eyes and look, my dear. + Just for a moment break the mesh; + Back from the spirit leap to flesh. + Weary I wait; the night is black; + Love of my life, come back, come back!"</i> +</pre> + <p> + </p> +<pre xml:space="preserve"> + XII + + Last night maybe I was a little mad, + For as I prayed despairful by her side, + Such a strange, antic visioning I had: + Lo! it did seem <i>HER EYES WERE OPEN WIDE</i>. + Surely I must have dreamed! I stared once more. . . . + No, 'twas a candle's trick, a shadow cast. + There were her lashes locking as before. + (Oh, but it filled me with a joy so vast!) + No, 'twas a freak, a fancy of the brain, + (Oh, but to-night I'll try again, again!) +</pre> + <p> + </p> +<pre xml:space="preserve"> + XIII + + It was no dream; now do I know that Love + Leapt from the starry battlements of Death; + For in my vigil as I bent above, + Calling her name with eager, burning breath, + Sudden there came a change: again I saw + The radiance of the rose-leaf stain her cheek; + Rivers of rapture thrilled in sunny thaw; + Cleft were her coral lips as if to speak; + Curved were her tender arms as if to cling; + Open the flower-like eyes of lucent blue, + Looking at me with love so pitying + That I could fancy Heaven shining through. + "Sunshine," I faltered, "stay with me, oh, stay!" + Yet ere I finished, in a moment's flight, + There in her angel purity she lay — + Ah! but I know she'll come again to-night. + <i>EVEN AS RADIANT SWORD LEAPS FROM THE SHEATH, + SOUL FROM THE BODY LEAPS — WE CALL IT DEATH</i>. +</pre> + <p> + </p> +<pre xml:space="preserve"> + XIV + + Even as this line I write, + Do I know that she is near; + Happy am I, every night + Comes she back to bid me cheer; + Kissing her, I hold her fast; + Win her into life at last. + + Did I dream that yesterday + On yon mountain ridge a glow + Soft as moonstone paled away, + Leaving less forlorn the snow? + Could it be the sun? Oh, fain + Would I see the sun again! + + Oh, to see a coral dawn + Gladden to a crocus glow! + Day's a spectre dim and wan, + Dancing on the furtive snow; + Night's a cloud upon my brain: + Oh, to see the sun again! + + You who find us in this place, + Have you pity in your breast; + Let us in our last embrace, + Under earth sun-hallowed rest. + Night's a claw upon my brain: + Oh, to see the sun again! +</pre> + <p> + </p> +<pre xml:space="preserve"> + XV + + The Sun! at last the Sun! I write these lines, + Here on my knees, with feeble, fumbling hand. + Look! in yon mountain cleft a radiance shines, + Gleam of a primrose — see it thrill, expand, + Grow glorious. Dear God be praised! it streams + Into the cabin in a gush of gold. + Look! there she stands, the angel of my dreams, + All in the radiant shimmer aureoled; + First as I saw her from my bed of pain; + First as I loved her when the darkness passed. + Now do I know that Life is not in vain; + Now do I know God cares, at last, at last! + Light outlives dark, joy grief, and Love's the sum: + Heart of my heart! Sunshine! I come . . . I come. . . . +</pre> + <p> + <a name="link2H_4_0007" id="link2H_4_0007"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + The Idealist + </h2> + <p> + </p> +<pre xml:space="preserve"> + Oh you who have daring deeds to tell! + And you who have felt Ambition's spell! + Have you heard of the louse who longed to dwell + In the golden hair of a queen? + He sighed all day and he sighed all night, + And no one could understand it quite, + For the head of a slut is a louse's delight, + But he pined for the head of a queen. + + So he left his kinsfolk in merry play, + And off by his lonesome he stole away, + From the home of his youth so bright and gay, + And gloriously unclean. + And at last he came to the palace gate, + And he made his way in a manner straight + (For a louse may go where a man must wait) + To the tiring-room of the queen. + + The queen she spake to her tiring-maid: + "There's something the matter, I'm afraid. + To-night ere for sleep my hair ye braid, + Just see what may be seen." + And lo, when they combed that shining hair + They found him alone in his glory there, + And he cried: "I die, but I do not care, + For I've lived in the head of a queen!" +</pre> + <p> + <a name="link2H_4_0008" id="link2H_4_0008"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + Athabaska Dick + </h2> + <p> + </p> +<pre xml:space="preserve"> + When the boys come out from Lac Labiche in the lure of the early Spring, + To take the pay of the "Hudson's Bay", as their fathers did before, + They are all a-glee for the jamboree, and they make the Landing ring + With a whoop and a whirl, and a "Grab your girl", + and a rip and a skip and a roar. + For the spree of Spring is a sacred thing, and the boys must have their fun; + Packer and tracker and half-breed Cree, from the boat to the bar they leap; + And then when the long flotilla goes, and the last of their pay is done, + The boys from the banks of Lac Labiche swing to the heavy sweep. + And oh, how they sigh! and their throats are dry, + and sorry are they and sick: + Yet there's none so cursed with a lime-kiln thirst as that Athabaska Dick. + + He was long and slim and lean of limb, but strong as a stripling bear; + And by the right of his skill and might he guided the Long Brigade. + All water-wise were his laughing eyes, and he steered with a careless care, + And he shunned the shock of foam and rock, till they came to the Big Cascade. + And here they must make the long portage, and the boys sweat in the sun; + And they heft and pack, and they haul and track, and each must do his trick; + But their thoughts are far in the Landing bar, + where the founts of nectar run: + And no man thinks of such gorgeous drinks as that Athabaska Dick. + + 'Twas the close of day and his long boat lay just over the Big Cascade, + When there came to him one Jack-pot Jim, with a wild light in his eye; + And he softly laughed, and he led Dick aft, all eager, yet half afraid, + And snugly stowed in his coat he showed a pilfered flask of "rye". + And in haste he slipped, or in fear he tripped, + but — Dick in warning roared — + And there rang a yell, and it befell that Jim was overboard. + + Oh, I heard a splash, and quick as a flash I knew he could not swim. + I saw him whirl in the river swirl, and thresh his arms about. + In a queer, strained way I heard Dick say: "I'm going after him," + Throw off his coat, leap down the boat — and then I gave a shout: + "Boys, grab him, quick! You're crazy, Dick! Far better one than two! + Hell, man! You know you've got no show! It's sure and certain death. . . ." + And there we hung, and there we clung, with beef and brawn and thew, + And sinews cracked and joints were racked, and panting came our breath; + And there we swayed and there we prayed, till strength and hope were spent — + Then Dick, he threw us off like rats, and after Jim he went. + + With mighty urge amid the surge of river-rage he leapt, + And gripped his mate and desperate he fought to gain the shore; + With teeth a-gleam he bucked the stream, yet swift and sure he swept + To meet the mighty cataract that waited all a-roar. + And there we stood like carven wood, our faces sickly white, + And watched him as he beat the foam, and inch by inch he lost; + And nearer, nearer drew the fall, and fiercer grew the fight, + Till on the very cascade crest a last farewell he tossed. + Then down and down and down they plunged into that pit of dread; + And mad we tore along the shore to claim our bitter dead. + + And from that hell of frenzied foam, that crashed and fumed and boiled, + Two little bodies bubbled up, and they were heedless then; + And oh, they lay like senseless clay! and bitter hard we toiled, + Yet never, never gleam of hope, and we were weary men. + And moments mounted into hours, and black was our despair; + And faint were we, and we were fain to give them up as dead, + When suddenly I thrilled with hope: "Back, boys! and give him air; + I feel the flutter of his heart. . . ." And, as the word I said, + Dick gave a sigh, and gazed around, and saw our breathless band; + And saw the sky's blue floor above, all strewn with golden fleece; + And saw his comrade Jack-pot Jim, and touched him with his hand: + And then there came into his eyes a look of perfect peace. + And as there, at his very feet, the thwarted river raved, + I heard him murmur low and deep: + "Thank God! the <i>WHISKEY's</i> saved." +</pre> + <p> + <a name="link2H_4_0009" id="link2H_4_0009"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + Cheer + </h2> + <p> + </p> +<pre xml:space="preserve"> + It's a mighty good world, so it is, dear lass, + When even the worst is said. + There's a smile and a tear, a sigh and a cheer, + But better be living than dead; + A joy and a pain, a loss and a gain; + There's honey and may be some gall: + Yet still I declare, foul weather or fair, + It's a mighty good world after all. + + For look, lass! at night when I break from the fight, + My Kingdom's awaiting for me; + There's comfort and rest, and the warmth of your breast, + And little ones climbing my knee. + There's fire-light and song — Oh, the world may be wrong! + Its empires may topple and fall: + My home is my care — if gladness be there, + It's a mighty good world after all. + + O heart of pure gold! I have made you a fold, + It's sheltered, sun-fondled and warm. + O little ones, rest! I have fashioned a nest; + Sleep on! you are safe from the storm. + For there's no foe like fear, and there's no friend like cheer, + And sunshine will flash at our call; + So crown Love as King, and let us all sing — + "It's a mighty good world after all." +</pre> + <p> + <a name="link2H_4_0010" id="link2H_4_0010"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + The Return + </h2> + <p> + </p> +<pre xml:space="preserve"> + They turned him loose; he bowed his head, + A felon, bent and grey. + His face was even as the Dead, + He had no word to say. + + He sought the home of his old love, + To look on her once more; + And where her roses breathed above, + He cowered beside the door. + + She sat there in the shining room; + Her hair was silver grey. + He stared and stared from out the gloom; + He turned to go away. + + Her roses rustled overhead. + She saw, with sudden start. + "I knew that you would come," she said, + And held him to her heart. + + Her face was rapt and angel-sweet; + She touched his hair of grey; + . . . . . + <i>BUT HE, SOB-SHAKEN, AT HER FEET, + COULD ONLY PRAY AND PRAY</i>. +</pre> + <p> + <a name="link2H_4_0011" id="link2H_4_0011"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + The Junior God + </h2> + <p> + </p> +<pre xml:space="preserve"> + The Junior God looked from his place + In the conning towers of heaven, + And he saw the world through the span of space + Like a giant golf-ball driven. + And because he was bored, as some gods are, + With high celestial mirth, + He clutched the reins of a shooting star, + And he steered it down to earth. + + The Junior God, 'mid leaf and bud, + Passed on with a weary air, + Till lo! he came to a pool of mud, + And some hogs were rolling there. + Then in he plunged with gleeful cries, + And down he lay supine; + For they had no mud in paradise, + And they likewise had no swine. + + The Junior God forgot himself; + He squelched mud through his toes; + With the careless joy of a wanton boy + His reckless laughter rose. + Till, tired at last, in a brook close by, + He washed off every stain; + Then softly up to the radiant sky + He rose, a god again. + + The Junior God now heads the roll + In the list of heaven's peers; + He sits in the House of High Control, + And he regulates the spheres. + Yet does he wonder, do you suppose, + If, even in gods divine, + The best and wisest may not be those + Who have wallowed awhile with the swine? +</pre> + <p> + <a name="link2H_4_0012" id="link2H_4_0012"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + The Nostomaniac + </h2> + <p> + </p> +<pre xml:space="preserve"> + <i>On the ragged edge of the world I'll roam, + And the home of the wolf shall be my home, + And a bunch of bones on the boundless snows + The end of my trail . . . who knows, who knows!</i> + + I'm dreaming to-night in the fire-glow, alone in my study tower, + My books battalioned around me, my Kipling flat on my knee; + But I'm not in the mood for reading, I haven't moved for an hour; + Body and brain I'm weary, weary the heart of me; + Weary of crushing a longing it's little I understand, + For I thought that my trail was ended, I thought I had earned my rest; + But oh, it's stronger than life is, the call of the hearthless land! + And I turn to the North in my trouble, as a child to the mother-breast. + + Here in my den it's quiet; the sea-wind taps on the pane; + There's comfort and ease and plenty, the smile of the South is sweet. + All that a man might long for, fight for and seek in vain, + Pictures and books and music, pleasure my last retreat. + Peace! I thought I had gained it, I swore that my tale was told; + By my hair that is grey I swore it, by my eyes that are slow to see; + Yet what does it all avail me? to-night, to-night as of old, + Out of the dark I hear it — the Northland calling to me. + + And I'm daring a rampageous river that runs the devil knows where; + My hand is athrill on the paddle, the birch-bark bounds like a bird. + Hark to the rumble of rapids! Here in my morris chair + Eager and tense I'm straining — isn't it most absurd? + Now in the churn and the lather, foam that hisses and stings, + Leap I, keyed for the struggle, fury and fume and roar; + Rocks are spitting like hell-cats — Oh, it's a sport for kings, + Life on a twist of the paddle . . . there's my "Kim" on the floor. + + How I thrill and I vision! Then my camp of a night; + Red and gold of the fire-glow, net afloat in the stream; + Scent of the pines and silence, little "pal" pipe alight, + Body a-purr with pleasure, sleep untroubled of dream: + Banquet of paystreak bacon! moment of joy divine, + When the bannock is hot and gluey, and the teapot's nearing the boil! + Never was wolf so hungry, stomach cleaving to spine. . . . + Ha! there's my servant calling, says that dinner will spoil. + + What do I want with dinner? Can I eat any more? + Can I sleep as I used to? . . . Oh, I abhor this life! + Give me the Great Uncertain, the Barren Land for a floor, + The Milky Way for a roof-beam, splendour and space and strife: + Something to fight and die for — the limpid Lake of the Bear, + The Empire of Empty Bellies, the dunes where the Dogribs dwell; + Big things, real things, live things . . . here on my morris chair + How I ache for the Northland! "Dinner and servants" — Hell!! + + Am I too old, I wonder? Can I take one trip more? + Go to the granite-ribbed valleys, flooded with sunset wine, + Peaks that pierce the aurora, rivers I must explore, + Lakes of a thousand islands, millioning hordes of the Pine? + Do they not miss me, I wonder, valley and peak and plain? + Whispering each to the other: "Many a moon has passed . . . + Where has he gone, our lover? Will he come back again? + Star with his fires our tundra, leave us his bones at last?" + + Yes, I'll go back to the Northland, back to the way of the bear, + Back to the muskeg and mountain, back to the ice-leaguered sea. + Old am I! what does it matter? Nothing I would not dare; + Give me a trail to conquer — Oh, it is "meat" to me! + I will go back to the Northland, feeble and blind and lame; + Sup with the sunny-eyed Husky, eat moose-nose with the Cree; + Play with the Yellow-knife bastards, boasting my blood and my name: + I will go back to the Northland, for the Northland is calling to me. + + Then give to me paddle and whiplash, and give to me tumpline and gun; + Give to me salt and tobacco, flour and a gunny of tea; + Take me up over the Circle, under the flamboyant sun; + Turn me foot-loose like a savage — that is the finish of me. + I know the trail I am seeking, it's up by the Lake of the Bear; + It's down by the Arctic Barrens, it's over to Hudson's Bay; + Maybe I'll get there, — maybe: death is set by a hair. . . . + Hark! it's the Northland calling! now must I go away. . . . + + <i>Go to the Wild that waits for me; + Go where the moose and the musk-ox be; + Go to the wolf and the secret snows; + Go to my fate . . . who knows, who knows!</i> +</pre> + <p> + <a name="link2H_4_0013" id="link2H_4_0013"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + Ambition + </h2> + <p> + </p> +<pre xml:space="preserve"> + They brought the mighty chief to town; + They showed him strange, unwonted sights; + Yet as he wandered up and down, + He seemed to scorn their vain delights. + His face was grim, his eye lacked fire, + As one who mourns a glory dead; + And when they sought his heart's desire: + "Me like'um tooth same gold," he said. + + A dental place they quickly found. + He neither moaned nor moved his head. + They pulled his teeth so white and sound; + They put in teeth of gold instead. + Oh, never saw I man so gay! + His very being seemed to swell: + "Ha! ha!" he cried, "Now Injun say + Me heap big chief, <i>ME LOOK LIKE HELL</i>." +</pre> + <p> + <a name="link2H_4_0014" id="link2H_4_0014"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + To Sunnydale + </h2> + <p> + </p> +<pre xml:space="preserve"> + There lies the trail to Sunnydale, + Amid the lure of laughter. + Oh, how can we unhappy be + Beneath its leafy rafter! + Each perfect hour is like a flower, + Each day is like a posy. + How can you say the skies are grey? + You're wrong, my friend, they're rosy. + + With right good will let's climb the hill, + And leave behind all sorrow. + Oh, we'll be gay! a bright to-day + Will make a bright to-morrow. + Oh, we'll be strong! the way is long + That never has a turning; + The hill is high, but there's the sky, + And how the West is burning! + + And if through chance of circumstance + We have to go bare-foot, sir, + We'll not repine — a friend of mine + Has got no feet to boot, sir. + This Happiness a habit is, + And Life is what we make it: + See! there's the trail to Sunnydale! + Up, friend! and let us take it. +</pre> + <p> + <a name="link2H_4_0015" id="link2H_4_0015"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + The Blind and the Dead + </h2> + <p> + </p> +<pre xml:space="preserve"> + She lay like a saint on her copper couch; + Like an angel asleep she lay, + In the stare of the ghoulish folks that slouch + Past the Dead and sneak away. + + Then came old Jules of the sightless gaze, + Who begged in the streets for bread. + Each day he had come for a year of days, + And groped his way to the Dead. + + "What's the Devil's Harvest to-day?" he cried; + "A wanton with eyes of blue! + I've known too many a such," he sighed; + "Maybe I know this . . . mon Dieu!" + + He raised the head of the heedless Dead; + He fingered the frozen face. . . . + Then a deathly spell on the watchers fell — + God! it was still, that place! + + He raised the head of the careless Dead; + He fumbled a vagrant curl; + And then with his sightless smile he said: + "It's only my little girl." + + "Dear, my dear, did they hurt you so! + Come to your daddy's heart. . . ." + Aye, and he held so tight, you know, + They were hard to force apart. + + No! Paris isn't always gay; + And the morgue has its stories too: + You are a writer of tales, you say — + Then there is a tale for you. +</pre> + <p> + <a name="link2H_4_0016" id="link2H_4_0016"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + The Atavist + </h2> + <p> + </p> +<pre xml:space="preserve"> + What are you doing here, Tom Thorne, on the white top-knot o' the world, + Where the wind has the cut of a naked knife and the stars are rapier keen? + Hugging a smudgy willow fire, deep in a lynx robe curled, + You that's a lord's own son, Tom Thorne — what does your madness mean? + + Go home, go home to your clubs, Tom Thorne! home to your evening dress! + Home to your place of power and pride, and the feast that waits for you! + Why do you linger all alone in the splendid emptiness, + Scouring the Land of the Little Sticks on the trail of the caribou? + + Why did you fall off the Earth, Tom Thorne, out of our social ken? + What did your deep damnation prove? What was your dark despair? + Oh with the width of a world between, and years to the count of ten, + If they cut out your heart to-night, Tom Thorne, + <i>HER</i> name would be graven there! + + And you fled afar for the thing called Peace, + and you thought you would find it here, + In the purple tundras vastly spread, and the mountains whitely piled; + It's a weary quest and a dreary quest, but I think that the end is near; + For they say that the Lord has hidden it in the secret heart of the Wild. + + And you know that heart as few men know, and your eyes are fey and deep, + With a "something lost" come welling back from the raw, red dawn of life: + With woe and pain have you greatly lain, till out of abysmal sleep + The soul of the Stone Age leaps in you, alert for the ancient strife. + + And if you came to our feast again, with its pomp and glee and glow, + I think you would sit stone-still, Tom Thorne, and see in a daze of dream, + A mad sun goading to frenzied flame the glittering gems of the snow, + And a monster musk-ox bulking black against the blood-red gleam. + + I think you would see berg-battling shores, and stammer and halt and stare, + With a sudden sense of the frozen void, serene and vast and still; + And the aching gleam and the hush of dream, + and the track of a great white bear, + And the primal lust that surged in you as you sprang to make your kill. + + I think you would hear the bull-moose call, and the glutted river roar; + And spy the hosts of the caribou shadow the shining plain; + And feel the pulse of the Silences, and stand elate once more + On the verge of the yawning vastitudes that call to you in vain. + + For I think you are one with the stars and the sun, + and the wind and the wave and the dew; + And the peaks untrod that yearn to God, and the valleys undefiled; + Men soar with wings, and they bridle kings, but what is it all to you, + Wise in the ways of the wilderness, and strong with the strength of the Wild? + + You have spent your life, you have waged your strife + where never we play a part; + You have held the throne of the Great Unknown, you have ruled a kingdom vast: + . . . . . + <i>BUT TO-NIGHT THERE'S A STRANGE, NEW TRAIL FOR YOU, AND YOU GO, O WEARY HEART! + TO THE PEACE AND REST OF THE GREAT UNGUESSED . . . + AT LAST, TOM THORNE, AT LAST.</i> +</pre> + <p> + <a name="link2H_4_0017" id="link2H_4_0017"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + The Sceptic + </h2> + <p> + </p> +<pre xml:space="preserve"> + My Father Christmas passed away + When I was barely seven. + At twenty-one, alack-a-day, + I lost my hope of heaven. + + Yet not in either lies the curse: + The hell of it's because + I don't know which loss hurt the worse — + My God or Santa Claus. +</pre> + <p> + <a name="link2H_4_0018" id="link2H_4_0018"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + The Rover + </h2> + <p> + </p> +<pre xml:space="preserve"> + I + + Oh, how good it is to be + Foot-loose and heart-free! + Just my dog and pipe and I, underneath the vast sky; + Trail to try and goal to win, white road and cool inn; + Fields to lure a lad afar, clear spring and still star; + Lilting feet that never tire, green dingle, fagot fire; + None to hurry, none to hold, heather hill and hushed fold; + Nature like a picture book, laughing leaf and bright brook; + Every day a jewel bright, set serenely in the night; + Every night a holy shrine, radiant for a day divine. + + Weathered cheek and kindly eye, let the wanderer go by. + Woman-love and wistful heart, let the gipsy one depart. + For the farness and the road are his glory and his goad. + Oh, the lilt of youth and Spring! Eyes laugh and lips sing. + Yea, but it is good to be + Foot-loose and heart-free! +</pre> + <p> + </p> +<pre xml:space="preserve"> + II + + Yet how good it is to come + Home at last, home, home! + On the clover swings the bee, overhead's the hale tree; + Sky of turquoise gleams through, yonder glints the lake's blue. + In a hammock let's swing, weary of wandering; + Tired of wild, uncertain lands, strange faces, faint hands. + + Has the wondrous world gone cold? Am I growing old, old? + Grey and weary . . . let me dream, glide on the tranquil stream. + Oh, what joyous days I've had, full, fervid, gay, glad! + Yet there comes a subtile change, let the stripling rove, range. + From sweet roving comes sweet rest, after all, home's best. + And if there's a little bit of woman-love with it, + I will count my life content, God-blest and well spent. . . . + <i>Oh but it is good to be + Foot-loose and heart-free! + Yet how good it is to come + Home at last, home, home!</i> +</pre> + <p> + <a name="link2H_4_0019" id="link2H_4_0019"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + Barb-Wire Bill + </h2> + <p> + </p> +<pre xml:space="preserve"> + At dawn of day the white land lay all gruesome-like and grim, + When Bill Mc'Gee he says to me: "We've <i>GOT</i> to do it, Jim. + We've got to make Fort Liard quick. I know the river's bad, + But, oh! the little woman's sick . . . why! don't you savvy, lad?" + And me! Well, yes, I must confess it wasn't hard to see + Their little family group of two would soon be one of three. + And so I answered, careless-like: "Why, Bill! you don't suppose + I'm scared of that there 'babbling brook'? Whatever you say — goes." + + A real live man was Barb-wire Bill, with insides copper-lined; + For "barb-wire" was the brand of "hooch" to which he most inclined. + They knew him far; his igloos are on Kittiegazuit strand. + They knew him well, the tribes who dwell within the Barren Land. + From Koyokuk to Kuskoquim his fame was everywhere; + And he did love, all life above, that little Julie Claire, + The lithe, white slave-girl he had bought for seven hundred skins, + And taken to his wickiup to make his moccasins. + + We crawled down to the river bank and feeble folk were we, + That Julie Claire from God-knows-where, and Barb-wire Bill and me. + From shore to shore we heard the roar the heaving ice-floes make, + And loud we laughed, and launched our raft, and followed in their wake. + The river swept and seethed and leapt, and caught us in its stride; + And on we hurled amid a world that crashed on every side. + With sullen din the banks caved in; the shore-ice lanced the stream; + The naked floes like spooks arose, all jiggling and agleam. + Black anchor-ice of strange device shot upward from its bed, + As night and day we cleft our way, and arrow-like we sped. + + But "Faster still!" cried Barb-wire Bill, and looked the live-long day + In dull despair at Julie Claire, as white like death she lay. + And sometimes he would seem to pray and sometimes seem to curse, + And bent above, with eyes of love, yet ever she grew worse. + And as we plunged and leapt and lunged, her face was plucked with pain, + And I could feel his nerves of steel a-quiver at the strain. + And in the night he gripped me tight as I lay fast asleep: + "The river's kicking like a steer . . . run out the forward sweep! + That's Hell-gate Canyon right ahead; I know of old its roar, + And . . . I'll be damned! <i>THE ICE IS JAMMED!</i> We've <i>GOT</i> to make the shore." + + With one wild leap I gripped the sweep. The night was black as sin. + The float-ice crashed and ripped and smashed, and stunned us with its din. + And near and near, and clear and clear I heard the canyon boom; + And swift and strong we swept along to meet our awful doom. + And as with dread I glimpsed ahead the death that waited there, + My only thought was of the girl, the little Julie Claire; + And so, like demon mad with fear, I panted at the oar, + And foot by foot, and inch by inch, we worked the raft ashore. + + The bank was staked with grinding ice, and as we scraped and crashed, + I only knew one thing to do, and through my mind it flashed: + Yet while I groped to find the rope, I heard Bill's savage cry: + "That's my job, lad! It's me that jumps. I'll snub this raft or die!" + I saw him leap, I saw him creep, I saw him gain the land; + I saw him crawl, I saw him fall, then run with rope in hand. + And then the darkness gulped him up, and down we dashed once more, + And nearer, nearer drew the jam, and thunder-like its roar. + + Oh God! all's lost . . . from Julie Claire there came a wail of pain, + And then — the rope grew sudden taut, and quivered at the strain; + It slacked and slipped, it whined and gripped, and oh, I held my breath! + And there we hung and there we swung right in the jaws of death. + + A little strand of hempen rope, and how I watched it there, + With all around a hell of sound, and darkness and despair; + A little strand of hempen rope, I watched it all alone, + And somewhere in the dark behind I heard a woman moan; + And somewhere in the dark ahead I heard a man cry out, + Then silence, silence, silence fell, and mocked my hollow shout. + And yet once more from out the shore I heard that cry of pain, + A moan of mortal agony, then all was still again. + + That night was hell with all the frills, and when the dawn broke dim, + I saw a lean and level land, but never sign of him. + I saw a flat and frozen shore of hideous device, + I saw a long-drawn strand of rope that vanished through the ice. + And on that treeless, rockless shore I found my partner — dead. + No place was there to snub the raft, so — <i>HE HAD SERVED INSTEAD</i>; + And with the rope lashed round his waist, in last defiant fight, + He'd thrown himself beneath the ice, that closed and gripped him tight; + And there he'd held us back from death, as fast in death he lay. . . . + Say, boys! I'm not the pious brand, but — I just tried to pray. + And then I looked to Julie Claire, and sore abashed was I, + For from the robes that covered her, <i>I — HEARD — A — BABY — CRY</i>. . . . + + Thus was Love conqueror of death, and life for life was given; + And though no saint on earth, d'ye think — + Bill's squared hisself with Heaven? +</pre> + <p> + <a name="link2H_4_0020" id="link2H_4_0020"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + "?" + </h2> + <p> + </p> +<pre xml:space="preserve"> + If you had the choice of two women to wed, + (Though of course the idea is quite absurd) + And the first from her heels to her dainty head + Was charming in every sense of the word: + And yet in the past (I grieve to state), + She never had been exactly "straight". + + And the second — she was beyond all cavil, + A model of virtue, I must confess; + And yet, alas! she was dull as the devil, + And rather a dowd in the way of dress; + Though what she was lacking in wit and beauty, + She more than made up for in "sense of duty". + + Now, suppose you must wed, and make no blunder, + And either would love you, and let you win her — + Which of the two would you choose, I wonder, + The stolid saint or the sparkling sinner? +</pre> + <p> + <a name="link2H_4_0021" id="link2H_4_0021"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + Just Think! + </h2> + <p> + </p> +<pre xml:space="preserve"> + Just think! some night the stars will gleam + Upon a cold, grey stone, + And trace a name with silver beam, + And lo! 'twill be your own. + + That night is speeding on to greet + Your epitaphic rhyme. + Your life is but a little beat + Within the heart of Time. + + A little gain, a little pain, + A laugh, lest you may moan; + A little blame, a little fame, + A star-gleam on a stone. +</pre> + <p> + <a name="link2H_4_0022" id="link2H_4_0022"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + The Lunger + </h2> + <p> + </p> +<pre xml:space="preserve"> + Jack would laugh an' joke all day; + Never saw a lad so gay; + Singin' like a medder lark, + Loaded to the Plimsoll mark + With God's sunshine was that boy; + Had a strangle-holt on Joy. + Held his head 'way up in air, + Left no callin' cards on Care; + Breezy, buoyant, brave and true; + Sent his sunshine out to you; + Cheerfulest when clouds was black — + Happy Jack! Oh, Happy Jack! + + Sittin' in my shack alone + I could hear him in his own, + Singin' far into the night, + Till it didn't seem just right + One man should corral the fun, + Live his life so in the sun; + Didn't seem quite natural + Not to have a grouch at all; + Not a trouble, not a lack — + Happy Jack! Oh, Happy Jack! + + He was plumbful of good cheer + Till he struck that low-down year; + Got so thin, so little to him, + You could most see day-light through him. + Never was his eye so bright, + Never was his cheek so white. + Seemed as if somethin' was wrong, + Sort o' quaver in his song. + Same old smile, same hearty voice: + "Bless you, boys! let's all rejoice!" + But old Doctor shook his head: + "Half a lung," was all he said. + Yet that half was surely right, + For I heard him every night, + Singin', singin' in his shack — + Happy Jack! Oh, Happy Jack! + + Then one day a letter came + Endin' with a female name; + Seemed to get him in the neck, + Sort o' pile-driver effect; + Paled his lip and plucked his breath, + Left him starin' still as death. + Somethin' had gone awful wrong, + Yet that night he sang his song. + Oh, but it was good to hear! + For there clutched my heart a fear, + So that I quaked listenin' + Every night to hear him sing. + But each day he laughed with me, + An' his smile was full of glee. + Nothin' seemed to set him back — + Happy Jack! Oh, Happy Jack! + + Then one night the singin' stopped . . . + Seemed as if my heart just flopped; + For I'd learned to love the boy + With his gilt-edged line of joy, + With his glorious gift of bluff, + With his splendid fightin' stuff. + Sing on, lad, and play the game! + O dear God! . . . no singin' came, + But there surged to me instead — + Silence, silence, deep and dread; + Till I shuddered, tried to pray, + Said: "He's maybe gone away." + + Oh, yes, he had gone away, + Gone forever and a day. + But he'd left behind him there, + In his cabin, pinched and bare, + His poor body, skin and bone, + His sharp face, cold as a stone. + An' his stiffened fingers pressed + Somethin' bright upon his breast: + Locket with a silken curl, + Poor, sweet portrait of a girl. + Yet I reckon at the last + How defiant-like he passed; + For there sat upon his lips + Smile that death could not eclipse; + An' within his eyes lived still + Joy that dyin' could not kill. + + An' now when the nights are long, + How I miss his cheery song! + How I sigh an' wish him back! + Happy Jack! Oh, Happy Jack! +</pre> + <p> + <a name="link2H_4_0023" id="link2H_4_0023"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + The Mountain and the Lake + </h2> + <p> + </p> +<pre xml:space="preserve"> + I know a mountain thrilling to the stars, + Peerless and pure, and pinnacled with snow; + Glimpsing the golden dawn o'er coral bars, + Flaunting the vanisht sunset's garnet glow; + Proudly patrician, passionless, serene; + Soaring in silvered steeps where cloud-surfs break; + Virgin and vestal — Oh, a very Queen! + And at her feet there dreams a quiet lake. + + My lake adores my mountain — well I know, + For I have watched it from its dawn-dream start, + Stilling its mirror to her splendid snow, + Framing her image in its trembling heart; + Glassing her graciousness of greening wood, + Kissing her throne, melodiously mad, + Thrilling responsive to her every mood, + Gloomed with her sadness, gay when she is glad. + + My lake has dreamed and loved since time was born; + Will love and dream till time shall cease to be; + Gazing to Her in worship half forlorn, + Who looks towards the stars and will not see — + My peerless mountain, splendid in her scorn. . . . + Alas! poor little lake! Alas! poor me! +</pre> + <p> + <a name="link2H_4_0024" id="link2H_4_0024"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + The Headliner and the Breadliner + </h2> + <p> + </p> +<pre xml:space="preserve"> + Moko, the Educated Ape is here, + The pet of vaudeville, so the posters say, + And every night the gaping people pay + To see him in his panoply appear; + To see him pad his paunch with dainty cheer, + Puff his perfecto, swill champagne, and sway + Just like a gentleman, yet all in play, + Then bow himself off stage with brutish leer. + + And as to-night, with noble knowledge crammed, + I 'mid this human compost take my place, + I, once a poet, now so dead and damned, + The woeful tears half freezing on my face: + "O God!" I cry, "let me but take his shape, + Moko's, the Blest, the Educated Ape." +</pre> + <p> + <a name="link2H_4_0025" id="link2H_4_0025"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + Death in the Arctic + </h2> + <p> + </p> +<pre xml:space="preserve"> + I + + I took the clock down from the shelf; + "At eight," said I, "I shoot myself." + It lacked a <i>MINUTE</i> of the hour, + And as I waited all a-cower, + A skinful of black, boding pain, + Bits of my life came back again. . . . + + <i>"Mother, there's nothing more to eat — + Why don't you go out on the street? + Always you sit and cry and cry; + Here at my play I wonder why. + Mother, when you dress up at night, + Red are your cheeks, your eyes are bright; + Twining a ribband in your hair, + Kissing good-bye you go down-stair. + Then I'm as lonely as can be. + Oh, how I wish you were with me! + Yet when you go out on the street, + Mother, there's always lots to eat. . . ."</i> +</pre> + <p> + </p> +<pre xml:space="preserve"> + II + + For days the igloo has been dark; + But now the rag wick sends a spark + That glitters in the icy air, + And wakes frost sapphires everywhere; + Bright, bitter flames, that adder-like + Dart here and there, yet fear to strike + The gruesome gloom wherein <i>THEY</i> lie, + My comrades, oh, so keen to die! + And I, the last — well, here I wait + The clock to strike the hour of eight. . . . + + <i>"Boy, it is bitter to be hurled + Nameless and naked on the world; + Frozen by night and starved by day, + Curses and kicks and clouts your pay. + But you must fight! Boy, look on me! + Anarch of all earth-misery; + Beggar and tramp and shameless sot; + Emblem of ill, in rags that rot. + Would you be foul and base as I? + Oh, it is better far to die! + Swear to me now you'll fight and fight, + Boy, or I'll kill you here to-night. . . ."</i> +</pre> + <p> + </p> +<pre xml:space="preserve"> + III + + Curse this silence soft and black! + Sting, little light, the shadows back! + Dance, little flame, with freakish glee! + Twinkle with brilliant mockery! + Glitter on ice-robed roof and floor! + Jewel the bear-skin of the door! + Gleam in my beard, illume my breath, + Blanch the clock face that times my death! + But do not pierce that murk so deep, + Where in their sleeping-bags they sleep! + But do not linger where they lie, + They who had all the luck to die! . . . + + <i>"There is nothing more to say; + Let us part and go our way. + Since it seems we can't agree, + I will go across the sea. + Proud of heart and strong am I; + Not for woman will I sigh; + Hold my head up gay and glad: + You can find another lad. . . ."</i> +</pre> + <p> + </p> +<pre xml:space="preserve"> + IV + + Above the igloo piteous flies + Our frayed flag to the frozen skies. + Oh, would you know how earth can be + A hell — go north of Eighty-three! + Go, scan the snows day after day, + And hope for help, and pray and pray; + Have seal-hide and sea-lice to eat; + Melt water with your body's heat; + Sleep all the fell, black winter through + Beside the dear, dead men you knew. + (The walrus blubber flares and gleams — + O God! how long a minute seems!) . . . + + <i>"Mary, many a day has passed, + Since that morn of hot-head youth. + Come I back at last, at last, + Crushed with knowing of the truth; + How through bitter, barren years + You loved me, and me alone; + Waited, wearied, wept your tears — + Oh, could I atone, atone, + I would pay a million-fold! + Pay you for the love you gave. + Mary, look down as of old — + I am kneeling by your grave." . . .</i> +</pre> + <p> + </p> +<pre xml:space="preserve"> + V + + Olaf, the Blonde, was first to go; + Bitten his eyes were by the snow; + Sightless and sealed his eyes of blue, + So that he died before I knew. + Here in those poor weak arms he died: + "Wolves will not get you, lad," I lied; + "For I will watch till Spring come round; + Slumber you shall beneath the ground." + Oh, how I lied! I scarce can wait: + Strike, little clock, the hour of eight! . . . + + <i>"Comrade, can you blame me quite? + The horror of the long, long night + Is on me, and I've borne with pain + So long, and hoped for help in vain. + So frail am I, and blind and dazed; + With scurvy sick, with silence crazed. + Beneath the Arctic's heel of hate, + Avid for Death I wait, I wait. + Oh if I falter, fail to fight, + Can you, dear comrade, blame me quite?" . . .</i> +</pre> + <p> + </p> +<pre xml:space="preserve"> + VI + + Big Eric gave up months ago. + But seldom do men suffer so. + His feet sloughed off, his fingers died, + His hands shrunk up and mummified. + I had to feed him like a child; + Yet he was valiant, joked and smiled, + Talked of his wife and little one + (Thanks be to God that I have none), + Passed in the night without a moan, + Passed, and I'm here, alone, alone. . . . + + <i>"I've got to kill you, Dick. + Your life for mine, you know. + Better to do it quick, + A swift and sudden blow. + See! here's my hand to lick; + A hug before you go — + God! but it makes me sick: + Old dog, I love you so. + Forgive, forgive me, Dick — + A swift and sudden blow. . . ."</i> +</pre> + <p> + </p> +<pre xml:space="preserve"> + VII + + Often I start up in the dark, + Thinking the sound of bells to hear. + Often I wake from sleep: "Oh, hark! + Help . . . it is coming . . . near and near." + Blindly I reel toward the door; + There the snow billows bleak and bare; + Blindly I seek my den once more, + Silence and darkness and despair. + Oh, it is all a dreadful dream! + Scurvy and cold and death and dearth; + I will awake to warmth and gleam, + Silvery seas and greening earth. + Life is a dream, its wakening, + Death, gentle shadow of God's wing. . . . + + <i>"Tick, little clock, my life away! + Even a second seems a day. + Even a minute seems a year, + Peopled with ghosts, that press and peer + Into my face so charnel white, + Lit by the devilish, dancing light. + Tick, little clock! mete out my fate: + Tortured and tense I wait, I wait. . . ."</i> +</pre> + <p> + </p> +<pre xml:space="preserve"> + VIII + + Oh, I have sworn! the hour is nigh: + When it strikes eight, I die, I die. + Raise up the gun — it stings my brow — + When it strikes eight . . . all ready . . . <i>NOW</i> — + +</pre> + <p> + </p> + <hr /> + <p> + </p> +<pre xml:space="preserve"> + Down from my hand the weapon dropped; + Wildly I stared. . . . + <i>THE CLOCK HAD STOPPED.</i> +</pre> + <p> + </p> +<pre xml:space="preserve"> + IX + + Phantoms and fears and ghosts have gone. + Peace seems to nestle in my brain. + Lo! the clock stopped, I'm living on; + Heart-sick I was, and less than sane. + Yet do I scorn the thing I planned, + Hearing a voice: "O coward, fight!" + Then the clock stopped . . . whose was the hand? + Maybe 'twas God's — ah well, all's right. + Heap on me darkness, fold on fold! + Pain! wrench and rack me! What care I? + Leap on me, hunger, thirst and cold! + I will await my time to die; + Looking to Heaven that shines above; + Looking to God, and love . . . and love. +</pre> + <p> + </p> +<pre xml:space="preserve"> + X + + Hark! what is that? Bells, dogs again! + Is it a dream? I sob and cry. + See! the door opens, fur-clad men + Rush to my rescue; frail am I; + Feeble and dying, dazed and glad. + There is the pistol where it dropped. + "Boys, it was hard — but I'm not mad. . . . + Look at the clock — it stopped, it stopped. + Carry me out. The heavens smile. + See! there's an arch of gold above. + Now, let me rest a little while — + <i>LOOKING TO GOD AND LOVE . . . AND LOVE. . . ."</i> +</pre> + <p> + <a name="link2H_4_0026" id="link2H_4_0026"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + Dreams Are Best + </h2> + <p> + </p> +<pre xml:space="preserve"> + I just think that dreams are best, + Just to sit and fancy things; + Give your gold no acid test, + Try not how your silver rings; + Fancy women pure and good, + Fancy men upright and true: + Fortressed in your solitude, + Let Life be a dream to you. + + For I think that Thought is all; + Truth's a minion of the mind; + Love's ideal comes at call; + As ye seek so shall ye find. + But ye must not seek too far; + Things are never what they seem: + Let a star be just a star, + And a woman — just a dream. + + O you Dreamers, proud and pure, + You have gleaned the sweet of life! + Golden truths that shall endure + Over pain and doubt and strife. + I would rather be a fool + Living in my Paradise, + Than the leader of a school, + Sadly sane and weary wise. + + O you Cynics with your sneers, + Fallen brains and hearts of brass, + Tweak me by my foolish ears, + Write me down a simple ass! + I'll believe the real "you" + Is the "you" without a taint; + I'll believe each woman too, + But a slightly damaged saint. + + Yes, I'll smoke my cigarette, + Vestured in my garb of dreams, + And I'll borrow no regret; + All is gold that golden gleams. + So I'll charm my solitude + With the faith that Life is blest, + Brave and noble, bright and good, . . . + Oh, I think that dreams are best! +</pre> + <p> + <a name="link2H_4_0027" id="link2H_4_0027"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + The Quitter + </h2> + <p> + </p> +<pre xml:space="preserve"> + When you're lost in the Wild, and you're scared as a child, + And Death looks you bang in the eye, + And you're sore as a boil, it's according to Hoyle + To cock your revolver and . . . die. + But the Code of a Man says: "Fight all you can," + And self-dissolution is barred. + In hunger and woe, oh, it's easy to blow . . . + It's the hell-served-for-breakfast that's hard. + + "You're sick of the game!" Well, now, that's a shame. + You're young and you're brave and you're bright. + "You've had a raw deal!" I know — but don't squeal, + Buck up, do your damnedest, and fight. + It's the plugging away that will win you the day, + So don't be a piker, old pard! + Just draw on your grit; it's so easy to quit: + It's the keeping-your-chin-up that's hard. + + It's easy to cry that you're beaten — and die; + It's easy to crawfish and crawl; + But to fight and to fight when hope's out of sight — + Why, that's the best game of them all! + And though you come out of each gruelling bout, + All broken and beaten and scarred, + Just have one more try — it's dead easy to die, + It's the keeping-on-living that's hard. +</pre> + <p> + <a name="link2H_4_0028" id="link2H_4_0028"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + The Cow-Juice Cure + </h2> + <p> + </p> +<pre xml:space="preserve"> + The clover was in blossom, an' the year was at the June, + When Flap-jack Billy hit the town, likewise O'Flynn's saloon. + The frost was on the fodder an' the wind was growin' keen, + When Billy got to seein' snakes in Sullivan's shebeen. + + Then in meandered Deep-hole Dan, once comrade of the cup: + "Oh Billy, for the love of Mike, why don't ye sober up? + I've got the gorgus recipay, 'tis smooth an' slick as silk — + Jest quit yer strangle-holt on hooch, an' irrigate with milk. + Lackteeal flooid is the lubrication you require; + Yer nervus frame-up's like a bunch of snarled piano wire. + You want to get it coated up with addypose tishoo, + So's it will work elastic-like, an' milk's the dope for you." + + Well, Billy was complyable, an' in a month it's strange, + That cow-juice seemed to oppyrate a most amazin' change. + "Call up the water-wagon, Dan, an' book my seat," sez he. + "'Tis mighty queer," sez Deep-hole Dan, "'twas just the same with me." + They shanghaied little Tim O'Shane, they cached him safe away, + An' though he objurgated some, they "cured" him night an' day; + An' pretty soon there came the change amazin' to explain: + "I'll never take another drink," sez Timothy O'Shane. + They tried it out on Spike Muldoon, that toper of renown; + They put it over Grouch McGraw, the terror of the town. + They roped in "tanks" from far and near, an' every test was sure, + An' like a flame there ran the fame of Deep-hole's Cow-juice Cure. + + "It's mighty queer," sez Deep-hole Dan, "I'm puzzled through and through; + It's only milk from Riley's ranch, no other milk will do." + An' it jest happened on that night with no predictive plan, + He left some milk from Riley's ranch a-settin' in a pan; + An' picture his amazement when he poured that milk next day — + There in the bottom of the pan a dozen "colours" lay. + + "Well, what d'ye know 'bout that," sez Dan; "Gosh ding my dasted eyes, + We've been an' had the Gold Cure, Bill, an' none of us was wise. + The milk's free-millin' that's a cinch; there's colours everywhere. + Now, let us figger this thing out — how does the dust git there? + 'Gold from the grass-roots down', they say — why, Bill! we've got it cold — + Them cows what nibbles up the grass, jest nibbles up the gold. + We're blasted, bloomin' millionaires; dissemble an' lie low: + We'll follow them gold-bearin' cows, an' prospect where they go." + + An' so it came to pass, fer weeks them miners might be found + A-sneakin' round on Riley's ranch, an' snipin' at the ground; + Till even Riley stops an' stares, an' presently allows: + "Them boys appear to take a mighty interest in cows." + An' night an' day they shadowed each auriferous bovine, + An' panned the grass-roots on their trail, yet nivver gold they seen. + An' all that season, secret-like, they worked an' nothin' found; + An' there was colours in the milk, but none was in the ground. + An' mighty desperate was they, an' down upon their luck, + When sudden, inspirationlike, the source of it they struck. + An' where d'ye think they traced it to? it grieves my heart to tell — + In the black sand at the bottom of that wicked milkman's <i>WELL</i>. +</pre> + <p> + <a name="link2H_4_0029" id="link2H_4_0029"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + While the Bannock Bakes + </h2> + <p> + </p> +<pre xml:space="preserve"> + Light up your pipe again, old chum, and sit awhile with me; + I've got to watch the bannock bake — how restful is the air! + You'd little think that we were somewhere north of Sixty-three, + Though where I don't exactly know, and don't precisely care. + The man-size mountains palisade us round on every side; + The river is a-flop with fish, and ripples silver-clear; + The midnight sunshine brims yon cleft — we think it's the Divide; + We'll get there in a month, maybe, or maybe in a year. + + It doesn't matter, does it, pal? We're of that breed of men + With whom the world of wine and cards and women disagree; + Your trouble was a roofless game of poker now and then, + And "raising up my elbow", that's what got away with me. + We're merely "Undesirables", artistic more or less; + My horny hands are Chopin-wise; you quote your Browning well; + And yet we're fooling round for gold in this damned wilderness: + The joke is, if we found it, we would both go straight to hell. + + Well, maybe we won't find it — and at least we've got the "life". + We're both as brown as berries, and could wrestle with a bear: + (That bannock's raising nicely, pal; just jab it with your knife.) + Fine specimens of manhood they would reckon us out there. + It's the tracking and the packing and the poling in the sun; + It's the sleeping in the open, it's the rugged, unfaked food; + It's the snow-shoe and the paddle, and the campfire and the gun, + And when I think of what I was, I know that it is good. + + Just think of how we've poled all day up this strange little stream; + Since life began no eye of man has seen this place before; + How fearless all the wild things are! the banks with goose-grass gleam, + And there's a bronzy musk-rat sitting sniffing at his door. + A mother duck with brood of ten comes squattering along; + The tawny, white-winged ptarmigan are flying all about; + And in that swirly, golden pool, a restless, gleaming throng, + The trout are waiting till we condescend to take them out. + + Ah, yes, it's good! I'll bet that there's no doctor like the Wild: + (Just turn that bannock over there; it's getting nicely brown.) + I might be in my grave by now, forgotten and reviled, + Or rotting like a sickly cur in some far, foreign town. + I might be that vile thing I was, — it all seems like a dream; + I owed a man a grudge one time that only life could pay; + And yet it's half-forgotten now — how petty these things seem! + (But that's "another story", pal; I'll tell it you some day.) + + How strange two "irresponsibles" should chum away up here! + But round the Arctic Circle friends are few and far between. + We've shared the same camp-fire and tent for nigh on seven year, + And never had a word that wasn't cheering and serene. + We've halved the toil and split the spoil, and borne each other's packs; + By all the Wild's freemasonry we're brothers, tried and true; + We've swept on danger side by side, and fought it back to back, + And you would die for me, old pal, and I would die for you. + + Now there was that time I got lost in Rory Bory Land, + (How quick the blizzards sweep on one across that Polar sea!) + You formed a rescue crew of One, and saw a frozen hand + That stuck out of a drift of snow — and, partner, it was Me. + But I got even, did I not, that day the paddle broke? + White water on the Coppermine — a rock — a split canoe — + Two fellows struggling in the foam (one couldn't swim a stroke): + A half-drowned man I dragged ashore . . . and partner, it was You. + +</pre> + <p> + </p> + <hr /> + <p> + </p> +<pre xml:space="preserve"> + In Rory Borealis Land the winter's long and black. + The silence seems a solid thing, shot through with wolfish woe; + And rowelled by the eager stars the skies vault vastly back, + And man seems but a little mite on that weird-lit plateau. + No thing to do but smoke and yarn of wild and misspent lives, + Beside the camp-fire there we sat — what tales you told to me + Of love and hate, and chance and fate, and temporary wives! + In Rory Borealis Land, beside the Arctic Sea. + + One yarn you told me in those days I can remember still; + It seemed as if I visioned it, so sharp you sketched it in; + Bellona was the name, I think; a coast town in Brazil, + Where nobody did anything but serenade and sin. + I saw it all — the jewelled sea, the golden scythe of sand, + The stately pillars of the palms, the feathery bamboo, + The red-roofed houses and the swart, sun-dominated land, + The people ever children, and the heavens ever blue. + + You told me of that girl of yours, that blossom of old Spain, + All glamour, grace and witchery, all passion, verve and glow. + How maddening she must have been! You made me see her plain, + There by our little camp-fire, in the silence and the snow. + You loved her and she loved you. She'd a husband, too, I think, + A doctor chap, you told me, whom she treated like a dog, + A white man living on the beach, a hopeless slave to drink — + (Just turn that bannock over there, that's propped against the log.) + + That story seemed to strike me, pal — it happens every day: + You had to go away awhile, then somehow it befell + The doctor chap discovered, gave her up, and disappeared; + You came back, tired of her in time . . . there's nothing more to tell. + Hist! see those willows silvering where swamp and river meet! + Just reach me up my rifle quick; that's Mister Moose, I know — + There now, <i>I'VE GOT HIM DEAD TO RIGHTS</i> . . . but hell! we've lots to eat + I don't believe in taking life — we'll let the beggar go. + + Heigh ho! I'm tired; the bannock's cooked; it's time we both turned in. + The morning mist is coral-kissed, the morning sky is gold. + The camp-fire's a confessional — what funny yarns we spin! + It sort of made me think a bit, that story that you told. + The fig-leaf belt and Rory Bory are such odd extremes, + Yet after all how very small this old world seems to be . . . + Yes, that was quite a yarn, old pal, and yet to me it seems + You missed the point: the point is that + the "doctor chap" . . . was <i>ME</i>. . . . +</pre> + <p> + <a name="link2H_4_0030" id="link2H_4_0030"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + The Lost Master + </h2> + <p> + </p> +<pre xml:space="preserve"> + "And when I come to die," he said, + "Ye shall not lay me out in state, + Nor leave your laurels at my head, + Nor cause your men of speech orate; + No monument your gift shall be, + No column in the Hall of Fame; + But just this line ye grave for me: + 'He played the game.'" + + So when his glorious task was done, + It was not of his fame we thought; + It was not of his battles won, + But of the pride with which he fought; + But of his zest, his ringing laugh, + His trenchant scorn of praise or blame: + And so we graved his epitaph, + "He played the game." + + And so we, too, in humbler ways + Went forth to fight the fight anew, + And heeding neither blame nor praise, + We held the course he set us true. + And we, too, find the fighting sweet; + And we, too, fight for fighting's sake; + And though we go down in defeat, + And though our stormy hearts may break, + We will not do our Master shame: + We'll play the game, please God, + We'll play the game. +</pre> + <p> + <a name="link2H_4_0031" id="link2H_4_0031"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + Little Moccasins + </h2> + <p> + </p> +<pre xml:space="preserve"> + Come out, O Little Moccasins, and frolic on the snow! + Come out, O tiny beaded feet, and twinkle in the light! + I'll play the old Red River reel, you used to love it so: + Awake, O Little Moccasins, and dance for me to-night! + + Your hair was all a gleamy gold, your eyes a corn-flower blue; + Your cheeks were pink as tinted shells, you stepped light as a fawn; + Your mouth was like a coral bud, with seed pearls peeping through; + As gladdening as Spring you were, as radiant as dawn. + + Come out, O Little Moccasins! I'll play so soft and low, + The songs you loved, the old heart-songs that in my mem'ry ring; + O child, I want to hear you now beside the campfire glow! + With all your heart a-throbbing in the simple words you sing. + + For there was only you and I, and you were all to me; + And round us were the barren lands, but little did we fear; + Of all God's happy, happy folks the happiest were we. . . . + (Oh, call her, poor old fiddle mine, and maybe she will hear!) + + Your mother was a half-breed Cree, but you were white all through; + And I, your father was — but well, that's neither here nor there; + I only know, my little Queen, that all my world was you, + And now that world can end to-night, and I will never care. + + For there's a tiny wooden cross that pricks up through the snow: + (Poor Little Moccasins! you're tired, and so you lie at rest.) + And there's a grey-haired, weary man beside the campfire glow: + (O fiddle mine! the tears to-night are drumming on your breast.) +</pre> + <p> + <a name="link2H_4_0032" id="link2H_4_0032"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + The Wanderlust + </h2> + <p> + </p> +<pre xml:space="preserve"> + The Wanderlust has lured me to the seven lonely seas, + Has dumped me on the tailing-piles of dearth; + The Wanderlust has haled me from the morris chairs of ease, + Has hurled me to the ends of all the earth. + How bitterly I've cursed it, oh, the Painted Desert knows, + The wraithlike heights that hug the pallid plain, + The all-but-fluid silence, — yet the longing grows and grows, + And I've got to glut the Wanderlust again. + + <i>Soldier, sailor, in what a plight I've been! + Tinker, tailor, oh what a sight I've seen! + And I'm hitting the trail in the morning, boys, + And you won't see my heels for dust; + For it's "all day" with you + When you answer the cue + Of the Wan-der-lust.</i> + + The Wanderlust has got me . . . by the belly-aching fire, + By the fever and the freezing and the pain; + By the darkness that just drowns you, by the wail of home desire, + I've tried to break the spell of it — in vain. + Life might have been a feast for me, now there are only crumbs; + In rags and tatters, beggar-wise I sit; + Yet there's no rest or peace for me, imperious it drums, + The Wanderlust, and I must follow it. + + <i>Highway, by-way, many a mile I've done; + Rare way, fair way, many a height I've won; + But I'm pulling my freight in the morning, boys, + And it's over the hills or bust; + For there's never a cure + When you list to the lure + Of the Wan-der-lust.</i> + + The Wanderlust has taught me . . . it has whispered to my heart + Things all you stay-at-homes will never know. + The white man and the savage are but three short days apart, + Three days of cursing, crawling, doubt and woe. + Then it's down to chewing muclucs, to the water you can <i>EAT</i>, + To fish you bolt with nose held in your hand. + When you get right down to cases, it's King's Grub that rules the races, + And the Wanderlust will help you understand. + + <i>Haunting, taunting, that is the spell of it; + Mocking, baulking, that is the hell of it; + But I'll shoulder my pack in the morning, boys, + And I'm going because I must; + For it's so-long to all + When you answer the call + Of the Wan-der-lust.</i> + + The Wanderlust has blest me . . . in a ragged blanket curled, + I've watched the gulf of Heaven foam with stars; + I've walked with eyes wide open to the wonder of the world, + I've seen God's flood of glory burst its bars. + I've seen the gold a-blinding in the riffles of the sky, + Till I fancied me a bloated plutocrat; + But I'm freedom's happy bond-slave, and I will be till I die, + And I've got to thank the Wanderlust for that. + + <i>Wild heart, child heart, all of the world your home. + Glad heart, mad heart, what can you do but roam? + Oh, I'll beat it once more in the morning, boys, + With a pinch of tea and a crust; + For you cannot deny + When you hark to the cry + Of the Wan-der-lust.</i> + + The Wanderlust will claim me at the finish for its own. + I'll turn my back on men and face the Pole. + Beyond the Arctic outposts I will venture all alone; + Some Never-never Land will be my goal. + Thank God! there's none will miss me, for I've been a bird of flight; + And in my moccasins I'll take my call; + For the Wanderlust has ruled me, + And the Wanderlust has schooled me, + And I'm ready for the darkest trail of all. + + <i>Grim land, dim land, oh, how the vastness calls! + Far land, star land, oh, how the stillness falls! + For you never can tell if it's heaven or hell, + And I'm taking the trail on trust; + But I haven't a doubt + That my soul will leap out + On its Wan-der-lust.</i> +</pre> + <p> + <a name="link2H_4_0033" id="link2H_4_0033"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + The Trapper's Christmas Eve + </h2> + <p> + </p> +<pre xml:space="preserve"> + It's mighty lonesome-like and drear. + Above the Wild the moon rides high, + And shows up sharp and needle-clear + The emptiness of earth and sky; + No happy homes with love a-glow; + No Santa Claus to make believe: + Just snow and snow, and then more snow; + It's Christmas Eve, it's Christmas Eve. + + And here am I where all things end, + And Undesirables are hurled; + A poor old man without a friend, + Forgot and dead to all the world; + Clean out of sight and out of mind . . . + Well, maybe it is better so; + We all in life our level find, + And mine, I guess, is pretty low. + + Yet as I sit with pipe alight + Beside the cabin-fire, it's queer + This mind of mine must take to-night + The backward trail of fifty year. + The school-house and the Christmas tree; + The children with their cheeks a-glow; + Two bright blue eyes that smile on me . . . + Just half a century ago. + + Again (it's maybe forty years), + With faith and trust almost divine, + These same blue eyes, abrim with tears, + Through depths of love look into mine. + A parting, tender, soft and low, + With arms that cling and lips that cleave . . . + Ah me! it's all so long ago, + Yet seems so sweet this Christmas Eve. + + Just thirty years ago, again . . . + We say a bitter, <i>LAST</i> good-bye; + Our lips are white with wrath and pain; + Our little children cling and cry. + Whose was the fault? it matters not, + For man and woman both deceive; + It's buried now and all forgot, + Forgiven, too, this Christmas Eve. + + And she (God pity me) is dead; + Our children men and women grown. + I like to think that they are wed, + With little children of their own, + That crowd around their Christmas tree . . . + I would not ever have them grieve, + Or shed a single tear for me, + To mar their joy this Christmas Eve. + + Stripped to the buff and gaunt and still + Lies all the land in grim distress. + Like lost soul wailing, long and shrill, + A wolf-howl cleaves the emptiness. + Then hushed as Death is everything. + The moon rides haggard and forlorn . . . + "O hark the herald angels sing!" + God bless all men — it's Christmas morn. +</pre> + <p> + <a name="link2H_4_0034" id="link2H_4_0034"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + The World's All Right + </h2> + <p> + </p> +<pre xml:space="preserve"> + <i>Be honest, kindly, simple, true; + Seek good in all, scorn but pretence; + Whatever sorrow come to you, + Believe in Life's Beneficence!</i> + + The World's all right; serene I sit, + And cease to puzzle over it. + There's much that's mighty strange, no doubt; + But Nature knows what she's about; + And in a million years or so + We'll know more than to-day we know. + Old Evolution's under way — + What ho! the World's all right, I say. + + Could things be other than they are? + All's in its place, from mote to star. + The thistledown that flits and flies + Could drift no hair-breadth otherwise. + What is, must be; with rhythmic laws + All Nature chimes, Effect and Cause. + The sand-grain and the sun obey — + What ho! the World's all right, I say. + + Just try to get the Cosmic touch, + The sense that "you" don't matter much. + A million stars are in the sky; + A million planets plunge and die; + A million million men are sped; + A million million wait ahead. + Each plays his part and has his day — + What ho! the World's all right, I say. + + Just try to get the Chemic view: + A million million lives made "you". + In lives a million you will be + Immortal down Eternity; + Immortal on this earth to range, + With never death, but ever change. + You always were, and will be aye — + What ho! the World's all right, I say. + + Be glad! And do not blindly grope + For Truth that lies beyond our scope: + A sober plot informeth all + Of Life's uproarious carnival. + Your day is such a little one, + A gnat that lives from sun to sun; + Yet gnat and you have parts to play — + What ho! the World's all right, I say. + + And though it's written from the start, + Just act your best your little part. + Just be as happy as you can, + And serve your kind, and die — a man. + Just live the good that in you lies, + And seek no guerdon of the skies; + Just make your Heaven here, to-day — + What ho! the World's all right, I say. + + Remember! in Creation's swing + The Race and not the man's the thing. + There's battle, murder, sudden death, + And pestilence, with poisoned breath. + Yet quick forgotten are such woes; + On, on the stream of Being flows. + Truth, Beauty, Love uphold their sway — + What ho! the World's all right, I say. + + The World's all right; serene I sit, + And joy that I am part of it; + And put my trust in Nature's plan, + And try to aid her all I can; + Content to pass, if in my place + I've served the uplift of the Race. + Truth! Beauty! Love! O Radiant Day — + What ho! the World's all right, I say. +</pre> + <p> + <a name="link2H_4_0035" id="link2H_4_0035"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + The Baldness of Chewed-Ear + </h2> + <p> + </p> +<pre xml:space="preserve"> + When Chewed-ear Jenkins got hitched up to Guinneyveer McGee, + His flowin' locks, ye recollect, wuz frivolous an' free; + But in old Hymen's jack-pot, it's a most amazin' thing, + Them flowin' locks jest disappeared like snow-balls in the Spring; + Jest seemed to wilt an' fade away like dead leaves in the Fall, + An' left old Chewed-ear balder than a white-washed cannon ball. + + Now Missis Chewed-ear Jenkins, that wuz Guinneyveer McGee, + Wuz jest about as fine a draw as ever made a pair; + But when the boys got joshin' an' suggested it was she + That must be inflooenshul for the old man's slump in hair — + Why! Missis Chewed-ear Jenkins jest went clean up in the air. + + "To demonstrate," sez she that night, "the lovin' wife I am, + I've bought a dozen bottles of Bink's Anty-Dandruff Balm. + 'Twill make yer hair jest sprout an' curl like squash-vines in the sun, + An' I'm propose to sling it on till every drop is done." + That hit old Chewed-ear's funny side, so he lays back an' hollers: + "The day you raise a hair, old girl, you'll git a thousand dollars." + + Now, whether 'twas the prize or not 'tis mighty hard to say, + But Chewed-ear didn't seem to have much comfort from that day. + With bottles of that dandruff dope she followed at his heels, + An' sprinkled an' massaged him even when he ate his meals. + She waked him from his beauty sleep with tender, lovin' care, + An' rubbed an' scrubbed assiduous, yet never sign of hair. + + Well, naturally all the boys soon tumbled to the joke, + An' at the Wow-wow's Social 'twas Cold-deck Davis spoke: + "The little woman's working mighty hard on Chewed-ear's crown; + Let's give her for a three-fifth's share a hundred dollars down. + We stand to make five hundred clear — boys, drink in whiskey straight: + 'The Chewed-ear Jenkins Hirsute Propagation Syndicate'." + + The boys wuz on, an' soon chipped in the necessary dust; + They primed up a committy to negotiate the deal; + Then Missis Jenkins yielded, bein' rather in disgust, + An' all wuz signed an' witnessed, an' invested with a seal. + They rounded up old Chewed-ear, an' they broke it what they'd done; + Allowed they'd bought an interest in his chance of raisin' hair; + They yanked his hat off anxiouslike, opinin' one by one + Their magnifyin' glasses showed fine prospects everywhere. + They bought Hairlene, an' Thatchem, an' Jay's Capillery Juice, + An' Seven Something Sisters, an' Macassar an' Bay Rum, + An' everyone insisted on his speshul right to sluice + His speshul line of lotion onto Chewed-ear's cranium. + They only got the merrier the more the old man roared, + An' shares in "Jenkins Hirsute" went sky-highin' on the board. + + The Syndicate wuz hopeful that they'd demonstrate the pay, + An' Missis Jenkins laboured in her perseverin' way. + The boys discussed on "surface rights", an' "out-crops" an' so on, + An' planned to have it "crown" surveyed, an' blue prints of it drawn. + They ran a base line, sluiced an' yelled, an' everyone wuz glad, + Except the balance of the property, an' he wuz "mad". + "It gives me pain," he interjects, "to squash yer glowin' dream, + But you wuz fools when you got in on this here 'Hirsute' scheme. + You'll never raise a hair on me," when lo! that very night, + Preparin' to retire he got a most onpleasant fright: + For on that shinin' dome of his, so prominently bare, + He felt the baby outcrop of a second growth of hair. + + A thousand dollars! Sufferin' Caesar! Well, it must be saved! + He grabbed his razor recklesslike, an' shaved an' shaved an' shaved. + An' when his head was smooth again he gives a mighty sigh, + An' sneaks away, an' buys some Hair Destroyer on the sly. + So there wuz Missis Jenkins with "Restorer" wagin' fight, + An' Chewed-ear with "Destroyer" circumventin' her at night. + The battle wuz a mighty one; his nerves wuz on the strain, + An' yet in spite of all he did that hair began to gain. + + The situation grew intense, so quietly one day, + He gave his share-holders the slip, an' made his get-a-way. + Jest like a criminal he skipped, an' aimed to defalcate + The Chewed-ear Jenkins Hirsute Propagation Syndicate. + His guilty secret burned him, an' he sought the city's din: + "I've got to get a wig," sez he, "to cover up my sin. + It's growin', growin' night an' day; it's most amazin' hair"; + An' when he looked at it that night, he shuddered with despair. + He shuddered an' suppressed a cry at what his optics seen — + For on my word of honour, boys, that hair wuz growin' <i>GREEN</i>. + + At first he guessed he'd get some dye, an' try to dye it black; + An' then he saw 'twas Nemmysis wuz layin' on his track. + He must jest face the music, an' confess the thing he done, + An' pay the boys an' Guinneyveer the money they had won. + An' then there came a big idee — it thrilled him like a shock: + Why not control the Syndicate by buyin' up the Stock? + + An' so next day he hurried back with smoothly shaven pate, + An' for a hundred dollars he bought up the Syndicate. + 'Twas mighty frenzied finance an' the boys set up a roar, + But "Hirsutes" from the market wuz withdrawn for evermore. + An' to this day in Nuggetsville they tell the tale how slick + The Syndicate sold out too soon, and Chewed-ear turned the trick. +</pre> + <p> + <a name="link2H_4_0036" id="link2H_4_0036"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + The Mother + </h2> + <p> + </p> +<pre xml:space="preserve"> + There will be a singing in your heart, + There will be a rapture in your eyes; + You will be a woman set apart, + You will be so wonderful and wise. + You will sleep, and when from dreams you start, + As of one that wakes in Paradise, + There will be a singing in your heart, + There will be a rapture in your eyes. + + There will be a moaning in your heart, + There will be an anguish in your eyes; + You will see your dearest ones depart, + You will hear their quivering good-byes. + Yours will be the heart-ache and the smart, + Tears that scald and lonely sacrifice; + There will be a moaning in your heart, + There will be an anguish in your eyes. + + There will come a glory in your eyes, + There will come a peace within your heart; + Sitting 'neath the quiet evening skies, + Time will dry the tear and dull the smart. + You will know that you have played your part; + Yours shall be the love that never dies: + You, with Heaven's peace within your heart, + You, with God's own glory in your eyes. +</pre> + <p> + <a name="link2H_4_0037" id="link2H_4_0037"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + The Dreamer + </h2> + <p> + </p> +<pre xml:space="preserve"> + The lone man gazed and gazed upon his gold, + His sweat, his blood, the wage of weary days; + But now how sweet, how doubly sweet to hold + All gay and gleamy to the campfire blaze. + The evening sky was sinister and cold; + The willows shivered, wanly lay the snow; + The uncommiserating land, so old, + So worn, so grey, so niggard in its woe, + Peered through its ragged shroud. The lone man sighed, + Poured back the gaudy dust into its poke, + Gazed at the seething river listless-eyed, + Loaded his corn-cob pipe as if to smoke; + Then crushed with weariness and hardship crept + Into his ragged robe, and swiftly slept. + + . . . . . + + Hour after hour went by; a shadow slipped + From vasts of shadow to the camp-fire flame; + Gripping a rifle with a deadly aim, + A gaunt and hairy man with wolfish eyes . . . + +</pre> + <p> + </p> + <hr /> + <p> + </p> +<pre xml:space="preserve"> + The sleeper dreamed, and lo! this was his dream: + He rode a streaming horse across a moor. + Sudden 'mid pit-black night a lightning gleam + Showed him a way-side inn, forlorn and poor. + A sullen host unbarred the creaking door, + And led him to a dim and dreary room; + Wherein he sat and poked the fire a-roar, + So that weird shadows jigged athwart the gloom. + He ordered wine. 'Od's blood! but he was tired. + What matter! Charles was crushed and George was King; + His party high in power; how he aspired! + Red guineas packed his purse, too tight to ring. + The fire-light gleamed upon his silken hose, + His silver buckles and his powdered wig. + What ho! more wine! He drank, he slowly rose. + What made the shadows dance that madcap jig? + He clutched the candle, steered his way to bed, + And in a trice was sleeping like the dead. + + . . . . . + + Across the room there crept, so shadow soft, + His sullen host, with naked knife a-gleam, + (A gaunt and hairy man with wolfish eyes.) . . . + And as he lay, the sleeper dreamed a dream. + +</pre> + <p> + </p> + <hr /> + <p> + </p> +<pre xml:space="preserve"> + 'Twas in a ruder land, a wilder day. + A rival princeling sat upon his throne, + Within a dungeon, dark and foul he lay, + With chains that bit and festered to the bone. + They haled him harshly to a vaulted room, + Where One gazed on him with malignant eye; + And in that devil-face he read his doom, + Knowing that ere the dawn-light he must die. + Well, he was sorrow-glutted; let them bring + Their prize assassins to the bloody work. + His kingdom lost, yet would he die a King, + Fearless and proud, as when he faced the Turk. + Ah God! the glory of that great Crusade! + The bannered pomp, the gleam, the splendid urge! + The crash of reeking combat, blade to blade! + The reeling ranks, blood-avid and a-surge! + For long he thought; then feeling o'er him creep + Vast weariness, he fell into a sleep. + + . . . . . + + The cell door opened; soft the headsman came, + Within his hand a mighty axe a-gleam, + (A gaunt and hairy man with wolfish eyes,) . . . + And as he lay, the sleeper dreamed a dream. + +</pre> + <p> + </p> + <hr /> + <p> + </p> +<pre xml:space="preserve"> + 'Twas in a land unkempt of life's red dawn; + Where in his sanded cave he dwelt alone; + Sleeping by day, or sometimes worked upon + His flint-head arrows and his knives of stone; + By night stole forth and slew the savage boar, + So that he loomed a hunter of loud fame, + And many a skin of wolf and wild-cat wore, + And counted many a flint-head to his name; + Wherefore he walked the envy of the band, + Hated and feared, but matchless in his skill. + Till lo! one night deep in that shaggy land, + He tracked a yearling bear and made his kill; + Then over-worn he rested by a stream, + And sank into a sleep too deep for dream. + + . . . . . + + Hunting his food a rival caveman crept + Through those dark woods, and marked him where he lay; + Cowered and crawled upon him as he slept, + Poising a mighty stone aloft to slay — + (A gaunt and hairy man with wolfish eyes.) . . . + +</pre> + <p> + </p> + <hr /> + <p> + </p> +<pre xml:space="preserve"> + The great stone crashed. The Dreamer shrieked and woke, + And saw, fear-blinded, in his dripping cell, + A gaunt and hairy man, who with one stroke + Swung a great ax of steel that flashed and fell . . . + + So that he woke amid his bedroom gloom, + And saw, hair-poised, a naked, thirsting knife, + A gaunt and hairy man with eyes of doom — + And then the blade plunged down to drink his life . . . + So that he woke, wrenched back his robe, and looked, + And saw beside his dying fire upstart + A gaunt and hairy man with finger crooked — + A rifle rang, a bullet searched his heart . . . + +</pre> + <p> + </p> + <hr /> + <p> + </p> +<pre xml:space="preserve"> + The morning sky was sinister and cold. + Grotesque the Dreamer sprawled, and did not rise. + For long and long there gazed upon some gold + <i>A GAUNT AND HAIRY MAN WITH WOLFISH EYES</i>. +</pre> + <p> + <a name="link2H_4_0038" id="link2H_4_0038"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + At Thirty-Five + </h2> + <p> + </p> +<pre xml:space="preserve"> + Three score and ten, the psalmist saith, + And half my course is well-nigh run; + I've had my flout at dusty death, + I've had my whack of feast and fun. + I've mocked at those who prate and preach; + I've laughed with any man alive; + But now with sobered heart I reach + The Great Divide of Thirty-five. + + And looking back I must confess + I've little cause to feel elate. + I've played the mummer more or less; + I fumbled fortune, flouted fate. + I've vastly dreamed and little done; + I've idly watched my brothers strive: + Oh, I have loitered in the sun + By primrose paths to Thirty-five! + + And those who matched me in the race, + Well, some are out and trampled down; + The others jog with sober pace; + Yet one wins delicate renown. + O midnight feast and famished dawn! + O gay, hard life, with hope alive! + O golden youth, forever gone, + How sweet you seem at Thirty-five! + + Each of our lives is just a book + As absolute as Holy Writ; + We humbly read, and may not look + Ahead, nor change one word of it. + And here are joys and here are pains; + And here we fail and here we thrive; + O wondrous volume! what remains + When we reach chapter Thirty-five? + + The very best, I dare to hope, + Ere Fate writes Finis to the tome; + A wiser head, a wider scope, + And for the gipsy heart, a home; + A songful home, with loved ones near, + With joy, with sunshine all alive: + Watch me grow younger every year — + Old Age! thy name is Thirty-five! +</pre> + <p> + <a name="link2H_4_0039" id="link2H_4_0039"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + The Squaw Man + </h2> + <p> + </p> +<pre xml:space="preserve"> + The cow-moose comes to water, and the beaver's overbold, + The net is in the eddy of the stream; + The teepee stars the vivid sward with russet, red and gold, + And in the velvet gloom the fire's a-gleam. + The night is ripe with quiet, rich with incense of the pine; + From sanctuary lake I hear the loon; + The peaks are bright against the blue, and drenched with sunset wine, + And like a silver bubble is the moon. + + Cloud-high I climbed but yesterday; a hundred miles around + I looked to see a rival fire a-gleam. + As in a crystal lens it lay, a land without a bound, + All lure, and virgin vastitude, and dream. + The great sky soared exultantly, the great earth bared its breast, + All river-veined and patterned with the pine; + The heedless hordes of caribou were streaming to the West, + A land of lustrous mystery — and mine. + + Yea, mine to frame my Odyssey: Oh, little do they know + My conquest and the kingdom that I keep! + The meadows of the musk-ox, where the laughing grasses grow, + The rivers where the careless conies leap. + Beyond the silent Circle, where white men are fierce and few, + I lord it, and I mock at man-made law; + Like a flame upon the water is my little light canoe, + And yonder in the fireglow is my squaw. + + A squaw man! yes, that's what I am; sneer at me if you will. + I've gone the grilling pace that cannot last; + With bawdry, bridge and brandy — Oh, I've drank enough to kill + A dozen such as you, but that is past. + I've swung round to my senses, found the place where I belong; + The City made a madman out of me; + But here beyond the Circle, where there's neither right or wrong, + I leap from life's straight-jacket, and I'm free. + + Yet ever in the far forlorn, by trails of lone desire; + Yet ever in the dawn's white leer of hate; + Yet ever by the dripping kill, beside the drowsy fire, + There comes the fierce heart-hunger for a mate. + There comes the mad blood-clamour for a woman's clinging hand, + Love-humid eyes, the velvet of a breast; + And so I sought the Bonnet-plumes, and chose from out the band + The girl I thought the sweetest and the best. + + O wistful women I have loved before my dark disgrace! + O women fair and rare in my home land! + Dear ladies, if I saw you now I'd turn away my face, + Then crawl to kiss your foot-prints in the sand! + And yet — that day the rifle jammed — a wounded moose at bay — + A roar, a charge . . . I faced it with my knife: + A shot from out the willow-scrub, and there the monster lay. . . . + Yes, little Laughing Eyes, you saved my life. + + The man must have the woman, and we're all brutes more or less, + Since first the male ape shinned the family tree; + And yet I think I love her with a husband's tenderness, + And yet I know that she would die for me. + Oh, if I left you, Laughing Eyes, and nevermore came back, + God help you, girl! I know what you would do. . . . + I see the lake wan in the moon, and from the shadow black, + There drifts a little, <i>EMPTY</i> birch canoe. + + We're here beyond the Circle, where there's never wrong nor right; + We aren't spliced according to the law; + But by the gods I hail you on this hushed and holy night + As the mother of my children, and my squaw. + I see your little slender face set in the firelight glow; + I pray that I may never make it sad; + I hear you croon a baby song, all slumber-soft and low — + God bless you, little Laughing Eyes! I'm glad. +</pre> + <p> + <a name="link2H_4_0040" id="link2H_4_0040"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + Home and Love + </h2> + <p> + </p> +<pre xml:space="preserve"> + Just Home and Love! the words are small + Four little letters unto each; + And yet you will not find in all + The wide and gracious range of speech + Two more so tenderly complete: + When angels talk in Heaven above, + I'm sure they have no words more sweet + Than Home and Love. + + Just Home and Love! it's hard to guess + Which of the two were best to gain; + Home without Love is bitterness; + Love without Home is often pain. + No! each alone will seldom do; + Somehow they travel hand and glove: + If you win one you must have two, + Both Home and Love. + + And if you've both, well then I'm sure + You ought to sing the whole day long; + It doesn't matter if you're poor + With these to make divine your song. + And so I praisefully repeat, + When angels talk in Heaven above, + There are no words more simply sweet + Than Home and Love. +</pre> + <p> + <a name="link2H_4_0041" id="link2H_4_0041"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + I'm Scared of it All + </h2> + <p> + </p> +<pre xml:space="preserve"> + I'm scared of it all, God's truth! so I am; + It's too big and brutal for me. + My nerve's on the raw and I don't give a damn + For all the "hoorah" that I see. + I'm pinned between subway and overhead train, + Where automobillies swoop down: + Oh, I want to go back to the timber again — + I'm scared of the terrible town. + + I want to go back to my lean, ashen plains; + My rivers that flash into foam; + My ultimate valleys where solitude reigns; + My trail from Fort Churchill to Nome. + My forests packed full of mysterious gloom, + My ice-fields agrind and aglare: + The city is deadfalled with danger and doom — + I know that I'm safer up there. + + I watch the wan faces that flash in the street; + All kinds and all classes I see. + Yet never a one in the million I meet, + Has the smile of a comrade for me. + Just jaded and panting like dogs in a pack; + Just tensed and intent on the goal: + O God! but I'm lonesome — I wish I was back, + Up there in the land of the Pole. + + I wish I was back on the Hunger Plateaus, + And seeking the lost caribou; + I wish I was up where the Coppermine flows + To the kick of my little canoe. + I'd like to be far on some weariful shore, + In the Land of the Blizzard and Bear; + Oh, I wish I was snug in the Arctic once more, + For I know I am safer up there! + + I prowl in the canyons of dismal unrest; + I cringe — I'm so weak and so small. + I can't get my bearings, I'm crushed and oppressed + With the haste and the waste of it all. + The slaves and the madman, the lust and the sweat, + The fear in the faces I see; + The getting, the spending, the fever, the fret — + It's too bleeding cruel for me. + + I feel it's all wrong, but I can't tell you why — + The palace, the hovel next door; + The insolent towers that sprawl to the sky, + The crush and the rush and the roar. + I'm trapped like a fox and I fear for my pelt; + I cower in the crash and the glare; + Oh, I want to be back in the avalanche belt, + For I know that it's safer up there! + + I'm scared of it all: Oh, afar I can hear + The voice of my solitudes call! + We're nothing but brute with a little veneer, + And nature is best after all. + There's tumult and terror abroad in the street; + There's menace and doom in the air; + I've got to get back to my thousand-mile beat; + The trail where the cougar and silver-tip meet; + The snows and the camp-fire, with wolves at my feet; + Good-bye, for it's safer up there. + + <i>To be forming good habits up there; + To be starving on rabbits up there; + In your hunger and woe, + Though it's sixty below, + Oh, I know that it's safer up there!</i> +</pre> + <p> + <a name="link2H_4_0042" id="link2H_4_0042"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + A Song of Success + </h2> + <p> + </p> +<pre xml:space="preserve"> + Ho! we were strong, we were swift, we were brave. + Youth was a challenge, and Life was a fight. + All that was best in us gladly we gave, + Sprang from the rally, and leapt for the height. + Smiling is Love in a foam of Spring flowers: + Harden our hearts to him — on let us press! + Oh, what a triumph and pride shall be ours! + See where it beacons, the star of success! + + Cares seem to crowd on us — so much to do; + New fields to conquer, and time's on the wing. + Grey hairs are showing, a wrinkle or two; + Somehow our footstep is losing its spring. + Pleasure's forsaken us, Love ceased to smile; + Youth has been funeralled; Age travels fast. + Sometimes we wonder: is it worth while? + There! we have gained to the summit at last. + + Aye, we have triumphed! Now must we haste, + Revel in victory . . . why! what is wrong? + Life's choicest vintage is flat to the taste — + Are we too late? Have we laboured too long? + Wealth, power, fame we hold . . . ah! but the truth: + Would we not give this vain glory of ours + For one mad, glad year of glorious youth, + Life in the Springtide, and Love in the flowers. +</pre> + <p> + <a name="link2H_4_0043" id="link2H_4_0043"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + The Song of the Camp-Fire + </h2> + <p> + </p> +<pre xml:space="preserve"> + I + + Heed me, feed me, I am hungry, I am red-tongued with desire; + Boughs of balsam, slabs of cedar, gummy fagots of the pine, + Heap them on me, let me hug them to my eager heart of fire, + Roaring, soaring up to heaven as a symbol and a sign. + Bring me knots of sunny maple, silver birch and tamarack; + Leaping, sweeping, I will lap them with my ardent wings of flame; + I will kindle them to glory, I will beat the darkness back; + Streaming, gleaming, I will goad them to my glory and my fame. + Bring me gnarly limbs of live-oak, aid me in my frenzied fight; + Strips of iron-wood, scaly blue-gum, writhing redly in my hold; + With my lunge of lurid lances, with my whips that flail the night, + They will burgeon into beauty, they will foliate in gold. + Let me star the dim sierras, stab with light the inland seas; + Roaming wind and roaring darkness! seek no mercy at my hands; + I will mock the marly heavens, lamp the purple prairies, + I will flaunt my deathless banners down the far, unhouseled lands. + In the vast and vaulted pine-gloom where the pillared forests frown, + By the sullen, bestial rivers running where God only knows, + On the starlit coral beaches when the combers thunder down, + In the death-spell of the barrens, in the shudder of the snows; + In a blazing belt of triumph from the palm-leaf to the pine, + As a symbol of defiance lo! the wilderness I span; + And my beacons burn exultant as an everlasting sign + Of unending domination, of the mastery of Man; + I, the Life, the fierce Uplifter, I that weaned him from the mire; + I, the angel and the devil, I, the tyrant and the slave; + I, the Spirit of the Struggle; I, the mighty God of Fire; + I, the Maker and Destroyer; I, the Giver and the Grave. +</pre> + <p> + </p> +<pre xml:space="preserve"> + II + + Gather round me, boy and grey-beard, frontiersman of every kind. + Few are you, and far and lonely, yet an army forms behind: + By your camp-fires shall they know you, ashes scattered to the wind. + + Peer into my heart of solace, break your bannock at my blaze; + Smoking, stretched in lazy shelter, build your castles as you gaze; + Or, it may be, deep in dreaming, think of dim, unhappy days. + + Let my warmth and glow caress you, for your trails are grim and hard; + Let my arms of comfort press you, hunger-hewn and battle-scarred: + O my lovers! how I bless you with your lives so madly marred! + + For you seek the silent spaces, and their secret lore you glean: + For you win the savage races, and the brutish Wild you wean; + And I gladden desert places, where camp-fire has never been. + + From the Pole unto the Tropics is there trail ye have not dared? + And because you hold death lightly, so by death shall you be spared, + (As the sages of the ages in their pages have declared). + + On the roaring Arkilinik in a leaky bark canoe; + Up the cloud of Mount McKinley, where the avalanche leaps through; + In the furnace of Death Valley, when the mirage glimmers blue. + + Now a smudge of wiry willows on the weary Kuskoquim; + Now a flare of gummy pine-knots where Vancouver's scaur is grim; + Now a gleam of sunny ceiba, when the Cuban beaches dim. + + Always, always God's Great Open: lo! I burn with keener light + In the corridors of silence, in the vestibules of night; + 'Mid the ferns and grasses gleaming, was there ever gem so bright? + + Not for weaklings, not for women, like my brother of the hearth; + Ring your songs of wrath around me, I was made for manful mirth, + In the lusty, gusty greatness, on the bald spots of the earth. + + Men, my masters! men, my lovers! ye have fought and ye have bled; + Gather round my ruddy embers, softly glowing is my bed; + By my heart of solace dreaming, rest ye and be comforted! +</pre> + <p> + </p> +<pre xml:space="preserve"> + III + + I am dying, O my masters! by my fitful flame ye sleep; + My purple plumes of glory droop forlorn. + Grey ashes choke and cloak me, and above the pines there creep + The stealthy silver moccasins of morn. + There comes a countless army, it's the Legion of the Light; + It tramps in gleaming triumph round the world; + And before its jewelled lances all the shadows of the night + Back in to abysmal darknesses are hurled. + + Leap to life again, my lovers! ye must toil and never tire; + The day of daring, doing, brightens clear, + When the bed of spicy cedar and the jovial camp-fire + Must only be a memory of cheer. + There is hope and golden promise in the vast portentous dawn; + There is glamour in the glad, effluent sky: + Go and leave me; I will dream of you and love you when you're gone; + I have served you, O my masters! let me die. + + A little heap of ashes, grey and sodden by the rain, + Wind-scattered, blurred and blotted by the snow: + Let that be all to tell of me, and glorious again, + Ye things of greening gladness, leap and glow! + A black scar in the sunshine by the palm-leaf or the pine, + Blind to the night and dead to all desire; + Yet oh, of life and uplift what a symbol and a sign! + Yet oh, of power and conquest what a destiny is mine! + A little heap of ashes — Yea! a miracle divine, + The foot-print of a god, all-radiant Fire. +</pre> + <p> + <a name="link2H_4_0044" id="link2H_4_0044"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + Her Letter + </h2> + <p> + </p> +<pre xml:space="preserve"> + "I'm taking pen in hand this night, and hard it is for me; + My poor old fingers tremble so, my hand is stiff and slow, + And even with my glasses on I'm troubled sore to see. . . . + You'd little know your mother, boy; you'd little, little know. + You mind how brisk and bright I was, how straight and trim and smart; + 'Tis weariful I am the now, and bent and frail and grey. + I'm waiting at the road's end, lad; and all that's in my heart, + Is just to see my boy again before I'm called away." + + "Oh well I mind the sorry day you crossed the gurly sea; + 'Twas like the heart was torn from me, a waeful wife was I. + You said that you'd be home again in two years, maybe three; + But nigh a score of years have gone, and still the years go by. + I know it's cruel hard for you, you've bairnies of your own; + I know the siller's hard to win, and folks have used you ill: + But oh, think of your mother, lad, that's waiting by her lone! + And even if you canna come — <i>JUST WRITE AND SAY YOU WILL</i>." + + "Aye, even though there's little hope, just promise that you'll try. + It's weary, weary waiting, lad; just say you'll come next year. + I'm thinking there will be no 'next'; I'm thinking soon I'll lie + With all the ones I've laid away . . . but oh, the hope will cheer! + You know you're all that's left to me, and we are seas apart; + But if you'll only <i>SAY</i> you'll come, then will I hope and pray. + I'm waiting by the grave-side, lad; and all that's in my heart + Is just to see my boy again before I'm called away." +</pre> + <p> + <a name="link2H_4_0045" id="link2H_4_0045"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + The Man Who Knew + </h2> + <p> + </p> +<pre xml:space="preserve"> + The Dreamer visioned Life as it might be, + And from his dream forthright a picture grew, + A painting all the people thronged to see, + And joyed therein — till came the Man Who Knew, + Saying: "'Tis bad! Why do ye gape, ye fools! + He painteth not according to the schools." + + The Dreamer probed Life's mystery of woe, + And in a book he sought to give the clue; + The people read, and saw that it was so, + And read again — then came the Man Who Knew, + Saying: "Ye witless ones! this book is vile: + It hath not got the rudiments of style." + + Love smote the Dreamer's lips, and silver clear + He sang a song so sweet, so tender true, + That all the market-place was thrilled to hear, + And listened rapt — till came the Man Who Knew, + Saying: "His technique's wrong; he singeth ill. + Waste not your time." The singer's voice was still. + + And then the people roused as if from sleep, + Crying: "What care we if it be not Art! + Hath he not charmed us, made us laugh and weep? + Come, let us crown him where he sits apart." + Then, with his picture spurned, his book unread, + His song unsung, they found their Dreamer — <i>DEAD</i>. +</pre> + <p> + <a name="link2H_4_0046" id="link2H_4_0046"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + The Logger + </h2> + <p> + </p> +<pre xml:space="preserve"> + In the moonless, misty night, with my little pipe alight, + I am sitting by the camp-fire's fading cheer; + Oh, the dew is falling chill on the dim, deer-haunted hill, + And the breakers in the bay are moaning drear. + The toilful hours are sped, the boys are long abed, + And I alone a weary vigil keep; + In the sightless, sullen sky I can hear the night-hawk cry, + And the frogs in frenzied chorus from the creek. + + And somehow the embers' glow brings me back the long ago, + The days of merry laughter and light song; + When I sped the hours away with the gayest of the gay + In the giddy whirl of fashion's festal throng. + Oh, I ran a grilling race and I little recked the pace, + For the lust of youth ran riot in my blood; + But at last I made a stand in this God-forsaken land + Of the pine-tree and the mountain and the flood. + + And now I've got to stay, with an overdraft to pay, + For pleasure in the past with future pain; + And I'm not the chap to whine, for if the chance were mine + I know I'd choose the old life once again. + With its woman's eyes a-shine, and its flood of golden wine; + Its fever and its frolic and its fun; + The old life with its din, its laughter and its sin — + And chuck me in the gutter when it's done. + + Ah, well! it's past and gone, and the memory is wan, + That conjures up each old familiar face; + And here by fortune hurled, I am dead to all the world, + And I've learned to lose my pride and keep my place. + My ways are hard and rough, and my arms are strong and tough, + And I hew the dizzy pine till darkness falls; + And sometimes I take a dive, just to keep my heart alive, + Among the gay saloons and dancing halls. + + In the distant, dinful town just a little drink to drown + The cares that crowd and canker in my brain; + Just a little joy to still set my pulses all a-thrill, + Then back to brutish labour once again. + And things will go on so until one day I shall know + That Death has got me cinched beyond a doubt; + Then I'll crawl away from sight, and morosely in the night + My weary, wasted life will peter out. + + Then the boys will gather round, and they'll launch me in the ground, + And pile the stones the timber wolf to foil; + And the moaning pine will wave overhead a nameless grave, + Where the black snake in the sunshine loves to coil. + And they'll leave me there alone, and perhaps with softened tone + Speak of me sometimes in the camp-fire's glow, + As a played-out, broken chum, who has gone to Kingdom Come, + And who went the pace in England long ago. +</pre> + <p> + <a name="link2H_4_0047" id="link2H_4_0047"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + The Passing of the Year + </h2> + <p> + </p> +<pre xml:space="preserve"> + My glass is filled, my pipe is lit, + My den is all a cosy glow; + And snug before the fire I sit, + And wait to <i>FEEL</i> the old year go. + I dedicate to solemn thought + Amid my too-unthinking days, + This sober moment, sadly fraught + With much of blame, with little praise. + + Old Year! upon the Stage of Time + You stand to bow your last adieu; + A moment, and the prompter's chime + Will ring the curtain down on you. + Your mien is sad, your step is slow; + You falter as a Sage in pain; + Yet turn, Old Year, before you go, + And face your audience again. + + That sphinx-like face, remote, austere, + Let us all read, whate'er the cost: + O Maiden! why that bitter tear? + Is it for dear one you have lost? + Is it for fond illusion gone? + For trusted lover proved untrue? + O sweet girl-face, so sad, so wan + What hath the Old Year meant to you? + + And you, O neighbour on my right + So sleek, so prosperously clad! + What see you in that aged wight + That makes your smile so gay and glad? + What opportunity unmissed? + What golden gain, what pride of place? + What splendid hope? O Optimist! + What read you in that withered face? + + And You, deep shrinking in the gloom, + What find you in that filmy gaze? + What menace of a tragic doom? + What dark, condemning yesterdays? + What urge to crime, what evil done? + What cold, confronting shape of fear? + O haggard, haunted, hidden One + What see you in the dying year? + + And so from face to face I flit, + The countless eyes that stare and stare; + Some are with approbation lit, + And some are shadowed with despair. + Some show a smile and some a frown; + Some joy and hope, some pain and woe: + Enough! Oh, ring the curtain down! + Old weary year! it's time to go. + + My pipe is out, my glass is dry; + My fire is almost ashes too; + But once again, before you go, + And I prepare to meet the New: + Old Year! a parting word that's true, + For we've been comrades, you and I — + <i>I THANK GOD FOR EACH DAY OF YOU</i>; + There! bless you now! Old Year, good-bye! +</pre> + <p> + <a name="link2H_4_0048" id="link2H_4_0048"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + The Ghosts + </h2> + <p> + </p> +<pre xml:space="preserve"> + Smith, great writer of stories, drank; found it immortalised his pen; + Fused in his brain-pan, else a blank, heavens of glory now and then; + Gave him the magical genius touch; God-given power to gouge out, fling + Flat in your face a soul-thought — Bing! + Twiddle your heart-strings in his clutch. + "Bah!" said Smith, "let my body lie stripped to the buff in swinish shame, + If I can blaze in the radiant sky out of adoring stars my name. + Sober am I nonentitized; drunk am I more than half a god. + Well, let the flesh be sacrificed; spirit shall speak and shame the clod. + Who would not gladly, gladly give Life to do one thing that will live?" + + Smith had a friend, we'll call him Brown; + dearer than brothers were those two. + When in the wassail Smith would drown, + Brown would rescue and pull him through. + When Brown was needful Smith would lend; so it fell as the years went by, + Each on the other would depend: then at the last Smith came to die. + + There Brown sat in the sick man's room, still as a stone in his despair; + Smith bent on him his eyes of doom, shook back his lion mane of hair; + Said: "Is there one in my chosen line, writer of forthright tales my peer? + Look in that little desk of mine; there is a package, bring it here. + Story of stories, gem of all; essence and triumph, key and clue; + Tale of a loving woman's fall; soul swept hell-ward, and God! it's true. + I was the man — Oh, yes, I've paid, paid with mighty and mordant pain. + Look! here's the masterpiece I've made out of my sin, my manhood slain. + Art supreme! yet the world would stare, know my mistress and blaze my shame. + I have a wife and daughter — there! take it and thrust it in the flame." + + Brown answered: "Master, you have dipped + pen in your heart, your phrases sear. + Ruthless, unflinching, you have stripped naked your soul and set it here. + Have I not loved you well and true? See! between us the shadows drift; + This bit of blood and tears means You — oh, let me have it, a parting gift. + Sacred I'll hold it, a trust divine; sacred your honour, her dark despair; + Never shall it see printed line: here, by the living God I swear." + Brown on a Bible laid his hand; Smith, great writer of stories, sighed: + "Comrade, I trust you, and understand. Keep my secret!" And so he died. + + Smith was buried — up soared his sales; lured you his books in every store; + Exquisite, whimsy, heart-wrung tales; men devoured them and craved for more. + So when it slyly got about Brown had a posthumous manuscript, + Jones, the publisher, sought him out, into his pocket deep he dipped. + "A thousand dollars?" Brown shook his head. + "The story is not for sale," he said. + + Jones went away, then others came. Tempted and taunted, Brown was true. + Guarded at friendship's shrine the fame + of the unpublished story grew and grew. + It's a long, long lane that has no end, + but some lanes end in the Potter's field; + Smith to Brown had been more than friend: patron, protector, spur and shield. + Poor, loving-wistful, dreamy Brown, long and lean, with a smile askew, + Friendless he wandered up and down, gaunt as a wolf, as hungry too. + Brown with his lilt of saucy rhyme, Brown with his tilt of tender mirth + Garretless in the gloom and grime, singing his glad, mad songs of earth: + So at last with a faith divine, down and down to the Hunger-line. + + There as he stood in a woeful plight, + tears a-freeze on his sharp cheek-bones, + Who should chance to behold his plight, + but the publisher, the plethoric Jones; + Peered at him for a little while, held out a bill: "<i>NOW</i>, will you sell?" + Brown scanned it with his twisted smile: + "A thousand dollars! you go to hell!" + + Brown enrolled in the homeless host, sleeping anywhere, anywhen; + Suffered, strove, became a ghost, slave of the lamp for other men; + For What's-his-name and So-and-so in the abyss his soul he stripped, + Yet in his want, his worst of woe, held he fast to the manuscript. + Then one day as he chewed his pen, half in hunger and half despair, + Creaked the door of his garret den; Dick, his brother, was standing there. + Down on the pallet bed he sank, ashen his face, his voice a wail: + "Save me, brother! I've robbed the bank; to-morrow it's ruin, capture, gaol. + Yet there's a chance: I could to-day pay back the money, save our name; + You have a manuscript, they say, + worth a thousand — think, man! the shame. . . ." + Brown with his heart pain-pierced the while, + with his stern, starved face, and his lips stone-pale, + Shuddered and smiled his twisted smile: "Brother, I guess you go to gaol." + + While poor Brown in the leer of dawn wrestled with God for the sacred fire, + Came there a woman weak and wan, out of the mob, the murk, the mire; + Frail as a reed, a fellow ghost, weary with woe, with sorrowing; + Two pale souls in the legion lost; lo! Love bent with a tender wing, + Taught them a joy so deep, so true, + it seemed that the whole-world fabric shook, + Thrilled and dissolved in radiant dew; then Brown made him a golden book, + Full of the faith that Life is good, that the earth is a dream divinely fair, + Lauding his gem of womanhood in many a lyric rich and rare; + Took it to Jones, who shook his head: "I will consider it," he said. + + While he considered, Brown's wife lay clutched in the tentacles of pain; + Then came the doctor, grave and grey; spoke of decline, of nervous strain; + Hinted Egypt, the South of France — Brown with terror was tiger-gripped. + Where was the money? What the chance? Pitiful God! . . . the manuscript! + A thousand dollars! his only hope! + he gazed and gazed at the garret wall. . . . + Reached at last for the envelope, turned to his wife and told her all. + Told of his friend, his promise true; told like his very heart would break: + "Oh, my dearest! what shall I do? shall I not sell it for your sake?" + Ghostlike she lay, as still as doom; turned to the wall her weary head; + Icy-cold in the pallid gloom, silent as death . . . at last she said: + "Do! my husband? Keep your vow! Guard his secret and let me die. . . . + Oh, my dear, I must tell you now — <i>THE WOMAN HE LOVED AND WRONGED WAS I</i>; + Darling! I haven't long to live: I never told you — forgive, forgive!" + + For a long, long time Brown did not speak; + sat bleak-browed in the wretched room; + Slowly a tear stole down his cheek, + and he kissed her hand in the dismal gloom. + To break his oath, to brand her shame; + his well-loved friend, his worshipped wife; + To keep his vow, to save her name, yet at the cost of what? Her life! + A moment's space did he hesitate, a moment of pain and dread and doubt, + Then he broke the seals, and, stern as fate, + unfolded the sheets and spread them out. . . . + On his knees by her side he limply sank, + peering amazed — <i>EACH PAGE WAS BLANK</i>. + + (For oh, the supremest of our art are the stories we do not dare to tell, + Locked in the silence of the heart, + for the awful records of Heav'n and Hell.) + + Yet those two in the silence there, seemed less weariful than before. + Hark! a step on the garret stair, a postman knocks at the flimsy door. + "Registered letter!" Brown thrills with fear; + opens, and reads, then bends above: + "Glorious tidings! Egypt, dear! The book is accepted — life and love." +</pre> + <p> + <a name="link2H_4_0049" id="link2H_4_0049"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + Good-Bye, Little Cabin + </h2> + <p> + </p> +<pre xml:space="preserve"> + O dear little cabin, I've loved you so long, + And now I must bid you good-bye! + I've filled you with laughter, I've thrilled you with song, + And sometimes I've wished I could cry. + Your walls they have witnessed a weariful fight, + And rung to a won Waterloo: + But oh, in my triumph I'm dreary to-night — + Good-bye, little cabin, to you! + + Your roof is bewhiskered, your floor is a-slant, + Your walls seem to sag and to swing; + I'm trying to find just your faults, but I can't — + You poor, tired, heart-broken old thing! + I've seen when you've been the best friend that I had, + Your light like a gem on the snow; + You're sort of a part of me — Gee! but I'm sad; + I hate, little cabin, to go. + + Below your cracked window red raspberries climb; + A hornet's nest hangs from a beam; + Your rafters are scribbled with adage and rhyme, + And dimmed with tobacco and dream. + "Each day has its laugh", and "Don't worry, just work". + Such mottoes reproachfully shine. + Old calendars dangle — what memories lurk + About you, dear cabin of mine! + + I hear the world-call and the clang of the fight; + I hear the hoarse cry of my kind; + Yet well do I know, as I quit you to-night, + It's Youth that I'm leaving behind. + And often I'll think of you, empty and black, + Moose antlers nailed over your door: + Oh, if I should perish my ghost will come back + To dwell in you, cabin, once more! + + How cold, still and lonely, how weary you seem! + A last wistful look and I'll go. + Oh, will you remember the lad with his dream! + The lad that you comforted so. + The shadows enfold you, it's drawing to-night; + The evening star needles the sky: + And huh! but it's stinging and stabbing my sight — + God bless you, old cabin, good-bye! +</pre> + <p> + <a name="link2H_4_0050" id="link2H_4_0050"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + Heart o' the North + </h2> + <p> + </p> +<pre xml:space="preserve"> + And when I come to the dim trail-end, + I who have been Life's rover, + This is all I would ask, my friend, + Over and over and over: + + A little space on a stony hill + With never another near me, + Sky o' the North that's vast and still, + With a single star to cheer me; + + Star that gleams on a moss-grey stone + Graven by those who love me — + There would I lie alone, alone, + With a single pine above me; + + Pine that the north wind whinneys through — + Oh, I have been Life's lover! + But there I'd lie and listen to + Eternity passing over. +</pre> + <p> + <a name="link2H_4_0051" id="link2H_4_0051"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <p> + </p> + <h2> + The Scribe's Prayer + </h2> + <p> + </p> +<pre xml:space="preserve"> + When from my fumbling hand the tired pen falls, + And in the twilight weary droops my head; + While to my quiet heart a still voice calls, + Calls me to join my kindred of the Dead: + Grant that I may, O Lord, ere rest be mine, + Write to Thy praise one radiant, ringing line. + + For all of worth that in this clay abides, + The leaping rapture and the ardent flame, + The hope, the high resolve, the faith that guides: + All, all is Thine, and liveth in Thy name: + Lord, have I dallied with the sacred fire! + Lord, have I trailed Thy glory in the mire! + + E'en as a toper from the dram-shop reeling, + Sees in his garret's blackness, dazzling fair, + All that he might have been, and, heart-sick, kneeling, + Sobs in the passion of a vast despair: + So my ideal self haunts me alway — + When the accounting comes, how shall I pay? + + For in the dark I grope, nor understand; + And in my heart fight selfishness and sin: + Yet, Lord, I do not seek Thy helping hand; + Rather let me my own salvation win: + Let me through strife and penitential pain + Onward and upward to the heights attain. + + Yea, let me live my life, its meaning seek; + Bear myself fitly in the ringing fight; + Strive to be strong that I may aid the weak; + Dare to be true — O God! the Light, the Light! + Cometh the Dark so soon. I've mocked Thy Word; + Yet do I know Thy Love: have mercy, Lord. . . . +</pre> + <p> + </p> +<pre xml:space="preserve"> + <i>FINIS</i> +</pre> + <p> + </p> + <p> + Some of Service's Books of Poetry: + </p> + <p> + </p> +<pre xml:space="preserve"> + + The Spell of the Yukon (1907) a.k.a. Songs of a Sourdough + Ballads of a Cheechako (1909) + [Note: A Sourdough is an old-timer, while a Cheechako is a newbie.] + Rhymes of a Rolling Stone (1912) + Rhymes of a Red Cross Man (1916) + Ballads of a Bohemian (1921) + Bar-Room Ballads (1940) + The Complete Poems (1947?) [This is a compilation of the first six books.] + Songs of a Sunlover + Rhymes of a Roughneck + Lyrics of a Low Brow + Rhymes of a Rebel + The Collected Poems + Songs For My Supper (1953) + Rhymes For My Rags (1956) +</pre> + <p> + </p> + <p> + Some other books by Robert W. Service: + </p> + <p> + </p> +<pre xml:space="preserve"> +Novels: + + The Trail of '98 — A Northland Romance (1910) + The Pretender + The Poisoned Paradise + The Roughneck + The Master of the Microbe + The House of Fear +</pre> + <p> + </p> +<pre xml:space="preserve"> +Autobiography: + + Ploughman of the Moon (1945) + Harper of Heaven (1948) +</pre> + <p> + </p> +<pre xml:space="preserve"> +Miscellaneous: + + Why not grow Young +</pre> + <p> + <br /><br /> + </p> +<pre xml:space="preserve"> + + + + + +End of Project Gutenberg's Rhymes of a Rolling Stone, by Robert W. Service + +*** END OF THIS PROJECT GUTENBERG EBOOK RHYMES OF A ROLLING STONE *** + +***** This file should be named 309-h.htm or 309-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/3/0/309/ + +Produced by A. Light, and David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + <p> + </p> + </body> +</html> |