summaryrefslogtreecommitdiff
path: root/3088-h
diff options
context:
space:
mode:
Diffstat (limited to '3088-h')
-rw-r--r--3088-h/3088-h.htm3754
1 files changed, 3754 insertions, 0 deletions
diff --git a/3088-h/3088-h.htm b/3088-h/3088-h.htm
new file mode 100644
index 0000000..1305529
--- /dev/null
+++ b/3088-h/3088-h.htm
@@ -0,0 +1,3754 @@
+<?xml version="1.0" encoding="utf-8"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <title>
+ Original Short Stories, Volume 12 (of 13), by Guy de Maupassant
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd7; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+ <p>
+ <br /><br />
+ </p>
+<pre xml:space="preserve">
+The Project Gutenberg EBook of Original Short Stories of Maupassant,
+Volume 12, by Guy de Maupassant
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Original Short Stories, Volume 12 (of 13)
+
+Author: Guy de Maupassant
+
+Release Date: August 16, 2006 [EBook #3088]
+Last Updated: February 23, 2018
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK MAUPASSANT SHORT STORIES ***
+
+
+
+Produced by David Widger
+
+
+
+
+
+</pre>
+ <h1>
+ ORIGINAL SHORT STORIES<br />VOLUME 12 (of 13)
+ </h1>
+ <p>
+ <br /><br />
+ </p>
+ <h1>
+ By Guy De Maupassant
+ </h1>
+ <p>
+ <br /><br />
+ </p>
+ <h4>
+ Translated by <br /><br /> ALBERT M. C. McMASTER, B.A.<br /> A. E. HENDERSON,
+ B.A.<br /> MME. QUESADA and Others
+ </h4>
+ <p>
+ <br />
+ </p>
+ <table summary="" style="margin-right: auto; margin-left: auto" cellpadding="4" border="3">
+ <tbody>
+ <tr>
+ <td>
+ &nbsp;&nbsp;&nbsp;<a
+ href="https://www.gutenberg.org/files/28076/28076-h/28076-h.htm"><b>INDEX
+ TO ALL VOLUMES</b>&nbsp;&nbsp;&nbsp;</a>
+ </td>
+ <td>
+ </td>
+ </tr>
+ </tbody>
+ </table>
+ <p>
+ <br /> <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <blockquote>
+ <p class="toc">
+ <big><b>CONTENTS</b></big>
+ </p>
+ <p>
+ <br />
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0001"> THE CHILD </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0002"> A COUNTRY EXCURSION </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0003"> ROSE </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0004"> ROSALIE PRUDENT </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0005"> REGRET </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0006"> A SISTER'S CONFESSION </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0007"> COCO </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0008"> DEAD WOMAN'S SECRET </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0009"> A HUMBLE DRAMA </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0010"> MADEMOISELLE COCOTTE </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0011"> THE CORSICAN BANDIT </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0012"> THE GRAVE </a>
+ </p>
+ </blockquote>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br /> <a name="link2H_4_0001" id="link2H_4_0001">
+ <!-- H2 anchor --> </a>
+ </p>
+ <h2>
+ THE CHILD
+ </h2>
+ <p>
+ Lemonnier had remained a widower with one child. He had loved his wife
+ devotedly, with a tender and exalted love, without a slip, during their
+ entire married life. He was a good, honest man, perfectly simple, sincere,
+ without suspicion or malice.
+ </p>
+ <p>
+ He fell in love with a poor neighbor, proposed and was accepted. He was
+ making a very comfortable living out of the wholesale cloth business, and
+ he did not for a minute suspect that the young girl might have accepted
+ him for anything else but himself.
+ </p>
+ <p>
+ She made him happy. She was everything to him; he only thought of her,
+ looked at her continually, with worshiping eyes. During meals he would
+ make any number of blunders, in order not to have to take his eyes from
+ the beloved face; he would pour the wine in his plate and the water in the
+ salt-cellar, then he would laugh like a child, repeating:
+ </p>
+ <p>
+ &ldquo;You see, I love you too much; that makes me crazy.&rdquo;
+ </p>
+ <p>
+ She would smile with a calm and resigned look; then she would look away,
+ as though embarrassed by the adoration of her husband, and try to make him
+ talk about something else; but he would take her hand under the table and
+ he would hold it in his, whispering:
+ </p>
+ <p>
+ &ldquo;My little Jeanne, my darling little Jeanne!&rdquo;
+ </p>
+ <p>
+ She sometimes lost patience and said:
+ </p>
+ <p>
+ &ldquo;Come, come, be reasonable; eat and let me eat.&rdquo;
+ </p>
+ <p>
+ He would sigh and break off a mouthful of bread, which he would then chew
+ slowly.
+ </p>
+ <p>
+ For five years they had no children. Then suddenly she announced to him
+ that this state of affairs would soon cease. He was wild with joy. He no
+ longer left her for a minute, until his old nurse, who had brought him up
+ and who often ruled the house, would push him out and close the door
+ behind him, in order to compel him to go out in the fresh air.
+ </p>
+ <p>
+ He had grown very intimate with a young man who had known his wife since
+ childhood, and who was one of the prefect's secretaries. M. Duretour would
+ dine three times a week with the Lemonniers, bringing flowers to madame,
+ and sometimes a box at the theater; and often, at the end of the dinner,
+ Lemonnier, growing tender, turning towards his wife, would explain: &ldquo;With
+ a companion like you and a friend like him, a man is completely happy on
+ earth.&rdquo;
+ </p>
+ <p>
+ She died in childbirth. The shock almost killed him. But the sight of the
+ child, a poor, moaning little creature, gave him courage.
+ </p>
+ <p>
+ He loved it with a passionate and sorrowful love, with a morbid love in
+ which stuck the memory of death, but in which lived something of his
+ worship for the dead mother. It was the flesh of his wife, her being
+ continued, a sort of quintessence of herself. This child was her very life
+ transferred to another body; she had disappeared that it might exist, and
+ the father would smother it in with kisses. But also, this child had
+ killed her; he had stolen this beloved creature, his life was at the cost
+ of hers. And M. Lemonnier would place his son in the cradle and would sit
+ down and watch him. He would sit this way by the hour, looking at him,
+ dreaming of thousands of things, sweet or sad. Then, when the little one
+ was asleep, he would bend over him and sob.
+ </p>
+ <p>
+ The child grew. The father could no longer spend an hour away from him; he
+ would stay near him, take him out for walks, and himself dress him, wash
+ him, make him eat. His friend, M. Duretour, also seemed to love the boy;
+ he would kiss him wildly, in those frenzies of tenderness which are
+ characteristic of parents. He would toss him in his arms, he would trot
+ him on his knees, by the hour, and M. Lemonnier, delighted, would mutter:
+ </p>
+ <p>
+ &ldquo;Isn't he a darling? Isn't he a darling?&rdquo;
+ </p>
+ <p>
+ And M. Duretour would hug the child in his arms and tickle his neck with
+ his mustache.
+ </p>
+ <p>
+ Celeste, the old nurse, alone, seemed to have no tenderness for the little
+ one. She would grow angry at his pranks, and seemed impatient at the
+ caresses of the two men. She would exclaim:
+ </p>
+ <p>
+ &ldquo;How can you expect to bring a child up like that? You'll make a perfect
+ monkey out of him.&rdquo;
+ </p>
+ <p>
+ Years went by, and Jean was nine years old. He hardly knew how to read; he
+ had been so spoiled, and only did as he saw fit. He was willful, stubborn
+ and quick-tempered. The father always gave in to him and let him have his
+ own way. M. Duretour would always buy him all the toys he wished, and he
+ fed him on cake and candies. Then Celeste would grow angry and exclaim:
+ </p>
+ <p>
+ &ldquo;It's a shame, monsieur, a shame. You are spoiling this child. But it will
+ have to stop; yes, sir, I tell you it will have to stop, and before long,
+ too.&rdquo;
+ </p>
+ <p>
+ M. Lemonnier would answer, smiling:
+ </p>
+ <p>
+ &ldquo;What can you expect? I love him too much, I can't resist him; you must
+ get used to it.&rdquo;
+ </p>
+ <p>
+ Jean was delicate, rather. The doctor said that he was anaemic, prescribed
+ iron, rare meat and broth.
+ </p>
+ <p>
+ But the little fellow loved only cake and refused all other nourishment;
+ and the father, in despair, stuffed him with cream-puffs and chocolate
+ eclairs.
+ </p>
+ <p>
+ One evening, as they were sitting down to supper, Celeste brought on the
+ soup with an air of authority and an assurance which she did not usually
+ have. She took off the cover and, dipping the ladle into the dish, she
+ declared:
+ </p>
+ <p>
+ &ldquo;Here is some broth such as I have never made; the young one will have to
+ take some this time.&rdquo;
+ </p>
+ <p>
+ M. Lemonnier, frightened, bent his head. He saw a storm brewing.
+ </p>
+ <p>
+ Celeste took his plate, filled it herself and placed it in front of him.
+ </p>
+ <p>
+ He tasted the soup and said:
+ </p>
+ <p>
+ &ldquo;It is, indeed, excellent.&rdquo;
+ </p>
+ <p>
+ The servant took the boy's plate and poured a spoonful of soup in it. Then
+ she retreated a few steps and waited.
+ </p>
+ <p>
+ Jean smelled the food and pushed his plate away with an expression of
+ disgust. Celeste, suddenly pale, quickly stepped forward and forcibly
+ poured a spoonful down the child's open mouth.
+ </p>
+ <p>
+ He choked, coughed, sneezed, spat; howling, he seized his glass and threw
+ it at his nurse. She received it full in the stomach. Then, exasperated,
+ she took the young shaver's head under her arm and began pouring spoonful
+ after spoonful of soup down his throat. He grew as red as a beet, and he
+ would cough it up, stamping, twisting, choking, beating the air with his
+ hands.
+ </p>
+ <p>
+ At first the father was so surprised that he could not move. Then,
+ suddenly, he rushed forward, wild with rage, seized the servant by the
+ throat and threw her up against the wall stammering:
+ </p>
+ <p>
+ &ldquo;Out! Out! Out! you brute!&rdquo;
+ </p>
+ <p>
+ But she shook him off, and, her hair streaming down her back, her eyes
+ snapping, she cried out:
+ </p>
+ <p>
+ &ldquo;What's gettin' hold of you? You're trying to thrash me because I am
+ making this child eat soup when you are filling him with sweet stuff!&rdquo;
+ </p>
+ <p>
+ He kept repeating, trembling from head to foot:
+ </p>
+ <p>
+ &ldquo;Out! Get out-get out, you brute!&rdquo;
+ </p>
+ <p>
+ Then, wild, she turned to him and, pushing her face up against his, her
+ voice trembling:
+ </p>
+ <p>
+ &ldquo;Ah!&mdash;you think-you think that you can treat me like that? Oh! no.
+ And for whom?&mdash;for that brat who is not even yours. No, not yours!
+ No, not yours&mdash;not yours! Everybody knows it, except yourself! Ask
+ the grocer, the butcher, the baker, all of them, any one of them!&rdquo;
+ </p>
+ <p>
+ She was growling and mumbling, choked with passion; then she stopped and
+ looked at him.
+ </p>
+ <p>
+ He was motionless livid, his arms hanging by his sides. After a short
+ pause, he murmured in a faint, shaky voice, instinct with deep feeling:
+ </p>
+ <p>
+ &ldquo;You say? you say? What do you say?&rdquo;
+ </p>
+ <p>
+ She remained silent, frightened by his appearance. Once more he stepped
+ forward, repeating:
+ </p>
+ <p>
+ &ldquo;You say&mdash;what do you say?&rdquo;
+ </p>
+ <p>
+ Then in a calm voice, she answered:
+ </p>
+ <p>
+ &ldquo;I say what I know, what everybody knows.&rdquo;
+ </p>
+ <p>
+ He seized her and, with the fury of a beast, he tried to throw her down.
+ But, although old, she was strong and nimble. She slipped under his arm,
+ and running around the table once more furious, she screamed:
+ </p>
+ <p>
+ &ldquo;Look at him, just look at him, fool that you are! Isn't he the living
+ image of M. Durefour? just look at his nose and his eyes! Are yours like
+ that? And his hair! Is it like his mother's? I tell you that everyone
+ knows it, everyone except yourself! It's the joke of the town! Look at
+ him!&rdquo;
+ </p>
+ <p>
+ She went to the door, opened it, and disappeared.
+ </p>
+ <p>
+ Jean, frightened, sat motionless before his plate of soup.
+ </p>
+ <p>
+ At the end of an hour, she returned gently, to see how matters stood. The
+ child, after doing away with all the cakes and a pitcher full of cream and
+ one of syrup, was now emptying the jam-pot with his soup-spoon.
+ </p>
+ <p>
+ The father had gone out.
+ </p>
+ <p>
+ Celeste took the child, kissed him, and gently carried him to his room and
+ put him to bed. She came back to the dining-room, cleared the table, put
+ everything in place, feeling very uneasy all the time.
+ </p>
+ <p>
+ Not a single sound could be heard throughout the house. She put her ear
+ against her master's door. He seemed to be perfectly still. She put her
+ eye to the keyhole. He was writing, and seemed very calm.
+ </p>
+ <p>
+ Then she returned to the kitchen and sat down, ready for any emergency.
+ She slept on a chair and awoke at daylight.
+ </p>
+ <p>
+ She did the rooms as she had been accustomed to every morning; she swept
+ and dusted, and, towards eight o'clock, prepared M. Lemonnier's breakfast.
+ </p>
+ <p>
+ But she did not dare bring it to her master, knowing too well how she
+ would be received; she waited for him to ring. But he did not ring. Nine
+ o'clock, then ten o'clock went by.
+ </p>
+ <p>
+ Celeste, not knowing what to think, prepared her tray and started up with
+ it, her heart beating fast.
+ </p>
+ <p>
+ She stopped before the door and listened. Everything was still. She
+ knocked; no answer. Then, gathering up all her courage, she opened the
+ door and entered. With a wild shriek, she dropped the breakfast tray which
+ she had been holding in her hand.
+ </p>
+ <p>
+ In the middle of the room, M. Lemonnier was hanging by a rope from a ring
+ in the ceiling. His tongue was sticking out horribly. His right slipper
+ was lying on the ground, his left one still on his foot. An upturned chair
+ had rolled over to the bed.
+ </p>
+ <p>
+ Celeste, dazed, ran away shrieking. All the neighbors crowded together.
+ The physician declared that he had died at about midnight.
+ </p>
+ <p>
+ A letter addressed to M. Duretdur was found on the table of the suicide.
+ It contained these words:
+ </p>
+ <p>
+ &ldquo;I leave and entrust the child to you!&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0002" id="link2H_4_0002">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ A COUNTRY EXCURSION
+ </h2>
+ <p>
+ For five months they had been talking of going to take luncheon in one of
+ the country suburbs of Paris on Madame Dufour's birthday, and as they were
+ looking forward very impatiently to the outing, they rose very early that
+ morning. Monsieur Dufour had borrowed the milkman's wagon and drove
+ himself. It was a very tidy, two-wheeled conveyance, with a cover
+ supported by four iron rods, with curtains that had been drawn up, except
+ the one at the back, which floated out like a sail. Madame Dufour,
+ resplendent in a wonderful, cherry colored silk dress, sat by the side of
+ her husband.
+ </p>
+ <p>
+ The old grandmother and a girl sat behind them on two chairs, and a boy
+ with yellow hair was lying at the bottom of the wagon, with nothing to be
+ seen of him except his head.
+ </p>
+ <p>
+ When they reached the bridge of Neuilly, Monsieur Dufour said: &ldquo;Here we
+ are in the country at last!&rdquo; and at that signal his wife grew sentimental
+ about the beauties of nature. When they got to the crossroads at
+ Courbevoie they were seized with admiration for the distant landscape. On
+ the right was Argenteuil with its bell tower, and above it rose the hills
+ of Sannois and the mill of Orgemont, while on the left the aqueduct of
+ Marly stood out against the clear morning sky, and in the distance they
+ could see the terrace of Saint-Germain; and opposite them, at the end of a
+ low chain of hills, the new fort of Cormeilles. Quite in the distance; a
+ very long way off, beyond the plains and village, one could see the sombre
+ green of the forests.
+ </p>
+ <p>
+ The sun was beginning to burn their faces, the dust got into their eyes,
+ and on either side of the road there stretched an interminable tract of
+ bare, ugly country with an unpleasant odor. One might have thought that it
+ had been ravaged by a pestilence, which had even attacked the buildings,
+ for skeletons of dilapidated and deserted houses, or small cottages, which
+ were left in an unfinished state, because the contractors had not been
+ paid, reared their four roofless walls on each side.
+ </p>
+ <p>
+ Here and there tall factory chimneys rose up from the barren soil. The
+ only vegetation on that putrid land, where the spring breezes wafted an
+ odor of petroleum and slate, blended with another odor that was even less
+ agreeable. At last, however, they crossed the Seine a second time, and the
+ bridge was a delight. The river sparkled in the sun, and they had a
+ feeling of quiet enjoyment, felt refreshed as they drank in the purer air
+ that was not impregnated by the black smoke of factories nor by the miasma
+ from the deposits of night soil. A man whom they met told them that the
+ name of the place was Bezons. Monsieur Dufour pulled up and read the
+ attractive announcement outside an eating house: Restaurant Poulin,
+ matelottes and fried fish, private rooms, arbors, and swings.
+ </p>
+ <p>
+ &ldquo;Well, Madame Dufour, will this suit you? Will you make up your mind at
+ last?&rdquo;
+ </p>
+ <p>
+ She read the announcement in her turn and then looked at the house for
+ some time.
+ </p>
+ <p>
+ It was a white country inn, built by the roadside, and through the open
+ door she could see the bright zinc of the counter, at which sat two
+ workmen in their Sunday clothes. At last she made up her mind and said:
+ </p>
+ <p>
+ &ldquo;Yes, this will do; and, besides, there is a view.&rdquo;
+ </p>
+ <p>
+ They drove into a large field behind the inn, separated from the river by
+ the towing path, and dismounted. The husband sprang out first and then
+ held out his arms for his wife, and as the step was very high Madame
+ Dufour, in order to reach him, had to show the lower part of her limbs,
+ whose former slenderness had disappeared in fat, and Monsieur Dufour, who
+ was already getting excited by the country air, pinched her calf, and
+ then, taking her in his arms, he set her on the ground, as if she had been
+ some enormous bundle. She shook the dust out of the silk dress and then
+ looked round to see in what sort of a place she was.
+ </p>
+ <p>
+ She was a stout woman, of about thirty-six, full-blown, and delightful to
+ look at. She could hardly breathe, as her corsets were laced too tightly,
+ and their pressure forced her superabundant bosom up to her double chin.
+ Next the girl placed her hand on her father's shoulder and jumped down
+ lightly. The boy with the yellow hair had got down by stepping on the
+ wheel, and he helped Monsieur Dufour to lift his grandmother out. Then
+ they unharnessed the horse, which they had tied to a tree, and the
+ carriage fell back, with both shafts in the air. The men took off their
+ coats and washed their hands in a pail of water and then went and joined
+ the ladies, who had already taken possession of the swings.
+ </p>
+ <p>
+ Mademoiselle Dufour was trying to swing herself standing up, but she could
+ not succeed in getting a start. She was a pretty girl of about eighteen,
+ one of those women who suddenly excite your desire when you meet them in
+ the street and who leave you with a vague feeling of uneasiness and of
+ excited senses. She was tall, had a small waist and large hips, with a
+ dark skin, very large eyes and very black hair. Her dress clearly marked
+ the outlines of her firm, full figure, which was accentuated by the motion
+ of her hips as she tried to swing herself higher. Her arms were stretched
+ upward to hold the rope, so that her bosom rose at every movement she
+ made. Her hat, which a gust of wind had blown off, was hanging behind her,
+ and as the swing gradually rose higher and higher, she showed her delicate
+ limbs up to the knees each time, and the breeze from her flying skirts,
+ which was more heady than the fumes of wine, blew into the faces of the
+ two men, who were looking at her and smiling.
+ </p>
+ <p>
+ Sitting in the other swing, Madame Dufour kept saying in a monotonous
+ voice:
+ </p>
+ <p>
+ &ldquo;Cyprian, come and swing me; do come and swing me, Cyprian!&rdquo;
+ </p>
+ <p>
+ At last he went, and turning up his shirt sleeves, as if undertaking a
+ hard piece of work, with much difficulty he set his wife in motion. She
+ clutched the two ropes and held her legs out straight, so as not to touch
+ the ground. She enjoyed feeling dizzy at the motion of the swing, and her
+ whole figure shook like a jelly on a dish, but as she went higher and
+ higher; she became too giddy and was frightened. Each time the swing came
+ down she uttered a piercing scream, which made all the little urchins in
+ the neighborhood come round, and down below, beneath the garden hedge, she
+ vaguely saw a row of mischievous heads making various grimaces as they
+ laughed.
+ </p>
+ <p>
+ When a servant girl came out they ordered luncheon.
+ </p>
+ <p>
+ &ldquo;Some fried fish, a rabbit saute, salad and dessert,&rdquo; Madame Dufour said,
+ with an important air.
+ </p>
+ <p>
+ &ldquo;Bring two quarts of beer and a bottle of claret,&rdquo; her husband said.
+ </p>
+ <p>
+ &ldquo;We will have lunch on the grass,&rdquo; the girl added.
+ </p>
+ <p>
+ The grandmother, who had an affection for cats, had been running after one
+ that belonged to the house, trying to coax it to come to her for the last
+ ten minutes. The animal, who was no doubt secretly flattered by her
+ attentions, kept close to the good woman, but just out of reach of her
+ hand, and quietly walked round the trees, against which she rubbed
+ herself, with her tail up, purring with pleasure.
+ </p>
+ <p>
+ &ldquo;Hello!&rdquo; suddenly exclaimed the young man with the yellow hair, who was
+ wandering about. &ldquo;Here are two swell boats!&rdquo; They all went to look at them
+ and saw two beautiful canoes in a wooden shed; they were as beautifully
+ finished as if they had been ornamental furniture. They hung side by side,
+ like two tall, slender girls, in their narrow shining length, and made one
+ wish to float in them on warm summer mornings and evenings along the
+ flower-covered banks of the river, where the trees dip their branches into
+ the water, where the rushes are continually rustling in the breeze and
+ where the swift kingfishers dart about like flashes of blue lightning.
+ </p>
+ <p>
+ The whole family looked at them with great respect.
+ </p>
+ <p>
+ &ldquo;Oh, they are indeed swell boats!&rdquo; Monsieur Dufour repeated gravely, as he
+ examined them like a connoiseur. He had been in the habit of rowing in his
+ younger days, he said, and when he had spat in his hands&mdash;and he went
+ through the action of pulling the oars&mdash;he did not care a fig for
+ anybody. He had beaten more than one Englishman formerly at the Joinville
+ regattas. He grew quite excited at last and offered to make a bet that in
+ a boat like that he could row six leagues an hour without exerting
+ himself.
+ </p>
+ <p>
+ &ldquo;Luncheon is ready,&rdquo; the waitress said, appearing at the entrance to the
+ boathouse, and they all hurried off. But two young men had taken the very
+ seats that Madame Dufour had selected and were eating their luncheon. No
+ doubt they were the owners of the sculls, for they were in boating
+ costume. They were stretched out, almost lying on the chairs; they were
+ sun-browned and their thin cotton jerseys, with short sleeves, showed
+ their bare arms, which were as strong as a blacksmith's. They were two
+ strong, athletic fellows, who showed in all their movements that
+ elasticity and grace of limb which can only be acquired by exercise and
+ which is so different to the deformity with which monotonous heavy work
+ stamps the mechanic.
+ </p>
+ <p>
+ They exchanged a rapid smile when they saw the mother and then a glance on
+ seeing the daughter.
+ </p>
+ <p>
+ &ldquo;Let us give up our place,&rdquo; one of them said; &ldquo;it will make us acquainted
+ with them.&rdquo;
+ </p>
+ <p>
+ The other got up immediately, and holding his black and red boating cap in
+ his hand, he politely offered the ladies the only shady place in the
+ garden. With many excuses they accepted, and that it might be more rural,
+ they sat on the grass, without either tables or chairs.
+ </p>
+ <p>
+ The two young men took their plates, knives, forks, etc., to a table a
+ little way off and began to eat again, and their bare arms, which they
+ showed continually, rather embarrassed the girl. She even pretended to
+ turn her head aside and not to see them, while Madame Dufour, who was
+ rather bolder, tempted by feminine curiosity, looked at them every moment,
+ and, no doubt, compared them with the secret unsightliness of her husband.
+ She had squatted herself on ground, with her legs tucked under her, after
+ the manner of tailors, and she kept moving about restlessly, saying that
+ ants were crawling about her somewhere. Monsieur Dufour, annoyed at the
+ presence of the polite strangers, was trying to find a comfortable
+ position which he did not, however, succeed in doing, and the young man
+ with the yellow hair was eating as silently as an ogre.
+ </p>
+ <p>
+ &ldquo;It is lovely weather, monsieur,&rdquo; the stout lady said to one of the
+ boating men. She wished to be friendly because they had given up their
+ place.
+ </p>
+ <p>
+ &ldquo;It is, indeed, madame,&rdquo; he replied. &ldquo;Do you often go into the country?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, only once or twice a year to get a little fresh air. And you,
+ monsieur?&rdquo;
+ </p>
+ <p>
+ &ldquo;I come and sleep here every night.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, that must be very nice!&rdquo;
+ </p>
+ <p>
+ &ldquo;Certainly it is, madame.&rdquo; And he gave them such a practical account of
+ his daily life that it awakened afresh in the hearts of these shopkeepers
+ who were deprived of the meadows and who longed for country walks, to that
+ foolish love of nature which they all feel so strongly the whole year
+ round behind the counter in their shop.
+ </p>
+ <p>
+ The girl raised her eyes and looked at the oarsman with emotion and
+ Monsieur Dufour spoke for the first time.
+ </p>
+ <p>
+ &ldquo;It is indeed a happy life,&rdquo; he said. And then he added: &ldquo;A little more
+ rabbit, my dear?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, thank you,&rdquo; she replied, and turning to the young men again, and
+ pointing to their arms, asked: &ldquo;Do you never feel cold like that?&rdquo;
+ </p>
+ <p>
+ They both began to laugh, and they astonished the family with an account
+ of the enormous fatigue they could endure, of their bathing while in a
+ state of tremendous perspiration, of their rowing in the fog at night; and
+ they struck their chests violently to show how hollow they sounded.
+ </p>
+ <p>
+ &ldquo;Ah! You look very strong,&rdquo; said the husband, who did not talk any more of
+ the time when he used to beat the English. The girl was looking at them
+ sideways now, and the young fellow with the yellow hair, who had swallowed
+ some wine the wrong way, was coughing violently and bespattering Madame
+ Dufour's cherry-colored silk dress. She got angry and sent for some water
+ to wash the spots.
+ </p>
+ <p>
+ Meanwhile it had grown unbearably hot, the sparkling river looked like a
+ blaze of fire and the fumes of the wine were getting into their heads.
+ Monsieur Dufour, who had a violent hiccough, had unbuttoned his waistcoat
+ and the top button of his trousers, while his wife, who felt choking, was
+ gradually unfastening her dress. The apprentice was shaking his yellow wig
+ in a happy frame of mind, and kept helping himself to wine, and the old
+ grandmother, feeling the effects of the wine, was very stiff and
+ dignified. As for the girl, one noticed only a peculiar brightness in her
+ eyes, while the brown cheeks became more rosy.
+ </p>
+ <p>
+ The coffee finished, they suggested singing, and each of them sang or
+ repeated a couplet, which the others applauded frantically. Then they got
+ up with some difficulty, and while the two women, who were rather dizzy,
+ were trying to get a breath of air, the two men, who were altogether
+ drunk, were attempting gymnastics. Heavy, limp and with scarlet faces they
+ hung or, awkwardly to the iron rings, without being able to raise
+ themselves.
+ </p>
+ <p>
+ Meanwhile the two boating men had got their boats into the water, and they
+ came back and politely asked the ladies whether they would like a row.
+ </p>
+ <p>
+ &ldquo;Would you like one, Monsieur Dufour?&rdquo; his wife exclaimed. &ldquo;Please come!&rdquo;
+ </p>
+ <p>
+ He merely gave her a drunken nod, without understanding what she said.
+ Then one of the rowers came up with two fishing rods in his hands, and the
+ hope of catching a gudgeon, that great vision of the Parisian shopkeeper,
+ made Dufour's dull eyes gleam, and he politely allowed them to do whatever
+ they liked, while he sat in the shade under the bridge, with his feet
+ dangling over the river, by the side of the young man with the yellow
+ hair, who was sleeping soundly.
+ </p>
+ <p>
+ One of the boating men made a martyr of himself and took the mother.
+ </p>
+ <p>
+ &ldquo;Let us go to the little wood on the Ile aux Anglais!&rdquo; he called out as he
+ rowed off. The other boat went more slowly, for the rower was looking at
+ his companion so intently that he thought of nothing else, and his emotion
+ seemed to paralyze his strength, while the girl, who was sitting in the
+ bow, gave herself up to the enjoyment of being on the water. She felt a
+ disinclination to think, a lassitude in her limbs and a total enervation,
+ as if she were intoxicated, and her face was flushed and her breathing
+ quickened. The effects of the wine, which were increased by the extreme
+ heat, made all the trees on the bank seem to bow as she passed. A vague
+ wish for enjoyment and a fermentation of her blood seemed to pervade her
+ whole body, which was excited by the heat of the day, and she was also
+ disturbed at this tete-a-tete on the water, in a place which seemed
+ depopulated by the heat, with this young man who thought her pretty, whose
+ ardent looks seemed to caress her skin and were as penetrating and
+ pervading as the sun's rays.
+ </p>
+ <p>
+ Their inability to speak increased their emotion, and they looked about
+ them. At last, however, he made an effort and asked her name.
+ </p>
+ <p>
+ &ldquo;Henriette,&rdquo; she said.
+ </p>
+ <p>
+ &ldquo;Why, my name is Henri,&rdquo; he replied. The sound of their voices had calmed
+ them, and they looked at the banks. The other boat had passed them and
+ seemed to be waiting for them, and the rower called out:
+ </p>
+ <p>
+ &ldquo;We will meet you in the wood; we are going as far as Robinson's, because
+ Madame Dufour is thirsty.&rdquo; Then he bent over his oars again and rowed off
+ so quickly that he was soon out of sight.
+ </p>
+ <p>
+ Meanwhile a continual roar, which they had heard for some time, came
+ nearer, and the river itself seemed to shiver, as if the dull noise were
+ rising from its depths.
+ </p>
+ <p>
+ &ldquo;What is that noise?&rdquo; she asked. It was the noise of the weir which cut
+ the river in two at the island, and he was explaining it to her, when,
+ above the noise of the waterfall, they heard the song of a bird, which
+ seemed a long way off.
+ </p>
+ <p>
+ &ldquo;Listen!&rdquo; he said; &ldquo;the nightingales are singing during the day, so the
+ female birds must be sitting.&rdquo;
+ </p>
+ <p>
+ A nightingale! She had never heard one before, and the idea of listening
+ to one roused visions of poetic tenderness in her heart. A nightingale!
+ That is to say, the invisible witness of her love trysts which Juliet
+ invoked on her balcony; that celestial music which it attuned to human
+ kisses, that eternal inspirer of all those languorous romances which open
+ an ideal sky to all the poor little tender hearts of sensitive girls!
+ </p>
+ <p>
+ She was going to hear a nightingale.
+ </p>
+ <p>
+ &ldquo;We must not make a noise,&rdquo; her companion said, &ldquo;and then we can go into
+ the wood, and sit down close beside it.&rdquo;
+ </p>
+ <p>
+ The boat seemed to glide. They saw the trees on the island, the banks of
+ which were so low that they could look into the depths of the thickets.
+ They stopped, he made the boat fast, Henriette took hold of Henri's arm,
+ and they went beneath the trees.
+ </p>
+ <p>
+ &ldquo;Stoop,&rdquo; he said, so she stooped down, and they went into an inextricable
+ thicket of creepers, leaves and reed grass, which formed an undiscoverable
+ retreat, and which the young man laughingly called &ldquo;his private room.&rdquo;
+ </p>
+ <p>
+ Just above their heads, perched in one of the trees which hid them, the
+ bird was still singing. He uttered trills and roulades, and then loud,
+ vibrating notes that filled the air and seemed to lose themselves on the
+ horizon, across the level country, through that burning silence which
+ weighed upon the whole landscape. They did not speak for fear of
+ frightening it away. They were sitting close together, and, slowly,
+ Henri's arm stole round the girl's waist and squeezed it gently. She took
+ that daring hand without any anger, and kept removing it whenever he put
+ it round her; without, however, feeling at all embarrassed by this caress,
+ just as if it had been something quite natural, which she was resisting
+ just as naturally.
+ </p>
+ <p>
+ She was listening to the bird in ecstasy. She felt an infinite longing for
+ happiness, for some sudden demonstration of tenderness, for the revelation
+ of superhuman poetry, and she felt such a softening at her heart, and
+ relaxation of her nerves, that she began to cry, without knowing why. The
+ young man was now straining her close to him, yet she did not remove his
+ arm; she did not think of it. Suddenly the nightingale stopped, and a
+ voice called out in the distance:
+ </p>
+ <p>
+ &ldquo;Henriette!&rdquo;
+ </p>
+ <p>
+ &ldquo;Do not reply,&rdquo; he said in a low voice; &ldquo;you will drive the bird away.&rdquo;
+ </p>
+ <p>
+ But she had no idea of doing so, and they remained in the same position
+ for some time. Madame Dufour had sat down somewhere or other, for from
+ time to time they heard the stout lady break out into little bursts of
+ laughter.
+ </p>
+ <p>
+ The girl was still crying; she was filled with strange sensations. Henri's
+ head was on her shoulder, and suddenly he kissed her on the lips. She was
+ surprised and angry, and, to avoid him, she stood up.
+ </p>
+ <p>
+ They were both very pale when they left their grassy retreat. The blue sky
+ appeared to them clouded and the ardent sun darkened; and they felt the
+ solitude and the silence. They walked rapidly, side by side, without
+ speaking or touching each other, for they seemed to have become
+ irreconcilable enemies, as if disgust and hatred had arisen between them,
+ and from time to time Henriette called out: &ldquo;Mamma!&rdquo;
+ </p>
+ <p>
+ By and by they heard a noise behind a bush, and the stout lady appeared,
+ looking rather confused, and her companion's face was wrinkled with smiles
+ which he could not check.
+ </p>
+ <p>
+ Madame Dufour took his arm, and they returned to the boats, and Henri, who
+ was ahead, walked in silence beside the young girl. At last they got back
+ to Bezons. Monsieur Dufour, who was now sober, was waiting for them very
+ impatiently, while the young man with the yellow hair was having a
+ mouthful of something to eat before leaving the inn. The carriage was
+ waiting in the yard, and the grandmother, who had already got in, was very
+ frightened at the thought of being overtaken by night before they reached
+ Paris, as the outskirts were not safe.
+ </p>
+ <p>
+ They all shook bands, and the Dufour family drove off.
+ </p>
+ <p>
+ &ldquo;Good-by, until we meet again!&rdquo; the oarsmen cried, and the answer they got
+ was a sigh and a tear.
+ </p>
+ <p>
+ Two months later, as Henri was going along the Rue des Martyrs, he saw
+ Dufour, Ironmonger, over a door, and so he went in, and saw the stout lady
+ sitting at the counter. They recognized each other immediately, and after
+ an interchange of polite greetings, he asked after them all.
+ </p>
+ <p>
+ &ldquo;And how is Mademoiselle Henriette?&rdquo; he inquired specially.
+ </p>
+ <p>
+ &ldquo;Very well, thank you; she is married.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; He felt a certain emotion, but said: &ldquo;Whom did she marry?&rdquo;
+ </p>
+ <p>
+ &ldquo;That young man who accompanied us, you know; he has joined us in
+ business.&rdquo;
+ </p>
+ <p>
+ &ldquo;I remember him perfectly.&rdquo;
+ </p>
+ <p>
+ He was going out, feeling very unhappy, though scarcely knowing why, when
+ madame called him back.
+ </p>
+ <p>
+ &ldquo;And how is your friend?&rdquo; she asked rather shyly.
+ </p>
+ <p>
+ &ldquo;He is very well, thank you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Please give him our compliments, and beg him to come and call, when he is
+ in the neighborhood.&rdquo;
+ </p>
+ <p>
+ She then added: &ldquo;Tell him it will give me great pleasure.&rdquo;
+ </p>
+ <p>
+ &ldquo;I will be sure to do so. Adieu!&rdquo;
+ </p>
+ <p>
+ &ldquo;Do not say that; come again very soon.&rdquo;
+ </p>
+ <p>
+ The next year, one very hot Sunday, all the details of that adventure,
+ which Henri had never forgotten, suddenly came back to him so clearly that
+ he returned alone to their room in the wood, and was overwhelmed with
+ astonishment when he went in. She was sitting on the grass, looking very
+ sad, while by her side, still in his shirt sleeves, the young man with the
+ yellow hair was sleeping soundly, like some animal.
+ </p>
+ <p>
+ She grew so pale when she saw Henri that at first he thought she was going
+ to faint; then, however, they began to talk quite naturally. But when he
+ told her that he was very fond of that spot, and went there frequently on
+ Sundays to indulge in memories, she looked into his eyes for a long time.
+ </p>
+ <p>
+ &ldquo;I too, think of it,&rdquo; she replied.
+ </p>
+ <p>
+ &ldquo;Come, my dear,&rdquo; her husband said, with a yawn. &ldquo;I think it is time for us
+ to be going.&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0003" id="link2H_4_0003">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ ROSE
+ </h2>
+ <p>
+ The two young women appear to be buried under a blanket of flowers. They
+ are alone in the immense landau, which is filled with flowers like a giant
+ basket. On the front seat are two small hampers of white satin filled with
+ violets, and on the bearskin by which their knees are covered there is a
+ mass of roses, mimosas, pinks, daisies, tuberoses and orange blossoms,
+ interwoven with silk ribbons; the two frail bodies seem buried under this
+ beautiful perfumed bed, which hides everything but the shoulders and arms
+ and a little of the dainty waists.
+ </p>
+ <p>
+ The coachman's whip is wound with a garland of anemones, the horses'
+ traces are dotted with carnations, the spokes of the wheels are clothed in
+ mignonette, and where the lanterns ought to be are two enormous round
+ bouquets which look as though they were the eyes of this strange, rolling,
+ flower-bedecked creature.
+ </p>
+ <p>
+ The landau drives rapidly along the road, through the Rue d'Antibes,
+ preceded, followed, accompanied, by a crowd of other carriages covered
+ with flowers, full of women almost hidden by a sea of violets. It is the
+ flower carnival at Cannes.
+ </p>
+ <p>
+ The carriage reaches the Boulevard de la Fonciere, where the battle is
+ waged. All along the immense avenue a double row of flower-bedecked
+ vehicles are going and coming like an endless ribbon. Flowers are thrown
+ from one to the other. They pass through the air like balls, striking
+ fresh faces, bouncing and falling into the dust, where an army of
+ youngsters pick them up.
+ </p>
+ <p>
+ A thick crowd is standing on the sidewalks looking on and held in check by
+ the mounted police, who pass brutally along pushing back the curious
+ pedestrians as though to prevent the common people from mingling with the
+ rich.
+ </p>
+ <p>
+ In the carriages, people call to each other, recognize each other and
+ bombard each other with roses. A chariot full of pretty women, dressed in
+ red, like devils, attracts the eyes of all. A gentleman, who looks like
+ the portraits of Henry IV., is throwing an immense bouquet which is held
+ back by an elastic. Fearing the shock, the women hide their eyes and the
+ men lower their heads, but the graceful, rapid and obedient missile
+ describes a curve and returns to its master, who immediately throws it at
+ some new face.
+ </p>
+ <p>
+ The two young women begin to throw their stock of flowers by handfuls, and
+ receive a perfect hail of bouquets; then, after an hour of warfare, a
+ little tired, they tell the coachman to drive along the road which follows
+ the seashore.
+ </p>
+ <p>
+ The sun disappears behind Esterel, outlining the dark, rugged mountain
+ against the sunset sky. The clear blue sea, as calm as a mill-pond,
+ stretches out as far as the horizon, where it blends with the sky; and the
+ fleet, anchored in the middle of the bay, looks like a herd of enormous
+ beasts, motionless on the water, apocalyptic animals, armored and
+ hump-backed, their frail masts looking like feathers, and with eyes which
+ light up when evening approaches.
+ </p>
+ <p>
+ The two young women, leaning back under the heavy robes, look out lazily
+ over the blue expanse of water. At last one of them says:
+ </p>
+ <p>
+ &ldquo;How delightful the evenings are! How good everything seems! Don't you
+ think so, Margot?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, it is good. But there is always something lacking.&rdquo;
+ </p>
+ <p>
+ &ldquo;What is lacking? I feel perfectly happy. I don't need anything else.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, you do. You are not thinking of it. No matter how contented we may
+ be, physically, we always long for something more&mdash;for the heart.&rdquo;
+ </p>
+ <p>
+ The other asked with a smile:
+ </p>
+ <p>
+ &ldquo;A little love?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes.&rdquo;
+ </p>
+ <p>
+ They stopped talking, their eyes fastened on the distant horizon, then the
+ one called Marguerite murmured: &ldquo;Life without that seems to me unbearable.
+ I need to be loved, if only by a dog. But we are all alike, no matter what
+ you may say, Simone.&rdquo;
+ </p>
+ <p>
+ &ldquo;Not at all, my dear. I had rather not be loved at all than to be loved by
+ the first comer. Do you think, for instance, that it would be pleasant to
+ be loved by&mdash;by&mdash;&rdquo;
+ </p>
+ <p>
+ She was thinking by whom she might possibly be loved, glancing across the
+ wide landscape. Her eyes, after traveling around the horizon, fell on the
+ two bright buttons which were shining on the back of the coachman's
+ livery, and she continued, laughing: &ldquo;by my coachman?&rdquo;
+ </p>
+ <p>
+ Madame Margot barely smiled, and said in a low tone of voice:
+ </p>
+ <p>
+ &ldquo;I assure you that it is very amusing to be loved by a servant. It has
+ happened to me two or three times. They roll their eyes in such a funny
+ manner&mdash;it's enough to make you die laughing! Naturally, the more in
+ love they are, the more severe one must be with them, and then, some day,
+ for some reason, you dismiss them, because, if anyone should notice it,
+ you would appear so ridiculous.&rdquo;
+ </p>
+ <p>
+ Madame Simone was listening, staring straight ahead of her, then she
+ remarked:
+ </p>
+ <p>
+ &ldquo;No, I'm afraid that my footman's heart would not satisfy me. Tell me how
+ you noticed that they loved you.&rdquo;
+ </p>
+ <p>
+ &ldquo;I noticed it the same way that I do with other men&mdash;when they get
+ stupid.&rdquo;
+ </p>
+ <p>
+ &ldquo;The others don't seem stupid to me, when they love me.&rdquo;
+ </p>
+ <p>
+ &ldquo;They are idiots, my dear, unable to talk, to answer, to understand
+ anything.&rdquo;
+ </p>
+ <p>
+ &ldquo;But how did you feel when you were loved by a servant? Were you&mdash;moved&mdash;flattered?&rdquo;
+ </p>
+ <p>
+ &ldquo;Moved? no, flattered&mdash;yes a little. One is always flattered to be
+ loved by a man, no matter who he may be.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, Margot!&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, indeed, my dear! For instance, I will tell you of a peculiar
+ incident which happened to me. You will see how curious and complex our
+ emotions are, in such cases.
+ </p>
+ <p>
+ &ldquo;About four years ago I happened to be without a maid. I had tried five or
+ six, one right after the other, and I was about ready to give up in
+ despair, when I saw an advertisement in a newspaper of a young girl
+ knowing how to cook, embroider, dress hair, who was looking for a position
+ and who could furnish the best of references. Besides all these
+ accomplishments, she could speak English.
+ </p>
+ <p>
+ &ldquo;I wrote to the given address, and the next day the person in question
+ presented herself. She was tall, slender, pale, shy-looking. She had
+ beautiful black eyes and a charming complexion; she pleased me
+ immediately. I asked for her certificates; she gave me one in English, for
+ she came, as she said, from Lady Rymwell's, where she had been for ten
+ years.
+ </p>
+ <p>
+ &ldquo;The certificate showed that the young girl had left of her own free will,
+ in order to return to France, and the only thing which they had had to
+ find fault in her during her long period of service was a little French
+ coquettishness.
+ </p>
+ <p>
+ &ldquo;This prudish English phrase even made me smile, and I immediately engaged
+ this maid.
+ </p>
+ <p>
+ &ldquo;She came to me the same day. Her name was Rose.
+ </p>
+ <p>
+ &ldquo;At the end of a month I would have been helpless without her. She was a
+ treasure, a pearl, a phenomenon.
+ </p>
+ <p>
+ &ldquo;She could dress my hair with infinite taste; she could trim a hat better
+ than most milliners, and she could even make my dresses.
+ </p>
+ <p>
+ &ldquo;I was astonished at her accomplishments. I had never before been waited
+ on in such a manner.
+ </p>
+ <p>
+ &ldquo;She dressed me rapidly and with a surprisingly light touch. I never felt
+ her fingers on my skin, and nothing is so disagreeable to me as contact
+ with a servant's hand. I soon became excessively lazy; it was so pleasant
+ to be dressed from head to foot, and from lingerie to gloves, by this
+ tall, timid girl, always blushing a little, and never saying a word. After
+ my bath she would rub and massage me while I dozed a little on my couch; I
+ almost considered her more of a friend than a servant.
+ </p>
+ <p>
+ &ldquo;One morning the janitor asked, mysteriously, to speak to me. I was
+ surprised, and told him to come in. He was a good, faithful man, an old
+ soldier, one of my husband's former orderlies.
+ </p>
+ <p>
+ &ldquo;He seemed to be embarrassed by what he had to say to me. At last he
+ managed to mumble:
+ </p>
+ <p>
+ &ldquo;'Madame, the superintendent of police is downstairs.'
+ </p>
+ <p>
+ &ldquo;I asked quickly:
+ </p>
+ <p>
+ &ldquo;'What does he wish?'
+ </p>
+ <p>
+ &ldquo;'He wishes to search the house.'
+ </p>
+ <p>
+ &ldquo;Of course the police are useful, but I hate them. I do not think that it
+ is a noble profession. I answered, angered and hurt:
+ </p>
+ <p>
+ &ldquo;'Why this search? For what reason? He shall not come in.'
+ </p>
+ <p>
+ &ldquo;The janitor continued:
+ </p>
+ <p>
+ &ldquo;'He says that there is a criminal hidden in the house.'
+ </p>
+ <p>
+ &ldquo;This time I was frightened and I told him to bring the inspector to me,
+ so that I might get some explanation. He was a man with good manners and
+ decorated with the Legion of Honor. He begged my pardon for disturbing me,
+ and then informed me that I had, among my domestics, a convict.
+ </p>
+ <p>
+ &ldquo;I was shocked; and I answered that I could guarantee every servant in the
+ house, and I began to enumerate them.
+ </p>
+ <p>
+ &ldquo;'The janitor, Pierre Courtin, an old soldier.'
+ </p>
+ <p>
+ &ldquo;'It's not he.'
+ </p>
+ <p>
+ &ldquo;'A stable-boy, son of farmers whom I know, and a groom whom you have just
+ seen.'
+ </p>
+ <p>
+ &ldquo;'It's not he.'
+ </p>
+ <p>
+ &ldquo;'Then, monsieur, you see that you must be mistaken.'
+ </p>
+ <p>
+ &ldquo;'Excuse me, madame, but I am positive that I am not making a mistake.
+ </p>
+ <p>
+ &ldquo;As the conviction of a notable criminal is at stake, would you be so kind
+ as to send for all your servants?&rdquo;
+ </p>
+ <p>
+ &ldquo;At first I refused, but I finally gave in, and sent downstairs for
+ everybody, men and women.
+ </p>
+ <p>
+ &ldquo;The inspector glanced at them and then declared:
+ </p>
+ <p>
+ &ldquo;'This isn't all.'
+ </p>
+ <p>
+ &ldquo;'Excuse me, monsieur, there is no one left but my maid, a young girl whom
+ you could not possibly mistake for a convict.'
+ </p>
+ <p>
+ &ldquo;He asked:
+ </p>
+ <p>
+ &ldquo;'May I also see her?'
+ </p>
+ <p>
+ &ldquo;'Certainly.'
+ </p>
+ <p>
+ &ldquo;I rang for Rose, who immediately appeared. She had hardly entered the
+ room, when the inspector made a motion, and two men whom I had not seen,
+ hidden behind the door, sprang forward, seized her and tied her hands
+ behind her back.
+ </p>
+ <p>
+ &ldquo;I cried out in anger and tried to rush forward to defend her. The
+ inspector stopped me:
+ </p>
+ <p>
+ &ldquo;'This girl, madame, is a man whose name is Jean Nicolas Lecapet,
+ condemned to death in 1879 for assaulting a woman and injuring her so that
+ death resulted. His sentence was commuted to imprisonment for life. He
+ escaped four months ago. We have been looking for him ever since.'
+ </p>
+ <p>
+ &ldquo;I was terrified, bewildered. I did not believe him. The commissioner
+ continued, laughing:
+ </p>
+ <p>
+ &ldquo;'I can prove it to you. His right arm is tattooed.'
+ </p>
+ <p>
+ &ldquo;'The sleeve was rolled up. It was true. The inspector added, with bad
+ taste:
+ </p>
+ <p>
+ &ldquo;'You can trust us for the other proofs.'
+ </p>
+ <p>
+ &ldquo;And they led my maid away!
+ </p>
+ <p>
+ &ldquo;Well, would you believe me, the thing that moved me most was not anger at
+ having thus been played upon, deceived and made ridiculous, it was not the
+ shame of having thus been dressed and undressed, handled and touched by
+ this man&mdash;but a deep humiliation&mdash;a woman's humiliation. Do you
+ understand?&rdquo;
+ </p>
+ <p>
+ &ldquo;I am afraid I don't.&rdquo;
+ </p>
+ <p>
+ &ldquo;Just think&mdash;this man had been condemned for&mdash;for assaulting a
+ woman. Well! I thought of the one whom he had assaulted&mdash;and&mdash;and
+ I felt humiliated&mdash;There! Do you understand now?&rdquo;
+ </p>
+ <p>
+ Madame Margot did not answer. She was looking straight ahead, her eyes
+ fastened on the two shining buttons of the livery, with that sphinx-like
+ smile which women sometimes have.
+ </p>
+ <p>
+ <a name="link2H_4_0004" id="link2H_4_0004">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ ROSALIE PRUDENT
+ </h2>
+ <p>
+ There was a real mystery in this affair which neither the jury, nor the
+ president, nor the public prosecutor himself could understand.
+ </p>
+ <p>
+ The girl Prudent (Rosalie), servant at the Varambots', of Nantes, having
+ become enceinte without the knowledge of her masters, had, during the
+ night, killed and buried her child in the garden.
+ </p>
+ <p>
+ It was the usual story of the infanticides committed by servant girls. But
+ there was one inexplicable circumstance about this one. When the police
+ searched the girl Prudent's room they discovered a complete infant's
+ outfit, made by Rosalie herself, who had spent her nights for the last
+ three months in cutting and sewing it. The grocer from whom she had bought
+ her candles, out of her own wages, for this long piece of work had come to
+ testify. It came out, moreover, that the sage-femme of the district,
+ informed by Rosalie of her condition, had given her all necessary
+ instructions and counsel in case the event should happen at a time when it
+ might not be possible to get help. She had also procured a place at Poissy
+ for the girl Prudent, who foresaw that her present employers would
+ discharge her, for the Varambot couple did not trifle with morality.
+ </p>
+ <p>
+ There were present at the trial both the man and the woman, a middle-class
+ pair from the provinces, living on their income. They were so exasperated
+ against this girl, who had sullied their house, that they would have liked
+ to see her guillotined on the spot without a trial. The spiteful
+ depositions they made against her became accusations in their mouths.
+ </p>
+ <p>
+ The defendant, a large, handsome girl of Lower Normandy, well educated for
+ her station in life, wept continuously and would not answer to anything.
+ </p>
+ <p>
+ The court and the spectators were forced to the opinion that she had
+ committed this barbarous act in a moment of despair and madness, since
+ there was every indication that she had expected to keep and bring up her
+ child.
+ </p>
+ <p>
+ The president tried for the last time to make her speak, to get some
+ confession, and, having urged her with much gentleness, he finally made
+ her understand that all these men gathered here to pass judgment upon her
+ were not anxious for her death and might even have pity on her.
+ </p>
+ <p>
+ Then she made up her mind to speak.
+ </p>
+ <p>
+ &ldquo;Come, now, tell us, first, who is the father of this child?&rdquo; he asked.
+ </p>
+ <p>
+ Until then she had obstinately refused to give his name.
+ </p>
+ <p>
+ But she replied suddenly, looking at her masters who had so cruelly
+ calumniated her:
+ </p>
+ <p>
+ &ldquo;It is Monsieur Joseph, Monsieur Varambot's nephew.&rdquo;
+ </p>
+ <p>
+ The couple started in their seats and cried with one voice&mdash;&ldquo;That's
+ not true! She lies! This is infamous!&rdquo;
+ </p>
+ <p>
+ The president had them silenced and continued, &ldquo;Go on, please, and tell us
+ how it all happened.&rdquo;
+ </p>
+ <p>
+ Then she suddenly began to talk freely, relieving her pent-up heart, that
+ poor, solitary, crushed heart&mdash;laying bare her sorrow, her whole
+ sorrow, before those severe men whom she had until now taken for enemies
+ and inflexible judges.
+ </p>
+ <p>
+ &ldquo;Yes, it was Monsieur Joseph Varambot, when he came on leave last year.&rdquo;
+ </p>
+ <p>
+ &ldquo;What does Mr. Joseph Varambot do?&rdquo;
+ </p>
+ <p>
+ &ldquo;He is a non-commissioned officer in the artillery, monsieur. Well, he
+ stayed two months at the house, two months of the summer. I thought
+ nothing about it when he began to look at me, and then flatter me, and
+ make love to me all day long. And I let myself be taken in, monsieur. He
+ kept saying to me that I was a handsome girl, that I was good company,
+ that I just suited him&mdash;and I, I liked him well enough. What could I
+ do? One listens to these things when one is alone&mdash;all alone&mdash;as
+ I was. I am alone in the world, monsieur. I have no one to talk to&mdash;no
+ one to tell my troubles to. I have no father, no mother, no brother, no
+ sister, nobody. And when he began to talk to me it was as if I had a
+ brother who had come back. And then he asked me to go with him to the
+ river one evening, so that we might talk without disturbing any one. I
+ went&mdash;I don't know&mdash;I don't know how it happened. He had his arm
+ around me. Really I didn't want to&mdash;no&mdash;no&mdash;I could not&mdash;I
+ felt like crying, the air was so soft&mdash;the moon was shining. No, I
+ swear to you&mdash;I could not&mdash;he did what he wanted. That went on
+ three weeks, as long as he stayed. I could have followed him to the ends
+ of the world. He went away. I did not know that I was enceinte. I did not
+ know it until the month after&mdash;&rdquo;
+ </p>
+ <p>
+ She began to cry so bitterly that they had to give her time to collect
+ herself.
+ </p>
+ <p>
+ Then the president resumed with the tone of a priest at the confessional:
+ &ldquo;Come, now, go on.&rdquo;
+ </p>
+ <p>
+ She began to talk again: &ldquo;When I realized my condition I went to see
+ Madame Boudin, who is there to tell you, and I asked her how it would be,
+ in case it should come if she were not there. Then I made the outfit,
+ sewing night after night, every evening until one o'clock in the morning;
+ and then I looked for another place, for I knew very well that I should be
+ sent away, but I wanted to stay in the house until the very last, so as to
+ save my pennies, for I have not got very much and I should need my money
+ for the little one.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then you did not intend to kill him?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, certainly not, monsieur!&rdquo;
+ </p>
+ <p>
+ &ldquo;Why did you kill him, then?&rdquo;
+ </p>
+ <p>
+ &ldquo;It happened this way. It came sooner than I expected. It came upon me in
+ the kitchen, while I was doing the dishes. Monsieur and Madame Varambot
+ were already asleep, so I went up, not without difficulty, dragging myself
+ up by the banister, and I lay down on the bare floor. It lasted perhaps
+ one hour, or two, or three; I don't know, I had such pain; and then I
+ pushed him out with all my strength. I felt that he came out and I picked
+ him up.
+ </p>
+ <p>
+ &ldquo;Ah! but I was glad, I assure you! I did all that Madame Boudin told me to
+ do. And then I laid him on my bed. And then such a pain griped me again
+ that I thought I should die. If you knew what it meant, you there, you
+ would not do so much of this. I fell on my knees, and then toppled over
+ backward on the floor; and it griped me again, perhaps one hour, perhaps
+ two. I lay there all alone&mdash;and then another one comes&mdash;another
+ little one&mdash;two, yes, two, like this. I took him up as I did the
+ first one, and then I put him on the bed, the two side by side. Is it
+ possible, tell me, two children, and I who get only twenty francs a month?
+ Say, is it possible? One, yes, that can be managed by going without
+ things, but not two. That turned my head. What do I know about it? Had I
+ any choice, tell me?
+ </p>
+ <p>
+ &ldquo;What could I do? I felt as if my last hour had come. I put the pillow
+ over them, without knowing why. I could not keep them both; and then I
+ threw myself down, and I lay there, rolling over and over and crying until
+ I saw the daylight come into the window. Both of them were quite dead
+ under the pillow. Then I took them under my arms and went down the stairs
+ out in the vegetable garden. I took the gardener's spade and I buried them
+ under the earth, digging as deep a hole as I could, one here and the other
+ one there, not together, so that they might not talk of their mother if
+ these little dead bodies can talk. What do I know about it?
+ </p>
+ <p>
+ &ldquo;And then, back in my bed, I felt so sick that I could not get up. They
+ sent for the doctor and he understood it all. I'm telling you the truth,
+ Your Honor. Do what you like with me; I'm ready.&rdquo;
+ </p>
+ <p>
+ Half of the jury were blowing their noses violently to keep from crying.
+ The women in the courtroom were sobbing.
+ </p>
+ <p>
+ The president asked her:
+ </p>
+ <p>
+ &ldquo;Where did you bury the other one?&rdquo;
+ </p>
+ <p>
+ &ldquo;The one that you have?&rdquo; she asked.
+ </p>
+ <p>
+ &ldquo;Why, this one&mdash;this one was in the artichokes.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, then the other one is among the strawberries, by the well.&rdquo;
+ </p>
+ <p>
+ And she began to sob so piteously that no one could hear her unmoved.
+ </p>
+ <p>
+ The girl Rosalie Prudent was acquitted.
+ </p>
+ <p>
+ <a name="link2H_4_0005" id="link2H_4_0005">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ REGRET
+ </h2>
+ <p>
+ Monsieur Saval, who was called in Mantes &ldquo;Father Saval,&rdquo; had just risen
+ from bed. He was weeping. It was a dull autumn day; the leaves were
+ falling. They fell slowly in the rain, like a heavier and slower rain. M.
+ Saval was not in good spirits. He walked from the fireplace to the window,
+ and from the window to the fireplace. Life has its sombre days. It would
+ no longer have any but sombre days for him, for he had reached the age of
+ sixty-two. He is alone, an old bachelor, with nobody about him. How sad it
+ is to die alone, all alone, without any one who is devoted to you!
+ </p>
+ <p>
+ He pondered over his life, so barren, so empty. He recalled former days,
+ the days of his childhood, the home, the house of his parents; his college
+ days, his follies; the time he studied law in Paris, his father's illness,
+ his death. He then returned to live with his mother. They lived together
+ very quietly, and desired nothing more. At last the mother died. How sad
+ life is! He lived alone since then, and now, in his turn, he, too, will
+ soon be dead. He will disappear, and that will be the end. There will be
+ no more of Paul Saval upon the earth. What a frightful thing! Other people
+ will love, will laugh. Yes, people will go on amusing themselves, and he
+ will no longer exist! Is it not strange that people can laugh, amuse
+ themselves, be joyful under that eternal certainty of death? If this death
+ were only probable, one could then have hope; but no, it is inevitable, as
+ inevitable as that night follows the day.
+ </p>
+ <p>
+ If, however, his life had been full! If he had done something; if he had
+ had adventures, great pleasures, success, satisfaction of some kind or
+ another. But no, nothing. He had done nothing, nothing but rise from bed,
+ eat, at the same hours, and go to bed again. And he had gone on like that
+ to the age of sixty-two years. He had not even taken unto himself a wife,
+ as other men do. Why? Yes, why was it that he had not married? He might
+ have done so, for he possessed considerable means. Had he lacked an
+ opportunity? Perhaps! But one can create opportunities. He was
+ indifferent; that was all. Indifference had been his greatest drawback,
+ his defect, his vice. How many men wreck their lives through indifference!
+ It is so difficult for some natures to get out of bed, to move about, to
+ take long walks, to speak, to study any question.
+ </p>
+ <p>
+ He had not even been loved. No woman had reposed on his bosom, in a
+ complete abandon of love. He knew nothing of the delicious anguish of
+ expectation, the divine vibration of a hand in yours, of the ecstasy of
+ triumphant passion.
+ </p>
+ <p>
+ What superhuman happiness must overflow your heart, when lips encounter
+ lips for the first time, when the grasp of four arms makes one being of
+ you, a being unutterably happy, two beings infatuated with one another.
+ </p>
+ <p>
+ M. Saval was sitting before the fire, his feet on the fender, in his
+ dressing gown. Assuredly his life had been spoiled, completely spoiled. He
+ had, however, loved. He had loved secretly, sadly, and indifferently, in a
+ manner characteristic of him in everything. Yes, he had loved his old
+ friend, Madame Sandres, the wife of his old companion, Sandres. Ah! if he
+ had known her as a young girl! But he had met her too late; she was
+ already married. Unquestionably, he would have asked her hand! How he had
+ loved her, nevertheless, without respite, since the first day he set eyes
+ on her!
+ </p>
+ <p>
+ He recalled his emotion every time he saw her, his grief on leaving her,
+ the many nights that he could not sleep, because he was thinking of her.
+ </p>
+ <p>
+ On rising in the morning he was somewhat more rational than on the
+ previous evening.
+ </p>
+ <p>
+ Why?
+ </p>
+ <p>
+ How pretty she was formerly, so dainty, with fair curly hair, and always
+ laughing. Sandres was not the man she should have chosen. She was now
+ fifty-two years of age. She seemed happy. Ah! if she had only loved him in
+ days gone by; yes, if she had only loved him! And why should she not have
+ loved him, he, Saval, seeing that he loved her so much, yes, she, Madame
+ Sandres!
+ </p>
+ <p>
+ If only she could have guessed. Had she not guessed anything, seen
+ anything, comprehended anything? What would she have thought? If he had
+ spoken, what would she have answered?
+ </p>
+ <p>
+ And Saval asked himself a thousand other things. He reviewed his whole
+ life, seeking to recall a multitude of details.
+ </p>
+ <p>
+ He recalled all the long evenings spent at the house of Sandres, when the
+ latter's wife was young, and so charming.
+ </p>
+ <p>
+ He recalled many things that she had said to him, the intonations of her
+ voice, the little significant smiles that meant so much.
+ </p>
+ <p>
+ He recalled their walks, the three of them together, along the banks of
+ the Seine, their luncheon on the grass on Sundays, for Sandres was
+ employed at the sub-prefecture. And all at once the distinct recollection
+ came to him of an afternoon spent with her in a little wood on the banks
+ of the river.
+ </p>
+ <p>
+ They had set out in the morning, carrying their provisions in baskets. It
+ was a bright spring morning, one of those days which intoxicate one.
+ Everything smells fresh, everything seems happy. The voices of the birds
+ sound more joyous, and they fly more swiftly. They had luncheon on the
+ grass, under the willow trees, quite close to the water, which glittered
+ in the sun's rays. The air was balmy, charged with the odors of fresh
+ vegetation; they drank it in with delight. How pleasant everything was on
+ that day!
+ </p>
+ <p>
+ After lunch, Sandres went to sleep on the broad of his back. &ldquo;The best nap
+ he had in his life,&rdquo; said he, when he woke up.
+ </p>
+ <p>
+ Madame Sandres had taken the arm of Saval, and they started to walk along
+ the river bank.
+ </p>
+ <p>
+ She leaned tenderly on his arm. She laughed and said to him: &ldquo;I am
+ intoxicated, my friend, I am quite intoxicated.&rdquo; He looked at her, his
+ heart going pit-a-pat. He felt himself grow pale, fearful that he might
+ have looked too boldly at her, and that the trembling of his hand had
+ revealed his passion.
+ </p>
+ <p>
+ She had made a wreath of wild flowers and water-lilies, and she asked him:
+ &ldquo;Do I look pretty like that?&rdquo;
+ </p>
+ <p>
+ As he did not answer&mdash;for he could find nothing to say, he would have
+ liked to go down on his knees&mdash;she burst out laughing, a sort of
+ annoyed, displeased laugh, as she said: &ldquo;Great goose, what ails you? You
+ might at least say something.&rdquo;
+ </p>
+ <p>
+ He felt like crying, but could not even yet find a word to say.
+ </p>
+ <p>
+ All these things came back to him now, as vividly as on the day when they
+ took place. Why had she said this to him, &ldquo;Great goose, what ails you? You
+ might at least say something!&rdquo;
+ </p>
+ <p>
+ And he recalled how tenderly she had leaned on his arm. And in passing
+ under a shady tree he had felt her ear brushing his cheek, and he had
+ moved his head abruptly, lest she should suppose he was too familiar.
+ </p>
+ <p>
+ When he had said to her: &ldquo;Is it not time to return?&rdquo; she darted a singular
+ look at him. &ldquo;Certainly,&rdquo; she said, &ldquo;certainly,&rdquo; regarding him at the same
+ time in a curious manner. He had not thought of it at the time, but now
+ the whole thing appeared to him quite plain.
+ </p>
+ <p>
+ &ldquo;Just as you like, my friend. If you are tired let us go back.&rdquo;
+ </p>
+ <p>
+ And he had answered: &ldquo;I am not fatigued; but Sandres may be awake now.&rdquo;
+ </p>
+ <p>
+ And she had said: &ldquo;If you are afraid of my husband's being awake, that is
+ another thing. Let us return.&rdquo;
+ </p>
+ <p>
+ On their way back she remained silent, and leaned no longer on his arm.
+ Why?
+ </p>
+ <p>
+ At that time it had never occurred to him, to ask himself &ldquo;why.&rdquo; Now he
+ seemed to apprehend something that he had not then understood.
+ </p>
+ <p>
+ Could it?
+ </p>
+ <p>
+ M. Saval felt himself blush, and he got up at a bound, as if he were
+ thirty years younger and had heard Madame Sandres say, &ldquo;I love you.&rdquo;
+ </p>
+ <p>
+ Was it possible? That idea which had just entered his mind tortured him.
+ Was it possible that he had not seen, had not guessed?
+ </p>
+ <p>
+ Oh! if that were true, if he had let this opportunity of happiness pass
+ without taking advantage of it!
+ </p>
+ <p>
+ He said to himself: &ldquo;I must know. I cannot remain in this state of doubt.
+ I must know!&rdquo; He thought: &ldquo;I am sixty-two years of age, she is
+ fifty-eight; I may ask her that now without giving offense.&rdquo;
+ </p>
+ <p>
+ He started out.
+ </p>
+ <p>
+ The Sandres' house was situated on the other side of the street, almost
+ directly opposite his own. He went across and knocked at the door, and a
+ little servant opened it.
+ </p>
+ <p>
+ &ldquo;You here at this hour, Saval! Has some accident happened to you?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, my girl,&rdquo; he replied; &ldquo;but go and tell your mistress that I want to
+ speak to her at once.&rdquo;
+ </p>
+ <p>
+ &ldquo;The fact is madame is preserving pears for the winter, and she is in the
+ preserving room. She is not dressed, you understand.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, but go and tell her that I wish to see her on a very important
+ matter.&rdquo;
+ </p>
+ <p>
+ The little servant went away, and Saval began to walk, with long, nervous
+ strides, up and down the drawing-room. He did not feel in the least
+ embarrassed, however. Oh! he was merely going to ask her something, as he
+ would have asked her about some cooking recipe. He was sixty-two years of
+ age!
+ </p>
+ <p>
+ The door opened and madame appeared. She was now a large woman, fat and
+ round, with full cheeks and a sonorous laugh. She walked with her arms
+ away from her sides and her sleeves tucked up, her bare arms all covered
+ with fruit juice. She asked anxiously:
+ </p>
+ <p>
+ &ldquo;What is the matter with you, my friend? You are not ill, are you?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, my dear friend; but I wish to ask you one thing, which to me is of
+ the first importance, something which is torturing my heart, and I want
+ you to promise that you will answer me frankly.&rdquo;
+ </p>
+ <p>
+ She laughed, &ldquo;I am always frank. Say on.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, then. I have loved you from the first day I ever saw you. Can you
+ have any doubt of this?&rdquo;
+ </p>
+ <p>
+ She responded, laughing, with something of her former tone of voice.
+ </p>
+ <p>
+ &ldquo;Great goose! what ails you? I knew it from the very first day!&rdquo;
+ </p>
+ <p>
+ Saval began to tremble. He stammered out: &ldquo;You knew it? Then...&rdquo;
+ </p>
+ <p>
+ He stopped.
+ </p>
+ <p>
+ She asked:
+ </p>
+ <p>
+ &ldquo;Then?&rdquo;
+ </p>
+ <p>
+ He answered:
+ </p>
+ <p>
+ &ldquo;Then&mdash;what did you think? What&mdash;what&mdash;what would you have
+ answered?&rdquo;
+ </p>
+ <p>
+ She broke into a peal of laughter. Some of the juice ran off the tips of
+ her fingers on to the carpet.
+ </p>
+ <p>
+ &ldquo;What?&rdquo;
+ </p>
+ <p>
+ &ldquo;I? Why, you did not ask me anything. It was not for me to declare
+ myself!&rdquo;
+ </p>
+ <p>
+ He then advanced a step toward her.
+ </p>
+ <p>
+ &ldquo;Tell me&mdash;tell me.... You remember the day when Sandres went to sleep
+ on the grass after lunch... when we had walked together as far as the bend
+ of the river, below...&rdquo;
+ </p>
+ <p>
+ He waited, expectantly. She had ceased to laugh, and looked at him,
+ straight in the eyes.
+ </p>
+ <p>
+ &ldquo;Yes, certainly, I remember it.&rdquo;
+ </p>
+ <p>
+ He answered, trembling all over:
+ </p>
+ <p>
+ &ldquo;Well&mdash;that day&mdash;if I had been&mdash;if I had been&mdash;venturesome&mdash;what
+ would you have done?&rdquo;
+ </p>
+ <p>
+ She began to laugh as only a happy woman can laugh, who has nothing to
+ regret, and responded frankly, in a clear voice tinged with irony:
+ </p>
+ <p>
+ &ldquo;I would have yielded, my friend.&rdquo;
+ </p>
+ <p>
+ She then turned on her heels and went back to her jam-making.
+ </p>
+ <p>
+ Saval rushed into the street, cast down, as though he had met with some
+ disaster. He walked with giant strides through the rain, straight on,
+ until he reached the river bank, without thinking where he was going. He
+ then turned to the right and followed the river. He walked a long time, as
+ if urged on by some instinct. His clothes were running with water, his hat
+ was out of shape, as soft as a rag, and dripping like a roof. He walked
+ on, straight in front of him. At last, he came to the place where they had
+ lunched on that day so long ago, the recollection of which tortured his
+ heart. He sat down under the leafless trees, and wept.
+ </p>
+ <p>
+ <a name="link2H_4_0006" id="link2H_4_0006">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ A SISTER'S CONFESSION
+ </h2>
+ <p>
+ Marguerite de Therelles was dying. Although she was only fifty-six years
+ old she looked at least seventy-five. She gasped for breath, her face
+ whiter than the sheets, and had spasms of violent shivering, with her face
+ convulsed and her eyes haggard as though she saw a frightful vision.
+ </p>
+ <p>
+ Her elder sister, Suzanne, six years older than herself, was sobbing on
+ her knees beside the bed. A small table close to the dying woman's couch
+ bore, on a white cloth, two lighted candles, for the priest was expected
+ at any moment to administer extreme unction and the last communion.
+ </p>
+ <p>
+ The apartment wore that melancholy aspect common to death chambers; a look
+ of despairing farewell. Medicine bottles littered the furniture; linen lay
+ in the corners into which it had been kicked or swept. The very chairs
+ looked, in their disarray, as if they were terrified and had run in all
+ directions. Death&mdash;terrible Death&mdash;was in the room, hidden,
+ awaiting his prey.
+ </p>
+ <p>
+ This history of the two sisters was an affecting one. It was spoken of far
+ and wide; it had drawn tears from many eyes.
+ </p>
+ <p>
+ Suzanne, the elder, had once been passionately loved by a young man, whose
+ affection she returned. They were engaged to be married, and the wedding
+ day was at hand, when Henry de Sampierre suddenly died.
+ </p>
+ <p>
+ The young girl's despair was terrible, and she took an oath never to
+ marry. She faithfully kept her vow and adopted widow's weeds for the
+ remainder of her life.
+ </p>
+ <p>
+ But one morning her sister, her little sister Marguerite, then only twelve
+ years old, threw herself into Suzanne's arms, sobbing: &ldquo;Sister, I don't
+ want you to be unhappy. I don't want you to mourn all your life. I'll
+ never leave you&mdash;never, never, never! I shall never marry, either.
+ I'll stay with you always&mdash;always!&rdquo;
+ </p>
+ <p>
+ Suzanne kissed her, touched by the child's devotion, though not putting
+ any faith in her promise.
+ </p>
+ <p>
+ But the little one kept her word, and, despite her parents' remonstrances,
+ despite her elder sister's prayers, never married. She was remarkably
+ pretty and refused many offers. She never left her sister.
+ </p>
+ <p>
+ They spent their whole life together, without a single day's separation.
+ They went everywhere together and were inseparable. But Marguerite was
+ pensive, melancholy, sadder than her sister, as if her sublime sacrifice
+ had undermined her spirits. She grew older more quickly; her hair was
+ white at thirty; and she was often ill, apparently stricken with some
+ unknown, wasting malady.
+ </p>
+ <p>
+ And now she would be the first to die.
+ </p>
+ <p>
+ She had not spoken for twenty-four hours, except to whisper at daybreak:
+ </p>
+ <p>
+ &ldquo;Send at once for the priest.&rdquo;
+ </p>
+ <p>
+ And she had since remained lying on her back, convulsed with agony, her
+ lips moving as if unable to utter the dreadful words that rose in her
+ heart, her face expressive of a terror distressing to witness.
+ </p>
+ <p>
+ Suzanne, distracted with grief, her brow pressed against the bed, wept
+ bitterly, repeating over and over again the words:
+ </p>
+ <p>
+ &ldquo;Margot, my poor Margot, my little one!&rdquo;
+ </p>
+ <p>
+ She had always called her &ldquo;my little one,&rdquo; while Marguerite's name for the
+ elder was invariably &ldquo;sister.&rdquo;
+ </p>
+ <p>
+ A footstep sounded on the stairs. The door opened. An acolyte appeared,
+ followed by the aged priest in his surplice. As soon as she saw him the
+ dying woman sat up suddenly in bed, opened her lips, stammered a few words
+ and began to scratch the bed-clothes, as if she would have made hole in
+ them.
+ </p>
+ <p>
+ Father Simon approached, took her hand, kissed her on the forehead and
+ said in a gentle voice:
+ </p>
+ <p>
+ &ldquo;May God pardon your sins, my daughter. Be of good courage. Now is the
+ moment to confess them&mdash;speak!&rdquo;
+ </p>
+ <p>
+ Then Marguerite, shuddering from head to foot, so that the very bed shook
+ with her nervous movements, gasped:
+ </p>
+ <p>
+ &ldquo;Sit down, sister, and listen.&rdquo;
+ </p>
+ <p>
+ The priest stooped toward the prostrate Suzanne, raised her to her feet,
+ placed her in a chair, and, taking a hand of each of the sisters,
+ pronounced:
+ </p>
+ <p>
+ &ldquo;Lord God! Send them strength! Shed Thy mercy upon them.&rdquo;
+ </p>
+ <p>
+ And Marguerite began to speak. The words issued from her lips one by one&mdash;hoarse,
+ jerky, tremulous.
+ </p>
+ <p>
+ &ldquo;Pardon, pardon, sister! pardon me! Oh, if only you knew how I have
+ dreaded this moment all my life!&rdquo;
+ </p>
+ <p>
+ Suzanne faltered through her tears:
+ </p>
+ <p>
+ &ldquo;But what have I to pardon, little one? You have given me everything,
+ sacrificed all to me. You are an angel.&rdquo;
+ </p>
+ <p>
+ But Marguerite interrupted her:
+ </p>
+ <p>
+ &ldquo;Be silent, be silent! Let me speak! Don't stop me! It is terrible. Let me
+ tell all, to the very end, without interruption. Listen. You remember&mdash;you
+ remember&mdash;Henry&mdash;&rdquo;
+ </p>
+ <p>
+ Suzanne trembled and looked at her sister. The younger one went on:
+ </p>
+ <p>
+ &ldquo;In order to understand you must hear everything. I was twelve years old&mdash;only
+ twelve&mdash;you remember, don't you? And I was spoilt; I did just as I
+ pleased. You remember how everybody spoilt me? Listen. The first time he
+ came he had on his riding boots; he dismounted, saying that he had a
+ message for father. You remember, don't you? Don't speak. Listen. When I
+ saw him I was struck with admiration. I thought him so handsome, and I
+ stayed in a corner of the drawing-room all the time he was talking.
+ Children are strange&mdash;and terrible. Yes, indeed, I dreamt of him.
+ </p>
+ <p>
+ &ldquo;He came again&mdash;many times. I looked at him with all my eyes, all my
+ heart. I was large for my age and much more precocious than&mdash;any one
+ suspected. He came often. I thought only of him. I often whispered to
+ myself:
+ </p>
+ <p>
+ &ldquo;'Henry-Henry de Sampierre!'
+ </p>
+ <p>
+ &ldquo;Then I was told that he was going to marry you. That was a blow! Oh,
+ sister, a terrible blow&mdash;terrible! I wept all through three sleepless
+ nights.
+ </p>
+ <p>
+ &ldquo;He came every afternoon after lunch. You remember, don't you? Don't
+ answer. Listen. You used to make cakes that he was very fond of&mdash;with
+ flour, butter and milk. Oh, I know how to make them. I could make them
+ still, if necessary. He would swallow them at one mouthful and wash them
+ down with a glass of wine, saying: 'Delicious!' Do you remember the way he
+ said it?
+ </p>
+ <p>
+ &ldquo;I was jealous&mdash;jealous! Your wedding day was drawing near. It was
+ only a fortnight distant. I was distracted. I said to myself: 'He shall
+ not marry Suzanne&mdash;no, he shall not! He shall marry me when I am old
+ enough! I shall never love any one half so much.' But one evening, ten
+ days before the wedding, you went for a stroll with him in the moonlight
+ before the house&mdash;and yonder&mdash;under the pine tree, the big pine
+ tree&mdash;he kissed you&mdash;kissed you&mdash;and held you in his arms
+ so long&mdash;so long! You remember, don't you? It was probably the first
+ time. You were so pale when you came back to the drawing-room!
+ </p>
+ <p>
+ &ldquo;I saw you. I was there in the shrubbery. I was mad with rage! I would
+ have killed you both if I could!
+ </p>
+ <p>
+ &ldquo;I said to myself: 'He shall never marry Suzanne&mdash;never! He shall
+ marry no one! I could not bear it.' And all at once I began to hate him
+ intensely.
+ </p>
+ <p>
+ &ldquo;Then do you know what I did? Listen. I had seen the gardener prepare
+ pellets for killing stray dogs. He would crush a bottle into small pieces
+ with a stone and put the ground glass into a ball of meat.
+ </p>
+ <p>
+ &ldquo;I stole a small medicine bottle from mother's room. I ground it fine with
+ a hammer and hid the glass in my pocket. It was a glistening powder. The
+ next day, when you had made your little cakes; I opened them with a knife
+ and inserted the glass. He ate three. I ate one myself. I threw the six
+ others into the pond. The two swans died three days later. You remember?
+ Oh, don't speak! Listen, listen. I, I alone did not die. But I have always
+ been ill. Listen&mdash;he died&mdash;you know&mdash;listen&mdash;that was
+ not the worst. It was afterward, later&mdash;always&mdash;the most
+ terrible&mdash;listen.
+ </p>
+ <p>
+ &ldquo;My life, all my life&mdash;such torture! I said to myself: 'I will never
+ leave my sister. And on my deathbed I will tell her all.' And now I have
+ told. And I have always thought of this moment&mdash;the moment when all
+ would be told. Now it has come. It is terrible&mdash;oh!&mdash;sister&mdash;
+ </p>
+ <p>
+ &ldquo;I have always thought, morning and evening, day and night: 'I shall have
+ to tell her some day!' I waited. The horror of it! It is done. Say
+ nothing. Now I am afraid&mdash;I am afraid! Oh! Supposing I should see him
+ again, by and by, when I am dead! See him again! Only to think of it! I
+ dare not&mdash;yet I must. I am going to die. I want you to forgive me. I
+ insist on it. I cannot meet him without your forgiveness. Oh, tell her to
+ forgive me, Father! Tell her. I implore you! I cannot die without it.&rdquo;
+ </p>
+ <p>
+ She was silent and lay back, gasping for breath, still plucking at the
+ sheets with her fingers.
+ </p>
+ <p>
+ Suzanne had hidden her face in her hands and did not move. She was
+ thinking of him whom she had loved so long. What a life of happiness they
+ might have had together! She saw him again in the dim and distant
+ past-that past forever lost. Beloved dead! how the thought of them rends
+ the heart! Oh! that kiss, his only kiss! She had retained the memory of it
+ in her soul. And, after that, nothing, nothing more throughout her whole
+ existence!
+ </p>
+ <p>
+ The priest rose suddenly and in a firm, compelling voice said:
+ </p>
+ <p>
+ &ldquo;Mademoiselle Suzanne, your sister is dying!&rdquo;
+ </p>
+ <p>
+ Then Suzanne, raising her tear-stained face, put her arms round her
+ sister, and kissing her fervently, exclaimed:
+ </p>
+ <p>
+ &ldquo;I forgive you, I forgive you, little one!&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0007" id="link2H_4_0007">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ COCO
+ </h2>
+ <p>
+ Throughout the whole countryside the Lucas farm, was known as &ldquo;the Manor.&rdquo;
+ No one knew why. The peasants doubtless attached to this word, &ldquo;Manor,&rdquo; a
+ meaning of wealth and of splendor, for this farm was undoubtedly the
+ largest, richest and the best managed in the whole neighborhood.
+ </p>
+ <p>
+ The immense court, surrounded by five rows of magnificent trees, which
+ sheltered the delicate apple trees from the harsh wind of the plain,
+ inclosed in its confines long brick buildings used for storing fodder and
+ grain, beautiful stables built of hard stone and made to accommodate
+ thirty horses, and a red brick residence which looked like a little
+ chateau.
+ </p>
+ <p>
+ Thanks for the good care taken, the manure heaps were as little offensive
+ as such things can be; the watch-dogs lived in kennels, and countless
+ poultry paraded through the tall grass.
+ </p>
+ <p>
+ Every day, at noon, fifteen persons, masters, farmhands and the women
+ folks, seated themselves around the long kitchen table where the soup was
+ brought in steaming in a large, blue-flowered bowl.
+ </p>
+ <p>
+ The beasts-horses, cows, pigs and sheep-were fat, well fed and clean.
+ Maitre Lucas, a tall man who was getting stout, would go round three times
+ a day, overseeing everything and thinking of everything.
+ </p>
+ <p>
+ A very old white horse, which the mistress wished to keep until its
+ natural death, because she had brought it up and had always used it, and
+ also because it recalled many happy memories, was housed, through sheer
+ kindness of heart, at the end of the stable.
+ </p>
+ <p>
+ A young scamp about fifteen years old, Isidore Duval by name, and called,
+ for convenience, Zidore, took care of this pensioner, gave him his measure
+ of oats and fodder in winter, and in summer was supposed to change his
+ pasturing place four times a day, so that he might have plenty of fresh
+ grass.
+ </p>
+ <p>
+ The animal, almost crippled, lifted with difficulty his legs, large at the
+ knees and swollen above the hoofs. His coat, which was no longer curried,
+ looked like white hair, and his long eyelashes gave to his eyes a sad
+ expression.
+ </p>
+ <p>
+ When Zidore took the animal to pasture, he had to pull on the rope with
+ all his might, because it walked so slowly; and the youth, bent over and
+ out of breath, would swear at it, exasperated at having to care for this
+ old nag.
+ </p>
+ <p>
+ The farmhands, noticing the young rascal's anger against Coco, were amused
+ and would continually talk of the horse to Zidore, in order to exasperate
+ him. His comrades would make sport with him. In the village he was called
+ Coco-Zidore.
+ </p>
+ <p>
+ The boy would fume, feeling an unholy desire to revenge himself on the
+ horse. He was a thin, long-legged, dirty child, with thick, coarse,
+ bristly red hair. He seemed only half-witted, and stuttered as though
+ ideas were unable to form in his thick, brute-like mind.
+ </p>
+ <p>
+ For a long time he had been unable to understand why Coco should be kept,
+ indignant at seeing things wasted on this useless beast. Since the horse
+ could no longer work, it seemed to him unjust that he should be fed; he
+ revolted at the idea of wasting oats, oats which were so expensive, on
+ this paralyzed old plug. And often, in spite of the orders of Maitre
+ Lucas, he would economize on the nag's food, only giving him half measure.
+ Hatred grew in his confused, childlike mind, the hatred of a stingy, mean,
+ fierce, brutal and cowardly peasant.
+ </p>
+ <p>
+ When summer came he had to move the animal about in the pasture. It was
+ some distance away. The rascal, angrier every morning, would start, with
+ his dragging step, across the wheat fields. The men working in the fields
+ would shout to him, jokingly:
+ </p>
+ <p>
+ &ldquo;Hey, Zidore, remember me to Coco.&rdquo;
+ </p>
+ <p>
+ He would not answer; but on the way he would break off a switch, and, as
+ soon as he had moved the old horse, he would let it begin grazing; then,
+ treacherously sneaking up behind it, he would slash its legs. The animal
+ would try to escape, to kick, to get away from the blows, and run around
+ in a circle about its rope, as though it had been inclosed in a circus
+ ring. And the boy would slash away furiously, running along behind, his
+ teeth clenched in anger.
+ </p>
+ <p>
+ Then he would go away slowly, without turning round, while the horse
+ watched him disappear, his ribs sticking out, panting as a result of his
+ unusual exertions. Not until the blue blouse of the young peasant was out
+ of sight would he lower his thin white head to the grass.
+ </p>
+ <p>
+ As the nights were now warm, Coco was allowed to sleep out of doors, in
+ the field behind the little wood. Zidore alone went to see him. The boy
+ threw stones at him to amuse himself. He would sit down on an embankment
+ about ten feet away and would stay there about half an hour, from time to
+ time throwing a sharp stone at the old horse, which remained standing tied
+ before his enemy, watching him continually and not daring to eat before he
+ was gone.
+ </p>
+ <p>
+ This one thought persisted in the mind of the young scamp: &ldquo;Why feed this
+ horse, which is no longer good for anything?&rdquo; It seemed to him that this
+ old nag was stealing the food of the others, the goods of man and God,
+ that he was even robbing him, Zidore, who was working.
+ </p>
+ <p>
+ Then, little by little, each day, the boy began to shorten the length of
+ rope which allowed the horse to graze.
+ </p>
+ <p>
+ The hungry animal was growing thinner, and starving. Too feeble to break
+ his bonds, he would stretch his head out toward the tall, green, tempting
+ grass, so near that he could smell, and yet so far that he could not touch
+ it.
+ </p>
+ <p>
+ But one morning Zidore had an idea: it was, not to move Coco any more. He
+ was tired of walking so far for that old skeleton. He came, however, in
+ order to enjoy his vengeance. The beast watched him anxiously. He did not
+ beat him that day. He walked around him with his hands in his pockets. He
+ even pretended to change his place, but he sank the stake in exactly the
+ same hole, and went away overjoyed with his invention.
+ </p>
+ <p>
+ The horse, seeing him leave, neighed to call him back; but the rascal
+ began to run, leaving him alone, entirely alone in his field, well tied
+ down and without a blade of grass within reach.
+ </p>
+ <p>
+ Starving, he tried to reach the grass which he could touch with the end of
+ his nose. He got on his knees, stretching out his neck and his long,
+ drooling lips. All in vain. The old animal spent the whole day in useless,
+ terrible efforts. The sight of all that green food, which stretched out on
+ all sides of him, served to increase the gnawing pangs of hunger.
+ </p>
+ <p>
+ The scamp did not return that day. He wandered through the woods in search
+ of nests.
+ </p>
+ <p>
+ The next day he appeared upon the scene again. Coco, exhausted, had lain
+ down. When he saw the boy, he got up, expecting at last to have his place
+ changed.
+ </p>
+ <p>
+ But the little peasant did not even touch the mallet, which was lying on
+ the ground. He came nearer, looked at the animal, threw at his head a
+ clump of earth which flattened out against the white hair, and he started
+ off again, whistling.
+ </p>
+ <p>
+ The horse remained standing as long as he could see him; then, knowing
+ that his attempts to reach the near-by grass would be hopeless, he once
+ more lay down on his side and closed his eyes.
+ </p>
+ <p>
+ The following day Zidore did not come.
+ </p>
+ <p>
+ When he did come at last, he found Coco still stretched out; he saw that
+ he was dead.
+ </p>
+ <p>
+ Then he remained standing, looking at him, pleased with what he had done,
+ surprised that it should already be all over. He touched him with his
+ foot, lifted one of his legs and then let it drop, sat on him and remained
+ there, his eyes fixed on the grass, thinking of nothing. He returned to
+ the farm, but did not mention the accident, because he wished to wander
+ about at the hours when he used to change the horse's pasture. He went to
+ see him the next day. At his approach some crows flew away. Countless
+ flies were walking over the body and were buzzing around it. When he
+ returned home, he announced the event. The animal was so old that nobody
+ was surprised. The master said to two of the men:
+ </p>
+ <p>
+ &ldquo;Take your shovels and dig a hole right where he is.&rdquo;
+ </p>
+ <p>
+ The men buried the horse at the place where he had died of hunger. And the
+ grass grew thick, green and vigorous, fed by the poor body.
+ </p>
+ <p>
+ <a name="link2H_4_0008" id="link2H_4_0008">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ DEAD WOMAN'S SECRET
+ </h2>
+ <p>
+ The woman had died without pain, quietly, as a woman should whose life had
+ been blameless. Now she was resting in her bed, lying on her back, her
+ eyes closed, her features calm, her long white hair carefully arranged as
+ though she had done it up ten minutes before dying. The whole pale
+ countenance of the dead woman was so collected, so calm, so resigned that
+ one could feel what a sweet soul had lived in that body, what a quiet
+ existence this old soul had led, how easy and pure the death of this
+ parent had been.
+ </p>
+ <p>
+ Kneeling beside the bed, her son, a magistrate with inflexible principles,
+ and her daughter, Marguerite, known as Sister Eulalie, were weeping as
+ though their hearts would break. She had, from childhood up, armed them
+ with a strict moral code, teaching them religion, without weakness, and
+ duty, without compromise. He, the man, had become a judge and handled the
+ law as a weapon with which he smote the weak ones without pity. She, the
+ girl, influenced by the virtue which had bathed her in this austere
+ family, had become the bride of the Church through her loathing for man.
+ </p>
+ <p>
+ They had hardly known their father, knowing only that he had made their
+ mother most unhappy, without being told any other details.
+ </p>
+ <p>
+ The nun was wildly-kissing the dead woman's hand, an ivory hand as white
+ as the large crucifix lying across the bed. On the other side of the long
+ body the other hand seemed still to be holding the sheet in the death
+ grasp; and the sheet had preserved the little creases as a memory of those
+ last movements which precede eternal immobility.
+ </p>
+ <p>
+ A few light taps on the door caused the two sobbing heads to look up, and
+ the priest, who had just come from dinner, returned. He was red and out of
+ breath from his interrupted digestion, for he had made himself a strong
+ mixture of coffee and brandy in order to combat the fatigue of the last
+ few nights and of the wake which was beginning.
+ </p>
+ <p>
+ He looked sad, with that assumed sadness of the priest for whom death is a
+ bread winner. He crossed himself and approaching with his professional
+ gesture: &ldquo;Well, my poor children! I have come to help you pass these last
+ sad hours.&rdquo; But Sister Eulalie suddenly arose. &ldquo;Thank you, father, but my
+ brother and I prefer to remain alone with her. This is our last chance to
+ see her, and we wish to be together, all three of us, as we&mdash;we&mdash;used
+ to be when we were small and our poor mo&mdash;mother&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ Grief and tears stopped her; she could not continue.
+ </p>
+ <p>
+ Once more serene, the priest bowed, thinking of his bed. &ldquo;As you wish, my
+ children.&rdquo; He kneeled, crossed himself, prayed, arose and went out
+ quietly, murmuring: &ldquo;She was a saint!&rdquo;
+ </p>
+ <p>
+ They remained alone, the dead woman and her children. The ticking of the
+ clock, hidden in the shadow, could be heard distinctly, and through the
+ open window drifted in the sweet smell of hay and of woods, together with
+ the soft moonlight. No other noise could be heard over the land except the
+ occasional croaking of the frog or the chirping of some belated insect. An
+ infinite peace, a divine melancholy, a silent serenity surrounded this
+ dead woman, seemed to be breathed out from her and to appease nature
+ itself.
+ </p>
+ <p>
+ Then the judge, still kneeling, his head buried in the bed clothes, cried
+ in a voice altered by grief and deadened by the sheets and blankets:
+ &ldquo;Mamma, mamma, mamma!&rdquo; And his sister, frantically striking her forehead
+ against the woodwork, convulsed, twitching and trembling as in an
+ epileptic fit, moaned: &ldquo;Jesus, Jesus, mamma, Jesus!&rdquo; And both of them,
+ shaken by a storm of grief, gasped and choked.
+ </p>
+ <p>
+ The crisis slowly calmed down and they began to weep quietly, just as on
+ the sea when a calm follows a squall.
+ </p>
+ <p>
+ A rather long time passed and they arose and looked at their dead. And the
+ memories, those distant memories, yesterday so dear, to-day so torturing,
+ came to their minds with all the little forgotten details, those little
+ intimate familiar details which bring back to life the one who has left.
+ They recalled to each other circumstances, words, smiles, intonations of
+ the mother who was no longer to speak to them. They saw her again happy
+ and calm. They remembered things which she had said, and a little motion
+ of the hand, like beating time, which she often used when emphasizing
+ something important.
+ </p>
+ <p>
+ And they loved her as they never had loved her before. They measured the
+ depth of their grief, and thus they discovered how lonely they would find
+ themselves.
+ </p>
+ <p>
+ It was their prop, their guide, their whole youth, all the best part of
+ their lives which was disappearing. It was their bond with life, their
+ mother, their mamma, the connecting link with their forefathers which they
+ would thenceforth miss. They now became solitary, lonely beings; they
+ could no longer look back.
+ </p>
+ <p>
+ The nun said to her brother: &ldquo;You remember how mamma used always to read
+ her old letters; they are all there in that drawer. Let us, in turn, read
+ them; let us live her whole life through tonight beside her! It would be
+ like a road to the cross, like making the acquaintance of her mother, of
+ our grandparents, whom we never knew, but whose letters are there and of
+ whom she so often spoke, do you remember?&rdquo;
+ </p>
+ <p>
+ Out of the drawer they took about ten little packages of yellow paper,
+ tied with care and arranged one beside the other. They threw these relics
+ on the bed and chose one of them on which the word &ldquo;Father&rdquo; was written.
+ They opened and read it.
+ </p>
+ <p>
+ It was one of those old-fashioned letters which one finds in old family
+ desk drawers, those epistles which smell of another century. The first one
+ started: &ldquo;My dear,&rdquo; another one: &ldquo;My beautiful little girl,&rdquo; others: &ldquo;My
+ dear child,&rdquo; or: &ldquo;My dear (laughter).&rdquo; And suddenly the nun began to read
+ aloud, to read over to the dead woman her whole history, all her tender
+ memories. The judge, resting his elbow on the bed, was listening with his
+ eyes fastened on his mother. The motionless body seemed happy.
+ </p>
+ <p>
+ Sister Eulalie, interrupting herself, said suddenly:
+ </p>
+ <p>
+ &ldquo;These ought to be put in the grave with her; they ought to be used as a
+ shroud and she ought to be buried in it.&rdquo; She took another package, on
+ which no name was written. She began to read in a firm voice: &ldquo;My adored
+ one, I love you wildly. Since yesterday I have been suffering the tortures
+ of the damned, haunted by our memory. I feel your lips against mine, your
+ eyes in mine, your breast against mine. I love you, I love you! You have
+ driven me mad. My arms open, I gasp, moved by a wild desire to hold you
+ again. My whole soul and body cries out for you, wants you. I have kept in
+ my mouth the taste of your kisses&mdash;&rdquo;
+ </p>
+ <p>
+ The judge had straightened himself up. The nun stopped reading. He
+ snatched the letter from her and looked for the signature. There was none,
+ but only under the words, &ldquo;The man who adores you,&rdquo; the name &ldquo;Henry.&rdquo;
+ Their father's name was Rene. Therefore this was not from him. The son
+ then quickly rummaged through the package of letters, took one out and
+ read: &ldquo;I can no longer live without your caresses.&rdquo; Standing erect, severe
+ as when sitting on the bench, he looked unmoved at the dead woman. The
+ nun, straight as a statue, tears trembling in the corners of her eyes, was
+ watching her brother, waiting. Then he crossed the room slowly, went to
+ the window and stood there, gazing out into the dark night.
+ </p>
+ <p>
+ When he turned around again Sister Eulalie, her eyes dry now, was still
+ standing near the bed, her head bent down.
+ </p>
+ <p>
+ He stepped forward, quickly picked up the letters and threw them pell-mell
+ back into the drawer. Then he closed the curtains of the bed.
+ </p>
+ <p>
+ When daylight made the candles on the table turn pale the son slowly left
+ his armchair, and without looking again at the mother upon whom he had
+ passed sentence, severing the tie that united her to son and daughter, he
+ said slowly: &ldquo;Let us now retire, sister.&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0009" id="link2H_4_0009">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ A HUMBLE DRAMA
+ </h2>
+ <p>
+ Meetings that are unexpected constitute the charm of traveling. Who has
+ not experienced the joy of suddenly coming across a Parisian, a college
+ friend, or a neighbor, five hundred miles from home? Who has not passed a
+ night awake in one of those small, rattling country stage-coaches, in
+ regions where steam is still a thing unknown, beside a strange young
+ woman, of whom one has caught only a glimpse in the dim light of the
+ lantern, as she entered the carriage in front of a white house in some
+ small country town?
+ </p>
+ <p>
+ And the next morning, when one's head and ears feel numb with the
+ continuous tinkling of the bells and the loud rattling of the windows,
+ what a charming sensation it is to see your pretty neighbor open her eyes,
+ startled, glance around her, arrange her rebellious hair with her slender
+ fingers, adjust her hat, feel with sure hand whether her corset is still
+ in place, her waist straight, and her skirt not too wrinkled.
+ </p>
+ <p>
+ She glances at you coldly and curiously. Then she leans back and no longer
+ seems interested in anything but the country.
+ </p>
+ <p>
+ In spite of yourself, you watch her; and in spite of yourself you keep on
+ thinking of her. Who is she? Whence does she come? Where is she going? In
+ spite of yourself you spin a little romance around her. She is pretty; she
+ seems charming! Happy he who... Life might be delightful with her. Who
+ knows? She is perhaps the woman of our dreams, the one suited to our
+ disposition, the one for whom our heart calls.
+ </p>
+ <p>
+ And how delicious even the disappointment at seeing her get out at the
+ gate of a country house! A man stands there, who is awaiting her, with two
+ children and two maids. He takes her in his arms and kisses as he lifts
+ her out. Then she stoops over the little ones, who hold up their hands to
+ her; she kisses them tenderly; and then they all go away together, down a
+ path, while the maids catch the packages which the driver throws down to
+ them from the coach.
+ </p>
+ <p>
+ Adieu! It is all over. You never will see her again! Adieu to the young
+ woman who has passed the night by your side. You know her no more, you
+ have not spoken to her; all the same, you feel a little sad to see her go.
+ Adieu!
+ </p>
+ <p>
+ I have had many of these souvenirs of travel, some joyous and some sad.
+ </p>
+ <p>
+ Once I was in Auvergne, tramping through those delightful French
+ mountains, that are not too high, not too steep, but friendly and
+ familiar. I had climbed the Sancy, and entered a little inn, near a
+ pilgrim's chapel called Notre-Dame de Vassiviere, when I saw a queer,
+ ridiculous-looking old woman breakfasting alone at the end table.
+ </p>
+ <p>
+ She was at least seventy years old, tall, skinny, and angular, and her
+ white hair was puffed around her temples in the old-fashioned style. She
+ was dressed like a traveling Englishwoman, in awkward, queer clothing,
+ like a person who is indifferent to dress. She was eating an omelet and
+ drinking water.
+ </p>
+ <p>
+ Her face was peculiar, with restless eyes and the expression of one with
+ whom fate has dealt unkindly. I watched her, in spite of myself, thinking:
+ &ldquo;Who is she? What is the life of this woman? Why is she wandering alone
+ through these mountains?&rdquo;
+ </p>
+ <p>
+ She paid and rose to leave, drawing up over her shoulders an astonishing
+ little shawl, the two ends of which hung over her arms. From a corner of
+ the room she took an alpenstock, which was covered with names traced with
+ a hot iron; then she went out, straight, erect, with the long steps of a
+ letter-carrier who is setting out on his route.
+ </p>
+ <p>
+ A guide was waiting for her at the door, and both went away. I watched
+ them go down the valley, along the road marked by a line of high wooden
+ crosses. She was taller than her companion, and seemed to walk faster than
+ he.
+ </p>
+ <p>
+ Two hours later I was climbing the edge of the deep funnel that incloses
+ Lake Pavin in a marvelous and enormous basin of verdure, full of trees,
+ bushes, rocks, and flowers. This lake is so round that it seems as if the
+ outline had been drawn with a pair of compasses, so clear and blue that
+ one might deem it a flood of azure come down from the sky, so charming
+ that one would like to live in a hut on the wooded slope which dominates
+ this crater, where the cold, still water is sleeping. The Englishwoman was
+ standing there like a statue, gazing upon the transparent sheet down in
+ the dead volcano. She was straining her eyes to penetrate below the
+ surface down to the unknown depths, where monstrous trout which have
+ devoured all the other fish are said to live. As I was passing close by
+ her, it seemed to me that two big tears were brimming her eyes. But she
+ departed at a great pace, to rejoin her guide, who had stayed behind in an
+ inn at the foot of the path leading to the lake.
+ </p>
+ <p>
+ I did not see her again that day.
+ </p>
+ <p>
+ The next day, at nightfall, I came to the chateau of Murol. The old
+ fortress, an enormous tower standing on a peak in the midst of a large
+ valley, where three valleys intersect, rears its brown, uneven, cracked
+ surface into the sky; it is round, from its large circular base to the
+ crumbling turrets on its pinnacles.
+ </p>
+ <p>
+ It astonishes the eye more than any other ruin by its simple mass, its
+ majesty, its grave and imposing air of antiquity. It stands there, alone,
+ high as a mountain, a dead queen, but still the queen of the valleys
+ stretched out beneath it. You go up by a slope planted with firs, then you
+ enter a narrow gate, and stop at the foot of the walls, in the first
+ inclosure, in full view of the entire country.
+ </p>
+ <p>
+ Inside there are ruined halls, crumbling stairways, unknown cavities,
+ dungeons, walls cut through in the middle, vaulted roofs held up one knows
+ not how, and a mass of stones and crevices, overgrown with grass, where
+ animals glide in and out.
+ </p>
+ <p>
+ I was exploring this ruin alone.
+ </p>
+ <p>
+ Suddenly I perceived behind a bit of wall a being, a kind of phantom, like
+ the spirit of this ancient and crumbling habitation.
+ </p>
+ <p>
+ I was taken aback with surprise, almost with fear, when I recognized the
+ old lady whom I had seen twice.
+ </p>
+ <p>
+ She was weeping, with big tears in her eyes, and held her handkerchief in
+ her hand.
+ </p>
+ <p>
+ I turned around to go away, when she spoke to me, apparently ashamed to
+ have been surprised in her grief.
+ </p>
+ <p>
+ &ldquo;Yes, monsieur, I am crying. That does not happen often to me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Pardon me, madame, for having disturbed you,&rdquo; I stammered, confused, not
+ knowing what to say. &ldquo;Some misfortune has doubtless come to you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes. No&mdash;I am like a lost dog,&rdquo; she murmured, and began to sob, with
+ her handkerchief over her eyes.
+ </p>
+ <p>
+ Moved by these contagious tears, I took her hand, trying to calm her. Then
+ brusquely she told me her history, as if no longer ably to bear her grief
+ alone.
+ </p>
+ <p>
+ &ldquo;Oh! Oh! Monsieur&mdash;if you knew&mdash;the sorrow in which I live&mdash;in
+ what sorrow.
+ </p>
+ <p>
+ &ldquo;Once I was happy. I have a house down there&mdash;a home. I cannot go
+ back to it any more; I shall never go back to it again, it is too hard to
+ bear.
+ </p>
+ <p>
+ &ldquo;I have a son. It is he! it is he! Children don't know. Oh, one has such a
+ short time to live! If I should see him now I should perhaps not recognize
+ him. How I loved him? How I loved him! Even before he was born, when I
+ felt him move. And after that! How I have kissed and caressed and
+ cherished him! If you knew how many nights I have passed in watching him
+ sleep, and how many in thinking of him. I was crazy about him. When he was
+ eight years old his father sent him to boarding-school. That was the end.
+ He no longer belonged to me. Oh, heavens! He came to see me every Sunday.
+ That was all!
+ </p>
+ <p>
+ &ldquo;He went to college in Paris. Then he came only four times a year, and
+ every time I was astonished to see how he had changed, to find him taller
+ without having seen him grow. They stole his childhood from me, his
+ confidence, and his love which otherwise would not have gone away from me;
+ they stole my joy in seeing him grow, in seeing him become a little man.
+ </p>
+ <p>
+ &ldquo;I saw him four times a year. Think of it! And at every one of his visits
+ his body, his eye, his movements, his voice his laugh, were no longer the
+ same, were no longer mine. All these things change so quickly in a child;
+ and it is so sad if one is not there to see them change; one no longer
+ recognizes him.
+ </p>
+ <p>
+ &ldquo;One year he came with down on his cheek! He! my son! I was dumfounded
+ &mdash;would you believe it? I hardly dared to kiss him. Was it really he,
+ my little, little curly head of old, my dear; dear child, whom I had held
+ in his diapers or my knee, and who had nursed at my breast with his little
+ greedy lips&mdash;was it he, this tall, brown boy, who no longer knew how
+ to kiss me, who seemed to love me as a matter of duty, who called me
+ 'mother' for the sake of politeness, and who kissed me on the forehead,
+ when I felt like crushing him in my arms?
+ </p>
+ <p>
+ &ldquo;My husband died. Then my parents, and then my two sisters. When Death
+ enters a house it seems as if he were hurrying to do his utmost, so as not
+ to have to return for a long time after that. He spares only one or two to
+ mourn the others.
+ </p>
+ <p>
+ &ldquo;I remained alone. My tall son was then studying law. I was hoping to live
+ and die near him, and I went to him so that we could live together. But he
+ had fallen into the ways of young men, and he gave me to understand that I
+ was in his way. So I left. I was wrong in doing so, but I suffered too
+ much in feeling myself in his way, I, his mother! And I came back home.
+ </p>
+ <p>
+ &ldquo;I hardly ever saw him again.
+ </p>
+ <p>
+ &ldquo;He married. What a joy! At last we should be together for good. I should
+ have grandchildren. His wife was an Englishwoman, who took a dislike to
+ me. Why? Perhaps she thought that I loved him too much.
+ </p>
+ <p>
+ &ldquo;Again I was obliged to go away. And I was alone. Yes, monsieur.
+ </p>
+ <p>
+ &ldquo;Then he went to England, to live with them, with his wife's parents. Do
+ you understand? They have him&mdash;they have my son for themselves. They
+ have stolen him from me. He writes to me once a month. At first he came to
+ see me. But now he no longer comes.
+ </p>
+ <p>
+ &ldquo;It is now four years since I saw him last. His face then was wrinkled and
+ his hair white. Was that possible? This man, my son, almost an old man? My
+ little rosy child of old? No doubt I shall never see him again.
+ </p>
+ <p>
+ &ldquo;And so I travel about all the year. I go east and west, as you see, with
+ no companion.
+ </p>
+ <p>
+ &ldquo;I am like a lost dog. Adieu, monsieur! don't stay here with me for it
+ hurts me to have told you all this.&rdquo;
+ </p>
+ <p>
+ I went down the hill, and on turning round to glance back, I saw the old
+ woman standing on a broken wall, looking out upon the mountains, the long
+ valley and Lake Chambon in the distance.
+ </p>
+ <p>
+ And her skirt and the queer little shawl which she wore around her thin
+ shoulders were fluttering tike a flag in the wind.
+ </p>
+ <p>
+ <a name="link2H_4_0010" id="link2H_4_0010">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ MADEMOISELLE COCOTTE
+ </h2>
+ <p>
+ We were just leaving the asylum when I saw a tall, thin man in a corner of
+ the court who kept on calling an imaginary dog. He was crying in a soft,
+ tender voice: &ldquo;Cocotte! Come here, Cocotte, my beauty!&rdquo; and slapping his
+ thigh as one does when calling an animal. I asked the physician, &ldquo;Who is
+ that man?&rdquo; He answered: &ldquo;Oh! he is not at all interesting. He is a
+ coachman named Francois, who became insane after drowning his dog.&rdquo;
+ </p>
+ <p>
+ I insisted: &ldquo;Tell me his story. The most simple and humble things are
+ sometimes those which touch our hearts most deeply.&rdquo;
+ </p>
+ <p>
+ Here is this man's adventure, which was obtained from a friend of his, a
+ groom:
+ </p>
+ <p>
+ There was a family of rich bourgeois who lived in a suburb of Paris. They
+ had a villa in the middle of a park, at the edge of the Seine. Their
+ coachman was this Francois, a country fellow, somewhat dull, kind-hearted,
+ simple and easy to deceive.
+ </p>
+ <p>
+ One evening, as he was returning home, a dog began to follow him. At first
+ he paid no attention to it, but the creature's obstinacy at last made him
+ turn round. He looked to see if he knew this dog. No, he had never seen
+ it. It was a female dog and frightfully thin. She was trotting behind him
+ with a mournful and famished look, her tail between her legs, her ears
+ flattened against her head and stopping and starting whenever he did.
+ </p>
+ <p>
+ He tried to chase this skeleton away and cried:
+ </p>
+ <p>
+ &ldquo;Run along! Get out! Kss! kss!&rdquo; She retreated a few steps, then sat down
+ and waited. And when the coachman started to walk again she followed along
+ behind him.
+ </p>
+ <p>
+ He pretended to pick up some stones. The animal ran a little farther away,
+ but came back again as soon as the man's back was turned.
+ </p>
+ <p>
+ Then the coachman Francois took pity on the beast and called her. The dog
+ approached timidly. The man patted her protruding ribs, moved by the
+ beast's misery, and he cried: &ldquo;Come! come here!&rdquo; Immediately she began to
+ wag her tail, and, feeling herself taken in, adopted, she began to run
+ along ahead of her new master.
+ </p>
+ <p>
+ He made her a bed on the straw in the stable, then he ran to the kitchen
+ for some bread. When she had eaten all she could she curled up and went to
+ sleep.
+ </p>
+ <p>
+ When his employers heard of this the next day they allowed the coachman to
+ keep the animal. It was a good beast, caressing and faithful, intelligent
+ and gentle.
+ </p>
+ <p>
+ Nevertheless Francois adored Cocotte, and he kept repeating: &ldquo;That beast
+ is human. She only lacks speech.&rdquo;
+ </p>
+ <p>
+ He had a magnificent red leather collar made for her which bore these
+ words engraved on a copper plate: &ldquo;Mademoiselle Cocotte, belonging to the
+ coachman Francois.&rdquo;
+ </p>
+ <p>
+ She was remarkably prolific and four times a year would give birth to a
+ batch of little animals belonging to every variety of the canine race.
+ Francois would pick out one which he would leave her and then he would
+ unmercifully throw the others into the river. But soon the cook joined her
+ complaints to those of the gardener. She would find dogs under the stove,
+ in the ice box, in the coal bin, and they would steal everything they came
+ across.
+ </p>
+ <p>
+ Finally the master, tired of complaints, impatiently ordered Francois to
+ get rid of Cocotte. In despair the man tried to give her away. Nobody
+ wanted her. Then he decided to lose her, and he gave her to a teamster,
+ who was to drop her on the other side of Paris, near Joinville-le-Pont.
+ </p>
+ <p>
+ Cocotte returned the same day. Some decision had to be taken. Five francs
+ was given to a train conductor to take her to Havre. He was to drop her
+ there.
+ </p>
+ <p>
+ Three days later she returned to the stable, thin, footsore and tired out.
+ </p>
+ <p>
+ The master took pity on her and let her stay. But other dogs were
+ attracted as before, and one evening, when a big dinner party was on, a
+ stuffed turkey was carried away by one of them right under the cook's
+ nose, and she did not dare to stop him.
+ </p>
+ <p>
+ This time the master completely lost his temper and said angrily to
+ Francois: &ldquo;If you don't throw this beast into the water before&mdash;to-morrow
+ morning, I'll put you out, do you hear?&rdquo;
+ </p>
+ <p>
+ The man was dumbfounded, and he returned to his room to pack his trunk,
+ preferring to leave the place. Then he bethought himself that he could
+ find no other situation as long as he dragged this animal about with him.
+ He thought of his good position, where he was well paid and well fed, and
+ he decided that a dog was really not worth all that. At last he decided to
+ rid himself of Cocotte at daybreak.
+ </p>
+ <p>
+ He slept badly. He rose at dawn, and taking a strong rope, went to get the
+ dog. She stood up slowly, shook herself, stretched and came to welcome her
+ master.
+ </p>
+ <p>
+ Then his courage forsook him, and he began to pet her affectionately,
+ stroking her long ears, kissing her muzzle and calling her tender names.
+ </p>
+ <p>
+ But a neighboring clock struck six. He could no longer hesitate. He opened
+ the door, calling: &ldquo;Come!&rdquo; The beast wagged her tail, understanding that
+ she was to be taken out.
+ </p>
+ <p>
+ They reached the beach, and he chose a place where the water seemed deep.
+ Then he knotted the rope round the leather collar and tied a heavy stone
+ to the other end. He seized Cocotte in his arms and kissed her madly, as
+ though he were taking leave of some human being. He held her to his
+ breast, rocked her and called her &ldquo;my dear little Cocotte, my sweet little
+ Cocotte,&rdquo; and she grunted with pleasure.
+ </p>
+ <p>
+ Ten times he tried to throw her into the water and each time he lost
+ courage.
+ </p>
+ <p>
+ But suddenly he made up his mind and threw her as far from him as he
+ could. At first she tried to swim, as she did when he gave her a bath, but
+ her head, dragged down by the stone, kept going under, and she looked at
+ her master with wild, human glances as she struggled like a drowning
+ person. Then the front part of her body sank, while her hind legs waved
+ wildly out of the water. Finally those also disappeared.
+ </p>
+ <p>
+ Then, for five minutes, bubbles rose to the surface as though the river
+ were boiling, and Francois, haggard, his heart beating, thought that he
+ saw Cocotte struggling in the mud, and, with the simplicity of a peasant,
+ he kept saying to himself: &ldquo;What does the poor beast think of me now?&rdquo;
+ </p>
+ <p>
+ He almost lost his mind. He was ill for a month and every night he dreamed
+ of his dog. He could feel her licking his hands and hear her barking. It
+ was necessary to call in a physician. At last he recovered, and toward the
+ 2nd of June his employers took him to their estate at Biesard, near Rouen.
+ </p>
+ <p>
+ There again he was near the Seine. He began to take baths. Each morning he
+ would go down with the groom and they would swim across the river.
+ </p>
+ <p>
+ One day, as they were disporting themselves in the water, Francois
+ suddenly cried to his companion: &ldquo;Look what's coming! I'm going to give
+ you a chop!&rdquo;
+ </p>
+ <p>
+ It was an enormous, swollen corpse that was floating down with its feet
+ sticking straight up in the air.
+ </p>
+ <p>
+ Francois swam up to it, still joking: &ldquo;Whew! it's not fresh. What a catch,
+ old man! It isn't thin, either!&rdquo; He kept swimming about at a distance from
+ the animal that was in a state of decomposition. Then, suddenly, he was
+ silent and looked at it: attentively. This time he came near enough to
+ touch, it. He looked fixedly at the collar, then he stretched out his arm,
+ seized the neck, swung the corpse round and drew it up close to him and
+ read on the copper which had turned green and which still stuck to the
+ discolored leather: &ldquo;Mademoiselle Cocotte, belonging to the coachman
+ Francois.&rdquo;
+ </p>
+ <p>
+ The dead dog had come more than a hundred miles to find its master.
+ </p>
+ <p>
+ He let out a frightful shriek and began to swim for the beach with all his
+ might, still howling; and as soon as he touched land he ran away wildly,
+ stark naked, through the country. He was insane!
+ </p>
+ <p>
+ <a name="link2H_4_0011" id="link2H_4_0011">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE CORSICAN BANDIT
+ </h2>
+ <p>
+ The road ascended gently through the forest of Aitone. The large pines
+ formed a solemn dome above our heads, and that mysterious sound made by
+ the wind in the trees sounded like the notes of an organ.
+ </p>
+ <p>
+ After walking for three hours, there was a clearing, and then at intervals
+ an enormous pine umbrella, and then we suddenly came to the edge of the
+ forest, some hundred meters below, the pass leading to the wild valley of
+ Niolo.
+ </p>
+ <p>
+ On the two projecting heights which commanded a view of this pass, some
+ old trees, grotesquely twisted, seemed to have mounted with painful
+ efforts, like scouts sent in advance of the multitude in the rear. When we
+ turned round, we saw the entire forest stretched beneath our feet, like a
+ gigantic basin of verdure, inclosed by bare rocks whose summits seemed to
+ reach the sky.
+ </p>
+ <p>
+ We resumed our walk, and, ten minutes later, found ourselves in the pass.
+ </p>
+ <p>
+ Then I beheld a remarkable landscape. Beyond another forest stretched a
+ valley, but a valley such as I had never seen before; a solitude of stone,
+ ten leagues long, hollowed out between two high mountains, without a field
+ or a tree to be seen. This was the Niolo valley, the fatherland of
+ Corsican liberty, the inaccessible citadel, from which the invaders had
+ never been able to drive out the mountaineers.
+ </p>
+ <p>
+ My companion said to me: &ldquo;This is where all our bandits have taken
+ refuge?&rdquo;
+ </p>
+ <p>
+ Ere long we were at the further end of this gorge, so wild, so
+ inconceivably beautiful.
+ </p>
+ <p>
+ Not a blade of grass, not a plant-nothing but granite. As far as our eyes
+ could reach, we saw in front of us a desert of glittering stone, heated
+ like an oven by a burning sun, which seemed to hang for that very purpose
+ right above the gorge. When we raised our eyes towards the crests, we
+ stood dazzled and stupefied by what we saw. They looked like a festoon of
+ coral; all the summits are of porphyry; and the sky overhead was violet,
+ purple, tinged with the coloring of these strange mountains. Lower down,
+ the granite was of scintillating gray, and seemed ground to powder beneath
+ our feet. At our right, along a long and irregular course, roared a
+ tumultuous torrent. And we staggered along under this heat, in this light,
+ in this burning, arid, desolate valley cut by this torrent of turbulent
+ water which seemed to be ever hurrying onward, without fertilizing the
+ rocks, lost in this furnace which greedily drank it up without being
+ saturated or refreshed by it.
+ </p>
+ <p>
+ But, suddenly, there was visible at our right a little wooden cross sunk
+ in a little heap of stones. A man had been killed there; and I said to my
+ companion.
+ </p>
+ <p>
+ &ldquo;Tell me about your bandits.&rdquo;
+ </p>
+ <p>
+ He replied:
+ </p>
+ <p>
+ &ldquo;I knew the most celebrated of them, the terrible St. Lucia. I will tell
+ you his history.
+ </p>
+ <p>
+ &ldquo;His father was killed in a quarrel by a young man of the district, it is
+ said; and St. Lucia was left alone with his sister. He was a weak, timid
+ youth, small, often ill, without any energy. He did not proclaim vengeance
+ against the assassin of his father. All his relatives came to see him, and
+ implored of him to avenge his death; he remained deaf to their menaces and
+ their supplications.
+ </p>
+ <p>
+ &ldquo;Then, following the old Corsican custom, his sister, in her indignation
+ carried away his black clothes, in order that he might not wear mourning
+ for a dead man who had not been avenged. He was insensible to even this
+ affront, and rather than take down from the rack his father's gun, which
+ was still loaded, he shut himself up, not daring to brave the looks of the
+ young men of the district.
+ </p>
+ <p>
+ &ldquo;He seemed to have even forgotten the crime, and lived with his sister in
+ the seclusion of their dwelling.
+ </p>
+ <p>
+ &ldquo;But, one day, the man who was suspected of having committed the murder,
+ was about to get married. St. Lucia did not appear to be moved by this
+ news, but, out of sheer bravado, doubtless, the bridegroom, on his way to
+ the church, passed before the house of the two orphans.
+ </p>
+ <p>
+ &ldquo;The brother and the sister, at their window, were eating frijoles, when
+ the young man saw the bridal procession going by. Suddenly he began to
+ tremble, rose to his feet without uttering a word, made the sign of the
+ cross, took the gun which was hanging over the fireplace, and went out.
+ </p>
+ <p>
+ &ldquo;When he spoke of this later on, he said: 'I don't know what was the
+ matter with me; it was like fire in my blood; I felt that I must do it,
+ that, in spite of everything, I could not resist, and I concealed the gun
+ in a cave on the road to Corte.
+ </p>
+ <p>
+ &ldquo;An hour later, he came back, with nothing in his hand, and with his
+ habitual air of sad weariness. His sister believed that there was nothing
+ further in his thoughts.
+ </p>
+ <p>
+ &ldquo;But when night fell he disappeared.
+ </p>
+ <p>
+ &ldquo;His enemy had, the same evening, to repair to Corte on foot, accompanied
+ by his two groomsmen.
+ </p>
+ <p>
+ &ldquo;He was walking along, singing as he went, when St. Lucia stood before
+ him, and looking straight in the murderer's face, exclaimed: 'Now is the
+ time!' and shot him point-blank in the chest.
+ </p>
+ <p>
+ &ldquo;One of the men fled; the other stared at, the young man, saying:
+ </p>
+ <p>
+ &ldquo;'What have you done, St. Lucia?' and he was about to hasten to Corte for
+ help, when St. Lucia said in a stern tone:
+ </p>
+ <p>
+ &ldquo;'If you move another step, I'll shoot you in the leg.'
+ </p>
+ <p>
+ &ldquo;The other, aware of his timidity hitherto, replied: 'You would not dare
+ to do it!' and was hurrying off when he fell instantaneously, his thigh
+ shattered by a bullet.
+ </p>
+ <p>
+ &ldquo;And St. Lucia, coming over to where he lay, said:
+ </p>
+ <p>
+ &ldquo;'I am going to look at your wound; if it is not serious, I'll leave you
+ there; if it is mortal I'll finish you off.&rdquo;
+ </p>
+ <p>
+ &ldquo;He inspected the wound, considered it mortal, and slowly reloading his
+ gun, told the wounded man to say a prayer, and shot him through the head.
+ </p>
+ <p>
+ &ldquo;Next day he was in the mountains.
+ </p>
+ <p>
+ &ldquo;And do you know what this St. Lucia did after this?
+ </p>
+ <p>
+ &ldquo;All his family were arrested by the gendarmes. His uncle, the cure, who
+ was suspected of having incited him to this deed of vengeance, was himself
+ put in prison, and accused by the dead man's relatives. But he escaped,
+ took a gun in his turn, and went to join his nephew in the brush.
+ </p>
+ <p>
+ &ldquo;Next, St. Lucia killed, one after the other, his uncle's accusers, and
+ tore out their eyes to teach the others never to state what they had seen
+ with their eyes.
+ </p>
+ <p>
+ &ldquo;He killed all the relatives, all the connections of his enemy's family.
+ He slew during his life fourteen gendarmes, burned down the houses of his
+ adversaries, and was, up to the day of his death, the most terrible of all
+ the bandits whose memory we have preserved.&rdquo;
+ </p>
+ <p>
+ The sun disappeared behind Monte Cinto and the tall shadow of the granite
+ mountain went to sleep on the granite of the valley. We quickened our pace
+ in order to reach before night the little village of Albertaccio, nothing
+ but a pile of stones welded into the stone flanks of a wild gorge. And I
+ said as I thought of the bandit:
+ </p>
+ <p>
+ &ldquo;What a terrible custom your vendetta is!&rdquo;
+ </p>
+ <p>
+ My companion answered with an air of resignation:
+ </p>
+ <p>
+ &ldquo;What would you have? A man must do his duty!&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0012" id="link2H_4_0012">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE GRAVE
+ </h2>
+ <p>
+ The seventeenth of July, one thousand eight hundred and eighty-three, at
+ half-past two in the morning, the watchman in the cemetery of Besiers, who
+ lived in a small cottage on the edge of this field of the dead, was
+ awakened by the barking of his dog, which was shut up in the kitchen.
+ </p>
+ <p>
+ Going down quickly, he saw the animal sniffing at the crack of the door
+ and barking furiously, as if some tramp had been sneaking about the house.
+ The keeper, Vincent, therefore took his gun and went out.
+ </p>
+ <p>
+ His dog, preceding him, at once ran in the direction of the Avenue General
+ Bonnet, stopping short at the monument of Madame Tomoiseau.
+ </p>
+ <p>
+ The keeper, advancing cautiously, soon saw a faint light on the side of
+ the Avenue Malenvers, and stealing in among the graves, he came upon a
+ horrible act of profanation.
+ </p>
+ <p>
+ A man had dug up the coffin of a young woman who had been buried the
+ evening before and was dragging the corpse out of it.
+ </p>
+ <p>
+ A small dark lantern, standing on a pile of earth, lighted up this hideous
+ scene.
+ </p>
+ <p>
+ Vincent sprang upon the wretch, threw him to the ground, bound his hands
+ and took him to the police station.
+ </p>
+ <p>
+ It was a young, wealthy and respected lawyer in town, named Courbataille.
+ </p>
+ <p>
+ He was brought into court. The public prosecutor opened the case by
+ referring to the monstrous deeds of the Sergeant Bertrand.
+ </p>
+ <p>
+ A wave of indignation swept over the courtroom. When the magistrate sat
+ down the crowd assembled cried: &ldquo;Death! death!&rdquo; With difficulty the
+ presiding judge established silence.
+ </p>
+ <p>
+ Then he said gravely:
+ </p>
+ <p>
+ &ldquo;Defendant, what have you to say in your defense?&rdquo;
+ </p>
+ <p>
+ Courbataille, who had refused counsel, rose. He was a handsome fellow,
+ tall, brown, with a frank face, energetic manner and a fearless eye.
+ </p>
+ <p>
+ Paying no attention to the whistlings in the room, he began to speak in a
+ voice that was low and veiled at first, but that grew more firm as he
+ proceeded.
+ </p>
+ <p>
+ &ldquo;Monsieur le President, gentlemen of the jury: I have very little to say.
+ The woman whose grave I violated was my sweetheart. I loved her.
+ </p>
+ <p>
+ &ldquo;I loved her, not with a sensual love and not with mere tenderness of
+ heart and soul, but with an absolute, complete love, with an overpowering
+ passion.
+ </p>
+ <p>
+ &ldquo;Hear me:
+ </p>
+ <p>
+ &ldquo;When I met her for the first time I felt a strange sensation. It was not
+ astonishment nor admiration, nor yet that which is called love at first
+ sight, but a feeling of delicious well-being, as if I had been plunged
+ into a warm bath. Her gestures seduced me, her voice enchanted me, and it
+ was with infinite pleasure that I looked upon her person. It seemed to me
+ as if I had seen her before and as if I had known her a long time. She had
+ within her something of my spirit.
+ </p>
+ <p>
+ &ldquo;She seemed to me like an answer to a cry uttered by my soul, to that
+ vague and unceasing cry with which we call upon Hope during our whole
+ life.
+ </p>
+ <p>
+ &ldquo;When I knew her a little better, the mere thought of seeing her again
+ filled me with exquisite and profound uneasiness; the touch of her hand in
+ mine was more delightful to me than anything that I had imagined; her
+ smile filled me with a mad joy, with the desire to run, to dance, to fling
+ myself upon the ground.
+ </p>
+ <p>
+ &ldquo;So we became lovers.
+ </p>
+ <p>
+ &ldquo;Yes, more than that: she was my very life. I looked for nothing further
+ on earth, and had no further desires. I longed for nothing further.
+ </p>
+ <p>
+ &ldquo;One evening, when we had gone on a somewhat long walk by the river, we
+ were overtaken by the rain, and she caught cold. It developed into
+ pneumonia the next day, and a week later she was dead.
+ </p>
+ <p>
+ &ldquo;During the hours of her suffering astonishment and consternation
+ prevented my understanding and reflecting upon it, but when she was dead I
+ was so overwhelmed by blank despair that I had no thoughts left. I wept.
+ </p>
+ <p>
+ &ldquo;During all the horrible details of the interment my keen and wild grief
+ was like a madness, a kind of sensual, physical grief.
+ </p>
+ <p>
+ &ldquo;Then when she was gone, when she was under the earth, my mind at once
+ found itself again, and I passed through a series of moral sufferings so
+ terrible that even the love she had vouchsafed to me was dear at that
+ price.
+ </p>
+ <p>
+ &ldquo;Then the fixed idea came to me: I shall not see her again.
+ </p>
+ <p>
+ &ldquo;When one dwells on this thought for a whole day one feels as if he were
+ going mad. Just think of it! There is a woman whom you adore, a unique
+ woman, for in the whole universe there is not a second one like her. This
+ woman has given herself to you and has created with you the mysterious
+ union that is called Love. Her eye seems to you more vast than space, more
+ charming than the world, that clear eye smiling with her tenderness. This
+ woman loves you. When she speaks to you her voice floods you with joy.
+ </p>
+ <p>
+ &ldquo;And suddenly she disappears! Think of it! She disappears, not only for
+ you, but forever. She is dead. Do you understand what that means? Never,
+ never, never, not anywhere will she exist any more. Nevermore will that
+ eye look upon anything again; nevermore will that voice, nor any voice
+ like it, utter a word in the same way as she uttered it.
+ </p>
+ <p>
+ &ldquo;Nevermore will a face be born that is like hers. Never, never! The molds
+ of statues are kept; casts are kept by which one can make objects with the
+ same outlines and forms. But that one body and that one face will never
+ more be born again upon the earth. And yet millions and millions of
+ creatures will be born, and more than that, and this one woman will not
+ reappear among all the women of the future. Is it possible? It drives one
+ mad to think of it.
+ </p>
+ <p>
+ &ldquo;She lived for twenty years, not more, and she has disappeared forever,
+ forever, forever! She thought, she smiled, she loved me. And now nothing!
+ The flies that die in the autumn are as much as we are in this world. And
+ now nothing! And I thought that her body, her fresh body, so warm, so
+ sweet, so white, so lovely, would rot down there in that box under the
+ earth. And her soul, her thought, her love&mdash;where is it?
+ </p>
+ <p>
+ &ldquo;Not to see her again! The idea of this decomposing body, that I might yet
+ recognize, haunted me. I wanted to look at it once more.
+ </p>
+ <p>
+ &ldquo;I went out with a spade, a lantern and a hammer; I jumped over the
+ cemetery wall and I found the grave, which had not yet been closed
+ entirely; I uncovered the coffin and took up a board. An abominable odor,
+ the stench of putrefaction, greeted my nostrils. Oh, her bed perfumed with
+ orris!
+ </p>
+ <p>
+ &ldquo;Yet I opened the coffin, and, holding my lighted lantern down into it I
+ saw her. Her face was blue, swollen, frightful. A black liquid had oozed
+ out of her mouth.
+ </p>
+ <p>
+ &ldquo;She! That was she! Horror seized me. But I stretched out my arm to draw
+ this monstrous face toward me. And then I was caught.
+ </p>
+ <p>
+ &ldquo;All night I have retained the foul odor of this putrid body, the odor of
+ my well beloved, as one retains the perfume of a woman after a love
+ embrace.
+ </p>
+ <p>
+ &ldquo;Do with me what you will.&rdquo;
+ </p>
+ <p>
+ A strange silence seemed to oppress the room. They seemed to be waiting
+ for something more. The jury retired to deliberate.
+ </p>
+ <p>
+ When they came back a few minutes later the accused showed no fear and did
+ not even seem to think.
+ </p>
+ <p>
+ The president announced with the usual formalities that his judges
+ declared him to be not guilty.
+ </p>
+ <p>
+ He did not move and the room applauded.
+ </p>
+<pre xml:space="preserve">
+ The Grave appeared in Gil Blas, July 29, 1883, under the signature
+ of &ldquo;Maufrigneuse.&rdquo;
+ </pre>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+<pre xml:space="preserve">
+
+
+
+End of the Project Gutenberg EBook of Original Short Stories of Maupassant,
+Volume 12, by Guy de Maupassant
+
+*** END OF THIS PROJECT GUTENBERG EBOOK MAUPASSANT SHORT STORIES ***
+
+***** This file should be named 3088-h.htm or 3088-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/3/0/8/3088/
+
+Produced by David Widger
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &ldquo;Project
+Gutenberg&rdquo;), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. &ldquo;Project Gutenberg&rdquo; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (&ldquo;the Foundation&rdquo;
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase &ldquo;Project Gutenberg&rdquo; appears, or with which the phrase &ldquo;Project
+Gutenberg&rdquo; is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase &ldquo;Project Gutenberg&rdquo; associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+&ldquo;Plain Vanilla ASCII&rdquo; or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original &ldquo;Plain Vanilla ASCII&rdquo; or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, &ldquo;Information about donations to
+ the Project Gutenberg Literary Archive Foundation.&rdquo;
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+&ldquo;Defects,&rdquo; such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &ldquo;Right
+of Replacement or Refund&rdquo; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+</pre>
+ <p>
+ <br /><br /><br /><br />
+ </p>
+ </body>
+</html>