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+The Project Gutenberg EBook of Der Mord, by Franz Kafka
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Der Mord
+
+Author: Franz Kafka
+
+Illustrator: Ludwig Meidner
+
+Release Date: December 25, 2009 [EBook #30753]
+
+Language: German
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK DER MORD ***
+
+
+
+
+Produced by Jana Srna
+
+
+
+
+
+ [ Anmerkungen zur Transkription:
+
+ Der Text stammt aus: Die neue Dichtung. Ein Almanach. Mit
+ 9 Bildbeigaben von Ludwig Meidner. Leipzig: Kurt Wolff 1918. S. 72-76.
+
+ Schreibweise und Interpunktion des Originaltextes wurden übernommen.
+ ]
+
+
+
+
+Franz Kafka: Der Mord
+
+
+Es ist erwiesen, daß der Mord auf folgende Weise erfolgte:
+
+Schmar, der Mörder, stellte sich gegen neun Uhr abends in der mondklaren
+Nacht an jener Straßenecke auf, wo Wese, das Opfer, aus der Gasse,
+in welcher sein Bureau lag, in jene Gasse einbiegen mußte, in der er
+wohnte. Kalte, jeden durchschauernde Nachtluft. Aber Schmar hatte
+nur ein dünnes blaues Kleid angezogen, das Röckchen war überdies
+aufgeknöpft. Er fühlte keine Kälte, auch war er immerfort in Bewegung.
+Seine Mordwaffe, halb Bajonett, halb Küchenmesser, hielt er ganz
+bloßgelegt immer fest im Griff. Betrachtete es gegen das Mondlicht; die
+Schneide blitzte auf; vielleicht nicht genug für Schmar; er hieb mit ihr
+gegen die Backsteine des Pflasters, daß es einen Funken gab; bereute es
+vielleicht; und um den Schaden gutzumachen, strich er mit der Schneide
+violinbogenartig über seine Stiefelsohle, während er, auf einem Bein
+stehend, vorgebeugt, gleichzeitig dem Klang des Messers an seinem
+Stiefel, gleichzeitig in die schicksalsvolle Seitengasse lauschte. Warum
+duldete das alles der Private Pallas, der in der Nähe aus seinem Fenster
+im zweiten Stockwerk das alles beobachtete? Ergründe die Menschennatur!
+Mit hochgeschlagenem Kragen, den Schlafrock um den weiten Leib gegürtet,
+kopfschüttelnd blickte er hinab. Und fünf Häuser weiter, ihm schräg
+gegenüber, sah Frau Wese, den Fuchspelz über ihrem Nachthemd, nach ihrem
+Manne aus, der heute ungewöhnlich lange zögerte. Endlich ertönt die
+Türglocke vor Weses Bureau, zu laut für eine Türglocke, über die Stadt
+hin zum Himmel auf, und Wese, der fleißige Nachtarbeiter, tritt, in
+dieser Gasse noch unsichtbar, nur durch das Glockenzeichen angekündigt,
+aus dem Haus; gleich zählt das Pflaster seine ruhigen Schritte. Pallas
+beugt sich weit hervor, er darf nichts versäumen; Frau Wese schließt,
+beruhigt durch die Glocke, klirrend das Fenster. Schmar aber kniet
+nieder; da er augenblicklich keine anderen Blößen hat, drückt er nur
+Gesicht und Hände gegen die Steine: wo alles friert, glüht Schmar.
+Gerade an der Grenze, welche die Gassen scheidet, bleibt Wese stehn,
+nur mit dem Stock stützt er sich in die jenseitige Gasse. Eine Laune.
+Der Nachthimmel hat ihn angelockt, das Dunkelblaue und das Goldene.
+Unwissend blickt er es an, unwissend streicht er das Haar unter dem
+gelüpften Hut; nichts rückt dort oben zu Buchstaben zusammen, um ihm
+die allernächste Zukunft anzuzeigen; alles bleibt an seinem unsinnigen,
+unerforschlichen Platz. An und für sich sehr vernünftig, daß Wese
+weitergeht, aber er geht ins Messer des Schmar. »Wese!« schreit Schmar,
+auf den Fußspitzen stehend, den Arm aufgereckt, das Messer mit der
+Spitze scharf gesenkt: »Wese! Vergebens wartet Julia!« Und rechts in den
+Hals und links in den Hals und drittens tief in den Bauch sticht Schmar.
+Wasserratten, aufgeschlitzt, geben einen ähnlichen Laut von sich wie
+Wese. »Getan,« sagt Schmar und wirft das Messer, den überflüssigen,
+blutigen Ballast, gegen die nächste Hausfront. »Seligkeit des Mordes;
+Erleichterung, Beflügelung durch das Fließen des fremden Blutes! Wese,
+alter Nachtschatten, Freund, Bierbankgenosse, versickerst im dunklen
+Straßengrund. Warum bist du nicht einfach eine mit Blut gefüllte Blase,
+daß ich mich auf dich setzte und du verschwändest ganz und gar? Nicht
+alles wird erfüllt, nicht alle Blütenträume reiften, dein schwerer Rest
+liegt hier, schon unzugänglich jedem Tritt. Was soll die stumme Frage,
+die du damit stellst?« Pallas, alles Gift durcheinanderwürgend in seinem
+Leib, steht in seiner zweiflügelig aufspringenden Haustür. »Schmar!
+Schmar! Alles bemerkt, nichts übersehn.« Pallas und Schmar prüfen
+einander. Pallas befriedigt's, Schmar kommt zu keinem Ende. Frau Wese,
+Volk zu ihren beiden Seiten, eilt mit vor Schrecken ganz gealtertem
+Gesicht herbei. Der Pelz öffnet sich, sie stürzt über Wese, der
+nachthemdbekleidete Körper gehört ihm, der über dem Ehepaar sich wie der
+Rasen eines Grabes schließende Pelz gehört der Menge. Schmar, mit Mühe
+die letzte Übelkeit verbeißend, den Mund an die Schulter des Schutzmanns
+gedrückt, der leichtfüßig ihn davonführt.
+
+ Aus einer Reihe unveröffentlichter Erzählungen.
+
+[Illustration]
+
+
+
+
+
+End of the Project Gutenberg EBook of Der Mord, by Franz Kafka
+
+*** END OF THIS PROJECT GUTENBERG EBOOK DER MORD ***
+
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+ </style>
+ </head>
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of Der Mord, by Franz Kafka
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Der Mord
+
+Author: Franz Kafka
+
+Illustrator: Ludwig Meidner
+
+Release Date: December 25, 2009 [EBook #30753]
+
+Language: German
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK DER MORD ***
+
+
+
+
+Produced by Jana Srna
+
+
+
+
+
+</pre>
+
+
+<div id="tnote">
+<p class="center"><b>Anmerkungen zur Transkription:</b></p>
+<p>Der Text stammt aus: <cite>Die neue Dichtung. Ein Almanach. Mit
+9&nbsp;Bildbeigaben von Ludwig Meidner. Leipzig: Kurt Wolff 1918</cite>.
+S.&nbsp;72&ndash;76.</p>
+<p>Schreibweise und Interpunktion des Originaltextes wurden übernommen.</p>
+<p>Die Illustration wurde hinter den Text verschoben.</p>
+</div>
+
+<div><span class="pagenum"><a name="Page_72">72</a></span></div>
+<h1>Franz Kafka: Der Mord</h1>
+
+
+<p class="drop-cap">Es ist erwiesen, daß der Mord auf folgende Weise erfolgte:</p>
+
+<p>Schmar, der Mörder, stellte sich gegen neun Uhr
+abends in der mondklaren Nacht an jener Straßenecke
+auf, wo Wese, das Opfer, aus der Gasse, in welcher sein
+Bureau lag, in jene Gasse einbiegen mußte, in der er
+<span class="pagenum"><a name="Page_73">73</a></span>wohnte. Kalte, jeden durchschauernde Nachtluft. Aber
+Schmar hatte nur ein dünnes blaues Kleid angezogen,
+das Röckchen war überdies aufgeknöpft. Er fühlte keine
+Kälte, auch war er immerfort in Bewegung. Seine
+Mordwaffe, halb Bajonett, halb Küchenmesser, hielt er
+ganz bloßgelegt immer fest im Griff. Betrachtete es gegen
+das Mondlicht; die Schneide blitzte auf; vielleicht nicht
+genug für Schmar; er hieb mit ihr gegen die Backsteine
+des Pflasters, daß es einen Funken gab; bereute es
+vielleicht; und um den Schaden gutzumachen, strich er
+mit der Schneide violinbogenartig über seine Stiefelsohle,
+während er, auf einem Bein stehend, vorgebeugt,
+gleichzeitig dem Klang des Messers an seinem Stiefel,
+gleichzeitig in die schicksalsvolle Seitengasse lauschte.
+Warum duldete das alles der Private Pallas, der in
+der Nähe aus seinem Fenster im zweiten Stockwerk das
+alles beobachtete? Ergründe die Menschennatur! Mit
+hochgeschlagenem Kragen, den Schlafrock um den weiten
+Leib gegürtet, kopfschüttelnd blickte er hinab. Und fünf
+Häuser weiter, ihm schräg gegenüber, sah Frau Wese,
+den Fuchspelz über ihrem Nachthemd, nach ihrem
+Manne aus, der heute ungewöhnlich lange zögerte. Endlich
+ertönt die Türglocke vor Weses Bureau, zu laut für
+eine Türglocke, über die Stadt hin zum Himmel auf,
+und Wese, der fleißige Nachtarbeiter, tritt, in dieser Gasse
+noch unsichtbar, nur durch das Glockenzeichen angekündigt,
+aus dem Haus; gleich zählt das Pflaster seine ruhigen
+Schritte. Pallas beugt sich weit hervor, er darf
+nichts versäumen; Frau Wese schließt, beruhigt durch
+<span class="pagenum"><a name="Page_74">74</a></span>die Glocke, klirrend das Fenster. Schmar aber kniet nieder;
+da er augenblicklich keine anderen Blößen hat,
+drückt er nur Gesicht und Hände gegen die Steine: wo
+alles friert, glüht Schmar. Gerade an der Grenze,
+welche die Gassen scheidet, bleibt Wese stehn, nur mit dem
+Stock stützt er sich in die jenseitige Gasse. Eine Laune.
+Der Nachthimmel hat ihn angelockt, das Dunkelblaue
+und das Goldene. Unwissend blickt er es an, unwissend
+streicht er das Haar unter dem gelüpften Hut; nichts
+rückt dort oben zu Buchstaben zusammen, um ihm die
+allernächste Zukunft anzuzeigen; alles bleibt an seinem
+unsinnigen, unerforschlichen Platz. An und für sich sehr
+vernünftig, daß Wese weitergeht, aber er geht ins Messer
+des Schmar. »Wese!« schreit Schmar, auf den Fußspitzen
+stehend, den Arm aufgereckt, das Messer mit der
+Spitze scharf gesenkt: »Wese! Vergebens wartet Julia!«
+Und rechts in den Hals und links in den Hals und
+drittens tief in den Bauch sticht Schmar. Wasserratten,
+aufgeschlitzt, geben einen ähnlichen Laut von sich wie
+Wese. »Getan,« sagt Schmar und wirft das Messer, den
+überflüssigen, blutigen Ballast, gegen die nächste Hausfront.
+»Seligkeit des Mordes; Erleichterung, Beflügelung
+durch das Fließen des fremden Blutes! Wese,
+alter Nachtschatten, Freund, Bierbankgenosse, versickerst
+im dunklen Straßengrund. Warum bist du nicht einfach
+eine mit Blut gefüllte Blase, daß ich mich auf dich setzte
+und du verschwändest ganz und gar? Nicht alles wird
+erfüllt, nicht alle Blütenträume reiften, dein schwerer
+<span class="pagenum"><a name="Page_76">76</a></span>Rest liegt hier, schon unzugänglich jedem Tritt. Was soll
+die stumme Frage, die du damit stellst?« Pallas, alles
+Gift durcheinanderwürgend in seinem Leib, steht in seiner
+zweiflügelig aufspringenden Haustür. »Schmar!
+Schmar! Alles bemerkt, nichts übersehn.« Pallas und
+Schmar prüfen einander. Pallas befriedigt's, Schmar
+kommt zu keinem Ende. Frau Wese, Volk zu ihren beiden
+Seiten, eilt mit vor Schrecken ganz gealtertem Gesicht
+herbei. Der Pelz öffnet sich, sie stürzt über Wese, der
+nachthemdbekleidete Körper gehört ihm, der über dem
+Ehepaar sich wie der Rasen eines Grabes schließende
+Pelz gehört der Menge. Schmar, mit Mühe die letzte
+Übelkeit verbeißend, den Mund an die Schulter des
+Schutzmanns gedrückt, der leichtfüßig ihn davonführt.</p>
+
+<p class="right" style="font-size: smaller; margin-bottom: 3em;">Aus einer Reihe unveröffentlichter Erzählungen.</p>
+
+<div><span class="pagenum"><a name="Page_75">75</a></span></div>
+<div class="figcenter" style="width: 486px;">
+<img src="images/p0075-image.png" width="486" height="600" alt="" title="" />
+</div>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Der Mord, by Franz Kafka
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+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
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+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #30753 (https://www.gutenberg.org/ebooks/30753)