diff options
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 30670-h.zip | bin | 0 -> 155344 bytes | |||
| -rw-r--r-- | 30670-h/30670-h.htm | 1059 | ||||
| -rw-r--r-- | 30670-h/images/001.png | bin | 0 -> 28037 bytes | |||
| -rw-r--r-- | 30670-h/images/002-1.jpg | bin | 0 -> 15830 bytes | |||
| -rw-r--r-- | 30670-h/images/002-2.jpg | bin | 0 -> 95918 bytes | |||
| -rw-r--r-- | 30670.txt | 771 | ||||
| -rw-r--r-- | 30670.zip | bin | 0 -> 14119 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 |
10 files changed, 1846 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/30670-h.zip b/30670-h.zip Binary files differnew file mode 100644 index 0000000..f897209 --- /dev/null +++ b/30670-h.zip diff --git a/30670-h/30670-h.htm b/30670-h/30670-h.htm new file mode 100644 index 0000000..27c544d --- /dev/null +++ b/30670-h/30670-h.htm @@ -0,0 +1,1059 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> + +<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> + <head> + <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <meta http-equiv="Content-Style-Type" content="text/css" /> + <title> + The Project Gutenberg eBook of Mr. Chipfellow's Jackpot, by Dick Purcell + </title> + <style type="text/css"> + + p {margin-top: .75em; text-align: justify; margin-bottom: .75em;} + h1,h2,.hd1 {text-align: center;} + h2 {line-height: 1.5; margin-bottom: 2em;} + .hd1 {margin-top: 2em;} + hr {width: 45%; margin: 2em auto; visibility: hidden;} + body {margin-left: 10%; margin-right: 10%;} + .bq {margin: 1em 20%;} + .bq p {text-indent: 2em;} + .figr {float: right; clear: right; margin: 1em 0 1em 1em; padding: 0; width: 400px;} + img {border: none;} + a:link,a:visited {text-decoration: none;} + p.cap:first-letter {float: left; margin-right: .05em; padding-top: .05em; font-size: 300%; line-height: .8em; width: auto;} + .dcap {text-transform: uppercase;} + .figt {float: left; clear: left; margin: 15px; padding: 0; width: 145px;} + .trn {border: solid 1px; margin: 3em 15%; min-height: 230px;} + .trn p {margin: 15px;} + .sp1 {font-size: 150%;} + + </style> + </head> +<body> + + +<pre> + +The Project Gutenberg EBook of Mr. Chipfellow's Jackpot, by Dick Purcell + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Mr. Chipfellow's Jackpot + +Author: Dick Purcell + +Release Date: December 13, 2009 [EBook #30670] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK MR. CHIPFELLOW'S JACKPOT *** + + + + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + +</pre> + + +<div class="bq"><p><big><b>Being one of the richest men in the world, +it was only natural that many people anticipated +the day he would die. For someone should claim—</b></big></p></div> + +<h1><span class="sp1">Mr. Chipfellow's Jackpot</span></h1> + +<h2><i>by<br /> +Dick Purcell</i></h2> + +<p class="cap"><span class="dcap">"I'm</span> getting old," Sam Chipfellow +said, "and old men +die."</p> + +<p>His words were an indirect answer +to a question from Carter Hagen, +his attorney. The two men +were standing in an open glade, +some distance from Sam Chipfellow's +mansion at Chipfellow's Folly, +this being the name Sam himself +had attached to his huge estate.</p> + +<p>Sam lived there quite alone except +for visits from relatives and +those who claimed to be relatives. +He needed no servants nor help of +any kind because the mansion was +completely automatic. Sam did not +live alone from choice, but he was +highly perceptive and it made him +uncomfortable to have relatives around +with but one thought in their +minds: <i>When are you going to die +and leave me some money?</i></p> + +<p>Of course, the relatives could +hardly be blamed for entertaining +this thought. It came as naturally as +breathing because Sam Chipfellow +was one of those rare individuals—a +scientist who had made money; all +kinds of money; more money than +almost anybody. And after all, his +relatives were no different than +those of any other rich man. They +felt they had rights.</p> + +<p>Sam was known as The Genius +of the Space Age, an apt title because +there might not have been any +space without him. He had been +extremely versatile during his long +career, having been responsible for +the so-called eternal metals—metal +against which no temperature, corrosive, +or combinations of corrosives +would prevail. He was also the +pioneer of telepower, the science of +control over things mechanical +through the electronic emanations +of thought waves. Because of his +investigations into this power, men +were able to direct great ships by +merely "thinking" them on their +proper courses.</p> + +<div class="figr"><img src="images/001.png" width="400" height="392" alt="" title="" /></div> + +<p>These were only two of his contributions +to progress, there being +many others. And now, Sam was +facing the mystery neither he nor +any other scientist had ever been +able to solve.</p> + +<p>Mortality.</p> + +<p>There was a great deal of activity +near the point at which the men +stood. Drills and rock cutters had +formed three sides of an enclosure +in a ridge of solid rock, and now a +giant crane was lowering thick slabs +of metal to form the walls. Nearby, +waiting to be placed, lay the slab +which would obviously become the +door to whatever Sam was building. +Its surface was entirely smooth, +but it bore great hinges and some +sort of a locking device was built +in along one edge.</p> + +<p>Carter Hagen watched the activity +and considered Sam's reply to +his question. "Then this is to be a +mausoleum?"</p> + +<p>Sam chuckled. "Only in a sense. +Not a place to house my dead bones +if that's what you mean."</p> + +<p>Carter Hagen, understanding this +lonely old man as he did, knew further +questions would be useless. Sam +was like that. If he wanted you to +know something, he told you.</p> + +<p>So Carter held his peace and they +returned to the mansion where Sam +gave him a drink after they concluded +the business he had come on.</p> + +<p>Sam also gave Carter something +else—an envelope. "Put that in your +safe, Carter. You're comparatively +young. I'm taking it for granted +you will survive me."</p> + +<p>"And this is—?"</p> + +<p>"My will. All old men should +leave wills and I'm no exception to +the rule. When I'm dead, open it +and read what's inside."</p> + +<hr /> + +<p class="cap"><span class="dcap">Carter</span> Hagen regarded the envelope +with speculation. Sam +smiled. "If you're wondering how +much I left you, Carter, I'll say this: +You might get it all."</p> + +<p>Hagen strove to appear nonchalant +but his eyes widened regardless. +Sam enjoyed this. He said, "Yes, +you'll have as much chance as anyone +else."</p> + +<p>"You mean as much chance as +any of your relatives?"</p> + +<p>"I mean what I said—as much +as anyone. I've given them no more +consideration than anyone else."</p> + +<p>Carter Hagen stared, puzzled. +"I'm afraid I don't understand +you."</p> + +<p>"I didn't expect you to, but that +will come later. I'll tell you this +much, though. No one will be barred. +The winner will take all, and +the winner may be anyone on this +planet. My one regret is that I won't +be around to see who gets the +jackpot."</p> + +<p>Carter Hagen dutifully pocketed +the will and left. He returned on +other business a week later. Sam +Chipfellow's first question was, +"Well, what did you think of it?"</p> + +<p>"Think of what?"</p> + +<p>"My will."</p> + +<p>Carter Hagen straightened to an +indignant five-foot-six. "Mr. Chipfellow, +I don't like having my integrity +questioned. Your will was +in a sealed envelope. You instructed +me to read it after your death. +If you think I'm the sort of man +who would violate a trust—"</p> + +<p>Sam put a drink into his attorney's +hand. "Here, take this. Calm +down."</p> + +<p>Carter Hagen gulped the drink +and allowed his feathers to smooth +down. As he set down his glass, Sam +leaned back and said, "Now that +that's over, let's get on with it. +Tell me—what did you think of +my will?"</p> + +<p>The attorney flushed. It was no +use trying to fool Chipfellow. He +was a master at that damned +thought business. "I—I did look at +it. I couldn't resist the temptation. +The envelope was so easily opened."</p> + +<p>Sam was regarding him keenly +but without anger. "I know you're +a crook, Hagen, but no more so +than most people. So don't sit there +cringing."</p> + +<p>"This will is—well, amazing, and +getting an advance look didn't help +me a bit unless—" Hagen looked up +hopefully. "—unless you're willing +to give me a slight clue—"</p> + +<p>"I'll give you nothing. You take +your chances along with the rest."</p> + +<p>Hagen sighed. "As to the will +itself, all I can say is that it's +bound to cause a sensation."</p> + +<p>"I think so too," Sam said, his +eyes turning a trifle sad. "It's too +bad a man has to die just at the +most interesting point of his life."</p> + +<p>"You'll live for years, Mr. Chipfellow. +You're in fine condition."</p> + +<p>"Cut it out. You're itching for +me to shuffle off so you can get a +crack at what I'm leaving behind."</p> + +<p>"Why, Mr.—"</p> + +<p>"Shut up and have another +drink."</p> + +<hr /> + +<p class="cap"><span class="dcap">Carter</span> Hagen did not have +long to wait as life-times go. +Eighteen months later, Sam Chipfellow +dropped dead while walking +in his garden. The news was broadcast +immediately but the stir it +caused was nothing to the worldwide +reaction that came a few days +later.</p> + +<p>This was after all the relatives, +all those who thought they had a +faint chance of proving themselves +relatives, and representatives of the +press, radio, and video, gathered in +the late Sam Chipfellow's mansion +to hear the reading of the will. Carter +Hagen, seeking to control his excitement, +stood before a microphone +installed for the benefit of +those who couldn't get in.</p> + +<p>He said, "This is the last will and +testament of Samuel Chipfellow, deceased. +As his lawyer, it becomes +my duty to—"</p> + +<p>An angry murmur went up from +those assembled. Exclamations of +impatience. "Come on! Get on with +it. Quit making a speech and read +the will, we can't wait all day!"</p> + +<p>"Quiet, please, and give me your +closest attention. I will read slowly +so all may hear. This is Mr. Chipfellow's +last testament:</p> + +<p>"<i>I, Samuel B. Chipfellow, have +made a great deal of money during +my active years. The time now +comes when I must decide what will +become of it after my death. I have +made my decision, but I remain in +the peculiar position of still not +knowing what will become of it. +Frankly, I'm of the opinion that no +one will ever benefit from it—that +it will remain in the place I have +secreted it until the end of time.</i>"</p> + +<p>A murmur went up from the +crowd.</p> + +<p>"A treasure hunt!" someone cried. +"I wonder if they'll distribute +maps!"</p> + +<p>Carter Hagen raised his hand. +"Please! Let's have a little more +order or the reading will not continue."</p> + +<p>The room quieted and Hagen's +droning voice was again raised:</p> + +<p>"<i>This place consists of a vault I +have had erected upon my grounds. +This vault, I assure you, is burglar-proof, +weather-proof, cyclone-proof, +tornado-proof, bomb-proof. Time +will have no effect upon its walls. It +could conceivably be thrown free +in some great volcanic upheaval +but even then the contents would +remain inaccessible.</i></p> + +<p>"<i>There is only one way the vault +can be opened. Its lock is sensitized +to respond to a thought. That's what +I said—a thought. I have selected +a single, definite, clear-cut thought +to which the combination will respond.</i></p> + +<p>"<i>There is a stone bench in front +of the vault door and I decree that +any person who wishes, may sit +down on this bench and direct +his or her thought at the door. If it +is the correct one, the door will open +and the person causing this to happen +shall then be the possessor of all +my worldly wealth which lies inside.</i></p> + +<p>"<i>Because of the number of persons +who will no doubt wish to try +their luck, I decree further that each +shall be given thirty seconds in +which to project their thought. A +force of six men shall be hired to +supervise the operation and handle +the crowds in the neighborhood of +the vault. A trust fund has been already +set up to pay this group. The +balance of my wealth lies awaiting +the lucky thinker in the vault—all +save this estate itself, an item of +trifling value in comparison to the +rest, which I bequeath to the State +with the stipulation that the other +terms of the will are rigidly carried +out.</i></p> + +<p>"<i>And so, good luck to everyone in +the world. May one of you succeed +in opening my vault—although I +doubt it. Samuel B. Chipfellow. P.S. +The thought-throwing shall begin +one week after the reading of +the will. I add this as a precaution +to keep everyone from rushing +to the vault after this will is +read. You might kill each other in +the stampede. S. B. C.</i>"</p> + +<p>There was a rush regardless. Reporters +knocked each other down +getting to the battery of phones +set up to carry the news around +the world. And Sam Chipfellow's +will pushed all else off the video +screens and the front pages.</p> + +<hr /> + +<p class="cap"><span class="dcap">During</span> the following weeks, +millions were made through +the sale of Chipfellow's thought to +the gullible. Great commercial activity +began in the area surrounding +the estate as arrangements were +made to accommodate the hundreds +of thousands who were heading in +that direction.</p> + +<p>A line began forming immediately +at the gate to Chipfellow's Folly +and a brisk market got under way +in positions therein. The going figure +of the first hundred positions +was in the neighborhood of ten +thousand dollars. A man three +thousand thoughts away was offered +a thousand dollars two +days before the week was up, and +on the last day, the woman at the +head of the line sold her position +for eighteen thousand dollars.</p> + +<p>There were many learned roundtables +and discussions as to the nature +of Chipfellow's thought. The +majority leaned to the belief that +it would be scientific in nature because +Chipfellow was the world's +greatest scientist.</p> + +<p>This appeared to give scientifically +trained brains the edge and +those fortunate in this respect spent +long hours learning what they +could of Chipfellow's life, trying +to divine his performance in the +realm of thought.</p> + +<p>So intense was the interest created +that scarcely anyone paid attention +to the activities of Chipfellow's +closer relatives. They sued +to break the will but met with defeat. +The verdict was rendered +speedily, after which the judge who +made the ruling declared a recess +and bought the eleven thousandth +position in line for five hundred +dollars.</p> + +<p>On the morning of the appointed +day, the gates were opened and the +line moved toward the vault. The +first man took his seat on the +bench. A stopwatch clicked. A +great silence settled over the watchers. +This lasted for thirty seconds +after which the watch clicked +again. The man got up from the +bench eighteen thousand dollars +poorer.</p> + +<p>The vault had not opened.</p> + +<p>Nor did it open the next day, +the next, nor the next. A week +passed, a month, six months. And +at the end of that time it was estimated +that more than twenty-five +thousand people had tried their +luck and failed.</p> + +<p>Each failure was greeted with a +public sigh of relief—relief from +both those who were waiting for a +turn and those who were getting +rich from the commercial enterprises +abutting upon the Chipfellow +estate.</p> + +<p>There was a motel, a hotel, a +few night clubs, a lot of restaurants, +a hastily constructed bus terminal, +an airport and several +turned into parking lots at a dollar +a head.</p> + +<p>The line was a permanent thing +and it was soon necessary to build +a cement walk because the ever-present +hopeful were standing in +a ditch a foot deep.</p> + +<p>There also continued to be an +active business in positions, a +group of professional standers having +sprung up, each with an assistant +to bring food and coffee +and keep track of the ever fluctuating +market in positions.</p> + +<p>And still no one opened Chipfellow's +vault.</p> + +<p>It was conceded that the big +endowment funds had the inside +track because they had the money +to hire the best brains in the +world; men who were almost as +able scientifically as had been +Chipfellow himself but unfortunately +hadn't made as much money. +The monied interests also had access +to the robot calculators that +turned out far more plausible +thoughts than there were positions +in the line.</p> + +<p>A year passed. The vault remained +locked.</p> + +<hr /> + +<p class="cap"><span class="dcap">By</span> that time the number of those +who had tried and failed, and +were naturally disgruntled, was +large enough to be heard, so a rumor +got about that the whole thing +was a vast hoax—a mean joke perpetrated +upon the helpless public +by a lousy old crook who hadn't +any money in the first place.</p> + +<p>Vituperative editorials were written—by +editors who had stood in +line and thrown futile thoughts at +the great door. These editorials +were vigorously rebutted by editors +and columnists who as yet had +not had a chance to try for the +jackpot.</p> + +<p>One senator, who had tried and +missed, introduced a law making +it illegal to sit on a stone bench +and hurl a thought at a door.</p> + +<p>There were enough congressional +failures to pass the law. It went to +the Supreme Court, but was tossed +out because they said you couldn't +pass a law prohibiting a man from +thinking.</p> + +<p>And still the vault remained +closed.</p> + +<p>Until Mr. and Mrs. Wilson, farm +people impoverished by reverses, +spent their last ten dollars for two +thoughts and waited out the hours +and the days in line. Their daughter +Susan, aged nine, waited with +them, passing the time by telling +her doll fairy tales and wondering +what the world looked like to a bird +flying high up over a tree top. Susan +was glad when her mother and +father reached the bench because +then they all could go home and see +how her pet rabbit was doing.</p> + +<p>Mr. Wilson hurled his thought +and moved on with drooping shoulders. +Mrs. Wilson threw hers and +was told to leave the bench. The +guard looked at Susan. "Your +turn," he said.</p> + +<p>"But I haven't got any thought," +Susan said. "I just want to go +home."</p> + +<p>This made no sense to the guard. +The line was being held up. People +were grumbling. The guard said, +"All right, but that was silly. You +could have sold your position for +good money. Run along with your +mother and father."</p> + +<p>Susan started away. Then she +looked at the vault which certainly +resembled a mausoleum and +said, "Wait—I have too got a little +thought," and she popped onto +the bench.</p> + +<p>The guard frowned and snapped +his stop watch.</p> + +<p>Susan screwed her eyes tight +shut. She tried to see an angel with +big white wings like she sometimes +saw in her dreams and she also +tried to visualize a white-haired, +jolly-faced little man as she +considered Mr. Chipfellow to be. +Her lips moved soundlessly as she +said,</p> + +<p><i>Dear God and all the angels—please +have pity on poor Mr. Chipfellow +for dying and please make +him happy in heaven.</i></p> + +<p>Then Susan got off the bench +quickly to run after her mother +and father who had not waited.</p> + +<p>There was the sound of metal +grinding upon metal and the great +door was swinging open.</p> + +<p class="hd1">THE END</p> + +<div class="trn"><div class="figt"><a href="images/002-2.jpg"><img src="images/002-1.jpg" width="145" height="200" alt="" title="" /></a></div> + +<p><big><b>Transcriber's Note:</b></big></p> + +<p>This etext was produced from <i>Imagination</i> April 1956. +Extensive research did not uncover any evidence that the U.S. +copyright on this publication was renewed. Minor spelling and +typographical errors have been corrected without note.</p></div> + + + + + + + + +<pre> + + + + + +End of Project Gutenberg's Mr. Chipfellow's Jackpot, by Dick Purcell + +*** END OF THIS PROJECT GUTENBERG EBOOK MR. CHIPFELLOW'S JACKPOT *** + +***** This file should be named 30670-h.htm or 30670-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/3/0/6/7/30670/ + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + +</body> +</html> diff --git a/30670-h/images/001.png b/30670-h/images/001.png Binary files differnew file mode 100644 index 0000000..c3171d9 --- /dev/null +++ b/30670-h/images/001.png diff --git a/30670-h/images/002-1.jpg b/30670-h/images/002-1.jpg Binary files differnew file mode 100644 index 0000000..a7a8b00 --- /dev/null +++ b/30670-h/images/002-1.jpg diff --git a/30670-h/images/002-2.jpg b/30670-h/images/002-2.jpg Binary files differnew file mode 100644 index 0000000..98f85d9 --- /dev/null +++ b/30670-h/images/002-2.jpg diff --git a/30670.txt b/30670.txt new file mode 100644 index 0000000..80619e0 --- /dev/null +++ b/30670.txt @@ -0,0 +1,771 @@ +The Project Gutenberg EBook of Mr. Chipfellow's Jackpot, by Dick Purcell + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Mr. Chipfellow's Jackpot + +Author: Dick Purcell + +Release Date: December 13, 2009 [EBook #30670] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK MR. CHIPFELLOW'S JACKPOT *** + + + + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + + + + + Being one of the richest men in the world, it + was only natural that many people anticipated + the day he would die. For someone should claim-- + + Mr. Chipfellow's Jackpot + + _by + Dick Purcell_ + + +"I'm getting old," Sam Chipfellow said, "and old men die." + +His words were an indirect answer to a question from Carter Hagen, his +attorney. The two men were standing in an open glade, some distance from +Sam Chipfellow's mansion at Chipfellow's Folly, this being the name Sam +himself had attached to his huge estate. + +Sam lived there quite alone except for visits from relatives and those +who claimed to be relatives. He needed no servants nor help of any kind +because the mansion was completely automatic. Sam did not live alone +from choice, but he was highly perceptive and it made him uncomfortable +to have relatives around with but one thought in their minds: _When are +you going to die and leave me some money?_ + +Of course, the relatives could hardly be blamed for entertaining this +thought. It came as naturally as breathing because Sam Chipfellow was +one of those rare individuals--a scientist who had made money; all kinds +of money; more money than almost anybody. And after all, his relatives +were no different than those of any other rich man. They felt they had +rights. + +Sam was known as The Genius of the Space Age, an apt title because there +might not have been any space without him. He had been extremely +versatile during his long career, having been responsible for the +so-called eternal metals--metal against which no temperature, corrosive, +or combinations of corrosives would prevail. He was also the pioneer of +telepower, the science of control over things mechanical through the +electronic emanations of thought waves. Because of his investigations +into this power, men were able to direct great ships by merely +"thinking" them on their proper courses. + +[Illustration] + +These were only two of his contributions to progress, there being many +others. And now, Sam was facing the mystery neither he nor any other +scientist had ever been able to solve. + +Mortality. + +There was a great deal of activity near the point at which the men +stood. Drills and rock cutters had formed three sides of an enclosure in +a ridge of solid rock, and now a giant crane was lowering thick slabs of +metal to form the walls. Nearby, waiting to be placed, lay the slab +which would obviously become the door to whatever Sam was building. Its +surface was entirely smooth, but it bore great hinges and some sort of a +locking device was built in along one edge. + +Carter Hagen watched the activity and considered Sam's reply to his +question. "Then this is to be a mausoleum?" + +Sam chuckled. "Only in a sense. Not a place to house my dead bones if +that's what you mean." + +Carter Hagen, understanding this lonely old man as he did, knew further +questions would be useless. Sam was like that. If he wanted you to know +something, he told you. + +So Carter held his peace and they returned to the mansion where Sam gave +him a drink after they concluded the business he had come on. + +Sam also gave Carter something else--an envelope. "Put that in your +safe, Carter. You're comparatively young. I'm taking it for granted you +will survive me." + +"And this is--?" + +"My will. All old men should leave wills and I'm no exception to the +rule. When I'm dead, open it and read what's inside." + + * * * * * + +Carter Hagen regarded the envelope with speculation. Sam smiled. "If +you're wondering how much I left you, Carter, I'll say this: You might +get it all." + +Hagen strove to appear nonchalant but his eyes widened regardless. Sam +enjoyed this. He said, "Yes, you'll have as much chance as anyone else." + +"You mean as much chance as any of your relatives?" + +"I mean what I said--as much as anyone. I've given them no more +consideration than anyone else." + +Carter Hagen stared, puzzled. "I'm afraid I don't understand you." + +"I didn't expect you to, but that will come later. I'll tell you this +much, though. No one will be barred. The winner will take all, and the +winner may be anyone on this planet. My one regret is that I won't be +around to see who gets the jackpot." + +Carter Hagen dutifully pocketed the will and left. He returned on other +business a week later. Sam Chipfellow's first question was, "Well, what +did you think of it?" + +"Think of what?" + +"My will." + +Carter Hagen straightened to an indignant five-foot-six. "Mr. +Chipfellow, I don't like having my integrity questioned. Your will was +in a sealed envelope. You instructed me to read it after your death. If +you think I'm the sort of man who would violate a trust--" + +Sam put a drink into his attorney's hand. "Here, take this. Calm down." + +Carter Hagen gulped the drink and allowed his feathers to smooth down. +As he set down his glass, Sam leaned back and said, "Now that that's +over, let's get on with it. Tell me--what did you think of my will?" + +The attorney flushed. It was no use trying to fool Chipfellow. He was a +master at that damned thought business. "I--I did look at it. I couldn't +resist the temptation. The envelope was so easily opened." + +Sam was regarding him keenly but without anger. "I know you're a crook, +Hagen, but no more so than most people. So don't sit there cringing." + +"This will is--well, amazing, and getting an advance look didn't help me +a bit unless--" Hagen looked up hopefully. "--unless you're willing to +give me a slight clue--" + +"I'll give you nothing. You take your chances along with the rest." + +Hagen sighed. "As to the will itself, all I can say is that it's bound +to cause a sensation." + +"I think so too," Sam said, his eyes turning a trifle sad. "It's too bad +a man has to die just at the most interesting point of his life." + +"You'll live for years, Mr. Chipfellow. You're in fine condition." + +"Cut it out. You're itching for me to shuffle off so you can get a crack +at what I'm leaving behind." + +"Why, Mr.--" + +"Shut up and have another drink." + + * * * * * + +Carter Hagen did not have long to wait as life-times go. Eighteen months +later, Sam Chipfellow dropped dead while walking in his garden. The news +was broadcast immediately but the stir it caused was nothing to the +worldwide reaction that came a few days later. + +This was after all the relatives, all those who thought they had a faint +chance of proving themselves relatives, and representatives of the +press, radio, and video, gathered in the late Sam Chipfellow's mansion +to hear the reading of the will. Carter Hagen, seeking to control his +excitement, stood before a microphone installed for the benefit of those +who couldn't get in. + +He said, "This is the last will and testament of Samuel Chipfellow, +deceased. As his lawyer, it becomes my duty to--" + +An angry murmur went up from those assembled. Exclamations of +impatience. "Come on! Get on with it. Quit making a speech and read the +will, we can't wait all day!" + +"Quiet, please, and give me your closest attention. I will read slowly +so all may hear. This is Mr. Chipfellow's last testament: + +"_I, Samuel B. Chipfellow, have made a great deal of money during my +active years. The time now comes when I must decide what will become of +it after my death. I have made my decision, but I remain in the peculiar +position of still not knowing what will become of it. Frankly, I'm of +the opinion that no one will ever benefit from it--that it will remain +in the place I have secreted it until the end of time._" + +A murmur went up from the crowd. + +"A treasure hunt!" someone cried. "I wonder if they'll distribute maps!" + +Carter Hagen raised his hand. "Please! Let's have a little more order or +the reading will not continue." + +The room quieted and Hagen's droning voice was again raised: + +"_This place consists of a vault I have had erected upon my grounds. +This vault, I assure you, is burglar-proof, weather-proof, +cyclone-proof, tornado-proof, bomb-proof. Time will have no effect upon +its walls. It could conceivably be thrown free in some great volcanic +upheaval but even then the contents would remain inaccessible._ + +"_There is only one way the vault can be opened. Its lock is sensitized +to respond to a thought. That's what I said--a thought. I have selected +a single, definite, clear-cut thought to which the combination will +respond._ + +"_There is a stone bench in front of the vault door and I decree that +any person who wishes, may sit down on this bench and direct his or her +thought at the door. If it is the correct one, the door will open and +the person causing this to happen shall then be the possessor of all my +worldly wealth which lies inside._ + +"_Because of the number of persons who will no doubt wish to try their +luck, I decree further that each shall be given thirty seconds in which +to project their thought. A force of six men shall be hired to supervise +the operation and handle the crowds in the neighborhood of the vault. A +trust fund has been already set up to pay this group. The balance of my +wealth lies awaiting the lucky thinker in the vault--all save this +estate itself, an item of trifling value in comparison to the rest, +which I bequeath to the State with the stipulation that the other terms +of the will are rigidly carried out._ + +"_And so, good luck to everyone in the world. May one of you succeed in +opening my vault--although I doubt it. Samuel B. Chipfellow. P.S. The +thought-throwing shall begin one week after the reading of the will. I +add this as a precaution to keep everyone from rushing to the vault +after this will is read. You might kill each other in the stampede. S. +B. C._" + +There was a rush regardless. Reporters knocked each other down getting +to the battery of phones set up to carry the news around the world. And +Sam Chipfellow's will pushed all else off the video screens and the +front pages. + + * * * * * + +During the following weeks, millions were made through the sale of +Chipfellow's thought to the gullible. Great commercial activity began in +the area surrounding the estate as arrangements were made to accommodate +the hundreds of thousands who were heading in that direction. + +A line began forming immediately at the gate to Chipfellow's Folly and a +brisk market got under way in positions therein. The going figure of the +first hundred positions was in the neighborhood of ten thousand dollars. +A man three thousand thoughts away was offered a thousand dollars two +days before the week was up, and on the last day, the woman at the head +of the line sold her position for eighteen thousand dollars. + +There were many learned roundtables and discussions as to the nature of +Chipfellow's thought. The majority leaned to the belief that it would be +scientific in nature because Chipfellow was the world's greatest +scientist. + +This appeared to give scientifically trained brains the edge and those +fortunate in this respect spent long hours learning what they could of +Chipfellow's life, trying to divine his performance in the realm of +thought. + +So intense was the interest created that scarcely anyone paid attention +to the activities of Chipfellow's closer relatives. They sued to break +the will but met with defeat. The verdict was rendered speedily, after +which the judge who made the ruling declared a recess and bought the +eleven thousandth position in line for five hundred dollars. + +On the morning of the appointed day, the gates were opened and the line +moved toward the vault. The first man took his seat on the bench. A +stopwatch clicked. A great silence settled over the watchers. This +lasted for thirty seconds after which the watch clicked again. The man +got up from the bench eighteen thousand dollars poorer. + +The vault had not opened. + +Nor did it open the next day, the next, nor the next. A week passed, a +month, six months. And at the end of that time it was estimated that +more than twenty-five thousand people had tried their luck and failed. + +Each failure was greeted with a public sigh of relief--relief from both +those who were waiting for a turn and those who were getting rich from +the commercial enterprises abutting upon the Chipfellow estate. + +There was a motel, a hotel, a few night clubs, a lot of restaurants, a +hastily constructed bus terminal, an airport and several turned into +parking lots at a dollar a head. + +The line was a permanent thing and it was soon necessary to build a +cement walk because the ever-present hopeful were standing in a ditch a +foot deep. + +There also continued to be an active business in positions, a group of +professional standers having sprung up, each with an assistant to bring +food and coffee and keep track of the ever fluctuating market in +positions. + +And still no one opened Chipfellow's vault. + +It was conceded that the big endowment funds had the inside track +because they had the money to hire the best brains in the world; men who +were almost as able scientifically as had been Chipfellow himself but +unfortunately hadn't made as much money. The monied interests also had +access to the robot calculators that turned out far more plausible +thoughts than there were positions in the line. + +A year passed. The vault remained locked. + + * * * * * + +By that time the number of those who had tried and failed, and were +naturally disgruntled, was large enough to be heard, so a rumor got +about that the whole thing was a vast hoax--a mean joke perpetrated upon +the helpless public by a lousy old crook who hadn't any money in the +first place. + +Vituperative editorials were written--by editors who had stood in line +and thrown futile thoughts at the great door. These editorials were +vigorously rebutted by editors and columnists who as yet had not had a +chance to try for the jackpot. + +One senator, who had tried and missed, introduced a law making it +illegal to sit on a stone bench and hurl a thought at a door. + +There were enough congressional failures to pass the law. It went to the +Supreme Court, but was tossed out because they said you couldn't pass a +law prohibiting a man from thinking. + +And still the vault remained closed. + +Until Mr. and Mrs. Wilson, farm people impoverished by reverses, spent +their last ten dollars for two thoughts and waited out the hours and the +days in line. Their daughter Susan, aged nine, waited with them, +passing the time by telling her doll fairy tales and wondering what the +world looked like to a bird flying high up over a tree top. Susan was +glad when her mother and father reached the bench because then they all +could go home and see how her pet rabbit was doing. + +Mr. Wilson hurled his thought and moved on with drooping shoulders. Mrs. +Wilson threw hers and was told to leave the bench. The guard looked at +Susan. "Your turn," he said. + +"But I haven't got any thought," Susan said. "I just want to go home." + +This made no sense to the guard. The line was being held up. People were +grumbling. The guard said, "All right, but that was silly. You could +have sold your position for good money. Run along with your mother and +father." + +Susan started away. Then she looked at the vault which certainly +resembled a mausoleum and said, "Wait--I have too got a little thought," +and she popped onto the bench. + +The guard frowned and snapped his stop watch. + +Susan screwed her eyes tight shut. She tried to see an angel with big +white wings like she sometimes saw in her dreams and she also tried to +visualize a white-haired, jolly-faced little man as she considered Mr. +Chipfellow to be. Her lips moved soundlessly as she said, + +_Dear God and all the angels--please have pity on poor Mr. Chipfellow +for dying and please make him happy in heaven._ + +Then Susan got off the bench quickly to run after her mother and father +who had not waited. + +There was the sound of metal grinding upon metal and the great door was +swinging open. + + +THE END + + + + +Transcriber's Note: + + This etext was produced from _Imagination_ April 1956. Extensive + research did not uncover any evidence that the U.S. copyright on + this publication was renewed. Minor spelling and typographical + errors have been corrected without note. + + + + + +End of Project Gutenberg's Mr. Chipfellow's Jackpot, by Dick Purcell + +*** END OF THIS PROJECT GUTENBERG EBOOK MR. CHIPFELLOW'S JACKPOT *** + +***** This file should be named 30670.txt or 30670.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/3/0/6/7/30670/ + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/30670.zip b/30670.zip Binary files differnew file mode 100644 index 0000000..49e511a --- /dev/null +++ b/30670.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..4e711a3 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #30670 (https://www.gutenberg.org/ebooks/30670) |
