diff options
Diffstat (limited to '30539.txt')
| -rw-r--r-- | 30539.txt | 875 |
1 files changed, 875 insertions, 0 deletions
diff --git a/30539.txt b/30539.txt new file mode 100644 index 0000000..b5b3e2a --- /dev/null +++ b/30539.txt @@ -0,0 +1,875 @@ +The Project Gutenberg EBook of The Terrible Answer, by Arthur G. Hill + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Terrible Answer + +Author: Arthur G. Hill + +Release Date: November 24, 2009 [EBook #30539] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THE TERRIBLE ANSWER *** + + + + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + + + + + _They came to Mars inquiring after the + stuff of Empire. They got--_ + + + The + TERRIBLE + ANSWER + + By Arthur G. Hill + + +They came down to Mars ahead of the rest because Larkin had bought an +unfair advantage--a copy of the Primary Report. There were seven of +them, all varying in appearance, but with one thing in common; in the +eyes of each glowed the greed for Empire. They came down in a flash of +orange tail-fire and they looked first at the Martians. + +"Green," marveled Evans. "What a queer shade of green!" + +"Not important," Cleve, the psychologist, replied. "Merely a matter of +pigmentation. White, yellow, black, green. It proves only that God loves +variety." + +"And lord how they grin!" + +Cleve peered learnedly. "Doesn't indicate a thing. They were born with +those grins. They'll die with them." + +Of the seven strong men, Larkin exuded the most power. Thus, his role of +leader was a natural one. No man would ever stand in front of Larkin. He +said, "To hell with color or the shape of their mouths. What we're after +lies inside. Come on. Let's set up a camp." + +"For the time being," Cleve cautioned, "we must ignore them. Later--we +know what to do. I'll give the nod." + +They brought what they needed out of the ship. They brought the plastic +tents, broke the small, attached cylinders, and watched the tents bulge +up into living quarters. They set up the vapor condenser and it began +filling the water tank from the air about them. They plugged a line into +the ship and attached it to the tent-line. Immediately the gasses in the +plastic tents began to glow and give off both light and heat. + +They did many things while the Martians stood silently by with their +arms hanging, their splay-feet flat on the ground, their slash-mouths +grinning. + +The seven sat down to their first meal under the Martian stars and while +they ate the rich, delicate foods, they listened to the words of Larkin. +"A new empire waiting to be built. A whole planet--virgin--new." + +"Not new," Dane, the archeologist, said. "It's older than Earth. It's +been worked before." + +Larkin waved an impatient hand. "But hardly scratched. It can have risen +and fallen a thousand times for all we care. The important thing is the +vital ingredient of empire. Is it here? Can it be harnessed? Are we or +are we not, on the threshold of wealth, splendor, and progress so great +as to take away the breath?" + +And as Larkin spoke, all seven men looked at the Martians; looked +covertly while appearing to study the rolling plain and the purple +ridges far away; the texture of the soil; the color of the sky; the food +on their plates; the steaming fragrance of their coffee. They looked at +all these things but they studied the Martians. + +"Stupid-looking animals," Evans muttered. "Odd though. So like us--yet +so different." + +At first there had been only a handful of Martians to grin at the +landing of the ship. Now they numbered over a hundred, their ranks +augmented by stragglers who came to stare with their fellows in happy +silence. + +"The prospects are excellent," Cleve said. Then he jerked his attention +back to Larkin from whom it had momentarily wandered. When Larkin spoke, +one listened. + + * * * * * + +Larkin had been directing his words toward a young man named Smith. +Smith had inherited a great deal of money which was fine. But Larkin +wasn't too sure of his qualifications otherwise. "--the pyramids," +Larkin was saying. "Would they have ever been built if the men up +above--the men with vision--had had to worry about a payroll?" + +Smith regarded the Martians with not quite the impersonal stare of the +other six Earthlings. Once or twice he grinned back at them. "I'll grant +the truth of what you say," he told Larkin, "but what good were the +pyramids? They're something I could never figure." + +Smith had a sardonic twist of mouth that annoyed Larkin. "Let's not +quibble, man. I merely used the pyramids as an example. Call them +Empire; call them any Empire on Earth from the beginning of known +history and let's face facts." + +"Facts?" Smith asked. He had been looking at a six-foot-six Martian, +thinking what a magnificent specimen he was. If only they'd wipe off +those silly grins. + +"Yes, facts. The building must be done. It is a law of nature. Man must +progress or not. And what empire can arise without free labor? Can we +develop this planet at union scale? Impossible! Yet it's crying to be +developed." + +Cleve knocked the ashes off his cigar and frowned. Being a man of direct +action, he inquired. "Do you want your money back, Smith?" + +The latter shook his head. "Oh no! Don't get me wrong, gentlemen. I'm +for empire first, last and always. And if we can lay the foundations of +one on the backs of these stupid creatures, I'm for it." + +"I still don't like your--" + +"My outspoken manner? Don't give it a thought, old man. I just don't +want to be all cloyed up with platitudes. If we're going to chain the +children of Israel into the house of bondage, let's get on with it." + +"I don't like your attitude," Larkin said stubbornly. "In the long run, +it will benefit these people." + +"Let's say, rather, that it may benefit their children. I doubt if these +jokers will be around very long after we start cracking the whip." + +Dane was stirred. "The whip," he murmured. "Symbol of empire." But +nobody heard him. They were too busy listening to Larkin and Smith--and +watching the Martians. + +The Martians stood around grinning, waiting patiently for something to +happen. Larkin's attitude toward them had changed again. First there had +been curiosity. Then a narrow-eyed calculation; now he regarded them +with contempt. The careful, studied checks and tests would be made of +course. But Larkin, a man of sure instincts, had already made up his +mind. + +He stretched luxuriously. "Let's call it a day and turn in. Tomorrow +we'll go about the business at hand with clearer heads." + +"A good idea," Cleve said, "but first, one little gesture. I think it +would be judicious." He eyed the Martians, settling finally upon one--a +male--standing close and somewhat apart from the rest. Cleve scowled. +Standing erect, he called, "Hey--you!" He interpreted the words with a +beckoning gesture of his arm. "Come here! Here, boy! Over here!" + +The Martian reacted with a typically Earthian gesture. He pointed to his +own chest with one green finger, while a questioning expression +reflected through the eternal grin. + +"Yes, you! On the double." + + * * * * * + +The Martian came forward. There was in his manner a slight hesitation, +and Smith expected to see his hind quarters wriggle like that of a +dog--uncertain, but eager to please. + +Cleve pointed with a martinet gesture toward the smoked-out cigar butt +he'd thrown to the ground. "Pick it up!" + +The Martian stood motionless. + +"Pick--it--_up_, you stupid lout!" + +[Illustration: _Larkin--now beyond sanity--was gibbering in the +grave._] + +The Martian understood. With a glad little whimper, he bent over and +took the cigar butt in his hand. + +"There," Cleve said. "Garbage can! Get it? _Garbage can._ Place for +trash--for cigar butts. Put it in there." + +Smith wasn't sure whether the grin deepened or not. He thought it did, +as the Martian laid the cigar butt carefully into the trash can. + +"Okay, you fella," Cleve barked, still scowling. "Back and away now. +Stay out there! Get it? Only come when you're called." + +It took a few eloquent gestures, including the pantomime of swinging a +whip, before the Martian understood and complied. After he backed into +the circle of his fellows, Cleve dropped the cruel overseer manner and +turned with satisfaction to Larkin. "I think there will be no trouble at +all," he said. "Tomorrow we'll really get down to cases. I predict +smooth sailing." + +They said goodnight to each other and went about the business of +preparing for slumber. As he raised the glowing flap of his tent, Larkin +saw Smith lounging in a chair before the electric heat unit. "Aren't you +going to get some sleep?" + +"In a little while. I'm going to wait around until those two famous +moons come. Want to see them first hand." + +"A waste of time," Larkin said. "Better keep your mind on more important +things." + +"Goodnight," Smith said. Larkin did not reply, and Smith turned his head +to look at the Martians. He wondered where they had come from. They +probably had a village somewhere over the rise. He regarded them without +fear or apprehension of what might occur during the sleeping hours. He +had read the Primary Report, brought back by the pioneer expedition. +These people were entirely harmless. Also they were possessed of +remarkable stamina. They had stood for days, watching the first +expedition, grinning at it, without nourishment of any kind. + +Maybe they live off the atmosphere, Smith told himself dreamily. At any +rate, they were ideal specimens to use as the foundation stones of an +empire. He lay back, thinking of Larkin; he did not like Larkin +personally, but he had to admire the steel in the man; the unswerving +determination that had made him what he was. + +His mind drifted back to the things of beauty around him. The far purple +ridges had changed now, as a light bloomed behind them to gleam like +azure through old crystal. Then the two moons shot over the horizon; +huge silver bullets riding the thin atmosphere. + +The oldest planet. Had it ever been great? Were the bones of any dead +civilizations mouldering beneath this strange yellow soil? Smith closed +his eyes while the cool Martian breezes soothed his face. Greatness. +What was greatness after all? Merely a matter of viewpoint perhaps. + +Smith got up and moved slowly toward his tent. Out in the shadows he +could feel the grins of the Martians. "Goodnight," he called. + +But there was no answer. + + * * * * * + +"I put them out there," Cleve said. "It seemed as good a place as any." + +"Fine," Larkin rumbled. He wore boots and britches and a big, +wide-brimmed hat. He had on soft leather gloves. He looked like an +empire builder. + +The Martians were standing around grinning at the pile of shovels lying +in the fuzz-bush. The Martians seemed interested and appeared to +communicate with one another in some imperceptible manner. + +Larkin shoved through the circle of green men, pushing rudely. He +stopped, picked up one of the shovels; thrust it toward a Martian. The +Martian took it in his hands. + +"It's very important that you _tell_ them--that you don't show them," +Cleve said. "You must not do any of the work yourself." + +"I'll handle it," Larkin snapped. "Now, you--all of you! Grab a shovel. +Pick 'em up, see? Pick 'em up! We've got work to do. A ditch to dig." + +Larkin's pantomime was a universal language. "We start the ditch here. +Right here--you fella! Get digging! And put your back into that shovel. +Hit hard or maybe it gives the whip--understand?" Larkin made a +threatening motion toward the lash coiled at his belt. + +Smith, already on the scene, turned as Evans and Dane arrived carrying +undefined plastic. They snapped the cylinders and chairs appeared; +chairs--and a table upon which Carter and Lewis, bringing up the rear, +placed a pitcher of beer, glasses and a box of cigars. + +Cleve, the psychologist, looked with satisfaction upon the string of +Martians manipulating the shovels. "All right," he said. "Let's sit +down. Pour the beer, one of you." + +"Allow me," Smith said. He fought to straighten the smile bending his +lips. He picked up the pitcher and poured beer into the glasses. It all +seemed so absurd; these grim-faced men acting out an asinine tableau. + +Cleve caught the smile. "I wish you'd take this seriously," he said. +"It's a mighty touchy and important business." + +"Sorry," Smith said, raising his glass. "Here's to empire." + +Larkin was striding up and down the line of straining Martians. The +scowl had become a part of him. + +_It's getting him_, Smith marveled. _Act or no act, he likes it. +Experiment or not, he's in his element._ + +The six men sat drinking their beer and watching Larkin. But only Cleve +was aware of the skill with which the man worked. The gradual +application of pressure; the careful moving forward from bog to bog with +the path of retreat always open. From sharpness to brusqueness. From the +brusque to the harsh. From the harsh to the brutal. + +"Will you tell me," Smith asked, "why we have to sit here drinking like +a pack of fools? I don't like beer." + +"I'm not enjoying it, either," Cleve said. "But you can certainly +understand that the roles must be set right from the beginning. They +must understand we are their masters, so we must conduct ourselves in +that manner. Never any sign that could be interpreted as compromise." + +Larkin, satisfied with the progress of the entirely useless ditch, came +to the table and raised a glass of beer. He wiped the foam from his +mustache and asked, "What do you think?" directing the question toward +Cleve. + + * * * * * + +The latter regarded the sweating Martians with calculating eyes. "It's +going entirely as I predicted. The next step is in order, I believe." + +"You think it's safe?" + +"I'm certain of it." + +Smith, studying Larkin, saw the latter smile, and was again struck by +its quality. + +_Whatever the test, Larkin's for it, even above the call of scientific +experimentation._ + +Larkin was uncoiling the whip from his belt. He strode toward the +fast-deepening ditch. He selected a subject. "You--fella. You're lazy, +huh? You like to gold-brick it? Then see how you like this!" He laid the +whip across the green shoulders of the Martian. + +The Martian winced. He raised an arm to shield off the whip. Again it +curled against his flesh. He whimpered. His grin was stark, inquiring. + +"Hit that shovel, you green bastard!" Larkin roared. + +The Martian understood. So did the other Martians. Their muscles +quivered as they drove into their work. + +Larkin came back, smiling--almost dreamily, Smith thought. Cleve said, +"Excellent. I'd hardly hoped for such conformity. Hardly expected it." + +"You mean," Smith asked, "that this little scene can be projected from a +dozen to a hundred? From a hundred to a thousand--?" + +"From this little plot to the whole, surface of the planet," Cleve said. +"The mass is nothing more than a collection of individuals. Control the +individual and you've got the mob. That is if you follow through with +the original method. Set the hard pattern." + +"Then we're in--is that it? They've passed every test with flying +colors." + +"I'm sure they will," Cleve said, frowning. "But we must be thorough." + +"There's still another test?" + +"Yes. The test of final and complete subservience. It must be proven +beyond all doubt that they know their masters." + +"You don't think they're aware yet that we _are_ their masters?" + +"I'm sure they know. It only remains to be proven." Cleve glanced up at +Larkin. "Maybe this is as far as we should go today. We've made +marvelous progress." + +That characteristic wave of Larkin's hand; the gesture of the empire +builder brushing away mountains. "Why wait? I want to get this thing +over with. You said yourself they're under our thumb." + +Cleve pondered, staring at the Martians. "Very well. There's really no +reason to wait." + +Larkin smiled and turned toward the diggers, only half visible now from +the depths of the ditch. He walked forward, appearing to exercise more +care, this time, in the selection of his subject. Finally, he pointed at +one of the Martians. "You--fella! Come here!" + +Several of them looked at one another a trifle confused. "You--damn it! +What are you waiting for?" + +One of them climbed slowly from the trench. While he was engaged in so +doing, Smith noticed two things. He saw the look of rage, simulated or +otherwise, that came into Larkin's face. And he saw Cleve's fingers +tighten on the edge of the table. + +Larkin had a gun in his fist; a roar in his voice. "When I talk--you +jump! Get that? All of you!" + +He fired three bullets into the Martian's brain. The latter slumped +grinning to the ground. Larkin, his breath coming jerkily, stood poised +on the balls of his feet. The men at the table sat frozen--waiting. +Around them--on the plain--some two hundred Martians stood motionless. + +_The final test_, Smith thought. _To prove they're cattle._ + + * * * * * + +A full minute passed after the echo of the gun faded out. Silence. + +And nothing. + +The Earthmen picked up their breathing where they'd dropped it. Larkin's +breath exploded in savage voice--triumphant voice. The Martians were +his. + +"Come on, some of you! Dig a hole and bury that carrion! And if anybody +still wonders who's boss around here--let him step forward!" + +"They took it!" Cleve whispered. "Glory be--they took it!" + +Four Martians climbed grinning from the trench. They faced Larkin and +stood as though awaiting instructions. + +"Dig there," Larkin said. + +They went stolidly to work and Larkin pocketed his gun, making the +pocketing a gesture of contempt. + +"You see," Cleve said, with the tone of one explaining an abstract +problem, "we were at somewhat of a disadvantage because they are +incapable of indicating emotion by facial expression. Thus the last test +was necessary. If we could have judged the degree of fear previously +instilled, that last might not have been necessary." + +"Just as well to have a double check nonetheless," Dane said. "Look at +them! You'd think nothing out of the ordinary had happened." + +Larkin strode back to the table. "Glad we got it over with," he said. +"Now we _know_. Cleve can head back for Earth tomorrow. Initial supplies +will come to about twenty million, I estimate. The rest of us can stay +here and really drive these beggars. Get the foundations dug; get the +rock down from the hills." + +"A planet in glorious resurrection," said Dane, the poet of the group. + +"They've got the grave dug," Cleve observed. "They're waiting for +orders." + +"Such cattle," Evans muttered. + +Larkin strode back to the grave. He pointed. "Him--body into the grave. +Snap into it. We've got work to do." + +The Martians put the body into the grave. + +Then a tall, green man appeared behind Larkin. He put his arms around +Larkin's body. Another Martian took the gun from Larkin's pocket. + +And they pushed the screaming Earthman down into the grave. + +Smith sprang to his feet. "For God's sake!" + +"Sit down, you fool!" Cleve hissed. "Do you want to die? We've +miscalculated. Something's wrong." + +The big Martian was standing on Larkin. The others threw in the soil. +Larkin, now beyond sanity, was gibbering like an animal. + +Smith sat down. The Earthman presented a frozen tableau. Soon the +gibbering could no longer be heard and the big Martian stepped out of +the grave. + +"Leave everything," Cleve whispered. "Get up very casually and walk back +to the ship. Get inside it." + +"May God help us," Dane quavered. + +"Shut up! Act natural." + +They went back and got into the ship while the Martians stood patiently +about waiting for something to happen. Their patience was rewarded when +the ship arose on a great flaming tail from the surface of the planet. + +It was a sight worth waiting for. + + +THE END + + + + +Transcriber's Note: + + This etext was produced from _If Worlds of Science Fiction_ July + 1952. Extensive research did not uncover any evidence that the U.S. + copyright on this publication was renewed. Minor spelling and + typographical errors have been corrected without note. + + + + + +End of the Project Gutenberg EBook of The Terrible Answer, by Arthur G. Hill + +*** END OF THIS PROJECT GUTENBERG EBOOK THE TERRIBLE ANSWER *** + +***** This file should be named 30539.txt or 30539.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/3/0/5/3/30539/ + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |
