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diff --git a/30015.txt b/30015.txt new file mode 100644 index 0000000..ea05557 --- /dev/null +++ b/30015.txt @@ -0,0 +1,763 @@ +The Project Gutenberg EBook of Stopover Planet, by Robert E. Gilbert + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Stopover Planet + +Author: Robert E. Gilbert + +Illustrator: W. E. Terry + +Release Date: September 17, 2009 [EBook #30015] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK STOPOVER PLANET *** + + + + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + + + + +[Illustration] + + + STOPOVER PLANET + + _By + Robert E. Gilbert_ + + + Early morning deliveries were part of + the Honeychile Bakery Service. But on this + particular morning the service was reversed! + + +At 2:34 a.m., Patrolman Louis Whedbee left the Zip Cab station. With +arch supports squeaking and night stick swinging, Whedbee walked east to +the call box at the corner of Sullivan and Cherokee. The traffic signal +suspended above the intersection blinked a cautionary amber. Not a car +moved on the silent streets. + +Whedbee reached for the box. Then he swore softly and stepped off the +curb. "Pardon me," he said, for he believed that a policeman should be +courteous at all times, even when arresting a school zone speedster. +This, however, was not a speedster. It seemed to be a huge man standing +on top of a truck and cutting down the stop light. "What's going on +here?" Whedbee asked. + +HONEYCHILE BAKERY was advertised on the side of the truck. +Instinctively, Whedbee jammed his whistle in his mouth when he realized +that the man on the truck wore something like a suit of long underwear +made of improbable black fur sprinkled with tiny red spots. + +"What are you doing to the stop light?" Whedbee demanded. + +The amber light quit blinking without the expected electrical display. +Sinuous as beheaded snakes, the wires and cables supporting the traffic +signal fell into the street. The unusual man pocketed his cutting +tool--a long thin tube--and lowered the stop light to the truck. He +looked at Whedbee. The corner street lamp reacted upon his eyes like a +flashlight thrown on a tomcat in an alley. The eyes gleamed green. + +Whedbee's whistle arced to the end of the chain and clanked against his +metal buttons. A block away on Center Street, a heavy truck roared +through the business section. The bell of a switch engine tolled near +the freight depot, and a small dog barked suddenly at the obscured sky. + +"I am promoting you to captain. You will replace Hanks, whom I am +demoting," the figure on the truck announced. + +"Chief Grindstaff?" Whedbee wondered. + +The chief of police glared down at the patrolman. He hooked a bright +metal globe to the stop light, lifted it in one hand, and jumped, +landing lightly on the pavement. "Put this in the mobile unit," he said. +"The truck, I evil." + +"Huh? Sure, chief," Whedbee said. He tucked his night stick under his +arm and prepared to accept a heavy load. Tensed muscles almost felled +him when the signal proved to weigh not more than one pound. + +Chief Grindstaff opened the doors in the rear of the truck, releasing a +faint odor of stale bread. The truck was empty. Whedbee deposited the +almost weightless burden. The chief looked him in the eye. "I am +promoting you to captain," he repeated. "You will replace Hanks, whom I +am demoting." + +"Thanks, chief!" Whedbee exalted. "You know Hanks didn't treat me fair +that time I--" + +"Yes, I know all about that," the chief interposed. "Go bring the +postage box and place it in the truck." + +"The which? Oh, you mean the mailbox!" Whedbee walked across the street +to the square green box with the rounded metal top. Another of the +globes had been attached to the mailbox, and the legs had been burned +loose from the concrete sidewalk. Confidently, Whedbee lifted the light +object, carried it to the truck, and deposited it inside. + +"Bleachers there," said Chief Grindstaff. + +"What you say, chief?" + +"Stands there. No, stand there." + +Patrolman Whedbee stood by the back of the truck. Chief Grindstaff +placed a device like an atomizer under Whedbee's nose and released the +spray. + + * * * * * + +Miss Betsy Tapp awoke after not more than one hour of fitful sleep. The +door to the garage apartment shook under the tattoo of a heavy fist. +Miss Tapp's heart thudded somewhere inside her thirty-eight-inch bosom. +She lay rigid in darkness penetrated only by the glimmer of a distant +street light. + +The knocking ceased. Boards creaked on the platform outside the door. A +face appeared at the window, a face in complete shadow except for two +eyes that glowed with greenish light. + +Miss Tapp, unaware of the disarray of her nightgown, sat upright. The +alarm clock on the floor by the bed clacked in the stillness. The tap in +the kitchen cubicle dripped. Timbers, contracting in the cool of early +morning, popped faintly. + +"I need to marry you," the face said. "I was wrong tonight. Forgive me." + +"Fred?" Miss Tapp gasped in sudden joy. + +"Open the portal," Fred said. + +Wrenching metal curlers from her permanently waved hair, Miss Tapp +bounded to the door. She released the catch and threw herself at the +figure on the landing. Fred purred, "I want to marry you. I was wrong +tonight. Forgive me." + +"Oh, Fred," Miss Tapp sighed. "I knew you'd come back! You just had too +much to drink! I forgive you, Fred! We'll--" + +"Yes. Bring your rayon crepe with tall tucking." + +"What, Fred?" + +"Bring your garb, your clothing. Hurry." + +Miss Tapp skillfully fought a blush. "Oh, Fred! I'm sorry. I'll be +dressed in a minute!" + +Fred slowly stated, "I want to marry you. I was wrong tonight. Forgive +me." He walked into the apartment and rapidly gathered and rolled +together the dress and undergarments scattered on and about the chair. +He stuffed the spike-heeled shoes into pockets of his black fur suit and +lifted Miss Tapp in his arms. + +"We're eloping!" Miss Tapp sighed as Fred carried her down the outside +stairs. A _Honeychile Bakery_ truck, with rear doors open, waited in the +driveway. Fred tossed the roll of clothing and the slippers into the +truck, and swiftly sprayed Miss Tapp. + + * * * * * + +An unearthly glow permeated the bedroom and cast the black shadows of +heavy furniture against the faded papered walls. Within the glow, two +dots of green flickered. The Reverend Enos Shackelford dropped on +creaking knees and bowed his grizzled head. + +A voice said, "Well done, good and faithful servant. Arise and follow +me." + +"Lord," said Reverend Shackelford, "I have served thee faithfully all +the days of my life. Remember me when thou comest into thy kingdom. +Remember also--" + +"Yes. Well done, good and faithful servant. Arise and follow me." + +Shackelford stood on tottering old legs. His nightshirt hung below his +knees. Horrified shock blanched his lined face. "Blasphemer!" he cried. +"False prophet! Get thee behind me, Satan!" + +The glow danced and faded. A towering black shape pointed a bent rod. +The rod hissed. The Reverend Shackelford staggered against a small +table, dragging it with him to the floor. He lay still with one gnarled +old hand on a large golden-edged book that had fallen from the table. + + * * * * * + +"You're fired," the man in the dream said over and over. + +Calvin C. Kear rolled off the half-bed, struck the floor, and awoke. +"First time I've fallen out of bed in years," he groaned. His shaking +hand fumbled with the switch and succeeded in turning on the lamp. + +Mrs. Calvin C. Kear sprawled on her back in the other bed and snored. +"You and your fifteen-thousand-dollar house," Kear muttered. He combed +his thinning hair with his fingers. "You and your sterling silver. You +and your chosen pattern. Your service for eight. How far do you think +fifty-four dollars a week will go with 12-gauge shells three and a +quarter a box?" + +Green eyes glittered beside the frilly dressing table. The man standing +there said, "I'm not igniting you. I'm giving you a bonus for your fine +work. Enough currency to pay the loan on this house. You'll be making +two hundred per week. This fall, I'll take you hunting at my place in +the country." + +"Boss?" Kear mumbled. "I mean, Mr. Darmond?" + +"Put on your clothing," the boss said. "I'll show you your new office. +You may have a secretary, also. I'm not firing you. I'm giving you a +bonus." + +Kear sat gasping on the floor. "That's great, boss!" he exclaimed. "I +thought I did an extra special job on the plastics mill design. It'll +mean a lot to the company. We--" + +"Yes. Dress quickly." + +Kear threw off his pajamas and started stuffing arms and legs into his +clothes. Mrs. Kear opened her eyes and squeaked like a dying rabbit. + +The bent rod in the boss's hand hissed, and Mrs. Kear stopped squeaking. + +With tie flapping, shirt unbuttoned, shoes unlaced, Kear followed the +boss through the living room and down the flagstone walk to the street. +The boss opened the doors of the _Honeychile Bakery_ truck and said, "In +here." + + * * * * * + +Mrs. Jane Huprich dropped her mop. Her varicose legs trotted across the +wet lobby of the Jordon Building, and her flabby fat arms reached for +the tall man with bright eyes who stood near the elevators. "It's me, +Mom," the man cried. + +"Matt!" Mrs. Huprich cried. "Matt, baby!" + +"I got a full pardon, Mom," Matt said, stroking her tangled white hair. +"Right from the ruling state official. You won't have to scrub floors +anymore! I'm going straight, Mom. I'm a good mechanic now. They learned +me a lot in the enclosure. Come on. I got a used truck outside, I bought +cheap." + +Mrs. Huprich and son walked through the oddly twisted doors of the +Jordon Building and into the gray twilight that awaited dawn. The +_Honeychile Bakery_ truck waited too. + + * * * * * + +Gary Abston peddled his bicycle against the flow of cars carrying +day-shift workers through the half-light. He whirled into Walnut Street, +twisted a fresh copy of the _Morning Herald_ into a fiendishly clever +knot, and hurled it in the general direction of a front porch that +flashed past on his right. Never slowing, Gary threw the next paper +entirely across the street. He chuckled as it cleared a picket fence. +"Bang, bang!" he blurted. His red shirt, with a picture of a mounted +cowboy on the back, ballooned in the early morning breeze. + +"Whoa!" Gary roared. He stopped, held the bicycle upright with one foot +on the pavement. A tall, lanky, slightly bowlegged man with squinting +luminous green eyes stood on the sidewalk. Gary looked at the man. The +newspapers fluttered to the parkway. The bicycle clattered in the +street. + +"Howdy, partner!" the tall man said. "The rustlers are headin' for the +plateau! We'll take the short gash and head 'em off at the canyon!" + +"Ramrod Jones?" Gary chirped. + +"Here's the truck I haul Quizz-kid, the I.Q. Horse, in! Let's get after +the rustlers!" Jones said. + +"Gee, I've seen all your pictures, Ramrod," Gary said. "_Silver City +Raiders_, _Rustlers of Silver City_, _Silver City Rustlers_--" + +The great cowboy lifted the newsboy into the _Honeychile_ truck. + + * * * * * + +Pink and rose clouds drifted through a brightening sky as the +_Honeychile Bakery_ truck careened along a narrow road badly in need of +rock and grading. From the road, the truck rattled into a rutted track +through dewy woods and skidded swaying to a stop at the side of a long, +low, grassy hill. + +The tall creature dressed in black, red-spotted fur stepped from the +cab. An opening appeared in the hillside. Four machines--dull metal eggs +balancing on single tractor treads--rolled silently through the opening. +Jointed steel arms darted from recesses in the eggs. One machine opened +the truck doors. + +The creature walked up a ramp inside the hill and entered a shimmering +metallic compartment. + +"Greetings, Eo. I have returned." + +Eo, who wore a suit of white fur, hummed, "None too soon, Za. We +miscalculated dawn. What success?" + +"An excellent group," Za said. He stretched and reclined on a +transparent slab. "The servants are unloading the vehicle. I captured a +young male, a mature male, an aged male, some sort of official or +guardian male, a mature female, and an aged female." + +"Let's view them," Eo said. "You can rest after we're away." + +The tall creatures entered a second compartment furnished with a large +table upon which the silent machines deposited inanimate bodies. +"Extraordinary!" said Eo, staring at Miss Betsy Tapp. "These things have +reached a peak of mammalian development!" + +"Her correct garments are in this bundle," Za explained. "The servants +are bringing the properties now. I secured a signaling device and a box +used in an extremely primitive system of communication. Also, I brought +the quaint muscle-powered vehicle ridden by the young male. The +photographs should be sufficient for other details." + +"Any difficulty?" Eo asked as the machines dumped Patrolman Whedbee on +the table. + +"The language was the greatest obstacle," Za said. "The same word has +many different meanings, or many different words have the same meaning. +Rather crude." + +"Did you use bait, or force?" + +"Bait," Za said. "It's much simpler. This is a completely selfish, +egocentric breed. Most of them have one thing in mind which they want +solely for themselves. Their sending power is weak, but that one selfish +desire is powerful enough to be received. I merely dangled it before +their minds, and they were hooked." He tapped the foot of Calvin C. +Kear. "I killed this one's female companion. She awoke and screamed. The +males and females pair off and live together for years. Strange custom! +Breeding seems to be only one reason for the mutual bondage." + +Za pointed to Mrs. Jane Huprich. "The old female may be an exception to +the selfishness. I couldn't decide whether she most wanted to be +relieved of cleaning floors by primitive methods, or wanted her male +offspring to be released from some structure where he had been secured +for reasons I couldn't determine." + +The machines deposited the Reverend Enos Shackelford and then lined up +in a precise row. "This thing is dead!" Eo buzzed. + +Za shook his head. "That was the only genuine exception. He confused me +till I forgot his proper clothing, but some can be devised from the +other samples. He seems to have been a witch-doctor. His mind was +cluttered with myths and superstitions from an ancient text. I don't +understand him, Eo, and wish I had time to study the phenomena. He was +different from the others. He believed in something and considered +himself lowly and humble. The minds of the others were in constant +confusion. They believed, actually, in nothing. Somehow, he saw me, Eo. +I was forced to kill him." + +"No harm done," Eo decided. He faced the machines and said, "Destroy the +vehicle, draw in the camouflage net, prepare for take-off." The +machines rolled from the compartment, and the two creatures followed. + +"Seal it," Eo said. "I'll plasticize them when we're in space. Fine +work, Za. I can see the plaque now: 'Mounted by Eo, Collected by Za. +Typical Street Corner on Planet _Earth_, Star _Sol_.' The directors will +surely give the group a prominent place in the Galactic Museum of +Natural History!" + +"Yes," Za agreed, glancing back at the Reverend Enos Shackelford. "This +planet was a fortunate stopover." + + +_The End_ + + + + +Transcriber's Note: + + This etext was produced from _Imagination Stories of Science and + Fantasy_ August 1953. Extensive research did not uncover any + evidence that the U.S. copyright on this publication was renewed. + Minor spelling and typographical errors have been corrected without + note. + + + + + +End of the Project Gutenberg EBook of Stopover Planet, by Robert E. 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