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+*** START OF THE PROJECT GUTENBERG EBOOK 30004 ***
+
+[Illustration]
+
+
+ _A grim tale of a future in which everyone is desperate to escape
+ reality, and a hero who wants to have his wine and drink it, too._
+
+
+ A BOTTLE OF
+ _Old Wine_
+
+ By Richard O. Lewis
+
+Illustrated by KELLY FREAS
+
+
+Herbert Hyrel settled himself more comfortably in his easy chair,
+extended his short legs further toward the fireplace, and let his eyes
+travel cautiously in the general direction of his wife.
+
+She was in her chair as usual, her long legs curled up beneath her, the
+upper half of her face hidden in the bulk of her personalized,
+three-dimensional telovis. The telovis, of a stereoscopic nature,
+seemingly brought the performers with all their tinsel and color
+directly into the room of the watcher.
+
+Hyrel had no way of seeing into the plastic affair she wore, but he
+guessed from the expression on the lower half of her face that she was
+watching one of the newer black-market sex-operas. In any event, there
+would be no sound, movement, or sign of life from her for the next three
+hours. To break the thread of the play for even a moment would ruin all
+the previous emotional build-up.
+
+There had been a time when he hated her for those long and silent
+evenings, lonely hours during which he was completely ignored. It was
+different now, however, for those hours furnished him with time for an
+escape of his own.
+
+His lips curled into a tight smile and his right hand fondled the
+unobtrusive switch beneath his trouser leg. He did not press the switch.
+He would wait a few minutes longer. But it was comforting to know that
+it was there, exhilarating to know that he could escape for a few hours
+by a mere flick of his finger.
+
+He let his eyes stray to the dim light of the artificial flames in the
+fireplace. His hate for her was not bounded merely by those lonely hours
+she had forced upon him. No, it was far more encompassing.
+
+He hated her with a deep, burning savagery that was deadly in its
+passion. He hated her for her money, the money she kept securely from
+him. He hated her for the paltry allowance she doled out to him, as if
+he were an irresponsible child. It was as if she were constantly
+reminding him in every glance and gesture, "I made a bad bargain when I
+married you. You wanted me, my money, everything, and had nothing to
+give in return except your own doltish self. You set a trap for me,
+baited with lies and a false front. Now you are caught in your own trap
+and will remain there like a mouse to eat from my hand whatever crumbs I
+stoop to give you."
+
+But some day his hate would be appeased. Yes, some day soon he would
+kill her!
+
+He shot a sideways glance at her, wondering if by chance she
+suspected.... She hadn't moved. Her lips were pouted into a half smile;
+the sex-opera had probably reached one of its more pleasurable moments.
+
+Hyrel let his eyes shift back to the fireplace again. Yes, he would kill
+her. Then he would claim a rightful share of her money, be rid of her
+debasing dominance.
+
+ * * * * *
+
+He let the thought run around through his head, savoring it with mental
+taste buds. He would not kill her tonight. No, nor the next night. He
+would wait, wait until he had sucked the last measure of pleasure from
+the thought.
+
+It was like having a bottle of rare old wine on a shelf where it could
+be viewed daily. It was like being able to pause again and again before
+the bottle, hold it up to the light, and say to it, "Some day, when my
+desire for you has reached the ultimate, I shall unstopper you quietly
+and sip you slowly to the last soul-satisfying drop." As long as the
+bottle remained there upon the shelf it was symbolic of that pleasurable
+moment....
+
+He snapped out of his reverie and realized he had been wasting precious
+moments. There would be time enough tomorrow for gloating. Tonight,
+there were other things to do. Pleasurable things. He remembered the
+girl he had met the night before, and smiled smugly. Perhaps she would
+be awaiting him even now. If not, there would be another one....
+
+He settled himself deeper into the chair, glanced once more at his wife,
+then let his head lean comfortably back against the chair's headrest.
+His hand upon his thigh felt the thin mesh that cloaked his body beneath
+his clothing like a sheer stocking. His fingers went again to the tiny
+switch. Again he hesitated.
+
+Herbert Hyrel knew no more about the telporter suit he wore than he did
+about the radio in the corner, the TV set against the wall, or the
+personalized telovis his wife was wearing. You pressed one of the
+buttons on the radio; music came out. You pressed a button and clicked a
+dial on the TV; music and pictures came out. You pressed a button and
+made an adjustment on the telovis; three-dimensional, emotion-colored
+pictures leaped into the room. You pressed a tiny switch on the
+telporter suit; you were whisked away to a receiving set you had
+previously set up in secret.
+
+He knew that the music and the images of the performers on the TV and
+telovis were brought to his room by some form of electrical impulse
+or wave while the actual musicians and performers remained in the
+studio. He knew that when he pressed the switch on his thigh something
+within him--his ectoplasm, higher self, the thing spirits use for
+materialization, whatever its real name--streamed out of him along an
+invisible channel, leaving his body behind in the chair in a conscious
+but dream-like state. His other self materialized in a small cabin in a
+hidden nook between a highway and a river where he had installed the
+receiving set a month ago.
+
+He thought once more of the girl who might be waiting for him, smiled,
+and pressed the switch.
+
+ * * * * *
+
+The dank air of the cabin was chill to Herbert Hyrel's naked flesh. He
+fumbled through the darkness for the clothing he kept there, found his
+shorts and trousers, got hurriedly into them, then flicked on a pocket
+lighter and ignited a stub of candle upon the table. By the wavering
+light, he finished dressing in the black satin clothing, the white
+shirt, the flowing necktie and tam. He invoiced the contents of his
+billfold. Not much. And his monthly pittance was still two weeks
+away....
+
+He had skimped for six months to salvage enough money from his allowance
+to make a down payment on the telporter suit. Since then, his
+expenses--monthly payments for the suit, cabin rent, costly liquor--had
+forced him to place his nights of escape on strict ration. He could not
+go on this way, he realized. Not now. Not since he had met the girl. He
+had to have more money. Perhaps he could not afford the luxury of
+leaving the wine bottle longer upon the shelf....
+
+Riverside Club, where Hyrel arrived by bus and a hundred yards of
+walking, was exclusive. It catered to a clientele that had but three
+things in common: money, a desire for utter self-abandonment, and a
+sales slip indicating ownership of a telporter suit. The club was of
+necessity expensive, for self-telportation was strictly illegal, and
+police protection came high.
+
+Herbert Hyrel adjusted his white, silken mask carefully at the door and
+shoved his sales slip through a small aperture where it was thoroughly
+scanned by unseen eyes. A buzzer sounded an instant later, the lock on
+the door clicked, and Hyrel pushed through into the exhilarating warmth
+of music and laughter.
+
+The main room was large. Hidden lights along the walls sent slow beams
+of red, blue, vermillion, green, yellow and pink trailing across the
+domed ceiling in a heterogeneous pattern. The colored beams mingled,
+diffused, spread, were caught up by mirrors of various tints which
+diffused and mingled the lights once more until the whole effect was an
+ever-changing panorama of softly-melting shades.
+
+The gay and bizarre costumes of the masked revelers on the dance floor
+and at the tables, unearthly in themselves, were made even more so by
+the altering light. Music flooded the room from unseen sources.
+Laughter--hysterical, drunken, filled with utter abandonment--came from
+the dance floor, the tables, and the private booths and rooms hidden
+cleverly within the walls.
+
+Hyrel pushed himself to an unoccupied table, sat down and ordered a
+bottle of cheap whiskey. He would have preferred champagne, but his
+depleted finances forbade the more discriminate taste.
+
+When his order arrived, he poured a glass tumbler half full and consumed
+it eagerly while his eyes scanned the room in search of the girl. He
+couldn't see her in the dim swirl of color. Had she arrived? Perhaps she
+was wearing a different costume than she had the night before. If so,
+recognition might prove difficult.
+
+He poured himself another drink, promising himself he would go in search
+of her when the liquor began to take effect.
+
+A woman clad in the revealing garb of a Persian dancer threw an arm
+about him from behind and kissed him on the cheek through the veil which
+covered the lower part of her face.
+
+"Hi, honey," she giggled into his ear. "Havin' a time?"
+
+He reached for the white arm to pull her to him, but she eluded his
+grasp and reeled away into the waiting arms of a tall toreador. Hyrel
+gulped his whiskey and watched her nestle into the arms of her partner
+and begin with him a sinuous, suggestive dance. The whiskey had begun
+its warming effect, and he laughed.
+
+This was the land of the lotus eaters, the sanctuary of the escapists,
+the haven of all who wished to cast off their shell of inhibition and
+become the thing they dreamed themselves to be. Here one could be among
+his own kind, an actor upon a gay stage, a gaudy butterfly metamorphosed
+from the slug, a knight of old.
+
+The Persian dancing girl was probably the wife of a boorish oaf whose
+idea of romance was spending an evening telling his wife how he came to
+be a successful bank president. But she had found her means of escape.
+Perhaps she had pleaded a sick headache and had retired to her room. And
+there upon the bed now reposed her shell of reality while her inner
+self, the shadowy one, completely materialized, became an exotic thing
+from the East in this never-never land.
+
+The man, the toreador, had probably closeted himself within his library
+with a set of account books and had left strict orders not to be
+disturbed until he had finished with them.
+
+Both would have terrific hangovers in the morning. But that, of course,
+would be fully compensated for by the memories of the evening.
+
+Hyrel chuckled. The situation struck him as being funny: the shadowy
+self got drunk and had a good time, and the outer husk suffered the
+hangover in the morning. Strange. Strange how a device such as the
+telporter suit could cause the shadow of each bodily cell to leave the
+body, materialize, and become a reality in its own right. And yet ...
+
+ * * * * *
+
+He looked at the heel of his left hand. There was a long, irregular scar
+there. It was the result of a cut he had received nearly three weeks ago
+when he had fallen over this very table and had rammed his hand into a
+sliver of broken champagne glass. Later that evening, upon re-telporting
+back home, the pain of the cut had remained in his hand, but there was
+no sign of the cut itself on the hand of his outer self. The scar was
+peculiar to the shadowy body only. There was something about the shadowy
+body that carried the hurts to the outer body, but not the scars....
+
+Sudden laughter broke out near him, and he turned quickly in that
+direction. A group of gaily costumed revelers was standing in a
+semi-circle about a small mound of clothing upon the floor. It was the
+costume of the toreador.
+
+Hyrel laughed, too. It had happened many times before--a costume
+suddenly left empty as its owner, due to a threat of discovery at home,
+had had to press the switch in haste to bring his shadowy self--and
+complete consciousness--back to his outer self in a hurry.
+
+A waiter picked up the clothing. He would put it safely away so that the
+owner could claim it upon his next visit to the club. Another waiter
+placed a fresh bottle of whiskey on the table before Hyrel, and Hyrel
+paid him for it.
+
+The whiskey, reaching his head now in surges of warm cheerfulness, was
+filling him with abandonment, courage, and a desire for merriment. He
+pushed himself up from the table, joined the merry throng, threw his arm
+about the Persian dancer, drew her close.
+
+They began dancing slowly to the throbbing rhythm, dancing and holding
+on to each other tightly. Hyrel could feel her hot breath through her
+veil upon his neck, adding to the headiness of the liquor. His feeling
+of depression and inferiority flowed suddenly from him. Once again he
+was the all-conquering male.
+
+His arm trembled as it drew her still closer to him and he began dancing
+directly and purposefully toward the shadows of a clump of artificial
+palms near one corner of the room. There was an exit to the garden
+behind the palms.
+
+Half way there they passed a secluded booth from which protruded a long
+leg clad in black mesh stocking. Hyrel paused as he recognized that part
+of the costume. It was she! The girl! The one he had met so briefly the
+night before!
+
+His arm slid away from the Persian dancer, took hold of the mesh-clad
+leg, and pulled. A female form followed the leg from the booth and fell
+into his arms. He held her tightly, kissed her white neck, let her
+perfume send his thoughts reeling.
+
+"Been looking for me, honey?" she whispered, her voice deep and throaty.
+
+"You know it!"
+
+He began whisking her away toward the palms. The Persian girl was
+pulled into the booth.
+
+Yes, she was wearing the same costume she had worn the night before,
+that of a can-can dancer of the 90's. The mesh hose that encased her
+shapely legs were held up by flowered supporters in such a manner as to
+leave four inches of white leg exposed between hose top and lacy
+panties. Her skirt, frilled to suggest innumerable petticoats, fell away
+at each hip, leaving the front open to expose the full length of legs.
+She wore a wig of platinum hair encrusted with jewels that sparkled in
+the lights. Her jewel-studded mask was as white as her hair and covered
+the upper half of her face, except for the large almond slits for her
+eyes. A white purse, jewel crusted, dangled from one arm.
+
+He stopped once before reaching the palms, drew her closer, kissed her
+long and ardently. Then he began pulling her on again.
+
+She drew back when they reached the shelter of the fronds. "Champagne,
+first," she whispered huskily into his ear.
+
+His heart sank. He had very little money left. Well, it might buy a
+cheap brand....
+
+ * * * * *
+
+She sipped her champagne slowly and provocatively across the table from
+him. Her eyes sparkled behind the almond slits of her mask, caught the
+color changes and cast them back. She was wearing contact lenses of a
+garish green.
+
+He wished she would hurry with her drink. He had horrible visions of his
+wife at home taking off her telovis and coming to his chair. He would
+then have to press the switch that would jerk his shadowy self back
+along its invisible connecting cord, jerk him back and leave but a small
+mound of clothes upon the chair at the table.
+
+Deep depression laid hold of him. He would not be able to see her after
+tonight until he received his monthly dole two weeks hence. She wouldn't
+wait that long. Someone else would have her.
+
+Unless ...
+
+Yes, he knew now that he was going to kill his wife as soon as the
+opportunity presented itself. It would be a simple matter. With the aid
+of the telporter suit, he could establish an iron-clad alibi.
+
+He took a long drink of whiskey and looked at the dancers about him.
+Sight of their gay costumes heightened his depression. He was wearing a
+cheap suit of satin, all he could afford. But some day soon he would
+show them! Some time soon he would be dressed as gaily....
+
+"Something troubling you, honey?"
+
+His gaze shot back to her and she blurred slightly before his eyes. "No.
+Nothing at all!" He summoned a sickly smile and clutched her hand in
+his. "Come on. Let's dance."
+
+He drew her from the chair and into his arms. She melted toward him as
+if desiring to become a part of him. A tremor of excitement surged
+through him and threatened to turn his knees into quivering jelly. He
+could not make his feet conform to the flooding rhythm of the music. He
+half stumbled, half pushed her along past the booths.
+
+In the shelter of the palms he drew her savagely to him. "Let's--let's
+go outside." His voice was little more than a croak.
+
+"But, honey!" She pushed herself away, her low voice maddening him.
+"Don't you have a private room? A girl doesn't like to be taken
+outside...."
+
+Her words bit into his brain like the blade of a hot knife.
+
+No, he didn't have a private room at the club like the others. A private
+room for his telporter receiver, a private room where he could take a
+willing guest. No! He couldn't afford it! No! _No!_ NO! His lot was a
+cheap suit of satin! Cheap whiskey! Cheap champagne! A cheap shack by
+the river....
+
+An inarticulate cry escaped his twisted lips. He clutched her roughly to
+him and dragged her through the door and into the moonlight, whiskey and
+anger lending him brutal strength.
+
+He pulled her through the deserted garden. _All the others had private
+rooms!_ He pulled her to the far end, behind a clump of squatty firs.
+His hands clawed at her. He tried to smother her mouth with kisses.
+
+She eluded him deftly. "But, _honey_!" Her voice had gone deeper into
+her throat. "I just want to be sure about things. If you can't afford
+one of the private rooms--if you can't afford to show me a good time--if
+you can't come here real often ..."
+
+The whiskey pounded and throbbed at his brain like blows from an unseen
+club. His ego curled and twisted within him like a headless serpent.
+
+"I'll have money!" he shouted, struggling to hold her. "I'll have plenty
+of money! After tonight!"
+
+"Then we'll wait," she said. "We'll wait until tomorrow night."
+
+"No!" he screamed. "You don't believe me! You're like the others! You
+think I'm no good! But I'll show you! I'll show all of you!"
+
+ * * * * *
+
+She had gone coldly rigid in his arms, unyielding.
+
+Madness added to the pounding in his brain. Tears welled into his eyes.
+
+"I'll show you! I'll kill her! Then I'll have money!" The hands
+clutching her shoulders shook her drunkenly. "You wait here! I'll go
+home and kill her now! Then I'll be back!"
+
+"Silly boy!" Her low laughter rang hollowly in his ears. "And just who
+is it you are going to kill?"
+
+"My wife!" he cried. "My wife! I'll ..."
+
+A sudden sobering thought struck him. He was talking too much. And he
+wasn't making sense. He shouldn't be telling her this. Anyway, he
+couldn't get the money tonight even if he did kill his wife.
+
+"And so you are going to kill your wife...."
+
+He blinked the tears from his eyes. His chest was heaving, his heart
+pounding. He looked at her shimmering form. "Y-yes," he whispered.
+
+Her eyes glinted strangely in the light of the moon. Her handbag glinted
+as she opened it, and something she took from it glittered coldly in
+her hand.
+
+"Fool!"
+
+The first shot tore squarely through his heart. And while he stood
+staring at her, mouth agape, a second shot burned its way through his
+bewildered brain.
+
+ * * * * *
+
+Mrs. Herbert Hyrel removed the telovis from her head and laid it
+carefully aside. She uncoiled her long legs from beneath her, walked to
+her husband's chair, and stood for a long moment looking down at him,
+her lips drawn back in contempt. Then she bent over him and reached down
+his thigh until her fingers contacted the small switch.
+
+Seconds later, a slight tremor shook Hyrel's body. His eyes snapped
+open, air escaped his lungs, his lower jaw sagged inanely, and his head
+lolled to one side.
+
+She stood a moment longer, watching his eyes become glazed and
+sightless. Then she walked to the telephone.
+
+"Police?" she said. "This is Mrs. Herbert Hyrel. Something horrible has
+happened to my husband. Please come over immediately. Bring a doctor."
+
+She hung up, went to her bathroom, stripped off her clothing, and slid
+carefully out of her telporter suit. This she folded neatly and tucked
+away into the false back of the medicine cabinet. She found a fresh pair
+of blue, plastifur pajamas and got into them.
+
+She was just arriving back into the living room, tying the cord of her
+dressing gown about her slim waist, when she heard the sound of the
+police siren out front.
+
+
+THE END
+
+
+
+
+Transcriber's Note:
+
+ This etext was produced from _If Worlds of Science Fiction_ July
+ 1953. Extensive research did not uncover any evidence that the U.S.
+ copyright on this publication was renewed. Minor spelling and
+ typographical errors have been corrected without note.
+
+
+
+
+
+End of Project Gutenberg's A Bottle of Old Wine, by Richard O. Lewis
+
+*** END OF THE PROJECT GUTENBERG EBOOK 30004 ***