summaryrefslogtreecommitdiff
path: root/29990.txt
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 02:48:35 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 02:48:35 -0700
commit523f56aa391e4b3c471491f6cc4568d76c3e4a9d (patch)
tree93aa4db2bf85a04d75d6c48757868d41e5951b7f /29990.txt
initial commit of ebook 29990HEADmain
Diffstat (limited to '29990.txt')
-rw-r--r--29990.txt1071
1 files changed, 1071 insertions, 0 deletions
diff --git a/29990.txt b/29990.txt
new file mode 100644
index 0000000..7795e5f
--- /dev/null
+++ b/29990.txt
@@ -0,0 +1,1071 @@
+The Project Gutenberg EBook of Satellite System, by Horace Brown Fyfe
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Satellite System
+
+Author: Horace Brown Fyfe
+
+Illustrator: Summers
+
+Release Date: September 14, 2009 [EBook #29990]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK SATELLITE SYSTEM ***
+
+
+
+
+Produced by Sankar Viswanathan, Greg Weeks, and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+
+
+ Transcriber's Note:
+
+ This etext was produced from Analog Science Fact & Fiction October 1960.
+ Extensive research did not uncover any evidence that the U.S. copyright on
+ this publication was renewed.
+
+
+ SATELLITE
+
+ SYSTEM
+
+
+ By H. B. FYFE
+
+
+ _Fyfe's quite right ... there's nothing like a satellite
+ system for a cold storage arrangement. Keeps things handy,
+ but out of the way...._
+
+ Illustrated by Summers
+
+ * * * * *
+
+
+
+
+Having released the netting of his bunk, George Tremont floated
+himself out. He ran his tongue around his mouth and grimaced.
+
+"Wonder how long I slept ... feels like too long," he muttered. "Well,
+they would have called me."
+
+The "cabin" was a ninety-degree wedge of a cylinder hardly eight feet
+high. From one end of its outer arc across to the other was just over
+ten feet, so that it had been necessary to bevel two corners of the
+hinged, three-by-seven bunk to clear the sides of the wedge. Lockers
+flattened the arc behind the bunk.
+
+Tremont maneuvered himself into a vertical position in the eighteen
+inches between the bunk and a flat surface that cut off the point of
+the wedge. He stretched out an arm to remove towel and razor from one
+of the lockers, then carefully folded the bunk upward and hooked it
+securely in place.
+
+With room to turn now, he swung around and slid open a double door in
+the flat surface, revealing a shaft three feet square whose center was
+also the theoretical intersection of his cabin walls. Tremont pulled
+himself into the shaft. From "up" forward, light leaked through a
+partly open hatch, and he could hear a murmur of voices as he
+jackknifed in the opposite direction.
+
+"At least two of them are up there," he grunted.
+
+He wondered which of the other three cabins was occupied, meanwhile
+pulling himself along by the ladder rungs welded to one corner of the
+shaft. He reached a slightly wider section aft, which boasted
+entrances to two air locks, a spacesuit locker, a galley, and a head.
+He entered the last, noting the murmur of air-conditioning machinery
+on the other side of the bulkhead.
+
+Tremont hooked a foot under a toehold to maintain his position facing
+a mirror. He plugged in his razor, turned on the exhauster in the slot
+below the mirror to keep the clippings out of his eyes, and began to
+shave. As the beard disappeared, he considered the deals he had come
+to Centauri to put through.
+
+"A funny business!" he told his image. "Dealing in ideas! Can you
+really sell a man's thoughts?"
+
+Beginning to work around his chin, he decided that it actually was
+practical. Ideas, in fact, were almost the only kind of import worth
+bringing from Sol to Alpha Centauri. Large-scale shipments of
+necessities were handled by the Federated Governments. To carry even
+precious or power metals to Earth or to return with any type of
+manufactured luxury was simply too expensive in money, fuel, effort,
+and time.
+
+On the other hand, traveling back every five years to buy up plans and
+licenses for the latest inventions or processes--_that_ was profitable
+enough to provide a good living for many a man in Tremont's business.
+All he needed were a number of reliable contacts and a good knowledge
+of the needs of the three planets and four satellites colonized in
+the Centaurian system.
+
+Only three days earlier, Tremont had returned from his most recent
+trip to the old star, landing from the great interstellar ship on the
+outer moon of Centauri VII. There he leased this small rocket--the
+_Annabel_, registered more officially as the AC7-4-525--for his local
+traveling. It would be another five days before he reached the
+inhabited moons of Centauri VI.
+
+He stopped next in the galley for a quick breakfast out of tubes,
+regretting the greater convenience of the starship, then returned the
+towel and razor to his cabin. He decided that his slightly rumpled
+shirt and slacks of utilitarian gray would do for another day. About
+thirty-eight, an inch or two less than six feet and muscularly slim,
+Tremont had an air of habitual neatness. His dark hair, thinning at
+the temples, was clipped short and brushed straight back. There were
+smile wrinkles at the corners of his blue eyes and grooving his lean
+cheeks.
+
+He closed the cabin doors and pulled himself forward to enter the
+control room through the partly open hatch. The forward bulkhead
+offered no more head room than did his own cabin, but there seemed to
+be more breathing space because this chamber was not quartered. Deck
+space, however, was at such a premium because of the controls,
+acceleration couches, and astrogating equipment that the hatch was the
+largest clear area.
+
+Two men and a girl turned startled eyes upon Tremont as he rose into
+their view. One of the men, about forty-five but sporting a youngish
+manner to match his blond crewcut and tanned features, glanced quickly
+at his wrist watch.
+
+"Am I too early?" demanded Tremont with sudden coldness. "What are you
+doing with my case there?"
+
+The girl, in her early twenties and carefully pretty with her long
+black hair neatly netted for space, snatched back a small hand from
+the steel strongbox that was shaped to fit into an attache case. The
+second man, under thirty but thick-waisted in a gray tee-shirt, said
+in the next breath, "Take him!"
+
+Too late, Tremont saw that the speaker had already braced a foot
+against the far bulkhead. Then the broad face with its crooked blob of
+a nose above a ridiculous little mustache shot across the chamber at
+him. Desperately, Tremont groped for a hold that would help him either
+to avoid the charge or to pull himself back into the shaft, but he was
+caught half in and half out.
+
+He met the rush with a fist, but the tangle of bodies immediately
+became confusing beyond belief as the other pair joined in.
+
+Something cracked across the back of his head, much too hard to have
+been accidental.
+
+When Tremont began to function again, it took him only a few seconds
+to realize that life had been going on without him for some little
+time.
+
+For one thing, the heavy man's nosebleed had stopped, and he was
+tenderly combing blood from his mustache with a fingertip.
+
+For another, they had managed to stuff Tremont into a spacesuit and
+haul him down the shaft to the air lock. Someone had noosed the thumbs
+of the gauntlets together and tied the cord to the harness supporting
+the air tanks.
+
+Tremont twisted his head around to eye the three of them without
+speaking. He was trying to decide where he had made his mistake.
+
+Bill Braigh, the elderly youth with the crewcut? Ralph Peters, the
+pilot who had come with the ship? Dorothy Stauber, the trim brunette
+who had made the trip from Earth on the same starship as Tremont? He
+could not make up his mind without more to go on.
+
+Then he remembered with a sinking sensation that _all_ of them had
+been clustered about his case of papers and microfilms when he had
+interrupted them.
+
+"I trust you aren't thinking of making us any trouble, Tremont,"
+drawled Braigh. "Give up the idea; you've been no trouble at all."
+
+"Where do you think this is getting you?" demanded Tremont.
+
+Braigh chuckled.
+
+"Wherever it would have gotten you," he said. "Only at less expense."
+
+"Ask him for the combination," growled Peters.
+
+Braigh scrutinized Tremont's expression.
+
+"It would probably take us a while, Ralph," he decided regretfully.
+"It's simpler to put him outside now and be free to use tools on the
+box."
+
+Tremont opened his mouth to protest, but Braigh clapped the helmet
+over his head and screwed it fast.
+
+"You'll never read the code!" yelled Tremont, struggling to break
+free. "Those papers are no good to you without me!"
+
+Someone slammed him against the bulkhead and held him there with his
+face to it. He could do nothing with his hands, joined as they were,
+and very little with his feet. It dawned upon him that they could not
+hear a word, and he fell silent. Twisting his head to peer out the
+side curve of his vision band, he caught a glimpse of Peters suiting
+up.
+
+A few minutes later, they opened the inner hatch of the air lock and
+shoved Tremont inside. Peters followed, gripping him firmly about the
+knees from behind.
+
+"Here we go!" grunted Peters, and Tremont realized that he could
+communicate again, over their suit radios.
+
+"You won't get far, trying to read the code I have those papers
+written in," he warned. "You'd better talk this over before you make a
+mistake."
+
+"Ain't no mistake about it," said Peters, pressing toward the outer
+hatch. "So you chartered the rocket. You felt you oughta go out to see
+about a heavy dust particle hitting the hull. You fell off an' we
+never found you."
+
+"How will you explain not going yourself? Or not finding me by
+instruments?"
+
+Peters clubbed Tremont's foot from the tank rack he had hooked with
+the toe.
+
+"How could I go? Leave the ship without a pilot? An' the screens are
+for pickin' up meteorites far enough out to mean somethin' at the
+speeds they travel. So you were too close to register, leastways till
+it was way too late. You must have suffocated when your air ran out."
+
+Tremont scrabbled about with his feet for some kind of hold. The outer
+hatch began to open. He could see stars out there.
+
+"Wait!" shouted Tremont.
+
+It was too late. He felt himself shoot forward as if Peters had thrust
+a foot into the small of his back and shoved. Tremont tried to grab at
+the edge of the air lock, but it was gone. A puff of air frosted about
+him, its human bullet.
+
+ * * * * *
+
+The stars spun slowly before his eyes. After a moment, the gleaming
+hull of the _Annabel_ swam into his field of view. It was already
+thirty feet away and the air lock was closing. He caught a glimpse of
+a spacesuited figure with the light behind it.
+
+Then he was looking at the stars again.
+
+The small, distant brilliance of Alpha Centauri made him squint in the
+split second before the suit's photoelectric cells caused filters to
+flip down before his eyes. Then it was stars again, and the filters
+retracted.
+
+"They can't do this!" said Tremont. "_Peters!_ Do you hear me? You
+can't get away with this!"
+
+There was no answer.
+
+The rocket came into view again, farther away. He had to get back
+somehow. Forgetting the bound position of his hands, he attempted to
+check his belt equipment. Holding his arms as far as possible from his
+body was not enough to let him get a look at the harness from within
+his helmet.
+
+He tugged violently at the cord holding the thumbs of his gauntlets,
+and thought it gave slightly.
+
+_Maybe it just tightened_, he thought.
+
+To free his hands, he drew his arms in through the wide armpits of the
+suit sleeves, built that way to enable the wearer to feed himself,
+wipe his brow, or adjust clothing or heating units within the suit. He
+felt more comfortable but that got him nowhere except for the chance
+to consult his wrist watch.
+
+Set at the lunar time of Centauri VII-4, it told him that when he had
+gone out of the airlock five minutes before the time had been 17:36.
+It did not strike Tremont as being a very promising bit of
+data--warning him merely that when he began to feel the want of air,
+it would be about 21:30. He longed for a pen-knife.
+
+"_There's_ one thing I'm going to ask about on my next trip to Sol--if
+I make one!" he muttered. "Has anyone developed a reliable, small
+_suit_ air lock, so you can pass things out from your pockets?"
+
+He thrust his hands once more into the arms of the suit, and felt as
+far along his belt as he could. He did manage to reach the usual
+position of the standard rocket pistol. The hook was empty.
+
+"Well, that's that!" he groaned. "They didn't forget. I have nothing
+to maneuver with."
+
+He pondered worriedly. Perhaps the air--if he dared to waste any, it
+would make a small jet. Slow, but he had all the rest of his life!
+
+He settled down to picking at the cord about his thumbs with the tips
+of the other fingers in his gauntlets. It seemed possible that he
+might in time chew it up to the point where it could be snapped.
+
+The stars streamed slowly past his line of vision as he spun through
+the emptiness. Two or three little bits of the cord chipped off and
+drifted away. Tremont realized that it was frozen and brittle. He
+redoubled his efforts. After a few minutes of clumsy clicking of
+fingertips against thumbs, he strained to pull his hands apart.
+
+The cord parted and his arms jerked out to their full spread with such
+suddenness that he felt his backbone creak. For a moment, he hung
+motionless inside his suit, wondering if he had hurt himself.
+
+Recovering, he groped about, checking for his equipment. He discovered
+that nothing had been left. No knife, no rocket pistol, no line with
+magnet for securing oneself to a hull.
+
+_Well, at least I can reach the valves of the air tanks_, he reassured
+himself.
+
+He watched for the ship, so as to judge his direction. Several minutes
+passed before he allowed himself to recognize the truth of his
+situation: he could no longer see the gleam of Alpha Centauri on the
+hull!
+
+He was already too far out to dare to waste air. He might give away
+his last four hours of life just to send himself in the wrong
+direction.
+
+"How did I get myself into this?" he groaned.
+
+ * * * * *
+
+He set himself to thinking back to his meetings with the others.
+Dorothy Stauber had landed from the same starship after passage from
+Sol, but he had not become acquainted with her during the trip except
+to pass the time of day. He seemed to remember that she had turned up
+in the Customs dome to ask his advice on travel....
+
+"Ye-ah!" he growled to himself. "_After_ I phoned to lease a rocket.
+She must have known, but how?"
+
+Someone in the shipping office? Well, why not Peters, the pilot? And
+then Braigh had come along, pretending to have been on his way back to
+Centauri VI and hoping to buy a fast passage on a small vessel for
+business reasons. He had been free and ready with his money, leading
+Tremont to consider cutting his own expenses on the charter.
+
+It seemed, on the face of it, that the three of them had never met
+until the _Annabel_ lifted.
+
+"But they had, all right!" Tremont told himself. "That was no chance,
+anywhere along the line. I've been very neatly highjacked!"
+
+The girl must have trailed him to make sure they picked up the right
+man. Braigh had never explained exactly what he was doing on the
+satellite; he could have arranged for the assignment of the rocket, or
+perhaps of the pilot, when Tremont called. Then they had gathered
+around to hitch rides, and had been in control ever since.
+
+Tremont looked at the slowly progressing constellations and cursed
+himself. He began to have the feeling that there would be no way out
+of this. They would regret pitching him into space in such an offhand
+manner, he reminded himself, when they opened his case. It would be
+too late as far as he was concerned.
+
+_Come to think of it_, he considered, _that Braigh looks pretty smart,
+under that idiot-kid pose. He might just break my code, given time.
+And the parts made up of model photos or drawings he can sell almost
+as is._
+
+When he came to think of it, Tremont was surprised that no one had
+tried the same racket before. He had laid out a fortune for what the
+three thieves were stealing from him.
+
+He drew in his left arm again and raised the wrist to the neck of his
+helmet. By looking down his nose, he discovered to his surprise that
+he had been out nearly an hour. He had wasted more time than he
+thought in reviewing his earlier encounters with Dorothy aboard the
+starship and the others at the spaceport.
+
+He raised the water tube to his mouth and sucked in a mouthful. The
+taste was stale.
+
+_I could do with a beer, if this is the way I'm going out_, he
+thought. _They can joke all they want about dying in bed after
+traveling to the stars; but you could order a beer even if it killed
+you._
+
+It gradually dawned upon him that the hazy light he had accepted as
+being a nebula must be something closer. He watched for it, and
+discovered after a few moments that it was growing brighter. It
+continued to do so for half an hour.
+
+"It might be another ship!" he breathed, then he began to shout,
+"Mayday! Mayday!" over his radio.
+
+He kept it up for nearly a quarter of an hour, even after the outline
+was definitely recognizable as a rocket. He found himself drifting
+across its course near the bow. It was hard to estimate the distance,
+but he guessed it to be something like a hundred yards.
+
+_Drifting?_ he asked himself. _It should be going past me like a
+shooting star! Unless they took exactly the same curve from Centauri
+VII--_
+
+Then he could read the numbers he feared to see. AC7-4-525. His own
+ship.
+
+He had gone out of the air lock mainly on a puff of air, with some
+fumbling help from Peters. That had been enough to send him out of
+sight of the ship--in space, not necessarily very far--and now he was
+back, after two hours.
+
+_A long, flat orbit in relation to the ship_, he told himself,
+remembering in time to avoid speaking aloud that Braigh might be at
+the ship's radio, _but actually weaving back and forth across the
+rocket's course, just nipping it at this end_.
+
+He edged a hand inside the suit again and turned off his radio. If he
+found an answer, it would be fatal to be overheard mumbling about it.
+
+ * * * * *
+
+The ship now seemed to be rushing at him, and Tremont deduced that his
+orbital speed had increased as he approached the focus represented by
+the _Annabel_. He would doubtless pass near the air lock at about his
+expulsion speed.
+
+"Here's the chance!" he exulted. "A little air let out to slow down ... or
+even just to veer close enough to lay hands on something! You launched me,
+Peters, but you didn't lose me."
+
+Getting through the airlock should be easy enough. He might be well up
+the shaft before the others emerged from the control room. In fact,
+unless Peters were on watch, the air lock operating signal might flash
+unnoticed on the board.
+
+"And I'll be cracking skulls before they know what's up!" he growled.
+
+It struck him with a flash of ironic amusement that he had not felt
+half so much hate when believing himself doomed. After two hours of
+sweating out his helplessness, he had discovered a lively resentment
+of the vicious callousness with which he had been jettisoned.
+
+He was only about twenty-five yards away now, seemingly circling the
+ship. Peering closer, he saw that actually he was sweeping in toward
+it.
+
+_Now, be ready with the air tank valve, just in case!_ he warned
+himself.
+
+The great fins loomed to his right; the hull blotted most of the sky
+from his view. It looked as if he would curve down to a spot beside
+the same air lock from which he had been expelled. It seemed to be
+still open.
+
+Then he saw the shape of a helmet rise around the curve of the ship.
+Someone was out on the hull.
+
+Tremont switched on his radio and listened.
+
+The spacesuited figure climbed completely into view. There appeared to
+be a line running from the belt into the air lock, and the figure
+carried a long pole of some sort.
+
+"Oh, there you are, Tremont!" came Braigh's voice over the receiver.
+"I've been waiting for you."
+
+The chuckle that followed made Tremont curse, which in turn provoked a
+hearty laugh from the other.
+
+"You didn't think I'd forget you?" asked Braigh. "We figured out what
+happened as soon as we heard you putting out those distress calls.
+After that, it was just a matter of timing. Have you had an amusing
+trip?"
+
+"Have you found out you can't make anything of those papers yet?"
+countered Tremont.
+
+"Oh, the coding? It might take a little time, but we have plenty ...
+now, now, Tremont! That kind of abusive language will get you
+nowhere."
+
+Tremont had drifted to a point above the other's head, almost within
+reach. He was kicking out in little motions that betrayed his
+eagerness to come to grips with Braigh or _something_ solid.
+
+"Why, Tremont! I do believe that you thought I came out to bargain
+with you," chuckled the blond man. "Not at all! I told you that you'd
+be no trouble. I just came out to finish the job Peters bungled."
+
+Tremont saw the pole jabbing upward at his stomach. Instinctively, he
+grabbed at the end. Braigh was not disturbed.
+
+"Take it with you, then!" he laughed, letting go his end with a
+powerful push. "Let me know if you're alive the next time you come
+around, so I can come out again."
+
+Tremont began to swear at him, then got a grip on himself long enough
+to snap his radio off.
+
+He had begun pulling himself down the pole when Braigh had shoved.
+That sapped some of the force, but it was still enough to send him
+spinning out into the void once more.
+
+The ship receded slowly. He saw Braigh return to the air lock and
+enter. A moment later, that light was cut off, and Tremont began to
+back off into space as he had the first time.
+
+_They know all about it_, he realized. _They could leave me any time
+just by burning a little fuel. Peters wouldn't care about wasting
+it--I paid for it. Maybe he's just too lazy to calculate the course
+correction._
+
+If so, he decided, the pilot was right. Tremont might drift back, but
+two more hours from now, when he would be at his closest, would be too
+late. He would be too near the end of his air to use it to make sure
+of the last few feet.
+
+He looked at the pole in his grip. It was an eight-foot section of
+aluminum from the cargo racks.
+
+"Maybe ..." he muttered.
+
+Whirling the pole around by the end, he managed after considerable
+trial and error, to slow his wild spin enough to keep the ship in
+view.
+
+The only question then was whether he dared to take the chance; and he
+really had but one choice. The full orbit would be too long a period.
+
+He estimated as well as he could the direction of his progress,
+allowed a few degrees which he fondly hoped would curve him in to a
+closer approach at the meeting point, and hurled the pole into space
+with all his strength.
+
+After that, there was nothing to do but wait and hope that he had cut
+his speed enough to bring him to the ship ahead of schedule by a
+shorter orbit.
+
+ * * * * *
+
+Tremont finally gave up looking at his watch when he found himself
+peeping every three minutes, on the average. The immensity of space
+was by now instilling in him a psychological chill, and he drew both
+arms in from their sleeves to hug an illusion of warmth to him. The
+air pressure in the sleeves gradually overpowered the springs of the
+joints, and extended them to make a cross.
+
+As far as he could tell from the gauges lined in a miniature row
+along the neckpiece of the suit, his heating system was functioning as
+designed. The batteries had an excellent chance of lasting longer than
+he would.
+
+He began to dwell upon thoughts of squeezing Peters in the steel grip
+of his gauntlets until the pilot's fat face turned purple and his eyes
+popped. Another promising activity would be to bang Braigh's head
+against a bulkhead with one hand and Dorothy's with the other.
+
+_Wonder if they found the gun in my locker?_ he mused.
+
+Finally, only a lifetime or two after he hoped to see it, he sighted
+the ship again. His watch claimed the trip had lasted less than ninety
+minutes.
+
+He encountered unexpected trouble approaching the hull. Realizing that
+he was lucky to come close at all by such a guess, he tried to steer
+himself with brief jets from his air tank, and wound up on the verge
+of bashing directly into a fin. He avoided that, but had to use more
+air to spin back for a more gentle contact.
+
+The metal felt like solid Earth to him as he seized the edge of a fin
+and planted the magnets of his boots firmly on the hull.
+
+It was perhaps twenty minutes later, when Tremont was beginning to
+worry again about his air supply, that the hatch of the air lock began
+to open.
+
+Crystals of frost puffed out as the water vapor left the air. Braigh's
+helmet appeared, then the whole spacesuited figure floated up before
+the spot where Tremont was watching. The highjacker dropped the
+magnet of his life line against the hull and started to turn around.
+
+Tremont grabbed the edge of the hatch with one hand, yanked the magnet
+loose with the other, and kicked Braigh in the right area.
+
+The spacesuited figure shot off, tumbling end over end, into the void.
+A startled squawk sounded over Tremont's receiver.
+
+"See how _you_ like it!" he snarled.
+
+He ignored the begging of the suddenly frightened voice, and dived
+into the air lock. In seconds, he had the outer hatch shut and was
+nervously watching the air pressure building up on the gauge.
+
+_If they notice at all, they'll think it's Braigh coming back!_ he
+exulted.
+
+He made it into the central shaft without meeting anyone. Pulling
+himself forward in the bulky suit was an awkward task, but well worth
+it for the expression on Peters' face when Tremont burst through the
+control-room hatch.
+
+After dealing with the pilot in about two minutes, most of it spent in
+catching him, Tremont went back along the shaft and found Dorothy in
+her bunk. Before she could release the netting, he folded the bunk
+upon her and secured it to the hook. Only then did he allow himself
+the time to remove his helmet and make free of the ship's air.
+
+"What are you going to do?" demanded the girl, rather shrilly.
+
+Tremont realized that she must have seen the unconscious Peters
+floating outside in the shaft.
+
+"You won't like it!" he promised.
+
+"Tremont! I didn't know they'd do anything to you. Can't ... you and I ...
+make some kind of ... deal?"
+
+Tremont stared at her levelly.
+
+"But I'd have to really sleep sometime," he pointed out gently. "How
+can I trust you...?"
+
+ * * * * *
+
+He was hardly a million miles out from the satellite system of
+Centauri VI when the Space Patrol ship he had called managed to put a
+pilot aboard to land the _Annabel_ for him on the largest moon.
+
+Tremont returned wearily from helping the man in the air lock--which
+he did with a practiced efficiency that surprised the pilot--to resume
+his talk with the patrol-ship captain waiting on the screen.
+
+"We could have done it sooner, you know," said the latter curiously.
+"Well, now that I see him beside you, perhaps you'll explain your
+request to delay, and also what those pips trailing you are."
+
+"It's all the same story," said Tremont, and explained his
+difficulties.
+
+The patrol captain frowned and expressed a wish to lay hands on the
+highjackers.
+
+"Well, they're due back in"--Tremont consulted his watch--"about two
+hours. I wanted them near the ends of their orbits as you approached."
+
+"You mean there are three bodies out there?"
+
+"Live ones, in spacesuits," said Tremont. "Experience is a great
+teacher. As soon as I sighted Braigh coming back, I set up a regular
+system."
+
+He explained how he had removed all tools from the three spacesuits,
+added extra tanks, and stuffed the trio into them, either unconscious
+or at gunpoint.
+
+"Then, having fastened the ankles together and wired the wrists to the
+thighs so they couldn't move at all, I launched them one at a time
+with enough pressure in the air lock to give four-hour orbits. That
+gave me sleeping time."
+
+"And what about them?" asked the captain.
+
+"Oh, at the end of that period, they'd come drifting in at one-hour
+intervals. Counting all the necessary operations, each of them got
+thirty minutes actually out of the suit to eat and so on. Then out
+he'd go while I fished in the next one. They didn't like it, but they
+weren't so tough one at a time."
+
+"Let's see--" mused the captain. "Every four hours, you'd have to
+spend ... why, only two hours processing them. As a result, you kept
+complete control and came shooting in here with your own satellite
+system revolving about you."
+
+"And your friends? How have they been passing the time?"
+
+"Well, either figuring out how to take me next time," guessed Tremont,
+"or wishing they were moving in more honest circles!"
+
+END
+
+ * * * * *
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Satellite System, by Horace Brown Fyfe
+
+*** END OF THIS PROJECT GUTENBERG EBOOK SATELLITE SYSTEM ***
+
+***** This file should be named 29990.txt or 29990.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/9/9/9/29990/
+
+Produced by Sankar Viswanathan, Greg Weeks, and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.