diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 02:48:25 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 02:48:25 -0700 |
| commit | 3e9f0af3f447662c3c0c31310931269f3d0e0d47 (patch) | |
| tree | fe3873718b7cf5e974d67e6dc62ca019d3a30b13 /29897.txt | |
Diffstat (limited to '29897.txt')
| -rw-r--r-- | 29897.txt | 998 |
1 files changed, 998 insertions, 0 deletions
diff --git a/29897.txt b/29897.txt new file mode 100644 index 0000000..54983f3 --- /dev/null +++ b/29897.txt @@ -0,0 +1,998 @@ +The Project Gutenberg EBook of Runaway, by William Morrison + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Runaway + +Author: William Morrison + +Illustrator: William Ashman + +Release Date: September 3, 2009 [EBook #29897] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK RUNAWAY *** + + + + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at http://www.pgdp.net + + + + + + + + + +runaway + +By WILLIAM MORRISON + + + _Heroism is merely daring and ingenuity--at + the age of ten--experience can come later!_ + + +Illustrated by ASHMAN + + +_A thin speck appeared in the visor plate and grew with sinister and +terrifying speed. Bursts of flame began to play around the rocketing +spaceship, the explosions hurtling it from side to side as it twisted +and turned in a frantic effort to escape. Rogue Rogan, his vicious lips +compressed, his glittering evil eyes narrowed, heart pounding, knew that +this was it._ + +_This was the day of retribution, he had so long feared...._ + + * * * * * + +"Plato!" + +Plato leaped to his feet and slid the book under the pillow. Then he +seized a textbook at random, and opened it wide. His eyes fastened +themselves to the print, seizing upon the meaningless words as if they +would save him from a retribution that Rogue Rogan had never had to +fear. + +The dorm master frowned from the doorway. "Plato, didn't you hear the +Assembly bell?" + +"Assembly?" Plato's eyes looked up in mild astonishment. "No, sir, I +didn't hear any bell. I was so absorbed in my studying, sir--" He shut +the book and placed it back with the others. "I'm sorry, sir. I'm +willing to accept my punishment." + +The dorm master studied the little martyr's expression. "You'd better +be, Plato. Now live up to your name and show some intelligence. Run +along to Assembly." + +Plato ran, but he also winced. How he had suffered from that miserable +name of his! Even before he had known that the original Plato had been a +philosopher, even before he had been capable of understanding what a +philosopher was, he had been able to see the amused expression in the +eyes of those who heard his name, and had hated them for it. "Show a +little intelligence, Plato." Why couldn't they have given him a name +like the others? There were so many ordinary, commonplace, _manly_ names +from which they might have chosen. Jim, Jack, George, Tom, +Bill--anything would have been better than Plato. And infinitely better +than what he was sometimes called by his equals--"Plato, the dopy +philosopher." + + * * * * * + +He slipped into his seat in the Assembly quietly, so as not to interrupt +the droning of the principal. So they thought his name was funny, did +they? Let them laugh at him. He was only ten now, but some day he would +really act like a man. Some day it would be he himself, and not a +fictional hero like Comets Carter, who would be adventuring on strange +planets of unknown suns, tracking down the Rogans and the other +criminals who sought refuge in the wide reaches of galactic space. + +Some day--and then the thought burst on him like a nova exploding in his +brain. + +_Why not now?_ + +Why not indeed? He was smart; he could take care of himself. Even his +masters admitted that, when they weren't carping at him for his +daydreaming. Take that model of a spaceship they had brought to school +one day, with a retired astrogator to explain to the pupils how the +thing was run, and how it avoided stray meteors. He had sat down at the +controls, and even the astrogator had been surprised at how confidently +he took over the role of pilot, how he got the idea at once. + +He could do as well in real life. He was sure of it. Give him a really +worthwhile problem to work on, instead of these silly questions about +square roots and who discovered the third satellite of Mars, and he'd +show them. + +[Illustration] + +"Thus," declaimed the principal, "you will be prepared to take up your +duties--" + +"Norberts to you," thought Plato. "I'm going to run away." + +Where to? There were so many stars to go to, such a bewildering number +of planets and asteroids. + +Plato sat lost in thought. A planet whose habitation required a +spacesuit was out of the question. Spacesuits his size were hard to get. +The sensible thing would be to choose a place where the physical +conditions, from gravity to atmospheric pressure and composition would +tend to resemble those here on Venus or on Earth. But full of the most +thrilling danger. + +A boy's voice said, "Get up, you dopy philosopher. It's all over." + +He raised his head and realized that the principal had stopped droning +from the platform, that all the pupils were standing up to leave. He +stood up and marched out. + +When the signal for lights out came that night, Plato lay motionless for +a time in the dark, his mind racing far too rapidly for him to think of +sleep. He had plans to make. And after a time, when the dormitory +quieted down, he went to the well of knowledge for inspiration. He +slipped on his pair of goggles and threw the special switch he himself +had made. The infra-red light flared on, invisible to any one in the +room but himself, and he drew his book from its hiding place and resumed +his reading. + + * * * * * + +_The ship curvetted in space like a prancing steed. Panic-stricken by +the four-dimensional space-warp in which he was trapped, Rogue Rogan +stormed at his terrified followers. "By all the devils of the Coal +Sack," he shouted, "the man doesn't live who can take me alive! You'll +fight and die like men, you hen-hearted cowards...."_ + + * * * * * + +But they didn't die like men. In fact, they didn't die at all, and Plato +permitted a slight sneer to play across his youthful features. Though he +considered himself a passionate admirer of Comets Carter, even he felt +dissatisfied with the story. When they were trapped, they were never +_really_ trapped. Comets Carter, sterling hero that he usually was, +always showed weakness of intellect at the last moment, giving his +deadly enemy an incredibly simple way out, one that Comets had, in his +own incredibly simple way, overlooked. + +Plato would never be guilty of such stupidity. He himself--and now _he_ +was Comets Carter, a quicker-thinker, smarter Carter, dealing out to +Rogue Rogan a retribution many eons overdue. He was whistling through +space at ten light-speeds. He was compressing light-centuries into a +single second. He was-- + +He had just time to slip the goggles from his face before his eyes +closed in sleep. + + * * * * * + +During the day, he continued to make his plans. There was a spaceport a +hundred and forty miles away. At night, if the students poked their +heads out of the window, they could see the distant ships as points of +flame racing away into the darkness, like shooting stars in reverse. He +would steal out of his room in the night, take a glider-train to the +spaceport, and stow away. It would be as simple as that. + +Of course, he needed money. He might travel at half fare, but even that +would be expensive. And then there was the matter of food. He'd have to +stay hidden until the spaceship took off and there was no turning back, +and at the thought of crouching in some dark hold, motionless for hours, +cramped, and _with an empty stomach_-- + +He wasn't going to starve himself. Even Comets Carter couldn't have gone +without eating and got very far in his pursuit of Rogan. Plato would +have to acquire money for flight, fare and food. + +The book, of course, he couldn't think of selling. It was only a +decicredit novel in the first place, and somewhat worn at that. And the +other students would have laughed at him for reading it. But his +infra-red bedside lamp and his goggles and the space-receptor radio he +had built out of spare parts--those should bring him enough to travel +and live on for a few days. + +He made his first sale in the free time that evening, to a young squirt +in the neighboring dormitory who had a passion akin to his own. He liked +to listen to tales of high adventure, of the kind the radiocasters loved +and the teachers in the school frowned upon. Having arrived here from +Earth only six months before, he had difficulty adjusting to the type of +derring-do featured on the Venus stations, and he lacked a +space-receptor that would bring him his favorites from the next planet. +He snapped up, at the bargain price of ten credits, the receptor that +Plato offered. + +There was a little difficulty with the infra-red lamp and goggles. The +customer Plato had selected turned out to be rather suspicious. He +demanded, "Where did you steal them?" + +Plato explained patiently, "I didn't steal them. I made them myself." + +"That's a lot of hot oxo-nitrogen. You hooked them some place, and if +they ever find out--" + +"Okay," said Plato, "if you don't want them, you don't have to take +them. I can sell them to somebody else." + +He allowed the young skeptic to try the goggles on and read by the light +of the lamp. He knew little of the psychology of salesmanship, but with +what might be called Platonic shrewdness, he sensed that once the +prospect had experienced the joys of using the magic articles, he would +never give them up. + +The method worked. And soon Plato was richer by fifteen credits, instead +of the ten or twelve he had hoped for. + +He had a few other odds and ends, which he sold for as much as they +would bring. After all, once he was out in space, he wouldn't need them +any more. + + * * * * * + +In the middle of the next day, when the bell sounded the end of the +class on Planetary Geography and it was time to go to the class on +Animal Physiology, Plato picked himself up and walked out. One of the +'copter custodians looked at him suspiciously, but Plato didn't dignify +the man by paying him direct attention. + +He muttered to himself, "Always picking on me. I don't see why he can't +send somebody else on his errands." It was better than the forged pass +signed with the headmaster's name. + +The pass itself came in handy when he bought a flight ticket. The ticket +agent also stared at him suspiciously, but Plato was ready for him. He +had prepared the slip of paper beforehand, tracing the headmaster's name +laboriously from one of the lists of regulations attached to the wall. + +To make pursuit as difficult as possible for any one who tried to trail +him, Plato asked for a ticket not to Space Junction, where he was going, +but to Venusberg, in the opposite direction. Both tickets cost about the +same; the ticket to Venusberg, in fact, cost three decicredits more. +Once on the plane-drawn glider, he could explain to the conductor that +the agent had made a mistake and offer the ticket he had. Since the +company would lose nothing by the transaction, there was no reason why +the conductor should object. + +Plato was proud of this bit of trickery, and he flattered himself that +by means of it he had entirely thrown off pursuit. It must be remembered +that he was only ten years old. + +On the glider-flight, he found himself sitting next to a middle-aged +woman who wore glasses and was surrounded by packages. She beamed at +him, as she did at every one else around her, and Plato shrank back into +his seat. If there was anything he didn't want on this trip, it was to +be mothered. + +But he couldn't escape her. She said, "My, my, you're awfully young to +be traveling alone. This the first time?" + +"Yes, ma'am," said Plato nervously, afraid of the embarrassing questions +he could read on her face. + +Hastily he stared out over the side and gasped, "Gee, how small +everything is!" + +Imagine anyone who had traveled vicariously through space with Comets +Carter being awed by a flight in a plane-drawn glider! But the ruse +worked. + +She said, "Yes, it is frightening, isn't it? Even worse than space +travel." + +"You've been in space, ma'am?" + +"Bless your heart, I've been in space more times than you could shake a +stick at. The takeoff isn't so nice, I'll admit, but after that you're +just sailing free. What are you going to be when you grow up?" + +They had his future all planned for him, but he knew that he wasn't +going to be any of the things they wanted him to be. + +He said boldly, "A space explorer." + +She laughed. "You youngsters are all alike inside, no matter how +different you seem. My boy was the same way when he was young. But he +got over it. A space explorer, no less!" + + * * * * * + +Plato didn't answer. It was only a half hour's trip, and the conductor +was walking down the aisle. Plato found it difficult to take his eyes +off him. He was afraid that the man would take a look at his ticket, +say, "Wrong plane, son," and turn him over to the stationmaster at Space +Junction, to be shipped back. + +In his nervousness, Plato had difficulty getting his ticket out of his +pocket. As he had expected, the conductor said, "You're on the wrong +flight." + +The motherly woman exclaimed, "Oh, isn't that a shame! Are they waiting +for you in Venusberg?" + +Plato said tearfully, "Yes, ma'am." The tearfulness wasn't hard to +manage; he'd learned the trick at school. + +"That's too bad. How are you going to get there?" + +"I don't know. I had just enough money to pay for this ticket." + +"Doesn't the company correct mistakes, Conductor?" + +"Not mistakes the passengers make," said the conductor sourly. "I'm +sorry, boy, I'll have to take that ticket." + +The woman's eyes flashed and, as the conductor moved on, she said, "The +nasty thing. They have no consideration at all. Look, child." For a +moment Plato thought she was going to offer him flight fare from Space +Junction to Venusberg, but she was not, he discovered, as motherly as +that. "You know what you'll do when you get off? Send a 'gram, collect, +to your people in Venusberg. They'll wire you your fare. And you'll +reach them in a couple of hours." + +"Thank you, ma'am," he said, not feeling thankful at all. So it was all +right to be sympathetic, he thought indignantly, up to the point where +sympathy might cost her money. Like most people, she was free-handed +only with advice. + +Who wanted advice? + + * * * * * + +At Space Junction he waved her a shy farewell, and then turned and +disappeared into the station crowd. + +At the takeoff grounds, his heart sank. As he might have expected, the +entrance to the space tarmac was well guarded. How was he going to +become a stowaway on a spaceship if he couldn't even get close to it? + +He wandered around outside, staring through the charged wire fence at +the crowds, the spacemen, the ships inside. They were gigantic shining +things, those wonderful ships, each so long that he realized for the +first time how far away they must have been and how rapidly they must +have traveled, for those he saw had seemed to him like shooting stars. +They were pointed almost straight up. Near the stern of each ship was a +vacuum-pit to absorb the radioactive exhaust gases. + +His eye caught an old tub, its shininess dulled, its hull faintly +scarred. Just such a ship, he thought with a thrill, as the one on which +Comets Carter had been shanghaied on that momentous occasion when ... + + * * * * * + +_The old freighter swung a great circle, its torsion jets blasting +desperately in an effort to keep it on an even keel. This, thought +Comets Carter, was it. This was the foul revenge that Rogue Rogan had +planned, the evil death he had plotted with his unhuman companions. In a +moment the pulsating radiations of electroid rays would set off the +cargo of ghoulite, and when the interplanetary echoes of the explosion +died away, Comets Carter would be no more than a series of photon +packets, his body torn apart, his very atoms converted into radiation +that was hurtling with the speed of light to the far corners of the +universe...._ + + * * * * * + +It hadn't happened that way, of course. But if it _had_ happened--well, +it might have on just such a tub as this. + +A guard saw him peering through the fence, and said, "What are you +looking at, kid?" + +"Those ships," said Plato, honestly enough. And then he added, to throw +the man off the track, "Gee, I'd be scared to go up in one of them. No, +sir, you couldn't get me into one of them for a million credits." + +The man laughed. "They're not for the likes of you. A lot of those ships +go to other stars." + +"Other stars? Gosh! Does that little one, the _Marie T._--" + +"That tub? Just an interplanetary freighter. But even that isn't for +you. Now run along and mind your own business." + +Plato was happy to run along. Unfortunately, he realized, running along +didn't help him to get past the fence. + +And then he had a fear-inspiring thought. He couldn't tell an +interplanetary ship from an interstellar. What if he did manage, +somehow, to get in and stow away--and then found himself on a ship bound +for no more distant port than Earth, from which he could easily be sent +home in disgrace? + +It sent a shiver through him. Fortunately, it also stimulated his mind. +After all, there _were_ such things as newspapers, and the school, +nuisance in many ways though it was, had taught him to read. + + * * * * * + +He bought a paper and turned at once to the shipping news section. As he +had hoped, every ship was listed. He checked off some of the names he +had glimpsed on the field, and found happily that their destinations +were printed in the most routine manner. + +There still remained the question of how to get past the guards. This, +he suddenly realized, was a question impossible to solve on an empty +stomach. It had been many hours since he had eaten lunch. + +There were a dozen restaurants in the spaceport, and he selected one +carefully, studying the illuminated menus and the prices before daring +to enter. If that motherly old woman had been as kind-hearted as she +pretended to be, he wouldn't have had to worry so much about prices. As +it was, he knew that he had money enough for only two days, and after +that--his stomach could complain all it wanted to, it would have to go +unfed. + +He chose from the menu only items that he never tasted at school--dishes +made from real plant and animal life, with just enough synthetics to +give them flavor. He couldn't say that he liked what he ate, but at +least it gave him the feeling of being on his own, of having made the +break with his tame past as complete as possible. Earth-beef tasted too +strong; Venus seaweed stew had a pungency that he didn't like. + +He finished his plate only because he had been taught that to leave food +over was wasteful. And for the first time he began to wonder what they +would feed him on the spaceship. Suppose he got on one that wasn't +scheduled to make port for five years--and all he received to eat was +stuff like this? The thought made him shudder. Here was a hardship of +space travel that the books he read had never mentioned. + +After eating, he slumped back in his chair. He hadn't realized he was so +completely exhausted until a hand shook his shoulder. Then he awoke +with a start. + +A waiter said, "This is no place to sleep, youngster." + +"I'm sorry, sir. I was tired and I didn't realize." + +"You been here for a long time. Waiting for someone?" + +"Yes, sir. Something must have held him up." + +"Seems to me that I noticed you walk in here about three hours ago. +That's a long time to wait." + +"That's what I thought, sir. I can't understand what happened." + +"Well, you can't hang around here. I'll tell you what I'll do, though. +I'll turn you over to the matron in our Lost and Found room, and she'll +look out for you. Follow me." + + * * * * * + +In a daze, Plato followed. But as his feet were set into motion, so was +his brain. By now, of course, the search for him must be well on. They +must have traced him to the station, and perhaps, despite his clever +trick with the ticket, they had found the flight he had taken. For all +he knew, they might be waiting for him in the Lost and Found room, ready +to seize him the moment he showed his face there. + +He hadn't gone so far to be recaptured so easily. As they passed an exit +door, Plato darted out. He heard the waiter's surprised shout, but he +didn't wait to reply. In a second, he had lost himself in the crowd. + +He knew now that if he was going to get aboard an interstellar vessel, +he would have to do so soon. What would Comets Carter have done in +Plato's place--if Comets had been in one of his brighter moods? And then +he had it. He saw a messenger coming down the street, gleaming in his +uniform, and, somewhat nervously, approached him. + +"May I speak to you?" asked Plato, with school-taught politeness. + +"What about, bud? I'm busy." + +"Well, I've been wanting to get Captain Halverson's autograph. He's on +the _Space Symphony_--" + +"So what?" + +"Well, the thing is, they won't let me past the gate. So I thought that +if I wore a messenger's uniform--" + +The other boy glared at him. "Are you off your Norbert? I wouldn't let +you wear this uniform for a zillion credits." + +Plato swallowed nervously, and said in desperation, "I don't have a +zillion credits, but I've got eight, and I'll give them to you if you +let me wear it. Just half an hour, that's all it'll take. It's the last +chance I'll have to ask him. He's bound for Rigel, and he won't be back +for five years, and you see--" + +His voice tapered to a thin, tearful squeak as the messenger looked at +him. + +"You're offering me eight space-lousy credits?" + +"It's all I have. We'll just change clothes for a few minutes, and +that'll be all. Please, I've got to see him. I know that if I do, he'll +give me his autograph." + +"Okay," said the messenger unexpectedly. "But hurry back. I'll be at the +gate waiting for you." + + * * * * * + +As they exchanged clothes, Plato was almost feverish with excitement. +But he knew that if he expected to get past the guard, he would have to +control himself. The clothes didn't fit too well, even though the +messenger was small, and he must do nothing that would arouse the +guard's suspicion. + +He said to the messenger, "Gee, thanks. You don't know how much this +means to me." And then, with a mental grip on himself so tense that it +hurt physically, he approached the guard, and said casually, "Earth +'gram for Captain Halverson." + +The guard hardly looked at him. He was past the gate! + +He had been tricky again. Once out of sight of the guard, he made not +for the _Space Symphony_, but for the _Long Ranger_, bound for +Aldebaran. + +"Earth 'gram for Captain Brinjar," he muttered, doing his best to look +bored, as if delivering 'grams to ships was an old thing to him. And +then he was aboard! + +It was not quite what he expected. The smooth walls were such as he +might have found in his own dormitory. The quarters, he saw, were +cramped, although for someone his size they were at least adequate. And +the passageways, although brilliantly lighted, were mere narrow tunnels. + +From the main passageway, other tunnels branched off bewilderingly, and +Plato hesitated until he realized that his very confusion gave him an +excuse for poking his nose into all sorts of places. He followed one of +the tunnels until he came to a door: ENGINE ROOM--KEEP OUT. + +He entered. A mechanic looked up. + +"Earth 'gram for Captain Brinjar. They said he was around here." + +"Not here," replied the mechanic. "Try the cargo hold." + +Plato backed out and set off down the corridor again, noting the +direction arrows and signs. TO MAIN LOUNGE--no good. TO CAPTAIN'S +CABIN--worse. He didn't want to find the captain and lose his excuse for +being there. + +And then he saw TO FOOD STORAGE and knew that he need look no further. +This was a place both to hide and to eat, until the ship took off, and +the crew found him, and had to accept him as one of themselves. + +He opened the door to the food storage hold with an elaborate caution +that turned out to be unnecessary. There was no one inside. He settled +down between two packing cases and let out his breath. He had made it. +He had stowed away successfully, and in a few hours he would be out in +space, traveling between the stars, fighting, adventuring-- + +A yawn almost wiped the smile off his face. + + * * * * * + +He awoke to disaster. The captain and Plato's dorm master were standing +there, staring down at him, and the dorm master was saying, "All right, +Plato, you've had your adventure, and now I'm afraid you'll have to pay +for it. It's time to go home." + +Plato couldn't move. It was impossible, after he had been so clever, so +ingenious, and had thrown them off the trail in so many ways, for them +to have found him! + +"You shouldn't have bought a ticket to the wrong station," said the dorm +master, somewhat amusedly. "When the conductor turned it in, the only +one of its kind on his flight, it naturally attracted attention. We +hadn't even suspected you had taken a glider-train until the flight +people came to us." + +Now he would never adventure on strange planets of unknown suns. He +would never course through space like Comets Carter. He would never have +the adventures which alone made life seem worth living. + +Unable to control himself, he burst into tears. It was a completely +unmanly thing to do, but he couldn't help himself. The tears flowed down +over his cheeks, washing away all his shattered illusions. He would +never dream such dreams again. From now on, it would be useless. They +would be watching him carefully to make sure that he didn't leave the +planet. + +He heard the captain say in astonishment, "I didn't know these young +ones could cry like that." + +"Of course they cry," replied the dorm master. "They eat, sleep, +cry--almost like you and me, Captain. And worst of all, they even have +their dreams. That's why I sometimes wonder, Captain, if it isn't a +mistake to send them to school." + +"They have to learn." + +"Granted," agreed the dorm master somberly. "But not to dream of being +human when they're only androids." + + --WILLIAM MORRISON + + + + +Transcriber's Note: + + This etext was produced from _Galaxy Science Fiction_ November 1952. + Extensive research did not uncover any evidence that the U.S. + copyright on this publication was renewed. Minor spelling and + typographical errors have been corrected without note. + + + + + +End of the Project Gutenberg EBook of Runaway, by William Morrison + +*** END OF THIS PROJECT GUTENBERG EBOOK RUNAWAY *** + +***** This file should be named 29897.txt or 29897.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/9/8/9/29897/ + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at http://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |
