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diff --git a/29794.txt b/29794.txt new file mode 100644 index 0000000..8e11664 --- /dev/null +++ b/29794.txt @@ -0,0 +1,863 @@ +The Project Gutenberg EBook of Tree, Spare that Woodman, by Dave Dryfoos + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Tree, Spare that Woodman + +Author: Dave Dryfoos + +Illustrator: Fries + +Release Date: August 24, 2009 [EBook #29794] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK TREE, SPARE THAT WOODMAN *** + + + + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + + + + +[Illustration: Illustrated by FRIES] + + + Tree, + Spare That Woodman + + By DAVE DRYFOOS + + + _The single thing to fear was + fear--ghastly, walking fear!_ + + +Stiff with shock, Naomi Heckscher stood just inside the door to Cappy's +one-room cabin, where she'd happened to be when her husband discovered +the old man's body. + +Her nearest neighbor--old Cappy--dead. After all his wire-pulling to get +into the First Group, and his slaving to make a farm on this alien +planet, dead in bed! + +Naomi's mind circled frantically, contrasting her happy anticipations +with this shocking actuality. She'd come to call on a friend, she +reminded herself, a beloved friend--round, white-haired, rosy-cheeked; +lonely because he'd recently become a widower. To her little boy, Cappy +was a combination Grandpa and Santa Claus; to herself, a sort of newly +met Old Beau. + +Her mouth had been set for a sip of his home brew, her eyes had pictured +the delight he'd take in and give to her little boy. + +She'd walked over with son and husband, expecting nothing more shocking +than an ostentatiously stolen kiss. She'd found a corpse. And to have +let Cappy die alone, in this strange world ... + +She and Ted could at least have been with him, if they'd known. + +But they'd been laughing and singing in their own cabin only a mile +away, celebrating Richard's fifth birthday. She'd been annoyed when +Cappy failed to show up with the present he'd promised Richard. +Annoyed--while the old man pulled a blanket over his head, turned his +round face to the wall, and died. + +Watching compassionately, Naomi was suddenly struck by the +matter-of-fact way Ted examined the body. Ted wasn't surprised. + +"Why did you tell Richard to stay outside, just now?" she demanded. "How +did you know what we'd find here? And why didn't you tell me, so I could +keep Richard at home?" + +She saw Ted start, scalded by the splash of her self-directed anger, saw +him try to convert his wince into a shrug. + +"You insisted on coming," he reminded her gently. "I couldn't have kept +you home without--without saying too much, worrying you--with the +Earth-ship still a year away. Besides, I didn't know for sure, till we +saw the tree-things around the cabin." + +The tree-things. The trees-that-were-not. Gnarled blue trunks, +half-hidden by yellow leaf-needles stretching twenty feet into the sky. +Something like the hoary mountain hemlocks she and Ted had been forever +photographing on their Sierra honeymoon, seven life-long years ago. + +Three of those tree-things had swayed over Cappy's spring for a far +longer time than Man had occupied this dreadful planet. Until just +now ... + +The three of them had topped the rise that hid Cappy's farm from their +own. Richard was running ahead like a happily inquisitive puppy. +Suddenly he'd stopped, pointing with a finger she distinctly recalled as +needing thorough soapy scrubbing. + +"Look, Mommie!" he'd said. "Cappy's trees have moved. They're around the +cabin, now." + +He'd been interested, not surprised. In the past year, Mazda had become +Richard's home; only Earth could surprise him. + +But, Ted, come to think of it, had seemed withdrawn, his face a careful +blank. And she? + +"Very pretty," she'd said, and stuffed the tag-end of fear back into the +jammed, untidy mental pigeon-hole she used for all unpleasant thoughts. +"Don't run too far ahead, dear." + +But now she had to know what Ted knew. + +"Tell me!" she said. + +"These tree-things--" + +"There've been _other_ deaths! How many?" + +"Sixteen. But I didn't want to tell you. Orders were to leave women and +children home when we had that last Meeting, remember." + +"What did they say at the Meeting? Out with it, Ted!" + +"That--that the tree-things think!" + +"But that's ridiculous!" + +"Well, unfortunately, no. Look, I'm not trying to tell you that +terrestrial trees think, too, nor even that they have a nervous system. +They don't. But--well, on Earth, if you've ever touched a lighted match +to the leaf of a sensitive plant like the mimosa, say--and I +have--you've been struck by the speed with which _other_ leaves close up +and droop. I mean, sure, we know that the leaves droop because certain +cells exude water and nearby leaves feel the heat of the match. But the +others don't, yet they droop, too. Nobody knows how it works ..." + +"But _that's_ just defensive!" + +"Sure. But _that's_ just on Earth!" + +"All right, dear. I won't argue any more. But I still don't understand. +Go on about the Meeting." + +"Well, they said these tree-things both create and respond to the +patterned electrical impulses of the mind. It's something like the way a +doctor creates fantasies by applying a mild electric current to the +right places on a patient's brain. In the year we've been here, the +trees--or some of them--have learned to read from and transmit to our +minds. The range, they say, is around fifty feet. But you have to be +receptive--" + +"Receptive?" + +"Fearful. That's the condition. So I didn't want to tell you because you +_must not_ let yourself become afraid, Naomi. We're clearing trees from +the land, in certain areas. And it's their planet, after all. Fear is +their weapon and fear can kill!" + +"You still--all you men--should have let us women know! What do you +think we are? Besides, I don't really believe you. How can fear kill?" + +"Haven't you ever heard of a savage who gets in bad with his +witch-doctor and is killed by magic? The savage is convinced, having +seen or heard of other cases, that he _can_ be killed. The witch-doctor +sees to it he's told he _will_ be killed. And sometimes the savage +actually dies--" + +"From poison, I've always thought." + +"The poison of fear. The physical changes that accompany fear, magnified +beyond belief by belief itself." + +"But how in the world could all this have affected Cappy? He wasn't a +savage. And he was elderly, Ted. A bad heart, maybe. A stroke. +Anything." + +"He passed his pre-flight physical only a year ago. And--well, he lived +all alone. He was careful not to let you see it, but I know he worried +about these three trees on his place. And I know he got back from the +Meeting in a worried state of mind. Then, obviously, the trees +moved--grouped themselves around his cabin within easy range. But don't +be afraid of them, Naomi. So long as you're not, they can't hurt you. +They're not bothering us now." + +"No. But where's Richard?" + +Naomi's eyes swept past Ted, encompassing the cabin. No Richard! He'd +been left outside ... + +Glass tinkled and crashed as she flung back the cabin door. "Richard! +Richard!" + +Her child was not in sight. Nor within earshot, it seemed. + +"Richard Heckscher! Where are you?" Sanity returned with the +conventional primness. And it brought her answer. + +"Here I am, Mommie! Look-at!" + +He was in a tree! He was fifteen feet off the ground, high in the +branches of a tree-thing, swaying-- + +For an instant, dread flowed through Naomi as if in her bloodstream and +something was cutting off her breath. Then, as the hands over mouth and +throat withdrew, she saw they were Ted's. She let him drag her into the +cabin and close the broken door. + +"Better not scare Richard," he said quietly, shoving her gently into a +chair. "He might fall." + +Dumbly she caught her breath, waiting for the bawling out she'd earned. + +But Ted said, "Richard keeps us safe. So long as we fear for him, and +not ourselves--" + +That was easy to do. Outside, she heard a piping call: "Look at me now, +Mommie!" + +"Showing off!" she gasped. In a flashing vision, Richard was half boy, +half vulture, flapping to the ground with a broken wing. + +"Here," said Ted, picking up a notebook that had been on the table. +"Here's Cappy's present. A homemade picture book. Bait." + +"Let _me_ use it!" she said. "Richard may have seen I was scared just +now." + +Outside again, under the tree, she called, "Here's Cappy's present, +Richard. He's gone away and left it for you." + +Would he notice how her voice had gone up half an octave, become flat +and shrill? + +"I'm coming down," Richard said. "Let me down, tree." + +He seemed to be struggling. The branches were cagelike. He was caught! + +Naomi's struggle was with her voice. "How did you _ever_ get up there?" +she called. + +"The tree let me up, Mommie," Richard explained solemnly, "but he won't +let me down!" He whimpered a little. + +He must _not_ become frightened! "You tell that tree you've got to come +right down this instant!" she ordered. + +She leaned against the cabin for support. Ted came out and slipped his +arm around her. + +"Break off a few leaves, Richard," he suggested. "That'll show your tree +who's boss!" + +Standing close against her husband, Naomi tried to stop shaking. But she +lacked firm support, for Ted shook, too. + +His advice to Richard was sound, though. What had been a trap became, +through grudging movement of the branches, a ladder. Richard climbed +down, scolding at the tree like an angry squirrel. + + * * * * * + +Naomi thought she'd succeeded in shutting her mind. But when her little +boy slid down the final bit of trunk and came for his present, Naomi +broke. Like a startled animal, she thrust the book into his hands, +picked him up and ran. Her mind was a jelly, red and quaking. + +She stopped momentarily after running fifty yards. "Burn the trees!" she +screamed over her shoulder. "Burn the cabin! Burn it all!" She ran on, +Ted's answering shouts beyond her comprehension. + +Fatigue halted her. At the top of the rise between Cappy's farm and +their own, pain and dizziness began flowing over her in waves. She set +Richard down on the mauve soil and collapsed beside him. + +When she sat up, Richard squatted just out of reach, watching curiously. +She made an effort at casualness: "Let's see what Daddy's doing back +there." + +"He's doing just what you said to, Mommie!" Richard answered +indignantly. + +Her men were standing together, Naomi realized. She laughed. After a +moment, Richard joined her. Then he looked for his book, found it a few +paces away, and brought it to her. + +"Read to me, Mommie." + +"At home," she said. + +Activity at Cappy's interested her now. Wisps of smoke were licking +around the trees. A tongue of flame lapped at one while she watched. +Branches writhed. The trees were too slow-moving to escape ... + +But where was Ted? What had she exposed him to, with her hysterical +orders? She held her breath till he moved within sight, standing quietly +by a pile of salvaged tools. Behind him the cabin began to smoke. + +Ted wasn't afraid, then. He understood what he faced. And Richard wasn't +afraid, either, because he didn't understand. + +But she? Surreptitiously Naomi pinched her hip till it felt black and +blue. That was for being such a fool. She must _not_ be afraid! + +"Daddy seems to be staying there," she said. "Let's wait for him at +home, Richard." + +"Are you going to make Daddy burn _our_ tree?" + +She jumped as if stung. Then, consciously womanlike, she sought relief +in talk. + +"What do _you_ think we should do, dear?" + +"Oh, I _like_ the tree, Mommie. It's cool under there. And the tree +plays with me." + +"How, Richard?" + +"If I'm pilot, he's navigator. Or ship, maybe. But he's so dumb, Mommie! +I always have to tell him everything. Doesn't know what a fairy is, or +Goldilocks, or anything!" + +He clutched his book affectionately, rubbing his face on it. "Hurry up, +Mommie. It'll be bedtime before you ever read to me!" + +She touched his head briefly. "You can look at the book while I fix your +supper." + + * * * * * + +But to explain Cappy's pictures--crudely crayoned cartoons, really--she +had to fill in the story they illustrated. She told it while Richard +ate: how the intrepid Spaceman gallantly used his ray gun against the +villainous Martians to aid the green-haired Princess. Richard spooned up +the thrills with his mush, gazing fascinated at Cappy's colorful and +fantastic pictures, propped before him on the table. Had Ted been home, +the scene might almost have been blissful. + +It might have been ... if their own tree hadn't reminded her of +Cappy's. Still, she'd almost managed to stuff her fear back into that +mental pigeon-hole before their own tree. It was unbelievable, but she'd +been glancing out the window every few minutes, so she saw it start. +Their own tree began to walk. + +Down the hill it came--right there!--framed in the window behind +Richard's head, moving slowly but inexorably on a root system that +writhed along the surface. Like some ancient sculpture of Serpents +Supporting the Tree of Life. Except that it brought death ... + +"Are you sick, Mommie?" + +No, not sick. Just something the matter with her throat, preventing a +quick answer, leaving no way to keep Richard from turning to look out +the window. + +"I think our tree is coming to play with me, Mommie." + +No, no! Not Richard! + +"Remember how you used to say that about Cappy? When he was really +coming to see your daddy?" + +"But Daddy isn't home!" + +"He'll get here, dear. Now eat your supper." + +A lot to ask of an excited little boy. And the tree _was_ his friend, it +seemed. Cappy's tree had even followed the child's orders. Richard might +intercede-- + +No! Expose him to such danger? How could she think of it? + +"Had enough to eat, dear? Wash your hands and face at the pump, and you +can stay out and play till Daddy gets home. I--I want----I may have to +see your friend, the tree, by myself ..." + +"But you haven't finished my story!" + +"I will when Daddy gets home. And if I'm not here, you tell Daddy to do +it." + +"Where are you going, Mommie?" + +"I might see Cappy, dear. Now go and wash, please!" + +"Sure, Mommie. Don't cry." + +Accept his kiss, even if it _is_ from a mouth rimmed with supper. And +don't rub it off till he's gone out, you damned fool. You frightened +fool. You shaking, sweating, terror-stricken fool. + +Who's he going to kiss when you're not here? + +The tree has stopped. Our little tree is having its supper. How nice. +Sucking sustenance direct from soil with aid of sun and air in true +plant fashion--but exhausting our mineral resources. + +(How wise of Ted to make you go to those lectures! You wouldn't want to +die in ignorance, would you?) + +The lecture--come on, let's go back to the lecture! Let's free our soil +from every tree or we'll not hold the joint in fee. No, not joint. A +vulgarism, teacher would say. Methinks the times are out of joint. +Aroint thee, tree! + +Now a pinch. Pinch yourself hard in the same old place so it'll hurt +real bad. Then straighten your face and go stick your head out the +window. Your son is talking--your son, your sun. + +Can your son be eclipsed by a tree? A matter of special spatial +relationships, and the space is shrinking, friend. The tree is only a +few hundred feet from the house. It has finished its little supper and +is now running around. Like Richard. _With_ Richard! Congenial, what? + +Smile, stupid. Your son speaks. Answer him. + +"What, dear?" + +"I see Daddy! He just came over the hill. He's running! Can I go meet +him, Mommie?" + +"No, dear. It's too far." + +Too far. Far too far. + +"Did you say something to me, Richard?" + +"No. I was talking to the tree. I'm the Spaceman and he's the Martian. +But he doesn't want to be the Martian!" + +Richard plays. Let us play. Let us play. + +You're close enough to get into the game, surely. A hundred and fifty +feet, maybe. Effective range, fifty feet. Rate of motion? Projected +time-interval? Depends on which system you observe it from. Richard has +a system. + +"He doesn't want to play, Mommie. He wants to see you!" + +"You tell that tree your Mommie _never_ sees strangers when Daddy isn't +home!" + +"I'll _make_ him wait!" + +Stoutly your pot-bellied little protector prevents his protective mother +from going to pot. + +"If he won't play, I'll use my ray gun on him!" + +Obviously, the tree won't play. Watch your son lift empty hands, arm +himself with a weapon yet to be invented, and open fire on the advancing +foe. + +"Aa-aa-aa!" + +So _that's_ how a ray gun sounds! + +"You're dead, tree! You're dead! Now you _can't_ play with me any more. +You're dead!" + + * * * * * + +Seeing it happen, then, watching the tree accept the little boy's +fantasy as fact, Naomi wondered why she'd never thought of that herself. + +So the tree was a treacherous medicine-man, was it? A true-believing +witch-doctor? And who could be more susceptible to the poisoning of fear +than a witch-doctor who has made fear work--and believes it's being used +against him? + +It was all over. She and the tree bit the dust together. But the tree +was dead, and Naomi merely fainting, and Ted would soon be home ... + + --DAVE DRYFOOS + + + + +Transcriber's Note: + + This etext was produced from _Galaxy Science Fiction_ October 1952. + Extensive research did not uncover any evidence that the U.S. + copyright on this publication was renewed. Minor spelling and + typographical errors have been corrected without note. + + + + + +End of Project Gutenberg's Tree, Spare that Woodman, by Dave Dryfoos + +*** END OF THIS PROJECT GUTENBERG EBOOK TREE, SPARE THAT WOODMAN *** + +***** This file should be named 29794.txt or 29794.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/2/9/7/9/29794/ + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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