diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 02:48:12 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 02:48:12 -0700 |
| commit | 7ee7eb0807d5028f32b3b3ec2ef21dc817bedd55 (patch) | |
| tree | 472b749027169c5ca2dbe363edd3ff4a05e06cb4 | |
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 29777-8.txt | 1533 | ||||
| -rw-r--r-- | 29777-8.zip | bin | 0 -> 29596 bytes | |||
| -rw-r--r-- | 29777-h.zip | bin | 0 -> 838133 bytes | |||
| -rw-r--r-- | 29777-h/29777-h.htm | 1681 | ||||
| -rw-r--r-- | 29777-h/images/illo1.jpg | bin | 0 -> 180947 bytes | |||
| -rw-r--r-- | 29777-h/images/illo2.jpg | bin | 0 -> 174544 bytes | |||
| -rw-r--r-- | 29777-h/images/illo3.jpg | bin | 0 -> 223185 bytes | |||
| -rw-r--r-- | 29777-h/images/illo4.jpg | bin | 0 -> 146787 bytes | |||
| -rw-r--r-- | 29777-h/images/illo5.jpg | bin | 0 -> 79536 bytes | |||
| -rw-r--r-- | 29777.txt | 1533 | ||||
| -rw-r--r-- | 29777.zip | bin | 0 -> 29571 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 |
14 files changed, 4763 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/29777-8.txt b/29777-8.txt new file mode 100644 index 0000000..9b9138e --- /dev/null +++ b/29777-8.txt @@ -0,0 +1,1533 @@ +The Project Gutenberg EBook of The Identification of the Writer of the +Anonymous Letter to Lord Monteagle in 1605, by William Parker and Francis Tresham and William Vavasour + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Identification of the Writer of the Anonymous Letter to Lord Monteagle in 1605 + +Author: William Parker + Francis Tresham + William Vavasour + +Release Date: August 24, 2009 [EBook #29777] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK ANONYMOUS LETTER *** + + + + +Produced by Robert Cicconetti, Jane Hyland and the Online +Distributed Proofreading Team at http://www.pgdp.net (This +file was produced from images generously made available +by The Internet Archive/Canadian Libraries) + + + + + + + + + +THE IDENTIFICATION OF +THE WRITER OF THE +ANONYMOUS LETTER TO +LORD MONTEAGLE IN 1605 + + "A strange letter, from a strange hand, + by a strange messenger; without date to + it, name at it, and (I had almost said) + sense in it. A letter which, even when it + was opened, was still sealed, such the + affected obscurity therein." + + FULLER'S _Church History_, x. 32. + + +LONDON: SIMPKIN, MARSHALL, +HAMILTON, KENT & CO., LTD. +1916 + +[Transcriber's note: +[***] denotes an asterism, that is, a triangle comprising three asterices. +A carat symbol ^ indicates that the ensuing letters of the word are +superscript letters.] + + +PREFACE + + +One of the great mysteries of English history is the anonymous letter to +Lord Monteagle, warning him not to attend the opening of Parliament, +appointed for the Fifth of November, 1605, which is popularly supposed +to have led to the discovery of the Gunpowder Plot. The writer's +identity was carefully concealed by the Government at the time; the +intention being, as explained by Lord Salisbury, "to leave the further +judgment indefinite" regarding it. The official statements are, +therefore, as unsatisfactory as might be expected in a matter that, for +State reasons, has not been straightforwardly related. The letter, +however, remaining and in fair preservation, there was always the +possibility of the handwriting being identified; and this, after the +lapse of over three hundred years, is now accomplished. + + + + +CONTENTS + + + PAGE + + PREFACE v + + SECTION + + I. HISTORICAL ANALYSIS 1 + + II. THE OFFICIAL STORY OF THE LETTER 5 + + III. IDENTIFICATION OF THE HANDWRITING 9 + + IV. THE ATTORNEY-GENERAL'S OPINION OF VAVASOUR'S GUILT 19 + + V. FRANCIS TRESHAM'S CONFIDENCE WHEN IN THE TOWER 24 + + VI. THE VAVASOURS AS DEPENDANTS OF THE TRESHAM FAMILY 25 + + + + + +LIST OF FACSIMILES + + + 1. The anonymous letter as delivered to Lord Monteagle, October 26, + 1605, warning him not to attend the opening of Parliament + appointed for the Fifth of November (From the original letter in + the Museum of the Public Record Office) _Frontispiece_ + + 2. A page of the MS. entitled "A Treatise against Lying," etc., + formerly belonging to Francis Tresham, of which the handwriting + was attributed by his brother, William Tresham, to William + Vavasour. Now in the Bodleian Library. (Laud MSS. 655, + folio 44) [1] + + 3. William Vavasour's handwriting in the letter to the Earl of + Salisbury, dictated and signed by Francis Tresham when dying in + the Tower, December 22, 1605 ("State Papers, Domestic," James I., + ccxvi. 211) [1] + + Stated by Vavasour to have been written by Mrs. Tresham. + On March 24, 1605-6, he confessed that he wrote it and signed + a note to it to that effect. + + 4. William Vavasour's handwriting in his _untrue_ statement, written in + the presence of the Lieutenant of the Tower, that No. 3 was + written by Mrs. Tresham. Dated March 23, 1605-6 ("State + Papers, Domestic," James I., ccxvi. 207) [1] + + [***]To avoid detection of his falsehood, he writes a hand + quite different from his ordinary writing in Nos. 2 and 3, thus + producing a hand which is in itself identical with his former + disguised writing as seen in the anonymous letter (No. 1). + + 5. George Vavasour's handwriting on the last leaf, which he renewed + for Francis Tresham, of the MS. entitled "A Treatise against + Lying," etc. (Laud MSS. 655, folio 61) _To face page 26_ + + + + + +The Identification of the Writer of the Anonymous Letter to Lord +Monteagle + +I + +HISTORICAL ANALYSIS + + +Francis Tresham, of Rushton, in Northamptonshire, has recently +(September 11, 1605) succeeded his father, Sir Thomas Tresham (a great +sufferer for the Roman Catholic religion), in an inheritance of at least +five thousand a year, in present money; after having, as he says, spent +most of his time overburdened with debts and wants, and resolves within +himself to spend his days quietly. His first cousin, Robert Catesby, +being hard-up with funds exhausted in financing the scheme known as the +Gunpowder Plot, seeing in Tresham the chance of obtaining a further +supply (though previously distrusting him), induces him, in the +interests of their religion, to join the conspiracy, of which he thus +becomes the thirteenth, and last, sworn conspirator (October 14, 1605). +Catesby is careful to impose the oath of secrecy before fully disclosing +the plot; of which Tresham, on hearing, entirely disapproves, and +endeavours to dissuade his cousin from, or even to defer it; meanwhile +offering him the use of his own purse if he will do so. Finding he +cannot prevail with him, he is very urgent that the Lords Monteagle and +Stourton, particularly the former, may be warned, each having married +Tresham's sisters; but Catesby can give no definite assurance. Tresham +then intends, as he says, to get the conspirators shipped away, and to +inform the Government by some unknown, or anonymous, means. + +Tresham has a serving-man named William Vavasour, who attended Sir +Thomas Tresham, and who, with his elder brother, George Vavasour (whose +education Tresham has particularly encouraged), and their sister Muriel +(gentlewoman to Lady Monteagle who is the daughter of "Muriel" Lady +Tresham) are favoured dependants of the Tresham family, being the +children of an old and much valued Catholic servant. Both George and +William are confidentially employed by Tresham as amanuenses, in +transcribing religious, or treasonable, treatises of the time. + +Lord Monteagle unexpectedly orders a supper to be prepared (October 26, +1605) at his house at Hoxton (belonging to his brother-in-law Tresham), +and where he has not been for some months. As he is about to go to +supper, a letter is handed to him by his footman, to whom it has been +given in the street by "an unknown man of a reasonable tall personage," +who knows that he will find him at so unfrequented a residence. +Monteagle opens the letter, which is anonymous, pretends he cannot +understand it, and shows it to his secretary, Thomas Ward, who, he is +aware, is familiar with some of the conspirators; whom Ward, the next +evening, tells of the receipt of the letter, which Monteagle at once +takes to Whitehall, about three miles away, where he finds the Earl of +Salisbury (Principal Secretary of State) with other lords of the Council +together assembled, "ready for supper." The Government censor, or +suppress, the name of the place where the letter was delivered. The +conspirators and the Jesuit priests, who are involved in the plot +through the confessional, at once suspect Tresham; and Catesby and +Winter directly charge him with having betrayed them, which he denies, +while urging them to escape to France, and giving them money for the +purpose. Although Tresham is a sworn conspirator, he alone remains +behind and at large, after Fawkes's arrest (November 4-5, 1605), and +flight of the others into the country, and offers his services to the +Government. A week later he is taken to the Tower, where being ill, his +wife and serving-man, William Vavasour, and a maid servant constantly +attend him; an indulgence _never under any circumstances_ permitted to +anyone who was really a prisoner and upon a capital charge there. +Becoming worse, he dictates a letter for Vavasour to write to Lord +Salisbury, retracting a statement that he has been induced to make +respecting Father Garnet, and dies (December 23, 1605). This letter, or +dying statement, being misunderstood, is considered to be so incredible +that the writing is particularly inquired into. Vavasour thereupon, in +the presence of the Lieutenant of the Tower, writes an _untrue_ +statement (consequently using a hand quite different from his ordinary +writing and, _in itself, identical with the writing of the anonymous +letter_), asserting that his master's dying statement was written by +Mrs. Tresham (though in every way proper for Vavasour to have written), +which she at once repudiates and says that Vavasour wrote it. He is then +examined in the Tower by Chief Justice Popham and Attorney-General Coke, +when he confesses that he wrote the dying statement at his master's +dictation; and had denied it "for fear." Fear of what? In case the +writing should bring into question some other and less innocent letter +written by him for his master. + +Upon Tresham's death in the Tower, the Lieutenant writes to Salisbury +(December 23, 1605) of the "marvellous" confidence shown by Tresham and +his friends that had he survived, they feared not the course of justice. +Later, having left no male issue, his inheritance passes to his brother, +who is described as of Rushton, when created a baronet on the +institution of that Order by James the First, the very king whom the +plotters intended to destroy; and although a baronetcy at that time was +merely a monetary distinction or transaction, _some_ discrimination was +no doubt made in the bestowal or disposal of that dignity, which +probably would not have been conferred upon Catesby's son, who was then +living, even if he had been able to afford it after the forfeiture of +his family inheritance. + +The Attorney-General, at Father Garnet's trial (March 28, 1606), +pronounces Vavasour as being, in his opinion, "deeply guilty" in the +treason; yet he is not even brought to trial, while other serving-men +are tried and executed; although Lord Salisbury expressly declares that +he will esteem his life unworthily given him, when he shall be found +slack in bringing to prosecution and execution ALL who are in any way +concerned in the treason; and his exertions in the matter are accounted +to be so successful, that he is rewarded with the Order of the Garter. + +Francis Tresham's inheritance remains in the family; and his +serving-man, the "deeply guilty" William Vavasour, goes free. + +FOOTNOTES: + +[Footnote 1: _These facsimiles are issued separately in order to +facilitate comparison._] + + + + +II + +THE OFFICIAL STORY OF THE LETTER + + +The authentic, or rather the official, story of the delivery of the +letter, as published by the Government at the time, states that on +Saturday, October 26, 1605, Lord Monteagle "being in his own lodging, +ready to go to supper, at seven o'clock[2] at night, one of his footmen +(whom he had sent on an errand over the street) was met by an unknown +man, of a reasonable tall personage, who delivered him a letter, +charging him to put it in my lord his master's hands; which my lord no +sooner received, but that having broken it open, and perceiving the same +to be of an unknown and somewhat unlegible hand, and without either date +or subscription, called one of his men[3] to help him to read it. But no +sooner did he conceive the strange contents thereof, although he was +somewhat perplexed what construction to make of it (as whether of a +matter of consequence, as indeed it was, or whether some foolish devised +pasquil, by some of his enemies to scare him from his attendance at the +Parliament), yet did he, as a most dutiful and loyal subject, conclude +not to conceal it, whatever might come of it, whereupon notwithstanding +the lateness and darkness of the night in that season of the year, he +presently repaired to his Majesty's palace at Whitehall, and there +delivered the same to the Earl of Salisbury, his Majesty's principal +Secretary." + +Neither the official version nor any State paper mentions the place +where the letter was delivered, which in such a mysterious matter would +be the first inquiry. "Own lodging" at that time signified a person's +house. Hoxton is generally stated to have been the place of delivery,[4] +which was then a single street in the outlying suburb on the great north +road; at a house which Monteagle is known[5] to have occupied, belonging +to his brother-in-law, Francis Tresham; and this ownership may have been +Salisbury's reason for not naming it, which so curious an omission seems +to imply. The letter is as follows: + + "My Lord out of the loue i beare[6]; to some of youere frends i haue + a caer of youer preseruacion therfor i would aduyse yowe as yowe + tender youer lyf to deuyse some excuse to shift of youer attendance + at this parleament for god and man hathe concurred to punishe the + wickednes of this tyme and thinke not slightlye of this + aduertisement but retyre youre self into youre contri wheare yowe + maye expect the euent in safti for thowghe theare be no apparance of + anni stir yet i saye they shall receyue a terrible blowe this + parleament and yet they shall not sei who hurts them this cowncel is + not to be contemned because it maye do yowe good and can do yowe no + harme for the dangere[7] is passed as soon as yowe have burnt the + letter and i hope god will give yowe the grace to make good use of + it to whose holy proteccion I commend yowe." + + (Addressed) "To the ryght honorable + the lord Monteagle." + +It was the opinion of the other conspirators, as well as of the Jesuit +priests who became involved in the plot through the confessional, that +the warning letter originated with Francis Tresham, whose sister was +Lady Monteagle, and another sister had married Lord Stourton; and +Tresham had been most earnest with Catesby that those two lords, +particularly Monteagle, should be warned. In each instance, Catesby was +careful to impose the oath and engage the faith of the conspirator, +before disclosing the plot; and Tresham, the thirteenth and last, sworn +conspirator, on hearing the particulars, entirely disapproved of the +conspiracy, from which he tried to dissuade Catesby, offering him the +use of his own purse if he would even defer it.[8] Tresham could indeed +have desired nothing less than to become involved in such a matter. His +father had recently died, and he had succeeded to a considerable +property,[9] which alone induced his first cousin Catesby to bring him +into the plot. As Tresham wrote when in the Tower:[10] "I thank God I am +owner of such a fortune as is able to afford me what I desire, the +comfort whereof is so much the sweeter unto me, as I have spent most of +my time overburthened with debts and wants, and had resolved within +myself to spend my days quietly."[11] He acknowledged that his +intentions with regard to the other conspirators were "to ship them away +that they might have no means left them to contrive any more ... then to +have taken a course to have given the State advertisement by some +unknown means."[11] He was consequently the only conspirator who +remained behind and at large after Fawkes was taken and the others had +fled. There can be no reasonable doubt that Tresham, though not the +writer, was the sender of the letter; and upon this hypothesis all +investigators must go, as there is none other at all likely. + +FOOTNOTES: + +[Footnote 2: Salisbury, in his letter to Sir Charles Cornwallis, +Ambassador at Madrid (November 9), gives the hour as six o'clock.] + +[Footnote 3: This was his secretary, Thomas Ward, who was known to +Monteagle as a friend of some of the conspirators (as Monteagle himself +was), and one of whom, Ward, the next morning told of the receipt of the +letter. "As a plan concocted by Monteagle and Tresham to stop the plot, +and at the same time to secure the escape of their guilty friends, the +little comedy at Hoxton was admirably concocted" ("What Gunpowder Plot +was," by S.R. Gardiner, D.C.L., 1897, p. 124).] + +[Footnote 4: Father John Gerard (1564-1637) gives particulars of the +delivery of the letter at Hoxton in his contemporary "Narrative of the +Gunpowder Plot," published in 1872.] + +[Footnote 5: "Calendar of Tresham Papers," p. 132.] + +[Footnote 6: The word "yowe" (you), here cancelled in the original, +indicates the writer's first thoughts, and, no doubt, his real meaning.] + +[Footnote 7: Various attempts have been made to explain the nature of +the danger alluded to, which the King and Salisbury at the time, and +others since, have understood as in allusion to the danger of the plot. +Jardine describes it as "mere nonsense" ("Gunpowder Plot," 1835, p. 73). +But the meaning clearly is the danger of the letter being discovered. +The counsel may do him good, and can do him no harm, except through the +danger of keeping the letter, which being burnt, the danger is past. +There is no allusion intended to the danger of the plot, as that, unlike +the danger of the discovery of the letter, could not be affected by +burning the letter.] + +[Footnote 8: Tresham's statement made when in the Tower ("State Papers, +Domestic," James I., xvi. 63).] + +[Footnote 9: The rental of the Rushton Hall estate alone, as given in +the "Return of Owners of Lands" in 1873, is £5,044 yearly. The Tresham +family also owned property at Hoxton and elsewhere.] + +[Footnote 10: He died in the Tower six weeks after writing that letter, +aged thirty-seven.] + +[Footnote 11: "State Papers, Domestic," James I., xvi., 63.] + + + + +III + +IDENTIFICATION OF THE HANDWRITING + + +The style of handwriting of the letter, as seen in the facsimile, is not +in this writer's opinion, from a familiarity of thirty years with old +scripts, apart from the disguise, the hand that an educated person would +write at the time, but is essentially a commonplace and, no doubt +intentionally, rather slovenly style of handwriting. The use of small +"i's" for the first person seems, in view of modern usage, to suggest an +illiterate writer; but educated writers, even the King,[12] then +occasionally lapsed into using them. In the letter, however, they are +consistently and may have been purposely used, to avert suspicion from +being the work of an educated person; though an illiterate appearance +would rather cause such a letter (if genuine) to be disregarded, than to +deter a nobleman from attending the opening of Parliament, for which +leave or licence was required. + +The handwriting has been variously ascribed, but the direction of this +inquiry is indicated by the incautious admission made by Sir Edward +Coke, the Attorney-General at the trial, respecting the real manner in +which the plot was discovered. Salisbury's careful instructions to the +Attorney-General for the trial are with the State papers, in which he +says: "Next, you must in any case, when you speak of the letter which +was the first ground of discovery, absolutely disclaim that any of +these" (the conspirators) "wrote it, though you leave the further +judgment indefinite who else it should be."[13] + +Salisbury thus, in effect, requires Coke by absolutely disclaiming that +any of the conspirators wrote (he does not say "sent") the letter to +Monteagle, and by which alone the treason was discovered, to declare in +Court, as upon the authority of the Government, that therefore none of +the conspirators divulged the plot; which, in any case, could be true +only so far as the disclosure to the Government was concerned. Coke, +however, for some reason--perhaps because he was not fully in +Salisbury's confidence respecting the letter--describes the real manner +of the discovery, according to his own knowledge. Towards the close of +his speech for the prosecution, he said: "The last consideration is +concerning the admirable discovery of this treason, which was by one of +themselves who had taken the oath and sacrament, as hath been said +against his own will;[14] the means by a dark and doubtful letter to my +Lord Monteagle." This, together with Salisbury's statement that none of +the conspirators wrote the letter, shows that the divulging of the plot +preceded the sending of the letter,[15] which was not, therefore, as is +popularly supposed, the means by which the plot was discovered, except +to the general public. + +Hitherto those who have attempted this identification have invariably +sought amongst such as are likely to have written the letter for a +handwriting _resembling the disguised writing_, which seems a strange +method of investigation, as surely the object of a disguised hand[16] +would be to make the general appearance as unlike the writer's ordinary +hand as possible? The writing being in a set and rather large character, +such is the style they have sought for and found, but in a much more +refined hand and without arriving at any satisfactory result. + +It seems, however, reasonable to suspect that this set and rather large +character may be what principally constitutes the disguise, and that the +writer's ordinary hand would be different. The manner in which the lines +are forced upwards at the right side, shows that the writer has had +difficulty in maintaining the large, set, regular character which would +push an unpractised hand in that direction. + +Among the more prominent peculiarities, as seen in the facsimile (No. +1), the writer invariably uses the long "s" as an initial letter in the +ten examples that occur, even when the letter is not a capital. Such +consistent use was usual in legal but not in private hands, though +within a word the long "s" was very common. The "t's" are peculiar; +being made with a twist or short line at foot, crossed midway projecting +from each side, while a stroke is put on the top as a disguised, or +elaborated touch. The "w's" finish with a side loop. Some of the "g's" +show flat tops; the cypher portion being commenced from the left side +with a stroke along the top. The tails of the "y's" are brought forward. +The "hanger" portion of the "h's" invariably drags below the line which, +though not unusual, again indicates in the numerous examples that occur +the writer's habit; while an unusually broad quill has been used to +further the disguise.[17] + +After the plot was discovered, Fawkes arrested, and the other +conspirators had escaped into the country, Tresham remained in London +and even offered his services to the Government. A week later he was +taken to the Tower where, being ill, his wife also came, and he was +attended by his serving-man, William Vavasour, and his maid, Joan Syer. +He was induced "to avoid ill-usage," to say that he thought Father +Garnet, against whom the Government desired to obtain evidence, had +written a letter in furtherance of what was known as the Spanish +Treason, in 1602. Six weeks later, his illness becoming dangerous, he +dictated to his man Vavasour a letter to Lord Salisbury, retracting his +statement respecting Garnet, as being more than he really knew; +declaring upon his salvation that he had not seen him "in sixteen years +before," clearly meaning before the Spanish Treason in 1602, which is +the entire subject of his letter and the fact; and not, as the +Government misunderstood him to mean, before the then time of writing in +1605. This statement, written by Vavasour (Fascimile No. 3), was signed +by Tresham, who asked his wife to deliver it personally to Lord +Salisbury, and within three hours died:[18] + + "I being sent for before yo^r Lordships in the Tow^r, you told me y^t + (that) it was Confessed by Mr Winter, y^t he went upon some + imploym^{ts} in ye Queens time into Spayne & y^t yo^r L. did nominate + to me out of his Confession all the partyes names y^t were acquainted + therew^{th} _namely 4 besides himselfe_[19] & yet sayd y^t ther were + some left for me to name. I desired yo^r L. y^t I might not answere + therunto bycause it was a matter y^t was done in the Queens time and + since I had my pardon. + + "Yo^r Lordships wold not accept of y^t answere, _but sayd y^t I should + be made to speake therunto. And I might thanke my self If I had beene + worse used than I had beene since my Coming to the howse_[19] I told + yo^r Lords^p (_to avoyde ill usage_)[19] y^t I thought Mr. Walley[20] + was p'cured to write his letter for the furthering of this Jeorney. Now + my LL. having bethoughte myselfe of this businesse (being to weake to + use my owne hand in writing this) w^{ch} I do deliver here upon my + salvacon to be trew as near as I can call to mynde, desiring y^t my + form'r Confession may be called in & y^t this may stand for truthe. It + was more than I knew y^t Mr. Walley[20] was used herein, & to give your + Lords'p p'ofe besids my oathe, I had not seene him in sixteene yere + before, nor never had messuadge[21] nor letter from him & to this + purpose I desired Mr. Leiftenant to lett me see my Confession who told + me I should not unlesse I wold inlarge it w^{ch} he did p'ceive I had + no meaning to doe. + + (Signed) Francis Tresame. + + "24 m'ch 1605 [-6]. + This noate was of my owne + hand writing + By me Willia' Vavasore." + +Tresham's statement being misunderstood to mean that he had not seen +Garnet for sixteen years,[22] while the Government knew from Tresham +himself[23] that he had recently been in Garnet's company, was +considered such awful perjury to commit when dying as to be incredible. +Coke wrote to Salisbury: "It is true that no man may judge in this case, +for _inter pontem et fontem_ he might find grace; but it is the most +fearful example that I ever knew of to be made so evident as now this +is." Salisbury at the trial said: "Mr. Tresham in his lifetime accused +you, Garnet, before the lords, yet now upon his salvation, he under his +hand did excuse you, being at the very point of death, saying he had not +seen you _in sixteen years_, which matter, I assure you, before you were +taken shook me very much. But, thanks be to God, since the coming of the +King, I have known so much of your doctrine and practices, that +hereafter they shall not much trouble me." The writing of Tresham's +dying statement was, therefore, particularly, inquired into, and +Vavasour had to make a written statement respecting his knowledge of it; +evidently for comparison of the handwriting. This appears to have so +alarmed him that in his statement (Fascimile No. 4), written in the +presence of Sir William Waad, Lieutenant of the Tower, he asserted that +the dying statement was written by Mrs. Tresham, at her husband's +dictation: + + "I do rememb' y^t my m^r did cause my m^{res} to write a note wherto he + did did (_sic_) bid the mayd and me beare witnes y^t he did set his + hand unto it, but it was not reade at y^t time but since m^{res} + Tressa' did reede it to me and sayd it was y^t noate y^t my m^r did + bid us beare witnesse and she comaunded me to carye a letter to S^r + Waulter Cope and to desire him to deliver the noate inclosed to my + Lorde of Salsburye and further my m^r did say y^t he cold not write + him selfe bycause he was not able but he did sett his hande unto it + as before I have sayd and this was done some day before his death. + + "(Signed) By me William Vavasor. + + "23. March 1605 [-6]. + Taken before us: + (Signed) W. Waad. + Willus Lane." + +If for any reason Vavasour did not desire his writing to be brought into +question, there could be no harm, beyond his falsehood, in naming Mrs. +Tresham as the writer of that letter, as neither could possibly be +blamed for writing such a statement for his master. The question arises, +whether Vavasour would have ventured upon an untrue statement, except +through panic, unless feeling sure of Mrs. Tresham's support? As Mrs. +Tresham throughout made no attempt to conceal the truth for Vavasour, +she may have been unaware of any reason for diverting inquiry from +himself respecting letters written for his master. Even if Mrs. Tresham +had been willing to connive at his falsehood, she could not have done +so; as Salisbury, being convinced that she not only wrote but composed +her husband's dying statement and induced him to sign to shield Father +Garnet, was so incensed against her that he declined to see her,[24] or +even to receive her husband's statement, when she tried to deliver it. +She was therefore obliged, in view of possible consequences to herself, +to own[25] that Vavasour wrote the statement at her husband's dictation. +Vavasour was then examined in the Tower by Chief Justice Popham and by +Coke, when he confessed[26] that he wrote the dying statement at his +master's dictation, and had denied it through fear, which could only +arise from having written some other and less innocent letter for him. + +Vavasour, when writing his untrue statement, would avoid using his +ordinary handwriting, as already appearing in the letter in question +(No. 3), which he had ascribed to Mrs. Tresham. He, therefore, disguises +his writing, so far as having to write off-hand and under the +observation of the Lieutenant of the Tower and an attendant Justice, +with the consciousness that he is writing what is false, and while +having to be careful not to reproduce his former disguised hand, as seen +in the anonymous letter, permits him; and the hand thus produced betrays +him as the writer of that letter, with which the writing is, in itself, +identical. The long "s" is invariably used for a word commencing with +that letter, even when not a capital; there are the same peculiar "t's," +though in a less disguised or elaborated form than those of the +anonymous letter, but there they clearly are; the "w's" have no side +loops, but in Vavasour's note at foot of No. 3 a conspicuous example is +seen; there are no "g's";[27] the "y's" are particularly noticeable, +being in two varieties: Vavasour's ordinary "y," of which the tail is +tucked back; in the other, the tail is brought forward; and no one can +fail to see that the latter are by the same hand as those in the letter; +the "hangers" of the "h's" invariably drag below the line; and +generally, the writing may throughout be detected as by the same hand +that wrote the anonymous letter. + +The best specimen of Vavasour's handwriting, although not so useful as +No. 4 for identification purposes, is in the MS. entitled "A Treatise +against Lying," etc., identified by William Tresham as having been +transcribed by Vavasour for Francis Tresham, which is now in the +Bodleian Library (Facsimile No. 2). To anyone familiar with the +handwriting of the period, Vavasour's writing is the usual law-writer's +or copyist's hand, such as appears in conveyances and deeds of the +time,[28] and is not the style of hand that an educated person would +then write. Each initial "s" is of the long form; each "w" has a side +loop; the "g's" are flat-topped; and the "h's" come below the line, etc. +Tresham's dying statement (No. 3) appears to be in a similar but +smaller[29] and less carefully written hand. Vavasour wrote a neat, +small hand, which, when disguising, the probability is that he would +attempt an opposite style. If it were not for the testimony of the +Lieutenant of the Tower, that the untrue statement (No. 4) was actually +written in his presence by Vavasour, the writing would not, from the +general appearance, readily be recognized as by the same hand that wrote +Tresham's dying statement (No. 3), and so acknowledged by Vavasour. This +shows that he was naturally clever in disguising his hand, hence his +employment by Tresham in writing the anonymous letter to Lord Monteagle. + + * * * * * + +Upon the evidence of the handwriting alone, William Vavasour was the +writer of that letter.[30] + +FOOTNOTES: + +[Footnote 12: In the "Correspondence of James I. with Sir Robert Cecil" +(published by the Camden Society in 1861), both the King and the Earl of +Northumberland occasionally use them (pp. 64, 70, etc.). The latter also +uses them in his general correspondence.] + +[Footnote 13: "State Papers, Domestic," James I., xix. 94.] + +[Footnote 14: Tresham was throughout the only unwilling conspirator, but +he did not take the oath sacramentally, only seven or eight of the +thirteen conspirators did so.] + +[Footnote 15: "No wise man could think my lord (Monteagle) to be so weak +as to take any alarm to absent himself from Parliament upon such a loose +advertisement" (Letter from Salisbury to Cornwallis, November 9).] + +[Footnote 16: Salisbury, in his letter to Cornwallis, particularly +describes the writing as being "in a hand disguised," and he, like +Monteagle, would know not only the writer, but how the letter came to be +written.] + +[Footnote 17: In an expert examination of handwriting, the angle at +which the pen is held, as indicated by the long strokes, and the spacing +between the lines which a writer naturally uses, have also to be +considered--being the basis of handwriting, the first movements that are +made in learning to write, and become each writer's characteristics in +those respects. In each specimen of William Vavasour's handwriting, +including the anonymous letter, the long strokes are generally at the +same angle, and the spacing between the lines (except in No. 3) is +throughout generally similar, while his brother George's hand is in each +respect quite different.] + +[Footnote 18: "He died this night, about two of the clock after +midnight, with very great pain; for though his spirits were much spent +and his body dead, a-lay above two hours in departing" (Lieutenant of +the Tower to Salisbury, December 23, 1605, "State Papers, Domestic," +James I., xvii. 56). Tresham's death, being so opportune for Monteagle, +if not for Salisbury, has been attributed to poisoning; but Stowe's +"Annals" (1615, p. 880) states it to have been occasioned by strangury, +though giving the date of his death incorrectly as November 22. Ten +years later a subsequent Lieutenant of the Tower was executed for +poisoning a State prisoner.] + +[Footnote 19: The portion printed in italics was underlined by Coke for +_omission_ when the statement was read at the trial. The "4 besides +himself," having reference to Monteagle, was therefore suppressed; the +other suppressions in the statement were made for obvious and unfair +reasons.] + +[Footnote 20: "Walley" was one of Father Garnet's aliases.] + +[Footnote 21: This is very suggestive of a law-writer's spelling of +"message" (messuage and tenement).] + +[Footnote 22: When Garnet returned from Rome in 1585, as Superior of the +Jesuits in England, he made the Treshams' acquaintance, being a +prominent Roman Catholic family, when Francis was eighteen. Garnet was +not their confessor, and the acquaintance had dropped for at least +sixteen years before the Spanish Treason in 1602. Garnet's statement, +made (March 23, 1605-6) after Tresham's death, is: "I knew him about 18 +years ago, but since discontinued my acquaintance until the time between +his trouble in my lord of Essex's tumult and the Queen's death" +(1602-3). Garnet would have neither motive nor inclination to shield +Tresham, whose betrayal of the plot had brought Garnet to the Tower. He +might otherwise have discerned Tresham's real meaning in his statement +of "sixteen years before," which the contemporary Jesuit Father Gerard +correctly interprets as before 1602 in his narrative of the plot. It was +not Garnet's complicity in the Spanish Treason in the previous reign +(for which he had his pardon) that the Government cared about, and that +so shook Salisbury, but simply Tresham's dying statement being +misunderstood to mean that he had not seen Garnet for the past sixteen +years, which is all that the present writer is concerned with.] + +[Footnote 23: "State Papers, Domestic," James I., xvi. 62.] + +[Footnote 24: So he said at the trial: "She came to see me, but I spared +either to speak with her or hear her." But Mrs. Tresham in her +examination said that, "in respect of her sorrow and heaviness," she +"was enforced to send it"; and in her note enclosing the dying statement +to Sir Walter Cope for delivery, she wrote: "My sorrows are such that I +am altogether unfit to come abroad; wherefore I would entreat you to +deliver it yourself unto my lord, that I may have my husband's desire +fulfilled therein" ("State Papers, Domestic," James I., ccxvi. 211).] + +[Footnote 25: Examination of Mrs. Tresham (_ibid._, ccxvi. 209).] + +[Footnote 26: Examination of William Vavasour (_ibid._, ccxvi. 207).] + +[Footnote 27: Vavasour, in his authentic and ordinary writing, used +flat-topped "g's," as seen in the anonymous letter, as well as in No. 2, +ascribed to him.] + +[Footnote 28: The deed of Robert Catesby's marriage settlement with +Katherine, eldest daughter of Sir Thomas Leigh, of Stoneleigh (1592), in +the possession of T.W. Whitmore-Jones; Esq., of Chastleton House, Oxon, +is in a similar legal hand, with precisely the same peculiarities of +"s," "g," "w," "h," etc. A law-writer's hand to-day is in a +"copper-plate" style, which, although most suitable for the purpose, is +not the kind of hand that an educated person would write whose business +was not copying, and there was then a similar distinction between them.] + +[Footnote 29: Apparently owing to restrictions of space and paper.] + +[Footnote 30: The original letter is framed and exhibited upon a +pedestal in the Museum of the Public Record Office. The facsimile has, +therefore, had to be made from a negative taken of the letter as seen +through glass, while the other facsimiles have the advantage of being +made from negatives taken of documents unglazed.] + + + + +IV + +THE ATTORNEY-GENERAL'S OPINION OF VAVASOUR'S GUILT + + +The Attorney-General in his speech for the prosecution at Father +Garnet's trial (March 28, 1606), as given in the official report, +alluding to Tresham's dying statement, said: "Upon his death-bed he +commanded Vavasour his man, _whom I think deeply guilty in this +treason_, to write a letter to the Earl of Salisbury." + +Henry Garnet's trial was purposely held at the City Guildhall, instead +of Westminster Hall, the usual trial place where the conspirators had +been tried, in order to make the occasion as imposing, and his case as +exemplary, as possible, on account of his position as Superior of the +Jesuits in England.[31] The King was privately present, and there was a +most distinguished assembly of ambassadors, nobility, and others. + +Before this audience, the Attorney-General, whose opinion determines or +considerably influences a prosecution for high treason, states in Court +that a person who is not even present nor arraigned is in his opinion +"deeply guilty" in the most infamous treason ever attempted, and for +which the conspirators had already been executed: so "heinous, horrible +and damnable"[32] was it considered, that the authorities had even +proposed to devise some specially severe form of torture for the +perpetrators to undergo, in addition to the usual terrible penalty for +high treason.[33] + +Coke, who it will be remembered was the most eminent counsel and the +greatest jurist of the time, however desirous he would be of bringing to +light everything connected with such a treason upon the occasion, would +scarcely, as legally representing the Crown in his capacity of the +King's Attorney-General, express so extremely damaging an opinion +without sufficient reason. There is something in his mind concerning +Vavasour,[34] respecting whom he is not satisfied; and it can only be +Vavasour's having written, not the letter to Salisbury--as that could +not possibly implicate him, nor render him "deeply guilty" in a treason +_which had been discovered and ended six weeks before the letter to +Salisbury was written_--but that other and most treasonable letter to +Monteagle, for there was nothing else against him in the matter.[35] +Coke evidently knows, or suspects, that Vavasour wrote the warning +letter; and he cannot understand why he is not brought to trial.[36] He +therefore expresses his opinion of Vavasour's guilt as strongly as +possible, and even describes him with what for an Attorney-General in +ordinary circumstances would be a singular redundancy of legal +expression, as being "deeply guilty" in the treason.[37] No one would +know better than the Attorney-General that in high treason itself the +law makes no distinction whatever of degrees of guilt, nor can there +even be an accessory: once participant, whatever the part played may be, +all alike are principals. + +Coke's statement in Court has been officially in print for over three +hundred years, yet no investigator seems to have noticed it and so have +been led to inquire what was done to Vavasour?--by which alone a clue +might have been obtained to the writer of the letter.[38] Although +Vavasour was publicly stated by the Attorney-General to be "deeply +guilty" in a treason of which Salisbury wrote: "I shall esteem my life +unworthily given me when I shall be found slack in searching to the +bottom of the dregs of this foul poison, or lack resolution to further +to my small power the prosecution and execution of ALL those whose +hearts and hands can appear foul in this savage practise"[39]--yet he +was not even brought to trial, while other serving-men were tried and +executed.[40] + +It is questionable whether Salisbury, unless agreeing with Coke's +opinion of Vavasour's guilt, would have allowed the allusion to appear +in the official report of the trial, prepared by himself and sanctioned +by the King;[41] as, if innocent of the treason, an intolerable +injustice would have been done to Vavasour by the publication, which +probably neither the King nor Salisbury would have permitted, in making +a senseless attack upon the reputation of an innocent man, who would +certainly have protested. + +Without, however, assuming too advanced ideas of justice for the time, +it is unlikely that so capable a person as Salisbury appears to have +been,[42] could fail to perceive that the publication of the +Attorney-General's opinion of Vavasour's guilt must, in the absence of +any prosecution, call attention to Vavasour, and thus furnish a clue to +the writer of the letter. Salisbury, though generally fair-minded, might +not trouble himself about Vavasour's reputation, but he would about his +own, which would be affected by his failure, after his strongly +expressed determination, in bringing to justice ALL who were concerned +in such a treason; and this would still apply, even if Coke's published +allusion to Vavasour's guilt was merely counsel's rhetoric. Coke, +however, at the moment when making that allusion, was not declaiming +upon the treason, but simply stating a fact about Tresham, with the King +listening; and in alluding to Vavasour, he expresses what is in his +mind--"_whom I think deeply guilty in this treason_": evidently his +deliberate opinion, which he would have every opportunity of forming, +as, with the exception of Salisbury and the conspirators, he would know +more of the workings of the plot than anyone. Salisbury's chief concern, +apparently, was at all costs to keep Vavasour silent, which he did; +while his anxiety "to leave the further judgment indefinite" respecting +the writer of the letter, plainly shows that the matter would not bear +inquiry. + + * * * * * + +The only possible conclusion, therefore, is that Vavasour wrote the +anonymous letter to Lord Monteagle, which the identity of the +handwriting absolutely confirms. + +FOOTNOTES: + +[Footnote 31: "My Sovereign determined that your trial should be in this +honourable assembly. For who is Garnet that he should be called hither, +or we should trouble ourselves in this Court with him? which I protest +were sufficient for the greatest Cardinal in Rome, if in this case he +should be tried. No, Mr. Garnet, it is not for your cause that you are +called hither, but to testify to the world the foulness of your fact, +the errors of your religion," etc. Lord Salisbury's Speech at the Trial. +(Gerard). When at the trial, rebuking Garnet for untruthfulness in his +previous examination before the Council, Salisbury said: "You stiffly +denied it upon your soul, reiterating it with so many detestable +execrations, _as our hair stood upright_" (Jardine).] + +[Footnote 32: The Act for the Attainder of the Conspirators ("Statutes +of the Realm," 3 James I., c. 2). Coke himself characterized the treason +at the trial as "beyond all examples, whether in fact or fiction, even +of the tragic poets who did beat their wits to represent the most +fearful and horrible murders." And in the prayer to be used in the +Anniversary Service for the Fifth of November it is described as having +been attempted "in a most barbarous and savage manner, beyond the +examples of former ages. From this unnatural conspiracy, not our merit, +but Thy mercy; not our foresight, but Thy providence, delivered us," +etc.] + +[Footnote 33: In the previous century, in a case where a more severe +penalty was desired to be inflicted, the offender was, by Act of +Parliament, publicly _boiled alive_ ("Statutes of the Realm," 22 Henry +VIII., c. 9).] + +[Footnote 34: Coke worked hard for some months in thoroughly preparing +the evidence for the trial, so that little would escape him. As he wrote +to Salisbury: "If your lordship knew what pains have been taken herein, +your lordship would pity the old attorney" (Hatfield MSS.).] + +[Footnote 35: Vavasour's falsehood respecting Mrs. Tresham had nothing +to do with the treason. Coke seems to mention Vavasour's guilt as if +antecedent to the writing of the letter to Salisbury.] + +[Footnote 36: This work is merely the identification of the writer of +the anonymous letter only, and makes no attempt to answer the much more +difficult question of what the arrangement was between Salisbury and +Monteagle, or between Monteagle and Tresham, respecting the sending of +the letter; but with regard to Coke, it is unlikely, from what is known +of their intercourse and their frequent differences in court, that he +would be admitted to any particular confidence with Salisbury in the +matter.] + +[Footnote 37: Vavasour's concealment of guilty knowledge as the writer +of the warning letter would probably be only misprision of treason, +unless Coke knew or suspected that he was directly concerned in the +treason.] + +[Footnote 38: The present writer does not owe the identification to that +clue, which was not met with until after Vavasour had been identified as +the writer of the letter.] + +[Footnote 39: Letter to the Earl of Dunfermline, Lord Chancellor of +Scotland. December 1, 1605 ("State Papers, Domestic," James I., xvii. +2). Salisbury was created K.G. with almost regal pomp for his services +in the matter. "Tuesday the 20th of May (1606), at Windsor, were +installed Knights of the Garter, Robert, Earl of Salisbury, who set +forward from his house in the Strand, being almost as honourably +accompanied and with as great train of lords, knights, gentlemen, and +officers of the Court, with others besides his peculiar servants very +richly attired, and bravely mounted, as was the King when he rid in +state through London" (Stowe's "Annals," 1615, p. 883).] + +[Footnote 40: Bates, Catesby's serving-man, at London; others in the +country.] + +[Footnote 41: Although known as the "King's book," the report of the +trial was evidently compiled by Salisbury and corrected by the King.] + +[Footnote 42: Salisbury's statesmanship is evinced by the advice he +wrote to James (I.) when King of Scotland, and impatiently awaiting +Queen Elizabeth's demise: "Your best approach towards your greatest end, +is by your Majesty's clear and temperate courses, to secure the heart of +the highest, to whose sex and quality nothing is so improper as either +needless expostulations, or over much curiosity in her own actions. The +first showing unquietness in yourself; the second challenging some +untimely interest in hers; both which, as they are best forborne when +there is no cause, so be it far from me (if there shall be cause), to +persuade you to receive wrongs and be silent" ("Secret Correspondence," +Camden Society, 1860, p. 7).] + + + + +V + +FRANCIS TRESHAM'S CONFIDENCE WHEN IN THE TOWER + + +Upon Tresham's death in the Tower (December 23, 1605), the Lieutenant +wrote to Salisbury: "I find his friends were marvellous confident if he +had escaped this sickness, and have given out in this place that they +feared not the course of justice."[43] As the late Dr. Gardiner +observed: "This confidence they could only have derived from himself, +and it could only have been founded on one ground." + +Had Tresham's committal to the Tower been otherwise than a mere +formality, or "a farce," neither his wife nor his servants would under +any circumstances have been permitted to attend or even see him whatever +the state of his health might have been; and had he survived, nothing +serious would have been done to him,[44] any more than was done to his +"deeply guilty" servant Vavasour. + +Tresham, though dreading, as he said, "the infamous brand of an +accuser,"[45] was as evidently the Informer to the Government, either +directly or indirectly through Monteagle, as his servant Vavasour was +the writer of the letter. + +FOOTNOTES: + +[Footnote 43: "State Papers, Domestic," James I., xvii. 58.] + +[Footnote 44: He left no male issue, and was succeeded in the family +property by his next brother Lewis, who was created a baronet June 29, +1611, one of the second batch of baronets made on the institution of +that Order the previous May 22 by James I.] + +[Footnote 45: "State Papers, Domestic," James I., xvi. 63.] + + + + +VI + +THE VAVASOURS AS DEPENDANTS OF THE TRESHAM FAMILY + + +The Tresham Papers[46] contain much information respecting the Vavasours +as dependants of that family. Sir Thomas Tresham had a bailiff or +collector, named Thomas Vavasour, an old and much valued Catholic +servant,[47] who had, with perhaps other children, two sons, George and +William, and a daughter, Muriel. George, who had been educated, was in +June, 1596, sent up by his father with a letter to Sir Thomas, then in +town, in order that he might be entered at one of the Inns of Court, as +Sir Thomas might advise: "Mr. Francis Tresham has encouraged him in this +kind of study and the cost already bestowed must not be lost. He knows +he has nothing else to trust to but his learning, nor does he seem so +fit for anything else."[48] He was accordingly admitted to the Inner +Temple in November of that year,[49] where Lewis Tresham (Sir Thomas's +second son) had been admitted the previous November, and to whom there +is an allusion of George Vavasour acting as tutor.[50] William Vavasour, +the other son, was servant to Sir Thomas, and though not so educated as +his brother George, was not a livery-servant or footman,[51] but appears +to have held a similar or superior position with Sir Thomas, to that +which Bates, who kept his own man,[52] held with Catesby, a kind of +secretary-valet of the time.[53] After Sir Thomas's death he served his +eldest son Francis Tresham in the same capacity; while the sister Muriel +Vavasour, who bore the same (then uncommon) Christian name as Lady +Tresham, and may have been her god-daughter, became "gentlewoman without +livery" at £5 yearly[54] to Lady Monteagle, who was Lady Tresham's +daughter. Both George Vavasour and his brother William were +confidentially employed by Francis Tresham as amanuenses, where secrecy +was necessary in transcribing religious or political treatises, such as +were then circulated amongst Roman Catholics, and, being treasonable, +dared not be printed. + +On December 1, 1605, the Attorney-General, while investigating the +conspiracy, obtained two MS. volumes which had been found in George +Vavasour's chambers in the Inner Temple. One, officially described as a +"quarto" volume, though an octavo (8-1/4 x 5-3/4), entitled +"A Treatise against Lying,"[55] was stated by George Vavasour, on +examination[56] to have been lent him by Francis Tresham to copy,[57] +and the copy he had made was contained in the folio, the other MS. +found. He denied any knowledge of the handwriting in the "quarto" +volume, except that he had recopied the last page (61), in order to +replace a torn leaf, bearing in Latin the Imprimatur of George +Blackwell, Archpriest of the English Jesuits. William Tresham (Francis +Tresham's youngest brother), on being examined by Coke, said that he +thought the "quarto" MS. was in William Vavasour's handwriting, who was +formerly his father's servant, and since serving his eldest brother in +the Tower.[58] William Tresham may have seen Vavasour so employed at +home and would know his writing; while George Vavasour might not wish to +bring his brother into question. The folio MS. has disappeared, but the +"quarto" copy, as ascribed to William Vavasour, is now with Archbishop +Laud's MSS. (No. 655) in the Bodleian Library, and was published in +1851. + +[Illustration: FACSIMILE No. 1. + +The anonymous letter as delivered to Lord Monteagle, October 26, 1605, +warning him not to attend the opening of Parliament appointed for the +Fifth of November. (From the original letter in the Museum of the Public +Record Office.)] + +[Illustration: FACSIMILE No. 2. + +A page of the MS. intitled "A Treatise against Lying, &c.", formerly +belonging to Francis Tresham, of which the handwriting was attributed by +his brother, William Tresham, to William Vavasour. Now in the Bodleian +Library. (Laud MSS. 655, folio 44.)] + +[Illustration: FACSIMILE No. 3. + +William Vavasour's handwriting in the letter to the Earl of Salisbury, +dictated and signed by Francis Tresham, when dying in the Tower. +December 22, 1605. (State Papers, Domestic. James I. ccxvi. 211.) + +Stated by Vavasour to have been written by Mrs. Tresham. On March 24, +1605-6, he confessed that he wrote it, and signed a note to it to that +effect.] + +[Illustration: FACSIMILE No. 4. + +William Vavasour's handwriting in his _untrue_ statement written in the +presence of the Lieutenant of the Tower, that No. 3 was written by Mrs. +Tresham. Dated March 23, 1605-6. (State Papers, Domestic. James I. +ccxvi. 207.) + +[***]To avoid detection of his falsehood, he writes a hand quite +different from his ordinary writing in Nos. 2 and 3, thus producing a +hand which is in itself identical with his former disguised writing as +seen in the anonymous letter (No. 1).] + +[Illustration: FACSIMILE No. 5. + +George Vavasour's handwriting on the last leaf, which he renewed for +Francis Tresham, of the MS. intitled "A Treatise against Lying, &c." +(Laud MSS. 655, folio 61.)] + +George Vavasour's handwriting upon the last leaf of the MS. (Facsimile +No. 5) shows a much more refined and educated hand than his brother's, +from which the writing is in every respect different. A small "s" is +invariably used in commencing a word with that letter; the "t's " are +quite different; the "w" finishes with an inner, not an outer loop; the +"g's" have no flat tops; and the "hangers" of the "h's" do not descend +below the line. The writing is evidently an educated hand for the time, +and cannot readily be imagined as using small "i's" for the first +person, such as are used in, and seem to accord so well with, the much +less educated handwriting of the warning letter. + + * * * * * + +WILLIAM VAVASOUR, the Tresham family serving-man, is thus not only +conclusively proved to have written the anonymous letter to Lord +Monteagle, but most probably was also the "unknown man of a reasonable +tall personage" who is so quaintly described in the Government story as +having delivered the letter. + +FOOTNOTES: + +[Footnote 46: Calendared by the Historical MSS. Commission. "Report on +MSS. in various Collections, vol. iii., 1904. The MSS. of T.B. +Clarke-Thornhill, Esq., of Rushton Hall, by Mrs. R.C. Lomas." These +important family papers were preserved and discovered in a curious +manner. In 1828, when making alterations at Rushton Hall, on removing a +partition wall, they were found with some theological books in a large +bundle wrapped in a sheet, which had been built into a recess in the +wall. As the papers, commencing in 1576, with a few of earlier date, end +in November, 1605, they were probably thus hidden away on Tresham's +arrest.] + +[Footnote 47: "Calendar," p. 59.] + +[Footnote 48: _Ibid._, p. 89.] + +[Footnote 49: "Students admitted to the Inner Temple, 1547-1660" +(1877).] + +[Footnote 50: "Calendar of Tresham Papers," p. 90.] + +[Footnote 51: His name does not appear in the list of Sir Thomas's ten +livery servants as retained while the establishment was at Hoxton before +Monteagle's tenancy, of which the accounts are with the Tresham Papers. +Under the stable charges is the keep of a horse for Thomas Vavasour, the +father (_ibid._, pp. 47, 50).] + +[Footnote 52: "Examination of Christopher Story, Thomas Bates's man" +("State Papers, Domestic," James I., xvi. 28, 1).] + +[Footnote 53: It will be remembered that Salisbury in the official story +describes Ward, who was Monteagle's secretary, as "one of his men."] + +[Footnote 54: Each of the other female attendants and servants, even +"Mawdlyn the Frenchwoman" at £10 yearly, have a livery ("Calendar of +Tresham Papers," p. 50).] + +[Footnote 55: The manuscript was originally entitled "A Treatise upon +Equivocation," which was altered by Father Garnet into "A treatise +against Lying & fraudule't dissimulatio'. Newly overseen by ye Authour & +published for the defence of Innocency, & for the Instructio' of +Ignora'ts." It purports to show when equivocation may "lawfully" be +used, and may have been compiled by Garnet, as the title-page and the +annotations throughout are in his handwriting. The folio manuscript by +George Vavasour was evidently a fair copy of the revised "quarto," and +Tresham's reason for having it made.] + +[Footnote 56: "Examination of George Vavasour, of the Inner Temple, +Gent., December 9, 1605" ("State Papers, Domestic," James I., ccxvi. +151).] + +[Footnote 57: He also confessed having transcribed the treatise "De +Officio Principis Christiani" (Further examination, December 13, 1605, +_ibid._, ccxvi. 155). Coke alluded to these manuscripts at the trial as +"certain heretical, damnable and treasonable books discovered." He said: +"There is in Tresham's book, 'De Officio Principis,' an easier and more +expedite way than all these to fetch the crown off the head of any king +christened whatsoever, which is this that: '_Princeps indulgendo +hæreticis, amittit regnum._'--If any prince shall but tolerate or favour +heretics, he loseth his kingdom." This shows the confidential nature of +the Vavasours' employment as amanuenses by Tresham in such matters.] + +[Footnote 58: Examination of William Tresham, December 9, 1605 ("State +Papers, Domestic," James I., xvii. 23).] + + + +THE END + +PRINTED BY +BILLING AND SONS, LIMITED, +GUILDFORD, ENGLAND + + + + + + + +End of the Project Gutenberg EBook of The Identification of the Writer of +the Anonymous Letter to Lord Monteagle in 1605, by William Parker and Francis Tresham and William Vavasour + +*** END OF THIS PROJECT GUTENBERG EBOOK ANONYMOUS LETTER *** + +***** This file should be named 29777-8.txt or 29777-8.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/9/7/7/29777/ + +Produced by Robert Cicconetti, Jane Hyland and the Online +Distributed Proofreading Team at http://www.pgdp.net (This +file was produced from images generously made available +by The Internet Archive/Canadian Libraries) + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/29777-8.zip b/29777-8.zip Binary files differnew file mode 100644 index 0000000..e6dda53 --- /dev/null +++ b/29777-8.zip diff --git a/29777-h.zip b/29777-h.zip Binary files differnew file mode 100644 index 0000000..b1c3525 --- /dev/null +++ b/29777-h.zip diff --git a/29777-h/29777-h.htm b/29777-h/29777-h.htm new file mode 100644 index 0000000..6b6e01a --- /dev/null +++ b/29777-h/29777-h.htm @@ -0,0 +1,1681 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> + +<html xmlns="http://www.w3.org/1999/xhtml"> + <head> + <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <title> + The Project Gutenberg eBook of The Identification of a Strange Writer of the Anonymous Letter to Lord Monteagle in 1605 + </title> + <style type="text/css"> + p { margin-top: .75em; + text-align: justify; + margin-bottom: .75em; + } + h1,h2,h3,h4,h5,h6 { + text-align: center; /* all headings centered */ + clear: both; + } + hr { width: 33%; + margin-top: 2em; + margin-bottom: 2em; + margin-left: auto; + margin-right: auto; + clear: both; + } + img {border: 0;} + + table {margin-left: auto; margin-right: auto;} + + body{margin-left: 10%; + margin-right: 10%; + } + + .pagenum { /* uncomment the next line for invisible page numbers */ + /* visibility: hidden; */ + position: absolute; + left: 92%; + font-size: smaller; + text-align: right; + } /* page numbers */ + + .linenum {position: absolute; top: auto; left: 4%;} /* poetry number */ + .blockquot{margin-left: 5%; margin-right: 10%;} + .sidenote {width: 20%; padding-bottom: .5em; padding-top: .5em; + padding-left: .5em; padding-right: .5em; margin-left: 1em; + float: right; clear: right; margin-top: 1em; + font-size: smaller; color: black; background: #eeeeee; border: dashed 1px;} + + .bb {border-bottom: solid 2px;} + .bl {border-left: solid 2px;} + .bt {border-top: solid 2px;} + .br {border-right: solid 2px;} + .bbox {border: solid 2px;} + + .center {text-align: center;} + .smcap {font-variant: small-caps;} + .u {text-decoration: underline;} + + .caption {font-weight: bold;} + + .figcenter {margin: auto; text-align: center;} + + .figleft {float: left; clear: left; margin-left: 0; margin-bottom: 1em; margin-top: + 1em; margin-right: 1em; padding: 0; text-align: center;} + + .figright {float: right; clear: right; margin-left: 1em; margin-bottom: 1em; + margin-top: 1em; margin-right: 0; padding: 0; text-align: center;} + + .footnotes {border: dashed 1px;} + .footnote {margin-left: 10%; margin-right: 10%; font-size: 0.9em;} + .footnote .label {position: absolute; right: 84%; text-align: right;} + .fnanchor {vertical-align: super; font-size: .8em; text-decoration: none;} + + .poem {margin-left:10%; margin-right:10%; text-align: left;} + .poem br {display: none;} + .poem .stanza {margin: 1em 0em 1em 0em;} + .poem span.i0 {display: block; margin-left: 0em; padding-left: 3em; text-indent: -3em;} + .poem span.i2 {display: block; margin-left: 2em; padding-left: 3em; text-indent: -3em;} + .poem span.i4 {display: block; margin-left: 4em; padding-left: 3em; text-indent: -3em;} + </style> +</head> +<body> + + +<pre> + +The Project Gutenberg EBook of The Identification of the Writer of the +Anonymous Letter to Lord Monteagle in 1605, by William Parker and Francis Tresham and William Vavasour + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Identification of the Writer of the Anonymous Letter to Lord Monteagle in 1605 + +Author: William Parker + Francis Tresham + William Vavasour + +Release Date: August 24, 2009 [EBook #29777] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK ANONYMOUS LETTER *** + + + + +Produced by Robert Cicconetti, Jane Hyland and the Online +Distributed Proofreading Team at http://www.pgdp.net (This +file was produced from images generously made available +by The Internet Archive/Canadian Libraries) + + + + + + +</pre> + +<p><span class='pagenum'><a name="Page_i" id="Page_i">[Pg i]</a></span></p> + + + +<h2>THE IDENTIFICATION OF THE WRITER OF THE ANONYMOUS LETTER TO LORD MONTEAGLE IN 1605<br /><br /><br /></h2> + + +<p style="margin-left:15em; margin-right:15em;"> +"A strange letter, from a strange hand, +by a strange messenger; without date to +it, name at it, and (I had almost said) +sense in it. A letter which, even when it +was opened, was still sealed, such the +affected obscurity therein."</p> + +<p style="margin-left:22em"><span class="smcap">Fuller's</span> <i>Church History</i>, x. 32.</p> + + +<h4><br /><br />LONDON: SIMPKIN, MARSHALL,<br />HAMILTON, KENT & CO., LTD.<br />1916<br /><br /><br /></h4> +<p><span class='pagenum'></span></p> + +<div class="figcenter" style="width: 100%;"><br /> +<a name="Frontispiece" id="Frontispiece"></a> +<img src="images/illo1.jpg" style="width: 40%;" alt="" title="" /><br /> +<span class="link"><a href="images/illo1.jpg">View larger image</a></span><br /> +<span class="caption"><br />FACSIMILE No. 1.<br /> + + +The anonymous letter as delivered to Lord Monteagle, October 26, 1605, warning him not to attend +the opening of Parliament appointed for the Fifth of November. (From the original letter in the +Museum of the Public Record Office.)</span><br /><br /><br /><br /> +</div> + + +<h3>PREFACE</h3> + + +<p>One of the great mysteries of English history is the anonymous +letter to Lord Monteagle, warning him not to attend the opening +of Parliament, appointed for the Fifth of November, 1605, which +is popularly supposed to have led to the discovery of the Gunpowder +Plot. The writer's identity was carefully concealed by +the Government at the time; the intention being, as explained +by Lord Salisbury, "to leave the further judgment indefinite" +regarding it. The official statements are, therefore, as unsatisfactory +as might be expected in a matter that, for State reasons, +has not been straightforwardly related. The letter, however, +remaining and in fair preservation, there was always the possibility +of the handwriting being identified; and this, after the +lapse of over three hundred years, is now accomplished.</p> +<p><span class='pagenum'><a name="Page_v" id="Page_v">[Pg iii-v]</a></span></p> + +<hr style="width: 65%;" /> +<h3><a name="CONTENTS" id="CONTENTS">CONTENTS</a></h3> + + + +<div class='center'> +<table border="0" cellpadding="4" cellspacing="0" summary="contents"> +<tr><td align='left'> </td><td align='left'> </td><td align='right'><span class="smcap">page</span></td></tr> +<tr><td align='left'> </td><td align='left'><span class="smcap">Preface</span></td><td align='right'><a href="#Page_v">v</a></td></tr> +<tr><td align='left'><span class="smcap">section</span></td><td align='left'> </td><td align='right'> </td></tr> +<tr><td align='left'>I.</td><td align='left'><span class="smcap">Historical Analysis</span></td><td align='right'><a href="#Page_1">1</a></td></tr> +<tr><td align='left'>II.</td><td align='left'><span class="smcap">The Official Story of the Letter</span></td><td align='right'><a href="#Page_5">5</a></td></tr> +<tr><td align='left'>III.</td><td align='left'><span class="smcap">Identification of the Handwriting</span></td><td align='right'><a href="#Page_9">9</a></td></tr> +<tr><td align='left'>IV.</td><td align='left'><span class="smcap">The Attorney-General's Opinion of Vavasour's Guilt</span></td><td align='right'><a href="#Page_19">19</a></td></tr> +<tr><td align='left'>V.</td><td align='left'><span class="smcap">Francis Tresham's Confidence when in the Tower</span></td><td align='right'><a href="#Page_24">24</a></td></tr> +<tr><td align='left'>VI.</td><td align='left'><span class="smcap">The Vavasours as Dependants of the Tresham Family</span></td><td align='right'><a href="#Page_25">25</a></td></tr> +</table></div> +<p><span class='pagenum'><a name="Page_vi" id="Page_vi">[Pg vi-vii]</a></span></p> + + +<hr style="width: 65%;" /> +<h3>LIST OF FACSIMILES</h3> + + +<p> +1. The anonymous letter as delivered to Lord Monteagle, October 26, +1605, warning him not to attend the opening of Parliament +appointed for the Fifth of November (From the original letter in +the Museum of the Public Record Office)<span style="margin-left:5em;"><a href="#Frontispiece"><i>Frontispiece</i></a></span><br /> +<br /> +2. A page of the MS. entitled "A Treatise against Lying," etc., +formerly belonging to Francis Tresham, of which the handwriting +was attributed by his brother, William Tresham, to William +Vavasour. Now in the Bodleian Library. (Laud MSS. 655, +folio 44)<a href="#Footnote_1_1" class="fnanchor">[1]</a><br /> +<br /> +3. William Vavasour's handwriting in the letter to the Earl of Salisbury, +dictated and signed by Francis Tresham when dying in the Tower, +December 22, 1605 ("State Papers, Domestic," James I., ccxvi. 211)<a href="#Footnote_1_1" class="fnanchor">[1]</a><br /> +</p> +<p style="margin-left:2em">Stated by Vavasour to have been written by Mrs. Tresham. +On March 24, 1605-6, he confessed that he wrote it and signed +a note to it to that effect.</p> +<p> +4. William Vavasour's handwriting in his <i>untrue</i> statement, written in +the presence of the Lieutenant of the Tower, that No. 3 was +written by Mrs. Tresham. Dated March 23, 1605-6 ("State +Papers, Domestic," James I., ccxvi. 207)<a name="FNanchor_1_1" id="FNanchor_1_1"></a><a href="#Footnote_1_1" class="fnanchor">[1]</a><br /> +</p> +<p style="margin-left:2em">***To avoid detection of his falsehood, he writes a hand +quite different from his ordinary writing in Nos. 2 and 3, thus +producing a hand which is in itself identical with his former +disguised writing as seen in the anonymous letter (No. 1).</p> +<p> +5. George Vavasour's handwriting on the last leaf, which he renewed +for Francis Tresham, of the MS. entitled "A Treatise against +Lying," etc. (Laud MSS. 655, folio 61)<span style="margin-left:28em;"><i>To face page <a href="#Page_26">26</a></i></span><br /> +</p> + +<p><span class='pagenum'><a name="Page_viii" id="Page_viii">[Pg viii-ix]</a></span></p> + +<div class="footnotes"><h3>FOOTNOTES:</h3> + +<div class="footnote"><p><a name="Footnote_1_1" id="Footnote_1_1"></a><a href="#FNanchor_1_1"><span class="label">[1]</span></a> <i>These facsimiles are issued separately in order to facilitate comparison.</i></p></div> +</div> + +<hr style="width: 65%;" /> +<h2>The Identification of the Writer of the +Anonymous Letter to Lord Monteagle</h2> + +<h3>I</h3> + +<h3>HISTORICAL ANALYSIS</h3> + + +<p>Francis Tresham, of Rushton, in Northamptonshire, has recently +(September 11, 1605) succeeded his father, Sir Thomas Tresham +(a great sufferer for the Roman Catholic religion), in an inheritance +of at least five thousand a year, in present money; after +having, as he says, spent most of his time overburdened with +debts and wants, and resolves within himself to spend his days +quietly. His first cousin, Robert Catesby, being hard-up with +funds exhausted in financing the scheme known as the Gunpowder +Plot, seeing in Tresham the chance of obtaining a further +supply (though previously distrusting him), induces him, in the +interests of their religion, to join the conspiracy, of which he thus +becomes the thirteenth, and last, sworn conspirator (October 14, +1605). Catesby is careful to impose the oath of secrecy before +fully disclosing the plot; of which Tresham, on hearing, entirely +disapproves, and endeavours to dissuade his cousin from, or even +to defer it; meanwhile offering him the use of his own purse if he +will do so. Finding he cannot prevail with him, he is very urgent +that the Lords Monteagle and Stourton, particularly the former, +may be warned, each having married Tresham's sisters; but +Catesby can give no definite assurance. Tresham then intends, as<span class='pagenum'><a name="Page_1" id="Page_1">[Pg 1]</a></span> +he says, to get the conspirators shipped away, and to inform the +Government by some unknown, or anonymous, means.</p> + +<p>Tresham has a serving-man named William Vavasour, who +attended Sir Thomas Tresham, and who, with his elder brother, +George Vavasour (whose education Tresham has particularly encouraged), +and their sister Muriel (gentlewoman to Lady Monteagle +who is the daughter of "Muriel" Lady Tresham) are favoured +dependants of the Tresham family, being the children of an old and +much valued Catholic servant. Both George and William are +confidentially employed by Tresham as amanuenses, in transcribing +religious, or treasonable, treatises of the time.</p> + +<p>Lord Monteagle unexpectedly orders a supper to be prepared +(October 26, 1605) at his house at Hoxton (belonging to his +brother-in-law Tresham), and where he has not been for some +months. As he is about to go to supper, a letter is handed to +him by his footman, to whom it has been given in the street by +"an unknown man of a reasonable tall personage," who knows +that he will find him at so unfrequented a residence. Monteagle +opens the letter, which is anonymous, pretends he cannot understand +it, and shows it to his secretary, Thomas Ward, who, he is +aware, is familiar with some of the conspirators; whom Ward, +the next evening, tells of the receipt of the letter, which Monteagle +at once takes to Whitehall, about three miles away, where +he finds the Earl of Salisbury (Principal Secretary of State) with +other lords of the Council together assembled, "ready for supper." +The Government censor, or suppress, the name of the place where +the letter was delivered. The conspirators and the Jesuit priests, +who are involved in the plot through the confessional, at once +suspect Tresham; and Catesby and Winter directly charge him +with having betrayed them, which he denies, while urging them +to escape to France, and giving them money for the purpose. +Although Tresham is a sworn conspirator, he alone remains behind<span class='pagenum'><a name="Page_2" id="Page_2">[Pg 2]</a></span> +and at large, after Fawkes's arrest (November 4-5, 1605), and +flight of the others into the country, and offers his services to the +Government. A week later he is taken to the Tower, where +being ill, his wife and serving-man, William Vavasour, and a +maid servant constantly attend him; an indulgence <i>never +under any circumstances</i> permitted to anyone who was really +a prisoner and upon a capital charge there. Becoming worse, +he dictates a letter for Vavasour to write to Lord Salisbury, +retracting a statement that he has been induced to +make respecting Father Garnet, and dies (December 23, 1605). +This letter, or dying statement, being misunderstood, is considered +to be so incredible that the writing is particularly inquired +into. Vavasour thereupon, in the presence of the Lieutenant of +the Tower, writes an <i>untrue</i> statement (consequently using a hand +quite different from his ordinary writing and, <i>in itself, identical +with the writing of the anonymous letter</i>), asserting that his +master's dying statement was written by Mrs. Tresham (though in +every way proper for Vavasour to have written), which she at once +repudiates and says that Vavasour wrote it. He is then examined +in the Tower by Chief Justice Popham and Attorney-General +Coke, when he confesses that he wrote the dying statement at his +master's dictation; and had denied it "for fear." Fear of what? +In case the writing should bring into question some other and +less innocent letter written by him for his master.</p> + +<p>Upon Tresham's death in the Tower, the Lieutenant writes +to Salisbury (December 23, 1605) of the "marvellous" confidence +shown by Tresham and his friends that had he survived, +they feared not the course of justice. Later, having left no male +issue, his inheritance passes to his brother, who is described as of +Rushton, when created a baronet on the institution of that Order +by James the First, the very king whom the plotters intended to +destroy; and although a baronetcy at that time was merely a +monetary distinction or transaction, <i>some</i> discrimination was no<span class='pagenum'><a name="Page_3" id="Page_3">[Pg 3]</a></span> +doubt made in the bestowal or disposal of that dignity, which +probably would not have been conferred upon Catesby's son, who +was then living, even if he had been able to afford it after the +forfeiture of his family inheritance.</p> + +<p>The Attorney-General, at Father Garnet's trial (March 28, +1606), pronounces Vavasour as being, in his opinion, "deeply +guilty" in the treason; yet he is not even brought to trial, while +other serving-men are tried and executed; although Lord +Salisbury expressly declares that he will esteem his life unworthily +given him, when he shall be found slack in bringing to +prosecution and execution ALL who are in any way concerned in +the treason; and his exertions in the matter are accounted to be +so successful, that he is rewarded with the Order of the Garter.</p> + +<p>Francis Tresham's inheritance remains in the family; and his +serving-man, the "deeply guilty" William Vavasour, goes free.<span class='pagenum'><a name="Page_4" id="Page_4">[Pg 4]</a></span></p> + + + +<hr style="width: 65%;" /> +<h3>II</h3> + +<h3>THE OFFICIAL STORY OF THE LETTER</h3> + + +<p>The authentic, or rather the official, story of the delivery +of the letter, as published by the Government at the time, +states that on Saturday, October 26, 1605, Lord Monteagle +"being in his own lodging, ready to go to supper, at seven +o'clock<a name="FNanchor_2_2" id="FNanchor_2_2"></a><a href="#Footnote_2_2" class="fnanchor">[2]</a> at night, one of his footmen (whom he had sent on an +errand over the street) was met by an unknown man, of +a reasonable tall personage, who delivered him a letter, +charging him to put it in my lord his master's hands; which +my lord no sooner received, but that having broken it open, +and perceiving the same to be of an unknown and somewhat +unlegible hand, and without either date or subscription, called +one of his men<a name="FNanchor_3_3" id="FNanchor_3_3"></a><a href="#Footnote_3_3" class="fnanchor">[3]</a> to help him to read it. But no sooner did +he conceive the strange contents thereof, although he was +somewhat perplexed what construction to make of it (as whether +of a matter of consequence, as indeed it was, or whether some +foolish devised pasquil, by some of his enemies to scare him +from his attendance at the Parliament), yet did he, as a most +<span class='pagenum'><a name="Page_5" id="Page_5">[Pg 5]</a></span>dutiful and loyal subject, conclude not to conceal it, whatever +might come of it, whereupon notwithstanding the lateness and +darkness of the night in that season of the year, he presently +repaired to his Majesty's palace at Whitehall, and there +delivered the same to the Earl of Salisbury, his Majesty's +principal Secretary."</p> + +<p>Neither the official version nor any State paper mentions +the place where the letter was delivered, which in such a +mysterious matter would be the first inquiry. "Own lodging" +at that time signified a person's house. Hoxton is generally +stated to have been the place of delivery,<a name="FNanchor_4_4" id="FNanchor_4_4"></a><a href="#Footnote_4_4" class="fnanchor">[4]</a> which was then +a single street in the outlying suburb on the great north road; +at a house which Monteagle is known<a name="FNanchor_5_5" id="FNanchor_5_5"></a><a href="#Footnote_5_5" class="fnanchor">[5]</a> to have occupied, +belonging to his brother-in-law, Francis Tresham; and this +ownership may have been Salisbury's reason for not naming +it, which so curious an omission seems to imply. The letter +is as follows:</p> + +<div class="blockquot"><p>"My Lord out of the loue i beare<a name="FNanchor_6_6" id="FNanchor_6_6"></a><a href="#Footnote_6_6" class="fnanchor">[6]</a>; to some of youere +frends i haue a caer of youer preseruacion therfor i would aduyse +yowe as yowe tender youer lyf to deuyse some excuse to shift of +youer attendance at this parleament for god and man hathe +concurred to punishe the wickednes of this tyme and thinke not +slightlye of this aduertisement but retyre youre self into youre +contri wheare yowe maye expect the euent in safti for thowghe +theare be no apparance of anni stir yet i saye they shall receyue +a terrible blowe this parleament and yet they shall not sei who +hurts them this cowncel is not to be contemned because it maye +<span class='pagenum'><a name="Page_6" id="Page_6">[Pg 6]</a></span>do yowe good and can do yowe no harme for the dangere<a name="FNanchor_7_7" id="FNanchor_7_7"></a><a href="#Footnote_7_7" class="fnanchor">[7]</a> is +passed as soon as yowe have burnt the letter and i hope god +will give yowe the grace to make good use of it to whose holy +proteccion I commend yowe."</p> + +<p> +(Addressed)<span style="margin-left:10em;">"To the ryght honorable</span><br /> +<span style="margin-left:15em;"> the lord Monteagle."</span><br /> +</p></div> + +<p>It was the opinion of the other conspirators, as well as of +the Jesuit priests who became involved in the plot through the +confessional, that the warning letter originated with Francis +Tresham, whose sister was Lady Monteagle, and another sister +had married Lord Stourton; and Tresham had been most +earnest with Catesby that those two lords, particularly Monteagle, +should be warned. In each instance, Catesby was careful to +impose the oath and engage the faith of the conspirator, before +disclosing the plot; and Tresham, the thirteenth and last, sworn +conspirator, on hearing the particulars, entirely disapproved of +the conspiracy, from which he tried to dissuade Catesby, offering +him the use of his own purse if he would even defer it.<a name="FNanchor_8_8" id="FNanchor_8_8"></a><a href="#Footnote_8_8" class="fnanchor">[8]</a> +Tresham could indeed have desired nothing less than to become +involved in such a matter. His father had recently died, and +he had succeeded to a considerable property,<a name="FNanchor_9_9" id="FNanchor_9_9"></a><a href="#Footnote_9_9" class="fnanchor">[9]</a> which alone +<span class='pagenum'><a name="Page_7" id="Page_7">[Pg 7]</a></span>induced his first cousin Catesby to bring him into the plot. As +Tresham wrote when in the Tower:<a name="FNanchor_10_10" id="FNanchor_10_10"></a><a href="#Footnote_10_10" class="fnanchor">[10]</a> "I thank God I am +owner of such a fortune as is able to afford me what I desire, +the comfort whereof is so much the sweeter unto me, as I +have spent most of my time overburthened with debts and +wants, and had resolved within myself to spend my days +quietly."[11] He acknowledged that his intentions with regard +to the other conspirators were "to ship them away that they +might have no means left them to contrive any more ... then +to have taken a course to have given the State advertisement +by some unknown means."<a name="FNanchor_11_11" id="FNanchor_11_11"></a><a href="#Footnote_11_11" class="fnanchor">[11]</a> He was consequently the only +conspirator who remained behind and at large after Fawkes was +taken and the others had fled. There can be no reasonable +doubt that Tresham, though not the writer, was the sender of +the letter; and upon this hypothesis all investigators must go, +as there is none other at all likely.</p> + +<p><span class='pagenum'><a name="Page_8" id="Page_8">[Pg 8]</a></span></p><div class="footnotes"><h3>FOOTNOTES:</h3> + +<div class="footnote"><p><a name="Footnote_2_2" id="Footnote_2_2"></a><a href="#FNanchor_2_2"><span class="label">[2]</span></a> Salisbury, in his letter to Sir Charles Cornwallis, Ambassador at Madrid +(November 9), gives the hour as six o'clock.</p></div> + +<div class="footnote"><p><a name="Footnote_3_3" id="Footnote_3_3"></a><a href="#FNanchor_3_3"><span class="label">[3]</span></a> This was his secretary, Thomas Ward, who was known to Monteagle as a +friend of some of the conspirators (as Monteagle himself was), and one of whom, +Ward, the next morning told of the receipt of the letter. "As a plan concocted +by Monteagle and Tresham to stop the plot, and at the same time to secure the +escape of their guilty friends, the little comedy at Hoxton was admirably +concocted" ("What Gunpowder Plot was," by S.R. Gardiner, D.C.L., 1897, +p. 124).</p></div> + +<div class="footnote"><p><a name="Footnote_4_4" id="Footnote_4_4"></a><a href="#FNanchor_4_4"><span class="label">[4]</span></a> Father John Gerard (1564-1637) gives particulars of the delivery of the +letter at Hoxton in his contemporary "Narrative of the Gunpowder Plot," +published in 1872.</p></div> + +<div class="footnote"><p><a name="Footnote_5_5" id="Footnote_5_5"></a><a href="#FNanchor_5_5"><span class="label">[5]</span></a> "Calendar of Tresham Papers," p. 132.</p></div> + +<div class="footnote"><p><a name="Footnote_6_6" id="Footnote_6_6"></a><a href="#FNanchor_6_6"><span class="label">[6]</span></a> The word "yowe" (you), here cancelled in the original, indicates the +writer's first thoughts, and, no doubt, his real meaning.</p></div> + +<div class="footnote"><p><a name="Footnote_7_7" id="Footnote_7_7"></a><a href="#FNanchor_7_7"><span class="label">[7]</span></a> Various attempts have been made to explain the nature of the danger +alluded to, which the King and Salisbury at the time, and others since, have +understood as in allusion to the danger of the plot. Jardine describes it as +"mere nonsense" ("Gunpowder Plot," 1835, p. 73). But the meaning clearly +is the danger of the letter being discovered. The counsel may do him good, and +can do him no harm, except through the danger of keeping the letter, which +being burnt, the danger is past. There is no allusion intended to the danger of +the plot, as that, unlike the danger of the discovery of the letter, could not be +affected by burning the letter.</p></div> + +<div class="footnote"><p><a name="Footnote_8_8" id="Footnote_8_8"></a><a href="#FNanchor_8_8"><span class="label">[8]</span></a> Tresham's statement made when in the Tower ("State Papers, Domestic," +James I., xvi. 63).</p></div> + +<div class="footnote"><p><a name="Footnote_9_9" id="Footnote_9_9"></a><a href="#FNanchor_9_9"><span class="label">[9]</span></a> The rental of the Rushton Hall estate alone, as given in the "Return of +Owners of Lands" in 1873, is £5,044 yearly. The Tresham family also owned +property at Hoxton and elsewhere.</p></div> + +<div class="footnote"><p><a name="Footnote_10_10" id="Footnote_10_10"></a><a href="#FNanchor_10_10"><span class="label">[10]</span></a> He died in the Tower six weeks after writing that letter, aged thirty-seven.</p></div> + +<div class="footnote"><p><a name="Footnote_11_11" id="Footnote_11_11"></a><a href="#FNanchor_11_11"><span class="label">[11]</span></a> "State Papers, Domestic," James I., xvi., 63.</p></div> +</div> + + +<hr style="width: 65%;" /> +<h3>III</h3> + +<h3>IDENTIFICATION OF THE HANDWRITING</h3> + + +<p>The style of handwriting of the letter, as seen in the facsimile, is +not in this writer's opinion, from a familiarity of thirty years with old +scripts, apart from the disguise, the hand that an educated person +would write at the time, but is essentially a commonplace and, +no doubt intentionally, rather slovenly style of handwriting. The +use of small "i's" for the first person seems, in view of modern +usage, to suggest an illiterate writer; but educated writers, even +the King,<a name="FNanchor_12_12" id="FNanchor_12_12"></a><a href="#Footnote_12_12" class="fnanchor">[12]</a> then occasionally lapsed into using them. In the +letter, however, they are consistently and may have been purposely +used, to avert suspicion from being the work of an +educated person; though an illiterate appearance would rather +cause such a letter (if genuine) to be disregarded, than to deter a +nobleman from attending the opening of Parliament, for which +leave or licence was required.</p> + +<p>The handwriting has been variously ascribed, but the direction +of this inquiry is indicated by the incautious admission made +by Sir Edward Coke, the Attorney-General at the trial, respecting +the real manner in which the plot was discovered. Salisbury's +careful instructions to the Attorney-General for the trial are +with the State papers, in which he says: "Next, you must in any +case, when you speak of the letter which was the first ground of +discovery, absolutely disclaim that any of these" (the conspir<span class='pagenum'><a name="Page_9" id="Page_9">[Pg 9]</a></span>ators) +"wrote it, though you leave the further judgment indefinite +who else it should be."<a name="FNanchor_13_13" id="FNanchor_13_13"></a><a href="#Footnote_13_13" class="fnanchor">[13]</a></p> + +<p>Salisbury thus, in effect, requires Coke by absolutely disclaiming +that any of the conspirators wrote (he does not say "sent") the +letter to Monteagle, and by which alone the treason was discovered, +to declare in Court, as upon the authority of the Government, +that therefore none of the conspirators divulged the plot; which, +in any case, could be true only so far as the disclosure to the +Government was concerned. Coke, however, for some reason—perhaps +because he was not fully in Salisbury's confidence +respecting the letter—describes the real manner of the discovery, +according to his own knowledge. Towards the close of his speech +for the prosecution, he said: "The last consideration is concerning +the admirable discovery of this treason, which was by one of +themselves who had taken the oath and sacrament, as hath been +said against his own will;<a name="FNanchor_14_14" id="FNanchor_14_14"></a><a href="#Footnote_14_14" class="fnanchor">[14]</a> the means by a dark and doubtful letter +to my Lord Monteagle." This, together with Salisbury's statement +that none of the conspirators wrote the letter, shows that +the divulging of the plot preceded the sending of the letter,<a name="FNanchor_15_15" id="FNanchor_15_15"></a><a href="#Footnote_15_15" class="fnanchor">[15]</a> +which was not, therefore, as is popularly supposed, the means by +which the plot was discovered, except to the general public.</p> + +<p>Hitherto those who have attempted this identification have +invariably sought amongst such as are likely to have written the +letter for a handwriting <i>resembling the disguised writing</i>, which +seems a strange method of investigation, as surely the object of +a disguised hand<a name="FNanchor_16_16" id="FNanchor_16_16"></a><a href="#Footnote_16_16" class="fnanchor">[16]</a> would be to make the general appearance as +<span class='pagenum'><a name="Page_10" id="Page_10">[Pg 10]</a></span>unlike the writer's ordinary hand as possible? The writing being +in a set and rather large character, such is the style they have +sought for and found, but in a much more refined hand and +without arriving at any satisfactory result.</p> + +<p>It seems, however, reasonable to suspect that this set and +rather large character may be what principally constitutes the +disguise, and that the writer's ordinary hand would be different. +The manner in which the lines are forced upwards at the right +side, shows that the writer has had difficulty in maintaining the +large, set, regular character which would push an unpractised +hand in that direction.</p> + +<p>Among the more prominent peculiarities, as seen in the facsimile +(No. 1), the writer invariably uses the long "s" as an +initial letter in the ten examples that occur, even when the letter +is not a capital. Such consistent use was usual in legal but not +in private hands, though within a word the long "s" was very +common. The "t's" are peculiar; being made with a twist or +short line at foot, crossed midway projecting from each side, +while a stroke is put on the top as a disguised, or elaborated +touch. The "w's" finish with a side loop. Some of the "g's" +show flat tops; the cypher portion being commenced from the +left side with a stroke along the top. The tails of the "y's" are +brought forward. The "hanger" portion of the "h's" invariably +drags below the line which, though not unusual, again indicates +in the numerous examples that occur the writer's habit; while +an unusually broad quill has been used to further the disguise.<a name="FNanchor_17_17" id="FNanchor_17_17"></a><a href="#Footnote_17_17" class="fnanchor">[17]</a></p> + +<p><span class='pagenum'><a name="Page_11" id="Page_11">[Pg 11]</a></span></p><p>After the plot was discovered, Fawkes arrested, and the other +conspirators had escaped into the country, Tresham remained in +London and even offered his services to the Government. A +week later he was taken to the Tower where, being ill, his wife +also came, and he was attended by his serving-man, William +Vavasour, and his maid, Joan Syer. He was induced "to avoid +ill-usage," to say that he thought Father Garnet, against whom +the Government desired to obtain evidence, had written a letter +in furtherance of what was known as the Spanish Treason, in +1602. Six weeks later, his illness becoming dangerous, he +dictated to his man Vavasour a letter to Lord Salisbury, retracting +his statement respecting Garnet, as being more than he really +knew; declaring upon his salvation that he had not seen him +"in sixteen years before," clearly meaning before the Spanish +Treason in 1602, which is the entire subject of his letter and the +fact; and not, as the Government misunderstood him to mean, +before the then time of writing in 1605. This statement, +written by Vavasour (Fascimile No. 3), was signed by Tresham, +who asked his wife to deliver it personally to Lord Salisbury, and +within three hours died:<a name="FNanchor_18_18" id="FNanchor_18_18"></a><a href="#Footnote_18_18" class="fnanchor">[18]</a></p> + +<div class="blockquot"><p>"I being sent for before yo<sup>r</sup> Lordships in the Tow<sup>r</sup>, you +told me y<sup>t</sup> (that) it was Confessed by Mr Winter, y<sup>t</sup> he +went upon some imploym<sup>ts</sup> in ye Queens time into Spayne +& y<sup>t</sup> yo<sup>r</sup> L. did nominate to me out of his Confession all the +<span class='pagenum'><a name="Page_12" id="Page_12">[Pg 12]</a></span>partyes names y<sup>t</sup> were acquainted therew<sup>th</sup> <i>namely 4 besides +himselfe</i><a href="#Footnote_19_19" class="fnanchor">[19]</a> & yet sayd y<sup>t</sup> ther were some left for me to name. +I desired yo<sup>r</sup> L. y<sup>t</sup> I might not answere therunto bycause it was +a matter y<sup>t</sup> was done in the Queens time and since I had my +pardon.</p> + +<p>"Yo<sup>r</sup> Lordships wold not accept of y<sup>t</sup> answere, <i>but sayd y<sup>t</sup> I +should be made to speake therunto. And I might thanke my self If I +had beene worse used than I had beene since my Coming to the +howse</i><a href="#Footnote_19_19" class="fnanchor">[19]</a> I told yo<sup>r</sup> Lords<sup>p</sup> +(<i>to avoyde ill usage</i>)<a name="FNanchor_19_19" id="FNanchor_19_19"></a><a href="#Footnote_19_19" class="fnanchor">[19]</a> y<sup>t</sup> I thought Mr. +Walley<a href="#Footnote_20_20" class="fnanchor">[20]</a> was p'cured to write his letter for the furthering of this +Jeorney. Now my LL. having bethoughte myselfe of this +businesse (being to weake to use my owne hand in writing this) +w<sup>ch</sup> I do deliver here upon my salvacon to be trew as near as I +can call to mynde, desiring y<sup>t</sup> my form'r Confession may be called +in & y<sup>t</sup> this may stand for truthe. It was more than I knew +y<sup>t</sup> Mr. Walley<a name="FNanchor_20_20" id="FNanchor_20_20"></a><a href="#Footnote_20_20" class="fnanchor">[20]</a> was used herein, & to give your Lords'p p'ofe +besids my oathe, I had not seene him in sixteene yere before, +nor never had messuadge<a name="FNanchor_21_21" id="FNanchor_21_21"></a><a href="#Footnote_21_21" class="fnanchor">[21]</a> nor letter from him & to this purpose +I desired Mr. Leiftenant to lett me see my Confession who +told me I should not unlesse I wold inlarge it w<sup>ch</sup> he did p'ceive +I had no meaning to doe.</p> + +<p style="margin-left:30em">(Signed) Francis Tresame.</p> +<p>"24 m'ch 1605 [-6].<br /> +This noate was of my owne<br /> +hand writing<br /> +By me Willia' Vavasore."<br /> +</p></div> + +<p><span class='pagenum'><a name="Page_13" id="Page_13">[Pg 13]</a></span></p><p>Tresham's statement being misunderstood to mean that he had +not seen Garnet for sixteen years,<a name="FNanchor_22_22" id="FNanchor_22_22"></a><a href="#Footnote_22_22" class="fnanchor">[22]</a> while the Government knew +from Tresham himself<a name="FNanchor_23_23" id="FNanchor_23_23"></a><a href="#Footnote_23_23" class="fnanchor">[23]</a> that he had recently been in Garnet's +company, was considered such awful perjury to commit when +dying as to be incredible. Coke wrote to Salisbury: "It is true +that no man may judge in this case, for <i>inter pontem et fontem</i> he +might find grace; but it is the most fearful example that I ever +knew of to be made so evident as now this is." Salisbury at the +trial said: "Mr. Tresham in his lifetime accused you, Garnet, +before the lords, yet now upon his salvation, he under his hand +did excuse you, being at the very point of death, saying he had +not seen you <i>in sixteen years</i>, which matter, I assure you, before +you were taken shook me very much. But, thanks be to God, since +the coming of the King, I have known so much of your doctrine +and practices, that hereafter they shall not much trouble me." The +writing of Tresham's dying statement was, therefore, particularly, +inquired into, and Vavasour had to make a written statement respecting +his knowledge of it; evidently for comparison of the handwriting. +This appears to have so alarmed him that in his statement<span class='pagenum'><a name="Page_14" id="Page_14">[Pg 14]</a></span> +(Fascimile No. 4), written in the presence of Sir William Waad, +Lieutenant of the Tower, he asserted that the dying statement +was written by Mrs. Tresham, at her husband's dictation:</p> + +<div class="blockquot"><p>"I do rememb' y<sup>t</sup> my m<sup>r</sup> did cause my m<sup>res</sup> to write a note +wherto he did did (<i>sic</i>) bid the mayd and me beare witnes y<sup>t</sup> +he did set his hand unto it, but it was not reade at y<sup>t</sup> time but +since m<sup>res</sup> Tressa' did reede it to me and sayd it was y<sup>t</sup> noate y<sup>t</sup> +my m<sup>r</sup> did bid us beare witnesse and she comaunded me to carye +a letter to S<sup>r</sup> Waulter Cope and to desire him to deliver the +noate inclosed to my Lorde of Salsburye and further my m<sup>r</sup> did +say y<sup>t</sup> he cold not write him selfe bycause he was not able but +he did sett his hande unto it as before I have sayd and this was +done some day before his death.</p> + +<p style="margin-left:25em">"(Signed) By me William Vavasor.</p> +<p> +"23. March 1605 [-6].<br /> +Taken before us:<br /> +(Signed) W. Waad.<br /> + Willus Lane."<br /> +</p></div> + +<p>If for any reason Vavasour did not desire his writing to be +brought into question, there could be no harm, beyond his falsehood, +in naming Mrs. Tresham as the writer of that letter, as +neither could possibly be blamed for writing such a statement +for his master. The question arises, whether Vavasour would +have ventured upon an untrue statement, except through panic, +unless feeling sure of Mrs. Tresham's support? As Mrs. Tresham +throughout made no attempt to conceal the truth for Vavasour, +she may have been unaware of any reason for diverting inquiry +from himself respecting letters written for his master. Even if +Mrs. Tresham had been willing to connive at his falsehood, she +could not have done so; as Salisbury, being convinced that she +not only wrote but composed her husband's dying statement and +induced him to sign to shield Father Garnet, was so incensed<span class='pagenum'><a name="Page_15" id="Page_15">[Pg 15]</a></span> +against her that he declined to see her,<a name="FNanchor_24_24" id="FNanchor_24_24"></a><a href="#Footnote_24_24" class="fnanchor">[24]</a> or even to receive her +husband's statement, when she tried to deliver it. She was +therefore obliged, in view of possible consequences to herself, +to own<a name="FNanchor_25_25" id="FNanchor_25_25"></a><a href="#Footnote_25_25" class="fnanchor">[25]</a> that Vavasour wrote the statement at her husband's +dictation. Vavasour was then examined in the Tower by Chief +Justice Popham and by Coke, when he confessed<a name="FNanchor_26_26" id="FNanchor_26_26"></a><a href="#Footnote_26_26" class="fnanchor">[26]</a> that he +wrote the dying statement at his master's dictation, and had +denied it through fear, which could only arise from having +written some other and less innocent letter for him.</p> + +<p>Vavasour, when writing his untrue statement, would avoid +using his ordinary handwriting, as already appearing in the letter +in question (No. 3), which he had ascribed to Mrs. Tresham. +He, therefore, disguises his writing, so far as having to write +off-hand and under the observation of the Lieutenant of the +Tower and an attendant Justice, with the consciousness that +he is writing what is false, and while having to be careful not +to reproduce his former disguised hand, as seen in the anonymous +letter, permits him; and the hand thus produced betrays him +as the writer of that letter, with which the writing is, in itself, +identical. The long "s" is invariably used for a word commencing +with that letter, even when not a capital; there are +the same peculiar "t's," though in a less disguised or elaborated +form than those of the anonymous letter, but there they clearly +are; the "w's" have no side loops, but in Vavasour's note at +foot of No. 3 a conspicuous example is seen; there are no<span class='pagenum'><a name="Page_16" id="Page_16">[Pg 16]</a></span> +"g's";<a name="FNanchor_27_27" id="FNanchor_27_27"></a><a href="#Footnote_27_27" class="fnanchor">[27]</a> the "y's" are particularly noticeable, being in two +varieties: Vavasour's ordinary "y," of which the tail is tucked +back; in the other, the tail is brought forward; and no one +can fail to see that the latter are by the same hand as those in +the letter; the "hangers" of the "h's" invariably drag below +the line; and generally, the writing may throughout be detected +as by the same hand that wrote the anonymous letter.</p> + +<p>The best specimen of Vavasour's handwriting, although not +so useful as No. 4 for identification purposes, is in the MS. +entitled "A Treatise against Lying," etc., identified by William +Tresham as having been transcribed by Vavasour for Francis +Tresham, which is now in the Bodleian Library (Facsimile +No. 2). To anyone familiar with the handwriting of the period, +Vavasour's writing is the usual law-writer's or copyist's hand, +such as appears in conveyances and deeds of the time,<a name="FNanchor_28_28" id="FNanchor_28_28"></a><a href="#Footnote_28_28" class="fnanchor">[28]</a> and +is not the style of hand that an educated person would then +write. Each initial "s" is of the long form; each "w" has +a side loop; the "g's" are flat-topped; and the "h's" come +below the line, etc. Tresham's dying statement (No. 3) appears +to be in a similar but smaller<a name="FNanchor_29_29" id="FNanchor_29_29"></a><a href="#Footnote_29_29" class="fnanchor">[29]</a> and less carefully written hand. +Vavasour wrote a neat, small hand, which, when disguising, the +probability is that he would attempt an opposite style. If it +were not for the testimony of the Lieutenant of the Tower, +that the untrue statement (No. 4) was actually written in his<span class='pagenum'><a name="Page_17" id="Page_17">[Pg 17]</a></span> +presence by Vavasour, the writing would not, from the general +appearance, readily be recognized as by the same hand that +wrote Tresham's dying statement (No. 3), and so acknowledged +by Vavasour. This shows that he was naturally clever in +disguising his hand, hence his employment by Tresham in +writing the anonymous letter to Lord Monteagle.</p> + +<hr style='width: 45%;' /> + +<p>Upon the evidence of the handwriting alone, William +Vavasour was the writer of that letter.<a name="FNanchor_30_30" id="FNanchor_30_30"></a><a href="#Footnote_30_30" class="fnanchor">[30]</a></p> +<p><span class='pagenum'><a name="Page_18" id="Page_18">[Pg 18]</a></span></p> +<div class="footnotes"><h3>FOOTNOTES:</h3> + +<div class="footnote"><p><a name="Footnote_12_12" id="Footnote_12_12"></a><a href="#FNanchor_12_12"><span class="label">[12]</span></a> In the "Correspondence of James I. with Sir Robert Cecil" (published by +the Camden Society in 1861), both the King and the Earl of Northumberland +occasionally use them (pp. 64, 70, etc.). The latter also uses them in his general +correspondence.</p></div> + +<div class="footnote"><p><a name="Footnote_13_13" id="Footnote_13_13"></a><a href="#FNanchor_13_13"><span class="label">[13]</span></a> "State Papers, Domestic," James I., xix. 94.</p></div> + +<div class="footnote"><p><a name="Footnote_14_14" id="Footnote_14_14"></a><a href="#FNanchor_14_14"><span class="label">[14]</span></a> Tresham was throughout the only unwilling conspirator, but he did not take +the oath sacramentally, only seven or eight of the thirteen conspirators did so.</p></div> + +<div class="footnote"><p><a name="Footnote_15_15" id="Footnote_15_15"></a><a href="#FNanchor_15_15"><span class="label">[15]</span></a> "No wise man could think my lord (Monteagle) to be so weak as to take +any alarm to absent himself from Parliament upon such a loose advertisement" +(Letter from Salisbury to Cornwallis, November 9).</p></div> + +<div class="footnote"><p><a name="Footnote_16_16" id="Footnote_16_16"></a><a href="#FNanchor_16_16"><span class="label">[16]</span></a> Salisbury, in his letter to Cornwallis, particularly describes the writing as +being "in a hand disguised," and he, like Monteagle, would know not only the +writer, but how the letter came to be written.</p></div> + +<div class="footnote"><p><a name="Footnote_17_17" id="Footnote_17_17"></a><a href="#FNanchor_17_17"><span class="label">[17]</span></a> In an expert examination of handwriting, the angle at which the pen is +held, as indicated by the long strokes, and the spacing between the lines which a +writer naturally uses, have also to be considered—being the basis of handwriting, +the first movements that are made in learning to write, and become each writer's +characteristics in those respects. In each specimen of William Vavasour's handwriting, +including the anonymous letter, the long strokes are generally at the +same angle, and the spacing between the lines (except in No. 3) is throughout +generally similar, while his brother George's hand is in each respect quite +different.</p></div> + +<div class="footnote"><p><a name="Footnote_18_18" id="Footnote_18_18"></a><a href="#FNanchor_18_18"><span class="label">[18]</span></a> "He died this night, about two of the clock after midnight, with very great +pain; for though his spirits were much spent and his body dead, a-lay above two +hours in departing" (Lieutenant of the Tower to Salisbury, December 23, 1605, +"State Papers, Domestic," James I., xvii. 56). Tresham's death, being so opportune +for Monteagle, if not for Salisbury, has been attributed to poisoning; but +Stowe's "Annals" (1615, p. 880) states it to have been occasioned by strangury, +though giving the date of his death incorrectly as November 22. Ten years +later a subsequent Lieutenant of the Tower was executed for poisoning a State +prisoner.</p></div> + +<div class="footnote"><p><a name="Footnote_19_19" id="Footnote_19_19"></a><a href="#FNanchor_19_19"><span class="label">[19]</span></a> The portion printed in italics was underlined by Coke for <i>omission</i> when the +statement was read at the trial. The "4 besides himself," having reference to +Monteagle, was therefore suppressed; the other suppressions in the statement +were made for obvious and unfair reasons.</p></div> + +<div class="footnote"><p><a name="Footnote_20_20" id="Footnote_20_20"></a><a href="#FNanchor_20_20"><span class="label">[20]</span></a> "Walley" was one of Father Garnet's aliases.</p></div> + +<div class="footnote"><p><a name="Footnote_21_21" id="Footnote_21_21"></a><a href="#FNanchor_21_21"><span class="label">[21]</span></a> This is very suggestive of a law-writer's spelling of "message" (messuage +and tenement).</p></div> + +<div class="footnote"><p><a name="Footnote_22_22" id="Footnote_22_22"></a><a href="#FNanchor_22_22"><span class="label">[22]</span></a> When Garnet returned from Rome in 1585, as Superior of the Jesuits in +England, he made the Treshams' acquaintance, being a prominent Roman Catholic +family, when Francis was eighteen. Garnet was not their confessor, and the +acquaintance had dropped for at least sixteen years before the Spanish Treason +in 1602. Garnet's statement, made (March 23, 1605-6) after Tresham's death, is: +"I knew him about 18 years ago, but since discontinued my acquaintance until +the time between his trouble in my lord of Essex's tumult and the Queen's +death" (1602-3). Garnet would have neither motive nor inclination to shield +Tresham, whose betrayal of the plot had brought Garnet to the Tower. He +might otherwise have discerned Tresham's real meaning in his statement of +"sixteen years before," which the contemporary Jesuit Father Gerard correctly +interprets as before 1602 in his narrative of the plot. It was not Garnet's complicity +in the Spanish Treason in the previous reign (for which he had his pardon) +that the Government cared about, and that so shook Salisbury, but simply Tresham's +dying statement being misunderstood to mean that he had not seen Garnet for +the past sixteen years, which is all that the present writer is concerned with.</p></div> + +<div class="footnote"><p><a name="Footnote_23_23" id="Footnote_23_23"></a><a href="#FNanchor_23_23"><span class="label">[23]</span></a> "State Papers, Domestic," James I., xvi. 62.</p></div> + +<div class="footnote"><p><a name="Footnote_24_24" id="Footnote_24_24"></a><a href="#FNanchor_24_24"><span class="label">[24]</span></a> So he said at the trial: "She came to see me, but I spared either to speak +with her or hear her." But Mrs. Tresham in her examination said that, "in +respect of her sorrow and heaviness," she "was enforced to send it"; and in her +note enclosing the dying statement to Sir Walter Cope for delivery, she wrote: +"My sorrows are such that I am altogether unfit to come abroad; wherefore I +would entreat you to deliver it yourself unto my lord, that I may have my +husband's desire fulfilled therein" ("State Papers, Domestic," James I., ccxvi. 211).</p></div> + +<div class="footnote"><p><a name="Footnote_25_25" id="Footnote_25_25"></a><a href="#FNanchor_25_25"><span class="label">[25]</span></a> Examination of Mrs. Tresham (<i>ibid.</i>, ccxvi. 209).</p></div> + +<div class="footnote"><p><a name="Footnote_26_26" id="Footnote_26_26"></a><a href="#FNanchor_26_26"><span class="label">[26]</span></a> Examination of William Vavasour (<i>ibid.</i>, ccxvi. 207).</p></div> + +<div class="footnote"><p><a name="Footnote_27_27" id="Footnote_27_27"></a><a href="#FNanchor_27_27"><span class="label">[27]</span></a> Vavasour, in his authentic and ordinary writing, used flat-topped "g's," as +seen in the anonymous letter, as well as in No. 2, ascribed to him.</p></div> + +<div class="footnote"><p><a name="Footnote_28_28" id="Footnote_28_28"></a><a href="#FNanchor_28_28"><span class="label">[28]</span></a> The deed of Robert Catesby's marriage settlement with Katherine, eldest +daughter of Sir Thomas Leigh, of Stoneleigh (1592), in the possession of T.W. +Whitmore-Jones; Esq., of Chastleton House, Oxon, is in a similar legal hand, with +precisely the same peculiarities of "s," "g," "w," "h," etc. A law-writer's hand +to-day is in a "copper-plate" style, which, although most suitable for the purpose, +is not the kind of hand that an educated person would write whose business was +not copying, and there was then a similar distinction between them.</p></div> + +<div class="footnote"><p><a name="Footnote_29_29" id="Footnote_29_29"></a><a href="#FNanchor_29_29"><span class="label">[29]</span></a> Apparently owing to restrictions of space and paper.</p></div> + +<div class="footnote"><p><a name="Footnote_30_30" id="Footnote_30_30"></a><a href="#FNanchor_30_30"><span class="label">[30]</span></a> The original letter is framed and exhibited upon a pedestal in the Museum +of the Public Record Office. The facsimile has, therefore, had to be made +from a negative taken of the letter as seen through glass, while the other +facsimiles have the advantage of being made from negatives taken of documents +unglazed.</p></div> +</div> + + +<hr style="width: 65%;" /> +<h3>IV</h3> + +<h3>THE ATTORNEY-GENERAL'S OPINION OF +VAVASOUR'S GUILT</h3> + + +<p>The Attorney-General in his speech for the prosecution at +Father Garnet's trial (March 28, 1606), as given in the official +report, alluding to Tresham's dying statement, said: "Upon his +death-bed he commanded Vavasour his man, <i>whom I think +deeply guilty in this treason</i>, to write a letter to the Earl of +Salisbury."</p> + +<p>Henry Garnet's trial was purposely held at the City Guildhall, +instead of Westminster Hall, the usual trial place where +the conspirators had been tried, in order to make the occasion +as imposing, and his case as exemplary, as possible, on account +of his position as Superior of the Jesuits in England.<a name="FNanchor_31_31" id="FNanchor_31_31"></a><a href="#Footnote_31_31" class="fnanchor">[31]</a> The +King was privately present, and there was a most distinguished +assembly of ambassadors, nobility, and others.</p> + +<p>Before this audience, the Attorney-General, whose opinion +determines or considerably influences a prosecution for high<span class='pagenum'><a name="Page_19" id="Page_19">[Pg 19]</a></span> +treason, states in Court that a person who is not even present +nor arraigned is in his opinion "deeply guilty" in the most +infamous treason ever attempted, and for which the conspirators +had already been executed: so "heinous, horrible and damnable"<a name="FNanchor_32_32" id="FNanchor_32_32"></a><a href="#Footnote_32_32" class="fnanchor">[32]</a> +was it considered, that the authorities had even proposed +to devise some specially severe form of torture for the perpetrators +to undergo, in addition to the usual terrible penalty for high +treason.<a name="FNanchor_33_33" id="FNanchor_33_33"></a><a href="#Footnote_33_33" class="fnanchor">[33]</a></p> + +<p>Coke, who it will be remembered was the most eminent +counsel and the greatest jurist of the time, however desirous +he would be of bringing to light everything connected with such +a treason upon the occasion, would scarcely, as legally representing +the Crown in his capacity of the King's Attorney-General, +express so extremely damaging an opinion without +sufficient reason. There is something in his mind concerning +Vavasour,<a name="FNanchor_34_34" id="FNanchor_34_34"></a><a href="#Footnote_34_34" class="fnanchor">[34]</a> respecting whom he is not satisfied; and it can +only be Vavasour's having written, not the letter to Salisbury—as +that could not possibly implicate him, nor render him +"deeply guilty" in a treason <i>which had been discovered and +ended six weeks before the letter to Salisbury was written</i><span class='pagenum'><a name="Page_20" id="Page_20">[Pg 20]</a></span>—but +that other and most treasonable letter to Monteagle, for there +was nothing else against him in the matter.<a name="FNanchor_35_35" id="FNanchor_35_35"></a><a href="#Footnote_35_35" class="fnanchor">[35]</a> Coke evidently +knows, or suspects, that Vavasour wrote the warning letter; and +he cannot understand why he is not brought to trial.<a name="FNanchor_36_36" id="FNanchor_36_36"></a><a href="#Footnote_36_36" class="fnanchor">[36]</a> He +therefore expresses his opinion of Vavasour's guilt as strongly as +possible, and even describes him with what for an Attorney-General +in ordinary circumstances would be a singular redundancy +of legal expression, as being "deeply guilty" in the treason.<a name="FNanchor_37_37" id="FNanchor_37_37"></a><a href="#Footnote_37_37" class="fnanchor">[37]</a> +No one would know better than the Attorney-General that in +high treason itself the law makes no distinction whatever of +degrees of guilt, nor can there even be an accessory: once participant, +whatever the part played may be, all alike are principals.</p> + +<p>Coke's statement in Court has been officially in print for over +three hundred years, yet no investigator seems to have noticed +it and so have been led to inquire what was done to Vavasour?—by +which alone a clue might have been obtained to the writer of +the letter.<a name="FNanchor_38_38" id="FNanchor_38_38"></a><a href="#Footnote_38_38" class="fnanchor">[38]</a> Although Vavasour was publicly stated by the +Attorney-General to be "deeply guilty" in a treason of which +Salisbury wrote: "I shall esteem my life unworthily given me +when I shall be found slack in searching to the bottom of the<span class='pagenum'><a name="Page_21" id="Page_21">[Pg 21]</a></span> +dregs of this foul poison, or lack resolution to further to my small +power the prosecution and execution of ALL those whose hearts +and hands can appear foul in this savage practise"<a name="FNanchor_39_39" id="FNanchor_39_39"></a><a href="#Footnote_39_39" class="fnanchor">[39]</a>—yet he was +not even brought to trial, while other serving-men were tried and +executed.<a name="FNanchor_40_40" id="FNanchor_40_40"></a><a href="#Footnote_40_40" class="fnanchor">[40]</a></p> + +<p>It is questionable whether Salisbury, unless agreeing with +Coke's opinion of Vavasour's guilt, would have allowed the allusion +to appear in the official report of the trial, prepared by himself and +sanctioned by the King;<a name="FNanchor_41_41" id="FNanchor_41_41"></a><a href="#Footnote_41_41" class="fnanchor">[41]</a> as, if innocent of the treason, an +intolerable injustice would have been done to Vavasour by the +publication, which probably neither the King nor Salisbury would +have permitted, in making a senseless attack upon the reputation +of an innocent man, who would certainly have protested.</p> + +<p>Without, however, assuming too advanced ideas of justice for +the time, it is unlikely that so capable a person as Salisbury appears +to have been,<a name="FNanchor_42_42" id="FNanchor_42_42"></a><a href="#Footnote_42_42" class="fnanchor">[42]</a> could fail to perceive that the publication of the<span class='pagenum'><a name="Page_22" id="Page_22">[Pg 22]</a></span> +Attorney-General's opinion of Vavasour's guilt must, in the +absence of any prosecution, call attention to Vavasour, and thus +furnish a clue to the writer of the letter. Salisbury, though +generally fair-minded, might not trouble himself about Vavasour's +reputation, but he would about his own, which would be affected +by his failure, after his strongly expressed determination, in +bringing to justice ALL who were concerned in such a treason; +and this would still apply, even if Coke's published allusion to +Vavasour's guilt was merely counsel's rhetoric. Coke, however, +at the moment when making that allusion, was not declaiming +upon the treason, but simply stating a fact about Tresham, with +the King listening; and in alluding to Vavasour, he expresses +what is in his mind—"<i>whom I think deeply guilty in this +treason</i>": evidently his deliberate opinion, which he would +have every opportunity of forming, as, with the exception of +Salisbury and the conspirators, he would know more of the +workings of the plot than anyone. Salisbury's chief concern, +apparently, was at all costs to keep Vavasour silent, which +he did; while his anxiety "to leave the further judgment +indefinite" respecting the writer of the letter, plainly shows that +the matter would not bear inquiry.</p> + +<hr style='width: 45%;' /> + +<p>The only possible conclusion, therefore, is that Vavasour wrote +the anonymous letter to Lord Monteagle, which the identity of +the handwriting absolutely confirms.<span class='pagenum'><a name="Page_23" id="Page_23">[Pg 23]</a></span></p> + +<div class="footnotes"><h3>FOOTNOTES:</h3> + +<div class="footnote"><p><a name="Footnote_31_31" id="Footnote_31_31"></a><a href="#FNanchor_31_31"><span class="label">[31]</span></a> "My Sovereign determined that your trial should be in this honourable +assembly. For who is Garnet that he should be called hither, or we should +trouble ourselves in this Court with him? which I protest were sufficient for the +greatest Cardinal in Rome, if in this case he should be tried. No, Mr. Garnet, it +is not for your cause that you are called hither, but to testify to the world the +foulness of your fact, the errors of your religion," etc. Lord Salisbury's Speech +at the Trial. (Gerard). When at the trial, rebuking Garnet for untruthfulness +in his previous examination before the Council, Salisbury said: "You stiffly denied +it upon your soul, reiterating it with so many detestable execrations, <i>as our hair +stood upright</i>" (Jardine).</p></div> + +<div class="footnote"><p><a name="Footnote_32_32" id="Footnote_32_32"></a><a href="#FNanchor_32_32"><span class="label">[32]</span></a> The Act for the Attainder of the Conspirators ("Statutes of the Realm," +3 James I., c. 2). Coke himself characterized the treason at the trial as "beyond +all examples, whether in fact or fiction, even of the tragic poets who did beat +their wits to represent the most fearful and horrible murders." And in the +prayer to be used in the Anniversary Service for the Fifth of November it is +described as having been attempted "in a most barbarous and savage manner, +beyond the examples of former ages. From this unnatural conspiracy, not +our merit, but Thy mercy; not our foresight, but Thy providence, delivered +us," etc.</p></div> + +<div class="footnote"><p><a name="Footnote_33_33" id="Footnote_33_33"></a><a href="#FNanchor_33_33"><span class="label">[33]</span></a> In the previous century, in a case where a more severe penalty was desired +to be inflicted, the offender was, by Act of Parliament, publicly <i>boiled alive</i> +("Statutes of the Realm," 22 Henry VIII., c. 9).</p></div> + +<div class="footnote"><p><a name="Footnote_34_34" id="Footnote_34_34"></a><a href="#FNanchor_34_34"><span class="label">[34]</span></a> Coke worked hard for some months in thoroughly preparing the evidence +for the trial, so that little would escape him. As he wrote to Salisbury: "If your +lordship knew what pains have been taken herein, your lordship would pity the +old attorney" (Hatfield MSS.).</p></div> + +<div class="footnote"><p><a name="Footnote_35_35" id="Footnote_35_35"></a><a href="#FNanchor_35_35"><span class="label">[35]</span></a> Vavasour's falsehood respecting Mrs. Tresham had nothing to do with the +treason. Coke seems to mention Vavasour's guilt as if antecedent to the writing +of the letter to Salisbury.</p></div> + +<div class="footnote"><p><a name="Footnote_36_36" id="Footnote_36_36"></a><a href="#FNanchor_36_36"><span class="label">[36]</span></a> This work is merely the identification of the writer of the anonymous letter +only, and makes no attempt to answer the much more difficult question of what +the arrangement was between Salisbury and Monteagle, or between Monteagle +and Tresham, respecting the sending of the letter; but with regard to Coke, it is +unlikely, from what is known of their intercourse and their frequent differences +in court, that he would be admitted to any particular confidence with Salisbury in +the matter.</p></div> + +<div class="footnote"><p><a name="Footnote_37_37" id="Footnote_37_37"></a><a href="#FNanchor_37_37"><span class="label">[37]</span></a> Vavasour's concealment of guilty knowledge as the writer of the warning +letter would probably be only misprision of treason, unless Coke knew or suspected +that he was directly concerned in the treason.</p></div> + +<div class="footnote"><p><a name="Footnote_38_38" id="Footnote_38_38"></a><a href="#FNanchor_38_38"><span class="label">[38]</span></a> The present writer does not owe the identification to that clue, which +was not met with until after Vavasour had been identified as the writer of the +letter.</p></div> + +<div class="footnote"><p><a name="Footnote_39_39" id="Footnote_39_39"></a><a href="#FNanchor_39_39"><span class="label">[39]</span></a> Letter to the Earl of Dunfermline, Lord Chancellor of Scotland. December 1, +1605 ("State Papers, Domestic," James I., xvii. 2). Salisbury was created K.G. +with almost regal pomp for his services in the matter. "Tuesday the 20th of +May (1606), at Windsor, were installed Knights of the Garter, Robert, Earl of +Salisbury, who set forward from his house in the Strand, being almost as honourably +accompanied and with as great train of lords, knights, gentlemen, and officers of +the Court, with others besides his peculiar servants very richly attired, and bravely +mounted, as was the King when he rid in state through London" (Stowe's +"Annals," 1615, p. 883).</p></div> + +<div class="footnote"><p><a name="Footnote_40_40" id="Footnote_40_40"></a><a href="#FNanchor_40_40"><span class="label">[40]</span></a> Bates, Catesby's serving-man, at London; others in the country.</p></div> + +<div class="footnote"><p><a name="Footnote_41_41" id="Footnote_41_41"></a><a href="#FNanchor_41_41"><span class="label">[41]</span></a> Although known as the "King's book," the report of the trial was evidently +compiled by Salisbury and corrected by the King.</p></div> + +<div class="footnote"><p><a name="Footnote_42_42" id="Footnote_42_42"></a><a href="#FNanchor_42_42"><span class="label">[42]</span></a> Salisbury's statesmanship is evinced by the advice he wrote to James (I.) +when King of Scotland, and impatiently awaiting Queen Elizabeth's demise: +"Your best approach towards your greatest end, is by your Majesty's clear and +temperate courses, to secure the heart of the highest, to whose sex and quality +nothing is so improper as either needless expostulations, or over much curiosity +in her own actions. The first showing unquietness in yourself; the second +challenging some untimely interest in hers; both which, as they are best forborne +when there is no cause, so be it far from me (if there shall be cause), to +persuade you to receive wrongs and be silent" ("Secret Correspondence," Camden +Society, 1860, p. 7).</p></div> +</div> + + +<hr style="width: 65%;" /> +<h3>V</h3> + +<h3>FRANCIS TRESHAM'S CONFIDENCE WHEN IN +THE TOWER</h3> + + +<p>Upon Tresham's death in the Tower (December 23, 1605), the +Lieutenant wrote to Salisbury: "I find his friends were marvellous +confident if he had escaped this sickness, and have given +out in this place that they feared not the course of justice."<a name="FNanchor_43_43" id="FNanchor_43_43"></a><a href="#Footnote_43_43" class="fnanchor">[43]</a> +As the late Dr. Gardiner observed: "This confidence they could +only have derived from himself, and it could only have been +founded on one ground."</p> + +<p>Had Tresham's committal to the Tower been otherwise than +a mere formality, or "a farce," neither his wife nor his servants +would under any circumstances have been permitted to attend or +even see him whatever the state of his health might have been; +and had he survived, nothing serious would have been done to +him,<a name="FNanchor_44_44" id="FNanchor_44_44"></a><a href="#Footnote_44_44" class="fnanchor">[44]</a> any more than was done to his "deeply guilty" servant +Vavasour.</p> + +<p>Tresham, though dreading, as he said, "the infamous brand of +an accuser,"<a name="FNanchor_45_45" id="FNanchor_45_45"></a><a href="#Footnote_45_45" class="fnanchor">[45]</a> was as evidently the Informer to the Government, +either directly or indirectly through Monteagle, as his servant +Vavasour was the writer of the letter.</p> + +<p><span class='pagenum'><a name="Page_24" id="Page_24">[Pg 24]</a></span></p><div class="footnotes"><h3>FOOTNOTES:</h3> + +<div class="footnote"><p><a name="Footnote_43_43" id="Footnote_43_43"></a><a href="#FNanchor_43_43"><span class="label">[43]</span></a> "State Papers, Domestic," James I., xvii. 58.</p></div> + +<div class="footnote"><p><a name="Footnote_44_44" id="Footnote_44_44"></a><a href="#FNanchor_44_44"><span class="label">[44]</span></a> He left no male issue, and was succeeded in the family property by his +next brother Lewis, who was created a baronet June 29, 1611, one of the second +batch of baronets made on the institution of that Order the previous May 22 by +James I.</p></div> + +<div class="footnote"><p><a name="Footnote_45_45" id="Footnote_45_45"></a><a href="#FNanchor_45_45"><span class="label">[45]</span></a> "State Papers, Domestic," James I., xvi. 63.</p></div> +</div> + + +<hr style="width: 65%;" /> +<h3><a name="VI" id="VI"></a>VI</h3> + +<h3>THE VAVASOURS AS DEPENDANTS OF THE +TRESHAM FAMILY</h3> + + +<p>The Tresham Papers<a name="FNanchor_46_46" id="FNanchor_46_46"></a><a href="#Footnote_46_46" class="fnanchor">[46]</a> contain much information respecting the +Vavasours as dependants of that family. Sir Thomas Tresham +had a bailiff or collector, named Thomas Vavasour, an old and +much valued Catholic servant,<a name="FNanchor_47_47" id="FNanchor_47_47"></a><a href="#Footnote_47_47" class="fnanchor">[47]</a> who had, with perhaps other +children, two sons, George and William, and a daughter, Muriel. +George, who had been educated, was in June, 1596, sent up by +his father with a letter to Sir Thomas, then in town, in order that +he might be entered at one of the Inns of Court, as Sir Thomas +might advise: "Mr. Francis Tresham has encouraged him in this +kind of study and the cost already bestowed must not be lost. +He knows he has nothing else to trust to but his learning, nor does +he seem so fit for anything else."<a name="FNanchor_48_48" id="FNanchor_48_48"></a><a href="#Footnote_48_48" class="fnanchor">[48]</a> He was accordingly admitted +to the Inner Temple in November of that year,<a name="FNanchor_49_49" id="FNanchor_49_49"></a><a href="#Footnote_49_49" class="fnanchor">[49]</a> where Lewis<span class='pagenum'><a name="Page_25" id="Page_25">[Pg 25]</a></span> +Tresham (Sir Thomas's second son) had been admitted the previous +November, and to whom there is an allusion of George +Vavasour acting as tutor.<a name="FNanchor_50_50" id="FNanchor_50_50"></a><a href="#Footnote_50_50" class="fnanchor">[50]</a> William Vavasour, the other son, +was servant to Sir Thomas, and though not so educated as his +brother George, was not a livery-servant or footman,<a name="FNanchor_51_51" id="FNanchor_51_51"></a><a href="#Footnote_51_51" class="fnanchor">[51]</a> but appears +to have held a similar or superior position with Sir Thomas, to +that which Bates, who kept his own man,<a name="FNanchor_52_52" id="FNanchor_52_52"></a><a href="#Footnote_52_52" class="fnanchor">[52]</a> held with Catesby, a +kind of secretary-valet of the time.<a name="FNanchor_53_53" id="FNanchor_53_53"></a><a href="#Footnote_53_53" class="fnanchor">[53]</a> After Sir Thomas's death +he served his eldest son Francis Tresham in the same capacity; +while the sister Muriel Vavasour, who bore the same (then uncommon) +Christian name as Lady Tresham, and may have been +her god-daughter, became "gentlewoman without livery" at £5 +yearly<a name="FNanchor_54_54" id="FNanchor_54_54"></a><a href="#Footnote_54_54" class="fnanchor">[54]</a> to Lady Monteagle, who was Lady Tresham's daughter. +Both George Vavasour and his brother William were confidentially +employed by Francis Tresham as amanuenses, where secrecy +was necessary in transcribing religious or political treatises, such +as were then circulated amongst Roman Catholics, and, being +treasonable, dared not be printed.</p> + +<p>On December 1, 1605, the Attorney-General, while investigating +the conspiracy, obtained two MS. volumes which had +been found in George Vavasour's chambers in the Inner Temple. +One, officially described as a "quarto" volume, though an octavo +(8¼ x 5¾), entitled "A Treatise against Lying,"<a name="FNanchor_55_55" id="FNanchor_55_55"></a><a href="#Footnote_55_55" class="fnanchor">[55]</a> +<span class='pagenum'><a name="Page_26" id="Page_26">[Pg 26]</a></span>was stated by +George Vavasour, on examination<a name="FNanchor_56_56" id="FNanchor_56_56"></a><a href="#Footnote_56_56" class="fnanchor">[56]</a> to have been lent him by +Francis Tresham to copy,<a name="FNanchor_57_57" id="FNanchor_57_57"></a><a href="#Footnote_57_57" class="fnanchor">[57]</a> and the copy he had made was contained +in the folio, the other MS. found. He denied any +knowledge of the handwriting in the "quarto" volume, except +that he had recopied the last page (61), in order to replace a torn +leaf, bearing in Latin the Imprimatur of George Blackwell, +Archpriest of the English Jesuits. William Tresham (Francis +Tresham's youngest brother), on being examined by Coke, said +that he thought the "quarto" MS. was in William Vavasour's +handwriting, who was formerly his father's servant, and since +serving his eldest brother in the Tower.<a name="FNanchor_58_58" id="FNanchor_58_58"></a><a href="#Footnote_58_58" class="fnanchor">[58]</a> William Tresham +may have seen Vavasour so employed at home and would know +his writing; while George Vavasour might not wish to bring his +brother into question. The folio MS. has disappeared, but the +"quarto" copy, as ascribed to William Vavasour, is now with<span class='pagenum'><a name="Page_27" id="Page_27">[Pg 27]</a></span> +Archbishop Laud's MSS. (No. 655) in the Bodleian Library, and +was published in 1851.</p> + + +<div class="figcenter" style="width: 100%;"><br /> + +<img src="images/illo2.jpg" style="width: 40%;" alt="" title="" /><br /> +<span class="link"><a href="images/illo2.jpg">View larger image</a></span><br /> +<span class="caption"><br />FACSIMILE No. 2.<br /> + +A page of the MS. intitled "A Treatise against Lying, &c.", formerly belonging to Francis Tresham, +of which the handwriting was attributed by his brother, William Tresham, to William Vavasour. +Now in the Bodleian Library. (Laud MSS. 655, folio 44.)</span> +<br /><br /></div> + +<div class="figcenter" style="width: 100%;"><br /> +<img src="images/illo3.jpg" style="width: 40%;" alt="" title="" /><br /> +<span class="link"><a href="images/illo3.jpg">View larger image</a></span><br /> +<span class="caption"><br />FACSIMILE No. 3.<br /> + +William Vavasour's handwriting in the letter to the Earl of Salisbury, dictated and signed by Francis +Tresham, when dying in the Tower. December 22, 1605. +(State Papers, Domestic. James I. ccxvi. 211.)<br /><br /> + +Stated by Vavasour to have been written by Mrs. Tresham. On March 24, 1605-6, +he confessed that he wrote it, and signed a note to it to that effect.</span> +<br /><br /></div> + + +<div class="figcenter" style="width: 100%;"><br /> +<img src="images/illo4.jpg" style="width: 40%;" alt="" title="" /><br /> +<span class="link"><a href="images/illo4.jpg">View larger image</a></span><br /> +<span class="caption"><br />FACSIMILE No. 4.<br /> + +William Vavasour's handwriting in his untrue statement written in the presence of the Lieutenant of the Tower, +that No. 3 was written by Mrs. Tresham. Dated March 23, 1605-6. (State Papers, Domestic. James I. ccxvi. 207.)<br /><br /> + +***To avoid detection of his falsehood, he writes a hand quite different from his ordinary writing in Nos. 2 and 3, thus producing +a hand which is in itself identical with his former disguised writing as seen in the anonymous letter (No. 1).</span> +<br /><br /></div> + +<div class="figcenter" style="width: 100%;"><br /> +<img src="images/illo5.jpg" style="width: 40%;" alt="" title="" /><br /> +<span class="link"><a href="images/illo5.jpg">View larger image</a></span><br /> +<span class="caption"><br />FACSIMILE No. 5.<br /> + +George Vavasour's handwriting on the last leaf, which he renewed for Francis Tresham, of the MS. +intitled "A Treatise against Lying, &c." (Laud MSS. 655, folio 61.)</span> +<br /><br /></div> + +<p>George Vavasour's handwriting upon the last leaf of the MS. +(Facsimile No. 5) shows a much more refined and educated +hand than his brother's, from which the writing is in every +respect different. A small "s" is invariably used in commencing +a word with that letter; the "t's " are quite different; the "w" +finishes with an inner, not an outer loop; the "g's" have no flat +tops; and the "hangers" of the "h's" do not descend below the +line. The writing is evidently an educated hand for the time, +and cannot readily be imagined as using small "i's" for the first +person, such as are used in, and seem to accord so well with, the +much less educated handwriting of the warning letter.</p> + +<hr style='width: 45%;' /> + +<p>WILLIAM VAVASOUR, the Tresham family serving-man, +is thus not only conclusively proved to have written the +anonymous letter to Lord Monteagle, but most probably was +also the "unknown man of a reasonable tall personage" who is so +quaintly described in the Government story as having delivered +the letter.</p> + +<div class="footnotes"><h3>FOOTNOTES:</h3> + +<div class="footnote"><p><a name="Footnote_46_46" id="Footnote_46_46"></a><a href="#FNanchor_46_46"><span class="label">[46]</span></a> Calendared by the Historical MSS. Commission. "Report on MSS. in +various Collections, vol. iii., 1904. The MSS. of T.B. Clarke-Thornhill, Esq., of +Rushton Hall, by Mrs. R.C. Lomas." These important family papers were +preserved and discovered in a curious manner. In 1828, when making alterations +at Rushton Hall, on removing a partition wall, they were found with some +theological books in a large bundle wrapped in a sheet, which had been built +into a recess in the wall. As the papers, commencing in 1576, with a few of +earlier date, end in November, 1605, they were probably thus hidden away on +Tresham's arrest.</p></div> + +<div class="footnote"><p><a name="Footnote_47_47" id="Footnote_47_47"></a><a href="#FNanchor_47_47"><span class="label">[47]</span></a> "Calendar," p. 59.</p></div> + +<div class="footnote"><p><a name="Footnote_48_48" id="Footnote_48_48"></a><a href="#FNanchor_48_48"><span class="label">[48]</span></a> <i>Ibid.</i>, p. 89.</p></div> + +<div class="footnote"><p><a name="Footnote_49_49" id="Footnote_49_49"></a><a href="#FNanchor_49_49"><span class="label">[49]</span></a> "Students admitted to the Inner Temple, 1547-1660" (1877).</p></div> + +<div class="footnote"><p><a name="Footnote_50_50" id="Footnote_50_50"></a><a href="#FNanchor_50_50"><span class="label">[50]</span></a> "Calendar of Tresham Papers," p. 90.</p></div> + +<div class="footnote"><p><a name="Footnote_51_51" id="Footnote_51_51"></a><a href="#FNanchor_51_51"><span class="label">[51]</span></a> His name does not appear in the list of Sir Thomas's ten livery servants +as retained while the establishment was at Hoxton before Monteagle's +tenancy, of which the accounts are with the Tresham Papers. Under the +stable charges is the keep of a horse for Thomas Vavasour, the father (<i>ibid.</i>, +pp. 47, 50).</p></div> + +<div class="footnote"><p><a name="Footnote_52_52" id="Footnote_52_52"></a><a href="#FNanchor_52_52"><span class="label">[52]</span></a> "Examination of Christopher Story, Thomas Bates's man" ("State Papers, +Domestic," James I., xvi. 28, 1).</p></div> + +<div class="footnote"><p><a name="Footnote_53_53" id="Footnote_53_53"></a><a href="#FNanchor_53_53"><span class="label">[53]</span></a> It will be remembered that Salisbury in the official story describes Ward, +who was Monteagle's secretary, as "one of his men."</p></div> + +<div class="footnote"><p><a name="Footnote_54_54" id="Footnote_54_54"></a><a href="#FNanchor_54_54"><span class="label">[54]</span></a> Each of the other female attendants and servants, even "Mawdlyn the +Frenchwoman" at £10 yearly, have a livery ("Calendar of Tresham Papers," +p. 50).</p></div> + +<div class="footnote"><p><a name="Footnote_55_55" id="Footnote_55_55"></a><a href="#FNanchor_55_55"><span class="label">[55]</span></a> The manuscript was originally entitled "A Treatise upon Equivocation," +which was altered by Father Garnet into "A treatise against Lying & fraudule't +dissimulatio'. Newly overseen by ye Authour & published for the defence of +Innocency, & for the Instructio' of Ignora'ts." It purports to show when +equivocation may "lawfully" be used, and may have been compiled by Garnet, +as the title-page and the annotations throughout are in his handwriting. The +folio manuscript by George Vavasour was evidently a fair copy of the revised +"quarto," and Tresham's reason for having it made.</p></div> + +<div class="footnote"><p><a name="Footnote_56_56" id="Footnote_56_56"></a><a href="#FNanchor_56_56"><span class="label">[56]</span></a> "Examination of George Vavasour, of the Inner Temple, Gent., December 9, +1605" ("State Papers, Domestic," James I., ccxvi. 151).</p></div> + +<div class="footnote"><p><a name="Footnote_57_57" id="Footnote_57_57"></a><a href="#FNanchor_57_57"><span class="label">[57]</span></a> He also confessed having transcribed the treatise "De Officio Principis +Christiani" (Further examination, December 13, 1605, <i>ibid.</i>, ccxvi. 155). Coke +alluded to these manuscripts at the trial as "certain heretical, damnable and +treasonable books discovered." He said: "There is in Tresham's book, 'De +Officio Principis,' an easier and more expedite way than all these to fetch the +crown off the head of any king christened whatsoever, which is this that: +'<i>Princeps indulgendo hæreticis, amittit regnum.</i>'—If any prince shall but tolerate or +favour heretics, he loseth his kingdom." This shows the confidential nature of +the Vavasours' employment as amanuenses by Tresham in such matters.</p></div> + +<div class="footnote"><p><a name="Footnote_58_58" id="Footnote_58_58"></a><a href="#FNanchor_58_58"><span class="label">[58]</span></a> Examination of William Tresham, December 9, 1605 ("State Papers, +Domestic," James I., xvii. 23).</p></div></div> + + + +<p class="center">THE END</p> +<p><span class='pagenum'><a name="Page_38" id="Page_38">[Pg 38]</a></span></p> + +<p class="center">PRINTED BY +BILLING AND SONS, LIMITED, +GUILDFORD, ENGLAND</p> + + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of The Identification of the Writer of +the Anonymous Letter to Lord Monteagle in 1605, by William Parker and Francis Tresham and William Vavasour + +*** END OF THIS PROJECT GUTENBERG EBOOK ANONYMOUS LETTER *** + +***** This file should be named 29777-h.htm or 29777-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/9/7/7/29777/ + +Produced by Robert Cicconetti, Jane Hyland and the Online +Distributed Proofreading Team at http://www.pgdp.net (This +file was produced from images generously made available +by The Internet Archive/Canadian Libraries) + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + +</body> +</html> diff --git a/29777-h/images/illo1.jpg b/29777-h/images/illo1.jpg Binary files differnew file mode 100644 index 0000000..89acae0 --- /dev/null +++ b/29777-h/images/illo1.jpg diff --git a/29777-h/images/illo2.jpg b/29777-h/images/illo2.jpg Binary files differnew file mode 100644 index 0000000..6cdc326 --- /dev/null +++ b/29777-h/images/illo2.jpg diff --git a/29777-h/images/illo3.jpg b/29777-h/images/illo3.jpg Binary files differnew file mode 100644 index 0000000..6db3d2c --- /dev/null +++ b/29777-h/images/illo3.jpg diff --git a/29777-h/images/illo4.jpg b/29777-h/images/illo4.jpg Binary files differnew file mode 100644 index 0000000..a8e0b97 --- /dev/null +++ b/29777-h/images/illo4.jpg diff --git a/29777-h/images/illo5.jpg b/29777-h/images/illo5.jpg Binary files differnew file mode 100644 index 0000000..b05a7ee --- /dev/null +++ b/29777-h/images/illo5.jpg diff --git a/29777.txt b/29777.txt new file mode 100644 index 0000000..ed19482 --- /dev/null +++ b/29777.txt @@ -0,0 +1,1533 @@ +The Project Gutenberg EBook of The Identification of the Writer of the +Anonymous Letter to Lord Monteagle in 1605, by William Parker and Francis Tresham and William Vavasour + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Identification of the Writer of the Anonymous Letter to Lord Monteagle in 1605 + +Author: William Parker + Francis Tresham + William Vavasour + +Release Date: August 24, 2009 [EBook #29777] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK ANONYMOUS LETTER *** + + + + +Produced by Robert Cicconetti, Jane Hyland and the Online +Distributed Proofreading Team at http://www.pgdp.net (This +file was produced from images generously made available +by The Internet Archive/Canadian Libraries) + + + + + + + + + +THE IDENTIFICATION OF +THE WRITER OF THE +ANONYMOUS LETTER TO +LORD MONTEAGLE IN 1605 + + "A strange letter, from a strange hand, + by a strange messenger; without date to + it, name at it, and (I had almost said) + sense in it. A letter which, even when it + was opened, was still sealed, such the + affected obscurity therein." + + FULLER'S _Church History_, x. 32. + + +LONDON: SIMPKIN, MARSHALL, +HAMILTON, KENT & CO., LTD. +1916 + +[Transcriber's note: +[***] denotes an asterism, that is, a triangle comprising three asterices. +A carat symbol ^ indicates that the ensuing letters of the word are +superscript letters.] + + +PREFACE + + +One of the great mysteries of English history is the anonymous letter to +Lord Monteagle, warning him not to attend the opening of Parliament, +appointed for the Fifth of November, 1605, which is popularly supposed +to have led to the discovery of the Gunpowder Plot. The writer's +identity was carefully concealed by the Government at the time; the +intention being, as explained by Lord Salisbury, "to leave the further +judgment indefinite" regarding it. The official statements are, +therefore, as unsatisfactory as might be expected in a matter that, for +State reasons, has not been straightforwardly related. The letter, +however, remaining and in fair preservation, there was always the +possibility of the handwriting being identified; and this, after the +lapse of over three hundred years, is now accomplished. + + + + +CONTENTS + + + PAGE + + PREFACE v + + SECTION + + I. HISTORICAL ANALYSIS 1 + + II. THE OFFICIAL STORY OF THE LETTER 5 + + III. IDENTIFICATION OF THE HANDWRITING 9 + + IV. THE ATTORNEY-GENERAL'S OPINION OF VAVASOUR'S GUILT 19 + + V. FRANCIS TRESHAM'S CONFIDENCE WHEN IN THE TOWER 24 + + VI. THE VAVASOURS AS DEPENDANTS OF THE TRESHAM FAMILY 25 + + + + + +LIST OF FACSIMILES + + + 1. The anonymous letter as delivered to Lord Monteagle, October 26, + 1605, warning him not to attend the opening of Parliament + appointed for the Fifth of November (From the original letter in + the Museum of the Public Record Office) _Frontispiece_ + + 2. A page of the MS. entitled "A Treatise against Lying," etc., + formerly belonging to Francis Tresham, of which the handwriting + was attributed by his brother, William Tresham, to William + Vavasour. Now in the Bodleian Library. (Laud MSS. 655, + folio 44) [1] + + 3. William Vavasour's handwriting in the letter to the Earl of + Salisbury, dictated and signed by Francis Tresham when dying in + the Tower, December 22, 1605 ("State Papers, Domestic," James I., + ccxvi. 211) [1] + + Stated by Vavasour to have been written by Mrs. Tresham. + On March 24, 1605-6, he confessed that he wrote it and signed + a note to it to that effect. + + 4. William Vavasour's handwriting in his _untrue_ statement, written in + the presence of the Lieutenant of the Tower, that No. 3 was + written by Mrs. Tresham. Dated March 23, 1605-6 ("State + Papers, Domestic," James I., ccxvi. 207) [1] + + [***]To avoid detection of his falsehood, he writes a hand + quite different from his ordinary writing in Nos. 2 and 3, thus + producing a hand which is in itself identical with his former + disguised writing as seen in the anonymous letter (No. 1). + + 5. George Vavasour's handwriting on the last leaf, which he renewed + for Francis Tresham, of the MS. entitled "A Treatise against + Lying," etc. (Laud MSS. 655, folio 61) _To face page 26_ + + + + + +The Identification of the Writer of the Anonymous Letter to Lord +Monteagle + +I + +HISTORICAL ANALYSIS + + +Francis Tresham, of Rushton, in Northamptonshire, has recently +(September 11, 1605) succeeded his father, Sir Thomas Tresham (a great +sufferer for the Roman Catholic religion), in an inheritance of at least +five thousand a year, in present money; after having, as he says, spent +most of his time overburdened with debts and wants, and resolves within +himself to spend his days quietly. His first cousin, Robert Catesby, +being hard-up with funds exhausted in financing the scheme known as the +Gunpowder Plot, seeing in Tresham the chance of obtaining a further +supply (though previously distrusting him), induces him, in the +interests of their religion, to join the conspiracy, of which he thus +becomes the thirteenth, and last, sworn conspirator (October 14, 1605). +Catesby is careful to impose the oath of secrecy before fully disclosing +the plot; of which Tresham, on hearing, entirely disapproves, and +endeavours to dissuade his cousin from, or even to defer it; meanwhile +offering him the use of his own purse if he will do so. Finding he +cannot prevail with him, he is very urgent that the Lords Monteagle and +Stourton, particularly the former, may be warned, each having married +Tresham's sisters; but Catesby can give no definite assurance. Tresham +then intends, as he says, to get the conspirators shipped away, and to +inform the Government by some unknown, or anonymous, means. + +Tresham has a serving-man named William Vavasour, who attended Sir +Thomas Tresham, and who, with his elder brother, George Vavasour (whose +education Tresham has particularly encouraged), and their sister Muriel +(gentlewoman to Lady Monteagle who is the daughter of "Muriel" Lady +Tresham) are favoured dependants of the Tresham family, being the +children of an old and much valued Catholic servant. Both George and +William are confidentially employed by Tresham as amanuenses, in +transcribing religious, or treasonable, treatises of the time. + +Lord Monteagle unexpectedly orders a supper to be prepared (October 26, +1605) at his house at Hoxton (belonging to his brother-in-law Tresham), +and where he has not been for some months. As he is about to go to +supper, a letter is handed to him by his footman, to whom it has been +given in the street by "an unknown man of a reasonable tall personage," +who knows that he will find him at so unfrequented a residence. +Monteagle opens the letter, which is anonymous, pretends he cannot +understand it, and shows it to his secretary, Thomas Ward, who, he is +aware, is familiar with some of the conspirators; whom Ward, the next +evening, tells of the receipt of the letter, which Monteagle at once +takes to Whitehall, about three miles away, where he finds the Earl of +Salisbury (Principal Secretary of State) with other lords of the Council +together assembled, "ready for supper." The Government censor, or +suppress, the name of the place where the letter was delivered. The +conspirators and the Jesuit priests, who are involved in the plot +through the confessional, at once suspect Tresham; and Catesby and +Winter directly charge him with having betrayed them, which he denies, +while urging them to escape to France, and giving them money for the +purpose. Although Tresham is a sworn conspirator, he alone remains +behind and at large, after Fawkes's arrest (November 4-5, 1605), and +flight of the others into the country, and offers his services to the +Government. A week later he is taken to the Tower, where being ill, his +wife and serving-man, William Vavasour, and a maid servant constantly +attend him; an indulgence _never under any circumstances_ permitted to +anyone who was really a prisoner and upon a capital charge there. +Becoming worse, he dictates a letter for Vavasour to write to Lord +Salisbury, retracting a statement that he has been induced to make +respecting Father Garnet, and dies (December 23, 1605). This letter, or +dying statement, being misunderstood, is considered to be so incredible +that the writing is particularly inquired into. Vavasour thereupon, in +the presence of the Lieutenant of the Tower, writes an _untrue_ +statement (consequently using a hand quite different from his ordinary +writing and, _in itself, identical with the writing of the anonymous +letter_), asserting that his master's dying statement was written by +Mrs. Tresham (though in every way proper for Vavasour to have written), +which she at once repudiates and says that Vavasour wrote it. He is then +examined in the Tower by Chief Justice Popham and Attorney-General Coke, +when he confesses that he wrote the dying statement at his master's +dictation; and had denied it "for fear." Fear of what? In case the +writing should bring into question some other and less innocent letter +written by him for his master. + +Upon Tresham's death in the Tower, the Lieutenant writes to Salisbury +(December 23, 1605) of the "marvellous" confidence shown by Tresham and +his friends that had he survived, they feared not the course of justice. +Later, having left no male issue, his inheritance passes to his brother, +who is described as of Rushton, when created a baronet on the +institution of that Order by James the First, the very king whom the +plotters intended to destroy; and although a baronetcy at that time was +merely a monetary distinction or transaction, _some_ discrimination was +no doubt made in the bestowal or disposal of that dignity, which +probably would not have been conferred upon Catesby's son, who was then +living, even if he had been able to afford it after the forfeiture of +his family inheritance. + +The Attorney-General, at Father Garnet's trial (March 28, 1606), +pronounces Vavasour as being, in his opinion, "deeply guilty" in the +treason; yet he is not even brought to trial, while other serving-men +are tried and executed; although Lord Salisbury expressly declares that +he will esteem his life unworthily given him, when he shall be found +slack in bringing to prosecution and execution ALL who are in any way +concerned in the treason; and his exertions in the matter are accounted +to be so successful, that he is rewarded with the Order of the Garter. + +Francis Tresham's inheritance remains in the family; and his +serving-man, the "deeply guilty" William Vavasour, goes free. + +FOOTNOTES: + +[Footnote 1: _These facsimiles are issued separately in order to +facilitate comparison._] + + + + +II + +THE OFFICIAL STORY OF THE LETTER + + +The authentic, or rather the official, story of the delivery of the +letter, as published by the Government at the time, states that on +Saturday, October 26, 1605, Lord Monteagle "being in his own lodging, +ready to go to supper, at seven o'clock[2] at night, one of his footmen +(whom he had sent on an errand over the street) was met by an unknown +man, of a reasonable tall personage, who delivered him a letter, +charging him to put it in my lord his master's hands; which my lord no +sooner received, but that having broken it open, and perceiving the same +to be of an unknown and somewhat unlegible hand, and without either date +or subscription, called one of his men[3] to help him to read it. But no +sooner did he conceive the strange contents thereof, although he was +somewhat perplexed what construction to make of it (as whether of a +matter of consequence, as indeed it was, or whether some foolish devised +pasquil, by some of his enemies to scare him from his attendance at the +Parliament), yet did he, as a most dutiful and loyal subject, conclude +not to conceal it, whatever might come of it, whereupon notwithstanding +the lateness and darkness of the night in that season of the year, he +presently repaired to his Majesty's palace at Whitehall, and there +delivered the same to the Earl of Salisbury, his Majesty's principal +Secretary." + +Neither the official version nor any State paper mentions the place +where the letter was delivered, which in such a mysterious matter would +be the first inquiry. "Own lodging" at that time signified a person's +house. Hoxton is generally stated to have been the place of delivery,[4] +which was then a single street in the outlying suburb on the great north +road; at a house which Monteagle is known[5] to have occupied, belonging +to his brother-in-law, Francis Tresham; and this ownership may have been +Salisbury's reason for not naming it, which so curious an omission seems +to imply. The letter is as follows: + + "My Lord out of the loue i beare[6]; to some of youere frends i haue + a caer of youer preseruacion therfor i would aduyse yowe as yowe + tender youer lyf to deuyse some excuse to shift of youer attendance + at this parleament for god and man hathe concurred to punishe the + wickednes of this tyme and thinke not slightlye of this + aduertisement but retyre youre self into youre contri wheare yowe + maye expect the euent in safti for thowghe theare be no apparance of + anni stir yet i saye they shall receyue a terrible blowe this + parleament and yet they shall not sei who hurts them this cowncel is + not to be contemned because it maye do yowe good and can do yowe no + harme for the dangere[7] is passed as soon as yowe have burnt the + letter and i hope god will give yowe the grace to make good use of + it to whose holy proteccion I commend yowe." + + (Addressed) "To the ryght honorable + the lord Monteagle." + +It was the opinion of the other conspirators, as well as of the Jesuit +priests who became involved in the plot through the confessional, that +the warning letter originated with Francis Tresham, whose sister was +Lady Monteagle, and another sister had married Lord Stourton; and +Tresham had been most earnest with Catesby that those two lords, +particularly Monteagle, should be warned. In each instance, Catesby was +careful to impose the oath and engage the faith of the conspirator, +before disclosing the plot; and Tresham, the thirteenth and last, sworn +conspirator, on hearing the particulars, entirely disapproved of the +conspiracy, from which he tried to dissuade Catesby, offering him the +use of his own purse if he would even defer it.[8] Tresham could indeed +have desired nothing less than to become involved in such a matter. His +father had recently died, and he had succeeded to a considerable +property,[9] which alone induced his first cousin Catesby to bring him +into the plot. As Tresham wrote when in the Tower:[10] "I thank God I am +owner of such a fortune as is able to afford me what I desire, the +comfort whereof is so much the sweeter unto me, as I have spent most of +my time overburthened with debts and wants, and had resolved within +myself to spend my days quietly."[11] He acknowledged that his +intentions with regard to the other conspirators were "to ship them away +that they might have no means left them to contrive any more ... then to +have taken a course to have given the State advertisement by some +unknown means."[11] He was consequently the only conspirator who +remained behind and at large after Fawkes was taken and the others had +fled. There can be no reasonable doubt that Tresham, though not the +writer, was the sender of the letter; and upon this hypothesis all +investigators must go, as there is none other at all likely. + +FOOTNOTES: + +[Footnote 2: Salisbury, in his letter to Sir Charles Cornwallis, +Ambassador at Madrid (November 9), gives the hour as six o'clock.] + +[Footnote 3: This was his secretary, Thomas Ward, who was known to +Monteagle as a friend of some of the conspirators (as Monteagle himself +was), and one of whom, Ward, the next morning told of the receipt of the +letter. "As a plan concocted by Monteagle and Tresham to stop the plot, +and at the same time to secure the escape of their guilty friends, the +little comedy at Hoxton was admirably concocted" ("What Gunpowder Plot +was," by S.R. Gardiner, D.C.L., 1897, p. 124).] + +[Footnote 4: Father John Gerard (1564-1637) gives particulars of the +delivery of the letter at Hoxton in his contemporary "Narrative of the +Gunpowder Plot," published in 1872.] + +[Footnote 5: "Calendar of Tresham Papers," p. 132.] + +[Footnote 6: The word "yowe" (you), here cancelled in the original, +indicates the writer's first thoughts, and, no doubt, his real meaning.] + +[Footnote 7: Various attempts have been made to explain the nature of +the danger alluded to, which the King and Salisbury at the time, and +others since, have understood as in allusion to the danger of the plot. +Jardine describes it as "mere nonsense" ("Gunpowder Plot," 1835, p. 73). +But the meaning clearly is the danger of the letter being discovered. +The counsel may do him good, and can do him no harm, except through the +danger of keeping the letter, which being burnt, the danger is past. +There is no allusion intended to the danger of the plot, as that, unlike +the danger of the discovery of the letter, could not be affected by +burning the letter.] + +[Footnote 8: Tresham's statement made when in the Tower ("State Papers, +Domestic," James I., xvi. 63).] + +[Footnote 9: The rental of the Rushton Hall estate alone, as given in +the "Return of Owners of Lands" in 1873, is L5,044 yearly. The Tresham +family also owned property at Hoxton and elsewhere.] + +[Footnote 10: He died in the Tower six weeks after writing that letter, +aged thirty-seven.] + +[Footnote 11: "State Papers, Domestic," James I., xvi., 63.] + + + + +III + +IDENTIFICATION OF THE HANDWRITING + + +The style of handwriting of the letter, as seen in the facsimile, is not +in this writer's opinion, from a familiarity of thirty years with old +scripts, apart from the disguise, the hand that an educated person would +write at the time, but is essentially a commonplace and, no doubt +intentionally, rather slovenly style of handwriting. The use of small +"i's" for the first person seems, in view of modern usage, to suggest an +illiterate writer; but educated writers, even the King,[12] then +occasionally lapsed into using them. In the letter, however, they are +consistently and may have been purposely used, to avert suspicion from +being the work of an educated person; though an illiterate appearance +would rather cause such a letter (if genuine) to be disregarded, than to +deter a nobleman from attending the opening of Parliament, for which +leave or licence was required. + +The handwriting has been variously ascribed, but the direction of this +inquiry is indicated by the incautious admission made by Sir Edward +Coke, the Attorney-General at the trial, respecting the real manner in +which the plot was discovered. Salisbury's careful instructions to the +Attorney-General for the trial are with the State papers, in which he +says: "Next, you must in any case, when you speak of the letter which +was the first ground of discovery, absolutely disclaim that any of +these" (the conspirators) "wrote it, though you leave the further +judgment indefinite who else it should be."[13] + +Salisbury thus, in effect, requires Coke by absolutely disclaiming that +any of the conspirators wrote (he does not say "sent") the letter to +Monteagle, and by which alone the treason was discovered, to declare in +Court, as upon the authority of the Government, that therefore none of +the conspirators divulged the plot; which, in any case, could be true +only so far as the disclosure to the Government was concerned. Coke, +however, for some reason--perhaps because he was not fully in +Salisbury's confidence respecting the letter--describes the real manner +of the discovery, according to his own knowledge. Towards the close of +his speech for the prosecution, he said: "The last consideration is +concerning the admirable discovery of this treason, which was by one of +themselves who had taken the oath and sacrament, as hath been said +against his own will;[14] the means by a dark and doubtful letter to my +Lord Monteagle." This, together with Salisbury's statement that none of +the conspirators wrote the letter, shows that the divulging of the plot +preceded the sending of the letter,[15] which was not, therefore, as is +popularly supposed, the means by which the plot was discovered, except +to the general public. + +Hitherto those who have attempted this identification have invariably +sought amongst such as are likely to have written the letter for a +handwriting _resembling the disguised writing_, which seems a strange +method of investigation, as surely the object of a disguised hand[16] +would be to make the general appearance as unlike the writer's ordinary +hand as possible? The writing being in a set and rather large character, +such is the style they have sought for and found, but in a much more +refined hand and without arriving at any satisfactory result. + +It seems, however, reasonable to suspect that this set and rather large +character may be what principally constitutes the disguise, and that the +writer's ordinary hand would be different. The manner in which the lines +are forced upwards at the right side, shows that the writer has had +difficulty in maintaining the large, set, regular character which would +push an unpractised hand in that direction. + +Among the more prominent peculiarities, as seen in the facsimile (No. +1), the writer invariably uses the long "s" as an initial letter in the +ten examples that occur, even when the letter is not a capital. Such +consistent use was usual in legal but not in private hands, though +within a word the long "s" was very common. The "t's" are peculiar; +being made with a twist or short line at foot, crossed midway projecting +from each side, while a stroke is put on the top as a disguised, or +elaborated touch. The "w's" finish with a side loop. Some of the "g's" +show flat tops; the cypher portion being commenced from the left side +with a stroke along the top. The tails of the "y's" are brought forward. +The "hanger" portion of the "h's" invariably drags below the line which, +though not unusual, again indicates in the numerous examples that occur +the writer's habit; while an unusually broad quill has been used to +further the disguise.[17] + +After the plot was discovered, Fawkes arrested, and the other +conspirators had escaped into the country, Tresham remained in London +and even offered his services to the Government. A week later he was +taken to the Tower where, being ill, his wife also came, and he was +attended by his serving-man, William Vavasour, and his maid, Joan Syer. +He was induced "to avoid ill-usage," to say that he thought Father +Garnet, against whom the Government desired to obtain evidence, had +written a letter in furtherance of what was known as the Spanish +Treason, in 1602. Six weeks later, his illness becoming dangerous, he +dictated to his man Vavasour a letter to Lord Salisbury, retracting his +statement respecting Garnet, as being more than he really knew; +declaring upon his salvation that he had not seen him "in sixteen years +before," clearly meaning before the Spanish Treason in 1602, which is +the entire subject of his letter and the fact; and not, as the +Government misunderstood him to mean, before the then time of writing in +1605. This statement, written by Vavasour (Fascimile No. 3), was signed +by Tresham, who asked his wife to deliver it personally to Lord +Salisbury, and within three hours died:[18] + + "I being sent for before yo^r Lordships in the Tow^r, you told me y^t + (that) it was Confessed by Mr Winter, y^t he went upon some + imploym^{ts} in ye Queens time into Spayne & y^t yo^r L. did nominate + to me out of his Confession all the partyes names y^t were acquainted + therew^{th} _namely 4 besides himselfe_[19] & yet sayd y^t ther were + some left for me to name. I desired yo^r L. y^t I might not answere + therunto bycause it was a matter y^t was done in the Queens time and + since I had my pardon. + + "Yo^r Lordships wold not accept of y^t answere, _but sayd y^t I should + be made to speake therunto. And I might thanke my self If I had beene + worse used than I had beene since my Coming to the howse_[19] I told + yo^r Lords^p (_to avoyde ill usage_)[19] y^t I thought Mr. Walley[20] + was p'cured to write his letter for the furthering of this Jeorney. Now + my LL. having bethoughte myselfe of this businesse (being to weake to + use my owne hand in writing this) w^{ch} I do deliver here upon my + salvacon to be trew as near as I can call to mynde, desiring y^t my + form'r Confession may be called in & y^t this may stand for truthe. It + was more than I knew y^t Mr. Walley[20] was used herein, & to give your + Lords'p p'ofe besids my oathe, I had not seene him in sixteene yere + before, nor never had messuadge[21] nor letter from him & to this + purpose I desired Mr. Leiftenant to lett me see my Confession who told + me I should not unlesse I wold inlarge it w^{ch} he did p'ceive I had + no meaning to doe. + + (Signed) Francis Tresame. + + "24 m'ch 1605 [-6]. + This noate was of my owne + hand writing + By me Willia' Vavasore." + +Tresham's statement being misunderstood to mean that he had not seen +Garnet for sixteen years,[22] while the Government knew from Tresham +himself[23] that he had recently been in Garnet's company, was +considered such awful perjury to commit when dying as to be incredible. +Coke wrote to Salisbury: "It is true that no man may judge in this case, +for _inter pontem et fontem_ he might find grace; but it is the most +fearful example that I ever knew of to be made so evident as now this +is." Salisbury at the trial said: "Mr. Tresham in his lifetime accused +you, Garnet, before the lords, yet now upon his salvation, he under his +hand did excuse you, being at the very point of death, saying he had not +seen you _in sixteen years_, which matter, I assure you, before you were +taken shook me very much. But, thanks be to God, since the coming of the +King, I have known so much of your doctrine and practices, that +hereafter they shall not much trouble me." The writing of Tresham's +dying statement was, therefore, particularly, inquired into, and +Vavasour had to make a written statement respecting his knowledge of it; +evidently for comparison of the handwriting. This appears to have so +alarmed him that in his statement (Fascimile No. 4), written in the +presence of Sir William Waad, Lieutenant of the Tower, he asserted that +the dying statement was written by Mrs. Tresham, at her husband's +dictation: + + "I do rememb' y^t my m^r did cause my m^{res} to write a note wherto he + did did (_sic_) bid the mayd and me beare witnes y^t he did set his + hand unto it, but it was not reade at y^t time but since m^{res} + Tressa' did reede it to me and sayd it was y^t noate y^t my m^r did + bid us beare witnesse and she comaunded me to carye a letter to S^r + Waulter Cope and to desire him to deliver the noate inclosed to my + Lorde of Salsburye and further my m^r did say y^t he cold not write + him selfe bycause he was not able but he did sett his hande unto it + as before I have sayd and this was done some day before his death. + + "(Signed) By me William Vavasor. + + "23. March 1605 [-6]. + Taken before us: + (Signed) W. Waad. + Willus Lane." + +If for any reason Vavasour did not desire his writing to be brought into +question, there could be no harm, beyond his falsehood, in naming Mrs. +Tresham as the writer of that letter, as neither could possibly be +blamed for writing such a statement for his master. The question arises, +whether Vavasour would have ventured upon an untrue statement, except +through panic, unless feeling sure of Mrs. Tresham's support? As Mrs. +Tresham throughout made no attempt to conceal the truth for Vavasour, +she may have been unaware of any reason for diverting inquiry from +himself respecting letters written for his master. Even if Mrs. Tresham +had been willing to connive at his falsehood, she could not have done +so; as Salisbury, being convinced that she not only wrote but composed +her husband's dying statement and induced him to sign to shield Father +Garnet, was so incensed against her that he declined to see her,[24] or +even to receive her husband's statement, when she tried to deliver it. +She was therefore obliged, in view of possible consequences to herself, +to own[25] that Vavasour wrote the statement at her husband's dictation. +Vavasour was then examined in the Tower by Chief Justice Popham and by +Coke, when he confessed[26] that he wrote the dying statement at his +master's dictation, and had denied it through fear, which could only +arise from having written some other and less innocent letter for him. + +Vavasour, when writing his untrue statement, would avoid using his +ordinary handwriting, as already appearing in the letter in question +(No. 3), which he had ascribed to Mrs. Tresham. He, therefore, disguises +his writing, so far as having to write off-hand and under the +observation of the Lieutenant of the Tower and an attendant Justice, +with the consciousness that he is writing what is false, and while +having to be careful not to reproduce his former disguised hand, as seen +in the anonymous letter, permits him; and the hand thus produced betrays +him as the writer of that letter, with which the writing is, in itself, +identical. The long "s" is invariably used for a word commencing with +that letter, even when not a capital; there are the same peculiar "t's," +though in a less disguised or elaborated form than those of the +anonymous letter, but there they clearly are; the "w's" have no side +loops, but in Vavasour's note at foot of No. 3 a conspicuous example is +seen; there are no "g's";[27] the "y's" are particularly noticeable, +being in two varieties: Vavasour's ordinary "y," of which the tail is +tucked back; in the other, the tail is brought forward; and no one can +fail to see that the latter are by the same hand as those in the letter; +the "hangers" of the "h's" invariably drag below the line; and +generally, the writing may throughout be detected as by the same hand +that wrote the anonymous letter. + +The best specimen of Vavasour's handwriting, although not so useful as +No. 4 for identification purposes, is in the MS. entitled "A Treatise +against Lying," etc., identified by William Tresham as having been +transcribed by Vavasour for Francis Tresham, which is now in the +Bodleian Library (Facsimile No. 2). To anyone familiar with the +handwriting of the period, Vavasour's writing is the usual law-writer's +or copyist's hand, such as appears in conveyances and deeds of the +time,[28] and is not the style of hand that an educated person would +then write. Each initial "s" is of the long form; each "w" has a side +loop; the "g's" are flat-topped; and the "h's" come below the line, etc. +Tresham's dying statement (No. 3) appears to be in a similar but +smaller[29] and less carefully written hand. Vavasour wrote a neat, +small hand, which, when disguising, the probability is that he would +attempt an opposite style. If it were not for the testimony of the +Lieutenant of the Tower, that the untrue statement (No. 4) was actually +written in his presence by Vavasour, the writing would not, from the +general appearance, readily be recognized as by the same hand that wrote +Tresham's dying statement (No. 3), and so acknowledged by Vavasour. This +shows that he was naturally clever in disguising his hand, hence his +employment by Tresham in writing the anonymous letter to Lord Monteagle. + + * * * * * + +Upon the evidence of the handwriting alone, William Vavasour was the +writer of that letter.[30] + +FOOTNOTES: + +[Footnote 12: In the "Correspondence of James I. with Sir Robert Cecil" +(published by the Camden Society in 1861), both the King and the Earl of +Northumberland occasionally use them (pp. 64, 70, etc.). The latter also +uses them in his general correspondence.] + +[Footnote 13: "State Papers, Domestic," James I., xix. 94.] + +[Footnote 14: Tresham was throughout the only unwilling conspirator, but +he did not take the oath sacramentally, only seven or eight of the +thirteen conspirators did so.] + +[Footnote 15: "No wise man could think my lord (Monteagle) to be so weak +as to take any alarm to absent himself from Parliament upon such a loose +advertisement" (Letter from Salisbury to Cornwallis, November 9).] + +[Footnote 16: Salisbury, in his letter to Cornwallis, particularly +describes the writing as being "in a hand disguised," and he, like +Monteagle, would know not only the writer, but how the letter came to be +written.] + +[Footnote 17: In an expert examination of handwriting, the angle at +which the pen is held, as indicated by the long strokes, and the spacing +between the lines which a writer naturally uses, have also to be +considered--being the basis of handwriting, the first movements that are +made in learning to write, and become each writer's characteristics in +those respects. In each specimen of William Vavasour's handwriting, +including the anonymous letter, the long strokes are generally at the +same angle, and the spacing between the lines (except in No. 3) is +throughout generally similar, while his brother George's hand is in each +respect quite different.] + +[Footnote 18: "He died this night, about two of the clock after +midnight, with very great pain; for though his spirits were much spent +and his body dead, a-lay above two hours in departing" (Lieutenant of +the Tower to Salisbury, December 23, 1605, "State Papers, Domestic," +James I., xvii. 56). Tresham's death, being so opportune for Monteagle, +if not for Salisbury, has been attributed to poisoning; but Stowe's +"Annals" (1615, p. 880) states it to have been occasioned by strangury, +though giving the date of his death incorrectly as November 22. Ten +years later a subsequent Lieutenant of the Tower was executed for +poisoning a State prisoner.] + +[Footnote 19: The portion printed in italics was underlined by Coke for +_omission_ when the statement was read at the trial. The "4 besides +himself," having reference to Monteagle, was therefore suppressed; the +other suppressions in the statement were made for obvious and unfair +reasons.] + +[Footnote 20: "Walley" was one of Father Garnet's aliases.] + +[Footnote 21: This is very suggestive of a law-writer's spelling of +"message" (messuage and tenement).] + +[Footnote 22: When Garnet returned from Rome in 1585, as Superior of the +Jesuits in England, he made the Treshams' acquaintance, being a +prominent Roman Catholic family, when Francis was eighteen. Garnet was +not their confessor, and the acquaintance had dropped for at least +sixteen years before the Spanish Treason in 1602. Garnet's statement, +made (March 23, 1605-6) after Tresham's death, is: "I knew him about 18 +years ago, but since discontinued my acquaintance until the time between +his trouble in my lord of Essex's tumult and the Queen's death" +(1602-3). Garnet would have neither motive nor inclination to shield +Tresham, whose betrayal of the plot had brought Garnet to the Tower. He +might otherwise have discerned Tresham's real meaning in his statement +of "sixteen years before," which the contemporary Jesuit Father Gerard +correctly interprets as before 1602 in his narrative of the plot. It was +not Garnet's complicity in the Spanish Treason in the previous reign +(for which he had his pardon) that the Government cared about, and that +so shook Salisbury, but simply Tresham's dying statement being +misunderstood to mean that he had not seen Garnet for the past sixteen +years, which is all that the present writer is concerned with.] + +[Footnote 23: "State Papers, Domestic," James I., xvi. 62.] + +[Footnote 24: So he said at the trial: "She came to see me, but I spared +either to speak with her or hear her." But Mrs. Tresham in her +examination said that, "in respect of her sorrow and heaviness," she +"was enforced to send it"; and in her note enclosing the dying statement +to Sir Walter Cope for delivery, she wrote: "My sorrows are such that I +am altogether unfit to come abroad; wherefore I would entreat you to +deliver it yourself unto my lord, that I may have my husband's desire +fulfilled therein" ("State Papers, Domestic," James I., ccxvi. 211).] + +[Footnote 25: Examination of Mrs. Tresham (_ibid._, ccxvi. 209).] + +[Footnote 26: Examination of William Vavasour (_ibid._, ccxvi. 207).] + +[Footnote 27: Vavasour, in his authentic and ordinary writing, used +flat-topped "g's," as seen in the anonymous letter, as well as in No. 2, +ascribed to him.] + +[Footnote 28: The deed of Robert Catesby's marriage settlement with +Katherine, eldest daughter of Sir Thomas Leigh, of Stoneleigh (1592), in +the possession of T.W. Whitmore-Jones; Esq., of Chastleton House, Oxon, +is in a similar legal hand, with precisely the same peculiarities of +"s," "g," "w," "h," etc. A law-writer's hand to-day is in a +"copper-plate" style, which, although most suitable for the purpose, is +not the kind of hand that an educated person would write whose business +was not copying, and there was then a similar distinction between them.] + +[Footnote 29: Apparently owing to restrictions of space and paper.] + +[Footnote 30: The original letter is framed and exhibited upon a +pedestal in the Museum of the Public Record Office. The facsimile has, +therefore, had to be made from a negative taken of the letter as seen +through glass, while the other facsimiles have the advantage of being +made from negatives taken of documents unglazed.] + + + + +IV + +THE ATTORNEY-GENERAL'S OPINION OF VAVASOUR'S GUILT + + +The Attorney-General in his speech for the prosecution at Father +Garnet's trial (March 28, 1606), as given in the official report, +alluding to Tresham's dying statement, said: "Upon his death-bed he +commanded Vavasour his man, _whom I think deeply guilty in this +treason_, to write a letter to the Earl of Salisbury." + +Henry Garnet's trial was purposely held at the City Guildhall, instead +of Westminster Hall, the usual trial place where the conspirators had +been tried, in order to make the occasion as imposing, and his case as +exemplary, as possible, on account of his position as Superior of the +Jesuits in England.[31] The King was privately present, and there was a +most distinguished assembly of ambassadors, nobility, and others. + +Before this audience, the Attorney-General, whose opinion determines or +considerably influences a prosecution for high treason, states in Court +that a person who is not even present nor arraigned is in his opinion +"deeply guilty" in the most infamous treason ever attempted, and for +which the conspirators had already been executed: so "heinous, horrible +and damnable"[32] was it considered, that the authorities had even +proposed to devise some specially severe form of torture for the +perpetrators to undergo, in addition to the usual terrible penalty for +high treason.[33] + +Coke, who it will be remembered was the most eminent counsel and the +greatest jurist of the time, however desirous he would be of bringing to +light everything connected with such a treason upon the occasion, would +scarcely, as legally representing the Crown in his capacity of the +King's Attorney-General, express so extremely damaging an opinion +without sufficient reason. There is something in his mind concerning +Vavasour,[34] respecting whom he is not satisfied; and it can only be +Vavasour's having written, not the letter to Salisbury--as that could +not possibly implicate him, nor render him "deeply guilty" in a treason +_which had been discovered and ended six weeks before the letter to +Salisbury was written_--but that other and most treasonable letter to +Monteagle, for there was nothing else against him in the matter.[35] +Coke evidently knows, or suspects, that Vavasour wrote the warning +letter; and he cannot understand why he is not brought to trial.[36] He +therefore expresses his opinion of Vavasour's guilt as strongly as +possible, and even describes him with what for an Attorney-General in +ordinary circumstances would be a singular redundancy of legal +expression, as being "deeply guilty" in the treason.[37] No one would +know better than the Attorney-General that in high treason itself the +law makes no distinction whatever of degrees of guilt, nor can there +even be an accessory: once participant, whatever the part played may be, +all alike are principals. + +Coke's statement in Court has been officially in print for over three +hundred years, yet no investigator seems to have noticed it and so have +been led to inquire what was done to Vavasour?--by which alone a clue +might have been obtained to the writer of the letter.[38] Although +Vavasour was publicly stated by the Attorney-General to be "deeply +guilty" in a treason of which Salisbury wrote: "I shall esteem my life +unworthily given me when I shall be found slack in searching to the +bottom of the dregs of this foul poison, or lack resolution to further +to my small power the prosecution and execution of ALL those whose +hearts and hands can appear foul in this savage practise"[39]--yet he +was not even brought to trial, while other serving-men were tried and +executed.[40] + +It is questionable whether Salisbury, unless agreeing with Coke's +opinion of Vavasour's guilt, would have allowed the allusion to appear +in the official report of the trial, prepared by himself and sanctioned +by the King;[41] as, if innocent of the treason, an intolerable +injustice would have been done to Vavasour by the publication, which +probably neither the King nor Salisbury would have permitted, in making +a senseless attack upon the reputation of an innocent man, who would +certainly have protested. + +Without, however, assuming too advanced ideas of justice for the time, +it is unlikely that so capable a person as Salisbury appears to have +been,[42] could fail to perceive that the publication of the +Attorney-General's opinion of Vavasour's guilt must, in the absence of +any prosecution, call attention to Vavasour, and thus furnish a clue to +the writer of the letter. Salisbury, though generally fair-minded, might +not trouble himself about Vavasour's reputation, but he would about his +own, which would be affected by his failure, after his strongly +expressed determination, in bringing to justice ALL who were concerned +in such a treason; and this would still apply, even if Coke's published +allusion to Vavasour's guilt was merely counsel's rhetoric. Coke, +however, at the moment when making that allusion, was not declaiming +upon the treason, but simply stating a fact about Tresham, with the King +listening; and in alluding to Vavasour, he expresses what is in his +mind--"_whom I think deeply guilty in this treason_": evidently his +deliberate opinion, which he would have every opportunity of forming, +as, with the exception of Salisbury and the conspirators, he would know +more of the workings of the plot than anyone. Salisbury's chief concern, +apparently, was at all costs to keep Vavasour silent, which he did; +while his anxiety "to leave the further judgment indefinite" respecting +the writer of the letter, plainly shows that the matter would not bear +inquiry. + + * * * * * + +The only possible conclusion, therefore, is that Vavasour wrote the +anonymous letter to Lord Monteagle, which the identity of the +handwriting absolutely confirms. + +FOOTNOTES: + +[Footnote 31: "My Sovereign determined that your trial should be in this +honourable assembly. For who is Garnet that he should be called hither, +or we should trouble ourselves in this Court with him? which I protest +were sufficient for the greatest Cardinal in Rome, if in this case he +should be tried. No, Mr. Garnet, it is not for your cause that you are +called hither, but to testify to the world the foulness of your fact, +the errors of your religion," etc. Lord Salisbury's Speech at the Trial. +(Gerard). When at the trial, rebuking Garnet for untruthfulness in his +previous examination before the Council, Salisbury said: "You stiffly +denied it upon your soul, reiterating it with so many detestable +execrations, _as our hair stood upright_" (Jardine).] + +[Footnote 32: The Act for the Attainder of the Conspirators ("Statutes +of the Realm," 3 James I., c. 2). Coke himself characterized the treason +at the trial as "beyond all examples, whether in fact or fiction, even +of the tragic poets who did beat their wits to represent the most +fearful and horrible murders." And in the prayer to be used in the +Anniversary Service for the Fifth of November it is described as having +been attempted "in a most barbarous and savage manner, beyond the +examples of former ages. From this unnatural conspiracy, not our merit, +but Thy mercy; not our foresight, but Thy providence, delivered us," +etc.] + +[Footnote 33: In the previous century, in a case where a more severe +penalty was desired to be inflicted, the offender was, by Act of +Parliament, publicly _boiled alive_ ("Statutes of the Realm," 22 Henry +VIII., c. 9).] + +[Footnote 34: Coke worked hard for some months in thoroughly preparing +the evidence for the trial, so that little would escape him. As he wrote +to Salisbury: "If your lordship knew what pains have been taken herein, +your lordship would pity the old attorney" (Hatfield MSS.).] + +[Footnote 35: Vavasour's falsehood respecting Mrs. Tresham had nothing +to do with the treason. Coke seems to mention Vavasour's guilt as if +antecedent to the writing of the letter to Salisbury.] + +[Footnote 36: This work is merely the identification of the writer of +the anonymous letter only, and makes no attempt to answer the much more +difficult question of what the arrangement was between Salisbury and +Monteagle, or between Monteagle and Tresham, respecting the sending of +the letter; but with regard to Coke, it is unlikely, from what is known +of their intercourse and their frequent differences in court, that he +would be admitted to any particular confidence with Salisbury in the +matter.] + +[Footnote 37: Vavasour's concealment of guilty knowledge as the writer +of the warning letter would probably be only misprision of treason, +unless Coke knew or suspected that he was directly concerned in the +treason.] + +[Footnote 38: The present writer does not owe the identification to that +clue, which was not met with until after Vavasour had been identified as +the writer of the letter.] + +[Footnote 39: Letter to the Earl of Dunfermline, Lord Chancellor of +Scotland. December 1, 1605 ("State Papers, Domestic," James I., xvii. +2). Salisbury was created K.G. with almost regal pomp for his services +in the matter. "Tuesday the 20th of May (1606), at Windsor, were +installed Knights of the Garter, Robert, Earl of Salisbury, who set +forward from his house in the Strand, being almost as honourably +accompanied and with as great train of lords, knights, gentlemen, and +officers of the Court, with others besides his peculiar servants very +richly attired, and bravely mounted, as was the King when he rid in +state through London" (Stowe's "Annals," 1615, p. 883).] + +[Footnote 40: Bates, Catesby's serving-man, at London; others in the +country.] + +[Footnote 41: Although known as the "King's book," the report of the +trial was evidently compiled by Salisbury and corrected by the King.] + +[Footnote 42: Salisbury's statesmanship is evinced by the advice he +wrote to James (I.) when King of Scotland, and impatiently awaiting +Queen Elizabeth's demise: "Your best approach towards your greatest end, +is by your Majesty's clear and temperate courses, to secure the heart of +the highest, to whose sex and quality nothing is so improper as either +needless expostulations, or over much curiosity in her own actions. The +first showing unquietness in yourself; the second challenging some +untimely interest in hers; both which, as they are best forborne when +there is no cause, so be it far from me (if there shall be cause), to +persuade you to receive wrongs and be silent" ("Secret Correspondence," +Camden Society, 1860, p. 7).] + + + + +V + +FRANCIS TRESHAM'S CONFIDENCE WHEN IN THE TOWER + + +Upon Tresham's death in the Tower (December 23, 1605), the Lieutenant +wrote to Salisbury: "I find his friends were marvellous confident if he +had escaped this sickness, and have given out in this place that they +feared not the course of justice."[43] As the late Dr. Gardiner +observed: "This confidence they could only have derived from himself, +and it could only have been founded on one ground." + +Had Tresham's committal to the Tower been otherwise than a mere +formality, or "a farce," neither his wife nor his servants would under +any circumstances have been permitted to attend or even see him whatever +the state of his health might have been; and had he survived, nothing +serious would have been done to him,[44] any more than was done to his +"deeply guilty" servant Vavasour. + +Tresham, though dreading, as he said, "the infamous brand of an +accuser,"[45] was as evidently the Informer to the Government, either +directly or indirectly through Monteagle, as his servant Vavasour was +the writer of the letter. + +FOOTNOTES: + +[Footnote 43: "State Papers, Domestic," James I., xvii. 58.] + +[Footnote 44: He left no male issue, and was succeeded in the family +property by his next brother Lewis, who was created a baronet June 29, +1611, one of the second batch of baronets made on the institution of +that Order the previous May 22 by James I.] + +[Footnote 45: "State Papers, Domestic," James I., xvi. 63.] + + + + +VI + +THE VAVASOURS AS DEPENDANTS OF THE TRESHAM FAMILY + + +The Tresham Papers[46] contain much information respecting the Vavasours +as dependants of that family. Sir Thomas Tresham had a bailiff or +collector, named Thomas Vavasour, an old and much valued Catholic +servant,[47] who had, with perhaps other children, two sons, George and +William, and a daughter, Muriel. George, who had been educated, was in +June, 1596, sent up by his father with a letter to Sir Thomas, then in +town, in order that he might be entered at one of the Inns of Court, as +Sir Thomas might advise: "Mr. Francis Tresham has encouraged him in this +kind of study and the cost already bestowed must not be lost. He knows +he has nothing else to trust to but his learning, nor does he seem so +fit for anything else."[48] He was accordingly admitted to the Inner +Temple in November of that year,[49] where Lewis Tresham (Sir Thomas's +second son) had been admitted the previous November, and to whom there +is an allusion of George Vavasour acting as tutor.[50] William Vavasour, +the other son, was servant to Sir Thomas, and though not so educated as +his brother George, was not a livery-servant or footman,[51] but appears +to have held a similar or superior position with Sir Thomas, to that +which Bates, who kept his own man,[52] held with Catesby, a kind of +secretary-valet of the time.[53] After Sir Thomas's death he served his +eldest son Francis Tresham in the same capacity; while the sister Muriel +Vavasour, who bore the same (then uncommon) Christian name as Lady +Tresham, and may have been her god-daughter, became "gentlewoman without +livery" at L5 yearly[54] to Lady Monteagle, who was Lady Tresham's +daughter. Both George Vavasour and his brother William were +confidentially employed by Francis Tresham as amanuenses, where secrecy +was necessary in transcribing religious or political treatises, such as +were then circulated amongst Roman Catholics, and, being treasonable, +dared not be printed. + +On December 1, 1605, the Attorney-General, while investigating the +conspiracy, obtained two MS. volumes which had been found in George +Vavasour's chambers in the Inner Temple. One, officially described as a +"quarto" volume, though an octavo (8-1/4 x 5-3/4), entitled +"A Treatise against Lying,"[55] was stated by George Vavasour, on +examination[56] to have been lent him by Francis Tresham to copy,[57] +and the copy he had made was contained in the folio, the other MS. +found. He denied any knowledge of the handwriting in the "quarto" +volume, except that he had recopied the last page (61), in order to +replace a torn leaf, bearing in Latin the Imprimatur of George +Blackwell, Archpriest of the English Jesuits. William Tresham (Francis +Tresham's youngest brother), on being examined by Coke, said that he +thought the "quarto" MS. was in William Vavasour's handwriting, who was +formerly his father's servant, and since serving his eldest brother in +the Tower.[58] William Tresham may have seen Vavasour so employed at +home and would know his writing; while George Vavasour might not wish to +bring his brother into question. The folio MS. has disappeared, but the +"quarto" copy, as ascribed to William Vavasour, is now with Archbishop +Laud's MSS. (No. 655) in the Bodleian Library, and was published in +1851. + +[Illustration: FACSIMILE No. 1. + +The anonymous letter as delivered to Lord Monteagle, October 26, 1605, +warning him not to attend the opening of Parliament appointed for the +Fifth of November. (From the original letter in the Museum of the Public +Record Office.)] + +[Illustration: FACSIMILE No. 2. + +A page of the MS. intitled "A Treatise against Lying, &c.", formerly +belonging to Francis Tresham, of which the handwriting was attributed by +his brother, William Tresham, to William Vavasour. Now in the Bodleian +Library. (Laud MSS. 655, folio 44.)] + +[Illustration: FACSIMILE No. 3. + +William Vavasour's handwriting in the letter to the Earl of Salisbury, +dictated and signed by Francis Tresham, when dying in the Tower. +December 22, 1605. (State Papers, Domestic. James I. ccxvi. 211.) + +Stated by Vavasour to have been written by Mrs. Tresham. On March 24, +1605-6, he confessed that he wrote it, and signed a note to it to that +effect.] + +[Illustration: FACSIMILE No. 4. + +William Vavasour's handwriting in his _untrue_ statement written in the +presence of the Lieutenant of the Tower, that No. 3 was written by Mrs. +Tresham. Dated March 23, 1605-6. (State Papers, Domestic. James I. +ccxvi. 207.) + +[***]To avoid detection of his falsehood, he writes a hand quite +different from his ordinary writing in Nos. 2 and 3, thus producing a +hand which is in itself identical with his former disguised writing as +seen in the anonymous letter (No. 1).] + +[Illustration: FACSIMILE No. 5. + +George Vavasour's handwriting on the last leaf, which he renewed for +Francis Tresham, of the MS. intitled "A Treatise against Lying, &c." +(Laud MSS. 655, folio 61.)] + +George Vavasour's handwriting upon the last leaf of the MS. (Facsimile +No. 5) shows a much more refined and educated hand than his brother's, +from which the writing is in every respect different. A small "s" is +invariably used in commencing a word with that letter; the "t's " are +quite different; the "w" finishes with an inner, not an outer loop; the +"g's" have no flat tops; and the "hangers" of the "h's" do not descend +below the line. The writing is evidently an educated hand for the time, +and cannot readily be imagined as using small "i's" for the first +person, such as are used in, and seem to accord so well with, the much +less educated handwriting of the warning letter. + + * * * * * + +WILLIAM VAVASOUR, the Tresham family serving-man, is thus not only +conclusively proved to have written the anonymous letter to Lord +Monteagle, but most probably was also the "unknown man of a reasonable +tall personage" who is so quaintly described in the Government story as +having delivered the letter. + +FOOTNOTES: + +[Footnote 46: Calendared by the Historical MSS. Commission. "Report on +MSS. in various Collections, vol. iii., 1904. The MSS. of T.B. +Clarke-Thornhill, Esq., of Rushton Hall, by Mrs. R.C. Lomas." These +important family papers were preserved and discovered in a curious +manner. In 1828, when making alterations at Rushton Hall, on removing a +partition wall, they were found with some theological books in a large +bundle wrapped in a sheet, which had been built into a recess in the +wall. As the papers, commencing in 1576, with a few of earlier date, end +in November, 1605, they were probably thus hidden away on Tresham's +arrest.] + +[Footnote 47: "Calendar," p. 59.] + +[Footnote 48: _Ibid._, p. 89.] + +[Footnote 49: "Students admitted to the Inner Temple, 1547-1660" +(1877).] + +[Footnote 50: "Calendar of Tresham Papers," p. 90.] + +[Footnote 51: His name does not appear in the list of Sir Thomas's ten +livery servants as retained while the establishment was at Hoxton before +Monteagle's tenancy, of which the accounts are with the Tresham Papers. +Under the stable charges is the keep of a horse for Thomas Vavasour, the +father (_ibid._, pp. 47, 50).] + +[Footnote 52: "Examination of Christopher Story, Thomas Bates's man" +("State Papers, Domestic," James I., xvi. 28, 1).] + +[Footnote 53: It will be remembered that Salisbury in the official story +describes Ward, who was Monteagle's secretary, as "one of his men."] + +[Footnote 54: Each of the other female attendants and servants, even +"Mawdlyn the Frenchwoman" at L10 yearly, have a livery ("Calendar of +Tresham Papers," p. 50).] + +[Footnote 55: The manuscript was originally entitled "A Treatise upon +Equivocation," which was altered by Father Garnet into "A treatise +against Lying & fraudule't dissimulatio'. Newly overseen by ye Authour & +published for the defence of Innocency, & for the Instructio' of +Ignora'ts." It purports to show when equivocation may "lawfully" be +used, and may have been compiled by Garnet, as the title-page and the +annotations throughout are in his handwriting. The folio manuscript by +George Vavasour was evidently a fair copy of the revised "quarto," and +Tresham's reason for having it made.] + +[Footnote 56: "Examination of George Vavasour, of the Inner Temple, +Gent., December 9, 1605" ("State Papers, Domestic," James I., ccxvi. +151).] + +[Footnote 57: He also confessed having transcribed the treatise "De +Officio Principis Christiani" (Further examination, December 13, 1605, +_ibid._, ccxvi. 155). Coke alluded to these manuscripts at the trial as +"certain heretical, damnable and treasonable books discovered." He said: +"There is in Tresham's book, 'De Officio Principis,' an easier and more +expedite way than all these to fetch the crown off the head of any king +christened whatsoever, which is this that: '_Princeps indulgendo +haereticis, amittit regnum._'--If any prince shall but tolerate or favour +heretics, he loseth his kingdom." This shows the confidential nature of +the Vavasours' employment as amanuenses by Tresham in such matters.] + +[Footnote 58: Examination of William Tresham, December 9, 1605 ("State +Papers, Domestic," James I., xvii. 23).] + + + +THE END + +PRINTED BY +BILLING AND SONS, LIMITED, +GUILDFORD, ENGLAND + + + + + + + +End of the Project Gutenberg EBook of The Identification of the Writer of +the Anonymous Letter to Lord Monteagle in 1605, by William Parker and Francis Tresham and William Vavasour + +*** END OF THIS PROJECT GUTENBERG EBOOK ANONYMOUS LETTER *** + +***** This file should be named 29777.txt or 29777.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/9/7/7/29777/ + +Produced by Robert Cicconetti, Jane Hyland and the Online +Distributed Proofreading Team at http://www.pgdp.net (This +file was produced from images generously made available +by The Internet Archive/Canadian Libraries) + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/29777.zip b/29777.zip Binary files differnew file mode 100644 index 0000000..90348b6 --- /dev/null +++ b/29777.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..563ef47 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #29777 (https://www.gutenberg.org/ebooks/29777) |
