summaryrefslogtreecommitdiff
path: root/29773.txt
diff options
context:
space:
mode:
Diffstat (limited to '29773.txt')
-rw-r--r--29773.txt1518
1 files changed, 1518 insertions, 0 deletions
diff --git a/29773.txt b/29773.txt
new file mode 100644
index 0000000..8f377d4
--- /dev/null
+++ b/29773.txt
@@ -0,0 +1,1518 @@
+The Project Gutenberg EBook of Legends of Wailuku, by Charlotte Hapai
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Legends of Wailuku
+
+Author: Charlotte Hapai
+
+Illustrator: Will Herwig
+
+Release Date: August 23, 2009 [EBook #29773]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK LEGENDS OF WAILUKU ***
+
+
+
+
+Produced by The Online Distributed Proofreading Team at
+http://www.pgdp.net (This file was produced from images
+generously made available by The Internet Archive/American
+Libraries.)
+
+
+
+
+
+
+_LEGENDS
+OF THE
+WAILUKU_
+
+_SECOND EDITION_
+
+_Copyright 1920-1921 by_
+THE CHARLES R. FRAZIER COMPANY
+HONOLULU
+
+_Paradise of the Pacific Print_
+
+
+ [Illustration: Drawn by Will Herwig. Paradise Eng.
+
+ Hina's Spirit Still Lives in the Mists of Rainbow Falls.]
+
+
+
+
+LEGENDS
+
+OF THE
+
+WAILUKU
+
+
+_As told by old
+Hawaiians and
+done into the
+English tongue
+by Charlotte
+Hapai_
+
+
+_Illustrated
+by
+Will Herwig_
+
+
+
+
+ _To remember our happy
+ hours of story-telling,
+ this printed fragment
+ is in gratitude dedicated
+ to my grandmother,
+ Harriet Kamakanoenoe Hapai._
+
+
+
+
+THE WAILUKU.
+
+
+Fed from the great watershed of Hawaii far up the densely wooded
+flanks of Mauna Loa and Mauna Kea--often snow-capped in winter--the
+Wailuku River roars through the very center of Hilo, principal town of
+the Island of Hawaii.
+
+There are many vague stories as to why the Wailuku River was so named.
+In the Hawaiian tongue Wailuku means literally "destroying water."
+
+In olden times before there were bridges and other safeguards the
+river wrought considerable damage to property and during the rainy
+season it took its toll of human lives. Legends connected with the
+Wailuku tend to confirm the belief that it was named for its violent
+habits.
+
+Long ago, so one legend goes, the much dreaded Kuna (dragon) blocked
+the gorge below Rainbow Falls with intent to back the waters up and
+drown the goddess Hina, who dwelt in the great cave for which the
+falls form a curtain. How her son, the demi-god Maui, came to the
+rescue, saved his mother, and finally hunted Kuna from his lair up the
+river and slew him, is told in the legend, "The Last of Kuna."
+
+When Paoa, a very powerful god from Tahiti, came to visit Hawaii he
+built a grass hut and made his home on the long, low rock--now known
+as Maui's canoe--in the Wailuku near its mouth.
+
+Local gods viewed this selection of a homesite as foolhardy, but Paoa
+was unaware of the sudden and rapid rise the river made when heavy
+rains and cloud-bursts loosed their torrents high upon the slopes of
+Mauna Kea. Hina, goddess of the river, warned the visitor of his
+danger and told him how the angry waters would sweep everything before
+them. In the legend, "The Coming of Paoa," you will find his answer.
+
+In those days there must have been much more water in the river than
+there is today, for a certain amount is now diverted above Rainbow
+Falls for water power.
+
+In spite of the decreased volume the river is still very violent and
+treacherous. At high water big boulders are clumsily rolled down
+stream and when the river is unusually high even trees are torn from
+the banks and carried out to sea.
+
+So the Wailuku still lives up to its name, Destroying Water.
+
+
+
+
+HOW HILO WAS NAMED.
+
+
+King Kamehameha the Great was a very famous warrior. His chief
+ambition, which he lived to realize, was to become sole ruler of all
+the Hawaiian Islands. Naturally he had numerous enemies, and he never
+remained long in one place for fear some of them might learn of his
+whereabouts and attack him.
+
+One time, when he was encamped near the mouth of the Wailuku, he
+planned a quiet visit to what is now known as Reed's Island, where
+lived a particular friend of his. As this friend was a powerful chief,
+Kamehameha felt safe in going to him without his usual warrior
+bodyguard.
+
+Before leaving camp he called his servants to him and told them to
+stand watch over his canoe, that it might not be stolen or carried
+away by the tide. This they promised faithfully to do.
+
+As time passed and the king did not return or send word to his
+servants they grew uneasy about him. Perhaps he might have been
+ambushed, they reasoned; or more likely fallen into one of the caverns
+formed by ancient lava flows and which are often treacherously
+concealed by a thin, brittle crust that a man of Kamehameha's bulk
+might easily break through. Much as they feared for the king's safety,
+the servants dared not leave the canoe unguarded. They were in a
+quandary indeed.
+
+"I know what we can do!" cried one of the men. "We can make a rope of
+ti leaves and tie the canoe so it cannot drift away."
+
+"Make a rope," queried another, "how can we do that?"
+
+"Simple enough," answered the first speaker. "I'll show you. Take the
+ti leaves and fasten them together. First you make two chains of
+leaves--like this--and then twist each one. When you place them
+together they will naturally twine about each other and you have a
+very strong rope. Such twisting is called hilo."
+
+"I've never seen it done," admitted his fellow sentry, "but it looks
+very simple."
+
+"And so it is," went on the resourceful one, as he rapidly twisted the
+ti leaves into serviceable ropes. "Now," he concluded, "these are
+plenty long enough. Let us make the canoe fast to the beach."
+
+And taking their ropes to the canoe they tied it securely to that
+point of land--known to the old Hawaiians as Kaipaaloa--near the mouth
+of the river where the lighthouse stands today. Then they set out in
+search of the king.
+
+Only a short way up the river they met Kamehameha returning unharmed.
+Ignoring the spirit of their intent in absenting themselves from their
+post of duty, the king demanded:
+
+"But where is my canoe? What have you done with my canoe? You promised
+to guard it. By now it may have drifted out to sea or been stolen!"
+
+"We tied it with ti ropes," answered the servant who had woven them.
+
+"Ti ropes!" roared his majesty. "Why, no one here knows how to make
+ropes like that. The only place they do know is at Waipio. How did you
+learn?"
+
+"I came to you from there," the man answered.
+
+"Oh, and that is where you learned. Well and good. Hereafter this
+place shall be called Hilo."
+
+And so it has been. The town at the mouth of the Wailuku has since
+that day been known by the Hawaiian word meaning "to twist."
+
+
+
+
+MAUI CONQUERS THE SUN.
+
+
+Hina, the goddess who in the long ago made her home in the great cave
+beneath Rainbow Falls, was especially gifted in the art of tapa
+making. So wonderfully artistic and fine were the tapas of Hina that
+people journeyed from all parts of the Island to view them and to
+covet. Even across the mighty shoulders of Mauna Loa from Kona and
+Kailua and down the rugged Hamakua Coast from Waipio they came, and
+from the other islands as well.
+
+It was hard, laboring over the tapa every day, and especially hunting
+for the olona which Hina sometimes used. But she used also the bark of
+the mamake and wauke trees, which were more plentiful and very good
+for tapa.
+
+Interested though he was in the manufacture and decoration of this
+beautiful paper-cloth, Hina's son, the demi-god Maui, held aloof from
+the work. In the making of tapa man's hand was tabu, yet he could not
+forbear an occasional suggestion when his mother created mystic
+designs for decoration of her work.
+
+After the tapa was made it had to be placed for the Sun to dry, but by
+the time Hina would reach the drying frames, the Sun was far up in the
+sky. All too soon long shadows would creep across the stream below
+Rainbow Falls, warning her that night approached and that it was time
+to take in her tapa.
+
+ [Illustration: Drawn by Will Herwig. Paradise Eng.
+
+ As Maui Reached the Eastern Rim the Sun Was Disappearing.]
+
+Quite often the dyes with which the designs were painted on the tapa
+were not entirely dry when the tapa was taken in, and many fine pieces
+were smeared and ruined. Days were short in the narrow walled-in river
+gorge and the Sun shone directly on the tapa for only a few hours,
+passing then beyond the high western wall, and gloom would settle
+about the cave, growing deeper with oncoming night.
+
+It grieved Maui to see his mother's tapa so often spoiled, so he
+besought the Sun to go more slowly. For one or two days he did
+moderate his pace and Hina rejoiced in the lovely tapas she was able
+to make. But soon the heedless Sun hurried past again as fast as ever,
+entirely forgetting his promise to Maui.
+
+So Maui determined to exact a lasting agreement with the Sun, and set
+out in his canoe for Maui, the Island which bears his name and on
+which is situated Haleakala, today the greatest extinct crater in the
+world and in olden time the Home of the Sun. Maui hoped to catch him
+there.
+
+As Maui reached the eastern rim of Haleakala the Sun was just
+disappearing over the other side; but Maui knew he would return in the
+morning, so he prepared to spend the night in waiting.
+
+As the Sun returned to his home next morning Maui caught him by his
+rays, which the Sun used as legs, and, wielding the magic club which
+he always carried on his many expeditions, broke several of them. Thus
+crippled, the Sun was forced to stay for parley, though crying out in
+alarm that he must be let go, as there was no time to waste. Day must
+be carried westward. But Maui hung on and reminded the Sun of his
+promises.
+
+After much argument they agreed to compromise; so the Sun promised to
+go slowly six months in the year and then, for the remaining six
+months, to hurry as fast as before.
+
+Maui was content with this arrangement and sure also that the Sun
+would not again forget, for he had crippled him considerably. It would
+take some time, he thought, for the Sun's broken rays to mend.
+
+So, very well pleased with his success, Maui permitted the Sun to
+proceed on his journey, while himself he prepared to return with all
+speed, bearing the good news to his mother.
+
+
+
+
+KUNA, THE DRAGON.
+
+
+Far above Rainbow Falls there lived a powerful kupua named Kuna. Kuna
+had the form of a monstrous dragon, unlike anything in these islands
+today.
+
+Kuna often tormented the goddess Hina in her rocky cave behind Rainbow
+Falls by sending over great torrents of water or by rolling logs and
+boulders down the stream. Quite often he would block the stream below
+the falls with sediment sent down by freshets during the rainy
+seasons.
+
+But Hina was well protected. Her cave was large and the misty cloud of
+spray from the falling waters helped to conceal it. So in spite of the
+frequent floods and many threats from Kuna, Hina paid him not the
+slightest attention, but with her songs and gay laughter lightly
+mocked him as she worked.
+
+On many days Hina was quite alone, while her eldest son, the demi-god
+Maui, was away on one of his numerous expeditions. Even then she did
+not mind this, for should any danger befall her she had a peculiar
+cloud servant which she called "ao-opua." If Hina were in trouble this
+ao-opua would rise high above the falls, taking an unusual shape. When
+Maui saw this warning cloud he would hurry home at once to his
+mother's side.
+
+One night while Maui was away from home on the Island of Maui, where
+he had gone to bargain with the Sun, a storm arose. The angry waters
+roared about the mouth of Hina's cave. They hissed and tossed in ugly
+blackness down the narrow river gorge; but Hina heard naught of the
+wildness without. Being used to the noisy cataract, her slumbers were
+not disturbed by the heightened tumult of its roar.
+
+But Kuna, quite aware of the situation, was quick to take advantage
+and to act. Hina's apparent indifference annoyed him. He recalled
+several failures to conquer her, and rage overwhelmed him. Calling
+upon his powers he lifted an immense boulder and hurled it over the
+cliffs. It fitted perfectly where it fell between the walls of the
+gorge and blocked the rush of the hurrying torrent.
+
+Laughing loudly at his success, Kuna called on Hina and warned her of
+her plight, but, still unknowing, Hina slept on until the cold waters
+entered the cave, rapidly creeping higher and higher until they
+reached her where she slept. Startled into wakefulness she sprang to
+her feet, and her cries of panic resounded against the distant hills.
+As the waters rose higher her cries became more terrified until they
+reached the Island of Maui and the ears of her son.
+
+Through the darkness Maui could see the strange warning cloud,
+unusually large and mysterious. With his mother's cries ringing in his
+ears he bounded down the mountain to his canoe, which he sent across
+the sea to the mouth of the Wailuku with two strong sweeps of his
+paddle. The long, narrow rock in the river below the Mauka Bridge,
+called Ka Waa o Maui (The Canoe of Maui), is still just where he ran
+it aground at the foot of the rapids.
+
+Seizing his magic club with which he had conquered the Sun, Maui
+rushed to the scene of danger. Seeing the rock blocking the river he
+raised his club and struck it a mighty blow. Nothing could resist the
+magic club! The rock split in two, allowing the strong current to rush
+unhindered on its way.
+
+Hearing the crash of the club and realizing his attempt on the life of
+Hina had again failed, Kuna turned and fled up the river.
+
+The remains of the great boulder, now known as Lonokaeho, overgrown
+with tropical plants and with the river rushing through the rift, lies
+there to this day as proof of Maui's prowess.
+
+
+
+
+THE LAST OF KUNA.
+
+
+So great was the wrath of the demi-god Maui at the fell intent of Kuna
+to drown his mother that he vowed never to relent in his search for
+the monster, and to kill him on sight.
+
+Kuna evidently sensed Maui's intentions, for as soon as he saw his
+great mischief undone he fled to a hiding-place far up the river. He
+realized then how great had been his folly and trembled at the thought
+of capture by the mighty demi-god. In spite of his magic powers Kuna
+knew Maui's anger to be far greater than all of them put together;
+still, he had countless secret hiding-places where it would be
+difficult to find him.
+
+He did not have long to wait in his secret lair before he heard the
+thundering voice of Maui commanding him to come forth. The earth shook
+with the heavy tread of the vengeful demi-god and the dreadful blows
+he dealt all obstacles he passed which might possibly conceal the form
+of his enemy.
+
+The thundering voice and quaking earth became more horrible and
+terrifying as Maui approached. Soon he stood before the hole in which
+Kuna lay hiding. Catching sight of the ugly monster within, Maui let
+out a deafening yell, poised his magic spear, and with one sweep of
+his mighty arm hurled it into the depths of Kuna's hiding-place. But
+the dragon was sly and agile, notwithstanding his huge bulk, and
+slipped out in time to save himself.
+
+Even today you can see the long hole--puka o Maui--which the
+demi-god's spear made through the lava beyond the cavern; sufficient
+evidence of the Herculean strength with which the weapon was driven.
+Small wonder Kuna so feared a meeting with this outraged son of the
+goddess he had sought to drown.
+
+Wasting no time, Kuna started down stream, with Maui in hot pursuit.
+Often the dragon tried to conceal himself in some sheltered spot, or
+evade his pursuer by hiding behind a rock, but Maui gave him no rest,
+spearing him from one hole to another.
+
+Diving into one of several deep pools in the river, Kuna hoped that at
+last he was safely hidden. Maui was not to be thus easily fooled. He
+could see the grotesque bulk of his enemy far below the surface of the
+gloomy water. Kuna was cornered.
+
+Calling upon Pele, goddess of the Volcano, to send him hot stones and
+molten lava, Maui cast these into Kuna's retreat until the waters
+boiled furiously, sending a vast column of steam far above the rim of
+the gorge.
+
+Known today as the Boiling Pots, although time has cooled their
+waters, they still bubble and surge as vigorously as ever, especially
+when the heavy rains come and remind them of the time when Kuna the
+Dragon sought refuge within their depths.
+
+Tough as the hide of Kuna was, it could not save him from the terrific
+heat generated by the red-hot rocks and lava cast into the pool by
+Maui. Nearly exhausted, the monster managed to drag himself from the
+cauldron and, shrieking horribly, he again took up his flight down
+stream. Maui sent torrents of boiling water after him, scalding at
+last the life from his ugly body.
+
+Then Maui rolled the huge carcass down the river to a point below
+Rainbow Falls, within sight of his mother's home, where she could view
+daily the evidence that none might threaten her and live. And there
+the ungainly form lies today--a long, black-rock island known as Moo
+Kuna, between the rapids--where every freshet, every heavy rain, beats
+upon it as though in everlasting punishment for plotting the death of
+Hawaii's beloved goddess, Hina.
+
+
+
+
+THE COMING OF PAOA.
+
+
+Many years ago there lived on the Island of Tahiti several brothers,
+all very gifted and powerful gods of that land. One was by name Paoa.
+
+Now Tahitian customs were very like those of Hawaii at that time, in
+that the Tahitians offered human sacrifices when a canoe or a heiau
+was in process of construction. How the observance of this custom
+caused the flight of Paoa to Hawaii, you shall see.
+
+It so happened that one of the brothers was having a canoe built, and
+they were all undecided as to whom should be offered in sacrifice. A
+quarrel ensued. Paoa and the owner of the new canoe grew very bitter
+towards each other over it. When the time came for the sacrifice
+Paoa's only son was taken and offered to the flames.
+
+Grief-stricken at the loss of his son and furious at the cruelty of
+his brother, Paoa decided to leave it all and seek peace on some other
+island. In preparation for the long journey by canoe he took only
+three things with him: two kinds of fish--the aku and opelu--and some
+pili grass.
+
+Journeying northward he encountered a terrific storm which grew more
+terrible as the days passed until it seemed the low canoe could no
+longer breast the great mountains of angry water that bore down upon
+it as though to drive it under and swallow it into the black depths.
+
+ [Illustration: Drawn by Will Herwig. Paradise Eng.
+
+ Paoa Stood Upon the Little Plot of Pili Grass As He Answered Her.]
+
+Fearing for his safety, Paoa took the two kinds of fish and threw them
+overside. Almost at once the mighty waves were calmed and the canoe
+went safely on its way surrounded by an area of calm, peaceful water
+while the storm raged on all sides a little distance away.
+
+Even today if you see a smooth area of water in the midst of a rough
+sea you will know that there is a school of aku or opelu very near the
+surface.
+
+So Paoa sailed safely through the storm. As soon as it subsided he
+called back the fish and placed them in his canoe once more. They had
+been very helpful and might be of use should the storm arise again.
+
+At last Paoa came to an island which appeared very large and was
+covered with vegetation. Paddling his canoe into a great
+crescent-shaped bay, he observed a river emptying into it and turned
+the nose of his tiny craft that way. Not far up the river he came to a
+long, low rock which he called Waa Kauhi, and landed on the
+southeastern side of its point.
+
+So great was the joy of Paoa upon reaching this beautiful island that
+he decided to make it his home. To commemorate his safe landing he at
+once planted on the rock the pili grass he had brought with him. Also
+he liberated his aku and opelu fish in the new waters, where today
+their progeny teem in countless millions.
+
+Very soon he built himself a grass hut for a home, and was careful to
+protect the pili grass, which grew rapidly and before long spread to
+other parts of the big island, where it throve even better than on the
+scant soil of the pahoehoe rock.
+
+Hawaiians soon learned to use the pili grass in house building, as it
+made a tighter thatch and lasted longer than the lauhala or the
+grasses to which they had been accustomed. The stems of the flowers
+were later used in weaving hats, as they, too, were firm and strong.
+
+Farther up the river, which Paoa learned was called the Wailuku, there
+lived the goddess Hina. Soon after the arrival of this stranger from
+Tahiti, Hina heard of him and his chosen home. Evidently he had not
+come to wage war or do harm to the people, for he had already made
+friends with many of the fishermen living near him.
+
+So Hina decided to see him for herself and went down to his home. She
+was surprised to find that he really had established himself on that
+low rock.
+
+"Why," she exclaimed, "you must not stay on this rock! Can't you see
+the waters above here are high? When the rains come you will be washed
+away and drowned. It is not safe!"
+
+Paoa stood upon the little plot of pili grass as he answered her. "No,
+I will not go away, for no matter how high the waters come they shall
+never cover this spot."
+
+From that day Paoa's word has held true. No matter how high the
+Wailuku rises, it never has covered the little plot of pili grass
+which still grows on the long, low rock at the river's mouth.
+
+
+
+
+MAUI AND THE ALAE BIRDS.
+
+
+Maui, the eldest son of the goddess Hina, lived with his mother and
+two brothers in the cave behind Rainbow Falls, in the Wailuku River
+Gorge, a short distance mauka of what is today the town of Hilo. Often
+the brothers would go fishing in the harbor.
+
+At this time the Hawaiians knew nothing about fire. All their food was
+eaten raw. Occasionally Maui had found in his various wanderings some
+bits of cooked banana and pondered over their delicious flavor. He
+could not understand what had been done to them until one day he came
+upon a group of little alae birds cooking bananas over a fire.
+
+He was so amazed at the scene that the birds had plenty of time to put
+out their fire and take wing before he could bring himself to action.
+This only aroused his ambitious nature and he vowed he would learn the
+secret of fire.
+
+In the days that followed he devised many cunning schemes to trap one
+of the alae birds, but they, too, were cunning and carefully refrained
+from building any fire when Maui was near. Once or twice while he was
+out fishing he had seen white puffs of smoke among the trees and knew
+the birds were preparing a feast, but he could never reach the place
+in time to catch any of them.
+
+One day he thought of a clever trick and took his brothers into his
+confidence. They fixed up a kalabash covered with tapa to resemble a
+man and placed it in the middle of Maui's canoe. Then the two brothers
+took their seats at either end of the canoe and paddled out into the
+harbor while Maui ran back and concealed himself in the woods.
+
+Soon the alae birds came circling overhead and Maui heard them say,
+"At last we can make our fire and have a good feast. Maui and his two
+brothers are out for a day's fishing."
+
+Quivering with excitement, Maui crouched in his hiding-place and
+waited. Soon he heard the birds talking quite near him and, peeping
+out, saw them pushing fresh bananas into a blazing fire. Rushing into
+their midst he caught one of the birds.
+
+"Tell me how you make fire or you shall never go free!" he demanded.
+
+At first the bird was sullen and refused to answer, but at Maui's
+rough treatment resorted to trickery and replied, "Rub two taro stalks
+together and you shall have fire."
+
+Holding the bird closely, Maui did so, but only little drops of water
+came from the stalks. Very angry, Maui punished the bird again and
+demanded the truth. Helpless and exhausted, the poor alae told Maui to
+take two hau sticks and rub them together.
+
+Maui found the hau sticks, but fearing the bird was not telling the
+truth, he rubbed its head with one of the sticks until a drop of blood
+trickled out, staining the tuft of feathers on its crest. But the bird
+persisted in this statement, so Maui began rubbing the sticks
+together. Little sparks appeared and caught fire to the dead leaves on
+which they fell.
+
+Overjoyed at his discovery, Maui set the bird free. But to this day
+every alae bird wears the symbol of punishment for telling its
+secret--a tuft of red feathers on the top of its head.
+
+
+
+
+MAUI'S KITE.
+
+
+Maui, the great demi-god of Hawaii, was restless. Time hung heavy on
+his hands. Uneventful days of quiet had fallen upon the land.
+Adventure seemed to be in hiding, and no exploit invited to service
+this active youngster's shining spear or magic club. Idleness grew
+more and more unbearable.
+
+Now Laamaomao, god of the winds, dwelt not far above Rainbow Falls in
+the beautiful gorge of the Wailuku and to him Maui confided his
+discontent. The old fellow admitted that times were dull. Not for a
+long time had he been called upon for blasts from his greater windpot,
+Ipunui. On the heels of this remark came inspiration, and he suggested
+that Maui fashion a large kite. He, Laamaomao, would see to it that a
+suitable wind be forthcoming and excitement sufficient to break the
+dull monotony of too peaceful days.
+
+So Maui set about the construction of an enormous kite. His mother,
+the goddess Hina, made for him a beautiful and strong tapa, and
+twisted fibres of the olona into a stout cord. From the rich red wood
+of the koa expert and willing hands put together a graceful frame, and
+in due time the big plaything was ready. Laamaomao, having fathered
+the idea, manifested a keen interest in the proceedings and had his
+windpots in readiness for the initial flight.
+
+Calling Ipuiki, smaller of his two windpots, into action, Laamaomao
+directed a steady, gentle breeze up the gorge against the breast of
+the great kite, cautioning those who held it to be in readiness to let
+go at the proper moment and reminding Maui to have a care lest the
+olona cord slip through his hands.
+
+Gracefully the birdlike thing rose into the brilliant turquoise
+sky--that same sky which today so enchants the malihini--and as it
+tugged at the line, dipped, rose again and circled about, the thrill
+of it came down the cord to Maui's hands and his delight knew no
+bounds.
+
+Often in the quiet days that followed did Maui amuse himself with the
+big kite. As he grew more familiar with its handling the impetuous
+demi-god would ask Laamaomao for winds from Ipunui and glory in the
+tussle his kite gave him when buffeted by these stronger blasts--even
+though wise old Laamaomao was careful to moderate their power.
+
+Sometimes Maui would tire of his sport and, drawing its cord through a
+round hole in a rock which lay in the center of a small lake near the
+wind caves, would leave his kite to its own devices while he slept.
+
+ [Illustration: Drawn by Will Herwig. Paradise Eng.
+
+ Old Laamaomao, the Wind God, Admitted That Times Were Dull.]
+
+On one such occasion Laamaomao, having received an order for a great
+storm, forgot all about Maui's kite and turned loose his most powerful
+wind from Ipunui. All night long it howled through the creaking trees,
+driving the rain before it in lashing sheets. Stout as it was, the
+olona cord with which Maui's big kite was moored could not long
+withstand the strain and finally parted, leaving the kite to the mercy
+of the winds. Tossed madly about in the storm, it was carried far
+across the flank of Mauna Loa and dropped into the sea off the shore
+of Kau.
+
+Now Puuanuhe, the much-dreaded lizard-woman, made her home on the
+shores of the Kau desert, and to her ears had come the wonderful story
+of Maui's kite, fanning an already hot jealousy of the young demi-god
+and his doings. Puuanuhe was the only creature of those days who had
+fiery red hair, and her temper was none the less caloric.
+
+So when she saw this strange object floating in the water near her
+home on the morning after the storm she recognized it as Maui's kite.
+Chuckling in vicious satisfaction at this chance opportunity to make
+trouble for the handsome son of Hina, Puuanuhe hid the kite in the
+rough hills back of Hilea.
+
+Great was Maui's surprise and consternation when he found his kite
+gone. He at once set out in search of it. Days passed without trace of
+it, but one day news came to him that Puuanuhe had been seen with a
+large kite. He knew it must be his, as there was none other so big.
+
+Arriving at Hilea he discovered the hideous red-headed lizard-woman,
+who admitted she had found his kite, but refused to enlighten him as
+to its whereabouts. This same creature had lured many a poor fisherman
+to death on the rocky coast of Kau, and Maui thought it high time to
+put an end to such a pest, so he killed her.
+
+Once more he took up his search for his beloved kite and soon found it
+cleverly hidden in the hills. Ironically he named the spot Puuanuhe,
+and returning home with his precious toy he fastened it securely to
+its moorings again.
+
+Even today you can see the immense kite, now turned to stone, just as
+Maui hauled it in for the last time and left it. It is seventy-five
+feet long and about forty-five feet wide, narrowing to eighteen feet
+at one end. At the narrow end is a crystal-clear lake, very deep and
+smooth as glass. In its center is a large, round stone projecting
+above the surface with a two-inch aperture in the middle where Maui
+used to make his kite string fast.
+
+Near this lake are the two windpots, Ipunui and Ipuiki, and a little
+way below are three very distinct foot-prints, each fifteen inches
+long, showing where Maui stood while flying his great kite.
+
+
+
+
+MAUI'S FISH-HOOK.
+
+
+Maui, the powerful young demi-god who dwelt with his mother, the
+goddess Hina, in the great cave behind Rainbow Falls, had succeeded in
+so many hazardous undertakings, and had the welfare of his people so
+much at heart, that he resolved upon what was to be his greatest deed
+of prowess and beneficence.
+
+Now Maui had a magic fish-hook which he cleverly used while fishing
+with his brothers. Maui was very sly and quick, but he was never a
+good fisherman. He would sit in the canoe and drag his hook through
+the water, catching no fish himself but snagging those his brothers
+caught and laughing merrily at their bewildered expressions when they
+pulled in their lines and found nothing.
+
+They distrusted Maui, for he would never let them see his hook, yet
+they knew it was shaped differently from theirs. It was more
+complicated and had a double barb, while the common fish-hook had but
+one. But his brothers could never catch him at his tricks.
+
+At last they no longer allowed him to accompany them on their fishing
+trips, as he took all the fish and honors, and they all knew--Maui
+included--that he did not deserve them. So Maui would go alone to the
+bay, but the hook remained idle in the bottom of his magic canoe
+which, as related in the legend of Kuna, he drove from the shores of
+the Island of Maui to the mouth of the Wailuku with two sweeps of his
+paddle.
+
+While drifting about Maui watched some of his people who were not
+blessed with magic canoes, and considered the hard paddling required
+to send them through the water.
+
+One day as he sat in his canoe watching another pass by, evidently on
+its way to a neighboring island, the demi-god wondered if it might not
+make things easier to have all the islands joined together, so people
+could travel to any part of the kingdom without the laborious canoe
+voyages.
+
+Calling a meeting of Hawaii's chiefs and strong men Maui informed them
+of a plan to draw all the islands together. He told them he would need
+their help in pulling the islands, but no matter how hard or how long
+they pulled they must never look back to see how much was being
+accomplished until the islands were firmly joined together.
+
+The men solemnly promised to obey Maui and at once proceeded to their
+new task. The island now known as Maui was selected for the first
+attempt. Maui fastened his magic fish-hook into that part of the land
+nearest Hawaii, and at his command the strong men and chiefs paddled
+with all their might. Slowly the island moved behind them.
+
+No one dared look around, though all were burning with curiosity to
+see the result of their struggles. Long and steadily they paddled
+until the two islands were only a few feet apart. Then one of the
+chiefs could no longer control his curiosity and looked around.
+
+In an instant the charm was broken. The island slid back through the
+sea to its former position in spite of all that Maui, chiefs and
+strong men could do to stop it. Only a small piece of land was
+left--that in which the fish-hook was still deeply imbedded. Today
+that bit of land is covered with lauhala trees and coconut palms, and
+is known as Coconut Island.
+
+So great was Maui's disappointment at this his first failure in any
+important enterprise that he would not try again. He said his
+fish-hook had lost its charm and sorrowfully he took it away with him
+in his canoe. He carried it up the Wailuku River to his home behind
+Rainbow Falls, where he grieved for many days over the unsuccessful
+attempt. Later, having no more use for the hook, he carried it away
+from the cave and threw it into the forest near his home, where it lay
+undisturbed until the haole came.
+
+To those early settlers the magic fish-hook of Maui was of less
+interest as such than as material for masonry, and not a piece of it
+remains. At the forks of the Piihonua-Kaumana road one may, however,
+see the peculiar-shaped depression where it lay for so long before
+civilization's vanguard swept the tangled jungle of Maui's time from
+its hiding-place.
+
+ [Illustration: Drawn by Will Herwig. Paradise Eng.
+
+ But the Strange Woman Smiled and Told Them to Uncover the Imu.]
+
+
+
+
+HINA KEAHI.
+
+
+Just mauka of the Hilo Boarding School are three large, rounded hills
+which, centuries ago, were mud craters. Covered with the green of
+rustling cane-tops, at a distance they appear to be soft, grassy
+mounds. Many a tourist, gazing from the deck of an incoming ship, has
+yearned to "stroll over those smooth, rolling hills," only to find the
+pastime quite impossible on nearer view, which revealed the "velvety
+grass" as lusty sugar cane stalks ten to fifteen feet high and closely
+interwoven.
+
+But now the last crop of cane has been harvested from these graceful
+mounds and their slopes are being prepared to receive the
+dwelling-houses of any who choose--and can afford--to live in the
+rarified atmosphere of romance that hangs about this Hawaiian Olympus.
+
+Nor is the term Olympus as applied to these hills a redundant flight
+of fancy. Long ago--many, many years before the haole came to plant
+his sugar cane in their deep, rich soil--these hills were the homes of
+several beautiful goddesses.
+
+The makai and largest hill, called Halai, was the home of Hina Keahi,
+eldest daughter of the goddess Hina, who lived at Waianuenue--the cave
+behind Rainbow Falls in the Wailuku River--and sister of Maui the
+demi-god. To Hina Keahi was given power over fire.
+
+In many ways this young goddess aided her people, bestowing upon them
+the blessing of protection from fire while teaching them many ways in
+which to use it. The remarkable fact has often been noted, by the way,
+that although the Hawaiians always lived in grass houses, seldom was
+one known to be destroyed by fire. Hina Keahi was well beloved by her
+people and her lightest commands were obeyed meticulously.
+
+Food had always been plentiful in Hawaii. The people cultivated their
+fields, which yielded bountifully. But one time the crops failed--grew
+smaller and smaller--and began to shrivel up and die. Soon a famine
+spread over the land. Crops were allowed to wholly perish because none
+was strong enough to tend them.
+
+Hina Keahi saw that unless something was done at once her beloved
+followers would all die. Calling them about her she commanded that an
+immense imu be dug in the top of Halai Hill. "Prepare a place for each
+kind of food as though you were ready to fill the imu, then bring as
+much firewood as you can," she ordered.
+
+The starving people summoned new strength at this promise and worked
+for many days preparing the enormous imu. Knowing a human sacrifice
+would be offered as the only possible result of their labors, they
+lived in fear and wondered who would be chosen. Still, they never once
+thought of deserting their work and finally everything was in
+readiness.
+
+"Fill the imu with wood and heat it," commanded Hina.
+
+As soon as this was done she turned to the wondering people and said:
+"Listen to what I tell you, and follow my instructions. It is the only
+way you can be saved from starvation. I will step into the imu and you
+must quickly cover me with earth. Do not stop throwing earth over me
+until the last puff of smoke disappears. In three days a woman will
+appear at the edge of the imu and tell you what to do."
+
+Bidding them farewell, Hina Keahi stepped quickly into the red-hot
+imu. Immediately a dense white cloud of smoke surrounded and concealed
+her. For a moment the people stood transfixed at the sight; but
+remembering instructions they at once began covering the imu with
+earth.
+
+Followed then three long days of waiting fraught with mingled hopeful
+expectancy and anxiety for their goddess. On the third day everyone
+repaired to the edge of the imu and awaited the appearance of the
+woman of whom Hina Keahi had spoken.
+
+In the meantime Hina Keahi had not remained in the imu for long. The
+fire had not harmed her, for she had complete power over it. Going
+underground she made her way toward the sea, coming to the surface of
+the earth somewhere near the spot on which the Hilo Boarding School
+stands today. The place was marked by a bubbling spring.
+
+Once more she disappeared underground and again came to the surface,
+creating another spring near the present location of the Hilo Hotel. A
+third time the goddess followed her subterranean route, coming up in a
+third spring at the place now occupied by the American Factors' lumber
+yard. Refreshing herself in the clear waters, she started back to her
+home, this time traveling above ground.
+
+Thus on the third day from the disappearance of Hina Keahi those
+gathered about the imu saw a strange woman approaching from the
+direction of the sea. As she drew near they noticed a striking
+resemblance to their own goddess, yet she, they knew, was buried in
+the imu. In fear they drew away, but the strange woman smiled and told
+them to uncover the imu.
+
+Reluctantly they set to work, dreading the sight which all had in
+mind. But when the imu was uncovered they found it filled with cooked
+food--enough to supply their needs until the rains came and new crops
+could be grown and harvested. In gratitude they turned to thank the
+strange woman, but she had vanished.
+
+And to this day one may see the immense imu in the top of Halai Hill,
+now overgrown with a thicket of feathery bamboo, which the people left
+open in memory of their timely deliverance.
+
+
+
+
+HINA KULUUA.
+
+
+Hina Kuluua was the second daughter of the goddess Hina, who lived
+behind Rainbow Falls. Hina Keahi, the elder sister, had received the
+best of the gifts which their mother could bestow--power over fire and
+ownership of the largest of the Halai hills. Known as the goddess of
+fire, Hina Keahi was indeed very powerful and one time gave
+spectacular evidence of it in saving her people from starvation, as
+told in the legend, Hina Keahi.
+
+Naturally everyone looked upon her thereafter as the most wonderful
+goddess in the Islands. Even her sister's little band of followers did
+not refrain from open admiration of the beautiful fire goddess.
+
+This made Hina Kuluua exceedingly angry. Her jealousy overwhelmed her;
+she could not bear to let her sister claim so much glory, and she have
+none at all.
+
+It was not long after this that another famine swept the land. Hina
+Kuluua thought fortune was at last coming her way. Here was the very
+opportunity she craved. Now she would prove her power superior to her
+sister's and all the people would sing her praises and worship her
+alone.
+
+In her excitement she entirely overlooked the fact that she was
+goddess of rain, and not of fire. She ordered an immense imu to be dug
+in her own hill, Puu Honu. Comprehending her intentions the people at
+once realized the utter futility of her proposed action and pleaded
+with her against it; but to no avail.
+
+"Do you mean to tell me that my power is less than Hina Keahi's?" she
+demanded angrily. "Do you think that I, Hina Kuluua, cannot do as much
+for my people in their time of need? I will show you! Then you shall
+recognize Hina Kuluua as the greatest goddess in Hawaii."
+
+"You can help as well and perhaps better than your sister," they
+argued, "but you cannot do it in the same way. Your power, though it
+may be as great, is nevertheless entirely different from hers."
+
+Then Hina Kuluua would order them out of her sight and command them to
+hurry the completion of the imu.
+
+At last all was ready. A group with tear-stained faces were gathered
+about the smoking imu. Hina Kuluua approached, her head held high in
+an air of triumph. She stepped to the edge of the imu, cast a glance
+of disdain toward the wailing women and said, "Cover me quickly. Watch
+near the imu and in three days a young woman will appear. She will
+give you further instructions."
+
+Stepping into the imu she was quickly covered with soil. The people
+had expected a cloud of smoke to appear, but were somewhat surprised
+to see the little there already was become even thinner and dwindle
+away to mere nothingness.
+
+Slowly the long days of waiting passed. The third day dawned. All
+morning the people watched for signs from the imu. Late in the
+afternoon found their vigilance unbroken; night closed in and still no
+sign. Dawn once more, another day of anxiety. On the fifth day they
+could no longer restrain themselves and cautiously uncovered the great
+oven.
+
+A dark greyish cloud rose over the imu--that was all. Within, the
+people could distinguish the charred remains of their proud goddess.
+With reverence they covered the imu once more and carefully smoothed
+it over.
+
+That is why today you cannot see a deep crater in Puu Honu as in
+Halai, and why the dark, gloomy cloud--a sure sign of rain--often
+hangs low over the one-time home of Hina Kuluua.
+
+
+
+
+THE FIRST LAW.
+
+
+Following one of his great victories King Kamehameha I established his
+court on the largest island of the Hawaiian group, Hawaii, and
+prepared to make his headquarters there for the time. Of course a
+heiau must be built, and he ordered construction to begin immediately,
+selecting a site near the mouth of the Wailuku where today stands the
+armory of the National Guard of Hawaii.
+
+This heiau was unusually large and considerable time was consumed in
+building it. Finally it was completed, but before it could be used the
+customary human sacrifice had to be offered. Not willing to take one
+of his own men, the king went in search of another.
+
+Early one morning, accompanied by a small body of his warriors,
+Kamehameha set out in his canoe, sailing along the coast in the
+direction of Puna. As the royal party neared Leleiwi Point, two
+fishermen in a small outrigger were discovered, busy with their nets.
+The king's big war canoe bore down upon them, but recognizing the
+royal craft from afar, they paddled lustily for the shore. Knowing the
+heiau was nearing completion the fishermen guessed the reason for the
+king's early morning visit and had no intention of remaining to
+receive him.
+
+ [Illustration: Drawn by Will Herwig. Paradise Eng.
+
+ "Mamalahoa Kanawai o na Alii" Kamehameha Called After Them.]
+
+Landing safely, yet with the prow of the big canoe not a spear's
+length behind, the poor fellows made all speed over the open lava beds
+that lie between the shore and the jungle at this point. The king,
+standing in the bow of his canoe, was first ashore and in hot pursuit,
+but, unfamiliar with the footing there, made poor progress. These lava
+beds are full of treacherous pukas and into one of them Kamehameha
+stumbled, sinking to his armpits. There chanced to be a sizeable stone
+within reach of his hand, and this he hurled after the fleeing men,
+but his aim was bad and he missed them. This very stone, and the hole
+into which the king fell, may still be seen just mauka of Leleiwi
+Point.
+
+Glancing over his shoulder, the hindmost fugitive observed the king
+was trapped and that his retainers were still some distance to the
+rear. Here was a chance for revenge. Swinging his heavy canoe paddle,
+which he had been too frightened to drop, the fisherman turned and
+dealt his majesty a cruel blow on the head and, leaving him for dead,
+made off at top speed after his companion.
+
+When his men came up, the king was just regaining consciousness. One
+look at their wounded monarch sent them like a pack of hungry wolves
+after the fishermen.
+
+"Mamalahoa Kanawai o na alii!" Kamehameha called after them. "Whoever
+purposely murders a fellowman shall be hanged."
+
+And thus the very first law was made in Hawaii.
+
+"Let them go," he said, as his men reluctantly abandoned the chase. "I
+am not much harmed and they are badly frightened now. They may never
+do violence again to anyone. If any man hereafter wilfully take the
+life of another he shall be hanged. Come, let us go back. My heiau
+will not require a human sacrifice, for it shall never be used."
+
+So it happened that this was the first heiau ever built without its
+human sacrifice, and the last one constructed on the Island. Once the
+law forbidding murder was enforced heiaus were no longer needed.
+
+For the first time on Hawaii trails became safe for travelers. Always
+theretofore one never knew at what moment an enemy in ambush might rob
+him or take his life. Women and children could now go abroad at all
+times in safety.
+
+Peace reigned in the land and the people became more prosperous and
+progressive. Years passed before the law was broken, and, true to his
+word--for the king's word was law--Kamehameha ordered the murderer
+hanged. The scene of his execution was the unusually crooked coconut
+tree which until recent years stood near the present site of a cracker
+factory on what is now Kamehameha Avenue.
+
+Today a careful observer may, by peering beneath the Armory Hall, make
+out the few remaining stones which were once a part of the foundation
+of the last heiau built on Hawaii.
+
+PAU.
+
+
+
+
+HOW TAPA IS MADE.
+
+
+This volume of Hawaiian Legends is bound in genuine tapa, a cloth--or
+more properly speaking a strong paper--made by hand from the inner
+bark of the wild mulberry. Briefly, the process of manufacture is as
+follows:
+
+When full of glutinous sap, the bark of the mulberry is stripped and
+steeped in running water until the outer layer is softened. This is
+scraped away and the inner bark beaten with corrugated paddles of palm
+wood until strips two or three inches broad are widened to ten or
+twelve inches.
+
+The edges of these strips are then pasted together with a strong
+vegetable glue and laminated with more beating. So skillfully is this
+done that it is impossible to detect the lines of jointure.
+
+The tapa used in binding this book is of the stout, heavy grade; but
+that used for clothing and scarfs is often as sheer as fine muslin.
+
+Tapa making is confined entirely to the women, men never occupying
+themselves with any of its processes.
+
+
+
+
+GLOSSARY
+
+
+Hawaiian words may be easily pronounced correctly by using the Spanish
+alphabet. There are no silent letters, and all syllables are stressed
+equally.
+
+Alae (Hawaiian gallinule): Native bird figuring largely in Hawaiian
+legends.
+
+Ao-opua: Talisman, guardian spirit.
+
+Haleakala: House (hale) of the Sun (la).
+
+Haole: White man.
+
+Hau: Native tree much favored for lanais (arbors) and the wood for
+outriggers on canoes and floats for its cork-like lightness. (Hibiscus
+arnottianus).
+
+Heiau: Ancient Hawaiian temple.
+
+Honu: Turtle, turtle-shaped.
+
+Imu: Underground stove made by scooping a hole in the ground, lining
+it with rocks, and building a fire in it. The food to be cooked is
+placed in the heated cavern, which is then covered tightly with leaves
+and earth.
+
+Kaipaaloa: Inlet or estuary where the sea is quiet.
+
+Keahi: Of the fire.
+
+Kuluua: Of the (gentle) rain.
+
+Lauhala: Leaf (lau) of the puhala tree (Pandanus odoratissimus).
+
+Makai: Toward the sea.
+
+Malihini: Stranger, foreigner.
+
+Mamake: Shrub about ten feet high (Pipturus albidus).
+
+Mamalahoa kanawai o na alii: Your king proclaims this the law of the
+land (free translation).
+
+Mauka: Toward the mountains.
+
+Olona: Native flax (Touchardia latifolia).
+
+Pahoehoe: The sterile, flintlike lava as distinguished from aa, the
+friable and highly fertile lava.
+
+Pau: The end, finished.
+
+Pili: Grass yielding stout fibres (Andropogon contortus).
+
+Puka: Doorway, entrance, hole.
+
+Puu: Small hill, usually of rounded form.
+
+Ti (formerly written ki): Plant of lily family having bright green
+leaves three feet long and six inches wide (Cordyline terminalis).
+
+Waianuenue: Shimmering waters, as a rainbow effect.
+
+Wauke: Native mulberry tree (Broussonetia papyrifera).
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Legends of Wailuku, by Charlotte Hapai
+
+*** END OF THIS PROJECT GUTENBERG EBOOK LEGENDS OF WAILUKU ***
+
+***** This file should be named 29773.txt or 29773.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/9/7/7/29773/
+
+Produced by The Online Distributed Proofreading Team at
+http://www.pgdp.net (This file was produced from images
+generously made available by The Internet Archive/American
+Libraries.)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.