diff options
Diffstat (limited to '29749.txt')
| -rw-r--r-- | 29749.txt | 944 |
1 files changed, 944 insertions, 0 deletions
diff --git a/29749.txt b/29749.txt new file mode 100644 index 0000000..aa3d7f3 --- /dev/null +++ b/29749.txt @@ -0,0 +1,944 @@ +The Project Gutenberg EBook of The Flying Cuspidors, by V. R. Francis + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Flying Cuspidors + +Author: V. R. Francis + +Release Date: August 21, 2009 [EBook #29749] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THE FLYING CUSPIDORS *** + + + + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + + + + + _A trumpet-tooter in love can be a wonderful sight, if Local 802 + will forgive our saying so; when extraterrestrials get involved + too--oh brother! V. R. Francis, who lives in California and has + previously appeared in men's magazines, became 21 and sold to + FANTASTIC UNIVERSE all in the same week._ + + + the + flying + cuspidors + + _by ... V. R. Francis_ + + + This was love, and what could be done about it? + It's been happening to guys for a long time, now. + + +Hotlips Grogan may not be as handsome and good-looking like me or as +brainy and intellectual, but in this fiscal year of 2056 he is the +gonest trumpet-tooter this side of Alpha Centauri. You would know what I +mean right off if you ever hear him give out with "Stars Fell on Venus," +or "Martian Love Song," or "Shine On, Harvest Luna." Believe me, it is +out of this world. He is not only hot, he is radioactive. On a clear day +he is playing notes you cannot hear without you are wearing special +equipment. + +That is for a fact. + +Mostly he is a good man--cool, solid, and in the warp. But one night he +is playing strictly in three or four wrong keys. + +I am the ivory man for this elite bunch of musicians, and I am scooping +up my three-dee music from the battered electronic eighty-eight when he +comes over looking plenty worried. + +"Eddie," he says, "I got a problem." + +"You got a problem, all right," I tell him. "You are not getting a job +selling Venusian fish, the way you play today." + +He frowns. "It is pretty bad, I suppose." + +"Bad is not the word," I say, but I spare his feelings and do not say +the word it is. "What gives?" + +He looks around him, careful to see if anybody in the place is close +enough to hear. But it is only afternoon rehearsal on the gambling ship +_Saturn_, and the waiters are busy mopping up the floor and leaning on +their long-handled sterilizers, and the boys in the band are picking up +their music to go down to Earth to get some shut-eye or maybe an atomic +beer or two before we open that night. + +Hotlips Grogan leans over and whispers in my ear. "It is the thrush," he +says. + +"The thrush?" I say, loud, before he clamps one of his big hands over my +kisser. "The thrush," I say, softer; "you mean the canary?" + +He waves his arms like a bird. "Thrush, canary--I mean Stella +Starlight." + +For a minute I stand with my mouth open and think of this. Then I rubber +for the ninety-seventh time at the female warbler, who is standing +talking to Frankie, the band leader. She is a thrush new to the band and +plenty cute--a blonde, with everything where it is supposed to be, and +maybe a little extra helping in a couple spots. I give her my usual +approving once-over, just in case I miss something the last ninety-six +approving once-overs I give her. + +"What about her?" I say. + +"It is her fault I play like I do," Hotlips Grogan tells me sadly. "Come +on. Leave us go guzzle a beer and I will tell you about it." + +Just then Frankie comes over, looking nasty like as usual, and he says +to Grogan, "You are not playing too well today, Hotlips. Maybe you hurt +your lip on a beer bottle, huh?" + +As usual also, his tone is pretty short on sweetness and light, and I do +not see why Grogan, who looks something like a gorilla's mother-in-law, +takes such guff from a beanpole like Frankie. + +But Grogan only says, "I think something is wrong with my trumpet. I +have it fixed before tonight." + +Frankie smirks. "Do that," he says, looking like a grinning weasel. "We +want you to play for dancing, not for calling in Martian moose." + +Frankie walks away, and Hotlips shrugs. + +"Leave us get our beer," he says simply, and we go to the ferry. + +We pile into the space-ferry with the other musicians and anyone else +who is going down to dirty old terra firma, and when everybody who is +going aboard is aboard, the doors close, and the ferry drifts into +space. Hotlips and I find seats, and we look back at the gambling ship. +It is a thrill you do not get used to, no matter how many times you see +it. + +The sailor boys who build the _Saturn_--they give it the handle of +_Satellite II_ then--would not know their baby now, Frankie does such a +good job of revamping it. Of course, it is not used as a gambling ship +then--at least not altogether, if you know what I mean. Way back in 1998 +when they get it in the sky, they are more interested in it being useful +than pretty; anybody that got nasty and unsanitary ideas just forgot +them when they saw that iron casket floating in a sky that could be +filled with hydrogen bombs or old laundry without so much as a four-bar +intro as warning. + +Frankie buys _Satellite II_ at a war surplus sale when moon flights +become as easy as commuters' trips, and he smoothes out its shape so it +looks like an egg and then puts a fin around it for ships to land on. +After that, it does not take much imagination to call it the _Saturn_. +Then he gets his Western Hemisphere license and opens for business. + +My daydreaming stops, for suddenly Hotlips is grabbing my arm and +pointing out the window. + +"What for are you grabbing my arm and waving your fist at the window, +Hotlips?" I inquire politely of him. + +"Eddie," he whispers, all nervous and excited from something, "I see +one." + +I give him a blank stare. "You see one what?" + +"One flying cuspidor," he says, his face serious. "I see it hanging out +there by the _Saturn_ and then suddenly it is gone. Whoosh." + +"Hallucination," I tell him. But I look out hard and try to see one too. +I don't, so I figure maybe I am right, after all. + +I do not know about this "men from space" gimmick the science-fiction +people try to peddle, but lots of good substantial citizens see flying +cuspidors and I think to myself that maybe there is something to it. So +I keep looking back at the _Saturn_, but nothing unusual is going on +that I can see. My logic and super-salesmanship evidently convinces +Hotlips, for he does not say anything more about it. + +Anyway, in a few minutes we joggle to a stop at Earthport, pile out, +wave our identification papers at the doorman with the lieutenant's +bars, and then take off for the _Atomic Cafe_ a block away. + +Entering this gem of a drinking establishment, we make our way through +the smoke and noise to a quiet little corner table and give Mamie the +high-sign for two beers. A few minutes later she comes bouncing over +with the order and a cheery word about how invigorating it is to see us +high-class gentlemen instead of the bums that usually hang around a +joint like this trying to make time with a nice girl like her. + +"That is all very nice," I say to her politely, "and we are overjoyed +beyond words to see you too, Mamie, but Hotlips and I have got strange +and mysterious things to discuss, so I would appreciate it if you would +see us later instead of now." With this, I give her arm a playful pat, +and she blushes and takes the hint. + +When we are alone, I ask Hotlips, now what is the trouble which he has. + +"Like I tell you before," Hotlips says, "I have a problem. So here it +is." He takes a deep breath and lets fly all at once. "I am in love of +the thrush, Stella Starlight." + +I am drinking my beer when he says this, and suddenly I get a snootful +and start coughing, and he whams me on the back with his big paw so I +stop, more in self-defense than in his curing me. Somehow, the idea of a +big bruiser like Hotlips Grogan in love of a sweet fluffy thing like +Stella Starlight seems funny. + +"So?" I say. + +"So that is why I play so bad tonight," he says. Seeing I do not quite +catch on to the full intent of his remarks, he continues. "I am a happy +man, Eddie. I got my trumpet, a paid-for suit of clothes, a one-room +apartment with green wallpaper. Could a man ask for much more?" + +"Not unless he is greedy," I agree. + +Hotlips Grogan is staring at his beer as though he sees a worm in it and +looking sadder than ever. "It is a strange and funny thing," he says, +dreamy-like. "There she is singing, and there I am giving with the +trumpet, and all of a great big sudden--whammo!--it hits me, and I feel +a funny feeling in my stomach, like maybe it is full of supersuds or +something, and my mouth is dry just like cotton candy." + +"Indigestion," I suggest. + +He shakes his big head. "No," he says, "it is worse than indigestion." +He points to his stomach and sighs. "It is love." + +"Fine," I say, happy it is not worse. "All you got to do is tell her, +get married and have lots and lots of kids." + +Hotlips Grogan's big eyebrows play hopscotch around his button nose, so +I can tell he does not think I solve all his troubles with my +suggestion. + +"You are a good man, Eddie," he tells me, "but you are too intellectual. +This is an affair of the heart." He sighs again. "I am never in love of +a girl before," he goes on, more worried, "and I do not know how to act. +Besides, the thrush is with us only a day, and Frankie already is making +with the eyes." + +"So what should I do, give you lessons?" The idea is so laughable I +laugh at it. "Anyway, Frankie always makes with the eyes at thrushes." + +"Yes," Hotlips Grogan admits, "but never before have I been in love of +any of the thrushes Frankie has made with the eyes at. Frankly, Eddie, I +am worried like all get out about this." + +"Sometimes I do not even understand the way you play even before the +thrush comes, Hotlips," I admit. "Like for instance yesterday when we +play 'A Spaceship Built for Two.' This is a song, as you know, that does +not have in it many high notes, but even when you play the low notes +they sound somewhat like they maybe are trying to be high notes. It is a +matter which is perplexing to one of my curious nature." + +Hotlips looks sheepish for a minute and then he says, "It is a physical +disability with me, Eddie. When I am young and practicing with my +trumpet one day, I have an accident and get my tongue caught in the +mouthpiece, and it is necessary for the doctor to operate on my tongue +and cut into it like maybe it is chopped liver." + +"I am sorry to hear this, Hotlips," I say. + +"I do not tell anyone this before, Eddie," Hotlips confesses. "But +afterward when I play the trumpet, I play two notes at one time, which +at first is pretty embarrassing." + +"This is great, Hotlips," I proclaim as a big idea hits me; "you can +play your own harmony. With talent like that, and my brain--" + +But Hotlips is shaking his head. "No, Eddie," he says. "The other note +is way off in the stratosphere someplace and no one can hear it, even +when the melody note is low. And the higher the note is you can hear, +the higher the other note is you cannot hear. Besides, now I cannot even +play what I am supposed to play, what with the thrush around." + +I sit there with my beer in my hand and think about it for a while, +while Hotlips looks at me like a lost sheepdog. I scratch my head but I +do not even come up with dandruff. + +Finally, I say, "Well, thrush or not, if you play no better than you do +this afternoon, Frankie will make you walk back home without a +spacesuit." + +"That is for positive," Hotlips agrees sadly. "So what can I do?" + +I am forced to admit that I do not know just what Hotlips can do. +"However," I say, "I have an idea." And I call Mamie over and tell her +the problem. "So you are a woman and maybe you know what my musician +friend can do," I suggest. + +Mamie sighs. "I am at a loss for words concerning what your friend can +do, but I know just how he feels, for it is like that with me, too. I am +in love of a handsome young musician who comes in here, but he does not +take notice of me, except to order some beer for him and his friend." + +I click my teeth sympathetically at this news. + +"And I am too shy and dignified a girl to tell him," Mamie continues +sadly. "So you see I have the same problem as your friend and cannot +help you." + +"See," I whisper to Hotlips, "it is perfectly normal." + +"Yes," he hisses back. "But I am still miserable, and the only company I +desire is that of Stella Starlight." + +"Maybe it really is your trumpet," I suggest, not very hopeful, though. + +Hotlips shakes his head. "Look," he says and takes the trumpet from his +case and puts it to his lips, "and listen to this." + +Inwardly, I quiver like all get out, because I figure that is just what +the management will tell us to do, once Hotlips lets go. Hotlips puffs +out his cheeks and a soft note slides from the end of the trumpet--low, +clear, and beautiful, without a waver in a spaceload. Only a few people +close by can hear the note and they do not pay us any attention, except +to think that maybe we are a little nuttier than is normal for +musicians. + +From his first note, Hotlips shifts to a higher note which is just as +pretty. Then he goes on to another one and then to another, improvising +a melody I do not hear before and getting higher all the time. After a +while I can hardly hear it, it is so high, but I can feel the glass in +my hand vibrating like it wants to get out on the floor and dance. I +hold on to it with both hands, so my beer will not slosh over the side. +Then there is no sound at all from the trumpet, but Hotlips' cheeks are +puffed out and he is still blowing for all he is worth--which is plenty, +if he can play like this when Stella Starlight is around. + +I tap Hotlips on the shoulder. "Hotlips, that is all very well for any +bats in the room which maybe can hear what you play, but--" He does not +pay me any attention. + +Suddenly there is a large crinkle-crash of glass from the bar and a +hoarse cry from the bartender as he sees his king-size mirror come down +in little pieces. At the same time, glasses pop into fragments all over +the room and spill beer over the people holding them. Even my own glass +becomes nothing but ground glass and the beer sloshes over the table. At +the moment, however, I do not worry about that. + +There are other things to worry about which are more important--like +Hotlips' and my health, for instance, which is not likely to be so good +in the near future. + +Like I say, Hotlips does not play loud and it is noisy in the place, so +there are not too many who hear him. But they look around, all mad and +covered with beer, and see him there with the trumpet in his hand and a +funny look on his big face, and they put two and two together. I can see +they figure the answer is four. And what makes things worse, they are +between us and the front door, so we cannot sneak past like maybe we are +just tourists. + +"Hotlips," I say to him, my voice not calm like is usual, "I think it is +a grand and glorious idea that we desert here and take ourselves +elsewhere." + +Hotlips agrees. "But where?" he wants to know. + +I am forced to admit to myself that he comes up with a good question. + +"Over here," Mamie said suddenly, and we look across the room to see +her poking her nose through a side door. + +We do not wait for a formal invite but zoom across the floor and through +the door into another, emptier room. Mamie slams the door and locks it +just as two or three bodies thump into it like they mean business. + +"The manager is out there and is not completely overjoyed with your +actions of a short while ago," Mamie informs us, explaining, "I +recognize the thump the character makes." + +"Evidently," I surmise, "he is in no mood to talk to concerning damages +and how we can get out of paying them, so we will talk to him later +instead of now." + +"See what I mean, though, Eddie," Hotlips says. "I play fine when Stella +Starlight is not in the place. Like I say, it is love and what can I do +about it." + +"It is a problem," I say. "Even if you _do_ play, you will no doubt be +fired and cannot pay for the damages to the bar room and to the +customers' clothing." Already there are holes in my plastic clothing +where the beer splashes. "If you can only give out on the _Saturn_ like +you play here," I sigh, "we can break all records and show Frankie--" + +Suddenly Mamie is tugging at my arm. + +"Mamie," I inquire politely of her, "why are you tugging at my arm?" + +"That is it," she informs me and leans forward and whispers in my ear. + +"But--" I say. + +"Hurry," she says, pushing us out another door. "You have only got this +afternoon to do it." + +"But--" I say again, and Hotlips and I are in the alley looking at the +door which Mamie closes in our face. + +"What does Mamie say?" Hotlips wants to know eagerly. "Can she fix it up +with me and Stella Starlight?" + +I scratch my head. "That I do not know, Hotlips, but she does give me an +idea which is so good I am surprised at myself I do not think of it +alone." + +Hotlips gives me a blank stare. "Which is?" + +"Come on," I say mysteriously. "You and me have got things to do." + +It is hard to say who is more nervous that night, Hotlips or a certain +piano player with my name. Frankie is smirking like always, and Stella +Starlight is sitting and looking beautiful while she waits for her cue. +Hotlips is fumbling with his trumpet like maybe he never sees one +before. And I--even I am not exactly calm like always. + +The band begins to warm up, but we do not knock ourselves out because +there are still no customers to speak of. Frankie's license makes it +plain that he has to stay over the western hemisphere so he has to wait +until it gets dark enough there for the people to want to go +night-clubbing, even though it is not really night on the _Saturn_, or +morning or anything else. + +We play along like always, and Hotlips has his trumpet pressed into his +face, and nothing but beautiful sounds come from the band. I do not know +if Frankie is altogether happy about this, for he does not like Hotlips +and would like this chance to bounce him. But what surprises me most is +that the thrush, Stella Starlight, keeps looking back at Hotlips like +she notices him for the first time and is plenty worried by what she +sees. + +We have a short break after a while and I am telling Hotlips that the +idea goes over real great, when Stella Starlight waltzes over. Hotlips' +big eyes bug out and I can see him shaking and covered with goosebumps. + +"You do not play like that before, Hotlips," she coos. "What did you +do?" + +Hotlips blushes and stammers, "Eddie and I fix--" But I give him a kick +in his big shins before he gives the whole thing away. + +"Hotlips does some practicing this afternoon," I tell her, "to get his +lip in shape for tonight." + +She looks at me like she is looking through me, and then she turns back +to Hotlips and says, soft and murmuring: "Please do not play too high, +Hotlips. I am delicate and am disturbed by high sounds." + +She waltzes away, and I scratch my head and try to figure out what this +pitch is for. Hotlips is not trying to figure out anything; he just sits +there looking like he has just got his trumpet out of hock for the last +time. + +"Hotlips," I say to him. + +"Go away, please, Eddie," he tells me. "I am in heaven." + +"You will be in the poorhouse or maybe even in jail if you tell somebody +how we fix your playing," I warn him. + +"I still feel funny feelings though, Eddie," he tells me, frowning, +"like I cannot hit high notes now if I try." + +"Then do not try," I advise. "One problem at a time is too much." + +There is a commotion at the entrance on the other side of the dance +floor, where some people all dressed up come in. A woman is holding her +head and moaning and threatening to faint all over the place. + +Frankie hurries over to us, running fidgety hands through his hair. "For +goodness sake, play something," he almost begs. + +"What gives?" I inquire. + +"Flying cuspidors," Frankie says in a frantic tone. "They are all around +the place, like they are maybe mad at something, and a few minutes ago +they buzz the ferry and get the passengers all nervous and upset. If +they do that again, business will be bad; maybe even now it will be bad. +Play something!" + +He hops out in front with his baton and gives us a quick one-two, and we +all swing into "Space On My Hands," real loud so as to get people's +minds off things which Frankie wants to get people's minds off of. + +Stella Starlight gets up to sing, but she looks more like she would +rather do something else. She stares at Hotlips and at the trumpet on +his lips and begins to quiver like she is about to do a dance. + +I remember she says she does not like high notes, and this song has some +pretty well up in the stratosphere, especially for the trumpet section, +which is Hotlips. + +She is frowning like maybe she is thinking real hard about something and +is surprised her thoughts do no good. Her face becomes waxy and there is +a frightened look on it. + +She quivers some more, as the notes go up and up and up. Then she lets +out a shriek, like maybe she is going to pieces. + +And then she does. Actually. + +Right before our popping eyeballs she goes to pieces. + +As each one in the band sees what is going on, he stops playing, until +finally Hotlips is the only one. But the trumpet is in Hotlips' hand, +and the music is coming from the recording machine we place under his +chair. The notes are clear and smooth, and you can almost feel the air +shaking with them. + +But nobody notices the music or where it comes from. They are too busy +watching the thrush, Stella Starlight. + +She stands there, her face as white as clay, shaking like a carrot going +through a mixmaster. And then tiny cracks appear on her face, on her +arms, even in her dress, and then a large one appears in her forehead +and goes down through her body. She splits in the middle like a cracked +walnut, and there in the center, floating three feet from the floor is a +small flying cuspidor. + +Nobody in the room says anything. They just stand there, bug-eyed and +frightened like anything. Somewhere, across the room, a woman faints. I +do not feel too well myself, and I am afraid to look to see how Hotlips +takes this. + +There is no sound, but I hear a voice in my mind and know that the +others hear it too. The voice sounds like it is filled with wire and +metal and is not exactly human. It says: + +"_You win, Hotlips Grogan. I, as advance agent in disguise, tell you +this. We will go away and leave you and your people alone. We place a +mental block in your mind, but you outsmart us, and now you know our +weakness. We cannot stand high sounds which you can play so easy on your +trumpet. We find ourselves a home someplace else._" + +With that, the cuspidor shoots across the room and plows right through +the wall. + +"That's the engine room!" Frankie wails. + +There is a sudden explosion from the other side of the wall, and +everybody decides all at once they would like to be someplace else, and +they all pick the same spot. The space ferry is pretty crowded, but we +jam aboard it and drift away from the _Saturn_--musicians, waiters and +paying customers all sitting in each other's laps. + +The _Saturn_ is wobbling around, with flames shooting out at all angles, +and Frankie is holding his head and moaning. In the distance, you can +just about make out little specks of cuspidors heading for the wild +black yonder. + +So all is well that ends well, and this is it. + +Frankie uses his insurance money to open a rest home on Mars for ailing +musicians. + +Hotlips is all broken up, in a manner of speaking, over Stella +Starlight's turning out to be not human, but he consoles himself with a +good job playing trumpet in a burlesque house where the girls wear +costumes made of glass and other brittle stuff. + + * * * * * + +As for me, Mamie gets me a job playing piano at the place where she +works, and everything is okay except for one thing. When Mamie is around +I cannot seem to concentrate on my playing. I feel a funny feeling in my +stomach, like maybe it is full of supersuds or something, and my mouth +is dry like cotton candy. + +I think maybe it is indigestion. + + + + +Transcriber's Note: + + This etext was produced from _Fantastic Universe_ August 1958. + Extensive research did not uncover any evidence that the U.S. + copyright on this publication was renewed. Minor spelling and + typographical errors have been corrected without note. + + + + + +End of the Project Gutenberg EBook of The Flying Cuspidors, by V. R. Francis + +*** END OF THIS PROJECT GUTENBERG EBOOK THE FLYING CUSPIDORS *** + +***** This file should be named 29749.txt or 29749.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/2/9/7/4/29749/ + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |
