summaryrefslogtreecommitdiff
path: root/29727.txt
diff options
context:
space:
mode:
Diffstat (limited to '29727.txt')
-rw-r--r--29727.txt1521
1 files changed, 1521 insertions, 0 deletions
diff --git a/29727.txt b/29727.txt
new file mode 100644
index 0000000..730f1e8
--- /dev/null
+++ b/29727.txt
@@ -0,0 +1,1521 @@
+The Project Gutenberg EBook of Zero Data, by Charles Saphro
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Zero Data
+
+Author: Charles Saphro
+
+Release Date: August 19, 2009 [EBook #29727]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK ZERO DATA ***
+
+
+
+
+Produced by Greg Weeks, Stephen Blundell and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+
+
+
+
+ZERO DATA
+
+By CHARLES SAPHRO
+
+
+ _All the intricate, electronic witchery of the 21st century could
+ not pin guilt on fabulous Lonnie Raichi, the irreproachable
+ philanthropist. But Jason, the cop, was sweating it out ...
+ searching for that fourth and final and all-knowing rule that would
+ knock Lonnie's "triple ethic" for a gala loop._
+
+
+Lonnie Raichi was small, heavily built, wet-eyed, dapper and successful.
+His success he attributed entirely to his philosophy.
+
+Not knowing about Lonnie's philosophy, the whole twenty-odd years of
+Lonnie's success was the abiding crux of Jason's disgust. And this, in
+spite of the more and more men Jason came to control and the fitful
+stream of new techniques and equipment Gov-Pol and Gov-Mil Labs put at
+his disposal.
+
+Jason was a cop. In fact, by this Friday the thirteenth in the fall of
+2009, squirming on what had come to be his pet Gov-Park bench right
+across from the Tiara of Wold in the Fane, he was only one step short of
+being the Head Cop of Government City. He was good. Gathering in a lot
+of criminals was what had brought him up the steps.
+
+But he hadn't gathered in Lonnie.
+
+It wasn't for lack for trying. Way back, when Lonnie was known simply as
+"Lonnie," Jason managed to get a little help from his associates and
+superiors. Sometimes.
+
+But as Lonnie came to be known as Lon Raichi, then Mr. Raichi, and
+finally as "THE Launcelot Raichi" (to Everyone Who Mattered), and as
+Jason's promotions kept pace with his widening experience and
+painstakingly acquired knowledge; peculiarly, there seemed to be fewer
+and fewer persons around who could be made interested in "Lonnie."
+
+Inside Government and Gov-Pol-Anx as well as among the general
+Two-Worlds public.
+
+So Jason got less and less help, or even passive cooperation, from his
+superiors. As a matter of fact, the more men he could command, the fewer
+he could use on anything that could be construed as concerning Lonnie.
+
+Equipment, though, was a little different matter. There was usually
+enough so that one unit of a kind could be unobtrusively trained on Mr.
+Raichi under the care of Jason's own desk sergeant. In 1999, for
+example, Moglaut, that erratic and secretive genius in Physlab Nine,
+came out with a quantum analyzer and probability reproducer. The machine
+installed in Pol-Anx, reconstructed crimes and identified the probable
+criminals by their modus operandi and the physical traces they couldn't
+avoid leaving at the un-mercy of any of its portable data accumulators.
+
+On Jason's first attempt it almost came close to Lonnie. It did gather
+in the hidden, dead, still twitching, completely uncommunicative
+carcasses of the five men who actually relieved the vault of the
+Citizen's Bank of Berlin of its clutch of millions. It even identified
+the body of the rocopilot found floating in the Potomac a few days later
+as being one of the group, and the killer. It did _not_ locate the
+arsonized remnants of the plane, though, nor the currency; and only
+achieved the casting of a slight, or subsidiary, third-hand aspersion in
+the direction of THE Launcelot Raichi.
+
+But Lonnie came up with an irrefutable alibi, somehow, and the hassle
+that followed made Jason's luck run out. And on Jason's stubborn,
+secret, subsequent tries, all the analyzer could produce was a report of
+zero data whenever Jason, reasonably or unreasonably, believed that
+Lonnie was involved.
+
+Every time.
+
+Zero data when Schicklehitler's marshal's baton disappeared from the
+British Museum.
+
+[Illustration: _Lonnie on his dream throne ... Jason at his instruments.
+Was the struggle endless between these two?_]
+
+Zero data when Charlemagne's Crown lapsed unobtrusively from its shrine
+in Vienna during the Year 2000 Celebration.
+
+Subsequently, Jason realized that the Berlin job in 1999 had marked
+Lonnie's last essay after money. Other things seemed to occupy Lonnie's
+mind after he'd sprouted publicly into the status of full-fledged,
+hyper-respectable, inter-planetary business tycoon; complete with a
+many-tentacled industrial organization in Moon Colony and a far-flung
+prospecting unit headquartering at Mars Equatorial.
+
+Tycoonship was a status with which Everyone Who Mattered was always
+pleased.
+
+Jason's next attempt on Lonnie had to wait until 2005 and was the result
+of two unconnected circumstances. The first was Physlab Nine's secretive
+genius, Moglaut, evolving another piece of equipment, a disarmer, which,
+subsequent to its first use, saved countless cops' lives. The second was
+the discovery in the Valley of Kings, of Amenhotep III's own personal
+official Uraeus. Positively identified beyond the shadow of doubt.
+
+Jason, playing the hunch he'd built up about Lonnie, rushed a man, armed
+with the brand new disarmer, instantly to the scene.
+
+The next morning, Amenhotep's Uraeus was gone and the corpse of Jason's
+man was found--part of it. The right hand, arm, shoulder, and most of
+the head were missing; burned away. And of the disarmer, only a fused
+hunk of mixed metals and silver helix remained.
+
+And the analyzer reported zero data.
+
+Lab Nine's taciturn and exasperating Moglaut failed to derive an
+explanation for either circumstance.
+
+"I won't shut up," Jason said, standing on the carpet in front of his
+superior. "He did it. I don't know how, but he did."
+
+Another spasm of frustration shook him and he slammed his fist down on
+the sacred desk. "I've known Lonnie all my life. I know he doesn't know
+phfut about anything scientific, and yet he makes a horse's--"
+
+"Captain Jason, I insist that you stop referring to--"
+
+"Makes a--" Jason raised his voice, "horse's--"
+
+"CAPTAIN JASON!"
+
+Jason subsided.
+
+"Captain, Annex has been most forbearing all these years. We've
+overlooked your incomprehensible phobia--this--this confoundedly
+unfounded impossible bias against such an irreproachable philanthropist
+as Launcelot Raichi--because of the sterling quality of your ... ah ...
+other work. However--"
+
+On the desk, the Commissioner's fingers took up a measured tattoo.
+"--should this fixed idea begin to encroach on--uh--uh--"
+
+"All right ... Sir." Sullenly, Jason submitted. "I understand."
+
+With a self-congratulatory smirk up at the ceiling that separated them
+from Executive Level, the bland face of the Commissioner smoothed out.
+"All right, Captain, as long as we understand each other ..."
+
+Sourly, Jason got himself back to his own office. Drumming his own
+fingers on his own desk and glaring at his own desk sergeant, he purged
+his soul.
+
+"--damned equipment would only work, I'd gather him in! They couldn't
+stop me, then! But--" Jason choked. When he could speak again, "He's
+never studied a lick in his life, I tell you! Yet he makes a he-cow's
+behind out of the best man and the best scientific equipment Annex can
+provide! How? How, I ask you! He doesn't know the first blasted thing
+about any blasted thing in any blasted science!"
+
+ * * * * *
+
+That was true. Conversely, Jason didn't know about Lonnie's philosophy.
+
+Nowadays, Lonnie called it a "philosophy." He told reporters it was
+"based on a triple ethic." (Inside his skull, a small boy jumped up and
+down in glee over the magnificent language he was able to use.) But he
+always replied only with a superior smile when asked by reporters to put
+the philosophy and the triple ethic into words. If pressed, he
+paraphrased an Ancient Man: "You know my works. Judge by them."
+
+He was referring, of course, to his having branched out into patronizing
+the Arts. He'd even erected Raichi Museum just across the velvety green
+circle of Gov-Park from Government's own Fane of Artifacts.
+
+The reporters would go away and write more articles about his modesty
+and the superlative treasures of Earth, Moon and Mars that were
+gathered in the Raichi Galleries; protected, the papers always boasted,
+by the same ultra-safety mechanisms that guarded the mile-long,
+one-gallery-wide, glass-fronted Fane itself. Government affably made up
+two of every anti-break-and-entry device nowadays. One for the Fane and
+the other for Raichi Museum.
+
+Despite occasional grumbles in the letters-to-the-editor columns, the
+papers never seemed to inquire into why so many priceless trans-worlds
+artifacts got into Lonnie's private ownership instead of Government's
+public Fane. And while some artists and architects (unendowed by Lonnie)
+succeeded in publicly proclaiming Raichi Museum gaudy, such carpings
+were but to be expected, particularly from modernists.
+
+Actually, Everyone Who Mattered felt Raichi Museum's granite walls were
+much more dignified than the narrow, glass-faced arcade that was the
+Fane, wide open to the most disrespectfully casual public inspection all
+the time. Why, even late at night gawking loiterers pressed their noses
+against the glass; black, clumsy images pinned to the blazing whiteness
+hurled by radionic tubes against the back wall of snowy marble from
+Mars' arctic quarries. Besides, that glass, proof though it was against
+anything but an atomic explosion, still made every true art lover feel
+disquietingly insecure.
+
+No, on the whole, the papers and reporters and true art lovers who felt
+the Public's treasures should be more secure than visible, never
+questioned Lonnie's doing good to so much Art.
+
+Thus, nowadays, nobody did anything but accept Lonnie. Except Jason. And
+he, perforce, took out his disgust not on hounding the sacrosanct
+Lonnie, but on that crackpot, mumchance, captive genius of Physlab Nine.
+With the result that, late in 2007, Pol-Anx had an electronic
+servo-tracer.
+
+Pending construction of sufficient hundreds of thousands more for full
+Anx use, Jason swore Lab Nine to secrecy and installed the pilot model
+in his own office. He had enough authority for that.
+
+It was a hellishly unbuildable and deceptively simple gadget, that
+tracer. Simply tune it in on the encephalo-aura, the brain wave pattern
+of any individual ... and monitor. It never let go until deliberately
+switched off by the operator. It tracked; pinpointed the subject
+accurately up to twenty thousand miles. It stopped humming and started
+panting in proportionately ascending decibels when the subject became
+tense, nervous, afraid. It also directed pocket-sized trackers of its
+own Damoclean beam. It made it a cinch to gather in known criminals in
+the very midst of their first subsequent flagrante delicto.
+
+Jason latched the servo-tracer on Lonnie and settled down to wait.
+
+At 10 p.m., local mean time, January 25, 2008, the tracer hiccupped and,
+all by itself, _went to sleep_!
+
+Jason blinked. Jiggled the gadget. Swore. Either the gadget was haywire
+or Lonnie was up to something, and, as usual, was making a--
+
+Jason bawled for four reliable squad men he'd mentally selected before.
+If he could find Lonnie--catch Lonnie in actual performance of an
+act--then Commissioner or no Commissioner, Executive Level or no
+Executive Level...!
+
+He roared from Pol-Anx with the men, past the flank of Government Fane,
+across the Park and around the bulk of Raichi Museum to Lonnie's mansion
+in its shadow. Leaped from the gyro-van, sweeping his men out into a fan
+for the neighborhood.
+
+Nothing. Placid. Tree-shadowed, lawn-swept streets, ebony and silver in
+the light the moon reflected from solar space.
+
+He'd missed. Too late. Lonnie was gone ... or was he?
+
+Jason didn't give himself time to think; his men time to get even a
+momentary hesitation started. He shoved his thumb hard against the door
+chimes and his shield under the butler's nose.
+
+Yes, Mr. Raichi was at home. Then, after an interval nicely calculated
+to allow Jason to feel how acutely precarious his position stood, "Mr.
+Raichi is accessible."
+
+Lonnie was bland. Blandly accepting Jason's urgent story of a known ...
+er ... jewel thief traced to the neighborhood. Blandly amenable to
+Jason's suggestion that his men be permitted to go over the mansion
+(once he'd started this damfool caper, he had to go through with it).
+Lonnie so bland that Jason felt a skitter of perspiration down his
+backbone while his men hustled up the soaring circle of the stair.
+
+
+II
+
+"Since I've been disturbed anyway," Lonnie offered, "I'll show you
+around."
+
+"Thanks," Jason shook his head stiffly. "I'll just wait."
+
+"I think you should come."
+
+Shrugging, Jason followed, eyes stubbornly downcast.
+
+"... my library ... my den ... bar. Care for a drink? Well, suit
+yourself." As the lights of the den dimmed and one wall swooshed
+smoothly into the ceiling. "My theatre ... The usual tri-di stereo, of
+course, but I've had a couple of the new tight beams installed to
+channel Moon and Mars on the cube. Much better than the usual staged
+bilge. Say, that reminds me, a couple hours ago Mars projector had a
+scanner on one of the exploration parties caught out in a psychosonic
+storm. Jove, did they wriggle! Even in atomsuits they were better than
+Messalina Magdalen working on her last G-string. Here, I'll switch it
+on. Maybe the rescue team's--"
+
+Building up inside the hundreds of thousands of layers of crystallized
+plastic came a reddish, three-dimensional landscape, as if viewed from a
+height. Orange dust swirled across a gaunt, clawed plain under a
+transparent pink haze. A feeling as of sub-visual vibration, emanating
+from the cube, tugged at Jason's eyelids.
+
+No life.
+
+"--Nope; they've cleaned up the carcasses already. Too bad. Tell you
+what, though. Next time I catch it happening, I'll phone you and--"
+
+"Don't bother."
+
+"Suit yourself." Lonnie shifted and went on, lightly. "I'm not at all
+satisfied with the color, are you? It's off a little, don't you
+think?... Well?... Well!"
+
+Unwillingly, Jason moved his attention to the cube. Eyes widening, he
+studied it. "No. You're wrong. That's good! The tech who poured that
+stereo did a damned good job. It's--"
+
+"Not good enough for me! That's not exactly what I saw up at Vulcan
+City. If those lazy--"
+
+"Look, you can't expect exactly the same reflectivity from crystallized
+plastic that you get from molecules of atmosphere, no matter how
+scientifically the pouring and layering is controlled. It's--they're two
+different materials. Leaving aside the ion-index differential and
+quality of incident light, you still can't--"
+
+"_I_ can ..." As the pause lengthened, Jason's gaze was finally drawn to
+Lonnie's face. "You still haven't changed a bit, have you, Jasey? Still
+all wrapped up in _how_ any collection of doodads work instead of just
+for what it'll do. You know, I wouldn't be surprised if that hasn't
+always been the difference between us. Where's it got you?"
+
+Jason strode for the door.
+
+"Wait a minute." Lonnie's voice came louder. "Better wait, copper. I'm
+not through ... That's better."
+
+From behind Jason came the sound of rubbing palms. "We've come a long
+way from Gimlet Street, haven't we, Jasey? You particularly. Captain.
+Promotions. Pay raises ..." Then Lonnie was in front of him, staring up.
+"You're quite a substantial citizen now. Yes? Well, look at that. Go on,
+look at it."
+
+Against the side wall stood a gigantic triptych. More than life size,
+the central panel canopied the statue of a Mongol potentate; the two
+side wings, a pair of guards in bas-relief. All three wrought in
+chryselephantine gold and ivory; the gold with flowing pallid
+highlights. Damascened armor, encrusted with jewels, girdled the chest
+of the Asiatic Prince; helmeted the sullen head carved from a single
+immensity of ivory.
+
+Ruby eyes glared arrogantly under ebon brows. Against the statue's
+folded shins, its pommel negligently gripped by one immovable, ivory
+hand, leaned a short Turkish scimitar of watered steel. Beneath the
+carved hassock upon which the statue sat, a dais of three steps fell
+away to the floor.
+
+"That's Genghis Khan," Lonnie said. "I had him made. That isn't gold
+he's made of; that's aureum--and it cost plenty to have the silver mixed
+in. It makes it better. And I get the best! A hundred thousand, it cost
+me. And thirty-six thousand more to brace the wall and floor. It's good.
+It's the best that's made!"
+
+He came up on tiptoe, thrusting his chin as close as possible to Jason's
+averted face. "Why don't you buy one for your place, Captain?"
+
+ * * * * *
+
+Jason stared into the malevolent eyes of the statue.
+
+"Huh ... hu-hu ... hu-ha-ha-ha ..." At the dais, Lonnie put his foot on
+the second step and patted Genghis Khan familiarly on one ivory knee. "I
+like this old boy. He had the right idea. I have it. You haven't. You
+never had. If you had, you'd'a listened to the proposition I made you
+way back then. Remember when Aggie told you about it? Say, I wonder
+what's become of her, anyway. Do you know? What? What'd you say?"
+
+Jason cleared his throat. Hard.
+
+"Well?"
+
+Jason swallowed. Blood pounded in his temples.
+
+"Jasey, you're stupid."
+
+Jason made his eyes close. Let them re-open slowly.
+
+"You were born stupid and you've stayed stupid."
+
+Still Jason held back an answer.
+
+"You're nothing but a stupid, go-where-you're-sent, do-what-you're-told
+cop! What do you say to that! If you want to keep on being one, answer
+me! Answer me!"
+
+Deliberately, Jason jerked his chin at the statue. "That's another
+example of what I mean."
+
+"_What?!!_" screamed Lonnie.
+
+"Reflectivity. The silver in the gold. Two different metals and where
+they're not well fused. That sword blade, too. Just the misalignment of
+molecules in the surface of the steel makes it look wavy, and ripple
+when the light changes or you move. Different even in two parts of the
+same material. That's why you can't get the stereo cube to reproduce
+color-feel exactly." Breathing heavily, Jason had to let his voice fade
+out.
+
+"Gaaa ..." Lonnie convulsed. "Who cares!" Laugh sounds rolled out of his
+throat. "You'll never change."
+
+He flicked his hand at Jason, brushing him away.
+
+But, as Jason, white-faced, herded his men out through the costly
+grandeurs of the vestibule, Lonnie called from the inner hall:
+"Copper ..."
+
+Jason turned, waited.
+
+"You amused me, so it's all right this time. You can keep your
+penny-ante job. But don't try for me again. You cross my path again,
+I'll smear you. And what's more, I'll use whatever you're trying, to
+smear you with. Get that! Get it good! Now get out!"
+
+Back in Jason's office, the desk sergeant reported as Jason came in.
+"Funny thing. That there tracer started to hum again soon after you was
+out for a while. Quit again 'bout five minutes ago, though."
+
+Jason gritted his teeth, banished the sergeant, and spent five minutes
+alone gripping the edge of his desk. Then he yanked Lab Nine's silent
+genius down to his office. That didn't help for the tracer stayed
+asleep. Not even a hiccup rewarded Moglaut's most active efforts on
+Lonnie's wave length. On others, fine. Through the night and on into the
+next day, Jason kept Moglaut at work.
+
+Late in the morning, Authority at Peiping televised publicly that the
+Mace of Alexander was gone from its satin pillow in the proof-glass case
+in the alarm-wired room off the machine-weapon-guarded main corridor of
+the security-policed Temple of Mankind.
+
+The Mace, symbol of Alexander's power, was a pretty little baton barely
+two feet long. Its staff was mastodon ivory, the paleontologists had
+determined. One end sported a solid ball of gold hardly as big as a
+fist; studded with rubies, but none set quite so close as to actually
+touch.
+
+The other end, balancing the ball of gold, mounted the largest single
+polished emerald crystal in the discovered universe. Neither the Moon or
+Mars had produced anything in the emerald line equivalent to what had
+come out of the mists of Earthly history.
+
+ * * * * *
+
+Disregarding the bulletin, Jason kept Moglaut at the servo-tracer. In
+the night's smallest hours it began placidly to hum on Lonnie's aura
+again.
+
+"What happened?" Jason said. "What did you do?"
+
+Moglaut shrugged.
+
+"You must have done something. What was it?"
+
+Moglaut, not looking up from the purring machine, shook his head.
+
+"All right. You can go now." Jason watched the genius disappear
+hurriedly through the door. From the door he watched the man scutter
+down the long, long corridor out of sight. The first thing in the
+morning, Jason promised himself, he'd have a session about Moglaut with
+Lab Nine's chief.
+
+The first thing in the morning brought word that Lab Nine's erratic
+genius had stumbled himself out of the seventeenth-floor window of his
+suburban apartment to his death. Lab Nine's chief clucked sorrowfully.
+
+Jason shook his head and wondered. After exhaustive investigation (zero
+data) he still wondered. That's all he was able to do, wonder.
+
+The second time Jason's servo-tracer on Lonnie hiccupped and dozed off
+was at 12:01 a.m., August 7th, 2008, just one day after the Diamond
+Throne arrived on Earth. The single, glittering diamond crystal,
+misshapen like an armchair and larger than one, had been mined out of
+the core of Tycho's crater. And it was also just two days before the
+Moon Throne would have been installed in the unbreakable safety of
+Raichi Museum!
+
+"Jason, you're insane," his superior told him when Jason, reinforced by
+an astounding public furore, brought the matter up. "He owned it. He had
+no reason to steal it from himself. Besides, one man alone couldn't
+budge that enormous--"
+
+"It won't do any harm to look-see."
+
+"It can do a lot of harm!" The Commissioner glanced quickly at the
+ceiling. "I'll have nothing to do with it. That's all."
+
+Officially, Jason's hands were tied. But secretly he maneuvered the
+transfer of a five-layers-down undercover man from Madras to Government
+City. And, coincidentally, in the ordinary routine of operation, Raichi
+Museum took on a new janitor; a little brown man who grinned constantly
+and was fanatical about dust. He was a good, reliable man and when he
+reported that neither the Diamond Throne nor any of the other missing
+glories were anywhere in the Museum, Jason had to believe him.
+
+As a matter of fact, it wouldn't have done Jason any good to have
+installed the little brown man in Lonnie's mansion, either. The
+lock--not the apparent one openly in the den door, but the real one--was
+as unobtrusive and foolproof as twenty-first-century engineering could
+make it. And Lonnie always made sure he was alone and unobserved in the
+den before he locked it and sauntered across to bestow a peculiar,
+multiple tweak to the nose of Genghis Khan.
+
+He enjoyed the gesture. On Christmas Eve he grinned broadly while the
+triptych pivoted in the wall, let him off in the Kruppmartite-walled,
+pulsing radiance of his very secret, very, very personal throne room,
+and swung back into place.
+
+His grin changed to an expression of imperial dignity as he encased
+himself in Catherine the Great's ermine Robe of State and grasped the
+Mace of Alexander in his good left hand. But then the royal mien gave
+way to a sullen scowl as he hesitated between Charlemagne's Crown and
+Amenhotep's Uraeus.
+
+Actually, neither one was worthy of him. Both purely regional coronets
+belonged over in the farthest dusty corner behind the curtain, along
+with Schicklehitler's shabby baton and that crummy Peacock Throne. What
+he really needed was a crown worthily symbolic of the position he'd make
+it possible to publicly assume in the not-too-distant future.
+
+It was a damned imposition that he had to put up with. Well, he'd make
+them do since they were the best to be had. Adjusting the Crown of
+Charlemagne upon his brow, he stood on tiptoe to wriggle his way back
+into the embrace of the titanic crystal that was the Diamond Throne.
+There, he relaxed and gave himself over to the contemplation of the
+glories of Lonnie.
+
+Who but he had developed such an efficient philosophy to such an
+unfailingly incisive point? Certainly not Old Boswell who, back in the
+early days had thought to be teaching him.
+
+"Rule One, my boy," he remembered the old patrician twittering, "there's
+always someone to pull your chestnuts out of the fire for you--for a
+price. Pay it. Then add a plus to the payment and the man's yours to use
+again and again."
+
+But even in those days as a callow, trusting youth, he'd been smarter
+than Boswell. Observing, from the safety of the sidelines, the way the
+old fool had finally tripped up, he'd added a codicil of his own to
+Rule One: "Make sure the payment's _final_!"
+
+(... witness the Berlin chestnut pullers. And the unobtrusive and
+undiscovered spate of their predecessors whose usefulness had become
+outweighed ...)
+
+Then Boswell had said, "Rule Two: You don't have to know the how of
+anything. All you have to know is _the man who does_. He always has a
+price. The currency is usually odd, but find it, pay it, then proceed
+per Rule One."
+
+Even tonight, in his own Throne Room, Lonnie flushed heavily at the way
+he'd accepted at face value what came next. "By the way," Old Boswell
+had added smoothly, "no connection of course, my boy, but the topic
+reminded me. Here are the keys to that daffodil-hued tri-phibian you
+ogled at Sporter's exhibit. I must admit you have an eye for dashing
+machinery even though I can't agree with your esthetics. No--no ... It's
+yours. I feel that you've earned it and more by--"
+
+He'd rushed to the garage to gloat over the mono-cyclic,
+gyro-stabilized, U-powered model with the seat that flattened into a
+convenient bed at the touch of a button. The tri-phib, he recalled, in
+which he'd coaxed Agnes into taking her first ride.
+
+
+III
+
+The details of that recollection brought up his spirits again and, he
+reminded himself, the lesson had sunk in; had developed into his most
+useful ethic. After his narrow scrape with Jason's quantum analyzer in
+the Berlin incident, it hadn't taken long for a good, one-man detective
+agency to locate Physlab Nine's frenetic genius, Moglaut. It had taken
+longer to discover Moglaut's currency but, after much shadowing, the
+'tec had come through handsomely. Lonnie, automatically applying his
+fully-developed Ethic One, always considered it a nice sentimental touch
+that the one-man agency's final case was successful.
+
+Moglaut's price was a prim, brunette soprano who wore her eyes disguised
+behind heavy tortoiseshell. The ill-cut garb she could afford added
+greatly to her staid appearance, obscuring a certain full-bodied
+litheness. She earned a throttled existence soloing at funerals and in
+the worship halls of obscure, rigidly fanatic offshoot sects.
+
+Her consuming passion was to be an opera prima donna.
+
+Lonnie never tried to understand why Moglaut sat fascinated through
+endless sin-busting sermons and lachrymose requiems. To hurry
+afterwards, with the jerky motions, the glazed eyes of a zombie, to
+subsequent rendezvous with the soprano at his suburban apartment. It was
+entirely sufficient in Lonnie's philosophy that Moglaut did.
+
+The soprano's continuing suburban cooperation was insured by Lonnie's
+judicious doling out of exactly the cash to keep a tenth-rate opera
+company barely functioning in a lesser quarter of Government City.
+Oddly, he found it pleased him and from that grew his wide patronizing
+of the Arts.
+
+The immediate result of the situation he created and controlled so
+deftly was Moglaut's production of a closed-plenum grid suit.
+
+None of Gov-Pol, Gov-Mil or Gov-Econ labs found out about it; much less
+Pol-Anx or Government itself. Moglaut did all the work in the tiny
+complete lab Lonnie set up in the suburbs.
+
+Lonnie didn't care what electronic witchery took place in the minute
+spatial interstices between the finely-woven mesh of flexible tantalum.
+Sufficient for him, the silvery white suit once donned and triple-zipped
+through hood and glove-endings, he was immune to ordinary Earthly
+phenomena; free to move about, do what he wished, untraceably. In it,
+his words were not vulnerable to the sono-beam's eavesdropping.
+Photo-electric and magneto-photonic watchdogs ignored him. Even the most
+delicately sensitive thermo-couples continued their dreams of freezing
+flame undisturbed. Jason's quantum analyzer couldn't pick up the
+leavings of a glance--all that the suit permitted out into the physical
+world.
+
+The suit had its limitations, of course. Lonnie could see out, but the
+suit could also be seen. That required sometimes intricate advance
+planning to offset. Also, occasionally, manipulating the field of the
+grid to permit mechanical contact with the physical world was a trifle
+cumbersome but never annoyingly so. All it took was a modicum of
+step-by-step thought and some care not to leave a personal trace for the
+quantum analyzer to pick up. No actual trouble. And, finally, Moglaut
+had warned that the compact power unit pocketed on the left breast had a
+half-life of only thirteen years.
+
+That left Lonnie placid. He took the suit for granted and used it for
+what it let him do.
+
+When something more was needed, he was convinced his philosophy would
+provide it.
+
+He didn't waste time trying to determine whether possession of the suit
+or previous experiences leading to his insistence on its development
+brought into focus the third ethic of his philosophy: "Rules One and Two
+are valuable and have their use. But when the chips are really down, _do
+it yourself_!" Instead, he toddled about personally acquiring the
+trappings of omnipotent royalty with little thought for the means.
+
+ * * * * *
+
+But while he was about that business, the very limitations of the grid
+suit furnished an unending challenge to Moglaut's genius. And out of a
+sideline experiment incited by that challenge came the disarmer which
+Jason greeted with such fruitless glee.
+
+Fruitless because, of course, before turning the disarmer over to Lab
+Nine and Pol-Anx, Moglaut devised a new, infinitely stronger, more
+versatile power pack for Lonnie's suit. A power pack controlled by a
+simple rheostat in the palm of the left-hand glove, but whose energy
+derived from the electron-kinetic properties of pent and shielded
+tritium. Not simple. In fact, solving the problem of penning and
+shielding tritium in a portable package delayed the appearance of
+Jason's disarmer two whole years.
+
+That power pack and the reciprocating properties of the fields of the
+grid suit itself made a dilly of a combination. Before, the
+closed-plenum mesh kept Lonnie from leaving traces. Now, anything once
+embraced within the palpitating fields of the grid moved with and how
+the suit moved; not in accord with the natural laws of the surrounding
+continuum. That neat new attribute took care of the cubic yard or so of
+Diamond Throne.
+
+And the ravenous tritium was malignant. Let any external power be
+applied against the plenum and it would be smashed, hurled back full
+force upon its source.
+
+Jason had an undiagnosed example of that when he got only part of his
+man back from the Valley of Kings.
+
+It was the power-pack-grid-suit combo that made a sleeping Buddha of the
+servo-tracer on the night of Jason's call at Lonnie's mansion; bollixed
+up the elaborate guards of the Peiping Temple of Mankind; and, when
+Jason so openly displayed suspicion of the genius, made child's play of
+what the newspapers headlined as "Scientist's Amazing Suicide Love
+Pact."
+
+Lonnie grinned, remembering the incident. Then other memories--things
+he'd witnessed through a tight-beam scanner secreted in the suburban
+apartment--crowded his mind; stirring him restlessly on the Diamond
+Throne. Divesting himself of imperial appurtenances, he started for a
+certain locked file in the den to check the specifications of available
+per-diem empresses.
+
+Making sure the triptych was snugly in place behind him, he paused to
+flip the switch on the stereo cube. Maybe Messalina Magdalen or one of
+the lesser ecdysiasts was presenting the perfection of her techniques
+over the private channel at the moment, an event he would appreciate.
+
+Instead, the private channel presented, as the cube glowed and cleared,
+the same red, clawed landscape he'd shown to Jason months before. The
+disembodied voice of the commentator on Mars--not the lyrical public
+announcer, but the industrial economist who served the private
+channel--picked up in mid-word: "... early to have much data on the
+science and material resources this dead civilization possessed, but I
+recommend that every Corporation in Induscomm Cabal should place a
+technical party at Mars Equatorial as soon as possible. We shall now key
+in with the public spacecast. Note the texture and color range of the
+adornments and artifacts. I venture that these items will prove popular
+among you who can well afford such rare treasures. However, subtlety in
+acquiring them is suggested. While common clamor for Public ownership is
+under control, overt provocation is not recommended. Here is the
+cut-over ..."
+
+The scene in the cube flashed and coalesced, dazzling Lonnie's eyes for
+a moment. He was conscious of the landscape rushing "up"; of gigantic
+walls and spires rising out of the obscurity of a quarried chasm to
+tower briefly against the pink haze of the Martian sky, then expand to
+give the impression of engulfing him before the scanner lens settled
+under the center of a leaping, vaulted dome.
+
+To Lonnie, the many-acred enclosure meant nothing with its shimmering,
+stone-lace pillars, its tapestries that flamed with color or traced
+ghostlike, barely discernible outlines on the walls. Nor did any thought
+enter his mind of the exactness of the reflected color in the stereo
+cube. Hands clenched into aching fists, he stood leaning forward;
+striving by sheer will-power to span the void of space and force the
+scanner lens closer to the truncated pyramid of steps atop which, on a
+block of plain black stone, a dessicated mummy sat erect, hands folded
+in its reedy lap and on its head a blazing, coruscating radiance.
+
+A _Crown_!
+
+
+IV
+
+Dazedly, Lonnie was conscious of the public announcer's rhapsodizing:
+"... Gov-Anth's ethnologists and linguistics experts are making some
+progress toward deciphering the inscription carved on the plaque. Wait!
+Here's a note from Gawley Worin. You remember Gawley Worin, our famous
+leg-man, folks, don't you? Well, here's a note. It ... Listen to this,
+folks! Listen! This is the beginning of the first rough translation of
+the inscription. Listen ...
+
+"'We, Wold, last of the Imperial Family of Wold who exercise our Power
+from Wold, the Imperial City, throughout Wold, the Planet. We, last of
+the line of Wold, who alone may wear the Tiara which is Our Power, and
+our Symbol of Power, and the Symbol of Our Power throughout all the edos
+of Raii's life-taking light, without fear, facing the fate--'"
+
+Hissing, Lonnie cut the stereo switch. He'd seen enough. Darting across
+the den, he opened his communico. "Get me Sykes in our Mars unit," he
+ordered the operator. "Make sure what I say is scrambled. While you're
+waiting, get through to Denisen at Gov-Forn, then Raikes at Gov-Planet,
+then Butchwaeu in Gov-Int. And keep this line closed--that means you,
+too--while I'm talking."
+
+Lonnie--THE Launcelot Raichi--was going after what he wanted.
+
+Just under a mile away, Jason turned from the public stereo in the
+rotunda of Pol-Anx. Tapping the cold bit of his pipe against his teeth
+as he walked, he sought the ease of his chair. In the privacy of his
+office he began to ponder.
+
+The months' developments gave him no surprise. Because it was the first
+contact Humanity had had with a non-human race, the Mars discoveries
+made an overwhelming impression on the man in the street. The result was
+that for the first time in Post-Synthesis history all artifacts were
+reserved for Earth Public!!!
+
+Everyone Who Mattered screamed, except Lonnie. He evinced a biding
+calmness while attending the ceremonies marking the installation of the
+Tiara of Wold in the exact center of Government's own Fane of Artifacts;
+even smiling benignly on certain Gov-Ficials who seemed to perspire more
+than the coolness of the evening warranted.
+
+Jason, loitering on the grass of Gov-Park, noted the smile and the
+perspiration. The perspirers reminded him of small boys expecting a
+whipping.
+
+Once the dedication ceremonies were over, Lonnie never returned to the
+Fane to examine the Tiara.
+
+It was Jason the Tiara seemed to fascinate. He spent more and more time,
+particularly evenings, crouching on the bench in Gov-Park across from
+the Tiara, ignoring the constant stream of awed tourists silhouetted
+against the blaze of light. He kept in constant touch with his desk
+sergeant through his pocket communico, so Annex business didn't suffer.
+And the summer was warm, to say the least, so that several Gov-Ficials
+were almost regretful that the dignity of their positions forbade
+following Jason's example.
+
+But then, too, no mere cop had their responsibilities.
+
+None of them was conscious of how habitually Jason frowned, scratched
+his head, moved uneasily on the pleasant bench. Occasionally, he would
+snap his fingers and the frown would relax. He'd switch on the
+communico and speak briefly. Immediately thereafter, one or the other of
+the hand-picked four in Jason's personal squad would raise his eyebrows
+slightly--safely, since the pocket communico did not project video--and
+take up a new position or new duties. Or, an equipment unit in Op-room
+at Anx would be indifferently retuned by heedless techs.
+
+Then for a while Jason would vent smoke pleasantly from his malodorous
+pipe until the frown would settle back between his eyebrows and he'd
+begin to squirm on the bench again, glancing warily at Executive Level,
+feeling helpless about the inadequacy of his resources.
+
+But Lonnie had gotten over feeling sad about _his_ resources months
+earlier.
+
+The night he'd returned from the Tiara ceremonies he'd locked himself in
+his den and let the on-view smile his face was wearing lapse. He tweaked
+Genghis Khan's nose viciously and slammed himself down in the Diamond
+Throne without donning a single imperial trapping, pounding his fist on
+the cool mineral facet and staring morosely at the grid suit hanging in
+its place on the wall.
+
+The grid suit wouldn't help him this time. The cover-alls that had
+everything except the necessary invisibility to--
+
+_Invisibility!_
+
+Slowly, Lonnie began to grin. Very little later he had an obscure
+biochemist hooked, and ended his instructions with: "... don't care if
+it needs concentrated essence of chameleon juice. Invent it. And it
+better work for there's going to be a total shortage of neo-hyperacth at
+two-twenty-eight per cc for wifey!"
+
+The biochemist delivered. Lonnie didn't stop to question if it really
+was essence of chameleon juice. He hurried with the beaker of viscous
+fluid to his throne room, drenched every square centimeter of the grid
+suit with it and watched breathlessly through the hours while it dried.
+
+In the glowing, shadowless illumination, the suit gradually disappeared.
+First, the wall against which it hung shone mistily through it. Then
+there was wall, slightly outlined by a greyish cast. And at last, only
+an indescribable fuzziness that had to be sensed rather than seen.
+
+
+V
+
+He took the fuzziness off its hanger and threw it up in the air toward
+the center light. The light was undimmed. The fuzziness was air. It
+sprawled down across the Throne and became diamond, except for the
+sleeve that dangled; part air, part intricately patterned Persian
+carpet. It wasn't a fuzziness, exactly, it was more of a faint tone of
+difference in the color-texture feel. It was as though what was behind
+the suit was miraculously translated to its facing surface and then
+reflected to the eye within the nth of utter fidelity.
+
+Grinning, slowly Lonnie's lower lip crept out and up to squeeze its
+mate. Then, because it was always better to be sure, he donned the suit
+to try it against a variety of experimental backgrounds, indoors and
+out.
+
+Over at Pol-Anx, the servo-tracer went to sleep; the desk sergeant
+yanked the creaking joints of his bunioned feet down off Jason's desk;
+on the bench in Gov-Park, Jason's communico squeaked briefly and Jason
+and his four men rose to emergency alert.
+
+Two hours later, the Wold Tiara still coruscating in the Fane's blaze of
+light, the servo-tracer picked up its placid humming. Jason's communico
+squeaked again and Jason's men relaxed while Jason himself clutched his
+head with both hands and whispered bitter things.
+
+At the same time, Lonnie, whistling cheerfully, drew his legs out of the
+suit, shook it straight and hung it back on the wall. He was sure now.
+As sure as he was that the little biochemist and his wife and quintet of
+daughters would not want for neo-hyperacth or anything else any longer.
+He giggled a little, thinking of Jason crouched on the bench, glaring
+vacantly, utterly unconscious of Lonnie passing across the grass so
+close beside him.
+
+At his own convenience, Lonnie selected his night; a full-moon night
+because his now-invisible grid suit didn't require dark. He picked a
+fairly early hour, too, because what matter if a few yawps gawked as the
+Tiara vanished? And that one of those yawps would be Jason, stodgily on
+his bench, gave Lonnie an extra fillip. Perhaps it was just for this
+he'd let Jason plug along on a cold trail all these years.
+
+So that night, wearily from his bench in Gov-Park, Jason looked up at
+Friday the 13th's full moon swimming amiably through its own reflected
+night-brightness. His brain, tired of its everlasting shuttle between
+worries, presented him with a disconnected memory-fact: "As cited by
+Zollner," Jason found himself quoting a forgotten textbook, "the Moon's
+reflectivity is point one seven four ... Nuts!" Angrily, he broke off,
+thumbed the button of his communico, growled into the microphone on his
+lapel, "Report."
+
+"Adams," came promptly back. "West Entry. Nothing."
+
+"McGillis. Patrolling rear wall. All clear in both directions as far as
+I can see. An' I can see both ends of the Fane in all this moonlight,
+Chief."
+
+"Holland. At Raichi House. Nothing."
+
+"Johnson. East Entry. More of the same." Then, "Say, Jase, how about it?
+These double shifts are getting me."
+
+"What's the matter with you, now?"
+
+"My feet hurt, Jase. Neither one of us is as young as we used to be,
+remember. How about knocking off?"
+
+"Hmphf ..." Johnson, Jason thought, was getting old. He'd been a good
+man in his day but-- Hey, he was still a good man! It was Jason's own
+stubbornness that was wearing Johnson down. Jason's useless
+stubbornness. After all, without the backing of Anx or Gov, without
+results from the equipment he had filched to use on Lonnie, what was the
+use of everlastingly sticking around the Tiara like a fly buzzing
+molasso-saccharine anyway? Jason opened his mouth to send them all home,
+pressed the communico button and--shelved the relieving order
+temporarily. Instead, he blasted into the microphone: "Sergeant!
+SERGEANT!"
+
+From the communico, an intermittent drone became a gasping gulp; changed
+into a violent yawn and only then turned into startled speech. "Yeah?
+Huh?... Yeah, Chief!"
+
+"Sergeant, if I ever catch you asleep again, you won't ever get your
+pension."
+
+"Chief, I wasn't asleep! Honest! I--"
+
+"All right. What's happening up there?"
+
+"Nothin' ... nothin' ... I wasn't asleep, Chief. I'd'a called you 'f
+anything--"
+
+ * * * * *
+
+Something bright, or was it dull, plucked at the edge of Jason's vision.
+Inside the Fane, far down at one end. A thin, vertical bar of difference
+in the blaze of light. Chin half turned, Jason stared. What?...
+
+"_Chief!_ That tracer's asleep--I mean--that there tracer's just GONE
+t'sleep! I mean--Chief! It's--"
+
+"Shut up!" Jason hissed. "Holland! If you've let anyone slip past you
+out of that house--"
+
+"Nobody did. You know me better than that, Chief."
+
+"Adams! McGillis! Johnson! What's happening?"
+
+"Nothing ..."
+
+"Not a thing ..."
+
+"_Johnson!_" Jason licked suddenly dry lips. "Dammit, Johnson,
+report!... _Johnson!_"
+
+Silence.
+
+Grimly, Jason watched the vertical bar of different brightness edge back
+to the Fane's East wall and disappear into the even dazzle of the
+marble. He had a feeling it wasn't any use calling Johnson again. Ever.
+
+"Chief, what's up? What do we do?"
+
+"Huh? Oh ... You, Holland, get over to the East Entry as fast as your
+legs'll stretch."
+
+"There in three minutes flat!"
+
+"You, too, McGillis."
+
+"On my way!"
+
+"Adams, you stick at that West Entry. If anything gets past you, I'll--"
+
+"Don't worry, Chief. I've got Johnson to even up for."
+
+Not watching how he ran, Jason hurled himself toward the East Entry; his
+eyes following, in the opposite direction, a dullness moving in the
+blaze inside the Fane. A smoothly moving, white on white, unfaced ghost
+of whiteness within, a part of, the blazing radionic light. Just as he
+rounded the East end of the Fane, he glimpsed the vertical bar of
+whiteness again--the edge of the marble slab that was the entry door,
+reflecting the blazing light at a different angle. Behind it, McGillis's
+tightly grinning face. Under McGillis's face, the stab of blue-white
+light reflected a glancing ray from the old-fashioned solid-missile
+service pistol that Jason had insisted all four men arm themselves with
+for this assignment.
+
+Over the sound of his own labored breathing as he plunged through the
+East Entry, Jason heard panting behind him. Holland. Holland bettering
+his promised three minutes--and with a forbidden disarmer in his hand.
+Guiltily, Jason felt the weight of the disarmer he had himself secreted
+under his armpit.
+
+Then there wasn't time for thinking or feeling, only for running down
+the dazzling half-mile inside the Fane to the Tiara. Up ahead, the
+different-white shape was motionless in front of it. Oddly, a dark,
+vertical line appeared from the top to what would be the waist of the
+shape. And for the instant it took the Tiara to vanish inside, Jason saw
+clearly in the radiant light the profile of Lonnie's unmistakable face.
+Saw Lonnie's eyes swivel in the direction of the thundering echoes of
+their footfalls in the silence of the Fane. Saw Lonnie turn toward them,
+the dark line disappearing from waist to top as if it had never been.
+
+Once more the different-whiteness moved. Toward them. Edging for the
+back wall to skirt around them; one limb-shape fumbling in the palm of
+the other.
+
+"No you don't!" McGillis, ahead of Jason, yelled, his howl drowned in
+the smacking crack of his pistol.
+
+There seemed to be a waver in the different-whiteness. A small black dot
+appeared against it; hung briefly, apparently unsupported, in the air;
+then the undistorted bullet dropped inertly to the floor.
+
+"You _still_ won't!" McGillis hurled himself, shoulders low and legs
+driving, at the shape. Two feet from it, he rebounded sharply, trod on
+the rolling bullet, went down, his head splatting dully against the
+marble floor.
+
+Holland grunted. Crouched to leap. Thrust his disarmer high, ready to
+snap into line.
+
+"Hold it!" Jason commanded. Silently, eyelids barely separated to endure
+the dazzle, he stared at the different-whiteness that confronted him. "I
+made it this time, Lonnie," he called. "Caught up with you-- No!" His
+arm flung out, startling him with the feel of his disarmer now oddly in
+his hand.
+
+"Don't move!"
+
+The white-within-white's limb-shapes moved up, the hand-ends one over
+the other. Through the minute spaces the overlapping fingers left,
+glimpses of a thin dark line appeared. The hood was open a trifle at
+mouth level, and from the opening Lonnie's voice emerged, sifting
+through the protecting screen of gloves. "You can't see me! You
+_can't_!"
+
+"No? Take one step sideways. Just _one_! Stop!"
+
+The different-whiteness had moved, and Holland had moved with it;
+crouching now, alertly motionless, in his new position. Jason changed
+the angle of his own facing. "Now do you think we can't see you?"
+
+"But ... but how!"
+
+"Your albedo is showing," Jason chuckled harshly. "You never would take
+the trouble to learn the _how_ of anything, Lonnie. Sure, your damned
+disguise is the same color as the marble. Maybe even exactly the same.
+But the material is different, and the surface texture; it doesn't have
+the same degree or quality of reflectivity to incident light that marble
+does!
+
+"Eighty years ago, even the commercial photographers knew about
+albedo--one of 'em made a picture of a cat, white on white. I told you
+about the reflectivity in your stereo cube. But you wouldn't listen,
+Lonnie, would you?" Jason let out a bursting peal of laughter. "_So you
+tripped over your own albedo!_"
+
+Through the dying echoes of his own laughter, Jason caught Lonnie's
+harsh whisper. "You haven't got me, copper!"
+
+ * * * * *
+
+The black line marking the opening in the grid suit disappeared. The
+barely-discernible limb-shapes dropped, one hand-end again fumbling at
+the rheostat in the palm of the other.
+
+"I'll get him, Chief!" Holland was in action, his disarmer snapping down
+into aim.
+
+"No!" Jason roared. "Holland, don't!"
+
+Too late. Under the pressure of Holland's finger, the disarmer's
+invisible ion-stream tightened to the thread-thin lethal intensity,
+leaped out against the suit's grid. Then the disarmer was luminous even
+in the dazzle; even through the flesh of Holland's fist. Holland
+screamed and squirmed and dropped. Part of him--the part that wasn't
+burned away--reached the floor.
+
+The stench of carbonized flesh scoured Jason's nostrils. Stupidly, he
+stared down at the headless, shoulderless, armless torso; black ...
+sooty ... against the snowy gleam of the floor; conscious of the
+sidelong, round-about approach of the different-white figure. He'd
+failed again. Lonnie, in that damned suit, was impervious.
+
+Slowly, he raised his eyes from the thing on the floor to the thing
+approaching. One consolation, he himself wouldn't go on living after
+this. With grim frustration, he raised his arm in a final, fruitless
+gesture and hurled the useless disarmer at the shape of Lonnie.
+
+It halted, dead, in mid-air, a yard away from the shape-thing. Dropped
+straight down, clanging against the floor.
+
+A quiver as of mirth appeared to shake the different-whiteness. It
+stooped. One hand-end fumbled at the palmed rheostat, then dropped to
+pick up the disarmer. Fumbled again at the rheostat while the figure
+straightened up to point the glistening projector at Jason's belly.
+
+The dark opening in the hood appeared again.
+
+Lonnie's voice chortled, "Told you I'd use whatever you tried to smear
+you with. Goodbye, Jasey ..."
+
+The dark line was gone. The disarmer, turned to lethal potential,
+settled in the shape's hand-end and began to spout. Jason went stiff.
+Every muscle of his body clenching to withstand obliteration.
+
+He waited for it. Tight ... except his eyes that, in spite of
+themselves, opened.
+
+Caught within the field, the full power of the disarmer poured itself
+into the suit. The suit's capacity absorbed it. Almost. Then turned the
+combined energies on itself.
+
+With the smell of frying organic matter, slowly the grid-coveralls
+appeared in dazzling radiance within the dazzle of the Fane's lights;
+glowed in it; red--then white--hot. Whiter than the light itself--far,
+far lighter than any reflected rays could make it.
+
+Inside the all-encompassing, roasting grid of the melting suit,
+Lonnie writhed. Faintly, as the suit failed, his screams came
+through--momentarily. Then they were gone as the fused, molten heap
+subsided lower ... lower ... began to trickle across the dazzling,
+ice-white marble of the floor.
+
+Afterward, had Jason known anything at all about Lonnie's Philosophy,
+he'd have immediately supplied another "rule"; making a foursome out of
+the "Triple Ethic": "If you do it yourself, make sure you know _what_
+you're doing."
+
+
+
+
+Transcriber's Note:
+
+ This etext was produced from _Planet Stories_ September 1952.
+ Extensive research did not uncover any evidence that the U.S.
+ copyright on this publication was renewed. Minor spelling and
+ typographical errors have been corrected without note.
+
+
+
+
+
+End of the Project Gutenberg EBook of Zero Data, by Charles Saphro
+
+*** END OF THIS PROJECT GUTENBERG EBOOK ZERO DATA ***
+
+***** This file should be named 29727.txt or 29727.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/9/7/2/29727/
+
+Produced by Greg Weeks, Stephen Blundell and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.