path: root/29704.txt

The Project Gutenberg EBook of Masterpieces of Mystery, by Various

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Masterpieces of Mystery
       Riddle Stories

Author: Various

Editor: Joseph Lewis French

Release Date: August 15, 2009 [EBook #29704]

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK MASTERPIECES OF MYSTERY ***




Produced by David Clarke, Mary Meehan and the Online
Distributed Proofreading Team at https://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive/American Libraries.)









                         Masterpieces of Mystery

                            _In Four Volumes_

                             RIDDLE STORIES

                      Edited by Joseph Lewis French


Garden City    New York
Doubleday, Page & Company
1922

COPYRIGHT, 1920, BY
DOUBLEDAY, PAGE & COMPANY

ALL RIGHTS RESERVED, INCLUDING THAT OF TRANSLATION
INTO FOREIGN LANGUAGES, INCLUDING THE SCANDINAVIAN

PRINTED IN THE UNITED STATES
AT THE COUNTRY LIFE PRESS, GARDEN CITY, N. Y.




NOTE


The Editor desires especially to acknowledge assistance in granting the
use of original material, and for helpful advice and suggestion, to
Professor Brander Matthews of Columbia University, to Mrs. Anna
Katherine Green Rohlfs, to Cleveland Moffett, to Arthur Reeve, creator
of "Craig Kennedy," to Wilbur Daniel Steele, to Ralph Adams Cram, to
Chester Bailey Fernald, to Brian Brown, to Mrs. Lillian M. Robins of the
publisher's office, and to Charles E. Farrington of the Brooklyn Public
Library.




FOREWORD


A distinguished American writer of fiction said to me lately: "Did you
ever think of the vital American way we live? We are always going after
mental gymnastics." Now the mystery story is mental gymnastics. By the
time the reader has followed a chain of facts through he has exercised
his mind,--given himself a mental breather. But the claims of the true
mystery story do not end with the general reader. It is entitled to the
consideration of the discriminating because it indubitably takes its own
place as a gauge of mastery in the field of the short story.

The demand was never quite so keen as it is now. The currents of
literature as of all things change swiftly these times. This world of
ours has become very sophisticated. It has suffered itself to be
exploited till there is no external wonder left. Retroactively the
demand for mystery, which is the very soul of interest, must find new
expression. Thus we turn inward for fresh thrills to the human comedy,
and outward to the realm of the supernatural.

The riddle story is the most naive form of the mystery story. It may
contain a certain element of the supernatural--be tinged with
mysticism--but its motive and the revelation thereof must be frankly
materialistic--of the earth, earthy. In this respect it is very closely
allied to the detective story. The model riddle story should be utterly
mundane in motive--told in direct terms. Here again the genius of that
great modern master asserts itself, and in "The Oblong Box" we have an
early model of its kind. The stories of this collection cover a wide
range and are the choice of reading in several literatures.

JOSEPH LEWIS FRENCH.




CONTENTS


       I. THE MYSTERIOUS CARD _Cleveland Moffett_

      II. THE GREAT VALDEZ SAPPHIRE _Anonymous_

     III. THE OBLONG BOX _Edgar Allan Poe_

      IV. THE BIRTH-MARK _Nathaniel Hawthorne_

       V. A TERRIBLY STRANGE BED _Wilkie Collins_

      VI. THE TORTURE BY HOPE _Villiers de l'Isle Adam_

     VII. THE BOX WITH THE IRON CLAMPS _Florence Marryat_

    VIII. MY FASCINATING FRIEND _William Archer_

      IX. THE LOST ROOM _Fitz-James O'Brien_




MASTERPIECES OF MYSTERY

_RIDDLE STORIES_




THE MYSTERIOUS CARD

CLEVELAND MOFFETT

Courtesy of the Author.



I


Richard Burwell, of New York, will never cease to regret that the French
language was not made a part of his education.

This is why:

On the second evening after Burwell arrived in Paris, feeling lonely
without his wife and daughter, who were still visiting a friend in
London, his mind naturally turned to the theatre. So, after consulting
the daily amusement calendar, he decided to visit the _Folies Bergere_,
which he had heard of as one of the notable sights. During an
intermission he went into the beautiful garden, where gay crowds were
strolling among the flowers, and lights, and fountains. He had just
seated himself at a little three-legged table, with a view to enjoying
the novel scene, when his attention was attracted by a lovely woman,
gowned strikingly, though in perfect taste, who passed near him, leaning
on the arm of a gentleman. The only thing that he noticed about this
gentleman was that he wore eye-glasses.

Now Burwell had never posed as a captivator of the fair sex, and could
scarcely credit his eyes when the lady left the side of her escort and,
turning back as if she had forgotten something, passed close by him, and
deftly placed a card on his table. The card bore some French words
written in purple ink, but, not knowing that language, he was unable to
make out their meaning. The lady paid no further heed to him, but,
rejoining the gentleman with the eye-glasses, swept out of the place
with the grace and dignity of a princess. Burwell remained staring at
the card.

Needless to say, he thought no more of the performance or of the other
attractions about him. Everything seemed flat and tawdry compared with
the radiant vision that had appeared and disappeared so mysteriously.
His one desire now was to discover the meaning of the words written on
the card.

Calling a fiacre, he drove to the Hotel Continental, where he was
staying. Proceeding directly to the office and taking the manager aside,
Burwell asked if he would be kind enough to translate a few words of
French into English. There were no more than twenty words in all.

"Why, certainly," said the manager, with French politeness, and cast his
eyes over the card. As he read, his face grew rigid with astonishment,
and, looking at his questioner sharply, he exclaimed: "Where did you get
this, monsieur?"

Burwell started to explain, but was interrupted by: "That will do, that
will do. You must leave the hotel."

"What do you mean?" asked the man from New York, in amazement.

"You must leave the hotel now--to-night--without fail," commanded the
manager excitedly.

Now it was Burwell's turn to grow angry, and he declared heatedly that
if he wasn't wanted in this hotel there were plenty of others in Paris
where he would be welcome. And, with an assumption of dignity, but
piqued at heart, he settled his bill, sent for his belongings, and drove
up the Rue de la Paix to the Hotel Bellevue, where he spent the night.

The next morning he met the proprietor, who seemed to be a good fellow,
and, being inclined now to view the incident of the previous evening
from its ridiculous side, Burwell explained what had befallen him, and
was pleased to find a sympathetic listener.

"Why, the man was a fool," declared the proprietor. "Let me see the
card; I will tell you what it means." But as he read, his face and
manner changed instantly.

"This is a serious matter," he said sternly. "Now I understand why my
confrere refused to entertain you. I regret, monsieur, but I shall be
obliged to do as he did."

"What do you mean?"

"Simply that you cannot remain here."

With that he turned on his heel, and the indignant guest could not
prevail upon him to give any explanation.

"We'll see about this," said Burwell, thoroughly angered.

It was now nearly noon, and the New Yorker remembered an engagement to
lunch with a friend from Boston, who, with his family, was stopping at
the Hotel de l'Alma. With his luggage on the carriage, he ordered the
_cocher_ to drive directly there, determined to take counsel with his
countryman before selecting new quarters. His friend was highly
indignant when he heard the story--a fact that gave Burwell no little
comfort, knowing, as he did, that the man was accustomed to foreign ways
from long residence abroad.

"It is some silly mistake, my dear fellow; I wouldn't pay any attention
to it. Just have your luggage taken down and stay here. It is a nice,
homelike place, and it will be very jolly, all being together. But,
first, let me prepare a little 'nerve settler' for you."

After the two had lingered a moment over their Manhattan cocktails,
Burwell's friend excused himself to call the ladies. He had proceeded
only two or three steps when he turned, and said: "Let's see that
mysterious card that has raised all this row."

He had scarcely withdrawn it from Burwell's hand when he started back,
and exclaimed:--

"Great God, man! Do you mean to say--this is simply--"

Then, with a sudden movement of his hand to his head, he left the room.

He was gone perhaps five minutes, and when he returned his face was
white.

"I am awfully sorry," he said nervously; "but the ladies tell me
they--that is, my wife--she has a frightful headache. You will have to
excuse us from the lunch."

Instantly realizing that this was only a flimsy pretense, and deeply
hurt by his friend's behaviour, the mystified man arose at once and left
without another word. He was now determined to solve this mystery at any
cost. What could be the meaning of the words on that infernal piece of
pasteboard?

Profiting by his humiliating experiences, he took good care not to show
the card to any one at the hotel where he now established himself,--a
comfortable little place near the Grand Opera House.

All through the afternoon he thought of nothing but the card, and turned
over in his mind various ways of learning its meaning without getting
himself into further trouble. That evening he went again to the _Folies
Bergere_ in the hope of finding the mysterious woman, for he was now
more than ever anxious to discover who she was. It even occurred to him
that she might be one of those beautiful Nihilist conspirators, or,
perhaps, a Russian spy, such as he had read of in novels. But he failed
to find her, either then or on the three subsequent evenings which he
passed in the same place. Meanwhile the card was burning in his pocket
like a hot coal. He dreaded the thought of meeting anyone that he knew,
while this horrible cloud hung over him. He bought a French-English
dictionary and tried to pick out the meaning word by word, but failed.
It was all Greek to him. For the first time in his life, Burwell
regretted that he had not studied French at college.

After various vain attempts to either solve or forget the torturing
riddle, he saw no other course than to lay the problem before a
detective agency. He accordingly put his case in the hands of an _agent
de la surete_ who was recommended as a competent and trustworthy man.
They had a talk together in a private room, and, of course, Burwell
showed the card. To his relief, his adviser at least showed no sign of
taking offence. Only he did not and would not explain what the words
meant.

"It is better," he said, "that monsieur should not know the nature of
this document for the present. I will do myself the honour to call upon
monsieur to-morrow at his hotel, and then monsieur shall know
everything."

"Then it is really serious?" asked the unfortunate man.

"Very serious," was the answer.

The next twenty-four hours Burwell passed in a fever of anxiety. As his
mind conjured up one fearful possibility after another he deeply
regretted that he had not torn up the miserable card at the start. He
even seized it,--prepared to strip it into fragments, and so end the
whole affair. And then his Yankee stubbornness again asserted itself,
and he determined to see the thing out, come what might.

"After all," he reasoned, "it is no crime for a man to pick up a card
that a lady drops on his table."

Crime or no crime, however, it looked very much as if he had committed
some grave offence when, the next day, his detective drove up in a
carriage, accompanied by a uniformed official, and requested the
astounded American to accompany them to the police headquarters.

"What for?" he asked.

"It is only a formality," said the detective; and when Burwell still
protested the man in uniform remarked: "You'd better come quietly,
monsieur; you will have to come, anyway."

An hour later, after severe cross-examination by another official, who
demanded many facts about the New Yorker's age, place of birth,
residence, occupation, etc., the bewildered man found himself in the
Conciergerie prison. Why he was there or what was about to befall him
Burwell had no means of knowing; but before the day was over he
succeeded in having a message sent to the American Legation, where he
demanded immediate protection as a citizen of the United States. It was
not until evening, however, that the Secretary of Legation, a
consequential person, called at the prison. There followed a stormy
interview, in which the prisoner used some strong language, the French
officers gesticulated violently and talked very fast, and the Secretary
calmly listened to both sides, said little, and smoked a good cigar.

"I will lay your case before the American minister," he said as he rose
to go, "and let you know the result to-morrow."

"But this is an outrage. Do you mean to say--" Before he could finish,
however, the Secretary, with a strangely suspicious glance, turned and
left the room.

That night Burwell slept in a cell.

The next morning he received another visit from the non-committal
Secretary, who informed him that matters had been arranged, and that he
would be set at liberty forthwith.

"I must tell you, though," he said, "that I have had great difficulty in
accomplishing this, and your liberty is granted only on condition that
you leave the country within twenty-four hours, and never under any
conditions return."

Burwell stormed, raged, and pleaded; but it availed nothing. The
Secretary was inexorable, and yet he positively refused to throw any
light upon the causes of this monstrous injustice.

"Here is your card," he said, handing him a large envelope closed with
the seal of Legation. "I advise you to burn it and never refer to the
matter again."

That night the ill-fated man took the train for London, his heart
consumed by hatred for the whole French nation, together with a burning
desire for vengeance. He wired his wife to meet him at the station, and
for a long time debated with himself whether he should at once tell her
the sickening truth. In the end he decided that it was better to keep
silent. No sooner, however, had she seen him than her woman's instinct
told her that he was labouring under some mental strain. And he saw in a
moment that to withhold from her his burning secret was impossible,
especially when she began to talk of the trip they had planned through
France. Of course no trivial reason would satisfy her for his refusal to
make this trip, since they had been looking forward to it for years; and
yet it was impossible now for him to set foot on French soil.

So he finally told her the whole story, she laughing and weeping in
turn. To her, as to him, it seemed incredible that such overwhelming
disasters could have grown out of so small a cause, and, being a fluent
French scholar, she demanded a sight of the fatal piece of pasteboard.
In vain her husband tried to divert her by proposing a trip through
Italy. She would consent to nothing until she had seen the mysterious
card which Burwell was now convinced he ought long ago to have
destroyed. After refusing for awhile to let her see it, he finally
yielded. But, although he had learned to dread the consequences of
showing that cursed card, he was little prepared for what followed. She
read it turned pale, gasped for breath, and nearly fell to the floor.

"I told you not to read it," he said; and then, growing tender at the
sight of her distress, he took her hand in his and begged her to be
calm. "At least tell me what the thing means," he said. "We can bear it
together; you surely can trust me."

But she, as if stung by rage, pushed him from her and declared, in a
tone such as he had never heard from her before, that never, never again
would she live with him. "You are a monster!" she exclaimed. And those
were the last words he heard from her lips.

Failing utterly in all efforts at reconciliation, the half-crazed man
took the first steamer for New York, having suffered in scarcely a
fortnight more than in all his previous life. His whole pleasure trip
had been ruined, he had failed to consummate important business
arrangements, and now he saw his home broken up and his happiness
ruined. During the voyage he scarcely left his stateroom, but lay there
prostrated with agony. In this black despondency the one thing that
sustained him was the thought of meeting his partner, Jack Evelyth, the
friend of his boyhood, the sharer of his success, the bravest, most
loyal fellow in the world. In the face of even the most damning
circumstances, he felt that Evelyth's rugged common sense would evolve
some way of escape from this hideous nightmare. Upon landing at New York
he hardly waited for the gang-plank to be lowered before he rushed on
shore and grasped the hand of his partner, who was waiting on the wharf.

"Jack," was his first word, "I am in dreadful trouble, and you are the
only man in the world who can help me."

An hour later Burwell sat at his friend's dinner table, talking over the
situation.

Evelyth was all kindness, and several times as he listened to Burwell's
story his eyes filled with tears.

"It does not seem possible, Richard," he said, "that such things can be;
but I will stand by you; we will fight it out together. But we cannot
strike in the dark. Let me see this card."

"There is the damned thing," Burwell said, throwing it on the table.

Evelyth opened the envelope, took out the card, and fixed his eyes on
the sprawling purple characters.

"Can you read it?" Burwell asked excitedly.

"Perfectly," his partner said. The next moment he turned pale, and his
voice broke. Then he clasped the tortured man's hand in his with a
strong grip. "Richard," he said slowly, "if my only child had been
brought here dead it would not have caused me more sorrow than this
does. You have brought me the worst news one man could bring another."

His agitation and genuine suffering affected Burwell like a death
sentence.

"Speak, man," he cried; "do not spare me. I can bear anything rather
than this awful uncertainty. Tell me what the card means."

Evelyth took a swallow of brandy and sat with head bent on his clasped
hands.

"No, I can't do it; there are some things a man must not do."

Then he was silent again, his brows knitted. Finally he said solemnly:--

"No, I can't see any other way out of it. We have been true to each
other all our lives; we have worked together and looked forward to never
separating. I would rather fail and die than see this happen. But we
have got to separate, old friend; we have got to separate."

They sat there talking until late into the night. But nothing that
Burwell could do or say availed against his friend's decision. There was
nothing for it but that Evelyth should buy his partner's share of the
business or that Burwell buy out the other. The man was more than fair
in the financial proposition he made; he was generous, as he always had
been, but his determination was inflexible; the two must separate. And
they did.

With his old partner's desertion, it seemed to Burwell that the world
was leagued against him. It was only three weeks from the day on which
he had received the mysterious card; yet in that time he had lost all
that he valued in the world,--wife, friends, and business. What next to
do with the fatal card was the sickening problem that now possessed him.

He dared not show it; yet he dared not destroy it. He loathed it; yet he
could not let it go from his possession. Upon returning to his house he
locked the accursed thing away in his safe as if it had been a package
of dynamite or a bottle of deadly poison. Yet not a day passed that he
did not open the drawer where the thing was kept and scan with loathing
the mysterious purple scrawl.

In desperation he finally made up his mind to take up the study of the
language in which the hateful thing was written. And still he dreaded
the approach of the day when he should decipher its awful meaning.

One afternoon, less than a week after his arrival in New York, as he was
crossing Twenty-third Street on the way to his French teacher, he saw a
carriage rolling up Broadway. In the carriage was a face that caught his
attention like a flash. As he looked again he recognized the woman who
had been the cause of his undoing. Instantly he sprang into another cab
and ordered the driver to follow after. He found the house where she was
living. He called there several times; but always received the same
reply, that she was too much engaged to see anyone. Next he was told
that she was ill, and on the following day the servant said she was much
worse. Three physicians had been summoned in consultation. He sought out
one of these and told him it was a matter of life or death that he see
this woman. The doctor was a kindly man and promised to assist him.
Through his influence, it came about that on that very night Burwell
stood by the bedside of this mysterious woman. She was beautiful still,
though her face was worn with illness.

"Do you recognize me?" he asked tremblingly, as he leaned over the bed,
clutching in one hand an envelope containing the mysterious card. "Do
you remember seeing me at the _Folies Bergere_ a month ago?"

"Yes," she murmured, after a moment's study of his face; and he noted
with relief that she spoke English.

"Then, for God's sake, tell me, what does it all mean?" he gasped,
quivering with excitement.

"I gave you the card because I wanted you to--to--"

Here a terrible spasm of coughing shook her whole body, and she fell
back exhausted.

An agonizing despair tugged at Burwell's heart. Frantically snatching
the card from its envelope, he held it close to the woman's face.

"Tell me! Tell me!"

With a supreme effort, the pale figure slowly raised itself on the
pillow, its fingers clutching at the counterpane.

Then the sunken eyes fluttered--forced themselves open--and stared in
stony amazement upon the fatal card, while the trembling lips moved
noiselessly, as if in an attempt to speak. As Burwell, choking with
eagerness, bent his head slowly to hers, a suggestion of a smile
flickered across the woman's face. Again the mouth quivered, the man's
head bent nearer and nearer to hers, his eyes riveted upon the lips.
Then, as if to aid her in deciphering the mystery, he turned his eyes to
the card.

With a cry of horror he sprang to his feet, his eyeballs starting from
their sockets. Almost at the same moment the woman fell heavily upon the
pillow.

Every vestige of the writing had faded! The card was blank!

The woman lay there dead.




II

The Card Unveiled


No physician was ever more scrupulous than I have been, during my thirty
years of practice, in observing the code of professional secrecy; and it
is only for grave reasons, partly in the interests of medical science,
largely as a warning to intelligent people, that I place upon record the
following statements.

One morning a gentleman called at my offices to consult me about some
nervous trouble. From the moment I saw him, the man made a deep
impression on me, not so much by the pallor and worn look of his face as
by a certain intense sadness in his eyes, as if all hope had gone out of
his life. I wrote a prescription for him, and advised him to try the
benefits of an ocean voyage. He seemed to shiver at the idea, and said
that he had been abroad too much, already.

As he handed me my fee, my eye fell upon the palm of his hand, and I saw
there, plainly marked on the Mount of Saturn, a cross surrounded by two
circles. I should explain that for the greater part of my life I have
been a constant and enthusiastic student of palmistry. During my travels
in the Orient, after taking my degree, I spent months studying this
fascinating art at the best sources of information in the world. I have
read everything published on palmistry in every known language, and my
library on the subject is perhaps the most complete in existence. In my
time I have examined at least fourteen thousand palms, and taken casts
of many of the more interesting of them. But I had never seen such a
palm as this; at least, never but once, and the horror of the case was
so great that I shudder even now when I call it to mind.

"Pardon me," I said, keeping the patient's hand in mine, "would you let
me look at your palm?"

I tried to speak indifferently, as if the matter were of small
consequence, and for some moments I bent over the hand in silence. Then,
taking a magnifying glass from my desk, I looked at it still more
closely. I was not mistaken; here was indeed the sinister double circle
on Saturn's mount, with the cross inside,--a marking so rare as to
portend some stupendous destiny of good or evil, more probably the
latter.

I saw that the man was uneasy under my scrutiny, and, presently, with
some hesitation, as if mustering courage, he asked: "Is there anything
remarkable about my hand?"

"Yes," I said, "there is. Tell me, did not something very unusual,
something very horrible, happen to you about ten or eleven years ago?"

I saw by the way the man started that I had struck near the mark, and,
studying the stream of fine lines that crossed his lifeline from the
Mount of Venus, I added: "Were you not in some foreign country at that
time?"

The man's face blanched, but he only looked at me steadily out of those
mournful eyes. Now I took his other hand, and compared the two, line by
line, mount by mount, noting the short square fingers, the heavy thumb,
with amazing willpower in its upper joint, and gazing again and again at
that ominous sign on Saturn.

"Your life has been strangely unhappy, your years have been clouded by
some evil influence."

"My God," he said weakly, sinking into a chair, "how can you know these
things?"

"It is easy to know what one sees," I said, and tried to draw him out
about his past, but the words seemed to stick in his throat.

"I will come back and talk to you again," he said, and he went away
without giving me his name or any revelation of his life.

Several times he called during subsequent weeks, and gradually seemed to
take on a measure of confidence in my presence. He would talk freely of
his physical condition, which seemed to cause him much anxiety. He even
insisted upon my making the most careful examination of all his organs,
especially of his eyes, which, he said, had troubled him at various
times. Upon making the usual tests, I found that he was suffering from a
most uncommon form of colour blindness, that seemed to vary in its
manifestations, and to be connected with certain hallucinations or
abnormal mental states which recurred periodically, and about which I
had great difficulty in persuading him to speak. At each visit I took
occasion to study his hand anew, and each reading of the palm gave me
stronger conviction that here was a life mystery that would abundantly
repay any pains taken in unravelling it.

While I was in this state of mind, consumed with a desire to know more
of my unhappy acquaintance and yet not daring to press him with
questions, there came a tragic happening that revealed to me with
startling suddenness the secret I was bent on knowing. One night, very
late,--in fact it was about four o'clock in the morning,--I received an
urgent summons to the bedside of a man who had been shot. As I bent over
him I saw that it was my friend, and for the first time I realized that
he was a man of wealth and position, for he lived in a beautifully
furnished house filled with art treasures and looked after by a retinue
of servants. From one of these I learned that he was Richard Burwell,
one of New York's most respected citizens--in fact, one of her
best-known philanthropists, a man who for years had devoted his life and
fortune to good works among the poor.

But what most excited my surprise was the presence in the house of two
officers, who informed me that Mr. Burwell was under arrest, charged
with murder. The officers assured me that it was only out of deference
to his well-known standing in the community that the prisoner had been
allowed the privilege of receiving medical treatment in his own home;
their orders were peremptory to keep him under close surveillance.

Giving no time to further questionings, I at once proceeded to examine
the injured man, and found that he was suffering from a bullet wound in
the back at about the height of the fifth rib. On probing for the
bullet, I found that it had lodged near the heart, and decided that it
would be exceedingly dangerous to try to remove it immediately. So I
contented myself with administering a sleeping potion.

As soon as I was free to leave Burwell's bedside I returned to the
officers and obtained from them details of what had happened. A woman's
body had been found a few hours before, shockingly mutilated, on Water
Street, one of the dark ways in the swarming region along the river
front. It had been found at about two o'clock in the morning by some
printers from the office of the _Courier des Etats Unis_, who, in coming
from their work, had heard cries of distress and hurried to the rescue.
As they drew near they saw a man spring away from something huddled on
the sidewalk, and plunge into the shadows of the night, running from
them at full speed.

Suspecting at once that here was the mysterious assassin so long vainly
sought for many similar crimes, they dashed after the fleeing man, who
darted right and left through the maze of dark streets, giving out
little cries like a squirrel as he ran. Seeing that they were losing
ground, one of the printers fired at the fleeing shadow, his shot being
followed by a scream of pain, and hurrying up they found a man writhing
on the ground. The man was Richard Burwell.

The news that my sad-faced friend had been implicated in such a
revolting occurrence shocked me inexpressibly, and I was greatly
relieved the next day to learn from the papers that a most unfortunate
mistake had been made. The evidence given before the coroner's jury was
such as to abundantly exonerate Burwell from all shadow of guilt. The
man's own testimony, taken at his bedside, was in itself almost
conclusive in his favour. When asked to explain his presence so late at
night in such a part of the city, Burwell stated that he had spent the
evening at the Florence Mission, where he had made an address to some
unfortunates gathered there, and that later he had gone with a young
missionary worker to visit a woman living on Frankfort Street, who was
dying of consumption. This statement was borne out by the missionary
worker himself, who testified that Burwell had been most tender in his
ministrations to the poor woman and had not left her until death had
relieved her sufferings.

Another point which made it plain that the printers had mistaken their
man in the darkness, was the statement made by all of them that, as they
came running up, they had overheard some words spoken by the murderer,
and that these words were in their own language, French. Now it was
shown conclusively that Burwell did not know the French language, that
indeed he had not even an elementary knowledge of it.

Another point in his favour was a discovery made at the spot where the
body was found. Some profane and ribald words, also in French, had been
scrawled in chalk on the door and doorsill, being in the nature of a
coarse defiance to the police to find the assassin, and experts in
handwriting who were called testified unanimously that Burwell, who
wrote a refined, scholarly hand, could never have formed those misshapen
words.

Furthermore, at the time of his arrest no evidence was found on the
clothes or person of Burwell, nothing in the nature of bruises or
bloodstains that would tend to implicate him in the crime. The outcome
of the matter was that he was honourably discharged by the coroner's
jury, who were unanimous in declaring him innocent, and who brought in a
verdict that the unfortunate woman had come to her death at the hand of
some person or persons unknown.

On visiting my patient late on the afternoon of the second day I saw
that his case was very grave, and I at once instructed the nurses and
attendants to prepare for an operation. The man's life depended upon my
being able to extract the bullet, and the chance of doing this was very
small. Mr. Burwell realized that his condition was critical, and,
beckoning me to him, told me that he wished to make a statement he felt
might be his last. He spoke with agitation which was increased by an
unforeseen happening. For just then a servant entered the room and
whispered to me that there was a gentleman downstairs who insisted upon
seeing me, and who urged business of great importance. This message the
sick man overheard, and lifting himself with an effort, he said
excitedly: "Tell me, is he a tall man with glasses?"

The servant hesitated.

"I knew it; you cannot deceive me; that man will haunt me to my grave.
Send him away, doctor; I beg of you not to see him."

Humouring my patient, I sent word to the stranger that I could not see
him, but, in an undertone, instructed the servant to say that the man
might call at my office the next morning. Then, turning to Burwell, I
begged him to compose himself and save his strength for the ordeal
awaiting him.

"No, no," he said, "I need my strength now to tell you what you must
know to find the truth. You are the only man who has understood that
there has been some terrible influence at work in my life. You are the
only man competent to study out what that influence is, and I have made
provision in my will that you shall do so after I am gone. I know that
you will heed my wishes?"

The intense sadness of his eyes made my heart sink; I could only grip
his hand and remain silent.

"Thank you; I was sure I might count on your devotion. Now, tell me,
doctor, you have examined me carefully, have you not?"

I nodded.

"In every way known to medical science?"

I nodded again.

"And have you found anything wrong with me,--I mean, besides this
bullet, anything abnormal?"

"As I have told you, your eyesight is defective; I should like to
examine your eyes more thoroughly when you are better."

"I shall never be better; besides it isn't my eyes; I mean myself, my
soul,--you haven't found anything wrong there?"

"Certainly not; the whole city knows the beauty of your character and
your life."

"Tut, tut; the city knows nothing. For ten years I have lived so much
with the poor that people have almost forgotten my previous active life
when I was busy with money-making and happy in my home. But there is a
man out West, whose head is white and whose heart is heavy, who has not
forgotten, and there is a woman in London, a silent, lonely woman, who
has not forgotten. The man was my partner, poor Jack Evelyth; the woman
was my wife. How can a man be so cursed, doctor, that his love and
friendship bring only misery to those who share it? How can it be that
one who has in his heart only good thoughts can be constantly under the
shadow of evil? This charge of murder is only one of several cases in my
life where, through no fault of mine, the shadow of guilt has been cast
upon me.

"Years ago, when my wife and I were perfectly happy, a child was born to
us, and a few months later, when it was only a tender, helpless little
thing that its mother loved with all her heart, it was strangled in its
cradle, and we never knew who strangled it, for the deed was done one
night when there was absolutely no one in the house but my wife and
myself. There was no doubt about the crime, for there on the tiny neck
were the finger marks where some cruel hand had closed until life went.

"Then a few years later, when my partner and I were on the eve of
fortune, our advance was set back by the robbery of our safe. Some one
opened it in the night, someone who knew the combination, for it was the
work of no burglar, and yet there were only two persons in the world who
knew that combination, my partner and myself. I tried to be brave when
these things happened, but as my life went on it seemed more and more as
if some curse were on me.

"Eleven years ago I went abroad with my wife and daughter. Business took
me to Paris, and I left the ladies in London, expecting to have them
join me in a few days. But they never did join me, for the curse was on
me still, and before I had been forty-eight hours in the French capital
something happened that completed the wreck of my life. It doesn't seem
possible, does it, that a simple white card with some words scrawled on
it in purple ink could effect a man's undoing? And yet that was my fate.
The card was given me by a beautiful woman with eyes like stars. She is
dead long ago, and why she wished to harm me I never knew. You must find
that out.

"You see I did not know the language of the country, and, wishing to
have the words translated,--surely that was natural enough,--I showed
the card to others. But no one would tell me what it meant. And, worse
than that, wherever I showed it, and to whatever person, there evil came
upon me quickly. I was driven from one hotel after another; an old
acquaintance turned his back on me; I was arrested and thrown into
prison; I was ordered to leave the country."

The sick man paused for a moment in his weakness, but with an effort
forced himself to continue:--

"When I went back to London, sure of comfort in the love of my wife, she
too, on seeing the card, drove me from her with cruel words. And when
finally, in deepest despair, I returned to New York, dear old Jack, the
friend of a life-time, broke with me when I showed him what was written.
What the words were I do not know, and suppose no one will ever know,
for the ink has faded these many years. You will find the card in my
safe with other papers. But I want you, when I am gone, to find out the
mystery of my life; and--and--about my fortune, that must be held until
you have decided. There is no one who needs my money as much as the poor
in this city, and I have bequeathed it to them unless--"

In an agony of mind, Mr. Burwell struggled to go on, I soothing and
encouraging him.

"Unless you find what I am afraid to think, but--but--yes, I must say
it,--that I have not been a good man, as the world thinks, but have--O
doctor, if you find that I have unknowingly harmed any human being, I
want that person, or these persons, to have my fortune. Promise that."

Seeing the wild light in Burwell's eyes, and the fever that was burning
him, I gave the promise asked of me, and the sick man sank back calmer.

A little later, the nurse and attendants came for the operation. As they
were about to administer the ether, Burwell pushed them from him, and
insisted on having brought to his bedside an iron box from the safe.

"The card is here," he said, laying his trembling hand upon the box,
"you will remember your promise!"

Those were his last words, for he did not survive the operation.

Early the next morning I received this message: "The stranger of
yesterday begs to see you"; and presently a gentleman of fine presence
and strength of face, a tall, dark-complexioned man wearing glasses, was
shown into the room.

"Mr. Burwell is dead, is he not?" were his first words.

"Who told you?"

"No one told me, but I know it, and I thank God for it."

There was something in the stranger's intense earnestness that convinced
me of his right to speak thus, and I listened attentively.

"That you may have confidence in the statement I am about to make, I
will first tell you who I am"; and he handed me a card that caused me to
lift my eyes in wonder, for it bore a very great name, that of one of
Europe's most famous savants.

"You have done me much honour, sir," I said with respectful inclination.

"On the contrary you will oblige me by considering me in your debt, and
by never revealing my connection with this wretched man. I am moved to
speak partly from considerations of human justice, largely in the
interest of medical science. It is right for me to tell you, doctor,
that your patient was beyond question the Water Street assassin."

"Impossible!" I cried.

"You will not say so when I have finished my story, which takes me back
to Paris, to the time, eleven years ago, when this man was making his
first visit to the French capital."

"The mysterious card!" I exclaimed.

"Ah, he has told you of his experience, but not of what befell the night
before, when he first met my sister."

"Your sister?"

"Yes, it was she who gave him the card, and, in trying to befriend him,
made him suffer. She was in ill health at the time, so much so that we
had left our native India for extended journeyings. Alas! we delayed too
long, for my sister died in New York, only a few weeks later, and I
honestly believe her taking off was hastened by anxiety inspired by this
man."

"Strange," I murmured, "how the life of a simple New York merchant could
become entangled with that of a great lady of the East."

"Yet so it was. You must know that my sister's condition was due mainly
to an over fondness for certain occult investigations, from which I had
vainly tried to dissuade her. She had once befriended some adepts, who,
in return, had taught her things about the soul she had better have left
unlearned. At various times while with her I had seen strange things
happen, but I never realized what unearthly powers were in her until
that night in Paris. We were returning from a drive in the Bois; it was
about ten o'clock, and the city lay beautiful around us as Paris looks
on a perfect summer's night. Suddenly my sister gave a cry of pain and
put her hand to her heart. Then, changing from French to the language of
our country, she explained to me quickly that something frightful was
taking place there, where she pointed her finger across the river, that
we must go to the place at once--the driver must lash his horses--every
second was precious.

"So affected was I by her intense conviction, and such confidence had I
in my sister's wisdom, that I did not oppose her, but told the man to
drive as she directed. The carriage fairly flew across the bridge, down
the Boulevard St. Germain, then to the left, threading its way through
the narrow streets that lie along the Seine. This way and that, straight
ahead here, a turn there, she directing our course, never hesitating, as
if drawn by some unseen power, and always urging the driver on to
greater speed. Finally, we came to a black-mouthed, evil-looking alley,
so narrow and roughly paved that the carriage could scarcely advance.

"'Come on!' my sister cried, springing to the ground; 'we will go on
foot, we are nearly there. Thank God, we may yet be in time.'

"No one was in sight as we hurried along the dark alley, and scarcely a
light was visible, but presently a smothered scream broke the silence,
and, touching my arm, my sister exclaimed:--

"'There, draw your weapon, quick, and take the man at any cost!'

"So swiftly did everything happen after that that I hardly know my
actions, but a few minutes later I held pinioned in my arms a man whose
blows and writhings had been all in vain; for you must know that much
exercise in the jungle had made me strong of limb. As soon as I had made
the fellow fast I looked down and found moaning on the ground a poor
woman, who explained with tears and broken words that the man had been
in the very act of strangling her. Searching him I found a long-bladed
knife of curious shape, and keen as a razor, which had been brought for
what horrible purpose you may perhaps divine.

"Imagine my surprise, on dragging the man back to the carriage, to find,
instead of the ruffianly assassin I expected, a gentleman as far as
could be judged from face and manner. Fine eyes, white hands, careful
speech, all the signs of refinement and the dress of a man of means.

"'How can this be?' I said to my sister in our own tongue as we drove
away, I holding my prisoner on the opposite seat where he sat silent.

"'It is a _kulos_-man,' she said, shivering, 'it is a fiend-soul. There
are a few such in the whole world, perhaps two or three in all.'

"'But he has a good face.'

"'You have not seen his real face yet; I will show it to you,
presently.'

"In the strangeness of these happenings and the still greater
strangeness of my sister's words, I had all but lost the power of
wonder. So we sat without further word until the carriage stopped at the
little chateau we had taken near the Parc Monteau.

"I could never properly describe what happened that night; my knowledge
of these things is too limited. I simply obeyed my sister in all that
she directed, and kept my eyes on this man as no hawk ever watched its
prey. She began by questioning him, speaking in a kindly tone which I
could ill understand. He seemed embarrassed, dazed, and professed to
have no knowledge of what had occurred, or how he had come where we
found him. To all my inquiries as to the woman or the crime he shook his
head blankly, and thus aroused my wrath.

"'Be not angry with him, brother; he is not lying, it is the other
soul.'

"She asked him about his name and country, and he replied without
hesitation that he was Richard Burwell, a merchant from New York, just
arrived in Paris, travelling for pleasure in Europe with his wife and
daughter. This seemed reasonable, for the man spoke English, and,
strangely enough, seemed to have no knowledge of French, although we
both remember hearing him speak French to the woman.

"'There is no doubt,' my sister said, 'It is indeed a _kulos_-man; It
knows that I am here, that I am Its master. Look, look!' she cried
sharply, at the same time putting her eyes so close to the man's face
that their fierce light seemed to burn into him. What power she
exercised I do not know, nor whether some words she spoke,
unintelligible to me, had to do with what followed, but instantly there
came over this man, this pleasant-looking, respectable American citizen,
such a change as is not made by death worms gnawing in a grave. Now
there was a fiend grovelling at her feet, a foul, sin-stained fiend.

"'Now you see the demon-soul,' said my sister. 'Watch It writhe and
struggle; it has served me well, brother, sayest thou not so, the lore I
gained from our wise men?'

"The horror of what followed chilled my blood; nor would I trust my
memory were it not that there remained and still remains plain proof of
all that I affirm. This hideous creature, dwarfed, crouching, devoid of
all resemblance to the man we had but now beheld, chattering to us in
curious old-time French, poured out such horrid blasphemy as would have
blanched the cheek of Satan, and made recital of such evil deeds as
never mortal ear gave heed to. And as she willed my sister checked It or
allowed It to go on. What it all meant was more than I could tell. To me
it seemed as if these tales of wickedness had no connection with our
modern life, or with the world around us, and so I judged presently from
what my sister said.

"'Speak of the later time, since thou wast in this clay.'

"Then I perceived that the creature came to things of which I knew: It
spoke of New York, of a wife, a child, a friend. It told of strangling
the child, of robbing the friend; and was going on to tell God knows
what other horrid deeds when my sister stopped It.

"'Stand as thou didst in killing the little babe, stand, stand!' and
once more she spoke some words unknown to me. Instantly the demon sprang
forward, and, bending Its clawlike hands, clutched them around some
little throat that was not there,--but I could see it in my mind. And
the look on its face was a blackest glimpse of hell.

"'And now stand as thou didst in robbing the friend, stand, stand'; and
again came the unknown words, and again the fiend obeyed.

"'These we will take for future use,' said my sister. And bidding me
watch the creature carefully until she should return, she left the room,
and, after none too short an absence, returned bearing a black box that
was an apparatus for photography, and something more besides,--some
newer, stranger kind of photography that she had learned. Then, on a
strangely fashioned card, a transparent white card, composed of many
layers of finest Oriental paper, she took the pictures of the creature
in those two creeping poses. And when it all was done, the card seemed
as white as before, and empty of all meaning until one held it up and
examined it intently. Then the pictures showed.

And between the two there was a third picture, which somehow seemed to
show, at the same time, two faces in one, two souls, my sister said, the
kindly visaged man we first had seen, and then the fiend.

"Now my sister asked for pen and ink and I gave her my pocket pen which
was filled with purple ink. Handing this to the _kulos_-man she bade him
write under the first picture: 'Thus I killed my babe.' And under the
second picture: 'Thus I robbed my friend.' And under the third, the one
that was between the other two: 'This is the soul of Richard Burwell.'
An odd thing about this writing was that it was in the same old French
the creature had used in speech, and yet Burwell knew no French.

"My sister was about to finish with the creature when a new idea took
her, and she said, looking at It as before:--'Of all thy crimes which
one is the worst? Speak, I command thee!'

"Then the fiend told how once It had killed every soul in a house of
holy women and buried the bodies in a cellar under a heavy door.

"Where was the house?'

"'At No. 19 Rue Picpus, next to the old graveyard.'

"'And when was this?'

"Here the fiend seemed to break into fierce rebellion, writhing on the
floor with hideous contortions, and pouring forth words that meant
nothing to me, but seemed to reach my sister's understanding, for she
interrupted from time to time, with quick, stern words that finally
brought It to subjection.

"'Enough,' she said, 'I know all,' and then she spoke some words again,
her eyes fixed as before, and the reverse change came. Before us stood
once more the honest-looking, fine-appearing gentleman, Richard Burwell,
of New York.

"'Excuse me, madame,' he said, awkwardly, but with deference; 'I must
have dosed a little. I am not myself to-night.'

"'No,' said my sister, 'you have not been yourself to-night.'

"A little later I accompanied the man to the Continental Hotel, where he
was stopping, and, returning to my sister, I talked with her until late
into the night. I was alarmed to see that she was wrought to a nervous
tension that augured ill for her health. I urged her to sleep, but she
would not.

"'No,' she said, 'think of the awful responsibility that rests upon me.'
And then she went on with her strange theories and explanations, of
which I understood only that here was a power for evil more terrible
than a pestilence, menacing all humanity.

"'Once in many cycles it happens,' she said, 'that a _kulos_-soul pushes
itself within the body of a new-born child, when the pure soul waiting
to enter is delayed. Then the two live together through that life, and
this hideous principle of evil has a chance upon the earth. It is my
will, as I feel it my duty, to see this poor man again. The chances are
that he will never know us, for the shock of this night to his normal
soul is so great as to wipe out memory.'

"The next evening, about the same hour, my sister insisted that I should
go with her to the _Folies Bergere_, a concert garden, none too well
frequented, and when I remonstrated, she said: 'I must go,--It is
there,' and the words sent a shiver through me.

"We drove to this place, and passing into the garden, presently
discovered Richard Burwell seated at a little table, enjoying the scene
of pleasure, which was plainly new to him. My sister hesitated a moment
what to do, and then, leaving my arm, she advanced to the table and
dropped before Burwell's eyes the card she had prepared. A moment later,
with a look of pity on her beautiful face, she rejoined me and we went
away. It was plain he did not know us."

To so much of the savant's strange recital I had listened with absorbed
interest, though without a word, but now I burst in with questions.

"What was your sister's idea in giving Burwell the card?" I asked.

"It was in the hope that she might make the man understand his terrible
condition, that is, teach the pure soul to know its loathsome
companion."

"And did her effort succeed?"

"Alas! it did not; my sister's purpose was defeated by the man's
inability to see the pictures that were plain to every other eye. It is
impossible for the _kulos_-man to know his own degradation."

"And yet this man has for years been leading a most exemplary life?"

My visitor shook his head. "I grant you there has been improvement, due
largely to experiments I have conducted upon him according to my
sister's wishes. But the fiend soul was never driven out. It grieves me
to tell you, doctor, that not only was this man the Water Street
assassin, but he was the mysterious murderer, the long-sought-for
mutilator of women, whose red crimes have baffled the police of Europe
and America for the past ten years."

"You know this," said I, starting up, "and yet did not denounce him?"

"It would have been impossible to prove such a charge, and besides, I
had made oath to my sister that I would use the man only for these
soul-experiments. What are his crimes compared with the great secret of
knowledge I am now able to give the world?"

"A secret of knowledge?"

"Yes," said the savant, with intense earnestness, "I may tell you now,
doctor, what the whole world will know, ere long, that it is possible to
compel every living person to reveal the innermost secrets of his or her
life, so long as memory remains, for memory is only the power of
producing in the brain material pictures that may be projected
externally by the thought rays and made to impress themselves upon the
photographic plate, precisely as ordinary pictures do."

"You mean," I exclaimed, "that you can photograph the two principles of
good and evil that exist in us?"

"Exactly that. The great truth of a dual soul existence, that was dimly
apprehended by one of your Western novelists, has been demonstrated by
me in the laboratory with my camera. It is my purpose, at the proper
time, to entrust this precious knowledge to a chosen few who will
perpetuate it and use it worthily."

"Wonderful, wonderful!" I cried, "and now tell me, if you will, about
the house on the Rue Picpus. Did you ever visit the place?"

"We did, and found that no buildings had stood there for fifty years, so
we did not pursue the search."[1]

[Footnote 1: Years later, some workmen in Paris, making excavations in
the Rue Picpus, came upon a heavy door buried under a mass of debris,
under an old cemetery. On lifting the door they found a vault-like
chamber in which were a number of female skeletons, and graven on the
walls were blasphemous words written in French, which experts declared
dated from fully two hundred years before. They also declared this
handwriting identical with that found on the door at the Water Street
murder in New York. Thus we may deduce a theory of fiend reincarnation;
for it would seem clear, almost to the point of demonstration, that this
murder of the seventeenth century was the work of the same evil soul
that killed the poor woman on Water Street towards the end of the
nineteenth century.]

"And the writing on the card, have you any memory of it, for Burwell
told me that the words have faded?"

"I have something better than that; I have a photograph of both card and
writing, which my sister was careful to take. I had a notion that the
ink in my pocket pen would fade, for it was a poor affair. This
photograph I will bring you to-morrow."

"Bring it to Burwell's house," I said.

       *       *       *       *       *

The next morning the stranger called as agreed upon.

"Here is the photograph of the card," he said.

"And here is the original card," I answered, breaking the seal of the
envelope I had taken from Burwell's iron box. "I have waited for your
arrival to look at it. Yes, the writing has indeed vanished; the card
seems quite blank."

"Not when you hold it this way," said the stranger, and as he tipped the
card I saw such a horrid revelation as I can never forget. In an instant
I realized how the shock of seeing that card had been too great for the
soul of wife or friend to bear. In these pictures was the secret of a
cursed life. The resemblance to Burwell was unmistakable, the proof
against him was overwhelming. In looking upon that piece of pasteboard
the wife had seen a crime which the mother could never forgive, the
partner had seen a crime which the friend could never forgive. Think of
a loved face suddenly melting before your eyes into a grinning skull,
then into a mass of putrefaction, then into the ugliest fiend of hell,
leering at you, distorted with all the marks of vice and shame. That is
what I saw, that is what they had seen!

"Let us lay these two cards in the coffin," said my companion
impressively, "we have done what we could."

Eager to be rid of the hateful piece of pasteboard (for who could say
that the curse was not still clinging about it?), I took the strange
man's arm, and together we advanced into the adjoining room where the
body lay. I had seen Burwell as he breathed his last, and knew that
there had been a peaceful look on his face as he died. But now, as we
laid the two white cards on the still, breast, the savant suddenly
touched my arm, and pointing to the dead man's face, now frightfully
distorted, whispered:--"See, even in death It followed him. Let us close
the coffin quickly."




THE GREAT VALDEZ SAPPHIRE

(ANONYMOUS)


I know more about it than anyone else in the world, its present owner
not excepted. I can give its whole history, from the Cingalese who found
it, the Spanish adventurer who stole it, the cardinal who bought it, the
Pope who graciously accepted it, the favoured son of the Church who
received it, the gay and giddy duchess who pawned it, down to the
eminent prelate who now holds it in trust as a family heirloom.

It will occupy a chapter to itself in my forthcoming work on "Historic
Stones," where full details of its weight, size, colour, and value may
be found. At present I am going to relate an incident in its history
which, for obvious reasons, will not be published--which, in fact, I
trust the reader will consider related in strict confidence.

I had never seen the stone itself when I began to write about it, and it
was not till one evening last spring, while staying with my nephew, Sir
Thomas Acton, that I came within measurable distance of it. A dinner
party was impending, and, at my instigation, the Bishop of Northchurch
and Miss Panton, his daughter and heiress, were among the invited
guests.

The dinner was a particularly good one, I remember that distinctly. In
fact, I felt myself partly responsible for it, having engaged the new
cook--a talented young Italian, pupil of the admirable old _chef_ at my
club. We had gone over the _menu_ carefully together, with a result
refreshing in its novelty, but not so daring as to disturb the minds of
the innocent country guests who were bidden thereto.

The first spoonful of soup was reassuring, and I looked to the end of
the table to exchange a congratulatory glance with Leta. What was amiss?
No response. Her pretty face was flushed, her smile constrained, she was
talking with quite unnecessary _empressement_ to her neighbour, Sir
Harry Landor, though Leta is one of those few women who understand the
importance of letting a man settle down tranquilly and with an
undisturbed mind to the business of dining, allowing no topic of serious
interest to come on before the _releves_, and reserving mere
conversational brilliancy for the _entremets_.

Guests all right? No disappointments? I had gone through the list with
her, selecting just the right people to be asked to meet the Landors,
our new neighbours. Not a mere cumbrous county gathering, nor yet a
showy imported party from town, but a skillful blending of both. Had
anything happened already? I had been late for dinner and missed the
arrivals in the drawing-room. It was Leta's fault. She has got into a
way of coming into my room and putting the last touches to my toilet. I
let her, for I am doubtful of myself nowadays after many years'
dependence on the best of valets. Her taste is generally beyond dispute,
but to-day she had indulged in a feminine vagary that provoked me and
made me late for dinner.

"Are you going to wear your sapphire, Uncle Paul!" she cried in a tone
of dismay. "Oh, why not the ruby?"

"You _would_ have your way about the table decorations," I gently
reminded her. "With that service of Crown Derby _repousse_ and orchids,
the ruby would look absolutely barbaric. Now if you would have had the
Limoges set, white candles, and a yellow silk centre--"

"Oh, but--I'm _so_ disappointed--I wanted the bishop to see your
ruby--or one of your engraved gems--"

"My dear, it is on the bishop's account I put this on. You know his
daughter is heiress of the great Valdez sapphire--"

"Of course she is, and when he has the charge of a stone three times as
big as yours, what's the use of wearing it? The ruby, dear Uncle Paul,
_please_!"

She was desperately in earnest I could see, and considering the
obligations which I am supposed to be under to her and Tom, it was but a
little matter to yield, but it involved a good deal of extra trouble.
Studs, sleeve-links, watch-guard, all carefully selected to go with the
sapphire, had to be changed, the emerald which I chose as a compromise
requiring more florid accompaniments of a deeper tone of gold; and the
dinner hour struck as I replaced my jewel case, the one relic left me of
a once handsome fortune, in my fireproof safe.

The emerald looked very well that evening, however. I kept my eyes upon
it for comfort when Miss Panton proved trying.

She was a lean, yellow, dictatorial young person with no conversation. I
spoke of her father's celebrated sapphires. "_My_ sapphires," she
amended sourly; "though I am legally debarred from making any profitable
use of them." She furthermore informed me that she viewed them as
useless gauds, which ought to be disposed of for the benefit of the
heathen. I gave the subject up, and while she discoursed of the work of
the Blue Ribbon Army among the Bosjesmans I tried to understand a
certain dislocation in the arrangement of the table. Surely we were more
or less in number than we should be? Opposite side all right. Who was
extra on ours? I leaned forward. Lady Landor on one side of Tom, on the
other who? I caught glimpses of plumes pink and green nodding over a
dinner plate, and beneath them a pink nose in a green visage with a
nutcracker chin altogether unknown to me. A sharp gray eye shot a
sideway glance down the table and caught me peeping, and I retreated,
having only marked in addition two clawlike hands, with pointed ruffles
and a mass of brilliant rings, making good play with a knife and fork.
Who was she? At intervals a high acid voice could be heard addressing
Tom, and a laugh that made me shudder; it had the quality of the scream
of a bird of prey or the yell of a jackal. I had heard that sort of
laugh before, and it always made me feel like a defenseless rabbit.

Every time it sounded I saw Leta's fan flutter more furiously and her
manner grow more nervously animated. Poor dear girl! I never in all my
recollection wished a dinner at an end so earnestly so as to assure her
of my support and sympathy, though without the faintest conception why
either should be required.

The ices at last. A _menu_ card folded in two was laid beside me. I read
it unobserved. "Keep the B. from joining us in the drawing-room." The
B.--? The bishop, of course. With pleasure. But why? And how? _That's_
the question, never mind "why." Could I lure him into the library--the
billiard room--the conservatory? I doubted it, and I doubted still more
what I should do with him when I got him there.

The bishop is a grand and stately ecclesiastic of the mediaeval type,
broad-chested, deep-voiced, martial of bearing. I could picture him
charging mace in hand at the head of his vassals, or delivering over a
dissenter of the period to the rack and thumb-screw, but not pottering
among rare editions, tall copies and Grolier bindings, nor condescending
to a quiet cigar among the tree ferns and orchids. Leta must and should
be obeyed, I swore, nevertheless, even if I were driven to lock the door
in the fearless old fashion of a bygone day, and declare I'd shoot any
man who left while a drop remained in the bottles.

The ladies were rising. The lady at the head of the line smirked and
nodded her pink plumes coquettishly at Tom, while her hawk's eyes roved
keen and predatory over us all. She stopped suddenly, creating a block
and confusion.

"Ah, the dear bishop! _You_ there, and I never saw you! You must come
and have a nice long chat presently. By-by--!" She shook her fan at him
over my shoulder and tripped on. Leta, passing me last, gave me a look
of profound despair.

"Lady Carwitchet!" somebody exclaimed. "I couldn't believe my eyes."

"Thought she was dead or in penal servitude. Never should have expected
to see her _here_," said someone else behind me confidentially.

"What Carwitchet? Not the mother of the Carwitchet who--"

"Just so. The Carwitchet who--" Tom assented with a shrug. "We needn't
go farther, as she's my guest. Just my luck. I met them at Buxton,
thought them uncommonly good company--in fact, Carwitchet laid me under
a great obligation about a horse I was nearly let in for buying--and
gave them a general invitation here, as one does, you know. Never
expected her to turn up with her luggage this afternoon just before
dinner, to stay a week, or a fortnight if Carwitchet can join her." A
groan of sympathy ran round the table. "It can't be helped. I've told
you this just to show that I shouldn't have asked you here to meet this
sort of people of my own free will; but, as it is, please say no more
about them." The subject was not dropped by any means, and I took care
that it should not be. At our end of the table one story after another
went buzzing round--_sotto voce_, out of deference to Tom--but perfectly
audible.

"Carwitchet? Ah, yes. Mixed up in that Rawlings divorce case, wasn't he?
A bad lot. Turned out of the Dragoon Guards for cheating at cards, or
picking pockets, or something--remember the row at the Cerulean Club?
Scandalous exposure--and that forged letter business--oh, that was the
mother--prosecution hushed up somehow. Ought to be serving her fourteen
years--and that business of poor Farrars, the banker--got hold of some
of his secrets and blackmailed him till he blew his brains out--"

It was so exciting that I clean forgot the bishop, till a low gasp at my
elbow startled me. He was lying back in his chair, his mighty shaven
jowl a ghastly white, his fierce imperious eyebrows drooping limp over
his fishlike eyes, his splendid figure shrunk and contracted. He was
trying with a shaken hand to pour out wine. The decanter clattered
against the glass and the wine spilled on the cloth.

"I'm afraid you find the room too warm. Shall we go into the library?"

He rose hastily and followed me like a lamb.

He recovered himself once we got into the hall, and affably rejected all
my proffers of brandy and soda--medical advice--everything else my
limited experience could suggest. He only demanded his carriage
"directly" and that Miss Panton should be summoned forthwith.

I made the best use I could of the time left me.

"I'm uncommonly sorry you do not feel equal to staying a little longer,
my lord. I counted on showing you my few trifles of precious stones, the
salvage from the wreck of my possessions. Nothing in comparison with
your own collection."

The bishop clasped his hand over his heart. His breath came short and
quick.

"A return of that dizziness," he explained with a faint smile. "You are
thinking of the Valdez sapphire, are you not? Some day," he went on with
forced composure, "I may have the pleasure of showing it to you. It is
at my banker's just now."

Miss Panton's steps were heard in the hall. "You are well known as a
connoisseur, Mr. Acton," he went on hurriedly. "Is your collection
valuable? If so, _keep it safe; don' trust a ring off your hand, or the
key of your jewel-case out of your pocket till the house is clear
again_." The words rushed from his lips in an impetuous whisper, he gave
me a meaning glance, and departed with his daughter. I went back to the
drawing-room, my head swimming with bewilderment.

"What! The dear bishop gone!" screamed Lady Carwitchet from the central
ottoman where she sat, surrounded by most of the gentlemen, all
apparently well entertained by her conversation. "And I wanted to talk
over old times with him so badly. His poor wife was my greatest friend.
Mira Montanaro, daughter of the great banker, you know. It's not
possible that that miserable little prig is my poor Mira's girl. The
heiress of all the Montanaros in a black-lace gown worth twopence! When
I think of her mother's beauty and her toilets! Does she ever wear the
sapphires? Has anyone ever seen her in them? Eleven large stones in a
lovely antique setting, and the great Valdez sapphire--worth thousands
and thousands--for the pendant." No one replied. "I wanted to get a rise
out of the bishop to-night. It used to make him so mad when I wore
this."

She fumbled among the laces at her throat, and clawed out a pendant that
hung to a velvet band around her neck. I fairly gasped when she removed
her hand. A sapphire of irregular shape flashed out its blue lightning
on us. Such a stone! A true, rich, cornflower blue even by that wretched
artificial light, with soft velvety depths of colour and dazzling
clearness of tint in its lights and shades--a stone to remember! I
stretched out my hand involuntarily, but Lady Carwitchet drew back with
a coquettish squeal. "No! no! You mustn't look any closer. Tell me what
you think of it now. Isn't it pretty?"

"Superb!" was all I could ejaculate, staring at the azure splendour of
that miraculous jewel in a sort of trance.

She gave a shrill cackling laugh of mockery.

"The great Mr. Acton taken in by a bit of Palais Royal gimcrackery! What
an advertisement for Bogaerts et Cie! They are perfect artists in
frauds. Don't you remember their stand at the first Paris Exhibition?
They had imitations there of every celebrated stone; but I never
expected anything made by man could delude Mr. Acton, never!" And she
went off into another mocking cackle, and all the idiots round her
haw-hawed knowingly, as if they had seen the joke all along. I was too
bewildered to reply, which was on the whole lucky. "I suppose I musn't
tell why I came to give quite a big sum in francs for this?" she went
on, tapping her closed lips with her closed fan, and cocking her eye at
us all like a parrot wanting to be coaxed to talk. "It's a queer story."

I didn't want to hear her anecdote, especially as I saw she wanted to
tell it. What I _did_ want was to see that pendant again. She had thrust
it back among her laces, only the loop which held it to the velvet being
visible. It was set with three small sapphires, and even from a distance
I clearly made them out to be imitations, and poor ones. I felt a queer
thrill of self-mistrust. Was the large stone no better? Could I, even
for an instant, have been dazzled by a sham, and a sham of that quality?
The events of the evening had flurried and confused me. I wished to
think them over in quiet. I would go to bed.

My rooms at the Manor are the best in the house. Leta will have it so. I
must explain their position for a reason to be understood later. My
bedroom is in the southeast angle of the house; it opens on one side
into a sitting-room in the east corridor, the rest of which is taken up
by the suite of rooms occupied by Tom and Leta; and on the other side
into my bathroom, the first room in the south corridor where the
principal guest chambers are, to one of which it was originally the
dressing-room. Passing this room I noticed a couple of housemaids
preparing it for the night, and discovered with a shiver that Lady
Carwitchet was to be my next-door neighbour. It gave me a turn.

The bishop's strange warning must have unnerved me. I was perfectly safe
from her ladyship. The disused door into her room was locked, and the
key safe on the housekeeper's bunch. It was also undiscoverable on her
side, the recess in which it stood being completely filled by a large
wardrobe. On my side hung a thick sound-proof _portiere_. Nevertheless,
I resolved not to use that room while she inhabited the next one. I
removed my possessions, fastened the door of communication with my
bedroom and dragged a heavy ottoman across it.

Then I stowed away my emerald in my strong-box. It is built into the
wall of my sitting-room, and masked by the lower part of an old carved
oak bureau. I put away even the rings I wore habitually, keeping out
only an inferior cat's-eye for workaday wear. I had just made all safe
when Leta tapped at the door and came in to wish me good night. She
looked flushed and harassed and ready to cry. "Uncle Paul," she began,
"I want you to go up to town at once, and stay away till I send for
you."

"My dear--!" I was too amazed to expostulate.

"We've got a--a pestilence among us," she declared, her foot tapping the
ground angrily, "and the least we can do is to go into quarantine. Oh,
I'm so sorry and so ashamed! The poor bishop! I'll take good care that
no one else shall meet that woman here. You did your best for me, Uncle
Paul, and managed admirably, but it was all no use. I hoped against hope
that what between the dusk of the drawing-room before dinner, and being
put at opposite ends of the table, we might get through without a
meeting--"

"But, my dear, explain. Why shouldn't the bishop and Lady Carwitchet
meet? Why is it worse for him than anyone else?"

"Why? I thought everybody had heard of that dreadful wife of his who
nearly broke his heart. If he married her for her money it served him
right, but Lady Landor says she was very handsome and really in love
with him at first. Then Lady Carwitchet got hold of her and led her into
all sorts of mischief. She left her husband--he was only a rector with a
country living in those days--and went to live in town, got into a
horrid fast set, and made herself notorious. You _must_ have heard of
her."

"I heard of her sapphires, my dear. But I was in Brazil at the time."

"I wish you had been at home. You might have found her out. She was
furious because her husband refused to let her wear the great Valdez
sapphire. It had been in the Montanaro family for some generations, and
her father settled it first on her and then on her little girl--the
bishop being trustee. He felt obliged to take away the little girl, and
send her off to be brought up by some old aunts in the country, and he
locked up the sapphire. Lady Carwitchet tells as a splendid joke how
they got the copy made in Paris, and it did just as well for the people
to stare at. No wonder the bishop hates the very name of the stone."

"How long will she stay here?" I asked dismally.

"Till Lord Carwitchet can come and escort her to Paris to visit some
American friends. Goodness knows when that will be! Do go up to town,
Uncle Paul!"

I refused indignantly. The very least I could do was to stand by my poor
young relatives in their troubles and help them through. I did so. I
wore that inferior cat's eye for six weeks!

It is a time I cannot think of even now without a shudder. The more I
saw of that terrible old woman the more I detested her, and we saw a
very great deal of her. Leta kept her word, and neither accepted nor
gave invitations all that time. We were cut off from all society but
that of old General Fairford, who would go anywhere and meet anyone to
get a rubber after dinner; the doctor, a sporting widower; and the
Duberlys, a giddy, rather rackety young couple who had taken the Dower
House for a year. Lady Carwitchet seemed perfectly content. She revelled
in the soft living and good fare of the Manor House, the drives in
Leta's big barouche, and Domenico's dinners, as one to whom short
commons were not unknown. She had a hungry way of grabbing and grasping
at everything she could--the shillings she won at whist, the best fruit
at dessert, the postage stamps in the library inkstand--that was
infinitely suggestive. Sometimes I could have pitied her, she was so
greedy, so spiteful, so friendless. She always made me think of some
wicked old pirate putting into a peaceful port to provision and repair
his battered old hulk, obliged to live on friendly terms with the
natives, but his piratical old nostrils asniff for plunder and his
piratical old soul longing to be off marauding once more. When would
that be? Not till the arrival in Paris of her distinguished American
friends, of whom we heard a great deal. "Charming people, the Bokums of
Chicago, the American branch of the English Beauchamps, you know!" They
seemed to be taking an unconscionable time to get there. She would have
insisted on being driven over to Northchurch to call at the palace, but
that the bishop was understood to be holding confirmations at the other
end of the diocese.

I was alone in the house one afternoon sitting by my window, toying with
the key of my safe, and wondering whether I dare treat myself to a peep
at my treasures, when a suspicious movement in the park below caught my
attention. A black figure certainly dodged from behind one tree to the
next, and then into the shadow of the park paling instead of keeping to
the footpath. It looked queer. I caught up my field glass and marked him
at one point where he was bound to come into the open for a few steps.
He crossed the strip of turf with giant strides and got into cover
again, but not quick enough to prevent me recognizing him. It was--great
heavens!--the bishop! In a soft hat pulled over his forehead, with a
long cloak and a big stick he looked like a poacher.

Guided by some mysterious instinct I hurried to meet him. I opened the
conservatory door, and in he rushed like a hunted rabbit. Without
explanation I led him up the wide staircase to my room, where he dropped
into a chair and wiped his face.

"You are astonished, Mr. Acton," he panted. "I will explain directly.
Thanks." He tossed off the glass of brandy I had poured out without
waiting for the qualifying soda, and looked better.

"I am in serious trouble. You can help me. I've had a shock to-day--a
grievous shock." He stopped and tried to pull himself together. "I must
trust you implicitly, Mr. Acton, I have no choice. Tell me what you
think of this." He drew a case from his breast pocket and opened it. "I
promised you should see the Valdez sapphire. Look there!"

The Valdez sapphire! A great big shining lump of blue crystal--flawless
and of perfect colour--that was all. I took it up, breathed on it, drew
out my magnifier, looked at it in one light and another. What was wrong
with it? I could not say. Nine experts out of ten would undoubtedly have
pronounced the stone genuine. I, by virtue of some mysterious instinct
that has hitherto always guided me aright, was the unlucky tenth. I
looked at the bishop. His eyes met mine. There was no need of spoken
word between us.

"Has Lady Carwitchet shown you her sapphire?" was his most unexpected
question. "She has? Now, Mr. Acton, on your honour as a connoisseur and
a gentleman, which of the two is the Valdez?"

"Not this one." I could say naught else.

"You were my last hope." He broke off, and dropped his face on his
folded arms with a groan that shook the table on which he rested, while
I stood dismayed at myself for having let so hasty a judgment escape me.
He lifted a ghastly countenance to me. "She vowed she would see me
ruined and disgraced. I made her my enemy by crossing some of her
schemes once, and she never forgives. She will keep her word. I shall
appear before the world as a fraudulent trustee. I can neither produce
the valuable confided to my charge nor make the loss good. I have only
an incredible story to tell," he dropped his head and groaned again.
"Who will believe me?"

"I will, for one."

"Ah, you? Yes, you know her. She took my wife from me, Mr. Acton. Heaven
only knows what the hold was that she had over poor Mira. She encouraged
her to set me at defiance and eventually to leave me. She was answerable
for all the scandalous folly and extravagance of poor Mira's life in
Paris--spare me the telling of the story. She left her at last to die
alone and uncared for. I reached my wife to find her dying of a fever
from which Lady Carwitchet and her crew had fled. She was raving in
delirium, and died without recognizing me. Some trouble she had been in
which I must never know oppressed her. At the very last she roused from
a long stupor and spoke to the nurse. 'Tell him to get the sapphire
back--she stole it. She has robbed my child.' Those were her last words.
The nurse understood no English, and treated them as wandering; but _I_
heard them, and knew she was sane when she spoke."

"What did you do?"

"What could I? I saw Lady Carwitchet, who laughed at me, and defied me
to make her confess or disgorge. I took the pendant to more than one
eminent jeweller on pretense of having the setting seen to, and all have
examined and admired without giving a hint of there being anything
wrong. I allowed a celebrated mineralogist to see it; he gave no sign--"

"Perhaps they are right and we are wrong."

"No, no. Listen. I heard of an old Dutchman celebrated for his
imitations. I went to him, and he told me at once that he had been
allowed by Montanaro to copy the Valdez--setting and all--for the Paris
Exhibition. I showed him this, and he claimed it for his own work at
once, and pointed out his private mark upon it. You must take your
magnifier to find it; a Greek Beta. He also told me that he had sold it
to Lady Carwitchet more than a year ago."

"It is a terrible position."

"It is. My co-trustee died lately. I have never dared to have another
appointed. I am bound to hand over the sapphire to my daughter on her
marriage, if her husband consents to take the name of Montanaro."

The bishop's face was ghastly pale, and the moisture started on his
brow. I racked my brain for some word of comfort.

"Miss Panton may never marry."

"But she will!" he shouted. "That is the blow that has been dealt me
to-day. My chaplain--actually, my chaplain--tells me that he is going
out as a temperance missionary to equatorial Africa, and has the
assurance to add that he believes my daughter is not indisposed to
accompany him!" His consummating wrath acted as a momentary stimulant.
He sat upright, his eyes flashing and his brow thunderous. I felt for
that chaplain. Then he collapsed miserably. "The sapphires will have to
be produced, identified, revalued. How shall I come out of it? Think of
the disgrace, the ripping up of old scandals! Even if I were to compound
with Lady Carwitchet, the sum she hinted at was too monstrous. She wants
more than my money. Help me, Mr. Acton! For the sake of your own family
interest, help me!"

"I beg your pardon--family interests? I don't understand."

"If my daughter is childless, her next of kin is poor Marmaduke Panton,
who is dying at Cannes, not married, or likely to marry; and failing
him, your nephew, Sir Thomas Acton, succeeds."

My nephew Tom! Leta, or Leta's baby, might come to be the possible
inheritor of the great Valdez sapphire! The blood rushed to my head as I
looked at the great shining swindle before me. "What diabolic jugglery
was at work when the exchange was made?" I demanded fiercely.

"It must have been on the last occasion of her wearing the sapphires in
London. I ought never to have let her out of my sight."

"You must put a stop to Miss Panton's marriage in the first place," I
pronounced as autocratically as he could have done himself.

"Not to be thought of," he admitted helplessly. "Mira has my force of
character. She knows her rights, and she will have her jewels. I want
you to take charge of the--thing for me. If it's in the house she'll
make me produce it. She'll inquire at the banker's. If _you_ have it we
can gain time, if but for a day or two." He broke off. Carriage wheels
were crashing on the gravel outside. We looked at one another in
consternation. Flight was imperative. I hurried him downstairs and out
of the conservatory just as the door-bell rang. I think we both lost our
heads in the confusion. He shoved the case into my hands, and I pocketed
it, without a thought of the awful responsibility I was incurring, and
saw him disappear into the shelter of the friendly night.

When I think of what my feelings were that evening--of my murderous
hatred of that smirking jesting Jezebel who sat opposite me at dinner,
my wrathful indignation at the thought of the poor little expected heir
defrauded ere his birth; of the crushing contempt I felt for myself and
the bishop as a pair of witless idiots unable to see our way out of the
dilemma; all this boiling and surging through my soul, I can only
wonder--Domenico having given himself a holiday, and the kitchen-maid
doing her worst and wickedest--that gout or jaundice did not put an end
to this story at once.

"Uncle Paul!" Leta was looking her sweetest when she tripped into my
room next morning. "I've news for you. She," pointing a delicate
forefinger in the direction of the corridor, "is going! Her Bokums have
reached Paris at last, and sent for her to join them at the Grand
Hotel."

I was thunderstruck. The longed-for deliverance had but come to remove
hopelessly and forever out of my reach Lady Carwitchet and the great
Valdez sapphire.

"Why, aren't you overjoyed? I am. We are going to celebrate the event by
a dinner-party. Tom's hospitable soul is vexed by the lack of
entertainment we had provided for her. We must ask the Brownleys some
day or other, and they will be delighted to meet anything in the way of
a ladyship, or such smart folks as the Duberly-Parkers. Then we may as
well have the Blomfields, and air that awful modern Sevres
dessert-service she gave us when we were married." I had no objection to
make, and she went on, rubbing her soft cheek against my shoulder like
the purring little cat she was: "Now I want you to do something to
please me--and Mrs. Blomfield. She has set her heart on seeing your
rubies, and though I know you hate her about as much as you do that
Sevres china--"

"What! Wear my rubies with that! I won't. I'll tell you what I will do,
though. I've got some carbuncles as big as prize gooseberries, a whole
set. Then you have only to put those Bohemian glass vases and candelabra
on the table, and let your gardener do his worst with his great forced,
scentless, vulgar blooms, and we shall all be in keeping." Leta pouted.
An idea struck me. "Or I'll do as you wish, on one condition. You get
Lady Carwitchet to wear her big sapphire, and don't tell her I wish it."

I lived through the next few days as one in some evil dream. The
sapphires, like twin spectres, haunted me day and night. Was ever man so
tantalized? To hold the shadow and see the substance dangled temptingly
within reach. The bishop made no sign of ridding me of my unwelcome
charge, and the thought of what might happen in a case of
burglary--fire--earthquake--made me start and tremble at all sorts of
inopportune moments.

I kept faith with Leta, and reluctantly produced my beautiful rubies on
the night of her dinner party. Emerging from my room I came full upon
Lady Carwitchet in the corridor. She was dressed for dinner, and at her
throat I caught the blue gleam of the great sapphire. Leta had kept
faith with me. I don't know what I stammered in reply to her ladyship's
remarks; my whole soul was absorbed in the contemplation of the
intoxicating loveliness of the gem. _That_ a Palais Royal deception!
Incredible! My fingers twitched, my breath came short and fierce with
the lust of possession. She must have seen the covetous glare in my
eyes. A look of gratified spiteful complacency overspread her features,
as she swept on ahead and descended the stairs before me. I followed her
to the drawing-room door. She stopped suddenly, and murmuring something
unintelligible hurried back again.

Everybody was assembled there that I expected to see, with an addition.
Not a welcome one by the look on Tom's face. He stood on the hearth-rug
conversing with a great hulking, high-shouldered fellow, sallow-faced,
with a heavy moustache and drooping eyelids, from the corners of which
flashed out a sudden suspicious look as I approached, which lighted up
into a greedy one as it rested on my rubies, and seemed unaccountably
familiar to me, till Lady Carwitchet tripping past me exclaimed:

"He has come at last! My naughty, naughty boy! Mr. Acton, this is my
son, Lord Carwitchet!"

I broke off short in the midst of my polite acknowledgments to stare
blankly at her. The sapphire was gone! A great gilt cross, with a Scotch
pebble like an acid drop, was her sole decoration.

"I had to put my pendant away," she explained confidentially; "the clasp
had got broken somehow." I didn't believe a word.

Lord Carwitchet contributed little to the general entertainment at
dinner, but fell into confidential talk with Mrs. Duberly-Parker. I
caught a few unintelligible remarks across the table. They referred, I
subsequently discovered, to the lady's little book on Northchurch races,
and I recollected that the Spring Meeting was on, and to-morrow "Cup
Day." After dinner there was great talk about getting up a party to go
on General Fairford's drag. Lady Carwitchet was in ecstasies and tried
to coax me into joining. Leta declined positively. Tom accepted sulkily.

The look in Lord Carwitchet's eye returned to my mind as I locked up my
rubies that night. It made him look so like his mother! I went round my
fastenings with unusual care. Safe and closets and desk and doors, I
tried them all. Coming at last to the bathroom, it opened at once. It
was the housemaid's doing. She had evidently taken advantage of my
having abandoned the room to give it "a thorough spring cleaning," and I
anathematized her. The furniture was all piled together and veiled with
sheets, the carpet and felt curtain were gone, there were new brooms
about. As I peered around, a voice close at my ear made me jump--Lady
Carwitchet's!

"I tell you I have nothing, not a penny! I shall have to borrow my train
fare before I can leave this. They'll be glad enough to lend it."

Not only had the _portiere_ been removed, but the door behind it had
been unlocked and left open for convenience of dusting behind the
wardrobe. I might as well have been in the bedroom.

"Don't tell me," I recognized Carwitchet's growl. "You've not been here
all this time for nothing. You've been collecting for a Kilburn cot or
getting subscriptions for the distressed Irish landlords. I know you.
Now I'm not going to see myself ruined for the want of a paltry hundred
or so. I tell you the colt is a dead certainty. If I could have got a
thousand or two on him last week, we might have ended our dog days
millionaires. Hand over what you can. You've money's worth, if not
money. Where's that sapphire you stole?"

"I didn't. I can show you the receipted bill. All _I_ possess is
honestly come by. What could you do with it, even if I gave it you? You
couldn't sell it as the Valdez, and you can't get it cut up as you might
if it were real."

"If it's only bogus, why are you always in such a flutter about it? I'll
do something with it, never fear. Hand over."

"I can't. I haven't got it. I had to raise something on it before I left
town."

"Will you swear it's not in that wardrobe? I dare say you will. I mean
to see. Give me those keys."

I heard a struggle and a jingle, then the wardrobe door must have been
flung open, for a streak of light struck through a crack in the wood of
the back. Creeping close and peeping through, I could see an awful
sight. Lady Carwitchet in a flannel wrapper, minus hair, teeth,
complexion, pointing a skinny forefinger that quivered with rage at her
son, who was out of the range of my vision.

"Stop that, and throw those keys down here directly, or I'll rouse the
house. Sir Thomas is a magistrate, and will lock you up as soon as look
at you." She clutched at the bell rope as she spoke. "I'll swear I'm in
danger of my life from you and give you in charge. Yes, and when you're
in prison I'll keep you there till you die. I've often thought I'd do
it. How about the hotel robberies last summer at Cowes, eh? Mightn't the
police be grateful for a hint or two? And how about--"

The keys fell with a crash on the bed, accompanied by some bad language
in an apologetic tone, and the door slammed to. I crept trembling to
bed.

This new and horrible complication of the situation filled me with
dismay. Lord Carwitchet's wolfish glance at my rubies took a new
meaning. They were safe enough, I believed--but the sapphire! If he
disbelieved his mother, how long would she be able to keep it from his
clutches? That she had some plot of her own of which the bishop would
eventually be the victim I did not doubt, or why had she not made her
bargain with him long ago? But supposing she took fright, lost her head,
allowed her son to wrest the jewel from her, or gave consent to its
being mutilated, divided! I lay in a cold perspiration till morning.

My terrors haunted me all day. They were with me at breakfast time when
Lady Carwitchet, tripping in smiling, made a last attempt to induce me
to accompany her and keep her "bad, bad boy" from getting among "those
horrid betting men."

They haunted me through the long peaceful day with Leta and the
_tete-a-tete_ dinner, but they swarmed around and beset me sorest when,
sitting alone over my sitting-room fire, I listened for the return of
the drag party. I read my newspaper and brewed myself some hot strong
drink, but there comes a time of night when no fire can warm and no
drink can cheer. The bishop's despairing face kept me company, and his
troubles and the wrongs of the future heir took possession of me. Then
the uncanny noises that make all old houses ghostly during the small
hours began to make themselves heard. Muffled footsteps trod the
corridor, stopping to listen at every door, door latches gently clicked,
boards creaked unreasonably, sounds of stealthy movements came from the
locked-up bathroom. The welcome crash of wheels at last, and the sound
of the front-door bell. I could hear Lady Carwitchet making her shrill
_adieux_ to her friends and her steps in the corridor. She was softly
humming a little song as she approached. I heard her unlock her bedroom
door before she entered--an odd thing to do. Tom came sleepily stumbling
to his room later. I put my head out. "Where is Lord Carwitchet?"

"Haven't you seen him? He left us hours ago. Not come home, eh? Well,
he's welcome to stay away. I don't want to see more of him." Tom's brow
was dark and his voice surly. "I gave him to understand as much."
Whatever had happened, Tom was evidently too disgusted to explain just
then.

I went back to my fire unaccountably relieved, and brewed myself another
and a stronger brew. It warmed me this time, but excited me foolishly.
There must be some way out of the difficulty. I felt now as if I could
almost see it if I gave my mind to it. Why--suppose--there might be no
difficulty after all! The bishop was a nervous old gentleman. He might
have been mistaken all through, Bogaerts might have been mistaken, I
might--no. I could not have been mistaken--or I thought not. I fidgeted
and fumed and argued with myself till I found I should have no peace of
mind without a look at the stone in my possession, and I actually went
to the safe and took the case out.

The sapphire certainly looked different by lamplight. I sat and stared,
and all but overpersuaded my better judgment into giving it a verdict.
Bogaerts's mark--I suddenly remembered it. I took my magnifier and held
the pendant to the light. There, scratched upon the stone, was the Greek
Beta! There came a tap on my door, and before I could answer, the handle
turned softly and Lord Carwitchet stood before me. I whipped the case
into my dressing-gown pocket and stared at him. He was not pleasant to
look at, especially at that time of night. He had a dishevelled,
desperate air, his voice was hoarse, his red-rimmed eyes wild.

"I beg your pardon," he began civilly enough. "I saw your light burning,
and thought, as we go by the early train to-morrow, you might allow me
to consult you now on a little business of my mother's." His eyes roved
about the room. Was he trying to find the whereabouts of my safe? "You
know a lot about precious stones, don't you?"

"So my friends are kind enough to say. Won't you sit down? I have
unluckily little chance of indulging the taste on my own account," was
my cautious reply.

"But you've written a book about them, and know them when you see them,
don't you? Now my mother has given me something, and would like you to
give a guess at its value. Perhaps you can put me in the way of
disposing of it?"

"I certainly can do so if it is worth anything. Is that it?" I was in a
fever of excitement, for I guessed what was clutched in his palm. He
held out to me the Valdez sapphire.

How it shone and sparkled like a great blue star! I made myself a
deprecating smile as I took it from him, but how dare I call it false to
its face? As well accuse the sun in heaven of being a cheap imitation. I
faltered and prevaricated feebly. Where was my moral courage, and where
was the good, honest, thumping lie that should have aided me? "I have
the best authority for recognizing this as a very good copy of a famous
stone in the possession of the Bishop of Northchurch." His scowl grew so
black that I saw he believed me, and I went on more cheerily: "This was
manufactured by Johannes Bogaerts--I can give you his address, and you
can make inquiries yourself--by special permission of the then owner,
the late Leone Montanaro."

"Hand it back!" he interrupted (his other remarks were outrageous, but
satisfactory to hear); but I waved him off. I couldn't give it up. It
fascinated me. I toyed with it, I caressed it. I made it display its
different tones of colour. I must see the two stones together. I must
see it outshine its paltry rival. It was a whimsical frenzy that seized
me--I can call it by no other name.

"Would you like to see the original? Curiously enough, I have it here.
The bishop has left it in my charge."

The wolfish light flamed up in Carwitchet's eyes as I drew forth the
case. He laid the Valdez down on a sheet of paper, and I placed the
other, still in its case, beside it. In that moment they looked
identical, except for the little loop of sham stones, replaced by a
plain gold band in the bishop's jewel. Carwitchet leaned across the
table eagerly, the table gave a lurch, the lamp tottered, crashed over,
and we were left in semidarkness.

"Don't stir!" Carwitchet shouted. "The paraffin is all over the place!"
He seized my sofa blanket, and flung it over the table while I stood
helpless. "There, that's safe now. Have you candles on the
chimney-piece? I've got matches."

He looked very white and excited as he lit up. "Might have been an
awkward job with all that burning paraffin running about," he said quite
pleasantly. "I hope no real harm is done." I was lifting the rug with
shaking hands. The two stones lay as I had placed them. No! I nearly
dropped it back again. It was the stone in the case that had the loop
with the three sham sapphires!

Carwitchet picked the other up hastily. "So you say this is rubbish?" he
asked, his eyes sparkling wickedly, and an attempt at mortification in
his tone.

"Utter rubbish!" I pronounced, with truth and decision, snapping up the
case and pocketing it. "Lady Carwitchet must have known it."

"Ah, well, it's disappointing, isn't it? Good-by, we shall not meet
again."

I shook hands with him most cordially. "Good-by, Lord Carwitchet. _So_
glad to have met you and your mother. It has been a source of the
_greatest_ pleasure, I assure you."

I have never seen the Carwitchets since. The bishop drove over next day
in rather better spirits. Miss Panton had refused the chaplain.

"It doesn't matter, my lord," I said to him heartily. "We've all been
under some strange misconception. The stone in your possession is the
veritable one. I could swear to that anywhere. The sapphire Lady
Carwitchet wears is only an excellent imitation, and--I have seen it
with my own eyes--is the one bearing Bogaerts's mark, the Greek Beta."




THE OBLONG BOX

EDGAR ALLAN POE


Some years ago I engaged passage from Charleston, S. C., to the city of
New York, in the fine packet-ship _Independence_, Captain Hardy. We were
to sail on the fifteenth of the month (June), weather permitting; and on
the fourteenth I went on board to arrange some matters in my stateroom.

I found that we were to have a great many passengers, including a more
than usual number of ladies. On the list were several of my
acquaintances; and among other names I was rejoiced to see that of Mr.
Cornelius Wyatt, a young artist, for whom I entertained feelings of warm
friendship. He had been, with me, a fellow-student at C---- University,
where we were very much together. He had the ordinary temperament of
genius, and was a compound of misanthropy, sensibility, and enthusiasm.
To these qualities he united the warmest and truest heart which ever
beat in a human bosom.

I observed that his name was carded upon three staterooms: and upon
again referring to the list of passengers I found that he had engaged
passage for himself, wife, and two sisters--his own. The staterooms were
sufficiently roomy, and each had two berths, one above the other. These
berths, to be sure, were so exceedingly narrow as to be insufficient for
more than one person; still, I could not comprehend why there were three
staterooms for these four persons. I was, just at that epoch, in one of
those moody frames of mind which make a man abnormally inquisitive about
trifles: and I confess with shame that I busied myself in a variety of
ill-bred and preposterous conjectures about this matter of the
supernumerary stateroom. It was no business of mine, to be sure; but
with none the less pertinacity did I occupy myself in attempts to
resolve the enigma. At last I reached a conclusion which wrought in me
great wonder why I had not arrived at it before. "It is a servant, of
course," I said; "what a fool I am not sooner to have thought of so
obvious a solution!" And then I again repaired to the list, but here I
saw distinctly that no servant was to come with the party: although, in
fact, it had been the original design to bring one, for the words "and
servant" had been first written and then overscored. "Oh, extra baggage,
to be sure," I now said to myself; "something he wishes not to be put in
the hold, something to be kept under his own eye,--ah, I have it! a
painting or so, and this is what he has been bargaining about with
Nicolino, the Italian Jew." This idea satisfied me and I dismissed my
curiosity for the nonce.

Wyatt's two sisters I knew very well, and most amiable and clever girls
they were. His wife he had newly married, and I had never yet seen her.
He had often talked about her in my presence, however, and in his usual
style of enthusiasm. He described her as of surpassing beauty, wit, and
accomplishment. I was, therefore, quite anxious to make her
acquaintance.

On the day in which I visited the ship (the fourteenth), Wyatt and party
were also to visit it, so the Captain informed me, and I waited on board
an hour longer than I had designed in hope of being presented to the
bride; but then an apology came. "Mrs. W. was a little indisposed, and
would decline coming on board until to-morrow at the hour of sailing."

The morrow having arrived, I was going from my hotel to the wharf, when
Captain Hardy met me and said that, "owing to circumstances" (a stupid
but convenient phrase), "he rather thought the _Independence_ would not
sail for a day or two, and that when all was ready he would send up and
let me know." This I thought strange, for there was a stiff southerly
breeze; but as "the circumstances" were not forthcoming, although I
pumped for them with much perseverance, I had nothing to do but to
return home and digest my impatience at leisure.

I did not receive the expected message from the Captain for nearly a
week. It came at length, however, and I immediately went on board. The
ship was crowded with passengers, and everything was in the bustle
attendant upon making sail. Wyatt's party arrived in about ten minutes
after myself. There were the two sisters, the bride, and the artist--the
latter in one of his customary fits of moody misanthropy. I was too well
used to these, however, to pay them any special attention. He did not
even introduce me to his wife; this courtesy devolving, perforce, upon
his sister Marian, a very sweet and intelligent girl, who in a few
hurried words made us acquainted.

Mrs. Wyatt had been closely veiled; and when she raised her veil in
acknowledging my bow, I confess that I was very profoundly astonished. I
should have been much more so, however, had not long experience advised
me not to trust, with too implicit a reliance, the enthusiastic
descriptions of my friend the artist, when indulging in comments upon
the loveliness of woman. When beauty was the theme, I well knew with
what facility he soared into the regions of the purely ideal.

The truth is, I could not help regarding Mrs. Wyatt as a decidedly
plain-looking woman. If not positively ugly, she was not, I think, very
far from it. She was dressed, however, in exquisite taste, and then I
had no doubt that she had captivated my friend's heart by the more
enduring graces of the intellect and soul. She said very few words, and
passed at once into her stateroom with Mr. W.

My old inquisitiveness now returned. There was no servant, that was a
settled point. I looked, therefore, for the extra baggage. After some
delay a cart arrived at the wharf with an oblong pine box, which was
everything that seemed to be expected. Immediately upon its arrival we
made sail, and in a short time were safely over the bar and standing out
to sea.

The box in question was, as I say, oblong. It was about six feet in
length by two and a half in breadth: I observed it attentively and like
to be precise. Now, this shape was peculiar; and no sooner had I seen it
than I took credit to myself for the accuracy of my guessing. I had
reached the conclusion, it will be remembered, that the extra baggage of
my friend the artist would prove to be pictures, or at least a picture,
for I knew he had been for several weeks in conference with Nicolino;
and now here was a box, which, from its shape, could possibly contain
nothing in the world but a copy of Leonardo's _Last Supper_; and a copy
of this very _Last Supper_, done by Rubini the younger at Florence, I
had known for some time to be in the possession of Nicolino. This point,
therefore, I considered as sufficiently settled. I chuckled excessively
when I thought of my acumen. It was the first time I had ever known
Wyatt to keep from me any of his artistical secrets; but here he
evidently intended to steal a march upon me and smuggle a fine picture
to New York, under my very nose; expecting me to know nothing of the
matter. I resolved to quiz him well, now and hereafter.

One thing, however, annoyed me not a little. The box did not go into the
extra stateroom. It was deposited in Wyatt's own; and there, too, it
remained, occupying very nearly the whole of the floor, no doubt to the
exceeding discomfort of the artist and his wife; this the more
especially as the tar or paint with which it was lettered in sprawling
capitals emitted a strong, disagreeable, and, to my fancy, a peculiarly
disgusting odour. On the lid were painted the words: "Mrs. Adelaide
Curtis, Albany, New York. Charge of Cornelius Wyatt, Esq. This side up.
To be handled with care."

Now, I was aware that Mrs. Adelaide Curtis of Albany was the artist's
wife's mother; but then I looked upon the whole address as a
mystification, intended especially for myself. I made up my mind, of
course, that the box and contents would never get farther north than the
studio of my misanthropic friend in Chambers Street, New York.

For the first three or four days we had fine weather, although the wind
was dead ahead, having chopped round to the northward immediately upon
our losing sight of the coast. The passengers were, consequently, in
high spirits and disposed to be social. I must except, however, Wyatt
and his sisters, who behaved stiffly, and, I could not help thinking,
uncourteously, to the rest of the party. Wyatt's conduct I did not so
much regard. He was gloomy, even beyond his usual habit,--in fact, he
was morose; but in him I was prepared for eccentricity. For the sisters,
however, I could make no excuse. They secluded themselves in their
staterooms during the greater part of the passage, and absolutely
refused, although I repeatedly urged them, to hold communication with
any person on board.

Mrs. Wyatt herself was far more agreeable. That is to say, she was
chatty; and to be chatty is no slight recommendation at sea. She became
excessively intimate with most of the ladies; and, to my profound
astonishment, evinced no equivocal disposition to coquet with the men.
She amused us all very much. I say "amused," and scarcely know how to
explain myself. The truth is, I soon found that Mrs. W. was far oftener
laughed at than with. The gentlemen said little about her; but the
ladies in a little while pronounced her "a good-hearted thing, rather
indifferent-looking, totally uneducated, and decidedly vulgar." The
great wonder was, how Wyatt had been entrapped into such a match. Wealth
was the general solution, but this I knew to be no solution at all; for
Wyatt had told me that she neither brought him a dollar nor had any
expectations from any source whatever. "He had married," he said, "for
love, and for love only; and his bride was far more than worthy of his
love." When I thought of these expressions on the part of my friend, I
confess that I felt indescribably puzzled. Could it be possible that he
was taking leave of his senses? What else could I think? He, so refined,
so intellectual, so fastidious, with so exquisite a perception of the
faulty, and so keen an appreciation of the beautiful! To be sure, the
lady seemed especially fond of him, particularly so in his absence, when
she made herself ridiculous by frequent quotations of what had been said
by her "beloved husband, Mr. Wyatt." The word "husband" seemed forever,
to use one of her own delicate expressions,--forever "on the tip of her
tongue." In the meantime it was observed by all on board that he avoided
her in the most pointed manner, and, for the most part, shut himself up
alone in his stateroom, where, in fact, he might have been said to live
altogether, leaving his wife at full liberty to amuse herself as she
thought best in the public society of the main cabin.

My conclusion, from what I saw and heard, was that the artist, by some
unaccountable freak of fate, or perhaps in some fit of enthusiastic and
fanciful passion, had been induced to unite himself with a person
altogether beneath him, and that the natural result, entire and speedy
disgust, had ensued. I pitied him from the bottom of my heart, but could
not, for that reason, quite forgive his incommunicativeness in the
matter of the _Last Supper_. For this I resolved to have my revenge.

One day he came up on deck, and, taking his arm as had been my wont, I
sauntered with him backward and forward. His gloom, however (which I
considered quite natural under the circumstances), seemed entirely
unabated. He said little, and that moodily, and with evident effort. I
ventured a jest or two, and he made a sickening attempt at a smile. Poor
fellow! as I thought of his wife I wondered that he could have heart to
put on even the semblance of mirth. At last I ventured a home thrust. I
determined to commence a series of covert insinuations, or innuendos,
about the oblong box, just to let him perceive, gradually, that I was
not altogether the butt, or victim, of his little bit of pleasant
mystification. My first observation was by way of opening a masked
battery. I said something about the "peculiar shape of that box"; and,
as I spoke the words I smiled knowingly, winked, and touched him gently
with my forefinger in the ribs.

The manner in which Wyatt received this harmless pleasantry convinced me
at once that he was mad. At first he stared at me as if he found it
impossible to comprehend the witticism of my remark; but as its point
seemed slowly to make its way into his brain, his eyes, in the same
proportion, seemed protruding from their sockets. Then he grew very red,
then hideously pale, then, as if highly amused with what I had
insinuated, he began a loud and boisterous laugh, which, to my
astonishment, he kept up, with gradually increasing vigour, for ten
minutes or more. In conclusion, he fell flat and heavily upon the deck.
When I ran to uplift him, to all appearance he was dead.

I called assistance, and, with much difficulty, we brought him to
himself. Upon reviving he spoke incoherently for some time. At length we
bled him and put him to bed. The next morning he was quite recovered, so
far as regarded his mere bodily health. Of his mind I say nothing, of
course. I avoided him during the rest of the passage, by advice of the
Captain, who seemed to coincide with me altogether in my views of his
insanity, but cautioned me to say nothing on this head to any person on
board.

Several circumstances occurred immediately after this fit of Wyatt's
which contributed to heighten the curiosity with which I was already
possessed. Among other things, this: I had been nervous; drank too much
strong green tea, and slept ill at night,--in fact, for two nights I
could not be properly said to sleep at all. Now, my stateroom opened
into the main cabin or dining-room, as did those of all the single men
on board. Wyatt's three rooms were in the after-cabin, which was
separated from the main one by a slight sliding door, never locked even
at night. As we were almost constantly on a wind, and the breeze was not
a little stiff, the ship heeled to leeward very considerably; and
whenever her starboard side was to leeward the sliding door between the
cabins slid open and so remained, nobody taking the trouble to get up
and shut it. But my berth was in such a position that when my own
stateroom door was open, as well as the sliding door in question (and my
own door was always open on account of the heat), I could see into the
after-cabin quite distinctly, and just at that portion of it, too, where
were situated the staterooms of Mr. Wyatt. Well, during two nights (not
consecutive), while I lay awake, I clearly saw Mrs. W., about eleven
o'clock upon each night, steal cautiously from the stateroom of Mr. W.
and enter the extra room, where she remained until daybreak, when she
was called by her husband and went back. That they were virtually
separated was clear. They had separate apartments, no doubt in
contemplation of a more permanent divorce; and here, after all, I
thought, was the mystery of the extra stateroom.

There was another circumstance, too, which interested me much. During
the two wakeful nights in question, and immediately after the
disappearance of Mrs. Wyatt into the extra stateroom, I was attracted by
certain singular, cautious, subdued noises in that of her husband. After
listening to them for some time with thoughtful attention, I at length
succeeded perfectly in translating their import. They were sounds
occasioned by the artist in prying open the oblong box by means of a
chisel and mallet, the latter being apparently muffled or deadened by
some soft woollen or cotton substance in which its head was enveloped.

In this manner I fancied I could distinguish the precise moment when he
fairly disengaged the lid, also that I could determine when he removed
it altogether, and when he deposited it upon the lower berth in his
room; this latter point I knew, for example, by certain slight taps
which the lid made in striking against the wooden edges of the berth as
he endeavoured to lay it down very gently, there being no room for it on
the floor. After this there was a dead stillness, and I heard nothing
more, upon either occasion, until nearly daybreak; unless, perhaps, I
may mention a low sobbing or murmuring sound, so very much suppressed as
to be nearly inaudible, if, indeed, the whole of this latter noise were
not rather produced by my own imagination. I say it seemed to resemble
sobbing or sighing, but, of course, it could not have been either. I
rather think it was a ringing in my own ears. Mr. Wyatt, no doubt,
according to custom, was merely giving the rein to one of his hobbies,
indulging in one of his fits of artistic enthusiasm. He had opened his
oblong box in order to feast his eyes on the pictorial treasure within.
There was nothing in this, however, to make him sob. I repeat,
therefore, that it must have been simply a freak of my own fancy,
distempered by good Captain Hardy's green tea. Just before dawn, on each
of the two nights of which I speak, I distinctly heard Mr. Wyatt replace
the lid upon the oblong box, and force the nails into their old places
by means of the muffled mallet. Having done this, he issued from his
stateroom, fully dressed, and proceeded to call Mrs. W. from hers.

We had been at sea seven days, and were now off Cape Hatteras, when
there came a tremendously heavy blow from the southwest. We were, in a
measure, prepared for it, however, as the weather had been holding out
threats for some time. Everything was made snug, alow and aloft; and, as
the wind steadily freshened, we lay to, at length, under spanker and
foretopsail, both double-reefed.

In this trim we rode safely enough for forty-eight hours, the ship
proving herself an excellent sea-boat in many respects, and shipping no
water of any consequence. At the end of this period, however, the gale
had freshened into a hurricane, and our after-sail split into ribbons,
bringing us so much in the trough of the water that we shipped several
prodigious seas, one immediately after the other. By this accident we
lost three men overboard with the caboose, and nearly the whole of the
larboard bulwarks. Scarcely had we recovered our senses before the
foretopsail went into shreds, when we got up a storm staysail, and with
this did pretty well for some hours, the ship heading the sea much more
steadily than before.

The gale still held on, however, and we saw no signs of its abating. The
rigging was found to be ill-fitted and greatly strained; and on the
third day of the blow, about five in the afternoon, our mizzen-mast, in
a heavy lurch to windward, went by the board. For an hour or more we
tried in vain to get rid of it, on account of the prodigious rolling of
the ship; and, before we had succeeded, the carpenter came aft and
announced four feet water in the hold. To add to our dilemma, we found
the pumps choked and nearly useless.

All was now confusion and despair, but an effort was made to lighten the
ship by throwing overboard as much of her cargo as could be reached, and
by cutting away the two masts that remained. This we at last
accomplished, but we were still unable to do anything at the pumps; and,
in the meantime, the leak gained on us very fast.

At sundown the gale had sensibly diminished in violence, and, as the sea
went down with it, we still entertained faint hopes of saving ourselves
in the boats. At eight P.M., the clouds broke away to windward, and we
had the advantage of a full moon, a piece of good fortune which served
wonderfully to cheer our drooping spirits.

After incredible labour we succeeded, at length, in getting the
long-boat over the side without material accident, and into this we
crowded the whole of the crew and most of the passengers. This party
made off immediately, and, after undergoing much suffering, finally
arrived in safety at Ocracoke Inlet, on the third day after the wreck.

Fourteen passengers, with the Captain, remained on board, resolving to
trust their fortunes to the jolly-boat at the stern. We lowered it
without difficulty, although it was only by a miracle that we prevented
it from swamping as it touched the water. It contained, when afloat, the
Captain and his wife, Mr. Wyatt and party, a Mexican officer, wife, four
children, and myself, with a negro valet.

We had no room, of course, for anything except a few positively
necessary instruments, some provisions, and the clothes upon our backs.
No one had thought of even attempting to save anything more. What must
have been the astonishment of all, then, when, having proceeded a few
fathoms from the ship, Mr. Wyatt stood up in the stern-sheets and coolly
demanded of Captain Hardy that the boat should be put back for the
purpose of taking in his oblong box!

"Sit down, Mr. Wyatt," replied the Captain, somewhat sternly; "you will
capsize us if you do not sit quite still. Our gunwale is almost in the
water now."

"The box!" vociferated Mr. Wyatt, still standing, "the box, I say!
Captain Hardy, you cannot, you will not refuse me. Its weight will be
but a trifle, it is nothing, mere nothing. By the mother who bore
you--for the love of Heaven--by your hope of salvation, I implore you to
put back for the box!"

The Captain for a moment seemed touched by the earnest appeal of the
artist, but he regained his stern composure, and merely said:

"Mr. Wyatt, you are mad. I cannot listen to you. Sit down, I say, or you
will swamp the boat. Stay! hold him, seize him! he is about to spring
overboard! There--I knew it--he is over!"

As the Captain said this, Mr. Wyatt, in fact, sprang from the boat, and,
as we were yet in the lee of the wreck, succeeded, by almost superhuman
exertion, in getting hold of a rope which hung from the forechains. In
another moment he was on board, and rushing frantically down into the
cabin.

In the meantime we had been swept astern of the ship, and being quite
out of her lee, were at the mercy of the tremendous sea which was still
running. We made a determined effort to put back, but our little boat
was like a feather in the breath of the tempest. We saw at a glance that
the doom of the unfortunate artist was sealed.

As our distance from the wreck rapidly increased, the madman (for as
such only could we regard him) was seen to emerge from the companionway,
up which, by dint of strength that appeared gigantic, he dragged,
bodily, the oblong box. While we gazed in the extremity of astonishment,
he passed rapidly several turns of a three-inch rope, first around the
box and then around his body. In another instant both body and box were
in the sea, disappearing suddenly, at once and forever.

We lingered awhile sadly upon our oars, with our eyes riveted upon the
spot. At length we pulled away. The silence remained unbroken for an
hour. Finally I hazarded a remark.

"Did you observe, Captain, how suddenly they sank? Was not that an
exceedingly singular thing? I confess that I entertained some feeble
hope of his final deliverance when I saw him lash himself to the box and
commit himself to the sea."

"They sank as a matter of course," replied the Captain, "and that like a
shot. They will soon rise again, however, but not till the salt melts."

"The salt!" I ejaculated.

"Hush!" said the Captain, pointing to the wife and sisters of the
deceased. "We must talk of these things at some more appropriate time."

       *       *       *       *       *

We suffered much and made a narrow escape; but fortune befriended us, as
well as our mates in the long-boat. We landed, in fine, more dead than
alive, after four days of intense distress, upon the beach opposite
Roanoke Island. We remained here a week, were not ill-treated by the
wreckers, and at length obtained a passage to New York.

About a month after the loss of the _Independence_, I happened to meet
Captain Hardy in Broadway. Our conversation turned, naturally, upon the
disaster, and especially upon the sad fate of poor Wyatt. I thus learned
the following particulars:

The artist had engaged passage for himself, wife, two sisters, and a
servant. His wife was indeed, as she had been represented, a most lovely
and most accomplished woman. On the morning of the fourteenth of June
(the day in which I first visited the ship), the lady suddenly sickened
and died. The young husband was frantic with grief, but circumstances
imperatively forbade the deferring his voyage to New York. It was
necessary to take to her mother the corpse of his adored wife, and, on
the other hand, the universal prejudice which would prevent his doing so
openly was well known. Nine tenths of the passengers would have
abandoned the ship rather than take passage with a dead body.

In this dilemma Captain Hardy arranged that the corpse, being first
partially embalmed and packed, with a large quantity of salt in a box of
suitable dimensions, should be conveyed on board as merchandise. Nothing
was to be said of the lady's decease; and, as it was well understood
that Mr. Wyatt had engaged passage for his wife, it became necessary
that some person should personate her during the voyage. This the
deceased lady's maid was easily prevailed on to do. The extra stateroom,
originally engaged for this girl during her mistress's life, was now
merely retained. In this stateroom the pseudo-wife slept, of course,
every night. In the daytime she performed, to the best of her ability,
the part of her mistress, whose person, it had been carefully
ascertained, was unknown to any of the passengers on board.

My own mistake arose, naturally enough, through too careless, too
inquisitive, and too impulsive a temperament. But of late it is a rare
thing that I sleep soundly at night. There is a countenance which haunts
me, turn as I will. There is an hysterical laugh which will forever ring
within my ears.




THE BIRTH-MARK

NATHANIEL HAWTHORNE


In the latter part of the last century, there lived a man of science--an
eminent proficient in every branch of natural philosophy--who, not long
before our story opens, had made experience of a spiritual affinity,
more attractive than any chemical one. He had left his laboratory to the
care of an assistant, cleared his fine countenance from the
furnace-smoke, washed the stain of acids from his fingers, and persuaded
a beautiful woman to become his wife. In those days, when the
comparatively recent discovery of electricity, and other kindred
mysteries of nature, seemed to open paths into the region of miracle, it
was not unusual for the love of science to rival the love of woman, in
its depth and absorbing energy. The higher intellect, the imagination,
the spirit, and even the heart, might all find their congenial aliment
in pursuits which, as some of their ardent votaries believed, would
ascend from one step of powerful intelligence to another, until the
philosopher should lay his hand on the secret of creative force, and
perhaps make new worlds for himself. We know not whether Aylmer
possessed this degree of faith in man's ultimate control over nature. He
had devoted himself, however, too unreservedly to scientific studies,
ever to be weaned from them by any second passion. His love for his
young wife might prove the stronger of the two; but it could only be by
intertwining itself with his love of science, and uniting the strength
of the latter to its own.

Such an union accordingly took place, and was attended with truly
remarkable consequences, and a deeply impressive moral. One day, very
soon after their marriage, Aylmer sat gazing at his wife, with a trouble
in his countenance that grew stronger, until he spoke.

"Georgiana," said he, "has it never occurred to you that the mark upon
your cheek might be removed?"

"No, indeed," said she, smiling; but perceiving the seriousness of his
manner, she blushed deeply. "To tell you the truth, it has been so often
called a charm, that I was simple enough to imagine it might be so."

"Ah, upon another face, perhaps it might," replied her husband. "But
never on yours! No, dearest Georgiana, you came so nearly perfect from
the hand of Nature, that this slightest possible defect--which we
hesitate whether to term a defect or a beauty--shocks me, as being the
visible mark of earthly imperfection."

"Shocks you, my husband!" cried Georgiana, deeply hurt; at first
reddening with momentary anger, but then bursting into tears. "Then why
did you take me from my mother's side? You cannot love what shocks you!"

To explain this conversation, it must be mentioned, that, in the centre
of Georgiana's left cheek, there was a singular mark, deeply interwoven,
as it were, with the texture and substance of her face. In the usual
state of her complexion,--a healthy, though delicate bloom,--the mark
wore a tint of deeper crimson, which imperfectly defined its shape amid
the surrounding rosiness. When she blushed, it gradually became more
indistinct, and finally vanished amid the triumphant rush of blood, that
bathed the whole cheek with its brilliant glow. But, if any shifting
emotion caused her to turn pale, there was the mark again, a crimson
stain upon the snow, in what Aylmer sometimes deemed an almost fearful
distinctness. Its shape bore not a little similarity to the human hand,
though of the smallest pigmy size. Georgiana's lovers were wont to say,
that some fairy, at her birth-hour, had laid her tiny hand upon the
infant's cheek, and left this impress there, in token of the magic
endowments that were to give her such sway over all hearts. Many a
desperate swain would have risked life for the privilege of pressing his
lips to the mysterious hand. It must not be concealed, however, that the
impression wrought by this fairy sign-manual varied exceedingly,
according to the difference of temperament in the beholders. Some
fastidious persons--but they were exclusively of her own sex--affirmed
that the Bloody Hand, as they chose to call it, quite destroyed the
effect of Georgiana's beauty, and rendered her countenance even hideous.
But it would be as reasonable to say, that one of those small blue
stains, which sometimes occur in the purest statuary marble, would
convert the Eve of Powers to a monster. Masculine observers, if the
birth-mark did not heighten their admiration, contented themselves with
wishing it away, that the world might possess one living specimen of
ideal loveliness, without the semblance of a flaw. After his
marriage--for he thought little or nothing of the matter before--Aylmer
discovered that this was the case with himself.

Had she been less beautiful--if Envy's self could have found aught else
to sneer at--he might have felt his affection heightened by the
prettiness of this mimic hand, now vaguely portrayed, now lost, now
stealing forth again, and glimmering to-and-fro with every pulse of
emotion that throbbed within her heart. But, seeing her otherwise so
perfect, he found this one defect grow more and more intolerable, with
every moment of their united lives. It was the fatal flaw of humanity,
which Nature, in one shape or another, stamps ineffaceably on all her
productions, either to imply that they are temporary and finite, or that
their perfection must be wrought by toil and pain. The Crimson Hand
expressed the ineludible gripe, in which mortality clutches the highest
and purest of earthly mould, degrading them into kindred with the
lowest, and even with the very brutes, like whom their visible frames
return to dust. In this manner, selecting it as the symbol of his wife's
liability to sin, sorrow, decay, and death, Aylmer's sombre imagination
was not long in rendering the birth-mark a frightful object, causing him
more trouble and horror than ever Georgiana's beauty, whether of soul or
sense, had given him delight.

At all the seasons which should have been their happiest, he invariably,
and without intending it--nay, in spite of a purpose to the
contrary--reverted to this one disastrous topic. Trifling as it at first
appeared, it so connected itself with innumerable trains of thought, and
modes of feeling, that it became the central point of all. With the
morning twilight, Aylmer opened his eyes upon his wife's face, and
recognized the symbol of imperfection; and when they sat together at the
evening hearth, his eyes wandered stealthily to her cheek, and beheld,
flickering with the blaze of the wood fire, the spectral Hand that wrote
mortality where he would fain have worshipped. Georgiana soon learned to
shudder at his gaze. It needed but a glance, with the peculiar
expression that his face often wore, to change the roses of her cheek
into a death-like paleness, amid which the Crimson Hand was brought
strongly out, like a bas-relief of ruby on the whitest marble.

Late, one night, when the lights were growing dim, so as hardly to
betray the stain on the poor wife's cheek, she herself, for the first
time, voluntarily took up the subject.

"Do you remember, my dear Aylmer," said she, with a feeble attempt at a
smile--"have you any recollection of a dream, last night, about this
odious Hand?"

"None!--none whatever!" replied Aylmer, starting; but then he added in a
dry, cold tone, affected for the sake of concealing the real depth of
his emotion:--"I might well dream of it; for, before I fell asleep, it
had taken a pretty firm hold of my fancy."

"And you did dream of it," continued Georgiana hastily; for she dreaded
lest a gush of tears should interrupt what she had to say--"A terrible
dream! I wonder that you can forget it. Is it possible to forget this
one expression?--'It is in her heart now--we must have it
out!'--Reflect, my husband; for by all means I would have you recall
that dream."

The mind is in a sad state, when Sleep, the all-involving, cannot
confine her spectres within the dim region of her sway, but suffers them
to break forth, affrighting this actual life with secrets that perchance
belong to a deeper one. Aylmer now remembered his dream. He had fancied
himself, with his servant Aminadab, attempting an operation for the
removal of the birth-mark. But the deeper went the knife, the deeper
sank the Hand, until at length its tiny grasp appeared to have caught
hold of Georgiana's heart; whence, however, her husband was inexorably
resolved to cut or wrench it away.

When the dream had shaped itself perfectly in his memory, Aylmer sat in
his wife's presence with a guilty feeling. Truth often finds its way to
the mind close-muffled in robes of sleep, and then speaks with
uncompromising directness of matters in regard to which we practise an
unconscious self-deception, during our waking moments. Until now, he had
not been aware of the tyrannizing influence acquired by one idea over
his mind, and of the lengths which he might find in his heart to go, for
the sake of giving himself peace.

"Aylmer," resumed Georgiana, solemnly, "I know not what may be the cost
to both of us, to rid me of this fatal birth-mark. Perhaps its removal
may cause cureless deformity. Or, it may be, the stain goes as deep as
life itself. Again, do we know that there is a possibility, on any
terms, of unclasping the firm gripe of this little Hand, which was laid
upon me before I came into the world?"

"Dearest Georgiana, I have spent much thought upon the subject," hastily
interrupted Aylmer--"I am convinced of the perfect practicability of its
removal."

"If there be the remotest possibility of it," continued Georgiana, "let
the attempt be made, at whatever risk. Danger is nothing to me; for
life--while this hateful mark makes me the object of your horror and
disgust--life is a burthen which I would fling down with joy. Either
remove this dreadful Hand, or take my wretched life! You have deep
science! All the world bears witness of it. You have achieved great
wonders! Cannot you remove this little, little mark, which I cover with
the tips of two small fingers! Is this beyond your power, for the sake
of your own peace, and to save your poor wife from madness?"

"Noblest--dearest--tenderest wife!" cried Aylmer, rapturously. "Doubt
not my power. I have already given this matter the deepest
thought--thought which might almost have enlightened me to create a
being less perfect than yourself. Georgiana, you have led me deeper than
ever into the heart of science. I feel myself fully competent to render
this dear cheek as faultless as its fellow; and then, most beloved, what
will be my triumph, when I shall have corrected what Nature left
imperfect, in her fairest work! Even Pygmalion, when his sculptured
woman assumed life, felt not greater ecstasy than mine will be."

"It is resolved, then," said Georgiana, faintly smiling,--"And, Aylmer,
spare me not, though you should find the birth-mark take refuge in my
heart at last."

Her husband tenderly kissed her cheek--her right cheek--not that which
bore the impress of the Crimson Hand.

The next day, Aylmer apprised his wife of a plan that he had formed,
whereby he might have opportunity for the intense thought and constant
watchfulness which the proposed operation would require; while
Georgiana, likewise, would enjoy the perfect repose essential to its
success. They were to seclude themselves in the extensive apartments
occupied by Aylmer as a laboratory, and where, during his toilsome
youth, he had made discoveries in the elemental powers of nature, that
had roused the admiration of all the learned societies in Europe. Seated
calmly in this laboratory, the pale philosopher had investigated the
secrets of the highest cloud-region, and of the profoundest mines; he
had satisfied himself of the causes that kindled and kept alive the
fires of the volcano; and had explained the mystery of fountains, and
how it is that they gush forth, some so bright and pure, and others with
such rich medicinal virtues, from the dark bosom of the earth. Here,
too, at an earlier period, he had studied the wonders of the human
frame, and attempted to fathom the very process by which Nature
assimilates all her precious influences from earth and air, and from the
spiritual world, to create and foster Man, her masterpiece. The latter
pursuit, however, Aylmer had long laid aside, in unwilling recognition
of the truth, against which all seekers sooner or later stumble, that
our great creative Mother, while she amuses us with apparently working
in the broadest sunshine, is yet severely careful to keep her own
secrets, and, in spite of her pretended openness, shows us nothing but
results. She permits us indeed to mar, but seldom to mend, and, like a
jealous patentee, on no account to make. Now, however, Aylmer resumed
these half-forgotten investigations; not, of course, with such hopes or
wishes as first suggested them; but because they involved much
physiological truth, and lay in the path of his proposed scheme for the
treatment of Georgiana.

As he led her over the threshold of the laboratory, Georgiana was cold
and tremulous. Aylmer looked cheerfully into her face, with intent to
reassure her, but was so startled with the intense glow of the
birth-mark upon the whiteness of her cheek, that he could not restrain a
strong convulsive shudder. His wife fainted.

"Aminadab! Aminadab!" shouted Aylmer, stamping violently on the floor.

Forthwith, there issued from an inner apartment a man of low stature,
but bulky frame, with shaggy hair hanging about his visage, which was
grimed with the vapours of the furnace. This personage had been Aylmer's
under-worker during his whole scientific career, and was admirably
fitted for that office by his great mechanical readiness, and the skill
with which, while incapable of comprehending a single principle, he
executed all the practical details of his master's experiments. With his
vast strength, his shaggy hair, his smoky aspect, and the indescribable
earthiness that encrusted him, he seemed to represent man's physical
nature; while Aylmer's slender figure, and pale, intellectual face, were
no less apt a type of the spiritual element.

"Throw open the door of the boudoir, Aminadab," said Aylmer, "and burn a
pastille."

"Yes, master," answered Aminadab, looking intently at the lifeless form
of Georgiana; and then he muttered to himself:--"If she were my wife,
I'd never part with that birth-mark."

When Georgiana recovered consciousness, she found herself breathing an
atmosphere of penetrating fragrance, the gentle potency of which had
recalled her from her death-like faintness. The scene around her looked
like enchantment. Aylmer had converted those smoky, dingy, sombre rooms,
where he had spent his brightest years in recondite pursuits, into a
series of beautiful apartments, not unfit to be the secluded abode of a
lovely woman. The walls were hung with gorgeous curtains, which imparted
the combination of grandeur and grace, that no other species of
adornment can achieve; and as they fell from the ceiling to the floor,
their rich and ponderous folds, concealing all angles and straight
lines, appeared to shut in the scene from infinite space. For aught
Georgiana knew, it might be a pavilion among the clouds. And Aylmer,
excluding the sunshine, which would have interfered with his chemical
processes, had supplied its place with perfumed lamps, emitting flames
of various hue, but all uniting in a soft, empurpled radiance. He now
knelt by his wife's side, watching her earnestly, but without alarm; for
he was confident in his science, and felt that he could draw a magic
circle round her, within which no evil might intrude.

"Where am I?--Ah, I remember!" said Georgiana, faintly; and she placed
her hand over her cheek, to hide the terrible mark from her husband's
eyes.

"Fear not, dearest!" exclaimed he. "Do not shrink from me! Believe me,
Georgiana, I even rejoice in this single imperfection, since it will be
such a rapture to remove it."

"Oh, spare me!" sadly replied his wife. "Pray do not look at it again. I
never can forget that convulsive shudder."

In order to soothe Georgiana, and, as it were, to release her mind from
the burthen of actual things, Aylmer now put in practice some of the
light and playful secrets which science had taught him among its
profounder lore. Airy figures, absolutely bodiless ideas, and forms of
unsubstantial beauty, came and danced before her, imprinting their
momentary footsteps on beams of light. Though she had some indistinct
idea of the method of these optical phenomena, still the illusion was
almost perfect enough to warrant the belief that her husband possessed
sway over the spiritual world. Then again, when she felt a wish to look
forth from her seclusion, immediately, as if her thoughts were answered,
the procession of external existence flitted across a screen. The
scenery and the figures of actual life were perfectly represented, but
with that bewitching, yet indescribable difference, which always makes a
picture, an image, or a shadow, so much more attractive than the
original. When wearied of this, Aylmer bade her cast her eyes upon a
vessel, containing a quantity of earth. She did so, with little interest
at first, but was soon startled, to perceive the germ of a plant,
shooting upward from the soil. Then came the slender stalk--the leaves
gradually unfolded themselves--and amid them was a perfect and lovely
flower.

"It is magical!" cried Georgiana, "I dare not touch it."

"Nay, pluck it," answered Aylmer, "pluck it, and inhale its brief
perfume while you may. The flower will wither in a few moments, and
leave nothing save its brown seed-vessels--but thence may be perpetuated
a race as ephemeral as itself."

But Georgiana had no sooner touched the flower than the whole plant
suffered a blight, its leaves turning coal-black, as if by the agency of
fire.

"There was too powerful a stimulus," said Aylmer thoughtfully.

To make up for this abortive experiment, he proposed to take her
portrait by a scientific process of his own invention. It was to be
effected by rays of light striking upon a polished plate of metal.
Georgiana assented--but, on looking at the result, was affrighted to
find the features of the portrait blurred and indefinable; while the
minute figure of a hand appeared where the cheek should have been.
Aylmer snatched the metallic plate, and threw it into a jar of corrosive
acid.

Soon, however, he forgot these mortifying failures. In the intervals of
study and chemical experiment, he came to her, flushed and exhausted,
but seemed invigorated by her presence, and spoke in glowing language of
the resources of his art. He gave a history of the long dynasty of the
Alchemists, who spent so many ages in quest of the universal solvent, by
which the Golden Principle might be elicited from all things vile and
base. Aylmer appeared to believe, that, by the plainest scientific
logic, it was altogether within the limits of possibility to discover
this long-sought medium; but, he added, a philosopher who should go deep
enough to acquire the power, would attain too lofty a wisdom to stoop to
the exercise of it. Not less singular were his opinions in regard to the
Elixir Vitae. He more than intimated, that it was at his option to
concoct a liquid that should prolong life for years--perhaps
interminably--but that it would produce a discord in nature, which all
the world, and chiefly the quaffer of the immortal nostrum, would find
cause to curse.

"Aylmer, are you in earnest?" asked Georgiana, looking at him with
amazement and fear; "it is terrible to possess such power, or even to
dream of possessing it!"

"Oh, do not tremble, my love!" said her husband, "I would not wrong
either you or myself, by working such inharmonious effects upon our
lives. But I would have you consider how trifling, in comparison, is the
skill requisite to remove this little Hand."

At the mention of the birth-mark, Georgiana, as usual, shrank, as if a
red-hot iron had touched her cheek.

Again Aylmer applied himself to his labours. She could hear his voice in
the distant furnace-room, giving directions to Aminadab, whose harsh,
uncouth, misshapen tones were audible in response, more like the grunt
or growl of a brute than human speech. After hours of absence, Aylmer
reappeared, and proposed that she should now examine his cabinet of
chemical products, and natural treasures of the earth. Among the former
he showed her a small vial, in which, he remarked, was contained a
gentle yet most powerful fragrance, capable of impregnating all the
breezes that blow across a kingdom. They were of inestimable value, the
contents of that little vial; and, as he said so, he threw some of the
perfume into the air, and filled the room with piercing and invigorating
delight.

"And what is this?" asked Georgiana, pointing to a small crystal globe,
containing a gold-coloured liquid. "It is so beautiful to the eye, that
I could imagine it the Elixir of Life."

"In one sense it is," replied Aylmer, "or rather the Elixir of
Immortality. It is the most precious poison that ever was concocted in
this world. By its aid, I could apportion the life-time of any mortal at
whom you might point your finger. The strength of the dose would
determine whether he were to linger out years, or drop dead in the midst
of a breath. No king, on his guarded throne, could keep his life, if I,
in my private station, should deem that the welfare of millions
justified me in depriving him of it."

"Why do you keep such a terrible drug?" inquired Georgiana in horror.

"Do not mistrust me, dearest!" said her husband, smiling; "its virtuous
potency is yet greater than its harmful one. But, see! here is a
powerful cosmetic. With a few drops of this, in a vase of water,
freckles may be washed away as easily as the hands are cleansed. A
stronger infusion would take the blood out of the cheek, and leave the
rosiest beauty a pale ghost."

"Is it with this lotion that you intend to bathe my cheek?" asked
Georgiana, anxiously.

"Oh, no!" hastily replied her husband,--"this is merely superficial.
Your case demands a remedy that shall go deeper."

In his interviews with Georgiana, Aylmer generally made minute inquiries
as to her sensations, and whether the confinement of the rooms, and the
temperature of the atmosphere, agreed with her. These questions had such
a particular drift, that Georgiana began to conjecture that she was
already subjected to certain physical influences, either breathed in
with the fragrant air, or taken with her food. She fancied,
likewise--but it might be altogether fancy--that there was a stirring up
of her system: a strange, indefinite sensation creeping through her
veins, and tingling, half-painfully, half-pleasurably, at her heart.
Still, whenever she dared to look into the mirror, there she beheld
herself, pale as a white rose, and with the crimson birth-mark stamped
upon her cheek. Not even Aylmer now hated it so much as she.

To dispel the tedium of the hours which her husband found it necessary
to devote to the processes of combination and analysis, Georgiana turned
over the volumes of his scientific library. In many dark old tomes, she
met with chapters full of romance and poetry. They were the works of the
philosophers of the middle ages, such as Albertus, Magnus, Cornelius
Agrippa, Paracelsus, and the famous friar who created the prophetic
Brazen Head. All these antique naturalists stood in advance of their
centuries, yet were imbued with some of their credulity, and therefore
were believed, and perhaps imagined themselves, to have acquired from
the investigation of nature a power above nature, and from physics a
sway over the spiritual world. Hardly less curious and imaginative were
the early volumes of the Transactions of the Royal Society, in which the
members, knowing little of the limits of natural possibility, were
continually recording wonders, or proposing methods whereby wonders
might be wrought.

But, to Georgiana, the most engrossing volume was a large folio from her
husband's own hand, in which he had recorded every experiment of his
scientific career, with its original aim, the methods adopted for its
development, and its final success or failure, with the circumstances to
which either event was attributable. The book, in truth, was both the
history and emblem of his ardent, ambitious, imaginative, yet practical
and laborious, life. He handled physical details, as if there were
nothing beyond them; yet spiritualized them all, and redeemed himself
from materialism, by his strong and eager aspiration towards the
infinite. In his grasp, the veriest clod of earth assumed a soul.
Georgiana, as she read, reverenced Aylmer, and loved him more profoundly
than ever, but with a less entire dependence on his judgment than
heretofore. Much as he had accomplished, she could not but observe that
his most splendid successes were almost invariably failures, if compared
with the ideal at which he aimed. His brightest diamonds were the merest
pebbles, and felt to be so by himself, in comparison with the
inestimable gems which lay hidden beyond his reach. The volume, rich
with achievements that had won renown for its author, was yet as
melancholy a record as ever mortal hand had penned. It was the sad
confession, and continual exemplification, of the short-comings of the
composite man--the spirit burthened with clay and working in matter; and
of the despair that assails the higher nature, at finding itself so
miserably thwarted by the earthly part. Perhaps every man of genius, in
whatever sphere, might recognize the image of his own experience in
Aylmer's journal.

So deeply did these reflections affect Georgiana, that she laid her face
upon the open volume, and burst into tears. In this situation she was
found by her husband.

"It is dangerous to read in a sorcerer's books," said he, with a smile,
though his countenance was uneasy and displeased. "Georgiana, there are
pages in that volume, which I can scarcely glance over and keep my
senses. Take heed lest it prove as detrimental to you!"

"It has made me worship you more than ever," said she.

"Ah! wait for this one success," rejoined he, "then worship me if you
will. I shall deem myself hardly unworthy of it. But, come! I have
sought you for the luxury of your voice. Sing to me, dearest!"

So she poured out the liquid music of her voice to quench the thirst of
his spirit. He then took his leave, with a boyish exuberance of gaiety,
assuring her that her seclusion would endure but a little longer, and
that the result was already certain. Scarcely had he departed, when
Georgiana felt irresistibly impelled to follow him. She had forgotten to
inform Aylmer of a symptom, which, for two or three hours past, had
begun to excite her attention. It was a sensation in the fatal
birth-mark, not painful, but which induced a restlessness throughout her
system. Hastening after her husband, she intruded, for the first time,
into the laboratory.

The first thing that struck her eyes was the furnace, that hot and
feverish worker, with the intense glow of its fire, which, by the
quantities of soot clustered above it, seemed to have been burning for
ages. There was a distilling apparatus in full operation. Around the
room were retorts, tubes, cylinders, crucibles, and other apparatus of
chemical research. An electrical machine stood ready for immediate use.
The atmosphere felt oppressively close, and was tainted with gaseous
odours, which had been tormented forth by the processes of science. The
severe and homely simplicity of the apartment, with its naked walls and
brick pavement, looked strange, accustomed as Georgiana had become to
the fantastic elegance of her boudoir. But what chiefly, indeed almost
solely, drew her attention, was the aspect of Aylmer himself.

He was pale as death, anxious, and absorbed, and hung over the furnace
as if it depended upon his utmost watchfulness whether the liquid, which
it was distilling, should be the draught of immortal happiness or
misery. How different from the sanguine and joyous mien that he had
assumed for Georgiana's encouragement!

"Carefully now, Aminadab! Carefully, thou human machine! Carefully, thou
man of clay!" muttered Aylmer, more to himself than his assistant. "Now,
if there be a thought too much or too little, it is all over!"

"Hoh! hoh!" mumbled Aminadab--"look, master, look!"

Aylmer raised his eyes hastily, and at first reddened, then grew paler
than ever, on beholding Georgiana. He rushed towards her, and seized her
arm with a grip that left the print of his fingers upon it.

"Why do you come hither? Have you no trust in your husband?" cried he
impetuously. "Would you throw the blight of that fatal birth-mark over
my labours? It is not well done. Go, prying woman, go!"

"Nay, Aylmer," said Georgiana, with the firmness of which she possessed
no stinted endowment, "it is not you that have a right to complain. You
mistrust your wife! You have concealed the anxiety with which you watch
the development of this experiment. Think not so unworthily of me, my
husband! Tell me all the risk we run; and fear not that I shall shrink,
for my share in it is far less than your own!"

"No, no, Georgiana!" said Aylmer impatiently, "it must not be."

"I submit," replied she calmly. "And, Aylmer, I shall quaff whatever
draught you bring me; but it will be on the same principle that would
induce me to take a dose of poison, if offered by your hand."

"My noble wife," said Aylmer, deeply moved, "I knew not the height and
depth of your nature, until now. Nothing shall be concealed. Know, then,
that this Crimson Hand, superficial as it seems, has clutched its grasp
into your being, with a strength of which I had no previous conception.
I have already administered agents powerful enough to do aught except to
change your entire physical system. Only one thing remains to be tried.
If that fail us, we are ruined!"

"Why did you hesitate to tell me this?" asked she.

"Because, Georgiana," said Aylmer, in a low voice, "there is danger!"

"Danger? There is but one danger--that this horrible stigma shall be
left upon my cheek!" cried Georgiana. "Remove it! remove it!--whatever
be the cost--or we shall both go mad!"

"Heaven knows, your words are too true," said Aylmer, sadly. "And now,
dearest, return to your boudoir. In a little while, all will be tested."

He conducted her back, and took leave of her with a solemn tenderness,
which spoke far more than his words how much was now at stake. After his
departure, Georgiana became wrapt in musings. She considered the
character of Aylmer, and did it completer justice than at any previous
moment. Her heart exulted, while it trembled, at his honourable love, so
pure and lofty that it would accept nothing less than perfection, nor
miserably make itself contented with an earthlier nature than he had
dreamed of. She felt how much more precious was such a sentiment, than
that meaner kind which would have borne with the imperfection for her
sake, and have been guilty of treason to holy love, by degrading its
perfect idea to the level of the actual. And, with her whole spirit, she
prayed, that, for a single moment, she might satisfy his highest and
deepest conception. Longer than one moment, she well knew, it could not
be; for his spirit was ever on the march--ever ascending--and each
instant required something that was beyond the scope of the instant
before.

The sound of her husband's footsteps aroused her. He bore a crystal
goblet, containing a liquor colourless as water, but bright enough to be
the draught of immortality. Aylmer was pale; but it seemed rather the
consequence of a highly wrought state of mind, and tension of spirit,
than of fear or doubt.

"The concoction of the draught has been perfect," said he, in answer to
Georgiana's look. "Unless all my science have deceived me, it cannot
fail."

"Save on your account, my dearest Aylmer," observed his wife, "I might
wish to put off this birth-mark of mortality by relinquishing mortality
itself, in preference to any other mode. Life is but a sad possession to
those who have attained precisely the degree of moral advancement at
which I stand. Were I weaker and blinder, it might be happiness. Were I
stronger, it might be endured hopefully. But, being what I find myself,
methinks I am of all mortals the most fit to die."

"You are fit for heaven without tasting death!" replied her husband.
"But why do we speak of dying? The draught cannot fail. Behold its
effect upon this plant!"

On the window-seat there stood a geranium, diseased with yellow
blotches, which had overspread all its leaves. Aylmer poured a small
quantity of the liquid upon the soil in which it grew. In a little time,
when the roots of the plant had taken up the moisture, the unsightly
blotches began to be extinguished in a living verdure.

"There needed no proof," said Georgiana, quietly. "Give me the goblet. I
joyfully stake all upon your word."

"Drink, then, thou lofty creature!" exclaimed Aylmer, with fervid
admiration. "There is no taint of imperfection on thy spirit. Thy
sensible frame, too, shall soon be all perfect!"

She quaffed the liquid, and returned the goblet to his hand.

"It is grateful," said she, with a placid smile. "Methinks it is like
water from a heavenly fountain; for it contains I know not what of
unobtrusive fragrance and deliciousness. It allays a feverish thirst,
that had parched me for many days. Now, dearest, let me sleep. My
earthly senses are closing over my spirit, like the leaves around the
heart of a rose, at sunset."

She spoke the last words with a gentle reluctance, as if it required
almost more energy than she could command to pronounce the faint and
lingering syllables. Scarcely had they loitered through her lips, ere
she was lost in slumber. Aylmer sat by her side, watching her aspect
with the emotions proper to a man, the whole value of whose existence
was involved in the process now to be tested. Mingled with this mood,
however, was the philosophic investigation, characteristic of the man of
science. Not the minutest symptom escaped him. A heightened flush of the
cheek--a slight irregularity of breath--a quiver of the eyelid--a hardly
perceptible tremor through the frame--such were the details which, as
the moments passed, he wrote down in his folio volume. Intense thought
had set its stamp upon every previous page of that volume; but the
thoughts of years were all concentrated upon the last.

While thus employed, he failed not to gaze often at the fatal Hand, and
not without a shudder. Yet once, by a strange and unaccountable impulse,
he pressed it with his lips. His spirit recoiled, however, in the very
act, and Georgiana, out of the midst of her deep sleep, moved uneasily
and murmured, as if in remonstrance. Again, Aylmer resumed his watch.
Nor was it without avail. The Crimson Hand, which at first had been
strongly visible upon the marble paleness of Georgiana's cheek now grew
more faintly outlined. She remained not less pale than ever; but the
birth-mark, with every breath that came and went, lost somewhat of its
former distinctness. Its presence had been awful; its departure was more
awful still. Watch the stain of the rainbow fading out of the sky; and
you will know how that mysterious symbol passed away.

"By Heaven, it is well-nigh gone!" said Aylmer to himself, in almost
irrepressible ecstasy. "I can scarcely trace it now. Success! Success!
And now it is like the faintest rose-colour. The slightest flush of
blood across her cheek would overcome it. But she is so pale!"

He drew aside the window-curtain, and suffered the light of natural day
to fall into the room, and rest upon her cheek. At the same time, he
heard a gross, hoarse chuckle, which he had long known as his servant
Aminadab's expression of delight.

"Ah, clod! Ah, earthly mass!" cried Aylmer, laughing in a sort of
frenzy. "You have served me well! Matter and Spirit--Earth and
Heaven--have both done their part in this! Laugh, thing of the senses!
You have earned the right to laugh."

These exclamations broke Georgiana's sleep. She slowly unclosed her
eyes, and gazed into the mirror, which her husband had arranged for that
purpose. A faint smile flitted over her lips, when she recognized how
barely perceptible was now that Crimson Hand, which had once blazed
forth with such disastrous brilliancy as to scare away all their
happiness. But then her eyes sought Aylmer's face, with a trouble and
anxiety that he could by no means account for.

"My poor Aylmer!" murmured she.

"Poor? Nay, richest! Happiest! Most favoured!" exclaimed he. "My
peerless bride, it is successful! You are perfect!"

"My poor Aylmer!" she repeated, with a more than human tenderness. "You
have aimed loftily!--you have done nobly! Do not repent, that, with so
high and pure a feeling, you have rejected the best the earth could
offer. Aylmer--dearest Aylmer, I am dying!"

Alas, it was too true! The fatal Hand had grappled with the mystery of
life, and was the bond by which an angelic spirit kept itself in union
with a mortal frame. As the last crimson tint of the birth-mark--that
sole token of human imperfection--faded from her cheek, the parting
breath of the now perfect woman passed into the atmosphere, and her
soul, lingering a moment near her husband, took its heavenward flight.
Then a hoarse, chuckling laugh was heard again! Thus ever does the gross
Fatality of Earth exult in its invariable triumph over the immortal
essence, which, in this dim sphere of half-development, demands the
completeness of a higher state. Yet, had Aylmer reached a profounder
wisdom, he need not thus have flung away the happiness, which would have
woven his mortal life of the self-same texture with the celestial. The
momentary circumstance was too strong for him; he failed to look beyond
the shadowy scope of Time, and living once for all in Eternity, to find
the perfect Future in the present.




A TERRIBLY STRANGE BED

WILKIE COLLINS


Shortly after my education at college was finished, I happened to be
staying at Paris with an English friend. We were both young men then,
and lived, I am afraid, rather a wild life, in the delightful city of
our sojourn. One night we were idling about the neighbourhood of the
Palais Royal, doubtful to what amusement we should next betake
ourselves. My friend proposed a visit to Frascati's; but his suggestion
was not to my taste. I knew Frascati's, as the French saying is, by
heart; had lost and won plenty of five-franc pieces there, merely for
amusement's sake, until it was amusement no longer, and was thoroughly
tired, in fact, of all the ghastly respectabilities of such a social
anomaly as a respectable gambling-house.

"For Heaven's sake," said I to my friend, "let us go somewhere where we
can see a little genuine, blackguard, poverty-stricken gaming, with no
false gingerbread glitter thrown over it at all. Let us get away from
fashionable Frascati's, to a house where they don't mind letting in a
man with a ragged coat, or a man with no coat, ragged or otherwise."

"Very well," said my friend, "we needn't go out of the Palais Royal to
find the sort of company you want. Here's the place just before us; as
blackguard a place, by all report, as you could possibly wish to see."

In another minute we arrived at the door, and entered the house.

When we got upstairs, and had left our hats and sticks with the
doorkeeper, we were admitted into the chief gambling-room. We did not
find many people assembled there. But, few as the men were who looked up
at us on our entrance, they were all types--lamentably true types--of
their respective classes.

We had come to see blackguards; but these men were something worse.
There is a comic side, more or less appreciable, in all blackguardism:
here there was nothing but tragedy--mute, weird tragedy. The quiet in
the room was horrible. The thin, haggard, long-haired young man, whose
sunken eyes fiercely watched the turning up of the cards, never spoke;
the flabby, fat-faced, pimply player, who pricked his piece of
pasteboard perseveringly, to register how often black won, and how often
red, never spoke; the dirty, wrinkled old man, with the vulture eyes and
the darned great-coat, who had lost his last sou, and still looked on
desperately after he could play no longer, never spoke. Even the voice
of the croupier sounded as if it were strangely dulled and thickened in
the atmosphere of the room. I had entered the place to laugh, but the
spectacle before me was something to weep over. I soon found it
necessary to take refuge in excitement from the depression of spirits
which was fast stealing on me. Unfortunately I sought the nearest
excitement, by going to the table and beginning to play. Still more
unfortunately, as the event will show, I won--won prodigiously; won
incredibly; won at such a rate that the regular players at the table
crowded round me; and staring at my stakes with hungry, superstitious
eyes, whispered to one another that the English stranger was going to
break the bank.

The game was Rouge et Noir. I had played at it in every city in Europe,
without, however, the care or the wish to study the Theory of
Chances--that philosopher's stone of all gamblers! And a gambler,
in the strict sense of the word, I had never been. I was heart-whole
from the corroding passion for play. My gaming was a mere idle
amusement. I never resorted to it by necessity, because I never knew
what it was to want money. I never practised it so incessantly as to
lose more than I could afford, or to gain more than I could coolly
pocket without being thrown off my balance by my good luck. In short,
I had hitherto frequented gambling-tables--just as I frequented
ball-rooms and opera-houses--because they amused me, and because I
had nothing better to do with my leisure hours.

But on this occasion it was very different--now, for the first time in
my life, I felt what the passion for play really was. My successes first
bewildered, and then, in the most literal meaning of the word,
intoxicated me. Incredible as it may appear, it is nevertheless true,
that I only lost when I attempted to estimate chances, and played
according to previous calculation. If I left everything to luck, and
staked without any care or consideration, I was sure to win--to win in
the face of every recognized probability in favour of the bank. At first
some of the men present ventured their money safely enough on my colour;
but I speedily increased my stakes to sums which they dared not risk.
One after another they left off playing, and breathlessly looked on at
my game.

Still, time after time, I staked higher and higher, and still won. The
excitement in the room rose to fever pitch. The silence was interrupted
by a deep-muttered chorus of oaths and exclamations in different
languages, every time the gold was shovelled across to my side of the
table--even the imperturbable croupier dashed his rake on the floor in a
(French) fury of astonishment at my success. But one man present
preserved his self-possession, and that man was my friend. He came to my
side, and whispering in English, begged me to leave the place, satisfied
with what I had already gained. I must do him the justice to say that he
repeated his warnings and entreaties several times, and only left me and
went away, after I had rejected his advice (I was to all intents and
purposes gambling drunk) in terms which rendered it impossible for him
to address me again that night.

Shortly after he had gone, a hoarse voice behind me cried, "Permit me,
my dear sir--permit me to restore to their proper place two napoleons
which you have dropped. Wonderful luck, sir! I pledge you my word of
honour, as an old soldier, in the course of my long experience in this
sort of thing, I never saw such luck as yours--never! Go on, sir--_Sacre
mille bombes!_ Go on boldly, and break the bank!"

I turned round and saw, nodding and smiling at me with inveterate
civility, a tall man, dressed in a frogged and braided surtout.

If I had been in my senses, I should have considered him, personally, as
being rather a suspicious specimen of an old soldier. He had goggling,
bloodshot eyes, mangy moustaches, and a broken nose. His voice betrayed
a barrack-room intonation of the worst order, and he had the dirtiest
pair of hands I ever saw--even in France. These little personal
peculiarities exercised, however, no repelling influence on me. In the
mad excitement, the reckless triumph of that moment, I was ready to
"fraternize" with anybody who encouraged me in my game. I accepted the
old soldier's offered pinch of snuff; clapped him on the back, and swore
he was the honestest fellow in the world--the most glorious relic of the
Grand Army that I had ever met with. "Go on!" cried my military friend,
snapping his fingers in ecstasy--"Go on, and win! Break the bank--_Mille
tonnerres!_ my gallant English comrade, break the bank!"

And I _did_ go on--went on at such a rate, that in another quarter of an
hour the croupier called out, "Gentlemen, the bank has discontinued for
to-night." All the notes, and all the gold in that "bank," now lay in a
heap under my hands; the whole floating capital of the gambling-house
was waiting to pour into my pockets!

"Tie up the money in your pocket-handkerchief, my worthy sir," said the
old soldier, as I wildly plunged my hands into my heap of gold. "Tie it
up, as we used to tie up a bit of dinner in the Grand Army; your
winnings are too heavy for any breeches-pockets that ever were sewed.
There! that's it--shovel them in, notes and all! _Credie!_ what luck!
Stop! another napoleon on the floor. _Ah! sacre petit polisson de
Napoleon!_ have I found thee at last? Now then, sir--two tight double
knots each way with your honourable permission, and the money's safe.
Feel it! feel it, fortunate sir! hard and round as a cannon-ball--_A
bas_ if they had only fired such cannon-balls at us at Austerlitz--_nom
d'une pipe!_ if they only had! And now, as an ancient grenadier, as an
ex-brave of the French army, what remains for me to do? I ask what?
Simply this, to entreat my valued English friend to drink a bottle of
champagne with me, and toast the goddess Fortune in foaming goblets
before we part!"

"Excellent ex-brave! Convivial ancient grenadier! Champagne by all
means! An English cheer for an old soldier! Hurrah! hurrah! Another
English cheer for the goddess Fortune! Hurrah! hurrah! hurrah!"

"Bravo! the Englishman; the amiable, gracious Englishman, in whose veins
circulates the vivacious blood of France! Another glass? _A bas!_--the
bottle is empty! Never mind! _Vive le vin!_ I, the old soldier, order
another bottle, and half a pound of _bonbons_ with it!"

"No, no, ex-brave; never--ancient grenadier! _Your_ bottle last time;
_my_ bottle this! Behold it! Toast away! The French Army! the great
Napoleon! the present company! the croupier! the honest croupier's wife
and daughters--if he has any! the ladies generally! everybody in the
world!"

By the time the second bottle of champagne was emptied, I felt as if I
had been drinking liquid fire--my brain seemed all aflame. No excess in
wine had ever had this effect on me before in my life. Was it the result
of a stimulant acting upon my system when I was in a highly excited
state? Was my stomach in a particularly disordered condition? Or was the
champagne amazingly strong?

"Ex-brave of the French Army!" cried I, in a mad state of exhilaration,
"_I_ am on fire! how are _you_? You have set me on fire! Do you hear, my
hero of Austerlitz? Let us have a third bottle of champagne to put the
flame out!"

The old soldier wagged his head, rolled his goggle-eyes, until I
expected to see them slip out of their sockets; placed his dirty
forefinger by the side of his broken nose; solemnly ejaculated "Coffee!"
and immediately ran off into an inner room.

The word pronounced by the eccentric veteran seemed to have a magical
effect on the rest of the company present. With one accord they all rose
to depart. Probably they had expected to profit by my intoxication; but
finding that my new friend was benevolently bent on preventing me from
getting dead drunk, had now abandoned all hope of thriving pleasantly on
my winnings. Whatever their motive might be, at any rate they went away
in a body. When the old soldier returned, and sat down again opposite to
me at the table, we had the room to ourselves. I could see the croupier,
in a sort of vestibule which opened out of it, eating his supper in
solitude. The silence was now deeper than ever.

A sudden change, too, had come over the "ex-brave." He assumed a
portentously solemn look; and when he spoke to me again, his speech was
ornamented by no oaths, enforced by no finger-snapping, enlivened by no
apostrophes or exclamations.

"Listen, my dear sir," said he, in mysteriously confidential
tones--"listen to an old soldier's advice. I have been to the mistress
of the house (a very charming woman, with a genius for cookery!) to
impress on her the necessity of making us some particularly strong and
good coffee. You must drink this coffee in order to get rid of your
little amiable exaltation of spirits before you think of going home--you
_must_, my good and gracious friend! With all that money to take home
to-night, it is a sacred duty to yourself to have your wits about you.
You are known to be a winner to an enormous extent by several gentlemen
present to-night, who, in a certain point of view, are very worthy and
excellent fellows; but they are mortal men, my dear sir, and they have
their amiable weaknesses! Need I say more? Ah, no, no! you understand
me! Now, this is what you must do--send for a cabriolet when you feel
quite well again--draw up all the windows when you get into it--and tell
the driver to take you home only through the large and well-lighted
thoroughfares. Do this; and you and your money will be safe. Do this;
and to-morrow you will thank an old soldier for giving you a word of
honest advice."

Just as the ex-brave ended his oration in very lachrymose tones, the
coffee came in, ready poured out in two cups. My attentive friend handed
me one of the cups with a bow. I was parched with thirst, and drank it
off at a draft. Almost instantly afterward I was seized with a fit of
giddiness, and felt more completely intoxicated than ever. The room
whirled round and round furiously; the old soldier seemed to be
regularly bobbing up and down before me like the piston of a
steam-engine. I was half deafened by a violent singing in my ears; a
feeling of utter bewilderment, helplessness, idiocy, overcame me. I rose
from my chair, holding on by the table to keep my balance; and stammered
out that I felt dreadfully unwell--so unwell that I did not know how I
was to get home.

"My dear friend," answered the old soldier--and even his voice seemed to
be bobbing up and down as he spoke--"my dear friend, it would be madness
to go home in _your_ state; you would be sure to lose your money; you
might be robbed and murdered with the greatest ease. _I_ am going to
sleep here: _do_ you sleep here, too--they make up capital beds in this
house--take one; sleep off the effects of the wine, and go home safely
with your winnings to-morrow--to-morrow, in broad daylight."

I had but two ideas left: one, that I must never let go hold of my
handkerchief full of money; the other, that I must lie down somewhere
immediately, and fall off into a comfortable sleep. So I agreed to the
proposal about the bed, and took the offered arm of the old soldier,
carrying my money with my disengaged hand. Preceded by the croupier, we
passed along some passages and up a flight of stairs into the bedroom
which I was to occupy. The ex-brave shook me warmly by the hand,
proposed that we should breakfast together, and then, followed by the
croupier, left me for the night.

I ran to the wash-hand stand; drank some of the water in my jug; poured
the rest out, and plunged my face into it; then sat down in a chair and
tried to compose myself. I soon felt better. The change for my lungs,
from the fetid atmosphere of the gambling-room to the cool air of the
apartment I now occupied, the almost equally refreshing change for my
eyes, from the glaring gaslights of the "salon" to the dim, quiet
flicker of one bedroom-candle, aided wonderfully the restorative effects
of cold water. The giddiness left me, and I began to feel a little like
a reasonable being again. My first thought was of the risk of sleeping
all night in a gambling-house; my second, of the still greater risk of
trying to get out after the house was closed, and of going home alone at
night through the streets of Paris with a large sum of money about me. I
had slept in worse places than this on my travels; so I determined to
lock, bolt, and barricade my door, and take my chance till the next
morning.

Accordingly, I secured myself against all intrusion; looked under the
bed, and into the cupboard; tried the fastening of the window; and then,
satisfied that I had taken every proper precaution, pulled off my upper
clothing, put my light, which was a dim one, on the hearth among a
feathery litter of wood-ashes, and got into bed, with the handkerchief
full of money under my pillow.

I soon felt not only that I could not go to sleep, but that I could not
even close my eyes. I was wide awake, and in a high fever. Every nerve
in my body trembled--every one of my senses seemed to be preternaturally
sharpened. I tossed and rolled, and tried every kind of position, and
perseveringly sought out the cold corners of the bed, and all to no
purpose. Now I thrust my arms over the clothes; now I poked them under
the clothes; now I violently shot my legs straight out down to the
bottom of the bed; now I convulsively coiled them up as near my chin as
they would go; now I shook out my crumpled pillow, changed it to the
cool side, patted it flat, and lay down quietly on my back; now I
fiercely doubled it in two, set it up on end, thrust it against the
board of the bed, and tried a sitting posture. Every effort was in vain;
I groaned with vexation as I felt that I was in for a sleepless night.

What could I do? I had no book to read. And yet, unless I found out some
method of diverting my mind, I felt certain that I was in the condition
to imagine all sorts of horrors; to rack my brain with forebodings of
every possible and impossible danger; in short, to pass the night in
suffering all conceivable varieties of nervous terror.

I raised myself on my elbow, and looked about the room--which was
brightened by a lovely moonlight pouring straight through the window--to
see if it contained any pictures or ornaments that I could at all
clearly distinguish. While my eyes wandered from wall to wall, a
remembrance of Le Maistre's delightful little book, "Voyage autour de ma
Chambre," occurred to me. I resolved to imitate the French author, and
find occupation and amusement enough to relieve the tedium of my
wakefulness, by making a mental inventory of every article of furniture
I could see, and by following up to their sources the multitude of
associations which even a chair, a table, or a wash-hand stand may be
made to call forth.

In the nervous, unsettled state of my mind at that moment, I found it
much easier to make my inventory than to make my reflections, and
thereupon soon gave up all hope of thinking in Le Maistre's fanciful
track--or, indeed, of thinking at all. I looked about the room at the
different articles of furniture, and did nothing more.

There was, first, the bed I was lying in; a four-post bed, of all things
in the world to meet with in Paris--yes, a thorough clumsy British
four-poster, with a regular top lined with chintz--the regular fringed
valance all round--the regular stifling, unwholesome curtains, which I
remembered having mechanically drawn back against the posts without
particularly noticing the bed when I first got into the room. Then there
was the marble-topped wash-hand stand, from which the water I had
spilled, in my hurry to pour it out, was still dripping, slowly and more
slowly, on to the brick floor. Then two small chairs, with my coat,
waistcoat, and trousers flung on them. Then a large elbow-chair covered
with dirty white dimity, with my cravat and shirt collar thrown over the
back. Then a chest of drawers with two of the brass handles off, and a
tawdry, broken china inkstand placed on it by way of ornament for the
top. Then the dressing-table, adorned by a very small looking-glass, and
a very large pincushion. Then the window--an unusually large window.
Then a dark old picture, which the feeble candle dimly showed me. It was
the picture of a fellow in a high Spanish hat, crowned with a plume of
towering feathers. A swarthy, sinister ruffian, looking upward, shading
his eyes with his hand, and looking intently upward--it might be at some
tall gallows on which he was going to be hanged. At any rate, he had the
appearance of thoroughly deserving it.

This picture put a kind of constraint upon me to look upward too--at the
top of the bed. It was a gloomy and not an interesting object, and I
looked back at the picture. I counted the feathers in the man's
hat--they stood out in relief--three white, two green. I observed the
crown of his hat, which was of a conical shape, according to the fashion
supposed to have been favoured by Guido Fawkes. I wondered what he was
looking up at. It couldn't be at the stars; such a desperado was neither
astrologer nor astronomer. It must be at the high gallows, and he was
going to be hanged presently. Would the executioner come into possession
of his conical crowned hat and plume of feathers? I counted the feathers
again--three white, two green.

While I still lingered over this very improving and intellectual
employment, my thoughts insensibly began to wander. The moonlight
shining into the room reminded me of a certain moonlight night in
England--the night after a picnic party in a Welsh valley. Every
incident of the drive homeward through lovely scenery, which the
moonlight made lovelier than ever, came back to my remembrance, though I
had never given the picnic a thought for years; though, if I had _tried_
to recollect it, I could certainly have recalled little or nothing of
that scene long past. Of all the wonderful faculties that help to tell
us we are immortal, which speaks the sublime truth more eloquently than
memory? Here was I, in a strange house of the most suspicious character,
in a situation of uncertainty, and even of peril, which might seem to
make the cool exercise of my recollection almost out of the question;
nevertheless, remembering, quite involuntarily, places, people,
conversations, minute circumstances of every kind, which I had thought
forgotten forever; which I could not possibly have recalled at will,
even under the most favourable auspices. And what cause had produced in
a moment the whole of this strange, complicated, mysterious effect?
Nothing but some rays of moonlight shining in at my bedroom window.

I was still thinking of the picnic--of our merriment on the drive
home--of the sentimental young lady who _would_ quote "Childe Harold"
because it was moonlight. I was absorbed by these past scenes and past
amusements, when, in an instant, the thread on which my memories hung
snapped asunder; my attention immediately came back to present things
more vividly than ever, and I found myself, I neither knew why nor
wherefore, looking hard at the picture again.

Looking for what?

Good God! the man had pulled his hat down on his brows! No! the hat
itself was gone! Where was the conical crown? Where the feathers--three
white, two green? Not there! In place of the hat and feathers, what
dusky object was it that now hid his forehead, his eyes, his shading
hand?

Was the bed moving?

I turned on my back and looked up. Was I mad? drunk? dreaming? giddy
again? or was the top of the bed really moving down--sinking slowly,
regularly, silently, horribly, right down throughout the whole of its
length and breadth--right down upon me, as I lay underneath?

My blood seemed to stand still. A deadly, paralyzing coldness stole all
over me as I turned my head round on the pillow and determined to test
whether the bed-top was really moving or not, by keeping my eye on the
man in the picture.

The next look in that direction was enough. The dull, black, frowzy
outline of the valance above me was within an inch of being parallel
with his waist. I still looked breathlessly. And steadily and
slowly--very slowly--I saw the figure, and the line of frame below the
figure, vanish, as the valance moved down before it.

I am, constitutionally, anything but timid. I have been on more than one
occasion in peril of my life, and have not lost my self-possession for
an instant; but when the conviction first settled on my mind that the
bed-top was really moving, was steadily and continuously sinking down
upon me, I looked up shuddering, helpless, panic-stricken, beneath the
hideous machinery for murder, which was advancing closer and closer to
suffocate me where I lay.

I looked up, motionless, speechless, breathless. The candle, fully
spent, went out; but the moonlight still brightened the room. Down and
down, without pausing and without sounding, came the bed-top, and still
my panic terror seemed to bind me faster and faster to the mattress on
which I lay--down and down it sank, till the dusty odour from the lining
of the canopy came stealing into my nostrils.

At that final moment the instinct of self-preservation startled me out
of my trance, and I moved at last. There was just room for me to roll
myself sidewise off the bed. As I dropped noiselessly to the floor, the
edge of the murderous canopy touched me on the shoulder.

Without stopping to draw my breath, without wiping the cold sweat from
my face, I rose instantly on my knees to watch the bed-top. I was
literally spellbound by it. If I had heard footsteps behind me, I could
not have turned round; if a means of escape had been miraculously
provided for me, I could not have moved to take advantage of it. The
whole life in me was, at that moment, concentrated in my eyes.

It descended--the whole canopy, with the fringe round it, came
down--down--close down; so close that there was not room now to squeeze
my finger between the bed-top and the bed. I felt at the side, and
discovered that what had appeared to me from beneath to be the ordinary
light canopy of a four-post bed was in reality a thick, broad mattress,
the substance of which was concealed by the valance and its fringe. I
looked up and saw the four posts rising hideously bare. In the middle of
the bed-top was a huge wooden screw that had evidently worked it down
through a hole in the ceiling, just as ordinary presses are worked down
on the substance selected for compression. The frightful apparatus moved
without making the faintest noise. There had been no creaking as it came
down; there was now not the faintest sound from the room above. Amidst a
dead and awful silence I beheld before me--in the nineteenth century,
and in the civilized capital of France--such a machine for secret murder
by suffocation as might have existed in the worst days of the
Inquisition, in the lonely inns among the Hartz Mountains, in the
mysterious tribunals of Westphalia! Still, as I looked on it, I could
not move, I could hardly breathe, but I began to recover the power of
thinking, and in a moment I discovered the murderous conspiracy framed
against me in all its horror.

My cup of coffee had been drugged, and drugged too strongly. I had been
saved from being smothered by having taken an overdose of some narcotic.
How I had chafed and fretted at the fever fit which had preserved my
life by keeping me awake! How recklessly I had confided myself to the
two wretches who had led me into this room, determined, for the sake of
my winnings, to kill me in my sleep by the surest and most horrible
contrivance for secretly accomplishing my destruction! How many men,
winners like me, had slept, as I had proposed to sleep, in that bed, and
had never been seen or heard of more! I shuddered at the bare idea of
it.

But ere long all thought was again suspended by the sight of the
murderous canopy moving once more. After it had remained on the bed--as
nearly as I could guess--about ten minutes, it began to move up again.
The villains who worked it from above evidently believed that their
purpose was now accomplished. Slowly and silently, as it had descended,
that horrible bed-top rose toward its former place. When it reached the
upper extremities of the four posts, it reached the ceiling too. Neither
hole nor screw could be seen; the bed became in appearance an ordinary
bed again--the canopy an ordinary canopy--even to the most suspicious
eyes.

Now, for the first time, I was able to move--to rise from my knees--to
dress myself in my upper clothing--and to consider of how I should
escape. If I betrayed by the smallest noise that the attempt to
suffocate me had failed, I was certain to be murdered. Had I made any
noise already? I listened intently, looking toward the door.

No! no footsteps in the passage outside--no sound of a tread, light or
heavy, in the room above--absolute silence everywhere. Besides locking
and bolting my door, I had moved an old wooden chest against it, which I
had found under the bed. To remove this chest (my blood ran cold as I
thought of what its contents _might_ be!) without making some
disturbance was impossible; and, moreover, to think of escaping through
the house, now barred up for the night, was sheer insanity. Only one
chance was left me--the window. I stole to it on tiptoe.

My bedroom was on the first floor, above an entresol, and looked into
the back street. I raised my hand to open the window, knowing that on
that action hung, by the merest hair-breadth, my chance of safety. They
keep vigilant watch in a House of Murder. If any part of the frame
cracked, if the hinge creaked, I was a lost man! It must have occupied
me at least five minutes, reckoning by time--five _hours_ reckoning by
suspense--to open that window. I succeeded in doing it silently--in
doing it with all the dexterity of a house-breaker--and then looked down
into the street. To leap the distance beneath me would be almost certain
destruction! Next, I looked round at the sides of the house. Down the
left side ran a thick water-pipe--it passed close by the outer edge of
the window. The moment I saw the pipe, I knew I was saved. My breath
came and went freely for the first time since I had seen the canopy of
the bed moving down upon me!

To some men the means of escape which I had discovered might have seemed
difficult and dangerous enough--to _me_ the prospect of slipping down
the pipe into the street did not suggest even a thought of peril. I had
always been accustomed, by the practise of gymnastics, to keep up my
schoolboy powers as a daring and expert climber; and knew that my head,
hands, and feet would serve me faithfully in any hazards of ascent or
descent. I had already got one leg over the window-sill, when I
remembered the handkerchief filled with money under my pillow. I could
well have afforded to leave it behind me, but I was revengefully
determined that the miscreants of the gambling-house should miss their
plunder as well as their victim. So I went back to the bed and tied the
heavy handkerchief at my back by my cravat.

Just as I had made it tight and fixed it in a comfortable place, I
thought I heard a sound of breathing outside the door. The chill feeling
of horror ran through me again as I listened. No! dead silence still in
the passage--I had only heard the night air blowing softly into the
room. The next moment I was on the window-sill--and the next I had a
firm grip on the water-pipe with my hands and knees.

I slid down into the street easily and quietly, as I thought I should,
and immediately set off at the top of my speed to a branch "Prefecture"
of Police, which I knew was situated in the immediate neighbourhood. A
"Sub-prefect," and several picked men among his subordinates, happened
to be up, maturing, I believe, some scheme for discovering the
perpetrator of a mysterious murder which all Paris was talking of just
then. When I began my story, in a breathless hurry and in very bad
French, I could see that the Sub-prefect suspected me of being a drunken
Englishman who had robbed somebody; but he soon altered his opinion as I
went on, and before I had anything like concluded, he shoved all the
papers before him into a drawer, put on his hat, supplied me with
another (for I was bareheaded), ordered a file of soldiers, desired his
expert followers to get ready all sorts of tools for breaking open doors
and ripping up brick flooring, and took my arm, in the most friendly and
familiar manner possible, to lead me with him out of the house. I will
venture to say that when the Sub-prefect was a little boy, and was taken
for the first time to the play, he was not half as much pleased as he
was now at the job in prospect for him at the gambling-house!

Away we went through the streets, the Sub-prefect cross-examining and
congratulating me in the same breath as we marched at the head of our
formidable _posse comitatus_. Sentinels were placed at the back and
front of the house the moment we got to it, a tremendous battery of
knocks was directed against the door; a light appeared at a window; I
was told to conceal myself behind the police--then came more knocks, and
a cry of "Open in the name of the law!" At that terrible summons bolts
and locks gave way before an invisible hand, and the moment after the
Sub-prefect was in the passage, confronting a waiter half dressed and
ghastly pale. This was the short dialogue which immediately took place:

"We want to see the Englishman who is sleeping in this house."

"He went away hours ago."

"He did no such thing. His friend went away; _he_ remained. Show us to
his bedroom!"

"I swear to you, Monsieur le Sous-prefect, he is not here! he--"

"I swear to you, Monsieur le Garcon, he is. He slept here--he didn't
find your bed comfortable--he came to us to complain of it--here he is
among my men--and here am I ready to look for a flea or two in his
bedstead. Renaudin! (calling to one of the subordinates, and pointing to
the waiter), collar that man, and tie his hands behind him. Now, then,
gentlemen, let us walk upstairs!"

Every man and woman in the house was secured--the "Old Soldier" the
first. Then I identified the bed in which I had slept, and then we went
into the room above.

No object that was at all extraordinary appeared in any part of it. The
Sub-prefect looked round the place, commanded everybody to be silent,
stamped twice on the floor, called for a candle, looked attentively at
the spot he had stamped on, and ordered the flooring there to be
carefully taken up. This was done in no time. Lights were produced, and
we saw a deep raftered cavity between the floor of this room and the
ceiling of the room beneath. Through this cavity there ran
perpendicularly a sort of case of iron thickly greased; and inside the
case appeared the screw, which communicated with the bed-top below.
Extra lengths of screw, freshly oiled; levers covered with felt; all the
complete upper works of a heavy press--constructed with infernal
ingenuity so as to join the fixtures below, and when taken to pieces
again to go into the smallest possible compass--were next discovered and
pulled out on the floor. After some little difficulty the Sub-prefect
succeeded in putting the machinery together, and, leaving his men to
work it, descended with me to the bedroom. The smothering canopy was
then lowered, but not so noiselessly as I had seen it lowered. When I
mentioned this to the Sub-prefect, his answer, simple as it was, had a
terrible significance. "My men," said he, "are working down the bed-top
for the first time--the men whose money you won were in better
practise."

We left the house in the sole possession of two police agents--every one
of the inmates being removed to prison on the spot. The Sub-prefect,
after taking down my "proces verbal" in his office, returned with me to
my hotel to get my passport. "Do you think," I asked, as I gave it to
him, "that any men have really been smothered in that bed, as they tried
to smother _me_?"

"I have seen dozens of drowned men laid out at the Morgue," answered the
Sub-prefect, "in whose pocketbooks were found letters stating that they
had committed suicide in the Seine, because they had lost everything at
the gaming-table. Do I know how many of those men entered the same
gambling-house that _you_ entered? won as _you_ won? took that bed as
_you_ took it? slept in it? were smothered in it? and were privately
thrown into the river, with a letter of explanation written by the
murderers and placed in their pocketbooks? No man can say how many or
how few have suffered the fate from which you have escaped. The people
of the gambling house kept their bedstead machinery a secret from
us--even from the police! The dead kept the rest of the secret for them.
Good-night, or rather good-morning, Monsieur Faulkner! Be at my office
again at nine o'clock--in the meantime, au revoir!"

The rest of my story is soon told. I was examined and reexamined; the
gambling-house was strictly searched all through from top to bottom; the
prisoners were separately interrogated; and two of the less guilty among
them made a confession. I discovered that the Old Soldier was the master
of the gambling-house--_justice_ discovered that he had been drummed out
of the army as a vagabond years ago; that he had been guilty of all
sorts of villainies since; that he was in possession of stolen property,
which the owners identified; and that he, the croupier, another
accomplice, and the woman who had made my cup of coffee, were all in the
secret of the bedstead. There appeared some reason to doubt whether the
inferior persons attached to the house knew anything of the suffocating
machinery; and they received the benefit of that doubt, by being treated
simply as thieves and vagabonds. As for the Old Soldier and his two head
myrmidons, they went to the galleys; the woman who had drugged my coffee
was imprisoned for I forget how many years; the regular attendants at
the gambling-house were considered "suspicious," and placed under
"surveillance"; and I became, for one whole week (which is a long time),
the head "lion" in Parisian society. My adventure was dramatized by
three illustrious play-makers, but never saw theatrical daylight; for
the censorship forbade the introduction on the stage of a correct copy
of the gambling-house bedstead.

One good result was produced by my adventure, which any censorship must
have approved: it cured me of ever again trying "Rouge et Noir" as an
amusement. The sight of a green cloth, with packs of cards and heaps of
money on it, will henceforth be forever associated in my mind with the
sight of a bed canopy descending to suffocate me in the silence and
darkness of the night.




THE TORTURE BY HOPE

VILLIERS DE L'ISLE ADAM


Many years ago, as evening was closing in, the venerable Pedro Arbuez
d'Espila, sixth prior of the Dominicans of Segovia, and third Grand
Inquisitor of Spain, followed by a _fra redemptor_, and preceded by two
familiars of the Holy Office, the latter carrying lanterns, made their
way to a subterranean dungeon. The bolt of a massive door creaked, and
they entered a mephitic _in-pace_, where the dim light revealed between
rings fastened to the wall a blood-stained rack, a brazier, and a jug.
On a pile of straw, loaded with fetters and his neck encircled by an
iron carcan, sat a haggard man, of uncertain age, clothed in rags.

This prisoner was no other than Rabbi Aser Abarbanel, a Jew of Arragon,
who--accused of usury and pitiless scorn for the poor--had been daily
subjected to torture for more than a year. Yet "his blindness was as
dense as his hide," and he had refused to abjure his faith.

Proud of a filiation dating back thousands of years, proud of his
ancestors--for all Jews worthy of the name are vain of their blood--he
descended Talmudically from Othoniel and consequently from Ipsiboa, the
wife of the last judge of Israel, a circumstance which had sustained his
courage amid incessant torture. With tears in his eyes at the thought of
this resolute soul rejecting salvation, the venerable Pedro Arbuez
d'Espila, approaching the shuddering rabbi, addressed him as follows:

"My son, rejoice: your trials here below are about to end. If in the
presence of such obstinacy I was forced to permit, with deep regret, the
use of great severity, my task of fraternal correction has its limits.
You are the fig tree which, having failed so many times to bear fruit,
at last withered, but God alone can judge your soul. Perhaps Infinite
Mercy will shine upon you at the last moment! We must hope so. There are
examples. So sleep in peace to-night. To-morrow you will be included in
the _auto da fe_: that is, you will be exposed to the _quema-dero_, the
symbolical flames of the Everlasting Fire: It burns, as you know, only
at a distance, my son; and Death is at least two hours (often three) in
coming, on account of the wet, iced bandages, with which we protect the
heads and hearts of the condemned. There will be forty-three of you.
Placed in the last row, you will have time to invoke God and offer to
Him this baptism of fire, which is of the Holy Spirit. Hope in the
Light, and rest."

With these words, having signed to his companions to unchain the
prisoner, the prior tenderly embraced him. Then came the turn of the
_fra redemptor_, who, in a low tone, entreated the Jew's forgiveness for
what he had made him suffer for the purpose of redeeming him; then the
two familiars silently kissed him. This ceremony over, the captive was
left, solitary and bewildered, in the darkness.

       *       *       *       *       *

Rabbi Aser Abarbanel, with parched lips and visage worn by suffering, at
first gazed at the closed door with vacant eyes. Closed? The word
unconsciously roused a vague fancy in his mind, the fancy that he had
seen for an instant the light of the lanterns through a chink between
the door and the wall. A morbid idea of hope, due to the weakness of his
brain, stirred his whole being. He dragged himself toward the strange
_appearance_. Then, very gently and cautiously, slipping one finger into
the crevice, he drew the door toward him. Marvellous! By an
extraordinary accident the familiar who closed it had turned the huge
key an instant before it struck the stone casing, so that the rusty bolt
not having entered the hole, the door again rolled on its hinges.

The rabbi ventured to glance outside. By the aid of a sort of luminous
dusk he distinguished at first a semicircle of walls indented by winding
stairs; and opposite to him, at the top of five or six stone steps, a
sort of black portal, opening into an immense corridor, whose first
arches only were visible from below.

Stretching himself flat he crept to the threshold. Yes, it was really a
corridor, but endless in length. A wan light illumined it: lamps
suspended from the vaulted ceiling lightened at intervals the dull hue
of the atmosphere--the distance was veiled in shadow. Not a single door
appeared in the whole extent! Only on one side, the left, heavily grated
loopholes sunk in the walls, admitted a light which must be that of
evening, for crimson bars at intervals rested on the flags of the
pavement. What a terrible silence! Yet, yonder, at the far end of that
passage there might be a doorway of escape! The Jew's vacillating hope
was tenacious, for it was _the last_.

Without hesitating, he ventured on the flags, keeping close under the
loopholes, trying to make himself part of the blackness of the long
walls. He advanced slowly, dragging himself along on his breast, forcing
back the cry of pain when some raw wound sent a keen pang through his
whole body.

Suddenly the sound of a sandaled foot approaching reached his ears. He
trembled violently, fear stifled him, his sight grew dim. Well, it was
over, no doubt. He pressed himself into a niche and half lifeless with
terror, waited.

It was a familiar hurrying along. He passed swiftly by, holding in his
clenched hand an instrument of torture--a frightful figure--and
vanished. The suspense which the rabbi had endured seemed to have
suspended the functions of life, and he lay nearly an hour unable to
move. Fearing an increase of tortures if he were captured, he thought of
returning to his dungeon. But the old hope whispered in his soul that
divine _perhaps_, which comforts us in our sorest trials. A miracle had
happened. He could doubt no longer. He began to crawl toward the chance
of escape. Exhausted by suffering and hunger, trembling with pain, he
pressed onward. The sepulchral corridor seemed to lengthen mysteriously,
while he, still advancing, gazed into the gloom where there _must_ be
some avenue of escape.

Oh! oh! He again heard footsteps, but this time they were slower, more
heavy. The white and black forms of two inquisitors appeared, emerging
from the obscurity beyond. They were conversing in low tones, and seemed
to be discussing some important subject, for they were gesticulating
vehemently.

At this spectacle Rabbi Aser Abarbanel closed his eyes: his heart beat
so violently that it almost suffocated him; his rags were damp with the
cold sweat of agony; he lay motionless by the wall, his mouth wide open,
under the rays of a lamp, praying to the God of David.

Just opposite to him the two inquisitors paused under the light of the
lamp--doubtless owing to some accident due to the course of their
argument. One, while listening to his companion, gazed at the rabbi!
And, beneath the look--whose absence of expression the hapless man did
not at first notice--he fancied he again felt the burning pincers scorch
his flesh, he was to be once more a living wound. Fainting, breathless,
with fluttering eyelids, he shivered at the touch of the monk's floating
robe. But--strange yet natural fact--the inquisitor's gaze was evidently
that of a man deeply absorbed in his intended reply, engrossed by what
he was hearing; his eyes were fixed--and seemed to look at the Jew
_without seeing him_.

In fact, after the lapse of a few minutes, the two gloomy figures slowly
pursued their way, still conversing in low tones, toward the place
whence the prisoner had come; HE HAD NOT BEEN SEEN! Amid the horrible
confusion of the rabbi's thoughts, the idea darted through his brain:
"Can I be already dead that they did not see me?" A hideous impression
roused him from his lethargy: in looking at the wall against which his
face was pressed, he imagined he beheld two fierce eyes watching him! He
flung his head back in a sudden frenzy of fright, his hair fairly
bristling! Yet, no! No. His hand groped over the stones: it was the
_reflection_ of the inquisitor's eyes, still retained in his own, which
had been refracted from two spots on the wall.

Forward! He must hasten toward that goal which he fancied (absurdly, no
doubt) to be deliverance, toward the darkness from which he was now
barely thirty paces distant. He pressed forward faster on his knees, his
hands, at full length, dragging himself painfully along, and soon
entered the dark portion of this terrible corridor.

Suddenly the poor wretch felt a gust of cold air on the hands resting
upon the flags; it came from under the little door to which the two
walls led.

Oh, Heaven, if that door should open outward. Every nerve in the
miserable fugitive's body thrilled with hope. He examined it from top to
bottom, though scarcely able to distinguish its outlines in the
surrounding darkness. He passed his hand over it: no bolt, no lock! A
latch! He started up, the latch yielded to the pressure of his thumb:
the door silently swung open before him.

       *       *       *       *       *

"Halleluia!" murmured the rabbi in a transport of gratitude as, standing
on the threshold, he beheld the scene before him.

The door had opened into the gardens, above which arched a starlit sky,
into spring, liberty, life! It revealed the neighbouring fields,
stretching toward the sierras, whose sinuous blue lines were relieved
against the horizon. Yonder lay freedom! O, to escape! He would journey
all night through the lemon groves, whose fragrance reached him. Once in
the mountains and he was safe! He inhaled the delicious air; the breeze
revived him, his lungs expanded! He felt in his swelling heart the _Veni
foras_ of Lazarus! And to thank once more the God who had bestowed this
mercy upon him, he extended his arms, raising his eyes toward Heaven. It
was an ecstasy of joy!

Then he fancied he saw the shadow of his arms approach him--fancied that
he felt these shadowy arms inclose, embrace him--and that he was pressed
tenderly to some one's breast. A tall figure actually did stand directly
before him. He lowered his eyes--and remained motionless, gasping for
breath, dazed, with fixed eyes, fairly drivelling with terror.

Horror! He was in the clasp of the Grand Inquisitor himself, the
venerable Pedro Arbuez d'Espila who gazed at him with tearful eyes, like
a good shepherd who had found his stray lamb.

The dark-robed priest pressed the hapless Jew to his heart with so
fervent an outburst of love, that the edges of the monochal haircloth
rubbed the Dominican's breast. And while Aser Abarbanel with protruding
eyes gasped in agony in the ascetic's embrace, vaguely comprehending
that all the phases of this fatal evening were only a prearranged
torture, that of HOPE, the Grand Inquisitor, with an accent of touching
reproach and a look of consternation, murmured in his ear, his breath
parched and burning from long fasting:

"What, my son! On the eve, perchance, of salvation--you wished to leave
us?"




THE BOX WITH THE IRON CLAMPS

FLORENCE MARRYAT




I


Molton Chase is a charming, old-fashioned country house, which has been
in the possession of the Clayton family for centuries past; and as Harry
Clayton, its present owner, has plenty of money, and (having tasted the
pleasures of matrimony for only five years) has no knowledge (as yet) of
the delights of college and school bills coming in at Christmas-time, it
is his will to fill the Chase at that season with guests, to each of
whom he extends a welcome, as hearty as it is sincere.

"Bella! are you not going to join the riding-party this afternoon?" he
said across the luncheon-table to his wife, one day in a December not
long ago.

"Bella" was a dimpled little woman, whose artless expression of
countenance would well bear comparison with the honest, genial face
opposite to her, and who replied at once--

"No! not this afternoon, Harry, dear. You know the Damers may come at
any time between this and seven o'clock, and I should not like to be out
when they arrive."

"And may I ask Mrs. Clayton who _are_ the Damers," inquired a friend of
her husband, who, on account of being handsome, considered himself
licensed to be pert--"that their advent should be the cause of our
losing the pleasure of your company this afternoon?"

But the last thing Bella Clayton ever did was to take offence.

"The Damers are my cousins, Captain Moss," she replied; "at least
Blanche Damer is."

At this juncture a dark-eyed man who was sitting at the other end of the
table dropped the flirting converse he had been maintaining with a
younger sister of Mrs. Clayton's, and appeared to become interested in
what his hostess was saying.

"Colonel Damer," he continued, "has been in India for the last twelve
years, and only returned to England a month ago; therefore it would seem
unkind on the first visit he has paid to his relatives that there should
be no one at home to welcome him."

"Has Mrs. Damer been abroad for as long a time?" resumed her questioner,
a vision arising on his mental faculties of a lemon-coloured woman with
shoes down at heel.

"Oh dear no!" replied his hostess. "Blanche came to England about five
years ago, but her health has been too delicate to rejoin her husband in
India since. Have we all finished, Harry, dear?"--and in another minute
the luncheon-table was cleared.

As Mrs. Clayton crossed the hall soon afterwards to visit her nursery,
the same dark-eyed man who had regarded her fixedly when she mentioned
the name of Blanche Damer followed and accosted her.

"Is it long since you have seen your cousin Mrs. Damer, Mrs. Clayton?"

"I saw her about three years ago, Mr. Laurence; but she had a severe
illness soon after that, and has been living on the Continent ever
since. Why do you ask?"

"For no especial reason," he answered smiling. "Perhaps I am a little
jealous lest this new-comer to whose arrival you look forward with so
much interest should usurp more of your time and attention than we
less-favoured ones can spare."

He spoke with a degree of sarcasm, real or feigned, which Mrs. Clayton
immediately resented.

"I am not aware that I have been in the habit of neglecting my guests,
Mr. Laurence," she replied; "but my cousin Blanche is more likely to
remind me of my duties than to tempt me to forget them."

"Forgive me," he said, earnestly. "You have mistaken my meaning
altogether. But are you very intimate with this lady?"

"Very much so," was the answer. "We were brought up together, and loved
each other as sisters until she married and went to India. For some
years after her return home our intercourse was renewed, and only
broken, on the occasion of her being ill and going abroad, as I have
described to you. Her husband, I have, of course, seen less of, but I
like what I know of him, and am anxious to show them both all the
hospitality in my power. She is a charming creature, and I am sure you
will admire her."

"Doubtless I shall," he replied; "that is if she does not lay claim to
all Mrs. Clayton's interest in the affairs of Molton Chase."

"No fear of that," laughed the cheery little lady as she ascended the
stairs, and left Mr. Laurence standing in the hall beneath.

"Clayton," observed that gentleman, as he re-entered the luncheon-room
and drew his host into the privacy of a bay-window, "I really am afraid
I shall have to leave you this evening--if you won't think it rude of me
to go so suddenly."

"But _why_, my dear fellow?" exclaimed Harry Clayton, as his blue eyes
searched into the other's soul. "What earthly reason can you have for
going, when your fixed plan was to stay with us over Christmas Day?"

"Well! there is lots of work waiting for me to do, you know; and really
the time slips away so, and time is money to a slave like
myself--that--"

"Now, my dear Laurence," said Harry Clayton conclusively, "you know you
are only making excuses. All the work that was absolutely necessary for
you to do before Christmas was finished before you came here, and you
said you felt yourself licensed to take a whole month's holiday. Now,
was not that the case?"

Mr. Laurence could not deny the fact, and so he looked undecided, and
was silent.

"Don't let me hear any more about your going before Christmas Day," said
his host, "or I shall be offended, and so will Bella; to say nothing of
Bella's sister--eh, Laurence!"

Whereupon Mr. Laurence felt himself bound to remain; and saying in his
own mind that fate was against him, dropped the subject of his departure
altogether.

One hour later, the riding party being then some miles from Molton
Chase, a travelling carriage laden with trunks drove up to the house,
and Mrs. Clayton, all blushes and smiles, stood on the hall-steps to
welcome her expected guests.

Colonel Damer was the first to alight. He was a middle-aged man, but
with a fine soldierly bearing, which took off from his years; and he was
so eager to see to the safe exit of his wife from the carriage-door that
he had not time to do more than take off his hat to blooming Bella on
the steps.

"Now, my love," he exclaimed as the lady's form appeared, "pray take
care; two steps: that's right--here you are, safe."

And then Mrs. Damer, being securely landed, was permitted to fly into
the cousinly arms which were opened to receive her.

"My dear Bella!"

"My dearest Blanche--I am so delighted to see you again. Why, you are
positively frozen! Pray come in at once to the fire. Colonel Damer, my
servants will see to the luggage--do leave it to them, and come and warm
yourselves."

A couple of men-servants now came forward and offered to see to the
unloading of the carriage--but Mrs. Damer did not move.

"Will you not go in, my love, as your cousin proposes?" said her
husband. "I can see to the boxes if you should wish me to do so."

"No, thank you," was the low reply; and there was such a ring of
melancholy in the voice of Mrs. Damer that a stranger would have been
attracted by it. "I prefer waiting until the carriage is unpacked."

"Never mind the luggage, Blanche," whispered Mrs. Clayton, in her
coaxing manner. "Come in to the fire, dear--I have so much to tell you."

"Wait a minute, Bella," said her cousin; and the entreaty was so firm
that it met with no further opposition.

"One--two--three--four," exclaimed Colonel Damer, as the boxes
successively came to the ground. "I am afraid you will think we are
going to take you by storm, Mrs. Clayton; but perhaps you know my wife's
fancy for a large travelling _kit_ of old. Is that all, Blanche?"

"That is all--thank you," in the same low melancholy tones in which she
had spoken before. "Now, Bella, dear, which is to be my room?"

"You would rather go there first, Blanche?"

"Yes, please--I'm tired. Will you carry up that box for me?" she
continued, pointing out one of the trunks to the servant.

"Directly, ma'am," he returned, as he was looking for change for a
sovereign wherewith to accommodate Colonel Damer--but the lady lingered
until he was at leisure. Then he shouldered the box next to the one she
had indicated, and she directed his attention to the fact, and made him
change his burden.

"They'll all go up in time, ma'am," the man remarked; but Mrs. Damer,
answering nothing, did not set her foot upon the stairs until he was
halfway up them, with the trunk she had desired him to take first.

Then she leaned wearily upon Bella Clayton's arm, pressing it fondly to
her side, and so the two went together to the bedroom which had been
appointed for the reception of the new guests. It was a large and
cosily-furnished apartment, with a dressing-room opening from it. When
the ladies arrived there they found the servant awaiting them with the
box in question.

"Where will you have it placed, ma'am?" he demanded of Mrs. Damer.

"Under the bed, please."

But the bedstead was a French one, and the mahogany sides were so deep
that nothing could get beneath them but dust; and the trunk, although
small, was heavy and strong and clamped with iron, not at all the sort
of trunk that would go _anywhere_.

"Nothing will go under the bed, ma'am!" said the servant in reply.

Mrs. Damer slightly changed colour.

"Never mind then: leave it there. Oh! what a comfort a good fire is,"
she continued, turning to the hearth-rug, and throwing herself into an
arm-chair. "We have had such a cold drive from the station."

"But about your box, Blanche?" said Mrs. Clayton, who had no idea of her
friends being put to any inconvenience. "It can't stand there; you'll
unpack it, won't you? or shall I have it moved into the passage?"

"Oh, no, thank you, Bella--please let it stand where it is: it will do
very well indeed."

"What will do very well?" exclaimed Colonel Damer, who now entered the
bedroom, followed by a servant with another trunk.

"Only Blanche's box, Colonel Damer," said Bella Clayton. "She doesn't
wish to unpack it, and it will be in her way here, I'm afraid. It
_might_ stand in your dressing-room."--This she said as a "feeler,"
knowing that some gentlemen do not like to be inconvenienced, even in
their dressing-rooms.

But Colonel Damer was as unselfish as it was possible for an old Indian
to be.

"Of course it can," he replied. "Here (to the servant), just shoulder
that box, will you, and move it into the next room."

The man took up the article in question rather carelessly, and nearly
let it fall again. Mrs. Damer darted forward as if to save it.

"Pray put it down," she said, nervously. "I have no wish to have it
moved--I shall require it by-and-by; it will be no inconvenience--"

"Just as you like, dear," said Mrs. Clayton, who was becoming rather
tired of the little discussion. "And now take off your things, dear
Blanche, and let me ring for some tea."

Colonel Damer walked into his dressing-room and left the two ladies
alone. The remainder of the luggage was brought upstairs; the tea was
ordered and served, and whilst Mrs. Clayton busied herself in pouring it
out, Mrs. Damer sank back upon a sofa which stood by the fire, and
conversed with her cousin.

She had been beautiful, this woman, in her earlier youth, though no one
would have thought it to see her now. As Bella handed her the tea she
glanced towards the thin hand stretched out to receive it, and from
thence to the worn face and hollow eyes, and could scarcely believe she
saw the same person she had parted from three years before.

But she had not been so intimate with her of late, and she was almost
afraid of commenting upon her cousin's altered appearance, for fear it
might wound her; all she said was:

"You look very delicate still, dear Blanche; I was in hopes the change
to the Continent would have set you up and made you stronger than you
were when you left England."

"Oh, no; I never shall be well again," was Mrs. Damer's careless reply:
"it's an old story now, Bella, and it's no use talking about it. Whom
have you staying in the house at present, dear?"

"Well, we are nearly full," rejoined Mrs. Clayton. "There is my old
godfather, General Knox--you remember him, I know--and his son and
daughter; and the Ainsleys and their family; ditto, the Bayleys and the
Armstrongs, and then, for single men, we have young Brooke, and Harry's
old friend, Charley Moss, and Herbert Laurence, and--are you ill,
Blanchey?"

An exclamation had burst from Mrs. Damer--hardly an exclamation, so much
as a half-smothered cry--but whether of pain or fear, it was hard to
determine.

"Are you ill?" reiterated Mrs. Clayton, full of anxiety for her
fragile-looking cousin.

"No," replied Blanche Damer, pressing her hand to her side, but still
deadly pale from the effect of whatever emotion she had gone through;
"it is nothing; I feel faint after our long journey."

Colonel Damer had also heard the sound, and now appeared upon the
threshold of his dressing-room. He was one of those well-meaning, but
fussy men, who can never have two women alone for a quarter of an hour
without intruding on their privacy.

"Did you call, my dearest?" he asked of his wife. "Do you want
anything?"

"Nothing, thank you," replied Bella for her cousin; "Blanche is only a
little tired and overcome by her travelling."

"I think, after all, that I will move that trunk away for you into my
room," he said, advancing towards the box which had already been the
subject of discussion. Mrs. Damer started from the sofa with a face of
crimson.

"I _beg_ you will leave my boxes alone," she said, with an imploring
tone in her voice which was quite unfitted to the occasion. "I have not
brought one more than I need, and I wish them to remain under my own
eye."

"There must be something very valuable in that receptacle," said Colonel
Damer, facetiously, as he beat a retreat to his own quarters.

"Is it your linen box?" demanded Mrs. Clayton of her cousin.

"Yes," in a hesitating manner; "that is, it contains several things that
I have in daily use; but go on about your visitors, Bella: are there any
more?"

"I don't think so: where had I got to?--oh! to the bachelors: well,
there are Mr. Brooke and Captain Moss, and Mr. Laurence (the poet, you
know; Harry was introduced to him last season by Captain Moss), and my
brother Alfred; and that's all."

"A very respectable list," said Mrs. Damer, languidly. "What kind of a
man is the--the poet you spoke of?"

"Laurence?--oh, he seems a very pleasant man; but he is very silent and
abstracted, as I suppose a poet should be. My sister Carrie is here, and
they have quite got up a flirtation together; however, I don't suppose
it will come to anything."

"And your nursery department?"

"Thriving, thank you; I think you _will_ be astonished to see my boy.
Old Mrs. Clayton says he is twice the size that Harry was at that age;
and the little girls can run about and talk almost as well as I can. But
I must not expect you, Blanche, to take the same interest in babies that
I do."

This she added, remembering that the woman before her was childless.
Mrs. Damer moved uneasily on her couch, but she said nothing; and soon
after the sound of a gong reverberating through the hall warned Mrs.
Clayton that the dinner was not far off and the riding-party must have
returned; so, leaving her friend to her toilet, she took her departure.

As she left the room, Mrs. Damer was alone. She had no maid of her own,
and she had refused the offices of Mrs. Clayton, assuring her that she
was used to dress herself; but she made little progress in that
department, as she lay on the couch in the firelight, with her face
buried in her hands, and thoughts coursing through her mind of which
heaven alone knew the tendency.

"Come, my darling," said the kind, coaxing voice of her husband, as,
after knocking more than once without receiving any answer, he entered
her room, fully dressed, and found her still arrayed in her travelling
things, and none of her boxes unpacked. "You will never be ready for
dinner at this rate. Shall I make an excuse for your not appearing at
table this evening? I am sure Mrs. Clayton would wish you to keep your
room if you are too tired to dress."

"I am not too tired, Harry," said Mrs. Damer, rising from the couch,
"and I shall be ready in ten minutes," unlocking and turning over the
contents of a box as she spoke.

"Better not, perhaps, my love," interposed the colonel, in mild
expostulation; "you will be better in bed, and can see your kind friends
to-morrow morning."

"I am going down to dinner to-night," she answered, gently, but
decisively. She was a graceful woman now she stood on her feet, and
threw off the heavy wraps in which she had travelled, with a slight,
willowy figure, and a complexion which was almost transparent in its
delicacy; but her face was very thin, and her large blue eyes had a
scared and haggard look in them, which was scarcely less painful to
witness than the appearance of anxiety which was expressed by the
knitted brows by which they were surmounted. As she now raised her fair
attenuated hands to rearrange her hair, which had once been abundant and
glossy, her husband could not avoid remarking upon the change which had
passed over it.

"I had no idea you had lost your hair so much, darling," he said; "I
have not seen it down before to-night. Why, where is it all gone to?" he
continued, as he lifted the light mass in his hands, and remembered of
what a length and weight it used to be, when he last parted from her.

"Oh, I don't know," she rejoined, sadly; "gone, with my youth, I
suppose, Henry."

"My poor girl!" he said, gently, "you have suffered very much in this
separation. I had no right to leave you alone for so many years. But it
is all over now, dearest, and I will take such good care of you that you
will be obliged to get well and strong again."

She turned round suddenly from the glass, and pressed her lips upon the
hand which held her hair.

"Don't," she murmured; "pray don't speak to me so, Henry! I can't bear
it; I can't indeed!"

He thought it was from excess of feeling that she spoke; and so it was,
though not as he imagined. So he changed the subject lightly, and bade
her be lazy no longer, but put on her dress, if she was really
determined to make one of the party at dinner that evening.

In another minute, Mrs. Damer had brushed her diminished hair into the
fashion in which she ordinarily wore it; thrown on an evening-robe of
black, which, while it contrasted well with her fairness, showed the
falling away of her figure in a painful degree; and was ready to
accompany her husband downstairs.

They were met at the door of the drawing-room by their host, who was
eager to show cordiality towards guests of whom his wife thought so
much, and having also been acquainted himself with Mrs. Damer since her
return to England. He led her up to the sofa whereon Bella sat; and,
dinner being almost immediately announced, the little hostess was busy
pairing off her couples.

"Mr. Laurence!" she exclaimed; and then looking around the room, "where
_is_ Mr. Laurence?" So that that gentleman was forced to leave the
window-curtains, behind which he had ensconced himself, and advance into
the centre of the room. "Oh, here you are at last; will you take Mrs.
Damer down to dinner?" and proceeding immediately with the usual form of
introduction--"Mr. Laurence--Mrs. Damer."

They bowed to each other; but over the lady's face, as she went through
her share of the introduction, there passed so indescribable, and yet so
unmistakable a change, that Mrs. Clayton, although not very quick, could
not help observing it, and she said, involuntarily--

"Have you met Mr. Laurence before, Blanche?"

"I believe I have had that pleasure--in London--many years ago."

The last words came out so faintly that they were almost
undistinguishable.

"Why didn't you tell me so?" said Bella Clayton, reproachfully, to Mr.
Laurence.

He was beginning to stammer out some excuse about its having been so
long ago, when Mrs. Damer came to his aid, in her clear, cold voice--

"It _was_ very long ago: we must both be forgiven for having forgotten
the circumstance."

"Well, you must renew your acquaintanceship at dinner," said Mrs.
Clayton, blithely, as she trotted off to make matters pleasant between
the rest of her visitors. As she did so, Mr. Laurence remained standing
by the sofa, but he did not attempt to address Mrs. Damer. Only, when
the room was nearly cleared, he held out his arm to her, and she rose to
accept it. But the next minute she had sunk back again upon the sofa,
and Mrs. Clayton was at her cousin's side. Mrs. Damer had fainted.

"Poor darling!" exclaimed Colonel Damer, as he pressed forward to the
side of his wife. "I was afraid coming down to-night would be too much
for her, but she would make the attempt; she has so much spirit. Pray
don't delay the dinner, Mrs. Clayton; I will stay by her, if you will
excuse the apparent rudeness, until she is sufficiently recovered to go
to bed."

But even as he spoke his wife raised herself from the many arms which
supported her, and essayed to gain her feet.

"Bella, dear! I am all right again. Pray, if you love me, don't make a
scene about a little fatigue. I often faint now: let me go up to my
bedroom and lie down, as I ought to have done at first, and I shall be
quite well to-morrow morning."

She would accept no one's help--not even her husband's, though it
distressed him greatly that she refused it--but walked out of the room
of her own accord, and toiled wearily up the staircase which led her to
the higher stories; whilst more than one pair of eyes watched her
ascent, and more than one appetite was spoilt for the coming meal.

"Don't you think that Blanche is looking very ill?" demanded Bella
Clayton of Colonel Damer, at the dinner-table. She had been much struck
herself with the great alteration in her cousin's looks, and fancied
that her husband was not so alarmed about it as he ought to be.

"I do, indeed," he replied; "but it is the last thing she will
acknowledge herself. She has very bad spirits and appetite; appears
always in a low fever, and is so nervous that the least thing will
frighten her. That, to me, is the worst and most surprising change of
all: such a high-couraged creature as she used to be."

"Yes, indeed," replied Mrs. Clayton; "I can hardly imagine Blanche being
nervous at anything. It must have come on since her visit to the
Continent, for she was not so when she stayed here last."

"When was that?" demanded the Colonel, anxiously.

"Just three years ago this Christmas," was the answer. "I don't think I
ever saw her look better than she did then, and she was the life of the
house. But soon afterwards she went to Paris, and then we heard of her
illness, and this is my first meeting with her since that time. I was
very much shocked when she got out of the carriage: I should scarcely
have known her again." Here Mrs. Clayton stopped, seeing that the
attention of Mr. Laurence, who sat opposite to her, appeared to be
riveted on her words, and Colonel Damer relapsed into thought and spoke
no more.

In the meanwhile Mrs. Damer had gained her bedroom. Women had come to
attend upon her, sent by their mistress, and laden with offers of
refreshment and help of every kind, but she had dismissed them and
chosen to be alone. She felt too weak to be very restless, but she had
sat by the fire and cried, until she was so exhausted that her bed
suggested itself to her, as the best place in which she could be; but
rising to undress, preparatory to seeking it, she had nearly fallen, and
catching feebly at the bedpost had missed it, and sunk down by the side
of the solid black box, which was clamped with iron and fastened with a
padlock, and respecting which she had been so particular a few hours
before. She felt as if she was dying, and as if this were the fittest
place for her to die on. "There is nothing in my possession," she cried,
"that really belongs to me but _this_--this which I loathe and abhor,
and love and weep over at one and the same moment." And, strange to
relate, Mrs. Damer turned on her side and kneeling by the iron-clamped
chest pressed her lips upon its hard, unyielding surface, as if it had
life wherewith to answer her embrace. And then the wearied creature
dragged herself up again into an unsteady position, and managed to
sustain it until she was ready to lie down upon her bed.

The next morning she was much better. Colonel Damer and Bella Clayton
laid their heads together and decided that she was to remain in bed
until after breakfast, therefore she was spared meeting with the
assembled strangers until the dinner-hour again, for luncheon was a
desultory meal at Molton Chase, and scarcely any of the gentlemen were
present at it that day. After luncheon Mrs. Clayton proposed driving
Mrs. Damer out in her pony-chaise.

"I don't think you will find it cold, dear, and we can come home by the
lower shrubberies and meet the gentlemen as they return from shooting,"
Colonel Damer being one of the shooting party. But Mrs. Damer had
declined the drive, and made her cousin understand so plainly that she
preferred being left alone, that Mrs. Clayton felt no compunction in
acceding to her wishes, and laying herself out to please the other
ladies staying in the house.

And Mrs. Damer did wish to be alone. She wanted to think over the
incidents of the night before, and devise some plan by which she could
persuade her husband to leave the Grange as soon as possible without
provoking questions which she might find it difficult to answer. When
the sound of the wheels of her cousin's pony-chaise had died away, and
the great stillness pervading Molton Grange proclaimed that she was the
sole inmate left behind, she dressed herself in a warm cloak, and
drawing the hood over her head prepared for a stroll about the grounds.
A little walk she thought would do her good, and with this intention she
left the house. The Grange gardens were extensive and curiously laid
out, and there were many winding shrubbery paths about them, which
strangers were apt to find easier to enter than to find their way out of
again. Into one of these Mrs. Damer now turned her steps for the sake of
privacy and shelter; but she had not gone far before, on turning an
abrupt corner, she came suddenly upon the figure of the gentleman she
had been introduced to the night before, Mr. Laurence, who she had
imagined to be with the shooting party. He was half lying, half sitting
across a rustic seat which encircled the huge trunk of an old tree, with
his eyes bent upon the ground and a cigar between his lips. He was more
an intellectual and fine-looking than a handsome man, but he possessed
two gifts which are much more winning than beauty, a mind of great
power, and the art of fascination. As Mrs. Damer came full in view of
him, too suddenly to stop herself or to retreat, he rose quickly from
the attitude he had assumed when he thought himself secure from
interruption and stood in her pathway. She attempted to pass him with an
inclination of the head, but he put out his hand and stopped her.

"Blanche! you must speak to me; you shall not pass like this; I insist
upon it!" and she tried in vain to disengage her arm from his detaining
clasp.

"Mr. Laurence, what right have you to hold me thus?"

"What right, Blanche? The right of every man over the woman who loves
him!"

"That is your right over me no longer. I have tried to avoid you. You
have both seen and known it! No _gentleman_ would force himself upon my
notice in this manner."

"Your taunt fails to have any effect upon me. I have sought an
explanation of your extraordinary conduct from you in vain. My letters
have been unanswered, my entreaties for a last interview disregarded;
and now that chance has brought us together again, I must have what I
have a right to ask from your own lips. I did not devise this meeting; I
did not even know you had returned to England till yesterday, and then I
sought to avoid you; but it was fated that we should meet, and it is
fated that you satisfy my curiosity."

"What do you want to know?" she asked, in a low voice.

"First, have you ceased to love me?"

The angry light which had flashed across her face when he used force to
detain her died away; the pallid lips commenced to tremble, and in the
sunken eyes large tear-drops rose and hung quivering upon the long
eyelashes.

"Enough, Blanche," Mr. Laurence continued, in a softer voice. "Nature
answers me. I will not give you the needless pain of speaking. Then, why
did you forsake me? Why did you leave England without one line of
farewell, and why have you refused to hold any communication with me
since that time?"

"I _could_ not," she murmured. "You do not know; you cannot feel; you
could never understand my feelings on that occasion."

"That is no answer to my question, Blanche," he said firmly, "and an
answer I will have. What was the immediate cause of your breaking faith
with me? I loved you, you know how well. What drove you from me? Was it
fear, or indifference, or a sudden remorse?"

"It was," she commenced slowly, and then as if gathering up a great
resolution, she suddenly exclaimed, "Do you _really_ wish to know what
parted us?"

"I really intend to know," he replied, and the old power which he had
held over her recommenced its sway. "Whatever it was it has not tended
to your happiness," he continued, "if I may judge from your looks. You
are terribly changed, Blanche! I think even I could have made you
happier than you appear to have been."

"I have had enough to change me," she replied. "If you will know then,
come with me, and I will show you."

"To-day?"

"At once; to-morrow may be too late." She began to walk towards the
house as she spoke, rapidly and irregularly, her heart beating fast, but
no trace of weakness in her limbs; and Herbert Laurence followed her, he
scarcely knew why, expecting that she had desired it.

Into Molton Grange she went, up the broad staircase and to her chamber
door before she paused to see if he was following. When she did so she
found that he stood just behind her on the wide landing.

"You can enter," she said, throwing open the door of her bedroom, "don't
be afraid; there is nothing here except the cause for which I parted
with you." In her agitation and excitement, scarcely pausing to fasten
the door behind her, Mrs. Damer fell down on her knees before the little
black box with its iron clamps and ponderous padlock; and drawing a key
from her bosom, applied it to the lock, and in another minute had thrown
back the heavy lid. Having displaced some linen which lay at the top,
she carefully removed some lighter materials, and then calling to the
man behind her, bid him look in and be satisfied. Mr. Laurence advanced
to the box, quite ignorant as to the reason of her demand; but as his
eye fell upon its contents, he started backwards and covered his face
with his hands. As he drew them slowly away again he met the sad,
earnest look with which the kneeling woman greeted him, and for a few
moments they gazed at one another in complete silence. Then Mrs. Damer
withdrew her eyes from his and rearranged the contents of the black box;
the heavy lid shut with a clang, the padlock was fast again, the key in
her bosom, and she rose to her feet and prepared to leave the room in
the same unbroken silence. But he again detained her, and this time his
voice was hoarse and changed.

"Blanche! tell me, is this the truth?"

"As I believe in heaven," she answered.

"And this was the reason that we parted--this the sole cause of our
estrangement?"

"Was it not enough?" she said. "I erred, but it was as one in a dream.
When I awoke I could no longer err and be at peace. At peace did I say?
I have known no peace since I knew you; but I should have died and waked
up in hell, if I had not parted with you. This is all the truth, believe
it or not as you will; but there may, there can be nothing in future
between you and me. Pray let me pass you."

"But that--that--box, Blanche!" exclaimed Herbert Laurence, with drops
of sweat, notwithstanding the temperature of the day, upon his forehead.
"It was an accident, a misfortune; _you_ did not do it?"

She turned upon him eyes which were full of mingled horror and scorn.

"I _do_ it!" she said; "what are you dreaming of? I was mad; but not so
mad as that! How could you think it?" and the tears rose in her eyes
more at the supposition which his question had raised than at the idea
that he could so misjudge her.

"But why do you keep this? why do you carry it about with you, Blanche?
It is pure insanity on your part. How long is it since you have
travelled in company with that dreadful box?"

"More than two years," she said in a fearful whisper. "I have tried to
get rid of it, but to no purpose; there was always some one in the way.
I have reasoned with myself, and prayed to be delivered from it, but I
have never found an opportunity. And now, what does it matter? The
burden and heat of the day are past."

"Let me do it for you," said Mr. Laurence. "Whatever our future relation
to one another, I cannot consent that you should run so terrible a risk
through fault of mine. The strain upon your mind has been too great
already. Would to heaven I could have borne it for you! but you forbid
me even the privilege of knowing that you suffered. Now that I have
ascertained it, it must be my care that the cause of our separation
shall at least live in your memory only." And as he finished speaking he
attempted to lift the box; but Mrs. Damer sprang forward and prevented
him.

"Leave it!" she cried; "do not dare to touch it; it is _mine_! It has
gone wherever I have gone for years. Do you think, for the little space
that is left me, that I would part with the only link left between me
and my dread past?" and saying this she threw herself upon the black
trunk and burst into tears.

"Blanche! you love me as you ever did," exclaimed Herbert Laurence.
"These tears confess it. Let me make amends to you for this; let me try
to make the happiness of your future life!"

But before his sentence was concluded Mrs. Damer had risen from her
drooping attitude and stood before him.

"Make amends!" she echoed scornfully. "How can you 'make amends'?
Nothing can wipe out the memory of the shame and misery that I have
passed through, nothing restore the quiet conscience I have lost. I do
not know if I love you still or not. When I think of it, my head swims,
and I only feel confused and anxious. But I am sure of one thing, that
the horror of my remorse for even having listened to you has power to
overwhelm any regret that may be lingering in my unworthy breast, and
that the mere fact of your bodily presence is agony to me. When I met
you to-day I was battling with my invention to devise some means of
leaving the place where you are without exciting suspicion. If you ever
loved, have pity on me now; take the initiative, and rid me of
yourself."

"Is this your final decision, Blanche?" he asked, slowly. "Will you not
regret it when too late, and you are left alone with only _that_?"

She shuddered, and he caught at the fact as a sign of relenting.

"Dearest, loveliest," he commenced.--This woman had been the loveliest
to him in days gone past, and though she was so terribly changed in eyes
that regarded her less, Herbert Laurence, her once lover, could still
trace above the languor and debility and distress of her present
appearance, the fresh, sparkling woman who had sacrificed herself for
his sake; and although his style of address signified more than he
really thought for her, the knowledge of how much she had undergone
since their separation had the power to make him imagine that this
partial reanimation of an old flame was a proof that the fire which
kindled it had never perished. Therefore it did not appear absurd in his
mental eyes to preface his appeal to Mrs. Damer thus: "Dearest,
loveliest--" but she turned upon him as though he had insulted her.

"Mr. Laurence!" she exclaimed, "I have told you that the past is past;
be good enough to take me at my word. Do you think that I have lived
over two years of solitary shame and grief, to break the heart that
trusts in me _now_? If I had any wish, or any thought to the contrary,
it would be impossible. I am enveloped by kind words and acts, by care
and attention, which chain me as closely to my home as if I were kept a
prisoner between four walls. I could not free myself if I would," she
continued, throwing back her arms, as though she tried to break an
invisible thrall. "I must die first; the cords of gratitude are bound
about me so closely. It is killing me, as nothing else could kill," she
added, in a lower voice. "I lived under your loss, and the knowledge of
my own disgrace; but I cannot live under his perpetual kindness and
perfect trust. It cannot last much longer: for mercy's sake, leave me in
peace until the end comes!"

"And the box?" he demanded.

"I will provide for the box before that time," she answered, sadly; "but
if you have any fear, keep the key yourself: the lock is not one that
can be forced."

She took the key from her bosom, where it hung on a broad black ribbon,
as she spoke, and handed it to him. He accepted it without demur.

"You are so rash," he said; "it will be safer with me: let me take the
box also?"

"No, no!" said Mrs. Damer, hurriedly; "you shall not; and it would be no
use. If it were out of my sight, I should dream that it was found, and
talk of it in my sleep. I often rise in the night now to see if it is
safe. Nothing could do away with it. If you buried it, some one would
dig it up; if you threw it in the water, it would float. It would lie
still nowhere but on my heart, where it ought to be!--it ought to be!"

Her eyes had reassumed the wild, restless expression which they took
whilst speaking of the past, and her voice had sunk to a low, fearful
whisper.

"This is madness," muttered Herbert Laurence; and he was right. On the
subject of the black box Mrs. Damer's brain was turned.

He was just about to speak to her again, and try to reason her out of
her folly, when voices were heard merrily talking together in the hall,
and her face worked with the dread of discovery.

"Go!" she said; "pray, go at once. I have told you everything." And in
another moment Herbert Laurence had dashed through the passage to the
privacy of his own room; and Mrs. Clayton, glowing from her drive, and
with a fine rosy baby in her arms, had entered the apartment of her
cousin.




II


Bella found her cousin sitting in an arm-chair, with the cloak still
over her shoulders, and a face of ashy whiteness, the reaction of her
excitement.

"My dear, how ill you look!" was her first exclamation. "Have you been
out?"

"I went a little way into the shrubberies," said Mrs. Damer; "but the
day turned so cold."

"Do you think so? We have all been saying what a genial afternoon it is:
but it certainly does not seem to have agreed with you. Look at my boy:
isn't he a fine fellow?--he has been out all day in the garden. I often
wish you had a child, Blanchey."

"Do you, dear? it is more than I do."

"Ah, but you can't tell, till they are really yours, how much pleasure
they give you; no one knows who has not been a mother."

"No; I suppose not."

Mrs. Damer shivered as she said the words, and looked into the baby's
fat, unmeaning face with eyes of sad import. Mrs. Clayton thought she
had wounded her cousin, and stooped to kiss the slight offence away; but
she fancied that Blanche almost shrunk from her embrace.

"She must be really ill," thought the kindly little Bella, who had no
notion of such a thing as heart-sickness for an apparently happy married
woman. "She ought to see a doctor: I shall tell Colonel Damer so."

In another half-hour they were at her side together, urging her to take
their advice.

"Now, my darling," said the Colonel, when Mrs. Damer faintly protested
against being made a fuss about, "you must be good for my sake. You know
how precious you are to me, and how it would grieve me to have you laid
up; let me send for Dr. Barlow, as your cousin advises. You were very
much overcome by the long journey here, and I am afraid the subsequent
excitement of seeing your kind friends has been too much for you. You do
not half know how dear you are to me, Blanche, or you would not refuse
such a trifling request. Here have I been, for five years, dearest, only
looking forward from day to day to meeting my dear loving little wife
again; and then to have you so ill as this the first month of our
reunion, is a great trial to me. Pray let me send for Dr. Barlow."

But Mrs. Damer pleaded for delay. She had become chilled through being
out in the shrubberies; she had not yet got over the fatigue of her
journey; she had caught a cold whilst crossing from Havre to Folkestone:
it was anything and everything but an illness which required medical
attendance. If she were not better in the morning, she promised to make
no opposition to their wishes.

So she forced herself to rise and dress for dinner. She appeared there
calm and collected, and continued so throughout the evening, talking
with Mr. Laurence quite as much as with the rest of the company; and she
went to bed at the same hour as the other guests of Molton Grange,
receiving with her cousin's good-night, congratulations on the evident
improvement of her health.

"I cannot quite make out what has come to that cousin of yours, Bella,"
said Harry Clayton to his wife, as they too retired for the night; "she
doesn't appear half such a jolly woman as she used to be."

"She is certainly very much altered," was Mrs. Clayton's response; "but
I think it must be chiefly owing to her health; a feeling of debility is
so very depressing."

"I suppose it can't be anything on her mind, Bella?" suggested the
husband, after a pause.

"On her _mind_, Harry!" said Bella, sitting up in bed in her wonderment;
"of course not; why, how could it be? She has everything she can wish
for; and, I am sure, no woman could have a more devoted husband than
Colonel Damer. He has been speaking a great deal about her to me to-day,
and his anxiety is something enormous. On her _mind_!--what a funny
idea, Harry; what could have put that in your head?"

"I am sure I don't know," was the husband's reply, rather ruefully
given, as if conscious he had made a great mistake.

"You old _goose_," said his wife, with an emphatic kiss, as she composed
herself to her innocent slumbers.

But before they were broken by nature, in the gray of the morning, Mrs.
Clayton was roused by a tapping at the bedroom door; a tapping to which
all Mr. Clayton's shouts to "come in," only served as a renewal.

"Who can it be, Harry?--do get up and see," said Bella.

So Harry got up, like a dutiful husband, and opened the door, and the
figure of Colonel Damer, robed in a dressing-gown, and looking very
shadowy and unreal in the dawning, presented itself on the threshold.

"Is your wife here?" demanded the Colonel briefly.

"Of course she is," said Mr. Clayton, wondering what the Colonel wanted
with her.

"Will she come to Mrs. Damer? she is _very_ ill," was the next sentence,
delivered tremblingly.

"Very ill!" exclaimed Bella, jumping out of bed and wrapping herself in
a dressing-gown. "How do you mean, Colonel Damer?--when did it happen?"

"God knows!" he said, in an agitated voice; "but for some time after she
fell asleep she was feverish and excited, and spoke much. I woke
suddenly in the night and missed her, and going in search of her with a
light, found her fallen on the landing."

"Fainted?" said Bella.

"I don't know now whether it was a faint or a fit," he replied, "but I
incline to the latter belief. I carried her back to her bed, and gave
her some restoratives, not liking to disturb you--"

"Oh! why didn't you, Colonel Damer?" interposed his hostess.

"--and thought she was better, till just now, when she had another
attack of unconsciousness, and is so weak after it she cannot move. She
has fever too, I am sure, from the rapidity of her pulse, and I don't
think her head is quite clear."

"Harry, dear, send for Dr. Barlow at once," thrusting her naked feet
into slippers, "and come back with me, Colonel Damer; she should not be
left for a minute."

And she passed swiftly along the corridor to her cousin's room. As she
neared that of Mr. Laurence, the door opened a little, and a voice asked
huskily--

"Is anything the matter, Mrs. Clayton? I have been listening to noises
in the house for the last hour."

"My cousin, Mrs. Damer, has been taken ill, Mr. Laurence, but we have
sent for the doctor; I am going to her now."

And as the door closed again she fancied that she heard a sigh.

Blanche Damer was lying on her pillows very hot and flushed, with that
anxious, perturbed look which the eyes assume when the brain is only
half clouded, and can feel itself to be wandering.

"Blanche, dearest," cried Bella, as she caught sight of her face, "what
is the matter? How did this happen?"

"I dreamt that he had taken it," said Mrs. Damer, slowly and sadly; "but
it was a mistake: he must not have it yet--not yet! only a little while
to wait now!--but he has the key."

"Her mind is wandering at present," said Colonel Damer, who had followed
Mrs. Clayton into the room.

"Oh, Colonel Damer," exclaimed Bella, tearfully, "how dreadful it
is!--she frightens me! Could she have knocked her head in falling? Have
you no idea why she got up and went into the passage?"

"Not the slightest," he returned. And now that she examined him under
the morning light, which was by this time streaming through the open
shutters, Bella Clayton saw how aged and haggard his night's anxiety had
made him look. "My wife has been very subject to both sleeping-talking
and walking since my return, and I have several times missed her, as I
did last night, and found her walking about the room in her sleep, but
she has never been like this before. When I first found her in the
passage, I asked her why she had gone there, or what she wanted, and she
said, 'the key.' When I had relifted her into bed, I found her bunch of
keys as usual, on the dressing-table, therefore I imagine she could not
then have known what she was talking about. I trust Dr. Barlow will not
be long in coming; I am deeply anxious."

And he looked the truth of what he uttered; whilst poor little Mrs.
Clayton could only press his hand and entreat him to be hopeful; and his
wife lay on her pillows, and silently stared into vacancy.

As soon as the doctor arrived he pronounced the patient to be suffering
from an attack of pressure on the brain, and wished to know whether she
had not been subjected to some great mental shock or strain.

Here Colonel Damer came forward and stoutly denied the possibility of
such a thing. He had joined his wife from India a month ago, at which
time she was, though in delicate, not in bad health, and he had never
left her since. They had crossed from Havre to Folkestone three days
before, and Mrs. Damer had not complained of any unusual sickness or
fatigue. She was a person of a highly excitable and nervous temperament,
and her appetite and spirit were variable; otherwise there had been
nothing in her state of health to call for anxiety on the part of her
friends.

Dr. Barlow listened to all these statements, and believed as much of
them as he chose. However he waived the subject of the cause of the
disaster; the fact that it had occurred was undeniable; and the remedies
for such emergencies were immediately resorted to. But all proved alike
ineffectual, for the simple reason that the irrevocable fiat had gone
forth, and Blanche Damer was appointed to die.

As the day wore on, and the case assumed a darker aspect, and the
doctor's prognostications became less hopeful, Colonel Damer worked
himself into a perfect frenzy of fear.

"Save her, Dr. Barlow," he had said to that gentleman, in the insane
manner in which people are used to address the Faculty, as if it was in
their power to do more than help the efforts of nature. "Save her life,
for God's sake! and there is nothing that I can do for you, of earthly
good, that shall not be yours. Shall I call in other advice? Shall I
telegraph to London? Is there anyone there who can save her? It is my
life as well as hers that is trembling in the scale. For the love of
heaven, do not stand on ceremony, but only tell me what is best to be
done!"

Of course Dr. Barlow told him that if he was not perfectly satisfied, he
should wish him to telegraph to town for further advice, and mentioned
several names celebrated in such cases; at the same time he assured
Colonel Damer that he did not believe any number of doctors could do
more for the patient than he was doing, and that it was impossible to
guess at the probable termination of the illness for some days to come.

Bella Clayton gave up the duty of amusing her guests, and stationed
herself at the bedside of her cousin; and the unhappy husband wandered
in and out of the room like a ghost; trying to think upon each fresh
visit, that there was a slight improvement in the symptoms, and spending
the intervening time in praying for the life which he fondly imagined
had been devoted to himself. Meanwhile, whenever Mrs. Damer opened her
lips, it was to ramble on in this manner:

"Dying!" her hollow voice would exclaim; "crushed to death beneath the
weight of a pyramid of blessings that lies like lead upon my chest and
reaches to the ceiling. Kind words--fond care, and sweet
attentions--they bow me down to the earth! I am stifling beneath the
burden of their silent reproaches. Two and two are four; and four and
four is eight; eight times locked should be secure--but there is a worm
that dieth not, and a fire that is not quenched."

"Oh! don't come in here, Colonel Damer," poor Bella would exclaim, as
the unhappy man would creep to the foot of the bed and stand listening,
with blanched cheeks, to the delirious ravings of his wife. "She doesn't
know what she is saying, remember; and she will be better to-morrow,
doubtless. Don't distress yourself more, by listening to all this
nonsense."

"I don't believe she will ever be better, Mrs. Clayton," he replied, on
one of these occasions. This was on the third day.

"Dearest!" the sick woman resumed, in a plaintively soft voice, without
being in the least disturbed by the conversation around her, "if you
have ever loved me, you will believe in this hour that I love you in
return. If you have given me your love, I have given you more than my
life."

"Does she speak of me?" demanded Colonel Damer.

"I think so," said Bella Clayton, sadly.

"Take it off! take it off!" cried Mrs. Damer, starting with
terror--"this box--this iron-clamped box which presses on my soul. What
have I done? Where shall I go? How am I to meet him again?"

"What does she say?" asked the Colonel, trembling.

"Colonel Damer, I must beg you to quit the room," said Bella, weeping.
"I cannot bear to stay here with both of you. Pray leave me alone with
Blanche until she is quieter."

And so the husband left the chamber, with fellow tears in his eyes, and
she set herself to the painful task of attempting to soothe the
delirious woman.

"If he would only strike me," moaned Mrs. Damer, "or frown at me, or
tell me that I lie, I could bear it better; but he is killing me with
kindness. Where is the box?--open it--let him see all. I am ready to
die. But I forgot--there is no key, and no one shall touch it: it is
mine--mine. Hark! I hear it! I hear it! How could I put it there? Let me
go--no one shall hold me! Let me go, I say--I _hear_ it; and--and--the
world is nothing to me!"

At last, when they had almost despaired of ever seeing her sleep again,
there came an uninterrupted hour of repose from sheer weariness; and
then wide-open hollow eyes--a changed voice sounding with the
question--"Bella! have I been ill?" and Mrs. Damer's delirium was over.

Over with her life. For on his next visit Dr. Barlow found her sensible
but cold and pulseless, and broke to her friends the news that twelve
hours more would end her existence.

Colonel Damer went wild, and telegraphed at once to London for men who
arrived when his wife was ready to be coffined. Bella heard the decree
and wept silently; and a great gloom fell upon the guests of Molton
Chase, who had been left altogether on poor Harry's hands since Mrs.
Damer's illness.

The dying woman lay very silent and exhausted for some time after she
had waked from that brief, memory-restoring sleep. When she next spoke,
she said, observing her cousin's swollen eyes--

"Am I dying, Bella?"

Poor little Mrs. Clayton did not at all know what answer to make to such
a direct question, but she managed to stammer out something which,
whatever it was meant for, was taken as affirmative by the one it most
concerned.

"I thought so. Shall I never be able to get out of bed again?"

"I am afraid not, darling--you are so weak!"

"Yes, I am--I can hardly raise my hand. And yet I must rise if I can. I
have something so particular to do."

"Cannot I do it for you, Blanche?"

"_Will_ you do it, Bella?"

"Anything--everything, love! How can you ask me?"

"And you will promise secrecy? Let me look in your face. Yes, it is a
true face, as it has ever been, and I can trust you. Have the black box
moved out of my room before I die, Bella--mind, _before_ I die, and
placed in your own dressing-room."

"What, dear, your linen box?"

"Yes, my linen box, or whatever you choose to call it. Take it away _at
once_, Bella. Tell no one; and when I am dead, have it buried in my
grave. Surely you could manage so much for me!"

"And Colonel Damer?"

"If you speak to him about it, Bella, or to your husband, or to any one,
I'll never forgive you, and I'm dying!" cried Mrs. Damer, almost rising
in her excitement. "Oh! why have I delayed it so long, why did I not see
to this before? I cannot even die in peace."

"Yes, yes, dearest Blanche, I will do it, indeed I will," said Mrs.
Clayton, alarmed at her emotion; "and no one shall know of it but
myself. Shall I send it to my room at once? You may trust entirely to my
discretion. Pray, have no fear!"

"Yes! at once--directly; it cannot be too soon!" said Mrs. Damer,
falling back exhausted on her pillow. So a servant was called, and the
iron-clamped box was carried away from the sick-room and secreted in
Mrs. Clayton's private apartment. Mrs. Damer seemed so weak, that her
cousin suggested summoning her husband to her side, but she appeared to
shrink from an interview with him.

"I have nothing to say but what will make him sad to think of
afterwards," she murmured. "Let me die with you alone, dear Bella. It is
better so."

So Colonel Damer, although he went backwards and forwards all the night,
was not called at any particular moment to see the last of his wife, and
Blanche had her wish. She died alone with her faithful little cousin
before the morning broke. As she was just going, she said, in a vague
sort of manner--

"Tell him, Bella, that I forgive him as I hope to be forgiven. And that
I have seen Heaven open to-night, and a child spirit pleading with the
Woman-born for us; and that the burden is lifted off my soul at last."
And then she added solemnly--"I will arise and go to my Father--," and
went before she could finish the sentence.

Innocent Bella repeated her last message in perfect faith to Colonel
Damer.

"She told me to tell you, that she felt herself forgiven, and that she
had seen Heaven opened for her, and the weight of her sins was lifted
off her soul. Oh! Colonel Damer, pray think of that, and take comfort.
She is happier than you could make her."

But the poor faithful husband was, for the present, beyond all reach of
comfort.

The London doctors arrived with the daylight, and had to be solemnly
entertained at breakfast, and warmed and comforted before they were
despatched home again. The Christmas guests were all packing up their
boxes, preparatory to taking their leave of Molton Chase, for it was
impossible to think of festivities with such a bereavement in the house.
And Harry Clayton told his wife that he was very thankful that they
thought of doing so.

"It has been a most unfortunate business altogether, Bella, and of
course they all felt it, poor things; and the more so because they could
take no active part in it. The house has had a pall over it the last
week; and it would have been still worse if they had remained. As for
Laurence, I never saw a man so cut up. He has eaten nothing since your
poor cousin was taken ill. One would think she had been his sister, or
his dearest friend."

"Is he going with the rest, Harry?"

"No; he will stay till after the funeral; then he is going abroad. He
feels deeply with you, Bella, and desired me to tell you so."

"He is very good--thank him in my name."

       *       *       *       *       *

But released from the care of thinking for her guests, and sitting
crying alone in her dressing-room, poor Mrs. Clayton could not imagine
what to do with the iron-clamped black box. She had promised Blanche not
to confide in her husband, or Colonel Damer. The latter, having no
family vault, wished to lay the remains of his wife amongst those of the
Claytons in the country churchyard of Molton; but how to get the black
box conveyed to the grave without the knowledge of the chief mourners
was a mystery beyond the fathoming of Bella's open heart. But in the
midst of her perplexity, Fate sent her aid. On the second day of her
cousin's death, a gentle tap sounded at her chamber door, and on her
invitation to enter being answered, she was surprised to see Mr.
Laurence on the threshold--come, as she imagined, to offer his sympathy
in person.

"This is very kind of you, Mr. Laurence," she said.

"I can scarcely claim your gratitude, Mrs. Clayton. I have sought you to
speak on a very important but painful subject. May I ask your attention
for a few moments?"

"Of course you may!" And she motioned him to a seat.

"It concerns her whom we have lost. Mrs. Clayton, tell me truly--did you
love your cousin?"

"Dearly--very dearly, Mr. Laurence. We were brought up together."

"Then I may depend on your discretion; and if you wish to save her
memory you must exercise it in her behalf. There is a small iron-clamped
black trunk amongst her boxes, which must not fall into Colonel Damer's
hands. Will you have that box conveyed from her chamber to your own, and
(if you will so far trust my honour) make it over to me?"

"To you, Mr. Laurence--the iron-bound box? What possible knowledge can
you have of my cousin's secret?"

"Her secret?"

"Yes--she confided that box to my care the night she died. She made me
promise to do (without question) what you have just asked me to perform,
and I did it. The trunk is already here."

And throwing open a cupboard at the side of the room, she showed him the
chest which he had mentioned.

"I see that it is," he answered. "How do you design disposing of it?"

"She wished it to be buried in her grave."

"That is impossible in its present state. The contents must be removed."

"But how?" Mrs. Clayton demanded, in surprise. "It is locked and double
locked, and there is no key."

"_I_ have the key," he answered, gravely.

"Oh! Mr. Laurence," exclaimed his hostess, trembling, "there is some
dreadful mystery here. For heaven's sake tell me what it is! What
connection can you possibly have with this box of my poor cousin's, if
you have only met her once in your life?"

"Did she say so?" he asked.

"No; but I fancied so. Have you known her? When? where? and why did you
not tell us so before?"

"How can I tell you now?" he said, gazing into the pure womanly face
upraised to his own, bearing an expression which was half-surprise and
half-fear but which seemed as though it could never dream of anything
like shame.

"You are too good and too happy, Mrs. Clayton, to know of, or be able to
sympathize with, the troubles and temptations which preceded our fatal
friendship and her fall."

"Blanche's _fall_!" ejaculated Bella Clayton, in a voice of horror.

"Don't interrupt me, please, Mrs. Clayton," he said, hurriedly, covering
his face with his hands, "or I shall never be able to tell you the
wretched story. I knew your cousin years ago. Had you any suspicion that
she was unhappy in her marriage?"

"No! none!" replied Bella, with looks of surprise.

"She _was_ then, thoroughly unhappy, as scores of women are, simply
because the hearts of the men they are bound to are opposed to theirs in
every taste and feeling. I met her when she first returned to England,
and--it is the old story, Mrs. Clayton--I loved her, and was mad enough
to tell her so. When a selfish man and an unselfish woman have mutually
confessed their preference for each other, the result is easily
anticipated. I ruined her--forgive my plain speaking--and she still
loved on, and forgave me."

"Oh, Blanche!" exclaimed Bella Clayton, hiding her hot face in her
hands.

"We lived in a fool's paradise for some months, and then one day she
left her house and went to the Continent, without giving me any warning
of her intention. I was thunderstruck when I heard it, and deeply hurt,
and as soon as I had traced her to Paris, I followed and demanded an
explanation of her conduct. But she refused to see me, and when she
found me pertinacious, left the city as suddenly as she had done that of
London. Since which time she has answered no letters of mine, nor did we
ever meet until, most unexpectedly, I met her in your house. My pride,
after her first refusals to see me, was too great to permit me to renew
my entreaties, and so I called her a flirt, and inconstant. I tried to
banish her remembrance from my heart--and I thought I had succeeded."

"Oh, my poor darling!" exclaimed Mrs. Clayton. "This accounts then for
her holding aloof from all her relations for so long a time, by which
means she estranged herself from many of them. She was working out her
penitence and deep remorse in solitary misery; and she would not even
let me share her confidence. But about the box, Mr. Laurence; what has
all this to do with the black box?"

"When I met her in your shrubbery the other day, and reproached her for
her desertion of me, insisting upon her giving me the reason of her
change of mind, she bade me follow her to her own apartment. There,
unlocking the box before you, she showed me its contents."

"And they are--?" inquired Mrs. Clayton, breathlessly.

"Would you like to see them?" he demanded, taking a key from his pocket.
"I have as much right to show them you as she would have had. But is
your love for her dead memory and reputation strong enough to insure
your eternal secrecy on the subject?"

"It is," said Bella Clayton, decidedly.

"This box," continued Mr. Laurence, applying the key he held to the lock
of the iron-clamped black trunk, "has accompanied my poor girl on all
her travels for the last two years. The dreadful secret of its contents
which she bore in silent, solitary misery all that time has been, I
believe, the ultimate cause of her death, by proving too heavy a burden
for the sensitive and proud spirit which was forced to endure the
knowledge of its shame. She was killed by her remorse. If you have
courage, Mrs. Clayton, for the sight, look at _this_--and pity the
feelings I must endure as I kneel here and look at it with you."

He threw back the lid and the topmost linen as he spoke, and Bella
Clayton pressed eagerly forward to see, carefully laid amidst withered
flowers and folds of cambric, the tiny skeleton of a new-born creature
whose angel was even then beholding the face of his Father in Heaven.

She covered her eyes with her clasped hands, no less to shut out the
sight than to catch the womanly tears which poured forth at it, and then
she cried between her sobs--

"Oh! my poor, poor Blanche, what must she not have suffered! God have
mercy on her soul!"

"Amen!" said Herbert Laurence.

"You will let me take the box away with me, Mrs. Clayton?" he asked,
gently.

She looked up as he spoke, and the tears were standing in his eyes.

"Yes--yes," she said; "take it away; do what you will with it, only
never speak of it to me again."

He never did but once, and that was but an allusion. On the evening of
the day on which they committed the remains of Blanche Damer to the
dust, he lay in wait for Mrs. Clayton on the landing.

"All has been done as she desired," he whispered; and Mrs. Clayton asked
for no further explanation. The secret of which she had been made an
unwilling recipient pressed so heavily on her conscience, that she was
thankful when he left Molton Grange and went abroad, as he had expressed
his intention of doing.

Since which time she has never seen Herbert Laurence again; and Colonel
Damer, whose grief at the funeral and for some time after was nearly
frenzied, having--like most men who mourn much outwardly--found a source
of consolation in the shape of another wife, the story of Blanche
Damer's life and death is remembered, for aught her cousin knows to the
contrary, by none but herself.

I feel that an objection will be raised to this episode by some people
on the score of its being _unnatural_; to whom all I can say in answer
is, that the principal incident on which the interest of it turns--that
of the unhappy Mrs. Damer having been made so great a coward by
conscience that she carried the proof of her frailty about with her for
years, too fearful of discovery to permit it to leave her sight--is _a
fact_.

To vary the circumstances under which the discovery of the contents of
the black box was finally made, and to alter the names of places and
people so as to avoid general recognition, I have made my province: to
relate the story itself, since, in the form I now present it to my
readers, it can give pain to no one, I consider my privilege.




MY FASCINATING FRIEND

William Archer




I


Nature has cursed me with a retiring disposition. I have gone round the
world without making a single friend by the way. Coming out of my own
shell is as difficult to me as drawing others out of theirs. There are
some men who go through life extracting the substance of every one they
meet, as one picks out periwinkles with a pin. To me my fellow-men are
oysters, and I have no oyster-knife; my sole consolation (if it be one)
is that my own values absolutely defy the oyster-knives of others. Not
more than twice or thrice in my life have I met a fellow-creature at
whose "Open Sesame" the treasures of my heart and brain stood instantly
revealed. My Fascinating Friend was one of these rare and sympathetic
beings.

I was lounging away a few days at Monaco, awaiting a summons to join
some relations in Italy. One afternoon I had started for an aimless and
rambling climb among the olive-terraces on the lower slopes of the Tete
du Chien. Finding an exquisite coign of vantage amid the roots of a
gnarled old trunk springing from a built-up semicircular patch of level
ground, I sat me down to rest, and read, and dream. Below me, a little
to the right, Monaco jutted out into the purple sea. I could distinguish
carriages and pedestrians coming and going on the chaussee between the
promontory and Monte Carlo, but I was far too high for any sound to
reach me. Away to the left the coast took a magnificent sweep, past the
clustering houses of Roccabruna, past the mountains at whose base
Mentone nestled unseen, past the Italian frontier, past the bight of
Ventimiglia, to where the Capo di Bordighera stood faintly outlined
between sea and sky. There was not a solitary sail on the whole expanse
of the Mediterranean. A line of white, curving at rhythmic intervals
along a small patch of sandy beach, showed that there was a gentle swell
upon the sea, but its surface was mirror-like. A lovelier scene there is
not in the world, and it was at its very loveliest. I took the _Saturday
Review_ from my pocket, and was soon immersed in an article on the
commutation of tithes.

I was aroused from my absorption by the rattle of a small stone hopping
down the steep track, half path, half stairway, by which I had ascended.
It had been loosened by the foot of a descending wayfarer, in whom, as
he picked his way slowly downward, I recognized a middle-aged German
(that I supposed to be his nationality) who had been very assiduous at
the roulette-tables of the Casino for some days past. There was nothing
remarkable in his appearance, his spectacled eyes, squat nose, and
square-cropped bristling beard being simply characteristic of his class
and country. He did not notice me as he went by, being too intent on his
footing to look about him; but I was so placed that it was a minute or
more before he passed out of sight round a bend in the path. He was just
turning the corner, and my eyes were still fixed on him, when I was
conscious of another figure within my field of vision. This second comer
had descended the same pathway, but had loosened no stones on his
passage. He trod with such exquisite lightness and agility that he had
passed close by me without my being aware of his presence, while he, for
his part, had his eyes fixed with a curious intensity on the thick-set
figure of the German, upon whom, at his rate of progress, he must have
been gaining rapidly. A glance showed me that he was a young man of
slender figure, dressed in a suit of dark-coloured tweed, of English
cut, and wearing a light-brown wide-awake hat. Just as my eye fell upon
him he put his hand into the inner breast-pocket of his coat, and drew
from it something which, as he was now well past me, I could not see. At
the same moment some small object, probably jerked out of his pocket by
mistake, fell almost noiselessly on the path at his feet. In his
apparently eager haste he did not notice his loss, but was gliding
onward, leaving what I took to be his purse lying on the path. It was
clearly my duty to call his attention to it; so I said, "Hi!" an
interjection which I have found serves its purpose in all countries. He
gave a perceptible start, and looked round at me over his shoulder. I
pointed to the object he had dropped, and said, "_Voila!_" He had thrust
back into his pocket the thing, whatever it was, which he held in his
hand, and now turned round to look where I was pointing. "Ah!" he said
in English, "my cigarette-case! I am much obliged to you," and he
stooped and picked it up.

"I thought it was your purse," I said.

"I would rather have lost my purse than this," he said, with a light
laugh. He had apparently abandoned his intention of overtaking the
German, who had meanwhile passed out of sight.

"Are you such an enthusiastic smoker?" I asked.

"I go in for quality, not quantity," he replied; "and a Spanish friend
has just given me some incomparable _cigarritos_." He opened the case as
he ascended the few steps which brought him up to my little plateau.
"Have one?" he said, holding it out to me with the most winning smile I
have ever seen on any human face.

I was about to take one from the left-hand side of the case, when he
turned it away and presented the other side to me.

"No, no!" he said; "these flat ones are my common brand. The round ones
are the gems."

"I am robbing you," I said, as I took one.

"Not if you are smoker enough to appreciate it," he said, as he
stretched himself on the ground beside me, and produced from a little
gold match-box a wax vesta, with which he lighted my cigarette and his
own.

So graceful was his whole personality, so easy and charming his manner,
that it did not strike me as in the least odd that he should thus make
friends with me by the mere exchange of half a dozen words. I looked at
him as he lay resting on his elbows and smoking lazily. He had thrown
his hat off, and his wavy hair, longish and of an opaque charcoal black,
fell over his temples while he shook it back behind his ears. He was a
little above the middle height, of dark complexion, with large and soft
black eyes and arched eyebrows, a small and rather broad nose (the worst
feature in his face), full curving and sensitive lips, and a very strong
and rounded chin. He was absolutely beardless, but a slight black down
on the upper lip announced a coming mustache. His age could not have
been more than twenty. The cut of his clothes, as I have said, was
English, but his large black satin neck-cloth, flowing out over the
collar of his coat, was such as no home-keeping Englishman would ever
have dared to appear in. This detail, combined with his accent,
perfectly pure but a trifle precise and deliberate, led me to take him
for an Englishman brought up on the Continent--probably in Italy, for
there was no French intonation in his speech. His voice was rich, but
deep--a light baritone.

He took up my _Saturday Review_.

"The Bible of the Englishman abroad," he said. "One of the institutions
that makes me proud of our country."

"I have it sent me every week," I said.

"So had my father," he replied. "He used to say, 'Shakespeare we share
with the Americans, but damn it, the _Saturday Review_ is all our own!'
He was one of the old school, my father."

"And the good school," I said, with enthusiasm. "So am I."

"Now, I'm a bit of a Radical," my new friend rejoined, looking up with a
smile, which made the confession charming rather than objectionable; and
from this point we started upon a discussion, every word of which I
could write down if I chose, such a lasting impression did it make upon
me. He was indeed a brilliant talker, having read much and travelled
enormously for one so young. "I think I have lived in every country in
Europe," he said, "except Russia. Somehow it has never interested me." I
found that he was a Cambridge man, or, at least, was intimately
acquainted with Cambridge life and thought; and this was another bond
between us. His Radicalism was not very formidable; it amounted to
little more, indeed, than a turn for humorous paradox. Our discussion
reminded me of Fuller's description of the wit-combats between Ben
Jonson and Shakespeare at the "Mermaid." I was the Spanish galleon, my
Fascinating Friend was the English man-of-war, ready "to take advantage
of all winds by the quickness of his wit and invention." An hour sped
away delightfully, the only thing I did not greatly enjoy being the
cigarette, which seemed to me no better than many I had smoked before.

"What do you think of my cigarettes?" he said, as I threw away the
stump.

I felt that a blunt expression of opinion would be in bad taste after
his generosity in offering an utter stranger the best he had.
"Exquisite!" I answered.

"I thought you would say so," he replied, gravely. "Have another!"

"Let me try one of your common ones," I said.

"No, you shan't!" he replied, closing the case with a sudden snap, which
endangered my fingers, but softening the _brusquerie_ of the proceeding
by one of his enthralling smiles; then he added, using one of the odd
idioms which gave his speech a peculiar piquancy, "I don't palm off upon
my friends what I have of second best." He re-opened the case and held
it out to me. To have refused would have been to confess that I did not
appreciate his "gems" as he called them. I smoked another, in which I
still failed to find any unusual fragrance; but the aroma of my
new-found friend's whole personality was so keen and subtle, that it may
have deadened my nerves to any more material sensation.

We lay talking until the pink flush of evening spread along the horizon,
and in it Corsica, invisible before, seemed to body itself forth from
nothingness like an island of phantom peaks and headlands. Then we rose,
and, in the quickly gathering dusk, took our way down among the
olive-yards, and through the orange-gardens to Monte Carlo.




II


My acquaintance with my Fascinating Friend lasted little more than
forty-eight hours, but during that time we were inseparable. He was not
at my hotel, but on that first evening I persuaded him to dine with me,
and soon after breakfast on the following morning I went in search of
him; I was at the Russie, he at the Hotel de Paris. I found him smoking
in the veranda, and at a table not far distant sat the German of the
previous afternoon, finishing a tolerably copious _dejeuner a la
fourchette_. As soon as he had scraped his plate quite clean and
finished the last dregs of his bottle of wine, he rose and took his way
to the Casino. After a few minutes' talk with my Fascinating Friend, I
suggested a stroll over to Monaco. He agreed, and we spent the whole day
together, loitering and lounging, talking and dreaming. We went to the
Casino in the afternoon to hear the concert, and I discovered my friend
to be a cultivated musician. Then we strolled into the gambling-room for
an hour, but neither of us played. The German was busy at one of the
roulette-tables, and seemed to be winning considerably. That evening I
dined with my friend at the table d'hote of his hotel. At the other end
of the table I could see the German sitting silent and unnoticing, rapt
in the joys of deglutition.

Next morning, by arrangement, my friend called upon me at my hotel, and
over one of his cigarettes, to which I was getting accustomed, we
discussed our plan for the day. I suggested a wider flight than
yesterday's. Had he ever been to Eza, the old Saracen robber-nest
perched on a rock a thousand feet above the sea, halfway between Monaco
and Villafranca? No, he had not been there, and after some consideration
he agreed to accompany me. We went by rail to the little station on the
seashore, and then attacked the arduous ascent. The day was perfect,
though rather too warm for climbing, and we had frequent rests among the
olive-trees, with delightfully discursive talks on all things under the
sun. My companion's charm grew upon me moment by moment. There was in
his manner a sort of refined coquetry of amiability which I found
irresistible. It was combined with a frankness of sympathy and interest
subtly flattering to a man of my unsocial habit of mind. I was conscious
every now and then that he was drawing me out; but to be drawn out so
gently and genially was, to me, a novel and delightful experience. It
produced in me one of those effusions of communicativeness to which, I
am told, all reticent people are occasionally subject. I have myself
given way to them some three or four times in my life, and found myself
pouring forth to perfect strangers such intimate details of feeling and
experience as I would rather die than impart to my dearest friend. Three
or four times, I say, have I found myself suddenly and inexplicably
brought within the influence of some invisible truth-compelling
talisman, which drew from me confessions the rack could not have
extorted; but never has the influence been so irresistible as in the
case of my Fascinating Friend. I told him what I had told to no other
human soul--what I had told to the lonely glacier, to the lurid
storm-cloud, to the seething sea, but had never breathed in mortal
ear--I told him the tragedy of my life. How well I remember the scene!
We were resting beneath the chestnut-trees that shadow a stretch of
level sward immediately below the last short stage of ascent that leads
into the heart of the squalid village now nestling in the crevices of
the old Moslem fastness. The midday hush was on sea and sky. Far out on
the horizon a level line of smoke showed where an unseen steamer was
crawling along under the edge of the sapphire sphere. As I reached the
climax of my tale an old woman, bent almost double beneath a huge fagot
of firewood, passed us on her way to the village. I remember that it
crossed my mind to wonder whether there was any capacity in the nature
of such as she for suffering at all comparable to that which I was
describing. My companion's sympathy was subtle and soothing. There was
in my tale an element of the grotesque which might have tempted a vulgar
nature to flippancy. No smile crossed my companion's lips. He turned
away his head, on pretense of watching the receding figure of the old
peasant-woman. When he looked at me again, his deep dark eyes were
suffused with a moisture which enhanced the mystery of their tenderness.
In that moment I felt, as I had never felt before, what it is to find a
friend.

We returned to Monte Carlo late in the afternoon, and I found a telegram
at my hotel begging me to be in Genoa the following morning. I had
barely time to bundle my traps together and swallow a hasty meal before
my train was due. I scrawled a note to my new found confidant,
expressing most sincerely my sorrow at parting from him so soon and so
suddenly, and my hope that ere long we should meet again.




III


The train was already at the platform when I reached the station. There
were one or two first-class through carriages on it, which, for a French
railway, were unusually empty. In one of them I saw at the window the
head of the German, and from a certain subdued radiance in his
expression, I judged that he must be carrying off a considerable "pile"
from the gaming-table. His personality was not of the most attractive,
and there was something in his squat nose suggestive of stertorous
possibilities which, under ordinary circumstances, would have held me
aloof from him. But--shall I confess it?--he had for me a certain
sentimental attraction, because he was associated in my mind with that
first meeting with my forty-eight hours' friend. I looked into his
compartment; an overcoat and valise lay in the opposite corner from his,
showing that seat to be engaged, but two corners were still left me to
choose from. I installed myself in one of them, face to face with the
valise and overcoat, and awaited the signal to start. The cry of "En
voiture, messieurs!" soon came, and a lithe figure sprang into the
carriage. It was my Fascinating Friend! For a single moment I thought
that a flash of annoyance crossed his features on finding me there, but
the impression vanished at once, for his greeting was as full of
cordiality as of surprise. We soon exchanged explanations. He, like
myself, had been called away by telegram, not to Genoa, but to Rome; he,
like myself, had left a note expressing his heartfelt regret at our
sudden separation. As we sped along, skirting bays that shone burnished
in the evening light, and rumbling every now and then through a
tunnel-pierced promontory, we resumed the almost affectionate converse
interrupted only an hour before, and I found him a more delightful
companion than ever. His exquisitely playful fantasy seemed to be acting
at high pressure, as in the case of a man who is talking to pass the
time under the stimulus of a delightful anticipation. I suspected that
he was hurrying to some peculiarly agreeable rendezvous in Rome, and I
hinted my suspicion, which he laughed off in such a way as to confirm
it. The German, in the mean time, sat stolid and unmoved, making some
pencilled calculations in a little pocket-book. He clearly did not
understand English.

As we approached Ventimiglia my friend rose, took down his valise from
the rack, and, turning his back to me, made some changes in its
arrangement, which I, of course, did not see. He then locked it
carefully and kept it beside him. At Ventimiglia we had all to turn out
to undergo the inspection of the Italian _dogana_. My friend's valise
was his sole luggage, and I noticed, rather to my surprise, that he gave
the custom-house official a very large bribe--two or three gold
pieces--to make his inspection of it purely nominal, and forego the
opening of either of the inside compartments. The German, on the other
hand, had a small portmanteau and a large dispatch box, both of which he
opened with a certain ostentation, and I observed that the official's
eyes glittered under his raised eyebrows as he looked into the contents
of the dispatch-box. On returning to the train we all three resumed our
old places, and the German drew the shade of a sleeping-cap over his
eyes and settled himself down for the night. It was now quite dark, but
the moon was shining.

"Have you a large supply of the 'gems' in your valise?" I asked,
smiling, curious to know his reason for a subterfuge which accorded ill
with his ordinary straight-forwardness, and remembering that tobacco is
absolutely prohibited at the Italian frontier.

"Unfortunately, no," he said; "my 'gems' are all gone, and I have only
my common cigarettes remaining. Will you try them, such as they are?"
and he held out his case, both sides of which were now filled with the
flat cigarettes. We each took one and lighted it, but he began giving me
an account of a meeting he had had with Lord Beaconsfield, which he
detailed so fully and with so much enthusiasm, that, after a whiff or
two he allowed his cigarette to go out. I could not understand his taste
in tobacco. These cigarettes which he despised seemed to me at once more
delicate and more peculiar than the others. They had a flavour which was
quite unknown to me. I was much interested in his vivid account of the
personality of that great man, whom I admired then, while he was yet
with us, and whom, as a knight of the Primrose League, I now revere; but
our climb of the morning, and the scrambling departure of the afternoon,
were beginning to tell on me, and I became irresistibly drowsy.
Gradually, and in spite of myself, my eyes closed. I could still hear my
companion's voice mingling with the heavy breathing of the German, who
had been asleep for some time; but soon even these sounds ceased to
penetrate the mist of languor, the end of my cigarette dropped from
between my fingers and I knew no more.

       *       *       *       *       *

My awakening was slow and spasmodic. There was a clearly perceptible
interval--probably several minutes--between the first stirrings of
consciousness and the full clarification of my faculties. I began to be
aware of the rumble and oscillation of the train without realizing what
was meant. Then I opened my eyes and blinked at the lamp, and vaguely
noted the yellow oil washing to and fro in the bowl. Then the white
square of the "Avis aux Voyageurs" caught my eye in the gloom under the
luggage-rack, and beneath it, on the seat, I saw the light reflected
from the lock of the German's portmanteau. Next I was conscious of the
German himself still sleeping in his corner, but no longer puffing and
grunting as when I had fallen asleep. Then I raised my head, looked
round the carriage, and the next moment sprang bolt upright in dismay.

Where was my Fascinating Friend?

Gone! vanished! There was not a trace of him. His valise, his
great-coat, all had disappeared. Only in the little cigar-ash box on the
window-frame I saw the flat cigarette which he had barely lighted--how
long before? I looked at my watch: it must have been about an hour and a
half ago.

By this time I had all my faculties about me. I looked across at the
German, intending to ask him if he knew anything of our late
travelling-companion. Then I noticed that his head had fallen forward in
such a way that it seemed to me suffocation must be imminent. I
approached him, and put down my head to look into his face. As I did so
I saw a roundish black object on the oil-cloth floor not far from the
toe of his boot. The lamplight was reflected at a single point from its
convex surface. I put down my hand and touched it. It was liquid. I
looked at my fingers--they were not black, but red. I think (but am not
sure) that I screamed aloud. I shrank to the other end of the carriage,
and it was some moments before I had sufficient presence of mind to look
for a means of communicating with the guard. Of course there was none. I
was alone for an indefinite time with a dead man. But was he dead? I had
little doubt, from the way his head hung, that his throat was cut, and a
horrible fascination drew me to his side to examine. No; there was no
sign of the hideous fissure I expected to find beneath the gray bristles
of his beard. His head fell forward again into the same position, and I
saw with horror that I had left two bloody fingermarks upon the gray
shade of his sleeping-cap. Then I noticed for the first time that the
window he was facing stood open, for a gust of wind came through it and
blew back the lapel of his coat. What was that on his waistcoat? I tore
the coat back and examined: it was a small triangular hole just over the
heart, and round it there was a dark circle about the size of a
shilling, where the blood had soaked through the light material. In
examining it I did what the murderer had not done--disturbed the
equilibrium of the body, which fell over against me.

At that moment I heard a loud voice behind me, coming from I knew not
where. I nearly fainted with terror. The train was still going at full
speed; the compartment was empty, save for myself and the ghastly object
which lay in my arms; and yet I seemed to hear a voice almost at my ear.
There it was again! I summoned up courage to look round. It was the
guard of the train clinging on outside the window and demanding
"Biglietti!" By this time, he, too, saw that something was amiss. He
opened the door and swung himself into the carriage. "Dio mio!" I heard
him exclaim, as I actually flung myself into his arms and pointed to the
body now lying in a huddled heap amid its own blood on the floor. Then,
for the first time in my life, I positively swooned away, and knew no
more.

When I came to myself the train had stopped at a small station, the name
of which I do not know to this day. There was a Babel of speech going on
around, not one word of which I could understand. I was on the platform,
supported between two men in uniform, with cocked hats and cockades. In
vain I tried to tell my story. I knew little or no Italian, and, though
there were one or two Frenchmen in the train, they were useless as
interpreters, for on the one hand my power of speaking French seemed to
have departed in my agitation, and on the other hand none of the
Italians understood it. In vain I tried to make them understand that a
"giovane" had travelled in the compartment with us who had now
disappeared. The Italian guard, who had come on at Ventimiglia,
evidently had no recollection of him. He merely shook his head, said
"Non capisco," and inquired if I was "Prussiano." The train had already
been delayed some time, and, after a consultation between the
station-master, the guard, the syndic of the village, who had been
summoned in haste, it was determined to hand the matter over to the
authorities at Genoa. The two carabinieri sat one on each side of me
facing the engine, and on the opposite seat the body was stretched out
with a luggage tarpaulin over it. In this hideous fashion I passed the
four or five remaining hours of the journey to Genoa.

The next week I spent in an Italian prison, a very uncomfortable yet
quite unromantic place of abode. Fortunately, my friends were by this
time in Genoa, and they succeeded in obtaining some slight mitigation of
my discomforts. At the end of that time I was released, there being no
evidence against me. The testimony of the French guard, of the
booking-clerk at Monaco, and of the staff of the Hotel de Paris,
established the existence of my Fascinating Friend, which was at first
called in question; but no trace could be found of him. With him had
disappeared his victim's dispatch-box, in which were stored the proceeds
of several days of successful gambling. Robbery, however, did not seem
to have been the primary motive of the crime, for his watch, purse, and
the heavy jewelry about his person were all untouched. From the German
Consul at Genoa I learned privately, after my release, that the murdered
man, though in fact a Prussian, had lived long in Russia, and was
suspected of having had an unofficial connection with the St. Petersburg
police. It was thought, indeed, that the capital with which he had
commenced his operation at Monte Carlo was the reward of some special
act of treachery; so that the anarchists, if it was indeed they who
struck the blow, had merely suffered Judas to put his thirty pieces out
to usance, in order to pay back to their enemies with interest the
blood-money of their friends.




IV


About two years later I happened one day to make an afternoon call in
Mayfair, at the house of a lady well known in the social and political
world, who honours me, if I may say so, with her friendship. Her
drawing-room was crowded, and the cheerful ring of afternoon tea-cups
was audible through the pleasant medley of women's voices. I joined a
group around the hostess, where an animated discussion was in progress
on the Irish Coercion Bill, then the leading political topic of the day.
The argument interested me deeply; but it is one of my mental
peculiarities that when several conversations are going on around me I
can by no means keep my attention exclusively fixed upon the one in
which I am myself engaged. Odds and ends from all the others find their
way into my ears and my consciousness, and I am sometimes accused of
absence of mind, when my fault is in reality a too great alertness of
the sense of hearing. In this instance the conversation of three or four
groups was more or less audible to me; but it was not long before my
attention was absorbed by the voice of a lady, seated at the other side
of the circular ottoman on which I myself had taken my place.

She was talking merrily, and her hearers, in one of whom, as I glanced
over my shoulder, I recognized an ex-Cabinet Minister, seemed to be
greatly entertained. As her back was toward me, all I could see of the
lady herself was her short black hair falling over the handsome fur
collar of her mantle.

"He was so tragic about it," she was saying, "that it was really
_impayable_. The lady was beautiful, wealthy, accomplished, and I don't
know what else. The rival was an Australian squatter, with a beard as
thick as his native bush. My communicative friend--I scarcely knew even
his name when he poured forth his woes to me--thought that he had an
advantage in his light moustache, with a military twirl in it. They were
all three travelling in Switzerland, but the Australian had gone off to
make the ascent of some peak or other, leaving the field to the foe for
a couple of days at least. On the first day the foe made the most of his
time, and had nearly brought matters to a crisis. The next morning he
got himself up as exquisitely as possible, in order to clinch his
conquest, but found to his disgust that he had left his dressing-case
with his razors at the last stopping-place. There was nothing for it but
to try the village barber, who was also the village stationer, and
draper, and ironmonger, and chemist--a sort of Alpine Whiteley, in fact.
His face had just been soaped--what do you call it?--lathered, is it
not? and the barber had actually taken hold of his nose so as to get his
head into the right position, when, in the mirror opposite, he saw the
door open, and--oh, horror!--who should walk into the shop but the fair
one herself! He gave such a start that the barber gashed his chin. His
eyes met hers in the mirror; for a moment he saw her lips quiver and
tremble, and then she burst into shrieks of uncontrollable laughter, and
rushed out of the shop. If you knew the pompous little man, I am sure
you would sympathize with her. I know I did when he told me the story.
His heart sank within him, but he acted like a Briton. He determined to
take no notice of the _contretemps_, but return boldly to the attack.
She received him demurely at first, but the moment she raised her eyes
to his face, and saw the patch of sticking-plaster on his chin, she was
again seized with such convulsions that she had to rush from the room.
'She is now in Melbourne,' he said, almost with a sob, 'and I assure
you, my dear friend, that I never now touch a razor without an impulse,
to which I expect I shall one day succumb, to put it to a desperate
use.'"

There was a singing in my ears, and my brain was whirling. This story,
heartlessly and irreverently told, was the tragedy of my life!

I had breathed it to no human soul--_save one_!

I rose from my seat, wondering within myself whether my agitation was
visible to those around me, and went over to the other side of the room
whence I could obtain a view of the speaker. There were the deep, dark
eyes, there were the full sensuous lips, the upper shaded with an
impalpable down, there was the charcoal-black hair! I knew too well that
rich contralto voice! It was my Fascinating Friend!

Before I had fully realized the situation she rose, handed her empty
tea-cup to the Cabinet-Minister, bowed to him and his companion, and
made her way up to the hostess, evidently intending to take her leave.
As she turned away, after shaking hands cordially with Lady X----, her
eyes met mine intently fixed upon her. She did not start, she neither
flushed nor turned pale; she simply raised for an instant her finely
arched eyebrows, and as her tall figure sailed past me out of the room,
she turned upon me the same exquisite and irresistible smile with which
my Fascinating Friend had offered me his cigarette-case that evening
among the olive-trees.

I hurried up to Lady X----.

"Who is the lady who has just left the room?" I asked.

"Oh, that is the Baroness M----," she replied. "She is half an
Englishwoman, half a Pole. She was my daughter's bosom friend at
Girton--a most interesting girl."

"Is she a politician?" I asked.

"No; that's the one thing I don't like about her. She is not a bit of a
patriot; she makes a joke of her country's wrongs and sufferings. Should
you like to meet her? Dine with us the day after to-morrow. She is to be
here."

       *       *       *       *       *

I dined at Lady X----'s on the appointed day, but the Baroness was not
there. Urgent family affairs had called her suddenly to Poland.

A week later the assassination of the Czar sent a thrill of horror
through the civilized world.

       *       *       *       *       *

"Don't you think your friend might be held an accessory after the fact
to the death of the German?" asked the Novelist, when all the flattering
comments, which were many, were at an end. "And an accessory before the
fact to the assassination of the Czar?" chimed in the Editor. "Why
didn't he go straight from Lady ----'s house to the nearest
police-station and put the police on the track of his 'Fascinating
Friend'?" "What a question!" the Romancer exclaimed, starting from his
seat and pacing restlessly about the deck. "How could any man with a
palate for the rarest flavours of life resist the temptation of taking
that woman down to dinner? And, besides, hadn't he eaten salt with her?
Hadn't he smoked the social cigarette with her? Shade of De Quincey! are
we to treat like a vulgar criminal a mistress of the finest of the fine
arts? Shall we be such crawling creatures as to seek to lay by the heels
a Muse of Murder? Are we a generation of detectives, that we should do
this thing?" "So my friend put it to me," said the Critic dryly, "not
quite so eloquently, but to that effect. Between ourselves, though, I
believe he was influenced more by consideration of his personal safety
than by admiration for murder as a fine art. He remembered the fate of
the German, and was unwilling to share it." "He adopted a policy of
non-intervention," said the Eminent Tragedian, who in his hours of
leisure, was something of a politician. "I should rather say of _laissez
faire_, or, more precisely, of _laissez assassiner_," laughed the
Editor. "What was the Fascinating Friend supposed to have in her
portmanteau?" asked Beatrice. "What was she so anxious to conceal from
the custom-house officers?" "Her woman's clothes, I imagine," the Critic
replied, "though I don't hold myself bound to explain all the ins and
outs of her proceedings." "Then she _was_ a wonderful woman," replied
the fair questioner, as one having authority, "if she could get a
respectable gown and 'fixings,' as the Americans say, into a small
portmanteau. But," she added, "I very soon suspected she was a woman."
"Why?" asked several voices simultaneously. "Why, because she drew him
out so easily," was the reply. "You think, in fact," said the Romancer,
"that however little its victim was aware of it, there was a touch of
the _Ewig-weibliche_ in her fascination?" "Precisely."




THE LOST ROOM

FITZ-JAMES O'BRIEN


It was oppressively warm. The sun had long disappeared, but seemed to
have left its vital spirit of heat behind it. The air rested; the leaves
of the acacia-trees that shrouded my windows hung plumb-like on their
delicate stalks. The smoke of my cigar scarce rose above my head, but
hung about me in a pale blue cloud, which I had to dissipate with
languid waves of my hand. My shirt was open at the throat, and my chest
heaved laboriously in the effort to catch some breaths of fresher air.
The noises of the city seemed to be wrapped in slumber, and the
shrilling of the mosquitos was the only sound that broke the stillness.

As I lay with my feet elevated on the back of a chair, wrapped in that
peculiar frame of mind in which thought assumes a species of lifeless
motion, the strange fancy seized me of making a languid inventory of the
principal articles of furniture in my room. It was a task well suited to
the mood in which I found myself. Their forms were duskily defined in
the dim twilight that floated shadowily through the chamber; it was no
labour to note and particularize each, and from the place where I sat I
could command a view of all my possessions without even turning my head.

There was, _imprimis_, that ghostly lithograph by Calame. It was a mere
black spot on the white wall, but my inner vision scrutinized every
detail of the picture. A wild, desolate, midnight heath, with a spectral
oak-tree in the centre of the foreground. The wind blows fiercely, and
the jagged branches, clothed scantily with ill-grown leaves, are swept
to the left continually by its giant force.

A formless wrack of clouds streams across the awful sky, and the rain
sweeps almost parallel with the horizon. Beyond, the heath stretches off
into endless blackness, in the extreme of which either fancy or art has
conjured up some undefinable shapes that seem riding into space. At the
base of the huge oak stands a shrouded figure. His mantle is wound by
the blast in tight folds around his form, and the long cock's feather in
his hat is blown upright, till it seems as if it stood on end with fear.
His features are not visible, for he has grasped his cloak with both
hands, and drawn it from either side across his face. The picture is
seemingly objectless. It tells no tale, but there is a weird power about
it that haunts one, and it was for that I bought it.

Next to the picture comes the round blot that hangs below it, which I
know to be a smoking-cap. It has my coat of arms embroidered on the
front, and for that reason I never wear it; though, when properly
arranged on my head, with its long blue silken tassel hanging down by my
cheek, I believe it becomes me well. I remember the time when it was in
the course of manufacture. I remember the tiny little hands that pushed
the coloured silks so nimbly through the cloth that was stretched on the
embroidery-frame,--the vast trouble I was put to to get a coloured copy
of my armorial bearings for the heraldic work which was to decorate the
front of the band,--the pursings up of the little mouth, and the
contractions of the young forehead, as their possessor plunged into a
profound sea of cogitation touching the way in which the cloud should be
represented from which the armed hand, that is my crest, issues,--the
heavenly moment when the tiny hands placed it on my head, in a position
that I could not bear for more than a few seconds, and I, kinglike,
immediately assumed my royal prerogative after the coronation, and
instantly levied a tax on my only subjects which was, however, not paid
unwillingly. Ah! the cap is there, but the embroiderer has fled; for
Atropos was severing the web of life above her head while she was
weaving that silken shelter for mine!

How uncouthly the huge piano that occupies the corner at the left of the
door looms out in the uncertain twilight! I neither play nor sing, yet I
own a piano. It is a comfort to me to look at it, and to feel that the
music is there, although I am not able to break the spell that binds it.
It is pleasant to know that Bellini and Mozart, Cimarosa, Porpora, Glueck
and all such,--or at least their souls,--sleep in that unwieldy case.
There lie embalmed, as it were, all operas, sonatas, oratorios,
nocturnos, marches, songs and dances, that ever climbed into existence
through the four bars that wall in melody. Once I was entirely repaid
for the investment of my funds in that instrument which I never use.
Blokeeta, the composer, came to see me. Of course his instincts urged
him as irresistibly to my piano as if some magnetic power lay within it
compelling him to approach. He tuned it, he played on it. All night
long, until the gray and spectral dawn rose out of the depths of the
midnight, he sat and played, and I lay smoking by the window listening.
Wild, unearthly, and sometimes insufferably painful, were the
improvisations of Blokeeta. The chords of the instrument seemed breaking
with anguish. Lost souls shrieked in his dismal preludes; the half-heard
utterances of spirits in pain, that groped at inconceivable distances
from anything lovely or harmonious, seemed to rise dimly up out of the
waves of sound that gathered under his hands. Melancholy human love
wandered out on distant heaths, or beneath dank and gloomy cypresses,
murmuring its unanswered sorrow, or hateful gnomes sported and sang in
the stagnant swamps triumphing in unearthly tones over the knight whom
they had lured to his death. Such was Blokeeta's night's entertainment;
and when he at length closed the piano, and hurried away through the
cold morning, he left a memory about the instrument from which I could
never escape.

Those snow-shoes that hang in the space between the mirror and the door
recall Canadian wanderings,--a long race through the dense forests, over
the frozen snow through whose brittle crust the slender hoofs of the
caribou that we were pursuing sank at every step, until the poor
creature despairingly turned at bay in a small juniper coppice, and we
heartlessly shot him down. And I remember how Gabriel, the _habitant_,
and Francois, the half-breed, cut his throat, and how the hot blood
rushed out in a torrent over the snowy soil; and I recall the snow
_cabane_ that Gabriel built, where we all three slept so warmly; and the
great fire that glowed at our feet, painting all kinds of demoniac
shapes on the black screen of forest that lay without; and the
deer-steaks that we roasted for our breakfast; and the savage
drunkenness of Gabriel in the morning, he having been privately drinking
out of my brandy-flask all the night long.

That long haftless dagger that dangles over the mantelpiece makes my
heart swell. I found it, when a boy, in a hoary old castle in which one
of my maternal ancestors once lived. That same ancestor--who, by the
way, yet lives in history--was a strange old sea-king, who dwelt on the
extremest point of the southwestern coast of Ireland. He owned the whole
of that fertile island called Inniskeiran, which directly faces Cape
Clear, where between them the Atlantic rolls furiously, forming what the
fishermen of the place call "the Sound." An awful place in winter is
that same Sound. On certain days no boat can live there for a moment,
and Cape Clear is frequently cut off for days from any communication
with the mainland.

This old sea-king--Sir Florence O'Driscoll by name--passed a stormy
life. From the summit of his castle he watched the ocean, and when any
richly laden vessels bound from the South to the industrious Galway
merchants, hove in sight, Sir Florence hoisted the sails of his galley,
and it went hard with him if he did not tow into harbor ship and crew.
In this way he lived; not a very honest mode of livelihood, certainly,
according to our modern ideas, but quite reconcilable with the morals of
the time. As may be supposed, Sir Florence got into trouble. Complaints
were laid against him at the English court by the plundered merchants,
and the Irish viking set out for London, to plead his own cause before
good Queen Bess, as she was called. He had one powerful recommendation:
he was a marvellously handsome man. Not Celtic by descent, but half
Spanish, half Danish in blood, he had the great northern stature with
the regular features, flashing eyes, and dark hair of the Iberian race.
This may account for the fact that his stay at the English court was
much longer than was necessary, as also for the tradition, which a local
historian mentions, that the English Queen evinced a preference for the
Irish chieftain, of other nature than that usually shown by monarch to
subject.

Previous to his departure, Sir Florence had intrusted the care of his
property to an Englishman named Hull. During the long absence of the
knight, this person managed to ingratiate himself with the local
authorities, and gain their favour so far that they were willing to
support him in almost any scheme. After a protracted stay, Sir Florence,
pardoned of all his misdeeds, returned to his home. Home no longer. Hull
was in possession, and refused to yield an acre of the lands he had so
nefariously acquired. It was no use appealing to the law, for its
officers were in the opposite interest. It was no use appealing to the
Queen, for she had another lover, and had forgotten the poor Irish
knight by this time; and so the viking passed the best portion of his
life in unsuccessful attempts to reclaim his vast estates, and was
eventually, in his old age, obliged to content himself with his castle
by the sea and the island of Inniskeiran, the only spot of which the
usurper was unable to deprive him. So this old story of my kinsman's
fate looms up out of the darkness that enshrouds that haftless dagger
hanging on the wall.

It was somewhat after the foregoing fashion that I dreamily made the
inventory of my personal property. As I turned my eyes on each object,
one after the other,--or the places where they lay, for the room was now
so dark that it was almost impossible to see with any distinctness,--a
crowd of memories connected with each rose up before me, and, perforce,
I had to indulge them. So I proceeded but slowly, and at last my cigar
shortened to a hot and bitter morsel that I could barely hold between my
lips, while it seemed to me that the night grew each moment more
insufferably oppressive. While I was revolving some impossible means of
cooling my wretched body, the cigar stump began to burn my lips. I flung
it angrily through the open window, and stooped out to watch it falling.
It first lighted on the leaves of the acacia, sending out a spray of red
sparkles, then, rolling off, it fell plump on the dark walk in the
garden, faintly illuminating for a moment the dusky trees and breathless
flowers. Whether it was the contrast between the red flash of the
cigar-stump and the silent darkness of the garden, or whether it was
that I detected by the sudden light a faint waving of the leaves, I know
not; but something suggested to me that the garden was cool. I will take
a turn there, thought I, just as I am; it cannot be warmer than this
room, and however still the atmosphere, there is always a feeling of
liberty and spaciousness in the open air, that partially supplies one's
wants. With this idea running through my head, I arose, lit another
cigar, and passed out into the long, intricate corridors that led to the
main staircase. As I crossed the threshold of my room, with what a
different feeling I should have passed it had I known that I was never
to set foot in it again!

I lived in a very large house, in which I occupied two rooms on the
second floor. The house was old-fashioned, and all the floors
communicated by a huge circular staircase that wound up through the
centre of the building, while at every landing long, rambling corridors
stretched off into mysterious nooks and corners. This palace of mine was
very high, and its resources, in the way of crannies and windings,
seemed to be interminable. Nothing seemed to stop anywhere. Cul-de-sacs
were unknown on the premises. The corridors and passages, like
mathematical lines, seemed capable of indefinite extension, and the
object of the architect must have been to erect an edifice in which
people might go ahead forever. The whole place was gloomy, not so much
because it was large, but because an unearthly nakedness seemed to
pervade the structure. The staircases, corridors, halls, and vestibules
all partook of a desert-like desolation. There was nothing on the walls
to break the sombre monotony of those long vistas of shade. No carvings
on the wainscoting, no moulded masks peering down from the simply severe
cornices, no marble vases on the landings. There was an eminent
dreariness and want of life--so rare in an American establishment--all
over the abode. It was Hood's haunted house put in order and newly
painted. The servants, too, were shadowy, and chary of their visits.
Bells rang three times before the gloomy chambermaid could be induced to
present herself; and the negro waiter, a ghoul-like looking creature
from Congo, obeyed the summons only when one's patience was exhausted or
one's want satisfied in some other way. When he did come, one felt sorry
that he had not stayed away altogether, so sullen and savage did he
appear. He moved along the echoless floors with a slow, noiseless
shamble, until his dusky figure, advancing from the gloom, seemed like
some reluctant afreet, compelled by the superior power of his master to
disclose himself. When the doors of all the chambers were closed, and no
light illuminated the long corridor save the red, unwholesome glare of a
small oil lamp on a table at the end, where late lodgers lit their
candles, one could not by any possibility conjure up a sadder or more
desolate prospect.

Yet the house suited me. Of meditative and sedentary habits, I enjoyed
the extreme quiet. There were but few lodgers, from which I infer that
the landlord did not drive a very thriving trade; and these, probably
oppressed by the sombre spirit of the place, were quiet and ghost-like
in their movements. The proprietor I scarcely ever saw. My bills were
deposited by unseen hands every month on my table, while I was out
walking or riding, and my pecuniary response was intrusted to the
attendant afreet. On the whole, when the bustling, wide-awake spirit of
New York is taken into consideration, the sombre, half-vivified
character of the house in which I lived was an anomaly that no one
appreciated better than I who lived there.

I felt my way down the wide, dark staircase in my pursuit of zephyrs.
The garden, as I entered it, did feel somewhat cooler than my own room,
and I puffed my cigar along the dim, cypress-shrouded walks with a
sensation of comparative relief. It was very dark. The tall-growing
flowers that bordered the path were so wrapped in gloom as to present
the aspect of solid pyramidal masses, all the details of leaves and
blossoms being buried in an embracing darkness, while the trees had lost
all form, and seemed like masses of overhanging cloud. It was a place
and time to excite the imagination; for in the impenetrable cavities of
endless gloom there was room for the most riotous fancies to play at
will. I walked and walked, and the echoes of my footsteps on the
ungravelled and mossy path suggested a double feeling. I felt alone and
yet in company at the same time. The solitariness of the place made
itself distinct enough in the stillness, broken alone by the hollow
reverberations of my step, while those very reverberations seemed to
imbue me with an undefined feeling that I was not alone. I was not,
therefore, much startled when I was suddenly accosted from beneath the
solid darkness of an immense cypress by a voice saying, "Will you give
me a light, sir?"

"Certainly," I replied, trying in vain to distinguish the speaker amidst
the impenetrable dark.

Somebody advanced, and I held out my cigar. All I could gather
definitively about the individual who thus accosted me was that he must
have been of extremely small stature; for I, who am by no means an
overgrown man, had to stoop considerably in handing him my cigar. The
vigorous puff that he gave his own lighted up my Havana for a moment,
and I fancied that I caught a glimpse of long, wild hair. The flash was,
however, so momentary that I could not even say certainly whether this
was an actual impression or the mere effort of imagination to embody
that which the senses had failed to distinguish.

"Sir, you are out late," said this unknown to me, as he, with
half-uttered thanks, handed me back my cigar, for which I had to grope
in the gloom.

"Not later than usual," I replied, dryly.

"Hum! you are fond of late wanderings, then?"

"That is just as the fancy seizes me."

"Do you live here?"

"Yes."

"Queer house, isn't it?"

"I have only found it quiet."

"Hum! But you _will_ find it queer, take my word for it." This was
earnestly uttered; and I felt at the same time a bony finger laid on my
arm, that cut it sharply like a blunted knife.

"I cannot take your word for any such assertion," I replied rudely,
shaking off the bony finger with an irrepressible motion of disgust.

"No offence, no offence," muttered my unseen companion rapidly, in a
strange, subdued voice, that would have been shrill had it been louder;
"your being angry does not alter the matter. You will find it a queer
house. Everybody finds it a queer house. Do you know who live there?"

"I never busy myself, sir, about other people's affairs," I answered
sharply, for the individual's manner, combined with my utter uncertainty
as to his appearance, oppressed me with an irksome longing to be rid of
him.

"O, you don't? Well, I do. I know what they are--well, well, well!" and
as he pronounced the three last words his voice rose with each, until,
with the last, it reached a shrill shriek that echoed horribly among the
lonely walks. "Do you know what they eat?" he continued.

"No, sir,--nor care."

"O, but you will care. You must care. You shall care. I'll tell you what
they are. They are enchanters. They are ghouls. They are cannibals. Did
you never remark their eyes, and how they gloated on you when you
passed? Did you never remark the food that they served up at your table?
Did you never in the dead of night hear muffled and unearthly footsteps
gliding along the corridors, and stealthy hands turning the handle of
your door? Does not some magnetic influence fold itself continually
around you when they pass, and send a thrill through spirit and body,
and a cold shiver that no sunshine will chase away? O, you have! You
have felt all these things! I know it!"

The earnest rapidity, the subdued tones, the eagerness of accent, with
which all this was uttered, impressed me most uncomfortably. It really
seemed as if I could recall all those weird occurrences and influences
of which he spoke; and I shuddered in spite of myself in the midst of
the impenetrable darkness that surrounded me.

"Hum!" said I, assuming, without knowing it, a confidential tone, "may I
ask you how you know these things?"

"How I know them? Because I am their enemy; because they tremble at my
whisper; because I hang upon their track with the perseverance of a
bloodhound and the stealthiness of a tiger; because--because--I was _of_
them once!"

"Wretch!" I cried excitedly, for involuntarily his eager tones had
wrought me up to a high pitch of spasmodic nervousness, "then you mean
to say that you----"

As I uttered this word, obeying an uncontrollable impulse, I stretched
forth my hand in the direction of the speaker and made a blind clutch.
The tips of my fingers seemed to touch a surface as smooth as glass,
that glided suddenly from under them. A sharp, angry hiss sounded
through the gloom, followed by a whirring noise, as if some projectile
passed rapidly by, and the next moment I felt instinctively that I was
alone.

A most disagreeable feeling instantly assailed me;--a prophetic instinct
that some terrible misfortune menaced me; an eager and overpowering
anxiety to get back to my own room without loss of time. I turned and
ran blindly along the dark cypress alley, every dusky clump of flowers
that rose blackly in the borders making my heart each moment cease to
beat. The echoes of my own footsteps seemed to redouble and assume the
sounds of unknown pursuers following fast upon my track. The boughs of
lilac-bushes and syringas, that here and there stretched partly across
the walk, seemed to have been furnished suddenly with hooked hands that
sought to grasp me as I flew by, and each moment I expected to behold
some awful and impassable barrier fall across my track and wall me up
forever.

At length I reached the wide entrance. With a single leap I sprang up
the four or five steps that formed the stoop, and dashed along the hall,
up the wide, echoing stairs, and again along the dim, funereal corridors
until I paused, breathless and panting, at the door of my room. Once so
far, I stopped for an instant and leaned heavily against one of the
panels, panting lustily after my late run. I had, however, scarcely
rested my whole weight against the door, when it suddenly gave way, and
I staggered in head-foremost. To my utter astonishment the room I had
left in profound darkness was now a blaze of light. So intense was the
illumination that, for a few seconds while the pupils of my eyes were
contracting under the sudden change, I saw absolutely nothing save the
dazzling glare. This fact in itself, coming on me with such utter
suddenness, was sufficient to prolong my confusion, and it was not until
after several minutes had elapsed that I perceived the room was not only
illuminated, but occupied. And such occupants! Amazement at the scene
took such possession of me that I was incapable of either moving or
uttering a word. All that I could do was to lean against the wall, and
stare blankly at the strange picture.

It might have been a scene out of Faublas, or Gramont's Memoirs, or
happened in some palace of Minister Foucque.

Round a large table in the centre of the room, where I had left a
student-like litter of books and papers, were seated half a dozen
persons. Three were men and three were women. The table was heaped with
a prodigality of luxuries. Luscious eastern fruits were piled up in
silver filigree vases, through whose meshes their glowing rinds shone in
the contrasts of a thousand hues. Small silver dishes that Benvenuto
might have designed, filled with succulent and aromatic meats, were
distributed upon a cloth of snowy damask. Bottles of every shape,
slender ones from the Rhine, stout fellows from Holland, sturdy ones
from Spain, and quaint basket-woven flasks from Italy, absolutely
littered the board. Drinking-glasses of every size and hue filled up the
interstices, and the thirsty German flagon stood side by side with the
aerial bubbles of Venetian glass that rest so lightly on their
threadlike stems. An odour of luxury and sensuality floated through the
apartment. The lamps that burned in every direction seemed to diffuse a
subtle incense on the air, and in a large vase that stood on the floor I
saw a mass of magnolias, tuberoses, and jasmines grouped together,
stifling each other with their honeyed and heavy fragrance.

The inhabitants of my room seemed beings well suited to so sensual an
atmosphere. The women were strangely beautiful, and all were attired in
dresses of the most fantastic devices and brilliant hues. Their figures
were round, supple, and elastic; their eyes dark and languishing; their
lips full, ripe, and of the richest bloom. The three men wore
half-masks, so that all I could distinguish were heavy jaws, pointed
beards, and brawny throats that rose like massive pillars out of their
doublets. All six lay reclining on Roman couches about the table,
drinking down the purple wines in large draughts, and tossing back their
heads and laughing wildly.

I stood, I suppose, for some three minutes, with my back against the
wall staring vacantly at the bacchanal vision, before any of the
revellers appeared to notice my presence. At length, without any
expression to indicate whether I had been observed from the beginning or
not, two of the women arose from their couches, and, approaching, took
each a hand and led me to the table. I obeyed their motions
mechanically. I sat on a couch, between them as they indicated. I
unresistingly permitted them to wind their arms about my neck.

"You must drink," said one, pouring out a large glass of red wine, "here
is Clos Vougeout of a rare vintage; and here," pushing a flask of
amber-hued wine before me, "is Lachryma Christi."

"You must eat," said the other, drawing the silver dishes toward her.
"Here are cutlets stewed with olives, and here are slices of a _filet_
stuffed with bruised sweet chestnuts"--and as she spoke, she, without
waiting for a reply, proceeded to help me.

The sight of the food recalled to me the warnings I had received in the
garden. This sudden effort of memory restored to me my other faculties
at the same instant. I sprang to my feet, thrusting the women from me
with each hand.

"Demons!" I almost shouted. "I will have none of your accursed food. I
know you. You are cannibals, you are ghouls, you are enchanters. Begone,
I tell you! Leave my room in peace!"

A shout of laughter from all six was the only effect that my passionate
speech produced. The men rolled on their couches, and their half-masks
quivered with the convulsions of their mirth. The women shrieked, and
tossed the slender wine-glasses wildly aloft, and turned to me and flung
themselves on my bosom fairly sobbing with laughter.

"Yes," I continued, as soon as the noisy mirth had subsided, "yes, I
say, leave my room instantly! I will have none of your unnatural orgies
here!"

"His room!" shrieked the woman on my right.

"His room!" echoed she on my left.

"His room! He calls it his room!" shouted the whole party, as they
rolled once more into jocular convulsions.

"How know you that it is your room?" said one of the men who sat
opposite to me, at length, after the laughter had once more somewhat
subsided.

"How do I know?" I replied indignantly. "How do I know my own room? How
could I mistake it, pray? There's my furniture--my piano----"

"He calls that a piano," shouted my neighbours, again in convulsions as
I pointed to the corner where my huge piano, sacred to the memory of
Blokeeta, used to stand. "O, yes! It is his room. There--there is his
piano!"

The peculiar emphasis they laid on the word "piano" caused me to
scrutinize the article I was indicating more thoroughly. Up to this
time, though utterly amazed at the entrance of these people into my
chamber, and connecting them somewhat with the wild stories I had heard
in the garden, I still had a sort of indefinite idea that the whole
thing was a masquerading freak got up in my absence, and that the
bacchanalian orgie I was witnessing was nothing more than a portion of
some elaborate hoax of which I was to be the victim. But when my eyes
turned to the corner where I had left a huge and cumbrous piano, and
beheld a vast and sombre organ lifting its fluted front to the very
ceiling, and convinced myself, by a hurried process of memory, that it
occupied the very spot in which I had left my own instrument, the little
self-possession that I had left forsook me. I gazed around me
bewildered.

In like manner everything was changed. In the place of that old haftless
dagger, connected with so many historic associations personal to myself,
I beheld a Turkish yataghan dangling by its belt of crimson silk, while
the jewels in the hilt blazed as the lamplight played upon them. In the
spot where hung my cherished smoking cap, memorial of a buried love, a
knightly casque was suspended on the crest of which a golden dragon
stood in the act of springing. That strange lithograph of Calame was no
longer a lithograph, but it seemed to me that the portion of the wall
which it covered, of the exact shape and size, had been cut out, and, in
place of the picture, a _real_ scene on the same scale, and with real
actors, was distinctly visible. The old oak was there, and the stormy
sky was there; but I saw the branches of the oak sway with the tempest,
and the clouds drive before the wind. The wanderer in his cloak was
gone; but in his place I beheld a circle of wild figures, men and women,
dancing with linked hands around the hole of the great tree, chanting
some wild fragment of a song, to which the winds roared an unearthly
chorus. The snow-shoes, too, on whose sinewy woof I had sped for many
days amidst Canadian wastes, had vanished, and in their place lay a pair
of strange up-curled Turkish slippers, that had, perhaps, been many a
time shuffled off at the doors of mosques, beneath the steady blaze of
an orient sun.

All was changed. Wherever my eyes turned they missed familiar objects,
yet encountered strange representatives. Still, in all the substitutes
there seemed to me a reminiscence of what they replaced. They seemed
only for a time transmuted into other shapes, and there lingered around
them the atmosphere of what they once had been. Thus I could have sworn
the room to have been mine, yet there was nothing in it that I could
rightly claim. Everything reminded me of some former possession that it
was not. I looked for the acacia at the window, and lo! long silken
palm-leaves swayed in through the open lattice; yet they had the same
motion and the same air of my favourite tree, and seemed to murmur to
me, "Though we seem to be palm-leaves, yet are we acacia-leaves; yea,
those very ones on which you used to watch the butterflies alight and
the rain patter while you smoked and dreamed!" So in all things; the
room was, yet was not, mine; and a sickening consciousness of my utter
inability to reconcile its identity with its appearance overwhelmed me,
and choked my reason.

"Well, have you determined whether or not this is your room?" asked the
girl on my left, proffering me a huge tumbler creaming over with
champagne, and laughing wickedly as she spoke.

"It is mine," I answered, doggedly, striking the glass rudely with my
hand, and dashing the aromatic wine over the white cloth. "I know that
it is mine; and ye are jugglers and enchanters who want to drive me
mad."

"Hush! hush!" she said, gently, not in the least angered by my rough
treatment. "You are excited. Alf shall play something to soothe you."

At her signal, one of the men sat down at the organ. After a short,
wild, spasmodic prelude, he began what seemed to me to be a symphony of
recollections. Dark and sombre, and all through full of quivering and
intense agony, it appeared to recall a dark and dismal night, on a cold
reef, around which an unseen but terribly audible ocean broke with
eternal fury. It seemed as if a lonely pair were on the reef, one
living, the other dead; one clasping his arms around the tender neck and
naked bosom of the other, striving to warm her into life, when his own
vitality was being each moment sucked from him by the icy breath of the
storm. Here and there a terrible wailing minor key would tremble through
the chords like the shriek of sea-birds, or the warning of advancing
death. While the man played I could scarce restrain myself. It seemed to
be Blokeeta whom I listened to, and on whom I gazed. That wondrous night
of pleasure and pain that I had once passed listening to him seemed to
have been taken up again at the spot where it had broken off, and the
same hand was continuing it. I stared at the man called Alf. There he
sat with his cloak and doublet, and long rapier and mask of black
velvet. But there was something in the air of the peaked beard, a
familiar mystery in the wild mass of raven hair that fell as if
wind-blown over his shoulders, which riveted my memory.

"Blokeeta! Blokeeta!" I shouted, starting up furiously from the couch on
which I was lying, and bursting the fair arms that were linked around my
neck as if they had been hateful chains,--"Blokeeta! my friend! speak to
me, I entreat you! Tell these horrid enchanters to leave me. Say that I
hate them. Say that I command them to leave my room."

The man at the organ stirred not in answer to my appeal. He ceased
playing, and the dying sound of the last note he had touched faded off
into a melancholy moan. The other men and the women burst once more into
peals of mocking laughter.

"Why will you persist in calling this your room?" said the woman next
me, with a smile meant to be kind, but to me inexpressibly loathsome.
"Have we not shown you by the furniture, by the general appearance of
the place, that you are mistaken, and that this cannot be your
apartment? Rest content, then, with us. You are welcome here, and need
no longer trouble yourself about your room."

"Rest content!" I answered madly; "live with ghosts, eat of awful meats,
and see awful sights! Never! never! You have cast some enchantment over
the place that has disguised it; but for all that I know it to be my
room. You shall leave it!"

"Softly, softly!" said another of the sirens. "Let us settle this
amicably. This poor gentleman seems obstinate and inclined to make an
uproar. Now we do not want an uproar. We love the night and its quiet;
and there is no night that we love so well as that on which the moon is
coffined in clouds. Is it not so, my brothers?"

An awful and sinister smile gleamed on the countenances of her unearthly
audience, and seemed to glide visibly from underneath their masks.

"Now," she continued, "I have a proposition to make. It would be
ridiculous for us to surrender this room simply because this gentleman
states that it is his; and yet I feel anxious to gratify, as far as may
be fair, his wild assertion of ownership. A room, after all, is not much
to us; we can get one easily enough, but still we should be loath to
give this apartment up to so imperious a demand. We are willing,
however, to _risk_ its loss. That is to say,"--turning to me,--"I
propose that we play for the room. If you win, we will immediately
surrender it to you just as it stands; if, on the contrary, you lose,
you shall bind yourself to depart and never molest us again."

Agonized at the ever-darkening mysteries that seemed to thicken around
me, and despairing of being able to dissipate them by the mere exercise
of my own will, I caught almost gladly at the chance thus presented to
me. The idea of my loss or my gain scarce entered into my calculations.
All I felt was an indefinite knowledge that I might, in the way
proposed, regain in an instant, that quiet chamber and that peace of
mind of which I had so strangely been deprived.

"I agree!" I cried eagerly; "I agree. Anything to rid myself of such
unearthly company!"

The woman touched a small golden bell that stood near her on the table,
and it had scarce ceased to tinkle when a negro dwarf entered with a
silver tray on which were dice-boxes and dice. A shudder passed over me
as I thought in this stunted African I could trace a resemblance to the
ghoul-like black servant to whose attendance I had been accustomed.

"Now," said my neighbour, seizing one of the dice-boxes and giving me
the other, "the highest wins. Shall I throw first?"

I nodded assent. She rattled the dice, and I felt an inexpressible load
lifted from my heart as she threw fifteen.

"It is your turn," she said, with a mocking smile; "but before you
throw, I repeat the offer I made you before. Live with us. Be one of us.
We will initiate you into our mysteries and enjoyments,--enjoyments of
which you can form no idea unless you experience them. Come; it is not
too late yet to change your mind. Be with us!"

My reply was a fierce oath, as I rattled the dice with spasmodic
nervousness and flung them on the board. They rolled over and over
again, and during that brief instant I felt a suspense, the intensity of
which I have never known before or since. At last they lay before me. A
shout of the same horrible, maddening laughter rang in my ears. I peered
in vain at the dice, but my sight was so confused that I could not
distinguish the amount of the cast. This lasted for a few moments. Then
my sight grew clear, and I sank back almost lifeless with despair as I
saw that I had thrown but _twelve_!

"Lost! lost!" screamed my neighbour, with a wild laugh. "Lost! lost!"
shouted the deep voices of the masked men. "Leave us, coward!" they all
cried; "you are not fit to be one of us. Remember your promise; leave
us!"

Then it seemed as if some unseen power caught me by the shoulders and
thrust me toward the door. In vain I resisted. In vain I screamed and
shouted for help. In vain I implored them for pity. All the reply I had
was those mocking peals of merriment, while, under the invisible
influence, I staggered like a drunken man toward the door. As I reached
the threshold the organ pealed out a wild triumphal strain. The power
that impelled me concentrated itself into one vigorous impulse that sent
me blindly staggering out into the echoing corridor, and as the door
closed swiftly behind me, I caught one glimpse of the apartment I had
left forever. A change passed like a shadow over it. The lamps died out,
the siren women and masked men vanished, the flowers, the fruits, the
bright silver and bizarre furniture faded swiftly, and I saw again, for
the tenth of a second, my own old chamber restored. There was the acacia
waving darkly; there was the table littered with books; there was the
ghostly lithograph, the dearly beloved smoking-cap, the Canadian
snow-shoes, the ancestral dagger. And there, at the piano, organ no
longer, sat Blokeeta playing.

The next instant the door closed violently, and I was left standing in
the corridor stunned and despairing.

As soon as I had partially recovered my comprehension I rushed madly to
the door, with the dim idea of beating it in. My fingers touched a cold
and solid wall. There was no door! I felt all along the corridor for
many yards on both sides. There was not even a crevice to give me hope.
I rushed downstairs shouting madly. No one answered. In the vestibule I
met the negro; I seized him by the collar and demanded my room. The
demon showed his white and awful teeth, which were filed into a saw-like
shape, and extricating himself from my grasp with a sudden jerk, fled
down the passage with a gibbering laugh. Nothing but echo answered to my
despairing shrieks. The lonely garden resounded with my cries as I
strode madly through the dark walls, and the tall funereal cypresses
seemed to bury me beneath their heavy shadows. I met no one,--could find
no one. I had to bear my sorrow and despair alone.

Since that awful hour I have never found my room. Everywhere I look for
it, yet never see it. Shall I ever find it?





End of the Project Gutenberg EBook of Masterpieces of Mystery, by Various

*** END OF THIS PROJECT GUTENBERG EBOOK MASTERPIECES OF MYSTERY ***

***** This file should be named 29704.txt or 29704.zip *****
This and all associated files of various formats will be found in:
        https://www.gutenberg.org/2/9/7/0/29704/

Produced by David Clarke, Mary Meehan and the Online
Distributed Proofreading Team at https://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive/American Libraries.)


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: https://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.