diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 02:48:03 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 02:48:03 -0700 |
| commit | 62fcb57a9eebea23755dcb8c51a7277e28fc00bf (patch) | |
| tree | 37efebae3ec702a40971394a73aca5d63d441f25 /29698.txt | |
Diffstat (limited to '29698.txt')
| -rw-r--r-- | 29698.txt | 1051 |
1 files changed, 1051 insertions, 0 deletions
diff --git a/29698.txt b/29698.txt new file mode 100644 index 0000000..82264c9 --- /dev/null +++ b/29698.txt @@ -0,0 +1,1051 @@ +The Project Gutenberg EBook of Lighter Than You Think, by Nelson Bond + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Lighter Than You Think + +Author: Nelson Bond + +Release Date: August 15, 2009 [EBook #29698] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK LIGHTER THAN YOU THINK *** + + + + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at http://www.pgdp.net + + + + + + + + + + _It's possible that you won't agree with us that Pat Pending's + latest adventure is a delightful story--possible IF you haven't been + used to laughing in recent years. Blue Book printed more than a + dozen of these stories by Nelson Bond about the "greatest + inventulator of all time"._ + + + lighter + than + you + think + + _by NELSON BOND_ + + + Sandy's eyes needed only jet propulsion to become flying + saucers. Wasn't Pat wonderful? she beamed, at everyone. + + +Some joker in the dear, dead days now virtually beyond recall won +two-bit immortality by declaring that, "What this country needs is a +good five-cent cigar." + +Which is, of course, Victorian malarkey. What this country _really_ +needs is a good five-cent nickel. Or perhaps a good cigar-shaped +spaceship. There's a fortune waiting somewhere out in space for the man +who can go out there and claim it. A fortune! And if you think I'm just +talking through my hat, lend an ear ... + +Joyce started the whole thing. Or maybe I did when for the umpteenth +time I suggested she should marry me. She smiled in a way that showed +she didn't disapprove of my persistence, but loosed a salvo of +devastating negatives. + +"No deal," she crisped decisively. "Know why? No dough!" + +"But, sugar," I pleaded, "two can live as cheaply as one--" + +"This is true," replied Joyce, "only of guppies. Understand, Don, I +don't mind changing my name from Carter to Mallory. In fact, I'd rather +like to. But I have no desire whatever to be known to the neighbors as +'that poor little Mrs. Mallory in last year's coat.' + +"I'll marry you," she continued firmly, "when, as and if you get a +promotion." + +Her answer was by no stretch of the imagination a reason for loud +cheers, handsprings and cartwheels. Because I'm a Federal employee. The +United States Patent Office is my beat. There's one nice thing to be +said about working for the bewhiskered old gentleman in the +star-spangled stovepipe and striped britches: it's permanent. Once you +get your name inscribed on the list of Civil Service employees it takes +an act of Congress to blast it off again. And of course I don't have to +remind you how long it takes _that_ body of vote-happy windbags to act. +Terrapins in treacle are greased lightning by comparison. + +But advancement is painfully slow in a department where discharges are +unheard of and resignations rare. When I started clerking for this +madhouse I was assistant to the assistant Chief Clerk's assistant. Now, +ten years later, by dint of mighty effort and a cultivated facility for +avoiding Senatorial investigations, I've succeeded in losing only one of +those redundant adjectives. + +Being my secretary, Joyce certainly realized this. But women have a +remarkable ability to separate business and pleasure. So: + +"A promotion," she insisted. "Or at least a good, substantial raise." + +"In case you don't know it," I told her gloomily, "you are displaying a +lamentably vulgar interest in one of life's lesser values. Happiness, +not money, should be man's chief goal." + +"What good is happiness," demanded Joyce, "if you can't buy money with +it?" + +"Why hoard lucre?" I sniffed. "You can't take it with you." + +"In that case," said Joyce flatly, "I'm not going. There's no use +arguing, Don. I've made up my mind--" + +At this moment our dreary little impasse was ended by a sudden tumult +outside my office. There was a squealing shriek, the shuffle of +footsteps, the pounding of fists upon my door. And over all the shrill +tones of an old, familiar voice high-pitched in triumph. + +"Let me in! I've got to see him instantaceously. This time I've got it; +I've absolutely _got_ it!" + +Joyce and I gasped, then broke simultaneously for the door as it flew +open to reveal a tableau resembling the Laocoon group _sans_ snake and +party of the third part. Back to the door and struggling valiantly to +defend it stood the receptionist, Miss Thomas. Held briefly but volubly +at bay was a red-thatched, buck-toothed individual--and I _do_ mean +individual!--with a face like the map of Eire, who stopped wrestling as +he saw us, and grinned delightedly. + +"Hello, Mr. Mallory," he said. "Hi, Miss Joyce." + +"Pat!" we both cried at once. "Pat Pending!" + + * * * * * + +Miss Thomas, a relative newcomer to our bailiwick, seemed baffled by the +warmth of our greeting. She entered the office with our visitor, and as +Joyce and I pumphandled him enthusiastically she asked, "You--you _know_ +this gentleman, Mr. Mallory?" + +"I should say we do!" I chortled. "Pat, you old naughty word! Where on +earth have you been hiding lately?" + +"Surely you've heard of the great Patrick Pending, Miss Thomas?" asked +Joyce. + +"Pending?" faltered Miss Thomas. "I seem to have heard the name. Or seen +it somewhere--" + +Pat beamed upon her companionably. Stepping to my desk, he up-ended the +typewriter and pointed to a legend in tiny letters stamped into the +frame: _Reg. U.S. Pat. Off.--Pat. Pending._ + +"Here, perhaps?" he suggested. "I invented this. And the airplane, and +the automobile, and--oh, ever so many things. You'll find my name +inscribed on every one. + +"I," he announced modestly, "am Pat Pending--the greatest inventulator +of all time." + +Miss Thomas stared at me goggle-eyed. + +"_Is_ he?" she demanded. "I mean--_did_ he?" + +I nodded solemnly. + +"Not only those, but a host of other marvels. The bacular clock, the +transmatter, the predictograph--" + +Miss Thomas turned on Pat a gaze of fawning admiration. "How wonderful!" +she breathed. + +"Oh, nothing, really," said Pat, wriggling. + +"But it is! Most of the things brought here are so absurd. Automatic +hat-tippers, self-defrosting galoshes, punching bags that defend +themselves--" Disdainfully she indicated the display collection of +screwball items we call our Chamber of Horrors. "It's simply marvelous +to meet a man who has invented things really worth while." + +Honestly, the look in her eyes was sickening. But was Pat nauseated? Not +he! The big goon was lapping it up like a famished feline. His simpering +smirk stretched from ear to there as he murmured, "Now, Miss Thomas--" + +"Sandra, Mr. Pending," she sighed softly. "To you just plain ... Sandy. +Please?" + +"Well, Sandy--" Pat gulped. + +I said disgustedly, "Look, you two--break it up! Love at first sight is +wonderful in books, but in a Federal office I'm pretty sure it's +unconstitutional, and it _may_ be subversive. Would you mind coming down +to earth? Pat, you barged in here squalling about some new invention. Is +that correct?" + +With an effort Pat wrenched his gaze from his new-found admirer and +nodded soberly. + +"That's right, Mr. Mallory. And a great one, too. One that will +revolutionate the world. Will you give me an applicaceous form, please? +I want to file it immediately." + +"Not so fast, Pat. You know the routine. What's the nature of this +remarkable discovery?" + +"You may write it down," said Pat grandiloquently, "as Pat Pending's +lightening rod." + +I glanced at Joyce, and she at me, then both of us at Pending. + +"But, Pat," I exclaimed, "that's ridiculous! Ben Franklin invented the +lightning rod two hundred years ago." + +"I said _lightening_," retorted my redheaded friend, "not _lightning_. +My invention doesn't conduct electricity _to_ the ground, but _from_ +it." He brandished a slim baton which until then I had assumed to be an +ordinary walking-stick. "With this," he claimed, "I can make things +weigh as much or as little as I please!" + +The eyes of Sandy Thomas needed only jet propulsion to become flying +saucers. + +"Isn't he wonderful, Mr. Mallory?" she gasped. + +But her enthusiasm wasn't contagious. I glowered at Pending coldly. + +"Oh, come now, Pat!" I scoffed. "You can't really believe that yourself. +After all, there _are_ such things as basic principles. Weight is not a +variable factor. And so far as I know, Congress hasn't repealed the Law +of Gravity." + +Pat sighed regretfully. + +"You're always so hard to convince, Mr. Mallory," he complained. +"But--oh, well! Take this." + +He handed me the baton. I stared at it curiously. It looked rather like +a British swagger stick: slim, dainty, well balanced. But the ornamental +gadget at its top was not commonplace. It seemed to be a knob or a dial +of some kind, divided into segments scored with vernier markings. I +gazed at Pending askance. + +"Well, Pat? What now?" + +"How much do you weigh, Mr. Mallory?" + +"One sixty-five," I answered. + +"You're sure of that?" + +"I'm not. But my bathroom scales appeared to be. This morning. Why?" + +"Do you think Miss Joyce could lift you?" + +I said thoughtfully, "Well, that's an idea. But I doubt it. She won't +even let me try to support _her_." + +"I'm serious, Mr. Mallory. Do you think she could lift you with one +hand?" + +"Don't be silly! Of course not. Nor could you." + +"There's where you're wrong," said Pending firmly. "She can--and will." + +He reached forward suddenly and twisted the metal cap on the stick in my +hands. As he did so, I loosed a cry of alarm and almost dropped the +baton. For instantaneously I experienced a startling, flighty giddiness, +a sudden loss of weight that made me feel as if my soles were treading +on sponge rubber, my shoulders sprouting wings. + +"Hold on to it!" cried Pat. Then to Joyce, "Lift him, Miss Joyce." + +Joyce faltered, "How? Like th-this?" and touched a finger to my midriff. +Immediately my feet left the floor. I started flailing futilely to +trample six inches of ozone back to the solid floorboards. To no avail. +With no effort whatever Joyce raised me high above her head until my +dazed dome was shedding dandruff on the ceiling! + +"Well, Mr. Mallory," said Pat, "do you believe me now?" + +"Get me down out of here!" I howled. "You _know_ I can't stand high +places!" + +"You now weigh less than ten pounds--" + +"Never mind the statistics. I feel like a circus balloon. How do I get +down again?" + +"Turn the knob on the cane," advised Pat, "to your normal weight. +Careful, now! _Not so fast!_" + +His warning came too late. I hit the deck with a resounding thud, and +the cane came clattering after. Pat retrieved it hurriedly, inspected it +to make sure it was not damaged. I glared at him as I picked myself off +the floor. + +"You might show some interest in _me_," I grumbled. "I doubt if that +stick will need a liniment rubdown tonight. Okay, Pat. You're right and +I'm wrong, as you usually are. That modern variation of a witch's +broomstick _does_ operate. Only--how?" + +"That dial at the top governs weight," explained Pat. "When you turn +it--" + +"Skip that. I know how it is operated. I want to know what makes it +work?" + +"Well," explained Pat, "I'm not certain I can make it clear, but it's +all tied in with the elemental scientific problems of mass, weight, +gravity and electric energy. What _is_ electricity, for example--" + +"I used to know," I frowned. "But I forget." + +Joyce shook her head sorrowfully. + +"Friends," she intoned, "let us all bow our heads. This is a moment of +great tragedy. The only man in the world who ever knew what electricity +is--and he has forgotten!" + +"That's the whole point," agreed Pending. "No one knows what +electricity really is. All we know is how to use it. Einstein has +demonstrated that the force of gravity and electrical energy are +kindred; perhaps different aspects of a common phenomenon. That was my +starting point." + +"So this rod, which enables you to defy the law of gravity, is +electrical?" + +"Electricaceous," corrected Pat. "You see, I have transmogrified the +polarifity of certain ingredular cellulations. A series of +disentrigulated helicosities, activated by hypermagnetation, set up a +disruptular wave motion which results in--counter-gravity!" + +And there you are! Ninety-nine percent of the time Pat Pending talks +like a normal human being. But ask him to explain the mechanism of one +of his inventions and linguistic hell breaks loose. He begins jabbering +like a schizophrenic parrot reading a Sanskrit dictionary backward! I +sighed and surrendered all hope of ever actually learning _how_ his +great new discovery worked. I turned my thoughts to more important +matters. + +"Okay, Pat. We'll dismiss the details as trivial and get down to brass +tacks. What is your invention used for?" + +"Eh?" said the redhead. + +"It's not enough that an idea is practicable," I pointed out. "It must +also be practical to be of any value in this frenzied modern era. What +good is your invention?" + +"What good," demanded Joyce, "is a newborn baby?" + +"Don't change the subject," I suggested. "Or come to think of it, maybe +you should. At the diaper level, life is just one damp thing after +another. But how to turn Pat's brainchild into cold, hard cash--that's +the question before the board now. + +"Individual flight _a la_ Superman? No dice. I can testify from personal +experience that once you get up there you're completely out of control. +And I can't see any sense in humans trying to fly with jet flames +scorching their base of operations. + +"Elevators? Derricks? Building cranes? Possible. But lifting a couple +hundred pounds is one thing. Lifting a few tons is a horse of a +different color. + +"No, Pat," I continued, "I don't see just how--" + +Sandy Thomas squeaked suddenly and grasped my arm. + +"That's it, Mr. Mallory!" she cried. "That's it!" + +"Huh? What's what?" + +"You wanted to know how Pat could make money from his invention. You've +just answered your own question." + +"I have?" + +"Horses! Horse racing, to be exact. You've heard of handicaps, haven't +you?" + +"I'm overwhelmed with them," I nodded wearily. "A secretary who repulses +my honorable advances, a receptionist who squeals in my ear--" + +"Listen, Mr. Mallory, what's the last thing horses do before they go to +the post?" + +"Check the tote board," I said promptly, "to find out if I've got any +money on them. Horses hate me. They've formed an equine conspiracy to +prove to me the ancient adage that a fool and his money are soon +parted." + +"Wait a minute!" chimed in Joyce thoughtfully. "I know what Sandy means. +They weigh in. Is that right?" + +"Exactly! The more weight a horse is bearing, the slower it runs. That's +the purpose of handicapping. But if a horse that was supposed to be +carrying more than a hundred pounds was actually only carrying +_ten_--Well, you see?" + +Sandy paused, breathless. I stared at her with a gathering respect. + +"Never underestimate the power of a woman," I said, "when it comes to +devising new and ingenious methods of perpetrating petty larceny. +There's only one small fly in the ointment, so far as I can see. How do +we convince some racehorse owner he should become a party to this gentle +felony?" + +"Oh, you don't have to," smiled Sandy cheerfully. "I'm already +convinced." + +"You? You own a horse?" + +"Yes. Haven't you ever heard of Tapwater?" + +"Oh, sure! That drip's running all the time!" + +Joyce tossed me a reproving glance. + +"This is a matter of gravity, Donald," she stated, "and you keep +treating it with levity. Sandy, do you _really_ own Tapwater? He's the +colt who won the Monmouth Futurity, isn't he?" + +"That's right. And four other starts this season. That's been our big +trouble. He shows such promise that the judges have placed him under a +terrific weight handicap. To run in next week's Gold Stakes, for +instance, he would have to carry 124 pounds. I was hesitant to enter him +because of that. But with Pat's new invention--" She turned to Pat, eyes +glowing--"he could enter and win!" + +Pat said uncertainly, "I don't know. I don't like gambling. And it +doesn't seem quite ethical, somehow--" + +I asked Sandy, "Suppose he ran carrying 124. What would be the probable +odds?" + +"High," she replied, "_Very_ high. Perhaps as high as forty to one." + +"In that case," I decided, "it's not only ethical, it's a moral +obligation. If you're opposed to gambling, Pat, what better way can you +think of to put the parimutuels out of business?" + +"And besides," Sandy pointed out, "this would be a wonderful opportunity +to display your new discovery before an audience of thousands. Well, +Pat? What do you say?" + +Pat hesitated, caught a glimpse of Sandy's pleading eyes, and was lost. + +"Very well," he said. "We'll do it. Mr. Mallory, enter Tapwater in the +Gold Stakes. We'll put on the most spectaceous exhibition in the history +of gambilizing!" + + * * * * * + +Thus it was that approximately one week later our piratical little crew +was assembled once again, this time in the paddock at Laurel. In case +you're an inland aborigine, let me explain that Laurel race track (from +the township of the same name) is where horse fanciers from the District +of Columbia go to abandon their Capitol and capital on weekends. + +We were briefing our jockey--a scrawny youth with a pair of oversized +ears--on the use of Pat's lightening rod. Being short on gray matter as +well as on stature, he wasn't getting it at all. + +"You mean," he said for the third or thirty-third time, "you don't want +I should _hit_ the nag with this bat?" + +"Heavens, no!" gasped Pat, blanching. "It's much too delicate for that." + +"Don't fool yourself, mister. Horses can stand a lot of leather." + +"Not the horse, stupid," I said. "The bat. This is the only riding crop +of its kind in the world. We don't want it damaged. All you have to do +is _carry_ it. We'll do the rest." + +"How about setting the dial, Don?" asked Joyce. + +"Pat will do that just before the horses move onto the track. Now let's +get going. It's weigh-in time." + +We moved to the scales with our rider. He stepped aboard the platform, +complete with silks and saddle, and the spinner leaped to a staggering +102, whereupon the officials started gravely handing him little leather +sacks. + +"What's this?" I whispered to Sandy. "Prizes for malnutrition? He must +have won all the blackjacks east of the Mississippi." + +"The handicap," she whispered back. "Lead weights at one pound each." + +"If he starts to lose," I ruminated, "they'd make wonderful +ammunition--" + +"One hundred and twenty-four," announced the chief weigher-inner. "Next +entry!" + +We returned to Tapwater. The jockey fastened the weights to his gear, +saddled up and mounted. From the track came the traditional bugle call. +Sandy nodded to Pat. + +"All right, Pat. Now!" + +Pending twisted the knob on his lightening rod and handed the stick to +the jockey. The little horseman gasped, rose three inches in his +stirrups, and almost let go of the baton. + +"H-hey!" he exclaimed. "I feel funny. I feel--" + +"Never mind that," I told him. "Just you hold on to that rod until the +race is over. And when you come back, give it to Pat immediately. +Understand?" + +"Yes. But I feel so--so lightheaded--" + +"That's because you're featherbrained," I advised him. "Now, get going. +Giddyap, Dobbin!" + +I patted Tapwater's flank, and so help me Newton, I think that one +gentle tap pushed the colt half way to the starting gate! He pattered +across the turf with a curious bouncing gait as if he were running on +tiptoe. We hastened to our seats in the grandstand. + +"Did you get all the bets down?" asked Joyce. + +I nodded and displayed a deck of ducats. "It may not have occurred to +you, my sweet," I announced gleefully, "but these pasteboards are +transferrable on demand to rice and old shoes, the sweet strains of _Oh, +Promise Me!_ and the scent of orange blossoms. You insisted I should +have a nest egg before you would murmur, 'I do'? Well, after this race +these tickets will be worth--" I cast a swift last glance at the tote +board's closing odds, quoting Tapwater at 35 to 1--"approximately +seventy thousand dollars!" + +"Donald!" gasped Joyce. "You didn't bet all your savings?" + +"Every cent," I told her cheerfully. "Why not?" + +"But if something should go wrong! If Tapwater should lose!" + +"He won't. See what I mean?" + +For even as we were talking, the bell jangled, the crowd roared, and the +horses were off. Eight entries surged from the starting gate. And +already one full length out in front pranced the weight-free, lightfoot +Tapwater! + +At the quarter post our colt had stretched his lead to three lengths, +and I shouted in Pending's ear, "How much does that jockey weigh, +anyway?" + +"About six pounds," said Pat. "I turned the knob to cancel one +eighteen." + +At the half, all the other horses could glimpse of Tapwater was heels. +At the three-quarter post he was so far ahead that the jockey must have +been lonely. As he rounded into the stretch I caught a binocular view of +his face, and he looked dazed and a little frightened. He wasn't +actually _riding_ Tapwater. The colt was simply skimming home, and he +was holding on for dear life to make sure he didn't blow off the horse's +back. The result was a foregone conclusion, of course. Tapwater crossed +the finish line nine lengths ahead, setting a new track record. + +The crowd went wild. Over the hubbub I clutched Pat's arm and bawled, +"I'll go collect our winnings. Hurry down to the track and swap that +lightening rod for the real bat we brought along. He'll have to weigh +out again, you know. Scoot!" + +The others vanished paddockward as I went for the big payoff. It was +dreary at the totalizer windows. I was one of a scant handful who had +bet on Tapwater, so it took no time at all to scoop into the valise I +had brought along the seventy thousand bucks in crisp, green lettuce +which an awed teller passed across the counter. Then I hurried back to +join the others in the winner's circle, where bedlam was not only +reigning but pouring. Flashbulbs were popping all over the place, +cameramen were screaming for just one more of the jockey, the owner, the +fabulous Tapwater. The officials were vainly striving to quiet the +tumult so they could award the prize. I found Pending worming his way +out of the heart of the crowd. + +"Did you get it?" I demanded. + +He nodded, thrust the knobbed baton into my hand. + +"You substituted the normal one?" + +Again he nodded. Hastily I thrust the lightening rod out of sight into +my valise, and we elbowed forward to share the triumphant moment. It was +a great experience. I felt giddy with joy; I was walking on little pink +clouds of happiness. Security was mine at last. And Joyce, as well. + +"Ladies and gentlemen!" cried the chief official. "Your attention, +please! Today we have witnessed a truly spectacular feat: the setting of +a new track record by a champion racing under a tremendous handicap. I +give you a magnificent racehorse--_Tapwater_!" + +"That's right, folks!" I bawled, carried away by the excitement. "Give +this little horse a great big hand!" + +Setting the example, I laid down the bag, started clapping vigorously. +From a distance I heard Pat Pending's agonized scream. + +"Mr. Mallory--the suitcase! Grab it!" + +I glanced down, belatedly aware of the danger of theft. But too late. +The bag had disappeared. + +"Hey!" I yelled. "Who swiped my bag? Police!" + +"Up there, Mr. Mallory!" bawled Pat. "Jump!" + +I glanced skyward. Three feet above my head and rising swiftly was the +valise in which I had cached not only our winnings but Pat's +gravity-defying rod! I leaped--but in vain. I was _still_ making feeble, +futile efforts to make like the moon-hurdling nursery rhyme cow when +quite a while later two strong young men in white jackets came and +jabbed me with a sedative ... + + * * * * * + +Later, when time and barbiturates had dulled the biting edge of my +despair, we assembled once again in my office and I made my apologies to +my friends. + +"It was all my fault," I acknowledged. "I should have realized Pat +hadn't readjusted the rod when I placed it in my bag. It felt lighter. +But I was so excited--" + +"It was _my_ fault," mourned Pat, "for not changing it immediately. But +I was afraid someone might see me." + +"Perhaps if we hired an airplane--?" I suggested. + +Pat shook his head. + +"No, Mr. Mallory. The rod was set to cancel 118 pounds. The bag weighed +less than twenty. It will go miles beyond the reach of any airplane +before it settles into an orbit around earth." + +"Well, there goes my dreamed-of fortune," I said sadly. "Accompanied by +the fading strains of an unplayed wedding march. I'm sorry, Joyce." + +"Isn't there one thing you folks are overlooking?" asked Sandy Thomas. +"My goodness, you'd think we had lost our last cent just because that +little old bag flew away!" + +"For your information," I told her, "that is precisely what happened to +me. My entire bank account vanished into the wild blue yonder. And some +of Pat's money, too." + +"But have you forgotten," she insisted, "that we _won_ the race? Of +course the track officials were a wee bit suspicious when your suitcase +took off. But they couldn't prove anything. So they paid me the Gold +Stakes prize. If we split it four ways, we all make a nice little +profit. + +"Or," she added, "if you and Joyce want to make yours a double share, we +could split it three ways. + +"Or," she continued hopefully, "if Pat wants to, we could make _two_ +double shares, and split it fifty-fifty?" + +From the look in Pat's eyes I knew he was stunned by this possibility. +And from the look in hers, I felt she was going to make every effort to +take advantage of his bewilderment. + +So, as I said before, what this country needs is a good cigar-shaped +spaceship. There's a fortune waiting somewhere out in space for the man +who can go out there and claim it. Seventy thousand bucks in cold, hard +cash. + +Indubitatiously! + + + + +Transcriber's Note: + + This etext was produced from _Fantastic Universe_ August 1957. + Extensive research did not uncover any evidence that the U.S. + copyright on this publication was renewed. Minor spelling and + typographical errors have been corrected without note. + + + + + +End of the Project Gutenberg EBook of Lighter Than You Think, by Nelson Bond + +*** END OF THIS PROJECT GUTENBERG EBOOK LIGHTER THAN YOU THINK *** + +***** This file should be named 29698.txt or 29698.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/9/6/9/29698/ + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at http://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |
