diff options
Diffstat (limited to '29317.txt')
| -rw-r--r-- | 29317.txt | 877 |
1 files changed, 877 insertions, 0 deletions
diff --git a/29317.txt b/29317.txt new file mode 100644 index 0000000..1674015 --- /dev/null +++ b/29317.txt @@ -0,0 +1,877 @@ +Project Gutenberg's There Will Be School Tomorrow, by V. E. Thiessen + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: There Will Be School Tomorrow + +Author: V. E. Thiessen + +Release Date: July 5, 2009 [EBook #29317] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THERE WILL BE SCHOOL TOMORROW *** + + + + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at http://www.pgdp.net + + + + + + + + + + _You will possibly shudder, but you will certainly remember for a + long time, this story of what happens when Tomorrow's gently + implacable teachers are faced with a problem for which there seems + to be only one solution...._ + + + there + will + be + school + tomorrow + + _by ... V. E. Thiessen_ + + + There is a quiet horror to + this story from Tomorrow.... + + +Evening had begun to fall. In the cities the clamor softened along the +streets, and the women made small, comfortable, rattling noises in the +kitchens. Out in the country the cicadas started their singing, and the +cool smell began to rise out of the earth. But everywhere, in the cities +and in the country, the children were late from school. + +There were a few calls, but the robotic telephone devices at the schools +gave back the standard answer: "The schools are closed for the day. If +you will leave a message it will be recorded for tomorrow." + +The telephones between houses began to ring. "Is Johnny home from school +yet?" + +"No. Is Jane?" + +"Not yet. I wonder what can be keeping them?" + +"Something new, I guess. Oh, well, the roboteachers know best. They will +be home soon." + +"Yes, of course. It's foolish to worry." + +The children did not come. + +After a time a few cars were driven to the schools. They were met by the +robots. The worried parents were escorted inside. But the children did +not come home. + +And then, just as alarm was beginning to stir all over the land, the +robots came walking, all of the robots from the grade schools, and the +high schools, and the colleges. All of the school system walking, with +the roboteachers saying, "Let us go into the house where you can sit +down." All over the streets of the cities and the walks in the country +the robots were entering houses. + +"What's happened to my children?" + +"If you will go inside and sit down--" + +"What's happened to my children? Tell me now!" + +"If you will go inside and sit down--" + +Steel and electrons and wires and robotic brains were inflexible. How +can you force steel to speak? All over the land the people went inside +and sat nervously waiting an explanation. + +There was no one out on the streets. From inside the houses came the +sound of surprise and agony. After a time there was silence. The robots +came out of the houses and went walking back to the schools. In the +cities and in the country there was the strange and sudden silence of +tragedy. + +The children did not come home. + + * * * * * + +The morning before the robots walked, Johnny Malone, the Mayor's son, +bounced out of bed with a burst of energy. Skinning out of his pajamas +and into a pair of trousers, he hurried, barefooted, into his mother's +bedroom. She was sleeping soundly, and he touched one shoulder +hesitantly. + +"Mother!" + +The sleeping figure stirred. His mother's face, still faintly shiny with +hormone cream, turned toward him. She opened her eyes. Her voice was +irritated. + +"What is it, Johnny?" + +"Today's the day, mommy. Remember?" + +"The day?" Eyebrows raised. + +"The new school opens. Now we'll have roboteachers like everyone else. +Will you fix my breakfast, mother?" + +"Amelia will fix you something." + +"Aw, mother. Amelia's just a robot. This is a special day. And I want my +daddy to help me with my arithmetic before I go. I don't want the +roboteacher to think I'm dumb." + +His mother frowned in deepening irritation. "Now, there's no reason why +Amelia can't get your breakfast like she always does. And I doubt if it +would be wise to wake your father. You know he likes to sleep in the +morning. Now, you go on out of here and let me sleep." + +Johnny Malone turned away, fighting himself for a moment, for he knew he +was too big to cry. He walked more slowly now and entered his father's +room. He had to shake his father to awaken him. + +"Daddy! Wake up, daddy!" + +"What in the devil? Oh, Johnny." His father's eyes were sleepily bleak. +"What in thunder do you want?" + +"Today's the first day of roboteachers. I can't work my arithmetic. +Will you help me before I go to school?" + +His father stared at him in amazement. "Just what in the devil do you +think roboteachers are for? They're supposed to teach you. If you knew +arithmetic we wouldn't need roboteachers." + +"But the roboteachers may be angry if I don't have my lesson." + +Johnny Malone's father turned on one elbow. "Listen, son," he said. "If +those roboteachers give you any trouble you just tell them you're the +Mayor's son. See. Now get the devil out of here. What's her name--that +servorobot--Amelia will get your breakfast and get you off to school. +Now suppose you beat it out of here and let me go back to sleep." + +"Yes, Sir." Eyes smarting, Johnny Malone went down the stairs to the +kitchen. It wasn't that his parents were different. All the kids were +fed and sent to school by robots. It was just that--well today seemed +sort of special. Downstairs Amelia, the roboservant, placed hot cereal +on the table before him. After he had forced a few bites past the +tightness in his throat, Amelia checked the temperature and his clothing +and let him out the door. The newest school was only a few blocks from +his home, and Johnny could walk to school. + + * * * * * + +The newest school stood on the edge of this large, middlewestern city. +Off to the back of the school were the towers of the town, great +monolithic skyscrapers of pre-stressed concrete and plastic. To the +front of the school the plains stretched out to meet a cloudy horizon. + +A helio car swung down in front of the school. Two men and a woman got +out. + +"This is it, Senator." Doctor Wilson, the speaker, was with the +government bureau of schools. He lifted his arm and gestured, a lean, +tweed-suited man. + +The second man, addressed as Senator, was bulkier, grey suited and +pompous. He turned to the woman with professional deference. + +"This is the last one, my dear. This is what Doctor Wilson calls the +greatest milestone in man's education." + +"With the establishing of this school the last human teacher is gone. +Gone are all the human weaknesses, the temper fits of teachers, their +ignorance and prejudices. The roboteachers are without flaw." + +The woman lifted a lorgnette to her eyes. "_Haow_ interesting. But after +all, we've had roboteachers for years, haven't we--or have we--?" She +made a vague gesture toward the school, and looked at the brown-suited +man. + +"Yes, of course. Years ago your women's clubs fought against +roboteachers. That was before they were proven." + +"I seem to recall something of that. Oh well, it doesn't matter." The +lorgnette gestured idly. + +"Shall we go in?" the lean man urged. + +The woman hesitated. Senator said tactfully, "After all, Doctor Wilson +would like you to see his project." + +The brown-suited man nodded. His face took on a sharp intensity. "We're +making a great mistake. No one is interested in educating the children +any more. They leave it to the robots. And they neglect the children's +training at home." + +The woman turned toward him with surprise in her eyes. "But really, +aren't the robots the best teachers?" + +"Of course they are. But confound it, we ought to be interested in what +they teach and how they teach. What's happened to the old PTA? What's +happened to parental discipline, what's happened to--" + +He stopped suddenly and smiled, a rueful tired smile. "I suppose I'm a +fanatic on this. Come on inside." + +They passed through an antiseptic corridor built from dull green +plastic. The brown-suited man pressed a button outside one of the +classrooms. A door slid noiselessly into the hall. A robot stood before +them, gesturing gently. They followed the robot into the classroom. At +the head of the classroom another robot was lecturing. There were +drawings on a sort of plastic blackboard. There were wire models on the +desk in front of the robot. They listened for a moment, and for a moment +it seemed that the woman could be intrigued in spite of herself. + +"Mathematics," Doctor Wilson murmured in her ear. "Euclidean Geometry +and Aristotelean reasoning. We start them young on these old schools of +thought, then use Aristotle and Euclid as a point of departure for our +intermediate classes in mathematics and logic." + +"REAHLLY!" The lorgnette studied Doctor Wilson. "You mean there are +several kinds of geometry?" + +Doctor Wilson nodded. A dull flush crept into his cheeks. The Senator +caught his eyes and winked. The woman moved toward the door. At the door +the robot bowed. + +The lorgnette waved in appreciation. "It's reahlly been most charming!" + +Wilson said desperately, "If your women's clubs would just visit our +schools and see this work we are carrying on ..." + +"Reahlly, I'm sure the robots are doing a marvelous job. After all, +that's what they were built for." + +Wilson called, "Socrates! Come here!" The robot approached from his +position outside the classroom door. + +"Why were you built, Socrates? Tell the lady why you were built." + +A metal throat cleared, a metal voice said resonantly, "We were made to +serve the children. The children are the heart of a society. As the +children are raised, so will the future be assured. I will do everything +for the children's good, this is my prime law. All other laws are +secondary to the children's good." + +"Thank you, Socrates. You may go." + +Metal footsteps retreated. The lorgnette waved again. "Very impressive. +Very efficient. And now, Senator, if we can go. We are to have tea at +the women's club. Varden is reviewing his newest musical comedy." + +The Senator said firmly, "Thank you, Doctor Wilson." + +His smile was faintly apologetic. It seemed to say that the women's +clubs had many votes, but that Wilson should understand, Wilson's own +vote would be appreciated too. Wilson watched the two re-enter the +helicopter and rise into the morning sunshine. He kicked the dirt with +his shoe and turned to find Socrates behind him. The metallic voice +spoke. + +"You are tired. I suggest you go home and rest." + +"I'm not tired. Why can they be so blind, so uninterested in the +children?" + +"It is our job to teach the children. You are tired. I suggest you go +home and rest." + +How can you argue with metal? What can you add to a perfect mechanism, +designed for its job, and integrated with a hundred other perfect +mechanisms? What can you do when a thousand schools are so perfect they +have a life of their own, with no need for human guidance, and, most +significant, no failures from human weakness? + +Wilson stared soberly at this school, at the colossus he had helped to +create. He had the feeling that it was wrong somehow, that if people +would only think about it they could find that something was wrong. + +"You are tired." + +He nodded at Socrates. "Yes, I am tired. I will go home." + +Once, on the way home, he stared back toward the school with strange +unease. + + * * * * * + +Inside the school there was the ringing of a bell. The children trooped +into the large play area that was enclosed in the heart of the great +building. Here and there they began to form in clusters. At the centers +of the clusters were the newest students, the ones that had moved here, +the ones that had been in the robot schools before. + +"Is it true that the roboteachers will actually spank you?" + +"It's true, all right." + +"You're kidding. It's only a story, like Santa Claus or Johnny +Appleseed. The human teachers never spanked us here." + +"The robots will spank you if you get out of line." + +"My father says no robot can lay a hand on a human." + +"These robots are different." + +The bell began to ring again. Recess was over. The children moved toward +the classroom. All the children except one--Johnny Malone, husky Johnny +Malone, twelve years old--the Mayor's son. Johnny Malone kicked at the +dirt. A robot proctor approached. The metallic voice sounded. + +"The ringing of the bell means that classes are resumed. You will take +your place, please." + +"I won't go inside." + +"You will take your place, please." + +"I won't. You can't make me take my place. My father is the Mayor." + +The metal voice carried no feeling. "If you do not take your place you +will be punished." + +"You can't lay a hand on me. No robot can." + +The robot moved forward. Two metal hands held Johnny Malone. Johnny +Malone kicked the robot's legs. It hurt his toes. "We were made to teach +the children. We can do what is necessary to teach the children. I will +do everything for the children's good. It is my prime law. All other +laws are secondary to the children's good." + +The metal arms moved. The human body bent across metal knees. A metal +hand raised and fell, flat, very flat so that it would sting and the +blood would come rushing, and yet there would be no bruising, no damage +to the human flesh. Johnny Malone cried out in surprise. Johnny Malone +wept. Johnny Malone squirmed. The metal ignored all of these. Johnny +Malone was placed on his feet. He swarmed against the robot, striking it +with small fists, bruising them against the solid smoothness of the +robot's thighs. + +"You will take your place, please." + +Tears were useless. Rage was useless. Metal cannot feel. Johnny Malone, +the Mayor's son, was intelligent. He took his place in the classroom. + +One of the more advanced literature classes was reciting. The +roboteacher said metallically, + + "_The weird sisters, hand in hand, + Posters of the sea and land, + Thus do go about, about: + Thrice to thine, and thrice to mine, + And thrice again, to make up nine. + Peace! the charm's wound up._" + +Hands shot into the air. The metallic voice said, "Tom?" + +"That's from Shakespeare's _Macbeth_." + +"And what is its meaning?" + +"The weird sisters are making a charm in the beginning of the play. They +have heard the drum that announces Macbeth's coming." + +"That is correct." + +A new hand shot into the air. "Question, teacher. May I ask a question?" + +"You may always ask a question." + +"Are witches real? Do you robots know of witches? And do you know of +people? Can a roboteacher understand Shakespeare?" + +The thin metal voice responded. "Witches are real and unreal. Witches +are a part of the reality of the mind, and the human mind is real. We +roboteachers are the repository of the human mind. We hold all the +wisdom and the knowledge and the aspirations of the human race. We hold +these for you, the children, in trust. Your good is our highest law. Do +you understand?" + +The children nodded. The metallic voice went on. "Let us return to +_Macbeth_ for our concluding quotation. The weather, fortune, many +things are implied in Macbeth's opening speech. He says, '_So foul and +fair a day I have not seen._' The paradox is both human and appropriate. +One day you will understand this even more. Repeat the quotation after +me, please, and try to understand it." + +The childish voices lifted. "_So foul and fair a day I have not seen._" + +The roboteacher stood up. "And there's the closing bell. Do not hurry +away, for you are to remain here tonight. There will be a school party, +a sleep-together party. We will all sleep here in the school building." + +"You mean we can't go home?" + +The face of the littlest girl screwed up. "I want to go home." + +"You may go home tomorrow. There will be a holiday tomorrow. A party +tonight and a holiday tomorrow for every school on earth." + +The tears were halted for a moment. The voice was querulous. "But I want +to go home now." + +Johnny Malone, the Mayor's son, put one hand on the littlest girl. +"Don't cry, Mary. The robots don't care if you cry or not. You can't +hurt them or cry them out of anything. We'll all go home in the +morning." + +The robots began to bring cots and to place them in the schoolroom, row +on row. The children were led out into the play quadrangle to play. One +of the robots taught them a new game, and after that took them to supper +served in the school's cafeteria. No other robot was left in the +building, but it did not matter, because the doors were locked so that +the children could not go home. + +The other robots had begun to walk out into the town, and as they walked +the robots walked from other schools, in other towns. All over the +country, all over the towns, the robots walked to tell the people that +the children would not be home from school, and do what had to be done. + +In the schools, the roboteachers told stories until the children fell +asleep. + + * * * * * + +Morning came. The robots were up with the sun. The children were up with +the robots. There was breakfast and more stories, and now the children +clustered about the robots, holding onto their arms, where they could +cling, tagging and frisking along behind the robots as they went down +into the town. The sun was warm, and it was early, early, and very +bright from the morning sun in the streets. + +They went into the Mayor's house. Johnny called, "Mom! Dad! I'm home." + +The house was silent. The robot that tended the house came gliding in +answer. "Would you like breakfast, Master Malone?" + +"I've had breakfast. I want my folks. Hey! Mom, Dad!" + +He went into the bedroom. It was clean and empty and scrubbed. + +"Where's my mother and father?" + +The metal voice of the robot beside Johnny said, "I am going to live +with you. You will learn as much at home as you do at school." + +"Where's my mother?" + +"I'm your mother." + +"Where's my father?" + +"I'm your father." + +Johnny Malone swung. "You mean my mother and father are gone?" Tears +gathered in his eyes. + +Gently, gently, the metal hand pulled him against the metal body. "Your +folks have gone away, Johnny. Everyone's folks have gone away. We will +stay with you." + +Johnny Malone ran his glance around the room. + +"I might have known they were gone. The place is so clean." + + * * * * * + +All the houses were clean. The servant robots had cleaned all night. The +roboteachers had checked each house before the children were brought +home. The children must not be alarmed. There must be no bits of blood +to frighten them. + +The robot's voice said gently, "Today will be a holiday to become +accustomed to the changes. There will be school tomorrow." + + + + +Transcriber's Note: + + This etext was produced from _Fantastic Universe_ November 1956. + Extensive research did not uncover any evidence that the U.S. + copyright on this publication was renewed. Minor spelling and + typographical errors have been corrected without note. + + + + + +End of Project Gutenberg's There Will Be School Tomorrow, by V. E. Thiessen + +*** END OF THIS PROJECT GUTENBERG EBOOK THERE WILL BE SCHOOL TOMORROW *** + +***** This file should be named 29317.txt or 29317.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/9/3/1/29317/ + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at http://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |
