diff options
Diffstat (limited to '29317-h/29317-h.htm')
| -rw-r--r-- | 29317-h/29317-h.htm | 1174 |
1 files changed, 1174 insertions, 0 deletions
diff --git a/29317-h/29317-h.htm b/29317-h/29317-h.htm new file mode 100644 index 0000000..eb3858a --- /dev/null +++ b/29317-h/29317-h.htm @@ -0,0 +1,1174 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> + +<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> + <head> + <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <meta http-equiv="Content-Style-Type" content="text/css" /> + <title> + The Project Gutenberg eBook of There Will Be School Tomorrow, by V. E. Thiessen + </title> + <style type="text/css"> + + p {margin-top: .75em; text-align: justify; margin-bottom: .75em;} + h1,h2 {text-align: right; font-weight: normal; line-height: 2em;} + body {margin-left: 10%; margin-right: 10%;} + .trn {border: solid 1px; margin: 3em 15%; padding: 1em; text-align: justify;} + .bk1 {margin: 1em auto 3em; border-top: solid 2px; border-bottom: solid 2px;} + .bk2 {float: left; width: 15em; margin: 1em 2em 1em 0;} + .pr1 {line-height: 1.5em; margin-top: 4em;} + hr {width: 45%; margin: 1em auto; visibility: hidden;} + .smcap {font-variant: small-caps;} + .poem {margin: 1em auto; text-align: left; font-style: italic; width: 16em;} + .poem br {display: none;} + .poem span.i0 {display: block; margin-left: 0em; padding-left: 3em; text-indent: -3em;} + p.cap:first-letter {float: left; margin-right: .05em; padding-top: .05em; font-size: 300%; line-height: .8em; width: auto;} + + </style> + </head> +<body> + + +<pre> + +Project Gutenberg's There Will Be School Tomorrow, by V. E. Thiessen + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: There Will Be School Tomorrow + +Author: V. E. Thiessen + +Release Date: July 5, 2009 [EBook #29317] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK THERE WILL BE SCHOOL TOMORROW *** + + + + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at http://www.pgdp.net + + + + + + +</pre> + + +<div class="bk1"><p><i><small>You will possibly shudder, but you will certainly remember for a long time, +this story of what happens when Tomorrow's gently implacable teachers are +faced with a problem for which there seems to be only one solution....</small></i></p></div> + +<div class="bk2"><h1><b>there<br /> +will<br /> +be<br /> +school<br /> +tomorrow</b></h1> + +<h2><small><i>by ... V. E. Thiessen</i></small></h2> + +<p class="pr1"><big><b>There is a quiet horror to +this story from Tomorrow....</b></big></p></div> + +<p class="cap"><span class="smcap">Evening</span> had begun to fall. In +the cities the clamor softened along +the streets, and the women made +small, comfortable, rattling noises +in the kitchens. Out in the country +the cicadas started their singing, +and the cool smell began to rise out +of the earth. But everywhere, in the +cities and in the country, the children +were late from school.</p> + +<p>There were a few calls, but the +robotic telephone devices at the +schools gave back the standard answer: +"The schools are closed for +the day. If you will leave a message +it will be recorded for tomorrow."</p> + +<p>The telephones between houses +began to ring. "Is Johnny home +from school yet?"</p> + +<p>"No. Is Jane?"</p> + +<p>"Not yet. I wonder what can be +keeping them?"</p> + +<p>"Something new, I guess. Oh, +well, the roboteachers know best. +They will be home soon."</p> + +<p>"Yes, of course. It's foolish to +worry."</p> + +<p>The children did not come.</p> + +<p>After a time a few cars were +driven to the schools. They were +met by the robots. The worried parents +were escorted inside. But the +children did not come home.</p> + +<p>And then, just as alarm was beginning +to stir all over the land, +the robots came walking, all of the +robots from the grade schools, and +the high schools, and the colleges. +All of the school system walking, +with the roboteachers saying, "Let +us go into the house where you can +sit down." All over the streets of +the cities and the walks in the country +the robots were entering houses.</p> + +<p>"What's happened to my children?"</p> + +<p>"If you will go inside and sit +down—"</p> + +<p>"What's happened to my children? +Tell me now!"</p> + +<p>"If you will go inside and sit +down—"</p> + +<p>Steel and electrons and wires and +robotic brains were inflexible. How +can you force steel to speak? All +over the land the people went inside +and sat nervously waiting an explanation.</p> + +<p>There was no one out on the +streets. From inside the houses came +the sound of surprise and agony. +After a time there was silence. The +robots came out of the houses and +went walking back to the schools. +In the cities and in the country there +was the strange and sudden silence +of tragedy.</p> + +<p>The children did not come home.</p> + +<hr /> + +<p>The morning before the robots +walked, Johnny Malone, the Mayor's +son, bounced out of bed with a +burst of energy. Skinning out of his +pajamas and into a pair of trousers, +he hurried, barefooted, into his +mother's bedroom. She was sleeping +soundly, and he touched one shoulder +hesitantly.</p> + +<p>"Mother!"</p> + +<p>The sleeping figure stirred. His +mother's face, still faintly shiny +with hormone cream, turned toward +him. She opened her eyes. Her voice +was irritated.</p> + +<p>"What is it, Johnny?"</p> + +<p>"Today's the day, mommy. Remember?"</p> + +<p>"The day?" Eyebrows raised.</p> + +<p>"The new school opens. Now +we'll have roboteachers like everyone +else. Will you fix my breakfast, +mother?"</p> + +<p>"Amelia will fix you something."</p> + +<p>"Aw, mother. Amelia's just a +robot. This is a special day. And I +want my daddy to help me with my +arithmetic before I go. I don't want +the roboteacher to think I'm dumb."</p> + +<p>His mother frowned in deepening +irritation. "Now, there's no reason +why Amelia can't get your +breakfast like she always does. And +I doubt if it would be wise to wake +your father. You know he likes to +sleep in the morning. Now, you go +on out of here and let me sleep."</p> + +<p>Johnny Malone turned away, +fighting himself for a moment, for +he knew he was too big to cry. He +walked more slowly now and entered +his father's room. He had to +shake his father to awaken him.</p> + +<p>"Daddy! Wake up, daddy!"</p> + +<p>"What in the devil? Oh, Johnny." +His father's eyes were sleepily +bleak. "What in thunder do you +want?"</p> + +<p>"Today's the first day of roboteachers. +I can't work my arithmetic. +Will you help me before I go to +school?"</p> + +<p>His father stared at him in +amazement. "Just what in the devil +do you think roboteachers are for? +They're supposed to teach you. If +you knew arithmetic we wouldn't +need roboteachers."</p> + +<p>"But the roboteachers may be +angry if I don't have my lesson."</p> + +<p>Johnny Malone's father turned +on one elbow. "Listen, son," he +said. "If those roboteachers give you +any trouble you just tell them you're +the Mayor's son. See. Now get the +devil out of here. What's her name—that +servorobot—Amelia will get +your breakfast and get you off to +school. Now suppose you beat it +out of here and let me go back to +sleep."</p> + +<p>"Yes, Sir." Eyes smarting, Johnny +Malone went down the stairs to +the kitchen. It wasn't that his parents +were different. All the kids +were fed and sent to school by +robots. It was just that—well today +seemed sort of special. Downstairs +Amelia, the roboservant, placed hot +cereal on the table before him. +After he had forced a few bites past +the tightness in his throat, Amelia +checked the temperature and his +clothing and let him out the door. +The newest school was only a few +blocks from his home, and Johnny +could walk to school.</p> + +<hr /> + +<p>The newest school stood on the +edge of this large, middlewestern +city. Off to the back of the school +were the towers of the town, great +monolithic skyscrapers of pre-stressed +concrete and plastic. To the +front of the school the plains +stretched out to meet a cloudy +horizon.</p> + +<p>A helio car swung down in +front of the school. Two men and +a woman got out.</p> + +<p>"This is it, Senator." Doctor Wilson, +the speaker, was with the government +bureau of schools. He +lifted his arm and gestured, a lean, +tweed-suited man.</p> + +<p>The second man, addressed as +Senator, was bulkier, grey suited +and pompous. He turned to the +woman with professional deference.</p> + +<p>"This is the last one, my dear. +This is what Doctor Wilson calls +the greatest milestone in man's education."</p> + +<p>"With the establishing of this +school the last human teacher is +gone. Gone are all the human weaknesses, +the temper fits of teachers, +their ignorance and prejudices. The +roboteachers are without flaw."</p> + +<p>The woman lifted a lorgnette to +her eyes. "<i>Haow</i> interesting. But +after all, we've had roboteachers for +years, haven't we—or have we—?" +She made a vague gesture toward +the school, and looked at the +brown-suited man.</p> + +<p>"Yes, of course. Years ago your +women's clubs fought against roboteachers. +That was before they were +proven."</p> + +<p>"I seem to recall something of +that. Oh well, it doesn't matter." +The lorgnette gestured idly.</p> + +<p>"Shall we go in?" the lean man +urged.</p> + +<p>The woman hesitated. Senator +said tactfully, "After all, Doctor +Wilson would like you to see his +project."</p> + +<p>The brown-suited man nodded. +His face took on a sharp intensity. +"We're making a great mistake. No +one is interested in educating the +children any more. They leave it to +the robots. And they neglect the +children's training at home."</p> + +<p>The woman turned toward him +with surprise in her eyes. "But really, +aren't the robots the best teachers?"</p> + +<p>"Of course they are. But confound +it, we ought to be interested +in what they teach and how they +teach. What's happened to the old +PTA? What's happened to parental +discipline, what's happened to—"</p> + +<p>He stopped suddenly and +smiled, a rueful tired smile. +"I suppose I'm a fanatic on this. +Come on inside."</p> + +<p>They passed through an antiseptic +corridor built from dull green +plastic. The brown-suited man pressed +a button outside one of the +classrooms. A door slid noiselessly +into the hall. A robot stood before +them, gesturing gently. They followed +the robot into the classroom. +At the head of the classroom another +robot was lecturing. There +were drawings on a sort of plastic +blackboard. There were wire models +on the desk in front of the robot. +They listened for a moment, and +for a moment it seemed that the +woman could be intrigued in spite +of herself.</p> + +<p>"Mathematics," Doctor Wilson +murmured in her ear. "Euclidean +Geometry and Aristotelean reasoning. +We start them young on these +old schools of thought, then use +Aristotle and Euclid as a point of +departure for our intermediate +classes in mathematics and logic."</p> + +<p>"REAHLLY!" The lorgnette +studied Doctor Wilson. "You mean +there are several kinds of geometry?"</p> + +<p>Doctor Wilson nodded. A dull +flush crept into his cheeks. The +Senator caught his eyes and winked. +The woman moved toward the +door. At the door the robot bowed.</p> + +<p>The lorgnette waved in appreciation. +"It's reahlly been most charming!"</p> + +<p>Wilson said desperately, "If your +women's clubs would just visit our +schools and see this work we are +carrying on ..."</p> + +<p>"Reahlly, I'm sure the robots are +doing a marvelous job. After all, +that's what they were built for."</p> + +<p>Wilson called, "Socrates! Come +here!" The robot approached from +his position outside the classroom +door.</p> + +<p>"Why were you built, Socrates? +Tell the lady why you were built."</p> + +<p>A metal throat cleared, a metal +voice said resonantly, "We were +made to serve the children. The +children are the heart of a society. +As the children are raised, so will +the future be assured. I will do +everything for the children's good, +this is my prime law. All other laws +are secondary to the children's +good."</p> + +<p>"Thank you, Socrates. You may +go."</p> + +<p>Metal footsteps retreated. The +lorgnette waved again. "Very impressive. +Very efficient. And now, +Senator, if we can go. We are to +have tea at the women's club. Varden +is reviewing his newest musical +comedy."</p> + +<p>The Senator said firmly, "Thank +you, Doctor Wilson."</p> + +<p>His smile was faintly apologetic. +It seemed to say that the women's +clubs had many votes, but that Wilson +should understand, Wilson's +own vote would be appreciated too. +Wilson watched the two re-enter +the helicopter and rise into the +morning sunshine. He kicked the +dirt with his shoe and turned to +find Socrates behind him. The +metallic voice spoke.</p> + +<p>"You are tired. I suggest you go +home and rest."</p> + +<p>"I'm not tired. Why can they be +so blind, so uninterested in the children?"</p> + +<p>"It is our job to teach the children. +You are tired. I suggest you +go home and rest."</p> + +<p>How can you argue with metal? +What can you add to a perfect +mechanism, designed for its job, +and integrated with a hundred +other perfect mechanisms? What +can you do when a thousand schools +are so perfect they have a life of +their own, with no need for human +guidance, and, most significant, no +failures from human weakness?</p> + +<p>Wilson stared soberly at this +school, at the colossus he had helped +to create. He had the feeling that +it was wrong somehow, that if +people would only think about it +they could find that something was +wrong.</p> + +<p>"You are tired."</p> + +<p>He nodded at Socrates. "Yes, I +am tired. I will go home."</p> + +<p>Once, on the way home, he stared +back toward the school with +strange unease.</p> + +<hr /> + +<p>Inside the school there was the +ringing of a bell. The children +trooped into the large play area +that was enclosed in the heart of the +great building. Here and there they +began to form in clusters. At the +centers of the clusters were the newest +students, the ones that had +moved here, the ones that had been +in the robot schools before.</p> + +<p>"Is it true that the roboteachers +will actually spank you?"</p> + +<p>"It's true, all right."</p> + +<p>"You're kidding. It's only a story, +like Santa Claus or Johnny Appleseed. +The human teachers never +spanked us here."</p> + +<p>"The robots will spank you if +you get out of line."</p> + +<p>"My father says no robot can lay +a hand on a human."</p> + +<p>"These robots are different."</p> + +<p>The bell began to ring again. Recess +was over. The children moved +toward the classroom. All the children +except one—Johnny Malone, +husky Johnny Malone, twelve years +old—the Mayor's son. Johnny Malone +kicked at the dirt. A robot proctor +approached. The metallic voice +sounded.</p> + +<p>"The ringing of the bell means +that classes are resumed. You will +take your place, please."</p> + +<p>"I won't go inside."</p> + +<p>"You will take your place, +please."</p> + +<p>"I won't. You can't make me take +my place. My father is the Mayor."</p> + +<p>The metal voice carried no feeling. +"If you do not take your place +you will be punished."</p> + +<p>"You can't lay a hand on me. No +robot can."</p> + +<p>The robot moved forward. Two +metal hands held Johnny Malone. +Johnny Malone kicked the robot's +legs. It hurt his toes. "We were +made to teach the children. We can +do what is necessary to teach the +children. I will do everything for +the children's good. It is my prime +law. All other laws are secondary +to the children's good."</p> + +<p>The metal arms moved. The human +body bent across metal knees. +A metal hand raised and fell, flat, +very flat so that it would sting and +the blood would come rushing, and +yet there would be no bruising, no +damage to the human flesh. Johnny +Malone cried out in surprise. Johnny +Malone wept. Johnny Malone +squirmed. The metal ignored all +of these. Johnny Malone was placed +on his feet. He swarmed against the +robot, striking it with small fists, +bruising them against the solid +smoothness of the robot's thighs.</p> + +<p>"You will take your place, +please."</p> + +<p>Tears were useless. Rage was useless. +Metal cannot feel. Johnny +Malone, the Mayor's son, was intelligent. +He took his place in the +classroom.</p> + +<p>One of the more advanced literature +classes was reciting. The roboteacher +said metallically,</p> + +<div class="poem"> +<span class="i0">"The weird sisters, hand in hand,<br /></span> +<span class="i0">Posters of the sea and land,<br /></span> +<span class="i0">Thus do go about, about:<br /></span> +<span class="i0">Thrice to thine, and thrice to mine,<br /></span> +<span class="i0">And thrice again, to make up nine.<br /></span> +<span class="i0">Peace! the charm's wound up."<br /></span> +</div> + +<p>Hands shot into the air. The metallic +voice said, "Tom?"</p> + +<p>"That's from Shakespeare's <i>Macbeth</i>."</p> + +<p>"And what is its meaning?"</p> + +<p>"The weird sisters are making a +charm in the beginning of the play. +They have heard the drum that announces +Macbeth's coming."</p> + +<p>"That is correct."</p> + +<p>A new hand shot into the air. +"Question, teacher. May I ask a +question?"</p> + +<p>"You may always ask a question."</p> + +<p>"Are witches real? Do you robots +know of witches? And do you know +of people? Can a roboteacher understand +Shakespeare?"</p> + +<p>The thin metal voice responded. +"Witches are real and unreal. +Witches are a part of the reality of +the mind, and the human mind is +real. We roboteachers are the repository +of the human mind. We +hold all the wisdom and the knowledge +and the aspirations of the human +race. We hold these for you, +the children, in trust. Your good is +our highest law. Do you understand?"</p> + +<p>The children nodded. The metallic +voice went on. "Let us return to +<i>Macbeth</i> for our concluding quotation. +The weather, fortune, many +things are implied in Macbeth's +opening speech. He says, '<i>So foul +and fair a day I have not seen.</i>' The +paradox is both human and appropriate. +One day you will understand +this even more. Repeat the +quotation after me, please, and try +to understand it."</p> + +<p>The childish voices lifted. "<i>So +foul and fair a day I have not seen.</i>"</p> + +<p>The roboteacher stood up. "And +there's the closing bell. Do not hurry +away, for you are to remain here +tonight. There will be a school +party, a sleep-together party. We +will all sleep here in the school +building."</p> + +<p>"You mean we can't go home?"</p> + +<p>The face of the littlest girl +screwed up. "I want to go home."</p> + +<p>"You may go home tomorrow. +There will be a holiday tomorrow. +A party tonight and a holiday tomorrow +for every school on earth."</p> + +<p>The tears were halted for a moment. +The voice was querulous. +"But I want to go home now."</p> + +<p>Johnny Malone, the Mayor's son, +put one hand on the littlest girl. +"Don't cry, Mary. The robots don't +care if you cry or not. You can't +hurt them or cry them out of anything. +We'll all go home in the +morning."</p> + +<p>The robots began to bring cots +and to place them in the schoolroom, +row on row. The children +were led out into the play quadrangle +to play. One of the robots +taught them a new game, and after +that took them to supper served in +the school's cafeteria. No other +robot was left in the building, but +it did not matter, because the doors +were locked so that the children +could not go home.</p> + +<p>The other robots had begun to +walk out into the town, and as they +walked the robots walked from +other schools, in other towns. All +over the country, all over the towns, +the robots walked to tell the people +that the children would not be +home from school, and do what had +to be done.</p> + +<p>In the schools, the roboteachers +told stories until the children fell +asleep.</p> + +<hr /> + +<p>Morning came. The robots were +up with the sun. The children were +up with the robots. There was +breakfast and more stories, and now +the children clustered about the +robots, holding onto their arms, +where they could cling, tagging and +frisking along behind the robots as +they went down into the town. The +sun was warm, and it was early, +early, and very bright from the +morning sun in the streets.</p> + +<p>They went into the Mayor's +house. Johnny called, "Mom! +Dad! I'm home."</p> + +<p>The house was silent. The robot +that tended the house came gliding +in answer. "Would you like breakfast, +Master Malone?"</p> + +<p>"I've had breakfast. I want my +folks. Hey! Mom, Dad!"</p> + +<p>He went into the bedroom. It +was clean and empty and scrubbed.</p> + +<p>"Where's my mother and +father?"</p> + +<p>The metal voice of the robot beside +Johnny said, "I am going to +live with you. You will learn as +much at home as you do at school."</p> + +<p>"Where's my mother?"</p> + +<p>"I'm your mother."</p> + +<p>"Where's my father?"</p> + +<p>"I'm your father."</p> + +<p>Johnny Malone swung. "You +mean my mother and father are +gone?" Tears gathered in his eyes.</p> + +<p>Gently, gently, the metal hand +pulled him against the metal body. +"Your folks have gone away, Johnny. +Everyone's folks have gone +away. We will stay with you."</p> + +<p>Johnny Malone ran his glance +around the room.</p> + +<p>"I might have known they were +gone. The place is so clean."</p> + +<hr /> + +<p>All the houses were clean. The +servant robots had cleaned all night. +The roboteachers had checked each +house before the children were +brought home. The children must +not be alarmed. There must be no +bits of blood to frighten them.</p> + +<p>The robot's voice said gently, +"Today will be a holiday to become +accustomed to the changes. There +will be school tomorrow."</p> + +<div class="trn"><b>Transcriber's Note:</b> +This etext was produced from <i>Fantastic Universe</i> November 1956. +Extensive research did not uncover any evidence that the U.S. +copyright on this publication was renewed. Minor spelling and +typographical errors have been corrected without note.</div> + + + + + + + + +<pre> + + + + + +End of Project Gutenberg's There Will Be School Tomorrow, by V. E. Thiessen + +*** END OF THIS PROJECT GUTENBERG EBOOK THERE WILL BE SCHOOL TOMORROW *** + +***** This file should be named 29317-h.htm or 29317-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/9/3/1/29317/ + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at http://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + +</body> +</html> |
