summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 02:47:15 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 02:47:15 -0700
commit597af34a70de1238377649fa94968615a7fee5c7 (patch)
treec564eb737a7d2d343e9b0a1cf44c8842739714bb
initial commit of ebook 29305HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--29305-8.txt1932
-rw-r--r--29305-8.zipbin0 -> 36790 bytes
-rw-r--r--29305-h.zipbin0 -> 43955 bytes
-rw-r--r--29305-h/29305-h.htm2746
-rw-r--r--29305-h/images/illo1.pngbin0 -> 3065 bytes
-rw-r--r--29305.txt1932
-rw-r--r--29305.zipbin0 -> 36767 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
10 files changed, 6626 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/29305-8.txt b/29305-8.txt
new file mode 100644
index 0000000..216b3ab
--- /dev/null
+++ b/29305-8.txt
@@ -0,0 +1,1932 @@
+The Project Gutenberg EBook of Sielanka: An Idyll, by Henryk Sienkiewicz
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Sielanka: An Idyll
+
+Author: Henryk Sienkiewicz
+
+Translator: Vatslaf A. Hlasko
+ Thos. H. Bullick
+
+Release Date: July 4, 2009 [EBook #29305]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK SIELANKA: AN IDYLL ***
+
+
+
+
+Produced by Barbara Tozier, Bill Tozier and the Online
+Distributed Proofreading Team at https://www.pgdp.net
+
+
+
+
+
+SIELANKA
+
+_An Idyll_
+
+
+BY
+
+
+HENRYK SIENKIEWICZ
+
+
+TRANSLATED BY
+
+VATSLAF A. HLASKO and THOS. H. BULLICK
+
+
+R. F. FENNO & COMPANY : 9 AND 11 EAST
+SIXTEENTH STREET : : NEW YORK CITY
+1898
+
+
+
+
+Copyright, 1897
+
+BY
+
+R. F. FENNO & COMPANY
+
+
+
+
+SIELANKA.
+
+_An Idyll._
+
+
+In the woods, in the deep woods, was an open glade in which stood the
+house of the forester Stephan. The house was built of logs packed with
+moss, and the roof was thatched with straw; hard by the house stood
+two outbuildings; in front of it was a piece of fenced-in ground, and
+an old well with a long, crooked sweep; the water in the well was
+covered with a green vegetation at the edges.
+
+Opposite the windows grew sunflowers and wild hollyhocks, high,
+stately, and covered with blossoms as if with a swarm of gorgeous
+butterflies; between the sunflowers there peeped the red heads of the
+poppy; around the hollyhocks entwined sweet peas with pink blossoms
+and morning-glories; close to the ground grew nasturtiums, marigolds,
+primroses, and asters, pale because they were shaded from the sunlight
+by the leaves of the hollyhocks and sunflowers.
+
+The fenced ground on either side of the pathway leading to the house
+was planted with vegetables--carrots, beets, and cabbage; further off
+in a separate fenced-in lot there waved with each breath of wind the
+tender blue flower of the flax; still beyond could be seen the dark
+green of the potato patch; the rest of the clearing was checkered with
+the variegated shades of the different cereals that ran to the edge of
+the lake which touched the glade on one side.
+
+Near to the house a few trees were growing. Some were cherry trees,
+and one was a birch, with long, slender branches which swayed in the
+wind, and with every breeze its leaves touched the dilapidated
+moss-covered straw thatch of the roof; when the stronger gusts of wind
+bent its boughs to the wall, and pressed its twigs and the waves of
+leaves against the roof, it would seem as if the tree loved the house
+and embraced it.
+
+In this tree the sparrows made their home; the rustling of the leaves
+and twigs commingled with the chirp and joyous noise of the birds; in
+the eaves of the house the doves had built their nests, and the place
+was filled with their speech, cooing and calling to each other,
+entreating and discussing as is customary between doves, these noisy
+and talkative people.
+
+At times it happened that they were startled by some unknown cause;
+then around the house was heard a loud flapping, the air was filled
+with the whirl of wings and a multitude of white-feathered breasts;
+you could hear tumult, noise and excited cries--the whole flock flew
+out suddenly, circled round the house, now near, now far off.
+Sometimes they melted in the blue, sometimes their white feathers
+reflected the sunlight, again they hung over the house, undulating in
+the air, and alighting at last like a downfall of snowflakes on the
+gray straw of the roof.
+
+If this occurred in the rosy morning or in the splendor of the red
+setting sun, then in the glory of the air these doves were not white,
+but tinted pink, and settled on the roof and birch tree as flames or
+scattered rose leaves.
+
+At twilight, when the sun had hidden itself beyond the woods, this
+cooing under the roof and chirping in the birch tree became gradually
+quiet. The sparrows and the doves shook the dew from their wings and
+prepared to sleep; sometimes one of them gave voice once more, but
+more rarely, more softly, more drowsily, and then all was silent--the
+dusk was falling from the heavens upon the earth. The house, cherry
+trees, and birch were losing their form, mingling together, melting,
+and veiled in a mist which rose from the lake.
+
+Around the glade, as far as the eye could reach, there stretched the
+wall of dark pine trees and thick undergrowth. This wall was broken in
+one place by a wide dividing line, which reached to the edge of the
+lake. The lake was a very large one, the opposite side was nearly lost
+to view, and in the mist could be hardly discerned the red roof and
+steeple of a church, and the black line of the woods closing the
+horizon beyond the church.
+
+The pines were looking from the high sandy banks upon their reflection
+in the lake as if in a mirror, and it seemed as if there was another
+forest in the water; and when the trees were swaying on the earth they
+were also swaying in the water, and when they quivered on the earth
+they seemed to quiver in the water; as they stood in the still air
+motionless, then every needle of the pines was painted distinctly on
+the smooth, unruffled surface, and the straight trunks of the trees
+standing like rows of pillars reaching afar off into infinity. In the
+middle of the lake the water in the daytime reflected the sun, and in
+the morning and the evening the glories of its rising and its setting;
+at night the moon and stars; and it seemed to be as deep as the dome
+of the sky above us is high, beyond the sun, moon, and stars.
+
+In the house dwelt the forester, named Stephan, and his daughter,
+Kasya, a maiden of sixteen. Kasya was the light of the household, as
+bright and fresh as the morning. She was brought up in great innocence
+and in the fear of God. Her uncle, who was now dead, and who was a
+poor but devout man, the organist of the neighboring church, had
+taught her to read her prayer book, and her education was perfected by
+her communing with nature. The bees taught her to work, the doves
+taught her purity, the happy sparrows to speak joyfully to her father,
+the quiet water taught her peace, the serenity of the sky taught her
+contemplation, the matin-bell of the distant church called her to
+devotion, and the universal good in all nature, which reflected the
+love of God, sank deep into her soul.
+
+Therefore the father and Kasya led a peaceful and happy life,
+surrounded by the silence and solitude of the woods.
+
+One noon, before Ascension Day, Stephan came home to his dinner. He
+had visited a large tract of the forest, so he arrived weary, having
+returned through the thickets of the swamp. Kasya placed the dinner on
+the table, and after they had finished and she had fed the dog and
+washed the dishes, she said:
+
+"Papa."
+
+"What is it?"
+
+"I shall go into the woods."
+
+"Go, go," adding jestingly, "and let some wolf or wild beast devour
+you."
+
+"I shall go and gather herbs. To-morrow is Ascension Day and they will
+be needed in the church."
+
+"If so, you can go."
+
+She covered her head with a yellow kerchief embroidered with blue
+flowers, and looking for her basket she began singing:
+
+ "The falcon came flying, the falcon came grey."
+
+The old man began to grumble: "If you were as fond of working as you
+are of singing."
+
+Kasya, who was standing on her tiptoes to look on a shelf, turned her
+head to her father, laughed merrily, and showing her white teeth, sang
+again as if to tease him:
+
+ "He hoots in the woods and the cuckoo's his prey."
+
+"You would be glad yourself to be a cuckoo until a falcon came," said
+the old man. "Perhaps 'tis falcon who is at the turpentine works? but
+this is folly. You can't earn a piece of bread by singing."
+
+Kasya again sang:
+
+ "Hoot not thou, my falcon, unhappy thy quest,
+ In the depths of the lake thy cuckoo doth rest."
+
+Then she said:
+
+"Wilt thou decorate the room with the evergreens for to-morrow? I
+shall return in time to milk the cows, but they should be brought from
+the pasture."
+
+She found her basket, kissed her father, and went out. Old Stephan got
+his unfinished fishing-net, and seated himself on a bench outside the
+door. He gathered his twine, and half-closing one eye he tried to
+thread his netting needle; after several attempts he succeeded and
+began to work.
+
+From time to time he watched Kasya. She was walking on the left side
+of the lake; against the background of the sandy banks she stood out
+in relief as if in a picture. Her white waist and red striped skirt
+and yellow kerchief glistened in the sunlight like a variegated
+flower. Though it was spring the heat was unbearable. After she had
+gone about half a mile she turned aside and disappeared into the
+woods. The afternoon hours were hot in the sun, but in the shade of
+the trees it was quite cool. Kasya pressed forward, suddenly stopped,
+smiled, and blushed like a rose.
+
+In front of her in the pathway stood a youth about eighteen years of
+age.
+
+This youth was the turpentine worker, from the edge of the woods, who
+was now on his way to visit Stephan.
+
+"The Lord be praised!" said he.
+
+"Forever and ever," answered she, and in her confusion she covered her
+face with her apron, peeping shyly out of a corner of it and smiling
+at her companion.
+
+"Kasya," said he.
+
+"What is it, John?"
+
+"Is your father at home?"
+
+"He is."
+
+The turpentine worker, poor fellow, perhaps desired to speak of
+something else beside the father, but somehow he was frightened and
+unconsciously inquired for him; then he became silent and waited for
+Kasya to speak to him first. She stood confused, twisting the corners
+of her apron.
+
+At last she spoke.
+
+"John?"
+
+"What is it, Kasya?"
+
+"Does the turpentine works smoke to-day?" She also wished to speak of
+something else.
+
+"Why should it not? The turpentine works never stop. I left lame Frank
+there; but dost thou wish to go there?"
+
+"No, I go to gather plants."
+
+"I will go with thee, and on our return, if thou dost not chase me
+away, I will come to thy house."
+
+"Why should I chase thee away?"
+
+"If thou dost like me thou wilt not chase me away, and if thou dost
+not, then thou wilt. Tell me, Kasya, dost thou like me?"
+
+"Fate, my fate," and Kasya covered her face with her hands. "What can
+I say to thee? I like thee, John, very much I like thee," she
+whispered faintly.
+
+Then before he could reply she uncovered her blushing face and cried
+out, "Let us go and gather plants; let us hurry."
+
+And so went they, John and Kasya. The radiance of love surrounded
+them, but these simple children of nature dared not speak of it. They
+felt it, although they knew not what they felt; they were embarrassed
+but happy. Never before had the forest sung so wonderfully over their
+heads, never was the wind so sweet and caressing, never at any time
+had the noises of the forest, the rustling of the breeze in the trees,
+the voices of the birds, the echoes of the woods, seemed to merge into
+such an angelic choir, so sweet and grand, as at this moment, full of
+unconscious happiness.
+
+Oh, holy power of love! how good an angel of light thou art, how rosy
+an aureole in the dusk, how bright a rainbow on the cloud of human
+tears!
+
+Meanwhile, in the woods resounded echoes from pine to pine, the
+barking of the dog, Burek, who had escaped from the house and ran on
+the pathway after Kasya. He came panting heavily, and with great joy
+he jumped with his big paws on Kasya and John, and looked from one to
+the other with his wise and mild eyes, as if wishing to say:
+
+"I see that you love one another; this is good."
+
+He wagged his tail and ran quickly ahead of them, then circled round
+to them, then stopped, barked once more with joy, and rushed into the
+woods, looking back from time to time on the boy and girl.
+
+Kasya put her hand to her forehead, and looking upward upon the bright
+sun between the leaves she said:
+
+"Just think, the sun is two hours beyond noontime and we have not yet
+gathered any plants. Go thou, John, to the left side and I shall go
+the right, and let us begin. We should hasten, for the dear Lord's
+sake."
+
+They separated and went into the woods, but not far from one another
+and in a parallel direction, so that they could see each other. Among
+the ferns between the pine trees could be seen fluttering the
+vari-colored skirt and yellow kerchief of Kasya. The slender, supple
+maiden seemed to float amid the berry-laden bushes, mosses and ferns.
+You would say it was some fairy _wila_ or _rusalka_ of the woods;
+every moment she stooped and stood erect again, and so, further and
+further, passing the pine trees, she entered deeper into the forest as
+some spritely nymph.
+
+Sometimes the thick growth of young hemlocks and cedars would conceal
+her from view, then John stopped, and putting his hand to his mouth
+would shout, "Halloo! Halloo!"
+
+Kasya heard it; she stopped with a smile, and pretending that she did
+not see him, answered in a high, silvery voice:
+
+"John!"
+
+The echo answers:
+
+"John! John!"
+
+Meanwhile Burek had espied a squirrel up a tree, and, standing before
+it looking upward, barked. The squirrel sitting on a branch covered
+herself with her tail in a mocking manner, lifted her forepaws to her
+mouth and rubbed her nose, seemed to play with her forefingers, make
+grimaces, and laugh at the anger of Burek. Kasya, seeing it, laughed
+with a resounding, silvery tone, and so did John, and so the woods
+were filled with the sound of human voices, echoes, laughter and sunny
+joy.
+
+Sometimes there was a deep silence, and then the woods seemed to
+speak; the breeze struck the fronds of the ferns, which emitted a
+sharp sound; the trunks of the pines swayed and creaked, and there was
+silence again.
+
+Then could be heard the measured strokes of the woodpecker. It seemed
+as if some one kept knock--knocking at a door, and you could even
+expect that some mysterious voice would ask:
+
+"Who is there?"
+
+Again, the wood thrush was whistling with a sweet voice; the
+golden-crowned hammer plumed his feathers. In the thicket the
+pheasants clucked and the bright green humming birds flitted between
+the leaves; sometimes on the top of the pine tree a crow, hiding
+itself from the heat of the sun, lazily flapped its wings.
+
+On this afternoon the weather was most clear, the sky was cloudless,
+and above the green canopy of the leaves there spread out the blue
+dome of the heavens--immense, limitless, transparently gray-tinted on
+the sides and deep blue above. In the sky stood the great golden sun;
+the space was flooded with light; the air was bright and serene, and
+far-off objects stood out distinctly, their forms clearly defined.
+From the height of heaven the eye of the great Creator embraced the
+whole earth; in the fields the grain bowed to Him with a golden wave,
+rustled the heavy heads of the wheat, and the delicate tasseled oats
+trembled like a cluster of tiny bells. In the air, filled with
+brightness here and there, floated the spring thread of the spider's
+web, blue from the azure of the sky and golden from the sun, as if a
+veritable thread from the loom of the Mother of God.
+
+In the vales between the fields of the waving grain stood dark-green
+meadows; here and there were crystal springs, around whose edges the
+grass was greener still; the whole meadows were sprinkled with yellow
+buttercups and dandelions which struck the eye with a profusion of
+golden brightness. In the wet places there thrived cypress trees,
+which had an air of coldness and moisture.
+
+In the woods among the pine trees there were now both heat and
+silence. It seemed as if a dreamy stillness enveloped the whole world.
+Not a breath of wind stirred; the trees, grain, and grass were
+motionless. The leaves hung on the trees as if rocked to sleep; the
+birds had ceased their noises, and the moment of rest had come. But
+this rest seemed to come from an ineffable sweetness, and all nature
+seemed to meditate. Only the great expanse of heaven seemed to smile,
+and somewhere, high in the unknowable depths of its blue, the great
+and beneficent God was glad with the gladness of the fields, the
+woods, the meadows, and the waters.
+
+Kasya and John were still busy in the woods collecting herbs, laughing
+gleefully and speaking to each other joyfully. Man is as artless as a
+bird; he will sing when he can, for this is his nature. John now began
+to sing a simple and touching song.
+
+As Kasya and John sang in unison the last refrain of the song ended
+mournfully, and as if in accompaniment the echo repeated it in the
+dark depths of the woods; the pines gave resonance as the words ran
+between their trunks and died away in the far distance like a sigh,
+less distinct, light, ethereal; then silence.
+
+Later Kasya sang a more cheerful song, beginning with the words:
+
+ "I shall become a ring of gold now."
+
+This is a good song. A willful young girl quarrels with her lover and
+enumerates the means she intends to use to escape from him. But it is
+useless. When she says that she will be a golden ring and will roll
+away on the road, he says that he will quickly see and recover her.
+When she wants to be a golden fish in the water he sings to her of the
+silken net; when she wants to be a wild fowl on the lake he appears
+before her as a hunter. At last the poor maiden, seeing she is unable
+to hide herself from him on the earth, sings:
+
+ "I shall become a star in heaven,
+ Light to earth by will be given.
+ My love to thee I shall not render,
+ Nor my sweet will to thee surrender."
+
+But the undaunted youth answers:
+
+ "Then shall I pray to the saint's grace
+ That the star may fall from its heavenly place.
+ Thy love to me thou then wilt render,
+ And thy sweet will to me surrender."
+
+The maiden, seeing there is no refuge either in heaven or on earth for
+her, accepts the view of Providence and sings:
+
+ "I see, I see, fate's decree doth bind me;
+ Where'er I hide, thou sure wilt find me.
+ My love to thee I must now render,
+ And my sweet will to thee surrender."
+
+John, turning to Kasya, said:
+
+"Do you understand?"
+
+"What, John?"
+
+He began to sing:
+
+ "Thy love to me thou must now render,
+ And thy sweet will to me surrender."
+
+Kasya was troubled, and laughed loudly to cover her confusion; and
+wishing to speak, she said:
+
+"I have gathered a large lot of plants; it would be well to dip them
+in water, for in this heat they will wither."
+
+Verily the heat was great; the wind had entirely ceased. In the woods,
+though in the shade, the air vibrated with moist heat, the pines
+exuding a strong, resinous odor. The delicate, golden-tinted face of
+Kasya was touched with perspiration, and her blue eyes showed traces
+of weariness. She removed the kerchief from her head, and began to fan
+herself. John, taking the basket from her, said:
+
+"Here, Kasya, stand two aspen trees, and between them a spring. Come,
+let us drink."
+
+Both went. After a short interval they noticed that the ground of the
+forest began to slope here. Among the trees, instead of bushes, ferns
+and dry mosses, there was a green, damp turf, then one aspen tree,
+then another, and after them whole rows. They entered into this dark,
+humid retreat, where the rays of the sun, passing through the leaves,
+took on their color and reflected on the human face a pale green
+light. John and Kasya descended lower and lower into the shadows and
+dampness; a chilliness breathed upon them, refreshing after the heat
+of the woods; and in a moment, between the rows of the aspen trees,
+they espied in the black turf a deep stream of water winding its way
+under and through canes and bushy thickets, and interspersed with the
+large, round leaves of the water-lilies, which we call "_nenufars_,"
+and by the peasants are called "white flowers."
+
+Beautiful was this spot, quiet, secluded, shady, even somewhat sombre
+and solemn. The transparent stream of water wound its way between the
+trees. The _nenufars_, touched by the light movement of the water,
+swayed gently backward and forward, leaning toward each other as if
+kissing. Above their broad leaves, lying like shields on the surface
+of the water, swarmed indigo-colored insects with wide, translucent,
+sibilant wings, so delicate and fragile that they are justly called
+water-sprites. Black butterflies, with white-edged, mournful wings,
+rested on the sharp, slender tops of the tamarack. On the dark turf
+blossomed blue forget-me-nots. On the edge of the stream grew some
+alder trees, and under the bushes peeped out heads of the
+lily-of-the-valley, bluebells and honeysuckles. The white heads of the
+_biedrzenica_ hung over the waters; the silvery threads of the
+_strojka_ spread out upon the current of the stream and weaved
+themselves into thin and long strands; besides--seclusion--a wild
+spot, forgotten by men, peaceful, peopled only with the world of
+birds, flowers and insects.
+
+In such places generally dwell nymphs, _rusalki_, and other bad or
+good forest sprites. Kasya, who was in advance, stood first on the
+banks of the stream and looked upon the water in which was reflected
+her graceful form. She verily appeared as one of those beautiful
+forest spirits as they are seen sometimes by the woodsmen or lumber
+men who float on their rafts down the rivers through the woods. She
+had no covering upon her head, and the wind gently played with her
+locks and ruffled her ray-like hair. Sunburned she was, blond-haired,
+and her eyes, as blue as turquoise, were as laughing as her lips.
+Besides, she was a divinely tall, slender, and fairy-like maiden. No
+one could swear, if she was suddenly startled, that she would not jump
+into the water--would not dissolve into mist--into rainbow rays--would
+not turn quickly into a water-lily or _kalina_ tree, which, when
+robbed of its flowers, remonstrates with a voice so human, yet
+recalling the sigh of the forest:
+
+"Don't touch me."
+
+Kasya, bending over the water so that her tresses fell on her
+shoulders, turned toward John and said:
+
+"How shall we drink?"
+
+"As birds," answered John, pointing to some silver pheasants on the
+opposite side of the stream.
+
+John, who knew how to help himself better than the birds, plucked a
+large leaf from a tree, and, making a funnel out of it, filled it with
+water and gave it to Kasya.
+
+They both drank, then Kasya gathered some forget-me-nots, and John
+with his knife made a flute from the willow bark, on which, when he
+had finished, he began to play the air which the shepherds play in the
+eventide on the meadows. The soft notes floated away with ineffable
+tenderness in this secluded spot. Shortly he removed the flute and
+listened intently as if to catch an echo returning from the aspen
+trees, and it seemed that the clear stream, the dark aspen trees, and
+the birds hidden in the canes listened to these notes with him.
+
+All became silent, but shortly, as if in answer--as if a
+challenge--came the first faint note of the nightingale, followed by a
+stronger trill. The nightingale wanted to sing--it challenged the
+flute.
+
+Now he began to sing. All nature was listening to this divine singer.
+The lilies lifted their heads above the water; the forget-me-nots
+pressed closer together; the canes ceased to rustle; no bird dared to
+peep except an unwise and absent-minded cuckoo, who with her silent
+wing alighted near by on a dry bough, lifted her head, widely opened
+her beak, and foolishly called aloud:
+
+"Cuckoo! cuckoo!"
+
+Afterward it seemed as if she was ashamed of her outbreak, and she
+quietly subsided.
+
+Vainly Kasya, who stood on the edge of the stream with the
+forget-me-nots in her hand, turned to the side from whence came the
+voice of the cuckoo and queried:
+
+"Cuckoo, blue-gray cuckoo, how long shall I live?"
+
+The cuckoo answered not.
+
+"Cuckoo, shall I be rich?"
+
+The cuckoo was silent.
+
+Then John: "Cuckoo, gray cuckoo, how soon will I wed?"
+
+The cuckoo replied not.
+
+"She cares not to answer us," said John; "let us return to the
+forest."
+
+On returning they found the large stone by which they had placed the
+basket and bunches of herbs. Kasya, seating herself beside it, began
+to weave garlands, and John helped her. Burek lay near them, stretched
+his hairy forepaws, lolled out his tongue and breathed heavily from
+fatigue, looking carefully around to see if he could not spy some
+living thing to chase and enjoy his own noise. But everything in the
+woods was quiet. The sun was traveling toward the west, and through
+the leaves and the needles of the pines shot his rays, becoming more
+and more red, covering the ground of the woods in places with great
+golden circles. The air was dry; in the west were spreading great
+shafts of golden light, which flooded all like an ocean of molten gold
+and amber. The wondrous beauties of the peaceful, warm spring evening
+were glowing in the sky. In the woods the daily work was gradually
+ceasing. The noise of the woodpecker had stopped; black and bronzed
+ants returned in rows to their hills, which were red in the rays of
+the setting sun. Some carried in their mouths pine needles and some
+insects. Among the herbs here and there circled small forest bees,
+humming joyfully as they completed their last load of the sweet
+flower-dust. From the fissures in the bark of the trees came gloomy
+and blind millers; in the streams of the golden light circled swarms
+of midgets and gnats scarcely visible to the eye; mosquitoes began
+their mournful song. On the trees the birds were choosing their places
+for the night; a yellow bird was softly whistling; the crows flapped
+their wings, crowding all on one tree and quarreling about the best
+places. But these voices were more and more rare, and became fainter;
+gradually all ceased, and the silence was interrupted by the evening
+breeze playing among the trees. The poplar tree tried to lift her
+bluish-green leaves upward; the king-oak murmured softly; the leaves
+of the birch tree slightly moved--silence.
+
+Now the sky became more red; in the east the horizon became dark blue,
+and all the voices of the woods merged into a chorus, solemn, deep and
+immense. Thus the forest sings its evening song of praise, and says
+its prayers before it sleeps; tree speaks to tree of the glory of God,
+and you would say that it spoke with a human voice.
+
+Only very innocent souls understand this great and blessed speech.
+Only very innocent hearts hear and understand when the first chorus of
+the parent oaks begins its strain:
+
+"Rejoice, O sister pines, and be glad. The Lord hath given a warm and
+peaceful day, and now above the earth He makes the starry night. Great
+is the Lord, and mighty, powerful and good is He, so let there be
+glory to Him upon the heights, upon the waters, upon the lands, and
+upon the air."
+
+And the pines pondered a moment upon the words of the oaks, and then
+they raised their voices together, saying:
+
+"Now, O Lord, to thy great glory, we, as censers, offer to Thee the
+incense of our sweet-smelling balsam, strong, resinous and fragrant.
+'Our Father, who art in heaven, hallowed be Thy Name.'"
+
+Then the birches said:
+
+"Thy evening brightness illumines the heavens, O Lord! and in Thy
+splendors our small leaves golden are and burning. Now with our golden
+leaves we sing to Thee, O Lord, and our delicate twigs play as the
+strings of the harp, O good Father of ours!"
+
+Again the sorrowing cypress said:
+
+"Upon our sad foreheads, exhausted with the heat, softly falls the
+evening dew. Praise be to Thee, O Lord; brothers and sisters rejoice,
+because there falls the cooling dew."
+
+Amid this chorus of trees the aspen alone trembles and is afraid; for
+it gave the wood for the Cross of the Saviour of the world; at times
+it faintly groans:
+
+"O Lord, have mercy upon me. Have mercy upon me, O Lord."
+
+Again, sometimes, when the oaks and pines cease for a moment, there
+rises from under their feet a faint, modest voice, low as the murmur
+of insects, silent as silence itself, which says:
+
+"A small berry am I, O Lord, and hidden in the moss. But Thou wilt
+hear, discern and love me; though small, devout am I, and sing Thy
+glory."
+
+Thus every evening prays the forest, and these orchestral sounds rise
+at every sunset from earth to heaven--and float high, high, reaching
+where there is no creature, where there is nothing only the silvery
+dust and the milky way of the stars, and above the stars--God.
+
+At this moment the sun hides his radiant head in the far-distant seas;
+the farmer turns upward his plowshares and hastens to his cottage.
+From the pastures return the bellowing herds; the sheep raise clouds
+of the golden dust. The twilight falls; in the village creek the well
+sweeps; later the windows shine, and from the distance comes the
+barking of the dogs.
+
+The sun had not gone beyond the woods when Kasya had seated herself
+under the mossy stone to weave her garlands. Its rays were thrown upon
+her face, broken by the shadows of the leaves and twigs. The work did
+not proceed rapidly, for Kasya was tired from heat and running in the
+woods. Her sunburnt hands moved slowly at her work. The warm breeze
+kissed her temples and face, and the voices of the forest lulled her
+to sleep. Her large eyes became heavy and drowsy; her eyelashes began
+to close slowly; she leaned her head against the stone, opened her
+eyes once more as a child looking upon the divine beauty of the world;
+then the noise of the trees, the rows of the stumps, the ground full
+of pine needles, and the skies that could be seen between the branches
+all became indistinct, darkened, dissolved, disappeared--and she
+smiled and slept. Her head was hidden in a soft shade, but the
+covering of her breast shone all rosy and purple. Her soft breathing
+lifted her bosom gently; so wonderful and beautiful she looked in this
+quiet sleep in the evening rays that John looked upon her as if upon
+the image of a saint, glorious with gold, and colored as the rainbow.
+
+Kasya's hands were clinging yet to the unfinished garland of herbs.
+She slept with a sleep light and sweet, for she smiled through her
+dreams as a child who speaks with the angels. Perhaps she verily
+conversed with angels, for pure she was as a child, and had dedicated
+her whole day to the service of God by gathering and weaving the
+garlands for His temple.
+
+John was sitting by her side, but he did not sleep. His simple breast
+could not contain the feelings that arose there; he felt as if his
+soul had got wings and was preparing to fly away to the realms of
+heaven. He knew not what was happening to him, and he only raised his
+eyes to the skies and was motionless; you would say that love had
+transfigured him.
+
+Kasya slumbered on, and for a long time they both remained there.
+Meanwhile the dusk came. The remnants of the purple light fought with
+the darkness. The interior of the woods deepened--became dumb. From
+the canes of the lake near the glade with its cottage came the buzzing
+of a night beetle.
+
+Suddenly on the other side of the lake from the church rang out the
+Angelus bell. Its tones floated on the wings of the evening breeze
+over the face of the quiet waters, clear, resonant, and distinct. It
+called the faithful to prayer, and also proclaimed: "Rest! Enough of
+work and the heat of the day," spoke the bell. "Wrap yourself to sleep
+in the wing of God. Come, come ye weary to Him--in Him is joy! Here is
+peace! here gladness! here sleep! here sleep! here sleep!"
+
+John took off his hat at the sound of the bell, Kasya shook the sleep
+from her eyes, and said:
+
+"The bell rings."
+
+"For the Angel of the Lord."
+
+Both kneeled near by the mossy stone as if before an altar. Kasya
+began to pray with a low, soft voice:
+
+"The Angel of the Lord declared unto Mary,"
+
+"And she conceived by the Holy Ghost," answered John.
+
+"Behold the handmaiden of the Lord; may it be done to me according to
+Thy word."
+
+ * * * * *
+
+Thus kneeling, prayed these children of God. The silent summer
+lightning shone from the east to the west, and upon its light flew
+down from heaven a radiant host of winged angels, and hovered above
+their heads. Then they blended with the angels and were themselves as
+if angels, for upon earth there were no two souls more bright, more
+pure, more innocent.
+
+
+
+
+ORSO.
+
+
+The last days of autumn in Anaheim, a town situated in Southern
+California, are days of joy and celebration. The grape gathering is
+finished and the town is crowded with the vineyard hands. There is
+nothing more picturesque than the sight of these people, composed
+partly of a sprinkling of Mexicans, but mainly of Cahuilla Indians,
+who come from the wild mountains of San Bernardino to earn some money
+by gathering grapes. They scatter through the streets and market
+places, called lolas, where they sleep in tents or under the roof of
+the sky, which is always clear at this time of the year. This
+beautiful city, surrounded with its growths of eucalyptus, olive,
+castor, and pepper trees, is filled with the noisy confusion of a
+fair, which strangely contrasts with the deep and solemn silence of
+the plains, covered with cacti, just beyond the vineyards. In the
+evening, when the sun hides his radiant head in the depths of the
+ocean, and upon the rosy sky are seen in its light the equally
+rosy-tinted wings of the wild geese, ducks, pelicans and cranes,
+descending by the thousands from the mountains to the ocean, then in
+the town the lights are lit and the evening amusements begin. The
+negro minstrels play on bones, and by the campfires can be heard the
+picking of the banjo; the Mexicans dance on an out-spread poncha their
+favorite bolero; Indians join in the dance, holding in their teeth
+long white sticks of kiotte, or beating time with their hands, and
+exclaiming, "E viva;" the fires, fed with redwood, crackle as they
+blaze, sending up clouds of bright sparks, and by its reflection can
+be seen the dancing figures, and around them the local settlers with
+their comely wives and sisters watching the scene.
+
+The day on which the juice from the last bunch of grapes is trampled
+out by the feet of the Indians is generally celebrated by the advent
+of Hirsch's Circus, from Los Angeles. The proprietor of the circus is
+a German, and besides owns a menagerie composed of monkeys, jaguars,
+pumas, African lions, one elephant, and several parrots, childish with
+age--"_The greatest attraction of the world._" The Cahuilla will give
+his last peso, if he has not spent it on drink, to see not only wild
+animals--for these abound in the San Bernardino Mountains--but to see
+the circus girls, athletes, clowns, and all its wonders, which seem to
+him as "a great medicine"--that is, magical feats, impossible of
+accomplishment except by the aid of supernatural powers.
+
+Mr. Hirsch, the proprietor of the circus, would be very angry with any
+one who would dare to say that his circus only attracted Mexicans,
+Indians, and Chinese. Certainly not; the arrival of the circus brings
+hither not only the people of the town and vicinity, but even those of
+the neighboring towns of Westminster, Orange, and Los Nietos. Orange
+Street is crowded with buggies and wagons of divers shapes, so that it
+is difficult to get through. The whole world of settlers come as one
+man. Young, bright girls, with their hair prettily banged over their
+eyes, sitting on the front seats, drive some of these vehicles, and
+gracefully upset passing pedestrians, chatter and show their white
+teeth; the Spanish senoritas from Los Nietos cover you with their
+warm, ardent glances from under their lace mantillas; the married
+women from the country, dressed in their latest and best fashions,
+lean with pride on the arms of the sunburned farmers, who are dressed
+in old hats, jean pants, and flannel shirts, fastened with hook and
+eye, and without neckties.
+
+All these people meet and greet each other, gossip, and the women
+inspect with critical eye the dresses of their neighbors, to see if
+they are "very fashionable."
+
+Among the buggies are some covered with flowers, which look like huge
+bouquets; the young men, mounted on mustangs, bend from their high
+Mexican saddles and peer under the hats of the young girls; the
+half-wild horses, frightened by the noise and confusion, look here and
+there with their bloodshot eyes, curvet, rear, and try to unseat their
+riders, but the cool riders seem to pay no attention to them.
+
+They all speak of "the greatest attraction," which was about to excel
+everything that had been seen before. Truly the flaming posters
+announced genuine wonders. The proprietor, Hirsch, that renowned
+"artist of the whip," will in the arena give a contest with a fierce,
+untamed African lion. The lion, according to the programme, springs
+upon the proprietor, whose only defense is his whip. This simple
+weapon in his hands (according to the programme) will change itself
+into a fiery sword and shield. The end of this whip will sting as a
+rattlesnake, flash as lightning, shoot as a thunderbolt, and keep at a
+proper distance the enraged monster, who vainly roars and tries to
+jump on the artist. This is not the end yet: sixteen-year-old Orso, an
+"American Hercules," born of a white father and Indian mother, will
+carry around six people, three on each shoulder; besides this, the
+management offers one hundred dollars to any man, regardless of color,
+who can throw Orso in a wrestling match. A rumor arose in Anaheim that
+from the mountains of San Bernardino comes for this purpose the
+"Grizzly Killer," a hunter who was celebrated for his bravery and
+strength, and who, since California was settled, was the first man who
+attacked these great bears single-handed and armed only with a knife.
+It is the probable victory of the "Grizzly Killer" over the
+sixteen-year-old athlete of the circus that highly excites the minds
+of the males of Anaheim, because if Orso, who until now, from the
+Atlantic to the Pacific, had overthrown the strongest Americans, will
+be defeated, great glory will cover all California. The feminine minds
+are not less excited by the following number of the programme: Orso
+will carry, on a pole thirty feet high, a small fairy, the "Wonder of
+the World," of which the poster says that she is the most beautiful
+girl that ever lived on this earth since the beginning of the
+"Christian Era." Though she is only thirteen years of age, the
+management also offers one hundred dollars to every maiden, "without
+regard to color of skin," who will dare to compete and wrest the palm
+of beauty from this "Aerial Angel." The maidens of Anaheim, both great
+and small, make grimaces on reading this, and say that it would not be
+ladylike to enter such a contest. Nevertheless they gladly surrender
+the comfort of their rocking chairs rather than miss the show and the
+chance of seeing their childish rival, in whose beauty, in comparison
+with the sisters Bimpa, for instance, none of them believed. The two
+sisters Bimpa, the elder Refugio, and the younger Mercedes, sitting
+gracefully in a handsome buggy, are now reading the posters; their
+faces show no trace of emotion, though they feel that the eyes of
+Anaheim are on them, as if supplicating them to save the honor of the
+whole county, and with a patriotic pride, founded upon the conviction
+that there is none more beautiful than these two California flowers in
+all the mountains and cañons of the whole world. Oh, beautiful indeed
+are the sisters Refugio and Mercedes! Not in vain does the pure
+Castilian blood flow in their veins, to which their mother constantly
+refers, showing her disdain for all colored races, as well as for the
+Americans.
+
+The figures of the sisters are slender, subtle, and full of mysterious
+grace, quiet, and so luxurious that they greatly impress all young men
+who come near them. From Donnas Refugio and Mercedes exhales a charm
+as the fragrance from the magnolia and the lily. Their faces are
+delicate, complexions transparent with a slight rosy tint, as if
+illumed with the dawn; the eyes dark and dreamy, sweet, innocent, and
+tender in their glances. Wrapped in muslin rebosos, they sit in their
+buggy adorned with flowers, pure and innocent, unconscious of their
+own beauty. Anaheim looked upon them, devoured them with its eyes, was
+proud of them, and loved them. Who then is this "Jenny," that can win
+victory over these? "Truly," the _Saturday Review_ wrote, "when little
+Jenny had climbed to the top of the mast, resting on the powerful
+shoulders of Orso, and from this eminence, suspended above the earth,
+in danger of death, she outstretched her arms and poised like a
+butterfly, the circus became silent and all eyes and hearts followed
+with trembling the movements of this wonderful child. That he who saw
+her on the mast or on a horse," concluded the _Saturday Review_, "will
+never forget her, because the greatest painter in the world, even Mr.
+Harvey, of San Francisco, who decorated the Palace Hotel, could paint
+nothing equal to it."
+
+The youths of Anaheim who were enamored by the Misses Bimpa were
+skeptical of this, and affirmed that it was a "humbug," but this
+question will be settled in the evening. Meanwhile, the commotion
+around the circus is increasing each moment. From among the long, low
+wooden buildings surrounding the canvas circus there comes the roar of
+the lions and elephant; the parrots, fastened to rings hanging to the
+huts, fill the air with their cries and whistles; the monkeys swing
+suspended by their tails or mock the public, who are kept at a
+distance by a rope fence. At last, from the main inclosure the
+procession emerges for the purpose of whetting and astonishing the
+curiosity of the public to a greater extent. The procession is headed
+by a gaudy band-wagon, drawn by six prancing horses with fine harness,
+and feathers on their heads. The riders on the saddles are in the
+costume of French postilions. On the other wagons come cages of lions,
+and in every cage is seated a lady with an olive branch in her hand.
+Then follows an elephant, covered with a carpet, and a tower on its
+back, which contains several men arrayed as East Indian hunters. The
+band is playing, the drums are beating, the lions are roaring, the
+whips are cracking; in a word, this cavalcade moves forward with great
+noise and uproar. But this is not all: behind the elephant there
+follows a machine on wheels, with a locomotive pipe, somewhat
+resembling an organ, which, blown by steam, emits the most discordant
+yells and whistles intended for the national "Yankee Doodle." The
+Americans cry "Hurrah!" the Germans, "Hoch!" the Mexicans, "E viva!"
+and the Cahuillas howl for joy.
+
+The crowds follow the procession, the place around the circus becomes
+deserted, the parrots cease their chatter, and the monkeys their
+gymnastics. But "the greatest attractions" do not take part in the
+procession. The "incomparable artist of the whip," the manager, the
+"unconquerable Orso," and the "Aërial Angel, Jenny," are all absent.
+All this is preserved for the evening so as to attract the crowds.
+
+The manager is somewhere in one of the wooden buildings, or looks into
+the ticket seller's van, where he pretends to be angry. Orso and Jenny
+are in the ring practicing some of their feats. Under its canvas roof
+reigns dust and silence. In the distance, where the seats are
+arranged, it is totally dark; the greatest part of the light falls
+through the roof on the ring, with its sand and sawdust covering. With
+the help of the gray light which filters through the canvas can be
+seen a horse standing near the parapet. The big horse feels very
+lonely, whisks the flies with his tail, and often sways his head.
+Gradually the eye, becoming accustomed to the dim light, discerns
+other objects--for instance: the mast upon which Orso carries Jenny,
+the hoops pasted with paper for her to jump through. All these lie on
+the ground without order, and the half-lighted arena and nearly dark
+benches give an impression of a deserted building with battened
+windows. The terrace of seats, only here and there broken with a stray
+glimmer of light, look like ruins. The horse, standing with drooping
+head, does not enliven the picture.
+
+Where are Orso and Jenny? One of the rays of light that stream through
+an aperture of the canvas, in which floats the golden dust, falls on a
+row of distant seats. This body of light, undulating with the swaying
+canvas, at last falls upon a group composed of Orso and Jenny.
+
+Orso sits on top of the bench, and near to him is Jenny. Her beautiful
+childish face leans against the arm of the athlete and her hand rests
+on his neck. The eyes of the girl are lifted upward, as if listening
+intently to the words of her companion, who bends over her, moving his
+head at times, apparently explaining something.
+
+Leaning as they are against each other, you might take them for a pair
+of lovers, but for the fact that the girl's uplifted eyes express
+strong attention and intense thought, rather than any romantic
+feeling, and that her legs, which are covered with pink fleshings, and
+her feet in slippers, sway to and fro with a childish abandon. Her
+figure has just begun to blossom into maidenhood. In everything Jenny
+is still a child, but so charming and beautiful that, without
+reflecting upon the ability of Mr. Harvey, who decorated the Palace
+Hotel, of San Francisco, it would be difficult even for him to imagine
+anything to equal her. Her delicate face is simply angelic; her large,
+sad blue eyes have a deep, sweet and confiding expression; her dark
+eyebrows are penciled with unequaled purity on her forehead, white and
+reposeful as if in deep thought, and the bright, silky hair, somewhat
+tossed, throws a shadow on it, of which, not only Master Harvey, but a
+certain other painter, named Rembrandt, would not have been ashamed.
+The girl at once reminds you of Cinderella and Gretchen, and the
+leaning posture which she now maintains suggests timidity and the need
+of protection.
+
+Her posture, which strongly reminds you of those of Greuz, contrasts
+strangely with her circus attire, composed of a short, white muslin
+skirt, embroidered with small silver stars, and pink tights. Sitting
+in a golden beam of light with the dark, deep background, she looks
+like some sunny and transparent vision, and her slender form contrasts
+with the square and sturdy figure of the youth.
+
+Orso, who is dressed in pink tights, appears from afar as if he were
+naked, and the same ray of light distinctly reveals his immense
+shoulders, rounded chest, small waist, and legs too short in
+proportion to the trunk.
+
+His powerful form seems as if it were hewn out with an ax. He has all
+the features of a circus athlete, but so magnified that they make him
+noticeable; besides, his face is not handsome. Sometimes, when he
+raises his head, you can see his face, the lines of which are regular,
+perhaps too regular, and somewhat rigid, as if carved from marble. The
+low forehead, with the hair falling on it, like the mane of a horse,
+straight and black, inherited from his squaw mother, gives to his face
+a gloomy and threatening expression. He has a similarity to both the
+bull and the bear, and he personifies a terrible and somewhat evil
+force. He is not of a good disposition.
+
+When Jenny passes by the horses, those gentle creatures turn their
+heads and look at her with intelligent eyes, and neigh and whinny, as
+if wishing to say: "How do you do, darling?" while at the sight of
+Orso they shudder with fear. He is a reticent and gloomy youth. Mr.
+Hirsch's negroes, who are his hostlers, clowns, minstrels, and
+rope-walkers, do not like Orso and tease him as much as they dare, and
+because he is half-Indian they think nothing of him, and plague and
+mock him. Truly, the manager, who offers the hundred dollars to any
+one who can defeat him, does not risk much; he dislikes and fears him,
+as the tamer of the wild animals fears a lion, and whips him on the
+slightest provocation.
+
+Mr. Hirsch feels that, if he does not keep the youth in subjection by
+constantly beating him, he will be beaten himself, and he follows the
+principle of the Creole woman, who considered beating a punishment,
+and no beating a reward.
+
+Such was Orso. Recently he began to be less sullen, because little
+Jenny had a good influence over him. It happened about a year ago that
+when Orso, who was then the attendant of the wild animals, was
+cleaning the cage of the puma, the beast put its paws through the bars
+of the cage and wounded his head severely. Then he entered the cage,
+and after a terrible fight between them, he alone remained alive. But
+he was so badly hurt that he fainted from loss of blood. He was ill a
+long time, which was greatly aggravated by a severe whipping which the
+manager gave him for breaking the spine of the puma.
+
+When he was ill Jenny took great care of him, and dressed his wounds,
+and when she had leisure, read the Bible to him. That is a "good book"
+which speaks of love, of forgiveness, of mercy--in a word, of things
+that are never mentioned in Mr. Hirsch's circus. Orso, listening to
+this book, pondered long in his Indian head and at last came to the
+conclusion that if it would be as good in the circus as in this book,
+perhaps he would not be so bad. He thought also that then he would not
+be beaten so often, and some one would be found who would love him.
+But who? Not negroes and not Mr. Hirsch; little Jenny, whose voice
+sounded as sweetly in his ears as the voice of the mavis, might be the
+one.
+
+One evening, under the influence of this thought, he began to weep and
+kiss the small hands of Jenny, and from this time on he loved her very
+much. During the performance in the evening, when Jenny was riding a
+horse, he was always in the ring and carefully watching over her to
+prevent any accident. When he held the paper hoops for her to jump
+through he smiled on her; when to the sound of the music be balanced
+her on the top of the high mast, and the audience was hushed with
+fright, he felt uneasy himself. He knew very well if she should fall
+that no one from the "good book" would be left in the circus; he never
+removed his eyes from her, and the evident caution and anxiety
+expressed in his movements added to the terror of the people. Then,
+when recalled into the ring by the storm of applause, they would run
+in together, he would push her forward, as if deserving of all the
+praise, and murmur from joy. This reticent youth spoke only to Jenny,
+and to her alone he opened his mind. He hated the circus and Mr.
+Hirsch, who was entirely different from the people in the "good book."
+Something always attracted him to the edge of the horizon, to the
+woods and plains. When the circus troupe in their constant wanderings
+chanced to pass through wild, lonely spots, he heard voices awakening
+the instincts of a captive wolf, who sees the woods and plains for the
+first time. This propensity he inherited not only from his mother, but
+also from his father, who had been a frontiersman. He shared all his
+hopes with Jenny, and often narrated to her how fully and untrammeled
+live the people of the plains. Most of this he guessed or gleaned from
+the hunters of the prairies, who came to the circus with wild animals
+which they had captured for the menagerie, or to try their prowess for
+the hundred-dollar prize.
+
+Little Jenny listened to these Indian visions, opening widely her blue
+eyes and falling into deep reveries. For Orso never spoke of going
+alone to the desert; she was always with him, and it was very good for
+them there. Every day they saw something new; they possessed all they
+needed, and it seemed right to make all their plans carefully.
+
+So now they sit in this beam of light, talking to each other, instead
+of practicing and attempting new feats. The horse stands in the ring
+and feels lonely. Jenny leans on Orso's arm, thoughtfully
+contemplating and looking with wistful, wondering eyes into the dim
+space, swinging her feet like a child and musing--how it will be on
+the plains, and asking questions from Orso.
+
+"How do they live there?" says she, raising her eyes to the face of
+her friend.
+
+"There is plenty of oaks. They take an ax and build a house."
+
+"Well," says Jenny, "but until the house is built?"
+
+"It is always warm there. The 'Grizzly Killer' says it is very warm."
+
+Jenny begins to swing her feet more lively, as if the warmth there has
+settled the question in her mind; but shortly she remembers that she
+has in the circus a dog and a cat, and that she would like to take
+them with her. She calls her dog Mister Dog and her cat Mister Cat.
+
+"And will Mr. Dog and Mr. Cat go with us?"
+
+"They will," answers Orso, looking pleased.
+
+"Will we take with us the 'good book'?"
+
+"We will," says Orso, still more pleased.
+
+"Well," says the girl in her innocence, "Mr. Cat will catch birds for
+us; Mr. Dog will drive away bad people with his bark; you will be my
+husband and I will be your wife, and they will be our children."
+
+Orso feels so happy that he cannot speak, and Jenny continues:
+
+"There, there will be no Mr. Hirsch, no circus, we will not work, and
+basta! But no!" she adds a moment later, "the 'good book' says that we
+should work, and I sometimes will jump through one--through the two
+hoops, the three, the four hoops."
+
+Jenny evidently does not imagine work under any other form than
+jumping through hoops.
+
+Shortly she says again:
+
+"Orso, will I indeed be always with you?"
+
+"Yes, Jen, for I love you very much."
+
+His face brightens as he says so, and becomes almost beautiful.
+
+And yet he does not know himself how dear to him has become this small
+bright head.
+
+He has nothing else in this world but her, and he watches her as the
+faithful dog guards his mistress. By her fragile side he looks like
+Hercules, but he is unconscious of this.
+
+"Jen," says he after a moment, "listen to what I tell you."
+
+Jenny, who shortly before had got up to look at the horse, now turns
+and, kneeling down before Orso, puts her two elbows on his knees,
+crosses her arms and, resting her chin on her wrists, uplifts her face
+and is all attention.
+
+At this moment, to the consternation of the children, the "artist of
+the whip" enters the ring in a very bad humor, because his trial with
+a lion had entirely failed.
+
+This lion, who was bald from old age, desired only to be let alone,
+had no inclination to attack the "artist," and hid himself from the
+lash of the whip in a far corner of the cage. The manager thought with
+despair that if this loyal disposition remained with the lion until
+the evening the contest with the whip would be a failure; for to fight
+a lion who slinks away needs no more art than to eat a lobster from
+his tail. The bad temper of the proprietor became still worse when he
+learned from the ticket seller that he was disposing of no seats in
+the "gods;" that the Cahuillas evidently had spent all their money
+that they had earned in the vineyards for drinks, and that they came
+to his window and offered their blankets, marked "U. S.," or their
+wives, especially the old ones, in exchange for tickets of admission.
+The lack of money among the Cahuillas was no small loss for the
+"artist of the whip;" for he counted on a "crowded house," and if the
+seats in the "gods" were not sold no "crowded house" was obtainable;
+therefore the manager wished at this moment that all the Indians had
+but one back, and that he might give an exhibition of his skill with
+the whip on that one back, in the presence of all Anaheim. Thus he
+felt as he entered the ring, and seeing the horse standing idle under
+the parapet, he felt like jumping with anger. Where are Orso and
+Jenny? Shading his eyes with his hand he looked all around the circus,
+and observed in a bright beam, Orso, and Jenny kneeling before him
+with her elbows resting on his knees. At this sight he let the lash of
+his whip trail on the ground.
+
+"Orso!"
+
+If lightning had struck in the midst of the children they could not
+have been more startled. Orso jumped to his feet and descended in the
+passageway between the benches with the hasty movement of an animal
+who comes to his master at his call; behind him followed Jenny with
+eyes wide open from fright, and clutching the benches as she passed
+them.
+
+Orso, on entering the ring, stopped by the parapet, gloomy and silent,
+the gray light from above bringing into relief his Herculean trunk
+upon its short legs.
+
+"Nearer," cried out the manager in a hoarse voice; meanwhile the lash
+of his long whip moved upon the sand with a threatening motion, like
+the tail of a tiger watching his approaching prey.
+
+Orso advanced several steps, and for a few minutes they looked into
+each other's eyes. The manager's face resembled that of the tamer who
+enters the cage, intending to subdue a dangerous animal, and at the
+same time watches it.
+
+His rage overcame his caution. His legs, incased in elk riding
+breeches and high boots, pranced under him with anger. Perhaps it was
+not the idleness alone of the children which increased his rage.
+Jenny, from above, looked at both of them like a frightened hare
+watching two lynxes.
+
+"Hoodlum! dog catcher, thou cur!" hissed the manager.
+
+The whip with the velocity of lightning whistled through the air in a
+circle, hissed and struck. Orso winced and howled a little, and
+stepped toward the manager, but the second stroke stopped him at once,
+then the third, fourth--tenth. The contest had begun, although there
+was no audience. The uplifted hand of the "great artist" scarcely
+moved, but his wrist revolved, as if a part of some machinery, and,
+with each revolution, the sharp point of the lash stung the skin of
+Orso. It seemed as if the whip, or rather its poisonous fang, filled
+the whole space between the athlete and the manager, who in his
+increasing excitement reached the genuine enthusiasm of the artist.
+The "master" simply improvised. The cracking end flashing in the air
+twice had written down its bloody trace on the bare neck of the
+athlete. Orso was silent in this dance. At every cut he stepped one
+step forward and the manager one step backward. In this way they
+circled the arena, and at last the manager backed out of the ring as a
+conqueror from the cage, and disappeared through the entrance to the
+stables, still as the conqueror. As he left his eye fell on Jenny.
+
+"Get on your horse," he cried; "I will settle with you later."
+
+His voice had scarcely ceased before her white skirt flashed in the
+air, and in a moment she was on the back of the horse. The manager had
+disappeared, and the horse began to gallop around the ring,
+occasionally striking the side with its hoofs.
+
+"Hep! Hep!" agitatedly said Jenny to the horse with her childish
+voice: "Hep! hep!" but this "hep, hep," was at the same time a sob.
+The horse increased his speed, clattering with his hoofs as he leaned
+more and more to the center. The girl, standing on the pad with her
+feet close together, seemed scarcely to touch it with the ends of her
+toes; her bare rosy arms rose and fell as she maintained her balance;
+her hair and light muslin dress floated behind her supple figure,
+which looked like a bird circling in the air.
+
+"Hep! hep!" she kept exclaiming. Meanwhile her eyes were filled with
+tears, and to see she had to raise her head; the movement of the horse
+made her dizzy; the terrace of seats and the ring seemed to revolve
+around her; she wavered once, twice, and then fell down into the arms
+of Orso.
+
+"Oh! Orso, poor Orso!" cried the child.
+
+"What's the matter, Jen? why do you cry? I don't feel the pain, I
+don't feel it."
+
+Jenny threw both her arms around his neck and began to kiss his
+cheeks. Her whole body trembled, and she sobbed convulsively.
+
+"Orso, oh, Orso," she sobbed, for she could not speak, and her arms
+clung closer to his neck. She could not have cried more if she had
+been beaten herself. So, in the end, he began to pet and console her.
+Forgetting his own pain he took her in his arms and pressed her to his
+heart, and his nerves being excited by the beating, he now felt for
+the first time that he loved her more than the dog loved his mistress.
+He breathed heavily, and his lips panted out the words:
+
+"I feel no pain. When you are with me, I am happy, Jenny, Jenny!"
+
+When this was transpiring the manager was walking in the stables,
+foaming with rage. His heart was filled with jealousy. He saw the girl
+on her knees before Orso; recently this beautiful child had awakened
+the lower instincts in him, but as yet undeveloped, and now he fancied
+that she and Orso loved each other, and he felt revengeful, and had a
+wild desire to punish her--to whip her soundly. This desire he could
+not resist. Shortly he called to her.
+
+She at once left Orso, and in a moment had disappeared in the dark
+entrance to the stables. Orso stood stupefied, and instead of
+following her he walked with unsteady steps to a bench, and, seating
+himself, began to breathe heavily.
+
+When the girl entered the stables she could see nothing, as it was
+much darker there than in the ring. Yet, fearing that she would be
+suspected of having delayed her coming, she cried out in a faint
+voice:
+
+"I am here, master, I am here."
+
+At the same moment the hand of the manager caught hers, and he
+hoarsely said:
+
+"Come!"
+
+If he had shown anger or badly scolded her she would have felt less
+frightened than at this silence with which he led her to the circus
+wardrobe. She hung back, resisting him, and repeating quickly:
+
+"Oh, dear Mr. Hirsch, forgive me! forgive me!"
+
+But forcibly he dragged her to the long room where they stored their
+costumes, and turned the key in the door.
+
+Jenny fell down on her knees. With uplifted eyes and folded hands,
+trembling as a leaf, the tears streaming down her cheeks, she tried to
+arouse his mercy; in answer to her supplications, he took from the
+wall a wire whip, and said:
+
+"Lie down."
+
+With despair she flung herself at his feet, nearly dying from fright.
+Every nerve of her body quivered; but vainly she pressed her pallid
+lips to his polished boots. Her alarm and pleading seemed to arouse
+the demon in him more than ever. Grasping her roughly, he threw her
+violently on a heap of dresses, and in an instant, after trying to
+stop the kicking of her feet, he began beating her cruelly.
+
+"Orso! Orso!" she shouted.
+
+About this moment the door shook on its hinges, rattled, creaked and
+gave way, and half of it, pushed in with a tremendous force, fell with
+a crash upon the ground.
+
+In this opening stood Orso.
+
+The wire whip fell from the hand of the manager, and his face became
+deadly pale, because Orso looked ferocious. His eyes were bloodshot,
+his lips covered with foam, his head inclined to one side like a
+bull's, and his whole body was crouched and gathered, as if ready to
+spring.
+
+"Get out!" cried the manager, trying to hide his fear behind a show of
+authority.
+
+The pent-up dam was already broken. Orso, who was usually as obedient
+to every motion as a dog, this time did not move, but leaning his head
+still more to one side, he moved slowly and threateningly toward the
+"artist of the whip," his iron muscles taut as whipcords.
+
+"Help! help!" cried the manager.
+
+They heard him.
+
+Four brawny negroes from the stables ran in through the broken door
+and fell upon Orso. A terrible fight ensued, upon which the manager
+looked with chattering teeth. For a long time you could see nothing
+but a tangled mass of dark bodies wrestling with convulsive movements,
+rolling on the ground in a writhing heap; in the silence which
+followed sometimes was heard a groan, a snort, loud short breathing,
+the gritting of teeth.
+
+In a moment one of the negroes, as if by a superhuman force, was sent
+from this formless mass, whirling headlong through the air, and fell
+at the feet of the manager, striking his skull with great force on the
+ground; soon a second flew out; then from the center of this turbulent
+group Orso's body alone arose, covered with blood and looking more
+terrible than before. His knees were still pressing heavily on the
+breasts of the two fainting negroes. He arose to his feet and moved
+toward the manager.
+
+Hirsch closed his eyes.
+
+The next moment he felt that his feet had left the ground, that he was
+flying through the air--then he felt nothing; his whole body was
+dashed with monstrous force into the remaining half of the door, and
+he fell to the earth unconscious.
+
+Orso wiped his face, and, coming over to Jenny, said:
+
+"Let us go."
+
+He took her by the hand and they went.
+
+The whole town was following the circus procession and the steam
+calliope, playing "Yankee Doodle," and the place around the circus was
+deserted. The parrots only, swinging in their hoops, filled the air
+with their cries. Hand in hand, Orso and Jenny went forward; from the
+end of the street could be seen the immense plains, covered with
+cacti. Silently they passed by the houses, shaded by the eucalyptus
+trees; then they passed the slaughter-houses, around which had
+gathered thousands of small black birds with red-tipped wings. They
+jumped over the large irrigation ditches, entered into an orange
+grove, and on emerging from it found themselves among the cacti.
+
+This was the desert.
+
+As far as the eye could reach these prickly plants rose higher and
+higher; thick leaves growing from other leaves obstructed the path,
+sometimes catching on Jenny's dress. In places they grew to such a
+great height that the children seemed to be as much lost here as if
+they were in the woods, and no one could find them there. So they kept
+threading their way through them, now to the right and then to the
+left, but careful always to go from the town. Sometimes between the
+cacti they could see on the horizon the blue mountains of Santa Ana.
+They went to the mountains. The heat was great. Gray-colored locusts
+chirped in the cacti; the sun's rays poured down upon the earth in
+streams; the dried-up earth was covered with a network of cracks; the
+stiff leaves of the cacti seemed to soften from the heat, and the
+flowers were languid and half-wilted. The children proceeded, silent
+and thoughtful. But all that surrounded them was so new that they
+surrendered themselves to their impressions, and for the moment forgot
+even their weariness. Jenny's eyes ran from one bunch of cacti to
+another; again she looked to the farther clusters, saying to her
+friend:
+
+"Is this the wilderness, Orso?"
+
+But the desert did not appear to be deserted. From the farther clumps
+came the calling of the male quail, and around sounded the different
+murmurs of clucking, of twittering, of the ruffling of feathers: in a
+word, the divers voices of the small inhabitants of the plains.
+Sometimes there flew up a whole covey of quail; the gaudy-topped
+pheasants scattered on their approach; the black squirrels dived into
+their holes; the rabbits disappeared in all directions; the gophers
+were sitting on their hind legs beside their holes, looking like fat
+German farmers standing in their doorway.
+
+After resting an hour the children proceeded on their journey. Jenny
+soon felt thirsty. Orso, in whom had awakened his Indian inventive
+faculties, began to pluck cactus fruits. They were in abundance, and
+grew together with the flowers on the same leaves. In plucking them
+they pricked their fingers with the sharp points, but the fruit was
+luscious. Their sweet and acid flavor quenched at once their thirst
+and appeased their hunger. The prairies fed the children as a mother;
+thus strengthened they could proceed further. The cacti arose higher,
+and you could say that they grew on the head of one another. The
+ground on which they walked ascended gradually and continuously.
+Looking backward once more they saw Anaheim, dissolving in the
+distance and looking like a grove of trees upon the low plains. Not a
+trace of the circus could be distinguished. They still pressed
+steadily onward to the mountains, which now became more distinct in
+the distance. The surroundings assumed another phase. Between the
+cacti appeared different bushes and even trees; the wooded portion of
+the foothills of Santa Ana had commenced. Orso broke one of the
+saplings, and, clearing off its branches, made a cudgel of it, which,
+in his hands, would prove a terrible weapon. His Indian instincts
+whispered to him that in the mountains it was better to be provided,
+even with a stick, than to go unarmed, especially now that the sun had
+lowered itself into the west. Its great fiery shield had rolled down
+far beyond Anaheim, into the blue ocean. After a while it disappeared,
+and in the west there gleamed red, golden, and orange lights, similar
+to ribbons and gauzy veils, stretched over the whole sky. The
+mountains uplifted themselves in this glow; the cacti assumed
+different fantastical shapes, resembling people and animals. Jenny
+felt tired and sleepy, but they still hastened to the mountains,
+although they knew not why. Soon they saw rocks, and on reaching them
+they discovered a stream; they drank some water and continued along
+its course. The rocks, which were at first broken and scattered, then
+changed into a solid wall, which became higher and higher, and soon
+they entered into a cañon.
+
+The rosy lights died away; deeper and deeper dusk enveloped the earth.
+In places immense vines reached from one side of the cañon to the
+other, covering it like a roof, and making it dark and uncanny. On the
+mountain side, above them, could be heard the voices of the swaying
+and creaking forest trees. Orso implied that now they were in the
+depths of the wilderness, where certainly there were many wild
+animals. From time to time his ear detected suspicious sounds, and
+when night fell he distinctly heard the hoarse mewing of the lynxes,
+the roar of the pumas, and the melancholy howling of the coyotes.
+
+"Are you afraid, Jen?" asked Orso.
+
+"No," replied the girl.
+
+But she was already very tired, and could proceed no farther, so Orso
+took her in his arms and carried her. He went forward with the hope
+that he would reach the house of some squatter, or should meet some
+Mexican campers. Once or twice it seemed to him that he saw the gleam
+of some wild animal's eyes. Then with one hand he pressed Jenny, who
+had now fallen asleep, to his breast, and with the other he grasped
+his stick. He was very tired himself; notwithstanding his great
+strength Jenny began to prove heavy to him, especially as he carried
+her on his left arm; the right one he wished to have free for defense.
+Occasionally he stopped to regain his breath and then continued on.
+Suddenly he paused and listened intently. It seemed to him as if he
+heard the echoes of the small bells which the settlers tie for the
+night to the neck of their cows and goats. Rushing forward, he soon
+reached a bend in the stream. The sound of the bells became more
+distinct, and joined with them in the distance was heard the barking
+of a dog. Then Orso was sure that he was nearing some settlement. It
+was high time that he did, for he was exhausted by the events of the
+day, and his strength had begun to fail him. On turning another bend
+he saw a light; as he moved forward his quick eyes discerned a
+campfire, a dog, evidently tied to a stump, tearing and barking, and
+at last the figure of a man seated by the fire.
+
+"God send that this may be a man from the 'good book'!" thought he.
+
+Then he resolved to awaken Jenny.
+
+"Jen!" called he, "awake, we shall eat."
+
+"What is it?" asked the girl; "where are we?"
+
+"In the wilderness."
+
+She was now wide awake.
+
+"What light is that?"
+
+"A man lives there; we shall eat."
+
+Poor Orso was very hungry.
+
+Meanwhile they were nearing the fire. The dog barked more violently,
+and the old man, sitting by the fire, shaded his eyes and peered into
+the gloom. Shortly he said:
+
+"Who is there?"
+
+"It is us," answered Jenny in her delicate voice, "and we are very
+hungry."
+
+"Come nearer," said the old man.
+
+Emerging from behind a great rock, which had partly concealed them,
+they both stood in the light of the fire, holding each other's hands.
+The old man looked at them with astonishment, and involuntarily
+exclaimed:
+
+"What is that?"
+
+For he saw a sight which, in the sparsely populated mountains of Santa
+Ana, would astonish any one. Orso and Jenny were dressed in their
+circus attire. The beautiful girl, clothed in pink tights and short
+white skirt, appearing so suddenly before him, looked in the firelight
+like some fairy sylph. Behind her stood the youth with his powerful
+figure, covered also with pink fleshings, through which you could see
+his muscles standing out like knots on the oak.
+
+The old squatter gazed at them with wide-open eyes.
+
+"Who are you?" he inquired.
+
+The girl, relying more on her own eloquence than on that of Orso,
+began to speak.
+
+"We are from the circus, kind sir! Mr. Hirsch beat Orso very much and
+then wanted to beat me, but Orso did not let him, and fought Mr.
+Hirsch and four negroes, and then we ran off on the plains, and went a
+long distance through the cacti, and Orso carried me; then we came
+here and are very hungry."
+
+The face of the old man softened and brightened as he listened to her
+story, and he looked with a fatherly interest on this charming child,
+who spoke with great haste, as if she wished to tell all in one
+breath.
+
+"What is your name, little one?" he asked.
+
+"Jenny."
+
+"Welcome, Jenny! and you, Orso! people rarely come here. Come to me,
+Jenny."
+
+Without hesitation the little girl put her arms around the neck of the
+old man and kissed him warmly. He appeared to her to be some one from
+the "good book."
+
+"Will Mr. Hirsch find us here?" she said, as she took her lips from
+his face.
+
+"If he comes he will find a bullet here," replied the old man; then
+added, "you said that you wanted to eat?"
+
+"Oh, yes, very much."
+
+The squatter, raking in the ashes of the fire, took out a fine leg of
+venison, the pleasant odor of which filled the air. Then they sat down
+to eat.
+
+The night was gorgeous; the moon came out high in the heavens above
+the cañon; in the thicket the mavis began to sing sweetly; the fire
+burned brightly, and Orso was so filled with joy that he chanted with
+gladness. Both he and the girl ate heartily. The old man had no
+appetite; he looked upon little Jenny, and, for some unknown cause,
+his eyes were filled with tears.
+
+Perhaps he had been once a father, or, perhaps, he so rarely saw
+people in these deserted mountains.
+
+ * * * * *
+
+Since then these three lived together.
+
+
+
+
+
+End of Project Gutenberg's Sielanka: An Idyll, by Henryk Sienkiewicz
+
+*** END OF THIS PROJECT GUTENBERG EBOOK SIELANKA: AN IDYLL ***
+
+***** This file should be named 29305-8.txt or 29305-8.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/2/9/3/0/29305/
+
+Produced by Barbara Tozier, Bill Tozier and the Online
+Distributed Proofreading Team at https://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/29305-8.zip b/29305-8.zip
new file mode 100644
index 0000000..0106d5b
--- /dev/null
+++ b/29305-8.zip
Binary files differ
diff --git a/29305-h.zip b/29305-h.zip
new file mode 100644
index 0000000..2dce1a3
--- /dev/null
+++ b/29305-h.zip
Binary files differ
diff --git a/29305-h/29305-h.htm b/29305-h/29305-h.htm
new file mode 100644
index 0000000..8f5364e
--- /dev/null
+++ b/29305-h/29305-h.htm
@@ -0,0 +1,2746 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+<head>
+ <meta http-equiv="Content-Type" content="text/html; charset=utf-8"/>
+
+ <title>Sielanka, an Idyll, by Henryk Sienkiewicz</title>
+
+ <style type="text/css" media="screen">
+ * {margin:0; padding:0;} /* "reset" -- so later classes work properly */
+ body { width:80%; margin:0 10%; font-family:serif;}
+ h1, h2 {text-align:center; font-weight:normal;}
+ p {text-align:justify;text-indent:1em;line-height:1.5;}
+ blockquote {margin:1em 3em; font-size:.9em;}
+ ul {list-style-type: none;}
+
+ #title_page, #verso {margin:2em 0; padding:2em 0;}
+ #title_page h1 {letter-spacing:.3em; margin:2em 0em;}
+ #title_page p, #verso p {text-align:center; text-indent:0em;}
+ #author {font-size:1.75em; line-height:2em; margin:2em 0em;}
+ #translators {font-variant:small-caps;margin:2em 0em;}
+ #publisher {font-size:1em;line-height:1.2;}
+ #device {margin:2em 0em;}
+ #contents {text-align:center;font-family:sans-serif;}
+
+ /* Page Numbering */
+ .pagenum { position: absolute; left: 2em; font-size: 10px; text-align: left; color: gray; background-color: inherit; font-weight: normal; font-style: normal; font-variant: normal; text-indent: 0em; }
+ /*a[title].pagenum:after { content: attr(title); }*/ /* Uncomment this instruction to show page numbers */
+
+ .story {margin:6em 0;}
+ .story > h2 {margin:2em 0;}
+ .subtitle {font-size:.8em;letter-spacing:normal;}
+ blockquote p {text-indent:0em;}
+
+ hr.thoughtbreak { border:none; text-decoration:none; text-align:center; width:35%; margin:1.5em auto;} /* Breaks within an article that uses dots or stars */
+ .thoughtbreak:before {content:"* * * * *"; font-size:1em; letter-spacing:.5em;}
+
+ #the_beginning {border-top:1px gray solid;}
+ #the_end {border-bottom:1px gray solid;}
+
+ </style>
+</head>
+
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of Sielanka: An Idyll, by Henryk Sienkiewicz
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Sielanka: An Idyll
+
+Author: Henryk Sienkiewicz
+
+Translator: Vatslaf A. Hlasko
+ Thos. H. Bullick
+
+Release Date: July 4, 2009 [EBook #29305]
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK SIELANKA: AN IDYLL ***
+
+
+
+
+Produced by Barbara Tozier, Bill Tozier and the Online
+Distributed Proofreading Team at https://www.pgdp.net
+
+
+
+
+
+
+</pre>
+
+<div id="the_beginning">&nbsp;</div>
+<div id="title_page"><a class="pagenum" id="page1" title="1"> </a>
+ <h1>SIELANKA<br />
+ <em class="subtitle">An Idyll</em></h1>
+
+<p id="author">BY<br />
+HENRYK SIENKIEWICZ</p>
+
+<p id="translators">TRANSLATED BY<br />
+VATSLAF A. HLASKO and THOS. H. BULLICK</p>
+<p id="device"><img src="images/illo1.png" width="100" height="98" alt="" /></p>
+<p id="publisher">R. F. FENNO &amp; COMPANY&nbsp;:&nbsp;9 AND 11 EAST <br />
+SIXTEENTH STREET&nbsp;:&nbsp;:&nbsp;NEW YORK CITY <br />
+1898</p>
+</div>
+
+<div id="verso"><a class="pagenum" id="page2" title="2"> </a>
+ <p>Copyright, 1897<br />
+ BY<br />
+ R. F. FENNO &amp; COMPANY</p>
+</div>
+
+<div id="contents"> <!-- Contents added by transcriber -->
+ <ul>
+ <li><a href="#sielanka">Sielanka</a></li>
+ <li><a href="#orso">Orso</a></li>
+ </ul>
+</div>
+
+
+<div id="sielanka" class="story"><a class="pagenum" id="page3" title="3"> </a>
+ <h2>SIELANKA.<br />
+ <em class="subtitle">An Idyll.</em></h2>
+
+ <p>In the woods, in the deep woods, was
+ an open glade in which stood the house of
+ the forester Stephan. The house was
+ built of logs packed with moss, and the
+ roof was thatched with straw; hard by
+ the house stood two outbuildings; in
+ front of it was a piece of fenced-in ground,
+ and an old well with a long, crooked sweep;
+ the water in the well was covered with a
+ green vegetation at the edges.</p>
+
+ <p>Opposite the windows grew sunflowers
+ and wild hollyhocks, high, stately, and
+ covered with blossoms as if with a swarm
+ of gorgeous butterflies; between the sunflowers
+ there peeped the red heads of the
+ poppy; around the hollyhocks entwined
+ <a class="pagenum" id="page4" title="4"> </a>sweet peas with pink blossoms and morning-glories;
+ close to the ground grew
+ nasturtiums, marigolds, primroses, and
+ asters, pale because they were shaded from
+ the sunlight by the leaves of the hollyhocks
+ and sunflowers.</p>
+
+ <p>The fenced ground on either side of the
+ pathway leading to the house was planted
+ with vegetables—carrots, beets, and cabbage;
+ further off in a separate fenced-in
+ lot there waved with each breath of wind
+ the tender blue flower of the flax; still beyond
+ could be seen the dark green of the
+ potato patch; the rest of the clearing was
+ checkered with the variegated shades of
+ the different cereals that ran to the edge
+ of the lake which touched the glade on
+ one side.</p>
+
+ <p>Near to the house a few trees were
+ growing. Some were cherry trees, and
+ one was a birch, with long, slender
+ branches which swayed in the wind, and
+ <a class="pagenum" id="page5" title="5"> </a>with every breeze its leaves touched the
+ dilapidated moss-covered straw thatch of
+ the roof; when the stronger gusts of wind
+ bent its boughs to the wall, and pressed
+ its twigs and the waves of leaves against
+ the roof, it would seem as if the tree loved
+ the house and embraced it.</p>
+
+ <p>In this tree the sparrows made their
+ home; the rustling of the leaves and twigs
+ commingled with the chirp and joyous
+ noise of the birds; in the eaves of the
+ house the doves had built their nests, and
+ the place was filled with their speech,
+ cooing and calling to each other, entreating
+ and discussing as is customary between
+ doves, these noisy and talkative people.</p>
+
+ <p>At times it happened that they were
+ startled by some unknown cause; then
+ around the house was heard a loud flapping,
+ the air was filled with the whirl of
+ wings and a multitude of white-feathered
+ breasts; you could hear tumult, noise and
+ <a class="pagenum" id="page6" title="6"> </a>excited cries—the whole flock flew out
+ suddenly, circled round the house, now
+ near, now far off. Sometimes they melted
+ in the blue, sometimes their white feathers
+ reflected the sunlight, again they hung
+ over the house, undulating in the air, and
+ alighting at last like a downfall of snowflakes
+ on the gray straw of the roof.</p>
+
+ <p>If this occurred in the rosy morning or
+ in the splendor of the red setting sun,
+ then in the glory of the air these doves
+ were not white, but tinted pink, and
+ settled on the roof and birch tree as flames
+ or scattered rose leaves.</p>
+
+ <p>At twilight, when the sun had hidden
+ itself beyond the woods, this cooing under
+ the roof and chirping in the birch tree
+ became gradually quiet. The sparrows
+ and the doves shook the dew from their
+ wings and prepared to sleep; sometimes
+ one of them gave voice once more, but
+ more rarely, more softly, more drowsily,
+ <a class="pagenum" id="page7" title="7"> </a>and then all was silent—the dusk was falling
+ from the heavens upon the earth.
+ The house, cherry trees, and birch were
+ losing their form, mingling together,
+ melting, and veiled in a mist which rose
+ from the lake.</p>
+
+ <p>Around the glade, as far as the eye
+ could reach, there stretched the wall of
+ dark pine trees and thick undergrowth.
+ This wall was broken in one place by a
+ wide dividing line, which reached to the
+ edge of the lake. The lake was a very
+ large one, the opposite side was nearly
+ lost to view, and in the mist could be
+ hardly discerned the red roof and steeple
+ of a church, and the black line of the
+ woods closing the horizon beyond the
+ church.</p>
+
+ <p>The pines were looking from the high
+ sandy banks upon their reflection in the
+ lake as if in a mirror, and it seemed as if
+ there was another forest in the water; and
+ <a class="pagenum" id="page8" title="8"> </a>when the trees were swaying on the earth
+ they were also swaying in the water, and
+ when they quivered on the earth they
+ seemed to quiver in the water; as they
+ stood in the still air motionless, then
+ every needle of the pines was painted distinctly
+ on the smooth, unruffled surface,
+ and the straight trunks of the trees standing
+ like rows of pillars reaching afar off
+ into infinity. In the middle of the lake
+ the water in the daytime reflected the
+ sun, and in the morning and the evening
+ the glories of its rising and its setting; at
+ night the moon and stars; and it seemed
+ to be as deep as the dome of the sky
+ above us is high, beyond the sun, moon,
+ and stars.</p>
+
+ <p>In the house dwelt the forester, named
+ Stephan, and his daughter, Kasya, a
+ maiden of sixteen. Kasya was the light
+ of the household, as bright and fresh as
+ the morning. She was brought up in
+ <a class="pagenum" id="page9" title="9"> </a>great innocence and in the fear of God.
+ Her uncle, who was now dead, and who was
+ a poor but devout man, the organist of the
+ neighboring church, had taught her to
+ read her prayer book, and her education
+ was perfected by her communing with
+ nature. The bees taught her to work,
+ the doves taught her purity, the happy
+ sparrows to speak joyfully to her father,
+ the quiet water taught her peace, the
+ serenity of the sky taught her contemplation,
+ the matin-bell of the distant church
+ called her to devotion, and the universal
+ good in all nature, which reflected the
+ love of God, sank deep into her soul.</p>
+
+ <p>Therefore the father and Kasya led a
+ peaceful and happy life, surrounded by
+ the silence and solitude of the woods.</p>
+
+ <p>One noon, before Ascension Day,
+ Stephan came home to his dinner. He
+ had visited a large tract of the forest, so
+ he arrived weary, having returned through
+ <a class="pagenum" id="page10" title="10"> </a>the thickets of the swamp. Kasya placed
+ the dinner on the table, and after they
+ had finished and she had fed the dog and
+ washed the dishes, she said:</p>
+
+ <p>“Papa.â€</p>
+
+ <p>“What is it?â€</p>
+
+ <p>“I shall go into the woods.â€</p>
+
+ <p>“Go, go,†adding jestingly, “and let
+ some wolf or wild beast devour you.â€</p>
+
+ <p>“I shall go and gather herbs. To-morrow
+ is Ascension Day and they will be
+ needed in the church.â€</p>
+
+ <p>“If so, you can go.â€</p>
+
+ <p>She covered her head with a yellow
+ kerchief embroidered with blue flowers,
+ and looking for her basket she began
+ singing:</p>
+
+ <blockquote>
+ <p>“The falcon came flying, the falcon came grey.â€</p>
+ </blockquote>
+
+ <p>The old man began to grumble: “If
+ you were as fond of working as you are of
+ singing.â€</p>
+
+ <p><a class="pagenum" id="page11" title="11"> </a>Kasya, who was standing on her tiptoes
+ to look on a shelf, turned her head to
+ her father, laughed merrily, and showing
+ her white teeth, sang again as if to tease
+ him:</p>
+
+ <blockquote>
+ <p>“He hoots in the woods and the cuckoo’s his prey.â€</p>
+ </blockquote>
+
+ <p>“You would be glad yourself to be a
+ cuckoo until a falcon came,†said the old
+ man. “Perhaps ’tis falcon who is at the
+ turpentine works? but this is folly. You
+ can’t earn a piece of bread by singing.â€</p>
+
+ <p>Kasya again sang:</p>
+
+ <blockquote>
+ <p>“Hoot not thou, my falcon, unhappy thy quest, <br />
+ In the depths of the lake thy cuckoo doth rest.â€</p>
+ </blockquote>
+
+ <p>Then she said:</p>
+
+ <p>“Wilt thou decorate the room with the
+ evergreens for to-morrow? I shall return
+ in time to milk the cows, but they should
+ be brought from the pasture.â€</p>
+
+ <p>She found her basket, kissed her father,
+ <a class="pagenum" id="page12" title="12"> </a>and went out. Old Stephan got his unfinished
+ fishing-net, and seated himself
+ on a bench outside the door. He gathered
+ his twine, and half-closing one eye
+ he tried to thread his netting needle; after
+ several attempts he succeeded and began
+ to work.</p>
+
+ <p>From time to time he watched Kasya.
+ She was walking on the left side of the
+ lake; against the background of the sandy
+ banks she stood out in relief as if in a
+ picture. Her white waist and red striped
+ skirt and yellow kerchief glistened in the
+ sunlight like a variegated flower. Though
+ it was spring the heat was unbearable.
+ After she had gone about half a mile she
+ turned aside and disappeared into the
+ woods. The afternoon hours were hot in
+ the sun, but in the shade of the trees it
+ was quite cool. Kasya pressed forward,
+ suddenly stopped, smiled, and blushed like
+ a rose.</p>
+
+ <p><a class="pagenum" id="page13" title="13"> </a>In front of her in the pathway stood a
+ youth about eighteen years of age.</p>
+
+ <p>This youth was the turpentine worker,
+ from the edge of the woods, who was now
+ on his way to visit Stephan.</p>
+
+ <p>“The Lord be praised!†said he.</p>
+
+ <p>“Forever and ever,†answered she, and
+ in her confusion she covered her face with
+ her apron, peeping shyly out of a corner
+ of it and smiling at her companion.</p>
+
+ <p>“Kasya,†said he.</p>
+
+ <p>“What is it, John?â€</p>
+
+ <p>“Is your father at home?â€</p>
+
+ <p>“He is.â€</p>
+
+ <p>The turpentine worker, poor fellow,
+ perhaps desired to speak of something
+ else beside the father, but somehow he
+ was frightened and unconsciously inquired
+ for him; then he became silent and waited
+ for Kasya to speak to him first. She
+ stood confused, twisting the corners of
+ her apron.</p>
+
+ <p><a class="pagenum" id="page14" title="14"> </a>At last she spoke.</p>
+
+ <p>“John?â€</p>
+
+ <p>“What is it, Kasya?â€</p>
+
+ <p>“Does the turpentine works smoke to-day?â€
+ She also wished to speak of something
+ else.</p>
+
+ <p>“Why should it not? The turpentine
+ works never stop. I left lame Frank
+ there; but dost thou wish to go there?â€</p>
+
+ <p>“No, I go to gather plants.â€</p>
+
+ <p>“I will go with thee, and on our return,
+ if thou dost not chase me away, I
+ will come to thy house.â€</p>
+
+ <p>“Why should I chase thee away?â€</p>
+
+ <p>“If thou dost like me thou wilt not
+ chase me away, and if thou dost not, then
+ thou wilt. Tell me, Kasya, dost thou like
+ me?â€</p>
+
+ <p>“Fate, my fate,†and Kasya covered her
+ face with her hands. “What can I say
+ to thee? I like thee, John, very much I
+ like thee,†she whispered faintly.</p>
+
+ <p><a class="pagenum" id="page15" title="15"> </a>Then before he could reply she uncovered
+ her blushing face and cried out,
+ “Let us go and gather plants; let us
+ hurry.â€</p>
+
+ <p>And so went they, John and Kasya.
+ The radiance of love surrounded them,
+ but these simple children of nature dared
+ not speak of it. They felt it, although
+ they knew not what they felt; they were
+ embarrassed but happy. Never before
+ had the forest sung so wonderfully over
+ their heads, never was the wind so sweet
+ and caressing, never at any time had the
+ noises of the forest, the rustling of the
+ breeze in the trees, the voices of the birds,
+ the echoes of the woods, seemed to merge
+ into such an angelic choir, so sweet and
+ grand, as at this moment, full of unconscious
+ happiness.</p>
+
+ <p>Oh, holy power of love! how good an
+ angel of light thou art, how rosy an
+ <a class="pagenum" id="page16" title="16"> </a>aureole in the dusk, how bright a rainbow
+ on the cloud of human tears!</p>
+
+ <p>Meanwhile, in the woods resounded
+ echoes from pine to pine, the barking of
+ the dog, Burek, who had escaped from
+ the house and ran on the pathway after
+ Kasya. He came panting heavily, and
+ with great joy he jumped with his big
+ paws on Kasya and John, and looked from
+ one to the other with his wise and mild
+ eyes, as if wishing to say:</p>
+
+ <p>“I see that you love one another; this
+ is good.â€</p>
+
+ <p>He wagged his tail and ran quickly
+ ahead of them, then circled round to them,
+ then stopped, barked once more with joy,
+ and rushed into the woods, looking back
+ from time to time on the boy and girl.</p>
+
+ <p>Kasya put her hand to her forehead,
+ and looking upward upon the bright sun
+ between the leaves she said:</p>
+
+ <p>“Just think, the sun is two hours beyond
+ <a class="pagenum" id="page17" title="17"> </a>noontime and we have not yet gathered
+ any plants. Go thou, John, to the
+ left side and I shall go the right, and let
+ us begin. We should hasten, for the dear
+ Lord’s sake.â€</p>
+
+ <p>They separated and went into the woods,
+ but not far from one another and in a
+ parallel direction, so that they could see
+ each other. Among the ferns between
+ the pine trees could be seen fluttering the
+ vari-colored skirt and yellow kerchief of
+ Kasya. The slender, supple maiden
+ seemed to float amid the berry-laden
+ bushes, mosses and ferns. You would
+ say it was some fairy <em>wila</em> or <em>rusalka</em> of
+ the woods; every moment she stooped and
+ stood erect again, and so, further and
+ further, passing the pine trees, she entered
+ deeper into the forest as some
+ spritely nymph.</p>
+
+ <p>Sometimes the thick growth of young
+ hemlocks and cedars would conceal her
+ <a class="pagenum" id="page18" title="18"> </a>from view, then John stopped, and putting
+ his hand to his mouth would shout,
+ “Halloo! Halloo!â€</p>
+
+ <p>Kasya heard it; she stopped with a
+ smile, and pretending that she did not
+ see him, answered in a high, silvery
+ voice:</p>
+
+ <p>“John!â€</p>
+
+ <p>The echo answers:</p>
+
+ <p>“John! John!â€</p>
+
+ <p>Meanwhile Burek had espied a squirrel
+ up a tree, and, standing before it looking
+ upward, barked. The squirrel sitting on
+ a branch covered herself with her tail in a
+ mocking manner, lifted her forepaws to
+ her mouth and rubbed her nose, seemed
+ to play with her forefingers, make grimaces,
+ and laugh at the anger of Burek.
+ Kasya, seeing it, laughed with a resounding,
+ silvery tone, and so did John, and so
+ the woods were filled with the sound of
+ <a class="pagenum" id="page19" title="19"> </a>human voices, echoes, laughter and sunny
+ joy.</p>
+
+ <p>Sometimes there was a deep silence, and
+ then the woods seemed to speak; the
+ breeze struck the fronds of the ferns,
+ which emitted a sharp sound; the trunks
+ of the pines swayed and creaked, and
+ there was silence again.</p>
+
+ <p>Then could be heard the measured
+ strokes of the woodpecker. It seemed as
+ if some one kept knock—knocking at a
+ door, and you could even expect that
+ some mysterious voice would ask:</p>
+
+ <p>“Who is there?â€</p>
+
+ <p>Again, the wood thrush was whistling
+ with a sweet voice; the golden-crowned
+ hammer plumed his feathers. In the
+ thicket the pheasants clucked and the
+ bright green humming birds flitted between
+ the leaves; sometimes on the top of
+ the pine tree a crow, hiding itself from
+ <a class="pagenum" id="page20" title="20"> </a>the heat of the sun, lazily flapped its
+ wings.</p>
+
+ <p>On this afternoon the weather was most
+ clear, the sky was cloudless, and above the
+ green canopy of the leaves there spread
+ out the blue dome of the heavens—immense,
+ limitless, transparently gray-tinted
+ on the sides and deep blue above. In the
+ sky stood the great golden sun; the space
+ was flooded with light; the air was bright
+ and serene, and far-off objects stood out
+ distinctly, their forms clearly defined.
+ From the height of heaven the eye of the
+ great Creator embraced the whole earth;
+ in the fields the grain bowed to Him with
+ a golden wave, rustled the heavy heads of
+ the wheat, and the delicate tasseled oats
+ trembled like a cluster of tiny bells. In
+ the air, filled with brightness here and
+ there, floated the spring thread of the
+ spider’s web, blue from the azure of the
+ sky and golden from the sun, as if a veritable
+ <a class="pagenum" id="page21" title="21"> </a>thread from the loom of the Mother
+ of God.</p>
+
+ <p>In the vales between the fields of the
+ waving grain stood dark-green meadows;
+ here and there were crystal springs, around
+ whose edges the grass was greener still;
+ the whole meadows were sprinkled with
+ yellow buttercups and dandelions which
+ struck the eye with a profusion of golden
+ brightness. In the wet places there thrived
+ cypress trees, which had an air of coldness
+ and moisture.</p>
+
+ <p>In the woods among the pine trees there
+ were now both heat and silence. It seemed
+ as if a dreamy stillness enveloped the
+ whole world. Not a breath of wind stirred;
+ the trees, grain, and grass were motionless.
+ The leaves hung on the trees as if
+ rocked to sleep; the birds had ceased their
+ noises, and the moment of rest had come.
+ But this rest seemed to come from an ineffable
+ sweetness, and all nature seemed
+ <a class="pagenum" id="page22" title="22"> </a>to meditate. Only the great expanse of
+ heaven seemed to smile, and somewhere,
+ high in the unknowable depths of its blue,
+ the great and beneficent God was glad
+ with the gladness of the fields, the woods,
+ the meadows, and the waters.</p>
+
+ <p>Kasya and John were still busy in the
+ woods collecting herbs, laughing gleefully
+ and speaking to each other joyfully. Man
+ is as artless as a bird; he will sing when
+ he can, for this is his nature. John now
+ began to sing a simple and touching song.</p>
+
+ <p>As Kasya and John sang in unison the
+ last refrain of the song ended mournfully,
+ and as if in accompaniment the echo repeated
+ it in the dark depths of the woods;
+ the pines gave resonance as the words
+ ran between their trunks and died away in
+ the far distance like a sigh, less distinct,
+ light, ethereal; then silence.</p>
+
+ <p>Later Kasya sang a more cheerful song,
+ beginning with the words:</p>
+
+ <blockquote>
+ <p><a class="pagenum" id="page23" title="23"> </a>“I shall become a ring of gold now.â€</p>
+ </blockquote>
+
+ <p>This is a good song. A willful young
+ girl quarrels with her lover and enumerates
+ the means she intends to use to escape
+ from him. But it is useless. When she
+ says that she will be a golden ring and
+ will roll away on the road, he says that he
+ will quickly see and recover her. When
+ she wants to be a golden fish in the water
+ he sings to her of the silken net; when
+ she wants to be a wild fowl on the lake he
+ appears before her as a hunter. At last
+ the poor maiden, seeing she is unable to
+ hide herself from him on the earth,
+ sings:</p>
+
+ <blockquote>
+ <p>“I shall become a star in heaven, <br />
+ Light to earth by will be given. <br />
+ My love to thee I shall not render, <br />
+ Nor my sweet will to thee surrender.â€</p>
+ </blockquote>
+
+ <p>But the undaunted youth answers:</p>
+
+ <blockquote>
+ <p><a class="pagenum" id="page24" title="24"> </a>“Then shall I pray to the saint’s grace <br />
+ That the star may fall from its heavenly place. <br />
+ Thy love to me thou then wilt render, <br />
+ And thy sweet will to me surrender.â€</p>
+ </blockquote>
+
+ <p>The maiden, seeing there is no refuge
+ either in heaven or on earth for her,
+ accepts the view of Providence and sings:</p>
+
+ <blockquote>
+ <p>“I see, I see, fate’s decree doth bind me; <br />
+ Where’er I hide, thou sure wilt find me. <br />
+ My love to thee I must now render, <br />
+ And my sweet will to thee surrender.â€</p>
+ </blockquote>
+
+ <p>John, turning to Kasya, said:</p>
+
+ <p>“Do you understand?â€</p>
+
+ <p>“What, John?â€</p>
+
+ <p>He began to sing:</p>
+
+ <blockquote>
+ <p>“Thy love to me thou must now render, <br />
+ And thy sweet will to me surrender.â€</p>
+ </blockquote>
+
+ <p>Kasya was troubled, and laughed loudly
+ to cover her confusion; and wishing to
+ speak, she said:</p>
+
+ <p><a class="pagenum" id="page25" title="25"> </a>“I have gathered a large lot of plants;
+ it would be well to dip them in water, for
+ in this heat they will wither.â€</p>
+
+ <p>Verily the heat was great; the wind had
+ entirely ceased. In the woods, though in
+ the shade, the air vibrated with moist
+ heat, the pines exuding a strong, resinous
+ odor. The delicate, golden-tinted
+ face of Kasya was touched with perspiration,
+ and her blue eyes showed traces of
+ weariness. She removed the kerchief
+ from her head, and began to fan herself.
+ John, taking the basket from her, said:</p>
+
+ <p>“Here, Kasya, stand two aspen trees,
+ and between them a spring. Come, let us
+ drink.â€</p>
+
+ <p>Both went. After a short interval they
+ noticed that the ground of the forest
+ began to slope here. Among the trees,
+ instead of bushes, ferns and dry mosses,
+ there was a green, damp turf, then one
+ aspen tree, then another, and after them
+ <a class="pagenum" id="page26" title="26"> </a>whole rows. They entered into this dark,
+ humid retreat, where the rays of the sun,
+ passing through the leaves, took on their
+ color and reflected on the human face a
+ pale green light. John and Kasya descended
+ lower and lower into the shadows
+ and dampness; a chilliness breathed upon
+ them, refreshing after the heat of the
+ woods; and in a moment, between the
+ rows of the aspen trees, they espied in
+ the black turf a deep stream of water
+ winding its way under and through canes
+ and bushy thickets, and interspersed
+ with the large, round leaves of the water-lilies,
+ which we call “<em>nenufars</em>,†and by
+ the peasants are called “white flowers.â€</p>
+
+ <p>Beautiful was this spot, quiet, secluded,
+ shady, even somewhat sombre and solemn.
+ The transparent stream of water wound
+ its way between the trees. The <em>nenufars</em>,
+ touched by the light movement of the
+ water, swayed gently backward and forward,
+ <a class="pagenum" id="page27" title="27"> </a>leaning toward each other as if kissing.
+ Above their broad leaves, lying like
+ shields on the surface of the water,
+ swarmed indigo-colored insects with wide,
+ translucent, sibilant wings, so delicate and
+ fragile that they are justly called water-sprites.
+ Black butterflies, with white-edged,
+ mournful wings, rested on the
+ sharp, slender tops of the tamarack. On
+ the dark turf blossomed blue forget-me-nots.
+ On the edge of the stream grew
+ some alder trees, and under the bushes
+ peeped out heads of the lily-of-the-valley,
+ bluebells and honeysuckles. The
+ white heads of the <em>biedrzenica</em> hung over
+ the waters; the silvery threads of the
+ <em>strojka</em> spread out upon the current of
+ the stream and weaved themselves into
+ thin and long strands; besides—seclusion—a
+ wild spot, forgotten by men, peaceful,
+ peopled only with the world of birds,
+ flowers and insects.</p>
+
+ <p><a class="pagenum" id="page28" title="28"> </a>In such places generally dwell nymphs,
+ <em>rusalki</em>, and other bad or good forest
+ sprites. Kasya, who was in advance,
+ stood first on the banks of the stream and
+ looked upon the water in which was reflected
+ her graceful form. She verily appeared
+ as one of those beautiful forest
+ spirits as they are seen sometimes by the
+ woodsmen or lumber men who float on
+ their rafts down the rivers through the
+ woods. She had no covering upon her
+ head, and the wind gently played with
+ her locks and ruffled her ray-like hair.
+ Sunburned she was, blond-haired, and
+ her eyes, as blue as turquoise, were as
+ laughing as her lips. Besides, she was
+ a divinely tall, slender, and fairy-like
+ maiden. No one could swear, if she was
+ suddenly startled, that she would not jump
+ into the water—would not dissolve into
+ mist—into rainbow rays—would not turn
+ quickly into a water-lily or <em>kalina</em> tree,
+ <a class="pagenum" id="page29" title="29"> </a>which, when robbed of its flowers, remonstrates
+ with a voice so human, yet recalling
+ the sigh of the forest:</p>
+
+ <p>“Don’t touch me.â€</p>
+
+ <p>Kasya, bending over the water so that
+ her tresses fell on her shoulders, turned
+ toward John and said:</p>
+
+ <p>“How shall we drink?â€</p>
+
+ <p>“As birds,†answered John, pointing
+ to some silver pheasants on the opposite
+ side of the stream.</p>
+
+ <p>John, who knew how to help himself
+ better than the birds, plucked a large leaf
+ from a tree, and, making a funnel out of
+ it, filled it with water and gave it to
+ Kasya.</p>
+
+ <p>They both drank, then Kasya gathered
+ some forget-me-nots, and John with his
+ knife made a flute from the willow bark,
+ on which, when he had finished, he began
+ to play the air which the shepherds play
+ in the eventide on the meadows. The
+ <a class="pagenum" id="page30" title="30"> </a>soft notes floated away with ineffable tenderness
+ in this secluded spot. Shortly
+ he removed the flute and listened intently
+ as if to catch an echo returning from the
+ aspen trees, and it seemed that the clear
+ stream, the dark aspen trees, and the birds
+ hidden in the canes listened to these notes
+ with him.</p>
+
+ <p>All became silent, but shortly, as if in
+ answer—as if a challenge—came the first
+ faint note of the nightingale, followed by
+ a stronger trill. The nightingale wanted
+ to sing—it challenged the flute.</p>
+
+ <p>Now he began to sing. All nature was
+ listening to this divine singer. The lilies
+ lifted their heads above the water; the
+ forget-me-nots pressed closer together; the
+ canes ceased to rustle; no bird dared to
+ peep except an unwise and absent-minded
+ cuckoo, who with her silent wing alighted
+ near by on a dry bough, lifted her head,
+ <a class="pagenum" id="page31" title="31"> </a>widely opened her beak, and foolishly
+ called aloud:</p>
+
+ <p>“Cuckoo! cuckoo!â€</p>
+
+ <p>Afterward it seemed as if she was
+ ashamed of her outbreak, and she quietly
+ subsided.</p>
+
+ <p>Vainly Kasya, who stood on the edge of
+ the stream with the forget-me-nots in her
+ hand, turned to the side from whence
+ came the voice of the cuckoo and queried:</p>
+
+ <p>“Cuckoo, blue-gray cuckoo, how long
+ shall I live?â€</p>
+
+ <p>The cuckoo answered not.</p>
+
+ <p>“Cuckoo, shall I be rich?â€</p>
+
+ <p>The cuckoo was silent.</p>
+
+ <p>Then John: “Cuckoo, gray cuckoo,
+ how soon will I wed?â€</p>
+
+ <p>The cuckoo replied not.</p>
+
+ <p>“She cares not to answer us,†said
+ John; “let us return to the forest.â€</p>
+
+ <p>On returning they found the large stone
+ by which they had placed the basket and
+ <a class="pagenum" id="page32" title="32"> </a>bunches of herbs. Kasya, seating herself
+ beside it, began to weave garlands, and
+ John helped her. Burek lay near them,
+ stretched his hairy forepaws, lolled out his
+ tongue and breathed heavily from fatigue,
+ looking carefully around to see if he could
+ not spy some living thing to chase and
+ enjoy his own noise. But everything in
+ the woods was quiet. The sun was traveling
+ toward the west, and through the
+ leaves and the needles of the pines shot
+ his rays, becoming more and more red,
+ covering the ground of the woods in places
+ with great golden circles. The air was
+ dry; in the west were spreading great
+ shafts of golden light, which flooded all
+ like an ocean of molten gold and amber.
+ The wondrous beauties of the peaceful,
+ warm spring evening were glowing in the
+ sky. In the woods the daily work was
+ gradually ceasing. The noise of the woodpecker
+ had stopped; black and bronzed
+ <a class="pagenum" id="page33" title="33"> </a>ants returned in rows to their hills, which
+ were red in the rays of the setting sun.
+ Some carried in their mouths pine needles
+ and some insects. Among the herbs here
+ and there circled small forest bees, humming
+ joyfully as they completed their last
+ load of the sweet flower-dust. From the
+ fissures in the bark of the trees came
+ gloomy and blind millers; in the streams
+ of the golden light circled swarms of midgets
+ and gnats scarcely visible to the eye;
+ mosquitoes began their mournful song.
+ On the trees the birds were choosing their
+ places for the night; a yellow bird was
+ softly whistling; the crows flapped their
+ wings, crowding all on one tree and
+ quarreling about the best places. But
+ these voices were more and more rare, and
+ became fainter; gradually all ceased, and
+ the silence was interrupted by the evening
+ breeze playing among the trees. The
+ poplar tree tried to lift her bluish-green
+ <a class="pagenum" id="page34" title="34"> </a>leaves upward; the king-oak murmured
+ softly; the leaves of the birch tree slightly
+ moved—silence.</p>
+
+ <p>Now the sky became more red; in the
+ east the horizon became dark blue, and all
+ the voices of the woods merged into a
+ chorus, solemn, deep and immense.
+ Thus the forest sings its evening song of
+ praise, and says its prayers before it sleeps;
+ tree speaks to tree of the glory of God,
+ and you would say that it spoke with a
+ human voice.</p>
+
+ <p>Only very innocent souls understand
+ this great and blessed speech. Only very
+ innocent hearts hear and understand
+ when the first chorus of the parent oaks
+ begins its strain:</p>
+
+ <p>“Rejoice, O sister pines, and be glad.
+ The Lord hath given a warm and peaceful
+ day, and now above the earth He makes
+ the starry night. Great is the Lord, and
+ mighty, powerful and good is He, so let
+ <a class="pagenum" id="page35" title="35"> </a>there be glory to Him upon the heights,
+ upon the waters, upon the lands, and upon
+ the air.â€</p>
+
+ <p>And the pines pondered a moment upon
+ the words of the oaks, and then they
+ raised their voices together, saying:</p>
+
+ <p>“Now, O Lord, to thy great glory, we,
+ as censers, offer to Thee the incense of
+ our sweet-smelling balsam, strong, resinous
+ and fragrant. ‘Our Father, who art in
+ heaven, hallowed be Thy Name.’â€</p>
+
+ <p>Then the birches said:</p>
+
+ <p>“Thy evening brightness illumines the
+ heavens, O Lord! and in Thy splendors
+ our small leaves golden are and burning.
+ Now with our golden leaves we sing to
+ Thee, O Lord, and our delicate twigs play
+ as the strings of the harp, O good Father
+ of ours!â€</p>
+
+ <p>Again the sorrowing cypress said:</p>
+
+ <p>“Upon our sad foreheads, exhausted
+ with the heat, softly falls the evening dew.
+ <a class="pagenum" id="page36" title="36"> </a>Praise be to Thee, O Lord; brothers and
+ sisters rejoice, because there falls the cooling
+ dew.â€</p>
+
+ <p>Amid this chorus of trees the aspen
+ alone trembles and is afraid; for it gave
+ the wood for the Cross of the Saviour of
+ the world; at times it faintly groans:</p>
+
+ <p>“O Lord, have mercy upon me.
+ Have mercy upon me, O Lord.â€</p>
+
+ <p>Again, sometimes, when the oaks and
+ pines cease for a moment, there rises from
+ under their feet a faint, modest voice, low
+ as the murmur of insects, silent as silence
+ itself, which says:</p>
+
+ <p>“A small berry am I, O Lord, and
+ hidden in the moss. But Thou wilt hear,
+ discern and love me; though small, devout
+ am I, and sing Thy glory.â€</p>
+
+ <p>Thus every evening prays the forest,
+ and these orchestral sounds rise at every
+ sunset from earth to heaven—and float
+ high, high, reaching where there is no
+ <a class="pagenum" id="page37" title="37"> </a>creature, where there is nothing only the
+ silvery dust and the milky way of the
+ stars, and above the stars—God.</p>
+
+ <p>At this moment the sun hides his
+ radiant head in the far-distant seas; the
+ farmer turns upward his plowshares and
+ hastens to his cottage. From the pastures
+ return the bellowing herds; the sheep
+ raise clouds of the golden dust. The twilight
+ falls; in the village creek the well
+ sweeps; later the windows shine, and
+ from the distance comes the barking of
+ the dogs.</p>
+
+ <p>The sun had not gone beyond the woods
+ when Kasya had seated herself under the
+ mossy stone to weave her garlands. Its rays
+ were thrown upon her face, broken by the
+ shadows of the leaves and twigs. The
+ work did not proceed rapidly, for Kasya
+ was tired from heat and running in the
+ woods. Her sunburnt hands moved slowly
+ at her work. The warm breeze kissed her
+ <a class="pagenum" id="page38" title="38"> </a>temples and face, and the voices of the
+ forest lulled her to sleep. Her large eyes
+ became heavy and drowsy; her eyelashes
+ began to close slowly; she leaned her head
+ against the stone, opened her eyes once
+ more as a child looking upon the divine
+ beauty of the world; then the noise of the
+ trees, the rows of the stumps, the ground
+ full of pine needles, and the skies that
+ could be seen between the branches all
+ became indistinct, darkened, dissolved,
+ disappeared—and she smiled and slept.
+ Her head was hidden in a soft shade, but
+ the covering of her breast shone all rosy
+ and purple. Her soft breathing lifted
+ her bosom gently; so wonderful and
+ beautiful she looked in this quiet sleep in
+ the evening rays that John looked upon
+ her as if upon the image of a saint, glorious
+ with gold, and colored as the rainbow.</p>
+
+ <p>Kasya’s hands were clinging yet to the
+ unfinished garland of herbs. She slept
+ <a class="pagenum" id="page39" title="39"> </a>with a sleep light and sweet, for she smiled
+ through her dreams as a child who speaks
+ with the angels. Perhaps she verily conversed
+ with angels, for pure she was as a
+ child, and had dedicated her whole day to
+ the service of God by gathering and weaving
+ the garlands for His temple.</p>
+
+ <p>John was sitting by her side, but he did
+ not sleep. His simple breast could not
+ contain the feelings that arose there; he
+ felt as if his soul had got wings and was
+ preparing to fly away to the realms of
+ heaven. He knew not what was happening
+ to him, and he only raised his eyes to
+ the skies and was motionless; you would
+ say that love had transfigured him.</p>
+
+ <p>Kasya slumbered on, and for a long
+ time they both remained there. Meanwhile
+ the dusk came. The remnants of
+ the purple light fought with the darkness.
+ The interior of the woods deepened—became
+ dumb. From the canes of the lake
+ <a class="pagenum" id="page40" title="40"> </a>near the glade with its cottage came the
+ buzzing of a night beetle.</p>
+
+ <p>Suddenly on the other side of the lake
+ from the church rang out the Angelus
+ bell. Its tones floated on the wings of the
+ evening breeze over the face of the quiet
+ waters, clear, resonant, and distinct. It
+ called the faithful to prayer, and also proclaimed:
+ “Rest! Enough of work and
+ the heat of the day,†spoke the bell.
+ “Wrap yourself to sleep in the wing of
+ God. Come, come ye weary to Him—in
+ Him is joy! Here is peace! here gladness!
+ here sleep! here sleep! here sleep!â€</p>
+
+ <p>John took off his hat at the sound of
+ the bell, Kasya shook the sleep from her
+ eyes, and said:</p>
+
+ <p>“The bell rings.â€</p>
+
+ <p>“For the Angel of the Lord.â€</p>
+
+ <p>Both kneeled near by the mossy stone
+ as if before an altar. Kasya began to
+ pray with a low, soft voice:</p>
+
+ <p><a class="pagenum" id="page41" title="41"> </a>“The Angel of the Lord declared unto
+ Mary,â€</p>
+
+ <p>“And she conceived by the Holy
+ Ghost,†answered John.</p>
+
+ <p>“Behold the handmaiden of the Lord;
+ may it be done to me according to Thy
+ word.â€</p>
+
+ <hr class="thoughtbreak" />
+
+
+ <p>Thus kneeling, prayed these children of
+ God. The silent summer lightning shone
+ from the east to the west, and upon its
+ light flew down from heaven a radiant
+ host of winged angels, and hovered above
+ their heads. Then they blended with the
+ angels and were themselves as if angels,
+ for upon earth there were no two souls
+ more bright, more pure, more innocent.</p>
+</div>
+
+<!-- <a class="pagenum" id="page42" title="42">&nbsp;</a>[Blank Page] -->
+
+
+<div id="orso" class="story"><a class="pagenum" id="page43" title="43"> </a>
+ <h2>ORSO.</h2>
+
+ <p>The last days of autumn in Anaheim, a
+ town situated in Southern California, are
+ days of joy and celebration. The grape
+ gathering is finished and the town is
+ crowded with the vineyard hands. There
+ is nothing more picturesque than the
+ sight of these people, composed partly of
+ a sprinkling of Mexicans, but mainly of
+ Cahuilla Indians, who come from the
+ wild mountains of San Bernardino to earn
+ some money by gathering grapes. They
+ scatter through the streets and market
+ places, called lolas, where they sleep in
+ tents or under the roof of the sky, which
+ is always clear at this time of the year.
+ This beautiful city, surrounded with its
+ growths of eucalyptus, olive, castor, and
+ <a class="pagenum" id="page44" title="44"> </a>pepper trees, is filled with the noisy
+ confusion of a fair, which strangely contrasts
+ with the deep and solemn silence
+ of the plains, covered with cacti, just beyond
+ the vineyards. In the evening, when
+ the sun hides his radiant head in the
+ depths of the ocean, and upon the rosy
+ sky are seen in its light the equally rosy-tinted
+ wings of the wild geese, ducks,
+ pelicans and cranes, descending by the
+ thousands from the mountains to the
+ ocean, then in the town the lights are lit
+ and the evening amusements begin. The
+ negro minstrels play on bones, and by the
+ campfires can be heard the picking of
+ the banjo; the Mexicans dance on an out-spread
+ poncha their favorite bolero; Indians
+ join in the dance, holding in their
+ teeth long white sticks of kiotte, or beating
+ time with their hands, and exclaiming,
+ “E viva;†the fires, fed with redwood,
+ crackle as they blaze, sending up clouds
+ <a class="pagenum" id="page45" title="45"> </a>of bright sparks, and by its reflection
+ can be seen the dancing figures, and
+ around them the local settlers with their
+ comely wives and sisters watching the
+ scene.</p>
+
+ <p>The day on which the juice from the
+ last bunch of grapes is trampled out by
+ the feet of the Indians is generally celebrated
+ by the advent of Hirsch’s Circus,
+ from Los Angeles. The proprietor of the
+ circus is a German, and besides owns a
+ menagerie composed of monkeys, jaguars,
+ pumas, African lions, one elephant, and
+ several parrots, childish with age—“<em>The
+ greatest attraction of the world.</em>†The
+ Cahuilla will give his last peso, if he has
+ not spent it on drink, to see not only wild
+ animals—for these abound in the San
+ Bernardino Mountains—but to see the
+ circus girls, athletes, clowns, and all its
+ wonders, which seem to him as “a great
+ medicineâ€â€”that is, magical feats, impossible
+ <a class="pagenum" id="page46" title="46"> </a>of accomplishment except by the aid
+ of supernatural powers.</p>
+
+ <p>Mr. Hirsch, the proprietor of the circus,
+ would be very angry with any one who
+ would dare to say that his circus only attracted
+ Mexicans, Indians, and Chinese.
+ Certainly not; the arrival of the circus
+ brings hither not only the people of the
+ town and vicinity, but even those of the
+ neighboring towns of Westminster, Orange,
+ and Los Nietos. Orange Street is
+ crowded with buggies and wagons of divers
+ shapes, so that it is difficult to get through.
+ The whole world of settlers come as one
+ man. Young, bright girls, with their
+ hair prettily banged over their eyes, sitting
+ on the front seats, drive some of these
+ vehicles, and gracefully upset passing pedestrians,
+ chatter and show their white
+ teeth; the Spanish senoritas from Los
+ Nietos cover you with their warm, ardent
+ glances from under their lace mantillas;
+ <a class="pagenum" id="page47" title="47"> </a>the married women from the country,
+ dressed in their latest and best fashions,
+ lean with pride on the arms of the sunburned
+ farmers, who are dressed in old
+ hats, jean pants, and flannel shirts, fastened
+ with hook and eye, and without
+ neckties.</p>
+
+ <p>All these people meet and greet each
+ other, gossip, and the women inspect with
+ critical eye the dresses of their neighbors,
+ to see if they are “very fashionable.â€</p>
+
+ <p>Among the buggies are some covered
+ with flowers, which look like huge bouquets;
+ the young men, mounted on mustangs,
+ bend from their high Mexican
+ saddles and peer under the hats of the
+ young girls; the half-wild horses, frightened
+ by the noise and confusion, look here
+ and there with their bloodshot eyes, curvet,
+ rear, and try to unseat their riders, but
+ the cool riders seem to pay no attention to
+ them.</p>
+
+ <p><a class="pagenum" id="page48" title="48"> </a>They all speak of “the greatest attraction,â€
+ which was about to excel everything
+ that had been seen before. Truly
+ the flaming posters announced genuine
+ wonders. The proprietor, Hirsch, that
+ renowned “artist of the whip,†will in the
+ arena give a contest with a fierce, untamed
+ African lion. The lion, according to the
+ programme, springs upon the proprietor,
+ whose only defense is his whip. This
+ simple weapon in his hands (according to
+ the programme) will change itself into a
+ fiery sword and shield. The end of this
+ whip will sting as a rattlesnake, flash as
+ lightning, shoot as a thunderbolt, and
+ keep at a proper distance the enraged
+ monster, who vainly roars and tries to
+ jump on the artist. This is not the end
+ yet: sixteen-year-old Orso, an “American
+ Hercules,†born of a white father and Indian
+ mother, will carry around six people,
+ three on each shoulder; besides this, the
+ <a class="pagenum" id="page49" title="49"> </a>management offers one hundred dollars
+ to any man, regardless of color, who
+ can throw Orso in a wrestling match. A
+ rumor arose in Anaheim that from the
+ mountains of San Bernardino comes for
+ this purpose the “Grizzly Killer,†a
+ hunter who was celebrated for his bravery
+ and strength, and who, since California
+ was settled, was the first man who attacked
+ these great bears single-handed and armed
+ only with a knife. It is the probable victory
+ of the “Grizzly Killer†over the sixteen-year-old
+ athlete of the circus that
+ highly excites the minds of the males of
+ Anaheim, because if Orso, who until now,
+ from the Atlantic to the Pacific, had overthrown
+ the strongest Americans, will be
+ defeated, great glory will cover all California.
+ The feminine minds are not
+ less excited by the following number of
+ the programme: Orso will carry, on a pole
+ thirty feet high, a small fairy, the “Wonder
+ <a class="pagenum" id="page50" title="50"> </a>of the World,†of which the poster
+ says that she is the most beautiful girl
+ that ever lived on this earth since the beginning
+ of the “Christian Era.†Though
+ she is only thirteen years of age, the management
+ also offers one hundred dollars
+ to every maiden, “without regard to
+ color of skin,†who will dare to compete
+ and wrest the palm of beauty from this
+ “Aerial Angel.†The maidens of Anaheim,
+ both great and small, make grimaces
+ on reading this, and say that it would
+ not be ladylike to enter such a contest.
+ Nevertheless they gladly surrender the
+ comfort of their rocking chairs rather than
+ miss the show and the chance of seeing
+ their childish rival, in whose beauty, in
+ comparison with the sisters Bimpa, for instance,
+ none of them believed. The two
+ sisters Bimpa, the elder Refugio, and the
+ younger Mercedes, sitting gracefully in a
+ handsome buggy, are now reading the
+ <a class="pagenum" id="page51" title="51"> </a>posters; their faces show no trace of emotion,
+ though they feel that the eyes of
+ Anaheim are on them, as if supplicating
+ them to save the honor of the whole
+ county, and with a patriotic pride, founded
+ upon the conviction that there is none
+ more beautiful than these two California
+ flowers in all the mountains and cañons
+ of the whole world. Oh, beautiful indeed
+ are the sisters Refugio and Mercedes!
+ Not in vain does the pure Castilian blood
+ flow in their veins, to which their mother
+ constantly refers, showing her disdain
+ for all colored races, as well as for the
+ Americans.</p>
+
+ <p>The figures of the sisters are slender,
+ subtle, and full of mysterious grace, quiet,
+ and so luxurious that they greatly impress
+ all young men who come near
+ them. From Donnas Refugio and Mercedes
+ exhales a charm as the fragrance
+ from the magnolia and the lily. Their
+ <a class="pagenum" id="page52" title="52"> </a>faces are delicate, complexions transparent
+ with a slight rosy tint, as if illumed with
+ the dawn; the eyes dark and dreamy,
+ sweet, innocent, and tender in their
+ glances. Wrapped in muslin rebosos, they
+ sit in their buggy adorned with flowers,
+ pure and innocent, unconscious of their
+ own beauty. Anaheim looked upon them,
+ devoured them with its eyes, was proud of
+ them, and loved them. Who then is this
+ “Jenny,†that can win victory over these?
+ “Truly,†the <cite>Saturday Review</cite> wrote,
+ “when little Jenny had climbed to the top
+ of the mast, resting on the powerful shoulders
+ of Orso, and from this eminence,
+ suspended above the earth, in danger of
+ death, she outstretched her arms and
+ poised like a butterfly, the circus became
+ silent and all eyes and hearts followed with
+ trembling the movements of this wonderful
+ child. That he who saw her on the
+ mast or on a horse,†concluded the <cite>Saturday
+ <a class="pagenum" id="page53" title="53"> </a>Review</cite>, “will never forget her, because
+ the greatest painter in the world,
+ even Mr. Harvey, of San Francisco, who
+ decorated the Palace Hotel, could paint
+ nothing equal to it.â€</p>
+
+ <p>The youths of Anaheim who were enamored
+ by the Misses Bimpa were skeptical
+ of this, and affirmed that it was a
+ “humbug,†but this question will be settled
+ in the evening. Meanwhile, the
+ commotion around the circus is increasing
+ each moment. From among the
+ long, low wooden buildings surrounding
+ the canvas circus there comes the roar of
+ the lions and elephant; the parrots, fastened
+ to rings hanging to the huts, fill the
+ air with their cries and whistles; the monkeys
+ swing suspended by their tails or
+ mock the public, who are kept at a distance
+ by a rope fence. At last, from the
+ main inclosure the procession emerges for
+ the purpose of whetting and astonishing
+ <a class="pagenum" id="page54" title="54"> </a>the curiosity of the public to a greater
+ extent. The procession is headed by a
+ gaudy band-wagon, drawn by six prancing
+ horses with fine harness, and feathers on
+ their heads. The riders on the saddles
+ are in the costume of French postilions.
+ On the other wagons come cages of lions,
+ and in every cage is seated a lady with an
+ olive branch in her hand. Then follows
+ an elephant, covered with a carpet, and a
+ tower on its back, which contains several
+ men arrayed as East Indian hunters. The
+ band is playing, the drums are beating, the
+ lions are roaring, the whips are cracking;
+ in a word, this cavalcade moves forward
+ with great noise and uproar. But this is
+ not all: behind the elephant there follows
+ a machine on wheels, with a locomotive
+ pipe, somewhat resembling an organ,
+ which, blown by steam, emits the most
+ discordant yells and whistles intended for
+ the national “Yankee Doodle.†The
+ <a class="pagenum" id="page55" title="55"> </a>Americans cry “Hurrah!†the Germans,
+ “Hoch!†the Mexicans, “E viva!†and
+ the Cahuillas howl for joy.</p>
+
+ <p>The crowds follow the procession, the
+ place around the circus becomes deserted,
+ the parrots cease their chatter, and the
+ monkeys their gymnastics. But “the
+ greatest attractions†do not take part in
+ the procession. The “incomparable
+ artist of the whip,†the manager, the
+ “unconquerable Orso,†and the “Aërial
+ Angel, Jenny,†are all absent. All this is
+ preserved for the evening so as to attract
+ the crowds.</p>
+
+ <p>The manager is somewhere in one of
+ the wooden buildings, or looks into the
+ ticket seller’s van, where he pretends to
+ be angry. Orso and Jenny are in the ring
+ practicing some of their feats. Under its
+ canvas roof reigns dust and silence. In
+ the distance, where the seats are arranged,
+ it is totally dark; the greatest part of the
+ <a class="pagenum" id="page56" title="56"> </a>light falls through the roof on the ring,
+ with its sand and sawdust covering. With
+ the help of the gray light which filters
+ through the canvas can be seen a horse
+ standing near the parapet. The big horse
+ feels very lonely, whisks the flies with his
+ tail, and often sways his head. Gradually
+ the eye, becoming accustomed to the dim
+ light, discerns other objects—for instance:
+ the mast upon which Orso carries Jenny,
+ the hoops pasted with paper for her to
+ jump through. All these lie on the
+ ground without order, and the half-lighted
+ arena and nearly dark benches give an
+ impression of a deserted building with
+ battened windows. The terrace of seats,
+ only here and there broken with a stray
+ glimmer of light, look like ruins. The
+ horse, standing with drooping head, does
+ not enliven the picture.</p>
+
+ <p>Where are Orso and Jenny? One of the
+ rays of light that stream through an
+ <a class="pagenum" id="page57" title="57"> </a>aperture of the canvas, in which floats
+ the golden dust, falls on a row of distant
+ seats. This body of light, undulating
+ with the swaying canvas, at last falls upon
+ a group composed of Orso and Jenny.</p>
+
+ <p>Orso sits on top of the bench, and near
+ to him is Jenny. Her beautiful childish
+ face leans against the arm of the athlete
+ and her hand rests on his neck. The
+ eyes of the girl are lifted upward, as if
+ listening intently to the words of her companion,
+ who bends over her, moving his
+ head at times, apparently explaining something.</p>
+
+ <p>Leaning as they are against each other,
+ you might take them for a pair of lovers,
+ but for the fact that the girl’s uplifted
+ eyes express strong attention and intense
+ thought, rather than any romantic feeling,
+ and that her legs, which are covered
+ with pink fleshings, and her feet in
+ slippers, sway to and fro with a childish
+ <a class="pagenum" id="page58" title="58"> </a>abandon. Her figure has just begun to
+ blossom into maidenhood. In everything
+ Jenny is still a child, but so charming and
+ beautiful that, without reflecting upon
+ the ability of Mr. Harvey, who decorated
+ the Palace Hotel, of San Francisco, it
+ would be difficult even for him to imagine
+ anything to equal her. Her delicate face
+ is simply angelic; her large, sad blue eyes
+ have a deep, sweet and confiding expression;
+ her dark eyebrows are penciled with
+ unequaled purity on her forehead, white
+ and reposeful as if in deep thought, and the
+ bright, silky hair, somewhat tossed, throws
+ a shadow on it, of which, not only Master
+ Harvey, but a certain other painter, named
+ Rembrandt, would not have been ashamed.
+ The girl at once reminds you of Cinderella
+ and Gretchen, and the leaning posture
+ which she now maintains suggests timidity
+ and the need of protection.</p>
+
+ <p>Her posture, which strongly reminds
+ <a class="pagenum" id="page59" title="59"> </a>you of those of Greuz, contrasts strangely
+ with her circus attire, composed of a short,
+ white muslin skirt, embroidered with
+ small silver stars, and pink tights. Sitting
+ in a golden beam of light with the
+ dark, deep background, she looks like
+ some sunny and transparent vision, and
+ her slender form contrasts with the square
+ and sturdy figure of the youth.</p>
+
+ <p>Orso, who is dressed in pink tights,
+ appears from afar as if he were naked,
+ and the same ray of light distinctly reveals
+ his immense shoulders, rounded
+ chest, small waist, and legs too short in
+ proportion to the trunk.</p>
+
+ <p>His powerful form seems as if it were
+ hewn out with an ax. He has all the features
+ of a circus athlete, but so magnified
+ that they make him noticeable; besides,
+ his face is not handsome. Sometimes,
+ when he raises his head, you can see his
+ face, the lines of which are regular, perhaps
+ <a class="pagenum" id="page60" title="60"> </a>too regular, and somewhat rigid, as
+ if carved from marble. The low forehead,
+ with the hair falling on it, like the
+ mane of a horse, straight and black, inherited
+ from his squaw mother, gives to
+ his face a gloomy and threatening expression.
+ He has a similarity to both the
+ bull and the bear, and he personifies a
+ terrible and somewhat evil force. He is
+ not of a good disposition.</p>
+
+ <p>When Jenny passes by the horses, those
+ gentle creatures turn their heads and look
+ at her with intelligent eyes, and neigh and
+ whinny, as if wishing to say: “How do
+ you do, darling?†while at the sight of
+ Orso they shudder with fear. He is a
+ reticent and gloomy youth. Mr. Hirsch’s
+ negroes, who are his hostlers, clowns, minstrels,
+ and rope-walkers, do not like Orso
+ and tease him as much as they dare, and
+ because he is half-Indian they think nothing
+ of him, and plague and mock him.
+ <a class="pagenum" id="page61" title="61"> </a>Truly, the manager, who offers the hundred
+ dollars to any one who can defeat
+ him, does not risk much; he dislikes and
+ fears him, as the tamer of the wild animals
+ fears a lion, and whips him on the
+ slightest provocation.</p>
+
+ <p>Mr. Hirsch feels that, if he does not
+ keep the youth in subjection by constantly
+ beating him, he will be beaten himself,
+ and he follows the principle of the Creole
+ woman, who considered beating a punishment,
+ and no beating a reward.</p>
+
+ <p>Such was Orso. Recently he began to
+ be less sullen, because little Jenny had a
+ good influence over him. It happened
+ about a year ago that when Orso, who
+ was then the attendant of the wild animals,
+ was cleaning the cage of the puma,
+ the beast put its paws through the bars of
+ the cage and wounded his head severely.
+ Then he entered the cage, and after a terrible
+ fight between them, he alone remained
+ <a class="pagenum" id="page62" title="62"> </a>alive. But he was so badly hurt
+ that he fainted from loss of blood. He was
+ ill a long time, which was greatly aggravated
+ by a severe whipping which the
+ manager gave him for breaking the spine
+ of the puma.</p>
+
+ <p>When he was ill Jenny took great care
+ of him, and dressed his wounds, and when
+ she had leisure, read the Bible to him.
+ That is a “good book†which speaks of
+ love, of forgiveness, of mercy—in a word,
+ of things that are never mentioned in Mr.
+ Hirsch’s circus. Orso, listening to this
+ book, pondered long in his Indian head
+ and at last came to the conclusion that if
+ it would be as good in the circus as in this
+ book, perhaps he would not be so bad. He
+ thought also that then he would not be
+ beaten so often, and some one would be
+ found who would love him. But who?
+ Not negroes and not Mr. Hirsch; little
+ Jenny, whose voice sounded as sweetly in
+ <a class="pagenum" id="page63" title="63"> </a>his ears as the voice of the mavis, might
+ be the one.</p>
+
+ <p>One evening, under the influence of
+ this thought, he began to weep and kiss
+ the small hands of Jenny, and from this
+ time on he loved her very much. During
+ the performance in the evening, when
+ Jenny was riding a horse, he was always in
+ the ring and carefully watching over her
+ to prevent any accident. When he held
+ the paper hoops for her to jump through
+ he smiled on her; when to the sound of
+ the music be balanced her on the top of
+ the high mast, and the audience was
+ hushed with fright, he felt uneasy himself.
+ He knew very well if she should
+ fall that no one from the “good bookâ€
+ would be left in the circus; he never removed
+ his eyes from her, and the evident
+ caution and anxiety expressed in his
+ movements added to the terror of the
+ people. Then, when recalled into the
+ <a class="pagenum" id="page64" title="64"> </a>ring by the storm of applause, they would
+ run in together, he would push her forward,
+ as if deserving of all the praise, and
+ murmur from joy. This reticent youth
+ spoke only to Jenny, and to her alone he
+ opened his mind. He hated the circus
+ and Mr. Hirsch, who was entirely different
+ from the people in the “good book.â€
+ Something always attracted him to the edge
+ of the horizon, to the woods and plains.
+ When the circus troupe in their constant
+ wanderings chanced to pass through wild,
+ lonely spots, he heard voices awakening
+ the instincts of a captive wolf, who sees
+ the woods and plains for the first time.
+ This propensity he inherited not only
+ from his mother, but also from his father,
+ who had been a frontiersman. He shared
+ all his hopes with Jenny, and often narrated
+ to her how fully and untrammeled
+ live the people of the plains. Most of this
+ he guessed or gleaned from the hunters of
+ <a class="pagenum" id="page65" title="65"> </a>the prairies, who came to the circus with
+ wild animals which they had captured for
+ the menagerie, or to try their prowess for
+ the hundred-dollar prize.</p>
+
+ <p>Little Jenny listened to these Indian
+ visions, opening widely her blue eyes and
+ falling into deep reveries. For Orso
+ never spoke of going alone to the desert;
+ she was always with him, and it was very
+ good for them there. Every day they
+ saw something new; they possessed all they
+ needed, and it seemed right to make all
+ their plans carefully.</p>
+
+ <p>So now they sit in this beam of light,
+ talking to each other, instead of practicing
+ and attempting new feats. The horse
+ stands in the ring and feels lonely. Jenny
+ leans on Orso’s arm, thoughtfully contemplating
+ and looking with wistful, wondering
+ eyes into the dim space, swinging
+ her feet like a child and musing—how it
+ <a class="pagenum" id="page66" title="66"> </a>will be on the plains, and asking questions
+ from Orso.</p>
+
+ <p>“How do they live there?†says she,
+ raising her eyes to the face of her friend.</p>
+
+ <p>“There is plenty of oaks. They take
+ an ax and build a house.â€</p>
+
+ <p>“Well,†says Jenny, “but until the
+ house is built?â€</p>
+
+ <p>“It is always warm there. The
+ ‘Grizzly Killer’ says it is very warm.â€</p>
+
+ <p>Jenny begins to swing her feet more
+ lively, as if the warmth there has settled
+ the question in her mind; but shortly she
+ remembers that she has in the circus a
+ dog and a cat, and that she would like to
+ take them with her. She calls her dog
+ Mister Dog and her cat Mister Cat.</p>
+
+ <p>“And will Mr. Dog and Mr. Cat go
+ with us?â€</p>
+
+ <p>“They will,†answers Orso, looking
+ pleased.</p>
+
+ <p><a class="pagenum" id="page67" title="67"> </a>“Will we take with us the ‘good
+ book’?â€</p>
+
+ <p>“We will,†says Orso, still more pleased.</p>
+
+ <p>“Well,†says the girl in her innocence,
+ “Mr. Cat will catch birds for us; Mr.
+ Dog will drive away bad people with his
+ bark; you will be my husband and I will
+ be your wife, and they will be our
+ children.â€</p>
+
+ <p>Orso feels so happy that he cannot
+ speak, and Jenny continues:</p>
+
+ <p>“There, there will be no Mr. Hirsch,
+ no circus, we will not work, and basta!
+ But no!†she adds a moment later, “the
+ ‘good book’ says that we should work, and
+ I sometimes will jump through one—through
+ the two hoops, the three, the four
+ hoops.â€</p>
+
+ <p>Jenny evidently does not imagine work
+ under any other form than jumping
+ through hoops.</p>
+
+ <p>Shortly she says again:</p>
+
+ <p><a class="pagenum" id="page68" title="68"> </a>“Orso, will I indeed be always with
+ you?â€</p>
+
+ <p>“Yes, Jen, for I love you very much.â€</p>
+
+ <p>His face brightens as he says so, and
+ becomes almost beautiful.</p>
+
+ <p>And yet he does not know himself how
+ dear to him has become this small bright
+ head.</p>
+
+ <p>He has nothing else in this world but
+ her, and he watches her as the faithful
+ dog guards his mistress. By her fragile
+ side he looks like Hercules, but he is
+ unconscious of this.</p>
+
+ <p>“Jen,†says he after a moment, “listen
+ to what I tell you.â€</p>
+
+ <p>Jenny, who shortly before had got up
+ to look at the horse, now turns and,
+ kneeling down before Orso, puts her two
+ elbows on his knees, crosses her arms and,
+ resting her chin on her wrists, uplifts
+ her face and is all attention.</p>
+
+ <p>At this moment, to the consternation of
+ <a class="pagenum" id="page69" title="69"> </a>the children, the “artist of the whipâ€
+ enters the ring in a very bad humor, because
+ his trial with a lion had entirely
+ failed.</p>
+
+ <p>This lion, who was bald from old age,
+ desired only to be let alone, had no inclination
+ to attack the “artist,†and hid
+ himself from the lash of the whip in a far
+ corner of the cage. The manager thought
+ with despair that if this loyal disposition remained
+ with the lion until the evening the
+ contest with the whip would be a failure;
+ for to fight a lion who slinks away needs
+ no more art than to eat a lobster from his
+ tail. The bad temper of the proprietor
+ became still worse when he learned from
+ the ticket seller that he was disposing of
+ no seats in the “gods;†that the Cahuillas
+ evidently had spent all their money that
+ they had earned in the vineyards for drinks,
+ and that they came to his window and
+ offered their blankets, marked “U. S.,â€
+ <a class="pagenum" id="page70" title="70"> </a>or their wives, especially the old ones, in
+ exchange for tickets of admission. The
+ lack of money among the Cahuillas was no
+ small loss for the “artist of the whip;â€
+ for he counted on a “crowded house,†and
+ if the seats in the “gods†were not sold no
+ “crowded house†was obtainable; therefore
+ the manager wished at this moment
+ that all the Indians had but one back, and
+ that he might give an exhibition of his
+ skill with the whip on that one back, in the
+ presence of all Anaheim. Thus he felt as
+ he entered the ring, and seeing the horse
+ standing idle under the parapet, he felt
+ like jumping with anger. Where are Orso
+ and Jenny? Shading his eyes with his
+ hand he looked all around the circus, and
+ observed in a bright beam, Orso, and Jenny
+ kneeling before him with her elbows resting
+ on his knees. At this sight he let
+ the lash of his whip trail on the ground.</p>
+
+ <p>“Orso!â€</p>
+
+ <p><a class="pagenum" id="page71" title="71"> </a>If lightning had struck in the midst of
+ the children they could not have been
+ more startled. Orso jumped to his feet and
+ descended in the passageway between the
+ benches with the hasty movement of an
+ animal who comes to his master at his
+ call; behind him followed Jenny with eyes
+ wide open from fright, and clutching the
+ benches as she passed them.</p>
+
+ <p>Orso, on entering the ring, stopped by
+ the parapet, gloomy and silent, the gray
+ light from above bringing into relief his
+ Herculean trunk upon its short legs.</p>
+
+ <p>“Nearer,†cried out the manager in a
+ hoarse voice; meanwhile the lash of his
+ long whip moved upon the sand with a
+ threatening motion, like the tail of a
+ tiger watching his approaching prey.</p>
+
+ <p>Orso advanced several steps, and for a
+ few minutes they looked into each other’s
+ eyes. The manager’s face resembled that
+ of the tamer who enters the cage, intending
+ <a class="pagenum" id="page72" title="72"> </a>to subdue a dangerous animal, and at
+ the same time watches it.</p>
+
+ <p>His rage overcame his caution. His
+ legs, incased in elk riding breeches and
+ high boots, pranced under him with anger.
+ Perhaps it was not the idleness alone of
+ the children which increased his rage.
+ Jenny, from above, looked at both of them
+ like a frightened hare watching two
+ lynxes.</p>
+
+ <p>“Hoodlum! dog catcher, thou cur!â€
+ hissed the manager.</p>
+
+ <p>The whip with the velocity of lightning
+ whistled through the air in a circle,
+ hissed and struck. Orso winced and
+ howled a little, and stepped toward the
+ manager, but the second stroke stopped
+ him at once, then the third, fourth—tenth.
+ The contest had begun, although
+ there was no audience. The uplifted
+ hand of the “great artist†scarcely moved,
+ but his wrist revolved, as if a part of some
+ <a class="pagenum" id="page73" title="73"> </a>machinery, and, with each revolution, the
+ sharp point of the lash stung the skin of
+ Orso. It seemed as if the whip, or rather
+ its poisonous fang, filled the whole space
+ between the athlete and the manager, who
+ in his increasing excitement reached the
+ genuine enthusiasm of the artist. The
+ “master†simply improvised. The cracking
+ end flashing in the air twice had
+ written down its bloody trace on the bare
+ neck of the athlete. Orso was silent in
+ this dance. At every cut he stepped one
+ step forward and the manager one step
+ backward. In this way they circled the
+ arena, and at last the manager backed out
+ of the ring as a conqueror from the cage,
+ and disappeared through the entrance to
+ the stables, still as the conqueror. As he
+ left his eye fell on Jenny.</p>
+
+ <p>“Get on your horse,†he cried; “I will
+ settle with you later.â€</p>
+
+ <p>His voice had scarcely ceased before her
+ <a class="pagenum" id="page74" title="74"> </a>white skirt flashed in the air, and in a
+ moment she was on the back of the horse.
+ The manager had disappeared, and the
+ horse began to gallop around the ring, occasionally
+ striking the side with its hoofs.</p>
+
+ <p>“Hep! Hep!†agitatedly said Jenny to
+ the horse with her childish voice: “Hep!
+ hep!†but this “hep, hep,†was at the
+ same time a sob. The horse increased his
+ speed, clattering with his hoofs as he
+ leaned more and more to the center. The
+ girl, standing on the pad with her feet
+ close together, seemed scarcely to touch it
+ with the ends of her toes; her bare rosy
+ arms rose and fell as she maintained her
+ balance; her hair and light muslin dress
+ floated behind her supple figure, which
+ looked like a bird circling in the air.</p>
+
+ <p>“Hep! hep!†she kept exclaiming.
+ Meanwhile her eyes were filled with tears,
+ and to see she had to raise her head; the
+ movement of the horse made her dizzy;
+ <a class="pagenum" id="page75" title="75"> </a>the terrace of seats and the ring seemed to
+ revolve around her; she wavered once,
+ twice, and then fell down into the arms of
+ Orso.</p>
+
+ <p>“Oh! Orso, poor Orso!†cried the child.</p>
+
+ <p>“What’s the matter, Jen? why do you
+ cry? I don’t feel the pain, I don’t feel
+ it.â€</p>
+
+ <p>Jenny threw both her arms around his
+ neck and began to kiss his cheeks. Her
+ whole body trembled, and she sobbed
+ convulsively.</p>
+
+ <p>“Orso, oh, Orso,†she sobbed, for she
+ could not speak, and her arms clung closer
+ to his neck. She could not have cried more
+ if she had been beaten herself. So, in the
+ end, he began to pet and console her.
+ Forgetting his own pain he took her in his
+ arms and pressed her to his heart, and his
+ nerves being excited by the beating, he
+ now felt for the first time that he loved
+ her more than the dog loved his mistress.
+ <a class="pagenum" id="page76" title="76"> </a>He breathed heavily, and his lips panted
+ out the words:</p>
+
+ <p>“I feel no pain. When you are with
+ me, I am happy, Jenny, Jenny!â€</p>
+
+ <p>When this was transpiring the manager
+ was walking in the stables, foaming with
+ rage. His heart was filled with jealousy.
+ He saw the girl on her knees before Orso;
+ recently this beautiful child had awakened
+ the lower instincts in him, but as yet undeveloped,
+ and now he fancied that she
+ and Orso loved each other, and he felt revengeful,
+ and had a wild desire to punish
+ her—to whip her soundly. This desire
+ he could not resist. Shortly he called to
+ her.</p>
+
+ <p>She at once left Orso, and in a moment
+ had disappeared in the dark entrance to
+ the stables. Orso stood stupefied, and
+ instead of following her he walked with
+ unsteady steps to a bench, and, seating
+ himself, began to breathe heavily.</p>
+
+ <p><a class="pagenum" id="page77" title="77"> </a>When the girl entered the stables she
+ could see nothing, as it was much darker
+ there than in the ring. Yet, fearing that
+ she would be suspected of having delayed
+ her coming, she cried out in a faint voice:</p>
+
+ <p>“I am here, master, I am here.â€</p>
+
+ <p>At the same moment the hand of the
+ manager caught hers, and he hoarsely
+ said:</p>
+
+ <p>“Come!â€</p>
+
+ <p>If he had shown anger or badly scolded
+ her she would have felt less frightened
+ than at this silence with which he led her
+ to the circus wardrobe. She hung back,
+ resisting him, and repeating quickly:</p>
+
+ <p>“Oh, dear Mr. Hirsch, forgive me! forgive
+ me!â€</p>
+
+ <p>But forcibly he dragged her to the long
+ room where they stored their costumes,
+ and turned the key in the door.</p>
+
+ <p>Jenny fell down on her knees. With
+ uplifted eyes and folded hands, trembling
+ <a class="pagenum" id="page78" title="78"> </a>as a leaf, the tears streaming down her
+ cheeks, she tried to arouse his mercy; in
+ answer to her supplications, he took from
+ the wall a wire whip, and said:</p>
+
+ <p>“Lie down.â€</p>
+
+ <p>With despair she flung herself at his
+ feet, nearly dying from fright. Every
+ nerve of her body quivered; but vainly she
+ pressed her pallid lips to his polished
+ boots. Her alarm and pleading seemed to
+ arouse the demon in him more than ever.
+ Grasping her roughly, he threw her
+ violently on a heap of dresses, and in an
+ instant, after trying to stop the kicking
+ of her feet, he began beating her cruelly.</p>
+
+ <p>“Orso! Orso!†she shouted.</p>
+
+ <p>About this moment the door shook on
+ its hinges, rattled, creaked and gave way,
+ and half of it, pushed in with a tremendous
+ force, fell with a crash upon the
+ ground.</p>
+
+ <p>In this opening stood Orso.</p>
+
+ <p><a class="pagenum" id="page79" title="79"> </a>The wire whip fell from the hand of the
+ manager, and his face became deadly pale,
+ because Orso looked ferocious. His eyes
+ were bloodshot, his lips covered with
+ foam, his head inclined to one side like a
+ bull’s, and his whole body was crouched
+ and gathered, as if ready to spring.</p>
+
+ <p>“Get out!†cried the manager, trying to
+ hide his fear behind a show of authority.</p>
+
+ <p>The pent-up dam was already broken.
+ Orso, who was usually as obedient to every
+ motion as a dog, this time did not move,
+ but leaning his head still more to one side,
+ he moved slowly and threateningly toward
+ the “artist of the whip,†his iron muscles
+ taut as whipcords.</p>
+
+ <p>“Help! help!†cried the manager.</p>
+
+ <p>They heard him.</p>
+
+ <p>Four brawny negroes from the stables
+ ran in through the broken door and fell
+ upon Orso. A terrible fight ensued, upon
+ which the manager looked with chattering
+ <a class="pagenum" id="page80" title="80"> </a>teeth. For a long time you could see
+ nothing but a tangled mass of dark bodies
+ wrestling with convulsive movements,
+ rolling on the ground in a writhing heap;
+ in the silence which followed sometimes
+ was heard a groan, a snort, loud short
+ breathing, the gritting of teeth.</p>
+
+ <p>In a moment one of the negroes, as if
+ by a superhuman force, was sent from
+ this formless mass, whirling headlong
+ through the air, and fell at the feet of the
+ manager, striking his skull with great
+ force on the ground; soon a second flew
+ out; then from the center of this turbulent
+ group Orso’s body alone arose, covered
+ with blood and looking more terrible than
+ before. His knees were still pressing
+ heavily on the breasts of the two fainting
+ negroes. He arose to his feet and moved
+ toward the manager.</p>
+
+ <p>Hirsch closed his eyes.</p>
+
+ <p>The next moment he felt that his feet
+ <a class="pagenum" id="page81" title="81"> </a>had left the ground, that he was flying
+ through the air—then he felt nothing;
+ his whole body was dashed with monstrous
+ force into the remaining half of the door,
+ and he fell to the earth unconscious.</p>
+
+ <p>Orso wiped his face, and, coming over
+ to Jenny, said:</p>
+
+ <p>“Let us go.â€</p>
+
+ <p>He took her by the hand and they
+ went.</p>
+
+ <p>The whole town was following the circus
+ procession and the steam calliope, playing
+ “Yankee Doodle,†and the place around
+ the circus was deserted. The parrots
+ only, swinging in their hoops, filled the
+ air with their cries. Hand in hand, Orso
+ and Jenny went forward; from the end of
+ the street could be seen the immense plains,
+ covered with cacti. Silently they passed
+ by the houses, shaded by the eucalyptus
+ trees; then they passed the slaughter-houses,
+ around which had gathered thousands
+ <a class="pagenum" id="page82" title="82"> </a>of small black birds with red-tipped
+ wings. They jumped over the large irrigation
+ ditches, entered into an orange
+ grove, and on emerging from it found
+ themselves among the cacti.</p>
+
+ <p>This was the desert.</p>
+
+ <p>As far as the eye could reach these
+ prickly plants rose higher and higher;
+ thick leaves growing from other leaves
+ obstructed the path, sometimes catching
+ on Jenny’s dress. In places they grew to
+ such a great height that the children
+ seemed to be as much lost here as if they
+ were in the woods, and no one could find
+ them there. So they kept threading
+ their way through them, now to the right
+ and then to the left, but careful always to
+ go from the town. Sometimes between the
+ cacti they could see on the horizon the
+ blue mountains of Santa Ana. They
+ went to the mountains. The heat was
+ great. Gray-colored locusts chirped in
+ <a class="pagenum" id="page83" title="83"> </a>the cacti; the sun’s rays poured down
+ upon the earth in streams; the dried-up
+ earth was covered with a network of
+ cracks; the stiff leaves of the cacti seemed
+ to soften from the heat, and the flowers
+ were languid and half-wilted. The children
+ proceeded, silent and thoughtful.
+ But all that surrounded them was so new
+ that they surrendered themselves to their
+ impressions, and for the moment forgot
+ even their weariness. Jenny’s eyes ran
+ from one bunch of cacti to another; again
+ she looked to the farther clusters, saying
+ to her friend:</p>
+
+ <p>“Is this the wilderness, Orso?â€</p>
+
+ <p>But the desert did not appear to be
+ deserted. From the farther clumps came
+ the calling of the male quail, and around
+ sounded the different murmurs of clucking,
+ of twittering, of the ruffling of
+ feathers: in a word, the divers voices of
+ the small inhabitants of the plains. Sometimes
+ <a class="pagenum" id="page84" title="84"> </a>there flew up a whole covey of
+ quail; the gaudy-topped pheasants scattered
+ on their approach; the black squirrels
+ dived into their holes; the rabbits disappeared
+ in all directions; the gophers were
+ sitting on their hind legs beside their
+ holes, looking like fat German farmers
+ standing in their doorway.</p>
+
+ <p>After resting an hour the children proceeded
+ on their journey. Jenny soon felt
+ thirsty. Orso, in whom had awakened
+ his Indian inventive faculties, began to
+ pluck cactus fruits. They were in abundance,
+ and grew together with the flowers
+ on the same leaves. In plucking them
+ they pricked their fingers with the
+ sharp points, but the fruit was luscious.
+ Their sweet and acid flavor quenched at
+ once their thirst and appeased their
+ hunger. The prairies fed the children
+ as a mother; thus strengthened they could
+ proceed further. The cacti arose higher,
+ <a class="pagenum" id="page85" title="85"> </a>and you could say that they grew on the
+ head of one another. The ground on
+ which they walked ascended gradually and
+ continuously. Looking backward once
+ more they saw Anaheim, dissolving in the
+ distance and looking like a grove of trees
+ upon the low plains. Not a trace of the
+ circus could be distinguished. They still
+ pressed steadily onward to the mountains,
+ which now became more distinct in the
+ distance. The surroundings assumed
+ another phase. Between the cacti appeared
+ different bushes and even trees;
+ the wooded portion of the foothills of
+ Santa Ana had commenced. Orso broke
+ one of the saplings, and, clearing off its
+ branches, made a cudgel of it, which, in
+ his hands, would prove a terrible weapon.
+ His Indian instincts whispered to him
+ that in the mountains it was better to be
+ provided, even with a stick, than to go
+ unarmed, especially now that the sun had
+ <a class="pagenum" id="page86" title="86"> </a>lowered itself into the west. Its great
+ fiery shield had rolled down far beyond
+ Anaheim, into the blue ocean. After a
+ while it disappeared, and in the west there
+ gleamed red, golden, and orange lights,
+ similar to ribbons and gauzy veils, stretched
+ over the whole sky. The mountains uplifted
+ themselves in this glow; the cacti
+ assumed different fantastical shapes, resembling
+ people and animals. Jenny felt
+ tired and sleepy, but they still hastened to
+ the mountains, although they knew not
+ why. Soon they saw rocks, and on reaching
+ them they discovered a stream; they
+ drank some water and continued along its
+ course. The rocks, which were at first
+ broken and scattered, then changed into
+ a solid wall, which became higher and
+ higher, and soon they entered into a
+ cañon.</p>
+
+ <p>The rosy lights died away; deeper and
+ deeper dusk enveloped the earth. In
+ <a class="pagenum" id="page87" title="87"> </a>places immense vines reached from one
+ side of the cañon to the other, covering
+ it like a roof, and making it dark and uncanny.
+ On the mountain side, above
+ them, could be heard the voices of the
+ swaying and creaking forest trees. Orso
+ implied that now they were in the depths of
+ the wilderness, where certainly there were
+ many wild animals. From time to time
+ his ear detected suspicious sounds, and
+ when night fell he distinctly heard the
+ hoarse mewing of the lynxes, the roar of
+ the pumas, and the melancholy howling of
+ the coyotes.</p>
+
+ <p>“Are you afraid, Jen?†asked Orso.</p>
+
+ <p>“No,†replied the girl.</p>
+
+ <p>But she was already very tired, and
+ could proceed no farther, so Orso took her
+ in his arms and carried her. He went
+ forward with the hope that he would reach
+ the house of some squatter, or should meet
+ some Mexican campers. Once or twice it
+ <a class="pagenum" id="page88" title="88"> </a>seemed to him that he saw the gleam of
+ some wild animal’s eyes. Then with one
+ hand he pressed Jenny, who had now
+ fallen asleep, to his breast, and with the
+ other he grasped his stick. He was very
+ tired himself; notwithstanding his great
+ strength Jenny began to prove heavy to
+ him, especially as he carried her on his
+ left arm; the right one he wished to have
+ free for defense. Occasionally he stopped
+ to regain his breath and then continued
+ on. Suddenly he paused and listened
+ intently. It seemed to him as if he heard
+ the echoes of the small bells which the
+ settlers tie for the night to the neck of
+ their cows and goats. Rushing forward,
+ he soon reached a bend in the stream.
+ The sound of the bells became more distinct,
+ and joined with them in the distance
+ was heard the barking of a dog.
+ Then Orso was sure that he was nearing
+ some settlement. It was high time that
+ <a class="pagenum" id="page89" title="89"> </a>he did, for he was exhausted by the events
+ of the day, and his strength had begun to
+ fail him. On turning another bend he
+ saw a light; as he moved forward his
+ quick eyes discerned a campfire, a dog,
+ evidently tied to a stump, tearing and
+ barking, and at last the figure of a man
+ seated by the fire.</p>
+
+ <p>“God send that this may be a man
+ from the ‘good book’!†thought he.</p>
+
+ <p>Then he resolved to awaken Jenny.</p>
+
+ <p>“Jen!†called he, “awake, we shall
+ eat.â€</p>
+
+ <p>“What is it?†asked the girl; “where
+ are we?â€</p>
+
+ <p>“In the wilderness.â€</p>
+
+ <p>She was now wide awake.</p>
+
+ <p>“What light is that?â€</p>
+
+ <p>“A man lives there; we shall eat.â€</p>
+
+ <p>Poor Orso was very hungry.</p>
+
+ <p>Meanwhile they were nearing the fire.
+ The dog barked more violently, and the
+ <a class="pagenum" id="page90" title="90"> </a>old man, sitting by the fire, shaded his
+ eyes and peered into the gloom. Shortly
+ he said:</p>
+
+ <p>“Who is there?â€</p>
+
+ <p>“It is us,†answered Jenny in her
+ delicate voice, “and we are very hungry.â€</p>
+
+ <p>“Come nearer,†said the old man.</p>
+
+ <p>Emerging from behind a great rock,
+ which had partly concealed them, they
+ both stood in the light of the fire, holding
+ each other’s hands. The old man looked
+ at them with astonishment, and involuntarily
+ exclaimed:</p>
+
+ <p>“What is that?â€</p>
+
+ <p>For he saw a sight which, in the
+ sparsely populated mountains of Santa
+ Ana, would astonish any one. Orso and
+ Jenny were dressed in their circus attire.
+ The beautiful girl, clothed in pink tights
+ and short white skirt, appearing so suddenly
+ before him, looked in the firelight
+ like some fairy sylph. Behind her stood
+ <a class="pagenum" id="page91" title="91"> </a>the youth with his powerful figure, covered
+ also with pink fleshings, through which
+ you could see his muscles standing out
+ like knots on the oak.</p>
+
+ <p>The old squatter gazed at them with
+ wide-open eyes.</p>
+
+ <p>“Who are you?†he inquired.</p>
+
+ <p>The girl, relying more on her own eloquence
+ than on that of Orso, began to
+ speak.</p>
+
+ <p>“We are from the circus, kind sir!
+ Mr. Hirsch beat Orso very much and then
+ wanted to beat me, but Orso did not let
+ him, and fought Mr. Hirsch and four
+ negroes, and then we ran off on the plains,
+ and went a long distance through the
+ cacti, and Orso carried me; then we came
+ here and are very hungry.â€</p>
+
+ <p>The face of the old man softened and
+ brightened as he listened to her story, and
+ he looked with a fatherly interest on this
+ charming child, who spoke with great
+ <a class="pagenum" id="page92" title="92"> </a>haste, as if she wished to tell all in one
+ breath.</p>
+
+ <p>“What is your name, little one?†he
+ asked.</p>
+
+ <p>“Jenny.â€</p>
+
+ <p>“Welcome, Jenny! and you, Orso!
+ people rarely come here. Come to me,
+ Jenny.â€</p>
+
+ <p>Without hesitation the little girl put
+ her arms around the neck of the old man
+ and kissed him warmly. He appeared
+ to her to be some one from the “good
+ book.â€</p>
+
+ <p>“Will Mr. Hirsch find us here?†she
+ said, as she took her lips from his face.</p>
+
+ <p>“If he comes he will find a bullet here,â€
+ replied the old man; then added, “you
+ said that you wanted to eat?â€</p>
+
+ <p>“Oh, yes, very much.â€</p>
+
+ <p>The squatter, raking in the ashes of the
+ fire, took out a fine leg of venison, the
+ <a class="pagenum" id="page93" title="93"> </a>pleasant odor of which filled the air.
+ Then they sat down to eat.</p>
+
+ <p>The night was gorgeous; the moon came
+ out high in the heavens above the cañon;
+ in the thicket the mavis began to sing
+ sweetly; the fire burned brightly, and
+ Orso was so filled with joy that he chanted
+ with gladness. Both he and the girl ate
+ heartily. The old man had no appetite; he
+ looked upon little Jenny, and, for some
+ unknown cause, his eyes were filled with
+ tears.</p>
+
+ <p>Perhaps he had been once a father, or,
+ perhaps, he so rarely saw people in these
+ deserted mountains.</p>
+
+ <hr class="thoughtbreak" />
+
+ <p>Since then these three lived together.</p>
+
+</div>
+<div id="the_end">&nbsp;</div>
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of Project Gutenberg's Sielanka: An Idyll, by Henryk Sienkiewicz
+
+*** END OF THIS PROJECT GUTENBERG EBOOK SIELANKA: AN IDYLL ***
+
+***** This file should be named 29305-h.htm or 29305-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/2/9/3/0/29305/
+
+Produced by Barbara Tozier, Bill Tozier and the Online
+Distributed Proofreading Team at https://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
diff --git a/29305-h/images/illo1.png b/29305-h/images/illo1.png
new file mode 100644
index 0000000..9476282
--- /dev/null
+++ b/29305-h/images/illo1.png
Binary files differ
diff --git a/29305.txt b/29305.txt
new file mode 100644
index 0000000..a784926
--- /dev/null
+++ b/29305.txt
@@ -0,0 +1,1932 @@
+The Project Gutenberg EBook of Sielanka: An Idyll, by Henryk Sienkiewicz
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Sielanka: An Idyll
+
+Author: Henryk Sienkiewicz
+
+Translator: Vatslaf A. Hlasko
+ Thos. H. Bullick
+
+Release Date: July 4, 2009 [EBook #29305]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK SIELANKA: AN IDYLL ***
+
+
+
+
+Produced by Barbara Tozier, Bill Tozier and the Online
+Distributed Proofreading Team at https://www.pgdp.net
+
+
+
+
+
+SIELANKA
+
+_An Idyll_
+
+
+BY
+
+
+HENRYK SIENKIEWICZ
+
+
+TRANSLATED BY
+
+VATSLAF A. HLASKO and THOS. H. BULLICK
+
+
+R. F. FENNO & COMPANY : 9 AND 11 EAST
+SIXTEENTH STREET : : NEW YORK CITY
+1898
+
+
+
+
+Copyright, 1897
+
+BY
+
+R. F. FENNO & COMPANY
+
+
+
+
+SIELANKA.
+
+_An Idyll._
+
+
+In the woods, in the deep woods, was an open glade in which stood the
+house of the forester Stephan. The house was built of logs packed with
+moss, and the roof was thatched with straw; hard by the house stood
+two outbuildings; in front of it was a piece of fenced-in ground, and
+an old well with a long, crooked sweep; the water in the well was
+covered with a green vegetation at the edges.
+
+Opposite the windows grew sunflowers and wild hollyhocks, high,
+stately, and covered with blossoms as if with a swarm of gorgeous
+butterflies; between the sunflowers there peeped the red heads of the
+poppy; around the hollyhocks entwined sweet peas with pink blossoms
+and morning-glories; close to the ground grew nasturtiums, marigolds,
+primroses, and asters, pale because they were shaded from the sunlight
+by the leaves of the hollyhocks and sunflowers.
+
+The fenced ground on either side of the pathway leading to the house
+was planted with vegetables--carrots, beets, and cabbage; further off
+in a separate fenced-in lot there waved with each breath of wind the
+tender blue flower of the flax; still beyond could be seen the dark
+green of the potato patch; the rest of the clearing was checkered with
+the variegated shades of the different cereals that ran to the edge of
+the lake which touched the glade on one side.
+
+Near to the house a few trees were growing. Some were cherry trees,
+and one was a birch, with long, slender branches which swayed in the
+wind, and with every breeze its leaves touched the dilapidated
+moss-covered straw thatch of the roof; when the stronger gusts of wind
+bent its boughs to the wall, and pressed its twigs and the waves of
+leaves against the roof, it would seem as if the tree loved the house
+and embraced it.
+
+In this tree the sparrows made their home; the rustling of the leaves
+and twigs commingled with the chirp and joyous noise of the birds; in
+the eaves of the house the doves had built their nests, and the place
+was filled with their speech, cooing and calling to each other,
+entreating and discussing as is customary between doves, these noisy
+and talkative people.
+
+At times it happened that they were startled by some unknown cause;
+then around the house was heard a loud flapping, the air was filled
+with the whirl of wings and a multitude of white-feathered breasts;
+you could hear tumult, noise and excited cries--the whole flock flew
+out suddenly, circled round the house, now near, now far off.
+Sometimes they melted in the blue, sometimes their white feathers
+reflected the sunlight, again they hung over the house, undulating in
+the air, and alighting at last like a downfall of snowflakes on the
+gray straw of the roof.
+
+If this occurred in the rosy morning or in the splendor of the red
+setting sun, then in the glory of the air these doves were not white,
+but tinted pink, and settled on the roof and birch tree as flames or
+scattered rose leaves.
+
+At twilight, when the sun had hidden itself beyond the woods, this
+cooing under the roof and chirping in the birch tree became gradually
+quiet. The sparrows and the doves shook the dew from their wings and
+prepared to sleep; sometimes one of them gave voice once more, but
+more rarely, more softly, more drowsily, and then all was silent--the
+dusk was falling from the heavens upon the earth. The house, cherry
+trees, and birch were losing their form, mingling together, melting,
+and veiled in a mist which rose from the lake.
+
+Around the glade, as far as the eye could reach, there stretched the
+wall of dark pine trees and thick undergrowth. This wall was broken in
+one place by a wide dividing line, which reached to the edge of the
+lake. The lake was a very large one, the opposite side was nearly lost
+to view, and in the mist could be hardly discerned the red roof and
+steeple of a church, and the black line of the woods closing the
+horizon beyond the church.
+
+The pines were looking from the high sandy banks upon their reflection
+in the lake as if in a mirror, and it seemed as if there was another
+forest in the water; and when the trees were swaying on the earth they
+were also swaying in the water, and when they quivered on the earth
+they seemed to quiver in the water; as they stood in the still air
+motionless, then every needle of the pines was painted distinctly on
+the smooth, unruffled surface, and the straight trunks of the trees
+standing like rows of pillars reaching afar off into infinity. In the
+middle of the lake the water in the daytime reflected the sun, and in
+the morning and the evening the glories of its rising and its setting;
+at night the moon and stars; and it seemed to be as deep as the dome
+of the sky above us is high, beyond the sun, moon, and stars.
+
+In the house dwelt the forester, named Stephan, and his daughter,
+Kasya, a maiden of sixteen. Kasya was the light of the household, as
+bright and fresh as the morning. She was brought up in great innocence
+and in the fear of God. Her uncle, who was now dead, and who was a
+poor but devout man, the organist of the neighboring church, had
+taught her to read her prayer book, and her education was perfected by
+her communing with nature. The bees taught her to work, the doves
+taught her purity, the happy sparrows to speak joyfully to her father,
+the quiet water taught her peace, the serenity of the sky taught her
+contemplation, the matin-bell of the distant church called her to
+devotion, and the universal good in all nature, which reflected the
+love of God, sank deep into her soul.
+
+Therefore the father and Kasya led a peaceful and happy life,
+surrounded by the silence and solitude of the woods.
+
+One noon, before Ascension Day, Stephan came home to his dinner. He
+had visited a large tract of the forest, so he arrived weary, having
+returned through the thickets of the swamp. Kasya placed the dinner on
+the table, and after they had finished and she had fed the dog and
+washed the dishes, she said:
+
+"Papa."
+
+"What is it?"
+
+"I shall go into the woods."
+
+"Go, go," adding jestingly, "and let some wolf or wild beast devour
+you."
+
+"I shall go and gather herbs. To-morrow is Ascension Day and they will
+be needed in the church."
+
+"If so, you can go."
+
+She covered her head with a yellow kerchief embroidered with blue
+flowers, and looking for her basket she began singing:
+
+ "The falcon came flying, the falcon came grey."
+
+The old man began to grumble: "If you were as fond of working as you
+are of singing."
+
+Kasya, who was standing on her tiptoes to look on a shelf, turned her
+head to her father, laughed merrily, and showing her white teeth, sang
+again as if to tease him:
+
+ "He hoots in the woods and the cuckoo's his prey."
+
+"You would be glad yourself to be a cuckoo until a falcon came," said
+the old man. "Perhaps 'tis falcon who is at the turpentine works? but
+this is folly. You can't earn a piece of bread by singing."
+
+Kasya again sang:
+
+ "Hoot not thou, my falcon, unhappy thy quest,
+ In the depths of the lake thy cuckoo doth rest."
+
+Then she said:
+
+"Wilt thou decorate the room with the evergreens for to-morrow? I
+shall return in time to milk the cows, but they should be brought from
+the pasture."
+
+She found her basket, kissed her father, and went out. Old Stephan got
+his unfinished fishing-net, and seated himself on a bench outside the
+door. He gathered his twine, and half-closing one eye he tried to
+thread his netting needle; after several attempts he succeeded and
+began to work.
+
+From time to time he watched Kasya. She was walking on the left side
+of the lake; against the background of the sandy banks she stood out
+in relief as if in a picture. Her white waist and red striped skirt
+and yellow kerchief glistened in the sunlight like a variegated
+flower. Though it was spring the heat was unbearable. After she had
+gone about half a mile she turned aside and disappeared into the
+woods. The afternoon hours were hot in the sun, but in the shade of
+the trees it was quite cool. Kasya pressed forward, suddenly stopped,
+smiled, and blushed like a rose.
+
+In front of her in the pathway stood a youth about eighteen years of
+age.
+
+This youth was the turpentine worker, from the edge of the woods, who
+was now on his way to visit Stephan.
+
+"The Lord be praised!" said he.
+
+"Forever and ever," answered she, and in her confusion she covered her
+face with her apron, peeping shyly out of a corner of it and smiling
+at her companion.
+
+"Kasya," said he.
+
+"What is it, John?"
+
+"Is your father at home?"
+
+"He is."
+
+The turpentine worker, poor fellow, perhaps desired to speak of
+something else beside the father, but somehow he was frightened and
+unconsciously inquired for him; then he became silent and waited for
+Kasya to speak to him first. She stood confused, twisting the corners
+of her apron.
+
+At last she spoke.
+
+"John?"
+
+"What is it, Kasya?"
+
+"Does the turpentine works smoke to-day?" She also wished to speak of
+something else.
+
+"Why should it not? The turpentine works never stop. I left lame Frank
+there; but dost thou wish to go there?"
+
+"No, I go to gather plants."
+
+"I will go with thee, and on our return, if thou dost not chase me
+away, I will come to thy house."
+
+"Why should I chase thee away?"
+
+"If thou dost like me thou wilt not chase me away, and if thou dost
+not, then thou wilt. Tell me, Kasya, dost thou like me?"
+
+"Fate, my fate," and Kasya covered her face with her hands. "What can
+I say to thee? I like thee, John, very much I like thee," she
+whispered faintly.
+
+Then before he could reply she uncovered her blushing face and cried
+out, "Let us go and gather plants; let us hurry."
+
+And so went they, John and Kasya. The radiance of love surrounded
+them, but these simple children of nature dared not speak of it. They
+felt it, although they knew not what they felt; they were embarrassed
+but happy. Never before had the forest sung so wonderfully over their
+heads, never was the wind so sweet and caressing, never at any time
+had the noises of the forest, the rustling of the breeze in the trees,
+the voices of the birds, the echoes of the woods, seemed to merge into
+such an angelic choir, so sweet and grand, as at this moment, full of
+unconscious happiness.
+
+Oh, holy power of love! how good an angel of light thou art, how rosy
+an aureole in the dusk, how bright a rainbow on the cloud of human
+tears!
+
+Meanwhile, in the woods resounded echoes from pine to pine, the
+barking of the dog, Burek, who had escaped from the house and ran on
+the pathway after Kasya. He came panting heavily, and with great joy
+he jumped with his big paws on Kasya and John, and looked from one to
+the other with his wise and mild eyes, as if wishing to say:
+
+"I see that you love one another; this is good."
+
+He wagged his tail and ran quickly ahead of them, then circled round
+to them, then stopped, barked once more with joy, and rushed into the
+woods, looking back from time to time on the boy and girl.
+
+Kasya put her hand to her forehead, and looking upward upon the bright
+sun between the leaves she said:
+
+"Just think, the sun is two hours beyond noontime and we have not yet
+gathered any plants. Go thou, John, to the left side and I shall go
+the right, and let us begin. We should hasten, for the dear Lord's
+sake."
+
+They separated and went into the woods, but not far from one another
+and in a parallel direction, so that they could see each other. Among
+the ferns between the pine trees could be seen fluttering the
+vari-colored skirt and yellow kerchief of Kasya. The slender, supple
+maiden seemed to float amid the berry-laden bushes, mosses and ferns.
+You would say it was some fairy _wila_ or _rusalka_ of the woods;
+every moment she stooped and stood erect again, and so, further and
+further, passing the pine trees, she entered deeper into the forest as
+some spritely nymph.
+
+Sometimes the thick growth of young hemlocks and cedars would conceal
+her from view, then John stopped, and putting his hand to his mouth
+would shout, "Halloo! Halloo!"
+
+Kasya heard it; she stopped with a smile, and pretending that she did
+not see him, answered in a high, silvery voice:
+
+"John!"
+
+The echo answers:
+
+"John! John!"
+
+Meanwhile Burek had espied a squirrel up a tree, and, standing before
+it looking upward, barked. The squirrel sitting on a branch covered
+herself with her tail in a mocking manner, lifted her forepaws to her
+mouth and rubbed her nose, seemed to play with her forefingers, make
+grimaces, and laugh at the anger of Burek. Kasya, seeing it, laughed
+with a resounding, silvery tone, and so did John, and so the woods
+were filled with the sound of human voices, echoes, laughter and sunny
+joy.
+
+Sometimes there was a deep silence, and then the woods seemed to
+speak; the breeze struck the fronds of the ferns, which emitted a
+sharp sound; the trunks of the pines swayed and creaked, and there was
+silence again.
+
+Then could be heard the measured strokes of the woodpecker. It seemed
+as if some one kept knock--knocking at a door, and you could even
+expect that some mysterious voice would ask:
+
+"Who is there?"
+
+Again, the wood thrush was whistling with a sweet voice; the
+golden-crowned hammer plumed his feathers. In the thicket the
+pheasants clucked and the bright green humming birds flitted between
+the leaves; sometimes on the top of the pine tree a crow, hiding
+itself from the heat of the sun, lazily flapped its wings.
+
+On this afternoon the weather was most clear, the sky was cloudless,
+and above the green canopy of the leaves there spread out the blue
+dome of the heavens--immense, limitless, transparently gray-tinted on
+the sides and deep blue above. In the sky stood the great golden sun;
+the space was flooded with light; the air was bright and serene, and
+far-off objects stood out distinctly, their forms clearly defined.
+From the height of heaven the eye of the great Creator embraced the
+whole earth; in the fields the grain bowed to Him with a golden wave,
+rustled the heavy heads of the wheat, and the delicate tasseled oats
+trembled like a cluster of tiny bells. In the air, filled with
+brightness here and there, floated the spring thread of the spider's
+web, blue from the azure of the sky and golden from the sun, as if a
+veritable thread from the loom of the Mother of God.
+
+In the vales between the fields of the waving grain stood dark-green
+meadows; here and there were crystal springs, around whose edges the
+grass was greener still; the whole meadows were sprinkled with yellow
+buttercups and dandelions which struck the eye with a profusion of
+golden brightness. In the wet places there thrived cypress trees,
+which had an air of coldness and moisture.
+
+In the woods among the pine trees there were now both heat and
+silence. It seemed as if a dreamy stillness enveloped the whole world.
+Not a breath of wind stirred; the trees, grain, and grass were
+motionless. The leaves hung on the trees as if rocked to sleep; the
+birds had ceased their noises, and the moment of rest had come. But
+this rest seemed to come from an ineffable sweetness, and all nature
+seemed to meditate. Only the great expanse of heaven seemed to smile,
+and somewhere, high in the unknowable depths of its blue, the great
+and beneficent God was glad with the gladness of the fields, the
+woods, the meadows, and the waters.
+
+Kasya and John were still busy in the woods collecting herbs, laughing
+gleefully and speaking to each other joyfully. Man is as artless as a
+bird; he will sing when he can, for this is his nature. John now began
+to sing a simple and touching song.
+
+As Kasya and John sang in unison the last refrain of the song ended
+mournfully, and as if in accompaniment the echo repeated it in the
+dark depths of the woods; the pines gave resonance as the words ran
+between their trunks and died away in the far distance like a sigh,
+less distinct, light, ethereal; then silence.
+
+Later Kasya sang a more cheerful song, beginning with the words:
+
+ "I shall become a ring of gold now."
+
+This is a good song. A willful young girl quarrels with her lover and
+enumerates the means she intends to use to escape from him. But it is
+useless. When she says that she will be a golden ring and will roll
+away on the road, he says that he will quickly see and recover her.
+When she wants to be a golden fish in the water he sings to her of the
+silken net; when she wants to be a wild fowl on the lake he appears
+before her as a hunter. At last the poor maiden, seeing she is unable
+to hide herself from him on the earth, sings:
+
+ "I shall become a star in heaven,
+ Light to earth by will be given.
+ My love to thee I shall not render,
+ Nor my sweet will to thee surrender."
+
+But the undaunted youth answers:
+
+ "Then shall I pray to the saint's grace
+ That the star may fall from its heavenly place.
+ Thy love to me thou then wilt render,
+ And thy sweet will to me surrender."
+
+The maiden, seeing there is no refuge either in heaven or on earth for
+her, accepts the view of Providence and sings:
+
+ "I see, I see, fate's decree doth bind me;
+ Where'er I hide, thou sure wilt find me.
+ My love to thee I must now render,
+ And my sweet will to thee surrender."
+
+John, turning to Kasya, said:
+
+"Do you understand?"
+
+"What, John?"
+
+He began to sing:
+
+ "Thy love to me thou must now render,
+ And thy sweet will to me surrender."
+
+Kasya was troubled, and laughed loudly to cover her confusion; and
+wishing to speak, she said:
+
+"I have gathered a large lot of plants; it would be well to dip them
+in water, for in this heat they will wither."
+
+Verily the heat was great; the wind had entirely ceased. In the woods,
+though in the shade, the air vibrated with moist heat, the pines
+exuding a strong, resinous odor. The delicate, golden-tinted face of
+Kasya was touched with perspiration, and her blue eyes showed traces
+of weariness. She removed the kerchief from her head, and began to fan
+herself. John, taking the basket from her, said:
+
+"Here, Kasya, stand two aspen trees, and between them a spring. Come,
+let us drink."
+
+Both went. After a short interval they noticed that the ground of the
+forest began to slope here. Among the trees, instead of bushes, ferns
+and dry mosses, there was a green, damp turf, then one aspen tree,
+then another, and after them whole rows. They entered into this dark,
+humid retreat, where the rays of the sun, passing through the leaves,
+took on their color and reflected on the human face a pale green
+light. John and Kasya descended lower and lower into the shadows and
+dampness; a chilliness breathed upon them, refreshing after the heat
+of the woods; and in a moment, between the rows of the aspen trees,
+they espied in the black turf a deep stream of water winding its way
+under and through canes and bushy thickets, and interspersed with the
+large, round leaves of the water-lilies, which we call "_nenufars_,"
+and by the peasants are called "white flowers."
+
+Beautiful was this spot, quiet, secluded, shady, even somewhat sombre
+and solemn. The transparent stream of water wound its way between the
+trees. The _nenufars_, touched by the light movement of the water,
+swayed gently backward and forward, leaning toward each other as if
+kissing. Above their broad leaves, lying like shields on the surface
+of the water, swarmed indigo-colored insects with wide, translucent,
+sibilant wings, so delicate and fragile that they are justly called
+water-sprites. Black butterflies, with white-edged, mournful wings,
+rested on the sharp, slender tops of the tamarack. On the dark turf
+blossomed blue forget-me-nots. On the edge of the stream grew some
+alder trees, and under the bushes peeped out heads of the
+lily-of-the-valley, bluebells and honeysuckles. The white heads of the
+_biedrzenica_ hung over the waters; the silvery threads of the
+_strojka_ spread out upon the current of the stream and weaved
+themselves into thin and long strands; besides--seclusion--a wild
+spot, forgotten by men, peaceful, peopled only with the world of
+birds, flowers and insects.
+
+In such places generally dwell nymphs, _rusalki_, and other bad or
+good forest sprites. Kasya, who was in advance, stood first on the
+banks of the stream and looked upon the water in which was reflected
+her graceful form. She verily appeared as one of those beautiful
+forest spirits as they are seen sometimes by the woodsmen or lumber
+men who float on their rafts down the rivers through the woods. She
+had no covering upon her head, and the wind gently played with her
+locks and ruffled her ray-like hair. Sunburned she was, blond-haired,
+and her eyes, as blue as turquoise, were as laughing as her lips.
+Besides, she was a divinely tall, slender, and fairy-like maiden. No
+one could swear, if she was suddenly startled, that she would not jump
+into the water--would not dissolve into mist--into rainbow rays--would
+not turn quickly into a water-lily or _kalina_ tree, which, when
+robbed of its flowers, remonstrates with a voice so human, yet
+recalling the sigh of the forest:
+
+"Don't touch me."
+
+Kasya, bending over the water so that her tresses fell on her
+shoulders, turned toward John and said:
+
+"How shall we drink?"
+
+"As birds," answered John, pointing to some silver pheasants on the
+opposite side of the stream.
+
+John, who knew how to help himself better than the birds, plucked a
+large leaf from a tree, and, making a funnel out of it, filled it with
+water and gave it to Kasya.
+
+They both drank, then Kasya gathered some forget-me-nots, and John
+with his knife made a flute from the willow bark, on which, when he
+had finished, he began to play the air which the shepherds play in the
+eventide on the meadows. The soft notes floated away with ineffable
+tenderness in this secluded spot. Shortly he removed the flute and
+listened intently as if to catch an echo returning from the aspen
+trees, and it seemed that the clear stream, the dark aspen trees, and
+the birds hidden in the canes listened to these notes with him.
+
+All became silent, but shortly, as if in answer--as if a
+challenge--came the first faint note of the nightingale, followed by a
+stronger trill. The nightingale wanted to sing--it challenged the
+flute.
+
+Now he began to sing. All nature was listening to this divine singer.
+The lilies lifted their heads above the water; the forget-me-nots
+pressed closer together; the canes ceased to rustle; no bird dared to
+peep except an unwise and absent-minded cuckoo, who with her silent
+wing alighted near by on a dry bough, lifted her head, widely opened
+her beak, and foolishly called aloud:
+
+"Cuckoo! cuckoo!"
+
+Afterward it seemed as if she was ashamed of her outbreak, and she
+quietly subsided.
+
+Vainly Kasya, who stood on the edge of the stream with the
+forget-me-nots in her hand, turned to the side from whence came the
+voice of the cuckoo and queried:
+
+"Cuckoo, blue-gray cuckoo, how long shall I live?"
+
+The cuckoo answered not.
+
+"Cuckoo, shall I be rich?"
+
+The cuckoo was silent.
+
+Then John: "Cuckoo, gray cuckoo, how soon will I wed?"
+
+The cuckoo replied not.
+
+"She cares not to answer us," said John; "let us return to the
+forest."
+
+On returning they found the large stone by which they had placed the
+basket and bunches of herbs. Kasya, seating herself beside it, began
+to weave garlands, and John helped her. Burek lay near them, stretched
+his hairy forepaws, lolled out his tongue and breathed heavily from
+fatigue, looking carefully around to see if he could not spy some
+living thing to chase and enjoy his own noise. But everything in the
+woods was quiet. The sun was traveling toward the west, and through
+the leaves and the needles of the pines shot his rays, becoming more
+and more red, covering the ground of the woods in places with great
+golden circles. The air was dry; in the west were spreading great
+shafts of golden light, which flooded all like an ocean of molten gold
+and amber. The wondrous beauties of the peaceful, warm spring evening
+were glowing in the sky. In the woods the daily work was gradually
+ceasing. The noise of the woodpecker had stopped; black and bronzed
+ants returned in rows to their hills, which were red in the rays of
+the setting sun. Some carried in their mouths pine needles and some
+insects. Among the herbs here and there circled small forest bees,
+humming joyfully as they completed their last load of the sweet
+flower-dust. From the fissures in the bark of the trees came gloomy
+and blind millers; in the streams of the golden light circled swarms
+of midgets and gnats scarcely visible to the eye; mosquitoes began
+their mournful song. On the trees the birds were choosing their places
+for the night; a yellow bird was softly whistling; the crows flapped
+their wings, crowding all on one tree and quarreling about the best
+places. But these voices were more and more rare, and became fainter;
+gradually all ceased, and the silence was interrupted by the evening
+breeze playing among the trees. The poplar tree tried to lift her
+bluish-green leaves upward; the king-oak murmured softly; the leaves
+of the birch tree slightly moved--silence.
+
+Now the sky became more red; in the east the horizon became dark blue,
+and all the voices of the woods merged into a chorus, solemn, deep and
+immense. Thus the forest sings its evening song of praise, and says
+its prayers before it sleeps; tree speaks to tree of the glory of God,
+and you would say that it spoke with a human voice.
+
+Only very innocent souls understand this great and blessed speech.
+Only very innocent hearts hear and understand when the first chorus of
+the parent oaks begins its strain:
+
+"Rejoice, O sister pines, and be glad. The Lord hath given a warm and
+peaceful day, and now above the earth He makes the starry night. Great
+is the Lord, and mighty, powerful and good is He, so let there be
+glory to Him upon the heights, upon the waters, upon the lands, and
+upon the air."
+
+And the pines pondered a moment upon the words of the oaks, and then
+they raised their voices together, saying:
+
+"Now, O Lord, to thy great glory, we, as censers, offer to Thee the
+incense of our sweet-smelling balsam, strong, resinous and fragrant.
+'Our Father, who art in heaven, hallowed be Thy Name.'"
+
+Then the birches said:
+
+"Thy evening brightness illumines the heavens, O Lord! and in Thy
+splendors our small leaves golden are and burning. Now with our golden
+leaves we sing to Thee, O Lord, and our delicate twigs play as the
+strings of the harp, O good Father of ours!"
+
+Again the sorrowing cypress said:
+
+"Upon our sad foreheads, exhausted with the heat, softly falls the
+evening dew. Praise be to Thee, O Lord; brothers and sisters rejoice,
+because there falls the cooling dew."
+
+Amid this chorus of trees the aspen alone trembles and is afraid; for
+it gave the wood for the Cross of the Saviour of the world; at times
+it faintly groans:
+
+"O Lord, have mercy upon me. Have mercy upon me, O Lord."
+
+Again, sometimes, when the oaks and pines cease for a moment, there
+rises from under their feet a faint, modest voice, low as the murmur
+of insects, silent as silence itself, which says:
+
+"A small berry am I, O Lord, and hidden in the moss. But Thou wilt
+hear, discern and love me; though small, devout am I, and sing Thy
+glory."
+
+Thus every evening prays the forest, and these orchestral sounds rise
+at every sunset from earth to heaven--and float high, high, reaching
+where there is no creature, where there is nothing only the silvery
+dust and the milky way of the stars, and above the stars--God.
+
+At this moment the sun hides his radiant head in the far-distant seas;
+the farmer turns upward his plowshares and hastens to his cottage.
+From the pastures return the bellowing herds; the sheep raise clouds
+of the golden dust. The twilight falls; in the village creek the well
+sweeps; later the windows shine, and from the distance comes the
+barking of the dogs.
+
+The sun had not gone beyond the woods when Kasya had seated herself
+under the mossy stone to weave her garlands. Its rays were thrown upon
+her face, broken by the shadows of the leaves and twigs. The work did
+not proceed rapidly, for Kasya was tired from heat and running in the
+woods. Her sunburnt hands moved slowly at her work. The warm breeze
+kissed her temples and face, and the voices of the forest lulled her
+to sleep. Her large eyes became heavy and drowsy; her eyelashes began
+to close slowly; she leaned her head against the stone, opened her
+eyes once more as a child looking upon the divine beauty of the world;
+then the noise of the trees, the rows of the stumps, the ground full
+of pine needles, and the skies that could be seen between the branches
+all became indistinct, darkened, dissolved, disappeared--and she
+smiled and slept. Her head was hidden in a soft shade, but the
+covering of her breast shone all rosy and purple. Her soft breathing
+lifted her bosom gently; so wonderful and beautiful she looked in this
+quiet sleep in the evening rays that John looked upon her as if upon
+the image of a saint, glorious with gold, and colored as the rainbow.
+
+Kasya's hands were clinging yet to the unfinished garland of herbs.
+She slept with a sleep light and sweet, for she smiled through her
+dreams as a child who speaks with the angels. Perhaps she verily
+conversed with angels, for pure she was as a child, and had dedicated
+her whole day to the service of God by gathering and weaving the
+garlands for His temple.
+
+John was sitting by her side, but he did not sleep. His simple breast
+could not contain the feelings that arose there; he felt as if his
+soul had got wings and was preparing to fly away to the realms of
+heaven. He knew not what was happening to him, and he only raised his
+eyes to the skies and was motionless; you would say that love had
+transfigured him.
+
+Kasya slumbered on, and for a long time they both remained there.
+Meanwhile the dusk came. The remnants of the purple light fought with
+the darkness. The interior of the woods deepened--became dumb. From
+the canes of the lake near the glade with its cottage came the buzzing
+of a night beetle.
+
+Suddenly on the other side of the lake from the church rang out the
+Angelus bell. Its tones floated on the wings of the evening breeze
+over the face of the quiet waters, clear, resonant, and distinct. It
+called the faithful to prayer, and also proclaimed: "Rest! Enough of
+work and the heat of the day," spoke the bell. "Wrap yourself to sleep
+in the wing of God. Come, come ye weary to Him--in Him is joy! Here is
+peace! here gladness! here sleep! here sleep! here sleep!"
+
+John took off his hat at the sound of the bell, Kasya shook the sleep
+from her eyes, and said:
+
+"The bell rings."
+
+"For the Angel of the Lord."
+
+Both kneeled near by the mossy stone as if before an altar. Kasya
+began to pray with a low, soft voice:
+
+"The Angel of the Lord declared unto Mary,"
+
+"And she conceived by the Holy Ghost," answered John.
+
+"Behold the handmaiden of the Lord; may it be done to me according to
+Thy word."
+
+ * * * * *
+
+Thus kneeling, prayed these children of God. The silent summer
+lightning shone from the east to the west, and upon its light flew
+down from heaven a radiant host of winged angels, and hovered above
+their heads. Then they blended with the angels and were themselves as
+if angels, for upon earth there were no two souls more bright, more
+pure, more innocent.
+
+
+
+
+ORSO.
+
+
+The last days of autumn in Anaheim, a town situated in Southern
+California, are days of joy and celebration. The grape gathering is
+finished and the town is crowded with the vineyard hands. There is
+nothing more picturesque than the sight of these people, composed
+partly of a sprinkling of Mexicans, but mainly of Cahuilla Indians,
+who come from the wild mountains of San Bernardino to earn some money
+by gathering grapes. They scatter through the streets and market
+places, called lolas, where they sleep in tents or under the roof of
+the sky, which is always clear at this time of the year. This
+beautiful city, surrounded with its growths of eucalyptus, olive,
+castor, and pepper trees, is filled with the noisy confusion of a
+fair, which strangely contrasts with the deep and solemn silence of
+the plains, covered with cacti, just beyond the vineyards. In the
+evening, when the sun hides his radiant head in the depths of the
+ocean, and upon the rosy sky are seen in its light the equally
+rosy-tinted wings of the wild geese, ducks, pelicans and cranes,
+descending by the thousands from the mountains to the ocean, then in
+the town the lights are lit and the evening amusements begin. The
+negro minstrels play on bones, and by the campfires can be heard the
+picking of the banjo; the Mexicans dance on an out-spread poncha their
+favorite bolero; Indians join in the dance, holding in their teeth
+long white sticks of kiotte, or beating time with their hands, and
+exclaiming, "E viva;" the fires, fed with redwood, crackle as they
+blaze, sending up clouds of bright sparks, and by its reflection can
+be seen the dancing figures, and around them the local settlers with
+their comely wives and sisters watching the scene.
+
+The day on which the juice from the last bunch of grapes is trampled
+out by the feet of the Indians is generally celebrated by the advent
+of Hirsch's Circus, from Los Angeles. The proprietor of the circus is
+a German, and besides owns a menagerie composed of monkeys, jaguars,
+pumas, African lions, one elephant, and several parrots, childish with
+age--"_The greatest attraction of the world._" The Cahuilla will give
+his last peso, if he has not spent it on drink, to see not only wild
+animals--for these abound in the San Bernardino Mountains--but to see
+the circus girls, athletes, clowns, and all its wonders, which seem to
+him as "a great medicine"--that is, magical feats, impossible of
+accomplishment except by the aid of supernatural powers.
+
+Mr. Hirsch, the proprietor of the circus, would be very angry with any
+one who would dare to say that his circus only attracted Mexicans,
+Indians, and Chinese. Certainly not; the arrival of the circus brings
+hither not only the people of the town and vicinity, but even those of
+the neighboring towns of Westminster, Orange, and Los Nietos. Orange
+Street is crowded with buggies and wagons of divers shapes, so that it
+is difficult to get through. The whole world of settlers come as one
+man. Young, bright girls, with their hair prettily banged over their
+eyes, sitting on the front seats, drive some of these vehicles, and
+gracefully upset passing pedestrians, chatter and show their white
+teeth; the Spanish senoritas from Los Nietos cover you with their
+warm, ardent glances from under their lace mantillas; the married
+women from the country, dressed in their latest and best fashions,
+lean with pride on the arms of the sunburned farmers, who are dressed
+in old hats, jean pants, and flannel shirts, fastened with hook and
+eye, and without neckties.
+
+All these people meet and greet each other, gossip, and the women
+inspect with critical eye the dresses of their neighbors, to see if
+they are "very fashionable."
+
+Among the buggies are some covered with flowers, which look like huge
+bouquets; the young men, mounted on mustangs, bend from their high
+Mexican saddles and peer under the hats of the young girls; the
+half-wild horses, frightened by the noise and confusion, look here and
+there with their bloodshot eyes, curvet, rear, and try to unseat their
+riders, but the cool riders seem to pay no attention to them.
+
+They all speak of "the greatest attraction," which was about to excel
+everything that had been seen before. Truly the flaming posters
+announced genuine wonders. The proprietor, Hirsch, that renowned
+"artist of the whip," will in the arena give a contest with a fierce,
+untamed African lion. The lion, according to the programme, springs
+upon the proprietor, whose only defense is his whip. This simple
+weapon in his hands (according to the programme) will change itself
+into a fiery sword and shield. The end of this whip will sting as a
+rattlesnake, flash as lightning, shoot as a thunderbolt, and keep at a
+proper distance the enraged monster, who vainly roars and tries to
+jump on the artist. This is not the end yet: sixteen-year-old Orso, an
+"American Hercules," born of a white father and Indian mother, will
+carry around six people, three on each shoulder; besides this, the
+management offers one hundred dollars to any man, regardless of color,
+who can throw Orso in a wrestling match. A rumor arose in Anaheim that
+from the mountains of San Bernardino comes for this purpose the
+"Grizzly Killer," a hunter who was celebrated for his bravery and
+strength, and who, since California was settled, was the first man who
+attacked these great bears single-handed and armed only with a knife.
+It is the probable victory of the "Grizzly Killer" over the
+sixteen-year-old athlete of the circus that highly excites the minds
+of the males of Anaheim, because if Orso, who until now, from the
+Atlantic to the Pacific, had overthrown the strongest Americans, will
+be defeated, great glory will cover all California. The feminine minds
+are not less excited by the following number of the programme: Orso
+will carry, on a pole thirty feet high, a small fairy, the "Wonder of
+the World," of which the poster says that she is the most beautiful
+girl that ever lived on this earth since the beginning of the
+"Christian Era." Though she is only thirteen years of age, the
+management also offers one hundred dollars to every maiden, "without
+regard to color of skin," who will dare to compete and wrest the palm
+of beauty from this "Aerial Angel." The maidens of Anaheim, both great
+and small, make grimaces on reading this, and say that it would not be
+ladylike to enter such a contest. Nevertheless they gladly surrender
+the comfort of their rocking chairs rather than miss the show and the
+chance of seeing their childish rival, in whose beauty, in comparison
+with the sisters Bimpa, for instance, none of them believed. The two
+sisters Bimpa, the elder Refugio, and the younger Mercedes, sitting
+gracefully in a handsome buggy, are now reading the posters; their
+faces show no trace of emotion, though they feel that the eyes of
+Anaheim are on them, as if supplicating them to save the honor of the
+whole county, and with a patriotic pride, founded upon the conviction
+that there is none more beautiful than these two California flowers in
+all the mountains and canyons of the whole world. Oh, beautiful indeed
+are the sisters Refugio and Mercedes! Not in vain does the pure
+Castilian blood flow in their veins, to which their mother constantly
+refers, showing her disdain for all colored races, as well as for the
+Americans.
+
+The figures of the sisters are slender, subtle, and full of mysterious
+grace, quiet, and so luxurious that they greatly impress all young men
+who come near them. From Donnas Refugio and Mercedes exhales a charm
+as the fragrance from the magnolia and the lily. Their faces are
+delicate, complexions transparent with a slight rosy tint, as if
+illumed with the dawn; the eyes dark and dreamy, sweet, innocent, and
+tender in their glances. Wrapped in muslin rebosos, they sit in their
+buggy adorned with flowers, pure and innocent, unconscious of their
+own beauty. Anaheim looked upon them, devoured them with its eyes, was
+proud of them, and loved them. Who then is this "Jenny," that can win
+victory over these? "Truly," the _Saturday Review_ wrote, "when little
+Jenny had climbed to the top of the mast, resting on the powerful
+shoulders of Orso, and from this eminence, suspended above the earth,
+in danger of death, she outstretched her arms and poised like a
+butterfly, the circus became silent and all eyes and hearts followed
+with trembling the movements of this wonderful child. That he who saw
+her on the mast or on a horse," concluded the _Saturday Review_, "will
+never forget her, because the greatest painter in the world, even Mr.
+Harvey, of San Francisco, who decorated the Palace Hotel, could paint
+nothing equal to it."
+
+The youths of Anaheim who were enamored by the Misses Bimpa were
+skeptical of this, and affirmed that it was a "humbug," but this
+question will be settled in the evening. Meanwhile, the commotion
+around the circus is increasing each moment. From among the long, low
+wooden buildings surrounding the canvas circus there comes the roar of
+the lions and elephant; the parrots, fastened to rings hanging to the
+huts, fill the air with their cries and whistles; the monkeys swing
+suspended by their tails or mock the public, who are kept at a
+distance by a rope fence. At last, from the main inclosure the
+procession emerges for the purpose of whetting and astonishing the
+curiosity of the public to a greater extent. The procession is headed
+by a gaudy band-wagon, drawn by six prancing horses with fine harness,
+and feathers on their heads. The riders on the saddles are in the
+costume of French postilions. On the other wagons come cages of lions,
+and in every cage is seated a lady with an olive branch in her hand.
+Then follows an elephant, covered with a carpet, and a tower on its
+back, which contains several men arrayed as East Indian hunters. The
+band is playing, the drums are beating, the lions are roaring, the
+whips are cracking; in a word, this cavalcade moves forward with great
+noise and uproar. But this is not all: behind the elephant there
+follows a machine on wheels, with a locomotive pipe, somewhat
+resembling an organ, which, blown by steam, emits the most discordant
+yells and whistles intended for the national "Yankee Doodle." The
+Americans cry "Hurrah!" the Germans, "Hoch!" the Mexicans, "E viva!"
+and the Cahuillas howl for joy.
+
+The crowds follow the procession, the place around the circus becomes
+deserted, the parrots cease their chatter, and the monkeys their
+gymnastics. But "the greatest attractions" do not take part in the
+procession. The "incomparable artist of the whip," the manager, the
+"unconquerable Orso," and the "Aerial Angel, Jenny," are all absent.
+All this is preserved for the evening so as to attract the crowds.
+
+The manager is somewhere in one of the wooden buildings, or looks into
+the ticket seller's van, where he pretends to be angry. Orso and Jenny
+are in the ring practicing some of their feats. Under its canvas roof
+reigns dust and silence. In the distance, where the seats are
+arranged, it is totally dark; the greatest part of the light falls
+through the roof on the ring, with its sand and sawdust covering. With
+the help of the gray light which filters through the canvas can be
+seen a horse standing near the parapet. The big horse feels very
+lonely, whisks the flies with his tail, and often sways his head.
+Gradually the eye, becoming accustomed to the dim light, discerns
+other objects--for instance: the mast upon which Orso carries Jenny,
+the hoops pasted with paper for her to jump through. All these lie on
+the ground without order, and the half-lighted arena and nearly dark
+benches give an impression of a deserted building with battened
+windows. The terrace of seats, only here and there broken with a stray
+glimmer of light, look like ruins. The horse, standing with drooping
+head, does not enliven the picture.
+
+Where are Orso and Jenny? One of the rays of light that stream through
+an aperture of the canvas, in which floats the golden dust, falls on a
+row of distant seats. This body of light, undulating with the swaying
+canvas, at last falls upon a group composed of Orso and Jenny.
+
+Orso sits on top of the bench, and near to him is Jenny. Her beautiful
+childish face leans against the arm of the athlete and her hand rests
+on his neck. The eyes of the girl are lifted upward, as if listening
+intently to the words of her companion, who bends over her, moving his
+head at times, apparently explaining something.
+
+Leaning as they are against each other, you might take them for a pair
+of lovers, but for the fact that the girl's uplifted eyes express
+strong attention and intense thought, rather than any romantic
+feeling, and that her legs, which are covered with pink fleshings, and
+her feet in slippers, sway to and fro with a childish abandon. Her
+figure has just begun to blossom into maidenhood. In everything Jenny
+is still a child, but so charming and beautiful that, without
+reflecting upon the ability of Mr. Harvey, who decorated the Palace
+Hotel, of San Francisco, it would be difficult even for him to imagine
+anything to equal her. Her delicate face is simply angelic; her large,
+sad blue eyes have a deep, sweet and confiding expression; her dark
+eyebrows are penciled with unequaled purity on her forehead, white and
+reposeful as if in deep thought, and the bright, silky hair, somewhat
+tossed, throws a shadow on it, of which, not only Master Harvey, but a
+certain other painter, named Rembrandt, would not have been ashamed.
+The girl at once reminds you of Cinderella and Gretchen, and the
+leaning posture which she now maintains suggests timidity and the need
+of protection.
+
+Her posture, which strongly reminds you of those of Greuz, contrasts
+strangely with her circus attire, composed of a short, white muslin
+skirt, embroidered with small silver stars, and pink tights. Sitting
+in a golden beam of light with the dark, deep background, she looks
+like some sunny and transparent vision, and her slender form contrasts
+with the square and sturdy figure of the youth.
+
+Orso, who is dressed in pink tights, appears from afar as if he were
+naked, and the same ray of light distinctly reveals his immense
+shoulders, rounded chest, small waist, and legs too short in
+proportion to the trunk.
+
+His powerful form seems as if it were hewn out with an ax. He has all
+the features of a circus athlete, but so magnified that they make him
+noticeable; besides, his face is not handsome. Sometimes, when he
+raises his head, you can see his face, the lines of which are regular,
+perhaps too regular, and somewhat rigid, as if carved from marble. The
+low forehead, with the hair falling on it, like the mane of a horse,
+straight and black, inherited from his squaw mother, gives to his face
+a gloomy and threatening expression. He has a similarity to both the
+bull and the bear, and he personifies a terrible and somewhat evil
+force. He is not of a good disposition.
+
+When Jenny passes by the horses, those gentle creatures turn their
+heads and look at her with intelligent eyes, and neigh and whinny, as
+if wishing to say: "How do you do, darling?" while at the sight of
+Orso they shudder with fear. He is a reticent and gloomy youth. Mr.
+Hirsch's negroes, who are his hostlers, clowns, minstrels, and
+rope-walkers, do not like Orso and tease him as much as they dare, and
+because he is half-Indian they think nothing of him, and plague and
+mock him. Truly, the manager, who offers the hundred dollars to any
+one who can defeat him, does not risk much; he dislikes and fears him,
+as the tamer of the wild animals fears a lion, and whips him on the
+slightest provocation.
+
+Mr. Hirsch feels that, if he does not keep the youth in subjection by
+constantly beating him, he will be beaten himself, and he follows the
+principle of the Creole woman, who considered beating a punishment,
+and no beating a reward.
+
+Such was Orso. Recently he began to be less sullen, because little
+Jenny had a good influence over him. It happened about a year ago that
+when Orso, who was then the attendant of the wild animals, was
+cleaning the cage of the puma, the beast put its paws through the bars
+of the cage and wounded his head severely. Then he entered the cage,
+and after a terrible fight between them, he alone remained alive. But
+he was so badly hurt that he fainted from loss of blood. He was ill a
+long time, which was greatly aggravated by a severe whipping which the
+manager gave him for breaking the spine of the puma.
+
+When he was ill Jenny took great care of him, and dressed his wounds,
+and when she had leisure, read the Bible to him. That is a "good book"
+which speaks of love, of forgiveness, of mercy--in a word, of things
+that are never mentioned in Mr. Hirsch's circus. Orso, listening to
+this book, pondered long in his Indian head and at last came to the
+conclusion that if it would be as good in the circus as in this book,
+perhaps he would not be so bad. He thought also that then he would not
+be beaten so often, and some one would be found who would love him.
+But who? Not negroes and not Mr. Hirsch; little Jenny, whose voice
+sounded as sweetly in his ears as the voice of the mavis, might be the
+one.
+
+One evening, under the influence of this thought, he began to weep and
+kiss the small hands of Jenny, and from this time on he loved her very
+much. During the performance in the evening, when Jenny was riding a
+horse, he was always in the ring and carefully watching over her to
+prevent any accident. When he held the paper hoops for her to jump
+through he smiled on her; when to the sound of the music be balanced
+her on the top of the high mast, and the audience was hushed with
+fright, he felt uneasy himself. He knew very well if she should fall
+that no one from the "good book" would be left in the circus; he never
+removed his eyes from her, and the evident caution and anxiety
+expressed in his movements added to the terror of the people. Then,
+when recalled into the ring by the storm of applause, they would run
+in together, he would push her forward, as if deserving of all the
+praise, and murmur from joy. This reticent youth spoke only to Jenny,
+and to her alone he opened his mind. He hated the circus and Mr.
+Hirsch, who was entirely different from the people in the "good book."
+Something always attracted him to the edge of the horizon, to the
+woods and plains. When the circus troupe in their constant wanderings
+chanced to pass through wild, lonely spots, he heard voices awakening
+the instincts of a captive wolf, who sees the woods and plains for the
+first time. This propensity he inherited not only from his mother, but
+also from his father, who had been a frontiersman. He shared all his
+hopes with Jenny, and often narrated to her how fully and untrammeled
+live the people of the plains. Most of this he guessed or gleaned from
+the hunters of the prairies, who came to the circus with wild animals
+which they had captured for the menagerie, or to try their prowess for
+the hundred-dollar prize.
+
+Little Jenny listened to these Indian visions, opening widely her blue
+eyes and falling into deep reveries. For Orso never spoke of going
+alone to the desert; she was always with him, and it was very good for
+them there. Every day they saw something new; they possessed all they
+needed, and it seemed right to make all their plans carefully.
+
+So now they sit in this beam of light, talking to each other, instead
+of practicing and attempting new feats. The horse stands in the ring
+and feels lonely. Jenny leans on Orso's arm, thoughtfully
+contemplating and looking with wistful, wondering eyes into the dim
+space, swinging her feet like a child and musing--how it will be on
+the plains, and asking questions from Orso.
+
+"How do they live there?" says she, raising her eyes to the face of
+her friend.
+
+"There is plenty of oaks. They take an ax and build a house."
+
+"Well," says Jenny, "but until the house is built?"
+
+"It is always warm there. The 'Grizzly Killer' says it is very warm."
+
+Jenny begins to swing her feet more lively, as if the warmth there has
+settled the question in her mind; but shortly she remembers that she
+has in the circus a dog and a cat, and that she would like to take
+them with her. She calls her dog Mister Dog and her cat Mister Cat.
+
+"And will Mr. Dog and Mr. Cat go with us?"
+
+"They will," answers Orso, looking pleased.
+
+"Will we take with us the 'good book'?"
+
+"We will," says Orso, still more pleased.
+
+"Well," says the girl in her innocence, "Mr. Cat will catch birds for
+us; Mr. Dog will drive away bad people with his bark; you will be my
+husband and I will be your wife, and they will be our children."
+
+Orso feels so happy that he cannot speak, and Jenny continues:
+
+"There, there will be no Mr. Hirsch, no circus, we will not work, and
+basta! But no!" she adds a moment later, "the 'good book' says that we
+should work, and I sometimes will jump through one--through the two
+hoops, the three, the four hoops."
+
+Jenny evidently does not imagine work under any other form than
+jumping through hoops.
+
+Shortly she says again:
+
+"Orso, will I indeed be always with you?"
+
+"Yes, Jen, for I love you very much."
+
+His face brightens as he says so, and becomes almost beautiful.
+
+And yet he does not know himself how dear to him has become this small
+bright head.
+
+He has nothing else in this world but her, and he watches her as the
+faithful dog guards his mistress. By her fragile side he looks like
+Hercules, but he is unconscious of this.
+
+"Jen," says he after a moment, "listen to what I tell you."
+
+Jenny, who shortly before had got up to look at the horse, now turns
+and, kneeling down before Orso, puts her two elbows on his knees,
+crosses her arms and, resting her chin on her wrists, uplifts her face
+and is all attention.
+
+At this moment, to the consternation of the children, the "artist of
+the whip" enters the ring in a very bad humor, because his trial with
+a lion had entirely failed.
+
+This lion, who was bald from old age, desired only to be let alone,
+had no inclination to attack the "artist," and hid himself from the
+lash of the whip in a far corner of the cage. The manager thought with
+despair that if this loyal disposition remained with the lion until
+the evening the contest with the whip would be a failure; for to fight
+a lion who slinks away needs no more art than to eat a lobster from
+his tail. The bad temper of the proprietor became still worse when he
+learned from the ticket seller that he was disposing of no seats in
+the "gods;" that the Cahuillas evidently had spent all their money
+that they had earned in the vineyards for drinks, and that they came
+to his window and offered their blankets, marked "U. S.," or their
+wives, especially the old ones, in exchange for tickets of admission.
+The lack of money among the Cahuillas was no small loss for the
+"artist of the whip;" for he counted on a "crowded house," and if the
+seats in the "gods" were not sold no "crowded house" was obtainable;
+therefore the manager wished at this moment that all the Indians had
+but one back, and that he might give an exhibition of his skill with
+the whip on that one back, in the presence of all Anaheim. Thus he
+felt as he entered the ring, and seeing the horse standing idle under
+the parapet, he felt like jumping with anger. Where are Orso and
+Jenny? Shading his eyes with his hand he looked all around the circus,
+and observed in a bright beam, Orso, and Jenny kneeling before him
+with her elbows resting on his knees. At this sight he let the lash of
+his whip trail on the ground.
+
+"Orso!"
+
+If lightning had struck in the midst of the children they could not
+have been more startled. Orso jumped to his feet and descended in the
+passageway between the benches with the hasty movement of an animal
+who comes to his master at his call; behind him followed Jenny with
+eyes wide open from fright, and clutching the benches as she passed
+them.
+
+Orso, on entering the ring, stopped by the parapet, gloomy and silent,
+the gray light from above bringing into relief his Herculean trunk
+upon its short legs.
+
+"Nearer," cried out the manager in a hoarse voice; meanwhile the lash
+of his long whip moved upon the sand with a threatening motion, like
+the tail of a tiger watching his approaching prey.
+
+Orso advanced several steps, and for a few minutes they looked into
+each other's eyes. The manager's face resembled that of the tamer who
+enters the cage, intending to subdue a dangerous animal, and at the
+same time watches it.
+
+His rage overcame his caution. His legs, incased in elk riding
+breeches and high boots, pranced under him with anger. Perhaps it was
+not the idleness alone of the children which increased his rage.
+Jenny, from above, looked at both of them like a frightened hare
+watching two lynxes.
+
+"Hoodlum! dog catcher, thou cur!" hissed the manager.
+
+The whip with the velocity of lightning whistled through the air in a
+circle, hissed and struck. Orso winced and howled a little, and
+stepped toward the manager, but the second stroke stopped him at once,
+then the third, fourth--tenth. The contest had begun, although there
+was no audience. The uplifted hand of the "great artist" scarcely
+moved, but his wrist revolved, as if a part of some machinery, and,
+with each revolution, the sharp point of the lash stung the skin of
+Orso. It seemed as if the whip, or rather its poisonous fang, filled
+the whole space between the athlete and the manager, who in his
+increasing excitement reached the genuine enthusiasm of the artist.
+The "master" simply improvised. The cracking end flashing in the air
+twice had written down its bloody trace on the bare neck of the
+athlete. Orso was silent in this dance. At every cut he stepped one
+step forward and the manager one step backward. In this way they
+circled the arena, and at last the manager backed out of the ring as a
+conqueror from the cage, and disappeared through the entrance to the
+stables, still as the conqueror. As he left his eye fell on Jenny.
+
+"Get on your horse," he cried; "I will settle with you later."
+
+His voice had scarcely ceased before her white skirt flashed in the
+air, and in a moment she was on the back of the horse. The manager had
+disappeared, and the horse began to gallop around the ring,
+occasionally striking the side with its hoofs.
+
+"Hep! Hep!" agitatedly said Jenny to the horse with her childish
+voice: "Hep! hep!" but this "hep, hep," was at the same time a sob.
+The horse increased his speed, clattering with his hoofs as he leaned
+more and more to the center. The girl, standing on the pad with her
+feet close together, seemed scarcely to touch it with the ends of her
+toes; her bare rosy arms rose and fell as she maintained her balance;
+her hair and light muslin dress floated behind her supple figure,
+which looked like a bird circling in the air.
+
+"Hep! hep!" she kept exclaiming. Meanwhile her eyes were filled with
+tears, and to see she had to raise her head; the movement of the horse
+made her dizzy; the terrace of seats and the ring seemed to revolve
+around her; she wavered once, twice, and then fell down into the arms
+of Orso.
+
+"Oh! Orso, poor Orso!" cried the child.
+
+"What's the matter, Jen? why do you cry? I don't feel the pain, I
+don't feel it."
+
+Jenny threw both her arms around his neck and began to kiss his
+cheeks. Her whole body trembled, and she sobbed convulsively.
+
+"Orso, oh, Orso," she sobbed, for she could not speak, and her arms
+clung closer to his neck. She could not have cried more if she had
+been beaten herself. So, in the end, he began to pet and console her.
+Forgetting his own pain he took her in his arms and pressed her to his
+heart, and his nerves being excited by the beating, he now felt for
+the first time that he loved her more than the dog loved his mistress.
+He breathed heavily, and his lips panted out the words:
+
+"I feel no pain. When you are with me, I am happy, Jenny, Jenny!"
+
+When this was transpiring the manager was walking in the stables,
+foaming with rage. His heart was filled with jealousy. He saw the girl
+on her knees before Orso; recently this beautiful child had awakened
+the lower instincts in him, but as yet undeveloped, and now he fancied
+that she and Orso loved each other, and he felt revengeful, and had a
+wild desire to punish her--to whip her soundly. This desire he could
+not resist. Shortly he called to her.
+
+She at once left Orso, and in a moment had disappeared in the dark
+entrance to the stables. Orso stood stupefied, and instead of
+following her he walked with unsteady steps to a bench, and, seating
+himself, began to breathe heavily.
+
+When the girl entered the stables she could see nothing, as it was
+much darker there than in the ring. Yet, fearing that she would be
+suspected of having delayed her coming, she cried out in a faint
+voice:
+
+"I am here, master, I am here."
+
+At the same moment the hand of the manager caught hers, and he
+hoarsely said:
+
+"Come!"
+
+If he had shown anger or badly scolded her she would have felt less
+frightened than at this silence with which he led her to the circus
+wardrobe. She hung back, resisting him, and repeating quickly:
+
+"Oh, dear Mr. Hirsch, forgive me! forgive me!"
+
+But forcibly he dragged her to the long room where they stored their
+costumes, and turned the key in the door.
+
+Jenny fell down on her knees. With uplifted eyes and folded hands,
+trembling as a leaf, the tears streaming down her cheeks, she tried to
+arouse his mercy; in answer to her supplications, he took from the
+wall a wire whip, and said:
+
+"Lie down."
+
+With despair she flung herself at his feet, nearly dying from fright.
+Every nerve of her body quivered; but vainly she pressed her pallid
+lips to his polished boots. Her alarm and pleading seemed to arouse
+the demon in him more than ever. Grasping her roughly, he threw her
+violently on a heap of dresses, and in an instant, after trying to
+stop the kicking of her feet, he began beating her cruelly.
+
+"Orso! Orso!" she shouted.
+
+About this moment the door shook on its hinges, rattled, creaked and
+gave way, and half of it, pushed in with a tremendous force, fell with
+a crash upon the ground.
+
+In this opening stood Orso.
+
+The wire whip fell from the hand of the manager, and his face became
+deadly pale, because Orso looked ferocious. His eyes were bloodshot,
+his lips covered with foam, his head inclined to one side like a
+bull's, and his whole body was crouched and gathered, as if ready to
+spring.
+
+"Get out!" cried the manager, trying to hide his fear behind a show of
+authority.
+
+The pent-up dam was already broken. Orso, who was usually as obedient
+to every motion as a dog, this time did not move, but leaning his head
+still more to one side, he moved slowly and threateningly toward the
+"artist of the whip," his iron muscles taut as whipcords.
+
+"Help! help!" cried the manager.
+
+They heard him.
+
+Four brawny negroes from the stables ran in through the broken door
+and fell upon Orso. A terrible fight ensued, upon which the manager
+looked with chattering teeth. For a long time you could see nothing
+but a tangled mass of dark bodies wrestling with convulsive movements,
+rolling on the ground in a writhing heap; in the silence which
+followed sometimes was heard a groan, a snort, loud short breathing,
+the gritting of teeth.
+
+In a moment one of the negroes, as if by a superhuman force, was sent
+from this formless mass, whirling headlong through the air, and fell
+at the feet of the manager, striking his skull with great force on the
+ground; soon a second flew out; then from the center of this turbulent
+group Orso's body alone arose, covered with blood and looking more
+terrible than before. His knees were still pressing heavily on the
+breasts of the two fainting negroes. He arose to his feet and moved
+toward the manager.
+
+Hirsch closed his eyes.
+
+The next moment he felt that his feet had left the ground, that he was
+flying through the air--then he felt nothing; his whole body was
+dashed with monstrous force into the remaining half of the door, and
+he fell to the earth unconscious.
+
+Orso wiped his face, and, coming over to Jenny, said:
+
+"Let us go."
+
+He took her by the hand and they went.
+
+The whole town was following the circus procession and the steam
+calliope, playing "Yankee Doodle," and the place around the circus was
+deserted. The parrots only, swinging in their hoops, filled the air
+with their cries. Hand in hand, Orso and Jenny went forward; from the
+end of the street could be seen the immense plains, covered with
+cacti. Silently they passed by the houses, shaded by the eucalyptus
+trees; then they passed the slaughter-houses, around which had
+gathered thousands of small black birds with red-tipped wings. They
+jumped over the large irrigation ditches, entered into an orange
+grove, and on emerging from it found themselves among the cacti.
+
+This was the desert.
+
+As far as the eye could reach these prickly plants rose higher and
+higher; thick leaves growing from other leaves obstructed the path,
+sometimes catching on Jenny's dress. In places they grew to such a
+great height that the children seemed to be as much lost here as if
+they were in the woods, and no one could find them there. So they kept
+threading their way through them, now to the right and then to the
+left, but careful always to go from the town. Sometimes between the
+cacti they could see on the horizon the blue mountains of Santa Ana.
+They went to the mountains. The heat was great. Gray-colored locusts
+chirped in the cacti; the sun's rays poured down upon the earth in
+streams; the dried-up earth was covered with a network of cracks; the
+stiff leaves of the cacti seemed to soften from the heat, and the
+flowers were languid and half-wilted. The children proceeded, silent
+and thoughtful. But all that surrounded them was so new that they
+surrendered themselves to their impressions, and for the moment forgot
+even their weariness. Jenny's eyes ran from one bunch of cacti to
+another; again she looked to the farther clusters, saying to her
+friend:
+
+"Is this the wilderness, Orso?"
+
+But the desert did not appear to be deserted. From the farther clumps
+came the calling of the male quail, and around sounded the different
+murmurs of clucking, of twittering, of the ruffling of feathers: in a
+word, the divers voices of the small inhabitants of the plains.
+Sometimes there flew up a whole covey of quail; the gaudy-topped
+pheasants scattered on their approach; the black squirrels dived into
+their holes; the rabbits disappeared in all directions; the gophers
+were sitting on their hind legs beside their holes, looking like fat
+German farmers standing in their doorway.
+
+After resting an hour the children proceeded on their journey. Jenny
+soon felt thirsty. Orso, in whom had awakened his Indian inventive
+faculties, began to pluck cactus fruits. They were in abundance, and
+grew together with the flowers on the same leaves. In plucking them
+they pricked their fingers with the sharp points, but the fruit was
+luscious. Their sweet and acid flavor quenched at once their thirst
+and appeased their hunger. The prairies fed the children as a mother;
+thus strengthened they could proceed further. The cacti arose higher,
+and you could say that they grew on the head of one another. The
+ground on which they walked ascended gradually and continuously.
+Looking backward once more they saw Anaheim, dissolving in the
+distance and looking like a grove of trees upon the low plains. Not a
+trace of the circus could be distinguished. They still pressed
+steadily onward to the mountains, which now became more distinct in
+the distance. The surroundings assumed another phase. Between the
+cacti appeared different bushes and even trees; the wooded portion of
+the foothills of Santa Ana had commenced. Orso broke one of the
+saplings, and, clearing off its branches, made a cudgel of it, which,
+in his hands, would prove a terrible weapon. His Indian instincts
+whispered to him that in the mountains it was better to be provided,
+even with a stick, than to go unarmed, especially now that the sun had
+lowered itself into the west. Its great fiery shield had rolled down
+far beyond Anaheim, into the blue ocean. After a while it disappeared,
+and in the west there gleamed red, golden, and orange lights, similar
+to ribbons and gauzy veils, stretched over the whole sky. The
+mountains uplifted themselves in this glow; the cacti assumed
+different fantastical shapes, resembling people and animals. Jenny
+felt tired and sleepy, but they still hastened to the mountains,
+although they knew not why. Soon they saw rocks, and on reaching them
+they discovered a stream; they drank some water and continued along
+its course. The rocks, which were at first broken and scattered, then
+changed into a solid wall, which became higher and higher, and soon
+they entered into a canyon.
+
+The rosy lights died away; deeper and deeper dusk enveloped the earth.
+In places immense vines reached from one side of the canyon to the
+other, covering it like a roof, and making it dark and uncanny. On the
+mountain side, above them, could be heard the voices of the swaying
+and creaking forest trees. Orso implied that now they were in the
+depths of the wilderness, where certainly there were many wild
+animals. From time to time his ear detected suspicious sounds, and
+when night fell he distinctly heard the hoarse mewing of the lynxes,
+the roar of the pumas, and the melancholy howling of the coyotes.
+
+"Are you afraid, Jen?" asked Orso.
+
+"No," replied the girl.
+
+But she was already very tired, and could proceed no farther, so Orso
+took her in his arms and carried her. He went forward with the hope
+that he would reach the house of some squatter, or should meet some
+Mexican campers. Once or twice it seemed to him that he saw the gleam
+of some wild animal's eyes. Then with one hand he pressed Jenny, who
+had now fallen asleep, to his breast, and with the other he grasped
+his stick. He was very tired himself; notwithstanding his great
+strength Jenny began to prove heavy to him, especially as he carried
+her on his left arm; the right one he wished to have free for defense.
+Occasionally he stopped to regain his breath and then continued on.
+Suddenly he paused and listened intently. It seemed to him as if he
+heard the echoes of the small bells which the settlers tie for the
+night to the neck of their cows and goats. Rushing forward, he soon
+reached a bend in the stream. The sound of the bells became more
+distinct, and joined with them in the distance was heard the barking
+of a dog. Then Orso was sure that he was nearing some settlement. It
+was high time that he did, for he was exhausted by the events of the
+day, and his strength had begun to fail him. On turning another bend
+he saw a light; as he moved forward his quick eyes discerned a
+campfire, a dog, evidently tied to a stump, tearing and barking, and
+at last the figure of a man seated by the fire.
+
+"God send that this may be a man from the 'good book'!" thought he.
+
+Then he resolved to awaken Jenny.
+
+"Jen!" called he, "awake, we shall eat."
+
+"What is it?" asked the girl; "where are we?"
+
+"In the wilderness."
+
+She was now wide awake.
+
+"What light is that?"
+
+"A man lives there; we shall eat."
+
+Poor Orso was very hungry.
+
+Meanwhile they were nearing the fire. The dog barked more violently,
+and the old man, sitting by the fire, shaded his eyes and peered into
+the gloom. Shortly he said:
+
+"Who is there?"
+
+"It is us," answered Jenny in her delicate voice, "and we are very
+hungry."
+
+"Come nearer," said the old man.
+
+Emerging from behind a great rock, which had partly concealed them,
+they both stood in the light of the fire, holding each other's hands.
+The old man looked at them with astonishment, and involuntarily
+exclaimed:
+
+"What is that?"
+
+For he saw a sight which, in the sparsely populated mountains of Santa
+Ana, would astonish any one. Orso and Jenny were dressed in their
+circus attire. The beautiful girl, clothed in pink tights and short
+white skirt, appearing so suddenly before him, looked in the firelight
+like some fairy sylph. Behind her stood the youth with his powerful
+figure, covered also with pink fleshings, through which you could see
+his muscles standing out like knots on the oak.
+
+The old squatter gazed at them with wide-open eyes.
+
+"Who are you?" he inquired.
+
+The girl, relying more on her own eloquence than on that of Orso,
+began to speak.
+
+"We are from the circus, kind sir! Mr. Hirsch beat Orso very much and
+then wanted to beat me, but Orso did not let him, and fought Mr.
+Hirsch and four negroes, and then we ran off on the plains, and went a
+long distance through the cacti, and Orso carried me; then we came
+here and are very hungry."
+
+The face of the old man softened and brightened as he listened to her
+story, and he looked with a fatherly interest on this charming child,
+who spoke with great haste, as if she wished to tell all in one
+breath.
+
+"What is your name, little one?" he asked.
+
+"Jenny."
+
+"Welcome, Jenny! and you, Orso! people rarely come here. Come to me,
+Jenny."
+
+Without hesitation the little girl put her arms around the neck of the
+old man and kissed him warmly. He appeared to her to be some one from
+the "good book."
+
+"Will Mr. Hirsch find us here?" she said, as she took her lips from
+his face.
+
+"If he comes he will find a bullet here," replied the old man; then
+added, "you said that you wanted to eat?"
+
+"Oh, yes, very much."
+
+The squatter, raking in the ashes of the fire, took out a fine leg of
+venison, the pleasant odor of which filled the air. Then they sat down
+to eat.
+
+The night was gorgeous; the moon came out high in the heavens above
+the canyon; in the thicket the mavis began to sing sweetly; the fire
+burned brightly, and Orso was so filled with joy that he chanted with
+gladness. Both he and the girl ate heartily. The old man had no
+appetite; he looked upon little Jenny, and, for some unknown cause,
+his eyes were filled with tears.
+
+Perhaps he had been once a father, or, perhaps, he so rarely saw
+people in these deserted mountains.
+
+ * * * * *
+
+Since then these three lived together.
+
+
+
+
+
+End of Project Gutenberg's Sielanka: An Idyll, by Henryk Sienkiewicz
+
+*** END OF THIS PROJECT GUTENBERG EBOOK SIELANKA: AN IDYLL ***
+
+***** This file should be named 29305.txt or 29305.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/2/9/3/0/29305/
+
+Produced by Barbara Tozier, Bill Tozier and the Online
+Distributed Proofreading Team at https://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/29305.zip b/29305.zip
new file mode 100644
index 0000000..4380809
--- /dev/null
+++ b/29305.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..d8576ac
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #29305 (https://www.gutenberg.org/ebooks/29305)