summaryrefslogtreecommitdiff
path: root/29159-h/29159-h.htm
diff options
context:
space:
mode:
Diffstat (limited to '29159-h/29159-h.htm')
-rw-r--r--29159-h/29159-h.htm1429
1 files changed, 1429 insertions, 0 deletions
diff --git a/29159-h/29159-h.htm b/29159-h/29159-h.htm
new file mode 100644
index 0000000..fe8eb8a
--- /dev/null
+++ b/29159-h/29159-h.htm
@@ -0,0 +1,1429 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+ <head>
+ <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" />
+ <meta http-equiv="Content-Style-Type" content="text/css" />
+ <title>
+ The Project Gutenberg eBook of Acid Bath, by Vaseleos Garson
+ </title>
+ <style type="text/css">
+
+ p {margin-top: .75em; text-align: justify; margin-bottom: .75em;}
+ h1,h2 {text-align: center; clear: both;}
+ h2 {font-weight: normal;}
+ hr {width: 45%; margin: 1em auto; clear: both; visibility: hidden;}
+ body {margin-left: 10%; margin-right: 10%;}
+ .bk1 {margin: 2em 20%;}
+ .figcenter {margin: 0 auto; width: 600px;}
+ .trn {border: solid 1px; margin: 3em 15%; padding: 1em; text-align: justify;}
+ img {border: none;}
+ p.cap:first-letter {float: left; margin-right: .05em; padding-top: .05em; font-size: 300%; line-height: .8em; width: auto;}
+ .dcap {text-transform: uppercase;}
+
+ </style>
+ </head>
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of Acid Bath, by Vaseleos Garson
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Acid Bath
+
+Author: Vaseleos Garson
+
+Illustrator: Herman Vestal
+
+Release Date: June 19, 2009 [EBook #29159]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK ACID BATH ***
+
+
+
+
+Produced by Greg Weeks, Stephen Blundell and the Online
+Distributed Proofreading Team at https://www.pgdp.net
+
+
+
+
+
+
+</pre>
+
+
+<div class="figcenter"><img src="images/001.png" width="600" height="463" alt="" title="" /></div>
+
+<h1><big>ACID BATH</big></h1>
+
+<h2>By VASELEOS GARSON</h2>
+
+<div class="bk1"><p><i><big><b>The starways' Lone Watcher had expected some odd developments
+in his singular, nerve-fraught job on the asteroid. But nothing like the
+weird twenty-one-day liquid test devised by the invading Steel-Blues.</b></big></i></p></div>
+
+<p class="cap"><span class="dcap">Jon Karyl</span> was bolting in a new baffle
+plate on the stationary rocket engine.
+It was a tedious job and took all his
+concentration. So he wasn't paying too much
+attention to what was going on in other
+parts of the little asteroid.</p>
+
+<p>He didn't see the peculiar blue space
+ship, its rockets throttled down, as it drifted
+to land only a few hundred yards away from
+his plastic igloo.</p>
+
+<p>Nor did he see the half-dozen steel-blue
+creatures slide out of the peculiar vessel's
+airlock.</p>
+
+<p>It was only as he crawled out of the
+depths of the rocket power plant that he
+realized something was wrong.</p>
+
+<p>By then it was almost too late. The six
+blue figures were only fifty feet away, approaching
+him at a lope.</p>
+
+<p>Jon Karyl took one look and went bounding
+over the asteroid's rocky slopes in fifty-foot
+bounds.</p>
+
+<p>When you're a Lone Watcher, and
+strangers catch you unawares, you don't
+stand still. You move fast. It's the Watcher's
+first rule. Stay alive. An Earthship may depend
+upon your life.</p>
+
+<p>As he fled, Jon Karyl cursed softly under
+his breath. The automatic alarm should have
+shrilled out a warning.</p>
+
+<p>Then he saved as much of his breath as
+he could as some sort of power wave tore
+up the rocky sward to his left. He twisted
+and zig-zagged in his flight, trying to get
+out of sight of the strangers.</p>
+
+<p>Once hidden from their eyes, he could cut
+back and head for the underground entrance
+to the service station.</p>
+
+<p>He glanced back finally.</p>
+
+<p>Two of the steel-blue creatures were jack-rabbiting
+after him, and rapidly closing the
+distance.</p>
+
+<p>Jon Karyl unsheathed the stubray pistol
+at his side, turned the oxygen dial up for
+greater exertion, increased the gravity pull
+in his space-suit boots as he neared the
+ravine he'd been racing for.</p>
+
+<p>The oxygen was just taking hold when
+he hit the lip of the ravine and began
+sprinting through its man-high bush-strewn
+course.</p>
+
+<p>The power ray from behind ripped out
+great gobs of the sheltering bushes. But
+running naturally, bent close to the bottom
+of the ravine, Jon Karyl dodged the bare
+spots. The oxygen made the tremendous
+exertion easy for his lungs as he sped down
+the dim trail, hidden from the two steel-blue
+stalkers.</p>
+
+<p>He'd eluded them, temporarily at least,
+Jon Karyl decided when he finally edged off
+the dim trail and watched for movement
+along the route behind him.</p>
+
+<p>He stood up, finally, pushed aside the
+leafy overhang of a bush and looked for
+landmarks along the edge of the ravine.</p>
+
+<p>He found one, a stubby bush, shaped like
+a Maltese cross, clinging to the lip of the
+ravine. The hidden entrance to the service
+station wasn't far off.</p>
+
+<p>His pistol held ready, he moved quietly
+on down the ravine until the old water
+course made an abrupt hairpin turn.</p>
+
+<p>Instead of following around the sharp
+bend, Jon Karyl moved straight ahead
+through the overhanging bushes until he
+came to a dense thicket. Dropping to his
+hands and knees he worked his way under
+the edge of the thicket into a hollowed-out
+space in the center.</p>
+
+<hr />
+
+<p class="cap"><span class="dcap">There</span>, just ahead of him, was the lock
+leading into the service station. Slipping
+a key out of a leg pouch on the space suit,
+he jabbed it into the center of the lock,
+opening the lever housing.</p>
+
+<p>He pulled strongly on the lever. With a
+hiss of escaping air, the lock swung open.
+Jon Karyl darted inside, the door closing
+softly behind.</p>
+
+<p>At the end of the long tunnel he stepped
+to the televisor which was fixed on the area
+surrounding the station.</p>
+
+<p>Jon Karyl saw none of the steel-blue creatures.
+But he saw their ship. It squatted
+like a smashed-down kid's top, its lock shut
+tight.</p>
+
+<p>He tuned the televisor to its widest range
+and finally spotted one of the Steel-Blues.
+He was looking into the stationary rocket
+engine.</p>
+
+<p>As Karyl watched, a second Steel-Blue
+came crawling out of the ship.</p>
+
+<p>The two Steel-Blues moved toward the
+center of the televisor range. They're coming
+toward the station, Karyl thought grimly.</p>
+
+<p>Karyl examined the two creatures. They
+were of the steel-blue color from the crown
+of their egg-shaped heads to the tips of
+their walking appendages.</p>
+
+<p>They were about the height of Karyl&mdash;six
+feet. But where he tapered from broad
+shoulders to flat hips, they were straight up
+and down. They had no legs, just appendages,
+many-jointed that stretched and
+shrank independent of the other, but keeping
+the cylindrical body with its four pairs
+of tentacles on a level balance.</p>
+
+<p>Where their eyes would have been was
+an elliptical-shaped lens, covering half the
+egg-head, with its converging ends curving
+around the sides of the head.</p>
+
+<p>Robots! Jon gauged immediately. But
+where were their masters?</p>
+
+<p>The Steel-Blues moved out of the range
+of the televisor. A minute later Jon heard
+a pounding from the station upstairs.</p>
+
+<p>He chuckled. They were like the wolf of
+pre-atomic days who huffed and puffed to
+blow the house down.</p>
+
+<p>The outer shell of the station was formed
+from stelrylite, the toughest metal in the
+solar system. With the self-sealing lock of
+the same resistant material, a mere pounding
+was nothing.</p>
+
+<p>Jon thought he'd have a look-see anyway.
+He went up the steel ladder leading to the
+station's power plant and the televisor that
+could look into every room within the
+station.</p>
+
+<p>He heaved a slight sigh when he reached
+the power room, for right at his hand were
+weapons to blast the ship from the asteroid.</p>
+
+<p>Jon adjusted one televisor to take in the
+lock to the station. His teeth suddenly
+clamped down on his lower lip.</p>
+
+<p>Those Steel-Blues were pounding holes
+into the stelrylite with round-headed metal
+clubs. But it was impossible. Stelrylite didn't
+break up that easily.</p>
+
+<p>Jon leaped to a row of studs, lining up
+the revolving turret which capped the station
+so that its thin fin pointed at the
+squat ship of the invaders.</p>
+
+<p>Then he went to the atomic cannon's
+firing buttons.</p>
+
+<p>He pressed first the yellow, then the blue
+button. Finally the red one.</p>
+
+<p>The thin fin&mdash;the cannon's sight&mdash;split in
+half as the turret opened and the coiled nose
+of the cannon protruded. There was a
+soundless flash. Then a sharp crack.</p>
+
+<p>Jon was dumbfounded when he saw the
+bolt ricochet off the ship. This was no ship
+of the solar system. There was nothing that
+could withstand even the slight jolt of power
+given by the station cannon on any of the
+Sun's worlds. But what was this? A piece of
+the ship had changed. A bubble of metal,
+like a huge drop of blue wax, dripped off
+the vessel and struck the rocket of the
+asteroid. It steamed and ran in rivulets.</p>
+
+<p>He pressed the red button again.</p>
+
+<p>Then abruptly he was on the floor of the
+power room, his legs strangely cut out from
+under him. He tried to move them. They lay
+flaccid. His arms seemed all right and tried
+to lever himself to an upright position.</p>
+
+<p>Damn it, he seemed as if he were paralyzed
+from the waist down. But it couldn't
+happen that suddenly.</p>
+
+<p>He turned his head.</p>
+
+<p>A Steel-Blue stood facing him. A forked
+tentacle held a square black box.</p>
+
+<p>Jon could read nothing in that metallic
+face. He said, voice muffled by the confines
+of the plastic helmet, "Who are you?"</p>
+
+<p>"I am"&mdash;there was a rising inflection in
+the answer&mdash;"a Steel-Blue."</p>
+
+<p>There were no lips on the Steel-Blue's
+face to move. "That is what I have named
+you," Jon Karyl said. "But what are you?"</p>
+
+<p>"A robot," came the immediate answer.
+Jon was quite sure then that the Steel-Blue
+was telepathic. "Yes," the Steel-Blue answered.
+"We talk in the language of the
+mind. Come!" he said peremptorily, motioning
+with the square black box.</p>
+
+<p>The paralysis left Karyl's legs. He followed
+the Steel-Blue, aware that the lens
+he'd seen on the creature's face had a
+counterpart on the back of the egg-head.</p>
+
+<p>Eyes in the back of his head, Jon thought.
+That's quite an innovation. "Thank you,"
+Steel-Blue said.</p>
+
+<p>There wasn't much fear in Jon Karyl's
+mind. Psychiatrists had proved that when he
+had applied for this high-paying but man-killing
+job as a Lone Watcher on the Solar
+System's starways.</p>
+
+<p>He had little fear now, only curiosity.
+These Steel-Blues didn't seem inimical.
+They could have snuffed out my life very
+simply. Perhaps they and Solarians can be
+friends.</p>
+
+<p>Steel-Blue chuckled.</p>
+
+<hr />
+
+<p class="cap"><span class="dcap">Jon</span> followed him through the sundered
+lock of the station. Karyl stopped for a
+moment to examine the wreckage of the
+lock. It had been punched full of holes as
+if it had been some soft cheese instead of a
+metal which Earthmen had spent nearly a
+century perfecting.</p>
+
+<p>"We appreciate your compliment," Steel-Blue
+said. "But that metal also is found on
+our world. It's probably the softest and most
+malleable we have. We were surprised you&mdash;earthmen,
+is it?&mdash;use it as protective
+metal."</p>
+
+<p>"Why are you in this system?" Jon asked,
+hardly expecting an answer.</p>
+
+<p>It came anyway. "For the same reason you
+Earthmen are reaching out farther into your
+system. We need living room. You have
+strategically placed planets for our use. We
+will use them."</p>
+
+<p>Jon sighed. For 400 years scientists had
+been preaching preparedness as Earth flung
+her ships into the reaches of the solar system,
+taking the first long step toward the
+conquest of space.</p>
+
+<p>There are other races somewhere, they
+argued. As strong and smart as man, many
+of them so transcending man in mental and
+inventive power that we must be prepared to
+strike the minute danger shows.</p>
+
+<p>Now here was the answer to the scientists'
+warning. Invasion by extra-terrestrials.</p>
+
+<p>"What did you say?" asked Steel-Blue.
+"I couldn't understand."</p>
+
+<p>"Just thinking to myself," Jon answered.
+It was a welcome surprise. Apparently his
+thoughts had to be directed outward, rather
+than inward, in order for the Steel-Blues to
+read it.</p>
+
+<p>He followed the Steel-Blue into the gaping
+lock of the invaders' space ship wondering
+how he could warn Earth. The Space
+Patrol cruiser was due in for refueling at
+his service station in 21 days. But by that
+time he probably would be mouldering in
+the rocky dust of the asteroid.</p>
+
+<p>It was pitch dark within the ship but the
+Steel-Blue seemed to have no trouble at all
+maneuvering through the maze of corridors.
+Jon followed him, attached to one tentacle.</p>
+
+<p>Finally Jon and his guide entered a circular
+room, bright with light streaming from
+a glass-like, bulging skylight. They apparently
+were near topside of the vessel.</p>
+
+<p>A Steel-Blue, more massive than his
+guide and with four more pair of tentacles,
+including two short ones that grew from the
+top of its head, spoke out.</p>
+
+<p>"This is the violator?" Jon's Steel-Blue
+nodded.</p>
+
+<p>"You know the penalty? Carry it out."</p>
+
+<p>"He also is an inhabitant of this system,"
+Jon's guide added.</p>
+
+<p>"Examine him first, then give him the
+death."</p>
+
+<p>Jon Karyl shrugged as he was led from
+the lighted room through more corridors.
+If it got too bad he still had the stubray
+pistol.</p>
+
+<p>Anyway, he was curious. He'd taken on
+the lonely, nerve-wracking job of service
+station attendant just to see what it offered.</p>
+
+<p>Here was a part of it, and it was certainly
+something new.</p>
+
+<p>"This is the examination room," his
+Steel-Blue said, almost contemptuously.</p>
+
+<p>A green effulgence surrounded him.</p>
+
+<hr />
+
+<p class="cap"><span class="dcap">There</span> was a hiss. Simultaneously, as the
+tiny microphone on the outside of his
+suit picked up the hiss, he felt a chill go
+through his body. Then it seemed as if a
+half dozen hands were inside him, examining
+his internal organs. His stomach contracted.
+He felt a squeeze on his heart. His
+lungs tickled.</p>
+
+<p>There were several more queer motions
+inside his body.</p>
+
+<p>Then another Steel-Blue voice said:</p>
+
+<p>"He is a soft-metal creature, made up of
+metals that melt at a very low temperature.
+He also contains a liquid whose makeup I
+cannot ascertain by ray-probe. Bring him
+back when the torture is done."</p>
+
+<p>Jon Karyl grinned a trifle wryly. What
+kind of torture could this be?</p>
+
+<p>Would it last 21 days? He glanced at the
+chronometer on his wrist.</p>
+
+<p>Jon's Steel-Blue led him out of the alien
+ship and halted expectantly just outside the
+ship's lock.</p>
+
+<p>Jon Karyl waited, too. He thought of the
+stubray pistol holstered at his hip. Shoot my
+way out? It'd be fun while it lasted. But he
+toted up the disadvantages.</p>
+
+<p>He either would have to find a hiding
+place on the asteroid, and if the Steel-Blues
+wanted him bad enough they could tear the
+whole place to pieces, or somehow get
+aboard the little life ship hidden in the
+service station.</p>
+
+<p>In that he would be just a sitting duck.</p>
+
+<p>He shrugged off the slight temptation to
+use the pistol. He was still curious.</p>
+
+<p>And he was interested in staying alive as
+long as possible. There was a remote chance
+he might warn the SP ship. Unconsciously,
+he glanced toward his belt to see the little
+power pack which, if under ideal conditions,
+could finger out fifty thousand miles into
+space.</p>
+
+<p>If he could somehow stay alive the 21
+days he might be able to warn the patrol.
+He couldn't do it by attempting to flee, for
+his life would be snuffed out immediately.</p>
+
+<p>The Steel-Blue said quietly:</p>
+
+<p>"It might be ironical to let you warn
+that SP ship you keep thinking about. But
+we know your weapon now. Already our
+ship is equipped with a force field designed
+especially to deflect your atomic guns."</p>
+
+<p>Jon Karyl covered up his thoughts
+quickly. They can delve deeper than the
+surface of the mind. Or wasn't I keeping a
+leash on my thoughts?</p>
+
+<p>The Steel-Blue chuckled. "You get&mdash;absent-minded,
+is it?&mdash;every once in a
+while."</p>
+
+<p>Just then four other Steel-Blues appeared
+lugging great sheets of plastic and various
+other equipment.</p>
+
+<p>They dumped their loads and began unbundling
+them.</p>
+
+<p>Working swiftly, they built a plastic
+igloo, smaller than the living room in the
+larger service station igloo. They ranged instruments
+inside&mdash;one of them Jon Karyl
+recognized as an air pump from within the
+station&mdash;and they laid out a pallet.</p>
+
+<p>When they were done Jon saw a miniature
+reproduction of the service station, lacking
+only the cannon cap and fin, and with clear
+plastic walls instead of the opaqueness of the
+other.</p>
+
+<p>His Steel-Blue said: "We have reproduced
+the atmosphere of your station so that you
+be watched while you undergo the torture
+under the normal conditions of your life."</p>
+
+<p>"What is this torture?" Jon Karyl asked.</p>
+
+<p>The answer was almost caressing: "It is
+a liquid we use to dissolve metals. It causes
+joints to harden if even so much as a drop
+remains on it long. It eats away the metal,
+leaving a scaly residue which crumbles
+eventually into dust.</p>
+
+<p>"We will dilute it with a harmless liquid
+for you since No. 1 does not wish you to die
+instantly.</p>
+
+<p>"Enter your"&mdash;the Steel-Blue hesitated&mdash;"mausoleum.
+You die in your own atmosphere.
+However, we took the liberty of purifying
+it. There were dangerous elements in
+it."</p>
+
+<p>Jon walked into the little igloo. The
+Steel-Blues sealed the lock, fingered dials
+and switches on the outside. Jon's space suit
+deflated. Pressure was building up in the
+igloo.</p>
+
+<p>He took a sample of the air, found that
+it was good, although quite rich in oxygen
+compared with what he'd been using in the
+service station and in his suit.</p>
+
+<p>With a sigh of relief he took off his helmet
+and gulped huge draughts of the air.</p>
+
+<p>He sat down on the pallet and waited
+for the torture to begin.</p>
+
+<p>The Steel Blues crowded about the igloo,
+staring at him through elliptical eyes.</p>
+
+<p>Apparently, they too, were waiting for the
+torture to begin.</p>
+
+<p>Jon thought the excess of oxygen was
+making him light-headed.</p>
+
+<p>He stared at a cylinder which was beginning
+to sprout tentacles from the circle.
+He rubbed his eyes and looked again. An
+opening, like the adjustable eye-piece of a
+spacescope, was appearing in the center of
+the cylinder.</p>
+
+<p>A square, glass-like tumbler sat in the
+opening disclosed in the four-foot cylinder
+that had sprouted tentacles. It contained a
+yellowish liquid.</p>
+
+<p>One of the tentacles reached into the
+opening and clasped the glass. The opening
+closed and the cylinder, propelled by locomotor
+appendages, moved toward Jon.</p>
+
+<p>He didn't like the looks of the liquid in
+the tumbler. It looked like an acid of some
+sort. He raised to his feet.</p>
+
+<p>He unsheathed the stubray gun and prepared
+to blast the cylinder.</p>
+
+<hr />
+
+<p class="cap"><span class="dcap">The</span> cylinder moved so fast Jon felt his
+eyes jump in his head. He brought the
+stubray gun up&mdash;but he was helpless. The
+pistol kept on going up. With a deft movement,
+one of the tentacles had speared it
+from his hand and was holding it out of
+his reach.</p>
+
+<p>Jon kicked at the glass in the cylinder's
+hand. But he was too slow. Two tentacles
+gripped the kicking leg. Another struck him
+in the chest, knocking him to the pallet. The
+same tentacle, assisted by a new one,
+pinioned his shoulders.</p>
+
+<p>Four tentacles held him supine. The cylinder
+lifted a glass-like cap from the tumbler
+of liquid.</p>
+
+<p>Lying there helplessly, Jon was remembering
+an old fairy tale he'd read as a kid.
+Something about a fellow named Socrates
+who was given a cup of hemlock to drink.
+It was the finis for Socrates. But the old
+hero had been nonchalant and calm about
+the whole thing.</p>
+
+<p>With a sigh, Jon Karyl, who was curious
+unto death, relaxed and said, "All right,
+bub, you don't have to force-feed me. I'll
+take it like a man."</p>
+
+<p>The cylinder apparently understood him,
+for it handed him the tumbler. It even reholstered
+his stubray pistol.</p>
+
+<p>Jon brought the glass of liquid under his
+nose. The fumes of the liquid were pungent.
+It brought tears to his eyes.</p>
+
+<p>He looked at the cylinder, then at the
+Steel-Blues crowding around the plastic
+igloo. He waved the glass at the audience.</p>
+
+<p>"To Earth, ever triumphant," he toasted.
+Then he drained the glass at a gulp.</p>
+
+<p>Its taste was bitter, and he felt hot
+prickles jab at his scalp. It was like eating
+very hot peppers. His eyes filled with tears.
+He coughed as the stuff went down.</p>
+
+<p>But he was still alive, he thought in
+amazement. He'd drunk the hemlock and
+was still alive.</p>
+
+<p>The reaction set in quickly. He hadn't
+known until then how tense he'd been. Now
+with the torture ordeal over, he relaxed. He
+laid down on the pallet and went to sleep.</p>
+
+<p>There was one lone Steel-Blue watching
+him when he rubbed the sleep out of his
+eyes and sat up.</p>
+
+<p>He vanished almost instantly. He, or another
+like him, returned immediately accompanied
+by a half-dozen others, including
+the multi-tentacled creature known as No. 1.</p>
+
+<p>One said,</p>
+
+<p>"You are alive." The thought registered
+amazement. "When you lost consciousness,
+we thought you had"&mdash;there was a hesitation&mdash;"as
+you say, died."</p>
+
+<p>"No," Jon Karyl said. "I didn't die. I
+was just plain dead-beat so I went to sleep."
+The Steel-Blues apparently didn't understand.</p>
+
+<p>"Good it is that you live. The torture
+will continue," spoke No. 1 before loping
+away.</p>
+
+<p>The cylinder business began again. This
+time, Jon drank the bitter liquid slowly, trying
+to figure out what it was. It had a
+familiar, tantalizing taste but he couldn't
+quite put a taste-finger on it.</p>
+
+<p>His belly said he was hungry. He glanced
+at his chronometer. Only 20 days left before
+the SP ship arrived.</p>
+
+<p>Would this torture&mdash;he chuckled&mdash;last
+until then? But he was growing more and
+more conscious that his belly was screaming
+for hunger. The liquid had taken the edge
+off his thirst.</p>
+
+<p>It was on the fifth day of his torture that
+Jon Karyl decided that he was going to get
+something to eat or perish in the attempt.</p>
+
+<p>The cylinder sat passively in its niche in
+the circle. A dozen Steel-Blues were watching
+as Jon put on his helmet and unsheathed
+his stubray.</p>
+
+<p>They merely watched as he pressed the
+stubray's firing stud. Invisible rays licked
+out of the bulbous muzzle of the pistol.
+The plastic splintered.</p>
+
+<p>Jon was out of his goldfish bowl and
+striding toward his own igloo adjacent to
+the service station when a Steel-Blue
+accosted him.</p>
+
+<p>"Out of my way," grunted Jon, waving
+the stubray. "I'm hungry."</p>
+
+<p>"I'm the first Steel-Blue you met," said
+the creature who barred his way. "Go back
+to your torture."</p>
+
+<p>"But I'm so hungry I'll chew off one of
+your tentacles and eat it without seasoning."</p>
+
+<p>"Eat?" The Steel-Blue sounded puzzled.</p>
+
+<p>"I want to refuel. I've got to have food
+to keep my engine going."</p>
+
+<p>Steel-Blue chuckled. "So the hemlock, as
+you call it, is beginning to affect you at
+last? Back to the torture room."</p>
+
+<p>"Like R-dust," Jon growled. He pressed
+the firing stud on the stubray gun. One of
+Steel-Blue's tentacles broke off and fell to
+the rocky sward.</p>
+
+<p>Steel-Blue jerked out the box he'd used
+once before. A tentacle danced over it.</p>
+
+<p>Abruptly Jon found himself standing on
+a pinnacle of rock. Steel-Blue had cut a
+swath around him 15 feet deep and five feet
+wide.</p>
+
+<p>"Back to the room," Steel-Blue commanded.</p>
+
+<p>Jon resheathed the stubray pistol,
+shrugged non-committally and leaped the
+trench. He walked slowly back and reentered
+the torture chamber.</p>
+
+<p>The Steel-Blues rapidly repaired the damage
+he'd done.</p>
+
+<p>As he watched them, Jon was still curious,
+but he was getting mad underneath at
+the cold egoism of the Steel-Blues.</p>
+
+<p>By the shimmering clouds of Earth, by
+her green fields, and dark forests, he'd
+stay alive to warn the SP ship.</p>
+
+<p>Yes, he'd stay alive till then. And send
+the story of the Steel-Blues' corrosive acid
+to it. Then hundreds of Earth's ships could
+equip themselves with spray guns and squirt
+citric acid and watch the Steel-Blues fade
+away.</p>
+
+<p>It sounded almost silly to Jon Karyl. The
+fruit acid of Earth to repel these invaders&mdash;it
+doesn't sound possible. That couldn't be
+the answer.</p>
+
+<p>Citric acid wasn't the answer, Jon Karyl
+discovered a week later.</p>
+
+<p>The Steel-Blue who had captured him in
+the power room of the service station came
+in to examine him.</p>
+
+<p>"You're still holding out, I see," he observed
+after poking Jon in every sensitive
+part of his body.</p>
+
+<p>"I'll suggest to No. 1 that we increase
+the power of the&mdash;ah&mdash;hemlock. How do
+you feel?"</p>
+
+<p>Between the rich oxygen and the dizziness
+of hunger, Jon was a bit delirious. But he
+answered honestly enough: "My guts feel as
+if they're chewing each other up. My bones
+ache. My joints creak. I can't coordinate I'm
+so hungry."</p>
+
+<p>"That is the hemlock," Steel-Blue said.</p>
+
+<p>It was when he quaffed the new and
+stronger draught that Jon knew that his
+hope that it was citric acid was squelched.</p>
+
+<p>The acid taste was weaker which meant
+that the citric acid was the diluting liquid.
+It was the liquid he couldn't taste beneath
+the tang of the citric acid that was the corrosive
+acid.</p>
+
+<p>On the fourteenth day, Jon was so weak
+he didn't feel much like moving around. He
+let the cylinder feed him the hemlock.</p>
+
+<p>No. 1 came again to see him, and went
+away chuckling, "Decrease the dilution.
+This Earthman at last is beginning to
+suffer."</p>
+
+<hr />
+
+<p class="cap"><span class="dcap">Staying</span> alive had now become a fetish
+with Jon.</p>
+
+<p>On the sixteenth day, the Earthman realized
+that the Steel-Blues also were waiting
+for the SP ship.</p>
+
+<p>The extra-terrestrials had repaired the
+blue ship where the service station atomic
+ray had struck. And they were doing a little
+target practice with plastic bubbles only a
+few miles above the asteroid.</p>
+
+<p>When his chronometer clocked off the
+beginning of the twenty-first day, Jon received
+a tumbler of the hemlock from the
+hands of No. 1 himself.</p>
+
+<p>"It is the hemlock," he chuckled, "undiluted.
+Drink it and your torture is over.
+You will die before your SP ship is destroyed.</p>
+
+<p>"We have played with you long enough.
+Today we begin to toy with your SP ship.
+Drink up, Earthman, drink to enslavement."</p>
+
+<p>Weak though he was Jon lunged to his
+feet, spilling the tumbler of liquid. It ran
+cool along the plastic arm of his space suit.
+He changed his mind about throwing the
+contents on No. 1.</p>
+
+<p>With a smile he set the glass at his lips
+and drank. Then he laughed at No. 1.</p>
+
+<p>"The SP ship will turn your ship into
+jelly."</p>
+
+<p>No. 1 swept out, chuckling. "Boast if you
+will, Earthman, it's your last chance."</p>
+
+<p>There was an exultation in Jon's heart
+that deadened the hunger and washed away
+the nausea.</p>
+
+<p>At last he knew what the hemlock was.</p>
+
+<p>He sat on the pallet adjusting the little
+power-pack radio. The SP ship should now
+be within range of the set. The space patrol
+was notorious for its accuracy in keeping to
+schedule. Seconds counted like years. They
+had to be on the nose, or it meant disaster
+or death.</p>
+
+<p>He sent out the call letters.</p>
+
+<p>"AX to SP-101 ... AX to SP-101 ... AX
+to SP-101 ..."</p>
+
+<p>Three times he sent the call, then began
+sending his message, hoping that his signal
+was reaching the ship. He couldn't know if
+they answered. Though the power pack
+could get out a message over a vast distance,
+it could not pick up messages even
+when backed by an SP ship's power unless
+the ship was only a few hundred miles
+away.</p>
+
+<p>The power pack was strictly a distress
+signal.</p>
+
+<p>He didn't know how long he'd been
+sending, nor how many times his weary
+voice had repeated the short but desperate
+message.</p>
+
+<p>He kept watching the heavens and hoping.</p>
+
+<p>Abruptly he knew the SP ship was coming,
+for the blue ship of the Steel-Blues was
+rising silently from the asteroid.</p>
+
+<p>Up and up it rose, then flames flickered
+in a circle about its curious shape. The ship
+disappeared, suddenly accelerating.</p>
+
+<p>Jon Karyl strained his eyes.</p>
+
+<p>Finally he looked away from the heavens
+to the two Steel-Blues who stood negligently
+outside the goldfish bowl.</p>
+
+<p>Once more, Jon used the stubray pistol.
+He marched out of the plastic igloo and ran
+toward the service station.</p>
+
+<p>He didn't know how weak he was until
+he stumbled and fell only a few feet from
+his prison.</p>
+
+<p>The Steel-Blues just watched him.</p>
+
+<p>He crawled on, around the circular pit in
+the sward of the asteroid where one Steel-Blue
+had shown him the power of his
+weapon.</p>
+
+<p>He'd been crawling through a nightmare
+for years when the quiet voice penetrated
+his dulled mind.</p>
+
+<p>"Take it easy, Karyl. You're among
+friends."</p>
+
+<p>He pried open his eyes with his will. He
+saw the blue and gold of a space guard's
+uniform. He sighed and drifted into unconsciousness.</p>
+
+<hr />
+
+<p class="cap"><span class="dcap">He was</span> still weak days later when
+Capt. Ron Small of SP-101 said,</p>
+
+<p>"Yes, Karyl, it's ironical. They fed you
+what they thought was sure death, and it's
+the only thing that kept you going long
+enough to warn us."</p>
+
+<p>"I was dumb for a long time," Karyl said.
+"I thought that it was the acid, almost to
+the very last. But when I drank that last
+glass, I knew they didn't have a chance.</p>
+
+<p>"They were metal monsters. No wonder
+they feared that liquid. It would rust their
+joints, short their wiring, and kill them.
+No wonder they stared when I kept alive
+after drinking enough to completely annihilate
+a half-dozen of them.</p>
+
+<p>"But what happened when you met the
+ship?"</p>
+
+<p>The space captain grinned.</p>
+
+<p>"Not much. Our crew was busy creating
+a hollow shell filled with <i>water</i> to be shot
+out of a rocket tube converted into a projectile
+thrower.</p>
+
+<p>"These Steel-Blues, as you call them, put
+traction beams on us and started tugging us
+toward the asteroid. We tried a couple of
+atomic shots but when they just glanced off,
+we gave up.</p>
+
+<p>"They weren't expecting the shell of
+water. When it hit that blue ship, you could
+almost see it oxidize before your eyes.</p>
+
+<p>"I guess they knew what was wrong right
+away. They let go the traction beams and
+tried to get away. They forgot about the
+force field, so we just poured atomic fire
+into the weakening ship. It just melted
+away."</p>
+
+<p>Jon Karyl got up from the divan where
+he'd been lying. "They thought I was a
+metal creature, too. But where do you suppose
+they came from?"</p>
+
+<p>The captain shrugged. "Who knows?"</p>
+
+<p>Jon set two glasses on the table.</p>
+
+<p>"Have a drink of the best damn water in
+the solar system?" He asked Capt. Small.</p>
+
+<p>"Don't mind if I do."</p>
+
+<p>The water twinkled in the two glasses,
+winking as if it knew just what it had
+done.</p>
+
+<div class="trn"><b>Transcriber's Note:</b>
+This etext was produced from <i>Planet Stories</i> July 1952.
+Extensive research did not uncover any evidence that the U.S.
+copyright on this publication was renewed. Minor spelling and
+typographical errors have been corrected without note.</div>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Acid Bath, by Vaseleos Garson
+
+*** END OF THIS PROJECT GUTENBERG EBOOK ACID BATH ***
+
+***** This file should be named 29159-h.htm or 29159-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/2/9/1/5/29159/
+
+Produced by Greg Weeks, Stephen Blundell and the Online
+Distributed Proofreading Team at https://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>