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diff --git a/29124-h/29124-h.htm b/29124-h/29124-h.htm new file mode 100644 index 0000000..e6988eb --- /dev/null +++ b/29124-h/29124-h.htm @@ -0,0 +1,1018 @@ +<!DOCTYPE html + PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> +<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> +<head> +<meta http-equiv="Content-Type" content="text/html; charset=US-ASCII" /> +<title>The Gold Horns, by Adam Gottlob Oehlenschlager</title> + <style type="text/css"> +/*<![CDATA[ XML blockout */ +<!-- + P { margin-top: .75em; + margin-bottom: .75em; + } + P.gutsumm { margin-left: 5%;} + P.poetry {margin-left: 3%; } + H1, H2 { + text-align: center; + margin-top: 2em; + margin-bottom: 2em; + } + H3, H4, H5 { + text-align: left; + margin-top: 1em; + margin-bottom: 1em; + } + BODY{margin-left: 10%; + margin-right: 10%; + } + table { border-collapse: collapse; } +table {margin-left:auto; margin-right:auto;} + td { vertical-align: top; border: 1px solid black;} + td p { margin: 0.2em; } + .blkquot {margin-left: 4em; margin-right: 4em;} /* block indent */ + + .smcap {font-variant: small-caps;} + + .pagenum {position: absolute; + left: 92%; + font-size: smaller; + text-align: right; + color: gray; + } + + div.gapspace { height: 0.8em; } + div.gapline { height: 0.8em; width: 30%; } + div.gapdoubleline { height: 0.3em; width: 50%; + margin-left: 25%; border-top: 1px solid; + border-bottom: 1px solid;} + div.gapshortline { height: 0.3em; width: 20%; margin-left:40%; + border-top: 1px solid; } + .citation {vertical-align: super; + font-size: .8em; + text-decoration: none;} + img.floatleft { float: left; margin-right: 1em; } + img.floatright { float: right; margin-left: 1em; } + // --> + /* XML end ]]>*/ + </style> +</head> +<body> +<pre> + +The Project Gutenberg eBook, The Gold Horns, by Adam Gottlob +Oehlenschlager, Edited by Edmund Gosse, Translated by George Borrow + + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + + + + +Title: The Gold Horns + + +Author: Adam Gottlob Oehlenschlager + +Editor: Edmund Gosse + +Release Date: June 15, 2009 [eBook #29124] + +Language: English + +Character set encoding: ISO-646-US (US-ASCII) + + +***START OF THE PROJECT GUTENBERG EBOOK THE GOLD HORNS*** +</pre> +<p>Transcribed from the 1913 Thomas J. Wise pamphlet by David +Price, email ccx074@pglaf.org. Many thanks to Norfolk and +Norwich Millennium Library, UK, for kindly supplying the images +from which this transcription was made.</p> +<h1>THE GOLD HORNS</h1> +<p style="text-align: center"><span class="smcap">translated +by</span><br /> +GEORGE BORROW</p> +<p style="text-align: center"><i>from the Danish of</i><br /> +ADAM GOTTLOB OEHLENSCHLÄGER</p> +<p style="text-align: center"><span +class="smcap">Edited</span><br /> +<i>with an Introduction by</i><br /> +EDMUND GOSSE, C.B.</p> +<p style="text-align: center"><span +class="smcap">London</span>:<br /> +<span class="smcap">printed for private circulation</span><br /> +1913</p> +<p style="text-align: center"><!-- page 4--><a +name="page4"></a><span class="pagenum">p. 4</span><i>Copyright in +the United States of America</i><br /> +<i>by Houghton</i>, <i>Mifflin & Co. for Clement +Shorter</i>.</p> +<h2><!-- page 5--><a name="page5"></a><span class="pagenum">p. +5</span>INTRODUCTION</h2> +<p>Early in the present year Mr. Thos. J. Wise discovered among +the miscellaneous MSS. of Borrow a fragment which proved to be +part of a version of Oehlenschläger’s <i>Gold +Horns</i>. His attention being drawn to the fact, hitherto +unknown, that Borrow had translated this famous poem, he sought +for, and presently found, a complete MS. of the poem, and from +this copy the present text has been printed. The paper on +which it is written is watermarked 1824, and it is probable that +the version was composed in 1826. The hand-writing +coincides with that of several of the pieces included in the +<i>Romantic Ballads</i> of that year, and there can be little +doubt that Borrow intended <i>The Gold Horns</i> for that volume, +and rejected it at last. He was conscious, perhaps, that +his hand had lacked the <!-- page 6--><a name="page6"></a><span +class="pagenum">p. 6</span>skill needful to reproduce a lyric the +melody of which would have taxed the powers of Coleridge or of +Shelley. Nevertheless, his attempt seems worthy of +preservation.</p> +<p><i>The Gold Horns</i> marks one of the most important stages +in the history of Scandinavian literature. It is the +earliest, and the freshest, specimen of the Romantic Revival in +its definite form. In this way, it takes in Danish poetry a +place analogous to that taken by <i>The Ancient Mariner</i> in +English poetry.</p> +<p>The story of the events which led to the composition of <i>The +Gold Horns</i> is told independently, by Steffens and by +Oehlenschläger in their respective Memoirs, and the two +accounts tally completely. Adam Gottlob Oehlenschläger +(1779–1850), the greatest poet whom the North of Europe has +produced, had already attracted considerable renown and even +profit by his writings, which were in the classico-sentimental +manner of the late 18th century, when, in the summer of 1802, the +young Norwegian philosopher, Henrik Steffens, arrived in +Copenhagen from Germany, where he had imbibed the new romantic +ideas. He began to give lectures on <!-- page 7--><a +name="page7"></a><span class="pagenum">p. +7</span>æsthetics, and these awakened a turmoil of +opposition. Among those who heard him, no one was more +scandalised than Oehlenschläger, then in his twenty-third +year. He was not acquainted with Steffens, but in the +course of the autumn they happened to meet at a restaurant in +Copenhagen, when they instantly experienced a violent mutual +attraction. Steffens has described how deep an impression +was made upon him by the handsome head, flashing eyes, and +graceful vivacity of the poet, while Oehlenschläger bears +witness to being no less fascinated by the gravity and enthusiasm +of the philosopher. The new friends found it impossible to +part, and sixteen hours had gone by, and 3 a.m. had struck, +before Oehlenschläger could tear himself away from the +company of Steffens.</p> +<p>He scarcely slept that night, and rose in a condition of +bewilderment and rapture. His first act, after breakfast, +was to destroy a whole volume of his own MS. poetry, which was +ready for press, and for which a publisher had promised him a +handsome sum of money. His next was to sit down and write +<i>The Gold Horns</i>, a manifesto <!-- page 8--><a +name="page8"></a><span class="pagenum">p. 8</span>of his complete +conversion to the principles of romanticism. Later in the +day he presented himself again at Steffens’ lodgings, +bringing the lyric with him, “to prove,” as he says, +“to Steffens that I was a poet at last beyond all doubt or +question.” His new friend received him with solemn +exultation. “Now you are indeed a poet,” he +said, and folded him in his arms. The conversion of +Oehlenschläger to romanticism meant the conquest of Danish +literature by the new order of thought.</p> +<p>Oehlenschläger has explained what it was that suggested +to him the leading idea of his poem. Two antique horns of +gold, discovered some time before in the bogs of Slesvig, had +been recently stolen from the national collection at Rosenborg, +and the thieves had melted down the inestimable treasures. +Oehlenschläger treats these horns as the reward for genuine +antiquarian enthusiasm, shown in a sincere and tender passion for +the ancient relics of Scandinavian history. From a +generation unworthy to appreciate them, the <i>Horns</i> had been +withdrawn, to be mysteriously restored at the due romantic +hour. He was, when he came under <!-- page 9--><a +name="page9"></a><span class="pagenum">p. 9</span>the influence +of Steffens, absolutely ripe for conversion, filled with the +results of his Icelandic studies, and with an imagination +redolent of <i>Edda</i> and the Sagas. To this inflammable +material, Henrik Steffens merely laid the torch of his +intelligence.</p> +<p>It is impossible to pretend that Borrow has caught the +enchanting beauty and delicacy of the Danish poem. But he +has made a gallant effort to reproduce the form and language of +Oehlenschläger, and we have thought it not without interest +to print opposite his version the whole of the original +Danish.</p> +<p style="text-align: right"><span class="smcap">Edmund +Gosse</span>.</p> +<table> +<tr> +<td><h2><!-- page 10--><a name="page10"></a><span +class="pagenum">p. 10</span>GULDHORNENE <a +name="citation10"></a><a href="#footnote10" +class="citation">[10]</a></h2> +</td> +<td><h2>THE GOLD HORNS</h2> +</td> +</tr> +<tr> +<td><p>De higer og söger<br /> +I gamle Böger,<br /> +I oplukte Höie,<br /> +Med speidende Öie,<br /> +Paa Sværd og Skjolde,<br /> +I mulne Volde,<br /> +Paa Runestene,<br /> +Blandt smuldnede Bene.</p> +</td> +<td><p>Upon the pages<br /> +Of the olden ages,<br /> +And in hills where are lying<br /> +The dead, they are prying;<br /> +On armour rusty,<br /> +In ruins musty,<br /> +On Rune-stones jumbled,<br /> +With bones long crumbled.</p> +</td> +</tr> +<tr> +<td><p>Oldtids Bedrifter<br /> +Anede trylle,<br /> +Men i Mulm de sig hylle,<br /> +De gamle Skrifter.<br /> +Blikket stirrer,<br /> +Sig Tanken forvirrer,<br /> +I Taage de famle.<br /> +“I gamle, gamle,<br /> +Forsvundne Dage!<br /> +Da det straalte paa Jorden,<br /> +Da Östen var i Norden,<br /> +Giver Glimt tilbage!”</p> +</td> +<td><p>Eld’s deeds, through guesses<br /> +Beheld, are delighting,<br /> +But mist possesses<br /> +The ancient writing.<br /> +The eye-ball fixed is,<br /> +The thought perplexed is;<br /> +In darkness they’re groping<br /> +Their mouths they’re op’ing:<br /> +“Ye days long past,<br /> +When the North was uplighted,<br /> +And with earth heav’n united,<br /> +A glimpse back cast.”</p> +</td> +</tr> +<tr> +<td><p><!-- page 12--><a name="page12"></a><span +class="pagenum">p. 12</span>Skyen suser,<br /> +Natten bryser,<br /> +Gravhöien sukker,<br /> +Rosen sig lukker.<br /> +De sig möde, de sig möde,<br /> +De forklarede Höie,<br /> +Kampfarvede, röde,<br /> +Med Stjerneglands i Öie.</p> +</td> +<td><p>The clouds are bustling,<br /> +The night blasts rustling,<br /> +Sighs are breaking,<br /> +From grave-hills quaking,<br /> +The regions were under<br /> +Thunder.<br /> +Of the mighty and daring,<br /> +The ghosts there muster,<br /> +Stains of war bearing,<br /> +In their eye star lustre.</p> +</td> +</tr> +<tr> +<td><p>“I, som rave iblinde,<br /> +Skal finde<br /> +Et ældgammelt Minde,<br /> +Der skal komme og svinde!<br /> +Dets gyldne Sider<br /> +Skal Præget bære,<br /> +Afældste Tider.</p> +</td> +<td><p>“Ye who blind are straying,<br /> +And praying,<br /> +Shall an ag’d relic meet,<br /> +Which shall come and shall fleet,<br /> +Its red sides golden,<br /> +The stamp displaying<br /> +Of the times most olden.</p> +</td> +</tr> +<tr> +<td><p><!-- page 14--><a name="page14"></a><span +class="pagenum">p. 14</span>Af det kan I lære,<br /> +Med andagtsfuld Ære<br /> +I vor Gave belönne!<br /> +Det skjönneste Skjönne,<br /> +En Mö<br /> +Skal Helligdommen finde!”</p> +</td> +<td><p>That shall give ye a notion<br /> +To hold in devotion<br /> +Our gift, is your duty!<br /> +A maiden, of beauty<br /> +Most rare.<br /> +Shall find the token!”</p> +</td> +</tr> +<tr> +<td><p>Saa sjunge de og svinde,<br /> +Lufttonerne döe.</p> +</td> +<td><p>They vanished; this spoken<br /> +Their tones die in air.</p> +</td> +</tr> +<tr> +<td><p>Hrymfaxe, den sorte,<br /> +Puster og dukker<br /> +Og i Havet sig begraver;<br /> +Morgenens Porte<br /> +Delling oplukker,<br /> +Og Skinfaxe traver<br /> +I straalende Lue<br /> +Paa Himmelens Bue.</p> +</td> +<td><p>Black Hrymfax, weary,<br /> +Panteth and bloweth,<br /> +And in sea himself burieth;<br /> +Belling, cheery,<br /> +Morn’s gates ope throweth;<br /> +Forth Skinfax hurrieth,<br /> +On heaven’s bridge prancing,<br /> +And with lustre glancing.</p> +</td> +</tr> +<tr> +<td><p><!-- page 16--><a name="page16"></a><span +class="pagenum">p. 16</span>Og Fuglene synge;<br /> +Dugperler bade<br /> +Blomsterblade,<br /> +Som Vindene gynge;<br /> +Og med svævende Fjed<br /> +En Mö hendandser<br /> +Til Marken afsted.<br /> +Violer hende krandser,<br /> +Hendes Rosenkind brænder,<br /> +Hun har Liljehænder;<br /> +Let som et Hind,<br /> +Med muntert Sind<br /> +Hun svæver og smiler;<br /> +Og som hun iler<br /> +Og paa Elskov grubler,<br /> +Hun snubler—<br /> +Og stirrer og skuer<br /> +Gyldne Luer<br /> +Og rödmer og bæver<br /> +Og skjælvende hæver<br /> +Med undrende Aand<br /> +Udaf sorten Muld<br /> +Med snehvide Haand,<br /> +Det röde Guld.<br /> +<!-- page 18--><a name="page18"></a><span class="pagenum">p. +18</span>En sagte Torden<br /> +Dundrer;<br /> +Hele Norden<br /> +Undrer.</p> +</td> +<td><p>The little birds quaver,<br /> +Pearls from night’s weeping;<br /> +The flowers are steeping<br /> +In the winds which waver;<br /> +To the meadows, fleet<br /> +A maiden boundeth;<br /> +Violet fillet neat<br /> +Her brows surroundeth;<br /> +Her cheeks are glowing,<br /> +Lilly hands she’s showing;<br /> +Light as a hind,<br /> +With sportive mind<br /> +She smiling frisketh.<br /> +And as on she whisketh,<br /> +And thinks on her lover,<br /> +She trips something over;<br /> +And, her eyes declining,<br /> +Beholds a shining,<br /> +And red’neth and shaketh,<br /> +And trembling uptaketh<br /> +With wondering sprite<br /> +From the dingy mould,<br /> +With hand snow-white,<br /> +The ruddy gold.<br /> +A gentle thunder<br /> +Pealeth;<br /> +The whole North wonder<br /> +Feeleth.</p> +</td> +</tr> +<tr> +<td><p>Og hen de stimle<br /> +I store Vrimle;<br /> +De grave, de söge<br /> +Skatten at foröge.<br /> +Men intet Guld!<br /> +Deres Haab har bedraget:<br /> +De see kun det Muld,<br /> +Hvoraf det er taget.</p> +</td> +<td><p>Forth rush with gabble<br /> +A countless rabble;<br /> +The earth they’re upturning,<br /> +For the treasure burning.<br /> +But there’s no gold!<br /> +Their hope is mistaken;<br /> +They see but the mould,<br /> +From whence it is taken.</p> +</td> +</tr> +<tr> +<td><p>Et Sekel svinder!</p> +</td> +<td><p>An age by rolleth.</p> +</td> +</tr> +<tr> +<td><p>Over Klippetinder<br /> +Det atter bruser.<br /> +Stormens Sluser<br /> +Bryde med Vælde<br /> +Over Norges Fjelde<br /> +Til Danmarks Dale.<br /> +I Skyernes Sale<br /> +De forklarede Gamle<br /> +Sig atter samle.</p> +</td> +<td><p>Again it howleth<br /> +O’er the tops of the mountains.<br /> +Of the rain the fountains<br /> +Burst with fury;<br /> +The spirits of glory<br /> +From Norge’s highlands,<br /> +To Denmark’s islands,<br /> +In the halls of ether<br /> +Again meet together.</p> +</td> +</tr> +<tr> +<td><p><!-- page 20--><a name="page20"></a><span +class="pagenum">p. 20</span>“For de sjeldne Faa,<br /> +Som vor Gave forstaae,<br /> +Som ei Jordlænker binde<br /> +Men hvis Sjæle sig hæve<br /> +Til det Eviges Tinde;<br /> +Som ane det Höie<br /> +I Naturens Öie;<br /> +Som tilbedende bæve<br /> +For Guddommens Straaler<br /> +I Sole, Violer,<br /> +I det Mindste, det Störste,<br /> +Som brændende törste<br /> +Efter Livets Liv;<br /> +Som, o store Aand<br /> +For de svundne Tider!<br /> +Se dit Guddomsblik<br /> +Paa Helligdommens Sider:<br /> +For <i>dem</i> lyder atter vort Bliv.</p> +</td> +<td><p>“For the few there below<br /> +Who our gift’s worth know,<br /> +Who earth’s fetters spurn all,<br /> +And whose souls are soaring<br /> +To the throne of th’ Eternal;<br /> +Who in eye of Nature<br /> +Behold the Creator;<br /> +And tremble adoring,<br /> +’Fore the rays of his power<br /> +In the sun, in the flower,<br /> +In the greatest and least,<br /> +And with thirst are possest<br /> +For of life the spring;<br /> +Who, O powerful sprite<br /> +Of the times departed!<br /> +See thy look bright<br /> +From the relic’s sides darted:<br /> +For them our Be once more shall ring.</p> +</td> +</tr> +<tr> +<td><p>“Naturens Sön,<br /> +Ukjændt i Lön,<br /> +Men som sine Fædre<br /> +Kraftig og stor,<br /> +Dyrkende sin Jord,<br /> +Ham vil vi hædre,<br /> +Han skal atter finde!”<br /> +Saa syngende de svinde.</p> +</td> +<td><p>“Nature’s son, whose name<br /> +Is unknown to fame,<br /> +But his acre tilling,<br /> +Strong-armed and tall,<br /> +Like his forefathers all,<br /> +Him to honour we’re willing,<br /> +He shall find the second token!”<br /> +They vanished, this spoken.</p> +</td> +</tr> +<tr> +<td><p><!-- page 22--><a name="page22"></a><span +class="pagenum">p. 22</span>Hrymfaxe, den sorte,<br /> +Puster og dukker<br /> +Og i Havet sig begraver:<br /> +Morgenens Porte<br /> +Delling oplukker;<br /> +Skinfaxe traver<br /> +I straalende Lue<br /> +Paa Himmelens Bue.</p> +</td> +<td><p>Black Hrymfax weary<br /> +Panteth and bloweth,<br /> +And in sea himself buried;<br /> +And Belling cheery<br /> +Morn’s gates ope throweth;<br /> +Forth Skinfax hurrieth,<br /> +On heaven’s bridge prancing,<br /> +And with lustre glancing.</p> +</td> +</tr> +<tr> +<td><p>Ved lune Skov<br /> +Öxnene traekke<br /> +Den tunge Plov<br /> +Over sorten Dække.</p> +</td> +<td><p>By the bright green shaw<br /> +The oxen striding<br /> +The heavy plough draw,<br /> +The soil dividing.</p> +</td> +</tr> +<tr> +<td><p>Da standser Ploven<br /> +En Gysen farer<br /> +Igjennem Skoven;<br /> +Fugleskaren<br /> +Pludsclig tier;<br /> +Hellig Taushed<br /> +Alt indvier.</p> +</td> +<td><p>The plough stops; sorest<br /> +Of shudders rushes<br /> +Right through the forest;<br /> +The bird-quire hushes<br /> +Sudden its strains;<br /> +Holy silence<br /> +O’er all reigns.</p> +</td> +</tr> +<tr> +<td><p>Da klinger i Muld<br /> +Det gamle Guld.</p> +</td> +<td><p>Then rings in the mould<br /> +The ancient gold.</p> +</td> +</tr> +<tr> +<td><p><!-- page 24--><a name="page24"></a><span +class="pagenum">p. 24</span>Tvende Glimt fra Oldtidsdage<br /> + Funkle i de nye Tider;<br /> +Selsomt vendte de tilbage,<br /> + Gaadefyldt paa blanke Sider.</p> +</td> +<td><p>Glimpses two from period olden<br /> + Lo! in modern time appearing;<br /> +Strange returned those glimpses golden,<br /> + On their sides enigmas bearing.</p> +</td> +</tr> +<tr> +<td><p>Skjulte Helligdom omsvæver<br /> + Deres gamle Tegn og mærker;<br /> +Guddomsglorien ombæver<br /> + Evighedens Underværker.</p> +</td> +<td><p>Holiness mysterious hovers<br /> + O’er their signs, of meaning +pond’rous;<br /> +Glory of the Godhead covers<br /> + These eternal works so wondrous.</p> +</td> +</tr> +<tr> +<td><p>Hædre dem ved Bön og Psalter;<br /> + Snart maaske er hver forsvunden.<br /> +Jesu Blod paa Herrens Alter<br /> + Fylde dem, som Blod i Lunden.</p> +</td> +<td><p>Reverence them, for nought is stable;<br /> + They may vanish, past all seeking.<br /> +Let Christ’s blood on Christ’s own table<br /> + Fill them, once with red blood reeking.</p> +</td> +</tr> +<tr> +<td><p>Men I see kun Guldets Lue,<br /> + Ikke de Ærværdighöie!<br /> +Sæte dem som Pragt tilskue<br /> + For et mat, nysgjerrigt Öie!</p> +</td> +<td><p>But their majesty unviewing,<br /> + And their lustre but descrying,<br /> +Them as spectacles ye’re shewing<br /> + To the silly and the prying.</p> +</td> +</tr> +<tr> +<td><p>Himlen sortner, Storme brage!<br /> + Visse Time, du er kommen.<br /> +Hvad de gav, de tog tilbage—<br /> + Evig bortsvandt Helligdommen.</p> +</td> +<td><p>Storm-winds bellow, blackens heaven!<br /> + Comes the hour of melancholy;<br /> +Back is taken what was given,—<br /> + Vanished is the relic holy.</p> +</td> +</tr> +</table> +<p> </p> +<p style="text-align: center"><!-- page 26--><a +name="page26"></a><span class="pagenum">p. 26</span><span +class="smcap">London</span>:<br /> +Printed for THOMAS J. WISE, Hampstead, N.W.<br /> +<i>Edition limited to Thirty Copies</i>.</p> +<h2>Footnotes:</h2> +<p><a name="footnote10"></a><a href="#citation10" +class="footnote">[10]</a> The left-hand column contains the +even pages of the printed pamphlet, and the right-hand column the +corresponding odd pages which appear opposite them.—DP.</p> +<p>***END OF THE PROJECT GUTENBERG EBOOK THE GOLD HORNS***</p> +<pre> + + +***** This file should be named 29124-h.htm or 29124-h.zip****** + + +This and all associated files of various formats will be found in: +http://www.gutenberg.org/dirs/2/9/1/2/29124 + + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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