1 files changed, 2623 insertions, 0 deletions

diff --git a/28790.txt b/28790.txt
new file mode 100644
index 0000000..1ab6e91
--- /dev/null
+++ b/28790.txt
@@ -0,0 +1,2623 @@
+Project Gutenberg's Harper's Young People, April 20, 1880, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Harper's Young People, April 20, 1880
+       An Illustrated Weekly
+
+Author: Various
+
+Release Date: May 13, 2009 [EBook #28790]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK HARPER'S YOUNG PEOPLE, APR 20, 1880 ***
+
+
+
+
+Produced by Annie McGuire
+
+
+
+
+
+
+
+
+[Illustration: HARPER'S
+
+YOUNG PEOPLE
+
+AN ILLUSTRATED WEEKLY.]
+
+
+       *       *       *       *       *
+
+VOL. I.--NO. 25. PUBLISHED BY HARPER & BROTHERS, NEW YORK. PRICE FOUR
+CENTS.
+
+Tuesday, April 20, 1880. Copyright, 1880, by HARPER & BROTHERS. $1.50
+per Year, in Advance.
+
+       *       *       *       *       *
+
+
+
+
+[Illustration]
+
+SIM VEDDER'S KITE.
+
+BY W. O. STODDARD.
+
+
+The kite fever visited Hagarstown every year, and caught all the boys
+over five before it subsided. It generally crept in slowly, a boy and a
+kite at a time; but this year it came as if a big wind brought it.
+
+Yesterday there had been three kites up at one time in the main street,
+and Squire Jones's pony had been scared into a canter. The Squire, and
+Mrs. Jones, and the three Misses Jones, and Aunt Hephzibah had all been
+in the carry-all at the time, and they had all screamed when the pony
+began to canter. So the Squire had told the boys he "could not have any
+more of that dangerous nonsense in the streets," and they had all come
+out to Dr. Gay's pasture, on the side-hill, to-day, and they had eight
+kites among them.
+
+"Sim Vedder's coming, boys," said Parley Hooker. "He's been making a
+kite."
+
+"He?" exclaimed Joe Myers. "He's a grown-up man. What does he know about
+kites?"
+
+"There he comes now, anyway."
+
+They all turned toward the bars and looked, for not one of them had sent
+up his kite yet.
+
+"Oh, what a kite!"
+
+"It's as tall as he is."
+
+"No, it isn't. He's carrying it on his shoulder."
+
+"It's just an awful kite."
+
+Sim Vedder was the man who worked for Dr. Gay, and he was as thin as a
+fence rail. So was his face, and his hooked nose had a queer twist in it
+half way to the point.
+
+He was coming with what looked like an enormous kite trying all the
+while to get away from him.
+
+All the boys wanted to ask questions, but they didn't know exactly what
+to ask, so they kept still.
+
+"Kiting, are you? Well, just you let me look at your kites, and then you
+may look at mine. One at a time, now. Keep back. Make that kite
+yourself, Parley?"
+
+"Yes, I made it."
+
+"Had plenty of wood around your house, I guess. Your sticks are bigger
+than mine, and your kite is only two feet high, and mine's five. Look at
+it."
+
+He turned the back of his kite toward them as he spoke, and they saw
+that the frame-work of it was made of a number of very slender slips of
+what looked like ash or hickory wood.
+
+"Mine's made of pine," said Parley. "And yours'll break, too."
+
+"No, it won't. Well, maybe yours'll fly. Set it agoing. There's plenty
+of wind."
+
+Parley obeyed, and, mainly because there was indeed a good deal of wind,
+his heavy-made kite began to go up.
+
+"Joe," said Sim Vedder, "hand me that kite of yours."
+
+"Mine's a di'mond. I don't know how to make any other."
+
+"Do you suppose it'll stand steady, with those fore-bands so close
+together? No, it won't. Up with it, and see how it'll wiggle. Bob Jones,
+is that yours?"
+
+The third kite was meekly handed to him, for the more the boys stared at
+Sim's big kite, the more they believed he knew what he was talking
+about.
+
+"It isn't a bad kite, but those fore-bands are crossed too low. It'll
+dive all over."
+
+"There's plenty of tail, Sim. It can't dive."
+
+"Tail!--and a bunch of May-weed at the end of it! How's a kite of that
+size to lift it all? I'll show you," replied Sim.
+
+He was unfastening the fore-bands as he spoke, and now he crossed them
+again over his little finger, and moved them along till the kite swung
+under them, almost level.
+
+"That'll do. Now I'll tie 'em hard, and you can cut off your May-weed.
+There'll be tail enough without it. When I was in China--"
+
+"Was you ever in China?"
+
+"Yes, I was. That was when I was a sailor. I saw kites enough there.
+They spend money on 'em, just as we do on horses; make 'em of all shapes
+and sizes. Don't need any tails."
+
+"Kites without tails?"
+
+"Well, some of 'em have, and some of 'em haven't. It's a knack in the
+making of 'em. I've seen one like a dragon, and another like a big
+snake, and they floated perfectly. Only a thin silk string, either."
+
+"String's got to be strong enough to hold a kite," said Parley Hooker.
+"Look at yours."
+
+"Yes, mine's strong; it's made of fine hemp. But it isn't any heavier
+than yours. What do you want of a rope, with a kite of that size?"
+
+"It isn't a rope."
+
+"It's too heavy, though. Besides, you've tied pieces together with big
+knots in them. You can't send up any travellers."
+
+"What's that?"
+
+"I'll show you. Some call 'em messengers."
+
+Just then Parley exclaimed, "Sim! Sim! mine's broke! it's coming down!"
+
+"Broke right in the middle, where you notched your big sticks together."
+
+"Just where it needs to be strongest," said Joe, knowingly.
+
+"No, it doesn't. Look at mine."
+
+It was the biggest kite they had ever seen, and it came down square at
+the bottom; but it was not a great deal wider than Parley's. The curious
+part of it was the cross-sticks and fore-bands. What did he need of so
+many?
+
+"So many?" said Sim. "Why, the bands take the strain of the wind. If you
+put it all on the sticks, they'd bend or break. Don't you see? There's a
+band tied every two inches, and they all come together out here in the
+centre knot. It just balances on that."
+
+"Your tail's a light one."
+
+"It's long enough, and it spreads enough to catch the wind. It isn't the
+mere weight you want in a tail, if your kite's balanced. The wind blows
+against the tail as hard as anywhere else."
+
+"Won't yours ever dive?"
+
+"Of course it will, with a cross puff of wind; but it'll come right up
+again. That won't happen very often. I'll send her up. You wait and
+see."
+
+The other kites were all up now, except Parley's broken one, and most of
+them were cutting queer antics, because, as Sim explained, their
+fore-bands were tied wrong, and their tails "did not fit them."
+
+"The Chinese could teach us. But, the way we make kites, there's as much
+in the tail as in anything else."
+
+"Oh, but our kites are covered with paper, and you've put some old silk
+on yours."
+
+"Of course I have. It isn't much heavier. The Chinese use thin paper
+that's as good as silk. It won't wet through."
+
+"Wet? Oh, Sim, it looks as if a storm is coming now."
+
+So it did, and Sim's big kite was going up, up, up very fast, and he was
+letting the strong brown string run rapidly off from a sort of reel he
+held in his hand.
+
+"Pull in your kites, boys," shouted Parley. "Let's cut for home."
+
+"I want to see Sim fly his."
+
+"You all pull in yours, and we'll go into the cattle shed. It's only a
+shower. I can fly mine from the door."
+
+The shed was close at hand, and the door was a wide one. In three
+minutes more, just as the first drops came down, there was quite a crowd
+of boys behind Sim, as he stood a little inside, and watched his kite.
+His reel was almost empty now, and the big kite looked a good deal
+smaller than when it started.
+
+"How steady it is!"
+
+"It pulls hard, though."
+
+"There comes the rain."
+
+"Thunder and lightning too."
+
+Sim had fastened his wooden reel against the door-post, on a hook that
+was there, but he kept his hand on the string.
+
+"I declare, boys! Feel of that! The string's wet, and it's making a
+lightning-rod of itself."
+
+Parley and Joe and Bob, and two or three others, felt of it at once.
+
+"Lightning? Why, Sim," said Bob, "I know better than that. I've had an
+electric shock before."
+
+"That's all it is," said Parley.
+
+"Well," replied Sim, "didn't you ever hear of Dr. Franklin? We're doing
+just what he did. He discovered electricity with a kite. A wet kite
+string was the first lightning-rod there ever was in the world."
+
+"Lightning?" exclaimed Bob. "Don't you bring any in here. I won't touch
+it again."
+
+"Did lightning ever strike anybody when he was flying a kite?" asked
+Joe.
+
+"Not that I ever heard of," said Sim. "But it's beginning to pour hard.
+I'll reel in my kite till the storm's over."
+
+He unhooked his reel as he spoke, but it was well he took a good strong
+hold of it. The wind must have been blowing a gale up where the kite
+was, and the string was a very strong one for its size.
+
+"I declare! Why--"
+
+But the next the boys knew, Sim Vedder was out in the rain, with that
+kite tugging at him. He would not let go, and he could not stop himself,
+and the sloping pasture before him was all down hill. On he went, faster
+and faster, till his foot slipped, and down he went full length. He held
+on, though, like a good fellow, and there he lay in the wet grass, with
+the rain pouring upon him, tugging his best at his big kite.
+
+The wind lulled a little, and Sim began to work his reel. Slowly at
+first, then faster; and about the time the rain stopped, the wind almost
+died out, and the wonderful kite came in.
+
+"There isn't a stick of it broken," said Sim, triumphantly, "nor a
+fore-band. That's because they were made right, and put on so they all
+help each other."
+
+"Oh, but ain't you wet!" exclaimed three or four boys at once.
+
+Well, yes; he was, indeed, very wet.
+
+
+
+
+TWO NARROW ESCAPES.
+
+BY UNCLE NED.
+
+
+One evening last winter the children called upon their uncle Ned, who is
+a sailor, and just home from India, for a story. He willingly granted
+their request, and at once proceeded to tell them of a narrow escape he
+once made, as follows:
+
+"At the time of the occurrence I was staying at a small village called
+Yealah, in India, with a young friend in the civil service, who had a
+bungalow there. We used to amuse ourselves picking up shells on the
+beach in the cool of the evening, and later, sitting out enjoying the
+breeze and smoking our cheroots. One evening, however, our conversation
+was interrupted by a herd of buffaloes rushing past us at full speed,
+which we imputed to their being chased by a tiger. On the following
+morning our surmise proved correct, and we learned that a tiger had
+carried off a buffalo within two or three hundred yards of where we had
+been sitting on the previous evening. My friend, who was a keen
+sportsman, resolved to track the tiger; and I accompanied him, with a
+number of natives, who took care to keep at a safe distance in the rear.
+Following the broad track through the jungle, we soon arrived at the
+spot to which the tiger had dragged his prey, and here we found the
+mangled remains of the buffalo, but the tiger had betaken himself
+elsewhere to enjoy his siesta after gorging himself. We proceeded on
+cautiously; but as the jungle got very thick and tangled, my friend
+decided it would be imprudent to proceed any further, and we halted. We
+brought the butts of our rifles to the ground, and being of a botanical
+turn, I stooped to pick up a flower. At that moment a tremendous roar
+echoed through the forest, and seemed to stun me. I staggered a little,
+as if from a blow; but recovering myself, grasped my rifle, for I
+immediately guessed it was the tiger. My friend, with an exclamation,
+'What an escape!' dashed away to the right, and I was about to follow, I
+knew not exactly whither, when he made his appearance, to my intense
+satisfaction.
+
+"His first exclamation was, 'The brute has got away. Just like my luck.'
+And then he added, 'What a lucky escape you had!'
+
+"'What do you mean?' said I.
+
+"'Why, don't you know that, as you stooped down to pick the flower, that
+tiger sprang at you, and missed you by a few inches?'
+
+"I confess a cold sweat broke out over me, and I inwardly thanked the
+Almighty for my providential escape.
+
+"As my story is rather a short one, I will tell you another of a lucky
+escape I witnessed; though first I should mention that soon after this
+affair my friend paid with his life for the temerity with which he
+tracked tigers in the jungle.
+
+"The brig to which I belonged was proceeding from Rangoon, and one
+evening, after having come to an anchor abreast of a small inlet just
+above Elephant Creek, at the mouth of the Irrawaddy, I accompanied the
+skipper and a friend in the boat up the inlet to a small village to
+procure a supply of fruit. On our return my companions expressed their
+determination to bathe; but as I did not feel inclined to do so, I
+seated myself in the stern, and taking out of my pocket one of Scott's
+novels, amused myself with reading until they should have completed
+their bath.
+
+"About five minutes had elapsed, and the skipper was alone in the water,
+when my attention was aroused by shouts and screams from the villagers,
+who were hurrying down to the water's edge. Turning round, I saw my
+captain, for whom I had no great affection, exerting every muscle to
+gain the bank, from which he was still at a considerable distance. Not
+seeing anything to account for the hubbub, my first impression was that
+a child had fallen into the water, and that he was swimming to the spot
+of the accident to save it. In an instant I directed the Lascars to
+'give way' with the oars, and seizing the helm, steered as nearly as I
+could guess in the direction to which the gestures of the Burmese
+appeared to point. Before I reached the point the skipper disappeared
+beneath the water; but, full of the preconceived impression, I imagined
+that he was diving in search of the child. A few strokes and we were at
+the spot, but it was not until the Lascar crew lashed their oars
+violently into the water that the truth flashed upon me. It must be an
+alligator that was pursuing him; and soon all doubt was removed, when
+the master, a few moments later, rose at a short distance from us in a
+spot where he could feel the bottom, and ran quickly ashore, his
+shoulder bleeding profusely. The whole transaction occupied a very short
+time, and the wounded master was conveyed on board the brig with all
+dispatch.
+
+"On inquiry I learned that the alligator had been first seen by the
+Burmese, who gave instant notice of his approach, as before described,
+and the warning was as quickly comprehended by the captain. All his
+exertions to escape were, however, unavailing, and he felt himself
+seized a little below the shoulder. By a convulsive effort he succeeded
+in shaking off his cruel antagonist, and again struck out. The animal,
+however, again advanced, and seizing him nearly by the same place,
+dragged him under the surface for an instant or two, when the splashing
+of the oars compelled him to relax his hold. On examination it proved
+that the arm, although severely lacerated, was not so much injured as to
+incur the necessity of amputation; and being placed under medical care
+at Rangoon, the skipper was soon enabled to resume his duties."
+
+
+
+
+[Begun in No. 19 of HARPER'S YOUNG PEOPLE, March 9.]
+
+ACROSS THE OCEAN; OR, A BOY'S FIRST VOYAGE.
+
+A True Story.
+
+BY J. O. DAVIDSON.
+
+
+CHAPTER VII.
+
+TOWED BY A WHALE.
+
+"Have you ever seen a whaler, lad?" asked old Herrick, as Frank came on
+deck the next morning. "Well, here's one for you _now_, anyway!"
+
+There, sure enough, on the very edge of the great weed prairie which was
+now almost left behind, lay a large vessel, with her sails hanging
+loosely against the masts. Alongside of her floated a huge black and
+white mass, which a second glance showed to be the carcass of a whale,
+while the thick black smoke that rose from between her masts told that
+the work of "trying out" the oil was going briskly forward. This was
+just the sight for Austin, who, in the long winter evenings at home, had
+devoured every account and engraving of the whale-fishery that he could
+lay his hands on. He was still gazing, when Herrick touched his arm.
+
+"See them two boats yonder, my boy? They've struck another whale, or my
+name ain't Herrick."
+
+The whaler's boats were about three miles off, pulling as if for life
+and death. The other end of the line attached to each was under water,
+but the disturbance of the surface showed that some large object was in
+violent motion below. Suddenly both crews "backed water," while a man
+leaped into the bow of each boat, axe in hand, ready to cut the rope
+should the whale attempt to drag them under.
+
+The next moment the huge black body broke through the seething foam with
+a lash of its tail, which, as Herrick said, "sounded like a church tower
+a-fallin' flat on an acre o' planks." In flew the boats, one on each
+side, up sprang the harpooners, whiz went the well-aimed weapons, and
+the wounded whale, giving a leap that set the whole sea boiling, turned
+and came right down upon the _Arizona_, as if taking _it_ for the
+assailant.
+
+[Illustration: TOWED WITH THE SPEED OF A LOCOMOTIVE.]
+
+Frank turned pale in spite of himself, for the charge of this moving
+mountain seemed able to crush the strongest ship like an egg-shell. But
+just as it was about to strike the bow, the monster turned again, and
+made for the distant whaler, towing the two boats after it with the
+speed of a locomotive.
+
+"Bully for you, mates!" shouted a harpooner, as they flew past. "Ye've
+turned the critter for us, and now she'll tow us aboard without our
+pulling a stroke!"
+
+       *       *       *       *       *
+
+On the sixteenth night of the voyage, Frank was sitting on the
+fore-hatch, admiring the brightness of the moon. Eight bells (8 P.M.)
+had just been struck, when the ship's officers were seen crowding
+together on the after-deck with an appearance of considerable
+excitement. Before any one could guess what was the matter, one of the
+men uttered a cry of astonishment, and pointed upward.
+
+[Illustration: THE ECLIPSE.]
+
+The moonlight had become suddenly obscured, not by mist or clouds, but
+by a huge circular shadow, which moved steadily across the bright disk,
+blotting it out inch by inch.
+
+"It's a 'clipse, that's what it is," said one; "and I heerd Mr. Hawkins
+say this minute as some feller ashore, months and months ago, said it ud
+come this very day and hour. Queer, ain't it, for any land-lubber to be
+so 'cute?"
+
+The darkness steadily increased, till the men could barely see each
+other's faces; and with the unnatural gloom, a solemn silence fell upon
+one and all. Not a word was spoken, not a sound heard, save the rush of
+the steamer through the great waste of black waters. But the return of
+the light at length unchained all tongues, and many a quaint comment was
+made upon what they had just seen.
+
+"Guess the moon's got one side bright and t'other dark, and when she
+slews round, she brings the dark part broadside on."
+
+"Not much, I reckon; it's them wet clouds goin' back'ard and for'ard
+over her that spile her polish, same way as the spray rusts our
+b'ilers."
+
+"Shouldn't wonder; for a book-l'arned feller told me once that the sun
+hisself's all black inside, and them spots ye see on him's jist the
+black a-showin' through the gildin', like a darky's skin through the
+holes in his shirt."
+
+       *       *       *       *       *
+
+The signs of their approach to land now became unmistakable. The sea
+took a greenish tinge; numerous vessels were seen heading the same way
+as themselves; and various birds, of a kind never met far from shore,
+came fluttering around them. Frank, too much excited to go below,
+perched himself in the rigging, and strained his eyes to catch the
+earliest glimpse of Europe. But Africa came first, in the shape of the
+Tangier Light; nor was it till 4 A.M. that the haze lifted, and a huge
+dark mass was seen looming on the port bow, the sight of which made the
+boy's heart leap, for it was the Rock of Gibraltar.
+
+[Illustration: THE ROCK OF GIBRALTAR.]
+
+As the dawn brightened, all the grand features of the scene came forth
+in their full splendor. The long purple range of the African mountains,
+ending in the bold headland of Ceuta, far away to the southeast; the
+wide blue sweep of the bay, with the dainty little white town of
+Algeciras planted on it, like an ivory carving; the flat sandy neck of
+"neutral ground" between the Rock and the mainland, with all its
+countless memories of war, from the old-world battles of Spaniard and
+Saracen to the day when the combined fleets of France and Spain swept it
+with the fire of 1800 cannon; the bristling masts of the harbor; the
+long gray curve of Europa Point; the mighty fortress itself, with the
+narrow eyes of levelled cannon peering watchfully through the terraced
+rocks that loomed against the bright morning sky like a thunder-cloud;
+the blue Spanish hills, wave beyond wave, melting at last into the warm,
+dreamy horizon; and right in front the white houses of Gibraltar,
+huddled together along the base of the cliff, as if (to quote old
+Herrick) "they'd been playin' snow-sled, and all slid down in a
+heap"--all were there.[1]
+
+[Illustration: A GIBRALTAR FRUIT BOAT.]
+
+To get into Gibraltar Harbor is no easy matter; but the _Arizona_,
+following in the wake of an English mail-steamer, reached her berth at
+last, and had barely cast anchor when she was surrounded by a perfect
+fleet of "shore-boats" freighted with oranges, figs, bananas,
+cocoa-nuts, monkeys,[2] parrots, and everything else that any sailor
+could be expected to buy.
+
+The screams of the parrots, the chattering of the monkeys, the bumping
+of the boats against each other, the clatter of the oars, the angry
+outcries of the boatmen, in Spanish and broken English, whenever a
+monkey or a parrot fell overboard, or a fruit basket got upset, made a
+deafening uproar. An English man-of-war, anchored close by, was
+similarly beset; and a mischievous sailor had just lassoed a monkey out
+of the nearest boat, against which outrage both Jocko and his master
+were protesting with all the power of their lungs. Frank lost no time in
+buying a stock of oranges, and tossed a quarter to the tall, black-eyed
+boatman, whose embroidered jacket, brown handsome face, and round flat
+hat with a jaunty cockade on one side of it, made a very striking
+picture. The Spaniard rang it on a knife-blade, tested it with a hard
+bite from his strong white teeth, and then tied it up in the
+handkerchief around his head, with a bow and a "Gracias, senor" (thanks,
+sir), worthy of any grandee in Spain.
+
+"What a fine fellow!" cried Frank, enthusiastically.
+
+"Ay, ain't he?" growled an old tar who overheard him. "If I'd a loose
+tooth in my head, I'd yank it out 'fore comin' here, for fear some o'
+them 'fine fellers' ud steal it!"
+
+"You don't say!"
+
+"Fact; and that's why we never let none on 'em aboard. I guess the old
+sayin's true enough, 'The Spanish wines steals all heads, the Spanish
+women steals all hearts, and the Spanish men steals everything.'"
+
+The captain, purser, and doctor had gone ashore with the ship's papers;
+but to the no small dismay of the crew (who had expected a long stay in
+port) a signal was suddenly reported to "up anchor" at once. So the
+chain-cable was passed around the capstan, the bars manned (for the
+convenient fashion of getting up the anchor by steam was not yet adopted
+by the _Arizona_), and to work they went.
+
+The slack of the chain came in easily enough; but to "break" the anchor
+out of the mud was a harder matter. Up came more men--up came even the
+"trimmers and heavers" from the engine-room; the bars bent with the
+pressure of six sturdy fellows apiece, but the anchor never budged. The
+perspiration rolled down the bronzed faces of the sailors, and their
+brawny chests heaved like bellows with the strain; but all to no
+purpose.
+
+Suddenly a "flaw" of wind made the vessel heel, bringing more pressure
+on the chain. The crew made a desperate effort, and seemed about to
+conquer, when snap went a bar. The capstan spun back, the men were
+dashed along the deck like nine-pins, and one poor fellow, jammed
+between the chain and the hawse-pipe, had his hand cut in two as if by
+an axe.
+
+"Hello, Yankee Doodle!" shouted a voice from the British ship, "can't
+git up yer mud-hook, eh? Shall we send a boy down to lift it for yer?"
+
+Frank's eyes flashed fire at the taunt, and the roar of laughter that
+followed. Forgetting everything in the passion of the moment, he sprang
+upon the capstan, and shouted:
+
+"Mates, are we going to let that Britisher laugh at us? Not much!
+Come--all together; now!"
+
+The excited men answered with a deafening cheer, and bent to their work
+like giants. One tremendous heave, and up came the anchor at last. Round
+and round they spun, leaping over the cable, which was now coming
+rapidly in; and while Frank cheered and waved his cap like a madman,
+they ran the anchor up "chock-a-block," just as Captain Gray and his
+officers came up the side.
+
+[TO BE CONTINUED.]
+
+
+FOOTNOTES:
+
+[1] Most engravings of Gibraltar give a very imperfect idea of its
+position, which may be best conveyed by representing the Spanish coast
+as a door, and the Rock as the knob of its handle. The latter's seaward
+face is a pretty close copy of the Hudson Palisades.
+
+[2] The Rock of Gibraltar is the only spot in Europe where monkeys are
+found running wild.
+
+
+
+
+THE ROYAL BLACKSMITH.
+
+BY FLETCHER READE.
+
+
+There was born one day in the grandest palace that ever the sun shone
+upon a child whose life was for many years a sad and weary one. He was a
+cripple from his birth; and the Queen his mother, whose heart was so
+full of pride that there was no room left in it for love, hated the
+innocent babe, and refused to take him in her arms.
+
+He, poor fellow, would no doubt have been as handsome as any of us if he
+had been consulted about the matter; but as no one asked him whether he
+would prefer being ugly or beautiful, he could hardly have been to blame
+for coming into the world with one leg longer than the other.
+
+The Queen, however, did not stop to think of this. The longer she looked
+at him, the more angry she became, until at last, when no one was
+looking, she snatched him from his cradle, and threw him out of the
+window.
+
+Down through the blue air fell the baby boy; still down and down, till
+he reached the sea. Stretching out their arms as if to welcome such a
+royal playfellow, the waves clapped their white hands, until the little
+Prince crowed and cooed for joy.
+
+Far away beneath the waves lived two nymphs named Eurynome and Thetis,
+who, when they heard what had happened, decided to adopt the child.
+Hastening to his assistance, Thetis took him in her arms, and the two
+hurried along under the sea until they reached the home which they had
+made for themselves in one of the loveliest of the ocean caverns.
+
+Here the boy lived for many years, but he could not forget his old home
+among the mountains of Olympus.
+
+"I shall never be happy," he said to himself, "until I regain my
+rightful place among the sons of Zeus."
+
+He had already displayed great skill in carving, and the little grotto
+of Thetis was like a piece of wonderland, fitted and furnished with all
+manner of curious ornaments made by the lame boy, Hephaestus.
+
+As he grew older he resolved to turn his talents to account, so he made
+friends with the Old Man of the Sea, an elderly gentleman of uncertain
+temper, who spent his time in sailing over the ocean in an enormous
+shell drawn by sea-horses.
+
+To him Hephaestus brought a trident, hoping that the gift would induce
+him to offer the young exile his assistance in making peace with the
+Queen.
+
+Now this trident was a magical three-pronged spear, with which the owner
+could still the waves in their wildest fury. It was therefore almost
+invaluable to the old sailor; but although he accepted the gift, and
+praised the workmanship, he forgot to thank the workman, and sailed
+grandly away.
+
+It was not long after this that the lame Prince, walking one day through
+the woods, fell in with a band of wandering musicians.
+
+Some were dancing; others were singing; and as he examined them more
+closely, he saw that they had legs and hoofs and even long ears like
+goats.
+
+While he stood looking with wondering eyes at these fantastic beings,
+the leader of the band suddenly approached him, and said,
+
+"What aileth thee, my brother? Tell me thy trouble, that I may make thee
+glad again, for I can not abide a sorrowful countenance."
+
+"I am called Hephaestus," replied the Prince; "but I know not who you may
+be, to call me brother."
+
+"You will be wiser when you are older," laughed his new friend. "It is
+enough for you to know now that I am a son of Zeus. But I like not the
+solemn grandeur of the court, so I live in the woods, keeping holiday
+all the year. These fauns and satyrs are my friends; and if you will
+join our company, I can promise you a merry life and a long one."
+
+But Hephaestus shook his head.
+
+"I can never be happy," he said, "until I have won the love of the
+Queen-mother. To do that I must show her that I have gifts quite as
+valuable as beauty; but I have no one to plead my cause, and I, alas! do
+not know the way to Olympus."
+
+"If that is all your trouble," answered the merry man of the woods, "set
+your heart at rest, for I myself will present you at court."
+
+With these words, the good-natured Bacchus threw the skin of a wild
+beast over his shoulders, and the two travellers became the best of
+friends as they journeyed together along the road which lies between the
+wooded heights where the satyrs dance, to the hill where the Olympian
+palace hides half its rosy towers among the clouds.
+
+The Queen at first would not recognize her son; the unhappy Prince hung
+his head, and the assembled courtiers laughed long and loud at the
+awkward silence of the youth.
+
+Bacchus, however, was not to be frightened by laughter, however
+inextinguishable, and he pleaded his brother's cause so well that the
+Queen finally consented to overlook his ugliness, and ordered that a
+palace be built for him.
+
+"All I ask," said the Prince, "is a workshop, a pair of bellows, and a
+forge."
+
+"Then you are not my son, after all," exclaimed the Queen. "You are
+nothing but a poor blacksmith."
+
+"'Tis true I am a blacksmith," he answered, "but I will show you that I
+am no common workman."
+
+Concealing her astonishment, the Queen ordered his request to be
+granted, and Hephaestus, glad but silent, limped away.
+
+Day after day found him at his work; and at length one morning, when the
+King and Queen were sitting in their banqueting hall, the doors were
+thrown open, and there appeared at each entrance a golden table laden
+with nectar and ambrosia.
+
+One by one the tables walked across the hall as if they had been alive,
+and close behind followed Hephaestus, supported on either side by lovely
+maidens, fashioned, like the tables, out of gold.
+
+To the King he presented a golden sceptre and thunderbolts, which no one
+but Zeus himself could hold.
+
+"Thou art indeed our son," cried the King. "Choose what thou wilt, and
+it shall be given thee."
+
+Looking around the court, the eyes of Hephaestus rested at last on
+Venus--a Princess so beautiful that she was supposed to have been made
+of sea-foam.
+
+"Grant me, O Zeus, that I may have this lady for my wife," said
+Hephaestus.
+
+The request was granted almost before it was asked, and the wedding
+which followed was one of the most brilliant that had ever taken place
+in the country of Olympus.
+
+Venus, however, was as false as she was beautiful, and Hephaestus was
+often unhappy; but he consoled himself as best he could by keeping
+perpetually at work, sometimes making a brazen shield for one friend, or
+forging a suit of armor for another.
+
+So it came to pass that the lame boy Hephaestus, exiled from his father's
+court on account of his ugliness, became the world-renowned royal
+blacksmith, honored by all for his patient endurance of wrong, for his
+matchless skill, and for his loving service.
+
+
+
+
+THE BLUE GROTTO.
+
+BY JAMES B. MARSHALL.
+
+
+"Did you ever see any blue-colored people?" asked Miss Bertha, aged ten,
+shortly after my introduction to that young lady at Naples. I was forced
+to confess that, though my acquaintances had shaded from white to black,
+and brown to red, I had never been fortunate enough to boast of a blue
+one.
+
+"Oh, I saw 'most a hundred the other day!" said she, triumphantly. "Then
+did you ever see a silver-colored man?"
+
+"A silver-colored man? Miss Bertha dear, I have an idea that you have
+been to fairy-land."
+
+"He was a real silver-colored man," said she, very earnestly.
+
+"I suppose he was the King of the fairy-land you went to."
+
+"Oh no, he wasn't; he was a big boatman. But it was just like
+fairy-land; it was splendid!--really, just splendid!"
+
+It proved that the dear little enthusiast had been, a few days previous,
+on a visit to the Island of Capri to see the famous Blue Grotto; since
+which she had been startling people with her descriptions of blue folks
+and a silver man.
+
+Seeing that I couldn't have a better guide than Miss Bertha, the next
+morning we and a jovial party went on board of the tiny steamer that
+plies between Naples and the eighteen miles distant Island of Capri,
+hollowed under the cliffs of which the Blue Grotto is situated. The Bay
+of Naples, you know, is called the most beautiful in the world, and a
+sail across it is a lovely thing in itself. There are such glorious blue
+skies overhead, and such clear blue waters underneath, that the steamer
+appears to bear one through the air between two skies. Then, close to
+Naples, is seen that wonderful volcano, Vesuvius, with always a cloud of
+smoke curling lazily out of its crater. And, besides, the white houses
+of Naples are so built on a hill-side, the streets climbing to the top,
+that a few miles away that too is a handsome sight. Miss Bertha told me
+that they were the marble steps to the giant's palace, whose bird was
+carrying us to the enchanted island to show us the giant's jewel-room.
+Capri then looked like a distant light-house, merely a brown rock rising
+out of the sea.
+
+As we went bobbing over the waves it grew higher and higher, which Miss
+Bertha explained was the correct thing for it to do, until, when the
+steamer anchored a little distance from its cliffs, it rose straight up
+from the water to a dizzy height. A flock of little skiffs crowded
+around the steamer for the passengers, and Miss Bertha, taking charge of
+me, led me into one.
+
+"But the Grotto, where is it?" I asked, staring at the huge cliffs,
+straight at which our red-sashed boatman was rowing us as if to
+destruction.
+
+Skiff after skiff ahead of us was seen to be swallowed up in the cliffs
+in the most amazing way, and not an opening in the rocky wall to be
+seen. "You mustn't be afraid," said my sweet little guide, assuringly:
+"it won't hurt;" and she gave me her hand, that--perhaps I shouldn't
+tell--trembled a little, and directly its mate stole into my grasp.
+
+"Lie low down," said our boatman, when the skiff was within a few feet
+of apparently smashing against the cliff.
+
+"And shut your eyes tight," said Miss Bertha, screwing up her eyes so
+tight that she showed all of her pretty white teeth in the funniest way.
+The skiff scratched and bumped on the rocks a few times, and then
+floated clear.
+
+The bright sky was gone, the gulls flying about the cliffs were gone,
+the steamer was gone, and the cliffs themselves were gone: we had
+slipped under them, through a tiny opening, and were in the Blue Grotto.
+The blue roof rose high above us, and there was ample room within the
+Grotto for many times the numerous blue skiffs filled with blue-haired
+blue people, all dressed in blue clothes, and breathing blue air. That
+is just the way we appeared. The water was lighter-colored than the air,
+and when a boatman jumped overboard, his every action being distinctly
+seen, he seemed to be flying in air, and not diving in water. It gave
+one a weird crawly feeling to see him, and when he came to the surface
+it seemed to be the most natural thing for him to tumble back to us
+after capering around in the sky. Then he crawled out on a rock to allow
+the water to drain off his clothes, and then it was that Miss Bertha's
+promise of a silver man was made good. He stood there a moment,
+appearing like a burnished silver statue, and the trickling drops as
+they fell from him sparkled with silvery glitter.
+
+An oar splashed in the water sent the drops flying into the blue air, to
+glimmer there in silver brightness a moment, like a patch of the starry
+Milky Way on a frosty night.
+
+"Isn't it lovely!" said Bertha, clapping her hands joyfully; "and you
+can get a whole handful of silver by just reaching for it, but you can't
+keep it." She grasped the blue water as she spoke, and it escaped
+through her fingers in glittering drops, as if a handful of coins was
+melting in her palm. Whatever is held in the water assumes, for the
+time, this silver-color, and the blades of the oars shone as though the
+Capri boatmen were so rich that they had made them of pure silver.
+
+For hundreds of years the Grotto was known to exist somewhere under the
+cliffs of the island, but so small is the entrance that it was not
+rediscovered until this century. It can not be entered except the sea
+around the island is very calm; and as all the beautiful effects are due
+to the refraction of light, the bright mid-day sun should be shining
+without.
+
+
+
+
+THE ALBATROSS.
+
+
+[Illustration: A SKIMMER OF THE SOUTHERN SEAS.]
+
+Far away in the desolate South Seas there lives a large and beautiful
+bird called the albatross, the giant member of the petrel family. The
+wandering albatross (_Diomedea exulans_) is the largest of its tribe.
+Specimens have been captured measuring four feet in length, and with an
+expanse of wing from ten to fourteen feet. The body of this bird is very
+large, its neck is short and stout, and its head is armed with a
+powerful hooked beak from six to eight inches long. It is snowy,
+glistening white, its long wing-feathers tipped with black.
+
+Its mighty strength of wing renders it the admiration of all navigators,
+who fitly name it the lord of the stormy seas. In the desolate regions
+where it lives the sailors hail its appearance with delight, as it comes
+sailing around the ship with majestic, careless flight, rising, sinking,
+now swooping down to seize some cast-off mouthful of food, now poising
+high above the mast-head, moving with the ship at the most rapid speed,
+and yet with scarcely a perceptible movement of its gigantic wings.
+
+In storm or calm the albatross is master of the wind and waves. Sailors,
+straining every nerve to guide the laboring, struggling ship through
+tempestuous seas, look up, and see far above their heads the albatross
+calmly breasting the gale, its majesty unruffled, and its great
+out-stretched wings as motionless as on a still, sunny day. Its strength
+of flight is marvellous, and is said to be superior to that of any other
+bird. Sailors have captured these royal inhabitants of southern polar
+regions, and marked their glistening breasts with spots of tar, that
+they might distinguish them and determine their power of endurance; and
+in several instances the same bird has followed a ship under full sail,
+before the wind, for seven days and longer, circling round and round,
+and apparently taking no rest, its sharp eye always watchful for any
+refuse of food cast overboard by the sailors.
+
+The albatross is very voracious, and easily caught, as it is neither
+cunning nor shy. As it lives in desolation, and has little to do with
+men, it knows nothing of trickery, nor dreams of the plots laid against
+its royal freedom. An interesting account is given of the capture of an
+albatross by an officer of a French ship. It was a sunny, windy day, and
+the vessel was speeding along near the dreary Tierra del Fuego, when a
+great shadow like a cloud passed over the deck. On looking up, the
+officer saw an immense albatross, its white breast glistening like snow,
+floating aloft with wide-spread wings. Wishing to examine the bird more
+closely, he gave orders for its capture. Fastening a piece of fat pork
+to a strong hook attached to a line, a sailor threw it overboard, and
+allowed full forty yards of cord to run out. The albatross soon descried
+the tempting morsel, and sweeping down in graceful circles to seize it,
+was soon securely hooked. The only show of resistance it made to being
+drawn on board was to extend its wings, and utter loud discordant cries.
+Once on deck, its grace and majesty vanished. It showed no fear, and the
+hook, still fastened in its beak, did not seem to annoy it; but no
+landsman could have been more awkward than was the albatross on the
+smooth rocking deck. It staggered and waddled clumsily, and tried in
+vain to lift itself with its wings. It showed considerable temper, and
+snapped furiously at all who approached, and the captain's dog, which
+came trotting up, full of curiosity over the strange visitor, received a
+terrible blow from the hooked beak, which sent him howling with pain to
+the most distant corner of the deck. As the officer was desirous to
+preserve the beak, breast, wings, and feet of this magnificent creature
+as souvenirs, he ordered the sailors to kill it, although he states that
+it impressed him as though he were commanding the execution of some
+royal personage.
+
+The albatross is an expert swimmer, and floats on the waves like a piece
+of cork, riding in undisturbed serenity over the lofty foaming crests of
+stormy billows. It is not, however, a good diver, and is obliged to
+subsist on whatever food comes to the surface. It might be called the
+vulture of the seas, for dead fish, floating carcasses of whales, and
+other sea refuse form its main diet.
+
+The habits of the albatross during the breeding season are still
+partially veiled in mystery, as the desolate mossy headlands of Tristan
+d'Acunha, Inaccessible Island, and other lands lying far to the
+southward, where the albatross makes its nest, are visited only at rare
+intervals. The island of Tristan is circular, and almost entirely
+volcanic, and on the summit of its cliffs, which rise a thousand feet
+above the sea, on broad dreary plains of dark gray lava, the albatrosses
+gather some time during November, and prepare themselves nests.
+Selecting some space free from tussock-grass, the bird scrapes together
+a circle of dried grass and clay, in which it lays one egg about the
+size of a swan's, white, with a band of small brick-red spots round one
+end. But few naturalists have been able to visit these great breeding
+warrens, and none have determined how the albatross lives and feeds its
+young during its absence from the ocean. It is certain that the great
+bird rarely leaves its nest, for there is a wicked little robber gull
+ever on the watch to break and eat the egg, should the mother-bird
+desert it for a moment.
+
+The young, when hatched, are snow-white, and covered with a soft woolly
+down. A traveller once climbed up the dangerous precipice of Tristan
+d'Acunha, and saw these young helpless things lying in the nests, while
+several hundred pair of parent birds were stalking awkwardly about. They
+all snapped their beaks with a great noise, and ejected from them an
+offensive oil--their only means of defense. The same traveller visited
+the place five months later, when he found all the young albatrosses
+sitting in their nests as before, but the old birds had all disappeared.
+It is supposed that an albatross must be a year old before it can fly;
+and as the parents depart some time in April for their ocean hunting
+grounds, and are never seen to return until the breeding season again
+comes round, it is astonishing what feeds and supports the young until
+they are able to hunt for themselves. Naturalists wonder over this
+point, and advance many different theories, but as yet no facts have
+been discovered in regard to the diet of the young and helpless bird.
+
+The albatross was formerly regarded with superstitious reverence by
+sailors, who considered this majestic companion which came around the
+ship in desolate icy seas as a bird of good omen; and to kill one was
+considered a crime that would surely be punished by disaster and
+shipwreck. Coleridge, the English poet, has written a wonderful poem on
+this superstition, called the "Rime of the Ancient Mariner," to which
+Gustave Dore, a French artist, has drawn a series of illustrations
+picturing the lonely frozen ocean, and the majestic, lordly albatross
+which the unhappy sailor shot with his cross-bow, thereby bringing
+misfortune and death on the goodly ship and its crew.
+
+
+
+
+[Illustration: "KITTY, YOU CAN'T HAVE MY APPLE."--ENGRAVED FROM A
+PICTURE BY F. DIELMAN, BY PERMISSION OF R. E. MOORE, AMERICAN ART
+GALLERY, NEW YORK.]
+
+
+
+
+A BEAR STORY.
+
+BY EMILY H. LELAND.
+
+
+A good many years ago, when the century was young, there came to live in
+the big forests of Northern Vermont a man and his wife and their little
+boy. Partly because they liked to be high up out of the fogs and damp,
+and partly because there was little else but hilly land in that part of
+the country, they built their cabin at the top of a nice baby mountain,
+which was covered at the back with an immense orchard of maples and
+butternuts, but which was quite bare and steep at the east side, and had
+rocks cropping out which the farmer thought would be fine for building a
+good stone house with some day.
+
+It was long, hard work starting a farm in a place where there was
+nothing but woods; but after a year or so had passed by, and enough
+trees had been cleared away to make room for a corn field and a potato
+patch, and a little chicken-house and cow-shed had been added to their
+log-cabin, the young farmer used to sit down before their rough stone
+fire-place, with its bright crackling fire, and trot his boy to sleep
+upon his knee, while he watched the pretty young mamma putting away the
+supper things, thinking all the time what a rich and happy man he was.
+And when at last a pig-pen was joined to the cow-shed, and two cunning
+little pink-nosed pigs had been bought of a neighbor five miles away,
+and placed in it, he felt richer and grander than many a man does
+nowadays who owns a railroad.
+
+And how they grew, those pink-nosed pigs! They had a southern exposure,
+good drainage, plenty of dry leaves and moss for bedding, and an
+abundance of milk, with an occasional handful of cracked corn or a pint
+of mashed potatoes. How could they help growing? The farmer took great
+delight in feeding them, and his wife would sometimes ask him, with a
+laugh, "Now, Stephen, which do you love the most--the pigs or our little
+'Lisha?"
+
+Elisha was the baby's name. They hadn't thought of such names as Carl
+and Claude and Clarence in those days.
+
+One fine moon-lit night, late in the fall, after the corn had been
+husked and carried into the loft, and some of the big yellow pumpkins
+had been cut into strips and hung on long poles near the kitchen ceiling
+to dry, and others had been stored away for the cow's luncheons and the
+Thanksgiving pies, and the potatoes were safe in the cellar, and the
+onions hung in long strings above the mantel-shelf, this young farmer
+covered up the glowing coals in the fire-place with ashes, so they
+would keep bright and hot for the morning fire, and went to bed feeling
+quite well prepared for winter, for he had that day "banked" the house
+clear up to its queer little windows, and made the cow-shed and pig-pen
+and hen-house very cozy with loads of hemlock and spruce boughs.
+
+He was just dozing off to sleep, when all at once there sounded through
+the still, frosty air a long and terrible squeal from the pig-pen.
+
+The farmer did not wait for it to end, but bounced out of bed, tore away
+the clumsy fastening of the door, and rushed out with a war-whoop that
+could have been heard a mile away if there had been anybody to hear it.
+As he rushed he caught up a corn stalk that happened to lie in his way.
+A corn stalk was a foolish thing for him to pick up, but people seldom
+stop to think twice in such moments. He was around by the pig-pen in no
+time, and there he saw a great burly _something_ just lifting one of his
+dear little pigs over the top of the pen. He rushed upon him, and struck
+him over the head with the corn stalk. There was a joint in the corn
+stalk nearly as hard as a crust of bread, and the _something_ seemed to
+almost feel it through his thick fur, for he turned about and looked at
+the farmer, as if saying,
+
+"What do you want of _me_?"
+
+And there he was--a great, black, full-grown bear!
+
+"Drop him! drop him!" yelled the farmer; and he brought the corn stalk
+down upon the bear's nose. The bear dropped the pig very quickly, but he
+grabbed the man in place of it, and then commenced a grand wrestling
+match. The farmer was a strong man, and he was "fighting for the right."
+The bear was strong too, and being a little tired of wild honey and
+beech-nuts, he had made up his mind to have a little spring pig for his
+family's supper. As they pushed and pulled this way and that, the bear
+tripped against a stump, and down they came, bear and man, to the
+ground; and being near the steep hill-side, in about ten seconds they
+began rolling down, over and over, and faster and faster, bumping over
+rocks and hummocks, but never letting go, and never stopping until the
+bottom of the hill was reached.
+
+And then--
+
+Up got Mr. Bear, and made off down the valley at a slow trot, never
+stopping to say "good-night" or anything. And up got the farmer, and
+scrambled up the hill as fast as his bruised legs could carry him, and
+feeling of his ribs as he went, expecting to find half a dozen of them
+at least punching out through his night-gown. But they were not.
+
+At the door he was met by his wife keeping guard with the birch broom
+over her sleeping boy.
+
+"Oh, Stephen! what _was_ it?" she said, in a shivering whisper.
+
+"Oh! nothing but a bear, nothing but a bear," said the farmer.
+
+But the little pigs slept in the hen-house for the rest of the night,
+and the next day they had a stout log roof built over their heads.
+
+
+
+
+PROFESSIONAL DIVERS.
+
+
+One of the diver's earliest experiences is a disagreeable "roaring"
+sensation in the ears for some time after his first descent; but this is
+little felt after he becomes accustomed to his work. It is caused by the
+air pressure, which increases with depth. From the same cause the diver
+often experiences a sensation amounting to earache, which any one may
+test for himself by descending in a diving-bell. With regard to the mode
+of working, it is noteworthy that, instead of moving gradually outward
+after reaching the bottom, the diver usually gropes at once to the full
+length of his tether in the required direction, and then works slowly
+back to the starting-point. He considers this the safer method, partly
+because it leaves him at the finish directly at the place whence he has
+to rise.
+
+The length of time during which a diver can remain under water depends
+very much upon his own strength and experience, the steady care with
+which the air-pump is managed, and other circumstances. M. Frendenberg
+states that in the repair of the well in the Scharley zinc mines, in
+Silesia, two divers descended to a depth of eighty-five feet, remaining
+down for periods varying from fifteen minutes to two hours. Siebe,
+another authority on the subject, relates that in removing the cargo of
+the ship _Cape Horn_, wrecked off the coast of South America, a diver
+named Hooper made seven descents to a depth of no less than two hundred
+and one feet, and at one time remained down forty-two minutes--supposed
+to be the greatest diving feat ever achieved.
+
+
+
+
+JOE.
+
+BY MRS. MARGARET E. SANGSTER.
+
+
+  Bright brown eyes and tangled hair,
+    Rosy cheek beneath the tan,
+  Fearless head on shoulders square--
+    That is Joe, the little man,
+    Helping mother all he can.
+
+  Father is away at sea
+    (Oh, the vessel tarries long!):
+  Lonely would the cottage be,
+    Many a weary day go wrong,
+    But for Joe, with shout and song.
+
+  Rough the weather, fierce the gales,
+    Wild the nights upon the shore:
+  Oft the dear wife's courage fails,
+    When she hears the breakers roar,
+    Lest her sailor come no more.
+
+  Joe, with lion heart and leal,
+    Tells her it is safe outside;
+  That the deep sea does not feel
+    All the troubles of the tide;
+    That the good ship safe will ride.
+
+  Mother heeds her comforter:
+    He is only eight years old,
+  But his earnest words to her
+    Are as rubies set in gold--
+    Precious with a worth untold.
+
+
+
+
+MR. THOMPSON AND THE BUMBLE-BEE.
+
+BY ALLAN FORMAN.
+
+
+"Buzz, buzz-z, buzz-z-z," scolded old Mr. Bumble-Bee, flying around Mr.
+Thompson's head. Mr. Thompson didn't understand him, however, and only
+brushed at him impatiently, and said, "Get out!" in a tone anything but
+sociable; but the old bee kept flying around just the same, and
+complained in his drowsy voice: "Buzz, buzz-z, buzz-z-z. I wish you
+would go away. I want to get into my house, and I don't want you to see
+me. My family are in there, and we are making bread to-day, and unless I
+get home with the flour, my wife will scold awfully. Buzz, buzz-z,
+buzz-z-z."
+
+But in the mean time Mr. Thompson had fallen asleep, and the old bee sat
+down on the fence rail and watched him. "Hum, hum, hum," he murmured. "I
+guess that he has gone to sleep. I don't see what men want to stay awake
+for, anyway; they are not half so much trouble when they are asleep. And
+only listen how nicely he can buzz through his nose!--he really seems to
+be quite like a sensible bee."
+
+Now Mr. Thompson says he did not go to sleep at all; he says that he
+only closed his eyes, and in a few minutes he could understand every
+word that the old bee said.
+
+"He's a pleasant-looking man," buzzed the bee. "I wonder if he likes
+honey?"
+
+Mr. Thompson answered through his nose that he was very fond of it.
+
+"Sensible, too," said the bee, who thought (all bumble-bees do) that
+anybody who agreed with him must be sensible. Then, turning to Mr.
+Thompson, the bee murmured, in a more pleasant hum, "If you like honey,
+try some of this." As he said it he alit on Mr. Thompson's lips, and
+pressed some of the honey he had with him into his mouth.
+
+Mr. Thompson began to grow smaller, and as he shrunk in size, his light
+alpaca duster became gauzy, and formed itself into wings. Just as he had
+begun to wonder how long it would take him to shrink into nothing, the
+bee said, "There, I guess that will do."
+
+Mr. Thompson stretched himself, and found to his surprise that he was in
+reality nothing more than a large black bumble-bee. He shook his wings,
+arose, and, flying around for a few moments, settled on the fence rail.
+He has since told me that if it is true, as Mr. Darwin says, that men
+were evolved from the lower orders of animals, they made the greatest
+mistake of their lives when they left off their wings.
+
+"Well," remarked the old bee, "you look quite presentable. Won't you
+drop in and take dinner with me? My wife would be delighted to see you."
+
+Mr. Thompson thought how much he resembled a certain highly respectable
+old gentleman who was wont to invite his friends to his humdrum dinners,
+and buzz them unmercifully in the same drowsy way. But as he did not
+like to offend his new friend, he answered, politely, that he would be
+most happy, and followed him under the rail into a round hole that was
+the door of the bumble-bee's house.
+
+They entered a long cylindrical corridor, or, as the old bee expressed
+it, "arched at the top, sides, and floor." It was lined with the fibres
+of the wood, and was as soft as velvet. After walking some distance
+along the hall, they reached a part where it widened into a sort of
+parlor. Here Mrs. Bumble-Bee was seated, resting from the labor of
+bread-making.
+
+"Well, you are home at last," she buzzed, angrily. "I'll be bound you
+forgot the flour."
+
+"Why, my dear, don't you see it? I have it here," answered Mr. Bee,
+soothingly, pointing to two little yellow bundles on his legs.
+
+After greeting her guest, Mrs. Bee excused herself on the score of
+domestic duties, and busied herself in carrying the flour, or pollen,
+into the corridor above. Soon she returned, and after they had made a
+meal of bee-bread and honey, Mr. Bumble-Bee proposed to show his guest
+through his mansion. They passed through several long corridors, so
+constructed that the rain could not beat into the living-rooms, as Mr.
+Bee explained. One end of one of the upper galleries was securely walled
+up, and in another compartment lay three or four worm-like insects
+almost covered with bee-bread.
+
+"What is this room used for?" inquired Mr. Thompson.
+
+"This is the nursery," answered Mr. Bee, proudly.
+
+"Ah, indeed! And what are those white, ugly-looking grubs?"
+
+Mr. Bee looked aghast for a moment, but his surprise quickly turned into
+indignation, as he buzzed, angrily: "Grubs! grubs! ugly-looking grubs!
+Those, sir, are my children, sir, and I flatter myself that a more
+charming family does not exist. Grubs, forsooth! Out of my house, base
+insulter!" And before Mr. Thompson could apologize, Mr. Bee had pushed
+him out, and stung him on the end of his nose.
+
+He fell, and as he dropped from the rail he began to grow larger, and
+when he reached the ground he had assumed his natural proportions. He
+found himself lying in the same place beside the fence that he had
+occupied when the bee first spoke to him.
+
+When he related the story to his friends, some one suggested that he had
+dreamed the whole adventure. He gently touched his inflamed and swelled
+nose, and answered, in a grieved tone, "I suppose I dreamed this too."
+
+This argument was unanswerable, and Mr. Thompson is now engaged in
+writing a lecture on the habits and customs of the bumble-bee. Among
+other things he says, "Bumble-bees only consider those people sensible
+who agree with them"; and again, "Bumble-bees invariably think their own
+children the most beautiful and interesting creatures in existence."
+
+Which facts, if they are true, show the great superiority of men over
+bumble-bees.
+
+
+
+
+THE STORY OF GEORGE WASHINGTON.
+
+BY EDWARD CARY.
+
+
+CHAPTER II.
+
+After the close of the French and Indian war, Washington, then in his
+twenty-seventh year, married Mrs. Martha Custis, and settled down to a
+Virginia planter's life at Mount Vernon. His neighbors elected him again
+and again to the House of Burgesses of the colony--a body much like one
+of our State Legislatures. Here he did not talk much, but he kept close
+watch of matters, and knew, as nearly as he could, all the facts that
+were needed to make up his mind, so that he had a good deal of weight
+with other members, and yet was very modest. When he first took his seat
+in the House, the Speaker was directed to thank him, in the name of the
+people, for his great services as an officer. This the Speaker did in
+glowing terms, quite unexpectedly to Washington. Washington rose to
+reply. His face flushed; he struggled to speak; but could only stammer,
+and stood speechless and trembling. "Sit down, Mr. Washington," said the
+Speaker, with a smile. "Your modesty equals your valor, and that
+surpasses the power of any language that I possess."
+
+After Washington had been some ten years at Mount Vernon, looking
+forward to the peaceful and easy life of a wealthy farmer, certain
+things happened which seemed then of small account, but which were to
+lead to a great change in his career. The government of Great Britain
+undertook to raise money in America for use on the other side of the
+ocean. This government was made up of the King and the Parliament, and
+the Parliament was for the most part chosen by the people of England.
+The people of America were not allowed to choose any of its members, and
+when the British government declared that the Americans must raise money
+for it, the Americans had no one to vote for them or speak for them on
+that question. They thought that this was not fair. They were willing to
+pay the expenses of their own governments, because they had some voice
+in them, but they would not help pay the expenses of the British
+government, in which they had no voice.
+
+The British government passed an act which said that every written
+promise to pay money must be upon stamped paper, which could only be got
+by buying it from British officers. If the promise was not on this kind
+of paper, the man who signed it need not pay. The British thought this
+would bring in a good deal of money. But the Americans would not use the
+stamped paper. They seized that which was sent over, and burned it.
+Other kinds of taxes were tried, but the Americans would pay none of
+them. Washington took the side of his countrymen with great zeal. He
+wrote to a friend: "I think the Parliament of Great Britain have no more
+right to put their hands into my pocket, without my consent, than I have
+to put my hands into yours." But the British government insisted, and
+sent over troops to Boston to try and force the people to submit.
+
+Washington was one of a number who proposed that a Congress, or great
+meeting, should be called to arrange for resisting the taxes, and he
+was chosen to go to the Congress, which was held at Philadelphia in
+September, 1774. Meanwhile more soldiers were sent over. An attempt was
+made on the 19th of April, 1775, to seize some powder which the
+Americans had at Concord, near Boston, and the result was the battle of
+Lexington, where a good many Americans were killed, but where the
+British soldiers were finally driven back. Large numbers of men took
+their guns and gathered at Boston to watch the British troops, and keep
+them in the city. They came from Massachusetts and the other colonies
+called New England--from Connecticut and Rhode Island, and from New
+Hampshire and Maine.
+
+The Congress came together again in May, 1775, and Washington was also
+there. The battle of Lexington had been heard of, and the people were
+everywhere angry and excited.
+
+[Illustration: WASHINGTON TAKES COMMAND OF THE ARMY.]
+
+The Congress resolved to resist all attempts by the British to force the
+country to submit. It called for troops and guns and powder from the
+various colonies. It adopted the soldiers around Boston as a part of the
+"Continental Army," or the army of the whole country; it chose
+Washington as commander-in-chief, to have the direction of all the
+soldiers. When this was made known to him, he thanked Congress for the
+honor, but he added, "I beg it may be remembered by every gentleman in
+this room that I this day declare with the utmost sincerity I do not
+think myself equal to the command I am honored with." He also refused to
+take any pay for his services. "I will keep an exact account of my
+expenses," he said. "These, I doubt not, Congress will discharge, and
+that is all I desire." Washington hastened to Boston, learning of the
+battle of Bunker Hill on the way. He found some seventeen thousand men
+around Boston, and took command of them on the 3d of July, under a great
+elm-tree, on the common in the village of Cambridge. He was then
+forty-three years old, and a very tall and fine-looking man. His
+features were large, his eyes were of a pure blue, usually grave, but
+full of kindness, and at times very merry. His manners were gentle, but
+full of dignity, and they often seemed very cold to those not well
+acquainted with him, though at heart he was not cold.
+
+[TO BE CONTINUED.]
+
+
+
+
+[Illustration]
+
+PUCK AND BLOSSOM.
+
+From the German of Marie von Olfers.
+
+
+PART II.
+
+"Ow!" sobbed Blossom, "that hurt."
+
+"Never mind," said Puck, comfortingly, "things never go right the first
+time; it'll be better by-and-by."
+
+Then they went and they went, till they came to a great big pond. "This
+is a horrid world," sighed Blossom. "Hope we've dot to the end of it
+now. Hope we'll soon det back to our dood old egg."
+
+"But let's go see how it is over there first," said Puck. "Ducky, ducky,
+come and carry us across."
+
+"Ow! but then my little white frock will det all dirty," said Blossom.
+
+"What does that matter?" answered Puck; "we shall see how it is over
+there." Over there was very much the same as it was over here. The duck
+ducked them finely.
+
+"So you'll know how it is down here too," he said.
+
+Dripping, they stood upon the shore.
+
+[Illustration]
+
+"Ow! ow!" sobbed Blossom, looking very miserable indeed; "if it doesn't
+det better soon, I don't want to see anything more at all, I don't."
+
+[Illustration]
+
+"Of course it'll get better," said Puck; "the sun'll dry us." The sun
+looked out condescendingly from the clouds for a moment, and then
+disappeared. "Come, Blossom," said Puck, "who cares for the old sun!
+Just as though there wasn't fire anywhere but up there! There's some
+down here too. I know where it lives--down there in that little house."
+
+Yes, down there in that little house.
+
+[Illustration]
+
+"In the ashes, inside the stove," said the cat, who was looking after
+things while the cook was away.
+
+"It's asleep," said Puck. "Wait; I'll soon wake it up." So he blew and
+he blew, but it would not wake up at all. The sparks looked out at him
+with grim and wrathful eyes, while Puck blew more and more madly on.
+
+[Illustration]
+
+At last it did wake up. It sprang out of the stove, wild and raging; it
+grew bigger and bigger; the children fled, the fire behind them--Blossom
+ahead, terrified, shrieking, screaming.
+
+The fire had caught Puck, had wrapped him round in a great sheet of
+flame!
+
+But Blossom cried, and cried, and cried, so bitterly that the fire was
+all put out, and there was nothing left but a great black smoke.
+
+[Illustration]
+
+Then Puck gathered together all there was left of him, and they went
+sorrowfully on their way to find their egg.
+
+[Illustration]
+
+Ah me! it was broken in two, and gone. But the nest was still hanging on
+the tree. In great haste they climbed in, never venturing to leave it
+again, and if they are not dead, they are sitting there still.
+
+THE END.
+
+
+
+
+[Illustration: OUR POST-OFFICE BOX.]
+
+
+  SOUTH WINDSOR, CONNECTICUT.
+
+     We live near the Connecticut River, and when I am out of school I
+     hunt ducks and musk-rats. I like to ride horseback when I can get
+     a horse, which is not often, but I can row on the river. I have
+     two kittens to play with. One of them climbs up on father's back
+     when he is eating, and when he takes a bite Kitty will try to get
+     half of it. We live near woods, and in the summer we ramble in
+     them, and in the autumn we gather nuts. The land here is mostly
+     cultivated for tobacco, and on the tobacco lots and on the
+     river-bank we find a number of Indian relics. One of the boys here
+     found a store of arrow-heads. There were about one hundred
+     together. I am eleven years old.
+
+  B. D. ARCHER.
+
+       *       *       *       *       *
+
+  FORT CUSTER, MONTANA TERRITORY.
+
+     I am ten years old. My papa is captain in the army. I have never
+     been to school, and can not write quite as nice a letter as some
+     other little girls of my age. I have a big brother who is
+     thirteen, and a sister two years and four months. My brother's
+     name is Willie. Last year he went off to school. Nannie, my
+     sister, says very funny things. Sometimes she will come running
+     in, and say, "I am so hunky dory I don't know what to do; want
+     sonton to neat." Can any little girl tell what this means? I read
+     a letter from an army girl who is older than I. I looked in the
+     register to see if her papa's name was there, and I found it. My
+     papa is in the Eleventh Infantry, and maybe Grace Henton and I
+     will meet some day. I hope she will see my letter.
+
+  ETTA M. GILBREATH.
+
+       *       *       *       *       *
+
+  MANCHESTER, NEW HAMPSHIRE.
+
+     I like YOUNG PEOPLE a great deal. Papa gets it, and puts a pin in
+     and cuts it, and we look at it till dinner is ready. When I go to
+     bed, mamma reads it to me, and lays it on the little table, so I
+     can look at the pictures before I get up in the morning. On George
+     Washington's Birthday night I went to the barn to get Sallie, my
+     cat. I found her in an old barrel, and was going to tip it over,
+     when I heard something squealing a little squeal. There were two
+     little kittens there. Mamma named them George and Martha
+     Washington. I shall be six in May. I told all this to mamma, and
+     my name is
+
+  JOHN.
+
+       *       *       *       *       *
+
+  HARTFORD, OHIO.
+
+     Yesterday was Easter, and I and my little brother had twelve dozen
+     eggs hid. For dinner we decorated some with decalcomanie pictures,
+     and they were very pretty. I have thirteen little chickens, and a
+     pet hen which I call Nellie Gray. My canary is named Hettie. Some
+     of the young correspondents write of spring flowers, but I have
+     not found any yet.
+
+  MAUDE K.
+
+       *       *       *       *       *
+
+  BISMARCK, DAKOTA TERRITORY.
+
+     We have plenty of Indians here, although there are not so many as
+     there were five years ago. They come now mostly in scouting
+     parties. The party is often as large as Custer's cavalry that was
+     here in 1877. Are there many of the readers of YOUNG PEOPLE who
+     are fond of house-plants? I would like to hear what kinds they
+     have, and how they take care of them.
+
+  M. R. L.
+
+We think, judging from their letters, that a large number of the readers
+of YOUNG PEOPLE are fond of those beautiful household ornaments. Mary
+L. S. wrote a short time since from Arkansas: "My house-plants are my
+'pets,' and I assure you I derive as much pleasure from them as if they
+were animated." No doubt many others have the same feeling.
+
+       *       *       *       *       *
+
+Clara Jaquith, in answer to Madison Cooper's question in YOUNG PEOPLE
+No. 21, says: "Somar Griffin, of Ohio, is a very old man. I do not know
+his exact age, but he is about one hundred and fifteen years old. He
+lost an arm about forty years ago by the falling of a tree."
+
+       *       *       *       *       *
+
+  BROOKLYN, NEW YORK.
+
+     The other day a gentleman took dinner with my father, and told us
+     the following story: "A few years ago I spent several weeks with a
+     friend who owned a sheep ranch near San Antonio, Texas. I had a
+     very pleasant time hunting and fishing. One day my friend saw a
+     large wild-cat trying to get into a sheep corral. He seized his
+     rifle, and fired at the beast, and it ran off, pursued by the
+     dogs. That night, when we were all asleep in the tent, I was
+     awakened by a warm breath on my face. On opening my eyes I saw in
+     the dim fire-light the form of a large animal. I was very much
+     frightened, but I had sufficient presence of mind to close my eyes
+     and keep still. Suddenly the animal left me; and turning my head
+     slightly, I saw that it had gone to the other side of the tent,
+     and was eating some of our stores. Very carefully I arose, and
+     crept outside the tent, where was a pile of wood. Seizing a heavy
+     stick, I returned softly, and creeping up behind the beast, dealt
+     it a tremendous blow on the head with my club, which stunned it,
+     and I soon beat it to death. My companions were awakened by the
+     noise; and when we replenished the fire and examined the beast, we
+     found it to be an immense wild-cat. It had a bullet-wound in its
+     shoulder, and was no doubt the same one my friend had shot at in
+     the morning."
+
+  J. BURNET R.
+
+       *       *       *       *       *
+
+  MONTCLAIR, NEW JERSEY.
+
+     I am so interested in the pets which other children write about
+     that I thought I would tell about Peggy, my gray kitten. She plays
+     marbles with me; and when I spin my top, she makes believe it is a
+     mouse, and you ought to see her go for it. When the kitchen door
+     is shut, and she wants to come in, she springs up to the latch,
+     holds on with three paws, and presses the latch down with the
+     other paw, and so walks in. I could tell ever so many funny things
+     she does, but I am afraid my letter would be too long.
+
+  HARRY A. (10 years).
+
+       *       *       *       *       *
+
+  FORT ASSINIBOINE, MONTANA TERRITORY.
+
+     The Indians I wrote you about have lived in their tepees all
+     winter during the very, very cold weather--too cold for me to go
+     coasting. It was often 49 deg. below zero. These Indians have a
+     large number of ugly dogs, and sometimes they hitch them to their
+     travois. The names of the Indians here are Pegans, Gros Ventre,
+     Crow, Assiniboines, Bloods, and Crees. The Sioux and Nez Perces do
+     not come very near to us, as they are afraid our soldiers will
+     fight them. They sent a knife and a pipe to make peace with the
+     soldiers. All the Indians here are very poor, and are killing
+     their dogs and horses to eat, as the buffalo have all gone away.
+
+  BERTIE BROWN.
+
+       *       *       *       *       *
+
+  WEST BERN, NEW YORK.
+
+     I am eleven years old. I liked the music which was published in
+     YOUNG PEOPLE very much. My papa, who is teaching me music, taught
+     me to sing the sailor boy's song in No. 19. We had snow fall day
+     before yesterday to a depth of eight inches, and now (March 29)
+     the sleighs are passing on the road, although the spring birds are
+     hopping about on the trees in the orchard.
+
+  EUDORA S.
+
+       *       *       *       *       *
+
+  PINEY POINT, MARYLAND.
+
+     I live in the country, and have two sisters and one brother. We
+     are all very much interested in the story, "Across the Ocean; or,
+     a Boy's First Voyage." The United States training-ship _Saratoga_
+     was lying in the Potomac River opposite our house last week. About
+     two hundred and fifty young men were on board, and they were
+     firing cannons almost all day. My cousin was on this ship a few
+     years ago, and he said the rules were very strict. The _Saratoga_
+     is a very large boat, and the sailors on board are both large and
+     small boys.
+
+  J. E. M.
+
+       *       *       *       *       *
+
+  FRIOTOWN, TEXAS.
+
+     I am eight years old, and I live in Southwest Texas, which some
+     people think a very wild country. I came from Georgia. I have
+     never seen any Indians here, but I can look out the window and see
+     wild rabbits running, and I can hear mocking-birds sing. There is
+     a very odd bird here called chaparral. I went fishing last week on
+     the Frio River, and I saw some turtles sunning themselves, and
+     ever so many buffalo-fish swimming in the clear water. Mamma reads
+     YOUNG PEOPLE to me every evening.
+
+  ALFRED H. C.
+
+       *       *       *       *       *
+
+  PINE RIVER, WISCONSIN.
+
+     We are so glad when Saturday comes, for then papa brings YOUNG
+     PEOPLE. We each have a doll and a little wheelbarrow. We fill our
+     wheelbarrows with sand, and wheel them round. We bring in wood
+     sometimes. We want Santa Claus to come. We have some new hats, and
+     are not going to wear hoods any more. We want to wear pants and
+     not dresses, but mamma won't let us. Papa writes this, because we
+     can't write yet, but we have read our primer through.
+
+  CHARLIE (6 years) and FRANKIE (4 years).
+
+       *       *       *       *       *
+
+  EAST WATERTOWN, NEW YORK.
+
+     I like the story "Across the Ocean" very much. I have two cats,
+     and a dog named Tip, and a canary named Ned. I am trying to study
+     architecture, and I have made a plan of a house and a church. I
+     like architecture very much, and mean to know all about it when I
+     am a man. I was ten years old the 2d of April. I came pretty near
+     being an April-Fool, didn't I? I have written this letter all by
+     myself, for grandma does not know I am writing.
+
+  FRANK T. W.
+
+       *       *       *       *       *
+
+  INGLEWOOD, CHISWICK, LONDON.
+
+     It was my birthday yesterday, and my brother gave me YOUNG PEOPLE
+     for a present. My father and mother are in Italy, rejoicing in
+     sunshine and flowers. I have no pets to tell you about. We live in
+     a little village of red brick houses, and it is very pretty here.
+     I thank you for making the paper larger than it was at first. It
+     is lovely now.
+
+  MILDRED C. (12 years).
+
+       *       *       *       *       *
+
+Mary B. L., a little six-year-old girl, of Pittsburgh, Pennsylvania,
+sends the following in big capitals: "A fox went around where he knew
+there were some chickens. When he got there, he said,'Come down, and I
+will show you something more beautiful than you ever saw.' 'You talk
+very nice, but I can not trust you,' said a hen, 'so we can not come
+down.'"
+
+       *       *       *       *       *
+
+Daisy W., of Rochester, New York, reports having made a cake by Puss
+Hunter's recipe, and it was very nice.
+
+       *       *       *       *       *
+
+  ST. LOUIS, MISSOURI.
+
+     We have two pet gold-fish which are turning black. Can any one
+     tell me what is the trouble with them?
+
+  VIRGIE C.
+
+       *       *       *       *       *
+
+  OGDENSBURG, NEW YORK.
+
+     I am ten years old, and study geography, and I would like to know
+     why Rhode Island is so called, when it is not an island. I live on
+     the St. Lawrence River. Last winter more than two thousand teams
+     crossed on the ice, and this season not even a man could cross on
+     foot.
+
+  ABNER C. P.
+
+The first settlement of Rhode Island was made on the island where
+Newport is now situated, and which contains about fifty square miles.
+The Indian name of the island was Aquetneck. There are various stories
+in regard to the origin of the present name, but the one generally
+accepted is that it was bestowed on account of a supposed resemblance to
+the Isle of Rhodes. The State was afterward named from the island.
+
+       *       *       *       *       *
+
+H. W. SINGER.--Your question is answered in Post-office Box, YOUNG
+PEOPLE No. 7.
+
+       *       *       *       *       *
+
+SALLIE R. E.--Read the answer to F. S. in Post-office Box, YOUNG PEOPLE
+No. 22.
+
+       *       *       *       *       *
+
+J. H. KNOX.--March is considered the proper season.
+
+       *       *       *       *       *
+
+BESSIE C.--The best way to prevent your bird from eating its eggs is to
+put its food in the cage at night, so that when the breakfast hour
+arrives there will be something fresh and tempting to distract its
+attention. If it still persists in this troublesome habit, we fear there
+is no remedy for it.
+
+       *       *       *       *       *
+
+C. S.--Your inquiry about coloring Easter-eggs came too late to be
+answered for this season, but you can practice now, so that by next
+Easter you will be able to color eggs "nicely." The best way is to
+purchase the coloring matter, as it comes in little packages already
+prepared, and with full directions for use. The way you propose would
+also be very pretty.
+
+       *       *       *       *       *
+
+WINNIE R.--Keyed musical instruments similar in form to the piano were
+in use several hundred years ago. The virginal, shaped like an
+old-fashioned square piano, was a favorite instrument at the time of
+Queen Elizabeth of England, and by some authorities is supposed to have
+been named in honor of the Virgin Queen, as she was called. The
+harpsichord, much in use during the last century, was shaped almost
+exactly like a modern grand piano. The honor of having invented the
+hammer which plays upon the strings of the piano now in use is claimed
+by several nations, but the credit is probably due to Italy, although
+the first pianos are said to have been made in Germany, probably in the
+city of Freyburg. The piano was first called the hammer-harpsichord,
+afterward by the Italian name forte-piano, as it could give both loud
+and soft tones, while the harpsichord produced only loud ones. The name
+was changed later to piano-forte. Pianos are first mentioned as being in
+use about the middle of the eighteenth century.
+
+       *       *       *       *       *
+
+Idella G. S., Edward L. H., and some other young readers in the far
+South inquire what are the willow "pussies" which Northern children
+gathered with so much glee in the earliest days of spring. They are the
+blossoms of the common low willow which grows in great abundance at the
+North, and as they are the first signs that winter is passing away, are
+always heartily welcomed. The buds form in the autumn on the brown
+twigs, and with the first warm spring sun, long before anything green
+has started, they swell, and burst open the brown scaly covering,
+disclosing a soft, downy white ament, or blossom, resembling the toe of
+a white kitty. This resemblance is perhaps the reason why children call
+these early flowers "pussies."
+
+       *       *       *       *       *
+
+A. ENGEL.--Directions for feeding mocking-birds are given in Post-office
+Box of YOUNG PEOPLE No. 13.
+
+       *       *       *       *       *
+
+LOUIE T.--Your rabbit-hutch should be in a dry place, and should have
+two apartments. The sleeping-room should be boarded in, only you must
+have a door which you can open to clean it and supply it with fresh
+straw. The other apartment should have grated sides, and there is where
+the food should be placed. You must feed your rabbits regularly two or
+three times a day. They should have oats or bran for dry food, and
+carrot tops, cabbage leaves, and fresh clover frequently. If you have a
+yard, let them run in the grass an hour or more every day during warm
+weather.
+
+       *       *       *       *       *
+
+K. Post's request in YOUNG PEOPLE No. 22 for long English words, has
+been answered by Bertha F. H., H. P., Hattie N., Thomas J. F., Albert
+H. E., Kent K., Emily J. M., Fanny S., Bertie C., H. H. M., Edith C.,
+Willie H. H., Herbert N. T., G. A. Page, and others. To print all the
+words sent would occupy too much space. We give only a few of the
+longest. Supervacaneousness, unconstitutionality, interchangeableness,
+incomprehensibleness, anticonstitutionalist, disproportionableness.
+_Smile_s and _beleaguered_ have also been suggested, as one has a mile,
+the other a league, between the beginning and the end.
+
+       *       *       *       *       *
+
+Favors are acknowledged from B. E. Mace, C. Hastings, Fred Burgess,
+William Winslow, A. H. Patterson, S. Brown, Jun., Lizzie C., Francis B.,
+Olive Russell, I. H. M., John Moody, "Mark Marcy," Eddie S. P., Henry
+S. P., Henry K., Willie Trott, Alvan G. W., Anna Wierum, Herbie E. L.,
+Lizzie M., Edwin Wilson, Addie Anderson, Lester O. B., Julius Weller,
+Royal, Effie Barker, Fanny Sumner, Altia Austin, Annie Carrier, D. J.
+Reinhart, Metz Hayes, Florence R. H., George Wing.
+
+       *       *       *       *       *
+
+Correct answers to puzzles are received from Philip Cruger, T. H.,
+George Kyte, Maude K., Laura B. W., F. Ozias, "Sunbeam," Leon M. F.,
+Fanny S., Sallie Ely, George S. V., W. F. Bruns, E. B. Cooper, A. H.
+Ellard, "North Star," John Collins, Lillie MacCrea, Lily B., Annie C.,
+Charles Slattery, Hattie Norris, M. K. S., S. G. Rosenbaum, H. L. B.,
+H. K. Pryer, B. L. Townsend, Robert Davidson, M. O., Frank Paine,
+C. B. Howard, Allen Smith, George Schilling, Albert Hegeman.
+
+       *       *       *       *       *
+
+PUZZLES FROM YOUNG CONTRIBUTORS.
+
+No. 1.
+
+NUMERICAL CHARADE.
+
+  I am composed of 8 letters.
+  My 4, 2, 6 is a boy's name.
+  My 1, 2, 7, 6 is a metal.
+  My 8, 3, 5, 1 is to stain.
+  My whole was an ancient king.
+
+  A. H. E. (13 years).
+
+       *       *       *       *       *
+
+No. 2.
+
+ENIGMA.
+
+  My first is in hate, but not in love.
+  My second is in robin, but not in dove.
+  My third is in throw, but not in shove.
+  My fourth is in stare, but not in look.
+  My fifth is in line, but not in hook.
+  My sixth is in straight, but not in crook.
+  My seventh is in village, but not in town.
+  My whole is a fairy of much renown.
+
+  E. S. C. M.
+
+       *       *       *       *       *
+
+No. 3.
+
+DIAMOND PUZZLE.
+
+In blast. A girl's name. A reptile. To pinch. In blast.
+
+  A. L. B.
+
+       *       *       *       *       *
+
+No. 4.
+
+WORD SQUARE.
+
+First, a multitude. Second, a musical instrument. Third, to ascend.
+Fourth, a portion of time.
+
+  BIRDIE.
+
+       *       *       *       *       *
+
+No. 5.
+
+NUMERICAL CHARADE.
+
+  My whole is a South American river of 9 letters.
+  My 5, 3, 7 is a period of time.
+  My 6, 2, 8, 4 is a portion of the earth.
+  My 9, 1, 7, 8, 4 is to correct.
+
+  K. L.
+
+       *       *       *       *       *
+
+No. 6.
+
+DOUBLE ACROSTIC.
+
+A marsh. A tumult. Enormous. A State of the Union. To spread over. A
+rope used for a special purpose. Surrounded by water. To assent.
+Answer--Two trees.
+
+  RIP VAN WINKLE.
+
+       *       *       *       *       *
+
+ANSWERS TO PUZZLES IN NO. 22.
+
+No. 1.
+
+Fifteen.
+
+No. 2.
+
+  D  roo  P
+  A   nn  A
+  I   n   N
+  S treet S
+  Y earl  Y
+
+Daisy, Pansy.
+
+No. 3.
+
+  S N O W
+  N A M E
+  O M E N
+  W E N T
+
+No. 4.
+
+Noli me tangere.
+
+No. 5.
+
+      A
+    A N T
+  A N G E R
+    T E A
+      R
+
+No. 6.
+
+Whittier.
+
+       *       *       *       *       *
+
+Charade on page 296--Caterpillar.
+
+
+
+
+ADVERTISEMENTS.
+
+
+
+
+HARPER'S YOUNG PEOPLE.
+
+HARPER'S YOUNG PEOPLE will be issued every Tuesday, and may be had at
+the following rates--_payable in advance, postage free_:
+
+  SINGLE COPIES                      $0.04
+  ONE SUBSCRIPTION, _one year_        1.50
+  FIVE SUBSCRIPTIONS, _one year_      7.00
+
+Subscriptions may begin with any Number. When no time is specified, it
+will be understood that the subscriber desires to commence with the
+Number issued after the receipt of order.
+
+Remittances should be made by POST-OFFICE MONEY ORDER or DRAFT, to avoid
+risk of loss.
+
+ADVERTISING.
+
+The extent and character of the circulation of HARPER'S YOUNG PEOPLE
+will render it a first-class medium for advertising. A limited number of
+approved advertisements will be inserted on two inside pages at 75 cents
+per line.
+
+  Address
+  HARPER & BROTHERS,
+  Franklin Square, N. Y.
+
+
+
+
+CANDY
+
+Send one, two, three, or five dollars for a sample box, by express, of
+the best Candies in America, put up elegantly and strictly pure. Refers
+to all Chicago. Address
+
+  C. F. GUNTHER,
+  Confectioner,
+  78 MADISON STREET, CHICAGO.
+
+
+
+
+FINE TROUT TACKLE.
+
+[Illustration]
+
+We offer a fine 3 Joint Fly Rod, 15 yard Brass Reel, 100 ft. Linen Line,
+3 Flies, 3 Hooks to gut, & Leader, complete, by express for $5.00; by
+mail, postpaid, $5.50; sample Flies by mail, postpaid, 10c. each; per
+doz., $1.00; complete Catalogue Free.
+
+  =PECK & SNYDER=, Manufacturers,
+  124 and 126 Nassau St., N. Y.
+
+
+
+
+FISHING OUTFITS.
+
+CATALOGUE FREE.
+
+R. SIMPSON, 132 Nassau Street, N. Y.
+
+
+
+
+=100= _Scrap Pictures_, 10c.; 100 _Transfer Pictures_, 10c.; 12 _Floral
+Embossed Cards_, 10c.; 10 _Perforated Mottoes_, 10c.; 4 _Chromo
+Mottoes_, l0c.; 4 _Fine_ 6x8 _Chromos_, 10c.; 1 _Floral-Surprise_, 10c.;
+2 _Oil Pictures_, 9x12, 10c.; 2 _Reproductions_, 9x12, 10c.; 4 _Flower
+Panels_, 10c.; 2 _Stereo Views_, 10c.; 1 _Perfumed Sachet_, 10c.; 1
+_Lithograph_, 12x16, 10c.; 25 _Birthday Cards_, 10c. ALL for $1.00,
+postpaid. Stamps taken.
+
+J. W. FRIZZELL, Baltimore, Md.
+
+
+
+
+Old Books for Young Readers.
+
+       *       *       *       *       *
+
+Arabian Nights' Entertainments.
+
+     The Thousand and One Nights; or, The Arabian Nights'
+     Entertainments. Translated and Arranged for Family Reading, with
+     Explanatory Notes, by E. W. LANE. 600 Illustrations by Harvey. 2
+     vols., 12mo, Cloth, $3.50.
+
+Robinson Crusoe.
+
+     The Life and Surprising Adventures of Robinson Crusoe, of York,
+     Mariner. By DANIEL DEFOE. With a Biographical Account of Defoe.
+     Illustrated by Adams. Complete Edition. 12mo, Cloth, $1.50.
+
+The Swiss Family Robinson.
+
+     The Swiss Family Robinson; or, Adventures of a Father and Mother
+     and Four Sons on a Desert Island. Illustrated. 2 vols., 18mo,
+     Cloth, $1.50.
+
+     The Swiss Family Robinson--Continued: being a Sequel to the
+     Foregoing. 2 vols., 18mo, Cloth, $1.50.
+
+Sandford and Merton.
+
+     The History of Sandford and Merton. By THOMAS DAY. 18mo, Half
+     Bound, 75 cents.
+
+       *       *       *       *       *
+
+Published by HARPER & BROTHERS, New York.
+
+_Sent by mail, postage prepaid, to any part of the United States, on
+receipt of the price._
+
+
+
+
+CHILDREN'S
+
+PICTURE-BOOKS.
+
+     Square 4to, about 300 pages each, beautifully printed on Tinted
+     Paper, embellished with many Illustrations, bound in Cloth, $1.50
+     per volume.
+
+The Children's Picture-Book of Sagacity of Animals.
+
+     With Sixty Illustrations by HARRISON WEIR.
+
+The Children's Bible Picture-Book.
+
+     With Eighty Illustrations, from Designs by STEINLE, OVERBECK,
+     VEIT, SCHNORR, &c.
+
+The Children's Picture Fable-Book.
+
+     Containing One Hundred and Sixty Fables. With Sixty Illustrations
+     by HARRISON WEIR.
+
+The Children's Picture-Book of Birds.
+
+     With Sixty-one Illustrations by W. HARVEY.
+
+The Children's Picture-Book of Quadrupeds and other Mammalia.
+
+     With Sixty-one Illustrations by W. HARVEY.
+
+       *       *       *       *       *
+
+Published by HARPER & BROTHERS, New York.
+
+_Sent by mail, postage prepaid, to any part of the United States, on
+receipt of the price._
+
+
+
+
+[Illustration: "SPRING, SPRING, BEAUTIFUL SPRING."]
+
+       *       *       *       *       *
+
+=A Wonderful Clock.=--The most astonishing thing ever heard of in the
+way of a time-piece is a clock described by a Hindoo Rajah as belonging
+to a native Prince of Upper India, and jealously guarded as the rarest
+treasure of his luxurious palace. In front of the clock's disk was a
+gong, swung upon poles, and near it was a pile of artificial human
+limbs. The pile was made up of the full number of parts of twelve
+perfect bodies, but all lay heaped together in seeming confusion.
+Whenever the hands of the clock indicated the hour of one, out from the
+pile crawled just the number of parts needed to form the frame of one
+man, part joining itself to part with quick metallic click; and when
+completed, the figure sprang up, seized a mallet, and walking up to the
+gong, struck one blow that sent the sound pealing through every room and
+corridor of that stately palace. This, done, he returned to the pile,
+and fell to pieces again. When two o'clock came, two men arose and did
+likewise; and so through all the hours, the number of figures being the
+same as the number of the hour, till at noon and midnight the entire
+heap sprang up, and marching to the gong, struck one after another each
+his blow, and then fell to pieces.
+
+
+
+
+THE PENGUIN PUZZLE.
+
+
+[Illustration]
+
+With two straight cuts of the scissors change this fish into an absurd
+penguin catching a herring.
+
+
+
+
+CHARADE.
+
+
+  An Emperor kneels in sore dismay,
+    For his enemy cometh apace.
+  In this hour of need to whom shall he pray?
+    From which of his gods seek grace?
+  To his father's God, the One, the Alone,
+    He cried, and the answer burst
+  On his wondering eyes: a marvel shone,
+  Pledge of hope and help from the God unknown,
+    And that answering sign was my _first_.
+
+  Some voyagers weary of wooden walls
+    Are treading the land once more.
+  The father around him his children calls,
+    Their God, who had saved, to adore.
+  Seven angels all hasten God's answer to bring,
+    Of His promise the seal and the sign;
+  Arrayed is each one as the child of a King;
+  Together they rival the flowers of spring,
+    And together my _second_ they shine.
+
+  King Henry hath crossed over into France
+    With his lords and his nobles gay.
+  He would teach the Frenchman quite a new dance,
+    And bid him the piper to pay.
+  Such his design; but the end who can tell?
+    Who the fortunes of battle control?
+  One thing I aver, and none will demur:
+  If King Henry succeeds, 'twill be by the deeds
+    Of his soldiers, who carry my _whole_.
+
+       *       *       *       *       *
+
+=An Ancient Castle.=--The Czarowitz recently visited, with King Oscar
+II., the famous old castle of Gripshon, in Sweden. The old keeper showed
+the Czarowitz a heap of straw, and told him that his father, the present
+Czar, had used it as his bed in the year 1838. Alexander in that year
+accompanied his father, Czar Nicholas, to Sweden, and it was during
+their visit to the castle that that severe parent insisted upon making
+his son sleep on straw. It is popularly believed in Russia that the
+stern Nicholas never allowed his son and heir to sleep upon any more
+comfortable bed.
+
+
+
+
+[Illustration: ANTICIPATION. CONSTERNATION. CASTIGATION.
+
+LITTLE TOMMY'S FIRST (_AND LAST_) EXPERIMENT WITH HIS TOY SPIDER.]
+
+
+
+
+
+End of Project Gutenberg's Harper's Young People, April 20, 1880, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK HARPER'S YOUNG PEOPLE, APR 20, 1880 ***
+
+***** This file should be named 28790.txt or 28790.zip *****
+This and all associated files of various formats will be found in:
+        https://www.gutenberg.org/2/8/7/9/28790/
+
+Produced by Annie McGuire
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties.  Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark.  Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission.  If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy.  You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research.  They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks.  Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A.  By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement.  If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B.  "Project Gutenberg" is a registered trademark.  It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement.  There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement.  See
+paragraph 1.C below.  There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works.  See paragraph 1.E below.
+
+1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works.  Nearly all the individual works in the
+collection are in the public domain in the United States.  If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed.  Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work.  You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D.  The copyright laws of the place where you are located also govern
+what you can do with this work.  Copyright laws in most countries are in
+a constant state of change.  If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work.  The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E.  Unless you have removed all references to Project Gutenberg:
+
+1.E.1.  The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges.  If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder.  Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5.  Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6.  You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form.  However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form.  Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7.  Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8.  You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+     the use of Project Gutenberg-tm works calculated using the method
+     you already use to calculate your applicable taxes.  The fee is
+     owed to the owner of the Project Gutenberg-tm trademark, but he
+     has agreed to donate royalties under this paragraph to the
+     Project Gutenberg Literary Archive Foundation.  Royalty payments
+     must be paid within 60 days following each date on which you
+     prepare (or are legally required to prepare) your periodic tax
+     returns.  Royalty payments should be clearly marked as such and
+     sent to the Project Gutenberg Literary Archive Foundation at the
+     address specified in Section 4, "Information about donations to
+     the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+     you in writing (or by e-mail) within 30 days of receipt that s/he
+     does not agree to the terms of the full Project Gutenberg-tm
+     License.  You must require such a user to return or
+     destroy all copies of the works possessed in a physical medium
+     and discontinue all use of and all access to other copies of
+     Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+     money paid for a work or a replacement copy, if a defect in the
+     electronic work is discovered and reported to you within 90 days
+     of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+     distribution of Project Gutenberg-tm works.
+
+1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1.  Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection.  Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from.  If you
+received the work on a physical medium, you must return the medium with
+your written explanation.  The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund.  If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund.  If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4.  Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5.  Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law.  The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section  2.  Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers.  It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come.  In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3.  Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service.  The Foundation's EIN or federal tax identification
+number is 64-6221541.  Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations.  Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org.  Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+     Dr. Gregory B. Newby
+     Chief Executive and Director
+     gbnewby@pglaf.org
+
+
+Section 4.  Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment.  Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States.  Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements.  We do not solicit donations in locations
+where we have not received written confirmation of compliance.  To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States.  U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses.  Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations.  To donate, please visit: https://pglaf.org/donate
+
+
+Section 5.  General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone.  For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included.  Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+     https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.