diff options
Diffstat (limited to '2878.txt')
| -rw-r--r-- | 2878.txt | 843 |
1 files changed, 843 insertions, 0 deletions
diff --git a/2878.txt b/2878.txt new file mode 100644 index 0000000..5e38d83 --- /dev/null +++ b/2878.txt @@ -0,0 +1,843 @@ +The Project Gutenberg EBook of The Disguising at Hertford, by John Lydgate + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Disguising at Hertford + A Verse Play Written circa 1427 + +Author: John Lydgate + +Release Date: October, 2001 [EBook #2878] +Last Updated: August 2, 2012 + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THE DISGUISING AT HERTFORD *** + + + + +Produced by: An Anonymous Volunteer + + + + + + + + +THE DISGUISING AT HERTFORD + +By John Lydgate + +c.1370 - 1449 + + +A verse play written circa 1427. + + +This version is made available with the permission of the Master and +Fellows of Trinity College, Cambridge, England, the owners of the unique +original manuscript. + +For the purposes of this multi-platform electronic text, the medieval +'thorn' (a character representing 'th') has been changed to 'th'. It was +impracticable to reproduce the original punctuation, which mainly +consisted of the virgule or slash. Modern commas and full stops have been +sparingly imposed. Superscript tildes and mid-script tildes have been +removed. Mid-script dots have been changed to colons as they seem to +indicate a deliberate suspension. The last four words of the initial +rubric (Brys : slayne at Loviers) appear to have been added to the +manuscript at a date slightly later than when it was first written. +Section marks occur in the original without consistency; where these +clearly indicate a new section, a blank line has been inserted to produce +a similar effect. + +The endnotes include the original stage directions. Two lacunae in the +manuscript have been supplied by reference to John Stow's late 16th- +century manuscript copy of the text. The other endnotes are glosses of +particular words in the text. + +The transcription of Lydgate's text has also been published in book form +under the title 'Lydgate's Disguising at Hertford Castle', including a +modern verse translation of the text, an editor's introduction and notes, +and a study of the literary and historical background of the play and of +its first performance, which took place at Hertford Castle as part of the +royal Christmas festivities of, probably, 1427. It is hoped that this +additional material will become available as a Project Gutenberg etext. +Readers interested in the book may wish to have its publication details + + Lydgate's Disguising at Hertford Castle by Derek Forbes + with Foreword by Glynne Wickham + First published by Blot Publishing, Pulborough, 1998. + Pp. xiv + 82, f'piece, and 4 plate ills. + Decorated and laminated card cover. ISBN 1 900929 03 1. + Retail price in 2000 six pounds GBP. + + Copies of the book are available from + Blot Publishing, 8 Chanctonbury, Ashington, West Sussex, RH20 3QE, UK. + Telephone: +44 (0)1903 893806 + Email: <info@blot.co.uk>; Web site: <http://www.blot.co.uk>. + or from the Society for Theatre Research, c/o The Theatre Museum, + 1E Tavistock Street, London WC2E 7PA, UK. + +Copies of the book were distributed by the Society for Theatre Research to +its members worldwide in 1998, and can be consulted in the libraries of +institutions which subscribe to the Society. + + + + +THE DISGUISING AT HERTFORD + + +Nowe folowethe here the maner of a bille by wey of supplicacon putte to +the kyng holding his noble feest of Cristmasse in the Castel of Hertford +as in a disguysing : of the Rude upplandisshe people compleyning on hir +wyves with the boystous aunswere of hir wyves devysed by lydegate at the +Request of the Countre Roullour Brys : slayne at Loviers + + Most noble prynce : With support of your grace, + Ther beon entred : in to youre royal place + And late coomen in to youre castell, + Youre poure lieges, wheche lyke no thing weel. + Nowe in the vigyle of this nuwe yeere + Certayne sweynes, ful [froward of ther chere], + Of entent comen, [fallen on ther kne], + For to compleyne vn to yuoure magestee + Vpon the mescheef of gret aduersytee, + Vpon the trouble and the cruweltee 10 + Which that they haue endured in theyre lyves + By the felnesse of theyre fierce wyves, + Which is a tourment verray importable, + A bonde of sorowe, a knott vnremuwable. + For whoo is bounde or locked in maryage, + Yif he beo olde, he falleth in dotage, + And yong folkes, of theyre lymes sklendre, + Grene and lusty, and of brawne but tendre, + Phylosophres callen in suche aage + A Chylde to wyve, a woodnesse or a raage. 20 + + For they afferme ther is noon eorthly stryff + May beo compared to wedding of a wyff, + And who that euer stondethe in the cas + He with his Rebecke may sing ful oft ellas, + Lyke as theos hynes, here stonding oon by oon, + He may with hem vpon the daunce goon. + Leorne the traas, boothe at even and morowe + Of Karycantowe in tourment and in sorowe.... + Weyle the while ellas that he was borne. + For Obbe, the Reeve, that goothe heere al to forne, 30 + He pleynethe sore, his mariage is not meete, + For his wyff, Beautryce Bittersweete, + Cast vpon him an hougly cheer ful rowghe + Whane he komethe home, ful wery frome the ploughe, + With hungry stomake, deed and paale of cheere, + In hope to fynde redy his dynier. + + Thanne sittethe Beautryce, bolling at the nale, + As she that gyvethe of him no maner tale. + For she alday with hir iowsy nolle, + Hathe for the collyk pouped in the bolle 40 + And for heed aache : with pepir and gynger + Dronk dolled ale, to make hir throte cleer, + And komethe hir hoome, whane hit drawethe to eve. + And thanne Robyn, the cely poure Reeve, + Fynde noone amendes of harome ne damage + But leene growell, and soupethe cold potage, + And of his wyf hathe noone other cheer + But cokkrowortes vn to his souper. + This is his servyce sitting at the borde, + And cely Robyn, yif he speke a worde, 50 + Beautryce of him doothe so lytel rekke + That with hir distaff she hittethe him in the nekke, + For a medecyne to chawf with his bloode. + With suche a metyerde she hathe shape him an hoode. + + And Colyn Cobeller, folowing his felawe, + Hathe hade his part of the same lawe, + For by the fayth that the preost him gaf + His wyff hathe taught him to pleyne at the staff. + Hir quarter strooke were so large and rounde + That on his rigge the towche was alwey founde. 60 + + Cecely Sourechere, his owen precyous spouse, + Kowde him reheete whan he came to house. + Yif he ought spake whanne he felt peyne, + Ageyne oon worde alweys he hade tweyne. + Sheo qwytt him euer, ther was no thing to seeche, + Six for oon, of worde and strookes eeche. + Ther was no meen bytweene hem for to goone. + What euer he wan : clowting olde shoone + The wykday, pleynely this is no tale, + Sheo wolde on Sondayes drynk it at the nale. 70 + His part was noon, he sayde not oonys nay. + Hit is no game, but an hernest play + For lack of wit a man his wyf to greeve. + Theos housbondemen : who so wolde hem leeve, + Koude yif they dourst telle : in Audyence, + What folowethe ther of wyves to doone offence. + Is noon so olde ne ryveld on hir face, + Wit tong or staff but that she dare manase. + Mabyle, God hir sauve and blesse, + Koude yif hir list bere here of witnesse, 80 + Wordes, strookes vnhappe, and harde grace, + With sharp nayles kracching in the face. + I mene thus, whane the distaff is brooke + With theyre fistes wyves wol be wrooke. + + Blessed thoo men that cane in suche offence + Meekly souffre, take al in pacyence + Tendure suche wyfly purgatorye. + Heven for theyre meede, to regne ther in glorye. + God graunt al housbandes that beon in this place + To wynne so heven for his hooly grace. 90 + + Nexst in ordre, this bochier stoute and bolde + That killed hathe bulles and boores olde, + This Berthilmew, for al his broode knyff, + Yit durst he neuer with his sturdy wyff + In no mater holde chaumpartye. + And if he did, sheo wolde anoon defye + His pompe, his pryde, with a sterne thought, + And sodeynly setten him at nought. + Thoughe his bely were rounded lyche an ooke + She wolde not fail to gyf the first strooke. 100 + For proude Pernelle lyche a Chaumpyon + Wolde leve hir puddinges in a gret Cawdroun, + Suffre hem boylle and taake of hem noon heede, + But with hir skumour reeche him on the heued. + Shee wolde paye him and make no delaye, + Bid him goo pleye him a twenty deuel way. + She was no cowarde founde at suche a neode, + Hir fist ful offt made his cheekis bleed. + What querell euer that he agenst hir sette, + She cast hir not to dyen in his dette. 110 + She made no taylle, but qwytt him by and by. + His quarter sowde, she payde him feythfully. + And his waages, wt al hir best entent, + She made ther of noon assignement. + + Eeke Thome Tynker, with alle hees pannes olde + And alle the wyres of Banebury that he solde, + His styth, his hamour, his bagge portatyf, + Bare vp his arme whane he faught with his wyff: + He foonde for haste no better bokeller, + Vpon his cheeke the distaff came so neer. 120 + Hir name was cleped Tybot Tapister. + To brawle and broyle she nad no maner fer, + To thakke his pilche stoundemel nowe and thanne + Thikker thane Thome koude clowten any panne. + + Nexst Colle Tyler, ful hevy of his cheer, + Compleynethe on Phelyce his wyff the wafurer + Al his bred with sugre nys not baake, + Yit on his cheekis some tyme he hathe a caake + So hoot and nuwe, or he can taken heede, + That his heres glowe verray reede 130 + For a medecyne whane the forst is colde, + Makyng his teethe to ratle that beon oolde. + + This is the compleynt that theos dotardes oolde + Make on theyre wyves that beon so stoute and bolde, + Theos holy martirs preued ful pacyent, + Lowly beseching, in al hir best entent, + Vnto youre noble ryal magestee, + To graunte hem fraunchyse and also liberte + Sith they beothe fetird and bounden in maryage, + A saufconduct to sauf him frome damage. 140 + Eeke vnder support of youre hyeghe renoun + Graunt hem also a proteccyoun. + + Conquest of wyves is rone thoroughe this lande, + Cleyming of Right to haue the hyegher hande. + But if you list, of youre Regallye, + The olde testament for to modefye, + And that yee list asselen theyre request + That theos poure husbandes might lyf in rest, + And that theyre wyves in theyre felle might + Wol medle amonge mercy with theyre right. 150 + For it came neuer of nature ne raysoun + A lyonesse toppresse the lyoun, + Ner a wolfesse for al hir thyraunye + Ouer the wolf to haven the maystrye. + Ther beon nowe wolfesses moo thane twoo or three + The bookys recorde, wheeche tht yonder bee. + Seothe to this mater of mercy and of grace, + And or thees dotardes parte out of this place, + Vpon theyre compleynt to shape remedye, + Or they beo likly to stande in iupardye. 160 + It is no game with wyves for to pleye, + But for foolis, that gif no force to deye. + + Takethe heed of thaunswer of the wyves. + + Touching the substance of this hyeghe discorde, + We six wyves : beon ful of oon acorde, + Yif worde and chyding may vs not avaylle + We wol darrein it in chaumpcloos by bataylle, + Iupart oure right laate or ellys raathe. + And for oure partye, the worthy Wyff of Bathe + Cane shewe statutes moo than six of seven + Howe wyves make hir housbandes wynne heven, 170 + Maugre the feonde and al his vyolence. + For theyre vertu of parfyte pacyence + Partenethe not to wyves nowe adayes, + Sauf on theyre housbandes for to make assayes. + Ther pacyence was buryed long agoo, + Gresyldes story recordethe pleinly soo. + + It longethe to vs to clappen as a mylle, + No counseyle keepe, but the trouth oute telle. + We beo not borne by hevenly influence + Of oure nature to keepe vs in sylence. 180 + For this is no doute, euery prudent wyff + Hathe redy aunswere in al suche maner stryff, + Thoughe theos dotardes, with theyre dokked berdes + Which strowtethe out as they were made of herdes, + Haue ageyn hus a gret quarell nowe sette. + I trowe the bakoun was neuer of hem fette + Awaye at Dounmowe in the Pryorye. + They weene of vs to haue ay the maystrye. + Ellas theos fooles let hem aunswere here to, + Whoo cane hem wasshe, who can hem wring alsoo, 190 + Wryng hem, yee wryng, so als god vs speed, + Til that some tyme we make hir nases bleed, + And sowe hir cloothes whane they beothe to rent, + And clowte hir bakkes til some of vs beo shent. + Loo yit theos fooles, god gyf hem sory chaunce, + Wolde sette hir wyves vnder gouuernaunce, + Make vs to hem for to lowte lowe: + We knowe to weel the bent of Iackys bowe. + Al that we clayme, we clayme it but of right. + Yif they say nay let preve it out by ffight. 200 + We wil vs grounde not vpon womanhede. + Fy on hem, cowardes. When hit komethe to nede, + We clayme maystrye by prescripcyoun, + Be long tytle of successyoun + Frome wyff to wyff, which we wol not leese. + Men may weel gruchche, but they shal not cheese. + Custume is vs for nature and vsaunce + To set oure housbandes lyf in gret noysaunce. + Humbelly byseching nowe at oon worde + Vn to oure liege, and moost souerein lord, 210 + Vs to defende of his regallye, + And of his grace susteenen oure partye, + Requering the statuyt of olde antiquytee + That in youre tyme it may confermed bee. + + +The complaynte of the lewed housbandes wt the cruwell aunswers of +theyre wyves herde, the kyng yivethe ther vpon sentence and iugement. + + + This noble Prynce, moost royal of estate, + Having an eyeghe to this mortal debate, + First aduerting of ful hyeghe prudence, + Wil vnavysed gyve here no sentence + With oute counseylle of haste to procede + By sodeyne doome, for he takythe heede 220 + To eyther partye as iuge indifferent, + Seing the paryll of hasty iugement. + Pourposithe him in this contynude stryffe + To gif no sentence ther of diffynytyff + Til ther beo made examynacyoun + Of other partye, and inquysicyoun. + He considerethe, and makethe Raysoun his guyde, + As egal iuge enclyning to noo syde. + Not with standing, he hathe compassyoun + Of the poure housbandes trybulacyoun, 230 + So afft arrested with theyre wyves rokkes + Which of theyre distaves haue so many knokkes, + Peysing also in his regallye + The lawe tht wymmen allegge for theyre partye, + Custume, Nature and eeke prescripcyoun, + Statuyt vsed by confirmacyoun, + Processe and daate of tyme oute of mynde, + Recorde of Cronycles, witnesse of hir kuynde. + Wher fore the Kyng wol al this nexst yeere + That wyves fraunchyse : stonde hoole and entier, 240 + And that no man withstonde it ne withdrawe, + Til man may fynde some pcesse oute by lawe + That they shoulde by nature in theyre lyves + Haue souerayntee on theyre prudent wyves, + A thing vnkouthe, which was neuer founde. + Let men be ware ther fore, or they beo bounde. + The bonde is hard, who soo that lookethe weel. + Some man were leuer fetterd beon in steel. + Raunsoun might help his peyne to aswaage, + But whoo is wedded lyuethe euer in suage. 250 + And I knowe neuer, nowher fer ner neer, + Man that was gladde to bynde him prysonier, + Thoughe that his prysoun, his castell, or his holde + Wer depeynted with asure or with golde. + + Explicit. + + + + +GLOSSARY, STAGE DIRECTIONS, NOTES + + line + 5 vigyle of this nuwe yeere = this new year's eve + 6 froward of ther chere: lacuna made up from Stow + 7 fallen on ther kne: lacuna made up from Stow + 13 importable = unbearable + 16 dotage = feeble-mindedness + 20 woodnesse = madness + 24 Rebecke = fiddle; ellas = alas! + 25 stage direction - demonstrando vj Rusticos + 27 traas = course + 28 possible lacuna follows here? + 37 bolling at the nale = quaffing at the ale-house + 39 iowsy nolle = juicy noddle + 40 pouped = gulped + 42 dolled = mulled + 44 cely = silly, i.e. simple, innocent + 45 harome = harm + 46 growell = gruel + 48 cokkrowortes = stale brew-mash + 53 to chawf with his bloode = to chafe his blood with + 54 metyerde = meteyard or yardstick + 55 stage direction - demonstrando pictaciarium + 57 preost = priest + 60 rigge = back + 62 reheete = attack, scold + 65 qwytt = requited; ther was no thing to seeche = it was plain to see + 67 meen = middle way + 68 wan = earned; clowting = mending + 71 oonys = once + 74 leeve = believe + 77 ryveld = shrivelled + 78 Wit = with; manase = menace + 79 Mabyle = Mary + 80 Koude yif hir list = could if it please her + 84 wol be wrooke = will wreak revenge + 85 thoo men = those men + 87 Tendure = to endure + 88 meede = reward + 90 so = to? + 91 stage direction - demonstrando Carnificem + 95 holde chaumpartye = divide power, or resist + 104 skumour = skimmer; reeche = strike; heued = head + 111 qwytt him by and by = repaid him in due time + 112 quarter sowde = surrender sued for + 113 wt = with + 115 stage direction - demonstrando the Tynker + 117 styth = anvil + 119 bokeller = buckler, shield + 121 cleped = called + 122 she nad no maner fer = she feared not + 123 thakke his pilche = thwack his great-coat; stoundemel = sometimes + 124 Thikker = more stoutly + 126 wafurer = waferer, i.e. pastry-cook + 129 or = ere + 130 heres = ears + 135 preued = proved + 139 fetird = fettered + 140 him = them + 145 Regallye = regality + 147 that yee list = if you please; asselen = authorize + 150 medle = mingle + 153 thyraunye = tyranny + 156 tht = that; stage direction - distaves + 157 Seothe = see + 162 that gif no force = that are of no consequence + 166 darrein = decide; chaumpcloos = tilting-field + 167 Iupart = imperil; raathe = soon + 169 of = or + 171 Maugre the feonde = in spite of the devil + 174 assayes = attempts, i.e. attacks + 177 longethe = belongs; clappen = clatter or prattle + 183 dokked = trimmed + 184 herdes = coarse flax, 'hards' + 186 fette = fetched + 192 hir = our? + 193 rent = torn + 194 shent = injured + 197 lowte lowe = bow, make reverence + 205 leese = lose + 206 gruchche = grumble; cheese = choose + 218 vnavysed = unadvised + 220 doome = judgment + 222 paryll = peril + 223 Pourposithe him = He purposeth + 231 rokkes = distaffs, also as rocking, set-backs + 233 Peysing = weighing + 234 tht = that + 239 the Kyng wol = the king wills + 242 pcesse = process + 248 were leuer fetterd beon = were rather to be fettered + 250 suage = s(er)vage, servitude + + + + + + + + +End of Project Gutenberg's The Disguising at Hertford, by John Lydgate + +*** END OF THIS PROJECT GUTENBERG EBOOK THE DISGUISING AT HERTFORD *** + +***** This file should be named 2878.txt or 2878.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/8/7/2878/ + +Produced by: An Anonymous Volunteer + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License available with this file or online at + www.gutenberg.org/license. + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation information page at www.gutenberg.org + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at 809 +North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email +contact links and up to date contact information can be found at the +Foundation's web site and official page at www.gutenberg.org/contact + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit www.gutenberg.org/donate + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: www.gutenberg.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For forty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Most people start at our Web site which has the main PG search facility: + + www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + |