diff options
Diffstat (limited to '28772-h/28772-h.htm')
| -rw-r--r-- | 28772-h/28772-h.htm | 801 |
1 files changed, 801 insertions, 0 deletions
diff --git a/28772-h/28772-h.htm b/28772-h/28772-h.htm new file mode 100644 index 0000000..bf4a99e --- /dev/null +++ b/28772-h/28772-h.htm @@ -0,0 +1,801 @@ +<!DOCTYPE html + PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> +<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> +<head> +<meta http-equiv="Content-Type" content="text/html; charset=US-ASCII" /> +<title>Ellen of Villenskov, translated by George Borrow</title> + <style type="text/css"> +/*<![CDATA[ XML blockout */ +<!-- + P { margin-top: .75em; + margin-bottom: .75em; + } + P.gutsumm { margin-left: 5%;} + P.poetry {margin-left: 3%; } + H1, H2 { + text-align: center; + margin-top: 2em; + margin-bottom: 2em; + } + H3, H4, H5 { + text-align: left; + margin-top: 1em; + margin-bottom: 1em; + } + BODY{margin-left: 10%; + margin-right: 10%; + } + table { border-collapse: collapse; } +table {margin-left:auto; margin-right:auto;} + td { vertical-align: top; border: 1px solid black;} + td p { margin: 0.2em; } + .blkquot {margin-left: 4em; margin-right: 4em;} /* block indent */ + + .smcap {font-variant: small-caps;} + + .pagenum {position: absolute; + left: 92%; + font-size: smaller; + text-align: right; + color: gray; + } + + div.gapspace { height: 0.8em; } + div.gapline { height: 0.8em; width: 30%; } + div.gapdoubleline { height: 0.3em; width: 50%; + margin-left: 25%; border-top: 1px solid; + border-bottom: 1px solid;} + div.gapshortline { height: 0.3em; width: 20%; margin-left:40%; + border-top: 1px solid; } + .citation {vertical-align: super; + font-size: .8em; + text-decoration: none;} + img.floatleft { float: left; margin-right: 1em; } + img.floatright { float: right; margin-left: 1em; } + // --> + /* XML end ]]>*/ + </style> +</head> +<body> +<pre> + +The Project Gutenberg eBook, Ellen of Villenskov, by Anonymous, Edited by +Thomas J. Wise, Translated by George Borrow + + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + + + + +Title: Ellen of Villenskov + and Other Ballads + + +Author: Anonymous + +Editor: Thomas J. Wise + +Release Date: May 12, 2009 [eBook #28772] + +Language: English + +Character set encoding: ISO-646-US (US-ASCII) + + +***START OF THE PROJECT GUTENBERG EBOOK ELLEN OF VILLENSKOV*** +</pre> +<p>Transcribed from the 1913 Thomas J. Wise pamphlet by David +Price, email ccx074@pglaf.org. Many thanks to Norfolk and +Norwich Millennium Library, UK, for kindly supplying the images +from which this transcription was made.</p> +<h1>ELLEN OF VILLENSKOV<br /> +AND OTHER BALLADS</h1> +<p style="text-align: center"><span class="smcap">by</span><br /> +GEORGE BORROW</p> +<p style="text-align: center"><span +class="smcap">London</span>:<br /> +<span class="smcap">printed for private circulation</span><br /> +1913</p> +<h2><!-- page 5--><a name="page5"></a><span class="pagenum">p. +5</span>ELLEN OF VILLENSKOV.</h2> +<p>There lies a wold in Vester Haf,<br /> + There builds a boor his hold;<br /> +And thither he carries hawk and hound,<br /> + He’ll stay through winter’s cold.</p> +<p>He takes with him both hound and cock,<br /> + He means there long to stay;<br /> +The wild deer in the wood that are<br /> + For his arrival pay.</p> +<p>He hews the oak and poplar tall,<br /> + He fells the good beech tree;<br /> +Then fill’d was the laidly Trold with spite<br /> + That he should make so free.</p> +<p><!-- page 6--><a name="page6"></a><span class="pagenum">p. +6</span>He hews him posts, he hews him balks,<br /> + He early toils and late;<br /> +Out spake the Trolds within the hill:<br /> + “Who knocks at such a rate?”</p> +<p>Then up and spake the youngest Trold,<br /> + As emmet small to view:<br /> +“O here is come a Christian man,<br /> + But verily he shall rue.”</p> +<p>Upstood the smallest of the Trolds,<br /> + And round he roll’d his eyes:<br /> +“O we will hie to the yeoman’s house,<br /> + And o’er him hold assize.</p> +<p>“He hews away our sheltering wood,<br /> + Meanwhile shall we be tame?<br /> +No! I from him his wife will take,<br /> + And make him suffer shame.”</p> +<p>All the Trolds in the hill that were<br /> + Wild for the fray upbound;<br /> +They hie away to the yeoman’s house,<br /> + Their tails all curling round.</p> +<p><!-- page 7--><a name="page7"></a><span class="pagenum">p. +7</span>Seven and a hundred were the Trolds,<br /> + Their laidliness was great;<br /> +To the yeoman’s house they’ll go as guests,<br /> + With him to drink and eat.</p> +<p>The hound is yelling in the yard,<br /> + The herdsman blows his horn;<br /> +Crows the cock and clucks the hen<br /> + As the yeoman throws them corn.</p> +<p>Of Villenskov the yeoman saw<br /> + The Trolds the window through:<br /> +“Now help me Jesu, Mary’s son,<br /> + Those trolds have me in view.”</p> +<p>He sign’d the cross in every nook,<br /> + But mostly in his room;<br /> +Some of the Trolds in fright thereat<br /> + Flew to the forest’s gloom.</p> +<p>Some flew east, and some flew west,<br /> + And some flew north away;<br /> +And others flew to the valleys deep,<br /> + Where still, I trow, they stay.</p> +<p><!-- page 8--><a name="page8"></a><span class="pagenum">p. +8</span>But ah! the smallest of the Trolds<br /> + Bold enter’d at the door;<br /> +For crossing he refus’d to flee,<br /> + Was bent on mischief sore.</p> +<p>The housewife thought of a good device,<br /> + She plac’d him at the board,<br /> +And before him set both ale and meat,<br /> + With many a courteous word.</p> +<p>“Hear, husbandman of Villenskov,<br /> + Attend to what I say;<br /> +Who has to thee permission given<br /> + To build where I have sway?</p> +<p>“Since thou to build within my bounds<br /> + Hast ta’en the liberty,<br /> +Thou shalt to me thy housewife give,<br /> + For I with her will lie.”</p> +<p>Then answer made the hapless man,<br /> + As God gave him the thought:<br /> +“Thou shalt not Ellen get from me,<br /> + Like her I value nought.”</p> +<p><!-- page 9--><a name="page9"></a><span class="pagenum">p. +9</span>He answer made unto the Trold:<br /> + “Let but my wife alone,<br /> +And do thou take my money and goods,<br /> + And keep them for thy own.”</p> +<p>“Then I will Ellen take, and thee,<br /> + And tread ye both to gore;<br /> +And I will take thy silver and gold<br /> + And hide it ’neath my floor.”</p> +<p>The yeoman and his household all<br /> + Were seized with mighty fright:<br /> +“Better that one of us be lost<br /> + Than all destroy’d outright.”</p> +<p>Then up and stood the desp’rate man,<br /> + With sore affliction rife;<br /> +And he has given his Ellen dear<br /> + To the young Trold for wife.</p> +<p>Then wax’d he glad, and sprang about,<br /> + So fondly her he pressed;<br /> +O then how pale her cheeks became,<br /> + She was so sore distrest!</p> +<p><!-- page 10--><a name="page10"></a><span class="pagenum">p. +10</span>Then out and spake the afflicted Dame<br /> + Whilst shedding many a tear:<br /> +“O God in mercy look on me,<br /> + My fate is hard to bear.</p> +<p>“I did possess as fair a man<br /> + As ever walk’d-on mead,<br /> +But now perforce with laidly Trold<br /> + Must do adulterous deed.”</p> +<p>He kiss’d her once, he kiss’d her twice,<br /> + Her heart yet sadder grew;<br /> +The laidliest Devil he became<br /> + That man did ever view.</p> +<p>When the third time he her would kiss<br /> + She call’d on Mary’s son;<br /> +Then he became a lovely knight,<br /> + His elfin shape was gone.</p> +<p>It happen’d neath a linden green<br /> + He was from woe releas’d;<br /> +Then straightway fled all fear and dread,<br /> + So well they all were pleas’d.</p> +<p><!-- page 11--><a name="page11"></a><span class="pagenum">p. +11</span>“Hear, thou beloved Ellenlile,<br /> + Consent my wife to be,<br /> +And all the gold in England’s isle<br /> + I will bestow on thee.</p> +<p>“When I was little, Death from me<br /> + My mother took away;<br /> +My step-dame drove me forth, and I<br /> + Became a Trold so gray.</p> +<p>“I’ll give thy husband gifts of price<br /> + And titles fair beside;<br /> +In verity, thou yeoman’s dame,<br /> + Thou wilt become my bride.”</p> +<p>“Thou noble knight, we’ll thank the Lord<br /> + From woe who set us free,<br /> +If thou wilt wed some fair young maid<br /> + You both may live in glee.”</p> +<p>“If thee I can’t in marriage get<br /> + I’ll have thy daughter bright,<br /> +And all thy benefits to me<br /> + By crowning her requite.</p> +<p><!-- page 12--><a name="page12"></a><span class="pagenum">p. +12</span>“Thanks, Ellen, thanks, thou woman wise,<br /> + To praise thee I’ll not cease;<br /> +If I may not thy love obtain<br /> + I’ll leave thee here in peace.”</p> +<p>Now builds the yeoman on his isle,<br /> + And no one him offends;<br /> +His daughter bears old England’s crown,<br /> + And happy days she spends.</p> +<p>Now Ellen has, the yeoman’s wife,<br /> + Escap’d from care and harm;<br /> +She’s mother to a Queen, who sleeps<br /> + Within a Monarch’s arm.</p> +<p>Who bore him first a daughter fine,<br /> + And then a blooming heir;<br /> +They thank’d the Lord on every side<br /> + For all their fortune fair.</p> +<p>The daughter now of Ellenlile<br /> + Of England has the sway;<br /> +And Ellen with her yeoman lives,<br /> + Each other’s equals they.</p> +<h2><!-- page 13--><a name="page13"></a><span class="pagenum">p. +13</span>URANIENBORG.</h2> +<p style="text-align: center"><i>From Heiberg</i>.</p> +<p>Thou who the strand dost wander,<br /> + Thy steps, O traveller, stay!<br /> +Turn to the island yonder,<br /> + And listen to my lay.<br /> +Thy every meditation<br /> + Bid hither, hither stray:<br /> +On yonder banks its station<br /> + Had once a Castelaye.</p> +<p>In long past days in glory<br /> + It stood, and grandeur sheen<br /> +Now ’twas so transitory<br /> + Its ruins scarce are seen.<br /> +<!-- page 14--><a name="page14"></a><span class="pagenum">p. +14</span>But in old days I warrant<br /> + Its equal was not found;<br /> +From every side apparent<br /> + High tower’d it from the ground.</p> +<p>For no sea-king intended<br /> + I ween was yonder hold;<br /> +Urania, it ascended<br /> + In praise of thee so bold.<br /> +Close by the ocean roaring,<br /> + Far, far from mortal jars,<br /> +It stood tow’rds heaven soaring,<br /> + And tow’rds the little stars.</p> +<p>A gate in the wall eastward,<br /> + Display’d its mighty mouth;<br /> +There was another westward,<br /> + And spires stood north and south.<br /> +The dome itself, high rearing,<br /> + A slender spirelet bore,<br /> +Upon it, ever veering,<br /> + A Pegasus gilt o’er.</p> +<p><!-- page 15--><a name="page15"></a><span class="pagenum">p. +15</span>Towers which the sight astounded<br /> + In north and south were plac’d;<br /> +Upon strong pillars founded,<br /> + And with fair galleries grac’d.<br /> +And there caught the attention<br /> + Of those that thither stroll’d,<br /> +Quadrants of hugh dimension,<br /> + And speres in frames that roll’d.</p> +<p>From yonder Castle, gazing<br /> + Across the isle, you spied<br /> +The woods, their heads up-raising,<br /> + And ocean’s bluey tide.<br /> +The halls the sight enchanted<br /> + With colours bright of blee;<br /> +The gardens they were planted<br /> + With many a flower and tree.</p> +<p>When down came night careering<br /> + And vanish’d was the sun,<br /> +The stars were seen appearing<br /> + All heaven’s arch upon.<br /> +<!-- page 16--><a name="page16"></a><span class="pagenum">p. +16</span>Then far was heard the yelling,<br /> + When you thereto gave heed,<br /> +Of those that watch’d the dwelling,<br /> + Four hounds of mastiff breed.</p> +<p>The good knight ceas’d to walk on<br /> + The fields of war and gore,<br /> +His helm and sword the balk on<br /> + He hung, to use no more.<br /> +From earth, its woe and riot,<br /> + His soul had taken flight,<br /> +When in his chamber quiet<br /> + He sat at dead of night.</p> +<p>Then he his eye erected<br /> + Into the night so far,<br /> +And keen the course inspected<br /> + Of every twinkling star.<br /> +The stars his fame transported<br /> + Wide over sea and land,<br /> +And kings his friendship courted,<br /> + And sought his islet’s strand.</p> +<p><!-- page 17--><a name="page17"></a><span class="pagenum">p. +17</span>But point the stars from heaven<br /> + To lands far o’er the main;<br /> +He went, by fortune driven,<br /> + And ne’er returned again.<br /> +The haughty walls through sorrow<br /> + Have long since sunken low,<br /> +And heavy plow-shares furrow<br /> + Thy house, Urania, now.</p> +<p>Each time the sun is sinking<br /> + It friendly looks on Hveen;<br /> +Its rays there linger, thinking<br /> + On what the place has been.<br /> +The moon hastes melancholy<br /> + Past, past the coast so dear,<br /> +And in love’s transport holy<br /> + Shines Freya’s starlet clear.</p> +<p>Then suddenly takes to heaving<br /> + Of that same ruin’d hold<br /> +The basis deep, believing<br /> + It is some eve of old.<br /> +<!-- page 18--><a name="page18"></a><span class="pagenum">p. +18</span>For many moments gladly<br /> + ’Twould rise up from the mould;<br /> +But ah! it can’t, and sadly<br /> + Sinks in death’s slumber cold.</p> +<h2><!-- page 19--><a name="page19"></a><span class="pagenum">p. +19</span>THE READY ANSWER.</h2> +<p>The brother to his dear sister spake;<br /> +“Wilt thou not quickly a husband take?”</p> +<p>“Dear brother, I’ll do no such thing,<br /> +I’m far too young for marrying.”</p> +<p>“Then why so oft do I hear it said<br /> +That thou preparest thee to wed?”</p> +<p>“Ah! folks such store of scandal say,<br /> +That only fools attention pay.”</p> +<p>“Who was that gallant knight, that rode<br /> +This morning early from thy abode?”</p> +<p>“A very gallant knight, indeed,<br /> +It was my page upon his steed.”</p> +<p><!-- page 20--><a name="page20"></a><span class="pagenum">p. +20</span>“What might that pair of shoes betide,<br /> +That lately stood by thy bedside?”</p> +<p>“If pair of shoes stood ever there,<br /> +That pair of shoes my slippers were.”</p> +<p>“Those children small, how came they, say,<br /> +The other day in thy bed that lay?”</p> +<p>“No children small I ween were they,<br /> +But pups with which I’m wont to play.”</p> +<p>“How happ’d this morn that baby scream.<br /> +Which from thy chamber broke my dream?”</p> +<p>“O babes in that guise seldom squall,<br /> +My maid cried for her keys so small.”</p> +<p>“What might that splendid cradle mean,<br /> +Which hidden here I oft have seen?”</p> +<p>“It was no cradle met thine eyes,<br /> +But my silk woof about that lies.</p> +<p><!-- page 21--><a name="page21"></a><span class="pagenum">p. +21</span>“Brother if thou hast questions more,<br /> +I’ve other answers still in store.”</p> +<p>When women for answers are at stop,<br /> +There’ll be in the main no water drop.</p> +<h2><!-- page 22--><a name="page22"></a><span class="pagenum">p. +22</span>EPIGRAMS</h2> +<h3>1.</h3> +<p>There’s no living, my boy, without plenty of gold,<br /> +But gold to obtain you must ever be bold.<br /> +The Diver will never who feareth the shark<br /> +Bring up precious pearls from the sea caverns dark.</p> +<h3>2.</h3> +<p>O think not you’ll change what on high is designed,<br +/> + Though you lift up your hands and to heaven you +shout;<br /> +The Angel will grieve not, who governs the wind,<br /> + Though a gust should the lamp of the widow blow +out.</p> +<h3>3.</h3> +<p>Load not thyself with gold, O mortal man, for know<br /> + No strength thou’lt have for loads when +summon’d hence away.<br /> +Avoid excess of meat, it maketh gross, I trow,<br /> + And gross thou must not be when summon’d hence +away;<br /> +For through the narrow gate thou’lt find it hard to go<br +/> + Of death, if thou art gross when summon’d +hence away.</p> +<p style="text-align: center">* * * * *</p> +<p style="text-align: center"><!-- page 23--><a +name="page23"></a><span class="pagenum">p. 23</span><span +class="smcap">London</span>:<br /> +Printed for <span class="smcap">Thomas J. Wise</span>, Hampstead, +N.W.<br /> +<i>Edition limited to Thirty Copies</i>.</p> +<p>***END OF THE PROJECT GUTENBERG EBOOK ELLEN OF VILLENSKOV***</p> +<pre> + + +***** This file should be named 28772-h.htm or 28772-h.zip****** + + +This and all associated files of various formats will be found in: +http://www.gutenberg.org/dirs/2/8/7/7/28772 + + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://www.gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://www.gutenberg.org/about/contact + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://www.gutenberg.org/fundraising/donate + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: +http://www.gutenberg.org/fundraising/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + +</pre></body> +</html> |