summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 02:38:39 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 02:38:39 -0700
commit339957d3b496e3a828df94ccedaf41dfea70ea7d (patch)
tree6c41e172af7f4ff9103a844e1b6f01c13f04a1fa
initial commit of ebook 28527HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--28527-h.zipbin0 -> 21756 bytes
-rw-r--r--28527-h/28527-h.htm2445
-rw-r--r--28527.txt2302
-rw-r--r--28527.zipbin0 -> 19601 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
7 files changed, 4763 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/28527-h.zip b/28527-h.zip
new file mode 100644
index 0000000..5675580
--- /dev/null
+++ b/28527-h.zip
Binary files differ
diff --git a/28527-h/28527-h.htm b/28527-h/28527-h.htm
new file mode 100644
index 0000000..5701c08
--- /dev/null
+++ b/28527-h/28527-h.htm
@@ -0,0 +1,2445 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+
+<html xmlns="http://www.w3.org/1999/xhtml">
+ <head>
+ <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" />
+ <title>
+ The Project Gutenberg eBook of The Story of Nathan Hale, by Henry Fisk Carlton.
+ </title>
+ <style type="text/css">
+
+body {
+ margin-left: 10%;
+ margin-right: 10%;
+}
+
+h1 { text-align: center; line-height: 1.5; clear: both; }
+
+p.title { text-align: center; text-indent: 0;
+ font-weight: bold;
+ line-height: 1.4; margin-bottom: 3em; }
+
+h2,h3,h4,h5,h6 { text-align: center; clear: both; }
+
+p {
+ margin-top: .75em;
+ text-align: justify;
+ margin-bottom: .75em;
+}
+
+hr {
+ width: 33%;
+ margin-top: 2em;
+ margin-bottom: 2em;
+ margin-left: auto;
+ margin-right: auto;
+ clear: both;
+}
+
+.pagenum { /* uncomment the next line for invisible page numbers */
+ /* visibility: hidden; */
+ position: absolute;
+ left: 92%;
+ font-size: smaller;
+ text-align: right;
+} /* page numbers */
+
+.center {text-align: center;}
+.smcap {font-variant: small-caps;}
+
+ </style>
+ </head>
+<body>
+
+
+<pre>
+
+Project Gutenberg's The Story of Nathan Hale, by Henry Fisk Carlton
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Story of Nathan Hale
+
+Author: Henry Fisk Carlton
+
+Editor: Claire T. Zyve
+
+Release Date: April 7, 2009 [EBook #28527]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE STORY OF NATHAN HALE ***
+
+
+
+
+Produced by Colin Bell, Joseph Cooper, Diane Monico, and
+the Online Distributed Proofreading Team at
+https://www.pgdp.net
+
+
+
+
+
+
+</pre>
+
+
+
+
+
+<p class="title"><i>DRAMATIC HOURS IN REVOLUTIONARY HISTORY</i></p>
+<hr style="width: 33%;" />
+
+<h1>
+The<br />
+Story of Nathan Hale<br /></h1>
+
+<p class="title"><small>BY</small><br />
+<br />
+<big>HENRY FISK CARLTON</big><br />
+
+<br /><br />
+<i>Edited by</i> CLAIRE T. ZYVE, <span class="smcap">Ph.D.</span><br />
+Fox Meadow School, Scarsdale, New York<br />
+<br /></p>
+<hr style="width: 33%;" />
+<p class="title"><small>BUREAU OF PUBLICATIONS<br />
+TEACHERS COLLEGE, COLUMBIA UNIVERSITY<br />
+NEW YORK CITY<br /></small>
+</p>
+
+
+<hr style="width: 65%;" />
+<h3><i>HOW TO BE A GOOD RADIO ACTOR</i></h3>
+
+
+<p>The play in this book has actually been produced on the radio. Possibly
+you have listened to this one when you tuned in at home. The
+persons whose voices you heard as you listened, looked just as they did
+when they left their homes to go to the studio, although they were
+taking the parts of men and women who lived long ago and who wore
+costumes very different from the ones we wear today.</p>
+
+<p>The persons whose voices you heard stood close together around the
+microphone, each one reading from a copy of the play in his hand.
+Since they could not be seen, they did not act parts as in other plays,
+but tried to make their voices show how they felt.</p>
+
+<p>When you give these plays you will not need costumes and you will
+not need scenery, although you can easily arrange a broadcasting studio
+if you wish. You will not need to memorize your parts; in fact, it
+will not be like a real radio broadcast if you do so, and, furthermore,
+you will not want to, since you each have a copy of the book in
+your hands. All you will need to do is to remember that you are taking
+the part of a radio actor, that you are to read your speeches very distinctly,
+and that by your voice you will make your audience understand
+how you feel. In this way you will have the fun of living
+through some of the great moments of history.</p>
+
+
+<h3><i>HOW TO FOLLOW DIRECTIONS IN THE PLAY</i></h3>
+
+
+<p>There are some directions in this play which may be new to you, but
+these are necessary, for you are now in a radio broadcasting studio,
+talking in front of a microphone. The word (<i>in</i>) means that the
+character is standing close to the microphone, while (<i>off</i>) indicates that
+he is farther away, so that his voice sounds faint. When the directions
+(<i>off, coming in</i>) are given, the person speaking is away from the microphone
+at first but gradually comes closer. The words (<i>mob</i>) or (<i>crowd
+noise</i>) you will understand mean the sound of many people talking in
+the distance.</p>
+
+<p>Both the English and the dialect used help make the characters live,
+so the speeches have been written in the way in which these men and
+women would talk. This means that sometimes the character may use
+what seems to you unusual English. The punctuation helps, too, to
+make the speeches sound like real conversation; for example, you will
+find that a dash is often used to show that a character is talking very
+excitedly.</p>
+
+
+
+<hr style="width: 65%;" /><p><span class="pagenum"><a name="Page_1" id="Page_1">[Pg 1]</a></span></p>
+<h2><a name="THE_STORY_OF_NATHAN_HALE" id="THE_STORY_OF_NATHAN_HALE"></a>THE STORY OF NATHAN HALE</h2>
+
+<h3><i>CAST</i></h3>
+
+<p class="center">
+CAPTAIN NATHAN HALE<br />
+CAPTAIN WILLIAM HULL<br />
+GENERAL WASHINGTON<br />
+BOS'N<br />
+LIEUTENANT POND<br />
+SIMON CARTER<br />
+LIEUTENANT DREW [BRITISH]<br />
+MRS. CHICHESTER<br />
+CAPTAIN MONTRESSOR<br />
+PROVOST MARSHAL CUNNINGHAM<br />
+</p>
+
+
+<h3>ANNOUNCER</h3>
+
+<p>We present here the story of the famous Revolutionary
+hero and martyr, Nathan Hale. For the first scene of our
+sketch, let us go to General Washington's headquarters in
+New York City. It is early September of the year 1776.
+In the Orderly room, outside of General Washington's
+private office, sits Captain William Hull, a member of the
+General's staff. Another officer comes through the door,
+Captain Hull glances toward the newcomer, jumps up,
+and exclaims&mdash;</p>
+
+<p class="center">HULL</p>
+
+<p>Nathan Hale! As sure as I'm alive!</p>
+
+<p class="center">HALE</p>
+
+<p>William Hull! Well, well, this is a surprise!<span class="pagenum"><a name="Page_2" id="Page_2">[Pg 2]</a></span></p>
+
+<p class="center">HULL</p>
+
+<p>And you're a Captain! My congratulations, Nathan.</p>
+
+<p class="center">HALE</p>
+
+<p>I might say the same to you, William!</p>
+
+<p class="center">HULL</p>
+
+<p>What regiment are you in?</p>
+
+<p class="center">HALE</p>
+
+<p>Knowlton's Rangers. And you?</p>
+
+<p class="center">HULL</p>
+
+<p>Well, as you see, I'm on the General's staff. I envy you!
+Knowlton's Rangers, eh? Ah! There you have some
+chance for adventure! Some chance to distinguish yourself,
+while I&mdash;</p>
+
+<p class="center">HALE</p>
+
+<p>Why, what's wrong with a staff appointment? I'd be honored
+if it were offered to me.</p>
+
+<p class="center">HULL</p>
+
+<p>Yes, so was I. That's why I'm here. I was a lieutenant of
+artillery when General Washington asked me to join his
+staff. I jumped at the chance&mdash;</p>
+
+<p class="center">HALE</p>
+
+<p>Who wouldn't?</p>
+
+<p class="center">HULL</p>
+
+<p>I wouldn't, again! Why, all I've done for two months is
+write letters, sit at a desk, answer questions, and run errands!
+It's no duty for a man who craves action!</p>
+
+<p class="center">HALE</p>
+
+<p>Yes, William, you have always been a fire eater.</p>
+
+<p class="center">HULL</p>
+
+<p>Well, I eat no fire here, I can tell you. Now will you trade
+jobs with me?<span class="pagenum"><a name="Page_3" id="Page_3">[Pg 3]</a></span></p>
+
+<p class="center">HALE</p>
+
+<p>If General Washington asks me to&mdash;I'll do it&mdash;though
+you haven't made it sound like a very attractive job, William.</p>
+
+<p class="center">HULL</p>
+
+<p>Perhaps I've overdone it, Nathan&mdash;</p>
+
+<p class="center">HALE [<i>laughing</i>]</p>
+
+<p>No use trying to crawl out of it now, William.</p>
+
+<p class="center">HULL</p>
+
+<p>But you&mdash;you're more used to this sort of thing than I
+am. You're a schoolmaster&mdash;used to books and quills and
+letter writing.</p>
+
+<p class="center">HALE</p>
+
+<p>That's true enough. You never had much love for books&mdash;as
+I remember it you were rather a trial to the dominie
+back home&mdash;by the way, what do you hear from South
+Coventry?</p>
+
+<p class="center">HULL</p>
+
+<p>Not much&mdash;almost every man in the town enlisted.</p>
+
+<p class="center">HALE</p>
+
+<p>Yes, I keep running across South Coventry men everywhere
+I go. It's a little town, but it has certainly done its duty
+well in this war.</p>
+
+<p class="center">HULL</p>
+
+<p>If others had done as well, we wouldn't be in such dire
+straits now!</p>
+
+<p class="center">HALE</p>
+
+<p>Things do look pretty black for us.</p>
+
+<p class="center">HULL</p>
+
+<p>Black! They couldn't be blacker!<span class="pagenum"><a name="Page_4" id="Page_4">[Pg 4]</a></span></p>
+
+<p class="center">HALE</p>
+
+<p>Have you any idea what the General's next move will be?</p>
+
+<p class="center">HULL</p>
+
+<p>No!&mdash;and what's more, I don't think he knows. It all
+depends on General Howe's movements, and what those
+will be nobody knows.</p>
+
+<p class="center">HALE</p>
+
+<p>Is General Washington in his office now?</p>
+
+<p class="center">HULL</p>
+
+<p>Yes. Did you come to see him?</p>
+
+<p class="center">HALE</p>
+
+<p>I was ordered to report to him.</p>
+
+<p class="center">HULL</p>
+
+<p>And here I've been keeping you out here&mdash;that shows
+what a good staff officer I am! I'll announce you at once.
+[<i>knock</i>]</p>
+
+<p class="center">WASHINGTON [<i>off</i>]</p>
+
+<p>Yes, come in.</p>
+
+<p class="center">HULL</p>
+
+<p>Sir, Captain Hale of Knowlton's Rangers awaits your
+pleasure.</p>
+
+<p class="center">WASHINGTON [<i>off</i>]</p>
+
+<p>Ask him to come in at once, Captain.</p>
+
+<p class="center">HULL</p>
+
+<p>Yes, sir. [<i>closer</i>] General Washington will see you now,
+Captain Hale.</p>
+
+<p class="center">HALE</p>
+
+<p>Thank you.</p>
+
+<p class="center">HULL [<i>low</i>]</p>
+
+<p>I'll wait out here for you. Come right in here! [<i>door
+closes</i>]<span class="pagenum"><a name="Page_5" id="Page_5">[Pg 5]</a></span></p>
+
+<p class="center">HALE</p>
+
+<p>Captain Hale reports as ordered, sir.</p>
+
+<p class="center">WASHINGTON</p>
+
+<p>Come in, Captain&mdash;come in!</p>
+
+<p class="center">HALE</p>
+
+<p>Thank you, sir.</p>
+
+<p class="center">WASHINGTON</p>
+
+<p>Will you sit here?</p>
+
+<p class="center">HALE</p>
+
+<p>Thank you, sir.</p>
+
+<p class="center">WASHINGTON</p>
+
+<p>Colonel Knowlton informs me that you and your company
+have been assigned to cover the North Shore line of
+Long Island Sound.</p>
+
+<p class="center">HALE</p>
+
+<p>Yes, sir!</p>
+
+<p class="center">WASHINGTON</p>
+
+<p>Well, Captain Hale, I am seriously in need of exact information
+which you may be able to secure.</p>
+
+<p class="center">HALE</p>
+
+<p>What is that, sir?</p>
+
+<p class="center">WASHINGTON</p>
+
+<p>Lord Howe's plans!</p>
+
+<p class="center">HALE</p>
+
+<p>Yes, sir!</p>
+
+<p class="center">WASHINGTON</p>
+
+<p>Can you get them?</p>
+
+<p class="center">HALE</p>
+
+<p>I can try, sir.<span class="pagenum"><a name="Page_6" id="Page_6">[Pg 6]</a></span></p>
+
+<p class="center">WASHINGTON</p>
+
+<p>You don't seem daunted by the magnitude of the undertaking.</p>
+
+<p class="center">HALE</p>
+
+<p>It is an order, sir.</p>
+
+<p class="center">WASHINGTON</p>
+
+<p>Well, my boy, no man knows better than I the impossibility
+of some orders.</p>
+
+<p class="center">HALE</p>
+
+<p>But, sir&mdash;</p>
+
+<p class="center">WASHINGTON</p>
+
+<p>I hope, though, that this is not impossible. I have to have
+the information. The safety of my whole army depends
+upon it. I must know particularly where General Howe
+intends to strike next.</p>
+
+<p class="center">HALE</p>
+
+<p>Yes, sir.</p>
+
+<p class="center">WASHINGTON</p>
+
+<p>If he comes across the East River, we can protect ourselves
+and keep out of his way. But if he comes across Long
+Island Sound&mdash;do you realize what that may mean to us?</p>
+
+<p class="center">HALE</p>
+
+<p>Yes, sir. He can cut off our retreat.</p>
+
+<p class="center">WASHINGTON</p>
+
+<p>Exactly! So that's what I must know.</p>
+
+<p class="center">HALE</p>
+
+<p>I'll find out for you, sir.</p>
+
+<p class="center">WASHINGTON</p>
+
+<p>Good! Now, Captain, you may go about your task in any
+way you see fit. I suggest two or three alternatives. First,
+you may tempt one of the enemy or a Tory who has access<span class="pagenum"><a name="Page_7" id="Page_7">[Pg 7]</a></span>
+to the British lines, with a sum of money. You may
+draw on me for whatever is necessary.</p>
+
+<p class="center">HALE</p>
+
+<p>Yes, sir.</p>
+
+<p class="center">WASHINGTON</p>
+
+<p>Or you might make a sally across the Sound, capture a
+prisoner or two, and secure bits of information.</p>
+
+<p class="center">HALE</p>
+
+<p>Yes, sir.</p>
+
+<p class="center">WASHINGTON</p>
+
+<p>Or, though I hate to suggest it, you might go yourself in
+disguise to the British lines, but that should be only in a
+last desperate effort.</p>
+
+<p class="center">HALE</p>
+
+<p>I understand, sir.</p>
+
+<p class="center">WASHINGTON</p>
+
+<p>Or if you could get in touch with certain persons on Long
+Island who have been of service to us before&mdash;let's see&mdash;there
+is a shoemaker in Jamaica&mdash;what is his name&mdash;oh,
+here it is&mdash;Simon Carter.</p>
+
+<p class="center">HALE</p>
+
+<p>Simon Carter. Yes, sir.</p>
+
+<p class="center">WASHINGTON</p>
+
+<p>If you can find any way to get in touch with him&mdash;</p>
+
+<p class="center">HALE</p>
+
+<p>I'll find a way, sir.</p>
+
+<p class="center">WASHINGTON</p>
+
+<p>The password is "Liberty" used twice in your first sentence
+to him.</p>
+
+<p class="center">HALE</p>
+
+<p>Yes, sir.<span class="pagenum"><a name="Page_8" id="Page_8">[Pg 8]</a></span></p>
+
+<p class="center">WASHINGTON</p>
+
+<p>I don't know what he can do for you, but he is trustworthy
+and he may have some information.</p>
+
+<p class="center">HALE</p>
+
+<p>I'll see him, sir.</p>
+
+<p class="center">WASHINGTON</p>
+
+<p>Now, Captain, I don't want you to go yourself unless it is
+absolutely necessary. But I must have General Howe's
+plans as soon as possible.</p>
+
+<p class="center">HALE</p>
+
+<p>Yes, sir. I understand. I'll see that you get them, sir.</p>
+
+<p class="center">WASHINGTON</p>
+
+<p>Good! I believe you will, Captain. Good day.</p>
+
+<p class="center">HALE</p>
+
+<p>Good day, sir. [<i>door closes</i>]</p>
+
+<p class="center">HULL [<i>coming in</i>]</p>
+
+<p>Well, Nathan, what news?</p>
+
+<p class="center">HALE</p>
+
+<p>I've got a job.</p>
+
+<p class="center">HULL</p>
+
+<p>On the staff?</p>
+
+<p class="center">HALE</p>
+
+<p>No. I'm afraid it's more hazardous than that.</p>
+
+<p class="center">HULL</p>
+
+<p>You're lucky! A hazardous job! Say, what I wouldn't
+give to be in your shoes! What is it? Are you at liberty
+to tell?</p>
+
+<p class="center">HALE</p>
+
+<p>Of course I'll tell you, William. I'm to discover General
+Howe's plan of action.<span class="pagenum"><a name="Page_9" id="Page_9">[Pg 9]</a></span></p>
+
+<p class="center">HULL [<i>whistles</i>]</p>
+
+<p>I should say you had drawn a hazardous assignment! I'd
+call it a labor of Hercules!</p>
+
+<p class="center">HALE</p>
+
+<p>Perhaps.</p>
+
+<p class="center">HULL</p>
+
+<p>How are you going about it?</p>
+
+<p class="center">HALE</p>
+
+<p>There's only one sure way of doing it.</p>
+
+<p class="center">HULL</p>
+
+<p>Yes&mdash;and what's that?</p>
+
+<p class="center">HALE</p>
+
+<p>I'll go myself into the enemy lines.</p>
+
+<p class="center">HULL</p>
+
+<p>In disguise?</p>
+
+<p class="center">HALE</p>
+
+<p>Of course.</p>
+
+<p class="center">HULL</p>
+
+<p>That may involve serious consequences, Nathan.</p>
+
+<p class="center">HALE</p>
+
+<p>I know it, but I think it's my duty.</p>
+
+<p class="center">HULL</p>
+
+<p>Listen, Nathan. Let me go instead. It's more in my line.</p>
+
+<p class="center">HALE</p>
+
+<p>No, William. The General has assigned me to the duty.</p>
+
+<p class="center">HULL</p>
+
+<p>But he didn't order you to act the spy, did he?</p>
+
+<p class="center">HALE</p>
+
+<p>No.<span class="pagenum"><a name="Page_10" id="Page_10">[Pg 10]</a></span></p>
+
+<p class="center">HULL</p>
+
+<p>And he doesn't expect you to.</p>
+
+<p class="center">HALE</p>
+
+<p>He expects me to get Howe's plans.</p>
+
+<p class="center">HULL</p>
+
+<p>Look here&mdash;if I get permission to leave here, won't you
+let me go in your place?</p>
+
+<p class="center">HALE</p>
+
+<p>I'm afraid not, William.</p>
+
+<p class="center">HULL</p>
+
+<p>Listen to reason! You have a father and mother; you're
+engaged to be married. If by chance you were captured&mdash;well,
+I hate to think of it. But I'm alone in the world,
+it wouldn't make any difference what happened to me.
+Let me go!</p>
+
+<p class="center">HALE</p>
+
+<p>It's no use, William. I appreciate your sentiment; but
+General Washington has given me a duty to perform, and
+I'd be a poor kind of soldier if I turned it over to anyone
+else simply because it involved danger.</p>
+
+<p class="center">HULL</p>
+
+<p>Let me go with you, at least!</p>
+
+<p class="center">HALE</p>
+
+<p>Well, if you can get permission, I'd be glad to have you go
+part of the way with me&mdash;though I must go into the
+enemy lines alone!</p>
+
+<p class="center">HULL</p>
+
+<p>But&mdash;</p>
+
+<p class="center">HALE</p>
+
+<p>I insist on that! There is added risk in two of us trying to
+work under disguise.<span class="pagenum"><a name="Page_11" id="Page_11">[Pg 11]</a></span></p>
+
+<p class="center">HULL</p>
+
+<p>Oh, very well. Have it your way. When do we start?</p>
+
+<p class="center">HALE</p>
+
+<p>Early tomorrow morning.</p>
+
+<p class="center">HULL</p>
+
+<p>I'll get permission to accompany you at once.</p>
+
+
+<h3>ANNOUNCER</h3>
+
+<p>So early the next morning Hull and Hale started out together.
+They went into Connecticut and began looking
+for some means of crossing the Sound to the North Shore
+of Long Island. When they arrived near Norwalk they
+heard that an American gunboat was lying offshore. They
+determined to row out to it as soon as night came.</p>
+
+<p>Our next scene is just after dark. Nathan Hale has put
+on his disguise, while William Hull has found a rowboat,
+and now draws up to the shore where Nathan is waiting
+for him.</p>
+
+<p class="center">HALE</p>
+
+<p>Hello, William, that you?</p>
+
+<p class="center">HULL</p>
+
+<p>It's me, right enough. Come on, climb in.</p>
+
+<p class="center">HALE</p>
+
+<p>All right. Hold her there while I get aboard.</p>
+
+<p class="center">HULL</p>
+
+<p>Easy, you'll have to jump for it! This is as close as I can
+come with this old tub.</p>
+
+<p class="center">HALE</p>
+
+<p>Steady now! Here I come&mdash;all right! I didn't even get
+my feet wet!<span class="pagenum"><a name="Page_12" id="Page_12">[Pg 12]</a></span></p>
+
+<p class="center">HULL</p>
+
+<p>Let me take a good look at your disguise. Hm&mdash;brown
+homespun suit&mdash;yes&mdash;that's a poor enough fit even for
+a penniless schoolmaster. And that hat! Yes, it'll disguise
+you all right.</p>
+
+<p class="center">HALE</p>
+
+<p>I hope so. Give me an oar, I'll help you pull to the gunboat.</p>
+
+<p class="center">HULL</p>
+
+<p>Here you are. [<i>rattle of oar in oarlock</i>] All ready?</p>
+
+<p class="center">HALE</p>
+
+<p>Pull away, [<i>noise of regular rattle of oars in the lock and
+the swish of water continuing</i>]</p>
+
+<p class="center">HULL</p>
+
+<p>Where are you going first, Nathan?</p>
+
+<p class="center">HALE</p>
+
+<p>I don't know. I'll have to let circumstances direct me.</p>
+
+<p class="center">HULL</p>
+
+<p>Are you going directly to that shoemaker the General referred
+you to?</p>
+
+<p class="center">HALE</p>
+
+<p>No, not directly. I'll see what I can do without any help
+at first.</p>
+
+<p class="center">HULL</p>
+
+<p>You better change your mind and let me go with you.</p>
+
+<p class="center">HALE</p>
+
+<p>It's no use, William. I won't change my mind.</p>
+
+<p class="center">HULL</p>
+
+<p>You always were stubborn, Nathan.<span class="pagenum"><a name="Page_13" id="Page_13">[Pg 13]</a></span></p>
+
+<p class="center">HALE</p>
+
+<p>Perhaps. There's the gunboat, William!</p>
+
+<p class="center">HULL</p>
+
+<p>Sure that's it?</p>
+
+<p class="center">HALE</p>
+
+<p>No doubt of it.</p>
+
+<p class="center">HULL</p>
+
+<p>Shall I hail them?</p>
+
+<p class="center">HALE</p>
+
+<p>Let's pull in a little closer.</p>
+
+<p class="center">HULL</p>
+
+<p>All right, pull away. There's no light aboard.</p>
+
+<p class="center">HALE</p>
+
+<p>No&mdash;there wouldn't be. These waters are alive with
+British boats.</p>
+
+<p class="center">HULL</p>
+
+<p>There! That's close enough! Give 'em a call now!</p>
+
+<p class="center">HALE</p>
+
+<p>Ahoy, there!</p>
+
+<p class="center">BOS'N [<i>distance</i>]</p>
+
+<p>Ahoy! Look sharp there! Don't come any closer! Who
+are you, and what do you want?</p>
+
+<p class="center">HALE</p>
+
+<p>I want to speak to your Captain.</p>
+
+<p class="center">BOS'N</p>
+
+<p>Who are you?</p>
+
+<p class="center">HALE</p>
+
+<p>An officer of the Continental army!</p>
+
+<p class="center">BOS'N</p>
+
+<p>Stand by&mdash;I'll report you.<span class="pagenum"><a name="Page_14" id="Page_14">[Pg 14]</a></span></p>
+
+<p class="center">HALE [<i>low</i>]</p>
+
+<p>All right, William, as soon as I go aboard, row back to
+shore, and wait ten days for me. If I've not returned by
+then, go back and report me as lost.</p>
+
+<p class="center">HULL</p>
+
+<p>Now, listen, Nathan! I've come this far with you, let me
+go&mdash;</p>
+
+<p class="center">HALE</p>
+
+<p>We've settled all that, William, not once but several times.</p>
+
+<p class="center">HULL</p>
+
+<p>Oh, all right.</p>
+
+<p class="center">POND [<i>distance</i>]</p>
+
+<p>Ahoy, there! What's wanted?</p>
+
+<p class="center">HALE</p>
+
+<p>I wish to come aboard, sir, with your permission.</p>
+
+<p class="center">POND</p>
+
+<p>Hello, there, your voice sounds familiar. You don't by
+any chance happen to be Captain Hale?</p>
+
+<p class="center">HALE</p>
+
+<p>Yes, indeed. I'm Captain Hale. But you have the advantage
+of me, sir&mdash;</p>
+
+<p class="center">POND</p>
+
+<p>Come aboard, come aboard, Captain. Don't you remember
+Lieutenant Pond? I was in your regiment at the siege
+of Boston.</p>
+
+<p class="center">HALE</p>
+
+<p>Of course, I do, Pond. I'm glad to hear your voice.</p>
+
+<p class="center">POND</p>
+
+<p>Come aboard, Captain, I'll lower a ladder for you.<span class="pagenum"><a name="Page_15" id="Page_15">[Pg 15]</a></span></p>
+
+<p class="center">HALE</p>
+
+<p>Thank you.</p>
+
+<p class="center">POND</p>
+
+<p>Bos'n!</p>
+
+<p class="center">BOS'N</p>
+
+<p>Aye, aye, sir!</p>
+
+<p class="center">POND</p>
+
+<p>Lower the ladder for Captain Hale!</p>
+
+<p class="center">BOS'N</p>
+
+<p>Aye, aye, sir! [<i>gives orders for lowering ladder</i>]</p>
+
+<p class="center">HALE [<i>during the confusion</i>]</p>
+
+<p>Good-by, William. I'll try to be back in a week.</p>
+
+<p class="center">HULL</p>
+
+<p>Good luck to you, Nathan.</p>
+
+<p class="center">HALE</p>
+
+<p>If by any chance I fail to return, will you see that my uniform
+and other effects are sent to my family?</p>
+
+<p class="center">HULL</p>
+
+<p>Of course I will, Nathan.</p>
+
+<p class="center">POND</p>
+
+<p>Come aboard, Captain Hale!</p>
+
+<p class="center">POND [<i>coming in</i>]</p>
+
+<p>Here you are, careful now! Give me your hand and watch
+yourself&mdash;there!</p>
+
+<p class="center">HALE</p>
+
+<p>Thank you.</p>
+
+<p class="center">POND</p>
+
+<p>What kind of an outfit do you call that you've got on!
+I'd never have known you if I hadn't heard your voice.<span class="pagenum"><a name="Page_16" id="Page_16">[Pg 16]</a></span></p>
+
+<p class="center">HALE</p>
+
+<p>That's good, Pond!</p>
+
+<p class="center">POND</p>
+
+<p>Good, why?</p>
+
+<p class="center">HALE</p>
+
+<p>Because I'm bound for the enemy lines.</p>
+
+<p class="center">POND</p>
+
+<p>What? Not on spy duty, I hope?</p>
+
+<p class="center">HALE</p>
+
+<p>Exactly. Will you give me passage to Long Island, and
+land me in some secluded spot?</p>
+
+<p class="center">POND</p>
+
+<p>Why&mdash;yes&mdash;if you wish it.</p>
+
+<p class="center">HALE</p>
+
+<p>You can do it without endangering yourself or your boat?</p>
+
+<p class="center">POND</p>
+
+<p>There'll be no difficulty about landing you. There is, however,
+a British man-of-war, the <i>Halifax</i>, in these waters.
+We have to watch out for her. But it's dark enough tonight
+to be perfectly safe.</p>
+
+<p class="center">HALE</p>
+
+<p>Good! Can we go at once?</p>
+
+<p class="center">POND</p>
+
+<p>Yes, sir. [<i>calling</i>] Bos'n!</p>
+
+<p class="center">BOS'N</p>
+
+<p>Aye, aye, sir!</p>
+
+<p class="center">POND</p>
+
+<p>Get the ship under way for Long Island! Bring her into
+that secluded cove near Huntington! You know the place.<span class="pagenum"><a name="Page_17" id="Page_17">[Pg 17]</a></span></p>
+
+<p class="center">BOS'N</p>
+
+<p>Aye, aye, sir! [<i>calling</i>] All hands on deck! Man the
+windlass! Weigh anchor! [<i>etc.</i>] [<i>mob, setting sails, etc.</i>]</p>
+
+<p class="center">POND</p>
+
+<p>Well, Captain Hale. This is new business for you, isn't it?</p>
+
+<p class="center">HALE</p>
+
+<p>Yes, I've been transferred to Knowlton's Rangers. Our
+business is to get information. And I am under orders to
+secure some information that I can get in no other way.</p>
+
+<p class="center">POND</p>
+
+<p>Hm. It's not a sweet business.</p>
+
+<p class="center">HALE</p>
+
+<p>It's in my country's service! It seems that you, too, Lieutenant
+Pond, are in a new business. How long have you
+been in the navy?</p>
+
+<p class="center">POND</p>
+
+<p>Two weeks.</p>
+
+<p class="center">HALE</p>
+
+<p>I'm glad I found you here&mdash;I might have had some difficulty
+in convincing a stranger that I was really an officer
+in the Continental army.</p>
+
+<p class="center">POND</p>
+
+<p>That's true enough. You look&mdash;well&mdash;more like a
+country schoolmaster than anything else.</p>
+
+<p class="center">HALE</p>
+
+<p>That's what I hope to pass for.</p>
+
+<p class="center">POND</p>
+
+<p>How long will you be on Long Island?</p>
+
+<p class="center">HALE</p>
+
+<p>I shall try to be through my business in a week. I wonder
+if you would meet me at the same place you are going to
+leave me&mdash;say, a week from tonight?<span class="pagenum"><a name="Page_18" id="Page_18">[Pg 18]</a></span></p>
+
+<p class="center">POND</p>
+
+<p>I'll send a small boat ashore for you, soon after dark a week
+from tonight.</p>
+
+<p class="center">HALE</p>
+
+<p>Good! I'll be there&mdash;unless&mdash;</p>
+
+<p class="center">POND</p>
+
+<p>Yes?</p>
+
+<p class="center">HALE</p>
+
+<p>Unless I am unexpectedly detained.</p>
+
+<p class="center">POND</p>
+
+<p>Oh, sir&mdash;we won't even think of that!</p>
+
+
+<h3>ANNOUNCER</h3>
+
+<p>Our next scene is several days later, at the little shop of the
+shoemaker, Simon Carter, in Jamaica. Simon is sitting on
+his stool, hammering away at a half-finished boot, when
+he hears a knock at his door. [<i>knock</i>]</p>
+
+<p class="center">SIMON</p>
+
+<p>Come in, come in, the door ain't locked! Come on in!</p>
+
+<p class="center">HALE</p>
+
+<p>Is this the shop of Simon Carter, the shoemaker?</p>
+
+<p class="center">SIMON</p>
+
+<p>It is, no less!</p>
+
+<p class="center">HALE</p>
+
+<p>Are you at liberty today&mdash;at liberty to do a little work
+for me?</p>
+
+<p class="center">SIMON</p>
+
+<p>Close the door!</p>
+
+<p class="center">HALE</p>
+
+<p>There. [<i>door closes</i>]<span class="pagenum"><a name="Page_19" id="Page_19">[Pg 19]</a></span></p>
+
+<p class="center">SIMON [<i>low</i>]</p>
+
+<p>Now&mdash;sir&mdash;I'll do what I can fer ye&mdash;in the cause of
+liberty. What is it?</p>
+
+<p class="center">HALE [<i>low</i>]</p>
+
+<p>Have you any information for the General?</p>
+
+<p class="center">SIMON</p>
+
+<p>Aye&mdash;a plenty!</p>
+
+<p class="center">HALE</p>
+
+<p>Can you give it to me?</p>
+
+<p class="center">SIMON</p>
+
+<p>It's all written out&mdash;careful.</p>
+
+<p class="center">HALE</p>
+
+<p>Good! Give it to me.</p>
+
+<p class="center">SIMON</p>
+
+<p>Jest a minute. Don't them boots of yours need new soles?</p>
+
+<p class="center">HALE</p>
+
+<p>Why, I don't know. I think they'll do.</p>
+
+<p class="center">SIMON</p>
+
+<p>Never! Ye must have new soles!</p>
+
+<p class="center">HALE</p>
+
+<p>Why?</p>
+
+<p class="center">SIMON</p>
+
+<p>See here? This here sole?</p>
+
+<p class="center">HALE</p>
+
+<p>Yes?</p>
+
+<p class="center">SIMON</p>
+
+<p>Well, listen&mdash;come close&mdash;</p>
+
+<p class="center">HALE</p>
+
+<p>Yes?<span class="pagenum"><a name="Page_20" id="Page_20">[Pg 20]</a></span></p>
+
+<p class="center">SIMON</p>
+
+<p>The sole is split&mdash;the notes are inside it!</p>
+
+<p class="center">HALE</p>
+
+<p>Good! That's an excellent idea!</p>
+
+<p class="center">SIMON</p>
+
+<p>Slickest thing ye ever see. And it's my own idea!</p>
+
+<p class="center">HALE</p>
+
+<p>I wonder if you could hide some notes I've gathered in the
+same way?</p>
+
+<p class="center">SIMON</p>
+
+<p>O' course I could. I'll resole both boots. Give me yer
+notes.</p>
+
+<p class="center">HALE</p>
+
+<p>Here they are. [<i>rattle of paper</i>]</p>
+
+<p class="center">SIMON</p>
+
+<p>Pshaw, now&mdash;what kind o' writin' is this?</p>
+
+<p class="center">HALE</p>
+
+<p>It's Latin. I thought if they were discovered on me&mdash;</p>
+
+<p class="center">SIMON</p>
+
+<p>O' course&mdash;no soldier&mdash;that is, no redcoat could read
+that furrin writin'. Well, I'll put it where they'll never
+find it. Here&mdash;right in this sole. Now sit down there
+and pull yer boots off an' I'll fix 'em up fer ye.</p>
+
+<p class="center">HALE</p>
+
+<p>Good! It's an excellent hiding place. Here you are.</p>
+
+<p class="center">SIMON</p>
+
+<p>Yer a schoolmaster, I take it from the looks o' ye?</p>
+
+<p class="center">HALE</p>
+
+<p>That's what I've been passing for.<span class="pagenum"><a name="Page_21" id="Page_21">[Pg 21]</a></span></p>
+
+<p class="center">SIMON</p>
+
+<p>Now, where's that awl? Oh, here it is. And what name
+be ye usin' hereabouts?</p>
+
+<p class="center">HALE</p>
+
+<p>Call me Master Nathan. [<i>knock</i>]</p>
+
+<p class="center">SIMON</p>
+
+<p>Oh, someone at the door.</p>
+
+<p class="center">HALE</p>
+
+<p>Had I better hide?</p>
+
+<p class="center">SIMON</p>
+
+<p>No, no! 'tis better that ye sit right over there in the dark
+corner. Ye look innocent enough. Come in!</p>
+
+<p class="center">DREW [<i>coming in</i>]</p>
+
+<p>Good morning, Simon.</p>
+
+<p class="center">SIMON</p>
+
+<p>Good morrow to ye, Lieutenant Drew! I've got yer boots
+all finished fer ye.</p>
+
+<p class="center">DREW</p>
+
+<p>Right! You're hard at work, I see.</p>
+
+<p class="center">SIMON</p>
+
+<p>Always hard at work, Lieutenant. Here are yer boots.
+I'll wrap them up fer ye.</p>
+
+<p class="center">DREW [<i>low</i>]</p>
+
+<p>Who's that gentleman over there?</p>
+
+<p class="center">SIMON [<i>low</i>]</p>
+
+<p>A customer&mdash;I'm fixin' his boots.</p>
+
+<p class="center">DREW</p>
+
+<p>Know him?</p>
+
+<p class="center">SIMON</p>
+
+<p>Never set eyes on him before.<span class="pagenum"><a name="Page_22" id="Page_22">[Pg 22]</a></span></p>
+
+<p class="center">DREW</p>
+
+<p>Unless I'm much mistaken, I've seen him before&mdash;but I
+can't place him.</p>
+
+<p class="center">SIMON</p>
+
+<p>Eh? Here's yer boots, Lieutenant. An' come around
+again when ye have need of a good shoemaker.</p>
+
+<p class="center">DREW</p>
+
+<p>Thank you. I'm going to speak to him. [<i>louder</i>] Good
+morning, sir.</p>
+
+<p class="center">HALE</p>
+
+<p>Good morning, sir.</p>
+
+<p class="center">DREW</p>
+
+<p>Haven't we met somewhere?</p>
+
+<p class="center">HALE</p>
+
+<p>I think you're mistaken, Mr.&mdash;</p>
+
+<p class="center">DREW</p>
+
+<p>Drew&mdash;Drew&mdash;Lieutenant on His Majesty's gunboat,
+the <i>Halifax</i>. Are you a stranger hereabouts?</p>
+
+<p class="center">HALE</p>
+
+<p>Yes, sir.</p>
+
+<p class="center">DREW</p>
+
+<p>Do you live on the Island?</p>
+
+<p class="center">HALE</p>
+
+<p>Why&mdash;ah&mdash;yes, sir.</p>
+
+<p class="center">DREW</p>
+
+<p>Where?</p>
+
+<p class="center">HALE</p>
+
+<p>Ah&mdash;er&mdash;near&mdash;Huntington.</p>
+
+<p class="center">DREW</p>
+
+<p>Ah yes&mdash;well, no doubt I've seen you over there. I'm
+often at Huntington.<span class="pagenum"><a name="Page_23" id="Page_23">[Pg 23]</a></span></p>
+
+<p class="center">HALE</p>
+
+<p>Yes, sir, no doubt.</p>
+
+<p class="center">DREW [<i>jovially</i>]</p>
+
+<p>Perhaps you know that delightfully charming lady who
+keeps the tavern&mdash;Mrs. Chichester?</p>
+
+<p class="center">HALE</p>
+
+<p>Slightly&mdash;only slightly.</p>
+
+<p class="center">DREW</p>
+
+<p>Hm! You should know her&mdash;a delightful soul. Well,
+good day&mdash;good day, Simon.</p>
+
+<p class="center">SIMON</p>
+
+<p>Good day, Lieutenant. [<i>door closes</i>]</p>
+
+<p class="center">HALE</p>
+
+<p>Now, where have I met that man?</p>
+
+<p class="center">SIMON</p>
+
+<p>Then ye <i>have</i> met him? He wasn't mistaken?</p>
+
+<p class="center">HALE</p>
+
+<p>I've seen him somewhere&mdash;but I can't place him.</p>
+
+<p class="center">SIMON</p>
+
+<p>Well&mdash;as long as he can't place you, yer safe, but git out
+o' this town as soon as ye can.</p>
+
+<p class="center">HALE</p>
+
+<p>I will.</p>
+
+<p class="center">SIMON</p>
+
+<p>Are ye from Huntington?</p>
+
+<p class="center">HALE</p>
+
+<p>Never there in my life, except late at night when I landed
+on the Island.<span class="pagenum"><a name="Page_24" id="Page_24">[Pg 24]</a></span></p>
+
+<p class="center">SIMON</p>
+
+<p>Well, I'll git the boots fixed for ye&mdash;then git out fast!
+No use runnin' any risks.</p>
+
+<p class="center">HALE</p>
+
+<p>You're right, Simon. I shall take every care not to run
+into that man again.</p>
+
+
+<h3>ANNOUNCER</h3>
+
+<p>Our next scene is a few days later. It is evening. Darkness
+is just falling. Mrs. Chichester, the keeper of the
+Huntington Tavern, is bustling about her kitchen, when
+Lieutenant Drew enters the back door.</p>
+
+<p class="center">DREW</p>
+
+<p>Good evening, Mrs. Chichester.</p>
+
+<p class="center">MRS. CHICHESTER</p>
+
+<p>Good evenin' to ye, Lieutenant Drew. And what are ye
+doin' comin' into my kitchen, I'd like to know?</p>
+
+<p class="center">DREW</p>
+
+<p>Your tavern room's crowded, and I thought perhaps you'd
+serve me here.</p>
+
+<p class="center">MRS. CHICHESTER</p>
+
+<p>Indeed, I'll do nothing of the kind. There's room enough
+in the tavern room.</p>
+
+<p class="center">DREW</p>
+
+<p>But I'll have no chance to talk to you out there. And I'd
+as soon not eat as be deprived of your company.</p>
+
+<p class="center">MRS. CHICHESTER</p>
+
+<p>Go along with ye! Come on out here into the tavern room
+or ye'll not git a bite to eat.</p>
+
+<p class="center">DREW</p>
+
+<p>Your word is law&mdash;I can only obey.<span class="pagenum"><a name="Page_25" id="Page_25">[Pg 25]</a></span></p>
+
+<p class="center">MRS. CHICHESTER</p>
+
+<p>Through this door&mdash;here.</p>
+
+<p class="center">DREW</p>
+
+<p>Oh, very well&mdash;wait&mdash;</p>
+
+<p class="center">MRS. CHICHESTER</p>
+
+<p>Now what's the matter?</p>
+
+<p class="center">DREW</p>
+
+<p>Close the door, Mrs. Chichester! Did you take particular
+notice of the man sitting alone in the corner?</p>
+
+<p class="center">MRS. CHICHESTER</p>
+
+<p>The nice-lookin' young feller in the brown suit?</p>
+
+<p class="center">DREW</p>
+
+<p>That's the one. Do you know him?</p>
+
+<p class="center">MRS. CHICHESTER</p>
+
+<p>Never set eyes on him before.</p>
+
+<p class="center">DREW</p>
+
+<p>Then he's not from Huntington.</p>
+
+<p class="center">MRS. CHICHESTER</p>
+
+<p>He is not! I know every young blood hereabouts. An'
+he's not a native here, I kin warrant ye that.</p>
+
+<p class="center">DREW</p>
+
+<p>I have it!</p>
+
+<p class="center">MRS. CHICHESTER</p>
+
+<p>What&mdash;don't scare a body to death! What have ye got?</p>
+
+<p class="center">DREW</p>
+
+<p>I know where I've seen him! He's a rebel.</p>
+
+<p class="center">MRS. CHICHESTER</p>
+
+<p>A rebel! Indeed! In my tavern? I'll go throw him out!<span class="pagenum"><a name="Page_26" id="Page_26">[Pg 26]</a></span></p>
+
+<p class="center">DREW</p>
+
+<p>No! No! We must make certain first. But I think he's
+an officer in the rebel army. Some months ago I was captured
+near Boston. I escaped later. But while I was a
+prisoner, I saw this fellow&mdash;unless I'm much mistaken.
+I saw him again the other day in Jamaica, at the shoemaker's;
+and now&mdash;look at him&mdash;here through the crack in
+the door!</p>
+
+<p class="center">MRS. CHICHESTER</p>
+
+<p>He's lookin' fer somethin'&mdash;out the winder.</p>
+
+<p class="center">DREW</p>
+
+<p>He's watching the shore of the cove!</p>
+
+<p class="center">MRS. CHICHESTER</p>
+
+<p>Lookin' fer a boat to fetch him away, I'll warrant ye!</p>
+
+<p class="center">DREW</p>
+
+<p>Exactly! Now, Mrs. Chichester, let's set a trap for him.
+Will you help me?</p>
+
+<p class="center">MRS. CHICHESTER</p>
+
+<p>I will that! A rebel&mdash;and like as not a spy&mdash;in my
+tavern!</p>
+
+<p class="center">DREW</p>
+
+<p>Go in to him, engage him in conversation, then look out
+the window and remark that you see a small boat landing.</p>
+
+<p class="center">MRS. CHICHESTER</p>
+
+<p>Aye, I'll do it.</p>
+
+<p class="center">DREW</p>
+
+<p>If he starts up, I'll know he's my man.</p>
+
+<p class="center">MRS. CHICHESTER</p>
+
+<p>And then?</p>
+
+<p class="center">DREW</p>
+
+<p>Tell him you're mistaken. The darkness deluded you.<span class="pagenum"><a name="Page_27" id="Page_27">[Pg 27]</a></span></p>
+
+<p class="center">MRS. CHICHESTER</p>
+
+<p>Yes?</p>
+
+<p class="center">DREW</p>
+
+<p>A small boat from my ship, the <i>Halifax</i>, is waiting for me
+round the point. I'll bring it around with my crew and
+we'll apprehend him.</p>
+
+<p class="center">MRS. CHICHESTER</p>
+
+<p>Good. Wait here&mdash;I'll go in now. [<i>door opens, laughter
+and talk swell up</i>]</p>
+
+<p class="center">MRS. CHICHESTER</p>
+
+<p>I hope, sir, ye found the roast beef to yer liking.</p>
+
+<p class="center">HALE</p>
+
+<p>Yes, thank you, madam.</p>
+
+<p class="center">MRS. CHICHESTER</p>
+
+<p>Can I help ye to anything else, sir?</p>
+
+<p class="center">HALE</p>
+
+<p>I think not, thank you.</p>
+
+<p class="center">MRS. CHICHESTER</p>
+
+<p>I'm sorry we have such poor fare, sir, but the times are
+hard, what with the comin' and goin' of the troops; and
+the rebels cleaned out the place when they were here.</p>
+
+<p class="center">HALE</p>
+
+<p>I've fared very well, Madam.</p>
+
+<p class="center">MRS. CHICHESTER</p>
+
+<p>Oh look&mdash;there in the cove! D'ye see a small boat comin'
+into shore? I wonder what it can be doin' here?</p>
+
+<p class="center">HALE</p>
+
+<p>Oh, indeed! I'm afraid I'll have to go, Madam! Let me
+pay my reckoning.<span class="pagenum"><a name="Page_28" id="Page_28">[Pg 28]</a></span></p>
+
+<p class="center">MRS. CHICHESTER</p>
+
+<p>There&mdash;I guess my eyes deceived me. It's not a boat at
+all.</p>
+
+<p class="center">HALE</p>
+
+<p>Ah!</p>
+
+<p class="center">MRS. CHICHESTER</p>
+
+<p>What was that you said? Your reckoning? But sir, you've
+had no sweetmeat. Come, sit down, I'll bring ye a bit o'
+pastry.</p>
+
+<p class="center">HALE</p>
+
+<p>But&mdash;</p>
+
+<p class="center">MRS. CHICHESTER</p>
+
+<p>I'll take it much amiss if ye refuse me.</p>
+
+<p class="center">HALE</p>
+
+<p>Thank you, Madam&mdash;I'll wait&mdash;bring your sweetmeat.</p>
+
+
+<h3>ANNOUNCER</h3>
+
+<p>As soon as Hale finished his meal at the tavern, he went to
+the shore of the cove to await the boat that he expected.
+After some time he heard the splash of oars. So sure was
+he that this was his boat that he stood up and called.</p>
+
+<p class="center">HALE</p>
+
+<p>Hello, Pond, here I am! Right here!</p>
+
+<p class="center">DREW</p>
+
+<p>Stand fast, put your hands up!</p>
+
+<p class="center">HALE</p>
+
+<p>What&mdash;what's the meaning of this? Sir, I am a peaceable
+schoolmaster, you have no cause to apprehend me!</p>
+
+<p class="center">DREW</p>
+
+<p>We'll soon see. Strike a light! Search him!<span class="pagenum"><a name="Page_29" id="Page_29">[Pg 29]</a></span></p>
+
+<p class="center">VOICE</p>
+
+<p>Aye, aye, sir&mdash;here's your light.</p>
+
+<p class="center">DREW</p>
+
+<p>Well, sir, I thought I'd seen you before. Now I know I
+have! I've placed you at last! You are an officer in the
+rebel army!</p>
+
+<p class="center">HALE</p>
+
+<p>I tell you, sir, I am a poor schoolmaster!</p>
+
+<p class="center">DREW</p>
+
+<p>We'll soon see. Find anything in his pockets?</p>
+
+<p class="center">VOICE</p>
+
+<p>Not a thing, sir.</p>
+
+<p class="center">DREW</p>
+
+<p>Rip his jacket to pieces, look in the lining and the seams!</p>
+
+<p class="center">VOICE</p>
+
+<p>Yes, sir. [<i>sound of tearing cloth</i>]</p>
+
+<p class="center">HALE</p>
+
+<p>Why am I suffering this indignity?</p>
+
+<p class="center">DREW</p>
+
+<p>Anything there?</p>
+
+<p class="center">VOICE</p>
+
+<p>Not a thing, sir.</p>
+
+<p class="center">DREW</p>
+
+<p>Strip him&mdash;tear every piece of clothing to pieces!</p>
+
+<p class="center">VOICE</p>
+
+<p>Aye, aye, sir.</p>
+
+<p class="center">HALE</p>
+
+<p>I trust this is giving you some pleasure.<span class="pagenum"><a name="Page_30" id="Page_30">[Pg 30]</a></span></p>
+
+<p class="center">DREW</p>
+
+<p>We're enjoying ourselves, aren't we, boys?</p>
+
+<p class="center">ALL</p>
+
+<p>Aye, aye, sir.</p>
+
+<p class="center">VOICE</p>
+
+<p>Here, sir&mdash;a piece o' paper.</p>
+
+<p class="center">DREW</p>
+
+<p>Let's see it&mdash;ha&mdash;receipt for lodgings. Is that the best
+you can do?</p>
+
+<p class="center">VOICE</p>
+
+<p>That's all there is, sir.</p>
+
+<p class="center">HALE</p>
+
+<p>Perhaps, sir, now that you have ruined my clothes, you'll
+let me go.</p>
+
+<p class="center">DREW</p>
+
+<p>I will not! I'll find where you've hidden your notes if I
+have to rip your skin off!</p>
+
+<p class="center">HALE</p>
+
+<p>I am helpless, sir. But you must be satisfied that I have
+nothing on me. Can't you conclude your sport and let
+me go?</p>
+
+<p class="center">DREW</p>
+
+<p>Look here, men&mdash;what about his boots?</p>
+
+<p class="center">VOICE</p>
+
+<p>Nothing in them, sir.</p>
+
+<p class="center">DREW</p>
+
+<p>He was having them resoled the other day! Ho, I'll wager
+that's where they are! Give me your knife, Bos'n!</p>
+
+<p class="center">VOICE</p>
+
+<p>Here you are, sir.<span class="pagenum"><a name="Page_31" id="Page_31">[Pg 31]</a></span></p>
+
+<p class="center">DREW</p>
+
+<p>Hm! There&mdash;ah, ha! I thought so! Papers&mdash;papers&mdash;I
+thought as much&mdash;bring the light nearer! Hm&mdash;what's
+this? Some foreign tongue&mdash;Ah! Latin. Who
+would have expected a rebel to know Latin?</p>
+
+<p class="center">HALE</p>
+
+<p>I am a schoolmaster, sir.</p>
+
+<p class="center">DREW</p>
+
+<p>Aye, and a spy as well&mdash;as these notes prove.</p>
+
+<p class="center">HALE</p>
+
+<p>Can you read them?</p>
+
+<p class="center">DREW</p>
+
+<p>My Latin is a little rusty, but I can make out the tenor of
+them. Hm&mdash;disposition of troops&mdash;probable movements
+of army&mdash;yes, that will do! What have you to say
+to that, my fine rebel?</p>
+
+<p class="center">HALE</p>
+
+<p>Nothing.</p>
+
+<p class="center">DREW</p>
+
+<p>You don't need to. We've evidence enough to hang you
+as it is. Bring him along, men! [<i>mob noise</i>]</p>
+
+
+<h3>ANNOUNCER</h3>
+
+<p>So Hale was taken aboard the <i>Halifax</i> and delivered late
+the same night to General Howe, who, without the formality
+of a trial, turned him over to the Provost Marshal, William
+Cunningham, for execution the next day.</p>
+
+<p>Our next scene is in the apple orchard of the Beekman
+estate on Manhattan. Hale has been marched out for his
+execution. He is standing under guard, near the tent of
+Captain John Montressor, who, as our scene opens, comes
+out of his tent, sees Hale, and speaks to him.<span class="pagenum"><a name="Page_32" id="Page_32">[Pg 32]</a></span></p>
+
+<p class="center">MONTRESSOR</p>
+
+<p>Sir, I regret to see such a fine appearing young man in this
+situation.</p>
+
+<p class="center">HALE</p>
+
+<p>You are kind to say so, sir.</p>
+
+<p class="center">MONTRESSOR</p>
+
+<p>May I ask your name and rank?</p>
+
+<p class="center">HALE</p>
+
+<p>I am Captain Nathan Hale, of the Colonial army.</p>
+
+<p class="center">MONTRESSOR</p>
+
+<p>May I introduce myself? I am Captain John Montressor.
+Can I be of any assistance to you?</p>
+
+<p class="center">HALE</p>
+
+<p>I should be deeply grateful, sir, if I could write a few lines
+to friends and relatives before I meet my fate.</p>
+
+<p class="center">MONTRESSOR</p>
+
+<p>Will you come into my tent?</p>
+
+<p class="center">HALE</p>
+
+<p>If my guard&mdash;</p>
+
+<p class="center">MONTRESSOR</p>
+
+<p>I'll tend to the guard.</p>
+
+<p class="center">HALE</p>
+
+<p>Thank you.</p>
+
+<p class="center">MONTRESSOR</p>
+
+<p>You'll find quills, ink, and paper on my field desk.</p>
+
+<p class="center">HALE [<i>going</i>]</p>
+
+<p>Thank you, sir.</p>
+
+<p class="center">VOICE</p>
+
+<p>I say, halt there&mdash;where are you going?<span class="pagenum"><a name="Page_33" id="Page_33">[Pg 33]</a></span></p>
+
+<p class="center">MONTRESSOR</p>
+
+<p>Never mind, Corporal! I'll be responsible for the prisoner.</p>
+
+<p class="center">VOICE</p>
+
+<p>Very good, Captain, but the Provost Marshal won't like
+it! I can tell you that.</p>
+
+<p class="center">MONTRESSOR</p>
+
+<p>I'll take all the blame. The Provost Marshal never likes
+anything, so that's no matter. Here, put this crown in
+your pocket.</p>
+
+<p class="center">VOICE</p>
+
+<p>Right enough, sir. Thank you.</p>
+
+<p class="center">MONTRESSOR</p>
+
+<p>Do you know anything about the prisoner?</p>
+
+<p class="center">VOICE</p>
+
+<p>No, sir. Ah, sir! Here comes the Provost Marshal!</p>
+
+<p class="center">MONTRESSOR</p>
+
+<p>Let me talk to him.</p>
+
+<p class="center">CUNNINGHAM [<i>coming up</i>]</p>
+
+<p>Where's the prisoner? Guard! Where's the prisoner?</p>
+
+<p class="center">MONTRESSOR</p>
+
+<p>Just at this moment, sir, he is writing a few notes in my
+tent.</p>
+
+<p class="center">CUNNINGHAM</p>
+
+<p>Bring him out here!</p>
+
+<p class="center">MONTRESSOR</p>
+
+<p>I'll get him, sir, if I may be allowed.</p>
+
+<p class="center">CUNNINGHAM</p>
+
+<p>Go ahead, get him.<span class="pagenum"><a name="Page_34" id="Page_34">[Pg 34]</a></span></p>
+
+<p class="center">MONTRESSOR [<i>off</i>]</p>
+
+<p>I'm sorry, Captain Hale, but the Marshal is waiting for
+you&mdash;have you finished your letters?</p>
+
+<p class="center">HALE [<i>off</i>]</p>
+
+<p>Not quite, sir.</p>
+
+<p class="center">MONTRESSOR [<i>calling</i>]</p>
+
+<p>He hasn't finished his letters, sir.</p>
+
+<p class="center">CUNNINGHAM</p>
+
+<p>Fetch him along&mdash;he's written enough.</p>
+
+<p class="center">MONTRESSOR</p>
+
+<p>I'm sorry, Captain.</p>
+
+<p class="center">HALE</p>
+
+<p>Of course I'll come. May I ask you to deliver these letters
+at your first opportunity?</p>
+
+<p class="center">MONTRESSOR</p>
+
+<p>Surely.</p>
+
+<p class="center">CUNNINGHAM</p>
+
+<p>Guard, fall in around the prisoner.</p>
+
+<p class="center">VOICE</p>
+
+<p>Guard, fall in&mdash;'ten&mdash;<i>shun</i>! Quick step&mdash;march!
+[<i>marching</i>]</p>
+
+<p class="center">CUNNINGHAM</p>
+
+<p>Halt under the tree!</p>
+
+<p class="center">VOICE</p>
+
+<p>Guard, halt!</p>
+
+<p class="center">CUNNINGHAM</p>
+
+<p>Put the prisoner on the ladder!</p>
+
+<p class="center">HALE</p>
+
+<p>It isn't necessary, sir&mdash;I can climb the ladder.<span class="pagenum"><a name="Page_35" id="Page_35">[Pg 35]</a></span></p>
+
+<p class="center">CUNNINGHAM</p>
+
+<p>All right then, get up there. Put the halter around his
+neck, and blindfold him.</p>
+
+<p class="center">HALE</p>
+
+<p>I can do that, too, sir.</p>
+
+<p class="center">CUNNINGHAM</p>
+
+<p>All right, then, do it! And if you have any further statement
+or confession to make, now is the time to do it.</p>
+
+<p class="center">HALE</p>
+
+<p>I only regret that I have but one life to lose for my
+country.</p>
+
+<p class="center">CUNNINGHAM</p>
+
+<p>Humph! Now, guard, when I give the word, kick the
+ladder and let the rebel swing. Are you ready?</p>
+
+<p class="center">VOICE</p>
+
+<p>Ready.</p>
+
+<p class="center">CUNNINGHAM</p>
+
+<p>Steady&mdash;now! [<i>noise of ladder, gasp, etc.</i>] [<i>pause</i>]
+So let all spies, rebels, and traitors swing! March the guard
+off!</p>
+
+<p class="center">VOICE</p>
+
+<p>Guard&mdash;fall in! Quick step&mdash;[<i>etc.</i>]</p>
+
+<p class="center">MONTRESSOR [<i>to himself</i>]</p>
+
+<p>Poor fellow&mdash;and he's hardly more than a boy.</p>
+
+<p class="center">CUNNINGHAM</p>
+
+<p>And now, Captain Montressor, I'll trouble you for those
+letters.</p>
+
+<p class="center">MONTRESSOR</p>
+
+<p>Here they are, Marshal.</p>
+
+<p class="center">CUNNINGHAM</p>
+
+<p>Ah&mdash;[<i>sound of tearing paper</i>]<span class="pagenum"><a name="Page_36" id="Page_36">[Pg 36]</a></span></p>
+
+<p class="center">MONTRESSOR</p>
+
+<p>What are you doing, sir? Stop it! Don't tear those letters
+up!</p>
+
+<p class="center">CUNNINGHAM</p>
+
+<p>I've already done it, Captain.</p>
+
+<p class="center">MONTRESSOR</p>
+
+<p>What did you do that for? They were intrusted to me for
+delivery.</p>
+
+<p class="center">CUNNINGHAM</p>
+
+<p>Well&mdash;they won't be delivered! The rebels shall never
+know they had a man who could die with such firmness!</p>
+
+
+<h3>ANNOUNCER</h3>
+
+<p>The next day, however, Captain Montressor carried the
+news to the American lines under a white flag and repeated
+to Hale's companions those words&mdash;which have come
+down to us: "I only regret that I have but one life to lose
+for my country!"</p>
+
+
+
+
+<hr style="width: 65%;" />
+
+<h3>Transcriber's Note:</h3>
+
+<p>Page 28: Corrected both occurrences of CHICHERTER to CHICHESTER.</p>
+
+
+
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of Project Gutenberg's The Story of Nathan Hale, by Henry Fisk Carlton
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE STORY OF NATHAN HALE ***
+
+***** This file should be named 28527-h.htm or 28527-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/2/8/5/2/28527/
+
+Produced by Colin Bell, Joseph Cooper, Diane Monico, and
+the Online Distributed Proofreading Team at
+https://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
diff --git a/28527.txt b/28527.txt
new file mode 100644
index 0000000..f7a27f3
--- /dev/null
+++ b/28527.txt
@@ -0,0 +1,2302 @@
+Project Gutenberg's The Story of Nathan Hale, by Henry Fisk Carlton
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Story of Nathan Hale
+
+Author: Henry Fisk Carlton
+
+Editor: Claire T. Zyve
+
+Release Date: April 7, 2009 [EBook #28527]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE STORY OF NATHAN HALE ***
+
+
+
+
+Produced by Colin Bell, Joseph Cooper, Diane Monico, and
+the Online Distributed Proofreading Team at
+https://www.pgdp.net
+
+
+
+
+
+
+
+
+
+
+
+_DRAMATIC HOURS IN REVOLUTIONARY HISTORY_
+
+
+The
+Story of Nathan Hale
+
+BY
+HENRY FISK CARLTON
+
+
+_Edited by_ CLAIRE T. ZYVE, Ph.D.
+Fox Meadow School, Scarsdale, New York
+
+
+BUREAU OF PUBLICATIONS
+TEACHERS COLLEGE, COLUMBIA UNIVERSITY
+NEW YORK CITY
+
+
+
+
+_HOW TO BE A GOOD RADIO ACTOR_
+
+The play in this book has actually been produced on the radio. Possibly
+you have listened to this one when you tuned in at home. The persons
+whose voices you heard as you listened, looked just as they did when
+they left their homes to go to the studio, although they were taking
+the parts of men and women who lived long ago and who wore costumes
+very different from the ones we wear today.
+
+The persons whose voices you heard stood close together around the
+microphone, each one reading from a copy of the play in his hand. Since
+they could not be seen, they did not act parts as in other plays, but
+tried to make their voices show how they felt.
+
+When you give these plays you will not need costumes and you will not
+need scenery, although you can easily arrange a broadcasting studio if
+you wish. You will not need to memorize your parts; in fact, it will
+not be like a real radio broadcast if you do so, and, furthermore, you
+will not want to, since you each have a copy of the book in your hands.
+All you will need to do is to remember that you are taking the part of
+a radio actor, that you are to read your speeches very distinctly, and
+that by your voice you will make your audience understand how you feel.
+In this way you will have the fun of living through some of the great
+moments of history.
+
+
+_HOW TO FOLLOW DIRECTIONS IN THE PLAY_
+
+There are some directions in this play which may be new to you, but
+these are necessary, for you are now in a radio broadcasting studio,
+talking in front of a microphone. The word (_in_) means that the
+character is standing close to the microphone, while (_off_) indicates
+that he is farther away, so that his voice sounds faint. When the
+directions (_off, coming in_) are given, the person speaking is away
+from the microphone at first but gradually comes closer. The words
+(_mob_) or (_crowd noise_) you will understand mean the sound of many
+people talking in the distance.
+
+Both the English and the dialect used help make the characters live, so
+the speeches have been written in the way in which these men and women
+would talk. This means that sometimes the character may use what seems
+to you unusual English. The punctuation helps, too, to make the
+speeches sound like real conversation; for example, you will find that
+a dash is often used to show that a character is talking very
+excitedly.
+
+
+
+
+THE STORY OF NATHAN HALE
+
+_CAST_
+
+CAPTAIN NATHAN HALE
+CAPTAIN WILLIAM HULL
+GENERAL WASHINGTON
+BOS'N
+LIEUTENANT POND
+SIMON CARTER
+LIEUTENANT DREW [BRITISH]
+MRS. CHICHESTER
+CAPTAIN MONTRESSOR
+PROVOST MARSHAL CUNNINGHAM
+
+
+ANNOUNCER
+
+We present here the story of the famous Revolutionary hero and martyr,
+Nathan Hale. For the first scene of our sketch, let us go to General
+Washington's headquarters in New York City. It is early September of
+the year 1776. In the Orderly room, outside of General Washington's
+private office, sits Captain William Hull, a member of the General's
+staff. Another officer comes through the door, Captain Hull glances
+toward the newcomer, jumps up, and exclaims--
+
+HULL
+
+Nathan Hale! As sure as I'm alive!
+
+HALE
+
+William Hull! Well, well, this is a surprise!
+
+HULL
+
+And you're a Captain! My congratulations, Nathan.
+
+HALE
+
+I might say the same to you, William!
+
+HULL
+
+What regiment are you in?
+
+HALE
+
+Knowlton's Rangers. And you?
+
+HULL
+
+Well, as you see, I'm on the General's staff. I envy you! Knowlton's
+Rangers, eh? Ah! There you have some chance for adventure! Some chance
+to distinguish yourself, while I--
+
+HALE
+
+Why, what's wrong with a staff appointment? I'd be honored if it were
+offered to me.
+
+HULL
+
+Yes, so was I. That's why I'm here. I was a lieutenant of artillery
+when General Washington asked me to join his staff. I jumped at the
+chance--
+
+HALE
+
+Who wouldn't?
+
+HULL
+
+I wouldn't, again! Why, all I've done for two months is write letters,
+sit at a desk, answer questions, and run errands! It's no duty for a
+man who craves action!
+
+HALE
+
+Yes, William, you have always been a fire eater.
+
+HULL
+
+Well, I eat no fire here, I can tell you. Now will you trade jobs with
+me?
+
+HALE
+
+If General Washington asks me to--I'll do it--though you haven't made
+it sound like a very attractive job, William.
+
+HULL
+
+Perhaps I've overdone it, Nathan--
+
+HALE [_laughing_]
+
+No use trying to crawl out of it now, William.
+
+HULL
+
+But you--you're more used to this sort of thing than I am. You're a
+schoolmaster--used to books and quills and letter writing.
+
+HALE
+
+That's true enough. You never had much love for books--as I remember it
+you were rather a trial to the dominie back home--by the way, what do
+you hear from South Coventry?
+
+HULL
+
+Not much--almost every man in the town enlisted.
+
+HALE
+
+Yes, I keep running across South Coventry men everywhere I go. It's a
+little town, but it has certainly done its duty well in this war.
+
+HULL
+
+If others had done as well, we wouldn't be in such dire straits now!
+
+HALE
+
+Things do look pretty black for us.
+
+HULL
+
+Black! They couldn't be blacker!
+
+HALE
+
+Have you any idea what the General's next move will be?
+
+HULL
+
+No!--and what's more, I don't think he knows. It all depends on General
+Howe's movements, and what those will be nobody knows.
+
+HALE
+
+Is General Washington in his office now?
+
+HULL
+
+Yes. Did you come to see him?
+
+HALE
+
+I was ordered to report to him.
+
+HULL
+
+And here I've been keeping you out here--that shows what a good staff
+officer I am! I'll announce you at once. [_knock_]
+
+WASHINGTON [_off_]
+
+Yes, come in.
+
+HULL
+
+Sir, Captain Hale of Knowlton's Rangers awaits your pleasure.
+
+WASHINGTON [_off_]
+
+Ask him to come in at once, Captain.
+
+HULL
+
+Yes, sir. [_closer_] General Washington will see you now, Captain Hale.
+
+HALE
+
+Thank you.
+
+HULL [_low_]
+
+I'll wait out here for you. Come right in here! [_door closes_]
+
+HALE
+
+Captain Hale reports as ordered, sir.
+
+WASHINGTON
+
+Come in, Captain--come in!
+
+HALE
+
+Thank you, sir.
+
+WASHINGTON
+
+Will you sit here?
+
+HALE
+
+Thank you, sir.
+
+WASHINGTON
+
+Colonel Knowlton informs me that you and your company have been
+assigned to cover the North Shore line of Long Island Sound.
+
+HALE
+
+Yes, sir!
+
+WASHINGTON
+
+Well, Captain Hale, I am seriously in need of exact information which
+you may be able to secure.
+
+HALE
+
+What is that, sir?
+
+WASHINGTON
+
+Lord Howe's plans!
+
+HALE
+
+Yes, sir!
+
+WASHINGTON
+
+Can you get them?
+
+HALE
+
+I can try, sir.
+
+WASHINGTON
+
+You don't seem daunted by the magnitude of the undertaking.
+
+HALE
+
+It is an order, sir.
+
+WASHINGTON
+
+Well, my boy, no man knows better than I the impossibility of some
+orders.
+
+HALE
+
+But, sir--
+
+WASHINGTON
+
+I hope, though, that this is not impossible. I have to have the
+information. The safety of my whole army depends upon it. I must know
+particularly where General Howe intends to strike next.
+
+HALE
+
+Yes, sir.
+
+WASHINGTON
+
+If he comes across the East River, we can protect ourselves and keep
+out of his way. But if he comes across Long Island Sound--do you
+realize what that may mean to us?
+
+HALE
+
+Yes, sir. He can cut off our retreat.
+
+WASHINGTON
+
+Exactly! So that's what I must know.
+
+HALE
+
+I'll find out for you, sir.
+
+WASHINGTON
+
+Good! Now, Captain, you may go about your task in any way you see fit.
+I suggest two or three alternatives. First, you may tempt one of the
+enemy or a Tory who has access to the British lines, with a sum of
+money. You may draw on me for whatever is necessary.
+
+HALE
+
+Yes, sir.
+
+WASHINGTON
+
+Or you might make a sally across the Sound, capture a prisoner or two,
+and secure bits of information.
+
+HALE
+
+Yes, sir.
+
+WASHINGTON
+
+Or, though I hate to suggest it, you might go yourself in disguise to
+the British lines, but that should be only in a last desperate effort.
+
+HALE
+
+I understand, sir.
+
+WASHINGTON
+
+Or if you could get in touch with certain persons on Long Island who
+have been of service to us before--let's see--there is a shoemaker in
+Jamaica--what is his name--oh, here it is--Simon Carter.
+
+HALE
+
+Simon Carter. Yes, sir.
+
+WASHINGTON
+
+If you can find any way to get in touch with him--
+
+HALE
+
+I'll find a way, sir.
+
+WASHINGTON
+
+The password is "Liberty" used twice in your first sentence to him.
+
+HALE
+
+Yes, sir.
+
+WASHINGTON
+
+I don't know what he can do for you, but he is trustworthy and he may
+have some information.
+
+HALE
+
+I'll see him, sir.
+
+WASHINGTON
+
+Now, Captain, I don't want you to go yourself unless it is absolutely
+necessary. But I must have General Howe's plans as soon as possible.
+
+HALE
+
+Yes, sir. I understand. I'll see that you get them, sir.
+
+WASHINGTON
+
+Good! I believe you will, Captain. Good day.
+
+HALE
+
+Good day, sir. [_door closes_]
+
+HULL [_coming in_]
+
+Well, Nathan, what news?
+
+HALE
+
+I've got a job.
+
+HULL
+
+On the staff?
+
+HALE
+
+No. I'm afraid it's more hazardous than that.
+
+HULL
+
+You're lucky! A hazardous job! Say, what I wouldn't give to be in your
+shoes! What is it? Are you at liberty to tell?
+
+HALE
+
+Of course I'll tell you, William. I'm to discover General Howe's plan
+of action.
+
+HULL [_whistles_]
+
+I should say you had drawn a hazardous assignment! I'd call it a labor
+of Hercules!
+
+HALE
+
+Perhaps.
+
+HULL
+
+How are you going about it?
+
+HALE
+
+There's only one sure way of doing it.
+
+HULL
+
+Yes--and what's that?
+
+HALE
+
+I'll go myself into the enemy lines.
+
+HULL
+
+In disguise?
+
+HALE
+
+Of course.
+
+HULL
+
+That may involve serious consequences, Nathan.
+
+HALE
+
+I know it, but I think it's my duty.
+
+HULL
+
+Listen, Nathan. Let me go instead. It's more in my line.
+
+HALE
+
+No, William. The General has assigned me to the duty.
+
+HULL
+
+But he didn't order you to act the spy, did he?
+
+HALE
+
+No.
+
+HULL
+
+And he doesn't expect you to.
+
+HALE
+
+He expects me to get Howe's plans.
+
+HULL
+
+Look here--if I get permission to leave here, won't you let me go in
+your place?
+
+HALE
+
+I'm afraid not, William.
+
+HULL
+
+Listen to reason! You have a father and mother; you're engaged to be
+married. If by chance you were captured--well, I hate to think of it.
+But I'm alone in the world, it wouldn't make any difference what
+happened to me. Let me go!
+
+HALE
+
+It's no use, William. I appreciate your sentiment; but General
+Washington has given me a duty to perform, and I'd be a poor kind of
+soldier if I turned it over to anyone else simply because it involved
+danger.
+
+HULL
+
+Let me go with you, at least!
+
+HALE
+
+Well, if you can get permission, I'd be glad to have you go part of the
+way with me--though I must go into the enemy lines alone!
+
+HULL
+
+But--
+
+HALE
+
+I insist on that! There is added risk in two of us trying to work under
+disguise.
+
+HULL
+
+Oh, very well. Have it your way. When do we start?
+
+HALE
+
+Early tomorrow morning.
+
+HULL
+
+I'll get permission to accompany you at once.
+
+
+ANNOUNCER
+
+So early the next morning Hull and Hale started out together. They went
+into Connecticut and began looking for some means of crossing the Sound
+to the North Shore of Long Island. When they arrived near Norwalk they
+heard that an American gunboat was lying offshore. They determined to
+row out to it as soon as night came.
+
+Our next scene is just after dark. Nathan Hale has put on his disguise,
+while William Hull has found a rowboat, and now draws up to the shore
+where Nathan is waiting for him.
+
+HALE
+
+Hello, William, that you?
+
+HULL
+
+It's me, right enough. Come on, climb in.
+
+HALE
+
+All right. Hold her there while I get aboard.
+
+HULL
+
+Easy, you'll have to jump for it! This is as close as I can come with
+this old tub.
+
+HALE
+
+Steady now! Here I come--all right! I didn't even get my feet wet!
+
+HULL
+
+Let me take a good look at your disguise. Hm--brown homespun
+suit--yes--that's a poor enough fit even for a penniless schoolmaster.
+And that hat! Yes, it'll disguise you all right.
+
+HALE
+
+I hope so. Give me an oar, I'll help you pull to the gunboat.
+
+HULL
+
+Here you are. [_rattle of oar in oarlock_] All ready?
+
+HALE
+
+Pull away, [_noise of regular rattle of oars in the lock and the swish
+of water continuing_]
+
+HULL
+
+Where are you going first, Nathan?
+
+HALE
+
+I don't know. I'll have to let circumstances direct me.
+
+HULL
+
+Are you going directly to that shoemaker the General referred you to?
+
+HALE
+
+No, not directly. I'll see what I can do without any help at first.
+
+HULL
+
+You better change your mind and let me go with you.
+
+HALE
+
+It's no use, William. I won't change my mind.
+
+HULL
+
+You always were stubborn, Nathan.
+
+HALE
+
+Perhaps. There's the gunboat, William!
+
+HULL
+
+Sure that's it?
+
+HALE
+
+No doubt of it.
+
+HULL
+
+Shall I hail them?
+
+HALE
+
+Let's pull in a little closer.
+
+HULL
+
+All right, pull away. There's no light aboard.
+
+HALE
+
+No--there wouldn't be. These waters are alive with British boats.
+
+HULL
+
+There! That's close enough! Give 'em a call now!
+
+HALE
+
+Ahoy, there!
+
+BOS'N [_distance_]
+
+Ahoy! Look sharp there! Don't come any closer! Who are you, and what do
+you want?
+
+HALE
+
+I want to speak to your Captain.
+
+BOS'N
+
+Who are you?
+
+HALE
+
+An officer of the Continental army!
+
+BOS'N
+
+Stand by--I'll report you.
+
+HALE [_low_]
+
+All right, William, as soon as I go aboard, row back to shore, and wait
+ten days for me. If I've not returned by then, go back and report me as
+lost.
+
+HULL
+
+Now, listen, Nathan! I've come this far with you, let me go--
+
+HALE
+
+We've settled all that, William, not once but several times.
+
+HULL
+
+Oh, all right.
+
+POND [_distance_]
+
+Ahoy, there! What's wanted?
+
+HALE
+
+I wish to come aboard, sir, with your permission.
+
+POND
+
+Hello, there, your voice sounds familiar. You don't by any chance
+happen to be Captain Hale?
+
+HALE
+
+Yes, indeed. I'm Captain Hale. But you have the advantage of me, sir--
+
+POND
+
+Come aboard, come aboard, Captain. Don't you remember Lieutenant Pond?
+I was in your regiment at the siege of Boston.
+
+HALE
+
+Of course, I do, Pond. I'm glad to hear your voice.
+
+POND
+
+Come aboard, Captain, I'll lower a ladder for you.
+
+HALE
+
+Thank you.
+
+POND
+
+Bos'n!
+
+BOS'N
+
+Aye, aye, sir!
+
+POND
+
+Lower the ladder for Captain Hale!
+
+BOS'N
+
+Aye, aye, sir! [_gives orders for lowering ladder_]
+
+HALE [_during the confusion_]
+
+Good-by, William. I'll try to be back in a week.
+
+HULL
+
+Good luck to you, Nathan.
+
+HALE
+
+If by any chance I fail to return, will you see that my uniform and
+other effects are sent to my family?
+
+HULL
+
+Of course I will, Nathan.
+
+POND
+
+Come aboard, Captain Hale!
+
+POND [_coming in_]
+
+Here you are, careful now! Give me your hand and watch yourself--there!
+
+HALE
+
+Thank you.
+
+POND
+
+What kind of an outfit do you call that you've got on! I'd never have
+known you if I hadn't heard your voice.
+
+HALE
+
+That's good, Pond!
+
+POND
+
+Good, why?
+
+HALE
+
+Because I'm bound for the enemy lines.
+
+POND
+
+What? Not on spy duty, I hope?
+
+HALE
+
+Exactly. Will you give me passage to Long Island, and land me in some
+secluded spot?
+
+POND
+
+Why--yes--if you wish it.
+
+HALE
+
+You can do it without endangering yourself or your boat?
+
+POND
+
+There'll be no difficulty about landing you. There is, however, a
+British man-of-war, the _Halifax_, in these waters. We have to watch
+out for her. But it's dark enough tonight to be perfectly safe.
+
+HALE
+
+Good! Can we go at once?
+
+POND
+
+Yes, sir. [_calling_] Bos'n!
+
+BOS'N
+
+Aye, aye, sir!
+
+POND
+
+Get the ship under way for Long Island! Bring her into that secluded
+cove near Huntington! You know the place.
+
+BOS'N
+
+Aye, aye, sir! [_calling_] All hands on deck! Man the windlass! Weigh
+anchor! [_etc._] [_mob, setting sails, etc._]
+
+POND
+
+Well, Captain Hale. This is new business for you, isn't it?
+
+HALE
+
+Yes, I've been transferred to Knowlton's Rangers. Our business is to
+get information. And I am under orders to secure some information that
+I can get in no other way.
+
+POND
+
+Hm. It's not a sweet business.
+
+HALE
+
+It's in my country's service! It seems that you, too, Lieutenant Pond,
+are in a new business. How long have you been in the navy?
+
+POND
+
+Two weeks.
+
+HALE
+
+I'm glad I found you here--I might have had some difficulty in
+convincing a stranger that I was really an officer in the Continental
+army.
+
+POND
+
+That's true enough. You look--well--more like a country schoolmaster
+than anything else.
+
+HALE
+
+That's what I hope to pass for.
+
+POND
+
+How long will you be on Long Island?
+
+HALE
+
+I shall try to be through my business in a week. I wonder if you would
+meet me at the same place you are going to leave me--say, a week from
+tonight?
+
+POND
+
+I'll send a small boat ashore for you, soon after dark a week from
+tonight.
+
+HALE
+
+Good! I'll be there--unless--
+
+POND
+
+Yes?
+
+HALE
+
+Unless I am unexpectedly detained.
+
+POND
+
+Oh, sir--we won't even think of that!
+
+
+ANNOUNCER
+
+Our next scene is several days later, at the little shop of the
+shoemaker, Simon Carter, in Jamaica. Simon is sitting on his stool,
+hammering away at a half-finished boot, when he hears a knock at his
+door. [_knock_]
+
+SIMON
+
+Come in, come in, the door ain't locked! Come on in!
+
+HALE
+
+Is this the shop of Simon Carter, the shoemaker?
+
+SIMON
+
+It is, no less!
+
+HALE
+
+Are you at liberty today--at liberty to do a little work for me?
+
+SIMON
+
+Close the door!
+
+HALE
+
+There. [_door closes_]
+
+SIMON [_low_]
+
+Now--sir--I'll do what I can fer ye--in the cause of liberty. What is
+it?
+
+HALE [_low_]
+
+Have you any information for the General?
+
+SIMON
+
+Aye--a plenty!
+
+HALE
+
+Can you give it to me?
+
+SIMON
+
+It's all written out--careful.
+
+HALE
+
+Good! Give it to me.
+
+SIMON
+
+Jest a minute. Don't them boots of yours need new soles?
+
+HALE
+
+Why, I don't know. I think they'll do.
+
+SIMON
+
+Never! Ye must have new soles!
+
+HALE
+
+Why?
+
+SIMON
+
+See here? This here sole?
+
+HALE
+
+Yes?
+
+SIMON
+
+Well, listen--come close--
+
+HALE
+
+Yes?
+
+SIMON
+
+The sole is split--the notes are inside it!
+
+HALE
+
+Good! That's an excellent idea!
+
+SIMON
+
+Slickest thing ye ever see. And it's my own idea!
+
+HALE
+
+I wonder if you could hide some notes I've gathered in the same way?
+
+SIMON
+
+O' course I could. I'll resole both boots. Give me yer notes.
+
+HALE
+
+Here they are. [_rattle of paper_]
+
+SIMON
+
+Pshaw, now--what kind o' writin' is this?
+
+HALE
+
+It's Latin. I thought if they were discovered on me--
+
+SIMON
+
+O' course--no soldier--that is, no redcoat could read that furrin
+writin'. Well, I'll put it where they'll never find it. Here--right in
+this sole. Now sit down there and pull yer boots off an' I'll fix 'em
+up fer ye.
+
+HALE
+
+Good! It's an excellent hiding place. Here you are.
+
+SIMON
+
+Yer a schoolmaster, I take it from the looks o' ye?
+
+HALE
+
+That's what I've been passing for.
+
+SIMON
+
+Now, where's that awl? Oh, here it is. And what name be ye usin'
+hereabouts?
+
+HALE
+
+Call me Master Nathan. [_knock_]
+
+SIMON
+
+Oh, someone at the door.
+
+HALE
+
+Had I better hide?
+
+SIMON
+
+No, no! 'tis better that ye sit right over there in the dark corner. Ye
+look innocent enough. Come in!
+
+DREW [_coming in_]
+
+Good morning, Simon.
+
+SIMON
+
+Good morrow to ye, Lieutenant Drew! I've got yer boots all finished fer
+ye.
+
+DREW
+
+Right! You're hard at work, I see.
+
+SIMON
+
+Always hard at work, Lieutenant. Here are yer boots. I'll wrap them up
+fer ye.
+
+DREW [_low_]
+
+Who's that gentleman over there?
+
+SIMON [_low_]
+
+A customer--I'm fixin' his boots.
+
+DREW
+
+Know him?
+
+SIMON
+
+Never set eyes on him before.
+
+DREW
+
+Unless I'm much mistaken, I've seen him before--but I can't place him.
+
+SIMON
+
+Eh? Here's yer boots, Lieutenant. An' come around again when ye have
+need of a good shoemaker.
+
+DREW
+
+Thank you. I'm going to speak to him. [_louder_] Good morning, sir.
+
+HALE
+
+Good morning, sir.
+
+DREW
+
+Haven't we met somewhere?
+
+HALE
+
+I think you're mistaken, Mr.--
+
+DREW
+
+Drew--Drew--Lieutenant on His Majesty's gunboat, the _Halifax_. Are you
+a stranger hereabouts?
+
+HALE
+
+Yes, sir.
+
+DREW
+
+Do you live on the Island?
+
+HALE
+
+Why--ah--yes, sir.
+
+DREW
+
+Where?
+
+HALE
+
+Ah--er--near--Huntington.
+
+DREW
+
+Ah yes--well, no doubt I've seen you over there. I'm often at
+Huntington.
+
+HALE
+
+Yes, sir, no doubt.
+
+DREW [_jovially_]
+
+Perhaps you know that delightfully charming lady who keeps the
+tavern--Mrs. Chichester?
+
+HALE
+
+Slightly--only slightly.
+
+DREW
+
+Hm! You should know her--a delightful soul. Well, good day--good day,
+Simon.
+
+SIMON
+
+Good day, Lieutenant. [_door closes_]
+
+HALE
+
+Now, where have I met that man?
+
+SIMON
+
+Then ye _have_ met him? He wasn't mistaken?
+
+HALE
+
+I've seen him somewhere--but I can't place him.
+
+SIMON
+
+Well--as long as he can't place you, yer safe, but git out o' this town
+as soon as ye can.
+
+HALE
+
+I will.
+
+SIMON
+
+Are ye from Huntington?
+
+HALE
+
+Never there in my life, except late at night when I landed on the
+Island.
+
+SIMON
+
+Well, I'll git the boots fixed for ye--then git out fast! No use
+runnin' any risks.
+
+HALE
+
+You're right, Simon. I shall take every care not to run into that man
+again.
+
+
+ANNOUNCER
+
+Our next scene is a few days later. It is evening. Darkness is just
+falling. Mrs. Chichester, the keeper of the Huntington Tavern, is
+bustling about her kitchen, when Lieutenant Drew enters the back door.
+
+DREW
+
+Good evening, Mrs. Chichester.
+
+MRS. CHICHESTER
+
+Good evenin' to ye, Lieutenant Drew. And what are ye doin' comin' into
+my kitchen, I'd like to know?
+
+DREW
+
+Your tavern room's crowded, and I thought perhaps you'd serve me here.
+
+MRS. CHICHESTER
+
+Indeed, I'll do nothing of the kind. There's room enough in the tavern
+room.
+
+DREW
+
+But I'll have no chance to talk to you out there. And I'd as soon not
+eat as be deprived of your company.
+
+MRS. CHICHESTER
+
+Go along with ye! Come on out here into the tavern room or ye'll not
+git a bite to eat.
+
+DREW
+
+Your word is law--I can only obey.
+
+MRS. CHICHESTER
+
+Through this door--here.
+
+DREW
+
+Oh, very well--wait--
+
+MRS. CHICHESTER
+
+Now what's the matter?
+
+DREW
+
+Close the door, Mrs. Chichester! Did you take particular notice of the
+man sitting alone in the corner?
+
+MRS. CHICHESTER
+
+The nice-lookin' young feller in the brown suit?
+
+DREW
+
+That's the one. Do you know him?
+
+MRS. CHICHESTER
+
+Never set eyes on him before.
+
+DREW
+
+Then he's not from Huntington.
+
+MRS. CHICHESTER
+
+He is not! I know every young blood hereabouts. An' he's not a native
+here, I kin warrant ye that.
+
+DREW
+
+I have it!
+
+MRS. CHICHESTER
+
+What--don't scare a body to death! What have ye got?
+
+DREW
+
+I know where I've seen him! He's a rebel.
+
+MRS. CHICHESTER
+
+A rebel! Indeed! In my tavern? I'll go throw him out!
+
+DREW
+
+No! No! We must make certain first. But I think he's an officer in the
+rebel army. Some months ago I was captured near Boston. I escaped
+later. But while I was a prisoner, I saw this fellow--unless I'm much
+mistaken. I saw him again the other day in Jamaica, at the shoemaker's;
+and now--look at him--here through the crack in the door!
+
+MRS. CHICHESTER
+
+He's lookin' fer somethin'--out the winder.
+
+DREW
+
+He's watching the shore of the cove!
+
+MRS. CHICHESTER
+
+Lookin' fer a boat to fetch him away, I'll warrant ye!
+
+DREW
+
+Exactly! Now, Mrs. Chichester, let's set a trap for him. Will you help
+me?
+
+MRS. CHICHESTER
+
+I will that! A rebel--and like as not a spy--in my tavern!
+
+DREW
+
+Go in to him, engage him in conversation, then look out the window and
+remark that you see a small boat landing.
+
+MRS. CHICHESTER
+
+Aye, I'll do it.
+
+DREW
+
+If he starts up, I'll know he's my man.
+
+MRS. CHICHESTER
+
+And then?
+
+DREW
+
+Tell him you're mistaken. The darkness deluded you.
+
+MRS. CHICHESTER
+
+Yes?
+
+DREW
+
+A small boat from my ship, the _Halifax_, is waiting for me round the
+point. I'll bring it around with my crew and we'll apprehend him.
+
+MRS. CHICHESTER
+
+Good. Wait here--I'll go in now. [_door opens, laughter and talk swell
+up_]
+
+MRS. CHICHESTER
+
+I hope, sir, ye found the roast beef to yer liking.
+
+HALE
+
+Yes, thank you, madam.
+
+MRS. CHICHESTER
+
+Can I help ye to anything else, sir?
+
+HALE
+
+I think not, thank you.
+
+MRS. CHICHESTER
+
+I'm sorry we have such poor fare, sir, but the times are hard, what
+with the comin' and goin' of the troops; and the rebels cleaned out the
+place when they were here.
+
+HALE
+
+I've fared very well, Madam.
+
+MRS. CHICHESTER
+
+Oh look--there in the cove! D'ye see a small boat comin' into shore? I
+wonder what it can be doin' here?
+
+HALE
+
+Oh, indeed! I'm afraid I'll have to go, Madam! Let me pay my
+reckoning.
+
+MRS. CHICHESTER
+
+There--I guess my eyes deceived me. It's not a boat at all.
+
+HALE
+
+Ah!
+
+MRS. CHICHESTER
+
+What was that you said? Your reckoning? But sir, you've had no
+sweetmeat. Come, sit down, I'll bring ye a bit o' pastry.
+
+HALE
+
+But--
+
+MRS. CHICHESTER
+
+I'll take it much amiss if ye refuse me.
+
+HALE
+
+Thank you, Madam--I'll wait--bring your sweetmeat.
+
+
+ANNOUNCER
+
+As soon as Hale finished his meal at the tavern, he went to the shore
+of the cove to await the boat that he expected. After some time he
+heard the splash of oars. So sure was he that this was his boat that he
+stood up and called.
+
+HALE
+
+Hello, Pond, here I am! Right here!
+
+DREW
+
+Stand fast, put your hands up!
+
+HALE
+
+What--what's the meaning of this? Sir, I am a peaceable schoolmaster,
+you have no cause to apprehend me!
+
+DREW
+
+We'll soon see. Strike a light! Search him!
+
+VOICE
+
+Aye, aye, sir--here's your light.
+
+DREW
+
+Well, sir, I thought I'd seen you before. Now I know I have! I've
+placed you at last! You are an officer in the rebel army!
+
+HALE
+
+I tell you, sir, I am a poor schoolmaster!
+
+DREW
+
+We'll soon see. Find anything in his pockets?
+
+VOICE
+
+Not a thing, sir.
+
+DREW
+
+Rip his jacket to pieces, look in the lining and the seams!
+
+VOICE
+
+Yes, sir. [_sound of tearing cloth_]
+
+HALE
+
+Why am I suffering this indignity?
+
+DREW
+
+Anything there?
+
+VOICE
+
+Not a thing, sir.
+
+DREW
+
+Strip him--tear every piece of clothing to pieces!
+
+VOICE
+
+Aye, aye, sir.
+
+HALE
+
+I trust this is giving you some pleasure.
+
+DREW
+
+We're enjoying ourselves, aren't we, boys?
+
+ALL
+
+Aye, aye, sir.
+
+VOICE
+
+Here, sir--a piece o' paper.
+
+DREW
+
+Let's see it--ha--receipt for lodgings. Is that the best you can do?
+
+VOICE
+
+That's all there is, sir.
+
+HALE
+
+Perhaps, sir, now that you have ruined my clothes, you'll let me go.
+
+DREW
+
+I will not! I'll find where you've hidden your notes if I have to rip
+your skin off!
+
+HALE
+
+I am helpless, sir. But you must be satisfied that I have nothing on
+me. Can't you conclude your sport and let me go?
+
+DREW
+
+Look here, men--what about his boots?
+
+VOICE
+
+Nothing in them, sir.
+
+DREW
+
+He was having them resoled the other day! Ho, I'll wager that's where
+they are! Give me your knife, Bos'n!
+
+VOICE
+
+Here you are, sir.
+
+DREW
+
+Hm! There--ah, ha! I thought so! Papers--papers--I thought as
+much--bring the light nearer! Hm--what's this? Some foreign tongue--Ah!
+Latin. Who would have expected a rebel to know Latin?
+
+HALE
+
+I am a schoolmaster, sir.
+
+DREW
+
+Aye, and a spy as well--as these notes prove.
+
+HALE
+
+Can you read them?
+
+DREW
+
+My Latin is a little rusty, but I can make out the tenor of them.
+Hm--disposition of troops--probable movements of army--yes, that will
+do! What have you to say to that, my fine rebel?
+
+HALE
+
+Nothing.
+
+DREW
+
+You don't need to. We've evidence enough to hang you as it is. Bring
+him along, men! [_mob noise_]
+
+
+ANNOUNCER
+
+So Hale was taken aboard the _Halifax_ and delivered late the same
+night to General Howe, who, without the formality of a trial, turned
+him over to the Provost Marshal, William Cunningham, for execution the
+next day.
+
+Our next scene is in the apple orchard of the Beekman estate on
+Manhattan. Hale has been marched out for his execution. He is standing
+under guard, near the tent of Captain John Montressor, who, as our
+scene opens, comes out of his tent, sees Hale, and speaks to him.
+
+MONTRESSOR
+
+Sir, I regret to see such a fine appearing young man in this situation.
+
+HALE
+
+You are kind to say so, sir.
+
+MONTRESSOR
+
+May I ask your name and rank?
+
+HALE
+
+I am Captain Nathan Hale, of the Colonial army.
+
+MONTRESSOR
+
+May I introduce myself? I am Captain John Montressor. Can I be of any
+assistance to you?
+
+HALE
+
+I should be deeply grateful, sir, if I could write a few lines to
+friends and relatives before I meet my fate.
+
+MONTRESSOR
+
+Will you come into my tent?
+
+HALE
+
+If my guard--
+
+MONTRESSOR
+
+I'll tend to the guard.
+
+HALE
+
+Thank you.
+
+MONTRESSOR
+
+You'll find quills, ink, and paper on my field desk.
+
+HALE [_going_]
+
+Thank you, sir.
+
+VOICE
+
+I say, halt there--where are you going?
+
+MONTRESSOR
+
+Never mind, Corporal! I'll be responsible for the prisoner.
+
+VOICE
+
+Very good, Captain, but the Provost Marshal won't like it! I can tell
+you that.
+
+MONTRESSOR
+
+I'll take all the blame. The Provost Marshal never likes anything, so
+that's no matter. Here, put this crown in your pocket.
+
+VOICE
+
+Right enough, sir. Thank you.
+
+MONTRESSOR
+
+Do you know anything about the prisoner?
+
+VOICE
+
+No, sir. Ah, sir! Here comes the Provost Marshal!
+
+MONTRESSOR
+
+Let me talk to him.
+
+CUNNINGHAM [_coming up_]
+
+Where's the prisoner? Guard! Where's the prisoner?
+
+MONTRESSOR
+
+Just at this moment, sir, he is writing a few notes in my tent.
+
+CUNNINGHAM
+
+Bring him out here!
+
+MONTRESSOR
+
+I'll get him, sir, if I may be allowed.
+
+CUNNINGHAM
+
+Go ahead, get him.
+
+MONTRESSOR [_off_]
+
+I'm sorry, Captain Hale, but the Marshal is waiting for you--have you
+finished your letters?
+
+HALE [_off_]
+
+Not quite, sir.
+
+MONTRESSOR [_calling_]
+
+He hasn't finished his letters, sir.
+
+CUNNINGHAM
+
+Fetch him along--he's written enough.
+
+MONTRESSOR
+
+I'm sorry, Captain.
+
+HALE
+
+Of course I'll come. May I ask you to deliver these letters at your
+first opportunity?
+
+MONTRESSOR
+
+Surely.
+
+CUNNINGHAM
+
+Guard, fall in around the prisoner.
+
+VOICE
+
+Guard, fall in--'ten--_shun_! Quick step--march! [_marching_]
+
+CUNNINGHAM
+
+Halt under the tree!
+
+VOICE
+
+Guard, halt!
+
+CUNNINGHAM
+
+Put the prisoner on the ladder!
+
+HALE
+
+It isn't necessary, sir--I can climb the ladder.
+
+CUNNINGHAM
+
+All right then, get up there. Put the halter around his neck, and
+blindfold him.
+
+HALE
+
+I can do that, too, sir.
+
+CUNNINGHAM
+
+All right, then, do it! And if you have any further statement or
+confession to make, now is the time to do it.
+
+HALE
+
+I only regret that I have but one life to lose for my country.
+
+CUNNINGHAM
+
+Humph! Now, guard, when I give the word, kick the ladder and let the
+rebel swing. Are you ready?
+
+VOICE
+
+Ready.
+
+CUNNINGHAM
+
+Steady--now! [_noise of ladder, gasp, etc._] [_pause_] So let all
+spies, rebels, and traitors swing! March the guard off!
+
+VOICE
+
+Guard--fall in! Quick step--[_etc._]
+
+MONTRESSOR [_to himself_]
+
+Poor fellow--and he's hardly more than a boy.
+
+CUNNINGHAM
+
+And now, Captain Montressor, I'll trouble you for those letters.
+
+MONTRESSOR
+
+Here they are, Marshal.
+
+CUNNINGHAM
+
+Ah--[_sound of tearing paper_]
+
+MONTRESSOR
+
+What are you doing, sir? Stop it! Don't tear those letters up!
+
+CUNNINGHAM
+
+I've already done it, Captain.
+
+MONTRESSOR
+
+What did you do that for? They were intrusted to me for delivery.
+
+CUNNINGHAM
+
+Well--they won't be delivered! The rebels shall never know they had a
+man who could die with such firmness!
+
+
+ANNOUNCER
+
+The next day, however, Captain Montressor carried the news to the
+American lines under a white flag and repeated to Hale's companions
+those words--which have come down to us: "I only regret that I have but
+one life to lose for my country!"
+
+
+
+
+ * * * * *
+
+
+Transcriber's Note:
+
+Page 28: Corrected both occurrences of CHICHERTER to CHICHESTER.
+
+
+
+
+
+
+
+
+End of Project Gutenberg's The Story of Nathan Hale, by Henry Fisk Carlton
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE STORY OF NATHAN HALE ***
+
+***** This file should be named 28527.txt or 28527.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/2/8/5/2/28527/
+
+Produced by Colin Bell, Joseph Cooper, Diane Monico, and
+the Online Distributed Proofreading Team at
+https://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/28527.zip b/28527.zip
new file mode 100644
index 0000000..81433d4
--- /dev/null
+++ b/28527.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..9b8fa76
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #28527 (https://www.gutenberg.org/ebooks/28527)