diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 02:38:27 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 02:38:27 -0700 |
| commit | 7b7217fcd7636f2c8d3854e54ba83b4088016e95 (patch) | |
| tree | 88e3a396cb099c7b6f0633828e9993dd13915ec3 | |
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 28443-8.txt | 6695 | ||||
| -rw-r--r-- | 28443-8.zip | bin | 0 -> 127123 bytes | |||
| -rw-r--r-- | 28443-h.zip | bin | 0 -> 138589 bytes | |||
| -rw-r--r-- | 28443-h/28443-h.htm | 8179 | ||||
| -rw-r--r-- | 28443.txt | 6695 | ||||
| -rw-r--r-- | 28443.zip | bin | 0 -> 127094 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 |
9 files changed, 21585 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/28443-8.txt b/28443-8.txt new file mode 100644 index 0000000..f82bca3 --- /dev/null +++ b/28443-8.txt @@ -0,0 +1,6695 @@ +The Project Gutenberg EBook of The Readjustment, by Will Irwin + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Readjustment + +Author: Will Irwin + +Release Date: March 29, 2009 [EBook #28443] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE READJUSTMENT *** + + + + +Produced by Roger Frank and the Online Distributed +Proofreading Canada Team at http://www.pgdpcanada.net + + + + + + + + + +THE + +READJUSTMENT + +BY + +WILL IRWIN + +AUTHOR OF "THE CITY THAT WAS," ETC. + +NEW YORK + +B. W. HUEBSCH + +1910 + + + + +Copyright, 1910, by + +B. W. HUEBSCH + +PRINTED IN U. S. A. + + + + +THE READJUSTMENT + +CHAPTER I + + +After luncheon they walked over from the ranch-house--more indeed a +country villa, what with its ceiled redwood walls, its prints, its +library, than the working house of a practical farm--and down the +dusty, sun-beaten lane to the apricot orchard. Picking was on full +blast, against the all too fast ripening of that early summer. + +Judge Tiffany, pattern of a vigorous age, seemed to lean a little upon +his wife as she walked beside him, her arm tucked confidently into +his; but it was a leaning of the spirit rather than of the flesh. She, +younger than he by fifteen years, was a tiny woman, her hair white but +her waist still slim. She seemed to tinkle and twinkle. Her slight +hands,--the nail of the little finger was like a grain of +popcorn--moved with swift, accurate bird-motions. As she chattered of +the ranch and the picking, her voice, still sweet and controlled, +came from her lips like the pleasant music of a tea bell. He was +mainly silent; although he threw in a quiet, controlled answer here +and there. One could read, in the shadowy solicitude with which she +regarded him now and then, the relation between that welded old +couple--she the entertainer, the hoarder of trivial detail from her +days; he the fond, indulgent listener. + +"I think Eleanor must be back from the city," Mrs. Tiffany was saying, +"I notice smoke from the big chimney; and I suppose she'll be over +before noon with the sulphur samples. It's amusing and homey in +her--her habit of flying to her own little nest before she comes to +us. She'll inspect the house, have dinner ordered, and know every +blessed detail of the picking before we catch a glimpse of her." Mrs. +Tiffany smiled sadly, as though this industry were somewhat tragic. + +"I wonder how long Eleanor will be contented with such a way of life?" +put in Judge Tiffany. + +"I've worried over that," answered his wife. "Suppose she should +settle down to it? It isn't as though Eleanor hadn't her chance at +travel and society and the things a girl of her breeding should have. +This is all her deliberate choice, and I've done nothing to help her +choose. Perhaps I should have decided for her. It's curious the guard +that girl keeps over her deeper feelings. How unlike she is to her +mother--and yet how like--" Her thought shifted suddenly with the +direction of her eyes. "Hasn't Olsen overloaded that little team?" she +said. + +The cutting-shed stood midway of their course. Twenty women and girls, +their lips going as rapidly as their knives, sat on fruit crates at +long tables, slicing the red-and-gold balls apart, flicking out the +stones, laying the halves to dry in wooden trays. A wagon had just +arrived from the orchard. Olsen, the Swedish foreman, was heaving the +boxes to his Portuguese assistant, who passed them on into the cutting +shed. Further on stood the bleaching kilns; still further, the bright +green trees with no artistic irregularities of outline--trees born, +like a coolie, to bear burdens. Now the branches bent in arcs under +loads of summer-gilded fruit. + +Long step-ladders straddling piles of boxes, beside this row or that, +showed where picking was going forward. Mrs. Tiffany halted under one +tree to call pleasantries up to a Portuguese, friend of many a harvest +before. Judge Tiffany proceeded on down the row, pausing to inspect +the boxes for any fruit gathered before it was ripe. + +The first picker was a Chinese. His box, of course, showed only +perfection of workmanship. The Judge called up familiarly: + +"Hello, Charlie!" + +A yellow face grinned through the branches; the leaves rustled as +though some great bird were foraging, and the answer came back: + +"Hello you Judge!" The Judge picked over the next two boxes without +comment; at the third, he stopped longer. + +"Too much greenery, young man!" he cried at length. The branches of +this tree rustled, and a pair of good, sturdy legs, clad in corduroys, +appeared on the ladder; then the owner of the legs vaulted from four +feet high in the air, and hit the ground beside his box. + +He was a stalwart boy of perhaps two and twenty, broad, though a bit +over-heavy, in the shoulders. That approach to over-heaviness +characterized his face, otherwise clean-cut and fair. His eyes, long, +brown and ingenuous, rather went to redeem this quality of face. Under +his wide and flapping sombrero peered the front lock of his straight, +black hair. Even before he smiled, Judge Tiffany marked him as a +pleasing youth withal; and when he did smile, eyes and mouth so +softened with good humor that stern authority went from the face of +Judge Tiffany. He stood in that embarrassment which an old man feels +sometimes in the presence of a younger one, struggled for a word to +cover his slight confusion, and said: + +"You are one of the college outfit camped down by the arroyo, aren't +you?" + +"I am," said the youth. "I also picked the fruit too green. I am here +to take my beating." + +Judge Tiffany, who held (he thought) an old-fashioned distaste for +impudence, smiled back in spite of himself. + +"If you don't attend to business in small matters, how can you hope to +succeed when you go out into life?" he asked with some pomposity. He +had intended, when he opened his mouth, to say something very +different. His pomposity, he felt, grew out of his embarrassment; he +had a dim feeling that he was making himself ridiculous. + +"I can't," said the youth with mock meekness; and he smiled again. At +that moment, while the Judge struggled for a reply and while the youth +was turning back to the ladder as though to mount it and be done with +the conversation, two things happened. Up from one side came Mrs. +Tiffany; and from the other, where ran a road dividing the Tiffany +orchard from the next, approached a buckboard driven by a lolling +Portuguese. Beside him sat a girl all in brown, dust-resistant khaki, +who curtained her face with a parasol. Mrs. Tiffany ran, light as an +elderly fairy, down the rows. + +"Eleanor!" she called. + +"Dear, dear Aunt Mattie!" cried the girl. Judge Tiffany, too, was +hurrying forward to the road. The youth had his hand on the ladder, +prepared to mount, when the parasol dropped. He stopped short with +some nervous interruption in his breathing--which might have been a +catch in his throat--at the sight of her great, grey eyes; stood +still, watching. Mrs. Tiffany was greeting the girl with the pats and +caresses of aged fondness. Out of their chatter, presently, this came +in the girl's voice: + +"And I was so excited about getting back that when Antonio left the +corral gate open I never thought to speak to him. And Ruggles's +Dynamo--they've let him run away again--just walked in and butted open +the orchard bars and he's loose now eating the prune trees!" + +"Edward, you must go right over!" cried Mrs. Tiffany; and then stopped +on the thought of an old man trying to subdue a Jersey bull, +good-natured though that bull might be. The same thought struck Judge +Tiffany. Antonio, the Portuguese, lolling half-asleep against the +dashboard, was worse than useless; the nearest visible help was a +Chinaman, incompetent against horned cattle, and another Portuguese, +and-- + +"Let me corral your bull," said the easy, thrilling voice of the boy +who stood beside the step-ladder. Judge Tiffany turned in reproof, his +wife in annoyance, the girl in some surprise. The youth was already +walking toward the buckboard. + +"I guess that lets you out, John," he said to the Portuguese. + +Something in him, the same quality which had made the Judge smile back +through his rebuke concerning the green apricots, held them all. The +Judge spoke first: + +"Very well, Mr.--" + +"Chester--Bertram Chester," said the youth, throwing his +self-introduction straight at the girl. + +"Mr. Chester is one of the University boys who are picking for us this +summer," said Judge Tiffany. + +"Yes?" replied the girl in a balanced, incurious tone. Her eyes +followed Mr. Chester, while he took the reins from the deposed Antonio +and waited for her to mount the buckboard. As she sprang up, after a +final caution from Mrs. Tiffany, she perceived that he was going to +"help her in." With a motion both quick and slight, she evaded his +hand and sprang to the seat unaided. + +Mr. Chester slapped the reins, clucked to the horse, and bent his gaze +down upon the girl. He had seated himself all too close. She crowded +herself against the iron seat-rail. It annoyed her a little; it +embarrassed her still more. She was slightly relieved when he made a +beginning of conversation. + +"So you're Judge Tiffany's niece, the girl who runs her ranch herself. +I've heard heaps about you." + +"Yes?" Embarrassment came back with the sound of her own voice. She +could talk to Judge Tiffany or to any man of Judge Tiffany's age, but +with her male contemporaries she felt always this same constraint. And +this young man was looking on her insistently, as though demanding +answers. + +"They say you're one of the smartest ranchers in these parts," he went +on. + +"Do they?" Her tone was even and inexpressive. But Mr. Chester kept +straight along the path he was treading. + +"And that you're also the prettiest girl around Santa Lucia." + +"That's very kind of them." + +"I haven't seen your ranch, but about the rest of it they're dead +right." + +To this, she made no answer. + +"I'm just down for a few weeks," he went on, changing the subject when +he perceived that he had drawn no reply. "I'm a Senior next year at +Berkeley. Ever been over to Berkeley?" + +"Yes." + +"Ever go to any of the class dances?" + +"No." + +"Thought you might, being in the city winters. I'm not much on dances +myself. I'm a barb." + +He peered, as though expecting that this last statement would evoke +some answer. But her eyes were fixed on the little group of +buildings--a bungalow, a barn and a corral--which had just come in +sight around a turn of the orchard road. For the first time, she spoke +with animation. + +"There's the house--and there he is, just back of the stable!" + +Dynamo, the bull, a black and tan patch amidst the greenery, stood +reaching with his tongue at an overhanging prune branch, bowed to the +breaking point with green beads of fruit. As they watched, he sucked +its tip between his blue lips, pulled at it with a twist of his head; +the branch cracked and broke. Dynamo, his eyes closed in meditative +enjoyment, started to absorb it from end to end. + +"Oh, dear, he'll ruin it!" she cried. "Do hurry! Hadn't you better +send for help?" + +"I figure I can handle him," said Bertram Chester, bristling at the +imputation. "Just give me that halter and drive in back of the +corral, will you?" + +"Please don't let him trample any trees!" she called after her +champion as he vaulted the fence. + +Dynamo, seeing the end of his picnic at hand, galloped awkwardly a few +rods, the branch trailing from his mouth. Then, with the ponderous but +sudden shift of bull psychology, indignation rose in his bosom. He +stopped himself so short that his fore-hoofs plowed two long furrows +in the soft earth; whirled, lifted his muzzle, and bellowed. One +fore-hoof tore up the dirt and showered it over his back. He dropped +to his knees and rubbed the ground with his neck in sheer abandonment +to the joy of his own abandoned wickedness. He rose up in the hollow +which he had dug, lowered his horns, and glowered at the youth, who +advanced with a kind of awkward bull-strength of his own. + +"Chase yourself!" cried Bertram Chester, flicking the halter. For a +second, Dynamo's eyelids fluttered; then, unaccountably, his bull +pride rose up in him. He stopped midway of a bellow; his head went +down, his tail rose up--and he charged. The girl across the fence +gave a little scream. The youth, stepping aside with a quickness +marvelous considering the size of his frame, avoided the charge. As +Dynamo tore past him, he struck out--a mighty lash--with the halter. +The bull tore on until he smashed into a prune tree. The green fruit +flew like water splashing from a stone; and Dynamo checked his course, +turned again, began to paw and challenge as the preliminary to another +charge. + +"Oh, let him go--please!" cried Eleanor. Whether he heard her or not +made little difference to the youth. Taking advantage of Dynamo's +slight hesitation, he sprang in close, caught him by the horn and the +tender, black nose; and back and forth, across the ruins of the prune +tree, which went flat at the first rally, they fought and tugged and +tossed. Through the agonized half-bellows of Dynamo, Eleanor caught a +slighter sound. Her champion was swearing! Raised a little above her +fears by the vicarious joy of fight, she took no offence at this; it +seemed part of the picture. + +No one can account for the emotional processes of a bull. Just as +suddenly as it rose, Dynamo's courage evaporated. Once more was he +brother to the driven ox. He ceased to plant his fore feet; his bellow +became a moan; he gave backward; in one mighty toss, he threw off his +conqueror, turned, and galloped down the orchard with his tail curved +like a pretzel across his back. Behind him followed the youth, lashing +him with the halter as long as he could keep it up, pelting him with +rocks and clods as the retreat gained. So, in a cloud of dust, they +vanished into the Santa Clara road. + +When Bertram Chester came back panting, to return the halter, Antonio +had arrived and was unhitching the bay mare from the buckboard. +Eleanor stood by the corral gate, her Panama hat fallen back from her +brown hair and a little of the excitement left in her grey eyes. +Bertram approached, grinning; he wore a swagger like that of a little +boy who has just turned a series of somersaults before the little +girls. Eleanor noticed this. Faintly--and in spite of the gratitude +she owed him for turning a neighborly service into a heroic deed--she +resented it. Also, Dynamo and Mr. Chester, between them, had wholly +ruined a good prune tree in the prime of bearing. + +"Say, we didn't do a thing to that tree," said Bertram Chester, with +the air of one who deprecates himself that he may leave the road wide +open for praise. + +"It doesn't matter. It--it was very brave of you. Thank you very +much--are you hurt?" + +"Only mussed up a little." He blinked perceptibly at the coolness in +her tone. Then he leaned back against a fence-post with the settled +air of one who expects to continue the conversation. She swayed +slightly away from him. + +"Kind of nice place," he said, sweeping his eye over the shingled +cottage whose rose-bushes were making a brave fight against the dry +summer dust, over the tiny lawn, over the Lombardy poplars. + +"It's nice of you to say so." + +Bertram turned his eye upon her again. + +"Say," said he, "I don't believe the Judge expects me back right away! +Anything more I can do around the place?" + +Eleanor smiled through her slight resentment. + +"I don't think I care to take the responsibility." In that moment, +the butcher-wagon, making the rounds from farm-house to farm-house, +appeared quite suddenly at the bend of the road. Maria, wife of +Antonio and cook for Eleanor's haciendetta, ran out to meet it. + +"Oh, Maria--tell Mr. Bowles I want to see him!" cried Eleanor, and +hurried toward the house. Bertram Chester stood deserted for a moment, +and then; + +"Good bye!" he called after her. + +"Good bye and thank you so much!" she answered over her shoulder. + + * * * * * + +Two minutes later, Mr. Bowles, driver of the meat wagon, was saying to +Eleanor: + +"Which was it--rib or loin for Saturday, Miss Gray?" + +"Was it?" said Eleanor, absently; and she fell to silence. Maria and +Mr. Bowles, waiting respectfully for her decision, followed her eyes. +She was looking at a dust cloud which trailed down the lane. When she +came out of her revery and beheld them both watching, silent and +open-mouthed, she flushed violently. + +Bertram Chester, swinging between the green rows, was whistling +blithely: + + "Say coons have you ebber ebber seen ma Angeline? + She am de swetes' swetes' coon you ebber seen." + + + + +CHAPTER II + + +Every Sunday afternoon during the picking season, Mrs. Tiffany served +tea on the lawn for the half-dozen familiar households on the Santa +Lucia tract. That was the busy time of all the year, affording no +leisure for those dinners and whist parties which came in the early +season, when the country families had just arrived from town, or in +the late season, when prune picking grew slack. Night finds one weary +in the country, even when his day has brought only supervision of +labor. These town-bred folk, living from the soil and still but half +welded to it, fell unconsciously into farmer habits in this working +period. + +The Goodyears and the Morses, more formal than their neighbors, did +indeed give a dinner once or twice a summer to this or that visitor +from San Francisco or San Jose. Otherwise, the colony gathered only at +this Sunday afternoon tea of Mrs. Tiffany's. Her place lay about +midway of the colony, her lawn, such as it was--no lawn flourishes +greatly in that land of dry summers--was the oldest and best kept of +all; further, they had acquired the habit. Already, these Californians +were beginning a country life remotely like that of England; a country +life made gracious by all the simple refinements, from bathtubs to +books. They had settled, too, into the ways of a clique; small and +informal as their entertainments were, minor jealousies of leadership +had developed already. + +By a kind of consent never yet made law by any contest, the Goodyears +were leaders and dictators. He, Raleigh Goodyear, was passably rich; +his wife was by birth of that old Southern set which dominated the +society of San Francisco from its very beginning. Until their only +daughter married into the army and, by her money and connections, +advanced her husband to a staff position in Washington, Mrs. Goodyear +had figured among the patrons to those cotillions and assemblies by +which the elect, under selection of a wine agent, set themselves off +from the aspiring. Them the colony treated with familiar deference. + +Mrs. Tiffany, whose native desire to please and accommodate had grown +with her kind of matrimony, held social leadership of a different +kind. Her summer house was the boudoir of this colony, as her town +house was the centre for quiet and informal entertainment just tinged +with Bohemia. Hers was the gate at which one stopped for a greeting +and a chat as one drove past on the road; she was forever running to +that gate. She knew the troubles of all her neighbors, both the town +dwellers of her set and the humbler folk who made fruit farming more +of a business. That rather silent husband of hers--a man getting an +uncomfortable peace from the end of a turbulent and disappointing life +which had just escaped great success--told her that she had one great +fault of the head. She must always make a martyr of herself by bearing +the burdens of her world. + +The Judge and Mrs. Tiffany sat now, in the early afternoon of a summer +Sunday, under the gigantic live-oak which shadowed their piazza. She +was crocheting a pink scarf, through which her tiny fingers flew like +shuttles; he was reading. Out beyond their hacienda, the American +"hands," fresh-shaved for Sunday, lolled on the ground over a lazy +game of cards. From the creek bottom further on, came a sound which, +in the distance, resembled the drumming of cicadas--a Chinese workman +was lulling his ease with a moon-fiddle. Near at hand stood the tea +things, all prepared before Molly, the maid, started for her Sunday +afternoon visit to the camp of the women cutters. Factory girls from +the city, these cutters, making a vacation of the summer work. + +Mrs. Tiffany glanced up from her yarns at the leonine head of her +husband, bent above "The History of European Morals," opened her mouth +as though to speak; thought better of it, apparently. Twice she looked +up like this, her air showing that she was not quite confident of his +sympathy in that which she meant to bring forward. + +"Edward!" she said at length, quite loud. He lowered the book and +removed his reading glasses, held them poised--a characteristic +gesture with him. He said no word; between them, a glance was enough. + +"You remember the young man who went over with Eleanor to drive away +the Ruggles bull?" + +Judge Tiffany gave assent by a slight inclination of his head. + +"I went over to the camp of those University boys yesterday," she went +on, running loops with incredible speed, "and I don't quite like the +way they are living there. They associate too much with the +cutting-women. You know, Edward, that isn't good for boys of their +age--and they must be nice at bottom or they wouldn't be trying to +work their way through college--" + +She stopped as though to note the effect. The ripple of a smile played +under Judge Tiffany's beard. She caught at her next words a little +nervously. + +"You know we have a responsibility for the people about the place, +Edward--I couldn't bear to think we'd let any nice college boy +degenerate because we employed him--and it is so easy at their age." + +"Which means," broke in the Judge, "that you have asked this Mr. +Chester up here to tea." + +"If--if you wish it, Edward." + +"I can't very well countermand your invitation and tell him by the +foreman not to come. But I warn you that this social recognition will +serve as no excuse if I catch him picking any more green apricots." + +Mrs. Tiffany, unturned by this breeze of criticism, ran along on her +own tack. + +"His manners _are_ a little forward, but he has a nice way of +speaking. I'm sure he is a gentleman, at bottom. You can't expect such +a young man, who has been obliged to work his way, to have all the +graces at once. They've brought down their town clothes--I saw them +last Sunday--so you needn't be afraid of that. I've asked Mr. Heath, +too." + +"Is that by way of another introduction?" asked Judge Tiffany. His +eyes looked at her severely, but his beard showed that he was smiling +gently again. Half his joy in a welded marriage lay in his +appreciation of her humors, as though one should laugh at himself. + +"Oh, there's no doubt that _he's_ a gentleman. He is less loud, +somehow, than Mr. Chester, though he hasn't his charm. It seems there +is the most wonderful boy friendship between them." + +"Where did you get all this insight into the social life of our +employees?" asked Judge Tiffany; and then, "Mattie, you've been +exposing yourself to the night air again." + +"Over at their camp last evening," said Mrs. Tiffany. "Well, and isn't +it my business to look after--after that side of the ranch?" she +added. + +The Judge had dropped the book now; his senses were alert to the game +which never grew old to him--"Mattie-baiting" he had named it. + +"Mattie," he said, "with a pretty and marriageable, dowered and maiden +niece on your hands, a new era is opening in your life of passionate +self-sacrifice. It used to be orphan children and neglected wives of +farm hands. Now it is presentable but neglected bachelors. Your +darling match for Eleanor, I suppose, would be some young soul +snatched from evil courses, pruned, trimmed, and delivered at the +altar with 'Made by Mattie Tiffany' branded on his wings. Spare, O +spare your innocent niece!" + +"Edward, I never thought of it in that light!" cried Mrs. Tiffany; and +she bent herself to furious crocheting. After a time, and when the +Judge had resumed his book, she looked up and added: + +"It might be worse, though, than a young man who had made it all +himself." + +Judge Tiffany burst into laughter. Then, seeing her bend closer over +her pink yarns, he grew grave, reached for the hand which held the +needles, and kissed it. + +That was her reward of childless matrimony, as the appreciation of her +humors was his. + + * * * * * + +While they sat thus, in one of their comfortable hours, the guests +were come. The Morses appeared first. He was a pleasant, +hollow-chested little man; his delicacy of lung gave him his excuse +for playing gentleman farmer. She, half-Spanish, carried bulk for the +family and carried it well. The Andalusian showed in her coy yet open +air, in her small, broad hand and foot, in a languorous liquidity of +eye. Their son, a well-behaved and pretty youth of twelve, and their +daughter, two years older, rode behind them on the back seat. The +daughter bore one of those mosaic names with which the mixed race has +sprinkled California--Teresa del Vinal Morse. A pretty, delicate +tea-rose thing, she stood at an age of divided appreciations. In the +informal society of the Santa Lucia colony, she was listening half the +time to her elders, taking a shadowy interest in their sayings and +opinions; for the rest, she was turning on Theodore, that childish +brother, an illuminated understanding. + +The Goodyears arrived with a little flourish. Their trap, which she +drove herself and which was perhaps a little too English to be useful +or appropriate on a Californian road, the straight, tailor lines of +her suit--all displayed that kind of quiet, refined ostentation which, +very possibly, shrieks as loud to God as the diamond rings on a soiled +finger. Mrs. Tiffany, who had met the Morses on the lawn, tripped +clear across the rose-border to meet the Goodyears; did it with entire +unconsciousness of drawing any distinction. As by right, Mrs. Goodyear +appropriated the great green arm-chair under the oak tree, from which +throne she radiated a delicate patronage upon the company. + +The others followed by twos and threes. Montgomery Lee, fresh-faced +English University man, raising prunes on his patrimony of a younger +son; the Roach girls, plump Californian old maids, and their pleasant +little Yankee mother; the Ruggleses, a young married couple. Careless +farmers, Mr. and Mrs. Ruggles; but they had the good nature which is +the virtue of that defect. This, and the common interest in their +three plump, mischievous babies, gave them general popularity in the +colony. + +Within five minutes, the company had followed the law of such +middle-aged groups of familiars, and separated by sexes. The men +drifted over to the piazza, lit cigars, hoisted their knees, and +talked, first, of the prune picking, their trouble with help, the +rather bootless effort of a group in San Jose to form a Growers' +Association; then of that city where lay their more vital interests. + +Goodyear had just been to San Francisco on a flying trip; he brought +back fresh gossip: The Bohemian Club had the "Jinks" in rehearsal; a +new-discovered poet had written the book; it was to be (so the Sire +declared) the greatest in club history. + +"As usual," smiled Judge Tiffany. + +They were saying about the Pacific Union Club that the Southern +Pacific had raised its rates to Southern points. One might have sensed +that shadow which hangs always over commercial California in the +sombreness which froze the group at this news. From five minutes of +pessimistic discussion, Goodyear led them by a scattered fire of +personalities. Billy Darnton was going to give a bull's head breakfast +at San Jacinto. Al Hemphill was coming to it all the way from New +York. Charlie Bates had pulled out for the new gold diggings in the +Mojave desert, rich again in anticipation, although he had to leave +San Francisco secretly to escape the process servers. + +"Tea, gentlemen!" called Mrs. Tiffany, from her nasturtium bower in +the shadow of the great oak. + +"Just when we are getting comfortable," her husband growled +pleasantly; and he made no move to rise. The women sat at ease about +the tea-table. Their talk, beginning with the marvelous Ruggles +babies, had run lightly past clothes and help, and fallen into the +hands of Mrs. Goodyear. She, too, was full of San Francisco. Apart, +under the grape arbor, Teresa Morse and her brother were snaring +lizards--playing like two well-behaved babies miraculously grown +tall. + +"There's Eleanor," suddenly spoke Teresa. At the word, she dropped +her lizard, started forward; and stopped as she came out into full +view of the road. + +Eleanor, in fresh white, bareheaded under her parasol, was approaching +between two young men. The slighter of the two men moved a little +apart; the heavier, in whom Mrs. Tiffany recognized with some +apprehension the new protegé, Mr. Bertram Chester, walked very close +up. He was peering under the parasol, which Eleanor dropped in his +direction from time to time without visibly effecting his removal. It +seemed from his wide gestures, from the smile which became apparent as +he drew nearer, that he was talking ardently. + +In the other man, Mrs. Tiffany recognized that Mr. Heath who had the +boy friendship with Bertram Chester. He was putting in a word now and +then, it appeared. When he spoke, Eleanor turned polite attention upon +him; and then resumed her guarded attitude toward that dynamo buzzing +at her left. Insensible of the company on the lawn, they passed behind +the grape arbor which fringed the gate and which hid them temporarily +from view; and the one-sided conversation became audible. + +"It wasn't a _patch_ on fights I've had with 'em. Down home, I used to +fight steers right along. That's nothing to a nigger who used to work +for us in Tulare. He'd jump on their backs and reach over and bite +their noses till they hollered quits. Sure thing he did!" It died out +as they turned in at the gate and faced the group about the trees. + +Mrs. Goodyear made a gesture of an imaginary lorgnette toward her +high-bridged nose. Mrs. Tiffany gathered herself and ran over to the +gate. It was Mr. Heath--she noticed as she advanced--who was blushing. +Bertram Chester stood square on his two feet smiling genially. As for +Eleanor, she maintained that sweet inscrutability of face which +became, as years and trouble came on, her great and unappreciated +personal asset. + +Young Chester spoke first: + +"I knew Miss Gray was coming down this afternoon--so I laid for her on +the road--didn't I, Miss Gray?" + +"Very nice of you, I'm sure," murmured Mrs. Tiffany, though she bit +her lip before she spoke--"won't you come over to meet our friends?" +Eleanor had darted ahead, to the pats of the women and the adoring +hugs of Teresa Morse. + +Mrs. Tiffany saw with relief that her disgraced protegé managed his +end of the introduction very well, although he did make a slight +advance to shake hands with the critical Mrs. Goodyear. He gave no +sign to show that he perceived the men over on the piazza. Mr. Heath, +his Fidus Achates, cast a slight glance in their direction; then, +seeing Bertram settle himself down in an arm-chair and begin at once +to address Mrs. Goodyear, he sat down likewise, suffused with an air +of young embarrassment. Mrs. Ruggles, seated next to him, began with +visible tact the effort to put him at his ease. + +Mr. Chester, as he talked to Mrs. Goodyear, looked always toward +Eleanor. She, helping Mrs. Tiffany with the tea things, turning a +caressing word now and then toward Teresa Morse, might not have +noticed, for all her expression showed. + +The men came over for tea, were introduced. Mrs. Tiffany, in her +foolish anxiety for the manners and appearance of her protegé, noted +that he was at home with men, at least. + +Mr. Goodyear, indeed, clutched with his eye at the blue-and-gold +button in the lapel of Bertram's coat, at the figure of him, and at +the name. + +"You aren't Chester who played tackle on the Berkeley Varsity last +season?" he asked. An old Harvard oar, Goodyear kept up his interest +in athletics. + +"Tackle and half," said the youth. "Yes, sir." + +"Well, well, I remember you in the game!" said Goodyear. + +Mrs. Tiffany, now that her protegé no longer needed watching, had +returned to her tea things. + +"Eleanor," she called. "Will you run into the house and get that box +of chocolate wafers that's over the ice chest?" + +"Let me carry 'em for you, Miss Gray," put in Chester, breaking +through a college reminiscence of Goodyear's. + +Eleanor never flicked an eyelash as she announced: + +"I should be very glad." + +Tiffany, glancing over the group, noted with comparative relief that +none but she, Goodyear, and the young persons involved, had heard this +passage. + +As they moved toward the house, Bertram opened upon Miss Gray at +once. + +"This is the second chance I've had alone at you," he said. + +"We are rather conspicuous," she burst out. + +"Oh, nobody'll mind. A girl always thinks everybody is looking at her. +Besides, I wouldn't care if they were. I've wanted to tell you +something, and I couldn't with Heath trailing us. You've got awfully +nice eyes." + +Eleanor seemed to see neither the necessity nor the convenience of an +answer. + +"But you have!" he persisted. "They're better than pretty. They're +nice." + +Again Eleanor said nothing. It seemed to her that there was nothing to +say. + +"I know why you've got it in for me," he burst out. "You have, you +know. When I speak to you, you never talk back, and yesterday you +wouldn't let me stay after I had corralled the bull. It's because I'm +working for your uncle. It's because I'm making a living, not eating +what someone else made for me like--" he swept his hand backward +toward the company on the lawn--"like those people out there." + +Stung, for a second, to a visible emotion, Eleanor raised her grey +eyes and regarded him. + +"You are assuming a little, aren't you?" said she. + +"Then why can't I come to see you sometime in the evening if that +isn't so? I don't ask it of many nice girls." + +She caught at the delimiting phrase, "nice girls," and glanced up +again. By this time, they had passed through the living room; and he +had awkwardly opened the door into the kitchen. + +"I haven't known you very long," she said. + +"There isn't a lot to know about me," he grumbled. Then his face +cleared like the sunshine breaking through. "I could teach you to +savvey the whole works in an evening." + +"There are the chocolate wafers up over the ice-chest--that brown tin +box." He reached up and heaved the package down, putting into that +simple and easy operation the energy of one lifting a trunk. + +Annoyed, and a little amused, Eleanor watched him. All at once, she +felt a catch in her throat, was aware of a vague, uncomprehended +fear--fear of him, of her loneliness with him, of something further +and greater which she could not understand, did not try to understand. +She wanted air; wanted to get away. When he turned about, she stood +holding open the kitchen door, her eyes averted. + +She felt that he was standing over her; she felt his smile as he +looked down. + +"You needn't be in such a terrible hurry," he said. + +"They'll be waiting for us on the lawn," she forced herself to answer. +It required all her energy to keep her voice clear and firm. Then she +hurried ahead into the open air. Once in sight of the lawn party, she +made herself walk beside him, even smile up at him. + +"It's just as I said--" he had gone back to his grumbling voice and +his wholly presumptuous manner--"Either you don't like me, or you're +sore on me because I'm working for your uncle." + +To the great relief of Eleanor, Mrs. Tiffany came out to meet them, +took the box from Bertram and accompanied them back to the tea table. +For the rest of the afternoon, Eleanor managed by one device or +another to save the situation. When, in the shifting of group and +group, she had no one else for protection, Teresa Morse, following her +like a dog, ready to come to her side at a glance, played the +involuntary chaperone. + +Judge Tiffany had no word alone with his wife until the sun slanted +low across the orchard and the company broke up. When he met her +apart, he said: + +"He ought to be a success, that protegé of yours!" + +"I have been dreadfully mortified!" + +"Oh, not a social success, though that may come too, if he ever +perceives the necessity for it. But a general success. Such simple and +unturned directness as his ought to win out anywhere. It is more than +enchanting. It is magnificent. I'm willing to risk discipline on the +place just to study a specimen so unusual. Mattie, this time I am +going to assist. I'm going to ask him to supper." + +"Edward, are you laughing at me again?" + +"For once, my dear, no; not at least on the main line. You'd better +ask that Mr. Heath, too." + +"And Eleanor?" + +The Judge looked across to the oak tree, where Eleanor was +ostentatiously tying up the brown braids of Teresa Morse. Bertram, +talking athletics with Goodyear, had her under fire of his eyes. + +"If any young person was ever capable to make that choice, it is your +niece Eleanor," he said. "It might afford study. Yes, ask her, too." + +Mr. Chester and Mr. Heath were delighted; though Mr. Chester said that +he had an engagement for the evening. ("What engagement except with +the cutting-women?" thought Mattie Tiffany.) But Eleanor declined. +Some of the chickens were sick; she was afraid that it might be the +pip; she doubted if Antonio or Maria would attend to it; she would sup +at home. Mrs. Tiffany, anticipating the intention which she saw in +Bertram's eyes, made a quick draft on her tact and asked: + +"Mr. Chester, would you mind helping me in with the chairs?" + +Seated at the supper table, Bertram Chester expanded. The Judge took +him in hand at once; led him on into twenty channels of introspective +talk. Presently, they were speaking direct to one another, the gulf +that separates youth from age, employer from employed, bridged by +interest on one side and supreme confidence on the other. This +grouping left Mrs. Tiffany free to study Heath. It grew upon her that +she had overlooked him and his needs through her interest in the more +obvious Chester. She noticed with approval his finished table manners. +Mr. Chester, though he understood the proper use of knife and fork and +napkin, paid slight attention to "passing things"; Heath, on the +contrary, was alert always, and especially to her needs. "He had a +careful mother," she thought. Gently, and with a concealed approach, +she led him on to his family and his worldly circumstances. He spoke +freely and simply, and with a curious frank assumption that anything +his people chose to do was right, because they did it. He had come +down to the University from Tacoma; his father kept a wagon repair +shop. His people had gone too heavily into the land boom, and lost +everything. + +"I felt that I could work my way through Berkeley or Stanford more +easily than through an Eastern college," he said simply. + +"And then I shouldn't be so far away from home. Mother likes to see me +at least once a year." + +He was going home after the apricot picking was over; he felt that in +vacation he should earn at least his fare to Washington and back. + +"I'm sure she must be a very good mother to deserve that devotion," +said Mrs. Tiffany, warming to him. + +"She deserves more," he said, a kind of inner glow rising to his +white-and-pink boyish face. That same glow,--Mrs. Tiffany might have +noticed this and did not--illuminated him whenever, from across the +table, Chester's laugh or his energetic crack on a sentence called a +forced attention. Mr. Heath deferred always to this louder +personality; kept for him the anxious and eager interest of a mother +toward her young. Gradually, this interest absorbed both Mr. Heath and +Mrs. Tiffany. The table talk became a series of monologues by young +Bertram Chester, Judge Tiffany throwing in just enough replies to spur +and guide him. + +"No, I don't belong to any fraternity," said the confident youth, +"don't believe in them. They plenty beat me for football captain last +year too. When I came to college, they didn't want me. After I made +the team and got prominent, they began to rush me. Then I didn't want +_them_." + +"It might have been easier for Bert if he _had_ joined them," said +Heath. "They don't like to have their members working at--with their +hands; they always find them snap jobs if they are poor and +prominent." + +"Oh, I don't know," said Bertram. "The barbs elected me business +manager of the _Occident_ last season--I didn't make the team until I +was a Sophomore, you know--and that more than paid my way. This year +I've got a billiard hall with Sandy McCusick. + +"He used to be a trainer for the track team," explained Bertram. "I +steer him custom and he runs it. Ought to get me through next year +over and above. That's one reason I'm picking fruit and resting my +mind this summer instead of hustling for money in the city." + +"And then?" asked the Judge. + +"Law, I guess." + +"I am an attorney myself." + +"I guess I know that!" + +"What school have you chosen?" + +"None, I guess. I don't want to afford the time. Yes, I know you want +good preparation, but I'd rather be preparing in an office, making a +little and keeping my eye open for chances. I may find, before my +three years are up, that it isn't law I want, but business." + +"I'm not a college man myself," said the Judge, "I got my education by +reading nights on the farm, and pounded out what law I knew in an +office at Virginia City. One didn't need a great deal of law to +practice in Comstock days--more nerve and mining sense. But I've +regretted always that I didn't have a more thorough preparation. +Still, every man to his own way. This may be best for you." + +"That's what I think," said Bertram Chester. "When I got through High +School in Tulare, Dad said, 'Unless you want to stay on the ranch, +you'd better foot it for college.' I didn't want to ranch it, and I +saw that college must be the best place for a start. Dad put up for +the first year. I might have stretched it out to cover a little of my +Sophomore year if I'd been careful. I was a pretty fresh Freshman," he +added. + +"And your mother?" asked Mrs. Tiffany. "I suppose she was crazy for +you to go." + +"Yes, I suppose she would have been. She's been dead ten years. How +hard is it to get into a law office in San Francisco?" he added, +shifting. + +Judge Tiffany met the direct hint with a direct parry. + +"We have five thousand attorneys in San Francisco and only five +hundred of them are making a living." + +"Yes, I know it is overcrowded," said Bertram Chester, not a particle +abashed. + +After black coffee on the piazza, the two college boys swung off down +the lane, Bertram smoking rapidly at one of the Judge's cigars. + +"He can be almost anything," said the Judge, meditatively. + +"Even a gentleman?" gently inquired Mrs. Tiffany. + +"Perhaps that isn't necessary in our Western way of life. Thank God, +we haven't come yet to the point where the caste of Vere de Vere is +necessary to us." + +"I wish I had it," he went on, a little wistfully. + +"Gentility? why Edward, if anyone--" + +"Oh no, my dear. I may say that was half the trouble. So many +considerations came up; so many things I didn't want to do, so many it +didn't seem right to do. I was forever turning aside to wrestle with +my feelings on those things, and forever hesitating. Half the time, +after the opportunity was gone by, I discovered that my scruples had +been foolish; but I always discovered afterward. I don't believe that +success lies that way in a new world." + +He had risen; and now his wife rose and stood beside him. + +"You are forever talking as though you were a failure. I know you're +not. Everyone knows you're not." + +"The parable of the ten talents, Mattie. Not how much we've got, but +how much interest we've earned on our powers. However, we had that out +long ago, my dear. Yes, I know. I promised not to talk and think this +way. But if I'd been like this boy! He'll seize the thing before him. +No side considerations in his mind!" + +"It is a policy," said Mrs. Tiffany in a tone of injured +partisanship, "that will land him in jail." + +"No," said the Judge, "success does not lead towards jails. He'll look +out for that." + + + + +CHAPTER III + + +In that immortal "middle period" of San-Francisco, when the gay mining +camp was building toward a stable adjustment of society, when the +wild, the merry, the dissolute and the brave who built the city were +settling down to found houses and cultivate respectability in face of +a constantly resurgent past--in those days none who pretended to +eminence in the city but knew the sisters Sturtevant. Members of that +aristocracy which dwelt on Rincon Hill, their names and fames quite +eclipsed those of their quiet, self-effacing parents. Although they +never called it that, their establishment amounted to a salon. Also, +they never called their circle Bohemian, yet it was tinged with an +easy view on the conventionalities, a leaning toward art and the +things of art, which meant Bohemia in the time when that word was of +good repute. Spain, perpetual spring, the flare of adventure in the +blood, the impulse of men who packed Virgil with their bean-bags on +the Overland journey, conspired already to make San Francisco a city +of artists. She had developed her two poets, singers whose notes had +sounded round the world; the painters had followed. The stir of a new +life in art, a life which was never quite to reach fulfilment, blew in +the bay air. + +Centre for those awakening young painters, those minor poets who +carried in weaker hands the torches of the two giant pioneers, was the +house of the Sturtevant sisters, the one a wit, the other a beauty. +Heaven was not grudging with gifts to these two. Alice, the wit, had +also a hidden kind of beauty which was not to be taken in on first +sight, but which, perceived by the painters of that set, made some of +them swear that she was the real beauty of the two. Matilda, the +beauty, had if not wit a sprightly feminine fancy. Then, too, her +gentleness of judgment, her sweetness of intention, and her illogic of +loyalty, gave her point of view a humorous quality. Her circle, +confident in her good-nature, was forever leading her on, by this +device or that, to exhibit what John Stallard, the novelist, called +her "comedy of charity." O'Ryan, that great, glowing failure whose +name will outlive the fame of the successful in San Francisco, used to +play ingenious jokes upon it. O'Ryan was possibly the only man of any +time who could draw the sting of a practical joke. + +They dwelt, twin-regnant over this world of theirs, in sisterly +harmony. Stallard declared always that a final gift of fate and the +gods preserved them to harmony: their tastes in men differed. They had +choice enough, God wot--poets and novelists struggling on the verge of +fame; attractive, irresponsible, magnetic journalists, destined never +to arrive anywhere, but following a flowery path along which a woman +might smile; sons of new-rich millionaires who followed and backed and +corrupted the artists of that budding Paris which never blossomed; two +painters, among many, who got both fame and wealth before they were +done. + +In his later years, one asked Tyson the English novelist, connoisseur +of women if there ever was one, whom he esteemed the prettiest and +whom the wittiest among the women he had known and studied. + +"For wit, Lady Vera Loudon," he said, "and after her, a quite +remarkable woman I met in San Francisco out on the West Coast of +America--of all places." Tradition has enlarged this reply to make +Matilda Sturtevant his prettiest as Alice was his wittiest. + +Matilda's fresh beauty of the devil, her full yet delicate beauty of +the twenties and early thirties, live in the galleries of Europe. The +painters all had their try at her; she lived in creation which ran the +line between miniatures and heroic canvases. Lars Wark, perhaps the +least considered of all her painter friends, is the one that triumphed +most of all. Who does not know his Launcelot and Enid? The Enid, of a +beauty so intelligent, so wistful and so good--she is Matilda +Sturtevant, hardly idealized. + +These twin graces married within two years of each other. Of course, +they chose strangely. Matilda, whose beauty might have graced the head +of the table in any one of three gaudy mansions on Nob Hill, chose +Edward C. Tiffany, attorney, politician in a small but honorable way, +man about town--and much older than she. Alice, following quietly, +accepted Billy Gray, journalist--a clever reporter with no +possibilities beyond that; a gentleman, it is true, and a man of +likeable disposition, but on the whole the least desirable of all her +followers. + +Billy and Alice Gray lived out the three years which were all they +ever had of matrimony, in a Latin quarter garret, transformed into a +studio. The intellectual centre of San Francisco shifted to that +garret; the gay, the witty and the brilliant still followed wherever +Alice Gray might go. Billy, a type of the journalist in the time when +journalism meant the careless life, left her a great deal alone after +the honeymoon. On his side, there was no conscious neglect in this; on +her side, there was no reproach. It was just their way of living. He +adored her with a quiet, steady flame of affection which was too fine +to degenerate into mere uxoriousness. Already, he was a little too +fond of his liquor--a peccadillo which attracted little attention in +that age of the careless city. This troubled Alice Gray less than it +would have troubled her mother. In the periods when she pulled herself +up, she worried to think how little she did care about it. In fact, +his remorseful recovery from his debauches had become her occasion for +pouring out upon him the mother in her. She reveled guiltily in this +singular sacrament of her singular love. + +After three years Alice Gray gave birth to a daughter--and died within +a fortnight afterward. In all truth, I may say that life, for Billy +Gray, ended that day. To lose this tenth muse--I can think of nothing +more complete in tragedy except the loss of her father of Marjorie +Fleming. And he, like Marjorie Fleming's father, spoke her name no +more--until near the end. When after twenty years, his own time came, +Stallard, LeBrun the poet and Lars Wark gathered to pay him their last +respects. LeBrun came all the way from New Orleans, and Stallard +delayed his journey to the South Seas. They had drifted away from him, +such had become his ways and habits; they came back in honor of the +woman who illuminated their youth. So long and so powerful was the +influence of her who never wrote a line except in air and memory. + +Billy Gray went on living for the sake of his daughter; but he lived +like a man driven of the furies. He became one of those restless, +wandering journalists whose virtue to their newspapers is their utter +abandonment of courage and enterprise, whose defect is their love of +drink. + +Eleanor, they called the baby--Alice had chosen that name "in case it +is a girl." Mrs. Tiffany, childless herself, played second mother +during the first three years of Eleanor's healthy and contented little +life. Perceiving the growth of bad habits in that broken +brother-in-law, strong and generous enough to face her perceptions, +she called him back from a desk in Los Angeles, where, gossip said, he +was drinking himself to death, and gave him over his daughter to keep. +From that time on, during a succession of removes which took him from +Vancouver on the north to Los Angeles on the south, Billy Gray had +establishment after establishment, housekeeper after housekeeper for +this daughter. Her face and ways, the dim shadowing of her mother's, +were the only hold on reality which he kept. + +She grew up a rather grave little thing, hardly pretty at all until +she turned fifteen, when she showed signs that the beauty of her aunt, +if not the wit of her mother, might live again in her. Of wit, it +seemed, she had little; neither did she show any great talents in her +irregular schooling. Her longest term at any one school was three +years with the Franciscan Sisters in Santa Barbara. They, Spanish +gentlewomen mainly, are the arbiters and conservators of old fashioned +manners on the West Coast. Of them it is said, as it is said of +certain sisterhoods in France, that one may know their graduates by +the way they keep their combs and brushes. In two years Eleanor +absorbed something of their grave gentility from these Spanish women. +Little else she got from that education, seeing that she was a +Protestant and studied neither catechism nor church doctrine. She did, +indeed, totter once on the brink of Rome--even dared speak to her +father about it. He accepted the situation so carelessly and gave his +assent so easily that she was a little hurt. But the next day, he +quizzed her about the church and its doctrines. Like a good lawyer, he +slipped in the crucial question of his cross-examination between two +blind ones. + +"All who die outside of the church go to Hell, don't they?" he asked. + +"Sister Sulpicia says so." + +"Then your grandmother" (Mrs. Sturtevant had just died) "is in Hell?" + +He pursued the line no further; he never needed to; and after a time +the storm of doctrine died down in her. That phase of life left +another effect on her beside her manners--a mark common enough among +Protestant women reared in the shadow of the Catholic Church. Outside +its pale by belief, she clung to a few of its sacramentals for pet +superstitions, and to a few of its observances for her consolation in +trouble and her expression in happiness. + +She was sixteen, and about to graduate from a Seminary in Oakland, +when her call came to her. In one moment, the secret of her father's +long absence became plain; and her whole way of life changed. + +Billy Gray had drifted back to the city of his beginnings and +happiness; was writing hack editorials and paragraphs for the little +weeklies which so infested San Francisco. She knew that their fortunes +were low, that only her inheritance, left in trust by her +grandparents, kept them moving. Also, a dim suspicion which she had +held of her father for years was taking shape in her mind--too young +that mind, yet, for any very strong belief in human conduct not +written in the tables of the law or in the Etiquette Book. + +The current which fused these amorphic thoughts was generated in the +most commonplace manner. By custom, she went to the seminary on Monday +morning, staying there until Friday evening. It happened that the +death of a teacher made Friday an unexpected holiday. Returning on +Thursday afternoon, she found the house locked. She remembered that +this was "make-up day" at the weekly which took most of her father's +work; he must be in the office. She hesitated, wondering whether to +telephone for the key; decided to walk down town, since it was a +beaming, windless afternoon. + +She came about a corner of Montgomery Street, turned in toward the +office of _The Whale_, and ran into the environs of a gathering city +crowd. The men were straining over backs and shoulders to see; the +women were pressing their hands convulsively to their faces with pity +and disgust. + +"What's the answer?" some one called from the fringe. + +"A drunk," came a voice from within, "plain drunk." The police arrived +just then, and cleared a way; through the rift they made, she saw them +lift--Billy Gray, her father. + +In the limpness and horror of this, her first crisis, she did nothing, +said nothing; only stood there. Presently, she was aware that a +workman in soiled overalls had joined the policemen. + +"Now that's all right," he was saying, "he's only dead to the world, +making no trouble for nobody. He works for _The Whale_ up above; +what's the good to pinch him?" "_The Whale_?" asked one of the +policemen; and hesitated on the word. In quick decision, then, he +whirled upon the crowd, pushed it back, cleared a space. The other +policeman and the man in the soiled overalls--he was foreman of _The +Whale_--picked up Billy Gray, who was turning and mumbling feebly, and +started to carry him upstairs. A sudden impulse of her limbs, an +instinct independent of her will, drew her toward them. The policeman, +clearing away the crowd, laid hand upon her. + +"You'll have to get back little girl!" he said. + +She looked him in the eye; the sudden abandonment to her shame seemed +to lift and to exalt her; afterward, shuddering over that day, she +still remembered a certain perverse pleasure in this moment. And she +spoke loud, so loud that all the crowd might hear. + +"He is my father!" + +The policeman gave way; she hurried up the stairs. The bearers of +Billy Gray were resting on the top of the first flight. They had +braced him up against the banisters and were trying to rub sense back +into him. She addressed herself straight to the foreman. + +"Does this happen often?" she asked. + +A good natured and communicative person, he was also enough touched by +his importance as Good Samaritan to answer the question of a stray +little girl. + +"Lord yes!" he replied. "Every pay day nowadays. Used to be the +brightest man in the business, too." + +Then as she stood there, blown by all the strong cross-winds of the +world, Marshall the editor, who knew Eleanor, came hurrying down the +stairs. He saw that wreckage, grown familiar now to them all, saw the +girl standing white of face beside the balustrade; the situation came +over him at once. He opened the door, drew in both the intoxicated +Billy Gray and his daughter. Half an hour later, when Billy could walk +a little--it was a dead, nerveless intoxication with him +nowadays--Eleanor and the foreman took him home in a cab. + +In that long day and night, Eleanor strung together a thousand +half-forgotten incidents, neglects and irregularities of life, and +perceived the truth which her whole world had been in conspiracy to +keep from her. Out of the cross-blowing impulses of an immaturity +which was still half childhood--self pity, shame, heroic pride in her +own tragedy, passionate hatreds of a world which harbors such +things--she came to a resolve in whose very completeness she was happy +for a time. When, before breakfast, she burst into Mattie Tiffany's +boudoir, she had a saintly radiance in her face. The elder woman, +advised by the first words that Eleanor knew, took the little, cold +body into bed with her, petted her back to something like calm. Storm +followed the calm; Eleanor went all to pieces in a burst of passionate +crying. + +After she had recovered a little, her purpose came out of her. +Considering her years, she said it all quite simply and +undramatically. It was her business to be with her father. Her mother +would have wished it so. She was going to leave school. That was her +work. + +Mattie Tiffany, with her passion for picturesque philanthropies, knew +right well that she had neglected somewhat the plain, unpicturesque +philanthropy which lay close to her hand. She had neither the heart +nor the conscience to deny Eleanor this sacrifice. In that hour, there +grew up between the childless aunt and the motherless niece an +understanding which those three years of first infancy, when Eleanor +had lain on her breast like a daughter, had never brought at all. + +In three months more, during which time Billy Gray reformed, lapsed, +reformed, lapsed again, the wiser head of Judge Tiffany found the way. +The Sturtevant estate, nearly fifty thousand dollars in all, lay in +his hands as trustee. Upon Eleanor's majority, it was to be divided, +one third accruing to her, the surviving grandchild, and two-thirds to +Mattie Tiffany. + +Of late, Judge Tiffany had been turning his mind toward the Santa +Clara Valley fruit farms, and especially toward the Santa Lucia tract. +He had made the struggle with his own world and lost; that is another +story. At sixty-eight, life held little for him except an easy descent +into the grave after a career in which he had played only too little. +That leisurely style of farming, which would permit him to keep an +eye on his dwindling law practice, attracted him. And nothing, it +seemed to him, would better further the intention, now awakened in all +of them, to do something for Billy Gray. He bought, therefore, two +tracts, already planted and bearing in diversified fruits; one of +forty acres, with a little cottage home, for Eleanor; the other of +eighty acres, with a large bungalow, for himself. + +So far as his intentions toward Billy Gray went, Judge Tiffany made +this venture with little hope. Billy Gray had tried the Keeley Cure +twice. After each course of treatment, he had "beaten it," although he +must gargle whisky, through a deadly sickness, in order to get back +into the habit again. His was that variety of drunkenness which is not +only an unnatural thirst, but also a mania to forget. There on the +Santa Lucia tract, Billy Gray, sure of a living, might tilt at +happiness and success with that independent writing which is the +chimera of all newspaper men until the end of their days; and Eleanor +might help him make the fight. + +The next four years--they were a monotony of variety. For her broken, +incompetent father, Eleanor learned the art and practice of growing +apricots and prunes. Lady of her small manor, she made a business of +it; got it to pay after the second year. Billy Gray never reformed; no +one but Eleanor ever expected that he would. He smuggled whisky in; he +stole away to get it; once he led the Judge and Eleanor a chase +through his old haunts in San Francisco until they found him, broken +all to pieces, in the county hospital. + +That incident--it appeared that he had been beaten by a squad of +drunken soldiers from the Presidio--was the breaking strain. His +constitution gone, his mind and body weakened. For twenty years, no +one had ever heard him speak the name of that Saxon Alice whose death +was the death of his soul. Now, he began suddenly to babble to his +daughter of her mother. In his last delirium, he called her "Alice." + +When he was dead and buried, Eleanor went on for a year through her +accustomed routine of the ranch, letting life flow in again. Tired at +twenty-two, she overstated the feeling to herself after the manner of +youth, and thought that heart and sense and feeling were dead in her. + +In all the years of passage from girlhood to womanhood, she had lived +alone with that dipsomaniac, seeing only such society as frequented +her aunt's lawn, and little of that. Books, and such training in life +as they give, she had known; but she had never known a flirtation, a +follower or a lover. On the day when Bertram Chester went with her to +tame the bull, she was as one who steps from the door of a convent. + + + + +CHAPTER IV + + +As she left the Tiffany gate and emerged into the main road between +Santa Clara and Los Gatos, Eleanor raised her serviceable khaki-brown +parasol. She was walking directly toward the setting sun, which poured +into her eyes; yet she dropped the sunshade behind her head as though +to shield herself against an approach from the rear. No one followed; +she had walked to the next fence corner before she assured herself of +that, dared to shift that feminine buckler against the eye of the sun, +to slacken her pace, and to muse on an afternoon whose events, so +quiet, so undramatic, and yet so profoundly significant, buzzed still +in her head. As she thought on them, other things came into her mind +as momentous and worthy of attention before the jump of the great +event--that moment alone with Bertram Chester, that panic of +unaccountable fear. Slow to anger as much by a native and hidden +sweetness as by that surface control which puzzled her demonstrative +Aunt Matilda, she surprised her cheeks burning and her blood beating +in her throat. + +With this physical agitation came an army of disagreeable and +disturbing thoughts. At first they were only recollections of +irritations past; the tiny maladjustments of her life; things by which +she owed vengeance of slight wrongs. They came together at length, +into one great, sore grievance--the forwardness, the utter, mortifying +impudence, of Mr. Chester. It was long before she admitted this as a +cause of irritation; once admitted, it overshadowed all her other +complaints against life. + +Timidly, she approached stage by stage that scene on the lawn, that +unaccountable moment in the kitchen. Again she saw his great shoulders +heave with unnecessary strength at the ridiculous cracker box; again +she caught the sense of confinement with a machine of crushing +strength and power. It seemed to her that her retina still danced with +the impression of him as he turned to face her, as he flashed upon her +like a drawn weapon. She found herself looking down at the dusty road; +suddenly she grew so sick and faint that the breath deserted her body +and she had to lean against the gate post for support. The touch of +it against her body revived her with a start, and brought to her mind +the extent and folly of her own imaginings. She pulled herself +together and dropped her parasol to shield her face from Maria, who +was hurrying over from the kitchen garden. + + * * * * * + +Life flowed in immediately. A hundred details of a household, of a +fruit farm in the picking season, awaited her attention. Her orchard +and the Tiffany orchard were conducted together on a kind of a loose +co-operative system devised by the Judge to give her the greatest +amount of freedom with just as much responsibility as would be good +for her. Foreseeing that Alice Sturtevant's daughter would never live +on a farm indefinitely, that marriage or her own kind would claim her +in the end, he arranged everything so that her oversight might pass on +short notice to Olsen or to himself. In this harvest season, for +example, he secured for both farms the cutters and pickers--the +hardest problem for the Californian farmer. Also, the fruit went to +his own sheds and yards for cutting and drying. He was among the +sturdy minority who stood out against the co-operative driers which +had absorbed most of the fruit crop in the Santa Clara Valley. The +detail work about her place--such as setting out the fruit boxes, +selecting the moment when apricots or pears were ripe for the picking, +seeing that the trees, her permanent investment, were not injured by +wagon or picker, keeping her own accounts in balance with those of +Judge Tiffany--these and a hundred other little things she did herself +and did them well. Especially was the up-keep of the orchard her +special care; and this she managed with such native mother-sense that +one learned in trees might have told just when he crossed the unfenced +line from the Gray orchard to the Tiffany orchard. + +To-night, Olsen was waiting to know whether she thought that the ten +rows of Moor Parks were ready for picking; he had just finished the +first crop of the Judge's Royals and a small gang would be without +pressing work on Monday morning. So they walked over the orchard +together, pressing a golden ball here and there, and decided that the +fruit was ripe and ready. Eleanor summoned Antonio for directions +about boxes and ladders. The hen-house had to be inspected, for +Eleanor was fumigating against the pip, brought into the Santa Lucia +by an importation of fancy Eastern chickens. To-morrow's menu of the +housekeeper was to be looked after. The things kept her busy until her +solitary Sunday evening supper. + +Eleanor had dined alone so much that she had quite recovered from any +self-pity on that score. Like the daughter of convent manners that she +was, she kept up her self-respect by a little ceremony at this meal. +She dressed for it usually; at least she put on fresh ribbons and +flowers, gave a touch here and there to the table, held Maria to the +refinements of service. + +However, as she opened her napkin that evening the rush and emotional +strain of the day brought a certain flash of introspection. It came +first when she lifted her eyes and caught sight of herself in the +mirror--dewy eyed, fresh, a pink rose in her hair, a pink ribbon at +her throat. What was she, so young, so feminine, doing there, supping +alone in state? She remembered the invitation of Lars Wark in Munich; +he and his wife, living the life artistic away over there, had sent to +ask her that she visit them and share their winter in the studio or +their summer on the coast of Brittany. Why, in the face of that +alluring invitation, did she suffer her soul to keep her in such +prisons as this? She could afford it; there was no question of money. +According to the books she had read, that solitary state belonged to +old, disappointed bachelors, old maids, faded people generally. Here +she sat, a picture unseen, playing at age--and she less than +twenty-two. There was a kind of delicate incongruity about it all. And +watching her own grey eyes, as they faced her in the mirror, she half +comprehended why she continued to live so, even after her father died +and took away the reason for her old solitude. She had been under the +hypnotic suggestion of an event, an impression. That moment on +Montgomery street, when she found her father lying drunk, when tragedy +and responsibility came together--that moment had stretched itself out +to six years. She had lived by it; was living by it now. + +In some unaccountable fashion, that picture would intertwine itself +with the impression, so new and vivid, which she had received that +afternoon. Momentarily, both united to produce one emotion--profound +disgust and dislike for the coarseness, the brutality, of male +humanity, which had laid her father out on the pavement for the sport +of a mob, which had made this perturbing young man trample on all +considerations and delicacies. + +"You need not mind about dessert, Maria," she called out suddenly. She +rose, hurried out of doors, tore into the inspection of fruit crates +for to-morrow's picking. + +Night, falling with little twilight, as always in those climes, found +her still ranging the house and barnyard, the rose incongruously in +her hair, the ribbon at her throat. When it was too dark to find +employment out of doors, she hurried back to the house, tried to read. +But a sense of confinement drove her forth. She started out toward the +road, stopped by the hedge gate, sat down finally on a bench under her +grape arbor. The leaves and the bunches of swelling fruit hid her from +sight of the highway, overshadowed at that point by a great bay tree. + +A confusion of voices, masculine and feminine, sounded in the +distance. She caught a shrill, rowdy laugh. "The cutting-women and +their men," she thought dimly. That social phenomenon of the picking +season, grown accustomed by six years of passing summers and winters, +drew no special attention from her. But the noise continued; it became +plain that these reveling laborers were making in her direction. +Doubtless, they came from the women's camp at Judge Tiffany's. The +night was bringing her peace and sleep of the soul after a disturbing +day; alone, that raucous noise marred the calm. + +She peered idly through the leaves. A half a dozen women, their white +dresses making them visible in the dusk, a few men whose forms loomed +indistinctly against the edge of the sky, noised past her and were +gone down the road. One couple, she perceived, lingered behind. They +had reached the shade of the bay tree, were so close that she might +have reached out and touched them, before she realized the situation. +She was about to call out, to cough, when the man spoke. + +"No, I won't hurt you," he said, "I'm as gentle a little kisser as you +ever saw." The voice was that of Bert Chester. + +"Aw, you're too fresh," came the voice of the girl. But as they drew +into deeper shadow, she was not pulling away from him. + +"Fresh as a daisy!" said the voice of Bertram Chester. Followed a +struggle, a faint "stop, stop!" in the voice of the girl, the sound of +gross and heavy kissing. In a moment, the white form of the girl broke +down the road, the greater, darker form of the man lumbering after. He +caught her, held her for a longer time and a lesser struggle. She came +out of this one laughing, and down the road they went, his arm a black +shadow about her waist. + +Eleanor's deeper and higher self--the self that lay like a filmy, +impalpable wrapper about her conscious mind, so that at times she +appeared to herself as two persons--that consciousness stood aloof in +expectation of disgust, revulsion, horror. It came as a confused +surprise that she felt nothing of the kind. A cloying sweetness, a +sensation purely physical, as though a syrup had been poured into all +the channels of her nerves, began in her throat, rushed through body +and limbs. The sweet tide surged backward, beat in a wave of faintness +upon her heart. Shame, like air into a vacuum, followed with a rush. +She sank to the ground, clinging to the bench. + +When she had so far mastered herself that she could feel her own +senses, she was praying aloud--praying in the rite which held her +emotions while it failed with her reason. + +"Ave Maria Sanctissima!" she was saying over and over again. + + + + +CHAPTER V + + +"Match you to see whether it's good, old fifteen cent feed at the +Marseillaise or a four bit bust at the Nevada," said Bertram Chester. + +"I'll take you," responded Mark Heath, flipping a silver dollar as he +spoke. "Heads the Nevada; tails the croutons and Dago red." + +"Tails it is--aw, let's make it the Nevada to show there's nothing in +luck." + +"You quitter!" + +"All right; but I hate to look cabbage soup in the face," grumbled +Bertram. He resumed, then, his languid occupation which this parley +had interrupted, and continued to review, from an angle of Moe's cigar +stand, the passing matinee parade. + +The time was late afternoon of a fog-scented October day. Through the +wet air, street lamps and electric signs had begun to twinkle. Under +the cross-light of retreating day and incandescent globes, the parade +of women, all in bright-colored silks and gauds, moved solid, +unbroken. Opera bags marked off those who had really attended the +matinees; but only one in five wore this badge of sincerity. The rest +had dressed and painted and gone abroad to display themselves just +because it was the fashion in their circles so to dress and paint and +display. Women of Greek perfection in body and feature, free-stepping +Western women who met the gaze of men directly and fearlessly, their +costumes ran through all the exaggerations of Parisian mode and tint. +Toilettes whose brilliancy would cause heads to turn and necks to +crane on the streets of an Eastern city, drew here no tribute of +comment. It had gone on all the afternoon. From the Columbia Theatre +corner, which formed one boundary of "the line," to the Sutler Street +corner of Kearney, five blocks away, certain of these peacocks had +been strutting back and forth since two o'clock. The men who +corresponded in the social organization to these paraders of vanity +lined the sidewalks or lolled in the open-air cigar stands, as did +these two young adventurers in life--Bertram Chester, now a year and a +half out of college, and Mark Heath, cub reporter on the _Herald_. + +When the homefarers from office and factory had begun to tarnish the +brilliance of this show, when the women had begun to scatter--this one +to dinner with her man, that one back to the hall-room supper by whose +economies she saved for her Saturday afternoon vanities--Bertram and +Mark drifted with the current up Kearney street toward the Hotel +Marseillaise. In their blood, a little whipped already by the two +cocktails which they had felt able to afford even while they debated +over the price of dinner, ran all the sparkling currents of youth. +They drew on past Sutler Street to Adventurer's Lane, the dingy +section of that street wherein walked the treasure-farers of all the +seven seas; and as they walked, Bertram began to speak of the things +which lay close to his heart. + +"I guess I'll chuck the law," he said. "Maybe I'll stay with Judge +Tiffany a year or so longer--until I get admitted anyway. A bar +admission might count if I wanted to go into politics." + +"Politics is a pretty poor kind of business," responded Mark Heath. +Old enough in journalism to have recovered somewhat from his first +enchantment with the rush of life, he was only just beginning to +acquire the cynical pose. + +"Hell, it's all according to how you play it," said Bertram. "When you +get to be Lincoln, nobody calls it poor business. Do they think any +the worse of my old man because he played politics to be sheriff of +Tulare? If I should go into the game down there, his pull would help +me a lot. But it's me for this." His sweeping gesture took in the +whole city. + +He had missed Mark's point. The latter felt within him a little recoil +from that loyalty for his greater, more ready, more popular friend, +which had carried him, a blind slave, through college, and which had +helped him make him settle in San Francisco instead of Tacoma. Through +his four years at the University, Mark had shared his crusts with +Bertram Chester, yelled for him from the bleachers, played his fag at +class elections. Now Mark was out in the world, practising the +profession of lost illusions; and a new vision had been growing within +him for many days. He turned a grave face toward his chum, and his +lips opened on the impulse of a criticism. But he thought better of +it. His mouth closed without sound. + +"The real chances for a lawyer, though, are in business," Bertram +went on. "Judge Tiffany never grabbed half his chances. Attwood in the +office, says so." + +"He surely didn't keep out of politics, that Judge," said Mark, +remembering the turns of fate which had almost--and ever not +quite--made the old Judge a congressman, a mayor, and a Justice of the +California State Supreme Court. + +"Oh, he had no call to be in politics. He hasn't the sand. Attwood +says so. And he stuck at his desk and let his business chances go by. +Myself, I'm keeping my lamps open. Just because the Judge doesn't +watch his chances, that office is a great place to pick things up. +Look at those tidewater cases of ours over in Richmond. I know, from +the inside, that we're going to lose our case, and lots will go +whooping up. I've written to Bob for a thousand dollars to invest. +I'll double that in a year and have my first thousand ahead. Say, why +don't you try something in business instead of sticking to newspapers? +Let's go in together. Reporting is a rotten kind of business." + +"Oh, I don't know, I like it. I think I'll stay with it for a while." +Again Mark had put back the thought of his heart. Like so many of the +loyal and devoted, he could hardly bring himself to speak of his own +deeper motives and ambitions. Least of all could he reveal them in +this moment of disillusion. He had never told Bertram about the +four-act comedy hidden in the writing desk of their common room, to be +mulled over during the mornings of his leisure. "I think I'll stay +with it for a while, anyway," he added simply. + +They had turned out of Kearney Street and were mounting the hill-rise +toward the Hotel Marseillaise. These fringes and environments of +Chinatown had been residences for the newly affluent in the days when +the Poodle Dog flourished and flaunted in the hull of a wreck, in the +days when that Chinatown site was Rialto and Market-place for the +overgrown mining camp. The wall moss which blew in with the trade +winds, and the semi-tropic growth of old ivies and rose-bushes, had +given to these houses the seasoning of two centuries. Unpretentious +hovels beside the structures of stone turrets and mill-work fronts by +which later millionaires shamed California Street and Van Ness Avenue, +they had the simple dignity of a mission, a colonial farm-house, or +any other structure wherein love of craft has supplanted scanty +materials. Innumerable additions of sheds and boxes, the increment of +their fallen social condition, broke their severe lines. A massive +door, a carriage entrance, the remains of a balcony faced to catch +wind and air of the great bay, recalled what they had been; as though +a washerwoman should wear on her tattered waist some jewel of a wealth +long past. + +The Hotel Marseillaise occupied one of these houses. Where it stood, +the hill rose steep. One might enter a narrow alley, skirt a board +fence, dodge into a box hall, seasoned with dinners long past, and +mount by a steep staircase to the dining room; or he might enter that +dining room directly from the street, such was the slope of the hill. +A row of benches parked the front door. On the fine, out-of-doors +evenings which came too seldom in the City of Fogs, French waiters out +of work, French deserters from merchantmen in the harbor below, French +cabmen waiting for night and fares, lolled on these benches while they +smoked their black cigarettes and chattered in their heavy, peasant +accent. + +Within, Madame Loisel ruled with her cash register at the cigar +counter. She, bursting with sweet inner fatness like a California +nectarine, kept in her middle age the everlasting charm and chic of +the Frenchwoman. This Madame Loisel was a dual personality. She of the +grave mouth, the considering eye, the business manner, who rung up +dinner fees on the cash register and bargained with the Chinamen for +vegetables at the back door, seemed hardly even sister to the Madame +Loisel of Saturday afternoon on "the line" or Sunday morning at the +French Church. By what process man may not imagine, this second Madame +Loisel took six inches from her girth, fifty pounds from her weight, +fifteen years from her age. Her step was like a dancer's; her figure +was no more than comfortably plump; her Sunday complexion brought the +best out of her alluring eyes and her black, ungrizzled hair; her +hands, in their perfect gloves, bore no resemblance to the hands which +had scraped pots for Louis Loisel in the time before he could flaunt +the luxury of a cashier. + +In Madame Loisel's background lay the ramblings of a house built for +comfort and large hospitalities. Gone were the folding doors, bare +the niches, empty the window-seats. The old drawing-rooms, music-room, +dining-room, had become one apartment of a sanded floor and many long +tables. Through this background of his wife moved Louis Loisel, +grizzled, fat and gay; never too busy at his serving to exchange +flamboyant banter with a patron. + +Hither the peasant French of San Francisco, menials most of them, came +for luncheons and dinners of thick, heavy vegetable soup, coarse fish, +boiled joint, third-class fruit and home-made claret, vinted by Louis +himself in a hand press during those September days when the Latin +quarter ran purple--and all for fifteen cents! Thither, too, came +young apprentices of the professions, working at wages to shame a +laborer, who had learned how much more one got for his money at +Louis's than at the white-tiled American places further down town. It +stood for ten years, this Hotel Marseillaise, the hope of the +impecunious. How many careers did it preserve, how many old failures +from the wreckage of Kearney Street did it console! + +Madame Loisel stood at her cash register as the two young men entered. +A fresh waist, a ribbon at her throat, a slimness of her waist and an +artificial freshness in her complexion showed that she had been +parading that afternoon. + +"Bonsoir Madame--la la la-la-la!" called Bertram. + +Her face blossomed with coquetry, her teeth gleamed, and: + +"Bonsoir--diable!" she smiled back at him. Mark Heath had greeted her +more soberly. Her eyes followed Chester's big, square frame as he +moved with lumbering grace to a corner table. + +There he sat at the beginning of his career, such as it was, this +Bertram Chester--a completed piece of work, fresh, unused, from the +mills of the gods. His strong frame was beginning to fill out, what +with the abandonment of training for a year. He was a pretty figure of +a man in his clothes; and those clothes were so woven and cut as to be +in contrast with his surroundings. A tailor of San Francisco, building +toward fashionable patronage, had made him suits free during his last +year in college. Varsity man and public character about the campus, +Chester paid him back in advertising of mouth. Guided by that +instinct of vanity and personal display which runs in those who have +to do with the cattle range, he had learned to dress well before he +was really sure-mouthed in English grammar. + +His face, still, as when we first saw him, a little over-heavy, had +lightened with the growth of spirit within him. This increase of +spirit and expression manifested itself in his rolling and merry eye, +which travelled over all humanity in his path with an air of +possession, in the mobility of his rather thick-lipped mouth. For the +rest, the face was all solidity and strength. His neck rose big and +straight from his collar, a sign of the power which infused the figure +below; his square chin, in repose, set itself at a most aggressive +angle; his nose was low-bridged and straight and solid. From any +company which he frequented, an attraction deeper than his obviously +regular and animal beauty brought him notice and attention. + +The son of Louis, a small, cheerful imitation of his father, slammed a +bowl of cabbage soup down before them. Bertram, sighing his young, +ravenous satisfaction, sank the ladle deep and stopped, his hand +poised, his eyes fixed. Mark followed the direction of his glance. +Louis Loisel, wearing his best air of formal politeness, was bowing a +party of women to a table by the door. + +"Slummers!" said Mark under his breath. A habitué of the place, he +had already developed a resentment of outsiders. + +Louis pulled out chairs, wiped the table mightily; the French cabmen, +the Barbary Coast flotsam and jetsam, gazed over their soup-spoons in +silent, furtive interest. + +"It's her!" said Bertram, lapsing into his native speech. Heath +flashed a glance of recognition at the same moment. + +"Miss Gray--sure--Mrs. Tiffany's niece. I thought she was in +Europe--didn't she start a week or two after we left the ranch?" + +"Oh, I knew she was coming back. Mrs. Tiffany told me. The Mrs. Boss +isn't so sweet on me as she used to be, but I see her in the office +now and then." + +Bertram resumed his ladling. Both watched furtively. It was a balanced +party--three men and three women. Among the men, Mark Heath recognized +him of the pointed beard as Masters, the landscape painter. The +little, brown woman who sat with her back to them must be his wife. +The other girl, a golden, full-blown Californian thing--her, too, they +marked and noted with their eyes. + +Recognition of a sort had come meanwhile from the party at the guest +table. Miss Waddington, the full-blown golden girl, had seated herself +and cooed an appreciative word or two about the quaintness and +difference of the Marseillaise, when her eyes clutched at the two +young men in the corner, whose dress made them stand out so queerly +among the lost and soiled. As Bertram looked up with his glance of +recognition, her eyes caught his. She glanced down at her plate. + +"Eleanor," she said, "is that a flirtation starting, or do any of us +know the two men in the corner--there under that beer sign." + +Eleanor looked. Kate Waddington, her indirect gaze still on that +corner table, saw the dark young man smile and bow effusively. She +slipped a sidling glance at Eleanor Gray. Something curious, an intent +look which seemed drawn to conceal a tumult within, had filmed itself +over Eleanor's grey eyes. But she spoke steadily. + +"Why, yes. I have met them both. They used to do summer work on the +ranch when they were in college. I believe that the darker one--Mr. +Chester--is in Uncle Edward's law office now. I haven't seen either of +them since I went abroad." + +"I should say that this Mr. Chester fancied you, from his +expression." + +"I suppose that he fancies every girl that he sees--from his +expression." + +Kate Waddington caught the shade of irritation, uncommon with Eleanor, +and noted it in memory. Mrs. Masters, an eager little woman who +grasped at everything about her like a child, broke in: + +"If you know them, and they're really frequenters of the place, it +would be fun to ask them over. Sydney used to dine here a great deal +when he was young and poor, and he has _such_ stories of the people he +used to know then!" + +Eleanor hesitated. Kate looked again toward Bertram, who was talking +rapidly across his soup to Mark Heath, and: + +"Do!" she murmured. + +In that instant, Bertram himself cast the die. This had been the +debate across the soup: + +"I'm going over to speak to her," said Bertram. + +"I shouldn't butt in," said Mark. "It's a balanced party." + +"Oh, I shan't try to stay--coming along?" He did not wait to see +whether or not Mark was following. + +Miss Gray greeted him more cordially, altogether more sweetly, than +she had ever done in their meetings on the ranch, and passed him about +the circle for introductions. Noticing, then, that Mark had not +followed, Bertram turned and beckoned with impatience. Mark crossed +the room in some embarrassment. + +"Is this your first visit to the Hotel Marseillaise?" asked Mrs. +Masters. Mark hesitated; but Bertram laughed and beamed down on her +from his brown eyes. + +"Only about my two hundred and first," he said. "Mr. Heath and I dine +here every night we haven't the price to dine anywhere else." + +Masters, with that ready tact which he needed in order to live with +Mrs. Masters, rushed into the breach. + +"And I should call it about my four hundred and first," he said. "It's +back to the old scenes for the night. I haven't tasted real cabbage +soup since the last time--it has been a canned imitation. For +goodness' sake join us and tell us the news!" + +"Do!" said Miss Waddington with animation, and "Please," said those +two escorts who do not figure in this story. Eleanor said nothing, but +her expression was an invitation. + +"Sure!" responded Bertram. + +The Hotel Marseillaise had familiar customs of its own. For one thing, +guests bothered the waiters as little as possible. Masters smiled when +the two unconscious youths went back to their table, picked up the big +soup tureen, their knives and forks, their plates, and transported +them to the larger table. + +They were dragging the lees of a rather squalid Bohemia, these two +boys; a Bohemia the more real because they were unconscious in it. Its +components were a cheap furnished room, restaurants like this, +adventurous companionship in the underworld which thrust itself to the +surface here and there in that master-port of the Saxon advance. Not +for months had either of them been in the society of such women as +these--women who preferred cleanliness to display, women who were +nice about their nails and hair. A kind of pleasant shyness crept over +Mark Heath; the spirit came into the face of Bertram Chester. Masters, +tactician that he was, put the conversation into their hands. +Presently, they were telling freely about the fare at Coffee John's, +about their familiars and companions in the little Eddy-Street lodging +house, about the drifters of the Latin quarter. They quite eclipsed +the pale youth who was playing escort to Eleanor, and the substantial +person in the insurance business who seemed to be responsible for Kate +Waddington. Heath, speaking with a little diffidence and lack of +assurance, had twice the wit, twice the eye for things, twice the +illumination of Bertram Chester; yet it was the latter who brought +laughter and attention. His personality, which surrounded him like an +aroma, his smile, his trick of the eyes--one listened to Bertram +Chester. + + * * * * * + +When the son of Louis brought in the little sweet oranges and arranged +the goblets for black coffee, talk shifted from monologue to dialogue. +Eleanor found herself talking to Bertram. A kind of pride had been +rising in her all the evening; a pride born in recoil from her latest +recollection of him. The episode of that night under the bay tree had +gone with her clear across the Atlantic. Even the influence of the +wholly new environment, in which she had grown from a girl recluse to +a woman, had not served for a long time to erase that ugly stain on +her memory. Here and now was the man who served so to perturb her +once--and she could look on him, with her more mature eyes, as an +attractive, unlicked young cub. She surprised herself taking revenge +upon the past by a hidden patronage. At once, then, she fell to +talking of Europe and the splendors she had lived there. + +"This reminds me of the places one slips into abroad," she said, "Mr. +and Mrs. Wark--Lars Wark you know--took me to just such an old ruin in +Paris. We dined for thirty centimes, I remember, but it was no better +than this. I've had to go away to know my native city. That is the +thing which strikes you when you come back--San Francisco is so like +the Latin cities of Europe, and yet so unlike!" + +Kate leaned across her insurance man. + +"The Society for the Narration of European Travel is in session, Mr. +Chester," she said. "I know the joy that Eleanor is having. It was the +passion of my life after I first got back from abroad." + +"Oh, I eat it alive," said Bertram. "I'm strong for seeing Paris." He +turned back to Eleanor; and her double embarrassment drove her on. + +"Such a good time as I had with the Warks--their studio in Munich, +where I met all the German long-haired artists--a run to Paris in the +season--the dearest little village on the Coast of Brittany last +summer--and three weeks in incomparable London at the end. I haven't +thought of the ranch for a year and a half--Uncle Edward pays me the +compliment of saying that my profits fell off twenty per cent. under +Olsen's management--oh, isn't she a dear!" + +For Madame Loisel, wearing a beaming and affable manner, had come +through the door and approached their table. Madame made it a point of +business honor to promote personal relations with her regular guests, +asking Jean how he liked the fish, assuring Jacques that the soup +would be better to-morrow. This visit of hers to the slumming party +came after a storm in the kitchen, whose French thunders had reached +the dining room now and then. Louis, the conservative, hated slummers +and dreaded being "discovered." He ran a restaurant as a social +institution as well as a business venture. Madame Loisel, with her eye +on the cash register, longed ardently for slummers who would give +large tips to Louis the younger, order expensive wines, and put the +Marseillaise on the way to a twenty-five cent table d'hote dinner. +From that kitchen squabble, recurrent whenever slummers visited them, +Madame Loisel swept in haughty determination, leaving Louis to take it +out on the pots. As she approached the table, all the charm of France +illuminated her smile. + +She invariably paid slummers the compliment of addressing them in +French. + +"_Bonsoir--le souper, plait-il vous_?" she asked. + +Eleanor took her up in fluent French, and the talk sparkled back and +forth between them--reminiscences of this or that restaurant on the +boulevards which Madame Loisel had known in her youth and which +Eleanor had visited. Bertram, his mouth open, followed that talk as +though summoning all his Sophomore French to match a word here and +there. Kate Waddington, leaning again across her insurance man, was +the first to break in. + +"I myself used to be keen on French when I came back from Europe, but +I'm out of practice. Please excuse me, Madame, if I speak English. How +can you do it at this price?" + +"It is kind of you to say so, Mademoiselle--economy and honesty." + +Masters patted Mark Heath on the knee. + +"We can't let you fellows go away from us now. One doesn't get guides +to the Latin quarter for nothing. Take us somewhere, Mr. Heath--unless +you're working to-night." + +"No, virtue has been rewarded," said Mr. Heath. "I'm off to-night as a +testimonial of esteem from the City Editor. What shall it be?" + +Bertram Chester, taking up the talk again, laid out Kearney Street +like a bill of fare. Mrs. Masters, casting her vote as chaperone, +chose the Marionette Theatre tucked away under the shadow of the +Broadway Jail. + +As Eleanor stepped out into California Street, gathering her coat +about her against a night which had come up windy and raw, Bertram +took her side with a proprietary air. She turned toward her appointed +escort. It happened that he was walking ahead with Heath just then, +holding an argument about the drift of Montgomery Street when it was +the water front. For several blocks, then, Bertram had her alone. It +seemed to her that he began just where he left off two years or more +ago. + +"You're even prettier than you used to be," he said caressingly; +"you've bully eyes. I think I told you that before." + +This time, she looked him full in the face and smiled easily. + +"Have I? Well I hope you don't mind my saying that they're resting on +a bonny sight!" + +Somewhat taken aback by the directness of this answer, so different +from the artificial coyness of the girls he knew best in that period +of his life, Bertram turned in his course. + +"You're joshing me," he said. + +"Truly I'm not. You are good to look at--eyes and all." + +Although balked of his opening, Bertram tried again. + +"Well your mouth is just as good as your eyes." + +The same quick look into his face, and the same smile, as she +answered: + +"Yours is a little better if anything. It is not only well formed, but +it becomes delicious when you smile, and it has most attractive +shadows in the corners." + +"Suppose we talk sense," grumbled Bertram. + +"Suppose we do; I know you can." They both laughed at this, and all +the way up Kearney Street she continued her chatter of Europe. Lars +Wark, who had known her mother, had done everything for her. It had +been very different from the regular tour; she came back ignorant of +all the show places from Cologne Cathedral to the Tower. But it had +been her privilege to see and meet wonderful people. They would not do +for regular companionship, such people. They struck one, in the end, +as goblins and trolls; but it had been an experience of a +lifetime--while it lasted. The Warks had taken her to places which the +tourist never sees--lost villages in the Black Forest, undiscovered +corners of London, even. + +After a little of this, she drew him on to speak of himself. She had +heard news of him, she said, from her uncle, who said that he was +doing well and gave promise of a future in the law. How long had he +remained on the ranch that summer? This reference put him back into +his presumptive mood. + +"You went away without giving me a chance to say good-bye," he +complained. "I never saw you again after the party on the lawn." + +Her tongue ran away with her. + +"I saw you, though," she said. + +"Where?" + +"Oh, at a distance." He caught nothing from her tone, yet a slight +change did come into her manner, as though something had been drawn +between them. Then her escort fell in on the other side of Eleanor, +appropriating her by right and by consent of her attitude. + +Now they were in Broadway, skirting the small bake-shops, the dark +alleys, all the picture scenes of the Latin quarter. At that very +moment, Miss Waddington drew a little apart from the group clustering +about Masters and Mark Heath. An Italian baby of three, too late out +of bed, stood by a cellar rail surveying them with the liquid fire +which was his eyes. Kate Waddington stooped to pat his head. As she +raised herself, she was beside Bertram. Nothing more natural than that +she should fall in, step by step, beside him. He caught step with her, +but he still looked toward Eleanor. + +"Wonderful girl, isn't she?" asked Kate. + +"She sure is." + +"Her mother," said Kate, "had more wit than any other woman in San +Francisco--and the men she had!" + +"I think Eleanor has inherited _that_ at any rate," she added after a +pause. + +They had reached the door of the Marionette Theatre now. Afterward +they drank beer at Norman's; and when they broke up, Bertram Chester +found himself with three invitations to call. + + * * * * * + +Kate Waddington spent that night with Eleanor Gray in the Tiffany +House on Russian Hill. While they sat before the fireplace, in the +half-hour of loosened hair and confidences, Eleanor broke a minute of +silence with the inquiry: + +"What did you think of him?" An instant after she let slip this +impersonal inquiry, she would have given gold to recall it. And if she +had any hope that Kate Waddington had missed the point, it died in her +when Kate answered in an indifferent tone: + +"He? Oh, he seems to me to be a little promiscuous." + + + + +CHAPTER VI + + +The Tiffany house--I spare you full description--rambled with many a +balcony and addition over that hill which rose like a citadel above +San Francisco. From its Southern windows, one looked clean over the +city, lying outspread below. Even the Call building, highest eminence +piled up by man in that vista, presented its roof to the eye. I can +picture that site no better than by this; Over Judge Tiffany's front +wall hung an apple tree, gnarled, convoluted, by the buffets of the +sea wind. In autumn, when the fruit was ripe, stray apples from this +tree had been seen to tumble from the wall and roll four blocks down +into the Latin quarter. + +From the rear, the house looked out on a hedged and sloping garden, +quite old, as gardens go in that land, for a pioneer planted it; and +from the rear gate of that garden it was only a step to the hill +mount. Thence one came out suddenly to the panorama of the Bay, +stretching on three sides; a panorama divided, as by the false panels +of a mural landscape, into three equal marvels. To left, the narrow +gate, a surge like the rush of a river always in its teeth and the +bright ocean, colored like smelt-scales, beyond. In front the Roads, +where all strange crafts from the mysterious Pacific anchored while +they waited their turns at the docks. Both in foreground and +background, this panel changed day by day. It might be whalers from +the Arctic which lay there in the morning, their oils making noisome +the breeze; it might be a fleet of beaten, battered tramp +wind-jammers, panting after their fight about the Horn; it might be +brigs from the South Seas; it might be Pacific steamers, Benicia +scow-schooners, Italian fishing smacks, Chinese junks--it might be any +and all of these together. As for the background, that changed not +every day but every hour what with the shifts of wind, tide and mists. +Now its tinge was a green-gold betraying pollution of those mountain +placers which fed the San Joaquin and the mighty Sacramento. Now it +was blue and ruffled, now black and calm, now slate-gray,--a +mysterious shade this last, so that when the fog began to shoot +lances across the waters, these fleets at anchor by Quarantine wharf +seemed argosies of fairy adventure. Even Tamalpais, the gentle +mountain which rose beyond everything, changed ever with the change in +her veil of mist or fog or rain-rift. The third panel, lying far to +the right, showed first dim mountain ranges and the mouths of mighty +rivers, and then, nearer by, masts, stacks and shipping, fringing the +city roofs. + +North into this garden ran a small wing of the Tiffany house. Upon the +death of Alice Gray, Mattie Tiffany had set it apart for Eleanor the +baby. When, after her years with Billy Gray, Eleanor came back, Mattie +had refurnished it for the grown baby. The upper story held her +bedroom and her closets. Below was her own particular living-room. +This opened by a vine-bordered door into the garden, into that path +which led up to the bay view. + + * * * * * + +Judge Tiffany, sitting within the front window to watch the shimmer of +a pleasant Sunday afternoon on the city roofs below, perceived that +his wife had walked three times to that garden wall which looked down +along the drop of Broadway to the Spanish Church. + +The second time that he perceived this phenomenon, his eyes showed +interest; the third he smiled with inner satisfaction and rose to meet +her return as though by accident. He was leaning upon a cane, getting +ease of the sciatica which plagued him. + +The Judge had aged during the two years since he opened these events. +He had settled now into the worldly state of a man who rests content +with the warming sun and the bright air which feed life. But the inner +soul, whose depth was his philosophy, whose surface his whimsical +humor--that still burned in his dark blue eyes. Those eyes glistened a +little as he went on to this, his daily sport. + +He met her on the piazza. She had raked the rise of Broadway, which +one mounted by two blocks of hen-coop sidewalks; and now she was +inspecting the cross street. + +"All the Sherlock Holmes in me," said Judge Tiffany, "tells me that +Miss Eleanor Gray is going to have a caller, and that Mrs. Edward C. +Tiffany is in a state of vicarious perturbation. + +"Further," continued Judge Tiffany, dropping his hand upon her arm +with that affectionate gesture which drew all sting his words might +have carried, "this is no common caller. For that young civil engineer +and Mr. Perham the painter and Ned Greene, Mrs. Tiffany never blushes; +but these new attentions to her niece--well, I hope my approach drew +as much blood from her heart to her countenance twenty-five years +ago!" + +"I--I _am_ perturbed," said Mattie Tiffany. Running rose-bushes, just +leafing out into their fall greenery, overgrew the pillars beside her. +These she fell to pruning with her hands, so that she turned away her +face. + +"I see that discipline is relaxing in this family," said Judge +Tiffany. "Dear, dear, after managing a wife bravely and well for a +quarter century, to fail in one's age! Mattie, he works in my office, +this blush-compelling caller; and I told you when I gave him the +position not to take him up socially for the present!" + +"But what was I to do when he telephoned to Eleanor and asked her?" +Mrs. Tiffany turned her head with a turn of her thought. "Did you hear +him telephone--was that how you knew?" + +"I'd lose all hold on discipline if I revealed my methods." + +Judge Tiffany settled himself in an armchair as one prepared to make +it a long session. "Let's begin at the start. How came he to renew his +acquaintance with Eleanor, and when, and where--and how much had +Mattie Tiffany to do with bringing them together again?" + +"Not a thing--truly Edward! Some of Eleanor's slumming with Kate +Waddington and the Masters--they met by accident at a restaurant--Eleanor +asked him. You remember he was taken with her that afternoon just +before she went to Europe--the time he mortified me so dreadfully." + +"And the time he attracted my attention," said Judge Tiffany. "And now +behold that youth, who will always get what he wants by frontal +attack, reading my California cases and wearing out my desk with his +feet." + +"Do you think he will make a good lawyer?" asked Mattie Tiffany. She +turned full around at this, and the glance she threw into her +husband's face showed more than a casual matchmaker's interest. + +"He'll make a good something," said the Judge. "So far as anyone can +judge the race from the start. But that isn't why I have him in the +office. You know how little I care in these days for such practice as +I have left. I tell myself, of course, that it is my lingering +interest in life as a general proposition which made me do it--I am +curious to see before I die how this find of yours is coming out. That +is what I tell myself. Probably in my very inside heart I know that +it's something else." + +"What else?" asked Mattie. + +"This is one of the hidden things which this experiment is to +discover," said Judge Tiffany. "What made me notice him in the first +place? What made you invite him to tea on the lawn? What has made you +and me and Eleanor remember this chance meeting so long--let me +see--how long was it?" + +"A year ago last June," said Mattie. One of her functions in their +partnership was to hold small details always ready to the hand of the +wide-thinking Judge. + +"Will he go back on me--that's the question," pursued the Judge. +"Success is probably at the end for him, but he has two ways of +success open. He may go slowly and well, or fast and ill. Road number +one: he stays with my moth-eaten old practice, he refurbishes it, he +earns a partnership; and so to conservative clients and, probably, to +genuine success." He hesitated. + +"And the other road?" asked Mrs. Tiffany. + +"Oh, that has many by-paths. He is trying one of them already. The +stealthy, invaluable Attwood has told me about it. This Mr. Chester +has made an investment in Richmond lots on information which he had no +right to use. Never mind the details. If he follows that general +direction, it will be a flashy success, a pretty worm-eaten crown of +laurels." + +"Like Northrup's," broke in Mrs. Tiffany. That name always jarred on +their ears. Northrup, ex-congressman, flowery Western orator, all +Christian love on the surface, all guile beneath--he had taken to +himself that success which Judge Tiffany might have had but for his +hesitations of conscience. Theirs was a secret resentment. Judge +Tiffany's pride would never have let him show the world one glimmer of +what he felt. + +"Suppose he should follow that path--and take up with Northrup," went +on Judge Tiffany. "Mine honorable opponent has use for such young men +as our Mr. Chester will prove himself if he follows that +path--magnetic young men to coax the rabble, young men not too nice on +moral questions. Well, a boy isn't born with honor, any more than he's +born with courage; he grows to it. And God only knows just when the +boy strikes the divide which will turn his course one way or the +other." + +"But Edward, you ought to warn him!" + +"In the first place, it would do no good to warn one of his age and +temperament. In the second place, it would spoil the experiment--but I +had commanded you to talk, and here I am doing it all. How looked she; +what said he?" + +"To-day--just before church--I was hooking up Kate and Eleanor, and he +telephoned." + +"Instinct, of course, informing you that it was none other than he at +the other end of the wire?" On another tongue and in another fashion +of speech, this sentence might have been offensive; between them, it +was a part of his perpetual game with her amiable weaknesses. + +"If I did listen, it was no more than right. It was what a mother +would have done by Eleanor. I heard her say, 'Good morning Mr. +Chester,' not at all as though she were surprised to have him call up; +and I was really quite disturbed. You had told me not to invite him +here for the present; and I hadn't the slightest reason for knowing +that Eleanor had seen him since she came back from abroad. Her +speaking so familiarly--well, I wondered. But Kate--" + +"Oh, she was listening too?" + +"Well, I know that she hadn't the excuse for listening that I had; but +I had stopped hooking her up, and it was only natural that she should +listen too. Eleanor said, 'Certainly I shall be in,' and Kate said, +'That's the old friend we met with Mr. Masters last night in the Hotel +Marseillaise. He is prompt!' Rather sharp in Kate, considering what +Eleanor has been doing for her! + +"You'd have thought Eleanor had eaten the canary bird when she came +back. Of course, she knew we had been listening. I wish she hadn't. +I'd have liked to see whether she'd have told us then, or waited for +him to surprise us. Kate was sharp again. I wonder if she isn't +envious at bottom? After all Eleanor is so much more a lady! Kate said +again, 'The young man is prompt!'" + +Judge Tiffany laughed. + +"Oh, that women could dwell together in peace and harmony! Can't you +grant my playmate Miss Waddington a feminine jab or two?" + +"Well, she _is_ nice to you!" + +"Did it never occur to you as a virtue in her that she puts herself +out to entertain--even, Madame, I flatter myself to fancy--a withered +old codger like me!" + +Mrs. Tiffany's first expression flooded her eyes and said, "Is there +anything strange in liking you?" Her second expression set her mouth +hard and said, "What is her object?" Her voice said nothing. + +"And behold him now," said Judge Tiffany. + +There, indeed, came Bertram Chester, visible over their garden wall as +he toiled up the hen-coop sidewalk. The Judge returned to the house; +Mattie Tiffany settled herself on the piazza with the preen and +flutter of a female thing about to be wooed. + +The Tiffany drawing-room, panelled simply in woods, furnished with the +old Sturtevant mahogany, came upon Bertram Chester like a stage +setting as he entered with Mrs. Tiffany. Upstage, burned a driftwood +fire in a low hearth of rough bricks; Judge Tiffany sat there, in a +spindle-backed chair, reading. Across a space broken only by a +painting, a Japanese print or so, and more spindle-backed chairs, +Eleanor and Kate had grouped themselves by the piano. Eleanor, turning +the leaves on the music-rack, looked over her shoulder at him. She was +in pink that day; the tint of her gown, blending into the tint of her +fresh skin, contrasted magically with the subdued background. Kate, +all in white, sat on a hassock pulling a volume from the low book +shelf. All this came upon Bertram with a soothing sense which he did +not understand in that stage of his development, did not even +formulate. + +Kate, tripping across the rugs with a lightness which perfectly +balanced her weight, greeted him first; Eleanor and Judge Tiffany +shook hands with more reserve. And as Bertram settled himself in an +arm-chair before the fire, it was the ready Kate who put him at his +ease by opening fire of conversation. + +"Did I tell you, Mrs. Tiffany, about the restaurant which Mr. Chester +found for us last night? such an evening he gave us! Mr. Chester, who +is Madame Loisel--you should have seen her, Judge Tiffany--you'd never +dine at home again. When these young charms fade, I'm going to marry a +French restaurant-keeper and play hostess to the multitude and be just +plump and precious like her. How can you ever get past the counter +with her behind it, Mr. Chester?" + +"I'm generally hungry--that's how!" said Bertram Chester. + +"That's man for you!" responded Kate. "Judge beloved, if you were a +young man and Eleanor--I'm too modest to mention myself, you see--were +what she'll be at forty, and she were behind a counter, and you before +it, would hunger tear you away? Oh dear, it's such a bore to keep +one's grammar straight!" + +"I ask my wife's permission before giving the answer which is in my +heart," said Judge Tiffany. + +Eleanor broke into the laugh which followed. + +"But I would like to know about Madame Loisel." + +"Well, she's certainly a ripe pippin; you've seen that," answered +Bertram, his smile on Eleanor. "And I'd like to know what she's saying +when she parleys French to the garçons. She's all right if she's +feeling right, but I've seen her tear the place up when the service +went bad. I guess she's a square and a pretty good fellow!" + +"Tell us more about her--" this from Eleanor. + +"About her squareness? Well, there was the time Gentle Willie Purdy +got drunk. We call him Gentle Willie because he isn't, you know. About +three o'clock in the morning, he took the notion it was dinner time +and climbed the side gate to the Hotel Marseillaise and pounded at the +door. He faded out about then, he says. When he woke up, he was laid +out on a couch, with a towel on his head, and Madame was bringing him +black coffee. He tried to thank her after he felt better; and what do +you think she said? 'Meester Purdy, nevaire, nevaire come to eat in +thees place again.' She stayed with it too!" + +"Good for her!" said Mrs. Tiffany, reaching for her crewel work. + +"Oh, yes," responded Mr. Chester in the uncertain tone of one who +gives assent for politeness without knowing exactly why. + +"If I ever depart from the straight and narrow paths and get drunk, +may I have Madame Loisel to hold my head," cried Kate. + +The talk ran, then, into conventional channels--the news, the latest +novel, and the season's picking at the ranch. Judge Tiffany dropped +out gradually, and resumed his book; and more and more did Bertram +direct his talk, salted and seasoned with his magnetism, toward +Eleanor. Kate Waddington, left out of the conversation through three +or four exchanges, crossed the room and draped herself on a hassock at +the feet of Judge Tiffany. + +"Judge darling," she said in an aside which penetrated to the furthest +corner of the room, "I'm going back to my unsympathetic home before +tea. Don't you think we're well enough chaperoned to go on with our +flirtation just where we left off?" + +"Where was I when we were interrupted?" asked Judge Tiffany, leaning +forward. + +"Twenty-fourth page, fifth chapter," said Kate. "I was just getting +you jealous and you were trying not to show it. Mr. Chester--oh excuse +me--well, I've broken in now, so I might as well get the reward of my +impoliteness--may I use you to make Judge Tiffany jealous?" + +"Sure you can!" answered Bertram. + +"Oh, he won't do at all!" Kate was addressing Judge Tiffany again. +"He's entirely too eager. Who would be a good rival anyway, Judge +adored? Let's create one, like the picture of your future husband in a +nickel vaudeville!" + +"Eleanor," spoke Mrs. Tiffany, "suppose you show Mr. Chester your end +of the house and our garden--or would you like it, Mr. Chester? We're +rather proud of the garden." + +"I'd like it," answered Bertram; and he rose instantly. Mrs. Tiffany +made no move to accompany them; she sat bent over her yarns, her ears +open. And she noticed, at the moment when Bertram made that abrupt +movement from his chair, how Kate hesitated in the middle of a +sentence, as though confused. + +The rehearsed flirtation between Kate and Judge Tiffany faded into a +game of jackstones on the floor. + +Mrs. Tiffany heard the double footsteps fade down the hall, heard the +garden door open and close. After a short interval, she heard the door +again, and the dim footsteps sounded for but a moment. They had +turned, evidently, into Eleanor's own living room. Would they stop +there, these two, for a talk--yes, her gentle treble, his booming +bass, drifted down the hall. Presently Mrs. Tiffany heard Eleanor's +laugh, followed by his. In that instant, she looked at the jackstone +players by the hearth. Kate, on the crackle of that laugh, had +arrested all motion. A jack which she had tossed in the air, descended +with no hand to stop it. For a moment, Kate held that intent pose; +then, + +"Judge wonderful, I'm a paralytic at times. You for twosies." She +swept the jacks towards him with one of her characteristic gestures, +free and yet deft. + +A bell rang in the outer hall, and the maid entered. + +"Miss Waddington is wanted at the telephone," she announced. + +Eleanor, when she saw that her visitor had no intention of rejoining +the party, commanded him to smoke. He rolled a cigarette, Western +fashion, from powdered tobacco and brown paper, and disposed himself +in the window-seat, one leg drawn up under him, his big shoulders +settled comfortably against the wall. Eleanor began to talk fluently, +superficially, with animation. She felt from the first that he was +throwing himself against her barriers, trying to reach at once the +deeper stages of acquaintance. His direct look seemed both to plead +and to command. She outwitted two or three flanking movements before +he took advantage of a pause and charged her entrenchments direct. + +"I've said it before, but I'm going to keep on. You are pretty." + +"Thank you," she replied; and smiled--mainly at the ingenuousness of +this, although partly at the contrast between her present view of him +and that old memory. + +"Oh, it never seems to bother you when I say that," went on Bert +Chester, bending his rather large and compelling black-brown eyes upon +her. "Some girls would get sore, and some would like it; you never pay +any attention. That's one of the ways you're different." + +("Heavens--is he making love already--he is sudden!" thought Eleanor +with amusement.) + +"You are, you know. I picked you for different the first time I saw +you. I wondered then if you were beautiful--I always knew you had nice +eyes--and it isn't so much that you've changed, as that the longer a +man looks at you the prettier you are." + +"Shall we discuss other things than me?" asked Eleanor. + +"Why shouldn't we talk about you? I've never had a chance before--just +think, it's the first time ever I saw you alone--even that time on the +ranch a bull chaperoned us!" This minor joke, like every play of his +spirit, gained a hundred times its own inherent effect by sifting +through his personality. She smiled back to his smile at the boyish +ripples about his mouth and eyes. + +"You see, it means a lot when a girl sticks in a man's mind that way," +he continued. "Why, I've carried you around right through my Senior +year at college and my first year out. So of course, it must mean +something." + +The open windows of Eleanor's bower looked out upon a bay tree, a +little thing awaiting its slaughter--for shade trees might not grow +too near the windows in San Francisco. It was flopping its +lance-leaves against the panes; puffs of the breeze brought in a +suggestion of its pungency. That magic sense, so closely united with +memory--it brought back a faint impression upon her. Her very panic at +this ghost of old imaginations inspired the inquiry, barbed and +shafted with secret malice: + +"How many really nice girls have you known in that time?" + +Bertram, sitting in considerable comfort on the window seat, flashed +his eyes across his shoulder to her. + +"Oh, a few in my Senior year, not many this year. What's a man going +to do on twelve a week?" She noticed the indelicacy of this, since he +spoke in the house of his employer. But the next sentence from him was +even more startling: + +"The last time I was in love was down in High School at Tulare. She's +married a fellow in the salt business now. I guess she was pretty: +anyway, her hair was the color of molasses candy. I wrote a poem to +her the first day I saw her." + +"A poem?" asked Eleanor. + +"You do well to ask that," said Bertram, throwing on one of those +literary phrases by which, in the midst of his plain, Anglo-Saxon +speech, he was recalling that he was a university man. "It rhymed, +after a fashion." + +"You don't know how to be in love until you're older," he went on. + +("Even that bay scent brings up only wonder, not emotion; and I can +laugh at him all the way," she thought. Yet in this tiny triumph +Eleanor was not entirely happy. The vision, a little disturbing, a +little shameful, but yet sweet, was quite gone.) + +"Tell me about this girl with the molasses hair. She interests me. And +a lot about yourself." + +"Oh, I've forgotten most about her long ago. And I've something else +to remember now, I hope. I'd like to talk about myself, though. I'd +like some girl to hear about my ambitions. I really think it would do +me good." + +He stopped, as though expecting an answer. None came. He bent his eyes +closer on her and repeated: + +"It would!" + +And at that moment, a pair of high heels tapped in the doorway, a +cheerful voice called for admission through the portičres, and enter +Kate Waddington. Mr. Chester, Eleanor saw, rose to her entrance as one +who has not always risen for women; there was something premeditated +about the movement. + +"Mrs. Tiffany said you two were in here," she began in her full, rich +contralto, "and I made so bold, Nell--Mrs. Masters is taking a party +over to their ranch next Sunday. One of her men has disappointed her +and she's just telephoned to give me the commission to fill his place. +Mr. Chester, you are an inspiration sent straight from Heaven. Any +other man, positively any other, would be a second choice--but she +didn't know you when she made up the party, so how could she have +invited you?" + +She paused and threw an arch look past Eleanor. + +"Sure I'll come!" said Bertram, jarred into the vernacular by his +internal emotion of pleasant surprise. "Sure--I'd be delighted." + +"I told Mrs. Masters you'd be the ready accepter," said Kate. + +"You're going too, aren't you?" asked Bertram of Eleanor. + +"No; I had to decline, I'm sorry to say." + +"And I'm sorry; blame sorry." He turned back toward Kate Waddington, +and she, the lightning-minded, read his expression. He had made a +great _faux pas_; he had seemed more eager toward Eleanor, to whom he +owed no gratitude for the invitation, than toward her. + +"Would you care to drop in on Mrs. Masters as you go down town to let +her know that you are coming? Or if you wish I'll tell them--I'm going +now--that way." Her tone gave the very slightest hint of pique; her +attitude put a suggestion. The game, plain as day to Eleanor, raised +up in her only a film of resentment. Mainly, she was enjoying the +humor of it. + +Bertram rose promptly. + +"It is time I was going," he said. "I've enjoyed myself very much, +Miss Gray. If you don't mind, I'd like to come to see you again." + +"And I'll get into my things," said Kate. + +They all moved toward the door. + +Kate passed first; then Eleanor. There hung beside the door-casing a +hook, designed to hold the portičre cord. Eleanor brushed too close; +it caught in the lace at her throat. She pulled up with a jerk, gave a +little cry; the lace held fast. She turned--in the wrong direction. + +Bertram saw this tiny accident; he sprang forward, caught the lace, +disentangled her. And to do so, he must reach about her so that his +arms, never quite touching her, yet surrounded her as a circle +surrounds its centre. She turned and looked up to thank him, surprised +him, surprised herself, in that position. + +And a wave which was fear and loathing and longing and agitation ran +over her with the speed of an electric current, and left her weak. + +Her face, with its own sweet inscrutability, showed little change of +expression; but he caught a dullness and then a glitter of her eye, a +heave of her bosom, a catch of her breath. As he stood there, his +great frame towering above her, something which she feared might be +comprehension came into his eyes. And-- + +"You make a picture--you two there!" called Kate Waddington from +without. The transitory expression in his eyes--Eleanor saw it now +with triumph--was that of one who has thrown a pearl away. But he +followed. + + * * * * * + +Dining with Mark Heath in the Hotel Marseillaise that night, Bertram +fell into a spell of musing, a visible melancholy uncommon in him; for +his ill-humors, like his laughters, burned short and violent. Mark +Heath--by this time he was growing into a point of view on his chum +and room mate--remarked it with some amusement and more curiosity. + +Mark was casting about for an opening, when Bertram anticipated him. +Staring into the dingy wall of the Hotel Marseillaise, past the +laborers, the outcasts, the French cabmen purring over their cabbage +soup, he said in a tone of musings: + +"When Bert Chester grows up and gets rich, he'll take unto himself a +wife. We'll live in a big house in the Western Addition with a bay +frontage. It will be furnished with dinky old dull stuff, and those +swell Japanese prints and paintings. And I'll have two autos and a toy +ranch in the country to play with. We'll give little dances in the big +hall downstairs. I'll lead the opening dance with the missus, and then +I'll just take a dance or so with the best looking girls--the ones I +take a special cotton to. I'll have my home sweet home dance with the +missus--" he fell again to musing. + +"A man up a tree," said Mark Heath, "would say you were in love." + +"I'll be damned--I wonder if that ain't the matter?" said Bertram +Chester. + + + + +CHAPTER VII + + +The Ferry, doorway to San Francisco, wore its holiday Sunday aspect as +Bertram Chester approached it. A Schuetzen Park picnic was gathering +itself under the arches, to the syncopated tune of a brass band. The +crowd blazed with bright color. The young men, in white caps, yellow +sashes of their mysterious fraternity, and tinted neckties like the +flowers of spring, lolled and larked and smoked about the pillars. Fat +mothers and stodgy fathers fussed over baskets and progeny. Young +girls, in white dresses and much trimming of ribbons, coquetted in +groups as yet unbroken by the larking young men. Over these ceremonial +white dresses of the Sunday picnic, they wore coats and even furs +against the damp, penetrating morning--rather late in the season it +was for picnics. In the rests of the ragtime, rose the aggressive +crackle of that flat, hard accent, with its curious stress on the "r," +which would denote to a Californian in Tibet the native of South of +Market, San Francisco. + +Bertram Chester, had he been accustomed to spare any of his powers for +introspective imagination, might have beheld his crossroads, his +turning point, in this passage through the South of Market picnic to +the little group waiting, by the Sausalito Ferry, to take him to the +Masters ranch. But a month ago, he himself had whistled up that +infatuated little milliner's apprentice who was his temporary light of +love, and had taken her over to Schuetzen Park of a Sunday. He had +drunk his beer and shaken for his round of drinks with the boys, had +taken the girl away from a young butcher, had fought and conquered the +bookmaker's clerk who tried to take away the milliner's apprentice +from him, and had gone home, when the day was done, with his head +buried on that soft curve of the feminine shoulder which was made to +receive tired male heads. + +Now, without a backward look, he was walking toward Sydney Masters, +Mrs. Masters, the sprightly and dainty Kate Waddington, and those +others, grouped about them, who might be guides and companions on his +new way. + +Kate Waddington had acquainted him in advance with the party, so that +the introductions brought no surprises. That young-old man with the +sharp little face was Harry Banks, mine owner, millionaire, and figure +about town--every one in San Francisco knew him or knew about him. +That tall, swaying girl with the repressed mouth, the abundant hair +coiled about her head, the rather dull expression, was Marion +Slater--"she paints miniatures and hammers brass and does all kinds of +art stunts," Kate had said. That tall young man, who radiated good +manners, was Dr. Norman French; that little woman, all girl, was Alice +Needham, his fiancée. "They play juvenile lead in this crowd," had +been Kate's phrase for them. + +Kate, taking possession of Bertram at once, gave him her bag to carry, +and, as the gates opened and the whistle blew, she walked beside him. +From the upper deck, this Masters party watched that city panorama, +spread on the hills for all to see, roll away from them, the wheeling +flocks of gulls trailing the craft in the roads, the surge of golden +waters rolling in from the Gate. A morning mood blew in upon the +winds; the party became gay. + +Bertram, in the rise of his morning spirits, performed certain +cub-like gambols for the benefit of Kate Waddington. The company +failed not to notice that he had assisted her up the gangway by +slipping his hand under her elbow. On the deck, he cut her out +immediately from the rest, insisted on tucking her veil into his +pocket, made a pretence of trying to take her hand. Even Kate found it +hard to parry these advances. Banks, slouching back on a bench in his +easy, indolent attitude, looked over toward them, and his mouth +tightened and set. So much had he been courted for his wealth and +personality, this Harry Banks, that among his familiars he assumed the +privilege of falling into moods without reason or preliminary notice. +His present mood was a perverse one; and he took it out on its reason +for being--this presumptuous outsider. + +"Me Gawd, Jimmie, but me belt hurts!" he called out suddenly in his +richest imitation of the South of Market dialect. With his light step +of a dancer, he skipped over to Kate Waddington, whirled her to her +feet, and began to waltz about the forward deck, imitating the +awkward, contorted, cheek-to-cheek style of the Schuetzen Park picnic. +Kate, who fell in at once with every invitation, had laughed as he +began to whirl her, but she flushed too. The whole upper deck was +craning necks to stare. Mrs. Masters caught her breath and whispered, +"Oh, don't!" Dr. French and Alice Needham fell to talking apart, as +though repudiating, in their embarrassment, such company. Marion +Slater, sitting at ease on her bench, cast one glance at Harry Banks +as he whirled to face her. His eyes fell; on the next turn, he waltzed +Kate back to her seat. The relationship between these two was a puzzle +to their familiars. He, the uncaught bachelor, the flaneur, the +epicurean, he who lived for his pleasures, taking them with a +calculated moderation that he might preserve the power to enjoy; she, +the etiolated, the subtle, the earnest follower of art, she who seemed +always a little too earnest and conventional for that group of the +frivolous and unconventional rich--people had wondered for years how +there could be anything between them. These two alone understood that +the bond was of the mind, not of the flesh or the spirit. She but +thought, and he thought with her; she but lifted her eyebrow or moved +her hand, and the motion translated itself to speech in his mind. That +glance of her had made his mind say, "I am making them all +ridiculous." + +And, like the spoiled child that he was, he ceased from one +naughtiness only to plunge into another and worse one. As Kate dropped +to the bench, he looked at Bertram and said: + +"You try it; I am a little rusty." One of his rare embarrassments +flamed into the face of Bertram Chester. The shot had gone more truly +than Harry Banks could have known. + +"No, thank you," Bertram said simply, and flushed again. + +Masters spoke up from his corner: + +"Well, Chester, you ought to be a good dancer if build counts--though +I shouldn't like to have you showing off your accomplishment right +here--you might lack the public finish of the Banks style. You big +football fellows always have the call on the little men in dancing. +It is a matter of bulk and base, I think." The ferry boat was passing +Alcatraz now, and the populace had turned its attention away from +Harry Banks and his party. The spoiled child kept straight ahead. + +"They make real, ball-room gents," he said. He turned toward Marion on +this; turned as though he could not keep his look away. She lifted her +eyebrow again, and he fell into a sulky silence. + +The others rushed to the first refuge of tact--personalities. After a +moment, Banks joined the talk; and then appeared another aspect of his +perverse mood. He took the conversation into his own hands, and he +talked of nothing which could by any chance include Bertram Chester, +the callow newcomer, the outsider. It was all designed to show, it did +show, how intimate they were, how many old things they had in +common--never a passage in which Bertram could join by any excuse. +Even so did Banks direct it as to draw Kate Waddington into the talk. +Bertram sat apart, then, his face showing all his displeasure. His +straight brows set themselves in a frown, which he bent sometimes at +the group volleying personalities at Harry Banks, and sometimes on +the terraced hills of Sausalito. + +When they trooped off with the crowd, Kate fell in beside Bertram +again. Lagging deliberately, she let a group of picnickers come in +between them and the rest of their party. He was still frowning. + +"I'd like to soak that man," he said. "Maybe I will." + +"No you won't!" said she. + +"Won't I?" he replied. + +"Oh, don't think I haven't seen it all. He was horrid. You see, we've +got used to him. You're meeting him new, and you don't quite +understand him yet." + +"Well, I'm going to spend no sleepless nights trying!" + +"He's really very clever and kind, at bottom. You'll come to like him +as we all do. And he's a man that it's good for you to know." + +Bertram seemed to be considering this. + +"Well, what did he mean, anyway?" he snapped. + +"Nothing. It's just his foolery. We all had to take it from him at +first--and then we came to appreciate him." + +Bertram answered with an impatient gesture. Kate caught his arm, held +it for just a second. + +"Now, you wouldn't spoil my day, would you?" she asked softly. "You +know I'm responsible for you--" + +His frown melted into his smile. + +"Sure, if you put it like that!" + +"Now, you're a sensible, accommodating, self-restrained lad, and every +other adjective in Samuel Smiles. You could charm the buttons off a +policeman--and you'll see how really nice he can be." + +"You'll take out time until I get over my grouch?" + +"Of course." They were approaching Masters and Dr. French, who stood +waiting by the train platform. "Late and happy!" she called. + +Harry Banks, walking ahead beside Marion Slater, had taken his own +wordless rebuke from her. During the train passage, he made the +concession of keeping away from Bertram, and grouped himself off in +the other double seat. Bertram, sitting with Kate and the engaged +couple, spoke but seldom and then languidly. He did not come face to +face with Harry Banks again until the buckboards had delivered them +at the Masters ranch. + +This estate bore the title of "ranch" only by courtesy. Masters +himself said that he raised nothing but mild Hell on his forty acres. +He did have an olive orchard, a small orange grove flourishing by luck +of a warm gorge in the hills, and a little fancy stock. Kate and +Masters took possession of the new guest at the gate, and carried him +over the estate for inspection. Mainly, Bertram took this +entertainment sullenly. He warmed a little at the sight of the cattle. +The house, built by Masters's own design, drew only the comment, +"pretty nice." After that, Bertram was free to go to his room and +dispose his belongings. Returning in a marvelously short time, he came +out upon the house-party, grouped all in the big, redwood ceiled +living-room. + +A fire of driftwood snapped with metallic crackling on the hearth. +Alice Needham sat with Dr. French beside it; Mrs. Masters, pausing in +a flight of supervision, had stopped to speak with them; Alice was +looking up at her, presenting her fresh, full-faced view to the gaze +of the man on the staircase. Marion Slater stood with Masters by one +of the Dutch windows, criticizing the design with a painter's half-arm +gestures. Banks, by another window, sat dividing his time between a +book and the valley below. + +It happened then, as Bertram stood there, that Alice Needham looked in +his direction. It happened, also, that she was smiling. He caught her +smile and smiled back. + +That smile was half the secret of his physical charm. In the first +place, it broke with wholly unexpected force. His face, what with +its heaviness of feature, was a little forbidding and severe. As he +bent his unillumined gaze, he appeared stern--even angry. Then, with +the sudden preliminary vibration of an earthquake, that smile +would begin to quiver about his mouth, to start wrinkles about his +eyes. Next, as he bent his head forward toward the target of his +charms, it drew back the corners of his mouth to show his white teeth, +it pulled eyelids and eyebrows into a tiny slit, through which his +pupils twinkled like electric sparks. These movements--wholly +muscular at that--spiritualized and transformed his face. + +Mrs. Masters, looking up at the interruption, was caught in this +flood of charm and good will. Harry Banks, feeling a psychic current +running about the room, looked up also; and that smile caught him. It +carried away the last trace of his perverse mood. And Bertram heaved +himself down the stairs and crossed at once to seat himself beside +Alice Needham. + +"I see at a glance I'm going to like this party," he said. On other +lips there would have been nothing to laugh at in this; but they all +did laugh. In a minute more, Harry Banks had dropped his book and +crossed over to the fireplace. Bertram, leading the talk now, took him +in without a trace of apparent resentment. Kate, emerging from the +room, dropped down beside Harry Banks on the floor and joined her +cheerful pipe to the symphony of good fellowship. Before luncheon, +this find of hers was the centre of the party; events were revolving +about him. + +In the lazy hour after meat, the engaged couple found chance to slip +out into the orange grove. Masters, summoned by his foreman, went to +look after a sick cow, Harry Banks went back to his reading, and Alice +Needham to a design for a window seat which she was building for the +Masters dining-room. These pairings left Bertram and Kate to each +other; and presently they were out-of-doors, drawing on into the +woods. Masters, from the barn, watched them and noted what a goodly +couple, what a faun and dryad in clothes, they were. Kate Waddington +was turning over her shoulder her slow and rather lazy smile, which +began at her lips and lit her green-grey eyes last of all. That was +her best attitude of head. Bertram swung up the trail, making progress +by main force--not walking so much as lifting himself on those sturdy, +saddle-sprung legs of his. He was making wide, sweeping gestures; and +Kate, as he talked, leaned a little toward him now and then, like a +woman absorbed. + +Momentarily, she had him on the subject of football. He was touching +upon the subject of one Bill Graham, Stanford tackle and opponent in +two varsity games, whom she knew and whom he was teaching her to know +better. Bertram stooped and gathered a handful of pebbles from the +trail to show how Bill Graham used to throw sand in his eyes; he +thrust his open hand against an alder, bordering the trail, to show +how he contravened these tactics by slamming Bill Graham in the face. +Even so far did loosen his tongue and spirit that he boasted of his +victories and excused his defeats. He went further; he touched upon +the most frightful disappointment of his career. + +"It was in the ten to nothing game," said he. "You remember, don't +you, how they had us down on our ten yard line early in the second +half? We got the ball away. Nobody had scored yet. Well, Stuffy Halpin +he gave the signal for a delayed pass on end. That was a freak play we +were trying out that year--delayed pass first and then the back passed +to me. I jogged Bill Graham and he stumbled down the field just +bull-headed--he never did have much football sense. I looked down +toward the goal"--(Bertram had been gesticulating wildly; now he gave +the outstretched fingers of his right hand a sudden fillip to show the +changed direction of his glance) "and I saw a clear field right +straight to the fullback or glory--" + +"Gracious! What happened?" asked Kate. She was capable, wit and social +strategist that she was, of assuming all this interest by way of +leading an inept youth to make a fool and a braggart of himself for +her amusement. But she showed not a glimmer of irony, neither in her +mouth nor in her green-grey eyes. She spoke with the straight, sincere +interest of a dairymaid listening to the self-told heroisms of a +stable boy. + +"Stuffy tumbled all over himself and dropped the ball!" + +Bertram's answer conveyed all the tragedy in the world. + +They were come now to a place where the trail ran steep and the +redwoods thickened to make a Californian hillside. It was November, +but the season was late. The earth was washed bright by the early +rains and not yet sodden with the later ones. The black, shaded loam, +bare of grass, oozed the moisture it was saving for its evergreen +redwoods against a rainless summer. In the dark clefts grew scentless +things of a delicate, gnome aspect--gold-back fern, maiden-hair +overlying dank, cold pools, sorrel, six-foot brake. No blossoms blew +among all this greenery; only by that sign and by the wet, perspiring +earth might one know that it was autumn on those hills. + +The clean ooze and dew started a little stream which ran, choked with +maiden-hair, to the trail, and formed a pool. Some philanthropic +camper had driven a nail into the rock and hung there a tin cup. Kate +(Bertram still talking and gesticulating at her left) threw a +perceptive glance. + +"How good the water looks!" she said. "I believe I am thirsty!" + +While he filled the cup, she seated herself on the rock, disposed +herself into a composition; and after they had both drunk, she showed +no disposition to move from her perch. In fact, she loosened her brown +student beri, shook her hair free, and sat there, a wood-nymph framed +by the ruddy brown and dark green of redwood and laurel. He crouched +his big frame down beside her, so that she leaned back against the +rock. A long silence, and: + +"Nature is mighty nice!" he said. + +Then, perceiving her as a part of the picture, he added: + +"And you're the nicest thing about it." + +At this frontal attack, Kate waited to see whether it meant further +attack, skirmish, or retreat. His general softness of expression, +showed that it meant attack. + +Bertram, in fact, was in the mood for attack on rose citadels. A year +of life on twelve dollars a week--cheap, crowded lodgings, meals at +the Hotel Marseillaise, the landlady's daughter and those of her kind +for companionship--and now, in a week, the refinements of the Tiffany +house, the refinement plus entertainment of the Masters villa, and +these two lovely, fragrant women. It seemed all to roll up in him as +he sat there, the woods about him and this golden creature at his +side; and it found half-unconscious expression on his lips. + +"I'm going to be rich some day," he said. + +"I hope so." + +"I am, sure. When I get rich I'm going to have a place like this--I'll +have a long pull by that time and be able to invite anybody I +want--this is the only way to live." His voice fell away. + +Then he looked up and bent upon her that smile. + +"It's great to have a girl like you to confide in," he said. + +"Thank you; but you haven't confided much as yet," responded Kate. + +"I don't suppose there is a whole lot to confide. At least, things +you'd want to tell a girl like you. Only one thing. I'm in love!" + +The arrest of all motion in Kate which followed this declaration was +like one of those sudden calms which fall over a field at the approach +of evening. It descended upon her in the mid-course of a gesture; it +wrapped her about in such a stillness that neither breath nor blood +stirred. Then, though only her lips moved, her vocal cords responded +to her will. + +"And she is to be mistress of the villa when you get rich?" + +"If she'll take me," said Bertram. "You see, it is a brand new case. +I've just got it--just realized it. She's up and I'm still down, so it +wouldn't be square to say anything about it, now would it?" + +"No," answered Kate softly, "though we women like bold lovers too." + +"Yes, that's so. And I suppose if I keep too still about it, somebody +else will come riding onto the ranch and carry her off. It's my game, +I guess, to stay around and watch. And if I find any gazebo getting +too thick with her, then up speaks little Bertie for the word that +makes her his. + +"If she'll have me," he added. "But she's a good many pegs above me +just now and I've got more than a living to make. Of course, that'll +come all right if I have fair luck. If it was easy money plugging my +way through college, it will be easy plugging it through the world. +Don't you size it up about that way?" + +Kate clasped her hands and leaned forward. + +"If you're playing the long game, I suppose so. But wouldn't you do +better at least to hint to the girl?" + +"I guess you can advise me about that," said he. "Better than anybody +I know. Suppose I tell you all about it?" A little panic ran through +the nerves of Kate. + +"Now?" she said, "are--are you ready?" + +"Now-time is good-time," he said. "Well, I guess you've savveyed just +who it is and what's the matter. It's--it's Miss Gray--Eleanor Gray." + +To the end of her days, Kate Waddington remembered to be thankful for +a certain cotton-tail rabbit. At that moment precisely, this fearling +of the woods streaked down the trail, pursued by a dog whose heavy +crashing sounded in the distance; came out upon them, whirled with a +loud roaring of fern and leaves, screamed the heart-rending scream of +a frightened rabbit, and dashed off into the wood. The sound, coming +in this tender moment, betrayed Bert Chester into a guilty start. So, +when he looked back, her face was as smoothly beautiful as ever and +she was even smiling. + +"You lucky boy!" she said. And then, "I don't blame you. I wouldn't +blame any man." Bertram fairly glowed. + +"I knew you'd agree with me," he said. "Say, what chance do I +stand--honest, what do you believe she thinks of me?" + +"Honest, I never heard her say. It is likely she hasn't begun to think +of it at all. Women are slower than men about such things. How long +have you been--in love with her?" + +"Of course, I've been that way ever since I saw her first--ever since +I was a student, picking prunes for her uncle, and went down and +helped her run a bull off her place. I thought then that I never saw +nicer eyes or a more ladylike girl. She's always given me the glassy +eye. I think she hates me--no, it isn't that, either. She just feels +superior to me." + +"Oh, perhaps not that!" + +"Well, anyhow, I was in college and any one girl looked about the same +to me as any other--" Bertram wrinkled his brows in contempt for his +utter, undeveloped youngness of two years before--"but I remembered +her always. When I saw her sitting in the Hotel Marseillaise that +evening, I felt queer; and after I called on her I just knew I had it. +Funny, you coming in that afternoon. You and I have hit it off so +well, and here I'm confiding in you! It was a regular luck sign, I +think." + +Kate's voice, when she spoke, fell to its deeper, richer tones. + +"And I'm sure I feel flattered--any girl would. I really thank +you--you don't know how much." + +"And you'll help me, won't you?" + +"With my advice--yes." + +"Well, that's all I want. If I win this game, I want to win it +square. + +"Say, you are sure the goods. You're as pretty--it wouldn't be natural +for a man to say you're as pretty as she is, but a man can just look +at you and wonder--" and here he dropped one of his hands gently upon +hers. She let it rest there a moment before she drew away. + +"We'd better be going back," she said. "They'll think it's I and not +Eleanor, if we stay so long." + +As they started, he stooped to get her another drink. Standing above +him, her hand lifted toward her student beri, she bent her gaze on his +back. A peculiar look it was, as though an effort against pain. It +faded into an expression like hunger. + + + + +CHAPTER VIII + + +It seemed afterward to Bertram Chester, reviewing the early events of +a life in which he was well pleased, that his real attack on things, +his virtual beginning, came with that house-party of the Masters's. +The victory of his smile on the staircase he followed up that evening +to a general conquest. For Masters, when dinner was over, brewed a hot +punch. They drank it about the driftwood fire, and even the severe +Marion Slater relaxed and made merry. The essence of the gods strips +self-control and delicacy first, so that the finer wit goes by without +tribute of a laugh and the wit of poked fingers--especially if it be +sauced by personality--rules at the board. After the punch had worked +sunshine in them, the poked finger of this young barbarian was more +compelling than the sallies of Masters or the mimicry of Harry Banks. + +When the party dispersed at the Sausalito Ferry and scattered for a +workaday Monday, he found himself accepting invitations left and +right. Dr. French asked him to motor out to the Cliff House that very +night; Mrs. Masters wanted him to dinner; Harry Banks must have him +over to his ranch under Tamalpais. Kate Waddington, mounting the steps +to Banks's automobile, slipped him a farewell word. + +"You were a success," she said. "That's the reward of naughty little +boys when they reform!" + +"Well, I'd have liked to smash his face just the same--then." + +"You've done better than that--you've quite conquered him. I'll see +you Wednesday at the Masters? Good bye!" + +Bertram Chester sold forthwith the Richmond lots, his first venture in +business, to get ready money for the wisest or the most foolish +investment which a young man of affairs can make in the beginning of +his career--general society. With all his youth, his energy and his +eager attack on things, he plunged into the life of San Francisco. +Only in that city of easy companionships and careless social +scrutinies would such a sudden rise have been possible. His furnished +room, where he used to read and study of evenings in his years of +beginnings, knew him no more before midnight. He dropped away from +those comrades of the lower sort with whom he had found his +recreation; abandoned and forgotten were his old lights of love. The +milliner's apprentice, a coarsely pretty little thing, used to wait +for him sometimes on the doorstep. Mark Heath, coming home one night +earlier than usual, found her there, took her for a walk about the +block, and conveyed to her the unpleasant news that Bertram was now +flying higher than her covey. After that, she came no more; and the +first phase of his life in San Francisco drifted definitely back of +Bertram Chester. + +We shall stop with him only three or four times in the course of that +winter wherein he made his beginnings. Before it was over, he had +entered, by the special privilege accorded such characters, the club +about which man-society in San Francisco revolved; he had broken into +a half a dozen circles of women society; he had become +hail-fellow-well-met with the younger sons of the cocktail route, the +loud characters of flashy Latin quarter studios, the returned Arctic +millionaires of the hour and day who kept the Palace Hotel prosperous, +the patrons and heroes of the prize-fight games, the small theatrical +sets of that small metropolis. Sometimes he flashed in a night through +four or five such circles. + +He hung of late afternoons over bars, exchanging that brainless but +well-willed talk by which men of his sort come to know men. He sat +beside roped rings to witness the best muscle of the world--and not +the worst brain--revive in ten thousand men the primeval brute. He +frolicked with trifling painters, bookless poets, apprentice +journalists, and the girls who accrued to all these, through wild +studio parties in Latin quarter attics. He sat before the lace, +mahogany, crimson lights and cut glass of formal dinners, whereat, +after the wine had gone round, his seat became head of the table. + +From these meetings and revels, whereby he made his way along the path +of dalliance in the easiest, most childish, most accepting city of the +Western world, two or three kaleidoscopic flashes remained in his +maturer memory. The night of the football game, for example, he +strayed into the annual pitched battle of noise and reproach at the +Yellowstone between the California partisans and the Stanford +fanatics. A California graduate, his companion along the cocktail +route, recognized him; immediately, he was riding shoulder high. His +bearers broke for the sidewalk, and down Market Street he went, a +blue-and-gold serpentine dancing behind him. There was his first Jinks +at the Bohemian club--an impromptu affair, thrown in between the +revelling Christmas Jinks in the clubhouse and the formally artistic +Midsummer High Jinks in the Russian River Grove. The Sire, noting his +smile and figure, impressed him into service for a small part. This +brought a fortnight of rehearsal which was all play and expression of +young animal spirits, a night of revel refined by art, an after-jinks +dinner of the cast, whereat Bertram, as usual, spoke only to conquer. +Memory held also one perfectly-blended winter house-party at the Banks +ranch, with the rain swaying the eucalyptus trees outside and a dozen +people chosen from San Francisco for their power to entertain, making +two nights and a day cheerful within. + +Later in life, he, the unreflective, thought that times had changed +in his city; that men were not so brilliant nor circles so convivial +as when he was very young. It was not in him to know that neither +times nor men had changed; that he thought so only because he looked +on them no longer through the rose glasses of youth. + +He himself would have called it a season of great change, and he would +have missed, at that, the greatest change of all--the transformation +in himself. The face on which we saw so little written when he had +that meeting in the Hotel Marseillaise, the new sheet straight from +the mills of the gods, had now a faint scratching upon it. The mouth +was looser in repose, firmer in action; the roving and merry eye was +more certain, more accurate as it were, in its glances. His youthful +assurance had changed in him to something like mature self-certainty. +In those external city manners which he had set about from the +beginning to acquire, he showed more ease. Although he had lost the +fragrance of an untouched youth, he had become altogether a prettier +figure of a man. + +He needed all the prodigal youth and the cowboy strength in him to +keep up his social pace and still do his work, but he managed it. +Indeed, he became of distinct value to the office through the business +which he brought in from his wandering and his revelling. It seemed +that he might refurbish that old law practice and find his way to the +partnership which Judge Tiffany foresaw at the end of one path. + +Through this consideration and through the partisan friendship of Mrs. +Tiffany, he became gradually a pet and familiar of the Tiffany +household, taking pot-luck dinners with them, joining them once or +twice on their out-of-doors excursions. His big, bounding presence, +his good-natured gambols of the Newfoundland pup order, transformed +that somewhat serious and faded ménage, gave it light and interest, +as from a baby in the house. Although Mrs. Tiffany mothered him, gave +him her errands to do, she made no mistake about the centre of +attraction for him. He was "after" Eleanor. That young woman took him +soberly and naturally, laughing at his gambols, accepting his +attentions, but giving no sign to Mrs. Tiffany's attentive eyes that +her interest was more than indifferent friendship. + +His wooing, in fact, went on in a desultory fashion, as though he were +following the policy which he had expounded to Kate Waddington--"hang +around and watch." He paid no more compliments to grey eyes; he paid +no compliments at all. When they were alone, he entertained her with +those new tales of his associations in the city, which pleased her +less, had he only known it, than his tales of the ranch and gridiron. +If he showed the state of his feeling, it was no more than by an +occasional long and hungry look. + +In one way or another, he saw nearly as much of Kate Waddington, that +winter, as he did of Eleanor. Kate, too, was a ray of light. She--"the +little sister of the clever" her enemies called her--made the Tiffany +house a bourne between her stops at her home in the Mission and her +rangings about Russian Hill. Bertram noticed with sentimental pleasure +that the two girls were a great deal together. He found them +exchanging the coin of feminine friendship in Eleanor's living-room, +he met them on shopping excursions in Post street. When the three met +so, Kate always sparkled with her best wit, her most cheerful manner; +but she showed, too, a kind of deference toward Eleanor, an attitude +which said, "He is yours; I am intruding only by accident." The +meaning in this attitude bore itself in, at length, even upon Bertram +Chester; and he did not fail to glow with gratitude. He expressed that +gratitude once or twice when he was alone with Kate. Somehow, it was +easy for him to talk to her about such things. + + + + +CHAPTER IX + + +"Are you off the job to-night?" came the resonant voice of Bertram +Chester over the telephone. + +"Yes!" Eleanor laughed. "Are you coming to play with us?" + +"No. You're coming to play with me. One of our best little playmates +leans over my elbow as I indite these few lines--little Katie. Mark +Heath is reporting great doings in Chinatown to-night, and he wants +assistance. Do you suppose your Aunt Mattie will object to +Chinatown?" + +"Aunt Matilda never dictates--" + +"Then it's Chinatown! We'll be along for you in half an hour. We're +dining with the Masters, who have inconsiderately refused to come +along. What's happened to you?" + +"Nothing--why?" + +"Your voice sounds so chipper!" + +"That shows I'm in a mood to play!" + +"Then we'll be along in a _quarter_ of an hour." + +"And I'll be waiting at the garden gate!" + +The swish and murmur of night, the rustle of a steady sea breeze, the +composite rumble of the city far below, tuned with the song in +Eleanor's blood as she stood waiting by the front gate. She looked +down on the pattern of light and heavy shadow that was the city, and a +curious mood of exultation came over her. Light foreshadowings of this +mood had touched her now and again during the past two months; never +before had these transitory feelings piled themselves up into such a +definite emotion. + +She could not trace its shy beginning, but she was aware of it first +as a sense of the humanity in the cells of that luminous honeycomb +below, the struggling, hoping, fighting, aspiring mass, each unit a +thing to love, did one but know the best. The wave of love universal +beat so strong on her heart that she turned her eyes away for surfeit +of rapture, and looked up to the stars. They, the bright angels of +judgment whose infinite spaces she could not contemplate without fear, +united themselves in some mysterious bond with the little human +things below; the sight of them brought the same wave of rapture. Too +mighty long to be endured, the wave broke into ripples of happy +contemplation. Sounding lines of forgotten poems ran through her mind, +movements of old symphonies, memories of her vicarious raptures before +the altar in the convent, glimpses of hillsides and valleys and woods +in the winter rain which she had seen unseeing that she might reserve +their deeper meaning for this deeper sight of the spirit. "I wonder if +this is not happiness; if Heaven will not be so?" she thought. It +came, too, that if this exaltation lasted a moment longer, she should +know with God the meaning of all things, the Reason which united stars +and space and men and the works of men. + +The resonant bass of Bertram Chester, beating down Kate's cheerful +treble, floated up from the sidewalk. The sound came almost as a +relief; yet on second thought she was a little sorry for their +intrusion into this lonely rapture of the spirit. She looked over the +wall. Kate, revealed in the light of their gate-lamp, walked between +the two men, who were bending toward her; now they were all laughing +together. She was radiant, this firm-fleshed, golden flower of the +West. Eleanor dipped from her clouds of glory to notice that she wore +a new tailor gown, that every touch of her costume showed how she had +got herself up for that special occasion. And now the spiritual fluid +in Eleanor transmuted itself into a reckless gaiety. She slipped down +the steps and confronted them on the sidewalk. + +"Hello," said Kate, looking her over. "Well, who's given you a +present?" + +Eleanor hugged her. "That's just what's happened, Katie. Somebody +_has_ given me a present--I believe it must have been the stars." She +extended her hands, right and left, to the men; holding them so, she +rattled on; "Boys and girls, there's so much ego in my cosmos to-night +that it's running out at every pore. I'm sure there's going to be a +party to-night, and I'm sure it's got up for my benefit. I'm going to +play so hard--so hard that they'll put me to bed crying! Mr. Heath, +bring on your Chinese and let them gambol and frisk. It's my birthday. +This isn't the date in the family Bible, as Kate could tell you if +she weren't a lady, but I'm sure my parents made a mistake. I just +know that some menial is coming in a minute with a birthday cake--and +the ring and the thimble and the coin and everything will be in my +slice--Hello, Bert Chester!" + +"Where do I come in?" enquired Kate. + +"You? You come in as my dearest little playmate, to whom I sent the +first invitation." + +"I see at a glance," rejoined Mark Heath, "that we've got our work cut +out for us. I will now announce to the Little Girl who is Having a +Party the program of games and sports. The festival of the women is on +in Chinatown." + +"I saw it from the car as I passed Dupont Street," chimed in Kate. +"And the Quarter is blazing like a fire in a tar barrel." + +In the most natural manner, Kate linked herself to Mark Heath. She +always yielded the place beside Bertram when Eleanor was present; +quite as naturally, she herself took that place when Eleanor was away. +Bertram cast a long look on his companion; and he ventured for the +first time in weeks, on something like a compliment. + +"What _has_ happened to you? You look--hanged if I can just tell you +how you look, but it's great!" + +"Oh, compliment me! I love compliments! That's my birthday present +from you. I wonder if the Chinese babies will be out on the +street--the little, golden babies. Why haven't they a legend about +those babies? Mr. Heath, do you know Chinese mythology? Kate, aren't +you sure those children are primroses transformed by the fairies to +hide them from the goblins?" + +Bertram frowned a little as she drew the other couple into their +private conversation. But he continued to study her. This lightness +and brightness which she had developed so suddenly, seemed quite to +dim the radiance of his own personality. He fell into a quiet which +lasted far into the evening. She, on her side, moved like one +intoxicated by some divine liquor. Never had she seemed so gay, so +young; and--though he did not wholly formulate this--never had she +seemed to him so inaccessible. + +They approached a dark alley beside an Italian tenement. Eleanor, +dancing around the corner, came upon it suddenly. She drew up. + +"There's an ogre in this dark den--I know there is. I must see him! +Just think, I'm ten years old going onto eleven, and I never yet saw a +real ogre. Come on--we're going ogre hunting!" She plunged into the +shadows. Mark, laughing, followed. + +Eleanor peeped into the door of a wine-house, peeped over a board +fence, and came back to announce: + +"He's not in. I left my card--oh, there he is--he's visiting the +goblin in that garden across the street!" She skipped across to an old +stone wall which held its half-acre of earth suspended over the +hill-fall. Mark skipped with her; Bertram followed at a distance as +one who plays a game of which he is not sure. Eleanor brought up +against the wall. + +"There he is--by the kitchen door. Of course you see him! Good, Kind +ogre, you don't eat little girls on their birthdays do you?" + +"Aren't his red eyes beautiful and hasn't he a classy set of teeth?" +rejoined Mark Heath. "Be good, Fido, and you shall have a plumber for +breakfast." + +"But he'll spare me! He says I'm too beautiful to eat!" Eleanor was +dancing back. "Oh Kate, I've seen an ogre!" + +Kate did not answer. She fell in with Mark Heath, and as they drew +ahead she murmured: + +"I wonder what's got into her?" + +"Nothing I guess. I should rather say she'd got out. I think it's +bully." + +"Oh, yes," said Kate, drawing out the last word. + +They turned into the Quarter at Washington Street, and at once they +were in the midst of the festival. From a doorway burst a group of +little, immobile-featured Cantonese women, all in soft greens, deep +blues, reds and golds that glimmered in the gas-lights. Banded combs +in jade and gold held their smooth, glossy black hair; their slender +hands, peeping from their sleeves, shone with rings. The foremost +among them, a doll-girl of sixteen or so, tottered and swayed on the +lily feet of a lady. The rest walked upon clattering pattens, like a +French heel set by the cobbler's mistake at the instep. + +Mark Heath, the young reporter, proud in his knowledge of "the +inside," took up the reins of conversation. + +"A fairy story for you right at the start, birthday lady! That +little-foot girl is the daughter of Hom Kip. You remember the story, +don't you? The old plug tried to sell this daughter of his for wife to +a merchant in Portland. She had her own ideas--she eloped with the +second tragedian from the theatre over there. Hom Kip put detectives +on them, and caught her at Fresno. But she'd already married her actor +American fashion; and the Portland bridegroom is waiting until father +makes his little blossom a widow." + +"As temporary Empress of Chinatown, I order that he shall do nothing +of the kind," said Eleanor. + +"As your grand vizier, I shall put the machinery in motion that will +free the beautiful young bride," rejoined Mark Heath. + +Kate broke in. + +"What became of the actor? I'm one of those dull persons who always +wants the rest of the story!" + +"I told you, didn't I, that father is going to make her a widow? At +least he was until the Empress ordered otherwise. The actor has +probably abandoned his art, which gives him undesirable publicity. And +some day, if father dares disobey the Empress, there'll be a +mysterious murder in a backwoods laundry--police baffled." + +Eleanor contemplated the lily-foot girl, swaying about the corner into +Dupont, her little handkerchief in one hand, her proper fan in the +other. + +"Poor little blossom--I wonder if she'll mourn for him? Faithful Grand +Vizier, don't tell me sad facts on my birthday night. I want only +pretty things." + +"Whether she'll mourn or not won't make much difference to father--or +to the Highbinders. Je-hoshaphat--look!" + +For they had turned the corner into Dupont Street, main avenue of the +Quarter. Its narrow vista came upon them at first as a smothered +flame. Innumerable paper lanterns, from scarlet globes as big as a +barrel to parti-colored cones that one might hold in his palm, blazed +everywhere, making strange combinations, incredible shades, in the +flaring Chinese signs, the bright dresses of the women. The sidewalks +quivered with life--soberly dressed coolies, making green background +for the gauds of their women, bespangled babies late out of bed that +they might gain good luck and blessing from those rites, priests in +white robes, dignitaries in long tunics, incongruous Caucasian +tourists and spectators. + +A moment Eleanor drank it all in; then she addressed her Grand +Vizier. + +"Inform my people, through your invaluable publication, that their +demonstration in my honor is perfect." + +"It shall be done, liege lady--three column spread on the front page. +Oh, you've got to have a shoe." For a vendor was bearing down on them, +carrying a tray of pink paper shoes like valentines. "That's the +symbol of this festival--the goddess lost her shoe before she died. +How much, Charlie? Two bits two? All light! Empress, permit me to +present this souvenir of a grateful people. Miss Waddington, have a +shoe on me!" + +Eleanor hung the pink trifle to the pin at her throat. + +"I shall add it to the royal treasure trove," she said. It came across +her then, as one of the unrelated thoughts and fancies which were +coursing in such swarms through her mind, that Bertram Chester, though +he stuck close to her side, had been unusually silent. She drew him in +at once. + +"Does it become me?" she asked. + +"Everything becomes you." + +"You don't say anything about _my_ shoes!" said Kate. + +Now the crowd began to eddy and to whirl toward the next corner. There +rose the clang of gongs, the shrilling of a Chinese pipe playing a +mournful air in that five-toned scale Whose combinations suggest +always the mystery of the East. About that corner swept the procession +of the Good Lady, priests before, women worshippers behind. The +priests set up a falsetto chant, the banner-bearers lifted their +staves, and the parti-colored mass moved down on them. + +"It's like a flower-bed on a landslide!" exclaimed Eleanor. + +Mark Heath gravely pulled out his left cuff and took rapid notes with +a pencil. + +"That goes into the story--anything more up your sleeve like that?" + +"Wasn't it good? Eleanor is always thinking up clever things to say," +Kate came in. Her voice was rather flat. + +At the edge of the gutter where they stood, a Chinese shoemaker had +set out on a lacquer tray his offering to the gods. Red candles +bordered it, surrounding little bowls of rice and sweetmeats, a slice +of roast pig, a Chinese lily. As the banners approached, certain +devout coolies found room on the sidewalk to prostrate themselves. +Eleanor, absorbed now in a poetic appreciation of all this glory of +color and spirit, felt a movement beside her. She looked down. The +shoemaker was flat on his forehead beside his offering. + +"Would you per-ceive that Chink grovel," spoke the voice of Bertram +Chester. + +Before Eleanor could turn on him, he was addressing the shoemaker. + +"Feel a heap better, Charlie? Say, who-somalla you? Brush off your +knees!" The Chinese, if he understood, paid no more attention than he +paid to the lamp post in his path. Gathering up his offering, he +pushed his way back through the crowd. + +For the first time that evening, Eleanor became somewhat like her +normal self as she said: + +"Why, this is a religious ceremony, isn't it--all this light and +color!" + +"Yes," responded the personal conductor of the party, "but you have to +pinch yourself to remember it. For instance, you'll be charmed to +know that I saw one of those priests, up in front there, arrested last +week in a raid on a gambling joint. Morals haven't an awful lot to do +with this religion. Maybe that fellow on the pavement was praying that +he'd have a chance to murder his dearest enemy, and maybe he was +applying for luck in a lottery. Empress of Chinatown, up yon frazzled +flight of stairs lurks the New York Daytime Lottery. The agents of +said lottery are playing ducks and drakes right now with the pay of +the printers on the imperial bulletin which I have the honor to +represent. Some day, your grand vizier and most humble servant is +going to do a Sunday story on a drawing in a Chinese lottery." + +Eleanor showed no inclination to go on with the game. + +"Have another shoe--one shoe, Charlie, for the little princess!" +continued Mark Heath. This one, displayed amid the cone-sticks and New +Years nuts of a sweetmeat stand, was bright blue. Mark hung it on +Eleanor's shoulder; then, as a kind of afterthought, he bought a +crimson tassel for Kate. + +The procession was past, was breaking up. The women, in knots of three +or four, were scattering to the night's festivities. Mark, as guide, +let business go as he led them on his grand tour of Chinatown. They +stopped to survey sidewalk altars of rice paper and jade, where +priests tapped their little gongs and sang all night the glory of the +Good Lady; they visited the prayer store, emporium for red candles, +"devil-go-ways," punks, votive tassels, and all other Chinese devices +to win favor of the gods and surcease from demons; they explored the +cavernous underground dwellings beneath the Jackson Street Theatre; +they climbed a narrow, reeking passage to marvel at the revel of color +and riot of strange scent which was the big joss house. Bertram's +spirits were rising by this time; he expressed them by certain +cub-like gambols which showed both his failure to appreciate the +beauty in all this strangeness and his old-time Californian contempt +for the Chinese as a people. Once he tweaked a cue in passing and +laughed in the face of the insulted Chinaman; and once he made +pretence of stealing nuts from a sweetmeat stall. + +Wherever Mark found a new design in toy shoes, he bought one for +Eleanor, until she wore a string of them, like a necklace, across her +bodice. Yet had the illumination gone a little out of her; she replied +with diminishing vivacity to Mark's advances as he played the birthday +game. + +When they mounted the joss house stairs she lagged behind; and Bertram +lagged with her. + +"What's the matter?" he asked. "I never saw you so bright and chipper +as we were awhile ago, and now--say, what's the matter?" + +"Nothing. Oh, Mr. Heath--" she raised her voice, "are the actors +allowed in the joss house--and if not will you have it fixed for me?" + +After they had presented their votive punks to the great high god, +Kate announced that she was footweary. + +"Can't we find a place to sit down?" she asked. Mark took her up. + +"That's the signal for tea at the Man Far Low restaurant. Ever been +there? Tea store below, fantan next floor, restaurant top side all the +way through the block. Come on, Empress of Chinatown. The royal board +awaits." + +The Man Far Low was in the throes of large preparation for the Chinese +all-night banquets which would close the festival. The cashier wore +his dress tunic, his cap with the red button. The kitchen door, open +on the second landing, gave forth a cloud of steam which bore odors of +peanut oil, duck, bamboo sprouts and Chinese garlic; through the cloud +they could see cooks working mightily over their brass pots. Every +compartment of the big dining hall upstairs held its prepared table; +waiters in new-starched white coats were setting forth a thousand toy +devices in porcelain. Though the Chinese feasting had not yet +commenced, it was plain, from the attitude of the waiters, that +slummers and tourists were not wanted on that night. But still the +head waiter, when he came slipping over on his felt shoes, led them to +a table in the Eastern dining room, from whose balconies one +overlooked Portsmouth Square. His aspect, however, was anything but +cheerful. + +"Say, you Chink, smile!" said Bertram as he seated himself. + +By a slight turn of the head, the very slightest in the world, the +Chinese showed that he caught this in all its force. But he went +gravely on, setting out porcelain bowls. Eleanor's hand moved a +little, as though in restraint. + +"Cheer up, Charlie, crops is ripe!" resumed Bertram. + +"Don't--please," cried Eleanor. The first word came short, sharp and +peremptory; the "please" was appealing. + +The color rose under Bertram's brown skin. Kate, an outside party to +this passage, smiled a quiet smile; but she spoke to Mark Heath. + +"What _are_ those paintings on that screen--come and tell me about +them!" + +Now Bertram and Eleanor stood alone with the table between them. + +"I was jollying him!" burst out Bertram. Eleanor glanced at Kate, who +stood profile-on listening to the ready Heath. + +"Shall we go out on the balcony?" She stepped through the open French +window. + +As they stood in the shadow, the city at their feet, neither spoke for +a moment. Finally, + +"It's a call-down, I suppose?" began Bertram, tentatively. + +"Not necessarily." + +With a slam, he brought his hand down on the balcony rail. + +"You don't give--you don't give a damn--that's the trouble with +you--you don't care what I do!" + +Eleanor drew a little away from him before she answered: + +"I care if anyone is uncivil." + +"What is it but a Chink? They expect it! Why, down in Tulare--" His +voice fell away as though he recognized the futility of an attack in +this form. She spoke: + +"It is you who should not expect it." And then, "I am sorry I said +what I did. It was an impulse. We are all imperfect. I've often been +unkind myself." + +Bertram stood gripping the rail before him as one caught and held by a +new emotion. When he spoke, his voice was low and rather hard. At the +first tone of it, she shrank from the daimon in him. + +"If you only cared enough to call me down! That's the trouble with +you. Am I--am I the dirt under your feet?" + +"Oh, don't please!" But he was going on, too fast to be stopped. + +"I'm afraid of you--that's what's the matter. What have you got in you +that I can't seem to melt? You kept away from me the first time ever +I saw you. You've kept away ever since. You don't think I'm as good as +you--and I'm not. But it's aggravating--it's damned aggravating--to +have you rub it in. You've got something about you that I can't touch +anywhere." And he paused, as though expecting her to deny it. + +"I don't know what right you have to say this," she exclaimed. + +In her swift rush to her own defence, she had dropped her guard. She +realized it on the moment, heard his inevitable reply before he opened +his mouth to the swift-flashing answer which, that outer self told +her, was the only possible answer for him to make. + +"Only this right. I'm in love with you. I've been in love with you +ever since I saw you down at the Judge's ranch, only I didn't know it +then. I love you." Silence for a moment, and then, "I love you!" + +For just one instant, it seemed to her that she was swaying toward him +in spite of herself. He made, curiously, no active motion toward her. +That outer self of Eleanor's, reigning as always over her conscious +self, commenting, criticising, seeing--that outer self remembered, +above her mental turmoil, that never in all their later acquaintance +had he tried even to touch her finger. + +"Oh, don't!" she cried, "please don't!" + +He made a growl in his throat, the adult counterpart to a baby's cry +of disappointment. + +"Didn't I tell you?" he said, "and now I've laid myself wide open for +a throw-down." + +"If you call it that. Oh Bertram--" he and she both noticed the shift +to his familiar name--"I'm afraid I haven't been fair to you. Oh, have +I been fair?" + +He paused as though considering a whole new range of ideas. + +"Yes, I guess you have," he responded at length. + +"You're a man," she said, "and a big man. I suppose I ought--to love +you. To have the power of loving you in me. And oh, there have been +moments when I thought I could." She stopped as though appalled by the +lengths to which she had gone. "You see, I'm trying to be fair now. +I'm telling you everything." + +And then, with the thought which succeeded, it was as though she felt +the physical tingle of bay leaves in her nostrils, "or nearly +everything." + +Through the open French windows came the cheery voice of Kate +Waddington. + +"Tea is served, ladies and gentlemen!" + +"All right--be along presently!" called Bertram. And then to Eleanor: + +"You must tell me--you can't keep me hanging by the toes until I see +you again." + +"The rest means--since I am being perfectly fair to you--that I can't +tell." Now something like strong emotion touched her voice--"Don't +think I am coquetting with you--don't believe that it is anything but +my effort to be fair." She turned on this, and stepped through the +open window. + +Bertram struggling to compose his face, Eleanor wearing her old air of +sweet inscrutability, they faced the quick, perceiving glance of Kate +Waddington who sat pouring tea from the crack between two shell +bowls. + +Eleanor settled herself on the teak-wood stool. + +"You _must_ come out on the balcony before we go," she cried. "I never +saw the city lights so wonderful." + +"Well," said Kate, "it all depends on the company!" + + + + +CHAPTER X + + +Kate's plump and inert mother, who always regarded this daughter of +hers somewhat as a cuckoo in the nest, was in a complaining mood this +morning. She sat in her dressing-gown embroidering peonies on a +lambrequin and aired her grievances. Kate, writing notes at the +old-fashioned black walnut writing desk, looked up at the climaxes of +her mother's address, bit her pen and frowned over her shoulder. For +the greater part of the time, however, Mrs. Waddington spoke to empty +air. + +"I never did see such a daughter," said Mrs. Waddington, jabbing with +her scissors at a loose end of pink silk. "As if it isn't enough, +gallivanting around the way you do, fairly living in other people's +houses, never bringing any company home, but you can't even be +decently civil when you _are_ at home. We might just as well be a +hotel for all the respect you pay us. What are you doing when you're +away, I'd like to know? It's all well enough, the stories you tell--" +Kate, resting between notes, saw fit to parry this last thrust. + +"I've always supposed I was capable of taking care of myself," she +said. "At any rate, you've let me proceed on that theory." + +It needed only the slightest flutter of an opponent's rapier to throw +Mrs. Waddington on the defensive. + +"You never let me," she mourned. "Goodness knows, I gave you every +chance to take me along. When first you began going with those painter +people, you might have counted me in." + +"You didn't seem eager, perceptibly, until I had made my own way," +Kate vouchsafed. At that moment the telephone rang. + +While Kate was in the house, no one else thought of answering the +telephone. Mrs. Waddington would have been the last to usurp the +prerogative. For that instrument was the tap root of her spy system +over her daughter. By it, she picked up things; learned what this +irresponsible responsibility of hers was doing. Mrs. Waddington had +her mental lists of Kate's telephonic friends. She imagined that she +could tell, by the tone of her daughter's voice, just who was on the +other end of the line. + +"Oh, Bert Chester!" came Kate's voice from the hall. Mrs. Waddington +made note number one. This mention of the name was significant. The +discreet Kate, who knew her mother's habits, hardly ever called names +over the wire. + +A pause for a very short reply, and then: + +"Certainly. Zinkand at one. I'm beginning to think it's time I worked +at my job as confidant. What is the use of a confidant if you don't +confide?" + +Mrs. Waddington leaned forward while Kate got her reply. The mother in +her, unsensitized though as it was, noted the sparkle in Kate's voice. +But for the intervening door, she might have seen a great deal more +sparkle in Kate's face, down-turned to listen. + +"Oh yes, I was aware of that!" Kate's voice went on. "Dolt! Did I +catch it? You're a poor dissembler. You're too honest. You might tell +the verdict before I tell you--" + +Mrs. Waddington could stand it no longer. It was so uncommon for her +daughter to speak thus freely and emotionally at the telephone, that +she must have a look. She rose, therefore, and crossed past the open +hall door. She noticed a certain tension in her daughter's face as she +bent her head to await the reply. + +"You poor, perplexed boy!" went on Kate's purring, caressing voice, +"Then you need a confidant. Zinkand's at one--and I'll look my +prettiest to draw you out!" + +Mrs. Waddington, when her daughter was come back into the room, +renewed her plaint: + +"I wish you'd save for your parents a little of the graciousness you +give your friends," she said. "I wouldn't mind so much if you were +getting somewhere. But here you are, nearly twenty-four years old and +goodness knows if you've had a young man, I don't hear about it. How +can a respectable young man want to marry a girl like you, I'd like to +know? Those they play with, they don't marry." + +Kate's mood had changed completely. She advanced now with the +prettiest caressing gesture in the world, threw one arm across the +wrinkled skin and old lace of her mother's throat. Mrs. Waddington +resisted for a moment, her head turned away; then, gradually, she let +her being lap itself in this quieter air. Her head settled down on +Kate's shoulder. + +"Perhaps," said Kate, "I may." + +"Well I wish you'd hurry up about it," said Mrs. Waddington. "Girls +will be girls, I suppose, and they've got to learn for themselves. +There, there--you're mussing my work." + +Kate dropped a kiss on her mother's forehead and vanished up the +stairs. + +Bert Chester, waiting before Zinkand's an hour later, picked her a +block away from the nooning crowd. Before he recognized the +olive-green tailor suit which he had come to know, he noticed the firm +yet gracile move of her. As she came nearer, he was aware of two +loungers waiting, like himself, to keep appointments. He caught this +exchange from them: + +"Who? The girl in a kind of brownish green?" + +"Yes. Isn't she a peach?" + +Just then, it seemed to him, did the purely physical charm of her +burst upon him for the first time. Supple and swaying, yet plump and +round; her head set square with some of a man's strength, on +exquisitely sloping shoulders: and the taste--he would have called it +so--of her dress! A discriminating woman might have noticed that her +costume bordered on ostentatious unostentation. For it was designed +in every detail to frame the picture, to set off not only that figure +but also the cream of her skin, the tawny hair, even those firm, plump +hands. + +He found himself remembering that he had just proposed to another +girl. The thought flashed in, and flashed out as quickly. + + * * * * * + +The Café Zinkand formed, at the time, a social nodule in the +metropolitan parish that San Francisco was. As the Palace Hotel was +its Rialto, gathering-place for prosperous adventure, so the Zinkand +was its bourne. In this mahoganied and mirrored restaurant with its +generous fare, its atmosphere of comfortable extravagance, those who +made the city go, who gave its peculiar Saxon-Latin move and glitter, +were accustomed to gather and gossip. It blazed with special splendor +on the nights when this or that "Eastern attraction" showed at the +Columbia Theatre. To stand on such evenings at the Powell Street +terminus, to watch those tripping, gaily-dressed, laughing Californian +women thronging the belt of city light from the theatre canopy to the +restaurant canopy--ah, that was San Francisco! Not Paris, not Buenos +Ayres--they say who have travelled far--could show such a procession +of Dianaides, such a Greek festival of joy in the smooth, vigorous +body and the things which feed and clothe it. With that absence of +public conventionality which was another ear-mark of the old city, all +sorts and conditions of men and women sat side by side at the tables. +Harlots, or those who might well pass as such, beside the best morale +there is in women; daughters of washerwomen beside daughters of such +proud blood as we have; bookmakers' wives, blazing with the jewels +which will be pawned to-morrow, beside German housewives on a Saturday +night revel; jockies and touts from the race tracks beside roistering +students from Stanford and Berkeley; soldiers of fortune blown in by +the Pacific winds, taking their first intoxicating taste of +civilization after their play with death and wealth, beside stodgy +burghers grown rich in real estate; clerks beside magnates--all united +in the worship of the body. + +At noon, however, its workaday aspect was on; it was no more than a +lunching place. Chester and Kate found seats in a retired corner. + +She looked him over with cool mischief while she drew off her gloves +and let one white hand, still creased in pink with the pressure of the +seams, drop toward him on the table. + +"I am not exactly to congratulate you," she said, "but for a man who +was turned down last night you don't seem exactly unhappy." + +Bertram let several expressions chase themselves over his face before +he blurted out: + +"What's the matter with me?" + +"Not a great deal. Has she so refused you as to make you conscious of +sin?" + +"It wasn't a cold turn-down. I'd like it better if it was. I'd have +something to go on. It's--it's like trying to bite into a billiard +ball. I--you know what I mean." + +"You mean that she holds herself above you--that she feels superior to +you?" + +Bertram arrested all motion on that word, sat with the menu card, +which he had been twirling, immovable between his hands. + +"Yes. If you want to jolt it to me good and hard that way. I guess +that is what it does mean." + +"I suppose then that the crisis--last night--came about from your +little passage with the Chinese waiter? It happened while you were +out on the balcony didn't it?" + +Bertram stared and glowed. + +"Say, you're a wonder. You reach out and get things before they come +to you at all. That's just what did happen." + +"And then? Or pardon me, I don't want you to tell me any more than +it's right for you to tell--any more than you feel like telling." + +"Oh that's all right. Well, when we got outside it was the same old +song. She didn't care enough even to call me down. And like a fool I +came out with it. What's the use of telling what she said or what I +said? It was just the same way. She kept me dancing. She wouldn't say +yes and she wouldn't say no. She seemed anxious about only one thing. +She wanted to know if she'd been fair to me." + +"I suppose she has--!" Kate brought this out as though he had put a +question to her. "And you want to know what I think?" + +"I sure do." + +"I think she cares--at least a little--shall I tell you all?" + +Bertram, even in the hottest of this conversation, did not forget the +needs of his body. The waiter stood at his elbow. He rushed through +the order, and continued: + +"I want to know everything." + +"Well, to begin with--Bert Chester, you're a man." + +"I didn't ask for hot air." + +"That's all of that. You're an unfinished man. You--haven't had the +chance to get all the refinements which people like Eleanor Gray have +acquired. Do you see now? You've made it--you've been making it--all +for yourself. You had no fortune. It's splendid the way you worked to +get all these things. I know the story of how you got through college. +Everyone who knows you is proud of that. But--well Eleanor's mother +was rich and proud before she married, and her grandparents were +richer and prouder. Then she's lived a great deal alone; and she never +really blossomed out until she went abroad. So she learned her social +ways from Europeans. She's got a lot of British and Continental +ideas. + +"With the rest of us, you know, it doesn't make any difference. You +could perceive that by the way we've taken you in. Why, it's really a +part of you. You're only two years out of college, hardly that; and +you're still studying law; but think how people have taken you up! It +is simply that Eleanor looks at it in a different way. It's a pretty +peculiarity in one of the sweetest girls I know." + +Kate paused. Bert made no move to answer. She went on: + +"Now about the thing you can't grasp in Eleanor. It's this way. You +can't see her nature as another _girl_ can. She's just as sweet and +tender and delicate as she can be, and she has high ideals--that's one +result of her living away from the world. If she were a little warmer +in temperament, it might be different, but--" Kate paused here as +though pondering whether to reveal or to conceal the thought of her +mind. + +"But of course it is the coldness of a diamond or a sapphire or +something else very pure and precious." + +Bertram Chester pulled himself up at this point and plucked at a place +away back in the conversation. + +"What are these things that I don't know? Where is it that I fall +down?" + +"They are some of the finer points." + +"Well tell me." Kate noticed that the color had risen in his cheeks +and that his eyes drooped from hers. + +"They must be corrected as we go on--provided you'll let me correct +them." + +"That's what I am asking for--but I'd blame well like an example." + +"Well, now, we'll take that waiter episode. The kind of people she'd +like to know treat servants impersonally. Servants are just +conveniences to them, like dumb waiters. So of course,--even if it was +only a Chinaman--she didn't like your noticing him and she came out of +her shell for just a moment to say so. Do you see now?" + +Bertram's dark complexion reddened with the rush of his shame. + +"Oh, that's the idea is it? I thought from something she said that she +was afraid I'd hurt his feelings. She wants me to put more front on +before 'em, does she?" + +"Just about that. She doesn't like to see you put yourself on a level +with them." + +"All right, that was straight over the plate and I got it." + +Again Kate reached over to pat his hand. + +"Now don't take it seriously; I know--she herself must know--how +splendid and able and promising you are--how much of a man!" + +Bert spoke in some irritation. + +"I always knew I wasn't a gentleman," he said, "but this is the first +time it was ever shot straight at me that way." + +"Bert Chester, as long as I'm a friend of yours don't you ever dare +say to me that you're not a gentleman. You're one of the biggest and +strongest gentlemen I ever knew. Anyone need only see you for five +minutes to know you're that. But some people have certain things which +they attribute to a gentleman--notions, as I've said. And Eleanor from +her European experiences has some of these notions. Don't you see?" + +The smile, which always broke so suddenly, came back to Bert Chester's +face. + +"Well, of course that's why I broke loose from the ranch and went to +college in the first place. I wanted to be as good, every way, as the +best there is!" + +"And you are already!" + +He shook his head. + +"No, or this wouldn't have happened. I want to be good enough to marry +any girl, no matter who. I'm going to amount to something. I'm going +to be rich, too--and a darn sight quicker than most people know. I +don't know that we came here to talk about that, though." + +"Please go on. We came here to talk about you--anything about +yourself." + +"That part of it has something to do with the main issue. I'm going to +pull out from Judge Tiffany as soon as I go up against the bar +examinations next month. At least, I want to pull out, and I'm only +wondering how the Judge will take it and how she will take it. You +see, I might just as well get admitted, and then it is good-bye to law +for me afterwards unless I use it in politics. Law--" Bertram rammed +his finger on the table with each word that followed "law is too blame +slow. Anyone could see that I couldn't be chasing about as I'm doing +if I had to depend on what Judge Tiffany is paying me as a clerk. Why, +I've made twice as much already whirling at business. I'll always have +my admission to the bar, too. If I want to settle down on a law +practice after I get rich, I can do it." + +"That seems very promising to me." + +"But here's the question. Is the Judge going to take it for a +throw-down, and how is Eleanor going to like the program?" + +Kate appeared to be considering. In fact, she was considering a great +many more things than Bertram knew. + +"I'm pretty sure Eleanor wouldn't care," she said at length. "Hers +isn't a very practical mind. It's impossible to say about Judge +Tiffany. He's crotchety. The right's on your side, for a man has a +right to change his employment, hasn't he? And I'm sure you have more +than returned your little salary. On the whole, I don't know but it +would be better for you with Eleanor if the Judge did get angry with +you. A girl with ideals like hers rather likes to have a man +persecuted. And you can't let it stand in the way of your career." + +"But--" + +"Oh, it isn't as though it were a choice between the girl and the +career. It isn't at all. The best way to win her is to build yourself +up to the big, splendid man she'd like you to be. If you stay a little +law clerk for five years or so, you won't have much inducement to +offer her! When you consider marriage, you have to remember that a +girl like Eleanor can't live on a trifle. I'd follow my own career. It +isn't, you see, as though there were anyone else in the field. Other +men come to the house, of course--men she's met at the Masters, old +friends of the family--but I don't consider any of them as rivals. I +did think for a time that Ned Greene was attracted, but he's crazy now +over Katherine Herbert. So it isn't a case for immediate action." + +"Do you think--have you ever heard her speak of me?" + +Kate's answer came readily. + +"She has spoken to me of you--the way women do, so that you see under +what they say. We women are devils"--she smiled--"no, I can't tell you +what she said. I'm in a peculiar position about it. You see, her talk, +as it happens, is all twisted up in a confidence she made to +me--something else in her life--nothing to do with you--and I can't +break it. But I can do something without breaking any confidence. I +can tell you what I think you ought to do." + +"Well, I guess that's what I want--" with the air of one who would +have liked a great deal more. + +"The man who gets Eleanor Gray--and especially if Bertram Chester is +the man--cannot take her by assault. If you reach out to grasp +her--you who are so strong--it will only break something in that +delicate nature of hers. Don't woo. Serve. Don't even see her too +often. Don't renew that scene on the balcony--never make that mistake +again. When you are with her, show by your attitude how you feel, and +show her--well, that you're learning the things you've asked me to +teach you--the things I'm going to teach you." + +"It's sure a pink tea program," said Bertram. Kate laughed. + +"Bert Chester, when you make your dying speech from the scaffold +you're going to say something original and funny. You can't help it. +Now can you?" + +The smile broke again on Bertram's face. + +"Well, it has its funny side," he admitted. "All right. If +refinement's the game, me to it." His smile had caught Kate's laugh, +and there came between them a kind of mental click. Soft gratitude +sprang into his heart and quivered on his lips. + +"You're a bully girl! I don't know what I'd do if I didn't have you to +talk it over with. And you really do understand lots about women and +those things--where did you learn it?" + +The smile went out of Kate. She drooped her eyes and let her pink +nails flutter on the tablecloth. + +"Suffering and experience, I suppose." + +"Could I--would you tell me about it?" + +She looked up with an air of sweet sincerity. + +"I should like very much to tell you. You could help me as much as you +say I'm helping you. Some other time, we'll have that all out +together. You see, when one has held a thing in her heart for a long +time--well, it's a struggle at first to get it out. But sometime when +I'm in the mood!" + +And then he discovered that an appointment at the office was overdue. +While they went through the formalities of checks and wraps, she +talked foolish nothings. He parted with her hurriedly to run after a +Market Street cable car. + +"We're going to be the best chums in the world," he said as he shook +hands. + +"Indeed we are!" + +She watched him as he ran after the car, swung on the platform with +the easy economy of motion which belongs to the athlete. But just +before he set his foot on the platform and looked back at her, she +herself whirled and started down the street, so that he saw only her +trim back-figure, the glint of her bronze hair, the easy grace of her +walk. + + + + +CHAPTER XI + + +So Bertram Chester went on, the easy familiar of the Tiffany +establishment, the contriver of Mrs. Tiffany's household assistances, +and the devoted follower of Eleanor. He never referred in any way to +the scene on the restaurant balcony; he did nothing formally to press +his suit. Indeed, his occasional air of gentle diffidence puzzled and +amused her. She had a queer sense, when she beheld him so, that she +liked it in him less than some of his old uncouthness, and only a +trifle better than such roughness of the heart as that passage with +the Chinese waiter. This new attitude was loose in the back, tight +across the shoulders, short in the seams--it was not made to fit +Bertram Chester. When he launched out into rudimentary art criticism, +stringing together the stock slang which he had picked up in the +studios, when he tried to impress her with his refined acquaintance, +his progress toward "society" of the conventional kind, her amusement +took another turn in the circle of emotion, and became annoyance. + +In general company, he reverted to type. At their home dinners, when +wine and good fare had lit the fires of his animal spirits, he still +told his rambling, half-boastful stories of the cow country and of +College times, or laid before these home-stayers the gossip of the +town. That manner of his, always more compelling than either his +substance or his words, carried the plainest story; and he had at +least the art of brevity. One laughed when he laughed, catching from +his spirit the humorous idea, even when its expression failed on the +tongue. Voice and gesture and an inner appreciation which he could +flash instantly to his tongue contributed to these dazzling effects. +His new-made friends of the artistic set used to tell him, "If you +could only write down your stories--what humor, what action!" Mark +Heath, with the information of a room mate, the judging eye of a +half-disillusionized friend and the cynicism of a young journalist, +was first to perceive that a stenographer concealed to transcribe his +talk would get only barren words. + +In his fading and declining years, Judge Tiffany leaned more and more +upon Eleanor, his business partner. Now it had come spring. The trees +were in bud along the Santa Clara. They must begin preparing for the +season. The family did not move to the ranch until apricot picking was +afoot; but from now on either Judge Tiffany or Eleanor would run down +every week to watch the trees and to oversee the Olsen preparations +for harvest time. Purchase of supplies and the business of selling +last year's stock, held over for a rise in German prices, kept Eleanor +busy. + +She dragged the Judge out of his library one March afternoon, that he +might inspect with her a new set of sprayers which she was +considering. The Judge went to his office all too seldom nowadays; +Eleanor and Mrs. Tiffany used continually all kinds of diplomacies to +keep him at his business, from which he stubbornly refused to retire. +When they had driven their bargain, Eleanor guided and wheedled him to +the office. The methodical Attwood, having his man there, thumped a +pile of papers down before the Judge, representing that this demurrer +must be in on Tuesday, that case tried or continued next week. The +Judge sighed as he pulled the papers toward him. + +"They've nailed me, Nell," he said. "Here, I'll appoint a substitute. +Send for Mr. Chester, Attwood--dining anywhere, Chester? Then take pot +luck with us and pay me by escorting my business conscience home. I'll +overwork myself if someone doesn't carry her away!" + + * * * * * + +The afternoon fog, forerunner of another rain, floated in lances above +Montgomery Street. The interior valleys had felt their first touch of +baking summer, had issued their first call on their cooling plant--the +Golden Gate, funnel for mist and rain-winds. The moisture fell in +sleety drops; yet only the stranger and pilgrim took protection of +raincoat or umbrella. The native knew well enough that it would go no +further. On these afternoons, neither cold nor hot, wet nor wholly +dry, the blood is champagne and the heart a dancing-floor. + +At the moment when Eleanor stepped out into the home-going crowd, she, +an instrument tuned to catch delicate vibrations from earth and sea +and air, felt all this exhilaration. Life was right; the future was +right; the display of a young female creature before the male--that +most of all was right. And Bertram Chester, talking for the moment +like his old, natural self, was a main eddy in the currents of +joy-in-youth. + +"You are bonny to-day!" she said quite naturally as she looked him +over. + +He blushed happily. And the blush helped restore him in her eyes as +the natural Bertram Chester. + +"And you're the bonniest of the bonny. I never saw you look so full of +ginger except--" he hesitated there, and her words rushed in to meet +the emergency. + +"Thank you! Though I wasn't fishing, I am grateful just the same." + +"Then you do find something now and then that you can stand for in +me?" + +"I find a great deal--when you are Bert Chester." He seemed to puzzle +over this, to ponder it; so that she added: + +"Let's not talk conundrums in this air and this crowd! We're not +blue-nosed, self-searching New Englanders. Let's keep away from Market +Street and walk through the Quarter. They haven't yet taken the +Easter things from the shop windows, and there's a darling atrocious +group of statuary next door to The Fior d'Italia which you must see!" +And then, as they turned the corner-- + +"What's the crowd? I'm for disremembering that I'm refined. I want to +be curious!" + +"Looks like a scrap--do you--" + +"Nonsense! Come on. I divide women into those who would like to see a +prize fight and admit it, and those who would like to see a prize +fight and deny it!" + +"Gee whiz!" said Bertram. They had reached the edge of the crowd, +which circled about some knot of violent struggle and gesture. "Excuse +me!" He had sprung from her side and was breaking his way through. By +instinct, she followed into the hole back of him, so that she found +herself in the second row of spectators to a curious struggle, the +details of which flashed in upon her all at once. + +Two laborers, gross, tanned, dirty, were fighting. They had swung +side-on as the hole opened, and her glance focused itself upon the +smaller of the two. He was an old man, quite gray; and down his scalp +ran a stream of bright blood which trickled upon his ear. The thing +which puzzled her was the action of the older man. He seemed to be +hanging to the arms of his younger and sturdier opponent; also he was +talking rapidly, excitedly; and she caught only one phrase. + +"Hit me with a nail, will you?" + +And just then the younger man got his arm free, and dove for the +pavement--dove at precisely the same instant with Bertram Chester. +Apparently, the younger fighter arrived first; he backed off from the +scuffle brandishing a piece of packing box. Then she saw what the old +man meant. Pointing the weapon was a nail, stained red. + +As this rough fury poised himself for the stroke, she took in the +whole picture--a young, tall, brute man, one eye puffing from a new +blow, the other blood-shot, the mouth open and dripping, the right arm +raised for the murderer's blow. + +Bertram Chester came between as though he had risen out of the earth. +His left hand, with a trained aptitude which made the motion seem the +easiest thing in the world, caught the upraised wrist. The laborer +ripped out an unconsidered oath and struck with his free fist at +Bertram's face. Bertram evaded the blow, slipped in close. And +then--in a lightning flash of speed, Bertram's right hand, which had +been resting loosely by his side, shot upward. His whole body seemed +to spring up behind it. The blow struck under the point of the chin. +The head of the young bruiser dropped, then his shoulders, then his +arms; his body sagged down upon Bertram. The champion of age shook him +off; he dropped to the sidewalk. All this in a flash, in a wink. + +The crowd, curiously inert, as all city crowds are until the leader +appears, now followed this leader. A clamor of many tongues +arose--"Get a cop!" "He's killed him!" "Do him up!" A short rush of +half a dozen boys toward the fallen bully met the resistance of +Bertram, who had turned as though anticipating such a movement. He +shoved them back and raised his hand. His eyes were bright, his face +flushed, and that smile which won and commanded men had broken out on +his lips. + +"Say," he said, "you all saw me do this man fair and square. He isn't +dead. He's only put out. He'll be all right in five minutes. You know +it was coming to him. Now, I've got a lady with me, and I don't want +her dragged into the police station. The cops will be here in a +minute. I'd like to show this thing up in court, but we don't want to +trouble the lady, do we? If I beat it, how many of you will witness to +the cops just what happened?" + +"I!" and "I!" and "I!" from the crowd and "Me! God bless ye!" from the +elder warrior, who stood wiping the blood from his ear. Bertram gave +them no chance for reconsideration. "All right!" he said, "here I go!" +He pushed his way out as he pushed it in, swept Eleanor along with +him. The spectators lifted a cheer; but only a mob of small boys +followed. + +"Beat it, kids, or the bulls will pipe me!" called Bertram over his +shoulder. At this magic formula, the boys fell out. A half a block +away, Eleanor dared look back. A policeman had just arrived; he was +clubbing his way stupidly through the crowd. Bertram looked back +too. + +"All right," he announced, "now don't appear to hurry." At Kearney +Street, he swung her aboard an electric car. + +"Victory!" she cried as the conductor rang his two bells and the car +gathered headway. "It was perfect!" + +He stared down at her. + +"Well, I just had to put it through once I got started, but say--I +thought you'd sure be sore on me." His voice took on an apologetic +tone. "It seems to me when I see a scrap, I constitutionally can't +keep out of it." + +"No more should you--such fights as that." + +"Then you make distinctions?" he asked. + +"If you mean that I distinguish between fighting just for the lust of +it and fighting to protect the helpless, I may say that I do. You did +well." + +"Thank you!" he said, half-earnestly. "I'd have thought you wouldn't +like to see me muss things up, that way." He was letting his voice +slip away from him, both in volume and in manner, and the car was +crowded. A panic necessity for concealment took possession of her. + +"Surely we've evaded the police--let's get out and have our walk +through the Quarter." + +"I'm with you." Kearney Street, that thoroughfare which gathered into +its two miles every element in American life, here struck its hill +rise. Sheer above them hung Telegraph Hill, attained by latticed +sidewalks, half stairs. The Latin quarter thronged and played all +about them in the dusk and the fresh lamplight. And again, mood and +spirits rose in her. The event whose swift, kaleidoscopic action still +danced on her retina, the very stimulus of brutal youth in action, had +conspired with the perfect night to raise her above herself. + +"Oh, talk to me about it!" she said. "How did you do it--what do you +call it--I want to hear _you_ tell about it." + +"I guess you saw it all--just a plain uppercut. Those blame city +crowds would see a man killed before they'd think of anything but the +show. I've always said that, and now I know it. I caught sight of the +old man side-on and I saw he was hurt by something more than a punch. +Far be it from me to spoil a good scrap, but that wasn't a fair shake. +So I dropped you and started in. And then I saw that nail. I made a +slip there," he let his voice fall in self-depreciation--"I should +have kicked that chunk of board away, instead of diving for it. He +beat me to it. The rest was so easy it was a shame to take the money. +Up comes his head and up comes my guard"--he stopped in the street to +illustrate--"and he couldn't use his club any more than a kitten. I'd +have let him go, if he hadn't hit at me--and clipped me. For a second, +I could have bit nails in two. When I pulled myself in close, there +was his chin just above me--a be-auty target. And an uppercut was his +medicine." Bertram jerked his right hand up from his hip to illustrate +the uppercut. Then he screwed up his face and felt of his right +shoulder. "He marked me some," he said in explanation. + +"Did he hurt you?" she asked with real concern. It ran into her mind +that the conventional hero of romance makes his wound a scratch before +his lady. If she expected that from Bertram Chester, he +disillusionized her. + +"Well, you don't take a punch like that, even glancing on your +shoulder, without something getting loose," he replied. "I shouldn't +be surprised if I'd slipped a cog or a tendon or something." + +"Why--let's go home and see about it." + +"Oh, it isn't bad enough for that!" Then he fell into reminiscences. +In their toilsome passage up the hen-coop sidewalks of Broadway, he +gesticulated--with constrained motions of his right arm--loosed the +sparkle of his energetic, magnetic talk upon her. She drew close to +him. Gradually, as the steps became steep, her hand slipped under his +arm. She was only half-conscious of this motion; her consciousness was +full of a softening toward him, a leaning upon that strength which she +had seen in action. On his side, he did not fail to notice it--this +first movement in her which had seemed like an advance. He stopped his +buzz of talk at one moment and all the lines of his face relaxed as +though he were about to say something softer and deeper. But he only +caught his breath and changed to another story. He had remembered--and +just in time, he thought--the advice of Kate Waddington. + +But in spite of that remembrance, he permitted himself the luxury of +being natural; and he talked continually until they were within the +Tiffany doors. + +Mrs. Tiffany must hear all about it from both of them. When they came +to the hero's injury, she dismissed Eleanor, made him strip his massy +shoulder, and got out her pet liniment. The Judge, coming home in the +midst of these surgical cares, heard the story retold with heroic +additions by his wife. Dinner that night was a merry, a happy, an +intimate party. + +When Bertram left, Mrs. Tiffany did not follow him to the door, as was +her old-fashioned custom. He waited a moment, as though expecting +something. His eyes were on Eleanor. She did not move. She only bade +him a simple and easy good night over her shoulder. + +The old couple sat for a long time before the fire. Eleanor was +gone--not to bed, could they but have known it, but to sit by her +window and breathe bay-fragrance and drink the foggy night air off the +Gate. + +The Judge smiled down on that faded daintiness at his feet. + +"Are we now to consider him in the light of a nephew-in-law?" he +asked. + +"It has bothered me a good deal," said Mattie Tiffany. "What do you +think I ought to do?" + +"If that frightful social responsibility of yours drives you to +anything," responded the Judge, "I should say you'd best leave it +alone." + +"But Edward, dear, I'm just like a mother to her--and goodness knows I +haven't always been the best of mothers. There was her father--you +know how long I shirked that--" + +"The sin of omission that you will carry to your grave--" + +"And somehow this is so like Billy Gray! It was just this way in her +mother's case. When Billy came around--you remember how bonny a boy he +was then, Edward--I, her own sister, could never tell how she felt +toward him. I've always told you that Eleanor has slipped a +generation. She's her grandmother, not her mother, in mind. But she's +just like her mother in one thing. You can't ever tell what she's +thinking about, and the deeper her thoughts go the harder it is to +tell! That's why I'm considering all this so carefully--she doesn't +commit herself in one way or the other. It's a sign." + +"Knowing you, Mattie, I presume that you've conducted researches into +his desirability as a nephew-in-law?" + +"Well, shouldn't I? Goodness knows, we don't lead a conventional life +in this family, and I don't chaperone her. I reproach myself a little +with that. When Mrs. Goodyear wanted to take her up and put her into +the Fortnightly, it wasn't so much Eleanor's disinclination as my own +laziness about getting up gowns and paddling about paying calls which +kept me back--and that's God's truth." + +"And these penitential exercises in detective work--what have they +brought forth?" + +"He's a little careless morally, I think. He's had too much +conviviality about the Club. I'm afraid he's blossoming over young. +They can say all they want about wild oats, but in this city it's a +mistake to sow them all at once. That's one reason why I've been so +good to him. I flatter myself that a house like this is a moral +influence on him." + +"It's all a concern for his soul with you, then?" + +"No. Frankly, I like him. Everyone likes him. He's a dear. But as to +Eleanor--" + +The Judge had risen and taken off his skull cap. + +"Well, she has run a ranch and she's travelled alone to Europe and +back, and she's saved the soul if not the body of a father. And I +wonder whether a girl who's all that to her credit can't be trusted to +deal with the problem of an undesirable though attractive young +man--" + +"If I were only sure he was undesirable!" + +"It is according," responded the Judge, "to your definition of +undesirability. If you mean worldly circumstances, you needn't fear +for Bertram Chester. He resigns from my firm this month." + +"What for?" + +"Attwood brought me news of it. I don't know where he's going. I'm not +supposed to know anything. But for to get rich, for one thing." He +closed his book and restored it to its place on the shelves. "He took +the left-hand road, you see. It was manifest destiny; and you and I +and Eleanor cannot move one whit the career of that young man." + + + + +CHAPTER XII + + +When Kate called him up over the telephone, inviting him, second-hand, +to join a Masters party at Sanguinetti's restaurant, Bertram +interrupted his banter to ask if Eleanor were going. + +"I'm sure I don't know what her plans are," said Kate. "Why don't you +ask her?" The tone was a little cold. + +Remembering his duty, Bertram did ask Eleanor over the telephone. + +"I'm sorry," answered Eleanor, "but I had to decline." + +"Oh, duck your engagement if you have any!" he said, pleading like a +boy. "It'll do you good to jolly up!" But she was firm. He matched the +cool tone of Kate with the equally cool tone of Eleanor, and wondered, +as he hung up the telephone, whether anything had gone wrong between +those girls. He remembered now that he had not seen Kate at the +Tiffany's since the expedition into Chinatown. Had he but known it, +he was perceiving late a thing of which others were making gossip +already. + +While Bertram freshened up his toilet in his room and thought hard on +this, Kate Waddington, at home in the Mission, was making certain +special preparations of her own. Mrs. Waddington could measure the +importance of her daughter's engagements by the care she took with her +toilet. Fresh lace indicated the first degree of importance, her +latest pair of shoes the second degree, and perfectly fresh white +gloves raised the engagement to the highest degree of all. To-night, +all these omens served. + +Further, Mrs. Waddington saw that Kate was rummaging through the +unanswered letters in her writing desk, saw that she was comparing two +of them. Kate picked up the larger one. She was wearing furs, since +the April night was chilly. This letter she tucked carefully into her +muff. + +"Why in the name of common sense are you taking that letter along to a +dinner party?" + +"Oh, something I want to show someone," answered Kate after a +momentary pause. Mrs. Waddington knew from old times the hidden +meaning of that pause. Just so, when at the age of seven they had +caught her in the sugar-bowl, Kate had paused before starting her +ready explanation. She had never overcome it; and her mother was the +last person likely to acquaint her with that flaw of method. + +"It's from Alice Johnstone, I judge by the handwriting," continued +Mrs. Waddington. + +"Oh, I guess so," responded Kate. She made rapidly for the door. "Good +night, mother. I'll be home to-night, but rather late." + +"Thank you for small favors--" but Kate was gone. + +Sanguinetti's held a place in the old city no less definite than that +of Zinkand's or the Poodle Dog. In the beginning a plain Italian +restaurant, frequented by the Italian fishermen whose sashes made so +bright the water front and whose lateen sails, shaped by the swelling +wind like a horse's ear, gave delight to the bay, it had existed since +the Neapolitans came to drag the Pacific with their nets. Painters and +art students from the attics of the Quarter "discovered" it. When they +made a kind of Bohemia about it, "the gang" of tawdry imitators and +posing professional Bohemians followed as a matter of course. That +invasion put it on the fair way toward failure. But Sanguinetti's +saved itself by dropping one degree lower. "South of Market" +discovered it. That district is somewhat to San Francisco as the East +Side to New York, though with an indescribable difference. Then came +the milliner's apprentice who slaved all the week that she might +brighten the "line" on Saturday afternoon, with the small clerk, her +companion or the butcher-boy her beau. There came also the little +people of the race track, as jockies out of a job, touts, bookmakers' +apprentices--tawdry people mainly, but ever good-humored and ready to +loosen restraint of custom after the second quart of Steve +Sanguinetti's red wine. So this place came to have an air of loose, +easy, half-drunken camaraderie, which seldom fell into roughness. It +was the home of noise and song and easy flirtations which died at the +door. When this transformation was fully accomplished, the painters +and art students and seekers after "life" came back again. This time, +they did not spoil its flavor. The fishermen had been shy folk who +fled from the alien invasion; no shyness about South-of-Market people +on a holiday! + +This Sanguinetti dinner party of Sydney Masters's differed but +slightly, after all, from other slumming parties in the hostelry of +touch-and-go familiarities. Amused outsiders, they watched the growth +of swift flirtations, passed comments on the overdressed women, joined +in the latest Orpheum songs which started when the cheap wine made +music in the throat, chucked quarters into the banjoes of the two +negro minstrels who came in at eight o'clock to stimulate merriment. +Bertram, in his position as jester to King Masters, went a little +further than the others. It was he who bought out the stock of a small +Italian flower-vendor, that he might present a bouquet "to every lady +in the place." His attention brought from the ladies varying degrees +of gratitude, and from their escorts degrees of resentment which +varied still more. Running out of flowers before he had gone clear +around the room, he built up on toothpicks bouquets of celery and +radishes, which he fastened to the corks of empty claret bottles and +gave, with elaborate presentation speeches, to the merrier and +prettier of the neglected ladies. + +From this expedition, he returned leading a little, sad man, who had +the look of a boy grown old by troubles. A bleached-blonde woman +followed them half-way across, but centre room she turned back with a +stamp of her foot and a flourish of her shoulders. + +"Ladies and gentlemen," Bertram announced, "I desire the privilege of +introducing Teddy Murphy, California's premier jockey, lately set down +on an outrageously false charge of pulling a horse. He is here, ladies +and gentlemen, to tell you his troubles!" + +A moment of silent embarrassment on both sides. + +"Here--take my chair, Mr. Murphy!" spoke Kate from the foot of the +table. The next table, set _a deux_, had just become vacant. Kate +slipped into its nearest chair. Bertram's seat was back by the wall; +to reach it, he must step over feet and so interrupt Mr. Murphy's tale +of wrong. Nothing was more natural than that he should take the seat +opposite Kate. And instantly--he having heard the story +already--Bertram lost interest. + +"Would you mind getting my muff?" asked Kate. "I think my handkerchief +is in it." + +As Bertram handed over the muff, she was smiling up at him. She did +not look down until she had taken out her handkerchief, flirted out +its folds. Then a little, disconcerted "oh!" escaped her. + +"What is it?" + +Kate was shaking out her skirt, was glancing rapidly to right and +left. "Goodness!" she cried. + +"What's the matter?" + +"A letter. Have you seen it?" + +Bertram looked under the table. There it lay, by his chair. He picked +it up and passed it over. + +"Oh!" she cried again, this time in a tone balanced between relief and +embarrassment. She tucked it back into her muff, and her eyes avoided +his. He noted all this pantomime, and he was about to speak, when Mrs. +Masters touched Kate on the shoulder. "My dear, you're missing this!" +she whispered. + +Kate put all her attention upon Mr. Murphy and his burning story about +the pulling of Candlestick. Mr. Murphy grew a little too broad; Mrs. +Masters, as the easiest way rid of him, rose and asked for her wraps. +As Bertram assisted Kate, he saw her reach an anxious hand into her +muff. + +Outside, she contrived a loose shoe lace, so that she and Bertram fell +behind. She did not approach the subject of the letter; that came up +later and, of course, quite incidentally. + +"Anything to confide in me to-night?" she began. + +"Oh, nothing much. Gee, you can't tell about her, can you? Say, are +you sure about your system? She was with me last Tuesday when I +punched the jaw off a man, and she hasn't treated me so well since I +knew her as she did after that. I was blame near opening on her again. +Blame near. What's the answer?" + +"A passing mood, perhaps." + +"Well, I'd like to get her in that mood often." + +"And you'll find that she's furthest from you in those moods--it's in +them that she's least herself." + +"This general girl proposition is a tough one," commented Bertram. +"All right. You know the dope." + +"You poor, perplexed boy!" + +"Say, isn't it time you began confiding?" + +"Oh, you caught it--the letter I mean--There are few things those eyes +of yours don't see!" + +"Man?" he continued, ignoring the compliment. + +"Yes. It's a dreadful perplexity." + +"Tell your old uncle!" + +"Perhaps." + +"You're in love?" + +"I--I was. You see--ah, it's gone past the place where it should have +ended!" + +"Then why don't you break it off?" + +"That's all very well to say, but he's a good man, and he says he's +crazy about me. Do I seem happy to you?" + +"Middling." + +"I am--sometimes. Then something like to-day comes, and it puts me +clear down in the heart. I have to keep up laughing and being gay when +I'm all torn to pieces. I feel that I oughtn't to keep him in suspense +this way. He's young, he's fairly rich--if that counted. When he's +here, I often think I do--love him. When he writes, I know I don't." + +"Poor little girl!" said Bert, catching sympathetically at the +half-sob in her voice. + +"Thank you," answered Kate on an indrawn breath. And then, "What would +you do? I'm only a girl after all, am I not? Here I'm leaning on you, +asking for advice." + +Bertram did not answer for a time. Then: + +"Sure you don't love him?" + +"Not--not entirely. I might if he made me." + +Bertram was looking straight down on her. His mouth was pursed up. + +"Suppose he made you--and after you'd married him you got to feeling +again as you do now. That wouldn't be square to him, would it?" + +"I--perhaps not. But oh, it would hurt him so!" + +"I guess he could live through it. They usually do, and don't lose +many meals at that. I think he's running a bluff, myself." + +Kate drew slightly away from him. + +"That's a poor compliment." + +Bertram studied her meaning. + +"What?" + +"To say that a man _couldn't_ get crazy over me." + +"Oh! Not on your life. Sure thing no. I don't know a girl anywhere +that a man has more license to get crazy over. You're a beauty and +you're just about the best fellow I know." + +"I suppose you _had_ to say that!" + +"I figure that I wanted to. If I haven't said it before, it's +because--" he stopped; Kate, as though it were an actual presence, +could see the figure of Eleanor rising between them. + +"Yes, I know--" she said quickly. "You do think I'm attractive +then--cross your heart." + +"Cross my heart, you're a beaut." + +"But that doesn't get me any further with my troubles." + +"What are his bad points that make you hold off?" + +"Nothing more than a feeling, I suppose. No, it's more than +that--something definite. It's--I find this thing hard to say. Not +exactly weakness in him--more a lack of proved strength. He inherited +his money; he's had the regular Eastern education. He's at work, +managing his properties. But I'd feel so much more secure of his +strength if he had made it for himself. That is the thing I could +admire most in a man; more even than kindness. To have him succeed +from nothing because his strength was in it. I don't care how +unfinished he might be--that would show he was a man!" + +Bertram was still pausing on this, when Kate touched his arm. + +"I'm afraid," she said, "that we must join the others. They'll be +talking about us if we don't, and we mustn't have that--for Eleanor's +sake if for no other!" They hurried ahead, therefore, and walked +beside Mr. and Mrs. Masters all the way in. + +At the studio door, Kate declined a half-accepted invitation to remain +for the night. + +"Mother isn't wholly well," she said, "and I can be fearfully domestic +in emergency! It's only a step to the Valencia Street cars, and Mr. +Bertram will get me home." + +It was still too early for the theatre crowd; they found themselves +alone on the outer seat of a "dummy" car, one of those rapid transit +conveyances by which San Francisco of old let the passenger decide +whether that amorphic climate was summer or winter. + +He had, it seemed, to shake her back into the story of her +love-affair. Three times he approached the subject, and each time she +fended it off. They had passed clear into the Mission, were more than +three-quarters of the way home, before he launched one of his frontal +assaults. + +"You might give me some more work at my job of confidant," he said. + +She began again, then; a story without detail; more a sentimental +exposure of her feelings. The thing was growing like a canker; she +fought it, but the decision, the feeling of his unhappiness should she +give him final rejection, roosted on her pillow. It had never come to +an engagement; it had been only an understanding; but she thought of +dreadful things, even of his possible suicide, whenever she +contemplated giving him the final blow. + +The old-fashioned Waddington house stood on a big Spanish lot far out +in the Mission. There was ground to spare; enough so that its original +owners had room to plant trees without shading light from the windows. +As they walked into the deep shadows, her voice took on an intonation +like a suppressed sob. + +"It is a comfort now to have said it, and it's a new life to have you +for support. Oh, Bertram, what a big, strong friend you are! Be good +to me, won't you?" + +She had stopped; in the shadows the clouded moon of her face looked up +into his. + +"Oh, won't you be good to me?" + +He slipped his arm about her; and suddenly he kissed her. + +She suffered his kiss for only a moment; then she moved away. He let +her go, and she rushed ahead to the door. When he reached the step, +she had faced about. + +"Consider my _feelings_, Bert Chester," she said; and the screen door +slammed. + + + + +CHAPTER XIII + + +Just where the Santa Eliza trail commanded sight of the main travelled +road, Eleanor sat on a rock watching the hill-shadows lengthen on the +valley below, watching a mauve haze deepen on the dark-green tops of +redwood trees. The time was approaching when she must hurry back to +Mrs. Goodyear's bungalow for a dinner which she dreaded. Three weeks +of perplexity had bred in her a shrinking from people. She had found +excuse to wander away alone. + +That lazy spring of the North woods, so like to early fall in other +climates, had given her at first the healing of spirit which she +needed. She wandered hither and yon as her fancy led her, following +this trail, pushing into that opening in the chapparal. She had come +out upon the Santa Eliza trail and gained sight of the road before she +realized with a kind of inner shame the way in which her feet of +flesh had been tending, the direction in which she had been turning +her eyes of the spirit. + +Three miles away on the summit of the next ridge was the Masters +ranch, and there rested the centre of her soul-storm. Bertram Chester, +she knew by chance, was spending the week-end with the Masters. + +She stopped by the rock, then; and immediately nature went out of her +heart and the world entered. For three intolerable weeks, this +heaviness had been descending upon her as by a whimsy of its own. Like +the water of those cupped wheels in her little irrigation plant at the +ranch, this black liquid, when it had filled its vessel to the brim, +would empty automatically without touch on the spring of her will. +When this came, she would feel rested, healed, in a state of dull +peace. Now the struggle of thought was on her again. As always before, +it began with an arraignment of the facts in the case, a search of +memory for any forgotten data which might lead to a conclusion. + +The first crisis arrived on the evening when Judge Tiffany came home +in a plain mood of disgust, and announced baldly: + +"Well, Mattie; our young friend did everything I expected of him." + +He went on quite simply with the news. Bertram Chester had left him +almost without notice. But that was to be expected. The rest was the +worst. Bertram had gone to Senator Northrup--as manager of his real +estate interests. The name Northrup was as the name of the devil in +that household. Northrup's operations included not only law and +politics but latterly speculative and unprincipled ventures in +business. A dying flash of his old fire woke in Judge Tiffany when he +spoke as he felt about this young cub who had bitten his caressing +hand. + +Eleanor left the dinner table as soon as she had a fair excuse. She +found herself unable to bear it. Had she remained, she must have +defended him. But alone in her living room she look counsel of this +treason and agreed in her heart with her uncle. The very manner in +which he had done it--never a hint, never a preliminary mention of +Northrup--appealed to her as the deepest treason of all. + +The next evening, Bertram Chester had the superb impudence to call. +Eleanor was alone in the house that night. She hesitated when the +maid brought in his name, then shook herself together and went out to +face him. + +He met her with an imitation of his old manner, an assumption that his +change in employment would make no difference in his social relations +with the Tiffanys. What words had she used to let him know her +feelings? She could not remember now. But it had come hard; for the +unmoral half of her perceptions was noting how big and beautiful he +looked, how his blush, as of a stripling facing reproof, became him. + +He pleaded, he stormed, he presumed, he passed in and out of sulky +moods, he began to defend himself against the silent attack of her +look. Why hadn't he a right to do it? A man should look out for +himself. But he'd have stayed and rotted with the old law office if +he'd felt that she would take it that way. + +"You mean more to me than success!" he said. + +"No more of that, please!" she cried. After that cry, she fell into +dignified silence as the only defence against the double attack from +him and from the half of her that yearned for him. From her silence he +himself grew silent until, with a boyish shake of his +shoulders--lovable but comically inadequate--he bade her good night. + +"You'll cool off!" he said at the door. + +"Good bye," she responded simply. + +"No, it's good night," he answered. + +She woke next morning with a sense of vacancy in heart and mind. +Something was gone. She did nothing for a week but justify herself for +calling that something back, or nerve herself to let it go. + +On the one hand, her mind told her that he had done the ungrateful, +the treasonable thing. It did not matter that he might have done it +through mere lack of finer perception. That was part of his +intolerability. On the other hand, her heart ran like a shuttle +through a web of his smiles, his illuminations, the shiver, as from a +weapon suddenly drawn, of his unexpected presence, even his look when +he stood at the door to receive her final good bye. The woof of that +web was the sense of vacancy in her--the unconquerable feeling that a +thing by which she had lived was utterly lost. + +And where would he go if she let him go? Ah, the inn was ready, the +room was swept. He would go inevitably to Kate Waddington. That would +be hard to bear. Sense of justice was strong in Eleanor; she realized +the ungenerosity of this emotion while she continued to harbor it. But +was there not justice in it after all? Kate Waddington could grasp, +could guide, only the worst part of him. Kate Waddington had in her no +guidance for the better Bertram Chester, who must be in him somewhere. +She hugged this justification to herself. Perhaps it was not right to +let him go; perhaps her heart and her duty were as one. + +A cock quail came out from the chapparal, saw her, and bobbed back; +the feet of his flock rustled the twigs. Now he was raising his spring +call--"muchacho!" "muchacho!" Clearer and slighter came the call of +his mate--"muchacho!" "muchacho!" A ground squirrel shook the +laurel-bush at her side, so that its buds brushed her shoulder. The +cock quail came back into the pathway, slanted his wise head, plumed +in splendor, to find whether she were friend or enemy, saw that she +made no move, and fell to foraging among the leaves. She had sat so +long and so quietly that the little people of the ground were +accepting her as part of the landscape. She began dimly to perceive +these things, to take joy in them. And then they colored her mood. + +What was she but a young, female thing, a vessel of life universal? +What was her attraction toward Bertram Chester but a part of the +great, holy force which made and moved hills, trees, the little people +of hills and trees? What was she, to have resisted the impulse in her +because of a few imperfections, a little lack of development in +civilized morals? + +Her perception of nature died away, but the slant which it had given +her thoughts persisted. + +When she felt and spoke as she had done that night in the Man Far Low, +she was unwholesome, super-refined, super-civilized--she was +proceeding by the hothouse morals which she had learned in books and +in European studios. When she felt as she did on that first night +under the bay tree, she was wholesome and eternally right. + +How much greater in her, after all, if she had followed the call, had +taken him for the man in him, to develop, to guide as a woman may +guide! Ah, by what token could she call him back? + +Her gaze of meditation had been fixed on the road below. She had been +half-consciously aware for some time of a figure which lost itself +behind one of the hill-turns, reappeared again, became wholly visible +in a band of late afternoon sunshine. + +It was Bertram Chester. The vision came without any shock of first +surprise. He had been so much part of her thoughts that it seemed the +most natural presence in the world. He was swinging along the road in +her direction, heaving his massive shoulders with every stride; he +stopped, took off his cap, wiped his forehead with a motion which, +seen even at that distance, conveyed all his masculinity, and strode +on again. + +Would he keep on along the road, or would he turn toward her up the +Santa Eliza trail? And if he did keep on, would those roving eyes of +his perceive her sitting there? Why not leave everything to that +chance? If he looked up and saw her there on her rock, if he turned +into the trail and passed her--that was a sign. She found herself, +nevertheless, humanly striving to cheat fortune and the gods by +fixing all her mind and eyes upon him, as though she would hypnotize +him into looking up. + +But her mind and eyes had no power over him. He kept on with his even +gait until he was lost behind the clump of trees which marked the +branching of the trail. One chance was gone; she might not know the +issue of the other until time and waiting informed her. How long +before she should know? She crouched low on the rock and tried not to +think. + +The twigs and pebbles crunched under heavy feet; the branches shook +and rustled; a blue sweater became visible in the shadows. She looked +away. + +"Well, I'll be--eternally blowed!" His voice came out like an +explosion. Much as she expected it, she started. When, after a moment, +she dared look up, he stood over her. + +"Are you going to run away?" he asked. His voice, with its ripple like +laughter, showed that he expected nothing of the kind. + +"No," she answered, superfluously. + +He seemed, then, to feel the necessity for explanation. + +"I hadn't an idea--" + +"Neither had I." She broke in to anticipate his thought. Each was +lying a little; and both knew it. She rushed to commonplaces. + +"Uncle Edward and I are at Mrs. Goodyear's bungalow over Sunday. It's +our last expedition out of town before we go down to the ranch." + +"Well, I must have had a hunch! I'm at the Masters ranch over Sunday. +I got a freak idea to take a walk alone. It sure was a hunch!" Soft +sentiment tinged his voice. She answered nothing. + +"A hunch that you were alone here, nobody to interrupt--say, are you +still sore on me?" + +"I--I didn't run away--" + +"Oh, I knew you'd get over it. I think even the Judge will get over +it. I don't believe he'd care anyhow, if it wasn't for his old grouch +on Senator Northrup." + +"Perhaps. He's said nothing--to me--" + +"But it's you I care about. Only you. I told you that and I mean it. I +don't want you to be sore--I'd go back and bury myself in the old +office for life if I thought it would make it different with you." + +"Would you, Bertram?" + +He leaned close to her; she could feel his compelling eyes burning +into her averted face. With one part of her, she was conscious that +here was a crisis too great for her fully to feel; with the other +part, she was aware that an ant, dragging a ridiculously heavy straw, +was toiling up her rock. + +Now he had her hand, which lay inert in his; now his arm was about her +shoulder; and now he was speaking again: + +"Can't you? Can't you stop looking down on me and believe I'm going to +be good enough for you?" + +She found power of speech. + +"I never--I don't think that I'm too good for you!" Her Rubicon was +crossed. It was a strangely long time before he kissed her, but the +silent interval after the kiss was stranger and longer still. + +"Tell me what you plan for our future, Bertram, for I am afraid!" she +whispered at length. + +"It's got to be a wait--that's the risk you take with a comer. I'll go +on twice as fast for you. What do you want--shall we tell about it, +girlikins?" + +"As you wish, Bertram." + +"I guess we'd better not, then--not until the old Judge gets his back +down. Let's have it just between me and my little girl. + +"Say!" he added, the sentiment blowing out of his tone, "what was the +matter, anyhow, that night on the restaurant balcony? Why did you turn +me down then, and what made you so sore? I've never quite got to your +thoughts, you know. But I'm going to!" He drew her closer. "Every one +of them!" + +She dropped her face on his shoulder. + +"Ah, we've so many things to talk about, Bertram, and there's so much +time! I've been a girl that didn't know her mind. Shan't we let that +rest now? Shan't we be contented with what to-day has brought you and +me?" + +A film clouded his face. + +"Yes--if you want it that way." + +"Hoo-ooo-ooo!" Clear and high, but quavering, a masculine voice was +calling across the ridge. Eleanor sprang up. + +"That's Uncle Edward--it's dinner-time--do you want him to find +you--you'd better go!" + +He stood as though considering. + +"All right. When are you going back?" + +"We catch the seven train to-morrow afternoon at Santa Eliza." + +"Darn! I'd engaged to take on the five-ten at Las Olivas. I've half a +notion to change and join you and see what the old man says--" + +"No, Bertram, it's better not. We'll find a way. Go now!" + +"You bet we will--good bye, girlikins!" He made no move to kiss her +again; he turned and crashed down the trail. + +Eleanor sped up the trail. Safe on the summit of the ridge, her secret +hidden behind her, she answered the call. Then she dared look back at +the figure vanishing in deep shadow below. Her expression and +attitude, soft-eyed and drooping though they were, showed other +emotions than unmixed happiness. + + + + +CHAPTER XIV + + +Judge Tiffany turned from a consideration of the hillside to a closer +consideration of Eleanor, who rode beside him in the Goodyear trap. +She sat very straight, her hands folded in her lap, her grave, grey +eyes staring not at hillsides nor spring skies, but into the far +horizons. + +Since he recovered from that purely human rage against this youth who +had betrayed him to his dearest enemy, the Judge had been watching, +with all his old interest, the surface indications of Eleanor's moods. +Last night, it had been a kind of gaiety; to-day the mood was quiet, +but not at all despondent; there was life in it. Judge Tiffany held +his own views on the relations between his niece and Bertram Chester, +and on the right or convenience of interfering. Twice he had been on +the point of telling her that his feeling toward Bertram Chester +should not color hers; that his house was still open to the young +man. But the curiosity of philosophical age to see how things will +turn out had prevented him. + +It was just as well. They were on the eve of their summer flight to +the ranch, where she would have other things to think about than young +men. That was his half-expressed theme when he spoke: + +"Well, girl, will you be glad to get back to work again? You missed +last summer." + +Eleanor started as out of sleep. + +"I think I am glad of everything!" she said cryptically. As though to +turn the subject, she indicated a buckboard which was coming down an +intersecting by-road at crazy speed. + +"Why are they driving so fast?" + +The Goodyear driver turned with the familiarity of a country +henchman. + +"That's the doctor's rig from Las Olivas," he said, "and he's sure +going some!" Followed a monologue on the doctor and his habits. + +About the next bend of the road, a little boy rushed from a wayside +camp which looked strangely deserted for supper-time of Sunday +afternoon. He waved both arms before his face. + +"Hey, mister, take me to the wreck!" + +"What wreck, kid?" + +"The five-ten is over the trestle, and they went off and left me!" + +Judge Tiffany took the information calmly, even selfishly. "I wonder +if we'd better turn back and give it up to-night, or go on?" + +Eleanor spoke with a catch of the breath, a drawn-in tone. + +"Go on! Oh, tell him to go on!" + +The Judge peered at her. She was pale, but, as always in her crises, +the curtain of inscrutability made her face a mask. "Oh, do go on!" +she repeated. Then, as though it all needed explanation, she added: + +"We might be able to help!" + +"Drive on, then--fast!" + +Absolutely passive, Eleanor swayed a little with the trap, but made no +motion of her own. Indeed, there was little motion within. The train +had gone over the trestle, that was all. Bertram Chester was on that +train. She must not try to think it out--must only hold tight to +herself until she found how God had decided for her. Once it did occur +that she had fretted her heart away over shadowy ills, toy troubles, +while Bertram walked the earth free and healthy. How trivial those +troubles seemed beside this real apprehension! Once again, she +wondered how she had been cruel enough to hold him at arm's length so +long. Was this to be the punishment for her folly? + +A buckboard, driven furiously, came over the hill-rise before +them--the doctor's rig. + +"Ask him--ask him!" she called to her driver. As they drew up +alongside, the doctor's driver began talking without need for +inquiries. + +"Spread rail! The rear car just bucked over the trestle--" + +"Anybody dead?" + +"Two that I saw--and everybody in the rear car hurt. They're loading +'em on the front car to take 'em to town. Good bye--I've got to bring +back medicine before they start!" + +The chances were even--the chances were even. If he had been in the +front car--relief. If he had been in the rear car-- + +The thing opened before them like a panorama as they topped the hill. +The engine puffing regularly, normally, the baggage car and one coach +on the rails behind it; a little crowd buzzing and rushing up and down +the trestle; a black, distorted mass of iron and splinters at the +edge of the water below. Three or four heads appeared above the +trestle, and the people swarmed in that direction. The heads grew to +four men, carrying between them a bundle covered by a red blanket. + +Judge Tiffany spoke for the first time. + +"You'd better not see it, Nell!" + +His words seemed to draw the curtain away from her self-control. + +"Oh, go on--for God's sake, go on!" + +As they drew up beside the undamaged coach, the bearers had just +arrived with another body. Eleanor jumped down, rushed to the +platform. The thing under the blanket was a woman. She turned into the +coach, apprehension growing into certainty. She had not seen him in +the crowd. If he were unhurt, he must be first and foremost among the +workers. + +The coach was a hospital--limp, bandaged people propped up on every +seat; in a little space by the further door, a row of quiet figures +which lay as though sleeping. Above them bent two men. Their +business-like calm showed that they were physicians. The half of her +which stood aloof, observing all things, wondering at all things, the +half whose influence kept her now so calm and sane, marvelled that she +heard no moaning, tormented sounds. They were in the second stage of +injury; the blessed anćsthesia of nature was upon them. For human +speech, she heard only the low, quick voices of those who healed and +nursed. + +She saw a bare arm lifted from the press of huddled forms, saw that a +physician had pressed a black bulb to it. The hand--the inevitable +configuration of that arm which she had never seen bare--and she knew +him. + +Bertram lay on his side. His eyes were closed, his whole figure +huddled; yet something more than the quiver of his body at the prick +of the syringe told her that he was alive. His color had changed but +little; hovering death showed mainly by a sharpening of all the lines +of his face. Yet it did not seem to be Bertram, but rather some +statue, some ghastly replica of him. + +The physician stood up and stretched his back. She came close. + +"Will he live?" + +He turned impatiently, but he caught her eyes. + +"He has a chance. He's young and strong--Is he--yours?" + +"Yes--yes! What shall I do for him?" + +"Are you sure you're strong enough--you won't faint nor carry on?" + +"No--no! I'm sure of that. What may I do?" Judge Tiffany was beside +her now. He looked, understood, and said nothing. + +"Thank God for you, then! With all the crowd we haven't sane people +enough to nurse one baby! Everything's the matter with him--broken +arm, broken collar-bone, shock, and maybe he's injured internally. We +can't be sure about that yet. I'm trying to make him comfortable, +but"--here the agitated man broke through the calm physician for a +moment--"No braces, no slings, no anything! We're going to town as +soon as this company will let us. And he must be held. It's the only +way to keep him comfortable. Come!" + +Judge Tiffany touched the doctor's arm, but he spoke to Eleanor. + +"Nell--you'd better let a man do that." + +"No. You may help. How shall I hold him?" + +All her will concentrated on obedience to direction, she followed the +doctor while he drew Bertram's bare arm over her shoulder, set a +cushion at his back, showed her how she must support his neck with her +right hand. + +"Hold him as long as you can, then have your friend relieve you. But +change no more often than you find necessary. He'll get jostled enough +before we reach town." + +The Judge seated himself calmly. She was alone with the care of her +dying. The necessity for comforting and reassuring him came into her +mind. + +"It's all right, Bertram; it's all right!" she whispered. He returned +no answer, even of a flickering eyelash. He lay still, inert, a great +bulk that tugged at the muscles of her arms. + +After a time, her frame adjusted itself to the position. Her +perceptions, still keenly alive, told her that her doctor was working +over a woman in the corner. Just as the train started, she saw him +rise, wipe his hands on his handkerchief, and motion calmly to two of +the men. They lifted the woman. Eleanor realized all at once what the +motion signified. They had taken her to join the dead in the baggage +car. + +Next to Bertram lay an old man, his head so wrapped in bandages that +she could see only the tip of his grey beard. A middle-aged +woman--Eleanor recognized her as a camper whom they had passed on the +road but yesterday--knelt beside him, talking into his ear about his +soul. "Do you lean on your Savior?" she whispered. A kind of passing +impatience touched Eleanor. So much had her sympathetic spirit +absorbed the feelings of these dying ones, that she resented this as +an intrusion, an unwelcome distraction from the business of sloughing +off the flesh. + +A little sag of Bertram's body, which alarmed her for a moment until +she saw that the movement came from relaxation of her own arms, called +her back to responsibility. The realization that it _had_ called her +back brought with it the amazing, shameful realization that it had +ever wandered away. + +Why-- + +From the moment when she took him into her arms, she had never thought +of him as her dying lover--never as her lover at all! + +A man in extremis, a thing so beaten and suffering that she called for +it on her Christ--he was all that, in common with the other beaten and +battered and senseless wrecks about them. But the feeling that he was +her own, about to go from her, had never entered her heart. She was +ashamed while she thought of it; but it persisted. Not hers? Why, she +had suffered him to kiss her only yesterday! Must she think of such +things with a life to save? + +Now, her body was giving way with weariness; it seemed that she could +hold him no longer. She nodded to Judge Tiffany, therefore; the old +man rose and gently took her burden from her. She sank back on the +empty seat. When the faintness of fatigue had passed, she fixed her +eyes on the still face of him who had been her lover. + +Why was it? The clear-cut profile, so refined and beautiful since +suffering gave it the final touch, had thrilled her only yesterday and +through a succession of yesterdays. It had no power to thrill her now. +She tried to put back this unworthy thought, but it persisted. In +spite of pity and all decency of the heart, that outer self of hers +kept saying it to her like an audible voice. Were he to die now, in +her arms, she should work and weep and pray over his passing--but only +as she would work and weep and pray over that alien old man who lay +beside him, that woman whom they had just carried away. + +The Judge was flagging. He glanced wearily over his shoulder, as +though he hesitated to ask for relief. She rose; and without a word +she took his place. And now, as she knelt with Bertram's slight yet +heavy breathing in her ear, her thoughts became uncontrollable +nightmare--scattered visions and memories of old horrors, as when she +saw her father drunk on the pavement; a multitude of those little +shames which linger so long. One incident which was not quite a shame +thrust itself forward most insistently of all. It was that episode +under the bay tree, when she was only a little girl. Why did that +memory start to the surface those tears which had been falling so long +within? Her weeping seemed to lift her to a tremendous height of +perception, as though that outer self had flowed in upon her. + +That which had lured her and dragged her to him in the end, was the +life in him, the strong, vigorous body, the gestures, the smiles. That +which had held her away from him was the soul within him--high and +clean enough as souls go, but not one which she could ever know, and +not one which could ever know hers. In this struggle of passing, he +was all soul; the body was not in it. + +She held the plan of her puzzle; it was necessary only to set the +scattered blocks into place. + +She found herself whispering to him; she checked herself until she +remembered that he could not hear: + +"O Bertram, you are not mine! O Bertram, you could never be mine!" + +Now she could look straight at the possibility of his death or +recovery. And she could weigh and choose, in case it was life, between +telling him what she felt, or going on with him to the end--walking +with a soul apart, yet choosing paths for it, too. That last might be +the road of honor. That fine and heroic course, indeed, came to her +with a high appeal. She had made her one resolve of duty. Perhaps it +was her destiny to immolate herself for duty to the end. + +The train bowled on, stopping for no stations. The old man in the +corner was unconscious or asleep; the woman who tended him had stopped +her spiritual ministrations. A child, propped up in one of the rear +seats, had awakened to cry, fallen asleep, awakened and wept again. +She had in her voice a thick, mucous note, which became to Eleanor the +motif in that symphony of misery. Otherwise, no one seemed to be +making sound except the two physicians. Her own doctor came up once, +pressed a syringe again into the bare arm, whispered that it was all +going well. + +A whistle came muffled through the fog; they were slowing down. It was +a station; the lights, the clamor of human voices, proved it. Eleanor +looked out of the window. A knot of young men had broken for the +platform; and she could distinguish the black boxes of cameras. There +arose a sharp parley at the rear door; her doctor muttered +"reporters--damn!" and hurried back. Judge Tiffany rose and followed +him. Over her shoulder Eleanor caught the white, intent face of Mark +Heath. "He knows; they have told him," she thought. + +Judge Tiffany, his mind on the practical necessities of the case, +still had it in him to admire the control of that good soldier, the +modern reporter. When he told simply what had happened, how the issue +lay balanced between life and death, Mark only said: + +"My God!--and me with the story to do!" Then his eye caught Eleanor. + +"Did she--has she been nursing him?" + +Judge Tiffany glanced at the other reporters, clustered about the +conductor, at the photographers, holding animated wrangle with the +physicians about flashlights. + +"Keep her out of your story--you can do that. Say I found him on the +train--put me in--that's a good story enough. Keep my niece out. Keep +the others off. Keep those flashlights muffled!" + +Mark hurried forward. One look, a look which contorted his face, he +bent on Bertram. Then he spoke puzzles to Eleanor. + +"You're Miss Brown, a camper at Santa Eliza, if anyone asks you--and +when we leave this train you stay by me and do everything I tell +you." + +"Very well." + +Mark touched Bertram's face with a tenderness almost feminine. "Poor +old man!" he whispered; and he hurried back. + +A shock-headed youth accosted him. + +"What's up there?" he asked. + +"Good story," answered Mark. "I've got it all--don't you fellows +bother. Bertram Chester, old California Varsity tackle, real estate +manager for Northrup and Co., seriously injured, may not recover. Get +his injuries from the doctor. His late employer, Judge Edward C. +Tiffany, reached this train at Santa Eliza and has been taking care of +him." + +A voice came from the group of reporters: + +"Why, he's your roommate!" + +"I know it--damn it! Keep on. Judge Tiffany has been caring for him, +holding him up so he could bear it, assisted by Miss Sadie Brown, a +camper at Santa Eliza. She's the one I was talking to." + +"Who is she? Any chance for a photograph?" + +"I braced her for a picture. She wouldn't stand for it." + +"Let me try! I'll get it." + +"See here, you fellows, I'll attend to that. I'll let you all in if +she gives up. I'll play you square. He's my roommate--can't you trust +me to handle it? Keep on. Miss Sadie Brown, works at the Emporium, +lives 2196 Valencia--" Mark was reading from a perfectly blank sheet +of copy paper--"Judge Tiffany will take him home. He wired ahead for a +private ambulance from Havens. That's all of that. Now what have you +fellows got? Help me out; it's none too easy for me." + +As he took notes, asked questions, formed his "story" in his mind, +Mark never took his eyes off that group in the corner. + +Now they were racing down the last stage of the trip, with full +freeway. Now they were drawing into the ferry station. Under the +lights stood a buzzing crowd, its blacks shot with the white coats of +hospital orderlies. A dozen ambulances, their doors open, stood backed +to the platform. Eleanor sagged down on the floor with a sigh as two +orderlies lifted Bertram's arms from her shoulders, made shift to get +him upon their stretcher. + +But the doctor stopped them. + +"Get this old man first," he said, "and be careful. That young fellow +ought to pull through." + + + + +CHAPTER XV + + +Toward morning, Eleanor managed to get a little sleep. When full +daylight wakened her to the dull realization of her situation and +burdens, she hurried into clothes, crept to the solid, old-fashioned +best bedroom where they had put Bertram, and took counsel of the +nurse. Everything was hopeful; she got that from the professional +patter of temperatures and reactions. It seemed that there might be no +internal hurt. He had roused from his shock in the night; had seemed +to know where he was and what had happened. He lay now in a natural +sleep, but he must be kept very quiet. + +On the way downstairs, Eleanor met face to face with her aunt. Mrs. +Tiffany had been awake since the ambulance brought responsibility; but +her eyes showed more than want of sleep. The two women stopped, looked +long at each other; then Mrs. Tiffany took Eleanor tenderly in her +arms and kissed her. + +"Don't you worry, dear," she whispered, "he will get well, and +everything will be all right with Edward and me." + +Eleanor did not answer at first. She drew a little away from her +aunt's embrace, before she found tongue to say: + +"Please don't speak of that, Aunt Mattie--oh, not of that now!" + +As she made her way out to the piazza, in an instinctive search for +air and room, she was crying. + +In the limpness of reaction, she sank into a chair. Every joint and +muscle, she realized now, ached and creaked. She could lift her arms +only after taking long thought with herself; and the soul within was +as burned paper. + +The front gate clicked. The first, doubtless, of those inquiring +visitors who would read a meaning into the adventures of last night. +That, too, was to be faced this day! The pattering, hurrying footsteps +sounded near to her before she looked up and recognized Kate +Waddington. + +If Kate had been crying, the only evidence was a hasty powdering which +left streaks of white and pink before her ears. On first glance, +Eleanor marvelled at her appearance of control, at the lack of +emotion in her face. But insight rather than conscious vision told +Eleanor of the currents which were running under that mask. At the +bottom Eleanor detected a fear which was not only apprehension of the +news from Bertram Chester, but also a cowardly shrinking from the +situation. She fancied that she could even trace Kate's consideration +of the proper shade of acting in the circumstances. All this in the +moment before Kate sprang up the steps and asked: + +"Oh, will he live?" + +A baser nerve in Eleanor quivered with the desire to be cruel. She had +to put it down before she could tell the simple truth. One little +corner of Kate's mouth quivered and jerked for a second under her +teeth before she caught herself and resumed the impersonation of a +solicitous friend. + +"Tell me all about it," she said. + +"Ah, I am too tired!" Nevertheless, Eleanor did manage a plain tale, +ending with the nurse's report and with her own conviction that he +would live. + +"Oh, of course he will live!" And then--"Who is nursing him?" + +She looked up on this question, which was also an appeal, a begging. + +"We have a nurse," answered Eleanor shortly. It gratified her a +little, in her low state of consciousness, to be thus abrupt. The +better part of her realized this; saw how she was wreaking the revenge +of an old emotion. A reaction of generosity prompted her next words; +but she spoke with an effort. + +"You may help if you want to. Uncle Edward must go to the ranch this +week--unless--don't you want to come here and stay in my spare room?" +It seemed to Eleanor that she had never made a harder sacrifice than +the one which she sealed with that invitation. + +This, too, brought Kate out of her impersonation. Her whole figure +straightened for a second, and-- + +"Oh, might I?" she said. + +"I should be very glad. Will you come up to see him--one may look in +at the door. He is in Uncle Edward's spare chamber." + +As they threaded the involved halls of that rambling dwelling, Kate +hurried on ahead. Eleanor, from the rear, threw out a word or two by +way of direction. At the door, opened to get air of a dull and heavy +morning, they peered into the grim order of the sick room. The nurse +had already stripped it to hospital equipment. His face, refined +almost into beauty by pain and low-running blood, lay tilted to one +side as he slept. The nurse touched her lips. Eleanor nodded. The +nurse turned back toward her patient. Eleanor dared look at Kate. + +Her color had changed from pale, back to the pink of life; now it was +turning pale again. She noticed neither Eleanor nor the nurse; she +stood as one in a universe unpeopled save by herself and another. +Once, her two arms quivered with an involuntary outward motion, and +once she swayed against the lintel. + +And Eleanor, watching her through this wordless passage, gathered all +the currents that had been running through her will into an +indeterminate determination. In that moment she realized the full +bitterness of a renunciation that does not mean renouncing a wholly +dear and desired thing, but does mean renouncing the beloved thing +which one is better without. + +Kate turned at length. Eleanor, as their eyes met, could read in her +face and body the change as the actress took command once more. Kate +flew at once to her hollow conventional phrases. + +"The poor, poor boy!" she said. "Oh, we must all help!" + +Eleanor turned away with the feeling that this made it harder for her +to perform her renunciation--if real renunciation it were. + +The day brought too much work, activity, purely material anxiety, for +a great deal of thought. They had cut off the telephone in the main +wing of the Tiffany house and switched the current to the instrument +in Eleanor's living-room. Most of the day she spent answering that +telephone. People of whom she had never even heard, made anxious +inquiries about the condition of Mr. Chester. Before night the +newspapers became a plague. For in the afternoon, winged reporters, +shot out in volleys for a "second day story," had called at 2196 +Valencia and found there no Sadie Brown. Hurrying down the back trail +to the Emporium, they did discover an indignant little shop-girl of +that name. Those reporters who had been with the wreck the night +before found no resemblance in her to the mysterious lady. Then came +a bombardment, in person and by telephone, of the Tiffany house. The +Judge, meeting all callers at the front door, lied tactfully. The city +editors gave up sending reporters and took to bullying over the +telephone; so that the burden of an unaccustomed lying fell upon +Eleanor. At eleven o'clock, and after one voice had declared that the +_Journal_ had the whole account and would make it pretty peppery if +the Tiffanys did not confirm it, Eleanor took the telephone off the +hook and went to bed. + +The morning papers did pretty well with what they had. "Mysterious +Woman Nurses Prominent Varsity Athlete"--"Who Is The Pretty Girl that +Nursed Society Man in Las Olivas Horror?"--"Modest Heroine of Las +Olivas Holocaust." But the secret, thanks to Mark Heath, was safe. + + * * * * * + +She slept that night. Far along in the morning she awoke to the +delicious sense of physical renewal. The situation crept into her mind +stage by stage, as such things do arrive in the awakening +consciousness. She was calm now, what with her rest of body, her +decision of soul. She could think it out; her course of action and how +she might accomplish it. + +A knock at her door roused her from half-sleep and meditation to full +wakening. Kate Waddington had entered--Kate, transformed into a +picturesque imitation of a nurse. She was all in grass linen, the +collar rolled away to show her round, golden throat. Her flowing tie +was blue, and a blue bow completed the knot of her hair. She looked +cool, efficient, domestically business-like. + +"He's better!" Kate burst out with the news as Eleanor turned her +head. "There's really no danger now. The nurse says that he roused +this morning and showed a positively vicious temper because they would +not let him see anyone." + +"That's pleasant news. I was sure that he would recover." Eleanor +caught an unconsidered expression, no more than a glint and a +drooping, in Kate's eyes. This answer, so calm, so entirely +unemotional, had touched curiosity if nothing more. But Kate chirped +on: + +"I'm playing Mama's little household fairy--how do you like the way I +dress the part? I sent for these clothes last night. Now you're to +lie abed and let me bring you your breakfast. Are you rested, dear? It +was enough to kill two women!" + +"Quite rested, I think." + +Kate opened the window, bustled about putting the room to rights. + +"Shall I bring your coffee now?" she asked at last. + +"Yes, thank you." + +Kate was back in ten minutes with table and tray. Whatever she did had +an individuality, a touch. That tray, for example--nothing could have +been better conceived to tempt the appetite. She set out the breakfast +and remained to pour coffee and to talk. + +"And isn't it good--mustn't you be thankful--that it won't leave him +lame or disfigured or anything like that! His shoulder may be weak, +but what does a man need of shoulders after he's quit football?" + +Eleanor just glanced over her coffee-cup, but she made no answer. Kate +turned her course. + +"Won't you let me open your egg for you?" + +"No, thank you." Then, "You're very kind, Kate." + +"I am the original ray of light. Do let me fix those pillows. You're +going to lie in bed all the morning, you know. Shall I bring you the +papers? You should see them! They've got you a heroine." + +"Me!" Now Eleanor showed animation. + +"Oh, not you. We've all kept the secret well. You're a mystery, a +pretty shop-girl to the rescue. I hope the weeklies don't find the +real story." + +"I hope so." + +Kate rose, made another pretense at setting things right in the room, +and moved toward the door. A relief, a lowering of tension, came over +Eleanor. But at the threshold, Kate turned. + +"Oh, I nearly forgot! They sent up from Mr. Northrup's office this +morning for some documents or deeds or something which they thought +Mr. Chester might have in his pockets. The nurse brought out his +clothes so that Mrs. Tiffany and I might go through them--I felt like +a pickpocket. And we came across a package of proofs--photographs of +him. We opened it to see if the old deeds might be in there. And +they're such stunning likenesses--Muller, you know--that I thought it +would do you good to see them." + +"Thank you, I should like to." + +Kate drew the photographs from her bosom and handed them over. As +Eleanor took them and began mechanically to inspect them, she caught +an unconsidered trifle. Kate was not leaving the room. She had stepped +over to the cheval-mirror, which faced the bed, and was adjusting the +ribbon in her hair. Looking across the photographs through her lashes, +Eleanor saw that the counterfeit eyes of Kate in the mirror were +trained dead upon her. + +She examined them, therefore, with indifference; she stopped in the +middle of her inspection to ask if Judge Tiffany were up yet. + +"They're excellent likenesses," she went on indifferently. "That's a +good composition. I don't care so much for this one. That's a poor +pose." She had come now to the bottom of the pile. This last print was +one of those spirited profiles by which Muller, master-photographer, +so illuminates character. + +"Oh, that's a wonder," cried Eleanor. "Such a profile!" Then, at the +thought how Kate might misinterpret this purely artistic enthusiasm, +she dropped her voice to indifference again. + +"Won't you please tell Aunt Mattie that I will get up if I can be of +any use?" And she held out the package. + +Kate packed up the tray and withdrew. Eleanor heard the muffled tap of +her heels in the hall. The sound stopped abruptly. It was fully a +minute before they went on again. + +Kate, in fact, had rested the tray on a hall table, drawn out the +photographs, and run over them, looking at them with all her eyes. The +profile was at the bottom of the package. When she reached that, she +hesitated a moment; then, with a quivering motion that ran from her +fingers over her whole body, she tore it in two. Short as this +explosion was, her recovery was quicker. She glanced with apprehension +over her shoulder at the door of Eleanor's room, tucked the +photographs back in her bosom, and took up the tray again. + +Eleanor, when the sound of the tapping heels had quite died away, +turned her face toward the wall and gave herself to thought. She had +gathered up the last strand of the tangled web. Nothing was left but +the unweaving. + +First, his soul was not hers, as her soul was not his. That +impression, received in a crisis which, she felt, was to be the crisis +of her life, had grown to be an axiom. His youth, his vigor, the pull +of a stalwart vitality which made his coarseness almost beauty--that +had been the attraction. His spirit, so blazing but so full of +flaws--that had been the repulsion. + +Did not her own spirit have its flaws? Doubtless. Who was she, then, +to judge him? Ah, but they did not fit into her flaws! + +Kate Waddington now--Eleanor turned her thoughts in that direction +with difficulty--her flaws were akin to his. Kate could tolerate and +admire the whole of him. His lapses in finer standards, such as that +desertion to Northrup--did they not fit like the segments of a broken +coin with Kate's diplomacies of that very day, her subtle reaching to +discover if Eleanor were really a rival? Kate would weigh his +compromises with honor as lightly as he would weigh those pretty +treacheries. He would be successful; everyone had felt that in him +from his very first flash on the horizon. Kate would help him to the +kind of success he wanted. Her tact, her diplomacies, her _flair_ for +engrafting herself, would be the very best support to his direct +methods of assault. They belonged to each other; and since now Kate's +desires in the matter had become manifest, only one thing remained. + +All this allowed, what should her own line of conduct be? How should +she bear herself in the days and weeks when pure human kindness must +inhibit her from delivering a shock? Would it be necessary to commit +the inner treason of posing to him as a secret fiancée? Well, that +must be lived out, step by step. She could at least take all possible +means, within the bounds of kindness, of withdrawing herself gradually +from him, of paving the way for the ultimate confession. Kate +Waddington would help in that. There, her own game and Kate's ran +parallel. + +This discovery of Kate at the end of the tangled strings brought a tug +at her heart, a black cloud to her spirit. She hated Kate Waddington. +It made her grip the pillows to think how much she hated. Her mood +descending into a bitter, morbid jealousy which had no reason for +being, but which momentarily swept all her resolutions away, sent her +mind and body whirling back toward Bertram Chester. + +That passed. The last trace of her wild animal hatred for Kate +Waddington was borne away on a prayer of the old faith which held her +instincts. She rose from her bed in a state of fixed determination +that never faltered again. + +When Eleanor was dressed, she turned not to the front of the house +where the business of drawing back a life was afoot, but to the fresh +silences of her garden. She walked to the lattice whose view commanded +the bay and the distant Gate. It was a quiet, dull-gold morning on the +Roads. A tug fussed about the quarantine wharf; the lateen +fisher-boats were slipping out towards the Sacramento. And white and +stately, between the pillars of the Gate, a full-rigged ship was +making out to sea on a favoring breeze. + +Eleanor watched the sea-birds bending toward it, the mists creeping +down to cover it. The soul within her leaped toward it and seized it +as a symbol. + +"O ship," she whispered, "take this too away with you! I give it to +the pure seas. Take this little love away with you!" + +That rite, with its poetry and its self-pity, brought exaltation into +her resolution. The sacrifice was complete. + + + + +CHAPTER XVI + + +Life and spirit came back to Bertram Chester with a sudden bound. By +the fourth day, he was so much alive, so insistent for company, that +it became a medical necessity to break the conventional regulations +for invalids, and let him see people. As it happened, his father was +the first visitor. Judge Tiffany, who thought of everything, had +telegraphed on the night of the accident, and had followed this +dispatch, as Bertram improved, with reassuring messages. Bert Chester +the elder, it appeared, was off on a long drive into Modoc; two days +elapsed before his vaqueros, left on the ranch, could reach him. + +He arrived with his valise on the morning of that fourth day when +Bertram roared for company. He was a tall, calm man, with a sea-lion +mustache, a weather-beaten complexion and the Chester smile in grave +duplicate. He was obviously uncomfortable in his town clothes; and, +even at the moment when they were leading him solemnly to the sick +room, he stepped in awe through the Tiffany splendors. When Mrs. +Tiffany told him that Bert was doing well, would doubtless recover and +without disability, he said "That's good!" and never changed +expression. Mrs. Tiffany, lingering at the door, saw and heard their +greeting. + +"How are you, Bert?" said Chester senior. + +"Pretty well, Dad," said Bertram. Then awkwardly, with embarrassed +self-consciousness of the rite which he was performing, Mr. Chester +shook his son's hand. + +After their short interview, Mr. Chester, a cat--or a bear rather--in +a strange garret, roamed the Tiffany home and entertained her who +would listen. He warmed to Kate especially, and that household fairy, +in her flights between errands of mercy, played him with all the +prettiness of her coquetry. At luncheon he quite lost his +embarrassment and responded to the advances of three friendly humans. +Yes ma-am, he had been glad to learn that Bertram was doing well in +the city. He had five sons, all doing well. He'd risked letting Bert +try college, and it had turned out all right. There wasn't much more +left in the cattle business; but he was an old dog to learn new +tricks. If he had it to do over again, he'd try fruit in the Santa +Clara Valley, just like they had done. + +As the afternoon wore away bringing its callers, its telephone +messages and its consultations of doctors, his mood shifted to +uneasiness. He spent an hour walking back and forth in the garden. +Just before dinner-time he approached Mrs. Tiffany and Kate, who were +sewing in the living-room, and said simply: + +"Well, I guess I've got to be going." + +"Why, we're just getting acquainted!" cried Kate. + +Mrs. Tiffany merely flickered an eyelash at the assumption of +privilege which this implied. But she answered, after a moment, "We +should like to have you stay. Even at that, don't consider us when it +is a case of being near your son." + +"Well," answered the older Chester, ponderously, "you see it ain't +like I had only this one son and hadn't been through trouble. There's +Bob now. I worried quite a lot more than was necessary when the +Artiguez outfit shot him up, but he pulled through. And after Pete +got scrambled by a riata, and a few more things of that kind happened, +I stopped worrying any more than was necessary. He'll get well, and +you're handling him fine. You've been blame good to the boy," he said; +and the touch of sentimental softness in his voice showed how genuine +was his hardly expressed gratitude. He began talking rapidly, as +though ashamed of it. He hoped they all could come to see him on the +ranch some time, though there wasn't much there to attract a lady. +Still, the boys had pretty good times now and then. If the Tiffanys +liked fresh venison, the boys always got some deer in the season. + +"It's lovely down there, I know. Bertram--your son--has told me so +much about it!" broke in Kate. + +"We'd like to see you, too," said Mr. Chester. Then, catching the +implication, embarrassed by it, he retreated to his room and came back +in an incredibly short time with his valise. He had turned toward the +door when Mrs. Tiffany said: + +"I think Bertram is well enough so that you might see him again." + +"Oh, sure," replied Mr. Chester, as recalling a neglected trifle. He +dropped his valise and strode back to the sick-room for a short stay. + +All that day, Eleanor harbored a dread, which turned toward night to a +relief--dread of the first interview, relief that Bertram had not sent +for her. Kate, waiting her chance, slipped secretly into the room +after Mr. Chester had gone. Bertram was awake. He smiled in a measured +imitation of his old smile when she entered, and extended his +uninjured hand. She did not take it; instead, she patted it with her +cool, long fingers, made to soothe. And considering that the nurse was +watching, she looked a long time into his eyes. + +"They sure smashed me up some," he said. "But I'm a-knitting. How did +it happen that they swore you in?" + +"I wanted to help!" + +"That was being pretty good to little Bertie!" He withdrew his hand to +drop it above hers, and he looked long into her face. "Pretty good to +little Bertie," he repeated, "and now I want you to be better, and not +ask any questions about it. Is Miss Gray--Eleanor--about the house?" + +"Yes." + +"I thought she might have gone to the ranch. Well, just about +to-morrow, will you get her in here--alone?" + +"Are you ready--to be agitated?" + +"Now you don't know what I want--or you wouldn't be asking questions. +Will you?" + +"Yes, Bertram." + +"You mustn't talk any more," spoke the nurse from the corner. And Kate +withdrew. + +When, next morning, the two girls met in the hall before breakfast, +Kate repeated the message simply, carelessly. Eleanor found herself +struggling to keep face and color. In spite of her long inner +preparation, the emergency came to her with a sense of surprise. How +should she carry off this interview? Though her respite had been long, +though she had thought much, she had no prepared plan of campaign. +Must she lie for the sake of his bodily health, assume the part which +she had been playing when he went out of life? Even the question how +to get rid of the nurse was a tiny embarrassment. + +She mustered her voice to say: + +"I think I'll look in now. Invalids are likely to be awake at this +hour of the day." + +"Yes, you must be eager!" dabbed Kate. + +The nurse was no obstacle. She looked up toward the figure in the +door, said: "A young lady to see you, Mr. Chester," and withdrew. +Eleanor stood alone by the foot of the bed, looking into the eyes of +her problem. + +He made no motion. He did not even put out his hand. He regarded her +with the frown which usually broke into a smile. Now, it continued a +frown. + +"Well, things happened, didn't they?" he said. His voice burst out of +him with almost its normal force. + +"Yes, Bertram. A great deal." + +"And I thank you. It was bully work. I don't see how you stood it, +holding me up the way you did--it ought to have killed off a man, let +alone a girl. Didn't hurt you anywhere, did it?" + +"No--who told you?" Her voice was hard and constrained. + +Now Bertram smiled. It was different, this smile, from the old +illumination of his features. She could not tell, in the moment she +had to think, whether it was his illness that changed it so, or +whether it really held a bitterness which, superficially, she read +into it. + +"That's the answer," he said enigmatically. "You didn't know I was +onto everything, did you? I never went out but once--just after the +crash when the car turned over. I began to know things while they were +carrying me up the bank. From that time, I was just like a man with +his wind knocked out. It didn't hurt much, but I couldn't move a +finger or a toe. I didn't want to move if I could. I was too busy just +keeping alive. I couldn't open my eyes, but I heard everything. You +just bet I heard everything!" + +This descent of the conversation into reminiscence and apparent +commonplace gave Eleanor an opening into which she leaped. It was +wonderful; she had read of such cases. Had he heard that child crying +in the corner, and had it bothered him? Had he been conscious that it +was Mark Heath and none other who was asking so many questions? Mark +Heath had done so much for them--she would tell him about it some +other time. But Bertram still lay there with his frown of a petulant +boy on his face, and her voice ran down into nothing for lack of +sympathy in her listener. + +"Do you remember all you said?" he asked when she was quite silent. + +"I think so--why?" The question had brought a little, warm jump of her +nerves. + +"Everything? Something you said to me?" + +"I think so, Bertram." + +"Did I dream it, then?" + +She made no answer to this, but her knees failed under her so that she +sat down on the bed. Had she--had she said it aloud? + +"Something like this: 'Bertram, we don't belong to each other'?" He +laughed a little on this; even a certain blitheness came into his +laugh, as though he should say, "the joke is on you." + +A sense of the shock she might give him moved her to temporize. + +"Let us not talk of it now, Bertram. Let it be as it was until you're +better." + +"I'll be a blame sight better after I get this off my system. You +see--well I couldn't think just then, but now, when my think tank has +resumed business, I savvey a heap of things. One is that you weren't +telling me any news." + +"What makes you say that?" Eleanor bent her grave grey eyes on him. + +"I had the signal already. I mightn't have seen it fully if this smash +hadn't come, but just the same I caught it away ahead of you. That +afternoon up on the Las Olivas trail when we came together. When I +kissed you." + +Had she ever let him kiss her? + +He made an incurved gesture of his free hand, as though joining two +wires. + +"It didn't connect. That's all. I was acting on a hunch when I told +you to keep it dark. Told anyone?" + +Not until afterward did she think to be offended by this question. At +the time, she answered with a simple negative. + +"That's good. It is just between us now. I suppose the matter with me +was that I wanted to fly high, and you were about the highest thing in +sight--" + +"Don't, Bertram. I'm not high. Am I hurting you? Oh, am I unkind when +you are ill?" + +"Oh, if you think it's hurting me, you're off. This is a swell way to +talk, isn't it, considering that I'm here--" his eyes swept the +aristocratic comforts of the Tiffany spare room. + +"We mustn't think of that. It's too big to think of that!" + +"I guess you're right. Now that is finished, going to forgive me +because I walked over to Northrup?" + +"I've nothing of any kind to forgive. It's you, I think, that must +forgive." + +"Oh, it's all square, everything's all square. I want to be good +friends with you if you'll let me. I hope," his voice was almost +tender, "you connect with the right man. He won't have any too much +blood in his neck, but he'll have a lot of general culture in his +system." + +Here she realized that she had something to forgive. She repeated, +mentally, her act of renunciation as she said: + +"You're a great, strong, generous man. I can't tell you how much I +thank you for the course you've taken to-day. You're going to succeed +and--some woman--is going to be proud of you." She had avoided by a +thread naming the woman. "I shall be glad I knew you, and I shall be +your friend as long as you'll let me." + +He smiled his old smile and his uninjured hand went out. + +"Shake!" he said. + +Yet it was a relief that the nurse came back and said quietly, "You've +talked enough." As she walked to the door, Eleanor found that her will +was focused on the operation of her feet, commanding them to move with +decent slowness. Had she obeyed her impulse, she should have run. She +forced herself to turn at the door and smile back, forced herself to +bridle her emotions and go quietly to breakfast and to her ordeal with +the lightning thrusts of Kate Waddington. + + * * * * * + +Two days later, Eleanor followed Judge Tiffany to the ranch. A +perplexing fruit season brought her fair excuse. The year before, the +Japanese, adventurers in minor labors, had begun to flood the Santa +Lucia tract. They drove out the Chinese; when that spring brought +picking contracts, no Oriental was to be had save a Japanese. In the +first rush of that season, the Japanese pickers on the Tiffany ranch, +in concert with all the other Japanese of Santa Lucia, had thrown down +their baskets, repudiated their agreements, and struck. It needed more +than Judge Tiffany's failing strength, more than Olsen's methodical +plodding, to conquer this situation. + +She must be a post now, not a rail, Eleanor told Mrs. Tiffany. And +Kate would help until Mr. Chester could be moved. At further +acceptance of Kate, Mrs. Tiffany rebelled. Kate had foisted herself on +them. Goodness knew, Mrs. Tiffany couldn't tell why they had ever +accepted that situation. It didn't seem to her even decent. + +"You'll perplex me greatly, dear Aunt Mattie, if you don't let her +remain now!" said Eleanor, looking up from her packing. + +This remark, cryptic though it was, came as a fresh shower to Mrs. +Tiffany's curiosity. Never before had Eleanor so nearly committed +herself on the subject which lay like lead on her aunt's +responsibilities. It prompted Mrs. Tiffany to try for a wider +opening. + +"Would you like it, dear, if we brought Mr. Chester down to the ranch +to recuperate when he is better? I'm sure Edward wouldn't object. +After all, he's ready to forgive the Northrup affair." + +Eleanor looked up significantly. + +"If you're consulting my wishes, certainly not!" she said. + +The sigh which Mrs. Tiffany drew expressed deep relief. Thereafter, +they proceeded straight ahead with the arrangement. Eleanor went on to +the ranch. Kate, remaining, made herself so useful in a hundred ways +that Mrs. Tiffany's irritation wore itself away. + +The old combination of Eleanor and an attractive though undesirable +young man had moved her to a perilous sympathy. Now that it was over, +now that she had no more responsibility in the matter, she transferred +some of that vivid and friendly interest to the new arrangement. She +caught herself resisting a temptation to spy on their conversations; +she watched Kate's face for tell-tale expression whenever Bertram's +name came up in their luncheon-time chats. + +Kate usurped all the finer prerogatives of the nurse. Hers it was to +arrange the sick-room, to put finishing touches on bed and table, to +feed him at his meals. Her tawny hair made sunshine in the chamber, +her cool hands, in their ministration, had the caress of breezes. He +was getting to be an impatient invalid; he bore the confinement harder +than he did the ache of knitting bones. Kate's part it was to laugh +away these irritations, so that she always left him smiling. + +He went on mending until they could get him out of bed; until, on an +afternoon when the sun was bright and the wind was low, they could +take him into the garden for a breath of air and view. He made the +journey out-of-doors with Kate supporting him unnecessarily by the +armpit. She set out a Morris chair for him by the lattice, so that he +could overlook the Bay, she tucked the robes about him, she parted the +vines that he might have better view. + +For a moment he swept the bay with his eyes and opened his lungs to +the out-door room and air. Then his gaze returned to Kate's strong, +vigorous yet feminine back, as she stood, arms outstretched, hooking +vines on the trellis. The misty sunshine was making jewels in her +hair. + +"Say!" He spoke so suddenly and with such meaning in the monosyllable +that Kate blushed as she turned. "Say! is that fellow still writing to +you--the one with the Eastern education and the money?" + +Kate dropped her eyes. + +"No," she said softly. "I told him--I have broken it off--lately." + +Bertram laughed--his old, fresh laugh of a boy. + +"You saved me trouble then. I was just about to serve notice on him +that henceforth no one but little Bertie was going to be allowed on +this ranch." + +Kate did not speak. She continued to look down at the gravel walk. + +"Now don't you go pretending you don't know what I mean," Bertram went +on. "Just for that, I won't tell you what I mean. But you know." + +"What about Eleanor?" murmured Kate. + +"You little devil!" answered Bertram. "Come over here." + +Kate sank down on the edge of his chair, and dropped one arm about his +neck. + +Mrs. Tiffany, viewing the morning from the window of her room, saw +them so. At first, she smiled; then a heavier expression drew down +all the lines of her face. She crossed to her dresser, where a long +frame of many divisions held the photographs of all whom she had +loved. The first in order was of a woman who had a face like +Eleanor's; a more beautiful Eleanor, perhaps, but with no such grave +light of the spirit in her eyes. This she touched with her finger +tips. But her look was bent upon the second, the portrait of a young +man whose attitude, defying the conventional pose of old-fashioned +photography, showed how blithe and merry and full of life he must have +been. + +"Ah, Billy Gray!" she whispered, "Billy Gray, you know, _you_, how +sincerely Eleanor and I ought to thank God!" + +THE END + + + + + +End of the Project Gutenberg EBook of The Readjustment, by Will Irwin + +*** END OF THIS PROJECT GUTENBERG EBOOK THE READJUSTMENT *** + +***** This file should be named 28443-8.txt or 28443-8.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/2/8/4/4/28443/ + +Produced by Roger Frank and the Online Distributed +Proofreading Canada Team at http://www.pgdpcanada.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/28443-8.zip b/28443-8.zip Binary files differnew file mode 100644 index 0000000..8030a01 --- /dev/null +++ b/28443-8.zip diff --git a/28443-h.zip b/28443-h.zip Binary files differnew file mode 100644 index 0000000..47e054f --- /dev/null +++ b/28443-h.zip diff --git a/28443-h/28443-h.htm b/28443-h/28443-h.htm new file mode 100644 index 0000000..da62ea4 --- /dev/null +++ b/28443-h/28443-h.htm @@ -0,0 +1,8179 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" +"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> +<html xmlns="http://www.w3.org/1999/xhtml"> +<head> +<meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> +<title> +The Project Gutenberg eBook of The Readjustment, by Will Irwin. +</title> + +<style type="text/css"> + p {margin-top: 0.5em; text-align: justify; margin-bottom: 0.5em;} + body {margin-left: 11%; margin-right: 10%;} + a {text-decoration: none;} + @media screen { + hr.pb {margin:30px 0; width:100%; border:none;border-top:thin dashed silver;} + .pagenum {display: inline; font-size: x-small; text-align: right; position: absolute; right: 2%; padding: 1px 3px; font-style: normal; font-variant:normal; font-weight:normal; text-decoration: none; background-color: inherit; border:1px solid #eee;} + .pncolor {color: silver;} + } + @media print { + hr.pb {border:none;page-break-after: always;} + .pagenum { display:none; } + } + p.tp {font-size:1em; margin-top:0em; margin-bottom:0em; text-align:center;} + hr.tb {border:none; margin-top: 2em;} + h1 {text-align:center; font-weight:normal; font-size:1.6em;} + hr.major {width: 65%; margin-top: 2em; margin-bottom: 2em; border:none; border-bottom:1px solid silver; clear:both;} + h2 {text-align:center; font-weight:normal; font-size:1.4em;} +</style> + +</head> +<body> + + +<pre> + +The Project Gutenberg EBook of The Readjustment, by Will Irwin + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Readjustment + +Author: Will Irwin + +Release Date: March 29, 2009 [EBook #28443] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE READJUSTMENT *** + + + + +Produced by Roger Frank and the Online Distributed +Proofreading Canada Team at http://www.pgdpcanada.net + + + + + + +</pre> + + +<hr class='pb' /> +<p class='tp' style='font-size:2em;margin-top:1em;margin-bottom:4em;'>THE<br />READJUSTMENT</p> +<p class='tp' style='font-size:0.8em;'>BY</p> +<p class='tp'>WILL IRWIN</p> +<p class='tp' style='font-size:0.8em;margin-bottom:8em;'>AUTHOR OF “THE CITY THAT WAS,” ETC.</p> +<p class='tp'>NEW YORK</p> +<p class='tp' style='font-size:1.2em;'>B. W. HUEBSCH</p> +<p class='tp' style='font-size:0.8em;'>1910</p> +<hr class='pb' /> +<p class='tp' style='font-size:0.8em;margin-top:2em;'>Copyright, 1910, by<br /> +B. W. HUEBSCH</p> +<p class='tp' style='margin-top:4em;margin-bottom:2em;font-size:0.8em;'>PRINTED IN U. S. A.</p> +<hr class='pb' /> +<div><span class='pagenum pncolor'><a id='page_1' name='page_1'></a>1</span></div> +<h1>THE READJUSTMENT</h1> +<div style='margin: auto; text-align: center; padding-top: 2em; padding-bottom: 1em'> +<a name='CHAPTER_I' id='CHAPTER_I'></a> +<h2>CHAPTER I</h2> +</div> +<p>After luncheon they walked over from +the ranch-house—more indeed a country +villa, what with its ceiled redwood walls, +its prints, its library, than the working house +of a practical farm—and down the dusty, +sun-beaten lane to the apricot orchard. Picking +was on full blast, against the all too fast +ripening of that early summer.</p> +<p>Judge Tiffany, pattern of a vigorous age, +seemed to lean a little upon his wife as she +walked beside him, her arm tucked confidently +into his; but it was a leaning of the +spirit rather than of the flesh. She, younger +than he by fifteen years, was a tiny woman, +her hair white but her waist still slim. She +seemed to tinkle and twinkle. Her slight +hands,—the nail of the little finger was like +a grain of popcorn—moved with swift, accurate +bird-motions. As she chattered of the +ranch and the picking, her voice, still sweet +<span class='pagenum pncolor'><a id='page_2' name='page_2'></a>2</span> +and controlled, came from her lips like the +pleasant music of a tea bell. He was mainly +silent; although he threw in a quiet, controlled +answer here and there. One could +read, in the shadowy solicitude with which +she regarded him now and then, the relation +between that welded old couple—she the entertainer, +the hoarder of trivial detail from +her days; he the fond, indulgent listener.</p> +<p>“I think Eleanor must be back from the +city,” Mrs. Tiffany was saying, “I notice +smoke from the big chimney; and I suppose +she’ll be over before noon with the sulphur +samples. It’s amusing and homey in her—her +habit of flying to her own little nest before +she comes to us. She’ll inspect the +house, have dinner ordered, and know every +blessed detail of the picking before we catch +a glimpse of her.” Mrs. Tiffany smiled +sadly, as though this industry were somewhat +tragic.</p> +<p>“I wonder how long Eleanor will be contented +with such a way of life?” put in Judge +Tiffany.</p> +<p>“I’ve worried over that,” answered his +wife. “Suppose she should settle down to it? +It isn’t as though Eleanor hadn’t her chance +<span class='pagenum pncolor'><a id='page_3' name='page_3'></a>3</span> +at travel and society and the things a girl of +her breeding should have. This is all her deliberate +choice, and I’ve done nothing to help +her choose. Perhaps I should have decided +for her. It’s curious the guard that girl +keeps over her deeper feelings. How unlike +she is to her mother—and yet how like—” +Her thought shifted suddenly with the direction +of her eyes. “Hasn’t Olsen overloaded +that little team?” she said.</p> +<p>The cutting-shed stood midway of their +course. Twenty women and girls, their lips +going as rapidly as their knives, sat on fruit +crates at long tables, slicing the red-and-gold +balls apart, flicking out the stones, laying the +halves to dry in wooden trays. A wagon had +just arrived from the orchard. Olsen, the +Swedish foreman, was heaving the boxes to +his Portuguese assistant, who passed them on +into the cutting shed. Further on stood the +bleaching kilns; still further, the bright green +trees with no artistic irregularities of outline—trees +born, like a coolie, to bear burdens. +Now the branches bent in arcs under loads +of summer-gilded fruit.</p> +<p>Long step-ladders straddling piles of boxes, +beside this row or that, showed where picking +<span class='pagenum pncolor'><a id='page_4' name='page_4'></a>4</span> +was going forward. Mrs. Tiffany halted +under one tree to call pleasantries up to a +Portuguese, friend of many a harvest before. +Judge Tiffany proceeded on down the row, +pausing to inspect the boxes for any fruit +gathered before it was ripe.</p> +<p>The first picker was a Chinese. His box, +of course, showed only perfection of workmanship. +The Judge called up familiarly:</p> +<p>“Hello, Charlie!”</p> +<p>A yellow face grinned through the +branches; the leaves rustled as though some +great bird were foraging, and the answer +came back:</p> +<p>“Hello you Judge!” The Judge picked +over the next two boxes without comment; at +the third, he stopped longer.</p> +<p>“Too much greenery, young man!” he cried +at length. The branches of this tree rustled, +and a pair of good, sturdy legs, clad in corduroys, +appeared on the ladder; then the owner +of the legs vaulted from four feet high in the +air, and hit the ground beside his box.</p> +<p>He was a stalwart boy of perhaps two and +twenty, broad, though a bit over-heavy, in the +shoulders. That approach to over-heaviness +characterized his face, otherwise clean-cut +<span class='pagenum pncolor'><a id='page_5' name='page_5'></a>5</span> +and fair. His eyes, long, brown and ingenuous, +rather went to redeem this quality of +face. Under his wide and flapping sombrero +peered the front lock of his straight, black +hair. Even before he smiled, Judge Tiffany +marked him as a pleasing youth withal; and +when he did smile, eyes and mouth so softened +with good humor that stern authority +went from the face of Judge Tiffany. He +stood in that embarrassment which an old +man feels sometimes in the presence of a +younger one, struggled for a word to cover +his slight confusion, and said:</p> +<p>“You are one of the college outfit camped +down by the arroyo, aren’t you?”</p> +<p>“I am,” said the youth. “I also picked the +fruit too green. I am here to take my beating.”</p> +<p>Judge Tiffany, who held (he thought) an +old-fashioned distaste for impudence, smiled +back in spite of himself.</p> +<p>“If you don’t attend to business in small +matters, how can you hope to succeed when +you go out into life?” he asked with some +pomposity. He had intended, when he opened +his mouth, to say something very different. +His pomposity, he felt, grew out of +<span class='pagenum pncolor'><a id='page_6' name='page_6'></a>6</span> +his embarrassment; he had a dim feeling that +he was making himself ridiculous.</p> +<p>“I can’t,” said the youth with mock meekness; +and he smiled again. At that moment, +while the Judge struggled for a reply and +while the youth was turning back to the ladder +as though to mount it and be done with +the conversation, two things happened. Up +from one side came Mrs. Tiffany; and from +the other, where ran a road dividing the Tiffany +orchard from the next, approached a +buckboard driven by a lolling Portuguese. +Beside him sat a girl all in brown, dust-resistant +khaki, who curtained her face with a parasol. +Mrs. Tiffany ran, light as an elderly +fairy, down the rows.</p> +<p>“Eleanor!” she called.</p> +<p>“Dear, dear Aunt Mattie!” cried the girl. +Judge Tiffany, too, was hurrying forward to +the road. The youth had his hand on the +ladder, prepared to mount, when the parasol +dropped. He stopped short with some nervous +interruption in his breathing—which +might have been a catch in his throat—at the +sight of her great, grey eyes; stood still, +watching. Mrs. Tiffany was greeting the +girl with the pats and caresses of aged fondness. +<span class='pagenum pncolor'><a id='page_7' name='page_7'></a>7</span> +Out of their chatter, presently, this +came in the girl’s voice:</p> +<p>“And I was so excited about getting back +that when Antonio left the corral gate open +I never thought to speak to him. And Ruggles’s +Dynamo—they’ve let him run away +again—just walked in and butted open the +orchard bars and he’s loose now eating the +prune trees!”</p> +<p>“Edward, you must go right over!” cried +Mrs. Tiffany; and then stopped on the +thought of an old man trying to subdue a +Jersey bull, good-natured though that bull +might be. The same thought struck Judge +Tiffany. Antonio, the Portuguese, lolling +half-asleep against the dashboard, was worse +than useless; the nearest visible help was a +Chinaman, incompetent against horned cattle, +and another Portuguese, and—</p> +<p>“Let me corral your bull,” said the easy, +thrilling voice of the boy who stood beside the +step-ladder. Judge Tiffany turned in reproof, +his wife in annoyance, the girl in +some surprise. The youth was already walking +toward the buckboard.</p> +<p>“I guess that lets you out, John,” he said +to the Portuguese. +<span class='pagenum pncolor'><a id='page_8' name='page_8'></a>8</span></p> +<p>Something in him, the same quality which +had made the Judge smile back through his +rebuke concerning the green apricots, held +them all. The Judge spoke first:</p> +<p>“Very well, Mr.—”</p> +<p>“Chester—Bertram Chester,” said the +youth, throwing his self-introduction straight +at the girl.</p> +<p>“Mr. Chester is one of the University boys +who are picking for us this summer,” said +Judge Tiffany.</p> +<p>“Yes?” replied the girl in a balanced, incurious +tone. Her eyes followed Mr. Chester, +while he took the reins from the deposed +Antonio and waited for her to mount the +buckboard. As she sprang up, after a final +caution from Mrs. Tiffany, she perceived +that he was going to “help her in.” With a +motion both quick and slight, she evaded his +hand and sprang to the seat unaided.</p> +<p>Mr. Chester slapped the reins, clucked to +the horse, and bent his gaze down upon the +girl. He had seated himself all too close. +She crowded herself against the iron seat-rail. +It annoyed her a little; it embarrassed her +still more. She was slightly relieved when he +made a beginning of conversation. +<span class='pagenum pncolor'><a id='page_9' name='page_9'></a>9</span></p> +<p>“So you’re Judge Tiffany’s niece, the girl +who runs her ranch herself. I’ve heard +heaps about you.”</p> +<p>“Yes?” Embarrassment came back with +the sound of her own voice. She could talk +to Judge Tiffany or to any man of Judge +Tiffany’s age, but with her male contemporaries +she felt always this same constraint. +And this young man was looking on her insistently, +as though demanding answers.</p> +<p>“They say you’re one of the smartest ranchers +in these parts,” he went on.</p> +<p>“Do they?” Her tone was even and inexpressive. +But Mr. Chester kept straight +along the path he was treading.</p> +<p>“And that you’re also the prettiest girl +around Santa Lucia.”</p> +<p>“That’s very kind of them.”</p> +<p>“I haven’t seen your ranch, but about the +rest of it they’re dead right.”</p> +<p>To this, she made no answer.</p> +<p>“I’m just down for a few weeks,” he went +on, changing the subject when he perceived +that he had drawn no reply. “I’m a Senior +next year at Berkeley. Ever been over to +Berkeley?”</p> +<p>“Yes.” +<span class='pagenum pncolor'><a id='page_10' name='page_10'></a>10</span></p> +<p>“Ever go to any of the class dances?”</p> +<p>“No.”</p> +<p>“Thought you might, being in the city winters. +I’m not much on dances myself. I’m +a barb.”</p> +<p>He peered, as though expecting that this +last statement would evoke some answer. +But her eyes were fixed on the little group +of buildings—a bungalow, a barn and a corral—which +had just come in sight around a +turn of the orchard road. For the first time, +she spoke with animation.</p> +<p>“There’s the house—and there he is, just +back of the stable!”</p> +<p>Dynamo, the bull, a black and tan patch +amidst the greenery, stood reaching with his +tongue at an overhanging prune branch, +bowed to the breaking point with green beads +of fruit. As they watched, he sucked its tip +between his blue lips, pulled at it with a twist +of his head; the branch cracked and broke. +Dynamo, his eyes closed in meditative enjoyment, +started to absorb it from end to end.</p> +<p>“Oh, dear, he’ll ruin it!” she cried. “Do +hurry! Hadn’t you better send for help?”</p> +<p>“I figure I can handle him,” said Bertram +Chester, bristling at the imputation. “Just +<span class='pagenum pncolor'><a id='page_11' name='page_11'></a>11</span> +give me that halter and drive in back of the +corral, will you?”</p> +<p>“Please don’t let him trample any trees!” +she called after her champion as he vaulted +the fence.</p> +<p>Dynamo, seeing the end of his picnic at +hand, galloped awkwardly a few rods, the +branch trailing from his mouth. Then, with +the ponderous but sudden shift of bull psychology, +indignation rose in his bosom. He +stopped himself so short that his fore-hoofs +plowed two long furrows in the soft earth; +whirled, lifted his muzzle, and bellowed. +One fore-hoof tore up the dirt and showered +it over his back. He dropped to his knees +and rubbed the ground with his neck in sheer +abandonment to the joy of his own abandoned +wickedness. He rose up in the hollow which +he had dug, lowered his horns, and glowered +at the youth, who advanced with a kind of +awkward bull-strength of his own.</p> +<p>“Chase yourself!” cried Bertram Chester, +flicking the halter. For a second, Dynamo’s +eyelids fluttered; then, unaccountably, his +bull pride rose up in him. He stopped midway +of a bellow; his head went down, his tail +rose up—and he charged. The girl across +<span class='pagenum pncolor'><a id='page_12' name='page_12'></a>12</span> +the fence gave a little scream. The youth, +stepping aside with a quickness marvelous +considering the size of his frame, avoided the +charge. As Dynamo tore past him, he struck +out—a mighty lash—with the halter. The +bull tore on until he smashed into a prune +tree. The green fruit flew like water splashing +from a stone; and Dynamo checked his +course, turned again, began to paw and challenge +as the preliminary to another charge.</p> +<p>“Oh, let him go—please!” cried Eleanor. +Whether he heard her or not made little difference +to the youth. Taking advantage of +Dynamo’s slight hesitation, he sprang in close, +caught him by the horn and the tender, black +nose; and back and forth, across the ruins of +the prune tree, which went flat at the first +rally, they fought and tugged and tossed. +Through the agonized half-bellows of Dynamo, +Eleanor caught a slighter sound. Her +champion was swearing! Raised a little +above her fears by the vicarious joy of fight, +she took no offence at this; it seemed part of +the picture.</p> +<p>No one can account for the emotional processes +of a bull. Just as suddenly as it rose, +Dynamo’s courage evaporated. Once more +<span class='pagenum pncolor'><a id='page_13' name='page_13'></a>13</span> +was he brother to the driven ox. He ceased +to plant his fore feet; his bellow became a +moan; he gave backward; in one mighty toss, +he threw off his conqueror, turned, and galloped +down the orchard with his tail curved +like a pretzel across his back. Behind him +followed the youth, lashing him with the +halter as long as he could keep it up, pelting +him with rocks and clods as the retreat gained. +So, in a cloud of dust, they vanished into the +Santa Clara road.</p> +<p>When Bertram Chester came back panting, +to return the halter, Antonio had arrived and +was unhitching the bay mare from the buckboard. +Eleanor stood by the corral gate, her +Panama hat fallen back from her brown hair +and a little of the excitement left in her grey +eyes. Bertram approached, grinning; he +wore a swagger like that of a little boy who +has just turned a series of somersaults before +the little girls. Eleanor noticed this. +Faintly—and in spite of the gratitude she +owed him for turning a neighborly service +into a heroic deed—she resented it. Also, +Dynamo and Mr. Chester, between them, had +wholly ruined a good prune tree in the prime +of bearing. +<span class='pagenum pncolor'><a id='page_14' name='page_14'></a>14</span></p> +<p>“Say, we didn’t do a thing to that tree,” +said Bertram Chester, with the air of one who +deprecates himself that he may leave the road +wide open for praise.</p> +<p>“It doesn’t matter. It—it was very brave +of you. Thank you very much—are you +hurt?”</p> +<p>“Only mussed up a little.” He blinked +perceptibly at the coolness in her tone. +Then he leaned back against a fence-post +with the settled air of one who expects +to continue the conversation. She swayed +slightly away from him.</p> +<p>“Kind of nice place,” he said, sweeping +his eye over the shingled cottage whose rose-bushes +were making a brave fight against the +dry summer dust, over the tiny lawn, over +the Lombardy poplars.</p> +<p>“It’s nice of you to say so.”</p> +<p>Bertram turned his eye upon her again.</p> +<p>“Say,” said he, “I don’t believe the Judge +expects me back right away! Anything more +I can do around the place?”</p> +<p>Eleanor smiled through her slight resentment.</p> +<p>“I don’t think I care to take the responsibility.” +<span class='pagenum pncolor'><a id='page_15' name='page_15'></a>15</span> +In that moment, the butcher-wagon, +making the rounds from farm-house to farm-house, +appeared quite suddenly at the bend of +the road. Maria, wife of Antonio and cook +for Eleanor’s haciendetta, ran out to meet it.</p> +<p>“Oh, Maria—tell Mr. Bowles I want to +see him!” cried Eleanor, and hurried toward +the house. Bertram Chester stood deserted +for a moment, and then;</p> +<p>“Good bye!” he called after her.</p> +<p>“Good bye and thank you so much!” she +answered over her shoulder.</p> +<hr class='tb' /> +<p>Two minutes later, Mr. Bowles, driver of +the meat wagon, was saying to Eleanor:</p> +<p>“Which was it—rib or loin for Saturday, +Miss Gray?”</p> +<p>“Was it?” said Eleanor, absently; and she +fell to silence. Maria and Mr. Bowles, waiting +respectfully for her decision, followed her +eyes. She was looking at a dust cloud which +trailed down the lane. When she came out +of her revery and beheld them both watching, +silent and open-mouthed, she flushed violently.</p> +<p>Bertram Chester, swinging between the +green rows, was whistling blithely: +<span class='pagenum pncolor'><a id='page_16' name='page_16'></a>16</span></p> +<table style='margin: auto' summary=''><tr><td> +<p style='margin-top:0; margin-bottom:0;'> +“Say coons have you ebber ebber seen ma Angeline?<br /> +She am de swetes’ swetes’ coon you ebber seen.”</p> +</td></tr></table> +<div><span class='pagenum pncolor'><a id='page_17' name='page_17'></a>17</span></div> +<hr class='major' /> +<div style='margin: auto; text-align: center; padding-top: 2em; padding-bottom: 1em'> +<a name='CHAPTER_II' id='CHAPTER_II'></a> +<h2>CHAPTER II</h2> +</div> +<p>Every Sunday afternoon during the +picking season, Mrs. Tiffany served tea +on the lawn for the half-dozen familiar households +on the Santa Lucia tract. That was the +busy time of all the year, affording no leisure +for those dinners and whist parties which +came in the early season, when the country +families had just arrived from town, or in +the late season, when prune picking grew +slack. Night finds one weary in the country, +even when his day has brought only +supervision of labor. These town-bred folk, +living from the soil and still but half welded +to it, fell unconsciously into farmer habits in +this working period.</p> +<p>The Goodyears and the Morses, more formal +than their neighbors, did indeed give a +dinner once or twice a summer to this or that +visitor from San Francisco or San Jose. +Otherwise, the colony gathered only at this +Sunday afternoon tea of Mrs. Tiffany’s. Her +<span class='pagenum pncolor'><a id='page_18' name='page_18'></a>18</span> +place lay about midway of the colony, her +lawn, such as it was—no lawn flourishes +greatly in that land of dry summers—was the +oldest and best kept of all; further, they had +acquired the habit. Already, these Californians +were beginning a country life remotely +like that of England; a country life made gracious +by all the simple refinements, from bathtubs +to books. They had settled, too, into the +ways of a clique; small and informal as their +entertainments were, minor jealousies of leadership +had developed already.</p> +<p>By a kind of consent never yet made law +by any contest, the Goodyears were leaders +and dictators. He, Raleigh Goodyear, was +passably rich; his wife was by birth of that +old Southern set which dominated the society +of San Francisco from its very beginning. +Until their only daughter married into the +army and, by her money and connections, advanced +her husband to a staff position in +Washington, Mrs. Goodyear had figured +among the patrons to those cotillions and assemblies +by which the elect, under selection +of a wine agent, set themselves off from the +aspiring. Them the colony treated with familiar +deference. +<span class='pagenum pncolor'><a id='page_19' name='page_19'></a>19</span></p> +<p>Mrs. Tiffany, whose native desire to please +and accommodate had grown with her kind +of matrimony, held social leadership of a different +kind. Her summer house was the +boudoir of this colony, as her town house was +the centre for quiet and informal entertainment +just tinged with Bohemia. Hers was +the gate at which one stopped for a greeting +and a chat as one drove past on the road; she +was forever running to that gate. She knew +the troubles of all her neighbors, both the +town dwellers of her set and the humbler folk +who made fruit farming more of a business. +That rather silent husband of hers—a man +getting an uncomfortable peace from the end +of a turbulent and disappointing life which +had just escaped great success—told her that +she had one great fault of the head. She +must always make a martyr of herself by bearing +the burdens of her world.</p> +<p>The Judge and Mrs. Tiffany sat now, in +the early afternoon of a summer Sunday, +under the gigantic live-oak which shadowed +their piazza. She was crocheting a pink +scarf, through which her tiny fingers flew like +shuttles; he was reading. Out beyond their +hacienda, the American “hands,” fresh-shaved +<span class='pagenum pncolor'><a id='page_20' name='page_20'></a>20</span> +for Sunday, lolled on the ground over +a lazy game of cards. From the creek bottom +further on, came a sound which, in the +distance, resembled the drumming of cicadas—a +Chinese workman was lulling his ease +with a moon-fiddle. Near at hand stood the +tea things, all prepared before Molly, the +maid, started for her Sunday afternoon visit +to the camp of the women cutters. Factory +girls from the city, these cutters, making a +vacation of the summer work.</p> +<p>Mrs. Tiffany glanced up from her yarns at +the leonine head of her husband, bent above +“The History of European Morals,” opened +her mouth as though to speak; thought better +of it, apparently. Twice she looked up like +this, her air showing that she was not quite +confident of his sympathy in that which she +meant to bring forward.</p> +<p>“Edward!” she said at length, quite loud. +He lowered the book and removed his reading +glasses, held them poised—a characteristic +gesture with him. He said no word; +between them, a glance was enough.</p> +<p>“You remember the young man who went +over with Eleanor to drive away the Ruggles +bull?” +<span class='pagenum pncolor'><a id='page_21' name='page_21'></a>21</span></p> +<p>Judge Tiffany gave assent by a slight inclination +of his head.</p> +<p>“I went over to the camp of those University +boys yesterday,” she went on, running +loops with incredible speed, “and I don’t +quite like the way they are living there. +They associate too much with the cutting-women. +You know, Edward, that isn’t good +for boys of their age—and they must be nice +at bottom or they wouldn’t be trying to work +their way through college—”</p> +<p>She stopped as though to note the effect. +The ripple of a smile played under Judge +Tiffany’s beard. She caught at her next +words a little nervously.</p> +<p>“You know we have a responsibility for the +people about the place, Edward—I couldn’t +bear to think we’d let any nice college boy degenerate +because we employed him—and it is +so easy at their age.”</p> +<p>“Which means,” broke in the Judge, “that +you have asked this Mr. Chester up here to +tea.”</p> +<p>“If—if you wish it, Edward.”</p> +<p>“I can’t very well countermand your invitation +and tell him by the foreman not to +come. But I warn you that this social recognition +<span class='pagenum pncolor'><a id='page_22' name='page_22'></a>22</span> +will serve as no excuse if I catch him +picking any more green apricots.”</p> +<p>Mrs. Tiffany, unturned by this breeze of +criticism, ran along on her own tack.</p> +<p>“His manners <i>are</i> a little forward, but he +has a nice way of speaking. I’m sure he is +a gentleman, at bottom. You can’t expect +such a young man, who has been obliged to +work his way, to have all the graces at once. +They’ve brought down their town clothes—I +saw them last Sunday—so you needn’t be +afraid of that. I’ve asked Mr. Heath, +too.”</p> +<p>“Is that by way of another introduction?” +asked Judge Tiffany. His eyes looked at her +severely, but his beard showed that he was +smiling gently again. Half his joy in a +welded marriage lay in his appreciation of +her humors, as though one should laugh at +himself.</p> +<p>“Oh, there’s no doubt that <i>he’s</i> a gentleman. +He is less loud, somehow, than Mr. Chester, +though he hasn’t his charm. It seems there +is the most wonderful boy friendship between +them.”</p> +<p>“Where did you get all this insight into the +social life of our employees?” asked Judge +<span class='pagenum pncolor'><a id='page_23' name='page_23'></a>23</span> +Tiffany; and then, “Mattie, you’ve been exposing +yourself to the night air again.”</p> +<p>“Over at their camp last evening,” said +Mrs. Tiffany. “Well, and isn’t it my business +to look after—after that side of the +ranch?” she added.</p> +<p>The Judge had dropped the book now; his +senses were alert to the game which never +grew old to him—“Mattie-baiting” he had +named it.</p> +<p>“Mattie,” he said, “with a pretty and marriageable, +dowered and maiden niece on your +hands, a new era is opening in your life of +passionate self-sacrifice. It used to be orphan +children and neglected wives of farm hands. +Now it is presentable but neglected bachelors. +Your darling match for Eleanor, I suppose, +would be some young soul snatched from evil +courses, pruned, trimmed, and delivered at +the altar with ‘Made by Mattie Tiffany’ +branded on his wings. Spare, O spare your +innocent niece!”</p> +<p>“Edward, I never thought of it in that +light!” cried Mrs. Tiffany; and she bent herself +to furious crocheting. After a time, and +when the Judge had resumed his book, she +looked up and added: +<span class='pagenum pncolor'><a id='page_24' name='page_24'></a>24</span></p> +<p>“It might be worse, though, than a young +man who had made it all himself.”</p> +<p>Judge Tiffany burst into laughter. Then, +seeing her bend closer over her pink yarns, +he grew grave, reached for the hand which +held the needles, and kissed it.</p> +<p>That was her reward of childless matrimony, +as the appreciation of her humors was +his.</p> +<hr class='tb' /> +<p>While they sat thus, in one of their comfortable +hours, the guests were come. The +Morses appeared first. He was a pleasant, +hollow-chested little man; his delicacy of +lung gave him his excuse for playing gentleman +farmer. She, half-Spanish, carried +bulk for the family and carried it well. The +Andalusian showed in her coy yet open air, +in her small, broad hand and foot, in a languorous +liquidity of eye. Their son, a well-behaved +and pretty youth of twelve, and their +daughter, two years older, rode behind them +on the back seat. The daughter bore one of +those mosaic names with which the mixed +race has sprinkled California—Teresa del +Vinal Morse. A pretty, delicate tea-rose +thing, she stood at an age of divided appreciations. +<span class='pagenum pncolor'><a id='page_25' name='page_25'></a>25</span> +In the informal society of the Santa +Lucia colony, she was listening half the time +to her elders, taking a shadowy interest in +their sayings and opinions; for the rest, she +was turning on Theodore, that childish +brother, an illuminated understanding.</p> +<p>The Goodyears arrived with a little flourish. +Their trap, which she drove herself and +which was perhaps a little too English to be +useful or appropriate on a Californian road, +the straight, tailor lines of her suit—all displayed +that kind of quiet, refined ostentation +which, very possibly, shrieks as loud to God +as the diamond rings on a soiled finger. +Mrs. Tiffany, who had met the Morses on +the lawn, tripped clear across the rose-border +to meet the Goodyears; did it with entire unconsciousness +of drawing any distinction. +As by right, Mrs. Goodyear appropriated the +great green arm-chair under the oak tree, +from which throne she radiated a delicate +patronage upon the company.</p> +<p>The others followed by twos and threes. +Montgomery Lee, fresh-faced English University +man, raising prunes on his patrimony +of a younger son; the Roach girls, plump +Californian old maids, and their pleasant +<span class='pagenum pncolor'><a id='page_26' name='page_26'></a>26</span> +little Yankee mother; the Ruggleses, a young +married couple. Careless farmers, Mr. and +Mrs. Ruggles; but they had the good nature +which is the virtue of that defect. This, and +the common interest in their three plump, +mischievous babies, gave them general popularity +in the colony.</p> +<p>Within five minutes, the company had followed +the law of such middle-aged groups of +familiars, and separated by sexes. The men +drifted over to the piazza, lit cigars, hoisted +their knees, and talked, first, of the prune +picking, their trouble with help, the rather +bootless effort of a group in San Jose to form +a Growers’ Association; then of that city +where lay their more vital interests.</p> +<p>Goodyear had just been to San Francisco +on a flying trip; he brought back fresh gossip: +The Bohemian Club had the “Jinks” in rehearsal; +a new-discovered poet had written +the book; it was to be (so the Sire declared) +the greatest in club history.</p> +<p>“As usual,” smiled Judge Tiffany.</p> +<p>They were saying about the Pacific Union +Club that the Southern Pacific had raised its +rates to Southern points. One might have +sensed that shadow which hangs always over +<span class='pagenum pncolor'><a id='page_27' name='page_27'></a>27</span> +commercial California in the sombreness +which froze the group at this news. From +five minutes of pessimistic discussion, Goodyear +led them by a scattered fire of personalities. +Billy Darnton was going to give a +bull’s head breakfast at San Jacinto. Al +Hemphill was coming to it all the way from +New York. Charlie Bates had pulled out +for the new gold diggings in the Mojave +desert, rich again in anticipation, although +he had to leave San Francisco secretly to +escape the process servers.</p> +<p>“Tea, gentlemen!” called Mrs. Tiffany, +from her nasturtium bower in the shadow of +the great oak.</p> +<p>“Just when we are getting comfortable,” +her husband growled pleasantly; and he made +no move to rise. The women sat at ease +about the tea-table. Their talk, beginning +with the marvelous Ruggles babies, had run +lightly past clothes and help, and fallen into +the hands of Mrs. Goodyear. She, too, was +full of San Francisco. Apart, under the +grape arbor, Teresa Morse and her brother +were snaring lizards—playing like two well-behaved +babies miraculously grown tall.</p> +<p>“There’s Eleanor,” suddenly spoke Teresa. +<span class='pagenum pncolor'><a id='page_28' name='page_28'></a>28</span> +At the word, she dropped her lizard, started +forward; and stopped as she came out into +full view of the road.</p> +<p>Eleanor, in fresh white, bareheaded under +her parasol, was approaching between two +young men. The slighter of the two men +moved a little apart; the heavier, in whom +Mrs. Tiffany recognized with some apprehension +the new protegé, Mr. Bertram Chester, +walked very close up. He was peering +under the parasol, which Eleanor dropped in +his direction from time to time without visibly +effecting his removal. It seemed from +his wide gestures, from the smile which became +apparent as he drew nearer, that he was +talking ardently.</p> +<p>In the other man, Mrs. Tiffany recognized +that Mr. Heath who had the boy friendship +with Bertram Chester. He was putting in a +word now and then, it appeared. When he +spoke, Eleanor turned polite attention upon +him; and then resumed her guarded attitude +toward that dynamo buzzing at her left. Insensible +of the company on the lawn, they +passed behind the grape arbor which fringed +the gate and which hid them temporarily +<span class='pagenum pncolor'><a id='page_29' name='page_29'></a>29</span> +from view; and the one-sided conversation +became audible.</p> +<p>“It wasn’t a <i>patch</i> on fights I’ve had with +’em. Down home, I used to fight steers right +along. That’s nothing to a nigger who used +to work for us in Tulare. He’d jump on +their backs and reach over and bite their +noses till they hollered quits. Sure thing he +did!” It died out as they turned in at the +gate and faced the group about the trees.</p> +<p>Mrs. Goodyear made a gesture of an imaginary +lorgnette toward her high-bridged nose. +Mrs. Tiffany gathered herself and ran over +to the gate. It was Mr. Heath—she noticed +as she advanced—who was blushing. Bertram +Chester stood square on his two feet +smiling genially. As for Eleanor, she maintained +that sweet inscrutability of face which +became, as years and trouble came on, her +great and unappreciated personal asset.</p> +<p>Young Chester spoke first:</p> +<p>“I knew Miss Gray was coming down this +afternoon—so I laid for her on the road—didn’t +I, Miss Gray?”</p> +<p>“Very nice of you, I’m sure,” murmured +Mrs. Tiffany, though she bit her lip before +<span class='pagenum pncolor'><a id='page_30' name='page_30'></a>30</span> +she spoke—“won’t you come over to meet our +friends?” Eleanor had darted ahead, to the +pats of the women and the adoring hugs of +Teresa Morse.</p> +<p>Mrs. Tiffany saw with relief that her disgraced +protegé managed his end of the introduction +very well, although he did make a +slight advance to shake hands with the critical +Mrs. Goodyear. He gave no sign to show +that he perceived the men over on the piazza. +Mr. Heath, his Fidus Achates, cast a slight +glance in their direction; then, seeing Bertram +settle himself down in an arm-chair and +begin at once to address Mrs. Goodyear, he +sat down likewise, suffused with an air of +young embarrassment. Mrs. Ruggles, seated +next to him, began with visible tact the effort +to put him at his ease.</p> +<p>Mr. Chester, as he talked to Mrs. Goodyear, +looked always toward Eleanor. She, +helping Mrs. Tiffany with the tea things, +turning a caressing word now and then toward +Teresa Morse, might not have noticed, +for all her expression showed.</p> +<p>The men came over for tea, were introduced. +Mrs. Tiffany, in her foolish anxiety +for the manners and appearance of her +<span class='pagenum pncolor'><a id='page_31' name='page_31'></a>31</span> +protegé, noted that he was at home with men, +at least.</p> +<p>Mr. Goodyear, indeed, clutched with his +eye at the blue-and-gold button in the lapel of +Bertram’s coat, at the figure of him, and at +the name.</p> +<p>“You aren’t Chester who played tackle on +the Berkeley Varsity last season?” he asked. +An old Harvard oar, Goodyear kept up his +interest in athletics.</p> +<p>“Tackle and half,” said the youth. “Yes, +sir.”</p> +<p>“Well, well, I remember you in the game!” +said Goodyear.</p> +<p>Mrs. Tiffany, now that her protegé no +longer needed watching, had returned to her +tea things.</p> +<p>“Eleanor,” she called. “Will you run into +the house and get that box of chocolate wafers +that’s over the ice chest?”</p> +<p>“Let me carry ’em for you, Miss Gray,” +put in Chester, breaking through a college +reminiscence of Goodyear’s.</p> +<p>Eleanor never flicked an eyelash as she announced:</p> +<p>“I should be very glad.”</p> +<p>Tiffany, glancing over the group, +<span class='pagenum pncolor'><a id='page_32' name='page_32'></a>32</span> +noted with comparative relief that none but +she, Goodyear, and the young persons involved, +had heard this passage.</p> +<p>As they moved toward the house, Bertram +opened upon Miss Gray at once.</p> +<p>“This is the second chance I’ve had alone +at you,” he said.</p> +<p>“We are rather conspicuous,” she burst out.</p> +<p>“Oh, nobody’ll mind. A girl always +thinks everybody is looking at her. Besides, +I wouldn’t care if they were. I’ve wanted to +tell you something, and I couldn’t with Heath +trailing us. You’ve got awfully nice eyes.”</p> +<p>Eleanor seemed to see neither the necessity +nor the convenience of an answer.</p> +<p>“But you have!” he persisted. “They’re +better than pretty. They’re nice.”</p> +<p>Again Eleanor said nothing. It seemed to +her that there was nothing to say.</p> +<p>“I know why you’ve got it in for me,” he +burst out. “You have, you know. When I +speak to you, you never talk back, and yesterday +you wouldn’t let me stay after I had corralled +the bull. It’s because I’m working for +your uncle. It’s because I’m making a living, +not eating what someone else made for +me like—” he swept his hand backward toward +<span class='pagenum pncolor'><a id='page_33' name='page_33'></a>33</span> +the company on the lawn—“like those +people out there.”</p> +<p>Stung, for a second, to a visible emotion, +Eleanor raised her grey eyes and regarded +him.</p> +<p>“You are assuming a little, aren’t you?” +said she.</p> +<p>“Then why can’t I come to see you sometime +in the evening if that isn’t so? I don’t +ask it of many nice girls.”</p> +<p>She caught at the delimiting phrase, “nice +girls,” and glanced up again. By this time, +they had passed through the living room; +and he had awkwardly opened the door into +the kitchen.</p> +<p>“I haven’t known you very long,” she said.</p> +<p>“There isn’t a lot to know about me,” he +grumbled. Then his face cleared like the +sunshine breaking through. “I could teach +you to savvey the whole works in an evening.”</p> +<p>“There are the chocolate wafers up over +the ice-chest—that brown tin box.” He +reached up and heaved the package down, +putting into that simple and easy operation +the energy of one lifting a trunk.</p> +<p>Annoyed, and a little amused, Eleanor +watched him. All at once, she felt a catch +<span class='pagenum pncolor'><a id='page_34' name='page_34'></a>34</span> +in her throat, was aware of a vague, uncomprehended +fear—fear of him, of her loneliness +with him, of something further and +greater which she could not understand, did +not try to understand. She wanted air; +wanted to get away. When he turned about, +she stood holding open the kitchen door, her +eyes averted.</p> +<p>She felt that he was standing over her; she +felt his smile as he looked down.</p> +<p>“You needn’t be in such a terrible hurry,” +he said.</p> +<p>“They’ll be waiting for us on the lawn,” +she forced herself to answer. It required all +her energy to keep her voice clear and firm. +Then she hurried ahead into the open air. +Once in sight of the lawn party, she made herself +walk beside him, even smile up at him.</p> +<p>“It’s just as I said—” he had gone back to +his grumbling voice and his wholly presumptuous +manner—“Either you don’t like +me, or you’re sore on me because I’m working +for your uncle.”</p> +<p>To the great relief of Eleanor, Mrs. Tiffany +came out to meet them, took the box +from Bertram and accompanied them back to +the tea table. For the rest of the afternoon, +<span class='pagenum pncolor'><a id='page_35' name='page_35'></a>35</span> +Eleanor managed by one device or another +to save the situation. When, in the shifting +of group and group, she had no one else for +protection, Teresa Morse, following her like +a dog, ready to come to her side at a glance, +played the involuntary chaperone.</p> +<p>Judge Tiffany had no word alone with his +wife until the sun slanted low across the +orchard and the company broke up. When +he met her apart, he said:</p> +<p>“He ought to be a success, that protegé of +yours!”</p> +<p>“I have been dreadfully mortified!”</p> +<p>“Oh, not a social success, though that may +come too, if he ever perceives the necessity +for it. But a general success. Such simple +and unturned directness as his ought to win +out anywhere. It is more than enchanting. +It is magnificent. I’m willing to risk discipline +on the place just to study a specimen so +unusual. Mattie, this time I am going to +assist. I’m going to ask him to supper.”</p> +<p>“Edward, are you laughing at me again?”</p> +<p>“For once, my dear, no; not at least on the +main line. You’d better ask that Mr. Heath, +too.”</p> +<p>“And Eleanor?” +<span class='pagenum pncolor'><a id='page_36' name='page_36'></a>36</span></p> +<p>The Judge looked across to the oak tree, +where Eleanor was ostentatiously tying up +the brown braids of Teresa Morse. Bertram, +talking athletics with Goodyear, had +her under fire of his eyes.</p> +<p>“If any young person was ever capable to +make that choice, it is your niece Eleanor,” +he said. “It might afford study. Yes, ask +her, too.”</p> +<p>Mr. Chester and Mr. Heath were delighted; +though Mr. Chester said that he had +an engagement for the evening. (“What engagement +except with the cutting-women?” +thought Mattie Tiffany.) But Eleanor declined. +Some of the chickens were sick; she +was afraid that it might be the pip; she +doubted if Antonio or Maria would attend +to it; she would sup at home. Mrs. Tiffany, +anticipating the intention which she saw in +Bertram’s eyes, made a quick draft on her +tact and asked:</p> +<p>“Mr. Chester, would you mind helping me +in with the chairs?”</p> +<p>Seated at the supper table, Bertram Chester +expanded. The Judge took him in hand at +once; led him on into twenty channels of introspective +talk. Presently, they were speaking +<span class='pagenum pncolor'><a id='page_37' name='page_37'></a>37</span> +direct to one another, the gulf that +separates youth from age, employer from employed, +bridged by interest on one side and +supreme confidence on the other. This +grouping left Mrs. Tiffany free to study +Heath. It grew upon her that she had overlooked +him and his needs through her interest +in the more obvious Chester. She noticed +with approval his finished table manners. +Mr. Chester, though he understood the +proper use of knife and fork and napkin, paid +slight attention to “passing things”; Heath, +on the contrary, was alert always, and especially +to her needs. “He had a careful +mother,” she thought. Gently, and with a +concealed approach, she led him on to his +family and his worldly circumstances. He +spoke freely and simply, and with a curious +frank assumption that anything his people +chose to do was right, because they did it. +He had come down to the University from +Tacoma; his father kept a wagon repair shop. +His people had gone too heavily into the land +boom, and lost everything.</p> +<p>“I felt that I could work my way through +Berkeley or Stanford more easily than +through an Eastern college,” he said simply. +<span class='pagenum pncolor'><a id='page_38' name='page_38'></a>38</span></p> +<p>“And then I shouldn’t be so far away from +home. Mother likes to see me at least once +a year.”</p> +<p>He was going home after the apricot picking +was over; he felt that in vacation he +should earn at least his fare to Washington +and back.</p> +<p>“I’m sure she must be a very good mother +to deserve that devotion,” said Mrs. Tiffany, +warming to him.</p> +<p>“She deserves more,” he said, a kind of +inner glow rising to his white-and-pink boyish +face. That same glow,—Mrs. Tiffany +might have noticed this and did not—illuminated +him whenever, from across the +table, Chester’s laugh or his energetic crack +on a sentence called a forced attention. Mr. +Heath deferred always to this louder personality; +kept for him the anxious and eager interest +of a mother toward her young. Gradually, +this interest absorbed both Mr. Heath +and Mrs. Tiffany. The table talk became a +series of monologues by young Bertram Chester, +Judge Tiffany throwing in just enough +replies to spur and guide him.</p> +<p>“No, I don’t belong to any fraternity,” said +the confident youth, “don’t believe in them. +<span class='pagenum pncolor'><a id='page_39' name='page_39'></a>39</span> +They plenty beat me for football captain last +year too. When I came to college, they +didn’t want me. After I made the team and +got prominent, they began to rush me. Then +I didn’t want <i>them</i>.”</p> +<p>“It might have been easier for Bert if he +<i>had</i> joined them,” said Heath. “They don’t +like to have their members working at—with +their hands; they always find them snap jobs +if they are poor and prominent.”</p> +<p>“Oh, I don’t know,” said Bertram. “The +barbs elected me business manager of the <i>Occident</i> +last season—I didn’t make the team +until I was a Sophomore, you know—and that +more than paid my way. This year I’ve got +a billiard hall with Sandy McCusick.</p> +<p>“He used to be a trainer for the track +team,” explained Bertram. “I steer him custom +and he runs it. Ought to get me through +next year over and above. That’s one reason +I’m picking fruit and resting my mind this +summer instead of hustling for money in the +city.”</p> +<p>“And then?” asked the Judge.</p> +<p>“Law, I guess.”</p> +<p>“I am an attorney myself.”</p> +<p>“I guess I know that!” +<span class='pagenum pncolor'><a id='page_40' name='page_40'></a>40</span></p> +<p>“What school have you chosen?”</p> +<p>“None, I guess. I don’t want to afford +the time. Yes, I know you want good preparation, +but I’d rather be preparing in an office, +making a little and keeping my eye open +for chances. I may find, before my three +years are up, that it isn’t law I want, but business.”</p> +<p>“I’m not a college man myself,” said the +Judge, “I got my education by reading nights +on the farm, and pounded out what law I +knew in an office at Virginia City. One +didn’t need a great deal of law to practice in +Comstock days—more nerve and mining sense. +But I’ve regretted always that I didn’t have a +more thorough preparation. Still, every man +to his own way. This may be best for you.”</p> +<p>“That’s what I think,” said Bertram Chester. +“When I got through High School in +Tulare, Dad said, ‘Unless you want to stay +on the ranch, you’d better foot it for college.’ +I didn’t want to ranch it, and I saw that college +must be the best place for a start. Dad +put up for the first year. I might have +stretched it out to cover a little of my Sophomore +year if I’d been careful. I was a pretty +fresh Freshman,” he added. +<span class='pagenum pncolor'><a id='page_41' name='page_41'></a>41</span></p> +<p>“And your mother?” asked Mrs. Tiffany. +“I suppose she was crazy for you to go.”</p> +<p>“Yes, I suppose she would have been. +She’s been dead ten years. How hard is it +to get into a law office in San Francisco?” he +added, shifting.</p> +<p>Judge Tiffany met the direct hint with a +direct parry.</p> +<p>“We have five thousand attorneys in San +Francisco and only five hundred of them are +making a living.”</p> +<p>“Yes, I know it is overcrowded,” said Bertram +Chester, not a particle abashed.</p> +<p>After black coffee on the piazza, the two +college boys swung off down the lane, Bertram +smoking rapidly at one of the Judge’s +cigars.</p> +<p>“He can be almost anything,” said the +Judge, meditatively.</p> +<p>“Even a gentleman?” gently inquired Mrs. +Tiffany.</p> +<p>“Perhaps that isn’t necessary in our Western +way of life. Thank God, we haven’t come +yet to the point where the caste of Vere de +Vere is necessary to us.”</p> +<p>“I wish I had it,” he went on, a little wistfully. +<span class='pagenum pncolor'><a id='page_42' name='page_42'></a>42</span></p> +<p>“Gentility? why Edward, if anyone—”</p> +<p>“Oh no, my dear. I may say that was half +the trouble. So many considerations came up; +so many things I didn’t want to do, so many +it didn’t seem right to do. I was forever +turning aside to wrestle with my feelings on +those things, and forever hesitating. Half the +time, after the opportunity was gone by, I +discovered that my scruples had been foolish; +but I always discovered afterward. I don’t +believe that success lies that way in a new +world.”</p> +<p>He had risen; and now his wife rose and +stood beside him.</p> +<p>“You are forever talking as though you +were a failure. I know you’re not. Everyone +knows you’re not.”</p> +<p>“The parable of the ten talents, Mattie. +Not how much we’ve got, but how much interest +we’ve earned on our powers. However, +we had that out long ago, my dear. Yes, +I know. I promised not to talk and think +this way. But if I’d been like this boy! He’ll +seize the thing before him. No side considerations +in his mind!”</p> +<p>“It is a policy,” said Mrs. Tiffany in a tone +<span class='pagenum pncolor'><a id='page_43' name='page_43'></a>43</span> +of injured partisanship, “that will land him +in jail.”</p> +<p>“No,” said the Judge, “success does not +lead towards jails. He’ll look out for that.”</p> +<hr class='major' /> +<div style='margin: auto; text-align: center; padding-top: 2em; padding-bottom: 1em'> +<span class='pagenum pncolor'><a id='page_44' name='page_44'></a>44</span> +<a name='CHAPTER_III' id='CHAPTER_III'></a> +<h2>CHAPTER III</h2> +</div> +<p>In that immortal “middle period” of San-Francisco, +when the gay mining camp was +building toward a stable adjustment of society, +when the wild, the merry, the dissolute and +the brave who built the city were settling down +to found houses and cultivate respectability +in face of a constantly resurgent past—in +those days none who pretended to eminence +in the city but knew the sisters Sturtevant. +Members of that aristocracy which dwelt on +Rincon Hill, their names and fames quite +eclipsed those of their quiet, self-effacing +parents. Although they never called it that, +their establishment amounted to a salon. +Also, they never called their circle Bohemian, +yet it was tinged with an easy view on +the conventionalities, a leaning toward art and +the things of art, which meant Bohemia in +the time when that word was of good repute. +Spain, perpetual spring, the flare of adventure +in the blood, the impulse of men who packed +<span class='pagenum pncolor'><a id='page_45' name='page_45'></a>45</span> +Virgil with their bean-bags on the Overland +journey, conspired already to make San Francisco +a city of artists. She had developed her +two poets, singers whose notes had sounded +round the world; the painters had followed. +The stir of a new life in art, a life which was +never quite to reach fulfilment, blew in the +bay air.</p> +<p>Centre for those awakening young painters, +those minor poets who carried in weaker hands +the torches of the two giant pioneers, was the +house of the Sturtevant sisters, the one a wit, +the other a beauty. Heaven was not grudging +with gifts to these two. Alice, the wit, +had also a hidden kind of beauty which was +not to be taken in on first sight, but which, +perceived by the painters of that set, made +some of them swear that she was the real +beauty of the two. Matilda, the beauty, had +if not wit a sprightly feminine fancy. Then, +too, her gentleness of judgment, her sweetness +of intention, and her illogic of loyalty, gave +her point of view a humorous quality. Her +circle, confident in her good-nature, was forever +leading her on, by this device or that, to +exhibit what John Stallard, the novelist, called +her “comedy of charity.” O’Ryan, that great, +<span class='pagenum pncolor'><a id='page_46' name='page_46'></a>46</span> +glowing failure whose name will outlive the +fame of the successful in San Francisco, used +to play ingenious jokes upon it. O’Ryan was +possibly the only man of any time who could +draw the sting of a practical joke.</p> +<p>They dwelt, twin-regnant over this world +of theirs, in sisterly harmony. Stallard declared +always that a final gift of fate and the +gods preserved them to harmony: their tastes +in men differed. They had choice enough, +God wot—poets and novelists struggling on +the verge of fame; attractive, irresponsible, +magnetic journalists, destined never to arrive +anywhere, but following a flowery path along +which a woman might smile; sons of new-rich +millionaires who followed and backed and +corrupted the artists of that budding Paris +which never blossomed; two painters, among +many, who got both fame and wealth before +they were done.</p> +<p>In his later years, one asked Tyson the English +novelist, connoisseur of women if there +ever was one, whom he esteemed the prettiest +and whom the wittiest among the women he +had known and studied.</p> +<p>“For wit, Lady Vera Loudon,” he said, “and +after her, a quite remarkable woman I met +<span class='pagenum pncolor'><a id='page_47' name='page_47'></a>47</span> +in San Francisco out on the West Coast of +America—of all places.” Tradition has enlarged +this reply to make Matilda Sturtevant +his prettiest as Alice was his wittiest.</p> +<p>Matilda’s fresh beauty of the devil, her full +yet delicate beauty of the twenties and early +thirties, live in the galleries of Europe. The +painters all had their try at her; she lived in +creation which ran the line between miniatures +and heroic canvases. Lars Wark, perhaps the +least considered of all her painter friends, is +the one that triumphed most of all. Who does +not know his Launcelot and Enid? The Enid, +of a beauty so intelligent, so wistful and so +good—she is Matilda Sturtevant, hardly idealized.</p> +<p>These twin graces married within two years +of each other. Of course, they chose strangely. +Matilda, whose beauty might have graced the +head of the table in any one of three gaudy +mansions on Nob Hill, chose Edward C. Tiffany, +attorney, politician in a small but honorable +way, man about town—and much older +than she. Alice, following quietly, accepted +Billy Gray, journalist—a clever reporter with +no possibilities beyond that; a gentleman, it is +true, and a man of likeable disposition, but +<span class='pagenum pncolor'><a id='page_48' name='page_48'></a>48</span> +on the whole the least desirable of all her followers.</p> +<p>Billy and Alice Gray lived out the three +years which were all they ever had of matrimony, +in a Latin quarter garret, transformed +into a studio. The intellectual centre of San +Francisco shifted to that garret; the gay, the +witty and the brilliant still followed wherever +Alice Gray might go. Billy, a type of the +journalist in the time when journalism meant +the careless life, left her a great deal alone +after the honeymoon. On his side, there was +no conscious neglect in this; on her side, there +was no reproach. It was just their way of +living. He adored her with a quiet, steady +flame of affection which was too fine to degenerate +into mere uxoriousness. Already, he was +a little too fond of his liquor—a peccadillo +which attracted little attention in that age of +the careless city. This troubled Alice Gray +less than it would have troubled her mother. +In the periods when she pulled herself up, she +worried to think how little she did care about +it. In fact, his remorseful recovery from his +debauches had become her occasion for pouring +out upon him the mother in her. She reveled +<span class='pagenum pncolor'><a id='page_49' name='page_49'></a>49</span> +guiltily in this singular sacrament of her +singular love.</p> +<p>After three years Alice Gray gave birth to +a daughter—and died within a fortnight afterward. +In all truth, I may say that life, for +Billy Gray, ended that day. To lose this tenth +muse—I can think of nothing more complete +in tragedy except the loss of her father of +Marjorie Fleming. And he, like Marjorie +Fleming’s father, spoke her name no more—until +near the end. When after twenty years, +his own time came, Stallard, LeBrun the poet +and Lars Wark gathered to pay him their last +respects. LeBrun came all the way from New +Orleans, and Stallard delayed his journey to +the South Seas. They had drifted away from +him, such had become his ways and habits; +they came back in honor of the woman who +illuminated their youth. So long and so powerful +was the influence of her who never wrote +a line except in air and memory.</p> +<p>Billy Gray went on living for the sake of +his daughter; but he lived like a man driven +of the furies. He became one of those restless, +wandering journalists whose virtue to +their newspapers is their utter abandonment +<span class='pagenum pncolor'><a id='page_50' name='page_50'></a>50</span> +of courage and enterprise, whose defect is their +love of drink.</p> +<p>Eleanor, they called the baby—Alice had +chosen that name “in case it is a girl.” Mrs. +Tiffany, childless herself, played second +mother during the first three years of Eleanor’s +healthy and contented little life. Perceiving +the growth of bad habits in that broken +brother-in-law, strong and generous enough to +face her perceptions, she called him back from +a desk in Los Angeles, where, gossip said, he +was drinking himself to death, and gave him +over his daughter to keep. From that time +on, during a succession of removes which took +him from Vancouver on the north to Los Angeles +on the south, Billy Gray had establishment +after establishment, housekeeper after +housekeeper for this daughter. Her face and +ways, the dim shadowing of her mother’s, were +the only hold on reality which he kept.</p> +<p>She grew up a rather grave little thing, +hardly pretty at all until she turned fifteen, +when she showed signs that the beauty of her +aunt, if not the wit of her mother, might live +again in her. Of wit, it seemed, she had +little; neither did she show any great talents +in her irregular schooling. Her longest term +<span class='pagenum pncolor'><a id='page_51' name='page_51'></a>51</span> +at any one school was three years with the +Franciscan Sisters in Santa Barbara. They, +Spanish gentlewomen mainly, are the arbiters +and conservators of old fashioned manners on +the West Coast. Of them it is said, as it is said +of certain sisterhoods in France, that one may +know their graduates by the way they keep +their combs and brushes. In two years Eleanor +absorbed something of their grave gentility +from these Spanish women. Little +else she got from that education, seeing that +she was a Protestant and studied neither catechism +nor church doctrine. She did, indeed, +totter once on the brink of Rome—even dared +speak to her father about it. He accepted +the situation so carelessly and gave his assent +so easily that she was a little hurt. But the +next day, he quizzed her about the church and +its doctrines. Like a good lawyer, he slipped +in the crucial question of his cross-examination +between two blind ones.</p> +<p>“All who die outside of the church go to +Hell, don’t they?” he asked.</p> +<p>“Sister Sulpicia says so.”</p> +<p>“Then your grandmother” (Mrs. Sturtevant +had just died) “is in Hell?”</p> +<p>He pursued the line no further; he never +<span class='pagenum pncolor'><a id='page_52' name='page_52'></a>52</span> +needed to; and after a time the storm of doctrine +died down in her. That phase of life +left another effect on her beside her manners—a +mark common enough among Protestant +women reared in the shadow of the Catholic +Church. Outside its pale by belief, she clung +to a few of its sacramentals for pet superstitions, +and to a few of its observances for her +consolation in trouble and her expression in +happiness.</p> +<p>She was sixteen, and about to graduate from +a Seminary in Oakland, when her call came +to her. In one moment, the secret of her father’s +long absence became plain; and her +whole way of life changed.</p> +<p>Billy Gray had drifted back to the city of +his beginnings and happiness; was writing +hack editorials and paragraphs for the little +weeklies which so infested San Francisco. She +knew that their fortunes were low, that only +her inheritance, left in trust by her grandparents, +kept them moving. Also, a dim suspicion +which she had held of her father for +years was taking shape in her mind—too young +that mind, yet, for any very strong belief in +human conduct not written in the tables of +the law or in the Etiquette Book. +<span class='pagenum pncolor'><a id='page_53' name='page_53'></a>53</span></p> +<p>The current which fused these amorphic +thoughts was generated in the most commonplace +manner. By custom, she went to the +seminary on Monday morning, staying there +until Friday evening. It happened that the +death of a teacher made Friday an unexpected +holiday. Returning on Thursday afternoon, +she found the house locked. She remembered +that this was “make-up day” at the weekly +which took most of her father’s work; he must +be in the office. She hesitated, wondering +whether to telephone for the key; decided to +walk down town, since it was a beaming, +windless afternoon.</p> +<p>She came about a corner of Montgomery +Street, turned in toward the office of <i>The +Whale</i>, and ran into the environs of a gathering +city crowd. The men were straining +over backs and shoulders to see; the women +were pressing their hands convulsively to +their faces with pity and disgust.</p> +<p>“What’s the answer?” some one called from +the fringe.</p> +<p>“A drunk,” came a voice from within, +“plain drunk.” The police arrived just then, +and cleared a way; through the rift they made, +she saw them lift—Billy Gray, her father. +<span class='pagenum pncolor'><a id='page_54' name='page_54'></a>54</span></p> +<p>In the limpness and horror of this, her first +crisis, she did nothing, said nothing; only stood +there. Presently, she was aware that a workman +in soiled overalls had joined the policemen.</p> +<p>“Now that’s all right,” he was saying, “he’s +only dead to the world, making no trouble for +nobody. He works for <i>The Whale</i> up above; +what’s the good to pinch him?” “<i>The +Whale</i>?” asked one of the policemen; and hesitated +on the word. In quick decision, then, he +whirled upon the crowd, pushed it back, +cleared a space. The other policeman and the +man in the soiled overalls—he was foreman of +<i>The Whale</i>—picked up Billy Gray, who was +turning and mumbling feebly, and started to +carry him upstairs. A sudden impulse of her +limbs, an instinct independent of her will, +drew her toward them. The policeman, clearing +away the crowd, laid hand upon her.</p> +<p>“You’ll have to get back little girl!” he said.</p> +<p>She looked him in the eye; the sudden +abandonment to her shame seemed to lift +and to exalt her; afterward, shuddering over +that day, she still remembered a certain perverse +pleasure in this moment. And she spoke +loud, so loud that all the crowd might hear. +<span class='pagenum pncolor'><a id='page_55' name='page_55'></a>55</span></p> +<p>“He is my father!”</p> +<p>The policeman gave way; she hurried up +the stairs. The bearers of Billy Gray were +resting on the top of the first flight. They +had braced him up against the banisters and +were trying to rub sense back into him. She +addressed herself straight to the foreman.</p> +<p>“Does this happen often?” she asked.</p> +<p>A good natured and communicative person, +he was also enough touched by his importance +as Good Samaritan to answer the question of +a stray little girl.</p> +<p>“Lord yes!” he replied. “Every pay day +nowadays. Used to be the brightest man in the +business, too.”</p> +<p>Then as she stood there, blown by all the +strong cross-winds of the world, Marshall the +editor, who knew Eleanor, came hurrying +down the stairs. He saw that wreckage, grown +familiar now to them all, saw the girl standing +white of face beside the balustrade; the situation +came over him at once. He opened the +door, drew in both the intoxicated Billy Gray +and his daughter. Half an hour later, when +Billy could walk a little—it was a dead, nerveless +intoxication with him nowadays—Eleanor +and the foreman took him home in a cab. +<span class='pagenum pncolor'><a id='page_56' name='page_56'></a>56</span></p> +<p>In that long day and night, Eleanor strung +together a thousand half-forgotten incidents, +neglects and irregularities of life, and perceived +the truth which her whole world had +been in conspiracy to keep from her. Out of +the cross-blowing impulses of an immaturity +which was still half childhood—self pity, +shame, heroic pride in her own tragedy, passionate +hatreds of a world which harbors such +things—she came to a resolve in whose very +completeness she was happy for a time. +When, before breakfast, she burst into Mattie +Tiffany’s boudoir, she had a saintly radiance +in her face. The elder woman, advised by the +first words that Eleanor knew, took the little, +cold body into bed with her, petted her back +to something like calm. Storm followed the +calm; Eleanor went all to pieces in a burst of +passionate crying.</p> +<p>After she had recovered a little, her purpose +came out of her. Considering her years, she +said it all quite simply and undramatically. It +was her business to be with her father. Her +mother would have wished it so. She was +going to leave school. That was her work.</p> +<p>Mattie Tiffany, with her passion for picturesque +philanthropies, knew right well that +<span class='pagenum pncolor'><a id='page_57' name='page_57'></a>57</span> +she had neglected somewhat the plain, unpicturesque +philanthropy which lay close to her +hand. She had neither the heart nor the conscience +to deny Eleanor this sacrifice. In that +hour, there grew up between the childless aunt +and the motherless niece an understanding +which those three years of first infancy, when +Eleanor had lain on her breast like a daughter, +had never brought at all.</p> +<p>In three months more, during which time +Billy Gray reformed, lapsed, reformed, lapsed +again, the wiser head of Judge Tiffany found +the way. The Sturtevant estate, nearly fifty +thousand dollars in all, lay in his hands as +trustee. Upon Eleanor’s majority, it was to be +divided, one third accruing to her, the surviving +grandchild, and two-thirds to Mattie Tiffany.</p> +<p>Of late, Judge Tiffany had been turning +his mind toward the Santa Clara Valley fruit +farms, and especially toward the Santa Lucia +tract. He had made the struggle with his own +world and lost; that is another story. At sixty-eight, +life held little for him except an easy +descent into the grave after a career in which +he had played only too little. That leisurely +style of farming, which would permit him to +<span class='pagenum pncolor'><a id='page_58' name='page_58'></a>58</span> +keep an eye on his dwindling law practice, attracted +him. And nothing, it seemed to him, +would better further the intention, now awakened +in all of them, to do something for Billy +Gray. He bought, therefore, two tracts, already +planted and bearing in diversified fruits; +one of forty acres, with a little cottage home, +for Eleanor; the other of eighty acres, with a +large bungalow, for himself.</p> +<p>So far as his intentions toward Billy Gray +went, Judge Tiffany made this venture with +little hope. Billy Gray had tried the Keeley +Cure twice. After each course of treatment, +he had “beaten it,” although he must gargle +whisky, through a deadly sickness, in order +to get back into the habit again. His was +that variety of drunkenness which is not only +an unnatural thirst, but also a mania to forget. +There on the Santa Lucia tract, Billy Gray, +sure of a living, might tilt at happiness +and success with that independent writing +which is the chimera of all newspaper men +until the end of their days; and Eleanor might +help him make the fight.</p> +<p>The next four years—they were a monotony +of variety. For her broken, incompetent father, +Eleanor learned the art and practice of +<span class='pagenum pncolor'><a id='page_59' name='page_59'></a>59</span> +growing apricots and prunes. Lady of her +small manor, she made a business of it; got it +to pay after the second year. Billy Gray never +reformed; no one but Eleanor ever expected +that he would. He smuggled whisky in; he +stole away to get it; once he led the Judge and +Eleanor a chase through his old haunts in San +Francisco until they found him, broken all to +pieces, in the county hospital.</p> +<p>That incident—it appeared that he had been +beaten by a squad of drunken soldiers from the +Presidio—was the breaking strain. His constitution +gone, his mind and body weakened. +For twenty years, no one had ever heard him +speak the name of that Saxon Alice whose +death was the death of his soul. Now, he began +suddenly to babble to his daughter of her +mother. In his last delirium, he called her +“Alice.”</p> +<p>When he was dead and buried, Eleanor went +on for a year through her accustomed routine +of the ranch, letting life flow in again. Tired +at twenty-two, she overstated the feeling to herself +after the manner of youth, and thought +that heart and sense and feeling were dead +in her.</p> +<p>In all the years of passage from girlhood to +<span class='pagenum pncolor'><a id='page_60' name='page_60'></a>60</span> +womanhood, she had lived alone with that dipsomaniac, +seeing only such society as frequented +her aunt’s lawn, and little of that. +Books, and such training in life as they give, +she had known; but she had never known a +flirtation, a follower or a lover. On the day +when Bertram Chester went with her to tame +the bull, she was as one who steps from the +door of a convent.</p> +<hr class='major' /> +<div style='margin: auto; text-align: center; padding-top: 2em; padding-bottom: 1em'> +<span class='pagenum pncolor'><a id='page_61' name='page_61'></a>61</span> +<a name='CHAPTER_IV' id='CHAPTER_IV'></a> +<h2>CHAPTER IV</h2> +</div> +<p>As she left the Tiffany gate and emerged +into the main road between Santa Clara +and Los Gatos, Eleanor raised her serviceable +khaki-brown parasol. She was walking directly +toward the setting sun, which poured +into her eyes; yet she dropped the sunshade +behind her head as though to shield herself +against an approach from the rear. No one +followed; she had walked to the next fence corner +before she assured herself of that, dared to +shift that feminine buckler against the eye of +the sun, to slacken her pace, and to muse on +an afternoon whose events, so quiet, so undramatic, +and yet so profoundly significant, +buzzed still in her head. As she thought on +them, other things came into her mind as momentous +and worthy of attention before the +jump of the great event—that moment alone +with Bertram Chester, that panic of unaccountable +fear. Slow to anger as much by a +native and hidden sweetness as by that surface +<span class='pagenum pncolor'><a id='page_62' name='page_62'></a>62</span> +control which puzzled her demonstrative +Aunt Matilda, she surprised her cheeks +burning and her blood beating in her throat.</p> +<p>With this physical agitation came an army +of disagreeable and disturbing thoughts. At +first they were only recollections of irritations +past; the tiny maladjustments of her life; +things by which she owed vengeance of slight +wrongs. They came together at length, into +one great, sore grievance—the forwardness, +the utter, mortifying impudence, of Mr. Chester. +It was long before she admitted this as a +cause of irritation; once admitted, it overshadowed +all her other complaints against life.</p> +<p>Timidly, she approached stage by stage that +scene on the lawn, that unaccountable moment +in the kitchen. Again she saw his great +shoulders heave with unnecessary strength at +the ridiculous cracker box; again she caught +the sense of confinement with a machine of +crushing strength and power. It seemed to +her that her retina still danced with the impression +of him as he turned to face her, as he +flashed upon her like a drawn weapon. She +found herself looking down at the dusty road; +suddenly she grew so sick and faint that the +breath deserted her body and she had to lean +<span class='pagenum pncolor'><a id='page_63' name='page_63'></a>63</span> +against the gate post for support. The touch +of it against her body revived her with a start, +and brought to her mind the extent and folly +of her own imaginings. She pulled herself +together and dropped her parasol to shield her +face from Maria, who was hurrying over from +the kitchen garden.</p> +<hr class='tb' /> +<p>Life flowed in immediately. A hundred details +of a household, of a fruit farm in the picking +season, awaited her attention. Her orchard +and the Tiffany orchard were conducted +together on a kind of a loose co-operative system +devised by the Judge to give her the +greatest amount of freedom with just as much +responsibility as would be good for her. +Foreseeing that Alice Sturtevant’s daughter +would never live on a farm indefinitely, that +marriage or her own kind would claim her in +the end, he arranged everything so that her +oversight might pass on short notice to Olsen +or to himself. In this harvest season, for example, +he secured for both farms the cutters +and pickers—the hardest problem for the Californian +farmer. Also, the fruit went to his +own sheds and yards for cutting and drying. +He was among the sturdy minority who stood +<span class='pagenum pncolor'><a id='page_64' name='page_64'></a>64</span> +out against the co-operative driers which had +absorbed most of the fruit crop in the Santa +Clara Valley. The detail work about her +place—such as setting out the fruit boxes, selecting +the moment when apricots or pears +were ripe for the picking, seeing that the trees, +her permanent investment, were not injured +by wagon or picker, keeping her own accounts +in balance with those of Judge Tiffany—these +and a hundred other little things she did herself +and did them well. Especially was the +up-keep of the orchard her special care; and +this she managed with such native mother-sense +that one learned in trees might have told +just when he crossed the unfenced line from the +Gray orchard to the Tiffany orchard.</p> +<p>To-night, Olsen was waiting to know +whether she thought that the ten rows of Moor +Parks were ready for picking; he had just +finished the first crop of the Judge’s Royals +and a small gang would be without pressing +work on Monday morning. So they walked +over the orchard together, pressing a golden +ball here and there, and decided that the fruit +was ripe and ready. Eleanor summoned Antonio +for directions about boxes and ladders. +The hen-house had to be inspected, for Eleanor +<span class='pagenum pncolor'><a id='page_65' name='page_65'></a>65</span> +was fumigating against the pip, brought +into the Santa Lucia by an importation of +fancy Eastern chickens. To-morrow’s menu +of the housekeeper was to be looked after. +The things kept her busy until her solitary +Sunday evening supper.</p> +<p>Eleanor had dined alone so much that she +had quite recovered from any self-pity on that +score. Like the daughter of convent manners +that she was, she kept up her self-respect +by a little ceremony at this meal. She dressed +for it usually; at least she put on fresh ribbons +and flowers, gave a touch here and there to the +table, held Maria to the refinements of service.</p> +<p>However, as she opened her napkin that +evening the rush and emotional strain of the +day brought a certain flash of introspection. +It came first when she lifted her eyes and +caught sight of herself in the mirror—dewy +eyed, fresh, a pink rose in her hair, a pink ribbon +at her throat. What was she, so young, so +feminine, doing there, supping alone in state? +She remembered the invitation of Lars Wark +in Munich; he and his wife, living the life artistic +away over there, had sent to ask her that +she visit them and share their winter in the +studio or their summer on the coast of Brittany. +<span class='pagenum pncolor'><a id='page_66' name='page_66'></a>66</span> +Why, in the face of that alluring invitation, +did she suffer her soul to keep her in +such prisons as this? She could afford it; +there was no question of money. According to +the books she had read, that solitary state belonged +to old, disappointed bachelors, old +maids, faded people generally. Here she sat, +a picture unseen, playing at age—and she less +than twenty-two. There was a kind of delicate +incongruity about it all. And watching her +own grey eyes, as they faced her in the mirror, +she half comprehended why she continued to +live so, even after her father died and took +away the reason for her old solitude. She had +been under the hypnotic suggestion of an event, +an impression. That moment on Montgomery +street, when she found her father lying drunk, +when tragedy and responsibility came together—that +moment had stretched itself out +to six years. She had lived by it; was living +by it now.</p> +<p>In some unaccountable fashion, that picture +would intertwine itself with the impression, +so new and vivid, which she had received that +afternoon. Momentarily, both united to produce +one emotion—profound disgust and dislike +for the coarseness, the brutality, of male +<span class='pagenum pncolor'><a id='page_67' name='page_67'></a>67</span> +humanity, which had laid her father out on +the pavement for the sport of a mob, which +had made this perturbing young man trample +on all considerations and delicacies.</p> +<p>“You need not mind about dessert, Maria,” +she called out suddenly. She rose, hurried out +of doors, tore into the inspection of fruit crates +for to-morrow’s picking.</p> +<p>Night, falling with little twilight, as always +in those climes, found her still ranging the +house and barnyard, the rose incongruously in +her hair, the ribbon at her throat. When it +was too dark to find employment out of doors, +she hurried back to the house, tried to read. +But a sense of confinement drove her forth. +She started out toward the road, stopped by the +hedge gate, sat down finally on a bench under +her grape arbor. The leaves and the bunches +of swelling fruit hid her from sight of the +highway, overshadowed at that point by a +great bay tree.</p> +<p>A confusion of voices, masculine and +feminine, sounded in the distance. She +caught a shrill, rowdy laugh. “The cutting-women +and their men,” she thought dimly. +That social phenomenon of the picking season, +grown accustomed by six years of passing summers +<span class='pagenum pncolor'><a id='page_68' name='page_68'></a>68</span> +and winters, drew no special attention +from her. But the noise continued; it became +plain that these reveling laborers were making +in her direction. Doubtless, they came from +the women’s camp at Judge Tiffany’s. The +night was bringing her peace and sleep of the +soul after a disturbing day; alone, that raucous +noise marred the calm.</p> +<p>She peered idly through the leaves. A half +a dozen women, their white dresses making +them visible in the dusk, a few men whose +forms loomed indistinctly against the edge of +the sky, noised past her and were gone down +the road. One couple, she perceived, lingered +behind. They had reached the shade of the +bay tree, were so close that she might have +reached out and touched them, before she realized +the situation. She was about to call out, +to cough, when the man spoke.</p> +<p>“No, I won’t hurt you,” he said, “I’m as gentle +a little kisser as you ever saw.” The voice +was that of Bert Chester.</p> +<p>“Aw, you’re too fresh,” came the voice of +the girl. But as they drew into deeper +shadow, she was not pulling away from him.</p> +<p>“Fresh as a daisy!” said the voice of Bertram +<span class='pagenum pncolor'><a id='page_69' name='page_69'></a>69</span> +Chester. Followed a struggle, a faint “stop, +stop!” in the voice of the girl, the sound of +gross and heavy kissing. In a moment, the +white form of the girl broke down the road, +the greater, darker form of the man lumbering +after. He caught her, held her for a +longer time and a lesser struggle. She came +out of this one laughing, and down the road +they went, his arm a black shadow about her +waist.</p> +<p>Eleanor’s deeper and higher self—the self +that lay like a filmy, impalpable wrapper +about her conscious mind, so that at times she +appeared to herself as two persons—that consciousness +stood aloof in expectation of disgust, +revulsion, horror. It came as a confused surprise +that she felt nothing of the kind. A +cloying sweetness, a sensation purely physical, +as though a syrup had been poured into all the +channels of her nerves, began in her throat, +rushed through body and limbs. The sweet +tide surged backward, beat in a wave of faintness +upon her heart. Shame, like air into a +vacuum, followed with a rush. She sank to +the ground, clinging to the bench.</p> +<p>When she had so far mastered herself that +<span class='pagenum pncolor'><a id='page_70' name='page_70'></a>70</span> +she could feel her own senses, she was praying +aloud—praying in the rite which held her +emotions while it failed with her reason.</p> +<p>“Ave Maria Sanctissima!” she was saying +over and over again.</p> +<hr class='major' /> +<div style='margin: auto; text-align: center; padding-top: 2em; padding-bottom: 1em'> +<span class='pagenum pncolor'><a id='page_71' name='page_71'></a>71</span> +<a name='CHAPTER_V' id='CHAPTER_V'></a> +<h2>CHAPTER V</h2> +</div> +<p>“Match you to see whether it’s good, +old fifteen cent feed at the Marseillaise +or a four bit bust at the Nevada,” said +Bertram Chester.</p> +<p>“I’ll take you,” responded Mark Heath, flipping +a silver dollar as he spoke. “Heads the +Nevada; tails the croutons and Dago red.”</p> +<p>“Tails it is—aw, let’s make it the Nevada +to show there’s nothing in luck.”</p> +<p>“You quitter!”</p> +<p>“All right; but I hate to look cabbage soup +in the face,” grumbled Bertram. He resumed, +then, his languid occupation which this parley +had interrupted, and continued to review, +from an angle of Moe’s cigar stand, the passing +matinee parade.</p> +<p>The time was late afternoon of a fog-scented +October day. Through the wet air, street +lamps and electric signs had begun to twinkle. +Under the cross-light of retreating day +and incandescent globes, the parade of women, +<span class='pagenum pncolor'><a id='page_72' name='page_72'></a>72</span> +all in bright-colored silks and gauds, moved +solid, unbroken. Opera bags marked off those +who had really attended the matinees; but +only one in five wore this badge of sincerity. +The rest had dressed and painted and gone +abroad to display themselves just because it +was the fashion in their circles so to dress and +paint and display. Women of Greek perfection +in body and feature, free-stepping Western +women who met the gaze of men directly +and fearlessly, their costumes ran through all +the exaggerations of Parisian mode and tint. +Toilettes whose brilliancy would cause heads +to turn and necks to crane on the streets of an +Eastern city, drew here no tribute of comment. +It had gone on all the afternoon. From the +Columbia Theatre corner, which formed one +boundary of “the line,” to the Sutler Street +corner of Kearney, five blocks away, certain +of these peacocks had been strutting back and +forth since two o’clock. The men who corresponded +in the social organization to these +paraders of vanity lined the sidewalks or lolled +in the open-air cigar stands, as did these two +young adventurers in life—Bertram Chester, +now a year and a half out of college, and Mark +Heath, cub reporter on the <i>Herald</i>. +<span class='pagenum pncolor'><a id='page_73' name='page_73'></a>73</span></p> +<p>When the homefarers from office and factory +had begun to tarnish the brilliance of this +show, when the women had begun to scatter—this +one to dinner with her man, that one back +to the hall-room supper by whose economies +she saved for her Saturday afternoon vanities—Bertram +and Mark drifted with the current +up Kearney street toward the Hotel Marseillaise. +In their blood, a little whipped already +by the two cocktails which they had felt able to +afford even while they debated over the price +of dinner, ran all the sparkling currents of +youth. They drew on past Sutler Street to +Adventurer’s Lane, the dingy section of that +street wherein walked the treasure-farers of all +the seven seas; and as they walked, Bertram began +to speak of the things which lay close to +his heart.</p> +<p>“I guess I’ll chuck the law,” he said. +“Maybe I’ll stay with Judge Tiffany a year or +so longer—until I get admitted anyway. A +bar admission might count if I wanted to go +into politics.”</p> +<p>“Politics is a pretty poor kind of business,” +responded Mark Heath. Old enough in journalism +to have recovered somewhat from his +first enchantment with the rush of life, he was +<span class='pagenum pncolor'><a id='page_74' name='page_74'></a>74</span> +only just beginning to acquire the cynical pose.</p> +<p>“Hell, it’s all according to how you play +it,” said Bertram. “When you get to be Lincoln, +nobody calls it poor business. Do they +think any the worse of my old man because +he played politics to be sheriff of Tulare? If +I should go into the game down there, his pull +would help me a lot. But it’s me for this.” +His sweeping gesture took in the whole city.</p> +<p>He had missed Mark’s point. The latter +felt within him a little recoil from that loyalty +for his greater, more ready, more popular +friend, which had carried him, a blind slave, +through college, and which had helped him +make him settle in San Francisco instead of +Tacoma. Through his four years at the University, +Mark had shared his crusts with Bertram +Chester, yelled for him from the +bleachers, played his fag at class elections. +Now Mark was out in the world, practising +the profession of lost illusions; and a new +vision had been growing within him for many +days. He turned a grave face toward his +chum, and his lips opened on the impulse of +a criticism. But he thought better of it. His +mouth closed without sound.</p> +<p>“The real chances for a lawyer, though, are +<span class='pagenum pncolor'><a id='page_75' name='page_75'></a>75</span> +in business,” Bertram went on. “Judge Tiffany +never grabbed half his chances. Attwood +in the office, says so.”</p> +<p>“He surely didn’t keep out of politics, that +Judge,” said Mark, remembering the turns of +fate which had almost—and ever not quite—made +the old Judge a congressman, a mayor, +and a Justice of the California State Supreme +Court.</p> +<p>“Oh, he had no call to be in politics. He +hasn’t the sand. Attwood says so. And he +stuck at his desk and let his business chances +go by. Myself, I’m keeping my lamps open. +Just because the Judge doesn’t watch his +chances, that office is a great place to pick +things up. Look at those tidewater cases of +ours over in Richmond. I know, from the inside, +that we’re going to lose our case, and lots +will go whooping up. I’ve written to Bob for +a thousand dollars to invest. I’ll double that +in a year and have my first thousand ahead. +Say, why don’t you try something in business +instead of sticking to newspapers? Let’s go +in together. Reporting is a rotten kind of +business.”</p> +<p>“Oh, I don’t know, I like it. I think I’ll +stay with it for a while.” Again Mark had +<span class='pagenum pncolor'><a id='page_76' name='page_76'></a>76</span> +put back the thought of his heart. Like so +many of the loyal and devoted, he could hardly +bring himself to speak of his own deeper motives +and ambitions. Least of all could he reveal +them in this moment of disillusion. He +had never told Bertram about the four-act +comedy hidden in the writing desk of their +common room, to be mulled over during the +mornings of his leisure. “I think I’ll stay +with it for a while, anyway,” he added simply.</p> +<p>They had turned out of Kearney Street and +were mounting the hill-rise toward the Hotel +Marseillaise. These fringes and environments +of Chinatown had been residences for the +newly affluent in the days when the Poodle +Dog flourished and flaunted in the hull of a +wreck, in the days when that Chinatown site +was Rialto and Market-place for the overgrown +mining camp. The wall moss which +blew in with the trade winds, and the semi-tropic +growth of old ivies and rose-bushes, had +given to these houses the seasoning of two centuries. +Unpretentious hovels beside the structures +of stone turrets and mill-work fronts by +which later millionaires shamed California +Street and Van Ness Avenue, they had the +simple dignity of a mission, a colonial farm-house, +<span class='pagenum pncolor'><a id='page_77' name='page_77'></a>77</span> +or any other structure wherein love of +craft has supplanted scanty materials. Innumerable +additions of sheds and boxes, the +increment of their fallen social condition, +broke their severe lines. A massive door, a +carriage entrance, the remains of a balcony +faced to catch wind and air of the great +bay, recalled what they had been; as though a +washerwoman should wear on her tattered +waist some jewel of a wealth long past.</p> +<p>The Hotel Marseillaise occupied one of +these houses. Where it stood, the hill rose +steep. One might enter a narrow alley, skirt +a board fence, dodge into a box hall, seasoned +with dinners long past, and mount by a steep +staircase to the dining room; or he might +enter that dining room directly from the street, +such was the slope of the hill. A row of +benches parked the front door. On the fine, +out-of-doors evenings which came too seldom +in the City of Fogs, French waiters out of +work, French deserters from merchantmen in +the harbor below, French cabmen waiting for +night and fares, lolled on these benches while +they smoked their black cigarettes and chattered +in their heavy, peasant accent.</p> +<p>Within, Madame Loisel ruled with her cash +<span class='pagenum pncolor'><a id='page_78' name='page_78'></a>78</span> +register at the cigar counter. She, bursting +with sweet inner fatness like a California nectarine, +kept in her middle age the everlasting +charm and chic of the Frenchwoman. This +Madame Loisel was a dual personality. She +of the grave mouth, the considering eye, the +business manner, who rung up dinner fees on +the cash register and bargained with the +Chinamen for vegetables at the back door, +seemed hardly even sister to the Madame +Loisel of Saturday afternoon on “the line” +or Sunday morning at the French Church. +By what process man may not imagine, this +second Madame Loisel took six inches from +her girth, fifty pounds from her weight, fifteen +years from her age. Her step was like a +dancer’s; her figure was no more than comfortably +plump; her Sunday complexion +brought the best out of her alluring eyes and +her black, ungrizzled hair; her hands, in their +perfect gloves, bore no resemblance to the +hands which had scraped pots for Louis +Loisel in the time before he could flaunt the +luxury of a cashier.</p> +<p>In Madame Loisel’s background lay the +ramblings of a house built for comfort and +large hospitalities. Gone were the folding +<span class='pagenum pncolor'><a id='page_79' name='page_79'></a>79</span> +doors, bare the niches, empty the window-seats. +The old drawing-rooms, music-room, +dining-room, had become one apartment of a +sanded floor and many long tables. Through +this background of his wife moved Louis Loisel, +grizzled, fat and gay; never too busy +at his serving to exchange flamboyant banter +with a patron.</p> +<p>Hither the peasant French of San Francisco, +menials most of them, came for luncheons +and dinners of thick, heavy vegetable +soup, coarse fish, boiled joint, third-class +fruit and home-made claret, vinted by Louis +himself in a hand press during those September +days when the Latin quarter ran purple—and +all for fifteen cents! Thither, too, +came young apprentices of the professions, +working at wages to shame a laborer, who had +learned how much more one got for his money +at Louis’s than at the white-tiled American +places further down town. It stood for ten +years, this Hotel Marseillaise, the hope of the +impecunious. How many careers did it preserve, +how many old failures from the wreckage +of Kearney Street did it console!</p> +<p>Madame Loisel stood at her cash register +as the two young men entered. A fresh waist, +<span class='pagenum pncolor'><a id='page_80' name='page_80'></a>80</span> +a ribbon at her throat, a slimness of her waist +and an artificial freshness in her complexion +showed that she had been parading that afternoon.</p> +<p>“Bonsoir Madame—la la la-la-la!” called +Bertram.</p> +<p>Her face blossomed with coquetry, her teeth +gleamed, and:</p> +<p>“Bonsoir—diable!” she smiled back at him. +Mark Heath had greeted her more soberly. +Her eyes followed Chester’s big, square +frame as he moved with lumbering grace to a +corner table.</p> +<p>There he sat at the beginning of his career, +such as it was, this Bertram Chester—a +completed piece of work, fresh, unused, from +the mills of the gods. His strong frame was +beginning to fill out, what with the abandonment +of training for a year. He was a pretty +figure of a man in his clothes; and those +clothes were so woven and cut as to be in contrast +with his surroundings. A tailor of San +Francisco, building toward fashionable patronage, +had made him suits free during his +last year in college. Varsity man and public +character about the campus, Chester paid him +back in advertising of mouth. Guided by +<span class='pagenum pncolor'><a id='page_81' name='page_81'></a>81</span> +that instinct of vanity and personal display +which runs in those who have to do with the +cattle range, he had learned to dress well before +he was really sure-mouthed in English +grammar.</p> +<p>His face, still, as when we first saw him, a +little over-heavy, had lightened with the +growth of spirit within him. This increase +of spirit and expression manifested itself in +his rolling and merry eye, which travelled +over all humanity in his path with an air of +possession, in the mobility of his rather thick-lipped +mouth. For the rest, the face was +all solidity and strength. His neck rose big +and straight from his collar, a sign of the +power which infused the figure below; his +square chin, in repose, set itself at a most +aggressive angle; his nose was low-bridged +and straight and solid. From any company +which he frequented, an attraction deeper than +his obviously regular and animal beauty +brought him notice and attention.</p> +<p>The son of Louis, a small, cheerful imitation +of his father, slammed a bowl of cabbage +soup down before them. Bertram, sighing +his young, ravenous satisfaction, sank the +ladle deep and stopped, his hand poised, his +<span class='pagenum pncolor'><a id='page_82' name='page_82'></a>82</span> +eyes fixed. Mark followed the direction of +his glance. Louis Loisel, wearing his best +air of formal politeness, was bowing a party +of women to a table by the door.</p> +<p>“Slummers!” said Mark under his breath. +A habitué of the place, he had already developed +a resentment of outsiders.</p> +<p>Louis pulled out chairs, wiped the table +mightily; the French cabmen, the Barbary +Coast flotsam and jetsam, gazed over their +soup-spoons in silent, furtive interest.</p> +<p>“It’s her!” said Bertram, lapsing into his +native speech. Heath flashed a glance of +recognition at the same moment.</p> +<p>“Miss Gray—sure—Mrs. Tiffany’s niece. +I thought she was in Europe—didn’t she start +a week or two after we left the ranch?”</p> +<p>“Oh, I knew she was coming back. Mrs. +Tiffany told me. The Mrs. Boss isn’t so +sweet on me as she used to be, but I see her +in the office now and then.”</p> +<p>Bertram resumed his ladling. Both +watched furtively. It was a balanced party—three +men and three women. Among the +men, Mark Heath recognized him of the +pointed beard as Masters, the landscape +painter. The little, brown woman who sat +<span class='pagenum pncolor'><a id='page_83' name='page_83'></a>83</span> +with her back to them must be his wife. The +other girl, a golden, full-blown Californian +thing—her, too, they marked and noted with +their eyes.</p> +<p>Recognition of a sort had come meanwhile +from the party at the guest table. Miss Waddington, +the full-blown golden girl, had +seated herself and cooed an appreciative word +or two about the quaintness and difference of +the Marseillaise, when her eyes clutched at the +two young men in the corner, whose dress made +them stand out so queerly among the lost and +soiled. As Bertram looked up with his glance +of recognition, her eyes caught his. She +glanced down at her plate.</p> +<p>“Eleanor,” she said, “is that a flirtation +starting, or do any of us know the two men +in the corner—there under that beer sign.”</p> +<p>Eleanor looked. Kate Waddington, her indirect +gaze still on that corner table, saw the +dark young man smile and bow effusively. +She slipped a sidling glance at Eleanor Gray. +Something curious, an intent look which +seemed drawn to conceal a tumult within, +had filmed itself over Eleanor’s grey eyes. +But she spoke steadily.</p> +<p>“Why, yes. I have met them both. They +<span class='pagenum pncolor'><a id='page_84' name='page_84'></a>84</span> +used to do summer work on the ranch when +they were in college. I believe that the +darker one—Mr. Chester—is in Uncle Edward’s +law office now. I haven’t seen either +of them since I went abroad.”</p> +<p>“I should say that this Mr. Chester fancied +you, from his expression.”</p> +<p>“I suppose that he fancies every girl that +he sees—from his expression.”</p> +<p>Kate Waddington caught the shade of irritation, +uncommon with Eleanor, and noted +it in memory. Mrs. Masters, an eager little +woman who grasped at everything about her +like a child, broke in:</p> +<p>“If you know them, and they’re really frequenters +of the place, it would be fun to ask +them over. Sydney used to dine here a great +deal when he was young and poor, and he +has <i>such</i> stories of the people he used to know +then!”</p> +<p>Eleanor hesitated. Kate looked again toward +Bertram, who was talking rapidly +across his soup to Mark Heath, and:</p> +<p>“Do!” she murmured.</p> +<p>In that instant, Bertram himself cast the +die. This had been the debate across the +soup: +<span class='pagenum pncolor'><a id='page_85' name='page_85'></a>85</span></p> +<p>“I’m going over to speak to her,” said Bertram.</p> +<p>“I shouldn’t butt in,” said Mark. “It’s a +balanced party.”</p> +<p>“Oh, I shan’t try to stay—coming along?” +He did not wait to see whether or not Mark +was following.</p> +<p>Miss Gray greeted him more cordially, altogether +more sweetly, than she had ever done +in their meetings on the ranch, and passed him +about the circle for introductions. Noticing, +then, that Mark had not followed, Bertram +turned and beckoned with impatience. Mark +crossed the room in some embarrassment.</p> +<p>“Is this your first visit to the Hotel Marseillaise?” +asked Mrs. Masters. Mark hesitated; +but Bertram laughed and beamed down +on her from his brown eyes.</p> +<p>“Only about my two hundred and first,” he +said. “Mr. Heath and I dine here every +night we haven’t the price to dine anywhere +else.”</p> +<p>Masters, with that ready tact which he +needed in order to live with Mrs. Masters, +rushed into the breach.</p> +<p>“And I should call it about my four hundred +and first,” he said. “It’s back to the old +<span class='pagenum pncolor'><a id='page_86' name='page_86'></a>86</span> +scenes for the night. I haven’t tasted real +cabbage soup since the last time—it has been +a canned imitation. For goodness’ sake join +us and tell us the news!”</p> +<p>“Do!” said Miss Waddington with animation, +and “Please,” said those two escorts who +do not figure in this story. Eleanor said nothing, +but her expression was an invitation.</p> +<p>“Sure!” responded Bertram.</p> +<p>The Hotel Marseillaise had familiar customs +of its own. For one thing, guests bothered +the waiters as little as possible. Masters +smiled when the two unconscious youths +went back to their table, picked up the big +soup tureen, their knives and forks, their +plates, and transported them to the larger +table.</p> +<p>They were dragging the lees of a rather +squalid Bohemia, these two boys; a Bohemia +the more real because they were unconscious +in it. Its components were a cheap furnished +room, restaurants like this, adventurous companionship +in the underworld which thrust +itself to the surface here and there in that +master-port of the Saxon advance. Not for +months had either of them been in the society +of such women as these—women who preferred +<span class='pagenum pncolor'><a id='page_87' name='page_87'></a>87</span> +cleanliness to display, women who +were nice about their nails and hair. A kind +of pleasant shyness crept over Mark Heath; +the spirit came into the face of Bertram Chester. +Masters, tactician that he was, put the +conversation into their hands. Presently, +they were telling freely about the fare at Coffee +John’s, about their familiars and companions +in the little Eddy-Street lodging house, +about the drifters of the Latin quarter. They +quite eclipsed the pale youth who was playing +escort to Eleanor, and the substantial person +in the insurance business who seemed to +be responsible for Kate Waddington. Heath, +speaking with a little diffidence and lack of +assurance, had twice the wit, twice the eye for +things, twice the illumination of Bertram +Chester; yet it was the latter who brought +laughter and attention. His personality, +which surrounded him like an aroma, his +smile, his trick of the eyes—one listened to +Bertram Chester.</p> +<hr class='tb' /> +<p>When the son of Louis brought in the little +sweet oranges and arranged the goblets for +black coffee, talk shifted from monologue to +dialogue. Eleanor found herself talking to +<span class='pagenum pncolor'><a id='page_88' name='page_88'></a>88</span> +Bertram. A kind of pride had been rising +in her all the evening; a pride born in recoil +from her latest recollection of him. The episode +of that night under the bay tree had +gone with her clear across the Atlantic. Even +the influence of the wholly new environment, +in which she had grown from a girl recluse +to a woman, had not served for a long time to +erase that ugly stain on her memory. Here +and now was the man who served so to perturb +her once—and she could look on him, +with her more mature eyes, as an attractive, +unlicked young cub. She surprised herself +taking revenge upon the past by a hidden patronage. +At once, then, she fell to talking of +Europe and the splendors she had lived there.</p> +<p>“This reminds me of the places one slips +into abroad,” she said, “Mr. and Mrs. Wark—Lars +Wark you know—took me to just such +an old ruin in Paris. We dined for thirty +centimes, I remember, but it was no better +than this. I’ve had to go away to know my +native city. That is the thing which strikes +you when you come back—San Francisco is +so like the Latin cities of Europe, and yet so +unlike!”</p> +<p>Kate leaned across her insurance man. +<span class='pagenum pncolor'><a id='page_89' name='page_89'></a>89</span></p> +<p>“The Society for the Narration of European +Travel is in session, Mr. Chester,” she said. +“I know the joy that Eleanor is having. It +was the passion of my life after I first got +back from abroad.”</p> +<p>“Oh, I eat it alive,” said Bertram. “I’m +strong for seeing Paris.” He turned back to +Eleanor; and her double embarrassment drove +her on.</p> +<p>“Such a good time as I had with the Warks—their +studio in Munich, where I met all the +German long-haired artists—a run to Paris +in the season—the dearest little village on the +Coast of Brittany last summer—and three +weeks in incomparable London at the end. +I haven’t thought of the ranch for a year and +a half—Uncle Edward pays me the compliment +of saying that my profits fell off twenty +per cent. under Olsen’s management—oh, +isn’t she a dear!”</p> +<p>For Madame Loisel, wearing a beaming +and affable manner, had come through the +door and approached their table. Madame +made it a point of business honor to promote +personal relations with her regular guests, asking +Jean how he liked the fish, assuring +Jacques that the soup would be better to-morrow. +<span class='pagenum pncolor'><a id='page_90' name='page_90'></a>90</span> +This visit of hers to the slumming party +came after a storm in the kitchen, whose +French thunders had reached the dining room +now and then. Louis, the conservative, hated +slummers and dreaded being “discovered.” +He ran a restaurant as a social institution as +well as a business venture. Madame Loisel, +with her eye on the cash register, longed ardently +for slummers who would give large +tips to Louis the younger, order expensive +wines, and put the Marseillaise on the way +to a twenty-five cent table d’hote dinner. +From that kitchen squabble, recurrent whenever +slummers visited them, Madame Loisel +swept in haughty determination, leaving Louis +to take it out on the pots. As she approached +the table, all the charm of France illuminated +her smile.</p> +<p>She invariably paid slummers the compliment +of addressing them in French.</p> +<p>“<i>Bonsoir—le souper, plait-il vous</i>?” she +asked.</p> +<p>Eleanor took her up in fluent French, and +the talk sparkled back and forth between +them—reminiscences of this or that restaurant +on the boulevards which Madame Loisel had +known in her youth and which Eleanor had +<span class='pagenum pncolor'><a id='page_91' name='page_91'></a>91</span> +visited. Bertram, his mouth open, followed +that talk as though summoning all his Sophomore +French to match a word here and there. +Kate Waddington, leaning again across her insurance +man, was the first to break in.</p> +<p>“I myself used to be keen on French when +I came back from Europe, but I’m out of +practice. Please excuse me, Madame, if I +speak English. How can you do it at this +price?”</p> +<p>“It is kind of you to say so, Mademoiselle—economy +and honesty.”</p> +<p>Masters patted Mark Heath on the knee.</p> +<p>“We can’t let you fellows go away from +us now. One doesn’t get guides to the Latin +quarter for nothing. Take us somewhere, +Mr. Heath—unless you’re working to-night.”</p> +<p>“No, virtue has been rewarded,” said Mr. +Heath. “I’m off to-night as a testimonial of +esteem from the City Editor. What shall it +be?”</p> +<p>Bertram Chester, taking up the talk again, +laid out Kearney Street like a bill of fare. +Mrs. Masters, casting her vote as chaperone, +chose the Marionette Theatre tucked away +under the shadow of the Broadway Jail.</p> +<p>As Eleanor stepped out into California +<span class='pagenum pncolor'><a id='page_92' name='page_92'></a>92</span> +Street, gathering her coat about her against a +night which had come up windy and raw, +Bertram took her side with a proprietary air. +She turned toward her appointed escort. It +happened that he was walking ahead with +Heath just then, holding an argument about +the drift of Montgomery Street when it was +the water front. For several blocks, then, +Bertram had her alone. It seemed to her +that he began just where he left off two years +or more ago.</p> +<p>“You’re even prettier than you used to be,” +he said caressingly; “you’ve bully eyes. I +think I told you that before.”</p> +<p>This time, she looked him full in the face +and smiled easily.</p> +<p>“Have I? Well I hope you don’t mind my +saying that they’re resting on a bonny sight!”</p> +<p>Somewhat taken aback by the directness of +this answer, so different from the artificial +coyness of the girls he knew best in that period +of his life, Bertram turned in his course.</p> +<p>“You’re joshing me,” he said.</p> +<p>“Truly I’m not. You are good to look at—eyes +and all.”</p> +<p>Although balked of his opening, Bertram +tried again. +<span class='pagenum pncolor'><a id='page_93' name='page_93'></a>93</span></p> +<p>“Well your mouth is just as good as your +eyes.”</p> +<p>The same quick look into his face, and the +same smile, as she answered:</p> +<p>“Yours is a little better if anything. It is +not only well formed, but it becomes delicious +when you smile, and it has most attractive +shadows in the corners.”</p> +<p>“Suppose we talk sense,” grumbled Bertram.</p> +<p>“Suppose we do; I know you can.” They +both laughed at this, and all the way up Kearney +Street she continued her chatter of +Europe. Lars Wark, who had known her +mother, had done everything for her. It had +been very different from the regular tour; she +came back ignorant of all the show places +from Cologne Cathedral to the Tower. But +it had been her privilege to see and meet wonderful +people. They would not do for regular +companionship, such people. They +struck one, in the end, as goblins and trolls; +but it had been an experience of a lifetime—while +it lasted. The Warks had taken her to +places which the tourist never sees—lost villages +in the Black Forest, undiscovered corners +of London, even. +<span class='pagenum pncolor'><a id='page_94' name='page_94'></a>94</span></p> +<p>After a little of this, she drew him on to +speak of himself. She had heard news of +him, she said, from her uncle, who said that +he was doing well and gave promise of a future +in the law. How long had he remained +on the ranch that summer? This reference +put him back into his presumptive mood.</p> +<p>“You went away without giving me a +chance to say good-bye,” he complained. “I +never saw you again after the party on the +lawn.”</p> +<p>Her tongue ran away with her.</p> +<p>“I saw you, though,” she said.</p> +<p>“Where?”</p> +<p>“Oh, at a distance.” He caught nothing +from her tone, yet a slight change did come into +her manner, as though something had been +drawn between them. Then her escort fell +in on the other side of Eleanor, appropriating +her by right and by consent of her attitude.</p> +<p>Now they were in Broadway, skirting the +small bake-shops, the dark alleys, all the picture +scenes of the Latin quarter. At that +very moment, Miss Waddington drew a little +apart from the group clustering about Masters +and Mark Heath. An Italian baby of three, +too late out of bed, stood by a cellar rail surveying +<span class='pagenum pncolor'><a id='page_95' name='page_95'></a>95</span> +them with the liquid fire which was his +eyes. Kate Waddington stooped to pat his +head. As she raised herself, she was beside +Bertram. Nothing more natural than that +she should fall in, step by step, beside him. +He caught step with her, but he still looked +toward Eleanor.</p> +<p>“Wonderful girl, isn’t she?” asked Kate.</p> +<p>“She sure is.”</p> +<p>“Her mother,” said Kate, “had more wit +than any other woman in San Francisco—and +the men she had!”</p> +<p>“I think Eleanor has inherited <i>that</i> at any +rate,” she added after a pause.</p> +<p>They had reached the door of the Marionette +Theatre now. Afterward they drank +beer at Norman’s; and when they broke up, +Bertram Chester found himself with three invitations +to call.</p> +<hr class='tb' /> +<p>Kate Waddington spent that night with +Eleanor Gray in the Tiffany House on Russian +Hill. While they sat before the fireplace, +in the half-hour of loosened hair and +confidences, Eleanor broke a minute of silence +with the inquiry:</p> +<p>“What did you think of him?” An instant +<span class='pagenum pncolor'><a id='page_96' name='page_96'></a>96</span> +after she let slip this impersonal inquiry, +she would have given gold to recall it. +And if she had any hope that Kate Waddington +had missed the point, it died in her when +Kate answered in an indifferent tone:</p> +<p>“He? Oh, he seems to me to be a little promiscuous.”</p> +<hr class='major' /> +<div style='margin: auto; text-align: center; padding-top: 2em; padding-bottom: 1em'> +<span class='pagenum pncolor'><a id='page_97' name='page_97'></a>97</span> +<a name='CHAPTER_VI' id='CHAPTER_VI'></a> +<h2>CHAPTER VI</h2> +</div> +<p>The Tiffany house—I spare you full description—rambled +with many a balcony +and addition over that hill which rose +like a citadel above San Francisco. From its +Southern windows, one looked clean over the +city, lying outspread below. Even the Call +building, highest eminence piled up by man in +that vista, presented its roof to the eye. I +can picture that site no better than by this; +Over Judge Tiffany’s front wall hung an apple +tree, gnarled, convoluted, by the buffets +of the sea wind. In autumn, when the fruit +was ripe, stray apples from this tree had been +seen to tumble from the wall and roll four +blocks down into the Latin quarter.</p> +<p>From the rear, the house looked out on a +hedged and sloping garden, quite old, as gardens +go in that land, for a pioneer planted it; +and from the rear gate of that garden it was +only a step to the hill mount. Thence one +came out suddenly to the panorama of the +<span class='pagenum pncolor'><a id='page_98' name='page_98'></a>98</span> +Bay, stretching on three sides; a panorama +divided, as by the false panels of a mural +landscape, into three equal marvels. To left, +the narrow gate, a surge like the rush of a +river always in its teeth and the bright ocean, +colored like smelt-scales, beyond. In front +the Roads, where all strange crafts from the +mysterious Pacific anchored while they waited +their turns at the docks. Both in foreground +and background, this panel changed day by +day. It might be whalers from the Arctic +which lay there in the morning, their oils making +noisome the breeze; it might be a fleet +of beaten, battered tramp wind-jammers, panting +after their fight about the Horn; it might +be brigs from the South Seas; it might be +Pacific steamers, Benicia scow-schooners, +Italian fishing smacks, Chinese junks—it +might be any and all of these together. As for +the background, that changed not every day +but every hour what with the shifts of wind, +tide and mists. Now its tinge was a green-gold +betraying pollution of those mountain +placers which fed the San Joaquin and the +mighty Sacramento. Now it was blue and +ruffled, now black and calm, now slate-gray,—a +mysterious shade this last, so that when the +<span class='pagenum pncolor'><a id='page_99' name='page_99'></a>99</span> +fog began to shoot lances across the waters, +these fleets at anchor by Quarantine wharf +seemed argosies of fairy adventure. Even +Tamalpais, the gentle mountain which rose beyond +everything, changed ever with the change +in her veil of mist or fog or rain-rift. The +third panel, lying far to the right, showed +first dim mountain ranges and the mouths of +mighty rivers, and then, nearer by, masts, +stacks and shipping, fringing the city roofs.</p> +<p>North into this garden ran a small wing +of the Tiffany house. Upon the death of +Alice Gray, Mattie Tiffany had set it apart +for Eleanor the baby. When, after her years +with Billy Gray, Eleanor came back, Mattie +had refurnished it for the grown baby. The +upper story held her bedroom and her closets. +Below was her own particular living-room. +This opened by a vine-bordered door into the +garden, into that path which led up to the +bay view.</p> +<hr class='tb' /> +<p>Judge Tiffany, sitting within the front window +to watch the shimmer of a pleasant Sunday +afternoon on the city roofs below, perceived +that his wife had walked three times +to that garden wall which looked down along +<span class='pagenum pncolor'><a id='page_100' name='page_100'></a>100</span> +the drop of Broadway to the Spanish Church.</p> +<p>The second time that he perceived this +phenomenon, his eyes showed interest; the +third he smiled with inner satisfaction and +rose to meet her return as though by accident. +He was leaning upon a cane, getting ease of +the sciatica which plagued him.</p> +<p>The Judge had aged during the two years +since he opened these events. He had settled +now into the worldly state of a man who rests +content with the warming sun and the bright +air which feed life. But the inner soul, whose +depth was his philosophy, whose surface his +whimsical humor—that still burned in his +dark blue eyes. Those eyes glistened a little +as he went on to this, his daily sport.</p> +<p>He met her on the piazza. She had raked +the rise of Broadway, which one mounted by +two blocks of hen-coop sidewalks; and now +she was inspecting the cross street.</p> +<p>“All the Sherlock Holmes in me,” said +Judge Tiffany, “tells me that Miss Eleanor +Gray is going to have a caller, and that Mrs. +Edward C. Tiffany is in a state of vicarious +perturbation.</p> +<p>“Further,” continued Judge Tiffany, +dropping his hand upon her arm with that affectionate +<span class='pagenum pncolor'><a id='page_101' name='page_101'></a>101</span> +gesture which drew all sting his +words might have carried, “this is no common +caller. For that young civil engineer and +Mr. Perham the painter and Ned Greene, +Mrs. Tiffany never blushes; but these new +attentions to her niece—well, I hope my +approach drew as much blood from her +heart to her countenance twenty-five years +ago!”</p> +<p>“I—I <i>am</i> perturbed,” said Mattie Tiffany. +Running rose-bushes, just leafing out into +their fall greenery, overgrew the pillars beside +her. These she fell to pruning with her +hands, so that she turned away her face.</p> +<p>“I see that discipline is relaxing in this +family,” said Judge Tiffany. “Dear, dear, +after managing a wife bravely and well for +a quarter century, to fail in one’s age! Mattie, +he works in my office, this blush-compelling +caller; and I told you when I gave him +the position not to take him up socially for +the present!”</p> +<p>“But what was I to do when he telephoned +to Eleanor and asked her?” Mrs. Tiffany +turned her head with a turn of her thought. +“Did you hear him telephone—was that how +you knew?” +<span class='pagenum pncolor'><a id='page_102' name='page_102'></a>102</span></p> +<p>“I’d lose all hold on discipline if I revealed +my methods.”</p> +<p>Judge Tiffany settled himself in an armchair +as one prepared to make it a long session. +“Let’s begin at the start. How came +he to renew his acquaintance with Eleanor, +and when, and where—and how much had +Mattie Tiffany to do with bringing them together +again?”</p> +<p>“Not a thing—truly Edward! Some of +Eleanor’s slumming with Kate Waddington +and the Masters—they met by accident at a +restaurant—Eleanor asked him. You remember +he was taken with her that afternoon just +before she went to Europe—the time he mortified +me so dreadfully.”</p> +<p>“And the time he attracted my attention,” +said Judge Tiffany. “And now behold that +youth, who will always get what he wants by +frontal attack, reading my California cases +and wearing out my desk with his feet.”</p> +<p>“Do you think he will make a good lawyer?” +asked Mattie Tiffany. She turned full +around at this, and the glance she threw into +her husband’s face showed more than a casual +matchmaker’s interest.</p> +<p>“He’ll make a good something,” said the +<span class='pagenum pncolor'><a id='page_103' name='page_103'></a>103</span> +Judge. “So far as anyone can judge the race +from the start. But that isn’t why I have him +in the office. You know how little I care +in these days for such practice as I have left. +I tell myself, of course, that it is my lingering +interest in life as a general proposition +which made me do it—I am curious to see +before I die how this find of yours is coming +out. That is what I tell myself. Probably +in my very inside heart I know that it’s something +else.”</p> +<p>“What else?” asked Mattie.</p> +<p>“This is one of the hidden things which this +experiment is to discover,” said Judge Tiffany. +“What made me notice him in the first +place? What made you invite him to tea +on the lawn? What has made you and me +and Eleanor remember this chance meeting +so long—let me see—how long was it?”</p> +<p>“A year ago last June,” said Mattie. One +of her functions in their partnership was to +hold small details always ready to the hand +of the wide-thinking Judge.</p> +<p>“Will he go back on me—that’s the question,” +pursued the Judge. “Success is probably +at the end for him, but he has two ways +of success open. He may go slowly and well, +<span class='pagenum pncolor'><a id='page_104' name='page_104'></a>104</span> +or fast and ill. Road number one: he stays +with my moth-eaten old practice, he refurbishes +it, he earns a partnership; and so to conservative +clients and, probably, to genuine +success.” He hesitated.</p> +<p>“And the other road?” asked Mrs. Tiffany.</p> +<p>“Oh, that has many by-paths. He is trying +one of them already. The stealthy, invaluable +Attwood has told me about it. This Mr. +Chester has made an investment in Richmond +lots on information which he had no right to +use. Never mind the details. If he follows +that general direction, it will be a flashy success, +a pretty worm-eaten crown of laurels.”</p> +<p>“Like Northrup’s,” broke in Mrs. Tiffany. +That name always jarred on their ears. +Northrup, ex-congressman, flowery Western +orator, all Christian love on the surface, all +guile beneath—he had taken to himself that +success which Judge Tiffany might have had +but for his hesitations of conscience. Theirs +was a secret resentment. Judge Tiffany’s +pride would never have let him show the +world one glimmer of what he felt.</p> +<p>“Suppose he should follow that path—and +take up with Northrup,” went on Judge Tiffany. +“Mine honorable opponent has use for +<span class='pagenum pncolor'><a id='page_105' name='page_105'></a>105</span> +such young men as our Mr. Chester will prove +himself if he follows that path—magnetic +young men to coax the rabble, young men not +too nice on moral questions. Well, a boy +isn’t born with honor, any more than he’s born +with courage; he grows to it. And God only +knows just when the boy strikes the divide +which will turn his course one way or the +other.”</p> +<p>“But Edward, you ought to warn him!”</p> +<p>“In the first place, it would do no good +to warn one of his age and temperament. In +the second place, it would spoil the experiment—but +I had commanded you to talk, and +here I am doing it all. How looked she; +what said he?”</p> +<p>“To-day—just before church—I was hooking +up Kate and Eleanor, and he telephoned.”</p> +<p>“Instinct, of course, informing you that it +was none other than he at the other end of +the wire?” On another tongue and in another +fashion of speech, this sentence might have +been offensive; between them, it was a part of +his perpetual game with her amiable weaknesses.</p> +<p>“If I did listen, it was no more than right. +<span class='pagenum pncolor'><a id='page_106' name='page_106'></a>106</span> +It was what a mother would have done by +Eleanor. I heard her say, ‘Good morning +Mr. Chester,’ not at all as though she were +surprised to have him call up; and I was +really quite disturbed. You had told me not +to invite him here for the present; and I +hadn’t the slightest reason for knowing that +Eleanor had seen him since she came back +from abroad. Her speaking so familiarly—well, +I wondered. But Kate—”</p> +<p>“Oh, she was listening too?”</p> +<p>“Well, I know that she hadn’t the excuse for +listening that I had; but I had stopped hooking +her up, and it was only natural that she +should listen too. Eleanor said, ‘Certainly I +shall be in,’ and Kate said, ‘That’s the old +friend we met with Mr. Masters last night +in the Hotel Marseillaise. He is prompt!’ +Rather sharp in Kate, considering what Eleanor +has been doing for her!</p> +<p>“You’d have thought Eleanor had eaten the +canary bird when she came back. Of course, +she knew we had been listening. I wish she +hadn’t. I’d have liked to see whether she’d +have told us then, or waited for him to surprise +us. Kate was sharp again. I wonder +<span class='pagenum pncolor'><a id='page_107' name='page_107'></a>107</span> +if she isn’t envious at bottom? After all +Eleanor is so much more a lady! Kate said +again, ‘The young man is prompt!’”</p> +<p>Judge Tiffany laughed.</p> +<p>“Oh, that women could dwell together in +peace and harmony! Can’t you grant my +playmate Miss Waddington a feminine jab or +two?”</p> +<p>“Well, she <i>is</i> nice to you!”</p> +<p>“Did it never occur to you as a virtue in her +that she puts herself out to entertain—even, +Madame, I flatter myself to fancy—a withered +old codger like me!”</p> +<p>Mrs. Tiffany’s first expression flooded her +eyes and said, “Is there anything strange in +liking you?” Her second expression set her +mouth hard and said, “What is her object?” +Her voice said nothing.</p> +<p>“And behold him now,” said Judge Tiffany.</p> +<p>There, indeed, came Bertram Chester, visible +over their garden wall as he toiled up the +hen-coop sidewalk. The Judge returned to +the house; Mattie Tiffany settled herself on +the piazza with the preen and flutter of a +female thing about to be wooed. +<span class='pagenum pncolor'><a id='page_108' name='page_108'></a>108</span></p> +<p>The Tiffany drawing-room, panelled simply +in woods, furnished with the old Sturtevant +mahogany, came upon Bertram Chester +like a stage setting as he entered with Mrs. +Tiffany. Upstage, burned a driftwood fire +in a low hearth of rough bricks; Judge Tiffany +sat there, in a spindle-backed chair, reading. +Across a space broken only by a painting, +a Japanese print or so, and more spindle-backed +chairs, Eleanor and Kate had grouped +themselves by the piano. Eleanor, turning +the leaves on the music-rack, looked over +her shoulder at him. She was in pink that +day; the tint of her gown, blending into the +tint of her fresh skin, contrasted magically +with the subdued background. Kate, all in +white, sat on a hassock pulling a volume from +the low book shelf. All this came upon Bertram +with a soothing sense which he did not +understand in that stage of his development, +did not even formulate.</p> +<p>Kate, tripping across the rugs with a lightness +which perfectly balanced her weight, +greeted him first; Eleanor and Judge Tiffany +shook hands with more reserve. And as +Bertram settled himself in an arm-chair before +the fire, it was the ready Kate who put +<span class='pagenum pncolor'><a id='page_109' name='page_109'></a>109</span> +him at his ease by opening fire of conversation.</p> +<p>“Did I tell you, Mrs. Tiffany, about the +restaurant which Mr. Chester found for us +last night? such an evening he gave us! Mr. +Chester, who is Madame Loisel—you should +have seen her, Judge Tiffany—you’d never +dine at home again. When these young +charms fade, I’m going to marry a French +restaurant-keeper and play hostess to the multitude +and be just plump and precious like +her. How can you ever get past the counter +with her behind it, Mr. Chester?”</p> +<p>“I’m generally hungry—that’s how!” said +Bertram Chester.</p> +<p>“That’s man for you!” responded Kate. +“Judge beloved, if you were a young man and +Eleanor—I’m too modest to mention myself, +you see—were what she’ll be at forty, and she +were behind a counter, and you before it, +would hunger tear you away? Oh dear, it’s +such a bore to keep one’s grammar straight!”</p> +<p>“I ask my wife’s permission before giving +the answer which is in my heart,” said Judge +Tiffany.</p> +<p>Eleanor broke into the laugh which followed. +<span class='pagenum pncolor'><a id='page_110' name='page_110'></a>110</span></p> +<p>“But I would like to know about Madame +Loisel.”</p> +<p>“Well, she’s certainly a ripe pippin; you’ve +seen that,” answered Bertram, his smile on +Eleanor. “And I’d like to know what she’s +saying when she parleys French to the garçons. +She’s all right if she’s feeling right, +but I’ve seen her tear the place up when the +service went bad. I guess she’s a square and +a pretty good fellow!”</p> +<p>“Tell us more about her—” this from Eleanor.</p> +<p>“About her squareness? Well, there was +the time Gentle Willie Purdy got drunk. +We call him Gentle Willie because he isn’t, +you know. About three o’clock in the morning, +he took the notion it was dinner time and +climbed the side gate to the Hotel Marseillaise +and pounded at the door. He faded out +about then, he says. When he woke up, he +was laid out on a couch, with a towel on his +head, and Madame was bringing him black +coffee. He tried to thank her after he felt +better; and what do you think she said? +‘Meester Purdy, nevaire, nevaire come to eat +in thees place again.’ She stayed with it too!” +<span class='pagenum pncolor'><a id='page_111' name='page_111'></a>111</span></p> +<p>“Good for her!” said Mrs. Tiffany, reaching +for her crewel work.</p> +<p>“Oh, yes,” responded Mr. Chester in the uncertain +tone of one who gives assent for politeness +without knowing exactly why.</p> +<p>“If I ever depart from the straight and narrow +paths and get drunk, may I have Madame +Loisel to hold my head,” cried Kate.</p> +<p>The talk ran, then, into conventional channels—the +news, the latest novel, and the +season’s picking at the ranch. Judge Tiffany +dropped out gradually, and resumed his book; +and more and more did Bertram direct his +talk, salted and seasoned with his magnetism, +toward Eleanor. Kate Waddington, left out +of the conversation through three or four exchanges, +crossed the room and draped herself +on a hassock at the feet of Judge Tiffany.</p> +<p>“Judge darling,” she said in an aside which +penetrated to the furthest corner of the +room, “I’m going back to my unsympathetic +home before tea. Don’t you think we’re well +enough chaperoned to go on with our flirtation +just where we left off?”</p> +<p>“Where was I when we were interrupted?” +asked Judge Tiffany, leaning forward. +<span class='pagenum pncolor'><a id='page_112' name='page_112'></a>112</span></p> +<p>“Twenty-fourth page, fifth chapter,” said +Kate. “I was just getting you jealous and you +were trying not to show it. Mr. Chester—oh +excuse me—well, I’ve broken in now, so I +might as well get the reward of my impoliteness—may +I use you to make Judge Tiffany +jealous?”</p> +<p>“Sure you can!” answered Bertram.</p> +<p>“Oh, he won’t do at all!” Kate was addressing +Judge Tiffany again. “He’s entirely too +eager. Who would be a good rival anyway, +Judge adored? Let’s create one, like the picture +of your future husband in a nickel vaudeville!”</p> +<p>“Eleanor,” spoke Mrs. Tiffany, “suppose +you show Mr. Chester your end of the house +and our garden—or would you like it, Mr. +Chester? We’re rather proud of the garden.”</p> +<p>“I’d like it,” answered Bertram; and he +rose instantly. Mrs. Tiffany made no move +to accompany them; she sat bent over her +yarns, her ears open. And she noticed, at the +moment when Bertram made that abrupt +movement from his chair, how Kate hesitated +in the middle of a sentence, as though confused. +<span class='pagenum pncolor'><a id='page_113' name='page_113'></a>113</span></p> +<p>The rehearsed flirtation between Kate and +Judge Tiffany faded into a game of jackstones +on the floor.</p> +<p>Mrs. Tiffany heard the double footsteps +fade down the hall, heard the garden door +open and close. After a short interval, she +heard the door again, and the dim footsteps +sounded for but a moment. They had turned, +evidently, into Eleanor’s own living room. +Would they stop there, these two, for a talk—yes, +her gentle treble, his booming bass, +drifted down the hall. Presently Mrs. Tiffany +heard Eleanor’s laugh, followed by his. +In that instant, she looked at the jackstone +players by the hearth. Kate, on the crackle +of that laugh, had arrested all motion. A +jack which she had tossed in the air, descended +with no hand to stop it. For a moment, Kate +held that intent pose; then,</p> +<p>“Judge wonderful, I’m a paralytic at times. +You for twosies.” She swept the jacks towards +him with one of her characteristic gestures, +free and yet deft.</p> +<p>A bell rang in the outer hall, and the maid +entered.</p> +<p>“Miss Waddington is wanted at the telephone,” +she announced. +<span class='pagenum pncolor'><a id='page_114' name='page_114'></a>114</span></p> +<p>Eleanor, when she saw that her visitor had +no intention of rejoining the party, commanded +him to smoke. He rolled a cigarette, +Western fashion, from powdered tobacco and +brown paper, and disposed himself in the +window-seat, one leg drawn up under him, +his big shoulders settled comfortably against +the wall. Eleanor began to talk fluently, +superficially, with animation. She felt from +the first that he was throwing himself against +her barriers, trying to reach at once the deeper +stages of acquaintance. His direct look +seemed both to plead and to command. She +outwitted two or three flanking movements +before he took advantage of a pause and +charged her entrenchments direct.</p> +<p>“I’ve said it before, but I’m going to keep +on. You are pretty.”</p> +<p>“Thank you,” she replied; and smiled—mainly +at the ingenuousness of this, although +partly at the contrast between her present view +of him and that old memory.</p> +<p>“Oh, it never seems to bother you when I +say that,” went on Bert Chester, bending his +rather large and compelling black-brown eyes +upon her. “Some girls would get sore, and +some would like it; you never pay any attention. +<span class='pagenum pncolor'><a id='page_115' name='page_115'></a>115</span> +That’s one of the ways you’re different.”</p> +<p>(“Heavens—is he making love already—he +is sudden!” thought Eleanor with amusement.)</p> +<p>“You are, you know. I picked you for different +the first time I saw you. I wondered +then if you were beautiful—I always knew +you had nice eyes—and it isn’t so much that +you’ve changed, as that the longer a man looks +at you the prettier you are.”</p> +<p>“Shall we discuss other things than me?” +asked Eleanor.</p> +<p>“Why shouldn’t we talk about you? I’ve +never had a chance before—just think, it’s the +first time ever I saw you alone—even that +time on the ranch a bull chaperoned us!” +This minor joke, like every play of his spirit, +gained a hundred times its own inherent effect +by sifting through his personality. She +smiled back to his smile at the boyish ripples +about his mouth and eyes.</p> +<p>“You see, it means a lot when a girl sticks +in a man’s mind that way,” he continued. +“Why, I’ve carried you around right through +my Senior year at college and my first year +out. So of course, it must mean something.” +<span class='pagenum pncolor'><a id='page_116' name='page_116'></a>116</span></p> +<p>The open windows of Eleanor’s bower +looked out upon a bay tree, a little thing +awaiting its slaughter—for shade trees might +not grow too near the windows in San Francisco. +It was flopping its lance-leaves against +the panes; puffs of the breeze brought in a +suggestion of its pungency. That magic +sense, so closely united with memory—it +brought back a faint impression upon her. +Her very panic at this ghost of old imaginations +inspired the inquiry, barbed and shafted +with secret malice:</p> +<p>“How many really nice girls have you +known in that time?”</p> +<p>Bertram, sitting in considerable comfort on +the window seat, flashed his eyes across his +shoulder to her.</p> +<p>“Oh, a few in my Senior year, not many +this year. What’s a man going to do on +twelve a week?” She noticed the indelicacy +of this, since he spoke in the house of his employer. +But the next sentence from him was +even more startling:</p> +<p>“The last time I was in love was down in +High School at Tulare. She’s married a fellow +in the salt business now. I guess she was +<span class='pagenum pncolor'><a id='page_117' name='page_117'></a>117</span> +pretty: anyway, her hair was the color of +molasses candy. I wrote a poem to her the +first day I saw her.”</p> +<p>“A poem?” asked Eleanor.</p> +<p>“You do well to ask that,” said Bertram, +throwing on one of those literary phrases by +which, in the midst of his plain, Anglo-Saxon +speech, he was recalling that he was a university +man. “It rhymed, after a fashion.”</p> +<p>“You don’t know how to be in love until +you’re older,” he went on.</p> +<p>(“Even that bay scent brings up only wonder, +not emotion; and I can laugh at him all +the way,” she thought. Yet in this tiny triumph +Eleanor was not entirely happy. The +vision, a little disturbing, a little shameful, +but yet sweet, was quite gone.)</p> +<p>“Tell me about this girl with the molasses +hair. She interests me. And a lot about +yourself.”</p> +<p>“Oh, I’ve forgotten most about her long +ago. And I’ve something else to remember +now, I hope. I’d like to talk about myself, +though. I’d like some girl to hear about my +ambitions. I really think it would do me +good.” +<span class='pagenum pncolor'><a id='page_118' name='page_118'></a>118</span></p> +<p>He stopped, as though expecting an answer. +None came. He bent his eyes closer +on her and repeated:</p> +<p>“It would!”</p> +<p>And at that moment, a pair of high heels +tapped in the doorway, a cheerful voice called +for admission through the portières, and enter +Kate Waddington. Mr. Chester, Eleanor +saw, rose to her entrance as one who has not +always risen for women; there was something +premeditated about the movement.</p> +<p>“Mrs. Tiffany said you two were in here,” +she began in her full, rich contralto, “and I +made so bold, Nell—Mrs. Masters is taking +a party over to their ranch next Sunday. One +of her men has disappointed her and she’s +just telephoned to give me the commission to +fill his place. Mr. Chester, you are an inspiration +sent straight from Heaven. Any +other man, positively any other, would be a +second choice—but she didn’t know you when +she made up the party, so how could she have +invited you?”</p> +<p>She paused and threw an arch look past +Eleanor.</p> +<p>“Sure I’ll come!” said Bertram, jarred into +<span class='pagenum pncolor'><a id='page_119' name='page_119'></a>119</span> +the vernacular by his internal emotion of pleasant +surprise. “Sure—I’d be delighted.”</p> +<p>“I told Mrs. Masters you’d be the ready +accepter,” said Kate.</p> +<p>“You’re going too, aren’t you?” asked Bertram +of Eleanor.</p> +<p>“No; I had to decline, I’m sorry to say.”</p> +<p>“And I’m sorry; blame sorry.” He turned +back toward Kate Waddington, and she, the +lightning-minded, read his expression. He +had made a great <i>faux pas</i>; he had seemed +more eager toward Eleanor, to whom he owed +no gratitude for the invitation, than toward +her.</p> +<p>“Would you care to drop in on Mrs. Masters +as you go down town to let her know that +you are coming? Or if you wish I’ll tell +them—I’m going now—that way.” Her tone +gave the very slightest hint of pique; her attitude +put a suggestion. The game, plain as +day to Eleanor, raised up in her only a film +of resentment. Mainly, she was enjoying the +humor of it.</p> +<p>Bertram rose promptly.</p> +<p>“It is time I was going,” he said. “I’ve +enjoyed myself very much, Miss Gray. If +<span class='pagenum pncolor'><a id='page_120' name='page_120'></a>120</span> +you don’t mind, I’d like to come to see you +again.”</p> +<p>“And I’ll get into my things,” said Kate.</p> +<p>They all moved toward the door.</p> +<p>Kate passed first; then Eleanor. There +hung beside the door-casing a hook, designed +to hold the portière cord. Eleanor brushed +too close; it caught in the lace at her throat. +She pulled up with a jerk, gave a little cry; +the lace held fast. She turned—in the wrong +direction.</p> +<p>Bertram saw this tiny accident; he sprang +forward, caught the lace, disentangled her. +And to do so, he must reach about her so +that his arms, never quite touching her, yet +surrounded her as a circle surrounds its centre. +She turned and looked up to thank him, surprised +him, surprised herself, in that position.</p> +<p>And a wave which was fear and loathing +and longing and agitation ran over her with +the speed of an electric current, and left her +weak.</p> +<p>Her face, with its own sweet inscrutability, +showed little change of expression; but he +caught a dullness and then a glitter of her +eye, a heave of her bosom, a catch of her +breath. As he stood there, his great frame +<span class='pagenum pncolor'><a id='page_121' name='page_121'></a>121</span> +towering above her, something which she +feared might be comprehension came into +his eyes. And—</p> +<p>“You make a picture—you two there!” +called Kate Waddington from without. The +transitory expression in his eyes—Eleanor saw +it now with triumph—was that of one who +has thrown a pearl away. But he followed.</p> +<hr class='tb' /> +<p>Dining with Mark Heath in the Hotel +Marseillaise that night, Bertram fell into a +spell of musing, a visible melancholy uncommon +in him; for his ill-humors, like his laughters, +burned short and violent. Mark Heath—by +this time he was growing into a point +of view on his chum and room mate—remarked +it with some amusement and more +curiosity.</p> +<p>Mark was casting about for an opening, +when Bertram anticipated him. Staring into +the dingy wall of the Hotel Marseillaise, past +the laborers, the outcasts, the French cabmen +purring over their cabbage soup, he said in a +tone of musings:</p> +<p>“When Bert Chester grows up and gets rich, +he’ll take unto himself a wife. We’ll live in +a big house in the Western Addition with a +<span class='pagenum pncolor'><a id='page_122' name='page_122'></a>122</span> +bay frontage. It will be furnished with +dinky old dull stuff, and those swell Japanese +prints and paintings. And I’ll have two +autos and a toy ranch in the country to play +with. We’ll give little dances in the big hall +downstairs. I’ll lead the opening dance with +the missus, and then I’ll just take a dance or +so with the best looking girls—the ones I take +a special cotton to. I’ll have my home sweet +home dance with the missus—” he fell again +to musing.</p> +<p>“A man up a tree,” said Mark Heath, +“would say you were in love.”</p> +<p>“I’ll be damned—I wonder if that ain’t the +matter?” said Bertram Chester.</p> +<hr class='major' /> +<div style='margin: auto; text-align: center; padding-top: 2em; padding-bottom: 1em'> +<span class='pagenum pncolor'><a id='page_123' name='page_123'></a>123</span> +<a name='CHAPTER_VII' id='CHAPTER_VII'></a> +<h2>CHAPTER VII</h2> +</div> +<p>The Ferry, doorway to San Francisco, +wore its holiday Sunday aspect as Bertram +Chester approached it. A Schuetzen +Park picnic was gathering itself under the +arches, to the syncopated tune of a brass band. +The crowd blazed with bright color. The +young men, in white caps, yellow sashes of +their mysterious fraternity, and tinted neckties +like the flowers of spring, lolled and +larked and smoked about the pillars. Fat +mothers and stodgy fathers fussed over baskets +and progeny. Young girls, in white +dresses and much trimming of ribbons, coquetted +in groups as yet unbroken by the larking +young men. Over these ceremonial white +dresses of the Sunday picnic, they wore coats +and even furs against the damp, penetrating +morning—rather late in the season it was for +picnics. In the rests of the ragtime, rose the +aggressive crackle of that flat, hard accent, +with its curious stress on the “r,” which would +<span class='pagenum pncolor'><a id='page_124' name='page_124'></a>124</span> +denote to a Californian in Tibet the native +of South of Market, San Francisco.</p> +<p>Bertram Chester, had he been accustomed +to spare any of his powers for introspective +imagination, might have beheld his crossroads, +his turning point, in this passage +through the South of Market picnic to the +little group waiting, by the Sausalito Ferry, +to take him to the Masters ranch. But a +month ago, he himself had whistled up that +infatuated little milliner’s apprentice who was +his temporary light of love, and had taken +her over to Schuetzen Park of a Sunday. He +had drunk his beer and shaken for his round +of drinks with the boys, had taken the girl +away from a young butcher, had fought and +conquered the bookmaker’s clerk who tried +to take away the milliner’s apprentice from +him, and had gone home, when the day was +done, with his head buried on that soft curve +of the feminine shoulder which was made to +receive tired male heads.</p> +<p>Now, without a backward look, he was +walking toward Sydney Masters, Mrs. Masters, +the sprightly and dainty Kate Waddington, +and those others, grouped about them, +<span class='pagenum pncolor'><a id='page_125' name='page_125'></a>125</span> +who might be guides and companions on his +new way.</p> +<p>Kate Waddington had acquainted him in +advance with the party, so that the introductions +brought no surprises. That young-old +man with the sharp little face was Harry +Banks, mine owner, millionaire, and figure +about town—every one in San Francisco knew +him or knew about him. That tall, swaying +girl with the repressed mouth, the abundant +hair coiled about her head, the rather dull +expression, was Marion Slater—“she paints +miniatures and hammers brass and does all +kinds of art stunts,” Kate had said. That tall +young man, who radiated good manners, was +Dr. Norman French; that little woman, all +girl, was Alice Needham, his fiancée. “They +play juvenile lead in this crowd,” had been +Kate’s phrase for them.</p> +<p>Kate, taking possession of Bertram at once, +gave him her bag to carry, and, as the gates +opened and the whistle blew, she walked beside +him. From the upper deck, this Masters +party watched that city panorama, spread +on the hills for all to see, roll away from +them, the wheeling flocks of gulls trailing the +<span class='pagenum pncolor'><a id='page_126' name='page_126'></a>126</span> +craft in the roads, the surge of golden waters +rolling in from the Gate. A morning mood +blew in upon the winds; the party became +gay.</p> +<p>Bertram, in the rise of his morning spirits, +performed certain cub-like gambols for the +benefit of Kate Waddington. The company +failed not to notice that he had assisted her +up the gangway by slipping his hand under +her elbow. On the deck, he cut her out immediately +from the rest, insisted on tucking +her veil into his pocket, made a pretence of +trying to take her hand. Even Kate found +it hard to parry these advances. Banks, +slouching back on a bench in his easy, indolent +attitude, looked over toward them, and +his mouth tightened and set. So much had +he been courted for his wealth and personality, +this Harry Banks, that among his familiars +he assumed the privilege of falling into +moods without reason or preliminary notice. +His present mood was a perverse one; and he +took it out on its reason for being—this presumptuous +outsider.</p> +<p>“Me Gawd, Jimmie, but me belt hurts!” +he called out suddenly in his richest imitation +of the South of Market dialect. With his +<span class='pagenum pncolor'><a id='page_127' name='page_127'></a>127</span> +light step of a dancer, he skipped over to Kate +Waddington, whirled her to her feet, and began +to waltz about the forward deck, imitating +the awkward, contorted, cheek-to-cheek +style of the Schuetzen Park picnic. +Kate, who fell in at once with every invitation, +had laughed as he began to whirl her, +but she flushed too. The whole upper deck +was craning necks to stare. Mrs. Masters +caught her breath and whispered, “Oh, +don’t!” Dr. French and Alice Needham fell +to talking apart, as though repudiating, in +their embarrassment, such company. Marion +Slater, sitting at ease on her bench, cast one +glance at Harry Banks as he whirled to face +her. His eyes fell; on the next turn, he +waltzed Kate back to her seat. The relationship +between these two was a puzzle to their +familiars. He, the uncaught bachelor, the +flaneur, the epicurean, he who lived for his +pleasures, taking them with a calculated moderation +that he might preserve the power to +enjoy; she, the etiolated, the subtle, the earnest +follower of art, she who seemed always +a little too earnest and conventional for that +group of the frivolous and unconventional +rich—people had wondered for years how +<span class='pagenum pncolor'><a id='page_128' name='page_128'></a>128</span> +there could be anything between them. +These two alone understood that the bond +was of the mind, not of the flesh or the spirit. +She but thought, and he thought with her; +she but lifted her eyebrow or moved her hand, +and the motion translated itself to speech in +his mind. That glance of her had made his +mind say, “I am making them all ridiculous.”</p> +<p>And, like the spoiled child that he was, +he ceased from one naughtiness only to +plunge into another and worse one. As Kate +dropped to the bench, he looked at Bertram +and said:</p> +<p>“You try it; I am a little rusty.” One of +his rare embarrassments flamed into the face +of Bertram Chester. The shot had gone +more truly than Harry Banks could have +known.</p> +<p>“No, thank you,” Bertram said simply, and +flushed again.</p> +<p>Masters spoke up from his corner:</p> +<p>“Well, Chester, you ought to be a good +dancer if build counts—though I shouldn’t +like to have you showing off your accomplishment +right here—you might lack the public +finish of the Banks style. You big football +fellows always have the call on the little men +<span class='pagenum pncolor'><a id='page_129' name='page_129'></a>129</span> +in dancing. It is a matter of bulk and base, +I think.” The ferry boat was passing Alcatraz +now, and the populace had turned its +attention away from Harry Banks and his +party. The spoiled child kept straight ahead.</p> +<p>“They make real, ball-room gents,” he said. +He turned toward Marion on this; turned +as though he could not keep his look away. +She lifted her eyebrow again, and he fell into +a sulky silence.</p> +<p>The others rushed to the first refuge of +tact—personalities. After a moment, Banks +joined the talk; and then appeared another +aspect of his perverse mood. He took the +conversation into his own hands, and he +talked of nothing which could by any chance +include Bertram Chester, the callow newcomer, +the outsider. It was all designed to +show, it did show, how intimate they were, +how many old things they had in common—never +a passage in which Bertram could join +by any excuse. Even so did Banks direct it +as to draw Kate Waddington into the talk. +Bertram sat apart, then, his face showing all +his displeasure. His straight brows set themselves +in a frown, which he bent sometimes at +the group volleying personalities at Harry +<span class='pagenum pncolor'><a id='page_130' name='page_130'></a>130</span> +Banks, and sometimes on the terraced hills of +Sausalito.</p> +<p>When they trooped off with the crowd, +Kate fell in beside Bertram again. Lagging +deliberately, she let a group of picnickers +come in between them and the rest of their +party. He was still frowning.</p> +<p>“I’d like to soak that man,” he said. +“Maybe I will.”</p> +<p>“No you won’t!” said she.</p> +<p>“Won’t I?” he replied.</p> +<p>“Oh, don’t think I haven’t seen it all. He +was horrid. You see, we’ve got used to him. +You’re meeting him new, and you don’t quite +understand him yet.”</p> +<p>“Well, I’m going to spend no sleepless +nights trying!”</p> +<p>“He’s really very clever and kind, at bottom. +You’ll come to like him as we all do. +And he’s a man that it’s good for you to +know.”</p> +<p>Bertram seemed to be considering this.</p> +<p>“Well, what did he mean, anyway?” he +snapped.</p> +<p>“Nothing. It’s just his foolery. We all +had to take it from him at first—and then we +came to appreciate him.” +<span class='pagenum pncolor'><a id='page_131' name='page_131'></a>131</span></p> +<p>Bertram answered with an impatient gesture. +Kate caught his arm, held it for just +a second.</p> +<p>“Now, you wouldn’t spoil my day, would +you?” she asked softly. “You know I’m responsible +for you—”</p> +<p>His frown melted into his smile.</p> +<p>“Sure, if you put it like that!”</p> +<p>“Now, you’re a sensible, accommodating, +self-restrained lad, and every other adjective +in Samuel Smiles. You could charm the buttons +off a policeman—and you’ll see how +really nice he can be.”</p> +<p>“You’ll take out time until I get over my +grouch?”</p> +<p>“Of course.” They were approaching +Masters and Dr. French, who stood waiting +by the train platform. “Late and happy!” +she called.</p> +<p>Harry Banks, walking ahead beside Marion +Slater, had taken his own wordless rebuke +from her. During the train passage, he made +the concession of keeping away from Bertram, +and grouped himself off in the other +double seat. Bertram, sitting with Kate and +the engaged couple, spoke but seldom and +then languidly. He did not come face to face +<span class='pagenum pncolor'><a id='page_132' name='page_132'></a>132</span> +with Harry Banks again until the buckboards +had delivered them at the Masters ranch.</p> +<p>This estate bore the title of “ranch” only +by courtesy. Masters himself said that he +raised nothing but mild Hell on his forty +acres. He did have an olive orchard, a small +orange grove flourishing by luck of a warm +gorge in the hills, and a little fancy stock. +Kate and Masters took possession of the +new guest at the gate, and carried him over +the estate for inspection. Mainly, Bertram +took this entertainment sullenly. He +warmed a little at the sight of the cattle. +The house, built by Masters’s own design, +drew only the comment, “pretty nice.” After +that, Bertram was free to go to his room and +dispose his belongings. Returning in a marvelously +short time, he came out upon the +house-party, grouped all in the big, redwood +ceiled living-room.</p> +<p>A fire of driftwood snapped with metallic +crackling on the hearth. Alice Needham sat +with Dr. French beside it; Mrs. Masters, +pausing in a flight of supervision, had stopped +to speak with them; Alice was looking up +at her, presenting her fresh, full-faced view +to the gaze of the man on the staircase. +<span class='pagenum pncolor'><a id='page_133' name='page_133'></a>133</span> +Marion Slater stood with Masters by one of +the Dutch windows, criticizing the design +with a painter’s half-arm gestures. Banks, +by another window, sat dividing his time between +a book and the valley below.</p> +<p>It happened then, as Bertram stood there, +that Alice Needham looked in his direction. +It happened, also, that she was smiling. He +caught her smile and smiled back.</p> +<p>That smile was half the secret of his physical +charm. In the first place, it broke with +wholly unexpected force. His face, what +with its heaviness of feature, was a little forbidding +and severe. As he bent his unillumined +gaze, he appeared stern—even angry. +Then, with the sudden preliminary vibration +of an earthquake, that smile would begin to +quiver about his mouth, to start wrinkles +about his eyes. Next, as he bent his head +forward toward the target of his charms, it +drew back the corners of his mouth to show +his white teeth, it pulled eyelids and eyebrows +into a tiny slit, through which his pupils +twinkled like electric sparks. These movements—wholly +muscular at that—spiritualized +and transformed his face.</p> +<p>Mrs. Masters, looking up at the interruption, +<span class='pagenum pncolor'><a id='page_134' name='page_134'></a>134</span> +was caught in this flood of charm and +good will. Harry Banks, feeling a psychic +current running about the room, looked up +also; and that smile caught him. It carried +away the last trace of his perverse mood. +And Bertram heaved himself down the stairs +and crossed at once to seat himself beside +Alice Needham.</p> +<p>“I see at a glance I’m going to like this +party,” he said. On other lips there would +have been nothing to laugh at in this; but +they all did laugh. In a minute more, Harry +Banks had dropped his book and crossed over +to the fireplace. Bertram, leading the talk +now, took him in without a trace of apparent +resentment. Kate, emerging from the room, +dropped down beside Harry Banks on the +floor and joined her cheerful pipe to the symphony +of good fellowship. Before luncheon, +this find of hers was the centre of the party; +events were revolving about him.</p> +<p>In the lazy hour after meat, the engaged +couple found chance to slip out into the +orange grove. Masters, summoned by his +foreman, went to look after a sick cow, Harry +Banks went back to his reading, and Alice +Needham to a design for a window seat which +<span class='pagenum pncolor'><a id='page_135' name='page_135'></a>135</span> +she was building for the Masters dining-room. +These pairings left Bertram and +Kate to each other; and presently they were +out-of-doors, drawing on into the woods. +Masters, from the barn, watched them and +noted what a goodly couple, what a faun and +dryad in clothes, they were. Kate Waddington +was turning over her shoulder her slow +and rather lazy smile, which began at her +lips and lit her green-grey eyes last of all. +That was her best attitude of head. Bertram +swung up the trail, making progress by main +force—not walking so much as lifting himself +on those sturdy, saddle-sprung legs of his. +He was making wide, sweeping gestures; and +Kate, as he talked, leaned a little toward him +now and then, like a woman absorbed.</p> +<p>Momentarily, she had him on the subject +of football. He was touching upon the subject +of one Bill Graham, Stanford tackle and +opponent in two varsity games, whom she +knew and whom he was teaching her to know +better. Bertram stooped and gathered a +handful of pebbles from the trail to show +how Bill Graham used to throw sand in his +eyes; he thrust his open hand against an +alder, bordering the trail, to show how he +<span class='pagenum pncolor'><a id='page_136' name='page_136'></a>136</span> +contravened these tactics by slamming Bill +Graham in the face. Even so far did loosen +his tongue and spirit that he boasted of his +victories and excused his defeats. He went +further; he touched upon the most frightful +disappointment of his career.</p> +<p>“It was in the ten to nothing game,” said +he. “You remember, don’t you, how they +had us down on our ten yard line early in the +second half? We got the ball away. Nobody +had scored yet. Well, Stuffy Halpin +he gave the signal for a delayed pass on end. +That was a freak play we were trying out +that year—delayed pass first and then the +back passed to me. I jogged Bill Graham +and he stumbled down the field just bull-headed—he +never did have much football +sense. I looked down toward the goal”—(Bertram +had been gesticulating wildly; now +he gave the outstretched fingers of his right +hand a sudden fillip to show the changed direction +of his glance) “and I saw a clear field +right straight to the fullback or glory—”</p> +<p>“Gracious! What happened?” asked Kate. +She was capable, wit and social strategist that +she was, of assuming all this interest by way +of leading an inept youth to make a fool and +<span class='pagenum pncolor'><a id='page_137' name='page_137'></a>137</span> +a braggart of himself for her amusement. +But she showed not a glimmer of irony, +neither in her mouth nor in her green-grey +eyes. She spoke with the straight, sincere interest +of a dairymaid listening to the self-told +heroisms of a stable boy.</p> +<p>“Stuffy tumbled all over himself and +dropped the ball!”</p> +<p>Bertram’s answer conveyed all the tragedy +in the world.</p> +<p>They were come now to a place where the +trail ran steep and the redwoods thickened to +make a Californian hillside. It was November, +but the season was late. The earth was +washed bright by the early rains and not yet +sodden with the later ones. The black, +shaded loam, bare of grass, oozed the moisture +it was saving for its evergreen redwoods +against a rainless summer. In the dark clefts +grew scentless things of a delicate, gnome +aspect—gold-back fern, maiden-hair overlying +dank, cold pools, sorrel, six-foot brake. +No blossoms blew among all this greenery; +only by that sign and by the wet, perspiring +earth might one know that it was autumn on +those hills.</p> +<p>The clean ooze and dew started a little +<span class='pagenum pncolor'><a id='page_138' name='page_138'></a>138</span> +stream which ran, choked with maiden-hair, +to the trail, and formed a pool. Some philanthropic +camper had driven a nail into the +rock and hung there a tin cup. Kate (Bertram +still talking and gesticulating at her +left) threw a perceptive glance.</p> +<p>“How good the water looks!” she said. “I +believe I am thirsty!”</p> +<p>While he filled the cup, she seated herself +on the rock, disposed herself into a composition; +and after they had both drunk, she +showed no disposition to move from her +perch. In fact, she loosened her brown +student beri, shook her hair free, and sat there, +a wood-nymph framed by the ruddy brown +and dark green of redwood and laurel. He +crouched his big frame down beside her, so +that she leaned back against the rock. A +long silence, and:</p> +<p>“Nature is mighty nice!” he said.</p> +<p>Then, perceiving her as a part of the picture, +he added:</p> +<p>“And you’re the nicest thing about it.”</p> +<p>At this frontal attack, Kate waited to see +whether it meant further attack, skirmish, or +retreat. His general softness of expression, +showed that it meant attack. +<span class='pagenum pncolor'><a id='page_139' name='page_139'></a>139</span></p> +<p>Bertram, in fact, was in the mood for attack +on rose citadels. A year of life on +twelve dollars a week—cheap, crowded lodgings, +meals at the Hotel Marseillaise, the +landlady’s daughter and those of her kind for +companionship—and now, in a week, the refinements +of the Tiffany house, the refinement +plus entertainment of the Masters villa, and +these two lovely, fragrant women. It seemed +all to roll up in him as he sat there, the woods +about him and this golden creature at his side; +and it found half-unconscious expression on +his lips.</p> +<p>“I’m going to be rich some day,” he said.</p> +<p>“I hope so.”</p> +<p>“I am, sure. When I get rich I’m going +to have a place like this—I’ll have a long pull +by that time and be able to invite anybody +I want—this is the only way to live.” His +voice fell away.</p> +<p>Then he looked up and bent upon her that +smile.</p> +<p>“It’s great to have a girl like you to confide +in,” he said.</p> +<p>“Thank you; but you haven’t confided +much as yet,” responded Kate.</p> +<p>“I don’t suppose there is a whole lot to +<span class='pagenum pncolor'><a id='page_140' name='page_140'></a>140</span> +confide. At least, things you’d want to tell a +girl like you. Only one thing. I’m in love!”</p> +<p>The arrest of all motion in Kate which followed +this declaration was like one of those +sudden calms which fall over a field at the +approach of evening. It descended upon her +in the mid-course of a gesture; it wrapped +her about in such a stillness that neither +breath nor blood stirred. Then, though only +her lips moved, her vocal cords responded to +her will.</p> +<p>“And she is to be mistress of the villa when +you get rich?”</p> +<p>“If she’ll take me,” said Bertram. “You +see, it is a brand new case. I’ve just got it—just +realized it. She’s up and I’m still +down, so it wouldn’t be square to say anything +about it, now would it?”</p> +<p>“No,” answered Kate softly, “though we +women like bold lovers too.”</p> +<p>“Yes, that’s so. And I suppose if I keep too +still about it, somebody else will come riding +onto the ranch and carry her off. It’s my +game, I guess, to stay around and watch. +And if I find any gazebo getting too thick +with her, then up speaks little Bertie for the +word that makes her his. +<span class='pagenum pncolor'><a id='page_141' name='page_141'></a>141</span></p> +<p>“If she’ll have me,” he added. “But she’s +a good many pegs above me just now and I’ve +got more than a living to make. Of course, +that’ll come all right if I have fair luck. If +it was easy money plugging my way through +college, it will be easy plugging it through +the world. Don’t you size it up about that +way?”</p> +<p>Kate clasped her hands and leaned forward.</p> +<p>“If you’re playing the long game, I suppose +so. But wouldn’t you do better at least +to hint to the girl?”</p> +<p>“I guess you can advise me about that,” +said he. “Better than anybody I know. +Suppose I tell you all about it?” A little +panic ran through the nerves of Kate.</p> +<p>“Now?” she said, “are—are you ready?”</p> +<p>“Now-time is good-time,” he said. “Well, +I guess you’ve savveyed just who it is and +what’s the matter. It’s—it’s Miss Gray—Eleanor +Gray.”</p> +<p>To the end of her days, Kate Waddington +remembered to be thankful for a certain cotton-tail +rabbit. At that moment precisely, +this fearling of the woods streaked down the +trail, pursued by a dog whose heavy crashing +sounded in the distance; came out upon them, +<span class='pagenum pncolor'><a id='page_142' name='page_142'></a>142</span> +whirled with a loud roaring of fern and +leaves, screamed the heart-rending scream of +a frightened rabbit, and dashed off into the +wood. The sound, coming in this tender moment, +betrayed Bert Chester into a guilty start. +So, when he looked back, her face was as +smoothly beautiful as ever and she was even +smiling.</p> +<p>“You lucky boy!” she said. And then, “I +don’t blame you. I wouldn’t blame any +man.” Bertram fairly glowed.</p> +<p>“I knew you’d agree with me,” he said. +“Say, what chance do I stand—honest, what +do you believe she thinks of me?”</p> +<p>“Honest, I never heard her say. It is +likely she hasn’t begun to think of it at all. +Women are slower than men about such +things. How long have you been—in love +with her?”</p> +<p>“Of course, I’ve been that way ever since +I saw her first—ever since I was a student, +picking prunes for her uncle, and went down +and helped her run a bull off her place. I +thought then that I never saw nicer eyes or +a more ladylike girl. She’s always given me +the glassy eye. I think she hates me—no, it +<span class='pagenum pncolor'><a id='page_143' name='page_143'></a>143</span> +isn’t that, either. She just feels superior to +me.”</p> +<p>“Oh, perhaps not that!”</p> +<p>“Well, anyhow, I was in college and any +one girl looked about the same to me as any +other—” Bertram wrinkled his brows in +contempt for his utter, undeveloped youngness +of two years before—“but I remembered +her always. When I saw her sitting in the +Hotel Marseillaise that evening, I felt queer; +and after I called on her I just knew I had +it. Funny, you coming in that afternoon. +You and I have hit it off so well, and here +I’m confiding in you! It was a regular luck +sign, I think.”</p> +<p>Kate’s voice, when she spoke, fell to its +deeper, richer tones.</p> +<p>“And I’m sure I feel flattered—any girl +would. I really thank you—you don’t know +how much.”</p> +<p>“And you’ll help me, won’t you?”</p> +<p>“With my advice—yes.”</p> +<p>“Well, that’s all I want. If I win this +game, I want to win it square.</p> +<p>“Say, you are sure the goods. You’re as +pretty—it wouldn’t be natural for a man to +<span class='pagenum pncolor'><a id='page_144' name='page_144'></a>144</span> +say you’re as pretty as she is, but a man can +just look at you and wonder—” and here he +dropped one of his hands gently upon hers. +She let it rest there a moment before she drew +away.</p> +<p>“We’d better be going back,” she said. +“They’ll think it’s I and not Eleanor, if we +stay so long.”</p> +<p>As they started, he stooped to get her another +drink. Standing above him, her hand +lifted toward her student beri, she bent her +gaze on his back. A peculiar look it was, +as though an effort against pain. It faded +into an expression like hunger.</p> +<hr class='major' /> +<div style='margin: auto; text-align: center; padding-top: 2em; padding-bottom: 1em'> +<span class='pagenum pncolor'><a id='page_145' name='page_145'></a>145</span> +<a name='CHAPTER_VIII' id='CHAPTER_VIII'></a> +<h2>CHAPTER VIII</h2> +</div> +<p>It seemed afterward to Bertram Chester, +reviewing the early events of a life in +which he was well pleased, that his real attack +on things, his virtual beginning, came +with that house-party of the Masters’s. The +victory of his smile on the staircase he followed +up that evening to a general conquest. +For Masters, when dinner was over, brewed +a hot punch. They drank it about the driftwood +fire, and even the severe Marion Slater +relaxed and made merry. The essence of the +gods strips self-control and delicacy first, so +that the finer wit goes by without tribute of +a laugh and the wit of poked fingers—especially +if it be sauced by personality—rules at +the board. After the punch had worked sunshine +in them, the poked finger of this young +barbarian was more compelling than the sallies +of Masters or the mimicry of Harry +Banks.</p> +<p>When the party dispersed at the Sausalito +<span class='pagenum pncolor'><a id='page_146' name='page_146'></a>146</span> +Ferry and scattered for a workaday Monday, +he found himself accepting invitations left +and right. Dr. French asked him to motor +out to the Cliff House that very night; Mrs. +Masters wanted him to dinner; Harry Banks +must have him over to his ranch under Tamalpais. +Kate Waddington, mounting the steps +to Banks’s automobile, slipped him a farewell +word.</p> +<p>“You were a success,” she said. “That’s +the reward of naughty little boys when they +reform!”</p> +<p>“Well, I’d have liked to smash his face +just the same—then.”</p> +<p>“You’ve done better than that—you’ve +quite conquered him. I’ll see you Wednesday +at the Masters? Good bye!”</p> +<p>Bertram Chester sold forthwith the Richmond +lots, his first venture in business, to get +ready money for the wisest or the most foolish +investment which a young man of affairs +can make in the beginning of his career—general +society. With all his youth, his energy +and his eager attack on things, he plunged +into the life of San Francisco. Only in that +city of easy companionships and careless social +scrutinies would such a sudden rise have +<span class='pagenum pncolor'><a id='page_147' name='page_147'></a>147</span> +been possible. His furnished room, where +he used to read and study of evenings in his +years of beginnings, knew him no more before +midnight. He dropped away from those +comrades of the lower sort with whom he +had found his recreation; abandoned and forgotten +were his old lights of love. The milliner’s +apprentice, a coarsely pretty little +thing, used to wait for him sometimes on the +doorstep. Mark Heath, coming home one +night earlier than usual, found her there, took +her for a walk about the block, and conveyed +to her the unpleasant news that Bertram was +now flying higher than her covey. After +that, she came no more; and the first phase of +his life in San Francisco drifted definitely +back of Bertram Chester.</p> +<p>We shall stop with him only three or four +times in the course of that winter wherein he +made his beginnings. Before it was over, he +had entered, by the special privilege accorded +such characters, the club about which man-society +in San Francisco revolved; he had +broken into a half a dozen circles of women +society; he had become hail-fellow-well-met +with the younger sons of the cocktail route, +the loud characters of flashy Latin quarter +<span class='pagenum pncolor'><a id='page_148' name='page_148'></a>148</span> +studios, the returned Arctic millionaires of +the hour and day who kept the Palace Hotel +prosperous, the patrons and heroes of the +prize-fight games, the small theatrical sets of +that small metropolis. Sometimes he flashed +in a night through four or five such circles.</p> +<p>He hung of late afternoons over bars, exchanging +that brainless but well-willed talk +by which men of his sort come to know men. +He sat beside roped rings to witness the best +muscle of the world—and not the worst brain—revive +in ten thousand men the primeval +brute. He frolicked with trifling painters, +bookless poets, apprentice journalists, and the +girls who accrued to all these, through wild +studio parties in Latin quarter attics. He +sat before the lace, mahogany, crimson lights +and cut glass of formal dinners, whereat, +after the wine had gone round, his seat became +head of the table.</p> +<p>From these meetings and revels, whereby +he made his way along the path of dalliance +in the easiest, most childish, most accepting +city of the Western world, two or three kaleidoscopic +flashes remained in his maturer +memory. The night of the football game, +for example, he strayed into the annual +<span class='pagenum pncolor'><a id='page_149' name='page_149'></a>149</span> +pitched battle of noise and reproach at the +Yellowstone between the California partisans +and the Stanford fanatics. A California +graduate, his companion along the cocktail +route, recognized him; immediately, he was +riding shoulder high. His bearers broke for +the sidewalk, and down Market Street he +went, a blue-and-gold serpentine dancing behind +him. There was his first Jinks at the +Bohemian club—an impromptu affair, thrown +in between the revelling Christmas Jinks in +the clubhouse and the formally artistic Midsummer +High Jinks in the Russian River +Grove. The Sire, noting his smile and figure, +impressed him into service for a small +part. This brought a fortnight of rehearsal +which was all play and expression of young +animal spirits, a night of revel refined by art, +an after-jinks dinner of the cast, whereat +Bertram, as usual, spoke only to conquer. +Memory held also one perfectly-blended +winter house-party at the Banks ranch, with +the rain swaying the eucalyptus trees outside +and a dozen people chosen from San Francisco +for their power to entertain, making two +nights and a day cheerful within.</p> +<p>Later in life, he, the unreflective, thought +<span class='pagenum pncolor'><a id='page_150' name='page_150'></a>150</span> +that times had changed in his city; that men +were not so brilliant nor circles so convivial +as when he was very young. It was not in +him to know that neither times nor men had +changed; that he thought so only because he +looked on them no longer through the rose +glasses of youth.</p> +<p>He himself would have called it a season +of great change, and he would have missed, at +that, the greatest change of all—the transformation +in himself. The face on which we +saw so little written when he had that meeting +in the Hotel Marseillaise, the new sheet +straight from the mills of the gods, had now +a faint scratching upon it. The mouth was +looser in repose, firmer in action; the roving +and merry eye was more certain, more accurate +as it were, in its glances. His youthful +assurance had changed in him to something +like mature self-certainty. In those external +city manners which he had set about from the +beginning to acquire, he showed more ease. +Although he had lost the fragrance of an untouched +youth, he had become altogether a +prettier figure of a man.</p> +<p>He needed all the prodigal youth and the +cowboy strength in him to keep up his social +<span class='pagenum pncolor'><a id='page_151' name='page_151'></a>151</span> +pace and still do his work, but he managed +it. Indeed, he became of distinct value to +the office through the business which he +brought in from his wandering and his revelling. +It seemed that he might refurbish that +old law practice and find his way to the partnership +which Judge Tiffany foresaw at the +end of one path.</p> +<p>Through this consideration and through +the partisan friendship of Mrs. Tiffany, he +became gradually a pet and familiar of the +Tiffany household, taking pot-luck dinners +with them, joining them once or twice on +their out-of-doors excursions. His big, +bounding presence, his good-natured gambols +of the Newfoundland pup order, transformed +that somewhat serious and faded +ménage, gave it light and interest, as from a +baby in the house. Although Mrs. Tiffany +mothered him, gave him her errands to do, +she made no mistake about the centre of attraction +for him. He was “after” Eleanor. +That young woman took him soberly and +naturally, laughing at his gambols, accepting +his attentions, but giving no sign to Mrs. Tiffany’s +attentive eyes that her interest was +more than indifferent friendship. +<span class='pagenum pncolor'><a id='page_152' name='page_152'></a>152</span></p> +<p>His wooing, in fact, went on in a desultory +fashion, as though he were following the +policy which he had expounded to Kate Waddington—“hang +around and watch.” He +paid no more compliments to grey eyes; he +paid no compliments at all. When they were +alone, he entertained her with those new tales +of his associations in the city, which pleased +her less, had he only known it, than his tales +of the ranch and gridiron. If he showed the +state of his feeling, it was no more than by +an occasional long and hungry look.</p> +<p>In one way or another, he saw nearly as +much of Kate Waddington, that winter, as he +did of Eleanor. Kate, too, was a ray of light. +She—“the little sister of the clever” her enemies +called her—made the Tiffany house a +bourne between her stops at her home in the +Mission and her rangings about Russian Hill. +Bertram noticed with sentimental pleasure +that the two girls were a great deal together. +He found them exchanging the coin of feminine +friendship in Eleanor’s living-room, he +met them on shopping excursions in Post +street. When the three met so, Kate always +sparkled with her best wit, her most cheerful +manner; but she showed, too, a kind of +<span class='pagenum pncolor'><a id='page_153' name='page_153'></a>153</span> +deference toward Eleanor, an attitude which +said, “He is yours; I am intruding only by +accident.” The meaning in this attitude bore +itself in, at length, even upon Bertram Chester; +and he did not fail to glow with gratitude. +He expressed that gratitude once or +twice when he was alone with Kate. Somehow, +it was easy for him to talk to her about +such things.</p> +<hr class='major' /> +<div style='margin: auto; text-align: center; padding-top: 2em; padding-bottom: 1em'> +<span class='pagenum pncolor'><a id='page_154' name='page_154'></a>154</span> +<a name='CHAPTER_IX' id='CHAPTER_IX'></a> +<h2>CHAPTER IX</h2> +</div> +<p>“Are you off the job to-night?” came +the resonant voice of Bertram Chester +over the telephone.</p> +<p>“Yes!” Eleanor laughed. “Are you coming +to play with us?”</p> +<p>“No. You’re coming to play with me. +One of our best little playmates leans over +my elbow as I indite these few lines—little +Katie. Mark Heath is reporting great doings +in Chinatown to-night, and he wants +assistance. Do you suppose your Aunt Mattie +will object to Chinatown?”</p> +<p>“Aunt Matilda never dictates—”</p> +<p>“Then it’s Chinatown! We’ll be along +for you in half an hour. We’re dining with +the Masters, who have inconsiderately refused +to come along. What’s happened to you?”</p> +<p>“Nothing—why?”</p> +<p>“Your voice sounds so chipper!”</p> +<p>“That shows I’m in a mood to play!” +<span class='pagenum pncolor'><a id='page_155' name='page_155'></a>155</span></p> +<p>“Then we’ll be along in a <i>quarter</i> of an +hour.”</p> +<p>“And I’ll be waiting at the garden gate!”</p> +<p>The swish and murmur of night, the rustle +of a steady sea breeze, the composite rumble +of the city far below, tuned with the song in +Eleanor’s blood as she stood waiting by the +front gate. She looked down on the pattern +of light and heavy shadow that was the city, +and a curious mood of exultation came over +her. Light foreshadowings of this mood had +touched her now and again during the past +two months; never before had these transitory +feelings piled themselves up into such a definite +emotion.</p> +<p>She could not trace its shy beginning, but +she was aware of it first as a sense of the +humanity in the cells of that luminous honeycomb +below, the struggling, hoping, fighting, +aspiring mass, each unit a thing to love, did +one but know the best. The wave of love +universal beat so strong on her heart that she +turned her eyes away for surfeit of rapture, +and looked up to the stars. They, the bright +angels of judgment whose infinite spaces she +could not contemplate without fear, united +<span class='pagenum pncolor'><a id='page_156' name='page_156'></a>156</span> +themselves in some mysterious bond with the +little human things below; the sight of them +brought the same wave of rapture. Too +mighty long to be endured, the wave broke +into ripples of happy contemplation. Sounding +lines of forgotten poems ran through her +mind, movements of old symphonies, memories +of her vicarious raptures before the altar +in the convent, glimpses of hillsides and valleys +and woods in the winter rain which she +had seen unseeing that she might reserve their +deeper meaning for this deeper sight of the +spirit. “I wonder if this is not happiness; +if Heaven will not be so?” she thought. It +came, too, that if this exaltation lasted a moment +longer, she should know with God the +meaning of all things, the Reason which +united stars and space and men and the works +of men.</p> +<p>The resonant bass of Bertram Chester, +beating down Kate’s cheerful treble, floated +up from the sidewalk. The sound came almost +as a relief; yet on second thought she +was a little sorry for their intrusion into this +lonely rapture of the spirit. She looked over +the wall. Kate, revealed in the light of their +gate-lamp, walked between the two men, who +<span class='pagenum pncolor'><a id='page_157' name='page_157'></a>157</span> +were bending toward her; now they were all +laughing together. She was radiant, this +firm-fleshed, golden flower of the West. +Eleanor dipped from her clouds of glory to +notice that she wore a new tailor gown, that +every touch of her costume showed how she +had got herself up for that special occasion. +And now the spiritual fluid in Eleanor transmuted +itself into a reckless gaiety. She +slipped down the steps and confronted them +on the sidewalk.</p> +<p>“Hello,” said Kate, looking her over. +“Well, who’s given you a present?”</p> +<p>Eleanor hugged her. “That’s just what’s +happened, Katie. Somebody <i>has</i> given me a +present—I believe it must have been the +stars.” She extended her hands, right and +left, to the men; holding them so, she rattled +on; “Boys and girls, there’s so much ego in +my cosmos to-night that it’s running out at +every pore. I’m sure there’s going to be a +party to-night, and I’m sure it’s got up for +my benefit. I’m going to play so hard—so +hard that they’ll put me to bed crying! Mr. +Heath, bring on your Chinese and let them +gambol and frisk. It’s my birthday. This +isn’t the date in the family Bible, as Kate +<span class='pagenum pncolor'><a id='page_158' name='page_158'></a>158</span> +could tell you if she weren’t a lady, but I’m +sure my parents made a mistake. I just know +that some menial is coming in a minute with +a birthday cake—and the ring and the thimble +and the coin and everything will be in my +slice—Hello, Bert Chester!”</p> +<p>“Where do I come in?” enquired Kate.</p> +<p>“You? You come in as my dearest little +playmate, to whom I sent the first invitation.”</p> +<p>“I see at a glance,” rejoined Mark Heath, +“that we’ve got our work cut out for us. I +will now announce to the Little Girl who is +Having a Party the program of games and +sports. The festival of the women is on in +Chinatown.”</p> +<p>“I saw it from the car as I passed Dupont +Street,” chimed in Kate. “And the Quarter +is blazing like a fire in a tar barrel.”</p> +<p>In the most natural manner, Kate linked +herself to Mark Heath. She always yielded +the place beside Bertram when Eleanor was +present; quite as naturally, she herself took +that place when Eleanor was away. Bertram +cast a long look on his companion; and he +ventured for the first time in weeks, on something +like a compliment.</p> +<p>“What <i>has</i> happened to you? You look—hanged +<span class='pagenum pncolor'><a id='page_159' name='page_159'></a>159</span> +if I can just tell you how you look, +but it’s great!”</p> +<p>“Oh, compliment me! I love compliments! +That’s my birthday present from +you. I wonder if the Chinese babies will be +out on the street—the little, golden babies. +Why haven’t they a legend about those babies? +Mr. Heath, do you know Chinese mythology? +Kate, aren’t you sure those children are primroses +transformed by the fairies to hide them +from the goblins?”</p> +<p>Bertram frowned a little as she drew the +other couple into their private conversation. +But he continued to study her. This lightness +and brightness which she had developed +so suddenly, seemed quite to dim the radiance +of his own personality. He fell into a quiet +which lasted far into the evening. She, on +her side, moved like one intoxicated by some +divine liquor. Never had she seemed so gay, +so young; and—though he did not wholly +formulate this—never had she seemed to him +so inaccessible.</p> +<p>They approached a dark alley beside an +Italian tenement. Eleanor, dancing around +the corner, came upon it suddenly. She drew +up. +<span class='pagenum pncolor'><a id='page_160' name='page_160'></a>160</span></p> +<p>“There’s an ogre in this dark den—I know +there is. I must see him! Just think, I’m +ten years old going onto eleven, and I never +yet saw a real ogre. Come on—we’re going +ogre hunting!” She plunged into the shadows. +Mark, laughing, followed.</p> +<p>Eleanor peeped into the door of a wine-house, +peeped over a board fence, and came +back to announce:</p> +<p>“He’s not in. I left my card—oh, there he +is—he’s visiting the goblin in that garden +across the street!” She skipped across to an +old stone wall which held its half-acre of +earth suspended over the hill-fall. Mark +skipped with her; Bertram followed at a distance +as one who plays a game of which he is +not sure. Eleanor brought up against the +wall.</p> +<p>“There he is—by the kitchen door. Of +course you see him! Good, Kind ogre, you +don’t eat little girls on their birthdays do +you?”</p> +<p>“Aren’t his red eyes beautiful and hasn’t he +a classy set of teeth?” rejoined Mark Heath. +“Be good, Fido, and you shall have a plumber +for breakfast.”</p> +<p>“But he’ll spare me! He says I’m too beautiful +<span class='pagenum pncolor'><a id='page_161' name='page_161'></a>161</span> +to eat!” Eleanor was dancing back. “Oh +Kate, I’ve seen an ogre!”</p> +<p>Kate did not answer. She fell in with +Mark Heath, and as they drew ahead she murmured:</p> +<p>“I wonder what’s got into her?”</p> +<p>“Nothing I guess. I should rather say +she’d got out. I think it’s bully.”</p> +<p>“Oh, yes,” said Kate, drawing out the last +word.</p> +<p>They turned into the Quarter at Washington +Street, and at once they were in the midst +of the festival. From a doorway burst a +group of little, immobile-featured Cantonese +women, all in soft greens, deep blues, reds and +golds that glimmered in the gas-lights. +Banded combs in jade and gold held their +smooth, glossy black hair; their slender hands, +peeping from their sleeves, shone with rings. +The foremost among them, a doll-girl of sixteen +or so, tottered and swayed on the lily feet +of a lady. The rest walked upon clattering +pattens, like a French heel set by the cobbler’s +mistake at the instep.</p> +<p>Mark Heath, the young reporter, proud in +his knowledge of “the inside,” took up the +reins of conversation. +<span class='pagenum pncolor'><a id='page_162' name='page_162'></a>162</span></p> +<p>“A fairy story for you right at the start, +birthday lady! That little-foot girl is the +daughter of Hom Kip. You remember the +story, don’t you? The old plug tried to sell +this daughter of his for wife to a merchant in +Portland. She had her own ideas—she +eloped with the second tragedian from the +theatre over there. Hom Kip put detectives +on them, and caught her at Fresno. But she’d +already married her actor American fashion; +and the Portland bridegroom is waiting until +father makes his little blossom a widow.”</p> +<p>“As temporary Empress of Chinatown, I +order that he shall do nothing of the kind,” +said Eleanor.</p> +<p>“As your grand vizier, I shall put the +machinery in motion that will free the beautiful +young bride,” rejoined Mark Heath.</p> +<p>Kate broke in.</p> +<p>“What became of the actor? I’m one of +those dull persons who always wants the rest +of the story!”</p> +<p>“I told you, didn’t I, that father is going to +make her a widow? At least he was until the +Empress ordered otherwise. The actor has +probably abandoned his art, which gives him +undesirable publicity. And some day, if +<span class='pagenum pncolor'><a id='page_163' name='page_163'></a>163</span> +father dares disobey the Empress, there’ll be a +mysterious murder in a backwoods laundry—police +baffled.”</p> +<p>Eleanor contemplated the lily-foot girl, +swaying about the corner into Dupont, her little +handkerchief in one hand, her proper fan +in the other.</p> +<p>“Poor little blossom—I wonder if she’ll +mourn for him? Faithful Grand Vizier, +don’t tell me sad facts on my birthday night. +I want only pretty things.”</p> +<p>“Whether she’ll mourn or not won’t make +much difference to father—or to the Highbinders. +Je-hoshaphat—look!”</p> +<p>For they had turned the corner into Dupont +Street, main avenue of the Quarter. Its narrow +vista came upon them at first as a smothered +flame. Innumerable paper lanterns, +from scarlet globes as big as a barrel to parti-colored +cones that one might hold in his palm, +blazed everywhere, making strange combinations, +incredible shades, in the flaring Chinese +signs, the bright dresses of the women. The +sidewalks quivered with life—soberly dressed +coolies, making green background for the +gauds of their women, bespangled babies late +out of bed that they might gain good luck +<span class='pagenum pncolor'><a id='page_164' name='page_164'></a>164</span> +and blessing from those rites, priests in white +robes, dignitaries in long tunics, incongruous +Caucasian tourists and spectators.</p> +<p>A moment Eleanor drank it all in; then she +addressed her Grand Vizier.</p> +<p>“Inform my people, through your invaluable +publication, that their demonstration in +my honor is perfect.”</p> +<p>“It shall be done, liege lady—three column +spread on the front page. Oh, you’ve got to +have a shoe.” For a vendor was bearing down +on them, carrying a tray of pink paper shoes +like valentines. “That’s the symbol of this +festival—the goddess lost her shoe before she +died. How much, Charlie? Two bits two? +All light! Empress, permit me to present this +souvenir of a grateful people. Miss Waddington, +have a shoe on me!”</p> +<p>Eleanor hung the pink trifle to the pin at +her throat.</p> +<p>“I shall add it to the royal treasure trove,” +she said. It came across her then, as one of +the unrelated thoughts and fancies which +were coursing in such swarms through her +mind, that Bertram Chester, though he stuck +close to her side, had been unusually silent. +She drew him in at once. +<span class='pagenum pncolor'><a id='page_165' name='page_165'></a>165</span></p> +<p>“Does it become me?” she asked.</p> +<p>“Everything becomes you.”</p> +<p>“You don’t say anything about <i>my</i> shoes!” +said Kate.</p> +<p>Now the crowd began to eddy and to whirl +toward the next corner. There rose the clang +of gongs, the shrilling of a Chinese pipe +playing a mournful air in that five-toned scale +Whose combinations suggest always the mystery +of the East. About that corner swept the +procession of the Good Lady, priests before, +women worshippers behind. The priests set +up a falsetto chant, the banner-bearers lifted +their staves, and the parti-colored mass moved +down on them.</p> +<p>“It’s like a flower-bed on a landslide!” exclaimed +Eleanor.</p> +<p>Mark Heath gravely pulled out his left cuff +and took rapid notes with a pencil.</p> +<p>“That goes into the story—anything more +up your sleeve like that?”</p> +<p>“Wasn’t it good? Eleanor is always thinking +up clever things to say,” Kate came in. +Her voice was rather flat.</p> +<p>At the edge of the gutter where they stood, +a Chinese shoemaker had set out on a lacquer +tray his offering to the gods. Red candles +<span class='pagenum pncolor'><a id='page_166' name='page_166'></a>166</span> +bordered it, surrounding little bowls of rice +and sweetmeats, a slice of roast pig, a Chinese +lily. As the banners approached, certain devout +coolies found room on the sidewalk to +prostrate themselves. Eleanor, absorbed now +in a poetic appreciation of all this glory of +color and spirit, felt a movement beside her. +She looked down. The shoemaker was flat +on his forehead beside his offering.</p> +<p>“Would you per-ceive that Chink grovel,” +spoke the voice of Bertram Chester.</p> +<p>Before Eleanor could turn on him, he was +addressing the shoemaker.</p> +<p>“Feel a heap better, Charlie? Say, who-somalla +you? Brush off your knees!” The +Chinese, if he understood, paid no more attention +than he paid to the lamp post in his +path. Gathering up his offering, he pushed +his way back through the crowd.</p> +<p>For the first time that evening, Eleanor became +somewhat like her normal self as she +said:</p> +<p>“Why, this is a religious ceremony, isn’t it—all +this light and color!”</p> +<p>“Yes,” responded the personal conductor of +the party, “but you have to pinch yourself to +remember it. For instance, you’ll be charmed +<span class='pagenum pncolor'><a id='page_167' name='page_167'></a>167</span> +to know that I saw one of those priests, up in +front there, arrested last week in a raid on a +gambling joint. Morals haven’t an awful lot +to do with this religion. Maybe that fellow +on the pavement was praying that he’d have +a chance to murder his dearest enemy, and +maybe he was applying for luck in a lottery. +Empress of Chinatown, up yon frazzled flight +of stairs lurks the New York Daytime Lottery. +The agents of said lottery are playing +ducks and drakes right now with the pay of +the printers on the imperial bulletin which I +have the honor to represent. Some day, your +grand vizier and most humble servant is going +to do a Sunday story on a drawing in a +Chinese lottery.”</p> +<p>Eleanor showed no inclination to go on with +the game.</p> +<p>“Have another shoe—one shoe, Charlie, for +the little princess!” continued Mark Heath. +This one, displayed amid the cone-sticks and +New Years nuts of a sweetmeat stand, was +bright blue. Mark hung it on Eleanor’s +shoulder; then, as a kind of afterthought, he +bought a crimson tassel for Kate.</p> +<p>The procession was past, was breaking up. +The women, in knots of three or four, were +<span class='pagenum pncolor'><a id='page_168' name='page_168'></a>168</span> +scattering to the night’s festivities. Mark, as +guide, let business go as he led them on his +grand tour of Chinatown. They stopped to +survey sidewalk altars of rice paper and jade, +where priests tapped their little gongs and +sang all night the glory of the Good Lady; +they visited the prayer store, emporium for +red candles, “devil-go-ways,” punks, votive +tassels, and all other Chinese devices to win +favor of the gods and surcease from demons; +they explored the cavernous underground +dwellings beneath the Jackson Street Theatre; +they climbed a narrow, reeking passage to +marvel at the revel of color and riot of +strange scent which was the big joss house. +Bertram’s spirits were rising by this time; he +expressed them by certain cub-like gambols +which showed both his failure to appreciate +the beauty in all this strangeness and his old-time +Californian contempt for the Chinese as +a people. Once he tweaked a cue in passing +and laughed in the face of the insulted Chinaman; +and once he made pretence of stealing +nuts from a sweetmeat stall.</p> +<p>Wherever Mark found a new design in toy +shoes, he bought one for Eleanor, until she +wore a string of them, like a necklace, across +<span class='pagenum pncolor'><a id='page_169' name='page_169'></a>169</span> +her bodice. Yet had the illumination gone a +little out of her; she replied with diminishing +vivacity to Mark’s advances as he played the +birthday game.</p> +<p>When they mounted the joss house stairs she +lagged behind; and Bertram lagged with +her.</p> +<p>“What’s the matter?” he asked. “I never +saw you so bright and chipper as we were +awhile ago, and now—say, what’s the matter?”</p> +<p>“Nothing. Oh, Mr. Heath—” she raised +her voice, “are the actors allowed in the joss +house—and if not will you have it fixed for +me?”</p> +<p>After they had presented their votive punks +to the great high god, Kate announced that +she was footweary.</p> +<p>“Can’t we find a place to sit down?” she +asked. Mark took her up.</p> +<p>“That’s the signal for tea at the Man Far +Low restaurant. Ever been there? Tea +store below, fantan next floor, restaurant top +side all the way through the block. Come on, +Empress of Chinatown. The royal board +awaits.”</p> +<p>The Man Far Low was in the throes of +large preparation for the Chinese all-night +<span class='pagenum pncolor'><a id='page_170' name='page_170'></a>170</span> +banquets which would close the festival. +The cashier wore his dress tunic, his cap with +the red button. The kitchen door, open on +the second landing, gave forth a cloud of steam +which bore odors of peanut oil, duck, bamboo +sprouts and Chinese garlic; through the +cloud they could see cooks working mightily +over their brass pots. Every compartment of +the big dining hall upstairs held its prepared +table; waiters in new-starched white coats +were setting forth a thousand toy devices in +porcelain. Though the Chinese feasting had +not yet commenced, it was plain, from the attitude +of the waiters, that slummers and tourists +were not wanted on that night. But still +the head waiter, when he came slipping +over on his felt shoes, led them to a table in +the Eastern dining room, from whose balconies +one overlooked Portsmouth Square. +His aspect, however, was anything but +cheerful.</p> +<p>“Say, you Chink, smile!” said Bertram as he +seated himself.</p> +<p>By a slight turn of the head, the very slightest +in the world, the Chinese showed that he +caught this in all its force. But he went +gravely on, setting out porcelain bowls. Eleanor’s +<span class='pagenum pncolor'><a id='page_171' name='page_171'></a>171</span> +hand moved a little, as though in restraint.</p> +<p>“Cheer up, Charlie, crops is ripe!” resumed +Bertram.</p> +<p>“Don’t—please,” cried Eleanor. The first +word came short, sharp and peremptory; the +“please” was appealing.</p> +<p>The color rose under Bertram’s brown skin. +Kate, an outside party to this passage, smiled +a quiet smile; but she spoke to Mark Heath.</p> +<p>“What <i>are</i> those paintings on that screen—come +and tell me about them!”</p> +<p>Now Bertram and Eleanor stood alone with +the table between them.</p> +<p>“I was jollying him!” burst out Bertram. +Eleanor glanced at Kate, who stood profile-on +listening to the ready Heath.</p> +<p>“Shall we go out on the balcony?” She +stepped through the open French window.</p> +<p>As they stood in the shadow, the city at +their feet, neither spoke for a moment. Finally,</p> +<p>“It’s a call-down, I suppose?” began Bertram, +tentatively.</p> +<p>“Not necessarily.”</p> +<p>With a slam, he brought his hand down on +the balcony rail. +<span class='pagenum pncolor'><a id='page_172' name='page_172'></a>172</span></p> +<p>“You don’t give—you don’t give a damn—that’s +the trouble with you—you don’t care +what I do!”</p> +<p>Eleanor drew a little away from him before +she answered:</p> +<p>“I care if anyone is uncivil.”</p> +<p>“What is it but a Chink? They expect it! +Why, down in Tulare—” His voice fell +away as though he recognized the futility of an +attack in this form. She spoke:</p> +<p>“It is you who should not expect it.” And +then, “I am sorry I said what I did. It was +an impulse. We are all imperfect. I’ve +often been unkind myself.”</p> +<p>Bertram stood gripping the rail before him +as one caught and held by a new emotion. +When he spoke, his voice was low and rather +hard. At the first tone of it, she shrank from +the daimon in him.</p> +<p>“If you only cared enough to call me down! +That’s the trouble with you. Am I—am I +the dirt under your feet?”</p> +<p>“Oh, don’t please!” But he was going on, +too fast to be stopped.</p> +<p>“I’m afraid of you—that’s what’s the matter. +What have you got in you that I can’t +seem to melt? You kept away from me the +<span class='pagenum pncolor'><a id='page_173' name='page_173'></a>173</span> +first time ever I saw you. You’ve kept away +ever since. You don’t think I’m as good as +you—and I’m not. But it’s aggravating—it’s +damned aggravating—to have you rub it in. +You’ve got something about you that I can’t +touch anywhere.” And he paused, as though +expecting her to deny it.</p> +<p>“I don’t know what right you have to say +this,” she exclaimed.</p> +<p>In her swift rush to her own defence, she +had dropped her guard. She realized it on +the moment, heard his inevitable reply before +he opened his mouth to the swift-flashing answer +which, that outer self told her, was the +only possible answer for him to make.</p> +<p>“Only this right. I’m in love with you. +I’ve been in love with you ever since I saw you +down at the Judge’s ranch, only I didn’t know +it then. I love you.” Silence for a moment, +and then, “I love you!”</p> +<p>For just one instant, it seemed to her that +she was swaying toward him in spite of herself. +He made, curiously, no active motion +toward her. That outer self of Eleanor’s, +reigning as always over her conscious self, +commenting, criticising, seeing—that outer +self remembered, above her mental turmoil, +<span class='pagenum pncolor'><a id='page_174' name='page_174'></a>174</span> +that never in all their later acquaintance had +he tried even to touch her finger.</p> +<p>“Oh, don’t!” she cried, “please don’t!”</p> +<p>He made a growl in his throat, the adult +counterpart to a baby’s cry of disappointment.</p> +<p>“Didn’t I tell you?” he said, “and now I’ve +laid myself wide open for a throw-down.”</p> +<p>“If you call it that. Oh Bertram—” he +and she both noticed the shift to his familiar +name—“I’m afraid I haven’t been fair to you. +Oh, have I been fair?”</p> +<p>He paused as though considering a whole +new range of ideas.</p> +<p>“Yes, I guess you have,” he responded at +length.</p> +<p>“You’re a man,” she said, “and a big man. +I suppose I ought—to love you. To have the +power of loving you in me. And oh, there +have been moments when I thought I could.” +She stopped as though appalled by the lengths +to which she had gone. “You see, I’m trying +to be fair now. I’m telling you everything.”</p> +<p>And then, with the thought which succeeded, +it was as though she felt the physical +tingle of bay leaves in her nostrils, “or nearly +everything.” +<span class='pagenum pncolor'><a id='page_175' name='page_175'></a>175</span></p> +<p>Through the open French windows came +the cheery voice of Kate Waddington.</p> +<p>“Tea is served, ladies and gentlemen!”</p> +<p>“All right—be along presently!” called +Bertram. And then to Eleanor:</p> +<p>“You must tell me—you can’t keep me hanging +by the toes until I see you again.”</p> +<p>“The rest means—since I am being perfectly +fair to you—that I can’t tell.” Now something +like strong emotion touched her voice—“Don’t +think I am coquetting with you—don’t +believe that it is anything but my effort +to be fair.” She turned on this, and stepped +through the open window.</p> +<p>Bertram struggling to compose his face, +Eleanor wearing her old air of sweet inscrutability, +they faced the quick, perceiving +glance of Kate Waddington who sat pouring +tea from the crack between two shell bowls.</p> +<p>Eleanor settled herself on the teak-wood +stool.</p> +<p>“You <i>must</i> come out on the balcony before +we go,” she cried. “I never saw the city +lights so wonderful.”</p> +<p>“Well,” said Kate, “it all depends on the +company!”</p> +<hr class='major' /> +<div style='margin: auto; text-align: center; padding-top: 2em; padding-bottom: 1em'> +<span class='pagenum pncolor'><a id='page_176' name='page_176'></a>176</span> +<a name='CHAPTER_X' id='CHAPTER_X'></a> +<h2>CHAPTER X</h2> +</div> +<p>Kate’s plump and inert mother, who always +regarded this daughter of hers +somewhat as a cuckoo in the nest, was in a +complaining mood this morning. She sat in +her dressing-gown embroidering peonies on +a lambrequin and aired her grievances. Kate, +writing notes at the old-fashioned black walnut +writing desk, looked up at the climaxes of +her mother’s address, bit her pen and frowned +over her shoulder. For the greater part of +the time, however, Mrs. Waddington spoke +to empty air.</p> +<p>“I never did see such a daughter,” said Mrs. +Waddington, jabbing with her scissors at a +loose end of pink silk. “As if it isn’t enough, +gallivanting around the way you do, fairly +living in other people’s houses, never bringing +any company home, but you can’t even +be decently civil when you <i>are</i> at home. We +might just as well be a hotel for all the respect +you pay us. What are you doing when you’re +<span class='pagenum pncolor'><a id='page_177' name='page_177'></a>177</span> +away, I’d like to know? It’s all well enough, +the stories you tell—” Kate, resting between +notes, saw fit to parry this last thrust.</p> +<p>“I’ve always supposed I was capable of taking +care of myself,” she said. “At any rate, +you’ve let me proceed on that theory.”</p> +<p>It needed only the slightest flutter of an opponent’s +rapier to throw Mrs. Waddington on +the defensive.</p> +<p>“You never let me,” she mourned. “Goodness +knows, I gave you every chance to take +me along. When first you began going with +those painter people, you might have counted +me in.”</p> +<p>“You didn’t seem eager, perceptibly, until +I had made my own way,” Kate vouchsafed. +At that moment the telephone rang.</p> +<p>While Kate was in the house, no one else +thought of answering the telephone. Mrs. +Waddington would have been the last to +usurp the prerogative. For that instrument +was the tap root of her spy system over her +daughter. By it, she picked up things; +learned what this irresponsible responsibility +of hers was doing. Mrs. Waddington had +her mental lists of Kate’s telephonic friends. +She imagined that she could tell, by the tone +<span class='pagenum pncolor'><a id='page_178' name='page_178'></a>178</span> +of her daughter’s voice, just who was on the +other end of the line.</p> +<p>“Oh, Bert Chester!” came Kate’s voice from +the hall. Mrs. Waddington made note number +one. This mention of the name was significant. +The discreet Kate, who knew her +mother’s habits, hardly ever called names over +the wire.</p> +<p>A pause for a very short reply, and then:</p> +<p>“Certainly. Zinkand at one. I’m beginning +to think it’s time I worked at my job +as confidant. What is the use of a confidant +if you don’t confide?”</p> +<p>Mrs. Waddington leaned forward while +Kate got her reply. The mother in her, unsensitized +though as it was, noted the sparkle +in Kate’s voice. But for the intervening door, +she might have seen a great deal more sparkle +in Kate’s face, down-turned to listen.</p> +<p>“Oh yes, I was aware of that!” Kate’s +voice went on. “Dolt! Did I catch it? +You’re a poor dissembler. You’re too honest. +You might tell the verdict before I tell you—”</p> +<p>Mrs. Waddington could stand it no longer. +It was so uncommon for her daughter to speak +thus freely and emotionally at the telephone, +that she must have a look. She rose, therefore, +<span class='pagenum pncolor'><a id='page_179' name='page_179'></a>179</span> +and crossed past the open hall door. +She noticed a certain tension in her daughter’s +face as she bent her head to await the reply.</p> +<p>“You poor, perplexed boy!” went on Kate’s +purring, caressing voice, “Then you need a +confidant. Zinkand’s at one—and I’ll look +my prettiest to draw you out!”</p> +<p>Mrs. Waddington, when her daughter was +come back into the room, renewed her plaint:</p> +<p>“I wish you’d save for your parents a little +of the graciousness you give your friends,” +she said. “I wouldn’t mind so much if you +were getting somewhere. But here you are, +nearly twenty-four years old and goodness +knows if you’ve had a young man, I don’t hear +about it. How can a respectable young man +want to marry a girl like you, I’d like to know? +Those they play with, they don’t marry.”</p> +<p>Kate’s mood had changed completely. +She advanced now with the prettiest caressing +gesture in the world, threw one arm across +the wrinkled skin and old lace of her mother’s +throat. Mrs. Waddington resisted for a moment, +her head turned away; then, gradually, +she let her being lap itself in this quieter air. +Her head settled down on Kate’s shoulder.</p> +<p>“Perhaps,” said Kate, “I may.” +<span class='pagenum pncolor'><a id='page_180' name='page_180'></a>180</span></p> +<p>“Well I wish you’d hurry up about it,” said +Mrs. Waddington. “Girls will be girls, I +suppose, and they’ve got to learn for themselves. +There, there—you’re mussing my +work.”</p> +<p>Kate dropped a kiss on her mother’s forehead +and vanished up the stairs.</p> +<p>Bert Chester, waiting before Zinkand’s an +hour later, picked her a block away from the +nooning crowd. Before he recognized the +olive-green tailor suit which he had come to +know, he noticed the firm yet gracile move of +her. As she came nearer, he was aware of two +loungers waiting, like himself, to keep appointments. +He caught this exchange from +them:</p> +<p>“Who? The girl in a kind of brownish +green?”</p> +<p>“Yes. Isn’t she a peach?”</p> +<p>Just then, it seemed to him, did the purely +physical charm of her burst upon him for the +first time. Supple and swaying, yet plump +and round; her head set square with some of +a man’s strength, on exquisitely sloping shoulders: +and the taste—he would have called it +so—of her dress! A discriminating woman +might have noticed that her costume bordered +<span class='pagenum pncolor'><a id='page_181' name='page_181'></a>181</span> +on ostentatious unostentation. For it was designed +in every detail to frame the picture, +to set off not only that figure but also the +cream of her skin, the tawny hair, even those +firm, plump hands.</p> +<p>He found himself remembering that he had +just proposed to another girl. The thought +flashed in, and flashed out as quickly.</p> +<hr class='tb' /> +<p>The Café Zinkand formed, at the time, a +social nodule in the metropolitan parish that +San Francisco was. As the Palace Hotel was +its Rialto, gathering-place for prosperous adventure, +so the Zinkand was its bourne. In +this mahoganied and mirrored restaurant with +its generous fare, its atmosphere of comfortable +extravagance, those who made the city +go, who gave its peculiar Saxon-Latin move +and glitter, were accustomed to gather and +gossip. It blazed with special splendor on +the nights when this or that “Eastern attraction” +showed at the Columbia Theatre. To +stand on such evenings at the Powell Street +terminus, to watch those tripping, gaily-dressed, +laughing Californian women thronging +the belt of city light from the theatre +canopy to the restaurant canopy—ah, that was +<span class='pagenum pncolor'><a id='page_182' name='page_182'></a>182</span> +San Francisco! Not Paris, not Buenos Ayres—they +say who have travelled far—could +show such a procession of Dianaides, such a +Greek festival of joy in the smooth, vigorous +body and the things which feed and clothe +it. With that absence of public conventionality +which was another ear-mark of the old +city, all sorts and conditions of men and women +sat side by side at the tables. Harlots, or +those who might well pass as such, beside the +best morale there is in women; daughters of +washerwomen beside daughters of such proud +blood as we have; bookmakers’ wives, blazing +with the jewels which will be pawned to-morrow, +beside German housewives on a Saturday +night revel; jockies and touts from the race +tracks beside roistering students from Stanford +and Berkeley; soldiers of fortune blown +in by the Pacific winds, taking their first intoxicating +taste of civilization after their play +with death and wealth, beside stodgy burghers +grown rich in real estate; clerks beside magnates—all +united in the worship of the body.</p> +<p>At noon, however, its workaday aspect was +on; it was no more than a lunching place. +Chester and Kate found seats in a retired +corner. +<span class='pagenum pncolor'><a id='page_183' name='page_183'></a>183</span></p> +<p>She looked him over with cool mischief +while she drew off her gloves and let one white +hand, still creased in pink with the pressure +of the seams, drop toward him on the table.</p> +<p>“I am not exactly to congratulate you,” +she said, “but for a man who was turned +down last night you don’t seem exactly unhappy.”</p> +<p>Bertram let several expressions chase themselves +over his face before he blurted out:</p> +<p>“What’s the matter with me?”</p> +<p>“Not a great deal. Has she so refused you +as to make you conscious of sin?”</p> +<p>“It wasn’t a cold turn-down. I’d like it +better if it was. I’d have something to go on. +It’s—it’s like trying to bite into a billiard +ball. I—you know what I mean.”</p> +<p>“You mean that she holds herself above you—that +she feels superior to you?”</p> +<p>Bertram arrested all motion on that word, +sat with the menu card, which he had been +twirling, immovable between his hands.</p> +<p>“Yes. If you want to jolt it to me good +and hard that way. I guess that is what it +does mean.”</p> +<p>“I suppose then that the crisis—last night—came +about from your little passage with the +<span class='pagenum pncolor'><a id='page_184' name='page_184'></a>184</span> +Chinese waiter? It happened while you were +out on the balcony didn’t it?”</p> +<p>Bertram stared and glowed.</p> +<p>“Say, you’re a wonder. You reach out and +get things before they come to you at all. +That’s just what did happen.”</p> +<p>“And then? Or pardon me, I don’t want +you to tell me any more than it’s right for +you to tell—any more than you feel like telling.”</p> +<p>“Oh that’s all right. Well, when we got +outside it was the same old song. She didn’t +care enough even to call me down. And like +a fool I came out with it. What’s the use of +telling what she said or what I said? It was +just the same way. She kept me dancing. +She wouldn’t say yes and she wouldn’t say no. +She seemed anxious about only one thing. +She wanted to know if she’d been fair to me.”</p> +<p>“I suppose she has—!” Kate brought this +out as though he had put a question to her. +“And you want to know what I think?”</p> +<p>“I sure do.”</p> +<p>“I think she cares—at least a little—shall +I tell you all?”</p> +<p>Bertram, even in the hottest of this conversation, +did not forget the needs of his body. +<span class='pagenum pncolor'><a id='page_185' name='page_185'></a>185</span> +The waiter stood at his elbow. He rushed +through the order, and continued:</p> +<p>“I want to know everything.”</p> +<p>“Well, to begin with—Bert Chester, you’re +a man.”</p> +<p>“I didn’t ask for hot air.”</p> +<p>“That’s all of that. You’re an unfinished +man. You—haven’t had the chance to get all +the refinements which people like Eleanor +Gray have acquired. Do you see now? +You’ve made it—you’ve been making it—all +for yourself. You had no fortune. It’s +splendid the way you worked to get all these +things. I know the story of how you got +through college. Everyone who knows you is +proud of that. But—well Eleanor’s mother +was rich and proud before she married, and +her grandparents were richer and prouder. +Then she’s lived a great deal alone; and she +never really blossomed out until she went +abroad. So she learned her social ways from +Europeans. She’s got a lot of British and +Continental ideas.</p> +<p>“With the rest of us, you know, it doesn’t +make any difference. You could perceive +that by the way we’ve taken you in. Why, +it’s really a part of you. You’re only two +<span class='pagenum pncolor'><a id='page_186' name='page_186'></a>186</span> +years out of college, hardly that; and you’re +still studying law; but think how people have +taken you up! It is simply that Eleanor looks +at it in a different way. It’s a pretty peculiarity +in one of the sweetest girls I know.”</p> +<p>Kate paused. Bert made no move to answer. +She went on:</p> +<p>“Now about the thing you can’t grasp in +Eleanor. It’s this way. You can’t see her +nature as another <i>girl</i> can. She’s just as +sweet and tender and delicate as she can be, +and she has high ideals—that’s one result of +her living away from the world. If she were +a little warmer in temperament, it might be +different, but—” Kate paused here as though +pondering whether to reveal or to conceal the +thought of her mind.</p> +<p>“But of course it is the coldness of a diamond +or a sapphire or something else very +pure and precious.”</p> +<p>Bertram Chester pulled himself up at this +point and plucked at a place away back in the +conversation.</p> +<p>“What are these things that I don’t know? +Where is it that I fall down?”</p> +<p>“They are some of the finer points.”</p> +<p>“Well tell me.” Kate noticed that the +<span class='pagenum pncolor'><a id='page_187' name='page_187'></a>187</span> +color had risen in his cheeks and that his eyes +drooped from hers.</p> +<p>“They must be corrected as we go on—provided +you’ll let me correct them.”</p> +<p>“That’s what I am asking for—but I’d +blame well like an example.”</p> +<p>“Well, now, we’ll take that waiter episode. +The kind of people she’d like to know treat +servants impersonally. Servants are just conveniences +to them, like dumb waiters. So of +course,—even if it was only a Chinaman—she +didn’t like your noticing him and she came +out of her shell for just a moment to say so. +Do you see now?”</p> +<p>Bertram’s dark complexion reddened with +the rush of his shame.</p> +<p>“Oh, that’s the idea is it? I thought from +something she said that she was afraid I’d +hurt his feelings. She wants me to put more +front on before ’em, does she?”</p> +<p>“Just about that. She doesn’t like to see +you put yourself on a level with them.”</p> +<p>“All right, that was straight over the plate +and I got it.”</p> +<p>Again Kate reached over to pat his hand.</p> +<p>“Now don’t take it seriously; I know—she +herself must know—how splendid and able +<span class='pagenum pncolor'><a id='page_188' name='page_188'></a>188</span> +and promising you are—how much of a man!”</p> +<p>Bert spoke in some irritation.</p> +<p>“I always knew I wasn’t a gentleman,” he +said, “but this is the first time it was ever shot +straight at me that way.”</p> +<p>“Bert Chester, as long as I’m a friend of +yours don’t you ever dare say to me that you’re +not a gentleman. You’re one of the biggest +and strongest gentlemen I ever knew. Anyone +need only see you for five minutes to know +you’re that. But some people have certain +things which they attribute to a gentleman—notions, +as I’ve said. And Eleanor from her +European experiences has some of these notions. +Don’t you see?”</p> +<p>The smile, which always broke so suddenly, +came back to Bert Chester’s face.</p> +<p>“Well, of course that’s why I broke loose +from the ranch and went to college in the first +place. I wanted to be as good, every way, as +the best there is!”</p> +<p>“And you are already!”</p> +<p>He shook his head.</p> +<p>“No, or this wouldn’t have happened. I +want to be good enough to marry any girl, no +matter who. I’m going to amount to something. +<span class='pagenum pncolor'><a id='page_189' name='page_189'></a>189</span> +I’m going to be rich, too—and a darn +sight quicker than most people know. I don’t +know that we came here to talk about that, +though.”</p> +<p>“Please go on. We came here to talk about +you—anything about yourself.”</p> +<p>“That part of it has something to do with +the main issue. I’m going to pull out from +Judge Tiffany as soon as I go up against the +bar examinations next month. At least, I +want to pull out, and I’m only wondering how +the Judge will take it and how she will take +it. You see, I might just as well get admitted, +and then it is good-bye to law for me afterwards +unless I use it in politics. Law—” +Bertram rammed his finger on the table with +each word that followed “law is too blame +slow. Anyone could see that I couldn’t be +chasing about as I’m doing if I had to depend +on what Judge Tiffany is paying me as a clerk. +Why, I’ve made twice as much already whirling +at business. I’ll always have my admission +to the bar, too. If I want to settle down +on a law practice after I get rich, I can do +it.”</p> +<p>“That seems very promising to me.” +<span class='pagenum pncolor'><a id='page_190' name='page_190'></a>190</span></p> +<p>“But here’s the question. Is the Judge going +to take it for a throw-down, and how is +Eleanor going to like the program?”</p> +<p>Kate appeared to be considering. In fact, +she was considering a great many more things +than Bertram knew.</p> +<p>“I’m pretty sure Eleanor wouldn’t care,” +she said at length. “Hers isn’t a very practical +mind. It’s impossible to say about Judge +Tiffany. He’s crotchety. The right’s on +your side, for a man has a right to change his +employment, hasn’t he? And I’m sure you +have more than returned your little salary. +On the whole, I don’t know but it would be +better for you with Eleanor if the Judge did +get angry with you. A girl with ideals like +hers rather likes to have a man persecuted. +And you can’t let it stand in the way of your +career.”</p> +<p>“But—”</p> +<p>“Oh, it isn’t as though it were a choice between +the girl and the career. It isn’t at +all. The best way to win her is to build yourself +up to the big, splendid man she’d like +you to be. If you stay a little law clerk for +five years or so, you won’t have much inducement +<span class='pagenum pncolor'><a id='page_191' name='page_191'></a>191</span> +to offer her! When you consider marriage, +you have to remember that a girl like +Eleanor can’t live on a trifle. I’d follow my +own career. It isn’t, you see, as though there +were anyone else in the field. Other men +come to the house, of course—men she’s met +at the Masters, old friends of the family—but +I don’t consider any of them as rivals. +I did think for a time that Ned Greene was +attracted, but he’s crazy now over Katherine +Herbert. So it isn’t a case for immediate action.”</p> +<p>“Do you think—have you ever heard her +speak of me?”</p> +<p>Kate’s answer came readily.</p> +<p>“She has spoken to me of you—the way +women do, so that you see under what they say. +We women are devils”—she smiled—“no, I +can’t tell you what she said. I’m in a peculiar +position about it. You see, her talk, as +it happens, is all twisted up in a confidence +she made to me—something else in her life—nothing +to do with you—and I can’t break it. +But I can do something without breaking any +confidence. I can tell you what I think you +ought to do.” +<span class='pagenum pncolor'><a id='page_192' name='page_192'></a>192</span></p> +<p>“Well, I guess that’s what I want—” with +the air of one who would have liked a great +deal more.</p> +<p>“The man who gets Eleanor Gray—and +especially if Bertram Chester is the man—cannot +take her by assault. If you reach out +to grasp her—you who are so strong—it will +only break something in that delicate nature +of hers. Don’t woo. Serve. Don’t even +see her too often. Don’t renew that scene on +the balcony—never make that mistake again. +When you are with her, show by your attitude +how you feel, and show her—well, that +you’re learning the things you’ve asked me to +teach you—the things I’m going to teach you.”</p> +<p>“It’s sure a pink tea program,” said Bertram. +Kate laughed.</p> +<p>“Bert Chester, when you make your dying +speech from the scaffold you’re going to say +something original and funny. You can’t +help it. Now can you?”</p> +<p>The smile broke again on Bertram’s face.</p> +<p>“Well, it has its funny side,” he admitted. +“All right. If refinement’s the game, me to +it.” His smile had caught Kate’s laugh, and +there came between them a kind of mental +<span class='pagenum pncolor'><a id='page_193' name='page_193'></a>193</span> +click. Soft gratitude sprang into his heart +and quivered on his lips.</p> +<p>“You’re a bully girl! I don’t know what +I’d do if I didn’t have you to talk it over +with. And you really do understand lots +about women and those things—where did +you learn it?”</p> +<p>The smile went out of Kate. She drooped +her eyes and let her pink nails flutter on the +tablecloth.</p> +<p>“Suffering and experience, I suppose.”</p> +<p>“Could I—would you tell me about it?”</p> +<p>She looked up with an air of sweet sincerity.</p> +<p>“I should like very much to tell you. You +could help me as much as you say I’m helping +you. Some other time, we’ll have that all +out together. You see, when one has held a +thing in her heart for a long time—well, it’s +a struggle at first to get it out. But sometime +when I’m in the mood!”</p> +<p>And then he discovered that an appointment +at the office was overdue. While they +went through the formalities of checks and +wraps, she talked foolish nothings. He parted +with her hurriedly to run after a Market Street +cable car. +<span class='pagenum pncolor'><a id='page_194' name='page_194'></a>194</span></p> +<p>“We’re going to be the best chums in the +world,” he said as he shook hands.</p> +<p>“Indeed we are!”</p> +<p>She watched him as he ran after the car, +swung on the platform with the easy economy +of motion which belongs to the athlete. But +just before he set his foot on the platform and +looked back at her, she herself whirled and +started down the street, so that he saw only +her trim back-figure, the glint of her bronze +hair, the easy grace of her walk.</p> +<hr class='major' /> +<div style='margin: auto; text-align: center; padding-top: 2em; padding-bottom: 1em'> +<span class='pagenum pncolor'><a id='page_195' name='page_195'></a>195</span> +<a name='CHAPTER_XI' id='CHAPTER_XI'></a> +<h2>CHAPTER XI</h2> +</div> +<p>So Bertram Chester went on, the easy familiar +of the Tiffany establishment, the +contriver of Mrs. Tiffany’s household assistances, +and the devoted follower of Eleanor. +He never referred in any way to the scene +on the restaurant balcony; he did nothing +formally to press his suit. Indeed, his occasional +air of gentle diffidence puzzled and +amused her. She had a queer sense, when she +beheld him so, that she liked it in him less +than some of his old uncouthness, and only a +trifle better than such roughness of the heart +as that passage with the Chinese waiter. This +new attitude was loose in the back, tight across +the shoulders, short in the seams—it was not +made to fit Bertram Chester. When he +launched out into rudimentary art criticism, +stringing together the stock slang which he +had picked up in the studios, when he tried +to impress her with his refined acquaintance, +his progress toward “society” of the conventional +kind, her amusement took another turn +<span class='pagenum pncolor'><a id='page_196' name='page_196'></a>196</span> +in the circle of emotion, and became annoyance.</p> +<p>In general company, he reverted to type. +At their home dinners, when wine and good +fare had lit the fires of his animal spirits, he +still told his rambling, half-boastful stories +of the cow country and of College times, or +laid before these home-stayers the gossip of the +town. That manner of his, always more compelling +than either his substance or his words, +carried the plainest story; and he had at least +the art of brevity. One laughed when he +laughed, catching from his spirit the humorous +idea, even when its expression failed on +the tongue. Voice and gesture and an inner +appreciation which he could flash instantly to +his tongue contributed to these dazzling effects. +His new-made friends of the artistic +set used to tell him, “If you could only write +down your stories—what humor, what action!” +Mark Heath, with the information of +a room mate, the judging eye of a half-disillusionized +friend and the cynicism of a young +journalist, was first to perceive that a stenographer +concealed to transcribe his talk would +get only barren words.</p> +<p>In his fading and declining years, Judge +<span class='pagenum pncolor'><a id='page_197' name='page_197'></a>197</span> +Tiffany leaned more and more upon Eleanor, +his business partner. Now it had come +spring. The trees were in bud along the +Santa Clara. They must begin preparing for +the season. The family did not move to the +ranch until apricot picking was afoot; but +from now on either Judge Tiffany or Eleanor +would run down every week to watch the +trees and to oversee the Olsen preparations for +harvest time. Purchase of supplies and the +business of selling last year’s stock, held over +for a rise in German prices, kept Eleanor +busy.</p> +<p>She dragged the Judge out of his library +one March afternoon, that he might inspect +with her a new set of sprayers which she was +considering. The Judge went to his office +all too seldom nowadays; Eleanor and Mrs. +Tiffany used continually all kinds of diplomacies +to keep him at his business, from which +he stubbornly refused to retire. When they +had driven their bargain, Eleanor guided and +wheedled him to the office. The methodical +Attwood, having his man there, thumped a +pile of papers down before the Judge, representing +that this demurrer must be in on +Tuesday, that case tried or continued next +<span class='pagenum pncolor'><a id='page_198' name='page_198'></a>198</span> +week. The Judge sighed as he pulled the papers +toward him.</p> +<p>“They’ve nailed me, Nell,” he said. +“Here, I’ll appoint a substitute. Send for +Mr. Chester, Attwood—dining anywhere, +Chester? Then take pot luck with us and +pay me by escorting my business conscience +home. I’ll overwork myself if someone +doesn’t carry her away!”</p> +<hr class='tb' /> +<p>The afternoon fog, forerunner of another +rain, floated in lances above Montgomery +Street. The interior valleys had felt their +first touch of baking summer, had issued their +first call on their cooling plant—the Golden +Gate, funnel for mist and rain-winds. The +moisture fell in sleety drops; yet only the +stranger and pilgrim took protection of raincoat +or umbrella. The native knew well +enough that it would go no further. On +these afternoons, neither cold nor hot, wet nor +wholly dry, the blood is champagne and the +heart a dancing-floor.</p> +<p>At the moment when Eleanor stepped out +into the home-going crowd, she, an instrument +tuned to catch delicate vibrations from earth +and sea and air, felt all this exhilaration. Life +<span class='pagenum pncolor'><a id='page_199' name='page_199'></a>199</span> +was right; the future was right; the display +of a young female creature before the male—that +most of all was right. And Bertram +Chester, talking for the moment like his old, +natural self, was a main eddy in the currents +of joy-in-youth.</p> +<p>“You are bonny to-day!” she said quite naturally +as she looked him over.</p> +<p>He blushed happily. And the blush helped +restore him in her eyes as the natural Bertram +Chester.</p> +<p>“And you’re the bonniest of the bonny. I +never saw you look so full of ginger except—” +he hesitated there, and her words rushed +in to meet the emergency.</p> +<p>“Thank you! Though I wasn’t fishing, I +am grateful just the same.”</p> +<p>“Then you do find something now and then +that you can stand for in me?”</p> +<p>“I find a great deal—when you are Bert +Chester.” He seemed to puzzle over this, to +ponder it; so that she added:</p> +<p>“Let’s not talk conundrums in this air and +this crowd! We’re not blue-nosed, self-searching +New Englanders. Let’s keep away +from Market Street and walk through the +Quarter. They haven’t yet taken the Easter +<span class='pagenum pncolor'><a id='page_200' name='page_200'></a>200</span> +things from the shop windows, and there’s +a darling atrocious group of statuary next +door to The Fior d’Italia which you must +see!” And then, as they turned the corner—</p> +<p>“What’s the crowd? I’m for disremembering +that I’m refined. I want to be curious!”</p> +<p>“Looks like a scrap—do you—”</p> +<p>“Nonsense! Come on. I divide women +into those who would like to see a prize fight +and admit it, and those who would like to +see a prize fight and deny it!”</p> +<p>“Gee whiz!” said Bertram. They had +reached the edge of the crowd, which circled +about some knot of violent struggle and gesture. +“Excuse me!” He had sprung from +her side and was breaking his way through. +By instinct, she followed into the hole back +of him, so that she found herself in the second +row of spectators to a curious struggle, the +details of which flashed in upon her all at +once.</p> +<p>Two laborers, gross, tanned, dirty, were +fighting. They had swung side-on as the +hole opened, and her glance focused itself +upon the smaller of the two. He was an old +man, quite gray; and down his scalp ran a +<span class='pagenum pncolor'><a id='page_201' name='page_201'></a>201</span> +stream of bright blood which trickled upon +his ear. The thing which puzzled her was +the action of the older man. He seemed to +be hanging to the arms of his younger and +sturdier opponent; also he was talking rapidly, +excitedly; and she caught only one +phrase.</p> +<p>“Hit me with a nail, will you?”</p> +<p>And just then the younger man got his arm +free, and dove for the pavement—dove at precisely +the same instant with Bertram Chester. +Apparently, the younger fighter arrived first; +he backed off from the scuffle brandishing a +piece of packing box. Then she saw what the +old man meant. Pointing the weapon was a +nail, stained red.</p> +<p>As this rough fury poised himself for the +stroke, she took in the whole picture—a +young, tall, brute man, one eye puffing from +a new blow, the other blood-shot, the mouth +open and dripping, the right arm raised for +the murderer’s blow.</p> +<p>Bertram Chester came between as though +he had risen out of the earth. His left hand, +with a trained aptitude which made the motion +seem the easiest thing in the world, +caught the upraised wrist. The laborer +<span class='pagenum pncolor'><a id='page_202' name='page_202'></a>202</span> +ripped out an unconsidered oath and struck +with his free fist at Bertram’s face. Bertram +evaded the blow, slipped in close. And then—in +a lightning flash of speed, Bertram’s +right hand, which had been resting loosely by +his side, shot upward. His whole body +seemed to spring up behind it. The blow +struck under the point of the chin. The head +of the young bruiser dropped, then his shoulders, +then his arms; his body sagged down +upon Bertram. The champion of age shook +him off; he dropped to the sidewalk. All +this in a flash, in a wink.</p> +<p>The crowd, curiously inert, as all city +crowds are until the leader appears, now followed +this leader. A clamor of many +tongues arose—“Get a cop!” “He’s killed +him!” “Do him up!” A short rush of half +a dozen boys toward the fallen bully met the +resistance of Bertram, who had turned as +though anticipating such a movement. He +shoved them back and raised his hand. His +eyes were bright, his face flushed, and that +smile which won and commanded men had +broken out on his lips.</p> +<p>“Say,” he said, “you all saw me do this +<span class='pagenum pncolor'><a id='page_203' name='page_203'></a>203</span> +man fair and square. He isn’t dead. He’s +only put out. He’ll be all right in five minutes. +You know it was coming to him. +Now, I’ve got a lady with me, and I don’t +want her dragged into the police station. +The cops will be here in a minute. I’d like +to show this thing up in court, but we don’t +want to trouble the lady, do we? If I beat it, +how many of you will witness to the cops just +what happened?”</p> +<p>“I!” and “I!” and “I!” from the crowd +and “Me! God bless ye!” from the elder +warrior, who stood wiping the blood from his +ear. Bertram gave them no chance for reconsideration. +“All right!” he said, “here I +go!” He pushed his way out as he pushed +it in, swept Eleanor along with him. The +spectators lifted a cheer; but only a mob of +small boys followed.</p> +<p>“Beat it, kids, or the bulls will pipe me!” +called Bertram over his shoulder. At this +magic formula, the boys fell out. A half a +block away, Eleanor dared look back. A policeman +had just arrived; he was clubbing his +way stupidly through the crowd. Bertram +looked back too. +<span class='pagenum pncolor'><a id='page_204' name='page_204'></a>204</span></p> +<p>“All right,” he announced, “now don’t appear +to hurry.” At Kearney Street, he swung +her aboard an electric car.</p> +<p>“Victory!” she cried as the conductor rang +his two bells and the car gathered headway. +“It was perfect!”</p> +<p>He stared down at her.</p> +<p>“Well, I just had to put it through once I +got started, but say—I thought you’d sure be +sore on me.” His voice took on an apologetic +tone. “It seems to me when I see a scrap, I +constitutionally can’t keep out of it.”</p> +<p>“No more should you—such fights as that.”</p> +<p>“Then you make distinctions?” he asked.</p> +<p>“If you mean that I distinguish between +fighting just for the lust of it and fighting to +protect the helpless, I may say that I do. +You did well.”</p> +<p>“Thank you!” he said, half-earnestly. “I’d +have thought you wouldn’t like to see me muss +things up, that way.” He was letting his +voice slip away from him, both in volume and +in manner, and the car was crowded. A +panic necessity for concealment took possession +of her.</p> +<p>“Surely we’ve evaded the police—let’s get +out and have our walk through the Quarter.” +<span class='pagenum pncolor'><a id='page_205' name='page_205'></a>205</span></p> +<p>“I’m with you.” Kearney Street, that +thoroughfare which gathered into its two +miles every element in American life, here +struck its hill rise. Sheer above them hung +Telegraph Hill, attained by latticed sidewalks, +half stairs. The Latin quarter +thronged and played all about them in the +dusk and the fresh lamplight. And again, +mood and spirits rose in her. The event +whose swift, kaleidoscopic action still danced +on her retina, the very stimulus of brutal +youth in action, had conspired with the perfect +night to raise her above herself.</p> +<p>“Oh, talk to me about it!” she said. “How +did you do it—what do you call it—I want to +hear <i>you</i> tell about it.”</p> +<p>“I guess you saw it all—just a plain uppercut. +Those blame city crowds would see a +man killed before they’d think of anything +but the show. I’ve always said that, and now +I know it. I caught sight of the old man +side-on and I saw he was hurt by something +more than a punch. Far be it from me to +spoil a good scrap, but that wasn’t a fair shake. +So I dropped you and started in. And then +I saw that nail. I made a slip there,” he let +his voice fall in self-depreciation—“I should +<span class='pagenum pncolor'><a id='page_206' name='page_206'></a>206</span> +have kicked that chunk of board away, instead +of diving for it. He beat me to it. The rest +was so easy it was a shame to take the money. +Up comes his head and up comes my +guard”—he stopped in the street to illustrate—“and +he couldn’t use his club any more +than a kitten. I’d have let him go, if he +hadn’t hit at me—and clipped me. For a +second, I could have bit nails in two. When +I pulled myself in close, there was his chin +just above me—a be-auty target. And an +uppercut was his medicine.” Bertram jerked +his right hand up from his hip to illustrate +the uppercut. Then he screwed up his face +and felt of his right shoulder. “He marked +me some,” he said in explanation.</p> +<p>“Did he hurt you?” she asked with real concern. +It ran into her mind that the conventional +hero of romance makes his wound a +scratch before his lady. If she expected that +from Bertram Chester, he disillusionized her.</p> +<p>“Well, you don’t take a punch like that, +even glancing on your shoulder, without +something getting loose,” he replied. “I +shouldn’t be surprised if I’d slipped a cog or +a tendon or something.”</p> +<p>“Why—let’s go home and see about it.” +<span class='pagenum pncolor'><a id='page_207' name='page_207'></a>207</span></p> +<p>“Oh, it isn’t bad enough for that!” Then +he fell into reminiscences. In their toilsome +passage up the hen-coop sidewalks of Broadway, +he gesticulated—with constrained motions +of his right arm—loosed the sparkle of +his energetic, magnetic talk upon her. She +drew close to him. Gradually, as the steps +became steep, her hand slipped under his arm. +She was only half-conscious of this motion; +her consciousness was full of a softening toward +him, a leaning upon that strength which +she had seen in action. On his side, he did +not fail to notice it—this first movement in +her which had seemed like an advance. He +stopped his buzz of talk at one moment and +all the lines of his face relaxed as though he +were about to say something softer and +deeper. But he only caught his breath and +changed to another story. He had remembered—and +just in time, he thought—the advice +of Kate Waddington.</p> +<p>But in spite of that remembrance, he permitted +himself the luxury of being natural; +and he talked continually until they were +within the Tiffany doors.</p> +<p>Mrs. Tiffany must hear all about it from +both of them. When they came to the hero’s +<span class='pagenum pncolor'><a id='page_208' name='page_208'></a>208</span> +injury, she dismissed Eleanor, made him strip +his massy shoulder, and got out her pet liniment. +The Judge, coming home in the midst +of these surgical cares, heard the story retold +with heroic additions by his wife. Dinner +that night was a merry, a happy, an intimate +party.</p> +<p>When Bertram left, Mrs. Tiffany did not +follow him to the door, as was her old-fashioned +custom. He waited a moment, as +though expecting something. His eyes were +on Eleanor. She did not move. She only +bade him a simple and easy good night over +her shoulder.</p> +<p>The old couple sat for a long time before +the fire. Eleanor was gone—not to bed, +could they but have known it, but to sit by her +window and breathe bay-fragrance and drink +the foggy night air off the Gate.</p> +<p>The Judge smiled down on that faded +daintiness at his feet.</p> +<p>“Are we now to consider him in the light +of a nephew-in-law?” he asked.</p> +<p>“It has bothered me a good deal,” said +Mattie Tiffany. “What do you think I ought +to do?”</p> +<p>“If that frightful social responsibility of +<span class='pagenum pncolor'><a id='page_209' name='page_209'></a>209</span> +yours drives you to anything,” responded the +Judge, “I should say you’d best leave it alone.”</p> +<p>“But Edward, dear, I’m just like a mother +to her—and goodness knows I haven’t always +been the best of mothers. There was her +father—you know how long I shirked that—”</p> +<p>“The sin of omission that you will carry to +your grave—”</p> +<p>“And somehow this is so like Billy Gray! +It was just this way in her mother’s case. +When Billy came around—you remember +how bonny a boy he was then, Edward—I, +her own sister, could never tell how she felt +toward him. I’ve always told you that Eleanor +has slipped a generation. She’s her +grandmother, not her mother, in mind. But +she’s just like her mother in one thing. You +can’t ever tell what she’s thinking about, and +the deeper her thoughts go the harder it is +to tell! That’s why I’m considering all this +so carefully—she doesn’t commit herself in +one way or the other. It’s a sign.”</p> +<p>“Knowing you, Mattie, I presume that +you’ve conducted researches into his desirability +as a nephew-in-law?”</p> +<p>“Well, shouldn’t I? Goodness knows, we +don’t lead a conventional life in this family, +<span class='pagenum pncolor'><a id='page_210' name='page_210'></a>210</span> +and I don’t chaperone her. I reproach myself +a little with that. When Mrs. Goodyear +wanted to take her up and put her into the +Fortnightly, it wasn’t so much Eleanor’s disinclination +as my own laziness about getting +up gowns and paddling about paying calls +which kept me back—and that’s God’s truth.”</p> +<p>“And these penitential exercises in detective +work—what have they brought forth?”</p> +<p>“He’s a little careless morally, I think. +He’s had too much conviviality about the +Club. I’m afraid he’s blossoming over +young. They can say all they want about +wild oats, but in this city it’s a mistake to +sow them all at once. That’s one reason why +I’ve been so good to him. I flatter myself +that a house like this is a moral influence on +him.”</p> +<p>“It’s all a concern for his soul with you, +then?”</p> +<p>“No. Frankly, I like him. Everyone +likes him. He’s a dear. But as to Eleanor—”</p> +<p>The Judge had risen and taken off his skull +cap.</p> +<p>“Well, she has run a ranch and she’s travelled +alone to Europe and back, and she’s +<span class='pagenum pncolor'><a id='page_211' name='page_211'></a>211</span> +saved the soul if not the body of a father. +And I wonder whether a girl who’s all that +to her credit can’t be trusted to deal with the +problem of an undesirable though attractive +young man—”</p> +<p>“If I were only sure he was undesirable!”</p> +<p>“It is according,” responded the Judge, “to +your definition of undesirability. If you +mean worldly circumstances, you needn’t fear +for Bertram Chester. He resigns from my +firm this month.”</p> +<p>“What for?”</p> +<p>“Attwood brought me news of it. I don’t +know where he’s going. I’m not supposed to +know anything. But for to get rich, for one +thing.” He closed his book and restored it +to its place on the shelves. “He took the left-hand +road, you see. It was manifest destiny; +and you and I and Eleanor cannot move one +whit the career of that young man.”</p> +<hr class='major' /> +<div style='margin: auto; text-align: center; padding-top: 2em; padding-bottom: 1em'> +<span class='pagenum pncolor'><a id='page_212' name='page_212'></a>212</span> +<a name='CHAPTER_XII' id='CHAPTER_XII'></a> +<h2>CHAPTER XII</h2> +</div> +<p>When Kate called him up over the telephone, +inviting him, second-hand, to +join a Masters party at Sanguinetti’s restaurant, +Bertram interrupted his banter to ask if +Eleanor were going.</p> +<p>“I’m sure I don’t know what her plans are,” +said Kate. “Why don’t you ask her?” The +tone was a little cold.</p> +<p>Remembering his duty, Bertram did ask +Eleanor over the telephone.</p> +<p>“I’m sorry,” answered Eleanor, “but I had +to decline.”</p> +<p>“Oh, duck your engagement if you have +any!” he said, pleading like a boy. “It’ll do +you good to jolly up!” But she was firm. +He matched the cool tone of Kate with the +equally cool tone of Eleanor, and wondered, +as he hung up the telephone, whether anything +had gone wrong between those girls. +He remembered now that he had not seen +Kate at the Tiffany’s since the expedition into +<span class='pagenum pncolor'><a id='page_213' name='page_213'></a>213</span> +Chinatown. Had he but known it, he was +perceiving late a thing of which others were +making gossip already.</p> +<p>While Bertram freshened up his toilet in +his room and thought hard on this, Kate Waddington, +at home in the Mission, was making +certain special preparations of her own. +Mrs. Waddington could measure the importance +of her daughter’s engagements by the +care she took with her toilet. Fresh lace indicated +the first degree of importance, her +latest pair of shoes the second degree, and perfectly +fresh white gloves raised the engagement +to the highest degree of all. To-night, +all these omens served.</p> +<p>Further, Mrs. Waddington saw that Kate +was rummaging through the unanswered letters +in her writing desk, saw that she was +comparing two of them. Kate picked up the +larger one. She was wearing furs, since the +April night was chilly. This letter she +tucked carefully into her muff.</p> +<p>“Why in the name of common sense are you +taking that letter along to a dinner party?”</p> +<p>“Oh, something I want to show someone,” +answered Kate after a momentary pause. +Mrs. Waddington knew from old times the +<span class='pagenum pncolor'><a id='page_214' name='page_214'></a>214</span> +hidden meaning of that pause. Just so, when +at the age of seven they had caught her in +the sugar-bowl, Kate had paused before starting +her ready explanation. She had never +overcome it; and her mother was the last +person likely to acquaint her with that flaw +of method.</p> +<p>“It’s from Alice Johnstone, I judge by the +handwriting,” continued Mrs. Waddington.</p> +<p>“Oh, I guess so,” responded Kate. She +made rapidly for the door. “Good night, +mother. I’ll be home to-night, but rather +late.”</p> +<p>“Thank you for small favors—” but Kate +was gone.</p> +<p>Sanguinetti’s held a place in the old city +no less definite than that of Zinkand’s or the +Poodle Dog. In the beginning a plain Italian +restaurant, frequented by the Italian fishermen +whose sashes made so bright the water +front and whose lateen sails, shaped by the +swelling wind like a horse’s ear, gave delight +to the bay, it had existed since the Neapolitans +came to drag the Pacific with their nets. +Painters and art students from the attics of +the Quarter “discovered” it. When they +made a kind of Bohemia about it, “the gang” +<span class='pagenum pncolor'><a id='page_215' name='page_215'></a>215</span> +of tawdry imitators and posing professional +Bohemians followed as a matter of course. +That invasion put it on the fair way toward +failure. But Sanguinetti’s saved itself by +dropping one degree lower. “South of +Market” discovered it. That district is +somewhat to San Francisco as the East Side +to New York, though with an indescribable +difference. Then came the milliner’s apprentice +who slaved all the week that she +might brighten the “line” on Saturday afternoon, +with the small clerk, her companion or +the butcher-boy her beau. There came also +the little people of the race track, as jockies +out of a job, touts, bookmakers’ apprentices—tawdry +people mainly, but ever good-humored +and ready to loosen restraint of custom +after the second quart of Steve Sanguinetti’s +red wine. So this place came to have +an air of loose, easy, half-drunken camaraderie, +which seldom fell into roughness. It +was the home of noise and song and easy +flirtations which died at the door. When this +transformation was fully accomplished, the +painters and art students and seekers after +“life” came back again. This time, they did +not spoil its flavor. The fishermen had been +<span class='pagenum pncolor'><a id='page_216' name='page_216'></a>216</span> +shy folk who fled from the alien invasion; no +shyness about South-of-Market people on a +holiday!</p> +<p>This Sanguinetti dinner party of Sydney +Masters’s differed but slightly, after all, from +other slumming parties in the hostelry of +touch-and-go familiarities. Amused outsiders, +they watched the growth of swift flirtations, +passed comments on the overdressed +women, joined in the latest Orpheum songs +which started when the cheap wine made +music in the throat, chucked quarters into the +banjoes of the two negro minstrels who came +in at eight o’clock to stimulate merriment. +Bertram, in his position as jester to King +Masters, went a little further than the others. +It was he who bought out the stock of a small +Italian flower-vendor, that he might present +a bouquet “to every lady in the place.” His +attention brought from the ladies varying degrees +of gratitude, and from their escorts +degrees of resentment which varied still more. +Running out of flowers before he had gone +clear around the room, he built up on toothpicks +bouquets of celery and radishes, which +he fastened to the corks of empty claret bottles +and gave, with elaborate presentation +<span class='pagenum pncolor'><a id='page_217' name='page_217'></a>217</span> +speeches, to the merrier and prettier of the +neglected ladies.</p> +<p>From this expedition, he returned leading +a little, sad man, who had the look of a boy +grown old by troubles. A bleached-blonde +woman followed them half-way across, but +centre room she turned back with a stamp of +her foot and a flourish of her shoulders.</p> +<p>“Ladies and gentlemen,” Bertram announced, +“I desire the privilege of introducing +Teddy Murphy, California’s premier +jockey, lately set down on an outrageously +false charge of pulling a horse. He is here, +ladies and gentlemen, to tell you his +troubles!”</p> +<p>A moment of silent embarrassment on both +sides.</p> +<p>“Here—take my chair, Mr. Murphy!” +spoke Kate from the foot of the table. The +next table, set <i>a deux</i>, had just become vacant. +Kate slipped into its nearest chair. Bertram’s +seat was back by the wall; to reach it, he +must step over feet and so interrupt Mr. +Murphy’s tale of wrong. Nothing was more +natural than that he should take the seat opposite +Kate. And instantly—he having heard +the story already—Bertram lost interest. +<span class='pagenum pncolor'><a id='page_218' name='page_218'></a>218</span></p> +<p>“Would you mind getting my muff?” asked +Kate. “I think my handkerchief is in it.”</p> +<p>As Bertram handed over the muff, she was +smiling up at him. She did not look down +until she had taken out her handkerchief, +flirted out its folds. Then a little, disconcerted +“oh!” escaped her.</p> +<p>“What is it?”</p> +<p>Kate was shaking out her skirt, was glancing +rapidly to right and left. “Goodness!” +she cried.</p> +<p>“What’s the matter?”</p> +<p>“A letter. Have you seen it?”</p> +<p>Bertram looked under the table. There it +lay, by his chair. He picked it up and passed +it over.</p> +<p>“Oh!” she cried again, this time in a tone +balanced between relief and embarrassment. +She tucked it back into her muff, and her eyes +avoided his. He noted all this pantomime, +and he was about to speak, when Mrs. Masters +touched Kate on the shoulder. “My +dear, you’re missing this!” she whispered.</p> +<p>Kate put all her attention upon Mr. Murphy +and his burning story about the pulling +of Candlestick. Mr. Murphy grew a little +too broad; Mrs. Masters, as the easiest way +<span class='pagenum pncolor'><a id='page_219' name='page_219'></a>219</span> +rid of him, rose and asked for her wraps. As +Bertram assisted Kate, he saw her reach an +anxious hand into her muff.</p> +<p>Outside, she contrived a loose shoe lace, so +that she and Bertram fell behind. She did +not approach the subject of the letter; that +came up later and, of course, quite incidentally.</p> +<p>“Anything to confide in me to-night?” she +began.</p> +<p>“Oh, nothing much. Gee, you can’t tell +about her, can you? Say, are you sure about +your system? She was with me last Tuesday +when I punched the jaw off a man, and she +hasn’t treated me so well since I knew her +as she did after that. I was blame near opening +on her again. Blame near. What’s the +answer?”</p> +<p>“A passing mood, perhaps.”</p> +<p>“Well, I’d like to get her in that mood +often.”</p> +<p>“And you’ll find that she’s furthest from +you in those moods—it’s in them that she’s +least herself.”</p> +<p>“This general girl proposition is a tough +one,” commented Bertram. “All right. +You know the dope.” +<span class='pagenum pncolor'><a id='page_220' name='page_220'></a>220</span></p> +<p>“You poor, perplexed boy!”</p> +<p>“Say, isn’t it time you began confiding?”</p> +<p>“Oh, you caught it—the letter I mean—There +are few things those eyes of yours don’t +see!”</p> +<p>“Man?” he continued, ignoring the compliment.</p> +<p>“Yes. It’s a dreadful perplexity.”</p> +<p>“Tell your old uncle!”</p> +<p>“Perhaps.”</p> +<p>“You’re in love?”</p> +<p>“I—I was. You see—ah, it’s gone past the +place where it should have ended!”</p> +<p>“Then why don’t you break it off?”</p> +<p>“That’s all very well to say, but he’s a good +man, and he says he’s crazy about me. Do +I seem happy to you?”</p> +<p>“Middling.”</p> +<p>“I am—sometimes. Then something like +to-day comes, and it puts me clear down in +the heart. I have to keep up laughing and +being gay when I’m all torn to pieces. I feel +that I oughtn’t to keep him in suspense this +way. He’s young, he’s fairly rich—if that +counted. When he’s here, I often think I do—love +him. When he writes, I know I +don’t.” +<span class='pagenum pncolor'><a id='page_221' name='page_221'></a>221</span></p> +<p>“Poor little girl!” said Bert, catching sympathetically +at the half-sob in her voice.</p> +<p>“Thank you,” answered Kate on an indrawn +breath. And then, “What would you +do? I’m only a girl after all, am I not? +Here I’m leaning on you, asking for advice.”</p> +<p>Bertram did not answer for a time. Then:</p> +<p>“Sure you don’t love him?”</p> +<p>“Not—not entirely. I might if he made +me.”</p> +<p>Bertram was looking straight down on her. +His mouth was pursed up.</p> +<p>“Suppose he made you—and after you’d +married him you got to feeling again as you +do now. That wouldn’t be square to him, +would it?”</p> +<p>“I—perhaps not. But oh, it would hurt +him so!”</p> +<p>“I guess he could live through it. They +usually do, and don’t lose many meals at that. +I think he’s running a bluff, myself.”</p> +<p>Kate drew slightly away from him.</p> +<p>“That’s a poor compliment.”</p> +<p>Bertram studied her meaning.</p> +<p>“What?”</p> +<p>“To say that a man <i>couldn’t</i> get crazy over +me.” +<span class='pagenum pncolor'><a id='page_222' name='page_222'></a>222</span></p> +<p>“Oh! Not on your life. Sure thing no. +I don’t know a girl anywhere that a man has +more license to get crazy over. You’re a +beauty and you’re just about the best fellow +I know.”</p> +<p>“I suppose you <i>had</i> to say that!”</p> +<p>“I figure that I wanted to. If I haven’t +said it before, it’s because—” he stopped; +Kate, as though it were an actual presence, +could see the figure of Eleanor rising between +them.</p> +<p>“Yes, I know—” she said quickly. “You +do think I’m attractive then—cross your +heart.”</p> +<p>“Cross my heart, you’re a beaut.”</p> +<p>“But that doesn’t get me any further with +my troubles.”</p> +<p>“What are his bad points that make you +hold off?”</p> +<p>“Nothing more than a feeling, I suppose. +No, it’s more than that—something definite. +It’s—I find this thing hard to say. Not exactly +weakness in him—more a lack of proved +strength. He inherited his money; he’s had +the regular Eastern education. He’s at work, +managing his properties. But I’d feel so +much more secure of his strength if he had +<span class='pagenum pncolor'><a id='page_223' name='page_223'></a>223</span> +made it for himself. That is the thing I +could admire most in a man; more even than +kindness. To have him succeed from nothing +because his strength was in it. I don’t +care how unfinished he might be—that would +show he was a man!”</p> +<p>Bertram was still pausing on this, when +Kate touched his arm.</p> +<p>“I’m afraid,” she said, “that we must join +the others. They’ll be talking about us if we +don’t, and we mustn’t have that—for Eleanor’s +sake if for no other!” They hurried +ahead, therefore, and walked beside Mr. and +Mrs. Masters all the way in.</p> +<p>At the studio door, Kate declined a half-accepted +invitation to remain for the night.</p> +<p>“Mother isn’t wholly well,” she said, “and +I can be fearfully domestic in emergency! +It’s only a step to the Valencia Street cars, +and Mr. Bertram will get me home.”</p> +<p>It was still too early for the theatre crowd; +they found themselves alone on the outer seat +of a “dummy” car, one of those rapid transit +conveyances by which San Francisco of old +let the passenger decide whether that amorphic +climate was summer or winter.</p> +<p>He had, it seemed, to shake her back into +<span class='pagenum pncolor'><a id='page_224' name='page_224'></a>224</span> +the story of her love-affair. Three times he +approached the subject, and each time she +fended it off. They had passed clear into the +Mission, were more than three-quarters of the +way home, before he launched one of his +frontal assaults.</p> +<p>“You might give me some more work at +my job of confidant,” he said.</p> +<p>She began again, then; a story without detail; +more a sentimental exposure of her feelings. +The thing was growing like a canker; +she fought it, but the decision, the feeling of +his unhappiness should she give him final rejection, +roosted on her pillow. It had never +come to an engagement; it had been only an +understanding; but she thought of dreadful +things, even of his possible suicide, whenever +she contemplated giving him the final blow.</p> +<p>The old-fashioned Waddington house stood +on a big Spanish lot far out in the Mission. +There was ground to spare; enough so that +its original owners had room to plant trees +without shading light from the windows. As +they walked into the deep shadows, her voice +took on an intonation like a suppressed sob.</p> +<p>“It is a comfort now to have said it, and +it’s a new life to have you for support. Oh, +<span class='pagenum pncolor'><a id='page_225' name='page_225'></a>225</span> +Bertram, what a big, strong friend you are! +Be good to me, won’t you?”</p> +<p>She had stopped; in the shadows the +clouded moon of her face looked up into his.</p> +<p>“Oh, won’t you be good to me?”</p> +<p>He slipped his arm about her; and suddenly +he kissed her.</p> +<p>She suffered his kiss for only a moment; +then she moved away. He let her go, and +she rushed ahead to the door. When he +reached the step, she had faced about.</p> +<p>“Consider my <i>feelings</i>, Bert Chester,” she +said; and the screen door slammed.</p> +<hr class='major' /> +<div style='margin: auto; text-align: center; padding-top: 2em; padding-bottom: 1em'> +<span class='pagenum pncolor'><a id='page_226' name='page_226'></a>226</span> +<a name='CHAPTER_XIII' id='CHAPTER_XIII'></a> +<h2>CHAPTER XIII</h2> +</div> +<p>Just where the Santa Eliza trail commanded +sight of the main travelled road, +Eleanor sat on a rock watching the hill-shadows +lengthen on the valley below, watching +a mauve haze deepen on the dark-green tops +of redwood trees. The time was approaching +when she must hurry back to Mrs. Goodyear’s +bungalow for a dinner which she +dreaded. Three weeks of perplexity had +bred in her a shrinking from people. She +had found excuse to wander away alone.</p> +<p>That lazy spring of the North woods, so +like to early fall in other climates, had given +her at first the healing of spirit which she +needed. She wandered hither and yon as her +fancy led her, following this trail, pushing +into that opening in the chapparal. She had +come out upon the Santa Eliza trail and +gained sight of the road before she realized +with a kind of inner shame the way in which +<span class='pagenum pncolor'><a id='page_227' name='page_227'></a>227</span> +her feet of flesh had been tending, the direction +in which she had been turning her eyes +of the spirit.</p> +<p>Three miles away on the summit of the +next ridge was the Masters ranch, and there +rested the centre of her soul-storm. Bertram +Chester, she knew by chance, was spending +the week-end with the Masters.</p> +<p>She stopped by the rock, then; and immediately +nature went out of her heart and the +world entered. For three intolerable weeks, +this heaviness had been descending upon her +as by a whimsy of its own. Like the water +of those cupped wheels in her little irrigation +plant at the ranch, this black liquid, when it +had filled its vessel to the brim, would empty +automatically without touch on the spring of +her will. When this came, she would feel +rested, healed, in a state of dull peace. Now +the struggle of thought was on her again. +As always before, it began with an arraignment +of the facts in the case, a search of memory +for any forgotten data which might lead +to a conclusion.</p> +<p>The first crisis arrived on the evening when +Judge Tiffany came home in a plain mood +of disgust, and announced baldly: +<span class='pagenum pncolor'><a id='page_228' name='page_228'></a>228</span></p> +<p>“Well, Mattie; our young friend did everything +I expected of him.”</p> +<p>He went on quite simply with the news. +Bertram Chester had left him almost without +notice. But that was to be expected. +The rest was the worst. Bertram had gone +to Senator Northrup—as manager of his real +estate interests. The name Northrup was as +the name of the devil in that household. +Northrup’s operations included not only law +and politics but latterly speculative and unprincipled +ventures in business. A dying +flash of his old fire woke in Judge Tiffany +when he spoke as he felt about this young cub +who had bitten his caressing hand.</p> +<p>Eleanor left the dinner table as soon as she +had a fair excuse. She found herself unable +to bear it. Had she remained, she must have +defended him. But alone in her living room +she look counsel of this treason and agreed in +her heart with her uncle. The very manner +in which he had done it—never a hint, never +a preliminary mention of Northrup—appealed +to her as the deepest treason of all.</p> +<p>The next evening, Bertram Chester had the +superb impudence to call. Eleanor was alone +in the house that night. She hesitated when +<span class='pagenum pncolor'><a id='page_229' name='page_229'></a>229</span> +the maid brought in his name, then shook +herself together and went out to face him.</p> +<p>He met her with an imitation of his old +manner, an assumption that his change in +employment would make no difference in his +social relations with the Tiffanys. What +words had she used to let him know her feelings? +She could not remember now. But it +had come hard; for the unmoral half of her +perceptions was noting how big and beautiful +he looked, how his blush, as of a stripling +facing reproof, became him.</p> +<p>He pleaded, he stormed, he presumed, he +passed in and out of sulky moods, he began +to defend himself against the silent attack of +her look. Why hadn’t he a right to do it? +A man should look out for himself. But +he’d have stayed and rotted with the old law +office if he’d felt that she would take it that +way.</p> +<p>“You mean more to me than success!” he +said.</p> +<p>“No more of that, please!” she cried. +After that cry, she fell into dignified silence +as the only defence against the double attack +from him and from the half of her that +yearned for him. From her silence he himself +<span class='pagenum pncolor'><a id='page_230' name='page_230'></a>230</span> +grew silent until, with a boyish shake of +his shoulders—lovable but comically inadequate—he +bade her good night.</p> +<p>“You’ll cool off!” he said at the door.</p> +<p>“Good bye,” she responded simply.</p> +<p>“No, it’s good night,” he answered.</p> +<p>She woke next morning with a sense of +vacancy in heart and mind. Something was +gone. She did nothing for a week but justify +herself for calling that something back, or +nerve herself to let it go.</p> +<p>On the one hand, her mind told her that he +had done the ungrateful, the treasonable +thing. It did not matter that he might have +done it through mere lack of finer perception. +That was part of his intolerability. On the +other hand, her heart ran like a shuttle +through a web of his smiles, his illuminations, +the shiver, as from a weapon suddenly drawn, +of his unexpected presence, even his look +when he stood at the door to receive her final +good bye. The woof of that web was the +sense of vacancy in her—the unconquerable +feeling that a thing by which she had lived +was utterly lost.</p> +<p>And where would he go if she let him go? +Ah, the inn was ready, the room was swept. +<span class='pagenum pncolor'><a id='page_231' name='page_231'></a>231</span> +He would go inevitably to Kate Waddington. +That would be hard to bear. Sense of justice +was strong in Eleanor; she realized the +ungenerosity of this emotion while she continued +to harbor it. But was there not justice in +it after all? Kate Waddington could grasp, +could guide, only the worst part of him. +Kate Waddington had in her no guidance for +the better Bertram Chester, who must be in +him somewhere. She hugged this justification +to herself. Perhaps it was not right to +let him go; perhaps her heart and her duty +were as one.</p> +<p>A cock quail came out from the chapparal, +saw her, and bobbed back; the feet of his +flock rustled the twigs. Now he was raising +his spring call—“muchacho!” “muchacho!” +Clearer and slighter came the call of his +mate—“muchacho!” “muchacho!” A ground +squirrel shook the laurel-bush at her side, so +that its buds brushed her shoulder. The cock +quail came back into the pathway, slanted his +wise head, plumed in splendor, to find whether +she were friend or enemy, saw that she made +no move, and fell to foraging among the +leaves. She had sat so long and so quietly +that the little people of the ground were accepting +<span class='pagenum pncolor'><a id='page_232' name='page_232'></a>232</span> +her as part of the landscape. She +began dimly to perceive these things, to take +joy in them. And then they colored her +mood.</p> +<p>What was she but a young, female thing, a +vessel of life universal? What was her attraction +toward Bertram Chester but a part of +the great, holy force which made and moved +hills, trees, the little people of hills and trees? +What was she, to have resisted the impulse in +her because of a few imperfections, a little +lack of development in civilized morals?</p> +<p>Her perception of nature died away, but +the slant which it had given her thoughts +persisted.</p> +<p>When she felt and spoke as she had done +that night in the Man Far Low, she was unwholesome, +super-refined, super-civilized—she +was proceeding by the hothouse morals +which she had learned in books and in European +studios. When she felt as she did on +that first night under the bay tree, she was +wholesome and eternally right.</p> +<p>How much greater in her, after all, if she +had followed the call, had taken him for the +man in him, to develop, to guide as a woman +<span class='pagenum pncolor'><a id='page_233' name='page_233'></a>233</span> +may guide! Ah, by what token could she call +him back?</p> +<p>Her gaze of meditation had been fixed on +the road below. She had been half-consciously +aware for some time of a figure which +lost itself behind one of the hill-turns, reappeared +again, became wholly visible in a band +of late afternoon sunshine.</p> +<p>It was Bertram Chester. The vision came +without any shock of first surprise. He had +been so much part of her thoughts that it +seemed the most natural presence in the +world. He was swinging along the road in +her direction, heaving his massive shoulders +with every stride; he stopped, took off his +cap, wiped his forehead with a motion which, +seen even at that distance, conveyed all his +masculinity, and strode on again.</p> +<p>Would he keep on along the road, or would +he turn toward her up the Santa Eliza trail? +And if he did keep on, would those roving +eyes of his perceive her sitting there? Why +not leave everything to that chance? If he +looked up and saw her there on her rock, if +he turned into the trail and passed her—that +was a sign. She found herself, nevertheless, +<span class='pagenum pncolor'><a id='page_234' name='page_234'></a>234</span> +humanly striving to cheat fortune and the +gods by fixing all her mind and eyes upon +him, as though she would hypnotize him into +looking up.</p> +<p>But her mind and eyes had no power over +him. He kept on with his even gait until he +was lost behind the clump of trees which +marked the branching of the trail. One +chance was gone; she might not know the +issue of the other until time and waiting informed +her. How long before she should +know? She crouched low on the rock and +tried not to think.</p> +<p>The twigs and pebbles crunched under +heavy feet; the branches shook and rustled; +a blue sweater became visible in the shadows. +She looked away.</p> +<p>“Well, I’ll be—eternally blowed!” His +voice came out like an explosion. Much as +she expected it, she started. When, after a +moment, she dared look up, he stood over her.</p> +<p>“Are you going to run away?” he asked. +His voice, with its ripple like laughter, +showed that he expected nothing of the kind.</p> +<p>“No,” she answered, superfluously.</p> +<p>He seemed, then, to feel the necessity for +explanation. +<span class='pagenum pncolor'><a id='page_235' name='page_235'></a>235</span></p> +<p>“I hadn’t an idea—”</p> +<p>“Neither had I.” She broke in to anticipate +his thought. Each was lying a little; +and both knew it. She rushed to commonplaces.</p> +<p>“Uncle Edward and I are at Mrs. Goodyear’s +bungalow over Sunday. It’s our last +expedition out of town before we go down to +the ranch.”</p> +<p>“Well, I must have had a hunch! I’m at +the Masters ranch over Sunday. I got a +freak idea to take a walk alone. It sure was +a hunch!” Soft sentiment tinged his voice. +She answered nothing.</p> +<p>“A hunch that you were alone here, nobody +to interrupt—say, are you still sore on +me?”</p> +<p>“I—I didn’t run away—”</p> +<p>“Oh, I knew you’d get over it. I think +even the Judge will get over it. I don’t believe +he’d care anyhow, if it wasn’t for his +old grouch on Senator Northrup.”</p> +<p>“Perhaps. He’s said nothing—to me—”</p> +<p>“But it’s you I care about. Only you. I +told you that and I mean it. I don’t want +you to be sore—I’d go back and bury myself +<span class='pagenum pncolor'><a id='page_236' name='page_236'></a>236</span> +in the old office for life if I thought it would +make it different with you.”</p> +<p>“Would you, Bertram?”</p> +<p>He leaned close to her; she could feel his +compelling eyes burning into her averted face. +With one part of her, she was conscious that +here was a crisis too great for her fully to +feel; with the other part, she was aware that +an ant, dragging a ridiculously heavy straw, +was toiling up her rock.</p> +<p>Now he had her hand, which lay inert in +his; now his arm was about her shoulder; and +now he was speaking again:</p> +<p>“Can’t you? Can’t you stop looking down +on me and believe I’m going to be good +enough for you?”</p> +<p>She found power of speech.</p> +<p>“I never—I don’t think that I’m too good +for you!” Her Rubicon was crossed. It +was a strangely long time before he kissed her, +but the silent interval after the kiss was +stranger and longer still.</p> +<p>“Tell me what you plan for our future, +Bertram, for I am afraid!” she whispered at +length.</p> +<p>“It’s got to be a wait—that’s the risk you +take with a comer. I’ll go on twice as fast +<span class='pagenum pncolor'><a id='page_237' name='page_237'></a>237</span> +for you. What do you want—shall we tell +about it, girlikins?”</p> +<p>“As you wish, Bertram.”</p> +<p>“I guess we’d better not, then—not until +the old Judge gets his back down. Let’s have +it just between me and my little girl.</p> +<p>“Say!” he added, the sentiment blowing +out of his tone, “what was the matter, anyhow, +that night on the restaurant balcony? +Why did you turn me down then, and what +made you so sore? I’ve never quite got to +your thoughts, you know. But I’m going +to!” He drew her closer. “Every one of +them!”</p> +<p>She dropped her face on his shoulder.</p> +<p>“Ah, we’ve so many things to talk about, +Bertram, and there’s so much time! I’ve +been a girl that didn’t know her mind. +Shan’t we let that rest now? Shan’t we be +contented with what to-day has brought you +and me?”</p> +<p>A film clouded his face.</p> +<p>“Yes—if you want it that way.”</p> +<p>“Hoo-ooo-ooo!” Clear and high, but +quavering, a masculine voice was calling +across the ridge. Eleanor sprang up.</p> +<p>“That’s Uncle Edward—it’s dinner-time—do +<span class='pagenum pncolor'><a id='page_238' name='page_238'></a>238</span> +you want him to find you—you’d better +go!”</p> +<p>He stood as though considering.</p> +<p>“All right. When are you going back?”</p> +<p>“We catch the seven train to-morrow afternoon +at Santa Eliza.”</p> +<p>“Darn! I’d engaged to take on the five-ten +at Las Olivas. I’ve half a notion to +change and join you and see what the old +man says—”</p> +<p>“No, Bertram, it’s better not. We’ll find +a way. Go now!”</p> +<p>“You bet we will—good bye, girlikins!” +He made no move to kiss her again; he turned +and crashed down the trail.</p> +<p>Eleanor sped up the trail. Safe on the +summit of the ridge, her secret hidden behind +her, she answered the call. Then she +dared look back at the figure vanishing in +deep shadow below. Her expression and attitude, +soft-eyed and drooping though they +were, showed other emotions than unmixed +happiness.</p> +<hr class='major' /> +<div style='margin: auto; text-align: center; padding-top: 2em; padding-bottom: 1em'> +<span class='pagenum pncolor'><a id='page_239' name='page_239'></a>239</span> +<a name='CHAPTER_XIV' id='CHAPTER_XIV'></a> +<h2>CHAPTER XIV</h2> +</div> +<p>Judge Tiffany turned from a consideration +of the hillside to a closer consideration +of Eleanor, who rode beside him +in the Goodyear trap. She sat very straight, +her hands folded in her lap, her grave, grey +eyes staring not at hillsides nor spring skies, +but into the far horizons.</p> +<p>Since he recovered from that purely human +rage against this youth who had betrayed him +to his dearest enemy, the Judge had been +watching, with all his old interest, the surface +indications of Eleanor’s moods. Last night, +it had been a kind of gaiety; to-day the mood +was quiet, but not at all despondent; there +was life in it. Judge Tiffany held his own +views on the relations between his niece and +Bertram Chester, and on the right or convenience +of interfering. Twice he had been on +the point of telling her that his feeling toward +Bertram Chester should not color hers; +that his house was still open to the young +<span class='pagenum pncolor'><a id='page_240' name='page_240'></a>240</span> +man. But the curiosity of philosophical age +to see how things will turn out had prevented +him.</p> +<p>It was just as well. They were on the eve +of their summer flight to the ranch, where +she would have other things to think about +than young men. That was his half-expressed +theme when he spoke:</p> +<p>“Well, girl, will you be glad to get back +to work again? You missed last summer.”</p> +<p>Eleanor started as out of sleep.</p> +<p>“I think I am glad of everything!” she said +cryptically. As though to turn the subject, +she indicated a buckboard which was coming +down an intersecting by-road at crazy speed.</p> +<p>“Why are they driving so fast?”</p> +<p>The Goodyear driver turned with the familiarity +of a country henchman.</p> +<p>“That’s the doctor’s rig from Las Olivas,” +he said, “and he’s sure going some!” Followed +a monologue on the doctor and his +habits.</p> +<p>About the next bend of the road, a little +boy rushed from a wayside camp which +looked strangely deserted for supper-time of +Sunday afternoon. He waved both arms before +his face. +<span class='pagenum pncolor'><a id='page_241' name='page_241'></a>241</span></p> +<p>“Hey, mister, take me to the wreck!”</p> +<p>“What wreck, kid?”</p> +<p>“The five-ten is over the trestle, and they +went off and left me!”</p> +<p>Judge Tiffany took the information calmly, +even selfishly. “I wonder if we’d better turn +back and give it up to-night, or go on?”</p> +<p>Eleanor spoke with a catch of the breath, +a drawn-in tone.</p> +<p>“Go on! Oh, tell him to go on!”</p> +<p>The Judge peered at her. She was pale, +but, as always in her crises, the curtain of inscrutability +made her face a mask. “Oh, do +go on!” she repeated. Then, as though it all +needed explanation, she added:</p> +<p>“We might be able to help!”</p> +<p>“Drive on, then—fast!”</p> +<p>Absolutely passive, Eleanor swayed a little +with the trap, but made no motion of her own. +Indeed, there was little motion within. The +train had gone over the trestle, that was all. +Bertram Chester was on that train. She must +not try to think it out—must only hold tight +to herself until she found how God had decided +for her. Once it did occur that she had +fretted her heart away over shadowy ills, toy +troubles, while Bertram walked the earth +<span class='pagenum pncolor'><a id='page_242' name='page_242'></a>242</span> +free and healthy. How trivial those troubles +seemed beside this real apprehension! Once +again, she wondered how she had been cruel +enough to hold him at arm’s length so long. +Was this to be the punishment for her folly?</p> +<p>A buckboard, driven furiously, came over +the hill-rise before them—the doctor’s rig.</p> +<p>“Ask him—ask him!” she called to her +driver. As they drew up alongside, the doctor’s +driver began talking without need for +inquiries.</p> +<p>“Spread rail! The rear car just bucked +over the trestle—”</p> +<p>“Anybody dead?”</p> +<p>“Two that I saw—and everybody in the +rear car hurt. They’re loading ’em on the +front car to take ’em to town. Good bye—I’ve +got to bring back medicine before they +start!”</p> +<p>The chances were even—the chances were +even. If he had been in the front car—relief. +If he had been in the rear car—</p> +<p>The thing opened before them like a panorama +as they topped the hill. The engine +puffing regularly, normally, the baggage car +and one coach on the rails behind it; a little +crowd buzzing and rushing up and down the +<span class='pagenum pncolor'><a id='page_243' name='page_243'></a>243</span> +trestle; a black, distorted mass of iron and +splinters at the edge of the water below. +Three or four heads appeared above the +trestle, and the people swarmed in that direction. +The heads grew to four men, carrying +between them a bundle covered by a red +blanket.</p> +<p>Judge Tiffany spoke for the first time.</p> +<p>“You’d better not see it, Nell!”</p> +<p>His words seemed to draw the curtain away +from her self-control.</p> +<p>“Oh, go on—for God’s sake, go on!”</p> +<p>As they drew up beside the undamaged +coach, the bearers had just arrived with another +body. Eleanor jumped down, rushed +to the platform. The thing under the blanket +was a woman. She turned into the coach, +apprehension growing into certainty. She +had not seen him in the crowd. If he were +unhurt, he must be first and foremost among +the workers.</p> +<p>The coach was a hospital—limp, bandaged +people propped up on every seat; in a little +space by the further door, a row of quiet figures +which lay as though sleeping. Above +them bent two men. Their business-like +calm showed that they were physicians. The +<span class='pagenum pncolor'><a id='page_244' name='page_244'></a>244</span> +half of her which stood aloof, observing all +things, wondering at all things, the half whose +influence kept her now so calm and sane, +marvelled that she heard no moaning, tormented +sounds. They were in the second +stage of injury; the blessed anæsthesia of +nature was upon them. For human speech, +she heard only the low, quick voices of those +who healed and nursed.</p> +<p>She saw a bare arm lifted from the press of +huddled forms, saw that a physician had +pressed a black bulb to it. The hand—the +inevitable configuration of that arm which she +had never seen bare—and she knew him.</p> +<p>Bertram lay on his side. His eyes were +closed, his whole figure huddled; yet something +more than the quiver of his body at +the prick of the syringe told her that he was +alive. His color had changed but little; hovering +death showed mainly by a sharpening of +all the lines of his face. Yet it did not seem +to be Bertram, but rather some statue, some +ghastly replica of him.</p> +<p>The physician stood up and stretched his +back. She came close.</p> +<p>“Will he live?” +<span class='pagenum pncolor'><a id='page_245' name='page_245'></a>245</span></p> +<p>He turned impatiently, but he caught her +eyes.</p> +<p>“He has a chance. He’s young and strong—Is +he—yours?”</p> +<p>“Yes—yes! What shall I do for him?”</p> +<p>“Are you sure you’re strong enough—you +won’t faint nor carry on?”</p> +<p>“No—no! I’m sure of that. What may +I do?” Judge Tiffany was beside her +now. He looked, understood, and said nothing.</p> +<p>“Thank God for you, then! With all the +crowd we haven’t sane people enough to +nurse one baby! Everything’s the matter +with him—broken arm, broken collar-bone, +shock, and maybe he’s injured internally. +We can’t be sure about that yet. I’m trying +to make him comfortable, but”—here the agitated +man broke through the calm physician +for a moment—“No braces, no slings, no anything! +We’re going to town as soon as this +company will let us. And he must be held. +It’s the only way to keep him comfortable. +Come!”</p> +<p>Judge Tiffany touched the doctor’s arm, +but he spoke to Eleanor. +<span class='pagenum pncolor'><a id='page_246' name='page_246'></a>246</span></p> +<p>“Nell—you’d better let a man do that.”</p> +<p>“No. You may help. How shall I hold +him?”</p> +<p>All her will concentrated on obedience to +direction, she followed the doctor while he +drew Bertram’s bare arm over her shoulder, +set a cushion at his back, showed her how she +must support his neck with her right hand.</p> +<p>“Hold him as long as you can, then have +your friend relieve you. But change no +more often than you find necessary. He’ll +get jostled enough before we reach town.”</p> +<p>The Judge seated himself calmly. She was +alone with the care of her dying. The necessity +for comforting and reassuring him came +into her mind.</p> +<p>“It’s all right, Bertram; it’s all right!” she +whispered. He returned no answer, even of +a flickering eyelash. He lay still, inert, a +great bulk that tugged at the muscles of her +arms.</p> +<p>After a time, her frame adjusted itself to +the position. Her perceptions, still keenly +alive, told her that her doctor was working +over a woman in the corner. Just as the +train started, she saw him rise, wipe his hands +on his handkerchief, and motion calmly to +<span class='pagenum pncolor'><a id='page_247' name='page_247'></a>247</span> +two of the men. They lifted the woman. +Eleanor realized all at once what the motion +signified. They had taken her to join the +dead in the baggage car.</p> +<p>Next to Bertram lay an old man, his head +so wrapped in bandages that she could see +only the tip of his grey beard. A middle-aged +woman—Eleanor recognized her as a +camper whom they had passed on the road +but yesterday—knelt beside him, talking into +his ear about his soul. “Do you lean on your +Savior?” she whispered. A kind of passing +impatience touched Eleanor. So much had +her sympathetic spirit absorbed the feelings +of these dying ones, that she resented this as +an intrusion, an unwelcome distraction from +the business of sloughing off the flesh.</p> +<p>A little sag of Bertram’s body, which +alarmed her for a moment until she saw that +the movement came from relaxation of her +own arms, called her back to responsibility. +The realization that it <i>had</i> called her back +brought with it the amazing, shameful realization +that it had ever wandered away.</p> +<p>Why—</p> +<p>From the moment when she took him into +her arms, she had never thought of him as +<span class='pagenum pncolor'><a id='page_248' name='page_248'></a>248</span> +her dying lover—never as her lover at all!</p> +<p>A man in extremis, a thing so beaten and +suffering that she called for it on her Christ—he +was all that, in common with the other +beaten and battered and senseless wrecks +about them. But the feeling that he was her +own, about to go from her, had never entered +her heart. She was ashamed while she +thought of it; but it persisted. Not hers? +Why, she had suffered him to kiss her only +yesterday! Must she think of such things +with a life to save?</p> +<p>Now, her body was giving way with weariness; +it seemed that she could hold him no +longer. She nodded to Judge Tiffany, therefore; +the old man rose and gently took her +burden from her. She sank back on the +empty seat. When the faintness of fatigue +had passed, she fixed her eyes on the still face +of him who had been her lover.</p> +<p>Why was it? The clear-cut profile, so refined +and beautiful since suffering gave it the +final touch, had thrilled her only yesterday +and through a succession of yesterdays. It +had no power to thrill her now. She tried +to put back this unworthy thought, but it persisted. +In spite of pity and all decency of +<span class='pagenum pncolor'><a id='page_249' name='page_249'></a>249</span> +the heart, that outer self of hers kept saying +it to her like an audible voice. Were he to +die now, in her arms, she should work and +weep and pray over his passing—but only as +she would work and weep and pray over that +alien old man who lay beside him, that woman +whom they had just carried away.</p> +<p>The Judge was flagging. He glanced +wearily over his shoulder, as though he hesitated +to ask for relief. She rose; and without +a word she took his place. And now, as she +knelt with Bertram’s slight yet heavy breathing +in her ear, her thoughts became uncontrollable +nightmare—scattered visions and +memories of old horrors, as when she saw her +father drunk on the pavement; a multitude of +those little shames which linger so long. One +incident which was not quite a shame thrust +itself forward most insistently of all. It was +that episode under the bay tree, when she was +only a little girl. Why did that memory +start to the surface those tears which had been +falling so long within? Her weeping seemed +to lift her to a tremendous height of perception, +as though that outer self had flowed in +upon her.</p> +<p>That which had lured her and dragged her +<span class='pagenum pncolor'><a id='page_250' name='page_250'></a>250</span> +to him in the end, was the life in him, the +strong, vigorous body, the gestures, the smiles. +That which had held her away from him was +the soul within him—high and clean enough +as souls go, but not one which she could ever +know, and not one which could ever know +hers. In this struggle of passing, he was all +soul; the body was not in it.</p> +<p>She held the plan of her puzzle; it was +necessary only to set the scattered blocks into +place.</p> +<p>She found herself whispering to him; she +checked herself until she remembered that he +could not hear:</p> +<p>“O Bertram, you are not mine! O Bertram, +you could never be mine!”</p> +<p>Now she could look straight at the possibility +of his death or recovery. And she +could weigh and choose, in case it was life, +between telling him what she felt, or going +on with him to the end—walking with a soul +apart, yet choosing paths for it, too. That +last might be the road of honor. That fine +and heroic course, indeed, came to her with +a high appeal. She had made her one resolve +of duty. Perhaps it was her destiny to +immolate herself for duty to the end. +<span class='pagenum pncolor'><a id='page_251' name='page_251'></a>251</span></p> +<p>The train bowled on, stopping for no stations. +The old man in the corner was unconscious +or asleep; the woman who tended +him had stopped her spiritual ministrations. +A child, propped up in one of the rear seats, +had awakened to cry, fallen asleep, awakened +and wept again. She had in her voice a +thick, mucous note, which became to Eleanor +the motif in that symphony of misery. +Otherwise, no one seemed to be making +sound except the two physicians. Her own +doctor came up once, pressed a syringe again +into the bare arm, whispered that it was all +going well.</p> +<p>A whistle came muffled through the fog; +they were slowing down. It was a station; +the lights, the clamor of human voices, proved +it. Eleanor looked out of the window. A +knot of young men had broken for the platform; +and she could distinguish the black +boxes of cameras. There arose a sharp parley +at the rear door; her doctor muttered +“reporters—damn!” and hurried back. +Judge Tiffany rose and followed him. Over +her shoulder Eleanor caught the white, intent +face of Mark Heath. “He knows; they have +told him,” she thought. +<span class='pagenum pncolor'><a id='page_252' name='page_252'></a>252</span></p> +<p>Judge Tiffany, his mind on the practical +necessities of the case, still had it in him to +admire the control of that good soldier, the +modern reporter. When he told simply what +had happened, how the issue lay balanced between +life and death, Mark only said:</p> +<p>“My God!—and me with the story to do!” +Then his eye caught Eleanor.</p> +<p>“Did she—has she been nursing him?”</p> +<p>Judge Tiffany glanced at the other reporters, +clustered about the conductor, at the photographers, +holding animated wrangle with +the physicians about flashlights.</p> +<p>“Keep her out of your story—you can do +that. Say I found him on the train—put me +in—that’s a good story enough. Keep my +niece out. Keep the others off. Keep those +flashlights muffled!”</p> +<p>Mark hurried forward. One look, a look +which contorted his face, he bent on Bertram. +Then he spoke puzzles to Eleanor.</p> +<p>“You’re Miss Brown, a camper at Santa +Eliza, if anyone asks you—and when we leave +this train you stay by me and do everything +I tell you.”</p> +<p>“Very well.”</p> +<p>Mark touched Bertram’s face with a tenderness +<span class='pagenum pncolor'><a id='page_253' name='page_253'></a>253</span> +almost feminine. “Poor old man!” +he whispered; and he hurried back.</p> +<p>A shock-headed youth accosted him.</p> +<p>“What’s up there?” he asked.</p> +<p>“Good story,” answered Mark. “I’ve got +it all—don’t you fellows bother. Bertram +Chester, old California Varsity tackle, real +estate manager for Northrup and Co., seriously +injured, may not recover. Get his injuries +from the doctor. His late employer, +Judge Edward C. Tiffany, reached this train +at Santa Eliza and has been taking care of +him.”</p> +<p>A voice came from the group of reporters:</p> +<p>“Why, he’s your roommate!”</p> +<p>“I know it—damn it! Keep on. Judge +Tiffany has been caring for him, holding him +up so he could bear it, assisted by Miss Sadie +Brown, a camper at Santa Eliza. She’s the +one I was talking to.”</p> +<p>“Who is she? Any chance for a photograph?”</p> +<p>“I braced her for a picture. She wouldn’t +stand for it.”</p> +<p>“Let me try! I’ll get it.”</p> +<p>“See here, you fellows, I’ll attend to that. +I’ll let you all in if she gives up. I’ll play +<span class='pagenum pncolor'><a id='page_254' name='page_254'></a>254</span> +you square. He’s my roommate—can’t you +trust me to handle it? Keep on. Miss Sadie +Brown, works at the Emporium, lives 2196 +Valencia—” Mark was reading from a perfectly +blank sheet of copy paper—“Judge +Tiffany will take him home. He wired +ahead for a private ambulance from Havens. +That’s all of that. Now what have you fellows +got? Help me out; it’s none too easy +for me.”</p> +<p>As he took notes, asked questions, formed +his “story” in his mind, Mark never took his +eyes off that group in the corner.</p> +<p>Now they were racing down the last stage +of the trip, with full freeway. Now they +were drawing into the ferry station. Under +the lights stood a buzzing crowd, its blacks +shot with the white coats of hospital orderlies. +A dozen ambulances, their doors open, stood +backed to the platform. Eleanor sagged +down on the floor with a sigh as two orderlies +lifted Bertram’s arms from her shoulders, +made shift to get him upon their stretcher.</p> +<p>But the doctor stopped them.</p> +<p>“Get this old man first,” he said, “and be +careful. That young fellow ought to pull +through.”</p> +<hr class='major' /> +<div style='margin: auto; text-align: center; padding-top: 2em; padding-bottom: 1em'> +<span class='pagenum pncolor'><a id='page_255' name='page_255'></a>255</span> +<a name='CHAPTER_XV' id='CHAPTER_XV'></a> +<h2>CHAPTER XV</h2> +</div> +<p>Toward morning, Eleanor managed to +get a little sleep. When full daylight +wakened her to the dull realization of her +situation and burdens, she hurried into clothes, +crept to the solid, old-fashioned best bedroom +where they had put Bertram, and took counsel +of the nurse. Everything was hopeful; +she got that from the professional patter of +temperatures and reactions. It seemed that +there might be no internal hurt. He had +roused from his shock in the night; had +seemed to know where he was and what had +happened. He lay now in a natural sleep, +but he must be kept very quiet.</p> +<p>On the way downstairs, Eleanor met face to +face with her aunt. Mrs. Tiffany had been +awake since the ambulance brought responsibility; +but her eyes showed more than want +of sleep. The two women stopped, looked +long at each other; then Mrs. Tiffany took +Eleanor tenderly in her arms and kissed her. +<span class='pagenum pncolor'><a id='page_256' name='page_256'></a>256</span></p> +<p>“Don’t you worry, dear,” she whispered, +“he will get well, and everything will be all +right with Edward and me.”</p> +<p>Eleanor did not answer at first. She drew +a little away from her aunt’s embrace, before +she found tongue to say:</p> +<p>“Please don’t speak of that, Aunt Mattie—oh, +not of that now!”</p> +<p>As she made her way out to the piazza, in +an instinctive search for air and room, she +was crying.</p> +<p>In the limpness of reaction, she sank into +a chair. Every joint and muscle, she realized +now, ached and creaked. She could lift her +arms only after taking long thought with herself; +and the soul within was as burned paper.</p> +<p>The front gate clicked. The first, doubtless, +of those inquiring visitors who would +read a meaning into the adventures of last +night. That, too, was to be faced this day! +The pattering, hurrying footsteps sounded +near to her before she looked up and recognized +Kate Waddington.</p> +<p>If Kate had been crying, the only evidence +was a hasty powdering which left streaks of +white and pink before her ears. On first +glance, Eleanor marvelled at her appearance +<span class='pagenum pncolor'><a id='page_257' name='page_257'></a>257</span> +of control, at the lack of emotion in her face. +But insight rather than conscious vision told +Eleanor of the currents which were running +under that mask. At the bottom Eleanor detected +a fear which was not only apprehension +of the news from Bertram Chester, but also a +cowardly shrinking from the situation. She +fancied that she could even trace Kate’s +consideration of the proper shade of acting +in the circumstances. All this in the moment +before Kate sprang up the steps and +asked:</p> +<p>“Oh, will he live?”</p> +<p>A baser nerve in Eleanor quivered with the +desire to be cruel. She had to put it down +before she could tell the simple truth. One +little corner of Kate’s mouth quivered and +jerked for a second under her teeth before she +caught herself and resumed the impersonation +of a solicitous friend.</p> +<p>“Tell me all about it,” she said.</p> +<p>“Ah, I am too tired!” Nevertheless, Eleanor +did manage a plain tale, ending with the +nurse’s report and with her own conviction +that he would live.</p> +<p>“Oh, of course he will live!” And then—“Who +is nursing him?” +<span class='pagenum pncolor'><a id='page_258' name='page_258'></a>258</span></p> +<p>She looked up on this question, which was +also an appeal, a begging.</p> +<p>“We have a nurse,” answered Eleanor +shortly. It gratified her a little, in her low +state of consciousness, to be thus abrupt. The +better part of her realized this; saw how she +was wreaking the revenge of an old emotion. +A reaction of generosity prompted her next +words; but she spoke with an effort.</p> +<p>“You may help if you want to. Uncle +Edward must go to the ranch this week—unless—don’t +you want to come here and stay in +my spare room?” It seemed to Eleanor that +she had never made a harder sacrifice than +the one which she sealed with that invitation.</p> +<p>This, too, brought Kate out of her impersonation. +Her whole figure straightened for +a second, and—</p> +<p>“Oh, might I?” she said.</p> +<p>“I should be very glad. Will you come up +to see him—one may look in at the door. He +is in Uncle Edward’s spare chamber.”</p> +<p>As they threaded the involved halls of that +rambling dwelling, Kate hurried on ahead. +Eleanor, from the rear, threw out a word or +two by way of direction. At the door, +opened to get air of a dull and heavy morning, +<span class='pagenum pncolor'><a id='page_259' name='page_259'></a>259</span> +they peered into the grim order of the +sick room. The nurse had already stripped +it to hospital equipment. His face, refined +almost into beauty by pain and low-running +blood, lay tilted to one side as he slept. The +nurse touched her lips. Eleanor nodded. +The nurse turned back toward her patient. +Eleanor dared look at Kate.</p> +<p>Her color had changed from pale, back to +the pink of life; now it was turning pale +again. She noticed neither Eleanor nor the +nurse; she stood as one in a universe unpeopled +save by herself and another. Once, her +two arms quivered with an involuntary outward +motion, and once she swayed against the +lintel.</p> +<p>And Eleanor, watching her through this +wordless passage, gathered all the currents +that had been running through her will into +an indeterminate determination. In that moment +she realized the full bitterness of a renunciation +that does not mean renouncing a +wholly dear and desired thing, but does mean +renouncing the beloved thing which one is +better without.</p> +<p>Kate turned at length. Eleanor, as their +eyes met, could read in her face and body the +<span class='pagenum pncolor'><a id='page_260' name='page_260'></a>260</span> +change as the actress took command once +more. Kate flew at once to her hollow conventional +phrases.</p> +<p>“The poor, poor boy!” she said. “Oh, we +must all help!”</p> +<p>Eleanor turned away with the feeling that +this made it harder for her to perform her +renunciation—if real renunciation it were.</p> +<p>The day brought too much work, activity, +purely material anxiety, for a great deal of +thought. They had cut off the telephone in +the main wing of the Tiffany house and +switched the current to the instrument in +Eleanor’s living-room. Most of the day she +spent answering that telephone. People of +whom she had never even heard, made anxious +inquiries about the condition of Mr. Chester. +Before night the newspapers became a plague. +For in the afternoon, winged reporters, shot +out in volleys for a “second day story,” had +called at 2196 Valencia and found there no +Sadie Brown. Hurrying down the back trail +to the Emporium, they did discover an indignant +little shop-girl of that name. Those reporters +who had been with the wreck the +night before found no resemblance in her to +<span class='pagenum pncolor'><a id='page_261' name='page_261'></a>261</span> +the mysterious lady. Then came a bombardment, +in person and by telephone, of the Tiffany +house. The Judge, meeting all callers +at the front door, lied tactfully. The city +editors gave up sending reporters and took to +bullying over the telephone; so that the burden +of an unaccustomed lying fell upon Eleanor. +At eleven o’clock, and after one voice +had declared that the <i>Journal</i> had the whole +account and would make it pretty peppery if +the Tiffanys did not confirm it, Eleanor took +the telephone off the hook and went to bed.</p> +<p>The morning papers did pretty well with +what they had. “Mysterious Woman Nurses +Prominent Varsity Athlete”—“Who Is The +Pretty Girl that Nursed Society Man in Las +Olivas Horror?”—“Modest Heroine of Las +Olivas Holocaust.” But the secret, thanks to +Mark Heath, was safe.</p> +<hr class='tb' /> +<p>She slept that night. Far along in the +morning she awoke to the delicious sense of +physical renewal. The situation crept into +her mind stage by stage, as such things do +arrive in the awakening consciousness. She +was calm now, what with her rest of body, her +<span class='pagenum pncolor'><a id='page_262' name='page_262'></a>262</span> +decision of soul. She could think it out; her +course of action and how she might accomplish +it.</p> +<p>A knock at her door roused her from half-sleep +and meditation to full wakening. Kate +Waddington had entered—Kate, transformed +into a picturesque imitation of a nurse. She +was all in grass linen, the collar rolled away +to show her round, golden throat. Her flowing +tie was blue, and a blue bow completed +the knot of her hair. She looked cool, efficient, +domestically business-like.</p> +<p>“He’s better!” Kate burst out with the +news as Eleanor turned her head. “There’s +really no danger now. The nurse says that he +roused this morning and showed a positively +vicious temper because they would not let him +see anyone.”</p> +<p>“That’s pleasant news. I was sure that he +would recover.” Eleanor caught an unconsidered +expression, no more than a glint and a +drooping, in Kate’s eyes. This answer, so +calm, so entirely unemotional, had touched +curiosity if nothing more. But Kate chirped +on:</p> +<p>“I’m playing Mama’s little household fairy—how +do you like the way I dress the part? +<span class='pagenum pncolor'><a id='page_263' name='page_263'></a>263</span> +I sent for these clothes last night. Now +you’re to lie abed and let me bring you your +breakfast. Are you rested, dear? It was +enough to kill two women!”</p> +<p>“Quite rested, I think.”</p> +<p>Kate opened the window, bustled about +putting the room to rights.</p> +<p>“Shall I bring your coffee now?” she asked +at last.</p> +<p>“Yes, thank you.”</p> +<p>Kate was back in ten minutes with table +and tray. Whatever she did had an individuality, +a touch. That tray, for example—nothing +could have been better conceived to +tempt the appetite. She set out the breakfast +and remained to pour coffee and to talk.</p> +<p>“And isn’t it good—mustn’t you be thankful—that +it won’t leave him lame or disfigured +or anything like that! His shoulder +may be weak, but what does a man need of +shoulders after he’s quit football?”</p> +<p>Eleanor just glanced over her coffee-cup, +but she made no answer. Kate turned her +course.</p> +<p>“Won’t you let me open your egg for you?”</p> +<p>“No, thank you.” Then, “You’re very +kind, Kate.” +<span class='pagenum pncolor'><a id='page_264' name='page_264'></a>264</span></p> +<p>“I am the original ray of light. Do let +me fix those pillows. You’re going to lie in +bed all the morning, you know. Shall I +bring you the papers? You should see them! +They’ve got you a heroine.”</p> +<p>“Me!” Now Eleanor showed animation.</p> +<p>“Oh, not you. We’ve all kept the secret +well. You’re a mystery, a pretty shop-girl +to the rescue. I hope the weeklies don’t find +the real story.”</p> +<p>“I hope so.”</p> +<p>Kate rose, made another pretense at setting +things right in the room, and moved toward +the door. A relief, a lowering of tension, +came over Eleanor. But at the threshold, +Kate turned.</p> +<p>“Oh, I nearly forgot! They sent up from +Mr. Northrup’s office this morning for some +documents or deeds or something which they +thought Mr. Chester might have in his pockets. +The nurse brought out his clothes so +that Mrs. Tiffany and I might go through +them—I felt like a pickpocket. And we +came across a package of proofs—photographs +of him. We opened it to see if the +old deeds might be in there. And they’re +<span class='pagenum pncolor'><a id='page_265' name='page_265'></a>265</span> +such stunning likenesses—Muller, you know—that +I thought it would do you good to see +them.”</p> +<p>“Thank you, I should like to.”</p> +<p>Kate drew the photographs from her bosom +and handed them over. As Eleanor took +them and began mechanically to inspect them, +she caught an unconsidered trifle. Kate was +not leaving the room. She had stepped over +to the cheval-mirror, which faced the bed, and +was adjusting the ribbon in her hair. Looking +across the photographs through her lashes, +Eleanor saw that the counterfeit eyes of Kate +in the mirror were trained dead upon her.</p> +<p>She examined them, therefore, with indifference; +she stopped in the middle of her inspection +to ask if Judge Tiffany were up yet.</p> +<p>“They’re excellent likenesses,” she went on +indifferently. “That’s a good composition. +I don’t care so much for this one. That’s a +poor pose.” She had come now to the bottom +of the pile. This last print was one of +those spirited profiles by which Muller, master-photographer, +so illuminates character.</p> +<p>“Oh, that’s a wonder,” cried Eleanor. +“Such a profile!” Then, at the thought how +<span class='pagenum pncolor'><a id='page_266' name='page_266'></a>266</span> +Kate might misinterpret this purely artistic +enthusiasm, she dropped her voice to indifference +again.</p> +<p>“Won’t you please tell Aunt Mattie that +I will get up if I can be of any use?” And +she held out the package.</p> +<p>Kate packed up the tray and withdrew. +Eleanor heard the muffled tap of her heels in +the hall. The sound stopped abruptly. It +was fully a minute before they went on again.</p> +<p>Kate, in fact, had rested the tray on a hall +table, drawn out the photographs, and run +over them, looking at them with all her eyes. +The profile was at the bottom of the package. +When she reached that, she hesitated a moment; +then, with a quivering motion that ran +from her fingers over her whole body, she tore +it in two. Short as this explosion was, her +recovery was quicker. She glanced with apprehension +over her shoulder at the door of +Eleanor’s room, tucked the photographs back +in her bosom, and took up the tray again.</p> +<p>Eleanor, when the sound of the tapping +heels had quite died away, turned her face toward +the wall and gave herself to thought. +She had gathered up the last strand of the +<span class='pagenum pncolor'><a id='page_267' name='page_267'></a>267</span> +tangled web. Nothing was left but the unweaving.</p> +<p>First, his soul was not hers, as her soul was +not his. That impression, received in a crisis +which, she felt, was to be the crisis of her +life, had grown to be an axiom. His youth, +his vigor, the pull of a stalwart vitality which +made his coarseness almost beauty—that had +been the attraction. His spirit, so blazing +but so full of flaws—that had been the repulsion.</p> +<p>Did not her own spirit have its flaws? +Doubtless. Who was she, then, to judge +him? Ah, but they did not fit into her flaws!</p> +<p>Kate Waddington now—Eleanor turned +her thoughts in that direction with difficulty—her +flaws were akin to his. Kate could +tolerate and admire the whole of him. His +lapses in finer standards, such as that desertion +to Northrup—did they not fit like the +segments of a broken coin with Kate’s diplomacies +of that very day, her subtle reaching +to discover if Eleanor were really a rival? +Kate would weigh his compromises with +honor as lightly as he would weigh those +pretty treacheries. He would be successful; +<span class='pagenum pncolor'><a id='page_268' name='page_268'></a>268</span> +everyone had felt that in him from his very +first flash on the horizon. Kate would help +him to the kind of success he wanted. Her +tact, her diplomacies, her <i>flair</i> for engrafting +herself, would be the very best support +to his direct methods of assault. They belonged +to each other; and since now Kate’s +desires in the matter had become manifest, +only one thing remained.</p> +<p>All this allowed, what should her own line +of conduct be? How should she bear herself +in the days and weeks when pure human kindness +must inhibit her from delivering a shock? +Would it be necessary to commit the inner +treason of posing to him as a secret fiancée? +Well, that must be lived out, step by step. +She could at least take all possible means, +within the bounds of kindness, of withdrawing +herself gradually from him, of paving the +way for the ultimate confession. Kate Waddington +would help in that. There, her own +game and Kate’s ran parallel.</p> +<p>This discovery of Kate at the end of the +tangled strings brought a tug at her heart, +a black cloud to her spirit. She hated Kate +Waddington. It made her grip the pillows +to think how much she hated. Her mood descending +<span class='pagenum pncolor'><a id='page_269' name='page_269'></a>269</span> +into a bitter, morbid jealousy which +had no reason for being, but which momentarily +swept all her resolutions away, sent her +mind and body whirling back toward Bertram +Chester.</p> +<p>That passed. The last trace of her wild +animal hatred for Kate Waddington was +borne away on a prayer of the old faith which +held her instincts. She rose from her bed in +a state of fixed determination that never +faltered again.</p> +<p>When Eleanor was dressed, she turned not +to the front of the house where the business of +drawing back a life was afoot, but to the fresh +silences of her garden. She walked to the lattice +whose view commanded the bay and the +distant Gate. It was a quiet, dull-gold morning +on the Roads. A tug fussed about the +quarantine wharf; the lateen fisher-boats +were slipping out towards the Sacramento. +And white and stately, between the pillars of +the Gate, a full-rigged ship was making out +to sea on a favoring breeze.</p> +<p>Eleanor watched the sea-birds bending toward +it, the mists creeping down to cover it. +The soul within her leaped toward it and +seized it as a symbol. +<span class='pagenum pncolor'><a id='page_270' name='page_270'></a>270</span></p> +<p>“O ship,” she whispered, “take this too +away with you! I give it to the pure seas. +Take this little love away with you!”</p> +<p>That rite, with its poetry and its self-pity, +brought exaltation into her resolution. The +sacrifice was complete.</p> +<hr class='major' /> +<div style='margin: auto; text-align: center; padding-top: 2em; padding-bottom: 1em'> +<span class='pagenum pncolor'><a id='page_271' name='page_271'></a>271</span> +<a name='CHAPTER_XVI' id='CHAPTER_XVI'></a> +<h2>CHAPTER XVI</h2> +</div> +<p>Life and spirit came back to Bertram +Chester with a sudden bound. By the +fourth day, he was so much alive, so insistent +for company, that it became a medical necessity +to break the conventional regulations for +invalids, and let him see people. As it happened, +his father was the first visitor. Judge +Tiffany, who thought of everything, had telegraphed +on the night of the accident, and had +followed this dispatch, as Bertram improved, +with reassuring messages. Bert Chester the +elder, it appeared, was off on a long drive +into Modoc; two days elapsed before his +vaqueros, left on the ranch, could reach him.</p> +<p>He arrived with his valise on the morning +of that fourth day when Bertram roared for +company. He was a tall, calm man, with a +sea-lion mustache, a weather-beaten complexion +and the Chester smile in grave duplicate. +He was obviously uncomfortable in his town +clothes; and, even at the moment when they +<span class='pagenum pncolor'><a id='page_272' name='page_272'></a>272</span> +were leading him solemnly to the sick room, +he stepped in awe through the Tiffany splendors. +When Mrs. Tiffany told him that Bert +was doing well, would doubtless recover and +without disability, he said “That’s good!” and +never changed expression. Mrs. Tiffany, +lingering at the door, saw and heard their +greeting.</p> +<p>“How are you, Bert?” said Chester senior.</p> +<p>“Pretty well, Dad,” said Bertram. Then +awkwardly, with embarrassed self-consciousness +of the rite which he was performing, Mr. +Chester shook his son’s hand.</p> +<p>After their short interview, Mr. Chester, +a cat—or a bear rather—in a strange garret, +roamed the Tiffany home and entertained her +who would listen. He warmed to Kate especially, +and that household fairy, in her +flights between errands of mercy, played him +with all the prettiness of her coquetry. At +luncheon he quite lost his embarrassment and +responded to the advances of three friendly +humans. Yes ma-am, he had been glad to +learn that Bertram was doing well in the +city. He had five sons, all doing well. He’d +risked letting Bert try college, and it had +turned out all right. There wasn’t much +<span class='pagenum pncolor'><a id='page_273' name='page_273'></a>273</span> +more left in the cattle business; but he was an +old dog to learn new tricks. If he had it to +do over again, he’d try fruit in the Santa +Clara Valley, just like they had done.</p> +<p>As the afternoon wore away bringing its +callers, its telephone messages and its consultations +of doctors, his mood shifted to uneasiness. +He spent an hour walking back and +forth in the garden. Just before dinner-time +he approached Mrs. Tiffany and Kate, who +were sewing in the living-room, and said +simply:</p> +<p>“Well, I guess I’ve got to be going.”</p> +<p>“Why, we’re just getting acquainted!” cried +Kate.</p> +<p>Mrs. Tiffany merely flickered an eyelash +at the assumption of privilege which this implied. +But she answered, after a moment, +“We should like to have you stay. Even at +that, don’t consider us when it is a case of being +near your son.”</p> +<p>“Well,” answered the older Chester, ponderously, +“you see it ain’t like I had only this +one son and hadn’t been through trouble. +There’s Bob now. I worried quite a lot more +than was necessary when the Artiguez outfit +shot him up, but he pulled through. And +<span class='pagenum pncolor'><a id='page_274' name='page_274'></a>274</span> +after Pete got scrambled by a riata, and a few +more things of that kind happened, I stopped +worrying any more than was necessary. +He’ll get well, and you’re handling him fine. +You’ve been blame good to the boy,” he said; +and the touch of sentimental softness in his +voice showed how genuine was his hardly expressed +gratitude. He began talking rapidly, +as though ashamed of it. He hoped they all +could come to see him on the ranch some time, +though there wasn’t much there to attract a +lady. Still, the boys had pretty good times +now and then. If the Tiffanys liked fresh +venison, the boys always got some deer in the +season.</p> +<p>“It’s lovely down there, I know. Bertram—your +son—has told me so much about it!” +broke in Kate.</p> +<p>“We’d like to see you, too,” said Mr. +Chester. Then, catching the implication, +embarrassed by it, he retreated to his room +and came back in an incredibly short time +with his valise. He had turned toward the +door when Mrs. Tiffany said:</p> +<p>“I think Bertram is well enough so that +you might see him again.”</p> +<p>“Oh, sure,” replied Mr. Chester, as recalling +<span class='pagenum pncolor'><a id='page_275' name='page_275'></a>275</span> +a neglected trifle. He dropped his valise +and strode back to the sick-room for a short +stay.</p> +<p>All that day, Eleanor harbored a dread, +which turned toward night to a relief—dread +of the first interview, relief that Bertram had +not sent for her. Kate, waiting her chance, +slipped secretly into the room after Mr. +Chester had gone. Bertram was awake. He +smiled in a measured imitation of his old +smile when she entered, and extended his uninjured +hand. She did not take it; instead, +she patted it with her cool, long fingers, made +to soothe. And considering that the nurse +was watching, she looked a long time into +his eyes.</p> +<p>“They sure smashed me up some,” he said. +“But I’m a-knitting. How did it happen that +they swore you in?”</p> +<p>“I wanted to help!”</p> +<p>“That was being pretty good to little Bertie!” +He withdrew his hand to drop it above +hers, and he looked long into her face. +“Pretty good to little Bertie,” he repeated, +“and now I want you to be better, and not +ask any questions about it. Is Miss Gray—Eleanor—about +the house?” +<span class='pagenum pncolor'><a id='page_276' name='page_276'></a>276</span></p> +<p>“Yes.”</p> +<p>“I thought she might have gone to the +ranch. Well, just about to-morrow, will you +get her in here—alone?”</p> +<p>“Are you ready—to be agitated?”</p> +<p>“Now you don’t know what I want—or +you wouldn’t be asking questions. Will +you?”</p> +<p>“Yes, Bertram.”</p> +<p>“You mustn’t talk any more,” spoke the +nurse from the corner. And Kate withdrew.</p> +<p>When, next morning, the two girls met in +the hall before breakfast, Kate repeated the +message simply, carelessly. Eleanor found +herself struggling to keep face and color. In +spite of her long inner preparation, the emergency +came to her with a sense of surprise. +How should she carry off this interview? +Though her respite had been long, though she +had thought much, she had no prepared plan +of campaign. Must she lie for the sake of his +bodily health, assume the part which she had +been playing when he went out of life? Even +the question how to get rid of the nurse was +a tiny embarrassment.</p> +<p>She mustered her voice to say: +<span class='pagenum pncolor'><a id='page_277' name='page_277'></a>277</span></p> +<p>“I think I’ll look in now. Invalids are +likely to be awake at this hour of the day.”</p> +<p>“Yes, you must be eager!” dabbed Kate.</p> +<p>The nurse was no obstacle. She looked up +toward the figure in the door, said: “A young +lady to see you, Mr. Chester,” and withdrew. +Eleanor stood alone by the foot of the bed, +looking into the eyes of her problem.</p> +<p>He made no motion. He did not even put +out his hand. He regarded her with the +frown which usually broke into a smile. +Now, it continued a frown.</p> +<p>“Well, things happened, didn’t they?” he +said. His voice burst out of him with almost +its normal force.</p> +<p>“Yes, Bertram. A great deal.”</p> +<p>“And I thank you. It was bully work. I +don’t see how you stood it, holding me up the +way you did—it ought to have killed off a +man, let alone a girl. Didn’t hurt you anywhere, +did it?”</p> +<p>“No—who told you?” Her voice was +hard and constrained.</p> +<p>Now Bertram smiled. It was different, +this smile, from the old illumination of his +features. She could not tell, in the moment +she had to think, whether it was his illness +<span class='pagenum pncolor'><a id='page_278' name='page_278'></a>278</span> +that changed it so, or whether it really held +a bitterness which, superficially, she read into +it.</p> +<p>“That’s the answer,” he said enigmatically. +“You didn’t know I was onto everything, did +you? I never went out but once—just after +the crash when the car turned over. I began +to know things while they were carrying me +up the bank. From that time, I was just like +a man with his wind knocked out. It didn’t +hurt much, but I couldn’t move a finger or a +toe. I didn’t want to move if I could. I was +too busy just keeping alive. I couldn’t open +my eyes, but I heard everything. You just +bet I heard everything!”</p> +<p>This descent of the conversation into reminiscence +and apparent commonplace gave +Eleanor an opening into which she leaped. +It was wonderful; she had read of such cases. +Had he heard that child crying in the corner, +and had it bothered him? Had he been conscious +that it was Mark Heath and none other +who was asking so many questions? Mark +Heath had done so much for them—she +would tell him about it some other time. But +Bertram still lay there with his frown of a +<span class='pagenum pncolor'><a id='page_279' name='page_279'></a>279</span> +petulant boy on his face, and her voice ran +down into nothing for lack of sympathy in her +listener.</p> +<p>“Do you remember all you said?” he asked +when she was quite silent.</p> +<p>“I think so—why?” The question had +brought a little, warm jump of her nerves.</p> +<p>“Everything? Something you said to +me?”</p> +<p>“I think so, Bertram.”</p> +<p>“Did I dream it, then?”</p> +<p>She made no answer to this, but her knees +failed under her so that she sat down on the +bed. Had she—had she said it aloud?</p> +<p>“Something like this: ‘Bertram, we don’t +belong to each other’?” He laughed a little +on this; even a certain blitheness came into +his laugh, as though he should say, “the joke +is on you.”</p> +<p>A sense of the shock she might give him +moved her to temporize.</p> +<p>“Let us not talk of it now, Bertram. Let +it be as it was until you’re better.”</p> +<p>“I’ll be a blame sight better after I get +this off my system. You see—well I couldn’t +think just then, but now, when my think tank +<span class='pagenum pncolor'><a id='page_280' name='page_280'></a>280</span> +has resumed business, I savvey a heap of +things. One is that you weren’t telling me +any news.”</p> +<p>“What makes you say that?” Eleanor bent +her grave grey eyes on him.</p> +<p>“I had the signal already. I mightn’t have +seen it fully if this smash hadn’t come, but +just the same I caught it away ahead of you. +That afternoon up on the Las Olivas trail +when we came together. When I kissed +you.”</p> +<p>Had she ever let him kiss her?</p> +<p>He made an incurved gesture of his free +hand, as though joining two wires.</p> +<p>“It didn’t connect. That’s all. I was acting +on a hunch when I told you to keep it +dark. Told anyone?”</p> +<p>Not until afterward did she think to be +offended by this question. At the time, she +answered with a simple negative.</p> +<p>“That’s good. It is just between us now. +I suppose the matter with me was that I +wanted to fly high, and you were about the +highest thing in sight—”</p> +<p>“Don’t, Bertram. I’m not high. Am I +hurting you? Oh, am I unkind when you are +ill?” +<span class='pagenum pncolor'><a id='page_281' name='page_281'></a>281</span></p> +<p>“Oh, if you think it’s hurting me, you’re +off. This is a swell way to talk, isn’t it, considering +that I’m here—” his eyes swept the +aristocratic comforts of the Tiffany spare +room.</p> +<p>“We mustn’t think of that. It’s too big to +think of that!”</p> +<p>“I guess you’re right. Now that is finished, +going to forgive me because I walked over to +Northrup?”</p> +<p>“I’ve nothing of any kind to forgive. It’s +you, I think, that must forgive.”</p> +<p>“Oh, it’s all square, everything’s all +square. I want to be good friends with you +if you’ll let me. I hope,” his voice was almost +tender, “you connect with the right man. +He won’t have any too much blood in his +neck, but he’ll have a lot of general culture +in his system.”</p> +<p>Here she realized that she had something +to forgive. She repeated, mentally, her act +of renunciation as she said:</p> +<p>“You’re a great, strong, generous man. I +can’t tell you how much I thank you for the +course you’ve taken to-day. You’re going to +succeed and—some woman—is going to be +proud of you.” She had avoided by a thread +<span class='pagenum pncolor'><a id='page_282' name='page_282'></a>282</span> +naming the woman. “I shall be glad I knew +you, and I shall be your friend as long as +you’ll let me.”</p> +<p>He smiled his old smile and his uninjured +hand went out.</p> +<p>“Shake!” he said.</p> +<p>Yet it was a relief that the nurse came back +and said quietly, “You’ve talked enough.” +As she walked to the door, Eleanor found that +her will was focused on the operation of her +feet, commanding them to move with decent +slowness. Had she obeyed her impulse, she +should have run. She forced herself to turn +at the door and smile back, forced herself to +bridle her emotions and go quietly to breakfast +and to her ordeal with the lightning +thrusts of Kate Waddington.</p> +<hr class='tb' /> +<p>Two days later, Eleanor followed Judge +Tiffany to the ranch. A perplexing fruit +season brought her fair excuse. The year before, +the Japanese, adventurers in minor +labors, had begun to flood the Santa Lucia +tract. They drove out the Chinese; when +that spring brought picking contracts, no +Oriental was to be had save a Japanese. In +the first rush of that season, the Japanese +<span class='pagenum pncolor'><a id='page_283' name='page_283'></a>283</span> +pickers on the Tiffany ranch, in concert with +all the other Japanese of Santa Lucia, had +thrown down their baskets, repudiated their +agreements, and struck. It needed more than +Judge Tiffany’s failing strength, more than +Olsen’s methodical plodding, to conquer this +situation.</p> +<p>She must be a post now, not a rail, Eleanor +told Mrs. Tiffany. And Kate would help until +Mr. Chester could be moved. At further +acceptance of Kate, Mrs. Tiffany rebelled. +Kate had foisted herself on them. Goodness +knew, Mrs. Tiffany couldn’t tell why they had +ever accepted that situation. It didn’t seem +to her even decent.</p> +<p>“You’ll perplex me greatly, dear Aunt +Mattie, if you don’t let her remain now!” said +Eleanor, looking up from her packing.</p> +<p>This remark, cryptic though it was, came +as a fresh shower to Mrs. Tiffany’s curiosity. +Never before had Eleanor so nearly +committed herself on the subject which lay +like lead on her aunt’s responsibilities. It +prompted Mrs. Tiffany to try for a wider +opening.</p> +<p>“Would you like it, dear, if we brought +Mr. Chester down to the ranch to recuperate +<span class='pagenum pncolor'><a id='page_284' name='page_284'></a>284</span> +when he is better? I’m sure Edward +wouldn’t object. After all, he’s ready to forgive +the Northrup affair.”</p> +<p>Eleanor looked up significantly.</p> +<p>“If you’re consulting my wishes, certainly +not!” she said.</p> +<p>The sigh which Mrs. Tiffany drew expressed +deep relief. Thereafter, they proceeded +straight ahead with the arrangement. +Eleanor went on to the ranch. Kate, remaining, +made herself so useful in a hundred ways +that Mrs. Tiffany’s irritation wore itself +away.</p> +<p>The old combination of Eleanor and an attractive +though undesirable young man had +moved her to a perilous sympathy. Now +that it was over, now that she had no more responsibility +in the matter, she transferred +some of that vivid and friendly interest to the +new arrangement. She caught herself resisting +a temptation to spy on their conversations; +she watched Kate’s face for tell-tale expression +whenever Bertram’s name came up in +their luncheon-time chats.</p> +<p>Kate usurped all the finer prerogatives of +the nurse. Hers it was to arrange the sick-room, +to put finishing touches on bed and +<span class='pagenum pncolor'><a id='page_285' name='page_285'></a>285</span> +table, to feed him at his meals. Her tawny +hair made sunshine in the chamber, her cool +hands, in their ministration, had the caress of +breezes. He was getting to be an impatient +invalid; he bore the confinement +harder than he did the ache of knitting bones. +Kate’s part it was to laugh away these irritations, +so that she always left him smiling.</p> +<p>He went on mending until they could get +him out of bed; until, on an afternoon when +the sun was bright and the wind was low, they +could take him into the garden for a breath of +air and view. He made the journey out-of-doors +with Kate supporting him unnecessarily +by the armpit. She set out a Morris chair +for him by the lattice, so that he could overlook +the Bay, she tucked the robes about him, +she parted the vines that he might have better +view.</p> +<p>For a moment he swept the bay with his +eyes and opened his lungs to the out-door +room and air. Then his gaze returned to +Kate’s strong, vigorous yet feminine back, as +she stood, arms outstretched, hooking vines +on the trellis. The misty sunshine was making +jewels in her hair.</p> +<p>“Say!” He spoke so suddenly and with +<span class='pagenum pncolor'><a id='page_286' name='page_286'></a>286</span> +such meaning in the monosyllable that Kate +blushed as she turned. “Say! is that fellow +still writing to you—the one with the Eastern +education and the money?”</p> +<p>Kate dropped her eyes.</p> +<p>“No,” she said softly. “I told him—I +have broken it off—lately.”</p> +<p>Bertram laughed—his old, fresh laugh of a +boy.</p> +<p>“You saved me trouble then. I was just +about to serve notice on him that henceforth +no one but little Bertie was going to be allowed +on this ranch.”</p> +<p>Kate did not speak. She continued to look +down at the gravel walk.</p> +<p>“Now don’t you go pretending you don’t +know what I mean,” Bertram went on. “Just +for that, I won’t tell you what I mean. But +you know.”</p> +<p>“What about Eleanor?” murmured Kate.</p> +<p>“You little devil!” answered Bertram. +“Come over here.”</p> +<p>Kate sank down on the edge of his chair, +and dropped one arm about his neck.</p> +<p>Mrs. Tiffany, viewing the morning from +the window of her room, saw them so. At +first, she smiled; then a heavier expression +<span class='pagenum pncolor'><a id='page_287' name='page_287'></a>287</span> +drew down all the lines of her face. She +crossed to her dresser, where a long frame +of many divisions held the photographs of +all whom she had loved. The first in order +was of a woman who had a face like +Eleanor’s; a more beautiful Eleanor, perhaps, +but with no such grave light of the spirit in +her eyes. This she touched with her finger +tips. But her look was bent upon the second, +the portrait of a young man whose attitude, +defying the conventional pose of old-fashioned +photography, showed how blithe and +merry and full of life he must have been.</p> +<p>“Ah, Billy Gray!” she whispered, “Billy +Gray, you know, <i>you</i>, how sincerely Eleanor +and I ought to thank God!”</p> +<p style='text-align:center; margin-top:1.5em; margin-bottom:2em;'>THE END</p> + +<!-- generated by ppg.rb version: 0.21 --> +<!-- timestamp: Sat Mar 28 20:51:23 -0600 2009 --> + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of The Readjustment, by Will Irwin + +*** END OF THIS PROJECT GUTENBERG EBOOK THE READJUSTMENT *** + +***** This file should be named 28443-h.htm or 28443-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/2/8/4/4/28443/ + +Produced by Roger Frank and the Online Distributed +Proofreading Canada Team at http://www.pgdpcanada.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + +</body> +</html> diff --git a/28443.txt b/28443.txt new file mode 100644 index 0000000..c8c2eca --- /dev/null +++ b/28443.txt @@ -0,0 +1,6695 @@ +The Project Gutenberg EBook of The Readjustment, by Will Irwin + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Readjustment + +Author: Will Irwin + +Release Date: March 29, 2009 [EBook #28443] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THE READJUSTMENT *** + + + + +Produced by Roger Frank and the Online Distributed +Proofreading Canada Team at http://www.pgdpcanada.net + + + + + + + + + +THE + +READJUSTMENT + +BY + +WILL IRWIN + +AUTHOR OF "THE CITY THAT WAS," ETC. + +NEW YORK + +B. W. HUEBSCH + +1910 + + + + +Copyright, 1910, by + +B. W. HUEBSCH + +PRINTED IN U. S. A. + + + + +THE READJUSTMENT + +CHAPTER I + + +After luncheon they walked over from the ranch-house--more indeed a +country villa, what with its ceiled redwood walls, its prints, its +library, than the working house of a practical farm--and down the +dusty, sun-beaten lane to the apricot orchard. Picking was on full +blast, against the all too fast ripening of that early summer. + +Judge Tiffany, pattern of a vigorous age, seemed to lean a little upon +his wife as she walked beside him, her arm tucked confidently into +his; but it was a leaning of the spirit rather than of the flesh. She, +younger than he by fifteen years, was a tiny woman, her hair white but +her waist still slim. She seemed to tinkle and twinkle. Her slight +hands,--the nail of the little finger was like a grain of +popcorn--moved with swift, accurate bird-motions. As she chattered of +the ranch and the picking, her voice, still sweet and controlled, +came from her lips like the pleasant music of a tea bell. He was +mainly silent; although he threw in a quiet, controlled answer here +and there. One could read, in the shadowy solicitude with which she +regarded him now and then, the relation between that welded old +couple--she the entertainer, the hoarder of trivial detail from her +days; he the fond, indulgent listener. + +"I think Eleanor must be back from the city," Mrs. Tiffany was saying, +"I notice smoke from the big chimney; and I suppose she'll be over +before noon with the sulphur samples. It's amusing and homey in +her--her habit of flying to her own little nest before she comes to +us. She'll inspect the house, have dinner ordered, and know every +blessed detail of the picking before we catch a glimpse of her." Mrs. +Tiffany smiled sadly, as though this industry were somewhat tragic. + +"I wonder how long Eleanor will be contented with such a way of life?" +put in Judge Tiffany. + +"I've worried over that," answered his wife. "Suppose she should +settle down to it? It isn't as though Eleanor hadn't her chance at +travel and society and the things a girl of her breeding should have. +This is all her deliberate choice, and I've done nothing to help her +choose. Perhaps I should have decided for her. It's curious the guard +that girl keeps over her deeper feelings. How unlike she is to her +mother--and yet how like--" Her thought shifted suddenly with the +direction of her eyes. "Hasn't Olsen overloaded that little team?" she +said. + +The cutting-shed stood midway of their course. Twenty women and girls, +their lips going as rapidly as their knives, sat on fruit crates at +long tables, slicing the red-and-gold balls apart, flicking out the +stones, laying the halves to dry in wooden trays. A wagon had just +arrived from the orchard. Olsen, the Swedish foreman, was heaving the +boxes to his Portuguese assistant, who passed them on into the cutting +shed. Further on stood the bleaching kilns; still further, the bright +green trees with no artistic irregularities of outline--trees born, +like a coolie, to bear burdens. Now the branches bent in arcs under +loads of summer-gilded fruit. + +Long step-ladders straddling piles of boxes, beside this row or that, +showed where picking was going forward. Mrs. Tiffany halted under one +tree to call pleasantries up to a Portuguese, friend of many a harvest +before. Judge Tiffany proceeded on down the row, pausing to inspect +the boxes for any fruit gathered before it was ripe. + +The first picker was a Chinese. His box, of course, showed only +perfection of workmanship. The Judge called up familiarly: + +"Hello, Charlie!" + +A yellow face grinned through the branches; the leaves rustled as +though some great bird were foraging, and the answer came back: + +"Hello you Judge!" The Judge picked over the next two boxes without +comment; at the third, he stopped longer. + +"Too much greenery, young man!" he cried at length. The branches of +this tree rustled, and a pair of good, sturdy legs, clad in corduroys, +appeared on the ladder; then the owner of the legs vaulted from four +feet high in the air, and hit the ground beside his box. + +He was a stalwart boy of perhaps two and twenty, broad, though a bit +over-heavy, in the shoulders. That approach to over-heaviness +characterized his face, otherwise clean-cut and fair. His eyes, long, +brown and ingenuous, rather went to redeem this quality of face. Under +his wide and flapping sombrero peered the front lock of his straight, +black hair. Even before he smiled, Judge Tiffany marked him as a +pleasing youth withal; and when he did smile, eyes and mouth so +softened with good humor that stern authority went from the face of +Judge Tiffany. He stood in that embarrassment which an old man feels +sometimes in the presence of a younger one, struggled for a word to +cover his slight confusion, and said: + +"You are one of the college outfit camped down by the arroyo, aren't +you?" + +"I am," said the youth. "I also picked the fruit too green. I am here +to take my beating." + +Judge Tiffany, who held (he thought) an old-fashioned distaste for +impudence, smiled back in spite of himself. + +"If you don't attend to business in small matters, how can you hope to +succeed when you go out into life?" he asked with some pomposity. He +had intended, when he opened his mouth, to say something very +different. His pomposity, he felt, grew out of his embarrassment; he +had a dim feeling that he was making himself ridiculous. + +"I can't," said the youth with mock meekness; and he smiled again. At +that moment, while the Judge struggled for a reply and while the youth +was turning back to the ladder as though to mount it and be done with +the conversation, two things happened. Up from one side came Mrs. +Tiffany; and from the other, where ran a road dividing the Tiffany +orchard from the next, approached a buckboard driven by a lolling +Portuguese. Beside him sat a girl all in brown, dust-resistant khaki, +who curtained her face with a parasol. Mrs. Tiffany ran, light as an +elderly fairy, down the rows. + +"Eleanor!" she called. + +"Dear, dear Aunt Mattie!" cried the girl. Judge Tiffany, too, was +hurrying forward to the road. The youth had his hand on the ladder, +prepared to mount, when the parasol dropped. He stopped short with +some nervous interruption in his breathing--which might have been a +catch in his throat--at the sight of her great, grey eyes; stood +still, watching. Mrs. Tiffany was greeting the girl with the pats and +caresses of aged fondness. Out of their chatter, presently, this came +in the girl's voice: + +"And I was so excited about getting back that when Antonio left the +corral gate open I never thought to speak to him. And Ruggles's +Dynamo--they've let him run away again--just walked in and butted open +the orchard bars and he's loose now eating the prune trees!" + +"Edward, you must go right over!" cried Mrs. Tiffany; and then stopped +on the thought of an old man trying to subdue a Jersey bull, +good-natured though that bull might be. The same thought struck Judge +Tiffany. Antonio, the Portuguese, lolling half-asleep against the +dashboard, was worse than useless; the nearest visible help was a +Chinaman, incompetent against horned cattle, and another Portuguese, +and-- + +"Let me corral your bull," said the easy, thrilling voice of the boy +who stood beside the step-ladder. Judge Tiffany turned in reproof, his +wife in annoyance, the girl in some surprise. The youth was already +walking toward the buckboard. + +"I guess that lets you out, John," he said to the Portuguese. + +Something in him, the same quality which had made the Judge smile back +through his rebuke concerning the green apricots, held them all. The +Judge spoke first: + +"Very well, Mr.--" + +"Chester--Bertram Chester," said the youth, throwing his +self-introduction straight at the girl. + +"Mr. Chester is one of the University boys who are picking for us this +summer," said Judge Tiffany. + +"Yes?" replied the girl in a balanced, incurious tone. Her eyes +followed Mr. Chester, while he took the reins from the deposed Antonio +and waited for her to mount the buckboard. As she sprang up, after a +final caution from Mrs. Tiffany, she perceived that he was going to +"help her in." With a motion both quick and slight, she evaded his +hand and sprang to the seat unaided. + +Mr. Chester slapped the reins, clucked to the horse, and bent his gaze +down upon the girl. He had seated himself all too close. She crowded +herself against the iron seat-rail. It annoyed her a little; it +embarrassed her still more. She was slightly relieved when he made a +beginning of conversation. + +"So you're Judge Tiffany's niece, the girl who runs her ranch herself. +I've heard heaps about you." + +"Yes?" Embarrassment came back with the sound of her own voice. She +could talk to Judge Tiffany or to any man of Judge Tiffany's age, but +with her male contemporaries she felt always this same constraint. And +this young man was looking on her insistently, as though demanding +answers. + +"They say you're one of the smartest ranchers in these parts," he went +on. + +"Do they?" Her tone was even and inexpressive. But Mr. Chester kept +straight along the path he was treading. + +"And that you're also the prettiest girl around Santa Lucia." + +"That's very kind of them." + +"I haven't seen your ranch, but about the rest of it they're dead +right." + +To this, she made no answer. + +"I'm just down for a few weeks," he went on, changing the subject when +he perceived that he had drawn no reply. "I'm a Senior next year at +Berkeley. Ever been over to Berkeley?" + +"Yes." + +"Ever go to any of the class dances?" + +"No." + +"Thought you might, being in the city winters. I'm not much on dances +myself. I'm a barb." + +He peered, as though expecting that this last statement would evoke +some answer. But her eyes were fixed on the little group of +buildings--a bungalow, a barn and a corral--which had just come in +sight around a turn of the orchard road. For the first time, she spoke +with animation. + +"There's the house--and there he is, just back of the stable!" + +Dynamo, the bull, a black and tan patch amidst the greenery, stood +reaching with his tongue at an overhanging prune branch, bowed to the +breaking point with green beads of fruit. As they watched, he sucked +its tip between his blue lips, pulled at it with a twist of his head; +the branch cracked and broke. Dynamo, his eyes closed in meditative +enjoyment, started to absorb it from end to end. + +"Oh, dear, he'll ruin it!" she cried. "Do hurry! Hadn't you better +send for help?" + +"I figure I can handle him," said Bertram Chester, bristling at the +imputation. "Just give me that halter and drive in back of the +corral, will you?" + +"Please don't let him trample any trees!" she called after her +champion as he vaulted the fence. + +Dynamo, seeing the end of his picnic at hand, galloped awkwardly a few +rods, the branch trailing from his mouth. Then, with the ponderous but +sudden shift of bull psychology, indignation rose in his bosom. He +stopped himself so short that his fore-hoofs plowed two long furrows +in the soft earth; whirled, lifted his muzzle, and bellowed. One +fore-hoof tore up the dirt and showered it over his back. He dropped +to his knees and rubbed the ground with his neck in sheer abandonment +to the joy of his own abandoned wickedness. He rose up in the hollow +which he had dug, lowered his horns, and glowered at the youth, who +advanced with a kind of awkward bull-strength of his own. + +"Chase yourself!" cried Bertram Chester, flicking the halter. For a +second, Dynamo's eyelids fluttered; then, unaccountably, his bull +pride rose up in him. He stopped midway of a bellow; his head went +down, his tail rose up--and he charged. The girl across the fence +gave a little scream. The youth, stepping aside with a quickness +marvelous considering the size of his frame, avoided the charge. As +Dynamo tore past him, he struck out--a mighty lash--with the halter. +The bull tore on until he smashed into a prune tree. The green fruit +flew like water splashing from a stone; and Dynamo checked his course, +turned again, began to paw and challenge as the preliminary to another +charge. + +"Oh, let him go--please!" cried Eleanor. Whether he heard her or not +made little difference to the youth. Taking advantage of Dynamo's +slight hesitation, he sprang in close, caught him by the horn and the +tender, black nose; and back and forth, across the ruins of the prune +tree, which went flat at the first rally, they fought and tugged and +tossed. Through the agonized half-bellows of Dynamo, Eleanor caught a +slighter sound. Her champion was swearing! Raised a little above her +fears by the vicarious joy of fight, she took no offence at this; it +seemed part of the picture. + +No one can account for the emotional processes of a bull. Just as +suddenly as it rose, Dynamo's courage evaporated. Once more was he +brother to the driven ox. He ceased to plant his fore feet; his bellow +became a moan; he gave backward; in one mighty toss, he threw off his +conqueror, turned, and galloped down the orchard with his tail curved +like a pretzel across his back. Behind him followed the youth, lashing +him with the halter as long as he could keep it up, pelting him with +rocks and clods as the retreat gained. So, in a cloud of dust, they +vanished into the Santa Clara road. + +When Bertram Chester came back panting, to return the halter, Antonio +had arrived and was unhitching the bay mare from the buckboard. +Eleanor stood by the corral gate, her Panama hat fallen back from her +brown hair and a little of the excitement left in her grey eyes. +Bertram approached, grinning; he wore a swagger like that of a little +boy who has just turned a series of somersaults before the little +girls. Eleanor noticed this. Faintly--and in spite of the gratitude +she owed him for turning a neighborly service into a heroic deed--she +resented it. Also, Dynamo and Mr. Chester, between them, had wholly +ruined a good prune tree in the prime of bearing. + +"Say, we didn't do a thing to that tree," said Bertram Chester, with +the air of one who deprecates himself that he may leave the road wide +open for praise. + +"It doesn't matter. It--it was very brave of you. Thank you very +much--are you hurt?" + +"Only mussed up a little." He blinked perceptibly at the coolness in +her tone. Then he leaned back against a fence-post with the settled +air of one who expects to continue the conversation. She swayed +slightly away from him. + +"Kind of nice place," he said, sweeping his eye over the shingled +cottage whose rose-bushes were making a brave fight against the dry +summer dust, over the tiny lawn, over the Lombardy poplars. + +"It's nice of you to say so." + +Bertram turned his eye upon her again. + +"Say," said he, "I don't believe the Judge expects me back right away! +Anything more I can do around the place?" + +Eleanor smiled through her slight resentment. + +"I don't think I care to take the responsibility." In that moment, +the butcher-wagon, making the rounds from farm-house to farm-house, +appeared quite suddenly at the bend of the road. Maria, wife of +Antonio and cook for Eleanor's haciendetta, ran out to meet it. + +"Oh, Maria--tell Mr. Bowles I want to see him!" cried Eleanor, and +hurried toward the house. Bertram Chester stood deserted for a moment, +and then; + +"Good bye!" he called after her. + +"Good bye and thank you so much!" she answered over her shoulder. + + * * * * * + +Two minutes later, Mr. Bowles, driver of the meat wagon, was saying to +Eleanor: + +"Which was it--rib or loin for Saturday, Miss Gray?" + +"Was it?" said Eleanor, absently; and she fell to silence. Maria and +Mr. Bowles, waiting respectfully for her decision, followed her eyes. +She was looking at a dust cloud which trailed down the lane. When she +came out of her revery and beheld them both watching, silent and +open-mouthed, she flushed violently. + +Bertram Chester, swinging between the green rows, was whistling +blithely: + + "Say coons have you ebber ebber seen ma Angeline? + She am de swetes' swetes' coon you ebber seen." + + + + +CHAPTER II + + +Every Sunday afternoon during the picking season, Mrs. Tiffany served +tea on the lawn for the half-dozen familiar households on the Santa +Lucia tract. That was the busy time of all the year, affording no +leisure for those dinners and whist parties which came in the early +season, when the country families had just arrived from town, or in +the late season, when prune picking grew slack. Night finds one weary +in the country, even when his day has brought only supervision of +labor. These town-bred folk, living from the soil and still but half +welded to it, fell unconsciously into farmer habits in this working +period. + +The Goodyears and the Morses, more formal than their neighbors, did +indeed give a dinner once or twice a summer to this or that visitor +from San Francisco or San Jose. Otherwise, the colony gathered only at +this Sunday afternoon tea of Mrs. Tiffany's. Her place lay about +midway of the colony, her lawn, such as it was--no lawn flourishes +greatly in that land of dry summers--was the oldest and best kept of +all; further, they had acquired the habit. Already, these Californians +were beginning a country life remotely like that of England; a country +life made gracious by all the simple refinements, from bathtubs to +books. They had settled, too, into the ways of a clique; small and +informal as their entertainments were, minor jealousies of leadership +had developed already. + +By a kind of consent never yet made law by any contest, the Goodyears +were leaders and dictators. He, Raleigh Goodyear, was passably rich; +his wife was by birth of that old Southern set which dominated the +society of San Francisco from its very beginning. Until their only +daughter married into the army and, by her money and connections, +advanced her husband to a staff position in Washington, Mrs. Goodyear +had figured among the patrons to those cotillions and assemblies by +which the elect, under selection of a wine agent, set themselves off +from the aspiring. Them the colony treated with familiar deference. + +Mrs. Tiffany, whose native desire to please and accommodate had grown +with her kind of matrimony, held social leadership of a different +kind. Her summer house was the boudoir of this colony, as her town +house was the centre for quiet and informal entertainment just tinged +with Bohemia. Hers was the gate at which one stopped for a greeting +and a chat as one drove past on the road; she was forever running to +that gate. She knew the troubles of all her neighbors, both the town +dwellers of her set and the humbler folk who made fruit farming more +of a business. That rather silent husband of hers--a man getting an +uncomfortable peace from the end of a turbulent and disappointing life +which had just escaped great success--told her that she had one great +fault of the head. She must always make a martyr of herself by bearing +the burdens of her world. + +The Judge and Mrs. Tiffany sat now, in the early afternoon of a summer +Sunday, under the gigantic live-oak which shadowed their piazza. She +was crocheting a pink scarf, through which her tiny fingers flew like +shuttles; he was reading. Out beyond their hacienda, the American +"hands," fresh-shaved for Sunday, lolled on the ground over a lazy +game of cards. From the creek bottom further on, came a sound which, +in the distance, resembled the drumming of cicadas--a Chinese workman +was lulling his ease with a moon-fiddle. Near at hand stood the tea +things, all prepared before Molly, the maid, started for her Sunday +afternoon visit to the camp of the women cutters. Factory girls from +the city, these cutters, making a vacation of the summer work. + +Mrs. Tiffany glanced up from her yarns at the leonine head of her +husband, bent above "The History of European Morals," opened her mouth +as though to speak; thought better of it, apparently. Twice she looked +up like this, her air showing that she was not quite confident of his +sympathy in that which she meant to bring forward. + +"Edward!" she said at length, quite loud. He lowered the book and +removed his reading glasses, held them poised--a characteristic +gesture with him. He said no word; between them, a glance was enough. + +"You remember the young man who went over with Eleanor to drive away +the Ruggles bull?" + +Judge Tiffany gave assent by a slight inclination of his head. + +"I went over to the camp of those University boys yesterday," she went +on, running loops with incredible speed, "and I don't quite like the +way they are living there. They associate too much with the +cutting-women. You know, Edward, that isn't good for boys of their +age--and they must be nice at bottom or they wouldn't be trying to +work their way through college--" + +She stopped as though to note the effect. The ripple of a smile played +under Judge Tiffany's beard. She caught at her next words a little +nervously. + +"You know we have a responsibility for the people about the place, +Edward--I couldn't bear to think we'd let any nice college boy +degenerate because we employed him--and it is so easy at their age." + +"Which means," broke in the Judge, "that you have asked this Mr. +Chester up here to tea." + +"If--if you wish it, Edward." + +"I can't very well countermand your invitation and tell him by the +foreman not to come. But I warn you that this social recognition will +serve as no excuse if I catch him picking any more green apricots." + +Mrs. Tiffany, unturned by this breeze of criticism, ran along on her +own tack. + +"His manners _are_ a little forward, but he has a nice way of +speaking. I'm sure he is a gentleman, at bottom. You can't expect such +a young man, who has been obliged to work his way, to have all the +graces at once. They've brought down their town clothes--I saw them +last Sunday--so you needn't be afraid of that. I've asked Mr. Heath, +too." + +"Is that by way of another introduction?" asked Judge Tiffany. His +eyes looked at her severely, but his beard showed that he was smiling +gently again. Half his joy in a welded marriage lay in his +appreciation of her humors, as though one should laugh at himself. + +"Oh, there's no doubt that _he's_ a gentleman. He is less loud, +somehow, than Mr. Chester, though he hasn't his charm. It seems there +is the most wonderful boy friendship between them." + +"Where did you get all this insight into the social life of our +employees?" asked Judge Tiffany; and then, "Mattie, you've been +exposing yourself to the night air again." + +"Over at their camp last evening," said Mrs. Tiffany. "Well, and isn't +it my business to look after--after that side of the ranch?" she +added. + +The Judge had dropped the book now; his senses were alert to the game +which never grew old to him--"Mattie-baiting" he had named it. + +"Mattie," he said, "with a pretty and marriageable, dowered and maiden +niece on your hands, a new era is opening in your life of passionate +self-sacrifice. It used to be orphan children and neglected wives of +farm hands. Now it is presentable but neglected bachelors. Your +darling match for Eleanor, I suppose, would be some young soul +snatched from evil courses, pruned, trimmed, and delivered at the +altar with 'Made by Mattie Tiffany' branded on his wings. Spare, O +spare your innocent niece!" + +"Edward, I never thought of it in that light!" cried Mrs. Tiffany; and +she bent herself to furious crocheting. After a time, and when the +Judge had resumed his book, she looked up and added: + +"It might be worse, though, than a young man who had made it all +himself." + +Judge Tiffany burst into laughter. Then, seeing her bend closer over +her pink yarns, he grew grave, reached for the hand which held the +needles, and kissed it. + +That was her reward of childless matrimony, as the appreciation of her +humors was his. + + * * * * * + +While they sat thus, in one of their comfortable hours, the guests +were come. The Morses appeared first. He was a pleasant, +hollow-chested little man; his delicacy of lung gave him his excuse +for playing gentleman farmer. She, half-Spanish, carried bulk for the +family and carried it well. The Andalusian showed in her coy yet open +air, in her small, broad hand and foot, in a languorous liquidity of +eye. Their son, a well-behaved and pretty youth of twelve, and their +daughter, two years older, rode behind them on the back seat. The +daughter bore one of those mosaic names with which the mixed race has +sprinkled California--Teresa del Vinal Morse. A pretty, delicate +tea-rose thing, she stood at an age of divided appreciations. In the +informal society of the Santa Lucia colony, she was listening half the +time to her elders, taking a shadowy interest in their sayings and +opinions; for the rest, she was turning on Theodore, that childish +brother, an illuminated understanding. + +The Goodyears arrived with a little flourish. Their trap, which she +drove herself and which was perhaps a little too English to be useful +or appropriate on a Californian road, the straight, tailor lines of +her suit--all displayed that kind of quiet, refined ostentation which, +very possibly, shrieks as loud to God as the diamond rings on a soiled +finger. Mrs. Tiffany, who had met the Morses on the lawn, tripped +clear across the rose-border to meet the Goodyears; did it with entire +unconsciousness of drawing any distinction. As by right, Mrs. Goodyear +appropriated the great green arm-chair under the oak tree, from which +throne she radiated a delicate patronage upon the company. + +The others followed by twos and threes. Montgomery Lee, fresh-faced +English University man, raising prunes on his patrimony of a younger +son; the Roach girls, plump Californian old maids, and their pleasant +little Yankee mother; the Ruggleses, a young married couple. Careless +farmers, Mr. and Mrs. Ruggles; but they had the good nature which is +the virtue of that defect. This, and the common interest in their +three plump, mischievous babies, gave them general popularity in the +colony. + +Within five minutes, the company had followed the law of such +middle-aged groups of familiars, and separated by sexes. The men +drifted over to the piazza, lit cigars, hoisted their knees, and +talked, first, of the prune picking, their trouble with help, the +rather bootless effort of a group in San Jose to form a Growers' +Association; then of that city where lay their more vital interests. + +Goodyear had just been to San Francisco on a flying trip; he brought +back fresh gossip: The Bohemian Club had the "Jinks" in rehearsal; a +new-discovered poet had written the book; it was to be (so the Sire +declared) the greatest in club history. + +"As usual," smiled Judge Tiffany. + +They were saying about the Pacific Union Club that the Southern +Pacific had raised its rates to Southern points. One might have sensed +that shadow which hangs always over commercial California in the +sombreness which froze the group at this news. From five minutes of +pessimistic discussion, Goodyear led them by a scattered fire of +personalities. Billy Darnton was going to give a bull's head breakfast +at San Jacinto. Al Hemphill was coming to it all the way from New +York. Charlie Bates had pulled out for the new gold diggings in the +Mojave desert, rich again in anticipation, although he had to leave +San Francisco secretly to escape the process servers. + +"Tea, gentlemen!" called Mrs. Tiffany, from her nasturtium bower in +the shadow of the great oak. + +"Just when we are getting comfortable," her husband growled +pleasantly; and he made no move to rise. The women sat at ease about +the tea-table. Their talk, beginning with the marvelous Ruggles +babies, had run lightly past clothes and help, and fallen into the +hands of Mrs. Goodyear. She, too, was full of San Francisco. Apart, +under the grape arbor, Teresa Morse and her brother were snaring +lizards--playing like two well-behaved babies miraculously grown +tall. + +"There's Eleanor," suddenly spoke Teresa. At the word, she dropped +her lizard, started forward; and stopped as she came out into full +view of the road. + +Eleanor, in fresh white, bareheaded under her parasol, was approaching +between two young men. The slighter of the two men moved a little +apart; the heavier, in whom Mrs. Tiffany recognized with some +apprehension the new protege, Mr. Bertram Chester, walked very close +up. He was peering under the parasol, which Eleanor dropped in his +direction from time to time without visibly effecting his removal. It +seemed from his wide gestures, from the smile which became apparent as +he drew nearer, that he was talking ardently. + +In the other man, Mrs. Tiffany recognized that Mr. Heath who had the +boy friendship with Bertram Chester. He was putting in a word now and +then, it appeared. When he spoke, Eleanor turned polite attention upon +him; and then resumed her guarded attitude toward that dynamo buzzing +at her left. Insensible of the company on the lawn, they passed behind +the grape arbor which fringed the gate and which hid them temporarily +from view; and the one-sided conversation became audible. + +"It wasn't a _patch_ on fights I've had with 'em. Down home, I used to +fight steers right along. That's nothing to a nigger who used to work +for us in Tulare. He'd jump on their backs and reach over and bite +their noses till they hollered quits. Sure thing he did!" It died out +as they turned in at the gate and faced the group about the trees. + +Mrs. Goodyear made a gesture of an imaginary lorgnette toward her +high-bridged nose. Mrs. Tiffany gathered herself and ran over to the +gate. It was Mr. Heath--she noticed as she advanced--who was blushing. +Bertram Chester stood square on his two feet smiling genially. As for +Eleanor, she maintained that sweet inscrutability of face which +became, as years and trouble came on, her great and unappreciated +personal asset. + +Young Chester spoke first: + +"I knew Miss Gray was coming down this afternoon--so I laid for her on +the road--didn't I, Miss Gray?" + +"Very nice of you, I'm sure," murmured Mrs. Tiffany, though she bit +her lip before she spoke--"won't you come over to meet our friends?" +Eleanor had darted ahead, to the pats of the women and the adoring +hugs of Teresa Morse. + +Mrs. Tiffany saw with relief that her disgraced protege managed his +end of the introduction very well, although he did make a slight +advance to shake hands with the critical Mrs. Goodyear. He gave no +sign to show that he perceived the men over on the piazza. Mr. Heath, +his Fidus Achates, cast a slight glance in their direction; then, +seeing Bertram settle himself down in an arm-chair and begin at once +to address Mrs. Goodyear, he sat down likewise, suffused with an air +of young embarrassment. Mrs. Ruggles, seated next to him, began with +visible tact the effort to put him at his ease. + +Mr. Chester, as he talked to Mrs. Goodyear, looked always toward +Eleanor. She, helping Mrs. Tiffany with the tea things, turning a +caressing word now and then toward Teresa Morse, might not have +noticed, for all her expression showed. + +The men came over for tea, were introduced. Mrs. Tiffany, in her +foolish anxiety for the manners and appearance of her protege, noted +that he was at home with men, at least. + +Mr. Goodyear, indeed, clutched with his eye at the blue-and-gold +button in the lapel of Bertram's coat, at the figure of him, and at +the name. + +"You aren't Chester who played tackle on the Berkeley Varsity last +season?" he asked. An old Harvard oar, Goodyear kept up his interest +in athletics. + +"Tackle and half," said the youth. "Yes, sir." + +"Well, well, I remember you in the game!" said Goodyear. + +Mrs. Tiffany, now that her protege no longer needed watching, had +returned to her tea things. + +"Eleanor," she called. "Will you run into the house and get that box +of chocolate wafers that's over the ice chest?" + +"Let me carry 'em for you, Miss Gray," put in Chester, breaking +through a college reminiscence of Goodyear's. + +Eleanor never flicked an eyelash as she announced: + +"I should be very glad." + +Tiffany, glancing over the group, noted with comparative relief that +none but she, Goodyear, and the young persons involved, had heard this +passage. + +As they moved toward the house, Bertram opened upon Miss Gray at +once. + +"This is the second chance I've had alone at you," he said. + +"We are rather conspicuous," she burst out. + +"Oh, nobody'll mind. A girl always thinks everybody is looking at her. +Besides, I wouldn't care if they were. I've wanted to tell you +something, and I couldn't with Heath trailing us. You've got awfully +nice eyes." + +Eleanor seemed to see neither the necessity nor the convenience of an +answer. + +"But you have!" he persisted. "They're better than pretty. They're +nice." + +Again Eleanor said nothing. It seemed to her that there was nothing to +say. + +"I know why you've got it in for me," he burst out. "You have, you +know. When I speak to you, you never talk back, and yesterday you +wouldn't let me stay after I had corralled the bull. It's because I'm +working for your uncle. It's because I'm making a living, not eating +what someone else made for me like--" he swept his hand backward +toward the company on the lawn--"like those people out there." + +Stung, for a second, to a visible emotion, Eleanor raised her grey +eyes and regarded him. + +"You are assuming a little, aren't you?" said she. + +"Then why can't I come to see you sometime in the evening if that +isn't so? I don't ask it of many nice girls." + +She caught at the delimiting phrase, "nice girls," and glanced up +again. By this time, they had passed through the living room; and he +had awkwardly opened the door into the kitchen. + +"I haven't known you very long," she said. + +"There isn't a lot to know about me," he grumbled. Then his face +cleared like the sunshine breaking through. "I could teach you to +savvey the whole works in an evening." + +"There are the chocolate wafers up over the ice-chest--that brown tin +box." He reached up and heaved the package down, putting into that +simple and easy operation the energy of one lifting a trunk. + +Annoyed, and a little amused, Eleanor watched him. All at once, she +felt a catch in her throat, was aware of a vague, uncomprehended +fear--fear of him, of her loneliness with him, of something further +and greater which she could not understand, did not try to understand. +She wanted air; wanted to get away. When he turned about, she stood +holding open the kitchen door, her eyes averted. + +She felt that he was standing over her; she felt his smile as he +looked down. + +"You needn't be in such a terrible hurry," he said. + +"They'll be waiting for us on the lawn," she forced herself to answer. +It required all her energy to keep her voice clear and firm. Then she +hurried ahead into the open air. Once in sight of the lawn party, she +made herself walk beside him, even smile up at him. + +"It's just as I said--" he had gone back to his grumbling voice and +his wholly presumptuous manner--"Either you don't like me, or you're +sore on me because I'm working for your uncle." + +To the great relief of Eleanor, Mrs. Tiffany came out to meet them, +took the box from Bertram and accompanied them back to the tea table. +For the rest of the afternoon, Eleanor managed by one device or +another to save the situation. When, in the shifting of group and +group, she had no one else for protection, Teresa Morse, following her +like a dog, ready to come to her side at a glance, played the +involuntary chaperone. + +Judge Tiffany had no word alone with his wife until the sun slanted +low across the orchard and the company broke up. When he met her +apart, he said: + +"He ought to be a success, that protege of yours!" + +"I have been dreadfully mortified!" + +"Oh, not a social success, though that may come too, if he ever +perceives the necessity for it. But a general success. Such simple and +unturned directness as his ought to win out anywhere. It is more than +enchanting. It is magnificent. I'm willing to risk discipline on the +place just to study a specimen so unusual. Mattie, this time I am +going to assist. I'm going to ask him to supper." + +"Edward, are you laughing at me again?" + +"For once, my dear, no; not at least on the main line. You'd better +ask that Mr. Heath, too." + +"And Eleanor?" + +The Judge looked across to the oak tree, where Eleanor was +ostentatiously tying up the brown braids of Teresa Morse. Bertram, +talking athletics with Goodyear, had her under fire of his eyes. + +"If any young person was ever capable to make that choice, it is your +niece Eleanor," he said. "It might afford study. Yes, ask her, too." + +Mr. Chester and Mr. Heath were delighted; though Mr. Chester said that +he had an engagement for the evening. ("What engagement except with +the cutting-women?" thought Mattie Tiffany.) But Eleanor declined. +Some of the chickens were sick; she was afraid that it might be the +pip; she doubted if Antonio or Maria would attend to it; she would sup +at home. Mrs. Tiffany, anticipating the intention which she saw in +Bertram's eyes, made a quick draft on her tact and asked: + +"Mr. Chester, would you mind helping me in with the chairs?" + +Seated at the supper table, Bertram Chester expanded. The Judge took +him in hand at once; led him on into twenty channels of introspective +talk. Presently, they were speaking direct to one another, the gulf +that separates youth from age, employer from employed, bridged by +interest on one side and supreme confidence on the other. This +grouping left Mrs. Tiffany free to study Heath. It grew upon her that +she had overlooked him and his needs through her interest in the more +obvious Chester. She noticed with approval his finished table manners. +Mr. Chester, though he understood the proper use of knife and fork and +napkin, paid slight attention to "passing things"; Heath, on the +contrary, was alert always, and especially to her needs. "He had a +careful mother," she thought. Gently, and with a concealed approach, +she led him on to his family and his worldly circumstances. He spoke +freely and simply, and with a curious frank assumption that anything +his people chose to do was right, because they did it. He had come +down to the University from Tacoma; his father kept a wagon repair +shop. His people had gone too heavily into the land boom, and lost +everything. + +"I felt that I could work my way through Berkeley or Stanford more +easily than through an Eastern college," he said simply. + +"And then I shouldn't be so far away from home. Mother likes to see me +at least once a year." + +He was going home after the apricot picking was over; he felt that in +vacation he should earn at least his fare to Washington and back. + +"I'm sure she must be a very good mother to deserve that devotion," +said Mrs. Tiffany, warming to him. + +"She deserves more," he said, a kind of inner glow rising to his +white-and-pink boyish face. That same glow,--Mrs. Tiffany might have +noticed this and did not--illuminated him whenever, from across the +table, Chester's laugh or his energetic crack on a sentence called a +forced attention. Mr. Heath deferred always to this louder +personality; kept for him the anxious and eager interest of a mother +toward her young. Gradually, this interest absorbed both Mr. Heath and +Mrs. Tiffany. The table talk became a series of monologues by young +Bertram Chester, Judge Tiffany throwing in just enough replies to spur +and guide him. + +"No, I don't belong to any fraternity," said the confident youth, +"don't believe in them. They plenty beat me for football captain last +year too. When I came to college, they didn't want me. After I made +the team and got prominent, they began to rush me. Then I didn't want +_them_." + +"It might have been easier for Bert if he _had_ joined them," said +Heath. "They don't like to have their members working at--with their +hands; they always find them snap jobs if they are poor and +prominent." + +"Oh, I don't know," said Bertram. "The barbs elected me business +manager of the _Occident_ last season--I didn't make the team until I +was a Sophomore, you know--and that more than paid my way. This year +I've got a billiard hall with Sandy McCusick. + +"He used to be a trainer for the track team," explained Bertram. "I +steer him custom and he runs it. Ought to get me through next year +over and above. That's one reason I'm picking fruit and resting my +mind this summer instead of hustling for money in the city." + +"And then?" asked the Judge. + +"Law, I guess." + +"I am an attorney myself." + +"I guess I know that!" + +"What school have you chosen?" + +"None, I guess. I don't want to afford the time. Yes, I know you want +good preparation, but I'd rather be preparing in an office, making a +little and keeping my eye open for chances. I may find, before my +three years are up, that it isn't law I want, but business." + +"I'm not a college man myself," said the Judge, "I got my education by +reading nights on the farm, and pounded out what law I knew in an +office at Virginia City. One didn't need a great deal of law to +practice in Comstock days--more nerve and mining sense. But I've +regretted always that I didn't have a more thorough preparation. +Still, every man to his own way. This may be best for you." + +"That's what I think," said Bertram Chester. "When I got through High +School in Tulare, Dad said, 'Unless you want to stay on the ranch, +you'd better foot it for college.' I didn't want to ranch it, and I +saw that college must be the best place for a start. Dad put up for +the first year. I might have stretched it out to cover a little of my +Sophomore year if I'd been careful. I was a pretty fresh Freshman," he +added. + +"And your mother?" asked Mrs. Tiffany. "I suppose she was crazy for +you to go." + +"Yes, I suppose she would have been. She's been dead ten years. How +hard is it to get into a law office in San Francisco?" he added, +shifting. + +Judge Tiffany met the direct hint with a direct parry. + +"We have five thousand attorneys in San Francisco and only five +hundred of them are making a living." + +"Yes, I know it is overcrowded," said Bertram Chester, not a particle +abashed. + +After black coffee on the piazza, the two college boys swung off down +the lane, Bertram smoking rapidly at one of the Judge's cigars. + +"He can be almost anything," said the Judge, meditatively. + +"Even a gentleman?" gently inquired Mrs. Tiffany. + +"Perhaps that isn't necessary in our Western way of life. Thank God, +we haven't come yet to the point where the caste of Vere de Vere is +necessary to us." + +"I wish I had it," he went on, a little wistfully. + +"Gentility? why Edward, if anyone--" + +"Oh no, my dear. I may say that was half the trouble. So many +considerations came up; so many things I didn't want to do, so many it +didn't seem right to do. I was forever turning aside to wrestle with +my feelings on those things, and forever hesitating. Half the time, +after the opportunity was gone by, I discovered that my scruples had +been foolish; but I always discovered afterward. I don't believe that +success lies that way in a new world." + +He had risen; and now his wife rose and stood beside him. + +"You are forever talking as though you were a failure. I know you're +not. Everyone knows you're not." + +"The parable of the ten talents, Mattie. Not how much we've got, but +how much interest we've earned on our powers. However, we had that out +long ago, my dear. Yes, I know. I promised not to talk and think this +way. But if I'd been like this boy! He'll seize the thing before him. +No side considerations in his mind!" + +"It is a policy," said Mrs. Tiffany in a tone of injured +partisanship, "that will land him in jail." + +"No," said the Judge, "success does not lead towards jails. He'll look +out for that." + + + + +CHAPTER III + + +In that immortal "middle period" of San-Francisco, when the gay mining +camp was building toward a stable adjustment of society, when the +wild, the merry, the dissolute and the brave who built the city were +settling down to found houses and cultivate respectability in face of +a constantly resurgent past--in those days none who pretended to +eminence in the city but knew the sisters Sturtevant. Members of that +aristocracy which dwelt on Rincon Hill, their names and fames quite +eclipsed those of their quiet, self-effacing parents. Although they +never called it that, their establishment amounted to a salon. Also, +they never called their circle Bohemian, yet it was tinged with an +easy view on the conventionalities, a leaning toward art and the +things of art, which meant Bohemia in the time when that word was of +good repute. Spain, perpetual spring, the flare of adventure in the +blood, the impulse of men who packed Virgil with their bean-bags on +the Overland journey, conspired already to make San Francisco a city +of artists. She had developed her two poets, singers whose notes had +sounded round the world; the painters had followed. The stir of a new +life in art, a life which was never quite to reach fulfilment, blew in +the bay air. + +Centre for those awakening young painters, those minor poets who +carried in weaker hands the torches of the two giant pioneers, was the +house of the Sturtevant sisters, the one a wit, the other a beauty. +Heaven was not grudging with gifts to these two. Alice, the wit, had +also a hidden kind of beauty which was not to be taken in on first +sight, but which, perceived by the painters of that set, made some of +them swear that she was the real beauty of the two. Matilda, the +beauty, had if not wit a sprightly feminine fancy. Then, too, her +gentleness of judgment, her sweetness of intention, and her illogic of +loyalty, gave her point of view a humorous quality. Her circle, +confident in her good-nature, was forever leading her on, by this +device or that, to exhibit what John Stallard, the novelist, called +her "comedy of charity." O'Ryan, that great, glowing failure whose +name will outlive the fame of the successful in San Francisco, used to +play ingenious jokes upon it. O'Ryan was possibly the only man of any +time who could draw the sting of a practical joke. + +They dwelt, twin-regnant over this world of theirs, in sisterly +harmony. Stallard declared always that a final gift of fate and the +gods preserved them to harmony: their tastes in men differed. They had +choice enough, God wot--poets and novelists struggling on the verge of +fame; attractive, irresponsible, magnetic journalists, destined never +to arrive anywhere, but following a flowery path along which a woman +might smile; sons of new-rich millionaires who followed and backed and +corrupted the artists of that budding Paris which never blossomed; two +painters, among many, who got both fame and wealth before they were +done. + +In his later years, one asked Tyson the English novelist, connoisseur +of women if there ever was one, whom he esteemed the prettiest and +whom the wittiest among the women he had known and studied. + +"For wit, Lady Vera Loudon," he said, "and after her, a quite +remarkable woman I met in San Francisco out on the West Coast of +America--of all places." Tradition has enlarged this reply to make +Matilda Sturtevant his prettiest as Alice was his wittiest. + +Matilda's fresh beauty of the devil, her full yet delicate beauty of +the twenties and early thirties, live in the galleries of Europe. The +painters all had their try at her; she lived in creation which ran the +line between miniatures and heroic canvases. Lars Wark, perhaps the +least considered of all her painter friends, is the one that triumphed +most of all. Who does not know his Launcelot and Enid? The Enid, of a +beauty so intelligent, so wistful and so good--she is Matilda +Sturtevant, hardly idealized. + +These twin graces married within two years of each other. Of course, +they chose strangely. Matilda, whose beauty might have graced the head +of the table in any one of three gaudy mansions on Nob Hill, chose +Edward C. Tiffany, attorney, politician in a small but honorable way, +man about town--and much older than she. Alice, following quietly, +accepted Billy Gray, journalist--a clever reporter with no +possibilities beyond that; a gentleman, it is true, and a man of +likeable disposition, but on the whole the least desirable of all her +followers. + +Billy and Alice Gray lived out the three years which were all they +ever had of matrimony, in a Latin quarter garret, transformed into a +studio. The intellectual centre of San Francisco shifted to that +garret; the gay, the witty and the brilliant still followed wherever +Alice Gray might go. Billy, a type of the journalist in the time when +journalism meant the careless life, left her a great deal alone after +the honeymoon. On his side, there was no conscious neglect in this; on +her side, there was no reproach. It was just their way of living. He +adored her with a quiet, steady flame of affection which was too fine +to degenerate into mere uxoriousness. Already, he was a little too +fond of his liquor--a peccadillo which attracted little attention in +that age of the careless city. This troubled Alice Gray less than it +would have troubled her mother. In the periods when she pulled herself +up, she worried to think how little she did care about it. In fact, +his remorseful recovery from his debauches had become her occasion for +pouring out upon him the mother in her. She reveled guiltily in this +singular sacrament of her singular love. + +After three years Alice Gray gave birth to a daughter--and died within +a fortnight afterward. In all truth, I may say that life, for Billy +Gray, ended that day. To lose this tenth muse--I can think of nothing +more complete in tragedy except the loss of her father of Marjorie +Fleming. And he, like Marjorie Fleming's father, spoke her name no +more--until near the end. When after twenty years, his own time came, +Stallard, LeBrun the poet and Lars Wark gathered to pay him their last +respects. LeBrun came all the way from New Orleans, and Stallard +delayed his journey to the South Seas. They had drifted away from him, +such had become his ways and habits; they came back in honor of the +woman who illuminated their youth. So long and so powerful was the +influence of her who never wrote a line except in air and memory. + +Billy Gray went on living for the sake of his daughter; but he lived +like a man driven of the furies. He became one of those restless, +wandering journalists whose virtue to their newspapers is their utter +abandonment of courage and enterprise, whose defect is their love of +drink. + +Eleanor, they called the baby--Alice had chosen that name "in case it +is a girl." Mrs. Tiffany, childless herself, played second mother +during the first three years of Eleanor's healthy and contented little +life. Perceiving the growth of bad habits in that broken +brother-in-law, strong and generous enough to face her perceptions, +she called him back from a desk in Los Angeles, where, gossip said, he +was drinking himself to death, and gave him over his daughter to keep. +From that time on, during a succession of removes which took him from +Vancouver on the north to Los Angeles on the south, Billy Gray had +establishment after establishment, housekeeper after housekeeper for +this daughter. Her face and ways, the dim shadowing of her mother's, +were the only hold on reality which he kept. + +She grew up a rather grave little thing, hardly pretty at all until +she turned fifteen, when she showed signs that the beauty of her aunt, +if not the wit of her mother, might live again in her. Of wit, it +seemed, she had little; neither did she show any great talents in her +irregular schooling. Her longest term at any one school was three +years with the Franciscan Sisters in Santa Barbara. They, Spanish +gentlewomen mainly, are the arbiters and conservators of old fashioned +manners on the West Coast. Of them it is said, as it is said of +certain sisterhoods in France, that one may know their graduates by +the way they keep their combs and brushes. In two years Eleanor +absorbed something of their grave gentility from these Spanish women. +Little else she got from that education, seeing that she was a +Protestant and studied neither catechism nor church doctrine. She did, +indeed, totter once on the brink of Rome--even dared speak to her +father about it. He accepted the situation so carelessly and gave his +assent so easily that she was a little hurt. But the next day, he +quizzed her about the church and its doctrines. Like a good lawyer, he +slipped in the crucial question of his cross-examination between two +blind ones. + +"All who die outside of the church go to Hell, don't they?" he asked. + +"Sister Sulpicia says so." + +"Then your grandmother" (Mrs. Sturtevant had just died) "is in Hell?" + +He pursued the line no further; he never needed to; and after a time +the storm of doctrine died down in her. That phase of life left +another effect on her beside her manners--a mark common enough among +Protestant women reared in the shadow of the Catholic Church. Outside +its pale by belief, she clung to a few of its sacramentals for pet +superstitions, and to a few of its observances for her consolation in +trouble and her expression in happiness. + +She was sixteen, and about to graduate from a Seminary in Oakland, +when her call came to her. In one moment, the secret of her father's +long absence became plain; and her whole way of life changed. + +Billy Gray had drifted back to the city of his beginnings and +happiness; was writing hack editorials and paragraphs for the little +weeklies which so infested San Francisco. She knew that their fortunes +were low, that only her inheritance, left in trust by her +grandparents, kept them moving. Also, a dim suspicion which she had +held of her father for years was taking shape in her mind--too young +that mind, yet, for any very strong belief in human conduct not +written in the tables of the law or in the Etiquette Book. + +The current which fused these amorphic thoughts was generated in the +most commonplace manner. By custom, she went to the seminary on Monday +morning, staying there until Friday evening. It happened that the +death of a teacher made Friday an unexpected holiday. Returning on +Thursday afternoon, she found the house locked. She remembered that +this was "make-up day" at the weekly which took most of her father's +work; he must be in the office. She hesitated, wondering whether to +telephone for the key; decided to walk down town, since it was a +beaming, windless afternoon. + +She came about a corner of Montgomery Street, turned in toward the +office of _The Whale_, and ran into the environs of a gathering city +crowd. The men were straining over backs and shoulders to see; the +women were pressing their hands convulsively to their faces with pity +and disgust. + +"What's the answer?" some one called from the fringe. + +"A drunk," came a voice from within, "plain drunk." The police arrived +just then, and cleared a way; through the rift they made, she saw them +lift--Billy Gray, her father. + +In the limpness and horror of this, her first crisis, she did nothing, +said nothing; only stood there. Presently, she was aware that a +workman in soiled overalls had joined the policemen. + +"Now that's all right," he was saying, "he's only dead to the world, +making no trouble for nobody. He works for _The Whale_ up above; +what's the good to pinch him?" "_The Whale_?" asked one of the +policemen; and hesitated on the word. In quick decision, then, he +whirled upon the crowd, pushed it back, cleared a space. The other +policeman and the man in the soiled overalls--he was foreman of _The +Whale_--picked up Billy Gray, who was turning and mumbling feebly, and +started to carry him upstairs. A sudden impulse of her limbs, an +instinct independent of her will, drew her toward them. The policeman, +clearing away the crowd, laid hand upon her. + +"You'll have to get back little girl!" he said. + +She looked him in the eye; the sudden abandonment to her shame seemed +to lift and to exalt her; afterward, shuddering over that day, she +still remembered a certain perverse pleasure in this moment. And she +spoke loud, so loud that all the crowd might hear. + +"He is my father!" + +The policeman gave way; she hurried up the stairs. The bearers of +Billy Gray were resting on the top of the first flight. They had +braced him up against the banisters and were trying to rub sense back +into him. She addressed herself straight to the foreman. + +"Does this happen often?" she asked. + +A good natured and communicative person, he was also enough touched by +his importance as Good Samaritan to answer the question of a stray +little girl. + +"Lord yes!" he replied. "Every pay day nowadays. Used to be the +brightest man in the business, too." + +Then as she stood there, blown by all the strong cross-winds of the +world, Marshall the editor, who knew Eleanor, came hurrying down the +stairs. He saw that wreckage, grown familiar now to them all, saw the +girl standing white of face beside the balustrade; the situation came +over him at once. He opened the door, drew in both the intoxicated +Billy Gray and his daughter. Half an hour later, when Billy could walk +a little--it was a dead, nerveless intoxication with him +nowadays--Eleanor and the foreman took him home in a cab. + +In that long day and night, Eleanor strung together a thousand +half-forgotten incidents, neglects and irregularities of life, and +perceived the truth which her whole world had been in conspiracy to +keep from her. Out of the cross-blowing impulses of an immaturity +which was still half childhood--self pity, shame, heroic pride in her +own tragedy, passionate hatreds of a world which harbors such +things--she came to a resolve in whose very completeness she was happy +for a time. When, before breakfast, she burst into Mattie Tiffany's +boudoir, she had a saintly radiance in her face. The elder woman, +advised by the first words that Eleanor knew, took the little, cold +body into bed with her, petted her back to something like calm. Storm +followed the calm; Eleanor went all to pieces in a burst of passionate +crying. + +After she had recovered a little, her purpose came out of her. +Considering her years, she said it all quite simply and +undramatically. It was her business to be with her father. Her mother +would have wished it so. She was going to leave school. That was her +work. + +Mattie Tiffany, with her passion for picturesque philanthropies, knew +right well that she had neglected somewhat the plain, unpicturesque +philanthropy which lay close to her hand. She had neither the heart +nor the conscience to deny Eleanor this sacrifice. In that hour, there +grew up between the childless aunt and the motherless niece an +understanding which those three years of first infancy, when Eleanor +had lain on her breast like a daughter, had never brought at all. + +In three months more, during which time Billy Gray reformed, lapsed, +reformed, lapsed again, the wiser head of Judge Tiffany found the way. +The Sturtevant estate, nearly fifty thousand dollars in all, lay in +his hands as trustee. Upon Eleanor's majority, it was to be divided, +one third accruing to her, the surviving grandchild, and two-thirds to +Mattie Tiffany. + +Of late, Judge Tiffany had been turning his mind toward the Santa +Clara Valley fruit farms, and especially toward the Santa Lucia tract. +He had made the struggle with his own world and lost; that is another +story. At sixty-eight, life held little for him except an easy descent +into the grave after a career in which he had played only too little. +That leisurely style of farming, which would permit him to keep an +eye on his dwindling law practice, attracted him. And nothing, it +seemed to him, would better further the intention, now awakened in all +of them, to do something for Billy Gray. He bought, therefore, two +tracts, already planted and bearing in diversified fruits; one of +forty acres, with a little cottage home, for Eleanor; the other of +eighty acres, with a large bungalow, for himself. + +So far as his intentions toward Billy Gray went, Judge Tiffany made +this venture with little hope. Billy Gray had tried the Keeley Cure +twice. After each course of treatment, he had "beaten it," although he +must gargle whisky, through a deadly sickness, in order to get back +into the habit again. His was that variety of drunkenness which is not +only an unnatural thirst, but also a mania to forget. There on the +Santa Lucia tract, Billy Gray, sure of a living, might tilt at +happiness and success with that independent writing which is the +chimera of all newspaper men until the end of their days; and Eleanor +might help him make the fight. + +The next four years--they were a monotony of variety. For her broken, +incompetent father, Eleanor learned the art and practice of growing +apricots and prunes. Lady of her small manor, she made a business of +it; got it to pay after the second year. Billy Gray never reformed; no +one but Eleanor ever expected that he would. He smuggled whisky in; he +stole away to get it; once he led the Judge and Eleanor a chase +through his old haunts in San Francisco until they found him, broken +all to pieces, in the county hospital. + +That incident--it appeared that he had been beaten by a squad of +drunken soldiers from the Presidio--was the breaking strain. His +constitution gone, his mind and body weakened. For twenty years, no +one had ever heard him speak the name of that Saxon Alice whose death +was the death of his soul. Now, he began suddenly to babble to his +daughter of her mother. In his last delirium, he called her "Alice." + +When he was dead and buried, Eleanor went on for a year through her +accustomed routine of the ranch, letting life flow in again. Tired at +twenty-two, she overstated the feeling to herself after the manner of +youth, and thought that heart and sense and feeling were dead in her. + +In all the years of passage from girlhood to womanhood, she had lived +alone with that dipsomaniac, seeing only such society as frequented +her aunt's lawn, and little of that. Books, and such training in life +as they give, she had known; but she had never known a flirtation, a +follower or a lover. On the day when Bertram Chester went with her to +tame the bull, she was as one who steps from the door of a convent. + + + + +CHAPTER IV + + +As she left the Tiffany gate and emerged into the main road between +Santa Clara and Los Gatos, Eleanor raised her serviceable khaki-brown +parasol. She was walking directly toward the setting sun, which poured +into her eyes; yet she dropped the sunshade behind her head as though +to shield herself against an approach from the rear. No one followed; +she had walked to the next fence corner before she assured herself of +that, dared to shift that feminine buckler against the eye of the sun, +to slacken her pace, and to muse on an afternoon whose events, so +quiet, so undramatic, and yet so profoundly significant, buzzed still +in her head. As she thought on them, other things came into her mind +as momentous and worthy of attention before the jump of the great +event--that moment alone with Bertram Chester, that panic of +unaccountable fear. Slow to anger as much by a native and hidden +sweetness as by that surface control which puzzled her demonstrative +Aunt Matilda, she surprised her cheeks burning and her blood beating +in her throat. + +With this physical agitation came an army of disagreeable and +disturbing thoughts. At first they were only recollections of +irritations past; the tiny maladjustments of her life; things by which +she owed vengeance of slight wrongs. They came together at length, +into one great, sore grievance--the forwardness, the utter, mortifying +impudence, of Mr. Chester. It was long before she admitted this as a +cause of irritation; once admitted, it overshadowed all her other +complaints against life. + +Timidly, she approached stage by stage that scene on the lawn, that +unaccountable moment in the kitchen. Again she saw his great shoulders +heave with unnecessary strength at the ridiculous cracker box; again +she caught the sense of confinement with a machine of crushing +strength and power. It seemed to her that her retina still danced with +the impression of him as he turned to face her, as he flashed upon her +like a drawn weapon. She found herself looking down at the dusty road; +suddenly she grew so sick and faint that the breath deserted her body +and she had to lean against the gate post for support. The touch of +it against her body revived her with a start, and brought to her mind +the extent and folly of her own imaginings. She pulled herself +together and dropped her parasol to shield her face from Maria, who +was hurrying over from the kitchen garden. + + * * * * * + +Life flowed in immediately. A hundred details of a household, of a +fruit farm in the picking season, awaited her attention. Her orchard +and the Tiffany orchard were conducted together on a kind of a loose +co-operative system devised by the Judge to give her the greatest +amount of freedom with just as much responsibility as would be good +for her. Foreseeing that Alice Sturtevant's daughter would never live +on a farm indefinitely, that marriage or her own kind would claim her +in the end, he arranged everything so that her oversight might pass on +short notice to Olsen or to himself. In this harvest season, for +example, he secured for both farms the cutters and pickers--the +hardest problem for the Californian farmer. Also, the fruit went to +his own sheds and yards for cutting and drying. He was among the +sturdy minority who stood out against the co-operative driers which +had absorbed most of the fruit crop in the Santa Clara Valley. The +detail work about her place--such as setting out the fruit boxes, +selecting the moment when apricots or pears were ripe for the picking, +seeing that the trees, her permanent investment, were not injured by +wagon or picker, keeping her own accounts in balance with those of +Judge Tiffany--these and a hundred other little things she did herself +and did them well. Especially was the up-keep of the orchard her +special care; and this she managed with such native mother-sense that +one learned in trees might have told just when he crossed the unfenced +line from the Gray orchard to the Tiffany orchard. + +To-night, Olsen was waiting to know whether she thought that the ten +rows of Moor Parks were ready for picking; he had just finished the +first crop of the Judge's Royals and a small gang would be without +pressing work on Monday morning. So they walked over the orchard +together, pressing a golden ball here and there, and decided that the +fruit was ripe and ready. Eleanor summoned Antonio for directions +about boxes and ladders. The hen-house had to be inspected, for +Eleanor was fumigating against the pip, brought into the Santa Lucia +by an importation of fancy Eastern chickens. To-morrow's menu of the +housekeeper was to be looked after. The things kept her busy until her +solitary Sunday evening supper. + +Eleanor had dined alone so much that she had quite recovered from any +self-pity on that score. Like the daughter of convent manners that she +was, she kept up her self-respect by a little ceremony at this meal. +She dressed for it usually; at least she put on fresh ribbons and +flowers, gave a touch here and there to the table, held Maria to the +refinements of service. + +However, as she opened her napkin that evening the rush and emotional +strain of the day brought a certain flash of introspection. It came +first when she lifted her eyes and caught sight of herself in the +mirror--dewy eyed, fresh, a pink rose in her hair, a pink ribbon at +her throat. What was she, so young, so feminine, doing there, supping +alone in state? She remembered the invitation of Lars Wark in Munich; +he and his wife, living the life artistic away over there, had sent to +ask her that she visit them and share their winter in the studio or +their summer on the coast of Brittany. Why, in the face of that +alluring invitation, did she suffer her soul to keep her in such +prisons as this? She could afford it; there was no question of money. +According to the books she had read, that solitary state belonged to +old, disappointed bachelors, old maids, faded people generally. Here +she sat, a picture unseen, playing at age--and she less than +twenty-two. There was a kind of delicate incongruity about it all. And +watching her own grey eyes, as they faced her in the mirror, she half +comprehended why she continued to live so, even after her father died +and took away the reason for her old solitude. She had been under the +hypnotic suggestion of an event, an impression. That moment on +Montgomery street, when she found her father lying drunk, when tragedy +and responsibility came together--that moment had stretched itself out +to six years. She had lived by it; was living by it now. + +In some unaccountable fashion, that picture would intertwine itself +with the impression, so new and vivid, which she had received that +afternoon. Momentarily, both united to produce one emotion--profound +disgust and dislike for the coarseness, the brutality, of male +humanity, which had laid her father out on the pavement for the sport +of a mob, which had made this perturbing young man trample on all +considerations and delicacies. + +"You need not mind about dessert, Maria," she called out suddenly. She +rose, hurried out of doors, tore into the inspection of fruit crates +for to-morrow's picking. + +Night, falling with little twilight, as always in those climes, found +her still ranging the house and barnyard, the rose incongruously in +her hair, the ribbon at her throat. When it was too dark to find +employment out of doors, she hurried back to the house, tried to read. +But a sense of confinement drove her forth. She started out toward the +road, stopped by the hedge gate, sat down finally on a bench under her +grape arbor. The leaves and the bunches of swelling fruit hid her from +sight of the highway, overshadowed at that point by a great bay tree. + +A confusion of voices, masculine and feminine, sounded in the +distance. She caught a shrill, rowdy laugh. "The cutting-women and +their men," she thought dimly. That social phenomenon of the picking +season, grown accustomed by six years of passing summers and winters, +drew no special attention from her. But the noise continued; it became +plain that these reveling laborers were making in her direction. +Doubtless, they came from the women's camp at Judge Tiffany's. The +night was bringing her peace and sleep of the soul after a disturbing +day; alone, that raucous noise marred the calm. + +She peered idly through the leaves. A half a dozen women, their white +dresses making them visible in the dusk, a few men whose forms loomed +indistinctly against the edge of the sky, noised past her and were +gone down the road. One couple, she perceived, lingered behind. They +had reached the shade of the bay tree, were so close that she might +have reached out and touched them, before she realized the situation. +She was about to call out, to cough, when the man spoke. + +"No, I won't hurt you," he said, "I'm as gentle a little kisser as you +ever saw." The voice was that of Bert Chester. + +"Aw, you're too fresh," came the voice of the girl. But as they drew +into deeper shadow, she was not pulling away from him. + +"Fresh as a daisy!" said the voice of Bertram Chester. Followed a +struggle, a faint "stop, stop!" in the voice of the girl, the sound of +gross and heavy kissing. In a moment, the white form of the girl broke +down the road, the greater, darker form of the man lumbering after. He +caught her, held her for a longer time and a lesser struggle. She came +out of this one laughing, and down the road they went, his arm a black +shadow about her waist. + +Eleanor's deeper and higher self--the self that lay like a filmy, +impalpable wrapper about her conscious mind, so that at times she +appeared to herself as two persons--that consciousness stood aloof in +expectation of disgust, revulsion, horror. It came as a confused +surprise that she felt nothing of the kind. A cloying sweetness, a +sensation purely physical, as though a syrup had been poured into all +the channels of her nerves, began in her throat, rushed through body +and limbs. The sweet tide surged backward, beat in a wave of faintness +upon her heart. Shame, like air into a vacuum, followed with a rush. +She sank to the ground, clinging to the bench. + +When she had so far mastered herself that she could feel her own +senses, she was praying aloud--praying in the rite which held her +emotions while it failed with her reason. + +"Ave Maria Sanctissima!" she was saying over and over again. + + + + +CHAPTER V + + +"Match you to see whether it's good, old fifteen cent feed at the +Marseillaise or a four bit bust at the Nevada," said Bertram Chester. + +"I'll take you," responded Mark Heath, flipping a silver dollar as he +spoke. "Heads the Nevada; tails the croutons and Dago red." + +"Tails it is--aw, let's make it the Nevada to show there's nothing in +luck." + +"You quitter!" + +"All right; but I hate to look cabbage soup in the face," grumbled +Bertram. He resumed, then, his languid occupation which this parley +had interrupted, and continued to review, from an angle of Moe's cigar +stand, the passing matinee parade. + +The time was late afternoon of a fog-scented October day. Through the +wet air, street lamps and electric signs had begun to twinkle. Under +the cross-light of retreating day and incandescent globes, the parade +of women, all in bright-colored silks and gauds, moved solid, +unbroken. Opera bags marked off those who had really attended the +matinees; but only one in five wore this badge of sincerity. The rest +had dressed and painted and gone abroad to display themselves just +because it was the fashion in their circles so to dress and paint and +display. Women of Greek perfection in body and feature, free-stepping +Western women who met the gaze of men directly and fearlessly, their +costumes ran through all the exaggerations of Parisian mode and tint. +Toilettes whose brilliancy would cause heads to turn and necks to +crane on the streets of an Eastern city, drew here no tribute of +comment. It had gone on all the afternoon. From the Columbia Theatre +corner, which formed one boundary of "the line," to the Sutler Street +corner of Kearney, five blocks away, certain of these peacocks had +been strutting back and forth since two o'clock. The men who +corresponded in the social organization to these paraders of vanity +lined the sidewalks or lolled in the open-air cigar stands, as did +these two young adventurers in life--Bertram Chester, now a year and a +half out of college, and Mark Heath, cub reporter on the _Herald_. + +When the homefarers from office and factory had begun to tarnish the +brilliance of this show, when the women had begun to scatter--this one +to dinner with her man, that one back to the hall-room supper by whose +economies she saved for her Saturday afternoon vanities--Bertram and +Mark drifted with the current up Kearney street toward the Hotel +Marseillaise. In their blood, a little whipped already by the two +cocktails which they had felt able to afford even while they debated +over the price of dinner, ran all the sparkling currents of youth. +They drew on past Sutler Street to Adventurer's Lane, the dingy +section of that street wherein walked the treasure-farers of all the +seven seas; and as they walked, Bertram began to speak of the things +which lay close to his heart. + +"I guess I'll chuck the law," he said. "Maybe I'll stay with Judge +Tiffany a year or so longer--until I get admitted anyway. A bar +admission might count if I wanted to go into politics." + +"Politics is a pretty poor kind of business," responded Mark Heath. +Old enough in journalism to have recovered somewhat from his first +enchantment with the rush of life, he was only just beginning to +acquire the cynical pose. + +"Hell, it's all according to how you play it," said Bertram. "When you +get to be Lincoln, nobody calls it poor business. Do they think any +the worse of my old man because he played politics to be sheriff of +Tulare? If I should go into the game down there, his pull would help +me a lot. But it's me for this." His sweeping gesture took in the +whole city. + +He had missed Mark's point. The latter felt within him a little recoil +from that loyalty for his greater, more ready, more popular friend, +which had carried him, a blind slave, through college, and which had +helped him make him settle in San Francisco instead of Tacoma. Through +his four years at the University, Mark had shared his crusts with +Bertram Chester, yelled for him from the bleachers, played his fag at +class elections. Now Mark was out in the world, practising the +profession of lost illusions; and a new vision had been growing within +him for many days. He turned a grave face toward his chum, and his +lips opened on the impulse of a criticism. But he thought better of +it. His mouth closed without sound. + +"The real chances for a lawyer, though, are in business," Bertram +went on. "Judge Tiffany never grabbed half his chances. Attwood in the +office, says so." + +"He surely didn't keep out of politics, that Judge," said Mark, +remembering the turns of fate which had almost--and ever not +quite--made the old Judge a congressman, a mayor, and a Justice of the +California State Supreme Court. + +"Oh, he had no call to be in politics. He hasn't the sand. Attwood +says so. And he stuck at his desk and let his business chances go by. +Myself, I'm keeping my lamps open. Just because the Judge doesn't +watch his chances, that office is a great place to pick things up. +Look at those tidewater cases of ours over in Richmond. I know, from +the inside, that we're going to lose our case, and lots will go +whooping up. I've written to Bob for a thousand dollars to invest. +I'll double that in a year and have my first thousand ahead. Say, why +don't you try something in business instead of sticking to newspapers? +Let's go in together. Reporting is a rotten kind of business." + +"Oh, I don't know, I like it. I think I'll stay with it for a while." +Again Mark had put back the thought of his heart. Like so many of the +loyal and devoted, he could hardly bring himself to speak of his own +deeper motives and ambitions. Least of all could he reveal them in +this moment of disillusion. He had never told Bertram about the +four-act comedy hidden in the writing desk of their common room, to be +mulled over during the mornings of his leisure. "I think I'll stay +with it for a while, anyway," he added simply. + +They had turned out of Kearney Street and were mounting the hill-rise +toward the Hotel Marseillaise. These fringes and environments of +Chinatown had been residences for the newly affluent in the days when +the Poodle Dog flourished and flaunted in the hull of a wreck, in the +days when that Chinatown site was Rialto and Market-place for the +overgrown mining camp. The wall moss which blew in with the trade +winds, and the semi-tropic growth of old ivies and rose-bushes, had +given to these houses the seasoning of two centuries. Unpretentious +hovels beside the structures of stone turrets and mill-work fronts by +which later millionaires shamed California Street and Van Ness Avenue, +they had the simple dignity of a mission, a colonial farm-house, or +any other structure wherein love of craft has supplanted scanty +materials. Innumerable additions of sheds and boxes, the increment of +their fallen social condition, broke their severe lines. A massive +door, a carriage entrance, the remains of a balcony faced to catch +wind and air of the great bay, recalled what they had been; as though +a washerwoman should wear on her tattered waist some jewel of a wealth +long past. + +The Hotel Marseillaise occupied one of these houses. Where it stood, +the hill rose steep. One might enter a narrow alley, skirt a board +fence, dodge into a box hall, seasoned with dinners long past, and +mount by a steep staircase to the dining room; or he might enter that +dining room directly from the street, such was the slope of the hill. +A row of benches parked the front door. On the fine, out-of-doors +evenings which came too seldom in the City of Fogs, French waiters out +of work, French deserters from merchantmen in the harbor below, French +cabmen waiting for night and fares, lolled on these benches while they +smoked their black cigarettes and chattered in their heavy, peasant +accent. + +Within, Madame Loisel ruled with her cash register at the cigar +counter. She, bursting with sweet inner fatness like a California +nectarine, kept in her middle age the everlasting charm and chic of +the Frenchwoman. This Madame Loisel was a dual personality. She of the +grave mouth, the considering eye, the business manner, who rung up +dinner fees on the cash register and bargained with the Chinamen for +vegetables at the back door, seemed hardly even sister to the Madame +Loisel of Saturday afternoon on "the line" or Sunday morning at the +French Church. By what process man may not imagine, this second Madame +Loisel took six inches from her girth, fifty pounds from her weight, +fifteen years from her age. Her step was like a dancer's; her figure +was no more than comfortably plump; her Sunday complexion brought the +best out of her alluring eyes and her black, ungrizzled hair; her +hands, in their perfect gloves, bore no resemblance to the hands which +had scraped pots for Louis Loisel in the time before he could flaunt +the luxury of a cashier. + +In Madame Loisel's background lay the ramblings of a house built for +comfort and large hospitalities. Gone were the folding doors, bare +the niches, empty the window-seats. The old drawing-rooms, music-room, +dining-room, had become one apartment of a sanded floor and many long +tables. Through this background of his wife moved Louis Loisel, +grizzled, fat and gay; never too busy at his serving to exchange +flamboyant banter with a patron. + +Hither the peasant French of San Francisco, menials most of them, came +for luncheons and dinners of thick, heavy vegetable soup, coarse fish, +boiled joint, third-class fruit and home-made claret, vinted by Louis +himself in a hand press during those September days when the Latin +quarter ran purple--and all for fifteen cents! Thither, too, came +young apprentices of the professions, working at wages to shame a +laborer, who had learned how much more one got for his money at +Louis's than at the white-tiled American places further down town. It +stood for ten years, this Hotel Marseillaise, the hope of the +impecunious. How many careers did it preserve, how many old failures +from the wreckage of Kearney Street did it console! + +Madame Loisel stood at her cash register as the two young men entered. +A fresh waist, a ribbon at her throat, a slimness of her waist and an +artificial freshness in her complexion showed that she had been +parading that afternoon. + +"Bonsoir Madame--la la la-la-la!" called Bertram. + +Her face blossomed with coquetry, her teeth gleamed, and: + +"Bonsoir--diable!" she smiled back at him. Mark Heath had greeted her +more soberly. Her eyes followed Chester's big, square frame as he +moved with lumbering grace to a corner table. + +There he sat at the beginning of his career, such as it was, this +Bertram Chester--a completed piece of work, fresh, unused, from the +mills of the gods. His strong frame was beginning to fill out, what +with the abandonment of training for a year. He was a pretty figure of +a man in his clothes; and those clothes were so woven and cut as to be +in contrast with his surroundings. A tailor of San Francisco, building +toward fashionable patronage, had made him suits free during his last +year in college. Varsity man and public character about the campus, +Chester paid him back in advertising of mouth. Guided by that +instinct of vanity and personal display which runs in those who have +to do with the cattle range, he had learned to dress well before he +was really sure-mouthed in English grammar. + +His face, still, as when we first saw him, a little over-heavy, had +lightened with the growth of spirit within him. This increase of +spirit and expression manifested itself in his rolling and merry eye, +which travelled over all humanity in his path with an air of +possession, in the mobility of his rather thick-lipped mouth. For the +rest, the face was all solidity and strength. His neck rose big and +straight from his collar, a sign of the power which infused the figure +below; his square chin, in repose, set itself at a most aggressive +angle; his nose was low-bridged and straight and solid. From any +company which he frequented, an attraction deeper than his obviously +regular and animal beauty brought him notice and attention. + +The son of Louis, a small, cheerful imitation of his father, slammed a +bowl of cabbage soup down before them. Bertram, sighing his young, +ravenous satisfaction, sank the ladle deep and stopped, his hand +poised, his eyes fixed. Mark followed the direction of his glance. +Louis Loisel, wearing his best air of formal politeness, was bowing a +party of women to a table by the door. + +"Slummers!" said Mark under his breath. A habitue of the place, he +had already developed a resentment of outsiders. + +Louis pulled out chairs, wiped the table mightily; the French cabmen, +the Barbary Coast flotsam and jetsam, gazed over their soup-spoons in +silent, furtive interest. + +"It's her!" said Bertram, lapsing into his native speech. Heath +flashed a glance of recognition at the same moment. + +"Miss Gray--sure--Mrs. Tiffany's niece. I thought she was in +Europe--didn't she start a week or two after we left the ranch?" + +"Oh, I knew she was coming back. Mrs. Tiffany told me. The Mrs. Boss +isn't so sweet on me as she used to be, but I see her in the office +now and then." + +Bertram resumed his ladling. Both watched furtively. It was a balanced +party--three men and three women. Among the men, Mark Heath recognized +him of the pointed beard as Masters, the landscape painter. The +little, brown woman who sat with her back to them must be his wife. +The other girl, a golden, full-blown Californian thing--her, too, they +marked and noted with their eyes. + +Recognition of a sort had come meanwhile from the party at the guest +table. Miss Waddington, the full-blown golden girl, had seated herself +and cooed an appreciative word or two about the quaintness and +difference of the Marseillaise, when her eyes clutched at the two +young men in the corner, whose dress made them stand out so queerly +among the lost and soiled. As Bertram looked up with his glance of +recognition, her eyes caught his. She glanced down at her plate. + +"Eleanor," she said, "is that a flirtation starting, or do any of us +know the two men in the corner--there under that beer sign." + +Eleanor looked. Kate Waddington, her indirect gaze still on that +corner table, saw the dark young man smile and bow effusively. She +slipped a sidling glance at Eleanor Gray. Something curious, an intent +look which seemed drawn to conceal a tumult within, had filmed itself +over Eleanor's grey eyes. But she spoke steadily. + +"Why, yes. I have met them both. They used to do summer work on the +ranch when they were in college. I believe that the darker one--Mr. +Chester--is in Uncle Edward's law office now. I haven't seen either of +them since I went abroad." + +"I should say that this Mr. Chester fancied you, from his +expression." + +"I suppose that he fancies every girl that he sees--from his +expression." + +Kate Waddington caught the shade of irritation, uncommon with Eleanor, +and noted it in memory. Mrs. Masters, an eager little woman who +grasped at everything about her like a child, broke in: + +"If you know them, and they're really frequenters of the place, it +would be fun to ask them over. Sydney used to dine here a great deal +when he was young and poor, and he has _such_ stories of the people he +used to know then!" + +Eleanor hesitated. Kate looked again toward Bertram, who was talking +rapidly across his soup to Mark Heath, and: + +"Do!" she murmured. + +In that instant, Bertram himself cast the die. This had been the +debate across the soup: + +"I'm going over to speak to her," said Bertram. + +"I shouldn't butt in," said Mark. "It's a balanced party." + +"Oh, I shan't try to stay--coming along?" He did not wait to see +whether or not Mark was following. + +Miss Gray greeted him more cordially, altogether more sweetly, than +she had ever done in their meetings on the ranch, and passed him about +the circle for introductions. Noticing, then, that Mark had not +followed, Bertram turned and beckoned with impatience. Mark crossed +the room in some embarrassment. + +"Is this your first visit to the Hotel Marseillaise?" asked Mrs. +Masters. Mark hesitated; but Bertram laughed and beamed down on her +from his brown eyes. + +"Only about my two hundred and first," he said. "Mr. Heath and I dine +here every night we haven't the price to dine anywhere else." + +Masters, with that ready tact which he needed in order to live with +Mrs. Masters, rushed into the breach. + +"And I should call it about my four hundred and first," he said. "It's +back to the old scenes for the night. I haven't tasted real cabbage +soup since the last time--it has been a canned imitation. For +goodness' sake join us and tell us the news!" + +"Do!" said Miss Waddington with animation, and "Please," said those +two escorts who do not figure in this story. Eleanor said nothing, but +her expression was an invitation. + +"Sure!" responded Bertram. + +The Hotel Marseillaise had familiar customs of its own. For one thing, +guests bothered the waiters as little as possible. Masters smiled when +the two unconscious youths went back to their table, picked up the big +soup tureen, their knives and forks, their plates, and transported +them to the larger table. + +They were dragging the lees of a rather squalid Bohemia, these two +boys; a Bohemia the more real because they were unconscious in it. Its +components were a cheap furnished room, restaurants like this, +adventurous companionship in the underworld which thrust itself to the +surface here and there in that master-port of the Saxon advance. Not +for months had either of them been in the society of such women as +these--women who preferred cleanliness to display, women who were +nice about their nails and hair. A kind of pleasant shyness crept over +Mark Heath; the spirit came into the face of Bertram Chester. Masters, +tactician that he was, put the conversation into their hands. +Presently, they were telling freely about the fare at Coffee John's, +about their familiars and companions in the little Eddy-Street lodging +house, about the drifters of the Latin quarter. They quite eclipsed +the pale youth who was playing escort to Eleanor, and the substantial +person in the insurance business who seemed to be responsible for Kate +Waddington. Heath, speaking with a little diffidence and lack of +assurance, had twice the wit, twice the eye for things, twice the +illumination of Bertram Chester; yet it was the latter who brought +laughter and attention. His personality, which surrounded him like an +aroma, his smile, his trick of the eyes--one listened to Bertram +Chester. + + * * * * * + +When the son of Louis brought in the little sweet oranges and arranged +the goblets for black coffee, talk shifted from monologue to dialogue. +Eleanor found herself talking to Bertram. A kind of pride had been +rising in her all the evening; a pride born in recoil from her latest +recollection of him. The episode of that night under the bay tree had +gone with her clear across the Atlantic. Even the influence of the +wholly new environment, in which she had grown from a girl recluse to +a woman, had not served for a long time to erase that ugly stain on +her memory. Here and now was the man who served so to perturb her +once--and she could look on him, with her more mature eyes, as an +attractive, unlicked young cub. She surprised herself taking revenge +upon the past by a hidden patronage. At once, then, she fell to +talking of Europe and the splendors she had lived there. + +"This reminds me of the places one slips into abroad," she said, "Mr. +and Mrs. Wark--Lars Wark you know--took me to just such an old ruin in +Paris. We dined for thirty centimes, I remember, but it was no better +than this. I've had to go away to know my native city. That is the +thing which strikes you when you come back--San Francisco is so like +the Latin cities of Europe, and yet so unlike!" + +Kate leaned across her insurance man. + +"The Society for the Narration of European Travel is in session, Mr. +Chester," she said. "I know the joy that Eleanor is having. It was the +passion of my life after I first got back from abroad." + +"Oh, I eat it alive," said Bertram. "I'm strong for seeing Paris." He +turned back to Eleanor; and her double embarrassment drove her on. + +"Such a good time as I had with the Warks--their studio in Munich, +where I met all the German long-haired artists--a run to Paris in the +season--the dearest little village on the Coast of Brittany last +summer--and three weeks in incomparable London at the end. I haven't +thought of the ranch for a year and a half--Uncle Edward pays me the +compliment of saying that my profits fell off twenty per cent. under +Olsen's management--oh, isn't she a dear!" + +For Madame Loisel, wearing a beaming and affable manner, had come +through the door and approached their table. Madame made it a point of +business honor to promote personal relations with her regular guests, +asking Jean how he liked the fish, assuring Jacques that the soup +would be better to-morrow. This visit of hers to the slumming party +came after a storm in the kitchen, whose French thunders had reached +the dining room now and then. Louis, the conservative, hated slummers +and dreaded being "discovered." He ran a restaurant as a social +institution as well as a business venture. Madame Loisel, with her eye +on the cash register, longed ardently for slummers who would give +large tips to Louis the younger, order expensive wines, and put the +Marseillaise on the way to a twenty-five cent table d'hote dinner. +From that kitchen squabble, recurrent whenever slummers visited them, +Madame Loisel swept in haughty determination, leaving Louis to take it +out on the pots. As she approached the table, all the charm of France +illuminated her smile. + +She invariably paid slummers the compliment of addressing them in +French. + +"_Bonsoir--le souper, plait-il vous_?" she asked. + +Eleanor took her up in fluent French, and the talk sparkled back and +forth between them--reminiscences of this or that restaurant on the +boulevards which Madame Loisel had known in her youth and which +Eleanor had visited. Bertram, his mouth open, followed that talk as +though summoning all his Sophomore French to match a word here and +there. Kate Waddington, leaning again across her insurance man, was +the first to break in. + +"I myself used to be keen on French when I came back from Europe, but +I'm out of practice. Please excuse me, Madame, if I speak English. How +can you do it at this price?" + +"It is kind of you to say so, Mademoiselle--economy and honesty." + +Masters patted Mark Heath on the knee. + +"We can't let you fellows go away from us now. One doesn't get guides +to the Latin quarter for nothing. Take us somewhere, Mr. Heath--unless +you're working to-night." + +"No, virtue has been rewarded," said Mr. Heath. "I'm off to-night as a +testimonial of esteem from the City Editor. What shall it be?" + +Bertram Chester, taking up the talk again, laid out Kearney Street +like a bill of fare. Mrs. Masters, casting her vote as chaperone, +chose the Marionette Theatre tucked away under the shadow of the +Broadway Jail. + +As Eleanor stepped out into California Street, gathering her coat +about her against a night which had come up windy and raw, Bertram +took her side with a proprietary air. She turned toward her appointed +escort. It happened that he was walking ahead with Heath just then, +holding an argument about the drift of Montgomery Street when it was +the water front. For several blocks, then, Bertram had her alone. It +seemed to her that he began just where he left off two years or more +ago. + +"You're even prettier than you used to be," he said caressingly; +"you've bully eyes. I think I told you that before." + +This time, she looked him full in the face and smiled easily. + +"Have I? Well I hope you don't mind my saying that they're resting on +a bonny sight!" + +Somewhat taken aback by the directness of this answer, so different +from the artificial coyness of the girls he knew best in that period +of his life, Bertram turned in his course. + +"You're joshing me," he said. + +"Truly I'm not. You are good to look at--eyes and all." + +Although balked of his opening, Bertram tried again. + +"Well your mouth is just as good as your eyes." + +The same quick look into his face, and the same smile, as she +answered: + +"Yours is a little better if anything. It is not only well formed, but +it becomes delicious when you smile, and it has most attractive +shadows in the corners." + +"Suppose we talk sense," grumbled Bertram. + +"Suppose we do; I know you can." They both laughed at this, and all +the way up Kearney Street she continued her chatter of Europe. Lars +Wark, who had known her mother, had done everything for her. It had +been very different from the regular tour; she came back ignorant of +all the show places from Cologne Cathedral to the Tower. But it had +been her privilege to see and meet wonderful people. They would not do +for regular companionship, such people. They struck one, in the end, +as goblins and trolls; but it had been an experience of a +lifetime--while it lasted. The Warks had taken her to places which the +tourist never sees--lost villages in the Black Forest, undiscovered +corners of London, even. + +After a little of this, she drew him on to speak of himself. She had +heard news of him, she said, from her uncle, who said that he was +doing well and gave promise of a future in the law. How long had he +remained on the ranch that summer? This reference put him back into +his presumptive mood. + +"You went away without giving me a chance to say good-bye," he +complained. "I never saw you again after the party on the lawn." + +Her tongue ran away with her. + +"I saw you, though," she said. + +"Where?" + +"Oh, at a distance." He caught nothing from her tone, yet a slight +change did come into her manner, as though something had been drawn +between them. Then her escort fell in on the other side of Eleanor, +appropriating her by right and by consent of her attitude. + +Now they were in Broadway, skirting the small bake-shops, the dark +alleys, all the picture scenes of the Latin quarter. At that very +moment, Miss Waddington drew a little apart from the group clustering +about Masters and Mark Heath. An Italian baby of three, too late out +of bed, stood by a cellar rail surveying them with the liquid fire +which was his eyes. Kate Waddington stooped to pat his head. As she +raised herself, she was beside Bertram. Nothing more natural than that +she should fall in, step by step, beside him. He caught step with her, +but he still looked toward Eleanor. + +"Wonderful girl, isn't she?" asked Kate. + +"She sure is." + +"Her mother," said Kate, "had more wit than any other woman in San +Francisco--and the men she had!" + +"I think Eleanor has inherited _that_ at any rate," she added after a +pause. + +They had reached the door of the Marionette Theatre now. Afterward +they drank beer at Norman's; and when they broke up, Bertram Chester +found himself with three invitations to call. + + * * * * * + +Kate Waddington spent that night with Eleanor Gray in the Tiffany +House on Russian Hill. While they sat before the fireplace, in the +half-hour of loosened hair and confidences, Eleanor broke a minute of +silence with the inquiry: + +"What did you think of him?" An instant after she let slip this +impersonal inquiry, she would have given gold to recall it. And if she +had any hope that Kate Waddington had missed the point, it died in her +when Kate answered in an indifferent tone: + +"He? Oh, he seems to me to be a little promiscuous." + + + + +CHAPTER VI + + +The Tiffany house--I spare you full description--rambled with many a +balcony and addition over that hill which rose like a citadel above +San Francisco. From its Southern windows, one looked clean over the +city, lying outspread below. Even the Call building, highest eminence +piled up by man in that vista, presented its roof to the eye. I can +picture that site no better than by this; Over Judge Tiffany's front +wall hung an apple tree, gnarled, convoluted, by the buffets of the +sea wind. In autumn, when the fruit was ripe, stray apples from this +tree had been seen to tumble from the wall and roll four blocks down +into the Latin quarter. + +From the rear, the house looked out on a hedged and sloping garden, +quite old, as gardens go in that land, for a pioneer planted it; and +from the rear gate of that garden it was only a step to the hill +mount. Thence one came out suddenly to the panorama of the Bay, +stretching on three sides; a panorama divided, as by the false panels +of a mural landscape, into three equal marvels. To left, the narrow +gate, a surge like the rush of a river always in its teeth and the +bright ocean, colored like smelt-scales, beyond. In front the Roads, +where all strange crafts from the mysterious Pacific anchored while +they waited their turns at the docks. Both in foreground and +background, this panel changed day by day. It might be whalers from +the Arctic which lay there in the morning, their oils making noisome +the breeze; it might be a fleet of beaten, battered tramp +wind-jammers, panting after their fight about the Horn; it might be +brigs from the South Seas; it might be Pacific steamers, Benicia +scow-schooners, Italian fishing smacks, Chinese junks--it might be any +and all of these together. As for the background, that changed not +every day but every hour what with the shifts of wind, tide and mists. +Now its tinge was a green-gold betraying pollution of those mountain +placers which fed the San Joaquin and the mighty Sacramento. Now it +was blue and ruffled, now black and calm, now slate-gray,--a +mysterious shade this last, so that when the fog began to shoot +lances across the waters, these fleets at anchor by Quarantine wharf +seemed argosies of fairy adventure. Even Tamalpais, the gentle +mountain which rose beyond everything, changed ever with the change in +her veil of mist or fog or rain-rift. The third panel, lying far to +the right, showed first dim mountain ranges and the mouths of mighty +rivers, and then, nearer by, masts, stacks and shipping, fringing the +city roofs. + +North into this garden ran a small wing of the Tiffany house. Upon the +death of Alice Gray, Mattie Tiffany had set it apart for Eleanor the +baby. When, after her years with Billy Gray, Eleanor came back, Mattie +had refurnished it for the grown baby. The upper story held her +bedroom and her closets. Below was her own particular living-room. +This opened by a vine-bordered door into the garden, into that path +which led up to the bay view. + + * * * * * + +Judge Tiffany, sitting within the front window to watch the shimmer of +a pleasant Sunday afternoon on the city roofs below, perceived that +his wife had walked three times to that garden wall which looked down +along the drop of Broadway to the Spanish Church. + +The second time that he perceived this phenomenon, his eyes showed +interest; the third he smiled with inner satisfaction and rose to meet +her return as though by accident. He was leaning upon a cane, getting +ease of the sciatica which plagued him. + +The Judge had aged during the two years since he opened these events. +He had settled now into the worldly state of a man who rests content +with the warming sun and the bright air which feed life. But the inner +soul, whose depth was his philosophy, whose surface his whimsical +humor--that still burned in his dark blue eyes. Those eyes glistened a +little as he went on to this, his daily sport. + +He met her on the piazza. She had raked the rise of Broadway, which +one mounted by two blocks of hen-coop sidewalks; and now she was +inspecting the cross street. + +"All the Sherlock Holmes in me," said Judge Tiffany, "tells me that +Miss Eleanor Gray is going to have a caller, and that Mrs. Edward C. +Tiffany is in a state of vicarious perturbation. + +"Further," continued Judge Tiffany, dropping his hand upon her arm +with that affectionate gesture which drew all sting his words might +have carried, "this is no common caller. For that young civil engineer +and Mr. Perham the painter and Ned Greene, Mrs. Tiffany never blushes; +but these new attentions to her niece--well, I hope my approach drew +as much blood from her heart to her countenance twenty-five years +ago!" + +"I--I _am_ perturbed," said Mattie Tiffany. Running rose-bushes, just +leafing out into their fall greenery, overgrew the pillars beside her. +These she fell to pruning with her hands, so that she turned away her +face. + +"I see that discipline is relaxing in this family," said Judge +Tiffany. "Dear, dear, after managing a wife bravely and well for a +quarter century, to fail in one's age! Mattie, he works in my office, +this blush-compelling caller; and I told you when I gave him the +position not to take him up socially for the present!" + +"But what was I to do when he telephoned to Eleanor and asked her?" +Mrs. Tiffany turned her head with a turn of her thought. "Did you hear +him telephone--was that how you knew?" + +"I'd lose all hold on discipline if I revealed my methods." + +Judge Tiffany settled himself in an armchair as one prepared to make +it a long session. "Let's begin at the start. How came he to renew his +acquaintance with Eleanor, and when, and where--and how much had +Mattie Tiffany to do with bringing them together again?" + +"Not a thing--truly Edward! Some of Eleanor's slumming with Kate +Waddington and the Masters--they met by accident at a restaurant--Eleanor +asked him. You remember he was taken with her that afternoon just +before she went to Europe--the time he mortified me so dreadfully." + +"And the time he attracted my attention," said Judge Tiffany. "And now +behold that youth, who will always get what he wants by frontal +attack, reading my California cases and wearing out my desk with his +feet." + +"Do you think he will make a good lawyer?" asked Mattie Tiffany. She +turned full around at this, and the glance she threw into her +husband's face showed more than a casual matchmaker's interest. + +"He'll make a good something," said the Judge. "So far as anyone can +judge the race from the start. But that isn't why I have him in the +office. You know how little I care in these days for such practice as +I have left. I tell myself, of course, that it is my lingering +interest in life as a general proposition which made me do it--I am +curious to see before I die how this find of yours is coming out. That +is what I tell myself. Probably in my very inside heart I know that +it's something else." + +"What else?" asked Mattie. + +"This is one of the hidden things which this experiment is to +discover," said Judge Tiffany. "What made me notice him in the first +place? What made you invite him to tea on the lawn? What has made you +and me and Eleanor remember this chance meeting so long--let me +see--how long was it?" + +"A year ago last June," said Mattie. One of her functions in their +partnership was to hold small details always ready to the hand of the +wide-thinking Judge. + +"Will he go back on me--that's the question," pursued the Judge. +"Success is probably at the end for him, but he has two ways of +success open. He may go slowly and well, or fast and ill. Road number +one: he stays with my moth-eaten old practice, he refurbishes it, he +earns a partnership; and so to conservative clients and, probably, to +genuine success." He hesitated. + +"And the other road?" asked Mrs. Tiffany. + +"Oh, that has many by-paths. He is trying one of them already. The +stealthy, invaluable Attwood has told me about it. This Mr. Chester +has made an investment in Richmond lots on information which he had no +right to use. Never mind the details. If he follows that general +direction, it will be a flashy success, a pretty worm-eaten crown of +laurels." + +"Like Northrup's," broke in Mrs. Tiffany. That name always jarred on +their ears. Northrup, ex-congressman, flowery Western orator, all +Christian love on the surface, all guile beneath--he had taken to +himself that success which Judge Tiffany might have had but for his +hesitations of conscience. Theirs was a secret resentment. Judge +Tiffany's pride would never have let him show the world one glimmer of +what he felt. + +"Suppose he should follow that path--and take up with Northrup," went +on Judge Tiffany. "Mine honorable opponent has use for such young men +as our Mr. Chester will prove himself if he follows that +path--magnetic young men to coax the rabble, young men not too nice on +moral questions. Well, a boy isn't born with honor, any more than he's +born with courage; he grows to it. And God only knows just when the +boy strikes the divide which will turn his course one way or the +other." + +"But Edward, you ought to warn him!" + +"In the first place, it would do no good to warn one of his age and +temperament. In the second place, it would spoil the experiment--but I +had commanded you to talk, and here I am doing it all. How looked she; +what said he?" + +"To-day--just before church--I was hooking up Kate and Eleanor, and he +telephoned." + +"Instinct, of course, informing you that it was none other than he at +the other end of the wire?" On another tongue and in another fashion +of speech, this sentence might have been offensive; between them, it +was a part of his perpetual game with her amiable weaknesses. + +"If I did listen, it was no more than right. It was what a mother +would have done by Eleanor. I heard her say, 'Good morning Mr. +Chester,' not at all as though she were surprised to have him call up; +and I was really quite disturbed. You had told me not to invite him +here for the present; and I hadn't the slightest reason for knowing +that Eleanor had seen him since she came back from abroad. Her +speaking so familiarly--well, I wondered. But Kate--" + +"Oh, she was listening too?" + +"Well, I know that she hadn't the excuse for listening that I had; but +I had stopped hooking her up, and it was only natural that she should +listen too. Eleanor said, 'Certainly I shall be in,' and Kate said, +'That's the old friend we met with Mr. Masters last night in the Hotel +Marseillaise. He is prompt!' Rather sharp in Kate, considering what +Eleanor has been doing for her! + +"You'd have thought Eleanor had eaten the canary bird when she came +back. Of course, she knew we had been listening. I wish she hadn't. +I'd have liked to see whether she'd have told us then, or waited for +him to surprise us. Kate was sharp again. I wonder if she isn't +envious at bottom? After all Eleanor is so much more a lady! Kate said +again, 'The young man is prompt!'" + +Judge Tiffany laughed. + +"Oh, that women could dwell together in peace and harmony! Can't you +grant my playmate Miss Waddington a feminine jab or two?" + +"Well, she _is_ nice to you!" + +"Did it never occur to you as a virtue in her that she puts herself +out to entertain--even, Madame, I flatter myself to fancy--a withered +old codger like me!" + +Mrs. Tiffany's first expression flooded her eyes and said, "Is there +anything strange in liking you?" Her second expression set her mouth +hard and said, "What is her object?" Her voice said nothing. + +"And behold him now," said Judge Tiffany. + +There, indeed, came Bertram Chester, visible over their garden wall as +he toiled up the hen-coop sidewalk. The Judge returned to the house; +Mattie Tiffany settled herself on the piazza with the preen and +flutter of a female thing about to be wooed. + +The Tiffany drawing-room, panelled simply in woods, furnished with the +old Sturtevant mahogany, came upon Bertram Chester like a stage +setting as he entered with Mrs. Tiffany. Upstage, burned a driftwood +fire in a low hearth of rough bricks; Judge Tiffany sat there, in a +spindle-backed chair, reading. Across a space broken only by a +painting, a Japanese print or so, and more spindle-backed chairs, +Eleanor and Kate had grouped themselves by the piano. Eleanor, turning +the leaves on the music-rack, looked over her shoulder at him. She was +in pink that day; the tint of her gown, blending into the tint of her +fresh skin, contrasted magically with the subdued background. Kate, +all in white, sat on a hassock pulling a volume from the low book +shelf. All this came upon Bertram with a soothing sense which he did +not understand in that stage of his development, did not even +formulate. + +Kate, tripping across the rugs with a lightness which perfectly +balanced her weight, greeted him first; Eleanor and Judge Tiffany +shook hands with more reserve. And as Bertram settled himself in an +arm-chair before the fire, it was the ready Kate who put him at his +ease by opening fire of conversation. + +"Did I tell you, Mrs. Tiffany, about the restaurant which Mr. Chester +found for us last night? such an evening he gave us! Mr. Chester, who +is Madame Loisel--you should have seen her, Judge Tiffany--you'd never +dine at home again. When these young charms fade, I'm going to marry a +French restaurant-keeper and play hostess to the multitude and be just +plump and precious like her. How can you ever get past the counter +with her behind it, Mr. Chester?" + +"I'm generally hungry--that's how!" said Bertram Chester. + +"That's man for you!" responded Kate. "Judge beloved, if you were a +young man and Eleanor--I'm too modest to mention myself, you see--were +what she'll be at forty, and she were behind a counter, and you before +it, would hunger tear you away? Oh dear, it's such a bore to keep +one's grammar straight!" + +"I ask my wife's permission before giving the answer which is in my +heart," said Judge Tiffany. + +Eleanor broke into the laugh which followed. + +"But I would like to know about Madame Loisel." + +"Well, she's certainly a ripe pippin; you've seen that," answered +Bertram, his smile on Eleanor. "And I'd like to know what she's saying +when she parleys French to the garcons. She's all right if she's +feeling right, but I've seen her tear the place up when the service +went bad. I guess she's a square and a pretty good fellow!" + +"Tell us more about her--" this from Eleanor. + +"About her squareness? Well, there was the time Gentle Willie Purdy +got drunk. We call him Gentle Willie because he isn't, you know. About +three o'clock in the morning, he took the notion it was dinner time +and climbed the side gate to the Hotel Marseillaise and pounded at the +door. He faded out about then, he says. When he woke up, he was laid +out on a couch, with a towel on his head, and Madame was bringing him +black coffee. He tried to thank her after he felt better; and what do +you think she said? 'Meester Purdy, nevaire, nevaire come to eat in +thees place again.' She stayed with it too!" + +"Good for her!" said Mrs. Tiffany, reaching for her crewel work. + +"Oh, yes," responded Mr. Chester in the uncertain tone of one who +gives assent for politeness without knowing exactly why. + +"If I ever depart from the straight and narrow paths and get drunk, +may I have Madame Loisel to hold my head," cried Kate. + +The talk ran, then, into conventional channels--the news, the latest +novel, and the season's picking at the ranch. Judge Tiffany dropped +out gradually, and resumed his book; and more and more did Bertram +direct his talk, salted and seasoned with his magnetism, toward +Eleanor. Kate Waddington, left out of the conversation through three +or four exchanges, crossed the room and draped herself on a hassock at +the feet of Judge Tiffany. + +"Judge darling," she said in an aside which penetrated to the furthest +corner of the room, "I'm going back to my unsympathetic home before +tea. Don't you think we're well enough chaperoned to go on with our +flirtation just where we left off?" + +"Where was I when we were interrupted?" asked Judge Tiffany, leaning +forward. + +"Twenty-fourth page, fifth chapter," said Kate. "I was just getting +you jealous and you were trying not to show it. Mr. Chester--oh excuse +me--well, I've broken in now, so I might as well get the reward of my +impoliteness--may I use you to make Judge Tiffany jealous?" + +"Sure you can!" answered Bertram. + +"Oh, he won't do at all!" Kate was addressing Judge Tiffany again. +"He's entirely too eager. Who would be a good rival anyway, Judge +adored? Let's create one, like the picture of your future husband in a +nickel vaudeville!" + +"Eleanor," spoke Mrs. Tiffany, "suppose you show Mr. Chester your end +of the house and our garden--or would you like it, Mr. Chester? We're +rather proud of the garden." + +"I'd like it," answered Bertram; and he rose instantly. Mrs. Tiffany +made no move to accompany them; she sat bent over her yarns, her ears +open. And she noticed, at the moment when Bertram made that abrupt +movement from his chair, how Kate hesitated in the middle of a +sentence, as though confused. + +The rehearsed flirtation between Kate and Judge Tiffany faded into a +game of jackstones on the floor. + +Mrs. Tiffany heard the double footsteps fade down the hall, heard the +garden door open and close. After a short interval, she heard the door +again, and the dim footsteps sounded for but a moment. They had +turned, evidently, into Eleanor's own living room. Would they stop +there, these two, for a talk--yes, her gentle treble, his booming +bass, drifted down the hall. Presently Mrs. Tiffany heard Eleanor's +laugh, followed by his. In that instant, she looked at the jackstone +players by the hearth. Kate, on the crackle of that laugh, had +arrested all motion. A jack which she had tossed in the air, descended +with no hand to stop it. For a moment, Kate held that intent pose; +then, + +"Judge wonderful, I'm a paralytic at times. You for twosies." She +swept the jacks towards him with one of her characteristic gestures, +free and yet deft. + +A bell rang in the outer hall, and the maid entered. + +"Miss Waddington is wanted at the telephone," she announced. + +Eleanor, when she saw that her visitor had no intention of rejoining +the party, commanded him to smoke. He rolled a cigarette, Western +fashion, from powdered tobacco and brown paper, and disposed himself +in the window-seat, one leg drawn up under him, his big shoulders +settled comfortably against the wall. Eleanor began to talk fluently, +superficially, with animation. She felt from the first that he was +throwing himself against her barriers, trying to reach at once the +deeper stages of acquaintance. His direct look seemed both to plead +and to command. She outwitted two or three flanking movements before +he took advantage of a pause and charged her entrenchments direct. + +"I've said it before, but I'm going to keep on. You are pretty." + +"Thank you," she replied; and smiled--mainly at the ingenuousness of +this, although partly at the contrast between her present view of him +and that old memory. + +"Oh, it never seems to bother you when I say that," went on Bert +Chester, bending his rather large and compelling black-brown eyes upon +her. "Some girls would get sore, and some would like it; you never pay +any attention. That's one of the ways you're different." + +("Heavens--is he making love already--he is sudden!" thought Eleanor +with amusement.) + +"You are, you know. I picked you for different the first time I saw +you. I wondered then if you were beautiful--I always knew you had nice +eyes--and it isn't so much that you've changed, as that the longer a +man looks at you the prettier you are." + +"Shall we discuss other things than me?" asked Eleanor. + +"Why shouldn't we talk about you? I've never had a chance before--just +think, it's the first time ever I saw you alone--even that time on the +ranch a bull chaperoned us!" This minor joke, like every play of his +spirit, gained a hundred times its own inherent effect by sifting +through his personality. She smiled back to his smile at the boyish +ripples about his mouth and eyes. + +"You see, it means a lot when a girl sticks in a man's mind that way," +he continued. "Why, I've carried you around right through my Senior +year at college and my first year out. So of course, it must mean +something." + +The open windows of Eleanor's bower looked out upon a bay tree, a +little thing awaiting its slaughter--for shade trees might not grow +too near the windows in San Francisco. It was flopping its +lance-leaves against the panes; puffs of the breeze brought in a +suggestion of its pungency. That magic sense, so closely united with +memory--it brought back a faint impression upon her. Her very panic at +this ghost of old imaginations inspired the inquiry, barbed and +shafted with secret malice: + +"How many really nice girls have you known in that time?" + +Bertram, sitting in considerable comfort on the window seat, flashed +his eyes across his shoulder to her. + +"Oh, a few in my Senior year, not many this year. What's a man going +to do on twelve a week?" She noticed the indelicacy of this, since he +spoke in the house of his employer. But the next sentence from him was +even more startling: + +"The last time I was in love was down in High School at Tulare. She's +married a fellow in the salt business now. I guess she was pretty: +anyway, her hair was the color of molasses candy. I wrote a poem to +her the first day I saw her." + +"A poem?" asked Eleanor. + +"You do well to ask that," said Bertram, throwing on one of those +literary phrases by which, in the midst of his plain, Anglo-Saxon +speech, he was recalling that he was a university man. "It rhymed, +after a fashion." + +"You don't know how to be in love until you're older," he went on. + +("Even that bay scent brings up only wonder, not emotion; and I can +laugh at him all the way," she thought. Yet in this tiny triumph +Eleanor was not entirely happy. The vision, a little disturbing, a +little shameful, but yet sweet, was quite gone.) + +"Tell me about this girl with the molasses hair. She interests me. And +a lot about yourself." + +"Oh, I've forgotten most about her long ago. And I've something else +to remember now, I hope. I'd like to talk about myself, though. I'd +like some girl to hear about my ambitions. I really think it would do +me good." + +He stopped, as though expecting an answer. None came. He bent his eyes +closer on her and repeated: + +"It would!" + +And at that moment, a pair of high heels tapped in the doorway, a +cheerful voice called for admission through the portieres, and enter +Kate Waddington. Mr. Chester, Eleanor saw, rose to her entrance as one +who has not always risen for women; there was something premeditated +about the movement. + +"Mrs. Tiffany said you two were in here," she began in her full, rich +contralto, "and I made so bold, Nell--Mrs. Masters is taking a party +over to their ranch next Sunday. One of her men has disappointed her +and she's just telephoned to give me the commission to fill his place. +Mr. Chester, you are an inspiration sent straight from Heaven. Any +other man, positively any other, would be a second choice--but she +didn't know you when she made up the party, so how could she have +invited you?" + +She paused and threw an arch look past Eleanor. + +"Sure I'll come!" said Bertram, jarred into the vernacular by his +internal emotion of pleasant surprise. "Sure--I'd be delighted." + +"I told Mrs. Masters you'd be the ready accepter," said Kate. + +"You're going too, aren't you?" asked Bertram of Eleanor. + +"No; I had to decline, I'm sorry to say." + +"And I'm sorry; blame sorry." He turned back toward Kate Waddington, +and she, the lightning-minded, read his expression. He had made a +great _faux pas_; he had seemed more eager toward Eleanor, to whom he +owed no gratitude for the invitation, than toward her. + +"Would you care to drop in on Mrs. Masters as you go down town to let +her know that you are coming? Or if you wish I'll tell them--I'm going +now--that way." Her tone gave the very slightest hint of pique; her +attitude put a suggestion. The game, plain as day to Eleanor, raised +up in her only a film of resentment. Mainly, she was enjoying the +humor of it. + +Bertram rose promptly. + +"It is time I was going," he said. "I've enjoyed myself very much, +Miss Gray. If you don't mind, I'd like to come to see you again." + +"And I'll get into my things," said Kate. + +They all moved toward the door. + +Kate passed first; then Eleanor. There hung beside the door-casing a +hook, designed to hold the portiere cord. Eleanor brushed too close; +it caught in the lace at her throat. She pulled up with a jerk, gave a +little cry; the lace held fast. She turned--in the wrong direction. + +Bertram saw this tiny accident; he sprang forward, caught the lace, +disentangled her. And to do so, he must reach about her so that his +arms, never quite touching her, yet surrounded her as a circle +surrounds its centre. She turned and looked up to thank him, surprised +him, surprised herself, in that position. + +And a wave which was fear and loathing and longing and agitation ran +over her with the speed of an electric current, and left her weak. + +Her face, with its own sweet inscrutability, showed little change of +expression; but he caught a dullness and then a glitter of her eye, a +heave of her bosom, a catch of her breath. As he stood there, his +great frame towering above her, something which she feared might be +comprehension came into his eyes. And-- + +"You make a picture--you two there!" called Kate Waddington from +without. The transitory expression in his eyes--Eleanor saw it now +with triumph--was that of one who has thrown a pearl away. But he +followed. + + * * * * * + +Dining with Mark Heath in the Hotel Marseillaise that night, Bertram +fell into a spell of musing, a visible melancholy uncommon in him; for +his ill-humors, like his laughters, burned short and violent. Mark +Heath--by this time he was growing into a point of view on his chum +and room mate--remarked it with some amusement and more curiosity. + +Mark was casting about for an opening, when Bertram anticipated him. +Staring into the dingy wall of the Hotel Marseillaise, past the +laborers, the outcasts, the French cabmen purring over their cabbage +soup, he said in a tone of musings: + +"When Bert Chester grows up and gets rich, he'll take unto himself a +wife. We'll live in a big house in the Western Addition with a bay +frontage. It will be furnished with dinky old dull stuff, and those +swell Japanese prints and paintings. And I'll have two autos and a toy +ranch in the country to play with. We'll give little dances in the big +hall downstairs. I'll lead the opening dance with the missus, and then +I'll just take a dance or so with the best looking girls--the ones I +take a special cotton to. I'll have my home sweet home dance with the +missus--" he fell again to musing. + +"A man up a tree," said Mark Heath, "would say you were in love." + +"I'll be damned--I wonder if that ain't the matter?" said Bertram +Chester. + + + + +CHAPTER VII + + +The Ferry, doorway to San Francisco, wore its holiday Sunday aspect as +Bertram Chester approached it. A Schuetzen Park picnic was gathering +itself under the arches, to the syncopated tune of a brass band. The +crowd blazed with bright color. The young men, in white caps, yellow +sashes of their mysterious fraternity, and tinted neckties like the +flowers of spring, lolled and larked and smoked about the pillars. Fat +mothers and stodgy fathers fussed over baskets and progeny. Young +girls, in white dresses and much trimming of ribbons, coquetted in +groups as yet unbroken by the larking young men. Over these ceremonial +white dresses of the Sunday picnic, they wore coats and even furs +against the damp, penetrating morning--rather late in the season it +was for picnics. In the rests of the ragtime, rose the aggressive +crackle of that flat, hard accent, with its curious stress on the "r," +which would denote to a Californian in Tibet the native of South of +Market, San Francisco. + +Bertram Chester, had he been accustomed to spare any of his powers for +introspective imagination, might have beheld his crossroads, his +turning point, in this passage through the South of Market picnic to +the little group waiting, by the Sausalito Ferry, to take him to the +Masters ranch. But a month ago, he himself had whistled up that +infatuated little milliner's apprentice who was his temporary light of +love, and had taken her over to Schuetzen Park of a Sunday. He had +drunk his beer and shaken for his round of drinks with the boys, had +taken the girl away from a young butcher, had fought and conquered the +bookmaker's clerk who tried to take away the milliner's apprentice +from him, and had gone home, when the day was done, with his head +buried on that soft curve of the feminine shoulder which was made to +receive tired male heads. + +Now, without a backward look, he was walking toward Sydney Masters, +Mrs. Masters, the sprightly and dainty Kate Waddington, and those +others, grouped about them, who might be guides and companions on his +new way. + +Kate Waddington had acquainted him in advance with the party, so that +the introductions brought no surprises. That young-old man with the +sharp little face was Harry Banks, mine owner, millionaire, and figure +about town--every one in San Francisco knew him or knew about him. +That tall, swaying girl with the repressed mouth, the abundant hair +coiled about her head, the rather dull expression, was Marion +Slater--"she paints miniatures and hammers brass and does all kinds of +art stunts," Kate had said. That tall young man, who radiated good +manners, was Dr. Norman French; that little woman, all girl, was Alice +Needham, his fiancee. "They play juvenile lead in this crowd," had +been Kate's phrase for them. + +Kate, taking possession of Bertram at once, gave him her bag to carry, +and, as the gates opened and the whistle blew, she walked beside him. +From the upper deck, this Masters party watched that city panorama, +spread on the hills for all to see, roll away from them, the wheeling +flocks of gulls trailing the craft in the roads, the surge of golden +waters rolling in from the Gate. A morning mood blew in upon the +winds; the party became gay. + +Bertram, in the rise of his morning spirits, performed certain +cub-like gambols for the benefit of Kate Waddington. The company +failed not to notice that he had assisted her up the gangway by +slipping his hand under her elbow. On the deck, he cut her out +immediately from the rest, insisted on tucking her veil into his +pocket, made a pretence of trying to take her hand. Even Kate found it +hard to parry these advances. Banks, slouching back on a bench in his +easy, indolent attitude, looked over toward them, and his mouth +tightened and set. So much had he been courted for his wealth and +personality, this Harry Banks, that among his familiars he assumed the +privilege of falling into moods without reason or preliminary notice. +His present mood was a perverse one; and he took it out on its reason +for being--this presumptuous outsider. + +"Me Gawd, Jimmie, but me belt hurts!" he called out suddenly in his +richest imitation of the South of Market dialect. With his light step +of a dancer, he skipped over to Kate Waddington, whirled her to her +feet, and began to waltz about the forward deck, imitating the +awkward, contorted, cheek-to-cheek style of the Schuetzen Park picnic. +Kate, who fell in at once with every invitation, had laughed as he +began to whirl her, but she flushed too. The whole upper deck was +craning necks to stare. Mrs. Masters caught her breath and whispered, +"Oh, don't!" Dr. French and Alice Needham fell to talking apart, as +though repudiating, in their embarrassment, such company. Marion +Slater, sitting at ease on her bench, cast one glance at Harry Banks +as he whirled to face her. His eyes fell; on the next turn, he waltzed +Kate back to her seat. The relationship between these two was a puzzle +to their familiars. He, the uncaught bachelor, the flaneur, the +epicurean, he who lived for his pleasures, taking them with a +calculated moderation that he might preserve the power to enjoy; she, +the etiolated, the subtle, the earnest follower of art, she who seemed +always a little too earnest and conventional for that group of the +frivolous and unconventional rich--people had wondered for years how +there could be anything between them. These two alone understood that +the bond was of the mind, not of the flesh or the spirit. She but +thought, and he thought with her; she but lifted her eyebrow or moved +her hand, and the motion translated itself to speech in his mind. That +glance of her had made his mind say, "I am making them all +ridiculous." + +And, like the spoiled child that he was, he ceased from one +naughtiness only to plunge into another and worse one. As Kate dropped +to the bench, he looked at Bertram and said: + +"You try it; I am a little rusty." One of his rare embarrassments +flamed into the face of Bertram Chester. The shot had gone more truly +than Harry Banks could have known. + +"No, thank you," Bertram said simply, and flushed again. + +Masters spoke up from his corner: + +"Well, Chester, you ought to be a good dancer if build counts--though +I shouldn't like to have you showing off your accomplishment right +here--you might lack the public finish of the Banks style. You big +football fellows always have the call on the little men in dancing. +It is a matter of bulk and base, I think." The ferry boat was passing +Alcatraz now, and the populace had turned its attention away from +Harry Banks and his party. The spoiled child kept straight ahead. + +"They make real, ball-room gents," he said. He turned toward Marion on +this; turned as though he could not keep his look away. She lifted her +eyebrow again, and he fell into a sulky silence. + +The others rushed to the first refuge of tact--personalities. After a +moment, Banks joined the talk; and then appeared another aspect of his +perverse mood. He took the conversation into his own hands, and he +talked of nothing which could by any chance include Bertram Chester, +the callow newcomer, the outsider. It was all designed to show, it did +show, how intimate they were, how many old things they had in +common--never a passage in which Bertram could join by any excuse. +Even so did Banks direct it as to draw Kate Waddington into the talk. +Bertram sat apart, then, his face showing all his displeasure. His +straight brows set themselves in a frown, which he bent sometimes at +the group volleying personalities at Harry Banks, and sometimes on +the terraced hills of Sausalito. + +When they trooped off with the crowd, Kate fell in beside Bertram +again. Lagging deliberately, she let a group of picnickers come in +between them and the rest of their party. He was still frowning. + +"I'd like to soak that man," he said. "Maybe I will." + +"No you won't!" said she. + +"Won't I?" he replied. + +"Oh, don't think I haven't seen it all. He was horrid. You see, we've +got used to him. You're meeting him new, and you don't quite +understand him yet." + +"Well, I'm going to spend no sleepless nights trying!" + +"He's really very clever and kind, at bottom. You'll come to like him +as we all do. And he's a man that it's good for you to know." + +Bertram seemed to be considering this. + +"Well, what did he mean, anyway?" he snapped. + +"Nothing. It's just his foolery. We all had to take it from him at +first--and then we came to appreciate him." + +Bertram answered with an impatient gesture. Kate caught his arm, held +it for just a second. + +"Now, you wouldn't spoil my day, would you?" she asked softly. "You +know I'm responsible for you--" + +His frown melted into his smile. + +"Sure, if you put it like that!" + +"Now, you're a sensible, accommodating, self-restrained lad, and every +other adjective in Samuel Smiles. You could charm the buttons off a +policeman--and you'll see how really nice he can be." + +"You'll take out time until I get over my grouch?" + +"Of course." They were approaching Masters and Dr. French, who stood +waiting by the train platform. "Late and happy!" she called. + +Harry Banks, walking ahead beside Marion Slater, had taken his own +wordless rebuke from her. During the train passage, he made the +concession of keeping away from Bertram, and grouped himself off in +the other double seat. Bertram, sitting with Kate and the engaged +couple, spoke but seldom and then languidly. He did not come face to +face with Harry Banks again until the buckboards had delivered them +at the Masters ranch. + +This estate bore the title of "ranch" only by courtesy. Masters +himself said that he raised nothing but mild Hell on his forty acres. +He did have an olive orchard, a small orange grove flourishing by luck +of a warm gorge in the hills, and a little fancy stock. Kate and +Masters took possession of the new guest at the gate, and carried him +over the estate for inspection. Mainly, Bertram took this +entertainment sullenly. He warmed a little at the sight of the cattle. +The house, built by Masters's own design, drew only the comment, +"pretty nice." After that, Bertram was free to go to his room and +dispose his belongings. Returning in a marvelously short time, he came +out upon the house-party, grouped all in the big, redwood ceiled +living-room. + +A fire of driftwood snapped with metallic crackling on the hearth. +Alice Needham sat with Dr. French beside it; Mrs. Masters, pausing in +a flight of supervision, had stopped to speak with them; Alice was +looking up at her, presenting her fresh, full-faced view to the gaze +of the man on the staircase. Marion Slater stood with Masters by one +of the Dutch windows, criticizing the design with a painter's half-arm +gestures. Banks, by another window, sat dividing his time between a +book and the valley below. + +It happened then, as Bertram stood there, that Alice Needham looked in +his direction. It happened, also, that she was smiling. He caught her +smile and smiled back. + +That smile was half the secret of his physical charm. In the first +place, it broke with wholly unexpected force. His face, what with +its heaviness of feature, was a little forbidding and severe. As he +bent his unillumined gaze, he appeared stern--even angry. Then, with +the sudden preliminary vibration of an earthquake, that smile +would begin to quiver about his mouth, to start wrinkles about his +eyes. Next, as he bent his head forward toward the target of his +charms, it drew back the corners of his mouth to show his white teeth, +it pulled eyelids and eyebrows into a tiny slit, through which his +pupils twinkled like electric sparks. These movements--wholly +muscular at that--spiritualized and transformed his face. + +Mrs. Masters, looking up at the interruption, was caught in this +flood of charm and good will. Harry Banks, feeling a psychic current +running about the room, looked up also; and that smile caught him. It +carried away the last trace of his perverse mood. And Bertram heaved +himself down the stairs and crossed at once to seat himself beside +Alice Needham. + +"I see at a glance I'm going to like this party," he said. On other +lips there would have been nothing to laugh at in this; but they all +did laugh. In a minute more, Harry Banks had dropped his book and +crossed over to the fireplace. Bertram, leading the talk now, took him +in without a trace of apparent resentment. Kate, emerging from the +room, dropped down beside Harry Banks on the floor and joined her +cheerful pipe to the symphony of good fellowship. Before luncheon, +this find of hers was the centre of the party; events were revolving +about him. + +In the lazy hour after meat, the engaged couple found chance to slip +out into the orange grove. Masters, summoned by his foreman, went to +look after a sick cow, Harry Banks went back to his reading, and Alice +Needham to a design for a window seat which she was building for the +Masters dining-room. These pairings left Bertram and Kate to each +other; and presently they were out-of-doors, drawing on into the +woods. Masters, from the barn, watched them and noted what a goodly +couple, what a faun and dryad in clothes, they were. Kate Waddington +was turning over her shoulder her slow and rather lazy smile, which +began at her lips and lit her green-grey eyes last of all. That was +her best attitude of head. Bertram swung up the trail, making progress +by main force--not walking so much as lifting himself on those sturdy, +saddle-sprung legs of his. He was making wide, sweeping gestures; and +Kate, as he talked, leaned a little toward him now and then, like a +woman absorbed. + +Momentarily, she had him on the subject of football. He was touching +upon the subject of one Bill Graham, Stanford tackle and opponent in +two varsity games, whom she knew and whom he was teaching her to know +better. Bertram stooped and gathered a handful of pebbles from the +trail to show how Bill Graham used to throw sand in his eyes; he +thrust his open hand against an alder, bordering the trail, to show +how he contravened these tactics by slamming Bill Graham in the face. +Even so far did loosen his tongue and spirit that he boasted of his +victories and excused his defeats. He went further; he touched upon +the most frightful disappointment of his career. + +"It was in the ten to nothing game," said he. "You remember, don't +you, how they had us down on our ten yard line early in the second +half? We got the ball away. Nobody had scored yet. Well, Stuffy Halpin +he gave the signal for a delayed pass on end. That was a freak play we +were trying out that year--delayed pass first and then the back passed +to me. I jogged Bill Graham and he stumbled down the field just +bull-headed--he never did have much football sense. I looked down +toward the goal"--(Bertram had been gesticulating wildly; now he gave +the outstretched fingers of his right hand a sudden fillip to show the +changed direction of his glance) "and I saw a clear field right +straight to the fullback or glory--" + +"Gracious! What happened?" asked Kate. She was capable, wit and social +strategist that she was, of assuming all this interest by way of +leading an inept youth to make a fool and a braggart of himself for +her amusement. But she showed not a glimmer of irony, neither in her +mouth nor in her green-grey eyes. She spoke with the straight, sincere +interest of a dairymaid listening to the self-told heroisms of a +stable boy. + +"Stuffy tumbled all over himself and dropped the ball!" + +Bertram's answer conveyed all the tragedy in the world. + +They were come now to a place where the trail ran steep and the +redwoods thickened to make a Californian hillside. It was November, +but the season was late. The earth was washed bright by the early +rains and not yet sodden with the later ones. The black, shaded loam, +bare of grass, oozed the moisture it was saving for its evergreen +redwoods against a rainless summer. In the dark clefts grew scentless +things of a delicate, gnome aspect--gold-back fern, maiden-hair +overlying dank, cold pools, sorrel, six-foot brake. No blossoms blew +among all this greenery; only by that sign and by the wet, perspiring +earth might one know that it was autumn on those hills. + +The clean ooze and dew started a little stream which ran, choked with +maiden-hair, to the trail, and formed a pool. Some philanthropic +camper had driven a nail into the rock and hung there a tin cup. Kate +(Bertram still talking and gesticulating at her left) threw a +perceptive glance. + +"How good the water looks!" she said. "I believe I am thirsty!" + +While he filled the cup, she seated herself on the rock, disposed +herself into a composition; and after they had both drunk, she showed +no disposition to move from her perch. In fact, she loosened her brown +student beri, shook her hair free, and sat there, a wood-nymph framed +by the ruddy brown and dark green of redwood and laurel. He crouched +his big frame down beside her, so that she leaned back against the +rock. A long silence, and: + +"Nature is mighty nice!" he said. + +Then, perceiving her as a part of the picture, he added: + +"And you're the nicest thing about it." + +At this frontal attack, Kate waited to see whether it meant further +attack, skirmish, or retreat. His general softness of expression, +showed that it meant attack. + +Bertram, in fact, was in the mood for attack on rose citadels. A year +of life on twelve dollars a week--cheap, crowded lodgings, meals at +the Hotel Marseillaise, the landlady's daughter and those of her kind +for companionship--and now, in a week, the refinements of the Tiffany +house, the refinement plus entertainment of the Masters villa, and +these two lovely, fragrant women. It seemed all to roll up in him as +he sat there, the woods about him and this golden creature at his +side; and it found half-unconscious expression on his lips. + +"I'm going to be rich some day," he said. + +"I hope so." + +"I am, sure. When I get rich I'm going to have a place like this--I'll +have a long pull by that time and be able to invite anybody I +want--this is the only way to live." His voice fell away. + +Then he looked up and bent upon her that smile. + +"It's great to have a girl like you to confide in," he said. + +"Thank you; but you haven't confided much as yet," responded Kate. + +"I don't suppose there is a whole lot to confide. At least, things +you'd want to tell a girl like you. Only one thing. I'm in love!" + +The arrest of all motion in Kate which followed this declaration was +like one of those sudden calms which fall over a field at the approach +of evening. It descended upon her in the mid-course of a gesture; it +wrapped her about in such a stillness that neither breath nor blood +stirred. Then, though only her lips moved, her vocal cords responded +to her will. + +"And she is to be mistress of the villa when you get rich?" + +"If she'll take me," said Bertram. "You see, it is a brand new case. +I've just got it--just realized it. She's up and I'm still down, so it +wouldn't be square to say anything about it, now would it?" + +"No," answered Kate softly, "though we women like bold lovers too." + +"Yes, that's so. And I suppose if I keep too still about it, somebody +else will come riding onto the ranch and carry her off. It's my game, +I guess, to stay around and watch. And if I find any gazebo getting +too thick with her, then up speaks little Bertie for the word that +makes her his. + +"If she'll have me," he added. "But she's a good many pegs above me +just now and I've got more than a living to make. Of course, that'll +come all right if I have fair luck. If it was easy money plugging my +way through college, it will be easy plugging it through the world. +Don't you size it up about that way?" + +Kate clasped her hands and leaned forward. + +"If you're playing the long game, I suppose so. But wouldn't you do +better at least to hint to the girl?" + +"I guess you can advise me about that," said he. "Better than anybody +I know. Suppose I tell you all about it?" A little panic ran through +the nerves of Kate. + +"Now?" she said, "are--are you ready?" + +"Now-time is good-time," he said. "Well, I guess you've savveyed just +who it is and what's the matter. It's--it's Miss Gray--Eleanor Gray." + +To the end of her days, Kate Waddington remembered to be thankful for +a certain cotton-tail rabbit. At that moment precisely, this fearling +of the woods streaked down the trail, pursued by a dog whose heavy +crashing sounded in the distance; came out upon them, whirled with a +loud roaring of fern and leaves, screamed the heart-rending scream of +a frightened rabbit, and dashed off into the wood. The sound, coming +in this tender moment, betrayed Bert Chester into a guilty start. So, +when he looked back, her face was as smoothly beautiful as ever and +she was even smiling. + +"You lucky boy!" she said. And then, "I don't blame you. I wouldn't +blame any man." Bertram fairly glowed. + +"I knew you'd agree with me," he said. "Say, what chance do I +stand--honest, what do you believe she thinks of me?" + +"Honest, I never heard her say. It is likely she hasn't begun to think +of it at all. Women are slower than men about such things. How long +have you been--in love with her?" + +"Of course, I've been that way ever since I saw her first--ever since +I was a student, picking prunes for her uncle, and went down and +helped her run a bull off her place. I thought then that I never saw +nicer eyes or a more ladylike girl. She's always given me the glassy +eye. I think she hates me--no, it isn't that, either. She just feels +superior to me." + +"Oh, perhaps not that!" + +"Well, anyhow, I was in college and any one girl looked about the same +to me as any other--" Bertram wrinkled his brows in contempt for his +utter, undeveloped youngness of two years before--"but I remembered +her always. When I saw her sitting in the Hotel Marseillaise that +evening, I felt queer; and after I called on her I just knew I had it. +Funny, you coming in that afternoon. You and I have hit it off so +well, and here I'm confiding in you! It was a regular luck sign, I +think." + +Kate's voice, when she spoke, fell to its deeper, richer tones. + +"And I'm sure I feel flattered--any girl would. I really thank +you--you don't know how much." + +"And you'll help me, won't you?" + +"With my advice--yes." + +"Well, that's all I want. If I win this game, I want to win it +square. + +"Say, you are sure the goods. You're as pretty--it wouldn't be natural +for a man to say you're as pretty as she is, but a man can just look +at you and wonder--" and here he dropped one of his hands gently upon +hers. She let it rest there a moment before she drew away. + +"We'd better be going back," she said. "They'll think it's I and not +Eleanor, if we stay so long." + +As they started, he stooped to get her another drink. Standing above +him, her hand lifted toward her student beri, she bent her gaze on his +back. A peculiar look it was, as though an effort against pain. It +faded into an expression like hunger. + + + + +CHAPTER VIII + + +It seemed afterward to Bertram Chester, reviewing the early events of +a life in which he was well pleased, that his real attack on things, +his virtual beginning, came with that house-party of the Masters's. +The victory of his smile on the staircase he followed up that evening +to a general conquest. For Masters, when dinner was over, brewed a hot +punch. They drank it about the driftwood fire, and even the severe +Marion Slater relaxed and made merry. The essence of the gods strips +self-control and delicacy first, so that the finer wit goes by without +tribute of a laugh and the wit of poked fingers--especially if it be +sauced by personality--rules at the board. After the punch had worked +sunshine in them, the poked finger of this young barbarian was more +compelling than the sallies of Masters or the mimicry of Harry Banks. + +When the party dispersed at the Sausalito Ferry and scattered for a +workaday Monday, he found himself accepting invitations left and +right. Dr. French asked him to motor out to the Cliff House that very +night; Mrs. Masters wanted him to dinner; Harry Banks must have him +over to his ranch under Tamalpais. Kate Waddington, mounting the steps +to Banks's automobile, slipped him a farewell word. + +"You were a success," she said. "That's the reward of naughty little +boys when they reform!" + +"Well, I'd have liked to smash his face just the same--then." + +"You've done better than that--you've quite conquered him. I'll see +you Wednesday at the Masters? Good bye!" + +Bertram Chester sold forthwith the Richmond lots, his first venture in +business, to get ready money for the wisest or the most foolish +investment which a young man of affairs can make in the beginning of +his career--general society. With all his youth, his energy and his +eager attack on things, he plunged into the life of San Francisco. +Only in that city of easy companionships and careless social +scrutinies would such a sudden rise have been possible. His furnished +room, where he used to read and study of evenings in his years of +beginnings, knew him no more before midnight. He dropped away from +those comrades of the lower sort with whom he had found his +recreation; abandoned and forgotten were his old lights of love. The +milliner's apprentice, a coarsely pretty little thing, used to wait +for him sometimes on the doorstep. Mark Heath, coming home one night +earlier than usual, found her there, took her for a walk about the +block, and conveyed to her the unpleasant news that Bertram was now +flying higher than her covey. After that, she came no more; and the +first phase of his life in San Francisco drifted definitely back of +Bertram Chester. + +We shall stop with him only three or four times in the course of that +winter wherein he made his beginnings. Before it was over, he had +entered, by the special privilege accorded such characters, the club +about which man-society in San Francisco revolved; he had broken into +a half a dozen circles of women society; he had become +hail-fellow-well-met with the younger sons of the cocktail route, the +loud characters of flashy Latin quarter studios, the returned Arctic +millionaires of the hour and day who kept the Palace Hotel prosperous, +the patrons and heroes of the prize-fight games, the small theatrical +sets of that small metropolis. Sometimes he flashed in a night through +four or five such circles. + +He hung of late afternoons over bars, exchanging that brainless but +well-willed talk by which men of his sort come to know men. He sat +beside roped rings to witness the best muscle of the world--and not +the worst brain--revive in ten thousand men the primeval brute. He +frolicked with trifling painters, bookless poets, apprentice +journalists, and the girls who accrued to all these, through wild +studio parties in Latin quarter attics. He sat before the lace, +mahogany, crimson lights and cut glass of formal dinners, whereat, +after the wine had gone round, his seat became head of the table. + +From these meetings and revels, whereby he made his way along the path +of dalliance in the easiest, most childish, most accepting city of the +Western world, two or three kaleidoscopic flashes remained in his +maturer memory. The night of the football game, for example, he +strayed into the annual pitched battle of noise and reproach at the +Yellowstone between the California partisans and the Stanford +fanatics. A California graduate, his companion along the cocktail +route, recognized him; immediately, he was riding shoulder high. His +bearers broke for the sidewalk, and down Market Street he went, a +blue-and-gold serpentine dancing behind him. There was his first Jinks +at the Bohemian club--an impromptu affair, thrown in between the +revelling Christmas Jinks in the clubhouse and the formally artistic +Midsummer High Jinks in the Russian River Grove. The Sire, noting his +smile and figure, impressed him into service for a small part. This +brought a fortnight of rehearsal which was all play and expression of +young animal spirits, a night of revel refined by art, an after-jinks +dinner of the cast, whereat Bertram, as usual, spoke only to conquer. +Memory held also one perfectly-blended winter house-party at the Banks +ranch, with the rain swaying the eucalyptus trees outside and a dozen +people chosen from San Francisco for their power to entertain, making +two nights and a day cheerful within. + +Later in life, he, the unreflective, thought that times had changed +in his city; that men were not so brilliant nor circles so convivial +as when he was very young. It was not in him to know that neither +times nor men had changed; that he thought so only because he looked +on them no longer through the rose glasses of youth. + +He himself would have called it a season of great change, and he would +have missed, at that, the greatest change of all--the transformation +in himself. The face on which we saw so little written when he had +that meeting in the Hotel Marseillaise, the new sheet straight from +the mills of the gods, had now a faint scratching upon it. The mouth +was looser in repose, firmer in action; the roving and merry eye was +more certain, more accurate as it were, in its glances. His youthful +assurance had changed in him to something like mature self-certainty. +In those external city manners which he had set about from the +beginning to acquire, he showed more ease. Although he had lost the +fragrance of an untouched youth, he had become altogether a prettier +figure of a man. + +He needed all the prodigal youth and the cowboy strength in him to +keep up his social pace and still do his work, but he managed it. +Indeed, he became of distinct value to the office through the business +which he brought in from his wandering and his revelling. It seemed +that he might refurbish that old law practice and find his way to the +partnership which Judge Tiffany foresaw at the end of one path. + +Through this consideration and through the partisan friendship of Mrs. +Tiffany, he became gradually a pet and familiar of the Tiffany +household, taking pot-luck dinners with them, joining them once or +twice on their out-of-doors excursions. His big, bounding presence, +his good-natured gambols of the Newfoundland pup order, transformed +that somewhat serious and faded menage, gave it light and interest, +as from a baby in the house. Although Mrs. Tiffany mothered him, gave +him her errands to do, she made no mistake about the centre of +attraction for him. He was "after" Eleanor. That young woman took him +soberly and naturally, laughing at his gambols, accepting his +attentions, but giving no sign to Mrs. Tiffany's attentive eyes that +her interest was more than indifferent friendship. + +His wooing, in fact, went on in a desultory fashion, as though he were +following the policy which he had expounded to Kate Waddington--"hang +around and watch." He paid no more compliments to grey eyes; he paid +no compliments at all. When they were alone, he entertained her with +those new tales of his associations in the city, which pleased her +less, had he only known it, than his tales of the ranch and gridiron. +If he showed the state of his feeling, it was no more than by an +occasional long and hungry look. + +In one way or another, he saw nearly as much of Kate Waddington, that +winter, as he did of Eleanor. Kate, too, was a ray of light. She--"the +little sister of the clever" her enemies called her--made the Tiffany +house a bourne between her stops at her home in the Mission and her +rangings about Russian Hill. Bertram noticed with sentimental pleasure +that the two girls were a great deal together. He found them +exchanging the coin of feminine friendship in Eleanor's living-room, +he met them on shopping excursions in Post street. When the three met +so, Kate always sparkled with her best wit, her most cheerful manner; +but she showed, too, a kind of deference toward Eleanor, an attitude +which said, "He is yours; I am intruding only by accident." The +meaning in this attitude bore itself in, at length, even upon Bertram +Chester; and he did not fail to glow with gratitude. He expressed that +gratitude once or twice when he was alone with Kate. Somehow, it was +easy for him to talk to her about such things. + + + + +CHAPTER IX + + +"Are you off the job to-night?" came the resonant voice of Bertram +Chester over the telephone. + +"Yes!" Eleanor laughed. "Are you coming to play with us?" + +"No. You're coming to play with me. One of our best little playmates +leans over my elbow as I indite these few lines--little Katie. Mark +Heath is reporting great doings in Chinatown to-night, and he wants +assistance. Do you suppose your Aunt Mattie will object to +Chinatown?" + +"Aunt Matilda never dictates--" + +"Then it's Chinatown! We'll be along for you in half an hour. We're +dining with the Masters, who have inconsiderately refused to come +along. What's happened to you?" + +"Nothing--why?" + +"Your voice sounds so chipper!" + +"That shows I'm in a mood to play!" + +"Then we'll be along in a _quarter_ of an hour." + +"And I'll be waiting at the garden gate!" + +The swish and murmur of night, the rustle of a steady sea breeze, the +composite rumble of the city far below, tuned with the song in +Eleanor's blood as she stood waiting by the front gate. She looked +down on the pattern of light and heavy shadow that was the city, and a +curious mood of exultation came over her. Light foreshadowings of this +mood had touched her now and again during the past two months; never +before had these transitory feelings piled themselves up into such a +definite emotion. + +She could not trace its shy beginning, but she was aware of it first +as a sense of the humanity in the cells of that luminous honeycomb +below, the struggling, hoping, fighting, aspiring mass, each unit a +thing to love, did one but know the best. The wave of love universal +beat so strong on her heart that she turned her eyes away for surfeit +of rapture, and looked up to the stars. They, the bright angels of +judgment whose infinite spaces she could not contemplate without fear, +united themselves in some mysterious bond with the little human +things below; the sight of them brought the same wave of rapture. Too +mighty long to be endured, the wave broke into ripples of happy +contemplation. Sounding lines of forgotten poems ran through her mind, +movements of old symphonies, memories of her vicarious raptures before +the altar in the convent, glimpses of hillsides and valleys and woods +in the winter rain which she had seen unseeing that she might reserve +their deeper meaning for this deeper sight of the spirit. "I wonder if +this is not happiness; if Heaven will not be so?" she thought. It +came, too, that if this exaltation lasted a moment longer, she should +know with God the meaning of all things, the Reason which united stars +and space and men and the works of men. + +The resonant bass of Bertram Chester, beating down Kate's cheerful +treble, floated up from the sidewalk. The sound came almost as a +relief; yet on second thought she was a little sorry for their +intrusion into this lonely rapture of the spirit. She looked over the +wall. Kate, revealed in the light of their gate-lamp, walked between +the two men, who were bending toward her; now they were all laughing +together. She was radiant, this firm-fleshed, golden flower of the +West. Eleanor dipped from her clouds of glory to notice that she wore +a new tailor gown, that every touch of her costume showed how she had +got herself up for that special occasion. And now the spiritual fluid +in Eleanor transmuted itself into a reckless gaiety. She slipped down +the steps and confronted them on the sidewalk. + +"Hello," said Kate, looking her over. "Well, who's given you a +present?" + +Eleanor hugged her. "That's just what's happened, Katie. Somebody +_has_ given me a present--I believe it must have been the stars." She +extended her hands, right and left, to the men; holding them so, she +rattled on; "Boys and girls, there's so much ego in my cosmos to-night +that it's running out at every pore. I'm sure there's going to be a +party to-night, and I'm sure it's got up for my benefit. I'm going to +play so hard--so hard that they'll put me to bed crying! Mr. Heath, +bring on your Chinese and let them gambol and frisk. It's my birthday. +This isn't the date in the family Bible, as Kate could tell you if +she weren't a lady, but I'm sure my parents made a mistake. I just +know that some menial is coming in a minute with a birthday cake--and +the ring and the thimble and the coin and everything will be in my +slice--Hello, Bert Chester!" + +"Where do I come in?" enquired Kate. + +"You? You come in as my dearest little playmate, to whom I sent the +first invitation." + +"I see at a glance," rejoined Mark Heath, "that we've got our work cut +out for us. I will now announce to the Little Girl who is Having a +Party the program of games and sports. The festival of the women is on +in Chinatown." + +"I saw it from the car as I passed Dupont Street," chimed in Kate. +"And the Quarter is blazing like a fire in a tar barrel." + +In the most natural manner, Kate linked herself to Mark Heath. She +always yielded the place beside Bertram when Eleanor was present; +quite as naturally, she herself took that place when Eleanor was away. +Bertram cast a long look on his companion; and he ventured for the +first time in weeks, on something like a compliment. + +"What _has_ happened to you? You look--hanged if I can just tell you +how you look, but it's great!" + +"Oh, compliment me! I love compliments! That's my birthday present +from you. I wonder if the Chinese babies will be out on the +street--the little, golden babies. Why haven't they a legend about +those babies? Mr. Heath, do you know Chinese mythology? Kate, aren't +you sure those children are primroses transformed by the fairies to +hide them from the goblins?" + +Bertram frowned a little as she drew the other couple into their +private conversation. But he continued to study her. This lightness +and brightness which she had developed so suddenly, seemed quite to +dim the radiance of his own personality. He fell into a quiet which +lasted far into the evening. She, on her side, moved like one +intoxicated by some divine liquor. Never had she seemed so gay, so +young; and--though he did not wholly formulate this--never had she +seemed to him so inaccessible. + +They approached a dark alley beside an Italian tenement. Eleanor, +dancing around the corner, came upon it suddenly. She drew up. + +"There's an ogre in this dark den--I know there is. I must see him! +Just think, I'm ten years old going onto eleven, and I never yet saw a +real ogre. Come on--we're going ogre hunting!" She plunged into the +shadows. Mark, laughing, followed. + +Eleanor peeped into the door of a wine-house, peeped over a board +fence, and came back to announce: + +"He's not in. I left my card--oh, there he is--he's visiting the +goblin in that garden across the street!" She skipped across to an old +stone wall which held its half-acre of earth suspended over the +hill-fall. Mark skipped with her; Bertram followed at a distance as +one who plays a game of which he is not sure. Eleanor brought up +against the wall. + +"There he is--by the kitchen door. Of course you see him! Good, Kind +ogre, you don't eat little girls on their birthdays do you?" + +"Aren't his red eyes beautiful and hasn't he a classy set of teeth?" +rejoined Mark Heath. "Be good, Fido, and you shall have a plumber for +breakfast." + +"But he'll spare me! He says I'm too beautiful to eat!" Eleanor was +dancing back. "Oh Kate, I've seen an ogre!" + +Kate did not answer. She fell in with Mark Heath, and as they drew +ahead she murmured: + +"I wonder what's got into her?" + +"Nothing I guess. I should rather say she'd got out. I think it's +bully." + +"Oh, yes," said Kate, drawing out the last word. + +They turned into the Quarter at Washington Street, and at once they +were in the midst of the festival. From a doorway burst a group of +little, immobile-featured Cantonese women, all in soft greens, deep +blues, reds and golds that glimmered in the gas-lights. Banded combs +in jade and gold held their smooth, glossy black hair; their slender +hands, peeping from their sleeves, shone with rings. The foremost +among them, a doll-girl of sixteen or so, tottered and swayed on the +lily feet of a lady. The rest walked upon clattering pattens, like a +French heel set by the cobbler's mistake at the instep. + +Mark Heath, the young reporter, proud in his knowledge of "the +inside," took up the reins of conversation. + +"A fairy story for you right at the start, birthday lady! That +little-foot girl is the daughter of Hom Kip. You remember the story, +don't you? The old plug tried to sell this daughter of his for wife to +a merchant in Portland. She had her own ideas--she eloped with the +second tragedian from the theatre over there. Hom Kip put detectives +on them, and caught her at Fresno. But she'd already married her actor +American fashion; and the Portland bridegroom is waiting until father +makes his little blossom a widow." + +"As temporary Empress of Chinatown, I order that he shall do nothing +of the kind," said Eleanor. + +"As your grand vizier, I shall put the machinery in motion that will +free the beautiful young bride," rejoined Mark Heath. + +Kate broke in. + +"What became of the actor? I'm one of those dull persons who always +wants the rest of the story!" + +"I told you, didn't I, that father is going to make her a widow? At +least he was until the Empress ordered otherwise. The actor has +probably abandoned his art, which gives him undesirable publicity. And +some day, if father dares disobey the Empress, there'll be a +mysterious murder in a backwoods laundry--police baffled." + +Eleanor contemplated the lily-foot girl, swaying about the corner into +Dupont, her little handkerchief in one hand, her proper fan in the +other. + +"Poor little blossom--I wonder if she'll mourn for him? Faithful Grand +Vizier, don't tell me sad facts on my birthday night. I want only +pretty things." + +"Whether she'll mourn or not won't make much difference to father--or +to the Highbinders. Je-hoshaphat--look!" + +For they had turned the corner into Dupont Street, main avenue of the +Quarter. Its narrow vista came upon them at first as a smothered +flame. Innumerable paper lanterns, from scarlet globes as big as a +barrel to parti-colored cones that one might hold in his palm, blazed +everywhere, making strange combinations, incredible shades, in the +flaring Chinese signs, the bright dresses of the women. The sidewalks +quivered with life--soberly dressed coolies, making green background +for the gauds of their women, bespangled babies late out of bed that +they might gain good luck and blessing from those rites, priests in +white robes, dignitaries in long tunics, incongruous Caucasian +tourists and spectators. + +A moment Eleanor drank it all in; then she addressed her Grand +Vizier. + +"Inform my people, through your invaluable publication, that their +demonstration in my honor is perfect." + +"It shall be done, liege lady--three column spread on the front page. +Oh, you've got to have a shoe." For a vendor was bearing down on them, +carrying a tray of pink paper shoes like valentines. "That's the +symbol of this festival--the goddess lost her shoe before she died. +How much, Charlie? Two bits two? All light! Empress, permit me to +present this souvenir of a grateful people. Miss Waddington, have a +shoe on me!" + +Eleanor hung the pink trifle to the pin at her throat. + +"I shall add it to the royal treasure trove," she said. It came across +her then, as one of the unrelated thoughts and fancies which were +coursing in such swarms through her mind, that Bertram Chester, though +he stuck close to her side, had been unusually silent. She drew him in +at once. + +"Does it become me?" she asked. + +"Everything becomes you." + +"You don't say anything about _my_ shoes!" said Kate. + +Now the crowd began to eddy and to whirl toward the next corner. There +rose the clang of gongs, the shrilling of a Chinese pipe playing a +mournful air in that five-toned scale Whose combinations suggest +always the mystery of the East. About that corner swept the procession +of the Good Lady, priests before, women worshippers behind. The +priests set up a falsetto chant, the banner-bearers lifted their +staves, and the parti-colored mass moved down on them. + +"It's like a flower-bed on a landslide!" exclaimed Eleanor. + +Mark Heath gravely pulled out his left cuff and took rapid notes with +a pencil. + +"That goes into the story--anything more up your sleeve like that?" + +"Wasn't it good? Eleanor is always thinking up clever things to say," +Kate came in. Her voice was rather flat. + +At the edge of the gutter where they stood, a Chinese shoemaker had +set out on a lacquer tray his offering to the gods. Red candles +bordered it, surrounding little bowls of rice and sweetmeats, a slice +of roast pig, a Chinese lily. As the banners approached, certain +devout coolies found room on the sidewalk to prostrate themselves. +Eleanor, absorbed now in a poetic appreciation of all this glory of +color and spirit, felt a movement beside her. She looked down. The +shoemaker was flat on his forehead beside his offering. + +"Would you per-ceive that Chink grovel," spoke the voice of Bertram +Chester. + +Before Eleanor could turn on him, he was addressing the shoemaker. + +"Feel a heap better, Charlie? Say, who-somalla you? Brush off your +knees!" The Chinese, if he understood, paid no more attention than he +paid to the lamp post in his path. Gathering up his offering, he +pushed his way back through the crowd. + +For the first time that evening, Eleanor became somewhat like her +normal self as she said: + +"Why, this is a religious ceremony, isn't it--all this light and +color!" + +"Yes," responded the personal conductor of the party, "but you have to +pinch yourself to remember it. For instance, you'll be charmed to +know that I saw one of those priests, up in front there, arrested last +week in a raid on a gambling joint. Morals haven't an awful lot to do +with this religion. Maybe that fellow on the pavement was praying that +he'd have a chance to murder his dearest enemy, and maybe he was +applying for luck in a lottery. Empress of Chinatown, up yon frazzled +flight of stairs lurks the New York Daytime Lottery. The agents of +said lottery are playing ducks and drakes right now with the pay of +the printers on the imperial bulletin which I have the honor to +represent. Some day, your grand vizier and most humble servant is +going to do a Sunday story on a drawing in a Chinese lottery." + +Eleanor showed no inclination to go on with the game. + +"Have another shoe--one shoe, Charlie, for the little princess!" +continued Mark Heath. This one, displayed amid the cone-sticks and New +Years nuts of a sweetmeat stand, was bright blue. Mark hung it on +Eleanor's shoulder; then, as a kind of afterthought, he bought a +crimson tassel for Kate. + +The procession was past, was breaking up. The women, in knots of three +or four, were scattering to the night's festivities. Mark, as guide, +let business go as he led them on his grand tour of Chinatown. They +stopped to survey sidewalk altars of rice paper and jade, where +priests tapped their little gongs and sang all night the glory of the +Good Lady; they visited the prayer store, emporium for red candles, +"devil-go-ways," punks, votive tassels, and all other Chinese devices +to win favor of the gods and surcease from demons; they explored the +cavernous underground dwellings beneath the Jackson Street Theatre; +they climbed a narrow, reeking passage to marvel at the revel of color +and riot of strange scent which was the big joss house. Bertram's +spirits were rising by this time; he expressed them by certain +cub-like gambols which showed both his failure to appreciate the +beauty in all this strangeness and his old-time Californian contempt +for the Chinese as a people. Once he tweaked a cue in passing and +laughed in the face of the insulted Chinaman; and once he made +pretence of stealing nuts from a sweetmeat stall. + +Wherever Mark found a new design in toy shoes, he bought one for +Eleanor, until she wore a string of them, like a necklace, across her +bodice. Yet had the illumination gone a little out of her; she replied +with diminishing vivacity to Mark's advances as he played the birthday +game. + +When they mounted the joss house stairs she lagged behind; and Bertram +lagged with her. + +"What's the matter?" he asked. "I never saw you so bright and chipper +as we were awhile ago, and now--say, what's the matter?" + +"Nothing. Oh, Mr. Heath--" she raised her voice, "are the actors +allowed in the joss house--and if not will you have it fixed for me?" + +After they had presented their votive punks to the great high god, +Kate announced that she was footweary. + +"Can't we find a place to sit down?" she asked. Mark took her up. + +"That's the signal for tea at the Man Far Low restaurant. Ever been +there? Tea store below, fantan next floor, restaurant top side all the +way through the block. Come on, Empress of Chinatown. The royal board +awaits." + +The Man Far Low was in the throes of large preparation for the Chinese +all-night banquets which would close the festival. The cashier wore +his dress tunic, his cap with the red button. The kitchen door, open +on the second landing, gave forth a cloud of steam which bore odors of +peanut oil, duck, bamboo sprouts and Chinese garlic; through the cloud +they could see cooks working mightily over their brass pots. Every +compartment of the big dining hall upstairs held its prepared table; +waiters in new-starched white coats were setting forth a thousand toy +devices in porcelain. Though the Chinese feasting had not yet +commenced, it was plain, from the attitude of the waiters, that +slummers and tourists were not wanted on that night. But still the +head waiter, when he came slipping over on his felt shoes, led them to +a table in the Eastern dining room, from whose balconies one +overlooked Portsmouth Square. His aspect, however, was anything but +cheerful. + +"Say, you Chink, smile!" said Bertram as he seated himself. + +By a slight turn of the head, the very slightest in the world, the +Chinese showed that he caught this in all its force. But he went +gravely on, setting out porcelain bowls. Eleanor's hand moved a +little, as though in restraint. + +"Cheer up, Charlie, crops is ripe!" resumed Bertram. + +"Don't--please," cried Eleanor. The first word came short, sharp and +peremptory; the "please" was appealing. + +The color rose under Bertram's brown skin. Kate, an outside party to +this passage, smiled a quiet smile; but she spoke to Mark Heath. + +"What _are_ those paintings on that screen--come and tell me about +them!" + +Now Bertram and Eleanor stood alone with the table between them. + +"I was jollying him!" burst out Bertram. Eleanor glanced at Kate, who +stood profile-on listening to the ready Heath. + +"Shall we go out on the balcony?" She stepped through the open French +window. + +As they stood in the shadow, the city at their feet, neither spoke for +a moment. Finally, + +"It's a call-down, I suppose?" began Bertram, tentatively. + +"Not necessarily." + +With a slam, he brought his hand down on the balcony rail. + +"You don't give--you don't give a damn--that's the trouble with +you--you don't care what I do!" + +Eleanor drew a little away from him before she answered: + +"I care if anyone is uncivil." + +"What is it but a Chink? They expect it! Why, down in Tulare--" His +voice fell away as though he recognized the futility of an attack in +this form. She spoke: + +"It is you who should not expect it." And then, "I am sorry I said +what I did. It was an impulse. We are all imperfect. I've often been +unkind myself." + +Bertram stood gripping the rail before him as one caught and held by a +new emotion. When he spoke, his voice was low and rather hard. At the +first tone of it, she shrank from the daimon in him. + +"If you only cared enough to call me down! That's the trouble with +you. Am I--am I the dirt under your feet?" + +"Oh, don't please!" But he was going on, too fast to be stopped. + +"I'm afraid of you--that's what's the matter. What have you got in you +that I can't seem to melt? You kept away from me the first time ever +I saw you. You've kept away ever since. You don't think I'm as good as +you--and I'm not. But it's aggravating--it's damned aggravating--to +have you rub it in. You've got something about you that I can't touch +anywhere." And he paused, as though expecting her to deny it. + +"I don't know what right you have to say this," she exclaimed. + +In her swift rush to her own defence, she had dropped her guard. She +realized it on the moment, heard his inevitable reply before he opened +his mouth to the swift-flashing answer which, that outer self told +her, was the only possible answer for him to make. + +"Only this right. I'm in love with you. I've been in love with you +ever since I saw you down at the Judge's ranch, only I didn't know it +then. I love you." Silence for a moment, and then, "I love you!" + +For just one instant, it seemed to her that she was swaying toward him +in spite of herself. He made, curiously, no active motion toward her. +That outer self of Eleanor's, reigning as always over her conscious +self, commenting, criticising, seeing--that outer self remembered, +above her mental turmoil, that never in all their later acquaintance +had he tried even to touch her finger. + +"Oh, don't!" she cried, "please don't!" + +He made a growl in his throat, the adult counterpart to a baby's cry +of disappointment. + +"Didn't I tell you?" he said, "and now I've laid myself wide open for +a throw-down." + +"If you call it that. Oh Bertram--" he and she both noticed the shift +to his familiar name--"I'm afraid I haven't been fair to you. Oh, have +I been fair?" + +He paused as though considering a whole new range of ideas. + +"Yes, I guess you have," he responded at length. + +"You're a man," she said, "and a big man. I suppose I ought--to love +you. To have the power of loving you in me. And oh, there have been +moments when I thought I could." She stopped as though appalled by the +lengths to which she had gone. "You see, I'm trying to be fair now. +I'm telling you everything." + +And then, with the thought which succeeded, it was as though she felt +the physical tingle of bay leaves in her nostrils, "or nearly +everything." + +Through the open French windows came the cheery voice of Kate +Waddington. + +"Tea is served, ladies and gentlemen!" + +"All right--be along presently!" called Bertram. And then to Eleanor: + +"You must tell me--you can't keep me hanging by the toes until I see +you again." + +"The rest means--since I am being perfectly fair to you--that I can't +tell." Now something like strong emotion touched her voice--"Don't +think I am coquetting with you--don't believe that it is anything but +my effort to be fair." She turned on this, and stepped through the +open window. + +Bertram struggling to compose his face, Eleanor wearing her old air of +sweet inscrutability, they faced the quick, perceiving glance of Kate +Waddington who sat pouring tea from the crack between two shell +bowls. + +Eleanor settled herself on the teak-wood stool. + +"You _must_ come out on the balcony before we go," she cried. "I never +saw the city lights so wonderful." + +"Well," said Kate, "it all depends on the company!" + + + + +CHAPTER X + + +Kate's plump and inert mother, who always regarded this daughter of +hers somewhat as a cuckoo in the nest, was in a complaining mood this +morning. She sat in her dressing-gown embroidering peonies on a +lambrequin and aired her grievances. Kate, writing notes at the +old-fashioned black walnut writing desk, looked up at the climaxes of +her mother's address, bit her pen and frowned over her shoulder. For +the greater part of the time, however, Mrs. Waddington spoke to empty +air. + +"I never did see such a daughter," said Mrs. Waddington, jabbing with +her scissors at a loose end of pink silk. "As if it isn't enough, +gallivanting around the way you do, fairly living in other people's +houses, never bringing any company home, but you can't even be +decently civil when you _are_ at home. We might just as well be a +hotel for all the respect you pay us. What are you doing when you're +away, I'd like to know? It's all well enough, the stories you tell--" +Kate, resting between notes, saw fit to parry this last thrust. + +"I've always supposed I was capable of taking care of myself," she +said. "At any rate, you've let me proceed on that theory." + +It needed only the slightest flutter of an opponent's rapier to throw +Mrs. Waddington on the defensive. + +"You never let me," she mourned. "Goodness knows, I gave you every +chance to take me along. When first you began going with those painter +people, you might have counted me in." + +"You didn't seem eager, perceptibly, until I had made my own way," +Kate vouchsafed. At that moment the telephone rang. + +While Kate was in the house, no one else thought of answering the +telephone. Mrs. Waddington would have been the last to usurp the +prerogative. For that instrument was the tap root of her spy system +over her daughter. By it, she picked up things; learned what this +irresponsible responsibility of hers was doing. Mrs. Waddington had +her mental lists of Kate's telephonic friends. She imagined that she +could tell, by the tone of her daughter's voice, just who was on the +other end of the line. + +"Oh, Bert Chester!" came Kate's voice from the hall. Mrs. Waddington +made note number one. This mention of the name was significant. The +discreet Kate, who knew her mother's habits, hardly ever called names +over the wire. + +A pause for a very short reply, and then: + +"Certainly. Zinkand at one. I'm beginning to think it's time I worked +at my job as confidant. What is the use of a confidant if you don't +confide?" + +Mrs. Waddington leaned forward while Kate got her reply. The mother in +her, unsensitized though as it was, noted the sparkle in Kate's voice. +But for the intervening door, she might have seen a great deal more +sparkle in Kate's face, down-turned to listen. + +"Oh yes, I was aware of that!" Kate's voice went on. "Dolt! Did I +catch it? You're a poor dissembler. You're too honest. You might tell +the verdict before I tell you--" + +Mrs. Waddington could stand it no longer. It was so uncommon for her +daughter to speak thus freely and emotionally at the telephone, that +she must have a look. She rose, therefore, and crossed past the open +hall door. She noticed a certain tension in her daughter's face as she +bent her head to await the reply. + +"You poor, perplexed boy!" went on Kate's purring, caressing voice, +"Then you need a confidant. Zinkand's at one--and I'll look my +prettiest to draw you out!" + +Mrs. Waddington, when her daughter was come back into the room, +renewed her plaint: + +"I wish you'd save for your parents a little of the graciousness you +give your friends," she said. "I wouldn't mind so much if you were +getting somewhere. But here you are, nearly twenty-four years old and +goodness knows if you've had a young man, I don't hear about it. How +can a respectable young man want to marry a girl like you, I'd like to +know? Those they play with, they don't marry." + +Kate's mood had changed completely. She advanced now with the +prettiest caressing gesture in the world, threw one arm across the +wrinkled skin and old lace of her mother's throat. Mrs. Waddington +resisted for a moment, her head turned away; then, gradually, she let +her being lap itself in this quieter air. Her head settled down on +Kate's shoulder. + +"Perhaps," said Kate, "I may." + +"Well I wish you'd hurry up about it," said Mrs. Waddington. "Girls +will be girls, I suppose, and they've got to learn for themselves. +There, there--you're mussing my work." + +Kate dropped a kiss on her mother's forehead and vanished up the +stairs. + +Bert Chester, waiting before Zinkand's an hour later, picked her a +block away from the nooning crowd. Before he recognized the +olive-green tailor suit which he had come to know, he noticed the firm +yet gracile move of her. As she came nearer, he was aware of two +loungers waiting, like himself, to keep appointments. He caught this +exchange from them: + +"Who? The girl in a kind of brownish green?" + +"Yes. Isn't she a peach?" + +Just then, it seemed to him, did the purely physical charm of her +burst upon him for the first time. Supple and swaying, yet plump and +round; her head set square with some of a man's strength, on +exquisitely sloping shoulders: and the taste--he would have called it +so--of her dress! A discriminating woman might have noticed that her +costume bordered on ostentatious unostentation. For it was designed +in every detail to frame the picture, to set off not only that figure +but also the cream of her skin, the tawny hair, even those firm, plump +hands. + +He found himself remembering that he had just proposed to another +girl. The thought flashed in, and flashed out as quickly. + + * * * * * + +The Cafe Zinkand formed, at the time, a social nodule in the +metropolitan parish that San Francisco was. As the Palace Hotel was +its Rialto, gathering-place for prosperous adventure, so the Zinkand +was its bourne. In this mahoganied and mirrored restaurant with its +generous fare, its atmosphere of comfortable extravagance, those who +made the city go, who gave its peculiar Saxon-Latin move and glitter, +were accustomed to gather and gossip. It blazed with special splendor +on the nights when this or that "Eastern attraction" showed at the +Columbia Theatre. To stand on such evenings at the Powell Street +terminus, to watch those tripping, gaily-dressed, laughing Californian +women thronging the belt of city light from the theatre canopy to the +restaurant canopy--ah, that was San Francisco! Not Paris, not Buenos +Ayres--they say who have travelled far--could show such a procession +of Dianaides, such a Greek festival of joy in the smooth, vigorous +body and the things which feed and clothe it. With that absence of +public conventionality which was another ear-mark of the old city, all +sorts and conditions of men and women sat side by side at the tables. +Harlots, or those who might well pass as such, beside the best morale +there is in women; daughters of washerwomen beside daughters of such +proud blood as we have; bookmakers' wives, blazing with the jewels +which will be pawned to-morrow, beside German housewives on a Saturday +night revel; jockies and touts from the race tracks beside roistering +students from Stanford and Berkeley; soldiers of fortune blown in by +the Pacific winds, taking their first intoxicating taste of +civilization after their play with death and wealth, beside stodgy +burghers grown rich in real estate; clerks beside magnates--all united +in the worship of the body. + +At noon, however, its workaday aspect was on; it was no more than a +lunching place. Chester and Kate found seats in a retired corner. + +She looked him over with cool mischief while she drew off her gloves +and let one white hand, still creased in pink with the pressure of the +seams, drop toward him on the table. + +"I am not exactly to congratulate you," she said, "but for a man who +was turned down last night you don't seem exactly unhappy." + +Bertram let several expressions chase themselves over his face before +he blurted out: + +"What's the matter with me?" + +"Not a great deal. Has she so refused you as to make you conscious of +sin?" + +"It wasn't a cold turn-down. I'd like it better if it was. I'd have +something to go on. It's--it's like trying to bite into a billiard +ball. I--you know what I mean." + +"You mean that she holds herself above you--that she feels superior to +you?" + +Bertram arrested all motion on that word, sat with the menu card, +which he had been twirling, immovable between his hands. + +"Yes. If you want to jolt it to me good and hard that way. I guess +that is what it does mean." + +"I suppose then that the crisis--last night--came about from your +little passage with the Chinese waiter? It happened while you were +out on the balcony didn't it?" + +Bertram stared and glowed. + +"Say, you're a wonder. You reach out and get things before they come +to you at all. That's just what did happen." + +"And then? Or pardon me, I don't want you to tell me any more than +it's right for you to tell--any more than you feel like telling." + +"Oh that's all right. Well, when we got outside it was the same old +song. She didn't care enough even to call me down. And like a fool I +came out with it. What's the use of telling what she said or what I +said? It was just the same way. She kept me dancing. She wouldn't say +yes and she wouldn't say no. She seemed anxious about only one thing. +She wanted to know if she'd been fair to me." + +"I suppose she has--!" Kate brought this out as though he had put a +question to her. "And you want to know what I think?" + +"I sure do." + +"I think she cares--at least a little--shall I tell you all?" + +Bertram, even in the hottest of this conversation, did not forget the +needs of his body. The waiter stood at his elbow. He rushed through +the order, and continued: + +"I want to know everything." + +"Well, to begin with--Bert Chester, you're a man." + +"I didn't ask for hot air." + +"That's all of that. You're an unfinished man. You--haven't had the +chance to get all the refinements which people like Eleanor Gray have +acquired. Do you see now? You've made it--you've been making it--all +for yourself. You had no fortune. It's splendid the way you worked to +get all these things. I know the story of how you got through college. +Everyone who knows you is proud of that. But--well Eleanor's mother +was rich and proud before she married, and her grandparents were +richer and prouder. Then she's lived a great deal alone; and she never +really blossomed out until she went abroad. So she learned her social +ways from Europeans. She's got a lot of British and Continental +ideas. + +"With the rest of us, you know, it doesn't make any difference. You +could perceive that by the way we've taken you in. Why, it's really a +part of you. You're only two years out of college, hardly that; and +you're still studying law; but think how people have taken you up! It +is simply that Eleanor looks at it in a different way. It's a pretty +peculiarity in one of the sweetest girls I know." + +Kate paused. Bert made no move to answer. She went on: + +"Now about the thing you can't grasp in Eleanor. It's this way. You +can't see her nature as another _girl_ can. She's just as sweet and +tender and delicate as she can be, and she has high ideals--that's one +result of her living away from the world. If she were a little warmer +in temperament, it might be different, but--" Kate paused here as +though pondering whether to reveal or to conceal the thought of her +mind. + +"But of course it is the coldness of a diamond or a sapphire or +something else very pure and precious." + +Bertram Chester pulled himself up at this point and plucked at a place +away back in the conversation. + +"What are these things that I don't know? Where is it that I fall +down?" + +"They are some of the finer points." + +"Well tell me." Kate noticed that the color had risen in his cheeks +and that his eyes drooped from hers. + +"They must be corrected as we go on--provided you'll let me correct +them." + +"That's what I am asking for--but I'd blame well like an example." + +"Well, now, we'll take that waiter episode. The kind of people she'd +like to know treat servants impersonally. Servants are just +conveniences to them, like dumb waiters. So of course,--even if it was +only a Chinaman--she didn't like your noticing him and she came out of +her shell for just a moment to say so. Do you see now?" + +Bertram's dark complexion reddened with the rush of his shame. + +"Oh, that's the idea is it? I thought from something she said that she +was afraid I'd hurt his feelings. She wants me to put more front on +before 'em, does she?" + +"Just about that. She doesn't like to see you put yourself on a level +with them." + +"All right, that was straight over the plate and I got it." + +Again Kate reached over to pat his hand. + +"Now don't take it seriously; I know--she herself must know--how +splendid and able and promising you are--how much of a man!" + +Bert spoke in some irritation. + +"I always knew I wasn't a gentleman," he said, "but this is the first +time it was ever shot straight at me that way." + +"Bert Chester, as long as I'm a friend of yours don't you ever dare +say to me that you're not a gentleman. You're one of the biggest and +strongest gentlemen I ever knew. Anyone need only see you for five +minutes to know you're that. But some people have certain things which +they attribute to a gentleman--notions, as I've said. And Eleanor from +her European experiences has some of these notions. Don't you see?" + +The smile, which always broke so suddenly, came back to Bert Chester's +face. + +"Well, of course that's why I broke loose from the ranch and went to +college in the first place. I wanted to be as good, every way, as the +best there is!" + +"And you are already!" + +He shook his head. + +"No, or this wouldn't have happened. I want to be good enough to marry +any girl, no matter who. I'm going to amount to something. I'm going +to be rich, too--and a darn sight quicker than most people know. I +don't know that we came here to talk about that, though." + +"Please go on. We came here to talk about you--anything about +yourself." + +"That part of it has something to do with the main issue. I'm going to +pull out from Judge Tiffany as soon as I go up against the bar +examinations next month. At least, I want to pull out, and I'm only +wondering how the Judge will take it and how she will take it. You +see, I might just as well get admitted, and then it is good-bye to law +for me afterwards unless I use it in politics. Law--" Bertram rammed +his finger on the table with each word that followed "law is too blame +slow. Anyone could see that I couldn't be chasing about as I'm doing +if I had to depend on what Judge Tiffany is paying me as a clerk. Why, +I've made twice as much already whirling at business. I'll always have +my admission to the bar, too. If I want to settle down on a law +practice after I get rich, I can do it." + +"That seems very promising to me." + +"But here's the question. Is the Judge going to take it for a +throw-down, and how is Eleanor going to like the program?" + +Kate appeared to be considering. In fact, she was considering a great +many more things than Bertram knew. + +"I'm pretty sure Eleanor wouldn't care," she said at length. "Hers +isn't a very practical mind. It's impossible to say about Judge +Tiffany. He's crotchety. The right's on your side, for a man has a +right to change his employment, hasn't he? And I'm sure you have more +than returned your little salary. On the whole, I don't know but it +would be better for you with Eleanor if the Judge did get angry with +you. A girl with ideals like hers rather likes to have a man +persecuted. And you can't let it stand in the way of your career." + +"But--" + +"Oh, it isn't as though it were a choice between the girl and the +career. It isn't at all. The best way to win her is to build yourself +up to the big, splendid man she'd like you to be. If you stay a little +law clerk for five years or so, you won't have much inducement to +offer her! When you consider marriage, you have to remember that a +girl like Eleanor can't live on a trifle. I'd follow my own career. It +isn't, you see, as though there were anyone else in the field. Other +men come to the house, of course--men she's met at the Masters, old +friends of the family--but I don't consider any of them as rivals. I +did think for a time that Ned Greene was attracted, but he's crazy now +over Katherine Herbert. So it isn't a case for immediate action." + +"Do you think--have you ever heard her speak of me?" + +Kate's answer came readily. + +"She has spoken to me of you--the way women do, so that you see under +what they say. We women are devils"--she smiled--"no, I can't tell you +what she said. I'm in a peculiar position about it. You see, her talk, +as it happens, is all twisted up in a confidence she made to +me--something else in her life--nothing to do with you--and I can't +break it. But I can do something without breaking any confidence. I +can tell you what I think you ought to do." + +"Well, I guess that's what I want--" with the air of one who would +have liked a great deal more. + +"The man who gets Eleanor Gray--and especially if Bertram Chester is +the man--cannot take her by assault. If you reach out to grasp +her--you who are so strong--it will only break something in that +delicate nature of hers. Don't woo. Serve. Don't even see her too +often. Don't renew that scene on the balcony--never make that mistake +again. When you are with her, show by your attitude how you feel, and +show her--well, that you're learning the things you've asked me to +teach you--the things I'm going to teach you." + +"It's sure a pink tea program," said Bertram. Kate laughed. + +"Bert Chester, when you make your dying speech from the scaffold +you're going to say something original and funny. You can't help it. +Now can you?" + +The smile broke again on Bertram's face. + +"Well, it has its funny side," he admitted. "All right. If +refinement's the game, me to it." His smile had caught Kate's laugh, +and there came between them a kind of mental click. Soft gratitude +sprang into his heart and quivered on his lips. + +"You're a bully girl! I don't know what I'd do if I didn't have you to +talk it over with. And you really do understand lots about women and +those things--where did you learn it?" + +The smile went out of Kate. She drooped her eyes and let her pink +nails flutter on the tablecloth. + +"Suffering and experience, I suppose." + +"Could I--would you tell me about it?" + +She looked up with an air of sweet sincerity. + +"I should like very much to tell you. You could help me as much as you +say I'm helping you. Some other time, we'll have that all out +together. You see, when one has held a thing in her heart for a long +time--well, it's a struggle at first to get it out. But sometime when +I'm in the mood!" + +And then he discovered that an appointment at the office was overdue. +While they went through the formalities of checks and wraps, she +talked foolish nothings. He parted with her hurriedly to run after a +Market Street cable car. + +"We're going to be the best chums in the world," he said as he shook +hands. + +"Indeed we are!" + +She watched him as he ran after the car, swung on the platform with +the easy economy of motion which belongs to the athlete. But just +before he set his foot on the platform and looked back at her, she +herself whirled and started down the street, so that he saw only her +trim back-figure, the glint of her bronze hair, the easy grace of her +walk. + + + + +CHAPTER XI + + +So Bertram Chester went on, the easy familiar of the Tiffany +establishment, the contriver of Mrs. Tiffany's household assistances, +and the devoted follower of Eleanor. He never referred in any way to +the scene on the restaurant balcony; he did nothing formally to press +his suit. Indeed, his occasional air of gentle diffidence puzzled and +amused her. She had a queer sense, when she beheld him so, that she +liked it in him less than some of his old uncouthness, and only a +trifle better than such roughness of the heart as that passage with +the Chinese waiter. This new attitude was loose in the back, tight +across the shoulders, short in the seams--it was not made to fit +Bertram Chester. When he launched out into rudimentary art criticism, +stringing together the stock slang which he had picked up in the +studios, when he tried to impress her with his refined acquaintance, +his progress toward "society" of the conventional kind, her amusement +took another turn in the circle of emotion, and became annoyance. + +In general company, he reverted to type. At their home dinners, when +wine and good fare had lit the fires of his animal spirits, he still +told his rambling, half-boastful stories of the cow country and of +College times, or laid before these home-stayers the gossip of the +town. That manner of his, always more compelling than either his +substance or his words, carried the plainest story; and he had at +least the art of brevity. One laughed when he laughed, catching from +his spirit the humorous idea, even when its expression failed on the +tongue. Voice and gesture and an inner appreciation which he could +flash instantly to his tongue contributed to these dazzling effects. +His new-made friends of the artistic set used to tell him, "If you +could only write down your stories--what humor, what action!" Mark +Heath, with the information of a room mate, the judging eye of a +half-disillusionized friend and the cynicism of a young journalist, +was first to perceive that a stenographer concealed to transcribe his +talk would get only barren words. + +In his fading and declining years, Judge Tiffany leaned more and more +upon Eleanor, his business partner. Now it had come spring. The trees +were in bud along the Santa Clara. They must begin preparing for the +season. The family did not move to the ranch until apricot picking was +afoot; but from now on either Judge Tiffany or Eleanor would run down +every week to watch the trees and to oversee the Olsen preparations +for harvest time. Purchase of supplies and the business of selling +last year's stock, held over for a rise in German prices, kept Eleanor +busy. + +She dragged the Judge out of his library one March afternoon, that he +might inspect with her a new set of sprayers which she was +considering. The Judge went to his office all too seldom nowadays; +Eleanor and Mrs. Tiffany used continually all kinds of diplomacies to +keep him at his business, from which he stubbornly refused to retire. +When they had driven their bargain, Eleanor guided and wheedled him to +the office. The methodical Attwood, having his man there, thumped a +pile of papers down before the Judge, representing that this demurrer +must be in on Tuesday, that case tried or continued next week. The +Judge sighed as he pulled the papers toward him. + +"They've nailed me, Nell," he said. "Here, I'll appoint a substitute. +Send for Mr. Chester, Attwood--dining anywhere, Chester? Then take pot +luck with us and pay me by escorting my business conscience home. I'll +overwork myself if someone doesn't carry her away!" + + * * * * * + +The afternoon fog, forerunner of another rain, floated in lances above +Montgomery Street. The interior valleys had felt their first touch of +baking summer, had issued their first call on their cooling plant--the +Golden Gate, funnel for mist and rain-winds. The moisture fell in +sleety drops; yet only the stranger and pilgrim took protection of +raincoat or umbrella. The native knew well enough that it would go no +further. On these afternoons, neither cold nor hot, wet nor wholly +dry, the blood is champagne and the heart a dancing-floor. + +At the moment when Eleanor stepped out into the home-going crowd, she, +an instrument tuned to catch delicate vibrations from earth and sea +and air, felt all this exhilaration. Life was right; the future was +right; the display of a young female creature before the male--that +most of all was right. And Bertram Chester, talking for the moment +like his old, natural self, was a main eddy in the currents of +joy-in-youth. + +"You are bonny to-day!" she said quite naturally as she looked him +over. + +He blushed happily. And the blush helped restore him in her eyes as +the natural Bertram Chester. + +"And you're the bonniest of the bonny. I never saw you look so full of +ginger except--" he hesitated there, and her words rushed in to meet +the emergency. + +"Thank you! Though I wasn't fishing, I am grateful just the same." + +"Then you do find something now and then that you can stand for in +me?" + +"I find a great deal--when you are Bert Chester." He seemed to puzzle +over this, to ponder it; so that she added: + +"Let's not talk conundrums in this air and this crowd! We're not +blue-nosed, self-searching New Englanders. Let's keep away from Market +Street and walk through the Quarter. They haven't yet taken the +Easter things from the shop windows, and there's a darling atrocious +group of statuary next door to The Fior d'Italia which you must see!" +And then, as they turned the corner-- + +"What's the crowd? I'm for disremembering that I'm refined. I want to +be curious!" + +"Looks like a scrap--do you--" + +"Nonsense! Come on. I divide women into those who would like to see a +prize fight and admit it, and those who would like to see a prize +fight and deny it!" + +"Gee whiz!" said Bertram. They had reached the edge of the crowd, +which circled about some knot of violent struggle and gesture. "Excuse +me!" He had sprung from her side and was breaking his way through. By +instinct, she followed into the hole back of him, so that she found +herself in the second row of spectators to a curious struggle, the +details of which flashed in upon her all at once. + +Two laborers, gross, tanned, dirty, were fighting. They had swung +side-on as the hole opened, and her glance focused itself upon the +smaller of the two. He was an old man, quite gray; and down his scalp +ran a stream of bright blood which trickled upon his ear. The thing +which puzzled her was the action of the older man. He seemed to be +hanging to the arms of his younger and sturdier opponent; also he was +talking rapidly, excitedly; and she caught only one phrase. + +"Hit me with a nail, will you?" + +And just then the younger man got his arm free, and dove for the +pavement--dove at precisely the same instant with Bertram Chester. +Apparently, the younger fighter arrived first; he backed off from the +scuffle brandishing a piece of packing box. Then she saw what the old +man meant. Pointing the weapon was a nail, stained red. + +As this rough fury poised himself for the stroke, she took in the +whole picture--a young, tall, brute man, one eye puffing from a new +blow, the other blood-shot, the mouth open and dripping, the right arm +raised for the murderer's blow. + +Bertram Chester came between as though he had risen out of the earth. +His left hand, with a trained aptitude which made the motion seem the +easiest thing in the world, caught the upraised wrist. The laborer +ripped out an unconsidered oath and struck with his free fist at +Bertram's face. Bertram evaded the blow, slipped in close. And +then--in a lightning flash of speed, Bertram's right hand, which had +been resting loosely by his side, shot upward. His whole body seemed +to spring up behind it. The blow struck under the point of the chin. +The head of the young bruiser dropped, then his shoulders, then his +arms; his body sagged down upon Bertram. The champion of age shook him +off; he dropped to the sidewalk. All this in a flash, in a wink. + +The crowd, curiously inert, as all city crowds are until the leader +appears, now followed this leader. A clamor of many tongues +arose--"Get a cop!" "He's killed him!" "Do him up!" A short rush of +half a dozen boys toward the fallen bully met the resistance of +Bertram, who had turned as though anticipating such a movement. He +shoved them back and raised his hand. His eyes were bright, his face +flushed, and that smile which won and commanded men had broken out on +his lips. + +"Say," he said, "you all saw me do this man fair and square. He isn't +dead. He's only put out. He'll be all right in five minutes. You know +it was coming to him. Now, I've got a lady with me, and I don't want +her dragged into the police station. The cops will be here in a +minute. I'd like to show this thing up in court, but we don't want to +trouble the lady, do we? If I beat it, how many of you will witness to +the cops just what happened?" + +"I!" and "I!" and "I!" from the crowd and "Me! God bless ye!" from the +elder warrior, who stood wiping the blood from his ear. Bertram gave +them no chance for reconsideration. "All right!" he said, "here I go!" +He pushed his way out as he pushed it in, swept Eleanor along with +him. The spectators lifted a cheer; but only a mob of small boys +followed. + +"Beat it, kids, or the bulls will pipe me!" called Bertram over his +shoulder. At this magic formula, the boys fell out. A half a block +away, Eleanor dared look back. A policeman had just arrived; he was +clubbing his way stupidly through the crowd. Bertram looked back +too. + +"All right," he announced, "now don't appear to hurry." At Kearney +Street, he swung her aboard an electric car. + +"Victory!" she cried as the conductor rang his two bells and the car +gathered headway. "It was perfect!" + +He stared down at her. + +"Well, I just had to put it through once I got started, but say--I +thought you'd sure be sore on me." His voice took on an apologetic +tone. "It seems to me when I see a scrap, I constitutionally can't +keep out of it." + +"No more should you--such fights as that." + +"Then you make distinctions?" he asked. + +"If you mean that I distinguish between fighting just for the lust of +it and fighting to protect the helpless, I may say that I do. You did +well." + +"Thank you!" he said, half-earnestly. "I'd have thought you wouldn't +like to see me muss things up, that way." He was letting his voice +slip away from him, both in volume and in manner, and the car was +crowded. A panic necessity for concealment took possession of her. + +"Surely we've evaded the police--let's get out and have our walk +through the Quarter." + +"I'm with you." Kearney Street, that thoroughfare which gathered into +its two miles every element in American life, here struck its hill +rise. Sheer above them hung Telegraph Hill, attained by latticed +sidewalks, half stairs. The Latin quarter thronged and played all +about them in the dusk and the fresh lamplight. And again, mood and +spirits rose in her. The event whose swift, kaleidoscopic action still +danced on her retina, the very stimulus of brutal youth in action, had +conspired with the perfect night to raise her above herself. + +"Oh, talk to me about it!" she said. "How did you do it--what do you +call it--I want to hear _you_ tell about it." + +"I guess you saw it all--just a plain uppercut. Those blame city +crowds would see a man killed before they'd think of anything but the +show. I've always said that, and now I know it. I caught sight of the +old man side-on and I saw he was hurt by something more than a punch. +Far be it from me to spoil a good scrap, but that wasn't a fair shake. +So I dropped you and started in. And then I saw that nail. I made a +slip there," he let his voice fall in self-depreciation--"I should +have kicked that chunk of board away, instead of diving for it. He +beat me to it. The rest was so easy it was a shame to take the money. +Up comes his head and up comes my guard"--he stopped in the street to +illustrate--"and he couldn't use his club any more than a kitten. I'd +have let him go, if he hadn't hit at me--and clipped me. For a second, +I could have bit nails in two. When I pulled myself in close, there +was his chin just above me--a be-auty target. And an uppercut was his +medicine." Bertram jerked his right hand up from his hip to illustrate +the uppercut. Then he screwed up his face and felt of his right +shoulder. "He marked me some," he said in explanation. + +"Did he hurt you?" she asked with real concern. It ran into her mind +that the conventional hero of romance makes his wound a scratch before +his lady. If she expected that from Bertram Chester, he +disillusionized her. + +"Well, you don't take a punch like that, even glancing on your +shoulder, without something getting loose," he replied. "I shouldn't +be surprised if I'd slipped a cog or a tendon or something." + +"Why--let's go home and see about it." + +"Oh, it isn't bad enough for that!" Then he fell into reminiscences. +In their toilsome passage up the hen-coop sidewalks of Broadway, he +gesticulated--with constrained motions of his right arm--loosed the +sparkle of his energetic, magnetic talk upon her. She drew close to +him. Gradually, as the steps became steep, her hand slipped under his +arm. She was only half-conscious of this motion; her consciousness was +full of a softening toward him, a leaning upon that strength which she +had seen in action. On his side, he did not fail to notice it--this +first movement in her which had seemed like an advance. He stopped his +buzz of talk at one moment and all the lines of his face relaxed as +though he were about to say something softer and deeper. But he only +caught his breath and changed to another story. He had remembered--and +just in time, he thought--the advice of Kate Waddington. + +But in spite of that remembrance, he permitted himself the luxury of +being natural; and he talked continually until they were within the +Tiffany doors. + +Mrs. Tiffany must hear all about it from both of them. When they came +to the hero's injury, she dismissed Eleanor, made him strip his massy +shoulder, and got out her pet liniment. The Judge, coming home in the +midst of these surgical cares, heard the story retold with heroic +additions by his wife. Dinner that night was a merry, a happy, an +intimate party. + +When Bertram left, Mrs. Tiffany did not follow him to the door, as was +her old-fashioned custom. He waited a moment, as though expecting +something. His eyes were on Eleanor. She did not move. She only bade +him a simple and easy good night over her shoulder. + +The old couple sat for a long time before the fire. Eleanor was +gone--not to bed, could they but have known it, but to sit by her +window and breathe bay-fragrance and drink the foggy night air off the +Gate. + +The Judge smiled down on that faded daintiness at his feet. + +"Are we now to consider him in the light of a nephew-in-law?" he +asked. + +"It has bothered me a good deal," said Mattie Tiffany. "What do you +think I ought to do?" + +"If that frightful social responsibility of yours drives you to +anything," responded the Judge, "I should say you'd best leave it +alone." + +"But Edward, dear, I'm just like a mother to her--and goodness knows I +haven't always been the best of mothers. There was her father--you +know how long I shirked that--" + +"The sin of omission that you will carry to your grave--" + +"And somehow this is so like Billy Gray! It was just this way in her +mother's case. When Billy came around--you remember how bonny a boy he +was then, Edward--I, her own sister, could never tell how she felt +toward him. I've always told you that Eleanor has slipped a +generation. She's her grandmother, not her mother, in mind. But she's +just like her mother in one thing. You can't ever tell what she's +thinking about, and the deeper her thoughts go the harder it is to +tell! That's why I'm considering all this so carefully--she doesn't +commit herself in one way or the other. It's a sign." + +"Knowing you, Mattie, I presume that you've conducted researches into +his desirability as a nephew-in-law?" + +"Well, shouldn't I? Goodness knows, we don't lead a conventional life +in this family, and I don't chaperone her. I reproach myself a little +with that. When Mrs. Goodyear wanted to take her up and put her into +the Fortnightly, it wasn't so much Eleanor's disinclination as my own +laziness about getting up gowns and paddling about paying calls which +kept me back--and that's God's truth." + +"And these penitential exercises in detective work--what have they +brought forth?" + +"He's a little careless morally, I think. He's had too much +conviviality about the Club. I'm afraid he's blossoming over young. +They can say all they want about wild oats, but in this city it's a +mistake to sow them all at once. That's one reason why I've been so +good to him. I flatter myself that a house like this is a moral +influence on him." + +"It's all a concern for his soul with you, then?" + +"No. Frankly, I like him. Everyone likes him. He's a dear. But as to +Eleanor--" + +The Judge had risen and taken off his skull cap. + +"Well, she has run a ranch and she's travelled alone to Europe and +back, and she's saved the soul if not the body of a father. And I +wonder whether a girl who's all that to her credit can't be trusted to +deal with the problem of an undesirable though attractive young +man--" + +"If I were only sure he was undesirable!" + +"It is according," responded the Judge, "to your definition of +undesirability. If you mean worldly circumstances, you needn't fear +for Bertram Chester. He resigns from my firm this month." + +"What for?" + +"Attwood brought me news of it. I don't know where he's going. I'm not +supposed to know anything. But for to get rich, for one thing." He +closed his book and restored it to its place on the shelves. "He took +the left-hand road, you see. It was manifest destiny; and you and I +and Eleanor cannot move one whit the career of that young man." + + + + +CHAPTER XII + + +When Kate called him up over the telephone, inviting him, second-hand, +to join a Masters party at Sanguinetti's restaurant, Bertram +interrupted his banter to ask if Eleanor were going. + +"I'm sure I don't know what her plans are," said Kate. "Why don't you +ask her?" The tone was a little cold. + +Remembering his duty, Bertram did ask Eleanor over the telephone. + +"I'm sorry," answered Eleanor, "but I had to decline." + +"Oh, duck your engagement if you have any!" he said, pleading like a +boy. "It'll do you good to jolly up!" But she was firm. He matched the +cool tone of Kate with the equally cool tone of Eleanor, and wondered, +as he hung up the telephone, whether anything had gone wrong between +those girls. He remembered now that he had not seen Kate at the +Tiffany's since the expedition into Chinatown. Had he but known it, +he was perceiving late a thing of which others were making gossip +already. + +While Bertram freshened up his toilet in his room and thought hard on +this, Kate Waddington, at home in the Mission, was making certain +special preparations of her own. Mrs. Waddington could measure the +importance of her daughter's engagements by the care she took with her +toilet. Fresh lace indicated the first degree of importance, her +latest pair of shoes the second degree, and perfectly fresh white +gloves raised the engagement to the highest degree of all. To-night, +all these omens served. + +Further, Mrs. Waddington saw that Kate was rummaging through the +unanswered letters in her writing desk, saw that she was comparing two +of them. Kate picked up the larger one. She was wearing furs, since +the April night was chilly. This letter she tucked carefully into her +muff. + +"Why in the name of common sense are you taking that letter along to a +dinner party?" + +"Oh, something I want to show someone," answered Kate after a +momentary pause. Mrs. Waddington knew from old times the hidden +meaning of that pause. Just so, when at the age of seven they had +caught her in the sugar-bowl, Kate had paused before starting her +ready explanation. She had never overcome it; and her mother was the +last person likely to acquaint her with that flaw of method. + +"It's from Alice Johnstone, I judge by the handwriting," continued +Mrs. Waddington. + +"Oh, I guess so," responded Kate. She made rapidly for the door. "Good +night, mother. I'll be home to-night, but rather late." + +"Thank you for small favors--" but Kate was gone. + +Sanguinetti's held a place in the old city no less definite than that +of Zinkand's or the Poodle Dog. In the beginning a plain Italian +restaurant, frequented by the Italian fishermen whose sashes made so +bright the water front and whose lateen sails, shaped by the swelling +wind like a horse's ear, gave delight to the bay, it had existed since +the Neapolitans came to drag the Pacific with their nets. Painters and +art students from the attics of the Quarter "discovered" it. When they +made a kind of Bohemia about it, "the gang" of tawdry imitators and +posing professional Bohemians followed as a matter of course. That +invasion put it on the fair way toward failure. But Sanguinetti's +saved itself by dropping one degree lower. "South of Market" +discovered it. That district is somewhat to San Francisco as the East +Side to New York, though with an indescribable difference. Then came +the milliner's apprentice who slaved all the week that she might +brighten the "line" on Saturday afternoon, with the small clerk, her +companion or the butcher-boy her beau. There came also the little +people of the race track, as jockies out of a job, touts, bookmakers' +apprentices--tawdry people mainly, but ever good-humored and ready to +loosen restraint of custom after the second quart of Steve +Sanguinetti's red wine. So this place came to have an air of loose, +easy, half-drunken camaraderie, which seldom fell into roughness. It +was the home of noise and song and easy flirtations which died at the +door. When this transformation was fully accomplished, the painters +and art students and seekers after "life" came back again. This time, +they did not spoil its flavor. The fishermen had been shy folk who +fled from the alien invasion; no shyness about South-of-Market people +on a holiday! + +This Sanguinetti dinner party of Sydney Masters's differed but +slightly, after all, from other slumming parties in the hostelry of +touch-and-go familiarities. Amused outsiders, they watched the growth +of swift flirtations, passed comments on the overdressed women, joined +in the latest Orpheum songs which started when the cheap wine made +music in the throat, chucked quarters into the banjoes of the two +negro minstrels who came in at eight o'clock to stimulate merriment. +Bertram, in his position as jester to King Masters, went a little +further than the others. It was he who bought out the stock of a small +Italian flower-vendor, that he might present a bouquet "to every lady +in the place." His attention brought from the ladies varying degrees +of gratitude, and from their escorts degrees of resentment which +varied still more. Running out of flowers before he had gone clear +around the room, he built up on toothpicks bouquets of celery and +radishes, which he fastened to the corks of empty claret bottles and +gave, with elaborate presentation speeches, to the merrier and +prettier of the neglected ladies. + +From this expedition, he returned leading a little, sad man, who had +the look of a boy grown old by troubles. A bleached-blonde woman +followed them half-way across, but centre room she turned back with a +stamp of her foot and a flourish of her shoulders. + +"Ladies and gentlemen," Bertram announced, "I desire the privilege of +introducing Teddy Murphy, California's premier jockey, lately set down +on an outrageously false charge of pulling a horse. He is here, ladies +and gentlemen, to tell you his troubles!" + +A moment of silent embarrassment on both sides. + +"Here--take my chair, Mr. Murphy!" spoke Kate from the foot of the +table. The next table, set _a deux_, had just become vacant. Kate +slipped into its nearest chair. Bertram's seat was back by the wall; +to reach it, he must step over feet and so interrupt Mr. Murphy's tale +of wrong. Nothing was more natural than that he should take the seat +opposite Kate. And instantly--he having heard the story +already--Bertram lost interest. + +"Would you mind getting my muff?" asked Kate. "I think my handkerchief +is in it." + +As Bertram handed over the muff, she was smiling up at him. She did +not look down until she had taken out her handkerchief, flirted out +its folds. Then a little, disconcerted "oh!" escaped her. + +"What is it?" + +Kate was shaking out her skirt, was glancing rapidly to right and +left. "Goodness!" she cried. + +"What's the matter?" + +"A letter. Have you seen it?" + +Bertram looked under the table. There it lay, by his chair. He picked +it up and passed it over. + +"Oh!" she cried again, this time in a tone balanced between relief and +embarrassment. She tucked it back into her muff, and her eyes avoided +his. He noted all this pantomime, and he was about to speak, when Mrs. +Masters touched Kate on the shoulder. "My dear, you're missing this!" +she whispered. + +Kate put all her attention upon Mr. Murphy and his burning story about +the pulling of Candlestick. Mr. Murphy grew a little too broad; Mrs. +Masters, as the easiest way rid of him, rose and asked for her wraps. +As Bertram assisted Kate, he saw her reach an anxious hand into her +muff. + +Outside, she contrived a loose shoe lace, so that she and Bertram fell +behind. She did not approach the subject of the letter; that came up +later and, of course, quite incidentally. + +"Anything to confide in me to-night?" she began. + +"Oh, nothing much. Gee, you can't tell about her, can you? Say, are +you sure about your system? She was with me last Tuesday when I +punched the jaw off a man, and she hasn't treated me so well since I +knew her as she did after that. I was blame near opening on her again. +Blame near. What's the answer?" + +"A passing mood, perhaps." + +"Well, I'd like to get her in that mood often." + +"And you'll find that she's furthest from you in those moods--it's in +them that she's least herself." + +"This general girl proposition is a tough one," commented Bertram. +"All right. You know the dope." + +"You poor, perplexed boy!" + +"Say, isn't it time you began confiding?" + +"Oh, you caught it--the letter I mean--There are few things those eyes +of yours don't see!" + +"Man?" he continued, ignoring the compliment. + +"Yes. It's a dreadful perplexity." + +"Tell your old uncle!" + +"Perhaps." + +"You're in love?" + +"I--I was. You see--ah, it's gone past the place where it should have +ended!" + +"Then why don't you break it off?" + +"That's all very well to say, but he's a good man, and he says he's +crazy about me. Do I seem happy to you?" + +"Middling." + +"I am--sometimes. Then something like to-day comes, and it puts me +clear down in the heart. I have to keep up laughing and being gay when +I'm all torn to pieces. I feel that I oughtn't to keep him in suspense +this way. He's young, he's fairly rich--if that counted. When he's +here, I often think I do--love him. When he writes, I know I don't." + +"Poor little girl!" said Bert, catching sympathetically at the +half-sob in her voice. + +"Thank you," answered Kate on an indrawn breath. And then, "What would +you do? I'm only a girl after all, am I not? Here I'm leaning on you, +asking for advice." + +Bertram did not answer for a time. Then: + +"Sure you don't love him?" + +"Not--not entirely. I might if he made me." + +Bertram was looking straight down on her. His mouth was pursed up. + +"Suppose he made you--and after you'd married him you got to feeling +again as you do now. That wouldn't be square to him, would it?" + +"I--perhaps not. But oh, it would hurt him so!" + +"I guess he could live through it. They usually do, and don't lose +many meals at that. I think he's running a bluff, myself." + +Kate drew slightly away from him. + +"That's a poor compliment." + +Bertram studied her meaning. + +"What?" + +"To say that a man _couldn't_ get crazy over me." + +"Oh! Not on your life. Sure thing no. I don't know a girl anywhere +that a man has more license to get crazy over. You're a beauty and +you're just about the best fellow I know." + +"I suppose you _had_ to say that!" + +"I figure that I wanted to. If I haven't said it before, it's +because--" he stopped; Kate, as though it were an actual presence, +could see the figure of Eleanor rising between them. + +"Yes, I know--" she said quickly. "You do think I'm attractive +then--cross your heart." + +"Cross my heart, you're a beaut." + +"But that doesn't get me any further with my troubles." + +"What are his bad points that make you hold off?" + +"Nothing more than a feeling, I suppose. No, it's more than +that--something definite. It's--I find this thing hard to say. Not +exactly weakness in him--more a lack of proved strength. He inherited +his money; he's had the regular Eastern education. He's at work, +managing his properties. But I'd feel so much more secure of his +strength if he had made it for himself. That is the thing I could +admire most in a man; more even than kindness. To have him succeed +from nothing because his strength was in it. I don't care how +unfinished he might be--that would show he was a man!" + +Bertram was still pausing on this, when Kate touched his arm. + +"I'm afraid," she said, "that we must join the others. They'll be +talking about us if we don't, and we mustn't have that--for Eleanor's +sake if for no other!" They hurried ahead, therefore, and walked +beside Mr. and Mrs. Masters all the way in. + +At the studio door, Kate declined a half-accepted invitation to remain +for the night. + +"Mother isn't wholly well," she said, "and I can be fearfully domestic +in emergency! It's only a step to the Valencia Street cars, and Mr. +Bertram will get me home." + +It was still too early for the theatre crowd; they found themselves +alone on the outer seat of a "dummy" car, one of those rapid transit +conveyances by which San Francisco of old let the passenger decide +whether that amorphic climate was summer or winter. + +He had, it seemed, to shake her back into the story of her +love-affair. Three times he approached the subject, and each time she +fended it off. They had passed clear into the Mission, were more than +three-quarters of the way home, before he launched one of his frontal +assaults. + +"You might give me some more work at my job of confidant," he said. + +She began again, then; a story without detail; more a sentimental +exposure of her feelings. The thing was growing like a canker; she +fought it, but the decision, the feeling of his unhappiness should she +give him final rejection, roosted on her pillow. It had never come to +an engagement; it had been only an understanding; but she thought of +dreadful things, even of his possible suicide, whenever she +contemplated giving him the final blow. + +The old-fashioned Waddington house stood on a big Spanish lot far out +in the Mission. There was ground to spare; enough so that its original +owners had room to plant trees without shading light from the windows. +As they walked into the deep shadows, her voice took on an intonation +like a suppressed sob. + +"It is a comfort now to have said it, and it's a new life to have you +for support. Oh, Bertram, what a big, strong friend you are! Be good +to me, won't you?" + +She had stopped; in the shadows the clouded moon of her face looked up +into his. + +"Oh, won't you be good to me?" + +He slipped his arm about her; and suddenly he kissed her. + +She suffered his kiss for only a moment; then she moved away. He let +her go, and she rushed ahead to the door. When he reached the step, +she had faced about. + +"Consider my _feelings_, Bert Chester," she said; and the screen door +slammed. + + + + +CHAPTER XIII + + +Just where the Santa Eliza trail commanded sight of the main travelled +road, Eleanor sat on a rock watching the hill-shadows lengthen on the +valley below, watching a mauve haze deepen on the dark-green tops of +redwood trees. The time was approaching when she must hurry back to +Mrs. Goodyear's bungalow for a dinner which she dreaded. Three weeks +of perplexity had bred in her a shrinking from people. She had found +excuse to wander away alone. + +That lazy spring of the North woods, so like to early fall in other +climates, had given her at first the healing of spirit which she +needed. She wandered hither and yon as her fancy led her, following +this trail, pushing into that opening in the chapparal. She had come +out upon the Santa Eliza trail and gained sight of the road before she +realized with a kind of inner shame the way in which her feet of +flesh had been tending, the direction in which she had been turning +her eyes of the spirit. + +Three miles away on the summit of the next ridge was the Masters +ranch, and there rested the centre of her soul-storm. Bertram Chester, +she knew by chance, was spending the week-end with the Masters. + +She stopped by the rock, then; and immediately nature went out of her +heart and the world entered. For three intolerable weeks, this +heaviness had been descending upon her as by a whimsy of its own. Like +the water of those cupped wheels in her little irrigation plant at the +ranch, this black liquid, when it had filled its vessel to the brim, +would empty automatically without touch on the spring of her will. +When this came, she would feel rested, healed, in a state of dull +peace. Now the struggle of thought was on her again. As always before, +it began with an arraignment of the facts in the case, a search of +memory for any forgotten data which might lead to a conclusion. + +The first crisis arrived on the evening when Judge Tiffany came home +in a plain mood of disgust, and announced baldly: + +"Well, Mattie; our young friend did everything I expected of him." + +He went on quite simply with the news. Bertram Chester had left him +almost without notice. But that was to be expected. The rest was the +worst. Bertram had gone to Senator Northrup--as manager of his real +estate interests. The name Northrup was as the name of the devil in +that household. Northrup's operations included not only law and +politics but latterly speculative and unprincipled ventures in +business. A dying flash of his old fire woke in Judge Tiffany when he +spoke as he felt about this young cub who had bitten his caressing +hand. + +Eleanor left the dinner table as soon as she had a fair excuse. She +found herself unable to bear it. Had she remained, she must have +defended him. But alone in her living room she look counsel of this +treason and agreed in her heart with her uncle. The very manner in +which he had done it--never a hint, never a preliminary mention of +Northrup--appealed to her as the deepest treason of all. + +The next evening, Bertram Chester had the superb impudence to call. +Eleanor was alone in the house that night. She hesitated when the +maid brought in his name, then shook herself together and went out to +face him. + +He met her with an imitation of his old manner, an assumption that his +change in employment would make no difference in his social relations +with the Tiffanys. What words had she used to let him know her +feelings? She could not remember now. But it had come hard; for the +unmoral half of her perceptions was noting how big and beautiful he +looked, how his blush, as of a stripling facing reproof, became him. + +He pleaded, he stormed, he presumed, he passed in and out of sulky +moods, he began to defend himself against the silent attack of her +look. Why hadn't he a right to do it? A man should look out for +himself. But he'd have stayed and rotted with the old law office if +he'd felt that she would take it that way. + +"You mean more to me than success!" he said. + +"No more of that, please!" she cried. After that cry, she fell into +dignified silence as the only defence against the double attack from +him and from the half of her that yearned for him. From her silence he +himself grew silent until, with a boyish shake of his +shoulders--lovable but comically inadequate--he bade her good night. + +"You'll cool off!" he said at the door. + +"Good bye," she responded simply. + +"No, it's good night," he answered. + +She woke next morning with a sense of vacancy in heart and mind. +Something was gone. She did nothing for a week but justify herself for +calling that something back, or nerve herself to let it go. + +On the one hand, her mind told her that he had done the ungrateful, +the treasonable thing. It did not matter that he might have done it +through mere lack of finer perception. That was part of his +intolerability. On the other hand, her heart ran like a shuttle +through a web of his smiles, his illuminations, the shiver, as from a +weapon suddenly drawn, of his unexpected presence, even his look when +he stood at the door to receive her final good bye. The woof of that +web was the sense of vacancy in her--the unconquerable feeling that a +thing by which she had lived was utterly lost. + +And where would he go if she let him go? Ah, the inn was ready, the +room was swept. He would go inevitably to Kate Waddington. That would +be hard to bear. Sense of justice was strong in Eleanor; she realized +the ungenerosity of this emotion while she continued to harbor it. But +was there not justice in it after all? Kate Waddington could grasp, +could guide, only the worst part of him. Kate Waddington had in her no +guidance for the better Bertram Chester, who must be in him somewhere. +She hugged this justification to herself. Perhaps it was not right to +let him go; perhaps her heart and her duty were as one. + +A cock quail came out from the chapparal, saw her, and bobbed back; +the feet of his flock rustled the twigs. Now he was raising his spring +call--"muchacho!" "muchacho!" Clearer and slighter came the call of +his mate--"muchacho!" "muchacho!" A ground squirrel shook the +laurel-bush at her side, so that its buds brushed her shoulder. The +cock quail came back into the pathway, slanted his wise head, plumed +in splendor, to find whether she were friend or enemy, saw that she +made no move, and fell to foraging among the leaves. She had sat so +long and so quietly that the little people of the ground were +accepting her as part of the landscape. She began dimly to perceive +these things, to take joy in them. And then they colored her mood. + +What was she but a young, female thing, a vessel of life universal? +What was her attraction toward Bertram Chester but a part of the +great, holy force which made and moved hills, trees, the little people +of hills and trees? What was she, to have resisted the impulse in her +because of a few imperfections, a little lack of development in +civilized morals? + +Her perception of nature died away, but the slant which it had given +her thoughts persisted. + +When she felt and spoke as she had done that night in the Man Far Low, +she was unwholesome, super-refined, super-civilized--she was +proceeding by the hothouse morals which she had learned in books and +in European studios. When she felt as she did on that first night +under the bay tree, she was wholesome and eternally right. + +How much greater in her, after all, if she had followed the call, had +taken him for the man in him, to develop, to guide as a woman may +guide! Ah, by what token could she call him back? + +Her gaze of meditation had been fixed on the road below. She had been +half-consciously aware for some time of a figure which lost itself +behind one of the hill-turns, reappeared again, became wholly visible +in a band of late afternoon sunshine. + +It was Bertram Chester. The vision came without any shock of first +surprise. He had been so much part of her thoughts that it seemed the +most natural presence in the world. He was swinging along the road in +her direction, heaving his massive shoulders with every stride; he +stopped, took off his cap, wiped his forehead with a motion which, +seen even at that distance, conveyed all his masculinity, and strode +on again. + +Would he keep on along the road, or would he turn toward her up the +Santa Eliza trail? And if he did keep on, would those roving eyes of +his perceive her sitting there? Why not leave everything to that +chance? If he looked up and saw her there on her rock, if he turned +into the trail and passed her--that was a sign. She found herself, +nevertheless, humanly striving to cheat fortune and the gods by +fixing all her mind and eyes upon him, as though she would hypnotize +him into looking up. + +But her mind and eyes had no power over him. He kept on with his even +gait until he was lost behind the clump of trees which marked the +branching of the trail. One chance was gone; she might not know the +issue of the other until time and waiting informed her. How long +before she should know? She crouched low on the rock and tried not to +think. + +The twigs and pebbles crunched under heavy feet; the branches shook +and rustled; a blue sweater became visible in the shadows. She looked +away. + +"Well, I'll be--eternally blowed!" His voice came out like an +explosion. Much as she expected it, she started. When, after a moment, +she dared look up, he stood over her. + +"Are you going to run away?" he asked. His voice, with its ripple like +laughter, showed that he expected nothing of the kind. + +"No," she answered, superfluously. + +He seemed, then, to feel the necessity for explanation. + +"I hadn't an idea--" + +"Neither had I." She broke in to anticipate his thought. Each was +lying a little; and both knew it. She rushed to commonplaces. + +"Uncle Edward and I are at Mrs. Goodyear's bungalow over Sunday. It's +our last expedition out of town before we go down to the ranch." + +"Well, I must have had a hunch! I'm at the Masters ranch over Sunday. +I got a freak idea to take a walk alone. It sure was a hunch!" Soft +sentiment tinged his voice. She answered nothing. + +"A hunch that you were alone here, nobody to interrupt--say, are you +still sore on me?" + +"I--I didn't run away--" + +"Oh, I knew you'd get over it. I think even the Judge will get over +it. I don't believe he'd care anyhow, if it wasn't for his old grouch +on Senator Northrup." + +"Perhaps. He's said nothing--to me--" + +"But it's you I care about. Only you. I told you that and I mean it. I +don't want you to be sore--I'd go back and bury myself in the old +office for life if I thought it would make it different with you." + +"Would you, Bertram?" + +He leaned close to her; she could feel his compelling eyes burning +into her averted face. With one part of her, she was conscious that +here was a crisis too great for her fully to feel; with the other +part, she was aware that an ant, dragging a ridiculously heavy straw, +was toiling up her rock. + +Now he had her hand, which lay inert in his; now his arm was about her +shoulder; and now he was speaking again: + +"Can't you? Can't you stop looking down on me and believe I'm going to +be good enough for you?" + +She found power of speech. + +"I never--I don't think that I'm too good for you!" Her Rubicon was +crossed. It was a strangely long time before he kissed her, but the +silent interval after the kiss was stranger and longer still. + +"Tell me what you plan for our future, Bertram, for I am afraid!" she +whispered at length. + +"It's got to be a wait--that's the risk you take with a comer. I'll go +on twice as fast for you. What do you want--shall we tell about it, +girlikins?" + +"As you wish, Bertram." + +"I guess we'd better not, then--not until the old Judge gets his back +down. Let's have it just between me and my little girl. + +"Say!" he added, the sentiment blowing out of his tone, "what was the +matter, anyhow, that night on the restaurant balcony? Why did you turn +me down then, and what made you so sore? I've never quite got to your +thoughts, you know. But I'm going to!" He drew her closer. "Every one +of them!" + +She dropped her face on his shoulder. + +"Ah, we've so many things to talk about, Bertram, and there's so much +time! I've been a girl that didn't know her mind. Shan't we let that +rest now? Shan't we be contented with what to-day has brought you and +me?" + +A film clouded his face. + +"Yes--if you want it that way." + +"Hoo-ooo-ooo!" Clear and high, but quavering, a masculine voice was +calling across the ridge. Eleanor sprang up. + +"That's Uncle Edward--it's dinner-time--do you want him to find +you--you'd better go!" + +He stood as though considering. + +"All right. When are you going back?" + +"We catch the seven train to-morrow afternoon at Santa Eliza." + +"Darn! I'd engaged to take on the five-ten at Las Olivas. I've half a +notion to change and join you and see what the old man says--" + +"No, Bertram, it's better not. We'll find a way. Go now!" + +"You bet we will--good bye, girlikins!" He made no move to kiss her +again; he turned and crashed down the trail. + +Eleanor sped up the trail. Safe on the summit of the ridge, her secret +hidden behind her, she answered the call. Then she dared look back at +the figure vanishing in deep shadow below. Her expression and +attitude, soft-eyed and drooping though they were, showed other +emotions than unmixed happiness. + + + + +CHAPTER XIV + + +Judge Tiffany turned from a consideration of the hillside to a closer +consideration of Eleanor, who rode beside him in the Goodyear trap. +She sat very straight, her hands folded in her lap, her grave, grey +eyes staring not at hillsides nor spring skies, but into the far +horizons. + +Since he recovered from that purely human rage against this youth who +had betrayed him to his dearest enemy, the Judge had been watching, +with all his old interest, the surface indications of Eleanor's moods. +Last night, it had been a kind of gaiety; to-day the mood was quiet, +but not at all despondent; there was life in it. Judge Tiffany held +his own views on the relations between his niece and Bertram Chester, +and on the right or convenience of interfering. Twice he had been on +the point of telling her that his feeling toward Bertram Chester +should not color hers; that his house was still open to the young +man. But the curiosity of philosophical age to see how things will +turn out had prevented him. + +It was just as well. They were on the eve of their summer flight to +the ranch, where she would have other things to think about than young +men. That was his half-expressed theme when he spoke: + +"Well, girl, will you be glad to get back to work again? You missed +last summer." + +Eleanor started as out of sleep. + +"I think I am glad of everything!" she said cryptically. As though to +turn the subject, she indicated a buckboard which was coming down an +intersecting by-road at crazy speed. + +"Why are they driving so fast?" + +The Goodyear driver turned with the familiarity of a country +henchman. + +"That's the doctor's rig from Las Olivas," he said, "and he's sure +going some!" Followed a monologue on the doctor and his habits. + +About the next bend of the road, a little boy rushed from a wayside +camp which looked strangely deserted for supper-time of Sunday +afternoon. He waved both arms before his face. + +"Hey, mister, take me to the wreck!" + +"What wreck, kid?" + +"The five-ten is over the trestle, and they went off and left me!" + +Judge Tiffany took the information calmly, even selfishly. "I wonder +if we'd better turn back and give it up to-night, or go on?" + +Eleanor spoke with a catch of the breath, a drawn-in tone. + +"Go on! Oh, tell him to go on!" + +The Judge peered at her. She was pale, but, as always in her crises, +the curtain of inscrutability made her face a mask. "Oh, do go on!" +she repeated. Then, as though it all needed explanation, she added: + +"We might be able to help!" + +"Drive on, then--fast!" + +Absolutely passive, Eleanor swayed a little with the trap, but made no +motion of her own. Indeed, there was little motion within. The train +had gone over the trestle, that was all. Bertram Chester was on that +train. She must not try to think it out--must only hold tight to +herself until she found how God had decided for her. Once it did occur +that she had fretted her heart away over shadowy ills, toy troubles, +while Bertram walked the earth free and healthy. How trivial those +troubles seemed beside this real apprehension! Once again, she +wondered how she had been cruel enough to hold him at arm's length so +long. Was this to be the punishment for her folly? + +A buckboard, driven furiously, came over the hill-rise before +them--the doctor's rig. + +"Ask him--ask him!" she called to her driver. As they drew up +alongside, the doctor's driver began talking without need for +inquiries. + +"Spread rail! The rear car just bucked over the trestle--" + +"Anybody dead?" + +"Two that I saw--and everybody in the rear car hurt. They're loading +'em on the front car to take 'em to town. Good bye--I've got to bring +back medicine before they start!" + +The chances were even--the chances were even. If he had been in the +front car--relief. If he had been in the rear car-- + +The thing opened before them like a panorama as they topped the hill. +The engine puffing regularly, normally, the baggage car and one coach +on the rails behind it; a little crowd buzzing and rushing up and down +the trestle; a black, distorted mass of iron and splinters at the +edge of the water below. Three or four heads appeared above the +trestle, and the people swarmed in that direction. The heads grew to +four men, carrying between them a bundle covered by a red blanket. + +Judge Tiffany spoke for the first time. + +"You'd better not see it, Nell!" + +His words seemed to draw the curtain away from her self-control. + +"Oh, go on--for God's sake, go on!" + +As they drew up beside the undamaged coach, the bearers had just +arrived with another body. Eleanor jumped down, rushed to the +platform. The thing under the blanket was a woman. She turned into the +coach, apprehension growing into certainty. She had not seen him in +the crowd. If he were unhurt, he must be first and foremost among the +workers. + +The coach was a hospital--limp, bandaged people propped up on every +seat; in a little space by the further door, a row of quiet figures +which lay as though sleeping. Above them bent two men. Their +business-like calm showed that they were physicians. The half of her +which stood aloof, observing all things, wondering at all things, the +half whose influence kept her now so calm and sane, marvelled that she +heard no moaning, tormented sounds. They were in the second stage of +injury; the blessed anaesthesia of nature was upon them. For human +speech, she heard only the low, quick voices of those who healed and +nursed. + +She saw a bare arm lifted from the press of huddled forms, saw that a +physician had pressed a black bulb to it. The hand--the inevitable +configuration of that arm which she had never seen bare--and she knew +him. + +Bertram lay on his side. His eyes were closed, his whole figure +huddled; yet something more than the quiver of his body at the prick +of the syringe told her that he was alive. His color had changed but +little; hovering death showed mainly by a sharpening of all the lines +of his face. Yet it did not seem to be Bertram, but rather some +statue, some ghastly replica of him. + +The physician stood up and stretched his back. She came close. + +"Will he live?" + +He turned impatiently, but he caught her eyes. + +"He has a chance. He's young and strong--Is he--yours?" + +"Yes--yes! What shall I do for him?" + +"Are you sure you're strong enough--you won't faint nor carry on?" + +"No--no! I'm sure of that. What may I do?" Judge Tiffany was beside +her now. He looked, understood, and said nothing. + +"Thank God for you, then! With all the crowd we haven't sane people +enough to nurse one baby! Everything's the matter with him--broken +arm, broken collar-bone, shock, and maybe he's injured internally. We +can't be sure about that yet. I'm trying to make him comfortable, +but"--here the agitated man broke through the calm physician for a +moment--"No braces, no slings, no anything! We're going to town as +soon as this company will let us. And he must be held. It's the only +way to keep him comfortable. Come!" + +Judge Tiffany touched the doctor's arm, but he spoke to Eleanor. + +"Nell--you'd better let a man do that." + +"No. You may help. How shall I hold him?" + +All her will concentrated on obedience to direction, she followed the +doctor while he drew Bertram's bare arm over her shoulder, set a +cushion at his back, showed her how she must support his neck with her +right hand. + +"Hold him as long as you can, then have your friend relieve you. But +change no more often than you find necessary. He'll get jostled enough +before we reach town." + +The Judge seated himself calmly. She was alone with the care of her +dying. The necessity for comforting and reassuring him came into her +mind. + +"It's all right, Bertram; it's all right!" she whispered. He returned +no answer, even of a flickering eyelash. He lay still, inert, a great +bulk that tugged at the muscles of her arms. + +After a time, her frame adjusted itself to the position. Her +perceptions, still keenly alive, told her that her doctor was working +over a woman in the corner. Just as the train started, she saw him +rise, wipe his hands on his handkerchief, and motion calmly to two of +the men. They lifted the woman. Eleanor realized all at once what the +motion signified. They had taken her to join the dead in the baggage +car. + +Next to Bertram lay an old man, his head so wrapped in bandages that +she could see only the tip of his grey beard. A middle-aged +woman--Eleanor recognized her as a camper whom they had passed on the +road but yesterday--knelt beside him, talking into his ear about his +soul. "Do you lean on your Savior?" she whispered. A kind of passing +impatience touched Eleanor. So much had her sympathetic spirit +absorbed the feelings of these dying ones, that she resented this as +an intrusion, an unwelcome distraction from the business of sloughing +off the flesh. + +A little sag of Bertram's body, which alarmed her for a moment until +she saw that the movement came from relaxation of her own arms, called +her back to responsibility. The realization that it _had_ called her +back brought with it the amazing, shameful realization that it had +ever wandered away. + +Why-- + +From the moment when she took him into her arms, she had never thought +of him as her dying lover--never as her lover at all! + +A man in extremis, a thing so beaten and suffering that she called for +it on her Christ--he was all that, in common with the other beaten and +battered and senseless wrecks about them. But the feeling that he was +her own, about to go from her, had never entered her heart. She was +ashamed while she thought of it; but it persisted. Not hers? Why, she +had suffered him to kiss her only yesterday! Must she think of such +things with a life to save? + +Now, her body was giving way with weariness; it seemed that she could +hold him no longer. She nodded to Judge Tiffany, therefore; the old +man rose and gently took her burden from her. She sank back on the +empty seat. When the faintness of fatigue had passed, she fixed her +eyes on the still face of him who had been her lover. + +Why was it? The clear-cut profile, so refined and beautiful since +suffering gave it the final touch, had thrilled her only yesterday and +through a succession of yesterdays. It had no power to thrill her now. +She tried to put back this unworthy thought, but it persisted. In +spite of pity and all decency of the heart, that outer self of hers +kept saying it to her like an audible voice. Were he to die now, in +her arms, she should work and weep and pray over his passing--but only +as she would work and weep and pray over that alien old man who lay +beside him, that woman whom they had just carried away. + +The Judge was flagging. He glanced wearily over his shoulder, as +though he hesitated to ask for relief. She rose; and without a word +she took his place. And now, as she knelt with Bertram's slight yet +heavy breathing in her ear, her thoughts became uncontrollable +nightmare--scattered visions and memories of old horrors, as when she +saw her father drunk on the pavement; a multitude of those little +shames which linger so long. One incident which was not quite a shame +thrust itself forward most insistently of all. It was that episode +under the bay tree, when she was only a little girl. Why did that +memory start to the surface those tears which had been falling so long +within? Her weeping seemed to lift her to a tremendous height of +perception, as though that outer self had flowed in upon her. + +That which had lured her and dragged her to him in the end, was the +life in him, the strong, vigorous body, the gestures, the smiles. That +which had held her away from him was the soul within him--high and +clean enough as souls go, but not one which she could ever know, and +not one which could ever know hers. In this struggle of passing, he +was all soul; the body was not in it. + +She held the plan of her puzzle; it was necessary only to set the +scattered blocks into place. + +She found herself whispering to him; she checked herself until she +remembered that he could not hear: + +"O Bertram, you are not mine! O Bertram, you could never be mine!" + +Now she could look straight at the possibility of his death or +recovery. And she could weigh and choose, in case it was life, between +telling him what she felt, or going on with him to the end--walking +with a soul apart, yet choosing paths for it, too. That last might be +the road of honor. That fine and heroic course, indeed, came to her +with a high appeal. She had made her one resolve of duty. Perhaps it +was her destiny to immolate herself for duty to the end. + +The train bowled on, stopping for no stations. The old man in the +corner was unconscious or asleep; the woman who tended him had stopped +her spiritual ministrations. A child, propped up in one of the rear +seats, had awakened to cry, fallen asleep, awakened and wept again. +She had in her voice a thick, mucous note, which became to Eleanor the +motif in that symphony of misery. Otherwise, no one seemed to be +making sound except the two physicians. Her own doctor came up once, +pressed a syringe again into the bare arm, whispered that it was all +going well. + +A whistle came muffled through the fog; they were slowing down. It was +a station; the lights, the clamor of human voices, proved it. Eleanor +looked out of the window. A knot of young men had broken for the +platform; and she could distinguish the black boxes of cameras. There +arose a sharp parley at the rear door; her doctor muttered +"reporters--damn!" and hurried back. Judge Tiffany rose and followed +him. Over her shoulder Eleanor caught the white, intent face of Mark +Heath. "He knows; they have told him," she thought. + +Judge Tiffany, his mind on the practical necessities of the case, +still had it in him to admire the control of that good soldier, the +modern reporter. When he told simply what had happened, how the issue +lay balanced between life and death, Mark only said: + +"My God!--and me with the story to do!" Then his eye caught Eleanor. + +"Did she--has she been nursing him?" + +Judge Tiffany glanced at the other reporters, clustered about the +conductor, at the photographers, holding animated wrangle with the +physicians about flashlights. + +"Keep her out of your story--you can do that. Say I found him on the +train--put me in--that's a good story enough. Keep my niece out. Keep +the others off. Keep those flashlights muffled!" + +Mark hurried forward. One look, a look which contorted his face, he +bent on Bertram. Then he spoke puzzles to Eleanor. + +"You're Miss Brown, a camper at Santa Eliza, if anyone asks you--and +when we leave this train you stay by me and do everything I tell +you." + +"Very well." + +Mark touched Bertram's face with a tenderness almost feminine. "Poor +old man!" he whispered; and he hurried back. + +A shock-headed youth accosted him. + +"What's up there?" he asked. + +"Good story," answered Mark. "I've got it all--don't you fellows +bother. Bertram Chester, old California Varsity tackle, real estate +manager for Northrup and Co., seriously injured, may not recover. Get +his injuries from the doctor. His late employer, Judge Edward C. +Tiffany, reached this train at Santa Eliza and has been taking care of +him." + +A voice came from the group of reporters: + +"Why, he's your roommate!" + +"I know it--damn it! Keep on. Judge Tiffany has been caring for him, +holding him up so he could bear it, assisted by Miss Sadie Brown, a +camper at Santa Eliza. She's the one I was talking to." + +"Who is she? Any chance for a photograph?" + +"I braced her for a picture. She wouldn't stand for it." + +"Let me try! I'll get it." + +"See here, you fellows, I'll attend to that. I'll let you all in if +she gives up. I'll play you square. He's my roommate--can't you trust +me to handle it? Keep on. Miss Sadie Brown, works at the Emporium, +lives 2196 Valencia--" Mark was reading from a perfectly blank sheet +of copy paper--"Judge Tiffany will take him home. He wired ahead for a +private ambulance from Havens. That's all of that. Now what have you +fellows got? Help me out; it's none too easy for me." + +As he took notes, asked questions, formed his "story" in his mind, +Mark never took his eyes off that group in the corner. + +Now they were racing down the last stage of the trip, with full +freeway. Now they were drawing into the ferry station. Under the +lights stood a buzzing crowd, its blacks shot with the white coats of +hospital orderlies. A dozen ambulances, their doors open, stood backed +to the platform. Eleanor sagged down on the floor with a sigh as two +orderlies lifted Bertram's arms from her shoulders, made shift to get +him upon their stretcher. + +But the doctor stopped them. + +"Get this old man first," he said, "and be careful. That young fellow +ought to pull through." + + + + +CHAPTER XV + + +Toward morning, Eleanor managed to get a little sleep. When full +daylight wakened her to the dull realization of her situation and +burdens, she hurried into clothes, crept to the solid, old-fashioned +best bedroom where they had put Bertram, and took counsel of the +nurse. Everything was hopeful; she got that from the professional +patter of temperatures and reactions. It seemed that there might be no +internal hurt. He had roused from his shock in the night; had seemed +to know where he was and what had happened. He lay now in a natural +sleep, but he must be kept very quiet. + +On the way downstairs, Eleanor met face to face with her aunt. Mrs. +Tiffany had been awake since the ambulance brought responsibility; but +her eyes showed more than want of sleep. The two women stopped, looked +long at each other; then Mrs. Tiffany took Eleanor tenderly in her +arms and kissed her. + +"Don't you worry, dear," she whispered, "he will get well, and +everything will be all right with Edward and me." + +Eleanor did not answer at first. She drew a little away from her +aunt's embrace, before she found tongue to say: + +"Please don't speak of that, Aunt Mattie--oh, not of that now!" + +As she made her way out to the piazza, in an instinctive search for +air and room, she was crying. + +In the limpness of reaction, she sank into a chair. Every joint and +muscle, she realized now, ached and creaked. She could lift her arms +only after taking long thought with herself; and the soul within was +as burned paper. + +The front gate clicked. The first, doubtless, of those inquiring +visitors who would read a meaning into the adventures of last night. +That, too, was to be faced this day! The pattering, hurrying footsteps +sounded near to her before she looked up and recognized Kate +Waddington. + +If Kate had been crying, the only evidence was a hasty powdering which +left streaks of white and pink before her ears. On first glance, +Eleanor marvelled at her appearance of control, at the lack of +emotion in her face. But insight rather than conscious vision told +Eleanor of the currents which were running under that mask. At the +bottom Eleanor detected a fear which was not only apprehension of the +news from Bertram Chester, but also a cowardly shrinking from the +situation. She fancied that she could even trace Kate's consideration +of the proper shade of acting in the circumstances. All this in the +moment before Kate sprang up the steps and asked: + +"Oh, will he live?" + +A baser nerve in Eleanor quivered with the desire to be cruel. She had +to put it down before she could tell the simple truth. One little +corner of Kate's mouth quivered and jerked for a second under her +teeth before she caught herself and resumed the impersonation of a +solicitous friend. + +"Tell me all about it," she said. + +"Ah, I am too tired!" Nevertheless, Eleanor did manage a plain tale, +ending with the nurse's report and with her own conviction that he +would live. + +"Oh, of course he will live!" And then--"Who is nursing him?" + +She looked up on this question, which was also an appeal, a begging. + +"We have a nurse," answered Eleanor shortly. It gratified her a +little, in her low state of consciousness, to be thus abrupt. The +better part of her realized this; saw how she was wreaking the revenge +of an old emotion. A reaction of generosity prompted her next words; +but she spoke with an effort. + +"You may help if you want to. Uncle Edward must go to the ranch this +week--unless--don't you want to come here and stay in my spare room?" +It seemed to Eleanor that she had never made a harder sacrifice than +the one which she sealed with that invitation. + +This, too, brought Kate out of her impersonation. Her whole figure +straightened for a second, and-- + +"Oh, might I?" she said. + +"I should be very glad. Will you come up to see him--one may look in +at the door. He is in Uncle Edward's spare chamber." + +As they threaded the involved halls of that rambling dwelling, Kate +hurried on ahead. Eleanor, from the rear, threw out a word or two by +way of direction. At the door, opened to get air of a dull and heavy +morning, they peered into the grim order of the sick room. The nurse +had already stripped it to hospital equipment. His face, refined +almost into beauty by pain and low-running blood, lay tilted to one +side as he slept. The nurse touched her lips. Eleanor nodded. The +nurse turned back toward her patient. Eleanor dared look at Kate. + +Her color had changed from pale, back to the pink of life; now it was +turning pale again. She noticed neither Eleanor nor the nurse; she +stood as one in a universe unpeopled save by herself and another. +Once, her two arms quivered with an involuntary outward motion, and +once she swayed against the lintel. + +And Eleanor, watching her through this wordless passage, gathered all +the currents that had been running through her will into an +indeterminate determination. In that moment she realized the full +bitterness of a renunciation that does not mean renouncing a wholly +dear and desired thing, but does mean renouncing the beloved thing +which one is better without. + +Kate turned at length. Eleanor, as their eyes met, could read in her +face and body the change as the actress took command once more. Kate +flew at once to her hollow conventional phrases. + +"The poor, poor boy!" she said. "Oh, we must all help!" + +Eleanor turned away with the feeling that this made it harder for her +to perform her renunciation--if real renunciation it were. + +The day brought too much work, activity, purely material anxiety, for +a great deal of thought. They had cut off the telephone in the main +wing of the Tiffany house and switched the current to the instrument +in Eleanor's living-room. Most of the day she spent answering that +telephone. People of whom she had never even heard, made anxious +inquiries about the condition of Mr. Chester. Before night the +newspapers became a plague. For in the afternoon, winged reporters, +shot out in volleys for a "second day story," had called at 2196 +Valencia and found there no Sadie Brown. Hurrying down the back trail +to the Emporium, they did discover an indignant little shop-girl of +that name. Those reporters who had been with the wreck the night +before found no resemblance in her to the mysterious lady. Then came +a bombardment, in person and by telephone, of the Tiffany house. The +Judge, meeting all callers at the front door, lied tactfully. The city +editors gave up sending reporters and took to bullying over the +telephone; so that the burden of an unaccustomed lying fell upon +Eleanor. At eleven o'clock, and after one voice had declared that the +_Journal_ had the whole account and would make it pretty peppery if +the Tiffanys did not confirm it, Eleanor took the telephone off the +hook and went to bed. + +The morning papers did pretty well with what they had. "Mysterious +Woman Nurses Prominent Varsity Athlete"--"Who Is The Pretty Girl that +Nursed Society Man in Las Olivas Horror?"--"Modest Heroine of Las +Olivas Holocaust." But the secret, thanks to Mark Heath, was safe. + + * * * * * + +She slept that night. Far along in the morning she awoke to the +delicious sense of physical renewal. The situation crept into her mind +stage by stage, as such things do arrive in the awakening +consciousness. She was calm now, what with her rest of body, her +decision of soul. She could think it out; her course of action and how +she might accomplish it. + +A knock at her door roused her from half-sleep and meditation to full +wakening. Kate Waddington had entered--Kate, transformed into a +picturesque imitation of a nurse. She was all in grass linen, the +collar rolled away to show her round, golden throat. Her flowing tie +was blue, and a blue bow completed the knot of her hair. She looked +cool, efficient, domestically business-like. + +"He's better!" Kate burst out with the news as Eleanor turned her +head. "There's really no danger now. The nurse says that he roused +this morning and showed a positively vicious temper because they would +not let him see anyone." + +"That's pleasant news. I was sure that he would recover." Eleanor +caught an unconsidered expression, no more than a glint and a +drooping, in Kate's eyes. This answer, so calm, so entirely +unemotional, had touched curiosity if nothing more. But Kate chirped +on: + +"I'm playing Mama's little household fairy--how do you like the way I +dress the part? I sent for these clothes last night. Now you're to +lie abed and let me bring you your breakfast. Are you rested, dear? It +was enough to kill two women!" + +"Quite rested, I think." + +Kate opened the window, bustled about putting the room to rights. + +"Shall I bring your coffee now?" she asked at last. + +"Yes, thank you." + +Kate was back in ten minutes with table and tray. Whatever she did had +an individuality, a touch. That tray, for example--nothing could have +been better conceived to tempt the appetite. She set out the breakfast +and remained to pour coffee and to talk. + +"And isn't it good--mustn't you be thankful--that it won't leave him +lame or disfigured or anything like that! His shoulder may be weak, +but what does a man need of shoulders after he's quit football?" + +Eleanor just glanced over her coffee-cup, but she made no answer. Kate +turned her course. + +"Won't you let me open your egg for you?" + +"No, thank you." Then, "You're very kind, Kate." + +"I am the original ray of light. Do let me fix those pillows. You're +going to lie in bed all the morning, you know. Shall I bring you the +papers? You should see them! They've got you a heroine." + +"Me!" Now Eleanor showed animation. + +"Oh, not you. We've all kept the secret well. You're a mystery, a +pretty shop-girl to the rescue. I hope the weeklies don't find the +real story." + +"I hope so." + +Kate rose, made another pretense at setting things right in the room, +and moved toward the door. A relief, a lowering of tension, came over +Eleanor. But at the threshold, Kate turned. + +"Oh, I nearly forgot! They sent up from Mr. Northrup's office this +morning for some documents or deeds or something which they thought +Mr. Chester might have in his pockets. The nurse brought out his +clothes so that Mrs. Tiffany and I might go through them--I felt like +a pickpocket. And we came across a package of proofs--photographs of +him. We opened it to see if the old deeds might be in there. And +they're such stunning likenesses--Muller, you know--that I thought it +would do you good to see them." + +"Thank you, I should like to." + +Kate drew the photographs from her bosom and handed them over. As +Eleanor took them and began mechanically to inspect them, she caught +an unconsidered trifle. Kate was not leaving the room. She had stepped +over to the cheval-mirror, which faced the bed, and was adjusting the +ribbon in her hair. Looking across the photographs through her lashes, +Eleanor saw that the counterfeit eyes of Kate in the mirror were +trained dead upon her. + +She examined them, therefore, with indifference; she stopped in the +middle of her inspection to ask if Judge Tiffany were up yet. + +"They're excellent likenesses," she went on indifferently. "That's a +good composition. I don't care so much for this one. That's a poor +pose." She had come now to the bottom of the pile. This last print was +one of those spirited profiles by which Muller, master-photographer, +so illuminates character. + +"Oh, that's a wonder," cried Eleanor. "Such a profile!" Then, at the +thought how Kate might misinterpret this purely artistic enthusiasm, +she dropped her voice to indifference again. + +"Won't you please tell Aunt Mattie that I will get up if I can be of +any use?" And she held out the package. + +Kate packed up the tray and withdrew. Eleanor heard the muffled tap of +her heels in the hall. The sound stopped abruptly. It was fully a +minute before they went on again. + +Kate, in fact, had rested the tray on a hall table, drawn out the +photographs, and run over them, looking at them with all her eyes. The +profile was at the bottom of the package. When she reached that, she +hesitated a moment; then, with a quivering motion that ran from her +fingers over her whole body, she tore it in two. Short as this +explosion was, her recovery was quicker. She glanced with apprehension +over her shoulder at the door of Eleanor's room, tucked the +photographs back in her bosom, and took up the tray again. + +Eleanor, when the sound of the tapping heels had quite died away, +turned her face toward the wall and gave herself to thought. She had +gathered up the last strand of the tangled web. Nothing was left but +the unweaving. + +First, his soul was not hers, as her soul was not his. That +impression, received in a crisis which, she felt, was to be the crisis +of her life, had grown to be an axiom. His youth, his vigor, the pull +of a stalwart vitality which made his coarseness almost beauty--that +had been the attraction. His spirit, so blazing but so full of +flaws--that had been the repulsion. + +Did not her own spirit have its flaws? Doubtless. Who was she, then, +to judge him? Ah, but they did not fit into her flaws! + +Kate Waddington now--Eleanor turned her thoughts in that direction +with difficulty--her flaws were akin to his. Kate could tolerate and +admire the whole of him. His lapses in finer standards, such as that +desertion to Northrup--did they not fit like the segments of a broken +coin with Kate's diplomacies of that very day, her subtle reaching to +discover if Eleanor were really a rival? Kate would weigh his +compromises with honor as lightly as he would weigh those pretty +treacheries. He would be successful; everyone had felt that in him +from his very first flash on the horizon. Kate would help him to the +kind of success he wanted. Her tact, her diplomacies, her _flair_ for +engrafting herself, would be the very best support to his direct +methods of assault. They belonged to each other; and since now Kate's +desires in the matter had become manifest, only one thing remained. + +All this allowed, what should her own line of conduct be? How should +she bear herself in the days and weeks when pure human kindness must +inhibit her from delivering a shock? Would it be necessary to commit +the inner treason of posing to him as a secret fiancee? Well, that +must be lived out, step by step. She could at least take all possible +means, within the bounds of kindness, of withdrawing herself gradually +from him, of paving the way for the ultimate confession. Kate +Waddington would help in that. There, her own game and Kate's ran +parallel. + +This discovery of Kate at the end of the tangled strings brought a tug +at her heart, a black cloud to her spirit. She hated Kate Waddington. +It made her grip the pillows to think how much she hated. Her mood +descending into a bitter, morbid jealousy which had no reason for +being, but which momentarily swept all her resolutions away, sent her +mind and body whirling back toward Bertram Chester. + +That passed. The last trace of her wild animal hatred for Kate +Waddington was borne away on a prayer of the old faith which held her +instincts. She rose from her bed in a state of fixed determination +that never faltered again. + +When Eleanor was dressed, she turned not to the front of the house +where the business of drawing back a life was afoot, but to the fresh +silences of her garden. She walked to the lattice whose view commanded +the bay and the distant Gate. It was a quiet, dull-gold morning on the +Roads. A tug fussed about the quarantine wharf; the lateen +fisher-boats were slipping out towards the Sacramento. And white and +stately, between the pillars of the Gate, a full-rigged ship was +making out to sea on a favoring breeze. + +Eleanor watched the sea-birds bending toward it, the mists creeping +down to cover it. The soul within her leaped toward it and seized it +as a symbol. + +"O ship," she whispered, "take this too away with you! I give it to +the pure seas. Take this little love away with you!" + +That rite, with its poetry and its self-pity, brought exaltation into +her resolution. The sacrifice was complete. + + + + +CHAPTER XVI + + +Life and spirit came back to Bertram Chester with a sudden bound. By +the fourth day, he was so much alive, so insistent for company, that +it became a medical necessity to break the conventional regulations +for invalids, and let him see people. As it happened, his father was +the first visitor. Judge Tiffany, who thought of everything, had +telegraphed on the night of the accident, and had followed this +dispatch, as Bertram improved, with reassuring messages. Bert Chester +the elder, it appeared, was off on a long drive into Modoc; two days +elapsed before his vaqueros, left on the ranch, could reach him. + +He arrived with his valise on the morning of that fourth day when +Bertram roared for company. He was a tall, calm man, with a sea-lion +mustache, a weather-beaten complexion and the Chester smile in grave +duplicate. He was obviously uncomfortable in his town clothes; and, +even at the moment when they were leading him solemnly to the sick +room, he stepped in awe through the Tiffany splendors. When Mrs. +Tiffany told him that Bert was doing well, would doubtless recover and +without disability, he said "That's good!" and never changed +expression. Mrs. Tiffany, lingering at the door, saw and heard their +greeting. + +"How are you, Bert?" said Chester senior. + +"Pretty well, Dad," said Bertram. Then awkwardly, with embarrassed +self-consciousness of the rite which he was performing, Mr. Chester +shook his son's hand. + +After their short interview, Mr. Chester, a cat--or a bear rather--in +a strange garret, roamed the Tiffany home and entertained her who +would listen. He warmed to Kate especially, and that household fairy, +in her flights between errands of mercy, played him with all the +prettiness of her coquetry. At luncheon he quite lost his +embarrassment and responded to the advances of three friendly humans. +Yes ma-am, he had been glad to learn that Bertram was doing well in +the city. He had five sons, all doing well. He'd risked letting Bert +try college, and it had turned out all right. There wasn't much more +left in the cattle business; but he was an old dog to learn new +tricks. If he had it to do over again, he'd try fruit in the Santa +Clara Valley, just like they had done. + +As the afternoon wore away bringing its callers, its telephone +messages and its consultations of doctors, his mood shifted to +uneasiness. He spent an hour walking back and forth in the garden. +Just before dinner-time he approached Mrs. Tiffany and Kate, who were +sewing in the living-room, and said simply: + +"Well, I guess I've got to be going." + +"Why, we're just getting acquainted!" cried Kate. + +Mrs. Tiffany merely flickered an eyelash at the assumption of +privilege which this implied. But she answered, after a moment, "We +should like to have you stay. Even at that, don't consider us when it +is a case of being near your son." + +"Well," answered the older Chester, ponderously, "you see it ain't +like I had only this one son and hadn't been through trouble. There's +Bob now. I worried quite a lot more than was necessary when the +Artiguez outfit shot him up, but he pulled through. And after Pete +got scrambled by a riata, and a few more things of that kind happened, +I stopped worrying any more than was necessary. He'll get well, and +you're handling him fine. You've been blame good to the boy," he said; +and the touch of sentimental softness in his voice showed how genuine +was his hardly expressed gratitude. He began talking rapidly, as +though ashamed of it. He hoped they all could come to see him on the +ranch some time, though there wasn't much there to attract a lady. +Still, the boys had pretty good times now and then. If the Tiffanys +liked fresh venison, the boys always got some deer in the season. + +"It's lovely down there, I know. Bertram--your son--has told me so +much about it!" broke in Kate. + +"We'd like to see you, too," said Mr. Chester. Then, catching the +implication, embarrassed by it, he retreated to his room and came back +in an incredibly short time with his valise. He had turned toward the +door when Mrs. Tiffany said: + +"I think Bertram is well enough so that you might see him again." + +"Oh, sure," replied Mr. Chester, as recalling a neglected trifle. He +dropped his valise and strode back to the sick-room for a short stay. + +All that day, Eleanor harbored a dread, which turned toward night to a +relief--dread of the first interview, relief that Bertram had not sent +for her. Kate, waiting her chance, slipped secretly into the room +after Mr. Chester had gone. Bertram was awake. He smiled in a measured +imitation of his old smile when she entered, and extended his +uninjured hand. She did not take it; instead, she patted it with her +cool, long fingers, made to soothe. And considering that the nurse was +watching, she looked a long time into his eyes. + +"They sure smashed me up some," he said. "But I'm a-knitting. How did +it happen that they swore you in?" + +"I wanted to help!" + +"That was being pretty good to little Bertie!" He withdrew his hand to +drop it above hers, and he looked long into her face. "Pretty good to +little Bertie," he repeated, "and now I want you to be better, and not +ask any questions about it. Is Miss Gray--Eleanor--about the house?" + +"Yes." + +"I thought she might have gone to the ranch. Well, just about +to-morrow, will you get her in here--alone?" + +"Are you ready--to be agitated?" + +"Now you don't know what I want--or you wouldn't be asking questions. +Will you?" + +"Yes, Bertram." + +"You mustn't talk any more," spoke the nurse from the corner. And Kate +withdrew. + +When, next morning, the two girls met in the hall before breakfast, +Kate repeated the message simply, carelessly. Eleanor found herself +struggling to keep face and color. In spite of her long inner +preparation, the emergency came to her with a sense of surprise. How +should she carry off this interview? Though her respite had been long, +though she had thought much, she had no prepared plan of campaign. +Must she lie for the sake of his bodily health, assume the part which +she had been playing when he went out of life? Even the question how +to get rid of the nurse was a tiny embarrassment. + +She mustered her voice to say: + +"I think I'll look in now. Invalids are likely to be awake at this +hour of the day." + +"Yes, you must be eager!" dabbed Kate. + +The nurse was no obstacle. She looked up toward the figure in the +door, said: "A young lady to see you, Mr. Chester," and withdrew. +Eleanor stood alone by the foot of the bed, looking into the eyes of +her problem. + +He made no motion. He did not even put out his hand. He regarded her +with the frown which usually broke into a smile. Now, it continued a +frown. + +"Well, things happened, didn't they?" he said. His voice burst out of +him with almost its normal force. + +"Yes, Bertram. A great deal." + +"And I thank you. It was bully work. I don't see how you stood it, +holding me up the way you did--it ought to have killed off a man, let +alone a girl. Didn't hurt you anywhere, did it?" + +"No--who told you?" Her voice was hard and constrained. + +Now Bertram smiled. It was different, this smile, from the old +illumination of his features. She could not tell, in the moment she +had to think, whether it was his illness that changed it so, or +whether it really held a bitterness which, superficially, she read +into it. + +"That's the answer," he said enigmatically. "You didn't know I was +onto everything, did you? I never went out but once--just after the +crash when the car turned over. I began to know things while they were +carrying me up the bank. From that time, I was just like a man with +his wind knocked out. It didn't hurt much, but I couldn't move a +finger or a toe. I didn't want to move if I could. I was too busy just +keeping alive. I couldn't open my eyes, but I heard everything. You +just bet I heard everything!" + +This descent of the conversation into reminiscence and apparent +commonplace gave Eleanor an opening into which she leaped. It was +wonderful; she had read of such cases. Had he heard that child crying +in the corner, and had it bothered him? Had he been conscious that it +was Mark Heath and none other who was asking so many questions? Mark +Heath had done so much for them--she would tell him about it some +other time. But Bertram still lay there with his frown of a petulant +boy on his face, and her voice ran down into nothing for lack of +sympathy in her listener. + +"Do you remember all you said?" he asked when she was quite silent. + +"I think so--why?" The question had brought a little, warm jump of her +nerves. + +"Everything? Something you said to me?" + +"I think so, Bertram." + +"Did I dream it, then?" + +She made no answer to this, but her knees failed under her so that she +sat down on the bed. Had she--had she said it aloud? + +"Something like this: 'Bertram, we don't belong to each other'?" He +laughed a little on this; even a certain blitheness came into his +laugh, as though he should say, "the joke is on you." + +A sense of the shock she might give him moved her to temporize. + +"Let us not talk of it now, Bertram. Let it be as it was until you're +better." + +"I'll be a blame sight better after I get this off my system. You +see--well I couldn't think just then, but now, when my think tank has +resumed business, I savvey a heap of things. One is that you weren't +telling me any news." + +"What makes you say that?" Eleanor bent her grave grey eyes on him. + +"I had the signal already. I mightn't have seen it fully if this smash +hadn't come, but just the same I caught it away ahead of you. That +afternoon up on the Las Olivas trail when we came together. When I +kissed you." + +Had she ever let him kiss her? + +He made an incurved gesture of his free hand, as though joining two +wires. + +"It didn't connect. That's all. I was acting on a hunch when I told +you to keep it dark. Told anyone?" + +Not until afterward did she think to be offended by this question. At +the time, she answered with a simple negative. + +"That's good. It is just between us now. I suppose the matter with me +was that I wanted to fly high, and you were about the highest thing in +sight--" + +"Don't, Bertram. I'm not high. Am I hurting you? Oh, am I unkind when +you are ill?" + +"Oh, if you think it's hurting me, you're off. This is a swell way to +talk, isn't it, considering that I'm here--" his eyes swept the +aristocratic comforts of the Tiffany spare room. + +"We mustn't think of that. It's too big to think of that!" + +"I guess you're right. Now that is finished, going to forgive me +because I walked over to Northrup?" + +"I've nothing of any kind to forgive. It's you, I think, that must +forgive." + +"Oh, it's all square, everything's all square. I want to be good +friends with you if you'll let me. I hope," his voice was almost +tender, "you connect with the right man. He won't have any too much +blood in his neck, but he'll have a lot of general culture in his +system." + +Here she realized that she had something to forgive. She repeated, +mentally, her act of renunciation as she said: + +"You're a great, strong, generous man. I can't tell you how much I +thank you for the course you've taken to-day. You're going to succeed +and--some woman--is going to be proud of you." She had avoided by a +thread naming the woman. "I shall be glad I knew you, and I shall be +your friend as long as you'll let me." + +He smiled his old smile and his uninjured hand went out. + +"Shake!" he said. + +Yet it was a relief that the nurse came back and said quietly, "You've +talked enough." As she walked to the door, Eleanor found that her will +was focused on the operation of her feet, commanding them to move with +decent slowness. Had she obeyed her impulse, she should have run. She +forced herself to turn at the door and smile back, forced herself to +bridle her emotions and go quietly to breakfast and to her ordeal with +the lightning thrusts of Kate Waddington. + + * * * * * + +Two days later, Eleanor followed Judge Tiffany to the ranch. A +perplexing fruit season brought her fair excuse. The year before, the +Japanese, adventurers in minor labors, had begun to flood the Santa +Lucia tract. They drove out the Chinese; when that spring brought +picking contracts, no Oriental was to be had save a Japanese. In the +first rush of that season, the Japanese pickers on the Tiffany ranch, +in concert with all the other Japanese of Santa Lucia, had thrown down +their baskets, repudiated their agreements, and struck. It needed more +than Judge Tiffany's failing strength, more than Olsen's methodical +plodding, to conquer this situation. + +She must be a post now, not a rail, Eleanor told Mrs. Tiffany. And +Kate would help until Mr. Chester could be moved. At further +acceptance of Kate, Mrs. Tiffany rebelled. Kate had foisted herself on +them. Goodness knew, Mrs. Tiffany couldn't tell why they had ever +accepted that situation. It didn't seem to her even decent. + +"You'll perplex me greatly, dear Aunt Mattie, if you don't let her +remain now!" said Eleanor, looking up from her packing. + +This remark, cryptic though it was, came as a fresh shower to Mrs. +Tiffany's curiosity. Never before had Eleanor so nearly committed +herself on the subject which lay like lead on her aunt's +responsibilities. It prompted Mrs. Tiffany to try for a wider +opening. + +"Would you like it, dear, if we brought Mr. Chester down to the ranch +to recuperate when he is better? I'm sure Edward wouldn't object. +After all, he's ready to forgive the Northrup affair." + +Eleanor looked up significantly. + +"If you're consulting my wishes, certainly not!" she said. + +The sigh which Mrs. Tiffany drew expressed deep relief. Thereafter, +they proceeded straight ahead with the arrangement. Eleanor went on to +the ranch. Kate, remaining, made herself so useful in a hundred ways +that Mrs. Tiffany's irritation wore itself away. + +The old combination of Eleanor and an attractive though undesirable +young man had moved her to a perilous sympathy. Now that it was over, +now that she had no more responsibility in the matter, she transferred +some of that vivid and friendly interest to the new arrangement. She +caught herself resisting a temptation to spy on their conversations; +she watched Kate's face for tell-tale expression whenever Bertram's +name came up in their luncheon-time chats. + +Kate usurped all the finer prerogatives of the nurse. Hers it was to +arrange the sick-room, to put finishing touches on bed and table, to +feed him at his meals. Her tawny hair made sunshine in the chamber, +her cool hands, in their ministration, had the caress of breezes. He +was getting to be an impatient invalid; he bore the confinement harder +than he did the ache of knitting bones. Kate's part it was to laugh +away these irritations, so that she always left him smiling. + +He went on mending until they could get him out of bed; until, on an +afternoon when the sun was bright and the wind was low, they could +take him into the garden for a breath of air and view. He made the +journey out-of-doors with Kate supporting him unnecessarily by the +armpit. She set out a Morris chair for him by the lattice, so that he +could overlook the Bay, she tucked the robes about him, she parted the +vines that he might have better view. + +For a moment he swept the bay with his eyes and opened his lungs to +the out-door room and air. Then his gaze returned to Kate's strong, +vigorous yet feminine back, as she stood, arms outstretched, hooking +vines on the trellis. The misty sunshine was making jewels in her +hair. + +"Say!" He spoke so suddenly and with such meaning in the monosyllable +that Kate blushed as she turned. "Say! is that fellow still writing to +you--the one with the Eastern education and the money?" + +Kate dropped her eyes. + +"No," she said softly. "I told him--I have broken it off--lately." + +Bertram laughed--his old, fresh laugh of a boy. + +"You saved me trouble then. I was just about to serve notice on him +that henceforth no one but little Bertie was going to be allowed on +this ranch." + +Kate did not speak. She continued to look down at the gravel walk. + +"Now don't you go pretending you don't know what I mean," Bertram went +on. "Just for that, I won't tell you what I mean. But you know." + +"What about Eleanor?" murmured Kate. + +"You little devil!" answered Bertram. "Come over here." + +Kate sank down on the edge of his chair, and dropped one arm about his +neck. + +Mrs. Tiffany, viewing the morning from the window of her room, saw +them so. At first, she smiled; then a heavier expression drew down +all the lines of her face. She crossed to her dresser, where a long +frame of many divisions held the photographs of all whom she had +loved. The first in order was of a woman who had a face like +Eleanor's; a more beautiful Eleanor, perhaps, but with no such grave +light of the spirit in her eyes. This she touched with her finger +tips. But her look was bent upon the second, the portrait of a young +man whose attitude, defying the conventional pose of old-fashioned +photography, showed how blithe and merry and full of life he must have +been. + +"Ah, Billy Gray!" she whispered, "Billy Gray, you know, _you_, how +sincerely Eleanor and I ought to thank God!" + +THE END + + + + + +End of the Project Gutenberg EBook of The Readjustment, by Will Irwin + +*** END OF THIS PROJECT GUTENBERG EBOOK THE READJUSTMENT *** + +***** This file should be named 28443.txt or 28443.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/2/8/4/4/28443/ + +Produced by Roger Frank and the Online Distributed +Proofreading Canada Team at http://www.pgdpcanada.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/28443.zip b/28443.zip Binary files differnew file mode 100644 index 0000000..6dda21d --- /dev/null +++ b/28443.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..382e1a2 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #28443 (https://www.gutenberg.org/ebooks/28443) |
