path: root/28431.txt

The Project Gutenberg EBook of The Irish Twins, by Lucy Fitch Perkins

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: The Irish Twins

Author: Lucy Fitch Perkins

Illustrator: Lucy Fitch Perkins

Release Date: March 29, 2009 [EBook #28431]

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK THE IRISH TWINS ***




Produced by Nick Hodson of London, England




The Irish Twins, by Lucy Fitch Perkins.

________________________________________________________________________
In this short book the author conveys a very good image of the lives of
Irish country children at the end of the nineteenth century.  The images
drawn by the very talented author are also very good.  There is just
enough of the Irish manner of speech to convey the flavour of the way
the twins and their relatives would have spoken, had they done so in
English.  Of course in reality it is likely that such children would
have spoken in the Irish language, instead of just occasionally using
an Irish word.  But the book not only has a good story-line, but also
conveys to its target audience, American children, something of the
background of their Irish compatriots.  It is supposed to be a Grade V
reader, and, published in 1913, is the third of the Twins series.

There is one blunder, as Kathleen, the daughter of the Earl of Elsmore,
is referred to as Lady Kathleen.  Her father would have had to be a Duke
or a Marquess for that address to be correct.  Her actual title does not
sound so good, so perhaps Perkins can be forgiven for this solecism.
________________________________________________________________________
THE IRISH TWINS, BY LUCY FITCH PERKINS.



CHAPTER ONE.

GRANNIE MALONE AND THE TWINS.

One day of the world, when it was young summer in Ireland, old Grannie
Malone sat by her fireplace knitting.  She was all alone, and in her lap
lay a letter.

Sometimes she took the letter in her hands, and turned it over and over,
and looked at it.  Then she would put it down again with a little sigh.

"If I but had the learning," said Grannie Malone to herself, "I could be
reading Michael's letters without calling in the Priest, and 'tis long
since he passed this door.  'Tis hard work waiting until some one can
tell me what at all is in it."

She stooped over and put a bit of peat on the fire, and because she had
no one else to talk to, she talked to the tea-kettle.  "There now," she
said to it, "'tis a lazy bit of steam that's coming out of the nose of
you!  I'll be wanting my tea soon, and no water boiling."

She lifted the lid and peeped into the kettle.  "'Tis empty entirely!"
she cried, "and a thirsty kettle it is surely, and no one but myself to
fetch and carry for it!"

She got up slowly, laid her knitting and the letter on the chair, took
the kettle off the hook, and went to the door.

There was but one door and one window in the one little room of her
cabin, so if the sun had not been shining brightly it would have been
quite dark within.

But the upper half of the door stood open, and the afternoon sun slanted
across the earthen floor and brightened the dishes that stood on the old
dresser.  It even showed Grannie Malone's bed in the far end of the
room, and some of her clothes hanging from the rafters overhead.

There was little else in the room to see, except her chair, a wooden
table, and a little bench by the fire, a pile of peat on the hearth, and
a bag of potatoes in the corner.  Grannie Malone opened the lower half
of the door and stepped out into the sunshine.  Some speckled hens that
had been sunning themselves on the doorstep fluttered out of the way,
and then ran after her to the well.  "Shoo--get along with you!" cried
Grannie Malone.  She flapped her apron at them.  "'Tis you that are
always thinking of something to eat!  Sure, there are bugs enough in
Ireland, without your always being at my heels to be fed!  Come now,--
scratch for your living like honest hens, and I'll give you a sup of
water if it's dry you are."  The well had a stone curb around it, and a
bucket with a rope tied to it stood on the curb.  Grannie let the bucket
down into the well until she heard it strike the fresh spring water with
a splash.  Then she pulled and pulled on the rope.  The bucket came up
slowly and water spilled over the sides as Grannie lifted it to the
curb.

She poured some of the water into the dish for the hens, filled her
kettle, and then straightened her bent back, and stood looking at the
little cabin and the brown bog beyond.

"Sure, it's old we all are together," she said to herself, nodding her
head.  "The old cabin with the rain leaking through the thatch of a wet
day, and the old well with moss on the stones of it.  And the hens
themselves, too old to cook, and too old to be laying,--except on the
doorstep in the sunshine, the creatures!--But 'tis home, thanks be to
God."

She lifted her kettle and went slowly back into the house.  The hens
followed her to the door, but she shut the lower half of it behind her
and left them outside.

She went to the fireplace and hung the kettle on the hook, blew the
coals to a blaze with a pair of leaky bellows, and sat down before the
fire once more to wait for the water to boil.

She knit round and round her stocking, and there was no sound in the
room but the click-click of her needles, and the tick-tick of the clock,
and the little purring noise of the fire on the hearth.

Just as the kettle began to sing, there was a squawking among the hens
on the doorstep, and two dark heads appeared above the closed half of
the door.

A little girl's voice called out, "How are you at all, Grannie Malone?"

And a little boy's voice said, "We've come to bring you a sup of milk
that Mother sent you."

Grannie Malone jumped out of her chair and ran to the door.  "Och, if
it's not the McQueen Twins--the two of them!" she cried.  "Bless your
sweet faces!  Come in, Larry and Eileen!  You are as welcome as the
flowers of spring.  And how is your Mother, the day?  May God spare her
to her comforts for long years to come!"  She swung the door open as she
talked, took the jug from Eileen's hand, and poured the milk into a jug
of her own that stood on the dresser.

"Sure, Mother is well.  And how is yourself, Grannie Malone?"  Eileen
answered, politely.

"Barring the rheumatism and the asthma, and the old age in my bones, I'm
doing well, thanks be to God," said Grannie Malone.  "Sit down by the
fire, now, till I wet a cup of tea and make a cakeen for you!  And
indeed it's yourselves can read me a letter from my son Michael, that's
in America!  It has been in the house these three days waiting for some
one with the learning to come along by."

She ran to the chair and picked up the letter.  The Twins sat down on a
little bench by the fireplace, and Grannie Malone put the letter in
their hands.

"We've not got _all_ the learning yet," Larry said.  "We might not be
able to read it."

"You can try," said Grannie Malone.

Then she opened the letter, and a bit of folded green paper with
printing on it fell out.  "God bless the boy," she cried, "there's one
of those in every letter he sends me!  'Tis money that is!  Can you make
out the figures on it, now?"

Larry and Eileen looked it over carefully.  "There it is, hiding in the
corner," said Larry.  He pointed to a "5" on the green paper.

"Five pounds it is!" said Grannie Malone.  "Sure it's a fortune!  Oh,
it's himself is the good son to me!  What does the letter say?"

The Twins spread the sheet open and studied it, while Grannie hovered
over them, trembling with excitement.

"Sure, that's _Dear_, isn't it?" said Eileen, pointing to the first
word.

"Sure," said Larry; "letters always begin like that."

"Dear G-r-a-n-n-i-e," spelt Eileen.  "What could that be but Grannie?"

"'Tis from my grandson, young Patrick, then," cried Grannie.  "Indeed,
he's but the age of yourselves!  How old are you at all?"

"We're seven," said the Twins.

"Patrick might be eight," said his Grandmother, "but surely the clever
children like yourselves and the two of you together should be able to
make it out.  There's but one of Patrick, and there should be more
learning between the two of you than in one alone, even though he is a
bit older!  Try now."

Larry and Eileen tried.  This was the letter.  It was written in a large
staggery hand.

"Will you listen to that now!" cried Grannie Malone.  "Is it taking me
back to America, he'd be!  'Tis a terrible journey altogether, and a
strange country at the end of it, for me to be laying my old bones in!
But I'd be a proud woman to see my own son, in any country of the world,
and he an alderman!"

There was a letter from Michael himself in the envelope also, but the
Twins could not read that, however much they tried.

So Grannie was obliged to put the two letters and the green paper under
the clock over the fireplace, to wait until the Priest should pass that
way.



CHAPTER TWO.

THE TEA-PARTY.

"Sure, this is a fine day for me, altogether," said Grannie Malone as
she got out her bit of flour to make the cake.  "I can wait for the
letter from himself, the way I know they're in health, and have not
forgotten their old Mother.  Troth, we'll have a bit of a feast over it
now," she said to the Twins.  "While I'm throwing the cakeen together do
you get some potatoes from the bag, Eileen, and put them down in the
ashes, and you, Larry, stir up the fire a bit, and keep the kettle full.
Sure, 'tis singing away like a bird this instant minute!  Put some
water in it, avic, and then shut up the hens for me."

Eileen ran to the potato bag in the corner and took out four good-sized
potatoes.  "There's but three of us," she said to herself, "but Larry
will surely be wanting two, himself."

She got down on her knees and buried the potatoes in the burning peat.
Then she took a little broom that stood near by, and tidied up the
hearth.

Larry took the kettle to the well for more water.  He slopped a good
deal of it as he came back.  It made great spots of mud, for there was
no wooden floor--only hard earth with flat stones set in it.

"Arrah now, Larry, you do be slopping things up the equal of a
thunderstorm," Eileen said to him.

"Never you mind that, now, Larry," said Grannie Malone.  "It might have
been that the kettle leaked itself, and no fault of your own at all!
Sure, a bit of water here or there does nobody any harm."

She hung the tea-kettle on the hook over the fire again.  Then she
brought the cakeen and put it into a small iron baking-kettle, and put a
cover over it.  She put turf on top of the cover.  "'Twill not be long
until it's baked," said Grannie, "and you can be watching it, Eileen,
while I set out the table."

She pulled a little wooden table out before the fire, put three plates
and three cups on it, some salt, and the jug of milk.  Meanwhile Larry
was out trying to shut the hens into the little shelter beside the
house.  But he couldn't get them all in.  One old speckled hen ran round
the house to the door.  Larry ran after her.  The hen flew up on top of
the half-door.  She was very much excited.  "Cut-cut-cut," she squawked.

"Cut-cut yourself now!" cried Grannie Malone.

She ran toward the door, waving her spoon.  "Shoo along out of this with
your bad manners!" she cried.

Just that minute Larry came up behind the hen and tried to catch her by
the legs.

"Cut-cut-cut-a-cut," squawked old Speckle; and up she flew, right over
Grannie's head, into the rafters!  Then she tucked herself cozily down
to go to sleep.

"Did you ever see the likes of that old Speckle, now?" cried Grannie
Malone.  She ran for the broom.  "Sure she must be after thinking I was
lonesome for a bit of company!  Do you think I'd be wanting you at all,
you silly, when I have the Twins by me?" she said to the hen.  She shook
the broom at her, but old Speckle wasn't a bit afraid of Grannie; she
didn't move.

Then Grannie Malone put the broom under her and tried to lift her from
her perch, but old Speckle had made up her mind to stay.  So she flew
across to another rafter, and lit on Grannie Malone's black coat that
she wore to Mass on Sundays.  She thought it a pleasant warm place and
sat down again.

"Bad luck to you for an ill-favoured old thief!" screamed Grannie.  "Get
off my Sunday cloak with your muddy feet!  It's ruined you'll have me
entirely!"

She shook the cloak.  Then old Speckle, squawking all the way, flew over
to Grannie's bed!  She ran the whole length of it.  She left a little
path clear across the patchwork quilt.  Larry stood in one corner of the
room waving his arms.  Eileen was flapping her apron in another, while
Grannie Malone chased old Speckle with the broom.  At last, with a final
squawk, she flew out of the door, and ran round to the shelter where the
other hens were, and went in as if she thought home was the best place
for a hen after all.  Larry shut her in.

As soon as the hen was out of the house, Eileen screamed, "I smell
something burning!"

"'Tis the cakeen," cried Grannie.

She and Eileen flew to the fireplace.  Eileen got there first.  She
knocked the cover off the little kettle with the tongs, and out flew a
cloud of smoke.

"Och, murder!  'Tis destroyed entirely!" poor Grannie groaned.

"I'll turn it quick," said Eileen.

She was in such a hurry she didn't wait for a fork or stick or anything!
She took right hold of the little cakeen, and lifted it out of the
kettle with her hand!

The little cake was hot!  "Ow!  Ow!" shrieked Eileen, and she dropped it
right into the ashes!  Then she danced up and down and sucked her
fingers.

"The Saints help us!  The cakeen is bewitched," wailed poor Grannie.
She picked it up, and tossed it from one hand to the other, while she
blew off the ashes.

Then she dropped it, burned side up, into the kettle once more, clapped
on the cover, and set it where it would cook more slowly.

When that was done, she looked at Eileen's fingers.  "It's not so bad at
all, mavourneen, praise be to God," she said.  "Sure, I thought I had
you killed entirely, the way you screamed!"

"Eileen is always burning herself," said Larry.  "Mother says 'tis only
when she's burned up altogether that she'll learn to keep out of the
fire at all!"

"'Twas all the fault of that disgraceful old hen," Grannie Malone said.
"Sure, I'll have to be putting manners on her!  She's no notion of
behaviour at all, at all.  Reach the sugar bowl, Larry, avic, and sit
down by the table and rest your bones.  I'll have the tea ready for you
in a minute.  Sit you down, too, Eileen, while I get the potatoes."  She
took the tongs and drew out the potatoes, blew off the ashes, and put
them on the table.  Then she poured the boiling water over the
tea-leaves, and set the tea to draw, while she took the cakeen from the
kettle.

"'Tis not burned so much, after all," she said, as she looked it over.
"Sure, we can shut our eyes when we eat it."

She drew her own chair up to the table; the Twins sat on the bench on
the other side.  Grannie Malone crossed herself, and then they each took
a potato, and broke it open.  They put salt on it, poured a little milk
into the skin which they held like a cup, and it was ready to eat.

Grannie poured the tea, and they had milk and sugar in it.  The little
cakeen was broken open and buttered, and, "Musha, 'tis fit for the Queen
herself," said Larry, when he had taken his first bite.

And Eileen said, "Indeed, ma'am, it's a grand cook you are entirely."

"Sure, I'd need to be a grand cook with the grand company I have,"
Grannie answered politely, "and with the fine son I have in America to
be sending me a fortune in every letter!  'Tis a great thing to have a
good son, and do you be that same to your Mother, the both of you, for
'tis but one Mother that you'll get in all the world, and you've a right
to be choice of her."

"Sure, I'll never at all be a good son to my Mother," laughed Eileen.

"Well, then," said Grannie, "you can be a good daughter to her, and
that's not far behind.  Whist now, till I tell you the story of the
Little Cakeen, and you'll see that 'tis a good thing entirely to behave
yourselves and grow up fine and respectable, like the lad in the tale.
It goes like this now:--"

"It was once long ago in old Ireland, there was living a fine, clean,
honest, poor widow woman, and she having two sons [Note 1], and she
fetched the both of them up fine and careful, but one of them turned out
bad entirely.  And one day she says to him, says she:--

"`I've given you your living as long as ever I can, and it's you must go
out into the wide world and seek your fortune.'

"`Mother, I will,' says he.

"`And will you take a big cake with my curse, or a little cake with my
blessing?' says she.

"`A big cake, sure,' says he.

"So she baked a big cake and cursed him, and he went away laughing!  By
and by, he came forninst a spring in the woods, and sat down to eat his
dinner off the cake, and a small, little bird sat on the edge of the
spring.

"`Give me a bit of your cake for my little ones in the nest,' said she;
and he caught up a stone and threw at her.

"`I've scarce enough for myself,' says he, and she being a fairy, put
her beak in the spring and turned it black as ink, and went away up in
the trees.  And whiles he looked for a stone for to kill her, a fox went
away with his cake!

"So he went away from that place very mad, and next day he stopped, very
hungry, at a farmer's house, and hired out for to tend the cows.

"`Be wise,' says the farmer's wife, `for the next field is belonging to
a giant, and if the cows get into the clover, he will kill you dead as a
stone.'

"But the bad son laughed and went out to watch the cows; and before
noontime he went to sleep up in the tree, and the cows all went in the
clover.  And out comes the giant and shook him down out of the tree and
killed him dead, and that was the end of the bad son.

"And the next year the poor widow woman says to the good son:--

"`You must go out into the wide world and seek your fortune, for I can
keep you no longer,' says the Mother.

"`Mother, I will,' says he.

"`And will you take a big cake with my curse or a little cake with my
blessing?'

"`A little cake,' says he.

"So she baked it for him and gave him her blessing, and he went away,
and she a-weeping after him fine and loud.  And by and by he came to the
same spring in the woods where the bad son was before him, and the
small, little bird sat again on the side of it.

"`Give me a bit of your cakeen for my little ones in the nest,' says
she.

"`I will,' says the good son, and he broke her off a fine piece, and she
dipped her beak in the spring and turned it into sweet wine; and when he
bit into his cake, sure, it was turned into fine plum-cake entirely; and
he ate and drank and went on light-hearted.  And next day he comes to
the farmer's house.

"`Will ye tend the cows for me?' says the farmer.

"`I will,' says the good son.

"`Be wise,' says the farmer's wife, `for the clover-field beyond is
belonging to a giant, and if you leave in the cows, he will kill you
dead.'

"`Never fear,' says the good son, `I don't sleep at my work.'

"And he goes out in the field and lugs a big stone up in the tree, and
then sends every cow far out in the clover-fields and goes back again to
the tree!  And out comes the giant a-roaring, so you could hear the
roars of him a mile away, and when he finds the cow-boy, he goes under
the tree to shake him down, but the good little son slips out the big
stone, and it fell down and broke the giant's head entirely.  So the
good son went running away to the giant's house, and it being full to
the eaves of gold and diamonds and splendid things.

"So you see what fine luck comes to folks that is good and honest!  And
he went home and fetched his old Mother, and they lived rich and
contented, and died very old and respected."

"Do you suppose your son Michael killed any giants in America, the way
he got to be an Alderman?" asked Eileen, when Grannie had finished her
story.

"I don't rightly know that," Grannie answered.  "Maybe it wasn't just
exactly giants, but you can see for yourself that he is rich and
respected, and he with a silk hat, and riding in a procession the same
as the Lord-Mayor himself!"

"Did you ever see a giant or a fairy or any of the good little people
themselves, Grannie Malone?"  Larry asked.

"I've never exactly seen any of them with my own two eyes," she
answered, "but many is the time I've talked with people and they having
seen them.  There was Mary O'Connor now,--dead long since, God rest her.
She told me this tale herself, and she sitting by this very hearth.
Wait now till I wet my mouth with a sup of tea in it, and I'll be
telling you the tale the very same way she told it herself."

------------------------------------------------------------------------

Note 1.  Adapted from "Marygold House," in _Play-Days_, by Sarah Orne
Jewett.



CHAPTER THREE.

THE TALE OF THE LEPRECHAUN.

Grannie reached for the teapot and poured herself a cup of tea.  As she
sipped it, she said to the twins, "Did you ever hear of the Leprechauns?
Little men they are, not half the bigness of the smallest baby you ever
laid your two eyes on.  Long beards they have, and little pointed caps
on the heads of them.

"And it's forever making the little brogues (shoes) they are, and you
can hear the tap-tap of their hammers before you ever get sight of them
at all.  And the gold and silver and precious things they have hidden
away would fill the world with treasures.

"But they have the sharpness of the new moon, that's sharp at both ends,
and no one can get their riches away from them at all.  They do be
saying that if you catch one in your two hands and never take your eyes
off him, you can make him give up his money.

"But they've the tricks of the world to make you look the other way, the
Leprechauns have.  And then when you look back again, faith, they're
nowhere at all!"

"Did Mary O'Connor catch one?" asked Eileen.

"Did she now!" cried Grannie.  "Listen to this.  One day Mary O'Connor
was sitting in her bit of garden, with her knitting in her hand, and she
was watching some bees that were going to swarm.

"It was a fine day in June, and the bees were humming, and the birds
were chirping and hopping, and the butterflies were flying about, and
everything smelt as sweet and fresh as if it was the first day of the
world.

"Well, all of a sudden, what did she hear among the bean-rows in the
garden but a noise that went tick-tack, tick-tack, just for all the
world as if a brogue-maker was putting on the heel of a pump!

"`The Lord preserve us,' says Mary O'Connor; `what in the world can that
be?'

"So she laid down her knitting, and she went over to the beans.  Now,
never believe me, if she didn't see sitting right before her a bit of an
old man, with a cocked hat on his head and a dudeen (pipe) in his mouth,
smoking away!  He had on a drab-coloured coat with big brass buttons on
it, and a pair of silver buckles on his shoes, and he working away as
hard as ever he could, heeling a little pair of pumps!

"You may believe me or not, Larry and Eileen McQueen, but the minute she
clapped her eyes on him, she knew him for a Leprechaun.

"And she says to him very bold, `God save you, honest man!  That's hard
work you're at this hot day!'  And she made a run at him and caught him
in her two hands!

"`And where is your purse of money?' says she.

"`Money!' says he; `money is it!  And where on top of earth would an old
creature like myself get money?' says he.

"`Maybe not on top of earth at all, but _in_ it,' says she; and with
that she gave him a bit of a squeeze.  `Come, come,' says she.  `Don't
be turning your tricks upon an honest woman!'

"And then she, being at the time as good-looking a young woman as you'd
find, put a wicked face on her, and pulled a knife from her pocket, and
says she, `If you don't give me your purse this instant minute, or show
me a pot of gold, I'll cut the nose off the face of you as soon as
wink.'

"The little man's eyes were popping out of his head with fright, and
says he, `Come with me a couple of fields off, and I'll show you where I
keep my money!'

"So she went, still holding him fast in her hand, and keeping her two
eyes fixed on him without so much as a wink, when, all of a sudden, what
do you think?

"She heard a whiz and a buzz behind her, as if all the bees in the world
were humming, and the little old man cries out, `There go your bees
a-swarming and a-going off with themselves like blazes!'

"She turned her head for no more than a second of time, but when she
looked back there was nothing at all in her hand.

"He slipped out of her fingers as if he were made of fog or smoke, and
sorrow a bit of him did she ever see after."  [Note 1.]

"And she never got the gold at all," sighed Eileen.

"Never so much as a ha'penny worth," said Grannie Malone.

"I believe I'd rather get rich in America than try to catch Leprechauns
for a living," said Larry.

"And you never said a truer word," said Grannie.  "'Tis a poor living
you'd get from the Leprechauns, I'm thinking, rich as they are."

By this time the teapot was empty, and every crumb of the cakeen was
gone, and as Larry had eaten two potatoes, just as Eileen thought he
would, there was little left to clear away.

It was late in the afternoon.  The room had grown darker, and Grannie
Malone went to the little window and looked out.

"Now run along with yourselves home," she said, "for the sun is nearly
setting across the bog, and your Mother will be looking for you.  Here,
put this in your pocket for luck."  She gave Larry a little piece of
coal.  "The Good Little People will take care of good children if they
have a bit o' this with them," she said; "and you, Eileen, be careful
that you don't step in a fairy ring on your way home, for you've a light
foot on you like a leaf in the wind, and `The People' will keep you
dancing for dear knows how long, if once they get you."

"We'll keep right in the boreen (road), won't we, Larry?  Good-bye,
Grannie," said Eileen.

The Twins started home.  Grannie Malone stood in her doorway, shading
her eyes with her hand, and looking after them until a turn in the road
hid them from sight.  Then she went into her little cabin and shut the
door.

------------------------------------------------------------------------

Note 1.  Adapted from Thomas Keightley's _Fairy Mythology_.



CHAPTER FOUR.

THE TINKERS.

After Larry and Eileen had gone around the turn in the road there were
no houses in sight for quite a long distance.

On one side of the road stretched the brown bog, with here and there a
pool of water in it which shone bright in the colours of the setting
sun.  It was gay, too, with patches of yellow buttercups, of primroses,
and golden whins.  The whins had been in bloom since Easter, for Larry
and Eileen had gathered the yellow flowers to dye their Easter eggs.  On
the other side of the road the land rose a little, and was so covered
with stones that it seemed as if there were no earth left for things to
grow in.  Yet the mountain fern took root there and made the rocks gay
with its green fronds.

The sun was so low that their shadows stretched far across the bogland
beside them as the Twins trudged along.

Three black ravens were flying overhead, and a lark was singing its
evening song.

Eileen looked up in the sky.  "There's the ghost of a moon up there!
Look, Larry," she said.

Larry looked up.  There floating high above them, was a pale, pale moon,
almost the colour of the sky itself.  "It looks queer and lonesome up
there," he said, "and there's no luck at all in three ravens flying.
They'll be putting a grudge on somebody's cow, maybe.  I wonder where
the little lark does be hiding herself."

Larry was still looking up in the sky for the little lark, when Eileen
suddenly seized his arm.  "Whist, Larry," she whispered.  "Look before
you on the road!"

Larry stopped stock-still and looked.  A man was coming toward them.
The man was still a long way off, but they could see that he carried
something on his back.  And beside the road, not so far away from where
the Twins stood, there was a camp, like a gypsy camp.

"'Tis the Tinkers!" whispered Larry.  He took Eileen's hand and pulled
her with him behind a heap of stones by the road.  Then they crept along
very quietly and climbed over the wall into a field.

From behind the wall they could peep between the stones at the Tinkers'
Camp without being seen.

The Twins were afraid of Tinkers.  Everybody is in Ireland, because the
Tinkers wander around over the country without having any homes
anywhere.

They go from house to house in all the villages mending the pots and
pans, and often they steal whatever they can lay their hands on.

At night they sleep on the ground with only straw for a bed, and they
cook in a kettle over a camp-fire.

The Twins were so badly scared that their teeth chattered.

Eileen was the first to say anything.

"However will we g-g-g-get home at all?" she whispered.  "They've a dog
with them, and he'll b-b-b-bark at us surely.  Maybe he'll bite us!"

They could see a woman moving about through the Camp.  She had a fire
with a kettle hanging over it.  There were two or three other people
about, and some starved-looking horses.  The dog was lying beside the
fire, and there was a baby rolling about on the ground.  A little pig
was tied by one hind leg to a thorn-bush.

"If the dog comes after us," said Larry, "I'd drop a stone on him, out
of a tree, just the way the good son did in the story, and kill him
dead."

"But there's never a tree anywhere about," said Eileen.  "Sure, that is
no plan at all."

"That's a true word," said Larry, when he had looked all about for a
tree, and found none.  "We'll have to think of something else."

Then he thought and thought.  "We might go back to Grannie's," he said
after a while.

"That would be no better," Eileen whispered, "for, surely, our Mother
would go crazy with worrying if we didn't come home, at all, and we
already so late."

"Well, then," Larry answered, "we must just bide here until it's dark,
and creep by, the best way we can.  Anyway, I've the piece of coal in my
pocket, and Grannie said no harm would come to us at all, and we having
it."

Just then the man, who had been coming up the road, reached the Camp.
The dog ran out to meet him, barking joyfully.  The man came near the
fire and threw the bundle off his shoulder.  It was two fat geese, with
their legs tied together!

"The Saints preserve us," whispered Eileen, "if those aren't our own two
geese!  Do you see those black feathers in their wings?"

"He's the thief of the world," said Larry.

He forgot to be frightened because he was so angry, and he spoke right
out loud!  He stood up and shook his fist at the Tinker.  His head
showed over the top of the wall.  Eileen jerked him down.

"Whist now, Larry darling," she begged.  "If the dog sees you once he'll
tear you to pieces."

Larry dropped behind the wall again, and they watched the Tinker's wife
loosen the string about the legs of the geese, and tie them by a long
cord to the bush, beside the little pig.  Then all the Tinker people
gathered around the pot and began to eat their supper.

The baby and the dog were on the ground playing together.  The Twins
could hear the shouts of the baby, and the barks of the dog.

It was quite dusk by this time, but the moon grew brighter and brighter
in the sky, and the flames of the Tinkers' fire glowed more and more
red, as the night came on.

"Sure, it isn't going to get real dark at all," whispered Larry.

"Then we'd better be going now," said Eileen, "for the Tinkers are
eating their supper, and their backs are towards the road, and we'll
make hardly a taste of noise with our bare feet."

They crept along behind the rocks, and over the wall.  "Now," whispered
Larry, "slip along until we're right beside them, and then run like the
wind!"

The Twins took hold of hands.  They could hear their hearts beat.  They
walked softly up the road.

The Tinkers were still laughing and talking; the baby and the dog kept
on playing.

The Twins were almost by, when all of a sudden, the geese stood up.
"Squawk, squawk," they cried.  "Squawk, squawk."

"Whatever is the matter with you, now?" said the Tinker's wife to the
geese.  "Can't you be quiet?"  The dog stopped romping with the baby,
sniffed the air, and growled.  "Lie down," said the woman; "there's a
bone for your supper."  She threw the dog a bone.  He sprang at it and
began to gnaw it.

Larry and Eileen had crouched behind a rock the minute the geese began
to squawk.  "I believe they know us," whispered Eileen.

They waited until everything was quiet again.  Then Larry whispered,
"Run now, and if you fall, never wait to rise but run till we get to Tom
Daly's house!"

Then they ran!  The soft pat-pat of their bare feet on the dirt road was
not heard by the Tinkers, and soon another turn in the road hid them
from view, but, for all that, they ran and ran, ever so far, until some
houses were in sight.

They could see the flicker of firelight in the windows of the nearest
house.  It was Tom Daly's house.  They could see Tom's shadow as he sat
at his loom, weaving flax into beautiful white linen cloth.  They could
hear the clack! clack! of his loom.  It made the Twins feel much safer
to hear this sound and see Tom's shadow, for Tom was a friend of theirs,
and they often went into his house and watched him weave his beautiful
linen, which was so fine that the Queen herself used it.  Up the road,
in the window of the last house of all, a candle shone.

"Sure, Mother is watching for us," said Larry.  "She's put a candle in
the window."

They went on more slowly now, past Tom Daly's, past the Maguires' and
the O'Briens' and several other houses on the way, and when they were
quite near their own home Larry said, "Sure, I'll never travel again
without a bit of coal in my pocket.  Look at all the danger we've been
in this night, and never the smallest thing happening to us."

And Eileen said, "Indeed, musha, 'tis well we're the good children!
Sure, the Good Little People would never at all let harm come to the
likes of us, just as Grannie said."



CHAPTER FIVE.

THE TWINS GET HOME.

When they were nearly home, the Twins saw a dark figure hurrying down
the road, and as it drew near, their Mother's voice called to them, "Is
it yourselves, Larry and Eileen, and whatever kept you till this hour?
Sure, you've had me distracted entirely with wondering what had become
of you at all!  And your Dada sits in the room with a lip on him as long
as to-day and to-morrow!"

The Twins both began to talk at once.  Their mother clapped her hands
over her ears.

"Can't you hold your tongues and speak quietly now--one at a time like
gentlemen and ladies?" she said.  "Come in to your father and tell him
all about it."

The Twins each took one of her hands, and they all three hurried into
the house.  They went into the kitchen.  Their Father was sitting by the
chimney, with his feet up, smoking his pipe when they came in.  He
brought his feet to the floor with a thump, and sat up straight in his
chair.

"Where have you been, you Spalpeens?" he said.  "It's nine o'clock this
instant minute."

The Twins both began again to talk.  Their Mother flew about the kitchen
to get them a bite of supper.

"Come now," said the Father, "I can't hear myself at all with the noise
of you.  Do you tell the tale, Larry."

Then Larry told them about the cakeen, and the silk hat, and Michael
Malone, and the Tinkers, while his Mother said, "The Saints preserve
us!" every few words, and Eileen interrupted to tell how brave Larry had
been--"just like the good son in Grannie Malone's tale, for all the
world."

But when they came to the geese part of the story, the Father said,
"Blathers," and got up and hurried out to the place where the fowls were
kept, in the yard behind the house.

In a few minutes he came in again.  "The geese are gone," he said, "and
that's the truth or I can't speak it!"

"Bad luck to the thieves, then," cried the Mother.  "The back of my hand
to them!  Sure, I saw a rough, scraggly man with a beard on him like a
rick of hay, come along this very afternoon, and I up the road talking
with Mrs Maguire!  I never thought he'd make that bold, to carry off
geese in the broad light of day!  And me saving them against
Christmastime, too!"

"Wait till I get that fellow where beating is cheap, and I'll take the
change out of him!" said the Father.

Eileen began to cry and Larry's lip trembled.

"Come here now, you poor dears," their Mother said.  "Sit down on the
two creepeens by the fire, and have a bite to eat before you go to bed.
Indeed, you must be starved entirely, with the running, and the fright,
and all.  I'll give you a drink of cold milk, warmed up with a sup of
hot water through it, and a bit of bread, to comfort your stomachs."

While the Twins ate the bread and drank the milk, their Father and
Mother talked about the Tinkers.  "Sure, they are as a frost in spring,
and a blight in harvest," said Mrs McQueen.  "I wonder wherever they
got the badness in them the way they have."

"I've heard said it was a Tinker that led Saint Patrick astray when he
was in Ireland," said Mr McQueen.  "I don't know if it's true or not,
but the tale is that he was brought here a slave, and that it would take
a hundred pounds to buy his freedom.  One day, when he was minding the
sheep on the hills, he found a lump of silver, and he met a Tinker and
asked him the value of it.

"`Wirra,' says the Tinker, `'tis naught but a bit of solder.  Give it to
me!'  But Saint Patrick took it to a smith instead, and the smith told
him the truth about it, and Saint Patrick put a curse on the Tinkers,
that every man's face should be against them, and that they should get
no rest at all but to follow the road."

"Some say they do be walking the world forever," said Mrs McQueen, "and
I never in my life met any one that had seen a Tinker's funeral."

"There'll maybe be one if I catch the Tinker that stole the geese!"  Mr
McQueen said grimly.

Mrs McQueen laughed.  "It's the fierce one you are to talk," she said,
"and you that good-natured when you're angry that you'd scare not even a
fly!  Come along now to bed with you," she added to the Twins.  "There
you sit with your eyes dropping out of your heads with sleep."

She helped them undress and popped them into their beds in the next
room; then she barred the door, put out the candle, covered the coals in
the fireplace, and went to bed in the room on the other side of the
kitchen.  Last of all, Mr McQueen knocked the ashes from his pipe
against the chimney-piece, and soon everything was quiet in their
cottage, and in the whole village of Ballymora where they lived.



CHAPTER SIX.

HOW THEY WENT TO THE BOG.

The next morning when the Twins woke up, the sun was shining in through
the one little square window in the bedroom, and lay in a bright patch
of yellow on the floor.  Eileen sat up in bed and rubbed her eyes.  Then
she stuck her head out between the curtains of her bed.  "Is it to-day
or to-morrow?  I don't know," she said.

Larry sat up in his bed and rubbed his eyes.  He peeped out from his
curtains.  "It isn't yesterday, anyway," he said, "and glad I am for
that.  Do you mind about the Tinkers, Eileen?"

"I do so," said Eileen, "and the geese."

Their Mother heard them and came to the door.  "Sure, I thought I'd let
you sleep as late as ever you liked," she said, "for there's no school
to-day, but you're awake and clacking, so how would you like to go with
your Dada to the bog to cut turf?  Himself will put a bit of bread in
his pocket for you, and you can take a sup of milk along."

"Oh, wirra!" cried Eileen.  "What have we done but left the milk-jug at
Grannie Malone's!"

"You can take the milk in the old brown jug, then," said the Mother,
"and come along home by way of Grannie's, and get the jug itself.  I'd
like your Father to get a sight of the Tinkers' Camp, and maybe of that
thief of the world that stole the geese on us."

It didn't take the Twins long to dress.  They wore few clothes, and no
shoes and stockings, and their breakfast of bread and potatoes was soon
eaten.  The Mother had already milked the cow, and when they had had a
drink of fresh milk they were ready to start.

Mr McQueen was at the door with "Colleen," the donkey, and when Larry
and Eileen came out, he put them both on Colleen's back, and they
started down the road toward the bog.

When they came to the place where the Tinkers' Camp should be, there was
no camp there at all!  They looked east and west, but no sign of the
Tinkers did they see.

"If it were not for the two geese gone, I'd think you had been
dreaming!" said Mr McQueen to the Twins.

"Look there, then," said Larry.  "Sure, there's the black mark on the
ground where their fire was!"

The Twins slid off Colleen's back, and ran to the spot where the camp
had been.  There, indeed, was the mark of a fire, and near by were some
wisps of straw.  There were the marks of horses' feet, too, and Eileen
found a white goose feather by the thorn-bush, and a piece of broken
rope.

"They were here surely," Mr McQueen said, "and far enough away they are
by this time, no doubt.  It's likely the police were after them."

They went back to the road, and the Twins got up again on Colleen's
back, and soon they had reached the near end of the bog.

Mr McQueen stopped.  "I'll be cutting the turf here," he said, "and the
two of you can go on to Grannie Malone's with the donkey, and bring back
the jug with yourselves.  Get along with you," and he gave the donkey a
slap.

The Twins and the donkey started along the road.  Everything went well
until Colleen spied a tuft of green thistles, on a high bank beside the
road.  Colleen loved thistles, and she made straight for them.  The
first thing the Twins knew they were sliding swiftly down the donkey's
back, while Colleen stood with her fore feet high on the bank and her
hind feet in the road.

Larry, being behind, landed first, with Eileen on top of him.  She
wasn't hurt a bit, but she was a little scared.  "Sure, Larry, but
you're the soft one to fall on," she said as she rolled over and picked
herself up.

"I may be soft to fall on," said Larry, "but I'm the easier squashed for
that!  Look at me now!  It's out of shape I am entirely, with the print
of yourself on me!"

Then--"Whatever will we do with Colleen?"  Eileen said.  "She's got her
nose in the thistles and we'll never be able to drag her away from
them."

They pulled on the halter, but Colleen refused to budge.  Larry got up
on the bank and pushed her.  He even pulled her backward by the tail!
Colleen didn't seem to mind it at all.  She kept right on eating the
thistles.

At last Larry said, "You go on with yourself to Grannie Malone's for the
jug, Eileen, and I'll stay here until she finishes the thistles."

So he sat down by the road on a stone and Eileen trotted off to
Grannie's.



CHAPTER SEVEN.

THE BOG.

When Eileen got back with the jug, she found Larry still sitting beside
the road.  He was talking with a freckled-faced boy, and Colleen's head
was still in the thistles.

"The top of the morning to you, Dennis Maguire," Eileen called to the
freckled boy when she saw him.  "And does it take the two of you to
watch one donkey at his breakfast?  Come along and let's play in the
bog!"

"But however shall we leave Colleen?  She might run away on us," said
Larry.

"She's tethered by hunger fast enough," said Eileen.  "Ropes would not
drag her away.  But you could throw her halter over a stone, to be
sure."

Larry slipped the halter over a stone, they set the milk-jug in a safe
place, and the three children ran off into the bog.

The bogland was brown and dark.  Tufts of coarse grass grew here and
there, and patches of yellow gorse.  There were many puddles, and
sometimes there were deep holes, where the turf had been cut out.

Mr McQueen was a thrifty man, and got his supply of turf early in the
season.  He would cut it out in long black blocks, like thick mud, and
leave it in the sun to dry.  When it was quite dry he would carry it
home on Colleen's back, pile it in a high turf-stack near the kitchen
door, and it would burn in the fireplace all winter.

The children were barefooted, so they played in the puddles as much as
ever they liked.

By and by Eileen said, "Let's play we are Deirdre and the sons of
Usnach."

"And who were they, indeed?" said Dennis.

"It was Grannie told us about them," said Eileen, "and sure it's the
sorrowfullest story in Ireland."

"Then let's not be playing it," said Dennis.

"But there's Kings in it, and lots of fighting!"

"Well, then, it might not be so bad, at all.  Tell the rest of it,"
Dennis answered.

"Well, then," Eileen began, "there once was a high King of Emain, and
his name was Conchubar [pronounced _Connor_].  And one time when he was
hunting out in the fields, he heard a small little cry, crying.  And he
followed the sound of it, and what should he find, but a little baby
girl, lying alone in the field!"

"Well, listen to that now," said Dennis.

"He did so," Eileen went on; "and he loved the child and took her to his
castle, and had her brought up fine and careful, intending for to marry
her when she should be grown up.  And he hid her away, with only an old
woman to take care of her, in a beautiful house far in the mountain, for
he was afraid she'd be stolen away from him.

"And she had silver dishes and golden cups, and everything fine and
elegant, and she the most beautiful creature you ever laid your two eyes
on."

"Sure, I don't see much fighting in the tale, at all," said Dennis.

"Whist now, and I'll come to it," Eileen answered.

"One day when Deirdre had grown to be a fine big girl, she looks out of
the window, and she sees Naisi [pronounced _Naysha_] going along by with
his two brothers, the three of them together, they having been hunting
in the mountain.  And the minute she slaps her eyes on Naisi, `There,'
says she, `is the grandest man in the width of the world, and I'll be
wife to no man but him,' says she.

"So she calls in the sons of Usnach, though the old woman is scared to
have her, and she tells Naisi she's going to marry him.

"And Naisi says, says he, `I'll never be one to refuse a lady, but
there'll be murder the day Conchubar finds it out!' says he.

"So they went away that same night, and the old woman fair distraught
with fear.  Soon along comes Conchubar to see Deirdre, for to marry her.
And he had many men with him.  When he finds Deirdre gone, `It's that
Naisi,' says he, `that stole her away.'  And he cursed him.  And all his
men and himself went out for to chase Naisi and his two brothers.  But
they never caught up with them at all for ten years, and Naisi and
Deirdre living all the time as happy as two birds in the springtime."

"No fighting at all yet," said Dennis, "and ten years gone by.  Musha,
indeed, 'tis not much of a tale at all."

"There was fighting enough when the years were up," Eileen said.  "The
men of Conchubar pursued them up hill and down dale, and when they
finally caught them, there was fighting that made the ground red with
the blood spilled.

"And when Naisi and his brothers were all caught together, and Conchubar
was after killing them, sure, didn't Deirdre put an end to herself
entirely, and the four of them were buried together in one grave."

"But however will we play it at all?" said Larry.

"Listen, now," said Eileen.  "I'll be Deirdre, of course.  You can just
be Naisi, Larry, and Dennis can be Conchubar, and he after us, and we
running as fast as ever we can, to get away from him.  You must give us
a start, Dennis."



CHAPTER EIGHT.

"DIDDY."

Larry and Eileen took hold of hands, and began running as fast as they
could.  They jumped from one tuft of grass to another.  Dennis came
splashing through the puddles after them.  He had almost caught them,
when all of a sudden, Larry stopped and listened.

"What's that now?" he said.  Eileen and Dennis listened too.  They heard
a faint squealing sound.

They looked all around.  There was nothing in sight but the brown bog,
and the stones, and the blue hills far beyond.  They were a little bit
scared.

"Do you suppose it might be a Leprechaun?"  Eileen whispered.

"'Tis a tapping noise they make; not a crying noise at all," Larry
answered.

"Maybe it's a Banshee," Dennis said.  "They do be crying about sometimes
before somebody is going to die."

"'Tis no Banshee whatever," Eileen declared.  "They only cry at night."

They heard the squealing sound again.

"'Tis right over there," cried Eileen, pointing to a black hole in the
bog where turf had been cut out.  "Indeed, and it might be a beautiful
baby like Deirdre herself!  Let's go and see."

They crept up to the bog-hole, and peeped over the edge.  The hole was
quite deep and down in the bottom of it was a little pig!  Dennis rolled
over on the ground beside the bog-hole and screamed with laughter.

"Sure, 'tis the beautiful child entirely!" he said.

"'Tis the little pig the Tinkers had!" cried Eileen.

"It broke the rope and ran away with itself," shouted Larry.

"However will we get it out?" said Eileen.  "The hole is too deep
entirely!"

"The poor little thing is nearly destroyed with hunger," Larry said.
"I'll go down in the hole and lift her out."

"However will you get out yourself, then, Larry darling?" cried Eileen.

"The two of you can give me your hands," said Larry, "and I'll be up in
no time."

Then Larry jumped down into the hole.  He caught the little pig in his
arms.  The little pig squealed harder than ever and tried to get away,
but Larry held it up as high as he could.

Eileen and Dennis reached down and each got hold of one of the pig's
front feet.  "Now then for you!" cried Larry.

He gave the pig a great shove.  He shoved so hard that Eileen and Dennis
both fell over backwards into a puddle!  But they held tight to the pig,
and there the three of them were together, rolling in the bog with the
pig on top of them!

"Hold her, hold her!" shrieked Larry.  By standing on tiptoe his nose
was just above the edge of the bog-hole, so he could see them.

"I've got her," Eileen cried.  "Run back for the bit of rope the Tinkers
left, Dennis, and tie her, hard and fast!"

Dennis ran for the rope while Eileen sat on the ground and held the
little pig in her arms.  The little pig squealed and kicked and tried
every minute to get away.  She kicked even after her hind legs were tied
together.  But Eileen held on!

"You'll have to get Larry out alone, Dennis, while I never let go of
this pig," cried Eileen, breathlessly.  "She's that wild, she'll be
running away with herself on her two front legs, alone."

Dennis reached down, and took both of Larry's hands and pulled and
pulled until he got him out.

Larry was covered with mud from the bog-hole, and Eileen and Dennis were
wet and muddy from falling into the puddle.

But they had the pig!

"Sure, she is a beautiful little pig, and we'll call her Deirdre,
because we found her in the bog just in the same way as Conchubar
himself," said Larry.

"Indeed, Deirdre was too beautiful altogether to be naming a pig after
her," Eileen said.

"Isn't she a beautiful little pig, then?"  Larry answered.

"Well, maybe we might be calling her `Diddy,' for short, and no offence
to herself at all," Eileen agreed.

The poor little pig was so tired out with struggling, and so hungry,
that she was fairly quiet while Dennis carried her on his shoulder to
the road.  Eileen walked behind Dennis and fed her with green leaves.

She was so quiet that Larry said: "We'll tie the rope to one of Diddy's
hind legs, and she'll run home herself in front of us."

So when they reached the road he and Dennis tied the rope securely to
Diddy's left hind leg and set her down.

They found Colleen asleep, standing up.

Larry woke her.  Then he said, "Eileen, come now, you take the jug, and
get on Colleen's back.  Dennis can lead her, and I'll drive the pig
myself."

But Diddy was feeling better after her rest.  She made up her mind she
didn't like the plan.  She squealed and tried to get away.  Once she
turned quickly and ran between Larry's legs and tripped him up.  But she
was a tired little pig, and so it was not long before, somehow, they got
her back to where Mr McQueen was working.

He hadn't heard them coming, though what with the pig squealing, and the
children all speaking at once, they made noise enough.  But Mr McQueen
had his head down digging, and he was in a bog-hole besides, so when
they came up right beside him, with the pig, he almost fell over with
astonishment.

He stopped his work and leaned on his clete, while they told him all
about the pig, and how they found it, and got it out of the hole, and
how the Tinkers must have lost it.  And when they were all done, he only
said, "The Saints preserve us!  We'll take it home to Herself and let
her cosset it up a bit!"

So the children hurried off to take the pig to their Mother without even
stopping to eat their bit of lunch.  Mr McQueen came, too.

When they got home, they found Mrs McQueen leaning on the farmyard
fence.  When she saw them coming with the pig, she ran out to meet them.

"Wherever did you find the fine little pig?" she cried.  Then she threw
up her hands.  "Look at the mud on you!" she said.

Then the Twins and Dennis told the story all over again, and Mrs
McQueen took the little pig in her apron.  "The poor little thing!" she
said.  "Its heart is beating that hard, you'd think its ribs would burst
themselves.  I'll get it some milk right away this minute when once
you've looked in the yard."

Mr McQueen and Dennis and the Twins went to the fence.  There in the
yard were the two geese with the black feathers in their wings!  "Faith,
and the luck is all with us this day," said Mr McQueen.  "However did
you get them back at all?"

"'Twas this way, if you'll believe me," said Mrs McQueen.  She
scratched the little pig's back with one hand as she talked.  "I was
just after churning my butter when what should I see looking in the door
but that thief of a Tinker with the beard like a rick of hay!  Thinks I
to myself, sure, my butter will be bewitched and never come at all with
the bad luck of a stranger, and he a Tinker, coming in the house!

"But he comes in and gives one plunge to the dasher for luck and to
break the spell, and says he, very civil, `Would you be wanting to buy
any fine geese to-day?'

"My heart was going thumpity-thump, but I says to him, `I might look at
them, maybe,' and with that I go to the door, for the sake of getting
him out of it, and if there weren't our own two geese, with the legs of
them tied together!"

"The impudence of that!" cried Mr McQueen.  "Get along with your tale,
woman!  Surely you never paid the old thief for your own two geese!"

"Trust me!" replied Mrs McQueen.  "I'm coming around to the point of my
tale gradual, like an old goat grazing around its tethering stump!  I
says to him, `They look well enough, but I'm wishful to see them
standing up on their own two legs.  That one looks as if it might be a
bit lame, and the cord so tight on it!  And meanwhile, will you be
having a bit of a drink on this hot day?'

"Then I gave him a sup of milk, in a mug, and with that he thanks me
kindly, loosens the cord, and sets the geese up on their legs for me to
see.  In a minute of time I stood between him and the geese, and `Shoo!'
says I to them, and to him I says, `Get along with you before I call the
man working behind the house to put an end to your thieving entirely!'

"And upon that he went in great haste, taking the mug along with him,
but it was cracked anyway!"

"Woman, woman, but you've the clever tongue in your head," said Mr
McQueen with admiration.

"'Tis mighty lucky we have," said Mrs McQueen, "for it's little else
women have in this world to help themselves with!"

Then she put the little pig down in the empty pig-pen in the farmyard
and went to fetch it some milk.



CHAPTER NINE.

THE SECRET.

Mr McQueen was a good farmer, but at the time he lived in Ireland,
farmers could not own their farms.

The land was all owned by rich landlords, who did not do any work
themselves.  These landlords very often lived away in England or France,
and did not know much about how the poor people lived at home, or how
hard they had to work to get the money for the rent of their farms.

Sometimes, when they did know, they didn't care.  What they wanted was
all the money they could get, so they could live in fine houses and wear
beautiful clothes, and go where they pleased, without doing any work.

When the landlords were away, they had agents to collect the rents for
them.

The business of these agents was to get all the rent money they could,
and they made life very hard for the farmers.

Sometimes when the farmers couldn't pay all the rent, the agent would
turn them out of their houses.  This was called "evicting" them.  The
farm that Mr McQueen lived on, as well as the village and all the
country roundabout, was owned by the Earl of Elsmore, who lived most of
the year in great style in England.  The agent who collected rents was
Mr Conroy.  Nobody liked Mr Conroy very much, but everybody was afraid
of him, because he could do so much to injure them.

So one morning when Mr McQueen came back very early from his
potato-field, he was not glad to see Mr Conroy's horse standing near
his door, and Mr Conroy himself, leaning on the farmyard fence, looking
at the fowls.

"How are you, McQueen?" said Mr Conroy, when Mr McQueen came up.

"Well enough, Mr Conroy," said Mr McQueen.

"And you're doing well with the farm, too, it seems," said Mr Conroy.
"Those are good-looking fowls you have, and the pig is fine and fat.
How many cows have you, now?"

"Two, and a heifer," said Mr McQueen.

"You drained that field over by the bog this year, didn't you, and have
it planted to turnips?" went on Mr Conroy.  "I'm glad to see you so
prosperous, McQueen.  Of course, now, the farm is worth more than it was
when you first took it, and so you'll not be surprised that I'm raising
the rent on you."

"If the farm is worth more, 'tis my work that has made it so," said Mr
McQueen, "and I shouldn't be punished for that.  The house is none too
good at all, and the place is not worth more.  Last year was the drought
and all manner of bad luck, and next year may be no better.  Truly, Mr
Conroy, if you press me, I don't know how I can scrape more together
than I'm paying now."

"Well, then," said Mr Conroy.  "You must just find a way, for this is
one of the best farms about here, and you should pay as much as any
one."

"You can't get money by shaking a man with empty pockets," said Mr
McQueen.

But Mr Conroy only laughed and said:

"You'll have five pounds in yours when next rent-day comes around, or
'twill be the worse for you.  You wouldn't like to be evicted, I'm
sure."

Then he mounted his horse and rode away.

Mr McQueen went into the house with a heavy heart, and told his wife
the bad news.

"Faith," said Mrs McQueen, "I'd not be in that man's shoes for all you
could offer.  It's grinding down the faces of the poor he is, and that
at the telling of some one else!  Not even his badness is his own!  He
does as he's bid."

"He gets fat on it," said Mr McQueen.

"Faith, we'll get along somehow," said Mrs McQueen.  "We always have,
though 'tis true it's been scant fare we've had now and again."

Mr McQueen didn't answer.  He went back to his work in the fields.
Mrs McQueen got the Twins started off to school, with their lunch in a
little tin bucket, and began her washing, but she did not sing at her
work that day as she sometimes did.

Larry and Eileen knew that something was wrong, though their Father and
Mother had not said anything to them about it.

They had seen Mr Conroy talking with their Father in the yard.  "And
it's never a sign of anything good to see Mr Conroy," Eileen said.

Larry was thinking the same thing, for he said:--

"When I'm a man, I'm going to be rich, and then I'll give you and Mother
and Dada a fine house, and fine clothes, and things in plenty."

"However will you get the money?" asked Eileen.

"Oh!  Giants or something," Larry answered, "or maybe being an
Alderman."

"Blathers!" said Eileen.  "I've a better plan in my head.  You know Dada
and Mother said we could have Diddy for our very own, because we found
her ourselves."

"I do," said Larry.

"Well, then," said Eileen, "I know it's about the rent they are
bothered, for it always is the rent that bothers them.  Now, when the
Fair-time comes we'll coax Dada to let us take Diddy to the Fair.
She'll be nice and fat by that time, and we'll sell her, and give the
money to Dada for the rent!"

"Sure, it will be hard parting with Diddy, that's been like one of our
own family since the day we found her crying in the bog," said Larry.

"Indeed, and it will," said Eileen, "but we think more of our parents
than of a pig, surely."

"But however will we get her to the Fair to sell her?" said Larry.

"We'll get Dada to take her for us, but we'll never tell him we mean the
money to go for the rent until we put it in his hands," Eileen answered,
"and we won't tell any one else at all.  It's a Secret."

"I'd like to be telling Dennis, maybe," said Larry.

"We can tell Dennis and Grannie Malone, but no one else at all," Eileen
agreed.



CHAPTER TEN.

SCHOOL.

By this time they had reached the schoolhouse.  The Schoolmaster was
standing in the door calling the children to come in.

He was a tall man dressed in a worn suit of black.  He wore glasses on
his nose, and carried a stick in his hand.

The schoolhouse had only one room, with four small windows, and Larry
hung his cap and Eileen her shawl, on nails driven into the wall.

The schoolroom had benches for the children to sit on, with long desks
in front of them.  On the wall hung a printed copy of the Ten
Commandments.  At one side there was a fireplace, but, as it was summer,
there was no fire in it.

The Master rapped on his desk, which was in the front of the room, and
the children all hurried to their seats.  Larry sat on one side of the
room, with the boys.  Eileen sat on the other, with the girls.

The Master called the roll.  There were fifteen boys and thirteen girls.
When the roll was called and the number marked down on a slate in front
of the school, the Master said, "First class in reading."

All the little boys and girls of the size of Larry and Eileen came
forward and stood in a row.  There were just three of them: Larry and
Eileen and Dennis.

"Larry, you may begin," said the Master.

Larry read the first lines of the lesson.  They were, "To do ill is a
sin.

"Can you run far?"

Larry wondered who it was that had done ill, and if he were running away
because of it, and who stopped him to ask, "Can you run far?"  He was
thinking about it when Eileen read the next two sentences.

They were, "Is he friend or foe?

"Did you hurt your toe?"

This did not seem to Larry to clear the mystery.

"Next!" called the Master.

Dennis stood next.  He read, "He was born in a house on the hill.

"Is rice a kind of corn?

"Get me a cork for the ink jar."

Just at this point the Master went to the open door to drive away some
chickens that wanted to come in, and as Dennis had not been told to stop
he went right on.  Dennis was eight, and he could read quite fast if he
kept his finger on the place.  This is what he read:--

"The morn is the first part of the day.

"This is my son, I hope you will like him.

"Sin not, for God hates sin.

"Can a worm walk?

"No, it has no feet, but it can creep.

"Did you meet Fred in the street?

"Weep no more."

By this time the chickens were frightened away and Dennis was nearly out
of breath.

The Master came back.  Then Eileen had a turn.  They could almost say
the lessons by heart, they knew them so well.

After the reading-lesson they went back to their benches, and studied in
loud whispers, but Larry was thinking of something else.  He drew a pig
with a curly tail on his slate--like this--

He held it up for Dennis to see.  He wanted to tell him about Diddy and
the Fair, but the Master saw what he had done.  "Come here, Larry
McQueen, and bring your slate," he said.  "Sure, I'll teach you better
manners.  Get up on this stool now, and show yourself."  He put a large
paper dunce-cap on Larry's head, and made him sit up on a stool before
the whole school!

The other children laughed, all but Eileen.  She hid her face on her
desk, and two little tears squeezed out between her fingers.  But Larry
didn't cry.  He pretended he didn't care at all.  He sat there for what
seemed a very long time, while other children recited other lessons in
reading, and grammar, and arithmetic.  The Master gave him this poem to
learn by heart:--

  "I thank the Goodness and the Grace
  That on my birth have smiled,
  And made me in these Christian days,
  A happy English child."

Larry wondered why he was called an English child, when he knew he was
Irish.  And he wasn't so sure either about the "Christian days"; but he
learned it and said it to the teacher before he got down off the stool.
It seemed to him that it was about three days before noontime came.  At
last they were dismissed, and the Twins went out with the other children
into the schoolyard to eat their luncheon.  Dennis ate his with them,
and Larry told him the Secret.

After lunch they went back into the dark, smoky little schoolroom for
more lessons, and when three o'clock came, how glad they were to go
dancing out into the sunshine again, and walk home along the familiar
road, with the air sweet about them, and the little birds singing in the
fields.



CHAPTER ELEVEN.

THE FAIR.

For many weeks Eileen and Larry kept the Secret.  They told no one but
Dennis and Grannie Malone, and they both promised they would never,
never tell.

Mr McQueen worked hard--early and late--over his turnips and cabbages
and potatoes, and Larry and Eileen helped by feeding the pig and
chickens, and driving the cows along the roadsides, where they could get
fresh sweet grass to eat.

One evening Mr McQueen said to his wife.  "Rent-day comes soon, and
next week will be the Fair."

Larry and Eileen heard him say it.  They looked at each other and then
Eileen went to her Father and said, "Dada, will you take Larry and me to
the Fair with you?  We want to sell our pig."

"_You_ sell your pig!" cried Mr McQueen.  "You mean you want to sell it
_yourselves_?"

"You can help us," Eileen answered; "but it's our pig and we want to
sell it, don't we, Larry?"

Larry nodded his head up and down very hard with his mouth tight shut.
He was so afraid the Secret would jump out of it!

"Well, I never heard the likes of that!" said McQueen.  He slapped his
knee and laughed.

"We've got it all planned," said Eileen.  She was almost ready to cry
because her Father laughed at her.  "We've fed the pig and fed her,
until she's so fat she can hardly walk, and we are going to wash her
clean, and I have a ribbon to tie on her ear.  Diddy will look so fine
and stylish, I'm sure some one will want to buy her!"

Mrs McQueen was just setting away a pan of milk.  She stopped with the
pan in her hand.

"Leave them go," she said.

Mr McQueen smoked awhile in silence.  At last he said:--

"It's your own pig, and I suppose you can go, but you'll have a long day
of it."

"The longer the better," said the Twins.

All that week they carried acorns, and turnip-tops, and everything they
could find that was good for pigs to eat, and fed them to Diddy, and she
got fatter than ever.

The day before the Fair, they took the scrubbing-pail and the broom, and
some water, and scrubbed her until she was all pink and clean.  Then
they put her in a clean place for the night, and went to bed early so
they would be ready to get up in the morning.

When the first cock crowed, before daylight the next morning, Eileen's
eyes popped wide open in the dark.  The cock crowed again.
_Cock-a-doodle-doo_!

"Wake up, Larry darling," cried Eileen from her bed.  "The morn is upon
us, and we are not ready for the Fair."

Larry bounded out of bed, and such a scurrying around as there was to
get ready!  Mrs McQueen was already blowing the fire on the hearth in
the kitchen into a blaze, and the kettle was on to boil.  The Twins wet
their hair and their Mother parted it and then they combed it down tight
on the sides of their heads.  But no matter how much they wet their
hair, the wind always blew it about their ears again in a very little
while.  They put on their best clothes, and then they were ready for
breakfast.

Mr McQueen was up long before the Twins.  He had harnessed Colleen and
had loaded the pig into the cart somehow, and tied her securely.  This
must have been hard work, for Diddy had made up her mind she wasn't
going to the Fair.

Mr McQueen had found room, too, for some crocks of butter, and several
dozen eggs carefully packed in straw.

When breakfast was over, Mrs McQueen brought a stick with notches cut
in it and gave it to Mr McQueen.

She explained what each notch meant.  "There's one notch, and a big one,
for selling the pig," she said, "and mind you see that the Twins get a
good price for the creature.  And here's another for selling the butter
and eggs.  And this is a pound of tea for Grannie Malone.  She's been
out of tea this week past, and she with no one to send.  And this notch
is for Mrs Maguire's side of bacon that you're to be after bringing her
with her egg money, which is wrapped in a piece of paper in your inside
pocket, and by the same token don't you be losing it.

"And for myself, there's so many things I'm needing, that I've put all
these small notches close together.  There's yarn for stockings for the
Twins, and some thread for myself, to make crochet, that might turn me a
penny in my odd moments, and a bit of flour, and some yellow meal.  Now
remember that you forget nothing of it all!"  Mr McQueen shook his head
sadly.  "Faith, there's little pleasure in going to the Fair with so
many things on my mind," he said.

The sun was just peeping over the distant hills, when Colleen started up
the road, pulling the cart with Diddy in it, squealing "like a dozen of
herself" Mrs McQueen said.  Mr McQueen led the donkey, and Larry and
Eileen followed on foot.  They had on shoes and stockings, and Eileen
had on a clean apron and a bright little shawl, so they looked quite
gay.

They walked miles and miles, beside bogs, and over hills, along country
roads bordered by hedgerows or by stone walls.  At last they saw the
towers of the Castle which belonged to the Earl of Elsmore.  It was on
top of a high hill.

The towers stood up strong and proud against the sky.  Smoke was coming
out of the chimneys.

"Do you suppose the Earl himself is at home?"  Eileen asked her Father.

"'Tis not unlikely," Mr McQueen answered.  "He comes home sometimes
with parties of gentlemen and ladies for a bit of shooting or fishing."

"Maybe he'll come to the Fair," Eileen said to Larry.

"Sure, he'd never miss anything so grand as the Fair and he being in
this part of the world," said Larry.

Some distance from the Castle they could see a church spire, and the
roofs of the town, and nearer they saw a little village of stalls
standing in the green field, like mushrooms that had sprung up
overnight.

"The Fair!  The Fair!" cried the Twins.



CHAPTER TWELVE.

HOW THEY SOLD THE PIG.

Although they had come so far, they were among the earliest at the Fair.
People were hurrying to and fro, carrying all sorts of goods and
arranging them for sale on counters in little stalls, around an open
square in the centre of the grounds.

Cattle were being driven to their pens, horses were being brushed and
curried, sheep were bleating, cows were lowing, and even the hens and
ducks added their noise to the concert.  Diddy herself squealed with all
her might.

Larry and Eileen had never seen so many people together before in all
their lives.

They had to think very hard about the Secret in order not to forget
everything but the beautiful things they saw in the different stalls.

There were vegetables and meats, and butter and eggs.  There were hats
and caps.  There were crochet-work, and bed-quilts, and shawls with
bright borders, spread out for people to see.

There were hawkers going about with trays of things to eat, pies and
sweets, toffee and sugar-sticks.  This made the Twins remember that they
were dreadfully hungry after their long walk, but they didn't have
anything to eat until quite a while after that, because they had so much
else to do.  They followed their Father to the corner where the pigs
were.  A man came to tell them where to put Diddy.

"You can talk with these two farmers," said Mr McQueen.  He brought the
Twins forward.  "It's their pig."

Then Larry and Eileen told the man about finding Diddy in the bog, and
that their Father had said they could have her for their own, and so
they had come to the Fair to sell her.

"And whatever will you do with all the money?" asked the man.

The Twins _almost_ told!  The Secret was right on the tip end of their
tongues, but they clapped their hands over their mouths, quickly, so it
didn't get out.

The man laughed.  "Anyway, it's a fine pig, and you've a right to get a
good price for her," he said.  And he gave them the very best pen of all
for Diddy.

When she was safely in the pen, Eileen and Larry tied the red ribbon,
which Eileen had brought in her pocket, to Diddy's ear, and another to
her tail.  Diddy looked very gay.

When the Twins had had a bite to eat, they stood up before Diddy's pen,
where the man told them to, and Diddy stood up on her hind legs with her
front feet on the rail, and squealed.  Larry and Eileen fed her with
turnip-tops.

There were a great many people in the Fairgrounds by that time.  They
were laughing and talking, and looking at the things in the different
booths.  Every single one of them stopped to look at Diddy and the
Twins, because the Twins were the very youngest farmers in the whole
Fair.

Everybody was interested, but nobody offered to buy, and the Twins were
getting discouraged when along came some farmers with ribbons in their
hands.  They were the Judges!

The Twins almost held their breath while the Judges looked Diddy over.
Then the head man said, "That's a very fine pig, and young.  She is a
thoroughbred.  Wherever did you get her, Mr McQueen?"

Mr McQueen just said, "Ask them!" pointing to the Twins.

The Twins were very much scared to be talking to the Judges, but they
told about the Tinkers and how they found Diddy in the bog, and the
Judges nodded their heads and looked very wise, and finally the chief
one said, "Faith, there's not her equal in the whole Fair!  She gets the
blue ribbon, or I'm no Judge."

All the other men said the same.  Then they gave the blue ribbon to the
Twins, and Eileen tied it on Diddy's other ear!  Diddy did not seem to
like being dressed up.  She wiggled her ears and squealed.

Just then there was the gay sound of a horn.  _Tara, tara, tara_! it
sang, and right into the middle of the Fairground drove a great tally-ho
coach, with pretty young ladies and fine young gentlemen riding on top
of it.

Everybody turned away from Diddy and the Twins to see this grand sight!

The footman jumped down and helped down the ladies, while the driver, in
livery, stood beside the horses' heads with his hand on their bridles.

Then all the young gentlemen and ladies went about the Fair to see the
sights.

"'Tis a grand party from the Castle," said Mr McQueen to the Twins.
"And sure, that's the Earl's daughter, the Lady Kathleen herself, with
the pink roses on her hat!  I haven't seen a sight of her since she was
a slip of a girl, the size of yourselves."

Lady Kathleen and her party came by just at that moment, and when she
saw Diddy with her ribbons and the Twins beside her, the Lady Kathleen
stopped.

The Twins could hardly take their eyes off her sweet face and her pretty
dress, and the flowered hat, but she asked them all sorts of questions,
and finally they found themselves telling her the story of how they
found the pig.

"And what is your pig's name?" said Lady Kathleen.

"Sure, ma'am, it's Deirdre, but we call her Diddy for short," Eileen
answered.

All the young gentlemen and ladies laughed.  The Twins didn't like to be
laughed at--they were almost ready to cry.

"And why did you call her Deirdre?" asked Lady Kathleen.

"It was because of finding her in the bog all alone with herself, the
same as Deirdre when she was a baby and found by the high King of
Emain," Eileen explained.

"A very good reason, and it's the finest story in Ireland," said Lady
Kathleen.  "I'm glad you know it so well, and she is such a fine pig
that I'm going to buy her from you myself."

All the young ladies seemed to think this very funny, indeed.  But Lady
Kathleen didn't laugh.  She called one of the footmen.  He came running.
"Do you see that this pig is sent to the Castle when the Fair is over,"
she said.

"I will, your Ladyship," said the footman.  Then Lady Kathleen took out
her purse.  "What is the price of your pig?" she said to the Twins.

They didn't know what to say, but the Judge, who was standing near,
said, "She is a high-bred pig, your Ladyship, and worth all of three
pounds."

"Three pounds it is, then," said the Lady Kathleen.  She opened her
purse and took out three golden sovereigns.

She gave them to the Twins and then almost before they found breath to
say, "Thank you, ma'am," she and her gay company had gone on to another
part of the Fair.  The Judge made a mark on Diddy's back to show that
she had been sold.

The Twins gave the three golden sovereigns to their Father to carry for
them, and he put them in the most inside pocket he had, for safe
keeping!  Then while he stayed to sell his butter and eggs, and to do
his buying, the Twins started out to see the Fair by themselves.



CHAPTER THIRTEEN.

WHAT THEY SAW.

The first person they stopped to watch was a Juggler doing tricks.  It
was quite wonderful to see him keep three balls in the air all at the
same time, or balance a pole on the end of his nose.  But when he took
out a frying-pan from behind his stall, and said to the Twins, who were
standing right in front of him, "Now, I'll be after making you a bit of
an omelet without any cooking," their eyes were fairly popping out of
their heads with surprise.

The Juggler broke an egg into the frying-pan.  Then he clapped on the
cover, waved the pan in the air, and lifted the cover again.  Instead of
an omelet there in the frying-pan was a little black chicken crying
"Peep, peep," as if it wanted its mother!

The Juggler looked very much surprised himself, and the Twins were
simply astonished.

"Will you see that now!"  Larry whispered to Eileen.  "Sure, if only Old
Speckle could be learning that trick, 'twould save her a deal of
sitting."

"Indeed, then, 'tis magic," Eileen answered back, "and there's no luck
in that same!  Do you come away now, Larry McQueen, or he might be
casting his spells on yourself and turning you into something else
entirely, a goat maybe, or a Leprechaun!"

This seemed quite likely to Larry, too, so they slipped hurriedly out
under the elbows of the crowd just as the Juggler was in the very act of
finding a white rabbit in the crown of his hat.  They never stopped
running until they found themselves in the middle of a group of people
in a distant part of the Fairgrounds.

This crowd had gathered around a rough-looking man with a bundle of
papers under his arm.  He was waving a leaflet in the air and shouting,
"Ladies and Gentlemen--Whist now till I sing you a song of Old Ireland.
'Tis the Ballad of the Census Taker!"  Then he began to sing in a voice
as loud as a clap of thunder.  This was the first verse of the song:--

  "_Oh_, they're taking of the Census
  In the country and the town.
  _Have_ your children got the measles?
  _Are_ your chimneys tumbling down?"

Every one seemed to think this a very funny song and at the end of the
second verse they all joined in the chorus.  The Ballad Singer sang
louder than all the rest of the people put together.

"Musha, the roars of him are like the roars of a giant," Eileen said to
Larry.  "Indeed, I'm fearing he'll burst himself with the noise that's
in him."

The moment the song ended, the Ballad Singer passed the hat, and the
crowd began to melt away.  "There you go, now," cried the Singer,
"lepping away on your two hind legs like scared rabbits!  Come along
back now, and buy the Ballad of `The Peeler and the Goat.'  Sure, 'tis a
fine song entirely and one you'll all be wanting to sing yourselves when
once you've heard it."  He seized a young man by the arm.  "Walk up and
buy a ballad now," he said to him.  "Troth, you've the look of a fine
singer yourself, and dear knows what minute you may be needing one, and
none handy.  Come now, buy before 'tis too late."

The young man turned very red.  "I don't think I'll be wanting any
ballads," he said, and tried to pull away.

"You don't think!" shouted the Ballad Singer.  "Of course, you don't
think, you've nothing whatever to do it with!"

The crowd laughed.  The poor young man bought a ballad.

"There now," cried the Singer, "you're the broth of a boy after all!
Who'll be after buying the next one off of me?"

His eyes lighted on the Twins.  They shook in their shoes.  "He'll be
clapping one of them on us next," Larry said to Eileen.  "We'd best be
going along;" and they crept out of the crowd just as he began to roar
out a new song.

An old woman, with a white cap and a shawl over her head and a basket on
her arm, smiled at them as they slipped by.  She jerked her thumb over
her shoulder at the Ballad Singer.  "Melodious is the closed mouth," she
said.

"Indeed, ma'am, I've often heard my Mother say so," Eileen answered
politely.  She curtsied to the old woman.

The old woman looked pleased.  "Will you come along with me out of the
sound of this--the both of you?" she said.  "And I'll take you to hear
things that will keep the memory of Ireland green while there's an
Irishman left in the world."

She led them to a raised platform some distance away.  Over the platform
there floated a white flag with a green harp on it.  The old woman
pointed to it.  "Do you remember the old harp of Tara?" she said to the
Twins.  "'Tis nowhere else at all now but on the flag, but time was,
long, long years ago, when the harp itself was played on Tara's hill.
And in those days there were poets to praise Ireland, and singers to
sing her songs.  And here they will be telling of those days, and
singing those songs.  Come and listen.  'Tis a Feis [pronounced _faysh_]
they're having, and prizes given for the best tale told, or the best
song sung."

The old woman and the Twins made their way to the platform and sat down
on a bench near the edge of it.  Many other people were sitting or
standing about.  An old man stood up on the platform.  He told the story
of Cuchulain [pronounced _Koohoolin_]--the "Hound of Culain"--and how he
fought all the greatest warriors of the world on the day he first took
arms.

When he had finished, another man took his place and told the story of
Deirdre and Naisi, and another told the fate of the four children of Lir
that were turned into four beautiful swans by their cruel stepmother.

And when the stories were finished a prize was given for the best one,
and the Twins were glad that it was for the story of Deirdre, for that
tale was like an old friend to them.

After that there was music, and the dances of old Ireland--the reel and
the lilt.  And when last of all came the Irish jig, the old woman put
her basket down on the ground.

"Sure, the music is like the springtime in my bones," she said to the
Twins.  "Be-dad, I'd the foot of the world on me when I was a girl and I
can still shake one with the best of them, if I do say it myself."

She put her hands on her hips and began to dance!  The music got into
everybody else's bones, too, and soon everybody around the platform, and
on it, too,--old and young, large and small,--was dancing gayly to the
sound of it.

The Twins danced with the rest, and they were having such a good time
that they might have forgotten to go home at all if all of a sudden,
Larry hadn't shaken Eileen's arm and said, "Look there!"

"Where?"  Eileen said.  "There!" said Larry.  "The rough man with the
brown horse."

The moment Eileen saw the man with the brown horse she took Larry's hand
and they both ran as fast as they could back to their Father.

"We saw the Tinker!" they cried the moment they saw Mr McQueen.

"Then we'd as well be starting home," said Mr McQueen.  "I'd rather not
be meeting the gentleman on the road after dark."  He got Colleen and
put her into the cart once more.  Then he and the Twins had something to
eat.  They bought a ginger cake shaped like a rabbit, and another like a
man from one of the hawkers, and they bought some sugar-sticks, too, and
these, with what they had brought from home, made their supper.

Then Mr McQueen brought out his notched stick.  "We've sold the pig,"
he said, with his finger on the first notch, "and the butter and eggs
was the second notch."  Then he went over all the other notches.  "And
besides all else I've bought Herself a shawl," he said to the Twins.

The Twins wanted to get home because the Secret was getting so big
inside of them, they knew they couldn't possibly hold it in much longer,
and they didn't want to let it out until they were at home and could
tell their Father and Mother both at the same time.  So they said
good-bye to Diddy, and Eileen took off the ribbons and kept them to
remember her by.  Then they hurried away.

It was after dark when at last they drove into the yard.  Mrs McQueen
came running to the door to greet them and hear all about the Fair.

Eileen and Larry told her about the prize, and about Lady Kathleen
buying the pig, and about seeing the Tinker, while their Father was
putting up Colleen.

Then when he came in with all his bundles, and took the three golden
sovereigns out of his pocket, to show to the Mother, the Twins couldn't
keep still another minute.  "It's for you!  To pay the rent!" they
cried.

The Father and Mother looked at each other.  "Now, what are they at
all," said Mrs McQueen, "but the best children in the width of the
world?  Wasn't I after telling you that we'd make it out somehow?  And
to think of her being a thoroughbred like that, and we never knowing it
at all."  She meant the pig!

But Mr McQueen never said a word.  He just gave Larry and Eileen a
great hug.  Then Mr McQueen went over all the errands with his wife,
and last of all he brought out the shawl.  "There, old woman," he said,
"is a fairing for you!"

"The Saints be praised for this day!" cried Mrs McQueen.  "The rent
paid, and me with a fine new shawl the equal of any in the parish."

It was a happy family that went to bed in the little farmhouse that
night.  Only Mrs McQueen didn't sleep well.  She got up a number of
times in the night to be sure there were no Tinkers prowling about.
"For one can't be too careful with so much money in the house," she said
to herself.



CHAPTER FOURTEEN.

SUNDAY.

The next Sunday all the McQueen family went to Mass and Mrs McQueen
wore her new shawl.  The chapel was quite a distance away, and as they
walked and all the neighbours walked, too, they had a pleasant time
talking together along the way.

Dennis and the Twins walked together, and Larry and Eileen told Dennis
all about the Fair, and about selling the pig to the Lady Kathleen, and
"Begorra," said Dennis, "but that little pig was after bringing you all
the luck in the world, wasn't she?"  All the other boys and girls wanted
to hear about it.  Most of them had never been to a Fair.  So Eileen and
Larry talked all the way to church, and that was two miles and a half of
talk, the shortest way you could go.

Just as they neared the church, what should they see but Grannie Malone,
coming in grandeur, riding on a jaunting-car!  Beside her was a big man
with a tall hat on his head.

"'Tis her son Michael, back from the States!" cried the Twins.  "He said
in a letter he was coming."

They ran as fast as they could to reach the church door in time to see
them go in.  Everybody else stopped, too, they were so surprised, and
everybody said to everybody else, "Well, for dear's sake, if that's not
Michael Malone come back to see his old Mother!"

And then they whispered among themselves, "Look at the grand clothes on
him, and the scarf pin the bigness of a ha'penny piece, and the hat!
Sure, America must be the rich place entirely."

And when Michael got out of the cart and helped out his old Mother,
there were many hands held out for him to shake, and many old neighbours
for him to greet.

"This is a proud day for you, Grannie Malone," said Mrs McQueen.

"It is," said Grannie, "and a sad day, too, for he's after taking me
back to America, and 'tis likely I'll never set my two eyes on old
Ireland again, when once the width of the sea comes between us."

She wiped her eyes as she spoke.  Then the bell rang to call the people
into the chapel.  It was little the congregation heard of the service
that day, for however much they tried they couldn't help looking at the
back of Michael's head and at Grannie's bonnet.

And afterward, when all the people were outside the church door, Grannie
Malone said to different old friends of Michael, "Come along to my house
this afternoon, and listen to Himself telling about the States!"

That afternoon when the McQueens had finished their noon meal, the whole
family walked up the road to Grannie's house.  There were a good many
people there before them.  Grannie's little house was full to the door.
Michael stood by the fireplace, and as the McQueens came in he was
saying, "It's the truth I'm telling you!  There are over forty States in
the Union, and many of them bigger than the whole of Ireland itself!
There are places in it where you could travel as far as from Dublin to
Belfast without ever seeing a town at all; just fields without stones or
trees lying there begging for the plough, and sorrow a person to give it
them!"

"Will you listen to that now?" said Grannie.

"And more than that, if you'll believe me," Michael went on, "there do
be places in America where they _give away_ land, let alone buying it!
Just by going and living on it for a time and doing a little work on it,
you can get one hundred and sixty acres of land, for your own, mind
you!"

"The Saints preserve us, but that might be like Heaven itself, if I may
make bold to say so," said Mrs Maguire.

"You may well say that, Mrs Maguire," Michael answered, "for there,
when a man has bent his back, and put in sweat and labour to enrich the
land, it is not for some one else he does it, but for himself and his
children.  Of course, the land that is given away is far from big
cities, and it's queer and lonely sometimes on the distant farms, for
they do not live in villages, as we do, but each farmhouse is by itself
on its own land, and no neighbours handy.  So for myself, I stayed in
the big city."

"You seem to have prospered, Michael," said Mr McQueen.

"I have so," Michael answered.  "There are jobs in plenty for the
willing hands.  Sure, no Irishman would give up at all when there's
always something new to try.  And there's always somebody from the old
sod there to help you if the luck turns on you.  Do you remember Patrick
Doran, now?  He lived forninst the blacksmith shop years ago.  Well,
Patrick is a great man.  He's a man of fortune, and a good friend to
myself.  One year when times were hard, and work not so plenty, I lost
my job, and didn't Patrick help me to another the very next week?  Not
long after that Patrick ran for Alderman, and myself and many another
like me, worked hard for to get him elected, and since then I've been in
politics myself.  First Patrick got me a job on the police force, and
then I was Captain, and since then, by one change and another, if I do
say it, I'm an Alderman myself!"

"It's wonderful, sure," Mr Maguire said, when Michael had finished,
"but I'm not wishful for to change.  Sure, old Ireland is good enough
for me, and I'd not be missing the larks singing in the spring in the
green fields of Erin, and the smell of the peat on the hearth in winter.
It's queer and lonesome I'd be without these things, and that's the
truth."

He threw his head back and began to sing.  Everybody joined in and sang,
too.  This is the song they sang:--

  "Old Ireland you're my jewel sure,
  My heart's delight and glory,
  Till Time shall pass his empty glass
  Your name shall live in story.

  "And this shall be the song for me,
  The first my heart was learning,
  When first my tongue its accents flung,
  Old Ireland, you're my darling!

  "From Dublin Bay to Cork's Sweet Cove,
  Old Ireland, you're my darling
  My darling, my darling,
  From Dublin Bay to Cork's Sweet Cove;
  Old Ireland, you're my darling."



CHAPTER FIFTEEN.

MR MCQUEEN MAKES UP HIS MIND.

Michael sang with the others.  And when the song was ended, he said,
"'Tis a true word, Mr Maguire, that there's no place like old Ireland;
and you'll not find an Irishman anywhere in America that wouldn't put
the man down that said a word against her.  But what with the landlords
taking every shilling you can scrape together and charging you higher
rent whenever you make a bit of an improvement on your farm, there's no
chance at all to get on in the world.  And with the children, God bless
them, coming along by sixes and dozens, and little for them to do at
home, and no place to put them when they grow up, sure, it's well to go
where they've a better chance.

"Look at the schools now!  If you could see the school that my Patrick
goes to, you'd never rest at all until your children had the same!
Sure, the schoolhouses are like palaces over there, and as for learning,
the children pick it up as a hen does corn!"

"And are there no faults with America, whatever?"  Mr McQueen said to
Michael.

"There do be faults with her," Michael answered, "and I'll never be the
man to say otherwise.  There's plenty of things to be said about America
that would leave you thinking 'tis a long way this side of Heaven.  But
whatever it is that's wrong, 'tis the people themselves that make it so,
and by the same token it is themselves that can cure the trouble when
they're so minded.  It's not like having your troubles put down on you
by the people that's above you, and that you can't reach at all for to
be correcting them!  All I say is there's a better chance over there for
yourself and the children."

The Twins and Dennis and the other young people were getting tired of
sitting still by this time, and when Michael stopped talking about
America they jumped up.  The children ran outdoors and played tag around
Grannie's house, and the older people stayed inside.

By and by Grannie came to the door and called them.  "Come in, every one
of you," she cried, "and have a fine bit of cake with currants in it!
Sure, Michael brought the currants and all the things for to make it
yesterday, thinking maybe there'd be neighbours in.  And maybe 'tis the
last bit of cake I'll be making for you at all, for 'tis but two weeks
now until we start across the water."  She wiped her eyes on her apron.

Mr McQueen was very quiet as he walked home with Mrs McQueen and the
Twins.  And that evening, after the children were in bed, he sat for a
long time silent, with his pipe in his mouth.  His pipe went out and he
did not notice it.  By and by he said to Mrs McQueen, "I've made up my
mind--"

"The Lord save us!  To what?" said Mrs McQueen.

"To go to America," said Mr McQueen.

Mrs McQueen hid her face in her hands and rocked back and forth and
cried.  "To be leaving the place I was born, and where my father and
mother were born before me, and all the neighbours, and this old house
that's been home since ever I married you--'twill break the heart in my
body," she said.

"I like that part of it no better than yourself," said Mr McQueen, "but
when I think of the years to come, and Larry and Eileen growing up to
work as hard as we have worked without getting much at all, and think of
the better chance altogether they'll have over there, sure, I can't be
thinking of the pain, but only of the hope there is in it for them."

"I've seen this coming ever since the children told us about Grannie
Malone's letter," said Mrs McQueen.  "'Tis Michael has put this in your
head."

"'Tis not Michael alone," said Mr McQueen; "'tis also other things.
To-morrow I pay Conroy the rent money.  And it will take all that the
pig brought and all I've been able to rake and scrape myself, and
nothing left over at all.  And there's but ourselves and the Twins, and
the year has not been a bad one.  We have had the pig, which we wouldn't
be having another year.  And what would it be like if there were more of
us to feed, and no more pigs to be found in the bog like manna from
Heaven, to be helping us out?"

"Sure, if it's for the children," sobbed Mrs McQueen, "I'd go anywhere
in the world, and that you know well."

"I do know it," said Mr McQueen.  "And since we're going at all, let it
be soon.  We'll go with Grannie and Michael."

"In two weeks' time?" cried Mrs McQueen.

"We will so," said Mr McQueen.  "I've no debts behind me, and we can
sell the cows and hens, and take with us whatever we need from the
house.  Michael Malone will lend me the money and find me a job when we
get there.  The likes of this chance will never befall us again, and
faith, we'll take it."

"Did he tell you so?" asked Mrs McQueen.

"He did, indeed."

"Well, then, I've no other word to say, and if it must be done, the
sooner the better," said Mrs McQueen.

That night she lay awake a long time.  She was planning just what they
should take with them to their new home, and trying to think what the
new home would be like.



CHAPTER SIXTEEN.

MR MCQUEEN PAYS THE RENT.

The next morning Mr McQueen went to Mr Conroy and paid the rent.  Then
he said, "This is the last rent I'll be paying you, Mr Conroy!"

Mr Conroy was surprised.  "What do you mean by that?" he said.

"I mean that I'm going to leave old Ireland," said Mr McQueen.

"Well, now!" cried Mr Conroy.  "To think of a sensible man like
yourself leaving a good farm to go off, dear knows where!  And you not
knowing what you'll do when you get there as like as any way!  I thought
you had better sense, McQueen."

"It's because of my better sense that I'm going," said Mr McQueen.
"Faith, do you think I'd be showing the judgment of an old goat to stay
where every penny I can get out of the land I have to pay back in rent?
I'm going to America where there'll be a chance for myself."

"I thought Michael Malone would be sowing the seeds of discontent in
this parish, with his silk hats and his grand talk," said Mr Conroy
angrily, "but I didn't think you were the fish to be caught with fine
words!"

"If the seeds of discontent have been sown in this parish, Terence
Conroy," said Mr McQueen, "'tis you and the likes of you that have
ploughed and harrowed the ground ready for them!  Do you think we're
wishful to be leaving our old homes and all our friends?  But 'tis you
that makes it too hard entirely for people to stay.  And I can tell you
that if you keep on with others as you have with me, raising the rent
when any work is done to improve the farm, you'll be left in time with
no tenants at all.  And then where will you be yourself, Terence
Conroy?"

Mr Conroy's face was red with anger, but he said, "While I'm not
needing you to teach me my duty, I will say this, McQueen.  You're a
good farmer, and I hate to see you do a foolish thing for yourself.  If
you'll stay on the farm, I'll not raise the rent on you."

"You're too late, altogether," said Mr McQueen; "and as you said
yourself I'm not the fish to be caught with fine words.  I know better
than to believe you.  I'll be sailing from Queenstown in two weeks'
time."

And with that he stalked out of the room and slammed the door, leaving
Mr Conroy in a very bad state of mind.

All that Larry and Eileen could remember of the next two weeks was a
queer jumble of tears and good-byes, of good wishes and blessings, and
strange, strange feelings they had never had before.  Their Mother went
about with a white face and red eyes, and their Father was very silent
as he packed the few household belongings they were to take with them to
their new home.

At last the great day came.  The McQueens got up very early that
morning, ate their potatoes and drank their tea from a few cracked and
broken dishes which were to be left behind.  Then, when they had tidied
up the hearth and put on their wraps ready to go, Mrs McQueen brought
some water to quench the fire on the hearth.  She might almost have
quenched it with her tears.  And as she poured the water upon the ashes
she crooned this little song [see Note 1] sadly to herself:--

  "Vein of my heart, from the lone mountain
  The smoke of the turf will die.
  And the stream that sang to the young children
  Run down alone from the sky--
  On the doorstone, grass--and the
  Cloud lying
  Where they lie
  In the old country."

Mr McQueen and the Twins stood still with their bundles in their hands
until she had finished and risen from her knees, then they went quietly
out the door, all four together, and closed it after them.

Mrs McQueen stooped to gather a little bunch of shamrock leaves which
grew by the doorstone, and then the McQueen family was quite, quite
ready for the long journey.

Mr Maguire had bought Colleen and the cows, and he was to have the few
hens that were left for taking the McQueen family to the train.

Larry and Eileen saw him coming up the road, "Here comes Mr Maguire
with the cart!" they cried, "and Dennis is driving the jaunting-car with
Michael and Grannie on it."

They soon reached the little group by the roadside, and then the luggage
was loaded into the cart.  Mrs McQueen got up with Grannie on one side
of the jaunting-car and Eileen sat between them.  Michael and Mr
McQueen were on the other side with Larry.  The small bags and bundles
were put in the well of the jaunting-car.

"Get up!" cried Dennis, and off they started.  Mrs McQueen looked back
at the old house, and cried into her new shawl.  Grannie was crying,
too.  But Michael said, "Wait until you see your new home, and sure,
you'll be crying to think you weren't in it before!"  And that cheered
them up again, and soon a turn in the road hid the old house from their
sight forever.

The luggage was heavy, and Colleen was slow.  So it took several hours
to reach the railroad.  It took longer, too, because all the people in
the village ran out of their houses to say good-bye.  When they passed
the schoolhouse, the Master gave the children leave to say good-bye to
the Twins.  He even came out to the road himself and shook hands with
everybody.

But for all that, when the train came rattling into the station, there
they all were on the platform in a row ready to get on board.  When it
stopped, the guard jumped down and opened the door of a compartment.  He
put Grannie in first, then Mrs McQueen and the Twins.  They were
dreadfully afraid the train would start before Mr McQueen and Michael
and all the luggage were on board.

It was the first time Grannie had ever seen a train, or the Twins
either.  But at last they were all in, and the guard locked the door.
Larry and Eileen looked out of the window and waved their hands to Mr
Maguire and Dennis.  The engine whistled, the wheels began to turn, and
above the noise the Twins heard Dennis call out to them, "Sure, I'll be
coming along to America myself some day."

"We'll be watching for you," Eileen called back.

Then they passed the station, and were soon racing along over the open
fields at what seemed to poor Grannie a fearful rate of speed.

"Murder! murder!" she screamed.  "Is it for this I left my cabin?  To be
broken in bits on the track like a piece of old crockery!  Wirra, wirra,
why did I ever let myself be persuaded at all?  Ochanee, but it is
Himself has the soothering tongue in his mouth to coax his old Mother
away for to destroy her entirely!"

Michael laughed and patted her arm, and "Whist now," he said, "sure, I'd
never bring you where harm would come to you, and that you know well.
Look out of the window, for 'tis the last you'll be seeing of old
Ireland."

Grannie dried her eyes, but still she clung to Michael's arm, and when
the train went around a curve she crossed herself and told her beads as
fast as she could.

The Twins were not frightened.  They were busy seeing things.  And
besides, Larry had Grannie's piece of coal in his pocket.  From the
window they caught glimpses of distant blue hills, and of lakes still
more blue.  They passed by many a brown bog, and many a green field with
farmers and farmers' wives working in them.  The hillsides were blue
with blossoming flax, and once they passed a field all spread with white
linen bleaching in the sun.

They flew by little towns with queer names, like Ballygrady and
Ballylough, and once when they were quite near Cork they saw the towers
of Blarney Castle.

At last the train rattled into a great station.  There was so much noise
from puffing engines and rumbling trucks and shouting men, that the
Twins could only take hold of their Mother's hands and keep close behind
their Father as he followed Michael, with Grannie clinging to him, to
another train.  Then there were more flying fields, and a city and more
fields still, until they reached Queenstown.

The next thing they knew they were walking across a gangplank and on to
a boat.  The Twins had never seen anything larger than a rowboat before,
and this one looked very big to them, though it was only a lighter.
This lighter was to carry luggage and passengers from the dock to the
great steamer lying outside the harbour in the deep water of the main
channel.

When they were all safely on board the lighter, and Michael had counted
their bundles to be sure they had not lost anything, the Twins and their
Father and Mother, with Michael and Grannie, stood by the deck rail and
looked back at the dock.  It was crowded with people running to and fro.
There were groups of other emigrants like themselves, surrounded by
great piles of luggage--waiting for the next lighter, for one boat would
not carry all who wanted to go.

There were many good-byes being said and many tears falling, and in the
midst of all the noise and confusion the sailors were loading tons of
barrels and bags and boxes and trunks on board the ship.

There was no friend to see them off, but when they saw people crying all
about them, the Twins cried a little, too, for sympathy, and even Mr
McQueen's eyes were red along the rims.

At last the gangplanks were drawn in, and the cables thrown off.  The
screws began to churn the green water into white foam, and the boat
moved slowly out of the harbour.

The Twins and their Father and Mother, with Grannie and Michael, stood
by the rail for a long time, and watched the crowd on the pier until it
grew smaller and smaller, and at last disappeared entirely from sight
around a bend in the Channel.

They stood there until the lighter reached the great ship that was
waiting to take them across the water to a new world.

And when at last they were safely on board, and the lighters had gone
back empty into the harbour, they stood on the wide deck of the ship,
with their faces turned toward Ireland, until all they could see of it
in the gathering dusk was a strip of dark blue against the eastern sky,
with little lights in cottage windows twinkling from it like tiny stars.

Then they turned their faces toward the bright western sky.

------------------------------------------------------------------------

Note 1.  Copyright of this poem by Herbert Trench, held by John Lane.



CHAPTER SEVENTEEN.

TWENTY YEARS AFTER.

In the middle of one of the busiest crossings in Chicago, there stands a
big man in a blue uniform.  His eyes are blue, and there are wrinkles in
the corners of them, the marks of many smiles.

On his head is a blue cap, and under the edge of the cap you catch a
glimpse of dark hair.  There are bands of gold braid on his sleeve, and
on his breast is a large silver star.

He is King of the Crossing.  When he blows his whistle, all the
street-cars and automobiles and carriages--even if it were the carriage
of the Mayor himself--stop stock-still.  Then he waves his white-gloved
hands and the stream of people pours across the street.

If there is a very small boy among them, the King of the Crossing
sometimes lays a big hand on his shoulder and goes with him to the curb.
And he has been known to carry a small girl across on his shoulder and
set her safely down on the other side.

When the people are all across, he goes back to the middle of the street
once more, and blows twice on his little whistle.

Then all the wheels that have been standing as still as if they had gone
to sleep suddenly wake up, and go rolling down the street, while those
that have just been turning stop and wait while the big man helps more
people over the crossing the other way.

All day long the King of the Crossing stands there, blowing his whistle,
waving his white-gloved hands, and turning the stream of people up first
one street, then the other.

Everybody minds him.  If everybody didn't, they might get run over and
wake up in a hospital.  Oh, he must be minded, the King of the Crossing,
or nobody would be safe!

When the long day is over, he looks up the street and sees another big
man coming.  This man wears a blue uniform, too, and a silver star, and
when the hands on the big clock at the corner point to five, he steps
into the place of the King of the Crossing and reigns in his stead.

Then the King jumps on to the platform of a passing street-car, and by
and by, when it has gone several miles, he jumps off again, and walks up
the street to a little house that's as neat as neat can be.

It stands back from the street in a little green yard.  The house is
painted white, and the front door is green.  But he doesn't go to the
front door.  He goes round by the sidewalk to the kitchen door, and
there he doesn't even knock.

He opens the door and walks right in.  Through the open door comes the
smell of something good cooking, and he sees a plump woman with blue
eyes that have smile wrinkles in the corners, just like his own, and
crinkly dark hair, just like his own, too, bending over the stove.  She
is just tasting the something that smells so good, with a spoon.

When she sees the big man in the door she tastes so quickly that she
burns her tongue!  But she can use it just the same even if it is
burned.

She runs to the big man and says, "And is that yourself, now, Larry
darling?  Sure, I'm that glad to see you, I've scalded myself with the
soup!"

The big man has just time to say, "Sure, Eileen, you were always a great
one for burning yourself.  Do you remember that day at Grannie
Malone's"--when out into the kitchen tumble a little Larry and a little
Eileen, and a Baby.  They have heard his voice, and they fall upon the
King of the Crossing as if he weren't a King at all--but just a plain
ordinary Uncle.

They take off his cap and rumple his hair.  They get into his pockets
and find some peppermints there.  And the Baby even tries to get the
silver star off his breast to put into her mouth.

"Look at that now," cries Uncle Larry.  "Get along with you!  Is it
trying to take me off the Force, you are?  Sure, that star was never
intended by the City for you to cut your teeth on."

"She'll poison herself with the things she's always after putting in her
mouth," cries the Mother.  She seizes the Baby and sets her in a safe
corner by herself, gives her a spoon and says, "There now--you can be
cutting your teeth on that."

And when the children have quite worn Uncle Larry out, he sits upon the
floor, where they have him by this time, and runs his fingers through
his hair, which is standing straight up, and says to the Mother, "Sure,
Eileen, when you and I were children on the old sod, we were never such
spalpeens as the likes of these!  They have me destroyed entirely, and
me the biggest policeman on the Force!  Is it American they are, or
Irish, I want to know?"

"It's Irish-American we are," shouts little Larry.

"And with the heft of both countries in your fists," groans big Larry.

And then the Mother, who has been laying the table, meanwhile,
interferes.  "Come off of your poor Uncle," she says, "and be eating
your soup, like gentlemen and ladies.  It's getting cold on you waiting
for you to finish your antics.  Your poor Uncle Larry won't come near
you at all, and you all the time punishing him like that."

And then the Baby, still sucking her spoon, is lifted into her high
chair.  A chair is placed for Uncle Larry, and they all eat their soup
around the kitchen table, just as the very last rays of the summer sun
make long streaks of light across the kitchen floor.

"Where's Dennis?" says Uncle Larry, while the children are quiet for a
moment.

"Oh, it's Himself is so late that I feed the children and put them to
bed before he gets home at all," says the Mother.  "It's little he sees
of them except of a Sunday."

"It's likely he'll live the longer for that," says Uncle Larry.  He
looks reproachfully at the children and rubs his head.

And then--"Mother, tell us, what kind of a boy was Uncle Larry when you
and he were Twins and lived in Ireland," says little Eileen.

"The best in the width of the world," says her Mother promptly.
"Weren't you, Larry?  Speak up and tell them now."

And Uncle Larry laughs and says, "Sure, I was too good entirely!  It
wouldn't be modest to tell you the truth about myself."

"Tell us about Mother, then," says little Eileen.  "Was she the best in
the width of the world, too?"

"Sure, I'll never be telling tales on my only twin sister," says Uncle
Larry, "beyond telling you that there was many another in green old
Ireland just like her, whatever kind she was.  But I can't stay here
wearing out my tongue!  Look out the window!  The chickens have gone to
roost, and the sun is down.  So get along with you to your beds."

When he had gone, and the children were in bed, and the house quiet, the
Mother sat down by the light in the kitchen with a basket of mending
beside her.

And while she darned and mended and waited for Himself to come home, she
remembered and remembered about when she was little Eileen, herself, and
the King of the Crossing was just her twin brother Larry.

And this book is what she remembered.

THE END.



APPENDIX.

SUGGESTIONS TO TEACHERS.

Like the author's earlier books--"The Dutch Twins" and "The Japanese
Twins"--this reader aims to foster a kindly feeling and a deserved
respect for a country whose children have come to form a numerous
portion of our own population.

To arouse the children's interest and thus to make the reading of this
story most valuable as a school exercise, it is suggested that at the
outset the children be allowed to look at the pictures in the book in
order to get acquainted with "Larry" and "Eileen" and with the scenes
illustrating their home life and surroundings.

During the reading, point out Ireland on a map of the world or on a
globe, and tell the children something about the unique character of the
country, thus connecting this supplementary reading material with the
work in geography.

The text is so simply written that any fourth or fifth grade child can
read it without much preparation.  In the fourth grade it may be well to
have the children read it first in a study period in order to work out
the pronunciation of the more difficult words.  In the fifth grade the
children can usually read it at sight, without the preparatory study.
Give little attention to the expressions in dialect.  Let the children
read them naturally and they will enhance the dramatic effect of the
story.  The possibilities in the story for dramatisation and for
language and constructive work will be immediately apparent.

In connection with the reading of the book, teachers should read or tell
to the children stories of Irish life and from Irish folk-lore; for
example, "The Story of the Little Rid Hin," "The Dagda's Harp," and "The
Tailor and the Three Beasts," in Sara Cone Bryant's _Stories to Tell to
Children_; and "Billy Beg and his Bull," in the same author's _How to
Tell Stories to Children_.  Material which may readily be adapted to
this use will be found in Johnston and Spencer's _Ireland's Story_.  Let
the children bring to class postcards and other pictures of scenes in
Ireland.

The unique illustrations in "The Irish Twins" should be much used, both
in the reading of the story and in other ways.  Children will enjoy
sketching some of them; their simple treatment makes them especially
useful for this purpose.

The book is printed on paper which will take water colour well, and
where books are individually owned some of the sketches could be used
for colouring in flat washes.  They also afford suggestions for action
sketching by the children.

An excellent oral language exercise would be for the children, after
they have read the story, to take turns telling the story from the
illustrations; and a good composition exercise would be for each child
to select the illustration that he would like to write upon, make a
sketch of it, and write the story in his own words.

These are only a few of the many ways that will occur to resourceful
teachers for making the book a valuable as well as an enjoyable exercise
in reading.






End of the Project Gutenberg EBook of The Irish Twins, by Lucy Fitch Perkins

*** END OF THIS PROJECT GUTENBERG EBOOK THE IRISH TWINS ***

***** This file should be named 28431.txt or 28431.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/2/8/4/3/28431/

Produced by Nick Hodson of London, England

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.