summaryrefslogtreecommitdiff
path: root/28392-h/28392-h.htm
diff options
context:
space:
mode:
Diffstat (limited to '28392-h/28392-h.htm')
-rw-r--r--28392-h/28392-h.htm2494
1 files changed, 2494 insertions, 0 deletions
diff --git a/28392-h/28392-h.htm b/28392-h/28392-h.htm
new file mode 100644
index 0000000..347bf9b
--- /dev/null
+++ b/28392-h/28392-h.htm
@@ -0,0 +1,2494 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml">
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=ISO-8859-1" />
+<title>The Project Gutenberg eBook of Punch, or the London Charivari, Vol. 147, October 28, 1914. by Various</title>
+ <style type="text/css">
+ body {margin-left: 10%; margin-right: 10%;}
+ p {text-align: justify;}
+ blockquote {text-align: justify;}
+ h1,h2,h3,h4,h5,h6 {text-align: center;}
+ .sc {font-variant: small-caps;}
+ .center {text-align: center;}
+ td {padding-left: 1em;}
+ td.note {text-align: left;font-size: 0.9em; font-weight: normal; border: 1px dashed; padding: 1em;}
+ hr {text-align: center; width: 50%;}
+ html>body hr {margin-right: 25%; margin-left: 25%; width: 50%;}
+ hr.full {width: 100%;}
+ html>body hr.full {margin-right: 0%; margin-left: 0%; width: 100%;}
+ hr.medium {width: 76%;}
+ html>body hr.medium {margin-right: 12%; margin-left: 12%; width: 76%;}
+ hr.short {text-align: center; width: 20%;}
+ html>body hr.short {margin-right: 40%; margin-left: 40%; width: 20%;}
+
+ span.pagenum
+ {position: absolute; left: 1%; right: 91%; font-size: 8pt; text-indent: 0;}
+
+ .poem
+ {margin-left:25%; margin-right:10%; margin-bottom: 1em; text-align: left;}
+ .poem .stanza {margin: 1em 0em 1em 0em;}
+ .poem p {margin: 0; padding-left: 3em; text-indent: -3em;}
+ .poem p.i2 {margin-left: 1em;}
+ .poem p.i4 {margin-left: 2em;}
+ .poem p.i6 {margin-left: 3em;}
+ .poem p.i8 {margin-left: 4em;}
+ .poem p.i10 {margin-left: 5em;}
+
+ .poem1
+ {margin-left:35%; margin-right:10%; margin-bottom: 1em; text-align: left;}
+ .poem1 .stanza {margin: 1em 0em 1em 0em;}
+ .poem1 p {margin: 0; padding-left: 3em; text-indent: -3em;}
+ .poem1 p.i2 {margin-left: 1em;}
+ .poem1 p.i4 {margin-left: 2em;}
+ .poem1 p.i6 {margin-left: 3em;}
+ .poem1 p.i8 {margin-left: 4em;}
+ .poem1 p.i10 {margin-left: 5em;}
+
+ .figure, .figcenter, .figright, .figleft
+ {padding: 1em; margin: 0; text-align: center; font-size: 0.8em;}
+ .figure img, .figcenter img, .figright img, .figleft img
+ {border: none;}
+ .figure p, .figcenter p, .figright p, .figleft p
+ {margin: 0; text-indent: 1em;}
+ .figcenter {margin: auto;}
+ .figright {float: right; width: auto;}
+ .figleft {float: left; width: auto;}
+
+ .inline {border: none; vertical-align: middle;}
+
+ p.author {text-align: right;}
+
+ .regards {text-align: right;
+ margin-right: 4em;}
+ .regards1 {text-align: right;
+ margin-right: 10em;}
+ .salute {text-align: left;
+ margin-left: 2em;}
+
+ .side { float:right;
+ font-size: 75%;
+ width: 25%;
+ padding-left:10px;
+ border-left: dashed thin;
+ margin-left: 10px;
+ text-align: left;
+ text-indent: 0;
+ font-weight: bold;
+ font-style: italic;}
+
+ </style>
+</head>
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of Punch, or the London Charivari, Vol. 147,
+October 28, 1914, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Punch, or the London Charivari, Vol. 147, October 28, 1914
+
+Author: Various
+
+Release Date: March 23, 2009 [EBook #28392]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH ***
+
+
+
+
+Produced by Punch, or the London Charivari, Neville Allen,
+Malcolm Farmer and the Online Distributed Proofreading
+Team at http://www.pgdp.net
+
+
+
+
+
+
+</pre>
+
+
+<h1>PUNCH,<br />
+
+OR THE LONDON CHARIVARI.</h1>
+
+<h2>VOL. 147.</h2>
+
+<hr class="full" />
+
+<h2><span class="sc">October 28, 1914.</span></h2>
+
+<hr class="full" />
+
+<span class='pagenum'><a name="Page_349" id="Page_349">[Pg 349]</a></span>
+
+<h2>CHARIVARIA.</h2>
+
+<p>Reports that Germany is not best pleased with Austria-Hungary are
+peculiarly persistent just now. There would indeed seem to be good
+grounds for Germany's displeasure, for a gentleman just returned from
+Budapest says that the Hungarian <span class="sc">Minister of the Interior</span> has actually
+issued an official circular to the mayors and prefects throughout the
+land enjoining upon them the duty of treating citizens of hostile states
+sojourning in their midst with humanity and sympathy.</p>
+
+<hr class="short" />
+
+<p>Inquisitive people are asking, "What is the <span class="sc">Kaiser's</span> quarrel with the
+Bavarians?" He is reported to have said, the other day, "My wish for the
+English is that one day they will have to fight the Bavarians."</p>
+
+<hr class="short" />
+
+<p>The King of <span class="sc">Bavaria</span>, by the way, has been operated upon for a swelling
+of the shoulder blade. We are glad to hear that he is progressing
+favourably, and it is hoped that the swelling will not, as in the case
+of another distinguished patient, spread to the head.</p>
+
+<hr class="short" />
+
+<p>For the following little story we are indebted to the German
+army:&mdash;"Fears are now entertained of an epidemic breaking out among the
+German troops in Antwerp, as, the German artillery having destroyed the
+municipal waterworks, there is no drinkable water available."</p>
+
+<hr class="short" />
+
+<p>Several striking suggestions have reached the authorities in connection
+with the danger from Zeppelins. One is that St. Paul's Cathedral and
+Westminster Abbey should be covered over with dark cloths every night,
+and that shoddy reproductions of these edifices should be run up in
+another part of London, and be brilliantly illuminated so as to attract
+the attention of the enemy.</p>
+
+<hr class="short" />
+
+<p>Another method of confusing the airships, it is pointed out, would be to
+drain the Thames, and to flood a great thoroughfare, say that from the
+Bank to Shepherd's Bush, and to place barges on it so that it would be
+mistaken for the river and cause the airmen to lose their bearings.</p>
+
+<hr class="short" />
+
+<p>Meanwhile the authorities who are responsible for the safety of London
+are said to be anxious to hear of an intrepid airman who will undertake
+to paint out the moon.</p>
+
+<hr class="short" />
+
+<p>There are, of course, always pessimists among us, but we would beg the
+editor of <i>The Barmouth and County Advertiser</i> to try not to be
+downhearted. Impressed, no doubt, by the recent sale of two German
+warships to Turkey, he gives voice to the following opinion in a
+leader:&mdash;"Our Fleet to-day is supreme; but no one knows when an auction
+may take place...."</p>
+
+<hr class="short" />
+
+<p>It has suddenly become more imperative than ever that the War should be
+finished quickly. A publishing firm has issued the first volume of a
+history of the war with an announcement that it will be completed in
+four volumes at a fixed price. If the war should last longer than a year
+the last volume threatens to achieve such a size that the publisher
+would either have to go back on his word or be ruined.</p>
+
+<hr class="short" />
+
+<p>The L.C.C. has just produced a new, revised, up-to-date and fully
+detailed map of London, and the German War Office is furious to think
+that it has been put to the needless expense of compiling a similar
+document itself.</p>
+
+<hr class="short" />
+
+<p>It has been pointed out that the War has had a most satisfactory effect
+on criminality. And even in civil actions witnesses would seem to be
+turning over a new leaf, and even insisting on giving evidence against
+themselves. For example, we learn from <i>The Northwood Gazette</i> that a
+van driver, charged the other day with damaging a motor-car, said in
+cross-examination:&mdash;"I pulled up about fifteen years after the accident
+happened."</p>
+
+<hr class="short" />
+
+<p>In spite of the War our Law Courts pursue the even tenour of their way,
+and the Divisional Court has just been asked to decide the important
+question, Is ice-cream meat? Personally we should say that, where it is
+made from unfiltered water, the answer is in the affirmative.</p>
+
+<hr class="short" />
+
+<center>"DE WET OF THE SEA."</center>
+
+<p class="author"><i>Daily Mail.</i></p>
+
+<p>We should have thought this well-known characteristic was hardly worth
+mentioning.</p>
+
+<hr class="short" />
+
+<center>"DISGUISED SPIES"</center>
+
+<p>was the title of a paragraph in a contemporary last week. These cases
+must surely be exceptional. We always think of spies as wearing a
+recognised uniform, or at least a label to indicate their profession.</p>
+
+<hr class="short" />
+
+<center>"CORK STEAMER SUNK BY MINE."</center>
+
+<p class="author">&mdash;<i>Evening News.</i></p>
+
+<p>This war is shattering many of our illusions.</p>
+
+<hr class="short" />
+
+<blockquote>Mr. <span class="sc">Fred Emney</span>, who is now appearing at the Coliseum, would like it to
+be known that he is not an Alien Emney.</blockquote>
+
+<hr />
+
+<div class="figcenter" style="width: 50%">
+<a href="images/349.png">
+<img src="images/349.png" width="100%" alt="It&#39;s all very well, Jarge" /></a><br /><br />
+<p><span class="sc">"It's all very well, Jarge, for you t' say why don't
+Kitchener an' French do this an' that? but what I say is, it don't do
+for you an' me t' say anythink what might embarrass either of 'em."</span></p>
+</div>
+
+<hr />
+
+<h4>The New Censorship.</h4>
+
+<blockquote><p>"The country in which so much interest centres may be briefly
+described. From near &mdash;&mdash; to &mdash;&mdash; and onwards in a south-easterly
+direction there is a low range of chalky hills, closely resembling
+our South Downs. There is no harm in saying definitely that not a
+German is on this line."</p></blockquote>
+<p class="author"><i>Daily Telegraph.</i></p>
+<p>No apparent harm, but you can't be too careful. If the news gets round
+to the Germans that they are not there, they might at once set about to
+correct this defect.</p>
+
+<hr class="short" />
+
+<h4>The Tandem.</h4>
+
+<blockquote><p>"Mr. F. Marsham-Townshend's Polygamist, 3, 6-2, E. Crickmere 0</p>
+
+<p>Mr. F. Marsham-Townshend's Polygamist, 3, 6-2, O. Grant 0"</p>
+
+<p class="author"><i>Irish Times.</i></p></blockquote>
+
+<p>Racing, you will be glad to be reminded, still goes on, but of course
+only for the sake of creating employment. By putting two jockeys upon
+the same horse the desired end is attained more easily.</p>
+
+<hr />
+
+<span class='pagenum'><a name="Page_350" id="Page_350">[Pg 350]</a></span>
+
+<h2>CANUTE AND THE KAISER.</h2>
+
+<center>[<i>Thoughts extracted from a sea-shell (howitzer pattern) by Our Own
+Special Conchologist on the Belgian Coast.</i>]</center>
+
+<div class="poem1"><div class="stanza">
+<p class="i0">There was a King by name <span class="sc">Canute</span></p>
+<p class="i2">(In ancient jargon known as <span class="sc">Knut</span>),</p>
+<p class="i0">And I, for one, will not dispute</p>
+<p class="i2">The kingly figure which he cut;</p>
+<p class="i0">A god in mufti&mdash;so his courtiers said&mdash;</p>
+<p class="i2">Whatever thing he chose to have a try at,</p>
+<p class="i0">He did it (loosely speaking) on his head,</p>
+<p class="i6">By just remarking, "<i>Fiat!</i>"</p>
+</div><div class="stanza">
+<p class="i0">One day they sat him by the sea</p>
+<p class="i2">To put his virtue to the test,</p>
+<p class="i0">And there, without conviction, he</p>
+<p class="i2">Threw off the following, by request:&mdash;</p>
+<p class="i0">"Ocean," he said, "I see your waves are wet"</p>
+<p class="i2">(Bravely he spoke, but in his heart he funked 'em),</p>
+<p class="i0">"So to your further progress here I set</p>
+<p class="i6">A period, or <i>punctum</i>."</p>
+</div><div class="stanza">
+<p class="i0">He knew it wasn't any good</p>
+<p class="i2">Talking like that; and when the foam</p>
+<p class="i0">Made for his feet (he knew it would)</p>
+<p class="i2">He turned at once and made for home;</p>
+<p class="i0">And "I'm no god, but just a man," he cried,</p>
+<p class="i2">"And you, my sycophants, are sorry rotters,</p>
+<p class="i0">Who told your <span class="sc">Knut</span> that he could dare the tide</p>
+<p class="i6">To damp his heavenly trotters."</p>
+</div></div>
+
+<hr class="short" />
+
+<div class="poem1"><div class="stanza">
+<p class="i0">The scene was changed. Another strand;</p>
+<p class="i2">Another god (alleged) was there</p>
+<p class="i0">(In spirit, you must understand;</p>
+<p class="i2">His actual frame occurred elsewhere);&mdash;</p>
+<p class="i0">"O element designed for German ships,</p>
+<p class="i2">Whose future lies," said he, "upon the water,</p>
+<p class="i0">I strike at England! Ho!" and licked his lips</p>
+<p class="i6">For lust of loot and slaughter.</p>
+</div><div class="stanza">
+<p class="i0">Then by the sea was answer made,</p>
+<p class="i2">And down the wind this word was blown:</p>
+<p class="i0">"Thus far! but here your steps are stayed;</p>
+<p class="i2">England is mine; I guard my own!"</p>
+<p class="i0">And as upon his ear this challenge fell,</p>
+<p class="i2">Out of the deep there also fell upon it, or</p>
+<p class="i0">Close in the neighbourhood, a singing shell</p>
+<p class="i6">From H.M. <i>Mersey</i>, Monitor.</p>
+</div><div class="stanza">
+<p class="i0">And just as old <span class="sc">Canute</span> (or <span class="sc">Knut</span>)</p>
+<p class="i2">Stopped not to parley when he found</p>
+<p class="i0">His line of exit nearly cut,</p>
+<p class="i2">But moved his feet to drier ground,</p>
+<p class="i0">So too that other Monarch, much concerned</p>
+<p class="i2">About his safety, looked no longer foam-ward,</p>
+<p class="i0">But said, "This sea's too much for me," and turned</p>
+<p class="i6">Strategically home-ward.</p>
+</div></div>
+
+<p class="author">O. S.</p>
+
+<hr />
+
+<h2>WAR AND THE HIGH HAND.</h2>
+
+<center><i>Scene</i>: <span class="sc">A Mothers' Meeting</span>.</center>
+
+<p>"They do say as this old Keyser or Geyser or whatever 'e calls 'isself
+be goin' to 'op it."</p>
+
+<p>"Afraid of 'is life, if t'other side should win&mdash;that it?"</p>
+
+<p>"Likely 'e is&mdash;an' well may be. T'other side be our side in that case,
+bain't it?"</p>
+
+<p>"That's it. An' it's 'im for 'isself an' the rest for theirselves, from
+what I can see."</p>
+
+<p>"This old Keyser, 'e's to blame for most ev'rythin' happenin' nowadays.
+Reg'lar firebran' in our midst, 'e do seem."</p>
+
+<p>"Daresay 'e was drove to it, if we could but see all."</p>
+
+<p>"Some woman nagged 'im into it&mdash;if you ask me."</p>
+
+<p>"They do say 'e craves for peace with 'is whole mind."</p>
+
+<p>"Parson 'e says on Sunday as the hypocrit' cries for peace where there
+is no peace."</p>
+
+<p>"This war seems to take people out of their true selves, makin' of 'em
+ravenin' beasts."</p>
+
+<p>"Men, too, as otherwise acts quiet an' well-meanin' enough. You 'eard
+what Doctor done?"</p>
+
+<p>"What 'e done?"</p>
+
+<p>"Not to old Sally's son, Jim?"</p>
+
+<p>"'Im as 'urted 'is 'and blackberry time&mdash;a year ago this very month?"</p>
+
+<p>"'Im. Ill unto death, 'e were, with blood poisonin', and Doctor 'e says
+what a shockin' state 'is blood must 'ave been in for the poison to
+serve 'im so."</p>
+
+<p>"An' old Sally been a-keepin' of 'im ever since. 'Er needle been at it
+reg'lar, but 'ardly earnin' a livin' wage owin' to the meanness of them
+who 'as it to pay."</p>
+
+<p>"An' a poisoned and, when the worst be over, ain't no bar to the
+appetite."</p>
+
+<p>"Glad she's been to do it sooner than lose 'im, as she lost 'is brother
+with 'oopin'-cough."</p>
+
+<p>"That must be a matter of twenty-five year ago&mdash;before ever Jim was
+born."</p>
+
+<p>"You ain't told us yet, dear, what Doctor done."</p>
+
+<p>"I'm comin' to that. Jim, 'e's not without 'is uses an' 'e's more time,
+like, to read the paper than the other men. So 'e reads the news an'
+tells it all over at 'Plough an' 'Orses' nights, an' they do say the way
+'e urges of the men to 'list is somethin' wonderful."</p>
+
+<p>"Not thinkin' of goin' 'isself, of course?"</p>
+
+<p>"Ain't 'e 'ad a poisoned 'and? Still, this 'e did; to a lot of chaps as
+'eld back 'e says&mdash;'If you goes to Doctor to be examined I'll go with
+you,' 'e says&mdash;could a man do more? 'I tell you honest,' 'e says, 'that
+with my poor 'and I'm a man marked down for stayin' at 'ome, worse luck.
+What would I give,' 'e says, 'to go forth in the pride of 'ealth, same
+as you? Still, I'll go to Doctor with the rest of you, if only to show
+'ow these things should be done.'"</p>
+
+<p>"'Ow many went?"</p>
+
+<p>"Three in all, includin' of Jim. 'E led the way up to Doctor's surgery,
+then 'e waved the others in front of 'im. 'Take the sound men first,
+Sir,' 'e says, 'an' then, if you'll spare me a minute, I'll take it
+kind.'"</p>
+
+<p>"What did Doctor do?"</p>
+
+<p>"Doctor 'e does as Jim says and takes 'im last, after tellin' the other
+two as they were better at 'ome. 'I been waitin' for you,' 'e says, an'
+'e turned on Jim that fierce as never was. 'A 'and as 'as been perfectly
+well for the last six months to my certain knowledge ain't goin' to
+prevent you fightin',' he says, 'so off you go an' 'list.'"</p>
+
+<p>"Poor old Sally! No one to work for now but just 'erself, then?"</p>
+
+<p>"War be an awful thing, it seems, for raisin' the wicked passions in
+peaceful men. Keyser, Geyser&mdash;whatever 'e calls 'isself&mdash;and our old
+Doctor ... it be all the same."</p>
+
+<hr />
+
+<h4>Extract from Fortress Orders at Malta:&mdash;</h4>
+
+<blockquote><p>"A box containing butchers' implements, and marked with a red cross.
+Finder should communicate with the D.D.M.S., 28, Strada Britannica,
+Valletta."</p></blockquote>
+
+<p>If we did not happen to know through our Secret Intelligence Bureau that
+D.D.M.S. stands for Deputy Director of Medical Services we should
+suspect that the Germans had been once more using the sign of the Red
+Cross as a screen for their barbarities.</p>
+
+<hr />
+
+<span class='pagenum'><a name="Page_351" id="Page_351">[Pg 351]</a></span>
+
+
+<div class="figcenter" style="width: 60%">
+<a href="images/351.png">
+<img src="images/351.png" width="100%" alt="THE LIMIT" /></a>
+<h4>THE LIMIT.</h4>
+<p><i>Scene</i>: <span class="sc">The Coast of Belgium.</span></p>
+<p><span class="sc">The Kaiser</span>: "'WHAT ARE THE WILD WAVES SAYING?'"</p>
+<p><span class="sc">Wild Waves</span>: "WE WERE JUST SAYING, 'THUS FAR, AND NO FARTHER!'"</p>
+</div>
+
+<span class='pagenum'><a name="Page_352" id="Page_352">[Pg 352]</a></span>
+
+<hr />
+
+<span class='pagenum'><a name="Page_353" id="Page_353">[Pg 353]</a></span>
+
+<div class="figcenter" style="width: 80%">
+<a href="images/353.png">
+<img src="images/353.png" width="100%" alt="UNDER ONE FLAG." /></a>
+<h4>UNDER ONE FLAG.</h4>
+<p><i>Genial Person</i> (<i>to retired Colonel, who for the past two months has
+put in fourteen hours a day recruiting</i>). <span class="sc">"Lovely morning, Sir. I see
+you're on our side."</span></p>
+</div>
+
+<hr />
+
+<h2>THE WATCH DOGS.</h2>
+
+<center>VI.</center>
+
+<p>Dear Charles,&mdash;We're tired of this place, so we're going to move on.
+Some said, "Let's go to Egypt and doze in the sun." Others were for
+India, and one, having a flame in Guernsey, proposed that the Division
+might just as well go to the Channel Islands as anywhere else. But what
+tempted the majority was the thought of a season's shooting without
+having to pay for so much as a gun licence, and so we decided for the
+Continent. We gave formal notice to the War Office of our requirements,
+said we would let them know in due course what time we should want
+trains, ships and motor omnibuses to start, and asked them to call for
+our luggage at an hour we would name, indicating that in the case of
+each man it would not be more than a couple of trunks or so,
+half-a-dozen odds and ends of smaller bags, and a case of golf clubs. To
+this the War Office replied that they were in receipt of our favour,
+thanked us for our kind patronage, assured us of their immediate
+attention to our esteemed commands on this and all occasions, and begged
+(positively begged) to be allowed to remain our obedient servants. If
+then you hear (as you probably will in a few days) of our departure, you
+will appreciate the exact manner of it: a duly deliberated and quietly
+dignified excursion, undertaken by us in our own way at our own time,
+because we happen to feel so inclined and not because we happen to be so
+ordered. (Speaking in the language of the registered alien, "Yes, I
+don't think.")</p>
+
+<p>Meanwhile we watch with interest the effect of our new recruits upon the
+battalion as a whole. You will remember that those recruits are from all
+classes, and the presence of the so-called Non-manual is clearly marked
+in the daily conversation overheard. Thus in the good old B company you
+will hear: "'Ere, Bill, where's me pull-through?" "I ain't seen yer
+ruddy pull-through." "You'm a liar; you've bin and took it." "Get off
+with yer; I ain't. If yer want a ruddy pull-through, why don't yer pinch
+Joe's ruddy pull-through? 'E's away on guard." In F Company as now
+constituted it runs: "Angus, have you seen my pull-through anywhere?"
+"No, Gerald, I have not." "You are sure you haven't taken it by
+mistake?" "I assure you I have not; but, if you want a pull-through, I
+am sure Clement would not mind your borrowing his temporarily."</p>
+
+<p>Among our last draft of recruits was a newly-joined officer who had been
+at the military business before. What he liked about us was that we are
+Territorials, immune from this new "platoon" system. "I like people," he
+said, "who call half a company a half-company." He had tried the new
+business, but couldn't manage it; he could give the "<i>On the left: Form
+section</i>" all right, but when it came to platoons he would shout,
+"<i>Form</i> ..." and then could<span class='pagenum'><a name="Page_354" id="Page_354">[Pg 354]</a></span> think of nothing better than pontoon or
+pantaloon. His brother, it appeared, had joined a Territorial regiment
+up North; being methodical he had read all the letters from the front
+which have appeared in the Press, and set about equipping himself
+accordingly. Even if he should lose all except what he stood up in he
+meant to keep dry and warm; so he scrapped all his shirts, socks, vests
+and whatnots, and substituted others of monstrous weight and thickness,
+lined his tunic with fleece, his breeches with waterproof, his puttees
+with fur, and his boots, it was said, with all three. Within twenty-four
+hours of completing his fortifications he was sailing for India.</p>
+
+<p>We all contemplate that time when our valises shall be, unhappily, no
+longer with us. The odd things we must still have are: towel, razor,
+soap, shaving soap, shaving brush, toothbrush, extra boots, socks and
+so-on's, mess-tin, knife, fork, spoon, revolver, ammunition, compass,
+clasp-knife, field-service pocket-book, note-books, sketching-books,
+lamp, flask, bandages, mug and house-wife. These might be accommodated
+in the haversack or elsewhere, but that all available sites are already
+occupied by what we, or better still our relatives, friends and
+acquaintances, consider indispensable, such as pipes, tobacco, matches,
+compressed victuals and drinks, maps, dictionaries, medicine-chests,
+chocolate, purses, cheque-books, letter-pads, fountain-pens,
+fountain-pen fillers, chronometers, electric-torches, charges for same,
+unpaid bills, unanswered correspondence, sponges, ointments, mittens,
+bed-socks, camera, boot-brushes, dubbin and spare parts. Obviously one
+will eliminate (as you were about to write and suggest) the bills and
+the correspondence, but those, Charles, are the only things that don't
+occupy room. What else can one eliminate? The only thing is to reform
+one's life and learn to be a pantechnicon; one may also, with a little
+ingenuity, use one's clothes to serve a double purpose. I have only got
+as far as evolving a scheme for tying up all the outlets of my breeches
+and then filling them with air, so that one leg makes a bolster and the
+other a pillow&mdash;two articles which, you will observe, were omitted from
+the inventory.</p>
+
+<p>By the way, our new officer was only gazetted on the very day he
+travelled down with us. He started badly with a heavy reverse and
+casualty list, for we played bridge on the way and he lost his first
+day's pay, messing allowance and field allowance, all except twopence,
+which goes (I believe) to income-tax. When we arrived at our billet we
+found Pay in process. A private, who has a moment or so ago saluted and
+withdrawn with his pay, seeks re-admission. "Colour-Sergeant!" he says.
+"What is it?" "I think you have given me sixpence short." To which the
+brutal Colours replies briefly, "'Op it." Later another private comes.
+"Colour-Sergeant!" says he. "What is it now?" "I think you have given me
+sixpence too much." "Come in, my lad, come in," replies the kindly
+Colours.</p>
+
+<p>We were lectured in map-reading and so forth this morning, and were told
+that, all else failing, we might get our bearings from observing the
+direction in which the local church pointed. But an active brain
+suggested that these Germans had no doubt thought of that years and
+years before and, in order to deceive us, had built their churches with
+the east windows pointing west. When, the other day, the R.A.M.C. man
+inspected the feet of the battalion, the same intelligent unit wished to
+know who had got the first prize and whether for quality or quantity.</p>
+
+<p class="regards">Yours,</p>
+<p class="author"><span class="sc">Henry</span>.</p>
+
+
+<hr />
+
+<div class="figcenter" style="width: 80%">
+<a href="images/354.png">
+<img src="images/354.png" width="100%" alt="Mary Jane" /></a><br /><br />
+<p><i>Mary Jane</i> (<i>at climax of fearful story of German spy</i>).
+<span class="sc">"And when the police searched the cellars they found enough ambition to
+blow up the whole of London."</span></p>
+</div>
+
+<hr />
+
+<h4>"PROGRESL IN NORTHERN FRANCE."</h4>
+<p class="author"><i>North Eastern Daily Gazette.</i></p>
+<p>Przemysl, however, remains in Galicia.</p>
+
+<hr />
+
+<h2>STUDIES IN DISCIPLESHIP.</h2>
+
+<center>(<i>In humble imitation of the exploits of the German Wireless Service.</i>)</center>
+
+<p>Mr. <span class="sc">Ramsay MacDonald</span> and Mr. <span class="sc">Keir Hardie</span> have joined Mr. <span class="sc">Blatchford</span> in a
+recruiting campaign, with most gratifying results. In the course of one
+of his speeches Mr. <span class="sc">Ramsay MacDonald</span> announced that the experience he
+had gained while tiger-shooting in India had enabled him to organise an
+elephant-gun battery, with which he was shortly about to proceed to the
+front.</p>
+
+<p>It is reported that, at the instigation of the Chevalier <span class="sc">William le
+Queux</span>, the Republic of San Marino has declared war on Germany, and
+appointed the Chevalier as <i>generalissimo</i> of its forces, which are
+estimated at 250 men.</p>
+
+<p>Great consternation has been caused in Vienna on receipt of the news
+that, in view of <span class="sc">Beethoven's</span> full name being <span class="sc">van Beethoven</span>, and his
+origin Dutch, he has been removed from the list of belligerent composers
+and regarded as a neutral by concert-givers in London and Paris. A
+counter-movement has in consequence been started with the object of
+treating <span class="sc">Beethoven</span> as a hostile alien during the progress of the war.</p>
+
+<p>The transports of enthusiasm caused in Berlin by the announcement that
+Mr. <span class="sc">G. B. Shaw</span> had decided to be known in future as Mr. <span class="sc">Bernhardi Shaw</span>
+have given place to bitter disappointment on the peremptory denial of
+the rumour by the famous comedian himself. As a matter of fact he is
+hesitating between Benckendorff, Balakirev and Bomboudia.</p>
+
+<hr />
+
+<blockquote><p>"War F. N. Belgian Manager going home, sold new F. N. Motorbike
+2½ H.P. kick starter at cost price."</p></blockquote>
+
+<p class="author"><i>Advt. in "Ceylon Independent."</i></p>
+
+<p>The starter will probably consider that it is not worth it.</p>
+
+<hr class="short" />
+
+<blockquote>"A flag day on behalf of the Belgian refugees was held at Wimbledon
+yesterday. A procession was formed in front of the Town Hall headed
+by the High Sheriff of Paris, M. Leo Strachey."</blockquote>
+<p class="author"><i>Sunday Chronicle.</i></p>
+
+<p>We welcome <span class="sc">M. Strachey</span> to England, and trust that he will be impressed
+by such British institutions (<i>e.g. The Spectator</i>) as he may chance to
+come across during his stay.</p>
+
+<hr />
+
+<span class='pagenum'><a name="Page_355" id="Page_355">[Pg 355]</a></span>
+
+<h2>THE WHITE MAN'S BURDEN.</h2>
+
+<div class="poem1"><div class="stanza">
+<p class="i0">Who ran to watch how Nancy fell</p>
+<p class="i0">Beneath a storm of shot and shell,</p>
+<p class="i0">And, when she didn't, felt unwell?</p>
+<p class="i6"><span class="sc">The Kaiser.</span></p>
+</div><div class="stanza">
+<p class="i0">Who stimulates his gentle sons</p>
+<p class="i0">To ape the manners of the Huns?</p>
+<p class="i0">Who doesn't feed the Bear with buns?</p>
+<p class="i6"><span class="sc">The Kaiser.</span></p>
+</div><div class="stanza">
+<p class="i0">Who circulates ingenious glosses</p>
+<p class="i0">To minimize his army's losses,</p>
+<p class="i0">And scatters showers of Iron Crosses?</p>
+<p class="i6"><span class="sc">The Kaiser.</span></p>
+</div><div class="stanza">
+<p class="i0">Who suffers agonizing pains</p>
+<p class="i0">When stern necessity constrains</p>
+<p class="i0">The bashing-in of Gothic fanes?</p>
+<p class="i6"><span class="sc">The Kaiser.</span></p>
+</div><div class="stanza">
+<p class="i0">Who has for several weeks of late</p>
+<p class="i0">Omitted to communicate</p>
+<p class="i0">With any foreign potentate?</p>
+<p class="i6"><span class="sc">The Kaiser.</span></p>
+</div><div class="stanza">
+<p class="i0">Who in a cage of steel, we're told,</p>
+<p class="i0">The tides of war about him rolled,</p>
+<p class="i0">Watches the scroll of Fate unfold?</p>
+<p class="i6"><span class="sc">The Kaiser.</span></p>
+</div></div>
+
+<hr />
+<div class="figcenter" style="width: 50%">
+<a href="images/355.png">
+<img src="images/355.png" width="100%" alt="The Recruit here portrayed" /></a><br /><br />
+<p><i>The Recruit here portrayed, being most anxious to get
+into <span class="sc">Kitchener's</span> Army, is determined to accommodate himself to any
+conditions as they arise.</i></p>
+<p><i>Officer</i> (<i>filling in form</i>). <span class="sc">"What's your religion?"</span></p>
+<p><i>Zealous Recruit.</i> <span class="sc">"Well, what are you short of?"</span></p>
+</div>
+
+<hr />
+
+<h2>FALSE PRETENCES.</h2>
+
+<p>Since the War began the military experts have monopolised one corner of
+the smoke-room. Don't imagine I am going to write about them. It is in
+the other corner of the smoke-room that the Cheering-Up Association
+meets. There we all come and relate our business troubles and listen to
+the troubles of our friends. It is wonderful how consoling other
+people's troubles are. Robinson brightens perceptibly when he discovers
+that Jenkins is also heading for the Bankruptcy Court.</p>
+
+<p>Of course the talk began with Mitchell's play. It always does. We have
+followed with tempered interest its pilgrimage from one manager to
+another these two years.</p>
+
+<p>"All U P," groaned Mitchell. "Algernon Princeton had promised faithfully
+to produce it in October. Now he's closed his theatre. He's a pretty
+patriot. If it had run&mdash;let us put it moderately&mdash;two hundred nights I
+should have made &pound;4,000 clear. American rights would have been worth
+quite as much. Touring companies in the provinces, Colonial rights,
+translation rights&mdash;why, I should have made ten thousand&mdash;no, in
+business matters one must be accurate&mdash;say, twenty thousand. It's all
+that <span class="sc">William</span>! If I wasn't over age and hadn't tobacco heart, I'd go and
+have a pop at him myself."</p>
+
+<p>"That's just speculative loss," said Nairn. "Now I've lost an actual
+income. You men know I'm by way of being a financial authority. Well,
+who wants financial advice nowadays? I give you my word of honour I've
+sold nothing since the war began except half-a-dozen articles on the
+weakness of Germany's financial position. If it is anything like my
+financial position the war won't last long. I envy Wilson over there.
+He's got something to sell that's wanted. Nothing like the wholesale
+woollen business nowadays."</p>
+
+<p>Wilson shook his head. "You don't know all," he said. "I don't mind
+telling you fellows in confidence that I owe over four thousand pounds,
+and I don't know when I shall be in a position to pay it."</p>
+
+<p>Everyone looked sympathetic, and when Wilson had risen from his seat and
+walked towards the door there was a general murmur of "Poor fellow, it's
+hit him very hard."</p>
+
+<p>Wilson paused at the door and looked back. "Did I mention," he said,
+"that I owe that sum to German manufacturers?"</p>
+
+<p>It was unanimously voted by the Cheering-Up Association that no club
+rule was violated when Mitchell hurled a match-stand at the member whom
+we had been cheering up on false pretences.</p>
+
+<hr />
+
+<span class='pagenum'><a name="Page_356" id="Page_356">[Pg 356]</a></span>
+
+<h2>THE LAST LINE.</h2>
+
+<center>III.</center>
+
+<p>As our wives remark to each other nowadays over the knitted helmets,
+"It's extraordinary how dark London is at night." They then drop two and
+purl two, and add, "Particularly as the evenings are drawing in so." But
+while they prattle of it thus lightly we (their husbands) are outside in
+it all, marching ... and wheeling ... and tripping over each other. At
+what risk to ourselves I will show you.</p>
+
+<p>It was Thursday the 22nd, and at six o'clock our Company might have been
+seen (had there been a better light to see it by) progressing smartly in
+column of platoons. The shades of night were falling fast as over
+Regent's Park we passed, and my platoon was marching last, excelsior. As
+my platoon came opposite our Commanding Officer he gave the order,
+"About turn." We did so. "Form fours, left"&mdash;we made it that. The night
+fell thicker; I can now speak only for myself and my immediate
+neighbours. "Right incline"&mdash;we inclined rightly. Another "Right
+incline" and a "Halt," and then the C.O. came up to look for us. My
+platoon had got together somehow, and murmurs came to us from the
+platoons behind us. You know how quickly a rumour will run through a
+company. Such a rumour now ran through ours. It went from man to man; it
+came to me at last; it went on ... it got to our Commander.</p>
+
+<p><i>"No. 1 platoon missing!"</i></p>
+
+<p>The C.O. came up to us, struck a match and counted us. Only three
+platoons&mdash;we were a platoon short.</p>
+
+<p>The rumour was true!</p>
+
+<p>We never saw that platoon again. Its story, as we piece it together from
+the tales of park-keepers, policemen and other non-combatants, is as
+follows. It failed to hear the order "About-turn" and marched straight
+forward. In the Regular Army a combination of obedience with initiative
+is taught the recruit; we are still at the implicit obedience stage. No.
+1 platoon had its orders. It came to some railings three hundred yards
+further on and climbed over. At the Ornamental Lake it took to the
+water. The survivors continued the march south. They were seen for a
+moment at the Marble Arch, and then again at Epsom. Nothing more is
+known definitely; but a specimen of the Corps badge has been found on
+the beach at New Shoreham, and it is supposed.... Well, well&mdash;we shall
+miss them.</p>
+
+<p>These, then, are some of the dangers which we who drill in the evenings
+face cheerfully. But there are other spirits, less brave but more
+energetic, who drill in the early mornings. I have been told the hour at
+which they fall in, and I tried at once to forget it. I am in bed then.
+But there is, I know, one hero who comes up thirty miles from the
+country to attend. In order to be there punctually he has to get up
+three days beforehand each morning, and have his breakfast over-night;
+but he does it.... And I think the Germans ought to know.</p>
+
+<p>However, he and all of us had our reward last Saturday, when we marched
+down to camp five hundred strong. It was not so much the remarks of the
+spectators (many of whom foolishly mistook us for Belgian refugees)
+which flattered us, as the respectful way in which the police held up
+the traffic to let us pass. Five hundred men take some time passing; to
+delay for that time the taxi of some impatient War Office official,
+bulging with critical despatches, gave one an importance never to be
+acquired in civil life. For a mere editor not even a tricycle would be
+held up.</p>
+
+<p>As I have said, our exact status in the military world was
+misapprehended by the spectator. It so happened that our more elderly
+members were on the left or pavement side, and it was from the pavement
+side that I heard the remark (evidently from one who felt that his
+relief-fund subscription had not really been wanted), "Well, they don't
+<i>look</i> 'ungry." Others on this side surmised that we were suspected
+waiters rounded up from the different restaurants, and made humorous
+complaints to us in our late capacities&mdash;as that their ice-pudding had
+been fried too long. But on the road side we did better. Dear ladies,
+observing only the flower of the Corps (myself and others), took us for
+the real thing and called down blessings and kisses upon our heads; and
+for a time we even deceived a small boy who had been watching us
+eagerly. But only for a time. "Lumme," he said aloud to himself,
+"there's <i>anuvver</i> of 'em wiv knock-knees," and disillusionment cannot
+have been long delayed.</p>
+
+<p>It may be admitted that some of the more active ones feel it a little
+that they have to carry the more elderly ones with them. A suggestion
+has been made that there should be an age-limit of eighty-five, but I
+don't know if it will come to anything. Another suggestion is that a
+special Veterans' Wing should be formed, which, instead of marching,
+would go out at the week-ends with a couple of cement-hounds, and look
+for cement foundations. It is felt that the work would be useful and yet
+not too active. It is in the same spirit that we discuss what will be
+done with the Corps as a whole when the Germans arrive. The pessimistic
+view is that we shall be immediately interned by the War Office, to keep
+us out of trouble. Others, more hopeful, think that we might be kept for
+"exchanges," in case the enemy make any notable captures. For instance,
+five of us might be considered the equivalent of an artillery mule; a
+platoon would balance a Territorial subaltern; and the whole bunch could
+be offered for (say) the return of the Albert Memorial. But the most
+popular impression is that we shall be asked to give some sort of
+display in the centre, <i>in order to lure the Germans on</i>. And while we
+are forming fours strongly and persistently in front of them ... the
+real attack (Regulars and Territorials&mdash;with rifles) ... will fall
+suddenly upon their flanks ... and decimate them.</p>
+
+<p>So we talk, but at heart we take it seriously; and very seriously and
+gratefully we take the real soldiers who give up their time to teach us,
+and do not seem to think that that time will be altogether wasted.</p>
+
+<p class="author">A. A. M.</p>
+
+<hr />
+
+<h2>MISTAKEN POLICY.</h2>
+
+<center>"Thorny Bank."</center>
+
+<p>Dear Sir,&mdash;I am directed to give you notice that the Vesuvius Fire
+Insurance Co., Ltd. has lately acquired the freehold of these premises
+and desires to have the insurance against loss or damage by fire
+transferred to itself. The premium, at the rate of one shilling and
+sixpence per cent on their value, is fifteen shillings. Upon receipt of
+this sum I will give immediate instructions for a policy to be issued
+and forwarded to you.</p>
+<p class="regards">I am, dear Sir, yours faithfully,</p>
+<p class="author"><span class="sc">D. Smith</span>, Secy.,</p>
+<p class="regards">The Vesuvius Fire Insurance Co., Ltd</p>
+<p class="author"><span class="sc">H. Jones</span>, Esq.</p>
+
+<hr class="short" />
+
+<center>"Thorny Bank."</center>
+
+<p>Dear Sir,&mdash;In reply to your letter of yesterday, I find that I have an
+unexpired policy for &pound;1,000 with the Etna, an office which has enjoyed
+my confidence for many years and in which I have other insurances. Under
+this policy I am held covered till Lady Day not only against fire, but
+also against lightning, explosions of gas&mdash;most things, in fact, except
+riots, earthquakes, the King's enemies, aeroplanes and volcanoes.
+Regretting, therefore, that I am unable to give you the business,
+because of the more extensive benefits conferred by the Etna.</p>
+
+
+<p class="regards">I am, yours faithfully,</p>
+<p class="author">The Secy., <span class="sc">Hy. Jones</span>.&nbsp;&nbsp;&nbsp;</p>
+<p class="author">The Vesuvius Insce. Co.</p>
+
+<span class='pagenum'><a name="Page_357" id="Page_357">[Pg 357]</a></span>
+
+<hr class="short" />
+
+<center>"Thorny Bank."</center>
+
+<p>Dear Sir,&mdash;I am in receipt of your letter, but I would beg to refer you
+to your lease. You will find it there expressly stipulated that you
+shall insure in some office of repute in London or Westminster <i>to be
+approved of in writing by the Lessors</i>. In these circumstances you will
+no doubt be persuaded of the desirability of sending me the premium
+forthwith, in order to effect an insurance which has your Lessors'
+approval. It is possible that the office you name would give you credit
+for so much of the premium as is proportionate to the risk unexpired.</p>
+
+<p class="regards">Yours faithfully,&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</p>
+
+<p class="author"><span class="sc">D. Smith</span>, etc., etc.</p>
+<p class="author"><span class="sc">H. Jones</span>, Esq.</p>
+
+
+<hr class="short" />
+
+<center>"Thorny Bank."</center>
+
+<p>Dear Sir,&mdash;I feel very keenly the suggestion that the Etna is an office
+of questionable repute. The likelihood of fire is small, as
+unfortunately the premises are at present standing empty, though I have
+a tenant in prospect. But in any case it is unthinkable that the Etna
+could not assemble a thousand pounds, should the need arise. If you care
+to write to me again shortly before Lady Day with terms no less
+advantageous than those I now enjoy, I do not say that I should not be
+prepared to consider them. But in the meantime this unprofitable
+discussion must cease.</p>
+
+<p class="regards">Yours faithfully,</p>
+<p class="author">The Secy.,&nbsp;&nbsp;&nbsp; <span class="sc">Hy. Jones.</span></p>
+<p class="author">The Vesuvius Insce. Co.</p>
+
+<hr class="short" />
+
+<center>"Thorny Bank."</center>
+
+<p>Dear Sir,&mdash;I am directed to inform you that, unless the premium for
+effecting a fresh insurance in this office is forwarded within a week,
+proceedings will be taken to enforce the forfeiture of your lease
+without any further notice whatever.</p>
+
+<p class="regards">Yours faithfully,</p>
+<p class="author"><span class="sc">D. Smith</span>, etc., etc.</p>
+<p class="author"><span class="sc">H. Jones</span>, Esq.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</p>
+
+<hr class="short" />
+
+<center>"Thorny Bank."</center>
+
+<p>Dear Sir,&mdash;Being desirous of effecting an insurance of these premises
+against fire, I should be obliged if you would kindly give instructions
+for a policy to be issued at once. I enclose postal order for fifteen
+shillings. The policy when issued should be forwarded to me.</p>
+
+<p class="regards">Yours faithfully,</p>
+<p class="author">The Secy., &nbsp;&nbsp;&nbsp;<span class="sc">Hy. Jones.</span></p>
+<p class="author">The Vesuvius Insce. Co.</p>
+
+<hr class="short" />
+
+<center>Policy No. 3,262,854.</center>
+
+<p>Dear Sir,&mdash;I regret that owing to my absence in Scotland the safe
+receipt of this policy was not sooner acknowledged. But I still more
+regret to have to inform you that the insured premises were totally
+destroyed by fire at a late hour last night, the cause of ignition being
+ascribed to the caretaker's habit of smoking in bed. Whilst sympathising
+with you in your loss, I find, on reference to my lease, that I am under
+covenant to reinstate them as speedily as possible. As I particularly
+wish to avoid any unpleasantness with my Lessors, may I ask you to
+proceed with the work at once?</p>
+
+<p class="regards">Yours faithfully,</p>
+<p class="author">The Secy., &nbsp;&nbsp;&nbsp;<span class="sc">Hy. Jones.</span></p>
+<p class="author">The Vesuvius Insce. Co.</p>
+
+<hr class="short" />
+
+<center>Policy No. 3,262,854.</center>
+
+<p><span class="sc">Sir</span>,&mdash;I am in receipt of your letter of yesterday, which has been handed
+to the Claims Department. I recollect that in a former letter you
+adverted to an existing policy with the Etna Office, and as that office
+will be liable to contribute a share of the moneys covered by the double
+insurance you are required to furnish particulars of the policy.</p>
+
+<p class="regards">Yours truly,</p>
+<p class="author"><span class="sc">D. Smith</span>, etc., etc.</p>
+<p class="author"><span class="sc">H. Jones</span>, Esq.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</p>
+
+<hr class="short" />
+
+<center>Policy No. 3,262,854.</center>
+
+<p>Dear Sir,&mdash;I enclose, as requested, particulars of my policy with the
+Etna. For my own part, I do not quite see how it will help you, since,
+profiting by your advice, I succeeded in obtaining a part rebate of
+premium&mdash;thus, I apprehend, releasing the risk. But no doubt you know
+best.</p>
+
+
+<p class="regards">Yours very truly,</p>
+<p class="author">The Secy., &nbsp;&nbsp;&nbsp;<span class="sc">Hy. Jones.</span>&nbsp;&nbsp;&nbsp;</p>
+<p class="author">The Vesuvius Insce. Co.&nbsp;&nbsp;&nbsp;</p>
+
+<hr />
+
+<div class="figcenter" style="width: 60%">
+<a href="images/357.png">
+<img src="images/357.png" width="100%" alt="Patriotic Teacher." /></a><br /><br />
+<p><i>Patriotic Teacher.</i> <span class="sc">"'England expects&mdash;&mdash; 'Now, will
+one of you boys finish the sentence? 'England expects&mdash;&mdash;'"</span></p>
+<p><i>Bright Pupil.</i> "<span class="sc">To win!</span>"</p>
+</div>
+
+<hr />
+
+<h4>"91 <span class="sc">To Sing Solo</span>."</h4>
+
+<p class="author"><i>Asbury Park Evening Express.</i></p>
+
+<p>Too many.</p>
+
+<hr />
+
+<span class='pagenum'><a name="Page_358" id="Page_358">[Pg 358]</a></span>
+
+<div class="figcenter" style="width: 80%">
+<a href="images/358.png">
+<img src="images/358.png" width="100%" alt="That&#39;s a nice pair of Oolan boots" /></a><br /><br />
+<p><i>First Trooper.</i> <span class="sc">"That's a nice pair of Oolan boots you
+got there, Bill."</span></p>
+<p><i>Second Trooper.</i> <span class="sc">"Yes; not bad. Had to knock out six of the blighters
+afore I got a pair to fit me!"</span></p>
+</div>
+
+<hr />
+
+<h2>IN DARKEST GERMANY.</h2>
+
+<center>(<i>Being a humble appeal to English Divines, suggested by the attitude of
+Teuton Professors to the Belgian atrocities.</i>)</center>
+
+<div class="poem1"><div class="stanza">
+<p class="i0">Hear me, most noble missionaries who,</p>
+<p class="i2">Toiling on Africa's half-tutored shore,</p>
+<p class="i0">Had words quite recently at Kikuyu</p>
+<p class="i2">Whereof the motley bard may say no more.</p>
+</div><div class="stanza">
+<p class="i0">I would not dare to judge of warring creeds;</p>
+<p class="i2">It may be that the dark-skinned Hottentot</p>
+<p class="i0">Has skill to balance up his spirit's needs</p>
+<p class="i2">And know that this is truth and that is not.</p>
+</div><div class="stanza">
+<p class="i0">But there are sloughs of ignorance so deep</p>
+<p class="i2">That sect and rubric seem to fade away,</p>
+<p class="i0">Souls unaroused as yet from barbarous sleep</p>
+<p class="i2">That have not glimpsed the prospect of the day.</p>
+</div><div class="stanza">
+<p class="i0">These have no art to tell the wrong from right</p>
+<p class="i2">Who tot up two and two to sums unknown;</p>
+<p class="i0">Uganda, relatively erudite,</p>
+<p class="i2">Has wants unfelt by Frankfurt and Cologne.</p>
+</div><div class="stanza">
+<p class="i0">So, when the flags are furled, the trumpets mute,</p>
+<p class="i2">And soft-voiced messengers replace the guns,</p>
+<p class="i0">Let it be yours to stifle old dispute</p>
+<p class="i2">And found a first-aid mission to the Huns;</p>
+</div><div class="stanza">
+<p class="i0">Teaching them not at first the subtler things</p>
+<p class="i2">Of dogma, suited to a folk more wise,</p>
+<p class="i0">Such gospel as ye bear to savage kings,</p>
+<p class="i2">But "steal no longer" and "have done with lies."</p>
+</div><div class="stanza">
+<p class="i0">Tell them that murder is esteemed "<i>tabu</i>",</p>
+<p class="i2">That the Red Cross is now a sacred sign;</p>
+<p class="i0">Tell them no more than that; it will be new;</p>
+<p class="i2">They have no need of ritual on the Rhine.</p>
+</div><div class="stanza">
+<p class="i0">Let presently a non-sectarian school,</p>
+<p class="i2">Where knowledge shall be taught to Teuton men</p>
+<p class="i0">That mumbo-jumbo is an out-worn rule,</p>
+<p class="i2">Be built at Heidelberg or G&ouml;ttingen.</p>
+</div><div class="stanza">
+<p class="i0">There shall the Vandal sages come and go,</p>
+<p class="i2">And learn at last why Belgium felt chagrin,</p>
+<p class="i0">And pace the Prussian goose-step very slow,</p>
+<p class="i2">From class to class, with lots of halts between.</p>
+</div><div class="stanza">
+<p class="i0">They shall attain in time, but not as yet,</p>
+<p class="i2">To starrier heights that now the negroes win;</p>
+<p class="i0">Meanwhile your common goal is clearly set</p>
+<p class="i2">To wake the untouched blindness of Berlin.</p>
+</div></div>
+
+<p class="author"><span class="sc">Evoe</span>.</p>
+
+<hr />
+
+<h4>Another Impending Apology.</h4>
+
+<blockquote><p>"Lieutenant Asquith's first thought is for the comfort and feeding
+of his mary ..."&mdash;<i>Daily Record.</i></p></blockquote>
+
+<hr class="short" />
+
+<h4>From an ante-War advertisement:&mdash;</h4>
+
+<center>"<span class="sc">Holiday Courses in German, Kaiserslauten, Rhenish Palatinate.</span><br /><br />
+
+Lectures under the auspices of the International Peace
+Association.&mdash;Aug. 3 to Aug. 29."</center>
+
+<p>This course of pacific lectures has had to be postponed, but it is hoped
+that it may be given by the end of next summer under the auspices of the
+Allies in Berlin.</p>
+
+<hr />
+
+<p><span class='pagenum'><a name="Page_359" id="Page_359">[Pg 359]</a></span></p>
+
+<div class="figcenter" style="width: 60%">
+<a href="images/359.png">
+<img src="images/359.png" width="100%" alt="A PLAIN DUTY." /></a>
+<h4>A PLAIN DUTY.</h4>
+<p><span class="sc">Britannia</span> (<i>to Holland</i>). "MY RESOURCES AND MY OBLIGATIONS ARE GREATER
+THAN YOURS; LET THIS SERVICE FALL UPON ME."</p><br />
+<p>[The number of Belgian refugees in Holland is probably ten times as
+great as the number in England.]</p>
+</div>
+
+<span class='pagenum'><a name="Page_360" id="Page_360">[Pg 360]</a></span>
+
+<hr />
+
+<span class='pagenum'><a name="Page_361" id="Page_361">[Pg 361]</a></span>
+
+<div class="figcenter" style="width: 80%">
+<a href="images/361.png">
+<img src="images/361.png" width="100%" alt="Well, William, heard anything of your son?" /></a>
+<p><span class="sc">"Well, William, heard anything of your son?"<br />
+"No, Miss; but they'll send 'e to the front right away. 'E be just the
+man they be wantin' there."<br />
+"I'm sure he is. But why do you think he will go straight to the front?"<br />
+"Why, you see, Miss, 'e'll be able to show 'em the way about. 'E was at
+the Boer War, an' knows all them furrin' parts."</span></p>
+</div>
+
+<hr />
+
+<h2>THE REAL REASON.</h2>
+
+<p>Mr. Arthur Grayson, recently returned from Bad Nauheim, brings an
+interview with His Excellency Herr <span class="sc">von Bode</span>, which he obtained under
+curious circumstances. It seems that the famous Director of the Kaiser
+Friedrich Museum in Berlin, and for long the ultimate arbiter of taste
+in Germany, wishing to send a message to the American people, wrote to
+an American journalist, also, as it chanced, named Grayson, and also a
+resident in the other Grayson's hotel, making an appointment. But the
+American Grayson had then gone, and the English Grayson having opened
+his letter by mistake, and being not unwilling to see Berlin for himself
+during war-time, carried the missive to the capital, met the illustrious
+virtuoso and received the confidences intended for the instruction of
+New York and Washington, correcting their preposterous view of the
+German origin of the war.</p>
+
+<p>We now give Mr. Grayson's words: "'To make you understand the situation
+clearly,' said Herr <span class="sc">von Bode</span>, 'we must go back a little into history.
+Some years ago I was offered by an English dealer a wax bust of Flora,
+which I saw in a moment was by <span class="sc">Leonardo da Vinci</span>. No trained eye could
+have mistaken it for anything else. I therefore bought it and made it
+the very jewel of this superb collection. England, however, always
+envious and acquisitive, in matters of connoisseurship dense, and now
+mad with rage to think that I alone had sufficient culture to discern
+the true and beautiful, at once set up the cry that the bust was the
+work not of <span class="sc">Leonardo</span> in the fifteenth century, but of an Englishman
+named <span class="sc">Lucas</span> in the nineteenth. They stopped at nothing in defence of
+this claim. The English sculptor's son was even produced to remember his
+father at work on it; while it was affirmed that a piece of his father's
+waistcoat had been used as an internal support for the bust. The
+campaign of calumny and mis-information, in short, was as thorough as if
+<span class="sc">Wolff's</span> Bureau&mdash;I mean it was very thorough.'</p>
+
+<p>"'And what happened?' I asked.</p>
+
+<p>"'We had no doubt ourselves,' said my companion. 'Had Mr. <span class="sc">Tussaud</span>
+himself sworn that he was the modeller only yesterday we should have had
+no doubt, so indelibly, to the competent German eye, was the genius of
+<span class="sc">Leonardo</span> stamped upon it. But we permitted the bust to be opened from
+the back, and true enough a piece of modern cloth was found within.
+That, however, as I say, could not affect the authenticity of the work,
+for it might easily have been sent to <span class="sc">Lucas</span> for renovation, and it is
+well known that a renovator often stuffs something inside the shell of
+these busts to keep it from falling in while he is at work.'</p>
+
+<p>"'Still it was, perhaps, awkward for you?' I asked.</p>
+
+<p>"'In the contemptible English art circles some cry of triumph was
+raised,' he replied, 'but no one in Germany was shaken. Moreover, they
+knew&mdash;what I knew&mdash;that England raised these doubts merely to cover her
+own original stupidity and ignorance. She was now convinced that it was
+by <span class="sc">Leonardo</span>, because she knew I could not err, and her game was to
+belittle the bust. How barbaric! how devilish!<span class='pagenum'><a name="Page_362" id="Page_362">[Pg 362]</a></span> but how characteristic!
+And why did she belittle it?" he continued.</p>
+
+<p>"'Why, indeed, go to that trouble?' I said.</p>
+
+<p>"'Because'&mdash;his words were slow and impressive&mdash;'<i>because she wanted
+it</i>! She wanted it, hungered for it, thirsted for it. She had let it go
+and she could not forgive herself. How much she wanted it no one will
+ever know!' He paused.</p>
+
+<p>"'What then did she do?' he resumed. 'Finding that her bitter attack on
+the bust was useless, and served only to make us prize it the more, she
+began to plot to steal it. I could not tell you the number of attempts
+that have been made to get possession of this world-wonder. No one could
+tell you. Day after day Englishmen, disguised even as German gentlemen,
+thronged the museum, all asking the way to the bust. We were continually
+on our guard. Attendants patrolled the room day and night. Our efforts
+were successful.'</p>
+
+<p>"He paused again and looked at me in triumph.</p>
+
+<p>"'Yes,' he resumed, 'the bust remained where it was. England, in
+despair, then decided that a supreme effort must be made, and began to
+arm and mobilize. The art faction got hold of Sir <span class="sc">Edward Grey</span>&mdash;nobbled
+him, as you say. It was upon learning of this treacherous preparation
+and its dastardly motive, that our sublime <span class="sc">Kaiser</span> took the action he
+did. I say it with conviction, there would have been no war but for
+England's mad desire to possess again the <span class="sc">Leonardo</span> wax bust.'</p>
+
+<p>"'But what about the violation of Belgium?' I asked.</p>
+
+<p>"'Ah!' he said darkly. 'It was England's intention to march through
+Belgium to Berlin to get the bust. Fortunately we knew that. We
+therefore marched through Belgium first.'</p>
+
+<p>"With these words the famous virtuoso sat back in his chair.</p>
+
+<p>"'If you will consent to be blind-folded for a part of the journey&mdash;a
+necessary precaution which I am sure you will appreciate,' he remarked a
+moment or so later,&mdash;'I will show you the priceless masterpiece in its
+hiding-place. Then you will understand. Also I should like the world to
+know how Germany reveres and guards its choicest treasures."</p>
+
+<p>"Naturally I consented, and a bandage being bound over my eyes I took
+the hand of my companion and was led away.</p>
+
+<p>"You may wonder that after everything that has been happening recently I
+was willing thus to entrust myself to a German, but you must remember
+that so far as he knew I was an American, a member of a country whose
+goodwill has been angled for with every conceivable bait. It is not as
+if I had been a cathedral or a French priest or a Belgian mother.</p>
+
+<p>"For how far I was led I cannot say, but we seemed to descend an
+incredible distance into the earth and then pass along interminable
+passages. At last my eyes were unbound and I discovered myself to be in
+the midst of a company of soldiers armed to the teeth, obviously
+underground, and I saw opposite me, in the light of an electric torch, a
+massive iron gate, which the supreme expert proceeded to unlock.</p>
+
+<p>"We entered a gloomy cavern and again were confronted by a massive gate,
+which in its turn was also unlocked, revealing an inner chamber in the
+midst of which was a glass case.</p>
+
+<p>"My companion reverently uncovered. 'The triumph of my career,' he
+murmured. 'The coping-stone of my virtuosity. The cause of my
+ennoblement.'</p>
+
+<p>"Before us was the famous wax bust, fresh from the hands of <span class="sc">Luc</span>&mdash;I mean
+<span class="sc">Leonardo</span>.</p>
+
+<p>"'And the early-Victorian waistcoat,' I said, 'which the clumsy fellow
+who renovated this bust always stuffed into the Leonardos which he was
+called upon to botch&mdash;you still have that?"</p>
+
+<p>"'Oh no,' replied the enthusiast hastily, 'we threw that away. Why keep
+that? But you can understand," he continued, "why we have taken all the
+precautions we have? Whatever else might be lost in any attack on
+Berlin&mdash;should one be within the bounds of possibility&mdash;this must be
+saved.'</p>
+
+<p>"'Not only must,' I replied, but will be saved. I feel certain that your
+plans have been sufficient. England, whatever else she may take from
+Berlin, will leave this bust with you.'</p>
+
+<p>"He wrung my hand. 'You hearten me,' he said. 'But now for the return
+journey;' and again the bandage was applied."</p>
+
+<hr />
+
+
+
+
+<table summary="cartoon">
+<tr><td>
+<div class="figcenter" style="width: 105%">
+<a href="images/362a.png">
+<img src="images/362a.png" width="100%" alt="I." /></a></div></td>
+
+<td><div class="figcenter" style="width: 105%">
+<a href="images/362b.png">
+<img src="images/362b.png" width="100%" alt="II." /></a></div></td>
+
+<td><div class="figcenter" style="width: 105%">
+<a href="images/362c.png">
+<img src="images/362c.png" width="100%" alt="III." /></a></div></td></tr>
+
+<tr><td align="center"> I.</td><td align="center">II.</td><td align="center">III.</td></tr>
+
+<tr><td></td><td></td><td align="center">"<span class="sc">Morning, mate. Bit breezy <br />for getting a light, <br />ain't it?</span>"</td></tr>
+</table>
+
+<hr /><br />
+
+<center>Among other items being produced at the Ambassadors' Theatre by an
+Anglo-Franco-Belgian company is "My Lady's Undress." A contemporary
+describes this as "a good take-off."</center><br />
+
+<hr class="short" />
+
+<h4>"English submarine after a rude battle drowned the German Ship
+Heine."</h4>
+
+<p>This is from <i>The Bahia Blanca Times</i> (the only foreign paper we take
+in), and shows how the news gets about.</p>
+
+<hr class="short" />
+
+<h4><i>The Daily News</i> quotes the <i>Berlin Taegliche Rundschau</i> as follows:&mdash;</h4>
+
+<blockquote><p>"Germany and Holland ... are neighbours of ethnological affinity and
+united by numerous commercial and intellectual bombs."</p></blockquote>
+<p>Even the bombs in Germany are cultured.</p>
+
+<hr />
+
+<span class='pagenum'><a name="Page_363" id="Page_363">[Pg 363]</a></span>
+
+<h2>THE ARREST.</h2>
+
+<p>"Excuse me, but can you tell me which is Hunter Street?" said the tall
+pleasant-looking man with the slightly foreign aspect.</p>
+
+<p>"Hunter Street," I said, waving a vague hand, "lies over there. It is,"
+I continued, fixing him with a stern look, "for constabulary purposes a
+chapel-of-ease to Bow Street."</p>
+
+<p>He did not seem in the least perturbed.</p>
+
+<p>"Ah!" he said, "a special constable, I suppose?"</p>
+
+<p>I was only going on duty&mdash;theoretically I am never off duty&mdash;but I am
+missing no chances.</p>
+
+<p>"Yes," I said, "I am. Do you mind telling me, quite between ourselves,
+you know, whether you are a German spy?"</p>
+
+<p>He smiled slightly.</p>
+
+<p>"Because if you are," I said, "perhaps you wouldn't mind holding on a
+minute. The strap of my truncheon has (tug) got fouled (tug) with my
+(tug) braces."</p>
+
+<p>I got it out at last and stroked it lovingly. "I can't start before I'm
+ready," I said. "Rather neat bit of wood&mdash;what? Chose it myself at Bow
+Street. I take a 13½-ounce racquet, you know."</p>
+
+<p>"You seem," he said, "to have given up caring whether I am a German spy
+or not."</p>
+
+<p>"Your mistake," I said; "I was merely gaining time to size you up
+properly. Better take your pince-nez off. Broken glass is such a
+nuisance, don't you think?"</p>
+
+<p>He ignored the friendly hint. "As a matter of fact," he said, "I <i>am</i>
+partly German."</p>
+
+<p>"Show me the German part," I said, gripping the corrugations of my
+truncheon more tightly. "I'm a little pressed for time."</p>
+
+<p>"And partly French," he went on.</p>
+
+<p>"That's rather awkward," I said.</p>
+
+<p>"And I was born in Russia."</p>
+
+<p>"Worse and worse," I said.</p>
+
+<p>"And spent practically the first twenty years of my life in Italy."</p>
+
+<p>"This," I said, "is the absolute boundary. Yours is a case for the New
+Prize Courts."</p>
+
+<p>"But you haven't formally arrested me yet," he said.</p>
+
+<p>"True," I said, "I'm just coming to that part, but at the moment I've
+forgotten the opening movements of the half-nelson."</p>
+
+<p>"My wife," he said musingly, "will be very annoyed. She's extremely
+English, you know."</p>
+
+<p>"Look here," I said, "I really think I shall let you go, after all. So
+little of you is the enemy, so much the friend, that I don't care to
+take the responsibility of arresting you. But perhaps I ought to resign.
+Come and have a sandwich, I've just time for one, and we can talk it
+over."</p>
+
+<p>"Right," he said, "we may as well. By the way, it was my grandparents on
+my mother's side who were French and German." Then, producing his
+warrant card, he said, "I am a Special too. My name's Briggs."</p>
+
+<hr />
+
+<div class="figcenter" style="width: 50%">
+<a href="images/363.png">
+<img src="images/363.png" width="100%" alt="TALES FROM THE TRENCHES." /></a>
+
+<h4>TALES FROM THE TRENCHES.</h4>
+
+<p><i>Some of our Soldiers, who were within seventy yards of the German
+trenches, hoisted an improvised target. The Germans did the same. Both
+sides signalled the result of the shooting.</i></p>
+<p><i>First Tommy.</i> "<span class="sc">Get down! Do you want 'em to cop yer?</span>"</p>
+<p><i>Second Tommy.</i> "<span class="sc">Blimy! The perishers signalled my bull a miss, and I'm
+just agoin' to 'op over an' tell 'em abaht it.</span>"</p>
+</div>
+
+<hr />
+
+<center>The following reaches us from General Headquarters abroad:&mdash;</center>
+
+<blockquote><p>"<span class="sc">Army Troop Order, No. 40.</span>&mdash;Information has been received that many
+Field Service postcards are arriving at the G. P. O. without any
+address on them. The instructions printed on the cards that nothing
+is to be written on them does not apply to the address. O. C.'s are
+requested to bring this fact to the notice of all ranks. <i>Oct. 12,
+1914.</i>"</p></blockquote>
+
+<p>The discipline in the Army seems to be almost too good.</p>
+
+<hr class="short" />
+
+<blockquote><p>"The German Press is conducting a campaign to prove that Belgium was
+deceived by the English, who, it is asserted, depicted the Germans
+as sausages; hence the people were frightened when the German troops
+approached."&mdash;<i>Yorkshire Evening Press.</i></p>
+
+<p>The Scotch, however, are even less polite, <i>The Aberdeen Evening
+Express</i> announcing boldly&mdash;</p></blockquote>
+<center>"GORILLA FIGHTING ON THE BELGIAN FRONTIER."</center>
+<hr />
+
+<span class='pagenum'><a name="Page_364" id="Page_364">[Pg 364]</a></span>
+
+<h2>THE KHAKI MUFFLER.</h2>
+
+<p>The blinds were drawn, the lamps were lit and the fire was burning
+brightly. I was reading an evening paper&mdash;we get the 5.30 edition at the
+moment of publication, though we are thirty miles from London&mdash;and I had
+just found Prezymyzle (my own pronunciation) on the map for the
+thousandth time. Helen says that quite in the early days of the war she
+was told it ought to be pronounced Perimeeshy, but that seems
+impossible. Rosie declares for Prozmeel. Still she isn't very confident
+about it. One thing seems certain: when the Russians take this
+jaw-cracking town they will pronounce it quite differently from the
+Austrian form, whatever that may be. Just think of what happened to
+Lemberg. There appeared to be a kind of finality about that, but no
+sooner were the Russians in it than it turned into Lwow. After that
+anything might happen to Przemysl.</p>
+
+<p>However, there were the three of us sitting in the library. I was
+helping the common cause with the evening paper and the map, and Helen
+and Rosie were knitting away like mad at khaki mufflers for Lady <span class="sc">French</span>.
+Click-click went the needles; the youthful fingers moved with incredible
+deftness and celerity, and line after line was added by each executant
+to her already enormous pile. There had been a long silence, and the
+time for breaking it seemed to have come.</p>
+
+<p>"Well done, both of you," I said. "You really are getting on to-day. A
+week ago I thought you'd never get finished, and now&mdash;&mdash;" I waved my
+hand encouragingly at the two heaps of wool-work.</p>
+
+<p>"There," said Helen, "you've made me drop one."</p>
+
+<p>"Pick it up again," I said with enthusiasm. "What were girls made for if
+not to pick up dropped stitches? But tell me," I added, "what would
+happen if you didn't pick it up?"</p>
+
+<p>"My soldier," said Helen gloomily, "would go into the trenches and,
+instead of having a muffler, he would suddenly find himself coming
+undone all over him. Do you think he would like that?"</p>
+
+<p>"No," I said, "he wouldn't. No soldier could possibly like a thing of
+that sort when he's got to fight Germans."</p>
+
+<p>"I wonder," put in Rosie, "what <i>my</i> soldier will be like. I think I
+should like him to have a moustache&mdash;yes, I'm sure I want him to have a
+moustache."</p>
+
+<p>"He'll have a moustache all right," said Helen, who is practical rather
+than dreamy. "And he'll have whiskers, too, and a beard as long as your
+arm. Do you think people have time to shave when they're in trenches?"</p>
+
+<p>"Well, anyhow," said Rosie, "both our soldiers will be very brave men."</p>
+
+<p>"That," said Helen, "is quite certain. Let's put in some good hard
+stitches to thank them for their bravery."</p>
+
+<p>There was a short silence while this operation was performed with great
+zeal. The fingers flew through their complicated task and the web seemed
+to grow visibly.</p>
+
+<p>"Haven't you both," I said, "done about enough? Talk about mufflers! In
+my day a muffler was something a man wore round his neck; but your
+mufflers would serve to clothe a whole platoon from head to heel with
+something left over. Benevolence is all very well, but you shouldn't
+overdo it. There isn't a soldier alive who wouldn't trip over your
+mufflers. Think of him tripped up by a muffler and caught by a German."</p>
+
+<p>"Lady <span class="sc">French</span>," said Helen, "wrote in her letter to <i>The Times</i> that
+every muffler was to be two yards and a half long and twelve inches
+broad."</p>
+
+<p>"Well," I said, "you've got the breadth all right."</p>
+
+<p>"Yes," said Helen, "we got that in the first line, and we've never let
+go of it since. Anybody could get the breadth. <i>You</i> could do that if
+you tried."</p>
+
+<p>"Graceless child," I said, "you don't seem to be aware that in my
+earliest boyhood I once began to knit a sock."</p>
+
+<p>"But you didn't finish it," said Helen. "I know that story."</p>
+
+<p>"Fathers," said Rosie, "could knit very well if they tried, but they
+won't try."</p>
+
+<p>"Come," I said, "I won't compete with you in knitting, but I'm game to
+bet you've done seven feet six inches in length already."</p>
+
+<p>"All right," said Helen, "we'll bet a penny. Only remember, mine was
+only six feet yesterday and Rosie's was four inches shorter."</p>
+
+<p>I spread the fabrics on the floor and set to work with a tape measure.
+The first result was, Helen five feet eleven inches; Rosie five feet six
+inches.</p>
+
+<p>"This," I said, "is maddening. You are imitating Penelope."</p>
+
+<p>"I don't know about Penelope," said Helen, "but you haven't straightened
+them out enough."</p>
+
+<p>I smoothed them out carefully and measured again. This time the result
+was, Helen six feet two inches; Rosie five feet ten inches.</p>
+
+<p>"Capital!" I said; "I will do some more smoothing."</p>
+
+<p>"No," said Helen, "that won't be fair to Lady <span class="sc">French</span> or our soldiers. We
+must give them an inch or so over, if anything;" and they picked up the
+unfinished mufflers and set to work at them with renewed energy.</p>
+
+<hr class="short" />
+
+<p>This was four days ago. Now both the mufflers are gloriously finished
+and ready to be despatched. When our two soldiers wear them we hope they
+will feel that there is a little magic in them as well as a great deal
+of warmth. There is love knitted into them and admiration and gratitude,
+and there are quiet thoughts of beautiful English country-sides and
+happy homes which our soldiers are helping to guard for us, though they
+are far away.</p>
+
+<p class="author">R. C. L.</p>
+
+<hr />
+
+<h2>THE LOST SEASON.</h2>
+
+<center>(<i>A Point of View.</i>)</center>
+
+<div class="poem"><div class="stanza">
+<p class="i0">Farewell to the stretches of pasture and plough</p>
+<p class="i2">And the flicker of sterns through the gorse on the hill,</p>
+<p class="i0">And the mulberry coats there, alone with them now,</p>
+<p class="i2">To cheer as they're finding and whoop at the kill;</p>
+<p class="i0">Farewell to the vale and the woodland forlorn,</p>
+<p class="i2">To the fox in his earth and the hound on his bench;</p>
+<p class="i0">Unheard is the pack and unheeded the horn,</p>
+<p class="i2">So loud and so near are the bugles of <span class="sc">French</span>.</p>
+</div><div class="stanza">
+<p class="i0">The lines of blood hunters are gone from the stalls</p>
+<p class="i2">And a host of good men to the millions that meet,</p>
+<p class="i0">For grim is the Huntsman, in thunder he calls,</p>
+<p class="i2">And continents roar with the galloping feet;</p>
+<p class="i0">There's a country to cross where the fences are steel,</p>
+<p class="i2">And, though many must fall and the finish is far,</p>
+<p class="i0">There is none shall outride them, with heart, hand and heel,</p>
+<p class="i2">Who have gone hard and straight in "The Image of War."</p>
+</div></div>
+
+<hr />
+
+<h4>The German "Dove."</h4>
+
+<center>(<i>Suggested by recent exploits of the "Taube" Aeroplane.</i>)</center>
+
+<div class="poem1"><div class="stanza">
+<p class="i0">In ancient and in happier days the Dove</p>
+<p class="i0">Stood as an emblem sure of peace and love;</p>
+<p class="i0">Now must we link it with the fiend who flies</p>
+<p class="i0">Down-dropping death on children from the skies.</p>
+</div></div>
+
+<hr />
+
+<span class='pagenum'><a name="Page_365" id="Page_365">[Pg 365]</a></span>
+
+<div class="figcenter" style="width: 90%">
+<a href="images/365.png">
+<img src="images/365.png" width="100%" alt="Sportsman." /></a><br /><br />
+<p><i>Sportsman.</i> "<span class="sc">Last two cartridges, Dan. What's to be done
+now?</span>"</p>
+<p><i>Dan'l.</i> "<span class="sc">Ye'll hev to take to the bainit, Colonel.</span>"</p>
+</div>
+
+<hr />
+
+<h2>A NEW ART.</h2>
+
+<blockquote><p>[It is rumoured that Cinema playwrights, following the example of
+certain well-known stage dramatists, are likely in future, in
+addition to the film representations, to publish their works in
+novel-form. The manuscript of one of the earliest of these
+productions has just come into our hands.]</p></blockquote>
+
+<h3>LOVE AND DIPLOMACY.</h3>
+
+<h4><span class="sc">Chapter I.</span></h4>
+
+<p>The last rays of the setting sun, shining through the windows of the
+Foreign Office, fell upon Clement Carmichael, the brilliant young
+Foreign Secretary, as he sat at his desk studying despatches. A slight
+noise caused him to raise his head sharply, and he observed a stranger
+of alien appearance standing before him.</p>
+
+<p>Without a word the intruder produced a revolver and levelled it at
+Carmichael. Caught like a rat in a trap, the latter, after a moment's
+hesitation, handed over the despatches and leaned back with an
+expression of bitter despair.</p>
+
+<p>"It is Raymond Bl&uuml;therski!" he gasped when he was again alone. "I am
+ruined!"</p>
+
+<h4><span class="sc">Chapter II.</span></h4>
+
+<p>There was not an instant to be lost. Dashing down the steps of the
+Foreign Office, Carmichael leapt into the waiting motor and shouted
+hoarsely to the driver. A moment later the car was disappearing rapidly
+down the street.</p>
+
+<h4><span class="sc">Chapter III.</span></h4>
+
+<p>Felix Capperton, the detective whose fame had penetrated two
+hemispheres, was playing chess with his daughter Madge, a tall and
+beautiful blonde. Suddenly the door opened and Carmichael entered
+hastily. In a few tense words he explained the situation to the famous
+sleuth, while Madge Capperton stood silent, pressing her hands to her
+heart.</p>
+
+<p>The detective pointed meaningly at the chessboard, and Carmichael bent
+over it with an expectant face.</p>
+
+<p>"It is checkmate!" he said.</p>
+
+<p>"We will checkmate Bl&uuml;therski!" replied the other confidently.</p>
+
+<p>The eyes of the Foreign Secretary met those of the girl and a
+sympathetic smile passed between them.</p>
+
+<h4><span class="sc">Chapter IV.</span></h4>
+
+<p>In his private sanctum Capperton with skillful fingers fixed a moustache
+and side whiskers to his lean and mobile face. His daughter handed him a
+soft hat and a Gladstone bag, and he was transformed before her eyes
+into a commercial traveller.</p>
+
+
+<h4><span class="sc">Chapter V.</span></h4>
+
+<p>Raymond Bl&uuml;therski paced the deck of a Channel steamer, deeply absorbed
+in the fateful despatches. Suddenly he turned smartly on his heels.</p>
+
+<p>He was face to face with Capperton, disguised as a commercial traveller.</p>
+
+<p>Accustomed to such emergencies his mind was made up in an instant.
+Rolling the papers into a ball, he hurled them into the mouth of a large
+ventilator which stood near.</p>
+
+<p>Unhesitatingly the detective threw himself into the ventilator and
+disappeared head first. With a cry of baffled rage Bl&uuml;therski followed.</p>
+
+<h4><span class="sc">Chapter VI.</span></h4>
+
+<p>In the bows of the same steamer stood Madge Capperton and Clement
+Carmichael, gazing anxiously before them. Her fingers tightened on his
+arm. Their faces took on an expression of horror and despair.</p>
+
+<p>A huge liner was bearing directly down upon them!<span class='pagenum'><a name="Page_366" id="Page_366">[Pg 366]</a></span></p>
+
+<h4><span class="sc">Chapter VII.</span></h4>
+
+<p>In the treacherous waters of the English Channel the brilliant young
+Foreign Secretary supported Madge Capperton with one arm, while with the
+other he swam strongly towards the only floating object in view.</p>
+
+<p>As they drew near he perceived that it was a large ship's ventilator. It
+was sinking fast, and from its mouth protruded the heads of two men
+engaged in a life-and-death struggle. They were Capperton and
+Bl&uuml;therski.</p>
+
+<p>With a cry of encouragement Carmichael redoubled his efforts.</p>
+
+<h4><span class="sc">Chapter VIII.</span></h4>
+
+<p>A ship's lifeboat, propelled by strong and willing arms, travelled
+swiftly across the sea. Presently a shout went up from the man in the
+bow. Four figures were seen struggling frantically in the water, and the
+rowers bent themselves with renewed energy to their oars.</p>
+
+<h4><span class="sc">Chapter IX.</span></h4>
+
+<p>On board the liner which had been responsible both for the collision and
+the rescue, Raymond Bl&uuml;therski, a sinister figure, was seen to leave his
+cabin and disappear down the corridor. An instant later Carmichael and
+Capperton entered stealthily. With quick cat-like movements the
+detective pushed open the door and tip-toed into the cabin.</p>
+
+<p>Carmichael waited outside in an attitude of intense watchfulness. As a
+steward passed down the corridor he assumed a careless expression and
+lit a cigarette with nonchalant elaboration.</p>
+
+<p>Directly the steward had gone the watcher resumed his vigil, every nerve
+on the alert.</p>
+
+<h4><span class="sc">Chapter X.</span></h4>
+
+<p>Inside the cabin the detective hurriedly opened drawers, turned over
+bed-clothes, tapped partitions and felt in boots. Then with an
+expression of disappointment he turned to the door.</p>
+
+<h4><span class="sc">Chapter XI.</span></h4>
+
+<p>In the corridor the two men stood face to face.</p>
+
+<p>"Have you found them?" asked Carmichael hoarsely.</p>
+
+<p>"No. They have sunk in the sea!" replied the other.</p>
+
+<h4><span class="sc">Chapter XII.</span></h4>
+
+<p>Across the smooth waters of the English Channel a motor-boat moved
+swiftly. In the bows the Foreign Secretary and the detective gazed
+earnestly forward.</p>
+
+<p>Presently the latter clutched Carmichael's arm with an oath. Another
+boat had come into view, and they perceived that a diver in full costume
+was climbing into it.</p>
+
+<p>The motor-boat came to a stop alongside the other. It could be seen that
+the diver held in his hand a ball of paper.</p>
+
+<h4><span class="sc">Chapter XIII.</span></h4>
+
+<p>The diver's headpiece was being unscrewed. On either side of him stood
+Capperton and Carmichael, each with a loaded revolver.</p>
+
+<p>At length the cumbrous helmet was lifted off and the face of the diver
+was revealed.</p>
+
+<p>It was Madge!</p>
+
+<h4><span class="sc">Chapter XIV.</span></h4>
+
+<p>The motor-boat drew up beside the quay and the Foreign Secretary stepped
+out with the detective and his daughter. All were plainly in a joyous
+mood, and they smiled happily at each other.</p>
+
+<p>So gratified were they at their success that they quite failed to
+observe three men, who crept up stealthily behind them and thrust pads
+soaked in chloroform over their mouths.</p>
+
+<p>In a few seconds the struggles of the victims ceased, and their inert
+bodies were roughly thrust into a waiting motor.</p>
+
+<p>From the driver's seat Bl&uuml;therski smiled sardonically.</p>
+
+<h4><span class="sc">Chapter XV.</span></h4>
+
+<p>Madge Capperton lay in a cellar of Bl&uuml;therski's house, tightly bound and
+gagged. But her indomitable spirit was not yet cowed.</p>
+
+<p>Using the edge of a rough stone as a saw she was laboriously severing
+the cord which tied her wrists. At length her persistence was rewarded
+and the frayed ends of the rope fell apart.</p>
+
+<p>In fifteen seconds she stood up free.</p>
+
+<h4><span class="sc">Chapter XVI.</span></h4>
+
+<p>In another cellar, similarly shackled, the resolute detective was
+exerting all his mighty strength to burst his bonds.</p>
+
+<p>With a superhuman effort he broke the cord which held his arms, and in
+fifteen seconds he also was free.</p>
+
+<h4><span class="sc">Chapter XVII.</span></h4>
+
+<p>In a small room in the same house the detective's daughter methodically
+pressed her hand against picture after picture hung on the walls. Her
+face was grimly determined.</p>
+
+<p>At last she was successful. A large section of the wall slid back,
+revealing a dark opening.</p>
+
+<p>After a few seconds' natural hesitation the brave girl stepped through
+the aperture.</p>
+
+<h4><span class="sc">Chapter XVIII.</span></h4>
+
+<p>Raymond Bl&uuml;therski lay asleep. On his dressing-table rested the fatal
+ball of paper.</p>
+
+<p>Suddenly a portion of the wall moved back and Madge Capperton appeared
+in the opening. As noiselessly as possible she crept forward and
+snatched up the despatches. In a few seconds she would be safe!</p>
+
+<p>At that instant Bl&uuml;therski awoke, leapt out of his bed and grasped her
+roughly by the arm. But he had reckoned without Capperton.</p>
+
+<p>The commanding figure of the detective appeared in the room. He levelled
+a large revolver at Bl&uuml;therski, and the latter threw up his hands with a
+cry of baffled hate.</p>
+
+<h4><span class="sc">Chapter XIX.</span></h4>
+
+<p>In a moonlit garden Clement Carmichael was waiting impatiently.
+Presently Madge came to him with a radiant face and placed the lost
+despatches in his hands. His reputation was saved!</p>
+
+<p>Seizing the girl in his arms he pressed his lips to hers in a long
+passionate kiss.</p>
+
+<h4><span class="sc">The End.</span></h4>
+
+<hr />
+
+<h2>CASUS BELLI.</h2>
+
+<center>(<i>For a sensitive Scot.</i>)</center>
+
+<div class="poem1"><div class="stanza">
+<p class="i0">Tea-shop, how I loathe thee!</p>
+<p class="i2">Our connection's o'er;</p>
+<p class="i0">Henceforth I don't know thee</p>
+<p class="i2">Any more.</p>
+</div><div class="stanza">
+<p class="i0">'Tisn't that I did not</p>
+<p class="i2">On thy pastry dote;</p>
+<p class="i0">'Tisn't that it slid not</p>
+<p class="i2">Down my throat;</p>
+</div><div class="stanza">
+<p class="i0">'Tisn't that thy crumpets</p>
+<p class="i2">Fell a trifle flat&mdash;</p>
+<p class="i0">If I've got the hump it's</p>
+<p class="i2">Not from that.</p>
+</div><div class="stanza">
+<p class="i0">'Tisn't that the waitress</p>
+<p class="i2">Tried to wink at me,</p>
+<p class="i0">Or let fall a stray tress</p>
+<p class="i2">In my tea;</p>
+</div><div class="stanza">
+<p class="i0">'Tisn't that I tossed thee</p>
+<p class="i2">Tenpence in the till</p>
+<p class="i0">For a snack that cost thee</p>
+<p class="i2">Almost <i>nil</i>....</p>
+</div><div class="stanza">
+<p class="i0">Nay, 'twas <i>this</i> unnerved me&mdash;</p>
+<p class="i2">Just a sc&#335;ne alone,</p>
+<p class="i0">Which the lass who served me</p>
+<p class="i2">Called a sc&#333;ne.</p>
+</div></div>
+
+<hr />
+
+<h2>IN A GOOD CAUSE.</h2>
+
+<p>In connection with his chief Cartoon of this week, <i>Mr. Punch</i> begs to
+invite his readers to help the kind people of Holland on whom the care
+of so many Belgian refugees has fallen. Contributions will be gladly
+received by the International Women's Relief Committee (Miss Chrystal
+Macmillan, Treasurer), 7, Adam Street, Adelphi, W.C.</p>
+
+<hr />
+
+<span class='pagenum'><a name="Page_367" id="Page_367">[Pg 367]</a></span>
+
+<table summary="cartoon">
+<tr><td>
+<div class="figcenter" style="width: 100%">
+<a href="images/367a.png">
+<img src="images/367a.png" width="100%" alt="Scene: A Recruiting Station" /></a></div></td>
+
+<td>
+<div class="figcenter" style="width: 100%">
+<a href="images/367b.png">
+<img src="images/367b.png" width="100%" alt="which suggestion sergeant O&#39;Flanagan carries out" /></a></div></td></tr>
+<tr><td align="center"><i>Scene: A Recruiting Station in Ireland.</i> <br /><span class="sc">In order not to
+lose a stalwart recruit who <br />happens to be under the standard height<br />
+measurement the examining officer makes a <br />brilliant suggestion to
+sergeant O'Flanagan&mdash;</span></td>
+<td align="center"><span class="sc">&mdash;which suggestion sergeant O'Flanagan <br />carries out with a
+highly satisfactory result.</span></td></tr>
+</table>
+
+<hr />
+
+<h2>OUR BOOKING-OFFICE.</h2>
+
+<center>(<i>By Mr. Punch's Staff of Learned Clerks.</i>)</center>
+
+<p><i>Coasting Bohemia</i> is the attractive title of a series of essays upon
+men and matters by Mr. <span class="sc">Comyns Carr</span>, issued in a portly volume published
+by <span class="sc">Macmillan</span>. During the last forty years Mr. <span class="sc">Carr</span>, eminently a clubable
+man, has made the acquaintance and enjoyed the friendship of a galaxy of
+painters, authors and actors. He was equally at home with <span class="sc">Millais</span>,
+<span class="sc">Alma-Tadema</span>, <span class="sc">Rossetti</span>, <span class="sc">Burne-Jones</span>, <span class="sc">Whistler</span>, <span class="sc">George Meredith</span>, <span class="sc">Henry
+Irving</span> and <span class="sc">Arthur Sullivan</span>. A shrewd observer, quick in sympathy, apt in
+characterisation, he has much that is interesting and informing to say
+of each. Perhaps the chapter on <span class="sc">Whistler</span> is the most attractive, since
+in some respects his individuality was the most pronounced. In a couple
+of brief sentences, pleasing in the slyness of their gentle malice, Mr.
+<span class="sc">Carr</span> hits off a striking quality in the character of the <span class="sc">Whistler</span> we
+most of us knew. "At times," he writes, "Whistler was even greedy of
+applause, and, provided it was full and emphatic enough, showed no
+inclination to question its source or authority. There were moments
+indeed when, if it appeared to lack volume or vehemence, he was ready
+himself to supply what was deficient." Mr. <span class="sc">Carr</span> has in his time played
+many parts. He made a start at the Bar, but did not get further than the
+position of a Junior, which suited him admirably. As a critic, he cannot
+plead in extenuation the dictum of <span class="sc">Disraeli</span> that critics are those who
+have failed in Literature and Art. He has written several successful
+plays, was English editor of <i>L'Art</i>, was among the founders of the New
+Gallery, and remains established as one of our best after-dinner
+speakers. Of such is the kingdom of Bohemia. From these various sources
+he draws a stream of reminiscence that runs pleasantly through many
+pages. The only drawback to the delight with which I read them arose
+from the circumstance that the volume was uncut. Why should a harmless
+reviewer be compelled to "coast Bohemia" armed with a paper-knife,
+interrupted, when he comes to an exceptionally interesting point, by
+necessity for cutting a chunk of pages? <i>R.S.V.P.</i>, Messrs. <span class="sc">Macmillan</span>.</p>
+
+<hr class="short" />
+
+<div class="poem1"><div class="stanza">
+<p class="i0">The ease with which the nuptial knot</p>
+<p class="i2">In Yankee-land is severed&mdash;such is</p>
+<p class="i0">The underlying theme of what</p>
+<p class="i2"><i>The Letter of the Contract</i> touches;</p>
+<p class="i0">So, but that <span class="sc">Basil King</span> has brain</p>
+<p class="i2">And uses it when he is writing,</p>
+<p class="i0">The book (from <span class="sc">Methuen</span>) might contain</p>
+<p class="i2">Little that's novel or inviting.</p>
+</div><div class="stanza">
+<p class="i0">Yet it's so good it's doomed to miss,</p>
+<p class="i2">I rather fear, the approbation</p>
+<p class="i0">Of folk who hope such books as this</p>
+<p class="i2">May help the cause of reformation;</p>
+<p class="i0">For, if divorce in U.S.A.</p>
+<p class="i2">Inspires such work, it stands to reason</p>
+<p class="i0">To change the law in any way</p>
+<p class="i2">Amounts to literary treason.</p>
+</div></div>
+
+<hr class="short" />
+
+<p>In contemplating the present season's output of fiction I have been
+impressed by the number of novels that might apparently have been
+written with an eye to the conditions that attended their publication.
+Which, unless one credits our romancers with much further sight than is
+commonly supposed to be their portion, is absurd. The thing is a
+coincidence; and of this there is no more striking example than the
+story that <span class="sc">Anne Douglas Sedgwick</span> has prepared for the world this autumn.
+She calls it <i>The Encounter</i> (<span class="sc">Arnold</span>), and it is all about the struggle
+between "the Nietzschean attitude of mind in Germany," as exemplified in
+an egotistical, crack-brained genius named <i>Ludwig Wehlitz</i>, and the
+ideals of civilized Christianity exemplified in several<span class='pagenum'><a name="Page_368" id="Page_368">[Pg 368]</a></span> other more
+agreeable persons. You will own that this is at least <i>&aacute; propos</i>. The
+whole thing is, of course, quite charmingly told. All the characters are
+thoroughly alive; most of all perhaps the placid, tolerant and entirely
+practical mother of the heroine. <i>Persis Fennamy</i> had been introduced to
+the genius as a suitable disciple and possible helpmate by the
+<i>Signorina Zardo</i>, who worshipped him from afar. <i>Persis</i> met <i>Ludwig</i>,
+was interested, impressed and even willing to admire. There were two
+other men also, attendant upon the great one: <i>Conrad Sachs</i>, who was
+gentle and deformed, and <i>Graf von Ludenstein</i>, who represented another
+type of German manhood. He represented it so well, indeed, that, when
+<i>Mrs. Fennamy</i> discovered that he had taken <i>Persis</i> off for an intimate
+conversation in a wood, even her tolerant placidity was deranged. But it
+was all right, and <i>Persis</i> escapes heart-whole from the lot of them,
+clay superman and all. She is to be congratulated. So is the author, for
+her book is both apt to the moment and interesting in itself.</p>
+
+<hr class="short" />
+
+<p>There is, for all its gaiety, a certain external quality of pathos (now
+that the German is to us so sinister a figure) in much of <i>The Pastor's
+Wife</i> (<span class="sc">Smith, Elder</span>) with its types of an East Prussian village drawn in
+with those deft, half kindly, half malicious touches to which the
+creatrix of <i>Elizabeth</i> of the Garden has accustomed us. <i>Ingeborg</i> is
+the daughter of an English bishop&mdash;a bishop, by the way, so needlessly
+odious that even those who would cheerfully believe the worst of the
+order must protest against this hitting below the gaiters&mdash;and she meets
+her pastor in a railway carriage on a cheap trip to Lucerne. This
+so-utterly-by-the-pursuit-of-knowledge-dominated <i>Herr Dremmel</i> (his
+subject is scientific manure) has a lapse from the even paths of
+research into the disturbing realms of love, and with an egotistic
+single-mindedness which is beyond all praise overwhelms her into
+marriage by the heroic process of ignoring all objections, refusals and
+obstacles. And lo! in this manse of lonely K&ouml;kensee we have a problem!
+<i>Elizabeth</i>, tongue in cheek, in the mask of <span class="sc">Ibsen</span>!... I couldn't get
+myself to believe in the ineffable preoccupations of <i>Herr Dremmel</i> that
+made so desolate a pastor's wife; nor could I see the later enchanting
+<i>Ingeborg</i> in the little negligible mouse of the episcopal study (though
+I liked them both); and, as I said, I entirely refused to accept the
+bishop. But I heartily and thoroughly enjoyed the story, the happy
+little strokes of humour and irony, the apt, pert thumbnail-sketches of
+the subsidiary characters, the tender love of country things and moods;
+and saw that I'd been an ass to take it all too seriously. It was
+written to charm&mdash;and it's charming.</p>
+
+<p>Laughter in these dark days is so wholesome a corrective that we mustn't
+be too exacting with Mr. <span class="sc">Phillips Oppenheim</span>, that fertile spinner of
+yarns, when in <i>The Double Life of Mr. Alfred Burton</i> (<span class="sc">Methuen</span>) he
+presents us with the diverting idea of a mean, little, loud, untruthful
+auctioneer's clerk converted by the eating of a mysterious brown bean
+into a paragon of candid truth, refined taste and romantic desire.
+There's an amusing scene when <i>Burton's</i> chief, a thoroughly resourceful
+specimen of his tribe, cries down, under the same mysterious influence,
+the pseudo-antiques he is selling, and so intrigues his old friends the
+dealers that, with a curious <i>na&iuml;vet&eacute;</i>, they make absurdly high bids in
+the belief that the auctioneer is up to some profitable little game.
+<i>Mr. Alfred Burton</i> himself becomes at a stroke a famous author just by
+merely writing what he sees and seeing true. (But wouldn't his readers
+also need a nibble at the bean?) Finally falling from grace as the
+effect of this food of the gods wears off, he accepts a directorship of
+the new mind-food company, "Menatogen," which brings him untold wealth.
+Quite innocent fooling which yet leaves one with the impression that our
+popular authors let themselves off rather lightly from the labour of
+working out their themes.</p>
+
+<hr />
+
+<div class="figcenter" style="width: 60%">
+<a href="images/368.png">
+<img src="images/368.png" width="100%" alt="A GARGOYLE OF N&Ocirc;TRE DAME DE PARIS." /></a>
+<h4>A GARGOYLE OF N&Ocirc;TRE DAME DE PARIS.</h4>
+<center>(<i>With acknowledgments to the etching by M. M&eacute;ryon.</i>)</center><br /><br />
+<span class="sc">Spirits of evil, when they're thrown<br />
+&nbsp;&nbsp;Out of a church, are turned to stone;<br />
+<br />
+But the above was petrified<br />
+Even before he got inside</span>.
+</div>
+<hr />
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Punch, or the London Charivari, Vol.
+147, October 28, 1914, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH ***
+
+***** This file should be named 28392-h.htm or 28392-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/8/3/9/28392/
+
+Produced by Punch, or the London Charivari, Neville Allen,
+Malcolm Farmer and the Online Distributed Proofreading
+Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>